WMM presents Stephanie Carey + Amy Marcus + Jeff Harshbarger

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, March 4, 2019

New & MidCoastal Releases + Amy Marcus
+ Jeff Harshbarger & Purna Loka Ensemble +
Stephanie Carey of The Pitch KC

Mark plays New & MidCostal Releases from: Una Walkenhorst, BlackStarKids, Jake Wells, Ivory Blue, Brotha Newz, Crystal Rose, Knife Crime, GHOSTY, Rosé Perez, Amy Marcus, DeMaur, Purna Loka Ensemble, The Black Creatures, Claire Adams, and Elevator Division.

Stephanie Carey, Owner & Publisher of The Pitch Kansas City

At 10:30 Stephanie Carey, Owner & Publisher of The Pitch Kansas City talks with us about the alternative news publication’s monthly printed editions, digital content, and three decade history. Stephanie Carey’s career in journalism includes her work as a reporter for newspapers and radio, as well as serving as a sales manager for media software and consulting firm Second Street. Founded in 1980 in the basement of a Westport record shop, The Pitch is Kansas City’s source for progressive, independent, street-level coverage of news, arts, music, and culture. You can find issues at over 1,000 locations across the metro, and online at: http://www.thepitchkc.com

Amy Marcus

At 11:00 Mark welcomes KC based singer-songwriter, Amy Marcus who in January released her new single, “Sweater” and will premiere another new single on the show. Amy Marcus was born and raised in Kansas City. She has been writing songs since she was a child. In 2016 she released her debut 5-song EP “Brave” and followed that up with the single, “I Want More For My Daughters” in 2017. Amy Marcus studied photography at the Kansas City Art Institute. She is a mother of three and works as a professional photographer and chef. Amy is currently working on a new EP set for release this year.

Purna Loka Ensemble

At 11:30 Jeff Harshbarger shares music from Purna Loka Ensemble‘s debut “Metaraga” released though Origin Records on January 17, 2020. Along with Purna Loka, Jeff Harshbarger has recorded and performed with: Jacob Fred Jazz Odyssey, Bobby Watson, Forever Tango, Milt Abel, Tango Lorca, Krystle Warren, Brad Cox, Ghosty, and The People’s Liberation Big Band. Jeff is a co-founder of Tzigane Music, an artist-run record label, and is the curator of Jeff Harshbarger Presents: An Alternative Jazz Series, promoting new improvised music in KC. Jeff has received The Kennedy Center’s Betty Carter Fellowship, the Steans Institute Fellowship, and the 2015 Charlotte Street Generative Performing Artist Award. Jeff hosts “Jazz Afternoon” on Wednesdays at 1:00 PM on 90.1 FM KKFI. More info at http://www.jeffharshbarger.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #827

WMM Playlist from Feb. 26, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, February 26, 2019

Nico Gray – Guest Producer
+ Doby Watson

Nico Gray Portrait by: Jan McNiel

Today, we welcome back to the show, Nico Gray, as “Guest Producer.” Nico is a writer, performance artist, and has worked as an actor with KC Rep, Gorilla Theatre, 8th St. Cafe Theatre, Actor’s Craft, and Big Bang Buffet. Nico has worked for Theatre League, The Midland Theatre and is currently a marketing & advertising consultant with Union Station, KC Fringe, and KC Creates. Nico grew up in KC but has lived in Chicago, New York & Marseille. For WMM Nico Gray has co-hosted several of fund drive shows, Glam Rock show, Bowie Tribute Shows, and our 700th show. Today is his 8th appearance as Guest Producer.

Nico Gray, Thanks for being with us on Wednesday MidDay Medley

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Reitzell/Beggs — “Intro Versailles”
from: Marie Antoinette (Original Motion Picture Soundtrack) / Verve Forecast / 2006

3. Kyson – “After The Rain”
from: Kyson / B3SCI Records / January 17, 2020
[Jian Kellett Liew, known professionally as Kyson, is an Australian singer, songwriter, and producer. Liew was born in Adelaide, Australia. He later moved to Sydney, Australia where he went on to study a degree in audio engineering. After graduating, he spent the next several years in Berlin working as a musician and sound artist under the name Kyson and various other monikers. In 2012, Kyson gained attention for his remix of Bon Iver’s “Holocene” on 4AD Records. On 29 October 2012 Liew released his “Blackstone EP” on Moodgadget Recordings. He was signed by Friends of Friends Records and released his first studio album The Water’s Way. In 2018 Kyson released a series of AA singles, “Every High / Clear Air” and “Have My Back / Forest Green”, in collaboration with B3SCI Records and Majestic Casual Records. The two releases were also part of a limited edition white vinyl record, with artwork by B.D. Graft. Pitchfork has described Liew’s style as, “combin[ing] soft touches of electronic keys and rickety, pinprick rhythms, with his half-whispered lyrics and drifting melodies wrapped in sheets of textural field recordings.” Liew has also been described as having an, “enigmatic sound, a blend of indie, acoustic and electronic music.”]

10:09 – Yoko Ono B-Day Celebration

4. Yoko Ono —“Imagine”
from: Warzone / Yoko Ono / October 28, 2018
[WARZONE is an album by Yoko Ono released on October 24, 2018, her 50th year anniversary as a musician. It consists of 13 songs she picked up and reconstructed from her past albums released from 1970 to 2009. It also includes the newest version of Imagine by John Lennon. Since Take Me to the Land of Hell in 2013, this is the Ono’s first in 5 years and 20th original album in total (including collaborations with John Lennon). Yoko Ono Lennon was born February 18, 1933. She is a Japanese multimedia artist, singer, songwriter and peace activist. Her work also encompasses performance art, which she performs in both English and Japanese, and filmmaking. She was married to English singer-songwriter John Lennon of the Beatles from 1969 until his murder in 1980. Ono grew up in Tokyo and also spent several years in New York City. She studied at Gakushuin University, but withdrew from her course after two years and moved to New York in 1953 to live with her family. She spent some time at Sarah Lawrence College and then became involved in New York City’s downtown artists scene, which included the Fluxus group. She first met Lennon in 1966 at her own art exhibition in London, and they became a couple in 1968 and wed the following year. With their performance Bed-Ins for Peace in Amsterdam and Montreal in 1969, Ono and Lennon used their honeymoon at the Hilton Amsterdam as a stage for public protests against the Vietnam War. The feminist themes of her music have influenced musicians as diverse as the B-52s and Meredith Monk. She achieved commercial and critical acclaim in 1980 with the chart-topping album Double Fantasy, a collaboration with Lennon that was released three weeks before his murder. Public appreciation of Ono’s work has shifted over time and was helped by a retrospective at a Whitney Museum branch in 1989 and the 1992 release of the six-disc box set Onobox. Retrospectives of her artwork have also been presented at the Japan Society in New York City in 2001, in Bielefeld, Germany, and the UK in 2008, Frankfurt, and Bilbao, Spain, in 2013 and The Museum of Modern Art in New York City in 2015. She has a daughter, Kyoko Chan Cox, from her marriage to Anthony Cox and a son, Sean Taro Ono Lennon, from her marriage to Lennon. She collaborates musically with Sean.]

5. Radio Clips from The Night John Lennon Died

6. Yoko Ono – “What A Bastard The World Is”
from: Approximately Infinite Universe / Secretly Canadian-Chimera / January 8, 1973 [2017]
[Double album by Yoko Ono, originally released on Apple Records. It was a departure from the experimental avant garde rock of her first albums towards a more conventional pop/rock sound, while also dabbling in feminist rock. It peaked at number 193 in the U.S. The 1997 CD reissue on Rykodisc added two acoustic demos of songs from this era, that were later released on 1981’s Season of Glass. It was released again by Rykodisc in 2007. The album was recorded at The Record Plant in NYC, except for the basic tracks for “Catman” and “Winter Song”, which were taped at Butterfly Studios. Ono produced the album with John Lennon, whose participation marked a rare music-related activity for him after the failure of the couple’s politically themed “Some Time in New York City.” Lennon also sang the final verse of the song, “I Want My Love to Rest Tonight.” As on the latter album, Ono used the NYC band Elephant’s Memory as her backing musicians. Mick Jagger dropped in for some of the sessions. He recalled playing guitar very loudly with Lennon. Jagger said Ono “was really trying to sing properly. She’s not screaming, she’s really trying to sing.”]

7. Freddie Mercury & Montserrat Caballe – “Exercises In Free Love (New Orchestrated Version)”
from: Never Boring (Deluxe Editon) / Hollywood Records / October 10, 2019
[Never Boring is a box set compilation of solo work by English musician Freddie Mercury, released on 11 October 2019. The box set contains three CDs and a collection of promotional videos on both Blu-ray and DVD, as well as a 120-page hardbound book. All three discs were also issued individually on CD, vinyl, digital and streaming services.Barcelona” is a single released by Queen vocalist Freddie Mercury and operatic soprano Montserrat Caballé. A part of their collaborative album Barcelona released October 10, 1988, it also appeared on Queen’s Greatest Hits III. The song reflects Mercury’s love of opera with his high notes and Caballé’s operatic vocals, backed by a full orchestra. Originally released in 1987, it was one of the biggest hits of Mercury’s solo career, reaching number eight in the UK Singles Chart. After Mercury’s death in 1991, it was featured at the 1992 Summer Olympics, after which the track climbed even higher, peaking at number two in the UK, the Netherlands and New Zealand. Mercury had been a long-time fan of opera, especially favouring Montserrat Caballé. In 1986, he mentioned on Spanish television that he would be glad to see her in person. They had a friendly initial meeting in Barcelona in February 1987. Later, when the city had been chosen for the 1992 Summer Olympics, Caballé, a native of the city, was asked to help with producing a song for the games. She summoned Mercury for the task. Caballé became enthusiastic about the project and instead of recording a single, she proposed to make an album, on which Mercury agreed. The song “Barcelona” had to be its opening song, to be completed by 1988, and to be submitted as a candidate for the 1992 Olympic theme (the selection was scheduled for 1988, four years before the Games). The recording was complicated by Caballé’s tight schedule. Thus to spare her time, Mercury recorded the song, singing Caballé’s part in falsetto. He would then send a tape to Caballé to prepare her for the joint studio sessions. The song was co-written by Mercury with Mike Moran, who also appeared in its video and played piano and all keyboards for the studio recording. The song starts with an orchestral introduction, which fades and is followed by Mercury and Caballé singing alternately their solo lines, sometimes merging into a duet. When singing the chorus “Barcelona” and a few other parts for the studio version, Mercury dubs over his voice in his usual multi-tracking style. Mercury leads the song whereas Caballé provides a powerful background soprano. Since Caballé covers the soprano part, Mercury sings in his natural baritone voice rather than the forced tenor that was common in his other recordings. The song has been described as a rare textbook example of a combination of pop and opera singing which accentuated their differences. Whereas Mercury articulates his every word, Caballé focuses on the tone; her lines are much harder to comprehend, and further, she uses both English and Spanish languages. Consequently, she keeps her part melodic throughout all the song at the expense of the text, whereas Mercury has to resort from singing to nearly shouting at the crescendo part in order to deliver his words.]

8. Passengers – “Miss Sarajevo”
from: Original Soundtracks 1 / Island Records / November 6, 1995
[Original Soundtracks 1 is a studio album recorded by rock band U2 and Brian Eno under the pseudonym Passengers as a side project. Released on 6 November 1995, the album is a collection of songs written for mostly imaginary films (the exceptions being songs for Ghost in the Shell, Miss Sarajevo, and Beyond the Clouds). Due to Eno’s involvement as a full songwriting partner and the album’s experimental nature, the moniker “Passengers” was chosen to distinguish it from U2’s conventional albums. It was commercially unnoticed by the band’s standards and received generally mixed reviews. Guest musicians on the record included Italian opera singer Luciano Pavarotti (on “Miss Sarajevo”) and producer Howie B, who would co-produce U2’s following album, Pop (1997).]

9. Aretha Franklin – “Nessun Dorma”
from: Jewels in the Crown: All Star Duets with the Queen / Arista / November 13, 2007
from: Here We Go Again, In The Morning, Nessun Dorma – CD Single / Arista / June 16, 1998
[In 1988 Franklin received global praise after her 1998 Grammy Awards performance. She had initially been asked to come and perform in honor of the 1980 The Blues Brothers film in which she appeared with Dan Aykroyd and John Belushi. That evening after the show had already begun, Luciano Pavarotti himself contacted show producers and said he was too ill to perform the opera aria “Nessun dorma” as planned. The show’s producers were desperate to fill the time slot, and approached Franklin with their dilemma. She was a friend of Pavarotti, and had sung the selection two nights prior at the annual MusiCares event. She asked to hear Pavarotti’s rehearsal recording, and after listening, agreed that she could sing it in the tenor range that the orchestra was prepared to play in. Over one billion people worldwide saw the performance, and she received an immediate standing ovation. She would go on to record the selection, and perform it live several more times in the years to come; the last time being in Philadelphia for Pope Francis at the World Meeting of Families in September 2015. A small boy was so touched by her performance that he came onto the stage and embraced her while Franklin was still singing.])

10:35 – Underwriting

10. Jah Wobble’s Invaders Of The Heart – “I Love Everybody”
from: Take Me To God / Island Records / June 21, 1994
[John Joseph Wardle was born August 11, 1958, and is known by the stage name Jah Wobble. He is an English bass guitarist, singer, poet and composer. He became known to a wider audience as the original bass player in Public Image Ltd (PiL) in the late 1970s and early 1980s, but left the band after two albums. Following his departure from PiL, he developed a successful solo career, which has continued to the present time. In 2012, he reunited with fellow PiL guitarist Keith Levene for Metal Box In Dub and the album Yin & Yang. Since 2013, he has been one of the featured pundits on Sunday morning’s The Virtual Jukebox segment of BBC Radio 5 Live’s Up All Night with Dotun Adebayo. His autobiography, Memoirs of a Geezer was published in 2009. Wardle was born in Stepney, East London, His father, Harry Eugene Wardle, worked as a postman, while his mother, Kathleen Bridget (née Fitzgibbon), was a school and County Hall secretary. Wobble grew up with his family in Whitechapel’s Clichy Estate in London’s East End. He is a long-time friend of John Lydon (Johnny Rotten) whom he had met in the 1970s at London’s Kingsway College. The two formed half of the group of friends known as “The Four Johns”, along with John Grey and John Simon Ritchie (later known as Sid Vicious). Jah Wobble acquired his stage name through the drunken, mumbled version of Wardle’s name by Sid Vicious, which Wobble kept because “people would never forget it”.]

11. Dimitri From Paris – “Monsier Dimitri Joue Du Stylophone”
from: Sacrebleu / Yellow – Atlantic / June 11, 1998
[Dimitri from Paris was born Dimitrios Yerasimos, on October 27, 1963. He is a Turkish-born French music producer and DJ of Greek descent. His musical influences are rooted in 1970s funk and disco sounds that spawned contemporary house music, as well as original soundtracks from 1950s and 1960s movies such as Breakfast at Tiffany’s, La Dolce Vita and The Party, which were sampled in his album Sacrebleu. Dimitri fused these sounds with electro and block party hip hop he discovered in the 1980s. Contrary to his musical pseudonym, Dimitri was born not in Paris but born in Peckham, South London, to Rûm parents (Turks of Greek origin), Dimitri grew up in France where he discovered DJ-ing at home, using whatever he could find to “cut and paste” samples from disco hits or in to montages heard on the radio, blending them together to make tapes. This early experimentation helped him launch his DJ career. He started out by DJ-ing at the French station Radio 7, before moving on to Skyrock and finally to Radio NRJ, Europe’s largest FM radio network, in 1986. There, he introduced the first ever house music show to be broadcast in France, while simultaneously producing under the direction of sound designer Michel Gaubert, runway soundtracks for fashion houses such as Chanel, Jean-Paul Gaultier, Hermès and Yves Saint-Laurent. He also released two solo EPs from 1993 to 1994 and contributed to the Yellow Productions compilation La Yellow 357. In 1996, Dimitri gained worldwide recognition with the release of his first full album, Sacrebleu, released on Yellow Productions. A blend of diverse influences including jazz, original film soundtracks, samba, and organic house, Sacrebleu sold 300,000 copies worldwide and was named Album of the Year by UK’s Mixmag magazine. In 2000, Dimitri followed Sacrebleu up with A Night at the Playboy Mansion (Virgin) and Disco Forever (BBE), followed by My Salsoul in 2001, After the Playboy Mansion in 2002. In 2003, Cruising Attitude was released, to be closely followed by his first outing on UK’s premier dance music label Defected: Dimitri from Paris In the House. He has followed a somewhat glamorous musical path by recording soundtracks and advertising campaigns for fashion houses Chanel, Jean-Paul Gautier and Yves Saint Laurent and remixing hundreds of artists as diverse as Björk, The Cardigans, James Brown, Michael Jackson, New Order and Quincy Jones. He also did the music for the anime Tsukuyomi: Moon Phase and mixed the soundtrack for the French luxury dessin animé Jet Groove produced by Method Films. 2005 saw Dimitri go back to his Funk and Disco roots, with Japanese hip hop producer and über collector DJ Muro for Super Disco Friends a double CD mixdown. In 2006 he offered his House of Love outing to Valentine’s Day’s lovers. Later on Dimitri produced Los Amigos Invisibles “Super Pop Venezuela” album which grabbed a nomination for a Grammy Award.2007 saw the release of the Cocktail Disco project with longtime partner BBE, a handful of disco classics remixes and other surprises down the line. 2009 Night Dubbin’, a post-disco R&B comp. remix album was released.]

12. Barry Adamson – “Vibes Ain’t Nothin’ But The Vibes”
from: Oedipus Schmoedipus / Mute / August 6, 1996
[Barry Adamson was born June 11, 1958, is a Mercury-nominated English pop and rock musician, composer, writer, photographer and filmmaker. He came to prominence in the late 1970s as a member of the post-punk band Magazine and went on to work with Visage, The Birthday Party, Nick Cave and the Bad Seeds, and the electro musicians Pan Sonic. In addition to prolific solo work, Adamson has also remixed Grinderman, The Jon Spencer Blues Explosion, Recoil and Depeche Mode. He created the seven-minute opus Useless (Escape From Wherever: Pts. 1 & 2) remix for the latter band in 1997. He also worked on the soundtrack for David Lynch’s surrealistic crime film Lost Highway. Adamson was born at Moss Side, Manchester, England.He read comic books from an early age. At school he immersed himself in art, music and film and produced his first song – “Brain Pain” – at the age of 10. His diverse musical tastes range from Alice Cooper to Motown to David Bowie. After leaving school, Adamson drifted into graphic design whilst attending Stockport Art College but quit shortly after, preferring to venture into the exploding punk rock scene of the late 1970s. He joined ex-Buzzcocks singer Howard Devoto’s band Magazine to play the bass guitar, with whom he scored one chart single, “Shot by Both Sides”; in late 1977, he also joined the Buzzcocks, as a temporary replacement for Garth Smith. He played on all of Magazine’s albums and contributed to Devoto’s solo album and his next band, Luxuria. He also contributed to the studio-based band Visage, playing on the ensemble’s first two albums, Visage and The Anvil. After Magazine broke up, Adamson worked with another ex-Buzzcock, Pete Shelley, before joining Nick Cave and the Bad Seeds, featuring on four of their albums: From Her to Eternity, The Firstborn Is Dead, Kicking Against the Pricks and Your Funeral, My Trial. After his stint with the band and a European tour with Iggy Pop in 1987, he went solo, releasing an EP, The Man with the Golden Arm in 1988, and his first solo album, Moss Side Story, the following year, the “soundtrack” to a non-existent film noir. The album incorporated newscasts and sampled sound effects and featured guest musicians Marcia Schofield (of The Fall), Diamanda Galas, and former colleagues from the Bad Seeds. Adamson’s second solo album was the soundtrack to a real film this time – Carl Colpaert’s Delusion, and he would go on to provide soundtracks for several other films. Adamson’s third album, Soul Murder, was shortlisted for the Mercury Music Prize in 1992. His solo work has mostly been influenced by John Barry, Elmer Bernstein and Ennio Morricone, whilst his later works include jazz, electronica, soul, funk, and dub-styles. In 1996, Adamson contributed to the AIDS-Benefit Album, Offbeat: A Red Hot Soundtrip, produced by the Red Hot Organization. His own album that year, Oedipus Schmoedipus, reached #51 in the UK Albums Chart. It would later be included in the 1001 Albums You Must Hear Before You Die list, along with Moss Side Story. In 2002, Adamson left his long-term label, Mute Records, and started his own production home, Central Control International. In 2006, he released Stranger on the Sofa, first for his Central Control International imprint, to critical acclaim. Back To The Cat, his second album for the label, was released in March 2008. In 2007 it was announced that Magazine would re-form for concerts in 2008. Adamson took part in the same band line-up that recorded Secondhand Daylight, with the exception of the late John McGeoch, who was replaced by Apollo 440 member Noko. However, Adamson has since withdrawn from the reunion and new recordings. On 27 August 2010, Adamson released “Rag and Bone”, as a digital download and as a 12-inch vinyl record. He then released a studio album, I Will Set You Free, on 30 January 2012. Adamson rejoined the Bad Seeds for the release of their 2013 album, Push the Sky Away. He played bass on several songs and also toured with the band on drums and keyboards to fill in for an ailing Thomas Wydler. Adamson’s “Refugee Song” was included in Derek Jarman’s The Last of England. Adamson also contributed soundtrack material to Gas Food Lodging, David Lynch’s Lost Highway and Oliver Stone’s Natural Born Killers. Back to the Cat’s opening track, “The Beaten Side of Town”, was featured in the hit video game, Alan Wake. He also contributed substantial material to the Delusion soundtrack, which has also been released.]

13. Air – “Dead Bodies”
from: The Virgin Suicides / Source-Virgin / February 23, 2000
[The Virgin Suicides is a score composed by French electronic music duo Air for the 1999 film of the same name by Sofia Coppola. It was released on 23 February 2000 by Virgin Records. The album was nominated for Best Soundtrack at the 2001 Brit Awards. The French edition of Rolling Stone magazine placed The Virgin Suicides at number 49 on their list of the 100 essential French rock albums. In 2014, NME placed the album at number 11 on their “61 of the Greatest Film Soundtracks Ever” list. In 2019, Pitchfork placed the album at number 4 on their “Top 50 Best Movie Scores of All Time” list. Air are a French music duo from Versailles, consisting of Nicolas Godin and Jean-Benoît Dunckel. Air’s critically acclaimed debut album, Moon Safari, including the track “Sexy Boy,” was an international success in 1998. Its follow-up, The Virgin Suicides, was the score to Sofia Coppola’s first movie of the same name. The band has since released the albums 10 000 Hz Legend, Talkie Walkie, Pocket Symphony, Love 2, Le voyage dans la lune and Music for Museum. Nicolas Godin studied architecture at the École nationale supérieure d’architecture de Versailles, and Jean-Benoît Dunckel studied mathematics, before forming a band in 1995.[2] Before founding Air (erroneously considered as an acronym of Amour, Imagination, Rêve, which translates to Love, Imagination, Dream),[3] Dunckel and Godin played together in the band Orange[1] with others such as Alex Gopher, Xavier Jamaux and Jean de Reydellet. The former two subsequently contributed to remixes of tracks recorded by Air. Initially, Godin worked alone, recording a demo with members of Funkadelic as his backing band before releasing his first entirely solo effort, “Modular Mix”, which featured production by Étienne de Crécy.]

14.CHOCOLAT – “Fou Fou Fou Mon Minou”
from: Jazz Engagé / Dare To Care Records / November 1, 2019
[Montreal, Quebec based 5-piece Garage Rock, Psychedelic Rock and Indie Rock band.

10:58 – Station ID

15. Choir / Orchestra / Ricky Edwards -“A Loud Bit Of Ludwig’s 9th”
from: Shine – Original Motion Picture Soundtrack / Phillips- Decca / November 5, 1996
[Richard Edwards is a London-based classical and jazz trombone player as well as composer/arranger. Shine is a 1996 Australian biographical drama film based on the life of pianist David Helfgott, who suffered a mental breakdown and spent years in institutions. It stars Geoffrey Rush, Lynn Redgrave, Armin Mueller-Stahl, Noah Taylor, John Gielgud, Googie Withers, Justin Braine, Sonia Todd, Nicholas Bell, Chris Haywood and Alex Rafalowicz. The screenplay was written by Jan Sardi, and directed by Scott Hicks. The film made its US premiere at the Sundance Film Festival. In 1997, Geoffrey Rush was awarded the Academy Award for Best Actor at the 69th Academy Awards for his performance in the lead role.]

16. Art d’Ecco —”Mary”
from: Trespasser / Paper Bag / October 12, 2018
[Based in British Columbia, “There’s more than a little David Bowie in both the sonic and fashion leanings of Art d’Ecco, a performer who fluidly crosses musical and gender lines, creating highly memorable tracks — and sporting an unforgettable look. Often labelled “neo glam,” the music boasts hints of everything from ’50s pop to psychedelics, from Velvet Underground-era art rock to Grimes-inspired electronics.” – CBC Music When d’Ecco moved into his grandmother’s cottage on one of the islands, he hadn’t planned on creating a new project. But, as it often does, circumstance charted his course. His grandmother, living with Alzheimer’s, suffered a related phenomenon called ‘sundowning,’ which triggers increased agitation and anxiety around sunset. “The only way to calm this lady down was to sit down at the piano,” says d’Ecco. He would play “Bohemian Rhapsody,” passing it off as Beethoven. After she was relocated, d’Ecco remained in the empty house where he had played as a child. Draped in memory, he gravitated toward the piano, spending the long, lonesome, quiet nights on the bench before the instrument. This is where Art d’Ecco was created. He relocated to a new cottage, built a studio and barricaded himself with copies of Deerhunter’s Cryptograms, Bowie’s Low, and choice krautrock records. In this solitude, d’Ecco would chase tones for hours. The result is a richly-realized confluence of the ferocious spark of those trailblazers and a distinct sadness, with d’Ecco as mad scientist, stitching together these delicious fragments and animating them.]

17. Deep —”Moment Of Silence (feat. Elizabeth Fraser)”
from: Moment Of Silence (feat. Elizabeth Fraser) – Single / Deep / July 24, 2015
[DEEP aka Deep Cold, Deep Da 1, was a Punjabi-American Southern rap artist from Houston, Texas. Raised in Houston, Deep Cold attended the same high school as Paul Wall and Chamillionaire. His first interest in music came at a young age when a tight family house hold income made him seek other avenues/interests. After a rough year in 2000, Deep Cold was forced to re-evaluate his position and decided to co-create Da 1 Records with his cousin. Deep Cold released his debut album In Trunks Now in 2005 on his independent label. It featured big Southern Rap names such as Slim Thug, David Banner, Big Moe, Big Pokey as well as Too Short. Since then he has personally signed new artists Lenny Lenn and Kamla Punjabi to the label and has played a major role in the financing of their album. He has said, “I don’t have a specific style of music that can be categorized. I make music that transcends hate, barriers and race. That’s what music is intended to He co-hosted a MTV Desi Show with Kamala Punjabi. In 2009 Deep Cold and Kamla Punjabi released a collaboration album ‘Nach Nach’ which was produced by DJ Sanj/J-Nas. Deep released ‘Dekhlo Punjabi Munde’ in 2007. The song quickly moved up the BBC charts and spread worldwide. In 2010 ‘Dekhlo Punjabi Munde’ was refixed by replacing Deep Cold and Kamla Punjabi’s verses with the vocals of Diljit Dosanjh and featured in the Punjabi movie Mel Karade Rabba. The chorus for the song remained the same. Deep Cold has worked with David Banner, Too Short, Slim Thug, Big Moe, Lil KeKe, Billy Cook, C-Note (Botany Boyz), S.U.C. – Screwed Up Click, Master Saleem, Sonu Niggam, The Teflon Don, Sonny Brown, DJ Sanj/J-Nas, Diljit Singh, Jas Rai, Kamla Punjabi, Haji Springer and more. Deep Cold & Kamla Punjabi released two songs with Universal on their compilation ‘Desi Hustle’ – Siti Maar and Duniya. Deep Cold has also teamed up with Sonny Brown and The Teflon Don to form the group 3 SINGHS. Deep Cold died on March 5, 2014 while visiting India for his upcoming projects with big names in the Punjabi and Bollywood industry.]

18. Rich Aucoin — “The Base”
from: Release / Haven Sounds, Inc. / May 17, 2019
[3rd full length studio album from the Canadian indie rock musician, based in Halifax, Nova Scotia. He is the younger brother of Paul Aucoin of Hylozoists. He performs and records both as a solo artist and as a collaborator and guest musician in Hylozoists.]

19. Linda Ronstadt —”Por Un Amor”
from: Canciones De Mi Padre / Normal Music / November 24, 1987
[Linda Maria Ronstadt (born July 15, 1946) is a retired popular music American singer who performed and recorded in diverse genres including rock, country, light opera, and Latin. She has earned 10 Grammy Awards, three American Music Awards, two Academy of Country Music awards, an Emmy Award, and an ALMA Award, and many of her albums have been certified gold, platinum or multiplatinum in the United States and internationally. She has also earned nominations for a Tony Award and a Golden Globe award. She was awarded the Latin Grammy Lifetime Achievement Award by The Latin Recording Academy in 2011 and also awarded the Grammy Lifetime Achievement Award by The Recording Academy in 2016. She was inducted into the Rock and Roll Hall of Fame in April 2014. On July 28, 2014, she was awarded the National Medal of Arts and Humanities. In 2019, she received a star jointly with Dolly Parton and Emmylou Harris on the Hollywood Walk of Fame for their work as the group Trio. Linda Ronstadt was among the five Honorees who received the 2019 Kennedy Center Honors for lifetime artistic achievements, at the annual event on Dec. 8, 2019, in Washington, D.C., at the John F. Kennedy Center for the Performing Arts. The awards were broadcast Sunday, December 22, 2019, on CBS. Ronstadt has released over 30 studio albums and 15 compilation or greatest hits albums. She charted 38 US Billboard Hot 100 singles. Twenty-one of those singles reached the top 40, ten reached the top 10, and one reached number one, “You’re No Good”. Her success did not translate to the UK, with only the single “Blue Bayou” reaching the UK Top 40. Ronstadt’s duet with Aaron Neville, “Don’t Know Much”, peaked at number 2 in December 1989. She has charted 36 albums, ten top-10 albums, and three number 1 albums on the US Billboard Pop Album Chart.

20. Pretenders — “One More Time”
from: ¡Viva El Amor! / Warner / June 22, 1999
[¡Viva El Amor! (Spanish for Long Live Love) is the 7th studio album by The Pretenders.The band’s lineup is: Chrissie Hynde on vocals & guitar, Martin Chambers on drums, Andy Hobson on bass, and Adam Seymour on guitar. Hobson is replaced on bass by session musicians on a few cuts. The Pretenders are an English-American rock band formed in March 1978. The original band consisted of founder and main songwriter Chrissie Hynde (lead vocals, rhythm guitar), James Honeyman-Scott (lead guitar, backing vocals, keyboards), Pete Farndon (bass guitar, backing vocals), and Martin Chambers (drums, backing vocals, percussion). Following the drug-related deaths of Honeyman-Scott and Farndon, the band experienced numerous subsequent personnel changes. Hynde has been the band’s only consistent member. The Pretenders’ hit songs include “Brass in Pocket” (1979), “Talk of the Town” (1980), “Message of Love” (1981), “Back on the Chain Gang” (1982), “Middle of the Road” (1983), “2000 Miles” (1983), “Don’t Get Me Wrong” (1986), “My Baby” (1986), and “I’ll Stand by You” (1994). The band was inducted into the Rock and Roll Hall of Fame in 2005.]

21. Art d’Ecco —“The Hunted”
rom: Trespasser / Paper Bag / October 12, 2018
[Based in British Columbia, “There’s more than a little David Bowie in both the sonic and fashion leanings of Art d’Ecco, a performer who fluidly crosses musical and gender lines, creating highly memorable tracks — and sporting an unforgettable look. Often labelled “neo glam,” the music boasts hints of everything from ’50s pop to psychedelics, from Velvet Underground-era art rock to Grimes-inspired electronics.” – CBC Music When d’Ecco moved into his grandmother’s cottage on one of the islands, he hadn’t planned on creating a new project. But, as it often does, circumstance charted his course. His grandmother, living with Alzheimer’s, suffered a related phenomenon called ‘sundowning,’ which triggers increased agitation and anxiety around sunset. “The only way to calm this lady down was to sit down at the piano,” says d’Ecco. He would play “Bohemian Rhapsody,” passing it off as Beethoven. After she was relocated, d’Ecco remained in the empty house where he had played as a child. Draped in memory, he gravitated toward the piano, spending the long, lonesome, quiet nights on the bench before the instrument. This is where Art d’Ecco was created. He relocated to a new cottage, built a studio and barricaded himself with copies of Deerhunter’s Cryptograms, Bowie’s Low, and choice krautrock records. In this solitude, d’Ecco would chase tones for hours. The result is a richly-realized confluence of the ferocious spark of those trailblazers and a distinct sadness, with d’Ecco as mad scientist, stitching together these delicious fragments and animating them.]

Nico Gray thanks for being with us on Wednesday MidDay Medley.

11:29 – Underwriting

22. Doby Watson – “Natural Ice (Early Morning Edition)”
from: Family Mattress Deluxe / Error Records / February 23, 2018
[Written by Doby Watson and co-produced with Zack Hames. Featuring Ada Brumback, Hanna Maria Albina, Austin Swearengin and AKADUNGEONMASTER. With artwork by Ada Brumback and Nathan Landolt. More info at: http://www.dobywatson.bandcamp.com.]

[Doby Watson will be opening for Saintseneca on Sunday, March 1, at 7:30 PM, at The Riot Room, 4048 Broadway, KCMO.]

Doby Watson

11:34 – Interview with Doby Watson

Midwestern DIY folk veteran, Kansas City based singer-songwriter, Doby Watson joins us LIVE in our 90.1 FM. For nearly 15 years Doby traveled all over the country playing shows. When in KC helped he put together shows for fellow traveling musician friends he met on the road. Since 2009 Doby has released several solo and collaborative albums and EPs. Doby Watson will be opening for Saintseneca on Sunday, March 1, at 7:30 PM, at The Riot Room, 4048 Broadway, Kansas City, Missouri.

Doby Watson, Thanks for being with us on WMM.

Doby Watson Discography:

In 2009 Doby released “Twenty Two”

In 2013 Doby released “Watson & May” an EP in collaboration with Margo May that was produced & engineered by Lennon Bone.

In 2014 Double Shift Music released Doby’s album “Live-In Son”
[“Live-In Son” was released on Double Shift Music on October 17, 2014. The album features Watson performing the songs live, while being recorded, in Ross Brown’s basement in KCMO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings & auxiliary percussion while he mixed the songs in Champaign, IL. Mastered by Cory Schulz in Milwaukee, WI.]

In 2016 Double Shift Music released the EP collaborative: “Swearengin, Watson & May”

In 2018 Doby released the EP “Family Mattress Deluxe” Error Records
[Family Matters Side A: Miami Vomit II, Starve, Family Mattress III. Side B (bonus tracks)
Natural Ice (Early Morning version), Family Mattress (AKADUNGEONMASTER remix), Beer For Dinner II (with Austin Swearengin)[a moody collaboration with New York based sculptor / songwriter Austin Swearengin. The warbly, lo-fi duet finds itself evolving into a slow burning, industrial-tinged jam that fizzles into feedback.]

More info at: http://www.dobywatson.bandcamp.com

Doby Watson was born in 1986. Instead of attending college, as Richard Gintowt wrote for The Pitch in 2009, “Watson spent his young-adult years touring the country with a guitar and a box of Cliff Bars, one for breakfast, one for lunch, then a real meal for dinner, and a bunch of sad and beautiful homespun songs that are as sparse and haunting as those of Leonard Cohen or Jason Molina.”

Doby is playing electric guitar with a full band; longtime tour-mate Ada Brumback and new drummer Nick Robertson (from the Creepy Jingles).

11:42

23. Doby Watson – “Starve”
from: Family Mattress Deluxe / Error Records / February 23, 2018
[Written by Doby Watson and co-produced with Zack Hames. Featuring Ada Brumback, Hanna Maria Albina, Austin Swearengin and AKADUNGEONMASTER. With artwork by Ada Brumback and Nathan Landolt. More info at: http://www.dobywatson.bandcamp.com.]

11:46 – More Interview with Doby Watson

We are talking with Singer-Songwriter Doby Watson who will be opening for Saintseneca on Sunday, March 1, at 7:30 PM, at The Riot Room, 4048 Broadway, KCMO.

Doby Watson, Thanks for being with us on WMM.

From Doby’s own words: “When I was a kid I played guitar in some hardcore bands. When I found myself without a band, at the end of high school, I started trying to sing and write songs. Falling on the moniker “Boo Hiss” (something a class mate of mine said in place of swear words). I put some songs online and got asked to be on a small DIY label from Ohio called Tract Records. Around that time, I befriended touring DIY artists’ such as Viking Moses, Real Live Tigers, Manipulator Alligator and a young man named Joseph Murphy (who was in tons of bands), as well. Through these connections I was encouraged to tour and became involved in the Midwest’s various DIY communities, making countless friends.”

“Rather than go to college, I chose to focus solely on DIY touring and releasing music (for much of it taking my good friend, then KC native, and amazing songwriter, Austin Swearengin with me for most of these tours). ”

“Around that same time, I made an attempt to be taken more “seriously”, dropped my moniker and unsuccessfully released a mini-album under my own name. After some rather chaotic and unorganized tours for the album, I became depressed and disillusioned with music. I set music aside as a priority, moved to Lawrence, KS and tried to assimilate to what I thought was a ‘normal’ life. ”

“I went to college, got a day job, and wound up generally hating life. This new ‘normal’ path inevitably didn’t work out for me – I moved back in with my parents and held various dead end jobs and sank deeper into a depression, completely ceasing to make any music.”

“I performed the songs live, while being recorded, in Ross Brown’s basement in Kansas City, MO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings and auxiliary percussion while he mixed the songs in Champaign, IL. The results were mastered by Cory Schulz in MIlwaukee, WI.”

Doby Watson, Thanks for being with us on WMM.

Doby Watson will be opening for Saintseneca on Sunday, March 1, at 7:30 PM, at The Riot Room, 4048 Broadway, KCMO. More info at: http://www.dobywatson.bandcamp.com

11:56:27

24. Miss Boating – “Junk Food”
from: The Vhargon Sidestep / Miss Boating / January 1, 2020
[From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died. The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin. Miss Boating is: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]

[Miss Boating play The Riot Room, 4048 Broadway, KCMO, on Thursday, February 27, at 7:00 PM, for the Support Local Music Showcase with StylesbyStyles, Scotty Wu, Miss Boating, and Tiki Brawlers.]

25. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, Wednesday, March 4 we talk with Stephanie Carey, Owner and Publisher of The Pitch Kansas City. We also welcome KC based singer-songwriter, Amy Marcus who is currently releasing new music. AND, musician and radio show producer and host, Jeff Harshbarger joins us to share new music and information about the Purna Loka Ensemble that he plays with, and their new release, “Metaraga” that came out on January 11, 2020.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #826

WMM Playlist from Nov. 6, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, November 6, 2019

Cole Bales & Branden Moser & Chris Hazelton
+ Ivory Blue + Nicole Springer & Joy Baker

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. The UK’s – “Freightliner”
from: Basement Mondays – EP / / October 26, 2019
[Kansas City based 4-piece alternative/rock/punk/garage band with Noah Bartelt on lead vocals & guitar, Scott Combs on guitar & vocals, Katelyn Miles on bass, and Tarquin Eugene Kellough on drums. Last year The UK’s released, “American Way of Death” on November 17, 2018. This was a follow up release to their 2016 debut album “Bad Seed.”]

[The UK’s play Davey’s Uptown Rambler’s Club 3402 Main St, KCMO, on Saturday, November 30, at 7:00 PM with The Sexy Accident, and Big Sun.]

3. Black Belt Eagle Scout – “Scorpio Moon”
from: At the Party With My Brown Friends / Saddle Creek / August 23, 2019
[Released in September of 2018, Mother of My Children was the debut album from Black Belt Eagle Scout, the recording project of Katherine Paul. Heralded as a favorite new musician of 2018 by the likes of NPR Music, Stereogum, and Paste, the album was also named as a “Best Rock Album of 2018” by Pitchfork, and garnered further end-of-year praise from FADER, Under The Radar and more. // Arriving just a year after that debut record, At the Party With My Brown Friends is a brand new full-length recording from Black Belt Eagle Scout. Where that first record was a snapshot of loss and landscape and of KP’s standing as a radical indigenous queer feminist, this new chapter finds its power in love, desire and friendship. // At the Party With My Brown Friends is a profound and understated forward step. The squalling guitar anthems that shaped its predecessor are replaced by delicate vocals and soft keys, sentiments spoken and unspoken, presenting something shadowy and unsettling; a stirring of the waters. // The end result presents a captivating about-face that redefines KP’s beautifully singular artistic vision. At the Party With My Brown Friends is introduced in greater detail here via a new statement by the artist. // ARTIST’S STATEMENT: My name is Katherine Paul and I am Black Belt Eagle Scout. // I grew up on the Swinomish Indian Reservation in NW Washington state, learning to play piano, guitar and drums in my adolescent years. The very first form of music that I can remember experiencing was the sound of my dad singing native chants to coo me to sleep as a baby. I grew up around powwows and the songs my grandfather and grandmother sang with my family in their drum group. This is what shapes how I create music: with passion and from the heart. // After the release of Mother of My Children, I felt awake and desperately wanted to put new music out into the world. I had no real intent behind At the Party With My Brown Friends except creating songs around what was going on in my life. In the past few years, the reciprocal love I experienced within friendships is what has been keeping me going. A lot of what is in this album deals with love, desire and friendship. // The lead single, “At the Party,” starts off with a quintessential BBES guitar lick, heading into booming and abundant drums and vocals. The lines ‘How is it real? We will always sing’ came out of me one evening when I was crafting the song in my bedroom. Within my conscious self, there is always a sense of questioning the legitimacy of the world when you grow up on an Indian reservation. We are all at the party (the world), trying to navigate ourselves within a good or bad situation. I happen to be at the party with my brown friends- Indigenous, Black, POC who always have my back while we walk throughout this event called life. // I started writing “My Heart Dreams” the summer after I initially put out MOMC, writing the guitar chords in a friend’s apartment on Ohlone land. I had been in a transitional part of my life, leaving one love and wanting to find another so much so that I felt like my heart was dreaming about it along with my brain at night. I have an obsession with dreams, mainly because I cannot remember most of mine and often times that leaves me frustrated not knowing that part of myself. I would wake up and be overcome with anxiety about not knowing what had gone down in my brain so much so that I started feeling like my heart dreamt more than my mind, thus becoming the line, my heart dreams. // I wrote “Going To The Beach With Haley” one day when I was out on a coastal trip with my friend Haley Heynderickx. We loaded up her car with our blankets and instruments and drove straight to a beach where we sat and listened to the waves and young families with their babies on the beach. I had brought my mini casio keyboard that had an array of beats I used when writing songs. The beat that’s on the song just stuck there along with the main guitar part. Initially written on an old acoustic guitar my mom bought me, the song really transformed in the studio where I added drums and other melodies to create the song. // Throughout the course of my writing and playing around this record, most of these songs deal with relationships I have either with loved ones or friends. I think it low key has to do with my anthropology degree, but also the fact that writing and playing guitar in my bedroom just makes everything feel better for me. For the longest time, I wanted to convey my feelings around coming out to my family. It had been a good experience for me and while I know it is not always that way when kids decide to tell their family, I think that we can open our hearts more for that. I would watch youtube videos of moms being proud of their kids surrounding their sexuality and gender identity and I really wanted to raise my voice to say, ‘my family too!’ What started with trying to sound so literal in this song ended up turning into a song about how much I love my mom and how our connection is eternal. “You’re Me and I’m You” is about being one with your mother, since we all were a part of their bodies at one point. It’s me trying to explore who she is and who I am with my love for people.]

[Black Belt Eagle Scout plays White Schoolhouse, 1510 North 3rd Street, Lawrence, KS. Thursday, November 7, at 7:00 PM with Hikes, and Bad Alaskan.]

4. Ensemble Iberica – “Danza Del Hacha”
from: Live Recordings / Tzigane Music / July 19, 2019
[One of two different volumes of live recordings release this Summer from the collective.Kansas City based Ensemble Ibérica performs the music of Iberia (Spain and Portugal) and their former colonies. Programs explore diverse time periods, styles and locations including the Spanish Baroque, Portuguese Fado and Argentine Tango. Ensemble Ibérica features extraordinary musicians from classical, jazz and urban folk music traditions giving the audience something that is truly unique. Band Members include: Beau Bledsoe, Victoria Botero, Karim Memi, Rich Wheeler, Brandon Draper, Victor Penniman, Jeff Harshbarger, Jordan Shipley, and Michael McClintock. Live Recordings (Vol 1) features highlights from our 2015 and 2016 Concert Series. Ensemble Iberica records every concert, and this collection was edited down from approximately fifty hours of recordings in concert halls, theaters, and intimate clubs. The energy and mutual engagement between musicians and a live audience is an irreplaceable experience for all involved. This spontaneous dynamic allows a musician to embrace an unscripted accident or to extend an improvisation into unimagined territory. A live recording can transmit these aspects of performance much more than a studio recording can ever attain. Performers include: Nathalie Pires on vocals, Mireya Ramos on vocals & violin, Shae Fiol ob vocals, Bruno Bessa on vocals, Victoria Botero on soprano, Fedra Cooper Barrera on vocals, Beau Bledsoe on guitar, Michael McClintock on guitar, Jeff Freling on guitar, Jordan Shipley on guitar, Rod Fleeman on guitar, Clarke Wyatt on banjo, Victor Penniman on viola da gamba, Christian Fatu on violin, Betse Ellis on fiddle & vocals, Norma Pacheco O’Neil on castanets, Amado Espinoza on charango, flutes & percussion, Brandon Draper on percussion, John Currey on percussion, Pat Conway on percussion, Zsolt Eder on violin, Rich Wheeler on Saxophone, Jeff Harshbarger on bass, Dominique Sanders on bass, Pedro Pimentel on bass, Hermon Mehari on trumpet, Mark Strozier on flute. More info at: http://www.ensembleiberica.org]

[Members of Ensemble Ibérica, Amado Espinoza Trio, Son Venezuela, Mundo Nouvo, Allyu, Maria The Mexican, Traditional Music Society, La Fonda All Stars and more combine forces into a 18-person supergroup to showcase the bright lights in the KC Latin music community. The Kansas City Latin Music Summitt is a benefit for KKFI and concert for all of 90.1 FM’s Sustaining Donors, at The Garage at Knuckleheads Saloon, 2715 Rochester, KCMO, Sat, Nov. 9, at 7:00 PM. Sponsored by Colombian Cultural Association. You can becoming a Monthly Sustaining donor at: http://www.kkfi.org/donate.%5D

5. Blue False Indigo – “Moon Dance”
from: Around The Fire / Blue False Indigo / October 31, 2019
[This is the follow up recording to their September 7, 2018 release More Light. They call their music “Spooky-Folk.” Formed in October 2013, in Springfield, Missouri, by Makayla Scott on vocals & guitar; A.J. Valle on vocals & keys; and Kara LePage on vocals & bass. With Michael Schley on electric guitar. and McQuiston Bowes on drums.]

6. Middlechild – “October 31st”
from: October 31st – Single / Oakwood Records / May 24, 2019
[Middlechild is the debut single from Kansas City, Missouri singer Middlechild, which is the Danzell Capers, formerly in the band Brother, who released a single called “Mobbin” that was included in a very fine compilation release series from our friends at The Record Machine called “How To Keep Dreaming: Vol. III,(2016), featuring 28 tracks from bands and artists from the KC, Lawrence, and surrounding areas.]

7. The Greeting Committee – “What If Tomorrow Never Comes?”
from: I’m Afraid I’m Not Angry – EP / Harvest Records / October 17, 2019
[Formed in Kansas City in 2015 with Addie Sartino, Brandon Yangmi, Austin Fraser, and Pierce Turcotte. This new EP is a follow up to their October 26, 2018 full length vinyl release “This Is It.” The band has previously released the EP “Meeting People is Easy” in 2017, and “It’s Not All That Bad” in 2015.]

[The Greeting Committee play The Granada Theatre, 1020 Massachusetts St, Lawrence, KS, on Saturday, November 9, at 8:00 PM opening for Hippo Campus in a sold out show.]

8. Wonderfuzz – “Get There”
from: Get There / MASKT / April 19, 2019
[Wonderfuzz is a Kansas City based band formed on May 11, 2012 with Natalie Norman on vocals, Jordan Smith on bass & vocals, Sam Hoskins on drums & vocals, Josh Johnson on guitar & vocals, and EvanJohn McIntosh on guitar. The 5-piece band started out working for several years as a cover band, studying multiple styles of rock & roll and rhythm & blues. In 2018 Wonderfuzz began to write and record original material releasing a few singles in 2018. In April of 2019 the band released their debut full length album “Get There” and their first music video, for the title track. On November 7, 2019, Wonderfuzz releases their second full length album this year.]

[Wonderfuzz play a Album #2 Release Show, Thursday, November 7, at 8:00 Pm at The Riot Room, 4048 Broadway, KCMO with Second Hand King, and RE: 10]

10:29 – Underwriting

Chris Hazelton, Branden Moser, and Cole Bales on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Cole Bales & Branden Moser & Chris Stapleton

Cole Bales & Branden Moser, Kansas City based musicians who are known for their work with Instant Karma, The Freedom Affair, and Erica Joy join us to share music from Los Santos Caballeros a musical collaboration between their own Grove King Records and Sunflower Soul Records.

Chris Stapleton is known for his work with the Boogaloo 7. The Freedom Affair, and Sunflower Soul Records.

Colby Bales & Branden Moser & Chris Stapleton, thanks for being with us on WMM.

Instant Karma! was a 4-Piece rock band from KC blending elements of psych, soul, funk. and hip hop. Members include: Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, and Zach Harris on drums. Instant Karma bass player Branden Moser called the band, “a drug trip through the soul section of your local record store.”

The Instant Karma Discography:

Make Me a Man – Single – April 7, 2016
Three Little Flames – Single – May 22, 2016
Wait On Love – Single – May 22, 2016
Trying To Find My Mind EP – July 22, 2017
Give Me Freedom / Shine on – Single – May 11, 2018 (Sunflower Soul)
“Tell Me That You Love Me” – Single – June 22, 2019

On May 11, 2018, Instant Karma released “Give Me Freedom” a single with “Shine On” on Sunflower Soul Records. It was recorded, mixed, and produced by Chris Hazelton, and mastered by Adam Boose.

On June 22, 2019 Instant Karma released their last single “Tell Me That You Love Me” with Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. And with Caitlin Walker and Grace Sakoulas Griffin-Spain on background vocals. Mastered by Zach Harris

Instant Karma played their last live show on Saturday, June 22, 2019 at recordBar, for SoundMachineKC with Pink Royal, and The Maytags. After their last show the band killed off their name, Instant Karma and persona and have been reinventing themselves with a new sound and direction. More info at: http://www.instantkarmakc.com

While members of Instant Karma were reinventing their band, in 2018, Chris Hazelton invited Cole Bales & Branden Moser into another project called The Freedom Affair, created through SunFlower Soul Records and including members of The Boogaloo 7, Instant Karma and three of the KC area’s leading vocalists. Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone.

On April 13, 2019 The Freedom Affair released their debut single “Rise Up” as part of a 3 LP compilation titled, Soul Slabs Vol. 2, from Colemine Records. “Soul Slabs Vol. 2” was a Record Store Day Exclusive Release.

Branden Moser, and Cole Bales on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

While all of his was happening, Cole Bales & Branden Moser were working on forming their own label, Grove King Records. The two called upon Chris Hazelton and Sunflower Soul Records for help. Cole Bales and Branden Moser shared with Chris Hazelton their musical conception, “Los Santos Caballeros” a couple of years ago. Their inspiration centered around the idea that the musical tracks were are part of a soundtrack to a fictional film called “Chico is the Man” a film that harkens back to the exploitation films of the 1970’s like “Super Fly”, “Dolemite,” and “Black Caesar.” Side A of the 7″ single is the chase sequence of the “film.” Side B the introduction to the villain of the story.

This new single has been pressed on 7″ vinyl, 45 RPM, and will be released to area record stores on Friday, November 8, 2019.

10:36

9. Los Santos Caballeros – “The Chase (Side A)”
from: The Chase / The Walk – Single / Sunflower Soul – Groove King / Nov 8, 2019
[Engineering by Justin Mantooth & Chris Hazelton, Mixing by Chris Hazelton, Branden Moser on guitar, Colby Bales on bass, Zach Dodson on drums, Nick Howell on trumpet, Brett Jackson on saxophone, Chris Hazelton on organ for “Side B”, Pat Conway on congas & Timbales for “Side A”.]

[This new single has been pressed on 7″ vinyl, 45 RPM, and will be released to area record stores on Friday, November 8, 2019.]

[The Freedom Affair play The Ship on Wednesday, Nov. 27, the night before Thanksgiving]

Chris Hazelton, Branden Moser, and Cole Bales on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:39 – More Interview with Cole Bales & Branden Moser & Chris Stapleton

Cole Bales & Branden Moser, Kansas City based musicians who are known for their work with Instant Karma, The Freedom Affair, and Erica Joy join us to share music from Los Santos Caballeros a musical collaboration between their own Grove King Records and Sunflower Soul Records.

Chris Stapleton is known for his work with The Boogaloo 7, Chris Stapleton Trio, The Freedom Affair, and Sunflower Soul Records.

Colby Bales & Branden Moser & Chris Stapleton, thanks for being with us on WMM.

Here is a list of all the players on the record:

Engineering: Justin Mantooth & Chris Hazelton
Bass: Colby Bales
Drums: Zach Dodson
Trumpet: Nick Howell
Saxophone: Brett Jackson
Organ: Chris Hazelton (Side B)
Congas & Timbales: Pat Conway (Side A)
Mixing: Chris Hazelton
Guitar: Branden Moser

Branden Moser, and Cole Bales on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:46

10 Los Santos Caballeros – “The Walk (Side B)”
from: The Chase / The Walk – Single / Sunflower Soul – Groove King / Nov 8, 2019
[This is a collaboration between Chris Hazelton’s Sunflower Soul and Groove King Records.]

[This new single has been pressed on 7″ vinyl, 45 RPM, and will be released to area record stores on Friday, November 8, 2019.]

[The Freedom Affair play The Ship on Wednesday, Nov. 27, the night before Thanksgiving]

11. LyMerrick – “Lay Me Down”
from: Lay Me Down – Single / nightSHIFT Radio / February 8, 2019
[One of three singles released by LyMerrick this year. LyMwrrick released six singles last year, and was a featured voice on two other single releases in 2018. LyMerrick also released a single in 2016. LyMerrick was born in North Carolina but grew up in Kansas City, Missouri since moving here at the age of 8 years old. LyMrrick grew up listening to all types of music ranging from gospel, rap, r&b, to classic rock and metal. LyMerrick started singing in the church choir and continued singing in elementary, Middle and High School choirs. After High School LyMerrick began to record remixes and eventually began to making original music which led to his collaborations with “nightSHIFT”.]

12. Oxford Remedy – “Fake”
from: “Fake” – Single / Oxford Remedy / February 23, 2019
[Lawrence/Kansas City 3-piece band, formed in June 2016. Members include: Sydney Aldridge, Kate McKown, and Grace McKown. Oxford Remedy released their single “Vending Machine” on January 12, 2019. More info at http://www.oxfordremedy.com]

[Oxford Remedy play the Bandwaggn Showcase, Saturday, November 9, at 7:00 PM, at The Rino, 314 Armour Rd, NKC, with Miki P and the Swallowtails, Helkat and Lily B, Moonflower. All proceeds go to Bandwaggn Kansas City, your youth-centered empowerment/music camp for gender expansive kids/teens and girls!]

13. Mr. Golden Sun – “Flyover Country”
from: Central States – EP / Matt Hamer / December 1, 2018
[Mr. Golden Sun is the songwriting project of Matt Hamer. He lives in KCMO, with his wife and two children. He finds inspiration in the people, culture, and landscape of the American Midwest, and loves the sound of old drums, analog synthesizers, woody acoustic guitars, and alliteration. Matt Hamer who wrote all of the songs on the EP. EP credits include: Matt hamer on vocals, guitar, keyboards, programming, and bass; Ryan Shaw on drums & percussion, Jonathon Smith on keyboards, Joey Panella on bass; Bethany Slack on vocals; Nathan Wilhoit on piano, Mixing by Sean Lea, mastering by TW Walsh, engineering by Michael Collins.]

11:00 – Station ID

14. Ivory Blue – “A Good Answer”
from: Ready Get Set EP / Independent / June 23, 2015
[Singer, songwriter, rock & roller, Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

11:03 – Interview with Ivory Blue

Ivory Blue

KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in early 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize o

Ivory Blue thanks for being with us on Wednesday MidDay Medley.

Ivory Blue on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Ivory Blue was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records.

Ivory Blue’s debut EP, Ready Get Set was released in June 2015, recorded and mastered by Larry Gann of Awestruck studios. Micah Burdick on guitar, Craig Kew on bass, and Lester Estelle, drummer for Kelly Clarkson, on drums for Ivory ‘s EP.

Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Publlic Library. Ivory Black plays the Kauffman Stadium, July 1, Royals home game.

Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivory moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family. On June 23, 2015, Ivory released the debut EP, “Ready Get Set.” Ivory is now currently in the process of writing and recording a debut full-length album.

Klaartje Van Lue is Ivory’s manager and she was the one who helped Ivory find their way to KC. Ivory has said that Klaartje saved their life.

11:12

Ivory Blue on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

15. Ivory Blue – “A Raging Reality” (LIVE)
This is an older song from Ivory’s songbook of original compositions,

11:16 – Interview with Ivory Blue

KC based singer songwriter and rock & roller, Ivory Blue who is currently in the studio putting together a new EP for release in early 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize o

Ivory Blue thanks for being with us on Wednesday MidDay Medley.

Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying them Ivory KC, and adopting Ivory into the Van Lue family. During the past 9 years Ivory came out as “Non-Binary Transgender.”

Ivory Blue has been one of our most frequent guests and has played the Wednesday MidDay Medley / KKFI Day Party for the Middle of The Map Fest at The Brick.

Ivory Blue recently play The Listening Room at InterUrban ArtHouse

Ivory Blue, thanks for being with us on Wednesday MidDay Medley

More information at: http://www.ivorybluemusic.com or Facebook/ivorybluemusic

Nicole Springer and Ivory Blue on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Nicole Springer and Ivory Blue on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:22

16. Ivory Blue – “Elite Dream Land” (LIVE)
This a new song Ivory is currently working in for the new album due in 2020

11:29 – Underwriting

Nicole Springer

11:31 – Interview with Nicole Springer & Joy Baker

Nicole Springer debuts her brand new single and EP “Willing” on Wednesday MidDay Medley. Artist Joy Baker joins us to talk about InterUrban ArtHouse and the Listening Room Series. Nicole Springer will play live for her EP Release Show for “Willing” in the Listening Room at InterUrban ArtHouse, 8001 Newton St, Overland Park, KS. Sunday, November 10, at 7:00 PM.

Nicole Springer, Thanks for being with us on Wednesday MidDay Medley to share the debut her new single, “Purposes” on Wednesday MidDay Medley.

11:31

17. The Nicole Springer Band – “Purposes”
from: Willing / Nicole Springer / November 10, 2019
[Nicole Springer (songwriter) on vocals & guitar, Mike Harper on bass, George Biggs on electric guitar, and Dane Walters on drums. More info at http://www.nicolespringersings.com .]

[Nicole Springer plays Old Shawnee Pizza at Repeal 18th, 1825 Buchanan, North Kansas City, on Wednesday, November 6 at 7:00 PM.]

[Nicole Springer will play an EP Release Show for “Willing” in the Listening Room at InterUrban ArtHouse, 8001 Newton St, Overland Park, KS. Sun, Nov 10, at 7:00 PM.]

Joy Baker, Nicole Springer and Ivory Blue on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:35 – Interview with Nicole Springer & Joy Baker

Nicole Springer is a 2019 Pitch KC nominee for Best Vocalist, multi-award winning and critically acclaimed singer-songwriter. As founder of The Clementines and The Good Hearts, Nicole has performed at numerous festivals and venues. In 2014 she was the recipient of both a Pitch Music Award and Project Backstage Award.

Nicole Springer thanks for being with us on Wednesday MidDay Medley.

Also with us is, Artist Joy Baker who organizes shows for The Listening Room at InterUrban ArtHouse where she is also has a studio.

Joy Baker thanks for being with us on Wednesday MidDay Medley.

Band Members include: Nicole Springer (songwriter) on vocals & guitar, Mike Harper on bass, George Biggs on electric guitar, and Dane Walters on drums.

Nicole Springer lives in KC. Nicole Springer has a big amazing voice; once you hear it, you cannot ignore it. In the true courageous spirit of DIY, she started her first band by putting an advertisement on Craigslist for a guitarist. She is founder of the bands: The Clementines, and The Good Hearts. She defies categories because her voice sounds like so many things; Rock, Pop, Folk, Gospel, Broadway, and Blues.

Nicole Spring was last on WMM on April 10, 2019 to debut her single “Hell”

We first met Nicole as part of The Clementines, originally a duo with Tim Jenkins. They played LIVE on our April 25, 2012 show. At one point the band became a 4-piece with Stephanie Williams on drums, and Travis Earndshaw on bass.

Nicole Springer grew up in Oak Grove, MO, and graduated H.S. in 2004. She studied Music-Vocal/Choral at Missouri State University, in Springfield, MO, and studied Special Education with Music at Metropolitan MO CC, in KCMO.

Nicole told The Pitch (Jan. 10, 2012 article): “I grew up singing in gospel choirs,” she says. “And I still love gospel music, though I’m not religous or anything. I did musicals throughout high school, and I went to school for a year at Missouri State for music education.”

10:43

18. Nicole Springer – “Come Clean” (LIVE)
also available on “Willing” / Nicole Springer / November 10, 2019
[More info at http://www.nicolespringersings.com]

[Nicole Springer plays Old Shawnee Pizza at Repeal 18th, 1825 Buchanan, North Kansas City, on Wednesday, November 6 at 7:00 PM.]

[Nicole Springer plays an EP Release Show for “Willing” in the Listening Room at InterUrban ArtHouse, 8001 Newton St, Overland Park, KS. Sunday, November 10, at 7:00 PM.]

10:47 – More Interview with Nicole Springer & Joy Baker

Nicole Springer on the November 6, 2109 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

We’re talking with Nicole Springer a singer-songwriter + multi-instrumentalist from KC. She was the founder of critically acclaimed + award wining local groups, The Clementines, The Good Hearts, Nikki and the Rooftop Punch, Heart Machine. She’s written original music for her bands The Good Hearts, Heart Machine, and her solo projects.

Nicole is currently on the cover of Camp Kansas City Magazine in a feature artice written by John Long. In the article Nicole talks about being homeless, being rejected by her family for being lesbian, and overcoming her own fears while pursuing a career as a musician.

Nicole is married to Bethany Cain and has recently found new confidence in her music ad in telling her own story of her life. Nicole Springer is parent to a cat and pup. She is also proud wife, sister, & aunt.

Besides her own songs, Nicole Springer loves singing covers from the 1980’s – 1990’s. Artists Nicole Springer likes: Janis Joplin / Judy Garland / Beach Boys / Beatles / Broadway / The Supremes / Dixie Chicks / Haim / Tegan and Sara / 80’s pop /

Nicole sings from the heart, writing every song to be a reflective piece of her life story and as a means to evolve and grow as a human. She describes her sound as pop-folk but additional influences such as gospel, soul, and Motown find their way into the mix. With her sometimes big, always emotional vocals, Nicole performs each heartfelt song with a raw emotionality that aims to move people and free herself.

Nicole’s awards include: 2014 Pitch Music Award Winner: Folk Ensemble with The Clementines as lead singer, songwriter, and rhythm guitarist. And a 2014 Project Backstage Award: Best Americana Group with The Clementines as lead singer, songwriter, and rhythm guitarist

Nicole Springer thanks for being with us on Wednesday MidDay Medley

More info at: http://www.nicolespringersings.com / http://www.facebook.com/nicolespringersing

11:56

19. The Nicole Springer Band – “Willing”
from: Willing / Nicole Springer / November 10, 2019
[Nicole Springer (songwriter) on vocals & guitar, Mike Harper on bass, George Biggs on electric guitar, and Dane Walters on drums.]

[Nicole Springer plays Old Shawnee Pizza at Repeal 18th, 1825 Buchanan, North Kansas City, on Wednesday, November 6 at 7:00 PM.]

[Nicole Springer plays an EP Release Show for “Willing” in the Listening Room at InterUrban ArtHouse, 8001 Newton St, Overland Park, KS. Sun, Nov 10, at 7:00 PM.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on November 13 – We welcome Kansas City based musician, singer songwriter, Hadiza. We’ll also talk with the 3-member Kansas City band, Olivia Fox, and Una Walkenhorst shares details abut her upcoming show with Whoa Dakota.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #810

WMM Playlist from October 9, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 9, 2019

Julia Othmer + Jocelyn Olivia Nixin of The Creepy Jingles
+ Music from Outer Reaches with Brenton Cook & Steve Tulipana

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Angel Olsen – “All Mirrors”
from: All Mirrors / Jagjaguwar / October 4, 2019
[4th album from Angel Olsen who was born January 22, 1987. She is an American singer-songwriter and musician from St. Louis, Missouri who currently lives in Asheville, North Carolina. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center and the Creepy Crawl as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago.After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on February 17, 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016. In addition to her work with Bonnie “Prince” Billy and The Cairo Gang, Olsen has collaborated with a number of other notable figures of American indie rock, including Tim Kinsella of Cap’n Jazz, LeRoy Bach of Wilco and Cass McCombs. Her collaboration with Kinsella and Bach, as well as with Chicago poet Marvin Tate, resulted in the album Tim Kinsella Sings the Songs of Marvin Tate by Leroy Bach Featuring Angel Olsen which the group released on Indianapolis label Joyful Noise Recordings on December 3, 2013. Her song “Windows” was featured in the final episode of the Netflix original series 13 Reasons Why.]

3. Pretend Friend – “I Do”
from: Unnatural Currents / Pretend Friend / May 17, 2019
[Pretend Friend is a string-band dynamo out of Wichita, Kansas. Their songs meld traditional bluegrass and folk with fiery rock and roll zest, and their performances are distinguished by high-energy picking and three-part vocal harmonies. Pretend Friend is: Grant Boesen as songwriter, and on guitar & lead vocals; Jason Snavely on drums & vocals; Brody Wellman on bass & vocals; and Evan Ogborn on mandolin & vocals. Unnatural Currents” is Pretend Friend’s second full-length LP. This album is the first to be acoustically arranged and foreshadows Pretend Friend’s stylistic direction since Brody Wellman and Evan Ogborn have joined the ranks as upright bassist and mandolinist, respectively. “The writing of this album acknowledges the futility in pursuing supernatural absolutes, but it also validates respect of the unknown. It relishes the uncertainty of existence, spirituality, and morality, and it celebrates expressions of enthusiasm, infatuation and skepticism.” More info at http://www.pretendfriendmusic.com]

[Pretend Friend play Porch Fest KC Saturday, October 12, at 12:00 Noon, at 3022 Oak Street during The Original PorchFestKC, this Saturday, October 12, 12 Noon to 6:00 PM in Roanoke, Union Hill and Longfellow Neighborhoods, now in its 5th year this music celebration brings music from 152 local & regional bands on 68 porch stages including music in Union Hill Cemetary. The map (and parking suggestions) are available at: PorchFestKC.com ]

10:11

4. Julia Othmer – “Frickin Awesome”
from: Sound / Julia Othmer & James Lundie / June 30, 2016
[One several new songs from Julia Othmer’s upcoming full length release of “Sound,” her second album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.”.]

[Julia Othmer plays recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.]

Julia Othmer

10:14 – Interview with Julia Othmer

We are happy to welcome back to the radio show our friend, singer songwriter Julia Othmer. Julia Othmer joins us to talk about her newest album “Sound,” released on April 12, 2019 on Frikin’ Awesome Records. who went to Park Hill High and studied at Columbia University in New York City. Julia now lives in Los Angeles, California and she is back in her hometown to play recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.

Julia Othmer, thanks for being with us on WMM

Julia Othmer was born August 13, 1975. She is from Kansas City, Missouri. She went to Park Hill High and studied at Columbia University in New York City. Julia Othmer lives in Los Angeles, California.

Julia has lived in New York, Boston, Philadelphia, and in Colorado

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Julia moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.”

Julia’s mother Sieglinde Othmer is from Hamburg, Germany, and is an artist who studied at Sorbonne in Paris. She is the author of several award winning books. Julia recently lost her father Arthur Othmer

Julia first started playing piano in first grade.

This year Julia released “Sound,” her second full-length album, produced with James Lundie, who married Julia in January of 2016 during the completion of the record.

James Lundie is from London, United Kingdom.

Last year Julia Othmer toured with and opened for The Alarm in US show and shows in the United Kingdom.

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Out of Print Magazine says: “This Thursday evening in the quaint little village of NYC, Julia Othmer, the mesmerizingly sultry singer/songwriter will be riding into town tucked under the wings of a Southwest jet. She will be performing at Rockwood Music Hall (196 Allen St. New York, NY) at 7PM sharp. If you haven’t heard of her, it may be because she has been diligently working on her new album for the last few years on the sunny and less immediate coast. Formerly a Kansas City native, Julia has put her pillow in New York, Boston, Philadelphia, some gondola in Colorado and finally Los Angeles, the city of lights and traffic, where she currently lives with her little white piano, her rock star and her cat Cosmo. Julia’s musical musings are so diverse that they become quite elusive to the simple description. Perhaps the best way to explain it would be if Nora Jones, Tom Waits, Billy Holiday and Lyle Lovett had a musical orgy and let you watch behind a curtain of burning lace and a whiskey waterfall. I’ll bring the unfiltered cigarettes, you bring your soul.”

Last time Julia Othmer was in Kansas City she played Knuckleheads, on February 28, with Johnny Hamil on bass, Chris Tady on guitar, John Floyd Whitaker on drums. All three will join Julia on stage at recordBar. Julia will welcome special guest: Julia Reynolds.

Who will be on stage with her on Saturday?

Julia Othmer plays recordBar, 1520 Grand, Sat. Oct. 12, at 8PM, w/ Amado Espinoza.

Julia ‘s newest album “Sound,” was released on April 12, 2019 on Frikin’ Awesome Records. Produced with James Lundie.

Tim Finn describes “Sound” as a “self-made record with a big-label sound… rich in space and soaring dynamics and rife with layers and textures and melodies and grooves.”

Julia Othmer is a graduate of Park Hill High School and moved to Los Angeles in 2006. While she lives in LA, she will always call KC her hometown.

Julia Othmer, thanks for being with us on WMM

Julia Othmer plays recordBar, 1520 Grand Blvd, KCMO Saturday, October 12, at 8:00 PM, with Amado Espinoza. More info at http://www.juliaothmer.com.

10:30 – Underwriting

10:32

5. The Creepy Jingles – “Atom & Evolution”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

Jocelyn Olivia Nixin and Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

10:33 – Interview with Jocelyn Olivia Nixin of The Creepy Jingles

Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

Congratulations on the new EP Release on High Dive Records.

Ross Brown of (Shy Boys and Full Bloods) recorded and mixed the EP at escape Pod Audio.

Mike Nolte Mastered the recordings at Eureka Mastering.

EP credits give special thanks to: Collin Rausch and Kyle Rausch of Shy Boys

The Creepy Jingles photo by: Orange Blossom Photography

From High Dive Records http://www.highdivekc.com:

“The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit.”

“Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing Bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. ”

From FALLY AFANI, I Heart Local Music.com (JUNE 22, 2019):

“The Creepy Jingles are really throwing us for a loop. Like, we know garage rock is supposed to sound raw and a little loose. But The Creepy Jingles are so on point with their craft, we’re not entirely comfortable with picturing them as some laid back group of rockers. Every. Single. Note. Is. Perfect. When The Creepy Jingles play, it sounds like they practice every single day. They don’t miss a single thing! Every note in every song is spot on, we haven’t heard a group of rockers this tight with their performance in ages. When they hit the Replay for their album release show Thursday night, it was hard to look away. Jocelyn Olivia Nixon runs a tight ship with this group. They began the set with her pounding away at the keys, leaving a throbbing urge for more of their exciting rock noise. Then, when they fully dove into their impeccable guitar work, the audience was also treated to her gnarly-as-hell vocals. The growls, the screams, the RAWNESS of it all brings out our most primal emotions.”

Jocelyn Olivia Nixin on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Jocelyn Olivia Nixin is Community Organizer at Bandwaggn Kansas City

Jocelyn Olivia Nixin is Singer/ Songwriter/ Guitar/ Keys at The Creepy Jingles

Jocelyn Olivia Nixin is Singer-songwriter at English Major

Jocelyn Nixin Studied Filming/Directing/Acting/writing at The Art Institute of Austin

Jocelyn Nixin Studied Studied Broadcasting & Film at University of Central Missouri

Jocelyn Nixin Studied Studied Creative Writing in English at Missouri State University

Jocelyn Nixin went to Blue Springs South High School and Jocelyn Nixin lives in Overland Park, Kansas

From The Pitch KC June 19, 2019 Nick Spacek:

Jocelyn Olivia Nixin was part of the band Abracadabras, that was active around Kansas City from 2006 to 2009 or so. Nixon fronted the band, which also included brothers Collin and Kyle Rausch, who now play in the pop act Shy Boys.

Jocelyn Olivia Nixin told Nick Spacek i nan article published in The Pitch KC on June 19, 2019, “That was, like, the first band,” Nixon says. “I’d been writing songs since I was probably about 22, and that was our first band together. So it was like we all grew up together … Once I went to Austin, I felt like it was time for me to stand on my own.”

“I’d left [Kansas City] to work on my marriage,” Nixon continues. “My wife at the time was offered a job and I figured, Yeah, Austin, great music city. I should see what happens. A music city like Austin was the silver lining in moving away from my band.”

The marriage hit the skids a few years in, but Nixon continued writing music. She released a solo project called English Major, a divorce record of sorts. Five years in, though, everything finally seemed to come to a head.

“The traffic, the cost of living — our rent went up $750,” Nixon says. “It was almost impossible to stay. I was like, Why am I killing myself to do this? I was also starting to come to terms with my own personal identity, and it blew into this existential crisis, where I was like, I can’t keep this bottled up anymore.”

Being “bottled up” was Nixon acknowledging her recent transition into life as a woman, a process she’d started early during her time in Austin.

“Tweezing my eyebrows, laser hair removal, therapy, going out more in femme,” she says — but largely abandoned after her marriage fell apart and she stepped into a new relationship. But the desire to transition hadn’t gone away; Nixon was just burying it.
“I was depressed to the point where I kind of — there’s that line in ‘Yer Blues,’ where John Lennon’s like, Feel so suicidal/ Even hate my rock and roll.’ I was like, ‘Oh, I get that line,’”

Nixon says. “I didn’t ever feel like I was going to commit suicide, but I had this fantasy of faking my death and becoming a new person, which was all sort of leading me to transition, but I was just miserable and I just didn’t want to be around it.”

She decided to leave Austin and return to KC, though moving back home as she transitioned wasn’t something Nixon was initially eager to do. “I thought it was scarier to move back,” she says. But then she realized that, as she says, “I needed to do this in front of the people I grew up with, and have those tough conversations, and tell them who I really am and how I really feel. It felt like the most honest way to do things, and it felt like the most authentic way to bridge my past to my present.”

Nixon started hormones and came out as a woman after she moved back home to KC. She says everyone’s been cool about it — tons of support.

“When I came out, I felt stupid, because I was like, ‘I should’ve done this sooner,’” she says. “An immediate weight lifted off of me, just from carrying the weight of that consuming all my mental faculties at all times. It just shot my nervous system.”

Nixon had quit playing music toward the end of her time in Austin, and she gave herself a few years during her transition to “get my head right and heal from a breakup, and also, approaching this new phase in my life,” as she puts it. But she kept writing songs.

She started jamming with Nick Robertson, a drummer. Then they brought in Travis McKenzie, a former Abracadabras guitarist, and the Creepy Jingles were born. They played around for a few years and then, last year, began recording what would become their debut self-titled EP.

“We took it slow, doing it like, once a week, and then once fall rolled around, we were like, ‘Let’s record some things,’” Nixon says. They took the music to Ross Brown, another Shy Boy, who recorded and mixed the EP in his basement. Collin Rausch ended up playing bass on it (Adam York has since joined the group as the full-time bass player).

“It was kind of like a little family reunion,” Nixon says of reuniting with old bandmates.

Nick Spacek wrote: The EP was released on High Dive Records at the beginning of May. It’s confident and exuberant, a Kinksy mishmash of Britpop garage rock”.

She says. I felt like I had to adopt a mask or a character to protect myself a little bit onstage. Now it feels very me, and I’m very comfortable.”

The Creepy Jingles
photo by: Orange Blossom Photography

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:44

6. The Creepy Jingles – “Prodigal Sun Tzu”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

The Creepy Jingles
photo by: Orange Blossom Photography

10:47 – More Interview with Jocelyn Olivia Nixin of The Creepy Jingles

We are talking with Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

This has been a very busy year for you and for the band. You just finished playing Middle of The Map Festival. Before that you played Crossroads Music Festival.

The Creepy Jingles have played all over Kansas City, Lawrence and surrounding areas.

Abracadabras laid the ground work for the path Jocelyn is following for The Creepy Jingles.

The songs on the EP are incredibly poetic, and you are having somuch fun with word and wordplay. The lyrics fly by so fast while making all kinds of modern references to microchips, memes, Reddit, Twitter, Fake News, Samsung, Big Brother while also seeming to be auto biographical and personal first person narratives and calls to action about Coming Out, leaving your past behind, “turning straight people bi-focal”, our currently political reality, and personal break ups and break outs.

Collin & Kyle Rausch and Ross Brown of Shy Boys are suppoters of The Creepy Jingles.

Mark: “One of my favorite aspects of the KC music community is the mix of genre and culture. Musical artists in Kansas City have felt comfortable to come out as Gay Lesbianm non-binary, transgender, ad the music community’s response seems to be okay, that’s great, what do you sound like? I don’t see transgender artist being shoved into a separate sub category where they only play gay bars.” “As an openly gay man I have often felt more accepted in the KC Music Community than in the Kansas City LGBTQIA Community.”

High Dive Records has released some of our most played music on WMM. The ACBs, Shy Boys, Fullbloods, The Conquerors, Psychic Heat, The Whiffs, The Fog, Y God Y have been some of our most played bands on the show. More info at: http://www.highdiverecords.bandcamp.com

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:58

7. The Creepy Jingles – “Circadian Rhythm Guitar”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. Ross Bown recorded and mixed the EP at escape Pod Audio. Mike Nolte Mastered the recordings at Eureka Mastering.]

11:00 – Station ID

Jocelyn Olivia Nixin and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:00 – Music from Outer Reaches Fest at recordBar Saturday October, 19

8. Lumerians – “Silver Trash”
from: Call Of The Void / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland. They have their own recording studio in a converted church in Oakland, California. The band’s sound was influenced by groups such as Sonic Youth, Krautrock groups such as Can and Neu!, and African and South American Psych music from the 1960s and 1970s. In mid-2011 Vasquez left the group to focus on his project The Soft Moon The Lumerians have worked with vocalist Rebecca Coseboom. Coseboom and the Lumerians did the track Separate Half on the EP entitled The Answer EP by Unkle. They performed in 2010 in Brooklyn with the Butthole Surfers. Lumerians released their first full length LP, Transmalinnia in March 2011. In July 2012, Lumerians released their second LP, a collection of instrumental spontaneous compositions titled “Transmissions from Telos Vol. IV.” “Transmissions” was released as a limited 300 edition transparent vinyl by French label Hands in the Dark in Europe and an edition of 500 (150 transparent sea blue and 350 Bone) on Permanent Records in the US. In late November and early December 2012, Lumerians completed their first European tour, ending the year with the release of the Horizon Structures EP on Knitting Factory Records. A limited 500 edition vinyl of Horizon Structures is packaged with “4D Trans-dimensional portal viewing glasses” for viewing the video for “The Bloom,” shot in ChromaDepth. Lumerians released LP The High Frontier in May 2013 in the UK and Europe, supported by performances in UK, France, Netherlands and Belgium. The album was released August 2013 in the US, coinciding with a series of dates supporting My Bloody Valentine on the second half of their US tour, followed by a series of UK and European dates in 2014, culminating with them closing out the Roadburn Festival’s Afterburner in Tilburg, Netherlands. ]

Steve Tulipana and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:06 – Interview with Brenton Cook & Steve Tulipana

Originally called KC Psych Fest, Outer Reaches started in 2012 to bring together outsider musical acts and celebrate experimental music in Kansas City. While still very psychedelic, the Outer Reaches Fest has grown to emphasize musical acts pushing boundaries.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 7 years, Brenton has been a co-curator of the Outer Reaches Fest.

Steve Tulipana is the co-owner of recordBar. Steve studied video, fine arts & painting at UMKC, where he graduated in 1991. Steve is a founding member of influential KC bands: Season To Risk, Roman Numerals, Thee Water MoccaSins, Sie Lieben Maschinen, and Unknown Pleasures. With Shawn Sherrill, he is co-owner of recordBar and miniBar. Along with Outer Reaches, and a full calendar of shows, Steve Tulipana also performs with The Band That Fell To Earth – in Tribute to David Bowie.

Brenton Cook & Steve Tulipana share music & news about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO. This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering). Accompanying the music will be live video projections provided by XO Blackwater. Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com. or http://www.outerreachesfest.com

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

Congratulations on 8 years.

Bands playing Out Reaches Fest 2019:

Lumerians (from Oakland, California),
Thunder Jackson (from Oklahoma and Wales),
KC based bands:
Be/Non,
BCR (Black Crack Revue),
Monta At Odds,
FACEFACE, and
Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.
Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian)

Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

From http://www.unicornsinthesnow.com:
Julia Vering (Unicorns in the Snow) is a performance artist, musician, animator and licensed clinical social worker. She began her involvement with the Kansas City DIY/punk scene as a teenager taking photographs and creating zines about obsolete local amusement parks and punk bands. She attended Evergreen State College where she earned a B.A. in liberal arts studying electronic music, experimental animation and social work. While in Washington state, she formed and toured with the all female conceptual art band Muñeca Chueca, volunteered at a senior center, recorded oral histories, and facilitated music recording workshops for incarcerated youth. After graduation, she moved back to Kansas City and began working at a nursing home where she facilitated art and music therapy and began an experimental drama program. She studied electro-acoustical composition and gerontology at the University of Missouri Kansas City. In 2008, she earned a Masters degree in Social Work from the University of Kansas. She designed a recreational therapy program for the inpatient geriatric psychiatric unit at the Kansas City Veterans Affairs Medical Center and worked as a licensed social worker at Kansas City Presbyterian Manor facilitating a drama club, harmonica band and talent shows. She currently works as a hospice social worker and leads an experimental therapeutic drama group for people with dementia.

Vering balances her client-centered social work with the need to create intensely personal, introspective performances to share with the public. Her work explores mortality, loneliness, absurdity and empathy, seeking to monumentalize the mundane and forgotten through sound, performance and visual art. Vering received a Rocket Grant in 2011 to produce You Live Here Too, a multimedia performance utilizing video, stop-motion animation, an original score, and local senior citizens as actors and oral historians. After a hiatus from taking work after having children she created Motherhood, a psychedelic multimedia performance piece about perception, which utilizes processed accordion, field recordings of her children, stop motion animation of mink stoles and cameos from her own mother. She toured this project in June 2018 with former collaborator Angela Saylor of Mint Hill. Her current project, The Understudy, is an evolving multimedia performance piece featuring cameos from participants of the drama she leads for people with Alzheimer’s disease and other dementias. The piece was inspired by a delusion a nursing home resident shared with her 17 years ago that “every rock in here is from a different place, and if you pick it up, you can see where it’s from.” Vering continues to work within the DIY ethos recording her own music, filming, editing her own videos and writing her own scripts at her home studio in Overland Park, Kansas.

11:13 – Music from Outer Reaches

9. Unicorns in the Snow – “We Started a Rock Company”
rom: The Understudy / Julia Vering / May 9, 2019
[Julia Vering (unicorns in the snow) is a Kansas City-based performance artist, musician, animator and licensed clinical social worker. She earned a BA from The Evergreen State College studying electronic music, experimental animation and social work, and a Masters degree in Social Work from the University of Kansas. She currently works as a licensed hospice social worker, and conducts bi-monthly experimental video-based drama therapy with individuals with Alzheimer’s disease and related dementias at Jeanne’s Place day program. Her solo multimedia performance work has continued to evolve, utilizing large format interactive projections, processed accordion, field recordings of her children and cameos from her mother, culminating in 2018’s Motherhood. She is currently creating and performing, The Understudy, a multi-part performance series featuring adults with dementia.]

[Unicorns in the Snow play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

10. Be/Non – “Aahs Come From The Skies-Oohs Come From The Ground”
from: Mystic Sunrise / Sunset Magic / Haymaker Records / February 25, 2016
[Brodie Rush is a songwriter, musician, singer, organizer, artist, film maker, music video creator. Over 20 years ago KC native, Brodie Rush formed the experimental, psychedelic, prog-pop band. In 1996, Be/Non recorded two sets of songs in a small home studio in Lawrence, Kansas, that would become their first two EPs released on cassette. Be/Non, The band has had more members than Spinal Tap, but Brodie has remained the only consistent member, songwriter and producer. Be/Non personnel: 2007, Brodie Rush – Vocals, Guitar, Keyboards, Bass, Percussion, Drums; Ben Ruth – Bass, Upright Bass, Vocals; Adam Stotts – Guitar, Vocals; John Huff – Keyboards, Synths, Vocals; Adam Phillips – Drums (although Ryan Shank – played Drums on this track.) All songs written by: Brodie Rush, except Freedom Palace with music: John Huff & lyrics: Brodie Rush. Produced by Brodie Rush. Recorded at Westend Recording (Kansas City, Kansas) 2007 (Basic tracks, some overdubs); The Gold Room (Kansas City, Missouri) 2007 (Overdubs); Studio G (Brooklyn New York) 2007 (Mixing, Overdubs); The Map Room (Lawrence, Kansas) 2003 (Overdubs). Engineeres: Paul Malinowski Recorded at Westend Recording (Kansas City, Kansas) 2007 ; Brodie Rush The Gold Room (Kansas City, Missouri) 2007; Joel Hamilton Studio G (Brooklyn New York) 2007 ; Peter Buxton The Map Room (Lawrence, Kansas) 2003, (Saxophone overdubs imported from “Do The Heat” off the record, “Esperanto At The Pantheon, Incognito”). Mixed by Joel Hamilton at Studio G (Brooklyn New York) 2007. Mastered by Brodie Rush. Thanks John Hulston, Anodyne Records, Brenton Cook, Haymaker Records, Paul Malinowski, Tony Maimone, Justin Warring, Adam Phillips, Brandon Phillips, Steve Neuenburg, Mike Miller, Shawna Sowersby-Booth, David Hanson, Billy Brimblecom, Steve Tulipana, Jason Cantu, David Gaume, Robert Moczydlowsky, Laurel Birdsong Sears, Kid Millions, Cypher Sound, The Record Bar. Dedicated to: Failed marriages throughout time and space. The troubled “Freedom Palace” LP was recorded over 10 years ago in the summer of 2007 by Paul Malinowski and Brodie Rush in Kansas City, Missouri. Anodyne Records had commissioned Be/Non to re-record songs from, “RAN” and “Esperanto At The Pantheon, Incognito” along with other unreleased material. The music from the title track “Freedom Palace” was written by John Huff and had the album been released, would have been the first Be/Non composition not penned by Brodie Rush. Be/Non was a 5 piece before recording negotiations began in 2007. Directly before preproduction, the band had lost its drummer of 3 years and Be/Non was actively searching for a replacement. Between Brodie filling in on drums for two songs and Billy Brimblecom playing drums on another track, Be/Non asked Adam Phillips of The Architects to drum on the album’s remaining songs. The album was mostly recorded at Westend Studios in Kansas City and at Brodie’s home studio The Gold Room. After tracking 97% of the album, the project was taken to Studio G in Brooklyn New York for mixing by Joel Hamilton. 10 days later, the album was mixed and ready for duplication. No formal album covers had been decided on. John Huff had an idea of a Unipegadong by a nebula in space, while Brodie was thinking a castle floating in mid air. The first cover idea was mostly just pointing arrows going in all directions. Emotionally that was probably the closest to the mindset of that recording. The album “Freedom Palace” was never pressed or released. Because a contractual arrangement could not be agreed upon between Anodyne Records and Be/Non, the band would not see an album released until 2009, “A Mountain Of Yeses”, 11 years after it’s last release in 1998. “Freedom Palace” is dismissed by the band as a complete failure. Ultimately not having rights to the recordings, the inability to reach a contractual agreement with Anodyne Records and unhappiness with the final mix led to the disbanding of the “Freedom Palace” line up in early 2008. Reclusive, secluded and freshly divorced, a depressed Brodie Rush stopped all live performances for the next two years. Spending time to construct the concept record “A Mountain Of Yeses” as a solo endeavor under the Be/Non band moniker. Then, six years later in 2014, John Hulston of Anodyne Records graciously gave Brodie Rush full rights to the “Freedom Palace” recordings and masters. Be/Non has since tried numerous times to re-record the material for a proper release, but never could fully accomplish this task. Finally, for the entire world, for better or for worse, Be/Non and Haymaker Records would like to present the final mix of “Freedom Palace” the way it was originally intended. Be/Non adamantly renounces the production, mix and performances on these recordings, with few exceptions. The album was mixed and recorded during a dizzying haze of drug and alcohol abuse. The lyrics, the tone and the feel of the record is very unfocused, angry and misguided. This record does not reflect the proper sonic soundscape or performances Brodie Rush and Be/Non had intended whatsoever. “Freedom Palace” was full of rehashed versions of songs better left to their previous incarnations. “Moi Ou Toi” from the 7″ is a remake from “Freedom Palace” but the “FP” version is a remake of the original “Ran” version. Complicated. In fact ALL of the recordings on “FP” are remakes from “Ran” and “Esperanto.” “Do the Heat” and “Lucy” are again remakes of the “Ran” and “Esperanto” versions. The version of “Ice Fight” on “FP” I think… is different than the B-Side to “Moi Ou Toi”. A different remix with other instruments. We had two different versions from 2015. The Kraftwerk reference was unintentional. John Huff started playing that back in 2006 but hadn’t heard the Kraftwerk song until I played it for him in 2015. He just did that and thought he was cool. I hadn’t heard that tune until 2010 or so. It was an accident. There is an unreleased, unfinished song called “No God Of Mine” I recorded in 2002 on my 8 track that when I tried to remake it in 2007 with Mike Cochran on drums, John heard it and played me a song from the band YWKMBT Trail Of Dead from 2005 that was almost identical even the timing on the changes. The vocal melody was different tho. I got so disturbed by it that I stop working on the song altogether. “Garlic”, “In The Nighttime” “More Than Enough” and “Current And The Rind” were all part of an unreleased collection called “Enhance The Smoky” from 2000. Same year “Tenderfoot” was written.]

[Be/Non play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

11:18 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook & Steve Tulipana about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO.

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.

The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com.

We just heard Be/Non from: Mystic Sunrise | Sunset Magic / Haymaker Records / 2/25/16

Be/Non will be joining Outer Reaches this year to perform a special set of music with video accompaniment. This will be their first live appearance in 3 years.

Last year Outer Reaches is part of Open Spaces KC. This year Outer Reaches is again collaborating with Midwest Music Foundation. Outer Reaches 2019 is made possible from the help of a grant through the KC Neighborhood Tourist Development Fund.

Sponsors for this year’s fest include Records with Merritt, 7th Heaven, It’s a Beautiful Day, recordBar, Seen Merch, XO Blackwater, Haymaker Records, Kosmic City, Crush Media, Boulevard Brewing Co., and Print Time. Info: http://www.outerreachesfest.com

11:24 – Music from Outer Reaches

11. Thunder Jackson – “Colours”
from: Colours – Single / Thunder Jackson / March 7, 2018
[Thunder Jackson is the meeting of an Oklahoma’s singer-songwriter and a British producer. After meeting in a taxi cab in Los Angeles, the freshly born duo started to work in basement studio on the west side of the city.Nov 26, 2017.]

[Thunder Jackson play Outer Reaches Fest, Saturday, October 19 at recordbar.]

12. BCR – “Love In Outer Space”
from: Speck of Dust / Sparkling Beatnik / December 31, 2004
[BCR is Black Crack Revue, formed 37 years ago in KC. Called “groovy polyphonic jazz/dance” band.]

[BCR play Outer Reaches Fest, Saturday, October 19 at recordbar.]

11:32 – Underwriting

11:35 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook, and Steve Tulipana about OUTER REACHES VIII on two stages on Saturday, Oct. 19th at recordBar.

Brenton Cook and Steve Tulipana thanks for being with us on WMM.

More info: http://www.outerreachesfest.com/

The music festival Outer Reaches, in its eighth year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

11:42 – Music from Outer Reaches

13. FACEFACE – “Meat Me”
from: MMmm / FACEFACE / February 15, 2018
[KC based experimental electronic hiphop musical collaboration with Paul S. Nyakatura, is a Kansas City based award winning voiceover artist, stand up comedian, commercial producer, and rapper and hip hop artist.and Ryan Lee Toms is a Kansas City based multi-instumentalist, composer and artist who has recorded original experimental dance electronic music as RLT with John Bersuch. Ryan also plays guitar with the math rock band HMPH! and he plays drums for the KC based, 5-piece post-punk deathrock band Beelzebabes..]

[FACEFACE plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

14. Monta At Odds – “Perimeter Dancer”
from: New Unreleased track from band with Mikal Shapiro on vocals
[KCK based band formed by brothers Dedric and Delaney Moore. ]

[Monta At Odds plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

11:48 – Underwriting

11:56 – Music from Outer Reaches

15. Lumerians – “C – Rock”
from: Yellowcake – Single / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland.

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on October 16 – we welcome Krystle Warren with Brad Cox and Jen Owen of Owen/Cox Dance Group who present “Love Songs” at Polsky Theatre Saturday, October 19 at 8:00 pm, and Sunday, October 20 at 3:30 PM. We’ll feature music from Krystle Warren’s critically acclaimed 2012 double album release of 24 original songs, recorded in Brooklyn with a 27-piece band. Also next week special co-hosts Betse Ellis and Marion Merritt join us for our Fall Fund Drive Show encouraging you our beautiful listeners to call us and show your support for the most original radio station you’ve ever listened to, 90.1 FM KKFI where over 85 locally produced radio shows air each week.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #806

WMM Playlist from Feb. 20, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 20, 2019

New & MidCoastal Releases
+ Claire Adams + Frank Alvarez + Wick Thomas

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Mavis Staples – “Can You Get to That (Live)”
from: Live in London / Anti / February 8, 2019
[New Live album released just prior to her 80th birthday, and 10 years after her last live album, Mavis Staples Live: Hope at the Hideout, from 2008. A follow up to her 16th studio solo album, “If All I Was Was Black, from 2017. For Live in London, Mavis recorded with her touring band: Rick Holmstrom on guitar, music direction & backing vocals; Jeff Turmes on bass & backing vocals; Stephen Hodges on drums; Vicki Randle on backing vocals; and Donny Gerrard on backing vocals. This live album celebrates music from her last 5 studio albums, released in the last nine years, with songs written by Jeff Tweedy, M. Ward, Benjamin Booker, Ben Harper, Curtis Mayfield, Talking Heads, Roebuck “Pops” Staples, Justin Vernon. This track was written by George Clinton & Ernie Harris and recorded for “Maggot Brain,” the third studio album by the Funkadelic, released in 1971. Mavis Staples is a legend. She is a gospel R&B singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. She has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. Mavis!, the first feature documentary about Staples and the Staple Singers, directed by Jessica Edwards, had its world premiere at the South by Southwest Film Festival in March 2015. Mavis! was screened in theaters and on HBO in February 2016. Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down. This song was oroginally included on Mavis Staples’ 2013 release One True Vine, her 13th studio album, and the second on which she collaborated with record producer and Wilco frontman Jeff Tweedy. Tweedy also played most of the instruments on the album, with the exception of the drums, which were played by his son, Spencer Tweedy. The album was recorded at the Wilco Loft in Chicago, and while working on it, Staples commuted back and forth between the Loft (on Chicago’s North Side) and her home on Chicago’s South Side.]

3. Shy Boys – “Dim The Light”
from: Dim The Light / Brick By Brick – Single / Polyvinyl Record Co. / February 15, 2019
[New single release and follow up to the band’s second album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play recordBar, 1520 Grand Ave, KCMO, Friday, February 22, at 8:00 PM, with Natural Man, and The Creepy Jingles.]

4. Kasey Rausch – “City Strangers”
from: Born Near The Waters / Independent / November 24, 2004
[From http://www.kaseyrausch.com: Released on the night of her 30th birthday, “Born Near the Waters…” is the first full album released by Kasey Rausch. It was recorded by Mike West at the 9th Ward Pickin’ Parlor in New Orleans, Louisiana over three hot muggy days – July 3, 4 & 5 2004. Breaks from the studio were spent on top of the now infamous levy broken by the forces of Hurricane Katrina. Kasey’s husband, Travis Huffhines (mandolin) and two of her dear friends, Mikal Shapiro (harmonies, percussion, clarinet) and Joel Kraft (vocals), recorded by day and gigged by night. The result is a raw, un-mastered recording that reflects the once youthful songwriting and vocal styles of Rausch. Guest musicians include Grammy nominee Gina Forsyth on fiddle, Mike West on banjo, mandolin, acoustic guitar and Katie West on upright bass (Truckstop Honeymoon). // Kasey Rausch is a 5th generation songwriter & musician, co-producer/host of roots music radio show River Trade Radio on KKFI 90.1FM Kansas City Community Radio and former host of Campfire on DittyTV (Memphis, TN). Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas (home of the legendary Walnut Valley Festival) and deep Southeast Texas. She tours nationally with pedal steel and guitar master Marco Pascolini as The Country Duo and plays locally with classic country honky tonkers The Naughty Pines and songwriter Scott Stanton. Rausch’s third album, Guitar in Hand (originally released on MudStomp Records 2014), debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch, KC’s weekly entertainment guide. She was named 2016 Best of the Northland Artist, 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM and is a four-time Pitch Music Award Nominee.]

[Kasey Rausch plays a Songwriters Serenade with Rex Pryor and John Keck, Thursday, February 21, at 7:00 PM at Madrigall, 1627 Oak St, KCMO. Hosted by John L. Keck, “Songwriters Serenade” is an evening of performance in a listening environment with original music in the round.]

5. Laura Spiegel – “Strand of Life (“Viroid”)”
from: Unseen Worlds / Unseen Worlds / January 18, 2019 Reissue
[Laurie Spiegel’s second full-length album, Unseen Worlds, arrived just over ten years after her debut album. Having realized the pieces found on The Expanding Universe (1980) on an instrument no longer available to her, the GROOVE System at Bell Laboratories, Spiegel moved on to composing and developing for the Alles Machine, alphaSyntauri, McLeyvier and various other instruments before creating an instrument entirely her own. Spiegel created “Music Mouse – An Intelligent Instrument” on a Macintosh 512k so that she could have an instrument that was not general purpose but a small, specialized, and well defined musical instrument for and by her that she did not have to compromise on or risk losing access to it. While it was a very personal instrument for Spiegel, demand among friends and colleagues nevertheless grew until “Music Mouse – An Intelligent Instrument” became a commercial product for the Macintosh, Amiga, and Atari personal computers with a devoted popular following that continues to this day, despite the obsoletion of those platforms. At the time of her Unseen Worlds album’s original release in 1991, the issuing record label turned out to be going out of business, dissolved and disappeared, sending the album immediately into obscurity. Outside of a private CD edition issued by Spiegel on her own Aesthetic Engineering label in 1994, this new edition represents the first proper commercial release of Unseen Worlds. “Unseen Worlds is not so much based on melody and rhythm as it is on textures, pulses, and sonic environments. Sometimes dark, sometimes light, its drama pulls in the adventurous listener who wants to take a musical journey. Using computer software she wrote in order to implement a unique musical vision, Unseen Worlds blends the artistic and the technical, the cerebral and the sensual, and revives the virtually abandoned tradition of electronic music. Unseen Worlds is the work of a sonic explorer whose music can both challenge and caress. Those looking for other worlds of sound can put on headphones and find them here.” – Craig Anderton // All compositions composed, produced, mixed, and coded by Laurie Spiegel. Mastered by Paul Zinman]

6. Mess – “Cave”
from: “Cave” – Single/ Mess / August 27, 2018
[First single from band’s upcoming debut full length album, ‘Learning How To Talk.’ This Kansas City based band was formed by: Allison Gliesman, Kevin Briody, Tanner Pinkerton & Evan Velasquez. This track was produced by Patrick Robinson, mixed by Braxton Matlock,and mastered by Troy Glessner (spectre).]

[Mess play recordBar, 1520 Grand Blvd, KCMO, Tuesday, February 26, at 8:00 PM, opening for Soccer Mommy with Hovvdy.]

[Mess play a ‘Learning How To Talk’ Record Release Show, Saturday, March 30, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City, MO. with Weathered, LK Ultra, and witchhazel]

7. Mae C – “Anxious”
from: “Anxious” – Single / Mae C / April 10, 2017
[Follow up to her 2016 EP Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an independent artist in the Kansas City music scene. A self-acclaimed black girl nerd, she originally planned on becoming an engineer and studied computer design at Lincoln University of Missouri. After leaving Lincoln to pursue her true passion of singing and songwriting, she finds that her techy side impacts how she writes music. “As a kid, I was always picking things apart and figuring out how to put them back together,” she said. “As an artist, I do the same thing – I pick apart my favorite singers to discover what made them great so I can walk in their footsteps.” With Kansas City becoming a place of movement for arts and entertainment, Mae C says now is the time to reinvent the wheel, break barriers, build bridges, but most of all support each other. “Supporting each other is the secret to rising to the top and putting the town on the map”, says Mae C. She aspires to inspire other artists to capitalize in their craft by not putting themselves in a box. “I’m an African American woman, but I refuse to allow anyone to use that against me. I’m an artist & proud black girl and I deserve a chance at every opportunity just as anyone else,” she said..]

[Mae C. plays The Riot Room, 4048 Broadway, KCMO, Saturday, February 23, at 8:00 PM. with Trxz Jones, They Call Me Sauce, JaySol Music, Guest DJ: DJ G3wizz, and Special Guest: Jo Blaq.]

8. Mercury Rev – “Reunion feat. Rachel Goswell”
from Bobbie Gentry’s the Delta Sweete Revisited / Partisan Records / February 8, 2019
[Rachel Ann Goswell was born May 16, 1971. She is an English singer-songwriter and musician who rose to prominence as vocalist and guitarist of the shoegaze band Slowdive, which formed in 1989. Goswell, along with Neil Halstead, Ian McCutcheon and former Chapterhouse member Simon Rowe became Mojave 3 when Slowdive transitioned to a more country/folk rock style. She released a solo album in 2004, titled Waves Are Universal on 4AD Records. // It slipped out of a Mississippi of hot biscuits, genteel table manners and working-class sense, suddenly overturned by a grave sinning and suicide. Carried on an evening breeze of strings and a supple, foreboding voice like sensually charged breath, “Ode to Bilie Joe”—Bobbie Gentry’s 1967 debut as a singer-songwriter and a Number One single for three weeks in the late Summer of Love—was the most psychedelic record of that year not from San Francisco or London, as if Bob Dylan, Neil Young and Brian Wilson had conspired to make a country-rock Pet Sounds. Except Gentry, just 23 when she wrote the song, got there first, in miniature. // Gentry’s hit was a revolutionary act, a quietly thorough feminism in vision, deed and success amid the strict, paternal order of the country-music industry. And it was her license to thrill again. In October, 1967, while “Billie Joe” was still in the Top Five, Gentry began recording The Delta Sweete, a connected set of a dozen songs that extended the narrative dynamics of that single with personal reflection and set her folk-siren charisma in a richer frame of dream-state orchestration, swamp-rock guitars and big-city-R&B horns. // In her eight original songs for the album, Gentry drew from her childhood and church life on her grandparents’ farm in Chickasaw County, Mississippi: the girl-ish craving for a beautiful dress in “Reunion”; the rise-and-shine of “Mornin’ Glory”; the stern Sunday lessons in “Sermon,” based on a traditional hymn also known as “Run On.” The covers were boldly chosen: Mose Allison’s chain-gang blues “Parchman Farm”; “Tobacco Road”’s litany of trial; the Cajun pride in Doug Kershaw’s “Louisiana Man”. Gentry also turned them to new purpose and even gender. “Gonna get myself a man, one gonna treat me right,” she sang in Jimmy Reed’s “Big Boss Man” with heated assurance. // But The Delta Sweete—released in March, 1968, only three months after Dylan’s John Wesley Harding and right as the Byrds came to Nashville to cut Sweetheart of the Rodeo—was too soon in its precedence. Gentry’s LP, the first country-rock opera, was ignored on arrival, not even cracking Billboard’s Top 100. It was as if Billie Joe had risen out of the Tallahatchie River and thrown that record off the bridge instead. // This Delta Sweete is her long-delayed justice—Mercury Rev’s committed and an affectionate resurrection of an album that anticipated by three decades their own pivotal expedition through transcendental America, 1998’s Deserter’s Songs. From their recording lair in New York’s Catskill Mountains, the founding core of Jonathan Donahue and Grasshopper with Jesse Chandler (previously in the Texas group Midlake) honor Gentry’s foresight and creative triumph with spacious invention and hallucinatory air. And they are not alone. Gentry’s stories and original resolve are brought to new vocal life and empowerment by a vocal cast of women from across modern rock and its alternative paths: among them, Mazzy Star’s Hope Sandoval; Laetitia Sadier, formerly of Stereolab; Marissa Nadler; Margo Price, the fiery new country star with a punk-rock heart; and Norway’s Susanne Sundfør, who cuts through “Tobacco Road” with arctic-Nico poise. Phoebe Bridgers, whose first record was a softly stunning 2015 single for Ryan Adams’ PAX AM label, hovers through the acid- western suspense of Gentry’s “Jessye’ Lisabeth” with floating calm, like a comforting angel. // On the 1968 LP, Gentry opened with a call to jubilant order, “Okolona River Bottom Band,” like she was leading a barn-dance union of the early Rolling Stones and Louis Armstrong’s Hot Five. Norah Jones takes that entrance here with her own sultry command, like Sarah Vaughan at the head of a slow-blooming choir. In “Sermon,” Price—who has known real struggle up close—sings like a survivor through Mercury Rev’s explosion of color and groove: a specialty throughout the band’s history as recently as 2015’s The Light in You, going back through All Is Dream in 2001, the whirling iridescent soul of 1995’s See You on the Other Side and the sumptuous turbulence of the 1992 single “Car Wash Hair.” // Gentry is still very present in the changes. Her seesaw of pride and hurt in the melancholy blur of “Penduli Pendulum” (“When goodbye serves as/My one amusement”) is even more explicit with the seasoned intimacy of Vashti Bunyan—a once-elusive voice from Britain’s psychedelic-folk boom—set against the younger, brighter arc of Kaela Sinclair, now in the electronic project M83. And in “Courtyard,” a despairing finale of strings and guitar arpeggios on Gentry’s LP, Mercury Rev build a striking Delta Krautrock in which the English singer Beth Orton wanders, like Gentry, through a ruin of profound loss and treasured memory. // “Ode to Billie Joe” was not on the ‘68 Delta Sweete. But Mercury Rev go back to that dinner table with Lucinda Williams of Lake Charles, Louisiana, and it is an inspired bond, calling up the ghosts and questions of a South still very much with us. Indeed, Gentry—who retired from recording and performing in the Seventies—reportedly lives only a couple hours’ drive from the bridge that made her famous, while the spirits she set loose in The Delta Sweete are as restless and compelling as they were 50 years ago. This album is a loving tribute to that achievement, one of the greatest albums you have never heard. It is also a dozen new ways to walk that land. -David Fricke]

9. Calvin Arsenia – “Tip Toe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[Calvin’s first release on Bullseye Records. Calvin Arsenia came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, 2017’s Catastrophe. He released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. He undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays the Crossroads Hotel, 2101 Central Street, KCMO, Thurs, Feb 21, at 7:00 PM.]

[Calvin Arsenia plays a special A Fundraising Concert. Saturday, February 23, at 7:00 PM, for The Open Table KC, 318 E 55th St, KCMO. Part of the proceeds will go towards expanding programming and anti-racism trainings at The Open Table KC.]

[Calvin Arsenia plays Mark Music 3.1: A Sunday Evening Of Music With Calvin Arsenia, Sunday, March 24, at 7:30 PM, at Marshall Hall at St. Mark Hope and Peace Lutheran 3800 Troost Avenue.]

[Calvin Arsenia plays Kemper Museum of Contemporary Art, 4420 Warwick Boulevard, KCMO, Thursday, February 28, 2019 at 6:00 PM.]

10:29 – Underwriting

Claire Adams (Photo by Anna Selle)

10. Claire Adams – “Enough”
from: Into The Blue / Independent / December 12, 2015
[Claire Adams on voice & guitar, Nick Bell Conductor, Christina Wince on flute, Teri Quinn on clarinet, Brandon Crawford on bass clarinet, Mark Lauer on bassoon, Jen Oliverio on trumpet, Austin Pfeiffer on trombone, Joseph Felton on tuba, Erik Hassell pn violin, Alyssa Bell on viola, Eman Chalshotori on cello, Sarah Lahasky on double bass, and Stephanie Williams on drum set. Songs composed by Claire Adams “In the Blue” arrangement by Peter Lawless; “Enough” arrangement by Teri Quinn. Recorded by Duane Trower at Weights and Measures Soundlab in Kansas City, MO. Artwork by Katelyn Boone.] [ Aside from her work with Katy Guilllen & The Girls, Claire also released the 5-song EP Waiting for The Winds to Change / on October 24, 2017 featuring new recordings of original songs by Claire Adams on vocals, guitar, & bass; Katy Guillen on guitar & harmony vocals; Lennon Bone on drums. Recorded, mixed & mastered by Duane Trower at Weights + Measures Soundlab, Kansas City, MO. More info at: http://www.claireadamsmusic.com]

[Claire Adams performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City. Alyssa Murray opens the evening.]

Alyssa Bell and Claire Adams on the February 20, 2019 edition of Wednesday MidDay Medley.

11:35 – Interview with Claire Adams & Alyssa Bell

Claire Adams is a critically acclaimed bassist, guitarist, singer, and songwriter. In the last year we have played musical tracks from Appropriate Grammar, Claire Adams and the Crowded Stage, The Classical Revolution, and Katy Guillen & The Girls all recordings and performing projects where Claire was essential, as a singer, songwriter and musician. Claire Adams has released multiple EPs and albums with each of these musical entities, while also releasing her very own solo EPs and solo albums too. Over the last 10 years Claire has traveled all around the world performing music, and “honing her melodic instincts and vision” in multiple genres of rock, blues, folk, americana, pop, jazz, and big band. At the center of all of this work is Claire’s beautiful and expressive voice, and her generous spirit and openness to collaborate, allowing oportunites for new younger musicians and producers to gain experience. Claire Studied Music Business at Belmont University and grew up in Topeka, Kansas.

Kansas City based Alyssa Bell is part if the string quartet Rewound. She is the Founder and Executive Director for Classical Revolution KC. Alyssa also serves as Adjunct Professor of High Strings at Northwest Missouri State University. Alyssa received her Master of Music in Performance/ Viola at Peabody Conservatory in Baltimore, Maryland and her undergraduate degree in Music education at the UMKC Conservatory of Music and Dance.

Claire Adams and Alyssa Bell join us to share information about their new show, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, where she plays with the Kansas City based string quartet, Rewound, performing her original songs as arranged by Peter Lawless. Special guest Alyssa Murray opens the show.

Claire Adams and Alyssa Bell, thanks for being with us on Wednesday MidDay Medley

We just heard Enough from the vinyl release Into The Blue, which was Claire’s last 2015 collaboration with Peter Lawless and The Classical Revolution.

The Classical Revolution was a natural out-growth of your recordings as Claire and The Crowded Stage.

Claire and The Crowded Stage was where you first collaborated with Katy Guillen and Stephanie Williams your co-horts from Katy Guillen & The Girls.

For Claire’s new show on Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, she will perform with the Kansas City based string quartet, Rewound,

Rewound is Carmen Dieker on violin, Alyssa Bell on viola, and Ezgi Karakus on cello.

Claire is performing her original songs as arranged by Peter Lawless.

Peter Lawless is one of the founding members of The B’Dina’s, a band that included Katy Guillen on guitar & vocals, Peter Lawless on bass, saxophone, & vocals. Katelyn Jamison on keyboard & vocals, and Tess Jehle on drums & vocals, and released 3 EPs and one full length album between 2010 and 2014. Meredith McGrade was part of the original line up for their debut EP release. Peter Lawless and Katelyn Jamison play with Found A Job. Katelyn Jamison and Tess Jehle were part of the band Dream Wolf from 2010 to 2014. Tess Jehle is drummer for the band Dynamite Defense

On Friday night at The Rino – Special guest Alyssa Murray opens the show.

10:53

Claire Adams and Alyssa Bell thank you for being with us on WMM.

Claire Adams performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City. Alyssa Murray opens the evening. More information at: http://www.claireadamsmusic.com

10:55

11. The AM Trio – “Fall Awake”
from: As of Now / Independent / June 30, 2015
[Alyssa Murray (Vocalist/Pianist/Songwriter), Joel Stratton (bass), and Josh Blythe (drums/vocals) have crossed paths and joined forces to create unique, multi-dimensional songs. Murray’s writing style has drawn comparison to Joni Mitchell as well as Fiona Apple.]

[Alyssa Murray opens for Claire Adams when she performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City.]

11:00 – Station ID

Alyssa Bell, Wick Thomas, and Claire Adams on the February 20, 2019 edition of Wednesday MidDay Medley.

12. Vedettes – “Train”
from: EPHEMERAL / Vedettes / March 1, 2019
[First single from the band upcoming EP Release Ephemeral, which contains five studio-recorded and mastered tunes, recorded and mixed by Paul Malinowski from May to December 2018 at Massive Sound in Shawnee, Kansas. This Lawrence, Kansas based 4-piece band was formed in 2015 with Heather Lofflin on lead vocals & guitar; Lizz Weiler on bass, & backup vocals; Ben White on lead guitar & backup vocals. More information at: http://www.vedettes.com]

[Vedettes play A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, KS on Friday, February 22 at 7:00 PM, with PartyParty, Katlyn Conroy, Nick Carswell, Wick & The Tricks, Vibralux, Dick Von Dyke, Mean Melin and CindAIRella.]

11:06 – Interview with Wick Thomas

Wick Thomas

Wick Thomas grew up in Drexel Missouri and graduated from UMKC. Wick is an urban pioneer who is also a gardener, a student, a teacher, a librarian and an activist. Wick was voted Best Activist by The Pitch Magazine. Wick has help organize LGBTQIA youth groups on college campuses and in High Schools, he served as President of EQUAL and won an award from the National Gay and Lesbian Task Force. Wick spent many years working for the Kansas City Public Library and then the Nelson Atkins Museum of Art. Recently Wick was a guest artist for The Band That Fell To Earth – A Tribute To David Bowie at recordBar. Appropriately Wick interpreted the Bowie classic, “Rebel Rebel.” Wick Thomas, is lead singer for the punk rock band Wick and The Tricks. In late 2017, Wick & The Tricks, released a 7-inch vinyl, 4-song EP debut called “Not Enough,” on Black Site Records.

Wick Thomas joins us to share details about A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

It was great seeing Wick performing on night one of The Band That Fell To Earth Tribute to David Bowie, Friday, January 19th, at recordBar, 1520 Grand Ave, KCMO. Wick performed “Rebel Rebel” which has become an anthem of gender bending and non-binary identification, can you tell us about your experience interpreting that song?

Now Wick is jumping from David Bowie to Freddie Mercury playing A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Friday, Feb 22 at 7:00 PM.

Presented by I Heart Local Music. More information at: http://www.iheartlocalmusic.com

Wick & the Tricks is now a 5-piece w/ Wick Trick on vocals, Chris (Bardell) Stallion on guitar, Noah Cassity on guitar, Promise Clutter on bass, George Henry Valyer IV on drums.

11:14

13. Wick & The Tricks – “KCBB”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.] [Wick & the Tricks played a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

[Wick & The Tricks play A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, KS on Friday, February 22 at 7:00 PM, with PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, Vibralux, Dick Von Dyke, Mean Melin and CindAIRella.]

11:15

In 2006, the National Gay and Lesbian Task Force gave Thomas a Creating Change Award for establishing a chapter of the Gay-Straight Alliance in 2004 while he was a student at Paola High School. He’s also been involved in bike activism, has volunteered for the ACLU and Greenpeace, and founded the local environmental group TWIG (Think Work Inspire Grow).

Wick Thomas is also involved in Shadow-casting for The Rocky Horror Picture Show.

Wick and The Tricks are playing Unholy Masquerade, Saturday, March 2, at 8:30 PM at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO

Fally Afani is the founder of I Heart Local Music

I Heart Local Music presents A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

11:23

14. Queen – “Another One Bites The Dust”
from: Bohemian Rhapsody (The Original Soundtrack) / Hollywood Records / Oct. 19, 2018
[The Soundtrack to the Queen biopic contains several greatest hits plus 5 songs from the band’s dramatic Live Aid performance now available for the first time. The film includes a faithful recreation of the Live Aid performance. Bohemian Rhapsody was nominated for Best Film, Best Actor for Rami Malek, and Best Sound Editing, Best Sound Mixing, and Best Editing categories. // “Another One Bites the Dust” is a 1980 song by British rock band Queen. Written by bass guitarist John Deacon, the song featured on the group’s eighth studio album The Game (1980). The song was a worldwide hit, charting number one on the US Billboard Hot 100 for three weeks, from 4 October to 18 October (their second number-one single in the country). The song spent fifteen weeks in the Billboard top ten (the longest running top ten song of 1980), including thirteen weeks in the top five, and 31 weeks total on the chart (more than any other song in 1980). It reached number two on the Hot Soul Singles chart and the Disco Top 100 chart, and number seven on the UK Singles Chart. The song is credited as Queen’s best-selling single, with sales of over 7 million copies. This version was ranked at number 34 on Billboard’s All-Time Top Songs. The song won an American Music Award for Favorite Rock Single and also garnered a Grammy Award nomination for Best Rock Performance by a Duo or Group with Vocal.]

11:27 – Underwriting

15. Lenny Lashley’s Gang Of One – “All Are Welcome”
from: All Are Welcome / Pirates Press Records / February 15, 2019
[Lenny Lashley is a household name in New England. Whether it’s performing on stage or slinging drinks at The Midway Cafe in Jamaica Plains, Massachusettes, Lenny is a star – regaling the world with Boston history and decades of tour stories like no one else can. His voice is as Boston as it gets – and as identifiable as any other frontman out there. Lenny’s even narrated movies and done voiceover gigs to help him sustain being a diehard rock and roller. A longtime fixture in the Boston punk scene, Lenny has been playing and touring for 20 years. After a traumatic run of Europe in ’08 (resulting in a mental breakdown) and a few years of reflection, Lenny has re-emerged onto the scene with more energy and clarity than ever before, playing solo acoustic shows, making cameos with Mighty Mighty Bosstones, and even joining the Boston powerhouse Street Dogs. Lenny Lashley’s Gang Of One and the new album, All Are Welcome is aimed to take Lenny’s prowess and message to a larger audience. The underlying message that this release conveys could not be better timed, as the world is desperately in need of a voice of reason.]

[Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with The Uncouth and Red Kate, hosted by Teenage Heart Records.]

11:33 – Interview with Frank Alvarez

Frank Alvarez on the February 20, 2019 edition of Wednesday MidDay Medley.

I first met Frank Alvarez in the mid 1990s. Frank was working as a manager and music buyer for Recycled Sounds at Westport Road & Main Street. Before that Frank ran his own record store, Abba Zappa. When Recycled Sounds closed in 2006, Frank was part of a special radio show we produced on Wednesday MidDay Medley, featuring testimonials from past and present Recycled Sounds employees, and playlist created by Recycled Sounds Staff reflecting stories of the time Prince came into the store, or the multiple bus trips the store organized to see The Pixies, or the many cultural events that were connected to this special place. The Radio show also included live interviews with Frank, Kasey Rausch, Kurt von Schlemmer, Iris DeMent and Anne Winter herself, who helped to produced and coordinate the show.

It seemed like the end of an era for music. The end of vinyl. The end of brick and morter music stores. Frank went on to work for Vinyl Renaissance, one of the only record stores left in the metro, besides Zebedee’s on 39th, It’s A Beautiful Day, and Vinyl Underground at Seventh Heaven. Seven years passed, and then something happened, vinyl made a comeback. Mills Records Company opened in 2013, Records With Merritt opened in 2014, Zebedee’s closed and reopened as Revolution Records in the Crossroads, Josey Records opened at 19th & Oak St.; FM Music opened on East 18th St; Brothers Records & Music opened on Johnson Drive in Mission; and Gotwhatulike at 11601 Hickman Mills Drive opened in July 2014. Record Stores were opening and thriving again, creating that needed community space for music lovers, bands, and vinyl collectors.

Last Fall, Frank Alvarez and longtime friend James Oshel opened Sister Anne’s – Records and Coffee, at 901 East 31st Street, in Kansas City. Sister Anne’s sells used records, new local releases, posters, stereos, and coffee, and was named after Anne Winter who owned Recycled Sounds, one of Kansas City’s most treasured record stores, where both Frank and James worked. Since then their business is growing. They have welcomed many in-store concerts, and this weekend are presenting, Lenny Lashley’s Gang Of One, on Friday, Feb. 22, at 6:30 PM, with The Uncouth and Red Kate, hosted by Teenage Heart Records.

Frank Alvarez thanks for being with us again on WMM

Frank Alvarez & James Oshel of Sister Anne’s – Records and Coffee, 901 East 31st Street, in KCMO. (Photo by Aaron Rhodes)

Sister Anne’s – Records and Coffee is two blocks west of Troost, at 901 East 31st Street.

James Oshel and Frank Alvarez had talked about starting a record store when they were roommates and working together at Recycled Sounds. When Recycled Sounds closed, in 2006, Frank Alvarez went to work at Vinyl Renaissance, and Jim Oshel at Broadway Cafe.

10 years passed by, and then the owner of Windhorse Tattoo, Mark Galloway, who had worked with Jim Oshel at Mercy Seat Tattoo, let his friend know he was moving and there would be extra space in the building. This was the spark that ignited Oshel and Alvarez moving into action to open their own place.

Frank Alvarez and Jim Oshel decided to open a record store and a coffee house and were motivated to name after Anne Winter, owner of Recycled Sounds, who died in 2009.

Recycled Sounds operated from 1988 to 2006. Anne Winter and husband Kurt Von Schlemmer, were integral to the Kansas City Music scene. Anne Winter was a co-founder of the Kansas City Free Speech Coalition, and the brain child behind the annual Culture Under Fire, a week and sometimes two week festival of music, art, performance, guest speakers and writing and publishing events centered around the 1st Amendment and freedom of speech. Recycled Sounds was home to many bands and a meeting place.

Frank told Aaron Rhodes in a Pitch Kansas City article published on December 26, 2018, “I want to do what Anne taught us to do,” Alvarez says. “She taught us to just be good people, help people find the music they’re looking for, provide a space in Kansas City where they can find out about music, come in and talk about music, and just do what we can for the whole scene.”

Frank ran his own record store, Abba Zappa, three blocks away from Recycled Sounds. As is usually the case record stores are generally friendly with each other, as studies prove that the more record stores in a community the more business for all. Frank and Anne were friends. Frank had been second guessing his decision to run his own store when at one point Anne Winter visited Anna Zappa and offered to buy him out, bringing his inventory , and he himself into Recycled Sounds. Alvarez accepted the offer.

Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with The Uncouth and Red Kate hosted by Teenage Heart Records.

11:42

16. Red Kate – “Urban Church”
from: Red Kate – Stiff Middle Fingers split 7″ / Black Site Records / April 8, 2017
[L. Ron Drunkard on bass & lead vocals, Andrew Whelan on drums & vocals, Brad Huhmann on guitar, Desmond Poirier on guitar & vocals. Recorded at Weights & Measures Soundlab, with engineer Duane Trower. 2nd release on KC’s coop record label, Black Site after the release of Red Kate’s 2nd LP, unamerican activities. Cover art designed by Shaun Hamontree, who is also Red Kate’s new rhythm guitarist.]

11:44 – More Interview with Frank Alvarez

Frank told Aaron Rhodes of The Pitch Kansas City, (When Anne hired me), “At that point, I was about 10 years in the game already, and I thought, ‘I know everything,’” Alvarez says. “I went to work for her and learned so much more.”

Anne Winter was one of the people who helped start 90.1 FM KKFI. She served on the Board of Directors and hosted Kansas City first ever Punk Rock show on the radio called Little “Orphan Annie.” Alvarez told Aaron Rhodes about the wide variety of music that could be found at Recycled Sounds. “There was someone there that specialized in every kind of music,” he says. “There was the hip-hop person, the punk rock person, there was a person that knew classic rock. Every base was covered.”

Frank Alvarez and Jim Oshel have been working diligently, building up the physical space and inventory, installing turn tables with coffee and espresso machines for their new business of Sister Anne’s – Records and Coffee. They are open from 7:00 AM to 7:00 PM.The shop is hosting in-stores. Their opening featured Hipshot Killer and Emmaline Twist. Sister Anne’s – Records and Coffee has a big back room that serves as an all-ages venue.

Aaron Rhodes in his Pitchweekly feature called the Sister Anne’s “Winterlike — warm, friendly, knowledgeable.” “This is the only thing I’ve done since 1985,” Alvarez says. “I get up and come to a record store. That’s what I do.”

Sister Anne’s hosts the SPINE WEST COAST TOUR KICK OFF, presented by Kansas City Hardcore, in an ALL AGES show tonight, Wednesday, February 20 at 6:30 with Spine, Devils Den, Constraint (from Kentucky), Brute Force (from St. Louis), and Crisis Actor.

Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, 901 East 31st St, Fri, Feb 22, at 6:30 PM, w/ The Uncouth and Red Kate hosted by Teenage Heart Records. More information at: http://www.sisterannes.com

17. The Uncouth – “Matter of Time (Radio Edit)”
from: “Matter of Time” – Single b/w “All You Fascists” / Teenage Heart Records / Aug, 2018
[Hard hitting Oi! band from KCMO, with CJ Wilson on lead guitar & vocals, Cody Blanchard on lead vocals & guitar, Steve Gardels on bass, and Todd Rainey on drums. “Just A Matter Of Time” written by The Uncouth, “All You Fascists” written by Woody Guthrie. Recorded at Element Recording. Pressed by Gotta Groove Records. Copyright by Know Your Roots Publishing. Producer Johnny Starke. Recorded and mastered by Joel Nanos. Kansas City’s The Uncouth are back again with their third release. Manufactured in the USA on high quality vinyl in Clear, White, and Black wax. Test Pressing four packs include all three limited colors and one of our super limited test pressings straight from the pressing plant.]

[The Uncouth plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with Lenny Lashley’s Gang Of One, and Red Kate, hosted by Teenage Heart Records.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 27, Nico Gray joins us in our second hour at Guest Producer. In our first hour at 10:30 we will be joined by singer songwriter Julia Othmer, who plays Knuckleheads in the Garage, Thursday, February 28, at 8:30 pm.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #774

Wednesday MidDay Medley presents: Of Tree + Sterling Witt + Aaron Rhodes

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 3, 2018

Of Tree + Sterling Witt + Aaron Rhodes

Mark plays more New & MidCoastal Releases from: Of Tree, Bob & Una Walkenhorst, Janelle Monáe, Emmaline Twist, Warm Bodies, Bib, Jon Batiste, Cat Power, Joe Strummer & The Mescaleros, and Tommy Wright III.

Benjamin and Laurel Parks

At 10:30 we talk with Of Tree a KC based alt-folk band created by husband and wife duo, Benjamin and Laurel Parks. Always drawn to creative pursuits in their own rites – Benjamin as a widely celebrated painter; Laurel as a classically trained violinist turned fiddler – they’ve found the most potent magic arises when they fuse together musically as Of Tree. Their music draws from each of their individual life experiences having to do with themes of loss, wandering, and spirituality. Following the 2017 EP “Sorry, We’re Chosen,” Of Tree is releasing their first full length album, “How Does It Feel?” recorded at Shadow Scape Records in Kansas City. Of Tree with Bob & Una Walkenhorst play a DUAL ALBUM RELEASE SUPER SHOW! Friday, October 12, at 7:00 at recordBar, 1520 Grand, KCMO, with special guest, Storm Circus. More info at: http://www.oftreemusic.com

Sterling Witt

At 11:00 AM Mark talks with Kansas City based artist and musician – Sterling Witt who’ll play live in our 90.1 FM studios. For nearly 10 years Sterling has hosted Art Farm Festivals at his studios and home galleries in Freeman, Missouri. Since 2004 Sterling Witt has released five full-length albums and one 8-song EP, along with several singles. Witt’s latest album, “Satyagraha” was produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois. Sterling is currently preparing for his first museum show at the Albrecht-Kemper Museum in St. Joseph, Missouri. Recently with his wife, Karla Deel, Sterling opened the Squeezebox Theatre, in the East Crossroads of KC. Sterling Witt plays live at the SqueezeBox Theatre, 1519 Oak Street, on Saturday, October 6, at 7:30 PM. More info at: http://www.sterlingwitt.com

Aaron Rhodes

At 11:30 Aaron Rhodes joins us to share music from Memphis gangster rap icon Tommy Wright III who is coming to KC for the first time. Best known for his ’90s mixtapes, “Runnin-N-Gunnin” and “Ashes 2 Ashes, Dust 2 Dust” the One Man Gang is back in action on his new “Back from the Dead Tour.” Tommy Wright III has collaborated with 2Chainz, Lil Jon & Gansta Boo, and Three 6 Mafia. Aaron also shares tracks from KC’s Warm Bodies and Omaha’s Bib. Aaron Rhodes is a Kansas City music journalist and the owner/editor-in-chief of Shuttlecock Music Magazine. In addition to writing about concerts and local releases, Rhodes also hosts the blog’s flagship podcast. Rhodes is also a frequent contributor to The Pitch. Shuttlecock presents: Tommy Wright III, and Warm Bodies, and more, at recordBar, 1520 Grand, October 28, 7:00 PM. This is an 18+ show where minors are allowed with a parent or legal guardian. More info at: http://www.therecordbar.com

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #754

WMM Playlist from August 1, 2018

C.J. Janovy photo by: John Janovy, Jr.

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 1, 2018

Calvin Arsenia in Concert on the Radio!
+ Writer & Journalist C.J. Janovy

C.J. Janovy and Calvin Arsenia on the August 1, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:00 – Station ID

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Jefferson Airplane – “White Rabbit”
from: Surrealistic Pillow / RCA – Victor / February, 1967
[Marty Balin – vocals, guitar, album design, Jack Casady – bass guitar, fuzz bass, rhythm guitar, Spencer Dryden – drums, percussion, Paul Kantner – rhythm guitar, vocals, Jorma Kaukonen – lead guitar, vocals, Grace Slick – vocals, piano, organ, recorder. Jefferson Airplane was an American rock band formed in San Francisco, California in 1965. A pioneer of counterculture-era psychedelic rock, the group was the first band from the San Francisco scene to achieve international mainstream success. They performed at the three most famous American rock festivals of the 1960s—Monterey (1967), Woodstock (1969) and Altamont (1969) —as well as headlining the first Isle of Wight Festival (1968). Their 1967 record Surrealistic Pillow is regarded as one of the key recordings of the “Summer of Love”. Two hits from that album, “Somebody to Love” and “White Rabbit”, are listed in Rolling Stone’s “500 Greatest Songs of All Time”.

10:05 – Interview with Bill Sundahl

14th Annual Crossroads Music Fest is September 8, 2018

Bill Sundahl is founder of Crossroads Music Festival and has been coming on this radio program for the last 14 years to share information about the music and venues and collaborations associated with Crossroads Music Festival – one of the longest running music festivals in Kansas City. Bill is also 90.1 FM KKFI’s Development Director, where he is constantly in motion, working to keep Community Radio alive! Bill joins us as to share details about participating artists, and special features, of this year’s CMF, on Saturday, September 8.

Bill Sundahl thanks for being with us on Wednesday MidDay Medley

Since it’s inception in 2005, CMF has featured over hundreds of bands and attracted thousands of people to the Crossroads Arts District in Kansas City.

THE 2018 CMF LINEUP INCLUDES:

RADKEY & QUIXOTIC PERFORMERS – HEMBREE – HI LUX – BRANDON PHILLIPS & THE CONDITION – CUBANISMS – EEMS – GAMELAN GENTA KASTURI – GRAND MARQUIS – TAYLOR SMITH BAND – BCR – MY OH MY! – VOGTS SISTERS – VOLKER BROTHERS – FOUR SCORE – SUMMER OSBOURNE – COWTOWN COUNTRY CLUB – SUPERMASSIVE BLACK HOLES – CADILLAC FLAMBE – VI TRAN BAND – CHAD ELLIOTT !!! MORE TO BE ADDED SOON !!!

The 14th annual Crossroads Music Fest is Saturday, September 8.

For more information you can go to: http://www.cmfkc.com or http://www.kkfi.org

10:10 – Underwriting

10:12 – Interview with Calvin Arsenia

Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and released the EPs, Moments, Prose. Last year Calvin released his full length debut, Catastrophe, and a LIVE recording from Greenwood Social Hall. This year he released the EP Caviar to special guests who attended his show at Wickstock West in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp. Calvin has played Folk Alliance International, Kansas City Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris. Calvin Arsenia plays plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.

Calvin Arsenia, thanks for being with us on WMM.

Calvin was our most played artist of 2017, and his release Castastrophe was in our Top Three of WMM’s The 117 Best Recordings of 2017.

Calvin has been traveling a lot this year. He participated in Escape to Create in Seaside Florida during the month of January. He has traveled to Australia, Gothenburg Sweden, Edinburgh Scotland. Calvin has spent time in Los Angeles recording songs for a new vinyl EP called “The L.A. Sessions,” that will be coming out on Bullseye Records sometime next year.

Calvin has also been working on his new full length album, Cantaloupe, and a special KC Release on September 15.

And Calvin And Simon Huntley are getting ready to go back on tour to Edinburgh, to Fringe By the Sea.

This year Calvin Arsenia was signed to the new Kansas City based music label, Bullseye Records started by Jim Andrews and Patrick Sprehe.

10:16

3. Calvin Arsenia – “Bleu” (LIVE)
also available on Calvin Arsenia’s EP Moments, released April 9, 2014

[Calvin Arsenia plays plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

10:22

4. Calvin Arsenia – “Dance in The Rain”
from: “Dance in The Rain” – Single / (Unreleased Track) / from 2007
[Self recorded by 17 year old Calvin Arsenia who got his start making worship music for his church in Olathe, Kansas.]

5. Calvin Arsenia – “Jesus Loves Me”
from: “Jesus Loves Me” – Single / (Unreleased Track) / from 2007
[Self recorded by 17 year old Calvin Arsenia who got his start making worship music for his church in Olathe, Kansas.]

10:33

6. Calvin Arsenia – “Lullaby” w/ Sara Morgan
from: “Lullaby – Single / (Unreleased Track) / from February 22, 2006
[16 year old Calvin Arsenia & 17 year old Sara Morgan collaborated on music in the same church.]

10:37

7. Calvin Arsenia – “86”
from: Moments [EP] / Independent / April 9, 2014
[Calvin Arsenia was 24 when he released this EP after returning home to Kansas City after living and performing in Edinburgh, Scotland. Calvin works as a songwriter, composer, lyricist, producer, and engineer. Calvin Arsenia played live on Wednesday MidDay Medley on October 22. 2014.]

[Calvin Arsenia plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

10:46

8. Calvin Arsenia – “Reflection #3” (LIVE)
Calvin Arsenia performing a harp instrumental of a piece that was originally improvised from a show in Edinburg that Calvin recorded o his cell phone and later transposed for a friend this year who asked him to recreate the piece for a performance.

Calvin Arsenia recently performed in a staged musical called “After Persephone” that was part of the KC Fringe Festival and was performed at Arts Asylum. All of the performances were sold out.

10:56

One of Calvin’s influences is Bjork

9. Bjork – “Generous Palmstroke”
from: Vespertine Live / One Little Indian / June 1, 2004

11:00 – Station ID

11:00 – Interview with C.J. Janovy

C.J. Janovy photo by: John Janovy, Jr.

Writer and journalist C.J. Janovy joins us to discuss her new book, No Place Like Home – Lessons in Activism from LGBT Kansas, from University Press of Kansas. C.J. Janovy currently oversees digital content for 89.3 FM KCUR, Kansas City’s NPR affiliate, where C.J, has also reported on arts and culture. C.J. Janovy also served as Editor of The Pitch Weekly for over a decade. C.J. Janovy received her English Degree from the University of California at Berkeley, and her Masters Degree in creative writing from Boston University.

C.J. Janovy shares her new book in a discussion that examines the evolution of LGBTQIA equality in Kansas on Wednesday, August 8, at 6:30 pm, at the Kansas City Public Library – Central Library, 14 West 10th Street, Kansas City Missouri. You can RSVP at http://www.kclibrary.org

C.J. Janovy thanks for being with us on WMM.

Full disclosure: I’ve known C.J, Janovy since 1990 when she wrote a piece about Big Bang Buffet and The Spoken Word at Cafe Lulu for The New Times, one of Kansas City’s weekly newspapers of the 1990s. Many of the writers of The New Times migrated to The Pitch Weekly where C.J. served as Editor for over a decade. At one point The Pitch was owned by The Village Voice Media, and specialized in advocacy journalism.

C.J. transitioned from print media to radio when she began reporting for KCUR 89.3 FM. C.J. reported on arts and now oversees digital content at http://www.kcur.org

No Place Like Home – Lessons in Activism from LGBT Kansas

This book, No Place Like Home – Lessons in Activism from LGBT Kansas, is a gift. A gift to all of the people who have fought for equality in Kansas.

C.J. Janovy writes that this project began on June 26, 2013. The day of the U.S. Supreme Court ruled by a 5-to-4 vote that the U.S. Constitution guarantees a right to same-sex marriage.

C.J. Janovy spent over 3 years doing research for this book.

In her forward, C.J. mentions other books written about struggles for LGBTQIA Equality, in other states, realizing that the story of Kansas LGBTQIA activists needed to be told.

C.J. also refers to Frank L. Baum’s the Wonderful Wizard of Oz, published in 1900. The 1939 film version, starring Judy Garland has become a huge metaphor and symbolic piece for Gay folk everywhere.

Traveling through the story of LGBTQIA Equality in Kansas, C.J. shares the story of how Kansas has become more socially conservative from the mid 1970s to today.

This book comes out the same year as the Austin Williams documentary film, The Ordinance Project, which tells the story of how, “at the height of the AIDS crisis, the City Council of Kansas City, Missouri debated whether or not to amend its Civil Rights Ordinance to prevent discrimination against lesbians, gays, bisexuals, and people with HIV/AIDS. It quickly became the most highly contested piece of legislation in Kansas City’s history, galvanizing both supporters and opponents while exposing a social divide that is still felt today.” It eventually passed in 1993, after a three year struggle. That story parallels the stories in No Place Like Home, with similar ordinances eventually passing in Manhattan, Salina and Hutchinson, Kansas.

You can find more information at: http://www.cjjanovy.com where C.J. has posted a piece about Lea Hopkins, who is featured in The Ordinance Project.

No Place Like Home – Lessons in Activism from LGBT Kansas deals with Marriage Equality, housing and employment discrimination, Transgender rights, The Christian Right.

No Place Like Home – Lessons in Activism from LGBT Kansas features profiles of: Tiffany Muller, Sandra Stenzel, Diane Silver, Bruce Ney, Christopher Renner, Tom Witt, Bruce McKinney, Pat Munz, Kristi Parker, Stephanie Mott, LuAnn Kahl, Anne Mitchell, Lindy Duree, Tanya Jantz, Kristie Stremel, Isaac Unruh, Charlie Snook, Alley Stoughton, Cora Holt, Jonathan Mertz, Lukus Ebert, Sandra Meade, Kevin Stilley, and many others. These profiles are part of the action of this book, these activists all continually standing up for a more equal and fair world in which to live.

In her book, No Place Like Home – Lessons in Activism from LGBT Kansas, author C.J. Janovy gives special thanks to librarians: Tami Albin of The University of Kansas’s Under the Rainbow: Oral Histories of Gay, Lesbian, Transgender, Intersex and Queer People in Kansas, and Stuart Hinds of GLAMA The Gay and Lesbian Archives of Mid-America at The University of Missouri-Kansas City

C.J. Janovy shares her new book in a discussion that examines the evolution of LGBTQIA equality in Kansas on Wednesday, August 8, at 6:30 pm at the Kansas City Public Library – Central Library, 14 West 10th Street, Kansas City Missouri. You can RSVP at http://www.kclibrary.org

C.J. Janovy and Calvin Arsenia on the August 1, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:24 – Underwriting

11:26 – Interview with Calvin Arsenia & Simon Huntley

Calvin Arsenia plays an album release show at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with Krystle Warren and others, presented by Bullseye Records. More information at: http://www.calvinarsenia.com

Also with us is: Simon Huntley who is a lighting designer, drummer, percussionist, engineer. He works as head percussionist with Quixotic. He serves as head lighting technician at The Folly Theatre. Simon will be traveling again with Calvin throughout Europe on an upcoming tour, starting tomorrow.

Calvin Arsenia, Simon Huntley, thanks for being with us on WMM.

11:28

J. Ashley Miller and Simon Huntley are the producers of Calvin’s new album, Cantaloupe, recorded at various recording studios around Kansas City

10. Jametatone – “Shadow Projecting”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

11:32

11. Calvin Arsenia – ” Poseidon” (Live)
Calvin Arsenia on harp and vocals, Simon Huntey on percussion
also available on Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)

11:40

Calvin was recently signed by Bullseye Records a new record label formed in Kansas City by Jim Andrews and Patrick Sprehe.

12. Calvin Arsenia – “Don’t Explain”
from: L.A. Sessions / Bullseye Records / expected Spring 2019
[Written by jazz singer Billie Holiday & Arthur Herzog Jr. Billie wrote “Don’t Explain” after her husband, Jimmy Monroe, came home one night with lipstick traces on his collar. Recorded by Holiday in 1944.]

11:45

13. Calvin Arsenia – “Equally”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)

[Calvin Arsenia plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

Calvin Arsenia also plays The Mark Music Show 2.6 An Evening With Calvin Arsenia, hosted by The MARK and St. Mark Hope and Peace Lutheran, Saturday, September 29 at 7:30 PM at St. Mark Hope and Peace Lutheran, 3800 Troost Ave, KCMO

11:48

14. Calvin Arsenia – “Headlights”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[First single from Cantaloupe]

More information at http://www.calvinarsenia.com

11:56:30

15. Calvin Arsenia – “Tip Toe (Radio Edit)”
from: Caviar EP/ Calvin Arsenia / December 5, 2017
[Produced for attendees at Calvin’s “Secret Show,” Tuesday, December 5, at Wickstock West, 1324 West 12th Street, in The West Bottoms, and for supporters of his Outlyre Tour. Words and Music by Calvin Arsenia. Produced by Jametatone, Simon Huntley and Calvin Arsenia. Recorded at The Infoaming Vertex. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. On February 14, 2017 Calvin released his critically acclaimed full length debut, Catastrophe. Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Calvin released Live at Greenwood Social Hall from his June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue. In the late Summer and Fall Calvin went on a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris, in over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. Since 2014 we have been celebrating the music of Calvin Arsenia. Calvin is a graduate of Artist INC.]

[Calvin Arsenia plays plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 8, Marion Merritt returns as our Special Guest Producer. Marion will share tracks from: R+R Now, Kamasi Washington, Bernice, Black Rebel Motorcycle Club, Super Elcados, Ty Segall and White Fence, J.M. Black and more. Also next week, we’ll talk with Kansas City based singer songwriter, Una Walkenhorst who plays Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20 at 7:00 PM, at recordBar, 1520 Grand Boulevard, KCMO with Instant Karma, and Blue False Indigo.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #745

C.J. Janovy photo by: John Janovy, Jr.

Wednesday MidDay Medley

WMM Playlist from April 11, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 11, 2018

New & MidCoastal Releases + Doby Watson
+ Witch Jail + Kadesh Flow

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Beach House – “Dark Spring”
from: 7 / Sub Pop Records / Expected May 11, 2018
[th studio album from American dream pop band from Baltimore, Maryland, formed in 2004. The band consists of vocalist and keyboardist Victoria Legrand and guitarist, keyboardist, and backup vocalist Alex Scally. Unlike with previous records, Beach House took their time with the recording process of this album. Instead of one long studio session, they recorded when inspired by batches of songs, which resulted in five mini-sessions over the course of eleven months. All of the songs on the album began in the duo’s home studio in Baltimore, and were finished at Carriage House in Stamford, CT and Palmetto Studio in Los Angeles. The band stated that their goal throughout the recording process of the album was “rebirth and rejuvenation,” continuing: “We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel.” The band also stated that 7 didn’t have a producer in the traditional sense, which let the ideas drive the creativity and not any one person’s process. The band’s touring drummer since 2016, James Barone, plays on the entire record. They also worked with Peter Kember, known by the stage name Sonic Boom, who helped “in the shedding of conventions and in helping to keep the songs alive, fresh and protected from the destructive forces of recording studio over-production/over-perfection. Thematically, 7 often deals with “the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny.” The album’s title itself simply represents it being the duo’s seventh studio album, saying they “hoped its simplicity would encourage people to look inside. No title using words that we could find felt like an appropriate summation of the album,” although they later mentioned that the number 7 represents some interesting connections in numerology, which further inspired them in naming the album as such. The band cited the “societal insanity” during 2016 and 2017 as a deep influence on the creation of the record, elaborating: “there is quite a bit of chaos happening in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source.”]

3. The Get Up Kids – “Maybe”
from: Kicker EP / Polyvinyl Record Co / To Be Released June 8, 2018
[Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. On March 29, 2018, Polyvinyl Records announced on their Instagram account that they had signed the band and that new music will be coming soon. The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records. While the imprint was started to release albums by The Get Up Kids, it served as a launching pad for several side-projects such as The New Amsterdams and Reggie and the Full Effect. The Get Up Kids were viewed throughout their existence as a prototypical emo band, having been major players in the Midwest emo movement of the mid-1990s. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. However, like many early emo bands, The Get Up Kids sought to dissociate themselves with the term, as it was considered dismissive to be seen as an “emo band.” The band departed heavily from their established style with the release of their 2002 album On a Wire, which saw the band take on a much more layered, alternative rock sound. Years later, guitarist Jim Suptic even apologized for having the influence they did on many of the modern third-wave emo bands, commenting that “[t]he punk scene we came out of and the punk scene now are completely different. It’s like glam rock now … If this is the world we helped create, then I apologize.” Due to internal conflicts, the band broke up in 2005. Three years later, the band reunited to support the tenth anniversary re-release of Something to Write Home About, and soon afterward entered the studio to write new material. In early 2010, the band released Simple Science, their first release in six years, followed in 2011 by the full-length There Are Rules. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams.]

[On June 14 The Get Up Kids will launch a 20 city month long US Tour]

4. Shy Boys – “Keeps Me On My Toes”
from: Shy Boys / High Dive Records / January 17, 2014
[On April 3, 2018 it was announced that Shy Boys had been signed to San Francisco based, national label, Polyvinyl Records. Hailed as “The Beach Boys on Robitussin”, Shy Boys (brothers Collin & Kyle Rausch, Konnor Ervin, Kyle Little & Ross Brown) were bred in the dankest basements of Kansas City, MO as a group of ill-fitting squares in a scene of punks and weirdos. We find these great friends now, still living & loving in KC, trading instruments while creating melodic, happy-sad tunes to make your heart swell. Shy Boys’ sophomore album will arrive later this year on Polyvinyl Record Co., bringing with it big, melancholic vocal harmonies of a past’s present, amidst these strange and bittersweet future daze. This was the bands debut release. Brothers Collin Rausch, Kyle Rausch, and friend and roommate at the time Konnor Ervin, created this record. Collin and Kyle’s father was a High School band director and music teacher. Konnor Ervin was the lead singer and songwriter of The ACBs, where Kyle also played drums. The 10 song release had two singles premiered by Stereogum. “Keeps Me On My Toes” was a song Collin wrote in 15 minutes while his girlfriend was in the shower. Wednesday MidDay Medley has been a big fan of The Shy Boys and all of the ACBs recordings. In 2011 we started playing songs from The I’ms, a duo made of up Collin and Kyle, who posted 6 of their self recorded songs on their facebook page. We included this informal release in our Top Ten of The 111 Best Recordings of 2011. 3 of the songs from The I’ms recordings ended up being re-recorded for Shy Boys. The album was recorded at West End Studio, over two-weekends.]

[On Saturday, April 14 Shy Boys launch their 15 city US tour at Replay Lounge, in Lawrence Kansas, with Cocordion, Fraydee Cat, and Fullbloods.]

5. Mac Lethal – “Backward”
from: 11:11/ Rhymesayers Entertainment / April 8, 2008
[David McCleary Sheldon was born July 25, 1981. Known by his stage name Mac Lethal, he released his debut album, Men Are from Mars, Pornstars Are from Earth, on HHI Recordings in 2002. Sage Francis took him on the Fuck Clear Channel Tour in 2004. In 2006, Mac Lethal founded Black Clover Records with longtime friend Jeremy Willis, who had been running the Datura Label. In 2007, he released the album entitled 11:11 on Rhymesayers Entertainment. In November 2011, Mac Lethal released a video on YouTube of him rapping over the beat to “Look at Me Now” while he prepares a dish of pancakes in his kitchen. The video became a viral hit and got millions of views in a matter of days and led to interviews on websites like CNN and The Washington Post. In 2011, he was offered a contract from Sony which he rejected, referring to the $250,000, 5 album, 2 option and one milestone option deal as “insane.” Mac Lethal has also managed a Tumblr feed called “Texts from Bennett”, in which he posts text message conversations between himself and his cousin Bennett. Although some have questioned whether or not Bennett is a real person, he insists that the conversations are genuine. He released the novel of the same name on Simon & Schuster in 2013. On Sept. 13, 2016, he released the album, Congratulations, which featured a guest appearance from Tech N9ne.]

[Mac Lethal plays recordBar Sunday, April 15, with Wax, the 21st date, on his 45-city US Tour.]

6. Kississippi – “Rinse, Repeat”
from: Sunset Blush / Bug Crusher Records / April 6, 2018
[Debut full length album from Philadephia based indie folk band fronted by Zoe Allaire Reynolds (with Adam DaSilva, Jeremy Probst, Allegra Eidinger, and Kaylen Alan Krebsbach.]

7. Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe Unplugged with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. You can view more of Ashley’s work at http://www.jametatone.com.]

[Jametatone plays The Ship, 1217 Union Avenue, in the West Bottoms, Saturday, April 14, with Calvin Arsenia, and Tegu-Tegu Pro Fusion.]

8. Calvin Arsenia – “Experience”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Recently Calvin Arsenia was signed to a new record label in Kansas City called Bull’s Eye Records founded by Jim Andrews and Patrick Sprehe. Calvin Arsenia originally premiered the songs from Catstrophe in a live show at recordBar in November 2016, in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp Calvin has also worked as a teacher of music to elementary students. Calvin is a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia on WMM. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin played at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC on June 11, 2017 in a show that was recorded live. In the Fall of 2017 Calvin embarked on a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Sweden, Edinburgh, Denmark, Holland, Switzerland, Lyon and Paris. Calvin played over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. On December 5, 2017 Calvin released his EP Caviar, produced for attendees at Calvin’s “Secret Show,” Tuesday, December 5, at Wickstock West, 1324 West 12th Street, in The West Bottoms, and for supporters of his Outlyre Tour. Words & Music by Calvin Arsenia. Caviar was produced by Jametatone, Simon Huntley and Calvin Arsenia. Recorded at The Infoaming Vertex.]

[Calvin Arsenia plays The Ship, 1217 Union Avenue, in the West Bottoms, Saturday, April 14, with Jametatone, and Tegu-Tegu Pro Fusion.]

9. Bobby Watson & The I Have a Dream Project–”My Song” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / August 28, 2013
[Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas. Glenn North is a nationally recognized performance poet who has shared the stage with such noted poets as Nikki Giovanni, Sonia Sanchez, and Amiri Baraka. He served as Poet-In-Residence and Education Specialist at The American Jazz Museum from 2004 to 2014. He was a 2009 Charlotte Street Foundation Generative Performing Awards Fellow. North’s work has been commissioned by entities including Points of Light Foundation, the Norman Lear Center, the Nelson Atkins Museum of Art, and Kansas City Public Library. He has been a featured poet at events hosted by MTV Rock the Vote, NAACP Black History Month, and KC Repertory Theatre in conjunction with the world premiere of Clay. He was accepted into the Cave Canem program. He has worked as director of the Urban Transcendence Poetry Project. His original spoken word tracks are featured on recordings including: Out of the Comfort Zone by the Jazz Disciples, Release by the Phantom, The Experience by Tru Sol, and Check Cashing Day from Bobby Watson & The I Have a Dream Project. He studied English at Lincoln University in Jefferson City, earned his BLS from Rockhurst University, and is currently pursuing his MFA in Creative Writing at UMKC.]

[On Friday, April 13, at 6:00 pm, Celebrating National Poetry Month, the Nelson-Atkins Museum of Art presents the debut screening of director Harold Smith’s documentary, The Gospel According to Glenn North. The film explores 18th & Vine Poet Laureate Glenn North’s unique poetic blend of jazz, blues, religion, black history, and social commentary. the screening will be followed by a Q&A with Kansas City native Glenn North. The Nelson-Atkins Museum of Art is located at 4525 Oak St, Kansas City, MO. Tickets Available at http://www.nelson-atkins.org]

10:31 – Underwriting

10:33 – Interview with Doby Watson

Doby Watson

Singer-Songwriter Doby Watson has just released his new EP, Family Mattress Deluxe, a collection of songs written by Doby and co-produced with Zack Hames. Doby Watson was born in 1986. Instead of attending college, as Richard Gintowt wrote for The Pitch in 2009, “Watson spent his young-adult years touring the country with a guitar and a box of Clif Bars, one for lunch, then a real meal for dinner, and a bunch of sad and beautiful homespun songs that are as sparse and haunting as those of Leonard Cohen or Jason Molina.” In 2009 Doby released Twenty Two. In 2013 He released Watson & May an EP in collaboration with Margo May that was produced & engineered by Lennon Bone. Double Shift Music released Doby’s album Live-In Son in 2014, and the EP collaborative: Swearengin, Watson & May in 2016. More info at: http://www.dobywatson.bandcamp.com

Doby Watson, Thanks for being with us on WMM.

Midwestern DIY folk veteran, Doby Watson, returns from a break in his ceaseless tour schedule, with a new EP, titled “Family Mattress Deluxe’ available on limited cassette via eclectic hardcore label Error Records and across all streaming platforms.

Congratulations on the new EP Family Mattress Deluxe.

For nearly 15 years Doby has been traveling all over the country playing shows. While in KC he is often helping to put together shows for fellow traveling musician friends.

Family Mattress Deluxe EP

Side A (Family Mattress EP)
Miami Vomit II
Starve
Family Mattress III

Side B (bonus tracks)
Natural Ice (Early Morning version)
Family Mattress (AKADUNGEONMASTER remix)
Beer For Dinner II (with Austin Swearengin)
[a moody collaboration with New York based sculptor / songwriter Austin Swearengin. The warbly, lo-fi duet finds itself evolving into a slow burning, industrial-tinged jam that fizzles into feedback.]

10:40

Doby Watson playing live on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

10. Doby Watson – “In Rows” (Live)
This song was on Doby’s album: Live-In Son / Double Shift Music / October 17, 2014
[For the record: Watson performed the songs live, while being recorded, in Ross Brown’s basement in KCMO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings & auxiliary percussion while he mixed the songs in Champaign, IL. Mastered by Cory Schulz in Milwaukee, WI.]

We are talking with Singer-Songwriter Doby Watson who has just released his new EP, Family Mattress Deluxe, on February 23, 2018, on Error Records.

From Doby’s own words: “When I was a kid I played guitar in some hardcore bands. When I found myself without a band, at the end of high school, I started trying to sing and write songs. Falling on the moniker “Boo Hiss” (something a class mate of mine said in place of swear words). I put some songs online and got asked to be on a small DIY label from Ohio called Tract Records. Around that time, I befriended touring DIY artists’ such as Viking Moses, Real Live Tigers, Manipulator Alligator and a young man named Joseph Murphy (who was in tons of bands), as well. Through these connections I was encouraged to tour and became involved in the Midwest’s various DIY communities, making countless friends.”

“Rather than go to college, I chose to focus solely on DIY touring and releasing music (for much of it taking my good friend, then KC native, and amazing songwriter, Austin Swearengin with me for most of these tours). ”

“Around that same time, I made an attempt to be taken more “seriously”, dropped my moniker and unsuccessfully released a mini-album under my own name. After some rather chaotic and unorganized tours for the album, I became depressed and disillusioned with music. I set music aside as a priority, moved to Lawrence, KS and tried to assimilate to what I thought was a ‘normal’ life. ”

“I went to college, got a day job, and wound up generally hating life. This new ‘normal’ path inevitably didn’t work out for me – I moved back in with my parents and held various dead end jobs and sank deeper into a depression, completely ceasing to make any music.”

“I (Doby) performed the songs live, while being recorded, in Ross Brown’s basement in Kansas City, MO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings and auxiliary percussion while he mixed the songs in Champaign, IL. The results were mastered by Cory Schulz in MIlwaukee, WI. ”

10:47

11. Doby Watson – “Pick Up” (Live)
[Doby Watson recorded this song for a Daytrotter Session, August 11, 2016, in Horseshack, Davenport, Iowa. It was also featured in Paste Magazine, September 16, 2016, and American Songwriter on September 9, 2015, from his SoundCloud page.]

Doby Watson calls his music, “Experimental Americana from Missouri.”

Doby Watson on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

10:54

12. Doby Watson – “I Wish That Everything” (Live)
This song was also on Doby’s album: Live-In Son / Double Shift Music / October 17, 2014
[This song was written by Doby’s friend Matthew Hoppock. For the record: Watson performed the songs live, while being recorded, in Ross Brown’s basement in KCMO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings & auxiliary percussion while he mixed the songs in Champaign, IL. Mastered by Cory Schulz in Milwaukee, WI.]

Doby Watson recently wrote: “if I could make a deal with the devil I would trade voices with contemporary R&B singer Tank.”

Doby Watson, Thanks for being with us on WMM.

Doby Watson has just released his new EP, Family Mattress Deluxe, a collection of songs written by Doby and co-produced with Zack Hames. More info at: http://www.dobywatson.bandcamp.com

11:00 – Station ID

13. Witch Jail – “Saucer Season Revisited”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

11:04 – Interview with Guy Slimey, Eddie Morphine, and A. Ghost of Witch Jail

Witch Jail

The Kansas City based post-exotic, death-pop band, Witch Jail was formed in 2013. The band writes that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven. Witch Jail have a new album: Music For Magic Moments, that will be released Friday, April 13.

Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, Bad Girls, and Neptune. More info at: http://www.witchjail.bandcamp.com

Guy Slimey, Eddie Morphine, & A. Ghost of Witch Jail thanks for being with us on WMM.

Witch Jail were on our radio show last February 8, 2017 with Sid Sowder talking about the Too Much Rock Single Series release of ”Slimewave USA”

Witch Jail are having a busy week:

Wednesday: on WMM talking about the new Witch Jail album

Thursday: Release show at The Brick with Jorge Arana Trio, Bird Girls, and Neptune

Friday: In Madison, playing at Mickey’s Tavern with Solid Freex and No Question

Saturday: In Cedar Rapids at The Hive Collective with Tu’mera Divine

Sunday: In Des Moines at Vaudeville Mews with Odd Pets, The Vahnevants, and Greg Wheeler and the Poly Mall Cops

Monday: Back at work!

Then in a month Witch Jail heads down south: Nashville, Memphis, NOLA, Austin, Ft. Worth, OKC, and Wichita. No rest for the wicked!

Witch Jail

11:13

14. Witch Jail – “Under The Volcano”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

11:25

15. Witch Jail – “Snake Church”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

[Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, Bad Girls, and Neptune. More info at: http://www.witchjail.bandcamp.com]

16. Kadesh Flow – “Room Service”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

11:34 – Interview with Kadesh Flow

Kadesh Flow

Kadesh Flow aka Ryan Davis joins us to share music from his new EP, Room Service. Kadesh Flow is a rapper, trombonist, and producer. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. The Phantastics play Record Store Day at Josey Records, Saturday, April 21, at 8:00 PM. More info at: http://www.kadeshflow.com

Kadesh Flow aka Ryan Davis, thanks for being with us again on WMM

The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Earlier in the year Kadesh found out he would be playing a showcase a South By Southwest, and he though it might be good to have new music to offer, and that’s when it sort of fell into place to record this new EP.

11:42

17. Kadesh Flow – “Glassy Eyes feat. Eye-Q”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

Kadesh Flow has also played with Hearts of Darkness, and is a part of The Nerdy People Of Color Collective.

Kadesh Flow on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

11:56

18. Kadesh Flow – “FYI feat. Atlas & O.Super”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on April 18, Bach Aria Soloists including Elizabeth Suh Lane, Beau Bledsoe, and Jeff Harshbarger play live Tango music in our 90.1 FM Studios. Plus Amy Farrand joins us to share music from the debut release of her band, Amy Farrand & The Like. Plus, Brenton Cook joins us to share music and information about Outer Reaches Explores The World – Friday, April 20 at recordBar with SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. Plus, the band, Thee Devotion joins us to share tracks from their new album, Chapel.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #729

WMM Playlist from July 31, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 31, 2013

David Burchfield + Mat Shoare
+ Guest DJ Matthew Hayden

1. Merry Clayton – “Southern Man”
from: 20 Feet from Stardom (Music from the Motion Picture) / Columbia / June 7, 2013
[Born Dec. 25, 1948, in Gert Town, New Orleans, Clayton began her recording career in 1962 at the age of 13, singing “Who Can I Count On? (When I Can’t Count On You)” as a duet with Bobby Darin. She has provided back-up vocals with Mick Jagger on The Rolling Stones song “Gimme Shelter.” Her early career included performances with Ray Charles as one of The Raelettes. She has sang with Neil Young’s debut album 1968, Lynyrd Skynyrd’s “Sweet Home Alabama,” and for Tom Jones, Joe Cocker and Carole King. She also originated the role of the Acid Queen in the original 1972 London production of The Who’s Tommy.] [Merry is currently featured in Twenty Feet From Stardom, a documentary about background singers and their contributions to the music industry. Merry also just released The Best of Merry Clayton.]

10:06

2. John Velghe & The Prodigal Sons – “Love’s No Place”
from: Love No Place Single release b/w “Affection” / Lakeshore Records / Nov 27, 2012
[John Velghe – vox, guitars, keyboards. The Prodigal Sons: Mike Alexander – guitar, mandolin, backing vocals; Chris Wagner – bass, backing vocals; GoGo Ray – drum set; Hermon Mehari – trumpet; Sam Hughes – saxophone; Mike Walker – trombone.] [John Velghe and the Prodigal Sons have been nominated for a 2013 Pitch Music Award for Best Americana / Bluegrass Band]

[John Velghe and The Prodigal Sons will be playing the Pitch Music Awards Showcase this Friday, August 2 at 8:30 PM on the Outdoor Stage in the lot next to Buzzard Beach.]

[John Velghe and The Prodigal Sons will be playing Knuckleheads Saloon, Thursday, August 8.]

10:09 – Underwriting

10:10

3. David Burchfield and The Great Stop – “Rite two”
from: Perseids / Independent / August 10, 2013
[Produced by David Bennett]

[David Burchfield and The Great Stop play a special CD Release Show & Farewell Concert, Saturday, August 10, at 7:00 pm, at The recordBar, 1020 Westport Road with Lawrence band Olassa.]

10:14 – Interview with David Burchfield

In December of 2011, David Burchfield released “The Beginning,” which was recorded here in Kansas City with Mike Crawford. David Burchfield joined us in February of 2012 to play live on the show with members of his band The Great Stop. Leslie Hammer, Devon Russell & Seth Jenkins. David joined us today to discuss his new recording with The Great Stop called: “Perseids” that will be released this week. David Burchfield and The Great Stop play a special CD Release show & Farewell Concert, Saturday, August 10, at 7:00 pm, at The recordBar, 1020 Westport Road with Lawrence band Olassa. More info at: davidburchfieldmusic.com

When we talked with David over a year ago, he had recently moved back to the Kansas City area after living in Golden, Colorado and working with a solar energy company. David spent years working in environmental education and youth development; helping migrant farmworkers; teaching, hiking, and clearing trails at the Philmont Scout Ranch in New Mexico; working with justice issues and children in Guatemala City, Guatemala.

David is now returning to do post graduate work in Boulder, Colorado, in August.

10:20

3. David Burchfield and The Great Stop – “Sun Came Up”
from: Perseids / Independent / August 10, 2013
[Produced by David Bennett]

10:24

When David as on our show, back in February of 2012, The Great Stop played the song “Perseids” live in our 90.1 FM Studios. Perseids is, the stream of debris cloud that stretches along the orbit of the comet Swift-Tuttle. The cloud consists of particles ejected by the comet as it travels on its 130-year orbit. Most of the dust in the cloud today is around a thousand years old.

Information about the musical recording “Perseid” is available through: Davidburchfieldmusic.com.

11:29

4. David Burchfield and The Great Stop – “Perseids”
from: Perseids / Independent / August 10, 2013

[David Burchfield and The Great Stop play a special CD Release show & Farewell Concert, Saturday, August 10, at 7:00 pm, at The recordBar, 1020 Westport Road with Lawrence band Olassa.]

10:33

5. The Empty Spaces – “Holidays Are Nice and Warm”
from: Party Line / Golden Sound Records / July 24, 2012
[KC based band formed from a studio band that recorded Mat Shoare’s solo album The Empty Spaces in 2010.]

[Mat Shoare plays the Pitch Music Awards Showcase this Fri, Aug 2, at Californos, at 7:00 pm]

10:36 – Interview with Mat Shoare

23 year old dynamo, Mat Shoare played live on our Jan 23rd WMM. His full length solo recording, “Domestic Partnership” was released December 11, 2012, on Golden Sound Records. Mat has released two EPs with his band The Empty Spaces. All of the music is available at Golden Sound Records, an independent, Kansas City based record label Mat founded with his friends Jerad Tomasino and Ross Brown. Mat Shoare has just been nominated for a Pitch Music Award for Best Singer-Songwriter, and his band The Empty Spaces has also been nominated for Best Garage Band.

Mat Shoare prefers the homemade sound and feel in his recordings, The Golden Sound Records website reports that most parts of his solo album were recorded by Mat in multiple bedrooms, basements, and offices from winter 2011 through the fall of 2012.

The Golden Sound Records website desribes “Domestic Partnership” as a recollection of love, loss, and love again. Then loss…and so forth.”

Ross Brown plays drums on Mat’s songs and also with his band The Empty Spaces, your band that has release two EPs including 2012’s “Party Line” which was part of our 112 Best Recordings of 2012.

Mat Shoare is nominated for a Pitch Music Award for Best Singer-Songwriter, and his band The Empty Spaces has also been nominated for Best Garage Band. More information at GoldenSoundRecords.com

10:48

7. Mat Shoare – “Keeping Everyone Happy”
from: Domestic Partnership / Golden Sound Records / December 11, 2013
[All songs by Mat Shoare. Made by Mat Shoare and Ross Brown. Most parts of this album were recorded by Mat Shoare in multiple bedrooms, basements, and offices from winter 2011 till fall 2012. It was finally focused into something cohesive by Ross Brown at The Reservation in Kansas City, MO.]

[Mat Shoare plays the Pitch Music Awards Showcase this Fri, Aug 2, at Californos, at 7:00 pm]

8. Molly Picture Club – “Typical Biped”
from: In My Own Time Machine / Independent / April 30, 2013
[Aniko Adany: vocals, keys, synths & omnichord; Matthew Hayden: drums, & drum sequencing; Michael Tipton: vocals, guitar, & bass. All songs written, arranged, performed, & produced by Molly Picture Club. Additional percussion by Justin Skinner. Drums recorded, EP Mixed & Mastered by Duane Trower at Weights & Measures Soundlab. All other sounds recorded by Matthew Hayden at Southland Studios.]

9. The Postal Service – “We Will Become Silhouettes”
from: Give Up (Deluxe 10th Anniversary) (3 record set) / Sub Pop / April 9, 2013
[It’s been a decade since The Postal Service released “Give Up” Feb, 2003. The indie classic recently went platinum! Sub Pop is released a deluxe, 10th anniversary reissue featuring 15 bonus tracks, including covers by The Shins and Iron & Wine, and two brand new Postal Service songs, “Turn Around” and “A Tattered Line of String.” The Postal Service are currently on tour with Ben Gibbard, Jimmy Tamberello with Jenny Lewis.]

[The Postal Service play The Midland Theatre: Tues, July 30 and Wed, July 31 with Mates of State.]

11:00 – Matthew Hayden “Guest DJ.”

Musician, percussionist, producer and member of Molly Picture Club – Matthew Hayden, joined us as “Guest DJ.”

Matthew Hayden played music from: Afrolicious, Frank Biyong & The Afrolectric Orkestra, Alton Ellis, Lee “Scratch” Perry, Junior Murvin, Cedric Im Brooks & the Light of Saba, Buari, Willam Onyeabor, and Gil Scott-Heron.

10. Afrolicious – “Revolution”
from: California Dreaming / ESL Music / May 28, 2013
[Debut full length from San Francisco based band. The collective throws the best Thursday night dance party in the bay area as voted by the San Francisco Guardian. Their weekly Show is at the Elbow Room every Thursday if you are visiting.]

11. Franck Biyong & The Afrolectric Orkestra – “African History”
from: Impala Afrobeats 2 / Wagram Records / May 7, 2003
[Born in Cameroon in 1973 Frank Biyong. He learned to play and compose music in West Africa namely Nigeria and Gabon. More info at: franckbiyong.com]

12. Alton Ellis – “African Descendants”
from: Studio One Funk / Soul Jazz Records / Sept. 25, 2004 Import
[Alton Ellis (September 1, 1938 – October 10, 2008) was one of the innovators of Rocksteady. This track centers on the fact that we are African and all come from Africa.]

11:15

Matthew talked about The Food People: Cultivate KC, Bread KC, and Howards Organic Market

11:18

13. Lee “Scratch” Perry – “Soul Fire”
from: Reggae Greats / Island Records / 1984
[The Seminal reggae producer. Song is about feeding the poor]

14. Junior Murvin – “Police and Thieves”
from: Reggae Greats / Island Records / 1984
[Song peaked at # 23 on th UK singles charts in 1980. It was also produced by Lee Perry]

15. Cedric Im Brooks & the Light of Saba – “Sabebe”
from: Light of Saba / Craze Productions / 1974
[Cedric im Brooks (1943 – May 3, 2013) was a Jamaican Saxophonist and flautist known for his solo recordings and as a member of The Mystic Revelation of Rastafari]

11:32

Matthew talked about Social Spaces: Cartwheel, Byproduct – The Laundromat, Jarboe Initiative, and Utilitarian Workshop

11:36 – Underwriting

16. Buari – “Advice from Father”
from: African Disco from the 1970’s / Nascente / [originally released in 1975]

17. William Onyeabor – “Better Change Your Mind”
from: World Psychedelic Classics Vol 3 / Luaka Bop / March 8, 2005

11:54

Matthew talked about: Midwest Music Foundation, KKFI, Plug Projects, and Gypsy Market Royal

11:57

18. Gil Scott-Heron – “The Revolution Will Not Be Televised”
from: Pieces of a Man / RCA / 1971
[Gil Scott-Heron poet, musician and activist. Its amazing how relevant this piece is 42 years after its release. ]

Sources for notes on tracks: artist’s websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #484

WMM Playlist from June 26, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 26, 2013

Akkilles + Sterling Witt
+ Major Matt Mason USA, Folkicide & Rabbit Killer

1. Grand Marquis – “Bed Of Nails”
from: Blues and Trouble / Grand Marquis / June 25, 2013
[12 New songs from Bryan Redmond – lead vocals, soprano, alto, tenor and baritone saxophones; Chad Boydston – trumpet, backing vocals; Ryan Wurtz – guitar; Ben Ruth – upright bass, sousaphone, backing vocals; Lisa Mckenzie – drums, washboard. Grand Marquis played a special CD Release show last night at Mills Record Company, 314 Westport Rd, Kansas City, MO

[Grand Marquis play Jazz at 39th & State Line, Thursday, June 27, at 7:00 PM]

[Grand Marquis play a CD Release, Fri, June 28, 8:00 pm, at Knuckleheads Saloon, 2715 Rochester St.]

2. Clairaudients – “Like A Song”
from: I’m a Loudmouth, You’re a Puppet / Independent / June 29, 2013
[Music and Lyrics by Clairaudients: Eric Fain – Graphite Neck Electric Bass, Backup Vocals; Brandon Gardner – Electric Guitars; Blaire Geenens – Drumset; Chase Horseman – Grand piano, Backup Vocals, Bigsby Strums; Patrick Robinson – Lead Vocals, Electric Rhythm Guitar; Jordan Thompson – Lead Vocals, Electric Slide Guitar, Backup Vocals. Recorded from January to June, 2013 with Jeff Pickman at Massive Sound Studios. Produced by Jeff Pickman and Clairaudients]

[Clairaudients play a release show Sat, June 29, at Davey’s Uptown w/ We Are Voices and Not A Planet.]

10:10 – Underwriting

3. Sterling Witt – “Built By Design”
from: Sterling Loves U / Grand River Records / October 15, 2012

10:15 – Interview with Sterling Witt

In writing about Artist and Musician – Sterling Witt’s recent full length recording, “Sterling Loves U,” music critic – Anthony David wrote in Indie Music magazine, “Originality is a hard thing to come by these days; and not a word we use lightly, but it has to be said – Sterling Witt is IT. Mastering satirical humour throughout, the album is a collection of short, sweet acoustic tunes that are sure to brighten any dull day and leave you with a smile on your face.”

Upcoming tour dates:
6.28.13 – Indianapolis Indiana – the Irving Theater
6.29.13 – Philadelphia PA – The Fire
6.30.13 – New York NY – Googies Lounge
7.1.13 – New Haven CT- Stella Blues Bar
7.2.13 – Boston MA – Avant garde acoustic
7.3.13 – Portland ME – Flask Lounge
7.4.13 – Montreal Canada – Quai Des Brumes
7.5.13 – Cleveland Ohio – Avant garde acoustic
7.6.13 – Detroit MI – Paycheck’s Lounge
7.13.13 – Freeman MO – Sterling Witt’s Birthday Party
7.27.13 – Kansas City MO – Fringe Fest

Sterling gave our Wednesday MidDay Medley listeners a chance to win an a special collection of gifts created by Sterling including an invitation to Sterling’s birthday party on July 13 in Freeman, Missouri.

4. Sterling Witt – “Every Single Second”
from: Sterling Loves U / Grand River Records / October 15, 2012

Grand River Records is a record label dedicated to individualistic artistic expression. The physical structure is located in the rural countryside of Missouri near Kansas City. GRR is owned by Sterling Witt.

Artist Allan Winkler plays drums with Sterling Witt.

In the world of Sterling Witt, Art and Music flow together.

Sterling Witt’s new album, “Sterling Loves U” is available through iTunes.
More info at SterlingWitt.com

5. Sterling Witt – “Perfect Girl”
from: Sterling Loves U / Grand River Records / October 15, 2012

10:30 – Interview with David Bennett and Isaac Anderson

6. Akkilles – “I Went Alone” (Vinyl)
from: Something You’d Say / Akkilles / July 2, 2013

Singer/songwriter David Bennett formed the KC based band Akkilles in 2011. David has been recording and performing with a collective of his friends and fellow musicians.

“Something You’d Say” is being released on vinyl!

“Something You’d Say” will be released on Tuesday, July 2.

For more information you can visit: akkilles.bandcamp.com

10:42

7. Akkilles – “Leave Your Love”
from: Something You’d Say / Akkilles / July 2, 2013

Akkilles includes David Bennett on lead vocals, guitar; Isaac Anderson, on drums; Rachel Pollock on violin, piano, percussion, and vocals; Nick Pick on Bass and vocals; and Jeff Larison on lead guitar and dobro. The band played The Middle of the Map Fest and the Crossroads Block Party.

In April, David Bennett told David Hudnall of The Pitch:

“When I play by myself, I do a lot of loops and effects and play with microphones that accentuate vocals,” Bennett says. “With the band, it’s a little more like straightforward experimental pop. I’m drawn toward what I guess you’d call ambiguous writing, and I like jacking the sound of pop music a little, both musically and lyrically.”

“I’ve spent a lot of time the past few years trying to really learn how to write and record,” Bennett says. “Now it’s getting to the point where I’m recording a lot more and getting a lot of material down. I think there’ll be another Akkilles EP in the fall and maybe another album sometime in 2014. I like doing crummy demos by myself, but it’s also cool to go into a studio with a real band.”

David Bennett has been recording homemade demos as Akkilles. You can learn more about his recordings at SoundCloud, or Bandcamp, where his “Demo Treasure” EP is also available.

8. Akkilles – “Country Boy Deluxe”
from: Something You’d Say / Akkilles / July 2, 2013

[Akkilles play The Brick on Sat, July 6, with The Caves, and Margo May.]

11:00 – Station ID

9. Antennas Up – “Coming On”
from: The Awkward Phase / Plastic Artifice / April 24, 2012
[Formed in KC in 2008. The band has played South By Southwest and over 30 Universities and toured w/ Girl Talk, Electric Six, Flogging Molly, Matt & Kim, Ha Ha Tonka, and Company Of Thieves. Kyle Akers – Lead Vocals/Bass; Bo McCall – Guitar/Vocals; The Ryantist – Drums/Vocals; Jonny Universe – Guitar/Keys/Vocals]

[Antennas Up play the Riot Room, Saturday, June 29.]

10. Radkey – “Pretty Things”
from: Cat & Mouse – EP / Wreckroom / June 4, 2013
[Radkey is a St. Joesph based band made up of three teenage brothers Darrion, Isaiah, and Solomon. Their influences include The Who and Nirvana.]

[Radkey plays The Bottleneck, Friday, July 12, for Lawrence Field Day.]

11:07 – Underwriting

11:09

11. The Uncluded – “Earthquake”
from: Earthquake – Single / Rhymesayers Entertainment / February 12, 2013
[San Francisco based Hip Hop artist & producer Ian Matthias Bavitz aka Aesop Rock with anti-folk singer Kimya Dawson, famous for being one half of the group The Moldy Peaches.]

[The Uncluded play an 18+ over show at the recordBar Wed, June 26 at 10:00 pm w/ Hamell on Trial.]

12. Major Matt Mason USA – “Rockstar”
from: Me Me Me / Olive Juice Music / January 1, 1998
[After 15 years of living in NYC Matthew and Nan Turner moved back to KC and relocated Olive Juice Music to KC and their band Schwervon! has become a big part of the KC music scene!]

11:16 – Interview with Major Matt Mason USA, Folkicide, and Rabbit Killer

Three of Kansas City’s most original singer/songwriters: Major Matt Mason USA, Folkicide & Rabbit Killer who’ll share the bill for a special concert, Wednesday, June 26, at 8:00 pm, at Davey’s Uptown Ramblers Club. We will play from their recordings and have a live performance in our 90.1 FM Studios.

Major Matt Mason USA is Matthew Roth. Matt’s 1998 solo release “Me Me Me” is celebrate its 15th anniversary and Matt will travel to NYC to perform the songs live on Sunday, August 4, at Sidewalk Cafe as part of the Classic Albums Live series during the Welcome to Boog City Festival.

Matthew Roth was a large part of the New York City music community, founding Olive Juice Music; recording, mixing, and mastering music for himself and others, including Kimya Dawson, Daniel Johnston, Jeffrey Lewis, Adam Green, The Trachtenburg Family Slideshow Players, and Toby Goodshank; and performing live as part of Schwervon! and Kansas State Flower, and solo artist as Major Matt Mason USA.

After 15 years of living in NYC, Matthew Roth and Nan Turner moved back to KC and relocated Olive Juice Music to KC and their band Schwervon! has become a big part of the KC music scene!

11:21

13. Major Matt Mason USA – “Tripping Yourself” (LIVE) 


11:25

KC based singer-songwriter, Folkicide, has described his music as “despair-core” and writes that his vision of constructive pessimism, he hopes in time, will be recognized as a new acoustical genre, fully devoted to the documentation of the delightful futility of existence. Since 2010, Folkicide has released 4 full-length recordings and one EP, writing and arranging and recording over 60 tracks.

Folkicide is now working on his new album of 13 songs called, “Meaningless Glare of Broken Human Beings,” engineered by David Moore at Merriam Shoals Studio.

Michael Walker plays trombone on “Seaside Rendezvous” for “Folkicide’s A Night At The Opera,” Michael also plays on Folkicide’s new record too.

11:29

14. Folkicide – “Melodic Screams”
from: Meaningless Glare of Broken Human Beings / Fall, 2013
[You can hear all of his music at: folkicide.bandcamp.com]

Rabbit Killer is Mark Smeltzer who has been playing and making music in Kansas City for over 20 years. Mark has collaborated with Betse Ellis, Amy Farrand, Howard Iceberg, The Wilders, Metatone and many many others. Mark is known for the creation of his own instruments from found objects. He was one of the original members of the band Trouble in Mind, and performs as a solo artist, as Rabbit Killer, The Rural Grit All Stars E.I.O., and is a cofounder of Rural Grit Music Hour every Monday Night at The Brick and also Rural Grit Records a music label that captured many of the early recordings of the Wilders, live performances at the Tic Fest and many area bands. Mark is also an actor and appeared in the film “Two Sisters.”

Mark Smeltzer, told the story of how he came to create the alter ego, Rabbit Killer.

The Rural Grit Happy Hour is one of the longest running shows in Kansas City, this weekly show has been a place for musicians to collaborate for many years, originally starting at The Grand Emporium in the 1990s.

11:37

15. Rabbit Killer – “Aligators and Crocodiles” (LIVE)

Major Matt Mason USA, Folkicide, and Rabbit Killer will play in concert together, tonight, Wednesday June 26, in an acoustic set at Davey’s Uptown, 3402 Main St. KCMO.

11:44

16. Dream Wolf – “Astro-Wolf”
from: Dream Wolf / Independent / December 1, 2012
[Full length debut from: Christian Tady – Electric Guitar, Tess Jehle – Drums, Megan Zander – Vocals, Katelyn Boone – Keyboards, Brent Jamison – Bass. Recorded by DEERWOLFANIMALBEAR and mastered by Element Recording Studios. Includes 9 songs, photos by Meredith McGrade, design work by Katelyn Boone, logo design by Michael Schultz, and disc artwork by Janelle Day.]

[Dream Wolf play recordBar, Sat, June 29 w/ Darkside of The Force, Deco Auto, and Scene of Irony.]

[Members of Dream Wolf participate in Sonic Spectrum’s Tribute Series to The Rolling Stones, Sunday, June 30, at the recordBar, with the Cody Wyoming Deal, The Empty Spaces, and members of Dolls on Fire, The Dirty Electric, The Latenight Callers and others.]

17. The Rolling Stones – “Street Fighting Man”
from: Beggar’s Banquet / Decca / Dec. 6, 1968
[Originally titled and recorded as “Did Everyone Pay Their Dues?”, containing the same music but very different lyrics, “Street Fighting Man” is known as one of Mick Jagger and Keith Richards’ most politically inclined works to date. Jagger allegedly wrote it about Tariq Ali after Jagger attended a March 1968 anti-war rally at London’s U.S. embassy, during which mounted police attempted to control a crowd of 25,000.]

18. The Depth and The Whisper – “Highway”
from: Single Track Release / Independent / December, 2012
[Produced and recorded by John Velghe at Guttersnipe recording. This song features Albert Bickley and Dave Tanner, the principle musicians and songwriters, with Troy Van Horn on lead guitar, Go Go Ray on Drums, John Velghe on keyboards.]

[The Depth and The Whisper play the recordBar, Friday, June 28, with John Velge & The Prodigal Sons and Adam Marsland.]

11:59:30

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Sources for notes on tracks: artist’s websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #479