WMM Playlist from Sept. 11, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 11, 2019

Fathers + Poet Jen Harris & Lori Chandler +
Dwight Frizzell & Leo Wetherill & Missouri River Bridge as an Instrument

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Other Americans – “Neon Sunrise (Glitchjoy Remix)”
from: OA2 / AWAL Records / October 19, 2019
[New EP follow up to the band’s debut self-titled EP from June 29, 2018. Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Michelle Bacon on bass. Produced by Brandon Philllips. Engineered by Joel Nanos. Recorded at Element Recording Studios in Kansas City. All remixes by Mensa Deathsquad. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, The Philistines, Radar State and Brandon Phillips and The Condition. Other Americans is a virtual Midwestern supergroup. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.”]

[Other Americans play an OA2 Album Release Party with special guests Emmaline Twist, Saturday, October 19, at 9:00 PM at miniBar, 3810 Broadway, KCMO.]

3. Madisen Ward and the Mama Bear – “Started With a Family”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. The band’s follow up EP, Radio Winners was released July 27, 2018 and received critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

[Madisen Ward and the Mama Bear play The High Watt, Nashville, Sat., Oct. 12.]

[Madisen Ward and the Mama Bear play Levitt Shell, Memphis, Sun., Oct. 13.]

4. Black Belt Eagle Scout – “Scorpio Moon”
from: At the Party With My Brown Friends / Saddle Creek / August 23, 2019
[Released in September of 2018, Mother of My Children was the debut album from Black Belt Eagle Scout, the recording project of Katherine Paul. Heralded as a favorite new musician of 2018 by the likes of NPR Music, Stereogum, and Paste, the album was also named as a “Best Rock Album of 2018” by Pitchfork, and garnered further end-of-year praise from FADER, Under The Radar and more. // Arriving just a year after that debut record, At the Party With My Brown Friends is a brand new full-length recording from Black Belt Eagle Scout. Where that first record was a snapshot of loss and landscape and of KP’s standing as a radical indigenous queer feminist, this new chapter finds its power in love, desire and friendship. // At the Party With My Brown Friends is a profound and understated forward step. The squalling guitar anthems that shaped its predecessor are replaced by delicate vocals and soft keys, sentiments spoken and unspoken, presenting something shadowy and unsettling; a stirring of the waters. // The end result presents a captivating about-face that redefines KP’s beautifully singular artistic vision. At the Party With My Brown Friends is introduced in greater detail here via a new statement by the artist. // ARTIST’S STATEMENT: My name is Katherine Paul and I am Black Belt Eagle Scout. // I grew up on the Swinomish Indian Reservation in NW Washington state, learning to play piano, guitar and drums in my adolescent years. The very first form of music that I can remember experiencing was the sound of my dad singing native chants to coo me to sleep as a baby. I grew up around powwows and the songs my grandfather and grandmother sang with my family in their drum group. This is what shapes how I create music: with passion and from the heart. // After the release of Mother of My Children, I felt awake and desperately wanted to put new music out into the world. I had no real intent behind At the Party With My Brown Friends except creating songs around what was going on in my life. In the past few years, the reciprocal love I experienced within friendships is what has been keeping me going. A lot of what is in this album deals with love, desire and friendship. // The lead single, “At the Party,” starts off with a quintessential BBES guitar lick, heading into booming and abundant drums and vocals. The lines ‘How is it real? We will always sing’ came out of me one evening when I was crafting the song in my bedroom. Within my conscious self, there is always a sense of questioning the legitimacy of the world when you grow up on an Indian reservation. We are all at the party (the world), trying to navigate ourselves within a good or bad situation. I happen to be at the party with my brown friends- Indigenous, Black, POC who always have my back while we walk throughout this event called life. // I started writing “My Heart Dreams” the summer after I initially put out MOMC, writing the guitar chords in a friend’s apartment on Ohlone land. I had been in a transitional part of my life, leaving one love and wanting to find another so much so that I felt like my heart was dreaming about it along with my brain at night. I have an obsession with dreams, mainly because I cannot remember most of mine and often times that leaves me frustrated not knowing that part of myself. I would wake up and be overcome with anxiety about not knowing what had gone down in my brain so much so that I started feeling like my heart dreamt more than my mind, thus becoming the line, my heart dreams. // I wrote “Going To The Beach With Haley” one day when I was out on a coastal trip with my friend Haley Heynderickx. We loaded up her car with our blankets and instruments and drove straight to a beach where we sat and listened to the waves and young families with their babies on the beach. I had brought my mini casio keyboard that had an array of beats I used when writing songs. The beat that’s on the song just stuck there along with the main guitar part. Initially written on an old acoustic guitar my mom bought me, the song really transformed in the studio where I added drums and other melodies to create the song. // Throughout the course of my writing and playing around this record, most of these songs deal with relationships I have either with loved ones or friends. I think it low key has to do with my anthropology degree, but also the fact that writing and playing guitar in my bedroom just makes everything feel better for me. For the longest time, I wanted to convey my feelings around coming out to my family. It had been a good experience for me and while I know it is not always that way when kids decide to tell their family, I think that we can open our hearts more for that. I would watch youtube videos of moms being proud of their kids surrounding their sexuality and gender identity and I really wanted to raise my voice to say, ‘my family too!’ What started with trying to sound so literal in this song ended up turning into a song about how much I love my mom and how our connection is eternal. “You’re Me and I’m You” is about being one with your mother, since we all were a part of their bodies at one point. It’s me trying to explore who she is and who I am with my love for people.]

[Black Belt Eagle Scout plays White Schoolhouse, 1510 North 3rd Street, Lawrence, KS. Thursday, November 7, at 7:00 PM with Hikes, and Bad Alaskan.]

5. Hand Habits – “can’t calm down”
from: placeholder / Saddle Creek Records / March 1, 2019
[Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time. Two years later, Hand Habits has returned with their sophomore album, placeholder. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world. The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings — carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery. “A big aspect of my songwriting and the way I move through the world depends on my relationships with people. The songs on placeholder are about accountability and forgiveness,” Meg says. “These are all real stories. I don’t fictionalize much.” Meg describes these songs as their most direct to date, crafted with clear intention, and unlike Wildly Idle (Humble Before The Void), placeholder doesn’t meander. “It’s less of a submerged landscape and more a concise series of thoughts,” Meg explains. Instrumentally, placeholder can be situated alongside some of Meg’s folk-adjacent contemporaries like Angel Olsen or Big Thief, and the guitar work on this album proves that Meg continues to be one of the finest young musicians working today. placeholder is another entry in the Hand Habits songbook, but it’s also a valuable testament of our time. While placeholder inspires a sense of ease, simple questions rarely beget easy answers and Meg honors the indescribable joy and profound sorrow that comes with figuring things out, one step at a time.]

[Hand Habits play In-Store at Mills Record Company, 4050 Broadway, TODAY, Wed Sept 11, 3:30 PM.]

[Hand Habits play The Truman, 601 E. Truman Rd, TONIGHT, Wed, Sept. 11, 7:PM w/ Whitney.]

[Hand Habits play a solo show at Uptown Theatre, Sunday, October 20.]

6. Bon Iver – “Hey, Ma”
from: i,i / Jagjaguwar Records / August 9, 2019
[Bon Iver is an American indie folk band founded in 2006 by singer-songwriter Justin Vernon. Vernon released Bon Iver’s debut album, For Emma, Forever Ago, independently in July 2007. The majority of that album was recorded while Vernon spent three months isolated in a cabin in northwestern Wisconsin. The band later won in 2012 the Grammy awards for Best New Artist and Best Alternative Music Album for their album Bon Iver, Bon Iver. They released their third album 22, A Million to critical acclaim in 2016, which was followed by their fourth album i,i in 2019.The name “Bon Iver” derives from the French phrase bon hiver (French pronunciation: ​[bɔn‿ivɛːʁ]) (“good winter”), taken from a greeting on Northern Exposure.]

7. Calvin Arsenia – “Back To You (Paul Brown Mix)”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[1st single from L.A. Sessions released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.]

[Calvin Arsenia plays The Sextet Album Release, Sun, Sept 15, 7:PM at recordBar, 1520 Grand.]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

10:30 – Underwriting

Dwight Frizzell

10:32 – Interview with Dwight Frizzell & Leo Wetherill

Dwight Frizzell is a Professor at KCAI, and is an internationally recognized artist whose work combines video, performance, installation, music, audio art, and writing. Frizzell’s work about his boyhood neighbor, Harry S. Truman, was featured in the Peabody-awarded “Lost and Found Sound” series broadcast on National Public Radio. Frizzell has produced an opera based on the life of Charles Darwin. In addition to his B.F.A. degree from KCAI, he holds a terminal fine arts degree in Sound Design from the UMKC. Dwight Frizzell, is a founder of the “groovy polyphonic jazz/dance” band, Black Crack Revue, now in their 37th year. Dwight Frizzell is also a founding member of the newEar contemporary chamber ensemble, and is host & producer of “From Arc To Microchip” heard Wednesdays at 11:30 PM on 90.1 FM.

Also with us is Leo Wetherill, who has been supporting artists, creating venues, and producing performance and musical productions in Kansas City since the late 1980s. He is one of the founders of the Human Observation Lab, and early pioneer space in downtown Kansas City offering performance art space for the early concerts of The Cocktails, and early productions of Gorilla Theatre, Eyes Wide Open, nationally recognized visual artist and DJ Nick Cave, and many other area bands and and performance groups and DJs.

Dwight Frizzell and Leo Wetherill join us to shares details about Missouri River Bridge as an Instrument, Thursday, October 3, at 7:30 PM, at 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, Kansas. BRIDGE is a soundscape concert featuring Bill Dye, Steve Donofrio, Patrick Conway and members of Gamelan Genta Kasturi; Dwight Frizzell’s river bridge recordings, Ron Achelpohl Director of Transportation & Environment at the Mid-America Regional Council; Thomas Aber, and Leo Wetherill, Technical Coordinator.

Dwight Frizzell and Leo Wetherill, Thanks for being with us on WMM.

Last time Dwight & Leo were on the show was on June 12 just prior to their midday Solstice concert-June 21, at KC Art Institute’s Vanderslice Reception Patio (behind historically restored Vanderslice Hall), 4415 Warwick Blvd., KC, MO. Heliophonie (Sun Sound) was performed in-sync to the sun’s harmonic tones. The solar sphere oscillates like a bell ringing every 4 minutes 48 seconds (as heard on a large gong). Overtones pulse in quadra-pole rotation (realized by the instruments & electronics). Solar storms moving vigorously through the resonating convection-zone are performed by instrumental duets.

Missouri River Bridge as an Instrument – Thursday, October 3, 2019, 7:30 PM

BRIDGE is a soundscape concert featuring lap steel guitarist Bill Dye, singing-bowl master Steve Donofrio with sextet, Patrick Conway and members of Gamelan Genta Kasturi, Dwight Frizzell’s river bridge recordings, and Ron Achelpohl of the MARC.


Bill Dye, lap-steel guitar soloist

Steve Donofrio, Singing Bowl master

Patrick Conway, Gamelan master

Dwight Frizzell, bridge recordings, zwoom, video and mixage

Thomas Aber, zwoom specialist

Ron Achelpohl, Director of Transportation & Environment at the MARC

Leo Wetherill, Technical Coordinator

“Bridges are expressions of our social-spiritual evolution and impulse toward transcendence.” –Rev. Dwight Frizzell

Bridges are living, resonant beings activated by our crossing formidable passageways now made passé. Crossing Liberty Bend Bridge, our concert’s featured instrument, takes a mere 14 seconds. We invite you to hang with the bridge a moment longer, entertain its own perspective, listen inside its metal structure, and hear its rhythms and singing tones as recorded and mixed by Dwight Frizzell with live performance engineer Leo Wetherill. The bridge’s harmonic sound world is joined and orchestrated by an ensemble of Tibetan Singing Bowls directed by Steve Donofrio, Balinese gamelan instruments directed by Patrick Conway, long-hose zwoomists and Bill Dye’s lap steel guitar solo.

The sonorous Missouri River bridge at Highway 291 in Sugar Creek is a magnificent traffic-activated instrument expressing a flow of people, materials, animals and plants. Its voice, animated by us humans and full of percussive and harmonic sound, is intimately heard by nestling an ear on its metal understructure (or attaching contact microphones as heard here to map the sound spatially to the performance space with the audience inside the bridge’s singing form.

Liberty Bend Bridge is actually two continuous truss bridges on Highway 291 over the Missouri River in Sugar Creek. It is the rare example of a bridge crossing the Missouri River, but not crossing a county line. The Missouri River was rerouted in 1949, leaving part of the county north of the river. The original Liberty Bend Bridge was located about two miles to the north, which then crossed over into Clay County. The main span length is 460.1 feet and the total length is 1,883.3 feet. Vertical clearance is 16.5 feet.

INTRODUCING LIBERTY BEND BRIDGE: Ron Achelpohl is the Director of Transportation and Environment at the Mid-America Regional Council, the council of governments and metropolitan planning organization for the bi-state Kansas City metropolitan area. Ron directs MARC’s transportation and environmental planning and policy work along with related implementation activities such as the Operation Green Light traffic signal coordination system, the RideShare program and public education initiatives for air quality, water quality, active transportation and transportation safety. Prior to serving in his current role, Ron was an Assistant Director of Transportation at MARC, and before that held positions with the Missouri Department of Transportation. Ron is a registered Professional Engineer with degrees in civil engineering from the University of Missouri and engineering management from the University of Kansas. He is an active member of the American Public Works Association and serves on the boards of several local non-profit organizations.

RON ACHAPOHL’S INTRODUCTION: “As alluded to, I think all bridges are poetic, but I’m not. So, I’m going to set the context for the bridge with a few facts and figures about how it fits into the transportation system in the greater Kansas City area, which is kind of my area of expertise. I’ll start by pointing out that this is one of 3599 bridges in the eight county area that we do transportation planning in. It’s one of only 10 bridges though – highway bridges – that cross the Missouri River. The farthest one in the metro area is up in Leavenworth at Route 92, and as you go down the river there are nine other crossings until you get to the Liberty Bend Bridge. The next crossing to the east is in Lexington, Missouri it’s on Route 13, which coincidentally, is about a 40 minute drive from this bridge – about as long as this piece will be this evening. The bridge, it’s purpose is carrying people and vehicles and goods across the river and it carries – the most recent stats we got about that are that it carries about 23,000 vehicles a day across the bridge and the occupancy rate for people in the Kansas City area, that translates to a little over 24,000 people a day that use the bridge. To put that perspective, there are over 100,000 vehicles that use the Kit-Bond Bridge on I-35 across the river, and about 40,000 vehicles a day on the Buck O’Neil Bridge, that is, the old Broadway Bridge across the Missouri River. The original crossing was built back in 1927, and it crossed at where the Clay County-Jackson Country line is now. The river channel was actually moved to the south, so the bridge that is there now is a twin-span, the northbound span was the first one that was constructed, and it was originally built back in 1949, it was rehabbed in 1986, and it was replaced in 2005. The southbound bridge was built new and added the pairing in 2001. It carries Missouri Route 291, which runs from the city of Liberty south to the city of Harrisonville, it crosses through three different counties and seven different cities. So, it’s an important regional connector; it doesn’t have the most traffic in the region, but it really serves an important purpose. I’m really excited to be a part of the piece this evening, I think it’s always helpful to draw attention to the invisible infrastructure that the community relies on.”

INTRODUCING TIBETAN SINGING BOWLS: Steve Donofrio has been a Free-lance Audio Engineer & Technical Consultant for the past 38 years. He is a founding member of the National Audio Theatre Festivals and served as Technical Coordinator for Midwest Radio Theatre Workshop for 10 years and its Executive Director for three. As a member of The Deli Llama Orchestra, Steve has played Tibetan Singing Bowls for over 30 years, as featured on numerous studio and live recordings from LA to Katmandu, Nepal. Steve is an avid collector of Tibetan Singing Bowls, using them as implements of music and for meditative and tonal healing. Steve has worked on many musical projects as a producer, recoding & mixing engineer, and audio artist. Currently he works at the Columbia Public Library as a technical support specialist and lives in rural Missouri with his wife, two dogs, and a charm of 1000 hummingbirds.

INTRODUCING THE BRIDGE SOUNDSCAPE: Dwight Frizzell is an internationally recognized artist/soundscape composer who began recording environments and playing with their acoustic imprints early on — a practice he calls Turtle Music — as heard on his 1976 LP Beyond the Black Crack. The complexities of place were fore-fronted in Dwight’s Peabody-awarded Center of the World (1997), which features his childhood neighbor Harry S. Truman at the shopping center that leveled the beloved Truman family farm in 1957. Recently, Frizzell was panel moderator for Sounding Sculptural Space at the International Sculpture Conference with composer Robert Carl and long-string instrumentalist Ellen Fullman. Dwight’s teachers included Sun Ra and Douglas Davis. He earned a terminal degree in Sound Design for Theatre at UMKC, and is currently Professor in Converging Media at KCAI.

Contacts: Dwight Frizzell, KCAI artist dfrizzell@kcai.edu

Frizzell works as a professor at The KC Art Institute and is a founding member of the newEar contemporary chamber ensemble. He is host & producer of “From Arc To Microchip” Wed. 11:30 PM – 90.1 FM.

Dwight Frizzell is an internationally recognized artist whose interdisciplinary work combines video, performance, installation, music, audio art and writing. He has been producing the “From Ark to Microchip” series with Jay Mandeville since 1984. Ark radio has been heard on KOPN, KCUR, KGNU, RESONANCE FM (London), RADIO NOVA (Paris), and WKCR (New York).

Dwight’s boyhood neighbor in Independence, Missouri was Harry S. Truman, who appears in Dwight’s work as a pianist, Atlantean King and time-traveler. Dwight released the “Beyond the Black Crack” LP in 1976, studied video art with Douglas Davis (1977), clarinet with Raymond Luedeke (1979) and metaphysics with Sun Ra (1980-1990). His work was exhibited at Biennale de Paris, World-Wide Video Festival (Amsterdam), and broadcast on NPR.

Dwight’s collaborative third-mind creations with writer Jay Mandeville includes plays, essays, and Ark scripts. Their work was published in “Semiotext(e) Radiotext(e)” and “Experimental Sound and Radio” (MIT Press). They edited The Pitch newspaper in the early ‘80s.

Dwight’s music is available on Paradigm discs (England). He plays Buffet clarinets and Yamaha saxophones and wind controllers. His collaborations with Michael Henry include “Sonic Force,” where AFR A10 Warthog Attack Planes were used as musical instruments. Frizzell is a founding member of the Black Crack Revue, the newEar contemporary chamber ensemble, and the National Audio Theatre Festivals. He performed recently with David Ossman and Phil Proctor of the Firesign Theatre.

Dwight Frizzell and Leo Wetherill, Thanks for being with us on WMM.

Missouri River Bridge as an Instrument, Thurs, October 3, at 7:30 PM, at 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, KS. More info at: http://www.1900bldg.com


8. Russell Brixey – “Midnight Swim (Feat. Lauren Flynn)”
from: Midnight Swim – Single / Russell Brixey / July 30, 2019
[Russell Brixey is the musical solo project of Ryan Wallace. Ryan Wallace has played with many groups over the years: Heroes and Villains, The Republic Tigers, and JAENKI. This is his first solo single “Midnight Swim” and features the vocals of Lauren Flynn from the band Olivia Fox. Hear Russell Brixey talk about “Midnight Swim” at http://speakimge.com/interview-russell-brixey/%5D

The Sextet’s upcoming album “Among Friends”

9. The Sextet – “Clare de Lune”
from: Among Friends / ARC / September 15 , 2019
[The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release. Engineered and Mixed by J Ashley Miller. Produced by J Ashley Miller, Robert Castillo, & The Sextet. Mastered by Duane Trower @ Weights and Measures Soundlab. Recorded Jan. 17,18, & Feb. 1, 2019 @ The Infoaming Vertex. Cover Image: “Circle and Square” by Wassily Kandinsky 1943]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

11:00 – Station ID

10. Fathers – “Me & America”
from Me America – Single / Fathers / August 30, 2019
[Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; Brooke Honeycutt on vocals, bells, & percussion; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion.]

[Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.]

Members of the band Fathers: David Vava Littlewood, Kenneth Storz, Matt Guilliams, and Bryce Veazey on the September 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Kenneth Storz and members of Fathers

Kenneth Storz, David Vava Littlewood, Matt Guilliams, and Bryce Veazey are four of the members of Fathers the Kansas City band formed in 2017. Fathers have released several singles and on March 1 of this year they released their debut EP High Horses. On August 30 Fathers released their newest single “Me & America.” Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.

Kenneth Storz, David Vava Littlewood, Matt Guilliams, Bryce Veazey, thanks for being with us on WMM.

Fathers Includes:

Kenneth Storz on vocals, guitar, & keyboards;

Brooke Honeycutt on vocals, bells, & percussion;

David Vava Littlewood on vocals, keyboards, & bells;

Matt Guilliams on bass, & percussion;

Bryce Veazey on vibraphone, vocals, & percussion;

Josh Seerden on guitar, keyboards, bass, & percussion;

Celeste Tilley on trombone, vocals, & percussion.

How did this band come to be a band?

Last time the band was on the show was just prior the Fathers High Horses EP Release Party, Saturday, March 9, at 8:00 PM, at the 2016 Main Event Space at 2016 Main St, KCMO, with Eems and Belle & The Vertigo Waves.

Fathers released the 4 song EP High Horses on March 1, 2019 and now 6 months later has this new single out.

Bryce Veazey was recently on stage for the Crossroads Music Fest playing with Madisen Ward and the Mama Bear on Saturday night on the KC Crossroads stage.

The band perform live in our 90.1 FM Studios



11. Fathers – “untitled” (LIVE)
[Kenneth Storz on vocals, guitar, David Vava Littlewood on keyboards, Matt Guilliams on guitar, Bryce Veazey on vibraphone & vocals.]

Part of the recording of High Horses was done in the Yoga studio of Bodyfit

Several reviews have compared Fathers to The Beach Boys and to Olivia Tremor Control.

Fathers has played Middle of The Map Fest, The Buzz Homegrown Showcase, recordbar, the Brick, Power and Light District, The Rino, sharing stages with many area bands including Pink Royal, Y God Y, Pageant Boys, The Fey, Calvin Arsenia, and others. How do you feel about the Kansas Area music scene?


Kenneth Storz, David Vava Littlewood, Matt Guilliams, Bryce Veazey, thanks for being with us on WMM.

Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.


12. Fathers – “PRTND”
from High Horses / Fathers / March 1, 2019
[Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; Brooke Honeycutt on vocals, bells, & percussion; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion.]

[Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.]

Jen Harris with Members of the band Fathers: David Vava Littlewood, Kenneth Storz, Matt Guilliams, and Bryce Veazey on the September 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:28 – Underwriting

Jen Harris and Lori Chandler on the Sept. 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:30 – Interview with Jen Harris & Lori Chandler

Nationally recognized, KC based Poet Jen Harris is the founder of The Writing Workshop KC, and the Kansas City Poetry Slam, she is a TEDx fellow, She has been nationally recognized for her writing and advocacy. She was recently seen in the 3rd season of Queer Eye on Netflix. She graduated from the University of Missouri-Kansas City with a Bachelor of Liberal Arts. She is the recipient of the 2015 Jim Wanser Pride Award for outstanding LGBT community activism. She is the recipient of The Pitch Magazine’s 2017 Poet of the Year award, and was nominated as the 2017 Spoken Word Host of the Year by the National Spoken Word Awards. She was the 2009 ACP Kansas Journalist of the Year. She has two published books of poetry titled: Slammed and Lust & Disdain. Her spoken word record, Flaunting Her Mediocrity was released Oct 9, 2016. More info at: http://www.poetjenharris.com

Along with her husband Doug Chandler, Lori Chandler is founder of Take Five Music Productions. The company grew from their earlier experiences as owners of Take Five Coffee + Bar where they presented innovative Jazz performances. After Take Five Coffee + Bar closed in 2015 the Chandlers decided they would continue presenting collaborative Jazz events and shows in multiple venues all over the metro area. More info at http://www.take5kc.com

Lori Chandler and Poet Jen Harris joins us today to talk about the release of Jen’s third book of poetry and essays, Unconfirmed Certainties, and special show called “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave, with Jen Harris collaborating with Eddie Moore on keyboards, Jason Emmond on bass and Brian Steever on drums. Poet Jen Harris & The Fellas is produced with Take Five Music Productions.

Jen Harris, and Lori Chandler thanks for being with us on WMM.

Jen this is a busy time for you. You are also playing The Sextet’s Album Release show Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.

Lori Chandler, you wrote: “I first heard Jen Harris at the Fahrenheit Valentine’s Ball in February and she literally took my breath away. Six months and many coffee-fueled discussions later, I’m so privileged to announce this performance. The creative process between Jen, Eddie Moore, Brian Steever and Jason Emmond has been absolutely mind blowing.”

This event includes the jazz accompaniment of “The Fellas,” renowned musicians Eddie Moore (keys), Jason Emmond (bass) and Brian Steever (drums), bringing Jen’s performance to sonic life.

Unconfirmed Certainties “is the intersection of suspicion and intuition” and follows Harris’ year-long exploration, documentation and in-process recovery from flashbacks, suicidal ideation and a significant mental breakdown following a devastating, unexpected public breakup and facing, head-on, a C-PTSD diagnosis.

An outspoken advocate for an accessible mental health system, Harris was relieved to finally put a name to symptoms she had experienced since her early teens. She fought for decades to overturn the misdiagnosis of Bipolar II disorder, which she was given around age 15 as a way to “medicate away her queerness and creative spirit.” Due to the limitations set upon her by the current health care system, this endeavor took Harris nearly 20 years to accomplish.

As the public has come to know from her career, Harris spares no one’s feelings or privacy in her searing truth-telling performance.

Take Five Music Productions. http://www.take5kc.com

Additional notes: This performance contains mature subject matter and is not recommended for young children.

Jen Harris would you share a piece from the show?


13. Jen Harris – “Love and Other Ghost Stories”
original piece written and performed by Jen Harris from Unconfirmed Certainties

11:53 – Interview with Jen Harris and Lori Chandler

We are talking with Lori Chandler and Poet Jen Harris about the release of Jen’s third book of poetry and essays, Unconfirmed Certainties, and special show: “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave.

Jen Harris and Lori Chandler thanks for being with us on WMM

Jen Harris releases her third book of poetry and essays, Unconfirmed Certainties, with a special show called “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave, collaborating with Eddie Moore on keyboards, Jason Emmond on bass and Brian Steever on drums. Poet Jen Harris & The Fellas is produced with Take Five Music Productions. More info at: http://www.take5kc.com


13. The Ghost Wolves – “Crooked Cop”
from: Crooked Cop / Third Man Records / September 9, 2019
[The Ghost Wolves are Carley “Carazy” Wolf on guitar & vocals and Jonathan “Little Hammer” Wolf on drums & vocals. Third Man Records is excited to release the newest songs from Austin, TX’s Ghost Wolves. Formed in 2011 and hardly taking time to sit since then, the Ghost Wolves create, record and tour at a rapid clip. Blending rock n’ roll, punk rock, garage and blues with electronic elements, the duo has earned a reputation as one of the hardest working bands in the modern rock n’ roll underground, touring internationally for almost 8 years straight, with nearly 1000 shows between them in 23+ countries including most of western Europe, the USA, U.K. and Japan. The duo recorded these three new tracks in early 2019 with engineer/producer John Michael Schoepf (bassist for Ray Wylie Hubbard, Night Glitter) in his Austin living room studio. The recording took place during a very dark time for Carley and Jonny, who have been married for 7 years. Jonny’s father received a terminal cancer diagnosis in late 2018. These songs came together while Jonny was tending to his father in Connecticut, with Carley sending demo songs to him from Texas. When his father stabilized somewhat, Jonny returned to Austin to take a break and they both therapeutically recorded these songs. As can be heard, these recordings are darker, more intimate and more pressing than previous material. Produced by John Michael Schoepf and The Ghost Wolves. Engineered by John Michael Schoepf. Mixed by John Michael Schoepf, Kyle Ellison and Jonas Wilson.]

[The Ghost Wolves play recordBar, 1520 Grand, TONIGHT, Wednesday, September 11, at 7:00 PM with Freight Train Rabbit Killer]

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on Wednesday, September 17 – special guests include: Calvin Arsenia who plays an LA Sessions Release Show at recordBar, September 19. We will also talk with Dedric Moore and Nathan Reusch about their 3 Deep Chromadepth 3-D Concert Friday, September 20 with Jaenki, Pala Zolo, Flaural, Triptidesm and Monta At Odds, at recordBar, 1520 Grand. Also next week, singer-songwriters Rigby Summer and Ed Dupas play live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #802

WMM Playlist from December 27, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 27, 2017

The 117 Best Recordings of 2017
(Part 4 of 4)

Wednesday MidDay Medley presents part-four, of our four-week special: The 117 Best Recordings of 2017. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, however we ask that you please accept our list as a celebration of the year of music.

In 2017 we’ve played nearly 1000 different songs on the show, and from nearly 375 New & MidCoastal Releases. More than 200 of these releases were New MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us live in our 90.1 FM studios. This past year we’ve interviewed nearly 200 guests. 70 of the representative recordings in our “Best of” list were MidCoastal Releases, produced by artists from here. It’s all good!

Please note: We are celebrating the entire full length album or EP, the songs played are representative of the entire release.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (29.) Jason Isbell and the 400 Unit – “Hope the High Road”
from: The Nashville Sound / Southestern Records / June 16, 2017
[Michael Jason Isbell was born February 1, 1979 and is a singer-songwriter & guitarist from Green Hill, Alabama, two miles from the Alabama/Tennessee state line. He is best known for his solo career, his work with the band The 400 Unit, and as a former member of Drive-By Truckers, from 2001 to 2007. He has won two Grammy Awards. This is the 6th studio album by Jason Isbell, credited with the 400 Unit. It was produced by Dave Cobb, who also produced Isbell’s previous two records: 2013’s Southeastern and 2015’s Something More Than Free. The Nashville Sound was nominated for Best Americana Album in the 2018 Grammy Awards. The 400 Unit, is primarily made up of musicians from the Muscle Shoals, Alabama, area: Sadler Vaden on guitar, backup vocals; Jimbo Hart on bass, backup vocals; Derry DeBorja on keyboard, accordion, backup vocals; Chad Gamble on drums, backup vocals; Amanda Shires on fiddle, backup vocals. “The 400 Unit” is a colloquial name for the psychiatric ward of Florence, Alabama’s Eliza Coffee Memorial Hospital, which is now named the Behavioral Health Center, and is located on the hospital’s first floor. It was originally called the 400 unit because it was in a separate building from the main building’s 3-story hospital. After renovation in the 1980s, the name was changed. Isbell married singer-songwriter and violinist Amanda Shires, with whom he’d worked on and off for a decade, in February 2013, two days after they finished Southeastern. Musician Todd Snider married them. The couple had a baby girl, Mercy Rose, on September 1, 2015. Isbell has lived in Nashville, Tennessee, since 2011. He is an Atlanta Braves fan and a Democrat. In November of 2017 Isbell was asked on Twitter “Why do we have to inject politics in every aspect of our life can’t we just enjoy the music and the football games?” He responded “Until you are the one being treated unfairly, that’s easy to say.”]

3. (28.) The Magnetic Fields – “’69: Judy Garland”
from: 50 Song Memoir / Nonesuch Records / March 10, 2017
[50 Song Memoir is the eleventh studio album by American indie pop band The Magnetic Fields. 50 Song Memoir is an autobiographical concept album that chronicles the first 50 years of songwriter Stephin Merritt’s life, with one song for each year that he has lived. Stephin Merritt began recording on his 50th birthday on February 9, 2015. The album was produced by Merritt with additional production by Thomas Bartlett and Charles Newman. Merritt sings on all fifty tracks and plays more than one hundred instruments throughout. 50 Song Memoir is available in five-LP and five-CD editions that include an interview by Daniel Handler and facsimile handwritten lyrics by Stephin Merritt, and as a bound book. The fully staged live shows in support of 50 Song Memoir are directed by José Zayas. The Magnetic Fields have been expanded to include an additional three musicians for the tour, with each of the seven playing seven different instruments. On the tour the band play the entirety of 50 Song Memoir in two halves across two nights at each venue.]

4. (27.) Broken Social Scene – “Protest Song”
from: Hug of Thunder / Arts & Crafts Productions / July 7, 2017
[Hug of Thunder is the 5th studio album by Toronto, Ontario based, indie rock musical collective Broken Social Scene that was formed in 1999 and continues 15 members. Most of its members play in various other groups and solo projects, mainly in the city of Toronto. These associated acts include Metric, Feist, Stars, Apostle of Hustle, Do Make Say Think, KC Accidental, Emily Haines & The Soft Skeleton, Amy Millan, and Jason Collett. The group’s sound combines elements of all of its members’ respective musical projects, and is occasionally considered baroque pop. It includes grand orchestrations featuring guitars, horns, woodwinds, and violins, unusual song structures, and an experimental, and sometimes chaotic production style from David Newfeld, who produced the second and third albums.After declaring a hiatus in September 2011, Broken Social Scene performed at the Field Trip Arts & Crafts Music Festival in 2013 and a couple of festivals in 2015, the latter of which prompted band members Kevin Drew, Brendan Canning, Charles Spearin, Justin Peroff, and Andrew Whiteman to discuss recording new material. “When we’re working, we understand that there will be a lot more input, so we leave space in the music as we’re writing it,” Spearin said. “We would send out invitations for all the usual crew, and say, ‘Hey, we’re doing this again. Would you be interested in being part of this?'” In the end, 18 musicians were credited on Hug of Thunder. During sessions for the album, Leslie Feist conceived the idea for the title track, her first lead vocal on a Broken Social Scene song since 2006. Drew explained that the title represents “exactly who we are. That is our show. We’re trying to create that hug of thunder. That sound. That embrace amongst the chaos.”]

5. (26.) Betse & Clarke – “Seneca Square Dance”
from: Tunes We Like / Betse & Clarke / September 13, 2017
[Released only in analog on cassette featuring Betse Ellis on standard & cross-tuned fiddles, Clarke Wyatt on banjos & guitar, and some selections played by the Brushy Creek String Band, with Brett Hodges on guitar and Alex Mallett on bass. Seneca Square Dance is from Fiddlin’ Sam Long, recorded in 1926 for Gennett Records. Long is said to have been the first Ozark fiddler recorded. Many who play the tune today use a different chord progression than was originally recorded by Long. Betse & Clarke used Long’s beautifully simple progression. With Betse on standard fiddle, Clarke on standard G banjo, Brett Hodges on guitar, Alex Mallett on bass. “Tunes We Like” was produced as the first in a series of instrumental recordings. Released at the Walnut Valley Music Festival in Winfield, Kansas, Sept 2017, and represents a returning interest in analog processes. Betse & Clarke will continue this model, with plans to record next on analog reel-to-reel tape for the next release in the series. The music may see an online release and digital distribution, but the plan is that all physical copies will be in analog format. Recorded by Wyatt live with no overdubs at home in KCMO, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.”]

[Betse & Clarke play at: Oh Me, Oh My, How The Times Does Fly: An 80th Birthday Tribute to John Hartford, Sat., Dec. 30. at 8 PM, The Stage at KDHX, 3524 Washington Ave, St. Louis, MO]

[Betse Ellis is also part of The Band That Fell To Earth – A Tribute to David Bowie, The Third Annual, on Saturday, January 6, at recordBar, 1520 Grand, Ave, KCMO]

6. (25.) The Country Duo – “Picking Up The Pieces”
from: Live At Sun Studio / The Country Duo / September 1, 2017
[Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise at Massive Sound, KCMO. Kasey Rausch is one of the first musicians to play live on WMM. She is a 5th generation musician, songwriter and co-producer of River Trade Radio on KKFI 90.1FM. Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas, and deep Southeast Texas. Her third album, Guitar in Hand debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch. She was named 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM. Marco Pascolini grew up in a family of artists. His parents were both artists at Hallmark. For more than twenty years Marco Pascolini has built a musical reputation as one of the most well-respected musicians in Kansas City playing in the bands Scott Hrabko and the Rabbits, Folkicide, Dead Voices, Mr. Marco’s V7, Expassionates, the Brannock Device, Snakebite Orphans, the Fred Wickham band, with Kasey Rausch in The Naughty Pines. Marco is also a graphic artist and has desonged multiple album covers and sleve designs including the new Victor & Penny 7″ Single.] [The Country Duo joined us on WMM on November 15.]

7. (24.) Mess – “soak”
from: heartswithholes / Mess / August 12, 2017
[KC based band formed by: Allison Gliesman, Kevin Briody, Tanner Pinkerton & Evan Velasquez. Recorded in Edwardsville, Illinois at Bird Cloud Recording. Production & recording by Ryan Wasoba. Mastering by Joel Hatstat in Athens, GA.] [Mess played Crossroads Music Fest, Sept. 9 on KCPT Stage at The Living Room.]

10:27 – Underwriting

8. (23.) Julien Baker – “Turn Out The Lights”
from: Turn Out The Lights / Matador / October 27, 2017
[2nd solo release from Julien Rose Baker, born Sept 29, 1995. She is a singer & guitarist from Memphis, TN. She released her debut studio album, Sprained Ankle, in 2015. In 2010, Baker cofounded a band called The Star Killers, which renamed itself Forrister in 2015. During her freshman year at MTSU, Baker began writing songs on her own, often in the university practice rooms late at night. With a friend, Michael Hegner, she recorded an EP at Spacebomb Studios, self-released in the winter of 2014 on Bandcamp which became the studio album Sprained Ankle, in October 2015. Sprained Ankle topped many 2015 end-of-the-year lists and its success led to features in The New Yorker and The New York Times. On March 7, 2016 she performed on an NPR Music Tiny Desk Concert where she referenced a new song called Sad Song #11, later released as “Funeral Pyre” with “Distant Solar Systems” as the b-side. Baker has opened for Death Cab for Cutie, Conor Oberst, The Decemberists, Belle & Sebastian, and Paramore. In 2017 she signed to Matador Records. Turn Out the Lights, was recorded at TN’s Ardent Studios with help from Sorority Noise’s Cameron Boucher.]

9. (22.) Valerie June – “Shakedown”
from: The Order of Time / June Time – Concord Music / March 10, 2017
[Valerie June Hockett (born January 10, 1982), known as Valerie June, is an Americana singer, songwriter, and multi-instrumentalist from Memphis, Tennessee, United States. Her sound encompasses a mixture of folk, blues, gospel, soul, country, Appalachian and bluegrass. June was the oldest of five children. As a child growing up in Humboldt, June was exposed to gospel music at her local church and R&B and soul music via her father. As a teenager, her first job was with her father – a promoter for gospel singers and Prince, K-Ci & JoJo, and Bobby Womack – helping him hang posters in town. June relocated to Memphis in 2000 and began recording and performing at the age of 19, initially with her then-husband Michael Joyner, in the duo Bella Sun. After her marriage ended she began working as a solo artist, combining blues, gospel and Appalachian folk, in a style that she describes as “organic moonshine roots music”, and learning guitar, banjo, and lap-steel guitar. She became associated with the Memphis-based Broken String Collective. After self-releasing three albums, her debut album as a signed artist, Pushin’ Against a Stone, was released in the UK and Europe through Sunday Best Recordings on May 6, 2013, and through Concord Music Group in August 2013. The album includes several songs co-written with Dan Auerbach of The Black Keys, who co-produced it with Kevin Augunas. The album was so titled to commemorate the story of her life. June said “I feel I’ve spent my life pushing against a stone. And the jobs I’ve had have been fitting for getting a true feel for how the traditional artists I loved came home after a hard day to sit on the porch and play tunes until bedtime.” The record includes performances by Booker T. Jones, who co-wrote one of the songs contained on the album.]

10. (21.) Perfume Genius – “Slip Away”
from: No Shape / Matador / May 5, 2017
[1st single from 4th album . Perfume Genius, is the stage name for Seattle-based solo artist Mike Hadreas who was born in the suburbs of Seattle, Washington. Hadreas studied painting in school and took piano lessons as a child. His mother was a special education teacher,and is now an assistant principal at a middle school. His parents divorced when he was a teenager. Growing up, Hadreas was the only openly gay student at his school, and he received death threats which were not addressed by the administration. He dropped out of high school during his senior year. Two years after dropping out, he was attacked by several young men in his neighborhood. He moved to Williamsburg, Brooklyn and worked as a doorman for a club in the East Village. In 2005, Hadreas returned home to Seattle and began recording music. In 2008, Hadreas set up a MySpace page under the name Perfume Genius, and thus began his music career. Hadreas’s music explores topics including sexuality, his personal struggle with Crohn’s disease, domestic abuse, and the dangers faced by gay men in contemporary society. No Shape was produced by Blake Mills (Fiona Apple. John Legend, Alabama Shakes). The album was praised by critics. Pitchfork awarded it an 8.8 and named it “Best New Album”, deeming it “his most realized album yet, a tender and transcendental protest record of love and devotion.” The Guardian commented that “No Shape sounds like a unique talent coming into full bloom.”] [Perfume Genius played Starlight Theatre, October 10, opening for The xx]

11. (20.) Jay Som – “The Bus Song”
from: Everybody Works / Polyvinyl Records / March 10, 2017
[from http://www.jaysom.bandcamp.com: The proper album as Jay Som, Melina Duterte, 22. If last year’s aptly named, Turn Into Compilation showcased a fuzz-loving artist in flux, chronicling her mission to master bedroom recording, then the rising Oakland star’s latest, Everybody Works, is the LP equivalent of mission accomplished. Duterte is as DIY as ever, writing, recording, playing, & producing every sound beyond a few backing vocal, but she takes us places we never could have imagined, wedding lo-fi rock to hi-fi home orchestration, & weaving evocative autobiographical poetry into energetic punk, electrified folk, and dreamy alt-funk. And while Duterte’s early stuff found her bucking against life’s lows, Everybody Works is about turning that angst into fuel for forging ahead. “Last time I was angry at the world,” she says. “This is a note to myself: everybody’s trying their best on their own set of problems & goals. We’re all working for something.” Everybody Works was made in three furious, caffeinated weeks in October. She came home from the road, moved into a new apartment, set up her bedroom studio (with room for a bed this time) and dove in. Duterte even ditched most of her demos, writing half the LP on the spot and making lushly composed pieces like “Lipstick Stains” all the more impressive. While the guitar-grinding Jay Som we first fell in love with still reigns on shoegazey shredders like “1 Billion Dogs” and in the melodic distortions of “Take It,” we also get the sublimely spacious synth-pop beauty of “Remain,” and the luxe, proggy funk of “One More Time, Please.” Duterte’s production approach was inspired by the complexity of Tame Impala, the simplicity of Yo La Tengo, and the messiness of Pixies. “Also, I was listening to a lot of Carly Rae Jepsen to be quite honest,” she says. “Her E•MO•TION album actually inspired a lot of the sounds on Everybody Works.” There’s story in the sounds—even in the fact that Duterte’s voice is more present than before. As for the lyrics, our host leaves the meaning to us. So if we can interpret, there’s a bit about the aspirational and fleeting nature of love in the opener, and the oddity of turning your art into job on the titular track. There’s even one tune, “The Bus Song,” that seems to be written as a dialog between two kids, although it plays like vintage Broken Social Scene and likely has more to do with yearning for things out of reach. While there’s no obvious politics here, Duterte says witnessing the challenges facing women, people of color, and the queer community lit a fire. And when you reach the end of Everybody Works, “For Light,” you’ll find a mantra suitable for anyone trying, as Duterte says, “to find your peace even if it’s not perfect.” As her trusty trumpet blows, she sings: “I’ll be right on time, open blinds for light, won’t forget to climb.”]

12. (19.) Momma’s Boy – “Sleepin'”
from: Liquid Courage / Independent / February 25, 2017
[Momma’s Boy, an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass. Recorded at Element Recording Studios with Joel Nanos. First known for throwing house shows at The Shawnee Manor with local and national acts including Hinds and Glass Animals, Momma’s Boy is leaving the basement to spread their tunes across the Midwest.] [Momma’s Boy released their debut EP, February 25, at 7:00 PM at The Tank Room, with Rachel Mallin and The Wild Type, and Scruffy & the Janitors.] [Momma’s Boy joined us on WMM on February 22.]

13. (18.) The xx – “On Hold”
from: I See You / Young Turks Recordings / January 13, 2017
[3rd studio album by indie pop band The xx, formed in 2005 in Wandsworth, London. Members met whilst studying at Elliott School, the same school that produced Hot Chip, Burial, Four Tet, and Pierce Brosnan. Oliver Sim and Romy Madley Croft started the band as a duo when they were 15 with Jamie Smith joining in 2006. I See You is the follow-up to their sophomore album Coexist, and is their first release in more than four years. Produced by Rodaidh McDonald and Jamie xx, who released his solo debut In Colour, May 2015. The band has stated that the record has a more distinctive sound and a more positive, open and “expansive” concept than the previous two albums.][The xx played Starlight Theatre Oct 3, with Perfume Genius.]

14. (17.) Hermon Mehari– “Cold (Feat. Kevin Johnson”
from: Bleu / Unlabeled Publishing / March 17, 2017
[Debut solo release from Kansas City based jazz trumpeter. Hermon Mehari featuring
Logan Richardson on saxophone, Aaron Parks on piano, Peter Schlamb on vibraphone, Rick Rosato on bass, Ryan J. Lee on drums, and a guest appearance by Kevin M. Johnson on vocals. Hermon Mehari grew up in Jefferson City, Missouri, home of Lincoln University. He is a 2010 graduate of the University of Missouri – Kansas City Music Conservatory. In 2015 he finished first, at the prestigious Carmine Carusa International Jazz Trumpet Competition at Sam Houston State University in Huntsville Texas. Hermon was a semifinalist in the 2014 Thelonious Monk Jazz Competition. In 2014 he released the CD “Our Journey” with Diverse, which was recorded in Paris featuring Logan Richardson on alto saxophone. Hermon was also the winner of the 2008 National Trumpet Competiton and placed second in the International Trumpet Guild competition in Sydney, Australia. He splits his time between touring and playing all over the world and creative projects in Kansas City. Hermon has collaborated with Cat Mahari on BAM! the Workshop, he is also a founding member of Diverse Jazz, Diverse Trio, and The Buhs. He also plays with Peter Schlamb, Making Movies, John Velghe & the Prodigal Sons. Hermon was featured on the world-renowned saxophonist Bobby Watson’s 2013 release, “Check Cashing Day”. More information at: http://www.hermonmehari.com] [Hermon Mehari featuring Peter Schlamb played the 1900 Building, at 1900 Shawnee Mission Parkway, April 19.]

[Hermon Mehari plays CA VA, 4149 Pennsylvania Ave, KCMO at 9:00pm, Thursday, December 28.]

15. (16.) Moses Sumney – “Make Out In My Car”
from: Aromanticism / Jagjaguwar / September 22, 2017
[Debut studio full length album by American singer-songwriter Moses Sumney. It is a concept album about “lovelessness as a sonic dreamscape” that “seeks to interrogate the idea that romance is normative and necessary.” The record was written and produced by Sumney, with assistance from numerous musicians. Moses Frimpong Sumney was born May 19, 1990 in San Bernardino, California to Ghanaian parents. He moved with his family back to Ghana at the age of 10. Sumney described his childhood as “Americanized” by this age and had difficulty adjusting to the culture of Ghana. He did not learn to play any instruments until he was older, writing a cappella music for years instead. Sumney did not perform his musical compositions publicly until he was 20.[1] He attended the University of California, Los Angeles. He is based in Los Angeles, California. His self recorded debut EP, Mid-City Island, was released in 2014 and self recorded onto a 4-track recorder given to him by TV on the Radio’s Dave Sitek. The EP was described by Pitchfork as “primarily composed of first-takes and improvisation; the music is stirring but purposefully incomplete”. Sumney has performed as an opening act for Solange, Sufjan Stevens, and Erykah Badu. Sumney released another 5-song EP in 2016, titled Lamentations which featured a guest appearance from Thundercat.]

10:58 – Station ID

16. (15.) The Roseline – “How To Be Kind”
from: Blood / King Forward Revords / September 29, 2017
[From the 5th album of the Lawrence, Kansas, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005. The Roseline has been through dozens of lineup changes. The current lineup includes: Colin Halliburton on guitar & vocals; Heidi Gluck on bass & vocals, Ehren Starks on keyboards, Kris Losure on guitar, Jeff Jackson on pedal steel & guitar, and Jim Piller on drums. Roseline released their last album, Townie, on June 19, 2015. More info at: http://www.roselinemusic.com] [The Roseline played an Album Release Show, October 5, at The Brick, with Chase the Horseman, and Justin Klaas.]

17. (14.) Emmaline Twist – “Desperate Measures”
from: Dissimulation 1 EP / Emmaline Twist / October 23, 2017
[Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project have released “Dissimulation 1” : four songs in digital format, their first since last year’s release of “Vega” b/w “Moon Eyes”. Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone Guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering, these four songs showcase the dark and driving nature of the Emmaline Twist sound, complete with all the mood and texture that the band has crafted through their live performances. Matched with compelling cover-art created by Amy Abshier, “Dissimulation 1” is perfect for nighttime drives, cloudy skies, and battle cries. More info at: https://emmalinetwist.bandcamp.com/%5D

[Members of Emmaline Twist, and Black Water join together as FAC 816 to play the Sonic Spectrum TributeSeries to New Order, Thursday, December 28, at recordbar 1520 Grand, with Calvin Arsenia, Mysterious Clouds, Pageant Boys, Sinple, and Vacay Vay.]

18. (13.) LCD Soundsystem – “change yr mind”
from: american dream / DFA – Columbia / September 1, 2017
[4th studio album by American rock band LCD Soundsystem, released on September 1, 2017 through DFA and Columbia. It was first announced on January 5, 2016, the day after it was revealed that the band was reuniting after a disbandment lasting nearly five years. It is the band’s first album in seven years, following This Is Happening (2010). Prior to release, LCD Soundsystem performed at large music festivals as well as smaller shows to promote their reunion. “Call the Police” and “American Dream” were released together as the album’s lead single on May 5, 2017, and “Tonite” was released as the second single on August 16, 2017. The album received widespread acclaim from music critics. The album performed well commercially and became the band’s first number-one album in the United States.]

19. (12.) Truckstop Honeymoon – “L.P.”
from: Big Things and Little Things / S. West & M. West / January 6, 2017
[Katie West & Mike West are based in Lawrence, KS, and were relocated here after Hurricane Katrina and the devastation of their home. Hollering with all their hearts over a five string banjo and a doghouse bass, Truckstop Honeymoon live the life they sing about. Touring across three continents with four kids and a truck load of songs, Katie and Mike West tell stories about the strangeness of everyday life. Their music combines elements of bluegrass, music hall jazz and straight up rock’n’roll. Vaudevillian wit and showmanship spike their energetic live shows, while the fearless honesty of their songs touches the hearts of listners around the world. In eleven years Truckstop Honeymoon have released eight CDs and a full length documentary film on Baton Rouge label, Squirrel Records. They perform at International folk festivals, rock clubs, neighborhood bars, house concerts and hay barns from Nebraska to Tasmania. Truckstop Honeymoon’s story begins in New Orleans, where Katie played wash-tub bass and blues piano in the streets of the French Quarter. There she met Mike, who slung a banjo and sold his CDs to tourists as a curative for hangovers and small mindedness. After a court house wedding, they hit the road together. They spent their wedding night in a truckstop somewhere between Lafayette and the Atchafalaya Swamp, where Truckstop Honeymoon was born. More info at: http://www.truckstophoneymoon.com.]

20. (11.) Sharon Jones & The Dap-Kings – “Matter of Time”
from: Soul of a Woman / Daptone Records / November 17, 2017
[6th and last studio album. In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, then released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007), I Learned the Hard Way (2010), and Give the People What They Want (2014). They are seen by many as the spearhead of a revival of soul and funk.]

21. (10.) Scott Hrabko & The Rabbits – “A Thrill of My Own”
from: Summer / Scott Hrabko / June 23, 2017
[3rd full length album release and follow up to his 2015 release Biscuits and Gravity. Scott Hrabko on vocals & guitar; Marco Pascolini on pedal steel, lap steel, and baritone guitar; Fred Wickham on lead guitar; Josh Arnold on bass & vocals; and Tim Higgins on drums, with guest artists: Brett Hodges on fiddle, Havilah Bruders on vocals, Dan Bliss on guitar, Mikal Shapiro on vocals, Chad Brothers on guitar & vocals, Bart Colliver on piano and accordian, and Kevin Dolan on mandolin. Recorded in part and mixed in full by Paul Malinowski at Massive Sound. Singer-songwriter Scott Hrabko has played with Kansas City’s oldest garage band, The Original Sinners, as well as various incarnations of the 1980s bands: The Splinters, and The Andersons. In the 1990s he performed as a solo artist in coffee houses with Iris Dement and Howard Eisberg. Scott Hrabko’s 2014 critically acclaimed solo release, “Gone Places” was said to be 30 years in the making.]
[Scott Hrabko & The Rabbits played a CD Release Show, Friday, June 23 at 7:00 PM at The Brick.] [Scott Hrabko joined us on WMM on June 14.]

22. (9.) Samantha Fish – “Belle of The West”
from: Belle of The West / Ruf Records / November 3, 2017
[Samantha Fish’s second full-length release within eight months, and her sixth since debuting in 2009. Produced by Luther Dickinson. Growing up in Kansas City, Samantha Fish switched from drums to guitar at the tender age of 15. She spent much of her time in local watering holes listening to visiting blues bands. Samantha caught the attention of Ruf Records who released her album, Girls with Guitars, which found her co-billed with Cassie Taylor and Dani Wilde. That led to her forming her own trio and recording three more albums, Runaway (2011), Black Wind Howlin’ (2013) and Wild Heart (2015). She was awarded, Best Artist Debut at the 2012 Blues Music Awards in Memphis. In March of 2017 Fish released: Chills & Fever, where she traveled to Detroit to collaborate with members of the Detroit Cobras, a band popular in the Midwest punk/blues scene. The collaboration included Joe Mazzola on guitar, Steve Nawara on bass, Kenny Tudrick with Bob Mervak on keys, and Mark Levron and Travis Blotsky on trumpet and saxophone. The band covers songs from Jackie DeShannon, Jerry Ragavoy, Bert Berns and Allen Toussaint while also revisiting some earlier demos she cut along with producer Bobby Harlow.]

[Samantha Fish plays Knuckleheads Saloon, Sunday, December 31, at 9:00 PM]

11:27 – Underwriting

23. (8.) Berwanger – “The Star Invaders”
from: Berwanger and The Star Invaders / Berwanger / October 28, 2017
[Recorded in Norman, OK at Blackwatch Studios. This record features musicians from The Anniversary, Pink, Cher, Limbeck, the Flaming Lips, & Broncho. Josh wrote the songs for this record after witnessing UFO’s on family vacation 2 years ago. The songs for this record can almost make a trilogy collection including his 2 previous records, and bridge the gap nicely between his earlier bands, The Anniversary and The Only Children. Josh Berwanger on guitar & vocals, Ricky Salthouse on guitar & vocals, Eva Gardner on bass, Jonny Phillip on drums & cymbals & percussion, Matt Duckworth on percussion, and Penny Pitchlynn on backing vocals. Josh Berwanger was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released the EP Demonios November 11, 2016.]

24. (7.) Andrew Foshee – “Thunderstorm”
from: Strange Relations / Andrew Foshee / October 31, 2017
[Andrew Foshee on acoustic guitar, vocals, sampling, keys; Jon Estes on classical guitar, electric guitar, standup bass, piano, keys, percussion, string arrangements; Jeremy Fetzer on electric guitar, acoustic guitar; Jack Lawrence on bass guitar; Dave Racine on drums, percussion; Alexis Saski on backing vocals; Jem Cohen on backing vocals; Molly Parden on backing vocals; Liz Estes on viola, violin; Amy Helman on viola, violin; Eduardo DuQuesne on words of encouragement. Produced, engineered and mixed by Andrija Tokic
At The Bomb Shelter in Nashville, TN. Mastered by John Baldwin At John Baldwin Mastering in Nashville, TN. Additional production and sequencing done by Andrew At Ye Ol’ Basement Studio in Kansas City, MO. Cover art by Mariano Peccinetti. Andrew Foshee is a songwriter from Kansas City, Missouri. His knack for cinematic home recordings has lead to several song placements in tv and new media. Earlier this year he teamed up with producer Andrija Tokic (Alabama Shakes, Benjamin Booker) and a high clergy of guest musicians at Tokic’s Nashville studio, The Bomb Shelter, to fully realize his latest project. More info at: http://www.andrewfoshee.com] [Andrew Foshee joined us on WMM on November 1.]

25. (6.) Kemet the Phantom – “Suite Life (Master Clean)”
from: The Invisible Man / Center of Attention / March 9, 2017
[Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Kemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More information at: http://www.kemetthephantom.com.] [Kemet The Phantom played Brass & Boujee, October 6, at Ruins Pub, with Marcus Lewis presenting, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble] [Kemet joined us on WMM on October 4.]

26. (5.) Mysterious Clouds – “Schrif moves slowly at 8”
from: Panic on the Non Meridian / Haymaker Records / May 26, 2017
[For this release the band writes: “Crazy times call for crazy music. Panic is a reflection of the turmoil in our hearts, minds, and country. Sometimes you have to embrace the wild times to get a clear mental picture of how to make thing better.” Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. The brothers are also founders of the critically acclaimed band Monta At Odds. Mysterious Clouds also released the EP, Clear Reflection, February 3, 2017. Their song “Clear Reflection” was also include ion the Haymakers records compilation, Fairgounds Vol. 2 Released March 24, 2017.] [Mysterious Clouds played Outer Reaches Fest, Friday Sept. 29, at recordBar.] [Dedric Moore joined us on WMM on September 27.]

[Mysterious Clouds play the Sonic Spectrum Tribute Series to New Order, Thursday, December 28, at recordBar 1520 Grand, with Calvin Arsenia, Pageant Boys, Sinple, and Vacay Vay, and FAC 816 featuring members of Emmaline Twist, and Black Water.]

27. (4.) Katy Guillen and The Girls – “Humbucker”
from: Remember What You Knew Before / KG & The Girls / November 11, 2017
[For this new album the band worked with producer Lennon Bone. The band reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.] [Katy Guillen & The Girls joined us on WMM on November 8.]

[Katy Guillen and Stephanie Williams are part of The Band That Fell To Earth – A Tribute to David Bowie, The Third Annual, on Saturday, January 6, at recordBar, 1520 Grand, Ave, KCMO]

28. (3.) Calvin Arsenia – “Experience”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a cpmpany of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp Calvin teaches music to elementary students. Calvin is also a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin recently returned home from a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerlnd, Lyon and Paris. in over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. Calvin is working to release new music from Calvin’s June 11th, Live Recording at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC. ] [Calvin Arsenia played Big Bang Buffet’s “Black Sheep Rising,” Tuesday, April 11, at 8:00 at The Buffalo Room. A benefit for 90.1 FM KKFI featuring Ron Megee, Lisa Cordes, Jon “Piggy” Cupit, The Sleazebeats, Kristie Stremel, Jen Harris, Maria Vasquez Boyd, Jen Appell, Bill Belzer, Charlie Colborne, Mark Manning, Susan Cedarquis-Brewington, BJ McBride, Michael McQuary, Janet Henry, Ryan Wilks, and Nico Gray.] [Calvin Arsenia was on WMM on Feb. 15, April 12, Sept. 20, and Oct. 25 and we’ve played his music on 17 shows this year.]

[Calvin Arsenia plays the Sonic Spectrum Tribute Series to New Order, Thursday, December 28, at recordbar 1520 Grand, with Mysterious Clouds, Pageant Boys, Sinple, and Vacay Vay, and FAC 816 featuring members of Emmaline Twist, and Black Water.]

29. (2.) Making Movies – “Spinning Out”
from: I Am Another You / Making Movies / May 26, 2017
[3rd full length release: from Kansas City based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. Making Movies is kicking off their 22-date Immigrants Are Beautiful Tour, a celebration of solidarity in the face of fear-mongering and hate. Frontman Enrique Chi shared, “It’s time to realize we are all part of this continuum, this beautifully flawed human race that has migrated from every continent to bring us all the beauty we enjoy today.” The band’s social statement is straightforward enough that they can express it in four words: “We Are All Immigrants.” In supporting that cause, a portion of all proceeds from the album and tour go to the National Immigration Law Center. Enrique Chi, singer-songwriter in Making Movies describes, “since making the album, the tides have shifted and the underbelly of systematic racism has reared its ugly head. It is no longer time to be silent is time for us to raise our voices.” The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.] [Making Movies played I Am Another You Experience at Knuckleheads, Saturday, December 2, at 8 PM at Knuckleheads Saloon, 2715 Rochester St, KCMO, with: Making Movies, The Elders, Jim Suptic (of the Get Up Kids), Bob Walkenhorst (of The Rainmakers), The Nace Brothers, Anthony Ladesich (The Hardship Letters), Hi-Lux, Wick (of Wick and the Tricks), Rory Cameron (of the Whiffs), and Quixotic.]

30.(1.) Krystle Warren – “Get A Load”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. In 2016 Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnson County Community College. For this record Krystle decided to play every instrument and perform all vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage ’70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.] [Krystle Warren was on WMM on September 20. We played her music on 12 different shows this year.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on January 3, Wednesday MidDay Medley celebrates Iris DeMent, born January 5, 1961, in rural Paragould, Arkansas. She was the youngest of 14 children. We’ll feature music from all six of Iris DeMent’s full length recordings, plus her additional work with artists such as her husband, Greg Brown, and also: John Prine, John Emmylou Harris, and others.

Also next week, in our second hour, we celebrate David Bowie with special guest Michelle Bacon producer of The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, at the recordBar

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:

Show #714