WMM Playlist from Sept. 16, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 16, 2020

Chris Hazelton & The Freedom Affair
+ Blair Schulman talks about Brigid Berlin

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM theme]

2. The Jayhawks – “Living in a Bubble”
from: Xoxo / SHAM – Thirty Tigers / July 10, 2020
[11th studio album from alternative country and country rock band that emerged from the Twin Cities music scene during the mid-1980s. Since the departure of John Jackson as a full-time member, the current lineup of the Jayhawks consists of: Gary Louris on guitar, lead vocals, backing vocals; Tim O’Reagan on drums, backing vocals, lead vocals; Karen Grotberg on keyboards, backing vocals; Marc Perlman on bass, backing vocals, lead vocals. Originally led by vocalists, guitarists and songwriters Gary Louris and Mark Olson, its country rock sound was influential on many bands who played the Twin Cities circuit during the 1980s and 1990s like Uncle Tupelo, the Gear Daddies and the Honeydogs. They have released eleven studio albums with and without Olson who left the band in 1995, including five on the American Recordings label. On hiatus from 2005 to 2009, the 1994–1995 lineup of the band reunited, releasing the album, Mockingbird Time, in September 2011. After the tour, Mark Olson again left the band. After another hiatus in 2013, the 1997 lineup led by Louris reunited to play shows in 2014 to support the reissue of three albums released between 1997 and 2003. The band has remained active touring and recording since, including the release of the albums Live at The Belly Up in 2015, Paging Mr. Proust, produced by Peter Buck in 2016, Back Roads and Abandoned Motels in 2018 and XOXO in 2020.]

3. Jake Wells – “Habit”
from: Sunday Morning – EP / Jake Wells Music / February 29, 2020
[Second EP from Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 22 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations. In 2018 he was featured on the nationally televised NBC reality – competition program The Voice.]

[Jake Wells plays live on Sunday, Sept. 20, 2020, 7:00 PM with Noah Davis & Heavy Electric at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire.]

4. Crystal Rose – “Renegade”
from: Arena EP / Crystal Rose / September 18, 2020
[Crystal Rose is a singer song-writer based in heart of Kansas City. Last year she was featured on the nationally televised NBC reality – competition program The Voice. At a young age she was Influenced by powerhouse vocals like Whitney Houston, Celine Dion and Christina Aguilera. She has since drawn much inspiration from blusey and folk centered artist like James Bay, James Vincent Mcmorrow and Johnnyswim. Crystal Rose released her debut single “Come Alive” on May 6, 2016. Earlier this year Crystal released the single “Not Leaving (Stripped)” on January 30, 2020.Crystal is a Kansas City based singer songwriter and UMKC journalism student who has played solo and also with Paige Turner on guitar. To listen to more Crystal Rose please visit: http://www.crystalro.se]

5. Suzzy Roche & Lucy Wainwright Roche – “I Can Still Hear You”
from: I Can Still Hear You / StorySound records / August 23, 2020
[Suzzy Roche and her daughter Lucy Wainwright Roche shed some light on our troubled times on their third collaboration, I Can Still Hear You. Recorded from their New York City homes during the quarantine, this 11-track album showcases soul-searching, thought-provoking originals and perfectly chosen covers, along with guest appearances by Amy Ray and Emily Saliers of the Indigo Girls. The 11 tracks, 8 original and 3 covers, explore themes of good and evil, youth and mortality, the absurd and the serious, the real and the imagined, and the connection between what is present and what is gone. Each of their albums together have documented a specific time and this one, according to Suzzy, “probably is the darkest, but at the same time, it’s the most fanciful too. This time, there seemed an extra urgency about it.” Lucy Wainwright Roche is the daughter of singer-songwriters Loudon Wainwright III, a Grammy Award winner, and Suzzy Roche, who, along with her sisters (Lucy’s aunts) Maggie and Terre Roche, made up the vocal group The Roches, known for their original harmonies. The couple split when Lucy was two years old and her father spent much of his time in the UK, so Lucy did not often see her father during her childhood. The Loudon Wainwright song “Screaming Issue” is written about Lucy. Lucy is also the half-sister of singer-songwriters Rufus Wainwright and Martha Wainwright (whose mother Kate was half of the Canadian folk duo Kate & Anna McGarrigle). She has toured with Rufus throughout the years. Through her father, she is a niece of singer-songwriter Sloan Wainwright. Suzzy Roche was born September 29, 1956), originally from Park Ridge, New Jersey, is best known for her work with the vocal group The Roches, alongside sisters Maggie and Terre. Suzzy is the youngest of the three, and joined the act in 1977. She is the author of the novel Wayward Saints and the children’s book Want To Be in a Band? Roche is also an active associate member of The Wooster Group and has appeared in a number of the group’s productions as well as composing original music for the group’s performances.[6] She was briefly a member of Four Bitchin’ Babes, appearing on their album Some Assembly Required. In 2004 Roche appeared on Crash Test Dummies album Songs of the Unforgiven. In addition to singing, she is an actress, having appeared in the 1988 romantic comedy Crossing Delancey, as well as a 1982 film, Soup for One. Roche also appeared with her siblings (playing themselves) in the 1996 comedy A Weekend in the Country.]

6. Krystle Warren & The Crew – “Gimme Some Truth”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP will be donated to the various causes and organizations The Crew. support. From Billboard.com: Singer-songwriter Krystle Warren has made a powerful statement about the struggle for Black equality with the help of Kermit the Frog’s iconic song “Bein’ Green” (written by Joe Raposo). // The moving five-minute clip, over which Warren sings her rendition of the 1970 song — since recorded by Ray Charles, Frank Sinatra and others — sprang from a covers EP she recorded during the pandemic with a group of musicians known as The Crew. Warren embarked on the project after her forthcoming album with her regular group, The Faculty, was put on hold due to COVID-19. The EP, which tackles themes of racial injustice in the wake of nationwide Black Lives Matter protests this summer, also includes a cover of John Lennon’s “Gimme Some Truth.” // The “Bein’ Green” video weaves in footage of this year’s Black Lives Matter protests, and also includes a heartbreaking montage of young Black children choosing white dolls over dark-skinned ones. It additionally features archival footage of such transformative Black figures as James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson and Al Sharpton, as well as victims of police brutality including Sandra Bland, George Floyd and Eric Garner. It ends with a clip from a speech by civil rights activist Ella Baker. // “‘Bein’ Green,’ it’s such a gorgeous song, and it says so, so much,” says Warren. “I began thinking about what I wanted it to express visually before we started [recording the song]. Essentially — it’s not easy being Black. That’s what Ray Charles was saying, and we felt it needed to be said again.” // Warren, who now resides in Paris, began performing in her native Kansas City at the age of 16 before moving to New York City, where she started busking on the streets and later formed her regular band, The Faculty. She and the group have recorded several full-length albums, including 2009’s Circles, 2012’s Love Songs and 2017’s Three the Hard Way. Her next album is slated for release this winter. // A large percentage of proceeds from sales of the EP — which is available for digital downloads via Warren’s website now and released on all streaming platforms next Friday — will be donated to the ACLU.]

7. Joel Kraft – “Breathe”
from: Gold In The Bargain Bin / Honeyjar / 2003
[Joel Kraft is a curious animal that grew up among the rolling hills of Missouri. Climbing trees and walking through tunnels of Brush Creek, his head swam with all kinds of notions he could only just pin down and understand by singing them out loud over and over again. At first he sang them to himself, then into microphones he found at coffee shops and bars around the US. There were other people then, who would listen while sitting, or dance or sometimes sing along. What were those songs about? I don’t think Joel himself knew all the way. Were they about someone in particular? About an event? His songs are built with impressions, one stacked upon another to arrive at something new, perhaps the same way each letter in our alphabet was once a symbol for a thing or action, but now can be arranged in strings to mean all kinds of different things. This fascination with language and experience begins every moment of Joel’s performance, which often feels like more like a series of discoveries than a broadcast. He likes people very much (especially singing people), and his favorite part of performing is discovering new moments with them. Joel followed “Gold in the Garbage Bin” with the album “Big Ideas” (May 9, 2006) and then “Computer Geniuses”(June 20, 2008).]

8. Khruangbin – “Pelota”
from: Moredechai / Dead Oceans / June 26, 2020
[Khruangbin is a trio from Houston, Texas, with Laura Lee on bass, Mark Speer on guitar, and Donald Ray “DJ” Johnson Jr. on drums. The band has also released 3 albums. The band is known for blending global music influences, classic soul, dub and psychedelia. Their debut studio album, The Universe Smiles Upon You (2015), draws from the history of Thai music in the 1960s, while their 2nd album, Con Todo El Mundo (2018), has influences from Spain and the Middle East. Follow up to their 4th EP release Texas Sun with Leon Bridges. Speer and Johnson met in 2004 while playing in Rudy Rasmus’ St. John’s Methodist Church gospel band in Houston, Texas. The church employed Speer as the guitarist and Johnson as the organist. “When we first started the band, we wanted to have a formula,” he says. “It’s like, ‘This is what we do, and we’re not gonna try and go outside the box too much. We’re gonna explore the box we’re in. I’ve always been a big fan of that. I used to be in bands where was like, ‘Man, we’ve gotta think outside the box!’ And all I’m thinking is: ‘You guys don’t even know.’ Music should never be just for the sake of being experimental. Before you even start, you have to know what you’re experimenting with first.” Speer said. In 2007, Speer met Lee through friends, where they initially connected over a shared love of Afghan music and Middle Eastern architecture[disambiguation needed]. In 2009, Lee started to learn the bass with guidance from Speer. After playing for six months, she auditioned and got the gig to be the bassist for Yppah on his upcoming tour. Speer already had the gig as guitarist for Yppah and had encouraged Lee to audition. In 2010, both Lee and Speer went on tour with Yppah who opened for Bonobo. The tour motivated the two of them to make music together more seriously, leading them to form Khruangbin. Speer and Lee went to a barn where they developed the bass-heavy, psychedelic sound that became the basis of the band’s aesthetic. Upon their return, they asked Johnson to join the band as drummer, to play simple break-beats under the guitar and bass. The barn, located in the 300-person town of Burton, Texas, would become the site of all future Khruangbin recording sessions. The band has a longterm working relationship with Houston-based engineer Steve Christensen. When asked to play their first gig, Lee, who was learning to speak Thai at the time, decided they should use her favorite Thai word “khruangbin”, which means “flying engine”, literally, or “aeroplane,” as their name. Speer said that, had they had the foresight to predict the band’s success, they might not have chosen a name that was so difficult to pronounce. The band’s name symbolizes the international set of influences that shaped the band’s formation. A notable part of the band’s visual style is the black wigs that Lee and Speer wear on stage, and during promotional interviews and photoshoots. Originally this was to help them move from the stage to the merchandise stand without being recognized during early tours]

10:28 – Underwriting

9. The Freedom Affair – “Rise Up”
from: “Rise Up” – Single / Colemine Records / June 21, 2019 [7″ Vinyl Release]
[The Freedom Affair is a project of Chris Hazelton of Sunflower Soul Records and Chris Hazelton’s Boogaloo 7. The band includes members of the Boogaloo 7 with members of Instant Karma and three of the KC area’s leading vocalists. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone. The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of Kansas City soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

10:33 – Interview with Chris Hazelton

Chris Hazelton is with us to share the details about KC’s soul supergroup, The Freedom Affair and their debut album, Freedom is Love, to be released September 25, 2020 on Sunflower Soul Records. The album explores themes of love, heartache, empowerment, and togetherness. The Freedom Affair features three powerhouse female vocalists: Misha Roberts, Paula Saunders, and Seyko Groves in front of a dynamic six-piece band: Cole Bales on guitar; Branden Moser on guitar; Chris Hazelton on bass guitar & organ; Dave Brick on drums; Pete Carroll on trumpet; and Brett Jackson on tenor sax & baritone sax. The album was recorded and produced by Chris Hazelton.

Chris Hazelton, Thanks for being with us on WMM.

“Rise Up” (1 of 10 songs on the new album) was selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, & Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”

Earlier this year The Freedom Affair released their version of John Lennon’s Imagine as a single on March 20, 2020, Arranged, produced, recorded & mixed by Chris Hazelton

“Freedom Is Love” to be released September 25, 2020 is the debut album from KC’s newest soul supergroup, The Freedom Affair. The album explores themes of love, heartache, empowerment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The Freedom Affair is a unique collective featuring 3 powerhouse female vocalists in front of a dynamic 6-piece band. On “Freedom Is Love”, each of the ladies get their time to shine individually, but the magic is on full display when all 3 come together in unison and harmony, symbolically embodying the messages that they sing about. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now.

The Freedom Affair:
Misha Roberts – Vocals
Paula Saunders – Vocals
Seyko Groves – Vocals
Cole Bales – Guitar, Sitar (Track 3)
Branden Moser – Guitar
Chris Hazelton – Bass Guitar, Organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4)
Dave Brick – Drums
Pete Carroll – Trumpet
Brett Jackson – Tenor Sax, Baritone Sax (Tracks 1 & 5), & Tambourine (Tracks 5, 6, & 8)

Additional Musicians:
Pat Conway – Congas (Tracks 1, 3, & 6)
Alyssa Bell – Viola (Tracks 3, 4, & 7)
Elizabeth Codd – Violin (Tracks 3 & 4)
Matt Bennett – Violin (Tracks 3 & 7)
John Wickersham – Timpani (Track 4)
Pamela Baskin-Watson – Piano (Track 10)
Nick Howell – Tambourine (Track 10)
The Freedom Family Choir (Track 10) – Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, Chris Hazelton

All Horn & String Arrangements by Chris Hazelton except:
“Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson
“Don’t Shoot” by Chris Hazelton & Allyssa Bell

Produced, Recorded, & Mixed by Chris Hazelton
Assistant Produced by Dave Brick

Rhythm Section on Track 10 recorded by Chad Meise // Mastered by JJ Golden

Cover Artwork by Matthew “Mo” Manley

Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968) provided courtesy of LaBudde Special Collections, UMKC University Libraries.

1. Heartaches Don’t Come Easy
2. Make Me Surrender
3. Outta My Mind
4. I Know Better
5. Move On
6. Rise Up 02:59
7. Don’t Shoot
8. Give A Little Love 03:45
9. One Nation
10. Love Liberates (Featuring Dr. Maya Angelou)

Chris Hazelton oj the Sept. 16, 2020 editions Wednesday MidDay Medley on KKFI.

The new album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now.

Sunflower Soul Records

Chris Hazelton’s Boogaloo 7
Singles for Los Santos Caballeros, Hi-Lux, SUNU, and The 238s.

Chris Hazelton Thanks for being with us on WMM.

“Freedom Is Love” to be released September 25, 2020 is the debut album from KC’s newest soul supergroup, The Freedom Affair. https://sunflowersoulrecords.bandcamp.com or https://thefreedomaffair.bandcamp.com/album/freedom-is-love

10. The Freedom Affair – “Give A Little Love”
from: Freedom is Love / Sunflower Soul Records / September 25, 2020
[“Freedom Is Love” is the debut album from Kansas City’s newest soul juggernaut, The Freedom Affair. The album explores themes of love, heartache, empowerment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The Freedom Affair is a unique collective featuring 3 powerhouse female vocalists in front of a dynamic 6-piece band. On “Freedom Is Love”, each of the ladies get their time to shine individually, but the magic is on full display when all 3 come together in unison and harmony, symbolically embodying the messages that they sing about. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. The Freedom Affair is: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8).]

11. Fantastic Negrito – “Chocolate Samurai”
from: Have You Lost Your Mind Yet? / Fantastic Negrito – Cooking Vinyl / August 14, 2020
[Follow up to his June 15, 2018 release, Please Don’t Be Dead on Blackball Universe – Cooking Vinyl Records that was nominated for a Grammy Award for Best Contemporary Blues Album. His 2016 album The Last Days of Oakland won a Grammy award for Best Contemporary Blues Album at the 59th Grammy Awards. In 2019, his album Please Don’t Be Dead won the same category for the 61st Grammy Awards.Fantastic Negrito was raised in an orthodox Muslim household. His father was a Somali-Caribbean immigrant who mostly played traditional African music. He was the eight of 15 children. When, at the age of 12, Negrito’s family moved from Massachusetts to Oakland, California. Oakland in 1970s was a million miles from Negrito’s conservative childhood. He went from Arab chants to Funkadelic in one day. By the time he was 20, Negrito had taught himself to play every instrument he could get his hands on. He was recording music, and after some difficulties on the streets he packed his bags and headed to LA, armed with a demo on cassette. Negrito signed with a million dollar deal at Interscope. The record deal was a disaster. Gangsta rap was ruling the airwaves and Negrito was in the wrong place at the wrong era. Negrito came out of the deal with a failed album and his confidence gutted. In 2000, Negrito was in a near fatal car accident that put him in a coma. For four weeks it was touch and go. Because his muscles atrophied while bedridden, he had to go through months of frustrating physical therapy to regain use of his legs. Rods were placed throughout his body. And worst of all, his playing hand was mutilated. Back in Oakland, Negrito forgot about life as a musician. He got married, he planted vegetables, raised his own chickens, and made money growing weed. He also settled into being a man, on his own, clear of the distractions of wanting to be a star. And then his son Kyu was born. He began recording without the hindrances that come with chasing trends. Negrito turned to the original DNA of all American music, the Blues. The beating life had given him primed him to channel his literal and musical forefathers: the Blues musicians of the Delta]

11:00 – Station ID

12. Bedouine, Waxahatchee & Hurray for the Riff Raff – “Thirteen”
from: Thirteen – Single / Spacebomb Records / September 9, 2020
[From Variety.com: It feels like ages ago that Bedouine, Waxahatchee and Hurray for the Riff Raff toured together on a sort of monsters-of-indie triple bill (it was actually 2018). While the three acts make dramatically different music, they complemented each other well on this tour and share some influences as well — as evidenced by this belated cover of Big Star’s classic “Thirteen” (which is often more readily recognized by its opening lyric, “Can I walk you home from school?”) that found its origins during the tour, when Bedouine (above, right), Waxahatchee singer Katie Crutchfield (left) and Riff Raff singer Alynda Segarra (center) would sing it together onstage. // Big Star, of course, is arguably the greatest power-pop group of all time. Led by singer-songwriter Alex Chilton, they released just three albums in the early ‘70s, which were barely noticed at the time but their legend grew over the years — they were covered and feted by the Replacements, the Bangles, R.E.M., Teenage Fanclub and many more — until the group reformed in 1993. // Bedouine explains how their cover came together. “This all started in 2018 when I opened a three-bill tour for co-headliners Waxahatchee and Hurray for the Riff Raff,” she wrote. “We threw the idea around of doing a song together but weren’t sure what. I was backstage in Columbia, Missouri, when I realized it was the anniversary of Big Star’s ‘93 reunion show that had also taken place in Columbia. // “I was fiddling around with the song in my dressing room when Katie and Alynda walked in. Suddenly, I remembered there were three verses to split up. We played it as an homage that night and every night after. After the tour wrapped up, I think it was Kevin Morby that insisted we track and share it. Down the road, Katie wrote me that she would be in L.A., so I tracked the guitar and she came by to visit and put down her part. Down the road some more Alynda put down her part from New Orleans and sent it over the ether. Now, two years later, we’re finally getting to share it.”] [Katie Crutchfield who recently relocated to Kansas City to live with her boyfriend Kevin Morby released one og our favorite albums of 2020 so far. Saint Cloud was released on Merge Records on March 27, 2020. All songs written by Katie Crutchfield. Recorded & mixed at Sonic Ranch in Tornillo, TX & Long Pond in Stuyvesant, NY. Produced by Brad Cook. Engineered by Jerry Ordonez. Additional engineering by Jon Low. Mixed by Jon Low. Mastered by Brent Lambert at The Kitchen. KATIE CRUTCHFIELD on vocals, acoustic guitar, piano, keys; BRAD COOK on bass, acoustic guitar, piano, keys, synth; BOBBY COLOMBO on electric guitar, acoustic guitar, keys; BILL LENNOX on electric guitar, acoustic guitar, keys, percussion; NICK KINSEY on drums, percussion; JOSH KAUFMAN on electric guitars, piano, organ, percussion. Katie Crutchfield’s southern roots are undeniable. The name of her solo musical project Waxahatchee comes from a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. More info at: http://www.waxahatchee.com.]

13. Katy Guillen & The Drive – “Back To Normal”
from: Dream Girl [EP] / Katy Guillen / March 20, 2020
[New 7 song EP from Katy Guillen & The Drive, the latest project dedicated to Guillen’s songwriting that is founded on the creative spark and chemistry between Katy Guillen & Stephanie Williams. With Guillen on guitar & vocals and Williams on drums, the two sculpt a sound that recalls bands like Led Zeppelin, The Bangles, and Band of Skulls. In 2012, Guillen & Williams formed Katy Guillen and The Girls, and began to build a foundation of touring and recording that carried them through six years and produced three full-length albums: Katy Guillen & the Girls, Heavy Days, and Remember What You Knew Before. Between 2012 and 2018, they traveled the United States extensively, performed at the International Montreal Jazz Festival, toured Sweden, and supported major acts like The Doobie Brothers, Robin Trower, and Heartless Bastards. In these 6 years playing together, Guillen & Williams created a dynamic, sound informed by Guillen’s mesmerizing, emotive guitar style and poignant arrangements, and an equally captivating live show that showcased Williams’ technical, melodic style, resulting in a powerful on-stage chemistry. In addition to the compelling synergy formed by years of playing together, the two developed a method of working together on Guillen’s songs that only deepened their artistic connection, propelling them to forge a path to a new plateau in their music. KG & The Drive push ahead with a melodic, heavy, and soulful sound while maintaining the edge of the artist’s rock ‘n’ roll and blues roots. Guillen calls their genre-bending style “indie soul-rock.”]

[Katy Guillen and the Drive play live on Saturday, Sept. 19, 2020, 7:00 PM with Men of Men, and Women of Women opening, at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. ]

14. Fred Wickham Caravan– “Town Without Soul”
from: Town Without Soul / Black Site Records / August 27, 2020
[The first single from the Fred Wickham Caravan’s upcoming debut LP tells of a place we all know, that city where something just ain’t right Fred Wickham on vocals & guitar, Marco Pascolini on pedal steel, Bart Colliver on piano & accordion & vocals, Richard Burgess on upright bass & vocals, Fred Wickham, Jr. on mandolin, Matt Brahl on drums & percussion. Music and lyrics by Fred Wickham. Produced by Fred Wickham Caravan. Recorded at The Nutthouse Recording Studio in Muscle Shoals, Alabama. Engineered by Jimmy Nutt. Mastered by Chad Meise at Massive Sound Studios in Kansas City, MO. Fred Wickham is best known for his work with Hadacol, the Kansas City based quartet that released two critically acclaimed records and gained a national reputation for ferocious live shows across the country. The Caravan, formed to support the solo album, Mariosa Delta, blends country, soul and rock & roll into a sound that can only be called pure Americana. More info at: http://www.fredwickhamband.com]

[The Fred Wickham Caravan play an outdoor Picnic Party, Tuesday, September 22, from 7:00 PM to 10:00 PM in the alley way of The Ship, 1217 Union Avenue, Kansas City, Mo in the West Bottoms. Bring your own chairs or blankets and set up where you like, keeping a considerate distance from others and masked as appropriate. Please respect your neighbors, be cool to each other, and let’s all stay safe. This is a FREE SHOW – no fence, no tickets, no admission ~ we just want you to have a good time and enjoy some good music, food, and drinks. Donations are very much appreciated and will help us pay for the incredible talent playing for you. Food and drinks may be purchased directly from The Ship at our walkup service counter or by using our online ordering at http://www.theshipkc.com. We’ll bring your order out to the pickup counter when ready – keep an eye on the chalkboard for your name. Clean outdoor restrooms with hand washing provisions will be provided. Online Donations may be made at https://theshipkc.square.site%5D

15. The Jubilee Mystics – “Jesus Take The Wheel”
from: In This World / The Jubilee Mystics / April 3, 2019
[The group was formed about four years ago by Alan Murphy, who’s been nominated for the Kansas Music Hall of Fame for his work in the legendary Lawrence band Ricky Dean Sinatra. The Mystics are a folk/country/skiffle/blues orchestra based in Lawrence, Kansas. The current members are Alan Murphy, lead vocals and rhythm guitar, Doug Byers, bass, mandolin, and vocals, Matt Falkenstien, lead guitar and vocals, Sue Ashline, accordion, Cotter Mitchell, electric washboard, Barry Lee, rhythm guitar and vocals. There are two albums, “The Jubilee Mystics” and “In This World,” the current release. It was recorded at Roll Away The Stone studios in Independence and produced by Dave Storms, who also plays drums on a few tracks and adds percussion and vocals to others. Most of the songs are composed by Alan Murphy but there are a few traditional tunes and covers. Special audio guests on the latest album are Robert Frost, Dwight D. Eisenhower and The Three Stooges]

16. Bill Callahan – “Breakfast”
from: Gold Record / Drag City Records / September 4, 2020
[22nd album release from Bill Callahan or Smog. Follow up to he 2019 released Shepherd in a Sheepskin Vest. Bill Callahan (born June 3, 1966) is an American singer-songwriter and guitarist who has also recorded and performed under the band name Smog. Callahan began working in the lo-fi genre of underground rock, with home-made tape-albums recorded on four track tape recorders. Later he began releasing albums with the label Drag City, to which he remains signed today. Callahan started out as a highly experimental artist, using substandard instruments and recording equipment. His early songs often nearly lacked melodic structure and were clumsily played on poorly tuned guitars, resulting in the dissonant sounds on his self-released cassettes and debut album Sewn to the Sky. Much of his early output was instrumental, a stark contrast to the lyrical focus of his later work. Apparently, he used lo-fi techniques not primarily because of an aesthetic preference but because he didn’t have any other possibility to make music. Once he signed a contract with Drag City, he started to use recording studios and a greater variety of instruments for his records. From 1993 to 2000, Callahan’s recordings grew more and more “professional” sounding, with more instruments, and a higher sound quality. In this period he recorded two albums with the influential producer Jim O’Rourke and Tortoise’s John McEntire, and collaborated with Neil Hagerty. Callahan also worked closely with his then-girlfriend Cynthia Dall in his early career, and they contributed vocals to each other’s albums. After 2000’s Dongs of Sevotion, Callahan began moving back to a slightly simpler instrumentation and recording style, while retaining the more consistent songwriting style he had developed over the years. This shift is apparent in albums such as Rain on Lens, Supper, and A River Ain’t Too Much to Love. Smog’s songs are often based on simple, repetitive structures, consisting of a simple chord progression repeated for the duration of the entire song. His singing is characterized by his baritone voice. Melodically and lyrically he tends to eschew the verse-chorus approach favoured by many contemporary songwriters, preferring instead a more free-form approach relying less on melodic and lyrical repetition. Themes in Callahan’s lyrics include relationships, animals, relocation, nature, and more recently, politics. On the subject of voice in his albums, Callahan has said, “It’s usually one character per record. So, the character appears in all or most of the songs on one record and then is gone. Though it makes me feel weird to talk about. Because I don’t really think in clear terms of characters. My albums as a whole could be seen as one character with many voices.” His generally dispassionate delivery of lyrics and dark irony often obfuscate complex emotional and lyrical twists and turns. Critics have generally characterized his music as depressing and intensely introverted, with one critic describing it as “a peep-show view into an insular world of alienation.” Cat Power (Chan Marshall) recorded Callahan’s song “Bathysphere” on her 1996 album What Would the Community Think and also covered another Callahan song, “Red Apples”, on her Covers Record, released in 2000. In 2007, Callahan released Woke on a Whaleheart, his first solo album released under his own name, Sometimes I Wish We Were an Eagle followed in April, 2009. Both recordings were released through Drag City, worldwide. In 2009, Callahan contributed cover songs on four separate tribute albums to Judee Sill, Kath Bloom, Chris Knox, and Merge Records. In 2010, he released his first live album Rough Travel for a Rare Thing, which was recorded in 2007 at The Toff in Melbourne, Australia. Apocalypse, was released in April 2011 to favorable reviews. Critic Sasha Frere-Jones called it “my favorite of Callahan’s albums, not because it has better songs—those are scattered among at least five others — but because it does exactly what he wants it to do: it conveys an album’s coherence.” A tour film chronicling Callahan’s 2011 Apocalypse tour was released in 2012.][Bill Callahan plays the Lawrence Public Library Lawn, Friday, July 5, at 7:00 PM at the Lawrence Public Library, 707 Vermont St, Lawrence, KS with special guest Heidi Lynne Gluck.]

17. Fiona Apple – “Fetch The Bolt Cutters”
from: Fetch The Bolt Cutters / Epic – Sony / April 17, 2019
[The fifth studio album by American singer-songwriter Fiona Apple. It is Apple’s first release since The Idler Wheel… in 2012. The album was recorded from 2015 to 2020, largely at Apple’s home in Venice Beach. It was produced and performed by Apple alongside Amy Aileen Wood, Sebastian Steinberg and Davíd Garza; recording consisted of long, often-improvised takes with unconventional percussive sounds. GarageBand was used for much of this recording, and Apple credited the album’s unedited vocals and long takes to her lack of expertise with the program. Rooted in experimentation, the highly percussive album resists genre categorization. While conventional instruments, such as pianos and drum sets, do appear, the album also features prominent use of non-musical found objects as percussion. Apple described the result as “percussion orchestras”. These industrial-like rhythms are contrasted against traditional melodies, and the upbeat songs often subvert traditional pop structures. The album explores freedom from oppression; Apple identified its core message as: “Fetch the fucking bolt cutters and get yourself out of the situation you’re in”. The title, a quote from TV series The Fall, reflects this idea. The album also discusses Apple’s complex relationships with other women and other personal experiences, including bullying and sexual assault. It has nevertheless been referred to as Apple’s most humorous album. Fetch the Bolt Cutters was released during the COVID-19 pandemic, and many critics found its exploration of confinement pertinent. Fiona Apple McAfee-Maggart (born September 13, 1977) is an American singer-songwriter, pianist and poet. Her accolades include one Grammy Award, and an additional seven Grammy Award nominations in various categories. The daughter of actor Brandon Maggart, Apple was born in New York City but was raised alternating between New York and her father’s home in Los Angeles. Classically trained on piano as a child, she began composing her own songs when she was eight years old. Her debut album, Tidal, containing songs written when she was 17, was released in 1996 and received a Grammy Award for Best Female Vocal Rock Performance for the single “Criminal”. She followed with When the Pawn… (1999), produced by Jon Brion, which was also critically and commercially successful and was certified platinum. For her third album, Extraordinary Machine (2005), Apple again collaborated with Brion, and began recording the album in 2002. However, Apple was reportedly unhappy with the production and opted not to release the record, leading fans to protest Epic Records, erroneously believing that the label was withholding its release. The album was eventually re-produced without Brion and released in October 2005. The album was certified gold, and nominated for a Grammy Award for Best Pop Vocal Album. In 2012, she released her fourth studio album, The Idler Wheel…, which received critical praise and was followed by a tour of the United States and was nominated for the Grammy Award for Best Alternative Music Album in 2013. Apple’s fifth studio album, Fetch the Bolt Cutters, was released in 2020 to widespread acclaim. She has sold over 10 million albums worldwide and has received numerous awards and nominations, including a Grammy Award, 2 MTV Video Music Awards and a Billboard Music Award.]

18. Sam Prekop – “Comma”
from: Comma / Thrill Jockey Records / September 11, 2020
[From his Bandcamp page: Sam Prekop’s boundless imagination is guided by his strong sense of melody. For more than 25 years, as a solo artist or as part of The Sea and Cake, Prekop creates a singular sound inventive and warm. His distinctive vocals, guitar playing and work on modular analog synthesizers are inventive, delicate, and always bear his signature sense of melody. Comma finds Sam Prekop for the first time working extensively with beat programming, focusing his enveloping synthesizer pieces around a newfound rhythmic pulse. // Prekop’s creative process is a combination of preparation and improvisation. Writing sessions for Comma began with an open-ended exploration of sounds and textures from which the first fragments of songs would reveal themselves. The introduction of drum machines and additional synthesizer units to his modular setup shifted things in surprising new directions as he worked to bend them into more traditional pop song structures. Drum tracks and emergent rhythms provided the frameworks and narrative sketches to be fleshed out with lustrous widescreen synth pads and ribboning melodies. In approaching his writing with a completely open mind and letting himself be guided by the music, Prekop maintains a delicate balance between composition and chance, control and spontaneity. Comma embraces the analogue synthesizer’s often unpredictable nature, imbuing the record with a decidedly organic feel even while working within the relative rigidity of beat architectures. // Prekop’s wide-eyed sense of discovery guides his exploration of beat-driven music, pushing him to use rhythm as a narrative tool and to embrace electronic music’s romantic and emotional qualities. “Park Line” and “Circle Line” evoke the relentless forward motion of public transit and commuter routine, one propelled by juddering machine-drums, the other illuminated in glistening neon. “Summer Places” and title track “Comma” are utterly transportive in their intoxicating tropical futurism, aqueous electronic loops cascading over melodic percussion. “September Remember” is notable precisely for its lack of drum track, opening up the field of sound and obliterating all but the faintest after-echoes of skittering percussion in its astral melancholy. “Approaching” achieves an incredible depth of sound and feeling using minimal constituent parts, interlocking synth-lines revealing surprising new sonorities with every repetition. With Comma, Prekop compiles an incredible breadth of ideas into a surprisingly coherent sound-world. // Comma is Prekop’s modern minimal pop album that taps into the experimental heritage of the synthesizer. The album places Sam Prekop’s work squarely in the tradition of electronic music pioneers like Brian Eno and Yellow Magic Orchestra who brought together the unrestrained ambition of the avant-garde with the immediacy and accessibility of pop music. ]

11:28 – Underwriting

19. The Velvet Underground – “Atlantic Release Promo”
from: Live At Max’s Kansas City / Atlantic Recording Group / 2005 Reissue (orig. 1972)
[Recorded on a tape recorder by Andy Warhol protege Briget Berlin.]

20. The Velvet Underground – “Who Loves The Sun”
from: Live At Max’s Kansas City / Atlantic Recording Group / 2005 Reissue (orig. 1972)
[Recorded on a tape recorder by Andy Warhol protege Briget Berlin. Live at Max’s Kansas City is a live album by the Velvet Underground recorded at the famous nightclub and restaurant at 213 Park Avenue South in New York City. It was originally released on May 30, 1972, by Cotillion, a subsidiary label of Atlantic Records. The Velvet Underground signed a two-album deal with Atlantic in early 1970 and released their fourth studio album, Loaded, in November 1970. By the time of its release, singer/guitarist/main songwriter Lou Reed had left. The rest of the band stayed together, with bassist Doug Yule moving to vocals and guitar and Walter Powers being drafted in to play bass. This line-up did a tour of the United States and Canada promoting Loaded. As the band still had a contract for another album, they wrote and played new songs eventually to be included on it. Atlantic had lost faith in the band’s commercial prospects and, wanting to cut their losses after the disappointing chart showings of Loaded, decided to release an archive live recording instead. The tapes that would later become Live at Max’s Kansas City were recorded on August 23, 1970, by Andy Warhol associate Brigid Polk on a portable cassette recorder. While they were recording Loaded, the Velvet Underground held a nine-week engagement (June 24 – August 28, 1970) at New York City nightclub Max’s Kansas City, playing two sets a night. Polk recorded almost everything happening around her at the time, and this happened to include her attendance of the last concert that Lou Reed played with the Velvet Underground. She recorded both the early and the late set. Later that year, Atlantic A&R employee Danny Fields heard the tapes and submitted them to his superiors, who accepted the recordings and in 1972 decided to make an album out of them. The line-up at the concerts consisted of Reed, Yule, lead guitarist Sterling Morrison and drummer Billy Yule, the younger brother of Doug Yule; regular drummer Maureen Tucker temporarily left the group several months earlier when she became pregnant with her first child, Kerry “Trucker” Tucker. Originally, Live at Max’s Kansas City was a single album distillation of both sets re-sequenced and edited by Lou Reed and Atlantic staff producer Geoff Haslam to reflect the band’s loud and quiet sides, respectively. On August 3, 2004, Warner Music re-issue label Rhino Records released a two-CD Deluxe Edition that contains both sets in their entirety in their original running order. The songs were recorded on a mono recorder using a simple ferro musicassette in a small venue, resulting in tape hiss and an audience often drowning out the quieter bits of music. Author Jim Carroll can be heard speaking on the album, ordering drinks and inquiring about drugs between songs as he was the one holding the microphone.]

Blair Schulman

11:33 – Interview with Blair Schulman

Art Writer Blair Schulman talks about Brigid Berlin aka Brigid Polk who passed away this year on July 12, 2020. She was the eldest daughter of Richard E. Berlin, chairman of the Hearst media empire for 32 years. Brigid was a prolific artist and Warhol Superstar who appeared in Chelsea Girls in 1966 and many other Warhol films. She also appeared in Serial Mom and Pecker for John Waters, and in the 1999 documentary film, Pie in the Sky: The Brigid Berlin Story. Blair Schulman is an art writer/critic, sometime curator and occasional artist. He is Senior Editor of Informality, an online arts platform in Kansas City, Missouri. His writing is found in Art in America, Cupcakes in Regalia, Huffington Post, Vice, Kansas City Star, Hyperallergic, Juxtapoz, Temporary Art Review, Whitehot, and was a longtime contributor to Review magazine. More info at: http://www.blairschulman.com

Blair Schulman, thank you for being with us one Wednesday MIdDay Medley

From wikipedia:

Brigid Emmett Berlin was born September 6, 1939, and died July 17, 2020. She was an American artist and Warhol Superstar.

Early years – Berlin was in Manhattan in New York City. She was the eldest of three daughters born to socialite parents, Muriel (Johnson) “Honey” Berlin and Richard E. Berlin. Her father was chairman of the Hearst media empire for 32 years.[3][4]

As a child, Berlin regularly mixed with celebrities and the powerful: I would pick up the phone and it would be Richard Nixon. My parents entertained Lyndon Johnson, J. Edgar Hoover, and there were lots of Hollywood people because of San Simeon – Clark Gable, Joan Crawford, Dorothy Kilgallen… I have a box of letters, written to my parents in the late 1940s and 1950s from the Duke and Duchess of Windsor.

Her socialite mother frequently worried about Brigid’s weight and constantly attempted to get her to lose it through any means, from giving her cash for every pound she lost at age 11 to having the family doctor prescribe amphetamines and dexedrine. Berlin recalled, “My mother wanted me to be a slim, respectable socialite. Instead I became an overweight troublemaker.”

She was briefly married to John Parker, a window dresser. They married in 1960 and later divorced. As Andy Warhol observed in his book Popism: “When Brigid brought her window dresser fiancé home to meet the family, her mother told the doorman to tell him to wait on a bench across the street in Central Park. Then she handed Brigid her wedding present – a hundred dollar bill – and told her to go to Bergdorf’s and buy herself some new underwear with it. Then she added, ‘Good luck with that fairy.'”

She had three siblings, all younger: sister Richie, who was, for a time, the roommate of Warhol Films’ “It Girl” and superstar Edie Sedgwick; youngest sister Christina “Chrissy” Berlin, who was instrumental in engineering the defection of Russian ballet star Mikhail Baryshnikov; and the youngest sibling, brother Richard Berlin Jr.[

Association with Andy Warhol – After years as a reluctant debutante and a failed marriage, Brigid Berlin met Andy Warhol in 1964 and quickly became a central member of his entourage. After moving to Hotel Chelsea, she took on the nickname Brigid Polk because of her habit of giving out ‘pokes’, injections of Vitamin B and amphetamines. These injections were available through ‘Doctor Feelgoods’ in NYC and perfectly legal.

Berlin appeared in several of Warhol’s films, including Chelsea Girls (1966), in which she is seen injecting herself while performing a monologue, and Ciao! Manhattan (1972), which starred Edie Sedgwick. Decades later, she appeared in minor parts in two John Waters’ films: Serial Mom (1994) and Pecker (1998). Pie in the Sky: The Brigid Berlin Story (2000) is a documentary in which she tells her life story in intimate detail and breaks her diet by consuming an entire meal of key lime pies. In its review, Variety suggests “Berlin comes across as a rather sad character despite her colorful and provocative life.”

Brigid Berlin and Andy Warhol

She was known for her obsessive taping and photographing of everyday life. Selections from these tapes were later compiled by Anthony Ingrassia to form the play Andy Warhol’s Pork. Other tapes made by her were the basis for Live at Max’s Kansas City (recorded 1970, released 1972), The Velvet Underground’s first live album.

Berlin was complicit in one of Warhol’s more infamous pranks when, in 1969, Warhol announced that all of his paintings were the work of Berlin. Brigid enthusiastically followed this line when interviewed by Time. The prank led to a drop in the value of Warhol’s work, and both parties eventually retracted their statements. The question of authorship looms large in valuing Warhol’s paintings to this day.

In 1975, Berlin began work as a permanent employee for Andy Warhol’s Interview magazine, a position that she held until well after Warhol’s death. Berlin transcribed interviews as well as knitted under the desk. Patricia Hearst (a close friend of Berlin who began work at Interview in 1988) observed “On my first day at work, I noticed two small pugs who seemed to have the run of the castle. They belonged to a woman who sat behind the front desk every day from 9:00 to 5:00, but who never seemed to answer the phone. Instead, she compulsively knitted, ate bags of candy and tended lovingly to the dogs.”

Artwork – Berlin was also a prolific artist. Therein it has been argued by some that her artwork was both influential to Andy Warhol’s and simultaneously overshadowed by Warhol’s celebrity and output. Berlin’s “Tit Prints” were artworks created using her bare breasts. Berlin would dip her breasts into multiple colored paints and then create a print by pressing them down onto canvas/paper. The Tit Prints are arguably Berlin’s most infamous work and were exhibited by Jane Stubbs at a gallery on Madison Avenue in 1996. On occasion, Berlin would publicly create Tit Prints, integrating visual art and performance art that “is totally not about nudity, this is about, you know, art.” She performed this act live at the Gramercy International Art Fair. After experiencing the performance, filmmaker John Waters later said “I think that she’s the most unselfconscious nude person…[She has] great confidence for a fat girl.”

Berlin also compiled and maintained scrapbooks that she referred to as “trip books.”[15] Volumes of these scrapbooks collecting cartoons and sketches of male genitalia were known as “The Cock Book” and included the genitalia of artists such as Jasper Johns, Robert Rauschenberg, and Warhol. Three volumes of “The Cock Book” sold for $175,000 at auction to artist Richard Prince.

Both Berlin and Warhol used the medium of Polaroid photography obsessively, and are said to have been very competitive in the Polaroid film department, whether over the best equipment or the best film. In 1969–1970 German art dealer Heiner Friedrich did a small showing of Berlin’s work called Polaroids and Tapes and created a catalogue for the work of the same name. The experimental nature of Berlin’s double-exposed Polaroids transcend the static, emotionless “icon” Polaroids of Warhol’s, clearly showing the power of her personal vision and photographic style. Common subject matter of Berlin’s Polaroids are self-portraits, Warhol Superstars, other artists and celebrities, and Off-Broadway one-woman shows. A one-woman show of her Polaroid self-portraits titled “It’s All About Me” showed in 2015 at the Invisible-Exports Gallery in New York City. The New York Times review stated “Ms. Berlin’s prints seem less of a lark and more like a strident, celebratory statement by an artist who was never shy about exposing…well, anything.”

Berlin’s digital archives were published in 2015 as Brigid Berlin Polaroids with a foreword by John Waters. In the Wall Street Journal review it was noted that Berlin was the first person Andy Warhol allowed to photograph his body after the 1968 assassination attempt.

Brigid Berlin Filmography

Chelsea Girls (1966)
Tub Girls (1967)
Bike Boy (1967)
The Nude Restaurant (1967)
Imitation of Christ (1967)
Four Stars**** (1967) aka 24 Hour Movie
Lonesome Cowboys (1967) (originally Berlin was to play a leader of a rival gang)
The Loves of Ondine (1967)
Women in Revolt (1971)
Ciao! Manhattan (1972)
Phoney (1973)
Fight (1975)
Andy Warhol’s Bad (1977)
The Critical Years (1987)
Serial Mom (1994)
Pecker (1998)
Pie in the Sky: The Brigid Berlin Story (1999)
Danny Williams and the Dream Factory (documentary, 2007)

Brigid Berlin aka Brigid Polk who passed away this year on July 12, 2020. She was the eldest daughter of Richard E. Berlin, chairman of the Hearst media empire for 32 years. Brigid was a prolific artist and Warhol Superstar who appeared in Chelsea Girls in 1966 and many other Warhol films. She also appeared in Serial Mom and Pecker for John Waters, and in the 1999 documentary film, Pie in the Sky: The Brigid Berlin Story.

Blair Schulman, thank you for being with us one Wednesday MIdDay Medley

Blair Schulman is an art writer/critic, sometime curator and occasional artist. He is Senior Editor of Informality, an online arts platform in Kansas City, Missouri. His writing is found in Art in America, Cupcakes in Regalia, Huffington Post, Vice, Kansas City Star, Hyperallergic, Juxtapoz, Temporary Art Review, Whitehot, and was a longtime contributor to Review magazine. More info at: http://www.blairschulman.com

11:48

21. Nico – “Chelsea Girls”
from: Chelsea Girl / Verve / October 1967
[Chelsea Girl is the debut solo album and second studio album by Nico. It was released in October 1967 by Verve Records and was recorded following Nico’s collaboration with the Velvet Underground on their 1967 debut. It was produced by Tom Wilson, who added string and flute arrangements against the wishes of Nico. The title is a reference to Andy Warhol’s 1966 film Chelsea Girls, in which Nico starred. Much of the album features instrumental work and songwriting credits from Velvet Underground members Lou Reed, Sterling Morrison, and John Cale. The song “I’ll Keep It with Mine” was written by Bob Dylan, while three songs are by Jackson Browne, who contributes guitar. After collaborating as a singer with the Velvet Underground on their debut The Velvet Underground & Nico (recorded during 1966, released in March 1967), Warhol superstar Nico toured with the band in Andy Warhol’s Exploding Plastic Inevitable (EPI) multimedia roadshow. Before the EPI came to an end in 1967, Nico took up residence in a New York City coffeehouse as a solo folk chanteuse; accompanied in turn by guitarists, such as Tim Hardin, Jackson Browne, and also her Velvet Underground bandmates Lou Reed, Sterling Morrison and John Cale. Christa Päffgen was born October 16, 1938 and died July 18, 1988, known by her stage name Nico, was a German singer, songwriter, musician, model, and actress. She had roles in several films, including Federico Fellini’s La Dolce Vita (1960) and Andy Warhol’s Chelsea Girls (1966). At the insistence of Warhol, she sang on three songs of the Velvet Underground’s debut album The Velvet Underground & Nico (1967). At the same time, she started a solo career and released Chelsea Girl. Nico’s friend Jim Morrison suggested that she start writing her own material. She then composed songs on a harmonium, not traditionally a rock instrument; John Cale became her musical arranger and produced The Marble Index, Desertshore, The End… and other subsequent albums. In the 1980s, she toured extensively in Europe, United States, Australia and Japan. After a concert in Berlin in June 1988, she went on holiday in Ibiza to rest and died as the result of a cycling accident.]

22. Leland Palmer – “After You’ve Gone”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[Leland Palmer (born June 16, 1945 in Port Washington, New York) is an American actress, dancer, and singer who has appeared on stage, in motion pictures, and on television. She appeared on Broadway in Bajour (1964), A Joyful Noise (1966) Hello, Dolly! (1967 replacement Minnie Fay), Applause (1970 replacement), and Pippin (1972). Palmer received two Tony Award nominations: in 1967 for featured actress in a musical (Miss Jimmie in A Joyful Noise), and in 1973 for actress in a musical (Fastrada in Pippin). Palmer appeared as Viola in the rock musical Your Own Thing during a highly regarded run at the Huntington Hartford Theater in Los Angeles in August 1968, in the role that she originated in the original Off-Broadway production in 1968. She appeared in Dames at Sea which opened in September 1970 at the theater at Plaza 9 in New York City. She played the role of Ruby, with The New York Times reviewer writing: “Ruby… is played like a virtuous, squeaking mouse by a girl named Leland Palmer, who is delicious in a mildly frightening way.” She appeared in the musical Double Feature at the Long Wharf Theatre, New Haven, Connecticut, which opened in November 1979. The show had music by Jeff Moss and was directed by Mike Nichols. Her U.S. television appearances include guest roles on Love, American Style; Laverne & Shirley; and Rhoda. She was also a regular on Dinah Shore’s summer variety television show, Dinah and Her New Best Friends in 1976. She played Aŕlene in the 1976 NBC television movie James Dean. Palmer is known for Bob Fosse’s All That Jazz (1979), in which she played Audrey Paris, a character believed to be modeled on Fosse’s wife, Gwen Verdon. Palmer is known now as Linda Posner. She was born Linda Palmer, and discovered many years later that the family name was really “Posner.” Although she no longer performs, she works with theaters in California. She taught acting classes at Mendocino Community College and was the Artistic Director, Director, Teacher, and Consultant for the Willits Community Theater (Willits, California). Pearl Marill, Posner’s daughter who heads a dance company, presented a one-time event “My Mother on Broadway” in October 2014 in San Francisco. She served as choreographer of the 42nd Street Moon, San Francisco production of Irma La Douce in 2008. The 1990-1991 U.S. television series Twin Peaks and its 2017 continuation featured a fictional, male character named Leland Palmer who was played by Ray Wise.

23. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, Sept. 23, we play more New & MidCoastal Releases. Plus Krystle Warren calls in from the south of France to talk about the new 4 song EP she just released from The Crew containing unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. We will also talk with Kansas City jazz musician and band leader Eddie Moore about his band We The People‘s new album, Misunderstood.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

The Freedom Affair album cover is a photograph of civil rights protesters in Kansas City, MO (April 9th, 1968) provided courtesy of LaBudde Special Collections, UMKC University Libraries.

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #855

WMM talks with Chris Hazelton of The Freedom Affair + Blair Schulman on Brigid Berlin

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 16, 2020

Chris Hazelton & The Freedom Affair
+ Blair Schulman talks about Brigid Berlin

Mark plays New & MidCoastal Releases from: Crystal Rose, The Freedom Affair, Jake Wells, Katy Guillen & The Drive, The Jubilee Mystics, Fred Wickham, Krystle Warren and The Faculty, Joel Kraft, Suzzy Roche & Lucy Wainwright Roche, Fantastic Negrito, Khruangbin, Bedouine, Waxahatchee & Hurray For The Riff Raff, Bill Callahan, The Jayhawks, Fiona Apple, Leland Palmer, The Velvet Underground, and Nico.

At 10:30 Chris Hazelton talks about KC’s soul supergroup, The Freedom Affair and their debut album, Freedom is Love, to be released September 25, 2020 on Sunflower Soul Records. The album explores themes of love, heartache, empowerment, and togetherness. The Freedom Affair features three powerhouse female vocalists: Misha Roberts, Paula Saunders, and Seyko Groves in front of a dynamic six-piece band: Cole Bales on guitar; Branden Moser on guitar; Chris Hazelton on bass guitar & organ; Dave Brick on drums; Pete Carroll on trumpet; and Brett Jackson on tenor sax & baritone sax. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now.

Blair Schulman

At 11:30 Art Writer Blair Schulman talks about Brigid Berlin aka Brigid Polk who passed away this year on July 12, 2020. She was the eldest daughter of Richard E. Berlin, chairman of the Hearst media empire for 32 years. Brigid was a prolific artist and Warhol Superstar who appeared in Chelsea Girls in 1966 and many other Warhol films. She also appeared in Serial Mom and Pecker for John Waters, and in the 1999 documentary film, Pie in the Sky: The Brigid Berlin Story. Blair Schulman is an art writer/critic, sometime curator and occasional artist. He is Senior Editor of Informality, an online arts platform in Kansas City, Missouri. His writing is found in Art in America, Cupcakes in Regalia, Huffington Post, Vice, Kansas City Star, Hyperallergic, Juxtapoz, Temporary Art Review, Whitehot, and was a longtime contributor to the former Review magazine. More info at: http://www.blairschulman.com

The Freedom Affair album cover is a photograph of civil rights protesters in Kansas City, MO (April 9th, 1968) provided courtesy of LaBudde Special Collections, UMKC University Libraries.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #855

WMM Playlist from Feb. 19, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, February 19, 2019

Spinning Records With Marion Merritt
+ EBONY TUSK
S

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For nearly 16 years Marion has been sharing her sonic discoveries and information from her musically encyclopedic brain. With her partner Ann Stewart, Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

Marion Merritt

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. Antibalas – “Fist of Flowers”
from: Fu Chronicles / Daptone Records / February 7, 2020
[7th album from Brooklyn-based afrobeat band that is modeled after Fela Kuti’s Africa 70 band and Eddie Palmieri’s Harlem River Drive Orchestra. Antibalas is Spanish for “bulletproof”. Although their music generally follows the musical architecture and language of afrobeat, it incorporates elements of jazz, funk, dub, improvised music, and traditional drumming from Cuba and West Africa. Members include: Martín Perna, Amayo, Marcos García, Jordan McLean, Marcus Farrar, Reinalde Dejesus, Will Rast, Justin Kimmel, Timothy J Allen, Kevin Raczka, Raymond James Mason, Raja Kassi, Morgan Price, Eric Biondo, Jackie Coleman. More info at http://www.antibalas.com]

4. Sharon Van Etten – “Beaten Down”
from: Beaten Down – Single / Jagjaguwar / February 5, 2020
[New single from Sharon Van Etten who was born February 26, 1981, in Belleville, New Jersey and lived in Nutley, NJ before moving to Clinton as a pre-teen. Later, she moved to Tennessee to attend Middle Tennessee State University and studied recording, but dropped out of college after a year. Van Etten ended up working at the Red Rose, a coffee and record shop and music venue in Murfreesboro, for about five years. In 2004, she moved back to New Jersey, where she worked at Perryville Wine and Spirits. Van Etten moved to New York City in 2005. Van Etten self-released handmade CDs until 2009, when her debut studio recording was released. Before her studio debut, she worked at Astor Wines and as a publicist at Ba Da Bing Records. Van Etten’s debut, Because I Was in Love, was released on May 26, 2009, on Language of Stone, and was put out by by Drag City. This is a follow-up to her 5th album “Remind Me Tomorrow.” on Jagjaguar Records.]

5. Isobel Campbell – “Vultures”
from: There is No Other / Cooking Vinyl / February 7, 2020
[Isobel Campbell was born April 27, 1976. She is a Scottish singer-songwriter, cellist and composer. Campbell rose to prominence at age nineteen as a member of the Scottish indie pop band Belle & Sebastian, but left the group to pursue a solo career, first as The Gentle Waves, and later under her own name. She later collaborated with singer Mark Lanegan on three albums. Campbell’s music has been described as either indie pop, chamber pop or singer-songwriter. Regardless of genre, Campbell makes gentle and sombre music, often using classical instruments and her bright, slightly nasal voice with bittersweet and ironic songwriting. This is her 5th solo full-length album.]

6. Holy Fuck – “Deleters (feat. Angus Andrew)”
from: Deleter / Ef Records / January 17, 2020
[Holy Fuck is an electronica band from Toronto. They were a part of Dependent Music, a music label & artist collective that began in Yarmouth, Nova Scotia in 2004 until its closing. They were then a part of the Young Turks label. In 2016 they signed with Innovative Leisure. The band uses live instrumentation & miscellaneous instruments and non-instruments, including a 35 mm film synchronizer, toy keyboards & toy phaser guns, to achieve electronic-sounding effects without the use of laptops or programmed backing tracks. According to Pitchfork Media, “The band formed with the intent of creating the equivalent of modern electronic music without actually using the techniques, looping, splicing, programming and the like, of that music.]

7. Caribou – “Never Come Back”
from: Suddenly / Merge / February 28, 2020
[Daniel Victor Snaith was born in 1978. He is a Canadian composer, musician, and recording artist who has performed under the stage names Caribou, Manitoba and Daphni. Snaith originally recorded under the stage name Manitoba, but after being threatened with a lawsuit by Richard “Handsome Dick” Manitoba (real name Richard Blum), formerly of punk band The Dictators, Snaith changed his performance name to Caribou. Snaith’s previous full-length albums were then re-released under the new moniker, and The Milk of Human Kindness was released in 2005 by Domino. In June that year the album topped the !earshot Campus and Community Radio Top 200 chart. “Suddenly” is his 5th full-length album as Caribou]

10:33 – Underwriting

8. Khruangbin & Leon Bridges – “Texas Sun”
from: Texas Sun EP / Dead Oceans / February 7, 2020
[4th EP and 5th single from Khruangbin a trio from Houston, Texas, with Laura Lee on bass, Mark Speer on guitar, and Donald Ray “DJ” Johnson Jr. on drums. The band has also released 3 albums. The band is known for blending global music influences, classic soul, dub and psychedelia. Their debut studio album, The Universe Smiles Upon You (2015), draws from the history of Thai music in the 1960s, while their 2nd album, Con Todo El Mundo (2018), has influences from Spain and the Middle East. Todd Michael “Leon” Bridges was born July 13, 1989. He is an American soul singer, songwriter and record producer from Fort Worth, Texas. He is best known for his song “Coming Home”, which received regular airplay and was also a Top 10 Most Viral Track on Spotify. Bridges’ debut album, also titled Coming Home, was released on June 23, 2015, on Columbia Records and subsequently nominated for Best R&B Album at the 58th Annual Grammy Awards. Texas Sun is her 2nd EP. He has also released 2 full length records.]

9. Monophonics – “It’s Only Us”
from: It’s Only Us / Colemine Records / March 13, 2020
[Psychedelic Soul from San Francisco, CA from; Austin Bohlman on drums, Kelly Finnigan on vocals & keyboards, Ian McDonald on electric guitar & electric sitar & backing vocals, Myles O’Mahony on electric bass & backing vocals, Ryan Scott on trumpet and backing vocals. “One of the best live soul bands I have ever seen!” – Al Bell (Record producer, songwriter, executive, and co-owner of legendary Stax Records)]

10. Brazzos & O.K. Jazz – “Cha Cha Cha Del Zombo”
from: Soul Jazz Records Presents Congo Revolution: Revolutionary and Evolutionary Sounds From the Two Congos 1955-62 / Soul Jazz Records / October 25, 2019
[This new release looks at the explosion of music that came out of the Congo in the years leading up to independence in 1960. Congolese rumba, a wild combination of African, Jazz and Latin influences, created future stars of its now legendary creators – Franco, Grand Kalle, Tabu Ley, Dr. Nico, Papa Wemba – and all feature here in their ground-breaking early groups such as O.K.Jazz, Brazzos, Rock-A-Mambo, African Jazz and The Beguen Band. The Congo is in fact two countries – The Democratic Republic of the Congo (DRC, formerly Zaire) and the Republic of the Congo. Soul Jazz Records is a London based label run by Stuart Baker, which specialises in re-releasing music from around the world on compilations with high quality remastered sound. They also release a large amount of material on vinyl, including new recordings, oftentimes as 12″ singles. The printed record label name on these vinyl releases often varies greatly. For example Soul And Jazz Musical Industries, ENT., Soul Jazz Records Co., Soul Jazz Record Corp., or sometimes the record label which originally released the recording is displayed.]

11. Mukhtar Ramadan Idii – “Check Up Your Head”
from: Mogadisco: Dancing Mogadishu (Somalia 1972 – 1991) / Analog Africa / Dec. 13, 2019
[Analog Africa is a label based in Frankfurt, Germany, owned by Samy Ben Redjeb, releasing compilations with African and South American music mainly of the 70s and 80s. After being blown away by a few tunes, Samy Ben Redjeb travelled to the infamous capital city of Somalia in November of 2016, making Analog Africa the first music label to set foot in Mogadishu. Mogadisco was not Analog Africa’s easiest project. Tracking down the musicians to interview them and gather anecdotes of golden-era Mogadishu has been an undertaking that took three years. Tales of Dur-Dur Band’s kidnapping, movie soundtracks recorded in the basements of hotels, musicians getting electrocuted on stage, others jumping from one band to another under dramatic circumstances, and soul singers competing against each other, are all stories included in the massive booklet. CD, comes with a full color 36-pages booklet containing 50 pictures & full digital album as a high-quality download in MP3, FLAC and more.]

11:00 – Station ID

12. of Montreal & Locate S,1 – “Gypsy That Remains”
from: UR FUN / Polyvinyl / January 17, 2020
[16th studio album from of Montreal is an American indie pop band from Athens, Georgia. It was founded by frontman Kevin Barnes in 1996, named after a failed romance between Barnes and a woman “of Montreal.” The band is identified as part of the Elephant 6 collective. Throughout its existence, of Montreal’s musical style has evolved considerably and drawn inspiration from 1960s psychedelic pop acts.]

13. Field Music – “Money Is a Memory”
from: Making a New World / Memphis Industries / January 10, 2020
[Field Music are an English rock band from Sunderland, Tyne and Wear, England, that formed in 2004, particularly active in the Wearside region. The band’s core consists of brothers David Brewis & Peter Brewis, with Andrew Moore occasionally featured as keyboardist. Their line-up has at times featured members of both Maxïmo Park and The Futureheads. Field Music have been called one of the few bands to outlast the indie guitar band explosion of the mid-2000s. Describing the band as “a truly artful proposition in the pseudo-filled landscape of contemporary Brit art-rock,” music blog The Fantastic Hope puts this down in part to their “un-self-conscious anti-fashion stance,” arguing that Field Music’s “wayward pop from the fringes of academia is one of the most worthwhile ways in which rock//indie/guitar music/white pop/whatever might evolve”. Critics have compared their music to acts as diverse as Steely Dan, XTC, Prefab Sprout, Peter Gabriel, Scritti Politti, Talking Heads and Todd Rundgren. They have also been nominated for the Mercury Prize. The songs on Making a New World were inspired by research David and Peter Brewis conducted about stories, events, and technological advances that occurred during and after World War I as part their project for the Imperial War Museum. The songs from Making a New World will cover a wide variety of topics, including gender reassignment and air traffic control. One of the songs was inspired by Harold Gillies, a New Zealand-born surgeon who pioneered facial cosmetic surgery and skin grafts for injured servicemen and who later conducted one of the first gender realignment operations. The song “Only in a Man’s World” is about the development of sanitary napkins and the fact that advertising for the products, created by men, often treat the concept of menstruation like something shameful that should be kept secret. The song was inspired by a Wisconsin-based company called Kimberly-Clark that developed a material for dressing war wounds and was later adapted for the first modern sanitary product, which was called Kotex. David Brewis said he felt some embarrassment writing a song about the topic, particularly when he first shared it with his wife, but he believed “confronting my own embarrassment is a pretty fundamental part of what the song is about”. He further said of the song: “I found myself researching the development of sanitary pads – not a statement I’ve ever imagined myself making – and was surprised at how little the advertising material has changed in a hundred years. It’s still, Hey Ladies! Let’s not mention it too loudly but here is the perfect product to keep you feeling normal WHILE THE DISGUSTING, DIRTY THING HAPPENS. And you realise that it’s a kind of madness that a monthly occurrence for billions of women – something absolutely necessary for the survival of humanity – is seen as shameful or dirty – and is taxed MORE than razor blades?! ”The song “Money Is a Memory” concerns the final payment by Germany in 2010 of the economically ruinous reparations it owed under the Treaty of Versailles, and is written from the perspective of a functionary in the Treasury. In social media postings leading up to the release, David Brewis mentioned the famous image of a man carrying a wheelbarrow full of marks made worthless by the hyper-inflationary policies of the Weimar Republic as an inspiration for the track. Brewis: “The whole album is really about consequences, and how the consequences of that war are still with us. “Money Is A Memory” is probably the most explicit example of that — decisions that were made a hundred years ago still casting a shadow. The initial premise is a bit comical — the admin assistant going through their bureaucratic duties — but buried away inside those papers you can imagine the echoes of millions of lives being turned upside down.]

14. Les Amazones d’Afrique – “Love (feat. Mamani Keita)”
from: Amazones Power / Real World Records / January 24, 2020
[2nd album from Les Amazones d’Afrique, a contemporary world music supergroup formed in Mali in 2015 featuring Kandia Kouyaté, Angélique Kidjo, Mamani Keita, Rokia Koné, Mariam Doumbia (of Amadou & Mariam), Nneka, Mariam Koné, Massan Coulibaly, Madina N’Diaye, Madiaré Dramé, Mouneissa Tandina and Pamela Badjogo. The name of the refers to the Dahomey Amazons, which was a female elephant hunting group and a military regiment from the 17th century thru 19th century in what is now Benin. Les Amazones d’Afrique performed their first concert at Fiesta des Suds in Marseilles in October 2015. The 1st track they released was “I Play The Kora,” a track that goes well beyond the often-reductive term of “world music”. Its message is to encourage women coming together to sing about why they should “rise up and fight injustice because we’re all equal,” and profits from the sale of the track are be donated to The Panzi Foundation, led by Doctor Mukwege in Bukavu (DRC), which has provided healing support to more than 80,000 women, nearly 50,000 of whom are victims of sexualized violence and female genital mutilation. The kora, a harp-like instrument native to West Africa, works as a metaphor: playing the kora was denied to women for years; only men were allowed the prestige. Following their first UK performance at WOMAD Charlton Park in July 2016, Les Amazones d’Afrique were signed to Real World Records for the release of their 1st album, Republique Amazone (2017). Real World Records is a British record label specializing in world music. It was founded in 1989 by English musician Peter Gabriel and original members of WOMAD. In 1999, the label had sold over 3 million records worldwide & released 90 albums. In 2015, it had reached the mark of over 200 albums.]

15. Hailu Mergia & The Walias – “Tche Belew”
from: Tche Belew / Awesome Tapes From Africa / October 10, 2014
[Awesome Tapes From Africa is a record label & web site operated by Brian Shimkovitz based in Los Angeles, CA. Founded in 2006 in Brooklyn, New York, the site was created as a way for Shimkovitz to share music he had come across while on a Fulbright scholarship in Ghana. He was interested in the variety of genres and artists he found, distributed largely on cassette tapes at markets, but that he had not come across outside West Africa. In 2011, Shimkovitz transitioned the site from just a blog with posted recordings of collected tapes posted without the artists’ permission to a commercial record label. The goal of the company is to seed and expand an audience for the artists presented as well as provide opportunities to sell albums and tour. Artists are paid every six months and receive 50% of the profits from an album. Tapes presented on Awesome Tapes come from a variety of sources: gathered in Ghanaian street markets, purchased in stores in the US, or sent by others over the internet.[5] In addition to the website, Shimkovitz DJ’s concerts, clubs and at festivals as Awesome Tapes From Africa, as well as hosts a show on Dublab.Most Awesome Tapes From Africa releases are official rereleases of out-of-print cassettes from African musicians and bands. SK Kakraba’s Songs of Paapieye is the first album to consist of a new release. Although music is distributed in Africa via MP3 on mobile phones, Shimkovitz says the widest variety of music in West Africa is still available on cassette tape. In the journal Public Culture, Awesome Tapes From Africa, along with record labels Sublime Frequencies and Parallel World, is discussed as being emblematic of “World Music 2.0” for combining the “open source ethics of online networks with long-standing countercultural networks of circulation” within cassette culture and music distribution in developing nations. Walias Band were an Ethiopian jazz and funk band active from the early 1970s until the early 1990s. Formed by members of the Venus Band, Walias backed up many prominent singers with a hard polyrhythmic funk sound influenced by western artists like King Curtis, Junior Walker and Maceo Parker. In 1977 they recorded one of the few albums of Ethiopian instrumental music in collaboration with vibraphonist Mulatu Astatke, whose role as a bandleader and composer was also a major influence on Ethiopian popular music. Walias formed in the early 1970s in Addis Ababa where they were the house band for the upscale Hilton Hotel. A civilian curfew made it dangerous for clientele visiting the hotel lounge to leave after 11:00 PM, and Walias would end up playing two or three sets until 6:00 AM the next day. In 1981 Walias became the first modern Ethiopian band to travel to the United States, playing on a tour with singer Mahmoud Ahmed primarily to audiences of Ethiopian refugees. Rather than returning to Ethiopia under its dictatorship, four members of Walias—Girma Bèyènè, Mogès Habté, Mèlakè Gèbrè and Hailu Mergia—stayed in the U.S. and formed a new group called Zula Band. Mergia took work in Washington DC driving a taxi cab, often practicing in his cab while waiting for fares at the airport, and released solo cassette tapes of traditional Ethiopian music played on analog synthesizer, electric piano and accordion. Meanwhile the members of Walias who returned to Ethiopia—Yohannes Tèkola and Tèmarè Harègou—continued to play together under the Derg dictatorship for another decade. In the late 1990s Walias Band found a wider audience in the West when the French label Buda Records reissued much of the group’s music on the Ethiopiques series of compact discs. Their instrumental track, “Musicawi Silt,” became a popular dance number and has been covered by a number of artists. Not much else of Walias’ music was known until African music cassette collector Brian Shimkovitz found a Walias Band tape while traveling in Ethiopia. After hearing it, Shimkovitz found keyboardist Hailu Mergia’s phone number on the Internet, called him up, and arranged an official re-release of Walias Band’s music.]

16. The Heliocentrics – “Burning Wooden Ship”
from: Infinity of Now / Madlib Medicine Show / February 14, 2020
[The Heliocentrics are a London-based musical collective, combining funk, jazz, psych and library influences based around drummer and producer Malcolm Catto, Bassist Jake Ferguson, Guitarist Adrian Owusu and multi-instrumentalist Jack Yglesias. They released their debut album, Out There in 2007 on Now-Again Records, followed by collaborations with Ethiopian musician Mulatu Astatke on the album Inspiration Information (2009) which was awarded that years Gilles Peterson Worldwide Winner Album of the Year award, Lloyd Miller & The Heliocentrics (OST)(2010), and Orlando Julius. The Heliocentrics appeared on the track “Skullfuckery” on the UK release of the DJ Shadow album The Outsider, which was released in 2006. In 2013, they released their second full album, 13 Degrees of Reality also on Stones Throw. The album with Astatke was included in a list of ‘Five Essential Jazz Albums’ chosen by pianist Jamie Cullum in 2013. In 2017, they released A World of Masks with vocals by Barbora Patkova, as well as The Sunshine Makers OST, the score they wrote for the 2015 British documentary The Sunshine Makers, directed by Cosmo Feilding-Mellen. Both records were released on Soundway Records.]

Marion Merritt thanks for being with us on Wednesday MidDay Medley.

With her partner Ann Stewart, Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in KCMO. More info at: http://www.recordswithmerritt.com

The Talking Trees with special guest Tyler Gosnell play Records with Merritt, 1614 Westport Rd, KCMO, Friday, February 21, at 8:00 PM

11:30 – Underwriting

17. Ebony Tusks – “HDF”
from: HDF – Single / High Dive Records / January 17, 2020
[Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, & Marty are 3 people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

EBONY TUSKS

11:35 – Interview with EBONY TUSKS

EBONY TUSKS are Daniel Smith – DJ & production, Nathan “Geese” Giesecke – vocals & production, and Martinez Hillard – vocals & production. EBONY TUSKS join us live in our 90.1 FM studios to share details about their new single HDF which we just heard, and news about their upcoming album, Heal Thyself, to be released on High Dive Records and Intelligent Sound. EBONY TUSKS are playing in series of “All Ages” shows to celebrate the release of “HDF.”

EBONY TUSKS’s play ArtsConnect Topeka, 909 N. Kansas Ave, Topeka, KS., Thursday, March 5, at 7:00 PM with special guests VOLSTICE and Tione Jackson.

Ebony Tusks play White Schoolhouse, 1510 N 3rd St, Lawrence, KS., Fri, March 6, at 7:00 PM with special guests V.I.S.I.T.O.R. and RAW SPACE.

Ebony Tusks play Mills Record Company, 4045 Broadway Blvd, KCMO Saturday, March 7, at 7:00 PM, with special guests: Domineko.

Ebony Tusks play recordBar 1520 Grand Blvd., KCMO, on Sun, March 8, at 6:00 PM with Elevator Division, Jaenki, Various Blonde, Bodye. All Proceeds go to Eschleman Family.

Daniel Smith, Nathan “Geese” Giesecke, Martinez Hillard thanks for being with us on WMM.

Their upcoming album, Heal Thyself will be released soon on High Dive Records on vinyl and Intelligent Sound on cassette.

From Live From The Underground / Vivid Seats recently wrote in a piece published February 7, 2020, saying: “EBONY TUSKS is dynamic underground hip-hop trio focused on the conscious, lyric-heavy side of the genre, EBONY TUSKS appeared with dozens of leading underground acts throughout the 2010s. Now, they’re ready to take the next step.”

Martinez Hillard told Vivid Seats: “I began EBONY TUSKS in 2009 after a difficult period that summer. I was living in the student ghetto near the University of Kansas in Lawrence. It was an eerily calm Friday night and I didn’t have any plans after work so I crashed. I woke up shortly after 9:00 pm because my door was being kicked in. I was beaten and robbed at gunpoint. Thankfully, two of my neighbors were close friends and called the police immediately. I had nightmares for years afterward that included many symbols I’ve come to associate with various religious practices. I also began writing raps for the first time in over a decade. I was working with a couple producers and we had our first show at a house venue called Pizza Power in October 2010. Both Daniel and Geese came into the fold within a couple years of that show.”

Martinez Hillard, Daniel Miller, and Nathan “Geese” Giesecke of EBONY TUSKS on the February 19, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Daniel Smith lives in Lawrence, Kansas. He was born in Berkeley California. He moved to Lawrence when he was a child. Hs father is a Professor at The University of Kansas. Daniel is a DJ and producer. He makes beats. Daniel works for the United Way of Douglass County. Daniel helps to provide after school job-training programs for under-served youth.

Nathan “Geese” Giesecke grew up in Olathe but now lives and works in Kansas City, MO. He was friends with Calvin Arsenia in High School. Geese works as a producer as GEESACE. He makes beats and you can find his music at http://soundcloud.com/geesace Nathan is also a lighting designer who jumped on stage to do back up vocals for Marty and ended up being in the band.

Martinez Hillard is the main vocalist and lyricist for EBONY TUSKS. He raps under the moniker Bodye, (pronounced “body”). He also produces beats. Martinez lives in the Old Town neighborhood in downtown Topeka with wife and 5 year old daughter. Martinez was part of the super group Cowboy Indian Bear. Martinez was recently elected to serve as a board member for Friends of the Library for Topeka & Shawnee County Public Library

At Marty told Johnson County Library, in a piece published April 27, 2016: “ It was a project I started with other producers back in 2010. I asked Daniel to DJ for me sometime in 2011-2012 and Geese joined not too far behind him. Daniel and I had become fast friends when I lived in Lawrence and he was the nicest, most easygoing DJ of the handful I knew. He made our shows a lot less stressful. Geese was and is a lighting technician for a number of our friends’ projects and that was how I made acquaintance with him, seeing him work for a band and asking if he’d do lights for an EBONY TUSKS concert. He eventually asked if he could be hypeman for us and he brought an intensity that we didn’t have prior.”

EBONY TUSKS have been a band for over 11 years making hip hop in the Lawrence scene that includes Approach, Stik Figa, Heartfelt Anarchy, and Archetype.

Since the three members of EBONY TUSKS live in three separate cities: Kansas City, Lawrence and Topeka early on, they created a Dropbox folder to share demos with one another. And as they told Vivid Seat: “It also gave us a bit of language to use in building sounds independent of one another.”

EBONY TUSKS Shows:

EBONY TUSKS play ArtsConnect Topeka, 909 N Kansas Avenue, Topeka, KS., Thursday, March 5, 2020 at 7:00 PM with special guests VOLSTICE and Tione Jackson

The latest EBONY TUSKS single, HDF. It is now available on both 7” and cassette courtesy of High Dive Records and Intelligent Sound. Here is an official music video courtesy of Ulasien Media: https://bit.ly/2E221Gm

All ages, show at 7:00 pm sharp, free entry.

Live art will be provided by Beth King and Robert Tapley Bustamante. We are accepting donations and there will be a raffle drawing for their work at the conclusion of the event. 100% of live art proceeds will go to Beacon Youth Group. Beacon is a welcoming environment for queer youth ages 12-20 to engage in socialization, education, exploration, and activism.
______________________________________________________________________

Ebony Tusks play White Schoolhouse, 1510 N 3rd St, Lawrence, KS., Friday, March 6, at 7:00 PM with special guests V.I.S.I.T.O.R. and RAW SPACE

Please join us in celebration of the latest EBONY TUSKS single, HDF. It is now available on both 7” and cassette courtesy of High Dive Records and Intelligent Sound. Here is an official music video courtesy of Ulasien Media: https://bit.ly/2E221Gm

All ages, show at 7:00 pm sharp. There is a suggested $10 donation. It supports White Schoolhouse, its wonderful volunteers, and their ability to continue hosting safe, accessible, and amazing shows. If you are unable to, please come anyway. We want you in attendance.

Live art will be provided by Matthew Asbury. We are accepting donations and there will be a raffle drawing for Matt’s work at the conclusion of the event. 100% of live art proceeds will go to Girls Rock Lawrence. Girls Rock is an intersectional feminist movement associated with the international Girls Rock Camp Alliance. They create a safe space for adolescent girls and trans youth to participate in music education and mutual empowerment through music. SMASH THE PATRIARCHY!
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Ebony Tusks play Mills Record Company, 4045 Broadway Blvd, KCMO Saturday, March 7, at 7:00 PM, with special guests: Domineko

Please join us in celebration of the latest EBONY TUSKS single, HDF. It is now available on both 7” and cassette courtesy of High Dive Records and Intelligent Sound. Here is an official music video courtesy of Ulasien Media: https://bit.ly/2E221Gm

Live art will be provided by Nick Lewis. We are accepting donations and there will be a raffle drawing for their work at the conclusion of the event. 100% of live art proceeds will go to BANDWAGGN KC. BANDWAGGN’s mission is to empower girls and trans youth to build community thru authentic relationships and lead a movement toward collective liberation. Music is their chosen tool for teaching, learning & building into our future.
______________________________________________________________________

Ebony Tusks play recordBar 1520 Grand Blvd., KCMO, on Sunday, March 8, at 6:00 PM with Elevator Division, Jaenki, Various Blonde, Bodye (Marty from Ebony Tusks) All Proceeds go to Eschleman Family.

11:56:33

18. Ebony Tusks – “Chuck Ds”
from: Heal Thyself / High Dive Records / to be released later this Spring
[Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, and Marty are three people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

Daniel Smith, Nathan “Geese” Giesecke, Martinez Hillard thanks for being with us on WMM.

EBONY TUSKS photo by Ailecia Ruscin of OH! Snap! Photography

Next week, February 26 – Nico Gray joins us as Guest Producer. Plus, Doby Watson joins us to play live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #825

WMM presents Marion Merritt + EBONY TUSKS

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, February 19, 2019

Spinning Records With Marion Merritt
+ EBONY TUSKS

Marion Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Marion will play tracks from: Antibalas, Sharon Van Etten, Isobel Campbell, Holy Fuck, Caribou, Khruangbin & Leon Bridges, Monophonics, Brazzos & O.K., Mukhtar Ramadan Idii, of Montreal, Field Music, Les Amazones d’Afrique, Hailu Mergia & The Walias, Sestetto Basso-Valdambrini, and The Heliocentrics.

EBONY TUSKS

At 11:30 Mark talks with members of the Lawrence, KS. based hip hop trio, EBONY TUSKS who join us live in our 90.1 FM studios to share details about their new single HDF and their upcoming album, Heal Thyself on High Dive Records. Ebony Tusks are playing a series of “All Ages” shows to celebrate the release of their new single “HDF.” EBONY TUSKS’s play ArtsConnect Topeka, 909 N Kansas Ave, Topeka, KS., Thursday, March 5, at 7:00 PM with special guests VOLSTICE and Tione Jackson. EBONY TUSKS play White Schoolhouse, 1510 N 3rd St, Lawrence, KS., Friday, March 6, at 7:00 PM with special guests V.I.S.I.T.O.R. and RAW SPACE. EBONY TUSKS play Mills Record Company, 4045 Broadway Blvd, KCMO Saturday, March 7, at 7:00 PM, with special guests: Domineko. And EBONY TUSKS play recordBar 1520 Grand Blvd., KCMO, on Sun, March 8, at 6:00 PM with Elevator Division, Jaenki, Various Blonde, Bodye. All Proceeds go to Eschleman Family.

EBONY TUSKS photo by OH! Snap! Photography

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #825

WMM Playlist from August 14, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community RadioWMM
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 14, 2019

Spinning Records With Marion Merritt
+ Ivory Blue

Marion Merritt

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For 15 years now Marion has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. LSD – “Thunderclouds (feat. Sia, Diplo & Labrinth)”
from: Thunderclouds (feat. Sia, Diplo & Labrinth) – Single / Records LLC/Columbia / 2018

4. Bleached – “Hard to Kill”
from: Don’t You Think You’ve Had Enough? / Dead Oceans / 2019

5. Death in Vegas – “Girls”
from: Scorpio Rising / BMG / 2018 [Original Release September 16, 2002]

6. Death in Vegas – “Scorpio Rising (Radio Edit)”
from: Scorpio Rising / BMG / 2018 [Original Release September 16, 2002]

7. Khruangbin – “Cómo Me Quieres”
from: Con Todo El Mundo / Dead Oceans / 2018

8. Khruangbin – “Mary Always”
from: Hasta El Cielo (Con Todo El Mundo In Dub) / Dead Oceans / 2019

10:33 – Underwriting

9. Death And Vanilla – “Let’s Never Leave Here”
from: Are You a Dreamer? / Fire Records / 2019

10. Crumb – “Nina”
from: Jinx / Crumb / 2019

11. Black Pumas – “Black Moon Rising”
from: Black Pumas / ATO / 2019

12. Brownout – “Louder Than a Bomb”
from: Fear of a Brown Planet / Fat Beats / 2018

10:58 – Station ID

13. Jesca Hoop – “Free of the Feeling”
from: Stonechild / Memphis Industries / 2019

14. Madison Cunningham – “Pin It Down”
from: Who Are You Now / Verve / 2019

15. Doctor Bionic – “Emptiness & Fulfillment”
from: Reaching the Unknown, Ch. 2 / Chiefdom Records / 2019

16. Frankie Knuckles, Director’s Cut & Eric Kupper – “The Whistle Song (Re-Directed)”
from: The Director’s Cut Collection / Def Mix-So Sure / 2019

17. Bedouine – “Echo Park”
from: Bird Songs of a Killjoy / Spacebomb / 2019

18. Florist – “Time Is a Dark Feeling”
from: Emily Alone / Double Double Whammy / 2019

Marion Merritt thanks for being with us on Wednesday MidDay Medley.

11:28 – Underwriting

Ivory Blue and Marion Merritt on the August 14, 2019 edition of Wednesday MidDay Medley on KKFI.

19. Ivory Blue – “Midas Touch”
from: Ready Get Set EP / Independent / June 23, 2015
[Singer, songwriter, rock & roller, Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

11:34 – Interview with Ivory Blue

Ivory Blue started writing music at the age of 14. An Indiana native, Ivory was given up for adoption at the age of 4, into a family that later caused them to run away at the age of 15. IVORY played coffee houses and small venues before landing in Kansas City in 2010. Ivory was one of the first artists to come-out as Non Binary Transgender, and gained respect from radio, television, and international magazines. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records. The single was released June 15, 2018.

Ivory Blue plays Nebraska Furniture Mart, Saturday, August 17, at 7:00. Ivory Blue plays WineFest in Independence, Missouri on Saturday, September 14. Ivory Blue plays InterUrban ArtHouse, 8001 Newton St., Overland Park, KS., on Saturday, September 28, at 8:30 PM

Ivory Blue, welcome back to Wednesday MidDay Medley.

We last talked with Ivory on the radio on August 29, 2018, prior to that Ivory was with us on June 28, 2017. Between these dates Ivory went on a musical journey competing in the first ever, neXt2Rock, going through name changes, and learning that big record labels and area and regional music competitions and the people who organize them don’t always have the artists best interests in mind.

Ivory Blue’s debut EP, Ready Get Set was released in June 2015, recorded and mastered by Larry Gann of Awestruck studios with Micah Burdick on guitar, Craig Kew on bass, and Lester Estelle, drummer for Kelly Clarkson, on drum.

Ivory Blue

More info at: http://www.ivorybluemusic.com

Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Publlic Library. Ivopry Black plays the Kauffman Stadium, July 1, Royals home game.

Ivory is now currently in the process of writing and recording a debut full-length album.

Klaartje Van Lue is Ivory’s manager and she was the one who helped IVØRY find their way to KC. Ivory has said that she saved their life.

11:46

20. Ivory Blue – “Dreamland” (LIVE)
a new song Ivory is currently working in for a new album

Ivory Blue, thank you for being with us on Wednesday MidDay Medley.

Ivory Blue plays Nebraska Furniture Mart, Saturday, August 17, at 7:00. Ivory Blue plays WineFest in Independence, Missouri on Saturday, September 14. Ivory Blue plays InterUrban ArtHouse, 8001 Newton St., Overland Park, KS., on Saturday, September 28, at 8:30 PM

More information at http://www.ivorybluemusic.com

11:56

21. Ivory Blue – “A Good Answer”
from: Ready Get Set EP / Independent / June 23, 2015
[Singer, songwriter, rock & roller, Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied of it for so long, Ivory had lived with eight different families, before running away at 15, moving from Indiana to Oklahoma and eventually ending up in Seattle. In 2011, after a friend sent a plane ticket, Ivory landed in the Kansas City area, and became a part of new family where they were able to have solid ground and over the past several years has been performing in singer-songwriter showcases and in June 2015 Ivory released their debut EP, Ready Get Set.]

11:59:30

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, August 21 Mark spins: The Sextet (with J.F. Letters, Miki P, & Adee Dancy, Calvin Arsenia, and Jen Harris), OLIVIA FOX, Mike McCoy’s Trompe-l’œil, Ensemble Ibérica, Under The Big Oak Tree, Sleater-Kinney, Mavis Staples with Ben Harper, Oso Oso, Clairo, and Josh Ritter. At 10:30 Mike McCoy joins us from Austin, Texas to share music from the new album Eyein’ Lies from his band Mike McCoy’s Trompe-l’œil. Mike McCoy’s Trompe L’oeil Q & A Jam, is Friday, August 23, at 6:00 PM, at The Vinyl Underground at 7th Heaven, 7621 Troost Ave,KCMO. At 11:00 Robert Castillo shares singles from The Sextet‘s upcoming album “Among Friends.” The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #798

WMM is Spinning Records With Marion Merritt + Ivory Blue

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community RadioWMM
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 14, 2019

Spinning Records With Marion Merritt
+ Ivory Blue

Marion Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Marion will play tracks from: Thunderclouds (feat. Sia, Diplo & Labrinth), Bleached, Death In Vegas, Death And Vanilla, Khruangbin, Crumb, Black Pumas, Brownout, Jesca Hoop, Madison Cunningham, Doctor Bionic, Frankie Knuckles, Bedouine, Florist, and Dona Onete.

Ivory Blue

At 11:30 Mark talks with Ivory Blue, who’ll play live in our 90.1 FM Studios. Ivory started writing music at 14. An Indiana native, Ivory was given up for adoption at the age of 4, to a family that later caused them to run away at the age of 15. IVORY played coffee houses and small venues before landing in Kansas City in 2010. Ivory was one of the first artists to come-out as Non Binary Transgender, and gained respect from radio, television, and international press. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles, where the top five bands played The Viper Room before judges: Scott Borchetta President & CEO of Big Machine Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records. More info at: http://www.ivorybluemusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #798