WMM Playlist from Sept. 11, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 11, 2019

Fathers + Poet Jen Harris & Lori Chandler +
Dwight Frizzell & Leo Wetherill & Missouri River Bridge as an Instrument

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Other Americans – “Neon Sunrise (Glitchjoy Remix)”
from: OA2 / AWAL Records / October 19, 2019
[New EP follow up to the band’s debut self-titled EP from June 29, 2018. Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Michelle Bacon on bass. Produced by Brandon Philllips. Engineered by Joel Nanos. Recorded at Element Recording Studios in Kansas City. All remixes by Mensa Deathsquad. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, The Philistines, Radar State and Brandon Phillips and The Condition. Other Americans is a virtual Midwestern supergroup. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.”]

[Other Americans play an OA2 Album Release Party with special guests Emmaline Twist, Saturday, October 19, at 9:00 PM at miniBar, 3810 Broadway, KCMO.]

3. Madisen Ward and the Mama Bear – “Started With a Family”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. The band’s follow up EP, Radio Winners was released July 27, 2018 and received critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

[Madisen Ward and the Mama Bear play The High Watt, Nashville, Sat., Oct. 12.]

[Madisen Ward and the Mama Bear play Levitt Shell, Memphis, Sun., Oct. 13.]

4. Black Belt Eagle Scout – “Scorpio Moon”
from: At the Party With My Brown Friends / Saddle Creek / August 23, 2019
[Released in September of 2018, Mother of My Children was the debut album from Black Belt Eagle Scout, the recording project of Katherine Paul. Heralded as a favorite new musician of 2018 by the likes of NPR Music, Stereogum, and Paste, the album was also named as a “Best Rock Album of 2018” by Pitchfork, and garnered further end-of-year praise from FADER, Under The Radar and more. // Arriving just a year after that debut record, At the Party With My Brown Friends is a brand new full-length recording from Black Belt Eagle Scout. Where that first record was a snapshot of loss and landscape and of KP’s standing as a radical indigenous queer feminist, this new chapter finds its power in love, desire and friendship. // At the Party With My Brown Friends is a profound and understated forward step. The squalling guitar anthems that shaped its predecessor are replaced by delicate vocals and soft keys, sentiments spoken and unspoken, presenting something shadowy and unsettling; a stirring of the waters. // The end result presents a captivating about-face that redefines KP’s beautifully singular artistic vision. At the Party With My Brown Friends is introduced in greater detail here via a new statement by the artist. // ARTIST’S STATEMENT: My name is Katherine Paul and I am Black Belt Eagle Scout. // I grew up on the Swinomish Indian Reservation in NW Washington state, learning to play piano, guitar and drums in my adolescent years. The very first form of music that I can remember experiencing was the sound of my dad singing native chants to coo me to sleep as a baby. I grew up around powwows and the songs my grandfather and grandmother sang with my family in their drum group. This is what shapes how I create music: with passion and from the heart. // After the release of Mother of My Children, I felt awake and desperately wanted to put new music out into the world. I had no real intent behind At the Party With My Brown Friends except creating songs around what was going on in my life. In the past few years, the reciprocal love I experienced within friendships is what has been keeping me going. A lot of what is in this album deals with love, desire and friendship. // The lead single, “At the Party,” starts off with a quintessential BBES guitar lick, heading into booming and abundant drums and vocals. The lines ‘How is it real? We will always sing’ came out of me one evening when I was crafting the song in my bedroom. Within my conscious self, there is always a sense of questioning the legitimacy of the world when you grow up on an Indian reservation. We are all at the party (the world), trying to navigate ourselves within a good or bad situation. I happen to be at the party with my brown friends- Indigenous, Black, POC who always have my back while we walk throughout this event called life. // I started writing “My Heart Dreams” the summer after I initially put out MOMC, writing the guitar chords in a friend’s apartment on Ohlone land. I had been in a transitional part of my life, leaving one love and wanting to find another so much so that I felt like my heart was dreaming about it along with my brain at night. I have an obsession with dreams, mainly because I cannot remember most of mine and often times that leaves me frustrated not knowing that part of myself. I would wake up and be overcome with anxiety about not knowing what had gone down in my brain so much so that I started feeling like my heart dreamt more than my mind, thus becoming the line, my heart dreams. // I wrote “Going To The Beach With Haley” one day when I was out on a coastal trip with my friend Haley Heynderickx. We loaded up her car with our blankets and instruments and drove straight to a beach where we sat and listened to the waves and young families with their babies on the beach. I had brought my mini casio keyboard that had an array of beats I used when writing songs. The beat that’s on the song just stuck there along with the main guitar part. Initially written on an old acoustic guitar my mom bought me, the song really transformed in the studio where I added drums and other melodies to create the song. // Throughout the course of my writing and playing around this record, most of these songs deal with relationships I have either with loved ones or friends. I think it low key has to do with my anthropology degree, but also the fact that writing and playing guitar in my bedroom just makes everything feel better for me. For the longest time, I wanted to convey my feelings around coming out to my family. It had been a good experience for me and while I know it is not always that way when kids decide to tell their family, I think that we can open our hearts more for that. I would watch youtube videos of moms being proud of their kids surrounding their sexuality and gender identity and I really wanted to raise my voice to say, ‘my family too!’ What started with trying to sound so literal in this song ended up turning into a song about how much I love my mom and how our connection is eternal. “You’re Me and I’m You” is about being one with your mother, since we all were a part of their bodies at one point. It’s me trying to explore who she is and who I am with my love for people.]

[Black Belt Eagle Scout plays White Schoolhouse, 1510 North 3rd Street, Lawrence, KS. Thursday, November 7, at 7:00 PM with Hikes, and Bad Alaskan.]

5. Hand Habits – “can’t calm down”
from: placeholder / Saddle Creek Records / March 1, 2019
[Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time. Two years later, Hand Habits has returned with their sophomore album, placeholder. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world. The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings — carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery. “A big aspect of my songwriting and the way I move through the world depends on my relationships with people. The songs on placeholder are about accountability and forgiveness,” Meg says. “These are all real stories. I don’t fictionalize much.” Meg describes these songs as their most direct to date, crafted with clear intention, and unlike Wildly Idle (Humble Before The Void), placeholder doesn’t meander. “It’s less of a submerged landscape and more a concise series of thoughts,” Meg explains. Instrumentally, placeholder can be situated alongside some of Meg’s folk-adjacent contemporaries like Angel Olsen or Big Thief, and the guitar work on this album proves that Meg continues to be one of the finest young musicians working today. placeholder is another entry in the Hand Habits songbook, but it’s also a valuable testament of our time. While placeholder inspires a sense of ease, simple questions rarely beget easy answers and Meg honors the indescribable joy and profound sorrow that comes with figuring things out, one step at a time.]

[Hand Habits play In-Store at Mills Record Company, 4050 Broadway, TODAY, Wed Sept 11, 3:30 PM.]

[Hand Habits play The Truman, 601 E. Truman Rd, TONIGHT, Wed, Sept. 11, 7:PM w/ Whitney.]

[Hand Habits play a solo show at Uptown Theatre, Sunday, October 20.]

6. Bon Iver – “Hey, Ma”
from: i,i / Jagjaguwar Records / August 9, 2019
[Bon Iver is an American indie folk band founded in 2006 by singer-songwriter Justin Vernon. Vernon released Bon Iver’s debut album, For Emma, Forever Ago, independently in July 2007. The majority of that album was recorded while Vernon spent three months isolated in a cabin in northwestern Wisconsin. The band later won in 2012 the Grammy awards for Best New Artist and Best Alternative Music Album for their album Bon Iver, Bon Iver. They released their third album 22, A Million to critical acclaim in 2016, which was followed by their fourth album i,i in 2019.The name “Bon Iver” derives from the French phrase bon hiver (French pronunciation: ​[bɔn‿ivɛːʁ]) (“good winter”), taken from a greeting on Northern Exposure.]

7. Calvin Arsenia – “Back To You (Paul Brown Mix)”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[1st single from L.A. Sessions released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.]

[Calvin Arsenia plays The Sextet Album Release, Sun, Sept 15, 7:PM at recordBar, 1520 Grand.]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

10:30 – Underwriting

Dwight Frizzell

10:32 – Interview with Dwight Frizzell & Leo Wetherill

Dwight Frizzell is a Professor at KCAI, and is an internationally recognized artist whose work combines video, performance, installation, music, audio art, and writing. Frizzell’s work about his boyhood neighbor, Harry S. Truman, was featured in the Peabody-awarded “Lost and Found Sound” series broadcast on National Public Radio. Frizzell has produced an opera based on the life of Charles Darwin. In addition to his B.F.A. degree from KCAI, he holds a terminal fine arts degree in Sound Design from the UMKC. Dwight Frizzell, is a founder of the “groovy polyphonic jazz/dance” band, Black Crack Revue, now in their 37th year. Dwight Frizzell is also a founding member of the newEar contemporary chamber ensemble, and is host & producer of “From Arc To Microchip” heard Wednesdays at 11:30 PM on 90.1 FM.

Also with us is Leo Wetherill, who has been supporting artists, creating venues, and producing performance and musical productions in Kansas City since the late 1980s. He is one of the founders of the Human Observation Lab, and early pioneer space in downtown Kansas City offering performance art space for the early concerts of The Cocktails, and early productions of Gorilla Theatre, Eyes Wide Open, nationally recognized visual artist and DJ Nick Cave, and many other area bands and and performance groups and DJs.

Dwight Frizzell and Leo Wetherill join us to shares details about Missouri River Bridge as an Instrument, Thursday, October 3, at 7:30 PM, at 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, Kansas. BRIDGE is a soundscape concert featuring Bill Dye, Steve Donofrio, Patrick Conway and members of Gamelan Genta Kasturi; Dwight Frizzell’s river bridge recordings, Ron Achelpohl Director of Transportation & Environment at the Mid-America Regional Council; Thomas Aber, and Leo Wetherill, Technical Coordinator.

Dwight Frizzell and Leo Wetherill, Thanks for being with us on WMM.

Last time Dwight & Leo were on the show was on June 12 just prior to their midday Solstice concert-June 21, at KC Art Institute’s Vanderslice Reception Patio (behind historically restored Vanderslice Hall), 4415 Warwick Blvd., KC, MO. Heliophonie (Sun Sound) was performed in-sync to the sun’s harmonic tones. The solar sphere oscillates like a bell ringing every 4 minutes 48 seconds (as heard on a large gong). Overtones pulse in quadra-pole rotation (realized by the instruments & electronics). Solar storms moving vigorously through the resonating convection-zone are performed by instrumental duets.

Missouri River Bridge as an Instrument – Thursday, October 3, 2019, 7:30 PM

BRIDGE is a soundscape concert featuring lap steel guitarist Bill Dye, singing-bowl master Steve Donofrio with sextet, Patrick Conway and members of Gamelan Genta Kasturi, Dwight Frizzell’s river bridge recordings, and Ron Achelpohl of the MARC.

FEATURED PLAYERS ACCOMPANYING THE BRIDGE:

Bill Dye, lap-steel guitar soloist

Steve Donofrio, Singing Bowl master

Patrick Conway, Gamelan master

Dwight Frizzell, bridge recordings, zwoom, video and mixage

Thomas Aber, zwoom specialist

Ron Achelpohl, Director of Transportation & Environment at the MARC

Leo Wetherill, Technical Coordinator

“Bridges are expressions of our social-spiritual evolution and impulse toward transcendence.” –Rev. Dwight Frizzell

Bridges are living, resonant beings activated by our crossing formidable passageways now made passé. Crossing Liberty Bend Bridge, our concert’s featured instrument, takes a mere 14 seconds. We invite you to hang with the bridge a moment longer, entertain its own perspective, listen inside its metal structure, and hear its rhythms and singing tones as recorded and mixed by Dwight Frizzell with live performance engineer Leo Wetherill. The bridge’s harmonic sound world is joined and orchestrated by an ensemble of Tibetan Singing Bowls directed by Steve Donofrio, Balinese gamelan instruments directed by Patrick Conway, long-hose zwoomists and Bill Dye’s lap steel guitar solo.

The sonorous Missouri River bridge at Highway 291 in Sugar Creek is a magnificent traffic-activated instrument expressing a flow of people, materials, animals and plants. Its voice, animated by us humans and full of percussive and harmonic sound, is intimately heard by nestling an ear on its metal understructure (or attaching contact microphones as heard here to map the sound spatially to the performance space with the audience inside the bridge’s singing form.

Liberty Bend Bridge is actually two continuous truss bridges on Highway 291 over the Missouri River in Sugar Creek. It is the rare example of a bridge crossing the Missouri River, but not crossing a county line. The Missouri River was rerouted in 1949, leaving part of the county north of the river. The original Liberty Bend Bridge was located about two miles to the north, which then crossed over into Clay County. The main span length is 460.1 feet and the total length is 1,883.3 feet. Vertical clearance is 16.5 feet.

INTRODUCING LIBERTY BEND BRIDGE: Ron Achelpohl is the Director of Transportation and Environment at the Mid-America Regional Council, the council of governments and metropolitan planning organization for the bi-state Kansas City metropolitan area. Ron directs MARC’s transportation and environmental planning and policy work along with related implementation activities such as the Operation Green Light traffic signal coordination system, the RideShare program and public education initiatives for air quality, water quality, active transportation and transportation safety. Prior to serving in his current role, Ron was an Assistant Director of Transportation at MARC, and before that held positions with the Missouri Department of Transportation. Ron is a registered Professional Engineer with degrees in civil engineering from the University of Missouri and engineering management from the University of Kansas. He is an active member of the American Public Works Association and serves on the boards of several local non-profit organizations.

RON ACHAPOHL’S INTRODUCTION: “As alluded to, I think all bridges are poetic, but I’m not. So, I’m going to set the context for the bridge with a few facts and figures about how it fits into the transportation system in the greater Kansas City area, which is kind of my area of expertise. I’ll start by pointing out that this is one of 3599 bridges in the eight county area that we do transportation planning in. It’s one of only 10 bridges though – highway bridges – that cross the Missouri River. The farthest one in the metro area is up in Leavenworth at Route 92, and as you go down the river there are nine other crossings until you get to the Liberty Bend Bridge. The next crossing to the east is in Lexington, Missouri it’s on Route 13, which coincidentally, is about a 40 minute drive from this bridge – about as long as this piece will be this evening. The bridge, it’s purpose is carrying people and vehicles and goods across the river and it carries – the most recent stats we got about that are that it carries about 23,000 vehicles a day across the bridge and the occupancy rate for people in the Kansas City area, that translates to a little over 24,000 people a day that use the bridge. To put that perspective, there are over 100,000 vehicles that use the Kit-Bond Bridge on I-35 across the river, and about 40,000 vehicles a day on the Buck O’Neil Bridge, that is, the old Broadway Bridge across the Missouri River. The original crossing was built back in 1927, and it crossed at where the Clay County-Jackson Country line is now. The river channel was actually moved to the south, so the bridge that is there now is a twin-span, the northbound span was the first one that was constructed, and it was originally built back in 1949, it was rehabbed in 1986, and it was replaced in 2005. The southbound bridge was built new and added the pairing in 2001. It carries Missouri Route 291, which runs from the city of Liberty south to the city of Harrisonville, it crosses through three different counties and seven different cities. So, it’s an important regional connector; it doesn’t have the most traffic in the region, but it really serves an important purpose. I’m really excited to be a part of the piece this evening, I think it’s always helpful to draw attention to the invisible infrastructure that the community relies on.”

INTRODUCING TIBETAN SINGING BOWLS: Steve Donofrio has been a Free-lance Audio Engineer & Technical Consultant for the past 38 years. He is a founding member of the National Audio Theatre Festivals and served as Technical Coordinator for Midwest Radio Theatre Workshop for 10 years and its Executive Director for three. As a member of The Deli Llama Orchestra, Steve has played Tibetan Singing Bowls for over 30 years, as featured on numerous studio and live recordings from LA to Katmandu, Nepal. Steve is an avid collector of Tibetan Singing Bowls, using them as implements of music and for meditative and tonal healing. Steve has worked on many musical projects as a producer, recoding & mixing engineer, and audio artist. Currently he works at the Columbia Public Library as a technical support specialist and lives in rural Missouri with his wife, two dogs, and a charm of 1000 hummingbirds.

INTRODUCING THE BRIDGE SOUNDSCAPE: Dwight Frizzell is an internationally recognized artist/soundscape composer who began recording environments and playing with their acoustic imprints early on — a practice he calls Turtle Music — as heard on his 1976 LP Beyond the Black Crack. The complexities of place were fore-fronted in Dwight’s Peabody-awarded Center of the World (1997), which features his childhood neighbor Harry S. Truman at the shopping center that leveled the beloved Truman family farm in 1957. Recently, Frizzell was panel moderator for Sounding Sculptural Space at the International Sculpture Conference with composer Robert Carl and long-string instrumentalist Ellen Fullman. Dwight’s teachers included Sun Ra and Douglas Davis. He earned a terminal degree in Sound Design for Theatre at UMKC, and is currently Professor in Converging Media at KCAI.

Contacts: Dwight Frizzell, KCAI artist dfrizzell@kcai.edu

Frizzell works as a professor at The KC Art Institute and is a founding member of the newEar contemporary chamber ensemble. He is host & producer of “From Arc To Microchip” Wed. 11:30 PM – 90.1 FM.

Dwight Frizzell is an internationally recognized artist whose interdisciplinary work combines video, performance, installation, music, audio art and writing. He has been producing the “From Ark to Microchip” series with Jay Mandeville since 1984. Ark radio has been heard on KOPN, KCUR, KGNU, RESONANCE FM (London), RADIO NOVA (Paris), and WKCR (New York).

Dwight’s boyhood neighbor in Independence, Missouri was Harry S. Truman, who appears in Dwight’s work as a pianist, Atlantean King and time-traveler. Dwight released the “Beyond the Black Crack” LP in 1976, studied video art with Douglas Davis (1977), clarinet with Raymond Luedeke (1979) and metaphysics with Sun Ra (1980-1990). His work was exhibited at Biennale de Paris, World-Wide Video Festival (Amsterdam), and broadcast on NPR.

Dwight’s collaborative third-mind creations with writer Jay Mandeville includes plays, essays, and Ark scripts. Their work was published in “Semiotext(e) Radiotext(e)” and “Experimental Sound and Radio” (MIT Press). They edited The Pitch newspaper in the early ‘80s.

Dwight’s music is available on Paradigm discs (England). He plays Buffet clarinets and Yamaha saxophones and wind controllers. His collaborations with Michael Henry include “Sonic Force,” where AFR A10 Warthog Attack Planes were used as musical instruments. Frizzell is a founding member of the Black Crack Revue, the newEar contemporary chamber ensemble, and the National Audio Theatre Festivals. He performed recently with David Ossman and Phil Proctor of the Firesign Theatre.

Dwight Frizzell and Leo Wetherill, Thanks for being with us on WMM.

Missouri River Bridge as an Instrument, Thurs, October 3, at 7:30 PM, at 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, KS. More info at: http://www.1900bldg.com

10:50

8. Russell Brixey – “Midnight Swim (Feat. Lauren Flynn)”
from: Midnight Swim – Single / Russell Brixey / July 30, 2019
[Russell Brixey is the musical solo project of Ryan Wallace. Ryan Wallace has played with many groups over the years: Heroes and Villains, The Republic Tigers, and JAENKI. This is his first solo single “Midnight Swim” and features the vocals of Lauren Flynn from the band Olivia Fox. Hear Russell Brixey talk about “Midnight Swim” at http://speakimge.com/interview-russell-brixey/%5D

The Sextet’s upcoming album “Among Friends”

9. The Sextet – “Clare de Lune”
from: Among Friends / ARC / September 15 , 2019
[The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release. Engineered and Mixed by J Ashley Miller. Produced by J Ashley Miller, Robert Castillo, & The Sextet. Mastered by Duane Trower @ Weights and Measures Soundlab. Recorded Jan. 17,18, & Feb. 1, 2019 @ The Infoaming Vertex. Cover Image: “Circle and Square” by Wassily Kandinsky 1943]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

11:00 – Station ID

10. Fathers – “Me & America”
from Me America – Single / Fathers / August 30, 2019
[Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; Brooke Honeycutt on vocals, bells, & percussion; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion.]

[Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.]

Members of the band Fathers: David Vava Littlewood, Kenneth Storz, Matt Guilliams, and Bryce Veazey on the September 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Kenneth Storz and members of Fathers

Kenneth Storz, David Vava Littlewood, Matt Guilliams, and Bryce Veazey are four of the members of Fathers the Kansas City band formed in 2017. Fathers have released several singles and on March 1 of this year they released their debut EP High Horses. On August 30 Fathers released their newest single “Me & America.” Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.

Kenneth Storz, David Vava Littlewood, Matt Guilliams, Bryce Veazey, thanks for being with us on WMM.

Fathers Includes:

Kenneth Storz on vocals, guitar, & keyboards;

Brooke Honeycutt on vocals, bells, & percussion;

David Vava Littlewood on vocals, keyboards, & bells;

Matt Guilliams on bass, & percussion;

Bryce Veazey on vibraphone, vocals, & percussion;

Josh Seerden on guitar, keyboards, bass, & percussion;

Celeste Tilley on trombone, vocals, & percussion.

How did this band come to be a band?

Last time the band was on the show was just prior the Fathers High Horses EP Release Party, Saturday, March 9, at 8:00 PM, at the 2016 Main Event Space at 2016 Main St, KCMO, with Eems and Belle & The Vertigo Waves.

Fathers released the 4 song EP High Horses on March 1, 2019 and now 6 months later has this new single out.

Bryce Veazey was recently on stage for the Crossroads Music Fest playing with Madisen Ward and the Mama Bear on Saturday night on the KC Crossroads stage.

The band perform live in our 90.1 FM Studios

11:12

Fathers

11. Fathers – “untitled” (LIVE)
[Kenneth Storz on vocals, guitar, David Vava Littlewood on keyboards, Matt Guilliams on guitar, Bryce Veazey on vibraphone & vocals.]

Part of the recording of High Horses was done in the Yoga studio of Bodyfit

Several reviews have compared Fathers to The Beach Boys and to Olivia Tremor Control.

Fathers has played Middle of The Map Fest, The Buzz Homegrown Showcase, recordbar, the Brick, Power and Light District, The Rino, sharing stages with many area bands including Pink Royal, Y God Y, Pageant Boys, The Fey, Calvin Arsenia, and others. How do you feel about the Kansas Area music scene?

10:23

Kenneth Storz, David Vava Littlewood, Matt Guilliams, Bryce Veazey, thanks for being with us on WMM.

Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.

10:24

12. Fathers – “PRTND”
from High Horses / Fathers / March 1, 2019
[Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; Brooke Honeycutt on vocals, bells, & percussion; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion.]

[Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.]

Jen Harris with Members of the band Fathers: David Vava Littlewood, Kenneth Storz, Matt Guilliams, and Bryce Veazey on the September 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:28 – Underwriting

Jen Harris and Lori Chandler on the Sept. 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:30 – Interview with Jen Harris & Lori Chandler

Nationally recognized, KC based Poet Jen Harris is the founder of The Writing Workshop KC, and the Kansas City Poetry Slam, she is a TEDx fellow, She has been nationally recognized for her writing and advocacy. She was recently seen in the 3rd season of Queer Eye on Netflix. She graduated from the University of Missouri-Kansas City with a Bachelor of Liberal Arts. She is the recipient of the 2015 Jim Wanser Pride Award for outstanding LGBT community activism. She is the recipient of The Pitch Magazine’s 2017 Poet of the Year award, and was nominated as the 2017 Spoken Word Host of the Year by the National Spoken Word Awards. She was the 2009 ACP Kansas Journalist of the Year. She has two published books of poetry titled: Slammed and Lust & Disdain. Her spoken word record, Flaunting Her Mediocrity was released Oct 9, 2016. More info at: http://www.poetjenharris.com

Along with her husband Doug Chandler, Lori Chandler is founder of Take Five Music Productions. The company grew from their earlier experiences as owners of Take Five Coffee + Bar where they presented innovative Jazz performances. After Take Five Coffee + Bar closed in 2015 the Chandlers decided they would continue presenting collaborative Jazz events and shows in multiple venues all over the metro area. More info at http://www.take5kc.com

Lori Chandler and Poet Jen Harris joins us today to talk about the release of Jen’s third book of poetry and essays, Unconfirmed Certainties, and special show called “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave, with Jen Harris collaborating with Eddie Moore on keyboards, Jason Emmond on bass and Brian Steever on drums. Poet Jen Harris & The Fellas is produced with Take Five Music Productions.

Jen Harris, and Lori Chandler thanks for being with us on WMM.

Jen this is a busy time for you. You are also playing The Sextet’s Album Release show Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.

Lori Chandler, you wrote: “I first heard Jen Harris at the Fahrenheit Valentine’s Ball in February and she literally took my breath away. Six months and many coffee-fueled discussions later, I’m so privileged to announce this performance. The creative process between Jen, Eddie Moore, Brian Steever and Jason Emmond has been absolutely mind blowing.”

This event includes the jazz accompaniment of “The Fellas,” renowned musicians Eddie Moore (keys), Jason Emmond (bass) and Brian Steever (drums), bringing Jen’s performance to sonic life.

Unconfirmed Certainties “is the intersection of suspicion and intuition” and follows Harris’ year-long exploration, documentation and in-process recovery from flashbacks, suicidal ideation and a significant mental breakdown following a devastating, unexpected public breakup and facing, head-on, a C-PTSD diagnosis.

An outspoken advocate for an accessible mental health system, Harris was relieved to finally put a name to symptoms she had experienced since her early teens. She fought for decades to overturn the misdiagnosis of Bipolar II disorder, which she was given around age 15 as a way to “medicate away her queerness and creative spirit.” Due to the limitations set upon her by the current health care system, this endeavor took Harris nearly 20 years to accomplish.

As the public has come to know from her career, Harris spares no one’s feelings or privacy in her searing truth-telling performance.

Take Five Music Productions. http://www.take5kc.com

Additional notes: This performance contains mature subject matter and is not recommended for young children.

Jen Harris would you share a piece from the show?

11:50

13. Jen Harris – “Love and Other Ghost Stories”
original piece written and performed by Jen Harris from Unconfirmed Certainties

11:53 – Interview with Jen Harris and Lori Chandler

We are talking with Lori Chandler and Poet Jen Harris about the release of Jen’s third book of poetry and essays, Unconfirmed Certainties, and special show: “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave.

Jen Harris and Lori Chandler thanks for being with us on WMM

Jen Harris releases her third book of poetry and essays, Unconfirmed Certainties, with a special show called “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave, collaborating with Eddie Moore on keyboards, Jason Emmond on bass and Brian Steever on drums. Poet Jen Harris & The Fellas is produced with Take Five Music Productions. More info at: http://www.take5kc.com

11:55

13. The Ghost Wolves – “Crooked Cop”
from: Crooked Cop / Third Man Records / September 9, 2019
[The Ghost Wolves are Carley “Carazy” Wolf on guitar & vocals and Jonathan “Little Hammer” Wolf on drums & vocals. Third Man Records is excited to release the newest songs from Austin, TX’s Ghost Wolves. Formed in 2011 and hardly taking time to sit since then, the Ghost Wolves create, record and tour at a rapid clip. Blending rock n’ roll, punk rock, garage and blues with electronic elements, the duo has earned a reputation as one of the hardest working bands in the modern rock n’ roll underground, touring internationally for almost 8 years straight, with nearly 1000 shows between them in 23+ countries including most of western Europe, the USA, U.K. and Japan. The duo recorded these three new tracks in early 2019 with engineer/producer John Michael Schoepf (bassist for Ray Wylie Hubbard, Night Glitter) in his Austin living room studio. The recording took place during a very dark time for Carley and Jonny, who have been married for 7 years. Jonny’s father received a terminal cancer diagnosis in late 2018. These songs came together while Jonny was tending to his father in Connecticut, with Carley sending demo songs to him from Texas. When his father stabilized somewhat, Jonny returned to Austin to take a break and they both therapeutically recorded these songs. As can be heard, these recordings are darker, more intimate and more pressing than previous material. Produced by John Michael Schoepf and The Ghost Wolves. Engineered by John Michael Schoepf. Mixed by John Michael Schoepf, Kyle Ellison and Jonas Wilson.]

[The Ghost Wolves play recordBar, 1520 Grand, TONIGHT, Wednesday, September 11, at 7:00 PM with Freight Train Rabbit Killer]

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on Wednesday, September 17 – special guests include: Calvin Arsenia who plays an LA Sessions Release Show at recordBar, September 19. We will also talk with Dedric Moore and Nathan Reusch about their 3 Deep Chromadepth 3-D Concert Friday, September 20 with Jaenki, Pala Zolo, Flaural, Triptidesm and Monta At Odds, at recordBar, 1520 Grand. Also next week, singer-songwriters Rigby Summer and Ed Dupas play live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #802

WMM Playlist from June 12, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 12, 2019

Reverend Dwight Frizzell + Johnny Hamil
+ Instant Karma + Jesus Loves The Atom Bomb

1.”It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Calvin Arsenia – “Toxic”
from: Cantaloupe / Center Cut Records / September 15, 2018 (KC Release)
[Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, Cavia, and the full length debut, Catastrophe.Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.]

[Calvin Arsenia plays Tristian Griffin’s Palimpsest, Thur, June 13 at 7:00 PM & Fri, June 14 at 11:00 PM at Capsule, Charlotte Street Foundation’s new multi-room installation event space, 1664 Broadway Blvd, KCMO. the collaborative multi-media interactive art performance, features award-winning poet Glenn North, and original music by Calvin Arsenia and Pheenix Leeor (Marleena Willingham)]

[Calvin Arsenia will be appearing with The Mike Dillon Band opening for Rickie Lee Jones, Sun, June 16, at Crossroads KC, 417 E. 18th St, KCMO, 8:00 PM. Mike Dillon co-produced R.L.J. new KICKS.]

[Calvin Arsenia plays INTER Relation>ship w/ Jade Osborne, Wed, June 19, 7:00 PM at Washington Square Park, 100 E. Pershing Rd, KCMO.]

[Calvin Arsenia plays Briarfest, Fri, June 21, 4:30 PM at Briar Cliff, 4100 N Mulberry Dr, KCMO.]

10:07

3. Ivory Blue – “Ready Get Set”
from: Ready Get Set – Single / Big Machine Records – John Varvatos Records / June 15, 2018
[Ivory Black was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

[Ivory Blue plays Boulevardia on The Proaganda 3 Stage Sat, June 15, 1:00 PM in KC’s Stockyards District.]

[Ivory Blue plays Songwriter Night at Davey’s Uptown 3402 Main St, KCMO, Wed, June 19, 7:00 PM]

4. Krystle Warren – “Sunbeams”
from: A Time to Keep Love Songs EP / Parlour Door Music / August 12, 2011
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

Dwight Frizzell

10:15 – Interview with Dwight Frizzell

Dwight Frizzell is a Professor at KCAI, and is an internationally recognized artist whose work combines video, performance, installation, music, audio art, and writing.. Frizzell’s work about his boyhood neighbor, Harry S. Truman, was featured in the Peabody-awarded “Lost and Found Sound” series broadcast on National Public Radio. Frizzell has produced an opera based on the life of Charles Darwin. In addition to his B.F.A. degree from KCAI, he holds a terminal fine arts degree in Sound Design from the UMKC. Dwight Frizzell, is a founder of the “groovy polyphonic jazz/dance” band, Black Crack Revue, now in their 37th year. Dwight Frizzell is also a founding member of the newEar contemporary chamber ensemble, and is host & producer of “From Arc To Microchip” heard Wednesdays at 11:30 PM on 90.1 FM. Dwight Frizzell joins us to shares details about Heliophonie (Sun Sound) a midday Solstice concert, Friday, June 21, 11:00 AM to Noon at KC Art Institute’s Vanderslice Reception Patio (behind historically restored Vanderslice Hall) at 4415 Warwick Blvd., KCMO.

Dwight Frizzell, Thanks for being with us on Wednesday MidDay Medley.

“Hail Solarians, cobras rise!
Come in joy, come in peace
to the place of secret sound.” — from the Sun Temple at Thebes

Heliophonie (Sun Sound) – A midday Solstice concert–Friday June 21, from 11am to noon at Kansas City Art Institute’s Vanderslice Reception Patio (behind historically restored Vanderslice Hall), 4415 Warwick Blvd., KCMO.

Heliophonie (Sun Sound) will be performed in-sync to the sun’s harmonic tones. The solar sphere oscillates like a bell ringing every 4 minutes 48 seconds (as heard on a large gong). Overtones pulse in quadra-pole rotation (realized by the instruments & electronics). Solar storms moving vigorously through the resonating convection-zone are performed by instrumental duets.

Myth-Science Ensemble featuring Thomas Aber, Patrick Conway, Hannah Kelly, Allan Winkler, Dwight Frizzell and guests will be resonating with the sun.

Open-to-the-public event at an accessible outdoor vantage point.

In case of rain, the event will be held in Vanderslice Reception Room.

This is an artist-sponsored event with additional support from the Kansas City Art Institute, a four year undergraduate college of art and design, where Dwight is Professor in Sound and Converging Media.

10:20

5. Myth-Science Ensemble – “Heliophonie (Solar Music): Cell 12”
from: Heliophonie (Solar Music)/ Dwight Frizzell / Not Released
[Thomas Aber, Patrick Conway, Hannah Kelly, Allan Winkler, Dwight Frizzell]

10:24 – More Interview with Dwight Frizzell

Dwight Frizzell and Leo Wetherill on the June 2, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

We are talking with Dwight Frizzell about Heliophonie (Sun Sound) – a midday Solstice concert–Friday June 21, from 11am to noon at Kansas City Art Institute’s Vanderslice Reception Patio (behind historically restored Vanderslice Hall), 4415 Warwick Blvd., KC, MO.

Contacts: Dwight Frizzell, KCAI artist, dfrizzell@kcai.edu and Kathy StClair, KCAI Communications, kstclair@kcai.edu

Frizzell works as a professor at The KC Art Institute;

Dwight Frizzell is a founding member of the newEar contemporary chamber ensemble.

Dwight Frizzell is host & producer of “From Arc To Microchip” airing Wednesday 11:30 PM – 90.1 FM KKFI – Kansas City Community Radio.

Dwight Frizzell is an internationally recognized artist whose interdisciplinary work combines video, performance, installation, music, audio art and writing. He has been producing the “From Ark to Microchip” series with Jay Mandeville since 1984. Ark radio has been heard on KOPN, KCUR, KGNU, RESONANCE FM (London), RADIO NOVA (Paris), and WKCR (New York).

Dwight’s boyhood neighbor in Independence, Missouri was Harry S. Truman, who appears in Dwight’s work as a pianist, Atlantean King and time-traveler. Dwight released the “Beyond the Black Crack” LP in 1976, studied video art with Douglas Davis (1977), clarinet with Raymond Luedeke (1979) and metaphysics with Sun Ra (1980-1990). His work was exhibited at Biennale de Paris, World-Wide Video Festival (Amsterdam), and broadcast on NPR.

Dwight’s collaborative third-mind creations with writer Jay Mandeville includes plays, essays, and Ark scripts. Their work was published in “Semiotext(e) Radiotext(e)” and “Experimental Sound and Radio” (MIT Press). They edited The Pitch newspaper in the early ‘80s.

Dwight’s music is available on Paradigm discs (England). He plays Buffet clarinets and Yamaha saxophones and wind controllers. His collaborations with Michael Henry include “Sonic Force,” where AFR A10 Warthog Attack Planes were used as musical instruments. Frizzell is a founding member of the Black Crack Revue, the newEar contemporary chamber ensemble, and the National Audio Theatre Festivals. He performed recently with David Ossman and Phil Proctor of the Firesign Theatre.

Dwight Frizzell, Thanks for being with us on Wednesday MidDay Medley.

Heliophonie (Sun Sound) – A midday Solstice concert–Friday June 21, from 11am to noon at Kansas City Art Institute’s Vanderslice Reception Patio (behind historically restored Vanderslice Hall), 4415 Warwick Blvd., KC, MO

10:33 – Underwriting

6. Jesus Loves The Atom Bomb – “Party’s Just Begun”
from: Dumb America / Party’s Just Begun – (2-song) Single / JLtAB / Feb 14, 2019
[ALL 2019 proceeds from sales of this 2-song single go to support Midwest Music Foundation (https://midwestmusicfoundation.org), a kickass KC-based non-profit organization that supports a healthy and vibrant music community. Formed in July 2017 the band includes: Miles Bassett, Jay Bernard Beatty, Shmoo Bigus, Steve Eddy, Sean Lange, Brad Growcock, and Bill Rogers, with special guest: Tim Hoggard—tenor saxophone. Recorded & mixed December 2018 through January 2019 by David Moore, Merriam Shoals Studio. Produced by Brad Growcock.]

[Jesus Loves The Atom Bomb play the 2019 MIDFEST at Bluemont Hotel, 1212 Bluemont Ave, Manhattan, KS on June 15 at 2:15 PM].

Jay Bernard Beatty and Brad Growcock on the June 2, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:39 – Interview with Jay Bernard Beatty & Brad Growcock

“Party’s Just Begun” is one half of a two song single – debut release from the Kansas City / Lawrence band, Jesus Loves The Atom Bomb, who were formed in July 2017 and started out as a four piece with guitar, bass, vocals, and drums and have expanded to a seven piece to include a horn section of trumpet, sax, and trombone. Earlier this year the band played The MidCoast Takeover in Austin, Texas sponsored by Midwest Music Foundation. The band returned the favor by donating all proceeds from their new release to the Midwest Music Foundation, a non-profit organization that Strengthen musicians’ health through wellness services and health care grants. Jesus Loves The Atom Bomb play MIDFEST on June 15 at 2:15 PM, at the Bluemont Hotel, 1212 Bluemont Ave, Manhattan, KS .

With us in the studio are two of the founding members of Jesus Loves The Atom Bomb, Reverend Jay Bern aka Jay Bernard Beatty and B-Rad aka Brad Growcock.

B-rad and Reverend Jay thanks for being with us on Wednesday MidDay Medley.

Jesus Loves The Atom Bomb was formed in July 2017.

The Band started out as a four piece with guitar, bass, vocals, and drums and have expanded to a seven piece to include a horn section of trumpet, sax, and trombone.

Their debut release, Merriam Shoals Sessions Vol. 1. was recorded & mixed from Dec. 2018 through Jan. 2019 by David Moore, Merriam Shoals Studio. The songs were produced by Brad Growcock. with special guest: Tim Hoggard—tenor saxophone.

Jesus Loves The Atom Bomb

The band is: Miles Bassett on sax, Jay Bernard Beatty on vocals, Shmoo Bigus on trombone, Steve Eddy on drums, Sean Lange on trumpet, Brad Growcock on lead guitar & backing vocals, and Bill Rogers on bass.

Brad Growcock, who writes most of the songs for the band, was also a member of the veteran band Mahoots

Steve Eddy was in The Micronotz, with Jay Hauptli, John Harper, and in later years Matt Kesler. Also known as the Mortal Micronotz, this American punk rock/alternative rock quartet was formed in 1980 in Lawrence, Kansas, and along with bands like The Embarrassment and Get Smart!, were prominent on the local music scene in Lawrence in the early 80s.

JLtAB creates its righteous, explosive horn blasting retro garage power pop punk from an undisclosed bunker in flyover LFK for the greater peoples of the world to rejoice in, gyrate & libate and generally have gobs of fun.

The band says: We’re only here for a short time; Let the Party Begin.

B-rad and Reverend Jay thanks for being with us on Wednesday MidDay Medley.

Jesus Loves The Atom Bomb play MIDFEST on June 15 at 2:15 PM, at the Bluemont Hotel, 1212 Bluemont Ave, Manhattan, KS. More info at http://www.midfestmhk.com

10:56

7. Jesus Loves The Atom Bomb – “Dumb America”
from: Dumb America / Party’s Just Begun – (2-song) Single / JLtAB / Feb 14, 2019
[ALL 2019 proceeds from sales of this 2-song single go to support Midwest Music Foundation (https://midwestmusicfoundation.org), a kickass KC-based non-profit organization that supports a healthy and vibrant music community. Formed in July 2017 the band includes: Miles Bassett, Jay Bernard Beatty, Shmoo Bigus, Steve Eddy, Sean Lange, Brad Growcock, and Bill Rogers.]

[Jesus Loves The Atom Bomb play the 2019 MIDFEST at Bluemont Hotel, 1212 Bluemont Ave, Manhattan, KS on June 15 at 2:15 PM.]

11:00 – Station ID

8. Krystle Warren – “Station ID”

9. GAV7D – “For Those Who Breathe”
rom: Punk Funk Polka / GAV7D / July 19, 2019
[Johnny Hamil calls this “a choir of Accordions and theremins….Lots of punk, and polka with an amazing guitar solo from Chad Meise as well.” Recorded by Chad Meise at Massive Sound Studios. Mastered by Colin Jordan at Boiler Room in Chicago. Written and arranged by Johnny Hamil. Johnny Hamil on bass, Clarke Wyatt on keyboards, Mikal Shapiro on guitar & vocals, Kyle Dahlquist on accordion & theremin & vocals, Charles “Critter” Sims on drums, Chad Meise on Hendrix inspired guitar.]

[The GAV7D – Punk Funk Polka Album Release Show on July 19, 2019 at The Brick.]

16 year old Johnny Hamil

11:04 – Interview with Johnny Hamil

Kansas City based musician, composer, and teacher Johnny Hamil joins us to share new music from his upcoming third GAV7D release, PunkFunkPolka. Johnny plays in the band Pamper The Madman, and his band Mr. Marco’s V7 plays the first Thursday of the month at The Ship. Johnny Hamil also plays bass with Mikal Shapiro, and can be heard on the recordings o many Kansas City and Lawrence based artists including Stephonne Singleton. Johnny Hamil collaborates with jazz combos, theatre productions, and is also known for his works with The Malachy Papers. As a teacher of the bass, Johnny Hamil was recently featured in the latest season of Queer Eye on Netflix. Johnny Hamil’s annual KC BASS Workshop is June 25 through June 29 at Shawnee Mission North High School in the music department (park in West parking lot). The KCBW Bass Orchestra concert is the final night June 29th at 7:00 PM and features workshop participants performing with faculty. More information at http://www.kcbassworkshop.com

Johnny Hamil, Thank you for being with us on Wednesday MidDay Medley.

Johnny is one of the founding members of the band Mr. Marco’s V7, a band that has reinvented themselves with each new release, and changed and evolved with different line-ups. Known for their experimental, instrumental music, Johnny told us that for ALL of the music he has composed for the band came to him in his dreams.

In 2011, the classically trained bassist Johnny Hamil, who dreams his musical compositions in his sleep, noticed something revolutionary for his creative process when Johnny’s dream compositions included lyrics for the first time, and this set him on a new path to create, the GAWD project, which is not Mr. Marco’s V7 proper, but it is members of the Mr.Marco’s V7 from throughout the long history of the the band. The concept was to collaborate a vocal version of a composition with musical friends and then have various lineups of the V7 family interpret the material in different ways: Cartoonnoirjazz, PunkFunkPolka, and Free Exotica Middle Eastern. Selections from the GAWD project premiered at the Folk Alliance International.

Chad Meise is a master of sound and the studio and stage producing and engineering records for Mr. Marco’s V7, Hearts of Darkness, Expassionates, Rex Hobart, Mike Dillon, The Gaslights, Atlantic Fadeout, and The Country Duo, to name a few.

As a teacher of the bass Johnny Hamil was recently featured in the latest season of Queer Eye on Netflix.

Johnny plays in the band Pamper The Madman.

Mr. Marco’s V7 plays the first Thursday of the month at The Ship.

The GAV7D project of recordings feature various members of Mr. Marco’s V7 from their 20 year history. Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO, was where the band first performed live in the early 90s. Marco Pascolini, Johnny Hamil, Chris Fugitt, and Clark Wyatt formed the original band.

Johnny Hamil playing live on the June 2, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:18

10. Johnny Hamil – “Lick The Belly (bass)” (Live)
To hear the full version: Punk Funk Polka / GAV7D / July 19, 2019
[Written and arranged by Johnny Hamil]

10:23 – More Interview with Johnny Hamil

We’re talking with Johnny Hamil, about The GAV7D – Punk Funk Polka Album Release Show on July 19, 2019 at The Brick.

and the annual KC BASS Workshop is June 25 through June 29 at Shawnee Mission North High School in the music department (park in West parking lot).

Johnny’s solo record is an homage to Tetris, Pac Man, Super Mario Brothers and is being recorded in Paris.

Johnny’s Birthday was June 11.

“Lick The Belly” is a song inspired and in tribute to Ernie Locke and Sin City Disciples

Johnny Hamil, Thank you for being with us on Wednesday MidDay Medley.

The annual KC BASS Workshop is June 25 through June 29 at Shawnee Mission North High School in the music department (park in West parking lot). More information at http://www.kcbassworkshop.com

11:27

11. GAV7D – “Lick The Belly”
From: PunkFunkPolka / GAV7D / July 19, 2019
[Recorded by Chad Meise at Massive Sound Studios. Mastered by Colin Jordan at Boiler Room in Chicago. Written and arranged by Johnny Hamil. Johnny Hamil on bass, Clarke Wyatt on keyboards, Mikal Shapiro on guitar & vocals, Kyle Dahlquist on accordion & theremin & vocals, Charles “Critter” Sims on drums, Ernie Locke of Sin City Disciples plays harmonica on this track.]

[The GAV7D – Punk Funk Polka Album Release Show on July 19, 2019 at The Brick.]

11:30 – Underwriting

Cody Calhoun, Johnny Hamil, and Cole Bales on the June 2, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:32 – Interview with Colby Bales & Cody Calhoun

Members of the band Instant Karma join us to share a new recording they’ve just completed. Instant Karma will play their last live show on Saturday, June 22, at 8:00 PM at recordBar, 1520 Grand Boulevard, KCMO for SoundMachineKC with Pink Royal, and The Maytags. More info at: http://www.instantkarmakc.com

Colby Bales & Cody Calhoun, thanks for being with us on Wednesday MidDay Medley

Instant Karma! is a 4-Piece rock band from Kansas City blending elements of psych, soul, funk. and hip hop.

Instant Karma

Members include: Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, and Zach Harris on drums.

Instant Karma bass player Branden Moser has called the band, “a drug trip through the soul section of your local record store.”

“Tell Me That You Love Me” was just finished up and mastered by Zach Harris

11:39

12. Instant Karma – “Tell Me That You Love Me”
from: Tell Me That You Love Me – Single / Instant Karma / June 22, 2019
[Instant Karma features Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums.]

[Instant Karma will play their last live show on Saturday, June 22, at 8:00 PM at recordBar, 1520 Grand Boulevard, KCMO for SoundMachineKC with Pink Royal, and The Maytags. More info at: http://www.instantkarmakc.com]

11:43

Were talking with Cole Bales & Cody Calhoun of Instant Karma

Instant Karma Discography:

Make Me a Man – Single – released April 7, 2016

Three Little Flames – Single – Released May 22, 2016

Wait on Love – Single – Released May 22, 2016

Trying To Find My Mind EP – Released July 22, 2017

Give Me Freedom / Shine on – Single – Released May 11, 2018
(Sunflower Soul/Chris Hazleton

After their last show on Saturday, June 22, at 8:00 PM at recordBar, 1520 Grand Boulevard, KCMO for SoundMachineKC with Pink Royal, and The Maytags, the band will no longer be called Instant Karma and kill off this name and persona and reinvent themselves with a new sound and direction.

Colby Bales – B. May 5, 1994 / Went to Holden High / Lives in Lees Summit, Missouri / GuitarPlayer/Singer/Songwriter at Instant Karma! / Founder/Talent Buyer/ Band Leader at Groove King Records and GuitarPlayer/Singer/Songwriter at Instant Karma!

“I hate to advocate drugs, alcohol, violence, or insanity to anyone, but they’ve always worked for me.” – Hunter S. Thompson

Cody Calhoun – B. November 27, 1994 / Went to Holden High / Studied at UMKC / Lives in Kansas City, Missouri / Manager at Sarpino’s Pizzeria – Lee’s Summit, Mo

Branden Moser – B. May 1, 1989 / Went to Marquette Senior High School / From St. Louis / Studied at The University of Kansas / Lives in Kansas City, Missouri / Musician at Instant Karma / Co-founder at Groove King Records / Worked at Groove King Records

Zach Harris b. July 14, 1995 / Graduated from Liberty High / Studies Percussion at Missouri Western State University / Lives in Kansas City, Missouri / Drummer at Instant Karma / Works at C.M. Mose & Son Inc / Former Drummer at ITLS / Worked at Worlds of Fun

Cole Bales and Branden Moser also play with The Freedom Affair.

Last year’s single 7” vinyl single release, “Give Me Freedom” was released on Sunflower Soul Records. The new music was recorded, mixed, and produced by Chris Hazelton, and mastered by Adam Boose. Instant Karma features Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums.

Colby Bales & Cody Calhoun, thanks for being with us on WMM

Instant Karma play Saturday, June 22, at 8:00 PM at recordBar, 1520 Grand Boulevard, KCMO for SoundMachineKC with Pink Royal, and The Maytags.

More info at: http://www.instantkarmakc.com

11:56

13. Instant Karma – “Give Me Freedom”
from: Give Me Freedom – Single b/w “Shine On” / Sunflower Soul Records / May 11, 2018
[Recorded, mixed, and produced by Chris Hazelton, and mastered by Adam Boose. Instant Karma features Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, Zach Harris on drums. With Caitlin Walker and Grace Sakoulas Griffin-Spain on Background Vocals.]

[Instant Karma plays Saturday, June 22, at 8:00 PM at recordBar, 1520 Grand Boulevard, KCMO for SoundMachineKC with Pink Royal, and The Maytags.]

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Thank you to everyone who donated last week during our Spring Fund Drive Show!

Next week on June 19 we present a special show with Rod Parks.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #790

WMM Playlist from March 20, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 20, 2019

Mike Alexander & Hipshot Killer
+ Patrick Alonzo Conway & Gamelan Genta Kasturi
+ New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

Radkey

2. Radkey – “Spiders”
from: No Strange Cats…P.A.W. / The Century Family / February 22, 2019
[This new 7 song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018 to talk about their performance at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band went back on the road playing shows with The Damned throughout the United States. In December they went back into the studio to record songs for this release with producer Bill Stevenson of the California punk rock group Descendants. In early 2019 they played shows in Amsterdam and Stockholm. Last year the and released “Basement” , “St. Elwood” “Rock & Roll Homeschool” as well as several other singles.]

[Radkey plays The Bottleneck, 737 New Hampshire St, Lawrence, KS, Friday, March 22, at at 7:00 PM with special guests: Drop A Grand, The Bad Ideas, and Wick & The Tricks.]

3. Metric – “Now or Never Now (Radio Edit)”
from: Art of Doubt / MMI-Crystal Math Music-BMG / September 11, 2018
[7th full-length record, from Canadian band Metric founded in 1998 in Toronto, Ontario. Emily Haines on lead vocals, synthesizers, guitar, tambourine, harmonica, piano; James Shaw on guitar, synthesizers, theremin, backing vocals; Joshua Winstead on bass, synthesizers, backing vocals; and Joules Scott-Key on drums & percussion. Although the band is Canadian, Haines was born in India to American parents, and Winstead and Scott-Key are American. The band started in 1998 as a duo formed by Haines and Shaw with the name “Mainstream”. After releasing an EP titled Mainstream EP, they changed the band’s name to Metric. The band’s first studio album, Old World Underground, Where Are You Now?, was released in 2003. Live It Out, released in 2005, was nominated for the 2006 Polaris Music Prize for the “Canadian Album of the Year” and for the 2006 Juno Awards for “Best Alternative Album”. Their third studio album, Grow Up and Blow Away, was recorded in 2001; it was initially planned as their debut album, but was delayed for many years and finally released, with some changes, in 2007. Metric’s fourth album Fantasies was released in 2009. It was shortlisted for the 2009 Polaris Music Prize for “Canadian Album of the Year”, and won the “Alternative Album of the Year” at the 2010 Juno Awards. Metric also won the 2010 “Group of the Year”. The fifth Metric studio album, Synthetica, was released in 2012. The band won two awards at 2013 Juno Awards: “Alternative Album of the Year” for Synthetica & “Producer of the Year” for Shaw. The art director/designer/photographer Justin Broadbent also won an award for “Recording Package of the Year” for Synthetica. Metric’s sixth album, Pagans in Vegas, was released in 2015. Art of Doubt, was produced by Justin Meldal-Johnson.]

[Metric plays The Truman, 601 E. Truman Road, KCMO, Thursday, March 21, at 8:00 PM]

Yola

4. Yola – “Faraway Look”
from: Walk Through Fire / Easy Eye Soud – Nonesuch Records / February 22, 2019
[Yolanda Quartey was born 1984. Known professionally as Yola. She is an English singer-songwriter, from Bristol, England. She became the lead singer of the band Phantom Limb, who released their first album in 2010. She also sang backing vocals for Massive Attack. Yola released her first EP, Orphan Offering, in 2016. In February 2019, she released her debut album Walk Through the Fire on Dan Auerbach’s Easy Eye Sound label, to much acclaim. AllMusic called it “an extraordinary record, one designed to be part of a grand musical tradition, and it contains enough emotion and imagination to earn its place within that lineage.”]

5. Soultru – “Can You Keep A Secret”
from: Soultru & Progeny / Fake Four Inc. / December 25, 2018
[ Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little. Soultru is the latest signing to Kansas City label The Record Machine.]

[Soultru plays SoundMachineKC on Saturday, May 4, at 8:00 PM, with The Freedom Affair, and Duncan Burnett.]

6. Rina Mushonga – “In a Galaxy”
from: In a Galaxy / Rina Mushonga / February 15, 2019
[Rina Mushonga was born in India and raised in Harare, Zimbabwe. She attended college in the Netherlands and eventually moved to Peckham, in London, where her music career ignited. As a child she learned to play guitar and piano and began writing her own songs. She names her influences as Paul Simon, Oliver Mtukudzi, Nina Simone, and Fleetwood Mac. She started out by playing at open-mike nights in Harare. Her 2014 debut, The Wild, The Wilderness, was recorded while she was living in the Netherlands and released on Sony Music. The album contained a folk/rock-influenced sound in the vein of her early influences, but Mushonga was unsatisfied, feeling she was unable to express her authentic self. It was only after she moved to Peckham, a multiculturally rich neighborhood of London, that she felt more at home and able to explore her African heritage in music. The resulting album took five years, as she juggled making music with working and caring for her young daughter. She made a demo with Frans Verburg in Rotterdam, recorded with Brett Shaw at his studio in Peckham, and eventually released “In a Galaxy” on PIAS in 2019. The album has a rich, kaleidoscopic sound incorporating elements of Afro-pop, indie, and electro into a catchy yet experimental whole. ~ John D. Buchanan, Rovi]

7. Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / May 25, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

[Mysterious Clouds play recordBar 1520 Grand Blvd, KCMO, TONIGHT, March 20, at 8:00 pm, opening for The Bright Light Social Hour with Sea Moya.]

8. Rufus Wainwright – “Blue (Live)”
from: Joni 75: A Joni Mitchell Birthday Celebration (Live) / Decca / March 8, 2019
[A Joni Mitchell tribute album, celebrating her 75th birthday, features live renditions of the singer’s songs by Brandi Carlile, Norah Jones, Chaka Khan, James Taylor and many others. The record contains a recording of a tribute concert that was held in her honor in Los Angeles last November. The concert was additionally broadcast in movie theaters on February 7th. Percussionist Brian Blade, who made three studio albums and toured with Mitchell, served as the evening’s co-musical director alongside producer and arranger Jon Cowherd. The evening was presented by the Music Center, a non-profit organization that tries to bring artists and communities together with an eye toward enriching the lives of people living in Los Angeles County. “By honoring Joni Mitchell, an amazing iconic artist, the Music Center had an incredible opportunity to bring her music to Los Angeles audiences,” the organization’s president and CEO, Rachel Moore, said in a statement. “Now that experience can be enjoyed by many more Joni Mitchell fans with an album that allows other music legends to shine a light on her artistry.” Rolling Stone reviewed the concert and called it a “moving tribute show.” “The unifying effect of Mitchell’s music rang out with a closing group singalong to ‘Big Yellow Taxi,’ one of the more ebullient standouts from her oeuvre,” the review reads. “The billed artists stood side by side … and belted the number, a bright rumination on the harrowing effects that man has on society. They each delivered solos, then bowed in unison, as a portrait of Mitchell loomed in the background, a fitting homage to an icon whose presence is still felt, even in her absence.”Mitchell herself, who has been battling health issues, did not take the stage at the event. Joni 75: A Birthday Celebration track list: “Dreamland” – Los Lobos with La Marisoul, Xochi Flores and Cesar Castro “Help Me” – Chaka Khan “Amelia” – Diana Krall “All I Want” – Rufus Wainwright “Coyote” – Glen Hansard. “River” – James Taylor “Both Sides Now” – Seal “Our House” – Graham Nash “A Case of You” – Kris Kristofferson and Brandi Carlile “Down to You” – Brandi Carlile “Blue” – Rufus Wainwright “Court And Spark” – Norah Jones “Nothing Can Be Done” – Los Lobos with La Marisoul, Xochi Flores and Cesar Castro “The Magdalene Laundries” – Emmylou Harris “Woodstock” – James Taylor “Big Yellow Taxi” – La Marisoul, James Taylor, Chaka Khan and Brandi Carlile.]

10:29 – Underwriting

Patrick Alonzo Conway on the March 20, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Patrick Alonzo Conway

Patrick Alonzo Conway is a Kansas City based composer, performer, educator, and independent musician. He holds a Masters in Music Composition from the UMKC Conservatory of Music. He was a founding member of newEar, and he works with Terrestrial Consort, People’s Liberation Big Band of Greater Kansas City, Chris Hazelton’s Boogaloo 7, and BCR. He is a 2012 recipient of the Charlotte Street Foundation Generative Performing Artist Fellow Award. Patrick Alonzo Conway is also the Director of Gamelan Genta Kasturi.

Patrick joins us to share details about Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO.

Patrick Alonzo Conway thanks for being with us again on WMM.

Gamelan Genta Kasturi – Spring Concert w/ guest Balinese artists: I Ketút Gedé Asnawa, Putu Oka Mardiani, Ni Made Nias Yunirika & Ni Nyoman Nias Yonitika

Sunday March 24, 2019 – 1:00 pm – Nelson Atkins Museum – Atkins Auditorium
FREE and open to the public ticket required at the info desk or http://www.nelson-atkins.org

Funds provided through a grant from the Leo Gilbert Wetherill Foundation

For over 16 years KC’s community Balinese gamelan orchestra, Gamelan Genta Kasturi, has been presenting community concerts.

The group’s founder and family return in a special concert of Balinese Music & Dance featuring original compositions by Mr. Asnawa and traditional classics.

Gamelan Genta Kasturi with Balinese Guest Artists, under the direction of I Ketút Gedé Asnawa, featuring his wife Putu Oka Mardiani Asnawa, and two daughters Yunirika Asnawa & Yonitika Asnawa performing several dances with the music.

Mr. Asnawa has been faculty at the University of Illinois, Urbana-Champaign in conjunction with the Robert E. Brown Center For World Music since leaving KaC in 2006. He & his family maintain an active schedule performing, teaching & promoting Balinese Cultural Arts.

Gamelan Genta Kasturi players:

Patrick Alonzo Conway – director, ugal, trompong, kendang; Sam Hughes – assistant director, pemade, kantilan, ceng ceng kopyak; Roy Alanis – jegogan, ceng ceng kopyak; Matt Brahl – kajar, jublag, pemade, ceng ceng kopyak; Malcolm Cook – pemade, ceng ceng kopyak; David Bennett Freeling – jublag, ponggang; Wesley Isaac – pemade, kantilan, ceng ceng kopyak; Sara Koron – gongs; Sean Mawhirter – jegogan, kajar; Lauren Mola – jublag, pemade, kantilan, ponggang; Julian Schempf – pemade, kantilan, ceng ceng kopyak; Wayne Yockey – suling, pemade; Allan Winkler – ceng ceng, kempur

One of the pieces from the program is Kebyar Ding – I Wayan Regog

This composition is credited with being the first Gamelan work that began the wave of “Kebyar” style that swept the entire island of Bali after it’s introduction in 1915. Kebyar has been interpreted as “lightning”, “the bursting open of a flower” and “explosive”. This style is highlighted by abrupt bursts of sound, shifts in tempo, rapid stops and a style of fast succession of themes within a single piece, in contrast with the more evenly colotomic and structured traditional repertoire of Balinese Gamelan.

10:39

9. Gamelan Genta Kasturi – “Keybar Ding”
from: unreleased track / Gamelan Genta Kasturi / Feb, 2011
[This performance taken from 10th Anniversary Concert.]

Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO.

Patrick Alonzo Conway joins us to share details about Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO. Event is open to the public, more info at: http://www.nelson-atkins.org.

Another piece from the program is Sekar Gadung arranged by I Ketút Gedé Asnawa

This composition is an influential resetting of a traditional sacred gamelan selonding work into gamelan semar pegulingan style.

10:45

7. Field recording of I Ketút Gedé Asnawa neighboring Gamelan group – “Sekar Gadung (Semar Pegulingan style)”

Gamelan Genta Special Thanks: Catherina Mueller – Nelson-Atkins Museum; Laura Isaac – Arts Dojo; Leo Wetherill – Leo Gilbert Wetherill Foundation; Karen Williams – Kindness, Inc.; Wayne Yockey; Thaylia Smith

A gamelan is a traditional musical ensemble from Indonesia, typically from the islands of Java and Bali, featuring a variety of instruments such as metallophones, xylophones, kendang (drums) & gongs; bamboo flutes, bowed & plucked strings. Vocalists may also be included. For most Indonesians, gamelan music is an integral part of Indonesian culture.

The term refers more to the set of instruments than to the players of those instruments. A gamelan is a set of instruments as a distinct entity, built and tuned to stay together – instruments from different gamelan are generally not interchangeable.

Patrick Alonzo Conway thanks for being with us again on WMM.

Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO. Event is open to the public, more info at: http://www.nelson-atkins.org.

10:53

11. Shapiro Brothers – “Almost Ready”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. All songs written by Mikal Shapiro, except “Almost Ready” was written by Mikal Shapiro and Chad Brothers.]

[Shapiro Brothers play The Westport Saloon, 4112 Pennsylvania Ave, KCMO, Saturday, March 23, at 8:00 PM with Grant Sabin and the Juke Joint Highball, and Outside Voices.]

12. Sky Smeed – “If You’re Taught You Learn to Be Mean”
from: Leaving Again / Sky Smeed / February 9, 2019
[Sky Smeed told us that he wrote this song while watching the horrible things that happened in Charlottesville, WV a few weeks ago. It’s influenced by a bunch of things for certain. Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays recordBar, 1520 Grand, on Friday, March 22, at 7:00 PM, with Kelly Hunt.]

11:00 – Station ID

13. Hipshot Killer – “New Gillham Park”
from: All This Time is Ours / Throwing Things / January 16, 2016
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016. Hipshot Killer also released a single on Too Much Rock on October 21, 2016 .]

[Hipshot Killer, play an “All This Time is Ours” LP release show, Saturday, March 30, 2019 at 9:00 PM at miniBar 3810 Broadway Rd, KCMO with Midlife from Springfield MO and KC’s own Arson Class.]

Mike Alexander on the March 20, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Mike Alexander

Mike Alexander is lead vocalist & guitarist of Hipshot Killer with Chris Wagner on bass & vocals, and Jon “Buddy” Paul on drums. Hipshot Killer released their debut album Hipshot Killer, on April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016. Hipshot Killer also released a single on Too Much Rock on October 21, 2016. Mike Alexander has been a tireless organizer of the KC area punk scene and has helped to produce multiple years of the Center of the City Fest. Mike also helped to create the 8-song tribute recording, I’ll Repay You: A Benefit for John Fackler – featuring the songs of John Fackler and Jettison . Mike Alexander joins us to share information about Hipshot Killer’s new album All This Time is Ours, and the band’s special – LP Release Show, Saturday, March 30, at 9:00 PM, at miniBar, 3810 Broadway Rd, KCMO, with the Midlife from Springfield MO and KC’s own Arson Class.

Mike Alexander thanks for being with us on WMM.

Drum tracks for All This Time is Ours were recorded at Weights and Measures studio by Duane Trower.

Music tracks were recorded in the bands rehearsal space and then taken back to Weights and Measures to be mastered.

All songs written by Mike Alexander

More information at http://www.hipshotkiller.com

11:12

14. Hipshot Killer – “Breaking the Lease”
from: All This Time is Ours / Throwing Things / January 16, 2016
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016. Hipshot Killer also released a single on Too Much Rock on October 21, 2016 .]

Hipshot Killer

We are talking with Mike Alexander lead vocalist & guitarist of Hipshot Killer with Chris Wagner on bass & vocals, and Jon “Buddy” Paul on drums. Mike Alexander joins us to share information about Hipshot Killer’s new album All This Time is Ours

Mike is also a much sought after guitar player and he regularly performs live and records with John Velghe & The Prodigal Sons, The Starhaven Rounders, and The Architects.

Mike Alexander wrote all the songs on “All This Time is Ours” and then the band further developed them in the recording process.

Hipshot Killer play an All This Time is Ours – LP Release Show, Saturday, March 30, at 9:00 PM, at miniBar, 3810 Broadway Rd, KCMO, with the Midlife from Springfield MO and KC’s own Arson Class. More information at http://www.hipshotkiller.com

11:25

15. Hipshot Killer – “Perfect Midnight Sky”
from: All This Time is Ours / Throwing Things / January 16, 2016
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016.]

11:31 – Underwriting

16. Durand Jones and The Indications– “Don’t You Know”
from: American Love Call / Dead Oceans / March 1, 2019
[Bayou-born soul sensation, Durand Jones got his start in the church, after being forced to sing in the choir of his rural hometown Hillaryville, Louisiana because his Grandmother thought he sang too much at home. When his music career took him to Bloomington, Indiana, he was selected to join the legendary Indiana University Soul Revue, and it was through his involvement that he met writer/producer duo Aaron Frazer and Blake Rhein. The three began writing original soul music, recording themselves straight to tape in the basements of Bloomington – and their debut album is now available on Colemine Records.]

[Durand Jones & The Indications play recordBar, 1520 Grand, Sat. April 6, at 7:00 with Ginger Root]

17. Payge Turner – “Wyld (feat. The Authors)”
from: Wyld – Single / Payge Turner / September 21, 2018
[4th Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays The Rino, 314 Armour Rd, North Kansas City, Tomorrow, March 21, at 7:00 PM, with Tom West, Chase The Horseman and Erica Joy.]

[Payge Turner plays Voltaire 1617 Genessee St, KCMO, Sat, March 23, at 10:30 PM with Jessica Paige.]

18. Sugarpulp – “Open Yr Mouth”
from: Teeth / Sugarpulp Records / February 22, 2019
[Chicago based rock dance rock glam psych band with Deb Chesterman on keyboards & vocals; Sam Allyn on guitar, synthesizers, & programming; Patrick Riley on drums; and Patrick Foley on bass. All songs written and produced by Sugarpulp. Recorded and Mastered by Mike Hagler.]

[Sugarpulp plays miniBar 3810 Broadway Rd, KCMO, TONIGHT, Wednesday,march 20, at 9:00 PM with Golden Groves, Salty, and Ethan Eckert.]

19. Kill Vargas – “What We Don’t Know”
from: Laugh It Off / Kill Vargas / April 2, 2019
[Wichita, Kansas based band with Logan Bush on drums, Austin Engler on bass, Griffin Bush on guitar & vocals, and Trent Gaddie on guitar]

[Kill Vargas plays Sister Anne’s – Records and Coffee, 901 E 31st St, KCMO Saturday, March 30, 2019 at 5:00 PM with Red Kate, Busey, Ultrasounds, VidCo Kult.]

20. VidCo Kult – “Tim Allen’s Demolition Kitchen”
from:Enrollment Opportunities : Tangential Life Trajectories Ensuring Physical and Spiritual Greatness Through the Power of Devotional Subjugation / Double Double Whammy / March 1, 2019
[VidCo Kult is a musical trio involving Bob Lyons, Tripp Kirby and Keith. They are based in Kansas City, Missouri. Aside from live performances of original material, they mostly argue about comic books and science fiction.]

[VidCo Kult plays Sister Anne’s – Records and Coffee, 901 E 31st St, KCMO Saturday, March 30, 2019 at 5:00 PM with Red Kate, Busey, Ultrasounds, and Kill Vargas.]

21. Adia Victoria – “Different Kind of Love”
from: Silences / Atlantic Recording Corporation / February 22, 2019
[Adia Victoria was born July 22, 1986. She is an American singer and songwriter, known for her “gothic blues” musical style. In addition to playing and writing music, she also writes poetry. She is currently based in Nashville. Adia Victoria was born in Spartanburg, South Carolina and is one of six siblings. Her father is Trinidadian. She was raised as a Seventh-day Adventist and she attended church schools until in the 6th grade, her mother enrolled her in public school. Shortly after, her parents divorced and Victoria began to write poetry and short stories as a means of coping. Being moved from the world of Seventh-day Adventists to a public school was difficult for Victoria, who didn’t feel like she fit in. Victoria and her siblings often spent time with her maternal grandparents who lived near Campobello. She attended Landrum Junior High School in Campobello. Her family also left the Adventist church before Victoria attended high school, which allowed her to explore music she hadn’t been exposed to before, like Kurt Cobain, Miles Davis and Fiona Apple.After high school, she went to New York for a time, in an attempt to “strike it big in a new city.” In 2007, she left New York for Atlanta. On her 21st birthday, a friend gave her a guitar and she began to work with blues music. Victoria moved to Nashville in 2010. She chose Nashville as a place where she could live anonymously. In Nashville, she earned her GED and then took French in college. She began to perform around Nashville. In 2016, she performed at South by Southwest. Her personal “look” was noticed by Vogue for its “Afropop” roots. However, Victoria states that she doesn’t like to be “fetishized” for her looks, saying, “People think that because you are attractive, you owe the world something, to let them consume you.” Victoria began her career with a backing band consisting of Ruby Rogers, Tiffany Minton, and Mason Hickman. Later, she began working with a different group, and they debuted together in January 2016.Victoria’s first single release was “Stuck In the South”, which was described on All Things Considered as a “very swampy mysterious kind of slow-burning song.” Rolling Stone describes her as “PJ Harvey covering Loretta Lynn at a haunted debutante ball.” Her live performances are described by Wondering Sound as angry and “furious and feral.” American Songwriter calls her stage presence “commanding.” Victoria’s full-length debut, Beyond the Bloodhounds, was produced by Roger Moutenot, The name of the album is a reference to Incidents in the Life of a Slave Girl by Harriet Jacobs. The predominant theme of her first album is dealing with life in her twenties. Moutenot has previously collaborated with Yo La Tengo and also produced her first single. Canvasback is her current record label]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on March 27 we welcome Steven Ervay and Savanna Howland of Playlistplay

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #778

Wednesday MidDay Medley presents Hipshot Killer + Gamelan Genta Kasturi

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 20, 2019

Mike Alexander & Hipshot Killer
+ Patrick Alonzo Conway & Gamelan Genta Kasturi
+ New & MidCoastal Releases

Mark spins New & MidCoastal Releases from: VidCo Kult, Kill Vargas, Payge Turner, Radkey, Hipshot Killer, Sky Smeed, Mysterious Clouds, Soultru, Shapiro Brothers, Yola, Metric, Durand Jones & The Indications, Sugarpulp, Rina Mushonga, Adia Victoria, and Rufus Wainwright.

Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO.

At 10:30 Patrick Alonzo Conway shares music and details about Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO. The Spring Concert features guest Balinese artists: I Ketút Gedé Asnawa, Putu Oka Mardiani, Ni Made Nias Yunirika and Ni Nyoman Nias Yonitika. The show features original music composed by I Ketút Gedé Asnawa with choreography and costumes by Putu Oka Mardiani and by I Nyoman Kaler. ​Funds were provided through a grant from the Leo Gilbert Wetherill Foundation. This event is FREE and open to the public, however tickets are required and can be obtained at the Nelson info desk or http://www.nelson-atkins.org.

Hipshot Killer

At 11:00 Mark talks with Mike Alexander of Hipshot Killer about the band’s new album, All This Time Is Ours. Hipshot Killer is a Kansas City power-punk three piece band made up of Mike Alexander on lead vocals & lead guitar, Chris Wagner on bass & vocals, and Jon “Buddy” Paul on drums. Hipshot Killer play an All This Time is Ours – LP Release Show, Saturday, March 30, at 9:00 PM, at miniBar, 3810 Broadway Rd, KCMO, with the Midlife from Springfield MO and KC’s own Arson Class. More information at http://www.hipshotkiller.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #778

WMM Playlist from April 25, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 25, 2018

Grand Marquis + Cris Williamson + John Keck +
Patrick Alonzo Conway & Gamelan Genta Kasturi

10:00 – Station ID

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

Caroline Lee & Barry Lee

We lost one of our own at KKFI as Caroline Lee passed away early in the morning on Wednesday, April 18th, surrounded by her family. Caroline was married to Barry Lee. Together they have been a constant presence in the area music scene and on the radio. Caroline was an early volunteer and organizer for 90.1 FM. When the station went the air in 1988 Caroline hosted and produced “Watusi Rodeo,” (one of the first alternative country radio shows). When that program ended its run, she was often a guest-host on, Signal To Noise. Barry Lee will present a radio memorial for Caroline on May 4th at 9:00 pm. There will also be a concert at Knuckleheads Saloon in July in her memory.

In honor of Caroline’s passing I would love to play a song from Cris Williamson’s 2001 release “Ashes,” 12 original songs about transformation, love, and the Phoenix rising. Helping Cris with the vocals is her friend Bonnie Raitt.

10:01

2. Cris Williamson – “Cry Cry Cry”
from: Ashes / Wolf Moon Records / September 18, 2001
[Written by Cris Williamson. Produced by Teresa Trull. Lead vocals – Cris Williamson, piano – Bonnie Hayes, supporting vocals – Bonnie Raitt, string arrangments & keyboard – Frank Martin, violin – Jeremy Cohen.]

[Cris Williamson will be in KC for the first time in 10 years, at All Souls Unitarian Universalist Church Kansas City, Missouri, 4501 Walnut, Saturday, April 28, at 7:00 pm. ]

10:07

3. John Keck – “Dear Life”
from: Out In The Cold – 12th Street Singles / John L. Keck / Expected May 2018
[Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals; Shannon O’Shea on violin; Chase Horseman on bass, drums, organ, & wurlitzer. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th Street in downtown Kansas City, Missouri. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. More at: http://www.johnlkeck.com]

[John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence.]

[John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO]

10:11 – Interview with John Keck

John Keck on the April 25, 2018 edition of Wednesday MidDay Medley on KKFI.

Kansas City based singer songwriter John Keck joins us to share music from his new EP, Out In The Cold – 12th Street Singles. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis.

John Keck, thanks for being with us on Wednesday MidDay Medley

Out In The Cold – 12th Street Singles. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th St. in downtown KCMO.

Produced, engineered, & mixed by Chase Horseman at Element Recording Studios.

John Keck’s mom was a teacher.

Missouri Queen.

John’s words – This is an ode to my single mother and the advice she’s given me. I wanted a short biographical song that allows me to give a frame of reference for where all of my songs come from and this was born. My Grandfather flew a B-29 in WWII called the “Missouri Queen”. There were Japanese fighters with floodlights on their noses that would chase the B-29s and light them up so they could be shot down. She told me that he would say “Don’t get caught in the light”, which is advice that she passed down for me to interrupt My Dad was a pilot and always gone when i was growing up, I would look up at the stars and confuse them with taillights of airplanes. Hence the shooting stars. When my parents separated, my mom returned to the farm where my grandparents lived and it became an integral part of my life. When I pushed my mom for more advice for the song she repeated what she has always told me, which is this story. “A Persian king asked the wisest man of his country for advice that would always be true, and he replied ‘This too shall pass’”

10:20

4. John Keck – “Missouri Queen”
from: Out In The Cold – 12th Street Singles / John L. Keck / Expected May 2018
[Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th Street in downtown Kansas City, Missouri. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. More at: http://www.johnlkeck.com]

10:22 – Interview with John Keck

John Keck

We are talking with Kansas City based singer songwriter John Keck joins us to share music from his new EP, Out In The Cold – 12th Street Singles. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis.

John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence.

John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO.

“Song For Mother”

John’s words – The last piece began after the shooting in Ferguson, MO. In following weeks I heard an interview with a woman who was protesting, I remember her saying “We’re just trying to keep our sons alive in the streets, don’t you understand, why can’t people understand”. Her voice stayed with me, haunting me as I watched and read about shooting after shooting. Eventually I dreamt a conversation with a mother who has been confronted all of her days with the death of their child. I woke up and sang this song to myself in the middle of the night. At first she is hesitant to say anything, but then can’t stop herself, going through grief, confusion, sadness, anger, frustration and finally feeling hopeless, pointless. The faint piano represents the child voice/spirit and the violin is speaking for the mother.

John’s words – Just before recording I spoke to the violinist, Shannon O’Shea, I told her what the song represented and asked her to play a solo with that represents the physical struggle when you’re sobbing so hard you can’t control your breath.

John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence. John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO.

10:30

4. John Keck – “Song For Mother”
from: Out In The Cold – 12th Street Singles / John L. Keck / Expected May 2018
[Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals; Shannon O’Shea on violin; Chase Horseman on piano & pump organ. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th Street in downtown Kansas City, Missouri. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. More at: http://www.johnlkeck.com]

[John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence.]

[John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO]

10:34 – Underwriting

6. Gamelan Genta Kasturi – “Sekar Jagat”
from: unreleased track “welcoming dance” / Gamelan Genta Kasturi /
[written by Patrick Alonzo Conway]

10:39 – Interview with Patrick Alonzo Conway

Patrick Alonzo Conway on the April 25, 2018 edition of Wednesday MidDay Medley on KKFI.

Patrick Alonzo Conway is a Kansas City based composer, performer, educator, and independent musician. He holds a Masters in Music Composition from the UMKC Conservatory of Music. He was a founding member of newEar, and he works with Terrestrial Consort, People’s Liberation Big Band of Greater Kansas City, Owen/Cox Dance Group, Mambo DeLeon, Chris Hazelton’s Boogaloo 7, Expassionates, and BCR. He is a 2012 recipient of the Charlotte Street Foundation Generative Performing Artist Fellow Award. Patrick Alonzo Conway is also the Director of Gamelan Genta Kasturi.

Patrick joins us to share details about KC’s Gamelan Genta Kasturi – 15th Anniversary performance at The Nelson Atkins Museum of Art, Sunday, April 29 at 2:00 PM.

Patrick Alonzo Conway thanks for being with us again on WMM.

Congratulations on KC’s Gamelan Genta Kasturi – 15th Anniversary!

The performance will feature guest Balinese artists: I Ketút Gedé Asnawa, Putu Oka Mardiani, Ni Made Nias Yunirika and Ni Nyoman Nias Yonitika;

University of Illinois Urbana-Champaign Gamelan Students: Putu Tangkas Hiranmayena, Ika Putri and Fedelia Trivianti;

and The Indonesian Community of KC Dancers; plus special guest Shawn Hansen on electronics.

This concert of will demonstrate traditional and modern Balinese Gamelan Music and Dance. This event is free, but requires a ticket to enter.

To reserve tickets: https://nelson-atkins.org/events/performance-gamelan-genta-kasturi-15th-anniversary-concert/

For over 15 years KC’s community Balinese gamelan orchestra, Gamelan Genta Kasturi, has been presenting community concerts.

The group’s founder and family return in a special concert of Balinese Music & Dance featuring original compositions by Mr. Asnawa and traditional classics.

Gamelan Genta Kasturi

Gamelan Genta Kasturi with Balinese Guest Artists, under the direction of I Ketút Gedé Asnawa, featuring his wife Putu Oka Mardiani Asnawa, and two daughters Yunirika Asnawa & Yonitika Asnawa performing several dances with the music.

Mr. Asnawa has been faculty at the University of Illinois, Urbana-Champaign in conjunction with the Robert E. Brown Center For World Music since leaving Kansas City in 2006. He and his family maintain an active schedule performing, teaching and promoting Balinese Cultural Arts.

Gamelan Genta Kasturi have been Studio Residents as part of the Charlotte Street Foundation/Urban Culture Project Studio Residency Program.

Gamelan Genta Kasturi, premiered a large scale collaborative work in 2011 featuring his Patrick Alonzo Conway’s original composition Angels & Demons at Play through Urban Culture Project and ArtSounds.

A gamelan is a traditional musical ensemble from Indonesia, typically from the islands of Java and Bali, featuring a variety of instruments such as metallophones, xylophones, kendang (drums) & gongs; bamboo flutes, bowed & plucked strings. Vocalists may also be included. For most Indonesians, gamelan music is an integral part of Indonesian culture.

The term refers more to the set of instruments than to the players of those instruments. A gamelan is a set of instruments as a distinct entity, built and tuned to stay together – instruments from different gamelan are generally not interchangeable.

Bali is a province of Indonesia. The province covers a few small neighboring islands as well as the isle of Bali. The main island is located in the westernmost end of the Lesser Sunda Islands, lying between Java to the west and Lombok to the east. It is one of the country’s 34 provinces w/ the provincial capital at Denpasar towards the S. of the island.
Patrick Alonzo Conway went to Bali.

Kansas City’s Gamelan Genta Kasturi – 15th Anniversary performance at The Nelson Atkins Museum of Art, Sunday, April 29 at 2:00 PM. http://www.gamelangentakasturi.org

https://nelson-atkins.org/events/performance-gamelan-genta-kasturi-15th-anniversary-concert/

10:57

7. Gamelan Genta Kasturi – “Samvartaka”
from: Rehearsal recording / Gamelan Genta Kasturi /
[Original composition written by Patrick Alonzo Conway for 20th aniversary of Charlotte Street Foundation.]

11:00 – Station ID

Grand Marquis

8. Grand Marquis – “Another Lover”
from: Brighter Days / King Forward Records / April 28, 2018

11:04 – Interview with Bryan Redmond and Ben Ruth

Grand Marquis were founded in 1998, over the last 20 years they have logged well over 2000 performances from Seattle to South Beach Miami playing their very own mix of American Roots, Blues, & Prohibition Jazz. They have now released 8 albums including a 7” 45 rpm vinyl recorded at legendary Sun Studio in Memphis, TN. Grand Marquis write powerful original songs and mix classic standards into their sets. Bryan Redmond on lead vocals & saxophones, Chad Boydston on trumpet, Trevor Turla on trombone, Ryan Wurtz on guitar, Ben Ruth on upright bass & sousaphone, and Fritz Hutchison on drums.

Grand Marguis are releasing their new album, Brighter Days and play a Brighter Days – Release Party on Saturday, April 28, at 8:30 at Knuckleheads, with Victor & Penny, and Brandon Phillips and The Condition.

Bryan Redmond and Ben Ruth thanks for being with us on Wednesday MidDay Medley.

Grand Marquis are playing the Zoo Bar in Lincoln Nebraska, Friday, April 27.

“This band plays as if the joint was literally on fire.” Billtown Blues Association

“Completely infectious…it begs to be played loud, it begs to be danced to!” Boston Blues Review

“…moving the genre forward into the next century.” Graham Clarke, Blues Bytes

“Few bands have more fun or produce more joy in an audience while onstage.” Jason Harper, The Pitch

Accolades:

2013 International Blues Challenge Finalists: “Best Self-Produced CD”
2011 International Blues Challenge Finalists (The Blues Foundation)
2011 Best Blues Band – The Pitch (Kansas City, MO)
2010 Topeka Blues Society International Blues Challenge Champions
2007 Best Jazz Band – The Pitch (Kansas City, MO)
2006 Best Jazz Band – The Pitch (Kansas City, MO)
2006 Best Local Band – The X Entertainment Magazine (Kansas City metro area)

11:12

9. Grand Marquis – “Brighter Days”
from: Brighter Days / King Forward Records / April 28, 2018

11:16 – More Interview with Bryan Redmond and Ben Ruth

Bryan Redmon and Ben Ruth of Grand Marquis on the April 25, 2018 edition of Wednesday MidDay Medley on KKFI.

Grand Marquis Discography:

“Brighter Days”2018
“Blues and Trouble” 2013
“The Sun Session” 2011
“Hold On To Me” 2010
“One More Day” 2007
“Grand Marquis” 2004
“Le Chant Du Diable Bleu” 2002
“Burlesk” 2000

The band has grown and evolved over the years.

Grand Marquis are Bryan Redmond on lead vocals & saxophones, Chad Boydston on trumpet, Trevor Turla on trombone, Ryan Wurtz on guitar, Ben Ruth on upright bass & sousaphone, and Fritz Hutchison on drums. Brighter Days is the band’s 8th release. Grand Marquis play a Brighter Days – Release Party on Saturday, April 28, at 8:30 at Knuckleheads, with Victor & Penny, and Brandon Phillips and The Condition.

Bryan Redmond and Ben Ruth have kept this band alive and made all of this music while also growing families and raising kids.

Ben Ruth also plays in the bands: The Hardship Letters, Be/Non.

http://www.grandmarquis.net

Grand Marguis are releasing their new album, Brighter Days and play a Brighter Days – Release Party on Saturday, April 28, at 8:30 at Knuckleheads, with Victor & Penny, and Brandon Phillips and The Condition.

11:23

10. Grand Marquis – “Many Rivers to Cross”
from: Brighter Days / King Forward Records / April 28, 2018

11:28 – Underwriting

11. Cris Williamson – “Motherland”
from: Motherland / Wolf Moon Records / November 14, 2017
[30th release from legendary singer songwriter. Produced by Julie Wolf.]

11:34 – Interview with Cris Williamson

Cris Williamson

Legendary singer songwriter Cris Williamson recently released her 32nd album, Motherland. Cris Williamson is a brilliant songwriter, poet, pioneer, and renegade who recorded her first album in the 1964 when she was sixteen. Cris Williamson’s groundbreaking album, The Changer and the Changed, was released in 1975, and became one of the best-selling independent releases of all time, selling over 500,000 copies. The sales of these records allowed the independent label Olivia Records to release music from a whole new movement of diverse female artists, all overlooked by mainstream music. Cris Williamson helped to forge a historic movement in the male dominated music industry, fostering the creation of completely female owned record labels, touring companies, and music festivals. The movement, (often misclassified as a genre) was about opening the doors, and smashing glass ceilings, for so many women to follow, who had been shut-out of the game, simply because of their gender. Cris seemed to shrug all of that off with an earthy sexy confidence that makes audiences swoon for her. She wrote music for people desiring to find their own identities in modern folk and pop music. No one had ever courageously written and performed so many brilliant full length albums of songs by women, about women, for women. At the same time, these songs are universal to us all. These songs were all impeccably and professionally produced and have stood the test of time and could go up against any of the songs by Jackson Browne, Bonnie Raitt, or James Taylor. Only difference is mainstream radio and television has almost completely ignored Cris Williamson. Despite this injustice, through her amazing voice, and spirit, and open heart, Cris has helped make the world a better place for all female and LGBTQIA artists who follow the path she cleared. We owe her for that. Cris Williamson has written and recorded hundreds of beautiful, incredible songs, while remaining one of our most underrated singer songwriters of the last 50 years. If you’ve never seen her in concert, now is your chance! Cris Williamson will be in KC for the first time in 10 years, at All Souls Unitarian Universalist Church , 4501 Walnut, on Saturday, April 28, at 7:00 pm.

Cris Williamson thanks for being with us on Wednesday MidDay Medley

On Motherland we just heard the title track, a song Cris wrote. All of the other songs on the new record are written by her musical contemporaries of the past 50 years: Joni Mitchell, Eliza Gilkyson, Laura Nyro, Patty Griffin, Bob Dylan, Jackson Brown, James Taylor, Leonard Cohen & Jennifer Warnes. We’ve heard you cover songs from Joni Mitchell & James Taylor on earlier releases.

Cris Williamson was part of NPR Music’s 2017 feature on The 150 Greatest Albums Made By Women with her record – The Changer and the Changed: A Record of the Times (Olivia Records, 1975)

Cris Williamson

From NPR Music’s The 150 Greatest Albums Made By Women (7/24/2017):
“I’m kind of hand-carried, person to person,” Cris Williamson told the journalist Ben Fong-Torres in 1981, when asked how people discovered her music. “There are secretaries who’ve told me they can’t get through the day without running home during lunch hour and playing it.” Such was the impact of the Wyoming native’s voice, clear as a mountain stream, and her empathetic songwriting, which made this album one of the best-selling independent releases of all time and the cornerstone of the feminist “women’s music” movement. Produced by Williamson and featuring dozens of the era’s finest women musicians — including guitarists Meg Christian and June Millington, bass virtuoso Jacqueline Robbins and vocalists Holly Near and Margie Adam — Changer blended pop, country and folk elements in songs that were both cuttingly intimate and generously communal. (A few featured large choruses inspired by the sing-alongs women’s music artists inspired in concert.) Williamson’s own keyboard playing ranged from contemplative to dance-floor funky. The clear and confident lesbian desire behind love songs like “Sweet Woman” and “Dream Child” made Williamson a sex symbol; her philosophical side made Changer a record of spiritual growth, too. Speaking what at the time remained mostly unspoken in pop, this album truly changed lives. —Ann Powers (NPR Music)

Cris Williamson

From http://www.smithsonianmag.com:
Ginny Berson belonged to the Furies collective, a radical, separatist household that published journals, taught classes, and advocated communal living apart from men. Judy Dlugacz, 20, had postponed law school to pursue lesbian activism and was interested in finding an economically workable means of serving the women’s community. Performing as a folk musician at area clubs and coffeehouses, Meg Christian was eager to meet other women songwriters like Cris Williamson—who had released her first album in 1964 at age 16.

When Williamson came on tour to D.C., Christian and Berson not only arranged to bring other women’s music fans to the concert; in a gesture that changed history, they also scheduled a follow-up interview on Georgetown University’s “Radio Free Women” program. On the show, Berson spoke about how she and other members of the Furies collective were searching for a bigger project to invest in— “something that’s for women, by women, and supported by women’s money”—and Williamson responded with a simple yet provocative suggestion, “Why don’t you start a women’s record company?”

It has been over 10 years since Cris Williamson has been back to Kansas City.
Cris will be playing at All Souls Unitarian Universalist Church Kansas City, Missouri, 4501 Walnut, Saturday, April 28, at 7:00 pm.

Cris is also doing a show in St. Louis on April 28, at MCC of St. Louis

http://www.criswilliamson.com

Never one to rest on her laurels, to which Cris replied laughing, “What Laurels?” In the last 17 years Cris have released 11 full length albums (a few of those were double albums). That works out to be a new album every year and half. Considering the process of writing, recording, mastering, raising the funds to produce and launch a new record, we asked Cris to share what she might be currently working on for the next release. She told us that she has a back log of new songs she has written and collected and from those songs she is working through what she may release next. She has been playing with the idea of releasing an album of American standards, but held back because so many other musicians have been doing this.

(Note: The laurels that are being referred to when someone is said to ‘rest on his laurels’ are the aromatically scented Laurus Nobilis trees or, more specifically, their leaves. The trees are known colloquially as Sweet Bay and are commonly grown as culinary or ornamental plants. Rest on his laurels. The origins of the phrase lie in ancient Greece, where laurel wreaths were symbols of victory and status.)

Throughout the last 15 years Cris Williamson has also conducted Songwriting Workshops.

This summer Cris will be traveling to Norway with Olivia Cruises, and returning to National Women’s Music Festival, and in the fall, attending Women’s Week in Provincetown.

11:55

12. Cris Williamson – “Woman”
from: Motherland / Wolf Moon Records / November 14, 2017
[30th release from legendary singer songwriter. Produced by Julie Wolf.]

[Cris Williamson will be in KC for the first time in 10 years, at All Souls Unitarian Universalist Church Kansas City, Missouri, 4501 Walnut, Saturday, April 28, at 7:00 pm. ]

13. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on May 2, Marion Merritt of Records With Merritt, returns as our Guest Producer sharing musical discoveries and information from her encyclopedic brain. Also next week, Barry Lee joins us to share information about, An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS where Signal to Noise’s Barry Lee hosts an All-Star group of KC & Lawrence musicians in a benefit for KPR’s Audio Reader Network. The evening will highlight the quieter side of the Beatles’ music. Special guests The Volker Brothers (David George & Eric Voeks) will open the show with a set of acoustic Beatles songs.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #731

Wednesday MidDay Medley presents Grand Marquis + Cris Williamson + John Keck + Patrick Alonzo Conway & Gamelan Genta Kasturi + Purple Skunk Funk Band

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 25, 2018

Grand Marquis + Cris Williamson + John Keck +
Patrick Alonzo Conway & Gamelan Genta Kasturi
+ Purple Skunk Funk Band

Mark plays more New & MidCoastal Releases from: Grand Marquis, John Keck, Gamelan Genta Kasturi, Cris Williamson, and Yuno.

John Keck

At 10:05 John Keck joins us to share music from his new EP, Out In The Cold – 12th Street Singles. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. John Keck will be in concert with John Statz on Friday, April 27 at Replay Lounge in Lawrence. John Keck will be in concert with John Statz, and Kelly Hunt, Saturday, April 28, at 7:00 pm at Pilgrim Chapel, 3801 Gilliam Rd, KCMO. More info at: http://www.johnlkeck.com

Gamelan Genta Kasturi

At 10:25 Patrick Alonzo Conway shares information about KC’s Gamelan Genta Kasturi – 15th Anniversary performance at The Nelson Atkins Museum of Art, Sunday, April 29 at 2:00 PM. The performance will feature guest Balinese artists: I Ketút Gedé Asnawa, Putu Oka Mardiani, Ni Made Nias Yunirika and Ni Nyoman Nias Yonitika; University of Illinois Urbana-Champaign Gamelan Students: Putu Tangkas Hiranmayena, Ika Putri and Fedelia Trivianti; and The Indonesian Community of KC Dancers; plus special guest Shawn Hansen on electronics. This concert of will demonstrate traditional and modern Balinese Gamelan Music and Dance. This event is free, but requires a ticket to enter. To reserve tickets: https://nelson-atkins.org/events/performance-gamelan-genta-kasturi-15th-anniversary-concert/

Purple Skunk Funk Band

At 10:45 Joe Athon and friends share stories about their 1990’s group, the Purple Skunk Funk Band who had their official last show on March 15, 1997 at Bodies Flip City. The band got back together 22 years later in 2016 and had so much fun that they’ve decided to have another special reunion show this Saturday, April 28, at Knuckleheads, 2715 Rochester Street, KCMO, with Beam & Eads.

Grand Marquis

At 11:00 members of Grand Marquis join us to share music from their new album, Brighter Days. Grand Marquis are Bryan Redmond on lead vocals & saxophones, Chad Boydston on trumpet, Trevor Turla on trombone, Ryan Wurtz on guitar, Ben Ruth on upright bass & sousaphone, and Fritz Hutchison on drums. Brighter days is the band’s 7th release. Grand Marquis play a Brighter Days – Release Party on Saturday, April 28, at 8:30 at Knuckleheads, 2715 Rochester Street, KCMO, on with Victor & Penny, and Brandon Phillips and The Condition. More info at: http://www.grandmarquis.net

Cris Williamson

At 11:30 Mark talks with legendary singer songwriter Cris Williamson who has just released her 31st album, Motherland. Cris Williamson’s groundbreaking album, The Changer and the Changed, released in 1975, became one of the best-selling independent releases of all time. As William Ruhlmann of AllMusic writes: “The Changer and the Changed was to women’s music what Michael Jackson’s Thriller was to the music industry in general in the mid-’80s, an album that sold far beyond the perceived size of the market, more than 100,000 copies in its first year of release. Eventually, it reportedly sold more than 500,000 copies. Cris Williamson will be in KC for the first time in 10 years, at All Souls Unitarian Universalist Church, 4501 Walnut, KCMO, Saturday, April 28, at 7:00 pm. More information at https://www.brownpapertickets.com/event/3368089

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #731

WMM Playlist from May 15, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 15, 2013

I’ll Take You There – Conversations with Mike Webber
+ Patrick Alonzo Conway & Gamelan Genta Kasturi
+ Spinning Tree Theatre’s “Hello Again”

1. Bloodbirds – “What Goes On”
from: Covers / Independent / July 30, 2012
[Originally recorded by Velvet Underground brought back to life by: KC based Psychedelic post-punk trio Mike Tuley, Brooke Tuley and Anna St. Louis. The band writes on their Bandcamp page that these are: “Various covers recorded at various times when we became frustrated with our own music during recording.”]

[Bloodbirds plays this year’s KC Psychfest, May 17 and 18, at FOKL, 556 Central Ave, Kansas City, Kansas, and Monta HQ in downtown Kansas City, Kansas. More info at: KCPSYCHFEST.COM.]

2. Monta At Odds – “in Six Measured Steps”
from: Midwestern Audio Vol. 1 / Midwest Music Foundation / September 23, 2012
[Monta At Odds’ main men, brothers Dedric & Delaney Moore, work with ambient textures, vintage keyboards in states of disrepair, guitars, melodic bass, and a variety of other found instruments that create their “technicolor sound.” Constructed to include diverse elements of detailed beats, quiet sparseness, Bollywood funk, Italian ‘60s cinema and outthere jazz. Now recording with Upstairs Recordings.]

[“Midwestern Audio Vol. 1” is a compilation assembled for Midwest Music Foundation by Brenton Cook and co-sponsored by Ink Magazine featuring over 40 bands. More information at MidwestMusicFound.org Brenton Cook will be at KC Psychfest with this new compilation.]

[Monta At Odds plays this year’s KC Psychfest, May 17 and18, at FOKL, 556 Central Ave, Kansas City, Kansas, and Monta HQ in downtown Kansas City, Kansas. More info at: KCPSYCHFEST.COM.]

3. Gamelan Genta Kasturi – “Angels and Demons At Play”
from: Angels and Demons At Play / Independent / February 27,2011
[“Angels & Demons at Play” was originally produced, Feb. 25, 26 and 27, 2011, at La Esquina (an Urban Culture Project venue) 1000 West 25th Street, KCMO. The work included original compositions written by Patrick Alonzo Conway for the Gamelan Orchestra, performed by Gamelan Genta Kasturi. The performance included Dwight Frizzell (clarinet & altoclarinet), & Shawn Hansen (piano, toy piano.) It also featured shadow puppets by Allan Winkler, original choreography, electronic visual media, original lighting design]

10:15– Interview with Patrick Alonzo Conway

KC’s community Balinese gamelan orchestra, Gamelan Genta Kasturi, is celebrating 10 Years, with a special concert, Sat May 18, 4:00 pm, in the Truman Forum of the Plaza Branch of the KC Public Library, 4801 Main St, showcasing material from 10 years.

Director Patrick Alonso Conway joined us to share information on this special concert from Gamelan Genta Kasturi.

“Angels and Demons at Play” was composed by Patrick Alonso Conway for Charlotte Street Foundation’s Urban Culture Project, in partnership with ArtSounds (a collaboration between the UMKC Conservatory of Music and Dance and the Kansas City Art Institute.)

Gamelan Genta Kasturi, is celebrating 10 Years, in a special Concert, Saturday May 18, 4:00 pm, in the Truman Forum of the Plaza Branch of the KC Public Library, 4801 Main St, KCMO, showcasing material from 10 years, including traditional Balinese and original compositions by founder I Ketút Gedé Asnawa and current director Patrick Alonzo Conway, with visual images by artist Jennifer Lynn Williams and shadow imagery by artist Nihan Yesil.

A gamelan is a traditional musical ensemble from Indonesia, typically from the islands of Java and Bali, featuring a variety of instruments such as metallophones, xylophones, kendang (drums) & gongs; bamboo flutes, bowed & plucked strings. Vocalists may also be included. For most Indonesians, gamelan music is an integral part of Indonesian culture.

The term refers more to the set of instruments than to the players of those instruments. A gamelan is a set of instruments, as a distinctentity, built and tuned to stay together – instruments from different gamelan are generally not interchangeable.

Bali is a province of Indonesia. The province covers a few small neighboring islands as well as the isle of Bali. The main island is located in the western most end of the Lesser Sunda Islands, lying between Javato the west and Lombok to the east. It is one of the country’s 34 provinces with the provincial capital at Denpasar towards the S. of the island.

Patrick Alonzo Conway went to Bali.

With a population recorded as 3,891,428 in the 2010 census, and currently 4.22 million, the island is home to most of Indonesia’s Hindu minority. In the 2000 census about 92.29% of Bali’s population adhered to Balinese Hinduism while most of the remainder, follow Islam. It is also the largest tourist destination in the country and is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metal working, and music. A tourist haven for decades, Bali has seen a further surge in tourist numbers in recent years.

Kansas City’s community Balinese gamelan orchestra, Gamelan Genta Kasturi, is celebrating 10 Years, with a special concert, Saturday May 18, 4:00 pm, in the Truman Forum of the Plaza Branch of the KC Public Library, 4801 Main St, KCMO, showcasing material from 10 years, including traditional Balinese and original compositions by founder I Ketút Gedé Asnawa and current director Patrick Alonzo Conway, with visual images by artist Jennifer Lynn Williams and shadow imagery by artist Nihan Yesil. Info:gamelangentakasturi.org.

10:29 – Underwriting

4. David Evans, John Cameron Mitchell – “Listen to The Music”
from: Hello Again (Original Cast Recording) / BMG / June 28,1994

10:30 – Interview with Andy Parkhurst and Charles Fugate of Spinning Tree Theatre

Spinning Tree Theatre‘s is presenting the Kansas City premiere of “Hello Again,” an Obie-winning musical that first premiered off Broadway in 1993. Adapted from Arthur Schnitzler’s play “La Ronde,” written in 1903, which depicts a chain of relationships. The musical open last friday and show runs through May 26 at the Off Center Theatre on the third level of Crown Center. For more information: Call 816-842-9999 or go to spinningtreetheatre.com.

“Hello Again” Co-Director and Spinning Tree Theatre Managing Director, Andy Parkhurst and Kansas City based professional actor, Charles Fugate who plays the role of The Senator in Hello Again, joinedus on Wednesday MidDay Medley.

“Hello Again” is the 6th show of Spinning Tree Theatre. Andy founded this new professional theatre company with partner Michael Grayson and have produced several shows and musicals that have made their Kansas City debuts. Andy talked about what moved the company to produce “Hello Again” here in Kansas City.

Produced 20 years ago, this show featured John Cameron Mitchell who later went on to create a little show called “Hedwig and the Angry Inch” and “Short Bus,” along with Broadway queen, Donna Murphey, and Malcolm Gets.

“Hello Again” is billed as an “Adult Musical”

Charles most recently performed in Spinning Tree Theatre’s Kansas City Premiere of “Shipwrecked! last February. Charles has worked at almost every theatre in Kansas City. Charles talked about his experience with Spinning Tree Threatre.

Charles Fugate plays the role of The Senator. The characters in the show all have names like: the Young Thing, the soldier, the whore

The Spinning Tree production features: Lena Andrews, Jerry Jay Cranford, Jacob Aaron Cullum, Tyler Eisenreich, Steven Eubank, Shelby Floyd, Charles Fugate, Seth Jones, Julie Shaw and Stefanie Wienecke.

Playwright Michael John LaChiusa is coming to Kansas City, May 24

Spinning Tree Theatre’s “Hello Again,” runs through May 26at the Off Center Theatre on the third level of Crown Center. For info: Call 816-842-9999 or go to spinningtreetheatre.com

10:45 – “I’ll Take You There – Conversations with Mike Webber”

5. The Staple Singers – “I’ll Take You There”
from: The Best of The Staple Singers / Stax / 1972
[featuring: The Memphis Horns]

10:50

Mike Webber is an encyclopedic musical jukebox, a music lover, you met at that record store, that helped you find that special song, that you could only hum a few bars for him to hear. His faith in music and truth guided him as he grew up in KC, spent childhood Summers in the Mississippi Delta, “came of age” working in area record stores, of the 70s and 80s, including: Caper’s Corner Records & Tapes at 47th & Mission, PennyLane, and Music Exchange. Mike went to college at KU and TulaneUniversity. He has chronicled and sometimes photographed many musical greats. Mike got married, raised a family, served time in Iraq, and has continued lifelong friendships with many local and national musicians. Mike and his wife Marta are moving to Austin, Texas in June.

Mike Webber grew up in KC but talked about his summer childhood experiences in the Mississippi Delta (Cleveland) as part of the Memphis media market listening to WHBQ in Memphis. In the late 1960’s to early 1970’s, the radio informed his musical tastes, but also influenced social/political outlook. Mixed in with some great childhood memories were many moments that made us wince even then.

Mike returned to live in Mississippi (Jackson) again in the early 90’s and had the chance to see BB King, the Staple Singers & others perform hometown gigs.

Mike Webber told us the story about photographing Pops Staples in Drew, MS and giving the photograph to Mavis Staples at the Kaufman Center last year.

10:55

“P.S. I Love You” – The Beatles – The Big Bang!

Mike Webber was born in March 1964, one month after the Beatles arrived in America. He discovered that the first albums in the house that weren’t children’s records were his brother’s copies of “Meet The Beatles” and “The Early Beatles.” The first record he ever asked for was the 45″ of “Hey Jude” when he was 4. Mike started asking for nothing but Beatles records for every birthday and Christmas. He had a check-list provided by Capitol Records, which is how he learned of things like non-LP B-sides. While he thought he had all of the Beatles records “inexistence,” he discovered bootlegs at a flea market in Memphis and then imports at Capers Corner! He realized that he’ll never have EVERYTHING. Everybody who knew Mike, his family, teachers & classmates – identified him with his fanaticism for The Beatles. All these years later, they still do.

10:58

6. The Beatles –”P.S. I Love You”
from: Please, Please, Me / Parlaphone – Capitol / March 22, 1963
[In February 1963, the Beatles recorded 10 songs during asingle marathon studio session for their debut LP, Please Please Me. The album was supplemented by the 4 tracks already released on their first 2 singles. Parlophone rush-released the album in the United Kingdom to capitalize on thesuccess of singles “Please, Please, Me” and “Love Me Do.” Of the album’s 14 songs, 8 were written by Lennon–McCartney.]

11:00 – Station Identification

“I’ll Take You There – Conversations with Mike Webber”

Mike talked about a story specific to “PS I Love You”, related to a skating rink in Mission, where a 10-year old Mike Webber decided to himself that if the skate parlor deejay played a good song, he would ask a girl to skate with him. The Deejay then played the Beatles,”P.S. I Love You,” Mike took the sign and headed toward the young lady to propose, but he slipped and took a header on the concrete bench.

Capers Corner provided a spontaneous meeting place for grieving Elvis & John Lennon fans who needed some kind of communal feeling and didn’t know where to go but knew they wouldn’t be judged in a place like that.

11:03

“Go Now” from Wings, but sung by Denny Laine, formerly of the Moody Blues, on Wings Over America, the live recording of Wings 1976 concert. This concert is still Mike’s all-time favorite live music event and certainly among the most memorable in Kansas City concert history. McCartney & Wings played the Kemper Arena in 1976. Mike’s first and third concerts were Elvis Presley at Kemper Arena. He was so glad to have seen the King, but he was always first and foremost a Beatles fan, so seeing McCartney – the first Beatle in KC in 12 years at that point – was earth shaking. McCartney was riding a wave of success with “Silly Love Songs” and “Let ‘Em In” both in the charts and in those pre-internet days, we didn’t need “spoiler alerts”. McCartney hadn’t toured America as a solo act before, and in his earlier European tours he hadn’t played any of his Beatles era compositions, so when he played that familiar piano intro to “Lady Madonna”, Kemper shook. In a long set-list full of solo and Wings hits, he only played four Beatles songs total but that was enough. Former Moody Blue Denny Laine was a member of Wings, so it was a huge bonus to also get to hear “Go Now” one of Mike’s favorite songs – live as well.

11:06

7. Wings – “Go Now”
from: Wings Over America / MPL Communications – Capitol / December 1976
[A song composed by Larry Banks and Milton Bennett. It was first recorded in 1964 by Bessie Banks, and then most successfully by The Moody Blues. Wings over America is a live album by the band Wings, in its initial release, it was a triple album and included a poster of the band, which peaked at number 1 in the US. The album was a collection of recordings gathered from Wings’ Wings Over America part of their world tour. A re-mastered recording, is set to be released, in May 2013. Denny Laine sang this song with The Moody Blues and also on tour as a member of Wings.]

11:10

That Wings show was atypical in that instead of the usual ticket outlets, the initial ticket sales were entirely at Kemper Arena. Mike’s brother & his friend Keith Copaken’s father, Paul Copaken, went to wait for tickets but the show sold out. They were crushed. Later, the Copakens were able to get “limited view” tickets behind the stage. Mike was already a customer at Capers Corner, barely 12 years old, but he used to spend all of his lunch money there, and they knew how badly he wanted to see Wings. A couple of weeks before the show, the guy who always helped Mike buy import EPs there (locked in an under bin) called Mike’s home to say he’d found a couple of great lower level tickets at face value. So Mike and his friend Keith wound up in Section 120, Lower Level and Corky Carrel became a lifelong friend with whom Mike is still in weekly contact.

Mike’s other memorable Kansas City concerts of the period:

1) Rolling Stones’ “Tattoo You” shows, in 1981, with the Mick Taylor appearance, which Mike and his friends had been told, might happen by Mick Taylor, himself, whose autograph they sought, at an Alvin Lee concert at the Uptown.

2) Elton John’s “Jump Up” show at Starlight Theater that was broadcast worldwide on Westwood One Radio Network.

3) The Kinks’ “Low Budget” shows at Memorial Hall- twice on the same tour’s beginning and end.

4) The Jacksons’ “Victory Tour” – which was really more memorable as Michael Jackson’s Thriller tour.

11:13

“Cynical Girl” – Marshall Crenshaw – While Mike was working at Capers, Marshall Crenshaw released what many still consider one of the best debut albums that anyone ever made in any genre. That song – and the album on which it appeared – still puts Mike’s head back in high school. Mike took some photos of Crenshaw playing the old Parody Hall a few years laterand last year when he played a solo show at Knuckleheads, Mike gave him copies. Crenshaw was genuinely moved by the images and appreciative of the set Mike gave him. Mike also had one that he’d taken with Crenshaw when he did an in-store at Capers Corner that had been so poorly attended that Mike had tocall his high school classmates and tell them to come in and act like fans.

11:14

8. Marshall Crenshaw – “Cynical Girl”
from: Marshall Crenshaw / Warner Brothers / April 28,1982
[Born in Detroit, November 11, 1953, singer, songwriter andguitarist best known for his song “Someday, Someway.” Crenshaw’s music has roots in classic soul music, British Invasion song craft, Burt Bacharach and Buddy Holly — the latter to whom Crenshaw was often compared inthe early days of his career, and whom he portrayed in the 1987 film La Bamba. Crenshaw is also a noted guitarist who uses off beat chord progressions (almost verging towards jazz) and concise solos.]

11:17

Capers Corner was the best job any kid could have had during that period in this town. Mike would go hang out at his job on his off-days. Reliable access to concert tickets improved his high school dating average. Bars would let them in without ID, albeit you could drink at 18 then, so Mike was only cheating by two years. Mike got jobs for a couple of his best friends from high school and was hanging out with the older guys who worked at Capers. Being over in Wyandotte County, you met a different group of people than over in Shawnee Mission East, so it just had everything going for it. When Mike gets nostalgic for those years, it’s really less about high school than about working at this really great record store where he got to hang out with his friends, meet touring artists, had the best possible influences for budding tastes in any genre of music, and then all the intangibles.

Mike Webber shared a few stories about the Kansas Bureau of Investigation undercover agents trying to bust the head shop inside Capers. Mike also talked about his high school counselor wanting Kenny Rogers tickets.

We didn’t have time to hear Mike’s stories of partying with the Grateful Dead and Tom Petty & The Heartbreakers.

11:19 – Underwriting

11:20 – “So Blue About You” – True Believers

Mike stopped working at Capers when he started college at KU and he wanted a job where he could work in Lawrence during the school year and in KC during the summers, so he started working at PennyLane. Mike worked for and with a lot of great characters: LeRoi, Saul Tucker, April Fletcher, and Mike Soden who now lives in Austin. Capers always held a unique place in Mike’s heart, but PennyLane was great and had so many different locations. It was never boring. Working in downtown Lawrence wasn’t much like working at the Broadway store. They had in-store appearances by bands like Camper VanBeethoven, but then Mike also learned that the first time David George ever played an in-store, it was our Broadway location.

While Mike was working at PennyLane on Broadway, He heard about this great band that was playing around the corner at the Lone Star. He had actually met one of the guys – Alejandro Escovedo – when he was in Rank & File but hell, he had barely been old enough to drive at that time. So by now, Mike was in college and after that poorly-attended show at the Lone Star, what seemed like all of the coolest people he knew from here, and the guys in True Believers, started this friendship that continues through to today. They’d come through town pretty regularly until about 1987 and Mike would get together with them every time. They had some incredibly memorable moments – not least being an occasion when they hung out with Martha Reeves, Mary Wells, David Ruffin & Eddie Kendricks of the Temptations – who happened to be staying at the same hotel. Like Marshall Crenshaw, True Believers seemed like a “can’t miss” act that somehow just couldn’t get over the hump at the time. Now, they’re playing together again in Austin and Mike is still in touch with them, so the last page on all this hasn’t been written yet.

11:27

9. True Believers – “So Blue About You”
from: Hard Road / Warner Bros /
[1980s Texas band led by Alejandro Escovedo & Jon DeeGraham.]

11:31

After PennyLane (and KU), Mike worked at Music Exchange for a year while not planning his next move. On a whim, Mike took the GMAT and did well enough that Tulane University in New Orleans offered him a full academic scholarship, so Mike moved to New Orleans and never again drew a paycheck from the music business, but remained an ardent music fan.

“Message to Michael” – Dionne Warwick – was co-written by Kansas City-born Burt Bacharach. Mike’s habit of championing all things Kansas City really was pronounced whenever he lived away from KC. At Tulane, Mike had a fellow student ask, “what in the hell is wrong with you?” that he was such a partisan of his hometown. Mike was born and mostly raised in KC and although he had left before and is now leaving again, Mike has never regretted having grown up here. Unfortunately, Kansas City happens to straddle two dysfunctional states, but the impression left by when and where Mike grew up is what caused his wife & he to move back to KC about 9 years ago to finish raising their kids. Oh yeah, the wife and kids …Tying back to that Dionne Warwick recording, the first line of that song is “spread your wings for New Orleans” and that’s really what Mike did.

11:33

10. Dionne Warwick – “Message to Michael”
from: The Dionne Warwick Collection: Her All-Time GreatestHits / Warner / 2005
[1966 “Top Ten” hit by Dionne Warwick, written by Burt Bacharach and Hal David. The song’s lyrics, are addressed to a bluebird, by a woman, in Kentucky, whose sweetheart is vainly pursuing musical stardom in New Orleans. The woman asks the blue bird to take a message to Michael, asking him to return to her.]

11:36

Coincidentally, the two gender-specific versions of that song are “Message to Michael” and “Message to Martha” and New Orleans is where Mike would meet his wife, Marta, and where their first-born arrived. Their second child was born in Jackson, Mississippi. Both finished high school at Shawnee Mission East where Mike had graduated in 1982. New Orleans was transformative. Mike really went down there still a kid in very many ways, but he left with a wife and daughter. That city and the woman he married there, turned the boy into a man.

“Rosalie” – Alejandro Escovedo – Mike’s wife is Mexican and this song is one of Marta’s favorites, written by Austin, Texaslocal legend Alejandro Escovedo – previously discussed as a True Believer – whore mains a friend of theirs. Austin is the city where Mike most wanted to live but hadn’t until now.

Austin is also near where Marta was raised in San Antonio, so they’ll be near some of her family. They’ll be straight down I-35 and will still see a lot of their KC friends when they play in Austin – many during the MidCoast takeover at SXSW. That means a lot to Mike because particularly during this last 9-year stint in KC, they’ve made so many very dear friends, including a lot of KC’s music scene. Mike has been watching the KC music scene for over 30 years and it is his considered opinion that KC has not had a comparable level of local talent, like it currently possesses, since he’s been aware. Itis the one thing that he feels is so much better than when he was working in the record stores here. Mike is comforted by the knowledge that their couches and spare rooms will be a destination for many touring KC acts in years to come.

11:42

11. Alejandro Escovedo – “Rosalie”
from: A Man Under the influence / Bloodshot Records /April 21, 2001
[San Antonio, Texas native, singer/songwriter. Alejandro Escovedo enlisted the help of John Velghe and the Prodigal Sons for a few showsin Austin, Texas, during the SXSW Music Festival.]

11:39 – I’ll Take You There – Conversations with Mike Webber

We’ve been playing songs to help move the conversation along but while all of them are favorites, several songs that automatically feature in any list Mike makes have not been played, so perhaps we could wind up with three that usually go 1-2-3 in my all-time list of favorites (which bars Beatles songs as part of my own personal Fairness Doctrine).

All three of these songs have always had a hold on Mike, even before he was experienced to know what they really meant. A couple of notes from any of them and he is back in his dad’s car in the 60’s, hearing music on a single speaker in the dashboard and probably waiting for burgers and onion rings at Sydney’s on the Plaza. Mike loved these songs as a toddler but only when he got a little older and your heart gets broken, a parent dies, other loved ones die, you talk to a doctor about a tumor … those are the experiences that will cause you to get in a car, happen to catch one of these songs on the radio and just melt in a way that is crushing yet reminds you that you’re alive as well.

11:50

12. The Left Banke – “Walk Away Renee”
from: There’s Gonna Be a Storm – The Complete Recordings 1966-1969 / Island Def Jam / 1992
[Formed in NYC in 1965, disbanded in 1969, and reformed in 2011. The band often utilized “baroque” string arrangements, which led to their music beingvariously termed as “Bach-rock”, “baroque rock” or “baroque ‘n’ roll”. The band’s vocal harmonies borrowed from: The Beatles, The Zombies and British Invasion groups.]

13. The Walker Brothers – “The Sun Ain’t Gonna Shine Anymore”
from: Scott Walker & the Walker Brothers – 1965-1970 / Island Def Jam / Feb 17, 2009
[Originally released in US in 1966. The Walker Brothers were an American pop group of the 1960s and 1970s, comprising Scott Engel (eventually known professionally as Scott Walker), John Walker (born John Maus, but using the name Walker since his teens), and Gary Leeds (eventually known as Gary Walker). Formed in 1964, the three unrelated musicians adopted the ‘Walker Brothers’ name as a show business touch—”simply because we liked it.” They provided a unique counterpoint to the British Invasion in that they were a group from the United States that achieved much more success in the United Kingdom than in their home country, during the period when the popularity of British bands such as The Beatles dominated the US.]

14. The Faces – “Ooh La la”
from: Rushmore / Island Def Jam / September 20, 2011

Personal notes about Mike Webber’s life experiences were taken directly from Mike Webber’s show notes.

Sources for notes on tracks: artist’s websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #473

WMM Playlist from: August 29, 2012

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 29, 2012

Guest DJ – Mark Titus Returns! + Clover Noir Live!

1. Don Richard & Cast of The Rocky Horror Show – “Time Warp”
from: Live At The Unicorn / Mark Titus Field Recordings / June, 1990

In our first hour, Mark Titus returned to Wednesday MidDay Medley for part two of his Guest DJ Special! Last May, Mark joined us to share music from the Pembroke Hill Glee Club from 1968, music from DMZ, the Boston based punk band, and music from the KC Chorale in Kirkwood Hall. Mark Titus joined us to share stories for his journeys, and musical performances from the past 25 years.

Mark Titus has been involved in the video industry for more than 20 years. What started as videotaping family events led to the creation of Titus Video in 1985. Gradually Mark has expanded his focus to include performance art archiving, training videos, coach and highlight DVDs for high school, college, and professional sports. For more information you can visit: marktitus.com.

2. Karen Errington – “Gorgeous”
from: Live at Bar Natasha / Mark Titus Field Recordings / May 3, 2008

Sandra K. Davies and Karen Errington

3. Stephanie Roberts with Vi Tran & The Cast of BOOM! – “Like A Prayer”
from: Live At The Polsky Theatre – Charlotte Street Generative Performing Fellowship Awards / Mark Titus Field Recordings / Oct. 2010

10:30 – Underwriting

10:31

4. Gamelan Genta Kasturi with Dwight Frizzell – “Angels and Demons at Play”
from: Live At La Esquina “Angels & Demons at Play” / Mark Titus Field Recordings / Feb. 25, 2011

5. Erin Bates Preston & Band – Music from “Titus Andronicus”
from: Live At The Living Room Theatre / Mark Titus Field Recordings / June 2012

6. Iris DeMent & Greg Brown – “Honky Tonkin’”
from: Live At The Folly Theatre – Benefit for Inner City Services / Mark Titus Field Recordings / 11-11-11

7. Karen Errington – “Two and Four” & “Hit Me With a Hot Note and Watch Me Bounce”
from: Live at Bar Natasha / Mark Titus Field Recordings / May 3, 2008

11:00

8. The Clementines – “Bayou”
from: The Clementines / Independent / August, 2012
[Single from upcoming full-length release]
[We first met The Clementines as a duo Tim Jenkins & Nicole Springer when they played LIVE on our April 25 show. Since then they’ve added Stephanie Williams on Drums, and Travis Earndshaw on Bass. Nicole Springer grew up in Oak Grove, MO, and graduated H.S. in 2004. She studied Music-Vocal/Choral at Missouri State University, in Springfield, MO, and studied Special Education with Music at Metropolitan MO CC, in KCMO. Nicole told The Pitch (Jan. 10, 2012 article): “I grew up singing in gospel choirs,” she says. “And I still love gospel music, though I’m not religious or anything. I did musicals throughout high school, and I went to school for a year at Missouri State for music education. But I’ve never been in a committed band before this one.” Nicole told David Hudnall of The Pitch: that her vision for the Clementines was initially inspired by the Irish folk duo the Swell Season. “I had just seen them in concert before I put up that ad,” Springer says. “They’re just so passionate, and I wanted to do something that had that much soul in it. It’s the same reason I like Aretha or the Gossip.” Tim Jenkins grew up in KC. Studied at UMKC. He has been playing music for over 10 years. He is a fan of “geek rock, like ’70s prog stuff.” “I usually bring in a song,” Springer says, “and Tim will tweak it and add solos and sometimes a riff — he helps complete it.” More info at: reverbnation.com/theclementinesnicoleandtim]

[The Clementines play The Riot Room at 4048 Broadway, KCMO, TONIGHT, with One Headlight High, The Strive, Le Grand, and Calling Home.]

9. Making Movies – “Twenty Years”
from: Aguardiente [EP] / The Record Machine / June 2012
[The Record Machine pressed a limited number of 7-inch vinyl, 4 song EP. The digital release was June 5. More info at: makingmoviesband.com. Today is the birthday of Juan Carlos ]

[Making Movies play in concert at The Royals Local Music Showcase by Ink Magazine Today at 6:00pm at Kauffman Stadium before The Royals take on the Detroit Tigers. Game starts at 7:10pm.]

10. TEEN – “Come Back”
from: In Limbo / Carpark Records / August 28, 2012
[from Aaron Johnson’s review on joonbug.com: Former keyboardist for Brooklyn based Here We Go Magic, Teeny Lieberson teams up with two of her sisters and two of her favorite gal pals to create TEEN. An array of floaty textures and chanty vocal harmonies combine with a set of elctronic inspired tribal percussion, to create a synth driven psychadelic soudscape written with pop sensability. Their debut LP ‘In Limbo’ (set for release Aug 28 on Carpark Records) was mixed/produced by Sonic Boom (Spacemen 3), and recorded in Teeny’s childhood friend/former bandmate Maia Ibar’s family barn in rural Connecticut.]

11:15

11. Clover Noir – “Scent”
from: Single Use Muse / Independent / September 2012
[from their upcoming full length release.]

11:19 – Interview with Clover Noir

The KC acoustic indie rock trio, Clover Noir are the second band we’ve presented this year that was formed with the help of Craigslist. Ben who writes the bands songs decided to post an ad for collaborating musicians on Craiglist where he met Shylette who brought her improvisational violin playing to compliment Ben’s tunes. With Ben’s encouragement, Shylette brought in a Natasha and the trio was formed. Clover Noir join us to play LIVE in our 90.1 FM Studios. Fresh from their KC Fringe Theatre performances the band is currently getting ready to release their debut full length recording. Clover Noir includes: Ben Rekittke on guitar and lead vocal; Shylette Carson on violin and backup vocals; and Natasha Derakhshanian on violin and backup vocals.

11:24

12. Clover Noir – “Push” (LIVE)
also available on: Single Use Muse / Independent / September 2012
[from their upcoming full length release.]

11:27

Ben had a whole different musical life before Clover Noir, he was signed with Island Records, working with a band.

Clover Noir recently participated in The KC Fringe Festival doing seven shows, in a rotating schedule, in the same venue, all in 10 days.

11:32

13. Clover Noir – “Sly The Nimble Mind” (LIVE)
also available on: Single Use Muse / Independent / September 2012
[from their upcoming full length release.]

11:36

Natasha is also are involved with the Kansas City Kansas Community Orchestra a 501 (c) 3 not-for-profit organization where this year, she was elected President of their Board of Directors. Natasha discussed the orchestra and the new scholarship/mentoring program she has created that will give instruments to students who actively participate in the orchestra. More information at: kckorchestra.org

Clover Noir plays Czar Bar, September 12 at 7:00 PM

Clover Noir also plays The News Room, September 22, at 9:00 PM

Clover Noir is making plans for their debut recording CD Release show. For more information at: reverbnation.com/clovernoir

11:42 – Underwriting

11:43

14. Prince Rama (Rage Peace)– “So Destroyed”
from: Top Ten Hits Of The End of The World / Paw Tracks / November 6, 2012
[5th release from the Brooklyn-based group as they channel the ghosts of ten different pop bands that died during the apocalypse. Produced by Tim Koh in Ariel Pink’s Haunted Graffiti’s studio, mixed by Scott Colburn (Animal Collective, Sun City Girls, Arcade Fire), etc. That’s the album cover above, with Prince Rama all dressed up like Motel Memory, one of the highly popular bands we lost during the apocalypse.]

15. Nick Bartlett – “Cursed”
from: from Nick’s demo recordings / Independent / 2012
[Grand Island, Nebraska, singer/songwriter, first started playing guitar at 13. He is a self-taught musician who was influenced by bands like Skid Row, Ratt, Guns N’ Roses, and guitarist Steve Vai. Working like a lone wolf in Nebraska, Nick doesn’t play in a band, and in the recording process he creates all of the sounds by himself.]

11:51

(L-R) Singer/Songwriter – Elaine McMilian, Writer – Mel Neet, and Writer – Tom Ryan at All Souls Unitarian Universalist Church, in June of 2012.

On Monday, August 27, we lost a good friend, and writer, Tom Ryan, who reached out to so many of us through his kind and thoughtful words, and keen observations. Tom was one of those special people who took the time to connect with so many and offer collaboration and guidance. A veteran of the US Military, Tom lived all over the United States and all over the world, including: Australia, Japan, Nigeria, Ireland.

In Kansas City Tom was the creator o Words For Art, where he wrote about artists and art. Tom also wrote two other blogs, he was working on a play, he was a poet, essayist, he wrote screenplays, columns, and stories. Tom was full of ideas and through the last three years, he identified with so many with his amazing brain and sensitive demeanor.

We closed the show with a new song that musician Jason Beers was saving for his new banjo CD. Jason wrote that it was, “Kind of a dream to have Tom Ryan and Betse Ellis record with me.”

We also played a track from Elaine McMilian’s 2011 release, “The Messenger” which includes a song she co-wrote with Tom Ryan called “Lullaby (For Girls).”

Tom always took the time to connect, and we feel his absence, and we will give extra love and attention to our dear friend Elaine McMilian, who we hold in our hearts at this difficult time. Love and peace to you all.

11:55

16. Jason Beers with Tom Ryan and Betse Ellis – “Heuristics”
from: Jason Beer’s Recordings / Independent / 2012

17. Elaine McMilian – “Lullaby (For Girls)”
from: The Messenger / Independent / July 22, 2011

11:59:30

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Wednesday MidDay Medley in on the web:
WednesdayMidDayMedley.org
facebook.com/WednesdayMidDayMedleyon90.1FM and
kkfi.org

Show #436

WMM Playlist from June 27, 2012

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 27, 2012

The Midcoast Sound – The 90.1 FM Summer Fund Drive Show
+ The Wilders + Gorilla Theatre

1. Ghosty – “Let Me In”
from: GHOSTY / More Famouser Records / April 17, 2012
[Andrew Connor, Mike Nolte an Bill Belzer who recorded their new album, themselves, over the last couple of years w/ help from David Wetzel, Josh Adams, Jake Blanton, Konnor Ervin, Ryan Connor, Kirsten Paludan, Dan Talmadge. Pressed on vinyl and available on LP and digital download. More info at ghostysounds.com.]

[On Friday, JULY 6, at 19th & Wyandotte, from 5:00 – 11pm, GHOSTY along with: Spirit Is The Spirit, The Caves, Fullbloods, Everyday/Everynight, Cowboy Indian Bear, The Empty Spaces, and Soft Reeds, play the big The Crossroads Summer Block Party featuring live music, & food trucks: The Good You, Magical Meatball Tour, Gary’s On The Go, Nacho Express, & the Funnel Cake Truck. More info at GoldenSoundRecords.com. Ross Brown, Jerad Tomasino, & Mat Shoare join us next week.]

Regular guest co-hosts & producers of Wednesday MidDay Medley: Maria Vasquez Boyd, & Philip ‘blue owl’ Hooser, with one of KKFI’s newest volunteers: Rebecca Tasetano were our special co-hosts for the entire show.

2. Hidden Pictures – “Oldies 104.3”
from: Rainbow Records / Golden Sound Records / July, 2012
[Richard Gintowt – vocals/guitar, Michelle Sanders – vocals /glockenspiel, Cameron Hawk – drums, Erik Voeks – bass, Nate Holt – piano/keys.]

[Twice nominated for Best Pop Band by The Pitch, Hidden Pictures play a “Rainbow Records” CD release party, Fri, July 20, at 10pm at The Brick, w/ Fullbloods & Shy Boys. They play the recordBar, July 28, at 10:00 w/ Southeast Engine & Erik Voeks. More info at hiddenpicturesmusic.com]

10:09 – Pledge Break #1

10:16

3. Making Movies – “Hangover Blues”
from: Aguardiente [EP] / The Record Machine / June 2012
[The Record Machine pressed a limited number of 7 inch vinyl, 4 song EP. The digital release was June 5. More info at makingmoviesband.com]

[Making Movies play the Congress Theater in Chicago, IL, on Friday June 29. They play the Crossroads KC at Grinders, on July 6, with B-stee, Mike Scott and SpinStyles with Diverse, and Barbaric Merits with Hearts of Darkness. They play Mandalay Bay Resort, in Las Vegas, NV, July 9. And July 20 Making Movies Presents Carlos Santana’s Birthday Celebration @ Knuckleheads]

4. The Dead Girls – “She Laughed a Little”
from: 7” Single on Vinyl and Download / Rocket Heart Records / 2012 [Lawrence KS based 4-piece band. The Dead Girls (formerly Dead Girls Ruin Everything) was formed from the ashes of Ultimate Fakebook and Podstar. Guitarists/singers JoJo Longbottom and Cameron Hawk, of Podstar, combine their dual-guitar and vocal harmonies with drummer Eric Melin and bassist Nick Colby, of Ultimate Fakebook.]

5. Tiny Horse – “On The Market”
From: Midcoast Takeover / Independent / 2010
[Chris Meck and Abigail Henderson are Tiny Horse, an electric/acoustic duo from Midtown Kansas City. They also make up half of the band Atlantic Fadeout.]

[Tiny Horse will play LIVE at the recordBar, Tuesday, July 10, when they play before our special presentation of “A Story in A Song” LIVE at the recordBar. A Benefit for 90.1 FM KKFI.]

10:31 – Pledge Break #2 10:38

6. Deco Auto – “Such A Bother”
from: Single / Independent / 2012 [Steven Garcia – guitar, vocals; Tracy Flowers – bass, vocals; Michelle Bacon – drums. Recorded at Audio Cave Recording Studios with Scott Martinez.

[Deco Auto will perform live to celebrated the release of their debut EP “Past Mistakes and Hauntings” with special guests The Pedaljets, at Midwestern Musical Company, Friday, July 6, at 7:00pm]

[Deco Auto also plays an In-Store Concert at Vinyl Renaissance at 1415 West 39th Street, in KC, Friday, July 13, 2012 at 6:00pm]

10:41 – Interview with David Luby with Jimmy Calderon

David Luby, is the Founder and Artistic Director or Gorilla Theatre, he joins us today to talk about Gorilla Theatre’s 21st annual Greek Show, “The Suppliant Maidens by Aeschylus,” to be performed on the South steps of the Nelson-Atkins Museum of Art, this Saturday and Sunday, June 30th and July 1st, at 7:30 AM.

“The Suppliant Maidens by Aeschylus” this play is hardly ever produced outside of a rare academic production, this is the last of Aeschylus plays to be produced by Gorilla Theatre.

Live performance from Jimmy Calderon
with original music by Beau Bledsoe and musicians Pat Conway and Brad Cox.

Gorilla Theatre’s 21st annual Greek Show, “The Suppliant Maidens by Aeschylus,” to be performed on the South steps of the Nelson-Atkins Museum of Art, this Saturday and Sunday, June 30th and July 1st, at 7:30 AM. For more information call Gorilla Theatre Productions at: 816-510-3372 of visit: gorillatheatre.org

10:50

7. The Sexy Accident – “Under Summer Stars”
from: Ninja Ninja Fight Darth Vader / Independent / April 21, 2012
[The Sexy Accident’s new full length release, “Ninja Ninja Fight Darth Vader” os available through their website and a local independent record stores. The band’s new music video for their song “What We’d Do” is available for download at music.sexyaccident.com. All of the song’s proceeds go to charity. ]

[The Sexy Accident play The Brick, Fri, July 27 at 10pm w/Howard Iceberg, Hillary Watts Riot]

10:53 – Intro / Pledge Break #3

90.1 FM is a grassroots movement, a radio station created by the people in the village. 35 years ago those people created a not-for-profit, 501 (c) 3 organization called, The MidCoast Radio Project and for ten years volunteers worked to raise the funds to buy a signal, a tower, and create a physical station with studios and offices, to serve the community. In April of 1988, KKFI began broadcasting over the airwaves…

11:00 – Station ID

8. The Quivers – “Hip On Ya”
from: (Single) / Independent / Mar. 5, 2012
[One of 4 single releases from Terra Peal- Vocals & Bass, Todd Grantham- Keys & Vocals, Abe Haddad- Guitar & Vocals, Bernie Dugan- Drums.]

[The Quivers play with The Soft Reeds, Ghosty, and Radkey at the RecordBar, Sat, June 30, at 9:00pm]

9. The Wilders – “Ordinary People”
from: The Wilders / Free Dirt Records / June 21, 2011 [10th release from Ike Sheldon- Guitar, Lead Vocals, Betse Ellis- Fiddle, Vocals, Phil Wade- Dobro, Banjo, Mandolin, Vocals, Nate Gawron- Bass, Vocals.]

[The Wilders play Knuckleheads Sat, June 30]

11:07 – Pledge Break #4

11:15

10. The Wilders – “Things They Say About Home”
from: The Wilders / Free Dirt Records / June 21, 2011 [10th release from Ike Sheldon- Guitar, Lead Vocals, Betse Ellis- Fiddle, Vocals, Phil Wade- Dobro, Banjo, Mandolin, Vocals, Nate Gawron- Bass, Vocals. Sarah Carpenter also sings back-up on this track. On December 6, Ike and the band announced that they would be taking a hiatus in 2012, after 15 years of almost constant touring.

11:18 – Interview with Betse Ellis and Phil Wade

Betse Ellis and Phil Wade, are two of the members of the amazing KC based band, THE WILDERS who have toured all over the world, recorded 10 albums, and now…”after fifteen years , are taking a hiatus.” They’ll be performing one last time, before the break, this Saturday, June 30, at 9:00 pm, at Knuckleheads, 2715 Rochester KCMO.

The two of you have been making music together for a long time.

(Betse and Phil were in a band called The Dhurries and Ike Sheldon was in a band called The Young Johnny Carson Story.)

The Wilders won the Independent Music Award, for Best Alt.Country Album, for 2011 for “The Wilders” on Free Dirt Records.

The Wilders play their last scheduled show this Saturday, June 30, at 9:00 pm, at Knuckleheads, 2715 Rochester KCMO. More info at: knuckleheadskc.com. thewilders.us

11:28

11. The Wilders – “No. 7”
from: The Wilders / Free Dirt Records / June 21, 2011
[10th release from Ike Sheldon- Guitar, Lead Vocals, Betse Ellis- Fiddle, Vocals, Phil Wade- Dobro, Banjo, Mandolin, Vocals, Nate Gawron- Bass, Vocals]

11:30 – Pledge Break #5

11:37

The B’Dinas, Red Kate and Molly Picture Club play our Post Story Dance Party, Tuesday, July 10 at the recordBar, just after our special presentatiopn of “A Story in A Song” LIVE at the recordBar. A Benefit for 90.1 FM KKFI.

12. The B’Dinas – “That’s Not What She Said”
from: Homemade Rock and Roll [EP] / Independent / 2010
[The B’Dinas are: Katy Guillen on guitar/vocals/harmonica, Meredith McGrade on guitar/vocals, Peter Lawless on bass/vocals/saxophone, Katelyn Boone on keys/vocals/bass, Tess Jehle on drums. This year The B’Dinas released their second EP Morning Party.]

11:40

13. Red Kate – “Flirty Hips”
from: Little Red Songbook [EP] / Independent / Jan. 1, 2009
[In the review of the debut EP, The Pitch wrote, “Bassist and lead vocalist L. Ron Drunkard, (aka Shaun Saving) is a socialist activist by day, bellows like an Appalachian Roger Daltrey.” Andrew Whelan – Drums/Vocals, Brad Huhmann – Guitar]

14. Molly Picture Club – “Idears (You Don’t Dance Enough)”
from: Molly Picture Club / Independent / March 3, 2012
[KC based band featuring: Aniko Adany- vocals, synths, keys, omnichord, Matthew Hayden- drums, drum sequencing, and Michael Tipton- vocals, guitar, bass. The album was mixed and mastered by Duane Trower at Weights and Measures Soundlab here in KC. Mike Tipton was one of our first guests on WMM, in 2004, when he was part of the band Tabla Rasa.]

15. The Sleazebeats – “Goosesteppin’ Nazis”
from: The Sleazebeats / Independent / Jan. 1, 2012
[Charlie Colborne – keyboards, guitar, vocals; Bill Belzer – drums; Jeff Harshbarger – bass; Recorded at More Famouser Studios w/ Mike Nolte engineer, mixing, mastering the recordings.]

[The Sleazebeats will play The Midwest QueerFest this Saturday, June 30, 12:00pm until 10:00pm at Washington Square Park at Pershing Road and Grand Boulevard! Queer and allied performers and artists, including: Amy Farrand, Mercury Mad, Grenadina, Ab5urdum, Wick & The Tricks, Showtyme & The ShowStoppers, Baer and Ani Mal, LAZY, Sleazebeats, and She’s a Keeper. In addition there will be a zine making station, interactive exhibits on LGBTQ history with ways to get involved, a clothing swap, and a drag race.]

11:50 – Pledge Break #6

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #427