WMM Playlist from October 9, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 9, 2019

Julia Othmer + Jocelyn Olivia Nixin of The Creepy Jingles
+ Music from Outer Reaches with Brenton Cook & Steve Tulipana

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Angel Olsen – “All Mirrors”
from: All Mirrors / Jagjaguwar / October 4, 2019
[4th album from Angel Olsen who was born January 22, 1987. She is an American singer-songwriter and musician from St. Louis, Missouri who currently lives in Asheville, North Carolina. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center and the Creepy Crawl as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago.After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on February 17, 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016. In addition to her work with Bonnie “Prince” Billy and The Cairo Gang, Olsen has collaborated with a number of other notable figures of American indie rock, including Tim Kinsella of Cap’n Jazz, LeRoy Bach of Wilco and Cass McCombs. Her collaboration with Kinsella and Bach, as well as with Chicago poet Marvin Tate, resulted in the album Tim Kinsella Sings the Songs of Marvin Tate by Leroy Bach Featuring Angel Olsen which the group released on Indianapolis label Joyful Noise Recordings on December 3, 2013. Her song “Windows” was featured in the final episode of the Netflix original series 13 Reasons Why.]

3. Pretend Friend – “I Do”
from: Unnatural Currents / Pretend Friend / May 17, 2019
[Pretend Friend is a string-band dynamo out of Wichita, Kansas. Their songs meld traditional bluegrass and folk with fiery rock and roll zest, and their performances are distinguished by high-energy picking and three-part vocal harmonies. Pretend Friend is: Grant Boesen as songwriter, and on guitar & lead vocals; Jason Snavely on drums & vocals; Brody Wellman on bass & vocals; and Evan Ogborn on mandolin & vocals. Unnatural Currents” is Pretend Friend’s second full-length LP. This album is the first to be acoustically arranged and foreshadows Pretend Friend’s stylistic direction since Brody Wellman and Evan Ogborn have joined the ranks as upright bassist and mandolinist, respectively. “The writing of this album acknowledges the futility in pursuing supernatural absolutes, but it also validates respect of the unknown. It relishes the uncertainty of existence, spirituality, and morality, and it celebrates expressions of enthusiasm, infatuation and skepticism.” More info at http://www.pretendfriendmusic.com]

[Pretend Friend play Porch Fest KC Saturday, October 12, at 12:00 Noon, at 3022 Oak Street during The Original PorchFestKC, this Saturday, October 12, 12 Noon to 6:00 PM in Roanoke, Union Hill and Longfellow Neighborhoods, now in its 5th year this music celebration brings music from 152 local & regional bands on 68 porch stages including music in Union Hill Cemetary. The map (and parking suggestions) are available at: PorchFestKC.com ]

10:11

4. Julia Othmer – “Frickin Awesome”
from: Sound / Julia Othmer & James Lundie / June 30, 2016
[One several new songs from Julia Othmer’s upcoming full length release of “Sound,” her second album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.”.]

[Julia Othmer plays recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.]

Julia Othmer

10:14 – Interview with Julia Othmer

We are happy to welcome back to the radio show our friend, singer songwriter Julia Othmer. Julia Othmer joins us to talk about her newest album “Sound,” released on April 12, 2019 on Frikin’ Awesome Records. who went to Park Hill High and studied at Columbia University in New York City. Julia now lives in Los Angeles, California and she is back in her hometown to play recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.

Julia Othmer, thanks for being with us on WMM

Julia Othmer was born August 13, 1975. She is from Kansas City, Missouri. She went to Park Hill High and studied at Columbia University in New York City. Julia Othmer lives in Los Angeles, California.

Julia has lived in New York, Boston, Philadelphia, and in Colorado

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Julia moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.”

Julia’s mother Sieglinde Othmer is from Hamburg, Germany, and is an artist who studied at Sorbonne in Paris. She is the author of several award winning books. Julia recently lost her father Arthur Othmer

Julia first started playing piano in first grade.

This year Julia released “Sound,” her second full-length album, produced with James Lundie, who married Julia in January of 2016 during the completion of the record.

James Lundie is from London, United Kingdom.

Last year Julia Othmer toured with and opened for The Alarm in US show and shows in the United Kingdom.

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Out of Print Magazine says: “This Thursday evening in the quaint little village of NYC, Julia Othmer, the mesmerizingly sultry singer/songwriter will be riding into town tucked under the wings of a Southwest jet. She will be performing at Rockwood Music Hall (196 Allen St. New York, NY) at 7PM sharp. If you haven’t heard of her, it may be because she has been diligently working on her new album for the last few years on the sunny and less immediate coast. Formerly a Kansas City native, Julia has put her pillow in New York, Boston, Philadelphia, some gondola in Colorado and finally Los Angeles, the city of lights and traffic, where she currently lives with her little white piano, her rock star and her cat Cosmo. Julia’s musical musings are so diverse that they become quite elusive to the simple description. Perhaps the best way to explain it would be if Nora Jones, Tom Waits, Billy Holiday and Lyle Lovett had a musical orgy and let you watch behind a curtain of burning lace and a whiskey waterfall. I’ll bring the unfiltered cigarettes, you bring your soul.”

Last time Julia Othmer was in Kansas City she played Knuckleheads, on February 28, with Johnny Hamil on bass, Chris Tady on guitar, John Floyd Whitaker on drums. All three will join Julia on stage at recordBar. Julia will welcome special guest: Julia Reynolds.

Who will be on stage with her on Saturday?

Julia Othmer plays recordBar, 1520 Grand, Sat. Oct. 12, at 8PM, w/ Amado Espinoza.

Julia ‘s newest album “Sound,” was released on April 12, 2019 on Frikin’ Awesome Records. Produced with James Lundie.

Tim Finn describes “Sound” as a “self-made record with a big-label sound… rich in space and soaring dynamics and rife with layers and textures and melodies and grooves.”

Julia Othmer is a graduate of Park Hill High School and moved to Los Angeles in 2006. While she lives in LA, she will always call KC her hometown.

Julia Othmer, thanks for being with us on WMM

Julia Othmer plays recordBar, 1520 Grand Blvd, KCMO Saturday, October 12, at 8:00 PM, with Amado Espinoza. More info at http://www.juliaothmer.com.

10:30 – Underwriting

10:32

5. The Creepy Jingles – “Atom & Evolution”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

Jocelyn Olivia Nixin and Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

10:33 – Interview with Jocelyn Olivia Nixin of The Creepy Jingles

Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

Congratulations on the new EP Release on High Dive Records.

Ross Brown of (Shy Boys and Full Bloods) recorded and mixed the EP at escape Pod Audio.

Mike Nolte Mastered the recordings at Eureka Mastering.

EP credits give special thanks to: Collin Rausch and Kyle Rausch of Shy Boys

The Creepy Jingles photo by: Orange Blossom Photography

From High Dive Records http://www.highdivekc.com:

“The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit.”

“Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing Bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. ”

From FALLY AFANI, I Heart Local Music.com (JUNE 22, 2019):

“The Creepy Jingles are really throwing us for a loop. Like, we know garage rock is supposed to sound raw and a little loose. But The Creepy Jingles are so on point with their craft, we’re not entirely comfortable with picturing them as some laid back group of rockers. Every. Single. Note. Is. Perfect. When The Creepy Jingles play, it sounds like they practice every single day. They don’t miss a single thing! Every note in every song is spot on, we haven’t heard a group of rockers this tight with their performance in ages. When they hit the Replay for their album release show Thursday night, it was hard to look away. Jocelyn Olivia Nixon runs a tight ship with this group. They began the set with her pounding away at the keys, leaving a throbbing urge for more of their exciting rock noise. Then, when they fully dove into their impeccable guitar work, the audience was also treated to her gnarly-as-hell vocals. The growls, the screams, the RAWNESS of it all brings out our most primal emotions.”

Jocelyn Olivia Nixin on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Jocelyn Olivia Nixin is Community Organizer at Bandwaggn Kansas City

Jocelyn Olivia Nixin is Singer/ Songwriter/ Guitar/ Keys at The Creepy Jingles

Jocelyn Olivia Nixin is Singer-songwriter at English Major

Jocelyn Nixin Studied Filming/Directing/Acting/writing at The Art Institute of Austin

Jocelyn Nixin Studied Studied Broadcasting & Film at University of Central Missouri

Jocelyn Nixin Studied Studied Creative Writing in English at Missouri State University

Jocelyn Nixin went to Blue Springs South High School and Jocelyn Nixin lives in Overland Park, Kansas

From The Pitch KC June 19, 2019 Nick Spacek:

Jocelyn Olivia Nixin was part of the band Abracadabras, that was active around Kansas City from 2006 to 2009 or so. Nixon fronted the band, which also included brothers Collin and Kyle Rausch, who now play in the pop act Shy Boys.

Jocelyn Olivia Nixin told Nick Spacek i nan article published in The Pitch KC on June 19, 2019, “That was, like, the first band,” Nixon says. “I’d been writing songs since I was probably about 22, and that was our first band together. So it was like we all grew up together … Once I went to Austin, I felt like it was time for me to stand on my own.”

“I’d left [Kansas City] to work on my marriage,” Nixon continues. “My wife at the time was offered a job and I figured, Yeah, Austin, great music city. I should see what happens. A music city like Austin was the silver lining in moving away from my band.”

The marriage hit the skids a few years in, but Nixon continued writing music. She released a solo project called English Major, a divorce record of sorts. Five years in, though, everything finally seemed to come to a head.

“The traffic, the cost of living — our rent went up $750,” Nixon says. “It was almost impossible to stay. I was like, Why am I killing myself to do this? I was also starting to come to terms with my own personal identity, and it blew into this existential crisis, where I was like, I can’t keep this bottled up anymore.”

Being “bottled up” was Nixon acknowledging her recent transition into life as a woman, a process she’d started early during her time in Austin.

“Tweezing my eyebrows, laser hair removal, therapy, going out more in femme,” she says — but largely abandoned after her marriage fell apart and she stepped into a new relationship. But the desire to transition hadn’t gone away; Nixon was just burying it.
“I was depressed to the point where I kind of — there’s that line in ‘Yer Blues,’ where John Lennon’s like, Feel so suicidal/ Even hate my rock and roll.’ I was like, ‘Oh, I get that line,’”

Nixon says. “I didn’t ever feel like I was going to commit suicide, but I had this fantasy of faking my death and becoming a new person, which was all sort of leading me to transition, but I was just miserable and I just didn’t want to be around it.”

She decided to leave Austin and return to KC, though moving back home as she transitioned wasn’t something Nixon was initially eager to do. “I thought it was scarier to move back,” she says. But then she realized that, as she says, “I needed to do this in front of the people I grew up with, and have those tough conversations, and tell them who I really am and how I really feel. It felt like the most honest way to do things, and it felt like the most authentic way to bridge my past to my present.”

Nixon started hormones and came out as a woman after she moved back home to KC. She says everyone’s been cool about it — tons of support.

“When I came out, I felt stupid, because I was like, ‘I should’ve done this sooner,’” she says. “An immediate weight lifted off of me, just from carrying the weight of that consuming all my mental faculties at all times. It just shot my nervous system.”

Nixon had quit playing music toward the end of her time in Austin, and she gave herself a few years during her transition to “get my head right and heal from a breakup, and also, approaching this new phase in my life,” as she puts it. But she kept writing songs.

She started jamming with Nick Robertson, a drummer. Then they brought in Travis McKenzie, a former Abracadabras guitarist, and the Creepy Jingles were born. They played around for a few years and then, last year, began recording what would become their debut self-titled EP.

“We took it slow, doing it like, once a week, and then once fall rolled around, we were like, ‘Let’s record some things,’” Nixon says. They took the music to Ross Brown, another Shy Boy, who recorded and mixed the EP in his basement. Collin Rausch ended up playing bass on it (Adam York has since joined the group as the full-time bass player).

“It was kind of like a little family reunion,” Nixon says of reuniting with old bandmates.

Nick Spacek wrote: The EP was released on High Dive Records at the beginning of May. It’s confident and exuberant, a Kinksy mishmash of Britpop garage rock”.

She says. I felt like I had to adopt a mask or a character to protect myself a little bit onstage. Now it feels very me, and I’m very comfortable.”

The Creepy Jingles
photo by: Orange Blossom Photography

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:44

6. The Creepy Jingles – “Prodigal Sun Tzu”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

The Creepy Jingles
photo by: Orange Blossom Photography

10:47 – More Interview with Jocelyn Olivia Nixin of The Creepy Jingles

We are talking with Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

This has been a very busy year for you and for the band. You just finished playing Middle of The Map Festival. Before that you played Crossroads Music Festival.

The Creepy Jingles have played all over Kansas City, Lawrence and surrounding areas.

Abracadabras laid the ground work for the path Jocelyn is following for The Creepy Jingles.

The songs on the EP are incredibly poetic, and you are having somuch fun with word and wordplay. The lyrics fly by so fast while making all kinds of modern references to microchips, memes, Reddit, Twitter, Fake News, Samsung, Big Brother while also seeming to be auto biographical and personal first person narratives and calls to action about Coming Out, leaving your past behind, “turning straight people bi-focal”, our currently political reality, and personal break ups and break outs.

Collin & Kyle Rausch and Ross Brown of Shy Boys are suppoters of The Creepy Jingles.

Mark: “One of my favorite aspects of the KC music community is the mix of genre and culture. Musical artists in Kansas City have felt comfortable to come out as Gay Lesbianm non-binary, transgender, ad the music community’s response seems to be okay, that’s great, what do you sound like? I don’t see transgender artist being shoved into a separate sub category where they only play gay bars.” “As an openly gay man I have often felt more accepted in the KC Music Community than in the Kansas City LGBTQIA Community.”

High Dive Records has released some of our most played music on WMM. The ACBs, Shy Boys, Fullbloods, The Conquerors, Psychic Heat, The Whiffs, The Fog, Y God Y have been some of our most played bands on the show. More info at: http://www.highdiverecords.bandcamp.com

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:58

7. The Creepy Jingles – “Circadian Rhythm Guitar”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. Ross Bown recorded and mixed the EP at escape Pod Audio. Mike Nolte Mastered the recordings at Eureka Mastering.]

11:00 – Station ID

Jocelyn Olivia Nixin and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:00 – Music from Outer Reaches Fest at recordBar Saturday October, 19

8. Lumerians – “Silver Trash”
from: Call Of The Void / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland. They have their own recording studio in a converted church in Oakland, California. The band’s sound was influenced by groups such as Sonic Youth, Krautrock groups such as Can and Neu!, and African and South American Psych music from the 1960s and 1970s. In mid-2011 Vasquez left the group to focus on his project The Soft Moon The Lumerians have worked with vocalist Rebecca Coseboom. Coseboom and the Lumerians did the track Separate Half on the EP entitled The Answer EP by Unkle. They performed in 2010 in Brooklyn with the Butthole Surfers. Lumerians released their first full length LP, Transmalinnia in March 2011. In July 2012, Lumerians released their second LP, a collection of instrumental spontaneous compositions titled “Transmissions from Telos Vol. IV.” “Transmissions” was released as a limited 300 edition transparent vinyl by French label Hands in the Dark in Europe and an edition of 500 (150 transparent sea blue and 350 Bone) on Permanent Records in the US. In late November and early December 2012, Lumerians completed their first European tour, ending the year with the release of the Horizon Structures EP on Knitting Factory Records. A limited 500 edition vinyl of Horizon Structures is packaged with “4D Trans-dimensional portal viewing glasses” for viewing the video for “The Bloom,” shot in ChromaDepth. Lumerians released LP The High Frontier in May 2013 in the UK and Europe, supported by performances in UK, France, Netherlands and Belgium. The album was released August 2013 in the US, coinciding with a series of dates supporting My Bloody Valentine on the second half of their US tour, followed by a series of UK and European dates in 2014, culminating with them closing out the Roadburn Festival’s Afterburner in Tilburg, Netherlands. ]

Steve Tulipana and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:06 – Interview with Brenton Cook & Steve Tulipana

Originally called KC Psych Fest, Outer Reaches started in 2012 to bring together outsider musical acts and celebrate experimental music in Kansas City. While still very psychedelic, the Outer Reaches Fest has grown to emphasize musical acts pushing boundaries.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 7 years, Brenton has been a co-curator of the Outer Reaches Fest.

Steve Tulipana is the co-owner of recordBar. Steve studied video, fine arts & painting at UMKC, where he graduated in 1991. Steve is a founding member of influential KC bands: Season To Risk, Roman Numerals, Thee Water MoccaSins, Sie Lieben Maschinen, and Unknown Pleasures. With Shawn Sherrill, he is co-owner of recordBar and miniBar. Along with Outer Reaches, and a full calendar of shows, Steve Tulipana also performs with The Band That Fell To Earth – in Tribute to David Bowie.

Brenton Cook & Steve Tulipana share music & news about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO. This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering). Accompanying the music will be live video projections provided by XO Blackwater. Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com. or http://www.outerreachesfest.com

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

Congratulations on 8 years.

Bands playing Out Reaches Fest 2019:

Lumerians (from Oakland, California),
Thunder Jackson (from Oklahoma and Wales),
KC based bands:
Be/Non,
BCR (Black Crack Revue),
Monta At Odds,
FACEFACE, and
Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.
Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian)

Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

From http://www.unicornsinthesnow.com:
Julia Vering (Unicorns in the Snow) is a performance artist, musician, animator and licensed clinical social worker. She began her involvement with the Kansas City DIY/punk scene as a teenager taking photographs and creating zines about obsolete local amusement parks and punk bands. She attended Evergreen State College where she earned a B.A. in liberal arts studying electronic music, experimental animation and social work. While in Washington state, she formed and toured with the all female conceptual art band Muñeca Chueca, volunteered at a senior center, recorded oral histories, and facilitated music recording workshops for incarcerated youth. After graduation, she moved back to Kansas City and began working at a nursing home where she facilitated art and music therapy and began an experimental drama program. She studied electro-acoustical composition and gerontology at the University of Missouri Kansas City. In 2008, she earned a Masters degree in Social Work from the University of Kansas. She designed a recreational therapy program for the inpatient geriatric psychiatric unit at the Kansas City Veterans Affairs Medical Center and worked as a licensed social worker at Kansas City Presbyterian Manor facilitating a drama club, harmonica band and talent shows. She currently works as a hospice social worker and leads an experimental therapeutic drama group for people with dementia.

Vering balances her client-centered social work with the need to create intensely personal, introspective performances to share with the public. Her work explores mortality, loneliness, absurdity and empathy, seeking to monumentalize the mundane and forgotten through sound, performance and visual art. Vering received a Rocket Grant in 2011 to produce You Live Here Too, a multimedia performance utilizing video, stop-motion animation, an original score, and local senior citizens as actors and oral historians. After a hiatus from taking work after having children she created Motherhood, a psychedelic multimedia performance piece about perception, which utilizes processed accordion, field recordings of her children, stop motion animation of mink stoles and cameos from her own mother. She toured this project in June 2018 with former collaborator Angela Saylor of Mint Hill. Her current project, The Understudy, is an evolving multimedia performance piece featuring cameos from participants of the drama she leads for people with Alzheimer’s disease and other dementias. The piece was inspired by a delusion a nursing home resident shared with her 17 years ago that “every rock in here is from a different place, and if you pick it up, you can see where it’s from.” Vering continues to work within the DIY ethos recording her own music, filming, editing her own videos and writing her own scripts at her home studio in Overland Park, Kansas.

11:13 – Music from Outer Reaches

9. Unicorns in the Snow – “We Started a Rock Company”
rom: The Understudy / Julia Vering / May 9, 2019
[Julia Vering (unicorns in the snow) is a Kansas City-based performance artist, musician, animator and licensed clinical social worker. She earned a BA from The Evergreen State College studying electronic music, experimental animation and social work, and a Masters degree in Social Work from the University of Kansas. She currently works as a licensed hospice social worker, and conducts bi-monthly experimental video-based drama therapy with individuals with Alzheimer’s disease and related dementias at Jeanne’s Place day program. Her solo multimedia performance work has continued to evolve, utilizing large format interactive projections, processed accordion, field recordings of her children and cameos from her mother, culminating in 2018’s Motherhood. She is currently creating and performing, The Understudy, a multi-part performance series featuring adults with dementia.]

[Unicorns in the Snow play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

10. Be/Non – “Aahs Come From The Skies-Oohs Come From The Ground”
from: Mystic Sunrise / Sunset Magic / Haymaker Records / February 25, 2016
[Brodie Rush is a songwriter, musician, singer, organizer, artist, film maker, music video creator. Over 20 years ago KC native, Brodie Rush formed the experimental, psychedelic, prog-pop band. In 1996, Be/Non recorded two sets of songs in a small home studio in Lawrence, Kansas, that would become their first two EPs released on cassette. Be/Non, The band has had more members than Spinal Tap, but Brodie has remained the only consistent member, songwriter and producer. Be/Non personnel: 2007, Brodie Rush – Vocals, Guitar, Keyboards, Bass, Percussion, Drums; Ben Ruth – Bass, Upright Bass, Vocals; Adam Stotts – Guitar, Vocals; John Huff – Keyboards, Synths, Vocals; Adam Phillips – Drums (although Ryan Shank – played Drums on this track.) All songs written by: Brodie Rush, except Freedom Palace with music: John Huff & lyrics: Brodie Rush. Produced by Brodie Rush. Recorded at Westend Recording (Kansas City, Kansas) 2007 (Basic tracks, some overdubs); The Gold Room (Kansas City, Missouri) 2007 (Overdubs); Studio G (Brooklyn New York) 2007 (Mixing, Overdubs); The Map Room (Lawrence, Kansas) 2003 (Overdubs). Engineeres: Paul Malinowski Recorded at Westend Recording (Kansas City, Kansas) 2007 ; Brodie Rush The Gold Room (Kansas City, Missouri) 2007; Joel Hamilton Studio G (Brooklyn New York) 2007 ; Peter Buxton The Map Room (Lawrence, Kansas) 2003, (Saxophone overdubs imported from “Do The Heat” off the record, “Esperanto At The Pantheon, Incognito”). Mixed by Joel Hamilton at Studio G (Brooklyn New York) 2007. Mastered by Brodie Rush. Thanks John Hulston, Anodyne Records, Brenton Cook, Haymaker Records, Paul Malinowski, Tony Maimone, Justin Warring, Adam Phillips, Brandon Phillips, Steve Neuenburg, Mike Miller, Shawna Sowersby-Booth, David Hanson, Billy Brimblecom, Steve Tulipana, Jason Cantu, David Gaume, Robert Moczydlowsky, Laurel Birdsong Sears, Kid Millions, Cypher Sound, The Record Bar. Dedicated to: Failed marriages throughout time and space. The troubled “Freedom Palace” LP was recorded over 10 years ago in the summer of 2007 by Paul Malinowski and Brodie Rush in Kansas City, Missouri. Anodyne Records had commissioned Be/Non to re-record songs from, “RAN” and “Esperanto At The Pantheon, Incognito” along with other unreleased material. The music from the title track “Freedom Palace” was written by John Huff and had the album been released, would have been the first Be/Non composition not penned by Brodie Rush. Be/Non was a 5 piece before recording negotiations began in 2007. Directly before preproduction, the band had lost its drummer of 3 years and Be/Non was actively searching for a replacement. Between Brodie filling in on drums for two songs and Billy Brimblecom playing drums on another track, Be/Non asked Adam Phillips of The Architects to drum on the album’s remaining songs. The album was mostly recorded at Westend Studios in Kansas City and at Brodie’s home studio The Gold Room. After tracking 97% of the album, the project was taken to Studio G in Brooklyn New York for mixing by Joel Hamilton. 10 days later, the album was mixed and ready for duplication. No formal album covers had been decided on. John Huff had an idea of a Unipegadong by a nebula in space, while Brodie was thinking a castle floating in mid air. The first cover idea was mostly just pointing arrows going in all directions. Emotionally that was probably the closest to the mindset of that recording. The album “Freedom Palace” was never pressed or released. Because a contractual arrangement could not be agreed upon between Anodyne Records and Be/Non, the band would not see an album released until 2009, “A Mountain Of Yeses”, 11 years after it’s last release in 1998. “Freedom Palace” is dismissed by the band as a complete failure. Ultimately not having rights to the recordings, the inability to reach a contractual agreement with Anodyne Records and unhappiness with the final mix led to the disbanding of the “Freedom Palace” line up in early 2008. Reclusive, secluded and freshly divorced, a depressed Brodie Rush stopped all live performances for the next two years. Spending time to construct the concept record “A Mountain Of Yeses” as a solo endeavor under the Be/Non band moniker. Then, six years later in 2014, John Hulston of Anodyne Records graciously gave Brodie Rush full rights to the “Freedom Palace” recordings and masters. Be/Non has since tried numerous times to re-record the material for a proper release, but never could fully accomplish this task. Finally, for the entire world, for better or for worse, Be/Non and Haymaker Records would like to present the final mix of “Freedom Palace” the way it was originally intended. Be/Non adamantly renounces the production, mix and performances on these recordings, with few exceptions. The album was mixed and recorded during a dizzying haze of drug and alcohol abuse. The lyrics, the tone and the feel of the record is very unfocused, angry and misguided. This record does not reflect the proper sonic soundscape or performances Brodie Rush and Be/Non had intended whatsoever. “Freedom Palace” was full of rehashed versions of songs better left to their previous incarnations. “Moi Ou Toi” from the 7″ is a remake from “Freedom Palace” but the “FP” version is a remake of the original “Ran” version. Complicated. In fact ALL of the recordings on “FP” are remakes from “Ran” and “Esperanto.” “Do the Heat” and “Lucy” are again remakes of the “Ran” and “Esperanto” versions. The version of “Ice Fight” on “FP” I think… is different than the B-Side to “Moi Ou Toi”. A different remix with other instruments. We had two different versions from 2015. The Kraftwerk reference was unintentional. John Huff started playing that back in 2006 but hadn’t heard the Kraftwerk song until I played it for him in 2015. He just did that and thought he was cool. I hadn’t heard that tune until 2010 or so. It was an accident. There is an unreleased, unfinished song called “No God Of Mine” I recorded in 2002 on my 8 track that when I tried to remake it in 2007 with Mike Cochran on drums, John heard it and played me a song from the band YWKMBT Trail Of Dead from 2005 that was almost identical even the timing on the changes. The vocal melody was different tho. I got so disturbed by it that I stop working on the song altogether. “Garlic”, “In The Nighttime” “More Than Enough” and “Current And The Rind” were all part of an unreleased collection called “Enhance The Smoky” from 2000. Same year “Tenderfoot” was written.]

[Be/Non play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

11:18 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook & Steve Tulipana about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO.

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.

The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com.

We just heard Be/Non from: Mystic Sunrise | Sunset Magic / Haymaker Records / 2/25/16

Be/Non will be joining Outer Reaches this year to perform a special set of music with video accompaniment. This will be their first live appearance in 3 years.

Last year Outer Reaches is part of Open Spaces KC. This year Outer Reaches is again collaborating with Midwest Music Foundation. Outer Reaches 2019 is made possible from the help of a grant through the KC Neighborhood Tourist Development Fund.

Sponsors for this year’s fest include Records with Merritt, 7th Heaven, It’s a Beautiful Day, recordBar, Seen Merch, XO Blackwater, Haymaker Records, Kosmic City, Crush Media, Boulevard Brewing Co., and Print Time. Info: http://www.outerreachesfest.com

11:24 – Music from Outer Reaches

11. Thunder Jackson – “Colours”
from: Colours – Single / Thunder Jackson / March 7, 2018
[Thunder Jackson is the meeting of an Oklahoma’s singer-songwriter and a British producer. After meeting in a taxi cab in Los Angeles, the freshly born duo started to work in basement studio on the west side of the city.Nov 26, 2017.]

[Thunder Jackson play Outer Reaches Fest, Saturday, October 19 at recordbar.]

12. BCR – “Love In Outer Space”
from: Speck of Dust / Sparkling Beatnik / December 31, 2004
[BCR is Black Crack Revue, formed 37 years ago in KC. Called “groovy polyphonic jazz/dance” band.]

[BCR play Outer Reaches Fest, Saturday, October 19 at recordbar.]

11:32 – Underwriting

11:35 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook, and Steve Tulipana about OUTER REACHES VIII on two stages on Saturday, Oct. 19th at recordBar.

Brenton Cook and Steve Tulipana thanks for being with us on WMM.

More info: http://www.outerreachesfest.com/

The music festival Outer Reaches, in its eighth year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

11:42 – Music from Outer Reaches

13. FACEFACE – “Meat Me”
from: MMmm / FACEFACE / February 15, 2018
[KC based experimental electronic hiphop musical collaboration with Paul S. Nyakatura, is a Kansas City based award winning voiceover artist, stand up comedian, commercial producer, and rapper and hip hop artist.and Ryan Lee Toms is a Kansas City based multi-instumentalist, composer and artist who has recorded original experimental dance electronic music as RLT with John Bersuch. Ryan also plays guitar with the math rock band HMPH! and he plays drums for the KC based, 5-piece post-punk deathrock band Beelzebabes..]

[FACEFACE plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

14. Monta At Odds – “Perimeter Dancer”
from: New Unreleased track from band with Mikal Shapiro on vocals
[KCK based band formed by brothers Dedric and Delaney Moore. ]

[Monta At Odds plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

11:48 – Underwriting

11:56 – Music from Outer Reaches

15. Lumerians – “C – Rock”
from: Yellowcake – Single / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland.

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on October 16 – we welcome Krystle Warren with Brad Cox and Jen Owen of Owen/Cox Dance Group who present “Love Songs” at Polsky Theatre Saturday, October 19 at 8:00 pm, and Sunday, October 20 at 3:30 PM. We’ll feature music from Krystle Warren’s critically acclaimed 2012 double album release of 24 original songs, recorded in Brooklyn with a 27-piece band. Also next week special co-hosts Betse Ellis and Marion Merritt join us for our Fall Fund Drive Show encouraging you our beautiful listeners to call us and show your support for the most original radio station you’ve ever listened to, 90.1 FM KKFI where over 85 locally produced radio shows air each week.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #806

WMM Playlist from October 11, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 11, 2017

Betse Ellis + Marion Merritt
+ Kathryn Golden of PorchFest KC
+ Kent Shelton of the Arvest Bank Theatre at the Midlan
d

1. “Main Title Instrumental
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Momma’s Boy – “Don’t Talk About It”
from: Don’t Talk About It – Single / Dead Summer Single Series / Sept. 1, 2017
[1st release of Momma’s Boys’ Dead Summer Single Series. Lyrics written by Shaun Crowley & Quinn Hernandez. Produced, mixed, & mastered at Element Recording by Joel Nanos. KC Indie Surf Pop band, formed Dec 2015, by Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Anthony Hernandez on bass. Their debut EP Liquid Courage was released Feb. 25, 2017.]

[Momma’s Boy play Californos in Westport, Friday, Oct 13 at 9:00 PM with Toughies and Hurt Russell]

3. Calvin Arsenia – “Can’t Help Lovin That Man”
from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
[From Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue. Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and his full length debut, Catastrophe. He has played Folk Alliance International, KC Fringe Fest, Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Calvin just finished his 3 month Outlyre Tour playing Portland, San Francisco, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, and Paris.]

[Calvin Arsenia plays Apocalypse Meow 10, Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. Apocalypse Meow is a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more information you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

10:08 – Pledge Break #1

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also worked as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and now is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016, and they have just released a new full length recording on cassette called Tunes We Like. Betse & Clarke play the 31st annual Shawnee Indian Mission Fall Festival, Shawnee Indian Mission Museum, 3403 W 53rd St, Fairway, Kansas on Saturday, October 14, in the afternoon. Betse & Clarke also play, The Library Lets Loose, at the Johnson County Library, 9875 W 87th St, Overland Park, KS on Saturday, October 14, between 6:00 and 9:00 PM. And Betse & Clarke play the Bluegrass Brunch at Julep, 4141 Pennsylvania, Suite 104 , KCMO, on Sunday, Oct. 15, at 11:00 AM.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. That features new vinyl releases, weekly in-store performances from young and upcoming bands, and most recenty was the location for a wedding. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU, our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming, that is…essentially free to you. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project.

Case #1 – 90.1 FM KKFI is “The Voice of the Community”

Along with all of the music, in the last 12 months, WMM has interviewed 200 guests: Kemet The Phantom, D Rashawn Gilmore, Steve Tullipana, Madisen Ward and the Mama Bear, Krystle Warren, Scott Hobart, Necia Gamby, Dedric Moore, Brenton Cook, Erica Joy, Wick Thomas, Kadesh Flow, Betse Ellis, Clarke Wyatt, Calvin Arsenia, Nico Gray, Ron Megee, Nan Turner, Matthew Roth, Johnny Hamil, Marco Pascolini, Ada Brumback, Shortsweather, Erin Keller, Summer Osborne, Jen Appell, Steve Gardels, Cynthia Hardeman, Fally Afani, Matt Kesler, Scott Mize, Jennie Ferguson, Doug Hitchcock, Cole Bales, Cody Calhoun, Scott Hrabko, Jonathan Brokaw, Ethan Savage, Jesslay Huh, Jamie Rich, David Weeda, Austin Williams, Philip Hooser, IVØRY BLACK, Anna Selle, Bill Dickey, Roxi Copland, Joy Baker, Kathryn Golden, Bill Sundahl, Derick Cunninhgham, Desmond Mason, Bill Svoboda, Claire Adams, Ross Brown, Jerad Tomasino, Laurel Parks, Ben Parks, Maria Cuevas, Garrett Nordstrom, Barry Lee, Noah Davis, Steven Eubank, Julie Shaw, Sarah Beth Mundy, Lovergurl (Stephanie Bankston, Brook Worlledge, Heather Andrews), Johnny Hamil, Chad Meise, Marco Pascolini, Mikal Shapiro, Chris Haghirian, Nathan Reusch, Ivory Black, Spencer Brown, Aaron Rhodes, The Sleazebeats (Charlie Colbourne, Bill Belzer), Jen Harris, Ryan Wilks, Jennifer Appell, Beth Marshall, Jon “Piggy” Cupit, Ron Megee, Calvin Arsenia, Janet Henry, Michael McQuary, Nico Gray, Red Kate (Shawn Saving, Shaun Hamontree), Raves Arey, Clint Hoffmeier, Matt Tady, Patrick Alonzo Conway, Alan Winkler, Brenton Cook, Run With It (Miguel Carabello, Ben Byard, Daniel Cole) Matthew Dunehoo, Lou Jane Temple, Dave Storms, Sondra Freeman, David George, Jade Osborne, Quinn Hernandez, Shaun Crowly, Marion Merritt, John Craige, Megan Slankard, The Jellyman’s Daughter (Graham Coe, Emily Kelly, and Paul Gilbody), Jennifer McCartney, Autumn McCartney, Amy Marcus, Susanna Lee, Michelle Bacon, Kyle Dahlquist, Vanessa Severo, Amy Farrand, Tim Finn, Fally Afani, Simone Briand, Maria Vasquez Boyd, Jenny Mendez, Chato Villalobos, Miguel Morales, Philip blue owl Hooser, Barry Lee, & Whitney Boyd, Simone Briand, Emma Carter, Mackenzie Goodwin, Vigthor Zophoniasson & Lauren Braton, Salar Rajabnick, Barbara Eubank, Samn Wright, Caitlin Jemma & Bart Budwig, Michael McQuary, David Wayne Reed, Barclay Martin, Rabbi Moti Rieber, Crystal Clayton, Howard Iceberg, Zachary Van Benthusen, Krysztof Nemeth, Britt Adair, Duncan Burnett, Promise Clutter, Chris Meck, Teri Quinn, Mirina Landry, Victor & Penny (Erin McGrane & Jeff Freling), Judy Mills, Stephonne Singleton, Jamie Searle, Patrick Alexander.

10:15

4. Big Thief – “Black Diamonds”
from: Vapacity / Saddle Creek Records / June 9, 2017
[Debut album from Brooklyn, NYC, based Big Thief is lead vocalist and songwriter Adrianne Lenker, Buck Meek on guitar, Max Oleartchik on bass, and James Krivchenia on drums.]

[Big Thief play The Bottleneck, 737 New Hampshire, Lawrence, Thur, Oct. 12 at 8:00 PM w/ Mega Bog.]

5. David George – “Won’t Let Go”
from: Won’t Let Go – EP / David George / October 13, 2017
[Written by David George. Recorded live at Weights & Measures Recorded, Mixed, and Mastered by Duane Trower. David George on vocals & guitar, Mike Stover on pedal steel, David Luther, Erik Voeks, Ben Byard & Camry Ivory on harmony vocals. Won’t Let Go” is the the 2nd EP David George has released this year, following Here I Go Again EP, released April 14, 2017. David George also released the single “Can’t Fight Love” on April 7, 2017 benefiting the ACLU. Recorded live at Weights & Measures Recorded, Mixed, & Mastered by Duane Trower, Thurs, March 2, 2017. Produced by David George. Written by David George, Jen Appell, & Nathan Corsi, w/ David George on guitar & vocals (Verse 1 & 5), David Luther on vocals (Verse 2), Jen Appell on guitar & vocals (verse 3), Nathan Corsi on guitar & vocals (Verse 4) , Erin McGrane on ukelele & vocals, Jeff Freling on guitar & vocals , Gordon gilges on dulcimer & vocals , Kristina Ning on upright bass & vocals , Matt Cathlina on upright bass & vocals, Nathan Showalter n piano & vocals, Daniel Starling on piano & vocals, Liam Summicht on cajón & vocals, Phil Jaggard on Vocals, Mark Manning on vocals, John Keck on guitar & vocals, Nate Nall on guitar & vocals, Jessica Paige on vocals, Dave Tanner on vocals.]

[David George plays EP Release, Sat, Oct. 14, 1:00 PM, at Vinyl Renaissance, 7932 Santa Fe Dr, OPKS.]

[David George plays an EP Release, Sat, Oct. 14, at 9:00 PM, at The Brick w/ Major Matt Mason USA.]

6. Betse & Clarke – “Seneca Square Dance”
from: Tunes We Like / Independent / September , 2017
[Released as a cassette of fiddle tunes featuring Betse Ellis on standard & cross-tuned fiddles, Clarke Wyatt on banjos & guitar, and some selections with the Brushy Creek String Band. Recorded by Wyatt live with no overdubs at home in KCMO. The instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley. Seneca Square Dance is from Fiddlin’ Sam Long, recorded in 1926 for Gennett Records. Long is said to have been the first Ozark fiddler recorded. Many who play the tune today use a different chord progression than was originally recorded by Long. Betse & Clarke used Long’s beautifully simple progression. With Betse on standard fiddle, Clarke on standard G banjo, Brett Hodges on guitar, Alex Mallett on bass.]

[Betse & Clarke play the 31st annual Shawnee Indian Mission Fall Festival, Shawnee Indian Mission Museum, 3403 W 53rd St, Fairway, Kansas on Saturday, October 14, in the afternoon.]

[Betse & Clarke also play, The Library Lets Loose, at the Johnson County Library, 9875 W 87th St, Overland Park, KS on Saturday, October 14, between 6:00 and 9:00 PM.]

[Betse & Clarke play Bluegrass Brunch at Julep, 4141 Pennsylvania, KCMO, Sun, Oct. 15, 11:00 AM.]

10:25 – Pledge Break #2

We heard from Betse & Clarke in that last segment. Betse has been part of the KC Music Community for nearly 25 years now, and through most of those years she has made appearances on 90.1 FM as a musician. She has been frequent guest on Wednesday Midday Medley, River Trade Radio, and Signal to Noise with Barry Lee. She has emceed special KKFI, fundraisers, and was the music director of Wednesday MidDay Medley’s LIVE stage version of A Story In A Song at the recordBar, and for the last 6 years she has been joining us during our on-air fund-drive shows to encourage our listeners to donate.

