WMM Playlist from June 10, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 10, 2020

Music Of The Movement
+ Marion Merritt + Betse Ellis +
Sterling Witt

As Pete Seeger wrote: “Songs gave them the courage to believe they would not fail.” WMM features music of and inspired by The Civil Rights and Black Lives Matter Movement.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s Adopted Theme Song]

2. Sweet Honey in The Rock, Aaron Neville, Lamar Campbell & Spirit of Praise – “Ella’s Song”
from: Soundtrack to Boycott / HBO / February 13, 2001
[Song written by Bernice Johnson Reagon, one of the founders of Sweet Honey in The Rock. Boycott is a critically acclaimed 2001 film staring Jeffrey Wright as Dr. Martin Luther King, Jr., Terrence Howard as Ralph Abernathy, and CCH Pounder as Jo Ann Robinson.]

10:06 – 2020 Spring Fund Drive Edition Pledge Break #1

Guest Fund Drive Co-Hosts: Betse Ellis and Marion Merritt

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Betse Ellis is also part of the Short Round Stringband, the 5-piece band that last year released a 14-track album called, Ain’t No Part of Nothin’ that is a musical tribute to Bill Monroe.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West in 1978. For 16 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. With her partner Ann Stewart, Marion is the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features new vinyl releases, in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding, and a 30th birthday party. More information at: http://www.recordwithmerritt.com

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique mission an, 24-7 programming. 90.1 FM KKFI is celebrating our 32nd year on the airwaves. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We’re non-profit, but we still have to pay the electric bill, the rent on our fully accessible production studios and offices, insurance, staff, royalties, production expenses. Even though we have hundreds of committed volunteers, who donate thousands of hours every year, producing radio shows, answering phones, creating websites, producing benefits, rewiring the board, setting up our computer system, we still need YOU, our listener.

YOU are the reason we are able to stay alive. Volunteers are waiting to hear from YOU right now. It only takes a few minutes. Call 888-931-0901. You can also visit us at http://www.kkfi.org, or call 888-931-0901 to support Kansas City Community Radio 90.1 FM.

Last year on WMM conducted 127 interviews, with 209 special guests.

10:14 – Music Of The Movement

3. Solomon Burke – “None Of Us Are Free”
from: Don’t Give Up On Me / Fat Possum / 2002
[Back up singers: The Blind Boys of Alabama. Born James Solomon McDonald, March 21, 1940, Solomon Burke died October 10, 2010. He was an American preacher & singer, who shaped the sound of rhythm & blues as one of the founding fathers of soul music in the 1960s and a “key transitional figure in the development of soul music from rhythm & blues. During the 55 years that he performed professionally, Burke released 38 studio albums on at least 17 record labels and had 35 singles that charted in the US, including 26 singles that made the Billboard R&B charts. In 2001, Burke was inducted into the Rock & Roll Hall of Fame as a performer. His album Don’t Give Up on Me won the Grammy Award for Best Contemporary Blues Album at the 45th Grammy Awards in 2003. By 2005 Burke was credited with selling 17 million albums.]

4. Sharon Jones & The Dap-Kings – “This Land is Your Land”
from: Naturally / Daptone / 2005 [written by Woody Guthrie.]
[In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, the released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, , for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007) and I Learned the Hard Way (2010). They are seen by many as the spearhead of a revival of soul and funk.]

10:24 – Pledge Break #2

Our WMM Spring Fund Drive Team: Marion Merritt and Betse Ellis

10:32 – Underwriting

10:34 – Music Of The Movement

5. Bobby Watson & The I Have a Dream Project–”Check Cashing Day” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / Aug. 28, 2013
[From wikipedia.org: “Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas.]

6. Krystle Warren – “Move!”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

10:44 – Pledge Break #3

Our WMM Spring Fund Drive Team: Marion Merritt and Betse Ellis

Thank you to: Elizabeth Mayer, K.C. Compton, John Long, Garth Matthes, Matt Kesler, Kathi Callahan Welch, Jack Phillips, Joel Nanos

10:52 – Music Of The Movement

7. Radkey – “Ain’t No Sunshine”
from: “Ain’t No Sunshine” – Single / Radkey / April 7, 2020
[Written by Bill Withers. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the 2018 Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. In 2018 the band went back on the road with The Damned throughout the United States. In December they went back into the studio to record with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. In 2018 the band released “Basement,” “St. Elwood,” “Rock & Roll Homeschool,” as well as several other singles. On February 22, 2019, Radkey released “No Strange Cats…P.A.W.” a 7-song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018.]

[Radkey plays RADKEY LIVE AND LOUD – LIVE STREAMING FROM RECORDBAR’S STAGE, Friday, June 12, 2020 at 8 PM – 10 PM, recordBar, 1520 Grand Boulevard, KCMO. The stream will be free on Facebook Live, IG Live and youtube. We are requesting donations through this page. We’ll be back open in late July. Stay safe, stay healthy.]

8. Hi-Lux – “Revolution”
from: Revolution / Get What You Give – Single / The Record Machine / March 6, 2020
[This KC based band is lead by singer Julia Haile, with Tim Braun on guitar, Nick Howell on keys, Dan Loftus on bass and Kian Bryne on drums. Hi-Lux is a Modern-Soul band that blends and bends the boundaries between soul, rock n roll, reggae, and funk. This group aims to create music that pays tribute to their myriad of influences (Amy Winehouse, The Meters, Sharon Jones and the Dap Kings) but also claims a spotlight of its own in the musical world. After a string os single releases, including one on 7” vinyl through Sunflower Soul Records, followed by the release of their self-titled EP, Hi-Lux has introduced an eclectic and impressive collection of songs to give the world a small taste of what’s to come. Hi-Lux is on a journey of musical discovery, mixing old and new to create something unique.]

9. Sterling Witt – “Werewolf”
from: Something’s Awry / Grand River Records Records / April 10, 2020
[All songs written by Sterling Witt. Copyright 2020 Disheartened Music (ASCAP). Produced by Sterling Witt. Recorded by Joel Nanos at Element Recording Studios, Kansas City Missouri. Sterling Witt on vocals & guitar, Kitten A. Boggs on bass & vocals, Evan Verploegh on drums. Grand River Records PO BOX 193 , Freeman MO 64746. http://www.SterlingWitt.com http://www.GrandRiverRecords.com ]

11:00 – Station ID

11:00 – Interview with Sterling Witt

KC based artist & musician Sterling Witt who joins us to share music and information about his new recording, “Something’s Awry” – twelve terrifying songs about monsters, cryptids, demons, parasites and the most unfortunate situations. The 12 songs are based on characters Sterling is writing and editing into a new book that relates to the album. ”Something’s Awry: Ting Tong and Other Terrifying Tales,” features art work by Witt. More info at: http://www.sterlingwitt.com

Sterling Witt Thank you for being with us on Wednesday MidDay Medley

Sterling Witt is an artist and musician. He lives in Missouri at the Art Farm near Freeman, MO (about 45 min south of KC).

Something’s Awry – Produced by Sterling Witt – Recorded by Joel Nanos at Element Recording Studios, Kansas City Missouri.

Sterling Witt – vocals, guitar, Kitten A. Boggs – bass, vocals , Evan Verploegh – drums

Grand River Records, PO BOX 193, Freeman MO 64746

http://www.SterlingWitt.com http://www.GrandRiverRecords.com

“Originality is a hard thing to come by these days; and not a word we use lightly, but it has to be said – Sterling Witt is IT.” -Indie Music Magazine

Since 2004 Sterling Witt has released five full-length albums and one 8-song EP, along with several singles. Witt’s latest album, “Satyagraha” was produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois. Sterling is currently preparing for his first museum show at the Albrecht-Kemper Museum in St. Joseph, Missouri.

Sterling Witt Discography

April 2020 – Something’s Awry
Oct 2015 – Satyagraha
Oct 2012 – Sterling Loves U
Aug 2009 – Shadows & Secrets
Aug 2006 – Sea Things
Oct 2004 – Self Portrait
Jan 2009 – Skeleton

Sterling told Nick Spack of The Pitch KC, “I’m in the final stages of writing and editing a book right now that relates to my album,” Witt says. “The album has 12 songs and the book has 24 stories and poems. Half of those stories I turned into songs to make the album Something’s Awry. – I was still writing the stories—half of which turned out to be poems that rhyme,” Witt continues. “All those poems sounded like they could be songs to me and my first thought was to keep the words to the songs in the same order as the poems, so that the story could be understood from listening to the song.”

Witt says that Something’s Awry, the album, can be thought of as being like an amped up audio book, with all the musical arrangements dictated by the words: “There are many oddities in the music and vocal melodies that happen just once. Maintaining the stories was the only rule I gave myself while turning them into songs: The words made me do it.”

The Art Farm is an isolated oasis in the country designed for making art and music. Sterling does not have Internet or TV.

Since 2004 Sterling Witt has released six full-length albums and one 8-song EP, along with several singles. Witt’s last album, “Satyagraha” was produced by Steve Albini at Electrical Audio Studios in Chicago, Illinois

Sterling Witt Thanks for being with us on WMM

Sterling Witt’s Something’s Awry is available now at sterlingwitt.bandcamp.com, with vinyl and compact disc versions coming later this year.

11:12

10. Sterling Witt – “Kelpie”
from: Something’s Awry / Grand River Records Records / April 10, 2020
[All songs written by Sterling Witt. Copyright 2020 Disheartened Music (ASCAP). Produced by Sterling Witt. Recorded by Joel Nanos at Element Recording Studios, Kansas City Missouri. Sterling Witt on vocals & guitar, Kitten A. Boggs on bass & vocals, Evan Verploegh on drums. Grand River Records PO BOX 193 , Freeman MO 64746. http://www.SterlingWitt.com http://www.GrandRiverRecords.com ]

11:15 – Pledge Break #4

This is WMM’s Spring Fund Drive Show with Marion Merritt & Betse Ellis.

Thank you to: Jennifer C. Owen, Joyce Downing, Bob Walkenhorst, Katherine Torbett, Matt Richey, Jon Cupit, Joelle St. Pierre, Kieth Clark, Jan Kohl

Earlier in the show we heard Krystle Warren. We were the first to play her music on the radio. Mark interviewed Krystle on KKFI in early 2002. During a winter snow storm, at a huge party where Krystle played with longtime friend Solomon Dorsey on bass, in a packed, smoke filled apartment, near Community Christian Church, Mark waited hours for a 2 song demo, that contained a song called “Chanel #5.” Krystle has since gone on to tour all over the world, but maintains contact with her hometown of KC. Krystle’s critically acclaimed album, Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017. WMM was the first to play tracks from Krystle’s album.

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:23 – Music Of The Movement

11. The Staple Singers – “When Will We Be Paid”
from: Single / Stax (Fantasy / Ace) / 1967
[The Staple Singers were an American gospel, soul and R&B singing group. Roebuck “Pops” Staples (December 28, 1914 – December 19, 2000), the patriarch of the family, formed the group with his children Cleotha (April 11, 1934 – February 21, 2013),[Pervis (b. 1935), and Mavis (b. 1939). Yvonne (October 23, 1937 – April 10, 2018) replaced her brother when he was drafted into the U.S. Army, and again in 1970. They are best known for their 1970s hits “Respect Yourself”, “I’ll Take You There”, “If You’re Ready (Come Go with Me)”, and “Let’s Do It Again”. While the family name is Staples, the group used “Staple” commercially. // First child to Roebuck “Pops” Staples and his wife Oceola Staples, Cleotha was born in Drew, Mississippi in 1934. Two years later, Roebuck moved his family from Mississippi to Chicago. Roebuck and Oceola’s children, son Pervis and daughters, Mavis and Yvonne, were born in Chicago. Roebuck worked in steel mills and meat packing plants while his family of four children grew up. The family began appearing in Chicago-area churches in 1948. Their first public singing appearance was at the Mount Zion Church, Chicago, where Roebuck’s brother, the Rev. Chester Staples, was pastor.[6] They signed their first professional contract in 1952. During their early career, they recorded in an acoustic gospel-folk style with various labels: United Records, Vee-Jay Records (their “Uncloudy Day” and “Will the Circle Be Unbroken?” were best sellers), Checker Records, Riverside Records, and then Epic Records in 1965. “Uncloudy Day” was an early influence on Bob Dylan, who said of it in 2015, “It was the most mysterious thing I’d ever heard… I’d think about them even at my school desk…Mavis looked to be about the same age as me in her picture (on the cover of “Uncloudy Day”)…Her singing just knocked me out…And Mavis was a great singer—deep and mysterious. And even at the young age, I felt that life itself was a mystery.” // The Staples move to Epic saw a run of albums, including the live in-church Freedom Highway album produced by Billy Sherrill; the title track of which was a civil rights movement protest song penned by Pops Staples. It was on Epic that the Staple Singers developed a style more accessible to mainstream audiences, with “Why (Am I Treated So Bad)” and “For What It’s Worth” (Stephen Stills) in 1967. In 1968, the Staple Singers signed to Stax Records and released two albums with Steve Cropper—Soul Folk in Action and We’ll Get Over, Pervis returning for them. After Cropper left Stax, Al Bell produced their recordings, conducting the rhythm sessions at the famed Muscle Shoals Sound Studio and cutting the overdubs himself with engineer/musician Terry Manning at Memphis’s Ardent Studios, moving in a more funk and soul direction. // “For most of this decade, Roebuck Staples—born December 12, 1915, about two weeks after Frank Sinatra—has been the oldest performer with direct access to the hit parade by some twenty-five years, so here’s your chance to mind your elders. It’s Mavis’s lowdown, occasionally undefined growl that dominates, of course; you should hear how secular she gets with an O.V. Wright blues that got buried on The Staple Swingers. But Pops’s unassuming moralism sets the tone and his guitar assures the flow.” —The Best of the Staples Singers review in Christgau’s Record Guide: Rock Albums of the Seventies (1981) // The Staple Singers’ first Stax hit was “Heavy Makes You Happy (Sha-Na-Boom-Boom)” in early 1971. Their late 1971 recording of “Respect Yourself”, written by Luther Ingram and Mack Rice, peaked at No. 2 on the Billboard R&B chart and No. 12 on the Billboard Hot 100. Both hits sold over one million copies and were each awarded a gold disc by the RIAA. The song’s theme of self-empowerment had universal appeal, released in the period immediately following the intense American civil rights movement of the 1960s. In 1972, “I’ll Take You There” topped both Billboard charts. In 1973, “If You’re Ready (Come Go With Me)” reached No. 9 on the Hot 100 and No. 1 on the R&B chart. // After Stax’s 1975 bankruptcy, The Staple Singers signed to Curtis Mayfield’s label, Curtom Records, and released “Let’s Do It Again”, produced by Mayfield; the song became their second No. 1 pop hit in the U.S., and the album was also successful. In 1976, they collaborated with The Band for their film The Last Waltz, performing on the song “The Weight” (which The Staple Singers had previously covered on their first Stax album). However, they were not able to regain their momentum, releasing only occasional minor hits. The 1984 album Turning Point featured a cover of the Talking Heads’ “Slippery People” (it reached the Top 5 on the Dance chart). In 1994, they again performed the song “The Weight” with country music artist Marty Stuart for MCA Nashville’s Rhythm, Country and Blues compilation, somewhat re-establishing an audience. The song “Respect Yourself” was used by Spike Lee in the soundtrack to his movie Crooklyn, made in 1994. // In 1999, The Staple Singers were inducted into the Rock and Roll Hall of Fame. Pops Staples died of complications from a concussion suffered in December 2000. In 2005, the group was awarded the Grammy Lifetime Achievement Award. Cleotha Staples died in Chicago on February 21, 2013, at the age of 78, after suffering from Alzheimer’s disease for over a decade. Mavis Staples has continued to carry on the family tradition and continues to add her vocal talents to both the projects of other artists and her own solo ventures. She appeared at Glastonbury in 2015, and her 2016 album Livin’ on a High Note includes a simple acoustic version of a Martin Luther King sermon in the track “MLK Song”. Yvonne Staples died on April 10, 2018 at the age of 80.]

12. Mavis Staples – “Eyes On The Prize”
from: We’ll Never Turn Back / Anti / April 24, 2007
[Rock & Roll Hall of Fame inductee Mavis Staples, of The Staple Singers, is a celebrated equal rights activist. She’s performed at inaugural parties for Presidents Kennedy, Carter and Clinton, Recordedin the run up to the Presidential election of Barrack Obama. Mavis Staples, marched, sang & protested alongside Dr. Martin Luther King during the Civil Rights movement of the 1960s. We’ll Never Turn Back is the seventh studio album by American gospel and soul singer Mavis Staples. Recorded in 2007 and produced by roots rock and blues musician Ry Cooder, it is a concept album with lyrical themes relating to the Civil Rights Movement of the 1950s and 1960s. Upon its release, We’ll Never Turn Back received positive reviews from most music critics. It was also named one of the best albums of 2007 by several music writers and publications. “Keep Your Eyes on the Prize” is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, “Gospel Plow,” also known as “Hold On,” “Keep Your Hand on the Plow,” and various permutations thereof. An early reference to the older song, “Gospel Plow,” is in Alan Lomax’s 1949 book “Our Singing Country.” The book references a 1937 recording by Elihu Trusty of Paintsville, Kentucky, which is in the Library of Congress (Ref No .1397 A1). Lomax’s references for Gospel Plow cite two earlier works. The first is from English Folk Songs from the Southern Appalachians published in 1917, indicating that Gospel Plow dates from at least the early twentieth century. The second reference is to a 1928 book, American Negro Folk-Songs, which shows an African-American heritage for the original song. The lyrics to the modern Civil Rights version of the song, “Keep Your Eyes on the Prize” are often attributed to Alice Wine from Johns Island, South Carolina. Mrs. Wine was a member of the Moving Star Hall and The Progressive Club on Johns Island. The book Ain’t You Got the Right to the Tree of Life by Guy and Candie Carawan. documents songs of the Moving Star Hall and the lives of African Americans on Johns Island in the early sixties. It is doubtful that Mrs. Wine actually composed the lyrics herself. More likely she had heard the revised refrain and variations on the verses of the older song from the congregation at the praise hall. The leading “Paul and Silas” stanzas in the modern “Keep Your Eyes on the Prize” lyrics were already present in some versions of the older “Keep Your Hand on the Plow.” Our Singing Country[1] shows these lyrics were already in use in 1949 and before. Odetta used them in her 1960 Carnegie Hall appearance and recording. Mrs Wine is credited by Candie Carawan only with having passed onto Guy Carawan the revision of the title from “Keep Your Hand on the Plow” to “Keep Your Eyes on the Prize.” Lyrics for traditional American folk songs and African-American spirituals are often changed, improvised and traded between songs by different artists and at different performances. This was and is especially true in the call and response of African American religious music. For example, Mahalia Jackson, in her 1958 performance of “Keep Your Hand on the Plow”, begins with the couplet “Mary had three links of chain, Every link bearin’ Jesus name.” Bob Dylan also sings these lyrics in his upbeat version of “Gospel Plow.” Carl Sandburg, in his 1927 book The American Songbag,[7] attributes these lyrics to yet another song entirely, “Mary Wore Three Links of Chain.” Modern choral arrangements of this song sound entirely different from either the Eyes-Prize or Hand-Plow songs.[8] Both Sandberg in the preface to his book and folk singer Pete Seeger in the opening remarks to his Carnegie Hall performance of “Keep Your Eyes on the Prize” note the malleability of American and African-American folk music. No one artist can be historically credited with “Keep Your Eyes on the Prize.]

11:30 – Underwriting

11:32 – Pledge Break #5

This is WMM’s Spring Fund Drive Show with Marion Merritt, & Betse Ellis.

Thank you to: Joy Baker, Marcia Pomeroy, Pat Abts, Charlie Colborne, Rhonda Lyne, Deloris Jankovich, Nancy Nicolay, Natasha Derakhshanian, Elaine Meizlich, Necia Gamby, Kimberly DeVries, Leo Wetherill, Mike McCoy, Jon D. Barnhart, Claire McDaniels, William Smith, Mike Walker, Fran Stanton

WMM offers loads and loads of information about what is going on in the community. Not only do we interview nearly 200 guest each year, not only do we play nearly 1000 different songs with nearly half of those being locally produced, but we also shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

In just this past year, we’ve featured segments shining a light on: The Black Archives of Mid America, Olathe Public Library’s Music Series, InterUrban ArtHouse Queer Story Telling, Middle of The Map Fest, Outer Reaches Fest, Troost Fest, North KC Music Fest, Porch Fest KC, Crossroads Music Fest, Manor Fest, Lawrence Field Day Fest, KC PrideFest, Midwest Music Foundation, MidCoast Takeover, Playlist Play, Kansas City Public Library, GLAMA, MOCSA, Topeka Women’s Correctional Facility, The Midwest Innocence Project, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr., George Washington Carver, Kansas City Art Institute, Bach Aria Soloist, KC Gamelan Genta Kasturi, Owen Cox Dance Group, American Jazz Museum, Never Records, KC Fringe Theatre Fest, Late Night Theatre, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Plaza Art Fair, Center Cut Records, Black Site Records, Haymaker Records, The Record Machine, Datura Records, Too Much Rock, Revolution Records, Sister Anne’s Records, Mills Record Company, Josey Records, Recoprds With Merritt, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music.

11:39 – Music Of The Movement

13. Pete Seeger – “We Shall Overcome”
from: The Essential Pete Seeger / Columbia – Legacy / 2004
[Derived from a gospel song by Reverend Charles Tindley called “We Will Overcome” written in 1901. Adapted and made famous by Pete Seeger, Joan Baez, and others the song became central to the civil rights movement of the 1950 and 1960s and eventually used all around the world. Dr. Martin Luther King, Jr. made use of “we shall overcome” in the final Sunday March 31, 1968 speech before his assassination.]

14. Tramaine Hawkins, Ella Mitchell, Billy Porter & Chorus -“Rocka My Soul”
from: Alvin Ailey American Dance Theatre “Revelations” / V2 / 1998
[Revelations is the signature choreographic work of Alvin Ailey American Dance Theater. It was first produced by Alvin Ailey Dance Theater in New York City, New York on January 31, 1960. Revelations tells the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals and blues music. It’s been performed in over 70 countries in the half century since then and has been described as “the most widely seen modern dance work in the world.” The finale song of the three part “Revelations” is “Rocka My Soul In The Bosom Of Abraham” and it has been described by writer Juliana Lewis-Ferguson as a, “spiritually powerful conclusion to the suite and a purely physical release of emotion.”]

11:46 – Pledge Break #6

This is WMM’s Spring Fund Drive Show with Marion Merritt, & Betse Ellis.

Thank you to all who donated. Over 63 people donated and we raised, $3723.00.

11:53 – Music Of The Movement

15. The Freedom Affair – “Imagine”
from: “Imagine” – Single / Sunflower Soul Records / March 20, 2020
[Music & Lyrics by John Lennon. The Freedom Affair is a project of Chris Hazelton of Sunflower Soul Records and Chris Hazelton’s Boogaloo 7. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone. Additional musicians include: Matt Bennett on violin, and Alyssa Bell in viola. Arranged, Produced, Recorded, & Mixed by Chris Hazelton. Mastered by Adam Boose at Cauliflower Audio. The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of Kansas City soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Arts Calendar

Next week on Wednesday, June 17 we’ll play from 25 area bands & artists as we feature: Our Favorite MidCoastal Releases of 2020 …So far! We’ll hear from Una Walkenhorst, Blackstarkids, The Republic Tigers, Ivory Blue, Ebony Tusks, Fritz Hutchison, Katy Guillen & The Drive, Hermon Mehari, Betse & Clarke, Fullbloods, Sam Wells, Pedaljets, Miki P & The Swallowtails, Radkey, Saint Sé, David Burchfield, The Freedom Affair, Sterling Witt, Quiet Takes, Miss Boating, Hi-Lux, Brandon Phillips & The Condition, MGDs, Nan + The One Nite Stands, Plus, we’ll talk with members of the band Oh Dear Oh My.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #841

WMM presents: Music Of The Movement

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 10, 2020

Music Of The Movement
+ Marion Merritt + Betse Ellis +
Sterling Wit
t

Mark features “Music Of The Movement.” We’ll spin tracks of and inspired by The Civil Rights & Black Lives Matter Movement. Mark plays songs from: Krystle Warren, Hi-Lux, The Freedom Affair, Radkey, Bobby Watson & The I Have A Dream Project featuring Glenn North, Mavis Staples, The Staple Singers, Sharon Jones & The Dap-Kings, Sweet Honey In The Rock, Aaron Neville, Lamar Campbell And Spirit Of Praise, Billy Porter, Tramine Hawkins, Ella Mitchell, Pete Seeger, and Solomon Burke.

One of WMM’s longtime (14-years) contributors, Marion Merritt of Records With Merritt, a minority owned business in KCMO, joins us as our special guest co-host. We also welcome Betse Ellis, critically acclaimed fiddler, singer, songwriter, and one half of Betse & Clarke who joins us as special guest co-host. Betse & Marion will encourage our listeners to call 888-931-0901, or visit http://www.kkfi.org to support 90.1 FM KKFI – Kansas City Community Radio during our Spring Fund Drive Show.

At 11:00 AM, KC based artist & musician Sterling Witt joins us to share music and information about his new recording, “Something’s Awry” twelve terrifying songs about monsters, cryptids, demons, parasites and the most unfortunate situations. The 12 songs are based on characters Sterling is writing in a new book called, ”Something’s Awry: Ting Tong and Other Terrifying Tales,” featuring art work by Witt. More info at: http://www.sterlingwitt.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #841

WMM Playlist from May 6, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 6, 2020

New & MidCoastal Releases +
Chase The Horseman + Mike McCoy & Howie Beno
+ David Burchfield

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]

2. Billy Porter – “For What It’s Worth”
from: “For What It’s Worth” – Single / Billy Porter / April 24, 2020
[Billy Porter was born September 21, 1969 in Pittsburgh, Pennsylvania. He is an American Broadway theater performer, singer, & actor. He attended the Musical Theater program at Pittsburgh Creative & Performing Arts School’s School of Drama, graduated from Carnegie Mellon University School of Drama, and achieved fame performing on Broadway before starting a solo career as a singer and actor. Porter won the 2013 Best Actor in a Musical for his role as Lola in Kinky Boots at the 67th Tony Awards. He credits the part for “cracking open” his feminine side to confront toxic masculinity. For the role, Porter also won the Drama Desk Award for Outstanding Actor in a Musical and Outer Critics Circle Award for Outstanding Actor in a Musical. In 2014 Porter won the Grammy Award for Best Musical Theater Album for Kinky Boots. He currently stars in the television series Pose for which he was nominated for a Golden Globe Award and won the 2019 Primetime Emmy Award for Outstanding Lead Actor in a Drama Series, becoming the first openly gay black man to be nominated and win in any lead acting category at the Primetime Emmys.] [For What It’s Worth was written by Stephen Stills. Performed by Buffalo Springfield, recorded on December 5, 1966, and released as a single on ATCO Records on December 23, 1966; and peaked at No. 7 on the Billboard Hot 100 chart in the spring of 1967. It was later added to the March 1967 second pressing of their first album, Buffalo Springfield. The title was added after the song was written, and does not appear in the lyrics. Although “For What It’s Worth” is often considered an anti-war song, Stephen Stills was inspired to write the song because of the Sunset Strip curfew riots in November 1966—a series of early counterculture-era clashes that took place between police and young people on the Sunset Strip in Hollywood, California, beginning in mid-1966, the same year Buffalo Springfield had become the house band at the Whisky a Go Go on the Sunset Strip. Local residents and businesses had become annoyed by how crowds of young people going to clubs and music venues along the Strip had caused late-night traffic congestion. In response, they lobbied the city to pass local ordinances stopping loitering, and enforced a strict curfew on the Strip after 10 p.m. The young music fans, however, felt the new laws infringed upon their civil rights. On Saturday, November 12, 1966, fliers were distributed on the Sunset Strip inviting people to join demonstrations later that day. Several of LA’s rock radio stations also announced a rally outside the Pandora’s Box club on the corner of Sunset Boulevard and Crescent Heights. That evening, as many as 1,000 young demonstrators, including future celebrities such as Jack Nicholson and Peter Fonda (who was handcuffed by police) gathered to protest against the curfew’s enforcement. Although the rallies began peacefully, trouble eventually broke out. The unrest continued the next night, and periodically throughout the rest of November and December, forcing some clubs to shut down It was against the background of these civil disturbances that Stills recorded “For What It’s Worth”]

3. Chuck Prophet – “Get Off the Stage”
from: The Land That Time Forgot / Yep Roc / August 21, 2020
[Charles William “Chuck” Prophet is an American singer-songwriter, guitarist and producer. A Californian, Prophet first achieved notice in the American psychedelic/desert rock group Green on Red, with whom he toured and recorded in the 1980s. He has also recorded a number of solo records, and gained prominence as a musician and songwriter. Chuck Prophet was born in Whittier, California, United States and calls San Francisco home. After recording one E.P. and eight albums with rock group Green on Red, he released his first solo record Brother Aldo on Fire Records in 1990. It was not released in the U.S. until 1997. He records and tours with his wife Stephanie Finch, who is a singer, keyboardist and guitarist. Prophet was signed to New West Records by Peter Jesperson in 2002. He made two records for New West: No Other Love and Age of Miracles. After years of mostly European and UK success, 2002’s No Other Love was a breakthrough record for Prophet stateside due to the success of the summer single “Summertime Thing” and endorsements from Lucinda Williams, who gave him the opening slot for her summer tour. Prophet was signed to Yep Roc Records in 2007. Since 1990 he has released 15 solo albums.]

4. Diet Cig – “Night Terrors”
from: Do You Wonder About Me? / French Kiss Records / May 1, 2020
[Pop-punk duo Alex Luciano on vocals & guitar, Noah Bowman on drums met at a house show in New Paltz, New York, in the summer of 2014. Bowman’s old band, Earl Boykins, was playing at the house show, where Luciano needed a cigarette lighter. She interrupted the band’s set to ask Bowman for one, but he gave her a bottle of wine instead. Afterwards, Luciano got his number and told him she’d make a music video for him. The next day, Bowman tattooed a daisy on Luciano’s foot and by August 2014, the pair were making music together. They officially named their act Diet Cig in September 2014. Luciano and Bowman creleased the first studio album, Swear I’m Good At This on April 1, 2017. All songs written by Alex Luciano and Noah Bowman. Jamal Ruhe played all the bass, Karli Ashlyn Helm sang harmonies and additional vocals and played additional keys, Christopher Daly shredded the arpeggiator more than once, and Travis de Jong played saxophone. Recorded at Salvation Recording Co. in New Paltz, NY, Drums and most guitars recorded at Headroom Studios in Philadelphia, PA, Produced and engineered by Christopher Daly. Engineered by Kyle Pulley and Joe Reinhart. Additional engineering by Grace Coleman. Assisted by Danny Murillo, Johanna Baumann, Alex Melendez, Jake Miller, David Juro. Mixed by Mike Butler. Mastered by Jamal Ruhe.]

5. Nick Siegel – “Surely [Radio Edit]”
from: For You, Dear, Anything [EP] / Nick Siegel / April 10, 2020
[Nick Siegel, is a KC piano rocker with influences such as Ben Folds, Death Cab for Cutie and the Mars Volta. Nick writes aggressive piano rock music. He grew up playing music in Chicago and moved to Kansas City in 2010 when he joined The Casket Lottery. Now on my own as solo artist, Nick has released his debut solo album, “Awake from the Golden State,” on Aug. 25, 2017. His new EP, “For You Dear, Anything,” is the first act, of three-act series, he plans to release in 2020. Act One, is a modern take on the vibe of the 1920s.]

[Nick Siegel Performs Covers, Originals and Improv Mischief, Friday, May 8, 2020, at 8:00 PM to 9:00 PM on Facebook Live.]

6. Quiet Takes – “Wanted (The Dirty Windshield Version)”
from: “Wanted (Dirty Windshield Version)” – Single / Sarah Magill / May 1, 2020
[“Wanted” lives in the ellipses between acknowledging you want something you can’t have…and letting that desire go. The plan was to put this stripped-down version out in the fall after releasing its more produced twin on an EP this summer, but then everything changed. Beyond the pandemic’s catastrophic casualties, we are all grappling with lesser losses: plans, jobs, dreams, relationships, routines, shows, savings, physical touch. It seemed right to put this version out now. Sometimes we only realize what we want when it’s absent. That’s the gift in the grief, but it stings, doesn’t it? Music & Lyrics by Sarah Magill. Produced by David Bennett. Vocals & keyboards by Sarah Magill, guitars, & bass by David Bennett. Additional key by Ian Thompson. Engineered & mixed by David Bennett at Aorist Studios in Kansas City, Missouri. Mastered by Zach Hanson Quiet Takes (formerly MYRY) is an on-going collaborative music project by Sarah Magill a writer and musician based in Kansas City, Missouri. She performs with a rotating cast of friends—although these stay-at-home days, she is playing solo. In Kansas City, she is known for hosting house shows and co-founding Rubix, a performance art collective. The first EP, MYRY’s AHEM. Was release in 2018. Quiet Takes has new music coming in 2020.]

[Sarah Magill will be on WMM on May 13.]

7. Lido Pimienta – “Te Quería”
from: Miss Colombia / Anti / April 17, 2020
[Lido Pimienta was born in 1986. Originally from Barranquilla, Colombia, she later immigrated to Canada, settling in London, Ontario, before moving to Toronto, where she is currently based. Her father died when she was six years old. She rose to prominence after her 2016 album, La Papessa, won the $50,000 2017 Polaris Music Prize. Her music incorporates a variety of styles and influences, including traditional indigenous and Afro-Colombian musical styles, as well as contemporary synth pop and electronic music. Pimienta released her debut album, Color, in 2010. The album was produced by Michael Ramey, Pimienta’s husband at the time, and was released by Los Angeles based music label KUDETA. After Pimienta and Ramey separated, Pimienta took time to pursue a degree in art criticism, in addition to learning more about music production, before releasing her second album, La Papessa, in 2016. That year, she also collaborated with A Tribe Called Red on several tracks for their 2016 album We Are the Halluci Nation. Following the release of her experimental album La Papessa, which was self-produced by Pimienta, she was awarded the $50,000 2017 Polaris Music Prize, which is considered Canada’s top juried music award. The Globe and Mail called her “the future of Canadian rock and roll”, and dubbed her the “artist of the year”. During her performance at the Halifax Pop Explosion music festival on October 19, 2017, Pimienta, as she often does during her concerts, invited the “brown girls [in the audience] to [come] the front”. According to a statement that was subsequently released by the festival, “the incident involved a white volunteer photographer and several white audience members who reacted negatively” to Pimienta’s request. When the photographer refused to move after ten separate requests, Pimienta said, “you’re cutting into my set time and you’re disrespecting these women, and I don’t have time for this”. The volunteer was removed from the show and the festival organizers later apologized to Pimienta, and said they would increase “anti-oppression and anti-racism training”. In addition to working as a musician, Pimienta is also a visual artist & curator, and her work has been described as exploring “the politics of gender, race, motherhood, identity and the construct of the Canadian landscape in the Latin American”; her work was exhibited in the group exhibition FEMINISTRY IS HERE at Mercer Union gallery in Toronto. Pimienta identifies as queer. She is of mixed Afro-Colombian & Wayuu descent. She is a single mother.]

8. Ebony Tusks – “HDF”
from: HDF – Single / High Dive Records / February 7, 2020
[Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, & Marty are 3 people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

10:28 – Underwriting

9. Chase The Horseman – “Poor Song”
from: “Poor Song” – Single / Chase The Horseman / February 14, 2020
[Originally recorded by Yeah, Yeah Yeahs and written by Karen O. Sequential Circuits Prophet 600, Dave Smith MiniMopho, Korg Minilogue Xd, Moog Grandmother, Roland Alpha Juno 2, Mellotron, Guitar, Drums, Vocals pall erformed by Chase Horseman. Recorded at Element Recording Studios and Winky World. Mixed by Chase Horseman. Mastered by Joel Nanos Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. They have composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, Nan Turner and more. Chase The Horseman released the EP Disinformation Blues on July 12, 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

Chase Horseman on the May 6, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

10:33 – Interview with Chase The Horseman

Chase Horseman is a film composer, band leader, multi-instrumentalist, audio engineer, & producer. They have composed music for over 40 films and as producer collaborated with Teri Quinn, Heidi Lynne Gluck, KD Kuro, and Nan Turner. Recently Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.” In February Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O. On May 1 Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowlly on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of this single will be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. http://www.chasethehorseman.bandcamp.com

Chase Horseman Thanks for being with us on Wednesday MidDay Medley

They have composed music for over 40 films and as musician has collaborated Teri Quinn, Heidi Lynne Gluck, KD Kuro, and Nan Turner.

Chase The Horseman

Chase The Horseman released Disinformation Blues EP on July 12, 2019. One of WMM’s 119 Best Recordings of 2019.

Chase released the single “U Martyr U” on June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.

Chase The Horseman – the band includes: Ian Dobyns on drums, Ada Brumback – on guitar and keyboards, Skylar Cowdry on bass

Chase Horseman spends half of his time creating soundtracks for feature films, documentaries, and television dramas. When he is not composing films he works as a singer-songwriter, band leader, musical collaborator and producer.

Recently Chase created the music for two feature-length episodes of the Blum House Films and Hulu original series, “Into the Dark.”

Chase The Horseman

Horseman’s latest release is inspired by film and is a quarantine cover of “Midnight, The Stars and You” a song written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowlly on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King.

Horseman keeps the ‘30s-style foxtrot, adding his own layers of synthesizer sounds.

Chase told Michelle Bacon for 909 The Bridge.org: “I’ve been obsessed with ‘The Shining’ since I saw it in high school — the cinematography, the art design, the score — all of it just stuck in my head, but no piece more than that haunting tune.”

Horseman said. “Being stuck in isolation and losing your mind is extremely relatable right now, so I figured, why not cover this amazing song from arguably one of the best isolation films ever made? With no shows to play or nightlife to live, I lovingly put together this tribute to a favorite film of mine in its 40th anniversary year.”

With the release of this track, Horseman is benefiting two of KC’s working communities. All the profits will be evenly split between Midwest Music Foundation — a nonprofit organization that gives emergency grants to KC music professionals — and the city’s service industry workers.

Chase The Horseman

Chase The Horseman, Thanks for being with us on Wednesday MidDay Medley

On May 1, Chase released a quarantine cover of “Midnight, The Stars and You” a song used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining. All of the profits of this single will be donated directly to service industry workers in KC and Midwest Music Foundation on a 50/50 basis. http://www.chasethehorseman.bandcamp.com

10:51

10. Chase The Horseman – “Midnight, The Stars And You”
from: “Midnight, The Stars and You” – Single / Chase The Horseman / May 1, 2020
[A loving quarantine cover of “Midnight, The Stars And You” a song written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowlly on vocals. This was used in the ballroom scene and closing of Stanley Kubrick’s 1980 horror film The Shining based on the novel by Stephen King. Donate by purchasing and 100% of the profits will be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis.Performed, Recorded. Produced by Chase Horseman. Seüf Guitar, Amp Gemini II, Moog Grandmother, Sequential Circuits Prophet 600, Sequential Circuits Max, Roland Alpha Juno 2, Korg Minilogue, Wurlitzer 206, Arturia Mellotron, Dave Smith Mini Mopho, Chamberlin Drum Loops, Acetone Rhythm Loops. Mastered by Joel Nanos at Element Recording Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. They have composed music for over 40 films and as musician and producer collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, Nan Turner and more. Chase The Horseman released the EP Disinformation Blues on July 12, 2019. Chase released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

11. Katy Guillen & The Drive – “Other Side”
from: Dream Girl [EP] / Katy Guillen / March 20, 2020
[New 7 song EP from Katy Guillen & The Drive, the latest project dedicated to Guillen’s songwriting that is founded on the creative spark and chemistry between Katy Guillen & Stephanie Williams. With Guillen on guitar & vocals and Williams on drums, the two sculpt a sound that recalls bands like Led Zeppelin, The Bangles, and Band of Skulls. In 2012, Guillen & Williams formed Katy Guillen and The Girls, and began to build a foundation of touring and recording that carried them through six years and produced three full-length albums: Katy Guillen & the Girls, Heavy Days, and Remember What You Knew Before. Between 2012 and 2018, they traveled the United States extensively, performed at the International Montreal Jazz Festival, toured Sweden, and supported major acts like The Doobie Brothers, Robin Trower, and Heartless Bastards. In these 6 years playing together, Guillen & Williams created a dynamic, sound informed by Guillen’s mesmerizing, emotive guitar style and poignant arrangements, and an equally captivating live show that showcased Williams’ technical, melodic style, resulting in a powerful on-stage chemistry. In addition to the compelling synergy formed by years of playing together, the two developed a method of working together on Guillen’s songs that only deepened their artistic connection, propelling them to forge a path to a new plateau in their music. KG & The Drive push ahead with a melodic, heavy, and soulful sound while maintaining the edge of the artist’s rock ‘n’ roll and blues roots. Guillen calls their genre-bending style “indie soul-rock.”]

11:00 – Station ID

12. Mike McCoy’s Trompe-l’œil – “The Hard Way”
from: Eyein’ Lies / Mike McCoy’s Trompe-l’œil / July 19, 2019
[Austin, Texas based band formed in August 2015, members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy. Produced by Howie Beno. Kansas native and Austin resident Mike McCoy is a singer, composer, songwriter, social commentator and conceptual artist who has been making music for more than 30 years. Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel/Columbia Records) in the mid 1990s and has fronted other quirky conceptual bands such as the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry. Mike is also a prolific solo artist . A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC.]

11:04 – Interview with Mike McCoy & Howie Beno

Mike McCoy on the May 6, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

Mike McCoy is on the phone, from Austin, Texas. Mike McCoy was born in Kansas and is a singer, songwriter, band leader, and social commentator. Mike McCoy has been making music for more than 30 years, playing country-roots to punk to performance art and power pop. Mike founded the KC band Cher UK & (Red Decibel/Columbia Records) in the mid 1990s and Matt fronted the Black Rabbits of Lawrence, Kansas, and two Austin, bands: American People and the Service Industry. Mike is a religion studies and art-history graduate of TCU. He has worked as a fund-raising researcher at Yale, and a carpenter and designer in Austin. Last year Mike’s newest band: Mike McCoy’s Trompe-l’œil released “Eyein’ Lies” on July 19, 2019, one of WMM’s 119 Best Recordings of 2019.

Mike McCoy, Thanks for being with us on Wednesday MidDay Medley

Howie Beno on the May 6, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

Also with us is Howie Beno producer of the Mike McCoy & The Trompe-l’oeil album, Beno is a producer, mixing engineer, audio engineer & composer born in Bridgeport, CT and currently based in NYC. He has worked with a wide range of artists such as Tom Jones, Dionne Warwick, Depeche Mode, Blondie and rock & industrial bands, including Ministry.

Howie Beno, Thanks for being with us on Wednesday MidDay Medley

Mike McCoy’s Trompe-l’œil was formed in Austin, Texas in 2015, members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy.

Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland,

McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop. All overlap in McCoy’s world. Mike is also a prolific solo artist.

Mike McCay

Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel / Columbia Records) in the mid 1990s and fronted the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry.

A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC, McCoy’s truest calling is the crafting of songs.

Howie Beno – After graduating from Fairfield College Preparatory School and the Wheaton College Conservatory of Music. Beno began his career as a programmer at Chicago Trax Studios working with the band Ministry, on the album Psalm 69, and helped program and edit a remix for the multi-platinum Red Hot Chili Peppers single, Give It Away. Alongside contributing to a number of various Wax Trax! releases, he was the original producer and co-writer for Stella Soleil on the independent Chicago release Drown Me In You. As half of the Grace Productions team with Jeff “Critter” Newell, among the numerous records and remixes they collaborated on were Grace Jones, Sheep on Drugs, Monster Voodoo Machine and Skrew. He also appeared as a musician on various albums,. and is founder and vocalist/ multi-instrumentalist for the industrial rock band 13 mg.

In 1998, after signing a publishing contract with Windswept Pacific, Beno moved to NYC, opened a studio and set up as a producer, engineer & remixer. In addition, with guitarist producer John McCurry, began work in the advertising world on the music production & mixing of TV commercials and their side project Kill Lizzie. A close working relationship with Loud Records provided a foothold into a number of experimental rock remixes for hiphop artists Xzibit, Three Six Mafia, M.O.P. and the Xecutioners and he coproduced the first Stereomud record Perfect Self. He also continued producing, mixing and engineering for bands and solo artists. This includes engineering and mixing stints with both producers Michael Mangini and Sam Hollander which led to working with Katy Perry, the Jonas Brothers, Mika, We The Kings and Big Time Rush among many others.

Howie Beno co-produced several tracks on the Stella Soleil Soularium album, recorded for Universal Records in 1997- 1998 at Peter Gabriel’s Real World Studios in England.[6] He also worked at Ashtowngate Studios in Ireland with the band Blink, whose album “Deep Inside the Sound of Sadness” became Billboard Magazine’s Album of the Month upon its release. When it was time to complete MOTOR’s “Man Made Machine” (CLR), they asked Howie Beno to handle the mixing duties. This record produced a number of singles featuring guest appearances by Martin L Gore, Gary Numan and Douglas McCarthy. His adjunct partnership with Bryan Black in Black Asteroid saw the release of 3 EP’s (CLR and ELDX records)- “Engine” (2011), “Black Acid” (2012) and “Metal” (2013) as well as Black Asteroid remixes for Depeche Mode, Bloody Beetroots and Graham Coxon.

Howie Beno Selected Discography
Blondie – Good Boys Single – (Programmer)
Depeche Mode – Soothe My Soul Black Asteroid Remix – (Addnl Prod., Mixer)
Dionne Warwick-“Only Trust Your Heart” Album – (Engineer, Mixer)
Ministry – Psalm 69 – (Programmer, CoWriter)
13 mg – “Trust and Obey” Album – (Producer, Performer, Writer, Mixer)
Three Six Mafia – “Tongue Ring” Remix – (Remixer)
Tom Jones – “24 Hours” Album – (Engineer, Mixer)
Xzibit – “X” remixes – (Remixer)
Black Asteroid – “Engine” and “Black Acid” EPs – (Addnl Production, Mixer)
Big Time Rush – BTR album – (Vocal Engineer)
Jonas Brothers – “Time for me to fly” single – (Engineer)
Stereomud – Perfect Self – (Producer, String Arranger, Engineer)
Grace Jones – Sex Drive (Grace Jones song) Remix – (Remixer)
We the Kings – Smile Kid – (Engineer)
MOTOR – “Man Made Machine” – (Addnl Production, Mixer)
Material Issue – “Freak City Soundtrack” – (Digital Editor)

Mike McCoy

It has been written that about Mike McCoy that. “He’s a hayseed intellectual-philosopher whose compositions strike the right balance of plaintive and high-brow, sardonic and humble. McCoy brings a singular, poet’s sensibility to the music equation. He writes about a wonderful waitress in a rundown town who has the power to make or break your stay (“if you treat her well, you might get what you want…”), about an immigrant woman whose dreams of America lead her to a lonesome life as a domestic (“feather duster I believe her, no one sees the way I see her…”), about American apathy and how winter is a submarine (“winter is a submarine — I lay inside and I no longer dream…”). “

In most of McCoy’s songs, there is something deeply wistful, despite the freighted narratives and their dizzying wordplay.

He’s a serious guy and he writes about serious stuff. Yet in the lyrics and in the spaces between words and melody, you can almost hear that lone whistle blow in the dark of a heartlands night; you hear a style of writing that combines political commentary and snarky populism with an inextinguishable belief that somehow, with the right blend of gumption and fortitude, we humans might just pull off something good.

It’s been said that Mike McCoy is equal parts punk-rock-Americana, a strange brew of Bob Dylan, Iggy Pop, John Mellencamp, Ramones & Burl Ives. But no matter in what incarnation you encounter Mike McCoy, you’ll find he’s driven by the same basic themes: ideas & ideals of humanity, principles & hopes, outrage & indignation, absurdism & dadaism, puns & poetry & parody, with a large dose of red-white-&-blue wishful thinking.

Mike McCoy and Howie Beno, Thanks for being with us on Wednesday MidDay Medley

11:18

13. Mike McCoy’s Trompe-l’œil – “Mission Creep”
from: Ogallala Pression EP / Mike McCoy’s Trompe-l’œil / unreleased
[Formed in Austin, Texas in August 2015, members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy. Produced by Howie Beno. Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years.]

14. X – “Water & Wine”
from: ALPHABETLAND / Fat Possum Records / April 22, 2020
[Billy Zoom on guitar, saxophone & piano; DJ Bonebrake on drums & percussion; Exene Cervenka on vocals; John Doe on bass & vocals. Produced by Rob Schnapf and engineered by Rob Schnapf & Matt Schuessler. Mastered by Mark Chalecki @ Little Red Book Mastering. Additional guitar on All The Time In The World: Robby Krieger, Rob Schnapf, additional guitar. Recorded at Sunset Sound, in Hollywood, CA & Mant Sound in Glassel Park, CA in 2019 & 2020. While everyone is social distancing, closing ranks and donning masks while they shop, life can seem somewhat surreal to the senses. Yet, through all of the chaos, one thing is constant, music brings us together. Now, on the 40th Anniversary of the landmark, Los Angeles, and 35 years since the original band have released an album – X, one of the greatest Punk Rock bands in music history, releases ALPHABETLAND today via Bandcamp. The original foursome – Exene Cervenka, John Doe, Billy Zoom, and DJ Bonebrake have now made the album available for fans to purchase and by adapting to this moment, X continues to embody the same spirit they did when they began in 1977. “When your heart is broken you think every song is about that. These songs were written in the last 18 months & it blows my mind how timely they are,” explained John Doe. “We all want our family, friends & fans to hear our records as soon as it’s finished. This time we could do that. Thanks to Fat Possum & our audience.” The bands record label, Fat Possum, listened and agreed. Plans were quickly set in motion to release the new music via Bandcamp and have said they’re working to get the record available elsewhere as quickly as possible.]

15. Soultru – “Come & Gone”
from: “Come & Gone” – Single / The Record Machine / April 10, 2020
[Vocals by Terrance Banks. Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little. Soultru released the single “Must Be” on August 24, 2019.]

11:30 – Underwriting

16. David Burchfield – “You’re OK, It’s Alright”
from: State To State / David Burchfield / June 5, 2020
[“You’re OK, It’s Alright” was released April 21, 2020. It s one of 5 singles being released from, State To State. David Burchfield on acoustic guitars & vocals; Evan Coulumbe on guitars; Danica Cunningham on fiddle & vocals; Joshua James on keyboards, vocals, guitars, percussion & howls; Neil McCormick on bass; Michael John Mckee on drums; Austie Robison on trumpet; and Devon Teran on guitars & lap steel. Produced and engineered by all around nice guy Joshua James inside Willamette Mtn Studio and Farm in American Fork, Utah, USA with assistant engineering by Josh Snider. Mastered by Reuben Cohen at Lurssen Mastering in LA.]

[David Burchfield presents Jammy Jams Streaming Live on Facebook every Monday Night at 9:00 PM (CST) Live from David’s house. Drop a request and we’ll try our darndest to get to it that week, or if not, the next. Tips not necessary but very much appreciated as we try to survive these tour-less times. Venmo: @dburchfield ; Paypal: david.burchfield@gmail.com]

David Burchfield on the May 6, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:05 – Interview with David Burchfield

David Burchfield joins us from Salt Lake City to share music and details about his new album, “State To State” to be released June 5, 2020. State to State is filled with layers of guitar, upright piano, shuffling percussion, stately fiddle and the detail-rich lyrics of a troubadour who’s seen his share of these United States. David Burchfield presents Jammy Jams Streaming Live on Facebook every Monday Night at 9:00 PM (CST) Live from David’s house in Denver.

David Burchfield thanks for being with us on Wednesday MidDay Medley.

“I’d made two previous albums right out of college, and then more or less quit to move to Colorado and become an elementary-school teacher,” David says. “I was in my second year of teaching when a truck hit me while driving my scooter home one night.” Rushed to the hospital, Burchfield awoke to find he’d escaped with only a broken nose and a concussion. Above all, he was left with a potent reminder of life’s brevity and a fresh sense of urgency. Once again, he picked up the guitar, and out poured “You’re OK, It’s Alright,” the first of the songs that now comprise State to State. http://www.davidburchfield.bandcamp.com

“You’re OK, It’s Alright” was released April 21, 2020. It s one of 5 singles being released from, State To State.

David Burchfield

David Burchfield on acoustic guitars & vocals; Evan Coulumbe on guitars; Danica Cunningham on fiddle & vocals; Joshua James on keyboards, vocals, guitars, percussion & howls; Neil McCormick on bass; Michael John Mckee on drums; Austie Robison on trumpet; and Devon Teran on guitars & lap steel.

Produced and engineered by all around nice guy Joshua James inside Willamette Mtn Studio and Farm in American Fork, Utah, USA with assistant engineering by Josh Snider. Mastered by Reuben Cohen at Lurssen Mastering in LA

David Burchfield presents Jammy Jams Streaming Live on Facebook every Monday Night at 9:00 PM (CST) Live from David’s house in Denver. Drop a request and we’ll try our darndest to get to it that week, or if not, the next.

Tips not necessary but very much appreciated as we try to survive these tour-less times. Venmo: @dburchfield ; Paypal: david.burchfield@gmail.com

David Burchfield

“I learned a lot from that time,” Burchfield says of his unplugged nights in the Rocky Mountain backcountry. “I developed a deep love of traditional country and folk music, and it also taught me about connecting with an audience in the simplest, most direct way—no lights, no PA, and with just a few feet between us. That’s still my favorite way to perform. It’s all about connection.” State to State, his newest release, finds Burchfield traveling across the American heartland in search of stability and inspiration. Brimming with coastlines, highways, rolling plains, old hometowns and new destinations, the record evokes a vivid picture of a songwriter’s wandering. Along the way, State to State also shines a light on the people, places and near-death experiences that have shaped Burchfield’s music and outlook on life.

Recorded in American Fork, Utah, with Burchfield’s road band and producer Joshua James, State to State is filled with layers of guitar, upright piano, shuffling percussion, stately fiddle and the detail-rich lyrics of a troubadour who’s seen his share of these United States. On the softly spun “Dishes in the Sink,” Burchfield struggles to settle into an unfamiliar home, pedal steel swooning in the background, while the slow-motion swagger of “Ain’t Gonna Be Easy” finds him reflecting on relationships with his hometown friends over some understated brass and the steady chug of an electric guitar. As this 11-track journey plays out, Burchfield meanders from tender acoustic moments to lushly amplified highlights like the soulful stomp of “Feelin’ Pretty Alright,” a track that would be right at home on The Band’s proto-Americana gem Music From Big Pink. State to State reads like an Americana travelogue stocked with songs borne of a restless spirit and adventurous heart. David Burchfield has never sounded more at home.

David Burchfield thanks for being with us on Wednesday MidDay Medley.

11:48

17. David Burchfield – “State To State”
from: State To State / David Burchfield / June 5, 2020
[“State To State” was released April 30, 2020. It s one of 5 singles being released from, State To State. David Burchfield on acoustic guitars & vocals; Evan Coulumbe on guitars; Danica Cunningham on fiddle & vocals; Joshua James on keyboards, vocals, guitars, percussion & howls; Neil McCormick on bass; Michael John Mckee on drums; Austie Robison on trumpet; and Devon Teran on guitars & lap steel. Produced and engineered by all around nice guy Joshua James inside Willamette Mtn Studio and Farm in American Fork, Utah, USA with assistant engineering by Josh Snider. Mastered by Reuben Cohen at Lurssen Mastering in LA]

[David Burchfield presents Jammy Jams Streaming Live on Facebook every Monday Night at 9:00 PM (CST) Live from David’s house. Drop a request and we’ll try our darndest to get to it that week, or if not, the next. Tips not necessary but very much appreciated as we try to survive these tour-less times. Venmo: @dburchfield ; Paypal: david.burchfield@gmail.com]

18. Various Blonde – “Dirty Martini”
from: 3s 1 / The Record Machine / January 10, 2020
[New three song release from Various Blonde. Kansas City based experimental, rock, pop, and funk band originally formed in 2008 and currently served by founder Joshua Allen on guitar, synthesizers, and vocals; and Mark Lomas on drums. The band has been described by Mills Record Company as, “Having all the sex appeal of The Weeknd and all the grit of Rage Against the Machine–the combination makes for a performance that is explosive.”]

[Various Blonde play Livestream from the Quarantine presented by The Truman Wed, May 6, at 8PM.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, May 13 we’ll be playing more New & MidCoastal Releases. We welcome special guest Chris Haghirian, Sarah Magill, Enrique Chi, and Sam Wells.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #836

WMM presents Chase The Horseman + Mike McCoy + David Burchfield

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 6, 2020

New & MidCoastal Releases +
Chase The Horseman + Mike McCoy
+ David Burchfield

Mark plays New & MidCostal Releases from: Chase The Horseman, Jo MacKenzie, Katy Guillen & The Drive, Ebony Tusks, David Burchfield, Various Blonde, Quiet Takes, Soultru, Nick Siegel, Mike McCoy’s Trompe-l’oeil, Lido Pimienta, X, Diet Cig, Chuck Prophet, and Billy Porter.

Chase The Horseman

At 10:30 we talk to Chase The Horseman film composer, band leader, multi-instrumentalist, audio engineer, & producer. They have composed music for over 40 films and as producer collaborated with Teri Quinn, Heidi Lynne Gluck, KD Kuro, and Nan Turner. Recently Chase created the music for two feature-length episodes of the Hulu original series, “Into the Dark.” In February Chase released “Poor Song,” a cover of the Yeah Yeah Yeahs track by Karen O. On May 1 Chase released, a quarantine cover of “Midnight, The Stars and You” written by Harry M. Woods, Jimmy Campbell & Reg Connelly Stanley. The most famous version was recorded in 1934 by Ray Noble & his Orchestra with an uncredited Al Bowlly on vocals. This was used in the ballroom scene and closing of Stanley Kubrick‘s 1980 horror film The Shining based on the novel by Stephen King. All of the profits of this single will be donated directly to service industry workers in Kansas City and Midwest Music Foundation on a 50/50 basis. http://www.chasethehorseman.bandcamp.com

Mike McCay

At 11:00 Mark talks with Mike McCoy, from Austin, Texas. Mike McCoy was born in Kansas and is a singer, songwriter, band leader, and social commentator. Mike McCoy has been making music for more than 30 years, playing country-roots to punk to performance art and power pop. Mike founded the KC band Cher UK (Cargo/FistPuppet) & (Red Decibel/Columbia Records) in the mid 1990s and fronted the Black Rabbits of Lawrence, Kansas, and two Austin, bands: American People and the Service Industry. Mike is a religion studies and art-history graduate of TCU. He has worked as a fund-raising researcher at Yale, and a carpenter and designer in Austin. Last year Mike’s newest band: Mike McCoy’s Trompe-l’œil released “Eyein’ Lies” on July 19, 2019, one of WMM’s 119 Best Recordings of 2019.

David Burchfield

David Burchfield

At 11:30 David Burchfield joins us from Denver to share music and details about his new album, “State To State” to be released June 5, 2020. State to State is filled with layers of guitar, upright piano, shuffling percussion, stately fiddle and the detail-rich lyrics of a troubadour who’s seen his share of these United States. “I’d made two previous albums right out of college, and then more or less quit to move to Colorado and become an elementary-school teacher,” David says. “I was in my second year of teaching when a truck hit me while driving my scooter home one night.” Rushed to the hospital, Burchfield awoke to find he’d escaped with only a broken nose and a concussion. Above all, he was left with a potent reminder of life’s brevity and a fresh sense of urgency. Once again, he picked up the guitar, and out poured “You’re OK, It’s Alright,” the first of the songs that now comprise State to State. http://www.davidburchfield.bandcamp.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #836

WMM Playlist from Jan. 15, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 15, 2020

WMM Celebrates MLK

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Soweto Gospel Choir – “Pride (In The Name of Love)”
from: In the Name of Love – Africa Celebrates U2 / Shout! Factory Records / 2008
[Formed in Soweto, South Africa, by David Mulovhedzi & Beverly Bryer, two choir directors. The 30-member ensemble blends African gospel, Negro spirituals, reggae and American popular music. The group performed at the first of the 46664 concerts for Nelson Mandela and has toured internationally. Their albums Blessed and African Spirit won Grammy Awards for Best Traditional World Music Album in 2007 and 2008.]

3. International Noise Conspiracy / MLK Jr. – “The First Conspiracy / Let Freedom Ring”
from: Adbusters – Live Without Dead Time / Adbusters / 2003
[The (International) Noise Conspiracy (abbreviated T(I)NC) were a Swedish rock band formed in Sweden in the late months of 1998. The line-up consists of Dennis Lyxzén (vocals), Inge Johansson (bass), Lars Strömberg (guitar), and Ludwig Dahlberg (drums). The band is known for its punk and garage rock musical influences, and its impassioned left-wing political stance. Influenced by a quote from 1960’s folk singer Phil Ochs, according to lead singer Lyxzén, the band wanted to achieve an ideal blend of music and politics that was, “a cross between Elvis Presley and Che Guevara.”]

4. Labelle – “Something in The Air / The Revolution Will Not Be Televised” (CD #4) (5:55)
from: Something Silver / Warner Archives / 1997 [orig. Pressure Cookin’ / 1973, 3rd album from the funk/soul trio of: Patti LaBelle, Nona Hendryx and Sarah Dash who each shared a rap on “The Revolution Will Not Be Televised” a poem and song by Gil Scott-Heron. It was the B-side to Scott-Heron’s first single, “Home Is Where the Hatred Is”, from his album Pieces of a Man (1971). “Something in the Air” is a song orig. recorded by Thunderclap Newman, a band created by Pete Townshend for The Who’s former roadie John ‘Speedy’ Keen who wrote and sang the song. It was a UK #1 single for three weeks in July 1969.]

10:10

Wednesday MidDay Medley celebrates the life of human rights icon, Dr. Martin Luther King, Jr., born Jan. 15, 1929.

MLK led the 1955 Montgomery Bus Boycott, was a cofounder of the Southern Christian Leadership Conference in 1957, and served as it’s first president. His efforts led to the 1963 March on Washington, where Dr. King delivered his, “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination thru civil disobedience and non-violent means.

By the time of his death in 1968, Dr. King had refocused his efforts on ending poverty and opposing the Vietnam War. King was assassinated, April 4, 1968, in Memphis, Tennessee.
Dr. Martin Luther King, Jr. was posthumously awarded the Presidential Medal of Freedom in 1977, and Congressional Gold Medal in 2004. Martin Luther King, Jr. Day was established as a U.S. national holiday in 198I.

As Pete Seeger wrote: “Songs gave them the courage to believe they would not fail.” Today we feature music of and inspired by the civil rights movement from: Bobby Watson & The I Have A Dream Project (featuring Glenn North), Kelly Hunt, Krystle Warren, Laura Love, Sharon Jones & The Dap-Kings, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, Pops Staples, Mavis Staples, The Staple Singers, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, The Holmes Brothers, The Chambers Brothers, The Isley Brothers, Pete Seeger, Sarah Lee Guthrie & Johnny Irion. We started w/: Soweto Gospel Choir, The Intl. Noise Conspiracy, and Labelle.

10:14 – Soul Brother…

MLK said, “The ultimate measure of a man is not where he stands in moments of comfort and convenience, but where he stands at times of challenge and controversy.”

MLK said, “We must learn to live together as brothers or perish together as fools.”

5. Curtis Mayfield – “Beautiful Brother of Mine”
from: Roots / Curtom-Buddah / October, 1971 [2nd solo release from Curtis Mayfield, born in Chicago, June 3, 1942. One of the most influential musicians behind soul & politically conscious African-American music. Mayfield started his musical career in a gospel choir. Moving to the North Side of Chicago he met Jerry Butler in 1956 at the age of 14, and joined vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for The Impressions, which displayed his more politically charged songwriting. After leaving The Impressions in 1970, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album, New World Order, in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995, and was a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a 2-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes, Dec 26, 1999, at 57.]

6. Maceo & The Macks – “Soul Power ’74”
from: James Brown’s Funky People, Pt. 2 / People Records / 1988
[This record is sampled more than crackers and cheese at Costco, it contains samples itself in the form of tape overlays of civil rights rallies, a Dr. King speech, and an announcement of King’s assassination. Maceo Parker played saxophone with James Brown, Parliment, Funkadelic, Bootsy Collins, Bernie Worrell and Prince.]

7. Sweet Honey in The Rock, Aaron Neville, Lamar Campbell & Spirit of Praise – “Ella’s Song”
from: Soundtrack to Boycott / HBO / 2001
[Critically acclaimed 2001 film staring Jeffrey Wright as Dr. Martin Luther King, Jr., Terrence Howard as Ralph Abernathy, and CCH Pounder as Jo Ann Robinson.]

10:28 – Underwriting

10:30 – King’s Life, Death, and Spirit.

MLK said, “He who passively accepts evil is as much involved in it as he who helps to perpetrate it. He who accepts evil without protesting against it is really cooperating with it.”

8. Mahalia Jackson – “How I Got Over”
from: The Original Apollo Sessions / Couch & Madison Partners / May 25, 2013
[Gospel hymn composed & published in 1951 by Clara Ward (1924-1973). It was performed by Mahalia Jackson at the historic March on Washington for Jobs and Freedom in 1963 before 250,000 people. Mahalia Jackson (Oct. 26, 1911 – Jan. 27, 1972) was referred to as “The Queen of Gospel”. She became one of the most influential gospel singers in the world, heralded internationally as a singer and civil rights activist. She was described by entertainer Harry Belafonte as “the single most powerful black woman in the United States”. She recorded about 30 albums (mostly for Columbia Records) during her career, and her 45 rpm records included a dozen “golds”—million-sellers. “I sing God’s music because it makes me feel free,” Jackson once said about her choice of gospel, adding, “It gives me hope. With the blues, when you finish, you still have the blues.”]

9. Martin Luther King Jr. – “MLK – I Have A Dream 1963 (excerpt)”
from: Inspirational Speeches, Vo. 3 / Orange Leisure / May 16, 2011
[American civil rights leader/activist and Baptist minister, born Jan. 15, 1929 in Atlanta, Georgia. King’s speeches have been issued on numerous releases – his most well-known and influential address being “I Have a Dream”, which was held during “The March on Washington” in 1963. King was assassinated on April 4, 1968 in Memphis, Tennessee.]

10. Marian Anderson – “He’s Got the Whole World in His Hands”
from: He’s Got the Whole World in His Hands / BMG / Orig. 1961 [Reissued 1991]
[Marian Anderson (Feb 27, 1897 – Apr. 8, 1993) was one of the most celebrated singers of the 20th century. In 1939, the (DAR) refused to let Anderson sing in Constitution Hall. With the aid of First Lady Eleanor Roosevelt and Franklin D. Roosevelt, Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the steps of the Lincoln Memorial in Washington, D.C. before a crowd of more than 75,000 people and a radio audience in the millions. Anderson became the first black person, to perform at the Metropolitan Opera in NYC on Jan. 7, 1955. Anderson worked as a delegate to the UN Human Rights Committee and “goodwill ambassadress” for the U.S. Dept. of State, giving concerts all over the world. She participated in the civil rights movement in the 1960s, singing at the March on Washington for Jobs and Freedom in 1963. Anderson was awarded the Presidential Medal of Freedom in 1963, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.]

11.Tramaine Hawkins, Ella Mitchell, Billy Porter & Chorus – “Rocka My Soul”
from: Alvin Ailey American Dance Theatre “Revelations” / V2 / 1998
[Revelations is the signature choreographic work of Alvin Ailey American Dance Theater. It was first produced by Alvin Ailey Dance Theater in New York City, New York on January 31, 1960. Revelations tells the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals and blues music. It’s been performed in over 70 countries in the half century since then and has been described as “the most widely seen modern dance work in the world.” The finale song of the three part “Revelations” is “Rocka My Soul In The Bosom Of Abraham” and it has been described by writer Juliana Lewis-Ferguson as a, “spiritually powerful conclusion to the suite and a purely physical release of emotion.”]

11:42 – Negro Spirituals and Red Clay of Greenwood

12. The Swan Silvertones – “Oh Mary, Don’t You Weep”
from: Platinum Gospel: The Swan Silvertones / Sonorous Entertainment / 2012 (1959)
[“Mary Don’t You Weep” (alternately titled “O Mary Don’t You Weep”, “Oh Mary, Don’t You Weep, Don’t You Mourn”, or variations thereof) is a Negro spiritual that originates from before the American Civil War – thus it is what scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh’s army got drown-ded!, and to God’s rainbow covenant to Noah after the Great Flood. With liberation thus one of its themes, the song again become popular during the Civil Rights Movement. Additionally, a song that explicitly chronicles the victories of the Civil Rights Movement, “If You Miss Me from the Back of the Bus”, written by Charles Neblett of The Freedom Singers, was sung to this tune and became one of the most well-known songs of that movement. In 2015 it was announced that The Swan Silvertones’s version of the song will be inducted into the Library of Congress’s National Recording Registry for the song’s “cultural, artistic and/or historical significance to American society and the nation’s audio legacy”. The first recording of the song was by the Fisk Jubilee Singers in 1915. The best known recordings were made by the vocal gospel group The Caravans in 1958, with Inez Andrews as the lead singer, and The Swan Silvertones in 1959. “Mary Don’t You Weep” became The Swan Silvertones’ greatest hit, and lead singer Claude Jeter’s interpolation “I’ll be a bridge over deep water if you trust in my name” served as Paul Simon’s inspiration to write his 1970 song “Bridge over Troubled Water”.The spiritual’s lyric God gave Noah the rainbow sign, no more water the fire next time inspired the title for The Fire Next Time, James Baldwin’s 1963 account of race relations in America.]

13. Krystle Warren – “Red Clay”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystle Warren & The Faculty play The Hotel Cafe, 1623 N Cahuenga Blvd, Los Angeles, California on Friday, January 17, 2020 at 10:30 PM featuring Krystle Warren, Solomon Dorsey, Cassorla, Jonathan Anderson, and Mike Riddleberger.]

[Krystle Warren & The Faculty play at Rough Trade NYC 64 N 9th St, New York, New York, Friday, January 10, 2020 at 8 PM with Krystle Warren, Solomon Dorsey, Mike Riddleberger, Zach Djanikian, and Jacob Snider will play Faculty melodies new and old. With special guest, Calvin Arsenia.]

10:48 – Freedom.

MLK said, “Human progress is neither automatic nor inevitable… Every step toward the goal of justice requires sacrifice, suffering, and struggle; the tireless exertions and passionate concern of dedicated individuals.”

14. Nina Simone -“I Wish I Knew How It Would Feel To Be Free”
from: Silk and Soul / RCA / 1967
[Born Eunice Kathleen Waymon on February 21, 1933. She died on April 21, 2003. Nina Simone was a singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Simone aspired to be a concert pianist. With the help of the few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in NYC. Simone recorded more than 40 albums. “I Wish I Knew How It Would Feel to Be Free” is a gospel/jazz song written by Billy Taylor & “Dick Dallas.”]

15. Solomon Burke – “None Of Us Are Free”
from: Don’t Give Up On Me / Fat Possum / 2002
[Back up singers: The Blind Boys of Alabama. Born James Solomon McDonald, March 21, 1940, Solomon Burke died October 10, 2010. He was an American preacher & singer, who shaped the sound of rhythm & blues as one of the founding fathers of soul music in the 1960s and a “key transitional figure in the development of soul music from rhythm & blues. During the 55 years that he performed professionally, Burke released 38 studio albums on at least 17 record labels and had 35 singles that charted in the US, including 26 singles that made the Billboard R&B charts. In 2001, Burke was inducted into the Rock & Roll Hall of Fame as a performer. His album Don’t Give Up on Me won the Grammy Award for Best Contemporary Blues Album at the 45th Grammy Awards in 2003. By 2005 Burke was credited with selling 17 million albums.]

16. Nina Simone – “I Shall Be Released”
from: To Love Somebody / RCA / 1967
[1 of 3 Bob Dylan songs Nina Simone performed for this album. Written by Dylan in 1967. The Band recorded the first officially-released version of the song for their 1968 debut album, Music from Big Pink, with Richard Manuel singing lead vocals, and Rick Danko & Levon Helm harmonizing in the chorus. The song was also performed near the end of the Band’s 1976 farewell concert, The Last Waltz, in which all the night’s performers (except of Muddy Waters) plus Ringo Starr and Ronnie Wood appeared on the same stage.]

11:02 – Station I.D.

11:02 – The Staple Singers & Bobby Watson and “Unpaid Bills”

MLK said, “In our glorious fight for civil rights, we must guard against being fooled by false slogans, as ‘right-to-work.’ It provides no ‘rights’ and no ‘works.’ Its purpose is to destroy labor unions and the freedom of collective bargaining… We demand this fraud be stopped.”

17. Pops Staples – “You Gotta Serve Somebody”
from: e-town live volume 3 / e-town / December 18, 2002
[Recorded Sept. 16, 1994, Live in Boulder]
[Originally written by Bob Dylan. Roebuck “Pops” Staples was born on a cotton plantation near Winona, Mississippi, on Dec. 28, 1914, the youngest of 14 children. When growing up he heard, and began to play with, local blues guitarists such as Charlie Patton, who lived on the nearby Dockery Plantation, Robert Johnson, and Son House. He dropped out of school after the eighth grade, and sang with a gospel group before marrying and moving to Chicago in 1935. A “pivotal figure in gospel in the 1960s and 70s,” and an accomplished songwriter, guitarist and singer. Patriarch of The Staple Singers, which included his son Pervis and daughters Mavis, Yvonne, and Cleotha.]

18. Mavis Staples – “Down in Mississippi”
from: Live – Hope At The Hideout / Anti / 2008
[Rock & Roll Hall of Fame inductee Mavis Staples, of The Staple Singers, is a celebrated equal rights activist. She’s performed at inaugural parties for Presidents Kennedy, Carter and Clinton, Recorded in June, 2008, in the run up to the Presidential election of Barrack Obama. Recorded live in the intimate bar The Hideout, in her hometown of Chicago. Mavis Staples, marched, sang & protested alongside Dr. Martin Luther King during the Civil Rights movement of the 1960s.]

19. The Staple Singers – “When Will We Be Paid”
from: Single / Stax (Fantasy / Ace) / 1967

20. Bobby Watson & The I Have a Dream Project–”Check Cashing Day” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / Aug. 28, 2013
[From wikipedia.org: “Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas.]

[Bobby Watson plays The Lied Center in Lawrence, KS, on Friday, March 6, at 7:30 PM.]

[Congratulations to Glenn North for being the newly appointed Executive Director of Bruce R. Watkins Cultural Heritage Center.]

11:20 – Hard Times

21. Kelly Hunt – “Sunshine Long Overdue”
from: Even The Sparrow / Kelly Hunt / 2019
[The daughter of an opera singer and a saxophonist, Kelly Hunt was raised in Memphis, TN, and grew up performing other people’s works through piano lessons, singing in choirs, and performing theater. “It was a very creative, artistic household,” says Hunt. During her teenage years, influenced by musical inspirations as diverse as Norah Jones, Rachmaninov, and John Denver, she began writing her own songs on the piano as a creative outlet. After being introduced to the banjo in college while studying French and visual arts, Hunt began to develop her own improvised style of playing, combining old-time picking styles with the percussive origins of the instrument. “I’m self-taught, I just started letting the songs dictate what needed to be there,” she says. “I heard a rhythm in a song that I wanted to execute, so I figured out how to do it on the drum head while still being able to articulate certain notes in one motion.” After college, Hunt followed a rambling path that took her through careers in acting, graphic design, traditional French bread making, and medicine, all the while making music as a private endeavor. “I wanted to get serious about a responsible career choice, but music kept bubbling up. I was writing a lot and playing a lot and started to not be satisfied just playing to my walls of my room.” After moving to Kansas City and discovering her mysterious Depression-era tenor banjo, Hunt began recording Even The Sparrow in Kansas City alongside collaborator Stas’ Heaney and engineer Kelly Werts. “It took almost two years to record,” she says, “learning how to let the songs dictate the production.” Having finally come to light, the album displays Hunt’s penchant for masterful storytelling and intriguing arrangement, as researched and complex as they are memorable, punctuated by her articulate melodies and a well-enunciated and creative command of lyrical delivery infused with deft emotional communication. While reminiscent of modern traditionalists such as Gillian Welch–a number of her songs even borrow titles and phrasing from traditional American music (“Back to Dixie,” “Gloryland”)–Even The Sparrow reveals an ineffable quality that hovers beyond the constraints of genre, à la Anais Mitchell and Patty Griffin. In “The Men of Blue & Grey,” what begins as a Reconstruction-era ballad about the repurposing of Civil War glass plate negatives in a greenhouse roof soon becomes a meditation on the hope that growth and life may one day be able to emerge from the ruins of suffering and haunting of violence. “Across The Great Divide” turns an otherwise traditional accounting of spurned love into a philosophical epic of the ethics of forgiveness and freedom, evoking the ideas of Søren Kierkegaard and Walt Whitman.]

[Kelly Hunt plays Jayhawk Theatre, 720 SW Jackson St, Topeka, KS, Saturday, January 18 at 7:OO PM.]

[Kelly Hunt has been nominated for 2019 Album of the Year by Folk Alliance International International Folk Music Awards. Even The Sparrow was in the Top Ten of WMM’s 119 Best Recordings of 2019.]

22. Laura Love – “Hard Times”
from: You Ain’t Got No Easter Clothes / Koch / 2004
[Laura Love is an American singer-songwriter and bass guitar player. Her style has been described as “Afro-Celtic” and has also been influenced by bluegrass. Love was born Laura Jones in Lincoln, Nebraska, in 1960. She is African American, Native American, and Caucasian. Love had a difficult childhood, raised by a mother with schizophrenia and in foster homes. Her father, who had little involvement in her life, was the jazz musician Preston Love who played the saxophone with Count Basie, Lucky Millinder and Johnny Otis and formed his own band in the 1950s. Love’s mother, Wini, had been a singer in Preston’s jazz band. Love began her performing career at age 16, singing for the prisoners at the Nebraska State Penitentiary. Love relocated to Seattle, Washington, where she was a member of the 1980s rock group Boom Boom G.I. She was also a member of an all-female band, Venus Envy. After Love released three albums on her own label, Octoroon Biography, Putumayo released a collection of her songs in 1995. Her 2003 album Welcome to Pagan Place included the controversial song “I Want You Gone”, about George W. Bush. In 2004 she published an autobiography, You Ain’t Got No Easter Clothes, with an accompanying album of the same name.][“Hard Times Come Again No More” (sometimes, “Hard Times”) is an American parlor song written by Stephen Foster. It was published in New York by Firth, Pond & Co. in 1854 as Foster’s Melodies No. 28. Well-known and popular in its day, both in America and Europe, the song asks the fortunate to consider the plight of the less fortunate and ends with one of Foster’s favorite images: “a pale drooping maiden”. The first audio recording was a wax cylinder by the Edison Manufacturing Company (Edison Gold Moulded 9120) in 1905. It has been recorded and performed numerous times since. The song is Roud Folk Song Index #2659.]

11:28 – Underwriting

11:30 – Brothers

23. Isley Brothers – “Brother, Brother, Brother”
from: Brotherhood / Hear Music / 2006
[The Isley Brothers are an American musical group originally from Cincinnati, Ohio, that started as a vocal trio consisting of brothers O’Kelly Isley Jr., Rudolph Isley and Ronald Isley. The group has been cited as having enjoyed one of the “longest, most influential, and most diverse careers in the pantheon of popular music”. Together with a fourth brother, Vernon, the group performed gospel music until Vernon’s death a few years after its formation. After moving to the New York City area in the late 1950s, the group had modest chart successes during their early years, first coming to prominence in 1959 with their fourth single, “Shout”, written by the three brothers. Initially a modest charted single, the song eventually sold over a million copies. Afterwards the group recorded for a variety of labels, including the top 20 single, “Twist and Shout” and the Motown single “This Old Heart of Mine (Is Weak for You)”, before recording and issuing the Grammy Award-winning hit “It’s Your Thing” on their own label, T-Neck Records. Influenced by gospel and doo-wop music, the group began experimenting with different musical styles incorporating elements of rock and funk as well as pop balladry. The inclusion of younger brothers Ernie Isley (lead guitar, drums) and Marvin Isley (bass guitar), and Rudolph’s brother-in-law Chris Jasper (keyboards, synthesizers), in 1973 turned the original vocal trio into a complete band. For the next full decade, they recorded top-selling albums including The Heat Is On and Between the Sheets. The six-member band splintered in 1983, with Ernie, Marvin, and Chris Jasper forming the short-lived spinoff group Isley-Jasper-Isley. The oldest member, O’Kelly, died in 1986 and Rudolph and Ronald released a pair of albums as a duo before Rudolph retired to a life in the Christian ministry in 1989. Ronald reconvened the group two years later in 1991 with Ernie and Marvin; five years later, in 1996, Marvin Isley left the group due to complications of diabetes. The remaining duo of Ronald and Ernie achieved mainstream success with the albums Mission to Please (1996), Eternal (2001) and Body Kiss (2003). Eternal spawned the top twenty hit “Contagious”. As of 2019, the Isley Brothers continue to perform under the lineup of Ronald & Ernie. The Isley Brothers have had four Top 10 singles on the U.S. Billboard chart. Sixteen of their albums charted in the Top 40. 13 of those albums have been certified gold, platinum or multi-platinum by the RIAA. The brothers have been honored by the Rock and Roll Hall of Fame, which inducted them in 1992. 5 years later, they were added to Hollywood’s Rockwalk, and in 2003 they were inducted to the Vocal Group Hall of Fame. They received the Grammy Lifetime Achievement Award in 2014.]

24. The Holmes Brothers – “Promised Land”
from: Promised Land / Rounder / 1997
[The Holmes Brothers were an American musical trio originally from Christchurch, Virginia. Mixing sounds from blues, soul, gospel, country, and rhythm & blues, they have released twelve studio albums, with three reaching the top 5 on the Billboard Blues Albums Chart. They have gained a following by playing regularly at summer folk, blues, gospel, and jazz festivals. They have recorded with Van Morrison, Peter Gabriel, Odetta, Phoebe Snow, Willie Nelson, Freddie Roulette, Rosanne Cash, Levon Helm and Joan Osborne, and have gigged all over the world—including performing for President Bill Clinton. They won the Blues Music Award from the Memphis-based Blues Foundation for Band of the Year in 2005 and for the Soul Blues Album of the Year in 2008. USA Today calls The Holmes Brothers’ music “Rootsy R&B, gospel and country. They are glorious, full of soul and surprises.” The New Yorker says, “The Holmes Brothers are capable of awesome achievements.”NPR adds, “Their voices are rough enough for a juke joint and smooth enough for church.]

25. The Chambers Brothers – “People Get Ready”
from: The Time Has Come / Columbia / 1967 [written by Curtis Mayfield]
[American psychedelic soul band, known for their 11-minute 1968 hit “Time Has Come Today”. The group was part of the wave of new music that integrated American blues and gospel traditions with modern psychedelic and rock elements. Their music has been kept alive through heavy use in film soundtracks. Originally from Carthage, Mississippi, the Chambers Brothers first honed their skills as members of the choir in their Baptist church. This set up ended in 1952 when the eldest brother George was drafted into the Army. George relocated to Los Angeles after his discharge, and his brothers soon settled there as well. As a foursome, they began performing gospel and folk throughout the Southern California region in 1954, but they more or less remained unknown until appearing in NYC in 1965. Consisting of George (September 26, 1931 – October 12, 2019) on washtub bass (later on Danelectro bass guitar), Lester (b. April 13, 1940) on harmonica, and Willie (b. March 3, 1938) and Joe (b. August 22, 1942) on guitar, the group started to venture outside the gospel circuit, playing at coffeehouses that booked folk acts. They played at places like The Ash Grove, a very popular Los Angeles folk club. It became one of their favorite haunts and brought them into contact with Hoyt Axton, Ramblin’ Jack Elliott, Reverend Gary Davis, and Barbara Dane. Dane became a great supporter, performing and recording with the brothers. With the addition of Brian Keenan (January 28, 1943 – October 5, 1985) on drums, Dane took them on tour with her and introduced them to Pete Seeger, who helped put the Chambers Brothers on the bill of the 1965 Newport Folk Festival. One of the songs they performed, “I Got It”, appeared on the Newport Folk Festival 1965 compilation LP, which was issued on the Vanguard label. They were becoming more accepted in the folk community, but, like many on the folk circuit, were looking to electrify their music and develop a more rock & roll sound. Joe Chambers recalled in a May 1994 Goldmine article that people at the Newport Folk Festival were breaking down fences and rushing to the stage. “Newport had never seen or heard anything like that.” After the group finished and the crowd finally settled down, the MC came up and said “Whether you know it or not, that was rock ‘n’ roll.” That night they played at a post-concert party for festival performers and went to a recording session of the newly electrified Bob Dylan. Shortly after appearing at Newport, the group released its debut album, People Get Ready.]

11:45:43 – Gospel & Folk Music Carried the Message.

The closing set starts with the late Pete Seeger singing a gospel song by Reverend Charles Tindley he adapted and made famous, followed by Sarah Lee Guthrie, the granddaughter of Woody Guthrie, with Johnny Irion, singing a song called “Dr. King” written by Pete Seeger. We end with a song written by Woody Guthrie performed by the great Sharon Jones and The Dap Kings. Call it from Folk to Funky.

Keep The Dream Alive! We Shall Overcome!

26. Pete Seeger – “We Shall Overcome”
from: The Essential Pete Seeger / Columbia – Legacy / 2004
[Derived from a gospel song by Reverend Charles Tindley called “We Will Overcome” written in 1901. Adapted and made famous by Pete Seeger, Joan Baez, and others the song became central to the civil rights movement of the 1950 and 1960s and eventually used all around the world. Dr. Martin Luther King, Jr. made use of “we shall overcome” in the final Sunday March 31, 1968 speech before his assassination.]

27. Sarah Lee Guthrie & Johnny Irion – “Dr. King”
from: exploration / New West / 2005 [written by Pete Seeger]
[Sarah Lee Guthrie was born February 17, 1979 and Johnny Irion was born February 3, 1969. They are a musical duo. Guthrie and Irion were married on October 16, 1999 and began performing together as an acoustic duo in the fall of 2000. Their music combined Irion’s love of rock and blues with Guthrie’s roots of folk and country. Guthrie is the youngest daughter of folksinger Arlo Guthrie and the granddaughter of Woody Guthrie. As a third generation singer/songwriter Guthrie released her first self-titled album on the family owned and operated Rising Son Records in 2002. As a child she was involved in theater and dance. Her interest in music was sparked when she worked as her father’s road manager on the 1997 Further Festival tour and saw other members of the tour group having fun at late-night hootenannies. She picked up an acoustic guitar and started playing as a way to join in on the fun. “I always wrote poems, so it wasn’t that far off for me to turn that into songs.” “My dad was absolutely thrilled, of course, and would teach me stuff every day when we were on the road together. That was a really cool way to get to know my dad, because I’d never known him that way. And that’s another thing that made it easy: my dad was so supportive.” Sarah Lee Guthrie & Johnny Irion performing live for Valentine’s Day 2008 at Tales From The Tavern at The Maverick Saloon in Santa Ynez, CA. Irion originates from a family of artists. His uncle is author Thomas Steinbeck, his great uncle is author John Steinbeck, and his grandmother, Rubilee Knight, is a classical violinist. His late grandfather, Fred Knight, sang tenor in numerous venues. Irion and Guthrie met through a mutual friend (Chris Robinson of the Black Crowes) while the two were working together in Los Angeles. In 1999 Guthrie and Irion joined guitarist Tao Rodríguez-Seeger, grandson of Pete Seeger, and performed as a trio under the name RIG.]

28. Sharon Jones & The Dap-Kings – “This Land is Your Land”
from: Naturally / Daptone / 2005
[written by Woody Guthrie, Sarah Lee’s Grandfather.]
[In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, the released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, , for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007) and I Learned the Hard Way (2010). They are seen by many as the spearhead of a revival of soul and funk.]

29. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on January 22 we talk with Hadiza., Les Ismore, and Scott Hobart, plus we have a whole lot of NeW & MidCoastal Releases from Pedaljets, Una Walkenhorst, and more!

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #820

WMM Celebrates MLK

Wednesday MidDay Medley
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org
Produced and Hosted by Mark Manning

Wednesday, January 15, 2020

“Remembering MLK”

WMM celebrates Dr. Martin Luther King, Jr., born January 15, 1929. Dr. King led the 1955 Montgomery Bus Boycott and helped found the Southern Christian Leadership Conference in 1957, serving as its first president. King’s efforts led to the 1963 March on Washington, where King delivered his “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination through civil disobedience and other non-violent means. By the time of his death, Dr. King had refocused his efforts on ending poverty and opposing the Vietnam War, both from a religious perspective. Dr. King was assassinated on April 4, 1968, in Memphis, Tennessee. He was posthumously awarded the Presidential Medal of Freedom in 1977 and Congressional Gold Medal in 2004. Martin Luther King, Jr. Day was established as a U.S. national holiday in 1981.

Mark plays music of the movement from: Mavis Staples, Pops Staples, The Staple Singers, Mahalia Jackson, Marian Anderson, Bobby Watson & The I Have A Dream Project featuring Glenn North, Krystle Warren, Kelly Hunt, Laura Love, Sharon Jones & The Dap-Kings, Labelle, Curtis Mayfield, Maceo & The Macks, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Soweto Gospel Choir, International Noise Conspiracy, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, The Holmes Brothers, The Chambers Brothers, The Isley Brothers, Pete Seeger, and Sarah Lee Guthrie & Johnny Irion.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #820

WMM Playlist from May 29, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 29, 2019

That’s So Fabulous! + KC Pride Fest
+ Stuart Hinds & Austin Williams of GLAMA +
Cuee & Shah of Pride For The Masse
s

Today We celebrate The LGBTQIA Pride Season with our annual show, “That’s So Fabulous!”

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Judy Garland – “Intro / Keep Your Sunny Side Up”(outtake)
from: The Judy Garland Show – the show that got away /Hip-O /2002 [orig. taped June 24, 1963]

3. Cyre – “Holiday (Circuit Mix)”
from: Gay Classics – Outrageous / Hot JWP / 2001

4. Dos Fallopia (Lisa Koch) – “Definition: Lesbian”
from: My Breasts Are Out Of Control / Tongueincheek Records / 1994

5. Bambi – “Lets Sing A Gay Little Spring Song”
from: Bambi (Original Motion Picture Soundtrack) / Buena Vista Pictures / 1996 [1942 Disney]

6. Lily Tomlin – “Obscene Phone Call”
from: This Is a Recording / Universal Records / 1971
[The album consists of comic sketches of Tomlin in her most famous character, Ernestine, the nosy, aggressive, and sharp-tongued telephone operator. The album’s tracks include monologues in which Ernestine tangles over the phone with Joan Crawford, Gore Vidal (“Mr. Veedle”), Martha Mitchell, and J. Edgar Hoover. It was recorded live at the intimate Ice House in Pasadena, California. The album, Tomlin’s first, won her a Grammy Award for Best Comedy Recording. Tomlin became the first woman to win this award for a solo recording (in 1962 Elaine May won for an album with Mike Nichols; in the years since only Whoopi Goldberg and Kathy Griffin among female comedians have won the award.) The album peaked at #15 on the Billboard Hot 200 albums list, the highest charting solo comedy album by a woman ever on the chart.]

7. Sharron Alexis – “Please Don’t Be Gay”
from: Sordid Lives (Original Motion Picture Soundtrack) / Varese Sarabande / 2001

8. RuPaul – “I Met Him on the Dance Floor (Interlude)”
from: Realness / RuCo / March 2, 2015 [RuPaul Andre Charles (born November 17, 1960), best known as simply RuPaul, is an American actor, drag queen, model, author, and recording artist, who first became widely known in the 1990s when he appeared in a wide variety of television programs, films, and musical albums. Previously, he was a fixture on the Atlanta and New York City club scenes during the 1980s and early 90s. RuPaul has on occasion performed as a man in a number of roles, usually billed as RuPaul Charles. RuPaul is noted among famous drag queens for his indifference towards the gender-specific pronouns used to address him—both “he” and “she” have been deemed acceptable. “You can call me he. You can call me she. You can call me Regis and Kathie Lee; I don’t care! Just as long as you call me.” He hosted a short-running talk show on VH1, and currently hosts reality television shows RuPaul’s Drag Race and RuPaul’s Drag U.]

9. Company – “Opening: I Hope I Get It”
from: A Chorus Line – Original Cast Recording / Columbia / 1975

10. Dos Fallopia (Lisa Koch) – “Definition: Pro Choice”
from: My Breasts Are Out Of Control / Tongueincheek Records / 1994

11. Grace Jones – “The Crossing (Ooh The Action…)”
from: Slave To The Rhythm / Island Def Jam Records / 1985

12. Al Franken and Phil Hartman – “Daily Affirmation Theme”
from: Original Soundtrack to: Stuart Saves His Family / Milan / 1995

13. Hedwig & The Angry Inch – “Tear Me Down”
from: Original Motion Picture Soundtrack to Hedwig & The Angry Inch / Hybrid / 2001

10:15 – That’s Sooo Fabulous!

14. The BTC Orchestra – “The Liberace Fanfare”
from: Behind The Candelabra (Music from the HBO Original Film) / Elektra / May 20, 2013
[2013 American drama film directed by Steven Soderbergh about the life of pianist Liberace and the secret affair he had with young Scott Thorson, based on Thorson’s memoir, Behind the Candelabra: My Life With Liberace (1988). It premiered at the 2013 Cannes Film Festival on May 21, 2013. It aired on HBO on May 26, 2013 and won multiple Emmy and Golden Globe Awards. It was released theatrically June 7, 2013 in the United Kingdom. The film features Michael Douglas as Liberace and Matt Damon as Scott Thorsen.]

Liberace

15. Liberace – “The Impossible Dream” [Vinyl]
from: Liberace Sends You Love [3 record set] / Brookville Records – ABC Records / 1974
[Born in West Allis, Wisconsin, his career spanned four decades of concerts, recordings, motion pictures, television, and endorsements, Liberace became world-famous. During the 1950s–1970s he was the highest-paid entertainer in the world and embraced a lifestyle of flamboyant excess both on and off stage. He publicly denied being gay during his lifetime, and sued those who said he was. Towards the end of his life his chauffeur, Scott Thorson, sued him for palimony. He died of an AIDS-related illness in 1987.]

16. Jim Nabors – “It Takes All Kinds To Make The World Go Round”
from: Gomer Pyle U.S.M.C. / Sony / 1965
[Jan. 29, 2013, Hawaii News Now reported that Jim Nabors married his partner of 38 years, Stan Cadwallader, at Seattle, Washington’s Fairmont Olympic Hotel, Jan. 15, a month after same-sex marriage became legal in Washington. An urban legend maintains that Nabors married Rock Hudson in the early ’70s, shortly before Nabors began his relationship with Cadwallader. At least publicly, the two were never more than friends. According to Hudson, the legend originated with a group of “middle-aged homosexuals who live in Huntington Beach” who sent out joke invitations for their annual get-together. One year, the group invited its members to witness “the marriage of Rock Hudson & Jim Nabors,” at which Hudson would take the surname of Nabors’ most famous character, Gomer Pyle, becoming “Rock Pyle.” Those who failed to get the joke spread the rumor. Hudson was also gay but closeted, and because of the fear that one or both of them might be outed, Nabors & Hudson never spoke to each other again.]

10:21 – The Music for Kansas City Pride

Kansas City Pride Fest is Friday, May 31, 6:00 – Midnight, Saturday, June 1, Noon – Midnight, and Sunday, June 2, Noon – 7:00 PM at The Richard L Berkley Riverfront Park.

Stephonne Singleton Photography by Paul Andrews Photography // Makeup by Janette RiiRii Noriega // Styling by Alex Nivens and Stephonne Singleton.

17. Stephonne Singleton – “Want Me”
from: “Want Me” – Single / Glory Blue Music / April 26, 2019
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018.]

[Stephonne Singleton plays KC Pride Fest, Sat, June 1, 7:00 pm at Richard L Berkley Riverfront Park.]

[Stephonne Singleton plays recordBar, 1520 Grand, Saturday, July 13, 8:00, with Stone Cutters Union.]

18. Mýa – “Open (Solo Mix)”
from: Open (Solo Mix) – Single / Planet 9 / May 13, 2019
[For over 21 years now Mýa has been an internationally known, singer, songwriter, producer, musician, dancer/choreographer, actress, activist and philanthropist. Her collaboration with Christina Aguilera, Pink, Lil” Kim and Missy Elliot on a remake of LaBelles’s Lady Marmalade featured in the movie “Moulin Rouge” sold over 5.5 million copies and became the most successful airplay-only single in history, winning the Grammy Award for Best Bop Collaboration and numerous other awards. In April 2018 Mýa released her thirteenth-studio project and Ninth studio album T.K.O (The Knock Out). Her career has taken her to Broadway where she won a Screen Actors Guild Award for “Chicago” . She was also a finalist on “Dancing with the Stars” Season 9 and is involved in numerous other television projects.]

[Mýa plays KC Pride Fest, Saturday, June 1, at 10:45 at The Richard L Berkley Riverfront Park.]

19. Daya – “Insomnia”
from: Insomnia – Single / Daya Records – Interscope / March 8, 2019
[Since making her debut with 2016’s double-platinum “Hide Away,” multi-platinum singer/songwriter, Daya, won her first ever Grammy Award for her smash collaboration with The Chainsmokers “Don’t Let Me Down,” released a gold-certified album, and headlined a national tour. The following year, Daya’s Sit Still, Look Pretty release won the World Dance Music (WDM) Radio Award for Best Trending Track. Along with bringing elements of urban and electronic music to her brightly arranged breed of pop, Daya embraces a soulful sensibility closely shaped by her lifelong love of R&B and her experience in studying jazz piano. Now signed to Interscope Records, Daya is beginning to release new music to much acclaim and fans are eagerly awaiting the arrival of her sophomore album.]

[Daya plays KC Pride Fest, Sunday, June 2, at 6:00 at The Richard L Berkley Riverfront Park.]

10:31 – Interview with Bill Svoboda

Bill Svoboda serves as Producer for KC Pride Fest, May 31, June 1st, and June 2nd, at Berkley Riverfront Park under the guidance of the KC Diversity Coalition, the not-for-profit service organization that presents KC Gay Pride. Bill started his career over 25 years ago in the event planning industry working for the Greater KC Chamber of Commerce. In 2002 he started EventPros, Inc., planning Festivals, Corporate and Association events all over the country. He was one of the original producers of the KCRiverFest and the KC Marathon – Health & Fitness Expo. Bill also produces the KC Jazz Festival.

Bill Svoboda thanks for being with us on Wednesday MidDay Medley

Kansas City PrideFest, at Richard L Berkely Riverfront Park, 1298 Riverfront Dr. KCMO. Friday, May 31st, Saturday, June 1st, and Sunday, June 2nd

More Info: gaypridekc.org

Friday, May 31st 6:00 PM – Midnight
6:00 Gates open
Emcee: Dirty Dorothy – 6:00-11:15
6:00 Rozz Smith – National Anthem
6:01-7:45 DJ Chad Slater
7:45-8:50 Material Girl featuring the Men of SKIN
9:15-11:45 DJ Barry Harris featuring the Men of SKIN
11:30 PM Gates Close

Saturday, June 1st, 12:00 Noon – Midnight
12:00 Gates Open
Emcees: Shasha Blake – Noon-5:00 / Flo & Melinda Ryder – 5:00-12:00
1:10-1:25 Renne Scott
1:30-1:45 Tucker Wiliams
1:50-2:05 Royalty Court
2:10-2:45 Sidekicks Talent Show
3:00-3:20 Radial Red
3:35-3:50 Latino Pride
3:55-4:10 Buttwiser’s Bash
4:15-4:35 Black Pride
4:40-4:55 Ross Smith
5:00-5:15 Hamburger Mary’s
5:00-11:20 Flo and Melinda Ryder
5:45-6:00 KCStrips
5:45-6:00 Choral Spectrum
6:10-6:25 Heartland Men’s Chorus
6:30-6:55 Presentations with Mayor Sly James
7:00-7:15 Stephonne Singleton
7:20-7:40 Widow Von’ Du
7:45-8:00 KC Sunshine – The Midwest Michael Jackson
8:05-8:40 Janet Jackson Experience
8:45-9:00 Missie B’s
9:30-10:15 Steve Grand
10:45-11:30 Mýa
11:30 Gates Close

Sunday, June 3rd: Noon – 7:00 PM
12:00 Gates Open
Emcees: Gary Carrington – Noon-4:00 / Buddy & Budweiser – 4:00-7:00
12:00 Rozz Smith Solo National Anthem
1:20-2:25 The Youth Court & Friends
2:30-2:50 Kansas City Twisters
2:55-3:10 The Rhizomes
3:15-3:30 MGRA
3:35-4:00 Sidekicks
4:05-4:20 Nikita Wood-Rowe
4:25-4:40 Drag Survivor
4:45-5:30 Josh Zuckerman
6:00-6:45 Daya
6:50-7:00 Kansas City Diversity Coalition Board and Volunteer Thank You
7:00 PM Gates Close

ONGOING WEEKEND ACTIVITIES:

LGBTQIA+ Youth Hang Out – Friday, Saturday & Sunday
Carnival – Friday, Saturday & Sunday
Kids Zone Inflatables – Saturday and Sunday
Commerce Bank Animal Adoptions – Saturday and Sunday
Market Place – Friday, Saturday & Sunday
Food Fair – Friday, Saturday & Sunday
Volleyball Tournament – Saturday Afternoon
KC Gay Volleyball – Sunday Afternoon
Renaissance Festival Characters roaming the park – Friday, Saturday & Sunday

Need assistance during the festival? — Text the Social Media Response Team at 816-535-0911 with your name, location and issue or message us on Facebook.

Where is the festival located? Berkley Riverfront Park in Kansas City, MO. — 1298 River Front Rd, Kansas City, MO 64120 — Use the Front St. exit 4 or 4B off of I-29. Proceed west and follow directions to the festival parking lot

Gay Pride Kansas City is a mix of volunteers and board members who represent a wide cross section of the Kansas City LGBTQIA community. What motivates these individuals is their drive to offer the Kansas City LGBTQIA community great informational and educational events which move the community forward.

Presented by: Kansas City Divercity Coalition: PO Box 32413, KCMO 64171
Phone: (816) 960-3400 / Email: pridefestkc@gmail.com

10:43

Bill Svoboda thanks for being with us on Wednesday MidDay Medley.

KC Pride Fest – Friday, May 31st, Saturday, June 1st and Sunday, June 2nd, at Berkley Riverfront Park, KCMO, presented by KC Diversity Coalition, a not-for-profit service oganization. For more information about tickets, vendors, directions, events, or to volunteer, visit: http://www.gaypridekc.org

10:44 – Underwriting

10:46 – “Just say the lines and don’t bump into the furniture.”

I think my parents had a tougher time hearing that I wanted to become a Theatre Major than when I told them I was Gay. Please know, that I believe the theatre is full of all sexual orientations, straight, gay, lesbian, bisexual, transgender…just like the rest of the world. The theatre, however, is Queer friendly, accepting of LGBTQIA, it has always been a place where so many gay kids found their freedom and identity. The theatre gave gay kids their first glimpse into a world not found in their sheltered, small towns. Here in this next set is a song from Noel Coward from a album I found in my college library my freshman year. The plays of Noel Coward were captivating to me, the lyrics, wit, and diction of Noel Coward in action, is a treat.

After Noel we’ll hear Paul Lynde from the Original Broadway Cast Recording of “Bye Bye Birdie,” followed by Charles Nelson Reilly talking about his experience in “Bye Bye Birdie” while auditioning for “How To Succeed in Business Without Really Trying.” Charles Nelson Reilly was playing three parts in Bye Bye Birdie, winner of The Tony Award for Best Musical of 1960. How To Succeed in Business Without Really Trying won the Tony Award for Best Musical in 1961 and that year Reilly won The Tony for his portrayal of Bud Frump where he sang the Frank Loesser song, “Coffee Break.”

10:49 – Songs about “Tots” and “Kids” and “Coffee”

20. Noel Coward – “What’s Going To Happen To the Tots”
from: Noel Coward in New York / drg / 2003 [orig. 1957] [Born Dec. 16, 1899 / died Mar. 26, 1973. English playwright, composer, director, actor and singer, known for his wit, flamboyance, and what Time magazine called “a sense of personal style, a combination of cheek and chic, pose and poise”. Coward did not publicly acknowledge his homosexuality, but it was discussed candidly after his death by biographers including Graham Payn, his long-time partner, and in Coward’s diaries & letters, published posthumously.]

Paul Lynde

21. Paul Lynde & Marijane Maricle -“Kids”
from: Bye Bye Birdie! (Original Broadway Cast) / / 1960
[Paul Lynde’s sexual orientation was an open secret in Hollywood, although, in keeping with the prejudices of the time, it was not acknowledged or discussed in public. In a 2013 radio interview, Dick Van Dyke recalled the wrap party for Bye Bye Birdie. A series of men gave short speeches, each one praising Ann-Margret and predicting success and stardom for the young actress. When it was Paul Lynde’s turn to speak, he began, “Well, I guess I’m the only one here who doesn’t want to fuck Ann-Margret.” In 1965, Lynde was involved in an accident in which a young actor, reputed to be his lover, fell to his death from the window of their hotel room in San Francisco’s Sir Francis Drake Hotel. The two had been drinking for hours before 24-year-old James “Bing” Davidson slipped and fell eight stories, an event witnessed by two policemen, yet the event was largely kept out of the press, thus saving Lynde’s career. Despite his campy television persona, Lynde never publicly came out as gay and the press generally refrained from commenting about it. In 1976, a People magazine article on Lynde featured him and Stan Finesmith; the latter was dubbed Lynde’s “suite mate” and “chauffeur-bodyguard.” In the 1970s, this was as close as the press would come to hinting at his sexuality.]

Charles Nelson Reilly

22. Charles Nelson Reilly -“The Audition”
from: How To Succeed in Business Without Really Trying / Victor / 1961

23. Charles Nelson Reilly, Claudette Sutherland, Company -“Coffee Break”
from: How To Succeed in Business Without Really Trying / Victor / 1961

24. Judy Garland – “Half – Time Tags”(sponsor announcement)
from: The Judy Garland Show – the show that got away /Hip-O /2002 [orig. taped June 24, 1963

11:00 – Station Identification

Austin Williams and Stuart Hinds on the May 29, 2019 edition Wednesday MidDay Medley on KKFI.

11:00 – Interview with Austin Williams & Stuart Hinds

Austin Williams is a historian, educator, and documentary filmmaker who’s debut film “The Ordinance Project” won the Celebration of Courage Award for best feature-length documentary at the 2018 Kansas City LGBT Film Festival. The film was a collaboration with UMKC’s Gay and Lesbian Archive of Mid-America (GLAMA), and chronicles the story of Kansas City’s response to the AIDS epidemic and it’s impact on LGBTQ civil rights.

Austin Williams, thanks for being with us on Wednesday MidDay Medley

Stuart Hinds, is the Curator of the Gay and Lesbian Archive of Mid-America

Stuart Hinds, thanks for being with us on Wednesday MidDay Medley

Housed in the LaBudde Special Collections Department of the Miller Nichols Library at the University of Missouri – Kansas City, the Gay and Lesbian Archive of Mid-America is a rich trove of unique historical collections related to Kansas City’s LGBT communities. The mission of GLAMA is to collect, preserve, and make accessible such materials that reflect the histories of the LGBT communities in the Kansas City region. Related collections can also be found at the Kansas City Museum

Related material is also available at the Kansas City Museum.

GLAMA is possible from generous donations of personal and organizational papers, images, magazines, ephemera, memorabilia and other materials related to the history of the local LGBT community. This site will provide you with an overview of the materials that have already been gathered as well as give you an idea of what else we would like to collect and preserve.

Gay & Lesbian Archive of Mid-America (GLAMA)
LaBudde Special Collections, UMKC Miller Nichols Library
800 E. 51st Street, Kansas City, MO 64110
Monday – Friday 9:00 a.m. – 4:30 p.m.
Stuart Hinds, GLAMA Curator

Williams serves as a Graduate Teaching Assistant for UMKC’s History Department and as Adjunct Faculty for UMKC’s Honors College, co-teaching an anchor course entitled “Public Urban Education.”

On June 3, 1993, the City Council of Kansas City, Missouri added “sexual orientation” to its civil rights ordinance, capping an epic, three-year civic and political battle. While activists, organizers, politicians, and opponents spent years debating this particular issue, the fight for LGBT civil rights has a much deeper past in KC which continues today.

Austin Williams has been working on an oral history project, Responding to AIDS: Kansas City (1981-1995), and a documentary film, The Ordinance Project. His research focuses on the Kansas City activists and politicians who supported and opposed a series of ordinances introduced in the early 1990s designed to protect gays, lesbians, and people with HIV/AIDS from experiencing discrimination in housing, employment, and public accommodations.

Austin has spent the last three and a half years studying Kansas City’s efforts to pass anti-discrimination legislation for members of the LGBT community. With the help of Stuart Hinds and the staff at The Gay and Lesbian Archive of Mid-America (GLAMA), Austin has pored through thousands of primary sources and digitized dozens of hours of VHS footage.

Austin writes, “I have been blessed to meet many of the activists and politicians directly involved in Kansas City’s fight for civil rights. People have invited me into their homes and shared their stories over cups of coffee. THE ORDINANCE PROJECT is our collective effort to capture their memories on film.”

Austin collaborated with UMKC’s Gay & Lesbian Archive of Mid America (GLAMA) and the Kansas City LGBT Film Festival, he is currently working on an oral history project, Responding to AIDS: Kansas City (1981-1995), along with The Ordinance Project.

Austin’s research focuses on the Kansas City activists and politicians who supported and opposed a series of ordinances introduced in the early 1990s designed to protect gays, lesbians, and people with HIV/AIDS from experiencing discrimination in housing, employment, and public accommodations.

At the height of the AIDS crisis, the City Council of Kansas City, Missouri debated whether or not to amend its Civil Rights Ordinance to prevent discrimination against lesbians, gays, bisexuals, and people with HIV/AIDS.

It quickly became the most highly contested piece of legislation in KC’s history, galvanizing both supporters and opponents while exposing a social divide that is still felt today.

Austin Williams & Stuart Hinds thanks for being with us on Wednesday MidDay Medley

Gay & Lesbian Archive of Mid-America (GLAMA) LaBudde Special Collections, UMKC Miller Nichols Library, 800 E. 51st Street, KCMO – Monday – Friday 9:00 AM – 4:30 PM

11:14

25. Cris Williamson – “Surender Dorothy”
from: Blue Rider / Wolf Moon Records / January 1, 1982
[The legendary Cris Williamson who recently released her 32nd album, Motherland. A brilliant songwriter, poet, pioneer, and renegade who recorded her first album in the 1964 when she was sixteen. Cris Williamson’s groundbreaking album, The Changer and the Changed, from 1975, became one of the best-selling independent releases of all time, selling over 500,000 copies. The sales allowed the independent label Olivia Records the ability to release music from a whole new movement of diverse female artists, all overlooked by mainstream music. Cris Williamson helped to forge a historic movement for women in the male dominated music industry, fostering the creation of completely female owned record labels, touring companies, and music festivals. Cris Williamson recently was the recipient of the Lifetime Achievement Award from The Americana Music Assc.]

[Cris Williamson, Barbara Higbie and Teresa Trull play The Center for Spiritual Living – Kansas City, 1014 West 39th Street, KCMO, on Thursday, May 30, at 7:00 PM]

Barbara Higbie, Cris Williamson, and Teresa Trull at Center For Spiritual Living Kansas City, May 30, 2019.

Barbara Higbie, Cris Williamson, and Teresa Trull at Center For Spiritual Living Kansas City, May 30, 2019.

Barbara Higbie and Teresa Trull at Center For Spiritual Living Kansas City, May 30, 2019.

Barbara Higbie, Cris Williamson, and Teresa Trull at Center For Spiritual Living Kansas City, May 30, 2019.

11:19 – Underwriting

26. Wick & The Tricks – “Drama Queen”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios. wickandthetricks.bandcamp.com]

[Wick & The Tricks play I Heart Local Music presents Pride for the Masses, June 8 at The Granada Theater, 1020 Mass St, Lawrence, w/ Glass Bandit, SHAH, Wick & The Tricks, Drag and More!]

27. Shah – “Wanna Be”
from: Wanna Be – Single / SHAH / May 20, 2018
[19 year-old, singer, songwriter & dancer from Lawrence, KS. Influenced by Chris Brown, Justin Bieber and Kehlani. From a young age SHAH’s been drawn to the stage, modeling, acting, & performing in competitive talent shows. SHAH introduces bold experiments of sounds & lyrics while merging modern-day Pop with nostalgic bits of early 2000’s R&B. SHAH is passionate about addressing stereotypical views of black male artists & hyper-masculinity. He hopes to drive a more compassionate & accepting society by way of his unapologetic image & sound. SHAH is currently working in the studio. For more info: http://www.lifeofshah.com.]

[SHAH plays I Heart Local Music presents Pride for the Masses, June 8 at The Granada Theater, 1020 Mass St, Lawrence, w/ Glass Bandit, SHAH, Wick & The Tricks, Drag and More!]

Cuee

28. Cuee – “Broken Memories”
from: Shameless / Cuee / November 23, 2018
[Originating from Chicago, Illinois, Cuee is a 26 year old Lawrence based hip-hop artist emcee, and educator. Cuee who has gained fans over the last three years in Lawrence and Kansas City for their critically acclaimed musical releases and live performances. Cuee recently recieved their Master’s Degree in Higher Education Administration from the University of Kansas where Cuee also worked as a graduate assistant. Cuee is also a recently graduate of Artist Inc. and has a passionate drive for everything hip-hop. Drawing major influence from hip-hop artists such as Missy Elliot, J. Cole, and Chance The Rapper.]

[Cuee plays I Heart Local Music presents Pride for the Masses, June 8 at The Granada Theater, 1020 Mass St, Lawrence, w/ Glass Bandit, SHAH, Wick & The Tricks, Drag and More!]

SHAH and Cue on the May 29, 2019 edition of Wednesday MidDay Medley on 90.1 FM KKFI 90.1 FM.

11:30 – Interview with CUEE & SHAH

Originally from Chicago, Illinois, Cuee is a 26 year old Lawrence based hip-hop artist emcee, and educator. Cuee has gained fans over the last three years in Lawrence and Kansas City for their critically acclaimed musical releases and live performances. Cuee recently received their Master’s Degree in Higher Education Administration from the University of Kansas where Cuee also worked as a graduate assistant. Cuee is also a recent graduate of Artist Inc. and has a passionate drive for everything hip-hop. Drawing major influence from hip-hop artists such as Missy Elliot, J. Cole, and Chance The Rapper. On November 28, 2018 Cuee released the 10-track album Shameless. Cuee plays Pride for the Masses, presented by I Heart Local Music, Saturday, June 8 at 7:00, The Granada Theater, 1020 Mass St, Lawrence, with Glass Bandit, SHAH, Wick & The Tricks, Drag Performances, and More! For more info you can visit: http://www.iheartlocalmusic.com

Cuee thanks for being with us on Wednesday MidDay Medley

SHAH is a 19 year-old, American singer, songwriter and dancer from Lawrence, KS. His sound is heavily influenced by artists such as Chris Brown, Justin Bieber and Kehlani. From a very young age he has been drawn to the spotlight; pursuing modeling and acting, and performing in competitive talent shows. SHAH is passionate about addressing stereotypical views of black male artists and hyper-masculinity. He hopes to drive a more compassionate and accepting society by way of his unapologetic image and sound. SHAH is excited to be in the studio where he is currently working on a project. SHAH plays Pride for the Masses, presented by I Heart Local Music, Saturday, June 8 at 7:00, The Granada Theater, 1020 Mass St, Lawrence, with Cuee, Glass Bandit, Wick & The Tricks, Drag Performances, and More!.To learn more you can visit http://www.lifeofshah.com.

SHAH thanks for being with us on Wednesday MidDay Medley

Follow Cuee @cueemusic everywhere | http://www.officialcuee.com .
IG: @cueemusic
Twitter: @cueemusic
SoundCloud: https://soundcloud.com/cueemusic

CUEE & SHAH, Thanks for being with us on Wednesday MidDay Medley

I Heart Local Music, presents Pride For The Masses, Saturday, June 8, at 7:00 PM at The Granada Theater, 1020 Massachusetts St, Lawrence, KS with Cuee, Glass Bandit, SHAH, Wick & The Tricks, Drag Performances, and More! To get more information visit: http://www.iheartlocalmusic.com

26. Cuee – “Summertime (feat. Shah)”
from: Shameless / Cuee / November 23, 2018
[Originating from Chicago, Illinois, Cuee is a 26 year old Lawrence based hip-hop artist emcee, and educator. Cuee who has gained fans over the last three years in Lawrence and Kansas City for their critically acclaimed musical releases and live performances. Cuee recently recieved their Master’s Degree in Higher Education Administration from the University of Kansas where Cuee also worked as a graduate assistant. Cuee is also a recently graduate of Artist Inc. and has a passionate drive for everything hip-hop. Drawing major influence from hip-hop artists such as Missy Elliot, J. Cole, and Chance The Rapper.]

[Cuee plays I Heart Local Music presents Pride for the Masses, June 8 at The Granada Theater, 1020 Mass St, Lawrence, w/ Glass Bandit, SHAH, Wick & The Tricks, Drag and More!]

29. David Bowie – “Rebel Rebel”
from: A Reality Tour / ISO – Columbia – Legacy / January 25, 2010
[Recorded November 22-23, 2003, Point Theatre, Dublin, Ireland. Originally written for a mooted Ziggy Stardust musical in late 1973, “Rebel Rebel” was Bowie’s last single in the glam rock style that had been his trademark. The song is notable for its gender-bending lyrics (“You got your mother in a whirl / She’s not sure if you’re a boy or a girl”) as well as its distinctive riff, which rock journalist Kris Needs has described as “a classic stick-in-the-head like the Stones’ ‘Satisfaction'”.Transsexual rock artist and former Bowie associate Jayne County claims that “Rebel Rebel” was based in part on County’s own song “Queenage Baby”, which was recorded in January 1974 by Bowie’s Mainman Records, but not released at the time. The song later surfaced on the independent 2006 release Wayne County at the Trucks, and some critics, upon hearing the track, echoed County’s claims. The 2004, live version features David Bowie – vocals, guitars, stylophone, harmonica; Earl Slick – guitar; Gerry Leonard – guitar; Gail Ann Dorsey – bass guitar, backing vocals, lead vocals on “Under Pressure”; Sterling Campbell – drums; Mike Garson – keyboards, piano; Catherine Russell – keyboards, percussion, acoustic guitar, backing vocals. A Reality Tour was a worldwide concert tour by David Bowie in support of the Reality album. The tour commenced on 7 October 7, 2003 at the Forum, Copenhagen, Denmark continuing through Europe, North America, Asia, including a return to New Zealand and Australia for the first time since the 1987 Glass Spider Tour. The tour grossed $46,000,000, making it the ninth-highest grossing tour of 2004. At over 110 shows, the tour was the longest tour of Bowie’s career. Bowie played Kansas City, May 10, 2004, at Starlight Theatre. I was there, seven rows from the stage.]

30. Lou Reed and John Cale – “Small Town”
from: Songs For Drella / Sire – Warner Bros. / 1990
[Dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol’s crowd. The song cycle focuses on Warhol’s interpersonal relations and experiences, with songs falling roughly into three categories: Warhol’s first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.]

11:56

31. MJ Rodriguez, Billy Porter and Our Lady J – “Home [From Pose]”
from: Home (MJ Rodriguez, Billy Porter, Our Lady J) -Single / 20th Cent. Fox TV Records / July 8, 2018
[“Home” is a song from the 1975 Broadway musical, The Wiz. It was written by Charlie Smalls and was performed by Stephanie Mills in the stage production and by Diana Ross in the 1978 film adaptation and released on the soundtrack album in 1978. Stephanie Mills recorded the song for her 1989 album Home, and eventually scoring her another number one on the Billboard Hot Black Singles chart. The single would be the last of five number ones for Mills on the R&B Singles chart. In 2018, MJ Rodriguez and Billy Porter, as their characters Blanca Evangelista and Pray Tell, respectively, sang the song as a duet in the episode “Love Is The Message” of the television series Pose. Mj Rodriguez was born January 7, 1991; sometimes capitalized as MJ Rodriguez) is an American actress and singer. Rodriguez is known for her role as Blanca Rodriguez-Evangelista in the television drama Pose, where she is among the largest cast of transgender actors to be starring as series regulars in a scripted show. She is also known for her performance as Angel in the 2011 Off-Broadway revival of Rent, for which she won the 2011 Clive Barnes Award. Billy Porter was born September 21, 1969. He is an American stage performer, pop singer, and actor. He attended the Musical Theater program at Pittsburgh Creative and Performing Arts School’s School of Drama, graduated from Carnegie Mellon University School of Drama, and achieved fame performing on Broadway before starting a solo career as a singer. Porter won the 2013 Tony Award for Best Actor in a Musical for his role as Lola in Kinky Boots at the 67th Tony Awards. For the role, Porter also won the Drama Desk Award for Outstanding Actor in a Musical and Outer Critics Circle Award for Outstanding Actor in a Musical. Porter also won the 2014 Grammy Award for Best Musical Theater Album for Kinky Boots. He currently stars in the television series Pose.Our Lady J is an American classical pianist, television writer, and singer-songwriter. She is a writer and producer for the television series Transparent and Pose. Born in Chambersburg, Pennsylvania, Our Lady J attended Interlochen Center for the Arts from 1994 to 1996, majoring in piano during her junior and senior years of high school. In 2000, she moved to New York City, where she freelanced as an accompanist. In 2004, J became the musical director and accompanist for the Broadway performer Natalie Joy Johnson and came out as transgender.[5] She grew to popularity in 2013 when releasing her critically acclaimed first studio album, Picture of a Man. Our Lady J has played piano at Carnegie Hall, American Ballet Theatre, and for the Alvin Ailey American Dance Theater. Pose is an American drama television series created by Ryan Murphy, Brad Falchuk, and Steven Canals that premiered on June 3, 2018, on FX. Pose is set in 1987–88 and looks at “the juxtaposition of several segments of life and society in New York”: the African-American and Latino ball culture world, the downtown social and literary scene, and the rise of the yuppie Trump milieu. The series stars an ensemble cast including Mj Rodriguez, Dominique Jackson, Billy Porter, Evan Peters, Kate Mara, James Van Der Beek, Indya Moore, Ryan Jamaal Swain, Charlayne Woodard, Dyllón Burnside, Hailie Sahar, Angelica Ross and Angel Bismark Curiel. The first season was met with positive reviews upon its premiere and subsequently received numerous award nominations including the Golden Globe Award for Best Television Series – Drama and the Golden Globe Award for Best Actor – Television Series Drama for Billy Porter. On July 12, 2018, it was announced that the series had been renewed for a 2nd season, which is set to premiere on June 11, 2019.]

32. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on June 5, we present WMM’s Favorite MidCoastal Releases of 2019 …So Far, with special co-hosts Marion Merritt & Betse Ellis At 10:30 Jennifer Owen of Owen/Cox Dance Group, shares details about “Strung Through Time” featuring Elizabeth Suh Lane of Bach Aria Soloists, June 8 and 9, at 4220 Mercier St. KCMO. At 11:00 we’ll talk with Simon Fink, of Under The Big Oak Tree, about his new solo release “Lullabies Till Dawn” an illustrated songbook with art by Benjamin Parks. The CD features the lullabies by Simon Fink with The Wires (Laurel Morgan Parks & Sascha Groschang) and harmony vocals by Cheyenne Dorrell. The book/CD/art release is Saturday, June 8 at 8:00 PM, at the Mark Music Showcase.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #788

Wednesday MidDay Medley presents: That’s So Fabulous! + KC Pride Fest + GLAMA + Cuee & Shah & Pride For The Masses

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 29, 2019

That’s So Fabulous! + KC Pride Fest
+ Stuart Hinds & Austin Williams of GLAMA +
Cuee & Shah of Pride For The Masses

Charles Nelson Reilly

We celebrate LGBTQIA Pride Season with our annual show, “That’s So Fabulous!” with music from: Cuee, Stephonne Singleton, Wick & The Tricks, SHAH, Cris Williamson, Mýa, Daya, MJ Rodriguez, Billy Porter & Our Lady J (from Pose), Liberace, Charles Nelson Reilly, Paul Lynde, Jim Nabors, Noel Coward, RuPaul, Grace Jones, Dos Fallopia, Judy Garland, Al Franken, Lily Tomlin, David Bowie, Lou Reed, John Cale, and the Broadway casts of “A Chorus Line,” “Bye Bye Birdie,” and ”How to Succeed in Business Without Really Trying,” plus the film soundtracks to “Bambi,” ”Hedwig & The Angry Inch,” “Stuart Save His Family,” and “Sordid Lives.”

At 10:30 we talk with Bill Svoboda of The Kansas City Pride Fest, Friday, May 31, Saturday, June 1st, and Sunday, June 2nd, at Berkley Riverfront Park, KCMO, featuring MYA, Josh Zuckerman, Daya, Steve Grand, Material Girl, Radial Red, Heartland Men’s Chorus and more. For information on schedules, vendors, activities, and events you can visit: http://www.gaypridekc.org.

Austin Williams & Stuart Hinds

At 11:00 Mark interviews Stuart Hinds, Curator of Special Collections & Archives at UMKC with Austin Williams, PhD Candidate, UMKC Professor, and Director of the documentary film “The Ordinance Project.” Stuart and Austin share news about the 10th Anniversary of the Gay & Lesbian Archive of Mid-America (GLAMA). Housed the Miller Nichols Library at the UMKC, GLAMA is a collection of artifacts and documents archived from KC’s LGBT communities. GLAMA’s mission is to collect, preserve, and make accessible such materials that reflect the histories of the LGBT communities in the region. More info at: http://www.umkc.edu/glama

Cuee

At 11:30 Lawrence based hip hop artists, Cuee and Shah join us to share new music and details about Pride for the Masses, presented by I Heart Local Music, June 8 at The Granada Theater, 1020 Massachusetts St, Lawrence, KS featuring: Cuee with Glass Bandit and SHAH, Wick & The Tricks, Drag Performances, and more! For more info visit: http://www.iheartlocalmusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #788

WMM Playlist from Jan. 16, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 16, 2019

“Remembering MLK”

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Soweto Gospel Choir – “Pride (In The Name of Love)”
from: In the Name of Love – Africa Celebrates U2 / Shout! Factory Records / 2008
[Formed in Soweto, South Africa, by David Mulovhedzi & Beverly Bryer, two choir directors. The 30-member ensemble blends African gospel, Negro spirituals, reggae and American popular music. The group performed at the first of the 46664 concerts for Nelson Mandela and has toured internationally. Their albums Blessed and African Spirit won Grammy Awards for Best Traditional World Music Album in 2007 and 2008.]

3. International Noise Conspiracy / MLK Jr. – “The First Conspiracy / Let Freedom Ring”
from: Adbusters – Live Without Dead Time / Adbusters / 2003
[The (International) Noise Conspiracy (abbreviated T(I)NC) were a Swedish rock band formed in Sweden in the late months of 1998. The line-up consists of Dennis Lyxzén (vocals), Inge Johansson (bass), Lars Strömberg (guitar), and Ludwig Dahlberg (drums). The band is known for its punk and garage rock musical influences, and its impassioned left-wing political stance. Influenced by a quote from 1960’s folk singer Phil Ochs, according to lead singer Lyxzén, the band wanted to achieve an ideal blend of music and politics that was, “a cross between Elvis Presley and Che Guevara.”]

4. Labelle – “Something in The Air / The Revolution Will Not Be Televised”
from: Something Silver / Warner Archives / 1997 [orig. Pressure Cookin’ / 1973, 3rd album from the funk/soul trio of: Patti LaBelle, Nona Hendryx and Sarah Dash who each shared a rap on “The Revolution Will Not Be Televised” a poem and song by Gil Scott-Heron. It was the B-side to Scott-Heron’s first single, “Home Is Where the Hatred Is”, from his album Pieces of a Man (1971). “Something in the Air” is a song orig. recorded by Thunderclap Newman, a band created by Pete Townshend for The Who’s former roadie John ‘Speedy’ Keen who wrote and sang the song. It was a UK #1 single for three weeks in July 1969.]

10:10

Thanks for tuning into Wednesday MidDay Medley, today we celebrate the life of human rights icon, Dr. Martin Luther King, Jr., born Jan. 15, 1929.

MLK led the 1955 Montgomery Bus Boycott, was a cofounder of the Southern Christian Leadership Conference in 1957, and served as it’s first president. His efforts led to the 1963 March on Washington, where Dr. King delivered his, “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination thru civil disobedience and non-violent means.

By the time of his death in 1968, Dr. King had refocused his efforts on ending poverty and opposing the Vietnam War. King was assassinated, April 4, 1968, in Memphis, Tennessee.

Dr. Martin Luther King, Jr. was posthumously awarded the Presidential Medal of Freedom in 1977, and Congressional Gold Medal in 2004. Martin Luther King, Jr. Day was established as a U.S. national holiday in 198I. [B-day – Mon 15] [MLK Day – Mon. Jan. 15.]

As Pete Seeger wrote: “Songs gave them the courage to believe they would not fail.” Today we feature music of and inspired by the civil rights movement from: Bobby Watson & The I Have A Dream Project (featuring Glenn North), Krystle Warren, Bob & Una Walkenhorst, Kelly Hunt, Sharon Jones & The Dap-Kings, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, Pops Staples, Mavis Staples, The Staple Singers, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, Sarah Lee Guthrie & Johnny Irion. We started w/: Soweto Gospel Choir, The Intl. Noise Conspiracy, and Labelle.

And at 11:15, Kansas City based musicians Kelly Hunt and Una Walkenhorst join us to share details about Hunt’s new unique four-part performance residency titled “The SongCraft Sessions“ that starts tonight, Wednesday, January 16th, from 7:00 pm – 9:00 pm at recordBar 1520 Grand.

10:14 – Soul Brother…

MLK said, “The ultimate measure of a man is not where he stands in moments of comfort and convenience, but where he stands at times of challenge and controversy.”

MLK said, “We must learn to live together as brothers or perish together as fools.”

5. Curtis Mayfield – “Beautiful Brother of Mine”
from: Roots / Curtom-Buddah / October, 1971 [2nd solo release from Curtis Mayfield, born in Chicago, June 3, 1942. One of the most influential musicians behind soul & politically conscious African-American music. Mayfield started his musical career in a gospel choir. Moving to the North Side of Chicago he met Jerry Butler in 1956 at the age of 14, and joined vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for The Impressions, which displayed his more politically charged songwriting. After leaving The Impressions in 1970, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album, New World Order, in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995, and was a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a 2-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes, Dec 26, 1999, at 57.]

6. Maceo & The Macks – “Soul Power ’74”
from: James Brown’s Funky People, Pt. 2 / People Records / 1988
[This record is sampled more than crackers and chees at Costco, it contains samples itself in the form of tape overlays of civil rights rallies, a Dr. King speech, and an announcement of King’s assassination. Maceo Parker played saxophone with James Brown, Parliment, Funkadelic, Bootsy Collins, Bernie Worrell and Prince.]

7. Sweet Honey in The Rock, Aaron Neville, Lamar Campbell & Spirit of Praise – “Ella’s Song”
from: Soundtrack to Boycott / HBO / 2001 [Critically acclaimed 2001 film staring Jeffrey Wright as Dr. Martin Luther King, Jr., Terrence Howard as Ralph Abernathy, and CCH Pounder as Jo Ann Robinson.]

10:28 – Underwriting

10:30 – King’s Life, Death, and Spirit…

MLK said, “He who passively accepts evil is as much involved in it as he who helps to perpetrate it. He who accepts evil without protesting against it is really cooperating with it.”

8. Mahalia Jackson – “How I Got Over”
from: The Original Apollo Sessions / Couch & Madison Partners / May 25, 2013
[Gospel hymn composed & published in 1951 by Clara Ward (1924-1973). It was performed by Mahalia Jackson at the historic March on Washington for Jobs and Freedom in 1963 before 250,000 people. Mahalia Jackson (Oct. 26, 1911 – Jan. 27, 1972) was referred to as “The Queen of Gospel”. She became one of the most influential gospel singers in the world, heralded internationally as a singer and civil rights activist. She was described by entertainer Harry Belafonte as “the single most powerful black woman in the United States”. She recorded about 30 albums (mostly for Columbia Records) during her career, and her 45 rpm records included a dozen “golds”—million-sellers. “I sing God’s music because it makes me feel free,” Jackson once said about her choice of gospel, adding, “It gives me hope. With the blues, when you finish, you still have the blues.”]

9. Martin Luther King Jr. – “MLK – I Have A Dream 1963 (excerpt)”
from: Inspirational Speeches, Vo. 3 / Orange Leisure / May 16, 2011 [American civil rights leader/activist and Baptist minister, born Jan. 15, 1929 in Atlanta, Georgia. King’s speeches have been issued on numerous releases – his most well-known and influential address being “I Have a Dream”, which was held during “The March on Washington” in 1963. King was assassinated on April 4, 1968 in Memphis, Tennessee.]

10. Marian Anderson – “He’s Got the Whole World in His Hands”
from: He’s Got the Whole World in His Hands / BMG / Orig. 1961 [Reissued 1991]
[Marian Anderson (Feb 27, 1897 – Apr. 8, 1993) was one of the most celebrated singers of the 20th century. In 1939, the (DAR) refused to let Anderson sing in Constitution Hall. With the aid of First Lady Eleanor Roosevelt and Franklin D. Roosevelt, Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the steps of the Lincoln Memorial in Washington, D.C. before a crowd of more than 75,000 people and a radio audience in the millions. Anderson became the first black person, to perform at the Metropolitan Opera in NYC on Jan. 7, 1955. Anderson worked as a delegate to the UN Human Rights Committee and “goodwill ambassadress” for the U.S. Dept. of State, giving concerts all over the world. She participated in the civil rights movement in the 1960s, singing at the March on Washington for Jobs and Freedom in 1963. Anderson was awarded the Presidential Medal of Freedom in 1963, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.]

11. Tramaine Hawkins, Ella Mitchell, Billy Porter & Chorus -“Rocka My Soul”
from: Alvin Ailey American Dance Theatre “Revelations” / V2 / 1998
[Revelations is the signature choreographic work of Alvin Ailey American Dance Theater. It was first produced by Alvin Ailey Dance Theater in New York City, New York on January 31, 1960. Revelations tells the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals and blues music. It’s been performed in over 70 countries in the half century since then and has been described as “the most widely seen modern dance work in the world.” The finale song of the three part “Revelations” is “Rocka My Soul In The Bosom Of Abraham” and it has been described by writer Juliana Lewis-Ferguson as a, “spiritually powerful conclusion to the suite and a purely physical release of emotion.”]

10:41

12. The Swan Silvertones – “Oh Mary, Don’t You Weep”
from: Platinum Gospel: The Swan Silvertones / Sonorous Entertainment / 2012 (1959)
[“Mary Don’t You Weep” (alternately titled “O Mary Don’t You Weep”, “Oh Mary, Don’t You Weep, Don’t You Mourn”, or variations thereof) is a Negro spiritual that originates from before the American Civil War – thus it is what scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh’s army got drown-ded!, and to God’s rainbow covenant to Noah after the Great Flood. With liberation thus one of its themes, the song again become popular during the Civil Rights Movement. Additionally, a song that explicitly chronicles the victories of the Civil Rights Movement, “If You Miss Me from the Back of the Bus”, written by Charles Neblett of The Freedom Singers, was sung to this tune and became one of the most well-known songs of that movement. In 2015 it was announced that The Swan Silvertones’s version of the song will be inducted into the Library of Congress’s National Recording Registry for the song’s “cultural, artistic and/or historical significance to American society and the nation’s audio legacy”. The first recording of the song was by the Fisk Jubilee Singers in 1915. The best known recordings were made by the vocal gospel group The Caravans in 1958, with Inez Andrews as the lead singer, and The Swan Silvertones in 1959. “Mary Don’t You Weep” became The Swan Silvertones’ greatest hit, and lead singer Claude Jeter’s interpolation “I’ll be a bridge over deep water if you trust in my name” served as Paul Simon’s inspiration to write his 1970 song “Bridge over Troubled Water”.The spiritual’s lyric God gave Noah the rainbow sign, no more water the fire next time inspired the title for The Fire Next Time, James Baldwin’s 1963 account of race relations in America.]

13. Krystle Warren – “Red Clay”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.] [Krystle Warren was on WMM on September 20. We played her music on 12 different shows.]

10:48 – Freedom…

MLK said, “Human progress is neither automatic nor inevitable… Every step toward the goal of justice requires sacrifice, suffering, and struggle; the tireless exertions and passionate concern of dedicated individuals.”

14. Nina Simone -“I Wish I Knew How It Would Feel To Be Free”
from: Silk and Soul / RCA / 1967
[Born Eunice Kathleen Waymon on February 21, 1933. She died on April 21, 2003. Nina Simone was a singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Simone aspired to be a concert pianist. With the help of the few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in NYC. Simone recorded more than 40 albums. “I Wish I Knew How It Would Feel to Be Free” is a gospel/jazz song written by Billy Taylor & “Dick Dallas.”]

15. Solomon Burke – “None Of Us Are Free”
from: Don’t Give Up On Me / Fat Possum / 2002
[Back up singers: The Blind Boys of Alabama. Born James Solomon McDonald, March 21, 1940, Solomon Burke died October 10, 2010. He was an American preacher & singer, who shaped the sound of rhythm & blues as one of the founding fathers of soul music in the 1960s and a “key transitional figure in the development of soul music from rhythm & blues. During the 55 years that he performed professionally, Burke released 38 studio albums on at least 17 record labels and had 35 singles that charted in the US, including 26 singles that made the Billboard R&B charts. In 2001, Burke was inducted into the Rock & Roll Hall of Fame as a performer. His album Don’t Give Up on Me won the Grammy Award for Best Contemporary Blues Album at the 45th Grammy Awards in 2003. By 2005 Burke was credited with selling 17 million albums.]

16. Nina Simone – “I Shall Be Released”
from: To Love Somebody / RCA / 1967
[1 of 3 Bob Dylan songs Nina Simone performed for this album. Written by Dylan in 1967. The Band recorded the first officially-released version of the song for their 1968 debut album, Music from Big Pink, with Richard Manuel singing lead vocals, and Rick Danko & Levon Helm harmonizing in the chorus. The song was also performed near the end of the Band’s 1976 farewell concert, The Last Waltz, in which all the night’s performers (except of Muddy Waters) plus Ringo Starr and Ronnie Wood appeared on the same stage.]

11:02 – Station I.D.

11:02 – The Staple Singers & Bobby Watson and “Unpaid Bills”

MLK said, “In our glorious fight for civil rights, we must guard against being fooled by false slogans, as ‘right-to-work.’ It provides no ‘rights’ and no ‘works.’ Its purpose is to destroy labor unions and the freedom of collective bargaining… We demand this fraud be stopped.”

17. Pops Staples – “You Gotta Serve Somebody”
from: e-town live volume 3 / e-town / December 18, 2002 \[Recorded Sept. 16, 1994, Live in Boulder][Originally written by Bob Dylan. Roebuck “Pops” Staples was born on a cotton plantation near Winona, Mississippi, on Dec. 28, 1914, the youngest of 14 children. When growing up he heard, and began to play with, local blues guitarists such as Charlie Patton, who lived on the nearby Dockery Plantation, Robert Johnson, and Son House. He dropped out of school after the eighth grade, and sang with a gospel group before marrying and moving to Chicago in 1935. A “pivotal figure in gospel in the 1960s and 70s,” and an accomplished songwriter, guitarist and singer. Patriarch of The Staple Singers, which included his son Pervis and daughters Mavis, Yvonne, and Cleotha.]

18. Mavis Staples – “Down in Mississippi”
from: Live – Hope At The Hideout / Anti / 2008
[Rock & Roll Hall of Fame inductee Mavis Staples, of The Staple Singers, is a celebrated equal rights activist. She’s performed at inaugural parties for Presidents Kennedy, Carter and Clinton, Recorded in June, 2008, in the run up to the Presidential election of Barrack Obama. Recorded live in the intimate bar The Hideout, in her hometown of Chicago. Mavis Staples, marched, sang & protested alongside Dr. Martin Luther King during the Civil Rights movement of the 1960s.]

19. The Staple Singers – “When Will We Be Paid”
from: Single / Stax (Fantasy / Ace) / 1967

20. Bobby Watson & The I Have a Dream Project–”Check Cashing Day” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / Digital – Aug. 28, 2013 / Physical – Nov. 12, 2013
[From wikipedia.org: “Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas.]

21. Kelly Hunt – “Sunshine Long Overdue”
from: Even The Sparrow / Kelly Hunt / 2019

11:23 – Interview with Kelly Hunt & Una Walkenhorst

Kansas City based musicians Kelly Hunt and Una Walkenhorst join us to share details about Hunt’s new unique four-part performance residency titled “The SongCraft Sessions“ that starts tonight, Wed, January 16th, from 7:00 pm -9:00 pm at recordBar 1520 Grand.

Kelly Hunt and Una Walkenhorst, thanks for being with us on Wednesday MidDay Medley

Hunt’s new unique four-part performance residency titled “The SongCraft Sessions“ that starts tonight, Wed, January 16th, from 7:00 pm -9:00 pm at recordBar 1520 Grand.

The series continues with Scott Hrabko on March 6, Mikal Shapiro on April 11, and Sara Morgan on May 22.

The performances will also feature Kelly’s longtime co-conspirator multi-instrumentalist Stas’ Heaney and an occasional rotating band of local musicians.

The format may vary some but will include an opening set by each evening’s guest artist songwriter ending with a multi-song collaboration with Kelly followed by a long set of Hunt’s own music freely explored and configured as she sees fit. The residency is intended as an exercise in principles Hunt says guide her creative approach.

“When the opportunity for a residency at The recordBar came up, I knew I wanted to do something different with it. Lately, I’ve been gravitating towards new instruments, new styles of writing, arranging and performing. I’ve been craving a public stage that facilitates experimentation, collaboration and community. A place to air out brand new—even unfinished—songs within the context of live performance: a laboratory of sorts. This series is designed to encourage that kind of creative space for both performer and listener—to give the songwriter a unique sounding board for new ideas, and to invite the listener to participate in that creative process. Every show in this series will be unique. I’m excited to be joined by some of my favorite local songwriters and musicians onstage, and to finally give voice to songs and ideas that have been waiting in the wings for a long time,” said Hunt.

Information at: http://www.therecordbar.com.

Hunt’s stellar debut album, “Even The Sparrow,” is already getting rave advance reaction prior to it’s international release projected for the end of Q1 2019.

“Hunt applies her haunting voice and evocative banjo playing to songs that build on the work of contemporary masters like Gillian Welch.”
– THE KANSAS CITY STAR.

“…the combination of Hunt’s exceptional voice and exquisitely spare instrumentation is stunning.”
– Bill Brownlee THERE STANDS THE GLASS.

Una Walkenhorst shows:

Songwriters Showcase at Records with Merritt
Friday, January 25, at 7:00 PM – Records with Merritt, 1614 Westport Rd, KCMO
Una Walkenhorst, Teri Quinn, Joel Stratton, Nina Lee Cherry

Survivors Stories (A MOCSA Benefit)
FEBRUARY 28, 2019, with support from Fine Dining Productions and the Johnson County Mental Health Center, The Rino will be hosting a very special event benefiting MOCSA. the Metropolitan Organization to Counteract Sexual Assualt. The evening will consist of a curated lineup of performers offering songs, poetry, and other performance art pieces that touch on their experience with sexual assault. The goals for this event are to provide a safe space where survivors can heal, connect, and be given access to the services they may need, and to raise funds and awareness for the important work MOCSA is doing in our community. The event will also provide a chance for those who have not dealt with sexual assault, violence, or harassment to further understand what it means to be a survivor. SEEKING SUBMISSIONS – DEADLINE JANUARY 31, 2019

Bob & Una Walkenhorst Live At The Westsider
Friday, February 1, at 7:00 PM – Mike Kelly’s Westsider. KCMO

Bob & Una Walkenhorst with Brewer & Shipley
Saturday, February 9, at 8:00 PM – Liberty Hall, Lawrence, KS

Kelly Hunt and Una Walkenhorst, thanks for being with us on Wednesday MidDay Medley

Kelly Hunt’s new unique four-part performance residency titled “The SongCraft Sessions“ that starts tonight, Wednesday, January 16th, from 7:00 pm -9:00 pm at recordBar 1520 Grand. More infomation at: http://www.therecordbar.com.

11:39

22. Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from KC. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

11:40 – Underwriting

11:45 – Gospel & Folk Music Carried the Message…

23. Pete Seeger – “We Shall Overcome”
from: The Essential Pete Seeger / Columbia – Legacy / 2004
[Derived from a gospel song by Reverend Charles Tindley called “We Will Overcome” written in 1901. Adapted and made famous by Pete Seeger, Joan Baez, and others the song became central to the civil rights movement of the 1950 and 1960s and eventually used all around the world. Dr. Martin Luther King, Jr. made use of “we shall overcome” in the final Sunday March 31, 1968 speech before his assassination.]

24. Sarah Lee Guthrie & Johnny Irion – “Dr. King”
from: exploration / New West / 2005 [written by Pete Seeger]

25. Sharon Jones & The Dap-Kings – “This Land is Your Land”
from: Naturally / Daptone / 2005
[written by Woody Guthrie, Sarah Lee’s Grandfather.] [In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, the released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, , for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007) and I Learned the Hard Way (2010). They are seen by many as the spearhead of a revival of soul and funk.]

26. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next Week on Wednesday, January 23 we talk with Logan Glasgow of the band Verbose and Eric Kleiner of the band Headlight Rivals who both play The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, ALSO Chloe Jacobson joins us live in our 90.1 FM Studios, PLUS, Ryan Jamaal Davis AKA Kadesh Flow joins us to share new music.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #769

Wednesday MidDay Medley Remembers MLK

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 16, 2019

“Remembering MLK”

Wednesday MidDay Medley celebrates Dr. Martin Luther King, Jr., born January 15, 1929. Dr. King led the 1955 Montgomery Bus Boycott and helped found the Southern Christian Leadership Conference in 1957, serving as its first president. King’s efforts led to the 1963 March on Washington, where King delivered his “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination through civil disobedience and other non-violent means. By the time of his death, Dr. King had refocused his efforts on ending poverty and opposing the Vietnam War, both from a religious perspective. Dr. King was assassinated on April 4, 1968, in Memphis, Tennessee. He was posthumously awarded the Presidential Medal of Freedom in 1977 and Congressional Gold Medal in 2004. Martin Luther King, Jr. Day was established as a U.S. national holiday in 198I.

Mark plays music of the movement from: Mavis Staples, Pops Staples, The Staple Singers, Krystle Warren, Bobby Watson & The I Have A Dream Project featuring Glenn North, Bob & Una Walkenhorst, Kelly Hunt, Sharon Jones & The Dap-Kings, Labelle, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Soweto Gospel Choir, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, and Sarah Lee Guthrie & Johnny Irion.

At 11:15 KC based musicians Kelly Hunt and Una Walkenhorst share details about Hunt’s new SongCraft Sessions series, starting January 16, at 7:00, at recordBar, 1520 Grand, with Una Walkenhorst, followed by Scott Hrabko on March 6, Mikal Shapiro on April 11, and Sara Morgan on May 22. The performances will also feature Kelly’s longtime co-conspirator multi-instrumentalist Stas’ Heaney and an occasional rotating band of local musicians. In describing this new series Kelly Hunt said, “When the opportunity for a residency at The recordBar came up, I knew I wanted to do something different with it. Lately, I’ve been gravitating towards new instruments, new styles of writing, arranging and performing. I’ve been craving a public stage that facilitates experimentation, collaboration and community. A place to air out brand new—even unfinished—songs within the context of live performance: a laboratory of sorts. This series is designed to encourage that kind of creative space for both performer and listener—to give the songwriter a unique sounding board for new ideas, and to invite the listener to participate in that creative process. Adv. tickets are $10 and available online at: http://www.therecordbar.com.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #769