WMM Playlist from May 2, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 2, 2018

Spinning Records With Marion Merritt
+ Barry Lee & An Evening With the Music of The Beatles: Unplugged

10:00 – Guest Producer: Marion Merritt

Marion Merritt of Records With Merritt

We welcome back to the show, Marion Merritt as our special “Guest Producer.” For 14 years now she has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. Cymande – “Anthracite”
from: Second Time Round/ Cherry Red / 1973 [Reissued by Mr. Bongo 2018]
[Cymande (See-man-day) was a British funk group that released several albums in the early 1970s and reunited in 2014 with a European tour and a new album released in 2015. The group was formed by Steve Scipio and Patrick Patterson in 1971 in London, England, along with musicians from Guyana, Jamaica and Saint Vincent. The name Cymande is derived from a calypso word for dove, symbolising peace and love. The group developed a subtle and complex, deep funk style influenced by calypso rhythms, jazz, African music, American soul and UK rock of the time. By the mid-1970s the band members were going their separate ways, and the group disbanded in 1974. It was not until 20 years later that they reaped any financial rewards, as their music became a popular source for samplers. Cymande’s original albums are still widely sought-after by DJs and funk aficionados. Perhaps the band’s best known recording is the soulful dancefloor filler called “Bra”, which was later sampled by the American hip-hop group De La Soul and used as a breakbeat record by Kool Herc and Grandmaster Flash. Cymande was accidentally discovered by English producer John Schroeder in a Soho, London club where they were rehearsing. He was there to see a rock band but the gig had been cancelled, and he stumbled upon these West Indian musicians. He soon signed the band and recorded their initial single “The Message.” The single was released by Janus Records, a division of Chess Records. The track reached #20 on the US Billboard R&B chart. This set the stage for Cymande’s self-titled release in 1972. Cymande traveled to New York after the success of the first album, and began a tour of the US with Al Green. They shared bills with Latin funk ensemble Mandrill. They played The Apollo, and played a gig on Soul Train. The band released 3 LPs for Janus. However, their final album, Promised Heights, was not released in the US, where Cymande had achieved their initial success. Promised Heights included “Brothers on the Slide”, “The Recluse” and “Promised Heights”. The tracks “Brothers on the Slide” and “Bra” also were staples of the rare groove scene that developed in London and NYC nightclubs during the 1980s.

Discography
1972 – Cymande
1973 – Second Time Round
1974 – Promised Heights
1981 – Arrival
1999 – The Message (compilation)
2000 – The Soul of Rasta (compilation)
2003 – The Best of Cymande (compilation)
2003 – Nyah-Rock (compilation)
2004 – Renegades of Funk (best of anthology)
2007 – Promised Heights (reissue compilation)
2015 – A Simple Act of Faith]

4. Cymande – “Promised Heights
from: Promised Heights / Newhouse Records / 1974 [Reissued by Mr. Bongo 2018]

5. King Britt & Sister Gertrude Morgan – “Living Bread”
from: King Britt Presents: Sister Gertrude Morgan / Ropeadope / 2005
[Reissued 2018]
[King Britt is a DJ, composer & record producer from Philadelphia. He is a 1986 graduate of Central High School (Philadelphia). In 1987 he started working at Tower Records, as a buyer for the singles/import section. His extensive knowledge of dance music made him an in demand buyer in the company. He went on to make many connections in the music community, bringing in records and new labels from all over the world. King attended Temple University. He produced King Britt Presents: Sister Gertrude Morgan in 2005. A recreation of self-proclaimed bride of christ, Sister Gertrude’s original Preservation Hall album gets new life. The record goes on to be included in the Michael Mann’s 2006 film Miami Vice, on the AdBusters compilation, Live Without Dead Time and the HBO television show True Blood. Sister Gertrude Morgan (April 7, 1900 – July 8, 1980) was a self-taught African American artist, musician, poet and preacher. Born in LaFayette, Alabama, she relocated to New Orleans in 1939, where she lived and worked until her death in 1980. Sister Morgan achieved critical acclaim during her lifetime for her folk art paintings. Her work has been included in many groundbreaking exhibitions of visionary and folk art from the 1970s onwards. In 1957 Sister Morgan received another revelation from God. Dreaming, she heard a voice that told her she was the Bride of Christ. She then discarded her black missionary attire in favor of an all-white ensemble made up of a nurses’ uniform, peaked nurses’ cap and matching white shoes. Music was another tool of Sister Morgan’s ministry. In the early 1970s, Let’s Make A Record was recorded in order to capture Morgan singing and playing her tambourine. In 2004 the original album was re-released on the Preservation Hall Recordings label. In 2005, Ropeadope released King Britt presents Sister Gertrude Morgan, which took the a cappella/tambourine recordings of Let’s Make A Record and added contemporary beat programming and instrumentation. The album received rave reviews and created a new, young audience for Sister Gertrude Morgan. The album artwork featured her paintings.]

6. Nina Simone – “I Can’t See Nobody (Daniel Y. Remix)”
from: Nina Simone Remixed & Reimagined / Legacy /2006 [Reissued-Legacy RCA 2008]
[Nina Simone was born Eunice Kathleen Waymon on February 21, 1933. She died April 21, 2003. She was was a singer, songwriter, pianist, arranger, and activist in the Civil Rights Movement. Simone employed a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Waymon aspired to be a concert pianist. With the help of a few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in New York. Waymon then applied for a scholarship to study at the prestigious Curtis Institute of Music in Philadelphia, where she was denied admission despite a well-received audition. Waymon became fully convinced this rejection had been entirely due to racial discrimination. In 2003, just days before her death, the Curtis Institute of Music bestowed on her an honorary degree. To make a living, Eunice Waymon changed her name to “Nina Simone”. The change related to her need to disguise herself from family members, having chosen to play “the devil’s music” or “cocktail piano” at a nightclub in Atlantic City. She was told in the nightclub that she would have to sing to her own accompaniment, and this effectively launched her career as a jazz vocalist. Simone recorded more than 40 albums, mostly between 1958, when she made her debut with Little Girl Blue, and 1974. She had a hit in the United States in 1958 with “I Loves You, Porgy”. Simone’s musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.]

7. Thievery Corporation – “Music to Make You Stagger”
from: Treasures from the Temple / Eighteen St – ESL / April 20, 2018
[10th album from Thievery Corporation was formed in the summer of 1995 at Washington D.C.’s Eighteenth Street Lounge. Rob Garza and Lounge co-owner Eric Hilton were drawn together over their mutual love of club life, as well as dub, bossa nova and jazz records. They decided to see what would come of mixing all these in a recording studio, and from this, in 1996 the duo started their Eighteenth Street Lounge Music record label. The duo drew attention with their first two 12-inch offerings, “Shaolin Satellite” and “2001: a Spliff Odyssey” and with their 1996 debut LP, Sounds from the Thievery Hi-Fi. The duo has publicly stated their fondness of the Brazilian culture in interviews and liner notes of their releases, especially of the 1960s Bossa Nova music movement. Some of their earlier recordings even had specific artwork paying homage to classic releases by bossa nova artists like João Gilberto (His self-titled 1973 album) or Tom Jobim (Stone Flower). They also released “Sounds From The Verve Hi-Fi” in 2001, a ‘best of’ compilation of 1960s–1970s material of Verve Records that includes Jazz, Bossa Nova and Latin Jazz works from artists like Cal Tjader, Wes Montgomery, Sérgio Mendes & Brasil ’66, Luiz Bonfá, among others. Their 1997 debut album is also dedicated to the memory of Antonio Carlos Jobim, who died three years earlier.]

8. Thievery Corporation – “Voyage Libre (feat. LouLou Ghelichkhani)”
from: Treasures from the Temple / Eighteen St – ESL / April 20, 2018

10:39 – Underwriting

9. Bettye LaVette – “Person to Person”
from: Strange Angels: In Flight with Elmore James / Sylvan Songs / Jan. 26, 2018
[Bettye LaVette was born Betty Jo Haskins, on January 29, 1946. She is an American soul singer-songwriter who made her first record at sixteen, but achieved only intermittent fame until 2005, with her album I’ve Got My Own Hell to Raise. Her eclectic musical style combines elements of soul, blues, rock and roll, funk, gospel, and country music. LaVette was born in Muskegon, Michigan, and raised in Detroit. Unlike many of her contemporaries, she did not begin singing in the church, but in her parents’ living room, singing R&B and country and western music. She was signed by Johnnie Mae Matthews, a local record producer. In 1962, aged sixteen, she recorded a single, “My Man — He’s a Lovin’ Man”, with Matthews, which became a Top Ten R&B hit after Atlantic Records bought distribution rights. This led to a tour with rhythm and blues musicians Clyde McPhatter, Ben E. King, Barbara Lynn, and then-newcomer Otis Redding. She next hit the charts with “Let Me Down Easy” on Calla Records in 1965. This led to a brief stint with The James Brown Revue. After recording several singles for local Detroit labels, LaVette signed to the Silver Fox label in 1969. She cut a handful of tracks, including two Top 40 R&B hits: “He Made A Woman Out Of Me” and “Do Your Duty”. The Memphis studio musicians on these recordings have since become known as The Dixie Flyers. In 1972, she signed once again with Atlantic/Atco. She was sent to Muscle Shoals Sound Studio in Alabama to record what was to be her first full-length album. Titled Child of the Seventies, it was produced by Brad Shapiro and featured the Muscle Shoals Rhythm Section, now known as The Swampers, but Atco chose not to issue the album. The mid 1970s saw a brief stint and two 45s with Epic, and in 1978 she released the disco smash on West End Records “Doin’ The Best That I Can”. In 1982, she was signed by her hometown label, Motown, and sent to Nashville to record. The resulting LP (her first album actually issued), titled Tell Me A Lie, was produced by Steve Buckingham. The first single, “Right In The Middle (Of Falling In Love)” hit the R&B Top 40. She briefly gave up recording for a six-year run in the Broadway smash Bubbling Brown Sugar, appearing alongside Honi Coles and Cab Calloway. After LaVette had played her own personal mono recordings of Child of the Seventies for Gilles Petard, a French soul music collector, he sought the master recordings at Atlantic, whose personnel had previously thought they had been lost in a fire some years back. In 1999, he finally discovered the masters and then licensed the album from Atlantic and released it in 2000 as Souvenirs on his Art and Soul label. At the same time, Let Me Down Easy — Live In Concert was issued by the Dutch Munich label. Both albums sparked a renewed interest in LaVette and in 2003, A Woman Like Me (produced by Dennis Walker) was released. The CD won the 2004 W. C. Handy Award for “Comeback Blues Album of the Year”. In an interview, LaVette identified A Woman Like Me as the first album in the second phase of her career and said her 2012 autobiography was named after the album.]

10. C.W. Stoneking – “Jungle Blues”
from: Jungle Blues / King Hokum / 2008 [Reissued by King Hokum 2018]
[Christopher William “C.W.” Stoneking (born 1974) is an Australian blues singer-songwriter, guitarist and banjo player. He has released three studio albums, King Hokum (March 2005), Jungle Blues (28 August 2008) and Gon’ Boogaloo (17 October 2014), on his own King Hokum Records label.]

11. Kevin Morby – “Slow Train (feat. Cate Le Bon)”
from: Harlem River / Woodsist / November 26, 2013
[Debut full length solo release from Kevin Robert Morby born April 2, 1988. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River with positive reviews. His 2nd album Still Life was released in 2014. His album Singing Saw was one of our 116 Best Recordings of 2016, In 2017 Kevin Morby released his 4th album, City Music on Dead Oceans Records. It was one of WMM’s The 117 Best Recordings of 2017.]

[Kevin Morby plays recordBar, 1520 Grand, KCMO. Saturday, May 5, at 9:00 pm, with Hand Habits.]

12. Mike Donovan – “Spiral Tee Shirt”
from: How to Get Your Record Played in Shops / Drag City / April 20, 2018
[Mike Donovan was born October 6, 1971. He is a San Francisco, California based musician best known as the guitarist and singer of Sic Alps (2004-2013). He has also released music by other San Francisco musicians with his Dial Records and Folding Cassettes labels. Donovan is a veteran of several other bands. He was a member of The Ropers, The Church Steps with Chris Douglas, NAM, Big Techno Werewolves, Sounds of the Barbary Coast and Yikes. In October 2013 he released his solo debut “Wot” on Drag City. In May 2015, Donovan formed the San Francisco lo-fi supergroup The Peacers, releasing a self-titled debut on July 17, 2015. The self-titled album was co-produced and co-performed by Ty Segall. The current lineup of The Peacers is Mike Donovan, Shayde Sartin, Mike Shoun and Bo Moore. The band release their 2nd record “Introducing The Crimsmen” on Drag City on June 16, 2017]

11:00 – Station ID

13. Matador! Soul Sounds – “Get Ready”
from: Get Ready / Color Red Records / March 12, 2018
[Matador! Soul Sounds is a band loosely based on the concept of Spanish bullfighting. A common misconception in America is that bullfighting is a feat of one man versus one bull—in reality, bullfighting is largely a team effort by a matador and his cuadrilla. Born from the vision of Eddie Roberts (The New Mastersounds) and Alan Evans (Soulive) their fierce cuadrilla consists of keyboardist Chris Spies and bassist Kevin Scott (Jimmy Herring) as the band’s “banderilleros”. Adding a feminine energy to the band are Adryon de León and Kimberly Dawson (Pimps of Joytime) on vocals. Combining the dynamism of each band leader, the music they have created is brand new, hard hitting and drenched with their shared musical passions – jazz, funk & soul. The band made their official World Debut at Live for Live Music’s Brooklyn Comes Alive 2017 and will be touring in the spring of 2018 behind their first full length EP “Get Ready”]

14. The New Mastersounds – “Chicago Girl”
from: Renewable Energy / One Note Records / April 13, 2018
[The New Mastersounds are a British four-piece jazz fusion and funk band from Leeds, England. Over the last 16 years, they have issued ten studio albums, two live dates, two remix collections, and a compilation album.In the late 1990s, guitarist and producer Eddie Roberts was running a club night in Leeds called “The Cooker.” When The Cooker moved into a new venue with a second floor in 1999, there was space and the opportunity to put a live band together to complement the DJ sets. Simon Allen and Roberts had played together in 1997 as The Mastersounds, with a different bassist and no organ. Through friends and the intimate nature of the Leeds music scene, Pete Shand and Bob Birch were added on bass and Hammond respectively, establishing The New Mastersounds. Their first rehearsal produced the release for Blow it Hard Records on two limited-edition 7″ singles in 2000.]

15. Grouper – “Parking Lot”
from: Grid of Points / Kranky / April 27, 2018
[Grouper is the solo project of US-American musician, artist and producer Liz Harris. She has been releasing material on her own label and other independent labels since 2005. Grouper released the critically acclaimed Dragging a Dead Deer Up a Hill in 2008, followed by five more records, including a two-part album, A I A, and the piano-led album Ruins. Her eleventh album, Grid Of Points was released on April 27, 2018. On March 8, 2018, the song Parking Lot from the forthcoming album was released via her BandCamp. She has collaborated with a number of other artists, including Xiu Xiu, Jesy Fortino (Mirrorring), Roy Montgomery, The Bug, Lawrence English (Slow Walkers), and Jefre Cantu-Ledesma (Raum). Harris was born in Northern California and grew up around the San Francisco Bay area. She grew up in a Fourth Way commune there which was inspired by the philosophy of George Gurdjieff. The community was known as “The Group”, which would later serve as some inspiration for the moniker Grouper. According to Harris, the kids called each other and the parents ‘groupers’ sort of as a defiance. She says: “It was us making our own identities inside a pretty controlled environment, and sort of lashing back maybe… When I had to think of a name I felt annoyed at nothing sounding right. I wanted something that referenced me without referencing ‘Me.'” According to her, she “felt like the music was at its barest just a grouping of sounds, and I was just the grouper.”]

16. Melody’s Echo Chamber – “Breathe in, Breathe Out”
from: Bon Voyage / Fat Possum Records / June 16, 2018
[Melody’s Echo Chamber is the main project of French musician Melody Prochet. When Prochet’s previous project My Bee’s Garden supported Tame Impala on their European tour in 2010, Prochet collaborated with Kevin Parker to produce her new solo material as Melody’s Echo Chamber. The material was recorded in Parker’s makeshift studio in Perth, Australia and Prochet’s grandmother’s seaside home in the south of France. The self-titled debut album was released on Fat Possum Records in the Fall of 2012.]

17. Lou Johnson – “Rock Me Baby”
from: Sweet Southern Soul / Water Music Records / 1969
[Reissued by Run Out Groove Records 2018]
[Born 1941, in Brooklyn, NYC. He is a soul singer & pianist who was active as a recording artist in the 60s and early 70s. He started singing in gospel choirs in his teens, before studying music at Brooklyn College. He learned keyboards & percussion, forming a gospel group, the Zionettes, who recorded for Simpson Records and achieved some local success. Johnson then formed a secular group, the Coanjos, with Tresia Cleveland & Ann Gissendammer, recording “Dance the Boomerang” before Cleveland & Gissendanner left to become the Soul Sisters. In 1962, Johnson signed as a solo singer with Bigtop Records, run by the Hill & Range music publishing company in the Brill Building. There, he met the songwriting team of Burt Bacharach & Hal David, who wrote Johnson’s 1st single, “If I Never Get to Love You”. Neither that song nor his 2nd record, “You Better Let Him Go”, were hits, but his 3rd single, “Reach Out for Me”, also written by Bacharach & David and this time produced by Bacharach, reached # 74 on the Billboard Hot 100 in late 1963. However, as it rose up the charts, the record company collapsed, limiting the record’s success. Johnson signed to its successor label, Big Hill, and continued to record Bacharach & David songs. In 1964, his original version of “(There’s) Always Something There to Remind Me”, with backing vocals by Doris Troy, Dee Dee Warwick, and Cissy Houston, reached # 49 in the US charts. In the UK, a cover version by English singer Sandie Shaw rose to #1 on the British singles chart. Johnson also recorded the original versions of several other Bacharach & David songs that later proved to be bigger hits for other musicians. “Reach Out for Me”, “Message to Michael (Kentucky Bluebird)” (originally “A Message to Martha”), and “(There’s) Always Something There to Remind Me” were all American hits, also produced by Bacharach & David, for Dionne Warwick. Several of his records reached the Cashbox R&B Top 20 including “Always” peaking at # 12 and “Reach Out” at #15. In the UK, Johnson’s version of “A Message to Martha” was his biggest hit, reaching #36 in late 1964, but was outsold by Adam Faith’s cover version. In 1965, working with the team of Bill Giant, Bernie Baum & Florence Kaye on the reactivated Bigtop label, Johnson recorded a vocal version of Sidney Bechet’s instrumental hit of a few years earlier, “Petite Fleur”, entitled “A Time to Love, A Time to Cry”. He appeared on the UK TV program: Ready Steady Go!, but neither it nor its follow-ups, a version of the jazz standard “Anytime” and then a version of “Walk On By” co-produced by Allen Toussaint, were successful, and the record company’s choice of songs distanced him from his earlier audience. An album, called Anytime, went unreleased as the record company again collapsed. Johnson recorded two albums in the late 1960s and early 1970s. The first, Sweet Southern Soul, for the Atlantic subsidiary Cotillion, was produced by R&B producer, Jerry Wexler, at Fame Studios in Muscle Shoals. Allen Toussaint produced the 2nd, With You in Mind, at his New Orleans studio for Stax’s Volt label, but neither proved successful. After moving to Orange County, CA, Johnson became a nightclub entertainer. He sometimes performed in a latter-day version of the Ink Spots.]

18. Sir Stanley – “I Believe”
from: Eccentric Soul: The Saru Label / Numero Group / March 23, 2018
[20th volume of our flagship Eccentric Soul series has all the boxes checked: Gun-toting, skip-tracing record producers, child stars, rip-offs, the “World’s Greatest Bail Bondsman,” swindles, soaring falsettos, and a dwindling rust-belt cityscape offering mere glimpses of hope before the record industry escaped for the coasts. Helmed by the O’Jays Bobby Massey, Saru was a creative vortex that pulled Cuyahoga County’s greatest talent in, making a strong case for Cleveland to contend with Detroit, Philly, and Memphis as America’s soul music’s capital. Deluxe compact disc includes 25 obscure and unknown sides from the Out of Sights, the Elements, Pandella Kelly, David Peoples, Sir Stanley, the Ponderosa Twins + 1, Ba-Roz, Bobby Dukes, and of course, the O’Jays.]

19. Miles Davis & John Coltrane – “Round Midnight (Live from Olympia Theatre, Paris)”
from: The Final Tour: The Bootleg Series, Vol. 6 / Columbia-Sony Legacy / March 23, 2018
[The latest entry in the award-winning Miles Davis Bootleg Series focuses on the final chapter in the landmark collaboration between Davis and saxophonist John Coltrane: their last live performances together, in Europe in the spring of 1960. Miles and Coltrane first collaborated in 1955, when Davis recruited the tenor saxophonist alongside pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones. This “first great quintet” made their Columbia Records debut in 1957. Those early recordings showcased the stunning contrasts between Miles’ spacious, melodic lines and Trane’s cascading high-energy solos, famously described by the critic Ira Gilter in 1958 as “sheets of sound.” While the quintet disbanded shortly after the release of ‘Round About Midnight, Coltrane was back in Miles’ ensemble in early 1958. A year late, the Miles Davis Sextet (Davis, Coltrane, Chambers, saxophonist Julian “Cannonball” Adderley, pianists Bill Evans or Wynton Kelly, and drummer Jimmy Cobb) recorded the historic Kind Of Blue, the best-selling jazz album of all time. And for this final tour the rhythm section of Kelly, Chambers and Cobb backed Miles and Trane. These historic performances marked Miles and Trane’s last outing together and showcased both musicians’ incredible influence on the changing sound of jazz. The beautiful music they made together is presented here officially for the very first time. The 4CD set The Final Tour: The Bootleg Series Vol. 6 includes concerts recorded in Paris, Copenhagen and Stockholm.]

Marion Merritt thanks for being with us on Wednesday MidDay Medley. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri. More info at: http://www.recordswithmerritt.com

11:31 – Underwriting

11:33 – Interview with Barry Lee

Barry Lee and Marion Merritt on the May 2, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Barry Lee joins us to share information about, An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS. Signal to Noise’s Barry Lee hosts an All-Star group of KC & Lawrence musicians in a benefit for KPR’s Audio Reader Network. The evening will highlight the quieter side of the Beatles’ music. Special guests, The Volker Brothers (David George & Eric Voeks) will open the show with a set of acoustic Beatles songs.

Barry Lee is the host & producer of Signal To Noise heard Friday nights at 9:00 PM.

We offered our sincere condolences on the loss of Barry’s friend and wife Caroline Lee who passed away peacefully on Wednesday, April 18th, surrounded by her family.

Caroline and Barry Lee

Caroline was an early volunteer and organizer for KKFI beginning in 1985. When the station went on the air in 1988, she hosted a show called “Watusi Rodeo,” which was one of the first alternative country radio shows in the country.

After that, she guested often on Signal To Noise, tended her garden, went to music shows and doted on her cats.

Barry plans two memorial shows for Caroline Lee on May 4th and May 11th, at 9:00 pm on KKFI. Signal To Noise, will present “Watusi Radio” a tribute to Caroline Lee on Friday, May 4, at 9:00 PM.

There will also be a concert at Knuckleheads in July in her memory. She requested donations be sent to KKFI via http://www.kkfi.org/donate in lieu of flowers or cards.

Barry has been working on a special benefit he is producing for KPR’s Audio Reader Network.

An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS

An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS.

10:42

20. Beatles Tribute Band – “Two Of Us”
from: Unreleased Rehearsal Recordings / April 29, 2018
[Mike Penner on guitar & vocals, Darrell Lea on guitar & vocals, Nate Holt on keyboards, Paul Lemon on percussion, Pat Tomek on drums, & Michael Paull on bass & vocals]

10:46 – More interview with Barry Lee

Barry Lee joins us to share information about, An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS.

Signal to Noise’s Barry Lee hosts an All-Star group of KC & Lawrence musicians in a benefit for KPR’s Audio Reader Network.

The evening will highlight the quieter side of the Beatles’ music. Special guests, The Volker Brothers (David George & Erik Voeks) will open the show with a set of acoustic Beatles songs.

The Volker Brothers (David George & Erik Voeks) will open the show

All – Star band:
Mike Penner on guitar,
Darrell Lea on guitar,
Nate Holt on keyboards,
Paul Lemon on percussion,
Pat Tomek on drums, &
Michael Paull on vocals and bass

11:56

21. Beatles Tribute Band – “Fool On A Hill”
from: Unreleased Rehearsal Recording / April 29, 2018
[Mike Penner on guitar, Darrell Lea on guitar, Nate Holt on keyboards, Paul Lemon on percussion, Pat Tomek on drums, & Michael Paull on vocals and bass]

[An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on May 9th David Wayne Reed joins us to share information the premiere of Eternal Harvest his new short film about the cycle of life as depicted by the growing season on a rural Kansas farm using drones, dance, farm implements, heirloom quilts, agriculture, and video installation, that will be part of the Miami County Farm Tour May 12 in Louisburg, Kansas. Also next week we’ll talk with Johnny Hamil, Theresa Scott, Chris Tady about Woodstack 2018 on Saturday, May 12 at Woodyard BBQ, 3001 Merriam Lane in Kansas City, Kansas featuring The Sleazebeats, Sopchoppy, Claire Adams, Erica Joy, Betse & Clarke, WyCo Low Riders, The Almighty Trouble Brothers and Pamper The Madman. Also next week we have an extended interview with Musician and Director Cody Critcheloe of SSION, just before the national release of the new SSION album, 0, thaty comes out May 11 on DERO ARCADE records. Also next week Shawn Saving joins us to share information about Workers Revival Fest – May 11 and 12 at recordBar, 1520 Grand Blvd, KCMO, with Downtown Boy, Red Kate, Friendship Commanders, EBONY TUSKS, Nublvckcity, Baracutanga, Rev. Sekou, Austin Lucas, Scruffy & the Janitors, and Lovergurl featuring speakers from Jobs With Justice, Greater AFL-CIO, Noisey, and more

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #732

Wednesday MidDay Medley

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WMM Playlist from March 28, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 28, 2018

New & MidCoastal Releases + Howard Iceberg
+ Guest Producer Nico Gray

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. The Decemberists – “Severed”
from: I’ll Be Your Girl / Capitol Records / March 16, 2018
[8th studio album by indie rock band The Decemberists from Portland, Oregon. The band consists of Colin Meloy (lead vocals, guitar, principal songwriter), Chris Funk (guitar, multi-instrumentalist), Jenny Conlee (piano, keyboards), Nate Query (bass), and John Moen (drums). Produced by John Congleton, the band experimented with new instrumentation during the album’s recording sessions, including several synth-based compositions inspired by New Order and Depeche Mode.]

[The Decemberists play The Uptown Theatre, Wednesday, May 23 with Eleanor Friedberger.]

3. MorMor – “Heaven’s Only Wishful”
from: Heaven’s Only Wishful – Single / Don’t Guess / February 2, 2018
[Artist, Singer-Producer, multi-instrumentalist, born and raised in Toronto. MorMor writes, records, and produces most of his own work. He tells pigeons and planes, “A lot of my inspiration stems from wanting to share a perspective of Toronto that I feel hasn’t been represented,” he says. “I’m glad Toronto is getting a lot of attention right now, but my experience of the city that has shaped me isn’t really part of the story yet.” he goes on to say, “I always felt different from the other kids at school. I went through a really hard time because I was the kid who always hung out with a wide variety of people. I kept searching for kids like me, but it never happened. In the end it gave me some good perspective. I was a pretty rebellious person when I was young. I had a problem with authority. I was reluctant to take orders if I didn’t believe in the cause. I might be the only kid who got suspended in the first grade. Music was something that I could escape through.]

4. Lucy Dacus – “Addictions”
from: Historian / Matador / March 2, 2018
[Lucy Dacus was born 1995 and grew up in Richmond, Virginia . She is an indie rock singer-songwriter who has has released two albums, both on Matador Records: 2016’s No Burden and 2018’s Historian. She started studying film at Virginia Commonwealth University but left to pursue her music career. She first performed in New York in March 2015. Sasha Gessen in Pitchfork wrote about Historian: ” It’s not an easy album to wear out. It lasts, and it should, given that so many of its lyrics pick at time, and the way time condenses around deep emotional attachments to other people.”

[Lucy Dacus plays Reverb Lounge in Omaha, NE, Monday, April 2, at 7:00 PM.]

5. Sinple – “SH-2 (SYSTEM SEGWAY)
from: Music For Machines Vol. 2 / Sinple / March 9, 2018
[Ambient Album Inspired by Brian Eno’s “Music for Airports.” Music for Machines: Written and Recorded by Sinple @ Moldy Basement. The Ambient, Darkwave, New Wave, R&B sounds of Sinple are created by KC based musician Jesse Bartmess on Synths, Drum Machine, and Vocals. Formed in 2011 and influenced by David Bowie, Kraftwerk, Gary Numan, Depeche Mode, Sade, Massive Attack, and Radiohead. Jesse Bartmess also plays keyboards in Rchel Mallin & the Wild Type. Info at: http://www.sinple.bandcamp.com/music%5D

[Today is the 30th Birthday of Jesse Bartmess who is hosting a skating Party, Friday night to celebrate.]

6. Khrystal. – “M e L A N i N P o P P i N”
from: Q u a r t e r C e n t u r y L i v i n g / Khrystal. / September 1, 2017
[Khrystal’s debut EP. Written and performed by Khrystal. Produced by Katheryne Johnson. Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017.

[Khrystal. plays the: I Heart Local Music Birthday Party Show at Jackpot in Lawrence, KS., with Bummer, and The Sluts on Friday, March 30, at 9:00 PM.]

7. Kadesh Flow – “Room Service”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[Kadesh Flow plays Pax east in Boston, Mass, Thursday, April 5]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

8. Kid Computer – “Dive”
from: Dive – Single / Kid Computer / April 6, 2018
[A Kansas City based 4-piece band featuring Matt Gore, Christian Sanchez and George McMillian. The band is getting set to release two separate singles “Afterglow” and “Dive” on Friday.]

[Kid Computer play a Single Release Show, Friday, April 6, at 7:00 pm with The UK’s and Quasar, at The Rino, 314 Armour Rd, North Kansas City, MO]

10:30 – Underwriting

10:32 – Interview with Howard Iceberg & Rich Hill

Howard Iceberg & Rich Hill on the March 28, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard Iceberg. He is one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.”

Larry Kopitnik, for The Pitch writes, “Pianist-vocalist Rich Hill has a personal sound steeped in the rich jazz, blues and gospel traditions of his Kansas City hometown. His keyboard style is grounded in the long tradition of jazz piano from ragtime to stride, bebop and modern jazz. Depending on the song, he might play something that sounds like Fats Waller, then something with a kind of Bill Evans or Chick Corea feel, followed by a tune suggesting Ray Charles’ blues-tinged earthiness. His success entertaining audiences with his keyboard and vocal talents while maintaining a certain standard of artistry is a notable accomplishment proven by continued demand for bookings.”

Howard Iceberg and Rich Hill share music from Howard Iceberg & The Titanics’ new album, Netherlands. Howard Iceberg & The Titanics play an Album Release show at The Ship, 1217 Union, in the West Bottoms, Thursday, March 29, 7-9pm, w/ 3 sets of music & special guests. This is a benefit for Care Beyond the Blvd, a non-profit organization providing medical & social services to homeless and vulnerable groups.

Howard Iceberg and Rich Hill, Thanks for being with us on Wednesday MidDay Medley.

On Netherlands Howard teamed with jazz artist Rich Hill on keys & backing vocals.
Other collaborating musicians include Jazz musicians: Bryan Hicks on stand up bass, electric bass and backing vocals; Charles Perkins on saxophone and flute; Gary Cardile on percussion; and Doug Auwarter on drums. All frequent collaborators with Rich Hill.

Other musicians bringing their talents to the album include: Dan Bliss on guitar, Betse Ellis on violin, Camry Ivory on vocals & backing vocals, Marco Pascolini on on baritone guitar & pedal steel, Phil Wade on dobro, Jeff Freling on guitar, and Chad Rex on guitar.

Netherlands was produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.

The songs on Netherlands were written by Howard Iceberg

Pat Tomek at Largely Studios is part of Howard Iceberg’s long time recording project. Howard tells us that he has more than 4 albums worth of new songs in the works.

Pat Tomek is longtime member of The Titanics, drummer and member of legendary band The Rainmakers, and drummer in the band Deco Auto, that we played earlier in the show. Pat Tomek is also a recording engineer and producer who has worked with countless area bands and musicians and has been a primary partner and caretaker in the recording and production of Howard’s recording project of songs.

10:38

9. Howard Iceberg & The Titanics – “My Love For You Is Real” (CD #9) (2:16)
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals & harmony vocals Rich Hill on piano, Bryan Hicks on stand-up bass, Gary Cardile on percussion, and Charles Perkins on sax. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

Howard Iceberg calls this album, “More songs from another time and place. This time around, a story album. Not mine, but that of spirits both close and far. Help from Durrell and Hemingway. The stories fleshed out by some of KC’s jazz cats, not to mention the usual suspects. I keep my eyes open and my mouth shut (heh heh). Imagining I am seeing the arc of love and the arc of life more clearly with the years. Waiting for a train.”

10:44

10. Howard Iceberg & The Titanics – “All In For You”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Rich Hill on organ, Bryan Hicks on electric bass, Doug Auwarter on drums, Dan Bliss on guitar, and Chad Rex on guitar. All words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

Howard Iceberg began performing in KC while in Law School. In the 1980s he was rubbing elbows with fellow area independent songwriters Scott Hrabko and Iris DeMent. At one point Howard was playing accordion in one of Scott Hrabko’s bands.

10:51

11. Howard Iceberg & The Titanics – “I Can’t Find You At All”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals & harmony vocals, Rich Hill on organ, Bryan Hicks on electric bass, Doug Auwarter on drums, Dan Bliss on guitar. All words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

Care Beyond the Boulevard was conceived by Jaynell (KayKay) Assmann after she noted the number of homeless people coming into the hospital where she worked as a nurse. As soon as she became certified as a Nurse Practitioner, her first goal was to establish an outreach to the urban poor and especially the homeless. She worked as a volunteer at the Micah Ministry food kitchen and in 2016 while working at Family Health Care, KayKay developed Care Beyond the Boulevard. We see 10-25 people each session (most Monday evenings) and provide care for urgent and chronic health needs. In addition we go on the streets into homeless encampments, providing healthcare directly to the homeless one other night per week, seeing between 7-15 patients. Additional services are provided as necessary through Family Health Care’s Southwest Boulevard clinic. More info at: http://www.carebeyondtheboulevard.org

Howard Iceberg and Rich Hill, Thanks for being with us on Wednesday MidDay Medley

Howard Iceberg & The Titanics play an Album Release show at The Ship, 1217 Union, in the West Bottoms, Thursday, March 29, 7-9pm, w/ 3 sets of music & special guests. This is a benefit for Care Beyond the Blvd, a non-profit organization providing medical & social services to homeless and vulnerable groups.

10:57

12. Howard Iceberg & The Titanics – “Rainy Rainy Day”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Rich Hill on piano & organ, Camry Ivory on harmony vocals. All words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

11:00 – Station ID

11:00 – Guest Producer Nico Gray

Nico Gray

13. Orchestral Manoeuvres In the Dark — “The New Stone Age”
from: Architecture & Morality / Dindisc-Virgin / November 8, 1981
[3rd studio album by British electronic music group Orchestral Manoeuvres in the Dark. English electronic music band formed in Wirral, Merseyside in 1978. Spawned by earlier group The Id, the outfit is composed of co-founders Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), along with Martin Cooper (various instruments) and Stuart Kershaw (drums); McCluskey is the only constant member. OMD released their influential debut single, “Electricity”, in 1979, and gained popularity throughout Europe with the 1980 anti-war song “Enola Gay”. The band achieved broader recognition via their album Architecture & Morality (1981) hailed as the band’s seminal work, the album received critical acclaim and has appeared on various “best albums” lists; The Morning News named it the finest record of 1981, and “the blueprint for synth-pop”. The album also became a commercial success, selling over 4 million copies by 2007. The record spawned three international hit singles, which sold more than 8 million copies combined.Critic Hugo Lindgren wrote that OMD have cultivated a “legacy as musical innovators”. In February 2007 a Scotsman journalist said: “If Kraftwerk were the Elvis Presley of synth-pop, then Orchestral Manoeuvres in the Dark were its Beatles.” In 2008, American publication The A.V. Club noted that McCluskey and Humphreys were “often labeled as the ‘Lennon-McCartney of synth-pop’.” In a 2008 piece on OMD, The Quietus magazine editor John Doran called them “the only Liverpool band to come near to living up to the monolithic standards of productivity and creativity set in place by the Beatles”, and asserted: “Orchestral Manouevres in the Dark are not one of the best synth bands ever: they are one of the best bands ever.” Veteran BBC DJ Simon Mayo described OMD as “the fathers of electronic music in this country [the UK].”]

11:03

We welcome back to the show, our friend Nico Gray, joins us as “Guest Producer” for our second hour. Nico is a former theatre actor, performance artist, writer, and is currently a marketing and advertising consultant. Rooted in KC, Nico grew up with radio. Nico writes that, “Music has always served as the ‘passport’ through spiritual journeys that have transplanted him to the brownstones of Chicago, the rooftops of Paris, the sea-side of Marseille and the balconies of NYC.” For WMM Nico Gray has co-hosted three of our on-air fund drive shows. He participated in our special 700th show, his writing has been featured on three of our Bowie Tribute Shows, and today is his 6th appearance as Guest Producer from over the past three years.

Nico Gray welcome back to Wednesday MidDay Medley.

11:09

14. Annie Hart — “Hard to Be Still”
from: Impossible Accomplice/ Instant Records / 2017
[Annie Hart is a keyboardist, songwriter and vocalist. She primarily composes and performs in the band Au Revoir Simone. In 2017, she released a solo album entitled Impossible Accomplice. She has contributed vocals to other artists’ projects and appeared on the 2017 series of Twin Peaks. Annie Hart was born on Long Island, New York. She has been in other groups including Uninhabitable Mansions, featuring members of Clap Your Hands Say Yeah, and collaborated as a composer with French band Air for their soundtrack to Les Voyages Dans La Lune. In 2017, she began releasing music under her own name apart from Au Revoir Simone and embarked on a world tour. She has appeared on screen along with the other members of Au Revoir Simone in Episodes 4[8] and 9[9] of the 2017 series of Twin Peaks. Her song, “Hard To Be Still,” appeared on episode one of the Netflix series, Gypsy, starring Naomi Watts. Au Revoir Simone is an American dream pop/synth-pop band from Williamsburg, Brooklyn, New York, formed in 2003. The group is composed of Erika Forster (vocals/keyboard), Annie Hart (vocals/keyboard/bass) and Heather D’Angelo (vocals/drum machine/keyboard). The band’s name comes from a line Pee-wee Herman says to a minor character (named Simone) in Tim Burton’s 1985 film Pee-wee’s Big Adventure.[1] The group’s musical inspirations were compared by the band’s European label, Moshi Moshi Records, to “a dutifully mined musical thrift store”; these diverse influences include Modest Mouse, Stereolab, the Mountain Goats, Louis Prima, Pavement, the Beach Boys, Björk, Broadcast, Belle & Sebastian, David Bowie, Bee Gees and Billie Holiday.]

15. Nina Simone — “Seems I’m Never Tired Lovin’ You”
from: Nina Simone and Piano! / RCA Victor / 1969
[Born Eunice Kathleen Waymon, on February 21, 1933 and died in France on April 21, 2003. Nina Simone was an American singer, songwriter, pianist, arranger, and civil rights activist. She worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. The sixth child of a preacher’s family in North Carolina, Simone aspired to be a concert pianist. Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. “Simone said she later found out from an insider at Curtis that she was denied entry because she was black.” To fund her continuing musical education and become a classical pianist, she began playing in a small club in Atlantic City where she was also required to sing. She was approached by Bethlehem Records, and her rendition of “I Loves You, Porgy” was a hit in the United States in 1958. Over the length of her career Simone recorded more than 40 albums, mostly between 1958, when she made her debut with Little Girl Blue, and 1974. Her musical style arose from a fusion of gospel and pop songs with classical music, in particular with influences from her first inspiration, Johann Sebastian Bach, and accompanied with her expressive jazz-like singing in her characteristic contralto voice. She injected her classical background into her music as much as possible to give it more depth and quality, as she felt that pop music was inferior to classical. Her intuitive grasp on the audience–performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years old.]

11:17

16. Sabina — “Won’t Let You Break Me”
from: Toujours / Bar None Records / March 24, 2014
[The singer of avant-garde electro-punk outfit Brazilian Girls, Sabina Sciubba is a multi-lingual artist whose music transcends both space and time. Across no less than five different languages, her straight talking debut solo album Toujours is a compelling, intimate, narcotic dreamscape you might call The Parisienne Velvet Underground and Nico, with a surprising sense of humour. “I photographed myself naked, sitting on a closet, like a French dresser,” she laughs describing the DIY semi-animated video for the album’s title-track. Paying homage to Pythonesque surrealism it sees Sciubba riding a donkey whilst playing a ukulele, wearing nothing but a smile. “The actual photos are ridiculous. My older son was looking at me like, ‘oh no, she’s lost it’.” Equally adept at casting opinion as well as writing songs, Sciubba is a modern day heroine, skilled in the art of elegant seduction. Cut from the same rebellious cloth as other uncompromising femme fatales Patti Smith or Madonna, whilst channelling the visual impact of Grace Jones and Bjork (one billowing outfit appeared to be a ventilation shaft, made of crepe), she is a fearless woman, whose passion for speaking her mind – in German, Italian, French, Spanish, and English – only enhances her sophisticated lo-fi pop music. Born in Rome to German and Italian parents, raised in Munich and Nice, and discovered in Hamburg at age 19 by virtuoso guitarist Antonio Foricone before relocating to New York to lend her stunningly sultry vocals to Brazilian Girls (incidentally one girl – Sciubba – and no Brazilians), the new album was written on guitars in Paris and has found Sciubba reunited with Brazilian Girls producer Frederick Rubens.]

17. Jacqueline Taieb — “7 Heures Du Matin”
from: 7 Heures Du Matin – Single / Impact / 1967
[Jacqueline Taïeb was born November 9, 1948 in Tunis, French protectorate of Tunisia. She is a French singer and songwriter of Tunisian descent. She achieved her greatest success as a pop and yé-yé singer in France in the 1960s. Taïeb arrived in France from Tunisia with her parents at age eight. She began composing songs with her guitar at 12 and in 1966 was discovered by a talent scout while Taïeb was singing with friends. After arriving in Paris, she was signed to Impact Records and released the song “7 heures du matin” in 1967, which became her biggest French hit. She was subsequently voted Best Newcomer at the inaugural Midem music festival in Cannes for the song. The song was about a bored teenage girl who doesn’t wish to go to school that day and fantasizes about rock and roll stars such as The Who and Paul McCartney. In the early 1970s, Taïeb took a break from recording. In 1988, she penned the song “Ready to Follow You”, which became an international hit for American singer Dana Dawson. The single sold more than 500,000 copies, and the album sold 300,000 in France alone.]

11:28

18. Miley Cyrus — “Twinkle Song”
from: Saturday Night Live / October 6, 2015
[Originally recorded for her 5th studio album, Miley Cyrus & Her Dead Petz, which was independently released on SoundCloud on August 30, 2015. Opting for an album relying less on computerized elements than her previous release, Bangerz (2013), Cyrus began planning the project in 2013 before Bangerz was released. Work continued into 2014 and 2015, when she befriended and began collaborating with the Flaming Lips. Without previous promotion, Cyrus announced that Miley Cyrus & Her Dead Petz was available for free online streaming when she hosted the 2015 MTV Video Music Awards, released independently. Cyrus has promoted the album with music videos for “Dooo It!”, “Lighter” and “BB Talk”, performances of “Karen Don’t Be Sad” and “Twinkle Song” when she hosted Saturday Night Live, and the Milky Milky Milk Tour in November and December 2015. Miley Ray Cyrus was born Destiny Hope Cyrus on November 23, 1992. She is an American singer, songwriter, and actress. After playing minor roles in the television series Doc and the film Big Fish in her childhood, she became a teen idol starring as the character Miley Stewart on the Disney Channel television series Hannah Montana in 2006. Her father Billy Ray Cyrus also starred on the series, which aired for four seasons until 2011. Cyrus has earned five number-one and eleven top-ten albums on the US Billboard 200, including releases credited as both herself and Hannah Montana.]

19. David Bowie — “Sorrow”
from: Pin Ups / RCA Records / October 19, 1973
[7th studio album by David Bowie, containing cover versions of songs. Pin Ups entered the UK chart on November 3 1973 the same day as Bryan Ferry’s covers album These Foolish Things and stayed there for 21 weeks, peaking at No. 1. According to co-producer Ken Scott, the LP was originally conceived as “a complete opposite of [Bowie’s] other albums”, consisting of all cover songs except one original composition, and mainly turned towards the US market since “he wanted to do songs that weren’t known as well in the States as they were in England”, yet eventually the plan was dropped. Pin Ups was the first of two “1960s nostalgia” albums that Bowie had planned to release. The second, which was planned to be called “Bowie-ing Out,” would have contained Bowie covering his favorite American artists, but was never recorded. Bowie also apparently considered making a Pin Ups sequel: he had compiled a list of songs he wanted to cover, some of which showed up on his later releases of Heathen (2002) and Reality (2003). In the album booklet, Bowie, writing in his own hand, describes Pin Ups as: “These songs are among my favorites from the ’64–67′ period of London. / Most of the groups were playing the Ricky-Ticky-Scene club circuit. / Some are still with us. / Pretty Things, Them, Yardbirds, Syd’s Pink Floyd, Mojos, Who, Easybeats, Merseys, The Kinks. / Love-on ya!”The woman on the cover with Bowie is 1960s supermodel Twiggy in a photograph taken by her then-manager Justin de Villeneuve. It was shot in Paris for Vogue magazine, but at Bowie’s request was used for the album instead. “Sorrow” was originally recorded by The Merseys.]

11:35 – Underwriting

20. Bert Kaempfert — “Wonderland By Night”
from: Wonderland By Night – Single / Decca Records / August 1960
[“Wonderland by Night” (German title “Wunderland bei Nacht”) is a popular song by Bert Kaempfert that was a Billboard #1 hit for 3 weeks, starting Jan 9, 1961. Written by Klaus-Günter Neumann with English lyrics by Lincoln Chase. It was Kaempfert’s 1st hit with his orchestra. The song featured Charly Tabor on trumpet. The original version of “Wonderland by Night” also crossed over to the R&B chart where it peaked at number five. Another cover, recorded and released by Louis Prima, also charted in the same year, reaching #15 on the Billboard charts. Anita Bryant’s version, which included orchestrations by Lew Douglas, reached #18 on the US Pop Chart. Berthold Heinrich Kämpfert, (Oct. 16, 1923-June 21, 1980), better known as Bert Kaempfert, was a German orchestra leader, music producer, arranger, & songwriter. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including “Strangers in the Night” and “Moon Over Naples”. Kaempfert’s own first hit with his orchestra had been in 1960, “Wonderland by Night”. Wonderland by Night, which was recorded in July 1959, couldn’t get a hearing in Germany. Instead, Kaempfert brought the track to Decca Records in New York, who released it in America in 1959 (or fall 1960); with its haunting solo trumpet, muted brass, and lush strings, the single topped the American pop charts and turned Bert Kaempfert and Orchestra into international stars. Over the next few years, he revived such pop tunes as “Tenderly”, “Red Roses for a Blue Lady”, “Three O’Clock in the Morning”, and “Bye Bye Blues”, as well as composing pieces of his own, including “Spanish Eyes (Moon Over Naples)”, “Danke Schoen”, and “Wooden Heart”, which were recorded by, respectively, Al Martino, Wayne Newton, and Elvis Presley. For Kaempfert, little may have brought him more personal satisfaction than Nat King Cole recording his “L-O-V-E”. As a producer, Kaempfert also played a part in the rise of The Beatles when he signed a Liverpool-based singer named Tony Sheridan, who was performing in Hamburg, and needed to recruit a band to play behind him on the proposed sides. He auditioned and signed the Beatles, and recorded two tracks with them during his sessions for Sheridan: “Ain’t She Sweet”, sung by rhythm guitarist John Lennon and the instrumental “Cry for a Shadow”, co-written by Lennon and lead guitarist George Harrison. Kaempfert’s recording of the Beatles, even as a backing band for Sheridan, provided an impetus to their subsequent success, even though none of the Kaempfert-recorded sides resembled the music for which they became famous. On October 28, 1961, a man walked into the music store owned by Brian Epstein to ask for a copy of “My Bonnie”, recorded by the Beatles (but, actually credited to Tony Sheridan). The store did not have it, but Epstein noted the request and was so intrigued by the idea of a Liverpool band getting a record of its own out, he personally followed up on it. This event led to his discovery of the Beatles and, through his effort, their signing by George Martin to Parlophone Records after getting clear of any contractual claim by Polydor. Jimi Hendrix included the melody of “Strangers in the Night” in his improvised guitar solo for his famous guitar-burning version of “Wild Thing” at the 1967 Monterey Pop Festival.]

11:41

21. Janelle Monáe — “Make Me Feel”
from: Dirty Computer / Wondaland Arts Society – Bad Boy – Epic / April 27, 2018
[Janelle Monáe moved from Kansas City, Kansas to New York to study theatre at the American Musical and Dramatic Academy. Her original plan was to pursue a career on Broadway, but she soon changed her mind and returned to music. After moving to Atlanta, GA, where she met OutKast’s Big Boi, Monáe founded the Wondaland Arts Society with like-minded young artists and made appearances on Outcast’s Idlewild, where Janelle is featured on the songs “Call The Law” and “In Your Dreams”. In 2007, Monáe released her first solo work, titled Metropolis. A few months later she was signed to Sean “Diddy” Combs’ label, Bad Boy Records. Dirty Computer is the third studio album by Janelle Monáe. In October 2016, Monáe made her big screen acting debut in the critically acclaimed film Moonlight. Monáe also starred in the film Hidden Figures. While filming her two movie roles, Monáe remained active in music with features on Grimes’ “Venus Fly” from her Art Angels album and also the soundtrack for the Netflix series The Get Down with a song titled, “Hum Along and Dance (Gotta Get Down)”. She was also on the tracks “Isn’t This the World” and “Jalapeño” for the Hidden Figures soundtrack. In an interview with People, Monáe revealed that she was already working on her third studio album when she received the scripts for her two first acting roles; therefore, she put the album on hold. It was confirmed by Monae after “Make Me Feel” was released that Prince, with whom she collaborated on her preceding album, The Electric Lady, had worked on the single, as well as the entire album, before he passed away. This was confirmed after listeners noticed similarities between the single’s sound and the late musician’s work. Monae stated in an interview with BBC Radio 1: “Prince was actually working on the album with me before he passed on to another frequency, and helped me come up with some sounds. And I really miss him, you know, it’s hard for me to talk about him. But I do miss him, and his spirit will never leave me.” The synth groove in “Make Me Feel” was played at one of Prince’s parties years prior to its inclusion in the single, as confirmed by Prince’s DJ, Lenka Paris.]

22. Jimmie Spheeris – “Open Up”
from: Original Tap Dancing Kid / Columbia / 1973
[2nd studio album from Jimmie Spheeris (Nov. 5, 1949-July 4, 1984). He was an American singer-songwriter who released 4 albums in the 1970s on Columbia and Epic Records. He was of Greek descent. He was brother of film director & producer Penelope Spheeris, and cousin of musician Chris Spheeris and film director Costa Gavras. Jimmie (James) Spheeris was born in Phenix City, Alabama, to Juanita ‘Gypsy’ and Andrew Spheeris, who owned and operated a traveling carnival called the Majick Empire. These childhood years of colorful transience were a major influence on later work, as evidenced in songs such as “Lost in the Midway” and “Decatur Street,” among others. Spheeris had two sisters, Penelope and Linda, and a brother, Andy. After his father was murdered by a “belligerent carnival-goer,” Gypsy Spheeris moved the family to San Diego, CA. The family eventually settled in Venice, California. Gypsy Spheeris tended bar at an establishment on Main Street called The Circle. Spheeris moved to NYC in the late 1960s to pursue and develop his songwriting career. The liner notes on his debut album credit friend and fellow songwriter Richie Havens, who introduced Spheeris to Columbia Records executive Clive Davis. Davis signed Spheeris to a 4 album recording contract and his debut album was released on Columbia. Spheeris’ 1971 debut album, Isle of View, garnered a devoted following and FM radio airplay, notably for the song “I am the Mercury.” His 1973 album, The Original Tap Dancing Kid, was followed by a period of extensive concert touring. Spheeris returned to the recording studio in 1975 with The Dragon is Dancing and released Ports of the Heart in 1976. After Ports of the Heart, Spheeris had no recording contract. Except for a 1980 single, “Hold Tight,” Spheeris released no new material through a major record label. Spheeris died at the age of 34 in Santa Monica, CA, when his motorcycle collided with a van at 2 a.m. on the morning of July 4, 1984. The driver of the van, Bruce Burnside, was charged with driving under the influence of alcohol and felony vehicular manslaughter.[5] Hours before his death, Spheeris finished the self-titled album, Spheeris, which was produced by Paul Delph. This final album was not publicly released for 16 years. Delph would later record two of Spheeris’ songs for his final album A God That Can Dance.

11:47 – Original Spoken Word Piece by Nico Gray about his father Terry Edward Gray, 84, who passed away on March 7, 2018 in Harrisonville, Missouri, surrounded by his family.

11:57

23. Sinéad O’Connor — “Kyrié Eléison”
from: Faith and Courage / Atlantic / June 13, 2000
[5th full-length album by Irish singer Sinéad O’Connor. It was O’Connor’s first release in three years, her previous album being the greatest hits package So Far… The Best of Sinéad O’Connor in 1997, plus it was her first studio album in six years. O’Connor composed a majority of the tracks on Faith and Courage and production duties were shared by a variety of artists including Wyclef Jean, David A. Stewart, Brian Eno, Kevin “She’kspere” Briggs, Anne Preven and Scott Cutler among others. The album sold 1,000,000 copies worldwide and was certified gold in Australia in 2000. As of 2014, sales in the United States have exceeded 219,000 copies, according to Nielsen SoundScan. Magda Davitt was born Sinéad Marie Bernadette O’Connor December 8, 1966. She rose to fame in the late 1980s with her debut album The Lion and the Cobra. As Sinéad O’Connor, she achieved worldwide success in 1990 with a new arrangement of Prince’s song “Nothing Compares 2 U”. Since then, while maintaining her singing career, she has occasionally encountered controversy, partly due to her statements and gestures—such as her ordination as a priest despite being a woman with a Roman Catholic background—and her strongly expressed views on organised religion, women’s rights, war, and child abuse. In addition to her ten solo albums, her work includes many singles, songs for films, collaborations with many other artists, and appearances at charity fundraising concerts. In 2017, O’Connor said that she had changed her legal name to Magda Davitt.]

24. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Nico Gray thanks for being with us on Wednesday MidDay Medley.

Next week, on April 4 Austin Williams and his band Ten Thousand One join us live in our 90.1 FM studios. Also the band Olivia Fox will join us to share their new music, and Artist Ryan Wilks joins us to share the latest news about his new exhibit, Here Where You Wish, an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #727

Wednesday MidDay Medley presents Howard Iceberg + Nico Gray

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 28, 2018

New & MidCoastal Releases + Howard Iceberg
+ Guest Producer Nico Gray

Mark plays more New & MidCoastal Releases from: Kadesh Flow, Howard Iceberg & The Titanics, Kid Computer, Sinple, Khrystal., MorMor, Lucy Dacus, and The Decemberists.

Howard Iceberg

At 10:30 Howard Iceberg shares music from his new album, Netherlands, prior to his Album Release show at The Ship, 1217 Union, in the West Bottoms, KCMO, on Thursday, March 29, 7:00 to 09:00 pm, with three sets of music and lotsa special guests. This show is a benefit for Care Beyond the Blvd, a non-profit organization providing medical & social services to homeless and vulnerable groups. For Netherlands Howard Iceberg teamed up with jazz artists: Rich Hill, Bryan Hicks, and Gary Cradle, Dan Bliss, Betse Ellis, Charles Perkins, Camry Ivory, Marco Pascolini, Phil Wade, Jeff Freling, Chad Rex and more. Netherlands was produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.

Nico Gray

At 11:00 Mark welcomes Nico Gray who joins us as a Guest Producer for our second hour. Nico is an area marketing specialist, writer and actor. He is a frequent contributor to Wednesday MidDay Medley. Nico will play tracks from: Orchestral Manoeuvres In the Dark, Annie Hart, Nina Simone, Sabina, Jacqueline Taieb, Miley Cyrus, David Bowie, Bert Kaempfert, Janelle Monáe, Jimmie Spheeris, Sinéad O’Connor, and INXS.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #727

WMM Playlist from January 10, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 10, 2018

“Remembering MLK”

Wednesday MidDay Medley celebrates the life of human rights icon, Dr. Martin Luther King, Jr., born Jan. 15, 1929.

MLK led the 1955 Montgomery Bus Boycott, was a cofounder of the Southern Christian Leadership Conference in 1957, and served as it’s first president. His efforts led to the 1963 March on Washington, where Dr. King delivered his, “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination thru civil disobedience and non-violent means.

By the time of his death in 1968, Dr. King had refocused his efforts on ending poverty and opposing the Vietnam War. King was assassinated, April 4, 1968, in Memphis, Tennessee.

Dr. Martin Luther King, Jr. was posthumously awarded the Presidential Medal of Freedom in 1977, and Congressional Gold Medal in 2004. Martin Luther King, Jr. Day was established as a U.S. national holiday in 198I. This year this national holiday falls on his actual birthday, Monday, January 15.

As Pete Seeger wrote: “Songs gave them the courage to believe they would not fail.” Today we feature music of & inspired by the civil rights movement.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Soweto Gospel Choir – “Pride (In The Name of Love)”
from: In the Name of Love – Africa Celebrates U2 / Shout! Factory Records / 2008
[Formed in Soweto, South Africa, by David Mulovhedzi & Beverly Bryer, two choir directors. The 30-member ensemble blends African gospel, Negro spirituals, reggae and American popular music. The group performed at the first of the 46664 concerts for Nelson Mandela and has toured internationally. Their albums Blessed and African Spirit won Grammy Awards for Best Traditional World Music Album in 2007 and 2008.]

3. International Noise Conspiracy / MLK Jr. – “The First Conspiracy / Let Freedom Ring”
from: Adbusters – Live Without Dead Time / Adbusters / 2003
[The (International) Noise Conspiracy (abbreviated T(I)NC) were a Swedish rock band formed in Sweden in the late months of 1998. The line-up consists of Dennis Lyxzén (vocals), Inge Johansson (bass), Lars Strömberg (guitar), and Ludwig Dahlberg (drums). The band is known for its punk and garage rock musical influences, and its impassioned left-wing political stance. Influenced by a quote from 1960’s folk singer Phil Ochs, according to lead singer Lyxzén, the band wanted to achieve an ideal blend of music and politics that was, “a cross between Elvis Presley and Che Guevara.”]

4. Labelle – “Something in The Air / The Revolution Will Not Be Televised”
from: Something Silver / Warner Archives / 1997 [orig. Pressure Cookin’ / 1973, 3rd album from the funk/soul trio of: Patti LaBelle, Nona Hendryx and Sarah Dash who each shared a rap on “The Revolution Will Not Be Televised” a poem and song by Gil Scott-Heron. It was the B-side to Scott-Heron’s first single, “Home Is Where the Hatred Is”, from his album Pieces of a Man (1971). “Something in the Air” is a song orig. recorded by Thunderclap Newman, a band created by Pete Townshend for The Who’s former roadie John ‘Speedy’ Keen who wrote and sang the song. It was a UK #1 single for three weeks in July 1969.]

10:14 – Soul Brother

MLK said, “The ultimate measure of a man is not where he stands in moments of comfort and convenience, but where he stands at times of challenge and controversy.”

MLK said, “We must learn to live together as brothers or perish together as fools.”

5. Curtis Mayfield – “Beautiful Brother of Mine”
from: Roots / Curtom-Buddah / October, 1971 [2nd solo release from Curtis Mayfield, born in Chicago, June 3, 1942. One of the most influential musicians behind soul & politically conscious African-American music. Mayfield started his musical career in a gospel choir. Moving to the North Side of Chicago he met Jerry Butler in 1956 at the age of 14, and joined vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for The Impressions, which displayed his more politically charged songwriting. After leaving The Impressions in 1970, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album, New World Order, in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995, and was a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a 2-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes, Dec 26, 1999, at 57.]

6. Maceo & The Macks – “Soul Power ’74”
from: James Brown’s Funky People, Pt. 2 / People Records / 1988
[This record is sampled more than crackers and chees at Costco, it contains samples itself in the form of tape overlays of civil rights rallies, a Dr. King speech, and an announcement of King’s assassination. Maceo Parker played saxophone with James Brown, Parliment, Funkadelic, Bootsy Collins, Bernie Worrell and Prince.]

7. Sweet Honey in The Rock, Aaron Neville, Lamar Campbell & Spirit of Praise -“Ella’s Song”
from: Soundtrack to Boycott / HBO / 2001 [Critically acclaimed 2001 film staring Jeffrey Wright as Dr. Martin Luther King, Jr., Terrence Howard as Ralph Abernathy, and CCH Pounder as Jo Ann Robinson.]

10:28 – Underwriting

10:30 – King’s Life, Death, and Spirit

MLK said, “He who passively accepts evil is as much involved in it as he who helps to perpetrate it. He who accepts evil without protesting against it is really cooperating with it.”

8. Common & John Legend – “Glory”
from: Selma (Music from the Motion Picture) / Paramount Pictures-Pathe / January 6, 2015
[Golden Globe winning song from the new motion picture Selma. Most of the millions of African Americans across the South had effectively been disenfranchised since the turn of the century by a series of discriminatory requirements and practices. Finding resistance by white officials to be intractable, even after passage of the Civil Rights Act of 1964. This led to the three Selma to Montgomery marches in 1965 where Dallas County Voters League (DCVL) were joined by organizers from the Student Nonviolent Coordinating Committeeand also invited Rev. Martin Luther King Jr. and activists of the Southern Christian Leadership Conference to join them. These marches were part of the Selma Voting Rights Campaign and led to the passage that year of the Voting Rights Act, a landmark federal achievement of the 1960s American Civil Rights Movement. The 54-mile highway from Selma to the Alabama state capital of Montgomery was a demonstration showing the desire of black American citizens to exercise their constitutional right to vote, in defiance of segregationist repression.]

9. Mahalia Jackson – “How I Got Over”
from: The Original Apollo Sessions / Couch & Madison Partners / May 25, 2013
[Gospel hymn composed & published in 1951 by Clara Ward (1924-1973). It was performed by Mahalia Jackson at the historic March on Washington for Jobs and Freedom in 1963 before 250,000 people. Mahalia Jackson (Oct. 26, 1911 – Jan. 27, 1972) was referred to as “The Queen of Gospel”. She became one of the most influential gospel singers in the world, heralded internationally as a singer and civil rights activist. She was described by entertainer Harry Belafonte as “the single most powerful black woman in the United States”. She recorded about 30 albums (mostly for Columbia Records) during her career, and her 45 rpm records included a dozen “golds”—million-sellers. “I sing God’s music because it makes me feel free,” Jackson once said about her choice of gospel, adding, “It gives me hope. With the blues, when you finish, you still have the blues.”]

10. Martin Luther King Jr. – “MLK – I Have A Dream 1963 (excerpt)”
from: Inspirational Speeches, Vo. 3 / Orange Leisure / May 16, 2011 [American civil rights leader/activist and Baptist minister, born Jan. 15, 1929 in Atlanta, Georgia. King’s speeches have been issued on numerous releases – his most well-known and influential address being “I Have a Dream”, which was held during “The March on Washington” in 1963. King was assassinated on April 4, 1968 in Memphis, Tennessee.]

11. Marian Anderson – “He’s Got the Whole World in His Hands”
from: He’s Got the Whole World in His Hands / BMG / Orig. 1961 [Reissued 1991]
[Marian Anderson (Feb 27, 1897 – Apr. 8, 1993) was one of the most celebrated singers of the 20th century. In 1939, the (DAR) refused to let Anderson sing in Constitution Hall. With the aid of First Lady Eleanor Roosevelt and Franklin D. Roosevelt, Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the steps of the Lincoln Memorial in Washington, D.C. before a crowd of more than 75,000 people and a radio audience in the millions. Anderson became the first black person, to perform at the Metropolitan Opera in NYC on Jan. 7, 1955. Anderson worked as a delegate to the UN Human Rights Committee and “goodwill ambassadress” for the U.S. Dept. of State, giving concerts all over the world. She participated in the civil rights movement in the 1960s, singing at the March on Washington for Jobs and Freedom in 1963. Anderson was awarded the Presidential Medal of Freedom in 1963, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.]

12. Tramaine Hawkins, Ella Mitchell, Billy Porter & Chorus -“Rocka My Soul”
from: Alvin Ailey American Dance Theatre “Revelations” / V2 / 1998
[Revelations is the signature choreographic work of Alvin Ailey American Dance Theater. It was first produced by Alvin Ailey Dance Theater in New York City, New York on January 31, 1960. Revelations tells the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals and blues music. It’s been performed in over 70 countries in the half century since then and has been described as “the most widely seen modern dance work in the world.” The finale song of the three part “Revelations” is “Rocka My Soul In The Bosom Of Abraham” and it has been described by writer Juliana Lewis-Ferguson as a, “spiritually powerful conclusion to the suite and a purely physical release of emotion.”]

10:47 – Freedom

MLK said, “Human progress is neither automatic nor inevitable… Every step toward the goal of justice requires sacrifice, suffering, and struggle; the tireless exertions and passionate concern of dedicated individuals.”

13. Nina Simone -“I Wish I Knew How It Would Feel To Be Free”
from: Silk and Soul / RCA / 1967
[Born Eunice Kathleen Waymon on February 21, 1933. She died on April 21, 2003. Nina Simone was a singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Simone aspired to be a concert pianist. With the help of the few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in NYC. Simone recorded more than 40 albums. “I Wish I Knew How It Would Feel to Be Free” is a gospel/jazz song written by Billy Taylor & “Dick Dallas.”]

14. Solomon Burke – “None Of Us Are Free”
from: Don’t Give Up On Me / Fat Possum / 2002
[Back up singers: The Blind Boys of Alabama. Born James Solomon McDonald, March 21, 1940, Solomon Burke died October 10, 2010. He was an American preacher & singer, who shaped the sound of rhythm & blues as one of the founding fathers of soul music in the 1960s and a “key transitional figure in the development of soul music from rhythm & blues. During the 55 years that he performed professionally, Burke released 38 studio albums on at least 17 record labels and had 35 singles that charted in the US, including 26 singles that made the Billboard R&B charts. In 2001, Burke was inducted into the Rock & Roll Hall of Fame as a performer. His album Don’t Give Up on Me won the Grammy Award for Best Contemporary Blues Album at the 45th Grammy Awards in 2003. By 2005 Burke was credited with selling 17 million albums.]

15. Nina Simone – “I Shall Be Released”
from: To Love Somebody / RCA / 1967
[1 of 3 Bob Dylan songs Nina Simone performed for this album. Written by Dylan in 1967. The Band recorded the first officially-released version of the song for their 1968 debut album, Music from Big Pink, with Richard Manuel singing lead vocals, and Rick Danko & Levon Helm harmonizing in the chorus. The song was also performed near the end of the Band’s 1976 farewell concert, The Last Waltz, in which all the night’s performers (except of Muddy Waters) plus Ringo Starr and Ronnie Wood appeared on the same stage.]

11:02 – Station I.D.

11:02 – The Staple Singers & Bobby Watson and “Unpaid Bills”

MLK said, “In our glorious fight for civil rights, we must guard against being fooled by false slogans, as ‘right-to-work.’ It provides no ‘rights’ and no ‘works.’ Its purpose is to destroy labor unions and the freedom of collective bargaining… We demand this fraud be stopped.”

16. Pops Staples – “You Gotta Serve Somebody”
from: e-town live volume 3 / e-town / December 18, 2002
[Recorded Sept. 16, 1994, Live in Boulder]
[Originally written by Bob Dylan. Roebuck “Pops” Staples was born on a cotton plantation near Winona, Mississippi, on Dec. 28, 1914, the youngest of 14 children. When growing up he heard, and began to play with, local blues guitarists such as Charlie Patton, who lived on the nearby Dockery Plantation, Robert Johnson, and Son House. He dropped out of school after the eighth grade, and sang with a gospel group before marrying and moving to Chicago in 1935. A “pivotal figure in gospel in the 1960s and 70s,” and an accomplished songwriter, guitarist and singer. Patriarch of The Staple Singers, which included his son Pervis and daughters Mavis, Yvonne, and Cleotha.]

17. Mavis Staples – “Down in Mississippi”
from: Live – Hope At The Hideout / Anti / 2008 [Rock & Roll Hall of Fame inductee Mavis Staples, of The Staple Singers, is a celebrated equal rights activist. She’s performed at inaugural parties for Presidents Kennedy, Carter and Clinton, Recorded in June, 2008, in the run up to the Presidential election of Barrack Obama. Recorded live in the intimate bar The Hideout, in her hometown of Chicago. Mavis Staples, marched, sang & protested alongside Dr. Martin Luther King during the Civil Rights movement of the 1960s.]

18. The Staple Singers – “When Will We Be Paid”
from: Single / Stax (Fantasy / Ace) / 1967

19. Bobby Watson & The I Have a Dream Project–”Check Cashing Day” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / Digital – Aug. 28, 2013 / Physical – Nov. 12, 2013
[From wikipedia.org: “Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas.]

11:21 – Bands of Brothers

MLK said, “Change does not roll in on the wheels of inevitability, but comes through continuous struggle. And so we must straighten our backs and work for our freedom. A man can’t ride you unless your back is bent.”

20. Isley Brothers – “Brother, Brother, Brother”
from: Brotherhood / Hear Music / 2006

23. The Holmes Brothers – “Promised Land”
from: Promised Land / Rounder / 1997

24. The Chambers Brothers – “People Get Ready”
from: The Time Has Come / Columbia / 1967 [written by Curtis Mayfield]

11:33 – Underwriting

11:35 – Music tells the Story

MLK said, “History will have to record that the greatest tragedy of this period of social transition was not the strident clamor of the bad people, but the appalling silence of the good people.”

15. Thelonius Monk Septet – “Abide With Me”
from: Monk’s Music / Riverside / 1957 [written by William Henry Monk, an organist, church musician, and music editor, born March 16, 1823 and died March 18, 1889. He composed a fair number of popular hymns, including one of the most famous from nineteenth century England, “Eventide,” used for the hymn “Abide with Me.” He also wrote a number of anthems.]

22. The Swan Silvertones – “Oh Mary, Don’t You Weep”
from: Platinum Gospel: The Swan Silvertones / Sonorous Entertainment / 2012 (1959)
[“Mary Don’t You Weep” (alternately titled “O Mary Don’t You Weep”, “Oh Mary, Don’t You Weep, Don’t You Mourn”, or variations thereof) is a Negro spiritual that originates from before the American Civil War – thus it is what scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh’s army got drown-ded!, and to God’s rainbow covenant to Noah after the Great Flood. With liberation thus one of its themes, the song again become popular during the Civil Rights Movement. Additionally, a song that explicitly chronicles the victories of the Civil Rights Movement, “If You Miss Me from the Back of the Bus”, written by Charles Neblett of The Freedom Singers, was sung to this tune and became one of the most well-known songs of that movement. In 2015 it was announced that The Swan Silvertones’s version of the song will be inducted into the Library of Congress’s National Recording Registry for the song’s “cultural, artistic and/or historical significance to American society and the nation’s audio legacy”. The first recording of the song was by the Fisk Jubilee Singers in 1915. The best known recordings were made by the vocal gospel group The Caravans in 1958, with Inez Andrews as the lead singer, and The Swan Silvertones in 1959. “Mary Don’t You Weep” became The Swan Silvertones’ greatest hit, and lead singer Claude Jeter’s interpolation “I’ll be a bridge over deep water if you trust in my name” served as Paul Simon’s inspiration to write his 1970 song “Bridge over Troubled Water”.The spiritual’s lyric God gave Noah the rainbow sign, no more water the fire next time inspired the title for The Fire Next Time, James Baldwin’s 1963 account of race relations in America.]

30. Krystle Warren – “Red Clay”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[With this song Krystle Warren tells the story of the Tulsa Race Riots of 1921 in which hundreds of African Americans were murdered, and their community was fire bombed, and burned to the ground, from the sky, by the Ku Klux Klan. Thousands of victims were also jailed and imprisoned. Three The Hard Way was produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.] [Krystle Warren was on WMM on September 20. We played her music on 12 different shows.]

11:45 – Gospel & Folk Music Carried the Message

We go out with a special set of music starting with the late Pete Seeger singing a song he adapted and made famous, followed by Sarah Lee Guthrie & Johnny Irion, the granddaughter of Woody Guthrie singing a Pete Seeger song called “Dr. King,” and ending with a song written by Woody Guthrie performed by Sharon Jones and The Dap Kings

MLK said, “It may be true that the law cannot make a man love me, but it can keep him from lynching me, and I think that’s pretty important.”

21. Pete Seeger – “We Shall Overcome”
from: The Essential Pete Seeger / Columbia – Legacy / 2004
[Derived from a gospel song by Reverend Charles Tindley called “We Will Overcome” written in 1901. Adapted and made famous by Pete Seeger, Joan Baez, and others the song became central to the civil rights movement of the 1950 and 1960s and eventually used all around the world. Dr. Martin Luther King, Jr. made use of “we shall overcome” in the final Sunday March 31, 1968 speech before his assassination.]

22. Sarah Lee Guthrie & Johnny Irion – “Dr. King”
from: exploration / New West / 2005 [written by Pete Seeger]

23. Sharon Jones & The Dap-Kings – “This Land is Your Land”
from: Naturally / Daptone / 2005
[written by Woody Guthrie, Sarah Lee’s Grandfather.]
[In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, the released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, , for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007) and I Learned the Hard Way (2010). They are seen by many as the spearhead of a revival of soul and funk.]

24. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next Week on Wednesday, January 17, Brodie Rush and Ben Ruth join us to share music from their latest Be/Non release, FREEDOM PALACE, recorded 12 years ago in the summer of 2006, but never pressed or released due to a record label disagreement. It is now being released through Haymaker Records. In our second hour we’ll talk with Kansas City based artist Ryan Wilkes about Here Where You Wish, an immersive public installation coming to the Kansas City Public Library, Central Library location at 14 W. 10th St. on April 6, 2018. Ryan Wilks is constructing a large public altar in the Central Library with a transformative temple-like labyrinth entry way that encourages the public to consciously and methodically enter. The elaborate and flowing entrance is meticulously crafted by renowned artist Ari Fish. Tim J Harte is composing ritual based sounds/music to softly play through the installation. The altar itself will be 40 square feet and constructed by Sean Prudden and Ryan Wilks, and will beautifully house the objects that people leave behind. To support this project through Ryan’s KickStarter Campaign you can visit: https://www.kickstarter.com/projects/1840510472/here-where-you-wish/description

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #716

Wednesday MidDay Medley – “Remembering MLK”

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 10, 2018

“Remembering MLK”

Wednesday MidDay Medley celebrates Dr. Martin Luther King, Jr., born January 15, 1929. Dr. King led the 1955 Montgomery Bus Boycott and helped found the Southern Christian Leadership Conference in 1957, serving as its first president. King’s efforts led to the 1963 March on Washington, where King delivered his “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination through civil disobedience and other non-violent means. By the time of his death, Dr. King had refocused his efforts on ending poverty and opposing the Vietnam War, both from a religious perspective. Dr. King was assassinated on April 4, 1968, in Memphis, Tennessee. He was posthumously awarded the Presidential Medal of Freedom in 1977 and Congressional Gold Medal in 2004. Martin Luther King, Jr. Day was established as a U.S. national holiday in 198I.

Mark plays music of the movement from: Mavis Staples, Pops Staples, The Staple Singers, Krystle Warren, Bobby Watson & The I Have A Dream Project Featuring Glenn North, Sharon Jones & The Dap-Kings, Labelle, Common & John Legend, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, The Swan Silvertones, Thelonious Monk Septet, Sweet Honey in The Rock, The Holmes Brothers, The Chambers Brothers, The Isley Brothers, Aaron Neville, Soweto Gospel Choir, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, and Sarah Lee Guthrie & Johnny Irion.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #716

WMM Playlist from January 16, 2013 – Remembering MLK

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Playlist from: Wednesday, January 16, 2013

Remembering MLK

Dr. Martin Luther King Jr.

Dr. Martin Luther King Jr.

Wednesday MidDay Medley celebrated the life of human rights icon, Dr. Martin Luther King, Jr. Born Jan. 15, 1929. MLK led the 1955 Montgomery Bus Boycott and helped found the Southern Christian Leadership Conference in 1957, serving as its first president. King’s efforts led to the 1963 March on Washington, where Dr. King delivered his “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination thru civil disobedience and non-violent means.

By the time of his death in 1968, Dr. King had refocused his efforts on ending poverty and opposing the Vietnam War, both from a religious perspective. King was assassinated on April 4, 1968, in Memphis, Tennessee.

Dr. Martin Luther King, Jr. was posthumously awarded the Presidential Medal of Freedom in 1977 and Congressional Gold Medal in 2004; Martin Luther King, Jr. Day was established as a U.S. national holiday in 198I.

As Pete Seeger wrote: “Songs gave them the courage to believe they would not fail.”

1. Soweto Gospel Choir – “Pride (In The Name of Love)”
from: In the Name of Love – Africa Celebrates U2 / Shout! Factory Records / 2008

2. Labelle – “Something in The Air / The Revolution Will Not Be Televised”
from: Something Silver / Warner Archives / 1997
[originally released on: “Pressure Cookin'” from 1973. The 3rd album from the funk/soul trio of: Patti LaBelle, Nona Hendryx and Sarah Dash who each shared a rap on “The Revolution Will Not Be Televised” a poem and song by Gil Scott-Heron. It was the B-side to Scott-Heron’s first single, “Home Is Where the Hatred Is”, from his album Pieces of a Man (1971). “Something in the Air” is a song orig. recorded by Thunderclap Newman, a band created by Pete Townshend for The Who’s former roadie John ‘Speedy’ Keen who wrote and sang the song. It was a UK #1 single for three weeks in July 1969.]

10:15 – Soul Brother…

3. Curtis Mayfield – “Beautiful Brother of Mine”
from: Roots / Curtom-Buddah / 1971

4. Maceo & The Macks – “Soul Power ’74”
from: James Brown’s Funky People, Pt. 2 / People Records / 1988
[a showcase for the tightest horn section in history, over an instrumental version of “Soul Power”. Not only is this particular record sampled continually by hip-hop artists, it contains samples itself in the form of tape overlays of civil rights rallies, a Dr. King speech, and an announcement of King’s assassination. Maceo Parker has played saxophone with James Brown, Parliment, Funkadelic, Bootsy Collins, Bernie Worrell and Prince.]

5. Sweet Honey in The Rock, Aaron Neville, Lamar Campbell, & Spirit of Praise
– “Ella’s Song”
from: Soundtrack to Boycott / HBO / 2001
[Boycott is the critically acclaimed 2001 HBO film staring Jeffrey Wright as Dr. Martin Luther King, Jr., Terrence Howard as Ralph Abernathy, and CCH Pounder as Jo Ann Robinson.]

10:30 – King’s Life, Death, and Spirit…

6. Darwin Hobbs & Karen Clark-Sheard – “King”
from: Soundtrack to Boycott / HBO / 2001

7. Mahalia Jackson – “Take My Hand Precious Lord”
from: Something to Believe In / Hear / 2002
[She sang this song at MLK Funeral]

8. Tramaine Hawkins, Ella Mitchell, Billy Porter & Chorus-“Rocka My Soul”
from: Alvin Ailey American Dance Theatre “Revelations” / V2 / 1998

10:45 – Freedom…

9. Nina Simone -“I Wish I Knew How It Would Feel To Be Free”
from: Silk and Soul / RCA / 1967

10. Solomon Burke – “None Of Us Are Free”
from: Don’t Give Up On Me / Fat Possum / 2002
[Back up singers: The Blind Boys of Alabama]

11. Nina Simone – “I Shall Be Released”
from: To Love Somebody / RCA / 1967

11:00 – The Staple Singers…

12. The Staple Singers – “When Will We Be Paid”
from: Single / Stax (Fantasy / Ace) / 1967

13. Mavis Staples – “Down in Mississippi”
from: Live – Hope At The Hideout / Anti / 2008
[Rock & Roll Hall of Fame inductee Mavis Staples, of The Staple Singers, is a celebrated equal rights activist. She’s performed at inaugural parties for Presidents Kennedy, Carter and Clinton, Recorded in June, 2008, in the run up to the Presidential election of Barrack Obama. Recorded live in the intimate bar The Hideout, in her hometown of Chicago. The record is filled with freedom songs. Mavis Staples, who marched and sang and protested alongside Dr. Martin Luther King during the Civil Rights movement of the 1960s, saw her sense of hope validated on Nov. 4th, 2008 when Barrack Obama was elected President.]

14. Pops Staples – “You Gotta Serve Somebody”
from: e-town live volume 3 / e-town /
[orig. written by Bob Dylan. Rec. Sept. 16, 1994, Live in Boulder] [Roebuck “Pops” Staples was born on a cotton plantation near Winona, Mississippi, on December 28, 1914, the youngest of 14 children. When growing up he heard, and began to play with, local blues guitarists such as Charlie Patton, who lived on the nearby Dockery Plantation, Robert Johnson, and Son House. He dropped out of school after the eighth grade, and sang with a gospel group before marrying and moving to Chicago in 1935. A “pivotal figure in gospel in the 1960s and 70s,” and an accomplished songwriter, guitarist and singer. Patriarch of The Staple Singers, which included his son Pervis and daughters Mavis, Yvonne, and Cleotha.]

11:15 – Gospel & Folk Music Carried the Message…

15. Thelonius Monk Septet – “Abide With Me”
from: Monk’s Music / Riverside / 1957
[written by William Henry Monk, an organist, church musician, and music editor, born March 16, 1823 and died March 18, 1889. He composed a fair number of popular hymns, including one of the most famous from nineteenth century England, “Eventide,” used for the hymn “Abide with Me.” He also wrote a number of anthems.]

16. Pete Seeger – “We Shall Overcome”
from: The Essential Pete Seeger / Columbia – Legacy / 2004
[derived from a gospel song by Reverend Charles Tindley called “We Will Overcome” written in 1901. Adapted and made famous by Pete Seeger, Joan Baez, and others the song became central to the civil rights movement of the 1950 and 1960s and eventually used all around the world. Dr. Martin Luther King, Jr. made use of “we shall overcome” in the final Sunday March 31, 1968 speech before his assassination.]

17. Sarah Lee Guthrie & Johnny Irion – “Dr. King”
from: exploration / New West / 2005 [written by Pete Seeger]

18. Sharon Jones & The Dap-Kings – “This Land is Your Land”
from: Naturally / Daptone / 2005
[written by Woody Guthrie, Sarah Lee’s Grandfather.]

11:30 – Singer Songwriters…

19. Kris Kristofferson – “They Killed Him”
from: Kris Kristofferson: “Singer / Songwriter” / Sony / 1991

20. Robert Coleman Trussell – “Days of Jubilee”
from: Juice and Jive / Goodnight-Loving / 2008

21. Laura Love – “Hard Times”
from: You Ain’t Got No Easter Clothes / Koch / 2004

11:45 – Brothers…

22. Isley Brothers – “Brother, Brother, Brother”
from: Brotherhood / Hear Music / 2006

23. The Holmes Brothers – “Promised Land”
from: Promised Land / Rounder / 1997

24. The Chambers Brothers – “People Get Ready”
from: The Time Has Come / Columbia / 1967
[written by Curtis Mayfield]

11:59:30

25. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #456
__________________________________________________

Quotes from Dr. Martin Luther King Jr.:

A lie cannot live.

A man who won’t die for something is not fit to live.

A nation that continues year after year to spend more money on military defense than on programs of social uplift is approaching spiritual doom.

Almost always, the creative dedicated minority has made the world better.

An individual has not started living until he can rise above the narrow confines of his individualistic concerns to the broader concerns of all humanity.

At the center of non-violence stands the principle of love.

Change does not roll in on the wheels of inevitability, but comes through continuous struggle. And so we must straighten our backs and work for our freedom. A man can’t ride you unless your back is bent.

Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.

Every man must decide whether he will walk in the light of creative altruism or in the darkness of destructive selfishness.

Faith is taking the first step even when you don’t see the whole staircase.

Freedom is never voluntarily given by the oppressor; it must be demanded by the oppressed.

He who passively accepts evil is as much involved in it as he who helps to perpetrate it. He who accepts evil without protesting against it is really cooperating with it.

History will have to record that the greatest tragedy of this period of social transition was not the strident clamor of the bad people, but the appalling silence of the good people.

Human progress is neither automatic nor inevitable… Every step toward the goal of justice requires sacrifice, suffering, and struggle; the tireless exertions and passionate concern of dedicated individuals.

I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character.

I just want to do God’s will. And he’s allowed me to go to the mountain. And I’ve looked over, and I’ve seen the promised land! I may not get there with you, but I want you to know tonight that we as a people will get to the promised land.

It may be true that the law cannot make a man love me, but it can keep him from lynching me, and I think that’s pretty important.

Nonviolence means avoiding not only external physical violence but also internal violence of spirit. You not only refuse to shoot a man, but you refuse to hate him.

Nothing in all the world is more dangerous than sincere ignorance and conscientious stupidity.

Philanthropy is commendable, but it must not cause the philanthropist to overlook the circumstances of economic injustice which make philanthropy necessary.

That old law about ‘an eye for an eye’ leaves everybody blind. The time is always right to do the right thing.

The Negro needs the white man to free him from his fears. The white man needs the Negro to free him from his guilt.

Wars are poor chisels for carving out peaceful tomorrows.

We have guided missiles and misguided men.

When you are right you cannot be too radical; when you are wrong, you cannot be too conservative.

Sources for Notes: Artist’s websites noted above and wikipedia.org

WMM Playlist from November 7, 2012

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 7, 2012

Marion Merritt’s Musical Discoveries
+ Michelle Bacon and The Deli Music Showcase

Marion Merritt joins us on a semi regular basis to share information from her musically-encyclopedic-brain. Marion Merritt is the co-creator of the blog: a2-m3.com providing information about: Music, Film, Art, Books, Television, Technology, with links, downloads, and articles keeping us current with the latest musical and film news.

1. Dimitri From Paris – “Prologue, Sacreblu”

2. Terry Callier – “You Goin’ To Miss Your Candyman”
from: What Color Is Love / Verve / 2010

3. Terry Callier – “Dancing Girl”
from: What Color Is Love / Verve / 2010

4. Daedelus – “Endless Sun”
from: Scion A/V Presents Daedelus Looking Ocean / Scion A/V / 2012

5. Daedelus – “Flying Sail”
from: Scion A/V Presents Daedelus Looking Ocean / Scion A/V / 2012

10:33 – Underwriting

10:34

6. Johnny Thunder – “I’m Alive”
from: 7″ Johnny Thunder / Calla Records / 1968

7. Crystal Syphon – “Fuzzy and Jose”
from: Family Evil / Roaratorio Records / 2012

10:48

8. Lee Fields and The Expressions – “Wish You Were Here”
from: Faithful Man / Truth & Soul / 2012

9. Sharon Jones & The Dap Kings – “Stranded In Your Love (Feat. Lee Fields)”
from: Naturally / Daptone Records / 2005

10:57 – Station I.D.

10. Moon Duo – “Sleepwalker”
from: Circles / Sacred Bones / 2012

11. Moon Duo – “I Can See”
from: Circles / Sacred Bones / 2012

12. MeShell Ndegeocello – “Please Don’t Let Me Be Misunderstood”
from: Pour une ame sourveraine-A Dedication To Nina Simone / Naive / 2012

13. MeShell Ndegeocello w/ Liz Wright- “Nobody’s Fault But Mine”
from: Pour une ame sourveraine-A Dedication To Nina Simone / Naive / 2012

11:12 – Underwriting

11:13

14. Dolls On Fire – “GFY (300 Hands)”
from: Ladies and Gentleman…Dolls On Fire / Independent / November 10, 2012
[Second Single]

[Dolls on Fire play a CD release party for their debut LP “Ladies and Gentlemen…”at The Brick Sat, November 10, at 10:00 pm, with The Hillary Watts Riot and The Quivers]

11:15 – Interview with Michelle Bacon

“GFY (300 Hands)” is the second single from Dolls On Fire who will be in concert for a CD release party, for their debut LP: “Ladies and Gentlemen…”at The Brick, this Saturday, November 10, at 10:00 pm, with The Hillary Watts Riot and The Quivers. Dolls on Fire is one of the bands of our next guest…

Michelle Bacon, is editor-in-chief of The Deli – Kansas City. She also reviews music for Ink. She plays with Deco Auto, Drew Black and Dirty Electric, and Dolls on Fire. Her grandpa has a street in Malaysia named after him. Michelle joins us to discuss many things including: The Deli KC’s First Music Showcase, Friday, November 9, at the recordBar, 1020 Westport Rd. with performances from: Tiny Horse, The Wooden Sky (from Toronto), and Spirit Is The Spirit.

Dolls on Fire include: Zach Hodson – vocals, guitar, Moog (also in Drew Black & Dirty Electric), Rachel Jaggard – vocals, Mark Johnson – bass/drums (also mixed/mastered the album), and Michelle Bacon – bass/drums.

Debut LP: “Ladies and Gentlemen… CD Release Show, Saturday, November 10, at The Brick at 10:00 pm with The Hillary Watts Riot and The Quivers.

Another band Michelle plays with is: Deco Auto, we’ve featuring several tracks from, Past Mistakes and Hauntings, the band’s 2012 EP release. Deco Auto include: Steven Garcia – guitar, vocals; Tracy Flowers – bass, vocals; and Michelle Bacon – drums.

Michelle is Editor-in-chief of The Deli – Kansas City.

For more information http://kansascity.thedelimagazine.com

The Deli KC’s First Music Showcase, Friday, November 9, at the recordBar, 1020 Westport Rd. Doors open at 9:00 PM and music begins at 10:00 PM with performances from: Tiny Horse, The Wooden Sky (from Toronto), and Spirit Is The Spirit.

November 9 is also Michelle’s Birthday!

Michelle also reviews music for Ink.

Michelle is also doing an acoustic showcase at Julian with: Amy Farrand, David Burchfield and the Great Stop, Hidden Pictures, and Dead Girls.

Michelle’s grandpa has a street in Malaysia named after him.

Michelle also plays with Drew Black and Dirty Electric. You shared with us a track from Drew’s solo album before he formed Dirty Electric. The band plays this song live. Drew Black and Dirty Electric are going to be recording at the end of this month with Duane Trower at Weights & Measures. The track is called “Saint Andrew.”

The Deli KC’s First Music Showcase, Friday, November 9, at the recordBar, 1020 Westport Rd. Doors open at 9:00 PM and music begins at 10:00 PM with performances from: Tiny Horse, The Wooden Sky (from Toronto), and Spirit Is The Spirit.

Michelle’s band, Dolls On Fire, will be in concert for a CD release party, for their debut LP: “Ladies and Gentlemen…”at The Brick, this Saturday, November 10, at 10:00 pm, with The Hillary Watts Riot and The Quivers.

11:33

15. Drew Black and Dirty Electric – “Saint Andrew”
from: Wanderlust / Independent / 2012

11:36

16. Family Band – “Moonbeams”
from: Grace and Lies / No Quarter / 2012

17. Tamaryn – “Violet’s In A Pool”
from: Tender New Signs / Mexican / 2012

11:47

18. Django Django – “Hail Bop”
from: Django Django / Because Music / 2012

19. Django Django – “Hail Bop (Jealov Remix)”
from: Hail Bop EP / Because Music / 2009

20. Melody’s Echo Chamber – “Crystallized”
from: Melody’s Echo Chamber / Fat Possum / 2012

21. Alfonso Lovo – “Firebird Features”
from: La Gigantona / Numero Group / 2012

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Wednesday MidDay Medley in on the web:
WednesdayMidDayMedley.org
facebook.com/WednesdayMidDayMedleyon90.1FM and
kkfi.org

Show #446

WMM Playlist from January 11, 2012

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Playlist from: Wednesday, January 11, 2012

Remembering MLK

Dr. Martin Luther King Jr. delivering his "I Have A Dream" speech.

Dr. Martin Luther King, Jr. Born Jan. 15, 1929, he died April 4, 1968. MLK led the 1955 Montgomery Bus Boycott and helped found the Southern Christian Leadership Conference in 1957, serving as its first president. King’s efforts led to the 1963 March on Washington, where King delivered his “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination through civil disobedience and other non-violent means.

By the time of his death in 1968, he had refocused his efforts on ending poverty and opposing the Vietnam War, both from a religious perspective. King was assassinated on April 4, 1968, in Memphis, Tenn. After his death he was awarded the Presidential Medal of Freedom in 1977 and Congressional Gold Medal in 2004; Martin Luther King, Jr. Day was established as a U.S. national holiday in 198I.

1. Soweto Gospel Choir – “Pride (In The Name of Love)”
from: In the Name of Love – Africa Celebrates U2 / Shout! Factory Records / 2008

2. Labelle – “Something in The Air / The Revolution Will Not Be Televised”
from: Something Silver / Warner Archives / 1997
[originally released on: “Pressure Cookin'” from 1973. The 3rd album from the funk/soul trio of: Patti LaBelle, Nona Hendryx and Sarah Dash who each shared a rap on “The Revolution Will Not Be Televised” a poem and song by Gil Scott-Heron. It was the B-side to Scott-Heron’s first single, “Home Is Where the Hatred Is”, from his album Pieces of a Man (1971). “Something in the Air” is a song orig. recorded by Thunderclap Newman, a band created by Pete Townshend for The Who’s former roadie John ‘Speedy’ Keen who wrote and sang the song. It was a UK #1 single for three weeks in July 1969.]

10:15 – Soul Brother…

3. Curtis Mayfield – “Beautiful Brother of Mine”
from: Roots / Curtom-Buddah / 1971

4. Maceo & The Macks – “Soul Power ’74”
from: James Brown’s Funky People, Pt. 2 / People Records / 1988
[a showcase for the tightest horn section in history, over an instrumental version of “Soul Power”. Not only is this particular record sampled more than hors douvres in a supermarket aisle, it contains samples itself in the form of tape overlays of civil rights rallies, a Dr. King speech, and an announcement of King’s assassination. Maceo Parker has played saxophone with James Brown, Parliment, Funkadelic, Bootsy Collins, Bernie Worrell and Prince.]

5. Sweet Honey in The Rock, Aaron Neville, Lamar Campbell, & Spirit of Praise
– “Ella’s Song”
from: Soundtrack to Boycott / HBO / 2001
[Boycott is the critically acclaimed 2001 HBO film staring Jeffrey Wright as Dr. Martin Luther King, Jr., Terrence Howard as Ralph Abernathy, and CCH Pounder as Jo Ann Robinson.]

10:30 – King’s Life, Death, and Spirit…

6. Darwin Hobbs & Karen Clark-Sheard – “King”
from: Soundtrack to Boycott / HBO / 2001

7. Mahalia Jackson – “Take My Hand Precious Lord”
from: Something to Believe In / Hear / 2002
[She sang this song at MLK Funeral]

8.Tramaine Hawkins, Ella Mitchell, Billy Porter & Chorus-“Rocka My Soul”
from: Alvin Ailey American Dance Theatre “Revelations” / V2 / 1998

10:45 – Freedom…

9. Nina Simone -“I Wish I Knew How It Would Feel To Be Free”
from: Silk and Soul / RCA / 1967

10. Solomon Burke – “None Of Us Are Free”
from: Don’t Give Up On Me / Fat Possum / 2002
[Back up singers: The Blind Boys of Alabama]

11. Nina Simone – “I Shall Be Released”
from: To Love Somebody / RCA / 1967

11:00 – The Staple Singers…

12. The Staple Singers – “When Will We Be Paid”
from: Single / Stax (Fantasy / Ace) / 1967

13. Mavis Staples – “Down in Mississippi”
from: Live – Hope At The Hideout / Anti / 2008
[Rock & Roll Hall of Fame inductee Mavis Staples, of The Staple Singers, is a celebrated equal rights activist. She’s performed at inaugural parties for Presidents Kennedy, Carter and Clinton, Recorded in June, 2008, in the run up to the Presidential election of Barrack Obama. Recorded live in the intimate bar The Hideout, in her hometown of Chicago. The record is filled with freedom songs. Mavis Staples, who marched and sang and protested alongside Dr. Martin Luther King during the Civil Rights movement of the 1960s, saw her sense of hope validated on Nov. 4th, 2008 when Barrack Obama was elected President.]

14. Pops Staples – “You Gotta Serve Somebody”
from: e-town live volume 3 / e-town /
[orig. written by Bob Dylan. Rec. Sept. 16, 1994, Live in Boulder] [Roebuck “Pops” Staples was born on a cotton plantation near Winona, Mississippi, on December 28, 1914, the youngest of 14 children. When growing up he heard, and began to play with, local blues guitarists such as Charlie Patton, who lived on the nearby Dockery Plantation, Robert Johnson, and Son House. He dropped out of school after the eighth grade, and sang with a gospel group before marrying and moving to Chicago in 1935. A “pivotal figure in gospel in the 1960s and 70s,” and an accomplished songwriter, guitarist and singer. Patriarch of The Staple Singers, which included his son Pervis and daughters Mavis, Yvonne, and Cleotha.]

11:15 – Gospel & Folk Music Carried the Message…

15. Thelonius Monk Septet – “Abide With Me”
from: Monk’s Music / Riverside / 1957
[written by William Henry Monk, an organist, church musician, and music editor, born March 16, 1823 and died March 18, 1889. He composed a fair number of popular hymns, including one of the most famous from nineteenth century England, “Eventide,” used for the hymn “Abide with Me.” He also wrote a number of anthems.]

16. Pete Seeger – “We Shall Overcome”
from: The Essential Pete Seeger / Columbia – Legacy / 2004
[derived from a gospel song by Reverend Charles Tindley called “We Will Overcome” written in 1901. Adapted and made famous by Pete Seeger, Joan Baez, and others the song became central to the civil rights movement of the 1950 and 1960s and eventually used all around the world. Dr. Martin Luther King, Jr. made use of “we shall overcome” in the final Sunday March 31, 1968 speech before his assassination.]

17. Sarah Lee Guthrie & Johnny Irion – “Dr. King”
from: exploration / New West / 2005 [written by Pete Seeger]

18. Sharon Jones & The Dap-Kings – “This Land is Your Land”
from: Naturally / Daptone / 2005
[written by Woody Guthrie, Sarah Lee’s Grandfather.]

11:30 – Singer Songwriters…

19. Kris Kristofferson – “They Killed Him”
from: Kris Kristofferson: “Singer / Songwriter” / Sony / 1991

20. Robert Coleman Trussell – “Days of Jubilee”
from: Juice and Jive / Goodnight-Loving / 2008

21. Laura Love – “Hard Times”
from: You Aint Got No Easter Clothes / Koch / 2004

11:45 – Brothers…

22. Isley Brothers – “Brother, Brother, Brother”
from: Brotherhood / Hear Music / 2006

23. The Holmes Brothers – “Promised Land”
from: Promised Land / Rounder / 1997

24. The Chambers Brothers – “People Get Ready”
from: The Time Has Come / Columbia / 1967
[written by Curtis Mayfield]

11:59:30

27. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
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Quotes from Dr. Martin Luther King Jr.:

A lie cannot live.

A man who won’t die for something is not fit to live.

A nation that continues year after year to spend more money on military defense than on programs of social uplift is approaching spiritual doom.

Almost always, the creative dedicated minority has made the world better.

An individual has not started living until he can rise above the narrow confines of his individualistic concerns to the broader concerns of all humanity.

At the center of non-violence stands the principle of love.

Change does not roll in on the wheels of inevitability, but comes through continuous struggle. And so we must straighten our backs and work for our freedom. A man can’t ride you unless your back is bent.

Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that.

Every man must decide whether he will walk in the light of creative altruism or in the darkness of destructive selfishness.

Faith is taking the first step even when you don’t see the whole staircase.

Freedom is never voluntarily given by the oppressor; it must be demanded by the oppressed.

He who passively accepts evil is as much involved in it as he who helps to perpetrate it. He who accepts evil without protesting against it is really cooperating with it.

History will have to record that the greatest tragedy of this period of social transition was not the strident clamor of the bad people, but the appalling silence of the good people.

Human progress is neither automatic nor inevitable… Every step toward the goal of justice requires sacrifice, suffering, and struggle; the tireless exertions and passionate concern of dedicated individuals.

I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character.

I just want to do God’s will. And he’s allowed me to go to the mountain. And I’ve looked over, and I’ve seen the promised land! I may not get there with you, but I want you to know tonight that we as a people will get to the promised land.

It may be true that the law cannot make a man love me, but it can keep him from lynching me, and I think that’s pretty important.

Nonviolence means avoiding not only external physical violence but also internal violence of spirit. You not only refuse to shoot a man, but you refuse to hate him.

Nothing in all the world is more dangerous than sincere ignorance and conscientious stupidity.

Philanthropy is commendable, but it must not cause the philanthropist to overlook the circumstances of economic injustice which make philanthropy necessary.

That old law about ‘an eye for an eye’ leaves everybody blind. The time is always right to do the right thing.

The Negro needs the white man to free him from his fears. The white man needs the Negro to free him from his guilt.

Wars are poor chisels for carving out peaceful tomorrows.

We have guided missiles and misguided men.

When you are right you cannot be too radical; when you are wrong, you cannot be too conservative.

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Sources for Notes: Artist’s websites noted above and wikipedia.org

Show #403