Case #2. Wednesday MidDay Medley Plays New & MidCoastal Releases.

Timothy Finn of Kansas City Star and INK named Wednesday MidDay Medley “The Best Place to Hear Local Music on the Radio.”

If you are are listening right now that means you know the benefits from the entertainment and information offered each week. Help keep this radio show alive. In the last year we played nearly 1000 songs on the show. Over half of these songs are from MidCoastal artists. We spin new vinyl and releases from hundreds of independently produced, artist released recordings.

Today’s show is our 703rd consecutive weekly show. Three weeks ago we celebrated our 700 show, representing 1406 hours of radio, 10,000 hours of preparation, nearly 2000 guests, and over 15,000 songs, from thousands of musical artists.

We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music scene, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases.

We’ve happily presented new formats in radio, with our popular, “A Story In A Song” series, and our special shows featuring: Apocalypse Meow, The MidCoast Takeover, Middle of The Map, The Crossroads Music Fest, The Outer Reaches Festival, The Lawrence Field Day Fest, and our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, Visual Art, The Spoken Word, Gay Pride, Civil Rights, and our inteviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin. Plus, our annual 4-week special: the 100+ Best Recordings of the Year.

To say we’ve been inspired by the KC music scene, is an understatement. In just this last year, we’ve played from over 100 local releases of 2017. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists I’ve met while doing this show. I am inspired by the women who created radio on 90.1 FM long before me: my friend April Fletcher who know plays bass professionally in Los Angeles, and my friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. I’m inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the amazing stories and music and voice of our community.

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers, the lovers. Today we celebrate 703 weeks of Wednesday MidDay Medley, the show that has brought us together, at this time, on this frequency, in these community airwaves.

We take great care, each week, to create an original, multicultural, multigenerational, medley of new musical releases, and timely special guests, in a two hour sound-collage of lyrics and vibrations and informational interviews and live performances. We are more than just a radio show, we are part of the area music community. For four years we have hosted the Wednesday MidDay Medley’s – 90.1 FM Showcase at Middle of The Map Fest, we have co-emceed Apocalypse Meow, and for thee years the main stage at Crossroads Music Fest. We have documented the MidCoast Music Scene through our radio show, our extensive playlists, our event coverage, our social media sharing on Facebook, SoundCloud, Twitter, You Tube, and WordPress sites.

Where can you can find our playlists:
http://www.kkfi.org
http://www.spinitron.com
http://www.Facebook.com/wednesdaymiddaymedleyon90.1fm
http://www.Twitter.com/MarkTManning
http://www.wednesdaymiddaymedley.org with playlists from the last 9 years.

10:35 – Interview with Kathryn Golden of Porchfest KC

PorchFest KC

The 4th Annual PorchFest KC, will be happening this Saturday, October 14, from Noon to 6:00 PM, featuring 150 bands performing on 47 front porches in the neighborhoods of Valentine, Roanoke, and Volker. Music is acoustic or near-acoustic and spans six hours.! A dozen food trucks will be available throughout the festival area. This is an all-ages, alcohol free event. More information at: http://www.porchfestkc.com.

Joining us to share details of Porchfest KC is Kathryn Golden who grew up in rural north-central Missouri. After college, she worked in New York City, then moved to Kansas City, and then, St Louis, and San Francisco, where in 14 years, she worked for a number of tech startups in project management, and co-founded a non-profit, all-ages jazz performance space in Berkeley, where kids could jam with, and open for, adult acts. She also owned a neighborhood grocery market. Since returning to Kansas City, Kathryn has launched a wintertime storytelling series at the Pilgrim Chapel, and she is the founder of PorchFestKC, a community music festival that takes place on front porches, in midtown neighborhoods.

Kathryn Golden, thanks for being with us on Wednesday MidDay Medley

Kathryn Golden says, “My deal is this…. I love to CREATE things. I love community building. I love seeing people have a great time around something new. I love creating opportunities for great stuff to potentially happen, and being as creative and non-conventional as possible in doing so. I love music. So I put those together for PorchFestKC.”

After a business trip to San Francisco, she decided she needed to live there, and on her 32nd birthday she woke and drafted her resignation notice, spent two weeks selling most of what she owned, and moved — not having a job to go to was just an inconvenience. Over the next 14 years, she worked for a number of tech startups in project management and/or customer-facing roles, as well as a venture capital firm in Silicon Valley.

In addition, she co-founded a non-profit, all-ages jazz performance space in Berkeley, where kids could jam with, and open for, adult acts — mostly around “out” or avant garde jazz. She also owned a neighborhood grocery market, which seemed very logical having never even worked in retail.

Her final role before returning to Kansas City was in helping develop demonstratives (graphics) for large white-collar crime trials — many of them boring tech-related trials. However there were a few really awesome exceptions: The Deep Water Horizon oil spill in the Gulf, the overturn of California’s Prop 8 same-sex marriage case, and a trial against Tyson Foods for unfair treatment of an immigrant worker. While there, she also partnered with Oakland School District to create a dozen libraries in Oakland’s elementary schools.

This year’s PorchFest KC features 150 bands, on 47 porches, in the Valentine, Roanoke, and Volker Neighborhoods

All performances are 60 minute sets. Performances are acoustic or near-acoustic. The goal is to be heard to the sidewalk, not down the street.

This year’s PorchFest KC also features for the first time: Blues Bands, Reggae Bands, and a 14 piece Classical Ensemble

The 4th Annual PorchFest KC, October 14, from Noon to 6:00 PM, featuring 150 bands performing on 47 front porches of homes in the neighborhoods of Valentine, Roanoke, and Volker. A dozen food trucks will be available throughout the festival area. This is an all-ages, alcohol free event. More information at: http://www.porchfestkc.com

10:45

7. Violent Bear – “I Will Wait For You”
from: I Will Wait For You – Single / Violent Bear / August 18, 2017
[KC based garage folk band with hints of Southern Gothic and nods to old country roots, formed by husband and wife musicians: Stephen & Danger Herzig, who rotate on a variety of instruments. The band also includes: Noah Cassidy on lead guitar, Jonas Cassidy on bass, and Jake Rogers on synthesizers. Violent Bear also released their full length record, Post Everything, on March 24, 2017.]

[Violent Bear play PorchFest KC on Porch 13, at 3564 Pennsylvania, at 12:00, Saturday, October 14.]

8. The Country Duo – “The Wrecking Crew”
from: Live At Sun Studio / The Country Duo / September 1, 2017
[Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise – Massive Sound, KCMO]

[The Country Duo play every 1st and 3rd Tuesday at 7:00 to 9:00 Pm at Waldo Bar.]

[The Country Duo TRIO play every third Thursday at Jazz: A Louisiana Kitchen]

[The Country Duo play Apocalypse Meow 10, Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. Apocalypse Meow is a three-day-event and continues Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more information you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

10:52 – Pledge Break #3

We just heard The Country Duo which is guitar master Marco Pascolini, longtime friend of the show, and Kasey Rausch, who was one of the first musicians to play live on WMM almost 13 years ago. Kasey also co-hosts River Trade Radio with Mikal Shapiro, on Sunday Mornings at 9:00 Am on 90.1 FM KKFI. Kasey is one of many KC Professional Musicians, who take time away from their work and art to donate time to community radio as they host and produce some of KKFI’s finest radio programs, including: Jeff Hashbarger, Jason Vivone, Sam Wisman, Roger Wilder, Gerald Dunn, Ernest James, Bob & Diana Suckiel, Dwight Frizzell and Mikal Shapiro.

Case #3. KKFI is an Independent, non-commercial radio station!

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, and share your concerns, and offer resources, and commuity activities and information. Along with our stellar National Public Affairs shows like Democracy Now, and Workers Independent News we also offer more locally produced public affairs programs than anywhere else on the dial. We offer programs specifically produced for the LGBTQIA Community, Women’s Issues, Native American News and Culture, Middle Eastern Music and Information, Latino Programming, African American Public Affairs and Community News, Labor and Worker’s Unions, our prison population and justice system, environmental programming, Visual and Literary Arts, and Performing Arts.

Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI! No Commercials. No automated robot playing the same 40 to 100 songs in a “rotation” based on a formula of one person, who programs the robot. Instead you hear music programmed by over 100 people. We are The Voice of The Community

90.1 offers 98 different radio programs. 76 of those programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. It is very special. It needs to be nourished and kept alive in a world of corporate nationally owned commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americanna, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this you also hear the voices from the hundreds of KKFI volunteers and the hundreds of guests who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. How much is this worth to you?

10:59 – Station ID

9. Khrystal. – “M e L A N i N P o P P i N”
from: Q u a r t e r C e n t u r y L i v i n g / Khrystal. / September 1, 2017
[Khrystal’s debut EP. Written and performed by Khrystal. Produced by Katheryne Johnson. Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g%5D

[Khrystal. plays Plus Vibes Only w/ Duncan Burnett x Riot at Thursday, October 12, at 7:00 PM, at recordBar, 1520 Grand, with Sauce, Mae C., Kartez Marcel, with sounds by Leonard Destroy.]

10. Sauce – “Black Power Ranger”
from: Summer Sauce / Sauce / July 28, 2017
[Kansas City based Hip-Hop artist Sauce is back with his 3rd original release, “Summer Sauce.” It features Kendrick Lamar and Tech N9NE collaborator, Gee Watts, along with producer/rapper Duncan Burnett. Duncan Burnett produced all the songs except Childhood Crush, produced by M. Fasol. This concept EP sets the tone of love and greatness via future soul, live instruments, and summer vibes. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts.]

[Sauce plays Plus Vibes Only w/ Duncan Burnett x Riot at Thursday, October 12, at 7:00 PM, at recordBar, 1520 Grand, with Khrystal., Mae C., Kartez Marcel, with sounds by Leonard Destroy.]

11:05 – Pledge Break #4

Case #4. Donating to 90.1 FM KKFI is investing in your community.

(From our bylaws of The MidCoast Radio Project)

KKFI’s Mission Statement:
KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement:
KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:12

11. Pixies – “Monkey Gone to Heaven”
from: Doolittle / 4AD – Elektra / April 17, 1989
[1st single from the band’s 2nd studio album. Formed in 1986 in Boston, Massachusetts. Until 2013, the band comprised Black Francis (lead vocals, rhythm guitar), Joey Santiago (lead guitar), Kim Deal (bass, backing vocals) and David Lovering (drums). The band disbanded acrimoniously in 1993, but reunited in 2004. After Deal left in 2013, the Pixies hired Kim Shattuck as a touring bassist; she was replaced the same year by Paz Lenchantin, who became a permanent member in 2016. Doolittle was the Pixies’ 1st international release,. Doolittle has continued to sell well in the years since its release, in 1995 it was certified gold by the Recording Industry Association of America. The album has been cited as inspirational by many alternative artists, while numerous music publications have ranked it as one of the most influential albums ever. A 2003 poll of NME writers ranked Doolittle as the second-greatest album of all time, Rolling Stone placed the album at 226 on its list of “The 500 Greatest Albums of All Time” Pitchfork ranked it as the fourth best album of the 80s.]

[Pixies play Arvest Bank Theatre at The Midland, Sunday, October 15, at 7:00 PM w/ Mitski.]

11:15 – Interview with Kent Shelton

The Midland

The Midland Theatre at 1220 Main Street, in downtown Kansas City originally opened a a giant grand cinema, in 1927, named Loew’s Midland Theatre an opeated until 1961. Over the years, the theatre has been known by various names including: Saxon Theatre, Midland Stadium where boxing matches were held, Midland 1-2-3 Theatre, and Midland Theatre. In 2007, AMC and the Cordish Company formed a partnership to undertake a multimillion-dollar renovation of the historic venue. Since reopening in 2008 the venue was called The Midland by AMC. In 2013, AEG Live, the Cordish Company and Arvest Bank announced a multi-year naming rights partnership to the Midland Theatre. The venue’s name officially became the Arvest Bank Theatre at The Midland in September, 2013.

In March of this year Kent Shelton moved his family from the Rocky Mountains of Denver Colorado to the Missouri River Valley of Kansas City, where Kent assumed his position as General Manager of the Arvest Bank Theatre at the Midland Theatre. Before moving to Kansas City Kent was Manager at AEG Presents Rocky Mountains, The Ogden Theatre and The Bluebird Theatre in Denver, Colorado. Kent joins us to share information about upcoming shows and events at the Midland as well as The Truman, KC’s newest venue.

Kent Shelton, Thanks for being with us on Wednesday MidDay Medley.

This year The Midland is celebrating 90 years as a working venue.

Among the major changes made in the redevelopment, the main-level seating rows were removed and replaced with a tiered open floor plan that allows for cabaret-style tables and chairs, or standing room for general admission events. The Midland’s exterior marquee was restored to its original 1927 appearance.

The five level office portion of the theatre that faces Main Street was converted into a mix of bars, lounges, and administrative space. According to the Cordish Company of Baltimore, the developer of the project, all changes meet historic preservation guidelines as required by state and federal governments.

Denver to Kansas City

Ogden Theatre is where I first saw Jonathan Demme’s film Stop Making Sense a critically acclaimed 1984 concert film, documenting the Speaking in Tounges tour of Talking Heads shot over the course of three nights at Hollywood’s Pantages Theater in December 1983, as the group was touring to promote their new album Speaking in Tongues. The movie is notable for being the first made entirely using digital audio techniques. The band raised the budget of $1.2 million themselves.

Originally from Louisville, Kentucky, Kent grew up in the suburbs of Denver and studied Performing Arts at University of Northern Colorado.

Upcoming Shows at The Midland

Tonight, October 11 – Jon Bellion plays The Arvest Bank Theatre at The Midland

Thursday, October 12 – Marilyn Manson show has been postponed

Sunday, October 15 – Pixies

Friday, October 20 – Play For Peace Benefit with Little River band

Sunday, October 22 – The Beach Boys

Thursday, October 26 – Maren Morris

Upcoming Shows at The Truman

The Truman, 601 East Truman Road, Kansas City, MO. http://www.thetrumankc.com

Friday, October 13 – Krewella

Thursday, October 19 – Hoodie Allen

Sunday, October 29 – Trombone Shorty & Orleans Avenue

Friday, November 3 – Slowdive

Thursday, November 16 – Flying Lotus in 3D

Kent Shelton, Thanks for being with us on Wednesday MidDay Medley.

For events and information you can visit: http://www.midlandkc.com Or by calling 888-929-7849 Or at The Midland Box Office 10AM-5PM Monday-Friday

11:33

12. Radar State – “Double Speak”
from: “Double Speak” – 7″ Vinyl Single / Radar State / September, 2017
[Radar State features Josh Berwanger (The Anniversary, Berwanger) and Jim Suptic (The Get Up Kids, Blackpool Lights) trading off lead and rhythm guitar duties, with Matt Pryor (The Get Up Kids, The New Amsterdams) on bass, and Adam Phillips (The Architects, The Gadjits) on drums. Berwanger, Pryor, and Suptic all take turns on lead vocals, and that’s an integral part of the band’s direction, say the members.]

[Radar State Celebrate the release of their new 7″ release and member Jim Suptic’s 40th B-day at miniBar, 3810 Broadway, Saturday, October 14, at 9:00 PM, with Hipshot Killer.]

11:38 – Pledge Break #5

Case #5 We offer loads and loads of information about what is going on in the community.

Not only does this show interview nearly 200 guest each year, not only do we play nearly 1000 different songs with nearly half of thos being locally produced, but we also shone a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

In just this past year, we’ve featuresd segments shining a light on: Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Showcase, First Friday Film Fest, American Jazz Museum, KC Fringe Theatre Fest, Late Night Theatre, Crossroads Music Fest, Midwest Music Foundation and the MidCoast Takeover, Kansas City Public Library, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr. , Lawrence Field Day Fest, 31st & Brklyn, Kansas City Pride Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, The Buffalo Room, Standing Rock, Union Station, Outer Reaches Festival, Plaza Art Fair, No Wave Fest, Haymaker Records, Johnson County Performing Arts Series, The Pop Poetry Series at Prospero’s Books, Datura Records, Center of The City Fest, Too Much Rock, Crossroads Summer Block Party, Shelf Life, Kansans Against Campus Carry, Kansas Interfaith Action, Like Me Lighthouse, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, Artist Inc., and more…

11:45

13. The Philistines – “A Twitch of the Death Nerve”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Rod Peal on guitar; (Michelle Bacon on bass & vocals for this recording), Josh Mobley on keyboard, Steve Gardels on drums. Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play recordBar, Fri, Oct. 13, at 10:00 PM with Universe Contest, and Brannock Device]

[The Philistines play CrossroadsKC at Grinder’s for the Fed Up Fest, October 14, with The Phantastics, Old Salt Union, Me Like Bees, Cowboy Mouth, and The Strumbellas, all to benefit Harvesters – The Community Food Network.]

11:49 – Pledge Break #6

Case #6. KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.”

I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100,000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my diverse friend, introducing me to all kinds of new & local music, as well as the news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art space, on your iPod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to kkfi.org everyday, but studies show, that less than 10 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

This is your chance to put your money where your ears are. Please help keep, at least this part of our public airwaves, alive for our public to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

Marion Merritt, Betse Ellis, Thank You!

Thank you to everyone who called in!

11:56

14. Sampha – “(No One Knows Me) Like the Piano”
from: Process / Young Turks Recordings / February 3, 2017
[Sampha Sisay was born November 16, 1988. He performs under the mononym Sampha. He is a British singer, songwriter and record producer from Morden, South London, United Kingdom. Sampha is known widely for his collaborative work with SBTRKT, Jessie Ware, Drake, Kanye West, Solange and others. Sampha has released two solo EPs: Sundanza (2010) and Dual (2013). Sampha’s debut album, Process, won the 2017 Mercury Prize.]

15. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, October 18, artist and playwright Tyson Schroeder joins us to talk about his new play, “Bastard” with previews starting tonight at the Living Room Theatre, and running through October 29. Also joining us nest week is musician, Teri Ann Quinn who will play live in our 90.1 FM Studios. Plus, Artist Peregrine Honig, and artist Ross Redmon, along with vocalist and musician Julia Haile join us to talk about Julia Haile’s Live Solo Show, at Greenwood Social Hall, 1750 Belleview, KCMO on Friday, October 20, and Ross Redmon’s art exhibition, Passenger Migration, opening Thursday, October 19 and running through November 30.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #703

Wednesday MidDay Medley with Betse Ellis, Marion Merritt, Kathryn Golden, and Kent Shelton

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 11, 2017

Betse Ellis + Marion Merritt
+ Kathryn Golden of PorchFest KC
+ Kent Shelton of the Arvest Bank Theatre at the Midland

Mark plays more New & MidCoastal from: Radar State, Momma’s Boy, Calvin Arsenia, Violent Bear, Sauce, Khrystal., The Philistines, David George, The Country Duo, Betse & Clarke, Benjamin Booker, Big Thief, Sampha, Tash Sultana, and Pixies.

Betse Ellis, critically acclaimed fiddler, singer, and songwriter, and one half of Betse & Clarke joins us for the entire show as our special guest co-host! Marion Merritt, longtime contributor to Wednesday MidDay Medley, and owner of Records With Merritt, also joins us as co-host to encourage our diverse and loyal listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio.

PorchFest KC

At 10:30, Kathryn Golden joins us to talk about the 4th Annual PorchFest KC, October 14, 2017, from Noon to 6:00 PM, featuring 160 bands performing on front porches of homes in the neighborhoods of Valentine, Roanoke, and Volker. Music is acoustic or near-acoustic and spans six hours.! A dozen food trucks will be available throughout the festival area. This is an all-ages, alcohol free event. More information at: http://www.porchfestkc.com.

The Midland

At 11:15, Mark talks with Kent Shelton, General Manager of the Arvest Bank Theatre at the Midland in Kansas City. Before moving to KC Kent was Manager at AEG Presents Rocky Mountains, The Ogden Theatre and The Bluebird Theatre in Denver, Colorado. The Midland, 1220 Main Street, is located in downtown Kansas City and originally opened in 1927 and has hosted well-known artists throughout its history. For events and information you can visit: http://www.midlandkc.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #703

WMM Playlist from October 4, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 4, 2017

New & MidCoastal Releases + Betse & Clarke
+ Wick & the Tricks + Kemet The Phantom

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Hembree – “Had It All”
from: Had It All – EP / Ribbon Music / Expected November 3. 2017
[Formed in November of 2015, band members include: Isaac Flynn, Garrett Childers, and Eric Davis. “Had It All” the single was released July 26, 2017. Engineered by: Isaac Flynn and Hembree. Produced by: Eric Hillman and Hembree. Mixed by: Joe Visciano. Mastered by: TW Walsh. Hemmer are currently on a multiple city North American tour opening for JR JR, the band formally known as Dale Earnhart Jr. JR JR is Detroit-area natives: Josh Epstein and Daniel Zott.]

[Hembree plays recordBar, 1520 Grand, Saturday, October 7, at 8:00 pm, opening for JR JR.]

3. The Roseline – “Hurry Up and Wait”
from: Blood / King Forward Revords / September 29, 2017
[From the 5th album of the Lawrence, Kansas, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005. The Roseline has been through dozens of lineup changes. The current lineup includes: Colin Halliburton on guitar & vocals; Heidi Gluck on bass & vocals, Ehren Starks on keyboards, Kris Losure on guitar, Jeff Jackson on pedal steel & guitar, and Jim Piller on drums. Roseline released their last album, Townie, on June 19, 2015. More info at: http://www.roselinemusic.com]

[The Roseline play a Blood Album Release Show, Thursday, October 5, at 9:00 pm at The Brick, 1727 McGee Street, KCMO, with Chase the Horseman, and Justin Klaas.]

[The Roseline play an Album Release Show, Friday, October 6 at 10:00 PM , at Replay Lounge, 946 Massachusetts, Lawrence, Kansas, with Toughies, and Jasper.]

4. Jorge Arana Trio – “All My Friends Are Brown”
from: Mammoth / Haymaker Records / September 23, 2016
[Recorded in early 2016 by Justin Wilson at Sound 81 Productions. Jorge Arana Trio is: Jorge Arana, Josh Enyart, & Jason Nash. Formed in 2011. Mammoth is the 3rd album and 2nd full length release. Jorge Arana Trio played their first album release concert at recordBar, September 2 with 34 and Riala. The Jorge Arana Trio joined us live on WMM on August 31.]

[Jorge Arana Trio play Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, Saturday, October 7, at 8:00 pm, with War Brides, Twelves (Wisconsin) and Dicta.]

10:15 – Underwriting

5. HighWesthus – “The Original”
from: Part III. The ILLU / Independent / October 25, 2016
[Written and produced and performed by HighWesthus, and mixed and mastered by Leyone Tracks. HighWesthus was born in Chicago and is based in Kansas City. The last official album of the Trilogy Set that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. HighWesthus is a freelance multimedia artist living in Kansas City. He graduated from the Kansas City Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illistration, animation, graphic design, dideo editing, sound editing, music producing, writng and storytelling.]

[HighWesthus plays the Wrally for Wretch, TONIGHT, Wednesday, Oct 4, at 8:00 pm, at The Rino, 314 Armour Rd, North Kansas City, Missouri, with Shapiro Brothers, Pageant Boys, Drew Black. Wrally for Wretch is in support of a feature film titled “Wretch” from filmmaker Matthew Dunehoo. Wretch is scheduled to begin shooting in Kansas City in the Spring.]

6. Lincoln Marshall – “Mo Spins feat. Dominique Sanders”
from: Water / Datura Records / June 3, 2016
[Written By: Approach & MilkDrop Produced, Recorded, Mixed & Mastered By: Aikido Bray. Additional Keys & Scoring By: Etan T’loh. Bass By: Dominique Sanders. Photos By: Fally Afani fallyafaniphotography.com. Layout & Design By: MilkDrop. Lincoln Marshall played The Datura Records Showcase for Lawrence Field Day Fest, at Replay Lounge. July 16, with Kwame, Sheven, MetaWatt & TRS-One, High Westhus, Left E. Grove, Louiz Rip & Deuce, Royce Diamond, and Midnight Marauders.]

[Lincoln Marshall play The Riot Room, Saturday, October 7, for the “We Are Art Showcase” presented by IndyGroove and Intelligent Sound.]

7. Sky Smeed – “If You’re Taught You Learn to Be Mean”
from: If You’re Taught You Learn to Be Mean – Single / Sky Smeed / September 20, 2017
[Sky Smeed told us that he wrote this song while watching the horrible things that happened in Charlottesville, WV a few weeks ago. It’s influenced by a bunch of things for certain. Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays the Brick 1727 McGee Street, KCMO, Sat, Oct 7, at 7:00 pm with Shapiro Brothers.]

8. Fathers – “Take Care”
from: “Take Care” – Single / Fathers / 2017
[One of three songs recorded from Fathers is a new 8-piece band, formed this year, with Kenneth Storz on lead vocals, guitar, and keyboards; Brooke Honeycutt on vocals, bells, percussion; David Littlewood on voice, keyboards, bells; Snake Bourret on percussion, bells, keys; Matt Guilliums on bass & percussion; Bryce VZ on vibraphone, voice, and percussion; Josh Seerden on guitar, keys, bass, percussion; Celeste Tilley on trombone, vocals, and percussion.

10:30

9. Betse & Clarke – “January Waltz”
from: Tunes We Like / Independent / September , 2017
[The newest release from Betse & Clarke is a cassette of fiddle tunes. “Tunes We Like” features Betse Ellis on standard and cross-tuned fiddles, Clarke Wyatt on banjos and guitar, and some selections are played by the Brushy Creek String Band, adding Brett Hodges on guitar and Alex Mallett on bass. Recorded by Wyatt live with no overdubs at home in Kansas City, Missouri, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley.]

10:34 – Interview with Betse Ellis and Clark

Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” a collection of originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” Betse & Clarke have brand new release called, “Tunes We Like,” that is being released on cassette. Betse & Clarke join us to play live in 90.1 FM Studios to share a few songs live from their new release.

Betse Ellis and Clarke Wyatt thanks for being with us on Wednesday MidDay Medley

We just heard “January Waltz”, (Smiling Violet Music, BMI) written by Betse Ellis around 2004. Originally recorded with her former band The Wilders, this was the first fiddle tune written by Ellis. Betse: standard fiddle / Clarke: standard banjo (aDAC#E) / Brett Hodges: guitar / Alex Mallett: bass. This tune has been performed and recorded by a number of modern old time bands, including Foghorn Stringband. This latest version brings listeners a fresh perspective on a favorite Ellis composition.

“Tunes We Like” was produced to be the first in an ongoing series of instrumental recordings. This cassette, released at the Walnut Valley Music Festival in Winfield, Kansas, September 2017, represents a returning interest in analog processes. Betse & Clarke will continue this model, with plans to record next on analog reel-to-reel tape for the next release in the series. The music may see an online release and digital distribution, but the plan is that all physical copies will be in analog format.

Recorded by Wyatt live with no overdubs at home in Kansas City, Missouri, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley.

Last year, Betse & Clarke released their full-length debut album, River Still Rise on July 1, 2017. Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos and cello. Recorded during the Winter-Spring of 2016. Produced by Clarke Wyatt and Betse Ellis. Recorded and mixed by Clarke Wyatt/ Final mix assistance from Chad Meise at Massive Sound. Traditional & future folk inspired by explorers Lewis & Clark showing how Betse & Clarke are trailblazers of sound & vision.

“River Still Rise,” is a collection of originals and reworked traditional compositions that are presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.”

Betse Ellis writes in the extended liner notes: “The phrase River Still Rise appears in the journals of Meriwether Lewis, and to me, most notably when the Corps of Discovery readied their boats and supplies for the beginning of their river journey. Documenting all the details of the excursion included aspects of the weather, the general demeanor or specific behavior of the crew, and most certainly the level of the river. The river needed to be high enough to be navigable, and in that way, Clarke and I have been putting together our gear and supplies, building our boat, and watching the weather signs for about a year and a half at this point. The process of recording RSR took several months, beginning in early 2016. We made this recording at home with the best gear we could acquire at this point, and with Clarke’s long-built engineering and producing knowledge.”

10:41

Betse & Clarke play live on the October 4, 2017 edition of Wednesday MidDay Medley.

10. Betse & Clarke – “White Creek” (Live)
also available on: Tunes We Like / Independent / September , 2017
[The newest release from Betse & Clarke is a cassette of fiddle tunes. “Tunes We Like” features Betse Ellis on standard and cross-tuned fiddles, Clarke Wyatt on banjos and guitar, and some selections are played by the Brushy Creek String Band, adding Brett Hodges on guitar and Alex Mallett on bass. Recorded by Wyatt live with no overdubs at home in Kansas City, Missouri, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley.]

From http://www.BetseandClarke.com liner notes for Tunes We Like: WHITE CREEK is a wonderful hidden gem, from Red McLaren, who was an Oklahoma fiddler visited by Marion Thede, the great fiddle scholar. Thede’s “The Fiddle Book” is an outstanding body of work with beautiful attention to detail, especially regarding bowings. (Betse: AEAE / Clarke: standard banjo (capo 2)

Clarke Wyatt is a multi-instrumentalist and a former member of some of Kansas City’s most dynamic bands, including Hairy Apes BMX and Mr. Marco’s V7s.

We’ve had Johnny Hamil on the show a few times this year talking about various Mr. Marco’s V7 shows including a recent reunion of the 4 original members.

Brushy Creek String Band, adding Brett Hodges on guitar and Alex Mallett on bass.

On Tunes We Love, Betse and Clarke perform a track titled: UNCLE HENRY… GOODBYE. In their liner notes they write UNCLE HENRY… GOODBYE comes from Violet Hensley, “The Whittling Fiddler of Arkansas”. The story of the name has to do with Violet’s original source for the tune, and then a later discovery that the tune was known as “Goodbye My Lover Goodbye”. Violet has shared the story several times with Betse, who keeps getting confused and forgets the details. Stay tuned here for updates! (Also, we took a lot of liberties with the melody, allowing ourselves to go to our exploratory side with this meditative melody.) Betse: DDAD / Clarke: low banjo

10:51

11. Betse & Clarke – “I Chased Old Satan Through The Door” (Live)
[The Woodie Brothers, Ephraim, Dale, and Lawton Woodie recorded “Chased Old Satan” in 1931. Ephraim was born in 1906, achieved the rank of colonel, overcoming nearly-blinding cataracts as a child, and died in 1978. He is credited as Chased Old Satan’s author, although other performers have made this claim in order to own the song’s copyright. The song is said to have borrowed lyrics from other songs. Lawton played harmonica and Ephraim played a Gibson L-4 guitar – a present from his brother for his high school graduation the year before. They recorded for Ralph Peer, the clever, ambitious A&R (artist and repertoire) man from Okeh records, on May 29th, 1931, but only sold less than 900 records. The Woodie Brothers were from one of the “lost provinces” of North Carolina – Ashe, Alleghany, and Watauga counties – a reference to this region’s historic isolation from the rest of North Carolina caused by the steep slopes of the Blue Ridge Mountains. There’s a CD with some tracks by Ephraim Woodie and the Henpecked Husbands, as well as other groups who recorded between 1927 and 1931: Music from the Lost Provinces. Their musical heritage was rich, including the likes of G.B. Grayson, Al Hopkins, Frank Blevins, and Albert Hash. Ash cakes are made around the world, and include “foods such as potatoes, corn, onions, and nuts which can be roasted by burying them in hot ashes for insulation and placing live coals on top of the ashes. Ash cakes were also baked by wrapping dough in cloth, placing them in a cleaned out corner of the fireplace, and covering them with ashes and coals. They were supposed to have a delicious flavor when baked that way, but it was difficult to control the heat, or keep the bread clean. (From ‘Don’s Spicy Kitchen’).”]

Lyrics: ”I Chased Old Satan Through The Door”

Well, I got no skillet and I got no lid
But the ash cake tastes like shortening bread
And I’m gonna wear that starry crown over there

Chorus:
Over there, over there
I’m gonna wear that starry crown over there
For I got no skillet and I got no lid
And the ash cake tastes like shortening bread
And I’m gonna wear that starry crown over there

Now I met old Satan down the lane
And I hit him in the head with a walking cane
And I’m gonna wear that starry crown over there

Chorus

Now I chased old Satan around the stump
And I gave him a kick with every jump
And I’m gonna wear that starry crown over there

Chorus

Now I run old Satan through the door
And I hit him in the head with a two-by-four
And I’m gonna wear that starry crown over there

Chorus

Betse and Clarke Upcoming Shows:

Friday, October 6 – Great Lakes Music Camp, West Olive, MI

Saturday, October 14 – Shawnee Indian Mission Fall Festival, Fairway, KS

Saturday, October 14 – The Library Lets Loose, Overland Park, KS

Sunday, October 15 – Bluegrass Brunch at Julep, Kansas City, MO

Thursday, October 26 – watch this space! – Springfield, MO

Betse Ellis and Clarke Wyatt thanks for being with us on Wednesday MidDay Medley

Betse & Clarke have brand new release called, “Tunes We Like,” that is being released on cassette. More info at: http://www.betseandclarke.com.

11:00 – Station ID

Betse Ellis, Wick Thomas, and Clarke Wyatt on the October 4, 2017 edition of Wednesday MidDay Medley.

12. Wick & The Tricks – “Yr So Rad”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.]

[Wick & the Tricks play a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

11:02 – Interview with Wick Thomas

Wick Thomas, was voted Best Activist by The Pitch Magazine Wick has help organize LGBTQIA youth group on college campuses and in High Schools, he served as President of EQUAL and won an award from the National Gay and Lesbian Task Force. Wick spent many years working for the Kansas City Public Library and now works fpr the Nelson Atkins Museum of Art. Wick is also a gardener, a student, and a he grew up in Drexel Missouri. Wick is also lead singer of Wick & The Tricks, joins us to share information about the new Black Site Records, 7-inch vinyl, 4-song EP debut, “Not Enough,” from Wick & the Tricks a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. Wick & the Tricks play a Record Release Show, Saturday, Oct 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

The following is from their press information: The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios. More info at: http://www.wickandthetricks.com

KC’s sassiest, trashiest and glammiest lovelies, Wick and the Tricks, release their debut 7” EP, Not Enough, on Black Site Saturday, October 14, and they’re throwing a party at Davey’s Uptown to celebrate, with Red Kate, The Midnight Devils and The Quivers.

As if that weren’t enough, this glittering juggernaut of rock and roll will also premiere the video for “Tough as Nails”, the closing track on the new record. Written and directed by KC’s most-discriminating connoisseurs of cinematic eccentricity, The Cannonball Roarers, it features the inimitable Annie Thrax as a modern day Dr. Frankenstein (or would that be Herbert West?) and her re-animated monster…well, you’ll have to wait and see. It’s sure to be the weirdest, creepiest thing you’ve seen since Inauguration Day.

Recorded at Westend Studios by Justin Mantooth and mastered by Chris Muth at Taloowa Corp., Not Enough contains four tracks of deliciously salacious rock and roll that will make you hop, skip, and jump into bed with the whole band.
As with all releases from the Black Site cooperative, this record not only sounds great, it looks even better. With artwork from the band’s newest member, guitarist Chris Stallion, and packaging from the union printers at Callender Printing in Kansas City, KS, you’re going to want to hang this record on the wall…if you can get it off your turntable.

In the spirit of the New York Dolls, The Stooges, and Jim Carroll, Wick and The Tricks proudly carry the Riot Grrrl, Queercore torch for the next generation. Ever since they crawled out of the trash soaked shores of the Missouri River and slipped into the streets of Kansas City, Middle America hasn’t been the same. Nationally infamous for their lasciviously energetic performances full of political undertones, it’s likely that by the end of the show you’ll either be making out, or in a fist fight, with one of them.

Not Enough will be available October 14 at area record stores and can be ordered now at: wickandthetricks.bandcamp.com/album/not-enough

Wick & The Tricks were formed on Halloween night at a drunken basement punk show in KC.

Last year Wick & The Tricks released their EP, TRIGGER WARNING on July 27, 2016, it was their 3rd release from the KC based punk-glam-queercore-riot grrrl-trash rock, 4-member band fronted by librarian & activist Wick Thomas aka Wick Trick, with JoJo Tornado on drums, Jane Asylum on bass & vocals, and Chris Stallion on guitar. Wick & The Tricks were formed on Halloween night at a drunken basement punk show in Kansas City. from their Facebook page: “The Tricks have become infamous for their energetic live performances, combining the spirit of bands like the Cramps and the New York Dolls with a faster, harder sound. Carrying the torch of the riot grrrls and early queercore bands with some not-so-subtle nods to Joan Jett, Wick & The Tricks are a band with a mission (but hopes you’re having way too much fun to notice).”

11:13

13. Wick & The Tricks – “Drama Queen”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.]

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

We talked with Wick about Activism and The Rocky Horror Picture Show

This has been a big year for Wick who became a Homowner, is back in school working on his Masters Degree, and he has a new job working at The Nelson Atkins Museum of Art.

We are talking to Wick Thomas, lead singer of Wick & The Tricks, who joins us to share information about the new Black Site Records, 7-inch vinyl, 4-song EP debut, “Not Enough,” Wick & the Tricks play a Record Release Show, Saturday, Oct 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.

11:21 – Underwriting

14. Sinple – “JX7 (Digital Dream)”
from: Music For Machines / Independent / May 1, 2017
[Sinple is the electronic music project of Jesse Bartmess who plays synths, drum machine, and vocals. Jesse describes this new recording as an Ambient Album Inspired by Brian Eno’s “Music for Airports” Music for Machines was written and recorded by Sinple @ Moldy Basement. Full Length Release: TBA More info at http://sinple.bandcamp.com/ ]

[Sinple plays Riot Room, Sun. Oct 8, at 7:00 pm, opening for Zealyn along with Lovergurl, and Valise.]

15. Pink Royal – “Bring It On Back”
from: Do You Mind EP / Pink Royal / September 12, 2017
[Experimental groove pop, 5-piece band based in Lawrence, Kansas with Steven LaCour on guitar & vocals, Josh Dorrell on guitar & vocals, Alex Hartmann on drums, Nick Carswell on bass & vocals, Vik Govindarajan on Keyboards & vocals. Music and Lyrics by Pink Royal (except Tracks 3 & 6 by Pink Royal and Dylan Guthrie.) Recorded and produced by Jim Barnes. Mastered by Dalton Brand at WaveBurner Recording.]

[Pink Royal played a Do You Mind EP Release show, Fri, Sept 22, at recordBar, w/ Hi Lux, and Evolfo.]

16. Marcus Lewis – “Approaching Gangsterdom”
from: Facing East / Marcus Lewisl / April 7, 2012
[Marcus Lewis on Trombone, Logan Richardson, on Alto Sax, Adam Larson on Tenor Sax, Sam Harris on Piano, Aidan Carroll on Bass, Tommy Crane on Drums, Pablo Masis, on Trumpet, Andrea Lewis, on Vocals]

11:32 – Interview with Kemet Coleman, Ryan Davis, and Marcus Lewis

Marcus Lewis, Ryan Jamaal Davis aka Kadesh Flow, and Kemet Coleman aka Kemet The Phantom on the October 4, 2017 edition of Wednesday MidDay Medley.

The debut recording of Marcus Lewis Facing East was featured in Vogue Magazine as being one the top albums on Janelle Monae’s 2012 Summer Playlist. Marcus Lewis is currently working on music for a new recording and is the Artistic Director of Future Jazz, a nonprofit dedicated to Jazz Education. Marcus has performed at the Kennedy Center for Performing Arts, the Jimmy Carter Summer Concert Series. As a sideman, he has also performed at the 53rd Annual Grammy Awards, the 2010 New Orleans Jazz Fest, the 2011 Glastonbury Festival, the 2011 Nobel Peace Prize Concert and the 2012 North Sea Jazz Festival, the Sydney Opera House, and for President Barack Obama at the White House in 2011 and 2012. Television shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus was awarded the 2008 Betty Carter Jazz Residency and the 2003 Outstanding Soloist award at the Wichita Jazz Fest.

Kemet Coleman aka Kemet the Phantom is one of Kansas City most elusive yet heralded musicians. Maintaining his integrity as a rapper, the Substruct Music artist formlessly combines elements of Jazz and electronic music in his production style with Rap aesthetics to create what many have coined to be “Dapper Rap”. He is a member of the Hip-Hop duo COA (Center of Attention) and the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet the Phantom is a Kansas City enthusiast and urbanist often known for his unprecedented collaborations with KC entities and organizations such as University of Missouri-Kansas City, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song.

Emcee and trombonist Ryan Davis aka “Kadesh Flow” is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city.

KC emcees: Kemet The Phantom, and band mate Kadesh Flow, are joining forces with The Marcus Lewis Big Band for Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble, as well as full jazz band versions of songs such as Kendrick Lamar’s “Alright” and Bruno Mars’ “24K Magic”.

Some notable artists that Marcus has performed and/or recorded with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, Jidenna, Musiqsoulchild, Avery Sunshine, The Barkays, Confunkshun, and Sugarfoot’s Ohio Players. In addition to an active touring and recording schedule, Marcus stays busy writing, arranging, teaching and leading clinics and master-classes worldwide.

Marcus Lewis has played all over the world, including The Late Show with David Letterman, Saturday Night Live, Later with Jools Holland, and currently lives in KC where he leads his own quintet, and an 18-piece Big Band, and he continues to tour with Grammy Nominated vocalist, and KCK native, Janelle Monáe.

Creating almost a formless persona as a rapper and public figure, Kemet the Phantom has graced the cover of multiple newspapers and magazine covers and won numerous awards: 2009, INK Magazine, 2011 KC Magazine, 2012 Pitch Weekly. He is a two time Pitch Music Award nominee for “Best Hip-Hop Act” in Kansas City and was the 2011 Big Brothers Big Sisters “Sexiest Single” in Kansas City.

11:41

15. Kemet the Phantom – “Suite Life (Master Clean)”
from: The Invisible Man / Center of Attention / March 9, 2017
[Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Hemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More information at: http://www.kemetthephantom.com.]

[Kemet The Phantom plays Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble]

11:45 – Interview with Kemet Coleman, Ryan Davis, and Marcus Lewis

We are talking with Kemet The Phantom, and band mate Kadesh Flow, who are joining forces with The Marcus Lewis Big Band for Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble, as well as full jazz band versions of songs such as Kendrick Lamar’s “Alright” and Bruno Mars’ “24K Magic”.

The Kansas City based band, The Phantastics are an 9 member group formed in 2010, that specialize genre-blending hip-hop, mixed with rock, rap, dance, funk, jazz and soul. Members include: Kemet “the Phantom” Coleman on lead vocals, Kim Newsome on vocals, JJ Cantrell on lead guitar & vocals, Danny Florez on electric bass & vocals, Ashley Thompson on drums, Ernest Melton on Saxophone, Ryan Davis aka Kadesh Flow on trombone and sick raps, and Austin Quick on keyboards.

Emcee and trombonist Ryan Davis aka Kadesh Flow brings realism, consciousness, and nerd life together in riveting flow format. He has composed and produced original music for Toonami Asia and shared the stage with the likes of artists like Tech N9ne, Phora, I Fight Dragons, The Revivalists, B.o.B., mc chris, and others. He has been publicly lauded by outlets such as IGN and Kotaku. More informati0n at: http://www.kadeshflow.com

The Kadesh Flow Headbuster – Single was Inspired by “Parasyte: The Maxim”, “Headbuster” finds Kadesh Flow promising that he is coming for the heads and minds of his listeners, much like the nemesis creatures in the inspiration content take over the brains of their victim.

Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble, as well as full jazz band versions of songs such as Kendrick Lamar’s “Alright” and Bruno Mars’ “24K Magic”.

11:56

18. Kadesh Flow – “Headbuster”
from: Headbuster – Single / Ryan Davis / December 9, 2016
[Inspired by “Parasyte: The Maxim”, “Headbuster” finds Kadesh Flow promising that he is coming for the heads and minds of his listeners, much like the nemesis creatures in the inspiration content take over the brains of their victim.]

[Kadesh Flow plays Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, October 11, Kathryn Golden returns to share details about PorchFest 2017 on Saturday, October 14 from Noon until 6:00 PM in the Valentine and Roanoke neighborhoods of Kansas City, we’ll also talk with Kent Shelton, General Manager of the Arvest Bank Theatre at The Midland in Kansas City Missouri. Plus Marion Merritt and Betse Ellis join Mark as Guest Co-Hosts for our Fall Fund Drive to encourage our wonderful listeners to donate to the Voice of The Community – 90.1 FM KKFI – Kansas City Community Radio.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #702

WMM Playlist from July 5, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 5, 2017

New & MidCoastal Releases
+ Roxi Copland & InterUrban Art House +
Kathryn Golden & Porchfest 4

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Schwervon! – “Truth Teller”
from: Courage / Olive Juice Music / September 28, 2012
[Schwervon! is a two piece rock band. Nan plays drums and Matt plays guitar and they both sing. They lived in NYC for 15 years and relocated to Kansas City several years ago. The duo makes annual US and European tours. On tour they’ve opened for The Vaselines and Belle & Sebastian. They recorded Courage with Memphis-based engineer Doug Easley who has worked with Pavement, Sonic Youth, and Cat Power.]

[Schwervon! play Mills Record Company, 4045 Broadway, Monday, July 10 at 6:45, with Bookmobile]

[Schwervon! play the patio at Riot Room, Saturday, July 15, with The Sluts and Thunderclaps]

3. Sara Swenson – “Welcome To The Family”
from: Runway Lights / Independent / July 18, 2014
[Critically acclaimed singer songwriter Sara Swenson has released some of our most played and favorite recordings of the last 10 years. Her self titled debut ended up at the top of our list of The 100 Best Recordings of 2009. In 2010 Sara Swenson released her second full length recording, “All Things Big and Small” again working with Don Chaffer in Nashville who added new layers to Sara’s great songs and voice. In November of 2011, Sara released her 5 song EP called “Never Left My Mind,” featuring her band at the time, The Pearl Snaps. In that time frame, she also had picked up two Kansas City Singer-Songwriter of the Year awards, performed with Sarah McLachlan’s Lilith Fair, and placed a song on the season finale of ABC’s “Private Practice.” Then after the school year ended in 2012, Sara Swenson left her job as a High School English and Journalism Teacher in Platte County High School, and left the Kansas City music scene, and she flew off to the United Kingdom, where she got married. In the Spring of 2014, Sara returned to Kansas City and performed for the Folk Alliance International Conference. Runway Lights is Sara’s fourth studio album that captures snapshots of her 18-month experience of living abroad, moving from dating to marriage and sorting through the accompanying transitions and emotions. Produced by Don Chaffer in Nashville.

[Sara Swenson plays recordBar 1520 Grand, Thursday, July 6 with Calvin Arsenia]

4. Calvin Arsenia – “Constellation”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Calvin Arsenia premiered these songs in a live show at recordBar last November. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts. Standing at 6 foot 5 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp Calvin teaches music to elementary students. Calvin is also a graduate of Artist INC.]

[Calvin Arsenia plays recordBar Thursday, July 6 at 7:00 PM with Sara Swenson]

5. Golden Groves – “Dinosaurs”
from: Recess / Golden Groves / July 7, 2017
[First single from new EP from KC based 4-piece: Isaac Hodges on vocals & guitar, Dylan Nelson on lead guitar, Max Kmeck on bass, Andrew Lewis on drums. More info at: http://www.goldengrovesmusic.com]

[Golden Groves play an EP Release show on Friday, July 7, at 8:00 PM, at The Riot Room, 4048 Broadway St, KCMO, with Westside Royal, Shadow Rabbits, and Sleeptalk from L.A.]

6. Dean Monkey & the Dropouts – “If You Leave”
from: Love Is A Hate Machine / Dean Monkey & the Dropouts / July 7, 2017
[Founded in 2011, the current line up includes: Max Yoder on guitar, bass & vocals; Daniel Barkofske on guitar, bass & vocals; Sam Michie on vocals; Havana Mahoney on vocals; Ben Sauder on guitar, keyboards & vocals; Kyle Stringer on guitar & bass; Nicholas Stahl on percussion; Leslie Butsch on saxophone. Former Members: Jamie Lacore, Zachary Clancy, Jake Herman, Amber Hansen, Claire Vowels, Ben Kimball, Spencer Brown]

[Dean Monkey & the Dropouts celebrate the release of their new album, and play a farewell show at Replay Lounge, 946 Massachusetts in Lawrence, KS, on Friday July 7 with Toughies and Fullbloods.]

7. Tread Lightly – “Losing Time”
from: Map Out The Stars / Tread Lightly / March 31, 2017
[Kansas City based 4-piece Pop Punk band made up of: Andrew Hanke on vocals & guitar, Geoff Wall on guitar, Jacob Witt on bass, Trevor Burk on drums. For their new EP the drums were recorded at Awestruck Studios by Larry Gan. The EP was produced and mixed by Josh Barber, and mastered by Jesse Cannon ]

[Tread Lightly play Californo’s, Friday, July 7, w/ Vigil & Thieves, Treading Oceans, and Right Quick]

10:27 – Underwriting

8. Roxi Copland – “Bad Decision”
from: Bad Decision / Roxi Copland / June 16, 2017
[A native of the Pacific Northwest, growing up in Aberdeen, Washington, Roxi Copland studied music at Grinnell college in DeMoines Iowa and relocated to her current city, Milwaukee was warded Jazz artist of the year in 2016 and Best female vocalist by the Milwaukee Sheperd Express in 2015. Constantly touring, Roxi has opened for Esperanza Spaulding, Manhattan Transfer, and Vanessa Calton. Since 2008 Roxi Copland has released two EPs, two singles, a collaborative live album, a solo acoustic LP and two full-band LPs.]

[Roxi Copland plays InterUrban ArtHouse, 8001 Newton, OP,KS, Tuesday, July 11, at 7:30 PM]

Roxi Copland

10:32 – Interview with Roxi Copland, Wolfe Brack & Joy Baker

KKFI’s maria Vasquez Boyd & Bill Sundahl with InterUrban ArtHouse’s Wolfe Brack & Joy Baker

On the phone we have Milwaukee based singer/songwriter Roxi Copland, who plays the Kansas City area on Tuesday, July 11, at 7:30 at InterUrban ArtHouse, 8001 Newton Street, Overland Park, Kansas.

Also joining us is Wolfe Brack Director of Operations at InterUrban ArtHouse, and Joy Baker a multi-media artist and owner of Createful Studios, LLC. Joy is a full time artist who has studio space at InterUrban ArtHouse.

Since 2008 Roxi Copland has released two EPs, two singles, a collaborative live album, a solo acoustic LP and two full-band LPs.

Roxi Copland grew up in Aberdeen Washington, but came to the midwest to go to school at Grinnell college near Des Moines, Iowa. Roxi Copland currently lives in Milwaukee.

InterUrban ArtHouse was founded in 2011 by local artist Nicole Emanuel, with 10 artist studios and a programming space.

Its mission has been to provide affordable work space to artists, as well as arts business classes, while bringing arts and cultural events to the Johnson County area.

InterUrban ArtHouse recently purchased the post office at 8001 Newton St (across from the former church basement they’ve been using) and renovated its 2000 square feet of space to expand their artist studios from 10 to 29, with over 40 artists and create a large gallery. We also have indoor and outdoor performance spaces for musicians and performers.

With their recent expansion, InterUrban ArtHouse now has two locations (across the street form one another at 8001 Newton Street and 8001 Conser Street) in Historic Downtown Overland Park.

InterUrban ArtHouse is looking to work with local & traveling musicians and performers of all sorts and get a live music series up and running. They also have a children’s and teen art camp that started last week, and we’ll also be offering art and writing classes to the public in the near future.

Along with the Tuesday, July 11 show with Roxi Copland, InterUrban ArtHouse is also hosting a grand opening of their newly expanded facility at 8001 Newton St in downtown OPKS on July 21 that will feature artwork from our 40 studio artists! Exhibition, studio tours (both at Newton and Conser Street locations) and live entertainment by local jazz duo A La Mode.

InterUrban ArtHouse Mission: To enrich the cultural and economic vibrancy of the community by creating a place where artists and creative industries can work and prosper in an affordable, sustainable and inclusive environment.

InterUrban ArtHouse Core Objectives: To offer a place where artists and creative industries can make and support art in a stable and affordable environment.

To promote and facilitate the successful entrepreneurism of the creative industries by sharing resources, building connections and supporting collaborations.

To support growth and sustainability of the arts through education and professional and artistic development.

To fully integrate arts activities within the community by creating an open atmosphere through engagement, inclusivity and diversity.

To leverage Metro Arts Corridor as a unique livable location and vibrant arts region, aligning with regional, state and national initiatives (such as Creative Placemaking, KC Regional Cultural Plan, Suburban Arts Business Plan).

InterUrban ArtHouse operates 5 core programs:

Their ArtSmart program provided after school programming to at risk 5th & 6th graders. They also worked in grades K-6 in six schools. The summer months provided a no cost art opportunity each Wednesday to over 1350 children at the OP Farmer’s Market. In total, InterUrban ArtHouse served over 4,200 children!

Their entrepreneurial program, ArtWorks, hosted over 28 of classes to 277 small creative business owners, helping them advance their businesses.

ArtMatters continues to grow, offering a place for artists to teach as well as learn. The ArtHouse hosted 42 classes that were attended by over 370 seeking advancement in their creative practice.

Bringing art to the community, ArtsConnect reached large audiences through art exhibitions in Johnson County public libraries , stages at Overland Park’s Fall Fest, and each month on Local Life 3rd Fridays in our studios.

The InterUrban ArtHouse – Art Therapy program continues to provide an important alternative to traditional therapeutic options, in 2016 ArtHeals facilitated 26 events for our community.

InterUrban ArtHouse is a designated 501(c)(3) non-profit organization

More information at http://www.InterurbanArtHouse.org.

10:48

9. Roxi Copland – “Love Me Out Loud”
from: Bad Decision / Roxi Copland / June 16, 2017
[A native of the Pacific Northwest, growing up in Aberdeen, Washington, Roxi Copland studied music at Grinnell college in DeMoines Iowa and relocated to her current city, Milwaukee was warded Jazz artist of the year in 2016 and Best female vocalist by the Milwaukee Sheperd Express in 2015. Constantly touring, Roxi has opened for Esperanza Spaulding, Manhattan Transfer, and Vanessa Carlton. Since 2008 Roxi Copland has released two EPs, two singles, a collaborative live album, a solo acoustic LP and two full-band LPs.]

[Roxi Copland plays InterUrban ArtHouse, 8001 Newton, OP,KS, Tuesday, July 11, at 7:30 PM]

10. Fullbloods – “Anima Mundi”
from: Mild West / High Dive Records / February 26, 2016
[2nd full length release from Fullbloods: Ross Brown; Jared Tomasino; David Seume; & Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).]

[Fullbloods play Replay Lounge, 946 Massachusetts in Lawrence, KS, on Friday July 7 for the Dean Monkey & the Dropouts album release and farewell show with Toughies.]

[Fullbloods play recordBar, Sunday, July 9 with Sama Dams]

11. Shortsweather – “Fit Dads”
from: Fit Dads – Single / Parrot Ice Studio / January 13, 2017
[1st single from upcoming record Patio Naps, from the KC based alternative indie dreampop surf punk band formed by Patrick Keizer, Davy Langerak, Bennett Jones, Josiah Hunter. Engineered / Produced / Mixed / Mastered / Loved By Jordan Richardson. Written by Shortsweather with Alie Warman.]

[Shortsweather play Mills Record Company, 4045 Broadway, Friday, July 7, at 6:30 PM with Westerners for the Westerners album release party.]

[Shortsweather play The Blind Tiger, 3945 Main St, on Sunday, July 9, at 9:00 PM, with Merge recording artists A Giant Dog, and KC based Salty.]

11:01 – Station ID

12. Michael Franti & Spearhead – “Crazy for You (SF Funk Mix)”
from: Crazy for You (SF Funk Mix) – Single / Boo Boo Wax / May 5, 2017
[This song was originally included on Soulrocker, the ninth studio album by Michael Franti & Spearhead, released June 3, 2016. Michael Franti was born April 21, 1966. Michaek Franti is an American rapper, musician, poet, spoken word artist and singer-songwriter. Michael Franti is known for having participated in many musical projects (most of them with a political and social emphasis), including the Beatnigs and the Disposable Heroes of Hiphoprisy. He is the creator and lead vocalist of his current independent project, Michael Franti & Spearhead, a band that blends hip hop with a variety of other styles including funk, reggae, jazz, folk, and rock. He is also an outspoken supporter for a wide spectrum of peace and social justice issues, and he is especially an advocate for peace in the Middle East.]

[Michael Franti & Spearhead return to KC Crossroads on Tuesday, July 11, with Kawehi.]

13. John Velghe & The Prodigal Sons – “Set It Fire”
from: Organ Donor Blues / Lakeshore Records / June 24, 2014
[John Velghe on vocals, guitar, piano, and Rhodes, with The Prodigal Sons: Mike Alexander on guitars and vocals, Chris Wagner on bass guitar & vocals, Matt Anderson on drums, Michael Walker on trombone, Sam Hughes on saxophones, and Hermon Mehari on trumpet. With Kirsten Paludan on vocals, and Josh Quint on pedal steel. Alejandro Escovedo shares in vocals on 3 tracks and plays guitars on a few others. Produced by John Velghe. Recording & Mastering was Engineered by Duane Trower. Recorded & Mastered at Weights and Measures Soundlab, KCMO. Mixing and additional Recording at Guttersnipe Recording Co. KCMO.]

[John Veghe and the Prodigal Sons play recordBar, Saturday, July 8, with The Suburbs.]

14. Westerners – “Portmanteau”
from: Reoccurring Dream Theme / The Record Machine / July 14, 2017
[First single off upcoming debut full length album from Lawrence / Kansas City that was band formed in August of 2013. The band includes: Mitch Hewlett, Josh Hartranft, Matthew Pesma and Gerardo Rojas. Westerners signed to Kansas City independent label The Record Machine in 2015.]

[Westerners play an album release show at Mills Record Company, Friday, July 7, 6:30 w/ Shortsweather.]

[Westerners play an album release show at Love Garden Records, 822 Mass, Lawrence, KS, Saturday, July 8. at 6:00 with: No Magic, and CS Luxem.]

11:15 – Underwriting

15. Keaton Conrad – “What Am I Supposed to Do?”
from: What Am I Supposed to Do? – Single / Keaton Conrad / May 26, 2017
[18 year old Kansas native, Keaton Conrad mixes indie rock, house, jazz, and hip-hop. Conrad spent two years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. In 2015 he released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on January 27, 2017.]

[Keaton Conrad plays RPM (Revolutions Per Month) at Ollie’s Local, 3044 Gilliham Rd, on Saturday, July 8, at 5-7:00 PM, w/ Ivøry Black. RPM is an all- ages, montly show hosted by The Record Machine.]

[Keaton Conrad also plays the 4th annual PorchFest KC.]

11:21 – Interview with Kathryn Golden of Porchfest KC

The 4th Annual PorchFest KC, is scheduled for Saturday, October 14, in Midtown, KCMO, from Noon to 5:00 PM. Today on the show we’re playing music from three participating musical artists in this year’s festival, and we just heard KC based Keaton Conrad, who is signed up to play this year’s PorchFest. Registration is now open for bands wanting to apply. All genre welcomed.

Joining us to share details of Porchfest KC is Kathryn Golden who grew up in rural north-central Missouri. After college, she moved to the east coast on a whim to be an au paire. She spent her off days wandering the streets of New York City, plotting how she might permanently live in an urban area without it being in a cardboard box or having twenty roommates. When her job in NYC ended, she moved to Kansas City, where she landed her first and only truly corporate job — she taught a 30-day mutual fund program to customer service and tech workers. Eventually she moved to St Louis, where she was introduced to non-technical opportunities in tech companies. After a business trip to San Francisco, she decided she needed to live there. Over the next 14 years, she worked for a number of tech startups in project management, as well as a venture capital firm in Silicon Valley. In addition, she co-founded a non-profit, all-ages jazz performance space in Berkeley, where kids could jam with, and open for, adult acts. She also owned a neighborhood grocery market. and her final role before returning to Kansas City was in helping develop demonstratives (graphics) for large white-collar crime trials. While there, she also partnered with the Oakland School District to create a dozen libraries in Oakland’s elementary schools. Since returning to Kansas City, Kathryn has launched a wintertime storytelling series at the Pilgrim Chapel, and most notably launched a unique music festival in Midtown. She is the founder of PorchFestKC, a community music festival that takes place from front porches. This October 14th will mark the fourth year for the event.

For PorchFest KC – All performances are 60 minute sets. Performances are acoustic or near-acoustic. The goal is to be heard to the sidewalk, not down the street. This is an all-ages, alcohol free event. Registration is now open at http://www.porchfestkc.com.

11:30

16. The Host Country – “Deep Down”
from: Walk Away / The Host Country / June 10, 2014
[The Host Country was born while Ty Wistrand on guitar & vocals and Diana Weishaar on keyboards & vocals were both attending the University of Northern Iowa in Cedar Falls. They shared a passion for similar artists and styles of writing that led them to begin collaborating together . They officially began playing under the name ‘The Host Country’ shortly after Ty moved to Des Moines in early 2011 and started playing proper venues both there and in Cedar Falls shortly thereafter. In May 2011 they recorded an EP at the Sonic Factory Studios in Des Moines which displays the folk and rock roots they built their sound on, then in 2014 they released a full length album recorded at Midday Studios in Des Moines, Iowa from February 2013 through March 2014, with bass, drums, strings, organ, and an overall bigger sound. Tom Rue on bass) and Ethan Weishaar on drums are now permanent and essential members of the evolving Host Country music where you can now hear a bit of everything, from folk to rock, Americana, blues, and beyond.]

[The Host Country play the 4th annual PorchFest KC.]

11:33 – Interview with Kathryn Golden of Porchfest KC

This year’s Porchfest will again be in the Valentine neighborhood, but also in the Old Hyde Park and Roanoke neighborhoods.

All genre welcomed. All performances are 60 minute sets. Performances are acoustic or near-acoustic. The goal is to be heard to the sidewalk, not down the street. This is an all-ages, alcohol free event.

This is open to ALL genres, as long as their volume is appropriate. Kathryn would love to get more world music from a wide mix of communities, She would love more chamber and classical music

Kathryn wants people to not wait to be asked to sign up — come all! If anyone has a favorite band — ask them to sign up.

The 4th Annual PorchFest KC, is scheduled for Saturday, October 14, in Midtown, KCMO, from Noon to 5:00 PM.

Registration is now open at http://www.porchfestkc.com.

11:42

17. Cameron Johnson – “On My Own”
from: Stack Your Stones EP / Ten ’til Two Music / May 5, 2016
[Rogers, Arkansas based singer songwriter and Ten ’til Two Music artist, Cameron Johnson, released his debut single, Crooked Bangs, in November of 2015. After the success of the single he went back into the studio with producer, Brad Benge, to record his debut EP. Stack Your Stones features five new songs and a re-mastered version of Crooked Bangs. All six songs were written by Cameron and his father, veteran songwriter, Bruce Johnson.]

[Cameron Johnson plays the 4th annual PorchFest KC.]

11:46

18. Betse & Clarke – “Stepping On Ghosts”
from: River Still Rise / Independent / July 1, 2016
[Full-length debut album, from traditional and future folk duo, Betse & Clarke Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos and cello. Recorded during the Winter-Spring of 2016. Produced by Clarke Wyatt and Betse Ellis. Recorded and mixed by Clarke Wyatt/ Final mix assistance from Chad Meise at Massive Sound. Traditional & future folk inspired by explorers Lewis & Clark showing how Betse & Clarke are trailblazers of sound & vision. “River Still Rise,” is a collection of originals and reworked traditional compositions that are presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” Betse Ellis writes in the extended liner notes: “The phrase River Still Rise appears in the journals of Meriwether Lewis, and to me, most notably when the Corps of Discovery readied their boats and supplies for the beginning of their river journey. Documenting all the details of the excursion included aspects of the weather, the general demeanor or specific behavior of the crew, and most certainly the level of the river. The river needed to be high enough to be navigable, and in that way, Clarke and I have been putting together our gear and supplies, building our boat, and watching the weather signs for about a year and a half at this point. The process of recording RSR took several months, beginning in early 2016. We made this recording at home with the best gear we could acquire at this point, and with Clarke’s long-built engineering and producing knowledge.”]

[Betse & Clarke play Westport Saloon, Sat, July 8, w/ Les Gruff and The Billy Goat, and Kelly Hunt]

19. Run With It – “Don’t Waste My Time”
from: How To Start A Fire / Run With It / March 24, 2016
[The Kansas City based band Run With it includes Miguel Caraballo on lead vocals & guitar, Ben Byard on bass & vocals, and Daniel Cole on drums, The power trio are known for their energetic live shows, leaving it all on the stage, and working their musical assets to make their audiences happy. The band stays very busy touring, and recording. How To Start A Fire, recorded with producer Josh Gleave.]

[Run With It play The Bottleneck, on Saturday, July 8 with Ghost Lit Kingdom.]

20. Jill Scott – “Closure”
from: Woman / Blues Babe Records / July 24, 2015
[5th studio album by American singer, model and actress, born in Philadelphia, Pennsylvania, April 4, 1972. Her 2000 debut, Who Is Jill Scott? Words and Sounds Vol. 1, went platinum.]

[Jill Scott plays The Midland Theatre, Thursday, July 7, at 8:00 PM]

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on July 12, we celebrate the 6th Annual Lawrence Field Day Fest, July 13-15 in Downtown Lawrence. At 10:15 members of the band Instant Karma join us to share music from their new EP, Trying to Find My Mind, to be released July 22. Instant Karma play Lawrence Field Day Fest, Thursday July 13, at 8:45 PM at Jackpot Lounge. Also joining us is the new KC based, 4-piece band, She Said, made up of Jennie Ferguson on vocals & guitar, Scott Mize on guitar, Doug Hitchcock on drums, and Matt Kesler on bass & vocals. She Said play Lawrence Field Day Fest, Friday, July 14, at 8:00 PM at The Granada Theatre Outdoor Stage. In our second hour, Fally Afani, the founder of I Heart Local Music, joins us to take over the show and play music from artists playing Lawrence Field Day Fest, July 13-15 all over downtown Lawrence with nearly 100 bands, at 8 venues.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #689