WMM Playlist from January 10, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 10, 2018

“Remembering MLK”

Wednesday MidDay Medley celebrates the life of human rights icon, Dr. Martin Luther King, Jr., born Jan. 15, 1929.

MLK led the 1955 Montgomery Bus Boycott, was a cofounder of the Southern Christian Leadership Conference in 1957, and served as it’s first president. His efforts led to the 1963 March on Washington, where Dr. King delivered his, “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination thru civil disobedience and non-violent means.

By the time of his death in 1968, Dr. King had refocused his efforts on ending poverty and opposing the Vietnam War. King was assassinated, April 4, 1968, in Memphis, Tennessee.

Dr. Martin Luther King, Jr. was posthumously awarded the Presidential Medal of Freedom in 1977, and Congressional Gold Medal in 2004. Martin Luther King, Jr. Day was established as a U.S. national holiday in 198I. This year this national holiday falls on his actual birthday, Monday, January 15.

As Pete Seeger wrote: “Songs gave them the courage to believe they would not fail.” Today we feature music of & inspired by the civil rights movement.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Soweto Gospel Choir – “Pride (In The Name of Love)”
from: In the Name of Love – Africa Celebrates U2 / Shout! Factory Records / 2008
[Formed in Soweto, South Africa, by David Mulovhedzi & Beverly Bryer, two choir directors. The 30-member ensemble blends African gospel, Negro spirituals, reggae and American popular music. The group performed at the first of the 46664 concerts for Nelson Mandela and has toured internationally. Their albums Blessed and African Spirit won Grammy Awards for Best Traditional World Music Album in 2007 and 2008.]

3. International Noise Conspiracy / MLK Jr. – “The First Conspiracy / Let Freedom Ring”
from: Adbusters – Live Without Dead Time / Adbusters / 2003
[The (International) Noise Conspiracy (abbreviated T(I)NC) were a Swedish rock band formed in Sweden in the late months of 1998. The line-up consists of Dennis Lyxzén (vocals), Inge Johansson (bass), Lars Strömberg (guitar), and Ludwig Dahlberg (drums). The band is known for its punk and garage rock musical influences, and its impassioned left-wing political stance. Influenced by a quote from 1960’s folk singer Phil Ochs, according to lead singer Lyxzén, the band wanted to achieve an ideal blend of music and politics that was, “a cross between Elvis Presley and Che Guevara.”]

4. Labelle – “Something in The Air / The Revolution Will Not Be Televised”
from: Something Silver / Warner Archives / 1997 [orig. Pressure Cookin’ / 1973, 3rd album from the funk/soul trio of: Patti LaBelle, Nona Hendryx and Sarah Dash who each shared a rap on “The Revolution Will Not Be Televised” a poem and song by Gil Scott-Heron. It was the B-side to Scott-Heron’s first single, “Home Is Where the Hatred Is”, from his album Pieces of a Man (1971). “Something in the Air” is a song orig. recorded by Thunderclap Newman, a band created by Pete Townshend for The Who’s former roadie John ‘Speedy’ Keen who wrote and sang the song. It was a UK #1 single for three weeks in July 1969.]

10:14 – Soul Brother

MLK said, “The ultimate measure of a man is not where he stands in moments of comfort and convenience, but where he stands at times of challenge and controversy.”

MLK said, “We must learn to live together as brothers or perish together as fools.”

5. Curtis Mayfield – “Beautiful Brother of Mine”
from: Roots / Curtom-Buddah / October, 1971 [2nd solo release from Curtis Mayfield, born in Chicago, June 3, 1942. One of the most influential musicians behind soul & politically conscious African-American music. Mayfield started his musical career in a gospel choir. Moving to the North Side of Chicago he met Jerry Butler in 1956 at the age of 14, and joined vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for The Impressions, which displayed his more politically charged songwriting. After leaving The Impressions in 1970, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album, New World Order, in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995, and was a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a 2-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes, Dec 26, 1999, at 57.]

6. Maceo & The Macks – “Soul Power ’74”
from: James Brown’s Funky People, Pt. 2 / People Records / 1988
[This record is sampled more than crackers and chees at Costco, it contains samples itself in the form of tape overlays of civil rights rallies, a Dr. King speech, and an announcement of King’s assassination. Maceo Parker played saxophone with James Brown, Parliment, Funkadelic, Bootsy Collins, Bernie Worrell and Prince.]

7. Sweet Honey in The Rock, Aaron Neville, Lamar Campbell & Spirit of Praise -“Ella’s Song”
from: Soundtrack to Boycott / HBO / 2001 [Critically acclaimed 2001 film staring Jeffrey Wright as Dr. Martin Luther King, Jr., Terrence Howard as Ralph Abernathy, and CCH Pounder as Jo Ann Robinson.]

10:28 – Underwriting

10:30 – King’s Life, Death, and Spirit

MLK said, “He who passively accepts evil is as much involved in it as he who helps to perpetrate it. He who accepts evil without protesting against it is really cooperating with it.”

8. Common & John Legend – “Glory”
from: Selma (Music from the Motion Picture) / Paramount Pictures-Pathe / January 6, 2015
[Golden Globe winning song from the new motion picture Selma. Most of the millions of African Americans across the South had effectively been disenfranchised since the turn of the century by a series of discriminatory requirements and practices. Finding resistance by white officials to be intractable, even after passage of the Civil Rights Act of 1964. This led to the three Selma to Montgomery marches in 1965 where Dallas County Voters League (DCVL) were joined by organizers from the Student Nonviolent Coordinating Committeeand also invited Rev. Martin Luther King Jr. and activists of the Southern Christian Leadership Conference to join them. These marches were part of the Selma Voting Rights Campaign and led to the passage that year of the Voting Rights Act, a landmark federal achievement of the 1960s American Civil Rights Movement. The 54-mile highway from Selma to the Alabama state capital of Montgomery was a demonstration showing the desire of black American citizens to exercise their constitutional right to vote, in defiance of segregationist repression.]

9. Mahalia Jackson – “How I Got Over”
from: The Original Apollo Sessions / Couch & Madison Partners / May 25, 2013
[Gospel hymn composed & published in 1951 by Clara Ward (1924-1973). It was performed by Mahalia Jackson at the historic March on Washington for Jobs and Freedom in 1963 before 250,000 people. Mahalia Jackson (Oct. 26, 1911 – Jan. 27, 1972) was referred to as “The Queen of Gospel”. She became one of the most influential gospel singers in the world, heralded internationally as a singer and civil rights activist. She was described by entertainer Harry Belafonte as “the single most powerful black woman in the United States”. She recorded about 30 albums (mostly for Columbia Records) during her career, and her 45 rpm records included a dozen “golds”—million-sellers. “I sing God’s music because it makes me feel free,” Jackson once said about her choice of gospel, adding, “It gives me hope. With the blues, when you finish, you still have the blues.”]

10. Martin Luther King Jr. – “MLK – I Have A Dream 1963 (excerpt)”
from: Inspirational Speeches, Vo. 3 / Orange Leisure / May 16, 2011 [American civil rights leader/activist and Baptist minister, born Jan. 15, 1929 in Atlanta, Georgia. King’s speeches have been issued on numerous releases – his most well-known and influential address being “I Have a Dream”, which was held during “The March on Washington” in 1963. King was assassinated on April 4, 1968 in Memphis, Tennessee.]

11. Marian Anderson – “He’s Got the Whole World in His Hands”
from: He’s Got the Whole World in His Hands / BMG / Orig. 1961 [Reissued 1991]
[Marian Anderson (Feb 27, 1897 – Apr. 8, 1993) was one of the most celebrated singers of the 20th century. In 1939, the (DAR) refused to let Anderson sing in Constitution Hall. With the aid of First Lady Eleanor Roosevelt and Franklin D. Roosevelt, Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the steps of the Lincoln Memorial in Washington, D.C. before a crowd of more than 75,000 people and a radio audience in the millions. Anderson became the first black person, to perform at the Metropolitan Opera in NYC on Jan. 7, 1955. Anderson worked as a delegate to the UN Human Rights Committee and “goodwill ambassadress” for the U.S. Dept. of State, giving concerts all over the world. She participated in the civil rights movement in the 1960s, singing at the March on Washington for Jobs and Freedom in 1963. Anderson was awarded the Presidential Medal of Freedom in 1963, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.]

12. Tramaine Hawkins, Ella Mitchell, Billy Porter & Chorus -“Rocka My Soul”
from: Alvin Ailey American Dance Theatre “Revelations” / V2 / 1998
[Revelations is the signature choreographic work of Alvin Ailey American Dance Theater. It was first produced by Alvin Ailey Dance Theater in New York City, New York on January 31, 1960. Revelations tells the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals and blues music. It’s been performed in over 70 countries in the half century since then and has been described as “the most widely seen modern dance work in the world.” The finale song of the three part “Revelations” is “Rocka My Soul In The Bosom Of Abraham” and it has been described by writer Juliana Lewis-Ferguson as a, “spiritually powerful conclusion to the suite and a purely physical release of emotion.”]

10:47 – Freedom

MLK said, “Human progress is neither automatic nor inevitable… Every step toward the goal of justice requires sacrifice, suffering, and struggle; the tireless exertions and passionate concern of dedicated individuals.”

13. Nina Simone -“I Wish I Knew How It Would Feel To Be Free”
from: Silk and Soul / RCA / 1967
[Born Eunice Kathleen Waymon on February 21, 1933. She died on April 21, 2003. Nina Simone was a singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Simone aspired to be a concert pianist. With the help of the few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in NYC. Simone recorded more than 40 albums. “I Wish I Knew How It Would Feel to Be Free” is a gospel/jazz song written by Billy Taylor & “Dick Dallas.”]

14. Solomon Burke – “None Of Us Are Free”
from: Don’t Give Up On Me / Fat Possum / 2002
[Back up singers: The Blind Boys of Alabama. Born James Solomon McDonald, March 21, 1940, Solomon Burke died October 10, 2010. He was an American preacher & singer, who shaped the sound of rhythm & blues as one of the founding fathers of soul music in the 1960s and a “key transitional figure in the development of soul music from rhythm & blues. During the 55 years that he performed professionally, Burke released 38 studio albums on at least 17 record labels and had 35 singles that charted in the US, including 26 singles that made the Billboard R&B charts. In 2001, Burke was inducted into the Rock & Roll Hall of Fame as a performer. His album Don’t Give Up on Me won the Grammy Award for Best Contemporary Blues Album at the 45th Grammy Awards in 2003. By 2005 Burke was credited with selling 17 million albums.]

15. Nina Simone – “I Shall Be Released”
from: To Love Somebody / RCA / 1967
[1 of 3 Bob Dylan songs Nina Simone performed for this album. Written by Dylan in 1967. The Band recorded the first officially-released version of the song for their 1968 debut album, Music from Big Pink, with Richard Manuel singing lead vocals, and Rick Danko & Levon Helm harmonizing in the chorus. The song was also performed near the end of the Band’s 1976 farewell concert, The Last Waltz, in which all the night’s performers (except of Muddy Waters) plus Ringo Starr and Ronnie Wood appeared on the same stage.]

11:02 – Station I.D.

11:02 – The Staple Singers & Bobby Watson and “Unpaid Bills”

MLK said, “In our glorious fight for civil rights, we must guard against being fooled by false slogans, as ‘right-to-work.’ It provides no ‘rights’ and no ‘works.’ Its purpose is to destroy labor unions and the freedom of collective bargaining… We demand this fraud be stopped.”

16. Pops Staples – “You Gotta Serve Somebody”
from: e-town live volume 3 / e-town / December 18, 2002
[Recorded Sept. 16, 1994, Live in Boulder]
[Originally written by Bob Dylan. Roebuck “Pops” Staples was born on a cotton plantation near Winona, Mississippi, on Dec. 28, 1914, the youngest of 14 children. When growing up he heard, and began to play with, local blues guitarists such as Charlie Patton, who lived on the nearby Dockery Plantation, Robert Johnson, and Son House. He dropped out of school after the eighth grade, and sang with a gospel group before marrying and moving to Chicago in 1935. A “pivotal figure in gospel in the 1960s and 70s,” and an accomplished songwriter, guitarist and singer. Patriarch of The Staple Singers, which included his son Pervis and daughters Mavis, Yvonne, and Cleotha.]

17. Mavis Staples – “Down in Mississippi”
from: Live – Hope At The Hideout / Anti / 2008 [Rock & Roll Hall of Fame inductee Mavis Staples, of The Staple Singers, is a celebrated equal rights activist. She’s performed at inaugural parties for Presidents Kennedy, Carter and Clinton, Recorded in June, 2008, in the run up to the Presidential election of Barrack Obama. Recorded live in the intimate bar The Hideout, in her hometown of Chicago. Mavis Staples, marched, sang & protested alongside Dr. Martin Luther King during the Civil Rights movement of the 1960s.]

18. The Staple Singers – “When Will We Be Paid”
from: Single / Stax (Fantasy / Ace) / 1967

19. Bobby Watson & The I Have a Dream Project–”Check Cashing Day” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / Digital – Aug. 28, 2013 / Physical – Nov. 12, 2013
[From wikipedia.org: “Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas.]

11:21 – Bands of Brothers

MLK said, “Change does not roll in on the wheels of inevitability, but comes through continuous struggle. And so we must straighten our backs and work for our freedom. A man can’t ride you unless your back is bent.”

20. Isley Brothers – “Brother, Brother, Brother”
from: Brotherhood / Hear Music / 2006

23. The Holmes Brothers – “Promised Land”
from: Promised Land / Rounder / 1997

24. The Chambers Brothers – “People Get Ready”
from: The Time Has Come / Columbia / 1967 [written by Curtis Mayfield]

11:33 – Underwriting

11:35 – Music tells the Story

MLK said, “History will have to record that the greatest tragedy of this period of social transition was not the strident clamor of the bad people, but the appalling silence of the good people.”

15. Thelonius Monk Septet – “Abide With Me”
from: Monk’s Music / Riverside / 1957 [written by William Henry Monk, an organist, church musician, and music editor, born March 16, 1823 and died March 18, 1889. He composed a fair number of popular hymns, including one of the most famous from nineteenth century England, “Eventide,” used for the hymn “Abide with Me.” He also wrote a number of anthems.]

22. The Swan Silvertones – “Oh Mary, Don’t You Weep”
from: Platinum Gospel: The Swan Silvertones / Sonorous Entertainment / 2012 (1959)
[“Mary Don’t You Weep” (alternately titled “O Mary Don’t You Weep”, “Oh Mary, Don’t You Weep, Don’t You Mourn”, or variations thereof) is a Negro spiritual that originates from before the American Civil War – thus it is what scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming Pharaoh’s army got drown-ded!, and to God’s rainbow covenant to Noah after the Great Flood. With liberation thus one of its themes, the song again become popular during the Civil Rights Movement. Additionally, a song that explicitly chronicles the victories of the Civil Rights Movement, “If You Miss Me from the Back of the Bus”, written by Charles Neblett of The Freedom Singers, was sung to this tune and became one of the most well-known songs of that movement. In 2015 it was announced that The Swan Silvertones’s version of the song will be inducted into the Library of Congress’s National Recording Registry for the song’s “cultural, artistic and/or historical significance to American society and the nation’s audio legacy”. The first recording of the song was by the Fisk Jubilee Singers in 1915. The best known recordings were made by the vocal gospel group The Caravans in 1958, with Inez Andrews as the lead singer, and The Swan Silvertones in 1959. “Mary Don’t You Weep” became The Swan Silvertones’ greatest hit, and lead singer Claude Jeter’s interpolation “I’ll be a bridge over deep water if you trust in my name” served as Paul Simon’s inspiration to write his 1970 song “Bridge over Troubled Water”.The spiritual’s lyric God gave Noah the rainbow sign, no more water the fire next time inspired the title for The Fire Next Time, James Baldwin’s 1963 account of race relations in America.]

30. Krystle Warren – “Red Clay”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[With this song Krystle Warren tells the story of the Tulsa Race Riots of 1921 in which hundreds of African Americans were murdered, and their community was fire bombed, and burned to the ground, from the sky, by the Ku Klux Klan. Thousands of victims were also jailed and imprisoned. Three The Hard Way was produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.] [Krystle Warren was on WMM on September 20. We played her music on 12 different shows.]

11:45 – Gospel & Folk Music Carried the Message

We go out with a special set of music starting with the late Pete Seeger singing a song he adapted and made famous, followed by Sarah Lee Guthrie & Johnny Irion, the granddaughter of Woody Guthrie singing a Pete Seeger song called “Dr. King,” and ending with a song written by Woody Guthrie performed by Sharon Jones and The Dap Kings

MLK said, “It may be true that the law cannot make a man love me, but it can keep him from lynching me, and I think that’s pretty important.”

21. Pete Seeger – “We Shall Overcome”
from: The Essential Pete Seeger / Columbia – Legacy / 2004
[Derived from a gospel song by Reverend Charles Tindley called “We Will Overcome” written in 1901. Adapted and made famous by Pete Seeger, Joan Baez, and others the song became central to the civil rights movement of the 1950 and 1960s and eventually used all around the world. Dr. Martin Luther King, Jr. made use of “we shall overcome” in the final Sunday March 31, 1968 speech before his assassination.]

22. Sarah Lee Guthrie & Johnny Irion – “Dr. King”
from: exploration / New West / 2005 [written by Pete Seeger]

23. Sharon Jones & The Dap-Kings – “This Land is Your Land”
from: Naturally / Daptone / 2005
[written by Woody Guthrie, Sarah Lee’s Grandfather.]
[In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, the released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, , for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007) and I Learned the Hard Way (2010). They are seen by many as the spearhead of a revival of soul and funk.]

24. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next Week on Wednesday, January 17, Brodie Rush and Ben Ruth join us to share music from their latest Be/Non release, FREEDOM PALACE, recorded 12 years ago in the summer of 2006, but never pressed or released due to a record label disagreement. It is now being released through Haymaker Records. In our second hour we’ll talk with Kansas City based artist Ryan Wilkes about Here Where You Wish, an immersive public installation coming to the Kansas City Public Library, Central Library location at 14 W. 10th St. on April 6, 2018. Ryan Wilks is constructing a large public altar in the Central Library with a transformative temple-like labyrinth entry way that encourages the public to consciously and methodically enter. The elaborate and flowing entrance is meticulously crafted by renowned artist Ari Fish. Tim J Harte is composing ritual based sounds/music to softly play through the installation. The altar itself will be 40 square feet and constructed by Sean Prudden and Ryan Wilks, and will beautifully house the objects that people leave behind. To support this project through Ryan’s KickStarter Campaign you can visit: https://www.kickstarter.com/projects/1840510472/here-where-you-wish/description

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #716

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Wednesday MidDay Medley – “Remembering MLK”

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 10, 2018

“Remembering MLK”

Wednesday MidDay Medley celebrates Dr. Martin Luther King, Jr., born January 15, 1929. Dr. King led the 1955 Montgomery Bus Boycott and helped found the Southern Christian Leadership Conference in 1957, serving as its first president. King’s efforts led to the 1963 March on Washington, where King delivered his “I Have a Dream” speech. In 1964, King became the youngest person to receive the Nobel Peace Prize for his work to end racial segregation and racial discrimination through civil disobedience and other non-violent means. By the time of his death, Dr. King had refocused his efforts on ending poverty and opposing the Vietnam War, both from a religious perspective. Dr. King was assassinated on April 4, 1968, in Memphis, Tennessee. He was posthumously awarded the Presidential Medal of Freedom in 1977 and Congressional Gold Medal in 2004. Martin Luther King, Jr. Day was established as a U.S. national holiday in 198I.

Mark plays music of the movement from: Mavis Staples, Pops Staples, The Staple Singers, Krystle Warren, Bobby Watson & The I Have A Dream Project Featuring Glenn North, Sharon Jones & The Dap-Kings, Labelle, Common & John Legend, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, The Swan Silvertones, Thelonious Monk Septet, Sweet Honey in The Rock, The Holmes Brothers, The Chambers Brothers, The Isley Brothers, Aaron Neville, Soweto Gospel Choir, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, and Sarah Lee Guthrie & Johnny Irion.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #716

WMM Playlist from May 15, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 15, 2013

I’ll Take You There – Conversations with Mike Webber
+ Patrick Alonzo Conway & Gamelan Genta Kasturi
+ Spinning Tree Theatre’s “Hello Again”

1. Bloodbirds – “What Goes On”
from: Covers / Independent / July 30, 2012
[Originally recorded by Velvet Underground brought back to life by: KC based Psychedelic post-punk trio Mike Tuley, Brooke Tuley and Anna St. Louis. The band writes on their Bandcamp page that these are: “Various covers recorded at various times when we became frustrated with our own music during recording.”]

[Bloodbirds plays this year’s KC Psychfest, May 17 and 18, at FOKL, 556 Central Ave, Kansas City, Kansas, and Monta HQ in downtown Kansas City, Kansas. More info at: KCPSYCHFEST.COM.]

2. Monta At Odds – “in Six Measured Steps”
from: Midwestern Audio Vol. 1 / Midwest Music Foundation / September 23, 2012
[Monta At Odds’ main men, brothers Dedric & Delaney Moore, work with ambient textures, vintage keyboards in states of disrepair, guitars, melodic bass, and a variety of other found instruments that create their “technicolor sound.” Constructed to include diverse elements of detailed beats, quiet sparseness, Bollywood funk, Italian ‘60s cinema and outthere jazz. Now recording with Upstairs Recordings.]

[“Midwestern Audio Vol. 1” is a compilation assembled for Midwest Music Foundation by Brenton Cook and co-sponsored by Ink Magazine featuring over 40 bands. More information at MidwestMusicFound.org Brenton Cook will be at KC Psychfest with this new compilation.]

[Monta At Odds plays this year’s KC Psychfest, May 17 and18, at FOKL, 556 Central Ave, Kansas City, Kansas, and Monta HQ in downtown Kansas City, Kansas. More info at: KCPSYCHFEST.COM.]

3. Gamelan Genta Kasturi – “Angels and Demons At Play”
from: Angels and Demons At Play / Independent / February 27,2011
[“Angels & Demons at Play” was originally produced, Feb. 25, 26 and 27, 2011, at La Esquina (an Urban Culture Project venue) 1000 West 25th Street, KCMO. The work included original compositions written by Patrick Alonzo Conway for the Gamelan Orchestra, performed by Gamelan Genta Kasturi. The performance included Dwight Frizzell (clarinet & altoclarinet), & Shawn Hansen (piano, toy piano.) It also featured shadow puppets by Allan Winkler, original choreography, electronic visual media, original lighting design]

10:15– Interview with Patrick Alonzo Conway

KC’s community Balinese gamelan orchestra, Gamelan Genta Kasturi, is celebrating 10 Years, with a special concert, Sat May 18, 4:00 pm, in the Truman Forum of the Plaza Branch of the KC Public Library, 4801 Main St, showcasing material from 10 years.

Director Patrick Alonso Conway joined us to share information on this special concert from Gamelan Genta Kasturi.

“Angels and Demons at Play” was composed by Patrick Alonso Conway for Charlotte Street Foundation’s Urban Culture Project, in partnership with ArtSounds (a collaboration between the UMKC Conservatory of Music and Dance and the Kansas City Art Institute.)

Gamelan Genta Kasturi, is celebrating 10 Years, in a special Concert, Saturday May 18, 4:00 pm, in the Truman Forum of the Plaza Branch of the KC Public Library, 4801 Main St, KCMO, showcasing material from 10 years, including traditional Balinese and original compositions by founder I Ketút Gedé Asnawa and current director Patrick Alonzo Conway, with visual images by artist Jennifer Lynn Williams and shadow imagery by artist Nihan Yesil.

A gamelan is a traditional musical ensemble from Indonesia, typically from the islands of Java and Bali, featuring a variety of instruments such as metallophones, xylophones, kendang (drums) & gongs; bamboo flutes, bowed & plucked strings. Vocalists may also be included. For most Indonesians, gamelan music is an integral part of Indonesian culture.

The term refers more to the set of instruments than to the players of those instruments. A gamelan is a set of instruments, as a distinctentity, built and tuned to stay together – instruments from different gamelan are generally not interchangeable.

Bali is a province of Indonesia. The province covers a few small neighboring islands as well as the isle of Bali. The main island is located in the western most end of the Lesser Sunda Islands, lying between Javato the west and Lombok to the east. It is one of the country’s 34 provinces with the provincial capital at Denpasar towards the S. of the island.

Patrick Alonzo Conway went to Bali.

With a population recorded as 3,891,428 in the 2010 census, and currently 4.22 million, the island is home to most of Indonesia’s Hindu minority. In the 2000 census about 92.29% of Bali’s population adhered to Balinese Hinduism while most of the remainder, follow Islam. It is also the largest tourist destination in the country and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metal working, and music. A tourist haven for decades, Bali has seen a further surge in tourist numbers in recent years.

Kansas City’s community Balinese gamelan orchestra, Gamelan Genta Kasturi, is celebrating 10 Years, with a special concert, Saturday May 18, 4:00 pm, in the Truman Forum of the Plaza Branch of the KC Public Library, 4801 Main St, KCMO, showcasing material from 10 years, including traditional Balinese and original compositions by founder I Ketút Gedé Asnawa and current director Patrick Alonzo Conway, with visual images by artist Jennifer Lynn Williams and shadow imagery by artist Nihan Yesil. Info:gamelangentakasturi.org.

10:29 – Underwriting

4. David Evans, John Cameron Mitchell – “Listen to The Music”
from: Hello Again (Original Cast Recording) / BMG / June 28,1994

10:30 – Interview with Andy Parkhurst and Charles Fugate of Spinning Tree Theatre

Spinning Tree Theatre‘s is presenting the Kansas City premiere of “Hello Again,” an Obie-winning musical that first premiered off Broadway in 1993. Adapted from Arthur Schnitzler’s play “La Ronde,” written in 1903, which depicts a chain of relationships. The musical open last friday and show runs through May 26 at the Off Center Theatre on the third level of Crown Center. For more information: Call 816-842-9999 or go to spinningtreetheatre.com.

“Hello Again” Co-Director and Spinning Tree Theatre Managing Director, Andy Parkhurst and Kansas City based professional actor, Charles Fugate who plays the role of The Senator in Hello Again, joinedus on Wednesday MidDay Medley.

“Hello Again” is the 6th show of Spinning Tree Theatre. Andy founded this new professional theatre company with partner Michael Grayson and have produced several shows and musicals that have made their Kansas City debuts. Andy talked about what moved the company to produce “Hello Again” here in Kansas City.

Produced 20 years ago, this show featured John Cameron Mitchell who later went on to create a little show called “Hedwig and the Angry Inch” and “Short Bus,” along with Broadway queen, Donna Murphey, and Malcolm Gets.

“Hello Again” is billed as an “Adult Musical”

Charles most recently performed in Spinning Tree Theatre’s Kansas City Premiere of “Shipwrecked! last February. Charles has worked at almost every theatre in Kansas City. Charles talked about his experience with Spinning Tree Threatre.

Charles Fugate plays the role of The Senator. The characters in the show all have names like: the Young Thing, the soldier, the whore

The Spinning Tree production features: Lena Andrews, Jerry Jay Cranford, Jacob Aaron Cullum, Tyler Eisenreich, Steven Eubank, Shelby Floyd, Charles Fugate, Seth Jones, Julie Shaw and Stefanie Wienecke.

Playwright Michael John LaChiusa is coming to Kansas City, May 24

Spinning Tree Theatre’s “Hello Again,” runs through May 26at the Off Center Theatre on the third level of Crown Center. For info: Call 816-842-9999 or go to spinningtreetheatre.com

10:45 – “I’ll Take You There – Conversations with Mike Webber”

5. The Staple Singers – “I’ll Take You There”
from: The Best of The Staple Singers / Stax / 1972
[featuring: The Memphis Horns]

10:50

Mike Webber is an encyclopedic musical jukebox, a music lover, you met at that record store, that helped you find that special song, that you could only hum a few bars for him to hear. His faith in music and truth guided him as he grew up in KC, spent childhood Summers in the Mississippi Delta, “came of age” working in area record stores, of the 70s and 80s, including: Caper’s Corner Records & Tapes at 47th & Mission, PennyLane, and Music Exchange. Mike went to college at KU and TulaneUniversity. He has chronicled and sometimes photographed many musical greats. Mike got married, raised a family, served time in Iraq, and has continued lifelong friendships with many local and national musicians. Mike and his wife Marta are moving to Austin, Texas in June.

Mike Webber grew up in KC but talked about his summer childhood experiences in the Mississippi Delta (Cleveland) as part of the Memphis media market listening to WHBQ in Memphis. In the late 1960’s to early 1970’s, the radio informed his musical tastes, but also influenced social/political outlook. Mixed in with some great childhood memories were many moments that made us wince even then.

Mike returned to live in Mississippi (Jackson) again in the early 90’s and had the chance to see BB King, the Staple Singers & others perform hometown gigs.

Mike Webber told us the story about photographing Pops Staples in Drew, MS and giving the photograph to Mavis Staples at the Kaufman Center last year.

10:55

“P.S. I Love You” – The Beatles – The Big Bang!

Mike Webber was born in March 1964, one month after the Beatles arrived in America. He discovered that the first albums in the house that weren’t children’s records were his brother’s copies of “Meet The Beatles” and “The Early Beatles.” The first record he ever asked for was the 45″ of “Hey Jude” when he was 4. Mike started asking for nothing but Beatles records for every birthday and Christmas. He had a check-list provided by Capitol Records, which is how he learned of things like non-LP B-sides. While he thought he had all of the Beatles records “inexistence,” he discovered bootlegs at a flea market in Memphis and then imports at Capers Corner! He realized that he’ll never have EVERYTHING. Everybody who knew Mike, his family, teachers & classmates – identified him with his fanaticism for The Beatles. All these years later, they still do.

10:58

6. The Beatles –”P.S. I Love You”
from: Please, Please, Me / Parlaphone – Capitol / March 22, 1963
[In February 1963, the Beatles recorded 10 songs during asingle marathon studio session for their debut LP, Please Please Me. The album was supplemented by the 4 tracks already released on their first 2 singles. Parlophone rush-released the album in the United Kingdom to capitalize on thesuccess of singles “Please, Please, Me” and “Love Me Do.” Of the album’s 14 songs, 8 were written by Lennon–McCartney.]

11:00 – Station Identification

“I’ll Take You There – Conversations with Mike Webber”

Mike talked about a story specific to “PS I Love You”, related to a skating rink in Mission, where a 10-year old Mike Webber decided to himself that if the skate parlor deejay played a good song, he would ask a girl to skate with him. The Deejay then played the Beatles,”P.S. I Love You,” Mike took the sign and headed toward the young lady to propose, but he slipped and took a header on the concrete bench.

Capers Corner provided a spontaneous meeting place for grieving Elvis & John Lennon fans who needed some kind of communal feeling and didn’t know where to go but knew they wouldn’t be judged in a place like that.

11:03

“Go Now” from Wings, but sung by Denny Laine, formerly of the Moody Blues, on Wings Over America, the live recording of Wings 1976 concert. This concert is still Mike’s all-time favorite live music event and certainly among the most memorable in Kansas City concert history. McCartney & Wings played the Kemper Arena in 1976. Mike’s first and third concerts were Elvis Presley at Kemper Arena. He was so glad to have seen the King, but he was always first and foremost a Beatles fan, so seeing McCartney – the first Beatle in KC in 12 years at that point – was earth shaking. McCartney was riding a wave of success with “Silly Love Songs” and “Let ‘Em In” both in the charts and in those pre-internet days, we didn’t need “spoiler alerts”. McCartney hadn’t toured America as a solo act before, and in his earlier European tours he hadn’t played any of his Beatles era compositions, so when he played that familiar piano intro to “Lady Madonna”, Kemper shook. In a long set-list full of solo and Wings hits, he only played four Beatles songs total but that was enough. Former Moody Blue Denny Laine was a member of Wings, so it was a huge bonus to also get to hear “Go Now” one of Mike’s favorite songs – live as well.

11:06

7. Wings – “Go Now”
from: Wings Over America / MPL Communications – Capitol / December 1976
[A song composed by Larry Banks and Milton Bennett. It was first recorded in 1964 by Bessie Banks, and then most successfully by The Moody Blues. Wings over America is a live album by the band Wings, in its initial release, it was a triple album and included a poster of the band, which peaked at number 1 in the US. The album was a collection of recordings gathered from Wings’ Wings Over America part of their world tour. A re-mastered recording, is set to be released, in May 2013. Denny Laine sang this song with The Moody Blues and also on tour as a member of Wings.]

11:10

That Wings show was atypical in that instead of the usual ticket outlets, the initial ticket sales were entirely at Kemper Arena. Mike’s brother & his friend Keith Copaken’s father, Paul Copaken, went to wait for tickets but the show sold out. They were crushed. Later, the Copakens were able to get “limited view” tickets behind the stage. Mike was already a customer at Capers Corner, barely 12 years old, but he used to spend all of his lunch money there, and they knew how badly he wanted to see Wings. A couple of weeks before the show, the guy who always helped Mike buy import EPs there (locked in an under bin) called Mike’s home to say he’d found a couple of great lower level tickets at face value. So Mike and his friend Keith wound up in Section 120, Lower Level and Corky Carrel became a lifelong friend with whom Mike is still in weekly contact.

Mike’s other memorable Kansas City concerts of the period:

1) Rolling Stones’ “Tattoo You” shows, in 1981, with the Mick Taylor appearance, which Mike and his friends had been told, might happen by Mick Taylor, himself, whose autograph they sought, at an Alvin Lee concert at the Uptown.

2) Elton John’s “Jump Up” show at Starlight Theater that was broadcast worldwide on Westwood One Radio Network.

3) The Kinks’ “Low Budget” shows at Memorial Hall- twice on the same tour’s beginning and end.

4) The Jacksons’ “Victory Tour” – which was really more memorable as Michael Jackson’s Thriller tour.

11:13

“Cynical Girl” – Marshall Crenshaw – While Mike was working at Capers, Marshall Crenshaw released what many still consider one of the best debut albums that anyone ever made in any genre. That song – and the album on which it appeared – still puts Mike’s head back in high school. Mike took some photos of Crenshaw playing the old Parody Hall a few years laterand last year when he played a solo show at Knuckleheads, Mike gave him copies. Crenshaw was genuinely moved by the images and appreciative of the set Mike gave him. Mike also had one that he’d taken with Crenshaw when he did an in-store at Capers Corner that had been so poorly attended that Mike had tocall his high school classmates and tell them to come in and act like fans.

11:14

8. Marshall Crenshaw – “Cynical Girl”
from: Marshall Crenshaw / Warner Brothers / April 28,1982
[Born in Detroit, November 11, 1953, singer, songwriter andguitarist best known for his song “Someday, Someway.” Crenshaw’s music has roots in classic soul music, British Invasion song craft, Burt Bacharach and Buddy Holly — the latter to whom Crenshaw was often compared inthe early days of his career, and whom he portrayed in the 1987 film La Bamba. Crenshaw is also a noted guitarist who uses off beat chord progressions (almost verging towards jazz) and concise solos.]

11:17

Capers Corner was the best job any kid could have had during that period in this town. Mike would go hang out at his job on his off-days. Reliable access to concert tickets improved his high school dating average. Bars would let them in without ID, albeit you could drink at 18 then, so Mike was only cheating by two years. Mike got jobs for a couple of his best friends from high school and was hanging out with the older guys who worked at Capers. Being over in Wyandotte County, you met a different group of people than over in Shawnee Mission East, so it just had everything going for it. When Mike gets nostalgic for those years, it’s really less about high school than about working at this really great record store where he got to hang out with his friends, meet touring artists, had the best possible influences for budding tastes in any genre of music, and then all the intangibles.

Mike Webber shared a few stories about the Kansas Bureau of Investigation undercover agents trying to bust the head shop inside Capers. Mike also talked about his high school counselor wanting Kenny Rogers tickets.

We didn’t have time to hear Mike’s stories of partying with the Grateful Dead and Tom Petty & The Heartbreakers.

11:19 – Underwriting

11:20 – “So Blue About You” – True Believers

Mike stopped working at Capers when he started college at KU and he wanted a job where he could work in Lawrence during the school year and in KC during the summers, so he started working at PennyLane. Mike worked for and with a lot of great characters: LeRoi, Saul Tucker, April Fletcher, and Mike Soden who now lives in Austin. Capers always held a unique place in Mike’s heart, but PennyLane was great and had so many different locations. It was never boring. Working in downtown Lawrence wasn’t much like working at the Broadway store. They had in-store appearances by bands like Camper VanBeethoven, but then Mike also learned that the first time David George ever played an in-store, it was our Broadway location.

While Mike was working at PennyLane on Broadway, He heard about this great band that was playing around the corner at the Lone Star. He had actually met one of the guys – Alejandro Escovedo – when he was in Rank & File but hell, he had barely been old enough to drive at that time. So by now, Mike was in college and after that poorly-attended show at the Lone Star, what seemed like all of the coolest people he knew from here, and the guys in True Believers, started this friendship that continues through to today. They’d come through town pretty regularly until about 1987 and Mike would get together with them every time. They had some incredibly memorable moments – not least being an occasion when they hung out with Martha Reeves, Mary Wells, David Ruffin & Eddie Kendricks of the Temptations – who happened to be staying at the same hotel. Like Marshall Crenshaw, True Believers seemed like a “can’t miss” act that somehow just couldn’t get over the hump at the time. Now, they’re playing together again in Austin and Mike is still in touch with them, so the last page on all this hasn’t been written yet.

11:27

9. True Believers – “So Blue About You”
from: Hard Road / Warner Bros /
[1980s Texas band led by Alejandro Escovedo & Jon DeeGraham.]

11:31

After PennyLane (and KU), Mike worked at Music Exchange for a year while not planning his next move. On a whim, Mike took the GMAT and did well enough that Tulane University in New Orleans offered him a full academic scholarship, so Mike moved to New Orleans and never again drew a paycheck from the music business, but remained an ardent music fan.

“Message to Michael” – Dionne Warwick – was co-written by Kansas City-born Burt Bacharach. Mike’s habit of championing all things Kansas City really was pronounced whenever he lived away from KC. At Tulane, Mike had a fellow student ask, “what in the hell is wrong with you?” that he was such a partisan of his hometown. Mike was born and mostly raised in KC and although he had left before and is now leaving again, Mike has never regretted having grown up here. Unfortunately, Kansas City happens to straddle two dysfunctional states, but the impression left by when and where Mike grew up is what caused his wife & he to move back to KC about 9 years ago to finish raising their kids. Oh yeah, the wife and kids …Tying back to that Dionne Warwick recording, the first line of that song is “spread your wings for New Orleans” and that’s really what Mike did.

11:33

10. Dionne Warwick – “Message to Michael”
from: The Dionne Warwick Collection: Her All-Time GreatestHits / Warner / 2005
[1966 “Top Ten” hit by Dionne Warwick, written by Burt Bacharach and Hal David. The song’s lyrics, are addressed to a bluebird, by a woman, in Kentucky, whose sweetheart is vainly pursuing musical stardom in New Orleans. The woman asks the blue bird to take a message to Michael, asking him to return to her.]

11:36

Coincidentally, the two gender-specific versions of that song are “Message to Michael” and “Message to Martha” and New Orleans is where Mike would meet his wife, Marta, and where their first-born arrived. Their second child was born in Jackson, Mississippi. Both finished high school at Shawnee Mission East where Mike had graduated in 1982. New Orleans was transformative. Mike really went down there still a kid in very many ways, but he left with a wife and daughter. That city and the woman he married there, turned the boy into a man.

“Rosalie” – Alejandro Escovedo – Mike’s wife is Mexican and this song is one of Marta’s favorites, written by Austin, Texaslocal legend Alejandro Escovedo – previously discussed as a True Believer – whore mains a friend of theirs. Austin is the city where Mike most wanted to live but hadn’t until now.

Austin is also near where Marta was raised in San Antonio, so they’ll be near some of her family. They’ll be straight down I-35 and will still see a lot of their KC friends when they play in Austin – many during the MidCoast takeover at SXSW. That means a lot to Mike because particularly during this last 9-year stint in KC, they’ve made so many very dear friends, including a lot of KC’s music scene. Mike has been watching the KC music scene for over 30 years and it is his considered opinion that KC has not had a comparable level of local talent, like it currently possesses, since he’s been aware. Itis the one thing that he feels is so much better than when he was working in the record stores here. Mike is comforted by the knowledge that their couches and spare rooms will be a destination for many touring KC acts in years to come.

11:42

11. Alejandro Escovedo – “Rosalie”
from: A Man Under the influence / Bloodshot Records /April 21, 2001
[San Antonio, Texas native, singer/songwriter. Alejandro Escovedo enlisted the help of John Velghe and the Prodigal Sons for a few showsin Austin, Texas, during the SXSW Music Festival.]

11:39 – I’ll Take You There – Conversations with Mike Webber

We’ve been playing songs to help move the conversation along but while all of them are favorites, several songs that automatically feature in any list Mike makes have not been played, so perhaps we could wind up with three that usually go 1-2-3 in my all-time list of favorites (which bars Beatles songs as part of my own personal Fairness Doctrine).

All three of these songs have always had a hold on Mike, even before he was experienced to know what they really meant. A couple of notes from any of them and he is back in his dad’s car in the 60’s, hearing music on a single speaker in the dashboard and probably waiting for burgers and onion rings at Sydney’s on the Plaza. Mike loved these songs as a toddler but only when he got a little older and your heart gets broken, a parent dies, other loved ones die, you talk to a doctor about a tumor … those are the experiences that will cause you to get in a car, happen to catch one of these songs on the radio and just melt in a way that is crushing yet reminds you that you’re alive as well.

11:50

12. The Left Banke – “Walk Away Renee”
from: There’s Gonna Be a Storm – The Complete Recordings 1966-1969 / Island Def Jam / 1992
[Formed in NYC in 1965, disbanded in 1969, and reformed in 2011. The band often utilized “baroque” string arrangements, which led to their music beingvariously termed as “Bach-rock”, “baroque rock” or “baroque ‘n’ roll”. The band’s vocal harmonies borrowed from: The Beatles, The Zombies and British Invasion groups.]

13. The Walker Brothers – “The Sun Ain’t Gonna Shine Anymore”
from: Scott Walker & the Walker Brothers – 1965-1970 / Island Def Jam / Feb 17, 2009
[Originally released in US in 1966. The Walker Brothers were an American pop group of the 1960s and 1970s, comprising Scott Engel (eventually known professionally as Scott Walker), John Walker (born John Maus, but using the name Walker since his teens), and Gary Leeds (eventually known as Gary Walker). Formed in 1964, the three unrelated musicians adopted the ‘Walker Brothers’ name as a show business touch—”simply because we liked it.” They provided a unique counterpoint to the British Invasion in that they were a group from the United States that achieved much more success in the United Kingdom than in their home country, during the period when the popularity of British bands such as The Beatles dominated the US.]

14. The Faces – “Ooh La la”
from: Rushmore / Island Def Jam / September 20, 2011

Personal notes about Mike Webber’s life experiences were taken directly from Mike Webber’s show notes.

Sources for notes on tracks: artist’s websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #473