WMM Playlist from Jan. 8, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 8, 2020

Wednesday MidDay Medley Celebrates David Bowie!

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980 [WMM’s theme song]

2. David Bowie – “Intro [Live]” [ :08 Intro only]
from: Live Santa Monica ’72 / Parlophone / June 30, 2008
[Santa Monica ’72 is a live album by David Bowie, recorded at Santa Monica Civic Auditorium on 20 October 1972 during the Ziggy Stardust Tour. Taken from KMET FM’s radio broadcast, it was available only as a bootleg for more than 20 years; according to author David Buckley, possessing a copy was the test of a “proper Bowie fan”. The recording was issued semi-legally/officially and without Bowie’s approval by the Golden Years label in 1994, with Griffin Music handling the American release in 1995. This live album features a quite different setlist to the one found on Ziggy Stardust – The Motion Picture (1983) (namely that, with the exception of The Jean Genie, the setlist contains no songs from Aladdin Sane, which were very present by the end of the tour), which was recorded nine months afterwards and similarly bootlegged prior to its belated official release. The Santa Monica recording is generally considered a superior representation of the Ziggy Stardust concerts in terms of both sound quality and standard of playing.]

3. David Bowie – “Rebel Rebel (Live)”
from: A Reality Tour (Bonus Track Version) [Live] / Sony Music / Jan. 22, 2010
[“Rebel Rebel”by David Bowie was released as a single by RCA Victor on February 15, 1974 from the album Diamond Dogs the B-side was “Queen Bitch” (a song from Hunky Dory). “Rebel Rebel” is Cited as Bowie’s most covered track, it has been described as being effectively Bowie’s farewell to the glam rock movement that he had helped pioneer, as well as being a proto-punk track. A Reality Tour is a live album by David Bowie that was released on 25 January 2010. The album features November 22, and 23, 2003 performances in Dublin during his concert tour A Reality Tour. Eventually this world tour made it’s way to Kansas City, where Bowie played Starlight Theatre, on Sunday, May 10, 2004.]

10:04 – WMM Celebrates David Bowie

David Bowie seemed to be from another world. He seemed to have multiple lives, he seemed immortal. His art kept coming. His influence vast. He was a guide. Much of my journey as an outsider queer kid finding a light in the darkness, was influenced by Bowie.

Bowie’s death, four years ago, in NYC, on January 10, 2016 sent shock waves of grief across the world. Bowie made over 50 years of music, continually reinventing his image, his sound, his bands. Bowie’s lyrics and music touched the lives of us who felt like, outsiders.

Bowie was a “gateway drug” to other important influences: The Velvet Underground, Lou Reed, Andy Warhol, Iggy Pop, Glam Rock, Electronica, Brian Eno, William S. Burroughs, Beat Poetry, Mick Ronson, Tony Visconti, T-Rex, Kraftwerk, Klaus Nomi, Nicolas Roeg, Bauhaus, Gender Expression, and more. Bowie was a synthesizer weaving them together.

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI – Kansas City Community Radio. 


I’m Mark Manning. Today we Celebrate David Bowie on his actual Birthday, with selected songs from some of his 27 studio albums, and recordings that Bowie wrote and produced for Lou Reed, and Mott the Hoople.

Plus, we’ll play some of our favorite Bowie songs performed by musicians he influenced: Joan As Police Woman, Nile Rodgers, OK Go & Bonerama, including two Kansas City bands: Soft Reeds, and The Band That Fell To Earth.

At 10:30 Jocelyn Olivia Nixon of The Creepy Jingles, Alisön Hawkins of True Lions, and Mazzy Mann of UN/TUCK join us to share details about The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM,

And at 11:15, we welcome musician and writer, Michelle Bacon and musician Kyle Dahlquist join us to share details about The Band That Fell To Earth and the 5th annual tribute to David Bowie with TWO nights of music: Friday, January 24 and Saturday, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. A portion of ticket sales will benefit Kansas City Anti-Violence Project, an organization that provides advocacy, support and education to the LGBTQ+ community, including survivors of domestic violence, sexual assault and hate crimes. More info at: http://www.therecordbar.com

And into this mix of interviews, original songs and covers, we’ll feature short stories about David Bowie, from a few of his biggest fans: Michelle Bacon, Ben Grimes, Cody Wyoming, Krystle Warren, and Nico Gray.

Our first story comes from our talented friend, singer, songwriter, Krystle Warren, who has worked with some of the musical artists we’re played today, including Joan As Police Woman. Krystle sent us her story from France, where she now lives.

10:08

4. Krystle Warren’s Bowie Story –”Always be genuine in your expression”

5. Mott The Hoople – “All The Young Dudes”
from: All The Young Dudes / Columbia / September 8, 1972
[The album was written and produced by David Bowie, during the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Regarded as one of glam rock’s anthems, the song originated after Bowie came into contact with Mott the Hoople’s bassist Peter Watts and learned that the band was ready to split due to continued lack of commercial success. When Mott rejected his first offer of a composition, “Suffragette City” (from The Rise and Fall of Ziggy Stardust and the Spiders from Mars), Bowie wrote “All the Young Dudes” specially for them, allegedly sitting cross-legged on the floor of a room in Regent Street, London, in front of the band’s lead singer, Ian Hunter. With its dirge-like music, youth suicide references and calls to an imaginary audience, the song bore similarities to Bowie’s own “Rock ‘n’ Roll Suicide”, the final track from Ziggy Stardust. Described as being to glam rock what “All You Need Is Love” was to the hippie era, the lyrics name-checked contemporary star T. Rex and contained references to The Beatles and The Rolling Stones. Bowie himself once claimed that the song was not intended to be an anthem for glam, that it actually carried a darker message of apocalypse. According to an interview Bowie gave to Rolling Stone magazine in 1973, the boys are carrying the same news that the newscaster was carrying in the song “Five Years” from Ziggy Stardust; the news being the fact that the Earth had only five years left to live. Bowie explains: “All the Young Dudes’ is a song about this news. It’s no hymn to the youth, as people thought. It is completely the opposite.” “All the Young Dudes” is also thought of as a gay anthem. Lou Reed said “It’s a Gay Anthem! A rallying call to the young dudes to come out in the streets and show that they were beautiful and gay and proud of it.”

10:14 – 1972 was an amazing year for the 25 year old David Bowie

Starting with Bowie’s third album, The Man Who Sold The World, in 1970, through Hunky Dory in ’71, The Rise and Fall of Ziggy Stardust and The Spiders From Mars in ’72, Alladdin Sane and Pin Ups in ’73, Bowie records were built around a 4-piece band that included the great Mick Ronson on lead guitar, backing vocals, piano, and arrangements.

Mott The Hoople’s “All The Young Dudes” was written and produced by Bowie, in 1972, the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders From Mars. “All the Young Dudes” was written specifically for Mott The Hoople to keep them from breaking up, with Bowie allegedly sitting cross-legged on the floor of a room in Regent Street Hotel in London, in front of the band’s lead singer, Ian Hunter.

During this same year, David Bowie and Mick Ronson also served as producers on Lou Reed’s second solo album, the classic, Transformer, released on Bowie’s label RCA, in November of 1972.

In many ways Bowie was giving back to one of his biggest influences. Six years earlier, David Bowie’s manager Ken Pitt, returned from a trip to New York City, where he had met with artist Andy Warhol about the possibilities of representing a new, unknown group called The Velvet Underground. Ken Pitt didn’t much care for their music, so he gave the Andy Warhol signed acetate of The Velvet Underground & Nico, the band’s unreleased debut, to the 19-year old Bowie. Bowie said that receiving this acetate was “life changing.” He immediately learned the songs, and encouraged his band to perform, “I’m Waiting for the Man” in live shows, long before the album had been officially released. The Velvet Underground would mark the start of Bowie’s love affair with New York City.

I was able to view up close, this holy grail of rock music, the very special acetate, from Bowie’s own personal collection, as part of the internationally touring exhibition, David Bowie Is, at the The Museum of Contemporary Art Chicago, in September 2014.

Next we play a rare, track from the recording sessions of Lou Reed’s, Transformer” produced by David Bowie & Mick Ronson, from the incredible year of 1972.

10:17

6. Lou Reed – “Walk on The Wild Side” (rare unreleased track)
from: Monitor This / Monitor This / June-July 2003 (Transformer / RCA / Nov. 8, 1972)
[Produced by David Bowie and Mick Ronson. A previously unreleased version found during remastering sessions for Transformer release – different from version found on the BMG album NYC Man: The Collection. A Lou Reed song from his 1972 second solo album Transformer. It was produced by David Bowie. The song received wide radio coverage, despite its touching on taboo topics such as transsexuality, drugs, male prostitution and oral sex. In the United States, RCA released the single using an edited version of the song without the reference to oral sex. The lyrics, describing a series of individuals and their journeys to NYC, refer to several of the regular “superstars” at Andy Warhol’s New York studio, The Factory, namely Holly Woodlawn, Candy Darling, Joe Dallesandro, Jackie Curtis and Joe Campbell (referred to in the song by his nickname Sugar Plum Fairy). Candy Darling was also the subject of Reed’s earlier song for The Velvet Underground, “Candy Says”. Mick Ronson (who was at the time the lead guitarist with Bowie’s band, the Spiders from Mars) played a major role in the recording of the album at Trident Studios, serving as the co-producer and primary session musician (contributing guitar, piano, recorder and backing vocals), as well as arranger, notably contributing the lush string arrangement for “Perfect Day”. Reed lauded Ronson’s contribution in the Transformer episode of the documentary series Classic Albums, praising the beauty of his work and keeping down the vocal to highlight the strings. The songs on the LP are now among Reed’s best-known works, including “Walk on the Wild Side”, “Perfect Day” and “Satellite of Love”, and the album’s commercial success elevated him from cult status to become an international star.]

10:20

You are listening to WMM’s Tribute to David Bowie on 90.1 FM Our next story comes from band leader, musicain, actor and director, Cody Wyoming, lead guitarist, singer, and founder of the KC band, The Philistines, and member of the Pedaljets.

7. Cody Wyoming’s Bowie Story – “You’re Wonderful”
recorded by Mark Manning, Saturday, February 7, 2016

8. OK Go & Bonerama – “Rock ‘N’ Roll Suicide”
from: You’re Not Alone – EP / Capital / November 7, 2006
[Collaboration by rock band OK Go and brass funk rock band Bonerama, recorded to raise money for New Orleans musicians displaced in 2005 by Hurricane Katrina. The EP was recorded in August 2007 in New Orleans, Bonerama’s home city.] [“Rock ‘n’ Roll Suicide” by David Bowie, was originally released as the closing track on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in June 1972. Critic Stephen Thomas Erlewine found it to have “a grand sense of staged drama previously unheard of in rock & roll”. The exhortation “Oh no, love, you’re not alone” references the Jacques Brel song “You’re Not Alone” (“Jef”) that appeared in the musical Jacques Brel is Alive and Well and Living in Paris. Bowie covered Brel’s “My Death” during some Ziggy Stardust live shows. Rock ‘n’ Roll Suicide”, recorded on February 4, 1972, was one of the last songs recorded for Ziggy Stardust, along with “Suffragette City”, which would immediately precede it in the album track list. As the final song on the album and climax to the Ziggy Stardust live shows throughout 1972-73, it soon became a slogan, appearing on many fans’ jackets.]

Jocelyn Olivia Nixin, Alison Hawkins, and Mazzy Mann on the January 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:30 – Interview with Jocelyn Olivia Nixin, Alisön Hawkins, & Mazzy Mann

Alisön Hawkins is a co-founder/organizer for BANDWAGGN KC, a music camp for girls/trans/gender expansive youth. They are a nonbinary songwriter, multi-instrumentalist, full-time piano teacher, and musician in multiple local acts including Chase the Horseman, Calvin Arsenia, Empty Moon, and Una Walkenhorst, among others. Alison dropped out of music school and dedicated their life to smashing the patriarchy. Realizing music was a fun way to accomplish this, they created the all-femme twee pop band True Lions a year ago, and released two EPs in 2019.

Mazzy Mann is co-founder of UN/TUCK KCMO Queer/Trans/Femme collective, band leader of the subversive jazz big band HANNAH, electronic producer MX.MRS, and curator of dozens of pop-up events across Kansas City’s underground network, inflitrating rave culture, jazz culture, and alternative indie culture. In creating safer spaces for queer, trans, and under-represented voices in KC’s music scene, she has become a force in a community that often goes unnoticed. Mazzy’s approach to music and curation is unapologetic, fierce, and powerful: A dominant force of new era awakening.

After returning back to Kansas City for a Austin, Texas, Jocelyn Olivia Nixin, formed the band The Creepy Jingles where she is lead singer, songwriter, keyboardist & guitar player with Travis McKenzie on guitar, Nick Robertson on drums. The Creepy Jingles were signed to High Dive Records and released their self titled debut EP on May 3, 2019 to critically acclaim and landing in the Top Ten ow WMM’s 119 Best recordings of 2019.

Alison, Mazzy and Jocelyn are here to share details about The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM.

Jocelyn Olivia Nixin, Mazzy Mann and Alison Hawkins thank you for being with us on Wednesday MidDay Medley

Mazzy Mann, I first met you around 5 years ago at Mills Record Company. Like you record stores have been one of the community spaces where I hang out and where I felt safe and accepted. I remember you hanging out looking through records and talking about “crucial” recordings.

Since then you have been the recipient of a Rocket Grant, started a residency with Charlotte Street Foundation and come out as a multi – media musical performance artist, co-founder of the UN/TUCK Collective with Intelligent Sound, released multiple recordings from several musical and performance identities, became the band leader of the subversive jazz big band HANNAH, and electronic producer MX.MRS, and curator of dozens of pop-up events across Kansas City’s underground network, infiltrating rave culture, jazz culture, and alternative indie culture.

HANNAH is a child pop star turned ambient catharsis apparition appearing in shapes outside physical realms. On December 8 HANNAH released the double album: Trans/Portal and Trans/Human

In creating safer spaces for queer, trans, and under-represented voices in KC’s music scene, she has become a force in a community that often goes unnoticed.

Mazzy Mann is a Kansas City-based performance artist and co-founder of UN/TUCK Queer and Trans Electronic Collective, whose work explores the loss of identity through themes of existential horror, film noir, vaudeville, old soul, jazz, and folklore. Through combining archetypes of 1950s and 60s American horror genres and existential ideologies with the modern transgender experience, Mazzy aims to address the trans perspectives of dysphoria, dysmorphia, isolation, trauma, and abuse. In doing so, they work to build a platform for queer voices, and normalize queer peoples into a broader culture.

In contrast to the colorful and celebratory approach of queer pop culture, Mazzy takes a back swing on the pendulum to the sheer horror of waking up and no longer knowing who you are. Using visceral film, music, and stage performance, Mazzy conveys a message that is truly hypnotic, horrifying, and eye-opening.

Alison Hawkins created the all-femme twee pop band True Lions who released two great EPs in 2019. Congratulations.

Alison Hawkins plays with Chase the Horseman, Calvin Arsenia, Empty Moon, and Una Walkenhorst, among others. They are a nonbinary songwriter, multi-instrumentalist, full-time piano teacher.

This event is presented by Bandwaggn Kansas City and UN/TUCK

Bandwaggn’s mission is to empower girls and trans youth to build community through authentic relationships and lead a movement toward collective liberation. Music is our chosen tool for teaching, learning and building into our future. Bandwaggn is entirely volunteer-led.

Bandwaggn’s goal is to create a youth-centered arts and social justice organization. We’d like to be the Kansas City chapter of a 6-day summer music program under the national umbrella “Girls Rock Camp Alliance.” The camp will serve kids who identify as girls, gender nonconforming, and trans, ages 8-17. Our goal is to host at least 20 kids at the camp June 2020. We strive to be inclusive and reach as many deserving young folks who want to participate as possible. Outcomes we hope to see include community building and empowerment among our youth participants. We see a need for this in Kansas City because most extracurricular opportunities often exclude the most marginalized children and most music camps require previous musical skill and experience.

UN/TUCK is part of Intelligent Sound, it is a Queer/ Trans electronic collective
CURATORS/ FOUNDERS: Mazzy Mann, Zoey Shopmaker, Lorelei Davis

The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101

Will Feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata.

Doors at 8:00 PM.

Related Shows:

The Creepy Jingles play Community Empowered, A Benefit 4 KC Passages, tomorrow Thursday, January 9, at 7:00 PM at The Rino, 314 Armour Rd, NKC with Rachel Mallin, and Havanna Affair.

True Lions, Helkat, and Mild Cats, play Stray Cat Film Center, 1662 Broadway Blvd, KCMO, Friday, January 10, at 8:00 PM to benefit local animal rescues.

From In Kansas City Magazine – Tim Finn interviews Michele Bacon and asks: What are the best things about the Kansas City music community?

Michelle answers: “There are a lot of dedicated, talented artists in Kansas City, but I think that the inclusivity is unparalleled. I entered the music scene while going through a major life change and found sanctuary in it. I also learned so much about being a musician and a music professional through the mentorship of others. I often return to that spirit of community, but it seems crucial to have a system of support and connectivity to share with one another. It drives us to create and instills the confidence to put our passions out to the rest of the world.”

From UN/TUCK Facebook page: “Come out and reclaim queer prom for those of us who never got the opportunity to dress and be ourselves at the high school formal. In affiliation with @bandwaggnkc , we are excited to announce a Winter Formal fundraising event that will help provide summer camp for femme, queer and trans youth.”

Alison Hawkins, Mazzy Mann, Jocelyn Olivia Nixin, thanks you for being on WMM

The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM.

10:50

9. Joan As Police Woman – “Sweet Thing”
from: Real Life (B Sides) – EP / Cheap Lullaby Records / June 12, 2007
[Extra tracks from the solo debut recording of Joan Wasser, born July 26, 1970, known by her stage name, Joan As Police Woman. She is an American musician and singer-songwriter. She began her career playing violin with the Dambuilders. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. KC artist Krystle Warren has toured around the world with her.] [“Sweet Thing” or “Sweet Thing/Candidate/Sweet Thing (Reprise)” is a suite of songs written by David Bowie for the album Diamond Dogs. Recorded in January 1974, the piece comprises the songs “Sweet Thing” and “Candidate” and a one-verse reprise of “Sweet Thing.” In the opening line, “Sweet Thing” contains the lowest note Bowie had recorded in a studio album (C2) until “I Took a Trip on a Gemini Spacecraft” for the album “Heathen” (2002), where he growled the word “Well” (G1) towards the end of the song. Diamond Dogs was the 8th studio album from Bowie, was released May 24, 1974, after the ‘retirement’ of Bowies’s Ziggy Stardust, character. Diamond Dogs featured a new lead character named Halloween Jack, “a real cool cat,” who lives in the decaying “Hunger City”. Bowie, however, still wore the Ziggy haircut on the cover of Diamond Dogs, and the first single, “Rebel Rebel” continues his glam rock sound. However, with the rest of the album, music writers noticed a new Bowie. For his song “Sweet Thing” / “Candidate”/ “Sweet Thing (Reprise)” Bowie first used the William S. Burroughs’ cut-up style of writing. The song “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. The Diamond Dogs Tour of 1974 was one of the first huge Rock and Roll, bus and truck tours, like a big Broadway production.]

10:53

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM

For his song “Sweet Thing” Bowie first used the William S. Burroughs’ cut-up style of writing. Sweet Thing was from Diamond Dogs, Bowie’s 8th studio album, released May 24, 1974. The first single from Diamond Dogs was “Rebel Rebel” which continued Bowie’s glam rock sound, but the rest of Diamond Dogs was different, Mick Ronson was gone, Bowie was on lead guitar, music writers noticed a new Bowie, and songs like “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. Bowie released his 10th album, Station to Station in 1976. It’s first single “Golden Years” was completed during a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to his previous album Young Americans, but the rest of the songs on Station to Station were all foreshadowing of the Kraftwerk-influenced and electronic music of Bowie’s Berlin Trilogy of 1977’s Low, Heroes, and 1979’s Lodger.

Our next Bowie story comes from Ben Grimes, founder of two influential KC bands: Soft Reeds and The Golden Republic. Ben recorded this story for us when he was living in Los Angeles working on the TV show “Baskets.” Following Ben’s story is a special track, written by Bowie, during that Berlin Trilogy, and recorded by Ben’s band Soft Reeds.

10. Ben Grimes Bowie Story – “You are Never Stuck In One Thing”
recorded by Ben Grimes, Sunday, February 28, 2016

11. Soft Reeds – “Sound and Vision”
from: unreleased track recorded during the sessions for Soft Reeds album ‘Blank City’
[Blank City was Soft Reeds second album, released by The Record Machine on April 23, 2013. Produced at Element Recording with Joel Nanos. Soft Reeds is the brainchild of Ben Grimes (formerly of Astralwerks’ The Golden Republic), a Chicago native whose roots grip firmly in the ’77 Berlin sounds of Brian Eno, David Bowie and Iggy Pop, with Austin, TX native Josh Wiedenfeld on drums, Beckie Trost, a fellow Chicagoan and childhood friend of Grimes on bass, and KC native John Mitchell on guitar, saxophone, keys.]

11:03 – Station ID

Our next Bowie story comes from Nico Gray, a writer, and actor who has worked with The Kansas City Rep, Gorilla Theatre, Actor’s Craft, and Big Bang Buffet. Nico is also a marketing and advertising consultant with Union Station and KC Fringe Festival.

12. Nico Gray’s Bowie Story – “Thank you Bowie!”
recorded by Nico Gray, Sunday, February 28, 2016

13. David Bowie – “Changes”
from: Hunky Dory / RCA – (Rykodisk – Virgin – Sony – EMI – Columbia ISO) / Dec. 17, 1971
[Written by David Bowie, originally released on Hunky Dory and as a single in January 1972. “Changes” became one of Bowie’s best-known songs. The lyrics are often seen as a manifesto for his chameleonic personality, the frequent change of the world today, and frequent reinventions of his musical style throughout the 1970s. This single is cited as David Bowie’s official North American debut, despite the fact that the song “The Man Who Sold the World” was released in North America two years prior. This was the last song Bowie performed live on stage before his retirement from live performances at the end of 2006.]

11:11

Our next story about Bowie comes from another one of Bowie’s biggest fans, musician and writer, Michelle Bacon who talks about The Band That Fell To Earth and band she put together for a Tribute to David Bowie that has now become an annual event.

14. Michelle Bacon’s Bowie Story – “Putting together a perfect band”
recorded by Mark Manning, Saturday, February 27, 2016

15. The Band That Fell To Earth – “Boys Keep Swinging”
from: Recorded Live at recordBar for A Tribute To David Bowie / January 2018

Kyle Dahlquist and Michelle Bacon January 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:20 – Interview with Michelle Bacon & Kyle Dahlquist

You are listening to WMM’s Tribute to David Bowie on 90.1 FM KKFI

Multi talented, musician and writer, Michelle Bacon is the Content and Database Manager at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle plays bass with Other Americans, and Nathan Corsi Band. Over the last several years she performed and recorded music with, The Band That Fell To Earth, Heidi Lynne Gluck, Erica Joy, Chris Meck and the Guilty Birds, The Blackbird Revue, John L. Johnson, The Philistines, Deco Auto, and many others.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

Also with us is musician Kyle Dahlquist who plays with The Band That Fell to Earth, Victor & Penny’s Loose Change Orchestra, Men of Men, Johnny Hamil’s GAV7D, Amy Farrand and The Like, and other groups. Kyle has also previously played with The Hardship Letters, alacartoona, Mr. Marco’s V-7, and Mongol Beach Party.

Kyle Dalquist, thanks for being with us on Wednesday MidDay Medley

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Friday, January 24 and Saturday, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO.

The band was curated by musician/writer Michelle Bacon to pay homage to the groundbreaking artist while showcasing talent across Kansas City’s vast musical spectrum.

Michelle Bacon on bass,
Alex Alexander on guitar,
Nathan Corsi on vocals/guitar,
Kyle Dahlquist on keys/brass,
Katy Guillen on guitar,
Steve Tulipana on vocals,
Stephanie Williams on drums,
Havilah Bruders on backing vocals,
Camry Ivory on backing vocals,
Matt Ronan on percussion,
Christine Broxterman on cello,
Betse Ellis on violin,
Rich Wheeler on saxophone,

American Sign Language interpretation from Peige Turner and video projections from XO Blackwater.

Each night will contain a unique set list and different special guests. Special guests include: Julia Haile, Danielle Nicole, Kianna Alarid, Heidi Phillips, and Chase The Horseman.

A portion of ticket sales will benefit Kansas City Anti-Violence Project, an organization that provides advocacy, support and education to the LGBTQ+ community, including survivors of domestic violence, sexual assault and hate crimes.

More info at: http://www.therecordbar.com

Commemorative David Bowie prayer candles & pillows will be sold by Kitschup Creations.

Michelle Bacon and Kyle Dahlquist, thanks for being with us on WMM.

The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Fri, January 24 and Sat, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO.

11:35

16. Katy Guillen & The Drive – “Other Side”
from: Dream Girl [EP] / Katy Guillen / January 11, 2020
[New 7 song EP from Katy Gullien and Stephanie Williams]

[Katy Guillen & The Drive plays Knuckleheads, Saturday, Janury 11, at 8:00 PM]

11:39 – Underwriting

11:41

To study Bowie’s albums is to learn about the many great guitarists and producers who have collaborated with Bowie including on of the most influencial guitarists and producers of modern music…Nile Rodgers.

17. Nile Rodgers talks about making “Lets Dance”

11:45

18. David Bowie – “Let’s Dance” (Single Version)
from: Let’s Dance / EMI / April 14, 1983
[Let’s Dance was co-produced by Chic’s Nile Rodgers, the album contained three of his most successful singles; the title track, “Let’s Dance”, reached No. 1 in the US, “Modern Love” and “China Girl” both reached No. 2 in the UK. “China Girl” was a new version of a song which Bowie had co-written with Iggy Pop for the 1977 album The Idiot. The album also contains a re-recorded version of the song “Cat People (Putting Out Fire)” which had been a minor hit for Bowie a year earlier. Let’s Dance was a stepping stone for the career of the Texas blues guitarist Stevie Ray Vaughan, who played on it. Let’s Dance has sold over 10.7 million copies worldwide, making it Bowie’s best-selling album. Let’s Dance is Bowie’s 18th official album release since his debut in 1967, including two live albums, one covers album (Pin Ups, 1973), and a collaboration with the Philadelphia Orchestra (1977). The success of the album surprised Bowie, who felt he had to continue to pander to the new pop audience he acquired with the album. This led to Bowie releasing two further solo albums in 1984 and 1987 that, despite their relative commercial success, did not sell as well as Let’s Dance, were poorly received by critics at the time and subsequently dismissed by Bowie himself as his “Phil Collins years”. Bowie would form the hard rock and grunge-predecessor band Tin Machine in 1989 in an effort to rejuvenate himself artistically. David Bowie had planned to use producer Tony Visconti on the album, as the two had worked together on Bowie’s previous four studio albums. However, he chose Nile Rodgers for the project, a move that came as a surprise to Visconti, who had set time aside to work on Let’s Dance. Visconti called [Bowie’s personal assistant] Coco and she said: “Well, you might as well know – he’s been in the studio for the past two weeks with someone else. It’s working out well and we won’t be needing you. He’s very sorry.” The move damaged the two men’s relationship and Visconti did not work with Bowie again for nearly 20 years (until 2002’s Heathen). Rodgers later recalled that Bowie approached him to produce his album so that Bowie could have hit singles. Rodgers reported that Bowie came into his apartment one day and showed him a photograph of Little Richard in a red suit getting into a bright red Cadillac, saying “Nile, darling, that’s what I want my album to sound like.”]

11:52

27 studio albums, 8 live albums, over 50 compilation albums, 119 singles, 58 music videos, over 25 films. Bowie was a working artist. He was always working, always creating, always studying, always interested in how it could be put together. Bowie inspired multiple generations of people with his beautiful catalog of music, demonstrating one of the most creative arcs of any artistic career.

I would like to thank all of our contributors for sharing their stories: Cody Wyoming, Nico Gray, Ben Grimes, Michelle Bacon, and Krystle Warren.

And we’ll close with “Lazarus” the final single from David Bowie, released on his 27th and final studio album, Blackstar, on 4 years ago on January 8, 2016, on Bowie’s 69th birthday. Bowie died two days later. Co-producer Tony Visconti described the album as Bowie’s intended swan song and a “parting gift” for his fans before his death.

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

11:53

19. David Bowie – “Lazarus”
from: Blackstar / ISO Records – Columbia / January 8, 2016
[Lazarus features David Bowie on vocals, acoustic guitar, and Fender guitar; Donny McCaslin on saxophone, flute, and woodwind; Jason Linder on piano, Wurlitzer organ and keyboards; Tim Lefebvre on bass; Mark Guiliana on drums. McCaslin and the rest of the jazz group recorded their parts in the studio over a period of about one week a month from January to March 2015, and until later in recording were unaware of Bowie’s declining health. The song “Lazarus” is part of Bowie’s Off-Broadway musical of the same name. The album has received universal critical acclaim and commercial success, reaching the number one spot in a number of countries in the wake of Bowie’s death and becoming his first album to reach number one on the Billboard 200 album chart in the U.S. Blackstar is the twenty-fifth and final studio album by musician, writer, actor, chameleon, David Bowie. It is the 27th when you count the Tin Machine records, which you should. The album was released worldwide on January 8, 2016, on Bowie’s 69th birthday, and just two days later David Robert Jones passed away at home surrounded by his wife Iman, and his son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next Week on January 15, WMM celebrates Dr. Martin Luther King, Jr., born January 15, 1929 music of the movement from: Mavis Staples, Pops Staples, The Staple Singers, Krystle Warren, Bobby Watson & The I Have A Dream Project featuring Glenn North, Bob & Una Walkenhorst, Kelly Hunt, Sharon Jones & The Dap-Kings, Labelle, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Soweto Gospel Choir, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, and Sarah Lee Guthrie & Johnny Irion.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #819

WMM presents Cody Critcheloe of SSION + Workers Revival Fest + David Wayne Reed’s Eternal Harvest + Woodstack

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 9, 2018

Cody Critcheloe of SSION + Workers Revival Fest
+ David Wayne Reed’s “Eternal Harvest” + Woodstack 2018

Mark Plays New & MidCoastal Releases from: SSION, Claire Adams, Betse & Clarke, Love Mae C of NuBlvckCity, The Sleazebeats, Those Far Out Arrows, Rev. Sekou, Friendship Commanders, and Downtown Boys.

A still from David Wayne Reed’s short film, Eternal Harvest.

At 10:11 David Wayne Reed talks about his new short film, Eternal Harvest, capturing the cycle of life as depicted by the growing season on a rural Kansas farm. Using drones, dance, farm implements, heirloom quilts, agriculture, and video installation, Eternal Harvest is a 2017 Rocket Grant recipient with support from Charlotte Street Foundation, Spencer Museum of Art, and the Andy Warhol Foundation for the Visual Arts. The film will premiere as part of the Miami County Farm Tour, Saturday, May 12 at 11:00 am, on David’s family farm, 33499 Cold Water Rd, Louisburg, KS. The film is part of a larger installation including a collection of antique tractors from David’s dad, and his grandmother’s extraordinary quilts.

Pamper the Madman

At 10:30 Members of the band Pamper The Madman: Johnny Hamil, Theresa Scott, and Chris Tady join us to share details about Woodstack 2018, Saturday, May 12 at Woodyard BBQ, 3001 Merriam Lane in Kansas City, Kansas. Theresa Scott’s family has owned and operated Woodyard BBQue for generations, so Theresa is throwing a party on the patio to celebrate. This event will featuring Pamper The Madman, and Theresa’s longtime friends Ernie Locke with SopChoppy, Billy Belzer of The Sleazebeats with Charlie Colborne, Betse & Clarke, Wyco Low Riders (Jason Beers & Johnny Hamil’s all bass band), along with: Erica Joy, Claire Adams, and The Almighty Trouble Brothers (their first show).

Cody Critcheloe of SSION.

At 11:00 we have an extended interview with artist, musician, and director Cody Critcheloe of SSION. Cody grew up in Kentucky, and graduated from the KC Art Institute. Cody has been living in NYC for nearly a decade, however still thinks of Kansas City as his “chosen family” home. Paper Magazine calls Cody, “an insanely talented master-of-all trades (he sings, paints and directs), has refused to play by the rules since he began, manufacturing full-fledged, DIY music-visual experiences. SSION has garnered a cult following, both as an artist and music video director, and now counts pop icons Robyn and Kylie Minogue among his fans.” SSION is releasing the new album, 0 on May 11 on DERO ARCADE Records. More info at: http://www.ssion.com

Workers Revival Fest

At 11:30 Shawn Saving of Black Site Records, and Natalie Patrick-Knox from Jobs With Justice join us to share details about the 1st annual Workers Revival Fest, Friday, May 11 and Saturday, May 12 at recordBar, 1520 Grand Blvd, KCMO, with Downtown Boys, Red Kate, Friendship Commanders, EBONY TUSKS, Nublvckcity, Baracutanga, Rev. Sekou, Austin Lucas, Scruffy & the Janitors, and Lovergurl featuring speakers from Jobs With Justice, Greater AFL-CIO, Noisey, and more. Community Workshops will be available on Saturday, May 12, 10:00 am to 4:00 pm at the Collection Restaurant, 1532 Grand Blvd. Workshops will be led by Julia Cole, Dave Loewenstein, Rico, Judy Ancel, Kim Kelly, and the Center for Story-based Strategies. More info at: http://www.black-site.org

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #733

WMM Playlist from April 25, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 25, 2018

Grand Marquis + Cris Williamson + John Keck +
Patrick Alonzo Conway & Gamelan Genta Kasturi

10:00 – Station ID

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

Caroline Lee & Barry Lee

We lost one of our own at KKFI as Caroline Lee passed away early in the morning on Wednesday, April 18th, surrounded by her family. Caroline was married to Barry Lee. Together they have been a constant presence in the area music scene and on the radio. Caroline was an early volunteer and organizer for 90.1 FM. When the station went the air in 1988 Caroline hosted and produced “Watusi Rodeo,” (one of the first alternative country radio shows). When that program ended its run, she was often a guest-host on, Signal To Noise. Barry Lee will present a radio memorial for Caroline on May 4th at 9:00 pm. There will also be a concert at Knuckleheads Saloon in July in her memory.

In honor of Caroline’s passing I would love to play a song from Cris Williamson’s 2001 release “Ashes,” 12 original songs about transformation, love, and the Phoenix rising. Helping Cris with the vocals is her friend Bonnie Raitt.

10:01

2. Cris Williamson – “Cry Cry Cry”
from: Ashes / Wolf Moon Records / September 18, 2001
[Written by Cris Williamson. Produced by Teresa Trull. Lead vocals – Cris Williamson, piano – Bonnie Hayes, supporting vocals – Bonnie Raitt, string arrangments & keyboard – Frank Martin, violin – Jeremy Cohen.]

[Cris Williamson will be in KC for the first time in 10 years, at All Souls Unitarian Universalist Church Kansas City, Missouri, 4501 Walnut, Saturday, April 28, at 7:00 pm. ]

10:07

3. John Keck – “Dear Life”
from: Out In The Cold – 12th Street Singles / John L. Keck / Expected May 2018
[Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals; Shannon O’Shea on violin; Chase Horseman on bass, drums, organ, & wurlitzer. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th Street in downtown Kansas City, Missouri. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. More at: http://www.johnlkeck.com]

[John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence.]

[John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO]

10:11 – Interview with John Keck

John Keck on the April 25, 2018 edition of Wednesday MidDay Medley on KKFI.

Kansas City based singer songwriter John Keck joins us to share music from his new EP, Out In The Cold – 12th Street Singles. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis.

John Keck, thanks for being with us on Wednesday MidDay Medley

Out In The Cold – 12th Street Singles. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th St. in downtown KCMO.

Produced, engineered, & mixed by Chase Horseman at Element Recording Studios.

John Keck’s mom was a teacher.

Missouri Queen.

John’s words – This is an ode to my single mother and the advice she’s given me. I wanted a short biographical song that allows me to give a frame of reference for where all of my songs come from and this was born. My Grandfather flew a B-29 in WWII called the “Missouri Queen”. There were Japanese fighters with floodlights on their noses that would chase the B-29s and light them up so they could be shot down. She told me that he would say “Don’t get caught in the light”, which is advice that she passed down for me to interrupt My Dad was a pilot and always gone when i was growing up, I would look up at the stars and confuse them with taillights of airplanes. Hence the shooting stars. When my parents separated, my mom returned to the farm where my grandparents lived and it became an integral part of my life. When I pushed my mom for more advice for the song she repeated what she has always told me, which is this story. “A Persian king asked the wisest man of his country for advice that would always be true, and he replied ‘This too shall pass’”

10:20

4. John Keck – “Missouri Queen”
from: Out In The Cold – 12th Street Singles / John L. Keck / Expected May 2018
[Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th Street in downtown Kansas City, Missouri. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. More at: http://www.johnlkeck.com]

10:22 – Interview with John Keck

John Keck

We are talking with Kansas City based singer songwriter John Keck joins us to share music from his new EP, Out In The Cold – 12th Street Singles. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis.

John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence.

John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO.

“Song For Mother”

John’s words – The last piece began after the shooting in Ferguson, MO. In following weeks I heard an interview with a woman who was protesting, I remember her saying “We’re just trying to keep our sons alive in the streets, don’t you understand, why can’t people understand”. Her voice stayed with me, haunting me as I watched and read about shooting after shooting. Eventually I dreamt a conversation with a mother who has been confronted all of her days with the death of their child. I woke up and sang this song to myself in the middle of the night. At first she is hesitant to say anything, but then can’t stop herself, going through grief, confusion, sadness, anger, frustration and finally feeling hopeless, pointless. The faint piano represents the child voice/spirit and the violin is speaking for the mother.

John’s words – Just before recording I spoke to the violinist, Shannon O’Shea, I told her what the song represented and asked her to play a solo with that represents the physical struggle when you’re sobbing so hard you can’t control your breath.

John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence. John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO.

10:30

4. John Keck – “Song For Mother”
from: Out In The Cold – 12th Street Singles / John L. Keck / Expected May 2018
[Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals; Shannon O’Shea on violin; Chase Horseman on piano & pump organ. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th Street in downtown Kansas City, Missouri. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. More at: http://www.johnlkeck.com]

[John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence.]

[John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO]

10:34 – Underwriting

6. Gamelan Genta Kasturi – “Sekar Jagat”
from: unreleased track “welcoming dance” / Gamelan Genta Kasturi /
[written by Patrick Alonzo Conway]

10:39 – Interview with Patrick Alonzo Conway

Patrick Alonzo Conway on the April 25, 2018 edition of Wednesday MidDay Medley on KKFI.

Patrick Alonzo Conway is a Kansas City based composer, performer, educator, and independent musician. He holds a Masters in Music Composition from the UMKC Conservatory of Music. He was a founding member of newEar, and he works with Terrestrial Consort, People’s Liberation Big Band of Greater Kansas City, Owen/Cox Dance Group, Mambo DeLeon, Chris Hazelton’s Boogaloo 7, Expassionates, and BCR. He is a 2012 recipient of the Charlotte Street Foundation Generative Performing Artist Fellow Award. Patrick Alonzo Conway is also the Director of Gamelan Genta Kasturi.

Patrick joins us to share details about KC’s Gamelan Genta Kasturi – 15th Anniversary performance at The Nelson Atkins Museum of Art, Sunday, April 29 at 2:00 PM.

Patrick Alonzo Conway thanks for being with us again on WMM.

Congratulations on KC’s Gamelan Genta Kasturi – 15th Anniversary!

The performance will feature guest Balinese artists: I Ketút Gedé Asnawa, Putu Oka Mardiani, Ni Made Nias Yunirika and Ni Nyoman Nias Yonitika;

University of Illinois Urbana-Champaign Gamelan Students: Putu Tangkas Hiranmayena, Ika Putri and Fedelia Trivianti;

and The Indonesian Community of KC Dancers; plus special guest Shawn Hansen on electronics.

This concert of will demonstrate traditional and modern Balinese Gamelan Music and Dance. This event is free, but requires a ticket to enter.

To reserve tickets: https://nelson-atkins.org/events/performance-gamelan-genta-kasturi-15th-anniversary-concert/

For over 15 years KC’s community Balinese gamelan orchestra, Gamelan Genta Kasturi, has been presenting community concerts.

The group’s founder and family return in a special concert of Balinese Music & Dance featuring original compositions by Mr. Asnawa and traditional classics.

Gamelan Genta Kasturi

Gamelan Genta Kasturi with Balinese Guest Artists, under the direction of I Ketút Gedé Asnawa, featuring his wife Putu Oka Mardiani Asnawa, and two daughters Yunirika Asnawa & Yonitika Asnawa performing several dances with the music.

Mr. Asnawa has been faculty at the University of Illinois, Urbana-Champaign in conjunction with the Robert E. Brown Center For World Music since leaving Kansas City in 2006. He and his family maintain an active schedule performing, teaching and promoting Balinese Cultural Arts.

Gamelan Genta Kasturi have been Studio Residents as part of the Charlotte Street Foundation/Urban Culture Project Studio Residency Program.

Gamelan Genta Kasturi, premiered a large scale collaborative work in 2011 featuring his Patrick Alonzo Conway’s original composition Angels & Demons at Play through Urban Culture Project and ArtSounds.

A gamelan is a traditional musical ensemble from Indonesia, typically from the islands of Java and Bali, featuring a variety of instruments such as metallophones, xylophones, kendang (drums) & gongs; bamboo flutes, bowed & plucked strings. Vocalists may also be included. For most Indonesians, gamelan music is an integral part of Indonesian culture.

The term refers more to the set of instruments than to the players of those instruments. A gamelan is a set of instruments as a distinct entity, built and tuned to stay together – instruments from different gamelan are generally not interchangeable.

Bali is a province of Indonesia. The province covers a few small neighboring islands as well as the isle of Bali. The main island is located in the westernmost end of the Lesser Sunda Islands, lying between Java to the west and Lombok to the east. It is one of the country’s 34 provinces w/ the provincial capital at Denpasar towards the S. of the island.
Patrick Alonzo Conway went to Bali.

Kansas City’s Gamelan Genta Kasturi – 15th Anniversary performance at The Nelson Atkins Museum of Art, Sunday, April 29 at 2:00 PM. http://www.gamelangentakasturi.org

https://nelson-atkins.org/events/performance-gamelan-genta-kasturi-15th-anniversary-concert/

10:57

7. Gamelan Genta Kasturi – “Samvartaka”
from: Rehearsal recording / Gamelan Genta Kasturi /
[Original composition written by Patrick Alonzo Conway for 20th aniversary of Charlotte Street Foundation.]

11:00 – Station ID

Grand Marquis

8. Grand Marquis – “Another Lover”
from: Brighter Days / King Forward Records / April 28, 2018

11:04 – Interview with Bryan Redmond and Ben Ruth

Grand Marquis were founded in 1998, over the last 20 years they have logged well over 2000 performances from Seattle to South Beach Miami playing their very own mix of American Roots, Blues, & Prohibition Jazz. They have now released 8 albums including a 7” 45 rpm vinyl recorded at legendary Sun Studio in Memphis, TN. Grand Marquis write powerful original songs and mix classic standards into their sets. Bryan Redmond on lead vocals & saxophones, Chad Boydston on trumpet, Trevor Turla on trombone, Ryan Wurtz on guitar, Ben Ruth on upright bass & sousaphone, and Fritz Hutchison on drums.

Grand Marguis are releasing their new album, Brighter Days and play a Brighter Days – Release Party on Saturday, April 28, at 8:30 at Knuckleheads, with Victor & Penny, and Brandon Phillips and The Condition.

Bryan Redmond and Ben Ruth thanks for being with us on Wednesday MidDay Medley.

Grand Marquis are playing the Zoo Bar in Lincoln Nebraska, Friday, April 27.

“This band plays as if the joint was literally on fire.” Billtown Blues Association

“Completely infectious…it begs to be played loud, it begs to be danced to!” Boston Blues Review

“…moving the genre forward into the next century.” Graham Clarke, Blues Bytes

“Few bands have more fun or produce more joy in an audience while onstage.” Jason Harper, The Pitch

Accolades:

2013 International Blues Challenge Finalists: “Best Self-Produced CD”
2011 International Blues Challenge Finalists (The Blues Foundation)
2011 Best Blues Band – The Pitch (Kansas City, MO)
2010 Topeka Blues Society International Blues Challenge Champions
2007 Best Jazz Band – The Pitch (Kansas City, MO)
2006 Best Jazz Band – The Pitch (Kansas City, MO)
2006 Best Local Band – The X Entertainment Magazine (Kansas City metro area)

11:12

9. Grand Marquis – “Brighter Days”
from: Brighter Days / King Forward Records / April 28, 2018

11:16 – More Interview with Bryan Redmond and Ben Ruth

Bryan Redmon and Ben Ruth of Grand Marquis on the April 25, 2018 edition of Wednesday MidDay Medley on KKFI.

Grand Marquis Discography:

“Brighter Days”2018
“Blues and Trouble” 2013
“The Sun Session” 2011
“Hold On To Me” 2010
“One More Day” 2007
“Grand Marquis” 2004
“Le Chant Du Diable Bleu” 2002
“Burlesk” 2000

The band has grown and evolved over the years.

Grand Marquis are Bryan Redmond on lead vocals & saxophones, Chad Boydston on trumpet, Trevor Turla on trombone, Ryan Wurtz on guitar, Ben Ruth on upright bass & sousaphone, and Fritz Hutchison on drums. Brighter Days is the band’s 8th release. Grand Marquis play a Brighter Days – Release Party on Saturday, April 28, at 8:30 at Knuckleheads, with Victor & Penny, and Brandon Phillips and The Condition.

Bryan Redmond and Ben Ruth have kept this band alive and made all of this music while also growing families and raising kids.

Ben Ruth also plays in the bands: The Hardship Letters, Be/Non.

http://www.grandmarquis.net

Grand Marguis are releasing their new album, Brighter Days and play a Brighter Days – Release Party on Saturday, April 28, at 8:30 at Knuckleheads, with Victor & Penny, and Brandon Phillips and The Condition.

11:23

10. Grand Marquis – “Many Rivers to Cross”
from: Brighter Days / King Forward Records / April 28, 2018

11:28 – Underwriting

11. Cris Williamson – “Motherland”
from: Motherland / Wolf Moon Records / November 14, 2017
[30th release from legendary singer songwriter. Produced by Julie Wolf.]

11:34 – Interview with Cris Williamson

Cris Williamson

Legendary singer songwriter Cris Williamson recently released her 32nd album, Motherland. Cris Williamson is a brilliant songwriter, poet, pioneer, and renegade who recorded her first album in the 1964 when she was sixteen. Cris Williamson’s groundbreaking album, The Changer and the Changed, was released in 1975, and became one of the best-selling independent releases of all time, selling over 500,000 copies. The sales of these records allowed the independent label Olivia Records to release music from a whole new movement of diverse female artists, all overlooked by mainstream music. Cris Williamson helped to forge a historic movement in the male dominated music industry, fostering the creation of completely female owned record labels, touring companies, and music festivals. The movement, (often misclassified as a genre) was about opening the doors, and smashing glass ceilings, for so many women to follow, who had been shut-out of the game, simply because of their gender. Cris seemed to shrug all of that off with an earthy sexy confidence that makes audiences swoon for her. She wrote music for people desiring to find their own identities in modern folk and pop music. No one had ever courageously written and performed so many brilliant full length albums of songs by women, about women, for women. At the same time, these songs are universal to us all. These songs were all impeccably and professionally produced and have stood the test of time and could go up against any of the songs by Jackson Browne, Bonnie Raitt, or James Taylor. Only difference is mainstream radio and television has almost completely ignored Cris Williamson. Despite this injustice, through her amazing voice, and spirit, and open heart, Cris has helped make the world a better place for all female and LGBTQIA artists who follow the path she cleared. We owe her for that. Cris Williamson has written and recorded hundreds of beautiful, incredible songs, while remaining one of our most underrated singer songwriters of the last 50 years. If you’ve never seen her in concert, now is your chance! Cris Williamson will be in KC for the first time in 10 years, at All Souls Unitarian Universalist Church , 4501 Walnut, on Saturday, April 28, at 7:00 pm.

Cris Williamson thanks for being with us on Wednesday MidDay Medley

On Motherland we just heard the title track, a song Cris wrote. All of the other songs on the new record are written by her musical contemporaries of the past 50 years: Joni Mitchell, Eliza Gilkyson, Laura Nyro, Patty Griffin, Bob Dylan, Jackson Brown, James Taylor, Leonard Cohen & Jennifer Warnes. We’ve heard you cover songs from Joni Mitchell & James Taylor on earlier releases.

Cris Williamson was part of NPR Music’s 2017 feature on The 150 Greatest Albums Made By Women with her record – The Changer and the Changed: A Record of the Times (Olivia Records, 1975)

Cris Williamson

From NPR Music’s The 150 Greatest Albums Made By Women (7/24/2017):
“I’m kind of hand-carried, person to person,” Cris Williamson told the journalist Ben Fong-Torres in 1981, when asked how people discovered her music. “There are secretaries who’ve told me they can’t get through the day without running home during lunch hour and playing it.” Such was the impact of the Wyoming native’s voice, clear as a mountain stream, and her empathetic songwriting, which made this album one of the best-selling independent releases of all time and the cornerstone of the feminist “women’s music” movement. Produced by Williamson and featuring dozens of the era’s finest women musicians — including guitarists Meg Christian and June Millington, bass virtuoso Jacqueline Robbins and vocalists Holly Near and Margie Adam — Changer blended pop, country and folk elements in songs that were both cuttingly intimate and generously communal. (A few featured large choruses inspired by the sing-alongs women’s music artists inspired in concert.) Williamson’s own keyboard playing ranged from contemplative to dance-floor funky. The clear and confident lesbian desire behind love songs like “Sweet Woman” and “Dream Child” made Williamson a sex symbol; her philosophical side made Changer a record of spiritual growth, too. Speaking what at the time remained mostly unspoken in pop, this album truly changed lives. —Ann Powers (NPR Music)

Cris Williamson

From http://www.smithsonianmag.com:
Ginny Berson belonged to the Furies collective, a radical, separatist household that published journals, taught classes, and advocated communal living apart from men. Judy Dlugacz, 20, had postponed law school to pursue lesbian activism and was interested in finding an economically workable means of serving the women’s community. Performing as a folk musician at area clubs and coffeehouses, Meg Christian was eager to meet other women songwriters like Cris Williamson—who had released her first album in 1964 at age 16.

When Williamson came on tour to D.C., Christian and Berson not only arranged to bring other women’s music fans to the concert; in a gesture that changed history, they also scheduled a follow-up interview on Georgetown University’s “Radio Free Women” program. On the show, Berson spoke about how she and other members of the Furies collective were searching for a bigger project to invest in— “something that’s for women, by women, and supported by women’s money”—and Williamson responded with a simple yet provocative suggestion, “Why don’t you start a women’s record company?”

It has been over 10 years since Cris Williamson has been back to Kansas City.
Cris will be playing at All Souls Unitarian Universalist Church Kansas City, Missouri, 4501 Walnut, Saturday, April 28, at 7:00 pm.

Cris is also doing a show in St. Louis on April 28, at MCC of St. Louis

http://www.criswilliamson.com

Never one to rest on her laurels, to which Cris replied laughing, “What Laurels?” In the last 17 years Cris have released 11 full length albums (a few of those were double albums). That works out to be a new album every year and half. Considering the process of writing, recording, mastering, raising the funds to produce and launch a new record, we asked Cris to share what she might be currently working on for the next release. She told us that she has a back log of new songs she has written and collected and from those songs she is working through what she may release next. She has been playing with the idea of releasing an album of American standards, but held back because so many other musicians have been doing this.

(Note: The laurels that are being referred to when someone is said to ‘rest on his laurels’ are the aromatically scented Laurus Nobilis trees or, more specifically, their leaves. The trees are known colloquially as Sweet Bay and are commonly grown as culinary or ornamental plants. Rest on his laurels. The origins of the phrase lie in ancient Greece, where laurel wreaths were symbols of victory and status.)

Throughout the last 15 years Cris Williamson has also conducted Songwriting Workshops.

This summer Cris will be traveling to Norway with Olivia Cruises, and returning to National Women’s Music Festival, and in the fall, attending Women’s Week in Provincetown.

11:55

12. Cris Williamson – “Woman”
from: Motherland / Wolf Moon Records / November 14, 2017
[30th release from legendary singer songwriter. Produced by Julie Wolf.]

[Cris Williamson will be in KC for the first time in 10 years, at All Souls Unitarian Universalist Church Kansas City, Missouri, 4501 Walnut, Saturday, April 28, at 7:00 pm. ]

13. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on May 2, Marion Merritt of Records With Merritt, returns as our Guest Producer sharing musical discoveries and information from her encyclopedic brain. Also next week, Barry Lee joins us to share information about, An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS where Signal to Noise’s Barry Lee hosts an All-Star group of KC & Lawrence musicians in a benefit for KPR’s Audio Reader Network. The evening will highlight the quieter side of the Beatles’ music. Special guests The Volker Brothers (David George & Eric Voeks) will open the show with a set of acoustic Beatles songs.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #731

WMM Playlist from February 28, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 28, 2018

More New & MidCoastal Releases + The Matchsellers
+ Jen Harris & Siobhan McLaughlin Lesley of “Collective: Our Stories of Cancer”

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. U.S. Girls – “Velvet 4 Sale”
from: In a Poem Unlimited / 4AD / February 16, 1979
[6th studio album from U.S. Girls, the recording moniker of American-Canadian musician Meghan Remy. Formed in the United States in 2007 as a noise-pop project, Remy later moved the band to Toronto after marrying Canadian musician Max “Slim Twig” Turnbull. She released music on a variety of independent labels in both the United States and Canada before signing to 4AD in 2015. Her first record for that label, Half Free, was released the same year. Half Free garnered a Juno Award nomination for Alternative Album of the Year at the Juno Awards of 2016, and was a shortlisted finalist for the 2016 Polaris Music Prize. In a Poem Unlimited is her follow up and second release on 4AD.]

3. Sunny War – “If It Wasn’t Broken”
from: With the Sun / Org Music – Hen House Studios / Feb. 2, 2018
[“Los Angeles-based singer, songwriter and guitarist Sunny War (née Sydney Lyndella Ward) was born to a single mom in Nashville. She had what’s she’s described as a nomadic childhood, moving around from Michigan, Colorado, and living on the streets of San Francisco. Now in her mid-20s, War settled down in Los Angeles as a teenager, and became known for her street playing in Venice Beach. War is a fantastic guitar player. She learned her plucking style by playing “Blackbird” by The Beatles, and by falling in love with the blues. “I feel like I am a blues guitarist, but I don’t think I’m a blues artist,” she says. “I only use the scales and techniques that I know, and the only time I was trained in music was on blues guitar. I really love Elizabeth Cotten and Mississippi John Hurt,” says War.” – from NPR Music]

4. Hembree – “Continents”
from: Kitsuné America 5, the NBA Edition / Kitsuné Musique / February 15. 2018
[Kitsuné is a French record label and clothing designer. Hembree formed in November of 2015, band members include: Isaac Flynn, Garrett Childers, and Eric Davis. Their single “Had It All” was released July 26, 2017. Hembree released their debut EP, Had It All on Ribbon Music on November 3. 2017, engineered by: Isaac Flynn and Hembree. Produced by: Eric Hillman and Hembree. Mixed by: Joe Visciano. Mastered by: TW Walsh. Hembree played several North American cities opening for JR JR.]

[Hembree plays The Granada Theatre in Lawrence on Sat, April 28, with Dream Girl, and Y God Y]

5. Car Seat Headrest – “My Boy (Twin Fantasy)”
from: Twin Fantasy/ Matador / February 16, 2018
[Twin Fantasy (Face to Face) is the eleventh studio album by indie rock band Car Seat Headrest, released on February 16, 2018. It is a complete re-recording and reworking of the band’s sixth studio album, Twin Fantasy, released in 2011. Originally a started as a solo recording project by 26 year old, Will Toledo, in Leesburg, Virginia. Toledo chose the name “Car Seat Headrest” after recording the vocals of his first albums in the back seat of his car, for privacy. Car Seat Headrest released 12 albums on Bandcamp. Toledo’s production has gradually grown less lo-fi, but he still remains an effective example of the DIY ethic. Toledo saw a large influx of new fans with his 2011 release Twin Fantasy, which has become the most popular of his self-released albums. In September 2015, Car Seat Headrest announced on his Facebook page that he had signed an album deal with Matador Records. In October 2015, Car Seat Headrest released the compilation album, Teens of Style under the label. This was his first album that was not self-released via Bandcamp. The new album, Teens of Denial, was created with traditional studio processes. Car Seat Headrest is currently on tour in the Northwest, and after a May 8 show in Brooklyn, the band travels to Europe for dates in May and then will be back touring the state through June and July.]

6. Joy Zimmerman – “Say My Name (For Camille Claudel)”
from: Say My Name / Joy Zimmerman / April 23, 2016
[KC based Joy Zimmerman is singer – songwriter who performs solo, and as a duo with Jimmy Dykes, and also with a full band. Joy began playing violin before walking to kindergarten. She played classical music and sang in choirs her whole life until deciding to try her hand at guitar. Playing a chordal instrument led to the thrill of songwriting and the discovery of her solo voice. Joy has five albums of original music–two recorded and co-produced with Jimmy Dykes in Kansas City at Weights and Measures Soundlab and three recorded and produced by Fett in Nashville at Azalea Studios. Her songwriting awards include American Songwriter Lyric Contest Honorable Mention and five Walnut Valley Festival New Song Showcase wins. ]

[Joy Zimmerman plays Saturday Storytellers at Ollies Local, 3044 Gillham Rd, March 3, at 5:00 PM with Erin Eades.]

7. The Roseline – “Hurry Up and Wait”
from: Blood / King Forward Revords / September 29, 2017
[From the 5th album of the Lawrence, Kansas, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005. The Roseline has been through dozens of lineup changes. The current lineup includes: Colin Halliburton on guitar & vocals; Heidi Gluck on bass & vocals, Ehren Starks on keyboards, Kris Losure on guitar, Jeff Jackson on pedal steel & guitar, and Jim Piller on drums. Roseline released their last album, Townie, on June 19, 2015. More info at: http://www.roselinemusic.com]

[The Roseline play Replay Lounge in Lawrence, Sat, March 3, at 10:00 PM w/ The Grisly Hand and Rachel Mallin & The Wild Type.]

8. Tom Petty – “Yer So Bad”
from: Full Moon Fever / MCA / April 24, 1989
[“Yer So Bad” is a song co-written and recorded by Tom Petty. It was released in 1990 as the fifth single from his first solo album Full Moon Fever, It features contributions from members of his band the Heartbreakers, notably Mike Campbell, as well as Jeff Lynne, Roy Orbison (who died prior to its release), and George Harrison, Petty’s bandmates in the Traveling Wilburys.The record shows Petty exploring his musical roots with nods to his influences. The songwriting is mainly collaborations between Petty and Lynne, who was also a producer on the album. The album became a commercial and critical success peaking at No. 3 on the U.S. Billboard 200 and being certified 5× platinum in the United States and 6× platinum in Canada. Thomas Earl Petty was born Oct 20, 1950 and tragically died on Oct 2, 2017. Tom Petty was a singer-songwriter, multi-instrumentalist, record producer, and actor. He was the lead singer of Tom Petty and the Heartbreakers, formed in 1976. He previously led the band Mudcrutch. He was also a co-founder of the late 1980s supergroup the Traveling Wilburys. In his career, he sold more than 80 million records worldwide, making him one of the best-selling music artists of all time. He was inducted into the Rock and Roll Hall of Fame in 2001. Tom Petty release 3 solo records, 13 albums with The Heartbreakers, and two albums with The Traveling Wilburys.]

[Friday March 2, at 9:00 at recordBar, 1520 Grand Ave The Cody Wyoming Deal present Heartbroken: A Tribute to Tom Petty & The Heartbreakers. The Deal is a semi revolving lineup of some of the best KC musicians Kansas City who has served as a backing band for Alejandro Escovedo, and thrown an all star tribute to The Rolling Stones “Exile on Main Street.” This time out, The Deal consists of: Cody Wyoming on guitar & vocals, JB Moreland on guitar & Vocals, Erik Voeks on Bass & vocals, Matt Richey on drums, Lin Buck on keyboards, and Katie Gilchrist on percussion & vocals.]

10:30 – Underwriting

9. The Matchsellers – “BLUEGRASTRONAUTS”
from: BLUEGRASTRONAUTS / The Matchsellers / March 16, 2018
[3rd full length release from classically trained violinist Julie Bates from Kansas City, and a Chicago blues guitarist from Warsaw, Indiana, Andrew Morris. The Matchsellers have traveled the US and Europe developing their brand of off the wall bluegrass & old-time music. In 2017 they began collaborating with two of the Midwest’s finest musicians, Chad Graves a dobro player that has been featured in Rolling Stone and The Bluegrass Situation, and Betsey Beymer a much sought after bassist from Lakin, KS.]

[The Matchsellers play a special Bluegrastronauts Release Show on Thursday, March 15, at 7:00 PM at Westport Coffee House, 4010 Pennsylvania Ave, KCMO.]

10:36 – Interview with The Matchsellers

The Matchsellers

Julie Bates is a classically trained violinist from Kansas City. Andrew Morris is a Chicago blues guitarist from Warsaw, Indiana. They met in Leipzig, Germany. During their year of living in the former East Germany, the pair began reanalyzing the songs of their homeland, and developed a tight yet gritty bluegrass style. In the summer of 2013 they left their jobs to hit the road and haven’t looked back. In late 2014 they released their debut full length recording, and followed that up with their second release, “Songs We Made Up” in 2016. Tha Matchsellers are back in our 90.1 FM Studios to share music and information from their newest album, BLUEGRASTRONAUTS. The Matchsellers play a special Bluegrastronauts Release Show on Thursday, March 15, at 7:00 PM at Westport Coffee House, 4010 Pennsylvania Ave, KCMO.

Julie Bates and Andrew Morris thanks for being with us on Wednesday MidDay Medley.

The Matchsellers & The Breakfast Sides present a new CD of Interstellar Old-time music entitled “Bluegrastronauts” Bluegrastronauts is old-time in outer space. It’s a far away galaxy as close as your first cousin. It’s a 100,000 mile an hour horse-and-buggy.

Since 2013 Andrew Morris and Julie Bates, better known as the Matchsellers, have traveled the US and Europe developing their brand of off the wall bluegrass & old-time music. In 2017 they began collaborating with two of the Midwest’s finest musicians, Chad Graves and Betsey Beymer. Graves is one of the country’s finest dobro players and has been featured in high-profile publications such as Rolling Stone, The Bluegrass Situation and many others. Beymer is a sought after bassist from Lakin, KS.

Together the 4-piece combines absurdity, authenticity and excellent musicianship to create a performance that is representative of the present age. They are pleasantly stuck between the best aspects of bygone years and the best of the future.

10:48

Julie Bates and Andrew Morris of The Matchsellers on the February 28, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10. The Matchsellers – “Until You Came To Mind” (Live)
Also available on: BLUEGRASTRONAUTS / The Matchsellers / March 16, 2018

The Matchsellers play a special Bluegrastronauts Release Show on Thursday, March 15, at 7:00 PM at Westport Coffee House, 4010 Pennsylvania Ave, KCMO.

10:57

Julie Bates and Andrew Morris of The Matchsellers on the February 28, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11. The Matchsellers – “Stars in Your Eyes” (Live)
Also available on: BLUEGRASTRONAUTS / The Matchsellers / March 16, 2018

11:00 – Station ID

12. Vigil and Thieves – “heroin & automobiles”
from: heroin & automobiles – Single / Independent / July 25, 2017
[Vigil and Thieves is a Kansas City indie alternative quartet formed in early 2014. Sarah Storm on vocals & guitar & keys, Steph Castor on guitar, Matthew Muckenthaler on bass , Andrew Flaherty on drums. Recorded at Vibe Studios in Bedford Heights, Ohio, engineered by John Burke. Lyrics by Sarah Storm and Music by Vigil and Thieves. Previously described as “grandiose” with a “heartbreaking heaviness,” the band has honed in on dynamic and lyrically-driven song structures that have been compared to live poetry. Neverland embodies every adventure the band has collectively taken part in.]

[Vigil and Thieves play The MidCoast Takeover Fundraiser #3, Saturday, March 3, at The Brick, with The Travel Guide, and The Almighty Trouble Brothers.]

13. Screaming Females – “I’ll Make You Sorry”
from: All At Once / Don Giovanni Records / February 23, 2018
[Screaming Females is an American indie rock band, from New Brunswick, New Jersey. They have released seven full-length albums. The band comprises Marissa Paternoster on guitar and vocals, Jarrett Dougherty on drums, and King Mike on bass. Mike and Marissa formed a band in high school under the name Surgery On TV. After several lineup changes they finally decided on the trio and a name change to Screaming Females. The Screaming Females got their start in the basement show scene of New Brunswick, NJ.[citation needed] Shows are held in the houses of various bands, students, and residents, so people under 21 can attend. The band has gone on to achieve success with a wider exposure, having been featured on NPR, Last Call with Carson Daly, and MTV. Screaming Females have played with bands such as Garbage, Throwing Muses, Dinosaur Jr., The Dead Weather, Arctic Monkeys, Ted Leo & The Pharmacists, JEFF the Brotherhood, Little Lungs, Cheeky, The Ergs, Shellshag, The Measure.In 2012 Marissa Paternoster was named the 77th greatest guitarist of all time by Spin magazine.]

11:10 – Underwriting

14. The People’s Liberation Big Band – “The Council of Mice”
from: The People’s Liberation Big Band / Tzigane / November 7, 2010 (play :45 of song)
[Recipient of the 2010 Charlotte Street Generative Performing Award, Brad Cox is founder of The People’s Liberation Big Band of Greater Kansas City.]

[The Brad Cox Octet plays The Ship, Thursday, March 1, at 9:30 PM]

[The People’s Liberation Big Band of Greater Kansas City play recordBar, 1520 Grand Ave. on Sunday, March 4, at 7:00 PM as part of Jeff Harshbarger’s Alternative Jazz Series.]

Julie Bates, Andrew Morris, Jen Harris, Siobhan McLaughlin Lesley, and Rachel Hills, on the February 28, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:15 – Interview with Jen Harris and Siobhan McLaughlin Lesley

Our next guests include: Poet Jen Harris a professional public speaker, spoken word poet, activist, published author, founder and former host of Kansas City Poetry Slam. Nationally recognized Jen Harris works as an advocate to incorporate spoken word poetry as a form of peer-based mental health therapy.

Siobhan McLaughlin Lesley is the Executive Director for Gilda’s Club Kansas City, an organization providing education and support to anyone with a cancer impact. Siobhan has over two decades of experience in providing marketing communications and development leadership to some of Kansas City’s most successful and visible marketing communications companies, as well as civic and arts organizations. Prior to joining Gilda’s Club Kansas City, Siobhan served as vice president and director of client services at Walz Tetrick Advertising and as president and COO at Valentine Radford.

Jen Harris and Siobhan McLaughlin Lesley join us to share information about, Collective: Our Stories of Cancer, a multi-disciplinary production that provides an insightful experience into life with cancer. The performance features original choreography by Jennifer Owen, music by Stacy Busch, and poetry by Jen Harris, inspired by members of Gilda’s Club who shared their stories of cancer. Performances are Friday, and Saturday, March 2 and 3 at 7:30 PM, and Sunday, March 4 at 2:00 PM, at La Esquina Gallery, 1000 W. 25th St in KC’s historic Westside. For more info you can visit: http://www.owencoxdance.org.

Jen Harris and Siobhan McLaughlin Lesley thanks for being with us on Wednesday MidDay Medley

Owen Cox Dance Group, Charlotte Street Foundation, and Gilda’s Club Kansas City present Collective: Our Stories of Cancer.

In 2018, Gilda’s Club Kansas City is hoping to raise awareness of the incidence of cancer in the local community and the positive benefits of education, support and self-advocacy. A new way of raising awareness has been brought to the fold through the multi-disciplinary production Collective: Our Stories of Cancer. Art connects people in a special and intimate way. Collective is a production that seeks to capitalize on that, celebrating those impacted by cancer, serving to unite those who have or are currently experiencing cancer, while embracing diversity and instilling hope.

The overview of Gilda’s Club… created in honor of Gilda Radner

Gilda’s Club is a community organization for people living with cancer, their families and friends. Local chapters provide meeting places where those living with cancer, their families, and friends can join with others to build emotional and social support as a supplement to medical care. Free of charge and nonprofit, Gilda’s Club chapters offer support and networking groups, lectures, workshops and social events in a nonresidential, homelike setting. The club was named in tribute to an original Saturday Night Live cast member Gilda Radner, who died of ovarian cancer in 1989. In 2009, Gilda’s Club merged with The Wellness Community to form the Cancer Support Community, although local branches generally opted to retain the name Gilda’s Club.

Gilda’s Club was founded by Joanna Bull, Radner’s cancer psychotherapist along with Radner’s widower, Gene Wilder (himself a cancer survivor) and broadcaster Joel Siegel (who died after a long battle with the disease). The first club opened in New York City in 1995, after a long fundraising campaign that included movie trailers featuring Wilder in theaters around the country. The organization took its former name from Radner’s comment that cancer gave her “membership to an elite club I’d rather not belong to.” Radner’s story can be read in her book, It’s Always Something.

In July 2009, Gilda’s Club Worldwide merged with The Wellness Community, another established cancer support organization to create the Cancer Support Community (CSC). As of 2012, there were over 20 active local affiliates of Gilda’s Club. Although some local affiliates of Gilda’s Club and The Wellness Community have retained their names, many affiliates have adopted the name Cancer Support Community following the merger. The proposed name change caused controversy in some communities. The national organization introduced a web-based diagnostic “distress screening” tool which led the Pittsburgh Gilda’s Club to change its name and sever its ties with the national organization because of a disagreement over requirements to offer the screening tool to all patients.

The performance will feature original choreography by Jennifer Owen, music by Stacy Busch, and poetry by Jen Harris, inspired by members of Gilda’s Club who shared their stories of cancer.

“The Intro/The Tale of Captain Bill Brockway”

Musical composer – Stacy Busch is a multimedia artist and performer. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed throughout the country as well as in France and Iceland.

11:29

15. Jen Harris (Live) w/ Stacy Busch – “Intro/The Tale of Captain Bill Brockway”
from: Collaborations: Our Stories of Cancer / Charlotte Street – Owen Cox Dance / 2018

Jen Harris and Siobhan McLaughlin Lesley have joined us to share information about, Collective: Our Stories of Cancer, a multi-disciplinary production that provides an insightful experience into life with cancer.

The performance will feature original choreography by Jennifer Owen, music by Stacy Busch, and poetry by Jen Harris, inspired by members of Gilda’s Club who shared their stories of cancer.

The work will be performed by Jen Harris, Stacy Busch, soprano Liz Pearse, and five dancers of Owen/Cox Dance Group. Dancers include Megan Buckley, Felicia McBride, Emily Mushinski, Logan Pachciarz, and Christopher Page-Sanders.

Siobhan has served on a variety of non-profit boards in the arts and social services sectors. Currently, she serves on the Board of Directors of The Kansas City Ballet, Goodwill Industries of Western Missouri and Eastern Kansas, The Health Care Foundation’s Community Advisory Committee, the Mayor’s Task Force on Progress and Kansas City Friends of Alvin Ailey. She is also a trustee of Pembroke Hill School.
Siobhan has her master’s degree from the University of Kansas and a bachelor’s degree from Vanderbilt University in Nashville, Tennessee.

Jen Harris and Siobhan McLaughlin Lesley Thank you for being with us on WMM

Collective: Our Stories of Cancer, a multi-disciplinary production featuring original choreography by Jennifer Owen, music by Stacy Busch, and poetry by Jen Harris, inspired by members of Gilda’s Club is being publicly presented this Friday, and Saturday, March 2 and 3 at 7:30 PM, and Sunday, March 4 at 2:00 PM, at La Esquina Gallery, 1000 W. 25th St in Kansas City’s historic Westside. For info you can visit: http://www.owencoxdance.org.

11:40 – Best Original Song Nominations of the 90th Annual Oscar Awards

Next up we feature songs nominated for Best Original Song at the 90th Annual Oscar Awards, airing this Sunday Night, March 4. All five of this year’s nominees for Best Original Song will be performed on the Oscars. We’ll play 4 of the 5 nominated songs.

First up we’ll hear from Common, who duets with Andra Day on “Stand Up For Something” from the film “Marshall.” The three-time Grammy champ won an Oscar in 2014 for “Glory” from the film “Selma.” Common co-wrote this new song with nine-time Oscar nominee Diane Warren.

Second we’ll play Sufjan Stevens and his song “Mystery of Love” that he composed for “Call Me by Your Name.”

Third, we’ll hear from, Mary J. Blige, who made Oscar history as the first person to be nominated for both acting and composing in the same year. The nine-time Grammy winner will perform “Mighty River,” which she co-wrote with Raphael Saadiq and Taura Stinson for the film “Mudbound, for which she is nominated for Best Supporting Actress.

Our final Best Original Song nomination is “Remember Me” from the animated film “Coco.” sung by Grammy nominee Natalia LaFourcade and Grammy winner Miguel.

16. Andra Day – “Stand Up for Something (feat. Common)”
from: Marshall (Original Motion Picture Soundtrack) / Marshal Films LLC / Sept 29, 2017
[Marshall is a 2017 American biographical legal drama film directed by Reginald Hudlin and written by Michael and Jacob Koskoff. It stars Chadwick Boseman as Thurgood Marshall, the first African-American Supreme Court Justice, and focuses on one of the first cases of his career. It also stars Josh Gad, Kate Hudson, Dan Stevens, Sterling K. Brown, and James Cromwell. Cassandra Monique “Andra” Batie known professionally as Andra Day, is an American singer and songwriter from San Diego, California. Her debut album, Cheers to the Fall, was released in 2015 and peaked at number 48 on the US Billboard 200 chart. The album was nominated for Best R&B Album and the album’s main single, “Rise Up”, was nominated for Best R&B Performance at the 2016 Grammy Awards. Lonnie Rashid Lynn, Jr. (born March 13, 1972), better known as Common, is an American hip hop recording artist, actor, poet, and film producer. Common debuted in 1992 with the album Can I Borrow a Dollar? and maintained a significant underground following into the late 1990s, after which he gained notable mainstream success through his work with the Soulquarians. In 2011, Common launched Think Common Entertainment, his own record label imprint, and, in the past, has released music under various other labels such as Relativity, Geffen and GOOD Music, among others. Common’s first major-label album, Like Water for Chocolate, received widespread critical acclaim and tremendous commercial success. His first Grammy Award was in 2003, winning Best R&B Song for “Love of My Life”, with Erykah Badu. Its popularity was matched by May 2005’s Be, which was nominated for Best Rap Album, at the 2006 Grammy Awards. Common was awarded his second Grammy for Best Rap Performance by a Duo or Group, for “Southside” (featuring Kanye West), from his July 2007 album Finding Forever. His best-of album, Thisisme Then: The Best of Common, was released on November 27, 2007. Common won the 2015 Golden Globe Award for Best Original Song and the 2015 Academy Award for Best Original Song, for his song “Glory” from the 2014 film Selma, in which he co-starred as Civil Rights Movement leader James Bevel. Common’s acting career also includes starring significant roles in the films Smokin’ Aces, Street Kings, American Gangster, Wanted, Terminator Salvation, Date Night, Just Wright, Happy Feet Two, New Year’s Eve, Run All Night, Being Charlie, and John Wick: Chapter 2.]

17. Sufjan Stevens – “Mystery of Love”
from: Call Me By Your Name (Orig. Motion Picture Soundtrack) / Madison Gate / Nov 3, ’17
[Call Me by Your Name is a 2017 coming-of-age drama film directed by Luca Guadagnino and written by James Ivory, based on the 2007 novel of the same name by André Aciman. It is the final installment in Guadagnino’s thematic Desire trilogy, following I Am Love (2009) and A Bigger Splash (2015). Set in Northern Italy in 1983, Call Me by Your Name chronicles the romantic relationship between Elio Perlman (Timothée Chalamet), a 17-year-old living in Italy, and his father’s American assistant, Oliver (Armie Hammer). The film also stars Michael Stuhlbarg, Amira Casar, Esther Garrel, and Victoire Du Bois. Sufjan Stevens (SOOF-yan) was born July 1, 1975, and is an American singer-songwriter and multi-instrumentalist. His debut album A Sun Came was released in 2000 on the Asthmatic Kitty label which he cofounded with his stepfather. He is perhaps best known for his 2005 album Illinois, which hit number one on the Billboard Top Heatseekers chart, and for the single “Chicago” from that album. Stevens was born in Detroit, Michigan, and lived there until the age of nine, when his family moved to Petoskey, in the northern part of the Lower Peninsula of Michigan. He was raised by his father Rasjid and his stepmother Pat, only occasionally visiting his mother, Carrie, in Oregon after she married her second husband Lowell Brams. (Brams later became the head of Stevens’ record label Asthmatic Kitty).He attended the Detroit Waldorf School, Petoskey High School and Interlochen Arts Academy, and graduated from Harbor Light Christian School. He then attended Hope College in Holland, Michigan, and earned a Masters of Fine Arts from The New School in New York City. Sufjan is a Persian name meaning “comes with a sword”. It predates Islam and most famously belonged to Abu Sufyan, a figure from early Islamic history. The name was given to Stevens by the founder of Subud, an inter-faith spiritual community to which his parents belonged when he was born. A multi-instrumentalist, Stevens is known for his use of the banjo, but also plays guitar, piano, drums, xylophone, and several other instruments, often playing all of these on his albums through the use of multitrack recording. While in school, he studied the oboe and English horn, which he also plays on his albums. Stevens did not learn to play the guitar until his time at Hope College. Stevens lives in Kensington, Brooklyn, in New York City, where he makes up the Brooklyn staff of Asthmatic Kitty Records.]

18. Mary J. Blige – “Mighty River”
from: Mudbound (Original Motion Picture Soundtrack) / Netflix Studios / Nov 17, 2017
[Mudbound is a 2017 American period drama film directed by Dee Rees and written by Rees and Virgil Williams, based on the novel of the same name by Hillary Jordan. It stars Carey Mulligan, Garrett Hedlund, Jason Clarke, Jason Mitchell, and Mary J. Blige. The film depicts two World War II veterans – one white, one black – who return to rural Mississippi each to address racism and PTSD in his own way. Mary Jane Blige was born January 11, 1971. She is an American singer, songwriter, rapper, record producer, and actress. She has been honored with numerous accolades and nominations, including winning nine Grammy Awards, and being the recipient of three Golden Globe nominations including one for Best Supporting Actress for her role as Florence Jackson in Mudbound (2017), for which she also became the first woman to receive multiple Academy Award nominations in the same year including for Best Supporting Actress and Best Original Song. She started her career as a backing singer on Uptown Records in 1989. In 1992, Blige released her first album, What’s the 411?. She has released 13 studio albums, eight of which have achieved multi-platinum worldwide sales. Her album My Life is among Rolling Stone’s 500 Greatest Albums of All Time, and Times All-Time 100 Albums. She received a Legends Award at the World Music Awards in 2006, and the Voice of Music Award from performance rights organization ASCAP in 2007. As of 2013, Blige has sold 75 million records worldwide. Billboard ranked Blige as the most successful female R&B/Hip-Hop artist of the past 25 years. In 2017, Billboard magazine also lists her 2006 song “Be Without You” as the most successful R&B/Hip-Hop song of all time, as it spent an unparalleled 15 weeks atop the Hot R&B/Hip-Hop Songs chart and over 75 weeks on the chart. In 2011, VH1 ranked Blige as the 80th greatest artist of all time. Moreover, she is ranked number 100 on the list of “100 greatest singers of all time” by Rolling Stone magazine. In 2012, VH1 ranked Blige at number 9 in “The 100 Greatest Women in Music” list. Blige starred in the 2009 Tyler Perry box-office hit I Can Do Bad All By Myself and appeared in the film Rock of Ages (2012). She received a Golden Globe Award nomination for her musical contribution to the film The Help. In 2017, she appeared in the period-drama film Mudbound, directed by Dee Rees, for which she received nominations for the Academy Award and Golden Globe Award for Best Supporting Actress, as well as Best Original Song nods in both award contests for the film’s song “Mighty River”.]

19. Miguel – “Remember Me (Dúo) [feat. Natalia Lafourcade]”
from: Coco (Original Motion Picture Soundtrack) / Walt Disney Records / November 10, 2017
[Coco is a 2017 American 3D computer-animated musical fantasy adventure film produced by Pixar Animation Studios and released by Walt Disney Pictures. Based on an original idea by Lee Unkrich, it is directed by Unkrich and co-directed by Adrian Molina. The story follows a 12-year-old boy named Miguel Rivera who is accidentally transported to the land of the dead, where he seeks the help of his deceased musician great-great-grandfather to return him to his family among the living. The concept of the film is based on the Mexican holiday of the Day of the Dead. The film was scripted by Molina and Matthew Aldrich from a story by Unkrich, Jason Katz, Aldrich and Molina. Pixar began developing the animation in 2016; Unkrich and some of the film’s crew visited Mexico for inspiration. Composer Michael Giacchino, who had worked on prior Pixar animated features, composed the score. The film’s voice cast stars Anthony Gonzalez, Gael García Bernal, Benjamin Bratt, Alanna Ubach, Renée Victor, Ana Ofelia Murguía, and Edward James Olmos. It is the first-ever film with a nine-figure budget to feature an all-Latino cast, with a cost of $175–200 million. Miguel Jontel Pimentel (born October 23, 1985) is an American singer, songwriter, actor and record producer. Raised in Los Angeles, he began creating music at age thirteen. After signing to Jive Records in 2007, Miguel released his debut studio album, All I Want Is You, in November 2010. Although it was underpromoted upon its release, the album became a sleeper hit and helped Miguel garner commercial standing. After Jive’s dissolution in 2011, he moved to RCA Records and released his second studio album, Kaleidoscope Dream in 2012 to critical acclaim. On June 29, 2015, Miguel released his third studio album, Wildheart, which also received universal critical acclaim. Miguel incorporates R&B, funk, hip hop, rock and electronic styles into his music, and has been compared to vocalists Babyface and Prince. Miguel was born and raised in San Pedro, Los Angeles, California. He is one of two sons of a Mexican American father and an African American mother. María Natalia Lafourcade Silva was born February 26, 1984. She is a Mexican pop-rock singer and songwriter who since her debut in 2003 has been one of the most successful singers in the pop rock scene in Latin America. Her band’s name is Natalia y La Forquetina. Lafourcade’s voice has been categorized as a lyric soprano.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on March 7, Timmy Tilton joins us as Guest Producer for our second hour.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #723

WMM presents The Matchsellers + Jen Harris & Siobhan McLaughlin Lesley of “Collective: Our Stories of Cancer”

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 28, 2018

More New & MidCoastal Releases + The Matchsellers
+ Jen Harris & Siobhan McLaughlin Lesley of “Collective: Our Stories of Cancer”

Mark plays more New & MidCoastal Releases from: Hembree, Vigil and Thieves, The Roseline, Joy Zimmerman, The People’s Liberation Big Band, Stacy Busch, U.S. Girls, Car Seat Headrest, Sunny War, Screaming Females, and Tom Petty. We will also play from 4 of the 5 songs nominated for Best Original Song at the 90th Annual Oscar Awards, we’ll play: Sufjan Stevens, Mary J. Blige, Andra Day & Common, and Miguel & Natalia Lafourcade.

The Matchsellers

At 10:30 Andrew Morris and Julie Bates, better known as The Matchsellers, join us to share music from their new album “Bluegrastronauts.” The Matchsellers have traveled the US and Europe developing their brand of off the wall bluegrass & old-time music. In 2017 they began collaborating with two of the Midwest’s finest musicians, Chad Graves a dobro player that has been featured in Rolling Stone and The Bluegrass Situation, and Betsey Beymer a much sought after bassist from Lakin, KS. The Matchsellers Bluegrastronauts Release Show is Thursday, March 15, at 7:00 PM at Westport Coffee House, 4010 Pennsylvania Ave, KCMO. $10 admission gets you a CD as well. You can make a reservation by emailing thematchsellers@gmail.com

Poet Jen Harris

At 11:15 Mark talks with Poet Jen Harris and Siobhan McLaughlin Lesley of Gilda’s Club KC who join us to share information about, Collective: Our Stories of Cancer, a multi-disciplinary production that will provide an insightful experience into life with cancer. The performance features original choreography by Jennifer Owen, music by Stacy Busch, and poetry by Jen Harris, inspired by members of Gilda’s Club who shared their stories of cancer. The work will be performed by Jen Harris, Stacy Busch, soprano Liz Pearse, and five dancers of Owen/Cox Dance Group including: Megan Buckley, Felicia McBride, Emily Mushinski, Logan Pachciarz, and Christopher Page-Sanders. Performances are Friday, March 2, and Saturday, March 3 at 7:30 PM, and Sunday, March 4 at 2:00 PM, at La Esquina Gallery, 1000 W. 25th St in Kansas City’s historic Westside. For more information you can visit: http://www.owencoxdance.org.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #723

WMM Playlist from February 21, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 21, 2018

Spinning Records With Marion Merritt
+ Red Kate & Too Much Rock

Marion Merritt of Records With Merritt

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For 14 years now she has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. The O’Jays – “For the Love of Money”
from: The Ultimate O’Jays / Sony Music / April 10, 2001
[A soul/funk song written and composed by Kenneth Gamble, Leon Huff, & Anthony Jackson; recorded by Philadelphia soul group The O’Jays for the album Ship Ahoy. Produced by Gamble & Huff for Philadelphia International Records, “For the Love of Money” was issued as a single in late 1973 (see 1973 in music), with “People Keep Tellin’ Me” as its b-side. The single peaked at number three on the U.S. Billboard R&B chart, and at No. 9 on Billboard’s Pop Singles chart in spring 1974. Though the album version of the song was over seven minutes long, it received substantial radio airplay. The song’s title comes from a well-known Bible verse, 1 Timothy 6:10: “For the love of money is the root of all evil: which while some coveted after, they have erred from the faith, and pierced themselves through with many sorrows.” (This translation is from the King James Version of the Bible.) The O’Jays are an American R&B group from Canton, Ohio, formed in 1958 and originally consisting of Eddie Levert (born June 16, 1942), Walter Williams (born August 25, 1943), William Powell (Jan. 20, 1942 – May 26, 1977), Bobby Massey and Bill Isles. The O’Jays made their first chart appearance with “Lonely Drifter” in 1963, but reached their greatest level of success once Gamble & Huff, a team of producers and songwriters, signed them to their Philadelphia International label in 1972. With Gamble & Huff, the O’Jays (now a trio after the departure of Isles and Massey) emerged at the forefront of Philadelphia soul with “Back Stabbers” (1972), and topped the Billboard Hot 100 the following year with “Love Train”. Numerous other hits followed through the 1970s and into the 1980s and 1990s, and The O’Jays were inducted into the Vocal Group Hall of Fame in 2004, and The Rock and Roll Hall of Fame in 2005.]

4. The Chocolate Watchband – “Voyage of the Trieste”
from: Inner Mystique / Tower / 1968
[Reissued by Sundaze / 2018]

5. Wooden Shjips – “Staring At the Sun”
from: V. / Thrill Jockey / May 25, 2018

10:26 – Underwriting

6. LaVice & Company – “Thoughs Were the Days”
from: LaVice And Company’s Two Sisters From Bagdad / Jazzman / 2018
[Released as a single from Numero Group April 14, 2017]

7. THE DESCENDANTS OF MIKE AND PHOEBE – “Coltrane” (CD #7) (5:01)
from: A Spirit Speaks / Strata-East Records / 1974 [Reissued by Everland Music Group 2017]

8. Death & Vanilla – “Dioz Delirium”
from: The Tenant / Fire America / March 9, 2018

9. The Brian Jonestown Massacre & Asia Argento – “Le sacre du printemps”
from: Musique de film imaginé / ‘A’ Records / April 27, 2015

10. CSC Funk Band – “Above the Starrs”
from: Above the Starrs / Electric Cowbell – Newtown Creek Jamz / March 24, 2017

11:00 – Station ID

11. Orgone – “The Black Five”
from: Undercover Mixtape / Colemine Records / February 2, 2018

12. Funkadelic – “Undisco Kidd (Gay Marvine Edit)”
from: Reworked By Detroiters / Westbound – Ace Records / October 27, 2017

13. Bardo Pond – “Cud”
from: Volume 8 / Fire Records / Februry 2, 2018
[Brand new album from Philadelphia’s much loved neo-space rock stoner drone outfit. A euphoric transcendental journey to a mountain top nirvana, a psychedelic tapestry that slowly unwinds as they travel onwards into the inner mind. A 40-minute opus delivered from a hail of reverb soulfully caressed by a ceremonial flute, that makes way for a shroud of ‘Weld’—era Neil Young fog. Bardo Pond is your rather ruffled tour guide to this far off place, this distant sense of wonderment at the crossroads with bewilderment. Loved and lauded by the late Lou Reed and his wife Laurie Anderson, Jesus & Mary Chain, Mogwai and many more and acclaimed in the music press as such: “Dinosaur Jr guitar power with the glacial grandiosity of Black Mountain, as if Isobel Sollenberger is conjuring a thunderstorm with the sound of her voice and riding it across the heavens.” Stereogum “One of underground rock’s most extraordinary enigmas” The Quietus. “They alter brain chemistry by the alchemical effect of distressed sound alone, aspiring to become engineers of the soul’s passage to alternate states of consciousness.” Tony Dale (RIP), Ptolemaic Terrascope, 2001. “Playing fuzzed out stuff of stoner dreams since the mid ‘90s.” Pitchfork. “Fugazi on acid.” Noisey]

14. The Sufis – “Sri Sai Flora”
from: The Sufis / Ample Play Records / July 2, 2012

15. Tess Parks – “Gates of Broadway”
from: Blood Hot / 359 Music / 2013 [Reissued by Optic Nerve / 2018]

16. Jóhann Jóhannsson – “Part 5/ The Sun’s Gone Dim and the Sky’s Turned Black”
from: IBM 1401 a User’s Manual / 4AD / 2006 [Reissued by 4AD 2017]

Marion Merritt thanks for being with us on Wednesday MidDay Medley. Coming up we talk with members of Red Kate and Sid Sowder of Too Much Rock

11:31 – Underwriting

11:33 – Interview with L. Ron Drunkard, Shaun Hamontree, and Sid Sowder

The KC based Punk Rock and Roll band, Red Kate has been rocking venues since 2007. In the review of their debut EP, The Pitch wrote, “Bassist and lead vocalist L. Ron Drunkard, (aka Shawn Saving) is a socialist activist by day, bellows like an Appalachian Roger Daltrey.”The band’s first full-length album, “When the Troubles Come” was released on Replay Records in 2013. In 2016 the band released their follow up full – length record, unamerican activities, on Kansas City’s coop record label, Black Site. The n]band has also release two 7″ split sinle releases with The Bad ideas, and Stiff Middle Fingers. Members of Red Kate join us today to share their newest release, “Iraqi Girl,” as part of the Too Much Rock – Singles Series, 7” vinyl 45-rpm release, with a B side cover of TSOL’s,” American Zone,” the first recording with the band’s newest member, rhythm guitarist Shaun Hamontree who joins bassist and lead vocalist L. Ron Drunkard Shawn Saving), Andrew Whelan on drums & vocals, and Desmond Poirier on guitar & vocals. Red Kate celebrates the release of the new record Friday, February 23 at Davey’s Uptown with Reacharounds from Springfield, MO, Arson Class and Vidco Kult. The band also plays an all ages show Saturday, March 3 at Mills Record Company with Martian Martian Martian. The single is out February 24.

Also with us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band.

L. Ron Drunkard (Shawn Saving), Shaun Hamontree and Sid Sowder Thanks for being with us on WMM

Tracks were recorded at Weights and Measures Soundlab with engineer Duane Trower and producer L. Ron Drunkard.

10:45

18. Red Kate – “Iraqi Girl” (Vinyl)
from: Iraqi Girl – Single / Too Much Rock / February 24, 2018
[L. Ron Drunkard – bass/lead vocalist, Andrew Whelan – Drums/Vocals, Desmond Poirier – guitar/vocals]

[Red Kate plays release show Friday, Feb 23 at Davey’s with Reacharounds, Arson Class, Vidco Kult.]

[Red Kate plays All Ages show Saturday, March 3 at Mills Record Company w/ Martian Martian Martian.]

Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, and Witch Jail have all recorded for the Too Much Rock Single Series. More info at: http://www.toomuchrock.com

Red Kate is proud to announce the release of a new single on local label, Too Much Rock. As with all records in the Singles Series, this old-school, 45 rpm ripper contains one original track and one cover selected by the label. Side A, Iraqi Girl, is a grinding statement on American foreign policy, while side B follows suit with a cover of the TSOL song, American Zone. This frank indictment of how we treat those sent off to impose that foreign policy is as relevant today as it was in 1984. American Zone marks the first recording with the band’s newest member, rhythm guitarist Shaun Hamontree, whose contribution to the effort also includes his arresting, if not disturbing, cover art invoking the devastating reality of a war widow’s scrap book.

Both tracks were recorded at Weights and Measures Soundlab where engineer Duane Trower and producer L. Ron Drunkard have perfected Red Kate’s sonic signature. And like all 7” releases by the band, the covers were printed locally by the good folks of the Allied Printing and Trades Local 16C at Callender Printing in Kansas City, KS.

Red Kate will celebrate the release of the new record Friday, February 23 at Davey’s Uptown with Reacharounds from Springfield, MO, and up and comers, Arson Class and Vidco Kult. An all ages show is scheduled for Saturday, March 3 at Mills Record Company with the brand new Martian Martian Martian.

This limited edition release of 500 records includes 100 copies on clear vinyl with an alternate cover (collect away, nerds!). Distributed by Black Site, they will be available February 24 at record stores throughout the region and online at black-site.org/red-kate and redkate.bandcamp.com.

RED KATE released its first LP, When the Troubles Come, on Replay Records in 2013 and a 7″ split on Mills Record Company with fellow KC punks, The Bad Ideas, in 2014.

BLACK SITE is a record label cooperative created by Kansas City musicians interested in supporting regional punk and rock bands release their recordings on a physical medium. With the world around us becoming a deluge of digital 1’s and 0’s, transient as a trust fund crust punk on a cross country excursion, tangible art is critical to maintaining connections to our past, our sense of place, and who we are as a people. Only WE can create the world we want to live in. Reciprocity and solidarity are the cornerstones of building long lasting, self-sustaining community power that pushes back against the commodification of culture. Music is not a business; Punk is not a brand, and DIY is not a lifestyle to be consumed. This is a way of life, and if we don’t hang together, we’ll surely hang alone.

L. Ron Drunkard, Shaun Hamontree, and Sid Sowder thank you for being with us on WMM.

Red Kate plays release show Fri, Feb 23 at Davey’s w/ Reacharounds, Arson Class, Vidco Kult. Red Kate plays All Ages show Sat, March 3 at Mills Record Company w/ Martian Martian Martian.

11:56

19. Red Kate – “American Zone” (Vinyl)
from: American Zone – B-side Single / Too Much Rock / February 24, 2018
[L. Ron Drunkard – bass/lead vocalist, Andrew Whelan – Drums/Vocals, Desmond Poirier – guitar/vocals]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on February 28 The Matchsellers join us live in our 90.1 FM Studios. Also, Poet Jen Harris joins us to discuss a performance show is working on with Gilda’s Club and the Owen Cox Dance Ensemble

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #722

WMM Playlist from May 15, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 15, 2013

I’ll Take You There – Conversations with Mike Webber
+ Patrick Alonzo Conway & Gamelan Genta Kasturi
+ Spinning Tree Theatre’s “Hello Again”

1. Bloodbirds – “What Goes On”
from: Covers / Independent / July 30, 2012
[Originally recorded by Velvet Underground brought back to life by: KC based Psychedelic post-punk trio Mike Tuley, Brooke Tuley and Anna St. Louis. The band writes on their Bandcamp page that these are: “Various covers recorded at various times when we became frustrated with our own music during recording.”]

[Bloodbirds plays this year’s KC Psychfest, May 17 and 18, at FOKL, 556 Central Ave, Kansas City, Kansas, and Monta HQ in downtown Kansas City, Kansas. More info at: KCPSYCHFEST.COM.]

2. Monta At Odds – “in Six Measured Steps”
from: Midwestern Audio Vol. 1 / Midwest Music Foundation / September 23, 2012
[Monta At Odds’ main men, brothers Dedric & Delaney Moore, work with ambient textures, vintage keyboards in states of disrepair, guitars, melodic bass, and a variety of other found instruments that create their “technicolor sound.” Constructed to include diverse elements of detailed beats, quiet sparseness, Bollywood funk, Italian ‘60s cinema and outthere jazz. Now recording with Upstairs Recordings.]

[“Midwestern Audio Vol. 1” is a compilation assembled for Midwest Music Foundation by Brenton Cook and co-sponsored by Ink Magazine featuring over 40 bands. More information at MidwestMusicFound.org Brenton Cook will be at KC Psychfest with this new compilation.]

[Monta At Odds plays this year’s KC Psychfest, May 17 and18, at FOKL, 556 Central Ave, Kansas City, Kansas, and Monta HQ in downtown Kansas City, Kansas. More info at: KCPSYCHFEST.COM.]

3. Gamelan Genta Kasturi – “Angels and Demons At Play”
from: Angels and Demons At Play / Independent / February 27,2011
[“Angels & Demons at Play” was originally produced, Feb. 25, 26 and 27, 2011, at La Esquina (an Urban Culture Project venue) 1000 West 25th Street, KCMO. The work included original compositions written by Patrick Alonzo Conway for the Gamelan Orchestra, performed by Gamelan Genta Kasturi. The performance included Dwight Frizzell (clarinet & altoclarinet), & Shawn Hansen (piano, toy piano.) It also featured shadow puppets by Allan Winkler, original choreography, electronic visual media, original lighting design]

10:15– Interview with Patrick Alonzo Conway

KC’s community Balinese gamelan orchestra, Gamelan Genta Kasturi, is celebrating 10 Years, with a special concert, Sat May 18, 4:00 pm, in the Truman Forum of the Plaza Branch of the KC Public Library, 4801 Main St, showcasing material from 10 years.

Director Patrick Alonso Conway joined us to share information on this special concert from Gamelan Genta Kasturi.

“Angels and Demons at Play” was composed by Patrick Alonso Conway for Charlotte Street Foundation’s Urban Culture Project, in partnership with ArtSounds (a collaboration between the UMKC Conservatory of Music and Dance and the Kansas City Art Institute.)

Gamelan Genta Kasturi, is celebrating 10 Years, in a special Concert, Saturday May 18, 4:00 pm, in the Truman Forum of the Plaza Branch of the KC Public Library, 4801 Main St, KCMO, showcasing material from 10 years, including traditional Balinese and original compositions by founder I Ketút Gedé Asnawa and current director Patrick Alonzo Conway, with visual images by artist Jennifer Lynn Williams and shadow imagery by artist Nihan Yesil.

A gamelan is a traditional musical ensemble from Indonesia, typically from the islands of Java and Bali, featuring a variety of instruments such as metallophones, xylophones, kendang (drums) & gongs; bamboo flutes, bowed & plucked strings. Vocalists may also be included. For most Indonesians, gamelan music is an integral part of Indonesian culture.

The term refers more to the set of instruments than to the players of those instruments. A gamelan is a set of instruments, as a distinctentity, built and tuned to stay together – instruments from different gamelan are generally not interchangeable.

Bali is a province of Indonesia. The province covers a few small neighboring islands as well as the isle of Bali. The main island is located in the western most end of the Lesser Sunda Islands, lying between Javato the west and Lombok to the east. It is one of the country’s 34 provinces with the provincial capital at Denpasar towards the S. of the island.

Patrick Alonzo Conway went to Bali.

With a population recorded as 3,891,428 in the 2010 census, and currently 4.22 million, the island is home to most of Indonesia’s Hindu minority. In the 2000 census about 92.29% of Bali’s population adhered to Balinese Hinduism while most of the remainder, follow Islam. It is also the largest tourist destination in the country and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metal working, and music. A tourist haven for decades, Bali has seen a further surge in tourist numbers in recent years.

Kansas City’s community Balinese gamelan orchestra, Gamelan Genta Kasturi, is celebrating 10 Years, with a special concert, Saturday May 18, 4:00 pm, in the Truman Forum of the Plaza Branch of the KC Public Library, 4801 Main St, KCMO, showcasing material from 10 years, including traditional Balinese and original compositions by founder I Ketút Gedé Asnawa and current director Patrick Alonzo Conway, with visual images by artist Jennifer Lynn Williams and shadow imagery by artist Nihan Yesil. Info:gamelangentakasturi.org.

10:29 – Underwriting

4. David Evans, John Cameron Mitchell – “Listen to The Music”
from: Hello Again (Original Cast Recording) / BMG / June 28,1994

10:30 – Interview with Andy Parkhurst and Charles Fugate of Spinning Tree Theatre

Spinning Tree Theatre‘s is presenting the Kansas City premiere of “Hello Again,” an Obie-winning musical that first premiered off Broadway in 1993. Adapted from Arthur Schnitzler’s play “La Ronde,” written in 1903, which depicts a chain of relationships. The musical open last friday and show runs through May 26 at the Off Center Theatre on the third level of Crown Center. For more information: Call 816-842-9999 or go to spinningtreetheatre.com.

“Hello Again” Co-Director and Spinning Tree Theatre Managing Director, Andy Parkhurst and Kansas City based professional actor, Charles Fugate who plays the role of The Senator in Hello Again, joinedus on Wednesday MidDay Medley.

“Hello Again” is the 6th show of Spinning Tree Theatre. Andy founded this new professional theatre company with partner Michael Grayson and have produced several shows and musicals that have made their Kansas City debuts. Andy talked about what moved the company to produce “Hello Again” here in Kansas City.

Produced 20 years ago, this show featured John Cameron Mitchell who later went on to create a little show called “Hedwig and the Angry Inch” and “Short Bus,” along with Broadway queen, Donna Murphey, and Malcolm Gets.

“Hello Again” is billed as an “Adult Musical”

Charles most recently performed in Spinning Tree Theatre’s Kansas City Premiere of “Shipwrecked! last February. Charles has worked at almost every theatre in Kansas City. Charles talked about his experience with Spinning Tree Threatre.

Charles Fugate plays the role of The Senator. The characters in the show all have names like: the Young Thing, the soldier, the whore

The Spinning Tree production features: Lena Andrews, Jerry Jay Cranford, Jacob Aaron Cullum, Tyler Eisenreich, Steven Eubank, Shelby Floyd, Charles Fugate, Seth Jones, Julie Shaw and Stefanie Wienecke.

Playwright Michael John LaChiusa is coming to Kansas City, May 24

Spinning Tree Theatre’s “Hello Again,” runs through May 26at the Off Center Theatre on the third level of Crown Center. For info: Call 816-842-9999 or go to spinningtreetheatre.com

10:45 – “I’ll Take You There – Conversations with Mike Webber”

5. The Staple Singers – “I’ll Take You There”
from: The Best of The Staple Singers / Stax / 1972
[featuring: The Memphis Horns]

10:50

Mike Webber is an encyclopedic musical jukebox, a music lover, you met at that record store, that helped you find that special song, that you could only hum a few bars for him to hear. His faith in music and truth guided him as he grew up in KC, spent childhood Summers in the Mississippi Delta, “came of age” working in area record stores, of the 70s and 80s, including: Caper’s Corner Records & Tapes at 47th & Mission, PennyLane, and Music Exchange. Mike went to college at KU and TulaneUniversity. He has chronicled and sometimes photographed many musical greats. Mike got married, raised a family, served time in Iraq, and has continued lifelong friendships with many local and national musicians. Mike and his wife Marta are moving to Austin, Texas in June.

Mike Webber grew up in KC but talked about his summer childhood experiences in the Mississippi Delta (Cleveland) as part of the Memphis media market listening to WHBQ in Memphis. In the late 1960’s to early 1970’s, the radio informed his musical tastes, but also influenced social/political outlook. Mixed in with some great childhood memories were many moments that made us wince even then.

Mike returned to live in Mississippi (Jackson) again in the early 90’s and had the chance to see BB King, the Staple Singers & others perform hometown gigs.

Mike Webber told us the story about photographing Pops Staples in Drew, MS and giving the photograph to Mavis Staples at the Kaufman Center last year.

10:55

“P.S. I Love You” – The Beatles – The Big Bang!

Mike Webber was born in March 1964, one month after the Beatles arrived in America. He discovered that the first albums in the house that weren’t children’s records were his brother’s copies of “Meet The Beatles” and “The Early Beatles.” The first record he ever asked for was the 45″ of “Hey Jude” when he was 4. Mike started asking for nothing but Beatles records for every birthday and Christmas. He had a check-list provided by Capitol Records, which is how he learned of things like non-LP B-sides. While he thought he had all of the Beatles records “inexistence,” he discovered bootlegs at a flea market in Memphis and then imports at Capers Corner! He realized that he’ll never have EVERYTHING. Everybody who knew Mike, his family, teachers & classmates – identified him with his fanaticism for The Beatles. All these years later, they still do.

10:58

6. The Beatles –”P.S. I Love You”
from: Please, Please, Me / Parlaphone – Capitol / March 22, 1963
[In February 1963, the Beatles recorded 10 songs during asingle marathon studio session for their debut LP, Please Please Me. The album was supplemented by the 4 tracks already released on their first 2 singles. Parlophone rush-released the album in the United Kingdom to capitalize on thesuccess of singles “Please, Please, Me” and “Love Me Do.” Of the album’s 14 songs, 8 were written by Lennon–McCartney.]

11:00 – Station Identification

“I’ll Take You There – Conversations with Mike Webber”

Mike talked about a story specific to “PS I Love You”, related to a skating rink in Mission, where a 10-year old Mike Webber decided to himself that if the skate parlor deejay played a good song, he would ask a girl to skate with him. The Deejay then played the Beatles,”P.S. I Love You,” Mike took the sign and headed toward the young lady to propose, but he slipped and took a header on the concrete bench.

Capers Corner provided a spontaneous meeting place for grieving Elvis & John Lennon fans who needed some kind of communal feeling and didn’t know where to go but knew they wouldn’t be judged in a place like that.

11:03

“Go Now” from Wings, but sung by Denny Laine, formerly of the Moody Blues, on Wings Over America, the live recording of Wings 1976 concert. This concert is still Mike’s all-time favorite live music event and certainly among the most memorable in Kansas City concert history. McCartney & Wings played the Kemper Arena in 1976. Mike’s first and third concerts were Elvis Presley at Kemper Arena. He was so glad to have seen the King, but he was always first and foremost a Beatles fan, so seeing McCartney – the first Beatle in KC in 12 years at that point – was earth shaking. McCartney was riding a wave of success with “Silly Love Songs” and “Let ‘Em In” both in the charts and in those pre-internet days, we didn’t need “spoiler alerts”. McCartney hadn’t toured America as a solo act before, and in his earlier European tours he hadn’t played any of his Beatles era compositions, so when he played that familiar piano intro to “Lady Madonna”, Kemper shook. In a long set-list full of solo and Wings hits, he only played four Beatles songs total but that was enough. Former Moody Blue Denny Laine was a member of Wings, so it was a huge bonus to also get to hear “Go Now” one of Mike’s favorite songs – live as well.

11:06

7. Wings – “Go Now”
from: Wings Over America / MPL Communications – Capitol / December 1976
[A song composed by Larry Banks and Milton Bennett. It was first recorded in 1964 by Bessie Banks, and then most successfully by The Moody Blues. Wings over America is a live album by the band Wings, in its initial release, it was a triple album and included a poster of the band, which peaked at number 1 in the US. The album was a collection of recordings gathered from Wings’ Wings Over America part of their world tour. A re-mastered recording, is set to be released, in May 2013. Denny Laine sang this song with The Moody Blues and also on tour as a member of Wings.]

11:10

That Wings show was atypical in that instead of the usual ticket outlets, the initial ticket sales were entirely at Kemper Arena. Mike’s brother & his friend Keith Copaken’s father, Paul Copaken, went to wait for tickets but the show sold out. They were crushed. Later, the Copakens were able to get “limited view” tickets behind the stage. Mike was already a customer at Capers Corner, barely 12 years old, but he used to spend all of his lunch money there, and they knew how badly he wanted to see Wings. A couple of weeks before the show, the guy who always helped Mike buy import EPs there (locked in an under bin) called Mike’s home to say he’d found a couple of great lower level tickets at face value. So Mike and his friend Keith wound up in Section 120, Lower Level and Corky Carrel became a lifelong friend with whom Mike is still in weekly contact.

Mike’s other memorable Kansas City concerts of the period:

1) Rolling Stones’ “Tattoo You” shows, in 1981, with the Mick Taylor appearance, which Mike and his friends had been told, might happen by Mick Taylor, himself, whose autograph they sought, at an Alvin Lee concert at the Uptown.

2) Elton John’s “Jump Up” show at Starlight Theater that was broadcast worldwide on Westwood One Radio Network.

3) The Kinks’ “Low Budget” shows at Memorial Hall- twice on the same tour’s beginning and end.

4) The Jacksons’ “Victory Tour” – which was really more memorable as Michael Jackson’s Thriller tour.

11:13

“Cynical Girl” – Marshall Crenshaw – While Mike was working at Capers, Marshall Crenshaw released what many still consider one of the best debut albums that anyone ever made in any genre. That song – and the album on which it appeared – still puts Mike’s head back in high school. Mike took some photos of Crenshaw playing the old Parody Hall a few years laterand last year when he played a solo show at Knuckleheads, Mike gave him copies. Crenshaw was genuinely moved by the images and appreciative of the set Mike gave him. Mike also had one that he’d taken with Crenshaw when he did an in-store at Capers Corner that had been so poorly attended that Mike had tocall his high school classmates and tell them to come in and act like fans.

11:14

8. Marshall Crenshaw – “Cynical Girl”
from: Marshall Crenshaw / Warner Brothers / April 28,1982
[Born in Detroit, November 11, 1953, singer, songwriter andguitarist best known for his song “Someday, Someway.” Crenshaw’s music has roots in classic soul music, British Invasion song craft, Burt Bacharach and Buddy Holly — the latter to whom Crenshaw was often compared inthe early days of his career, and whom he portrayed in the 1987 film La Bamba. Crenshaw is also a noted guitarist who uses off beat chord progressions (almost verging towards jazz) and concise solos.]

11:17

Capers Corner was the best job any kid could have had during that period in this town. Mike would go hang out at his job on his off-days. Reliable access to concert tickets improved his high school dating average. Bars would let them in without ID, albeit you could drink at 18 then, so Mike was only cheating by two years. Mike got jobs for a couple of his best friends from high school and was hanging out with the older guys who worked at Capers. Being over in Wyandotte County, you met a different group of people than over in Shawnee Mission East, so it just had everything going for it. When Mike gets nostalgic for those years, it’s really less about high school than about working at this really great record store where he got to hang out with his friends, meet touring artists, had the best possible influences for budding tastes in any genre of music, and then all the intangibles.

Mike Webber shared a few stories about the Kansas Bureau of Investigation undercover agents trying to bust the head shop inside Capers. Mike also talked about his high school counselor wanting Kenny Rogers tickets.

We didn’t have time to hear Mike’s stories of partying with the Grateful Dead and Tom Petty & The Heartbreakers.

11:19 – Underwriting

11:20 – “So Blue About You” – True Believers

Mike stopped working at Capers when he started college at KU and he wanted a job where he could work in Lawrence during the school year and in KC during the summers, so he started working at PennyLane. Mike worked for and with a lot of great characters: LeRoi, Saul Tucker, April Fletcher, and Mike Soden who now lives in Austin. Capers always held a unique place in Mike’s heart, but PennyLane was great and had so many different locations. It was never boring. Working in downtown Lawrence wasn’t much like working at the Broadway store. They had in-store appearances by bands like Camper VanBeethoven, but then Mike also learned that the first time David George ever played an in-store, it was our Broadway location.

While Mike was working at PennyLane on Broadway, He heard about this great band that was playing around the corner at the Lone Star. He had actually met one of the guys – Alejandro Escovedo – when he was in Rank & File but hell, he had barely been old enough to drive at that time. So by now, Mike was in college and after that poorly-attended show at the Lone Star, what seemed like all of the coolest people he knew from here, and the guys in True Believers, started this friendship that continues through to today. They’d come through town pretty regularly until about 1987 and Mike would get together with them every time. They had some incredibly memorable moments – not least being an occasion when they hung out with Martha Reeves, Mary Wells, David Ruffin & Eddie Kendricks of the Temptations – who happened to be staying at the same hotel. Like Marshall Crenshaw, True Believers seemed like a “can’t miss” act that somehow just couldn’t get over the hump at the time. Now, they’re playing together again in Austin and Mike is still in touch with them, so the last page on all this hasn’t been written yet.

11:27

9. True Believers – “So Blue About You”
from: Hard Road / Warner Bros /
[1980s Texas band led by Alejandro Escovedo & Jon DeeGraham.]

11:31

After PennyLane (and KU), Mike worked at Music Exchange for a year while not planning his next move. On a whim, Mike took the GMAT and did well enough that Tulane University in New Orleans offered him a full academic scholarship, so Mike moved to New Orleans and never again drew a paycheck from the music business, but remained an ardent music fan.

“Message to Michael” – Dionne Warwick – was co-written by Kansas City-born Burt Bacharach. Mike’s habit of championing all things Kansas City really was pronounced whenever he lived away from KC. At Tulane, Mike had a fellow student ask, “what in the hell is wrong with you?” that he was such a partisan of his hometown. Mike was born and mostly raised in KC and although he had left before and is now leaving again, Mike has never regretted having grown up here. Unfortunately, Kansas City happens to straddle two dysfunctional states, but the impression left by when and where Mike grew up is what caused his wife & he to move back to KC about 9 years ago to finish raising their kids. Oh yeah, the wife and kids …Tying back to that Dionne Warwick recording, the first line of that song is “spread your wings for New Orleans” and that’s really what Mike did.

11:33

10. Dionne Warwick – “Message to Michael”
from: The Dionne Warwick Collection: Her All-Time GreatestHits / Warner / 2005
[1966 “Top Ten” hit by Dionne Warwick, written by Burt Bacharach and Hal David. The song’s lyrics, are addressed to a bluebird, by a woman, in Kentucky, whose sweetheart is vainly pursuing musical stardom in New Orleans. The woman asks the blue bird to take a message to Michael, asking him to return to her.]

11:36

Coincidentally, the two gender-specific versions of that song are “Message to Michael” and “Message to Martha” and New Orleans is where Mike would meet his wife, Marta, and where their first-born arrived. Their second child was born in Jackson, Mississippi. Both finished high school at Shawnee Mission East where Mike had graduated in 1982. New Orleans was transformative. Mike really went down there still a kid in very many ways, but he left with a wife and daughter. That city and the woman he married there, turned the boy into a man.

“Rosalie” – Alejandro Escovedo – Mike’s wife is Mexican and this song is one of Marta’s favorites, written by Austin, Texaslocal legend Alejandro Escovedo – previously discussed as a True Believer – whore mains a friend of theirs. Austin is the city where Mike most wanted to live but hadn’t until now.

Austin is also near where Marta was raised in San Antonio, so they’ll be near some of her family. They’ll be straight down I-35 and will still see a lot of their KC friends when they play in Austin – many during the MidCoast takeover at SXSW. That means a lot to Mike because particularly during this last 9-year stint in KC, they’ve made so many very dear friends, including a lot of KC’s music scene. Mike has been watching the KC music scene for over 30 years and it is his considered opinion that KC has not had a comparable level of local talent, like it currently possesses, since he’s been aware. Itis the one thing that he feels is so much better than when he was working in the record stores here. Mike is comforted by the knowledge that their couches and spare rooms will be a destination for many touring KC acts in years to come.

11:42

11. Alejandro Escovedo – “Rosalie”
from: A Man Under the influence / Bloodshot Records /April 21, 2001
[San Antonio, Texas native, singer/songwriter. Alejandro Escovedo enlisted the help of John Velghe and the Prodigal Sons for a few showsin Austin, Texas, during the SXSW Music Festival.]

11:39 – I’ll Take You There – Conversations with Mike Webber

We’ve been playing songs to help move the conversation along but while all of them are favorites, several songs that automatically feature in any list Mike makes have not been played, so perhaps we could wind up with three that usually go 1-2-3 in my all-time list of favorites (which bars Beatles songs as part of my own personal Fairness Doctrine).

All three of these songs have always had a hold on Mike, even before he was experienced to know what they really meant. A couple of notes from any of them and he is back in his dad’s car in the 60’s, hearing music on a single speaker in the dashboard and probably waiting for burgers and onion rings at Sydney’s on the Plaza. Mike loved these songs as a toddler but only when he got a little older and your heart gets broken, a parent dies, other loved ones die, you talk to a doctor about a tumor … those are the experiences that will cause you to get in a car, happen to catch one of these songs on the radio and just melt in a way that is crushing yet reminds you that you’re alive as well.

11:50

12. The Left Banke – “Walk Away Renee”
from: There’s Gonna Be a Storm – The Complete Recordings 1966-1969 / Island Def Jam / 1992
[Formed in NYC in 1965, disbanded in 1969, and reformed in 2011. The band often utilized “baroque” string arrangements, which led to their music beingvariously termed as “Bach-rock”, “baroque rock” or “baroque ‘n’ roll”. The band’s vocal harmonies borrowed from: The Beatles, The Zombies and British Invasion groups.]

13. The Walker Brothers – “The Sun Ain’t Gonna Shine Anymore”
from: Scott Walker & the Walker Brothers – 1965-1970 / Island Def Jam / Feb 17, 2009
[Originally released in US in 1966. The Walker Brothers were an American pop group of the 1960s and 1970s, comprising Scott Engel (eventually known professionally as Scott Walker), John Walker (born John Maus, but using the name Walker since his teens), and Gary Leeds (eventually known as Gary Walker). Formed in 1964, the three unrelated musicians adopted the ‘Walker Brothers’ name as a show business touch—”simply because we liked it.” They provided a unique counterpoint to the British Invasion in that they were a group from the United States that achieved much more success in the United Kingdom than in their home country, during the period when the popularity of British bands such as The Beatles dominated the US.]

14. The Faces – “Ooh La la”
from: Rushmore / Island Def Jam / September 20, 2011

Personal notes about Mike Webber’s life experiences were taken directly from Mike Webber’s show notes.

Sources for notes on tracks: artist’s websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #473

WMM Playlist from April 24, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 24, 2013

The Grisly Hand + Sneaky Creeps +
Bach Aria Soloists + Artist Judith Levy’s “NV in KC”

1. The Grisly Hand – “If You Say So”
from: Country Singles / Independent / April 26, 2013

10:05 – Interview with The Grisly Hand

The Grisly Hand, is a Kansas City based, six member band that first started playing live in 2009. The current line up includes: Jimmy Fitzner (Guitar and Vocals), Lauren Krum (Vocals and Percussion), Johnny Nichols (Bass and Vocals), Matt Richey (Drums), Mike Stover (Steel Guitar), and Ben Summers (Guitar and Mandolin). The band’s debut release “Safe House” was release in November of 2010. Their EP “Western Avenue” was one of our Best Recordings of 2012 . The Grisly Hand are now releasing their new full-length recording, “Country Singles” with a special concert, Friday, April 26, at 7:00 at Knuckleheads Saloon, 2715 Rochester, KCMO. More info at: thegrislyhand.com

Lauren Krum and Mike Stover joined us live in the studio.

This band shares Matt Richey and Mike Stover with a few other bands including Dead Voices. Matt also plays with Tiny Horse and Victor & Penny. Mike also plays with Mr. Marcos V7, and three other bands.

The Grisly Hand will be headlining the Spring Dance – Spice of Life Productions 10th Anniversary, on Saturday, May 18, at Crossroads KC at Grinders, 8:00pm, with My Brothers & Sisters, and Starhaven Rounders.

This weekend The Grisly Hand is releasing their third recording. The cover of the new record “Country Singles” is a photograph where more than half of the frame is taken up by a blacktop country road, with four or five semi-trucks parked in the top left corner on the horizon with the big blue sky behind and the sun setting behind a line of bare trees.

“Country Singles” contains rousing country, truckstop spirited, tracks, but there is also the beautiful “Blind Horse” which is just Lauren’s voice with a piano. This song transcends category and displays the special vocal abilities of Lauren Krum. Mike Stover talked about how that track came to be after a piano had just been delivered to Element Studios.

10:15

2. The Grisly Hand – “Municipal Farm Blues”
from: Country Singles / Independent / April 26, 2013

10:15

“Safe House” gave us the anthem “Paris of the Plains” and many great songs that defined who and where. “Country Singles” has some introspective songs looking inside. Lauren talked about the songwriting process for the band.

Kian Byrne left the band to work full time in his family band The Elders, but it sounds like Mike Stover’s steel guitar has come into take the place of Kian’s fiddle in the composition of The Grisly Hand’s beautiful sound.

Bill Sundahl describes the band: “A mixture of down home and metropolitan Country, Blues, Rock, Bluegrass, and just the right infusion of Soul is what sets them apart from their peers, yet invites you in to the party. Brilliant!”

Friday night, April 26, is the “Country Singles'” CD Release Party at Knuckleheads, 2715 Rochester St, with: She’s A Keeper and Trevor McSpadden, lead singer of Chicago’s Hoyle Brothers. More info at: thegrislyhand.com

10:25

3. The Grisly Hand – “Coal & Black”
from: Country Singles / Independent / April 26, 2013

4. Soft Reeds – “Pregnant Actress”
from: Blank City / The Record Machine / Tuesday, April 23, 2013

[Soft Reeds play a Kansas City Album Release Party, Friday, April 26, at the Riot Room, 4048 Broadway, with Be/Non, and Rev Gusto.]

10:31 – Underwriting

10:32

5. Sneaky Creeps – “Mom Needs A Vacation”
from: December Demos / Independent / 2013
[Downloaded form their SoundCloud page.]

10:35 – Interview with William Andrew Erdrich, Max Crutcher, and Isaac (the new bass player) of Sneaky Creeps

William Andrew Erdrich & Max Crutcher met while going to KCAI. Their second release “The Thin Man Wigs Out” was on of our favorite recordings of 2012. The band recently brought in a bass player, Isaac, and are now a three piece again and have been recording new music. SNEAKY CREEPS kick off their tour with a special concert, Wednesday, May 1, at The Roost, 1100 Santa Fe, KCMO, with LAZY, and YUCKRATZ.

10:52

6. Sneaky Creeps – “Worn Out”
from: December Demos / Independent / 2013
[Downloaded form their SoundCloud page.]

7. David Bowie – “The Stars (Are Out Tonight)”
from: The Next Day / ISO Records – Columbia / March 12, 2013
[Bowie’s first new music in 10 years. In the works for over 2 years, Bowie is collaborated with longtime producer Tony Visconti who told the BBC that they worked on the new album at a very slow pace. “We never spent more than two to three weeks at a time recording,” Visconti said. “And then we’d take off as much as two months. We’d usually work on one or two songs in an afternoon and we’d whip them up to shape where they’d sound like great rock tracks. At that point there wouldn’t be any final vocals or lyrics. This is the same way I’d been working with him since The Man Who Sold the World. He hasn’t really changed in his approach.” Toward the end of Bowie’s 2004 tour in Europe the singer underwent emergency heart surgery for a blocked artery. There were rumors about Bowie’s health. Visconti told the BBC “He’s a very healthy man… I couldn’t explain how I know that, but I worked with a very healthy David Bowie in the studio and a very happy David Bowie in the studio.”]

11:00 – Station ID

8. Swimming in Speakers – “In Knowing”
from: Guessing The Others / Independent / February 5, 2013
[Debut full-length recording from Christopher Clarke & Meadow Elizabeth. Christopher Clarke was a professional actor in Kansas City after graduating from UMKC’s professional actor training program at the conservatory. After living and working in Prague, Christopher landed back in Adirondack Park, New York where Swimming in Speakers was formed, and ignited the rich Northeastern music scene with strong live performances and an impressive EP that twice landed them on episodes of Grey’s Anatomy. The band mixes indie ambient synth-pop, toe-tapping freak folktronica, and Christopher Clarke’s multi-layered production with Meadow Elizabeth’s hypnotic vocals.]

9. Palace – “Treetop Lover”
from: Single remix release / The Record Machine / March 2013
[St. Louis based band: Matthew James: Vocals/ Guitar/ Canadian-Tuxedos, Danny James: Drums/ Vocals/ Mustaches, Phil Grooms: Trumpet/Bass/Tall, Josh Eaker: Bass/fuzz, Crystal Owens: Vocals/X-bells]

[Palace returns to KC to open for COWBOY INDIAN BEAR’s KC ALBUM RELEASE PARTY! Thurs. April 25, 8:00pm, at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO, w/ Heartfelt Anarchy]

11:10 – Interview with Elizabeth Suh Lane, Beau Bledsoe, and Jeff Harshbarger

Elizabeth Suh Lane, has been acclaimed, “…among the finest chamber musicians in America today” by San Francisco Symphony’s Music Director Michael Tilson Thomas. She has performed across the globe as a chamber, solo and orchestral musician in the finest concert halls. Elizabeth is founder-Executive-Artistic Director and violinist of the Bach Aria Soloists. Her leadership has brought world-class collaborations to Kansas City to partner with the ensemble.

Beau Bledsoe comes from a large musical family in Little Rock, Arkansas. While in high school, he obtained a handful of old records from the Spanish guitar masters and began his formal studies at the University of Arkansas at Little Rock, graduating with honors and receiving top prizes from regional music competitions. Beau relocated to the graduate guitar program at the University of Missouri-KC Conservatory of Music and has continued his professional career collaborating with Nathan Granner, composer/pianist Brad Cox, and the ensemble, Alaturka.

Jeff Harshbarger, was voted Kansas City’s Best Bassist by Pitch Magazine in 2007, has ecorded and performed across the globe with such varied groups as Jacob Fred Jazz Odyssey, Bobby Watson, Curtis Fuller, Forever Tango, Eugene Chadborne, Mitt Abel, Tango and dozens more. He is the curator of Jeff Harshbarger Presents: An Alternative Jazz Series, promoting new improvised music in Kansas City.

The Bach Aria Soloists: Elizabeth Suh Lane, Beau Bledsoe, and Jeff Harshbarger perform Tango music LIVE in our 90.1 FM studios. And we’ll talk with these amazing musicians about their upcoming concert, “A Night of Tango,” on April 27, at 8:00 PM at HELZBERG HALL, in The Kauffman Center For the Performing Arts. The show highlights the rich music of Astor Piazzolla and his Piazzolla quintet, with legendary Tango master Héctor Del Curto.

10. Bach Aria Soloists: Elizabeth Suh Lane, Beau Bledsoe, & Jeff Harshbarger – “Libertango” (Live)

11. Bach Aria Soloists: Elizabeth Suh Lane, Beau Bledsoe – “Bordel 1900” (Live)

11:30 – Underwriting

11:32

12. Lyal Strickland– “Every Time It Starts To Rain”
from: Balanced On Barbed Wire / Independent / 2013
[From Buffalo Missouri]

[Lyal Strickland plays Knuckleheads Saloon, 2715 Rochester Ave, KCMO, Thurs, April 25, at 7:30pm]

13. Diana Krall – “We Just Couldn’t Say GoodBye”
from: Glad Rag Doll (Deluxe Edition) / Verve Music Group / Oct. 27, 2012

[Diana Krall plays The Midland Theatre, Wednesday, May 1, at 8:00pm.]

14. Tim Coons – “Envy”
from: The Deadly Sins and Beatitudes / Tim Coons / Oct. 8, 2008
[Born in Hutchinson, Kansas, Tim Coons in now based in Greely, Colorado.]

11:35 – Interview with Judith Levy

Artist & Filmmaker, Judith Levy was the recipient of the Artopia, Visual Artist of the Year, by The Pitch Newspaper, 2012. Her work has been presented in multiple galleries in Kansas City as well as Indianapolis, Minneapolis, Chicago, and Winnipeg to name a few. Her 2012 video “On The Seventh Day” was sceened at film festivals across the country including the Kansas City Gay & Lesbian Film Festival. Judith joins us to discuss her new film, “NV in KC,” a community filmmaking project funded by an Andy Warhol Foundation Rocket Grant Award. The film takes place in the vibrant art world of present-day Kansas City. The film will have it’s premiere Thursday May 2, at the Tivoli Cinema in Kansas City, and on May 9, at the Lawrence Arts Center, in Lawrence, Kansas. More info at: nvinkc.com or judithglevy.com.

“NV in KC” combines performers and actors playing fictional characters in scripted scenes with real life documentary interviews conducted by you with notable arts leaders.

11:40

15. Audio Clip #2 from “NV in KC” Jealousy Vs. Envy – Erin McGrane (:35)

16. Audio Clip #3 from “NV in KC” Featuring Julian Zugazagoitia (1:04)

Well-known local performers, and notable arts leaders appear in the film: De De DeVille, Carol Holstead, Judith G. Levy, Erin McGrane, Shannon Michalski, Garry Noland, Jaimie Warren, Rachael Cozad, Saralyn Reece Hardy, Sherry Leedy, Raechell Smith, Julian Zugazagoitia. How did you find the cast?

The film is a diary-like tale about artist Lee J. Ross’ (played by Judith Levy) efforts to come to terms with her own envious feeling and those of her friends.

Kansas City’s May 2nd Tivoli Screening is SOLD OUT!

May 9, 2013 at 7:00 pm, At The Lawrence Art Center, 940 New Hampshire St. Lawrence, KS., (785) 843-2787

A community filmmaking project funded by an Andy Warhol Foundation Rocket Grant

NV in KC: a story about artists and envy in Kansas City is a humorous and probing film set in the vibrant art world of present-day Kansas City. Well-known, local performers and notable arts leaders star in this diary-like tale about artist Lee J. Ross’ efforts to come to terms with her own envious feeling and those of her friends. Invented narrative is blended with documentary-like interviews to tell a story that was filmed in Lawrence and Kansas City and captures the complexity of a challenging emotion.

The film was made possible through the support of the Charlotte Street Foundation and Spencer Museum of Art.

11:45

17. Audio Clip from “NV in KC” Success & Failure: Saralyn Reece Hardy(1:25)

“NV in KC” will have it’s premiere Thursday May 2, at the Tivoli Cinema in Kansas City, and on May 9, at the Lawrence Arts Center, in Lawrence, Kansas. More info at: nvinkc.com or judithglevy.com

11:59:30

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Sources for notes: artist’s websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #470

LOCAL SHOWCASE Playlist from: Feb. 21, 2013

The LOCAL SHOWCASE
90.1 FM KKFI – Kansas City Community Radio
Produced & Hosted by Mark Manning

Thursday, February 21, 8:00 – 10:00 PM

Matt Beat & Electric Needle Room +
Patrick Alexander & The Urban Culture Project
+ New Local Releases

1. Cowboy Indian Bear – “Crime And Feel”
from: Single Track Release / The Record Machine / Jan. 2013
[released with First Single “Does Anybody See You Out?” release download from their upcoming 2nd full-length album: “Live Old, Die Young” that will be released on White Vinyl in April! The download also includes the songs: “Sheets,” “Live Old, Die Old,” and “Crime & Feel” on The Record Machine’s Tumblr page. Joshua Browning served the band as producer and engineer. The songs were recorded over a three year period, where the band was also constantly touring, living on the road, keeping the van running. Beau Bruns – percussion, vocals, glockenspiel, guitar, Charles Calhoun – vocals, guitar, bass, keys, percussion, Martinez Hillard – vocals, guitar, keys, bass, percussion; Kaylyn Conroy vocals, piano, keys.]

[Cowboy Indian Bear play the first show in Golden Sound Records new series On The House that begins Sat. Feb. 23, at the recordBar, with: Oils, and The CAVES.]

[Cowboy Indian Bear play Midwest Music Foundation’s annual showcase, the SXSW MidCoast Takeover, with over 50 bands from the KC area, over 4 days, March 13 – 16, in Austin, TX. ]

2. The Caves – “Handcuffs”
from: Duplexiaville / Golden Sound Records / Nov. 24, 2012
[KC based: Andrew Ashby on Guitar & Voice, David Gaumé on Bass, Elizabeth Bohannon on Keyboards, Percussion & Voice, Jake Cardwell on Drums & Percussion.]

[The Caves play the first show in Golden Sound Records new series: On The House, that begins Sat. Feb. 23, at the recordBar, with: Oils, and Cowboy Indian Bear. The CAVES will be releasing their Duplexiaville on vinyl at the show.]

[The Caves play Art Closet Studios, at 3951 Broadway, Kansas City, MO. Saturday, March 2, at 8:00 PM with Coed Pageant, Schwervon!, and The Authour & Illustrator.]

[The Caves play this years Middle of the Map Festival.]

3. The ACBs – “Record Store”
from: Little Leaves / High Dive Records / March 5, 2013
[Konnor Ervin (lead vocals, guitar); Bryan McGuire (bass); Andrew Connor (guitar); Kyle Rausch (drums). Follow up to their December, 2010 release, Stona Rosa. Their songs have been featured on MTV’s The Inbetweeners, and Daytrotter. The title “Little Leaves” is a nod to frontman Konnor Ervin’s landscaping day job. The lead single, “Ocean” was released as a free download in late 2012, prompting Popmatters to declare the ACBs as one of its “Best Hopes to Break Out in 2013.”]

[ACBs play a Record Release Show, Fri, Mar 1, 7:00 PM, at the recordBar, 1020 Westport Rd, KCMO]

[The ACB’s will play this year’s Middle of the Map Fest, April 4-6]

[The ACB’s will be our special guests on Wednesday MidDay Medley on Feb. 27.]

10:15 – Interview with Matt Beat

4. Electric Needle Room – “Lyndon Johnson”
from: The Presidents of the United States of America (Vol. 3) / Independent / February 18, 2013
[All music and lyrics by Matt Beat. All recorded performances by Matt Beat. Produced by Matt Beat. Artwork by Matt Beat. For goodness sake, if it’s on the album, he did it.]

By day, Matt Beat is a middle school social studies teacher. By night, the multi-instrumentalist writes and records songs about Presidents. He recorded them chronologically. The final volume of recordings features: Franklin Roosevelt to George W. Bush. “The Presidents of the United States of America (Volume 3)” was just released appropriately on Feb. 18. It was produced by Matt Beat, with all music and lyrics by Matt Beat, and all recorded performances by Matt Beat.

Matt Beat formed The Electric Needle Room with his brother. The two of them have lived in separate cities for many years. They email their music back and forth in collaboration.

Matt uses his songs to help teach to 7th and 8th grade middle school students in his social studies classes.

8:26

5. Electric Needle Room – “Jimmy Carter”
from: The Presidents of the United States of America (Vol. 3) / Independent / February 18, 2013
[All music and lyrics by Matt Beat. All recorded performances by Matt Beat. Produced by Matt Beat. Artwork by Matt Beat. For goodness sake, if it’s on the album, he did it.]

Matt talked about how he creates the songs and the research involved in writing the lyrics. Some songs are longer because of the historical impact of the particular times. Politically Matt treats each president fairly and objectively.

8:35

6. Electric Needle Room – “Franklin Roosevelt”
from: The Presidents of the United States of America (Vol. 3) / Independent / February 18, 2013
[All music and lyrics by Matt Beat. All recorded performances by Matt Beat. Produced by Matt Beat. Artwork by Matt Beat. For goodness sake, if it’s on the album, he did it.]

More information at electricneedleroom.bandcamp.com or electricneedleroom.net

8:41 – Underwriting

8:42

7. Antennas Up – “Pretenders”
from: The Awkward Phase / Plastic Artifice / April 24, 2012
[Formed in KC in 2008. The band has played South By Southwest and over 30 Universities and toured w/ Girl Talk, Electric Six, Flogging Molly, Matt & Kim, Ha Ha Tonka, and Company Of Thieves. Kyle Akers – Lead Vocals/Bass; Bo McCall – Guitar/Vocals; The Ryantist – Drums/Vocals; Jonny Universe – Guitar/Keys/Vocals]

[Antennas Up play The Brick Fri. Feb. 22.]

8. Elsa Rae– “Don’t Move To Minnesota”
from: Plays Tiny Instruments / Independent / August 16, 2011
[Recorded at Cathouse Studios in August, 2011. All songs recorded and mixed by Mike Dresch. All songs written and performed by Elsa Rae. ]

[Elsa Rae plays Art Closet Studio Fri. Feb. 22, at 9:00 PM]

9. The Wires – “Banyan”
from: The Wires – Alternative Strings / Independent / March 9, 2013
[The Wires are an alternative exploration in string sound. Hailing from KCMO, The Wires compose & perform original music for violin & cello. Created, composed & performed by Laurel Morgan on violin (formerly of In The Pines) & Sascha Groschang on cello). The Wires will be with us next week on Feb. 20th.]

[The Wires play a CD Release at the recordBar, Saturday, March 9, 2013, at 7:00 PM, accompanied by a video-installation by multi-media artist Ben Parks.]

10. Lyal Strickland– “(What If We Could) Save The World”
from: Balanced On Barbed Wire / Independent / 2013
[From Buffalo Missouri]

9:00

11. Hidden Pictures – “Something To Eat”
from: Midwestern Audio Vol. 1 / Midwest Music Foundation / September 23, 2012

[Hidden Pictures play the recordBar TONIGHT at 10:00 with Ruby Suns and Painted Palms]

12. Kasey Rausch – “Grassroots”
from: Born Bear Water / Independent / 2005
[Kasey tells us she is will start working on her new recording in mid-April. Kasey also plays stand up bass in the band Buttermilk Boys who are getting ready to release a new recording, also in mid-April.]

[Kasey Rausch plays the KKFI Coffee House radio show 25th Anniversary Concert featuring Jeff Black and 2-Bit Palomino, and many others, Saturday, March 23, at 7:00 at All Souls Unitarian Universalist Church.]

13. Me Like Bees – “Comet & Snail”
from: The Ides / Independent / 2013
[indie/alternative rock band from Joplin, Missouri. Formed in May of 2009, featuring Luke Sheafer, Nick Bynum, Pete Burton, Tim Cote.]

14. The Quivers – “I Sleep Here”
from: I Gots To Have It! / Independent / August 1, 2012
[Terra Peal- Vocals & Bass, Todd Grantham- Keys & Vocals, Abe Haddad- Guitar & Vocals, Bernie Dugan- Drums.]

[The Quivers play Midwestern Musical Company on Fri. March 1]

9:15 – Urban Culture Project Open Studios

15. Black House Quartet – “the young wife with a vague sense of foreboding”
from: The Kessler Critique / Independent / 2013
[Rehearsal recordings. Thank you Hunter Long.]

9:20 – Interview with Patrick Alexander

Patrick Alexander is a multidisciplinary artist who incorporates collage, painting and drawing with original sound compositions, developed organically, and often exhibited as a site-specific installations. His work has been exhibited in Los Angeles, and locally at The Telephone Booth Gallery, Next Space, Fahrenheit, H&R Block Artspace, Leedy-Voulkos, to name a few. As a curator he was owner operator of Locus Solis Art Gallery, and served as Art Gallery and Theatre Director the YWCA of Greater Kansas City Kansas. Since 1997 he has operated a mobile sound system for special events and clubs and has DJ’d (under the alias Fat Sal) locally and nationally. He specializes in rare vinyl recordings of soul, funk, Dub, reggae, latin, jazz, early hip hop and dance music.

As Facilities Manager for the Charlotte Street Foundation, Pat is responsible for the day to day management, operation, and maintenance of Urban Culture Project exhibition and performance spaces and Studio Residency Program facilities. Patrick Alexander joined us by phone to discuss Urban Culture Project – Studio Residency Open Studios Weekend, March 8-9.

The Foundation through the Urban Culture Project operates 3 different gallery spaces, and also offers studios, in downtown office buildings, for visual and performing artists.

Find detailed info about the 2012-13 studio residents at: urbanculturestudioresidents.wordpress.com

Artists’ studios will open for viewing with all artists on-hand to discuss their work and answer questions.

The Open Studios include:

Big in Japan, March 8, 7pm, Paragraph Gallery,

Black House Collective, March 8, 9pm, Paragraph Gallery,

Miles Bonny, March 8, 5:30-6:30pm, pARTnership Place,

Lisa Cordes, March 9, noon, Paragraph Gallery.

Gamelan, March 9, 12:30, Town Pavilion,

Kacico, March 8, 8pm, Town Pavilion,

Marisa MacKay, March 8, 8:30pm, Town Pavilion,

Erin Muenks, March 8, 7:30pm, Town Pavilion.

(These are just a few of the artists involved.)

16. Black House Collective – “kissing the hand at midnight”
from: Workshop 11 / Independent / 2013
[Rehearsal recordings. Thank you Hunter Long.]

9:35

17. Root and Stem – “No Matter Where You Go”
from: Christ Out Of The Cage / Independent / February 5, 2013
[Recorded at Element Recording Studio in Kansas City, MO. Engineered by Joel Nanos. KC based band made up of James Embry – Guitar/Vocals, Baird Williams – Guitar/Vocals, Cody Barrett – Bass, and Joel Shipley – Drums. Nominated for a Pitch Music Award for Best Americana/Bluegrass Band.]

18. Janet The Planet – “What I Forgot To Say (Part 1)”
from: Big Kids / Independent / January 16, 2012
[All music written and performed by Adam Davies (guitar), JD Linn (bass), Bobby Bayer (saxophone, yos), and Alexander Thomas (drums). Tracked live by Dave Gaume at Element Recording. Mixed by Dave Gaume. Mastered by Joel Nanos.]

19. Ghosty – “Need This”
from: GHOSTY / More Famouser Records / April 17, 2012
[3rd full length release from Lawrence and KC area band. Ghosty is Andrew Connor, Mike Nolte an Bill Belzer who recorded their new album themselves over the last couple of years with help from David Wetzel, Josh Adams, Jake Blanton, Konnor Ervin, Ryan Connor, Kirsten Paludan, and Dan Talmadge. The new release was pressed on vinyl and available on LP and digital download. More info at ghostysounds.com.]

20. Schwervon! – “American Idle”
from: Courage / Olive Juice Records / September 28, 2012
[Schwervon! is a two piece rock band. Nan plays drums and Matt plays guitar and they both sing. They lived in NYC for 15 years and have just relocated to Kansas City. Last year they opened for both The Vaselines and Belle & Sebastian. They recorded Courage with Memphis-based engineer Doug Easley who has worked with Pavement, Sonic Youth, Cat Power.]

[Schwervon! play Art Closet Studios, at 3951 Broadway, Kansas City, MO. Saturday, March 2, at 8:00 PM with Coed Pageant, The Caves, and The Authour & Illustrator.]

21. Snuff Jazz featuring Brian Haas – “Trailer Ride”
from: I Heard It On 18th Street II: No Foolin’ We Schoolin’ / Independent (David Ford) / 2009

The LOCAL SHOWCASE airs every Thursday night from 8:00 to 10:00 PM on 90.1 FM with 90.1 FM Programmers taking turns at hosting and producing each week.

Mark Manning is the host & producer of Wednesday MidDay Medley
Maria Vasquez Boyd is a regular contributor to Wednesday MidDay Medley, and is also the host & producer of Artspeak Radio, with Blair Schulman

Wednesday MidDay Medley is on the web:

WednesdayMidDayMedley.org
facebook.com/WednesdayMidDayMedleyon90.1FM
Wednesday MidDay Medley is also on: Bandcamp, Reverbnation, SoundCloud, Tumblr, YouTube.

WMM Playlist from February 6, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 6, 2013

Sean Starowitz & Byproduct: The Laundromat
+ Folkicide + More Music from the MidCoast Takeover
+ A Middle of The Map Festival Announcement!

1. Foxygen – “San Francisco”
from: We Are the 21st Century Ambassadors of Peace & Magic / Jagjaguar / January 18, 2013
[Second full-length album by Californian experimental rock duo of Sam France, 22 year old vocalist and songwriter, originally from Olympia, Washington, and Jonathan Rado, also 22, who is a songwriter, guitarist, and keyboard player, originally form NYC. Formed in 2005, the band self-released several EPs between 2007 and 2011. In 2012 the group was signed to Jagjaguwar Records. This album was produced by Richard Swift and recorded at his National Freedom studio.]

2. Cowboy Indian Bear – “Does Anybody See You Out?”
from: Single Track Release / The Record Machine / Jan. 2013
[First Single release download from their upcoming 2nd full-length album: “Live Old, Die Young” that will be released on White Vinyl in April! The download also includes the songs: “Sheets,” “Live Old, Die Old,” and “Crime & Feel” on The Record Machine’s Tumblr page. Joshua Browning served the band as producer and engineer. The songs were recorded over a three year period, where the band was also constantly touring, living on the road, keeping the van running. Beau Bruns – percussion, vocals, glockenspiel, guitar, Charles Calhoun – vocals, guitar, bass, keys, percussion, Martinez Hillard – vocals, guitar, keys, bass, percussion; Katlyn Conroy vocals, piano, keys.]

[Cowboy Indian Bear play The Uptown Theatre February 15, at 7:00 for JayRock 8 w/ Quiet Corral]

10:15

3. The Depth and The Whisper – “Highway”
from: Single Track Release / Independent / December, 2012
[Produced and recorded by John Velghe at Guttersnipe recording. This song features Albert Bickley and Dave Tanner, the principle musicians and songwriters, with Troy Van Horn on lead guitar, Go Go Ray on Drums, John Velghe on keyboards.]

[The Depth & The Whisper play Uptown Arts Bar, KC, for the MBird Artist Showcase, Feb. 21.]

Two of the bands who will be part of Midwest Music Foundation’s MidCoast Takeover at the 2013 SXSW Music Festival in March.

4. Sleepy Kitty – “Don’t You Start”
from: Single Track Release b/w “All I Do Is Dream of You” / Euclid Records / Sept. 3, 2012
[St. Louis based band via Chicago. Paige Brubeck on vocals/guitar/keys, and Evan Sult (formerly of Harvey Danger) on drums/vocals/tapes. In the past few years the band has opended for Neon Trees, Dresden Dolls, Deerhoof, and Chuck Berry. While at home, Sleepy Kitty runs a screenprinting studio out of a 19th century warehouse where they specialize in handprinted show posters for bands & venues in St. Lu, Chicago & NYC.]

5. Radkey – “We’re Going Down”
from: Irrationally Yours – EP / Radkey/ March 29, 2011
[The Deli KC announced on their blog last week that The Deli’s Best Emerging Kansas City Artist of 2012 is Radkey! The three-piece band swept the competition, with a landslide of votes from local music jurors. Taking second place was Making Movies, followed closely by Schwervon! The complete ranking of the list of 48 very fine Kansas City area bands is posted at kansascity.thedelimagazine.com. Radkey is a band made up of three teenage brothers Darrion, Isaiah, and Solomon. Their influences include The Who and Nirvana.]

[Radkey plays the recordBar, Wednesday, February 13, with Local H in an 18 an over show.]

10:29 – Underwriting

10:30 – Interview with Sean Starowitz

Sean Starowitz is a 2010 graduate of the Interdisciplinary Arts program at the Kansas City Art Institute. Sean is also the co-founder of Bread! KC, with classmate Andrew Erdrich that since 2010 has fed over 1000 attendees and raised over $12,000 in grants for art and community projects. Last year Sean and Andrew created The Speakeasy a six-week temporary cultural center at the La Esquina Gallery, for the Charlotte Street Foundation. Currently Bread! KC is collaborating with the UMKC Theatre Department, for “Eat This! KC Chews on the Politics of Food,” written and directed by Stephanie Roberts. Sean Starowitz joined to discuss the launch of Byproduct: The Laundromat, a project he organized and received a Rocket Grant through the Andy Warhol Foundation to produce, that begins at 7:00 PM this Sat, February 9th, at Walnut Place Laundromat in KCMO.

Sean Starowitz talked about the reasons for doing, Byproduct: The Laundromat.

Sean Starowitz talked about challenging the notion of traditional art spaces.

During the first wash cycle, the series will begin with a screening of Kentucky-based filmmaker Ron Schildknect’s “My Porcelain Past,” a short documentary about that chronicles the last day of operation for a Louisville, Kentucky landmark, a White Castle Restaurant. You are from Louisville.

During the dry cycle, the programming will continue with KCAI professor and poet Jordan Stempleman, who will host a Common Sense Reading.

For more info please email seanstarowitz@gmail.com to rsvp, (seating is limited to the amount of washing/drying machines) and please bring your laundry.

Sean Starowitz talked about the Rocket Grant he received through the Andy Warhol Foundation.

Sean Starowitz and Bread! KC are collaborating with Stephanie Roberts and “Eat This! KC Chews on the Politics of Food.” Stephanie and company members will with us on WMM in three weeks on February 27.

“Starowitz creates opportunities for alternative economies and exchanges, such as Wheels for Meals, BREAD! KC , and The Burnt Ends Residency.”

Byproduct: The Laundromat will begin at 7:00 pm on Saturday, February 9th at Walnut Place Laundromat (4241 Walnut Street, KCMO.) For more info please email seanstarowitz@gmail.com to rsvp, (seating is limited to the amount of washing/drying machines) and please bring your laundry.

10:44

6. Bloodbirds – “Radiation”
from: Psychic Surgery / Independent / February 1, 2013
[KC based Psychedelic post-punk trio featuring ex-Ad Astra Per Aspera member Mike Tuley, his wife Brooke Tuley and Anna St. Louis. The album will be available as a vinyl LP in April. Recorded at Junior’s Motel, with additional recording at the Worst Place in the World, and House Tuley. Rcorded by Kirk Kaufman and Mike Tuley. Mixed by Mike Tuley.

[Bloodbirds play the recordBar, Tuesday, February 12, with Ex-cult and Lazy.]

7. Schwervon! – “Daydream Ration”
from: Courage / Olive Juice Records / September 28, 2012
[2 piece rock band. Nan plays drums & Matt plays guitar and they both sing. They lived in NYC for 15 years and recently relocated to KC. Last year they opened for both The Vaselines and Belle & Sebastian. They recorded Courage with Memphis-based engineer Doug Easley who’s worked with Pavement, Sonic Youth, Cat Power.]

[Schwervon play the recordBar, Friday, February 15, 10:00pm with The Lucky, and The Heavy Figs, to celebrate the release of The Lucky’s Debut CD]

[Major Matt Mason USA plays Davey’s Uptown, 3402 Main St., Wed. February 13, in an acoustic set, with Rabbit Killer and Folkicide.]

[Schwervon! will play the Midwest Music Foundation’s MidCoast Takeover at the 2013 SXSW Music Festival in March.]

The MidCoast Takeover fundraiser shows will benefit the Midwest Music Foundation’s SXSW MidCoast Takeover, the annual showcase, featuring 40 bands from the KC area, over 4 days, March 13 – 16, at the Shangri-La, on East 6th Street, in Austin, Texas. For more information you can visit: midcoasttakeover.com or midwestmusicfound.org.

The MidCoast Takeover fundraisers continue, Sat, Feb 16 – The Brick w/ Rev Gusto – 10:00, Cherokee Rock Rifle – 10:45, David Hasselhoff on Acid – 11:30, Not A Planet – 12:30

8. Rev Gusto – “Click Click”
from: Rev Gusto [EP] / Catapult / November 10, 2012
[Jerry Frederick on Vocals & Guitar, Sam Frederick on Bass, Shaun Crowley on Guitar, Peter Beatty on guitar Quinn Hernandez on Drums, Rev Gusto just released their first self-titled EP recorded at Element Recording.]

[Rev Gusto play The Brick, Feb. 16, w/Not A Planet, Cherokee Rock Rifle, & David Hasselhoff on Acid.]

9. Not A Planet – “Black Dress”
from: Single Track Release / Independent / December 7, 2012
[Kansas City based Rock and Roll trio formed in 2010. Nathan Corsi, Liam Sumnicht, Bill Sturges.]

[Not A Planet plays The Brick, Saturday, Feb. 16, with Rev Gusto, Cherokee Rock Rifle, & David Hasselhoff on Acid.]

11:00 – Station ID

Middle of The Map Festival Announcement…

Now in its 3rd year, Ink’s Middle of the Map Fest, curated by The Record Machine, returns to Kansas City this spring with an expanded lineup. Ink’s Middle of the Map Fest is the brainchild of Nathan Reusch of The Record Machine. This year’s Music Fest will take place April 4th through 6th at the Record Bar, Riot Room, The Uptown Theater, Union, Gusto Lounge, and Westport Coffeehouse.

Returning to the Fest for the second year, the Forum will feature speakers, technological and cultural panel dialogues, collaborative performances April 17th 18th and 19th at OfficePort in the Crossroads Arts District.

The Festival expands this year to include its first Film Fest taking place May 1 – 5 at the Alamo Drafthouse in downtown KC.

For more info: middleofthemapfest.com

The 2013 line up for Ink’s Middle of the Map Fest includes:
Grizzly Bear, The Joy Formidable, Tennis, Deerhoof, JEFF the Brotherhood, Kids These Days, Iceage, The Whigs, Wovenhand, The Appleseed Cast, The Casket Lottery, White Lung, People Get Ready, Denison Witmer, Kitten, Guards, Cowboy Indian Bear, Soft Reeds, Palace, Making Movies, Détective, Owen Pallet, Mister Lies, The Last Bison, Pujol, Joe Pug, La Guerre, Spirit is the Spirit, Sleepy Kitty, My Gold Mask, Dots Not Feathers, Smoker, the Soil & the Sun, Trouper, Little Legend, Maps For Travelers, She’s A Keeper, Bloodbirds, Quiet Corral, Akkilles, Radkey, Steddy P & DJ Mahf, Thee Water MoccaSIns, the ACB’s, Shy Boys, Fourth of July, Ghosty, Shadow Paint, The Slowdown, Cherokee Rock Rifle, Clairaudients, White Girl, Antennas Up, Heartfelt Anarchy, Six Percent, The Regrets, The Belles, The Noise FM and many more to be announced.

Chris Haghirian will be with us on March 27 to talk more about The Middle of the Map Fest.

10. Tennis – “Origins”
From: Yound & Old / Fat Possum Records / February 13, 2012
[Produced by Patrick Carney of The Black Keys, 2nd album from Denver indie pop band of husband-and-wife duo Alaina Moore and Patrick Riley. The couple met each other while studying philosophy in college, and started the band after they got back from a 7-month sailing expedition down the Eastern Atlantic Seaboard.]

[Tennis will play Ink’s Middle of The Map Festival.]

The MidCoast Takeover fundraiser shows will benefit the Midwest Music Foundation’s SXSW MidCoast Takeover, the annual showcase, featuring 46 bands from the KC area, over 4 days, March 13 – 16, at the Shangri-La, on East 6th Street, in Austin, Texas.

The MidCoast Takeover fundraisers continue, Friday, March 8 – Uptown Arts Bar (acoustic show) with Cadillac Flambe – 8:00, Sons of Great Dane – 9:00, Clairaudients – 10:00, and Heroes & Villains – 11:00

11. Sons of Great Dane – “To A City I Have Known”
from: You Can’t Lose It All, All At Once [EP] / Sharp County Records / September 4, 2012
[Brent Windler: Guitar/Vocals, Nolle Bond: Bass, Evanjohn: Guitar, and Brendan Culp: Drums. Recorded and Mixed by Paul Malinowski at Massive Sound. Mastered by Mike Nolte at West End Studios. ]

[Sons of Great Dane play Uptown Arts Bar, Fri., Mar. 8, w/ Cadillac Flambe, Clairaudients, and Heroes and Villians.]

12. Cadillac Flambe’ – “The Devil’s Heavy 12”
from: Midwestern Audio Vol. 1 / Midwest Music Foundation / September 23, 2012
[“Midwestern Audio Vol. 1” is the indepth compilation assembled for Midwest Music Foundation by Brenton Cook and co-sponsored by Ink Magazine featuring over 40 bands. More info at MidwestMusicFound.org]

[Cadillac Flambe play Uptown Arts Bar, Fri., Mar. 8, w/ Maps for Travelers , Clairaudients, and Heroes and Villians.]

11:16 Underwriting

11:17 – Interview with Folkicide

13. Folkicide – “Empire of The Ants”
from: Devotional Hymns From the Church of the Darwinian Snuff Film / August 15, 2011

[Folkicide plays Czar Sat. Feb. 9 with Ari Lehman the original Jason Voorhees.]

[Folkicide plays Davey’s Uptown, 3402 Main St., Wed. February 13, in an acoustic set, with Rabbit Killer and Major Matt Mason USA.]

“Devotional Hymns From the Church of the Darwinian Snuff Film” was the 3rd full length release from KC based singer-songwriter, Folkicide, who has described his music as “despair-core” and writes that his vision of constructive pessimism, he hopes in time, will be recognized as a new acoustical genre, fully devoted to the documentation of the delightful futility of existence. Since 2010 Folkicide has released 4 full-length recordings and one EP, writing and arranging and recording over 60 tracks. Folkicide is also a visual artist. His works are currently on display at The Midwestern Musical Co. in the Crossroads. Folkicide plays Czar Sat. Feb. 9 with Ari Lehman the original Jason Voorhees. Folkicide also plays Davey’s Uptown, 3402 Main St. Wed. Feb 13, in an acoustic set, with Rabbit Killer and Major Matt Mason USA

Folkicide translated is death of folk? Folkicide explained his transition from Punk and Rock and Roll to his solo work playing non-electric. The sounds of the acoustic guitar, the expression.

Folkicide would appear to be KC’s own Nihilist anti-hero, truly rejecting all religious and moral principles, in the belief that life is meaningless.

“Empire of The Ants” is one of Folkicide’s songs from a few years ago, that he is adding drums for a future Mikal Shapiro video involving the song.

The titles of Folkicide’s recordings reflect the darkness of his songs and lyrics: Let’s Worship Degenerates, Ultimate Decimation Blues, Devotional Hymns From the Church of the Darwinian Snuff Film, The Genocide is Mean.

Last year Folkicide released “The Genocide is Mean” EP in July 1, 2012. Most of the music was recorded on May 11, 2012, by Chubby Smith at his magical tractor shed in Perry, KS.

After four years of tinkering with the idea, Folkicide’s NATO was finally recorded during April through August 2012 by Jonathan Brokow (the Anti-Roy Thomas Baker) mostly in the Folkicide basement via 4 track cassette.

It was engineered and mastered mid-August by David Moore at Merriam Shoals Studio.

All songs were originally composed by the various Queen members and then strategically deconstructed by Folkicide Mercury without disrespect or irony intended because he truly loves Queen (well, pre-Hot Space Queen anyway) and NATO in particular.

Even though the songs were written by Queen, the lyrics, especially Bohemian Rhapsody seems perfect for Folkicide’s “pessimistic exploration into the decaying frame of Western Civilization.”

Folkicide discussed the challenges of covering an entire record.

11:28

14. Folkicide – “Bohemian Rhapsody”
from: Folkicide’s A Night At The Opera / Independent / September 29, 2012

11:31

Art, the album covers, band posters, Folkicide has works on display at Midwestern Musical Co. in a show titled “Cut and Paste Manifesto” featuring the works of R. Ducan Burnett, Folkicide, Stan Morgan, and William L. Philyaw.

Other musicians who have played and recorded with Folkicide:
Zachary Turner: Drums, banjo, dulcimer, organ, synthesizer.
All Blood: Electric guitar, organ
Darrin Welch: Background vocals on “Best Friend”
Michael Walker: Trombone on “Seaside Rendezvous”
Jason Beers: Banjo, Saw.

The artwork of Folkicide is currently on display at The Midwestern Musical Co. in the Crossroads. Folkicide plays Czar Sat. Feb. 9 with Ari Lehman the original Jason Voorhees. Folkicide also plays Davey’s Uptown, 3402 Main St. Wed. Feb 13, in an acoustic set, with Rabbit Killer and Major Matt Mason USA. You can hear all of his music at: folkicide.bandcamp.com

11:41

15. Folkicide – “Little Nihilist”
from: Let’s Worship Degenerates / Independent / June 1, 2010
[From the debut recording of Folkicide. Recorded March 6, 2010, at Merriam Shoals Studio by David Moore (Rough Edges Smoothed the following weekend by David.]

11:45

16. The Wires – “Red Rock”
from: The Wires – Alternative Strings / Independent / November, 2012
[The Wires are an alternative exploration in string sound. Hailing from Kansas City, Missouri, The Wires compose and perform original music for violin and cello. Created, composed and performed by Laurel Morgan on violin (formerly of the band In The Pines) and Sascha Groschang on cello). The Wires will play live on WMM in two weeks on Feb. 20th.]

[The Wires play a CD Release at the recordBar, Saturday, March 9, 2013, at 7:00 PM, accompanied by a video-installation by multi-media artist Ben Parks.]

17. The Way Back– “How It Has To Be”
from: The Way Back [EP] / Independence / October 2 2, 2012
[The Way Back is an alternative rock band formed by Alex Ellis and Jeff Kinney (formerly of Roanoke and The Brisbanes) in March of 2012. In the midst of wrapping up their first studio EP, The Way Back quickly recruited music veterans Daniel Cole and Paul Herman to complete the group.]

[The Way Back play The VooDoo Lounge at Harrah’s Casino, 1 Riverboat Drive, KCMO, Tonight, Feb 6 for KC Raw presents: DISCOVERY, with artists, photographers, fashion designers, and music.]

[The Way Back play The Jackpot Saloon, in Lawrence, Thursday, Feb. 7, at 8:00 PM with Berwanger, Hidden Pictures, and Margo May.]

18. The Clementines – “Below”
from: The Clementines / Independent / 2012
[The Clementines are: Tim Jenkins & Nicole Springer with Stephanie Williams on Drums, and Travis Earndshaw on Bass. More info at: reverbnation.com/theclementinesnicoleandtim]

[The Clementines play the recordBar for the ASA Masquerade Mardi Gras Party Saturday, February 9th, with Drew Black & Dirty Electric, Molly Picture club, Alice Sweet Alice, and Mad Libby.]

11:59:30

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

sources for notes: artists websites and wikipedia

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #459