WMM Playlist from September 26, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 26, 2018

New & MidCoastal Releases
+ Prisca Jebet Kendagor, Nathan Bowman & Kansas City Public Theatre

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Chuck Prophet – “I Bow Down and Pray to Every Woman I See”
from: No Other Love / New West Records / June 18, 2002
[Charles William “Chuck” Prophet is an American singer-songwriter, guitarist and producer. A Californian, Prophet first achieved notice in the American psychedelic/desert rock group Green on Red, with whom he toured and recorded in the 1980s. He has also recorded a number of solo records, and gained prominence as a musician and songwriter. Chuck Prophet was born in Whittier, California, United States and calls San Francisco home. After recording one E.P. and eight albums with rock group Green on Red, he released his first solo record Brother Aldo on Fire Records in 1990. It was not released in the U.S. until 1997. He records and tours with his wife Stephanie Finch, who is a singer, keyboardist and guitarist. Prophet was signed to New West Records by Peter Jesperson in 2002. He made two records for New West: No Other Love and Age of Miracles. After years of mostly European and UK success, 2002’s No Other Love was a breakthrough record for Prophet stateside due to the success of the summer single “Summertime Thing” and endorsements from Lucinda Williams, who gave him the opening slot for her summer tour. Prophet was signed to Yep Roc Records in 2007. Since 1990 he has released 14 solo albums. Prophet co-wrote all the songs on Alejandro Escovedo’s Real Animal, to which he also contributed guitar and vocals. The LP was recorded in Lexington, Kentucky and produced by noted producer Tony Visconti.]

Krystle Warren at Mutual Musicians Foundation Saturday, September 15, 2018

3. Krystle Warren & The Faculty – “Born In The Fall”
from: A Time To Keep Love Songs EP / Parlour Door Music / August 12, 2011 [UK]
[This EP came out before Krystle Warren’s 2012 European release, double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. This EP contained three songs from the Love Songs set, plus two other tracks “Sunbeams” which is a different version of this song that was also part of Nezbeat’s collaborative release, “From The Huge Silence,” from 2005, and “Born in The Fall” of which a different acoustic version can be found as a bonus track on the Japanese CD release of 2017’s “Three The Hard Way.” Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

4. Ida McBeth – “Who is She (And What is She to You)?”
from: Special Request / Ida McBeth / 1998
[This full length album came out between Ida’s 1992 release, “A Gift of Song” and her 2006 release, “Live on The Vine” her forth release. Born in Kansas City Kansasm by the age of five she knew wanted to be a singer. She is a Kansas City legend! Ida McBeth has been a fixture on the Kansas City music scene for more than forty years, getting her first professional job before she even was out of high school.Ida was provided early exposure to a variety of talented vocalists by her mother. These singers included such greats as Nancy Wilson, Arthur Prysock, Nat King Cole, Bill Withers, Gladys Knight and Sarah Vaughan. “Who Is He (And What Is He to You)?” is a track from Bill Withers’ 1972 album, Still Bill. The music was written by Withers along with Stan McKenny, who wrote the lyrics. In 1996, Meshell Ndegeocello recorded the song for her Peace Beyond Passion CD on Madonna’s label Maverick Records. Meshell’s version was her only number one on the US dance charts as a solo artist. Her version also peaked at #34 on the soul chart.]

[American Jazz Museum presents Ida McBeth at Blue Room Jazz Club, 1600 E 18th St. Kansas City, MO, Saturday, September 29, from 8:30 to 12:00]

5. Meshell Ndegeocello – “Sometimes It Snows in April”
from: Ventriloquism / Naive / March 16, 2018
[Singer-songwriter, rapper, bassist, and vocalist. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, and has had ten career Grammy Award nominations. She has been credited for having “sparked the neo-soul movement.”Ventriloquism is the 12th studio album from Meshell Ndegeocello. The album covers eleven R&B and pop tracks originally recorded in the 1980s and 1990s. A portion of the profits of the album will go to the ACLU. Tis album follows “Comet, Come to Me”, her 11th studio album. “Sometimes It Snows in April” was originally recorded by Prince. It was included on his eighth studio album Parade (1986), and within the accompanying film Under the Cherry Moon (1986). Prince wrote and produced the song, along with Wendy & Lisa who provided additional lyrics for the composition. The song’s narrator recounts memories of Christopher Tracy, Prince’s character from Under the Cherry Moon, and how Tracy’s passing affected the narrator; it also expresses their desire to hopefully rejoin Tracy in heaven. “Sometimes It Snows in April” received significant attention after Prince’s death on April 21, 2016, exactly 31 years after its recording date,]

6. Prince – “Mary Don’t You Weep (Piano & A Microphone 1983 Version)”
from: Piano & A Microphone 1983 / NPG Records – Warner Bros. / September 21, 2018
[Piano and a Microphone 1983 is a posthumous studio album by Prince. It is the first album released by the Prince estate with material from his archive, the Vault. The album was discovered in Prince’s Vault at Paisley Park as a single cassette tape. The music was recorded in one take with no backing band, just Prince at the piano, at his Kiowa Trail home studio in Chanhassen, Minnesota.It includes alternate versions of previously released and yet-to-be released songs, cover versions, and sketches of songs. The New York Times called it “a glimpse of a notoriously private artist doing his mysterious work.” “Mary Don’t You Weep” (alternately titled “O Mary Don’t You Weep”, “Oh Mary, Don’t You Weep, Don’t You Mourn”, or variations thereof) is a Spiritual that originates from before the American Civil War – thus it is what scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh’s army got drown-ded!, and to God’s rainbow covenant to Noah after the Great Flood. With liberation thus one of its themes, the song again becomes popular during the Civil Rights Movement. Additionally, a song that explicitly chronicles the victories of the Civil Rights Movement, “If You Miss Me from the Back of the Bus”, written by Charles Neblett of The Freedom Singers, was sung to this tune and became one of the most well-known songs of that movement. In 2015 it was announced that The Swan Silvertones’s version of the song will be inducted into the Library of Congress’s National Recording Registry for the song’s “cultural, artistic and/or historical significance to American society and the nation’s audio legacy” In 2018, a recording of the song done by Prince in 1983 was released as the first track from Piano and a Microphone 1983 and was used in the Spike Lee movie BlacKkKlansman. Prince’s albums discography consists of thirty-nine studio albums (including five soundtrack albums), three live albums, seven compilation albums, seventeen video albums, and twelve extended plays.]

10:29 – Underwriting

Prisca Jebet Kendagor and Nathan Bowman on the September 26, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Nathan Bowman & Prisca Jebet Kendagor

theatre artist, musician, and Park University Instructor – Nathan Bowman who with his wife, Elizabeth Bettendorf Bowman, are co-founders of Kansas City Public Theatre a not-for-profit company providing access to the arts through year-round theatre entertainment free of charge to the public. This mission is carried out in two activities: first, through producing aesthetically and ideologically diverse new works and reimagined classics which reflect the unique history and concerns of the Kansas City community; and second, to cultivate civic-minded artists, audiences, and citizens through community-based devised theatre workshops. Their first show of this season is a FREE script-in-hand performance of notable local playwright, Prisca Jebet Kendagor’s “Stained” on Monday, October 1, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway St, KCMO. More information at: http://www.kcpublictheatre.org

Nathan Bowman, thanks for being with us today on Wednesday MidDay Medley.

Prisca Jebet Kendagor began writing plays when she was 12 years old. It was for a sixth grade writing project. After close to two decades she hasn’t looked back. Kendagor’s work has been featured at the Lawrence Arts Center, Fishtank Theatre, and the Buffalo Room. She achieved recent success with “Seven and Ten” when she self-produced it as a staged reading in Kansas City and St. Louis and she made a triumphant return to the Kansas City Fringe Festival in 2018 with her play “Adulting: A Parody” which won Best of Venue, and placed third out of ten on the Best of Fringe list. Kendagor has also had the delight and pleasure of serving as a mentor/teacher with The Coterie Theatre in their “Reach The Write Minds” playwriting workshops.

Prisca Jebet Kendagor, thanks for being with us today on Wednesday MidDay Medley.

Co-founded November 30, 2017 by Elizabeth Bettendorf Bowman and Nathan Bowman, Kansas City Public Theatre, a not-for-profit company, provides access to the arts through year-round theatre entertainment free of charge to the public. This mission is carried out in two activities: first, through producing aesthetically and ideologically diverse new works and reimagined classics which reflect the unique history and concerns of the Kansas City community; and second, to cultivate civic-minded artists, audiences, and citizens through community-based devised theatre workshops.

Kansas City Public Theatre’s script-in-hand performance of notable local playwright, Prisca Jebet Kendagor’s Stained on Monday, October 1st at the Uptown Arts Bar, 3611 Broadway St, Kansas City, Missouri. This Theatre Lab is for mature audiences.

Prisca Jebet Kendagor and Nathan Bowman on the September 26, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Prisca Jebet Kendagor (PRIS-kuh KEN-duh-gor) is an Actress/Teacher at Coterie Theatre; an Actress at Trike Theatre; a Teacher at Kansas City Black Rep Theatre.

She lives in Kansas City, Missouri and is from Lawrence, Kansas

About Stained: Tamera is a playwright. A successful one at that. An extremely disorganized, scatterbrained, successful playwright…who is mending a broken heart.. What’s the best way to mend a broken heart? Hire a struggling actor to prostitute himself to you that’s how. Hey, women have sexual needs too. With a performance dead line staring her down, an unfinished script, Kenzie her manager and producer keeping her on task, and an un dealt with love life from which she gains inspiration from, Tamera must take the time to get real and honest if her come back play is going to be as big of a success as everyone believes it is….plus there’s her F#@k Boy.

The Cast!

Kyle is grateful to be involved in another of Prisca’s new plays. He joined AEA in Dec of last year and he was most recently seen in ‘And Then There Were None’ for KCAT in the fall of 2017. You can see him next in ‘Of Mice And Men’ on the Copaken Stage at the KC Rep Theater starting October 18th.

Chioma Anyanwu is excited to make her 2nd appearance with KC Public Theatre in her 2nd reading of Stained! A Columbia, MO native, she has called KC home for 10 years and just completed her MFA in Acting this Spring at UMKC. You can find her again at the Unicorn Theatre this December in The Wolves.

Emmy Panzica is pleased to once again bring the fierce words of Kenzie to life in Prisca Jebet Kendagor’s “Stained”. You can see Panzica as Corella and Lola in the Metropolitan Ensemble Theatre’s production of Horton Foote’s Orphan’s Home Cycle running October 25th – November 18th. Previous credits include: The Crucible (Equity Actors Readers Theatre), “Kiss & Tail” (The Living Room Theatre with the KC Zoo), Along the Line (Fishtank Theatre),The Ironing Man (KC Melting Pot Theatre), and William Inge Festival Play Labs 2017 & 2018 (Kokopelli Theatre Company). In her spare time Emmy likes to go on walks with her husband and dogs, read books on the couch with the cat, and watch documentaries.

KC Public Theatre – Theatre Lab at the Uptown Arts Bar! – Every first Monday of the month, Kansas City Public Theatre presents staged readings of local playwrights and small-scale performance art which reflects the unique history and concerns of the Kansas City community. Experience the development of new work and support area artists as they put new ideas to the stage! All events are FREE and open to the public.

TO SUBMIT: Send your project idea/play and headshot to kcpublictheatre@gmail.com with the subject “Theatre Lab.” All performances should be 60-90min in length.

Nathan Bowman is Producing Artistic Director for Kansas City Public Theatre
(November 30, 2017 to present)
Nathan Bowman is a Graduate Teaching Assistant at The University of Kansas
(August 2013 to present) Lawrence, Kansas
Nathan Bowman is a Stage Carpenter at Kansas City Repertory Theatre
(2011 to present) Kansas City, Missouri
Nathan Bowman is an Instructor at Park University, Parkville, Missouri
Nathan Bowman is a Singer/Guitarist at Attic Light, Kansas City, Missouri
http://www.atticlightmusic.com / http://www.facebook.com/atticlightkc / http://www.twitter.com/atticlightmusic

EDUCATION
University of Kansas Studied Ph.D. in Drama & Theatre · Ph.D. Theatre · Lawrence, KS
University of Kansas – Jul 2013 to May 2015 · Religious Studies MA · Lawrence, KS
Northwest Missouri State University Class of 2011 · Theatre & Philosophy · Maryville, MO
Excelsior Springs High, Class of 2007 · Excelsior Springs, Missouri

Prisca Jebet Kendagor and Nathan Bowman on the September 26, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Nathan Bowman, Prisca Jebet Kendagor, thanks for being with us today on WMM.

Their first show of this Kansas City Public Theatre’s new season is a script-in-hand performance of notable local playwright, Prisca Jebet Kendagor’s “Stained” on Monday, October 1, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway St, KCMO. More information at: http://www.kcpublictheatre.org

10:45 – Four Artists Playing the 1st Annual NKC Music Fest

1st Annual NKC Music Fest
Saturday, September 29
29 Bands / 8 Venues
Info: http://www.NKCFest.com

7. Mikal Shapiro – “Little Black Ant”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios.]

[Mikal Shapiro plays the FM Music Vintage Sounds Stage at 206 East 18th Avenue in North Kansas City at 3:00 pm for The NKC Music Fest, Saturday, September 29th.]

8. The Big Iron – “I Disagree”
from: The Big Iron / The Big Iron / May 30, 2014
[The band’s 4th full-length was produced, mixed and mastered by Duane Trower at Weights and Measures Soundlab. http://www.wmsoundlab.com Album cover and photos by Todd Zimmer. All songs by The Big Iron. It’s the band’s follow-up to 2014’s “We Will Fall”, 2008’s “Thanks for the Therapy,” and their 2001 debut recording, “Bury My Mistakes.” Ricky Reyes on guitar; Jon Paul on drums; Jeff Pendergraft on vocals, and Mike Farren on bass. More info at: thebigiron.bandcamp.com/]

[The Big Iron plays Velo Garage & Tap House, 1403 Swift Street in North Kansas City at 9:30 pm, for The NKC Music Fest, Saturday, September 29th.]

9. Deco Auto – “Goals”
from: Goals – Single / Deco Auto / February 21, 2017
[New music from Kansas City based alternative pop-punk / power-pop trio. Guitar/vocals: Steven Garcia; bass/vocals: Tracy Flowers; drums: Pat Tomek. All songs written by Steven Garcia, $tudent Loans For Life Music (ASCAP). Recorded, mixed and mastered by Pat Tomek at Largely Studios, Kansas City, MO. Recorded in November 2016]

[Deco Auto plays Davey’s Uptown TONIGHT, Wednesday, September 26, at 10:00 pm with Vela, Bird Girls, and North By North.]

[Deco Auto plays The Rino, 314 Armour Rd. in North Kansas City at 7:00 pm, for The NKC Music Fest, Saturday, September 29th.]

10. Marcus Lewis Big Band – “Post Racial (feat. Kadesh Flow)”
from: Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

[Kadesh Flow plays Chicken N Pickle, 1761 Burlington Street, North Kansas City at 6:00 pm, for The NKC Music Fest, Saturday, September 29th.]

11:00 – Station ID

11. Car Seat Headrest – “My Boy (Twin Fantasy)”
from: Twin Fantasy/ Matador / February 16, 2018
[Twin Fantasy (Face to Face) is the eleventh studio album by indie rock band Car Seat Headrest, released on February 16, 2018. It is a complete re-recording and reworking of the band’s sixth studio album, Twin Fantasy, released in 2011. Originally a started as a solo recording project by 26 year old, Will Toledo, in Leesburg, Virginia. Toledo chose the name “Car Seat Headrest” after recording the vocals of his first albums in the back seat of his car, for privacy. Car Seat Headrest released 12 albums on Bandcamp. Toledo’s production has gradually grown less lo-fi, but he still remains an effective example of the DIY ethic. Toledo saw a large influx of new fans with his 2011 release Twin Fantasy, which has become the most popular of his self-released albums. In September 2015, Car Seat Headrest announced on his Facebook page that he had signed an album deal with Matador Records. In October 2015, Car Seat Headrest released the compilation album, Teens of Style under the label. This was his first album that was not self-released via Bandcamp. The new album, Teens of Denial, was created with traditional studio processes.]

[Car Seat Headrest plays Crossroads KC, 417 East 18th, KCMO, Friday, September 28, at 7:00 PM.]

12. Kississippi – “Rinse, Repeat”
from: Sunset Blush / Bug Crusher Records / April 6, 2018
[Debut full length album from Philadelphia based indie folk band fronted by Zoe Allaire Reynolds (with Adam DaSilva, Jeremy Probst, Allegra Eidinger (They/Them), and Kaylen Alan Krebsbach.]

[Kississippi plays The Bottleneck, 737 New Hampshire St, Lawrence, KS, Thursday, September 27, at 7:00 with Foxing, & Ratboys.]

13. Foxing – “Nearer My God”
from: Nearer My God / Triple Crown Records / August 10, 2018
[Third album from the critically acclaimed St. Louis based band formed September 2, 2011 with: Conor Murphy, E.M. Hudson, Enrique Sampson, Jon Hellwig. Pitchfork writes: “The band’s previous albums, The Albatross and Dealer, were bookended by muted introductions and finales, hand-crafted keepsakes meant to be dog-eared and footnoted. Nearer My God is likewise a closed system bound with melodic and lyrical leitmotifs, but designed more like a multimedia extravaganza. About two minutes into the opener “Grand Paradise,” Murphy is “shock-collared at the gates of heaven” when the drums finally come in and it’s a legit drop for light shows they’ll never afford at festivals that have never considered booking them. Nearly an hour later, he cries, “Heaven won’t take me in”.” Produced and Engineered by Chris Walla and E.M. Hudson. Additional production by Mike V. Davis. Additional Engineering by Conor Murphy, Enrique Sampson, Joe Reinhart, Mike V. Davis. Editing by Ryan Wasoba, Mike V. Davis. Mastered by Joe Lambert. Arrangements by E.M. Hudson. Lyrics by Conor Murphy.]

[Foxing plays The Bottleneck, 737 New Hampshire St, Lawrence, KS, Thursday, September 27, at 7:00 with Ratboys & Kississippi.]

14. Island – “The Day I Die”
from: Feels Like Air / French Kiss Records / April 6, 2018
[Debut album from London based band made up of: Rollo Doherty, Jack Raeder, James Wolfe, and Toby Richards. The band is currently on a North American tour.]

[Island plays recordBar, 1520 Grand Ave, KCMO, Friday, September 28, at 8:00 pm]

15. Tyto Alba – “Shadow Monster”
from: Shadow Monster – Single / Tyto Alba / September 19, 2018
[Denver, Colorado based indie-rock/dream-pop band consisting of four friends making music together. Tyto Alba is fronted by singer/songwriter Melanie Steinway, on vocals and guitar, a tattooist and illustrator by day. Her folk background melds with indie, shoegaze and dream-pop influences for a distinctly lush and dreamy sound. Matt Rossi on guitar, Danny Dimarchi on bass & hype man, and Andrew Beir on drums. Tyto Alba has self-released two EPs and a handful of singles and is currently working on their debut full-length with Mighty Fine Productions.]

[Tyto Alba plays miniBar, TONIGHT, Wed, Sept 26, 9:00 PM w/ North By North, Toughies, & Akkilles]

[Tyto Alba plays Replay on Lawrence Thursday, Sept. 27, at 10:00 PM with La Guerre and Maybe Not]

16. Pale Tongue – “King in Yellow”
from: King In Yellow – Single / Manor Records / September 21, 2018
[The band’s upcoming self titled EP will be released on October 5. Lawrence based 3-piece band formed by Carlos Calderon and Nick Fredrickson of The Appleseed Cast and bassist James Thomblinson of Arc Flash, and Psychic Heat. The trio has molded their ripping ‘dungeon rock’ sound into a fierce torrent of fuzz and fury, bending and merging gritty acidic psych-punk with hypnogogic dreamscapes, crafting a realm of experience dripping in cosmic horror and heady awe. Engineered by Mitch Hewlett. Mix and Mastered by Joel Coon.]

[Pale Tongue play an EP Release Show, Friday, October 5, at 9:00 pm, at miniBar, 3810 Broadway, KCMO with HMPH, and Drugs & Attics.]

[Pale Tongue play an EP Release Show, Saturday, October 6, at 9:00 pm, at Haunted Kitchen with Y god Y, and FACEFACE.]

17. Death Cab for Cutie – “Gold Rush”
from: Thank you for Today / Atlantic Recording Corporation / August 17, 2018
[The ninth studio album from indie rock band Death Cab for Cutie. The album was produced by Rich Costey, who returns after collaborating with the band on their eighth album, Kintsugi. It is the first Death Cab for Cutie release to not feature Chris Walla since the band’s first album, You Can Play These Songs with Chords. The album also marks the first time guitarist/keyboardists Dave Depper and Zac Rae have appeared on a Death Cab for Cutie album, after making their debut recording with the band on the 2016 single “Million Dollar Loan”. The album was announced on June 13, 2018, along with the release of its first single, “Gold Rush”. The band also announced a tour to support the album’s release, beginning in fall 2018. Two further singles were released from the album prior to its release: “I Dreamt We Spoke Again” and “Autumn Love”. “Gold Rush” originated as a demo that the band planned to discard, but was revisited at the suggestion of producer Rich Costey and combined with another demo.[1] The song was written by lead vocalist and guitarist Ben Gibbard as “a requiem for a skyline”, inspired by the rapid changes to Seattle’s Capitol Hill neighborhood, where Gibbard had lived for 20 years and some areas were “almost unrecognizable” due to the influx of workers for companies like Amazon. The song uses a sample from “Mind Train”, a song from Yoko Ono’s 1971 album Fly. The song is in the key of F major and has a BPM of 80. The music video for “Gold Rush”, directed by Alex Southam, features Gibbard walking down a city street, observing passersby as their outfits change to a modern style. The video ends with Gibbard stopped by a swarm of people distracted by their smartphones. Death Cab for Cutie performed the song on the June 21, 2018, episode of The Late Show with Stephen Colbert.]

[Death Cab For Cutie play The Midland Theatre, 1228 Main Street, on Tuesday, October 2, at 7:00 PM, with Charly Bliss.]

18. Remy Styrk – “In Too Deep”
from: In Too Deep – Single / Remy Sryrk / June 13, 2018
[20 year old Remy Stryk lives in Leawood Kansas. Originally for Newark, New Jersey. This multi instrumentalist has been writing and recording music for several years. “In Too Deep” is one of four singles Remy has released in the last two years. Written by Remy Styrk. Mixed and Mastered by Joel Nanos at Element Recording. Remy Styrk released the EP Sunday, on January 25, 2018 a follow up to the August 12, 2015 full length album, Telling Stories Through The Basement Door.]

Calvin Arsenia plays The Gem Theatre Saturday, September 15, 2018.

19. Calvin Arsenia – “Headlights”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays recordBar on October 22 with Jake Wells]

11:40 – Underwriting

20. David George – “Lesson Of Love (feat. Shanna Jones)”
from: Lesson Of Love – EP / David George / February 23, 2018
[The third of three EP’s to be release over one year! This album features David George and his full band included a 3-pc horn section. All songs written by David George. Except “And She Knows” David George & Eason Pritchard. Horns on track Lesson of Love & And She Knows arranged by Bob Malone. Horns on all other tracks arranged by Ryan Heinlein. David George – Vocals, Acoustic & Electric Guitars. Ben Byard – Bass & Vocals. Pat Tomek – Drums. Giuliano Mingucci – Drums. Mike Stover – Pedal Steel Guitar, John Johnson – Lead Guitar. Bob Malone – Organ. Nate Nall – Trumpet. Ian Corbett – Baritone Sax. Kyle Hall – Trombone. Anthony Ritchie – Trombone. Stuart Ashley – Sax. David Luther – Vocals. Erik Voeks – Vocals. Camry Ivory – Vocals. Shanna Jones – Vocals. Produced by David George, Engineered and Mixed by Pat Tomek – Largely Studios, Mastered by Duane Trower – Weights & Measures Soundlabs/KCMO. With Erik Voeks, David George also released the EP Volker Brothers in June 2018.]

[David George Band plays The Riot Room, Saturday, September 29, at 4:00 pm with Edison Lights.]

21. Lyn Sherr – “She Lived” by Lucille Clifton
from: Poetic License 100 Poems-100 Performers / GPR Records / March 5, 2013
[Lucille Clifton was born Thelma Lucille Sayles, in Depew, New York on June 27, 1936 in Depew, New York she died on February 13, 2010 in Baltimore, Maryland. Lucille Clifton (born) grew up in Buffalo, New York, and graduated from Fosdick-Masten Park High School in 1953. She attended Howard University with a scholarship from 1953 to 1955, leaving to study at the State University of New York at Fredonia (near Buffalo. She was an American poet, writer, and educator from Buffalo, New York. From 1979 to 1985 she was Poet Laureate of Maryland. Clifton was a finalist twice for the Pulitzer Prize for poetry. In 1958, Lucille Sayles married Fred James Clifton, a professor of philosophy at the University of Buffalo, and a sculptor whose carvings depicted African faces. Lucille and her husband had six children together, which included four daughters (Sidney, Fredrica, Gillian, and Alexia) and two sons (Channing and Graham). Lucille worked as a claims clerk in the New York State Division of Employment, Buffalo (1958–60), and as literature assistant in the Office of Education in Washington, D.C. (1960–71). Writer Ishmael Reed introduced Lucille to Clifton while he was organizing the Buffalo Community Drama Workshop. Fred and Lucille Clifton starred in the group’s version of The Glass Menagerie, which was called “poetic and sensitive” by the Buffalo Evening News. In 1966, Reed took some of Clifton’s poems to Langston Hughes, who included them in his anthology The Poetry of the Negro. In 1967, the Cliftons moved to Baltimore, Maryland. Her first poetry collection, Good Times, was published in 1969, and listed by The New York Times as one of the year’s ten best books. From 1971 to 1974, Clifton was poet-in-residence at Coppin State College in Baltimore. From 1979 to 1985, she was Poet Laureate of the state of Maryland. From 1982 to 1983, she was visiting writer at the Columbia University School of the Arts and at George Washington University. In 1984, her husband died of cancer. From 1985 to 1989, Clifton was a professor of literature and creative writing at the University of California, Santa Cruz. She was Distinguished Professor of Humanities at St. Mary’s College of Maryland. From 1995 to 1999, she was a visiting professor at Columbia University. In 2006, she was a fellow at Dartmouth College.]

22. Lucy Wainwright Roche – “Heroin”
from: Heroin – Single / Lucy Wainwright Roche – Tone Tree Music / June 1, 2018
[one of three new singles released from Lucy this year in anticipation of her new album Little Beast. Lucy Wainwright Roche was born December 16, 1981. She is the daughter of singer-songwriters Loudon Wainwright III, a Grammy Award winner, and Suzzy Roche, who, along with her sisters (Lucy’s aunts) Maggie and Terre Roche, make up the vocal group The Roches, known for their original harmonies. The couple split when Lucy was two years old and her father spent much of his time in the UK, so Lucy didn’t see her father much during her childhood. The Loudon Wainwright song “Screaming Issue” is written about Lucy. Lucy is also the half-sister of singer-songwriters Rufus Wainwright and Martha Wainwright (whose late mother Kate was half of the Canadian folk duo Kate & Anna McGarrigle). She has toured with Rufus throughout the years. Through her father, she is a niece of Sloan Wainwright. Roche was born and raised in Greenwich Village, New York City. She attended PS 41 in Manhattan and high school at Saint Ann’s School in Brooklyn, New York, graduating in 1999. She then attended Oberlin College in Ohio, graduating in 2003 with a degree in creative writing. In 2006 Roche received her master’s degree in general education from Bank Street College of Education in Manhattan. She currently resides in Brooklyn. Roche initially chose to bypass the family career choice of music in order to teach elementary school in Durham, NC and New York City for several years. In 2007, she made the decision to pursue a career in music full-time.]

[Lucy Wainwright Roche plays KC Crossroads, Sun, Sept. 30, 8:00 PM, opening for the Indigo Girls.]

23. Amy Farrand & The Like – “Junk Man”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”]

[Amy Farrand & The Like play recordBar, Saturday, September 29, at 8:00 PM with CHaCO! and Tracer Heights.]

24. The Country Duo – “Picking Up The Pieces”
from: Live At Sun Studio / The Country Duo / September 1, 2017
[Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise at Massive Sound, KCMO. Kasey Rausch is one of the first musicians to play live on WMM. She is a 5th generation musician, songwriter and co-producer of River Trade Radio on KKFI 90.1FM. Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas, and deep Southeast Texas. Her third album, Guitar in Hand debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch. She was named 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM. Marco Pascolini grew up in a family of artists. His parents were both artists at Hallmark. For more than twenty years Marco Pascolini has built a musical reputation as one of the most well-respected musicians in Kansas City playing in the bands Scott Hrabko and the Rabbits, Folkicide, Dead Voices, Mr. Marco’s V7, Expassionates, the Brannock Device, Snakebite Orphans, the Fred Wickham band, with Kasey Rausch in The Naughty Pines. Marco is also a graphic artist and has designed multiple album covers and sleeve designs including the new Victor & Penny 7″ Single.]

[The Country Duo play Stockyard Sundays, Sunday, September 30, at 3:00 pm. at Stockyards Brewing Co. at 1600 Genessee Street, Suite 100, KCMO.]

25. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday October , we play more New & Local Releases and welcome special guests: Of Tree, Sterling Witt, and Aaron Rhodes.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #753

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WMM Playlist from Sept. 19, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 19, 2018

Stephonne Singleton
+ Ted Riederer of Never Records

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Marc Ribot & Fay Victor – “John Brown”
from: Songs of Resistance 1942 – 2018 / Noise Inc. – Anti Record / September 14, 2018
[Written & Arranged by Marc Ribot (Knockwurst Music). Background Vocals: Rea Dubach & Lukas Rutzen, Sax: James Brandon Lewis, Trombone: Curtis Fowlkes, Bass: Tony Garnier , Percussion: Reinaldo de Jesus , Drums: Chad Taylor. With his new album Songs of Resistance 1948 – 2018, Ribot—one of the world’s most accomplished and acclaimed guitar players—set out to assemble a set of songs that spoke to this political moment with appropriate ambition, passion, and fury. The eleven songs on the record are drawn from the World War II anti-Fascist Italian partisans, the U.S. civil rights movement, and Mexican protest ballads, as well as original compositions, and feature a wide range of guest vocalists, including Tom Waits, Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, Fay Victor, Sam Amidon, and Ohene Cornelius. Ribot began working on the project at the end of 2016, responding not just to the American elections, but to the political trends he was seeing around the world. “I am alarmed by Trump and the movement he’s part of,” he says. “I’ve spent a good chunk of my life running around the world on tour—I’m kind of an accidental internationalist—and I see that he’s not an isolated phenomenon. And if we don’t deal with what is going on, it is going to deal with us.” Ribot was born in Newark,NJ in 1954. As a teen, he played guitar in garage bands while studying with his mentor, Haitian classical guitarist and composer Frantz Casseus. He moved to New York City in 1978. He was a member of the soul/punk Realtones, and John Lurie’s Lounge Lizards. Ribot also worked with Brother Jack McDuff, Wilson Pickett, Carla Thomas, Rufus Thomas, Chuck Berry, and many others. Fay Victor was born July 26, 1965. She is an American musician, composer, lyricist and educator. Originally a singer in the traditional jazz field, she has been working in jazz, blues, opera, free improvising, avant-garde, modern classical music, and occasional acting since re-settling in New York in 2003. PROCEEDS TO BENEFIT: THE INDIVISIBLE PROJECT (501c4) http://www.indivisible.org ]

3. Dirty Projectors – “Break-Thru”
from: Lamp Lit Prose / Domino Recording Co / July 13, 2018
[8th studio album from Brooklyn based band, formed in 2002. The band currently consists of primary recording artist and core member David Longstreth (vocals, guitar), alongside longtime bass guitarist Nat Baldwin, Mike Daniel Johnson (drums), Maia Friedman (guitar, keyboards, backing vocals), Felicia Douglass (percussion, keyboards, backing vocals) and Kristin Slipp (keyboards, backing vocals). Since its formation the band has released eight full-length studio albums, and has had numerous lineup changes, with major contributions from guitarist and vocalist Amber Coffman from 2006 to 2013. “If 2017’s Dirty Projectors was the band’s dark night of the soul, Lamp Lit Prose marks a vibrant rebirth. Bright, colorful, and bursting with hope, the music here splits the difference between pop instinct and avant-garde ambition, live-band rigor and super-synthetic production—think Talking Heads for the 2000s. And where lead Projector Dave Longstreth’s songs have, in the past, tended toward high concepts, here he dwells on the rush of simple things: optimism (“Right Now”), romance (“Break-Thru”), and pure, unfiltered excitement (“I Feel Energy”). It features assists from Rostam, Amber Mark, Fleet Foxes’ Robin Pecknold, and HAIM.”]

10:14 – Underwriting

4. Seasaw – “God(zilla)”
from: Big Dogs / Seasaw / September 7, 2018
[4th full-length album from Indie rock band duo from Madison, Wisconsin consisting of: Eve Wilczewski and Meg Golz who met while working in an Italian restaurant in Freeport, Illinois. They realized they had similar taste in music, and began playing together, at first as “BoboMosie,” a CocoRosie cover band and eventually composing originals as Seasaw. Seasaw’s album “Too Much Of A Good Thing” was selected as one of the top five underground albums of the month by The Nerdist in July 2016. The same month, they were named Top Emerging Artist at Wisconsin Summerfest. Their song “Into the White” was one of Daytrotter’s Best Songs of 2016.Seasaw has performed with Lucius, Thao and the Get Down Stay Down, SOAK, Lissie, Mason Jennings, Har Mar Superstar and Shakey Graves.Golz holds a degree in audio engineering from the Madison Media Institute and Wilczewski was a painting major at University of Illinois.]

[Seasaw plays The Rino at 314 Armour Rd, North Kansas City, on Saturday, September 22 at 7:00 pm, with Other Americans And Pink Royal]

5. Other Americans – “Curtis Mayfield”
from: Other Americans EP / AWAL Records / June 29, 2018
[Debut self-titled EP from Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Zachary Phillips on bass. Hailing from the musical hotbeds of KCMO, and Lawrence, KS, and comprised of members of The Architects, Latenight Callers, Radar State and Brandon Phillips and The Condition, Other Americans is a virtual Midwestern supergroup of sorts. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.” The duo enlisted drummer Adam Phillips, bassist Zachary Phillips and late keyboardist Ehren Starks, who passed away suddenly in March 2018, and began writing the material that would become the EP. The band premiered their video for lead single, “Murdering Crows,” directed by artist Adrian Halperin, via The Spill Magazine in May 2018 Superlatively catchy and conjuring up well-intentioned comparisons to Yeah Yeah Yeahs, Fiery Furnaces, and even a jauntier and more aggressive Passion Pit, the new EP captures the excitement and spontaneity that punctuates coastal indie rock while embracing elements of the electronic dance rock that populates midnight warehouse parties. “All the basic tracking [for the EP] was done at Element Recording and was mastered by Joel Nanos,” Brandon Phillips reported. “Then I took it to my spot and worked and reworked it all for a year until it sounded like something none of us had heard before.”. The band’s video for their song, “Make Me Afraid,” was directed by Todd Norris & Mitch Brian./. Illuminated with the knowledge that the journey is as important as the destination, Phillips admits to looking forward to the period of dues paying that their debut brings. “I’m looking forward to all the firsts;. first show. first record. first tour. Magical thinking could have me pining for a post-Grammys Maserati coke party by the sea, but if I’m all wrapped up in making that fantasy come true, I’ll miss the fun of being present for the firsts and the fifths and the tenths.” From there the plan becomes a bit more complicated, “ The ‘Plan” as I see it is to con some major label artist into taking us out as support, steal their identities on laundry day, have reconstructive surgery, then only tour in countries without U.S. extradition treaties,” Brandon jokes. ]

[Other Americans play Plaze Art FAir, Friday, Sept. 21, at 8:00 on Ink! Live Stage]

[Other Americans play The Rino, 314 Armour Rd, NKC, Sat, Sept 22, 7:pm, w/ Seasaw & Pink Royal]

6. Danny McGaw – “You an Me”
from: “You an Me” – Single / Miki P/ September 1, 2018
[Manchester, England born Danny McGaw was a footballer, then a street musician, then a bar music, and then a husband and father living in Lawrence, Kansas, where he released one of our favorite recordings of 2012 – “Eccles Road.” After that he formed the band, Welles The Traveler with Jason Jones, Dan Hines, Chad Brothers, and Mike West, who produced the group’s debut recording. Eventually Danny and family relocated to California. He has made 10 records in 14 years and records his songs in his home studio. Danny is back in KC this week for multiple gigs and to be part of the 87th Annual Plaza Art Fair, Sept. 21-23.]

[Danny McGaw & Friends play Mike Kelly’s Westsider, TONIGHT, Wednesday, Sept. 19]

[Danny McGaw plays recordBar, 1520 Grand Thursday, Sept. 20, at 7:00 pm with 40 Watt Dreams, Supermassive Black Holes, Shapiro Brothers, and The MGDs.]

Danny McGaw & Chad Brothers play The Spikes 10408 Wenonga Ln, Leawood. Sat. Sept. 22, 6:pm]

[Danny McGaw plays Plaza Art Fair, Sunday, Sept. 23, at 3:00 PM.]

Ted Riederer of Never Records

10:30 – Interview with Ted Reiderer

New York artist & musician Ted Riederer joins us to talk about Never Records a collaborative project exploring the potential of a record store and record label to unite, educate, and uplift a community through recorded sound. Never Records began in January 2010, in an abandoned Tower Records near Union Square in New York City. Soon the project expanded to become a mobile record-making lab with Riederer traveling from city to city, opening a vinyl record shop with recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for people who visit the store. Never Records has traveled to: Liverpool, Derry, Ireland, London, Lisbon, New Orleans, Victoria Texas, Amman Jordan, and now Kansas City. Never Records opened in KC on August 25, as part of Open Spaces Kansas City, and runs through October 28, in the Crossroads, at 1611 Oak, KCMO, Wed thru Sunday, 10:00 am to 6:00 pm. More info at: http://www.neverrecords.net.

Ted Reiderer, thanks for being with us today on Wednesday MidDay Medley.

A “one-time refugee from punk and sometime band member,” Ted Riederer has armed himself with painting supplies, electric guitars, amplifiers, old LPs, record players, drum kits, hard disk recorders, photography equipment, a vinyl record lathe, and long-stemmed roses as he’s ambled artistically from the Americas to the Antipodes. His work has been shown nationally and internationally including exhibitions at PS1, Prospect 1.5, Goff and Rosenthal Berlin, Nicole Klagsbrun Gallery, Jack Hanley Gallery (San Francisco), Marianne Boesky Gallery, Context Gallery (Derry, Ireland), David Winton Bell Gallery (Brown University), The University of South Florida Contemporary Art Museum, the Liverpool Biennial, and the Dhaka Arts Center, Bangladesh. His “Never Records” project has traveled from New York, to Liverpool, to Derry, to New Orleans, to Texas, and to London, which was sponsored by the Tate Modern.

Ted Riederer is the Founding Artistic Director of Howl! Happening: An Arturo Vega Project, non-profit gallery/performance space in the East Village. The New York Times has described Howl! Happening as, “Instrumental to the history of the area.” Howl! Happening’s thriving publishing imprint A/P/E has included essays by: Ai Wei Wei, Dan Cameron, Anthony Haden-Guest, Robert Nickas, Michelle Grabner, Michael Musto, C. Carr, Nicole Rudick, John Lyons, and James Wolcott.

Never Records is a mobile record-making lab, using recording equipment and a vinyl record lathe to cut 2, four-minute records on the spot.

New York artist and musician Ted Riederer launched Never Records in 2010 as part of a collaborative project with curators No Longer Empty in the former sales floor of Tower Records’ fabled East Village flagship store. One year later, Never Records had expanded to become a mobile record-making lab, using recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for whoever walks in the door (one copy stays behind in the fast-growing library).
Never Records opened August 25, 2018 as part of Open Spaces Kansas City, and runs through October 28th, 2018, in a storefront space in the Crossroads district of Kansas City. The space is located at 1611 Oak St., Kansas City, MO 64108.

The exhibition will be open from Wednesday – Sunday from 10am-6pm. There will be a series of workshops and special events. A calendar of events will be posted on the Never Records website http://www.neverrecords.net.

from: http://www.neverrecords.sameexhibit.com

Never Records is a combination recording studio and record shop, all operating in one building. The sole proprietor, interior decorator, and engineer is New York-based artist Ted Riederer. Inspired by his own redemptive education at a young age inside the walls of a local record store in Rockville, Maryland as well as the field recording projects of Alan Lomax, Riederer devised his unique community art installation in the early part of this century and has been replicating it with regional variations throughout the world since 2010.

Performers from a locale sign up for recording sessions ahead of time, with no auditions necessary. Riederer usually offers three hour sessions, during which he mixes on the fly and cuts vinyl right in front of the artist’s eyes once both are satisfied with a particular take. The recordings are free to the artist, the sessions are open to the public, and you can’t buy anything you see. Ted hasn’t lowered prices by cutting out the middleman. He is the middleman. He is not a vertical operation; he is an elliptical one, a constant feedback loop supplying its own demand. Still, everyone takes something home, even if it’s the barest speck of record shop camaraderie inadvertently inhaled.

Within the walls of the Never Records shop, visitors can view a gallery of photographs and artwork from previous temporary establishments in the US and UK, as well as flip through stacks of vinyl representing the hundreds of solo folk artists, punk bands, storytellers, jazz groups, and noisicians who jumped at the chance for a free recording session. Black wooden bins hold a curated selection of records from the growing collection, but these aren’t for sale or even trade.

The artist or band is allowed to take their own copy home, and another is added to Riederer’s archives, as well as a digital copy. Riederer encourages bands to use the recording any way they want. There are no fees, royalties, or ownership issues.

“I walk them through the cutting process and show them their sound waves on a microscope. I consider this interaction the real performance of Never Records. The alchemy of cutting never fails to put a smile on participants’ faces. The machine is a new one made by these crazy but wonderful dudes in southern Germany. It is called a Vinyl Recorder and while it may not be able to compete with a $50,000 Neumann cabinet lathe, I can get pure, beautiful, hiss free recordings.”

Beyond the technical aspect of recording, his main job is to maintain the right conditions inside the shop for insecurity-free performances. The right conditions go beyond the gear and the Persian rugs covering the floors. The right conditions exist separately from the poster-covered walls or the fact that the distribution chain from studio to factory to anti-commercial outlet runs about twelve feet. The right conditions include Riederer’s ability to quickly ascertain a band’s influences and capabilities and the vast cross-genre knowledge that allows him to alter his recording methods for each artist. The right conditions have everything to do with musicians in eyesight of each other, no one isolated in a booth. Everyone experimenting without worry because the meter isn’t running on dead air, eating up the credit limit.

Never Records has a slogan. It is YOU ARE NOT LISTENING. Riederer explains, “A lot of people say that certain movements just need a voice. But it doesn’t matter if you have a voice if no one is fucking listening! You can have the most articulate voice, but if no one’s listening, it’s like the voice doesn’t matter. You gotta listen. Someone has to listen, and this process I take very seriously.”

In a world where bands are judged on 30 second samples and MP3s are collected and traded like baseball cards with no thought to the hard work and personalities behind their creation, Never Records creates a physical reminder of what a virtual platform can never truly duplicate.

– Ryan Sparks, New Orleans 2013

Ted writes:

“Practically every week during my adolescence, with the regularity of a parishioner, I visited Yesterday and Today Records in Rockville, Maryland. It was there where I communed with the spirit of Punk, Ska, Mod, and Rock and Roll. It was there where I learned about politics, sex, existentialism, style, and fashion. Yesterday and Today was more like a social library, a meeting place for musicians and artists, than a retail space. Never Records is my love letter to the record store. In the ruins of the one of the great retail giants of the end of the last century, a casualty of modernity and the Great Recession, we will reclaim the spirit of music and commune amongst the wreckage.

Never Records is an ever evolving project. As it continues, I will endeavor to make al of the archive available with links contacts to all the performers and participants. A huge heartfelt thanks to my family and friends and to everyone who has made Never Records such a thriving community.”

10:40 – Samples of recent Never Records recordings here in Kansas City

7. Kelly Hunt – “Dear Sara”
Recorded by Never Records September 14, 2018
[Kelly Hunt performs her adaptation of the Sullivan Ballou Civil War love letter:. Sullivan wrote this letter to his wife one week before he was killed at the Battle of Bull Run.]

8. Kerexu – “Kerexu”

9. Shapiro Brothers – “Hot Cool”

10. SJ Downes (SJ played live in our 90.1 FM Studios)

SJ Downes and Ted Riederer on the September 19, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Ted Riederer, thanks for being with us today on Wednesday MidDay Medley.

Never Records opened in KC on August 25, as part of Open Spaces Kansas City, and runs through October 28, in the Crossroads, at 1611 Oak, KCMO, Wednesday thru Sunday, 10:00 am to 6:00 pm. More info at: http://www.neverrecords.net.

10:50

11. Lovergurl – “Rebel”
from: “Rebel” – Single / Lovergurl / September 14, 2018
[Recorded and mastered with RLT at Audibly Recording. KC based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. The trio released their EP, The President is a Sex Offender on May 19, 2017. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is 26 years old and is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from The B-52s, The Velvet Underground, and The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews is also 26. She was born and raised in Rhode Island, and moved to Kansas City in 2011 and fell in love with the city.]

[Lovergurl plays Davey’s Uptown Rambler’s Club Friday, Sept. 21, at 9:00 pm with Jupiter and the Moons, and sMallWaves.]

12. Anna Calvi – “Don’t Beat the Girl Out of My Boy”
from: Hunter / Domino Recording Co / August 31, 2018
[3rd album from London singer. Produced by Nick Launay (Nick Cave) at Konk Studios in London with some further production in LA, the album was recorded with Anna’s band – Mally Harpaz on various instruments and Alex Thomas on drums – with the addition of Adrian Utley from Portishead on keys and Martyn Casey from The Bad Seeds on bass. It has a new rawness, a primal energy into which Calvi pushes the limits of her guitar and voice beyond anything she’s recorded before. Hunter is the embodiment of the feeling of truly letting go. For the songwriter and virtuosic guitarist, it was a catharsis, an opportunity to be more truthful than ever. The first new music since 2014’s collaborative release with David Byrne, Strange Weather EP, her self-titled debut album and the 2013 follow-up One Breath, Hunter is a visceral album exploring sexuality and breaking the laws of gender conformity. A queer and a feminist record, it is galvanizing in its hunt for freedom. It was important to Calvi that it was as vulnerable as it is strong; as beautiful as it is harsh; as much about the hunted as it is about the hunter. But she’s careful not to characterize any of these traits as “masculine” or “feminine” – the whole point is that one person, of any gender, can be both. The power is in the contrast itself; in the way she oscillates between extremes, sounding freer than ever before. She wanted to express herself while being “free from the story that either gender is given, free from worrying how people would judge me on what I want to do with my body & myself. For me, that’s quite a utopian

11:00 – Station ID

13. Stephonne Singleton – “You Are Fire”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University.]

[Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org]

11:05 – Interview with Stephonne Singleton

We have the pleasure of welcoming back to the show singer, songwriter and actor, Stephonne Singleton, who shares music from his album, “Caged Bird Sings Songs About Red Beard” released July 27, 2018 by Glory Blue Music. Stephonne and producer Jamie Searle have created a sound that supports Stephonne’s wide ranging and soulful vocals, and vulnerable lyrics. Searle’s orchestrations and arrangements defy category by infusing rock, jazz, r&b, folk and neo-soul into a sound that is timeless and brand new. Stephonne’s press materials report, “It is the voyage of a red state born gay black man that turned the bitter cold and pain of love lost, love mistaken and love unreturned into a body of work that demands to be heard and never forgotten.” Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org

Stephonne Singleton, Thanks for being with us on Wednesday MidDay Medley

Stephonne released an EP of Caged Bird Sings Songs About Red Beard on April 22, 2016

Calling himself the lovechild of Prince and Billie Holiday, 31 year old singer-songwriter Stephonne Singleton received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University. He works as a musician and actor in Kansas City.

Glory Blue Music is the LLC Stephonne created to support his music, named after a band he was in.

11:15

SJ Downes, Ted Riederer and Stephonne Singleton on the September 19, 2018 edition of Wednesday MidDay Medley o KKFI 90.1 FM.

14. Stephonne Singleton – “Fine Feelin Blue”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University.]

11:19 – Interview with Stephonne Singleton

Stephonne and producer Jamie Searle have created a sound that supports Stephonne’s wide ranging and soulful vocals, and vulnerable lyrics. Searle’s orchestrations and arrangements defy category by infusing rock, jazz, r&b, folk and neo-soul into a sound that is timeless and brand new.

For more information visit: http://www.stephonne.com

Stephonne Singleton, Thanks for being with us on Wednesday MidDay Medley

Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org

11:29

SJ Downes, Ted Riederer and Stephonne Singleton on the September 19, 2018 edition of Wednesday MidDay Medley o KKFI 90.1 FM.

15. Stephonne Singleton – “How I Feel”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University.]

[Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org]

11:33 – Underwriting

16. Ivory Blue – “Midas Touch
from: Ready Get Set [EP] / Ivory Blue / June 23, 2015
[Ivory Blue started writing music at the age of 14. An Indiana native, Ivory was given up for adoption at the age of 4, into a family that later caused them to run away at the age of 15. IVORY played coffee houses and small venues before landing in Kansas City in 2010. Ivory was one of the first artists to come-out as Non Binary Transgender, and gained respect from radio, television, and international magazines. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records. The single was released this summer on June 15, 2018.]

[Ivory Blue plays Behind The Gate With Ivory Blue, Friday, September 21, at 7:00 at 11100 E Winner Rd. Independence MO. 64052 a kick off for the “Behind the Gate” patio concert series to benefit “WestiNd Connection.” private, invite / limited seating. More info at: http://www.ivorybluemusic.com]

17. Amanda Fish – “Free”
from: Free / VizzTone / September 14, 2018
[Amanda Fish began as a singer songwriter in late 2012, refining her original material as a solo act for 2 years before she formed her band in early 2014, a Roots Rock and Soul project featuring Amanda’s signature ‘from-the-gut’ vocals locked into a sturdy groove. In 2015, she released her first LP, “Down In The Dirt”, on VizzTone Label Group, for which she was awarded the 2016 “Sean Costello Rising Star” Blues Blast Music Award. Amanda and her band set Beale Street on fire in the 2017 International Blues Challenge Semi Finals, playing new material slated for her next release.]

[Lakeside Live Series presents: Amanda Fish Band, Friday, September 29, at 6:00 PM at Arcadian Moon in Higginsville, Missouri]

18. Madisen Ward and the Mama Bear – “Everybody’s Got Problems”
from: The Radio Winners / Glassnote Records / July 27, 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occasional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear play The Madrid, Monday, September 25, at 8:30 pm, opening for The Record Company]

19. Iron & Wine – “What Hurts Worse”
from: Weed Garden – EP / Sub Pop Records / August 31, 2018
[This EP collects extra Iron & Wine tracks written for 2017’s Beast Epic release. Samuel “Sam” Ervin Beam was born July 26, 1974. He is better known by his stage and recording name Iron & Wine, is an American singer-songwriter. He has released six studio albums, several EPs and singles, as well as a few download-only releases, which include a live album (a recording of his 2005 Bonnaroo performance). He occasionally tours with a full band. Beam was raised in South Carolina before moving to Virginia and then Florida to attend school. He now resides in Durham, North Carolina.[ The name Iron & Wine is taken from a dietary supplement named “Beef, Iron & Wine” that he found in a general store while shooting a film.]

[Iron & Wine play The Midland Theatre on Friday, September 21, at 7:00 PM.]

20. Shiner – “Sleep It Off”
from: Lula Divinia / Castle Face / March 11, 1997 / Reissued by Desoto in 2001
[The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7″ single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Allen Epley is in The Life and Times. Shiner’s 3rd studio album, Starless, from 2000, is now available on vinyl.]

[Shiner plays recordbar on Saturday, September 22, at 7:00 pm with The Whiffs and Bummer]

21. Todd Rundgren – “A Dream Goes On Forever”
from: Todd / Bearsville Records / February 1974
[The 5th album and 2nd double album was an expansion of Rundgren’s experimentation on his previous album, A Wizard, a True Star. It showed his growing interest in the synthesizer, and its ability to expand the textures of rock music. Much of the album is intensely experimental. However, it is not without its share of pop songs. Todd also tinkers with the synth-heavy progressive sound he would take further with his later band Utopia. First issues of this LP included a large wall poster; all the lyrics appeared on one side, while the other was Todd’s cover portrait in shades of fine print, consisting of the names of 10,000 fans who had sent in the postcard included with A Wizard, a True Star. Todd Harry Rundgren (born June 22, 1948) is an American multi-instrumentalist, singer, songwriter, and record producer who has performed a diverse range of styles as a solo artist and as a member of the band Utopia. He is characterized for his sophisticated and often-unorthodox music, flamboyant stage outfits, and his later experiments with interactive entertainment. He also produced innovative music videos, pioneered forms of multimedia, and was an early adopter and promoter of various computer technologies, such as using the Internet as a means of music distribution in the late 1990s. A native of Philadelphia, Rundgren began his professional career in the mid 1960s, forming the psychedelic band Nazz in 1967. Two years later, he left Nazz to pursue a solo career and immediately scored his first US top 40 hit with “We Gotta Get You a Woman” (1970). His best-known songs include “Hello It’s Me” and “I Saw the Light” from Something/Anything? (1972), which have heavy rotation on classic rock radio stations, and the 1983 single “Bang the Drum All Day”, which is featured in many sports arenas, commercials and movie trailers. Although lesser known, “Couldn’t I Just Tell You” (1972) was influential to many artists in the power pop genre. His 1973 album A Wizard, a True Star remains an influence on later generations of “bedroom” musicians. Rundgren organized the first interactive television concert in 1978, designed the first color graphics tablet in 1980, and created the first interactive album, No World Order, in 1994. Additionally, he was one of the first acts to be prominent both as an artist and as a producer. His notable production credits include Badfinger’s Straight Up (1971), Grand Funk Railroad’s We’re an American Band (1973), the New York Dolls’ New York Dolls (1973), Meat Loaf’s Bat Out of Hell (1977) and XTC’s Skylarking (1986).]

[Todd Rundgren plays the Crossroads KC on Saturday, September 22, at 8:00 PM.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday September 26, we’ll play more New & Local Releases. Plus Nathan Bowman and members of the Kansas City Public Theatre joins us in the studio.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #752

WMM Playlist from July 11, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 11, 2018

Music From Lawrence Field Day Fest 2018
+ Fally Afani of I Heart Local Music +
Liz Jeans of The Human Touch

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Helen Gillet – “I Live Off You”
from: Helkiase / Helen Gillet / July 6, 2018
[Cover of English punk band X-Ray Spex from Germfree Adolescents, released Nov. 10, 1978. Written by Polystyrene aka Marianne Joan Elliott-Said born July 3, 1957, a British musician, singer-songwriter, frontwoman for X-Ray Spex. She died of Metastatic Breast Cancer on April 25, 2011, at the age of 53.] [Originally from Leuven, Belgium and now based in New Orleans, Louisiana. Globe Trotting, multi-faceted, jazz-based cellist, singer, composer and improviser Helen Gillet is a “mixed bag” of musical influence. Downbeat Magazine recently nominated her a Rising Star in the 61st Annual Critic’s Poll. She believes music to be an expression of the honest human condition; performing an eclectic mix of French pop, Avant Garde Jazz, North Indian, Folk and Classical styles. Helen Gillet’s 2018 solo album is Inspired by Helkiase, a cure-all medicine invented by the nuns of Notre Dame à la Rose hospital in Lessines, Belgium. (The hospital was one of Europe’s longest continually operating hospitals founded in XIII’s century). Gillet’s latest music deals with the more recent personal layers of complicated grief and finding new strength, sense of humor and inspiration. This recording captures the current spirit of Gillet’s live performance and features her newest original songs “Slow Drag Pavageau” written about legendary dancer and New Orleans bassist Alcide Pavageau, as well as “You Found Me,” “Skin,” and “Vautour,”song inspired by Israeili composer and artist Naama Tsabar. All songs are performed by Helen Gillet using a Boss RC50 Loop station and mainly cello and voice. Tracks 7 “Tonnerre” and 4 “Helkiase” use a Moog Sub Fatty synthesizer and vinyl scratching of a famous 1940 General de Gaulle speech. Live studio sessions and evening concerts recorded by Andrew “Goat” Gilchrist at the House of 1Hz on March 8th and 9th 2018 in New Orleans, LA. Mastered by Bruce Barielle.

3. The Dear Misses – “All The Same”
from: All The Same – Single / Independent / June 19, 2018
[In early 2017 The Dear Misses releasd their first full length album, “Just Let Go,” written over the course of 4 years. TDM started as a side project for lead singer Todd Anderson and Guitarist Cody Stapleton and caught full sail upon the addition of Drummer Bret Collins in 2014 and Bassist Shane Berggren in Late 2015. This Lawrence Kansas based 4-piece band is made up of: Todd Anderson on lead vocals & rhythm guitar, Cody Stapleton on lead guitar & backing vocals, Bret Collins on drums, and Shane Berggren on bass. More information at: http://www.reverbnation.com/thedearmisses%5D

[The Dear Misses play The Granada Theatre, 1020 Massachusetts Street, Lawrence, Kansas, Friday, August 24, at 7:00 pm, for the Vigil & Thieves “Make Sure They Hear You” Album Release Party, along with the bands Mess, Life Coach, and of course Vigil & Thieves.]

4. Belle & The Vertigo Waves – “Don’t Come Back”
from: Aligned / Drop Out Records / October 6, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services. The band recently played Middle of the Map Fest.]

[Belle and The Vertigo Waves play The Rino, 314 Armour Rd, North Kansas City, THursday, July 12, at 7:00 pm, with Carry Illinois, and Rachel Mallen.]

[Belle and The Vertigo Waves play Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO, on Saturday, July 14 at 8:00 PM with The Monolithic, L.A. Jones, and Mene Mene.]

5. Amy Farrand & The Like – “Junk Man”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded with Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”]

[Amy Farrand & The Like play the I Love KC Music Birthday Show, Friday, July 13, at Californio’s with The Philistines and Temp Tats.]

6. Andrea von Kampen – “Boots of Spanish Leather (Live)”
from: Boots of Spanish Leather (Live) – Single / Andrea von Kampen / January 15, 2018
[Lincoln, Nebraska based singer songwriter with over 5 million Spotify streams Andrea von Kampen has quickly established herself in the recording studio and on the road. Her deft guitar work and intuitive song construction display striking maturity, and her effortless vocal delivery has been praised by Hear Nebraska as “soulful and worn-in.” Andrea has shared the stage with Tall Heights, Esme Patterson, Gregory Alan Isakov, Dead Man Winter, John Moreland, Dead Horses, Gaelyn Lea, and more. She was featured as a finalist in NPR’s Tiny Desk Contest, and won Eddie’s Attic Open Mic Night in Decatur, GA. Her recent midwest tour included a live session at Audiotree in Chicago. The resulting recording is now available wherever music is sold and streamed, alongside Andrea’s studio EPs “Desdemona” and “Another Day.”]

[Andrea von Kampen plays recordBar, 1520 Grand Ave, on Friday, July 13, at 7:00 PM with Calvin Arsenia and Of Tree]

7. Keaton Conrad – “(If I Told You to) Stay”
from: (If I Told You to) Stay – single / Keaton Conrad / Expected July 20, 2018
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine).I n 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad’s newest single “(If I Told You to)Stay” is set to be released on July 20th, 2018. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. In 2015 he released a 5-song EP, Panic & Blame. ]

[Keaton Conrad plays The Dubliner, 170 East 14th Street, Downtown, on Friday, July 13.]

10:30 – Interview with Liz Jeans

Liz Jeans on the July 11, 2018 edition of Wednesday MidDay Medley on KKFI.

Liz Jeans received her Masters in Dance from the University of Oregon. Liz developed dance programs for the Performing Arts in Eugene, Oregon, and co-directed Powers & Jeans Dance Ensemble. Liz has performed in Los Angeles, Baghdad, Paris, Tokyo, and East Berlin. In 1988 she returned to KC to teach dance in the Visual Performing Arts School. In 2001 she developed a dance program for St. Teresa’s Academy. In 1997 Liz received her massage training certification from Mueller College in San Diego, California. Liz founded A Healing Touch to offer Therapeutic, Deep Tissue, Zen Body Therapy, Thai massage, plus Energy work, and Dog Massage. A Healing Touch hosts an “open house” July 15, 2 to 6:00 pm, at 4050 Pennsylvania, #302, with music from: Pickett, Paull & Jeans, art & poetry from Boni Tolson, and a monologue from Glendora Davis of Potluck Productions. More info at: 816-456-3671 / http://www.ahealingtouchkc.massagetherapy.com

Liz Jeans, thanks for being with us on Wednesday MidDay Medley

Liz’s first love was movement and dance, as a choreographer, dancer and teacher. She received her MA in dance from the University of Oregon, in Eugene, Oregon where she developed a Dance Program for the Community Center for the Performing Arts and co-directed POWERS & JEANS DANCE ENSEMBLE.

After a short debut in LA, she began an international escapade starting in Baghdad, during the Iran/Iraq war. She then moved to Paris where she danced at the historic Moulin Rouge. Liz also danced with Soho Productions in Tokyo and at the Friedreichstadt Palast in East Berlin while the Wall was still a very real aspect of German life.

In 1988, she returned to the US and taught dance in the Visual Performing Arts School for 7 years and in 2001 developed a dance program at St. Teresa’s Academy.

Liz combined her arts with the healing arts in 1997 and became a licensed massage therapist. She received her massage training from Mueller College in San Diego, CA.

Liz writes, “With my background in movement and body awareness as a dance educator, I know that if my body doesn’t feel good, I don’t feel good, that listening to my body is the first step to healing, and that taking care of my body is taking care of me. I know the importance of freedom of movement. Massage is an excellent step to creating a sense of well-being.”

In 2011, Liz expanded her repertoire to include animals, as they innately exude unconditional love, the core element of healing. Because they have no filters, their feedback is informative and useful in developing a stronger practice for both people and animals. Plus…. there are the benefits of unadulterated appreciation. She received her certification and began an internship at State Line Animal Hospital, where she continues to practice animal massage. Her clients include dogs and cats.

Liz founded A Healing Touch to offer Therapeutic, Deep Tissue, Zen Body Therapy, Thai massage, plus Energy work, and Dog Massage.

A Healing Touch hosts an “open house” July 15, 2 to 6:00 pm, at 4050 Pennsylvania, #302, with music from: Pickett, Paull & Jeans, art & poetry from Boni Tolson, and a monologue from Glendora Davis of Potluck Productions. More info at: 816-456-3671 / http://www.ahealingtouchkc.massagetherapy.com

10:45 – Underwriting

8. Westerners – “Dog Years”
from: Reoccurring Dream Theme / The Record Machine / July 14, 2017
[Debut full length album from Lawrence / Kansas City based band formed in August of 2013. The band includes: Mitch Hewlett, Josh Hartranft, Matthew Pesma and Brian Robertson. Westerners signed to Kansas City independent label The Record Machine in 2015.] [Westerners played an album release at Mills Record Co, Fri, July 7, w/ Shortsweather and at Love Garden Records, Lawrence, July 8, w/ No Magic, CS Luxem.]

[The Westerners play Lawrence Field Day Fest, Thursday, Juy 19, at 11:45 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

9. Emmaline Twist – “Oblivion”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering.. Matched with compelling cover-art created by Amy Abshier. Emmaline Twist joins us on WMM on August 22.]

[Emmaline Twist play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 7:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

10. Lincoln Marshall – “Brave”
from: Wake / Datura Records / October 18, 2017
[Written By: Milkdrop & Approach. Produced, Sequenced, Recorded, Mixed & Mastered By: Aikido Bray at Prosidio Gardens in Lovely Lawrence, Kansas. Artwork, Layout and Design By: The Art My Life Imitates Equipment Used: ASR-10. Approach aka Sean Hunt reports that is is a collection of songs we recorded during the creation of “Weight/Water” albums. “Milk & I revisited these songs and felt like they are strong enough to release. We are in the final stages of finishing our new album “Wisdom” and wanted to give you a little something in the meantime.”

[Lincoln Marshall play Lawrence Field Day Fest, Saturday, July 21, at 12:30 am, at Replay Lounge, 946 Massachusetts Street, Lawrence, Kansas.]

11:00 – Station ID

11:00 – Fally Afani Guest Producer

Wednesday MidDay Medley is celebrating the 7th Annual Lawrence Field Day Fest, July 19-21, in Downtown Lawrence, Kansas, featuring over 60 bands at multiple venues: The Bottleneck, Jackpot Music Hall, The Replay Lounge, The 8th Street Taproom and more, with showcases from: I Heart Local Music, and Black Site Records. http://iheartlocalmusic.com/2018/06/18/i-heart-local-music-announces-field-day-fest-lineup-2/

Fally Afani on the July 11, 2018 edition Wednesday MidDay Medley on KKFI.

Fally Afani, is Editor & Founder of I Heart Local Music and she joins us for our entire second hour as Guest Producer to play music from Lawrence Field Day Fest. Fally Afani is an award-winning journalist with a career spanning more than 15 years in media. She has worked extensively in radio, television, newspapers, magazines, and more. Fally Afani’s work has been featured in magazines, newspapers, and television stations across Kansas. She received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. I Heart Local Music is a place for music lovers in Lawrence to gather. It was started out of a deep love and appreciation for the local music scene. I Heart Local Music recently published their first print magazine edition. More information at: http://www.iheartlocalmusic.com

Fally Afani, thank you for being with us in Wednesday MidDay Medley.

11. Khrystal. – “Black Girl Magic”
from: Q u a r t e r C e n t u r y L i v i n g / Khrystal. / September 1, 2017
[Khrystal’s debut EP. Written and performed by Khrystal. Produced by Katheryne Johnson. Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017.

[Khrystal plays Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 8:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

12. Serene Fiend – “Just Wont Go Away”
from: Sowing Discord / DK Records / Expected July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.” You can preview the new single from Sowing Discord here: https://youtu.be/nGdafcUz3Zw%5D

[Serene Fiend plays Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 10:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

[Serene Fiend plays an ALBUM Release Friday, July 27 at 9:00 PM, at Jackpot Music Hall, 943 Massachusetts St, Lawrence, Kansas, with The Philistines]

13. The Sluts – “Only One”
from: Only One / The Sluts / May 25, 2017
[5 song EP from the Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011.]

[The Sluts play Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 11:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

14. Bruiser Queen – “Sugar High”
from: Heavy High / Bruiser Queen / November 10, 2017
[St. Louis based Garage Pop Rock N Roll duo Bruiser Queen blend 21st Century punk stomp with 60’s girl group shimmy. Morgan Nusbaum’s vocals & guitar arrive on stage like a Riot Grrrl but bop to the beat of Jason Potter’s huge, dark drumming.]

[Bruiser Queen plays Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 9:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

15. Young Mvchetes – “Maniq (Radio Edit)”
from: The Week / Young Mvchetes / April 7, 2018
[Rap duo from Topeka Kansas. All tracks were recorded in a week. A;; tracks were written by Young Mvchetes. All track were produced, mixed, and mastered by Young Mvchetes and Devon Hanna, with additional guitars by MAADCXMMANDER ON “Maniq.” 99.9% of shredding performed by Devon Hanna.]

[Young Mvchetes play Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 12:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

11:27 – Underwriting

16. Duncan Burnett – “Black Boy Joy”
from: The Almighty EP / R.I.O.T LLC / May 4, 2018
[Olathe, Kansas based hip hop artist, singer, songwriter, producer, musician, drummer. From Tim Finn’s Back To Rockville(KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind. The first: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. A trained drummer and percussionist, Burnett, 26, has been performing live since he was 7 years old. Live music, he said, is in his blood.][Duncan Burnett (Black Boy Joy, just released: http://iheartlocalmusic.com/2018/05/08/album-review-duncan-burnett-the-almighty-ep/%5D

[Duncan Burnett plays Lawrence Field Day Fest, Thursday, July 19, at 8: 00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

17. HighWesthus – “Burn (Radio Edit)”
from: HighWesthus – The Trilogy (Part I, II, III) / Datura Records / August 26, 2017
[Written and produced and performed by HighWesthus, and mixed and mastered by Leyone Tracks. HighWesthus was born Shaun Teamer, in Chicago, Illinose. He is now based in Kansas City. In October 2016 HighWesthus released Part III. The ILLU as the last official album of the Trilogy Set that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. Recently Lawrence based Datura Records in co-release with Whatever Forever, released all three parts as one 29 song collection. HighWesthus is a freelance multimedia artist living in Kansas City. He graduated from the Kansas City Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illistration, animation, graphic design, dideo editing, sound editing, music producing, writng and storytelling.][HighWesthus – http://iheartlocalmusic.com/2017/08/17/drop-everything-and-see-highwesthus/%5D

[HighWesthus plays Lawrence Field Day Fest, Thursday, July 19, at 12:00 am, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

18. Vigil and Thieves – “Ladylike”
from: Make Sure They Hear You / Vigil and Thieves / August 24, 2018
[Kansas City based 4-piece band with Sarah Storm on vocals, guitar, & keyboards; Steph Castor on guitar; Matthew Muckenthaler on bass, and Andrew Flaherty on drums.]

[Vigil and Thieves play Lawrence Field Day Fest,, Saturday, July 21, at 11:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

[Vigil and Thieves play a “Make Sure They Hear You” Album Release Party at The Granada Theatre, 1020 Massachusetts Street, Lawrence, Kansas, Friday, August 24, at 7:00 pm, with the bands The Dear Misses, Mess, Life Coach, and of course Vigil & Thieves.]

19. Chess Club – “Thick”
from: Hit The Ball / Black Site / June 9, 2018
[Lawrence Kansas based Emo / math pop band with Griffin Nelson on guitar & vocals, Cooper Avery on drums, and David Krejci on bass.][Chess Club – http://iheartlocalmusic.com/2018/06/26/album-review-chess-club-hit-the-ball/%5D

[Chess Club play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 6:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

20. Wick & The Tricks – “Drama Queen”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece punk band from Kansas City. On this recording: Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.]

[Wick & The Tricks play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 8:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

21. Red Kate – “Iraqi Girl”
from: Iraqi Girl – Single / Too Much Rock / February 24, 2018
[L. Ron Drunkard – bass/lead vocalist, Andrew Whelan – Drums/Vocals, Desmond Poirier – guitar/vocals. Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, and Witch Jail have all recorded for the Too Much Rock Single Series. More info at: http://www.toomuchrock.com. //// Red Kate is proud to announce the release of a new single on local label, Too Much Rock. As with all records in the Singles Series, this old-school, 45 rpm ripper contains one original track and one cover selected by the label. Side A, Iraqi Girl, is a grinding statement on American foreign policy, while side B follows suit with a cover of the TSOL song, American Zone. This frank indictment of how we treat those sent off to impose that foreign policy is as relevant today as it was in 1984. American Zone marks the first recording with the band’s newest member, rhythm guitarist Shaun Hamontree, whose contribution to the effort also includes his arresting, if not disturbing, cover art invoking the devastating reality of a war widow’s scrap book. /// Both tracks were recorded at Weight and Measures Soundlab where engineer Duane Trower and producer L. Ron Drunkard have perfected Red Kate’s sonic signature. And like all 7” releases by the band, the covers were printed locally by the good folks of the Allied Printing and Trades Local 16C at Callander Printing in Kansas City, KS][http://iheartlocalmusic.com/2018/03/12/review-red-kate-iraqi-girlamerican-zone-singles/]

[Red Kate plays Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 10:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on July 18 we talk with organizers of this years Kansas City Fringe Festival, Plus Tim Finn joins us on the day before he presents, “A Look Back at Rockville: Great Moments in Kansas City Concerts” at The Kansas City Public Library – Plaza Branch, Thursday, July 19 at 6:30 PM. Plus, we’ll tlk with organizers of Mom’s Demand Action for Gun Sense benefit featuring: Howard Iceberg at Wednesday, July 25 at 7 PM , at The Uptown Arts Bar, 3611 Broadway St, Kansas City, Missouri.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #742

Lawrence Field Day Fest 2018
TENTATIVE SCHEDULE – SUBJECT TO CHANGE

THURSDAY 7/19

The Bottleneck
7:00 LK Ultra
8:00 Duncan Burnett
9:00 Hannah Norris and The Band
10:00 Deco Auto
11:00 The Dead Girls
12:00 High Westus

The 8th Street Taproom
9:15 Hot Suede
10:15 Cuee
11:15 Breakadawn
12:15 The Harrisonics

The Replay Lounge
8:30 Asterales
9:30 Second Hand King
10:30 Annalibera (Des Moines)
11:30 Stitch 81 Classic
12:30 Salty

The Jackpot
7:45 They Call Me Sauce
8:45 Cuddle Puddle
9:45 The Travel Guide
10:45 The Uncouth
11:45 Westerners
12:45 Domineko

FRIDAY 7/20

The Replay Lounge Early
5:00 Something and The Whatever’s
6:00 TBA
7:00 The Windermeres
8:00 Tire Fire

The Replay Lounge Late
9:30 Approach
10:30 Blackheart Saviors
11:30 The Architects
12:30 Headlight Rivals

The Jackpot Music Hall
I Heart Local Music Showcase (order subject to change)
8:15 Khrystal
9:15 Bruiser Queen
10:15 Serene Fiend
11:15 The Sluts
12:15 Young Mvchetes

The Bottleneck
6:15 Even The Girl
7:15 Our Lives Yesterday
8:15 Bearblood
9:15 The Soiled Doves
10:15 Sheven
11:15 Godzillionaire
12:15 Hyborian

SATURDAY 7/21

The Replay Lounge Early
5:00 The Goodbye Sort
6:00 Nick Siegel and Band
7:00 Shoebox Money
8:00 Broken Arrows

The Replay Lounge Late
9:30 Metawatt and TRS-One
10:30 Momma’s Boy
11:30 The Ghoulies
12:30 Lincoln Marshall

The Jackpot Music Hall Early
3:30 Life Coach
4:30 Baby D
5:30 TBA

The Jackpot Music Hall Late
7:15 The Blackbird Fields
8:15 Philosophy Of Lions
9:15 Feng$hui
10:15 Louiz Rip
11:15 Vigil and Thieves
12:15 Vibralux

The Bottleneck
Black Site Records Showcase
6:00 Chess Club
7:00 Emmaline Twist
8:00 Wick and The Tricks
9:00 Rich Yarges and The Pop Mechanics
10:00 Red Kate
11:00 Truck Stop Love
12:30 Stiff Middle Fingers

Wednesday MidDay Medley

WMM Playlist from April 18, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 18, 2018

Bach Aria Soloists + Amy Farrand
+ Outer Reaches Explores The World + Thee Devotion

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Hi-Lux – “Dance With My Baby”
from: Hi-Lux – EP / Hi-Lux / Februay 1, 2018
[Originally released as a digital single on June 16, 2017. Then released as a 7 inch Vinyl 45 rpm single with b/w “Don’t Blame Me” on Sunflower Soul Records on January 5, 2018. Now included in this 6 song EP released February 1, 2018. This was part of a series of Single releases from the band. Julia Haile told us that each single demonstrates the different influences of individual members of the band, showing their range from reggae, funk, pop, R&B, and dance. HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in KC. More info at: http://www.hi-lux.bandcamp.com]

[Hi-Lux plays Third Thursday at The Nelson Atkins Musieum of Art, 4525 Oak, KCMO, Thursday, April 19, 6:00 to 9:00 PM.]

[Hi-Lux plays Day-2 of Mills Record Company’s Record Store Day Celebration, on Sunday, April 22, w/ Instant Karma, & Bad Dreamer, 4:30-6:00 PM. Mills Record Company is at 4045 Broadway.]

[Record Store Day is Saturday, April 21, starting in most stores at 7:00 AM – Mills Record Company, Records With Merritt, Josey Records, and Revolution Records in the East Crossroads, Brothers Music in Mission Kansas, Vinyl Renaissance in Overland Park Kansas, Love Records in Lawrence]

3. Yo La Tengo – “Esportes Casual”
from: There’s a Riot Going On / Matador Records / March 16, 2018
[15th album from band formed in Hoboken, New Jersey in 1984. Since 1992, the lineup has consisted of Ira Kaplan (guitars, piano, vocals), Georgia Hubley (drums, piano, vocals), and James McNew (bass, vocals). In 2015, original guitarist Dave Schramm rejoined the band and appears on their f14th album, Stuff Like That There. Despite achieving limited mainstream success, Yo La Tengo has been called “the quintessential critics’ band” and maintains a strong cult following. They chose the name “Yo La Tengo” (Spanish for “I have it”; or referring to a female-gender object or person, also “I’ve Got Her”) in an effort to avoid any connotations in English. The name came from a baseball anecdote. During the 1962 season, New York Mets center fielder Richie Ashburn and Venezuelan shortstop Elio Chacón found themselves colliding in the outfield. When Ashburn went for a catch, he would scream, “I got it! I got it!” only to run into Chacón, who spoke only Spanish. Ashburn learned to yell, “¡Yo la tengo! ¡Yo la tengo!” instead. In a later game, Ashburn happily saw Chacón backing off. He relaxed, positioned himself to catch the ball, and was instead run over by left fielder Frank Thomas, who understood no Spanish and had missed a team meeting that proposed using the words “¡Yo la tengo!” as a way to avoid outfield collisions. After getting up, Thomas asked Ashburn, “What the hell is a Yellow Tango?”]

[On April 28 the band embarks on month-long European Tour, followed by dates in the states, then back to Europe.]

4. Keaton Conrad – “Cinnamon”
from: Waves / Keaton Conrad / January 27, 2017
[Debut full length from 18 year old Kansas native, Keaton Conrad mixes indie rock, house, jazz, and hip-hop. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. In 2015 he released a 5-song EP, Panic & Blame.]

[Keaton Conrad plays The Rino, 314 Amour Rd, North Kansas City, Thursday, April 19, at 7:00 PM, with Thames and Luther Vincent Orchestra on April 19th.]

10:11 – Bach Aria Soloists

Bach Aria Soloists – Elizabeth Suh Lane, Beau Bledsoe, and Jeff Harshbarger playing the Tango music of Astor Piazolla on the April 18, 2018 editon of Wednesday MidDay Medley on KKFI 90.1 FM.

Live in our 90.1 FM Studios – performing Astor Piazzolla’s “Bordel from Histoire du Tango” it is the Bach Aria Soloists

5. Bach Aria Soloists – “Bordel from Histoire du Tango” (LIVE)
Elizabeth Suh Lane on violin, Beau Bledsoe on guitar, written by Astor Piazzolla

10:17 – Interview with Bach Aria Soloists

Elizabeth Suh Lane on violin, is Artistic Director of Bach Aria Soloists, Beau Bledsoe on guitar, and Jeff Harshbarger on bass. These three amazing musicians will be joined by Héctor Del Curto, bandoneónist, 2018 Grammy winner for Best Latin Jazz Album; Gustavo Casenave, Latin Grammy-nominated pianist; when Bach Aria Soloists present their critically acclaimed, Night of Tango, this Saturday, April 21, 7:30 pm, at The Folly Theater, 300 W. 12th St, KCMO, featuring the quintet classics by Astor Piazzolla, Argentina’s most famous composer and bandoneónist (ban-doe-neo-nist).

It has been five years since Bach Aria Soloists last performed their celebrated Night of Tango, named “Best concert of 2013” and “A concert for the ages” by KCMetropolis. Night of Tango will feature the beloved quintet classics by Astor Piazzolla, Argentina’s most famous composer and virtuoso bandoneónist who revolutionized Tango and remains a towering figure more than 25 years after his death.

The evening’s ensemble will consist of:
Elizabeth Suh Lane, violin, Artistic Director Bach Aria Soloists
Beau Bledsoe, guitar Bach Aria Soloists
Kansas City bassist Jeff Harshbarger
Héctor Del Curto, bandoneón
Gustavo Casenave, piano

Bach Aria Soloists on stage at The Folly Theater for a Night of Tango with Gustavo Casenave on piano, Jeff Harshbarger on bass, Elizabeth S Lane on violin, Hector Del Curto on bandoneón, and Beau Bledsoe on guitar, Saturday, April 21, 2018.

Bach Aria Soloists will return to one of its most critically acclaimed programs when it presents – Night of Tango with two world-class masters of the genre, bandoneónist Héctor Del Curto — 2018 Grammy winner for Best Latin Jazz Album — and Latin Grammy-nominated pianist Gustavo Casenave.

7:30 p.m., Saturday, April 21, at The Folly Theater, 300 W. 12th St., KCMO 64105
Ticket and information available at: http://www.follytheater.org

About Bach Aria Soloists – Midway through its 18th season, the critically acclaimed Bach Aria Soloists has already launched four sold-out, artistically vital concerts. Dedicated to presenting the genius and relevance of Johann Sebastian Bach, his contemporaries and those he inspired, the adventurous ensemble explores chamber music repertoire from Baroque to Contemporary in new ways through innovative, multi-genre collaborations, introducing new audiences to their scintillating vocal and instrumental artistry.

10:23 – Bach Aria Soloists

6. Bach Aria Soloists – “Piazzolla’s Oblivion” (LIVE)
Elizabeth Suh Lane on violin, Beau Bledsoe on guitar, Jeff Harshbarger on bass
Written by Astor Piazzolla

10:27 – Interview with Bach Aria Soloists

Bach Aria Soloists present their critically acclaimed, Night of Tango, this Saturday, April 21, 7:30 pm, at The Folly Theater, 300 W. 12th St, KCMO, featuring the quintet classics by Astor Piazzolla, Argentina’s most famous composer and bandoneónist.

Bach Aria Soloists brings Piazzolla back to KC with Two World-Class Tango Masters

Héctor Del Curto – hectordelcurto.com
Praised by the New York Times as a “splendid player,” Argentinean bandoneónist Héctor Del Curto’s career has spanned more than 25 years and has encompassed traditional Tango, New Tango, Jazz, Classical and World music.

On Jan. 28, Del Curto just won the Grammy for Best Latin Jazz Album as a member of the Pablo Ziegler Trio, for the album Jazz Tango.

As one of the world’s most sought-after bandoneónists, he has performed with luminaries across many musical genres, including the Tango legends Astor Piazzolla and Osvaldo Pugliese; Latin jazz giant Paquito D’Rivera; jazz violinist Regina Carter; saxophonist Joe Lovano; and violinist Cho-Liang Lin. He has appeared with such prestigious orchestras as the Metropolitan Opera Orchestra, St. Louis Symphony Orchestra, National Symphony Orchestra, Orpheus Chamber Orchestra, Rochester Philharmonic Orchestra, Mobile Symphony and Buenos Aires Symphony Orchestra.

Gustavo Casenave – gustavocasenave.com
Originally from Montevideo, Uruguay, Gustavo Casenave is a pianist, composer, producer & educator. He has been called “one of the best pianists our country has” by Uruguayan newspaper Diario El Pais. He was a Latin Grammy nominee in 2012 and 2014.

He has toured throughout Europe, Asia, South America, Central America and United States, performing in the prestigious festivals and concert halls throughout the world. As a composer, Casenave has composed and arranged more than 200 works, including original music for movies. He received the prestigious Organization of American States scholarship to study at the Berklee College of Music in Boston, where he received the Professional Music Achievement award. His composition Fragiltimer for the Past Future was named one of 10 best original compositions from Berklee in the last 30 years.

“KC has proven that they love Jazz and Tango. We believe our community will relish in this concert of Piazzolla’s passionate music expertly combining his singular language of Tango with jazz and classical influences,” says Elizabeth Suh Lane, Artistic Director-Founder-violinist. “We are extremely fortunate to be sharing the stage with Hector and Gustavo. The virtuosity of our musicians and the searing music will sweep our listeners away to Buenos Aires for an experience that will last for much longer than one night!”

BAS is led by Artistic Director-Founder-violinist Elizabeth Suh Lane. The ensemble also includes Sarah Tannehill Anderson, soprano; Elisa Williams Bickers, harpsichord, organ and piano; and Beau Bledsoe, guitar.

2018 Concert Calendar
Feb. 10: Opus 22 the Organ and BAS
April 21: Night of Tango
June 16: Bach Aria Soloists and the Kansas City Chorale, St. Paul’s Episcopal Church

Funded in part by a donation from the Estelle S and Robert A Long Ellis Foundation.

Financial assistance provided by the Missouri Arts Council, a state agency.

Jeff Harshbarger has a show Thursday night, April 19, with his Trio, at American Jazz Museum.

Bach Aria Soloists present their critically acclaimed, Night of Tango, this Saturday, April 21, 7:30 pm, at The Folly Theater, 300 W. 12th St, KCMO, featuring the quintet classics by Astor Piazzolla, Argentina’s most famous composer and bandoneónist.

http://www.follytheatre.org / http://www.bachariasoloists.com

10:32 – Bach Aria Soloists

7. Bach Aria Soloists – “Libertango (Brief version)” (LIVE)
Elizabeth Suh Lane on violin, Beau Bledsoe on guitar, Jeff Harshbarger on bass
Written by Astor Piazzolla

10:35 – Underwriting

8. Amy Farrand & The Like – “Scared To Death of Dying (Radio Edit)”
from: One / Amy Farrand / April 28, 2018

10:41 – Interview with Amy Farrand

Amy Farrand sharing new music from her band Amy Farrand and The Like, on the April 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Amy Farrand plays over a dozen instruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”

Amy Farrand joins us to share music from One, the new 11-song debut full length album from her new band, Amy Farrand & The Like.

Amy Farrand & The Like play a special Album Release Show at Davey’s Uptown Rambler’s Club, 3402 Main St., Saturday, April 28 at 9:00 pm, with Pamper The Madman with GAV7D.

Amy Farrand, thanks for being with us on Wednesday MidDay Medley

Congratulations on the new record.

The Like includes: Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals.

One was recorded with Duane Trower at Weights and Measures Soundlab.

10:48

9. Amy Farrand & The Like – “White Girl Wasted (Radio Edit)”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab.]

Amy Farrand & The Like play a special Album Release Show at Davey’s Uptown Rambler’s Club, 3402 Main St., Saturday, April 28 at 9:00 pm, with Pamper The Madman with GAV7D.

10:58

10. Amy Farrand & The Like – “Dragon Woman”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab.]

11:01 – Station ID

11. SUNU – “Liberation” (on 7” Vinyl)
from: Food, Inc. – Single b/w “Liberation” / Sunflower Soul Records / December 11, 2015
[Rev. Aaron Morris – Trumpet & Lead Vocals; Dan Pem – Tenor Sax; Chris Leopold – Trombone; Mike Hamm – Guitar; Chris Shaw – Bass; Dylan Bassett – Drums & Percussion; Alex Thiessen – Drums & Percussion; Taylor Babb – Drums & Percussion. Recorded, mixed, & produced by Chris Hazelton. Mastered by Adam Boose at Cauliflower Audio.]

[SUNU plays Outer Reaches Explores The World, at recordBar, 4/20]

11:04 – Interview with Brenton Cook & Dedric Moore

Dedric Moore and Brenton Cook share information about Outer Reaches Explores the World on the April 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1FM.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, from Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others. For the last 5 years, Brenton & Haymaker Records has co-sponsored & co-curated of the Outer Reaches Music Fest with Dedric Moore.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook and Dedric Moore join us to share information about, Outer Reaches Explores the World, this Friday, 4/20, at recordBar, 1520 Grand Blvd, KCMO. The night includes: SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. More info at: http://www.outerreachesfest.com/

Brenton Cook & Dedric Moore thanks for being with us on Wednesday MidDay Medley

Outer Reaches showcases the left-of-center, under-the-radar artists experimenting and pushing boundaries within their respective genres. Regional, national, and international touring acts comprise the annual fest, with previous appearances from Deerhoof, El Ten Eleven, and Magic Castles.

The show celebrates boundary-pushing music while emphasizing a broader geographic appeal, giving prominence to artists inspired by rhythms & traditional world instruments.

The show begins with a lecture and workshop on world percussion from Brandon Draper’s Drum Safari.

Other performers include Smoky Mountain banjo folk artist Teri Quinn;

Harptasia, a multi-harp project featuring Calvin Arsenia;

a solo set from Making Movies’ frontman Enrique Javier Chi;

and Afrobeat, funk, jazz, and soul group SUNU.

Live video projection will be provided by XO Blackwater;

DJ Memo will be play dance-friendly vinyl from around the globe between sets.

Outer Reaches Explores the World is a partnership between the festival and Midwest Music Foundation and has been made possible through a grant from the Kansas City Neighborhood Tourist Development Fund.

Midwest Music Foundation (MMF), a nonprofit organization founded in 2008, provides health care assistance, education, and resources to the Kansas City music community, and receive proceeds from ticket sales for the April 20 event.

The event is 18 and older, or all ages when accompanied by a parent.

11:11

8. Making Movies – “Brave Enough (feat. Hurray for the Riff Raff & Alaina Moore)”
from: I Am Another You / Making Movies / May 26, 2017
[Enrique Chi on lead vocals, electric guitar, el piano; Alynda Segarra on lead vocal, Alaina Moore on background vocals, Steve Berlin of Los Lobos synth organ; Juan-Carlos Chaurand on congas, timbales, percussion, Diego Chi on bass, d-synth, b3 organ; and Brendan Culp on drums. 3rd full length release: from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. Upon their release of this album Making Movies kicked off a 22-date Immigrants Are Beautiful Tour, a celebration of solidarity in the face of fear-mongering and hate. Frontman Enrique Chi shared, “It’s time to realize we are all part of this continuum, this beautifully flawed human race that has migrated from every continent to bring us all the beauty we enjoy today.” The band’s social statement is straightforward enough that they can express it in four words: “We Are All Immigrants.” In supporting that cause, a portion of all proceeds from the album and tour go to the National Immigration Law Center. Enrique Chi, describes, “since making the album, the tides have shifted and the underbelly of systematic racism has reared its ugly head. It is no longer time to be silent is time for us to raise our voices.” The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Enrique Chi plays Outer Reaches Explores The World, at recordBar, 4/20]

11:15 – More Interview with Brenton Cook & Dedric Moore

Brenton Cook and Dedric Moore organizers of the Outer Reaches Music Festival join us to share information and Music about the night.

Brenton Cook & Dedric Moore thanks for being with us on Wednesday MidDay Medley

Funding is from the KC Neighborhood Tourist Development Fund. Special promotions provided by KKFI 90.1 FM.

Outer Reaches Festival was held during the last weekend of September in 2017. Have you set dates for this year’s fest? Will it be at recordBar again?

Dedric Moore, tell us about the upcoming Mysterious Clouds EP My Head is Going Round. You sent us the EP prior to it’s release and we’ve been playing tracks from it, in fact the two we’ve played have featured the band collaborating with Your Friend. Lawrence musician,Taryn Blake Miller.

Brenton, Haymaker just recently release a new full length from Be/Non and two 7′ singles for Frieght Train Rabbit Killer, what else is happening at Haymaker?

Brenton Cook & Dedric Moore thanks for being with us on Wednesday MidDay Medley

Outer Reaches Explores the World, is this Friday, 4/20, at recordBar, 1520 Grand Blvd, KCMO. Proceeds benefit the Midwest Music Foundation. The night includes: SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. More info at: http://www.outerreachesfest.com/

10. Teri Quinn – “Moons and Meltdowns”
from: Moons and Meltdowns / Teri Quinn / April 17, 2016
[KC based singer/songwriter and multi-instrumentalist Teri Quinn. Originally from Grand Rapids, Michigan, Teri Quinn moved to Kansas City in 2009 to study Clarinet Performance and Music Composition at the University Of Missouri Kansas City’s Conservatory of Music where Teri graduated in 2013. Teri Ann Quinn plays banjo & sings with Abandoned Bells with Tyson Schroeder on drums & vocals, and Krysztof Nemeth on baritone guitar. Teri plays clarinet and guitar for Claire and the Crowded Stage and has also contributed experimental compositions for The Black House Collective.]

[Teri Quinn plays Outer Reaches Explores The World, at recordBar, 4/20]

11:28 – Underwriting

11. Thee Devotion – “Shake It Up”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

11:34 – Interview with Davin Watne & Chris Teasley


Wednesday MidDay Medley
Page Liked · August 13, 2011 · ·
Chris Teasley and Davin Watne share new music from their band Thee Devotion on the April 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Chris Teasley is an artist and musician. Chris is currently in several bands: The New Lost Souls, Heavy Figgs, Dynamite Defense and Thee Devotion and lends his musical skills to several other bands as well. He is also a painter. He studied at School of the Museum of Fine Arts in Boston

Davin Watne is also an artist and musician as well as an educator. He is a professor at UMKC where I teaches Painting and Drawing. He is a practicing artist that exhibits nationally, internationally and locally. He studied The Kansas City Art Institute.

Davin Watne plays guitar, keyboards, harmonica & sings in the KC based 4-piece band, Thee Devotions with Chris Teasely who plays keyboards, organ, harmonica, flute, trumpet, and sings. Thee Devotion’s released their new album Chapel on vinyl, on April 7, 2018

Davin Watne & Chris Teasley, thanks for being with us on Wednesday MidDay Medley.

The two other members of Thee Devotion, Bruce Eddy who plays bass and sings; and Keith Patterson who plays drums and sings.

Davin told us the band first started in January 1, 2008, with Davin ad our drummer Keith Patterson. They formed Thee Devotion out of the ashes of our first band together called Emma Feel.

We both love Funk and Soul music and wanted to explore it more. So we brought on some other musicians to help fill out the sound and expand our vision.

The Devotion call their music: “chickenshack” & “garage soul”

Chapel is the band’s second record and was produced by Bill Honan who also played piano and moog.

Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record.

All songs written by Thee Devotion. We have two records out on vinyl and on many digital platforms like Spotify, iTunes, Pandora and YouTube.

11:41

12. Thee Devotion – “Ooooo Weeeee”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

11:46 – More Interview with Davin Watne & Chris Teasley

We are talking with Davin Watne & Chris Teasley of the band Thee Devotion their new album Chapel was released on vinyl, on April 7, 2018

Davin Watne & Chris Teasley, thanks for being with us on Wednesday MidDay Medley

Chris’s wife Sara Teasley plays with him in The Heavy Figs, and The New Lost Souls, and also plays in The Cave Girls.

Chapel is the band’s 2nd record and was produced by Bill Honan who also played piano and moog.

Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record.

All songs written by Thee Devotion. Thee Devotion have two records out on vinyl and on many digital platforms like Spotify, iTunes, Paradora and YouTube.

11:55

13. Thee Devotion – “Slinky Tight”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on April 25, John Keck joins us to share music from his new EP, Out In The Cold – 12th Street Singles, and his show with John Statz Friday, April 27 at Replay Lounge in Lawrence. Also next week, Patrick Alonzo Conway joins us to share music and information about Kansas City’s Gamelan Genta Kasturi and their 15th Anniversary performance at The Nelson Atkins Museum of Art, Sunday, April 29 at 2:00 PM. Also next week, Joe Athon and friends, drop in to share stories about their 1990’s group, the Purple Skunk Funk Band, and their special reunion show Saturday, April 28, at Knuckleheads. Also next week, members of Grand Marquis join us to share music from their new album, Brighter Days, and share info about their Brighter Days CD Release Party at Knuckleheads, Saturday, April 28, at 8:30 with Victor & Penny, and Brandon Phillips & The Condition. And if that isn’t enough, we will talk with legendary singer-songwriter, Cris Williamson who has just released her 29th album, Motherland, and will be in Kansas City, in concert, for the first time in over 10 years, at All Souls Unitarian Universalist Church, Saturday, April 27, at 7:00 pm.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #730

Wednesday MidDay Medley presents: Bach Aria Soloists + Amy Farrand + Outer Reaches + Thee Devotion

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 18, 2018

Bach Aria Soloists + Amy Farrand
+ Outer Reaches Explores The World + Thee Devotion

Mark plays more New & MidCoastal Releases from: Making Movies, Thee Devotion, Amy Farrand & The Like, SUNU, Hi-Lux, Teri Quinn, Keaton Conrad and Yo La Tengo.

Bach Aria Soloists

At 10:10 violinist Elizabeth Suh Lane, guitarist Beau Bledsoe, & bassist Jeff Harshbarger of Bach Aria Soloists play live Tango music in our 90.1 FM Studios. Bach Aria Soloists are presenting their critically acclaimed, Night of Tango, Saturday, April 21, 7:30 pm, at The Folly Theater, 300 W. 12th St, KCMO, featuring the quintet classics by Astor Piazzolla, Argentina’s most famous composer and bandoneónist. The evening’s ensemble includes: Héctor Del Curto, bandoneónist, 2018 Grammy winner for Best Latin Jazz Album; Gustavo Casenave, Latin Grammy-nominated pianist; with Elizabeth Suh Lane, violin, Artistic Director Bach Aria Soloists; Beau Bledsoe, guitar, Bach Aria Soloists, and Kansas City bassist Jeff Harshbarger. More info at: http://www.bachariasoloists.com / http://www.follytheater.org

Amy Farrand

At 10:35 Amy Farrand joins us to share music from One, the new 11-song debut full length album from her band, Amy Farrand & The Like. The band includes: Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. One was recorded with Duane Trower at Weights and Measures Soundlab. Amy Farrand and The Like play a special Album Release Show at Davey’s Uptown Rambler’s Club, 3402 Main St., Saturday, April 28 at 9:00 pm, with Pamper The Madman with GAV7D.

At 11:00 Brenton Cook and Dedric Moore organizers of the Outer Reaches Music Festival join us to share information about, Outer Reaches Explores the World, on Friday, April 20, at recordBar, 1520 Grand Blvd, KCMO. Proceeds benefit the Midwest Music Foundation and funding is from the KC Neighborhood Tourist Development Fund. Special promotions provided by KKFI 90.1 FM. The night includes: SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. This event is $10 with Advance Tickets available at recordBar or $15 Day of Show. More info at: http://www.outerreachesfest.com/

At 11:30 members of the Kansas City band Thee Devotion join us to share music from their new release Chapel. Formed on January 1, 2008, Thee Devotion call their music “chickenshack” and “garage soul.” The band includes: Davin Watne on guitar, keyboards, harmonica and vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, and vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #730

WMM Playlist from March 7, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 7, 2018

More New & MidCoastal Releases
+ Guest Producer – DJ Timmy

10:00 – New & MidCoastal Releases

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. The Breeders – “Wait in the Car”
from: All Nerve / 4AD / March 2, 2018
[1st single from the band’s 5th full-length studio album, released 10 years after their previous album Mountain Battles (2008). The album also marks the band’s first in 25 years with their “Last Splash” lineup. Kim Deal on lead vocals, guitar, moog, casiotone; Kelley Deal on guitar, Kenmore 12-stitch, vocals; Jim MacPherson on drums, Josephine Wiggs on bass guitar, double bass, vocals, cello; (Tanya Donelly on vocals and guitar was also on Last Splash, but left the band to form Belly.) The Breeders were last in Kansas Ciyy on September 3, 2014, at recordBar, with a reunion tour of The Last Slash line-up.]

[The Breeders play The Truman, 601 E. Truman Road, KCMO, Friday, May 11, at 8:00 pm]

3. Soccer Mommy – “Last Girl”
from: Clean / Fat Possum Records / March 2, 2018
[Soccer Mommy is the stage name of bedroom pop and indie rock musician Sophie Allison. Allison was born in Switzerland and grew up in Nashville, TN. She attended Nashville School of the Arts, a speciality high school where she studied guitar and played in the swing band. She first picked up a guitar at age 6, which prompted her to start making music. She began posting home-recorded songs to Bandcamp as Soccer Mommy in 2015, during the summer when she was about to leave for college at New York University, where she studied music business. While in college, she played her first show as Soccer Mommy at the community art space Silent Barn in Bushwick, Brooklyn, and shortly after landed a record deal with Fat Possum.She dropped out after a year in 2017 to return to Nashville and pursue her music career. Since beginning her career as Soccer Mommy, Allison has released two full-length albums. Her first, For Young Hearts, was released in 2016 on Orchid Tapes. Her second album, Collection, was released in 2017 on Fat Possum Records. Her debut album proper, titled Clean, was released on March 2, 2018. She has toured with Mitski, Jay Som, Slowdive, Frankie Cosmos, Phoebe Bridgers and others]

4. Tracey Thorn – “Queen”
from: Record / Merge Records / March 2, 2018
[Debut single from the 5th solo studio album from Tracey Thorn. The album was produced by Ewan Pearson, and features contributions from Corinne Bailey Rae, Shura, Jona Ma and Stella and Jenny from Warpaint. Tracey Thorn was born September 26, 1962, and is an English singer, songwriter and writer. She is best known as being one half of the duo Everything but the Girl. The youngest of three children, Thorn was born in Brookmans Park, Hatfield, Hertfordshire. She grew up in Hatfield and studied English at the University of Hull, where she graduated in 1984 with First Class Honours. She later took an MA degree at Birkbeck College, University of London. After 27 years as a couple, Thorn and the other half of Everything But The Girl, Ben Watt, married in 2008 at Chelsea Register Office. They live in Hampstead, North London. The couple have twin girls, Jean and Alfie, born in 1998, and a son, Blake, born in 2001.]

5. Shapiro Brothers – “Mockingbird”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. Written by Mikal Shapiro.]

[Shapiro Brothers play Davey’s Uptown Rambler’s Club, Monday, March 12 with Jack Topht, Major Matt Mason, Nan + The One Nite Stands]

6. Scuffy & the Janitors – “The Spins”
from: Modeling Is Hard / This Tall Records / March 2, 2018
[Saint Joseph, MO based trio formed by Steven Foster on vocals & bass, Teriq Newton on guitar & vocals, and Trevin Newton on drums. Scruffy & The Janitors have been described as creating working-class punk and catchy alt-rock. Scruffy & The Janitors have played at: SXSW, Middle Of the Map Fest, NXNE, and Lawrence Field Day Fest. They have also opened for:KONGOS, Kitten, J. Roddy Walston & the Business, Brick + Mortar, Radkey, Cheap Girls, Skaters, Bass Drum Of Death, Your Friend, Rev Gusto, and Dreamgirl. ]

[Scruffy & the Janitors play a KC release show at Riot Room, Sat, April 6 with Momma’s Boy, Toughies.]

7. Witch Jail – “Saucer Season Revisited”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on drums, and A. Ghost. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven]

[Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, and Bad Girls.]

8. Of Tree – “Feel It”
from: Sorry We’re Chosen [EP] / Of Tree / June 1, 2017
[Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on percussion & sub-bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.” Of Tree began in 2009 and has taken many forms as it has evolved over time, including a full 5 piece folk band and, at one time, a classical trio backing Parks’ voice and guitar. Of Tree launched a Kickstarter Campaign to help record their new album and release their music on vinyl. Of Tree have been actively writing music for this project since the summer of 2016. Laurel writes “As a married couple its been quite a road for us to be able work through music together without taking things too personally (as people in relationships tend to do), but the magic happened last summer when music started pouring out of us and we were able just allow it to happen. Both of us come from fairly strict religious backgrounds and a lot of our lyrics have to do with healing from those experiences. We also deal with themes of finding new footing in life, moving beyond the past and letting go. Really this album is all about healing on a very personal level.” Laurel writes that she is, “very interested in pushing the boundaries of what instrumentation I can marry to my classical violin training. I have been cross pollinating between electronic music I write on the computer using midi inputs with melodies I write on my violin. I enjoy putting a techno beat behind a folk instrument such as the Kalimba or chime and then morphing that into a journey of layered strings and melodic hooks. I am always interested in melody over lyrics. A lot of the music I wrote for this album is inspired from studying folk traditions such as Celtic fiddling, thematic movie music and Peruvian icaros. ” John Bersuch, has been playing with Of Tree since November of 2016. He adds tasteful beats and enjoys thinking outside the box. He once brought a tree to an “Of Tree” show and played it as a percussive instrument. Ben Parks is a visual artist who also plays in the band Slights with Matthew Dunehoo. Laurel Parks also plays in The Wires, John Bersuch is in Bacon Shoe, RLT, and many others.]

[Of Tree play The Brick, 1727 McGee, Sat, Mar 10, at 9:00 pm with The Blessed Broke, & Aaron James.]

10:29 – Underwriting

9. Salty – “Perfect Angels”
from: Dry Rub / Independent / to be released late Summer or Fall, 2018
[Salty is formerly know as Lil Toughies. Formed in early 2016. The current lineup includes: Salty is Jonathan Brokaw (JB) on guitar and vocals, Zach Turner on synthesizers, Ethan Eckert on drums, and Jesslay Huh on bass. More info at http://www.saltykcmo.bandcamp.com or http://www.saltyisthebest.com]

10. La Guerre – “Lake Ontario”
from: The Three [EP] / The Record Machine / May 7, 2013
[Katlyn Conroy is a singer songwriter who is based in Lawrence, KS and is a member of, Cowboy Indian Bear. La Guerre is the French for “war.” In 2013 La Guerre also relased: Violent (7-song EP) on The Record Machine on Aug. 20, 2013. On Feb. 2, 2018 La Guerre released, Discord: recordings from the House of Leaves a 4-song EP.]

[La Guerre plays The Rino, 314 Armour Road, North Kansas City, on Saturday, March 24, at 7:00 pm with Fathers, and Pageant Boys.]

11. Digital Leather – “Same Time Tomorrow”
from: Headache Heaven / Digital Leather / January 23, 2018
[14th album and 21 song digital release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink.]

12. Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / Spring 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the critically acclaimed band Monta At Odds. The Mysterious Clouds “Clear Reflection” was also included on the Haymakers Records compilation, Fairgounds Vol. 2 Released March 24, 2017.]

[Mysterious Clouds play a benefit show for MAPS at The Rino, 314 Armour Road, North Kansas City, on Friday, March 9, at 7:00 pm with Myco, and FRB. This show is a benefit concert for Multidisciplinary Association for Psychedelic Studies (MAPS) All proceeds will be donated to MAPS. Founded in 1986, the Multidisciplinary Association for Psychedelic Studies (MAPS) is a 501(c)(3) non-profit research and educational organization that develops medical, legal, and cultural contexts for people to benefit from the careful uses of psychedelics and cannabis. https://www.maps.org/%5D

13. They Might Be Giants – “Photosynthesis”
from: Here Comes Science / Walt Disney Records / January 1, 2009
[4th children’s album (and 14th studio album overall) from Brooklyn-based band They Might Be Giants, packaged as a CD/DVD set. The album is (as the title suggests) science-themed, and is the third in their line of educational albums, following 2005’s Here Come the ABCs and 2008’s Here Come the 123s. It was nominated for the “Best Musical Album For Children” Grammy.This year the band released their 20th studio album I Like Fun on Idlewild Recordings on January 19, 2018 from band formed in 1982 by John Flansburgh & John Linnell. During TMBG’s early years, Flansburgh & Linnell frequently performed as a duo, often accompanied by a drum machine. In the early 1990s, TMBG expanded to include a backing band. The duo’s current backing band consists of Marty Beller, Dan Miller, and Danny Weinkauf. The group is best known for an unconventional and experimental style of alternative music. Over their career, they have found success on the modern rock and CMJ charts. More recently they have also found success in children’s music, and in theme music for several television programs and films. TMBG have released 19 studio albums. Flood has been certified platinum and their children’s music albums Here Come the ABCs, Here Come the 123s, and Here Comes Science have all been certified gold. The band has won two Grammy Awards, one in 2002 for their song “Boss of Me”, which is most known as the theme song of the television series Malcolm in the Middle. They won their second in 2009 for Here Come the 123s. The band has sold over 4 million records. Linnell and Flansburgh first met as teenagers growing up in Lincoln, Massachusetts. They began writing songs together while attending Lincoln-Sudbury Regional High School but did not form a band at that time. The two attended separate colleges after high school and Linnell joined The Mundanes, a new wave group from Rhode Island. The two reunited in 1981 after moving to Brooklyn (to the same apartment building on the same day) to continue their career.]

[They Might Be Giants play The Truman, 601 E. Truman Rd, KC, on Tues, Mar 13, at 8:00 PM.]

14. Hello BiPlane – “Hide and Go Seek”
from: Hello BiPlane [EP] / Independent / Dec. 17, 2010
[Originally formed in Lawrence, Kansas by Braden Young and Spencer Goertz-Giffen who write songs and play them with their friends, and record infrequently, and play shows for fun. Jordan Geiger and Jeff Jackson joined the duo for this EP. Spencer Goertz-Giffen and Braden Young now both live in Oakland, California.]

[Hello BiPlane play Replay Lounge in Lawrence Friday, March 9, at 6;00 PM for the matinee, with Suzannah Johannes.]

15. The Project H – “NaCl”
from: Everyday, Forever/ The Project H / March 23, 2018
[This is the fourth album from the collective that includes: Clint Ashlock – trumpet, Ryan Heinlein – trombone, Brett Jackson – woodwinds, Matt Leifer – drums, Andrew Ouellette – keys, Dominique Sanders – bass, Jeff Stocks- guitars. The Project H were winners of the 2014 Pitch Music Award for Best Jazz Ensemble.]

[The Project H play The Black Dolphin, Saturday, March 10.]

[The Project H play am Album Release show will be Wednesday, April 4th at the Westport Coffee House Theater with special guests, the Mark Lettieri Trio from Dallas, Texas.]

11:00 – Station ID – Guest Producer DJ Timmy

For our second hour we welcomes Guest Producer DJ Timmy, who won the Wednesday MidDay prize package at the Silent Auction for last November’s Apocalypse Meow 10, a fundraiser for Abby’s Fund of the Midwest Music Foundation.

DJ Timmy grew up in Kansas City and graduated from Southwest High School. He hates winter so he moved to California, and then to Austin, Texas where had many opportunities to see and hear great music. DJ Timmy moved back to KC last year to be closer to family. His first concert was The Moody Blues with Trapeze at Municipal Auditorium. DJ Timmy has spent many hours behind the board at student radio station, KCOU, in Columbia, MO.

11:03 – Texas Oriented Music

16. Cornell Hurd Band – “I Cry, Then I Drink, Then I Cry”
from: Honky Tonk Mayhem / Behemoth Records / 1991
[In 1968 guitarist Hurd and bass player Frank Roeber formed a four-piece band to play for fellow high school students in Cupertino, California. After one public performance, the band folded but reappeared a little later, now named the Ragg Brothers, with Hurd, Roeber, Cornell’s brother Drew Hurd (harmonica), Joel Crawford (vocals), and Kim Muscatel (lead guitar). The group worked sporadically, playing some original material amid covers of western swing music. By 1971 Hurd and Roeber had moved to Berkeley, California, where they formed the El Rancho Cowboys. With them in this band were Gary Dulleck (piano), Lyle Pratt (lead guitar), and Kim Winn (drums). With some personnel additions and changes, the band played on into 1973, working all manner of one-night stands, including opening shows for big name artists. For a short while, Hurd worked at an electronics plant but was inspired by music he heard in Texas to form a new band, again with Roeber and Crawford, which he named the Original Mondo Hotpants Orchestra. This band survived long enough to make a couple of EPs, the eight tracks being mainly original songs. There followed in swift succession personnel changes and name changes as the band played club and concert dates on tours mainly in the Midwest and in Texas. By the end of 1976 Hurd had a band that was approaching his ideal and shortly thereafter dropped the Mondo Hotpants title to become the Cornell Hurd Band, a name that was taken much more seriously. Over the next few years there were constant changes in personnel although Hurd and his brother, Roeber, Patrick Hennessey and Dave Clemes were consistent members into the early 80s, while guitarist Paul Skelton was in and out all the time. Their tours took them steadily further afield and their recording sessions became more frequent. Still active in the early 00s, the band played in France in mid-summer 2005, at which time the personnel included Skelton (guitar), Howard Kalish (fiddle), Blackie White (guitar), Scott Walls (steel guitar), Del Puschert (tenor saxophone), T. Jarrod Bonta (piano), Randy ‘The Badger’ Glines (bass), Lisa Pankratz (drums), and Danny Roy Young (rub board).]

17. Bob Wills – “So Let’s Rock”
from: Country Music Hall of Fame Series / MCA / 1992
[James Robert Wills (March 6, 1905 – May 13, 1975) was an American Western swing musician, songwriter, and bandleader. Considered by music authorities as the co-founder of Western swing, he was universally known as the King of Western Swing (although Spade Cooley self-promoted the moniker “King Of Western Swing” from 1942 to 1969). Wills formed several bands and played radio stations around the South and West until he formed the Texas Playboys in 1934 with Wills on fiddle, Tommy Duncan on piano and vocals, rhythm guitarist June Whalin, tenor banjoist Johnnie Lee Wills, and Kermit Whalin, who played steel guitar and bass. The band played regularly on a Tulsa, Oklahoma radio station and added Leon McAuliffe on steel guitar, pianist Al Stricklin, drummer Smokey Dacus, and a horn section that expanded the band’s sound. Wills favored jazz-like arrangements and the band found national popularity into the 1940s with such hits as “Steel Guitar Rag”, “New San Antonio Rose”, “Smoke On The Water”, “Stars And Stripes On Iwo Jima”, and “New Spanish Two Step”. Wills and the Texas Playboys recorded with several publishers and companies, including Vocalion, Okeh, Columbia, and MGM, frequently moving. In 1950, he had two Top 10 hits, “Ida Red Likes The Boogie” and “Faded Love”, which were his last hits for a decade. Throughout the 1950s, he struggled with poor health and tenuous finances, but continued to perform frequently despite the decline in popularity of his earlier music as rock and roll took over. Wills had a heart attack in 1962 and a second one the next year, which forced him to disband the Playboys although Wills continued to perform solo.The Country Music Hall of Fame inducted Wills in 1968 and the Texas State Legislature honored him for his contribution to American music. In 1972, Wills accepted a citation from the American Society of Composers, Authors and Publishers in Nashville. He was recording an album with fan Merle Haggard in 1973 when a stroke left him comatose until his death in 1975. The Rock and Roll Hall of Fame inducted Wills and the Texas Playboys in 1999.]

18. Roger Miller – “Squares Make the World Go Around” (Vinyl LP)
from: Dang Me / Smash Records / 1964
[Roger Dean Miller, Sr. (January 2, 1936 – October 25, 1992) was an American singer-songwriter, musician, and actor, best known for his honky-tonk-influenced novelty songs. His most recognized tunes included the chart-topping country and pop hits “King of the Road”, “Dang Me”, and “England Swings”, all from the mid-1960s Nashville sound era. After growing up in Oklahoma and serving in the United States Army, Miller began his musical career as a songwriter in the late 1950s, writing such hits as “Billy Bayou” and “Home” for Jim Reeves and “Invitation to the Blues” for Ray Price. He later began a recording career and reached the peak of his fame in the mid-1960s, continuing to record and tour into the 1990s, charting his final top 20 country hit “Old Friends” with Willie Nelson in 1982. He also wrote and performed several of the songs for the 1973 Disney animated film Robin Hood. Later in his life, he wrote the music and lyrics for the 1985 Tony-award winning Broadway musical Big River, in which he acted. Miller died from lung cancer in 1992 and was inducted into the Country Music Hall of Fame three years later. His songs continued to be recorded by other singers, with covers of “Tall, Tall Trees” by Alan Jackson and “Husbands and Wives” by Brooks & Dunn; both reached the number one spot on country charts in the 1990s. The Roger Miller Museum in his home town of Erick, Oklahoma, was a tribute to Miller.]

19. John Prine – “Your Flag Decal Won’t Get You Into Heaven Anymore”
from: The Singing Mailman Delivers / Oh Boy Records / 2011
[John Prine (born October 10, 1946) is an American country folk singer-songwriter. He has been active as a composer, recording artist, and live performer since the early 1970s, and is known for an often humorous style of country music that has elements of protest and social commentary. Born and raised in Maywood, Illinois, Prine learned to play the guitar at the age of 14. After serving in West Germany with the U.S. armed forces, he moved to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs as a hobby. Becoming a part of the city’s folk revival, he was discovered by Kris Kristofferson, resulting in the production of Prine’s self-titled debut album with Atlantic Records in 1971. After receiving critical acclaim, Prine focused on his musical career, recording three more albums for Atlantic. He then signed to Asylum Records, where he recorded an additional three albums. In 1984 he co-founded Oh Boy Records, an independent record label with which he would release most of his subsequent albums. After his battle with squamous cell cancer in 1998, Prine’s vocals deepened into a gravelly voice, resulting in the award-winning album Fair & Square (2005). Widely cited as one of the most influential songwriters of his generation, Prine is known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary, or which recollect melancholy tales from his life. His 24th album, The Tree of Forgiveness, is coming out April 13.]

20. Jaye P. Morgan – “Pagan Love Song” (Vinyl 45)
from: DJ promotional 45 / RCA Victor / 1955
[Jaye P. Morgan (born Mary Margaret Morgan; December 3, 1931) is a retired popular music American singer, actress and game show panelist. Morgan was born in Mancos[1][2] in Montezuma County in far southwestern Colorado. Her family moved to California by the time she was in high school. Morgan had six siblings; five brothers and one sister.[1] In the late 1940s, at Verdugo Hills High School in the Tujunga neighborhood of Los Angeles, she served as class treasurer (and got the nickname “Jaye P.” after the banker J. Pierpont Morgan) and sang at school assemblies, accompanied by her brother on guitar. Morgan was not the only vocalist in her family. Three of her brothers were also singers. From top: Dick, Duke and Charlie with Jaye P., for a 1959 appearance on The Jimmy Dean Show. In 1950, a year after her graduation from high school, Morgan made a recording of “Life Is Just a Bowl of Cherries” issued by Derby Records, which made it to #26 in the U.S. Billboard record chart . Soon after, she received an RCA Victor recording contract, and she had five hits in one year, including “That’s All I Want from You,” her biggest hit, which reached #3 on the chart. Other notable hits included “The Longest Walk” and “Pepper Hot Baby”. In 1954, she married Michael Baiano. She joined MGM Records in 1959 after spending the previous six years with RCA Victor. From 1954 to 1955, Morgan was a vocalist on the ABC television series show Stop the Music. In November 1955, the British music magazine, NME, reported that Morgan was the top female vocalist in the U.S. Cash Box poll.In 1956, she had her own show, The Jaye P. Morgan Show, and made guest appearances on a number of other variety shows. She was a charter member of the Robert Q. Lewis “gang” on Lewis’s weekday program on CBS, and was featured on a special episode of The Jackie Gleason Show in which Lewis’s entire company substituted for the vacationing Gleason. In 1958, Morgan appeared on ABC’s The Pat Boone Chevy Showroom. On October 6, 1960, she guest starred on NBC’s The Ford Show, Starring Tennessee Ernie Ford. In 1961, Morgan was cast as Sally Dwight in the episode “Money and the Minister” of the CBS anthology series, General Electric Theater, hosted by Ronald Reagan. In 1962, she played Patty Maxwell in “Patti’s Tune” of the CBS military sitcom/drama Hennesey, starring Jackie Cooper. That same year, she was cast as Kitty Flanders in “That’s Showbiz” on NBC’s The Joey Bishop Show. In 1964, Morgan was cast as Ruth Evans in the episode “Sunday Father” of the NBC medical drama, The Eleventh Hour. She spent considerable time in the 1960s making nightclub appearances. In 1966, she guest starred on CBS’s My Three Sons as fading singer Claudia Farrell in the episode entitled “A Falling Star”. In 1973, Morgan played herself in the episode “The Songwriter” of the sitcom, The Odd Couple. She appeared as Magda Valentine in the film The All-American Boy, and continued to play small roles in films such as Loose Shoes (1980), Night Patrol (1984) and Home Alone 2: Lost in New York (1992). Morgan guest starred on The Muppet Show (episode 2.18)[7] in which she and Dr. Teeth sang “That Old Black Magic.” From 1976 to 1978, Morgan was a regular panelist on the popular game/variety show The Gong Show, from which she was fired for flashing her breasts. She also appeared on Rhyme and Reason and Match Game and in the 1980 “behind-the-scenes” movie version of The Gong Show. She also appeared on the Playboy Channel game show Everything Goes, and with her former Gong partner Jamie Farr on Hollywood Squares Game Show Week II in 2004. Morgan appeared in the 2002 George Clooney–directed film Confessions of a Dangerous Mind, a fictionalized version of the life of Chuck Barris, creator of TV game shows The Gong Show, The Dating Game, and The Newlywed Game.]

21. Louis Prima – “Oh Marie”
from: Capitol Collector Series / Capitol / May 13, 1991
[Louis Prima (December 7, 1910 – August 24, 1978) was an American singer, songwriter, and trumpeter. He rode the musical trends of his time, starting with his 7-piece New Orleans style jazz band in the 1920s, a swing combo in the 1930s, a big band in the 1940s, a Vegas lounge act in the 1950s, and a pop-rock band in the 1960s. Keely Smith was 17 when Louis Prima met her. Her hometown was Norfolk, Virginia. In August 1948, she made a point to stop by the Surf Club in Virginia Beach to visit one of her favorite artists, Louis Prima. To her surprise, he was looking for a new female vocalist to replace Lily Ann Carol. Keely had a bathing suit on and was not allowed into the club until she had proper attire on. Luckily, someone was able to lend her some acceptable clothing and she auditioned. She landed the part and travelled with the band. Louis signed with Columbia records in the fall of 1951 to keep up with the rapid changes in the marketing industry.Throughout the sixteen-month contract his top hits consisted of “Chop Suey, Chow Mein,” “Ooh-Dahdily-Dah,” and “Chili Sauce”. To manage his expenses, he had to drop his big band and play in low-grade clubs to support his horses. On top of it all, he divorced his third wife Tracelene on June 18, 1953. Less than a month later he married Keely, who was half his age. She was open to criticism and he wanted to make her a star. He had to find the style that fit her correctly, especially since rock and roll was emerging. Prima was not against rock’n’roll like some other artists, such as Frank Sinatra and Jackie Gleason. He accepted that the kids had “an instinct for the kind of music that’s fun to listen to and dance to.”

22. Xavier Cugat – “Sibony” (Vinyl LP)
from: Viva Cugat / Mercury / 1961
[Xavier Cugat was born January 1, 1900 and died on October 27, 1990. He was a Spanish-American bandleader and native of Spain who spent his formative years in Havana, Cuba. A trained violinist and arranger, he was a leading figure in the spread of Latin music in United States popular music. In New York, he was the leader of the resident orchestra at the Waldorf-Astoria before and after World War II. He was also a cartoonist and a restaurateur. The personal papers of Xavier Cugat are preserved in the Biblioteca de Catalunya. Cugat was born as Francisco de Asís Javier Cugat Mingall de Bru y Deulofeu in Girona, Catalonia, Spain. His family immigrated to Cuba when Xavier was five. He was trained as a classical violinist and played with the Orchestra of the Teatro Nacional in Havana. On 6 July 1915, he and his family arrived in New York City as immigrant passengers on board the SS Havana. Cugat appeared in recitals with Enrico Caruso, playing violin solos. Cugat was married five times. His first marriage was to Rita Montaner (1918–1920); his second was to Carmen Castillo (1929–1944); his third to Lorraine Allen (1947–52); his fourth to singer Abbe Lane (1952–64); and his fifth to Spanish guitarist and comic actress Charo Baeza (1966–78). Entering the world of show business, he played with a band called The Gigolos during the tango craze. Later, he went to work for the Los Angeles Times as a cartoonist. Cugat’s caricatures were later nationally syndicated. His older brother, Francis, was an artist of some note, having painted the famous cover art for F. Scott Fitzgerald’s novel, The Great Gatsby. In the late 1920s, as sound began to be used in films, Cugat put together another tango band that had some success in early short musical films. And by the early 1930s, he began appearing with his group in feature films. His first notable appearance occurred in 1942, in the Columbia production You Were Never Lovelier with Rita Hayworth, Fred Astaire, and Adolphe Menjou. Most of his subsequent movies were made at Metro-Goldwyn-Mayer studios, including Week-End at the Waldorf (1945), Holiday in Mexico (1948), A Date with Judy (1948), Luxury Liner (1948), and the Esther Williams musicals Bathing Beauty (1944), This Time for Keeps (1947), On an Island with You (1948), and Neptune’s Daughter (1949). In 1931, Cugat had taken his band to New York for the 1931 opening of the Waldorf Astoria Hotel, and he eventually replaced Jack Denny as the leader of the hotel’s resident band. For 16 years, Cugat helmed the Waldorf-Astoria Hotel’s orchestra ( the Waldorf-Astoria Orchestra), shuttling between New York and Los Angeles for most of the next 30 years. One of his trademark gestures was to hold a chihuahua while he waved his baton with the other arm.]

11:24 – Underwriting

23. Spook School – “I Only Dance When I Want To”
from: Could it be Different? / Alcopop – Slumberland Records / (2017) January 26, 2018
[The Spook School are a four-piece indie pop band from Edinburgh, Scotland.[3] The name is a reference to the Glasgow School. The band’s lyrics explore “gender, sexuality and queer issues” with themes such as “fluidity and the lack of a binary in gender”. Their music often gets compared to bands off the C86 compilation, such as The Shop Assistants, as well as The Buzzcocks; the band also lists David Bowie as an influence. They met and formed in 2012 whilst attending the University of Edinburgh. Brothers Nye and Adam Todd met AC Cory and Niall McCamley through the university’s comedy society. Most of the band have previously been involved in live comedy shows, some of which were performed at the Edinburgh Festival Fringe. Fortuna Pop! label owner Sean Price signed the band after seeing them play at Indietracks Festival in 2012. They released music on the label until its dissolution in 2017, shortly after which they signed to Alcopop! Records. Their debut album, released in 2013, is entitled Dress Up because it “relates to the idea of gender being a social construction, something that can be artificially appropriated”. The record received positive reviews from Loud and Quiet, Under the Radar, and The Skinny. Their second album, Try To Be Hopeful, released in 2015, has also received favourable coverage from music journalists. Often with emphasis that their world-view encompasses the fluidity of both gender and sexuality and that this gives their output “urgency and cheering freshness”. The band’s third album, Could It Be Different? was released January 2018 – just before embarking on a US tour supporting New York state pop-punk duo Diet Cig. It has been described as a “defining statement”, and a “a life-affirming return” which finds them “on the cusp of greatness”]

24. David Bowie – “Hang on to Yourself”
from: Bowie At the Beeb / Virgin / September 26, 2000
[Bowie at the Beeb is a compilation album by David Bowie, first released in 2000. Originally, it came in a three-CD set, the third, bonus CD being a live recording made on 27 June 2000 at the Portland BBC Radio Theatre. Later editions contain only the first two CDs. The first pressing mistakenly included the second (disc 2, track 12) version of the song “Ziggy Stardust” twice on disc two, missing the first (disc 2, track 4) version. EMI declined to issue corrected replacement discs to customers, instead mailing out one-song CDRs of the first version. This compilation also features a previously unreleased song, “Looking for a Friend” (disc 1, track 15), which John Peel said would be released as a single by Arnold Corns as a follow-up to the Arnold Corns versions of “Moonage Daydream” and “Hang On to Yourself”, but it was never released, thus making this the only performance of “Looking for a Friend”.]

25. Sweet Spirit – “Let Me Be on Top” (Vinyl 10” EP)
from: Sweet Spirit (eponymous debut Ep) / Nine Mile Records / May 11, 2015
[Formed in 2014 the Austin Texas nine-piece band Sweet Spirit started as a solo project. Austin singer Sabrina Ellis was going through some distressing times: the band that she fronted for several years, Bobby Jealousy, with her then husband was disintegrating along with their relationship. Everything Ellis was working toward was suddenly in free-fall. She started Sweet Spirit to hone her ability to write and perform on her own. “It was supposed to be focused on me writing solo, and performing with the guitar,” she says. But it didn’t stay that way for long. When Ellis started Sweet Spirit, she was still writing and performing with her longstanding garage punk band A Giant Dog. AGD Co-founder Andrew Cashen was intrigued by Ellis’ new emphasis on soul and country and pop music as touchstones for Sweet Spirit and quickly climbed on board the project. “I’m very comfortable doing loud and fast,” Cashen says, “so this is uncharted territory for me.” Together Ellis and Cashen began turning out songs at a breakneck pace. They assembled a core band of four more members, rehearsed religiously, and started playing gigs around town. Immediately they began turning heads and packing clubs. Within six months they had gotten noticed by one of Austin’s most famous musical residents, Britt Daniel of Spoon. In October of 2014, Daniel asked the band to perform at Spoon’s “secret” tour kick off show at the cramped rock club Hotel Vegas for their latest record They Want My Soul, and Sweet Spirit was quickly thrown into the local buzzmill. Ex-Spoon producer and friend Mike McCarthy was also an early devotee. He met with the band and invited them to record demos at his studio to shop around. Those early demos were so strong, that with minimal mixing, they became the band’s eponymous 10″ EP. Meanwhile, the band released their full-length debut Cokomo, as well as a two song collaboration with Daniel, receiving praise from Stereogum, Consequence Of Sound, SPIN, and other outlets, and leading to two more national tours. In between shows, the band found time to work with producer Steve Berlin (Los Lobos, Deer Tick) on their sophomore full-length St. Mojo. The new record comes out on April 7, 2017 on Austin label Nine Mile Records and features a bigger, more dynamic set of songs. Lead single “The Power” has already become a fan favorite at live shows, while the Queen-esque track “The Mighty” and Prince dance funk of “I Wanna Have You” take the band is exciting, unexpected new directions. Guest contributions from members of Grupo Fantasma, Mother Falcon and A Giant Dog.]

26. Nic Armstrong & The Thieves – “I Can’t Stand It”
from: The Greatest White Liar / New West / March 8, 2005
[Nic Armstrong & The Thieves are an English rock band founded by Nic Armstrong, and perceived to be inspired by the blues and the rock music of the 1960s, particularly bands such as the Beatles, the Rolling Stones, and the Kinks. Nic Armstrong’s The Greatest White Liar was released in April 2004 by One Little Indian Records and subsequently re-released in 2005 under the moniker Nic Armstrong & The Thieves to illustrate that his live show featured a full band. The US version was released on March 8, 2005 by New West Records and included a cover of “I Want to Be Your Driver,” originally by Chuck Berry. The album was produced at Toe Rag Studios by Grammy Award-winning British record producer Liam Watson, who has also worked on albums for the White Stripes, the Zutons, and the Kills. All tracks on The Greatest White Liar were written and composed by Nic Armstrong, with the exception of “Down Home Girl” and “I Want to Be Your Driver”. Armstrong played the majority of the instruments and all vocals found on the recordings, with the exception of one backing vocal overdub. Jonny Aitken performed on drums. “She Changes Like The Weather” & “Back In That Room” was selected by THQ and (the now defunct Pandemic Studios) to feature in the soundtrack of Destroy All Humans! The song was also featured in the film, Moving McAllister. “Down Home Girl” was featured in a Honda Ridgeline commercial during Super Bowl XL. The music video for “Broken Mouth Blues” was directed by Duncan Jones. In 2004, Paul Weller invited Armstrong to open solo for him on his European tour, shortly after this Nic Armstrong & The Thieves joined Weller on a full UK tour. The band made its US debut at SXSW and US network television debut on The Late Late Show with Craig Ferguson in 2005, followed by performances at the Coachella Festival and Austin City Limits Music Festival. Oasis invited the band on a North American tour during the summer of 2005, which led Noel Gallagher to comment on the band’s live show, “if they get their hair cut, they’ll be one of the biggest bands in Britain. They’re pretty special, man…” In 2006, under the band name, IV Thieves, New West Records released the album, If We Can’t Escape My Pretty (titled after a limited edition Nic Armstrong song that was featured on a limited edition Dazen and Confused flexi-disk). Armstrong is currently working on new material for both projects; Nic Armstrong and Nic Armstrong & The Thieves. There are no plans for any further IV Thieves release. he six-track Pocketless Shirt EP was released in November 2013. The six-track album was recorded at Cacophony Recorders in Austin, TX with Grammy Award winner, Erik Wofford. Negative Slant EP was released in November 2015.]

27. Wreckless Eric – “Take The Cash (K.A.S.H.)” (Vinyl LP)
from: The Whole Wide World / Stiff / 1979
[Eric Goulden was born May 18, 1954, in Newhaven, East Sussex. He is known as Wreckless Eric, is an English rock/new wave singer-songwriter, best known for his 1977 single “Whole Wide World” on Stiff Records. More than two decades after its release, the song was included in Mojo magazine’s list of the best punk rock singles of all time. It was also acclaimed as one of the “top 40 singles of the alternative era 1975–2000”. In 1973 he began attending Art School in Hull, where he joined bands such as Dirty Henry that played local clubs. On a break after his first year at school he saw Kilburn and the High Roads in Oldham. Struck by their honest approach to music, Eric decided to employ the same to his composing and performing. His next band, Addis and the Flip Tops, were the first incarnation of what would later be known as the DIY style. He first became known as one of the original members of the late 1970s Stiff Records artist roster, along with Ian Dury, Elvis Costello and Nick Lowe. Eric’s first appearance on record was “Whole Wide World” on the Stiff label sampler A Bunch of Stiff Records in April 1977. The single version of that song was finally released in August. The song was produced by, and featured bass and guitar by Nick Lowe, with Steve Goulding on drums. The following month, the song was one of five tracks broadcast for the first of two sessions Eric recorded for DJ John Peel at BBC Radio 1. The song went on to make number 47 in John Peel’s ‘Festive Fifty’, the so-called ‘lost list’ of 1977; it was number 8 in the Sounds critics’ singles of the year; and it received an ‘honourable mention’ in the NME critics’ chart. The song’s reputation has grown over the years and numerous bands have covered “Whole Wide World”, such as the Lightning Seeds, Mental As Anything, The Monkees (who covered the song on their Pool It! album in 1987), The Proclaimers (who covered it on their 2007 album Life With You), Paul Westerberg, and Cage The Elephant (who covered it in their 2017 album Unpeeled). His debut album Wreckless Eric was a Top 50 hit in the UK Albums Chart. His 2nd album with Stiff Records was The Wonderful World of Wreckless Eric.]

28. Amy Rigby – “The Trouble With Jeanie”
from: Little Fugitive / Signature Sounds Records / 2005
[Amy Rigby (born Amelia McMahon, 1959) is an American singer-songwriter.[1] After playing with several New York bands she began a solo career, recording several albums which had only modest sales despite enthusiastic reviews. She settled into a career of touring while raising a daughter, then formed a duo with Wreckless Eric whom she also married. As of November 2011 they continue to tour from a base in upstate New York. Rigby was born in Pittsburgh and moved to New York City in 1976. She married dB’s drummer Will Rigby in the 1980s, and during the late 1980s and early 1990s recorded with New York bands such as The Shams and Last Roundup. Her solo career began in 1996. In 1999 Rigby moved to Nashville to pursue a publishing deal, and continued to record and tour. She later relocated to Cleveland, and in late 2006 moved to France with her second husband, Wreckless Eric. In the fall of 2011 they relocated to the USA, moving to a town in upstate New York. Rigby released her first full-length recording under her own name, Diary of a Mod Housewife, in 1996. Village Voice critic Robert Christgau praised the album, calling it “concept album of the year”.[2] Spin voted Rigby “Songwriter of the Year” for 1996. Middlescence and The Sugar Tree (like Mod Housewife, recorded for Koch Records), also were well received by critics and listeners. Koch also released Rigby’s compilation album, 18 Again. After leaving Koch, she recorded for the Signature Sounds label, and also sold live CD and DVD material through her website. Til The Wheels Fall Off, with its opening track, “Why Do I,” produced by Richard Barone, was released on Signature in 2003, and Little Fugitive in 2005. The weekly newspaper The Nashville Scene said that Little Fugitive “finds Rigby as sharp as ever, even as many of the songs evince the fuzz of dislocation…or the exasperation of a survivor who hasn’t lost her sense of humor but knows that jokes have their limits.” She writes lyrics about the trials of a cash-strapped single mother in an uncaring world. “The Good Girls” is a song about consumerism and under-employment, for example. Asked by her manager if she would not be able to write the same kind of songs after starting a happy relationship, she responded “No problem. I’m still poor”, before cranking out a lyric about her beau’s ex-wife. Another trademark is outrageous sexual humor, as in the songs “I Hate Every Bone in Her Body” and “Are We Ever Going to Have Sex Again?” Rigby uses basic chord structures derived from ’60s rock and pop music. Her records are as notable for their musical sophistication as for their lyrical directness. Her influences also include New York City punk rock, especially as played at the famous CBGB club, as well as the Beatles and other mid-1960s pop. One of her recent songs is entitled “Dancing With Joey Ramone.” Ronnie Spector, Sara Hickman, and Laura Cantrell have recorded compositions by Rigby. In 2008 Wreckless Eric & Amy Rigby was released. The album is described as combining various influences.]

29. Wussy – “Acetylene” (Vinyl LP)
from: Attica / Shake It Records / 2014
[Fifth studio album from Cincinnati, Ohio, indie rock band formed in 2001. The 11 songs on Attica! were recorded at Ultrasuede Studios in Cincinnati, which is owned by former Afghan Whigs bassist John Curley. The album also saw the return of a member of one of Wussy frontman Chuck Cleaver’s former bands–Ass Ponys guitarist John Erhardt performed on Attica! as Wussy’s fifth member. Attica!’s opening track, “Teenage Wasteland”, describes singer Lisa Walker’s memories of listening to the Who, especially the song “Baba O’Riley”, and includes shoutouts to several of its members. The song also contains a guitar part that closely resembles that on Baba O’Riley. The album’s title track also references Dog Day Afternoon, portraying it as a tale of romantic desperation.]

30. Flamin’ Groovies – “Shake Some Action”
from: Groovies Greatest Grooves / Sire / 1989
[Flamin’ Groovies is an American rock music band whose peak was in the 1960s and 1970s. The band began as a “throwback”-influenced group in San Francisco in 1965, led by Roy Loney and Cyril Jordan. After the Groovies released three albums on major labels without much success, Loney left the band in 1971. He was replaced as co-leader by Chris Wilson, and the band’s emphasis shifted more toward British Invasion power pop. The reconstituted band signed to United Artists Records in 1972 but only released three more singles until 1976. The Groovies then signed to Sire Records and released three albums between 1976-79, also with limited success, before Wilson left the band in 1981. After that, Jordan and original bassist George Alexander continued on as the Groovies until the group finally disbanded in 1991. After a couple of limited reunions with different lineups, the 1970s nucleus of Jordan, Wilson, and Alexander reformed the group in 2013, and the band’s first post-reunion album was released in 2017. In addition to the band’s role in the advancement of power pop, the Flamin’ Groovies have also been called one of the forerunners of punk rock.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on March 14, professional actor and teacher Richard Alan Nichols joins us to talk about his new book, TO ACT IS TO DO. Also next week, the multi-talented actor-singer-comedian Spencer Brown aka Daisy Buckët joins us to talk about Daisy’s full length solo album debut, Pansy

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #724

Wednesday MidDay Medley presents Marion Merritt + Red Kate & Too Much Rock

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 21, 2018

Spinning Records With Marion Merritt
+ Red Kate & Too Much Rock

Marion Merritt of Records With Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Marion will spin tracks from: The O’Jays, The Chocolate Watchband, Wooden Shjips, LaVice & Company, THE DESCENDANTS OF MIKE AND PHOEBE, Death & Vanilla, The Brian Jonestown Massacre & Asia Argento, CSC Funk Band, Orgone, Funkadelic, Bardo Pond, The Sufis, Tess Parks, Sunny War, Joan Armatrading, Jóhann Jóhannsson, and more. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

At 11:30 members of Red Kate share their new Too Much Rock – Singles Series, 7” vinyl 45 rpm release. Their original song, “Iraqi Girl,” is on side A, with a side B cover of TSOL’s,” American Zone,” the first recording with the band’s newest member, rhythm guitarist Shaun Hamontree. Both tracks were recorded at Weight and Measures Soundlab with engineer Duane Trower and producer L. Ron Drunkard. Red Kate celebrates the release of the new record Friday, February 23 at Davey’s Uptown with Reacharounds from Springfield, MO, Arson Class and Vidco Kult. The band also plays an all ages show Saturday, March 3 at Mills Record Company with Martian Martian Martian. The single is out February 24 at record stores throughout the region and online at black-site.org/red-kate and redkate.bandcamp.com.

Also joining us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, and Witch Jail have all recorded for the Too Much Rock Single Series. More info at: http://www.toomuchrock.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #722

WMM Playlist from December 13, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 13, 2017

The 117 Best Recordings of 2017
(Part 2 of 4)

Wednesday MidDay Medley presents part-two, of our four-week special: The 117 Best Recordings of 2017. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, however we ask that you please accept our list as a celebration of the year of music.

In 2017 we’ve played nearly 1000 different songs on the show, and from nearly 375 New & MidCoastal Releases. More than 200 of these releases were New MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us live in our 90.1 FM studios. This past year we’ve interviewed nearly 200 guests. 70 of the representative recordings in our “Best of” list were MidCoastal Releases, produced by artists from here. It’s all good!

Tune into 90.1 FM, Wednesdays in December, on the 13th, 20th, and 27th. We’ll be packing 8-hours of radio with music that represent: The 117 of Best Recordings of 2017!

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (87.) The Souljazz Orchestra – “Lufunki”
from: Under Burning Skies / Strut Records / September 22, 2017
[8th album from Canadian six member band based in Ottawa. Their music is a fusion of soul, jazz, funk, Afrobeat and Latin styles. Members include: Pierre Chrétien on electric piano, clavinet, organ, guitar, bass, percussion, vocals; Marielle Rivard on percussion, vocals; Steve Patterson on tenor sax, percussion, vocals; Ray Murray on baritone sax, percussion, vocals; Zakari Frantz on alto sax, flute, percussion, vocals; Philippe Lafrenière on drums, percussion, vocals. The band signed to London-based Strut Records, a UK record label that focuses on dance music and afrobeat. Other musicians signed to Strut include “Ethio-Jazz pioneer Mulatu Astatke, Motown guitarist Dennis Coffey and Ghanaian highlife singer Ebo Taylor.”]

3. (86.) This Is the Kit – “Moonshine Freeze”
from: Moonshine Freeze / Rough Trade / July 7, 2017
[4th album from This Is the Kit, the alias of British musician Kate Stables, who is based in Bristol and Paris. This is The Kit formed in 2003. This Is the Kit perform regularly in various configurations from duo to quintet. The core members are Stables on vocals, guitar and banjo, and Jesse D Vernon on violin, guitar, bass and percussion. However, Stables is the only constant, and they are often joined onstage by The Liftmen, Rozi Plain, and other musicians of their acquaintance throughout the UK and Europe.]

4. (85.) Salar Rajabnik – “A to Z”
from: Black & White World / Salar Rajabnik / June 9, 2017
[Produced By: Salar Rajabnik. Engineered By: David Wright at Cherrybox Studios & RCA Studio B in Nashville, Tennessee. Mixed By: David Wright. Mastered By: Joshua Stuebe . Art Direction & Design: Kristøpher Martin of Arcane Path. Photography: Samon Rajabnik. Vocals, Electric, Acoustic, Baritone & 12 String Guitars, Piano, Drums & Percussion: Salar Rajabnik. Bass Guitar: Ben Garner. Keyboards, Organ, Piano & Percussion: Johnny Gentile. Fender Rhodes on “I Don’t Want To Wake Up”: Warren Pash. Additional Background Vocals: Leah Korbin. Special thanks to Noam Chomsky for graciously allowing use of his words in “Black & White World.” Black & White World is dedicated to those with the courage to speak truth to power. All Songs Written & Arranged By: Salar Rajabnik / BMI / 2017. Salar Rajabnik is a product of time spent in lots of seemingly contrasting places. Born in the Atlanta area, he was immersed in the world of southern American roots music. The strong Persian cultural influence of his father, an Iranian immigrant, was just as evident at a young age. This was strengthened by time ispent living in Iran. From the beginning this unexpected amalgamation of cultures began to create the foundation that would define him as a musician and person. A move to Kansas City at the age of 12 prompted Salar to pick up his first instrument, the bass guitar. Between the clubs, streets, festivals, churches, basements, bars, arenas, schools, & studios, playing bass, drums, or guitar, he took every opportunity to play that he could. While his influences seem conflicting on the surface level the underlying and unifying principles and themes are strong. Whether he was dancing to Persian music with his family in Iran, learning Motown basslines in his room while his friends listened to boy bands, or jamming in the historic 18th & Vine district with jazz veterans till sunrise, for Salar it’s always been about playing with heart, soul, and honesty. Salar has set out to venerate those who have and continue to respect the gift of music and it’s important role in life, regardless of any classification or style. After years of playing in bands and as a live & studio musician Salar relocated to Nashville, Tennessee & formed a backing band in 2014 & released a debut EP, both dubbed “Moon Age”. Leaving Nashville as a homebase & the Moon Age moniker behind, Salar recently relocated back to Kansas City to release his full length album.]

5. (84.) Truck Stop Love – “Tommy”
from: Can’t Hear It: 1991-1994 / Black Site Records / November 18, 2017
[Rich Yarges on vocals & guitar, Eric Melin on drums, Matt Mozier on vocals & guitar, Brad Huhmann on bass & vocals, Jim Crego on vocals & guitar. 25 years ago Truck Stop Love made their first recordings. These are previously unreleased demo tracks and never-before-heard recordings. To give these old recordings a new life on vinyl, audio archivist & sound engineer Kliph Scurlock remastered the songs from the original analog & digital audio tapes, and Chris Muth at Taloowa Corp cut the master lacquers.] [Truck Stop Love played an Album Release & Reunion, (their first in 13 years), Nov. 17 at recordBar with Pedaljets, Red Kate and Chris Tolle.]

6. (83.) Wick & The Tricks – “Drama Queen (Radio Edit)”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.] [Wick & the Tricks played a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

[Wick & The Tricks play Prohibition Hall, Sat, Dec 30, w/Alice Sweet Alice, Heart of Flesh, & Oh Dear Oh My.]

7. (82.) The Weather Station – “Thirty (Edited)”
from: The Weather Station / Paradise of Bachelors / October 6, 2017
[4th full length release from The Weather Station, a Canadian band, based in Toronto, fronted by Tamara Lindeman, formed in 2006. Band members have changed over the years, but now includes Lindeman, with Ben Whiteley on bass, Adrian Cook on pedal steel, and Ian Kehoe on drums.]

8. (81.) Keaton Conrad – “Cinnamon”
from: Waves / Keaton Conrad / January 27, 2017
[Debut full length from 18 year old Kansas native, Keaton Conrad mixes indie rock, house, jazz, and hip-hop. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. In 2015 he released a 5-song EP, Panic & Blame. ] [Keaton Conrad played the 4th annual PorchFest KC.]

[Keaton Conrad plays The Rino, 314 Amour Rd, North Kansas City, Fri, Dec. 22, at 7:00 PM with Late Nite Cavalry, and MikiP.]

10:29 – Underwriting

9. (80.) Mount Eerie– “Real Death”
from: A Crow Looked At Me / P.W. Elverum & Sun / March 24, 2017
[8th studio album from Mount Eerie, the musical project of Anacortes, Washington-based songwriter and producer Phil Elverum. Elverum (formerly of The Microphones) is the principal member of the band, but has collaborated with many other musicians on his records and in live performances. Most of Mount Eerie’s releases have been issued on Elverum’s label P.W. Elverum & Sun, Ltd., and feature inventive and highly detailed packaging with his own artwork. Elverum married Canadian artist and musician Geneviève Gosselin in 2003 shortly after meeting her. The two dated long-distance briefly before Geneviève moved to Washington to live with Phil. She recorded under the names Woelv and Ô Paon. Besides occasionally singing on each other’s records and playing in one another’s backing bands live, the couple did not collaborate artistically. The two did not want either of their artistic outputs to interfere with the other’s so they kept relatively quiet about their marriage. Occasionally one would mention that he or she was married, but not say who they were married to. In 2015, Geneviève was diagnosed with inoperable pancreatic cancer following the birth of the couple’s first child. After running out of funds to pay for Geneviève’s cancer treatments the two turned to the world and asked for their support through way of a GoFundMe page; an unexpected decision from the usually reclusive couple. On July 10, 2016, Geneviève died in the company of her husband and parents. The album’s release comes in wake of the passing of Elverum’s wife, Geneviève Castrée. On January 5, 2017, Elverum announced that he will “re-enter the world,” go on tour, and release a new album. The first single from A Crow Looked at Me, “Real Death”, was released on P.W. Elverum & Sun, Ltd.’s SoundCloud page on January 18, 2017, to widespread acclaim, netting the “Best New Track” distinction from Pitchfork. Paste wrote that in “Real Death”, “[t]he music gives Elverum all the room he needs to not so much sing, but document.”]

10. (79.) Dirty Projectors – “Little Bubble (Edit)”
from: Dirty Projectors / Domino Recording Co. / February 21, 2017
[2nd single from the 8th album, of the band and the follow up to Swing Lo Magellan, from 2012. Dirty Projectors are an American musical group, consisting of David Longstreth on vocals & guitar, Amber Coffman on vocals & guitar, Haley Dekle on vocals, Nat Baldwin on bass, Olga Bell on vocals & keyboards, and Michael Johnson on drums.]

11. (78.) The Como Mamas – “Move Upstairs”
from: Move Upstairs / Daptone Records / May 19, 2017
[2nd full length album from one of the The newer addition to the Daptone Family. tThe Como Mamas are three lifelong Gospel singers from the small town of Como Mississippi. On their debut album, the critically acclaimed album ‘Get an Understanding’ from 2013, there are only three instruments – The powerful, raspy voice of Ester Mae Smith, the deep soothing voice of Angela Taylor, and the energetic, spirited vocals of Della Daniels. The harmonies they create are so powerful, musical accompaniment is not missed. In December of 2015, The Como Mamas took their first trip from their home in Como, Mississippi up to Harlem, New York to crush the Apollo Theater as part of the Daptone Super Soul Revue. Taking full advantage of their presence in town, the Daptone crew brought Ester Mae Wilbourn, Della Daniels and Angelia Taylor into the House of Soul the week after the show to join forces for the first time with the musicians and studio that has defined their label’s sound. Jimmy Hill, Thomas Brenneck, Homer Steinweiss, and Bosco Mann, all stalwarts of the Daptone stable, came together as “The Glorifiers Band,” to put down a churning musical foundation for these amazing singers. The results are some of the heaviest tracks that Daptone has cut to date.]

12. (77.) Nick Siegel – “Slum By The Sea”
from: Awake from The Golden State / Nick Siegel / August 25, 2017
[2nd single from the debut EP from Nick Siegel who writes: “I write aggressive piano rock music. I strike the 88 keys because one of them must be the key to your heart (oh the charm!). I grew up playing music in Chicago and moved to Kansas City in 2010 when I joined The Casket Lottery. Now venturing on my own, I’m excited to release a new record that will knock your clothes off. Book me, like me, come out and see me and I’ll introduce you to a fine mix of fast fingers, great hair and awkward banter. I’m Nick Siegel. I’m the piano rock you need in your life.”]

[Nick Siegel plays The Riot Room, Fri, Dec. 22, at 8:00, with Search and Seizure, Y U M, The Hillary Watts Riot, Brave the Spirit.]

13. (76.) Adult Mom – “Tenderness”
from: Soft Spots / Tiny Engines / May 19, 2017
[Adult Mom began as the solo project of Stephanie Knipe in a Purchase College dorm room in 2012. Honesty and intimacy form as Knipe writes clever pop songs that offer a glimpse into the journey of a gender-weird queer navigating through heartache, trauma and subsequent growth. Soft Spots, the project’s sophomore LP, is an exploration into the physical and emotional acts of opening up, the vulnerability that produces love, and then ache. Knipe shares with us their process of learning how to cradle and understand their own softness without finality, a story without an end.]

14. (75.) Sky Smeed – “Lunker Bass”
from: Lunker Bass / Sky Smeed / February 1, 2017
[Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays The Gospel Lounge at Knuckleheads, 2715 Rochester St. Saturday, Dec. 23]

15. (74.) Mavis Staples – “If All I Was Was Black”
from: If All I Was Was Black / Anti / November 17, 2017
[16th studio solo album from gospel R&B singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. She has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. Livin’ on a High Note was produced by M. Ward the album features songs written specifically for Staples by Nick Cave, Justin Vernon, tUnE-yArds, Neko Case, Aloe Blacc, and others. Mavis!, the first feature documentary about Staples and the Staple Singers, directed by Jessica Edwards, had its world premiere at the South by Southwest Film Festival in March 2015. Mavis! was screened in theaters and on HBO in February 2016. Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down. The album was written and produced by Jeff Tweedy. Staples said the album “brings us all together as a people. That’s what I hope to do. You can’t stop me. You can’t break me. I’m too loving. These songs are going to change the world.” Tweedy described the message of the album: “I’ve always thought of art as a political statement in and of itself-that it was enough to be on the side of creation and not destruction. But there is something that feels complicit at this moment in time about not facing what is happening in this country head on.]

16. (73.) Joon Moon – “Tiger (Radio Edit)”
from: Moonshine Corner / Kwaiden Records / September 29, 2017
[First full length album from band formed in 2014 in Montmartre area of Paris. This follows the June 2017 release of their EP Tiger, their April 2016 EP, Call Me, and their October 2015 EP Chess. Joon Moon is the meeting of House producer Julien Decoret, drummer Raphael Chassin and American expat and singer/song writer extraordinaire Krystle Warren. After ten years of touring the world playing double bass with Marc Collin’s Nouvelle Vague ensemble, alongside excursions into house music on the Yellow Productions Art of Disco compilations, not to mention co-producing Florent Marchet’s Bamby Galaxy album, it was time for songwriter/producer/renaissance man Julien Decoret to dedicate his heart and soul to a new challenge. With Raphaël Chassin, (Hugh Coltman, Vanessa Paradis, Pauline Croze) on drums, helping out with the production and arrangements, and Sébastien Trouvé as sound engineer, Decoret set out on his retromodern Joon Moon mission, laying out the contours of a world where trip-hop, jazz, soul and electronic music live side by side, sharing their joys and sorrows. The only missing element was that one last bit of magic, a voice that could take the project to ever-loftier heights. Enter Krystle Warren. She had worked with Rufus Wainwright, and Scritti Politti’s Green Gartside, and had made forays into house music herself by providing vocals to two cuts off Hercules and Love Affair’s, The Feast of the Broken Heart. That’s not even mentioning her own band, Krystle Warren and The Faculty – and its three albums – which display her impressive grasp of soul music, folk, blues…With Tiger, the band’s social concerns are brought to the forefront. A timely piece from a Franco-American band about the need to question authority and the power structure of society. Tiger sees its tension build up like an onimous populist, and turns into defiance. Art and love in a movement towards emancipation.]

11:00 – Station ID

17. (72.) The Safes – “Hometown”
from: Tasty Waves / Hidden Volume Records / September 8, 2017
[The Safes are Frankie O’Malley on vocals, guitars, drums, piano, Wurlitzer, vibes, bells; Patrick O’Malley on vocals, guitars; Dex Fontaine on drums; Curt Schmelz on bass. The record includes special guest musicians:
Siobhan Hunter on violins, Dominique DiValerio on french horn, and Ben Levin-O’Leary on trumpet. Produced, Recorded, Mixed by Patrick O’Malley. Recorded, Mixed by Brian Deck. Mixed by Frankie O’Malley. Recorded at IV Lab and StudiO’Malley. Mixed at StudiO’Malley and at Brian Deck’s home studio. Mastered by Josh Bonati at Bonati Mastering. Assistant Engineer at IV Lab – Shane Hendrickson. Photograph: Andrew Ballantyne. All songs written by Frankie O’Malley, except “Streets and Sanitation”: lyrics written by Frankie and music written by Patrick & Frankie. http://www.thesafes.com.] [The Safes play Crossroads Music Festival, September 9 at 10:00 at The Brick on the Do816 Stage.]

18. (71.) The Good Hearts – “Sinking Boat”
from: A Beginner’s Guide to The Good Hearts / The Good Hearts / May 21, 2017
[The Good Hearts are a 4-piece soulful folk-pop group with an emphasis on strings and warming hearts. Their unique brand of folk music is led by singer songwriter, Nicole Cain with powerful vocals & acoustic guitar, Shannon O’Shea on violin & background vocals, Anna Cook on cello & background vocals, and Aaron Derington on percussion. This Kansas City based group are described as “folk pop with touches of old country and soul thrown in.” The Good Hearts have played the Plaza Art Fair, The Folk Music Festival, and Boulevardia. More info at: http://www.thegoodheartsmusic.bandcamp.com] [The Good Hearts played the Wednesday MidDay Medley 90.1 KKFI Day Party at Middle of The Map Fest, Saturday, May 6, ]

[The Good Hearts are currently working on their new debut album full length with Kristie Stremel serving as producer.]

19. (70.) Pieta Brown – “Street Tracker”
from: Postcards / Lustre Records / March 10, 2017
[Postcards features a number of Brown’s musical friends, including Calexico, Bon Iver, Mark Knopfler and the Pines. She compiled the album by writing simple acoustic demos of what would become the album’s songs, sending them to the musicians that make up Postcards‘ roster of guests, and having those artists finish the tracks. Brown and her collaborators never worked in the same room, which lent the album its distance-implying title. Released on Brown’s new, in her words, “underground label” Lustre Records. Pieta Brown was born in 1973 in Iowa City, Iowa. Her early upbringing was in Iowa. There, Brown was exposed to traditional and rural folk music through her father, singer songwriter Greg Brown. Brown spent her childhood living in 17 different residences between Iowa and Alabama. While living with her mother in Alabama, Brown began writing poetry and composing instrumental songs on piano. As a musician and singer-songwriter she has released five albums and four EPs. Collaborator Bo Ramsey produced her 2002 debut record, Pieta Brown and co-produced her 2005 album In the Cool, which was named one of the year’s best by Amazon. Her next album Remember The Sun was released in 2007 and was cited as one of the year’s best in a The Wall Street Journal article. After the release of her next album, One and All, Brown joined Mark Knopfler’s North American tour, had a string of performance dates with John Prine, participated in a full orchestral show with Brandi Carlile, and embarked on her own performance tour in Australia. Brown’s 2009 EP, Shimmer was produced by Don Was after hearing her on his car radio in a live solo performance. In addition to Mark Knopfler, John Prine and Brandi Carlile, Brown has shared stages with JJ Cale, Emmylou Harris, Richard Thompson, Ani DiFranco, Calexico, Neko Case, Mason Jennings, Shawn Mullins, Carrie Rodriguez and Jim Lauderdale. She has performed at festivals throughout North America including Bonnaroo, Mountain Jam, Edmonton Folk Music Festival and more. Her national radio credits include performances on eTown and Mountain Stage. Brown is married to guitarist and producer, Bo Ramsey.]

20. (69.) Big Thief – “Black Diamonds”
from: Capacity / Saddle Creek Records / June 9, 2017
[Debut album from Brooklyn, NYC, based Big Thief is lead vocalist and songwriter Adrianne Lenker, Buck Meek on guitar, Max Oleartchik on bass, and James Krivchenia on drums.] [Big Thief played The Bottleneck, 737 New Hampshire, Lawrence, Thur, Oct. 12 at 8:00 PM w/ Mega Bog.]

21. (68.) Las Cafeteras – “If I Was President”
from: Tastes Like L.A. / Las Cafeteas / April 14, 2017
[Chicano band from East Los Angeles, California. Their music fuses spoken word, folk music, with traditional Son Jarocho, Afro-Mexican music and zapateado dancing. The band started out as students of the Eastside Café, a community space in El Sereno, LA, where they took Son Jarocho classes. Influenced by music from Veracruz, Mexico and eager to teach others about it, they started formally playing in 2005. Since forming, they have shared the stage with artists such as, Caifanes, Lila Downs, Juanes, Ozomatli, Edward Sharpe and the Magnetic Zeroes and the Los Angeles Philharmonic. Their namesake derives from the organization where they took classes. To honor women, they feminized their group name by naming themselves Las Cafeteras, rather than Los Cafeteros. Las Cafeteras’ songs have themes and references that range from the Civil Rights Movement, United Farm Workers, DREAM Act, immigration reform to female homicides in Ciudad Juárez. Their song, “La Bamba Rebelde”, a remake of The traditional Mexican song from the state of Veracruz “La Bamba”, denotes their Chicano pride. They say that they construct their music as a tool for creating positive change and inspiring others to do so. Band Members include: Daniel French on vocals, jarana, MC; David Flores on requinto jarocho; Denise Carlos on vocals, jarana, zapateado, glockenspiel; Jose Cano on cajón, Native American flute, harmonica; Hector Flores on vocals, zapateado; Leah Gallegos on vocals, quijada, zapateado.] [Las Cafeteras played Folk Alliance International 2017 Conference.]

22. (67.) Pageant Boys – “Last Rites”
from: Shadowboxing EP / The Record Machine / May 19, 2017
[On what was originally slated to be a short trip to Istanbul, Alex Sheppard started recording music with his girlfriend’s laptop and a bluetooth headphone mic. None of Sheppard’s previous musical efforts incorporated electronics in a major way; “It was born of necessity,” says Sheppard. The songs on his new EP, Shadowboxing, came out of those original sessions. The songs are a sensual and almost effervescent approach that combine R&B elements with electronic and processed instrumentation. While in Istanbul, Sheppard established a routine in collaborating with a close friend and poet. He said they developed a fairly specific daily routine for working on music, with the intent of finishing songs, regardless of their quality. “I would wake up at 8 in the morning and start the song and get the chord structure. And then at 10, he would wake up and I would show him what I had. I’d make breakfast, and then I’d show him the melody I wanted for the vocal line. He’d go down and start writing the lyrics, we’d eat breakfast, and he’d have the lyrics written after we got done with breakfast. At 1, I’d start recording the vocals. It was a good schedule.” Sheppard has been writing and recording for the last decade even though he is just in 20’s. Before Sheppard started performing and recording as Pageant Boys he released several albums as Alexandre. Shadowboxing is the maturation of Sheppard’s artistic vision and introduction to a larger audience.] [Pageant Boys played Crossroads Music Fest, Sat, Sept. 9 .]

[Pageant Boys play the Sonic Spectrum Tribute Series to New Order, Thursday, December 28, at recordbar 1520 Grand, with Calvin Arsenia, Mysterious Clouds, Sinple, Vacay Vay, and FAC 816 featuring members of Emmaline Twist, and Black Water.]

23. (66.) Laura Marling – “Next Time”
from: Semper Femina / More Alarming Records / March 10, 2017
[6th studio album from Laura Beatrice Marling was born February 1, 1990, from Eversley, Hampshire. Her debut album Alas, I Cannot Swim, her second album I Speak Because I Can, and her fourth album Once I Was An Eagle were all nominated for the Mercury Music Prize in 2008, 2010, and 2013, respectively. She won the Brit Award for Best British Female Solo Artist at the 2011 Brit Awards, and was nominated for the same award at the 2012 and 2014 Brit Awards. The youngest of three daughters, Marling learned guitar at an early age. Her father, Sir Charles William Somerset Marling, the 5th Marling Baronet, ran a recording studio, introduced her to folk music and shaped her musical taste, an experience that Marling later described as, “a bit of a blessing and a bit of a curse….[because] I couldn’t slot myself into the age-appropriate genre”. Marling received a scholarship to attend Leighton Park School, a private Quaker school in Reading, Berkshire. During her secondary school years she felt uneasy around other people and was afraid of death. Marling dated Noah and the Whale singer/guitarist Charlie Fink briefly before the pair separated in 2008. She also dated Marcus Mumford of Mumford and Sons until late 2010. She moved to Silver Lake in Los Angeles, California in 2013, before relocating back to London in December 2014. In September 2013, Marling explained: “I am a solitary person but I love people, I’m not a misanthrope. I like the idea of speaking only when it’s strictly necessary. The closest I ever feel to people is in shared experience. I’m still exploring that, I don’t know where it’s going to lead me.]

11:29 – Underwriting

24. (65.) Via Luna – “Upstairs Neighbor”
from: Wilt / Via Luna / April 28, 2017
[3rd EP release in 3 years form the KC based Instrumental Post Rock / Math Rock band, with Gregory Baker on guitar, Christopher Gordon on guitar, Mike McDonough on drums, and Blain Bridges on bass.] [Via Luna played an EP Release Show for Wilt, April 28, at Californos, with Le Grand, Riala, and Parents.]

25. (64.) The MGDs – “Snakebite”
from: Somos Como Somos / The MGDs / November 4, 2017
[From the band’s new EP, their 3rd studio release. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.] [The MGDs played an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin.]

[The MGDs play The Riot Room, Sat, Dec. 30, at 8:00 PM with Pink Royal, Dylan James Guthrie, and Sara Nicole Glass.]

26. (63.) Claire Adams – “Boom”
from: Waiting for The Winds to Change / KG&G Records / October 22, 2017
[1st single from 5-song EP, featuring new recordings of original songs by Claire Adams on vocals, guitar, & bass; Katy Guillen on guitar & harmony vocals; Lennon Bone on drums. Recorded, mixed & mastered by Duane Trower at Weights + Measures Soundlab, Kansas City, MO. More info at: http://www.claireadamsmusic.com]

[Katy Guillen & The Girls play B.B.’s Lawnside BarB-Q, 1205 E. 85th Street, on Friday, Dec. 15]

27. (62.) Black Stacey – “Electric Woman”
from: Electric Chariot / Sharaden Staten / June 2 2017
[Black Stacey is Sharaden Staten, a Missouri native, whose music brings the spirit of “Electric Church” to the Midwest. Sharaden, a 25-year-old, having grown up in the back woods of central Missouri, and couch surfed his way into the KC metro, pairs subtle notes of R&B, funk, soul, and rock; dramatically blending it into a raw eclectic mix. In 2015 Sharaden began writing, recording and producing Black Stacey’s debut, “Electric Chariot”. A project that has given him a solid foundation in the KC music scene, gaining him spots on local radio and the opportunity to work with producer Joel Nanos (Madisen Ward and The Mama Bear, Radkey, Sly/Robbie & the Taxi Gang). More infor at http://www.blackstacey.com.]

[Black Stacey plays Davey’s Uptown Friday, January 12, with Gypsy Rose Frequency, and Oxykitten.]

28. (61.) Hembree – “Had It All”
from: Had It All – EP / Ribbon Music / Expected November 3. 2017
[Formed in November of 2015, band members include: Isaac Flynn, Garrett Childers, and Eric Davis. “Had It All” the single was released July 26, 2017. Engineered by: Isaac Flynn and Hembree. Produced by: Eric Hillman and Hembree. Mixed by: Joe Visciano. Mastered by: TW Walsh. Hemmer are currently on a multiple city North American tour opening for JR JR, the band formally known as Dale Earnhart Jr. JR JR is Detroit-area natives: Josh Epstein and Daniel Zott.]

29. (60.) Soul Revival – “Comeback”
from: Back to Love – EP / Soul Revival / June 2, 2017 [Debut EP from R & B – Soul duo, Soul Revival, KCK based producer, and musician and keyboard player, Desmond Mason is originally from Los Angeles. He went to Southeast High school and studied History and Higher Education at UMKC. Desmond has worked at Park University, and the American Jazz Museum. Desmond is a versatile performer and composer, who desribes his music as “firmly rooted in KC Kazz, R & B, gospel, and hip-hop music and strives to be something that the audience can feel in their spirit.” Derick Cunigan is a singer, songwriter who is originally from St. Louis, Missouri. He studied broadcasting at Northwest Missouri State University. He has worked for KMBC, Steel City Media and KBEQ, KFKF, KCTV5. More info at http://www.soulrevivalmusic.com]

30. (59.) Pink Royal – “Bring It On Back”
from: Do You Mind EP / Pink Royal / September 12, 2017
[Experimental groove pop, 5-piece band based in Lawrence, Kansas with Steven LaCour on guitar & vocals, Josh Dorrell on guitar & vocals, Alex Hartmann on drums, Nick Carswell on bass & vocals, Vik Govindarajan on Keyboards & vocals. Music and Lyrics by Pink Royal (except Tracks 3 & 6 by Pink Royal and Dylan Guthrie.) Recorded and produced by Jim Barnes. Mastered by Dalton Brand at WaveBurner Recording.]

[Pink Royal play The Riot Room, Sat, Dec. 30, at 8:00 PM with The MGDs, Dylan James Guthrie, and Sara Nicole Glass.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Please tune into Wednesday MidDay Medley throughout December as we present our 4-week special: The 117 Best Recordings of 2017 on December 20th, and 27th.

Next week, December 20, 10-Noon, we continue with part 3 of our 4 week series, The 117 Best Recordings of 2017, we’ll count down #58 through #30, and we’ll hear representative tracks from: The Whiffs, Instant Karma!, Eems, Jametatone, Lovergurl, Run With It, Mad Libby, The Sluts, KD Kuro, Erica Joy, Of Tree, Khrystal, Erin Keller, Nature Boys, David George, Broken Arrows, Kevin Morby, Sheer Mag, Curtis Harding, Japanese Breakfast, Sampha, Beck, Diet Cig, Jackie Shane, Phoebe Bridgers, The New Pornographers, Hurray For The Riff Raff, The National, and St. Vincent

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #712

WMM Playlist from October 4, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 4, 2017

New & MidCoastal Releases + Betse & Clarke
+ Wick & the Tricks + Kemet The Phantom

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Hembree – “Had It All”
from: Had It All – EP / Ribbon Music / Expected November 3. 2017
[Formed in November of 2015, band members include: Isaac Flynn, Garrett Childers, and Eric Davis. “Had It All” the single was released July 26, 2017. Engineered by: Isaac Flynn and Hembree. Produced by: Eric Hillman and Hembree. Mixed by: Joe Visciano. Mastered by: TW Walsh. Hemmer are currently on a multiple city North American tour opening for JR JR, the band formally known as Dale Earnhart Jr. JR JR is Detroit-area natives: Josh Epstein and Daniel Zott.]

[Hembree plays recordBar, 1520 Grand, Saturday, October 7, at 8:00 pm, opening for JR JR.]

3. The Roseline – “Hurry Up and Wait”
from: Blood / King Forward Revords / September 29, 2017
[From the 5th album of the Lawrence, Kansas, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005. The Roseline has been through dozens of lineup changes. The current lineup includes: Colin Halliburton on guitar & vocals; Heidi Gluck on bass & vocals, Ehren Starks on keyboards, Kris Losure on guitar, Jeff Jackson on pedal steel & guitar, and Jim Piller on drums. Roseline released their last album, Townie, on June 19, 2015. More info at: http://www.roselinemusic.com]

[The Roseline play a Blood Album Release Show, Thursday, October 5, at 9:00 pm at The Brick, 1727 McGee Street, KCMO, with Chase the Horseman, and Justin Klaas.]

[The Roseline play an Album Release Show, Friday, October 6 at 10:00 PM , at Replay Lounge, 946 Massachusetts, Lawrence, Kansas, with Toughies, and Jasper.]

4. Jorge Arana Trio – “All My Friends Are Brown”
from: Mammoth / Haymaker Records / September 23, 2016
[Recorded in early 2016 by Justin Wilson at Sound 81 Productions. Jorge Arana Trio is: Jorge Arana, Josh Enyart, & Jason Nash. Formed in 2011. Mammoth is the 3rd album and 2nd full length release. Jorge Arana Trio played their first album release concert at recordBar, September 2 with 34 and Riala. The Jorge Arana Trio joined us live on WMM on August 31.]

[Jorge Arana Trio play Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, Saturday, October 7, at 8:00 pm, with War Brides, Twelves (Wisconsin) and Dicta.]

10:15 – Underwriting

5. HighWesthus – “The Original”
from: Part III. The ILLU / Independent / October 25, 2016
[Written and produced and performed by HighWesthus, and mixed and mastered by Leyone Tracks. HighWesthus was born in Chicago and is based in Kansas City. The last official album of the Trilogy Set that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. HighWesthus is a freelance multimedia artist living in Kansas City. He graduated from the Kansas City Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illistration, animation, graphic design, dideo editing, sound editing, music producing, writng and storytelling.]

[HighWesthus plays the Wrally for Wretch, TONIGHT, Wednesday, Oct 4, at 8:00 pm, at The Rino, 314 Armour Rd, North Kansas City, Missouri, with Shapiro Brothers, Pageant Boys, Drew Black. Wrally for Wretch is in support of a feature film titled “Wretch” from filmmaker Matthew Dunehoo. Wretch is scheduled to begin shooting in Kansas City in the Spring.]

6. Lincoln Marshall – “Mo Spins feat. Dominique Sanders”
from: Water / Datura Records / June 3, 2016
[Written By: Approach & MilkDrop Produced, Recorded, Mixed & Mastered By: Aikido Bray. Additional Keys & Scoring By: Etan T’loh. Bass By: Dominique Sanders. Photos By: Fally Afani fallyafaniphotography.com. Layout & Design By: MilkDrop. Lincoln Marshall played The Datura Records Showcase for Lawrence Field Day Fest, at Replay Lounge. July 16, with Kwame, Sheven, MetaWatt & TRS-One, High Westhus, Left E. Grove, Louiz Rip & Deuce, Royce Diamond, and Midnight Marauders.]

[Lincoln Marshall play The Riot Room, Saturday, October 7, for the “We Are Art Showcase” presented by IndyGroove and Intelligent Sound.]

7. Sky Smeed – “If You’re Taught You Learn to Be Mean”
from: If You’re Taught You Learn to Be Mean – Single / Sky Smeed / September 20, 2017
[Sky Smeed told us that he wrote this song while watching the horrible things that happened in Charlottesville, WV a few weeks ago. It’s influenced by a bunch of things for certain. Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays the Brick 1727 McGee Street, KCMO, Sat, Oct 7, at 7:00 pm with Shapiro Brothers.]

8. Fathers – “Take Care”
from: “Take Care” – Single / Fathers / 2017
[One of three songs recorded from Fathers is a new 8-piece band, formed this year, with Kenneth Storz on lead vocals, guitar, and keyboards; Brooke Honeycutt on vocals, bells, percussion; David Littlewood on voice, keyboards, bells; Snake Bourret on percussion, bells, keys; Matt Guilliums on bass & percussion; Bryce VZ on vibraphone, voice, and percussion; Josh Seerden on guitar, keys, bass, percussion; Celeste Tilley on trombone, vocals, and percussion.

10:30

9. Betse & Clarke – “January Waltz”
from: Tunes We Like / Independent / September , 2017
[The newest release from Betse & Clarke is a cassette of fiddle tunes. “Tunes We Like” features Betse Ellis on standard and cross-tuned fiddles, Clarke Wyatt on banjos and guitar, and some selections are played by the Brushy Creek String Band, adding Brett Hodges on guitar and Alex Mallett on bass. Recorded by Wyatt live with no overdubs at home in Kansas City, Missouri, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley.]

10:34 – Interview with Betse Ellis and Clark

Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” a collection of originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” Betse & Clarke have brand new release called, “Tunes We Like,” that is being released on cassette. Betse & Clarke join us to play live in 90.1 FM Studios to share a few songs live from their new release.

Betse Ellis and Clarke Wyatt thanks for being with us on Wednesday MidDay Medley

We just heard “January Waltz”, (Smiling Violet Music, BMI) written by Betse Ellis around 2004. Originally recorded with her former band The Wilders, this was the first fiddle tune written by Ellis. Betse: standard fiddle / Clarke: standard banjo (aDAC#E) / Brett Hodges: guitar / Alex Mallett: bass. This tune has been performed and recorded by a number of modern old time bands, including Foghorn Stringband. This latest version brings listeners a fresh perspective on a favorite Ellis composition.

“Tunes We Like” was produced to be the first in an ongoing series of instrumental recordings. This cassette, released at the Walnut Valley Music Festival in Winfield, Kansas, September 2017, represents a returning interest in analog processes. Betse & Clarke will continue this model, with plans to record next on analog reel-to-reel tape for the next release in the series. The music may see an online release and digital distribution, but the plan is that all physical copies will be in analog format.

Recorded by Wyatt live with no overdubs at home in Kansas City, Missouri, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley.

Last year, Betse & Clarke released their full-length debut album, River Still Rise on July 1, 2017. Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos and cello. Recorded during the Winter-Spring of 2016. Produced by Clarke Wyatt and Betse Ellis. Recorded and mixed by Clarke Wyatt/ Final mix assistance from Chad Meise at Massive Sound. Traditional & future folk inspired by explorers Lewis & Clark showing how Betse & Clarke are trailblazers of sound & vision.

“River Still Rise,” is a collection of originals and reworked traditional compositions that are presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.”

Betse Ellis writes in the extended liner notes: “The phrase River Still Rise appears in the journals of Meriwether Lewis, and to me, most notably when the Corps of Discovery readied their boats and supplies for the beginning of their river journey. Documenting all the details of the excursion included aspects of the weather, the general demeanor or specific behavior of the crew, and most certainly the level of the river. The river needed to be high enough to be navigable, and in that way, Clarke and I have been putting together our gear and supplies, building our boat, and watching the weather signs for about a year and a half at this point. The process of recording RSR took several months, beginning in early 2016. We made this recording at home with the best gear we could acquire at this point, and with Clarke’s long-built engineering and producing knowledge.”

10:41

Betse & Clarke play live on the October 4, 2017 edition of Wednesday MidDay Medley.

10. Betse & Clarke – “White Creek” (Live)
also available on: Tunes We Like / Independent / September , 2017
[The newest release from Betse & Clarke is a cassette of fiddle tunes. “Tunes We Like” features Betse Ellis on standard and cross-tuned fiddles, Clarke Wyatt on banjos and guitar, and some selections are played by the Brushy Creek String Band, adding Brett Hodges on guitar and Alex Mallett on bass. Recorded by Wyatt live with no overdubs at home in Kansas City, Missouri, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley.]

From http://www.BetseandClarke.com liner notes for Tunes We Like: WHITE CREEK is a wonderful hidden gem, from Red McLaren, who was an Oklahoma fiddler visited by Marion Thede, the great fiddle scholar. Thede’s “The Fiddle Book” is an outstanding body of work with beautiful attention to detail, especially regarding bowings. (Betse: AEAE / Clarke: standard banjo (capo 2)

Clarke Wyatt is a multi-instrumentalist and a former member of some of Kansas City’s most dynamic bands, including Hairy Apes BMX and Mr. Marco’s V7s.

We’ve had Johnny Hamil on the show a few times this year talking about various Mr. Marco’s V7 shows including a recent reunion of the 4 original members.

Brushy Creek String Band, adding Brett Hodges on guitar and Alex Mallett on bass.

On Tunes We Love, Betse and Clarke perform a track titled: UNCLE HENRY… GOODBYE. In their liner notes they write UNCLE HENRY… GOODBYE comes from Violet Hensley, “The Whittling Fiddler of Arkansas”. The story of the name has to do with Violet’s original source for the tune, and then a later discovery that the tune was known as “Goodbye My Lover Goodbye”. Violet has shared the story several times with Betse, who keeps getting confused and forgets the details. Stay tuned here for updates! (Also, we took a lot of liberties with the melody, allowing ourselves to go to our exploratory side with this meditative melody.) Betse: DDAD / Clarke: low banjo

10:51

11. Betse & Clarke – “I Chased Old Satan Through The Door” (Live)
[The Woodie Brothers, Ephraim, Dale, and Lawton Woodie recorded “Chased Old Satan” in 1931. Ephraim was born in 1906, achieved the rank of colonel, overcoming nearly-blinding cataracts as a child, and died in 1978. He is credited as Chased Old Satan’s author, although other performers have made this claim in order to own the song’s copyright. The song is said to have borrowed lyrics from other songs. Lawton played harmonica and Ephraim played a Gibson L-4 guitar – a present from his brother for his high school graduation the year before. They recorded for Ralph Peer, the clever, ambitious A&R (artist and repertoire) man from Okeh records, on May 29th, 1931, but only sold less than 900 records. The Woodie Brothers were from one of the “lost provinces” of North Carolina – Ashe, Alleghany, and Watauga counties – a reference to this region’s historic isolation from the rest of North Carolina caused by the steep slopes of the Blue Ridge Mountains. There’s a CD with some tracks by Ephraim Woodie and the Henpecked Husbands, as well as other groups who recorded between 1927 and 1931: Music from the Lost Provinces. Their musical heritage was rich, including the likes of G.B. Grayson, Al Hopkins, Frank Blevins, and Albert Hash. Ash cakes are made around the world, and include “foods such as potatoes, corn, onions, and nuts which can be roasted by burying them in hot ashes for insulation and placing live coals on top of the ashes. Ash cakes were also baked by wrapping dough in cloth, placing them in a cleaned out corner of the fireplace, and covering them with ashes and coals. They were supposed to have a delicious flavor when baked that way, but it was difficult to control the heat, or keep the bread clean. (From ‘Don’s Spicy Kitchen’).”]

Lyrics: ”I Chased Old Satan Through The Door”

Well, I got no skillet and I got no lid
But the ash cake tastes like shortening bread
And I’m gonna wear that starry crown over there

Chorus:
Over there, over there
I’m gonna wear that starry crown over there
For I got no skillet and I got no lid
And the ash cake tastes like shortening bread
And I’m gonna wear that starry crown over there

Now I met old Satan down the lane
And I hit him in the head with a walking cane
And I’m gonna wear that starry crown over there

Chorus

Now I chased old Satan around the stump
And I gave him a kick with every jump
And I’m gonna wear that starry crown over there

Chorus

Now I run old Satan through the door
And I hit him in the head with a two-by-four
And I’m gonna wear that starry crown over there

Chorus

Betse and Clarke Upcoming Shows:

Friday, October 6 – Great Lakes Music Camp, West Olive, MI

Saturday, October 14 – Shawnee Indian Mission Fall Festival, Fairway, KS

Saturday, October 14 – The Library Lets Loose, Overland Park, KS

Sunday, October 15 – Bluegrass Brunch at Julep, Kansas City, MO

Thursday, October 26 – watch this space! – Springfield, MO

Betse Ellis and Clarke Wyatt thanks for being with us on Wednesday MidDay Medley

Betse & Clarke have brand new release called, “Tunes We Like,” that is being released on cassette. More info at: http://www.betseandclarke.com.

11:00 – Station ID

Betse Ellis, Wick Thomas, and Clarke Wyatt on the October 4, 2017 edition of Wednesday MidDay Medley.

12. Wick & The Tricks – “Yr So Rad”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.]

[Wick & the Tricks play a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

11:02 – Interview with Wick Thomas

Wick Thomas, was voted Best Activist by The Pitch Magazine Wick has help organize LGBTQIA youth group on college campuses and in High Schools, he served as President of EQUAL and won an award from the National Gay and Lesbian Task Force. Wick spent many years working for the Kansas City Public Library and now works fpr the Nelson Atkins Museum of Art. Wick is also a gardener, a student, and a he grew up in Drexel Missouri. Wick is also lead singer of Wick & The Tricks, joins us to share information about the new Black Site Records, 7-inch vinyl, 4-song EP debut, “Not Enough,” from Wick & the Tricks a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. Wick & the Tricks play a Record Release Show, Saturday, Oct 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

The following is from their press information: The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios. More info at: http://www.wickandthetricks.com

KC’s sassiest, trashiest and glammiest lovelies, Wick and the Tricks, release their debut 7” EP, Not Enough, on Black Site Saturday, October 14, and they’re throwing a party at Davey’s Uptown to celebrate, with Red Kate, The Midnight Devils and The Quivers.

As if that weren’t enough, this glittering juggernaut of rock and roll will also premiere the video for “Tough as Nails”, the closing track on the new record. Written and directed by KC’s most-discriminating connoisseurs of cinematic eccentricity, The Cannonball Roarers, it features the inimitable Annie Thrax as a modern day Dr. Frankenstein (or would that be Herbert West?) and her re-animated monster…well, you’ll have to wait and see. It’s sure to be the weirdest, creepiest thing you’ve seen since Inauguration Day.

Recorded at Westend Studios by Justin Mantooth and mastered by Chris Muth at Taloowa Corp., Not Enough contains four tracks of deliciously salacious rock and roll that will make you hop, skip, and jump into bed with the whole band.
As with all releases from the Black Site cooperative, this record not only sounds great, it looks even better. With artwork from the band’s newest member, guitarist Chris Stallion, and packaging from the union printers at Callender Printing in Kansas City, KS, you’re going to want to hang this record on the wall…if you can get it off your turntable.

In the spirit of the New York Dolls, The Stooges, and Jim Carroll, Wick and The Tricks proudly carry the Riot Grrrl, Queercore torch for the next generation. Ever since they crawled out of the trash soaked shores of the Missouri River and slipped into the streets of Kansas City, Middle America hasn’t been the same. Nationally infamous for their lasciviously energetic performances full of political undertones, it’s likely that by the end of the show you’ll either be making out, or in a fist fight, with one of them.

Not Enough will be available October 14 at area record stores and can be ordered now at: wickandthetricks.bandcamp.com/album/not-enough

Wick & The Tricks were formed on Halloween night at a drunken basement punk show in KC.

Last year Wick & The Tricks released their EP, TRIGGER WARNING on July 27, 2016, it was their 3rd release from the KC based punk-glam-queercore-riot grrrl-trash rock, 4-member band fronted by librarian & activist Wick Thomas aka Wick Trick, with JoJo Tornado on drums, Jane Asylum on bass & vocals, and Chris Stallion on guitar. Wick & The Tricks were formed on Halloween night at a drunken basement punk show in Kansas City. from their Facebook page: “The Tricks have become infamous for their energetic live performances, combining the spirit of bands like the Cramps and the New York Dolls with a faster, harder sound. Carrying the torch of the riot grrrls and early queercore bands with some not-so-subtle nods to Joan Jett, Wick & The Tricks are a band with a mission (but hopes you’re having way too much fun to notice).”

11:13

13. Wick & The Tricks – “Drama Queen”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.]

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

We talked with Wick about Activism and The Rocky Horror Picture Show

This has been a big year for Wick who became a Homowner, is back in school working on his Masters Degree, and he has a new job working at The Nelson Atkins Museum of Art.

We are talking to Wick Thomas, lead singer of Wick & The Tricks, who joins us to share information about the new Black Site Records, 7-inch vinyl, 4-song EP debut, “Not Enough,” Wick & the Tricks play a Record Release Show, Saturday, Oct 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.

11:21 – Underwriting

14. Sinple – “JX7 (Digital Dream)”
from: Music For Machines / Independent / May 1, 2017
[Sinple is the electronic music project of Jesse Bartmess who plays synths, drum machine, and vocals. Jesse describes this new recording as an Ambient Album Inspired by Brian Eno’s “Music for Airports” Music for Machines was written and recorded by Sinple @ Moldy Basement. Full Length Release: TBA More info at http://sinple.bandcamp.com/ ]

[Sinple plays Riot Room, Sun. Oct 8, at 7:00 pm, opening for Zealyn along with Lovergurl, and Valise.]

15. Pink Royal – “Bring It On Back”
from: Do You Mind EP / Pink Royal / September 12, 2017
[Experimental groove pop, 5-piece band based in Lawrence, Kansas with Steven LaCour on guitar & vocals, Josh Dorrell on guitar & vocals, Alex Hartmann on drums, Nick Carswell on bass & vocals, Vik Govindarajan on Keyboards & vocals. Music and Lyrics by Pink Royal (except Tracks 3 & 6 by Pink Royal and Dylan Guthrie.) Recorded and produced by Jim Barnes. Mastered by Dalton Brand at WaveBurner Recording.]

[Pink Royal played a Do You Mind EP Release show, Fri, Sept 22, at recordBar, w/ Hi Lux, and Evolfo.]

16. Marcus Lewis – “Approaching Gangsterdom”
from: Facing East / Marcus Lewisl / April 7, 2012
[Marcus Lewis on Trombone, Logan Richardson, on Alto Sax, Adam Larson on Tenor Sax, Sam Harris on Piano, Aidan Carroll on Bass, Tommy Crane on Drums, Pablo Masis, on Trumpet, Andrea Lewis, on Vocals]

11:32 – Interview with Kemet Coleman, Ryan Davis, and Marcus Lewis

Marcus Lewis, Ryan Jamaal Davis aka Kadesh Flow, and Kemet Coleman aka Kemet The Phantom on the October 4, 2017 edition of Wednesday MidDay Medley.

The debut recording of Marcus Lewis Facing East was featured in Vogue Magazine as being one the top albums on Janelle Monae’s 2012 Summer Playlist. Marcus Lewis is currently working on music for a new recording and is the Artistic Director of Future Jazz, a nonprofit dedicated to Jazz Education. Marcus has performed at the Kennedy Center for Performing Arts, the Jimmy Carter Summer Concert Series. As a sideman, he has also performed at the 53rd Annual Grammy Awards, the 2010 New Orleans Jazz Fest, the 2011 Glastonbury Festival, the 2011 Nobel Peace Prize Concert and the 2012 North Sea Jazz Festival, the Sydney Opera House, and for President Barack Obama at the White House in 2011 and 2012. Television shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus was awarded the 2008 Betty Carter Jazz Residency and the 2003 Outstanding Soloist award at the Wichita Jazz Fest.

Kemet Coleman aka Kemet the Phantom is one of Kansas City most elusive yet heralded musicians. Maintaining his integrity as a rapper, the Substruct Music artist formlessly combines elements of Jazz and electronic music in his production style with Rap aesthetics to create what many have coined to be “Dapper Rap”. He is a member of the Hip-Hop duo COA (Center of Attention) and the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet the Phantom is a Kansas City enthusiast and urbanist often known for his unprecedented collaborations with KC entities and organizations such as University of Missouri-Kansas City, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song.

Emcee and trombonist Ryan Davis aka “Kadesh Flow” is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city.

KC emcees: Kemet The Phantom, and band mate Kadesh Flow, are joining forces with The Marcus Lewis Big Band for Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble, as well as full jazz band versions of songs such as Kendrick Lamar’s “Alright” and Bruno Mars’ “24K Magic”.

Some notable artists that Marcus has performed and/or recorded with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, Jidenna, Musiqsoulchild, Avery Sunshine, The Barkays, Confunkshun, and Sugarfoot’s Ohio Players. In addition to an active touring and recording schedule, Marcus stays busy writing, arranging, teaching and leading clinics and master-classes worldwide.

Marcus Lewis has played all over the world, including The Late Show with David Letterman, Saturday Night Live, Later with Jools Holland, and currently lives in KC where he leads his own quintet, and an 18-piece Big Band, and he continues to tour with Grammy Nominated vocalist, and KCK native, Janelle Monáe.

Creating almost a formless persona as a rapper and public figure, Kemet the Phantom has graced the cover of multiple newspapers and magazine covers and won numerous awards: 2009, INK Magazine, 2011 KC Magazine, 2012 Pitch Weekly. He is a two time Pitch Music Award nominee for “Best Hip-Hop Act” in Kansas City and was the 2011 Big Brothers Big Sisters “Sexiest Single” in Kansas City.

11:41

15. Kemet the Phantom – “Suite Life (Master Clean)”
from: The Invisible Man / Center of Attention / March 9, 2017
[Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Hemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More information at: http://www.kemetthephantom.com.]

[Kemet The Phantom plays Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble]

11:45 – Interview with Kemet Coleman, Ryan Davis, and Marcus Lewis

We are talking with Kemet The Phantom, and band mate Kadesh Flow, who are joining forces with The Marcus Lewis Big Band for Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble, as well as full jazz band versions of songs such as Kendrick Lamar’s “Alright” and Bruno Mars’ “24K Magic”.

The Kansas City based band, The Phantastics are an 9 member group formed in 2010, that specialize genre-blending hip-hop, mixed with rock, rap, dance, funk, jazz and soul. Members include: Kemet “the Phantom” Coleman on lead vocals, Kim Newsome on vocals, JJ Cantrell on lead guitar & vocals, Danny Florez on electric bass & vocals, Ashley Thompson on drums, Ernest Melton on Saxophone, Ryan Davis aka Kadesh Flow on trombone and sick raps, and Austin Quick on keyboards.

Emcee and trombonist Ryan Davis aka Kadesh Flow brings realism, consciousness, and nerd life together in riveting flow format. He has composed and produced original music for Toonami Asia and shared the stage with the likes of artists like Tech N9ne, Phora, I Fight Dragons, The Revivalists, B.o.B., mc chris, and others. He has been publicly lauded by outlets such as IGN and Kotaku. More informati0n at: http://www.kadeshflow.com

The Kadesh Flow Headbuster – Single was Inspired by “Parasyte: The Maxim”, “Headbuster” finds Kadesh Flow promising that he is coming for the heads and minds of his listeners, much like the nemesis creatures in the inspiration content take over the brains of their victim.

Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble, as well as full jazz band versions of songs such as Kendrick Lamar’s “Alright” and Bruno Mars’ “24K Magic”.

11:56

18. Kadesh Flow – “Headbuster”
from: Headbuster – Single / Ryan Davis / December 9, 2016
[Inspired by “Parasyte: The Maxim”, “Headbuster” finds Kadesh Flow promising that he is coming for the heads and minds of his listeners, much like the nemesis creatures in the inspiration content take over the brains of their victim.]

[Kadesh Flow plays Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, October 11, Kathryn Golden returns to share details about PorchFest 2017 on Saturday, October 14 from Noon until 6:00 PM in the Valentine and Roanoke neighborhoods of Kansas City, we’ll also talk with Kent Shelton, General Manager of the Arvest Bank Theatre at The Midland in Kansas City Missouri. Plus Marion Merritt and Betse Ellis join Mark as Guest Co-Hosts for our Fall Fund Drive to encourage our wonderful listeners to donate to the Voice of The Community – 90.1 FM KKFI – Kansas City Community Radio.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #702

WMM Playlist from August 23, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 23, 2017

More New & MidCoastal Releases
+ Shortsweather + Mr. Marco’s V7 + Schwervon!

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Car Seat Headrest – “War Is Coming (If You Want It)”
from: War Is Coming (If You Want It) – Single / Matador / August 14, 2017
[According to Will Toledo “This is a song about not murdering people.” Originally a started as a solo recording project by 24 year old, Will Toledo, in Leesburg, Virginia. Toledo chose the name “Car Seat Headrest” after recording the vocals of his first albums in the back seat of his car, for privacy. Car Seat Headrest released 12 albums on Bandcamp. Toledo’s production has gradually grown less lo-fi, but he still remains an effective example of the DIY ethic. Toledo saw a large influx of new fans with his 2011 release Twin Fantasy, which has become the most popular of his self-released albums. In September 2015, Car Seat Headrest announced on his Facebook page that he had signed an album deal with Matador Records. In October 2015, Car Seat Headrest released the compilation album, Teens of Style under the label. This was his first album that was not self-released via Bandcamp. His 2016 album, Teens of Denial, was created with traditional studio processes. Car Seat Headrest are currently on tour as a full band.]

3. The Slowdown – “Look Older”
from: Summer Snow / The Slowdown / August 25, 2017
[Founded in 2006, The Slowdown is a Kansas City-based alternative rock/pop band led by multi-instrumentalist, songwriter and producer Sam Hoskins. The band is supported by seasoned Kansas City musicians: Josh Johnson on guitars and keyboards, and Jordan Smith on bass & backing vocals. Matt Clibanoff of All Things Go Music writes: “Kansas City alternative trio, The Slowdown has just released a new single off their forthcoming album. Gorgeous, though drenched despair, “Look Older” plunges into the solipsistic trench at the heart of the human condition. Guitars and synth dance in annular swirls as a voice skates across the frozen backdrop and breathily delivers the bad news: we’re all painfully and irrevocably lonely. Coolly delivered heartache has never sounded so sweet.”]

[The Slowdown play recordBar, 1520 Grand, Thurs, Aug. 24, w/ Not A Planet and Emmaline Twist.]

4. Benjamin Gibbard – “December”
from: Bandwagonesque / Benjamin Gibbard – Atlantic / July 28, 2017
[Death Cab for Cutie frontman Ben Gibbard’s latest project, is a song-for-song cover of Teenage Fanclub’s entire 1991 album, Bandwagonesque. “It’s my favorite record by my favorite band of all time,” Gibbard said in a press release. “It came along at a pivotal time in my musical life and I’ve loved it for over 25 years. It’s been such a blast taking these songs apart to see how they work and then putting them back together again.”]

5. Krystle Warren – “Thanks and Praise”
from: Three the Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warre. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

6. Broken Social Scene – “Protest Song”
from: Hug of Thunder / Arts & Crafts Productions / July 7, 2017
[Hug of Thunder is the 5th studio album by Toronto, Ontario based, indie rock musical collective Broken Social Scene that was formed in 1999 and continues 15 members. Most of its members play in various other groups and solo projects, mainly in the city of Toronto. These associated acts include Metric, Feist, Stars, Apostle of Hustle, Do Make Say Think, KC Accidental, Emily Haines & The Soft Skeleton, Amy Millan, and Jason Collett. The group’s sound combines elements of all of its members’ respective musical projects, and is occasionally considered baroque pop. It includes grand orchestrations featuring guitars, horns, woodwinds, and violins, unusual song structures, and an experimental, and sometimes chaotic production style from David Newfeld, who produced the second and third albums.After declaring a hiatus in September 2011, Broken Social Scene performed at the Field Trip Arts & Crafts Music Festival in 2013 and a couple of festivals in 2015, the latter of which prompted band members Kevin Drew, Brendan Canning, Charles Spearin, Justin Peroff, and Andrew Whiteman to discuss recording new material. “When we’re working, we understand that there will be a lot more input, so we leave space in the music as we’re writing it,” Spearin said. “We would send out invitations for all the usual crew, and say, ‘Hey, we’re doing this again. Would you be interested in being part of this?'” In the end, 18 musicians were credited on Hug of Thunder. During sessions for the album, Leslie Feist conceived the idea for the title track, her first lead vocal on a Broken Social Scene song since 2006.[3] Drew explained that the title represents “exactly who we are. That is our show. We’re trying to create that hug of thunder. That sound. That embrace amongst the chaos.]

7. Eems – “Excuses”
from: Rocket Ship / Independent / August 11, 2017
[Eems is a KC based ukulele loop artist, singer songwriter, rapper, pianist, drummer, The resonance of his bright musical sounds, and lyrical calls, are woven through genres of folk, hip hop, pop, and dance influences. He has shared the stage with notable hop hop artists, and KC Folk Music Fest, Middle of The Map Fest.]

[EEMS plays American Culture in Blue Springs, Missouri on Saturday, August 26]

[EEMS plays the Crossroads Music Fest, Saturday, September 9.]

10:29 – Underwriting

8. Shortsweather – “Fit Dads”
from: Fit Dads – Single / Parrot Ice Studio / January 13, 2017
[1st single from upcoming record Patio Naps, from the KC based alternative indie dreampop surf punk band formed by Patrick Keizer, Davy Langerak, Bennett Jones, Josiah Hunter. Engineered / Produced / Mixed / Mastered / Loved By Jordan Richardson. Written by Shortsweather with Alie Warman.]

[Shortsweather play The Riot Room, August 30, with Dreamgirl, and Bleached.]

[Shortsweather also play the 90.1 FM Crossroads Music Fest, Saturday, September 9.]

10:32 – Interview with Patrick Keizer, Josiah Hunter, Davy Langerak, and Bennett Jones

Davy Langerak, Josiah Hunter, Patrick Keizer, and Bennett Jones of Shortsweather on Wednesday MidDay Medley on KKFI 90.1 FM (8/23/17)

Formed in 2015, the KC based band, Shortsweather are Patrick Keizer on vocals and keyboards, Josiah Hunter on on guitar, Davy Langerak on bass, and Bennett Jones on drums. Shortsweather play The Riot Room, Wednesday, August 30, with Dreamgirl and Bleached. Shortsweather also play the 90.1 FM Crossroads Music Fest, Saturday, September 9.

Patrick Keizer , Josiah Hunter, Davy Langerak, and Bennett Jones thanks for being with us on Wednesday MidDay Medley.

We just heard the bands most recent single, “Fit Dads.”

For more information about Shortsweather’s musical recordings you can visit: http://www.shortsweather.bandcamp.com.

Patrick Keizer, born February 2, 1994, 23 years, is from Lawrence, Kansas. He graduated from Blue Valley North High School. Patrick studied Special Education at University of North Texas in Denton, Texas.

Josiah Hunter is originally from the Dallas/Fort Worth, Texas area. While Patrick Keizer was going to University of North Texas he met Josiah and they started creating music together. Josiah eventually moved to Kansas City. He works at Westport Cafe.

Davy Langerak, born April 30, 1991. He plays bass. He is originally from Arvada, Colorado.

Bennett Jones, born December 10, 1992, plays drums. He works at Voltaire, 1617 Genessee St. with Wes Gartner.

10:49

9. Shortsweather – “Sundream”
from: I’ll Teach You What You Don’t Know, And You Can Teach Me What I Don’t Know/ Parrot Ice Studio / February 17, 2016
[Debut 2-song EP release from the KC based alternative indie dreampop surf punk band. recorded by Patrick Keizer and Josiah Hunter.]

[Shortsweather play The Riot Room, August 30, with Dreamgirl and Bleached.]

[Shortsweather also play the 90.1 FM Crossroads Music Fest, Sat, September 9.]

10. Mr. Marco’s V7 – “The Yin & Yang Of A Killing Device In Honor To My Mother’s Wooden Spoon”
from: Man Of Action! II Vol. 1 Motion Picture Soundtrack / MK 12 / 2016
[Originally from Mr. Marco’s V7 Debut album Cowtown Ballroom Sessions from 1997. Marco Pascolini on guitar, Johnny Hamil on bass, Chris Fugitt on drums, Clarke Wyatt on keyboards.]

[Mr. Marco’s V7 original lineup will reunite for a special “Cocktail Hour” performance on Saturday, August 26, 7:00 PM at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO]

11:00 – Station ID

11:00 – Interview with Johnny Hamil, and Marco Pascolini

Marco Pascolini and Johnny Hamil of Mr. Marco’s V7 on Wednesday MidDay Medley on KKFI 90.1 FM (8/23/17)

Johnny Hamil and Marco Pascolini are original members of Mr. Marco’s V7 a band that was formed in the 1990s and released their debut record, “Cowtown Ballroom Sessions” in 1997. That record is now out of print, however the original lineup will reunite for a special “Cocktail Hour” performance on Saturday, August 26, 7:00 PM at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO, where the band first performed live in the early 90s. Marco Pascolini, Johnny Hamil, Chris Fugitt, and Clark Wyatt formed the original band and will be playing material from this era. Mark Southerland will join the band as a special guest, just as he did on the album before he officially joined the band. Chad Meise will be running the sound and spinning tiki lounge tracks when the band isn’t performing.

Johnny Hamil, and Marco Pascolini, thanks for being with us on WMM.

Johnny Hamil grew up in KCK. Johnny has also played in the bands Pamper the Madman, Malachy Papers and with many collaborations. Johnny is a teacher and organizes the Kansas City Bass Camp

Marco Pascolini grew up in a family of artists. His parents were both artists at Hallmark. Marco has played in the bands The Naughty Pines, Scott Hrabko and the Rabbits, Folkicide, Dead Voices, Mr. Marco’s V7, Expassionates, the Brannock Device, Snakebite Orphans, The Country Duo, and Fred Wickham

Mr. Marco’s V7 was titled after Johnny’s determination to put Marco’s name in the title of the band and Marco’s randomly looking at a hair tonic’s bottle’s secret formula (V7).

11:09

11. Mr. Marco’s V7 – “Trouble In Delivery (Cha Cha Cha At The D.M.V.)”
from: Man Of Action! II Vol. 1 Motion Picture Soundtrack / MK 12 / 2016
[Originally from Mr. Marco’s V7 debut album Cowtown Ballroom Sessions from 1997. Marco Pascolini on guitar, Johnny Hamil on bass, Chris Fugitt on drums, Clarke Wyatt on keyboards.]

[Mr. Marco’s V7 original lineup will reunite for a special “Cocktail Hour” performance on Saturday, August 26, 7:00 PM at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO]

Mr. Marco’s V7 / Cowtown Ballroom Sessions / Year: 1997 / Tracks: 11 / Total time: 53:55

1. Meanwhile…the hero waits 3:10
2. Latin Mood 4:52 *
3. Quite night at the Cowtown 5:21
4. BULLDOGged in lulling 3:58
5. the Yin & Yang of a killing device 6:54 *
6. Ah Yeah… 5:01
7. Counterfeit 3:35
8. Dartanian steps out. 9:31
9. My Favorite Milkshake 2:27
10. Shanty 3:13
11. Trouble in Delivery 5:44 *

Mr. Marco’s V7 will also be re-releasing their out-of-print first album that was recorded live at The Cowtown Ballroom.

Johnny Hamil’s notes:

The three V7 songs we are playing on the radio show today are more in the genre of “exotic lounge” but early V7 also had a lot of rockabilly stuff on that first record. We were a short lived rockabilly band called the Rod Knockers, this was before Marco and I started the V7. In the first incarnation of the band, members merged together styles and genre that were not normally mixed together. Marcos and I didn’t accept classifications so easily. The music wasn’t forced in any specific way, we just went where we wanted to go. Truly my favorite part of our music is the trust we all have in each other. It brought out the uniqueness of the music.

The first band/album highlighted Marco Pascolini’s compositions the most. The record really highlights his unique playing style (really unlike any other guitar player). So to some extent, the first album is the most unique out of all our records (all are based on taking some left turn and very worked out compositions until we found a new sound). So, no V7 record sounds the same on purpose. However the first one is so darn happy!

We will be trying to re-issue the first V7 record, “Cowtown Ballroom Sessions” later this year. The packaging won some design awards since Marco is an amazing graphic designer as well as musician (his whole family are well known artists, mostly his father and mother who helped put Hallmark on the map). His father is from a small town near Florence, Italy so art has been in his family for a longtime. Marco Pascolini’s flyers and artwork are on everything we’ve done.

From The Pitch Jan. 24, 2002 – Andrew Miller

V7 — Mr. Marco’s V7, that is — tops all of this column’s area alphabetical representatives in numerous categories: best packaging (a round-edged screw-fashioned cardboard concoction); best song titles (“The Yin & Yang of a Killing Device … in Homage to My Mother’s Wooden Spoon”), and, last but not least, best music. Recorded live at El Torreon in 1997, well before the venue’s resurgence as a punk club, Cowtown Ballroom Sessions captures one of the area’s sharpest instrumental ensembles at its freewheeling best, with the fascinating interaction between lead guitarist Marco Pascolini and Fender Rhodes player Clarke Wyatt fueling the group’s sometimes funky, often jazzy, invariably engaging explorations.

11:24

12. Mr. Marco’s V7 – “Latin Mood”
from: Man Of Action! II Vol. 1 Motion Picture Soundtrack / MK 12 / 2016
[Originally from Mr. Marco’s V7 Debut album Cowtown Ballroom Sessions from 1997. Marco Pascolini on guitar, Johnny Hamil on bass, Chris Fugitt on drums, Clarke Wyatt on keyboards.]

[Mr. Marco’s V7 original lineup will reunite for this special “Cocktail Hour” performance on Saturday, August 26, 7:00 PM at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO]

11:29 – Underwriting

13. Schwervon! – “Blood Eagle”
from: “Blood Eagle” b/w “Wrath” – Single / Broker’s Tip / September 23, 2017
[Schwervon! is a two piece rock band. Nan plays drums and Matt plays guitar and they both sing. They lived in NYC for 15 years and relocated to Kansas City several years ago. The duo makes annual US and European tours. On tour they’ve opened for The Vaselines and Belle & Sebastian. They recorded Courage with Memphis-based engineer Doug Easley who has worked with Pavement, Sonic Youth, and Cat Power.]

[Schwervon! play a Tour Kick Off Show at Californos in Westport August 26, with Abandoned Bells, and Folkicide Duo.]

[Schwervon! also play a 7″ Release Show! on Saturday, September 23, at 10:00 PM at Replay Lounge.]

11:35 – Interview With Matthew Roth and Nan Turner

Marco Pascolini, Nan Turner & Matthew Roth (of Schwervon!), and Johnny Hamil on Wednesday MidDay Medley on KKFI 90.1 FM (8/23/17)

Matthew Roth and Nan Turner are Schwervon! a two piece rock band band born in New York City and based in Shawnee, Kansas. Nan plays drums. Matt plays guitar. They both sing. Schwervon! have toured the world and performed with Belle and Sebastian, The Vaselines, The Wedding Present, Vampire Weekend, Kimya Dawson, The Thermals, R. Ring (Kelley Deal & Mike Montgomery), Speedy Ortiz, Jeffrey Lewis, and Wussy. Matt also performs and records as Major Matt Mason USA. Nan also performs and records as Nan and The One Nite Stands.

Schwervon! play a Tour Kick Off Show at Californos in Westport August 26, with Abandoned Bells, and Folkicide Duo.

Schwervon! also play a 7″ Release Show! on Saturday, September 23, at 10:00 PM at Replay Lounge.

Matthew Roth and Nan Turner thanks for being with us on Wednesday MidDay Medley

Schwervon! have a new 7″ that will released on Broker’s Tip the record label founded by Bob Nastanovich of Pavement, and Silver Jews.

Schwervon! is hitting the road in September to the East Coast and back.

SCHWERVON! SEPTEMBER SPIN OUT TOUR!!
TOUR KICKOFF SHOW AUGUST 26th @ Californo’s (KCMO)
w/ Abandoned Bells + Folkicide Duo)!

SEPTEMBER
1 – Omaha, NE @ Barley Street Tavern (for BFF Femme Fest!!)
2 – Des Moines, IA @ Vaudeville Mews w/ Greg Wheeler & the Polygamist Mall Cops + Easy Fruit + DJ Need a Stack
3 – Rock Island, IL – Rozz Toxx
4 – Michigan City, IN – Quality Beet
5 – Lansing, MI – The Fledge
6 – Hamtramck, MI – Trixie’s Bar w/ Kit Parks + Counter Elites + Plutonic Boyfriends
7 – Buffalo, NY @ Mohawk w/ Pat Kewley + Jack Topht + Slow Mutants
8 – Beacon, NY @ Beacon Music Factory
9 – New Brunswick, NJ @ Volume IV w/ Spowder + Glazer + Mr. Payday
12 – Brooklyn, NJ @ Silent Barn w/ Wooing + Fraidycat + Little Cobweb
13 – Washington, D.C. @ Fort Davie (message for details)
14 – Baltimore, MD @ Reverb w/ Manners Manners + Flaming Creatures
15 – Youngstown, OH @ Cedars w/ Sam Goodwill
16 – Cincinnati, OH @ Northside Yacht Club w/ Wussy Duo + Breaking Glass
17 – Murray, KY @ Terrapin Station

Schwervon! Photo by Lippe

Their music is “an expression of imperfect love through jagged rock minimalism.” Their casual interactions on stage, combined with a love of dance and poetry, result in some unique live show experiences. Their ever expanding catalog hearkens to a golden age of Indie rock music that was equal parts fascination and fun.

11:44

14. Schwervon! – “Wrath of Angels”
from: “Blood Eagle” b/w “Wrath” – Single / Broker’s Tip / September 23, 2017
[Schwervon! is a two piece rock band. Nan plays drums and Matt plays guitar and they both sing. They lived in NYC for 15 years and relocated to Kansas City several years ago. The duo makes annual US and European tours. On tour they’ve opened for The Vaselines and Belle & Sebastian. They recorded Courage with Memphis-based engineer Doug Easley who has worked with Pavement, Sonic Youth, and Cat Power.]

Schwervon! is a two piece American band born on the Lower East Side of New York City. Their band name is taken from the warped abbreviation of an urban slang, meaning: “to do something well in one’s own way or in a unique manner, usually involving members of the opposite sex.”

Schwervon! have been described as Antifolk, Minimalist Rock, Noise Pop, DIY, and even 90’s Indie Revivalist. Their longish career spans five albums and three seven inches. Schwervon! are a perpetual experiment between a drumset, a guitar, a couple and a song. But a particular reaction to their music has remained consistent, as David Gedge of The Wedding Present so eloquently put it: “I’m not sure how just two people manage to make such a big sound!”

Live Schwervon! performance intermissions occasionally involve Matt reciting original poetry while Nan improv dances amongst the audience.

Schwervon’s album Courage was recorded in Memphis, Tennessee, with Doug Easley (Cat Power, Pavement, Breeders). Guest artists included Frances McKee (The Vaselines, Sunny Moon) and Dave Shouse (Grifters, Those Bastard Souls).

Schwervon! play a Tour Kick Off Show at Californos in Westport August 26, with Abandoned Bells, and Folkicide Duo.

Schwervon! also play a 7″ Release Show! on Saturday, September 23, at 10:00 PM at Replay Lounge. More info at http://www.schwervon.com

11:57

15. Schwervon! – “American Idle”
from: Courage / Olive Juice Music / September 28, 2012
[Schwervon! is a two piece rock band. Nan plays drums and Matt plays guitar and they both sing. They lived in NYC for 15 years and relocated to Kansas City several years ago. The duo makes annual US and European tours. On tour they’ve opened for The Vaselines and Belle & Sebastian. They recorded Courage with Memphis-based engineer Doug Easley who has worked with Pavement, Sonic Youth, and Cat Power.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 30 Marion Merritt returns with new musical discoveries and information from her musically encyclopedic brain. Plus Ada Jay joins us live in the 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #696