WMM Playlist from Oct. 10, 2018

Holly Near photo by Irene Young

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 10, 2018

Spinning Records With Marion Merritt
+ Holly Near

10:00

Marion Merritt

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For 14 years now she has been sharing her sonic discoveries and information from her musically encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. Tunde Mabadu – “Amupara Ko Ma Dara”
from: Viva Disco / Mr. Bongo / July 27, 2018 [Reissue]
[Viva Disco one was of two albums that Mabadu recorded as Tunde Mabadu & His Sunrise during the 1970s, the second of which was called Bisu. By this time, Mabadu was “already a fanciful and continental saxophonist of any language,” shares Femi Ewetade in Viva Disco‘s liner notes. Originally released on Afrodisia – and fetching upwards of £500+ – Viva Disco’s euphorically funky, horn-filled six tracks have been remastered for this new reissue.]

4. Femi Kuti – “One People One World”
from: One People One World / Knitting Factory Records / February 23, 2018
[Olufela Olufemi Anikulapo Kuti was born June 16, 1962 and is popularly known as Femi Kuti, a Nigerian musician born in London and raised in Lagos. He is the eldest son of afrobeat pioneer Fela Kuti, and a grandchild of a political campaigner, women’s rights activist and traditional aristocrat Funmilayo Ransome Kuti. Femi’s musical career started when he began playing in his father’s band, Egypt 80. In 1986, Femi started his own band, Positive Force, and began establishing himself as an artist independent of his father’s massive legacy. His first record was released in 1995 by Tabu/Motown, followed four years later by Shoki Shoki (MCA), which garnered widespread critical acclaim. In 2001 he collaborated with Common, Mos Def and Jaguar Wright on Fight to Win, an effort to cross over to a mainstream audience, and started touring the United States with Jane’s Addiction. In 2004 he opened The Shrine, his club, where he recorded the live album Africa Shrine. After a 4-year absence due to personal setbacks, he re-emerged in 2008 with Day by Day and Africa for Africa in 2010, for which he received two Grammy nominations. In 2012 he was both inducted into the Headies Hall of Fame (the most prestigious music awards in Nigeria), was the opening act on the Red Hot Chili Peppers’ European arena tour and became an Ambassador for Amnesty International.]

5. Still Corners – “In the Middle of the Night”
from: Slow Air / Wrecking Light / August 17, 2018
[Still Corners are a London-based dream pop/synthpop musical project consisting of songwriter/producer Greg Hughes and vocalist Tessa Murray. Still Corners self-released their debut EP, Remember Pepper?, on 13 June 2008, followed by a 7″ single, “Don’t Fall in Love”, released by UK label The Great Pop Supplement on 30 August 2010. The duo signed with record label Sub Pop in 2011 and issued their first full-length debut, Creatures of an Hour, to favourable reviews. In October 2012, the band released a new single, “Fireflies”, which was named “Best New Track” by Pitchfork. In February 2013, Still Corners announced that their second album, Strange Pleasures, would be released on Sub Pop in May 2013. The second single, “Berlin Lovers”, received widespread coverage.[6]On 29 June 2016, the band announced the 16 September release of their third album, Dead Blue, on their own Wrecking Light Records label; Still Corners also shared the video for the album’s first single, “Lost Boys.]

6. Cowboy Junkies – “All That Reckoning, Pt. 1”
from: All That Reckoning / Latent Records / July 13, 2018
[The Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985. The group was formed in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timmins are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was initially a member of the band but left the group before the recording of their first album. The band line-up has never changed since, although they use several guest musicians on many of their albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first. The Junkies’ 1986 debut album, produced by Canadian producer Peter Moore, was the blues-inspired Whites Off Earth Now!!, recorded in the family garage using a single ambisonic microphone. The Junkies gained worldwide fame and recognition with their second album, The Trinity Session, recorded in 1987 at Toronto’s Church of the Holy Trinity. Their sound, again using the ambisonic microphone, and their mix of blues, country, folk, rock and jazz earned them both critical attention and a strong fan base. The Los Angeles Times named the recording as one of the ten best albums of 1988. The Cowboy Junkies have gone on to record a total of sixteen studio albums and five live albums, and remain an active band for over thirty years.]

7. Cowboy Junkies – “All That Reckoning, Pt. 2”
from: All That Reckoning / Latent Records / July 13, 2018

10:32 – Underwriting

8. Blood Orange – “Orlando”
from: Negro Swan / Domino Recording Co / August 24, 2018
[Devonté Hynes aka David Joseph Michael Hynes,was born December 23, 1985, better known as Blood Orange and formerly Lightspeed Champion, is a British singer, songwriter, composer, producer, dancer and director. From 2004 to 2006, Hynes was a member of the band Test Icicles, playing guitar, synth, and occasionally performing vocals. They released one full-length album in 2005. Hynes went on to release two solo studio albums as Lightspeed Champion and subsequently four more as Blood Orange, between 2008 and 2018. He has written, played or produced for artists such as Tinashe, Solange Knowles, Sky Ferreira, FKA twigs, Haim, Florence and the Machine, Carly Rae Jepsen, Diana Vickers, The Chemical Brothers, Kylie Minogue, A$AP Rocky and Blondie. Hynes was voted the 49th ‘coolest person in rock’ in NME’s 2007 Cool List, jumping to position 20 in the following year’s list]

9. Bosley – “I Just Can’t Stand It”
from: Unreal Fire / Bosley Music / June 15, 2018
[Bosley Brown is the soulful alter-ego of American singer, songwriter and producer Thomas Mayer. Bosley has performed alongside Sharon Jones and the Dapkings, Galactic, Dr. Dog, and many other contemporary rock/soul acts. His music has been featured in series on HBO, Comedy Central and in several feature films. With the release of his debut album Honey Pig in 2011, Bosley was born. Honey Pig showcased a talent for pop songwriting and a stylistic range from early James Brown to Waits-ian jazz ballads, all channeled through Mayer’s dynamic and powerful voice. Adopting a 70’s Soul Review format, Bosley began touring and performing with an immaculately dressed 9-10 piece band complete with a horn section and choreographed back up singers. The music and band were gaining popularity, but as the party raged on, behind the scene things for Mayer were on a personal decline. In 2012, Thomas came clean about a decade long struggle with Alcohol and drug addiction. After taking time off to seek treatment, he reassembled a new band and began writing and performing again. Seeing a second chance for a life beyond the grip of addiction, Mayer embraced sobriety and dedicated himself back to his music career. The result of these struggles was 2015’s deeply personal and hysterically fun follow up album, The Dirty Dogs Radio Show. TDDRS serves as a personal testament to loving the party and knowing it can’t last. Bosley’s 3rd album, Unreal Fire dances between the old and the new taking the vintage sounds of Stax and Motown and combining it with contemporary Pop appeal. UF is at once an tribute to the bygone days of analog recording and a retrospection of the music of that era. Recorded meticulously live in analog, Bosley delivers the best synthesis to date of his unique knack for danceable, melodic pop and heartfelt human experience. \]

10. Ural Thomas & the Pain – “Slow Down”
from: The Right Time / Tender Loving / September 26, 2018
[If life was at all fair Ural Thomas would be a household name, his music slotted into countless sweet, seductive mixtapes between James Brown, Otis Redding, and Stevie Wonder (all of whom Thomas has performed with.) Straddling the line between hot soul shouter and velvety-smooth crooner, Thomas released a few singles in the late 60’s and early 70’s; most notably “Can You Dig It”, which featured backing vocals from soul luminaries Merry Clayton, Mary Wells and Brenda Holloway. Thomas played over forty shows at the legendary Apollo Theater before turning his back on an unkind business and heading home to Portland, OR. It goes without saying that a man practically built out of rhythm would never stop playing music. Thomas began hosting a regular Sunday night jam session at his home that ran for nearly twenty years. A de facto mentor to many of the younger players, Thomas reminds us all that “If you care about what you’re doing, you need to build those muscles and do the work. Don’t get discouraged, do it for love. Even if you’re digging ditches, do it with passion.” In 2014, local soul DJ Scott Magee sat in on drums. The two became fast friends and at Magee’s urging Thomas decided to give his musical career another shot. Magee became the musical director, they put together a band, and in 2016 released a self-titled album on Mississippi Records. In 2017 Thomas signed with Tender Loving Empire and began work on what, in many respects, will be his debut full length. Diving deep into lifetime of melodic creativity, Thomas and his band got to work. Recorded in Magee’s studio Arthur’s Attic, The Right Time features the air-tight work of Magee on drums, percussion, and backing vocals, Bruce Withycombe (The Decemberists) on baritone sax, Portland jazz scene fixture Brent Martens on guitars and vibraphone, Arcellus Sykes on bass, Steve Aman (Lady Rizo) on piano and organ, Dave Monnie on trumpet, Willie Matheis (Cherry Poppin’ Daddies) on tenor sax, and Jasine Rimmel, Joy Pearson, Sarah King, Rebecca Marie Miller on backing vocals. The Arco Quartet performed the strings, and the record was engineered and mixed by Jeff Stuart Saltzman (Blitzen Trapper) and mastered by JJ Golden (Sharon Jones, Ty Segall). One might think after a sizeable taste of early success Thomas would be more than a touch bitter – yet the opposite is true. “We have to be positive if we want the world to get better” Thomas advises. “We’ve come a long way, but if you carry a grudge with the whole world you’ll stop your growth. We’re a family, all just brothers and sisters, descendants of Adam. You can’t get anywhere without an open heart.” A developing artist at nearly eighty years old, for Thomas music has always been about bringing people together. “If we play for twenty people we cook it like it’s twenty thousand” says Thomas. “If we make someone smile we’re satisfied. They’re ain’t no difference between us. It’s all love and brotherhood. If folks listen to my record and feel that I’ll feel very blessed.” Standing in bold defiance of the idea that aging is a reason to slow down and stop living, for Thomas the right time to get down is the next time someone plugs in a guitar or puts on a record. Ural is ready – are you?]

11. Spiritualized – “The Morning After”
from: And Nothing Hurt / Fat Possum Records / September 7, 2018
[Spiritualized are an English space rock band formed in 1990 in Rugby, Warwickshire by Jason Pierce (often known as J. Spaceman), formerly of Spacemen 3. The membership of Spiritualized has changed from album to album, with Pierce—who writes, composes and sings all of the band’s material—being the only constant member. Spiritualized have released eight studio albums. The best known and most critically acclaimed of these is 1997’s Ladies and Gentlemen We Are Floating in Space, which NME magazine named as their Album of the Year, beating other critically acclaimed albums such as Radiohead’s OK Computer and The Verve’s Urban Hymns.]

12. Spiritualized – “The Prize”
from: And Nothing Hurt / Fat Possum Records / September 7, 2018

11:01- Station ID

13. Cat Power – “Stay”
from: Wanderer / Domino Recording Co / October 5, 2018
[10th studio album by Cat Power. The album was produced entirely by Marshall herself and was written and recorded in Miami and Los Angeles over the past few years, she stated: “The course my life has taken in this journey—going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. Folk singers, blues singers, and everything in between. They were all wanderers, and I am lucky to be among them.” The album includes a collaboration with Lana Del Rey, whom Marshall opened for on the European leg of her LA to the Moon Tour. It is her first album to not be released on Matador since 1996. In support of the release, Marshall has embarked a world tour, that began in September. Charlyn Marie “Chan” Marshall was born January 21, 1972, She is better known by her stage name Cat Power. She is a singer-songwriter, musician, occasional actress, and model. Cat Power was originally the name of Marshall’s first band, but has become her stage name as a solo artist. Born in Atlanta, Marshall was raised throughout the southern United States, and began performing in local bands in Atlanta in the early 1990s. She was discovered opening for Liz Phair in 1994 by Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, with whom she recorded her first two albums, Dear Sir (1995) and Myra Lee (1996), on the same day in 1994. In 1996 she signed with Matador Records, and released a third album of new material with Shelley and Foljahn, What Would the Community Think. Following this she released the critically acclaimed Moon Pix (1998), recorded with members of Dirty Three, and The Covers Record (2000), a collection of sparsely-arranged cover songs. After a brief hiatus she released You Are Free (2003), featuring guest musicians Dave Grohl and Eddie Vedder, followed by the soul-influenced The Greatest (2006), recorded with numerous Memphis studio musicians. A second album of cover tracks, Jukebox, was released in 2008. In 2012 she released the self-produced Sun, which debuted at number 10 on the Billboard 200, the highest charting album of her career to date. Critics have noted the constant evolution of Cat Power’s sound, with a “mix of punk, folk and blues” on her earliest albums, and elements of soul and other genres more prevalent in her later material. Her 2012 album Sun incorporated electronica, in a self-proclaimed move from the “slower” guitar-based songs she initially wrote for the album.]

14. Adrianne Lenker – “symbol”
from: abysskiss / Saddle Creek / October 5, 2018
[Adrianne Lenker has been writing songs since she was 10 years old. Her “back story” has been well documented in various interviews and profiles for Big Thief over the last 3 years. Despite, or more likely because of, the constant touring and studio work, the last few years have been some of the most prolific for Lenker as a writer. Songs pop out at soundcheck. They pop out on late night drives between cities. They pop out in green rooms, hotel stairwells, gardens, and kitchens around the world. In the hands of Lenker, songwriting is not an old dead craft. It is alive. It is vital. With little regard for standard album cycle practice or the idea of resting at all, Lenker set out to make a document. Songs can be slippery and following 2+ years on the road with Big Thief, Lenker felt a growing need to document this particular time in her life in an intimate, immediate way. The result is her new album, abysskiss, out October 5th via Saddle Creek. “I want to archive the songs in their original forms every few years,” explains Lenker. “My first solo record I made was Hours Were the Birds. I had just turned 21 and moved to New York City where I was sleeping in a warehouse, working in a restaurant and photographing pigeons. Now five years later, another skin is being shed.” Following a two week road trip through the southwestern United States, Lenker headed into the studio with longtime friend Luke Temple. Temple put on his loosely fitting, bright orange, 100% wool producer hat and for one week they made music. The songs chosen for this collection were the songs that felt the most alive in the room. These are not castaways or B-sides. Some of these songs have been alive for years while some were written just days before the session. Some will appear in different future forms, some will not. The thread that connects these songs is not something that can easily be put down in words. Intuition connects these songs. They are a record of a time. With this collection, Lenker further illuminates to the listening public what those close to her already know; here we have a songwriter of the highest order, following her voice and the greater Voices that pass through her with an unflinching openness and clarity of translation.]

15. The Holydrug Couple – “I’ll Only Say This”
from: Hyper Super Mega / Sacred Bones / September 14, 2018
[The Holydrug Couple is a psychedelic rock duo from Santiago, Chile. The Holydrug Couple began in 2008. They released their first album in 2011 titled Awe via BYM Records. Shortly after the release, the band caught the attention of Sacred Bones Records, who signed the band to their label. Later that year, the band released an EP titled Ancient Land. In 2013, the band released their second full-length album and major label debut, Noctuary via Sacred Bones. In 2014, the band released a 7″, with Everyone Knows All on the A side and Quetzal on the B side. In 2015, The Holydrug Couple released their third full-length album (second on their label) titled Moonlust on May 12. In 2016, the band released their fourth full-length album (second on their chilean label BYM Records) titled Soundtrack for Pantanal. Band members include: Ives Sepúlveda (Vocals, Guitar, Bass, Keys) and Manuel Parra (Drums) In the studio: Ives Sepúlveda (Vocals, Guitar, Bass, Keys, Drums, Production, Engineering) Manuel Parra (Drums). Studio albums include: Awe (2011, BYM); Noctuary (2013, Sacred Bones); Noctuary Demos (2013, BYM); Moonlust (2015, Sacred Bones); Moonlust Demos (2016, BYM); Soundtrack for Pantanal (2016, BYM); and Hyper Super Mega (2018, Sacred Bones).]

16. Anemone – “Why Do I Worry”
from: Silver Star / Music On Vinyl / August 31, 2018
[Debut album. Raw and psychedelic soundscapes, Madchester grooves and nineties Pop songs, Anemone started combining these elements in the spring of 2017. The band from Rotterdam played dozens of shows in their first year and recorded their debut album ‘Silver Star’ in August with Patrick Delabie, who also recorded the first The Afterveins LP of frontman Xander van Dijck. Beside the Afterveins, band members also played in The Medics and Moon Tapes. In the record collections of the band members, you’ll find some nice albums of The Brian Jones Town Massacre/Oasis and during live shows you can hear people whisper about the Smiths.]

17. Waxahatchee – “Singer’s No Star”
from: Great Thunder – EP / Merge / September 7, 2018
[Waxahatchee is an American indie music project, formed in 2010 by American singer-songwriter Katie Crutchfield, previously a member of P.S. Eliot. The band is named after Waxahatchee Creek, in Alabama. Originally an acoustic solo project, her recordings tend to now involve a backing band and the music has increasingly more often been performed in this way. Crutchfield, as Waxahatchee, has released 4 albums to date; American Weekend (2012), Cerulean Salt (2013), Ivy Tripp (2015), and Out in the Storm (2017).]

Marion Merritt thanks for being with us on Wednesday MidDay Medley. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri. More info at: http://www.recordswithmerritt.com

11:29 – Underwriting

18. Holly Near – “Are You Kidding Me”
from: 2018 / Calico Tracks Music / June 29, 2018

Holly Near photo by Irene Young

11:34 – Interview with Holly Near

Earlier this month a new documentary film about Holly Near‘s life called “Holly Near Singing For Our Lives” from award winning director Jim Brown premiered at the Mill Valley Film Festival. On June 29th, legendary singer songwriter, actress, teacher and activist – Holly Near released her 31st album, titled “2018.” Born in Ukiah, CA in 1949, Holly started performing at the age of 8, then acting and soing in school plays and musicals and studiing theatre at UCLA. She built her performing career with acting parts on 1970s television shows like Mod Squad, Room 222, All in The Family, and The Partridge Family as well as work in motion pictures. In 1970 she was a cast member of the Broadway musical Hair. Following the Kent State shootings in May of that year, the entire cast staged a silent vigil in protest.

In 1971, Holly Near joined the Free The Army tour, an anti-Vietnam War road show organized by antiwar activist Fred Gardner, Jane Fonda and Donald Sutherland. In 1972, Holly was one of the first women to create an independent record company Redwood Records. Often cited as one of the founders of the Women’s Music movement, Holly led the way for outspoken women in the music world, and worked for peace and multicultural consciousness. Throughout her long career Holly has continued working in film, stage, and music where she has collaborated with: Pete Seeger, Ronnie Gilbert, Arlo Guthrie, Mercedes Sosa, Bernice Johnson Reason, Bonnie Raitt, Jackson Browne, Joan Baez, Phil Ochs, Harry Belafonte, Cris Williamson, and many others. This Sunday, October 14, 7:00 PM, Willow Productions presents Holly Near w/ Jan Martinelli & Tammy Hall at All Souls Unitarian Universalist Church, 4501 Walnut, KCMO.

Holly Near Thanks for being with us on WMM

Holly Near’s new record “2018” is a direct response to the times we are currently living through: including environment, aging, domestic violence and the unresolved storm damage in Puerto Rico. Her career as a musician has been intrinsically woven into the fabric of our times, the Vietnam War, Kent State, Women’s Equality, Safe Energy, the rights of LGBTQ people.

On Sunday night at All Souls Unitarian Universalist Church She will be performing with Jan Martinelli on electric and acoustic bass and Tammy Hall on keyboards. Both of these musicians play with her on “2018,” and have collaborated with her on past projects.

Holly Near’s professional career began in 1969 with a part on the television show The Mod Squad, followed by appearances in other shows, such as Room 222, All in the Family, and The Partridge Family. She also appeared in films such as Kurt Vonnegut’s Slaughterhouse-Five, Minnie and Moskowitz, and had a prominent role in the 1991 film Dogfight.

In 1970, Near was a cast member of the Broadway musical Hair. On May 4, Ohio National Guard opened fire on unarmed Kent State students protesting the bombing of Cambodia by the United States Military forces. The 28 guardsmen fired over 67 rounds, killing four and injuring nine. Following the Kent State shootings, the entire cast of Hair staged a silent vigil in protest. Holly wrote the song, “It Could Have Been Me” (released on A Live Album, in 1974), was her heartfelt response to the shootings.

In 1971, Holly Near joined the FTA (Free The Army) Tour, an anti-Vietnam War road show of music, comedy, and plays that performed for soldiers, many of whom were resisting war and racism from within the military. The tour was organized by antiwar activist Fred Gardner and actors Jane Fonda and Donald Sutherland. Near was only 21 and the youngest member of the troupe.

In 1972, Near founded an independent record label called Redwood Records to produce and promote music by “politically conscious artists from around the world”. She was one of the first women to found an independent record company. Near’s record company went out of business in the mid-1990s due to financial difficulties.

In 1978 Holly Near wrote, “Singing For Our Lives” in the immediate wake of the assignation of openly gay San Francisco Board of Supervisors Member Harvey Milk, and Mayor George Moscone on November 27, 1978. “Singing For Our Lives” appears in Singing the Living Tradition, the official hymnal of the Unitarian Universalist Association, under the title “We Are A Gentle, Angry People” (Hymn #170). The hymn was also performed by Quaker Friends in an episode of the TV series Six Feet Under.

Elizabeth Anderson wrote: It urges us to follow Harvey’s imploring words: “Gay brothers and sisters, you must come out.” Kansas City’s Heartland Men’s Chorus sang this song two years ago.

Lee Hartman wrote: “Singing for Our Lives, written by Holly Near as she attended Harvey Milk’s memorial, was the most moving moment of the evening and even more so in retrospect. Audience members, at least those from my vantage point in the balcony, stood and joined in the singing of this unofficial anthem of the LGBTQ movement. Many held their loved ones closer and most were teary eyed. Rightfully, HMC reportedly repeated this piece at the (Pulse Orlando shootings) vigil following its Sunday performance.”

During her long career in folk and protest music, Holly Near has worked with a wide array of musicians, including Ronnie Gilbert, Pete Seeger, Arlo Guthrie, Mercedes Sosa, Bernice Johnson Reagon, Bonnie Raitt, Jackson Browne, Meg (Shambhavi) Christian, Cris Williamson, Linda Tillery, Joan Baez, Phil Ochs, Harry Belafonte, and many others, as well as the Chilean exile group Inti-Illimani.

Near has been recognized for her work for social change, including honors from the ACLU, the National Lawyers Guild, the National Organization for Women, NARAS, Ms. Magazine (Woman of the Year), and the Legends of Women’s Music Award. In 1989 Holly Near received a Dr of Humane Letters at World College West in California.

Holly Near (born June 6, 1949 in Ukiah, California) is an American singer-songwriter, actress, teacher, and activist. Holly Near was raised on a ranch in Potter Valley, California. She was eight years old when she first performed publicly, and she auditioned for Columbia Records when she was ten. She sang in all the high school musicals, talent shows and often was invited by local service groups to sing at their gatherings. Groups like the Soroptimist Club, Lions Club, and Garden Club. Her senior year she played Eliza Doolittle in Ukiah High School production of My Fair Lady. In the summer Holly attended performing arts camps such as Perry-Mansfield in Colorado and Ramblerny Performing Arts where she studied with jazz musicians Phil and Chan Woods and modern dancer/choreographer Joyce Trisler.

After starting high school in 1963, Holly Near began singing with three boys who called themselves the Freedom Singers, a folk group modeled after the Kingston Trio. When Holly joined, they began to sound more like The Weavers, three male voices and one female. Near learned later of the original Freedom Singers who sang as part of the Civil Rights Movement. Unbeknownst to her, Holly would soon meet one of the founding members of that group, Dr. Bernice Johnson Reagon, an artist who would be a great influence for the next 40 + years. She would also meet and work with the female singer in The Weavers, Ronnie Gilbert.

After high school, Near enrolled in the Theatre Arts program at UCLA; her freshman year she got the lead in the UCLA production of Guys and Dolls playing soprano Sarah Brown. Because Near was trained in a lower range she got nodules on her vocal chords and had to leave the show. She entered in to a long period of silence until her voice healed. After one year, she left UCLA and began to work in film and television as well as with anti war groups such as Another Mother for Peace.

She was briefly a member of the musical comedy troupe, “First National Nothing”, and appeared on the troupe’s only album, If You Sit Real Still and Hold My Hand, You Will Hear Absolutely Nothing (Columbia Records – LP C 30006).

Near wrote an autobiography in the early nineties called Fire in the Rain, Singer in the Storm. Later, with her sister Timothy, Near co-wrote a one-woman show based on the stories in the book. The show was presented at The San Jose Rep and in Los Angeles at The Mark Taper Forum, as well as productions in San Francisco and off Broadway in NYC. In April 2004, Holly performed at the March for Women’s Lives in Washington, DC where she sang “We Are Gentle Angry People” and “Fired Up” a capella.

The following year, Near was named among the “1000 Women for the Nobel Peace Prize”. Near continues an active tour schedule and as of 2012 had a discography of 29 albums. She is still active as a performer and composer, and she has begun issuing CDs available through her website that include tracks from her out-of-print albums.

Holly Near was named an Honoree for National Women’s History Month for 2015. She continues performing concerts, music festivals & rallies. Near hosted many of the tributes to both Pete Seeger & Ronnie Gilbert, members of the seminal folk group The Weavers.

Holly has been an honored guest at several of the GALA Gatherings, a conference of GLBTQ choirs and choruses. In her work with the choruses she focuses on diction, drama, and understanding the intention of the lyric. She also appears as a soloist with several of the choruses and many of her songs have been arranged for choral singing.

In 2018, Holly released a new recording called, 2018 reflecting some of the issues of the day including environment, aging, domestic violence and the unresolved storm damage in Puerto Rico. In October of 2018, a documentary film about Near’s life and work made by award winning director Jim Brown premiered at the Mill Valley Film Festival and received standing ovations and high acclaim.

As a result of her travels in the Pacific with the FTA show, Near became a feminist, linking international feminism and anti-war activism. In 1976, Near came out as a lesbian and began a 3-year relationship with musician Meg Christian. Near was probably the first out lesbian to be interviewed in People Magazine. She added LGBT issues to her international peace work as she continued to present social change music around the world and at home. Although Holly was one of the most visible artists in the lesbian community, she was also becoming aware that “monogamous” defined her sexuality more than any other title.

Near is dedicated to the rights of LGBTQ+ communities and works to create a cultural forum for diversity. Near writes, “For many, sexual identity and/or gender identity is the primary door through which they walk. It is what politicized them. It is what feeds their emotional and spiritual perspectives. I totally honor this. Even though sexual preference is maybe 5th or 10th on my personal list of priorities now, I will always work for all of us to have self determination over our bodies, our identities, our relationship choices.”

Near spent a year traveling across the US camping out of her car and staying with friends. She went to Argentina and Chile to study & write. She currently rents a 1 bedroom apartment in Sonoma County, Ca. and she spends time in NYC. She drives a 2003 VW. “auntie” & “grandma” to several young people even though Near never had children.

Holly Near Discography

Hang in There, Redwood Records (1973) (support of the people of Vietnam)
A Live Album, Redwood Records (1975)
You Can Know All I AM, Redwood Records (1976)
Imagine My Surprise, Redwood Records (1978) (with Meg Christian)
Fire in the Rain, Redwood Records (1981) produced by June Millington
Speed of Light, Redwood Records (1982)
Journeys, Redwood Records (1983)
Lifeline, Redwood Records (1983) (with Ronnie Gilbert)
Watch Out!, Redwood Records (1984) (with John McCutcheon and Trapezoid)
Sing to Me the Dream, Redwood Records (1984) (with Inti Illimani)
HARP, Redwood Records (1985) (w/ Pete Seeger, Ronnie Gilbert & Arlo Guthrie)
Singing With You, Redwood Records (1987) (with Ronnie Gilbert)
Don’t Hold Back, Redwood Records (1987)
Sky Dances, Redwood Records (1989)
Singer in the Storm, Chameleon Music Group (1990) (with Ronnie Gilbert)
Musical Highlights, Redwood Records/Calico tracks (1993) (Fire in the Rain written by Holly Near & Timothy Near)
This Train Still Runs, Abbe Alice Music (1996) (with Ronnie Gilbert)
With a Song in My Heart, Calico Tracks Music (1997) (songs of 30s & 40s)
Edge, Calico Tracks Music (2000)
Cris & Holly, HC Recordings (2003) (w/Cris Williamson, pianist John Bucchino)
Show Up, Calico Tracks Music (2006)
Sing to Me the Dream, Calico Tracks Music (2008) (historic live recording of 1984 Peace in the Americas Tour w/ Inti Illimani)
We Came to Sing, Calico Tracks Music (2009) (with emma’s revolution)
Peace Becomes You, Calico Tracks Music (2012)
2018, Calico Tracks Music (2018)

Holly Near Filmography

Angel, Angel, Down We Go (1969), Tara Nicole Steele
The Magic Garden of Stanley Sweetheart (1970), Fran
The Todd Killings (1971), Norma
Minnie and Moskowitz (1971), Irish
F.T.A. (1972), Herself
Slaughterhouse-Five (1972), Barbara Pilgrim
The Weavers: Wasn’t That a Time! (1982), Herself (documentary interview)
Women of Summer (1985), Herself (documentary; performance at reunion)
Dogfight (1991), Rose Sr.
Heartwood (1998), Lucille Burris
Holly Near Singing For Our Lives (2018) Herself (documentary by Jim Brown)
Television movies[edit]
Mr. and Mrs. Cop (1974), Mrs. Salmon

Holly Near TV appearances

The Bold Ones: The Senator, Sylvia – in the episode “Power Play” (1970)
Room 222, Esther – in the episode “The Lincoln Story” (1970)
All in the Family, Mona – in the episode “Gloria Has a Belly Full” (1971)
The Partridge Family, Phyllis – in the episode “The Selling of the Partridges” (1973)
L.A. Law, Lucille Skerritt – in the episode “Spleen It to Me, Lucy” (1991)

Earlier this month a new documentary film about Holly Near’s life called “Holly Near Singing For Our Lives” from award winning director Jim Brown premiered at the Mill Valley Film Festival.

Holly Near, Thanks for being with us on WMM

Holly Near with Jan Martinelli & Tammy Hall / photo by Irene Young

Willow Productions presents Holly Near with Jan Martinelli & Tammy Hall at All Souls Unitarian Universalist Church, 4501 Walnut, KCMO, on Sunday, October 14, at 7:00 PM. Tickets at http://www.brownpapertickets.com

19. Holly Near – “Singing For Our Lives”
from And Still We Sing: The Outspoken Collection / Calico Tracks Music / Sept 17, 2002
[Written in the immediate wake of Harvey Milk’s assassination in 1978. “Singing For Our Lives” appears in Singing the Living Tradition, the official hymnal of the Unitarian Universalist Association, under the title “We Are A Gentle, Angry People” (Hymn #170). It was also performed by Quaker Friends in an episode of the TV series Six Feet Under.]

20. Leela James – “A Change Is Gonna Come”
from: A Change Is Gonna Come / Warner Brothers – WEA / 2005
[Ms. James first burst onto the scene with her 2006 debut album A Change is Gonna Come, introducing audiences to her considerable vocal chops and garnering nominations for Outstanding New Artist at the NAACP Image Awards and Best R&B/Soul or Rap New Artist of 2008 at the Soul Train Music Awards. James has gone on to record three subsequent albums including My Soul, which reached #7 on the Billboard Hot R&B/Hip Hop Albums Chart and #37 on the Billboard 200 chart, and earned acclaim from critics for her songwriting skills. Fall For You has similarly climbed the charts, its single by the same name reaching the top 15 on the Urban AC charts in 2014/15.]

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on October 17, Jennifer Owen of Owen Cox Dance Ensemble joins us to share information about their latest production, “Morena” with soprano Victoria Botero October 20 – 21 at Polsky Theatre at Johnson County Community College. Also Jake Wells joins us to share information about his show at recordBar, Monday October 22 with Calvin Arsenia & Duncan Burnett. Plus Marion Merritt and Betse Ellis join me as Guest Co-Hosts for our Fall Fund Drive to encourage you our wonderful listeners to donate to the Voice of The Community – 90.1 FM KKFI – Kansas City Community Radio.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #755

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WMM Playlist from July 4, 2018

Does this look like fireworks to you?

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 4, 2018

Spinning Songs about America from Americans,
plus a few Russians, Canadians, Swedish, Nigerians, & English too
.

The Fourth of July, is a federal holiday in the United States commemorating the adoption of the Declaration of Independence on July 4, 1776. The Continental Congress declared that the thirteen American colonies regarded themselves as a new nation, the United States of America, and were no longer part of the British Empire. The Congress actually voted to declare independence two days earlier, on July 2.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. U.S. Girls – “Velvet 4 Sale”
from: In a Poem Unlimited / 4AD / February 16, 1979
[6th studio album from U.S. Girls, the recording moniker of American-Canadian musician Meghan Remy. Formed in the United States in 2007 as a noise-pop project, Remy later moved the band to Toronto after marrying Canadian musician Max “Slim Twig” Turnbull. She released music on a variety of independent labels in both the United States and Canada before signing to 4AD in 2015. Her first record for that label, Half Free, was released the same year. Half Free garnered a Juno Award nomination for Alternative Album of the Year at the Juno Awards of 2016, and was a shortlisted finalist for the 2016 Polaris Music Prize. In a Poem Unlimited is her follow up and second release on 4AD.] [First play February 28, 2018]

3. Gil Scott-Heron – “The Revolution Will Not Be Televised”
from: Pieces of a Man / RCA / 1971
[Gilbert “Gil” Scott-Heron was born April 1, 1949 and died May 27, 2011. He was an American soul and jazz poet, musician, and author, and activist. Its amazing how relevant this piece is 46 years after its release. Written by Gil Scott-Heron who first recorded it for his 1970 album Small Talk at 125th and Lenox, on which he recited the lyrics, accompanied by congas and bongo drums. A re-recorded version, with a full band, was the B-side to Scott-Heron’s first single, “Home Is Where the Hatred Is”, from his album Pieces of a Man (1971). It was also included on his compilation album, The Revolution Will Not Be Televised (1974). All these releases were issued on the Flying Dutchman Productions record label. The song’s title was originally a popular slogan among the 1960s Black Power movements in the United States. Its lyrics either mention or allude to several television series, advertising slogans and icons of entertainment and news coverage that serve as examples of what “the revolution will not” be or do. The song is a response to the spoken word piece “When the Revolution Comes” by The Last Poets, from their eponymous debut, which opens with the line “When the revolution comes some of us will probably catch it on TV”.]

4. Jason Isbell and the 400 Unit – “White Man’s World”
from: The Nashville Sound / Southestern Records / June 16, 2017
[Michael Jason Isbell was born February 1, 1979 and is a singer-songwriter & guitarist from Green Hill, Alabama, two miles from the Alabama/Tennessee state line. He is best known for his solo career, his work with the band The 400 Unit, and as a former member of Drive-By Truckers, from 2001 to 2007. He has won two Grammy Awards. This is the 6th studio album by Jason Isbell, credited with the 400 Unit. It was produced by Dave Cobb, who also produced Isbell’s previous two records: 2013’s Southeastern and 2015’s Something More Than Free. The Nashville Sound was nominated for Best Americana Album in the 2018 Grammy Awards. The 400 Unit, is primarily made up of musicians from the Muscle Shoals, Alabama, area: Sadler Vaden on guitar, backup vocals; Jimbo Hart on bass, backup vocals; Derry DeBorja on keyboard, accordion, backup vocals; Chad Gamble on drums, backup vocals; Amanda Shires on fiddle, backup vocals. “The 400 Unit” is a colloquial name for the psychiatric ward of Florence, Alabama’s Eliza Coffee Memorial Hospital, which is now named the Behavioral Health Center, and is located on the hospital’s first floor. It was originally called the 400 unit because it was in a separate building from the main building’s 3-story hospital. After renovation in the 1980s, the name was changed. Isbell married singer-songwriter and violinist Amanda Shires, with whom he’d worked on and off for a decade, in February 2013, two days after they finished Southeastern. Musician Todd Snider married them. The couple had a baby girl, Mercy Rose, on September 1, 2015. Isbell has lived in Nashville, Tennessee, since 2011. He is an Atlanta Braves fan and a Democrat. In November of 2017 Isbell was asked on Twitter “Why do we have to inject politics in every aspect of our life can’t we just enjoy the music and the football games?” He responded “Until you are the one being treated unfairly, that’s easy to say.”]

[Jason Isbell and the 400 Unit play Providence Amphitheatre, 633 N. 130th St., Bonner Springs, Kansas on Friday, July 13, at 6:30 with Turnpike Troubadours, and Old 97’s.]

5. The Milk Carton Kids – “Mourning in America”
from: All the Things That I Did and All the Things That I Didn’t Do / Anti / JUne 29, 2018
[The Milk Carton Kids are an American indie folk duo from Eagle Rock, California, United States, consisting of singers and guitarists Kenneth Pattengale and Joey Ryan, who began making music together in early 2011. The band has recorded and released five albums: Retrospect, Prologue, The Ash & Clay, Monterey, and All the Things That I Did and All the Things That I Didn’t Do. They are noted for releasing their first two albums for free. Pitchfork writes about their new album: “Pattengale and Ryan have loosened their restrictions, inviting a cast of session pros that includes Wilco’s Pat Sansone to add splashes of piano, strings, and thumping drums to their songs. The additions are often subtle—conceptually, they have more in common with Beach House’s quiet amalgamation of synth tones than with Bob Dylan going electric—but they have an outsized impact on the group’s dynamics. These songs continue the world-weary narratives of earlier tracks like “Michigan” and “Years Gone By,” albeit with heightened urgency: Pattengale overcame a cancer diagnosis and the dissolution of a long-term relationship before recording got underway. Paradoxically, though, the album crackles with newfound levity and muscle.”]

6. Brian Eno & David Byrne – “America Is Waiting (2006 Digital Remaster)”
from: My Life In The Bush Of Ghosts / Nonesuch / February 1, 1981 [Reissued 2006]
[My Life in the Bush of Ghosts is the first collaborative album by Brian Eno and David Byrne, released in February 1981. Borrowing its title from Amos Tutuola’s 1954 novel of the same name, the album integrates sampled vocals and found sounds, African and Middle Eastern rhythms, and electronic music techniques. It was recorded prior to Eno and Byrne’s work on Talking Heads’ fourth album Remain in Light (1980), but sample clearance problems delayed its release until several months after. The extensive use of sampling on the album is widely considered innovative, though its influence on the sample-based music genres that later emerged is debated. AllMusic critic John Bush describes it as a “pioneering work for countless styles connected to electronics, ambience and Third World music”.[3] Pitchfork listed it as the 21st best album of the 1980s, while Slant Magazine listed the album at No. 83 on its list of the “Best Albums of 1980s”. Eno and Byrne first worked together on More Songs About Buildings and Food, the 1978 album by Byrne’s band Talking Heads. My Life was primarily recorded during a break between touring for Fear of Music (1979) and the recording of Remain in Light (1980), subsequent Talking Heads albums also produced by Eno, but the release was delayed while legal rights were sought for the large number of samples used throughout the album. Eno described the album as a “vision of a psychedelic Africa.” Rather than conventional pop or rock singing, most of the vocals are sampled from other sources, such as commercial recordings of Arabic singers, radio disc jockeys, and an exorcist. Musicians had previously used similar sampling techniques, but critic Dave Simpson said it had never before been used “to such cataclysmic effect” as on My Life. In 2001, Eno denied that he and Byrne had invented sampling, citing Holger Czukay’s experiments with dictaphones and short-wave radios as earlier examples. He felt that the “difference was, I suppose, that I decided to make [sampling] the lead vocal”. According to Byrne’s 2006 sleeve notes, neither he nor Eno had read Tutuola’s novel, but felt the title “seemed to encapsulate what this record was about”. “America Is Waiting” samples Ray Taliaferro of KGO NEWSTALK AM 810, San Francisco, April 1980.]

7. Chris Hazelton’s Boogaloo 7 – “The Basement Beat (Part 2)”
from: “The Basement Beat” – Parts 1 & 2 / Sunflower Soul / June 22, 2018
[Hammond organist Chris Hazelton and his large-group Boogaloo 7 pay homage to greats such as Lonnie Smith, Jimmy McGriff, Grant Green, and Lou Donaldson with their groove-centered brand of jazz, all the while pushing the genre forward with exciting new and original music. More information at: http://www.chrishazelton.com. Chris Hazelton on Hammond B-3 organ, Nick Howell on trumpet, Nick Rowland on tenor sax, Brett Jackson on baritone sax, Matt Hopper on guitar, Danny Rojas on drums , and Pat Conway on congas. Recorded live to 8-track analog tape, mixed, and produced by Chris Hazelton at the FORTRESS OF SOULITUDE. Mastered and lacquers cut by Adam Boose at Cauliflower Audio. Pressed by Gotta Groove Records. Chris Hazelton’s Boogaloo 7 will be releasing “The Basement Beat” 6-song EP on 12″, on July 20, and a second single 7″ called “100 Days, 100 Nights” also on July 20, but released on Lugnut Records as part of a tribute to Sharon Jones and The Dap Kings.]

10:27 – Underwriting

9. Other Americans – “Curtis Mayfield”
from: Other Americans EP / AWAL Records / June 29, 2018
[Debut self-titled EP from Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Zachary Phillips on bass. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, Radar State and Brandon Phillips and The Condition, Other Americans is a virtual Midwestern supergroup of sorts. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.” With first date jitters behind them, the duo enlisted drummer Adam Phillips, bassist Zachary Phillips and late keyboardist Ehren Starks, who passed away suddenly in March 2018, and began writing the material that would become the EP. The band premiered the late night public access by-way-of 120 Minutes-inspired video for lead single, “Murdering Crows,” directed by artist Adrian Halperin, via The Spill Magazine in May 2018, exposing the band’s brand of kickass dance rock to a broad and international audience. Superlatively catchy and conjuring up well-intentioned comparisons to Yeah Yeah Yeahs, Fiery Furnaces, and even a jauntier and more aggressive Passion Pit, the new EP captures the excitement and spontaneity that punctuates coastal indie rock while embracing elements of the electronic dance rock that populates midnight warehouse parties. “All the basic tracking [for the EP] was done at Element Recording and was mastered by Nanos,” he recalls. “Then I took it to my spot and worked and reworked it all for a year until it sounded like something none of us had heard before.” Prior to the EP’s release the band makes their hard fought and won live debut on June 11, 2018, at Kansas City’s Riot Room, an already sold-out performance supporting singer songwriter Meg Myers. The band will also release their video for “Make Me Afraid,” directed by Todd Norris and Mitch Brian, in coming weeks. Illuminated with the knowledge that the journey is as important as the destination, Phillips admits to looking forward to the period of dues paying that their debut brings. “I’m looking forward to all the firsts;. first show. first record. first tour. Magical thinking could have me pining for a post-Grammys Maserati coke party by the sea, but if I’m all wrapped up in making that fantasy come true, I’ll miss the fun of being present for the firsts and the fifths and the tenths.” From there the plan becomes a bit more complicated, “ The ‘Plan” as I see it is to con some major label artist into taking us out as support, steal their identities on laundry day, have reconstructive surgery, then only tour in countries without U.S. extradition treaties,” Brandon jokes. ]

[Other Americans played Middle of The Map Saturday, June 30, at 1:30, at The Brick, 1727 McGee.]

10. Curtis Mayfield – “Superfly”
from: Superfly (Soundtrack from the Motion Picture) / Curtom Records / July, 1972
[We hear in the bridge Curtis singing, “Trying to get over” the theme we hear in so many of Curtis Mayfield’s incredible recordings. Super Fly is the third studio album by American soul musician Curtis Mayfield. It was released as the soundtrack for the Blaxploitation film of the same name. Widely considered a classic of 1970s soul and funk music, Super Fly was a nearly immediate hit. Its sales were bolstered by two million-selling singles, “Freddie’s Dead” (#2 R&B, #4 Pop) and the title track (#5 R&B, #8 Pop). Super Fly is one of the few soundtracks to out-gross the film it accompanied. Super Fly, along with Marvin Gaye’s What’s Going On, was one of the pioneering soul concept albums, with its then-unique socially aware lyrics about poverty and drug abuse making the album stand out. The film and the soundtrack may be perceived as dissonant, since the film holds rather ambiguous views on drug dealers, whereas Curtis Mayfield’s position is far more critical. Like What’s Going On, the album was a surprise hit that record executives felt had little chance at significant sales. Due to its success, Mayfield was tapped for several film soundtracks over the course of the decade. Curtis Lee Mayfield was born in Chicago on June 3, 1942, He died on December 26, 1999. An American singer-songwriter, guitarist, and record producer, and one of the most influential musicians behind soul and politically conscious African-American music, he first achieved success and recognition with The Impressions during the civil rights movement of the late 1950s and 1960s, and later worked as a solo artist. Mayfield started his musical career in a gospel choir. Moving to the North Side, he met Jerry Butler in 1956 at the age of 14, and joined the vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for the Impressions, which displayed his more politically charged songwriting. Ranked at no. 24 on Rolling Stone’s list of the 500 Greatest Songs of All Time, the song received numerous other awards, and was included in the Rock and Roll Hall of Fame 500 Songs that Shaped Rock and Roll, as well as being inducted into the Grammy Hall of Fame in 1998. After leaving the Impressions in 1970 in the pursuit of a solo career, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. The album was ranked at no. 72 on Rolling Stone’s list of 500 Greatest Albums of All Time. Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album New World Order in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995, and was a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a two-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes in 1999 at the age of 57.]

11. First Aid Kit – “Fireworks”
from: Ruins / Columbia / January 19, 2018
[4th full length album from Swedish folk duo of sisters: Klara (vocals/guitar) and Johanna Söderberg (vocals/keyboards/Autoharp/bass guitar). When performing live, the duo are accompanied by a drummer, a pedal steel guitarist and recently a keyboard player. They have now released four albums, two EPs and a handful of singles. In 2015 they were nominated for a Brit Award as one of the 5 best international groups. Sisters Johanna & Klara Söderberg are from Enskede, in the outskirts of Stockholm. Johanna was born Oct 31, 1990 and Klara on Jan 8, 1993. Their father was a member of the Swedish rock band Lolita Pop but he quit before Johanna was born and later became a teacher of history & religion. Their mother is a teacher of cinematography. From childhood, Klara & Johanna were eager singers by giving concerts using a jump rope as a pretend microphone. Klara’s first favorite songs were Judy Garland’s songs from The Wizard of Oz and Billie Holiday’s version of Gloomy Sunday, that she sang without much understanding of the English lyrics. Klara wrote her first song “Femton mil i min Barbiebil” when she was six. They both attended the International English school of Enskede. Klara applied for admission to a music school but she was not accepted. In 2005 when Klara was 12, a friend introduced her to the band Bright Eyes. This led her to country music stars such as Johnny Cash, Bob Dylan, Leonard Cohen, Carter family, Louvin Brothers, Townes Van Zandt, Gram Parsons and Emmylou Harris. The same year she received a guitar as a Christmas present and quickly learned to play it. Johanna enjoyed a wide range of music from Britney Spears to German Techno. However, it wasn’t until watching the film O Brother, Where Art Thou? and listening to the film’s soundtrack that she was inspired to sing “Down to the River to Pray” with sister, Klara. Fascinated by the result they started to sing together at home and then as street singers, in the Stockholm metro and in front of liquor stores. They came up with the name for their band simply by randomly opening a dictionary.Klara and Johanna also started to write and compose their own country-folk songs inspired by Devendra Banhart and CocoRosie, among others, without much influence from their parents who were more fond of Patti Smith, Velvet Underground and Pixies. Their father confessed later in a Swedish radio program that he was astonished and actually a little jealous of the ease his daughters had in producing top-notch music. The most important advice their father gave to them was to sing so loud that even somebody behind the wall could hear it.]

12. Talking Heads – “No Compassion”
from: Talking Heads: 77 / Sire / September 16, 1977
[Talking Heads: David Byrne on guitar, lead vocals; Chris Frantz on drums, steel pan; Jerry Harrison on guitar, keyboards, backing vocals; Tina Weymouth on bass guitar. Production: Tony Bongiovi & Lance Quinn & Talking Heads – producers; Ed Stasium – engineer; Joe Gastwirt – mastering; Mick Rock – photography. Talking Heads: 77 is the debut album by the American rock band Talking Heads, released in September 1977. The single “Psycho Killer” reached No. 92 on the Billboard Hot 100 Chart. In 2003, the album was ranked No. 290 on Rolling Stone magazine’s The 500 Greatest Albums of All Time list. The album was released by Sire Records in the UK and US and Philips Records throughout continental Europe. In 2005, it was remastered and re-released by Warner Music Group on their Warner Bros./Sire Records/Rhino Records labels.]

13. David Byrne & Fatboy Slim feat: Sharon Jones – “Dancing Together”
from: Here Lies Love / Todo Mundo – Nonesuch Records / April 6, 2010
[a collaboration between David Byrne & Fatboy Slim, (a.k.a. Norman Cook). A musical documentary that tells the story of Philippine First Lady Imelda Marcos and her rise to prominence as a young beauty Queen, who is pursued and then married to Ferdinand. The 2-disc album includes 22 songs, that tell the parallel tale of Estella Cumpas, the servant who raised Marcos. The songs are in chronological order of the major periods in Imelda’s life. Delux edition comes with 120-page book with photos where you can follow her story. Later staged as a musical and an original musical soundtrack.]

14. Sharon Jones & The Dap-Kings – “This Land is Your Land”
from: Naturally / Daptone / 2005
[written by Woody Guthrie][In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, the released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, , for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007) and I Learned the Hard Way (2010). They are seen by many as the spearhead of a revival of soul and funk.]

11:00 – Station Identification

14. Janelle Monáe — “Americans”
from: Dirty Computer / Wondaland Arts Sociaety – Bad Boy – Epic / April 27, 2018
[Janelle Monáe moved from Kansas City, Kansas to New York to study theatre at the American Musical and Dramatic Academy. Her original plan was to pursue a career on Broadway, but she soon changed her mind and returned to music. After moving to Atlanta, GA, where she met OutKast’s Big Boi, Monáe founded the Wondaland Arts Society with like-minded young artists and made appearances on Outcast’s Idlewild, where Janelle is featured on the songs “Call The Law” and “In Your Dreams”. In 2007, Monáe released her first solo work, titled Metropolis. A few months later she was signed to Sean “Diddy” Combs’ label, Bad Boy Records. Dirty Computer is the third studio album by Janelle Monáe. In October 2016, Monáe made her big screen acting debut in the critically acclaimed film Moonlight. Monáe also starred in the film Hidden Figures. While filming her two movie roles, Monáe remained active in music with features on Grimes’ “Venus Fly” from her Art Angels album and also the soundtrack for the Netflix series The Get Down with a song titled, “Hum Along and Dance (Gotta Get Down)”. She was also on the tracks “Isn’t This the World” and “Jalapeño” for the Hidden Figures soundtrack. In an interview with People, Monáe revealed that she was already working on her third studio album when she received the scripts for her two first acting roles; therefore, she put the album on hold. It was confirmed by Monae after “Make Me Feel” was released that Prince, with whom she collaborated on her preceding album, The Electric Lady, had worked on the single, as well as the entire album, before he passed away. This was confirmed after listeners noticed similarities between the single’s sound and the late musician’s work. Monae stated in an interview with BBC Radio 1: “Prince was actually working on the album with me before he passed on to another frequency, and helped me come up with some sounds. And I really miss him, you know, it’s hard for me to talk about him. But I do miss him, and his spirit will never leave me.”

15. David Bowie – “Under Pressure”
from: A Reality Tour / ISO – Columbia – Legacy / January 25, 2010
[David Bowie on vocals, guitars, Stylophone, harmonica; Gail Ann Dorsey on bass guitar, backing vocals, lead vocals on “Under Pressure”; Earl Slick on guitar; Gerry Leonard on guitar, backing vocals; Sterling Campbell on drums; Mike Garson on keyboards, piano; Catherine Russell on keyboards, percussion, acoustic guitar, backing vocals.A Reality Tour is a live album by David Bowie that features November 22 and 23, 2003 performances in Dublin during his concert tour A Reality Tour. This is an audio version of the concert video of the same name, except that it adds three bonus tracks. The digital download on iTunes adds two more bonus tracks. The set list includes tracks spanning Bowie’s 30 plus years in the music business, from The Man Who Sold the World (1970) all the way to the then current Reality (2003), along with collaborations such as “Sister Midnight” (with Iggy Pop; originally from The Idiot (1977)) and “Under Pressure” (with Queen; released as a single in 1981 and later found on Hot Space the following year). There is a bit more focus, however, on tracks from the albums released since the Earthling World Tour in 1997, Heathen (2002), and Reality, whose tracks constitute 10 of the 35 songs performed. The only exception from his latest albums is Hours (1999); no tracks from this album were included on this release, possibly due to poor reception of the album, and no songs from the album were included in his touring repertoire. Other albums with no appearance included the cover album Pin Ups (1973), Never Let Me Down (1987), the albums produced with the band Tin Machine (Tin Machine (1989) and Tin Machine II (1991), and Black Tie White Noise (1993). Aladdin Sane (1973) & Station to Station (1976) also made no concert appearances in the video, although songs from both albums were performed on the tour. A notable inclusion into the performance was the set of three songs from The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972) as the final encore. Though Bowie had performed the pieces many times through his career, the pieces had not been toured regularly since 1978 when the live interpretations were featured on the Stage album released that same year. The interpretations presented often a heavier and more complex sound than those of the album releases to suit the band for which the Reality album had been written; a more dynamic “Rebel Rebel” was arranged as an opener which included notably some audience participation and Bowie finishing his performance with the Irish phrase “Tiocfaidh ár lá”, which means “Our day will come”. Use of audience vocals appear in a number of tunes, including “All the Young Dudes”and “Life on Mars?”, which the audience faithfully sang along to. Electronic songs such as “Sunday” and “Heathen (The Rays)” feature new “Spooky Ghost” guitar arrangements by Gerry Leonard. “Loving the Alien” is rearranged for acoustic guitar and is performed solely by Bowie and Leonard. “Under Pressure” is a 1981 song by the British rock band Queen and the British singer David Bowie. It was included on Queen’s 1982 album Hot Space. The song reached number one on the UK Singles Chart, becoming Queen’s second number-one hit in their home country (after 1975’s “Bohemian Rhapsody”, which topped the chart for nine weeks) and Bowie’s third (after 1980’s “Ashes to Ashes” and the 1975 reissue of “Space Oddity”). The song only peaked at No. 29 on the US Billboard Hot 100 in January 1982, and would re-chart for one week at No. 45 in the US following Bowie’s death in January 2016. It was also number 31 on VH1’s 100 Greatest Songs of the ’80s. It has been voted the second best collaboration of all time in a poll by the Rolling Stone magazine. The song was played live at every Queen concert from 1981 until the end of Queen’s touring career in 1986.] Timothy Finn reviewed David Bowie’s May 10, 2004 concert at Starlight Theatre, his last appearance in KC. check the archives at: http://www.kansascity.com: “Monday’s show before a near-sellout crowd lasted nearly 150 minutes and covered 27 songs and 35 years of material. – The crowd, which ranged in age from kids in their early teens to men and women in their 60s (new punks to retired hippies), responded as expected to the well-known songs, like “The Man Who Sold the World.” – The heart of the show came late. After a brilliant version of “Under Pressure, “ featuring the vocally endowed bassist Gail Ann Dorsey (filling in for Freddie Mercury) and a straight rendition of “Changes, “ Bowie indulged in something old and obscure, “The Supermen” (from 1969).”

16. Superchunk – “Erasure (feat. Waxahatchee & Stephin Merritt)”
from: What a Time to Be Alive / Merge / Expected: February 16, 2018
[11th album release from band formed in 1989 in Chapel Hill, North Carolina, Superchunk is Mac McCaughan (guitar, vocals), Jim Wilbur (guitar, backing vocals), Jon Wurster (drums, backing vocals), and Laura Ballance (bass, backing vocals). Since releasing their first 7-inch in 1989, Superchunk has run the gamut of milestone albums: early punk rock stompers, polished mid-career masterpieces, and lush, adventurous curveballs. Recorded by Beau Sorenson at Manifold Recording, Pittsboro, NC., except “Break the Glass” and “I Got Cut” at Overdub Lane. Mastered by Matthew Barnhart at Chicago Mastering .]

17. Pussy Riot – “Make America Great Again”
from: xxx – EP / Big Deal – Nice Life – Federal Prism / October 28, 2016
[Nadya Tolokonnikova & Masha Alekhina from Pussy Riot just released “Make America Great Again” their third video released in October, following “Straight Outta Vagina” and “Organs.” Both those songs featured production from TV on the Radio’s Dave Sitek, with all three songs appearing on the band’s new EP, xxx. From Rolling Stone: “Make America Great Again” imagines a world in which Trump wins the upcoming presidential election. In the video, America’s new leader relies on muscled thugs to enforce his values, often by branding people he doesn’t like with hot metal. As Trump’s stormtroopers engage in various forms of torture, Pussy Riot sing a simple refrain: “Let other people in/ Listen to your women/ Stop killing black children/ Make America great again.” The jaunty, carefree music contrasts with the brutal events depicted on screen. The track came together with help from Ricky Reed, who has written and produced hits for Jason Derulo, Pitbull and 21 Pilots. Jonas Akerlund, who has helmed clips for Beyoncé and Taylor Swift, directed.]

18. MorMor – “Waiting on the Warmth [radio edit]”
from: Heaven’s Only Wishful – EP / Don’t Guess / June 22, 2018
[Artist, Singer-Producer, multi-instrumentalist, born and raised in Toronto. MorMor writes, records, and produces most of his own work. He tells pigeons and planes, “A lot of my inspiration stems from wanting to share a perspective of Toronto that I feel hasn’t been represented,” he says. “I’m glad Toronto is getting a lot of attention right now, but my experience of the city that has shaped me isn’t really part of the story yet.” he goes on to say, “I always felt different from the other kids at school. I went through a really hard time because I was the kid who always hung out with a wide variety of people. I kept searching for kids like me, but it never happened. In the end it gave me some good perspective. I was a pretty rebellious person when I was young. I had a problem with authority. I was reluctant to take orders if I didn’t believe in the cause. I might be the only kid who got suspended in the first grade. Music was something that I could escape through.]

11:24 – Underwriting

19. Femi Kuti – “One People One World”
from: One People One World / Knitting Factory Records / February 23, 2018
[Olufela Olufemi Anikulapo Kuti was born June 16, 1962 and is popularly known as Femi Kuti, a Nigerian musician born in London and raised in Lagos. He is the eldest son of afrobeat pioneer Fela Kuti, and a grandchild of a political campaigner, women’s rights activist and traditional aristocrat Funmilayo Ransome Kuti. Femi’s musical career started when he began playing in his father’s band, Egypt 80. In 1986, Femi started his own band, Positive Force, and began establishing himself as an artist independent of his father’s massive legacy. His first record was released in 1995 by Tabu/Motown, followed four years later by Shoki Shoki (MCA), which garnered widespread critical acclaim. In 2001 he collaborated with Common, Mos Def and Jaguar Wright on Fight to Win, an effort to cross over to a mainstream audience, and started touring the United States with Jane’s Addiction. In 2004 he opened The Shrine, his club, where he recorded the live album Africa Shrine. After a 4-year absence due to personal setbacks, he re-emerged in 2008 with Day by Day and Africa for Africa in 2010, for which he received two Grammy nominations. In 2012 he was both inducted into the Headies Hall of Fame (the most prestigious music awards in Nigeria), was the opening act on the Red Hot Chili Peppers’ European arena tour and became an Ambassador for Amnesty International.]

20. Joan Baez – “The President Sang Amazing Grace”
from: Whistle Down the Wind / Razor & Tie Recordings / March 2, 2018
[On June 26, 2015 The Washington Post reported, “This whole week, I’ve been reflecting on this idea of grace,” said President Obama today, just before he broke into song at the funeral for South Carolina State Sen. Clementa Pinckney, a pastor killed along with eight others in last week’s Charleston, S.C., church shooting. Presdent Obama then sang “Amazing Grace.” singer songwriter Zoe Mulford wrote a song about nd included it in her January 7, 2017 album, Small Brown Birds. Joan Baez told The Atlantic, “I was driving when I heard ‘The President Sang Amazing Grace,’” Joan Baez told The Atlantic, “and I had to pull over to make sure I heard whose song it was because I knew I had to sing it.” The 77-year-old folk legend included the song in her final album, Whistle Down The Wind, released in early March. Originally written and performed by Zoe Mulford following the 2015 mass shooting in a historic black church in Charleston, South Carolina. Whitsle Down The Wind is the 31st album release from Joan Chandos Baez born January 9, 1941, her first studio album in almost a decade. The album features songs written by such composers as Tom Waits, Josh Ritter and Mary Chapin Carpenter. Joe Henry produced the album. Joan Baez is a singer, songwriter, musician, and activist whose contemporary folk music often includes songs of protest or social justice. Baez has performed publicly for over 60 years,is fluent in Spanish and English, and has recorded songs in at least six other languages. Although regarded as a folk singer, her music has diversified since the counterculture era of the 1960s, and encompasses genres such as folk rock, pop, country and gospel music. She was one of the first major artists to record the songs of Bob Dylan in the early 1960s; Baez was already an internationally celebrated artist and did much to popularize his early songwriting efforts. Baez also performed fourteen songs at the 1969 Woodstock Festival and has displayed a lifelong commitment to political and social activism in the fields of nonviolence, civil rights, human rights and the environment. Baez was inducted into the Rock and Roll Hall of Fame on April 7, 2017.

21. Radiohead – “Karma Police”
from: OK Computer / XL Recordings / May 21, 1997
[2nd single from Radiohead’s third studio album. The song’s title and lyrics derive from an in-joke among the band, referring to karma, the Hindu theory of cause and effect. The song became a commercial success, charting at No. 8 on the UK Singles Chart and at No. 14 on the US Hot Modern Rock Tracks chart. In Iceland the song peaked at No. 1. Critical reception to the single was also favorable. Thom Yorke on lead vocals, acoustic guitar; Jonny Greenwood on piano, mellotron, analogue synthesizer; Colin Greenwood on bass; Ed O’Brien on electric guitar, backing vocals; and Phil Selway on drums.]

22. Krystle Warren – “I Don’t Know”
from: Sing Me The Songs Celebrating The Works of Kate McGarrigle / Nonesuch / June 21, 13
[Features highlights from three concerts in honor of the late Kate McGarrigle. Proceeds from the concerts provided seed money for the Kate McGarrigle Foundation a non-profit organization dedicated to raising money in the fight against sarcoma and also to preserving her legacy through the arts. Net proceeds from the sale of Sing Me the Songs also will be donated to the Foundation. The double-disc set was produced by Joe Boyd, who curated the concerts, and features performances by Rufus and Martha Wainwright, Anna McGarrigle, Emmylou Harris, Antony, Norah Jones, and Teddy Thompson, among others. The New York concerts were filmed for a feature documentary entitled Sing Me the Songs That Say I Love You: A Concert for Kate McGarrigle, directed by Lian Lunson (Leonard Cohen: I’m Your Man) and produced by Luson and Teddy Wainwright. Candid interviews with McGarrigle’s family and friends are paired with rousing performances of her music.]

23. Simon & Garfunkel – “America”
from: Bookends / Columbia / April 3, 1968
[“America” is from their 4th studio album, Bookends. Produced by the duo and Roy Halee, the song was later issued as a single in 1972 to promote the release of Simon and Garfunkel’s Greatest Hits. The song was written and composed by Paul Simon, and concerns young lovers hitchhiking their way across the United States, in search of “America,” in both a literal and figurative sense. It was inspired by a 1964 road trip that Simon took with his then girlfriend Kathy Chitty. The song has been regarded as one of Simon’s strongest songwriting efforts and one of the duo’s best songs. A 2014 Rolling Stone reader’s poll ranked it the group’s fourth best song. Simon & Garfunkel were an American folk rock duo consisting of singer-songwriter Paul Simon and singer Art Garfunkel. They were one of the best-selling music groups of the 1960s and became counterculture icons of the decade’s social revolution, alongside artists such as the Beatles, the Beach Boys, and Bob Dylan. Their biggest hits—including “The Sound of Silence” (1964), “Mrs. Robinson” (1968), “The Boxer” (1969), and “Bridge over Troubled Water” (1970)—reached number one on singles charts worldwide. The duo met in elementary school in Queens, New York, in 1953, where they learned to harmonize together and began writing original material. By 1957, under the name Tom & Jerry, the teenagers had their first minor success with “Hey Schoolgirl”, a song imitating their idols The Everly Brothers. In 1963, aware of a growing public interest in folk music, they regrouped and were signed to Columbia Records as Simon & Garfunkel. Their debut, Wednesday Morning, 3 A.M., sold poorly, and they once again disbanded; Simon returned to a solo career, this time in England. In June 1965, their song “The Sound of Silence” was overdubbed, adding electric guitar and a drumkit to the original 1964 recording. This version became a major U.S. AM radio hit in 1965, reaching number one on the Billboard Hot 100. They reunited to release a second studio album Sounds of Silence and tour colleges nationwide. On their third release, Parsley, Sage, Rosemary and Thyme (1966), the duo assumed more creative control. Their music was featured in the 1967 film The Graduate, giving them further exposure. Bookends (1968), their next album, topped the Billboard 200 chart and included the number-one single “Mrs. Robinson” from the film. Their often rocky relationship led to artistic disagreements, which resulted in their breakup in 1970. Their final studio record, Bridge over Troubled Water (released in January of that year), was their most successful, becoming one of the world’s best-selling albums. After their breakup, they both continued recording, Simon releasing a number of highly acclaimed albums, including 1986’s Graceland. Garfunkel also briefly pursued an acting career, with leading roles in two Mike Nichols films, Catch-22 and Carnal Knowledge, and in Nicolas Roeg’s 1980 Bad Timing, as well as releasing some solo hits such as “All I Know”. The duo have reunited several times, most famously in 1981 for “The Concert in Central Park”, which attracted more than 500,000 people, the seventh-largest concert attendance in history. Simon & Garfunkel won 10 Grammy Awards and were inducted into the Rock and Roll Hall of Fame in 1990, and their Bridge over Troubled Water album was nominated at the 1977 Brit Awards for Best International Album. It is ranked at number 51 on Rolling Stone’s 500 Greatest Albums of All Time. Richie Unterberger described them as “the most successful folk-rock duo of the 1960s” and one of the most popular artists from the decade in general. They are among the world’s best-selling music artists of all time, having sold more than 100 million records.]

24. Phosphorescent – “This Land Is Your Land”
from: Our First 100 Days / Our First 100 Days / May 1, 2017
[Phosphorescent is the working moniker of American singer-songwriter, Matthew Houck (born 1980). Originally from Huntsville, Alabama, Houck began recording and performing under this nom de plume in 2001 in Athens, Georgia. He is currently based in Brooklyn, New York. This was the final entry into the series, Our First 100 Days, releasing of a new song to inspire progress and benefit a cause for change in each day of Donald Trump’s first 100 days as president. The song series was highlighted by tracks from Angel Olsen, The Mountain Goats, Mitski, Kevin Morby. The project was started in conjunction with Secretly Group and 30 Songs, 30 Days, and aims to raise funds and awareness for organizations supporting causes that are under threat by the proposed policies of a Trump administration. Produced with the help of Revolutions Per Minute, providing strategy & support for artists making change. More info at: http://www.ourfirst100days.us ]

25. Tracy Chapman – “America”
from: Where You Live / Elektra Entertainment / September 12, 2005
[Tracy Chapman’s seventh studio album co-produced by Tchad Blake. It produced two singles: “Change”, and “America”. Tracy Chapman on acoustic & electric guitar, clarinet, harmonica, mandolin, percussion, glockenspiel, keyboard bass, hand drums; Paul Bushnell on bass, Flea on bass; Mitchell Froom on organ, celeste, harpsichord, Fender Rhodes, Wurlitzer; Joe Gore on acoustic & electric guitar, dobro, percussion, bass, lap steel guitar, keyboard bass; David Piltch on upright bass; Michael Webster on keyboards; Quinn Smith on percussion, piano, drums, glockenspiel. Tracy Chapman (born March 30, 1964) is an American singer-songwriter, known for her hits “Fast Car” and “Give Me One Reason”, along with other singles “Talkin’ ’bout a Revolution”, “Baby Can I Hold You”, “Crossroads”, “New Beginning” and “Telling Stories”. She is a multi-platinum and four-time Grammy Award-winning artist. Chapman was signed to Elektra Records by Bob Krasnow in 1987. The following year she released her critically acclaimed debut album Tracy Chapman, which became a multi-platinum worldwide hit. The album garnered Chapman six Grammy Award nominations, including Album of the Year, three of which she won, including Best Female Pop Vocal Performance for her single “Fast Car”, and Best New Artist. Chapman released her second album Crossroads the following year, which garnered her an additional Grammy nomination. Since then, Chapman has experienced further success with six more studio albums, which include her multi-platinum fourth album New Beginning, for which she won a fourth Grammy Award, for Best Rock Song, for its lead single “Give Me One Reason”. Chapman’s most recent release is Our Bright Future, in 2008.]

26. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on July 11, Fally Afani of I Heart Local Music joins us as Guest producer to play music from Lawrence Field Day Fest – July 19th – 21st. We’ll also talk w/ Liz Jeans.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Commentary:

Remember just because our nation is perpetually at war doesn’t mean we must make our cozy summer neighborhoods look and smell and sound like a war zone. Please consider the birds, and the animals who we share space with in our environment. Remember, within the city limits of KCMO it’s against the law to light fireworks. It’s really not very patriotic.

I will tell you what is patriotic! A huge part of the democracy of The United States of America is our 1st Amendment. Remember it is the 1st Amendment, because it is the most important.

Now more than ever, artists & musicians are speaking out, asking for accountability, and fairness, and humane treatment of people at our borders as well as in our communities.

As an LGBTQIA American I know what it feels like to be treated with prejudice, violence, and inequality. As an LGBTQIA American I honor the activists that came before me to blaze the trail. As an LGBTQIA American I’ve come of age through the years of ACT-UP, fighting for my brothers and sisters, fighting for equality in housing and employment, fighting for Marriage Equality, fighting against sexual assault and harassment.

Please remember that most of the citizens of our country are not privileged, straight, white, and male. Most of the citizens of our country didn’t have their college and apartment and automobile and insurance paid for by their mom and dad. Please remember that most people are working multiple jobs to pay their bills, to pay off student loans, to try to get health insurance. Please remember that the reason some people have a paid holiday today, and a 40-hour work week, is because of the struggles of labor right’s activists who picketed and collectively bargained for better conditions and better lives. They spoke up!

Please don’t be one of those people who the only time they have ever protested anything in their life was “last call at the bar.” Speak up. It’s the American thing to do.

For Wednesday MidDay Medley I’m Mark Manning. Happy Independence Day!

Show #741

Wednesday MidDay Medley

WMM Playlist from January 17, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 17, 2018

Maria Vasquez Boyd, Tim J. Harte, Ryan Wilks, and Lesley Pories on the January 17, 2018 edition of Wednesday MidDay Medley

New & MidCoastal Releases + Lesley Pories
+ Ryan Wilks & Here Where You Wish

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Destroyer – “Tinseltown Swimming in Blood”
from: Ken / Merge Records / October 20, 2017
[11th studio album from Destroyer from Vancouver, British Columbia fronted by singer-songwriter Dan Bejar and formed in 1995. Destroyer songs are characterized by abstract, poetic lyrics and idiosyncratic vocals. The band’s discography draws on a variety of musical influences, resulting in albums that can sound markedly distinct from one another; in Bejar’s words, “That’s kind of my goal: to start from scratch every time.” Daniel Bejar was born October 4, 1972. Bejar has gained widespread popularity through his musical collaborations with Vancouver indie-rock band The New Pornographers, but has released far more material as the frontman of his band Destroyer. He is renowned for his poetic and often cryptic lyrics as well as his unorthodox vocals. Bejar’s father was a Spanish physicist and his mother was a Spanish teacher. Growing up, Bejar moved frequently, and as an adult he has resided in Canada and Spain. Bejar attended University of British Columbia for three years: “To my credit, I eventually dropped out; to my discredit, I waited three years to do it. I was taking mostly English and Philosophy classes, fooling myself into thinking I might be an academic.”]

[Destroyer plays recordbar, 1520 Grand, TONIGHT, January 17, at 9:00 PM with Mega Bog]

3. Be/Non – “Freedom Palace” [2015 new version, John Huff on lead vocals]
from: Freedom Palace / Haymaker Records / February 17, 2018
[Brodie Rush is a songwriter, musician, singer, organizer, artist, film maker, music video creator. Over 20 years ago KC native, Brodie Rush formed the experimental, psychedelic, prog-pop band. In 1996, Be/Non recorded two sets of songs in a small home studio in Lawrence, Kansas, that would become their first two EPs released on cassette. Be/Non, The band has had more members than Spinal Tap, but Brodie has remained the only consistent member, songwriter and producer. Be/Non personnel: 2007, Brodie Rush – Vocals, Guitar, Keyboards, Bass, Percussion, Drums; Ben Ruth – Bass, Upright Bass, Vocals; Adam Stotts – Guitar, Vocals; John Huff – Keyboards, Synths, Vocals; Adam Phillips – Drums (although Ryan Shank – played Drums on this track.) All songs written by: Brodie Rush, except Freedom Palace with music: John Huff & lyrics: Brodie Rush. Produced by Brodie Rush. Recorded at Westend Recording (Kansas City, Kansas) 2007 (Basic tracks, some overdubs); The Gold Room (Kansas City, Missouri) 2007 (Overdubs); Studio G (Brooklyn New York) 2007 (Mixing, Overdubs); The Map Room (Lawrence, Kansas) 2003 (Overdubs). Engineeres: Paul Malinowski Recorded at Westend Recording (Kansas City, Kansas) 2007 ; Brodie Rush The Gold Room (Kansas City, Missouri) 2007; Joel Hamilton Studio G (Brooklyn New York) 2007 ; Peter Buxton The Map Room (Lawrence, Kansas) 2003, (Saxophone overdubs imported from “Do The Heat” off the record, “Esperanto At The Pantheon, Incognito”). Mixed by Joel Hamilton at Studio G (Brooklyn New York) 2007. Mastered by Brodie Rush. Thanks John Hulston, Anodyne Records, Brenton Cook, Haymaker Records, Paul Malinowski, Tony Maimone, Justin Warring, Adam Phillips, Brandon Phillips, Steve Neuenburg, Mike Miller, Shawna Sowersby-Booth, David Hanson, Billy Brimblecom, Steve Tulipana, Jason Cantu, David Gaume, Robert Moczydlowsky, Laurel Birdsong Sears, Kid Millions, Cypher Sound, The Record Bar. Dedicated to: Failed marriages throughout time and space. The troubled “Freedom Palace” LP was recorded over 10 years ago in the summer of 2007 by Paul Malinowski and Brodie Rush in Kansas City, Missouri. Anodyne Records had commissioned Be/Non to re-record songs from, “RAN” and “Esperanto At The Pantheon, Incognito” along with other unreleased material. The music from the title track “Freedom Palace” was written by John Huff and had the album been released, would have been the first Be/Non composition not penned by Brodie Rush. Be/Non was a 5 piece before recording negotiations began in 2007. Directly before preproduction, the band had lost its drummer of 3 years and Be/Non was actively searching for a replacement. Between Brodie filling in on drums for two songs and Billy Brimblecom playing drums on another track, Be/Non asked Adam Phillips of The Architects to drum on the album’s remaining songs. The album was mostly recorded at Westend Studios in Kansas City and at Brodie’s home studio The Gold Room. After tracking 97% of the album, the project was taken to Studio G in Brooklyn New York for mixing by Joel Hamilton. 10 days later, the album was mixed and ready for duplication. No formal album covers had been decided on. John Huff had an idea of a Unipegadong by a nebula in space, while Brodie was thinking a castle floating in mid air. The first cover idea was mostly just pointing arrows going in all directions. Emotionally that was probably the closest to the mindset of that recording. The album “Freedom Palace” was never pressed or released. Because a contractual arrangement could not be agreed upon between Anodyne Records and Be/Non, the band would not see an album released until 2009, “A Mountain Of Yeses”, 11 years after it’s last release in 1998. “Freedom Palace” is dismissed by the band as a complete failure. Ultimately not having rights to the recordings, the inability to reach a contractual agreement with Anodyne Records and unhappiness with the final mix led to the disbanding of the “Freedom Palace” line up in early 2008. Reclusive, secluded and freshly divorced, a depressed Brodie Rush stopped all live performances for the next two years. Spending time to construct the concept record “A Mountain Of Yeses” as a solo endeavor under the Be/Non band moniker. Then, six years later in 2014, John Hulston of Anodyne Records graciously gave Brodie Rush full rights to the “Freedom Palace” recordings and masters. Be/Non has since tried numerous times to re-record the material for a proper release, but never could fully accomplish this task. Finally, for the entire world, for better or for worse, Be/Non and Haymaker Records would like to present the final mix of “Freedom Palace” the way it was originally intended. Be/Non adamantly renounces the production, mix and performances on these recordings, with few exceptions. The album was mixed and recorded during a dizzying haze of drug and alcohol abuse. The lyrics, the tone and the feel of the record is very unfocused, angry and misguided. This record does not reflect the proper sonic soundscape or performances Brodie Rush and Be/Non had intended whatsoever. “Freedom Palace” was full of rehashed versions of songs better left to their previous incarnations. “Moi Ou Toi” from the 7″ is a remake from “Freedom Palace” but the “FP” version is a remake of the original “Ran” version. Complicated. In fact ALL of the recordings on “FP” are remakes from “Ran” and “Esperanto.” “Do the Heat” and “Lucy” are again remakes of the “Ran” and “Esperanto” versions. The version of “Ice Fight” on “FP” I think… is different than the B-Side to “Moi Ou Toi”. A different remix with other instruments. We had two different versions from 2015. The Kraftwerk reference was unintentional. John Huff started playing that back in 2006 but hadn’t heard the Kraftwerk song until I played it for him in 2015. He just did that and thought he was cool. I hadn’t heard that tune until 2010 or so. It was an accident. There is an unreleased, unfinished song called “No God Of Mine” I recorded in 2002 on my 8 track that when I tried to remake it in 2007 with Mike Cochran on drums, John heard it and played me a song from the band YWKMBT Trail Of Dead from 2005 that was almost identical even the timing on the changes. The vocal melody was different tho. I got so disturbed by it that I stop working on the song altogether. “Garlic”, “In The Nighttime” “More Than Enough” and “Current And The Rind” were all part of an unreleased collection called “Enhance The Smoky” from 2000. Same year “Tenderfoot” was written.]

4. Momma’s Boy – “Want Me Back”
from: Don’t Talk About It – Single / Dead Summer Single Series / November 3, 2017
[2nd release of Momma’s Boys’ Dead Summer Single Series. Written by Peter Beatty. Lead vocals by Jared Bajkowski. Momma’s Boy, an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass & vocals. Recorded at Element Recording Studios with Joel Nanos.Their debut EP Liquid Courage was released Feb. 25, 2017.]

[Momma’s Boy play Riot Room, 4048 Broadway, Friday, January 19, at 9:00 with Rachel Mallin & The wild Type, and Dreamgirl.]

5. Superorganism – “Everybody Wants To Be Famous”
from: Superorganism / Domino Records / Expected: March 2, 2018
[Superorganism is an indie pop band that formed in early 2017. The group is made up of 8 members, one of which is a 17-year-old Japanese girl only known as Orono. The 7 other members go by the names of Harry, Emily, Ruby, B, Tucan, Soul, and Robert. The group, started with members from all over the world including The United States, Japan, South Korea, London, Australia, and New Zealand, makes original internet-age electronically-tinged indie pop music. Bandmembers Harry, Emily, Ruby, B, Tucan, Soul, and Robert were all longtime friends who decided it was finally time to work together. Harry and Emily met Orono during one of their old band’s Japan shows (she attended as a fan), and they struck up a Facebook friendship with their future bandmate. After discovering she could sing, they invited her to add lyrics and vocals to a demo they’d been working on for a new project at the beginning of 2017.]

6. Dead Voices – “Trust A Fool”
from: Dead Voices / Independent / April 20, 2013
[Formed in Sept 2010, by David Regnier, Jason Beers, Matt Richey, Michael Stover, Marco Pascolini.]

[Dead Voices play recordBar, 1520 Grand, Sat., Jan. 20, at 9:00 with Slights, and The Old Chelsea]

7. Sara Morgan – “Never Been to Nashville”
from: Average Jane / River Delta Records / Expected January 26, 2018
[KC based Singer/Songwriter, originally from McGehee, Arkansas. Sara Morgan plays saxophone, guitar, banjo, ukulele, and piano. Sara has opened for BJ Thomas, John Michael Montgomery, John Corbett, Sean Rowe, Chuck Mead, Ben Taylor, and was the preshow before Loretta Lynn at The Uptown, November 2014. Ms. Lynn hosted Sara on her tour bus after Sara’s set and prior to Ms. Lynn’s performance.]

[Sara Morgan plays a CD Preview, Fri, Jan. 19, at 8:30 PM, at Gospel Lounge at Knuckleheads Saloon.]

10:30 – Underwriting

10:32 – Interview with Lesley Pories

MidCoast Radio Project Board Member and 90.1 FM Membership Committee Chair – Lesley Pories joins to talk about 90.1 FM KKFI, and how listeners can become more involved. Lesley moved to KC four years ago and has been volunteering at 90.1 FM for most of that time, and has served on the Board of Directors for two of those years. A DC native, Lesley has a Masters in Urban Planning from UNC Chapel Hill and a Masters in International Relations from the Fletcher School at Tufts University. Aside from the East Coast, she’s lived and worked in Uzbekistan, India and Guinea. Here in KC, she also serves on the Board of BikeWalkKC. During the day, Lesley works as a Senior Sector Analyst at water and sanitation non-profit, Water.org.

Lesley Pories, Thanks for being with us on Wednesday MidDay Medley

Lesley grew up in Vienna (Virginia).

Two Masters Degrees

Lesley volunteered in Peace Corps for two years in Uzbekistan.

Lesley worked for The Carter Center and spent three months observing political elections in Guinea

Water.org – Kansas City – Senior Sector Analyst – traveling India

Volunteering at KKFI for more information: Volunteer@kkfi.org

10:44

8. Marideth Sisco & Accomplices – “Been Here Before”
from: Empty Doors / Juneapple Records / November 23, 2017
[Written by Marideth Sisco and songwriting partner Robin Frederick. Performed by Sisco with members of The Blackberry Winter Band: Linda Stoffel – Vocals, Dennis Crider – Guitar, Van Colbert – Banjo, Tedi May – Upright Bass, Bo Brown – Mandolin & Dobro. Marideth Sisco is a journalist, teacher, author, musician, student of folklore, and creator of Elder Mountain Press, a venue for publishing stories relevant to Ozarks culture and history. You can hear her essays “These Ozarks Hills” on public radio, ksmu.org. Discovered by producers of the independent film Winter’s Bone who asked her to be a part of the film and to serve as music consultant. “Winter’s Bone,” ended up winning best picture and best screenplay at Sundance Film Festival, it was honored at the Berlin Film Festival and was nominated for four Academy Awards. The band that created the music for the film is has made several tours, and recordings. More information at http://www.maridethsisco.com]

9. David Byrne – “Everybody’s Coming To My House”
from: American Utopia / Todomundo – Nonesuch / March 9, 2018
[Co written with Brian Eno. David Byrne’s first solo studio album since 2004’s Grown Backwards. Even though since then he has released albums with Brian Eno, Fat Boy Slim, and St. Vincent. The album is his 11th outside of his work with talking Heads. The new album is one part of a larger multimedia project entitled Reasons to Be Cheerful which aims to give reasons for being happy and optimistic in spite of political strife and environmental problems. The project was entitled after the Ian Dury song “Reasons to Be Cheerful (Part 3)”. David Byrne writes: “Is this meant ironically? Is it a joke? Do I mean this seriously? In what way? Am I referring to the past or the future? Is it personal or political? These songs don’t describe an imaginary or possibly impossible place but rather attempt to depict the world we live in now. Many of us, I suspect, are not satisfied with that world—the world we have made for ourselves. We look around and we ask ourselves—well, does it have to be like this? Is there another way? These songs are about that looking and that asking. This album is indirectly about those aspirational impulses. Sometimes to describe is to reveal, to see other possibilities. To ask a question is to begin the process of looking for an answer. To be descriptive is also to be prescriptive, in a way. The act of asking is a big step. The songs are sincere—the title is not ironic. The title refers not to a specific utopia, but rather to our longing, frustration, aspirations, fears, and hopes regarding what could be possible, what else is possible. The description, the discontent and the desire—I have a feeling that is what these songs touch on. I have no prescriptions or surefire answers, but I sense that I am not the only one looking and asking, wondering and still holding onto some tiny bit of hope, unwilling to succumb entirely to despair or cynicism.”]

[David Byrne plays the Muriel Kauffman Theatre at the Kauffman Center for he Performing Arts, Thursday, June 7, at 7:30 PM. Tickets go on sale Tuesday, Jan 23.]

10. Old Sound – “The Ocean”
from: Rain Follows The Plow / Independent / February 2014
[Greg Herrenbruck on bass & vocals; Grady Keller on mandolin, acoustic guitar & vocals; Chad Brothers on acoustic guitar & vocals. Recorded and produced by Phil Wade at his studio: Alluvial Fan Studios.]

[Old Sound plays The Phoenix, 302 West 8th St., Thursday, January 18, at 7:00 pm.]

11. Hipshot Killer – “They Will Try To Kill Us All”
from: They Will Try To Kill Us All / Throwing Things / January 16, 2016
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) For the recording: Mike Alexander on guitar & vocals, Chris Wagner on bass & vocals, Thomas Becker (Beautiful Bodies), on drums. The band released their debut record Hipshot Killer, April 29, 2011, and a single on Too Much Rock on October 21. Mike Alexander joined us live on WMM on October 19.]

[Hipshot Killer plays miniBar, 3810 Broadway, Saturday, January 20, with various Blonde, North By North, and Witch Jail.]

11:00 – Station ID

12. Sufjan Stevens – “Tonya Harding (In Eb major)”
from: Tonya Harding – Single / Asthmatic Kitty Records / December 8, 2017
[Sufjan Stevens (SOOF-yan) was born July 1, 1975, and is an American singer-songwriter and multi-instrumentalist. His debut album A Sun Came was released in 2000 on the Asthmatic Kitty label which he cofounded with his stepfather. He is perhaps best known for his 2005 album Illinois, which hit number one on the Billboard Top Heatseekers chart, and for the single “Chicago” from that album. Stevens was born in Detroit, Michigan, and lived there until the age of nine, when his family moved to Petoskey, in the northern part of the Lower Peninsula of Michigan. He was raised by his father Rasjid and his stepmother Pat, only occasionally visiting his mother, Carrie, in Oregon after she married her second husband Lowell Brams. (Brams later became the head of Stevens’ record label Asthmatic Kitty).He attended the Detroit Waldorf School, Petoskey High School and Interlochen Arts Academy, and graduated from Harbor Light Christian School. He then attended Hope College in Holland, Michigan, and earned a Masters of Fine Arts from The New School in New York City. Sufjan is a Persian name meaning “comes with a sword”. It predates Islam and most famously belonged to Abu Sufyan, a figure from early Islamic history. The name was given to Stevens by the founder of Subud, an inter-faith spiritual community to which his parents belonged when he was born. A multi-instrumentalist, Stevens is known for his use of the banjo, but also plays guitar, piano, drums, xylophone, and several other instruments, often playing all of these on his albums through the use of multitrack recording. While in school, he studied the oboe and English horn, which he also plays on his albums. Stevens did not learn to play the guitar until his time at Hope College. Stevens lives in Kensington, Brooklyn, in New York City, where he makes up the Brooklyn staff of Asthmatic Kitty Records.]

13. Payge Turner – “Only One”
from: Only One – Single / Justin’s Place / September 1, 2017
[Second Single from Kansas City based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. she writes that, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays “An Acoustic Evening” with Pink Royal and Instant Karma, Thursday, January 25, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City.]

14. Jake Wells – “Circle of Life”
from: “Circle of Life” – Single / Beach Boy Music / February 21, 2017
[Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 21 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations.]

[Jake Wells plays SoundMachine KC with Belle Game, and Spirit is The Spirit, Mlnday, January 29, at 7:00 PM, at recordBar, 1520 Grand Blvd.]

11:15 – Interview with Ryan Wilks & Tim J. Harte

Ryan Wilks is a Kansas City based artist who’s work has explored gender issues, queer erotica, femininity and sexuality. His new exhibit, Here Where You Wish, is an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018. Wilks is constructing a large public altar in the Central Library with a transformative temple-like labyrinth entry-way being crafted by renowned artist Ari Fish. Tim J Harte is composing ritual based sounds/music for the event. The 40 square feet altar is being constructed by Sean Prudden and Ryan Wilks, to house the objects that people bring to the piece.

Ryan Wilks, thanks for being with us again on Wednesday MidDay Medley

Also with us is musician, composer, co-founder of the Kansas City record label, Mother Russia Industries, Tim J.Harte makes music using Sega Genesis, Dungeons and Dragons, math and several hard working laptop computers. Tim J. Harte is currently studying composition at UMKC’s Conservatory of Music. He just recently composed music and conducted a 7 piece ensemble for Trench Warfare, a theatrical performance presented last Saturday evening, January 13, at the National World War I Museum and Memorial J.C. Nichols Auditorium.

Tim J. Harte, thanks for being with us again on t90.1 FM.

To support this project you can visit: https://www.kickstarter.com/projects/1840510472/here-where-you-wish/description

Here Where You Wish is an immersive public installation coming to the Kansas City Public Library, Central Library location at 14 W. 10th St. on April 6, 2018.

From Ryan’s press materials: Kansas City-based visual artist Ryan Wilks is constructing a large public altar in the KCPL Central Library with a transformative temple-like labyrinth entry way that encourages the public to consciously and methodically enter. The elaborate and flowing entrance is meticulously crafted by renowned artist Ari Fish.

Tim J Harte akadungionmaster is composing ritual based sounds/music to softly play through the installation. The altar itself will be 40 square feet and constructed by Sean Prudden and Ryan Wilks, and will beautifully house the objects that people leave behind.

11:25

15. AKADungeonMaster – “B LUCE DELL-ALBA”
from: MOTHER RUSSIA INDUSTRIES DOT COM VOL. THREE / M. R. I. / June 24, 2016
[Mother Russia Industries is a Kansas City based music label formed in 2008 by Tim J Harte and Rita Brinkerhoff supporting the music of AKA DJ DUNGEONMASTER, Blondie Brunetti, and others.]

We are talking with Ryan Wilks & Tim J. Harte about the new exhibit, Here Where You Wish

From Ryan’s press materials: Altars are typically resurrected to pay homage to a historical event or to worship deities. This altar is intended to serve as a nondenominational safe-space for personal expression and reflection. Created for everyone, by everyone. People from all walks of life are encouraged to write down a wish and leave it on the altar. A wish, a non-religious prayer, opens us up to a child-like connection to the invisible and allows us to gently believe even if just for a second that what we most desire can and will come true if we are bold enough to speak its name.

2017 was a hard year for all of us. No matter what side of the protest lines we stand, we do so because we are uneasy, angry, afraid, and unwilling to compromise what we think is right. There is a need to create a safe and sacred space for all of us to feel hope in. To believe in the power of the individual and of a wish.

The altar will be up for 3 months and will grow substantially in its aesthetic as people leave behind a wish on paper and/or an object. Wilks will be rolling up the paper wishes and tying them to hundreds of feather sculptures rotating above the altar, stirring the energy of the wishes. Here Where You Wish will provide a space for internal dialogue and reflection. As the installation is in a heavily-trafficked public library, attending participants will contribute to the interactive aspects of the installation. Additionally, Wilks has plans to utilize and honor the objects others leave in the space by publishing a book, which will be a literary and visual documentation of what Kansas City is wishing for in 2018.

Risks and challenges

Every project comes with its own unique risks and challenges:

Foreseeably people will want to know where their objects that they have left at the altar will end up. We are open to suggestions! Obviously since Here Where You Wish is in a public space, leaving behind your grandmothers broach is not encouraged if your heart is intent on getting it back once the installation is complete. People may feel connected to certain objects and take them with them. This is not necessarily the goal here, but it may happen, and the Library nor anyone involved in the project can be held responsible for missing objects. Items left should hold some emotional weight with the individual but not to the degree that letting it go with a wish would cause regret.

The objects at the end of the project will be repurposed respectfully, and possibly a part of a more permanent installation in a public space.

There is also the vulnerability of writing down a wish, and people may not want their wish shared in a book; there will be verbiage at the installation that lets people know these are anonymous wishes and to not add information that you would not feel comfortable being published, such as a name. There is something beautiful though, in letting such a vulnerable thing as a wish, be shared with the world, because for every wish there are thousands of people wishing the same wish.

There will be verbiage explaining that objects such as weapons, alcohol, drugs, and food are not welcomed to be placed upon the altar.
Ryan Wilks will be coming in twice weekly to ensure that these requests are fulfilled as will library staff.

Ryan Wilks and Tim J. Harte, thanks for being with us again on WMM

His new exhibit, Here Where You Wish, is an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018.

More info at: http://www.wilkspainting.com
http://www.motherrussiaindustries.bandcamp.com

11:37

16. Superchunk – “Erasure (feat. Waxahatchee & Stephin Merritt)”
from: What a Time to Be Alive / Merge / Expected: February 16, 2018
[11th album release from band formed in 1989 in Chapel Hill, North Carolina, Superchunk is Mac McCaughan (guitar, vocals), Jim Wilbur (guitar, backing vocals), Jon Wurster (drums, backing vocals), and Laura Ballance (bass, backing vocals). Since releasing their first 7-inch in 1989, Superchunk has run the gamut of milestone albums: early punk rock stompers, polished mid-career masterpieces, and lush, adventurous curveballs. Recorded by Beau Sorenson at Manifold Recording, Pittsboro, NC., except “Break the Glass” and “I Got Cut” at Overdub Lane. Mastered by Matthew Barnhart at Chicago Mastering .]

11:41 – Underwriting

17. Minnie Riperton – “Lovin’ You (Single Version With Countdown)”
from: Perfect Angel (Deluxe Edition) / Capitol / orig. Aug. 9, 1974 -Reissued Dec. 5, 2017
[Produced by Stevie Wonder under the name “El Toro Negro” to circumvent Motown’s refusal to allow him to produce the record for Epic. Minnie Julia Riperton-Rudolph (November 8, 1947 – July 12, 1979), known professionally as Minnie Riperton, was an American singer-songwriter best known for her 1975 single “Lovin’ You” and her five-octave coloratura soprano. She is also widely known for her use of the whistle register and has been referred to by the media as the “Queen of the whistle register”. Born in 1947, Riperton grew up in Chicago’s Bronzeville neighborhood on the South Side. As a child, she studied music, drama, and dance at Chicago’s Lincoln Center. In her teen years, she sang lead vocals for the Chicago-based girl group, The Gems. Her early affiliation with the legendary Chicago-based Chess Records afforded her the opportunity to sing backup for various established artists such as Etta James, Fontella Bass, Ramsey Lewis, Bo Diddley, Chuck Berry, and Muddy Waters. While at Chess, Riperton also sang lead for the experimental rock/soul group Rotary Connection, from 1967 to 1971. On April 5, 1975, Riperton reached the apex of her career with her no. 1 single, “Lovin’ You”. The single was the last release from her 1974 gold album entitled Perfect Angel. In January 1976, Riperton was diagnosed with breast cancer and underwent a radical mastectomy. By the time of diagnosis, the cancer had metastasized and she was given about six months to live. Despite the grim prognosis, she continued recording and touring. She was one of the first celebrities to go public with her breast cancer diagnosis, but did not disclose she was terminally ill. In 1977, she became a spokesperson for the American Cancer Society. In 1978, she received the American Cancer Society’s Courage Award which was presented to her at the White House by President Jimmy Carter. Riperton died of cancer on July 12, 1979 at age 31.]

18. The Hillary Watts Riot – “Killer Kind”
from: A/S/L / Money Wolf Music / April 20, 2012
[Debut album. THWR include: Hillary Watts Bird, Christian Hankel, Tommy Donoho, Sergio Moreno, Justin Penney. They describe their music as “freak pop.” This band is so fun to see live.]

[The Hillary Watts Riot play Bottleneck, LFK Sat, Jan 20 w/Alice Sweet Alice, Benevox, People Watching]

19. Westerners – “Tetris”
from: Reoccurring Dream Theme / The Record Machine / July 14, 2017
[Debut full length album from Lawrence / Kansas City based band formed in August of 2013. The band includes: Mitch Hewlett, Josh Hartranft, Matthew Pesma and Gerardo Rojas. Westerners signed to Kansas City independent label The Record Machine in 2015.] [Westerners played an album release at Mills Record Co, Fri, July 7, w/ Shortsweather and at Love Garden Records, Lawrence, July 8, w/ No Magic, and CS Luxem.]

[The Westerners play recordBar, 1520 Grand, Sun, Jan 21, ay 8:00 PM, with Motherfolk and Toughies.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next Week on Wednesday, January 24 we’ll talk with company members of Spinning Tree Theatre about FULL GALLOP their newest show running January 26 through February 11 at Just Off Broadway Theatre, 3051 Central in KCMO. Tickets available at Central Ticket Office at (816) 235-6222. More information at http://www.spinningtreetheatre.com. Cheryl Weaver stars as fashion doyenne Diana Vreeland in this one-woman play. The Kansas City premiere is directed by Doug Weaver.

Also next week we’ll talk with Ryan Lee Toms about his newest musical collaboration, FaceFace and their latest release MMMMM.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #717

WMM talks with Ryan Wilks of Here Where You Wish + Lesley Pories

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 17, 2018

New & MidCoastal Releases + Lesley Pories +
+ Ryan Wilks & Here Where You Wish

Mark plays New & MidCoastal Releases from: Momma’s Boy, Sara Morgan, Nathan Corsi, Be/Non, Payge Turner, Dead Voices, Marideth Sisco & Accomplices, Westerners, Jake Wells, Mother Russia Industries, The Hillary Watts Riot, Hipshot Killer, Old Sound, Destroyer, Superorganism, Minnie Riperton, Sufjan Stevens, and Superchunk with Waxahatchee & Stephin Merritt.

At 10:30, MidCoast Radio Project Board Member and 90.1 FM Membership Committee Chair – Lesley Pories joins us to talk about 90.1 FM KKFI, and how listeners can become more involved. Lesley has been volunteering at 90.1 FM for nearly three years, and has served on the Board of Directors for two of those years. She is originally from Vienna, Virgina has worked in Washington DC, and Atlanta. Lesley spent two years teaching English as a Peace Corp Volunteer in Uzbekistan, worked on small water conservation in Hubli, India, observed presidential elections in Guinea, and obtained two Masters Degrees from the University of North Carolina and the Fletcher School (Tufts). Lesley currently works as a Senior Sector Analyst at Water.org based here in Kansas City.

At 11:15, Mark talks with artist Ryan Wilks about his new exhibit, Here Where You Wish, an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018. Wilks is constructing a large public altar in the Central Library with a transformative temple-like labyrinth entry-way being crafted by renowned artist Ari Fish. Tim J Harte is composing ritual based sounds/music for the event. The 40 square feet altar is being constructed by Sean Prudden and Ryan Wilks, to house the objects that people bring to the piece. To support this project you can visit: https://www.kickstarter.com/projects/1840510472/here-where-you-wish/description

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #717