WMM Playlist from Sept. 11, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 11, 2019

Fathers + Poet Jen Harris & Lori Chandler +
Dwight Frizzell & Leo Wetherill & Missouri River Bridge as an Instrument

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Other Americans – “Neon Sunrise (Glitchjoy Remix)”
from: OA2 / AWAL Records / October 19, 2019
[New EP follow up to the band’s debut self-titled EP from June 29, 2018. Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Michelle Bacon on bass. Produced by Brandon Philllips. Engineered by Joel Nanos. Recorded at Element Recording Studios in Kansas City. All remixes by Mensa Deathsquad. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, The Philistines, Radar State and Brandon Phillips and The Condition. Other Americans is a virtual Midwestern supergroup. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.”]

[Other Americans play an OA2 Album Release Party with special guests Emmaline Twist, Saturday, October 19, at 9:00 PM at miniBar, 3810 Broadway, KCMO.]

3. Madisen Ward and the Mama Bear – “Started With a Family”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. The band’s follow up EP, Radio Winners was released July 27, 2018 and received critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

[Madisen Ward and the Mama Bear play The High Watt, Nashville, Sat., Oct. 12.]

[Madisen Ward and the Mama Bear play Levitt Shell, Memphis, Sun., Oct. 13.]

4. Black Belt Eagle Scout – “Scorpio Moon”
from: At the Party With My Brown Friends / Saddle Creek / August 23, 2019
[Released in September of 2018, Mother of My Children was the debut album from Black Belt Eagle Scout, the recording project of Katherine Paul. Heralded as a favorite new musician of 2018 by the likes of NPR Music, Stereogum, and Paste, the album was also named as a “Best Rock Album of 2018” by Pitchfork, and garnered further end-of-year praise from FADER, Under The Radar and more. // Arriving just a year after that debut record, At the Party With My Brown Friends is a brand new full-length recording from Black Belt Eagle Scout. Where that first record was a snapshot of loss and landscape and of KP’s standing as a radical indigenous queer feminist, this new chapter finds its power in love, desire and friendship. // At the Party With My Brown Friends is a profound and understated forward step. The squalling guitar anthems that shaped its predecessor are replaced by delicate vocals and soft keys, sentiments spoken and unspoken, presenting something shadowy and unsettling; a stirring of the waters. // The end result presents a captivating about-face that redefines KP’s beautifully singular artistic vision. At the Party With My Brown Friends is introduced in greater detail here via a new statement by the artist. // ARTIST’S STATEMENT: My name is Katherine Paul and I am Black Belt Eagle Scout. // I grew up on the Swinomish Indian Reservation in NW Washington state, learning to play piano, guitar and drums in my adolescent years. The very first form of music that I can remember experiencing was the sound of my dad singing native chants to coo me to sleep as a baby. I grew up around powwows and the songs my grandfather and grandmother sang with my family in their drum group. This is what shapes how I create music: with passion and from the heart. // After the release of Mother of My Children, I felt awake and desperately wanted to put new music out into the world. I had no real intent behind At the Party With My Brown Friends except creating songs around what was going on in my life. In the past few years, the reciprocal love I experienced within friendships is what has been keeping me going. A lot of what is in this album deals with love, desire and friendship. // The lead single, “At the Party,” starts off with a quintessential BBES guitar lick, heading into booming and abundant drums and vocals. The lines ‘How is it real? We will always sing’ came out of me one evening when I was crafting the song in my bedroom. Within my conscious self, there is always a sense of questioning the legitimacy of the world when you grow up on an Indian reservation. We are all at the party (the world), trying to navigate ourselves within a good or bad situation. I happen to be at the party with my brown friends- Indigenous, Black, POC who always have my back while we walk throughout this event called life. // I started writing “My Heart Dreams” the summer after I initially put out MOMC, writing the guitar chords in a friend’s apartment on Ohlone land. I had been in a transitional part of my life, leaving one love and wanting to find another so much so that I felt like my heart was dreaming about it along with my brain at night. I have an obsession with dreams, mainly because I cannot remember most of mine and often times that leaves me frustrated not knowing that part of myself. I would wake up and be overcome with anxiety about not knowing what had gone down in my brain so much so that I started feeling like my heart dreamt more than my mind, thus becoming the line, my heart dreams. // I wrote “Going To The Beach With Haley” one day when I was out on a coastal trip with my friend Haley Heynderickx. We loaded up her car with our blankets and instruments and drove straight to a beach where we sat and listened to the waves and young families with their babies on the beach. I had brought my mini casio keyboard that had an array of beats I used when writing songs. The beat that’s on the song just stuck there along with the main guitar part. Initially written on an old acoustic guitar my mom bought me, the song really transformed in the studio where I added drums and other melodies to create the song. // Throughout the course of my writing and playing around this record, most of these songs deal with relationships I have either with loved ones or friends. I think it low key has to do with my anthropology degree, but also the fact that writing and playing guitar in my bedroom just makes everything feel better for me. For the longest time, I wanted to convey my feelings around coming out to my family. It had been a good experience for me and while I know it is not always that way when kids decide to tell their family, I think that we can open our hearts more for that. I would watch youtube videos of moms being proud of their kids surrounding their sexuality and gender identity and I really wanted to raise my voice to say, ‘my family too!’ What started with trying to sound so literal in this song ended up turning into a song about how much I love my mom and how our connection is eternal. “You’re Me and I’m You” is about being one with your mother, since we all were a part of their bodies at one point. It’s me trying to explore who she is and who I am with my love for people.]

[Black Belt Eagle Scout plays White Schoolhouse, 1510 North 3rd Street, Lawrence, KS. Thursday, November 7, at 7:00 PM with Hikes, and Bad Alaskan.]

5. Hand Habits – “can’t calm down”
from: placeholder / Saddle Creek Records / March 1, 2019
[Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time. Two years later, Hand Habits has returned with their sophomore album, placeholder. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world. The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings — carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery. “A big aspect of my songwriting and the way I move through the world depends on my relationships with people. The songs on placeholder are about accountability and forgiveness,” Meg says. “These are all real stories. I don’t fictionalize much.” Meg describes these songs as their most direct to date, crafted with clear intention, and unlike Wildly Idle (Humble Before The Void), placeholder doesn’t meander. “It’s less of a submerged landscape and more a concise series of thoughts,” Meg explains. Instrumentally, placeholder can be situated alongside some of Meg’s folk-adjacent contemporaries like Angel Olsen or Big Thief, and the guitar work on this album proves that Meg continues to be one of the finest young musicians working today. placeholder is another entry in the Hand Habits songbook, but it’s also a valuable testament of our time. While placeholder inspires a sense of ease, simple questions rarely beget easy answers and Meg honors the indescribable joy and profound sorrow that comes with figuring things out, one step at a time.]

[Hand Habits play In-Store at Mills Record Company, 4050 Broadway, TODAY, Wed Sept 11, 3:30 PM.]

[Hand Habits play The Truman, 601 E. Truman Rd, TONIGHT, Wed, Sept. 11, 7:PM w/ Whitney.]

[Hand Habits play a solo show at Uptown Theatre, Sunday, October 20.]

6. Bon Iver – “Hey, Ma”
from: i,i / Jagjaguwar Records / August 9, 2019
[Bon Iver is an American indie folk band founded in 2006 by singer-songwriter Justin Vernon. Vernon released Bon Iver’s debut album, For Emma, Forever Ago, independently in July 2007. The majority of that album was recorded while Vernon spent three months isolated in a cabin in northwestern Wisconsin. The band later won in 2012 the Grammy awards for Best New Artist and Best Alternative Music Album for their album Bon Iver, Bon Iver. They released their third album 22, A Million to critical acclaim in 2016, which was followed by their fourth album i,i in 2019.The name “Bon Iver” derives from the French phrase bon hiver (French pronunciation: ​[bɔn‿ivɛːʁ]) (“good winter”), taken from a greeting on Northern Exposure.]

7. Calvin Arsenia – “Back To You (Paul Brown Mix)”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[1st single from L.A. Sessions released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.]

[Calvin Arsenia plays The Sextet Album Release, Sun, Sept 15, 7:PM at recordBar, 1520 Grand.]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

10:30 – Underwriting

Dwight Frizzell

10:32 – Interview with Dwight Frizzell & Leo Wetherill

Dwight Frizzell is a Professor at KCAI, and is an internationally recognized artist whose work combines video, performance, installation, music, audio art, and writing. Frizzell’s work about his boyhood neighbor, Harry S. Truman, was featured in the Peabody-awarded “Lost and Found Sound” series broadcast on National Public Radio. Frizzell has produced an opera based on the life of Charles Darwin. In addition to his B.F.A. degree from KCAI, he holds a terminal fine arts degree in Sound Design from the UMKC. Dwight Frizzell, is a founder of the “groovy polyphonic jazz/dance” band, Black Crack Revue, now in their 37th year. Dwight Frizzell is also a founding member of the newEar contemporary chamber ensemble, and is host & producer of “From Arc To Microchip” heard Wednesdays at 11:30 PM on 90.1 FM.

Also with us is Leo Wetherill, who has been supporting artists, creating venues, and producing performance and musical productions in Kansas City since the late 1980s. He is one of the founders of the Human Observation Lab, and early pioneer space in downtown Kansas City offering performance art space for the early concerts of The Cocktails, and early productions of Gorilla Theatre, Eyes Wide Open, nationally recognized visual artist and DJ Nick Cave, and many other area bands and and performance groups and DJs.

Dwight Frizzell and Leo Wetherill join us to shares details about Missouri River Bridge as an Instrument, Thursday, October 3, at 7:30 PM, at 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, Kansas. BRIDGE is a soundscape concert featuring Bill Dye, Steve Donofrio, Patrick Conway and members of Gamelan Genta Kasturi; Dwight Frizzell’s river bridge recordings, Ron Achelpohl Director of Transportation & Environment at the Mid-America Regional Council; Thomas Aber, and Leo Wetherill, Technical Coordinator.

Dwight Frizzell and Leo Wetherill, Thanks for being with us on WMM.

Last time Dwight & Leo were on the show was on June 12 just prior to their midday Solstice concert-June 21, at KC Art Institute’s Vanderslice Reception Patio (behind historically restored Vanderslice Hall), 4415 Warwick Blvd., KC, MO. Heliophonie (Sun Sound) was performed in-sync to the sun’s harmonic tones. The solar sphere oscillates like a bell ringing every 4 minutes 48 seconds (as heard on a large gong). Overtones pulse in quadra-pole rotation (realized by the instruments & electronics). Solar storms moving vigorously through the resonating convection-zone are performed by instrumental duets.

Missouri River Bridge as an Instrument – Thursday, October 3, 2019, 7:30 PM

BRIDGE is a soundscape concert featuring lap steel guitarist Bill Dye, singing-bowl master Steve Donofrio with sextet, Patrick Conway and members of Gamelan Genta Kasturi, Dwight Frizzell’s river bridge recordings, and Ron Achelpohl of the MARC.

FEATURED PLAYERS ACCOMPANYING THE BRIDGE:

Bill Dye, lap-steel guitar soloist

Steve Donofrio, Singing Bowl master

Patrick Conway, Gamelan master

Dwight Frizzell, bridge recordings, zwoom, video and mixage

Thomas Aber, zwoom specialist

Ron Achelpohl, Director of Transportation & Environment at the MARC

Leo Wetherill, Technical Coordinator

“Bridges are expressions of our social-spiritual evolution and impulse toward transcendence.” –Rev. Dwight Frizzell

Bridges are living, resonant beings activated by our crossing formidable passageways now made passé. Crossing Liberty Bend Bridge, our concert’s featured instrument, takes a mere 14 seconds. We invite you to hang with the bridge a moment longer, entertain its own perspective, listen inside its metal structure, and hear its rhythms and singing tones as recorded and mixed by Dwight Frizzell with live performance engineer Leo Wetherill. The bridge’s harmonic sound world is joined and orchestrated by an ensemble of Tibetan Singing Bowls directed by Steve Donofrio, Balinese gamelan instruments directed by Patrick Conway, long-hose zwoomists and Bill Dye’s lap steel guitar solo.

The sonorous Missouri River bridge at Highway 291 in Sugar Creek is a magnificent traffic-activated instrument expressing a flow of people, materials, animals and plants. Its voice, animated by us humans and full of percussive and harmonic sound, is intimately heard by nestling an ear on its metal understructure (or attaching contact microphones as heard here to map the sound spatially to the performance space with the audience inside the bridge’s singing form.

Liberty Bend Bridge is actually two continuous truss bridges on Highway 291 over the Missouri River in Sugar Creek. It is the rare example of a bridge crossing the Missouri River, but not crossing a county line. The Missouri River was rerouted in 1949, leaving part of the county north of the river. The original Liberty Bend Bridge was located about two miles to the north, which then crossed over into Clay County. The main span length is 460.1 feet and the total length is 1,883.3 feet. Vertical clearance is 16.5 feet.

INTRODUCING LIBERTY BEND BRIDGE: Ron Achelpohl is the Director of Transportation and Environment at the Mid-America Regional Council, the council of governments and metropolitan planning organization for the bi-state Kansas City metropolitan area. Ron directs MARC’s transportation and environmental planning and policy work along with related implementation activities such as the Operation Green Light traffic signal coordination system, the RideShare program and public education initiatives for air quality, water quality, active transportation and transportation safety. Prior to serving in his current role, Ron was an Assistant Director of Transportation at MARC, and before that held positions with the Missouri Department of Transportation. Ron is a registered Professional Engineer with degrees in civil engineering from the University of Missouri and engineering management from the University of Kansas. He is an active member of the American Public Works Association and serves on the boards of several local non-profit organizations.

RON ACHAPOHL’S INTRODUCTION: “As alluded to, I think all bridges are poetic, but I’m not. So, I’m going to set the context for the bridge with a few facts and figures about how it fits into the transportation system in the greater Kansas City area, which is kind of my area of expertise. I’ll start by pointing out that this is one of 3599 bridges in the eight county area that we do transportation planning in. It’s one of only 10 bridges though – highway bridges – that cross the Missouri River. The farthest one in the metro area is up in Leavenworth at Route 92, and as you go down the river there are nine other crossings until you get to the Liberty Bend Bridge. The next crossing to the east is in Lexington, Missouri it’s on Route 13, which coincidentally, is about a 40 minute drive from this bridge – about as long as this piece will be this evening. The bridge, it’s purpose is carrying people and vehicles and goods across the river and it carries – the most recent stats we got about that are that it carries about 23,000 vehicles a day across the bridge and the occupancy rate for people in the Kansas City area, that translates to a little over 24,000 people a day that use the bridge. To put that perspective, there are over 100,000 vehicles that use the Kit-Bond Bridge on I-35 across the river, and about 40,000 vehicles a day on the Buck O’Neil Bridge, that is, the old Broadway Bridge across the Missouri River. The original crossing was built back in 1927, and it crossed at where the Clay County-Jackson Country line is now. The river channel was actually moved to the south, so the bridge that is there now is a twin-span, the northbound span was the first one that was constructed, and it was originally built back in 1949, it was rehabbed in 1986, and it was replaced in 2005. The southbound bridge was built new and added the pairing in 2001. It carries Missouri Route 291, which runs from the city of Liberty south to the city of Harrisonville, it crosses through three different counties and seven different cities. So, it’s an important regional connector; it doesn’t have the most traffic in the region, but it really serves an important purpose. I’m really excited to be a part of the piece this evening, I think it’s always helpful to draw attention to the invisible infrastructure that the community relies on.”

INTRODUCING TIBETAN SINGING BOWLS: Steve Donofrio has been a Free-lance Audio Engineer & Technical Consultant for the past 38 years. He is a founding member of the National Audio Theatre Festivals and served as Technical Coordinator for Midwest Radio Theatre Workshop for 10 years and its Executive Director for three. As a member of The Deli Llama Orchestra, Steve has played Tibetan Singing Bowls for over 30 years, as featured on numerous studio and live recordings from LA to Katmandu, Nepal. Steve is an avid collector of Tibetan Singing Bowls, using them as implements of music and for meditative and tonal healing. Steve has worked on many musical projects as a producer, recoding & mixing engineer, and audio artist. Currently he works at the Columbia Public Library as a technical support specialist and lives in rural Missouri with his wife, two dogs, and a charm of 1000 hummingbirds.

INTRODUCING THE BRIDGE SOUNDSCAPE: Dwight Frizzell is an internationally recognized artist/soundscape composer who began recording environments and playing with their acoustic imprints early on — a practice he calls Turtle Music — as heard on his 1976 LP Beyond the Black Crack. The complexities of place were fore-fronted in Dwight’s Peabody-awarded Center of the World (1997), which features his childhood neighbor Harry S. Truman at the shopping center that leveled the beloved Truman family farm in 1957. Recently, Frizzell was panel moderator for Sounding Sculptural Space at the International Sculpture Conference with composer Robert Carl and long-string instrumentalist Ellen Fullman. Dwight’s teachers included Sun Ra and Douglas Davis. He earned a terminal degree in Sound Design for Theatre at UMKC, and is currently Professor in Converging Media at KCAI.

Contacts: Dwight Frizzell, KCAI artist dfrizzell@kcai.edu

Frizzell works as a professor at The KC Art Institute and is a founding member of the newEar contemporary chamber ensemble. He is host & producer of “From Arc To Microchip” Wed. 11:30 PM – 90.1 FM.

Dwight Frizzell is an internationally recognized artist whose interdisciplinary work combines video, performance, installation, music, audio art and writing. He has been producing the “From Ark to Microchip” series with Jay Mandeville since 1984. Ark radio has been heard on KOPN, KCUR, KGNU, RESONANCE FM (London), RADIO NOVA (Paris), and WKCR (New York).

Dwight’s boyhood neighbor in Independence, Missouri was Harry S. Truman, who appears in Dwight’s work as a pianist, Atlantean King and time-traveler. Dwight released the “Beyond the Black Crack” LP in 1976, studied video art with Douglas Davis (1977), clarinet with Raymond Luedeke (1979) and metaphysics with Sun Ra (1980-1990). His work was exhibited at Biennale de Paris, World-Wide Video Festival (Amsterdam), and broadcast on NPR.

Dwight’s collaborative third-mind creations with writer Jay Mandeville includes plays, essays, and Ark scripts. Their work was published in “Semiotext(e) Radiotext(e)” and “Experimental Sound and Radio” (MIT Press). They edited The Pitch newspaper in the early ‘80s.

Dwight’s music is available on Paradigm discs (England). He plays Buffet clarinets and Yamaha saxophones and wind controllers. His collaborations with Michael Henry include “Sonic Force,” where AFR A10 Warthog Attack Planes were used as musical instruments. Frizzell is a founding member of the Black Crack Revue, the newEar contemporary chamber ensemble, and the National Audio Theatre Festivals. He performed recently with David Ossman and Phil Proctor of the Firesign Theatre.

Dwight Frizzell and Leo Wetherill, Thanks for being with us on WMM.

Missouri River Bridge as an Instrument, Thurs, October 3, at 7:30 PM, at 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, KS. More info at: http://www.1900bldg.com

10:50

8. Russell Brixey – “Midnight Swim (Feat. Lauren Flynn)”
from: Midnight Swim – Single / Russell Brixey / July 30, 2019
[Russell Brixey is the musical solo project of Ryan Wallace. Ryan Wallace has played with many groups over the years: Heroes and Villains, The Republic Tigers, and JAENKI. This is his first solo single “Midnight Swim” and features the vocals of Lauren Flynn from the band Olivia Fox. Hear Russell Brixey talk about “Midnight Swim” at http://speakimge.com/interview-russell-brixey/%5D

The Sextet’s upcoming album “Among Friends”

9. The Sextet – “Clare de Lune”
from: Among Friends / ARC / September 15 , 2019
[The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release. Engineered and Mixed by J Ashley Miller. Produced by J Ashley Miller, Robert Castillo, & The Sextet. Mastered by Duane Trower @ Weights and Measures Soundlab. Recorded Jan. 17,18, & Feb. 1, 2019 @ The Infoaming Vertex. Cover Image: “Circle and Square” by Wassily Kandinsky 1943]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

11:00 – Station ID

10. Fathers – “Me & America”
from Me America – Single / Fathers / August 30, 2019
[Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; Brooke Honeycutt on vocals, bells, & percussion; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion.]

[Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.]

Members of the band Fathers: David Vava Littlewood, Kenneth Storz, Matt Guilliams, and Bryce Veazey on the September 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Kenneth Storz and members of Fathers

Kenneth Storz, David Vava Littlewood, Matt Guilliams, and Bryce Veazey are four of the members of Fathers the Kansas City band formed in 2017. Fathers have released several singles and on March 1 of this year they released their debut EP High Horses. On August 30 Fathers released their newest single “Me & America.” Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.

Kenneth Storz, David Vava Littlewood, Matt Guilliams, Bryce Veazey, thanks for being with us on WMM.

Fathers Includes:

Kenneth Storz on vocals, guitar, & keyboards;

Brooke Honeycutt on vocals, bells, & percussion;

David Vava Littlewood on vocals, keyboards, & bells;

Matt Guilliams on bass, & percussion;

Bryce Veazey on vibraphone, vocals, & percussion;

Josh Seerden on guitar, keyboards, bass, & percussion;

Celeste Tilley on trombone, vocals, & percussion.

How did this band come to be a band?

Last time the band was on the show was just prior the Fathers High Horses EP Release Party, Saturday, March 9, at 8:00 PM, at the 2016 Main Event Space at 2016 Main St, KCMO, with Eems and Belle & The Vertigo Waves.

Fathers released the 4 song EP High Horses on March 1, 2019 and now 6 months later has this new single out.

Bryce Veazey was recently on stage for the Crossroads Music Fest playing with Madisen Ward and the Mama Bear on Saturday night on the KC Crossroads stage.

The band perform live in our 90.1 FM Studios

11:12

Fathers

11. Fathers – “untitled” (LIVE)
[Kenneth Storz on vocals, guitar, David Vava Littlewood on keyboards, Matt Guilliams on guitar, Bryce Veazey on vibraphone & vocals.]

Part of the recording of High Horses was done in the Yoga studio of Bodyfit

Several reviews have compared Fathers to The Beach Boys and to Olivia Tremor Control.

Fathers has played Middle of The Map Fest, The Buzz Homegrown Showcase, recordbar, the Brick, Power and Light District, The Rino, sharing stages with many area bands including Pink Royal, Y God Y, Pageant Boys, The Fey, Calvin Arsenia, and others. How do you feel about the Kansas Area music scene?

10:23

Kenneth Storz, David Vava Littlewood, Matt Guilliams, Bryce Veazey, thanks for being with us on WMM.

Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.

10:24

12. Fathers – “PRTND”
from High Horses / Fathers / March 1, 2019
[Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; Brooke Honeycutt on vocals, bells, & percussion; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion.]

[Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.]

Jen Harris with Members of the band Fathers: David Vava Littlewood, Kenneth Storz, Matt Guilliams, and Bryce Veazey on the September 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:28 – Underwriting

Jen Harris and Lori Chandler on the Sept. 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:30 – Interview with Jen Harris & Lori Chandler

Nationally recognized, KC based Poet Jen Harris is the founder of The Writing Workshop KC, and the Kansas City Poetry Slam, she is a TEDx fellow, She has been nationally recognized for her writing and advocacy. She was recently seen in the 3rd season of Queer Eye on Netflix. She graduated from the University of Missouri-Kansas City with a Bachelor of Liberal Arts. She is the recipient of the 2015 Jim Wanser Pride Award for outstanding LGBT community activism. She is the recipient of The Pitch Magazine’s 2017 Poet of the Year award, and was nominated as the 2017 Spoken Word Host of the Year by the National Spoken Word Awards. She was the 2009 ACP Kansas Journalist of the Year. She has two published books of poetry titled: Slammed and Lust & Disdain. Her spoken word record, Flaunting Her Mediocrity was released Oct 9, 2016. More info at: http://www.poetjenharris.com

Along with her husband Doug Chandler, Lori Chandler is founder of Take Five Music Productions. The company grew from their earlier experiences as owners of Take Five Coffee + Bar where they presented innovative Jazz performances. After Take Five Coffee + Bar closed in 2015 the Chandlers decided they would continue presenting collaborative Jazz events and shows in multiple venues all over the metro area. More info at http://www.take5kc.com

Lori Chandler and Poet Jen Harris joins us today to talk about the release of Jen’s third book of poetry and essays, Unconfirmed Certainties, and special show called “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave, with Jen Harris collaborating with Eddie Moore on keyboards, Jason Emmond on bass and Brian Steever on drums. Poet Jen Harris & The Fellas is produced with Take Five Music Productions.

Jen Harris, and Lori Chandler thanks for being with us on WMM.

Jen this is a busy time for you. You are also playing The Sextet’s Album Release show Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.

Lori Chandler, you wrote: “I first heard Jen Harris at the Fahrenheit Valentine’s Ball in February and she literally took my breath away. Six months and many coffee-fueled discussions later, I’m so privileged to announce this performance. The creative process between Jen, Eddie Moore, Brian Steever and Jason Emmond has been absolutely mind blowing.”

This event includes the jazz accompaniment of “The Fellas,” renowned musicians Eddie Moore (keys), Jason Emmond (bass) and Brian Steever (drums), bringing Jen’s performance to sonic life.

Unconfirmed Certainties “is the intersection of suspicion and intuition” and follows Harris’ year-long exploration, documentation and in-process recovery from flashbacks, suicidal ideation and a significant mental breakdown following a devastating, unexpected public breakup and facing, head-on, a C-PTSD diagnosis.

An outspoken advocate for an accessible mental health system, Harris was relieved to finally put a name to symptoms she had experienced since her early teens. She fought for decades to overturn the misdiagnosis of Bipolar II disorder, which she was given around age 15 as a way to “medicate away her queerness and creative spirit.” Due to the limitations set upon her by the current health care system, this endeavor took Harris nearly 20 years to accomplish.

As the public has come to know from her career, Harris spares no one’s feelings or privacy in her searing truth-telling performance.

Take Five Music Productions. http://www.take5kc.com

Additional notes: This performance contains mature subject matter and is not recommended for young children.

Jen Harris would you share a piece from the show?

11:50

13. Jen Harris – “Love and Other Ghost Stories”
original piece written and performed by Jen Harris from Unconfirmed Certainties

11:53 – Interview with Jen Harris and Lori Chandler

We are talking with Lori Chandler and Poet Jen Harris about the release of Jen’s third book of poetry and essays, Unconfirmed Certainties, and special show: “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave.

Jen Harris and Lori Chandler thanks for being with us on WMM

Jen Harris releases her third book of poetry and essays, Unconfirmed Certainties, with a special show called “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave, collaborating with Eddie Moore on keyboards, Jason Emmond on bass and Brian Steever on drums. Poet Jen Harris & The Fellas is produced with Take Five Music Productions. More info at: http://www.take5kc.com

11:55

13. The Ghost Wolves – “Crooked Cop”
from: Crooked Cop / Third Man Records / September 9, 2019
[The Ghost Wolves are Carley “Carazy” Wolf on guitar & vocals and Jonathan “Little Hammer” Wolf on drums & vocals. Third Man Records is excited to release the newest songs from Austin, TX’s Ghost Wolves. Formed in 2011 and hardly taking time to sit since then, the Ghost Wolves create, record and tour at a rapid clip. Blending rock n’ roll, punk rock, garage and blues with electronic elements, the duo has earned a reputation as one of the hardest working bands in the modern rock n’ roll underground, touring internationally for almost 8 years straight, with nearly 1000 shows between them in 23+ countries including most of western Europe, the USA, U.K. and Japan. The duo recorded these three new tracks in early 2019 with engineer/producer John Michael Schoepf (bassist for Ray Wylie Hubbard, Night Glitter) in his Austin living room studio. The recording took place during a very dark time for Carley and Jonny, who have been married for 7 years. Jonny’s father received a terminal cancer diagnosis in late 2018. These songs came together while Jonny was tending to his father in Connecticut, with Carley sending demo songs to him from Texas. When his father stabilized somewhat, Jonny returned to Austin to take a break and they both therapeutically recorded these songs. As can be heard, these recordings are darker, more intimate and more pressing than previous material. Produced by John Michael Schoepf and The Ghost Wolves. Engineered by John Michael Schoepf. Mixed by John Michael Schoepf, Kyle Ellison and Jonas Wilson.]

[The Ghost Wolves play recordBar, 1520 Grand, TONIGHT, Wednesday, September 11, at 7:00 PM with Freight Train Rabbit Killer]

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on Wednesday, September 17 – special guests include: Calvin Arsenia who plays an LA Sessions Release Show at recordBar, September 19. We will also talk with Dedric Moore and Nathan Reusch about their 3 Deep Chromadepth 3-D Concert Friday, September 20 with Jaenki, Pala Zolo, Flaural, Triptidesm and Monta At Odds, at recordBar, 1520 Grand. Also next week, singer-songwriters Rigby Summer and Ed Dupas play live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #802

Wednesday Midday Medley presents: Dwight Frizzell & Leo Wetherill + Fathers + Poet Jen Harris & Lori Chandler

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 11, 2019

Fathers + Poet Jen Harris & The Fellas +
Dwight Frizzell & Missouri River Bridge as an Instrumen
t

Mark plays more New & MidCoastal Releases from: Madisen Ward and the Mama Bear, Other Americans, Calvin Arsenia, The Sextet, Fathers, Russell Brixey, The Ghost Wolves, Hand Habits, Black Belt Eagle Scout, and Bon Iver.

At 10:30 Mark talks with Dwight Frizzell and Leo Wetherill about, Missouri River Bridge as an Instrument, Thursday, October 3, at 7:30 PM, at 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, Kansas. BRIDGE is a soundscape concert featuring lap steel guitarist Bill Dye; singing-bowl master Steve Donofrio; Patrick Conway and members of Gamelan Genta Kasturi; Dwight Frizzell’s river bridge recordings, zwoom, video and mixage; Ron Achelpohl Director of Transportation & Environment at the Mid-America Regional Council; Thomas Aber, zwoom specialist; and Leo Wetherill, Technical Coordinator. Dwight Frizzell is a Professor at KCAI, and is an internationally recognized artist whose work combines video, performance, installation, music, audio art, and writing.

Fathers

At 11:00 Kenneth Storz and members of the Kansas City band Fathers share their new song, “Me & America” that was just released. Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Brooke Honeycutt on vocals, bells, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion. On March 1, 2019 they released their debut EP High Horses. Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.

Jen Harris

At 11:30 we welcome nationally recognized, KC based Poet Jen Harris who releases her third book of poetry and essays, Unconfirmed Certainties, on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave, with “Poet Jen Harris & The Fellas” collaborating with Eddie Moore on keyboards, Jason Emmond on bass and Brian Steever on drums. Jen Harris is an LGBTQ & Women’s advocate, TEDx fellow, Queer Eye Season 3 Empowerment Circle guest, KC Poetry Slam and The Writing Workshop KC Founder, and author of the books, Slammed and Lust & Disdain. Poet Jen Harris & The Fellas is produced with Take Five Music Productions. More info at: http://www.poetjenharris.com

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #802

WMM Playlist from August 21, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community RadioWMM
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 21, 2019

Mike McCoy’s Trompe L’oeil
+ Robert Castillo & The Sextet

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Clairo – “Impossible”
from: Immunity / Fader / August 2, 2019
[Claire Cottrill was born August 18, 1998. She is known professionally as Clairo, and is from Carlisle, Massachusetts. Her fame escalated after releasing “Pretty Girl” in 2017, a lo-fi-produced song that attracted over 35 million views on YouTube. She credited her sudden popularity to the website’s algorithm system. Claire was born in Atlanta, Georgia, the daughter of marketing executive Geoff Cottrill. According to her, “Pretty Girl” was inspired by 1980s pop music, and that although she was tagged with the “bedroom pop” label, it was not her intention to make that style of music. After the popularity of “Pretty Girl”, Clairo signed a record contract with Fader. Clairo’s father, Geoff Cottrill, formerly held top positions at Procter & Gamble, Coca-Cola, Starbucks, Converse, and MusiCares a philanthropic organization associated with the Grammy Awards. Between 2015 and 2017, he was president of American operations at MullenLowe Lintas Group. Claire began recording covers at the age of 13 and taught herself guitar from Internet tutorials. During this time, MTV contacted her to record a song to be used as background music for one of their shows, but the song was never used. Under the names Clairo and DJ Baby Benz, she began posting music to Bandcamp while in high school before beginning to post covers and songs in addition to DJ mixes of rap music on SoundCloud. She also maintained a YouTube channel where she would post covers and short films. In 2017, she began attending Syracuse University. Clairo’s “Pretty Girl” was recorded for an indie rock compilation benefiting the Transgender Law Center. According to her, she recorded the track “using the resources around me which were pretty shitty. I used like a little keyboard that I had and I was really into ’80s pop music — my mom is obsessed with it — so it kind of inspired me to do something like that.” The video also became popular on vaporwave-centric Facebook groups. Another video that was uploaded to YouTube a month earlier, “Flamin Hot Cheetos”, garnered 3 million views by July 2018. The success of “Pretty Girl” led to interest from major labels such as Capitol, RCA, and Columbia. Clairo signed a 12-song record contract with Fader Label. According to The New York Times, this was made possible by her father’s connection to Jon Cohen, co-founder of The Fader and an executive at the publication’s marketing agency, Cornerstone. He signed Clairo to the magazine’s associated record label. Clairo is managed by Mike Ahern and Jimmy Bui. “The whole ‘do-it-yourself’ attitude is everything that I’m about. […] I think it’s really important to be genuine and authentic with everything you do.” —Claire Cottrill, 2017 interview with Fader. In October 2017, an article about Clairo was published by Fader, in which she stated that she was most inspired by Brockhampton, and cited their “do-it-yourself ‘attitude'” as her ethos. Some online communities criticized her comments as disingenuous, arguing that her professional career was borne from nepotism, and thus she should not be considered a true DIY musician. They accused her of being an “industry plant”, in other words, an artist who has backing from the music industry to advance or kick-start their careers, but are deceptively presented as an independent start-up. Such discussion appeared mostly on Reddit. One of the widely shared posts lamented that, although the user enjoyed her music and thought she was an “inspiring” songwriter, they could not fathom why none of her articles and interviews acknowledged her father’s significant industry connections. Clairo described the “industry plant” accusation as sexist and denied that there was “a man behind my success”. The Ringer contributor Lindsay Zoladz commented that it would have likely been more difficult for Clairo to get a record contract without her father’s connections, and that “it is impossible to imagine Clairo’s success in a Gen X world, so vital is the internet to her appeal.” On May 25, 2018, Fader Label released Clairo’s debut record, titled Diary 001. In her review for Pitchfork, Fader contributor Sasha Geffen wrote that the EP ought to subside the “legions of naysayers who dismissed her as a one-hit fluke or an industry plant.” By then, “Pretty Girl” had amassed more than 15 million views on YouTube. A piece written by Joe Coscarelli of The New York Times said that the work: “bridges both worlds, building on the coy, understated bedroom pop of ‘Pretty Girl’ and ‘Flamin Hot Cheetos’ toward sturdier numbers like ‘4EVER’ and ‘B.O.M.D.'”. That same month, she announced a headlining tour throughout North America, opening for Dua Lipa on multiple dates. Her July performance at the Bowery Ballroom in New York was a sold-out show. In October 2018, she performed at Lollapalooza. She is scheduled to perform at Coachella 2019.]

[Clairo plays Middle of The Map Fest, Friday, October. 4 at Crossroads KC, 417 E. 18th St. KCMO with Snail Mail, and others]

3. Sleater-Kinney – “The Future Is Here”
from: The Center Won’t Hold / Mom+Pop Records / August 15, 2019
[9th studio album from Sleater-Kinney, formed in early 1994 in Olympia, Washington, by Corin Tucker and Carrie Brownstein. The group’s name is derived from Sleater Kinney Road, Interstate 5 exit number 108 in Lacey, Washington, the location of one of their early practice spaces. Tucker was formerly in the influential riot grrrl band Heavens to Betsy, while Brownstein was formerly in the queercore band Excuse 17. They often played at gigs together and formed Sleater-Kinney as a side-project from their respective bands. When Heavens to Betsy and Excuse 17 disbanded, Sleater-Kinney became their primary focus. Janet Weiss of Quasi is the band’s longest lasting and final drummer, until after this was released when she announced she was leaving the band. Sleater-Kinney has had other drummers, including Lora Macfarlane, Misty Farrell, and Toni Gogin. Upon Tucker’s graduation from The Evergreen State College (where Brownstein remained a student for three more years), she and then-girlfriend Brownstein took a trip to Australia in early 1994. Their last day there, they stayed up all night recording what would become their self-titled debut album. It was released the following spring. They followed this with Call the Doctor (1996) and Dig Me Out (1997), and became critical darlings. The lineup features: Corin Tucker (vocals and guitar), Carrie Brownstein (guitar and vocals), and Janet Weiss (for this record on drums).]

Photo by Gordon Parks

4. Mavis Staples – “We Get By (feat. Ben Harper)”
from: We Get By / Anti / May 10, 2019
[14th studio solo album from rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

[The 780’s Series presents A Conversation with Mavis Staples, Wednesday, August 21, 2019 at 6:00 PM at Liberty Hall, 644 Massachusetts St, Lawrence, KS]

10:16 – Underwriting

5. Ensemble Iberica – “Chan Chan”
from: Live Recordings / Tzigane Music / July 19, 2019
[One of two different volumes of live recordings release this Summer from the collective.Kansas City based Ensemble Ibérica performs the music of Iberia (Spain and Portugal) and their former colonies. Programs explore diverse time periods, styles and locations including the Spanish Baroque, Portuguese Fado and Argentine Tango. Ensemble Ibérica features extraordinary musicians from classical, jazz and urban folk music traditions giving the audience something that is truly unique. Band Members include: Beau Bledsoe, Victoria Botero, Karim Memi, Rich Wheeler, Brandon Draper, Victor Penniman, Jeff Harshbarger, Jordan Shipley, and Michael McClintock. Live Recordings (Vol 1) features highlights from our 2015 and 2016 Concert Series. Ensemble Iberica records every concert, and this collection was edited down from approximately fifty hours of recordings in concert halls, theaters, and intimate clubs. The energy and mutual engagement between musicians and a live audience is an irreplaceable experience for all involved. This spontaneous dynamic allows a musician to embrace an unscripted accident or to extend an improvisation into unimagined territory. A live recording can transmit these aspects of performance much more than a studio recording can ever attain. Performers include: Nathalie Pires on vocals, Mireya Ramos on vocals & violin, Shae Fiol ob vocals, Bruno Bessa on vocals, Victoria Botero on soprano, Fedra Cooper Barrera on vocals, Beau Bledsoe on guitar, Michael McClintock on guitar, Jeff Freling on guitar, Jordan Shipley on guitar, Rod Fleeman on guitar, Clarke Wyatt on banjo, Victor Penniman on viola da gamba, Christian Fatu on violin, Betse Ellis on fiddle & vocals, Norma Pacheco O’Neil on castanets, Amado Espinoza on charango, flutes & percussion, Brandon Draper on percussion, John Currey on percussion, Pat Conway on percussion, Zsolt Eder on violin, Rich Wheeler on Saxophone, Jeff Harshbarger on bass, Dominique Sanders on bass, Pedro Pimentel on bass, Hermon Mehari on trumpet, Mark Strozier on flute. More info at: http://www.ensembleiberica.org]

[Ensemble Iberica presents “Taste of Cuba”, Friday, August 23, at 7:00 PM at The Culinary Center of Kansas City, 7920 Santa Fe Dr, Overland Park, KS. with members of the band Cubanisms.]

6. Mike McCoy’s Trompe-l’œil – “Believe in the Trees and Bees”
from: Eyein’ Lies / Mike McCoy’s Trompe-l’œil / July 19, 2019
[“Believe in the Trees and Bees” was chosen by Rob Thomas be part of the soundtrack for “Veronica Mars” on Hulu. Rob Thomas is a producer of that show. Formed in Austin, Texas in August 2015, Band Members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy. Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop. All overlap in McCoy’s world. Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel/Columbia Records) in the mid 1990s and has fronted other quirky conceptual bands (often, tongue planted firmly in cheek) such as the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry. Mike is also a prolific solo artist whose latest venture, The Death Bus (digital release only), harkens back to his earliest and perhaps most natural milieu — roots/country/balladeer expanding his solo repertoire and he hopes to wrap up the year with a new record. A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC, McCoy’s truest calling is the crafting of songs. He’s a hayseed intellectual-philosopher whose compositions strike the right balance of plaintive and high-brow, sardonic and humble. McCoy brings a singular, poet’s sensibility to the music equation. He writes about a wonderful waitress in a rundown town who has the power to make or break your stay (“if you treat her well, you might get what you want…”), about an immigrant woman whose dreams of America lead her to a lonesome life as a domestic (“feather duster I believe her, no one sees the way I see her…”), about American apathy and how winter is a submarine (“winter is a submarine — I lay inside and I no longer dream…”). In most of McCoy’s songs, there is something deeply wistful, despite the freighted narratives and their dizzying wordplay. He’s a serious guy and he writes about serious stuff. Yet in the lyrics and in the spaces between words and melody, you can almost hear that lone whistle blow in the dark of a heartlands night; you hear a style of writing that combines political commentary and snarky populism with an inextinguishable belief that somehow, with the right blend of gumption and fortitude, we humans might just pull off something good. He’s equal parts punk-rock-Americana — a strange brew of Bob Dylan, Iggy Pop, John Mellencamp, Ramones and Burl Ives. But no matter in what incarnation you encounter Mike McCoy, you’ll find he’s driven by the same basic themes: ideas and ideals of humanity, principles and hopes, outrage and indignation, absurdism and dadaism, puns and poetry and parody, with a large dose of red-white-and-blue wishful thinking.]

[Mike McCoy presents Mike McCoy’s Trompe L’oeil Q & A Jam, on Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave, KCMO.]

Mike McCoy

DJ Timmy Tilton

10:33 – Interview with Mike McCoy (with an assist from DJ Timmy Tilton)

Mike McCoy grew up in Hutchinson, Kansas. In the early 1990s his band Cher U.K. filled venues in Kansas City playing with popular themes in punk rock music. Mike McCoy, now lives in Austin Texas and plays in his band Mike McCoy’s Trompe-l’œil. Mike has also played in the bands The Service Industry and The American People. Mike McCoy presents Mike McCoy’s Trompe L’oeil Q & A Jam, on Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave, KCMO.

Mike McCoy thanks for being with us on Wednesday MidDay Medley.

Mike’s new band is called: Mike McCoy’s Trompe-l’œil Formed in Austin, Texas in August 2015, Band Members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy.

The new album s called Eyein’ Lies from Mike McCoy’s Trompe-l’œil.

Mike McCoy presents Mike McCoy’s Trompe L’oeil Q & A Jam, on Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave, KCMO. Mike McCoy is best known in Kansas City for his band Cher UK. Mike will be stopping by The Vinyl Underground at 7th Heaven to play a few songs from the new album and maybe even a few Cher UK songs.

A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop. All overlap in McCoy’s world.

Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel/Columbia Records) in the mid 1990s and has fronted other quirky conceptual bands (often, tongue planted firmly in cheek) such as the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry. Mike is also a prolific solo artist whose latest venture, The Death Bus (digital release only), harkens back to his earliest and perhaps most natural milieu — roots/country/balladeer
expanding his solo repertoire and he hopes to wrap up the year with a new record.

A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC, McCoy’s truest calling is the crafting of songs. He’s a hayseed intellectual-philosopher whose compositions strike the right balance of plaintive and high-brow, sardonic and humble.

McCoy brings a singular, poet’s sensibility to the music equation. He writes about a wonderful waitress in a rundown town who has the power to make or break your stay (“if you treat her well, you might get what you want…”), about an immigrant woman whose dreams of America lead her to a lonesome life as a domestic (“feather duster I believe her, no one sees the way I see her…”), about American apathy and how winter is a submarine (“winter is a submarine — I lay inside and I no longer dream…”). In most of McCoy’s songs, there is something deeply wistful, despite the freighted narratives and their dizzying wordplay. He’s a serious guy and he writes about serious stuff. Yet in the lyrics and in the spaces between words and melody, you can almost hear that lone whistle blow in the dark of a heartlands night; you hear a style of writing that combines political commentary and snarky populism with an inextinguishable belief that somehow, with the right blend of gumption and fortitude, we humans might just pull off something good.

He’s equal parts punk-rock-Americana — a strange brew of Bob Dylan, Iggy Pop, John Mellencamp, Ramones and Burl Ives. But no matter in what incarnation you encounter Mike McCoy, you’ll find he’s driven by the same basic themes: ideas and ideals of humanity, principles and hopes, outrage and indignation, absurdism and dadaism, puns and poetry and parody, with a large dose of red-white-and-blue wishful thinking.

The latest versions of Cher UK in Kansas City consisted of: Mike McCoy Guitar & Vox, Mark Reynolds – Bass, Bernie Dugan – Drums

The band was originally called Cher. First recordings on cassette, the band went through several line-up changes and the band’s name changed to Cher UK and got a record deal with Red Decible Records from Minneapolis.

In 2004 Mike founded the North vs. South Music Festival, as a bi-annual, bi-polar music festival designed to showcase independent rock along the I-35 corridor.

Mike McCoy, Thanks for being with us on Wednesday MidDay Medley.

The new album Eyein’ Lies from Mike McCoy’s Trompe-l’œil

10:50

7. Mike McCoy’s Trompe-l’œil – “The Hard Way”
from: Eyein’ Lies / Mike McCoy’s Trompe-l’œil / July 19, 2019
[Formed in Austin, Texas in August 2015, Band Members include: Andrew Duplantis, Jacob Schulze, Travis Garaffa, David Garrett, and Mike McCoy. Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop.]

[Mike McCoy presents Mike McCoy’s Trompe L’oeil Q & A Jam, on Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave, KCMO.]

8. Olivia Fox – “Blame”
from: Carbon / OLIVIA FOX / August 23, 2019
[Lauren Flynn, Aubrey Callahan and Tiffany Smith make up the KC band, OLIVIA FOX who released their self titled debut EP, June 2, 2017. OLIVIA FOX followed with three singles: “Slow Motion” released Dec 14, 2017, “Utah” released Feb 16, 2018, and “Easy” released June 1, 2018. On November 2, 2018 the band released their EP Renditions, with 4 songs written by The Doors, The Beatles, The Cranberries, and Bon Jovi. OLIVIA FOX call their sound Folk/Pop, a marriage between classic folk vocals & harmonies to modern programmed beats & synth pads.]

[Olivia Fox play an Album Release Show on Saturday, August 24, at 8:00 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO, with Crystal Rose and Nicki White.]

11:00 – Station ID

Robert Castillo and Tim Tilton on the August 21, 2019 edition of Wednesday MidDay Medley

9. The Sextet – “To Be Determined (feat. J.F. Letters, Miki P, & Adee Dancy)”
from: Among Friends / ARC / September 15 , 2019
[First Single (released May 10, 2019) from The Sextet’s upcoming album Among Friends. The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release.]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

Robert Castillo on the August 21, 2019 edition Wednesday Midday Medley on KKFI, 90.1 FM.

11:08 – Interview with Robert Castillo

Musician & band leader Robert Castillo, joins us to share new singles from The Sextet’s upcoming album “Among Friends.” The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release.

The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.

Robert Castillo thanks for being with us on Wednesday MidDay Medley
We just heard the first single, released May 10, “To Be Determined” featuring J.F. Letters.

Later we will play “Moving On (feat. Poet Jen Harris)” released July 19

and also: My Funny Valentine (feat. Calvin Arsenia & Miki P)”

Along with J.F. Letters, Calvin Arsenia, Poet Jen Harris, and Miki P other collaborators include: Jose Faus, Sean Branagan, Fritz Hutchinson, and Eddie Moore.

Among Friends is being released through are label ARC (Chris Burnett).

More information at: http://www.thesextetjazz.com

Robert Castillo also plays with Miki P and The Swallotails, Calvin Arsenia, SUNU, KCKCC Jazz Choir, North Kansas City OBG.

Robert Castillo has collaborated with Tim Harte, Lauren Krum, Dirty Force Brass Band, and Charles Williams,

Robert Castillo is from Kansas City. He went to Northgate Middle School and North Kansas City High School.

He learned piano in 2nd grade, violin in 4th grade, cello in 6th grade, bass in 7th grade. He played in the high school jazz band,

When he was 18 he moved to Chicago and took classes in Jazz Studies at North Central College.

In the Spring of 2014 Robert Castillo moved to rural Oregon where he enrolled in the Americore program and put himself in “Service to America.” He was placed in Fossil Oregon where he worked as a K- 8 grade Music Teacher, (28 students total).

It was during his free time in Oregon that The Sextet began as a band.

Robert Castillo is married to Kathryn Castillo. They have been married for 4 years, and have been together for 10 years.

Robert Castillo is also a painter and his works have been featured at PT’s Coffee, Mattie Rhodes, and InterUrban ArtHouse. He works in watercolor, oils, and acrylics.

Robert Castillo was a graduate of Artist Inc. He was in the same class as Jen Harris.

11:19

10. The Sextet – “Moving On (feat. Poet Jen Harris)”
from: Among Friends / ARC / September 15 , 2019
[Second Single (released July 19, 2019) from The Sextet’s upcoming Amoung Friends. The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release.]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

The Sextet’s upcoming album “Among Friends”

11:27 – Interview with Robert Castillo

Musician & band leader Robert Castillo, who shares new singles from The Sextet’s upcoming album “Among Friends.” The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release.

The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.

Robert Castillo thanks for being with us on Wednesday MidDay Medley

Robert Castillo is assistant director of programming for Art As Mentorship.

Later this week, Robert Castillo (from Aug 23 – Sept 2), can be found at: blob
The Dump, 7:00 @ Center Plaza c/o BRCPO, Burning Man, Gerlach, NV 89412

The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass,

The most recent single from The Sextet and their new album Among Friends is “My Funny Valentine (feat. Calvin Arsenia & Miki P)” with collaborators from Sean Brannigan, Fritz Hutchinson, and Eddie Moore giving the song an Afro-Beat treatment.

Robert Castillo, thanks for being with us on Wednesday Midday Medley.

More information at: http://www.thesextetjazz.com

11. The Sextet –”My Funny Valentine (feat. Calvin Arsenia & Miki P)”
from: Among Friends / ARC / September 15, 2019
[Third Single (released August 16, 2019) from The Sextet’s upcoming Amoung Friends. The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release.]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

10:46 – Underwriting

12. Oso Oso –”dig”
from: basking in the glow / Triple Crown Records / August 16 , 2019
[Oso Oso calls themselves a “music thing from Longbeach, New York. Triple Crown Records offers: Oso Oso is the latest project of Jade Lilitri out of Long Beach, New York. After a couple of early records, the band self-released their first fully realized album The Yunahon Mixtape on Bandcamp in early 2017. Despite this low key release, the album quickly gained traction across the scene, winning over both fans and critics with it’s diverse, recognizable knack for memorable choruses and instantly relatable lyrics.]

[Oso Oso plays The Rino, 314 Armour Rd, NKC, Sunday, September 15, at 7:00 PM with The Sidekicks and Future Teens.]

11:55

One of our favorite area bands is Under The Big Oak Tree, an Acoustic Folk, Country Roots from St Joseph, Missouri band formed by: Kristin Hamilton, Doug “Sluggo” Ward, and Simon Fink. We have played music from all three of their albums. Band member Simon Fink who was on WMM on June 5, sharing music from his beautiful book/CD release LULLABIES TIL DAWN that he recorded with The Wires, writes:

Dear friends of Under the Big Oak Tree,

With some sadness I must report that UBOT is going on hiatus for the foreseeable future. I’m taking a job beginning next month that will have me commuting out of state for the next year.

We have booked a night at Unplugged—Friday, August 23, 8—10pm to celebrate seven amazing years of Under the Big Oak Tree and to get one last chance to be on stage all together before I head out. Please join us!

Thank you for all your love and support over the past several years.

Yours,

Simon Fink

13. Under The Big Oak Tree – “Stars Songs Faces (After Sandburg)”
from: Local Honey / Mudstomp Records / January 22, 2016
[Acoustic Folk, Country Roots from St Joseph, Missouri band formed by: Kristin Hamilton, Doug “Sluggo” Ward, and Simon Fink. More info at: http://www.UnderTheBigOakTree.net/ Under The Big Oak Tree play multiple showcases at this year’s Folk Alliance International, including The MudStomp Records Fri, Feb 19.]

[Under The Big Oak Tree play a farewell (for Now) Show!, Friday, August 23, at 8:00 PM, at Unplugged, 2605 Frederick Avenue, Saint Joseph, Missouri.]

11:59:30

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, August 28, members of the area band L A Jones join us to share their new single to be released September 4. Also Enrique Chi will be with to talk about Making Movies Carnival, September 7, at Knuckleheads.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #799

WMM presents Mike McCoy’s Trompe L’oeil + Robert Castillo & The Sextet

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community RadioWMM
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 21, 2019

Mike McCoy’s Trompe L’oeil
+ Robert Castillo & The Sextet

Mark spins New & MidCoastal Releases from: The Sextet (with J.F. Letters, Miki P, & Adee Dancy, Calvin Arsenia, and Jen Harris), OLIVIA FOX, Mike McCoy’s Trompe-l’œil, Ensemble Ibérica, Under The Big Oak Tree, Sleater-Kinney, Mavis Staples with Ben Harper, Oso Oso, Clairo, and Josh Ritter.

Mike McCoy

The new album Eyein’ Lies from Mike McCoy’s Trompe-l’œil

At 10:30 Mike McCoy joins us from Austin, Texas to share music from the new album Eyein’ Lies from his band Mike McCoy’s Trompe-l’œil. Mike McCoy presents Mike McCoy’s Trompe L’oeil Q & A Jam, on Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave, KCMO. Mike McCoy is best known in Kansas City for his band Cher UK. Mike will be stopping by The Vinyl Underground at 7th Heaven to play a few songs from the new album and maybe even a few Cher UK songs. There may be special guests, stories and fun. KKFI’s DJ Timmy Tilton will also join us for this segment.

The Sextet: (L to R) Max Levy, Robert Castillo, Trevor Turla, Nik D. Douglas, Joseph Tesoro and Forrest Fowler

The Sextet’s upcoming album “Among Friends”

At 11:00 Mark welcomes musician & band leader Robert Castillo, who shares new singles from The Sextet’s upcoming album “Among Friends.” The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release. The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show. More information at: http://www.thesextetjazz.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #799

WMM Playlist from August 14, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community RadioWMM
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 14, 2019

Spinning Records With Marion Merritt
+ Ivory Blue

Marion Merritt

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For 15 years now Marion has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. LSD – “Thunderclouds (feat. Sia, Diplo & Labrinth)”
from: Thunderclouds (feat. Sia, Diplo & Labrinth) – Single / Records LLC/Columbia / 2018

4. Bleached – “Hard to Kill”
from: Don’t You Think You’ve Had Enough? / Dead Oceans / 2019

5. Death in Vegas – “Girls”
from: Scorpio Rising / BMG / 2018 [Original Release September 16, 2002]

6. Death in Vegas – “Scorpio Rising (Radio Edit)”
from: Scorpio Rising / BMG / 2018 [Original Release September 16, 2002]

7. Khruangbin – “Cómo Me Quieres”
from: Con Todo El Mundo / Dead Oceans / 2018

8. Khruangbin – “Mary Always”
from: Hasta El Cielo (Con Todo El Mundo In Dub) / Dead Oceans / 2019

10:33 – Underwriting

9. Death And Vanilla – “Let’s Never Leave Here”
from: Are You a Dreamer? / Fire Records / 2019

10. Crumb – “Nina”
from: Jinx / Crumb / 2019

11. Black Pumas – “Black Moon Rising”
from: Black Pumas / ATO / 2019

12. Brownout – “Louder Than a Bomb”
from: Fear of a Brown Planet / Fat Beats / 2018

10:58 – Station ID

13. Jesca Hoop – “Free of the Feeling”
from: Stonechild / Memphis Industries / 2019

14. Madison Cunningham – “Pin It Down”
from: Who Are You Now / Verve / 2019

15. Doctor Bionic – “Emptiness & Fulfillment”
from: Reaching the Unknown, Ch. 2 / Chiefdom Records / 2019

16. Frankie Knuckles, Director’s Cut & Eric Kupper – “The Whistle Song (Re-Directed)”
from: The Director’s Cut Collection / Def Mix-So Sure / 2019

17. Bedouine – “Echo Park”
from: Bird Songs of a Killjoy / Spacebomb / 2019

18. Florist – “Time Is a Dark Feeling”
from: Emily Alone / Double Double Whammy / 2019

Marion Merritt thanks for being with us on Wednesday MidDay Medley.

11:28 – Underwriting

Ivory Blue and Marion Merritt on the August 14, 2019 edition of Wednesday MidDay Medley on KKFI.

19. Ivory Blue – “Midas Touch”
from: Ready Get Set EP / Independent / June 23, 2015
[Singer, songwriter, rock & roller, Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

11:34 – Interview with Ivory Blue

Ivory Blue started writing music at the age of 14. An Indiana native, Ivory was given up for adoption at the age of 4, into a family that later caused them to run away at the age of 15. IVORY played coffee houses and small venues before landing in Kansas City in 2010. Ivory was one of the first artists to come-out as Non Binary Transgender, and gained respect from radio, television, and international magazines. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records. The single was released June 15, 2018.

Ivory Blue plays Nebraska Furniture Mart, Saturday, August 17, at 7:00. Ivory Blue plays WineFest in Independence, Missouri on Saturday, September 14. Ivory Blue plays InterUrban ArtHouse, 8001 Newton St., Overland Park, KS., on Saturday, September 28, at 8:30 PM

Ivory Blue, welcome back to Wednesday MidDay Medley.

We last talked with Ivory on the radio on August 29, 2018, prior to that Ivory was with us on June 28, 2017. Between these dates Ivory went on a musical journey competing in the first ever, neXt2Rock, going through name changes, and learning that big record labels and area and regional music competitions and the people who organize them don’t always have the artists best interests in mind.

Ivory Blue’s debut EP, Ready Get Set was released in June 2015, recorded and mastered by Larry Gann of Awestruck studios with Micah Burdick on guitar, Craig Kew on bass, and Lester Estelle, drummer for Kelly Clarkson, on drum.

Ivory Blue

More info at: http://www.ivorybluemusic.com

Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Publlic Library. Ivopry Black plays the Kauffman Stadium, July 1, Royals home game.

Ivory is now currently in the process of writing and recording a debut full-length album.

Klaartje Van Lue is Ivory’s manager and she was the one who helped IVØRY find their way to KC. Ivory has said that she saved their life.

11:46

20. Ivory Blue – “Dreamland” (LIVE)
a new song Ivory is currently working in for a new album

Ivory Blue, thank you for being with us on Wednesday MidDay Medley.

Ivory Blue plays Nebraska Furniture Mart, Saturday, August 17, at 7:00. Ivory Blue plays WineFest in Independence, Missouri on Saturday, September 14. Ivory Blue plays InterUrban ArtHouse, 8001 Newton St., Overland Park, KS., on Saturday, September 28, at 8:30 PM

More information at http://www.ivorybluemusic.com

11:56

21. Ivory Blue – “A Good Answer”
from: Ready Get Set EP / Independent / June 23, 2015
[Singer, songwriter, rock & roller, Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

11:59:30

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, August 21 Mark spins: The Sextet (with J.F. Letters, Miki P, & Adee Dancy, Calvin Arsenia, and Jen Harris), OLIVIA FOX, Mike McCoy’s Trompe-l’œil, Ensemble Ibérica, Under The Big Oak Tree, Sleater-Kinney, Mavis Staples with Ben Harper, Oso Oso, Clairo, and Josh Ritter. At 10:30 Mike McCoy joins us from Austin, Texas to share music from the new album Eyein’ Lies from his band Mike McCoy’s Trompe-l’œil. Mike McCoy’s Trompe L’oeil Q & A Jam, is Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave,KCMO. At 11:00 Robert Castillo shares singles from The Sextet‘s upcoming album “Among Friends.” The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #798

WMM Playlist from May 8, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 8, 2019

Nick Carswell “Changing Shades” +
Laurel Morgan Parks & Sascha Groschang of The Wires
+ Molly McLaughlin & Turlach Boylan

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Marvin Gaye – “Where Are We Going? (Alternate Mix 2)”
from: You’re the Man / Motown – Universal Music / March 29, 2019
[You’re the Man is a posthumous studio album by American singer Marvin Gaye, originally intended to be released in 1972 as the follow-up to What’s Going On. It was released on March 29, 2019 to celebrate what would have been Gaye’s 80th birthday on April 2, 2019. The album includes the single of the same name, as well as the intended original album in full and other songs Gaye recorded at the time. Salaam Remi’s remix of “My Last Chance” was released in promotion of the album on February 8, 2019.You’re the Man was intended as another socially conscious record like What’s Going On (1971), but following the release of its lead single, the title track “You’re the Man”, Gaye cancelled its release. This was in part due to the reception of the song, as well as the fact that Gaye’s political views were different from those of Motown founder Berry Gordy. For these reasons, You’re the Man was long considered a “lost” album. 15 of the 17 songs have not previously been released on vinyl, but most were made available on CD compilations over the years. The album includes a longer take of “I Want to Come Home for Christmas”, which was first made available in 1990 after being recorded in 1972. The physical release of the album includes liner notes written by David Ritz. “Where Are We Going?” was written by Larry Mizell and Larry Gordon.]

3. Mattiel – “Keep The Change”
from: Satis Factory / ATO Records / June 14, 2019
[Bringing a whole new meaning to the term one-(wo)man band, Atlanta-based Mattiel Brown writes her own music, directs her own visuals and even designs her own sets. Oh, and when she’s not busy with her music career you can find her at her side-hustling as a set designer, illustrator and designer. Having grown up in quiet rurality in Georgia working on her mother’s farm, these creative sensibilities offered a young Mattiel endless escapist opportunities. Dreaming of far away lands and wild worlds, it was upon stumbling across her mum’s record collection (the likes of Donovan, Peter Paul and Mary, and The Monkees) that things really began to click and she discovered the transportive power of music.]

4. The Sextet – “Colors of the Wind (feat. Calvin Arsenia)”
from: Blob Castle / The Sextet / October 7, 2017
[After the release of The Sextet’s debut album, In a Natural State from July 2016, bassist and bandleader Robert Castillo moved from the Pacific Northwest back home to Kansas City. Castillo reconnected with high school friends and other musicians to reform the group and continue performing his compositions and arrangements. Blob Castle showcases not only the talent of musicians bred in a jazz city, but also the diversity and growth of Castillo’s writing. From the Latin groove tune “La Mona,” written for Robert’s mother to the somber ballad “Maggie” written in memory of a friend, this album goes beyond genre barriers to explore the paths of improvisational music. The former album was funded through a Kickstarter campaign in which a reward for donating was a Castillo original composition. On this album you’ll hear these commissioned pieces which include “TC,” “be,” and “#notmypresident.” The album flows from one mood/emotion to the next, taking the audience through a journey through Robert’s imagination. Facilitating the flow are band members Teddy Krulewich on trumpet, Max Levy on tenor sax, Trevor Turla on trombone, Peter Marten on guitar, and Fritz Hutchison on drums. Mixed and mastered by Duane Trower at Weights & Measures in KCMO. The current line up includes: Joe Tesoro on soprano sax, Max Levy on tenor sax, Aryana Nemati on baritone sax, Pete Marten on guitar, Nik Douglas on drums, and Robert Castillo on bass, and composer. The Sextet is getting set to release their third album “Among Friends” in the Fall of 2019]

[The Sextet play Jazz Night at The Ship, 1217 Union Ave, West Bottoms, on Sat, May 11, at 10:00 PM]

5. Danielle Nicole – “How Come U Don’t Call Me Anymore”
from: Cry No More / Concord Records / February 23, 2018
[Nominated for a Grammy Award for Best Contemporary Blues Album. Danielle Nicole lends her incredible voice to this Prince classic in honor of his recent passing. Danielle Nicole wrote or co-wrote 9 of the songs on this album. She sings and plays bass on all tracks, with special guest musicians like Sonny Landreth on slide guitar, Walter Trout on guitar, Kenny Wayne Shepherd on guitar, Johnny Lee Schell on guitar, Monster Mike Welsh on guitar, Brandon Miller on guitar, Luther Dickinson on guitar. Danielle Nicole was born Danielle Nicole Schnebelen. Her self-titled solo debut EP was released March 10, 2015 on Concord Records. The self-titled EP features Grammy Award-winning producer-guitarist Anders Osborne, Galactic’s co-founding drummer Stanton Moore and keyboardist Mike Sedovic. On February 25, 2015, American Blues Scene premiered the track “Didn’t Do You No Good” off the new EP. Danielle Nicole was previously in the band Trampled Under Foot with her brothers Kris and Nick Schnebelen. At the 2014 Blues Music Awards, Trampled Under Foot’s album, Badlands, won the ‘Contemporary Blues Album of the Year’ category. At the same ceremony, Danielle Nicole, under the name of Danielle Schnebelen, triumphed in the ‘Best Instrumentalist – Bass’ category. The band was also nominated in the ‘Band of the Year’ category. In September 2015, her debut album, Wolf Den, was released on Concord Records. It reached number 2 in the Billboard Top Blues Albums chart in October that year. Danielle Nicole’s second solo album, Cry No More, peaked at # 1 in the Billboard Top Blues Albums chart. Bill Withers wrote one of the teacks on the new album.]

[Danielle Nicole Band with special guests The MGDs play Knuckleheads Saloon at 2715 Rochester St, KCMO, Saturday, May 11 at 8:30 PM]

6. Pamper the Madman – “Spinning”
from: Spinning – Single (unmastered) mixes from unreleased new recordings (May 1, 2018)
[Current members of the reformed Kansas City band Pamper The Madman include: Johnny Hamil, Theresa Scott, Chris Fugitt & Chris Tady. Theresa Scott is formerly known Theresa Schloegel. She is one of the original members of Pamper the Madman. Tim Finn in the KC Star wrote: “Clever songs made Pamper the Madman one of the area’s biggest bands 20 years ago.” The band released their self titled debut on Stress Records in 1995. The band stopped playing in 1998 but after a handful of reunion shows between 2014-2016, the band decided to get back together and is recording new material. Theresa Schloegel was born in Kansas City on November 07, 1970. A while back with her husband and family she left town on a boat going south on the river. She also lives in Santa Cruz. Theresa Scott’s family has owned and operated Woodyard BBQue for generations. Members of Pamper the Madman have included Theresa Scott, Chris Fugitt, Robbie Wagner, Marshall Strong, Johnny Hamil and Chris Tady.]

[Pamper the Madman & The Bad Ideas play The Brick 1727 McGee St, KCMO, Saturday, May 18, at 9:00 PM]

7. Stereolab – “International Colouring Contest”
from: Mars Audiac Quintet / Elektra / August 8, 1994
[Expanded Edition Reissued May 3, 2019]
[One of several new reissues remastered from original tapes, with a bonus disk of unreleased demos, outtakes and alternate mixes. Co-released by band’s own label Duophonic UHF Disks and Warp Records. In February 2019, the group announced a tour of Europe and North America to coincide with expanded, remastered reissues of several of the albums. Stereolab were an English-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group’s music combined influences from krautrock, lounge and 1960s pop music, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French. On stage, they played in a more feedback-driven and guitar-oriented style. The band also drew from funk, jazz and Brazilian music, and were one of the first artists to be dubbed “post-rock”. They are regarded among the most innovative and influential groups of the 1990s. Mars Audiac Quintet is the third studio album by English-French rock band Stereolab. It was released on August 8, 1994 in the United Kingdom by Duophonic Records and in the United States by Elektra Records. During the recording of the album, guitarist Sean O’Hagan left as a full-time member to tour with the High Llamas, while keyboardist Katharine Gifford was added.The song “International Colouring Contest” is a tribute to Lucia Pamela, and samples her voice in the intro. Stereolab: Lætitia Sadier on vocals & guitar, Mint’s organs, & tambourine; Tim Gane on guitar, bass, Vox, Farfisa organs, & Moog synthesiser; Duncan Brown on bass; Katharine Gifford on Vox, Farfisa organs, & Moog synthesiser; Mary Hansen on vocals, guitar, tambourine, & egg shaker; Sean O’Hagan on slide guitar, marimba, & brass arrangements; and Andy Ramsay on drums, percussion.] [The last Stereolab release we remember was 2010’s Not Music on Drag City Records. It was their 12th album, released during the band’s self – imposed hiatus from recording and touring. The tracks were recorded in early 2007. Half of the recordings were released in 2008 on their release “Chemical Chords.” It was reported that the recordings began when band member Tim Gane started messing with ‘a series of about seventy tiny drum loops’ on top of improvised chord sequences using piano and vibraphone. “building them up from there – later slowing the tracks down or speeding them up – it was a totally new way of doing songs for us”. The band createdm all the tracks in their studio, Instant Zero, in Bordeaux, France.]

10:30 – Underwriting

8. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

10:35 – Interview with Nick Carswell

Songwriter Nick Carswell is originally from Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011. He formed Carswell & Hope in late 2012. The band released their debut album in 2014, coinciding with a two week Irish tour. Nick also plays bass in the electro-pop band Pink Royal and is the force behind Silly Goose Records and the annual MixMaster music conference, now part of the Crossroads Music Festival. Nick Carswell joins us to share details about Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song in a solo performance of 10 songs, accompanied by lighting, projection and stage design, Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Nick Carswell thanks for being with us on WMM.

Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance of 10 songs, accompanied by lighting, projection and stage design, creating a unique visual canvas to the music.

Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND

Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Each night features guest performances by Amado Espinoza (in KC) and María Elena Cuevas (in Lawrence).

The project was supported by an ArtsKC Inspiration Grant.

More info at: http://www.changingshadesproject.com

10:44

9. Nick Carswell – “The Wave (A Reckoning) ”
from: The Wave (A Reckoning) – Single / Silly Goose / May 7, 2019
[The featured single from “Changing Shades”, a solo project by Nick Carswell.
All music & lyrics by Nick Carswell. Produced by Nick Carswell. Additional mixing by Jason Slote. More info at http://www.changingshades.com.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence with guest performance by María Elena Cuevas.]

10:48 – More Interview with Nick Carswell

Laurel Morgan Parks and Sascha Groschang with Nick Carswell on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

We are talking with Nick Carswell about Changing Shades – Stories of Migration, Confusion & Belonging a solo performance of 10 songs,, Friday, May 10, at 7:00 PM, at The Irish Center of KC, AND Saturday, May 11, at 7:00 at Lawrence Arts Center,.

Nick Carswell thanks for being with us on WMM.

The Wave (A Reckoning) written by Nick Carswell

Where to start? Where do I begin?
I’ve played my part for all the good it’s been
And the stars grow dim
High above me

We all laughed, what a joke it’s been
I’ve sold my lot, all but given in
But still the din
Is rising
above me
All at once
It overcomes me

But here I am at the end
On the outside looking in
I see a friend
I watch the pendulum swing

My body’s bruised
The air is thin
On my back
I’ve been carrying
the greed and sin
of those before me
But now a reckoning
A wave is forming

So here I am at the end
On the outside looking in
I feel the weight
I watch the world caving in

Here am I, All I’ve lost is what I’ve given in
I feel the end
I’m ready to begin

PRESS RELEASE: Lawrence-based Musician Launches New Multimedia Performance Inspired by his Immigrant Experience. “Changing Shades” is a new electro-acoustic project from Irish immigrant and musician Nick Carswell

LAWRENCE, KS MARCH 20, 2019:
Lawrence-based musician Nick Carswell will debut a new multimedia work inspired by his experience as an immigrant in the United States, with concerts at the Kansas City Irish Center (May 10th) and the Lawrence Arts Center (May 11th). The new project is a departure from the usual genres Carswell has previously released work in and combines his recent experience with multimedia public art and a new body of electro-acoustic music. The Lawrence and Kansas City concerts will be accompanied by guests Maria Cuevas (formerly Maria The Mexican) and Bolivian multi-instrumentalist, Amado Espinoza, respectively. Tickets for both concerts are $10 and performances begin at 7pm.

Changing Shades: An Immigrant’s Story of Confusion & Belonging will consist of 10 songs, each accompanied by lighting, projection and stage design, creating a unique visual canvas to accompany the music. The projected was supported by an ArtsKC Inspiration Grant which funded the purchase of electronic music and lighting equipment to expand the music performance into an immersive multimedia presentation.

“This is definitely new ground for me,” Carswell explains. “The project combines some new tools I’ve been quietly working with over the last several years, with themes that have been kind of weighing heavy recently. This combination called for a different kind of presentation.”

The new works focus on the theme of “belonging” and draw upon Carswell’s experience living as an Irish immigrant for 8 years in the U.S. Songs deal with his own sense of shifting cultural life.

Contact: Nick Carswell Phone: (785) 424-5236|Email: nickcarswellmusic@gmail.com

Nick Carswell thanks for being with us on WMM.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, with guest performance by María Elena Cuevas. More info at: http://www.changingshadesproject.com

10:57

10. MorMor – “Some Place Else”
from: Some Place Else – EP / Don’t Guess – AWAL Records / May 3, 2019
[Artist, Singer-Producer, multi-instrumentalist, born and raised in Toronto. MorMor writes, records, produces most of his own work. He tells pigeons and planes, “A lot of my inspiration stems from wanting to share a perspective of Toronto that I feel hasn’t been represented,” he says. “I’m glad Toronto is getting a lot of attention right now, but my experience of the city that has shaped me isn’t really part of the story yet.” he goes on to say, “I always felt different from the other kids at school. I went through a really hard time because I was the kid who always hung out with a wide variety of people. I kept searching for kids like me, but it never happened. In the end it gave me some good perspective. I was a pretty rebellious person when I was young. I had a problem with authority. I was reluctant to take orders if I didn’t believe in the cause. I might be the only kid who got suspended in the first grade. Music was something that I could escape through.]

11:00 – Station ID

13. The Wires – “Wilder”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]

[The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

11:04 – Interview with Laurel Morgan & Sascha Groschang of The Wires

Sascha Groschang and Laurel Morgan Parks of The Wires, on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

Laurel Morgan grew up in Lincoln, Nebraska. A classically trained musician, she has been playing the violin for 30 years. Laurel graduated from the UMKC Conservatory of Music in 2005. She has also performed with the Des Moines Symphony, Quixotic Fusion, Musical Theatre Heritage at the Off-Center Theatre, the folk-rock band, ‘In the Pines” that won several Pitch Music Awards. And with her husband artist Ben Parks she is ia founder of the band Of Tree As a composer, arranger, and musician Laurel Morgan has traveled to Germany, Austria, and throughout the United States, but is based here in Kansas City.

Sascha Groschang graduated from Paseo Academy of Performing Arts in 2000, UMKC Conservatory of Music in 2004, and Mannes College – The New School For Music in 2008. She had her solo recital debut at Carnegie Hall’s recital hall, Weill Hall in February 2009. Sascha has recorded or performed with Peter Gabriel, Joanna Newsom, Ashanti, Adina Menzel, Clay Walker, the Trans-Siberian Orchestra. She has also worked for NBC, Rhino Records, Juniper String Ensemble, Saint Joesph Symphony, and is part of the faculty at Missouri Western State University. She also teaches out of her Midtown KC home studio. You can learn more at: cellolady.com

Together, Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

More info at: http://www.thewires.info

The Wires debut CD titled: “The Wires Alternative Strings” was originally released through i-tunes, Sept. 25, 2012

Sascha moved back to Kansas City in 2010, after living in NYC for 3 years. She and her husband were married in Brooklyn. They now have wo children age 3 and 1.

Laurel worked in the acclaimed band, In The Pines.

11:13

12. The Wires – “Uncaged”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]
cond album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

We’re talking with Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

Laurel was most recently on Wednesday MidDay Medley sharing music from her band Of Tree

Of Tree’s release, How Does It Feel (October 12, 2018) was one of WMM’s 118 Best Recordings of 2018

Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.”

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

More info at: http://www.thewires.info

Molly McLaughlin, Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

11:24

13. Jean Claude and the Eclairs – “Glasgow.”
from: Glasgow. – Single / Jean Claude and the Eclairs / April 4, 2019
[Alternative Pop/Rock trio based in Lawrence, KS formed by Cooper Scott, Garrison Krotz and Quinn Maetzold in June of 2016.]

[Jean Claude and the Eclairs play The Bottleneck, 737 New hampshire St. Lawrence, KS. Thursday, May 9, at 8:00 PM in an all ages show with Shoebox Money, Cavves, and The Arsonist .]

11:29 – Underwriting

11:31 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan and Molly McLaughlin on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

Turlach Boylan learned to play Irish music as a teenager, studying with John Kennedy in Culleybackey, County Antrim. In 1986, he won an Irish national contest for flute slow airs. Turlach comes from a musical family, he has four sisters and one brother that also play music. Since emigrating to America, he has continued to perform, playing in over 30 states with the band Glen Road and, more recently, in a duet with guitarist Davey Mathias. He has produced three recordings, available on CD. In addition to flute and tin whistle, he also plays banjo and mandolin

Molly McLaughlin studied music at the California Institute of the Arts and the Hartt School, specializing in contemporary, Classical, and traditional Irish flute. Molly has toured with Jethro Tull, recorded at Capitol Records, and performed at the Folk Alliance International Conference. Molly is a core member of Kansas City’s Ensemble Ibérica and performs regularly with her Irish band, Into The Sun. She released her first album in 2017. In August, she’s moving to Ireland to study Traditional Irish Flute for the next several years.

Molly McLaughlin and Turlach Boylan will play live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program and we have our final concert coming up on May 18.

11:38

14. Molly McLaughlin & Turlach Boylan – Jigs: “Whistler at the Wake / Battering Ram”

11:42 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan & Molly McLaughlin with Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

We’re talking with Molly McLaughlin and Turlach Boylan who are playing live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program

The Missouri Folk Arts Program identifies, documents, and promotes the folk and traditional arts in our state. Missouri hosts one of the oldest, continuous statewide folk arts apprenticeship programs in the United States, established in 1984. The Traditional Arts Apprenticeship Program funds master artist and apprentice teams who are committed to sustaining their artistic traditions and cultural heritage over an eight month period. This year, Irish flutists Turlach Boylan and Molly McLaughlin were selected to work together.

Harmony Project KC is an intensive, arts-based, youth intervention and mentoring program for under-served children in KC’s urban core. Their mission is to promote the healthy growth and development of children through the study, practice and performance of music; to build healthier communities by investing in the positive development of children through music; to develop children as musical ambassadors of peace, hope and understanding among people of diverse cultures, background and beliefs.

11:49

15. Molly McLaughlin & Turlach Boylan – Reels: “Humours of Ballymac / Devanny’s Goat”

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin and Turlach Boylan perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

11:56

16. Le Grand – “Button Mashing”
from: Plastic Jazz / Le Grand / May 10, 2019
[Kansas City based instrumental rock band with Josh Snow on guitar, Sam Sartorius on drums, Sterling Dorrell on guitar, and Chelby Hanks on bass]

[Le Grand play and EP Release at The Rino, 314 Armour Rd, North Kansas City, MO., Friday at 7:00 PM, with Via Luna, Oxford Remedy, and Aage Birch.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on May 15, Wednesday MidDay Medley Celebrates our 15th Anniversary with 15 Special Guests: Iris DeMent, Krystle Warren, Calvin Arsenia, Betse Ellis, Kasey Rausch, Mikal Shapiro, Jake Wells, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Jen Harris, Nico Gray, Fran Stanton, Barry Lee, and Brenton Cook.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #785

Wednesday MidDay Medley presents Nick Carswell + The Wires + Molly McLaughlin & Turlach Boylan

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 8, 2019

Nick Carswell “Changing Shades” +
Laurel Morgan Parks & Sascha Groschang of The Wires
+ Molly McLaughlin & Turlach Boylan

Mark spins New & MidCoastal Releases from: Le Grand, The Wires, Pamper The Madman, Jean Claude and the Eclairs, Danielle Nicole, Nick Carswell, Carswell & Hope, The Sextet with Calvin Arsenia, Marvin Gaye, Stereolab, MorMor, and Mattiel.

At 10:30 Nick Carswell shares details about Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance of 10 songs, accompanied by lighting, projection and stage design, creating a unique visual canvas to the music, Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS. Each night features guest performances by Amado Espinoza (in KC) and María Elena Cuevas (in Lawrence). The project was supported by an ArtsKC Inspiration Grant. More info at: http://www.changingshadesproject.com

At 11:00 Mark talks with The Wires Alternative String DuoLaurel Morgan Parks on violin, and Sascha Groschang on cello. The Wires compose and perform original music inspired by a myriad of genres and eclectic sounds, and blend wide-ranging styles, from tango to gypsy, jazz to rock, infused with the precision of classical form. Laurel Morgan Parks and Sascha Groschang will share details about The Wires 2nd Album Release – Wilder, Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. More info at: http://www.thewires.info

At 11:30 Molly McLaughlin and Turlach Boylan play live in our 90.1 FM Studios. Together they will share music that they have been working together for the past six months. Molly McLaughlin and Turlach Boylan will be in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, Kansas City Missouri. This is the culmination of their work together though the MO Folk Arts Apprenticeship Program, a grant they received last year. Suggested donation is $10 half of all proceeds will benefit Harmony Project KC.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #785