WMM Playlist from July 31, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 31, 2019

Shaun Crowley & Peter Beatty Manor Fest 3 +
William & Doris Martin on George Washington Carver
and Dr. Carmaletta M. Williams of The Black Archives of Mid-America
+ New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s opening theme]

2. Tituss Burgess – “45 (feat. Daniel J. Watts)”
from: Saint Tituss – EP / Tituss Ink / July 26, 2019
[Tituss Burgess was born February 21, 1979. He is an American actor and singer. He has appeared in numerous Broadway musicals. He is best known for starring as Titus Andromedon on the Netflix comedy series Unbreakable Kimmy Schmidt (2015–2019), for which he has received four consecutive Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series nominations. Born and raised in Athens, Georgia, he attended Cedar Shoals High School where he was active in the theatre program. He graduated from the University of Georgia with a BA in music. He is openly gay. Burgess made his Broadway debut in the musical Good Vibrations as Eddie in 2005, and then appeared in Jersey Boys in 2005 as Hal Miller. He originated the role of “Sebastian the Crab” in the musical The Little Mermaid in 2007 and went on to the role of Nicely-Nicely Johnson, traditionally played by a white actor, in the revival of Guys and Dolls in 2009. He has also performed in several regional theater productions, including The Wiz and Jesus Christ Superstar. Burgess performed at the “Broadway for Obama” benefit concert held at the State Theatre Center for the Arts in Easton, Pennsylvania on October 20, 2008. He appeared in Season 5 of 30 Rock as D’Fwan, a member of Tracy Jordan’s wife’s entourage. He reprised the role in Season 6. “45” is the first track off Burgess’ first album in seven years, Saint Tituss. Described by the artist as his “deepest and most soul-searching” work to date. He told them.us “… given the political climate, I think it’s time to speak out. I fear for our country. I fear for how our country treats its citizens and I fear for how our citizens treat each other. It’s a larger problem than just legislation. I didn’t know how to respond, so I just started with art.”]

2. Nan Turner – “Double Heartbreak”
from: For Champs and Losers, Version 2 / Nan Turner / July 12, 2019
[All songs by Nan Turner. Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock.” She also performs as Nan & The One Night Stands. Nan wrote on Facebook about her new EP: “This whole thing started out as an experiment, but I have to say I’m proud as hell with how it turned out. I was just going to record one or maybe two songs. HA HA Welcome to my FIVE SONGER!!! Some songs were written out of heartbreak and some just made me laugh. Just doing this was transformative…stuff was moving around, it was cathartic. I allowed myself to “write bad songs”. I highly recommend doing that because there’s bound to be a gold nugget somewhere in the bunch if you give yourself permission. Me and my guitar got reacquainted. We were “dancing in the dark.” I’ve never quoted Bruce Springsteen before,. but also I didn’t know I was going to record this EP, so you know. I’m rolling with shit. I had the luxury of working with Chase Horseman every week or two…giving myself ample time to add/rework stuff. I took the slow road and enjoyed the process. Chase has great ears and is uber talented in his own right. He & Ian Dobyns (Dreamgirl, Chase The Horseman) were my rhythm section on a few of these tracks.” More Info at: http://www.nanturner.bandcamp.com]

[Nan Turner & The One Nite Stands play Revolution Records 1830 Locust, KCMO, 4th Anniversary and 1st Friday Benefit for Wayside Waifs w/ JC & The Nuns, Approach, and Major Matt Mason USA]

3. John Moreland – “Lies I Chose To Believe”
from: Big Bad Luv / 4AD / May 5, 2017
[Tulsa, Oklahoma based singer-songwriter John Moreland was born June 22, 1985 in Longview, Texas. The son of Robert Lloyd Moreland and Connie May, Moreland’s father worked for Sunoco as an electrical engineer, and because of this job the family moved a lot. When he was a baby they moved to Northern Kentucky, across the river from Cincinnati, Ohio. Moreland credits his love for Cincinnati Reds to this time in Kentucky. When Moreland was 10 years old Moreland’s family moved from Boone County, Kentucky to Tulsa, Oklahoma and with the help of his father, started playing the guitar. When he was 12 he played with a kid he went to church with who wrote songs and inspired him to start writing songs “that made sense.” John grew up in a conservative Southern Baptist family. “From the time I was born up until about age 16, my entire worldview and all my opinions were pretty much solely influenced by the evangelical church. All the years since then have sort of been this slow process of figuring out where I stand now that I’m not an impressionable kid anymore. I feel like I’m done with that at this point, but it keeps showing up in songs. I guess that stuff stays in your psyche forever.” His “High on Tulsa Heat” was in our 115 Best Recordings of 2015.]

[John Moreland plays Knuckleheads Saloon 2715 Rochester St, KCMO, Friday, August 2, at 8:30 PM with special guest Caroline Spence.]

10:15

4. No Such Beast – “Drifter”
from: Drifter – Single / No Such Beast / June 17, 2019
[No Such Beast is a KC based Indie Folk 5-piece band with strings of bass, violin, banjo, guitar, & cello from: Abby Atwood, Adriana Williamson, Colton Pittman, and Olivia Atwood, and lead vocals from Issac Walker.]

[A few weeks ago I participated in an LGBTQ Storytelling Night at InterUrban ArtHouse in OP. Along with the stories was music from The Black Creatures, Hadiza., and Isaac Walker of No Such Beast.]

5. Miki P & The Swallowtails – “I Get Lost”
from: Swallowtail – EP / Miki P / August 2, 2019
[1st single of new EP from Miki P, with The swallowtails, a follow up to her debut full length album Dome of Swallows from last year. Labeled: “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fel to Earth – Bowie Tribute in January. She has played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

[Miki P & The Swallowtails play and EP Release Show on Friday, August 2, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City, with Teri Quinn, and Ivy Roots]

10:22 – Underwriting

6. Stephonne Singleton – “Want Me”
from: “Want Me” – Single / Glory Blue Music / April 26, 2019
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018. Stephonnewas born and raised in Wyandotte County, Kansas. He has performed in mutiple shows for Late Night Theatre. Stephonne told John Long of Camp Magazine “I was surrounded by records, and my parents always had music on.” He expects to move more toward releasing singles rather than entire albums.]

[Stephonne Singleton plays The Westport Saloon, 4112 Pennsylvania Ave, KCMO, on Saturday, August 3, at 8:00 PM with Dan Jones and the Squids at 10:00 PM, and Taylor Smith Trio at Midnight.]

7. The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / August 10, 2018
[Full Length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass, folk, gospel and soul. The band’s 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ] [First Played February 7, 2018]

[Jason Isbell and The 400 Unit & Brandi Carlile with special guest The War and Treaty play the Providence Amphitheater, 633 N 130th St, Bonner Springs, KS. this Friday, August 2.]

William & Dori Martin and Dr. Carmaletta Williams on the July 31, 2019 edition of Wednesday MidDay Medley on KKFI.

10:33 – Interview with William & Doris Martin and Carmaletta M. Williams, Ph. D.

William & Doris Martin from Joplin, Missouri who have have created a George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in Kansas City around 1885. William and Doris will have their exhibit at the The Black Archives of Mid-America, opening August 1.

William & Doris Martin thanks for being with us on Wednesday MidDay Medley.

Carmaletta M. Williams, Ph. D., Executive Director of the Black Archives of Mid America

Also joining us is Carmaletta M. Williams, Ph. D., Executive Director of the Black Archives of Mid America, 1722 E. 17th Terrace, Kansas City, MO. She is an author and publisher and received her PhD in English at The University of Kansas. She also studied at UMKC and went to Southeast High School, in Kansas City, MO. Manages Williams Publishing Group,LLC

Dr. Carmaletta M. Williams thanks for being with us on Wednesday MidDay Medley

The Black Archives recently celebrated 45 years!

The Black Archives of Mid America, Horace M. Peterson III Building, 1722 E. 17th Terrace, Kansas City, MO. Exhibit hours are Monday through Friday 10:00 AM to 5:00 PM and Saturdays 10:00 AM to 3:00 PM. http://www.blackarchives.org

The mission of the Black Archives of Mid-America in Kansas City, Inc. is to collect, preserve and make available to the public materials documenting the social, economic, political and cultural histories of persons of African American descent in the central United States, with particular emphasis in the Kansas City, Missouri region. Black Archives of Mid-America is an educational resource and provides access to its collections for research, exhibition and publication to honor our community heritage and to catalyze public awareness.

History & Founder of the Black Archives

The Black Archives of Mid America, Inc. was founded May 8th, 1974 by Horace M. Peterson III and initially located at 1821 Paseo in the old Paseo Y.M.C.A. building. In 1976, the Black Archives moved to 2033 Vine, old Firehouse No.11. The firehouse, located in Kansas City’s Historic 18th and Vine District, itself is representative of African American history in this region as it was home to the first Black fire company in Kansas City. It was built in 1931 as part of the Work’s Progress Administration period under President Franklin D. Roosevelt.

The Black Archives is a non-profit organization that serves the community by offering itself as an educational resource as well as a repository of every facet in African American culture; music, art , theater, education, military, medicine, sports, religion and community affairs. The Black Archives was expressly created to collect and preserve the history of African Americans in the Midwest. Beyond our original emphasis of research and critical examination, the Archives’ traveling exhibits personify the roles of African Americans and their plight to dispel negative images. Our interpretive and educational programs, research services and special projects have received overwhelming community support.

It was Peterson’s dream to see an invigorated 18th & Vine District that showcased the contributions of African Americans. His efforts became reality with the anticipated move of the Black Archives to a larger facility located in the heart of this Historic District. Other projects envisioned by Peterson include the KC Jazz Museum, the Negro Leagues Baseball Museum and the Gem Theater; all landmarks in the 18th & Vine District.

Events at Black Archives: Law 101 – Legal classes sponsored by Jackson County Bar Association and taught by judges & licensed attorneys. Classes are open to the public with light refreshments.

Wednesday, August 14 – 6:00pm – Jury Selection Process
Wednesday, September 11 – 6:00pm – Education Law
Wednesday, October 9, 2019 – 6:00pm – Family Law
_________________________________________________________________________

William & Doris Martin live in Joplin, MO. They wrote a book called Dreams and Adventures The Edwin Hubble Story.

William & Doris Martin show ing some of the sections of their George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in Kansas City around 1885.

They have created a George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in Kansas City around 1885.

(Mark Manning Full Disclosure: “For 20 years I have served as the coordinator of the KCK Organic Teaching Gardens, a program completely grant funded that serves 1500 students in 4 elementary schools and 3 middle schools in the KCK school district. Included in the exhibit are many many photographs from our KCK Organic Teaching Gardens Doris and William have asked permission to include. With the Teaching Gardens program we conduct over 400 workshops each school year in 24 different classrooms. We are attempting to continue the teaching and legacy of George Washington Carver in our curriculum and workshops.”)

William and Doris discovered our program and our connections to Carver. I was thrilled to see how much of our program is featured in their wonderful and educational exhibit, which will be on display at the George Washington Carver National Monument. This exhibit will also be on display at the Black Archives of Mid America, in August of 2019.

George Washington Carver (1860s – January 5, 1943), was an agricultural scientist & inventor. He promoted alternative crops to cotton and methods to prevent soil depletion.

While a professor at Tuskegee Institute, Carver developed techniques to improve soils depleted by repeated plantings of cotton. He wanted poor farmers to grow alternative crops, such as peanuts and sweet potatoes, as a source of their own food and to improve their quality of life. The most popular of his 44 practical bulletins for farmers contained 105 food recipes using peanuts. Although he spent years developing and promoting numerous products made from peanuts, none became commercially successful.

Apart from his work to improve the lives of farmers, Carver was also a leader in promoting environmentalism. He received numerous honors for his work, including the Spingarn Medal of the NAACP. In an era of very high racial polarization, his fame reached beyond the black community. He was widely praised in the white community for his achievements & talents. In 1941, Time magazine dubbed Carver a “[b]lack Leonardo”.

In 1896, Booker T. Washington, the first principal and president of the Tuskegee Institute (now Tuskegee University), invited Carver to head its Agriculture Department. Carver taught there for 47 years, developing the department into a strong research center and working with two additional college presidents during his tenure. He taught methods of crop rotation, introduced several alternative cash crops for farmers that would also improve the soil of areas heavily cultivated in cotton, initiated research into crop products, and taught generations of black students farming techniques for self-sufficiency.

Carver designed a mobile classroom to take education out to farmers. He called it a “Jesup wagon” after the New York financier and philanthropist Morris Ketchum Jesup, who provided funding to support the program.

To recruit Carver to Tuskegee, Washington gave him an above average salary and two rooms for his personal use, although both concessions were resented by some other faculty. Because he had earned a master’s in a scientific field from a “white” institution, some faculty perceived him as arrogant. Unmarried faculty members normally had to share rooms, with two to a room, in the spartan early days of the institute.

From 1915 to 1923, Carver concentrated on researching and experimenting with new uses for peanuts, sweet potatoes, soybeans, pecans, and other crops, as well as having his assistants research and compile existing uses. This work, and especially his speaking to a national conference of the Peanut Growers Association in 1920 and in testimony before Congress in 1921 to support passage of a tariff on imported peanuts, brought him wide publicity and increasing renown. In these years, he became one of the most well-known African Americans of his time.

Dr. Carmaletta M. Williams thanks for being with us on Wednesday MidDay Medley

William & Doris Martin thanks for being with us on Wednesday MidDay Medley.

George Washington Carver Kansas City Spirit Exhibit consisting of 30 giant storyboards detailing Carver’s life when he lived in KV around 1885. opens tomorrow, August 1.

The Black Archives of Mid America, Horace M. Peterson III Building, 1722 E. 17th Terrace, Kansas City, MO. Exhibit hours are Monday through Friday 10:00 AM to 5:00 PM and Saturdays 10:00 AM to 3:00 PM. http://www.blackarchives.org

10:54

3. Ivory Blue – “Midas Touch”
from: Ready Get Set EP / Independent / June 23, 2015
[Singer, songwriter, rock & roller, Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

[Ivory Blue plays Behind The Gate With Ivory Blue plays the “Behind the Gate” patio concert series to benefit “WestiNd Connection” Saturday at 6:30 PM, at 11100 E Winner Rd. Independence, MO.]

11:00 – Station ID

Shaun Crowley and Peter Beatty on the July 31, 2019 edition of Wednesday MidDay Medley on KKFI.

11:00 – Interview with Shaun Crowley and Peter Beatty

Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is part of the band Momma’s Boy and is a co-founder of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands.

Peter Beatty is Shaun’s bandmate in Momma’s Boy. They have been playing together since they were in Rev Gusto with Quinn Hernandez and Jerry & Sam Frederick. All were friends while they were in high school at Saint James Academy. Peter studied at University of Kansas and along with Momma’s Boy Peter has also recently recently release his solo project R.I.Peter.

Shaun Crowley and Peter Beatty join us today to share music from Manor Fest 3 this Thursday, Friday and Saturday, featuring 33 bands, on 9 stages, split between 3 nights, Thursday, August 1 in Westport, Friday, August 2 is in the West Bottoms, and Saturday, August 3 in The Crossroads, More information at http://www.manorrecords.com

Shaun Crowley and Peter Beatty thanks for being with us on Wednesday MidDay Medley

Bands playing Manor Fest 3 include: Paul Cherry, Mouton, Shy Boys, Dreamgirl, Momma’s Boy, Drugs & Attics, The Phlegms, Shady Bug, The Golden Fleece, The Sluts, Pale Tongue, The Cavves, The Wild Type, LK Ultra, Buckle Up Baby, Toughies, Chloe Jacobson, Scruffy & The Janitors, Chase The Horseman, Bambis, Mild Cats, FaceFace, R.I.Peter, Big Water, Mason Blaize, Forest Porridge, Khrystal., No Magic, Charlotte Bumgarner, BigFatCat, and Dylan Pyles

Day 1 – Westport – Thursday, August 1

Stage 1 – Mills Record Co (All Ages / will call station)
Sponsor : Struggle Pretty Productions
5:00 – 5:30 : Mason Blaize
5:45 – 6:15 : bigfatcat
6:30 – 7:00 : LK Ultra (LFK)

Stage 2 – Riot Room Patio (21 & up)
Sponsor : Melted Magazine (DC)
7:00 – 7:25 : Khrystal.
7:35 – 7:50 : The Cavves (Wichita)
8:00 – 8:25 : Shady Bug (STL)
8:35 – 9:00 : The Wild Type

Stage 3 – miniBar (21 & Up)
Sponsor : Oddities Prints
9:00 – 9:30 : Prude Boys (Detroit)
9:40 – 10:10 : Mouton (Fayetteville)
10:20 – 10:50 : Fullbloods
11:00 – 11:45 : Paul Cherry (Chicago)
*10:00 – 3:00 : DJ Strange Magic – downstairs*

11:07

10. Mouton – “Other Minds”
from: 7″ Split with Prahnas / Mouton / November 12, 2017
[Written by Pete Mouton, with Calvin Todd on lead guitar, Seth Goodwin on piano and Calvin Todd & Loren Leamy on background vocals. Recorded and Mixed by Pete Mouton. Mastered by Jason Kearbey. Remastered by Kalim Choudhury.]

[Mouton plays Manor Fest 3 August 1, at miniBar, 3810 Broadway with Prude Boys, Fullbloods, and Paul Cherry]

11. LK Ultra – “Two Spirit”
from: Demos For Bengal / LK Ultra / March 19, 2019
[Lawrence, Kansas based 4-piece indigenous-fronted, queer music, straight from the birthplace of emo. Formed by Lily Pryor, Inez Robinson, Aoife Conway, and August Hyde. Their EP release was mixed and recorded by Mitchell Hewlett in The Coop.]

[LK Ultra plays Manor Fest 3 August 1, at Mills Record Co 4045 Broadway, with Mason Blaize, and bigfatcat]

12. Paul Cherry – “This High”
from: Flavour / Feeltrip Records / March 31, 2018
[Paul Cherewick, aka Paul Cherry, came up during Chicago’s garage rock golden age in 2014. Despite being in the thick of the DIY scene with bands such as Twin Peaks and The Lemons, Paul has abandoned the all too familiar lo-fi rock sound of his first EP, “On Top”. The Cherry has completely reinvented himself and spent the last 2 years returning to his jazz roots on this upcoming LP, “Flavour”. Paul Cherry crafts melodies on Flavour that sit at the intersection of 1970s yacht rock and Ariel Pink’s lo-fi dream pop. Lyrically, Paul touches on millennial culture with references to texting and social media, giving a modern light-hearted twist to age old old themes of love lost, missed connections and polar political climates.]

[Paul Cherry plays Manor Fest 3 Thursday, Aug 1, at miniBar, 3810 Broadway w/ Prude Boys, Fullbloods, and Mouton]

11:18 – Interview with Shaun Crowley and Peter Beatty

Shaun Crowley

We are talking with Shaun Crowley and Peter Beatty about Manor Fest 3 this Thursday, Friday and Saturday, featuring 33 bands, on 9 stages, split between 3 nights, Thursday, August 1 in Westport, Friday, August 2 is in the West Bottoms, and Saturday, August 3 in The Crossroads, More information at http://www.manorrecords.com

Day 2 – West Bottoms – Friday, August 2

Stage 1 – Blip Roasters (all ages stage / will call station)
Sponsor : Fine Dining Productions
5:00 – 5:30 : Faceface
5:45 – 6:15 : Buckle Up Baby (Springfield)
6:30 – 7:00 : Mild Cats

Stage 2 – Hickory Union Moto (21 & up)
Sponsor : I Heart Local Music
7:00 – 7:35 : Scruffy & the Janitors (St. Joe)
7:45 – 8:20 : The Golden Fleece (Peoria, IL)
8:30 – 9:05 : Drugs & Attics
9:15 – 9:50 : The Sluts (LFK)

Stage 3 – Colonial Club (21 & Up)
Sponsor : Tape Dad (Ark)
10:00 – 10:20 : Bambi’s (Fayetteville)
10:30 – 10:50 : Pale Tongue (LFK)
11:00 – 11:20 : The Phlegms (Fayetteville)
11:30 – 12:00 : Bigwater

11:25

13. Pale Tongue – “Fever Dreams”
from: Pale Tongue / Manor Records – Indigo Sun Records / October 5, 2018
[Pale Tongue began as the pet project of Carlos Calderon and Nick Fredrickson of The Appleseed Cast. Joined later by bassist James Thomblinson of Arc Flash, and Psychic Heat, and Evan Herd of Psychic Heat.”Pale Tongue” is eponymous band’s self-titled debut EP. Written and recorded at different times and places, this 6-track album is the culmination of Pale Tongue’s early processes, including a few newer additions in a sonic attempt to emulate their live experience for audiences. All songs written and performed by Pale Tongue. For this recording: Carlos Calderon on guitar, keyboards, & vocals; Nick Fredrickson on drums; and Tanner Spreer of Psychic Heat on bass. Engineered by Andy Fredrickson & Mitch Hewlett. Mixed & Mastered by Joel Coon.]

[Pale Tongue play Manor Fest 3, day 2, Friday, August 2, at Colonial Club, 322 6th Street, KCK, in the West Bottoms with Bambi’s, The Phlegms, and Bigwater.]

14. The Phlegms – “rigid”
from: smile / The Phlegms / June 1, 2018
[Fayetteville, Arkansas based band The Phlegms is one of the most exciting bands to emerge from the local punk scene in the last few years. The band (Avery Lee, Grant Williams, Ethan Nash, and Peter McKitrick) is everything you want a punk band to be: sonically dynamic, lyrically powerful, and impossible to ignore. They’ve been the band to see at Backspace for a while now, and have shared the stage with heavyweights Protomartyr, and Shame. The band recently released a 6-song EP called Smile – available on Bandcamp, Spotify, and on cassette via Tape Dad. They were also awarded free recording time at East Hall Recording as part of the studio’s 15th Anniversary celebration.]

[The Phlegms play Manor Fest 3, day 2, Friday, August 2, at Colonial Club, 322 6th Street, KCK, in the West Bottoms with Bambi’s, Pale Tongue, and Bigwater.]

15. Buckle Up Baby – “Dog”
from: Buckle Up Baby / Push Pull / March 27, 2019
[Springfield, Missouri based band with Bass & Vocals – Addie McKenzie on vocals and bass, Cole Simmons on guitar, Joe Wilson on drums, and Anna Redmond on keyboards. All songs written by Addie McKenzie. Recorded, mixed, and filled w/ magic by Joe Misterovich]

[Buckle Up Baby play Manor Fest 3, day 2, Friday, August 2, at Blip Roasters, 1101 Mulberry, KCMO, in the West Bottoms with FaceFace, and Mild Cats.]

11:35 – Underwriting

10:37 – Interview with Shaun Crowley and Peter Beatty

We are talking with Shaun Crowley and Peter Beatty about Manor Fest 3 this Thursday, Friday and Saturday, featuring 33 bands, on 9 stages, split between 3 nights, Thursday, August 1 in Westport, Friday, August 2 is in the West Bottoms, and Saturday, August 3 in The Crossroads, More information at http://www.manorrecords.com

Day 3 – Crossroads – Saturday, August 3

Stage 1 – Stray Cat Film Center (all ages / will call station)
Sponsor : Hear Queer
3:00 – 3:20 : Charlotte Bumgarner (Tulsa)
3:30 – 3:50 : R.I.Peter
4:00 – 4:25 : Forest Porridge (Denver)
4:35 – 5:00 : Chloe Jacobson

Stage 2 – Brewery Emperial ($5 donations, free all ages stage)
Sponsor : French Exit Records
5:00 – 5:30 : Chase the Horseman
5:40 – 6:10 : Toughies (LFK)
6:20 – 6:50 : No Magic (LFK)
7:00 – 7:30 : Dylan Pyles

Stage 3 – recordbar ($15 cover, 18 & Up)
Sponsor : Petri Productions / Shuttlecock Magazine
7:00 pm doors
8:00 – 8:45 : Momma’s Boy
9:00 – 9:45 : Dreamgirl
10:00 – 10:50 : Shy Boys
*after party at Brewery Emperial ft. DJ Tito Fuego*

11:43

16. R.I.Peter – “Lord of the Mountain”
from: R.I.Peter / Manor Records / July 5, 2019
[It’s like if you took video game music and mashed it with fleet foxes or something. All songs written by Peter Beatty . Additional songwriting and production by Jared Bajkowski. Mastered by Ross Brown. electronic pop ambient america folk mystic Kansas City.]

[R.I.Peter plays Manor Fest 3, Saturday, August 3, in the Crossroads at Stray Cat Film Center, 1662 Broadway, with Charlotte Bumgarner (Tulsa), Forest Porridge (Denver), and Chloe Jacobson]

17. Shy Boys – “Dim The Light”
from: Dim The Light / Brick By Brick – Single / Polyvinyl Record Co. / February 15, 2019
[New single release and follow up to the band’s second album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play Manor Fest 3, Saturday, August 3, in the Crossroads at recordBar at 7:00 PM with Momma’s Boy and Dreamgirl]

11:56

18. Momma’s Boy – “Love That Way (Demo)”
from: “Love That Way (Demo)” – Single / Manor Records / June 26, 2018
[Momma’s Boy, is an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass & vocals. Their debut EP Liquid Courage was released February 25, 2017. Self-recorded in the Momma’s Boy band practice attic. Mixed by Jared Bajkowski, and mastered by Ross Brown. This track was released as part of a series of singles the band has put out over the year. including “Want Me Back” released January 19, 2018 (part of Dead Summer Single Series), and “Asleep On The Floor” on October 12, 2018 (part of Demo Singles Series).]

[Momma’s Boy play Manor Fest 3, Saturday, August 3, in the Crossroads at recordBar at 7:00 PM with Shy Boys and Dreamgirl]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM’s closing theme]

Next week on Wednesday, August 7, we talk with Scott Hobart of Giants Chair, and Fally Afani calls in to share details about I Heart Local Music’s benefit for RAICES with, Making Movies, Maria the Mexican, Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford), Friday, August 16, at 6 PM at Liberty Hall 644 Massachusetts St, Lawrence, KS

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #796

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WMM Playlist from July 10, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 10, 2019

Nan Turner & Chase Horseman + Jade Osborne
+ Chris Hudson & Chad Brothers + Serene Fiend +
The Moose & Nathan Reusch of The Record Machine

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

Chase The Horseman

2. Chase The Horseman – “Disinformation Blues (Radio Edit)”
from: Disinformation Blues EP / Chase The Horseman / July 12, 2019
[music and lyrics by Chase Horseman. Recorded and Mixed by Joel Nanos and Chase Horseman at Element Recording. Mastered by Joel Nanos. Drums by Ian Dobyns, bass by Skylar Cowdry, guitar/vocals/synthesizers by Chase Horseman. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more. Chase The Horseman released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

[Chase Horseman plays a Double EP Release Party at miniBar, Fri, July 12, 9:00 PM w/Nan Turner]

Chase Horseman & Nan Turner on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:04 – Interview with Nan Turner and Chase Horseman

Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock.” She also performs as Nan & The One Night Stands. Her new EP is called For Champs and Losers, Version 2 and was Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman.

Chase The Horseman

Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, and many more.

Nan Turner and Chase Horseman are playing a Double EP Release Party at miniBar, 3810 Broadway, KCMO, Friday, July 12, at 9:00 PM with Breaka Dawn & LosCauz.

Nan Turner and Chase Horseman thanks for being with us on WMM.

Chase the Horseman’s new EP is called Disinformation Blues.

Nan Turner’s new EP is called For Champs and Losers, Version 2. Chase Horseman helped produce and record and played on Nan’s new EP.

Nan Turner

Nan wrote on facebook about her new EP: “This whole thing started out as an experiment, but I have to say I’m proud as hell with how it turned out. I was just going to record one or maybe two songs. HA HA Welcome to my FIVE SONGER!!! Some songs were written out of heartbreak and some just made me laugh. Just doing this was transformative…stuff was moving around, it was cathartic. I allowed myself to “write bad songs”. I highly recommend doing that because there’s bound to be a gold nugget somewhere in the bunch if you give yourself permission. Me and my guitar got reacquainted. We were “dancing in the dark.” I’ve never quoted Bruce Springsteen before,. but also I didn’t know I was going to record this EP, so you know. I’m rolling with shit. I had the luxury of working with Chase Horseman every week or two…giving myself ample time to add/rework stuff. I took the slow road and enjoyed the process. Chase has great ears and is uber-talented in his own right and he’s releasing an EP called Disinformation Blues on July 12, as well. He and Ian Dobyns (Dreamgirl, Chase The Horseman) were my rhythm section on a few of these tracks and brought the songs to life in the way they needed but I didn’t know they needed (just MORE one nite stands I’m adding to the crew ha ha)!”

Chase has been out of town premiering new music he created for film.

Frida the dog help in the production.

http://chasethehorseman.bandcamp.com

http://nanturner.bandcamp.com

10:15

Nan Turner

3. Nan Turner – “Strong”
from: For Champs and Losers, Version 2 / Nan Turner / July 12, 2019
[All songs by Nan Turner. Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums on tracks 1, 2, and 4. Chase Horseman plays bass on tracks 1, 2, and 4.]

[Nan Turner plays a Double EP Release Party at miniBar, Fri, July 12, 9:00 PM with Chase Horseman]

John Mark Aladeen & Jade Osborne on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:19 – Interview with Jade Osborne & John Mark Aladeen

Jade Osborne has performed nationally and internationally as a solo artist and with Voler – Thieves of Flight Performance Ensemble. She is a Non-Profit Arts Facilitator; International Performance Artist & Workshop Leader; Capoeira Beribazu Professora; AcroYoga Montreal & AcroFitness Instructor; Voler Aerial Acrobatics Instructor; Shamanic Yoga Instructor; and NEA & U.S. Dept. of Ed Grant Recipient.

John Mark Aladeen Studied at Stratford Career Institute for relaxation therapies, the School of Metaphysics in Springfield, Missouri, and The International Center for Reiki Training in Southfield, Michigan. He is a multi-instrumentals who has played with the critically acclaimed Dub Sutra. He has also performs at Kansas City Renaissance Festival.

Jade Osborne and John Mark Aladeen join us to share details about “The Shift Show” running July 19 through July 27 for the 15th annual KC Fringe Festival at Union Station in the H&R Block City Stage, at 30 W. Pershing Road, KCMO.

Jade Osborne, John Mark Aladeen, thanks for being with us again on WMM.

Both Mark and Jade work at Aquarius.

Jade recently preformed in a special outdoor event INTER RELATION >SHIP at Washington Square Park with Calvin Arsenia and John Baker as part of her “Fifty Shows of Jade.”

Jade was the person that introduced Calvin to WMM listeners on the radio on July 20, 2011 when she brought Calvin with her as one of the composers for her Voler Theives of Flight show for KC Fringe that was produced in the Kansas City Ballet Todd Bolender Dance Space.

There was an altar constructed during INTER RELATION >SHIP with Calvin Arsenia and John Baker a few weeks ago. Jade is recreating and extending the voices and memories into the next performance, The SHIFT SHOW.

Jade writes: “Rituals breathe life into my story. Constructing an altar…The deliberate placement of meaningful items is meditative and brings my mind peace and purpose.”

Jade Osborne from her KC Fringe production “The Shift Show” July 19 – July 27 at Union Station in the H&R Block City Stage

Five performances! At Union Station City Stage.
7/19 @ 7:30p
7/21 @ 3:00p
7/23 @ 6:00p
7/26 @ 9:00p
7/27 @ 4:30p

Tickets with Fringe button.
http://kc-fringe.ticketleap.com/the-shift-show

Jade Osborne, John Mark Aladeen, thanks for being with us again on WMM.

Jade Osborne’s KC Fringe production “The Shift Show” is running July 19 through July 27 at Union Station in the H&R Block City Stage, at 30 W. Pershing Road, KCMO. http://www.kcfringe.org

10:33 – Underwriting

Chris Hudson & Chad Brothers

10:35 – Interview with Chris Hudson & Chad Brothers

Chris Hudson & Chad Brothers are here in our 90.1 FM Studios to perform a couple songs from their 2019 album, “Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. Chad Brothers plays in the bands Old Sound, Shapiro Brothers, and Super Massive Blackholes. Guitarist, singer songwriter, musician and visual artist, Chris Hudson is also a teacher through Kansas City Young Audiences.

Chris Hudson & Chad Brothers thanks for being with us on WMM.

Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. They decided to combine forces with their dual guitar work around Chris’s vocals. released April 23, 2019

from: https://chrishudson.bandcamp.com

“Premonition Scenes” is a great duo collaboration of two of Kansas City’s finest musicians.. Chris Hudson(Gullywasher) and Chad Brothers(Old Sound, Shapiro Brothers, Super Massive Blackholes) came together in the spring 2018 and started recording Chris’s EMO Americana original solo songs when they decided to combine forces and put some excellent guitar work around Chris’s lyrics, music and vocals, the trade off guitar work between them is unbelievable interwoven stuff, capturing a one of kind performance, All recorded live in Chad’s home studio.

Chris Hudson: Guitar, Vocal’s and SongWriting Chad Brothers: Guitar, Engineering, Mixing and Production.

Chris Hudson’s band Gullywasher includes Susan Cedarquist Brewington on fiddle & vocals, Sam Wright on banjo & vocals, & Matt Cathlina on bass.

http://www.gullywasher.com

10:41

4. Chris Hudson and Chad Brothers– “No Getting Over” (LIVE)
also available on: Premonition Scenes / Gullywasher-Chud / April 23 2019
[Chris Hudson on guitar & vocals and song writing. Chad Brothers on guitar. Produced, Engineered, and mixing by Chad Brothers]

Chris Hudson & Chad Brothers are here in our 90.1 FM Studios to perform a couple songs from their 2019 album, “Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. Chad Brothers plays in the bands Old Sound, Shapiro Brothers, and Super Massive Blackholes. Guitarist, singer songwriter, musician and visual artist, Chris Hudson is also a teacher through Kansas City Young Audiences.

Chris Hudson & Chad Brothers thanks for being with us on WMM.

Chris Hudson on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Chris Hudson a Kansas City Native. He is a classical guitarist, guitarist, musician, composer, multi-instrumentalist, singer songwriter, teacher and visual artist. Chris is a member of the band Gullywasher.

Chad Brothers on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Chad Brothers is a native of Winfield Kansas. He is a veteran of the Kansas City and Lawrence music scene, and a frequent collaborator with Mikal Shapiro (his wife), Scotty Stanton, Alexis Barclay, and many others.

Upcoming Shows:

Chad Brothers plays Mike Kelly’s Westsider, 1515 Westport Rd, KCMO, Thursday, July 11, at 9:00 PM.

Chris Hudson & Friends play Mike Kelly’s Westsider, 1515 Westport Rd, KCMO, Thursday, July 18, at 9:00 PM.

Chris Hudson’s band Gullywasher plays Madrigall, 1627 Oak St, KCMO, Saturday, July 20, at 8:00 PM with Of Tree, Super Massive Black Holes, and Ben Hoppes.

Chris Hudson with the Gullywasher Duo plays Hook Gallery on Friday, July 19 at 8:00PM.

Chris Hudson plays Ollie’s Local, 3044 Gillham Rd., for Saturday Storytellers, on August 3, at 5:00 PM with Melissa Weinman.

Chris Hudson plays Songbird Sundays with John Keck at The Mockingbird Lounge, 204 Orchard St. KCK, Sunday August 11, at 8:00 PM.

Gullywasher plays The Westport Saloon, 4112 Pennsylvania Ave, KCMO on Friday August 1, at 8:00 PM with Calamity Cubes! and Big Cedar Fever.

10:54

5. Chris Hudson and Chad Brothers– “We Wake” (LIVE)
also available on: Premonition Scenes / Gullywasher-Chud / April 23 2019
[Chris Hudson on guitar & vocals and song writing. Chad Brothers on guitar. Produced, Engineered, and mixing by Chad Brothers]

Chris Hudson & Chad Brothers thanks for being with us on WMM.

11:00 – Station ID

6. Blue False Indigo – “Letter”
from: More Light / Blue False Indigo / September 7, 2018
[They call their music “Spooky-Folk.” Makayla Scott on vocals & guitar; A.J Reynolds on vocals & keys; and Kara LePage on vocals & bass started the band in October 2013, in Springfield, Missouri.]

[Blue False Indigo play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with NuBlvckCity and The Moose. Sponsored by Mid-Continent Public Library and The Record Machine.]

7. The Moose – “Everyday Low Price”
from: Live Sessions Single / The Record Machine / July 13, 2019
This song is also available on: The First Real Encounter / The Moose / December 21, 2018
[The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein joining in 2016. The Moose released their debut full length album, The First Real Encounter, on December 21, 2018.]

[The Moose play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with NuBlvckCity, and Blue False Indigo. sponsored by Mid-Continent Public Library and The Record Machine.]

The Moose

11:06 – Interview with The Moose and Nathan Reusch of TRM

Nathan Reusch is founder of The Record Machine, a homegrown record label started in 2003. Originally created to promote music from Kansas City & Lawrence, TRM has grown to turnout records from bands all across the country. Nathan is also co-founder & curator of the Middle of The Map Fest.

Jake Hilger, Alex Huffman, Emma Klein and Tyler Frey, are members of the band The Moose an alternative band from Lee’s Summit, formed in 2016.

The Moose and Nathan Reusch are to share details about What’s Next KC, Sat, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO. This is an all ages, family friendly event featuring: NublvckCity, The Moose, and Blue False Indigo. There will be concessions available and a BBQ Food Truck. Sponsored by Mid-Continent Public Library and The Record Machine.

The Moose is an alternative band from Lee’s Summit, Missouri: a suburb of Kansas City.

Originally formed by Jake Hilger, Alex Huffman, and Tyler Frey in the summer of 2016, they were later completed with the additions of Emma Klein in August 2016.

The Moose began as a psychedelic, neo-rock band in the summer of 2016.

Jake Hilger, Alex Huffman, Emma Klein and Tyler Frey on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Jake Hilger on keyboard, synths, guitar and vocals
Alex Huffman on bass and vocals
Tyler Frey on guitar and vocals
Emma Klein on percussion & vocals

Tyler, humored the idea after a choir show at their high school just outside of Kansas City, Missouri. Their plan went into full effect after the addition of Emma Klein (percussion and vocals). The group built their headquarters in Klein’s basement, hiding the cement walls with posters of their influencers: The Beatles, Tame Impala, and Electric Light Orchestra; and textile sheets separating their studio from their main base.

After many rumors of The Moose becoming an official band, the members spontaneously decided to have a Halloween Bash— costumes required— and unwarrantedly advertised so with posters all over their high school. Completely filling the backyard of Tozier’s house, fans all dressed up and singing classic rock covers with their new favorite band.

Because of the positive feedback from the Halloween bash, The Moose released their first single in February 2017, “New Kind Of Love,” which brought the band 15,000 listens and multiple bar shows with their name as the headliner.

The Moose’s success heightened after their performance at Battle of the Bands in Kansas City— winning first place and a cash prize. And once Frey— the oldest in the group— graduated from high school, summer kicked off, the band started taking their careers more officially.

In August of that year, The Moose released their first self-titled EP overflowing with classic psychedelic rock, and alternative sounds. The band did not receive as much support they originally began with but still sustained their local fan base, enabling them to continue bar shows and other small events.

After Middle of the Map Fest, and a concert at the recordBar in Kansas City, senior year was winding down for the rest of the band members. Parker Tozier who had joined the with Emma Klein in 2016, decided to pursue his aspirations at an out-of-state college, dropping the band from five to four.

The Moose released their debut album “The First Real Encounter” in December of 2018 on the winter solstice of 2018. They now prepare for a tour of the Midwest in the springtim

http://www.musicofthemoose.com

With backgrounds in choir, jazz band, and years of playing, each member implements their own unique touch to each track. The Moose’s “sound” includes ingredients of a funky alternative- pop/synth-rock genre, with heavy influences from neo-psychedelic bands k.

The Moose has played numerous shows and locations, such as: the recordBar, Llywelyn’s Pub, The Roxy, Aftershock, 825 Studios, and The Nelson-Atkins Museum,

The Moose won 2017 Shuttlerock: Teen Battle of the Bands at The Nelson-Atkins Museum. Winning the Battle of the Bands later gained them a spot on the Middle of the Map Festival Lineup, where artists such as Lewis Delmar, Jason Isbell, and De La Soul headlined.

Nathan Reusch, Jake Hilger, Alex Huffman, Emma Klein and Tyler Frey, thanks for being with us on WMM.

11:23

8. The Moose – “Exclusive”
from: Live Sessions Single / The Record Machine / July 13, 2019
also available on: The First Real Encounter / The Moose / December 21, 2018
[The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on December 21, 2018.]

[The Moose play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with NuBlvckCity, and Blue False Indigo. sponsored by Mid-Continent Public Library and The Record Machine.]

11:28 – Underwriting

Daniel Glascock and Joel Bonner of Serene Fiend on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:30 – Interview with Joel Bonner & Daniel Glascock of Serene Fiend

Joel Bonner and his Serene Fiend live bandmate Daniel Glascock join us to share the radio broadcast debut of Serene Fiend’s flagship single, “Unto Myself” from the upcoming Serene Fiend album “Elegies and Effigies.” Serene Fiend is an industrial rock artist from Lawrence, KS that blends pop and glam sensibility with nuances of the various movements within the industrial subgenre. All of Serene Fiend’s music is composed, produced, and recorded by Joel Bonner. When Serene Fiend plays live Sam Piper & Daniel Glascock are part of the band. Sam Piper & Daniel Glascock play in the band Hyper Mortal.

Serene Fiend plays Lawrence Field Day Fest 2019, hosted by I Heart Local Music, on Friday, July 19, at The Granada Theater, Lucia Beer Garden + Grill, The Bottleneck, and White Schoolhouse with “all ages” shows for the entire festival. Info at http://www.lfkfielddayfest.com

Joel Bonner & Daniel Glascock thanks for being on WMM.

I Heart Local Music writes: “In the ever-evolving attempt to bring electronic music back into Lawrence’s scene, another musician has switched gears– this time leaning towards a more industrial sound.”

I Heart Local Music continues “It comes from an unlikely source. Serene Fiend is the latest project from Joel Bonner, the man who’s been bringing animated live shows and rockabilly licks to Lawrence over the past year with his band The Boot Stompers. It’s unsurprising that his buzzing and provocative guitar style carries over to this project, though he’s piled it on with a lot more synths and electronic beats.”

11:37

Serene Fiend

9. Serene Fiend – “Unto Myself”
from: Unto Myself – Single / Vitality Records / July 10, 2019
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. All instruments programmed and performed by Joel Bonner. Synth solo programmed and performed by Daniel Glascock. Written, recorded, mixed, and mastered by Joel BonnerI Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.” ]

[Serene Fiend plays Lawrence Field Day Fest, sponsored by I Heart Local Music, Friday, July 19, at 7:30 at The Granada Theatre, Lawrence, Kansas.]

Chase Horseman, Nan Turner, Daniel Glascock and Joel Bonner on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:41 – Interview with Joel Bonner & Daniel Glascock of Serene Fiend

Joel Bonner and his Serene Fiend live bandmate Daniel Glascock join us to share the radio broadcast debut of Serene Fiend’s flagship single, “Unto Myself” from the upcoming Serene Fiend album “Elegies and Effigies.”

Joel Bonner, & Daniel Glascock of Serene Fiend thanks for being on WMM.

Unto Myself lyrics:

I’m not afraid to die, I’m just afraid of loss
My strength means nothing if I’m not tough enough
I am an effigy – new possibility
I must be decimated to be built back up

And I will die unto myself
And I will try to heal myself
All for you

Sacrosanct as our romance, I will keep what I am
But the bee hive swarming in my head will be calm instead
I’ll come as you want me, I’ll be everything
The heart wants what it wants and I want to make me better
(to make us better)

And I will die unto myself
And I will try to heal myself
And I will live all for you
I will die unto myself
All for you

And when it all comes crashing down
I just want to lose myself in you

And I will die unto myself
And I will try to heal myself
And I will live all for you
I will die unto myself
All for you

The heart wants what it wants and I want to make me better

Earlier this year Joel Bonner released “Environ” by Serene Fiend, released May 14, 2019 – an ambient project written and recorded in one day across three three-hour blocks of time, hence the track titles.

1. Morning 15:08
2. Afternoon 08:48
3. Evening 08:12

Joel Bonner & Daniel Glascock of Serene Fiend, please stand by.

11:55

10. Serene Fiend – “Just Wont Go Away”
from: Sowing Discord / Vitality Records / July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.”]

[Serene Fiend plays Lawrence Field Day Fest, sponsored by I Heart Local Music, Friday, July 19, at 7:30 at The Granada Theatre, Lawrence, Kansas.]

11. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, July 17, we talk with the band L A Jones. Enrique Javier Chi of Making Movies drops by for a chat about his show at Knuckleheads, Betse Ellis and Clarke Wyatt and members of Short Round Stringband join us live in our 90.1 FM Studios, and Fally Afani shares music from Lawrence Field Day Fest 2019, hosted by I Heart Local Music, on Thursday, July 18 through Saturday, July 20, at The Granada Theater, Lucia Beer Garden + Grill, The Bottleneck, and White Schoolhouse with “all ages” shows for the entire festival.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #794

Wednesday MidDay Medley presents Nan Turner & Chase Horseman + Jade Osborne + Serene Fiend + The Moose + Chris Hudson & Chad Brothers + Nathan Reusch

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 10, 2019

Nan Turner & Chase Horseman + Jade Osborne
+ Chris Hudson & Chad Brothers + Serene Fiend +
The Moose & Nathan Reusch of The Record Machine

Mark spins New & MidCoastal Releases from: Serene Fiend, Nan Turner, Chase the Horseman, The Moose, Chris Hudson & Chad Brothers, and Black Mariah Theater.

Chase The Horseman

At 10:00 Mark talks with Nan Turner and Chase Horseman who share songs from their new EP’s that they are releasing in a Double EP Release Party at miniBar, Friday, July 12, at 9:00 PM. Nan Turner’s new EP is called For Champs and Losers, Version 2. Chase the Horseman’s new EP is called Disinformation Blues.

Jade Osborne from her KC Fringe production “The Shift Show” July 19 – July 27 at Union Station in the H&R Block City Stage

At 10:15 Jade Osborne shares details about her KC Fringe production “The Shift Show” running July 19 through July 27 at Union Station in the H&R Block City Stage, at 30 W. Pershing Road, KCMO. Tickets at: https://kc-fringe.ticketleap.com/the-shift-show/ Jade Osborne has performed nationally and internationally as a solo artist and with Voler – Thieves of Flight Performance Ensemble. She is a Non-Profit Arts Facilitator; International Performance Artist & Workshop Leader; Capoeira Beribazu Professora; AcroYoga Montreal & AcroFitness Instructor; Voler Aerial Acrobatics Instructor; Shamanic Yoga Instructor; and NEA & U.S. Dept. of Ed Grant Recipient.

Chris Hudson & Chad Brothers

At 10:35 Mark talks with Chris Hudson & Chad Brothers about their 2019 album, “Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. They decided to combine forces with their dual guitar work around Chris’s vocals. Chad Brothers plays in the bands Old Sound, Shapiro Brothers, and Super Massive Blackholes. Guitarist, singer songwriter, musician and visual artist, Chris Hudson is also a teacher through Kansas City Young Audiences. Chris Hudson’s band Gullywasher includes Susan Cedarquist Brewington on fiddle & vocals, Sam Wright on banjo & vocals, & Matt Cathlina on bass. http://www.gullywasher.com Gullywasher plays Madrigall, 1627 Oak St, KCMO, Saturday, July 20, at 8:00 PM with Of Tree, Super Massive Black Holes, and Ben Hoppes. Chris Hudson & Friends play Mike Kelly’s Westsider, 1515 Westport Rd, KCMO, Thursday, July 18, at 9:00 PM.

The Moose

At 11:00 Mark talks with The Moose and Nathan Reusch of The Record Machine. The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on December 21, 2018. What’s Next KC, is Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lee’s Summit, MO. This is a free, all ages, family friendly event featuring live performances by: NublvckCity, The Moose, and Blue False Indigo. There will be concessions available and a BBQ Food Truck. What’s Next KC is sponsored by Mid-Continent Public Library and The Record Machine.

Joel Bonner

At 11:30 Joel Bonner and his Serene Fiend live bandmates Sam Piper & Daniel Glascock join us to share the radio broadcast debut of Serene Fiend’s flagship single, “Unto Myself” from the upcoming Serene Fiend album “Elegies and Effigies”. Serene Fiend is an industrial rock artist from Lawrence, KS that blends pop and glam sensibility with nuances of the various movements within the industrial subgenre. All of Serene Fiend’s music is composed, produced, and recorded by Joel Bonner. Serene Fiend plays Lawrence Field Day Fest 2019, hosted by I Heart Local Music, on Thursday, July 18 through Saturday, July 20, at The Granada Theater, Lucia Beer Garden + Grill, The Bottleneck, and White Schoolhouse with free and “all ages” shows for the entire festival. Info at http://www.lfkfielddayfest.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #794

WMM Playlist from July 3, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 3, 2019

Heavy Grams + Radial Red + Jaclyn Bell
+ NuBlvckCity & Nathan Reusch

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Calvin Arsenia – “Psycho Killer”
from: Honeydew / Center Cut Records / June 28, 2019
[On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. This new EP is a remix of three of the songs from Cantaloupe, plus a Talking Heads cover that was performed live in this style at a New Year’s Eve show at The Truman opening for Making Movies who performed the entire Talking Heads album, Remain in Light. The last three songs on Honeydew were from performed in this style at The Nelson Atkins 2019 event “Party Arty.” Honeydew was produced by Jametatone, Simon Huntley, and Calvin Arsenia. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, Caviar, and the full length debut, Catastrophe. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.]

[Calvin Arsenia plays The Elephant Room, 314 Congress Ave, Austin Texas on Thursday, July 4, with VEERS, The Den Brothers, and Keith Sanchez]

[Calvin Arsenia plays the Oregon Country Fair (with Quixotic) July 12 – July in Veneta, Oregon]

[Calvin Arsenia plays Collide (w/ Quixotic), July 19 – 20, 8:00 PM at Quixotic, 1616 Broadway KCMO.]

[Calvin Arsenia plays Bad in Bed LIVE Aug 22 – Aug 24, 8:00 PM at recordBar 1520 Grand, KCMO]

[Calvin Arsenia plays The Sextet Album Release for Among Friends, Sun, Sept 15, 7:00 PM at recordBar, 1520 Grand, KCMO]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

3. Bill Callahan – “747”
from: Shepherd in a Sheepskin Vest / Drag City Records / June 14, 2019
[21st release as Bill Callahan or Smog. Bill Callahan (born June 3, 1966) is an American singer-songwriter and guitarist who has also recorded and performed under the band name Smog. Callahan began working in the lo-fi genre of underground rock, with home-made tape-albums recorded on four track tape recorders. Later he began releasing albums with the label Drag City, to which he remains signed today. Callahan started out as a highly experimental artist, using substandard instruments and recording equipment. His early songs often nearly lacked melodic structure and were clumsily played on poorly tuned guitars, resulting in the dissonant sounds on his self-released cassettes and debut album Sewn to the Sky. Much of his early output was instrumental, a stark contrast to the lyrical focus of his later work. Apparently, he used lo-fi techniques not primarily because of an aesthetic preference but because he didn’t have any other possibility to make music. Once he signed a contract with Drag City, he started to use recording studios and a greater variety of instruments for his records. From 1993 to 2000, Callahan’s recordings grew more and more “professional” sounding, with more instruments, and a higher sound quality. In this period he recorded two albums with the influential producer Jim O’Rourke and Tortoise’s John McEntire, and collaborated with Neil Hagerty. Callahan also worked closely with his then-girlfriend Cynthia Dall in his early career, and they contributed vocals to each other’s albums. After 2000’s Dongs of Sevotion, Callahan began moving back to a slightly simpler instrumentation and recording style, while retaining the more consistent songwriting style he had developed over the years. This shift is apparent in albums such as Rain on Lens, Supper, and A River Ain’t Too Much to Love. Smog’s songs are often based on simple, repetitive structures, consisting of a simple chord progression repeated for the duration of the entire song. His singing is characterized by his baritone voice. Melodically and lyrically he tends to eschew the verse-chorus approach favoured by many contemporary songwriters, preferring instead a more free-form approach relying less on melodic and lyrical repetition. Themes in Callahan’s lyrics include relationships, animals, relocation, nature, and more recently, politics. On the subject of voice in his albums, Callahan has said, “It’s usually one character per record. So, the character appears in all or most of the songs on one record and then is gone. Though it makes me feel weird to talk about. Because I don’t really think in clear terms of characters. My albums as a whole could be seen as one character with many voices.”[4] His generally dispassionate delivery of lyrics and dark irony often obfuscate complex emotional and lyrical twists and turns. Critics have generally characterized his music as depressing and intensely introverted, with one critic describing it as “a peep-show view into an insular world of alienation.” Cat Power (Chan Marshall) recorded Callahan’s song “Bathysphere” on her 1996 album What Would the Community Think and also covered another Callahan song, “Red Apples”, on her Covers Record, released in 2000. In 2007, Callahan released Woke on a Whaleheart, his first solo album released under his own name, Sometimes I Wish We Were an Eagle followed in April, 2009. Both recordings were released through Drag City, worldwide. In 2009, Callahan contributed cover songs on four separate tribute albums to Judee Sill, Kath Bloom, Chris Knox, and Merge Records. In 2010, he released his first live album Rough Travel for a Rare Thing, which was recorded in 2007 at The Toff in Melbourne, Australia. Apocalypse, was released in April 2011 to favorable reviews. Critic Sasha Frere-Jones called it “my favorite of Callahan’s albums, not because it has better songs—those are scattered among at least five others — but because it does exactly what he wants it to do: it conveys an album’s coherence.” A tour film chronicling Callahan’s 2011 Apocalypse tour was released in 2012.]

[Bill Callahan plays the Lawrence Public Library Lawn, Friday, July 5, at 7:00 PM at the Lawrence Public Library, 707 Vermont St, Lawrence, KS with special guest Heidi Lynne Gluck.]

4. Madisen Ward and the Mama Bear – “Mother Mary”
from: Radio Winners – EP / Glassnote Records / July 27. 2018
[Madisen Ward and the Mama Bear have garnered international acclaim,. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of KCMO. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[LiveOnMass Presents: Madisen Ward and the Mama Bear, Saturday, July 6 at 6:00 PM at The Granada Theater, 1020 Massachusetts St, Lawrence, KS with Pony Bradshaw and Sky Smeed.]

Jaclyn Bell

5. Jaclyn Bell – “Wanna Be Mine”
from: Wanna Be Mine / Jaclyn Bell / March 28, 2019
[Kansas City based singer songwriter Jaclyn Bell. Jaclyn released her first full-length album, “Wanna Be Mine” recorded here in Kansas City, Missouri at Dwelling Place Music with John Hendrickson. Jaclyn Bell released her EP “Memories” in 2018, that featured her songwriting capabilities combined with the Nashville talent where it was recorded. http://www.jaclynbellmusic.com]

[Jaclyn Bell and her band play, Made in KC for First Fridays on Friday, July 5th]

[Jaclyn Bell & band play, Bull Creek Distillery, 20559 S Lone Elm Rd. Spring Hill, KS, Sat, July 6.]

[Jaclyn Bell Duo play Sunset Grill, 14577 Metcalf Ave, Overland Park, KS, Sat., August 3, at 8:00 pm.]

10:19 – Interview with Jaclyn Bell & Josh Bell

Josh Bell & Jaclyn Bell on the July 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Singer, songwriter, producer, Jaclyn Bell released her first full-length album, “Wanna Be Mine” recorded here in Kansas City. Jaclyn Bell released her EP “Memories” in 2018, that featured her songwriting capabilities combined with the Nashville talent where it was recorded.

Jaclyn Bell thanks for being with us on WMM.

Also joining us is Jaclyn’s husband Josh Bell, thanks for being with us on WMM.

Josh plays saxophone and plays live with Jaclyn and on Wanna Be Mine.

Jaclyn Bell studied at Berklee College of Music

Jaclyn Bell studied Audio Engineering/Music Production at Recording Radio Film Connection

Josh Bell is a NOC-Technician at Sprint

Josh Bell Studied Audio Engineering/Music Production at Recording Radio Film Connection

Jaclyn & Josh Bell live in Overland Park, Kansas. Jaclyn grew up in the Kansas City area. Josh is originally from Highlands, Texas.

Jaclyn Bell married Josh Bell on February 15, 2013

Jaclyn released her first full-length album, “Wanna Be Mine” recorded here in Kansas City, Missouri at Dwelling Place Music with John Hendrickson.

Jaclyn started singing as a child in church and at 4-H competitions.

Jaclyn Bell played The Rino, 314 Armour Rd, North Kansas City, MO, last week on Friday, June 28 with The Dear Misses, Radiant Bones [NE], Thames [STL].

In an interview with Johnson County Library Jaclyn explained the she has “been working on (her new album, Wanna Be Mine) for about three years and I recorded here in Kansas City with some great local musicians and producers. The songs I would say I’m most proud of on the album are “Wanna Be Mine”, “Killing All of You”, and “Young and Free”. “Wanna Be Mine” because it’s one of my most melodic songs. It’s really raw honesty when you put yourself out there in front of someone and tell them what you want.”

She also talked about how she has “been a songwriter since I was about 17. But the past five years I’ve been really writing loads of songs and making it a career, [studying how] Taylor Swift [and] Ed Sheeran write and compose [their] music. Some of her earliest musical influences were Taylor Swift, Colbie Caillat, and Paramore.”

“For my songwriting process it’s a bit different. It’s like I catch a writing bug I could go months without writing songs and then once I feel inspired, I could write seven songs in three days. With editing, each song is different. Some songs I write once and don’t change anything about it. Others […] take four or five different editing sessions to get it perfect. Each song is a different art piece so doing it all the same doesn’t really make sense to me. I think that each one deserves its own unique attention and style.”

“2019 is the year that I put out my first album Wanna Be Mine and is officially the kickoff of my music journey and my career in making this what I do. I have a really good team and we have a bunch of stuff planned this year with a few media releases, a few singles that are already in the works, and obviously I’m still writing for my next album because the goal is to keep this going. We have some plans for getting my music out there for people to hear so I’m really excited!”

Upcoming Shows:

Jaclyn Bell and her band play, Made in KC for First Fridays on Friday, July 5th

Jaclyn Bell & band play, Bull Creek Distillery, 20559 S Lone Elm Rd. Spring Hill, KS, Sat, July 6.

Jaclyn Bell Duo play Sunset Grill, 14577 Metcalf Ave, Overland Park, KS, Sat., August 3, at 8:00 pm.

10:32

Jaclyn Bell and Josh Bell, thanks for being with us again on WMM.

Wanna Be Mine was released March 28 and is available at iTunes and where music is available.

10:32

6. Jaclyn Bell – “Am I The One”
from: Wanna Be Mine / Jaclyn Bell / March 28, 2019
[Kansas City based singer songwriter Jaclyn Bell. Jaclyn released her first full-length album, “Wanna Be Mine” recorded here in Kansas City. Jaclyn Bell released her EP “Memories” in 2018, that featured her songwriting capabilities combined with the Nashville talent where it was recorded. http://www.jaclynbellmusic.com]

[Jaclyn Bell and her band play, Made in KC for First Fridays on Friday, July 5th]

[Jaclyn Bell & band play, Bull Creek Distillery, 20559 S Lone Elm Rd. Spring Hill, KS, Sat, July 6.]

[Jaclyn Bell Duo play Sunset Grill, 14577 Metcalf Ave, Overland Park, KS, Sat., August 3, at 8:00 pm.]

10:35 – Underwriting

Dustin Mott, Calandra Ysquierdo Wall, Jaclyn Bell, and Josh Bell on the July 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

7. Heavy Grams – “A Little Luck”
from: Heavy Grams EP / Heavy Grams /May 25, 2019
[Heavy Grams were formed in 2018. Members include: Jeff Wall on guitar & vocals, Calandra Ysquierdo on bass & vocals, and Dustin Mott on drums. Heavy Grams just recently released their self titled, debut EP, that was recorded at Weights and Measures Sound Lab with Duane Trower, with Damon Parker on piano, Jen Lawless on backing vocals, Trey DeBose on saxophone.]

10:40 – Interview with Calandra Ysquierdo Wall, and Dustin Mott of Heavy Grams

Dustin Mott and Calandra Ysquierdo Wall o the July 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Heavy Grams were formed in 2018. Members include: Jeff Wall on guitar & vocals, Calandra Ysquierdo on bass & vocals, and Dustin Mott on drums. Heavy Grams just recently released their self titled, debut EP, that was recorded at Weights and Measures Sound Lab with Duane Trower.

Calandra Ysquierdo, and Dustin Mott thanks for being with us on WMM.

Heavy Grams were formed in 2018.

Members include: Jeff Wall on guitar & vocals, Calandra Ysquierdo on bass & vocals, and
Dustin Mott on drums.

Calandra Ysquierdo and Dustin Mott played together in the band The Lucky

Jeff Wall also plays in the band 3 Hour Drive

Calandra Ysquierdo and Jeff Wall were married on July 7, 2018

Jeff Wall Studied Sociology, Philosophy and Religious Studies at Benedictine College

Jeff wall is from Oak Grove, Missouri. June 29 is his birthday.

Dustin Mott is a Music teacher, drummer, who serves as Band Director at Northgate Middle School

Dustin Mott lives in Kansas City, Missouri

Dustin Mott studied Music Education at UMKC Conservatory and graduated in 2018.

Dustin Mott studied Music Performance – Percussion · Music education at Missouri Western State University, where he graduated in 2011 · Kansas City, Missouri

Dustin Mott graduated from Independence Senior High, in Independence, Kansas

Heavy Grams just recently released their self titled, debut EP, that was recorded at Weights and Measures Sound Lab with Duane Trower, with Damon Parker on piano, Jen Lawless on backing vocals, Trey DeBose on saxophone.

Calandra Rene Ysquierdo Wall, and Dustin Mott thanks for being with us on WMM.

10:54

8. Heavy Grams – “Pavement”
from: Heavy Grams EP / Heavy Grams /May 25, 2019
[Heavy Grams were formed in 2018. Members include: Jeff Wall on guitar & vocals, Calandra Ysquierdo on bass & vocals, and Dustin Mott on drums. Heavy Grams just recently released their self titled, debut EP, that was recorded at Weights and Measures Sound Lab with Duane Trower, with Damon Parker on piano, Jen Lawless on backing vocals, Trey DeBose on saxophone. ]

9. Hipshot Killer – “Places We Want To Be”
from: All This Time is Ours / Hipshot Killer / March 20, 2019
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016.]

[Hipshot Killer play Davey’s, 3402 Main, KCMO, Sat, July 6, 9:PM w/ The Right Here, Chad Rex, and The Rackatee’s.]

11:00 – Station ID

Radkey

10. Radkey – “Rock & Roll Homeschool”
from: No Strange Cats…P.A.W. / The Century Family / February 22, 2019
[This new 7 song EP is sessetially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018 to talk about their performance at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national televison commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band went back on the road playing shows with The Damned throughout the United States. In December they went back into the studio to record songs for this release with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. Last year the nad released “Basement” , “St. Elwood” “Rock & Roll Homeschool” as well as several other singles.]

[Radkey plays recordBar 1520 Grand. KCMO, TONIGHT! July 3, 7:00 PM w/ Salty, and Deco Auto]

NuBlvckCity

11. NuBlvckCity – “Alive”
from: All Night / Alive – Single / The Record Machine / July 12, 2019
[NuBlvckCity is a KC-based music collective, members include (but not limited to) Mae C; They Call Me Sauce; Kartez Marcel. The collective represents positive vibes, creativity, showmanship, and community.]

[NuBlvckCity play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with The Moose, and Blue False Indigo. sponsored by Mid-Continent Public Library and The Record Machine.]

11:06 – Interview w/ VP3, and Kartez Marcel (NuBlvckCity) and Nathan Reusch of TRM

VP3 and Kartez Marcel of NuBlvckCity on the July 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Nathan Reusch is founder of The Record Machine, a homegrown record label started in 2003. Originally created to promote music from Kansas City & Lawrence, TRM has grown to turnout records from bands all across the country. Nathan is also co-founder & curator of the Middle of The Map Fest.

Kartez Marcel (Addison) is a native of Kansas City, Missouri, he is a Hip-Hop artist, community program developer, sound engineer, entrepreneur, recording artist, musician, and songwriter. He provides resources to artists and assists with bringing their artistic visions to life, he also serves as the Director of A/V at a large faith-based organization. With Royce “Sauce” Handy he founded We Are Rap a hip hop program for youth.

VP3 (Vernon Percy Howard III) is a Music Producer, Songwriter, Singer, Pianist, & Saxophonist. He recently gradualted from the University of Central Missouri where he studied digital media production.

VP3, and Kartez Marcell (half of the collective NuBlvckCity) and Nathan Reusch (of The Record Machine) join us to share details about What’s Next KC, on Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO. sponsored by Mid-Continent Public Library and The Record Machine.

Nathan Reusch, VP3, Kartez Marcell thanks for being with us on WMM.

NuBlvckCity went on a Winter Tour last year and a Spring 2019 Tour in March. The collective represents positive vibes, creativity, showmanship, and community. NuBlvckCity is a Kansas City-based music collective, members include Mae C; They Call Me Sauce; Kartez Marcel and VP3.

Mae C is a singer/songwriter who’s one of Kansas City’s go-to voices and performer’s. Mae C is a Kansas City based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceeded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an independent artist in the Kansas City music scene. A self-acclaimed black girl nerd, she originally planned on becoming an engineer and studied computer design at Lincoln University of Missouri. After leaving Lincoln to pursue her true passion of singing and songwriting, she finds that her techy side impacts how she writes music. “As a kid, I was always picking things apart and figuring out how to put them back together,” she said. “As an artist, I do the same thing – I pick apart my favorite singers to discover what made them great so I can walk in their footsteps.” With Kansas City becoming a place of movement for arts and entertainment, Mae C says now is the time to reinvent the wheel, break barriers, build bridges, but most of all support each other. “Supporting each other is the secret to rising to the top and putting the town on the map”, says Mae C. She aspires to inspire other artists to capitalize in their craft by not putting themselves in a box. “I’m an African American woman, but I refuse to allow anyone to use that against me. I’m an artist & proud black girl and I deserve a chance at every opportunity just as anyone else,” she said..] [Mae C. played The Riot Room, 4048 Broadway, KCMO, Saturday, February 23, at 8:00 PM. with Trxz Jones, They Call Me Sauce, JaySol Music, Guest DJ: DJ G3wizz, and Special Guest: Jo Blaq.

Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur. Sauce has collaborated with visual artists, and the hip hop community. In 2017 Sauce released his EP, Summer Sauce which was part of WMM’s 117 Best Recordings of 2017. In 2018 Sauce released his newest album Soul Food 4.

What’s Next KC, is on Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO. This is an all ages, family friendly, community event featuring live performances by: NublvckCity, The Moose, and Blue False Indigo. There will be concessions available and a BBQ Food Truck. What’s Next KC is sponsored by Mid-Continent Public Library and The Record Machine.

Kartez Marcel’s passion for artistic expression and vision not only led him to establish the League of Lifestyles, but also guides him in working to ensure generations that follow have access to unique and relevant mediums of expression. As such Kartez has partnered in the delivery of M.E.D.I.A over the past few years, which is an after/in-school program designed to expose local students to various facets of the music industry while providing practical experience they can apply both in and out of creative spaces. Kartez was educated in the KC and Hickman Mills School Districts, and later attended college at Full Sail University in Orlando, Florida where he studied music production and sound engineering.

VP3, Kartez Marcell of NuBlvckCity & Nathan Reusch of TRM thanks for being on WMM.

What’s Next KC, is on Sat, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO. This is an all ages, family friendly event featuring: NublvckCity, The Moose, and Blue False Indigo. There will be concessions available and a BBQ Food Truck. Sponsored by Mid-Continent Public Library and The Record Machine.

11:23

12. NuBlvckCity – “All Night”
from: All Night / Alive – Single / The Record Machine / July 12, 2019
[NuBlvckCity is a KC-based music collective, members include Mae C; They Call Me Sauce; Kartez Marcel. The collective represents positive vibes, creativity, showmanship, and community. This track was produced by VP3 who also sings on the song.]

[NuBlvckCity play What’s Next KC, Sat, July 13, 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., w/ The Moose, and Blue False Indigo. Sponsored by Mid-Continent Public Library and The Record Machine.]

11:27 – Underwriting

13. The Creepy Jingles – “Signs Of The Times New Roman”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From His Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing Bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

[The Creepy Jingles play Summer Benefit Series: July First Friday for Bandwaggn, Friday, July 5, at 8:00 PM at Revolution Records 1830 Locust St, KCMO with Hadiza, & True Lions.]

[Jocelyn Olivia Nixin of The Creepy Jingles, plays Saturday Storytellers with Radial Red on Sat, July 6, at 5:00 PM at Ollie’s Local, at 3044 Gillham Rd, KCMO.]

Radial Red

14. Radial Red – “As It Should Be”
from: 3-Songs for Radio (Unreleased) / Radial Red / July 3, 2019
[Radial Red is an all original Kansas City based female fronted rock trio that was formed in 2015 with Alisa Jefferson on vocals and bass, Barb Wilmoth on drums, Scott Mitchell on guitar. They released their debut 7-song EP “Radiate” on June 1, 2015..]

[Radial Red plays Saturday Storytellers with Jocelyn Olivia Nixin of The Creepy Jingles, Saturday, July 6, at 5:00 PM at Ollie’s Local, at 3044 Gillham Rd, Kansas City, MO.]

11:34 – Interview with Alisa Jefferson, Barb Wilmoth, Scott Mitchell

Scott Mitchell, Alisa Jefferson, and Barb Wilmoth of Radial Red on the July 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Radial Red is an all original Kansas City based female fronted rock trio that was formed in 2015 with Alisa Jefferson on bass & vocals, Barb Wilmoth on drums & vocals, and Scott Mitchell on guitar & vocals. They released their debut 7-song EP “Radiate” on June 1, 2015. The band has been busy working in the studio and making new recordings of prvious songs and also recording new material. Radial Red plays Saturday Storytellers with Jocelyn Olivia Nixin of The Creepy Jingles, Saturday, July 6, at 5:00 PM at Ollie’s Local, at 3044 Gillham Rd, Kansas City, MO.

Alisa Jefferson, Barb Wilmoth, and Scott Mitchell thanks for being on WMM.

The band started when Barb Wilmoth found Alisa Jefferson through the Kansas City Women’s Music Network. Barb has been playing drums for seven years, before that she played bass. Alisa met Scott through the insurance industry and knew he played guitar.

The band’s debut 7-song EP “Radiate” was released on June 1, 2015.

Radial Red has played for the last four years at KC Pride Fest at Berkeley Riverfront Park.

Radial Red is currently writing original songs and working on influential covers sprinkled around their set. The members of Radial Red describe their musical and personal friendship with one another as a common core with mutual respect, love of similar music and commitment to band together to see their drive and passion through. They each feel genuinely excited and proud of this collaboration.

11:41

15. Radial Red – “Infinity”
from: 3-Songs for Radio (Unreleased) / Radial Red / July 3, 2019
[Radial Red is an all original Kansas City based female fronted rock trio that was formed in 2015 with Alisa Jefferson on vocals and bass, Barb Wilmoth on drums, Scott Mitchell on guitar. They released their debut 7-song EP “Radiate” on June 1, 2015..]

[Radial Red plays Saturday Storytellers with Jocelyn Olivia Nixin of The Creepy Jingles, Saturday, July 6, at 5:00 PM at Ollie’s Local, at 3044 Gillham Rd, Kansas City, MO.]

Radial Red

10:45 – Interview with Alisa Jefferson, Barb Wilmoth, Scott Mitchell

We are talking with members of Radial Red is an all original Kansas City based female fronted rock trio that was formed in 2015 with Alisa Jefferson on vocals and bass, Barb Wilmoth on drums, Scott Mitchell on guitar.

Alisa Jefferson, Barb Wilmoth, and Scott Mitchell thanks for being on WMM.

Radial Red also has an upcoming show at Davey’s Uptown.

Alisa Jefferson has also played with the band RetroTherapy

Alisa Jefferson, Barb Wilmoth, and Scott Mitchell thanks for being on WMM.

11:55

16. Radial Red – “Karma”
from: 3-Song EP / Radial Red / July 3, 2019
[Radial Red is an all original Kansas City based female fronted rock trio that was formed in 2015 with Alisa Jefferson on vocals and bass, Barb Wilmoth on drums, Scott Mitchell on guitar. They released their debut 7-song EP “Radiate” on June 1, 2015..]

[Radial Red plays Saturday Storytellers with Jocelyn Olivia Nixin of The Creepy Jingles, Saturday, July 6, at 5:00 PM at Ollie’s Local, at 3044 Gillham Rd, Kansas City, MO.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, July 10, Nan Turner and Chase Horseman share songs from their new EP’s that they are releasing in a Double EP Release Party at miniBar, Friday, July 12, at 9:00 PM. release. Jade Osborne shares details about her KC Fringe production “The Shift Show” running July 19 through July 27 at Union Station City Stage Theatre. Chris Hudson and Chad Brothers play live in our 90.1 FM Studios. Nathan Reusch returns to talk more about What’s Next KC with The Moose. And, Joel Bonner brings members of his band Serene Fiend to share new music in anticipation of their new release and their appearance at Lawrence Field Day Fest.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #793

WMM Playlist from February 13, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 13, 2019

Spinning Records With Marion Merritt
+ Ada Brumback, Anna Selle & Bandwaggn

Marion Merritt

Marion Merritt returns as our special “Guest Producer.” For almost 15 years now, Marion has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. The Bevis Frond – “Lead On
from: We’re Your Friends Man / Fire Records / December 7, 2018
[26th studio album from The Bevis Frond, a British musical group whose range covers hard edge to melancholy vintage indie rock to poetic, “classic-rock” songcraft. Nick Saloman is the band’s frontman and songwriter. They have recorded many singles and albums on various independent labels since 1987. Saloman was originally in a band known as the Bevis Frond Museum in the late 1960s, and in the 1970s, whilst at college, he played guitar with a duo called Oddsocks. They released one album, Men of the Moment. In 1979 he formed a band called the Von Trap Family, who released the first single on his own Woronzow Records label. The early Von Trap Family recordings, comprising three sessions, were released on the Bevis Frond Bandcamp site for the first time in May 2010. The next release on Woronzow was in 1982, a 12″ single by Room 13 with Saloman on guitar and future Bevis Frond drummer Martin Crowley. After Room 13 reached the end of its natural life, Nick Saloman had a bad motorbike accident that left him with a constriction of movement in his left arm. True to form, he had the arm set so that he could continue playing guitar. With the proceeds from a damages claim he bought a 4 track recorder and recorded some music which he decided to press as a limited release of 250 albums, more for the sake of just releasing an album than anything else. He was very surprised when Funhouse records in Kent phoned him up and asked for a couple of hundred copies as they’d been selling the album quite briskly. Saloman’s desire was to “record the kind of music I’d like to listen to… I wanted a Hendrix/Wipers/Byrds sound but with a distinctly British feel.” Subsequent albums were also recorded in a home studio and released on Woronzow until 1988, when he signed a deal with Reckless Records for the UK and USA. All the early albums were finally re-released on CD and Reckless financed the recording and release of his sixth album, Any Gas Faster, using a professional studio for the first time, reuniting him with Drummer Martin Crowley. This is also the point that he began touring. Another 1990 album, Magic Eye, was a collaboration with Twink of the Pink Fairies. In 1990, he returned to the studio to record his next album, New River Head, which featured guest musicians including Barry Dransfield and David Tibet. The next year he recorded London Stone, but Reckless were less than happy with the album, and in the ensuing friction, Saloman decided to release the album on Woronzow again. All his subsequent albums have appeared on Woronzow.]

4. Baxter Dury, Delilah Holliday & Etienne de Crécy – “Walk Away”
from: B.E.D / Pias America / October 26, 2018
[Debut recordings of collaborative trio of French producer Etienne de Crécy on electronic textures, with vocalist Baxter Dury’s and singer Delilah Holliday (of London band Skinny Girl Diet). Baxter Dury told the press, “Etienne has created a musical background for my confessional narrative and Delilah has encouraged it to be something more emotional. It’s an unlikely mix that works because its short, simple and honest.”]

5. Big Wild – “6’s to 9’s (feat. Rationale)”
from: Superdream / Counter Records / February 1, 2019
[Debut album from Big Wild who is Jackson Stell, an electronic DJ, producer, composer, and engineer. Stell was born in Lancaster, Massachusetts. Stell set out on his own tour in Spring 2017, hitting 27 dates around America. Rational is Matthew Cameron Brotzel, a Canadian hip-hop artist from Saskatoon, Saskatchewan. On March 30, 2010, RationaL released his debut single “Cocaine Cowboy” from his debut album, The BirthWrite LP. The song garnered a 2010 Sphere of Hip-Hop award for “Song of the Year”, co-winning the honor alongside 2011 Juno Award winner and fellow Canadian rapper, Shad (“Rose Garden”). July 17, 2012 the rapper released The BirthWrite LP under his own independent imprint, Ear RationaL Music. The album featured guest appearances from Quannum Projects recording artist Pigeon John, former Rawkus Records artist and member of The Procussions, Mr. J. Medeiros, Relic, Theory Hazit and Ohmega Watts. In the fall of 2007, RationaL began the writing and recording process for his debut album, The BirthWrite LP. The album charted as high as #2 on the !earshot hip-hop charts. Although The BirthWrite LP is officially considered RationaL’s debut album, there was a free promotional album released on July 20, 2010 entitled Hard Labor: The BirthWrite Prequel that circulated locally and was made available online. The BirthWrite LP is most notable for the award-winning lead single “Cocaine Cowboy”. On July 23, 2013, RationaL reached an exclusive agreement with the Toronto Blue Jays and Major League Baseball to release his new single, “A Swing and a Belt”, dedicated to the late Hall of Fame voice of the Blue Jays, Tom Cheek. Cheek called a Major League record 4,306 consecutive games for 28 straight seasons on the Toronto Blue Jays Radio Network from April 7, 1977 to June 2, 2004. Produced by Imperial, “A Swing and a Belt” received high-praise from former World Series hero Joe Carter. Former Jays manager and current Sportsnet play-by-play man Buck Martinez also raved about the song. Martinez stated, “RationaL has captured everything that Tom Cheek was in regards to baseball. He had his passion, he understood his love of the game, he understood all the great moments in Tom Cheek’s broadcasting career. He weaves them into “A Swing and a Belt” in such a way that it brings back so many memories for fans, baseball people and media people that really captures the essence of Tom Cheek’s career with the Blue Jays. I don’t think it could have been done any better.”[citation needed] In addition, Sportsnet aired a clip of the song during the Blue Jays game versus the Houston Astros on July 27, 2013. “A Swing and a Belt” is also the lead single from RationaL’s upcoming album entitled Hell or High Water, scheduled for release soon on Ear RationaL Music. Confirmed collaborators for the record thus far include Mr. J. Medeiros, Factor, Imperial, Josh Palmer and Juno Award-winning producer and emcee, Relic.]

6. Kristen Hersh – “Lax”
from: Possible Dust Clouds / Fire Records / October 5, 2018
[The 11th solo album from Martha Kristin Hersh was born August 7, 1966, in Atlanta, Georgia. She moved to Newport, Rhode Island when she was six years old. Her father was a professor at Salve Regina University in Newport and her mother a special educational needs teacher. She was interested in music at an early age and wanted to learn guitar chords so her father gave her a guitar when she was nine. Her parents separated when Hersh was 11 and her mother married the father of her best friend Tanya Donelly. Hersh talked Donelly into starting a band, then called The Muses when they were 14. Throwing Muses was formed in 1981 when Hersh and Donelly were freshmen in high school. Friends from school, including Elaine Adamedes, Becca Blumen, Leslie Langston and David Narcizo, were part of the group with Narcizo becoming a long-term member. Hersh initially wrote and sang most of Throwing Muses’ songs, often in changing tempos. Donelly also contributed songs and lead vocals. Hersh attended Salve Regina University, majoring in archetypal psychology and philosophy, and the Rhode Island School of Design, but dropped out shortly before graduating to establish the band in Boston, Massachusetts, where they had been playing on weekends. While at Salve, Hersh befriended film actress Betty Hutton, who was attending the school in her 60s; Hutton also attended several early Throwing Muses shows in Newport. The Throwing Muses were signed to 4AD, the first American group to be signed on the British label, and released their first EP Chains Changed in 1986. Two releases followed, The Fat Skier and the album House Tornado. The 4AD Throwing Muses biography describes its sound at the time as “… joining the dots between elliptical post-punk, harmonious folk jangle and rockabilly thunder without ever settling into standard genre patterns.” For the Throwing Muses 1986 UK tour, the Boston-based Pixies, embarking on their first European tour, was the opening band. The band signed a U.S. deal with Sire/Reprise Records in 1987 and began touring the U.S. and Europe while recording albums, with Hersh writing most of the songs. The band became a trio when Donelly left the group after 1991’s The Real Ramona. In 1994, Hersh began a solo career on Sire/Reprise and 4AD as an acoustic performer, beginning with Hips and Makers, an album sparsely arranged around her vocals, guitar, and a cellist, in contrast to the volatile, electric sound of her band work. Michael Stipe of R.E.M. made an appearance on this first solo album. After receiving some airplay and major media coverage for the Throwing Muses album University in 1995, Hersh moved to Rykodisc for the band’s 1996 album, Limbo, and released her solo album, Strange Angels in 1998. To better control her career and the distribution of her recorded material, she created the ThrowingMusic label with then-husband and manager Billy O’Connell in 1996. This enabled her to co-release some of her projects, including an ongoing download-subscription service called Works in Progress (WIP) for releases available through the label’s website. Hersh continued to offer her solo releases online, releasing “Sky Motel” in 1999. By the mid-90s, David Narcizo became Throwing Muses’ permanent drummer, still playing in the band whenever they tour. Throwing Muses functions as a noncommercial musical enterprise, focusing on touring over record sales and airplay. In a 2014 interview, Hersh stated, “As far as I’m concerned, music is not a commodity. It’s something that people have earned by being human. They have a right to hear it, and a right to share it, as they always have in churches and parties. That’s how music happens. Hersh has said her parents’ album collections, featuring Patti Smith, the Carter Family, Stevie Wonder, Robert Johnson, Talking Heads, The Clash, Steve Miller, The Beatles, Philip Glass, and traditional music all influenced her when she was growing up. Among her early contemporary musical influences are The Raincoats, The Pretenders, Talking Heads, Violent Femmes, Meat Puppets, Dead Kennedys, Hüsker Dü, Velvet Underground, R.E.M., and X. Hersh was married to her former manager Billy O’Connell for 25 years until they divorced in 2013. She has four sons. Hersh has talked openly about her bouts with mental illness and its role in her musical process. A car accident at age 16 while she was riding her bicycle gave her a double concussion that affected the way she heard sounds. She described it as hearing ambient sounds continuously and “…the sounds would alter their sonic vocabulary until I was hearing syllables, and drums. And then all these words would come.” She’s stated that hearing “pieces of songs” in her mind compelled her to take the pieces apart and craft songs from them. She also claims that she doesn’t remember writing her early songs—that “they wrote her.” She’s had more than one diagnosis (and misdiagnoses) for her condition, including schizophrenic disorder, bipolar disorder, and most recently post-traumatic and dissociative disorders, which she says have been successfully treated with eye movement desensitization and reprocessing (EMDR) therapy.]

7. Kristen Hersh – “No Shade in Shadow”
from: Possible Dust Clouds / Fire Records / October 5, 2018

10:32 – Underwriting

8. Antena – “Camino del So”
from: Antena: Camino del Sol / Numero / 2019
[Originally released in September, 1982] [Antena: Camino Del Sol is the second compilation album by The Numero Group (NUM002), based on a mini-album originally released in September 1982. It features tracks by French-Belgian trio Antena who were then signed to Belgian label Les Disques Du Crepuscule. Antena featured Isabelle Antena, a pseudonym for Isabelle Powaga, who is a cult figure known for her song “Say I Believe In It.” The re-release contains re-mastered tracks, B-sides and two previously unreleased songs.]

9. Boogarins – “Onda Negra”
from: Lá Vem a Morte / OAR / June 9, 2017
[Boogarins are a Brazilian psychedelic rock band formed in 2013 by Dinho Almeida (vocals, rhythm guitar) and Benke Ferraz (solo guitar). Later they were joined by Hans Castro (drums) and Raphael Vaz (bass guitar), forming a four-piece. In 2014, Ynaiã Benthroldo replaced Hans as drummer. Boogarins was formed by Benke and Dinho, two childhood friends who got together and recorded an EP at home (As Plantas Que Curam) while they were still at school. After the release of the EP, Boogarins signed a contract with Other Music, the debut album As Plantas Que Curam was released in 2013. A second album followed in 2015. The band took their name from a jasmine flower in Brazil. On June 7, 2017, the band’s third album Lá Vem a Morte was released on YouTube as a surprise for the fans. It was elected the 9th best Brazilian album of 2017 by the Brazilian edition of Rolling Stone. They have a new album titled Sombrou Dúvida to be released in 2019]

10. Sharon Van Etten – “I Told You Everything (Edited)”
from: Remind Me Tomorrow / Jagjaguary / January 18, 2019
[5th studio album from Sharon Van Etten (born February 26, 1981 in Belleville, New Jersey and lived in Nutley, NJ before moving to Clinton as a pre-teen. Later, she moved to Tennessee to attend Middle Tennessee State University and studied recording, but dropped out of college after a year. Van Etten ended up working at the Red Rose, a coffee and record shop and music venue in Murfreesboro, for about five years. In 2004, she moved back to New Jersey, where she worked at Perryville Wine and Spirits. Van Etten moved to New York City in 2005. Van Etten self-released handmade CDs until 2009, when her debut studio recording was released. Before her studio debut, she worked at Astor Wines and as a publicist at Ba Da Bing Records. Van Etten’s debut, Because I Was in Love, was released on May 26, 2009, on Language of Stone, and was manufactured and distributed by Drag City. This is her third album from Jagjaguar]

11. Hand Habits – “placeholder”
from: placeholder / Saddle Creek Records / March 1, 2019
[Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time. Two years later, Hand Habits has returned with their sophomore album, placeholder. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world. The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings — carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery. “A big aspect of my songwriting and the way I move through the world depends on my relationships with people. The songs on placeholder are about accountability and forgiveness,” Meg says. “These are all real stories. I don’t fictionalize much.” Meg describes these songs as their most direct to date, crafted with clear intention, and unlike Wildly Idle (Humble Before The Void), placeholder doesn’t meander. “It’s less of a submerged landscape and more a concise series of thoughts,” Meg explains. Instrumentally, placeholder can be situated alongside some of Meg’s folk-adjacent contemporaries like Angel Olsen or Big Thief, and the guitar work on this album proves that Meg continues to be one of the finest young musicians working today. placeholder is another entry in the Hand Habits songbook, but it’s also a valuable testament of our time. While placeholder inspires a sense of ease, simple questions rarely beget easy answers and Meg honors the indescribable joy and profound sorrow that comes with figuring things out, one step at a time.]

10:59 – Station ID

12. Cass McCombs – “I Followed the River South to What”
from: Tip of the Sphere / Anti / February 8, 2019
[Produced by Cass McCombs & Dan Horne. Engineered by Sam Griffin Owens. Mixed by Dan Horne. Mastered by Heba Kadry. Vinyl cut by Carl Rowatti. Recorded at Figure 8 Studios, Brooklyn NY. Additional engineering on The Great Pixley Train Robbery by Jason Quever. All songs Cass McCombs (BMI)Cass McCombs was born 1977 in Concord, California) is an American musician, best known for blending genres such as rock, folk, psychedelic, punk, and alt country, he has played in numerous bands in the Bay Area and Pacific Northwest during the 1990s, often in DIY spaces, before relocating to New York City. He moved to San Francisco in 2001, where he recorded his debut E.P., entitled Not the Way E.P., released on Monitor Records in Baltimore. McCombs then recorded a Peel Session for John Peel in 2003, and that year released his first LP A, also touring with Baltimore’s OXES as his backing band. McCombs and his band spent much of 2003 and 2004 touring, performing everywhere from the All Tomorrow’s Parties festival to house shows. McCombs otherwise divided his time amongst the Pacific Northwest, England and Baltimore. In spring 2005 he released PREfection on Monitor Records and 4AD, and in support of the album he toured with Modest Mouse. Later that year, he moved to Southern California to begin work on his third full-length, Dropping the Writ, which was released on October 9, 2007, by Domino Records. It was named one of Amazon.com’s Best Albums of 2007. Also in 2007 he toured with Ariel Pink’s Haunted Graffiti. He signed a multiple-album deal with Domino Records, who released his following four records including Catacombs (2009), which was voted one of the “50 Top Albums on the Year” by Pitchfork. It was followed by Wit’s End (2011), Humor Risk (2011), and Big Wheel and Others (2013). He toured with John Cale in 2012, and also performed at the benefit concert Occupy Sandy. Other bands he has performed or toured with include Ariel Pink, Cat Power, Band of Horses, Andrew Bird, The Decemberists, Arcade Fire, Peter Bjorn and John, Papercuts, The Shins, Iron and Wine, Deerhoof, The Walkmen, Jana Hunter, Thurston Moore, Joe Russo and The War On Drugs. His single “Bradley Manning” premiered on the Democracy Now News Hour in 2012. His songs have been featured in films including the surf film The Present (2009), and Ralph Arlyck documentary Following Sean, as well as notable skate videos featuring Jason Dill, Jerry Hsu Chima Ferguson and Dylan Rieder. His song “Bobby, King of Boys Town” appeared in HBO show Girls (Season 2, Episode 9 – “On All Fours”). In 2014 he did a co-headlining fall tour with the Meat Puppets. McCombs is a member of The Skiffle Players, who released their debut LP, Skifflin’ on February 12, 2016. In June 2016, McCombs performed at the Primavera Sound and Field Day music festivals. McCombs ANTI- Records debut, Mangy Love was released on August 26, 2016.]

13. M. Ward – “Shark”
from: What a Wonderful Industry / M. Ward Records / June 8, 2018
[Matthew Stephen “M.” Ward was born October 4, 1973 and raised in Ventura County, California. He moved to Portland, Oregon after college. Growing up, Ward taught himself songs by The Beatles on his brother’s guitar, and began recording demos on a four-track analog tape recorder when he was about fifteen. Ward continues to only record analog, and starts all of his songs as demos on the same recorder he has had since his teens. M. ward is a singer-songwriter and guitarist who is known for his folk and blues-inspired Americana analog recordings. He has released nine albums since 1999, primarily through independent label Merge Records. In addition to his solo work, he is a member of pop duo She & Him and folk-rock supergroup Monsters of Folk, and also participates in recording, producing, and playing with multiple other artists. More info at: http://www.mwardmusic.com]

14. The Glands- “Lovetown”
from: The Glands / Capricorn Records / 2018
[Originally released on August 1, 2000 on New West Records][The Glands were an American indie rock band from Athens, Georgia, United States. Their first CD, Double Thriller, was self-released in 1996 and reissued on Bar/None Records in 1998. Their self-titled album was first released in 2000 on Capricorn Records and reissued on Velocette Records in August 2001. The Glands’ unique sounds recalled a variety of influences, including the Kinks, the Who, and The Rolling Stones. The song “Livin’ Was Easy” was featured in the DVD Let America Laugh by comedian David Cross. The band reunited for a brief east coast tour in late 2011, playing several dates with Yo La Tengo. Ross Shapiro, singer, guitarist, and founding member of The Glands, died in March 2016 following a battle with an illness.]

15. The Glands – “I Can See My House from Here”
from: The Glands / Capricorn Records / 2018 [original – Aug. 1, 2000 on New West Records]

16. Lucy Dacus – “Night Shift”
from: Historian / Matador / March 2, 2018
[Lucy Dacus was born 1995 and grew up in Richmond, Virginia . She is an indie rock singer-songwriter who has has released two albums, both on Matador Records: 2016’s No Burden and 2018’s Historian. She started studying film at Virginia Commonwealth University but left to pursue her music career. She first performed in New York in March 2015. Sasha Gessen in Pitchfork wrote about Historian: ” It’s not an easy album to wear out. It lasts, and it should, given that so many of its lyrics pick at time, and the way time condenses around deep emotional attachments to other people.”]

17. boygenius – “Me & My Dog”
from: bygenius / Matador / October 26, 2018
[indie rock supergroup formed by Julien Baker, Phoebe Bridgers, & Lucy Dacus. Their self-titled debut EP was written and recorded in four days at Sound City Studios in Los Angeles. In November 2018, Baker and Bridgers hit the road in North America for a co-headline tour, with Dacus opening. Each artist played her own individual set of tunes. The tour kicked off at Nashville’s Ryman Auditorium on November 4th, and traveled through the Northeast, Midwest, and West Coast, culminating at The Wiltern in LA on November 30.]

18. Better Oblivion Community Center – “Dylan Thomas”
from: Better Oblivion Community Center / Dead Oceans / January 23, 2019
[Better Oblivion Community Center is an American indie rock duo composed of musicians Conor Oberst and Phoebe Bridgers. Oberst and Bridgers first met in 2016 when Bridgers performed at a secret showcase Oberst hosted at the Bootleg Theater in Los Angeles. They collaborated on the duet “Would You Rather” from Bridgers’ 2017 debut album Stranger in the Alps. The duo’s album received critical acclaim upon release.They performed “Dylan Thomas” on The Late Show with Stephen Colbert the day before it’s release. On January 29, 2019, the band announced their initial concert tour of the United States and Europe along with releasing a music video for their initial single, “Dylan Thomas”, directed by Michelle Zauner a.k.a. Japanese Breakfast.]

11:37 – Underwriting

11:39 – Interview with Ada Brumback & Anna Selle

Ada Brumback & Anna Selle of Bandwaggn Kansas City on the February 13, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

KC based musician, freelance videographer and editor, Ada Brumback, plays guitar, bass, and some keyboards in the band, Chase The Horseman. Ada Brumback used to play drums in the band Bedroom Wounds. Ada has collaborated with the Springfield, Illinois band, Looming: the Chicago band, Cold Country; and area singer songwriter Doby Watson.

Anna Selle is editor and founder of HearQueer, an online and print publication that amplifies queer voices in music. The first issue was launched June 30, 2017, and Anna is getting ready to release issue #4 this spring. Anna also serves s staff photographer for Playlistplay. She studied Art History at Truman State University. Anna is one of the co-founders of Bandwaggn. More info at: http://www.hear-queer.com

Ada Brumback and Anna Selle join us today to talk about Bandwaggn, a youth-centered arts and social justice organization aspiring to be a 6-day summer music camp serving girls, gender nonconforming, and trans youth.

Ada Brumback and Anna Selle thank you for being with us on Wednesday MidDay Medley

Their first fundraiser: Valentine’s Day Formal: A Benefit for Bandwaggn, February 15, at Stray Cat Film Center has been rescheduled due to unforeseen circumstances and a surprise extreme snow forecast, this event will be RESCHEDULED to a later date TBA!

Bandwaggn’s mission “…is to create a youth-centered arts and social justice organization, creating a Kansas City chapter of a 6-day summer music program under the national umbrella “Girls Rock Camp Alliance.”

The camp will serve kids who identify as girls, gender nonconforming, and trans, ages 8-17. Bandwaggn’s goal is to host at least 20 kids at the camp June 2020.

Bandwaggn strives to be inclusive and reach as many deserving young folks who want to participate as possible. Outcomes they hope to see include community building and empowerment among our youth participants.

Bandwaggn sees a need for this in Kansas City because most extracurricular opportunities often exclude the most marginalized children and most music camps require previous musical skill and experience.” It’s our goal to become a member of the national Girls Rock Camp Alliance https://www.girlsrockcampalliance.org/

Valentine’s Day Formal: A Benefit for Bandwaggn, originally scheduled for Friday, February 15, at Stray Cat Film Center, has been rescheduled due to unforeseen circumstances and a surprise extreme snow forecast, this event will be RESCHEDULED to a later date TBA!

11:56

19. Mercury Rev – “Big Boss Man”
from Bobbie Gentry’s the Delta Sweete Revisited / Partisan Records / February 8, 2019
[It slipped out of a Mississippi of hot biscuits, genteel table manners and working-class sense, suddenly overturned by a grave sinning and suicide. Carried on an evening breeze of strings and a supple, foreboding voice like sensually charged breath, “Ode to Bilie Joe”—Bobbie Gentry’s 1967 debut as a singer-songwriter and a Number One single for three weeks in the late Summer of Love—was the most psychedelic record of that year not from San Francisco or London, as if Bob Dylan, Neil Young and Brian Wilson had conspired to make a country-rock Pet Sounds. Except Gentry, just 23 when she wrote the song, got there first, in miniature. // Gentry’s hit was a revolutionary act, a quietly thorough feminism in vision, deed and success amid the strict, paternal order of the country-music industry. And it was her license to thrill again. In October, 1967, while “Billie Joe” was still in the Top Five, Gentry began recording The Delta Sweete, a connected set of a dozen songs that extended the narrative dynamics of that single with personal reflection and set her folk-siren charisma in a richer frame of dream-state orchestration, swamp-rock guitars and big-city-R&B horns. // In her eight original songs for the album, Gentry drew from her childhood and church life on her grandparents’ farm in Chickasaw County, Mississippi: the girl-ish craving for a beautiful dress in “Reunion”; the rise-and-shine of “Mornin’ Glory”; the stern Sunday lessons in “Sermon,” based on a traditional hymn also known as “Run On.” The covers were boldly chosen: Mose Allison’s chain-gang blues “Parchman Farm”; “Tobacco Road”’s litany of trial; the Cajun pride in Doug Kershaw’s “Louisiana Man”. Gentry also turned them to new purpose and even gender. “Gonna get myself a man, one gonna treat me right,” she sang in Jimmy Reed’s “Big Boss Man” with heated assurance. // But The Delta Sweete—released in March, 1968, only three months after Dylan’s John Wesley Harding and right as the Byrds came to Nashville to cut Sweetheart of the Rodeo—was too soon in its precedence. Gentry’s LP, the first country-rock opera, was ignored on arrival, not even cracking Billboard’s Top 100. It was as if Billie Joe had risen out of the Tallahatchie River and thrown that record off the bridge instead. // This Delta Sweete is her long-delayed justice—Mercury Rev’s committed and an affectionate resurrection of an album that anticipated by three decades their own pivotal expedition through transcendental America, 1998’s Deserter’s Songs. From their recording lair in New York’s Catskill Mountains, the founding core of Jonathan Donahue and Grasshopper with Jesse Chandler (previously in the Texas group Midlake) honor Gentry’s foresight and creative triumph with spacious invention and hallucinatory air. And they are not alone. Gentry’s stories and original resolve are brought to new vocal life and empowerment by a vocal cast of women from across modern rock and its alternative paths: among them, Mazzy Star’s Hope Sandoval; Laetitia Sadier, formerly of Stereolab; Marissa Nadler; Margo Price, the fiery new country star with a punk-rock heart; and Norway’s Susanne Sundfør, who cuts through “Tobacco Road” with arctic-Nico poise. Phoebe Bridgers, whose first record was a softly stunning 2015 single for Ryan Adams’ PAX AM label, hovers through the acid- western suspense of Gentry’s “Jessye’ Lisabeth” with floating calm, like a comforting angel. // On the 1968 LP, Gentry opened with a call to jubilant order, “Okolona River Bottom Band,” like she was leading a barn-dance union of the early Rolling Stones and Louis Armstrong’s Hot Five. Norah Jones takes that entrance here with her own sultry command, like Sarah Vaughan at the head of a slow-blooming choir. In “Sermon,” Price—who has known real struggle up close—sings like a survivor through Mercury Rev’s explosion of color and groove: a specialty throughout the band’s history as recently as 2015’s The Light in You, going back through All Is Dream in 2001, the whirling iridescent soul of 1995’s See You on the Other Side and the sumptuous turbulence of the 1992 single “Car Wash Hair.” // Gentry is still very present in the changes. Her seesaw of pride and hurt in the melancholy blur of “Penduli Pendulum” (“When goodbye serves as/My one amusement”) is even more explicit with the seasoned intimacy of Vashti Bunyan—a once-elusive voice from Britain’s psychedelic-folk boom—set against the younger, brighter arc of Kaela Sinclair, now in the electronic project M83. And in “Courtyard,” a despairing finale of strings and guitar arpeggios on Gentry’s LP, Mercury Rev build a striking Delta Krautrock in which the English singer Beth Orton wanders, like Gentry, through a ruin of profound loss and treasured memory. // “Ode to Billie Joe” was not on the ‘68 Delta Sweete. But Mercury Rev go back to that dinner table with Lucinda Williams of Lake Charles, Louisiana, and it is an inspired bond, calling up the ghosts and questions of a South still very much with us. Indeed, Gentry—who retired from recording and performing in the Seventies—reportedly lives only a couple hours’ drive from the bridge that made her famous, while the spirits she set loose in The Delta Sweete are as restless and compelling as they were 50 years ago. This album is a loving tribute to that achievement, one of the greatest albums you have never heard. It is also a dozen new ways to walk that land. -David Fricke]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 20, Claire Adams joins us to talk about her show on Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, with string quartet, Rewound, performing Adams’ original songs as arranged by Peter Lawless with special guest Alyssa Murray opening the night. ALSO…Frank Alvarez joins is to talk about the new record store Sister Anne’s – Records and Coffee that he has opened with Jim Oshel at 901 East 31st Street, KCMO named after Anne Winter who owned Recycled Sounds a record store where they both worked. ALSO next week, Wick Thomas joins us to share details about A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #773

WMM Playlist from Dec. 12, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 12, 2018

The 118 Best Recordings of 2018
(Part 2 of 4)

Part-two, of our four-week special: The 118 Best Recordings of 2018. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, please accept our list as a celebration of the year in music.

In 2018 we’ve played nearly 1000 different songs on the show, and we’ve played from over 400 New Releases. More than 250 of these were New MidCoastal Releases. We also conducted over 117 interviews with over 150 different guests. 75 of the representative recordings in our “Best of” list were MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us as guests on WMM on 90.1 FM. It’s all good!

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. (#89) The Breeders – “Wait in the Car”
from: All Nerve / 4AD / March 2, 2018
[1st single from the band’s 5th full-length studio album, released 10 years after their previous album Mountain Battles (2008). The album also marks the band’s first in 25 years with their “Last Splash” lineup. Kim Deal on lead vocals, guitar, moog, casiotone; Kelley Deal on guitar, Kenmore 12-stitch, vocals; Jim MacPherson on drums, Josephine Wiggs on bass guitar, double bass, vocals, cello; (Tanya Donelly on vocals and guitar was also on Last Splash, but left the band to form Belly.) The Breeders were last in Kansas Ciyy on September 3, 2014, at recordBar, with a reunion tour of The Last Slash line-up.]

[The Breeders played The Truman, 601 E. Truman Road, KCMO, Friday, May 11, at 8:00 pm]

3. (#88) The Internet – “Roll (Burbank Funk)’
from: Hive Mind / Sony / July 20, 2018
[Los Angeles based band with: Syd Bennett, Matthew Martin, Patrick Paige II, Christopher Allan Smith and Steve Lacy. THE INTERNET began as two people – Syd and Matt. Syd taught herself how to record, engineer, and produce at age 15. She also sings, imbuing every song with a sultry, mellifluous, quiet power. Matt produces and plays synths. She’s now 23; he’s now 26. Like all post-modern relationships, the duo initially met on Myspace in 2008, only to meet in-person three years later. THE INTERNET have released two albums previously – 2011’s Purple Naked Ladies, and 2012’s Feel Good. THE INTERNET branched off from the Odd Future collective and started their own band in 2011. Syd had been writing music since she was small; she put this on hold to become OF’s DJ and producer, and picked her songs back up in 2011 to make her first full-length album with Matt. When they play live, THE INTERNET is a band – a six-person outfit whose youngest member is 17. They began playing as a full-band in order to tour behind Feel Good, and the band members all contributed their talents to THE INTERNET’s 2015 album EGO DEATH.]

4. (#87) Anna Calvi – “Don’t Beat the Girl out of My Boy”
from: Hunter / Domino Recording Co / August 31, 2018
[3rd album from London singer. Produced by Nick Launay (Nick Cave) at Konk Studios in London with some further production in LA, the album was recorded with Anna’s band – Mally Harpaz on various instruments and Alex Thomas on drums – with the addition of Adrian Utley from Portishead on keys and Martyn Casey from The Bad Seeds on bass. It has a new rawness, a primal energy into which Calvi pushes the limits of her guitar and voice beyond anything she’s recorded before. Hunter is the embodiment of the feeling of truly letting go. For the songwriter and virtuosic guitarist, it was a catharsis, an opportunity to be more truthful than ever. The first new music since 2014’s collaborative release with David Byrne, Strange Weather EP, her self-titled debut album and the 2013 follow-up One Breath, Hunter is a visceral album exploring sexuality and breaking the laws of gender conformity. A queer and a feminist record, it is galvanising in its hunt for freedom. It was important to Calvi that it was as vulnerable as it is strong; as beautiful as it is harsh; as much about the hunted as it is about the hunter. But she’s careful not to characterise any of these traits as “masculine” or “feminine” – the whole point is that one person, of any gender, can be both. The power is in the contrast itself; in the way she oscillates between extremes, sounding freer than ever before. She wanted to express herself while being “free from the story that either gender is given, free from worrying how people would judge me on what I want to do with my body & myself. For me, that’s quite a utopian vision.” ]

5. (#86) Warm Bodies – “Something Wierd is Eating Me”
from: Warm Bodies / Lumpy Records / February 27, 2018
[Pitchfork’s April 8, 2018 review: Olivia Gibb’s messy, experimental garage rock sounds unhinged and strangely human on Warm Bodies’ debut. Come for the unnerving body horror, stay for the fiery guitar solos. // While some wonder who’s going to make rock’n’roll wild again, Warm Bodies’ Olivia Gibb is barking like a dog out here. The Kansas City, Missouri artist is effortlessly wild. When she sings, she jumps in and out of cartoonish shrieks. Her bug-eyed and immensely expressive live performances would make John Waters proud. If you visit her website, you can buy some ceramic clown nightmares. Punk’s underground has always been flush with fringe characters—Warm Bodies share a label with noxious weirdos Lumpy and the Dumpers, for example—but Gibb stands out from the heap. On Warm Bodies’ messy and muscular debut album, you can find her screaming about her eyes which have fallen out of their sockets. // “My Face Fell Off” is a minute-long blast of surrealist speed punk, so while Gibb screams for help in locating her face, her bandmates come in frenzied. Drummer Gabe Coppage crashes forward at a turbulent clip while Ian Teeple keeps pace, rattling out power chords and guitar solos. This exact sort of noisy punk maelstrom has been the band’s calling card for a couple years now. The song originally appeared on Warm Bodies’ 2016 demo, and while the two versions are similar, you can hear just how much they’ve leveled up. On Warm Bodies, they’re faster, the recording quality is less scuzzy, and most pressingly, Gibb sounds far more unhinged than she did on her relatively more reserved early recordings. // Take “Something Weird Is Eating Me,” a song that addresses the more uncomfortable truths of the human body. After alluding broadly to a “mess” under her clothes, she gets extremely specific: “A burning lump full of yellow gunk/And I’m itchy itchy itchy itchy,” her voice oozing the discomfort that the song’s lyrics so directly imply. Later, when Gibb shouts about her sexual encounter with real-life plane hijacker D.B. Cooper, Teeple sets the stage with a clattering, rapid-fire hook. This is the band’s secret formula: Gibb whips up fever dreams with her singular voice and Teeple grounds everything with earworms and sick guitar solos. // Across its 20 minutes, Warm Bodies isn’t strictly a wall-to-wall shredfest. It’s an album bookended by electronics, opening with the tense swell of warped synths and finishing with the pulse of crackling, ethereal noise. Then there’s “Stinky dUMBOMix,” a song that’s all synthesizers, drum machines, whistles, and handclaps. It’s only a minute long, but it’s a crucial moment that places the music beyond garage punk and into the context of low-key experimentation. // With that handful of left-field sonic tics, Warm Bodies lean fully into the psychedelia that powers Gibb’s lyrics: melted faces, gnarly rashes, dog cosplay, and fucking a never-been-caught skydiving thief. Chaos is an intrinsic part of their DNA, which means more relatable, day-to-day subjects adopt a funhouse-mirror approach. “Psychic Connection” is a love song that’s both surreal and knowable—Gibb breaks down the unspoken “mind control” shorthand you have with the person you love. Then there’s “I Need a Doctor,” where Teeple’s woozy guitar and the call-and-response of “I need a doctor! (She needs a doctor!)” invoke sick-day queasiness. On an album of hysterical vocals and high-speed guitar work, Warm Bodies is riveting because of how human it is—its joy, rage, infatuations, and yes, literal boils.]

6. (#85) Chess Club – “Thick”
from: Hit The Nall / Black Site / June 9, 2018
[Lawrence Kansas based Emo / math pop band with Griffin Nelson on guitar & vocals, Cooper Avery on drums, and David Krejci on bass.]

7. (#84) Joan Baez – “The President Sang Amazing Grace”
from: Whistle Down the Wind / Razor & Tie Recordings / March 2, 2018
[On June 26, 2015 The Washington Post reported, “This whole week, I’ve been reflecting on this idea of grace,” said President Obama today, just before he broke into song at the funeral for South Carolina State Sen. Clementa Pinckney, a pastor killed along with eight others in last week’s Charleston, S.C., church shooting. Presdent Obama then sang “Amazing Grace.” singer songwriter Zoe Mulford wrote a song about and included it in her January 7, 2017 album, Small Brown Birds. Joan Baez told The Atlantic, “I was driving when I heard ‘The President Sang Amazing Grace,’” Joan Baez told The Atlantic, “and I had to pull over to make sure I heard whose song it was because I knew I had to sing it.” The 77-year-old folk legend included the song in her final album, Whistle Down The Wind, released in early March. Originally written and performed by Zoe Mulford following the 2015 mass shooting in a historic black church in Charleston, South Carolina. Whitsle Down The Wind is the 31st album release from Joan Chandos Baez born January 9, 1941, her first studio album in almost a decade. The album features songs written by such composers as Tom Waits, Josh Ritter and Mary Chapin Carpenter. Joe Henry produced the album. Joan Baez is a singer, songwriter, musician, and activist whose contemporary folk music often includes songs of protest or social justice. Baez has performed publicly for over 60 years,is fluent in Spanish and English, and has recorded songs in at least six other languages. Although regarded as a folk singer, her music has diversified since the counterculture era of the 1960s, and encompasses genres such as folk rock, pop, country and gospel music. She was one of the first major artists to record the songs of Bob Dylan in the early 1960s; Baez was already an internationally celebrated artist and did much to popularize his early songwriting efforts. Baez also performed fourteen songs at the 1969 Woodstock Festival and has displayed a lifelong commitment to political and social activism in the fields of nonviolence, civil rights, human rights and the environment. Baez was inducted into the Rock and Roll Hall of Fame on April 7, 2017.

8. (#83) John Keck – “Missouri Queen”
from: Out In The Cold – 12th Street Singles / John L. Keck / May 1, 2018
[Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th Street in downtown Kansas City, Missouri. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. About “Missouri Queen” John Keck wrote: “This is an ode to my single mother and the advice she’s given me. I wanted a short biographical song that allows me to give a frame of reference for where all of my songs come from and this was born. My Grandfather flew a B-29 in WWII called the “Missouri Queen”. There were Japanese fighters with floodlights on their noses that would chase the B-29s and light them up so they could be shot down. She told me that he would say “Don’t get caught in the light”, which is advice that she passed down for me to interrupt My Dad was a pilot and always gone when i was growing up, I would look up at the stars and confuse them with taillights of airplanes. Hence the shooting stars. When my parents separated, my mom returned to the farm where my grandparents lived and it became an integral part of my life. When I pushed my mom for more advice for the song she repeated what she has always told me, which is this story. “A Persian king asked the wisest man of his country for advice that would always be true, and he replied ‘This too shall pass.’”More at: http://www.johnlkeck.com]

[John Keck will play the War Child Benefit Concert with Ivory Blue on Saturdaym January 5, at 7:00 PM, at recordBar, 1520 Grand, the show also features Erica Mckenzie, and Adeiana Nikole. All proceeds benefit War Child USA]

9. (82) tUnE-yArDs – “ABC 123”
from: I can feel you creep into my private life / 4AD / January 19, 2018
[4th album from the music project of New England native Merrill Garbus (born March 4, 1979). Garbus’s music draws from an eclectic variety of sources and utilizes elements such as loop pedals, ukulele, vocals, and lo-fi percussion, in addition to electric bass played by Nate Brenner. Tune-Yards’ 2011 album Whokill was ranked the number one album of that year in The Village Voice’s annual Pazz and Jop critic’s poll. Garbus was raised in New York City and in New Canaan, Connecticut. She attended Smith College. She was a puppeteer for the Sandglass Theater in Vermont and lived in Montreal where she played ukulele in the band Sister Suvi with guitarist Patrick Gregoire & drummer Nico Dann. Merrill’s sister Ruth Garbus is also a musician who has played solo and in the band Happy Birthday. After releasing her first Tune-Yards album in 2006, she moved to Oakland, California, where her partner in Tune-Yards, Nate Brenner, also lives. The first Tune-Yards album, BiRd-BrAiNs was originally self-released by Garbus on recycled cassette tape. It was recorded using only a handheld voice recorder. A limited edition vinyl was released in June 2009, via the Portland-based imprint Marriage Records. In July 2009, it was announced that Tune-Yards had signed to 4AD, and a limited edition pressing of Bird-Brains was released on August 17, 2009. A full worldwide release followed on November 16, 2009 (and November 17 in North America). The autumn 2009 pressing was remastered at Abbey Road Studios by Christian Wright, and includes two new bonus tracks: “Want Me To” and “Real Live Flesh.”]

10:31 – Underwriting

10. (#81) Doby Watson – “Starve”
from: Family Mattress Deluxe / Error Records / February 23, 2018
[Family Mattress Deluxe, a collection of songs written by Doby and co-produced with Zack Hames. Songs written by Doby Watson featuring Adamah, Hanna Maria Albina, Austin Swearengin and AKADUNGEONMASTER. With artwork by Ada Brumback and Nathan Landolt. Doby Watson was born in 1986. Instead of attending college, as Richard Gintowt wrote for The Pitch in 2009, “Watson spent his young-adult years touring the country with a guitar and a box of Clif Bars, one for lunch, then a real meal for dinner, and a bunch of sad and beautiful homespun songs that are as sparse and haunting as those of Leonard Cohen or Jason Molina.” In 2009 Doby released Twenty Two. In 2013 He released Watson & May an EP in collaboration with Margo May that was produced & engineered by Lennon Bone. Double Shift Music released Doby’s album Live-In Son in 2014, and the EP collaborative: Swearengin, Watson & May in 2016. More info at: http://www.dobywatson.bandcamp.com.]

11. (#80) Duncan Burnett – “Anthem”
from: The Almighty EP / R.I.O.T LLC / May 4, 2018
[Olathe, Kansas based hip hop artist, singer, songwriter, producer, musician, drummer. From Tim Finn’s Back To Rockville(KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind. The first: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. A trained drummer and percussionist, Burnett, 26, has been performing live since he was 7 years old. Live music, he said, is in his blood.]

12. (#79) Yanna the Supa Flowa – “Supa Flowa”
from: The Supa Flowa EP / R.I.O.T. LLC / May 4, 2018
[Formerly KC based Supa Flowa, aka Yanna, is a multi-media artist and rapper. The Supa Flowa Ep is a very vulnerable, yet an uplifting play on Yanna’s experience in dealing with anxiety, self doubt, and becoming comfortable with the androgynous, “sunflower dyke” that she is. Her goal is to reach out to queer & LGBTQIA youth; who have endured similar experiences to hers, in finding and cultivating self love and peace of mind.]

13. (#78) Daisy Buckët – “They Don’t Mind (Feat. The Philistines)”
from: Pansy / Independent / July 25, 2017
[Executive Producer: Spencer Brown & Amy Hull. Co-Producer: Michael Wood. Album Concept & Design: Brandon Shelton. Photography: Vixen Pin-Up Photography. All tracks recorded at Sound 81 Productions, Kansas City, Missouri. Mixing & Engineering: Justin Wilson. Music & Lyrics by Kirsty MacColl:, Daisy Buckët on vocals, Kimmie Queen, Cody Wyoming on backing vocals, Cody Wyoming on guitar, Steve Gardels on drums, Rod Peal on guitar, Josh Mobley on piano, Barry Kidd on bass.] [The album of 10 tracks include five tracks recorded with Jeff Freling of Victor & Penny with Erin McGrane and the Loose Change Orchestra. There are also two tracks recorded with the KC psychedelic glam rock band The Philistines, and two original songs written for this album. This past year Daisy has performed with the Sacramento Gay Men’s Chorus, shows in Ohio, Connecticut, and New York at the historic Duplex Cabaret, and Puerto Vallarta, Mexico. Spencer Brown is a professional actor, singer, spokesmodel, super hero, and has appeared at The Unicorn Theatre, Late Night Theatre, The KC Fringe, Union Station, The Folly Theatre, Off Center Theatre, Just Off Broadway Theatre. Since 2008 Spencer has toured internationally and recorded several albums as a member of the acclaimed The Kinsey Sicks, America’s Favorite Dragapella Beautyshop Quartet. Most recently they were seen on Watch What Happens Live! With Andy Cohen.]

14. (#77) Jake Wells – “Water, Pt. 2”
from: Orange and Blue – EP / Sound 81 Productions / May 17, 2018
[Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 22 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations.]

15. (#76) Dreamgirl – “Silverado”
from: Dreamgirl / Dreamgirl /January 1, 2018
[Originally formed in 2013, in St. Joe Missouri by members who play with ‘60s-inspired psychedelic & surf rock.The band’s 2015 EP Illuminaughty was self-produced, and recorded over two days, at the home of Austin Marks. The band released their full length album, Dreamgirl on January 1, 2018 Engineered by Sam Stephan and Co-Engineered by Ian Dobyns and Mastered by David Gaumé at Forest Sounds, North Hollywood, CA. The current line-up includes: Lacey Hopkins on lead vocals, Austin Marks on guitar & backing vocals, Sam Stephen on keyboards, Ian Dobyns on drums, Chase Horseman on bass.]

16. (#75) The Fey – “Contender”
from: Strawberry Lemonade EP / The Record Machine / July 13, 2018
[The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, “Don’t let The Fey’s new EP title Strawberry Lemonade fool you; this record is no light beach drink. Rather, it’s a cocktail of the molotov variety, the kind you’ll want to toss into the middle of your ‘songs that rock’ summer playlist. From the opening salvos of ‘Contender’, to the slow burn of ‘Bones Underwater’, to the final soothing swells of ‘The Cool’, Strawberry Lemonade is a masterclass in modern songwriting, arrangement, instrumentation, and production.” Music arranged and composed by Zach Watkins.
Lyrics written by Zach Watkins and Ishma Valenti. The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

17. (#74) Stephonne Singleton – “Fine Feelin’Blue”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University.]

[Stephonne Singleton is currently starring in Late Nite Theatre’s production Purple Reign – Party Like its 1499 where he plays Apollonia at Missy B’s.]

11:00 – Station ID

18. (#73) The Beths – “Future Me Hates Me”
from: Future Me Hates Me / Carpark Records / August 10, 2018
[The Beths are from Auckland, New Zealand. Elizabeth Stokes on lead vocals & guitar, Jonathan Pearce on guitar & vocals, Benjamin Sinclair on bass & vocals, Ivan Luketina-Johnston on drums & vocals. Their debut album on Carpark Records. Elizabeth Stokes previously worked in a folk band. “Fronting this kind of band was a new experience for me,” says Stokes. “I never thought I had the right voice for it.” All four members of The Beths studied jazz at university, resulting in a toolkit of deft instrumental chops and tricked-out arrangements that operate on a level rarely found in guitar-pop. Beths guitarist and studio guru Jonathan Pearce (whose other acts as producer include recent Captured Tracks signing Wax Chattels) brings it all home with an approach that’s equal parts seasoned perfectionist and D.I.Y. Channeling their stew of personal-canon heroes while drawing inspiration from contemporaries like Alvvays and Courtney Barnett, The Beths serve up deeply emotional lyrics packaged within heavenly sounds that delight in probing the limits of the pop form. “That’s another New Zealand thing,” Stokes concludes with a laugh. “We’re putting our hearts on our sleeves—and then apologizing for it.”]

19. (#72) St. Vincent – “Fear The Future (Piano Version)”
from: MassEducation / Loma Vist – Concord Music / October 12, 2018
[“MassEducation” a brand new acoustic rendition of her previous album Masseduction, Clark’s fifth studio album, was released in October 2017. Pitchfork writes: “Recorded over two days at Manhattan’s Reservoir Studios studios, MassEducation strips its hypersexual, neon-clad predecessor for parts, exposing its songs as tales of longing and nostalgia. Clark seemed to always know that her record contained two lives: “This needs to be something people can really dance to,” she said of a song on her last album, “until they listen to the words and then they’re crying.” Hiding melancholy behind pop production is nothing new, but on an album so saturated with sadness, these pared-down renderings give Clark a chance to indulge in their underlying sentiments.” Anne Erin Clark was born September 28, 1982, in Tulsa Oklahoma. She is known professionally as St. Vincent, a musician, singer-songwriter, multi-instrumentalist and record producer. After studying at Berklee College of Music for three years, she began her music career as a member of The Polyphonic Spree. Clark was also a member of Sufjan Stevens’s touring band before forming her own band in 2006. St. Vincent’s work has received consistent praise for its distinct musical style, which blends soft rock, experimental rock, electropop, and jazz influences. Her debut album was Marry Me (2007), followed by Actor (2009), Strange Mercy (2011), St. Vincent (2014), and Masseduction (2017). She released a collaborative album with David Byrne in 2012 titled Love This Giant. Clark also contributed backing vocals for Swans on their 2014 album, To Be Kind. Her fourth solo album, the eponymous St. Vincent, was named album of the year by The Guardian, Entertainment Weekly, NME, and Slant Magazine, as well as second best album of the year by Time magazine. The album won her a Grammy for Best Alternative Album, her first Grammy award. She was the first solo female performer in 20 years to win a Grammy in that category.]

20. (#71) HighWesthus – “BLVCK”
from: TAKOTSUBO: a love story / Datura Records / October 24, 2018
[Written and produced and performed by HighWesthuss. HighWesthus was born in Chicago and is based in Kansas City. Last year Datura Records released The Trilogy. A set pf three releases that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. HighWesthus is a freelance multimedia artist living in Kansas City. He graduated from the Kansas City Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illistration, animation, graphic design, dideo editing, sound editing, music producing, writng anf storytelling.]

21. (#70) The Matchsellers – “Shannon Lives in Arkansas”
from: BLUEGRASTRONAUTS / The Matchsellers / March 16, 2018
[3rd full length release from classically trained violinist Julie Bates from Kansas City, and a Chicago blues guitarist from Warsaw, Indiana, Andrew Morris. The Matchsellers have traveled the US and Europe developing their brand of off the wall bluegrass & old-time music. In 2017 they began collaborating with two of the Midwest’s finest musicians, Chad Graves a dobro player that has been featured in Rolling Stone and The Bluegrass Situation, and Betsey Beymer a much sought after bassist from Lakin, KS.]

22. (#69) Heidi Phillips and Danny Krause – “Be Good”
from: Honest I’m Fine / Heidi Phillips and Danny Krause / June 23, 2018
[Heidi Phillips on vocals, guitar, mandolin, & drums; Danny Krause on vocals, guitar, mandolin, & bass; Zeke Krause on percussion; and Linn Buck on piano. Heidi and Danny played together in the short lived band Abileen who released a great album and broke up just as the album was being released. Before that Heidi was the co-songwriter for the alternative rock band Frogpond that she formed in 1994. Frogpond achieved considerable success and was signed to Tristar Music and Columbia Records. Through a few line up changes the band included Heidi Phillips, Justine Volpe, Krisite Stremel, Megan Hamilton, Tawni Freeland and Billy Johnson who played drums on all of their recordings and who passed away on Feb 14, 2018 at the age of 42.]

23. (#68) Sauce – “Cultivating Manhood feat. Ryan S. Harvey”
from: Soul Food 4 / Sauce / November 21, 2018
[Kansas City based Hip-Hop artist Sauce is back with his 4th original release. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts. Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur. Sauce has collaborated with visual artists, the hip hop community and with the collective NUBLVCKCITY. Last year Sauce released his EP Summer Sauce which was part of WMM’s 117 Best Recordings of 2017. Throughout November and December he will be touring midwestern and southern cities with Mae C., Kartez Marcel, VP3, and Kadesh Flow. More info at: http://www.soundcloud.com/theycallmesauce%5D

24. (#67) No Magic – “Backspin”
from: In Cocoon / French Exit Records / November 9, 2018
[All songs written by Ben Sauder. Produced by Joel Martin. Mixed by Joel Martin and Ben Sauder. Mastered by Steve Squire. No Magic is Ben Sauder on guitars, keys, stairs, vocals, & auxiliary; Joel Martin on guitars, basses, keys, drums, vocals, patience; Heidi Gluck on bass, acoustic guitars, piano, slide guitar, vocals; and Jeff Stolz on drums and modelos. With: Leslie Butsch – Saxophone on “Backspin” and “San Francisco”. Kyle “Strings” Stringer – Bass on “While I Got You” and “Apart”. Brother Bobby Sauder – Bass on “Firefly”. Nicholas Stahl – Drums on “While I Got You”. Chris Luxem – Chorus Chant Vocals on “Smoke”. Garrett Marsh – Acoustic riff on “San Francisco”. Design and layout – Carl Smith. Cover photo – Ga Ji Ashlin Wang. Inside photo – Austin Pulliam .] [No Magic played an Album Release Show at Voltaire Nov 10, w/ Chase the Horseman, Vanity Plates.]

25. (#66) The Project H – “NaCl”
from: Everyday, Forever/ The Project H / March 23, 2018
[This is the fourth album from the collective that includes: Clint Ashlock – trumpet, Ryan Heinlein – trombone, Brett Jackson – woodwinds, Matt Leifer – drums, Andrew Ouellette – keys, Dominique Sanders – bass, Jeff Stocks- guitars. The Project H were winners of the 2014 Pitch Music Award for Best Jazz Ensemble.]

11:29 – Underwriting

26. (#65) Christine and The Queens – “Doesn’t Matter”
from: Chris / Because Music / September 21, 2018
[Chris is the second studio album by French singer Christine and the Queens, released in both English and French versions through Because Music. It was preceded by the release of two singles, each of which were released in both English and French versions: “Girlfriend” / “Damn, dis-moi”, featuring Dâm-Funk, and “Doesn’t Matter” / “Doesn’t Matter (Voleur de soleil)”. An English-language single, “5 Dollars”, was also released alongside an S&M-inspired video, followed by the French version of “La Marcheuse”. Héloïse Letissier (born 1 June 1988), known professionally as Christine and the Queens (or, as of 2017, simply Chris), is a French singer, songwriter and producer. Born in Nantes, France, Letissier studied theatre before forming her solo musical group Christine and the Queens. Letissier has been signed to the independent record label Because Music since 2012. Her work combines music, performance, art videos, drawings and photography.]

27. (#64) Thee Devotion – “Shake It Up”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

28. (#63) Blue False Indigo – “Rainbow”
from: More Light / Blue False Indigo / September 7, 2018
[They call their music “Spooky-Folk.” Makayla Scott on vocals & guitar; A.J Reynolds on vocals & keys; and Kara LePage on vocals & bass started the band in October 2013, in Springfield, Missouri.]

29. (#62) Salty – “Perfect Angels”
from: Dry Rub / Independent / November 21, 2018
[Salty was formerly know as Lil Toughies. Formed in early 2016. The current lineup includes: Jonathan Brokaw (JB) on guitar and vocals, Zach Turner on synthesizers, Ethan Eckert on drums, and Jesslay Huh on bass. More info at http://www.saltykcmo.bandcamp.com or http://www.saltyisthebest.com]

30. (#61) Khrystal. – “Badu”
from: The Awkward Muva / Khrystal. / July 13, 2018
[Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. You can hear her debut album at; http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on November 7, 2017.

31. (#60) Serene Fiend – “Just Wont Go Away”
from: Sowing Discord / DK Records / July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.”]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday December 19, we present part three of our four week series The 118 Best Recordings of 2018. We’ll count down #59 to #30 with representative tracks from: Danielle Nicole, Of Tree, Amanda Fish, Second Hand King, Chris Hazelton’s Boogaloo 7, My Oh My!, FACEFACE, Hi-Lux, Eems, Scruffy & the Janitors, Kian Byrne, The Get Up Kids, Sara Morgan, The Phantastics, Kadesh Flow, Carswell and Hope, Grand Marquis, Dragon Inn 3. Vigil and Thieves, The Big Iron, Yo La Tengo, Soccer Mommy, David Byrne, Fantastic Negreto, Lucy Dacus, Mary Gauthier, Gully Boys, Kississippi, First Aid Kit, and Angélique Kidjo.

Tune into 90.1 FM, Wednesdays in December, as we present our 4-week series: The 118 Best Recordings of 2018. December 19th, and 26th. We’re packing 8-hours of radio with music that represent: The 118 of Best Recordings of 2018!

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #764

Wednesday MidDay Medley’s 25 Favorite Singles of 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday MidDay Medley’s
25 Favorite Singles of 2018

#25. Y god Y – “Tired”
from: “Tired” – Single / Y god Y / February 16, 2018
[KC based duo made up of Garrett Marsh on vocals & Joel Martin on music, making “experimental R & B” with influences of 80’s electropop. This is their 3rd single. They released “All Day” Sept. 19, 2017 Produced & recorded by Joel Martin, written by Joel Martin and Garrett Marsh. More info at http://www.ygody.bandcamp.com]

#24. Lava Dreams – “SWEET SWEET”
from: “SWEET SWEET” – Single / Lava Dreams / October 19, 2018
[Written, produced, recorded, and performed by Lava Dreams. Lava Dreams is Kansas City based songwriter and producer Julia Hamilton on guitar, and lead vocals. Hear Queer writes: “In her music, Julia Hamilton of Lava Dreams creates landscapes and terrains to explore. Ambient sound and swimming melodies fill the environments that Hamilton is constructing through song.”]

#23. Payge Turner – “But For Now”
from: Acoustic Vibes – Single / Middleman / February 25, 2018
[3rd Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

#22. Dylan Guthrie & The Good Time Guys – “Dreaming of Love”
from: Dreaming of Love – Single / Dylan Guthrie & The Good Time Guys / January 2, 2018
[Dylan Guthrie & The Good Time Guys released their debut EP, Live at The Indiana House, on December 19, 2016. Dylan Guthrie was formerly the lead singer for Pink Royal who left to travel and work in China and is back and has now formed a new six piece band with several of the members of Pink Royal. The band is made up of Dylan Guthrie, Olie Bowden, Alexander Hartmann, Vik Govindarajan, Lucas Parker, and Cody Stuber. Mixed by Jim Barnes. Mastered by Steve Hall at Future Disc.]

#21. Keaton Conrad – “(If I Told You to) Stay”
from: “(If I Told You to) Stay” – Single / Keaton Conrad / July 20, 2018
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC.][On November 30, 2018, Keaton Conrad is releasing a new single called “Scars and Diamonds”]

#20. Danny McGaw – “You an Me”
from: “You an Me” – Single / Danny McGaw / September 1, 2018
[Manchester, England born Danny McGaw was a footballer, then a street musician, then a bar musician, and then a husband and father living in Lawrence, Kansas, where he released one of our favorite recordings of 2012 called, “Eccles Road.” After that he formed the band, Welles The Traveler with Jason Jones, Dan Hines, Chad Brothers, and Mike West, who produced the group’s debut recording. Eventually Danny and family relocated to California. He has made 10 records in 14 years and records his songs in his home studio.]

#19. Jo MacKenzie – “Stuck”
from: “Stuck’ – Single / Jo Mackenzie/ September 1, 2018
[One of 5 new singles released this year from Kansas City based 15 year old singer songwriter Jo MacKenzie.]

#18. Lovergurl – “Rebel”
from: “Rebel” – Single / Lovergurl / September 14, 2018
[Recorded and mastered with RLT at Audibly Recording. KC based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. Lovergurl released their EP, The President is a Sex Offender on May 19, 2017. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is 27 years old and is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from The B-52s, The Velvet Underground, and The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews is also 27. She was born and raised in Rhode Island, and moved to Kansas City in 2011 and fell in love with the city.]

#17. Hot Suede – “Forget About You”
from: “Forget About You” – Single / Hot Suede / August 16,, 2018
[Formed October 4, 2017, Hot Suede is a new original rock and roll band from Kansas City, Missouri showcasing fiery guitar riffs, an equally groovy and thunderous rhythm section, soaring vocals, and unparalleled swagger. Rising from the ashes of juggernaut Cherokee Rock Rifle, guitarists Doug Nelson, Scott Reed, and drummer Brett Southard joined forces with bassist Chad Toney and vocalist Wayne Hutcherson aka Bobby W. Topaz to form an unpretentious rock band with classic undertones and guitar-driven songwriting. On October 12, 2017 Hot Suede released the single “Get What You Came For.” On December 20, 2017 Hot Suede released the single, “Make It Harder.” More info at: http://www.hotsuede.com]

#16. Olivia Fox – “Utah”
from: “Utah” – Single / OLIVIA FOX / February 16, 2018
[Lauren Flynn, Aubrey Callahan and Tiffany Smith make up the KC band, OLIVIA FOX who released their self titled debut EP, June 2, 2017. OLIVIA FOX followed with three singles: “Slow Motion” released Dec 14, 2017, “Utah” released Feb 16, 2018, and “Easy” released June 1, 2018. On November 2, 2018 the band released their EP Renditions, with 4 songs written by The Doors, The Beatles, The Cranberries, and Bon Jovi. OLIVIA FOX call their sound Folk/Pop, a marriage between classic folk vocals & harmonies to modern programmed beats & synth pads.] [Olivia Fox played Middle of The Map + Crossroads Music Fest]

#15. Chloe Jacobson – “True Blue”
from: “True Blue” – Single / Chloe Jacobson / November 16, 2018
[Kansas City, Missouri based singer songwriter. Her soulful, bluesy vocals are colored with the pop cadence of aughts-era emo. Her first album release, titled “Frozen Fruit” is expected to drop in early 2019 following with a midwest tour soon to be announced. More info at: http://www.chloejacobson.online]

#14. The Depth and The Whisper – “Souvenir”
from: “Souvenir” – Single / The Depth and The Whisper / October 26, 2018
[Dave Tanner on bass, guitar & vocals; Albert Bickley on guitar & vocals. Albert Bickley, a Kansas City native, has been writing, recording and performing original music for years. Everything, including other bands he’s been in, have led to this moment and this project. Dave Tanner, a Canadian who calls Parkville, MO, home, has played bass in numerous bands through the years from rock and heavy metal to folk and punk. Albert Bickley and Dave Tanner do not believe the world owes them anything, but they know that they have something to give her. The two songwriters and musicians met in 2010 in the music scene of Kansas City, where they both had been active for several years. “When my last band broke up and I wrote new songs again, I immediately thought of Dave,” Albert remembers “I wanted his bass. I just told him to come over when you have time. He played the demos, we listened to it and just said, ‘That’s it! Perfect! ‘”This feeling is very rare.” Dave confirms:” We immediately had great respect and reverence for each other. We are both at the moment. And our music satisfies a deep need in us. We complement each other, we get better. And by that I do not just mean the music. “Because since then an extraordinary friendship has grown between them. “Albert and I started a conversation back then,” Dave explains, “and it never ended.”]

#13. Kelly Hunt – “Dear Sarah”
from: “Dear Sarah” – Single / Never Records / September 14, 2018
[Kelly Hunt performs her adaptation of the Sullivan Ballou Civil War love letter. Sullivan wrote this letter to his wife one week before he was killed at the Battle of Bull Run. This song was recorded by Ted Riederer of Never Records on September 14, 2018. New York artist and musician Ted Reiderer launched Never Records in 2010 as part of a collaborative project with curators No Longer Empty in the former sales floor of Tower Records’ fabled East Village flagship store. One year later, Never Records had expanded to become a mobile record-making lab, using recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for whoever walks in the door (one copy stays behind in the fast-growing library). Never Records opened in Kansas City on August 25, 2018 as part of Open Spaces Kansas City, and ran through October 28th, 2018, in a storefront space in the Crossroads district of Kansas City. The space was located at 1611 Oak St., KCMO. The exhibition was open Wednesday – Sunday, with workshops and special events. Never Records is a combination recording studio and record shop, all operating in one building. The sole proprietor, interior decorator, and engineer is New York-based artist Ted Riederer. Inspired by his own redemptive education at a young age inside the walls of a local record store in Rockville, Maryland as well as the field recording projects of Alan Lomax, Riederer devised his unique community art installation in the early part of this century and has been replicating it with regional variations throughout the world since 2010. Performers from a locale sign up for recording sessions ahead of time, with no auditions necessary. Riederer usually offers three hour sessions, during which he mixes on the fly and cuts vinyl right in front of the artist’s eyes once both are satisfied with a particular take. The recordings are free to the artist, the sessions are open to the public, and you can’t buy anything you see. Ted hasn’t lowered prices by cutting out the middleman. He is the middleman. He is not a vertical operation; he is an elliptical one, a constant feedback loop supplying its own demand. Still, everyone takes something home, even if it’s the barest speck of record shop camaraderie inadvertently inhaled. Within the walls of the Never Records shop, visitors can view a gallery of photographs and artwork from previous temporary establishments in the US and UK, as well as flip through stacks of vinyl representing the hundreds of solo folk artists, punk bands, storytellers, jazz groups, and noisicians who jumped at the chance for a free recording session. Black wooden bins hold a curated selection of records from the growing collection, but these aren’t for sale or even trade. The artist or band is allowed to take their own copy home, and another is added to Riederer’s archives, as well as a digital copy. Riederer encourages bands to use the recording any way they want. There are no fees, royalties, or ownership issues. More information at: http://www.neverrecords.net]

#12. Chase The Horseman – “U Martyr U”
from: “U Martyr U” – Single / Chase the Horseman / June 10, 2018
[Recorded at Element Recording with Joel Nanos and at Chase’s Home Studio. Featuring Lennon Bone on Drums. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more. Chase The Horseman also released the single “Modern Ruins” on Oct 4, 2018.]

#11. Jessica Paige – “Night Train”
from: “Night Train” – Single / Jessica Paige / June 1, 2018
[29 year old Jessica Paige moved to Kansas City from Manhattan, Kansas, after caring for her ailing grandmother for several years. She told CJ Janovy of KCUR News. “After she passed away, I started doing music full time, recorded my album and started touring.” Jessica self-produced my first album “Sweet Nothings” with Nashville-based artists and producers. The album is a reflection of the life-cycle of a relationship; the exciting and insecure beginnings to the lamenting demise of something that was once beautiful. The single released from the album, “Beautiful Life,” is a soul-pop reflection of someone trying to reconcile the conflicting emotions of trying to rescue or walk away from a relationship, while still appreciating how beautiful it is to love, regardless of how things turnout. While working on “Sweet Nothings,” Jessica settled in to Kansas City to start working with a full band and laying the groundwork for her next album.]

#10. Red Kate – “Iraqi Girl”
from: “Iraqi Girl” – Single / Too Much Rock / February 24, 2018
[L. Ron Drunkard on bass & lead vocals, Andrew Whelan on drums & vocals, Desmond Poirier on guitar & vocals. The KC based Punk Rock and Roll band, Red Kate has been rocking venues since 2007. In the review of their debut EP, The Pitch wrote, “Bassist and lead vocalist L. Ron Drunkard, (aka Shawn Saving) is a socialist activist by day, bellows like an Appalachian Roger Daltrey.” The band’s first full-length album, “When the Troubles Come” was released on Replay Records in 2013. In 2016 the band released their follow up, full – length record, unamerican activities, on Kansas City’s coop record label, Black Site. The band has also released two 7″ split single releases with The Bad ideas, and Stiff Middle Fingers. Red Kate released “Iraqi Girl,” as part of the Too Much Rock – Singles Series, 7” vinyl 45-rpm release, with a B side cover of TSOL’s,” American Zone,” the first recording with the band’s newest member, rhythm guitarist Shaun Hamontree. Too Much Rock, is a music blog created by Sid Sowder in 1997 to share photos, videos & comments of live music shows . The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, and Witch Jail have all recorded for the Too Much Rock Single Series. Info at: http://www.toomuchrock.com.]

#9. Remy Styrk – “In Too Deep”
from: “In Too Deep” – Single / Remy Sryrk / June 13, 2018
[20 year old Remy Stryk lives in Leawood Kansas. Originally from Newark, New Jersey. This multi instrumentalist has been writing & recording music for several years. “In Too Deep” is one of 4 singles Remy has released in the last 2 years. Written by Remy Styrk. Mixed & Mastered by Joel Nanos at Element Recording. Remy Styrk released the EP Sunday, on Jan 25, 2018 a follow up to the Aug 12, 2015 full length album, Telling Stories Through The Basement Door.]

#8. Instant Karma – “Give Me Freedom”
from: “Give Me Freedom” – Single b/w “Shine On” / Sunflower Soul Records / May 11, 2018
[Recorded, mixed, and produced by Chris Hazelton, and mastered by Adam Boose. Instant Karma features Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. With Caitlin Walker and Grace Sakoulas Griffin-Spain on Background Vocals.]

#7. Heidi Lynne Gluck – “Party Line”
from: “Party Line” – Single b/w “Good Guys and Bad Guys” / Too Much Rock / August 3, 2018
[Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana. Lawrence, Kansas based songwriter, producer, singer and multi-instrumentalist, Heidi Lynne Gluck is a originally from Manitoba, Canada. After transplanting herself from the plains of Manitoba to the midwestern plains of the United States, Heidi quickly became an in demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including: The Roseline, Approach, Josh Berwanger, Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. In 2015 Heidi released her critically acclaimed EP, Only Girl In The Room, last year on Lotuspool Records. In 2016 Heidi Lynne Gluck released her full length album called, Pony Show, also on Lotuspool, and on vinyl. Heidi Lynne Gluck released “Party Line” with as part of the Too Much Rock – Singles Series, 7” vinyl 45-rpm release, with a B side cover of Camper Van Beethoven’s,”Good Guys and Bad Guys.” Too Much Rock, is a music blog created by Sid Sowder in 1997 to share photos, videos & comments of live music shows . The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, Red Kate have all recorded for the Too Much Rock Single Series. Info at: http://www.toomuchrock.com.]

#6. The Black Creatures – “Elements”
from: “Elements” – Single / The Black Creatures / February 14, 2018
[The Black Creatures are a dark pop hip-hop musical duo from Kansas City, Missouri pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Beomh released their debut album, See No Evil, on December 6, 2017.]

#5. Freight Train Rabbit Killer – “Shake Em”
from: “Shake Em” B-Side Single of “Happy Times Waltz” / Rural Grit-Haymaker Records / Oct 26, 2018
[Volume 4 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

#4. Rachel Mallin and The Wild Type – “It Isn’t Love”
from: “It Isn’t Love” – Single / Rachel Mallin / November 9, 2018
[Indie synthpop from Kansas City based, 4-piece band that includes: Rachel Mallin on lead vocals & guitar, Justin Walker on bass, Austin Edmisten on drums & back-up vocals. “It Isn’t Love” the latest single from Rachel Mallin & the Wild Type. Mallin wrote, recorded and produced her first album, The Persistence of Vision, in 2014 — a solo effort that spoke to her synthpop sensibilities and landed her on Kansas City radio. That same year, she left the University of Missouri to pursue a music career, and enlisted bassist Justin Walker and drummer Austin Edmisten to form The Wild Type. By mid-2016, the act — with keyboardist Jesse Bartmess and former guitarist Matt Kosinski — released its debut EP, Degenerate Matters, recorded, produced, and mastered by Joel Nanos at Element Recording Studios. Musical Arrangements written and performed by Rachel Mallin, Justin Walker, Austin Edmisten, Jesse Bartmess, and Matt Kosinski. Lyrics written by Rachel Mallin. That same year, The Wild Type earned support slots for acts from Cold War Kids to Metric and The Struts, and widespread recognition in its hometown at festivals such as Middle of the Map and Boulevardia.]

#3. Momma’s Boy – “Love That Way (Demo)”
from: “Love That Way (Demo)” – Single / Manor Records / June 26, 2018
[Momma’s Boy, is an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass & vocals. Their debut EP Liquid Courage was released February 25, 2017. Self-recorded in the Momma’s Boy band practice attic. Mixed by Jared Bajkowski, and mastered by Ross Brown. This track was released as part of a series of singles the band has put out over the year. including “Want Me Back” released January 19, 2018 (part of Dead Summer Single Series), and “Asleep On The Floor” on October 12, 2018 (part of Demo Singles Series).]

#2. Radkey – “Basement”
from: “Basement” – Single / the Century Family / July 31, 2018
[Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joins us live in our 90.1 FM studios to talk about their upcoming performance Saturday night at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band goes back on the road playing shows with The Damned throughout the United States. In December they’ll go back into the studio to record their next album with producer Bill Stevenson of the California punk rock group Descendents. Then in 2019 they play shows in Amsterdam and Stockholm. “Basement” is one of several singles that band has released this year, including “St. Elwood” released August 24, 2018; “Rock & Roll Homeschool” released October 5, 2018; and “Junes” released November 16, 2018.]

#1. Violet and The Undercurrents – “Still Here”
from: “Still Here” – Single / Violet Vonder Haar Music / November 1, 2018
[Columbia Missouri based band made up of Violet Vonder Haar on lead vocals & guitar; Linda Bott on bass guitar; Phylshawn Johnson on drums, and Lizzy Weiland on lead guitar. The Columbia, Missouri-based quartet is anchored by the intrepid songwriting of Violet Vonder Haar and enriched by the creative energy of her musical counterparts. Raised in a small town at the edge of the Missouri River and nurtured by a thriving folk music-centered community, Vonder Haar started honing her craft as a songwriter, performer and vocalist at an early age. She was inspired by her father, a riverboat captain who introduced her to the music of folk legends and encouraged her journey as an artist. More information at: http://www.violetandtheundercurrents.com]

These are stand alone single releases of 2018 that are not included on any EPs or full length album releases.

In 2018 we’ve played from over 400 New & MidCoastal Releases. In 2018 we’ve played from over 250 MidCoastal New Releases, of these nearly 200 were from full length or EP recordings, and over 50 were single releases. We also conducted over 117 interviews with over 150 different guests, live over our community airwaves.

Tune into Wednesday MidDay Medley throughout December as we present our 4 week series: The 118 Best Recordings of 2018. December 5th, 12th, 19th, and 26th we’ll count down representative tracks from our favorite EPs and full length albums of 2018. This is our celebration of the year in music based on the playlists of this little ole radio show.

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

WMM Playlist from Nov. 28, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 28, 2018

Wednesday MidDay Medley’s
25 Favorite Singles of 2018

Wednesday MidDay Medley presents our 25 Favorite Singles of 2018. These are stand alone single releases of 2018 that are not included on any EPs or full length album releases. We’ll count down #25 to #1.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (#25) Y god Y – “Tired”
from: “Tired” – Single / Y god Y / February 16, 2018
[KC based duo made up of Garrett Marsh on vocals & Joel Martin on music, making “experimental R & B” with influences of 80’s electropop. This is their 3rd single. They released “All Day” Sept. 19, 2017 Produced & recorded by Joel Martin, written by Joel Martin and Garrett Marsh. More info at http://www.ygody.bandcamp.com]

3. (#24) Lava Dreams – “SWEET SWEET”
from: “SWEET SWEET” – Single / Lava Dreams / October 19, 2018
[Written, produced, recorded, and performed by Lava Dreams. Lava Dreams is Kansas City based songwriter and producer Julia Hamilton on guitar, and lead vocals. Hear Queer writes: “In her music, Julia Hamilton of Lava Dreams creates landscapes and terrains to explore. Ambient sound and swimming melodies fill the environments that Hamilton is constructing through song.”]

[Lava Dreams played Outer Reaches Fest, at recordBar.]

4. (#23) Payge Turner – “But For Now”
from: Acoustic Vibes – Single / Middleman / February 25, 2018
[3rd Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

5. (#22) Dylan Guthrie & The Good Time Guys – “Dreaming of Love”
from: Dreaming of Love – Single / Dylan Guthrie & The Good Time Guys / January 2, 2018
[Dylan Guthrie & The Good Time Guys released their debut EP, Live at The Indiana House, on December 19, 2016. Dylan Guthrie was formerly the lead singer for Pink Royal who left to travel and work in China and is back and has now formed a new six piece band with several of the members of Pink Royal. The band is made up of Dylan Guthrie, Olie Bowden, Alexander Hartmann, Vik Govindarajan, Lucas Parker, and Cody Stuber. Mixed by Jim Barnes. Mastered by Steve Hall at Future Disc.]

6. (#21) Keaton Conrad – “(If I Told You to) Stay”
from: “(If I Told You to) Stay” – Single / Keaton Conrad / July 20, 2018
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. ]

[On November 30, 2018, Keaton Conrad is releasing a new single called “Scars and Diamonds”]

10:27 – Underwriting

7. (#20) Danny McGaw – “You an Me”
from: “You an Me” – Single / Danny McGaw / September 1, 2018
[Manchester, England born Danny McGaw was a footballer, then a street musician, then a bar musician, and then a husband and father living in Lawrence, Kansas, where he released one of our favorite recordings of 2012 called, “Eccles Road.” After that he formed the band, Welles The Traveler with Jason Jones, Dan Hines, Chad Brothers, and Mike West, who produced the group’s debut recording. Eventually Danny and family relocated to California. He has made 10 records in 14 years and records his songs in his home studio.]

[Danny McGaw played Plaza Art Fair, Sept. 23.]

8. (#19) Jo MacKenzie – “Stuck”
from: “Stuck’ – Single / Jo Mackenzie/ September 1, 2018
[One of 5 new singles released this year from Kansas City based 15 year old singer songwriter Jo MacKenzie.]

[Jo Mackenzie played in the special preshow showcase opening for Miki P’s Album Release Show, Friday, September 14, at The Rino, 314 Armour Rd, North Kansas City, with: Alisön Hawkins, Adee Dancy, Kelly Hunt, Jo MacKenzie, Courtney Ann Hall, Ivy Roots, and Mason Blaize Cline.]

[Jo MacKenzie also played 90.1 FM KKFI’s 30th Anniversary at The Folly Theatre, June 30.]

9. (#18) Lovergurl – “Rebel”
from: “Rebel” – Single / Lovergurl / September 14, 2018
[Recorded and mastered with RLT at Audibly Recording. KC based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. Lovergurl released their EP, The President is a Sex Offender on May 19, 2017. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is 27 years old and is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from The B-52s, The Velvet Underground, and The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews is also 27. She was born and raised in Rhode Island, and moved to Kansas City in 2011 and fell in love with the city.]

[Lovergurl play Stray Cat Film Center, 1662 Broadway, KCMO on Friday, December 7, at 9:00 PM for the Joesph Warren & The Wanderlust Revival “HAIR LIKE LEMONS” music video prtemiere concert with Erica Joy]

[Lovergurl play The Riot Room, 4048 Broadway, KCMO, Friday, December 14, at 8:00 PM, opening for The Sluts with Other Americans.]

10. (#17) Hot Suede – “Forget About You”
from: “Forget About You” – Single / Hot Suede / August 16,, 2018
[Formed October 4, 2017, Hot Suede is a new original rock and roll band from Kansas City, Missouri showcasing fiery guitar riffs, an equally groovy and thunderous rhythm section, soaring vocals, and unparalleled swagger. Rising from the ashes of juggernaut Cherokee Rock Rifle, guitarists Doug Nelson, Scott Reed, and drummer Brett Southard joined forces with bassist Chad Toney and vocalist Wayne Hutcherson aka Bobby W. Topaz to form an unpretentious rock band with classic undertones and guitar-driven songwriting. On October 12, 2017 Hot Suede released the single “Get What You Came For.” On December 20, 2017 Hot Suede released the single, “Make It Harder.” More info at: http://www.hotsuede.com]

[Hot Suede played Mills Record Company, Fri, Nov 2, for Apocalypse Meow 11.]

11. (#16) Olivia Fox – “Utah”
from: “Utah” – Single / OLIVIA FOX / February 16, 2018
[Lauren Flynn, Aubrey Callahan and Tiffany Smith make up the KC band, OLIVIA FOX who released their self titled debut EP, June 2, 2017. OLIVIA FOX followed with three singles: “Slow Motion” released Dec 14, 2017, “Utah” released Feb 16, 2018, and “Easy” released June 1, 2018. On November 2, 2018 the band released their EP Renditions, with 4 songs written by The Doors, The Beatles, The Cranberries, and Bon Jovi. OLIVIA FOX call their sound Folk/Pop, a marriage between classic folk vocals & harmonies to modern programmed beats & synth pads.] [Olivia Fox played Middle of The Map + Crossroads Music Fest]

12. (#15) Chloe Jacobson – “True Blue”
from: “True Blue” – Single / Chloe Jacobson / November 16, 2018
[Kansas City, Missouri based singer songwriter. Her soulful, bluesy vocals are colored with the pop cadence of aughts-era emo. Her first album release, titled “Frozen Fruit” is expected to drop in early 2019 following with a midwest tour soon to be announced. More info at: http://www.chloejacobson.online]

[Chloe Jacobson played Manor Records for MOCSA, on November 16, at Blip Roasters, 1101 Mulberry, KCMO in The Bottoms with Rachel Cion, and Mason Blaize.]

13. (#14) The Depth and The Whisper – “Souvenir”
from: “Souvenir” – Single / The Depth and The Whisper / October 26, 2018
[Dave Tanner on bass, guitar & vocals; Albert Bickley on guitar & vocals. Albert Bickley, a Kansas City native, has been writing, recording and performing original music for years. Everything, including other bands he’s been in, have led to this moment and this project. Dave Tanner, a Canadian who calls Parkville, MO, home, has played bass in numerous bands through the years from rock and heavy metal to folk and punk. Albert Bickley and Dave Tanner do not believe the world owes them anything, but they know that they have something to give her. The two songwriters and musicians met in 2010 in the music scene of Kansas City, where they both had been active for several years. “When my last band broke up and I wrote new songs again, I immediately thought of Dave,” Albert remembers “I wanted his bass. I just told him to come over when you have time. He played the demos, we listened to it and just said, ‘That’s it! Perfect! ‘”This feeling is very rare.” Dave confirms:” We immediately had great respect and reverence for each other. We are both at the moment. And our music satisfies a deep need in us. We complement each other, we get better. And by that I do not just mean the music. “Because since then an extraordinary friendship has grown between them. “Albert and I started a conversation back then,” Dave explains, “and it never ended.”]

11:00 – Station ID

14. (#13) Kelly Hunt – “Dear Sarah”
from: “Dear Sarah” – Single / Never Records / September 14, 2018
[Kelly Hunt performs her adaptation of the Sullivan Ballou Civil War love letter. Sullivan wrote this letter to his wife one week before he was killed at the Battle of Bull Run. This song was recorded by Ted Riederer of Never Records on September 14, 2018. New York artist and musician Ted Reiderer launched Never Records in 2010 as part of a collaborative project with curators No Longer Empty in the former sales floor of Tower Records’ fabled East Village flagship store. One year later, Never Records had expanded to become a mobile record-making lab, using recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for whoever walks in the door (one copy stays behind in the fast-growing library). Never Records opened in Kansas City on August 25, 2018 as part of Open Spaces Kansas City, and ran through October 28th, 2018, in a storefront space in the Crossroads district of Kansas City. The space was located at 1611 Oak St., KCMO. The exhibition was open Wednesday – Sunday, with workshops and special events. Never Records is a combination recording studio and record shop, all operating in one building. The sole proprietor, interior decorator, and engineer is New York-based artist Ted Riederer. Inspired by his own redemptive education at a young age inside the walls of a local record store in Rockville, Maryland as well as the field recording projects of Alan Lomax, Riederer devised his unique community art installation in the early part of this century and has been replicating it with regional variations throughout the world since 2010. Performers from a locale sign up for recording sessions ahead of time, with no auditions necessary. Riederer usually offers three hour sessions, during which he mixes on the fly and cuts vinyl right in front of the artist’s eyes once both are satisfied with a particular take. The recordings are free to the artist, the sessions are open to the public, and you can’t buy anything you see. Ted hasn’t lowered prices by cutting out the middleman. He is the middleman. He is not a vertical operation; he is an elliptical one, a constant feedback loop supplying its own demand. Still, everyone takes something home, even if it’s the barest speck of record shop camaraderie inadvertently inhaled. Within the walls of the Never Records shop, visitors can view a gallery of photographs and artwork from previous temporary establishments in the US and UK, as well as flip through stacks of vinyl representing the hundreds of solo folk artists, punk bands, storytellers, jazz groups, and noisicians who jumped at the chance for a free recording session. Black wooden bins hold a curated selection of records from the growing collection, but these aren’t for sale or even trade. The artist or band is allowed to take their own copy home, and another is added to Riederer’s archives, as well as a digital copy. Riederer encourages bands to use the recording any way they want. There are no fees, royalties, or ownership issues. More information at: http://www.neverrecords.net]

15. (#12) Chase The Horseman – “U Martyr U”
from: “U Martyr U” – Single / Chase the Horseman / June 10, 2018
[Recorded at Element Recording with Joel Nanos and at Chase’s Home Studio. Featuring Lennon Bone on Drums. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more. Chase The Horseman also released the single “Modern Ruins” on Oct 4, 2018.]

[Chase The Horseman played Middle of The Map and Apocalypse Meow 11]

16. (#11) Jessica Paige – “Night Train”
from: “Night Train” – Single / Jessica Paige / June 1, 2018
[29 year old Jessica Paige moved to Kansas City from Manhattan, Kansas, after caring for her ailing grandmother for several years. She told CJ Janovy of KCUR News. “After she passed away, I started doing music full time, recorded my album and started touring.” Jessica self-produced my first album “Sweet Nothings” with Nashville-based artists and producers. The album is a reflection of the life-cycle of a relationship; the exciting and insecure beginnings to the lamenting demise of something that was once beautiful. The single released from the album, “Beautiful Life,” is a soul-pop reflection of someone trying to reconcile the conflicting emotions of trying to rescue or walk away from a relationship, while still appreciating how beautiful it is to love, regardless of how things turnout. While working on “Sweet Nothings,” Jessica settled in to Kansas City to start working with a full band and laying the groundwork for her next album.]

11:15 – Top Ten Singles

17. (#10) Red Kate – “Iraqi Girl”
from: “Iraqi Girl” – Single / Too Much Rock / February 24, 2018
[L. Ron Drunkard on bass & lead vocals, Andrew Whelan on drums & vocals, Desmond Poirier on guitar & vocals. The KC based Punk Rock and Roll band, Red Kate has been rocking venues since 2007. In the review of their debut EP, The Pitch wrote, “Bassist and lead vocalist L. Ron Drunkard, (aka Shawn Saving) is a socialist activist by day, bellows like an Appalachian Roger Daltrey.” The band’s first full-length album, “When the Troubles Come” was released on Replay Records in 2013. In 2016 the band released their follow up, full – length record, unamerican activities, on Kansas City’s coop record label, Black Site. The band has also released two 7″ split single releases with The Bad ideas, and Stiff Middle Fingers. Red Kate released “Iraqi Girl,” as part of the Too Much Rock – Singles Series, 7” vinyl 45-rpm release, with a B side cover of TSOL’s,” American Zone,” the first recording with the band’s newest member, rhythm guitarist Shaun Hamontree. Too Much Rock, is a music blog created by Sid Sowder in 1997 to share photos, videos & comments of live music shows . The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, and Witch Jail have all recorded for the Too Much Rock Single Series. Info at: http://www.toomuchrock.com.]

18. (#9) Remy Styrk – “In Too Deep”
from: “In Too Deep” – Single / Remy Sryrk / June 13, 2018
[20 year old Remy Stryk lives in Leawood Kansas. Originally from Newark, New Jersey. This multi instrumentalist has been writing & recording music for several years. “In Too Deep” is one of 4 singles Remy has released in the last 2 years. Written by Remy Styrk. Mixed & Mastered by Joel Nanos at Element Recording. Remy Styrk released the EP Sunday, on Jan 25, 2018 a follow up to the Aug 12, 2015 full length album, Telling Stories Through The Basement Door.]

19. (#8) Instant Karma – “Give Me Freedom”
from: “Give Me Freedom” – Single b/w “Shine On” / Sunflower Soul Records / May 11, 2018
[Recorded, mixed, and produced by Chris Hazelton, and mastered by Adam Boose. Instant Karma features Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. With Caitlin Walker and Grace Sakoulas Griffin-Spain on Background Vocals.]

20. (#7) Heidi Lynne Gluck – “Party Line”
from: “Party Line” – Single b/w “Good Guys and Bad Guys” / Too Much Rock / August 3, 2018
[Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana. Lawrence, Kansas based songwriter, producer, singer and multi-instrumentalist, Heidi Lynne Gluck is a originally from Manitoba, Canada. After transplanting herself from the plains of Manitoba to the midwestern plains of the United States, Heidi quickly became an in demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including: The Roseline, Approach, Josh Berwanger, Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. In 2015 Heidi released her critically acclaimed EP, Only Girl In The Room, last year on Lotuspool Records. In 2016 Heidi Lynne Gluck released her full length album called, Pony Show, also on Lotuspool, and on vinyl. Heidi Lynne Gluck released “Party Line” with as part of the Too Much Rock – Singles Series, 7” vinyl 45-rpm release, with a B side cover of Camper Van Beethoven’s,”Good Guys and Bad Guys.” Too Much Rock, is a music blog created by Sid Sowder in 1997 to share photos, videos & comments of live music shows . The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, Red Kate have all recorded for the Too Much Rock Single Series. Info at: http://www.toomuchrock.com.]

11:29 – Underwriting

21. (#6) The Black Creatures – “Elements”
from: “Elements” – Single / The Black Creatures / February 14, 2018
[The Black Creatures are a dark pop hip-hop musical duo from Kansas City, Missouri pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Beomh released their debut album, See No Evil, on December 6, 2017.]

22. (#5) Freight Train Rabbit Killer – “Shake Em”
from: “Shake Em” B-Side Single of “Happy Times Waltz” / Rural Grit-Haymaker Records / Oct 26, 2018
[Volume 4 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

[Freight Train Rabbit Killer play Outer Reaches Fest, Friday, October 26 at recordbar.]

23. (#4) Rachel Mallin and The Wild Type – “It Isn’t Love”
from: “It Isn’t Love” – Single / Rachel Mallin / November 9, 2018
[Indie synthpop from Kansas City based, 4-piece band that includes: Rachel Mallin on lead vocals & guitar, Justin Walker on bass, Austin Edmisten on drums & back-up vocals. “It Isn’t Love” the latest single from Rachel Mallin & the Wild Type. Mallin wrote, recorded and produced her first album, The Persistence of Vision, in 2014 — a solo effort that spoke to her synthpop sensibilities and landed her on Kansas City radio. That same year, she left the University of Missouri to pursue a music career, and enlisted bassist Justin Walker and drummer Austin Edmisten to form The Wild Type. By mid-2016, the act — with keyboardist Jesse Bartmess and former guitarist Matt Kosinski — released its debut EP, Degenerate Matters, recorded, produced, and mastered by Joel Nanos at Element Recording Studios. Musical Arrangements written and performed by Rachel Mallin, Justin Walker, Austin Edmisten, Jesse Bartmess, and Matt Kosinski. Lyrics written by Rachel Mallin. That same year, The Wild Type earned support slots for acts from Cold War Kids to Metric and The Struts, and widespread recognition in its hometown at festivals such as Middle of the Map and Boulevardia.]

24. (#3) Momma’s Boy – “Love That Way (Demo)”
from: “Love That Way (Demo)” – Single / Manor Records / June 26, 2018
[Momma’s Boy, is an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass & vocals. Their debut EP Liquid Courage was released February 25, 2017. Self-recorded in the Momma’s Boy band practice attic. Mixed by Jared Bajkowski, and mastered by Ross Brown. This track was released as part of a series of singles the band has put out over the year. including “Want Me Back” released January 19, 2018 (part of Dead Summer Single Series), and “Asleep On The Floor” on October 12, 2018 (part of Demo Singles Series).]

[Momma’s Boy play Iowa City Yacht Club in Iowa City, on Saturday, December 1.]

25. (#2) Radkey – “Basement”
from: “Basement” – Single / the Century Family / July 31, 2018
[Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joins us live in our 90.1 FM studios to talk about their upcoming performance Saturday night at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band goes back on the road playing shows with The Damned throughout the United States. In December they’ll go back into the studio to record their next album with producer Bill Stevenson of the California punk rock group Descendents. Then in 2019 they play shows in Amsterdam and Stockholm. “Basement” is one of several singles that band has released this year, including “St. Elwood” released August 24, 2018; “Rock & Roll Homeschool” released October 5, 2018; and “Junes” released November 16, 2018.]

26. (#1) Violet and The Undercurrents – “Still Here”
from: “Still Here” – Single / Violet Vonder Haar Music / November 1, 2018
[Columbia Missouri based band made up of Violet Vonder Haar on lead vocals & guitar; Linda Bott on bass guitar; Phylshawn Johnson on drums, and Lizzy Weiland on lead guitar. The Columbia, Missouri-based quartet is anchored by the intrepid songwriting of Violet Vonder Haar and enriched by the creative energy of her musical counterparts. Raised in a small town at the edge of the Missouri River and nurtured by a thriving folk music-centered community, Vonder Haar started honing her craft as a songwriter, performer and vocalist at an early age. She was inspired by her father, a riverboat captain who introduced her to the music of folk legends and encouraged her journey as an artist. More information at: http://www.violetandtheundercurrents.com]

27. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on December 5, we present part one of our 4 week series: The 118 Best Recordings of 2018. Wednesdays in December on the 5th, 12th, 19th, and 26th we will be counting down representative tracks from our favorite EPs and full length albums. This is our celebration of the year in music based on the playlists of this little ole radio show.

In 2018 we’ve played from over 400 New & MidCoastal Releases. In 2018 we’ve played from over 250 MidCoastal New Releases, of these nearly 200 were from full length or EP recordings, and over 50 were single releases. We also conducted over 117 interviews with over 150 different guests, live over our community airwaves.

Tune into Wednesday MidDay Medley throughout December as we present our 4-week special series: The 118 Best Recordings of 2018, on December 5th, 12th, 19th, and 26th. This is our celebration of the year in music based on the playlists of this little ole radio show.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #762

WMM’s 25 Favorite Singles of 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 28, 2018

Wednesday MidDay Medley’s
25 Favorite Singles of 2018

Wednesday MidDay Medley presents our Favorite 25 Singles of 2018. These are stand alone single releases of 2018 that are not included on any EPs or full length album releases. We’ll count down #25 to #1.

Mark features 25 tracks from: Radkey, Heidi Lynne Gluck, Freight Train Rabbit Killer, Violet and The Undercurrents, Momma’s Boy, Rachel Mallin and The Wild Type, Kelly Hunt, Red Kate, Instant Karma, The Black Creatures, Jessica Paige, Chase the Horseman, Hot Suede, Chloe Jacobsen, Olivia Fox, Danny McGaw, Keaton Conrad, Lovergurl, Remy Stryk, Jo MacKenzie, Payge Turner, Dylan Guthrie & the Good Time Guys, Y God Y, The Depth and The Whisper and Lava Dreams.

Tune into Wednesday MidDay Medley throughout December as we present our 4-week special series: The 118 Best Recordings of 2018, on December 5th, 12th, 19th, and 26th. This is our celebration of the year in music based on the playlists of this little ole radio show.

In 2018 we’ve played from over 400 New & MidCoastal Releases. In 2018 we’ve played from over 250 MidCoastal New Releases, of these nearly 200 were from full length or EP recordings, and over 50 were single releases. We also conducted over 117 interviews with over 150 different guests, live over our community airwaves.

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #762

WMM Playlist from October 31, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 31, 2017

Happy Halloween with Béla, Boris, & Bette
+ Man of 1001 Faces – Michael McQuary
+ Sondra Freeman & Apocalypse Meow 11

10:00 – Haunted Recordings

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. William Stromberg & Moscow Symphony Orch. – “Universal Signature”
from: Salter – Skinner: Monster Music / Marco-Polo / 1995
[Frank Skinner was a composer & arranger born in Meredosia, Illinois on Dec. 31, 1897. He died in Beverly Hills, California, Oct. 9, 1968. A graduate of the Chicago Musical College (now the Chicago Conservatory of Music), 16-year-old Frank found employment in vaudeville and began playing in local areas with his brother Carl on drums billed as the Skinner Brothers dance band. He began writing and arranging music for dance bands in New York, from 1925 to 1935, arranging 2000 popular songs for Robbins Publishing. After a short period at MGM, working on musical settings for The Great Ziegfeld (1936), Skinner was hired by Universal Studios. Over the course of his 30 years there, he composed music for more than 200 films earning five Academy Award nominations (1938–43). His distinctive approach to scoring horror films, such as Son of Frankenstein (1939) and The Wolf Man (1941), has been characterized as a ‘passion for chromatic lines … mirrored contours … [and] restrained, yet ominously mythical orchestrations’ (Marcello). He gained new recognition in the 1950s for his lush romantic scores, including those for such Douglas Sirk films as Magnificent Obsession (1954) and Written on the Wind (1956). Despite many changes in the film industry, his book Underscore (1950) has survived as an excellent introduction to film music composition. The Wolf Man is a 1941 American drama horror film written by Curt Siodmak and produced and directed by George Waggner. The film stars Lon Chaney, Jr. as a werewolf named “The Wolf Man” and features Claude Rains, Evelyn Ankers, Ralph Bellamy, Patric Knowles, Béla Lugosi, and Maria Ouspenskaya in supporting roles. The title character has had a great deal of influence on Hollywood’s depictions of the legend of the werewolf. The film is the second Universal Pictures werewolf film, preceded six years earlier by the less commercially successful Werewolf of London (1935). Lon Chaney, Jr. would reprise his classic role as “The Wolf Man” in four sequels, beginning with Frankenstein Meets the Wolf Man in 1943.]

3. Anderson Cooper / Donald Trump – “Trump Video Tape”
from: Presidential Debate 2016 #2 – October 9, 2016) / SoundWerks USA / Oct 11, 2016
[Hillary Clinton and Donald J. Trump square off for the second time during a debate held at Washington University in St. Louis. Sunday, October 9, 2016. Moderated by Martha Raddatz and Anderson Cooper.]

4. Sonic Youth – “Youth Against Facism”
from: Dirty (Deluxe Edition) [Remastered] / Interscope – Geffen / July 21, 1992
[Sonic Youth was based in New York City, formed in 1981. Founding members Thurston Moore (guitar, vocals), Kim Gordon (bass, vocals, guitar) and Lee Ranaldo (guitar, vocals) remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, and rounded out the core line-up. Sonic Youth emerged from the experimental no wave art and music scene in New York before evolving into a more conventional rock band and becoming the most prominent of the American noise rock groups. Sonic Youth have been praised for having “redefined what rock guitar could do” using a wide variety of unorthodox guitar tunings and preparing guitars with objects like drum sticks and screwdrivers to alter the instruments’ timbre. The band is considered to be a pivotal influence on the alternative and indie rock movements. After gaining a large underground following and critical praise through releases with SST Records in the late 1980s, the band experienced mainstream success throughout the 1990s and 2000s after signing to major label DGC in 1990 and headlining the 1995 Lollapalooza festival. In 2011, Ranaldo announced that the band was “ending for a while” following the separation of married couple Gordon and Moore. Thurston Moore updated and clarified the position in May 2014: “Sonic Youth is on hiatus. The band is a democracy of sorts, and as long as Kim and I are working out our situation, the band can’t really function reasonably.” Gordon refers several times in her 2015 autobiography Girl in a Band to the band having “split up”. Dirty is the seventh studio album by American alternative rock band Sonic Youth. It was released on July 21, 1992 by record label DGC. The band recorded and produced the album with Butch Vig in early 1992 at the Magic Shop studios. The sound on Dirty was inspired by the grunge scene of the time, and was described as avant-rock. Some songs on the album mark the first appearance of three guitars in Sonic Youth songs. The album was remastered and released on quadruple vinyl and double CD in 2003. The album spawned four singles. The first single was “100%”; it charted well, but was not the crossover hit the label anticipated. The next was “Youth Against Fascism”, which did not chart well. The last two were “Sugar Kane” and “Drunken Butterfly”, released in 1993. “Sugar Kane” did better commercially than “Youth Against Fascism”. The album sold exceptionally well, reaching No. 6 in the UK Albums Chart (their highest charting album in the UK) and No. 83 in the US. In support of the album, the band embarked on the “Pretty Fucking Dirty” tour of 1992 and 1993, where most of Dirty was played. In late 1992, they toured North America, and in early 1993, they toured New Zealand and Australia.]

5. St. Vincent – “Fear The Future (Piano Version)”
from: MassEducation / Loma Vista – Concord Music / October 12, 2018
[“MassEducation” a brand new acoustic rendition of her previous album Masseduction, Clark’s fifth studio album, was released in October 2017. Pitchfork writes: “Recorded over two days at Manhattan’s Reservoir Studios studios, MassEducation strips its hypersexual, neon-clad predecessor for parts, exposing its songs as tales of longing and nostalgia. Clark seemed to always know that her record contained two lives: “This needs to be something people can really dance to,” she said of a song on her last album, “until they listen to the words and then they’re crying.” Hiding melancholy behind pop production is nothing new, but on an album so saturated with sadness, these pared-down renderings give Clark a chance to indulge in their underlying sentiments.” Anne Erin Clark was born September 28, 1982, in Tulsa Oklahoma. She is known professionally as St. Vincent, a musician, singer-songwriter, multi-instrumentalist and record producer. After studying at Berklee College of Music for three years, she began her music career as a member of The Polyphonic Spree. Clark was also a member of Sufjan Stevens’s touring band before forming her own band in 2006. St. Vincent’s work has received consistent praise for its distinct musical style, which blends soft rock, experimental rock, electropop, and jazz influences. Her debut album was Marry Me (2007), followed by Actor (2009), Strange Mercy (2011), St. Vincent (2014), and Masseduction (2017). She released a collaborative album with David Byrne in 2012 titled Love This Giant. Clark also contributed backing vocals for Swans on their 2014 album, To Be Kind. Her fourth solo album, the eponymous St. Vincent, was named album of the year by The Guardian, Entertainment Weekly, NME, and Slant Magazine, as well as second best album of the year by Time magazine. The album won her a Grammy for Best Alternative Album, her first Grammy award. She was the first solo female performer in 20 years to win a Grammy in that category.]

3. Ed Wood – “Plan 9 From Outer Space (Trailer)”
from: Halloween Nuggets: Monster Sixties A Go-Go / Rock Beat / 2014
[Plan 9 from Outer Space (originally titled Grave Robbers from Outer Space) is a 1959 American B & W science fiction horror film. The film was written, produced, directed and edited by Ed Wood, and stars Gregory Walcott, Mona McKinnon, Tor Johnson, Vampira and posthumously bills Bela Lugosi. Shortly after Lugosi’s death the story and screenplay for Grave Robbers from Outer Space were written and finalized, with Wood planning to use the unconnected, unrelated footage of Lugosi as a means of putting a credit for him on the picture. Wood used the Lugosi footage as a means of attracting actors to the picture, by saying to them that he was making “Bela Lugosi’s last movie.” Though Wood’s actions were driven in part by the desire to give his film a ‘star name’ and attract horror fans, the Lugosi cameo was also meant as a loving tribute and farewell to the actor, who had become fast friends with Wood in the last three years of Lugosi’s life. Wood hired his wife’s chiropractor, Tom Mason, as a stand-in for Lugosi, even though Mason was taller than Lugosi and bore no resemblance to him, making him one of the earliest “fake Shemps”. Narration from Criswell was also employed in an attempt to better link Lugosi’s footage with the rest of Plan 9. Every last scrap of material Wood had of Lugosi was utilized in the theatrical cut of the film, including what are minor sprocket discolorations, film trims that would in a normal film be discarded as unusable. Cuts of the film on VHS during the 80s and 90s, the vast majority unauthorized bootleg dupes, varied drastically not only in quality but also in the amount of Lugosi material retained.]

Michael McQuary as Béla Lugosi on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:10 – Interview with Béla Lugosi

We have the grand pleasure of welcoming back to our radio show the star of “Plan 9 From Outer Space” his last film and his 108th film, from his 5 decades as an actor.

Béla Lugosi – Thanks for being with us again on Wednesday MidDay Medley!

Béla Ferenc Dezső Blaskó (Oct. 20, 1882 – Aug 16, 1956), known as Bela Lugosi, a Hungarian-American actor. He’d been playing small parts in his native Hungary before making his first film in 1917, but left after the failed Hungarian Revolution. In 1927, he appeared as Count Dracula in a Broadway adaptation of Bram Stoker’s novel. He later appeared in the classic 1931 film Dracula by Universal Pictures. He was often paired with Boris Karloff, who was able to demand top billing. To his frustration, Lugosi was increasingly restricted to minor parts, kept employed by the studio principally for the sake of his name on the posters. Among his pairings with Karloff, only in The Black Cat (1934), The Raven (1935), and Son of Frankenstein (1939) did he perform major roles again. Lugosi had been receiving regular medication for sciatic neuritis, and he became addicted to morphine and methadone. This drug dependence was noted by producers, and the offers eventually dwindled down to a few parts in Ed Wood’s low-budget movies, most notably Plan 9 from Outer Space. Lugosi was married five times, and had one son, Bela George Lugosi. Lugosi was buried in the Holy Cross Cemetery in Culver City, California.

Lugosi was also the subject of “Bela Lugosi’s Dead”, the first single by the English band Bauhaus. Released in August 1979, it is often considered to be the first gothic rock record.

Andy Warhol’s 1963 silkscreen The Kiss depicts Lugosi from Dracula about to bite into the neck of co-star Helen Chandler, who played Mina Harker. A copy sold for $798,000 at Christie’s in May 2000.

10:12 – Haunted Recordings

7. The Velvet Underground– “Black Angel’s Death Song (Album Version-Stereo)”
from: The Velvet Underground & Nico (45th Anniversary Super Deluxe Edition) / Universal Records / 2012 [Orig. March 12, 1967]
[The Velvet Underground & Nico is the debut album by American rock band the Velvet Underground and vocal collaborator Nico, released in March 1967 by Verve Records. Recorded in 1966 during Andy Warhol’s Exploding Plastic Inevitable multimedia event tour, The Velvet Underground & Nico would gain attention for its experimental performance sensibilities, as well as the focus on controversial subject matter expressed in many of its songs including drug abuse, prostitution, sadism and masochism and sexual deviancy. In 1982, musician Brian Eno famously stated that while The Velvet Underground & Nico initially only sold 30,000 copies, “everyone who bought one of those 30,000 copies started a band.” Though it was a commercial failure upon release and was almost completely ignored by critics at the time, the record has since become one of the most influential and critically acclaimed rock albums in history, appearing at number thirteen on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time as well as being added to the 2006 National Recording Registry by the Library of Congress. “I’ll Be Your Mirror” is a song by The Velvet Underground. It appeared on their 1967 debut album The Velvet Underground & Nico. It also surfaced as a single a year earlier with “All Tomorrow’s Parties” in 1966. Lou Reed wrote the song for Nico, who provides lead vocals. Inspiration for the song apparently came about after Nico approached Reed after a show in 1965 saying, “Oh Lou, I’ll be your mirror.” The song was a favorite of Reed’s and The Velvet Underground & Nico engineer, Norman Dolph.]

8. Laurie Anderson – “Three Ghosts”
from: Heart of a Dog / Nonesuch / October 23, 2015
[The complete soundtrack recording of Laurie Anderson’s film, Heart of a Dog. Anderson was commissioned by the European TV network Arte to create a feature film — her first in 30 years. Her response was a personal essay entitled Heart of a Dog, a work encompassing joy and heartbreak and remembering and forgetting, at the heart of which is a lament for her late beloved piano-playing and finger-painting dog Lolabelle. Scenes range from realistic footage from the animal’s life to imagined scenes of Lolabelle’s passage through the bardo. It also includes other reflections on life and death including Anderson’s experiences in life in downtown New York after 9/11. The Nonesuch album is the full audio recording of the film, including all music and spoken text. Heart of a Dog has been shown at the Telluride, Venice, and Toronto Film Festivals to critical praise, with the New York Times calling it a “philosophically astute, emotionally charged meditation on death, love, art and dogs.” The movie was screened at the New York Film Festival on October 8, 2015, before opening theatrically at New York’s Film Forum October 21, 2015. It was also shown on HBO. ]

9. Nina Simone -“Save Me”
from: Silk and Soul / RCA / 1967
[Born Eunice Kathleen Waymon on February 21, 1933. She died on April 21, 2003. Nina Simone was a singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Simone aspired to be a concert pianist. With the help of the few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in NYC. Simone recorded more than 40 albums.”]

Michael McQuary as Béla Lugosi on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:24 – More Interview with Béla Lugosi.

We have the pleasure of welcoming back to our radio show the star of over 100 films, from his 5 decades as an actor. Bela Lugosi (1882–1956), best known for the original screen portrayal of Bram Stoker’s Dracula in 1931.

Béla Lugosi Thanks for being with us again on Wednesday MidDay Medley!

Béla Lugosi’s last film, “Plan 9 From Outer Space” featured Maila Nurmi (Dec. 11, 1922 – Jan. 10, 2008) a Finnish-American actress born in Petsamo, Finland, who created the campy character Vampira. She portrayed Vampira as TV’s first horror host. She is also billed as Vampira in the 1959 movie The Beat Generation where she plays a beatnik poet.

Bela Lugosi also starred in, Abbott and Costello Meet Frankenstein, a 1948 American horror comedy film directed by Charles Barton starring the comedy team of Abbott and Costello. The picture is the first of several films where the comedy duo meets classic characters from Universal’s horror film stable. In this film, they encounter Count Dracula (Bela Lugosi), Frankenstein’s monster (Glenn Strange), and the Wolf Man (Lon Chaney, Jr.), while subsequent films pair the duo with the Mummy, Dr. Jekyll and Mr. Hyde, and the Invisible Man. On a TV special in the early 1950s, the two did a sketch where they interacted with the latest original Universal Studios monster being promoted at the time, the Creature from the Black Lagoon (1954). The film is considered the swan song for the “Big Three” Universal horror monsters – Count Dracula, the Wolf Man and Frankenstein’s monster, none of whom had appeared in a Universal film since 1945’s House of Dracula.

Bela Lugosi (1882–1956), best known for the original screen portrayal of Bram Stoker’s Dracula in 1931, was in a large number of movies during the course of his career.

In Tim Burton’s Ed Wood, Lugosi is portrayed by Martin Landau, who received the 1994 Academy Award for Best Supporting Actor for the performance. According to Bela G. Lugosi (his son), Forrest Ackerman, Dolores Fuller and Richard Sheffield, the film’s portrayal of Lugosi is inaccurate: In real life, he never used profanity, owned small dogs, or slept in coffins. And contrary to this film, Bela did not struggle performing on The Red Skelton Show.

Lugosi was married five times, and had one son, Bela George Lugosi.
The Ellis Island Immigration Museum in NYC features a live 30-minute play that focuses on Lugosi’s illegal entry into the USA and then his arrival at Ellis Island to enter legally.
Béla Lugosi Thanks for being with us again on Wednesday MidDay Medley!

10:29

10. Michel Rubini & Denny Jaeger – “Sarah’s Panic”
from: The Hunger (Original Motion Picture Soundtrack) MGM/UA Entertainment Co./ 1983

10:30 – Underwriting

10:32 – Haunted Recordings

11. Kenneth Alwyn — “The Bride of Frankenstein (Main Title)”
from: The Bride of Frankenstein (Soundtrack from the Motion Picture) / Silva America / 1993
[The Westminster Philharmonic Orchestra conducted by Kenneth Alwyn. The Bride of Frankenstein is a 1935 horror film, sequel to Universal Pictures’ 1931 hit Frankenstein directed by James Whale with Boris Karloff as The Monster, Elsa Lanchester in the dual role of his mate and Mary Shelley, Colin Clive as Henry Frankenstein, and Ernest Thesiger as Doctor Septimus Pretorius. The film is rooted in a subplot of the original Mary Shelley novel, Frankenstein (1818). In the film, a chastened Henry Frankenstein abandons his plans to create life, only to be tempted and finally coerced by the Monster, encouraged by Henry’s old mentor Dr. Pretorius, into constructing a mate for him. Bride of Frankenstein was released to critical and popular acclaim, although it encountered difficulties with some state and national censorship boards. Since its release the film’s reputation has grown, and it has been hailed as Whale’s masterpiece. Director James Whale met Franz Waxman at a party and asked him to score the picture. “Nothing will be resolved in this picture except the end destruction scene. Would you write an unresolved score for it?” asked Whale. Waxman created three distinctive themes: one for the Monster; one for the Bride; and one for Pretorius. The score closes, at Whale’s suggestion, with a powerful dissonant chord, intended to convey the idea that the on-screen explosion was so powerful that the theater where the film was being screened was affected by it. Constantin Bakaleinikoff conducted 22 musicians to record the score in a single nine-hour session.]

12. Bobby “Boris” Pickett & The Crypt-Kickers — “Monster Mash”
from: The Original Monster Mash / Decca / August 1, 1962
[“Monster Mash” is a 1962 novelty song and the best-known song by Bobby “Boris” Pickett. The song was released as a single on Gary S. Paxton’s Garpax Records label in August 1962 along with a full-length LP called The Original Monster Mash, which contained several other monster-themed tunes. The “Monster Mash” single was #1 on the Billboard Hot 100 chart on October 20–27 of that year, just before Halloween. It has been a perennial holiday favorite ever since. Pickett was an aspiring actor who sang with a band called the Cordials at night while going to auditions during the day. One night, while performing with his band, Pickett did a monologue in imitation of horror movie actor Boris Karloff while performing the Diamonds’ “Little Darlin'”. The audience loved it, and fellow band member Lenny Capizzi encouraged Pickett to do more with the Karloff imitation. Pickett and Capizzi composed “Monster Mash” and recorded it with Gary S. Paxton, pianist Leon Russell, Johnny MacRae, Rickie Page, and Terry Berg, credited as “The Crypt-Kickers”. (Mel Taylor, drummer for the Ventures, is sometimes credited with playing on the record as well, while Russell, who arrived late for the session, appears on the single’s B-side, “Monster Mash Party”.) The song was partially inspired by Paxton’s earlier novelty hit “Alley Oop”, as well as by the Mashed Potato dance craze of the era. A variation on the Mashed Potato was danced to “Monster Mash”, in which the footwork was the same but Frankenstein-style monster gestures were made with the arms and hands. The song is narrated by a mad scientist whose monster, late one evening, rises from his slab to perform a new dance. The dance becomes “the hit of the land” when the scientist throws a party for other monsters. The producers came up with several low-budget but effective sound effects for the recording. For example, the sound of a coffin opening was imitated by a rusty nail being pulled out of a board. The sound of a cauldron bubbling was actually water being bubbled through a straw, and the chains rattling were simply chains being dropped on a tile floor. In addition to narrating the song in the Karloff voice, Pickett also impersonated fellow horror film actor Bela Lugosi as Count Dracula with the line, “Whatever happened to my Transylvania Twist?” The song was re-released several times and appeared in the U.S. Billboard charts on two occasions after the original release: August 1970 and May 1973. The BBC had banned the record from airplay in 1962 on the grounds that the song was “too morbid”. It was re-released in the United Kingdom in 1973, where it peaked at #3 in early October. In the U.S. the record re-entered the Hot 100 on May 5, 1973, peaking at #10 on August 11. On the September 15, 1973 edition of American Top 40, Casey Kasem mistakenly said that the record had accumulated 40 weeks on the Hot 100, which then would have been the all-time record, only for a listener to inform Kasem later that the record’s three weeks on the Hot 100 in 1970 had been included in the 1973 run, thus reducing the total to 37 weeks. The record has not charted on the Hot 100 since then. To celebrate the 1973 release, Bobby and the Crypt-Kickers toured Dallas and St. Louis around the 1973 Halloween holiday. On this tour, the Crypt-Kickers were composed of Brian Ray (now guitarist with Paul McCartney), drummer Brian Englund, keyboardist Don Chambers, singer Jean Ray, and others. “Monster Mash” re-entered the British charts again on November 2, 2008 at #60. “Monsters’ Holiday”, a Christmas-themed follow up, was recorded by Pickett and released in December 1962, peaking at #30 on the Billboard chart. The tune was penned by the renowned novelty song composer Paul Harrison. In 1985, with American culture experiencing a growing awareness of rap music, Pickett released “Monster Rap”, which describes the mad scientist’s frustration at being unable to teach the dancing monster from “Monster Mash” how to talk. The problem is solved when he teaches the monster to rap. A movie musical based on the song starring Pickett was released in 1995. During the 2004 presidential election, Pickett turned the song into a campaign video and retitled it “Monster Slash,” with lyrics by environmental campaigner Peter Altman, which critiqued President George W. Bush’s environmental policies. The “Transylvania Twist,” mentioned in the lyrics of “Monster Mash,” was written into a full song for the film Spookley the Square Pumpkin (Pickett narrated) and performed by The Honeydoos, a Pointer Sisters-like girl group of singing melons. The backing singers for the record were The Blossoms, led by Darlene Love.]

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:36 – Interview with Boris Karloff

Joining us now, in our 90.1 FM Radio studios is a giant star of stage & screen, an english actor who had already acted in eighty films before being found by director James Whale and cast in his 81st role as Frankenstein’s monster in the classic 1931 film Frankenstein. The role propelled him to stardom. Boris Karloff went on star in Bride of Frankenstein in 1935, and Son of Frankenstein in 1939. He also appeared as Imhotep in The Mummy in 1932.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

Boris Karloff was born William Henry Pratt on November 23, 1887, at 36 Forest Hill Road, Camberwell, Surrey (now London), England, but Pratt stated that he was born in nearby Dulwich. His parents were Edward John Pratt, Jr. and Eliza Sarah Millard. His brother, Sir John Thomas Pratt, was a British diplomat. His mother’s maternal aunt was Anna Leonowens, whose tales about life in the royal court of Siam (now Thailand) were the basis of the musical The King and I. Pratt was bow-legged, had a lisp, and stuttered as a young boy. He conquered his stutter, but not his lisp, which was noticeable throughout his career in the film industry.

Pratt spent his childhood years in Enfield, in the County of Middlesex. He was the youngest of nine children, and following his mother’s death was brought up by his elder siblings. He received his early education at Enfield Grammar School, and later at the private schools of Uppingham School and Merchant Taylors’ School. After this, he attended King’s College London where he took studies aimed at a career with the British Government’s Consular Service. However, in 1909, he left university without graduating and drifted, departing England for Canada, where he worked as a farm labourer and did various odd itinerant jobs until happening upon acting.

Karloff acted in eighty movies before being found by James Whale and cast in his eighty-first movie, Frankenstein. Karloff’s role as Frankenstein’s monster in Frankenstein propelled him to stardom. The bulky costume with four-inch platform boots made it an arduous role but the costume and extensive makeup produced the classic image.
The costume was a job in itself for Karloff with the shoes weighing 11 pounds each. Universal Studios was quick to acquire ownership of the copyright to the makeup format for the Frankenstein monster that Jack P. Pierce had designed. Karloff was soon cast as Imhotep who is revived in The Mummy, a mute butler in The Old Dark House (with Charles Laughton) and the starring role in The Mask of Fu Manchu, which were all released within a few months of each other in late 1932. These films confirmed Karloff’s stardom. 5′ 11″, brown-eyed Karloff still played roles in other genres besides horror, such as a religious World War I soldier in the John Ford epic The Lost Patrol (1934).

Horror, however, had now become Karloff’s primary genre, and he gave a string of lauded performances in Universal’s horror films, including several with Bela Lugosi, his main rival as heir to Lon Chaney’s status as the leading horror film star. While the long-standing, creative partnership between Karloff and Lugosi never led to a close friendship, it produced some of the actors’ most revered and enduring productions, beginning with The Black Cat (1934) and continuing with Gift of Gab (1934), The Raven (1935) and The Invisible Ray (1936). Karloff reprised the role of Frankenstein’s monster in two further films, Bride of Frankenstein (1935) and Son of Frankenstein (1939), the latter also featuring Lugosi, with Basil Rathbone replacing Colin Clive as the scientist playing god. Rathbone appeared with Karloff again in Tower of London (1939) as the murderous henchman of King Richard III. Karloff revisited the Frankenstein mythos in several later films as well, taking the starring role of the villainous Dr. Niemann in House of Frankenstein (1944), in which the monster was played by Glenn Strange. He reprised the role of the “mad scientist” in 1958’s Frankenstein 1970 as Baron Victor von Frankenstein II, the grandson of the original creator. The finale reveals that the crippled Baron has given his own face (i.e., Karloff’s) to the monster.

10:41 – Haunted Recordings

13. Jason Beers – “Release the Mice!”
from: Ghoulish Songs for Cretins / Jason Beers / August 20, 2018
[Multi-instrumentalist and songwriter Jason Beers is a founding member of The Brannock Device, Dead Voices, and WYCO Lowriders with Johnny Hamil. Jason is known for his bass playing, and his work with Clawhammer banjo, organ/piano/keyboards, trumpet, musical saw, spoons, harmonica, and guitar. Jason has also released multiple recordings with the bands he is associated with through the years. As a solo artist, this year alone, Jason has released 10 full length albums, all available, with 9 previously released albums on his BandCamp page: http://www.jasonbeers.bandcamp.com]

14. Siouxsie & The Banshees – ” Halloween”
from: Juju / Polydor / June 6, 1981
[4th studio album from British post-punk band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. Initially associated with the English punk rock scene, the band rapidly evolved to create “a form of post-punk discord full of daring rhythmic and sonic experimentation”. The Times cited Siouxsie and the Banshees as “one of the most audacious and uncompromising musical adventurers of the post-punk era.” With the release of Juju the group became an important influence on the emerging gothic rock scene. They disbanded in 1996, with Siouxsie and drummer Budgie continuing to record music as The Creatures, a 2nd band they’d formed in the early 1980s. In 2004, Siouxsie began a solo career.]

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:48 – More with Boris Karloff

In non-horror roles, he is best-known for narrating and as the voice of Grinch in the animated television special of Dr. Seuss’ How the Grinch Stole Christmas! from 1966. For his contribution to film and television, Boris Karloff was awarded two stars on the Hollywood Walk of Fame.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

The 1940s and 1950s – An enthusiastic performer, he returned to the Broadway stage in the original production of Arsenic and Old Lace in 1941, in which he played a homicidal gangster enraged to be frequently mistaken for Karloff. Frank Capra cast Raymond Massey in the 1944 film, which was shot in 1941, while Karloff was still appearing in the role on Broadway (the play’s producers allowed the film to be made under the condition that it not be released until the play closed). He reprised the role on television in the anthology series The Best of Broadway (1955), and with Tony Randall and Tom Bosley in a 1962 production on the Hallmark Hall of Fame.
In 1944, he underwent a spinal operation to relieve his chronic arthritic condition.

His connection with Bela Lugosi continued with Black Friday (1940), You’ll Find Out (also 1940) and The Body Snatcher (1945), the first of three films with RKO produced by Val Lewton. Isle of the Dead (also 1945) and Bedlam (1946) completed the trio.

He married 5 times and had 1 daughter Sara Karloff, by his 4th wife. One marriage was in 1946 right after his divorce. At the time of his daughter’s birth, he was filming Son of Frankenstein and reportedly rushed from the film set to the hospital while still in makeup.

For his contribution to film and television, Boris Karloff was awarded two stars on the Hollywood Walk of Fame, at 1737 Vine Street for motion pictures, and 6664 Hollywood Boulevard for television. Karloff was featured by the U.S. Postal Service as Frankenstein’s Monster and the Mummy in its series “Classic Monster Movie Stamps” issued in September 1997. In 1998, an English Heritage blue plaque was unveiled in his hometown in London. The British film magazine Empire in 2016 ranked Karloff’s portrayal as Frankenstein’s monster the sixth-greatest horror movie character of all time.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

10:53 – Haunted Recordings

15. Thom Yorke – “Voiceless Terror”
from: Suspiria (Music for the Luca Guadagnino Film) / XL Recordings / October 26, 2018
[Suspiria is a 2018 supernatural horror film directed by Luca Guadagnino and written by David Kajganich, based on the 1977 film directed by Dario Argento. Radiohead singer Thom Yorke composed the score, his first feature film soundtrack. It features the London Contemporary Orchestra and Choir and Yorke’s son Noah on drums. He initially refused the offer, but accepted after months of requests from Guadagnino. Much of the score was completed prior to the film shoot, which afforded Guadagnino the opportunity to play the musical score on set during filming. Yorke cited inspiration from the 1982 Blade Runner soundtrack, musique concrète artists such as Pierre Henry, modern electronic artists such as James Holden, and music from the film’s 1977 Berlin setting, such as krautrock. He said: “There’s a way of repeating in music that can hypnotise. I kept thinking to myself that it’s a form of making spells. So when I was working in my studio I was making spells. I know it sounds really stupid, but that’s how I was thinking about it.” Suspiria stars Dakota Johnson, Tilda Swinton in a triple role, Mia Goth, Angela Winkler, Ingrid Caven, Elena Fokina, Sylvie Testud, Renée Soutendijk, Christine LeBoutte, Fabrizia Sacchi, Małgosia Bela, Jessica Harper, and Chloë Grace Moretz. Harper, the lead in the original film, appears in a different role. Set in 1977 Berlin, the plot follows a young American dancer who enrolls at a prestigious dance academy controlled by a coven of witches. Unlike in Argento’s original film which utilized exaggerated color, Guadagnino conceived Suspiria as visually “winter-ish” and bleak, absent of any primary colors. The film also incorporates stylized dance sequences choreographed by Damien Jalet, which factor significantly in its representation of witchcraft. Concurrent to its plot surrounding the coven is a secondary plot involving a psychotherapist who lost his wife under the Nazi regime. Principal photography for Suspiria took place in late 2016 and early 2017 in Varese and Berlin. The score was composed by Radiohead singer Thom Yorke, who completed much of the arrangements prior to and during filming. Suspiria premiered at the 75th Venice International Film Festival on September 1, 2018. In the United States, it was released in a limited release by Amazon Studios in Los Angeles and New York on October 26, 2018, followed by Halloween screenings in select cities before opening wide on November 2, 2018. It will be released in the United Kingdom by Mubi on November 16, 2018.]

16. Jametatone – “Too Late”
from: Empty Bliss / J. Ashley Miller / March 21, 2017
[3-song rare EP from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the The 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe “Unplugged” with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. On December 21, 2017 Jametatone released anew 10-song album “Frog In The Pot”, the solo project of J. Ashley Miller who also records with his band as Metatone You can view more of Ashley’s work at http://www.jametatone.com.]

17. The Misfits – “Halloween”
from: Halloween – Single / Plan 9 Records / October 31, 1981
[Also available on Just Can’t Get Enough: New Wave Halloween. “Halloween” is the 5th single by the horror punk band the Misfits. It was released on singer Glenn Danzig’s label Plan 9 Records. 5,000 copies of the single were pressed on black 7″ vinyl, some of which included a lyrics sheet. This was the first Misfits release to use their Famous Monsters of Filmland-inspired logo, as well as the first to refer to the band as simply “Misfits”. American punk rock band recognized as the progenitors of the horror punk subgenre, blending punk and other musical influences with horror film themes. Founded in 1977 in Lodi, New Jersey by singer & songwriter Glenn Danzig, the group had a fluctuating lineup during its first six years, with Danzig and bassist Jerry Only as the only consistent members. During this time they released several EPs and singles, and with Only’s brother Doyle as guitarist, the albums Walk Among Us (1982) and Earth A.D./Wolfs Blood (1983), both considered touchstones of the early-1980s hardcore punk movement. Misfits disbanded in 1983 and Danzig went on to form Samhain and then the eponymous Danzig. Several albums of reissued and previously unreleased material were issued after the group’s dissolution, and their music became influential to punk rock, heavy metal, and alternative rock music.]

11:01 – Station ID

11:00 – Haunted Recordings

18. Bette Davis – “Kaleidoscope, Broadcast on BBC Radio (Sept. 11, 1974)”
from: Bette Davis In Her Own Words / AudioGO Ltd / September 26, 2011
[In a selection of interviews ranging from 1958 to 1987, Bette Davis talks about visiting England; her career as a star; the film studio’s attempts to change her name and image, and the Hollywood film system. Interviews include: Profile, BBC TV (first broadcast 12 September 1958); Bette Davis at the NFT, BBC TV (first broadcast 17 December 1972); Kaleidoscope, BBC Radio (first broadcast 11 September 1974); Parkinson, BBC TV (18 October 1975); Nine Five, BBC TV (first broadcast 31 October 1975); Woman’s Hour, BBC Radio (first broadcast 12 September 1979); Arena, BBC TV (first broadcast 2 November 1983). Due to the age and nature of this archive material, the sound quality may vary.]

19. Bette Davis – “Whatever Happened to Baby Jane”
from: The Andy Williams Show / Unreleased / December 20, 1962
[Shortly after filming What Ever Happened To Baby Jane? On December 20, 1962, Bette Davis was a guest on The Andy Williams Show to promote the film and upcoming record. When Williams asked Davis what her new record sounded like, she used her fabulous sense of humor to compare it to Chubby Checker. Things really got good when Williams announced that Davis would be performing a little tune for the audience. Davis brought the awesome in a sparkly blue dress, with some sassy dance moves and a set of raspy vocal pipes that were clearly touched by years of constant chain-smoking. The best part is that Davis was happily aware of the camp and the silliness of her performance but she let it rip, regardless. What Ever Happened To Baby Jane? / was released on 7″ Vinyl, in 1962 credited to Bette Davis and Debbie Burton (who on the record does most of the singing) The B-side is: “I’ve Written A Letter To Daddy” on MGM Records.]

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

11:03 – Interview with Bette Davis

Ruth Elizabeth “Bette” Davis was born April 5, 1908 in Lowell, Massachusetts (She died on October 6, 1989). She was an American actress of film, television, and theater. With a career spanning 60 years, she is regarded as one of the greatest actresses in Hollywood history. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute.

Bette Davis Thanks for being with us again on Wednesday MidDay Medley

“Bette” Davis was noted for playing unsympathetic, sardonic characters, and was famous for her performances in a range of film genres, from contemporary crime melodramas to historical and period films, suspense horror, and occasional comedies, although her greatest successes were her roles in romantic dramas.

After appearing in Broadway plays, Davis moved to Hollywood in the summer of 1930. However, her early films for Universal Studios (and as a loanout to other studios) were unsuccessful. She joined Warner Bros. in 1932, and established her career with several critically acclaimed performances. In 1937, she attempted to free herself from her contract. Although she lost the well-publicized legal case against the studio, it marked the beginning of the most successful period of her career. Until the late 1940s, she was one of American cinema’s most celebrated leading ladies, known for her forceful and intense style. Davis gained a reputation as a perfectionist who could be highly combative and confrontational. She clashed with studio executives and film directors, as well as many of her co-stars. Her forthright manner, idiosyncratic speech, and ubiquitous cigarette contributed to a public persona, which has often been imitated.

Davis was the co-founder of the Hollywood Canteen, and was the first female president of the Academy of Motion Picture Arts & Sciences. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute. Her career went through several periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships. Married four times, she was once widowed and three times divorced, and raised her children as a single parent. Her final years were marred by a long period of ill health, but she continued acting until shortly before her death from breast cancer, with more than 100 film, television, and theater roles to her credit during her six-decade-long career. In 1999, Davis was placed second behind Katharine Hepburn on the American Film Institute’s list of the greatest female stars of classic Hollywood cinema.

11:08 – Haunted Recordings

20. Madonna – “Frozen”
from: Ray Of Light / Maverick – Warner Bros. / February 22, 1998
[7th studio album by Madonna. After giving birth to her first child, Madonna started working on the album with producers Babyface & Patrick Leonard. Following failed sessions, Madonna pursued a new musical direction with English producer William Orbit. The recording process was the longest of Madonna’s career and experienced problems with Orbit’s hardware arrangement, which would break down, and recording would be delayed until they could be repaired. A departure, Ray of Light is an electronica and dance album which incorporates multiple genres, including ambient, trip hop, and Middle Eastern music. Vocally, the album saw Madonna sing with greater breadth and a fuller tone. Mystical themes are also strongly present in both the music & lyrics, as a result of Madonna embracing Kabbalah, her study of Hinduism & Buddhism, as well as her daily practice of Ashtanga Yoga. The album received universal acclaim, with reviews commending the singer’s new musical direction. Called her “most adventurous” record, Ray of Light has been noted for its introspective, spiritual nature, with Madonna’s vocals also being praised. Ray of Light won four Grammy Awards from a total of six nominations. The album peaked at #1 in several countries including Australia, Canada, Germany, Poland, and the UK. The album debuted at #2 on the US Billboard 200, with the biggest first-week sales by a female artist at the time, and has sold over 16 million copies worldwide. Five singles were released from the album, including the international hits “Frozen” and “Ray of Light”. The album’s promotion was later supported by the Drowned World Tour in 2001. Academics have noted the album’s influence on popular music, and how it introduced electronica into mainstream pop culture. They also noted Madonna’s musical re-invention which helped her remain contemporary among the teen-marketed artists of the period. Ray of Light is frequently cited by critics as one of the greatest albums of all time.]

21. Cesar Davila-Irizarry & Charlie Clouser – “American Horror Story Theme”
from: American Horror Story Theme – Single / 20th Century Fox TV Records / Oct 17, 2012
[The song was composed in 1998 by César Dávila-Irizarry. Today he’s a television sound editor in Los Angeles, but back then he was just a sophomore at the University of Puerto Rico, living at his mother’s house, futzing around with digital remixes on Windows ’95. “I started playing around with the software that other people were using then, which was Cool Edit 96,” he recalls. “I was just getting some demons out.” He grew attached to a particular sparse, haunting melody and added sounds of clattering metal hangers, dripping water and white noise—all distorted beyond recognition. To some ears, the hangers might sound like an electric guitar. He gave the song to his friend Gabriel Diaz and didn’t think much about it until Diaz—now an editor at Prologue Pictures—dusted off the track a decade later and slotted it in as a temp track for the American Horror Story title sequence. (A temp track is placeholder music that editors use while working on rough cuts.) Everyone at FX and Prologue grew so accustomed to Dávila-Irizarry’s song, they decided to keep it—even after hiring composer Charlie Clouser (formerly of Nine Inch Nails) to write entirely new music. Clouser submitted four of his own demos, but each time was told to make the music sound more like the temp track.

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

11:15 – More with Bette Davis

We’re with legendary star of film Bette Davis was born April 5, 1908 in Lowell, Massachusetts (She died on October 6, 1989). She was, regarded as one of the greatest actresses in Hollywood history. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute.

Bette Davis – Thanks for being with on Wednesday MidDay Medley

In 1930, 22-year-old Davis moved to Hollywood to screen test for Universal Studios. Davis and her mother traveled by train to Hollywood. She later recounted her surprise that nobody from the studio was there to meet her. In fact, a studio employee had waited for her, but left because he saw nobody who “looked like an actress”. She failed her first screen test, but was used in several screen tests for other actors. In a 1971 interview with Dick Cavett, she related the experience with the observation, “I was the most Yankee-est, most modest virgin who ever walked the earth. They laid me on a couch, and I tested fifteen men … They all had to lie on top of me and give me a passionate kiss. Oh, I thought I would die. Just thought I would die.” A second test was arranged for Davis, for the 1931 film A House Divided. Hastily dressed in an ill-fitting costume with a low neckline, she was rebuffed by the film director William Wyler, who loudly commented to the assembled crew, “What do you think of these dames who show their chests and think they can get jobs?”. Carl Laemmle, the head of Universal Studios, considered terminating Davis’ employment, but cinematographer Karl Freund told him she had “lovely eyes” and would be suitable for Bad Sister (1931), in which she subsequently made her film debut. Her nervousness was compounded when she overheard the chief of production, Carl Laemmle, Jr., comment to another executive that she had “about as much sex appeal as Slim Summerville”, one of the film’s co-stars. The film was not a success, and her next role in Seed (1931) was too brief to attract attention.

Universal Studios renewed her contract for three months, and she appeared in a small role in Waterloo Bridge (1931), before being lent to Columbia Pictures for The Menace, and to Capital Films for Hell’s House (all 1932). After one year, and six unsuccessful films, Laemmle elected not to renew her contract. Davis was preparing to return to New York when actor George Arliss chose Davis for the lead female role in the Warner Bros. picture The Man Who Played God (1932), and for the rest of her life, Davis credited him with helping her achieve her “break” in Hollywood. The Saturday Evening Post wrote, “She is not only beautiful, but she bubbles with charm”, and compared her to Constance Bennett and Olive Borden.

Warner Bros. signed her to a 5-year contract, and she remained with the studio for the next 18 years. Davis married Harmon Oscar Nelson on August 18, 1932, in Yuma, Arizona. Their marriage was scrutinized by the press; his $100 a week earnings compared unfavorably with Davis’ reported $1,000 a week income. Davis addressed the issue in an interview, pointing out that many Hollywood wives earned more than their husbands, but the situation proved difficult for Nelson, who refused to allow Davis to purchase a house until he could afford to pay for it himself. Davis had several abortions during the marriage. After more than 20 film roles, the role of the vicious and slatternly Mildred Rogers in the RKO Radio production of Of Human Bondage (1934), a film adaptation of W. Somerset Maugham’s novel, earned Davis her first major critical acclaim. Many actresses feared playing unsympathetic characters, and several had refused the role, but Davis viewed it as an opportunity to show the range of her acting skills. Her co-star, Leslie Howard, was initially dismissive of her, but as filming progressed, his attitude changed, and he subsequently spoke highly of her abilities. The director John Cromwell allowed her relative freedom: “I let Bette have her head. I trusted her instincts.” She insisted that she be portrayed realistically in her death scene, and said: “The last stages of consumption, poverty, and neglect are not pretty, and I intended to be convincing-looking.” The film was a success, and Davis’ characterization won praise from critics, with Life writing that she gave “probably the best performance ever recorded on the screen by a U.S. actress”. Davis anticipated that her reception would encourage Warner Bros. to cast her in more important roles, and was disappointed when Jack L. Warner refused to lend her to Columbia Studios to appear in It Happened One Night, and instead cast her in the melodrama Housewife. When Davis was not nominated for an Academy Award for Of Human Bondage, The Hollywood Citizen News questioned the omission, and Norma Shearer, herself a nominee, joined a campaign to have Davis nominated. This prompted an announcement from the Academy president, Howard Estabrook, who said that under the circumstances, “any voter … may write on the ballot his or her personal choice for the winners”, thus allowing, for the only time in the Academy’s history, the consideration of a candidate not officially nominated for an award. The uproar led, however, to a change in academy voting procedures the following year, wherein nominations were determined by votes from all eligible members of a particular branch, rather than by a smaller committee, with results independently tabulated by the accounting firm Price Waterhouse. Davis appeared in Dangerous (1935) as a troubled actress, and received very good reviews.

Following the attack on Pearl Harbor, Davis spent the early months of 1942 selling war bonds. After Jack Warner criticized her tendency to cajole crowds into buying, she reminded him that her audiences responded most strongly to her “bitch” performances. She sold $2 million worth of bonds in two days, as well as a picture of herself in Jezebel for $250,000. She also performed for black regiments as the only white member of an acting troupe formed by Hattie McDaniel, which included Lena Horne and Ethel Waters.

In 1960, Davis, a registered Democrat, appeared at the 1960 Democratic National Convention in Los Angeles, where she met future President John F. Kennedy, whom she greatly admired. Outside of acting and politics, Davis was an active and practicing Episcopalian.

1961-1970: Renewed success – Davis received her final Academy Award nomination for her role as demented Baby Jane Hudson in What Ever Happened to Baby Jane? (1962) Davis and Joan Crawford played two aging sisters, former actresses forced by circumstance to share a decaying Hollywood mansion. The director, Robert Aldrich, explained that Davis and Crawford were each aware of how important the film was to their respective careers, and commented: “It’s proper to say that they really detested each other, but they behaved absolutely perfectly.” After filming was completed, their public comments against each other allowed the tension to develop into a life-long feud. When Davis was nominated for an Academy Award, Crawford contacted the other Best Actress nominees (who were unable to attend the ceremonies) and offered to accept the award on their behalf, should they win. When Anne Bancroft was announced as winner, Crawford accepted the award on Bancroft’s behalf.

Hush… Hush, Sweet Charlotte (1964) was Robert Aldrich’s follow-up to What Ever Happened to Baby Jane?. Aldrich planned to reunite Davis and Crawford, but Crawford withdrew allegedly due to illness soon after filming began. She was replaced by Olivia de Havilland. The film was a considerable success, and brought renewed attention to its veteran cast, which also included Joseph Cotten, Mary Astor, Agnes Moorehead, and Cecil Kellaway.

Davis’ name became well known to a younger audience when Kim Carnes’ song “Bette Davis Eyes” (written by Jackie DeShannon) became a worldwide hit and the best-selling record of 1981 in the U.S., where it stayed at #1 on the music charts for more than two months. Davis’ grandson was impressed that she was the subject of a hit song and Davis considered it a compliment, writing to both Carnes and the songwriters, and accepting the gift of gold and platinum records from Carnes, and hanging them on her wall.

Bette Davis – Thanks for being with on Wednesday MidDay Medley

11:20 – Haunted Recordings

22. Screaming Jay Hawkins – “I Put a Spell on You”
from: Single – (Jeremy Sole’s Zombie Stomp Remix) / self released / 2011
[Jeremy Sole is a critically acclaimed DJ, he is also a radio show host at KCRW in Santa Monica, California (www.kcrw.com) and is Co-Founder and resident deejay of “AFRO FUNKÉ.” Sole has drawn a loyal crowd every week for the past 7 years. This is his arena for Afrobeat, Latin, Brazilian and other authentic and remixed world rhythms. Hundreds of international guests have joined him, from deejays Rich Medina and Cut Chemist to impromptu jam sessions with Zap Mama and Stevie Wonder. “Jeremy is a great DJ, presenter, producer and knower-of-music …an extremely cool dude. I cannot stop listening to his remix of ‘I Put A Spell On You’ …it’s irresistible.” – Henry Rollins]

23. Snoop Dogg–”Murder Was the Case (Death After Visualizing Eternity)[feat. Dat Nigga Daz]”
from: Doggystyle / Death Row Records / November 23, 1993
[Debut studio album by American rapper Snoop Doggy Dogg. IThe album was recorded and produced following Snoop’s appearances on Dr. Dre’s debut solo album The Chronic (1992), to which Snoop contributed significantly. The West Coast style in hip-hop that he developed from Dre’s first album continued on Doggystyle. Critics have praised Snoop Doggy Dogg for the lyrical “realism” that he delivers on the album and for his distinctive vocal flow. Despite some mixed criticism of the album initially upon its release, Doggystyle earned recognition from many music critics as one of the most significant albums of the 1990s, as well as one of the most important hip-hop albums ever released. Much like The Chronic, the distinctive sounds of Doggystyle helped introduce the hip-hop subgenre of g-funk to a mainstream audience, bringing forward West Coast hip hop as a dominant force in the early-1990s. Doggystyle debuted at No. 1 on the Billboard 200, selling 806,858 copies in its first week alone in the United States, which was the record for a debuting artist and the fastest-selling hip-hop album ever. Doggystyle was included on The Source magazine’s list of the 100 Best Rap Albums; as well as Rolling Stone magazine’s list of Essential Recordings of the ’90s.[3] About.com placed the album in No. 17 of the greatest hip hop/rap albums of all time.The album was certified quadruple platinum by the Recording Industry Association of America (RIAA). By November 2015, the album had sold 7 million copies in the United States, and over 11 million copies worldwide.]

24. AKADUNGEONMASTER –”SOF TRAP INTERLUDE”
from: SWINE FLU INSTRUMETALS VERSION ONE / Mother Russia Industries / July 13, 2013
[The experimental project of Tim J. Harte. musician, composer, co-founder of the Kansas City record label, Mother Russia Industries, Tim J.Harte makes music using Sega Genesis, Dungeons and Dragons, math and several hard working laptop computers. Tim J. Harte is currently studiing composition at UMKC’s Conservatory of Music. He just recently composed music and conducted a 7 piece ensemble for Trench Warfare, a theatrical performance presented last Saturday evening, January 13, at the National World War I Museum and Memorial J.C. Nichols Auditorium. Tim also composed original music for Ryan Wilks art exhibit, Here Where You Wish, is an immersive public installation at the Kansas City Public Library.]

Cristine McCurdy, Michael McQuary , Rebecca Monroe, and Mark Manning on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

11:28 – Underwriting

11:30 – Haunted Recordings

25. Kraftwerk – “Intermission (2009 Remaster)”
from: Radio-Activity (2009 Remaster) / Parlophone Records / October 6, 2009
[Origianally released in October 1975. The fifth studio album by German electronic band Kraftwerk. It is a concept album organized around the theme of radio communication. To cater to the band’s international audience, all releases of the album were bilingual with lyrics in both English and German, the only localised difference being the album and track titles. being about radioactivity and the other half about activity on the radio. More word plays are evident in the track listing: “Radio Stars”, which as a title could refer to pop stars, but upon listening is revealed to be about quasars and pulsars. This was the first Kraftwerk album to be entirely self-produced by Ralf Hütter and Schneider in their Kling Klang studio, and the first one to be performed by the “classic” Hütter, Florian Schneider, Karl Bartos and Wolfgang Flür line-up. All the music was written by Hütter and Schneider, with Emil Schult collaborating on lyrics. Schult also designed the artwork – a modified illustration of a late-1930s ‘Deutscher Kleinempfänger’ radio. It was the first Kraftwerk album to feature use of the distinctive Vako Orchestron keyboard (choir, string and organ sounds), which the group had purchased on their recent US Autobahn tour and the Moog Micromoog which was used extensively on this album. Notably, it provided the harsh sounds on the track “Antenna”. The band’s custom-built electronic percussion also featured heavily in the sound, and extensive use was made of the vocoder. The usual synthesizers were present (including Minimoog and ARP Odyssey), and Hütter’s Farfisa electronic piano made a return on “Transistor”. For the first time the group did not use flute, violin or guitars. By 1975, Hütter and Schneider’s previous publishing deals with Capriccio Music and Star Musik Studio of Hamburg had expired. The compositions on Radio-Activity were published by their own newly set up Kling Klang Verlag music publishing company, giving them greater financial control over the use of songwriting output. Also, the album was the first to bear the fruit of Kling Klang as an established vanity label under the group’s new licensing deal with EMI. The album reached #59 in Canada, in February 1976. The title track “Radioactivity” was released as a single, and became a hit in France after it was used as the theme to a popular music show. The song was later re-recorded by Kraftwerk for their 1991 album The Mix. It was further remixed, for subsequent single release, by William Orbit and François Kevorkian.]

26. Jimi Shawndi – “Creatures Of The Night ( Michael Mixxxx)”
from: Creatures of The Night – Single / Jimi Shwndi / 2018
[This recording features the vocal talents of Michael McQuary]

11:33 – Interview with Michael McQuary

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

“Michael McQuary is more than a pretty face, and he’s got a thousand, anyway. His is a talent today’s entertainment world needs more of. From Fu Manchu to Phantoms to Dietrich, Michael carries them all off to perfection, and I knew the originals. This talented entertainer perfects his transformations while allowing the audience a glimpse of the artist beneath the mask.” – Rex Reed

Michael McQuary – Thanks for being with on Wednesday MidDay Medley

Stage & screen actor, Michael McQuary was born and raised in Portland, Oregon in the 1960s. Michael tells us that he learned about the world “sideways,” and that as a child, “the movies took care of him.”

Michael remembers, at the age of 6, pointing to the television, spellbound by Bela Lugosi as Count Dracula, he said to his mother, “Look how he holds his cape!” From then on Michael’s childhood was focused on his own creative world.

Michael is a master impressionist, with a unique take on the legendary “Monsters of Filmland” and the brightest stars of Hollywood’s golden age. Michael is also a character actor and can be seen in multiple films and shorts.

Michael was the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, Crystal Allan Strikes Back, Back Then They Had Faces, My Own Space and most recently, for KC Fringe Festival “I’m Hollywood.”

He is also a visual stylist and original “Party Monster – Club Kid” from downtown NYC.
Along with performing, Michael McQuary works as a visual artist, making a name for himself at celebrated events where he wows spectators with #youressenceinseconds.

Michael also designs very special works that are forged into art and jewelry based on a one-of-a-kind symbols he creates individually for clients through his company: http://www.YourPowerSign.com.

Michael McQuary – Thanks for being with on Wednesday MidDay Medley

11:40 – Apocalypse Meow 11

27. Hot Suede – “Forget About You”
from: Forget About You – Single / Hot Suede / August 16, 2018
[Formed October 4, 2017, Hot Suede is a new original rock and roll band from Kansas City, Missouri showcasing fiery guitar riffs, an equally groovy and thunderous rhythm section, soaring vocals, and unparalleled swagger. Rising from the ashes of juggernaut Cherokee Rock Rifle, guitarists Doug Nelson, Scott Reed, and drummer Brett Southard joined forces with bassist Chad Toney and vocalist Wayne Hutcherson aka Bobby W. Topaz to form an unpretentious rock band with classic undertones and guitar-driven songwriting. On October 12, 2017 Hot Suede released the single “Get What You Came For.” On December 20, 2017 Hot Suede released the single, “Make It Harder.” More info at: http://www.hotsuede.com]

[Hot Suede play Mills Record Company, Fri, Nov 2, at 7:00 PM for Apocalypse Meow 11, Night One.]

11:43 – Interview with Sondra Freeman

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

Abigail Henderson co-founded Midwest Music Foundation, since her death, five years ago, friends, musicians, collaborators have kept this not-for-profit alive.

Midwest Music Foundation is a part of events all year round: Midcoast Takeover, Middle of The Map Fest, Crossroads Music Fest, and more.

The Midwest Music Foundation and 90.9 The Bridge are proud to present the 11th Annual Apocalypse Meow to benefit Abby’s Fund for Musicians’ Health Care on Friday, Nov. 2 and Saturday, Nov. 3.

For more information http://www.midwestmusicfoundation.org/apocalypsemeow

It kicks off with a free, all-ages concert at Mills Record Company (4045 Broadway Blvd) on Friday, Nov. 2, with Hot Suede and The Whiffs. Doors open at 7 p.m., and Barry Lee (KKFI 90.1 FM) will emcee.

The main event is held on Saturday, Nov. 3, at recordBar (1520 Grand Blvd), with doors opening at 6 p.m. The Too Much Rock Main Stage will showcase performances by Bacon Shoe, The Almighty Trouble Brothers, Chris Meck and The Second Sons, and Chase The Horseman. Jen Harris, Kelly Hunt and Eems will perform on the acoustic stage. Jonathan Wier (The Jonathan Wier Show, KMBZ-FM 98.1) and Paul Chandler (X105.1KC and 105.9 KISS FM) will emcee. Tickets for Saturday are available for $10 at this link or $15 at the door.

RockDocs, a collaboration of University of Kansas and the Community Health Council of Wyandotte County will be on site Saturday to offer health care and ACA information, screenings, wellness programs, opportunities to discuss health conditions and concerns, and arrange follow ups.

A silent auction and raffles will feature an assortment of items donated by local businesses. This event is supported by the Kansas City Neighborhood Tourist Development Fund. More information and a full list of sponsors can be found here. To view a promotional video about Apocalypse Meow with support from Mayor Sly James, visit this link.

In 2008, Apocalypse Meow was established to raise medical funds for local musician Abigail Henderson, who had been diagnosed with cancer. Compelled to give back to the community, she co-founded MMF to provide musicians with health care assistance. Though she passed away in 2013, Abigail’s mission continues — MMF provides financial resources, educational programs, health clinics and events throughout the year. Abby’s Fund dispenses emergency health care grants to KC-area musicians, having contributed more than $130,000 since its inception.

For more information you can visit http://www.midwestmusicfoundion.org.

11:55

28. Chase The Horseman – “RIPchord”
from: RIPchord – Single / Chase the Horseman / eOctober 24, 2017
[Recorded at Element Recording with Engineering, Mixing, Mastering, Coiling, Tutelage nu Joel Nanos , and Fritz Hutchison on C&C Drums, Kustom K Cymbals, Heidi Lynne Gluck on Fender Jazz Bass, Grounding, and Chase Horseman on Prophet 600, Wurlitzer 206, Drumbrute, Arp Explorer, Hagstrom 12-String, Framus 12 String, vox. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more.]

[Chase The Horseman plays Apocalypse Meow 11, Saturday, November 3 at recordBar, 1520 Grand with Chris Meck and the Second Sons, Bacon Shoe, The Almighty Trouble Brothers, Jen Harris, Kelly Hunt and Eems.]

29. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on November 7 we play more of New & MidCoastal Releases. Plus we’ll be joined by company members of Spinning Tree Theatre’s production of “The Nance” running through November 18 at Just Off Broadway Theatre, 3051 Central, KCMO. We’ll also talk with Ben Parks and Matthew Dunehoo about the debut recording of their band SLIGHTS and their album release show, November 30, at recordBar.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

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Show #758