WMM Playlist from October 28, 2026

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 28, 2026

Mará Rose Williams + Malek Azreal + Yvette Walker + Eldon Painter

10:00 – WMM Plays More New & MidCoastal Releases

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Neko Case – “Wreck (Radio Edit)”
    from: Neon Grey Midnight Green / Anti / September 26, 2025
    [Neon Grey Midnight Green is the eighth studio album by American singer-songwriter Neko Case, released by record label Anti- on September 26, 2025. Her first entirely self-produced album, it marks her follow-up to Hell-On. She has described it as being “for and about musicians, a love letter and a testimony.” // From October 2025 to January 2026, Case will be touring North America with John Grant and Des Demonas in support of the album. // Neko Richelle Case was born September 8, 1970. She is an American singer-songwriter and member of the Canadian indie rock group the New Pornographers. Case’s singing voice has been described by contemporaries and critics as a “flamethrower”, “a powerhouse which seems like it might level buildings,” “a 120-mph fastball,” and a “vocal tornado”. Critics also note her idiosyncratic, “cryptic,” “imagistic” lyrics, and credit her as a significant figure in the early 21st-century American revival of the tenor guitar. Case’s body of work has spanned and drawn on a range of traditions including country, folk, art rock, indie rock, and pop and is frequently described as defying or avoiding easy generic classification. // Born in Alexandria, Virginia, Case is the only child of James Bamford Case. Case’s maternal family surname was originally Shevchenko; her great-aunt was the professional wrestler Ella Waldek. Her father, a Vietnam veteran serving in the United States Air Force, was based in Virginia at the time of her birth. Case’s parents, who were teenagers when they had her, are of Ukrainian ancestry. Her parents divorced when Case began school. In her memoir, Case indicated that she was told that her mother died of cancer when she was in the second grade, but only two years later, she was told that this was not correct. After that, her mother flitted in and out of her life, and eventually Case cut ties with her mother for good. As she writes in the book, she had a revelation: “Perhaps her mother had never been sick at all.” // Case’s family relocated several times during her childhood due to her stepfather’s work as an archaeologist. She lived in Western Massachusetts, Vermont, Oregon and Washington. She considers Tacoma, Washington to be her hometown. // Case left home and was legally emancipated at age 15. By the age of 18 she was performing as a drummer for the Del Logs and the Propanes, playing in venues including a punk club called the Community World Theater. // In 1994, Case moved to Vancouver, British Columbia, to attend the Emily Carr Institute of Art and Design, completing her studies 1998. While in Vancouver, she played drums in several local bands, including the Del Logs, the Propanes, the Weasels, Cub, and Maow. These bands were, for the most part, local punk groups. Case said of the vibrant Vancouver punk rock scene at that time, “A lot of women wanted to play music because they were inspired, because it was an incredibly good time for music in the Northwest. There was a lot of clubs, a lot of bands, a lot of people coming through, a lot of all-ages stuff—it was a very exciting time to live there.” // In 1998, she left Canada for Seattle, Washington. Before going, Case recorded vocals for a few songs that ended up on Mass Romantic, the New Pornographers’ first album. Her lead vocals on songs like “Letter from an Occupant” are straightforward, full-volume power-pop performances, shedding any country elements. Released on November 28, 2000, Mass Romantic became a surprise success. Although the band was originally conceived as a side project for its members, the New Pornographers remain a prominent presence in the indie rock world, having released their ninth album in 2023. // In addition to recording with the New Pornographers, Case collaborates with other Canadian musicians, including the Sadies and Carolyn Mark, and has recorded material by several noted Canadian songwriters, in particular on her 2001 EP Canadian Amp. As a result, she is also considered a significant figure in Canadian music—both CBC Radio 3 and the Society of Composers, Authors and Music Publishers of Canada have referred to Case as an “honourary Canadian”. In 2018 Case performed at the Vancouver Folk Music Festival. // Case embraced country music on her 1997 album, The Virginian. The album contained original compositions as well as covers of songs by Ernest Tubb, Loretta Lynn and the 1974 Queen song “Misfire”. When the album was released, critics compared Case to honky-tonk singers like Lynn and Patsy Cline, and to rockabilly pioneer Wanda Jackson, particularly in her vocal timbre. // On February 22, 2000, Case released her second solo album, Furnace Room Lullaby. The album introduced the country noir elements that have defined Case’s subsequent solo career. That tone was evident even from the cover photo, featuring Case sprawled out corpse-like on a concrete floor. // Case sometimes tours with Canadian singer and songwriter Carolyn Mark as the Corn Sisters. One of their performances, at Seattle’s Hattie’s Hat restaurant in Ballard, was recorded and released as an album, The Other Women, on November 28, 2000. // In October 1999, around the time Furnace Room Lullaby was released, Case left Seattle for Chicago because she felt that Seattle was no longer hospitable to its local artists.// Case’s first work in Chicago was an eight-song EP that she recorded in her kitchen. Canadian Amp, her first recording without Her Boyfriends, was released on her own Lady Pilot label in 2001. She wrote two of the tracks, with the remaining six being covers, including Neil Young’s “Dreaming Man” and Hank Williams’ “Alone and Forsaken”. Four of the covers were written by Canadian artists. The EP was initially available only at Case’s live shows and directly from Mint Records’ website, but it eventually saw wider release. // Case also recorded her third full-length album, Blacklisted, while living in Chicago. // In April 2003, Case was voted the “Sexiest Babe of Indie Rock” in a Playboy.com internet poll, receiving 32% of the vote. Playboy asked her to pose nude for the magazine, but she declined their offer. She told Entertainment Weekly that…”I didn’t want to be the girl who posed in Playboy and then—by the way—made some music. I would be really fucking irritated if after a show somebody came up to me and handed me some naked picture of myself and wanted me to sign it instead of my CD.” // Case recorded and toured for several years as Neko Case & Her Boyfriends before performing solely under her name. Albums released as Neko Case & Her Boyfriends include The Virginian (1997) and Furnace Room Lullaby (2000). She primarily performed her own material, but also performed and recorded cover versions of songs by artists such as My Morning Jacket, Harry Nilsson, Loretta Lynn, Tom Waits, Nick Lowe, Buffy Sainte-Marie, Scott Walker, Randy Newman, Queen, Bob Dylan, Neil Young, Sparks and Hank Williams. // The 2010 New Pornographers album Together features Case as lead vocalist on “Crash Years” and “My Shepherd.” The 2014 album Brill Bruisers features Case as lead vocalist on “Champions of Red Wine” and “Marching Orders.” The 2017 album Whiteout Conditions features Case as lead vocalist on “Play Money” and “This is the World of the Theater.” // In 2016, Neko Case, k.d. lang, and Laura Veirs announced the case/lang/veirs project, with an album released in June 2016. // Case recorded her third full-length album, Blacklisted, in Tucson, Arizona. It was the first full-length album credited to Case alone, without Her Boyfriends, and was released on Bloodshot Records on August 20, 2002. Some believe the title Blacklisted alludes to Case being banned for life from the Grand Ole Opry because she took her shirt off during a performance on August 4, 2001, at one of their outdoors “Opry Plaza” concerts, though Case herself has denied this. Asked about the incident in 2004, Case said “I had heatstroke. People would love it to be a ‘fuck you’ punk thing. But it was actually a physical ailment thing.” // Case’s face in 2009 Most of the album’s fourteen songs are originals; the exceptions being covers of “Running Out of Fools”, previously a hit for Aretha Franklin, and “Look for Me (I’ll Be Around)” previously performed by Sarah Vaughan. Blacklisted finds Case even deeper in a “country noir” mood, and was described by critics as lush, bleak, and atmospheric. Case cited filmmaker David Lynch, composer Angelo Badalamenti, and Neil Young’s soundtrack to the film Dead Man as influences. “I hope I can comfort people a bit—maybe show people that making music is fun and accessible to them as well. I’m not out to become Faith Hill, I never want to play an arena, and I never want to be on the MTV Video Music Awards, much less make a video with me in it. I would like to reach a larger audience and see the state of music change in favor of musicians and music fans in my lifetime. I care very much about that.” // In April 2004, Case played several shows with longtime collaborators the Sadies in Chicago and Toronto. These shows were recorded and released as a live album, The Tigers Have Spoken, by Anti Records in October 2004. // Fox Confessor Brings the Flood was released on March 7, 2006. The album was recorded primarily in Tucson, over the course of two years as Case worked on the live The Tigers Have Spoken and continued to play with the New Pornographers. Critics hailed the record not only for Case’s trademark vocals but also her use of stark imagery and non-standard song structures. Fox Confessor Brings the Flood wound up on many “Best of 2006” lists, such as No.1 on the Amazon.com music editors’ picks and No. 2 on NPR’s All Songs Considered. The album debuted at No. 54 on the Billboard 200 albums chart. It contains Case’s most autobiographical song, “Hold On, Hold On”. Case said: “the song is actually about me. It’s not metaphorical about other people. It’s not little pieces of my life made into a story about someone else or someone fictitious.” // “Hold On, Hold On” has since been covered by Marianne Faithfull on her 2009 album Easy Come, Easy Go. It was used over an episode of The Killing (Season 1 Episode 6) before the final credits, and in the 2015 film One More Time. “John Saw That Number” was used in the snowboarding movie “City. Park City”. // Case’s next album, Middle Cyclone, was released on March 3, 2009. In advance of a U.S. and European tour, Case appeared as a musical guest on The Tonight Show with Jay Leno. Later in 2009 she also appeared on Late Show with David Letterman, The Tonight Show with Conan O’Brien and Late Night with Jimmy Fallon. Amazon.com rated Middle Cyclone the number one album of 2009. Middle Cyclone debuted at No. 3 on the Billboard charts in its first week of release, making it Case’s first album ever to reach the top ten in the United States. // At the time of its release, no other record from an independent record company had debuted at a higher position in 2009. She toured extensively to promote Middle Cyclone with dates in North America, Europe, and Australia, as well as a performance at Lollapalooza 2009 in Grant Park, Chicago. // The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You. // In June 2013, Case announced a new album, The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You, which was released on September 3. // In early March, 2018, Case released a teaser for an album titled Hell-On, her first solo work in almost five years. The teaser featured Case lying down singing a song of the same name while snakes move around her. The album was released on June 1, 2018. // On November 13, 2015, Case released a compilation vinyl box set containing eight of her solo albums. The set contains her first six studio albums, including the first vinyl pressing of The Virginian, as well as a live album. // On April 19, 2022, Case released Wild Creatures, described as “digital-only, career retrospective”. The album was released on CD, double vinyl, and MP3. It has 22 tracks from Case’s discography, plus a new song, “Oh, Shadowless”.]

[Neko Case plays The Uptown Theatre, 3700 Broadway Blvd., KCMO, on Saturday, November 31 with Destroyer her New Pornographers bandmate, Dan Bejar’s other band. This show was rescheduled fron January 24, 2026 and part of a 56-city tour that started on October 1, 2025 in Woodstock New York and lasts until January 31, 2026.]

  1. Nan & The One Nite Stands – “Primetime”
    from: Primetime – EP / Nan Turner / September 4, 2026
    [5-track EP. Written by Nan Turner. Additional Vox by Tracy Flowers. Recorded + mixed + produced by Chase Horsemanat Element Studios, Kansas City, KS. Mastered by Ian Dobyns. Picture of Nan by Laci Kay. Additional studio support by Frida the Dog and Georgia. Created while also producing a musical about Tonya Harding. The singer-songwriter-drummer-actress-dancer’s music has been described as “Lucy Ricardo of Indie Rock” and “Tone Loc meets the Velvet Underground.” As Nan + The One Nite Stands, Nan released the single”Primetime” on September 5, 2025. Nan released the single “Sick” on March 7, 2025. Nan released the 4 song EP HAWKIN’ IT on May 14, 2024. Nan released HIGH-CALIBER on February 19, 2021. Nan Turner released the single, “Desert Nites”, on May 22, 2020. Nan released her EP, CHAMPS AND LOSERS, VERSION 2, on July 12, 2019. Nan Turner was one half of the critically acclaimed band Schwervon! with Matt Roth (Major Matt Mason USA) on electric guitar and Nan on drums. The band started in the Lower East Side of New York City in 1999 and toured internationally for over a decade, Schwervon! released 7 full length albums, 2 EPs, and 5 singles. Nan went to college with Soon-Yi Previn
    More Info at: www.nanturner.bandcamp.com ]

[Nan Turner & The One Nite Stands play The Brick, 1727 McGee, KCMO on Friday, November 13, at 8:00pm with Teazers, and Hair Person (from Omaha).]

10:07 – Fund Drive Break #1 – We Have History!

We’re interrupting our regularly scheduled programming, for just a few minutes, to let our listeners know that we are currently in day 10, of our 12-day, On-Air / Fall Fund Drive. We are breaking into our prepared programming, to encourage YOU to please call us at 888-931-0901 or www.kkfi.org to make a donation in support 90.1 FM KKFI.

Joining me in the studio, we have some very special co-hosts:

Mará Rose Williams is The Kansas City Star’s Senior Opinion Columnist. She previously was assistant managing editor for race & equity issues, a member of the Star’s Editorial Board and an award-winning columnist. She has written on all things education for The Star since 1998, including issues of inequity in education, teen suicide, universal pre-K, college costs and racism on university campuses. In 2008, she received the Alfred Friendly Press Fellowship and traveled to Kenya to teach journalistic writing in the aftermath of a tribal massacre and raids on newspapers. She was a writer on The Star’s 2020 “Truth in Black and White” project and the recipient of the 2021 Eleanor McClatchy Award for exemplary leadership skills and transformative journalism. Mará served as host and producer for three installments of the nationally award winning Voices of Kansas City series she created in collaboration with 90.1 FM KKFI. In June Mará was inducted into Missouri Newspaper Hall of Fame by The Missouri Press Association.

Mara Rose Williams thanks for being our guest on WMM

Malek Azrael is a 26 year old Kansas City-based singer, songwriter, and producer whose music effortlessly blends elements of Indie Rock and R&B Pop. Born and raised in the heart of the Midwest, Malek’s music is a reflection of his upbringing and his experiences, which he translates into honest, heartfelt lyrics and infectious melodies. Malek released his first album, WAVES on October 15, 2021, which first featured members of his live band “The Vibez” drummer Josh Luke, bassist Quinn Cosgrove, and guitarist Calvin Haverkamp. Upon the release of the debut project, they have played live concerts at Boulevardia Festival, Ameri’Kana, 18th & Vine Gumbo Fest, RecordBar, The Truman, Grinders, and Knuckleheads. Malek & The Vibez released the EP, FEELS LIKE… on February 28, 2025. This year Malek released LIVE AT GREENWOOD (MALEK AZRAEL & THE VIBEZ with MIKE DILLON on May 15, 2026, and the singles: “Only You”, “YOU”, “ANNOY MY FRIENDS”, and “DON’T WANNA BE ALONE” on October 2, 2026. Malek Azrael has worked for Boys Grow, was part of Making Movies non-profit organization Art As Mentorship, and currently works for the Zhou B Art Center, at 1801 E 18th Street, KCMO, where he was instrumental in producing their Rock is Black, and Pop is Black concerts and well as their new Spirit & Song series. More info: www.zhoubartcenterkc.com

Malek Azrael thanks for being with us on Wednesday MidDay Medley.

Yvette Walker is the Vice President and Editorial Page Editor covering the Opinion section for The Kansas City Star. She graduated with degrees from University of Missouri School of Journalism, and Northwestern University Medill School of Journalism. Yvetter is currently studying at Garrett Evangelical Theological Seminary. She joined McClatchy in 2023. She has extensive experience as a senior editor for multiple news outlets. She has been a senior editor for five award-winning news outlets. She was part of the Star’s team that won the 2024 Scripps Howard Distinguished Service to the First Amendment. She was inducted into the Oklahoma Journalism Hall of Fame in 2020 and was a college dean of journalism at the University of Oklahoma’s Gaylord College of Journalism and Mass Communication. She has been instrumental in promoting media ethics through conferences and educational initiatives. Journalism, for Yvette, is a form of service that helps people understand the world and holds institutions accountable.

Yvette Walker thanks for being with us on Wednesday MidDay Medley.

We Have a History! – 90.1 FM KKFI Kansas City Community Radio is Non-Commercial! We don’t have commercials. We are a 501 (c) 3 non-profit, membership based organization. To full fill our budget – three times a year, we interrupt our regular programming, to ask our listeners, to help us continue our unique, 24-7 programming.

For 38 years 90.1 FM KKFI has been on the air. The spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. But none of this is possible without YOU our listeners, who donate financially.

We are operated by a not-for-profit organization, The MidCoast Radio Project, incorporated over 50 years ago. We are a non-profit, with a dedicated paid staff of four incredible individuals, and hundreds of volunteers, who donate thousands of hours every year, producing radio shows, training new hosts & producers, developing new radio shows, serving our vast community landscape with music and news, information and stories that reflect the many communities we serve.

On February 28, 1988 folks from the Kansas City Community launched onto our airwaves KKFI 90.1 FM with hopes that through community radio we could help build our community, make it a better place, for our future, for those that follow and take our place.

Today 90.1 FM KKFI offers 100 radio programs, and 85 of these programs are locally produced, locally sourced, locally researched, locally presented by passionate and dedicated members of our Kansas City Community. Bucking all trends of commercially owned media, at KKFI, Diversity and Inclusion are part of our mission. Telling the stories of people who are under-represented is our mission. In a world where national corpora-tions have purchased almost all local TV & Radio stations, KKFI has fought hard to remain free, locally loyal, a voice for those not repented in the corporately owned & cloned stations, or the rightwing talk, church owned christian stations, that proliferate the frequencies, through all of this, KKFI has worked hard to keep a little slice of the public airwaves alive for all of the people in our collective communities.

90.1 FM KKFI’s non-profit organization and governing body is the MidCoast Radio Project. MidCoastal is where we are, on the coasts of the Missouri and Kansas Rivers with a music community that spans the Kansas City Metro region and west to Lawrence and Topeka and south to Olathe and east to Columbia and North to St Joseph. Not necessarily the reach of our 100,000 watt signal but definitely the reach of our community.

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

We have History. We have weathered the storms. We have purchased our tower and the land around our tower. We have recently upgraded and re-wired our tower and brought it up to date technologically. We have recently purchased a new transmitter for our tower. We are one of the longest running locally owned, Kansas City based 100,000 watt radio stations. Other than our Board and Executive Director, our KKFI Programmers want no part of A.I. We will not ever play music created by A.I. We are not artificial. We are people powered and people owned.

10:16 – WMM Plays More New & MidCoastal Releases

  1. The Freedom Affair – “If You Don’t Want Me”
    from: “If You Don’t Want Me” – Single / Sunflower Soul Records / May 15, 2024
    [Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass , Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine; Pat Conway on Congas, Nick Howell on Tamborine. Recorded & Mixed by Chris Hazelton. Mastered by JJ Golden. // The Freedom Affair released the self titled third album, The Freedom Affair on may 9, 2025. The album was #1 on WMMs 120 Best Recordings of 2025. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales contin-ues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]

[The Freedom Affair played Yeehaw, Friday, October 23 at The Uptown hosted by Caleb Hearon and Katie Crutchfield aka Waxahatchee. Kevin Morby played a few songs with The Freedom Affair. The event raised $140,000.00 for KC Tenants]

  1. Making Movies – “This is a Photograph [feat.Kevin Morby]”
    from: “This is a Photograph [feat.Kevin Morby]” / 3/2 Records / August 21, 2026
    [Making Movies New Album Una Vida, to be released October 30, 2026. Lead Single “This Is a Photograph (bajo el sol de Panamá)” Features Kevin Morby. The Latin Grammy-nominated band’s first album since 2022’s XOPA arrives Its lead single, a Spanish-language reimagining of Morby’s title track, written in the days after a family funeral. // The release reimagines Morby’s beloved song through a deeply personal, Spanish-language interpretation inspired by family, memory, and Panamá’s cultural legacy, and arrives with a visualizer directed by William J. Stribling. // The Spanish-language reimagining turns Morby’s beloved song toward frontman Enrique Chi’s own family album — memory, inheritance, and the Panamá he was born into. It arrives with a visualizer directed by William J. Stribling, The recording began in the wake of a family loss. As Making Movies leader Enrique Chi reflected on photographs of his family after the funeral of his grandfather, Morby’s song became a constant companion. // “When we buried my grandfather, I sat on his front porch in Santiago, Panamá looking at photos of my family. Kevin’s song ran through my head as songs often do when they are connected to the moment I am experiencing and I started thinking about translating it. I soon realized his boxing metaphor was of the historic fight between Sugar Ray and legendary Panamanian boxer Roberto Durán. It felt meant to be.” // Rather than offering a literal translation, “This Is a Photograph (bajo el sol de Panamá)” transforms the original into something entirely its own. Sung in Spanish and featuring Kevin Morby on guitar and vocals alongside the band, the song widens the original’s themes of memory, identity, and place, binding its emotional core to Enrique Chi’s family. // The accompanying visualizer, shot by William J. Stribling, expands on the song’s reflection on the passage of time – how it can weigh on us and wear us down. Featuring a photo by acclaimed documentary photographer Scout Tufankjian alongside Stribling’s images, the visualizer captures that tension through intimate, cinematic imagery, underscoring a deeper message of resilience: no matter how heavy time can feel, we have to keep fighting through it and persevering. // As Making Movies continues work on new music, with a follow-up to their critically acclaimed 2022 album XOPA, the release of “This Is a Photograph (bajo el sol de Panamá)” offers another glimpse into the band’s enduring commitment to storytelling that transcends borders, languages, and generations. // “This Is a Photograph (bajo el sol de Panamá)” is the first song released from Una Vida, the band’s first album since 2022’s XOPA. The record was produced by Grammy-nominated producer/engineer Ben Yonas, whose credits include Mos Def, Ledisi, and Mickey Hart. // Making Movies is the Latin Grammy–nominated group led by Enrique Chi, born in Santiago, Panamá, and raised in the American Midwest, forging a sound guided by tradition, yet unmistakably its own. // The band has been described by Rolling Stone as “an eclectic blend of rumbero percussion, delicate organs, and grungy fuzz,” while NPR calls the project “perhaps one of the most unique groups around today.” // Their sound is anchored in the rich rhythmic traditions of Panamá and delivered with the force of a psychedelic rock show. Chi weaves the mejorana, a traditional hand-made instrument rarely heard outside of Panamá, into each performance. // Making Movies’ is collaborative across genres, working with artists from Rubén Blades to Kevin Morby, and David Hidalgo (Los Lobos) to Hurray for the Riff Raff. Most notably, Steve Berlin (Los Lobos) has served as a guiding force for the band, functioning as a spiritual band member, producer, and mentor.]

[Making Movies play The Folly Theater, 300 West 12th St, KCMO on Saturday, Nov. 8, at 8:00pm]

  1. Geese – “Cobra”
    from: Getting Killed / Partisan Records / September 26, 2025
    [Getting Killed is the 4th studio album by Geese. It was released by Partisan Records as the full-length follow-up to their 2023 album 3D Country, as well as frontman Cameron Winter’s 2024 solo album Heavy Metal. It was preceded by the singles “Taxes”, “Trinidad” and “100 Horses”. // Getting Killed was produced alongside Kenny Beats. It was recorded over a 10-day period and has been described as “shambolic in structure but passionately performed”, with the band “[balancing] a disarming tenderness with an intensified anger”. The album’s lead single, “Taxes”, was released on July 8, 2025. The song’s music video has been described as containing “a hallucinatory rush of moshing, screaming, and violence that feels akin to an exorcism”. // On June 23, 2025, the band announced a North American headlining tour in support of the album. The tour is scheduled to begin in South Burlington, Vermont on October 10, and conclude in Brooklyn, New York on November 21. // On July 24, Cameron Winter leaked the album’s opening track, “Trinidad”, via a now-removed link shared on his Instagram page. The song was officially released 5 days later, on July 29. // All lyrics are written by Cameron Winter; all music is composed by Winter, Max Bassin, Dominic DiGesu, and Emily Green. // In the summer of 2021, Geese emerged from out of nowhere, sparking a hype cycle unlike anything that had been seen for a young American rock band in recent memory. Suddenly a band that had previously planned to release some music, break up, and go away to college was touring the world. They made their TV debut on Colbert, were profiled by the NY Times, Stereogum Band To Watch, Consequence Artist Of The Month, Paste Best Of What’s Next, Rolling Stone called them “indie rock prodigies,” and they toured with Jack White and Spoon. // And during this entire process, that very same band everyone was getting to know ceased to exist. On a practical level, Geese are still the group we were introduced to in 2021: vocalist Cameron Winter, guitarist Gus Green, guitarist Foster Hudson, bassist Dom DiGesu, and drummer Max Bassin. But on June 23, 2023 Geese returned with their third album, ‘3D Country’ fusing recognizable sounds with warped meditations on daily life in a world sliding out of view, Geese repurposing fragments of classic rock into a sound that is stranger and wholly their own. Right out the gates, the album kicks off with serpentine grooves underneath the armageddon visions of “2122,” before quickly ceding to the title track’s gospel-flecked chorus.“Undoer” is a slowburn simmer constantly building to something apocalyptic; “Crusades” travels back to Medieval times but chugs along on a “Heroes”-esque groove before strings swoop in around it. Later, Green and Hudson’s guitars bend and fry while Hudson also jumps in on vocals for an inhuman wail on “Mysterious Love,” and the whole album ends with the sideways piano elegy of “St. Elmo,” playing out like a saloon song viewed through a funhouse mirror. // More info: www.geeseband.com]

[Geese play The Midland Theater 1228 Main St. KCMO, on Friday, October 30 at 8:00pm][Not to be confused with Goose who play The Midland on Tuesday, November 3 and Wednesday, November 4.]

10:26 – Underwriting

10:27 – Pledge Break #2 – We Are Inspired and We Are Building Community

WMM On Air / Fall Fund Drive Team: Mara Williams, Malek Azrael, Yvette Walker

Donating to 90.1 FM KKFI is BUILDING your community.

KKFI is an Inspiration! – 100,000 watts of broadcasting power, 38 years, 24-7, 88 locally produced radio shows, 150 programmers/hosts/producers, and 350 volunteers. KKFI is community centered, representative, self governing, non-commercial, educational, independent, inclusive. The Kansas City Area Community Speaks through our Airwaves.

On May 13, 2026 – WMM recently celebrated 22 years on the radio. – As of this week WMM has done 1171 weeks, equal to 2342 hours of radio, over 18,000 hours of preparation, 3000 interviews, over 3000 guests, and nearly 25,000 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music community, “The Midcoast Sound,” as we like to call it. We have dedicated our WMM programming to New & MidCoastal Releases.

We are inspired by the Fearless Women who created radio on 90.1 FM long before us: our friend April Fletcher who plays bass professionally in Los Angeles, and hosted Mix Well Before Serving on 90.1 in 1988 on KKFI’s first year of broadcast, and two years ago returned after 37 years to host and produce WMM.

We are inspired by our friend Anne Winter, who left us in 2009. Anne helped to build KKFI being one of the very first programmers who recorded their shows in Tom Crane’s basement on reel to reel tape. Anne hosted Kansas City’s first ever Punk Rock Show – Little Orphan Annie. She served on the board. She helped recruit Robert Moore to serve as KKFI’s manager briefly in the mid 1990s. Anne also organized Culture Under Fire a two week festival of live bands, teen poetry, performance art, guest speakers, zine workshops, art exhibitions, community building. Anne reminded us how we’re all connected. Anne also owned and operated Recycled Sounds, an influential record store in Kansas city from 1986 to 2005 at Westport Road and Main Street. The store that gave birth to Sister Anne’s.

At Anne’s funeral we realized that we are connected to hundreds of other people who Anne had touched with her gentle, wise, guidance and had nudged into taking a job, going out on a stage, organizing an event, doing a radio show. We were all connected, she had loved us all and supported us, and some of us made a pact to do just a little bit of what Anne did, if we all did a little we could continue her work to help build our community, that is how we keep Anne alive in our heart.

We are inspired through collaboration, and shining a light, like Abigail Hope Henderson, who we lost in 2013, but not before she ignited a movement to create the Midwest Music Foundation supporting heath care needs and mental health care for the music community. Abigail was a frequent guest on the radio show. She told us that she felt like this was “our” radio show. Inspiring Mark to re-think the entire objective of Wednesday MidDay Medley with the mission to help tell the story of Kansas City’s music “community.”

We are inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the stories & music & voice of our community.

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers.

Together we are building our community. We celebrate 1171 weeks of WMM, the show that has brought us together, at this time, on this frequency, in these community airwaves.
Thanks for listening. www.wednesdaymiddaymedley.org

10:36

  1. Rudy Love & The Encore – “Move Slow”
    from: 11 / Midtopia / July 11, 2025
    [Rudy Love & The Encore is comprised of Rudy Love Jr. (vocals & keys), Marrque
    Nunley (drums), Rachelle Love (percussion), Mariel Jacoda (vocals), Sherdeill (DJ) Breathett (bass), and Willy Simms (guitar). // The band members have played together for most of their lives, and formally introduced the band Rudy Love & The Encore early last year. Rudy Love Jr.’s late father, renowned musician Rudy Love Sr., was a musical mentor to the band members. The band’s name is in honor of Love Sr., based on the idea that this grouping of musicians is Rudy Love Sr.’s legacy — his encore. // In 2023, the band released their debut EP, The Beauty of Burdens, followed quickly by two more singles, “Broken Angel” and “Grey.” They have been busy since the band’s inception, performing and collaborating with Elise Trouw, performing at Black & Loud Fest in Seattle, opening for notable acts like Teddy Swims and The B-52’s, and playing multiple tours across the nation.They traded the hyper-competitive hustle of the Los Angeles show business scene, and are now working together from their hometown of Wichita, Kan. to build a dream they all hold — to make music with people they love, and to share it with the world.][Rudy Love & The Encore played the Mix Master Music Fest, Sept. 19 & Crossroads Music Fest Sept. 6, 2025.]

[Rudy Love & The Encore play the Spirit & Song series at Zhou B Art Center KC, at 1801 East 18th Street KCMO on Saturday, November 7, 2026, Doors at 6:00pm. Performance 7:00pm to 9:00pm.]

Malek Azrael
  1. Malek Azrael – “Annoy My Friends (Radio Edit)”
    from: “Annoy My Friends” – Single / MAZ.EL RECORDS / October 2, 2026
    [On July 17, 2026 Malek Azrael released the single “Annoy My Friends.” On February 27, 2026 Malek released “You”.Malek wrote to me about this new single, saying,”This record means a lot to me. “YOU” lives in that pop/indie pop space with smooth R&B vocals and textures, blending traditional pop sensibility with the singer songwriter honesty I always try to bring. It’s about that unexpected moment of falling in love and choosing to be fully open — even when it feels a little scary. Very warm, very intentional.” // On March 1, 2025 Malek Azrael released the EP, FEELS LIKE. It was part of WMM’s 120 Best recordings of 2025. On February 28, 2025, Malek Azrael released the single “Room 4U”. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Malek Azrael released his 10-track album “Waves” which first featured members of his live band “The Vibez”. Since then, they have grown their fanbase in KC and surrounding areas through live concerts land appearances at Boulevardia Festival, Ameri’Kana, and the 18th and Vine Gumbo Fest, and shows at RecordBar, The Truman, Grinders, and Knuckleheads and collaborated with larger acts such as Making Movies, The Greeting Committee, and D Smoke debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and Art As Mentorship (Making Movies non-profit organization). He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]

[Malek Azrael played 22nd Annual Crossroads Music Fest, Sept. 12, 2026]

  1. Ivory Blue – “Dreams”
    from: “Dreams” – Single / IVORY BLUE / October 30, 2026
    [Kansas City Singer-Songwriter IVORY BLUE Explores the Mystery of Sleep on New Single “Dreams”. A haunting alt-pop anthem about dreams, grief, and the fight to break through! Independent artist IVORY BLUE returns with a new single that asks a simple, unsettling question: do our dreams follow us into the deep, or do we follow them. What IVORY BLUE says about the song: “Dreams isn’t just a song about sleep. It also talks about the struggle of being an artist and finding your own truth in the mess of trauma built by a turbulent past”. // Ivory Blue released her single “Come On Over Rover” September 25, 2026. Ivory Blue released her single “Feelin’ Like A Star” on July 17, 2026. Ivory Blue released her New 10-song full length album ECHO on May 22, 2026. Her third full length album. IVORY BLUE released the singles: “History” on April 3, 2026.,“afterglow” on February 20, 2026; “Forevermore” on November 28, 2025; and “Echo” on September 5, 2025. // Kansas City based artist, IVORY BLUE has a tendency of breaking through barriers that keeps her from saying what needs to be said, regardless of style. Bringing us hard hitting rock inspired ear candy like “Starlit Love Child” and “Control”, the idea of genre is only a tool IVORY uses to express her ability to communicate through music. // IVORY BLUE released the singles “Mirrors” on August 1, 2025; “Heartbeat” on March 28, 2025; “Rhythm of the Radio” on January 31, 2025 // “Exiled” on November 29, 2024; “Olé!” on October 4, 2024, Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2024, “Howl” on Feb. 16, 2024. // IVORY BLUE released their 2nd full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of WMM’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and stations around the world. // On Oct. 27, 2023 IVORY BLUE released the single “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from Sept. 22, 2023, ”The Best of Life” from Aug. 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on Feb. 24, 2023. // IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022, “Red Light” on July 29, 2022. // IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top 10 of WMM’s 120 Best Recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. // IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. // IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017 when Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played with The Band That Fell to Earth, Boulevardia, Crossroads Music Festival, Middle of the Map Fest, Westport Roots Festival, KCPT Screening of “Real Boy” at KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. In 2011, Ivory settled in the Kansas City, MO area. During the past 10 years Ivory came out as “Non-Binary Transgender”, and then later as Trans-Female. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. Info at: www.ivorybluemusic.com]

10:46 – Fall Fund Drive Break #3 – So Many Special Guests!

WMM Fall Fund Drive Team: Mara Williams, Malek Azrael, Yvette Walker

So far this year in 2026 Mark conducted over 100 interviews with 154 guests:

Michelle Bacon, Chris Hudson, Dwight Frizzell, David Basse, D Rashaan Gilmore, Calvin Arsenia, Cera Impala, FlareThaRebel, Shaun Crowley, Sara Swenson, Nathan Reusch, Charlie Burt, Mike Bland, Brad Smith, Mará Rose Williams, Sandra Draper, Betse Ellis, Joelle St. Pierre, Jennie Ferguson, Scott Mize, Matt Kesler, Hank Pendergraft, Diane Scott, Jade Osborne, Dedric Moore, Steve Tulipana, Christena Graves, IVORY BLUE, Dandelion Lakewood, Rosie O’Brien, Sam Wright, Spencer Goertz-Giffen, Braden Young, Brent Kinder, Ed Wallerstein, Ian Byrne, Kian Byrne, Norm Dahlor, A.M. Merker, Colm Chomicky, Jennifer Owen, Brad Cox, Krystle Warren, Michael B. Tipton, Kasey Rausch, Marcus Rattler, Hailes, Scott Moreau, Becky Barta, Taylor Bapp, Lava Dreams, Julie Bennett Hume, Amelia Rose, Alan Wasserman, Janice Wasserman, Jesse Bartmess, Krysztof Nemeth, Ned Stacie, Francois, Peter Pain, Rachel Christia, Vi Tran, Darin Challacombe, Madeline Marak, Lori Buntin, Margaret Cho, Brodie Rush, Cody Calhoun, Liam Sumnich, Nate Hubert, Tim Jenkins, David Brighton, Jocelyn Olivia Nixon, Stephonne, Will Kuenne, Vinnie Cascone, Carlos Nunez, Jonathan Van Ness, Warren Williams, Julia Othmer, James Lundie, Ames King, Noah Bartelt, Katie Schieferecke, Luke Rowe, Miki P, Rachel Lovelace, Brooke Tuley, John Lawrence Johnson, Jamogi, Danny Fischer, Audrey Crabtree, Chris Garibaldi, Scott Free, Nick Carroll, Kimmie Queen, Theresa Scott, Nicki White, Danielle Anderson, Katheryn Krouse, Bowie Krouse, Lee Walter Redding, Angela Ward, James Ward, Joel Kraft, BOSCO, Just Angel, Clarence Copridge, Abe Abaleanie Brown, Matthew Hayden, Stephen Roper, Austin Marks, Al Hawkins, Fritz Hutchison, Derek Trautwein, Amanda Davis, Andrew Woody, Brian Hurtgen, Joseph Peaks, Ken Lovern, Xavier Martin, Maddie Lai, Bill Sundahl, Mike McCoy, Erin Eades, Silver Wesley, Tim Miller, Heather Carver, William Horner, Marilyn Maye, Michelle Shocked, Zachary Van Benthusen, Jane Prewitt Watkins, Patty Prewitt, Cortland Gibson, Elaine (Lainey) Chang, Colin Halliburton, Jesse Kates, Mack McKinney, Kate McCandless, Fanny Mandelberger, T.A. Rell, Gie Santana, Jon Hypocrace Lewis, Eboni Fondren, Alec Nicholas, Shawn Saving, Francis Connor, Darren Defrain, Eddie Moore, Claire Adams, Malek Azrael, Yvette Walker, Dan Talmadge,

Last year In 2025 Mark conducted interviews with 159 special guests:

Krystle Warren, elska, Michelle Bacon, Mike Dillon, Peregrine Honig, Malek Azrael, Joshua Luke, Izzy Vivas, Julie Bennet Hume, Doug Hitchcock, Diana Watts, Kevin King, Daniel Gum, Chris Garibaldi, Mark Henning, Ross Brown, Miquel Antonio, Daniel Cole, Paul Seiz, Cody Ryan Stapleton, Matt Muckenthaler, Nathan Reusch, Zach Lamun, Les Izmore, Charlie Colborne, Billy Belzer, T.A. Rell, Just Angel, Dylan Pease, Andy Wooden, Betse Ellis, Rachel Christia, Mikal Shapiro, Seth Davis, Evan Verploegh, Shanté Clair, Benjamin Baker, SEYKO, Cole Bales, Cody Calhoun, Noah Cassity, Kole Waters, Alex May, Stephonne, Danielle Anderson, Zach Hodson, Valerie Schurman, Joe Frogge, Fally Afani, Til Willis, Heather Pontonio, Jose Faus, Elizabeth Bettendorf Bowman, Chico Sierra, Zo E., Jaclyn Danger, Simon Huntley, J. Ashley Miller, Grace Broadhead, Jason Turk, Sandra Draper, Enrique Chi, Julia Othmer, James T. Lundie, Alber, Jennie Ferguson, Scott Mize, Matt Kesler, Shaun Crowley, Paul Jesse, Alex Wong, Jen Kiper, David Luther, Sergio Anthony Gonzalez, Jeremiah James Gonzalez, Katlyn Conroy, Chris Catterall, Cheyenne Jackson, Kate McCandless, Moksha Sommer, Jemal Wade Hines, Chris Haghirian, James McGee, Meighan Peifer, Michael McQuary, Joey Arias, Lonnie Fisher, Tara Fisher, Adee Dancy aka Sisterbot, Hadiza., Suzannah Johannes, Keelon Van, Alyssa Murray, Ernest Melton, Mará Williams, J.M. Banks, Beth Watts Nelson, Spencer Thompson, Amanda Davis, Derek Trautwein, Dedric Moore, Rachel Lovelace, Kai McGarry, Alicia McGarry, Sandra Draper, Steve Tulipana, Day Shepherd, Tirzah DeMeire, Keyon Monté, Lee Sampson, Joel Stratton, Jim Hubbell, TheBabeGabe, TyFaison, Mitzi McKee, Don Simon, Morgan Holcomb, Bill Sundahl, Rick Truman, Nick Carswell, Brody Lowe, Fritz Hutchison, Mark Ronning, Iona DeWalt, Nan Turner, Amy Steinberg, Pete Kuhn, Brandon Day, Flare Tha Rebel, Margo May, Jared Bond, Tim York, Rita Hanch, Brock Johnson, Howard Iceberg, Chad Brothers, Julie Bates, Andrew Morris, Bess Wallerstein-Huff, Christopher Ruiz, Wills Nan Doorn, Sondra Freeman, Steddy P, David George, Scotty Sharp, Ben Wendt, Brock Wilbur, Nick Spacek, Gabe Rivera, Sara Swenson, Tommy Capps, Dirk Liebert, Graham Stone, Barry Lee, Chuck Haddix, Judy Mills, and Bill Brownlee.

10:55

  1. Eldon Painter – “111”
    from: Fantasia / Blue Dream Records / September 12, 2026
    [Dan Talmadge performs and records under the moniker, Eldon Painter. This Kansas City based musician formerly played in the bands: Minden, Kyle Craft, Soft Reeds, and Capybara. Eldon relocated to Portland, Oregon in 2012 when the band Minden moved there as a group. Eldon was there through 2020 doing all things music. He returned back to Kansas City at the end of 2020. In 2024 Eldon began work on a new set of songs that would become FANTASIA. The album was recorded in his home in Kansas City and at the Honeymoon Suite in Los Angeles with multi-instrumentalist/producer Riley Geare. Eldon Painter played his first show at the recordBar in 2025. More info at: www.eldonpainter.bandcamp.com] [Check out on YouTube:
    https://youtu.be/2bMIz5pqwB4%5D

[Eldon Painter plays miniBar, 3810 Broadway, KCMO, on Saturday, October 31, at 8:00pm with Hoaxes, and Scammers.]

10:59 – Station ID

10:59 – Interview with Dan Talmadge aka Eldon Painter

Dan Talmadge performs and records under the moniker, Eldon Painter. And he joins us LIVE in our 90.1 FM Studio to talk about Eldon Painter’s new debut album is called FANTASIA, that was released on September 12, 2026 on Blue Dream Records (Eldon’s label). This Kansas City based musician formerly played in the bands: Minden, Kyle Craft, Soft Reeds, and Capybara. Eldon relocated to Portland, Oregon in 2012 when the band Minden moved there as a group. Eldon was there through 2020 doing all things music. He returned back to Kansas City at the end of 2020. In 2024 Eldon began work on a new set of songs that would become FANTASIA. The album was recorded in his home in Kansas City and at the Honeymoon Suite in Los Angeles with multi-instrumentalist/producer Riley Geare. Eldon Painter played his first show at the recordBar in 2025.

Eldon Painter plays miniBar, 3810 Broadway, KCMO, on Saturday, October 31, at 8:00pm with Hoaxes, and Scammers. More info at: www.eldonpainter.bandcamp.com

Eldon Painter thanks for being with us onWednesday MidDay Medley

Dan Talmadge performs and records under the moniker, Eldon Painter.

Eldon Painter’s new debut album is called FANTASIA, that was released on September 12, 2026 on Blue Dream Records (Eldon’s label).

This Kansas City based musician formerly played in the bands: Minden, Kyle Craft, Soft Reeds, and Capybara.

Eldon relocated to Portland, Oregon in 2012 when Minden moved there as a group.

Eldon was there through 2020 doing all things music.

Eldon Painter plays miniBar, 3810 Broadway, KCMO, on Saturday, October 31, at 8:00pm with Hoaxes, and Scammers. More info at: www.eldonpainter.bandcamp.com

Eldon Painter thanks for being with us onWednesday MidDay Medley

11:08 – Eldon Painter

  1. Eldon Painter – “Badu T-Shirt”
    from: Fantasia / Blue Dream Records / September 12, 2026
    [Dan Talmadge performs and records under the moniker, Eldon Painter. This Kansas City based musician formerly played in the bands: Minden, Kyle Craft, Soft Reeds, and Capybara. Eldon relocated to Portland, Oregon in 2012 when the band Minden moved there as a group. Eldon was there through 2020 doing all things music. He returned back to Kansas City at the end of 2020. In 2024 Eldon began work on a new set of songs that would become FANTASIA. The album was recorded in his home in Kansas City and at the Honeymoon Suite in Los Angeles with multi-instrumentalist/producer Riley Geare. Eldon Painter played his first show at the recordBar in 2025. More info at: www.eldonpainter.bandcamp.com]

[Eldon Painter plays miniBar, 3810 Broadway, KCMO, on Saturday, October 31, at 8:00pm with Hoaxes, and Scammers.]

11:11 – Fund Drive Break #4 – New Music Discovery

WMM Fall Fund Drive Team: Mara Williams, Malek Azrael, Yvette Walker

Timothy Finn in KC Star named WMM “The Best Place to Hear Local Music on the Radio.” and the Best Place to hear area musicians talk about their music.

Wednesday MidDay Medley was the first radio show to ever play the recordings of:
Calvin Arsenia, Stephonne, Madisen Ward and the Mama Bear, Krystle Warren, The Black Creatures, The Shy Boys, The ACB’s, Miss Boating, Rev Gusto, Mommas Boy, The Salvation Choir, The Creepy Jingles, Marmoppes, Ivory Blue, Miki P., Kai McGarry, Rude Cousin. We were the first to interview these artists live on the radio and bring their music to a wider audience.

Music – We play more area musicians, new releases, and tell their stories

In 2026 we have had Live Performances from: Calvin Arsenia, IVORY BLUE, Erin Eades, Dandelion Lakewood, Gullywasher, Rosie O’Brien & Taylor Bapp, Lee Walter Redding, Just Angel & Clarence Copridge, oldnothing, Maddie Lai, Mike McCoy, Just Angel, & T.A. Rell,

In 2025 there were over 1675 MidCoastal (KC area) releases in Albums, EPs, & Singles...(that we know of).

In 2026 – So Far – there have been 831 MidCoastal (KC area) releases in Albums, EPs, & Singles...(that we know of).

On WMM we culled these releases for our special mix of New & MidCoastal releases.

In 2025 we’ve broadcast nearly 900 different tracks on WMM over our 100,000 watts of 90.1 FM Community Radio Airwaves.

Since 2009 WMM has presented our End-of-Year Specials: The 120 Best Recording of the Years, a 4-part, 4 week series. All of our Best of Lists and all of our weekly playlists are available at: Our “Best of Lists” can be found at: www.wednesdaymiddaymedley.org

WMM has presented new formats in radio, with our “A Story In A Song” series, our shows featuring: Apocalypse Meow, Juneteenth, Power to The People Fest, Crossroads Music Fest, Folk Alliance International, Manor Fest, The Outer Reaches Festival, Boulevardia. KC Fringe Festival, Waldo Folk Series, Shuttlecock Music, The Folly Theatre, Owen Cox Dance Group, Bach Aria Soloists, KC Pride, our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, LGBTQIA Themes, Black Lives Matter and interviews with Lily Tomlin, Laurie Anderson, Tommy Ramone, Sweet Honey in The Rock, Joey Arias, Marilyn Maye, Cheyenne Jackson, Margaret Cho, Iris Dement, Greg Brown, Scott McCaughey, Michelle Shocked, Ubaka Hill, Flamy Grant, Members of Fanny, Regina Spektor, Regina Carter, Jonathan Van Ness, Tim Miller, Cris Williamson, Nick Cave, Holly Near, Sam Harris, our annual 4-week special: WMM’s 120 Best Recordings of the Year.

WMM has been inspired by the KC music community. The KC music community is fueled by a collaborative & generous heart that is beating in the artists we’ve met doing this show.

11:19 – Underwriting

11:20 – More Interview with Dan Talmadge / Eldon Painter

Dan Talmadge performs and records under the moniker, Eldon Painter. And he joins us LIVE in our 90.1 FM Studio to talk about Eldon Painter’s new debut album is called FANTASIA, that was released on September 12, 2026 on Blue Dream Records (Eldon’s label). This Kansas City based musician formerly played in the bands: Minden, Kyle Craft, Soft Reeds, and Capybara. Eldon relocated to Portland, Oregon in 2012 when the band Minden moved there as a group. Eldon was there through 2020 doing all things music. He returned back to Kansas City at the end of 2020. In 2024 Eldon began work on a new set of songs that would become FANTASIA. The album was recorded in his home in Kansas City and at the Honeymoon Suite in Los Angeles with multi-instrumentalist/producer Riley Geare. Eldon Painter played his first show at the recordBar in 2025.

Eldon relocated to Portland, Oregon in 2012 when Minden moved there as a group.

Eldon was there through 2020 doing all things music.

He returned back to Kansas City at the end of 2020.

In 2024 Eldon began work on a new set of songs that would become FANTASIA.

The album was recorded in his home in Kansas City and at the Honeymoon Suite in Los Angeles with multi-instrumentalist/producer Riley Geare.

Eldon Painter played his first show at the recordBar in 2025.

Eldon Painter thanks for being with us on Wednesday MidDay Medley

Eldon Painter plays miniBar, 3810 Broadway, KCMO, on Saturday, October 31, at 8:00pm with Hoaxes, and Scammers.

More info at: www.eldonpainter.bandcamp.com

11:28 – Eldon Painter

  1. Eldon Painter – “Fantasia”
    from: Fantasia / Blue Dream Records / September 12, 2026
    [Dan Talmadge performs and records under the moniker, Eldon Painter. This Kansas City based musician formerly played in the bands: Minden, Kyle Craft, Soft Reeds, and Capybara. Eldon relocated to Portland, Oregon in 2012 when the band Minden moved there as a group. Eldon was there through 2020 doing all things music. He returned back to Kansas City at the end of 2020. In 2024 Eldon began work on a new set of songs that would become FANTASIA. The album was recorded in his home in Kansas City and at the Honeymoon Suite in Los Angeles with multi-instrumentalist/producer Riley Geare. Eldon Painter played his first show at the recordBar in 2025. More info at: www.eldonpainter.bandcamp.com]

[Eldon Painter plays miniBar, 3810 Broadway, KCMO, on Saturday, October 31, at 8:00pm with Hoaxes, and Scammers.]

11:32 – Fund Drive Break #5 – Themes, Events, Venues

WMM on-Air / Fall Fund Drive Team: Mara Williams, Malek Azrael, Yvette Walker

Wednesday MidDay Medley offers incredible mix of: Themes, Events, Bands, Venues

Featured on Wednesday MidDay Medley: MLK Tribute, Iris Dement Tribute, David Bowie Tribute, The Band That Fell To Earth KC, Folk Alliance International in New Orleans, New Protest Songs, Grammy Winners, Manor Records Foundation, Greenwood Social Hall, The Uptown Theater, Enigmatic Brunch Records, She Said, Kansas City Synthesizer Collective, The Record Machine, Black History with 20+ Black Artists & Bands from KC, Mid-America Arts Alliance, Kansas City Community Collage, Outer Reaches Fest, Artist INC, Artists Thrive, Kosmic City, The RINO, Sass-a-Brass Band, The Elders, Owen Cox Dance Collective, Rock & Roll Hall of Fame, Quality Hill Playhouse, BCR celebrates 50 Years!, Lawrence Pride, WOMEN OF THE REBELLION, recordBar, Heartland Song Network, Missouri Arts Council, Vine Street Brewing, NED’s Friend-Hole Cabaret LIVE, The Warwick Theater, REVISER, The Emerald, Manor Fest 8, All That Class and Jazz, KC Folk Fest, Kansas City Artists Coalition, An Evening of Pink Floyd, The Folly Theater, David Brighton’s SPACE ODDITY, Say That Again, Sound Mandala, The Forcefields, The Unicorn Theatre, Sara Bellum and the Brainwaves, The Swallowtails, Shuttlecock Music, PERSPECTIVES at Lavender Studio, miniBar, Replay Lounge, Lemonade Park, The Ship, Equal Minded Cafe, KC Fringe Fest, Bird Comedy Theater, Whim Space, Lotuspool Records, The Suneaters, Pamper The Madman, The Philistines, The Musical Universe of Rev. Dwight Frizzell, AMERI’KANA Music & Arts Festival, Magic of Grandmas, Comprehensive Arts Institute, The Blue Room, The Morton Amphitheater, The Brick, RuPaul’s Drag Race, Flew the Coop Fest, Unbossed and Unbothered with D. Rashaan Gilmore, BlaqOut KC, Light Up the Lawn of the Nerman Museum of Contemporary for Art, Waldo Folk, Zhou B Art Center – Zhou Spirit and Song, Rural Grit Happy Hour, Oddly Correct Block Party, Hotel Leo, Knuckleheads, Molly Picture Club, Found A Job, Tribute to Dolly Parton, Hillsider’s, The Creepy Jingles, True Lions, Charlotte Street, The Spooky Shxt Show, YesWay Live, John William “Blind” Boone, The Boone Theater, encode, 22nd Annual Crossroads Music Fest, 30 Annual Kansas City Film Fest, Spike Hellis, Tribute to Mama Bear – Ruth Whitlock Ward, 9th annual Apocalypse Meow, The Roseline, She Speaks in Tongues, The Sexy Accident, No Choice but Action: Kansas Postpunk 1978-1994, Black Site Records, Truck Stop Love, Ned’s Fright-Hole Cabaret,

For 22 years we’ve shined a light on artists, music labels, recording studios, & venues.

11:40 – WMM Celebrates New & MidCoastal Releases

  1. The War and Treaty – “You Can’t Hurt Me Anymore”
    from: The Story of Michael and Tanya / Atlantic / June 19, 2026
    [This is the 6th album from this amazing duo. We first met The War and Treaty right before their Official Showcase at Folk Alliance International Conference on Friday, February 16, 2018. We first played them on February 7, 2018. The War and Treaty released their full length debut album, “Healing Tide” on August 10, 2018. Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass, folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ]

[The War and Treaty return to play Knuckleheads, 2715 Rochester st. KCMO on Tuesday, November 3 at 7:30pm with Blank Page and Jordan Babbs.]

  1. Hannah Jadagu – “Describe”
    from: DESCRIBE / Sub Pop Records / October 4, 2025
    [On Describe, Hannah Jadagu learns the hard way that distance is relative. After 2023 debut album Aperture garnered glowing praise from outlets like The New York Times and NPR, Jadagu’s promising career took her away from her blossoming relationship in New York. “I was feeling love and gratitude, but also guilt about being away for my job,” she recalled. “Being a musician requires sacrificing time–And one thing about me, I’m a quality time girlie.” Her expansive second album sees her grappling with that separation, finding connections that extend beyond the physical and strengthening her own voice in the process. Describe reverberates with that tension, between wanting connection and craving space. Its lyrics, as on her debut, ache with an emotional specificity that can only be pulled from lived experience. // But that distance also pushed Jadagu to explore new dimensions of her sound. “I’m super into artists that are able to mix analog with modern,” she said, and moving to California for the summer gave her the opportunity to meet new collaborators and experiment with analog synthesizers and drum machines. And while the warm hum of her guitar was her primary instrument for Aperture, she began to feel that her muscle memory of the instrument was holding her back. “It was freeing to be able to sit at a synth and drone on one note while I explored my vocals,” she said. ”I found that to be a bit more freeing than playing on a guitar.” Working with her co-producer Sora at his studio in Altadena and remotely on a few songs with Aperture co-producer and collaborator Max Baby out of Paris, Jadagu carved out a sound on Describe that is both distinctively hers and a total departure from the distorted guitar melodies of her debut. // Fresh out of high school, Hannah Jadagu released her debut EP, What Is Going On?, a collection of intimate bedroom pop tracks recorded entirely on an iPhone 7, which was, at the time, Jadagu’s most accessible mode of production. An off-the-cuff approach to music making and instinctive ability to write unforgettable hooks belied the intensity of Jadagu’s subject matter. In a short run time, What Is Going On? confronts some of the nation’s most urgent struggles all through Jadagu’s compassionate perspective. “I want my songs to be both super intimate and still universally relatable,” Jadagu says. “With the EP, so many people told me that the songs resonated with them on a personal level, and that’s what I’m always hoping for.” // Resonate it did; What Is Going On? was Jadagu’s first Sub Pop release, but she’d been putting out music on SoundCloud for years, garnering a small online fanbase as she settled into an aesthetic, and recognition from a broader audience was overdue. “It really took off when I became a percussionist in my middle school’s band,” she says. “Writing songs started as a hobby and quickly became a passion to the point that I spent all my free time recording.” // On May 19th, 2023 Jadagu premiered Aperture, her first LP and most ambitious work to date. Aperture was part of WMM’s 120 Best Recordings of 2023. Written in the years between graduating from high school in Mesquite, TX and her sophomore year of college in New York, Aperture finds Jadagu in a state of transition. “Where I grew up, everyone is Christian; even if you don’t go to church, you’re still practicing in some form,” Jadagu says, laughing. “Moving out of my small hometown has made me reflect on how embedded Christianity is in the culture down there, and though I’ve been questioning my relationship to the church since high school, it’s definitely a theme on this album, but so is family.” // As a kid, Jadagu followed her older sister – a major source of inspiration who she refers to as “the blueprint” – to a local children’s chorus, where she received choral training. “I hated it,” Jadagu admits. “But it taught me how to harmonize, how to discover my tone, how to recognize and write melody.” The aching single “Admit It” is dedicated to Jadagu’s sister, whose boundless love and impeccable taste has been a constant for Jadagu ever since she was a kid. At home, the siblings were raised on mom’s Young Money mixtapes and the Black Eyed Peas (to whom she credits her love of vocoder) but it was in the sanctity of her sister’s car that Jadagu discovered indie artists who would go on to inspire her work. // Hannah Jadagu played the Bottleneck in Lawrence Kansas on Friday, September 29, 2023]

[Hannah Jadagu plays T-Mobile Center, 1407 Grand Blvd. KCMO on Saturday, October 31 with SOMBR, and Last Dinner Party.]

11:48 – Pledge Break #6 – DIVERSITY

WMM On-Air / Fall Fund Drive Team: Mará Williams, Malek Azrael, Yvette Walker

KKFI Offers Incredible Diversity – With shows locally produced about Native People, LGBTQIA People, Women, Working People, Black People, Ecological People, People in Prison, Stories of Middle Eastern and Latinx, KC Tenants, Understanding Israel Palestine, Economics For The People, Local elected leaders, Creatives, Artists, Poets, Musicians, Teachers, Theatre People, Dancers, Writers, Environmentalists, Historians, Activists, Survivors, KKFI’s News, Public Affairs, Arts & Culture programs go the distance with every show to represent and report of what is going on in our world here in Kansas City and the surrounding metro in our 80 mile radius of signal, and even farther on line digitally.

KKFI offers music shows produced by steadfast representatives from the diverse Music Community of Kansas City: Jazz shows 7 days a week hosted by professional Jazz Musicians; Reggae Shows throughout the week hosted by Reggae Royalty, Folk and Americana shows all week long hosted by folk musicians with decades of performances; Blues shows hosted by women & men who dearly love and live in KC’s enduring and nationally recognized blues community. Music shows that celebrate Independent, Local, Alternative, Soul and R&B, Punk, Hip Hop, Electronic, Vinyl Only, Glam Rock, New Wave, Rockabilly, Tejano, Classical, K-Pop, LIVE!, Gospel, New!, World, Experimental, Old-Timey, House, Country, Heavy Metal, and so much more. Every show is produced, engineered and hosted by a real live person on the other end of the telephone.

90.1 FM is a miracle in broadcasting because hundreds of volunteers and active members keep it alive with their passion for the possibilities of radio, our most accessible media, available online, but also over the airwaves from our 100,000 watt tower that we own as a station and non-profit membership based organization.

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, to share your concerns, and offer resources and information. Along with our National Public Affairs shows like Democracy Now and Alternative Radio we offer more locally produced public affairs programs than anywhere else on the dial.

We offer programs for Women, the LGBTQIA Community, Native Americans, Black Public Affairs, Labor & Worker’s Unions, Middle Eastern Music & Information, Latino Programming, prison & justice system, environmental programming, Visual & Performing Arts, KC Tenants, Economics for the People, Understanding Israel Palestine.

At KKFI there is no automated robot playing the same 40 songs in a “rotation,” based on a formula, created by a singular programmer of the robot. KKFI is the opposite of a robot.

There is almost always a human on the end of the phone line when you call 816-931-KKFI.

90.1 offers 100 different radio programs. 88 of these programs are locally, produced, hosted, engineered and written by over 150 different people, who create content, and personally handcraft each show, each week. There are 64 local music shows and 24 locally produced News, Public Affairs, Arts & Talk shows.

There are 140 hours each week of locally produced handcrafted programs.

You will not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting.

Not only do we bring the most diverse and unfiltered news and information, but our play-lists are deep and comprehensive. In one week you can hear 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, Soul, World, Americana, Gospel, Southern Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, & Experimental.

With all of this, you hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, broadcast live from our non-commercial, midtown studios, at 39th & Main, in the center of our metro, across two states, a collective of communities, and thousands of listeners. What is this worth to you?

You are helping to build our community.

For Mará Williams, Malek Azrael, Yvette Walker, and Dan Talmadge I’m Mark Manning. Thanks for listening! Thank you to everyone for donating!

  1. Noel Coward – “The Party’s Over Now”
    rom: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on November 4, filmmaker John McCrite discusses his new documentary “Still Here” about the legendary KC Drag Queen Melinda Ryder. We’ll also talk with Seth Davis a music scholar and instrumentalist and co-founder of the Extemporaneous Music and Arts Society abut his new album. AND Sondra Freeman returns to talk about The 19th annual Apocalypse Meow on Saturday, November 7, Doors at 6:00pm, Show at 7:00pm, at recordBar, featuring live music from: ROMAN NUMERALS, JAMOGI & THE JAMMERS, PHAZE II, and STUBBLEFIELD. Apocalypse Meow is MMF’s main fund-raiser for Abby’s Fund For Musicians’ Health Care, providing local musicians and music workers with essential health care resources. In addition the RockDocs will be on site to offer flu shots and COVID boosters provided by the KC Indian Center, as well as discuss screenings, wellness programs, health conditions and concerns, and arrange follow-ups. Also live raffles t of items donated by local businesses at AM19, and an online auction. www.midwestmusicfound.org

You can find our playlists at: www.wednesdaymiddaymedley.org & www.kkfi.org
www.facebook.com/WednesdayMidDayMedleyon90.1FM
www.instagram.wednesday_midday_medley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein-Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Office Manager Book Keeper – Shaina Littler.

THANK YOU to everyone who donated to KKFI’s Fall Fund Drive during WMM we had a total of 39 people donate a total of $4703.50!!! THANK YOU SO MUCH!

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org
http://www.WednesdayMidDayMedley.org
http://www.instagram.com/wednesday_midday_medley
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
https://www.soundcloud.com/wednesdaymiddaymedley
http://www.bandcamp.com/wednesdaymiddaymedley

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1171

WMM Playlist from October 21, 2026

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 21, 2026

Betse Ellis + Eddie Moore + Mará Rose Williams + Claire Adams

10:00 – WMM Plays More New & MidCoastal Releases

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. @ – “Earthly Love”
    From: Autosmile / 4AD / October 16, 2026
    [Multi-instrumentalist songwriters Victoria Rose and Stone Filipczak have a pact, a devotion to each other and to the music of @. In their solo existence, Victoria works as a beekeeper and Stone as a self-taught computer programmer, but when they get together, they become a singular, avant-garde song force. Over time, the two began collaborating long distance, and soon developed the @ formula – half Victoria songs, half Stone songs, with each filling in the cracks of the others compositions and Stone handling overall production. On their new album Autosmile, the band’s first with 4AD, @ have harnessed their unique process to reimagine the psychedelic folk tradition as an undeniably contemporary art form, carefully balancing beauty and pain and shifting between black hole heaviness and patient understanding, never abandoning a sense of wonder. // Both Victoria and Stone are incisive, classic songwriters, and their occasionally baroque arrangements and production touches give the songs a rough-hewn yet virtuosic quality. This inventiveness, applied to songs that hold up against classic psych folk records, sets @ apart, somehow looking backwards and forwards all at once. There is a consistent darkness to the moods of Autosmile, but @ is also an inherently playful enterprise, unexpected prog flourishes lurking behind incisive indie rock song craft. // Autosmile follows @’s 2021 debut album Mind Palace Music — displaying the duo’s penchant for confessional lyrics and affinity for blending digital and analog elements, the album was an organic success story via word-of-mouth praise and well-deserved press recognition. In 2024, @ released their subsequent EP Are You There God? It’s Me, @, where they diverted from their usual acoustic instrumentation to soul-searching on a sonic side quest into more electronic music. In the time since, the band has become an in-demand live act with support shows alongside Snail Mail, Cameron Winter, and Black Country New Road.]
  1. Frogpond – “Talk To Me”
    from: Count To Ten / Columbia Records – Tristar Music / August 9, 1996
    [For this record: Heidi Phillips on vocals & guitar, Justine Volpe on bass, Kristie Stremel on guitar & backing vocals, Megan Hamilton on drums. All songs written by Frogpond & Heidi Phillips. Produced by A. P. Alexakis, engineered, and mixed by – Brian Sperber with assistance from Brad Kopplin and Brian Daly. Recorded at Smart Studios. Mixed at Chicago Trax Recording Studio. Phonographic Copyright ℗ at Sony Music Entertainment Inc. Copyright © – Sony Music Entertainment Inc. // On November 19, 2021 Frogpond reunited and released TimeThief on Black Site Records their first album in over twenty years. For that record the newly reformed Frogpond was: singer/guitarist and founder Heidi Phillips, long-time bassist, Justine Volpe, with Kristin Conkright on rhythm guitar, and Michelle Bacon on drums. // Frogpond digitally reissued their 1996 vinyl and cassette release, COUNT TO TEN on March 12, 2021, 25 years after its original release on August 9, 1996 on Columbia Records. Frogpond was formed in Warrensburg, Missouri. The band existed from 1994-2000, primarily performing in Kansas City and Lawrence, Kansas. COUNT TO TEN was the band’s 12-track national debut full length released with songs written by Heidi Phillips, with Heidi Phillips on vocals & guitar, Justine Volpe on bass, Megan Hamilton on drums, Kristie Stremel on guitar and backing vocals. Art Alexakis (of the band Everclear) served as producer and contributed backing vocals. // In 1999 Frogpond released the 13-track second album, SAFE RIDE HOME on C2 Records – Columbia, on CD and vinyl with songs written by Heidi Phillips, and with Heidi Phillips on vocals & guitar, Justine Volpe on bass & backing vocals, and Billy Johnson on drums. The album was recorded by Doug McBride at Gravity Studios in Chicago who also served as producer and contributed electric piano and piano. // In 1994 Frogpond self released their 8-song cassette release 2%that was produced, engineered, and mixed at Red House Recording, in Lawrence, Kansas, October 1994]

[Frogpond plays two COUNT TO TEN 30th Anniversary Shows, Friday, October 23, at 7:00pm and Saturday, October 24, at 7:00pm at YesWay Live, 1519 Oak Street, KCMO. Celebrating 30 years of Frogpond’s debut album “Count To Ten” these limited performances include two sets from Frogpond, performing the seminal 1996 album in its entirety for the first time, along with a mix of unique songs each night. Capacity is limited to 100 tickets per night. More info at: www.yeswaylive.com]

10:07 – Fund Drive Break #1

We’re interrupting our regularly scheduled programming for just a few minutes to let our listeners know that we are currently in day 3 of our On-Air / Fall Fund Drive. We are breaking into our prepared programming, to encourage YOU to please call us at 888-931-0901 or www.kkfi.org to make a donation in support 90.1 FM KKFI.

Joining me in the studio, we have some very special co-hosts:

Betse Ellis is originally from Fayetteville, Arkansas, Betse received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. For nearly 50 years Betse has been playing the violin and fiddle professionally and also working as a teacher of music. Betse was a founding member of the acclaimed internationally known band, The Wilders who released 10 albums. Betse has released two acclaimed solo records, and multiple releases with her husband, multi-instrumentalist Clarke Wyatt, as the internationally known, Betse & Clark. The duo has toured extensively. Betse has also played and recorded with the bands: Little Miss Dynamite, The Starhaven Rounders, Beau Bledsoe, Earnest James Zydeco, Jeff Harshbarger, The Band That Fell To Earth, Howard Iceberg, Bob Walkenhorst, Rural Grit All Stars, Brooke Tuley, Blue Museum and many others.

Betse Ellis thanks for being our guest on WMM

Mará Rose Williams is The Kansas City Star’s Senior Opinion Columnist. She previously was assistant managing editor for race & equity issues, a member of the Star’s Editorial Board and an award-winning columnist. She has written on all things education for The Star since 1998, including issues of inequity in education, teen suicide, universal pre-K, college costs and racism on university campuses. She was a writer on The Star’s 2020 “Truth in Black and White” project and the recipient of the 2021 Eleanor McClatchy Award for exemplary leadership skills and transformative journalism. Mará Rose Williams was the creator and host and producer of Voices of Kansas City an award winning special series created by the KC Star with KKFI.

Mara Rose Williams thanks for being our guest on WMM

Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to KC to study under Bobby Watson at the University of Missouri-KC where he received a M.A in Jazz Studies. He was 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”. Moore has shared the stage and recordings with Bobby Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, Marcus Lewis Big Band.

Eddie Moore thanks for being with us on Wednesday MidDay Medley.

90.1 FM KKFI Kansas City Community Radio is Non-Commercial! We don’t have commercials. We are a 501 (c) 3 non-profit, membership based organization. To fullfill our budget – three times a year, we interrupt our regular programming, to ask our listeners, to help us continue our unique, 24-7 programming.

For 38 years 90.1 FM KKFI has been on the air. The spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. But none of this is possible without YOU our listeners, who donate financially.

We are a operated by a not-for-profit organization, The MidCoast Radio Project, incorporated over 50 years ago. We are a non-profit, with a dedicated paid staff of four incredible individuals, and hundreds of volunteers, who donate thousands of hours every year, producing radio shows, training new hosts & producers, developing new radio shows, serving our vast community landscape with music and news, information and stories that reflect the many communities we serve.

We do all of this because of YOU and it is because of our incredible listeners, who take a moment and call 888-931-0901 and donate, that we are able to continue. You keep us alive! Our volunteers are waiting to hear from YOU right now.

On February 28, 1988 folks from the Kansas City Community launched onto our airwaves KKFI 90.1 FM with hopes that through community radio we could help build our community, make it a better place, for our future, for those that follow and take our place.

Today 90.1 FM KKFI offers 100 radio programs, and 85 of these programs are locally produced, locally sourced, locally researched, locally presented by passionate and dedicated members of our Kansas City Community. Bucking all trends of commercially owned media, at KKFI, Diversity and Inclusion are part of our mission. Telling the stories of people who are under-represented is our mission. In a world where national corporations have purchased almost all local TV & Radio stations, KKFI has fought hard to remain free, locally loyal, a voice for those not repented in the corporately owned & cloned stations, or the rightwing talk, church owned christian stations, that proliferate the frequencies, through all of this, KKFI has worked hard to keep a little slice of the public airwaves alive for all of the people in our collective communities.

90.1 FM KKFI’s non-profit organization and governing body is the MidCoast Radio Project. MidCoastal is where we are, on the coasts of the Missouri and Kansas Rivers with a music community that spans the Kansas City Metro region and west to Lawrence and Topeka and south to Olathe and east to Columbia and North to St Joseph. Not necessarily the reach of our 100,000 watt signal but definitely the reach of our community.

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

We have History. We have weathered the storms. We have purchased our tower and the land around our tower. We have recently upgraded and re-wired our tower and brought it up-to-date technologically. We have recently purchased a new transmitter for our tower. We are one of the longest running locally owned, Kansas City based 100,000 watt radio station.

10:16 – WMM Plays More New & MidCoastal Releases

  1. Snocaps – “Heathcliff”
    from: Snocaps / Anti / October 31, 2025
    [Snocaps is the debut full-length album from American indie rock band Snocaps, consisting of Katie and Allison Crutchfield, joined by multi-instrumentalist MJ Lenderman and producer Brad Cook. The album was surprise-released on October 31, 2025. The album was named one of the “11 New Albums You Should Listen To Now” by Pitchfork upon its release. // The Snocaps project marks the first time the Crutchfield twins had recorded music together since the split of their previous band, PS Eliot. It also marks Allison Crutchfield’s first new music in seven years, following the release of the fourth Swearin’ album Fall Into the Sun in 2018. In a post to her Substack newsletter, Katie Crutchfield noted that she and Alison had initially broached the idea of a new project in 2023, prior to the release of the Waxahatchee album Tigers Blood. She wrote that the sisters were interested in “making something akin to what we made when we were younger” with “no ambitions and no plan, purely for our own enjoyment, for the experience of making something we ourselves wanted to hear.” The album was recorded with Cook and Lenderman over the course of a week, with Katie describing the experience as “realigning with the earliest, purest versions of our music-making selves”. // All tracks are written by Katie Crutchfield and Alison Crutchfield.]

[Half of Snocaps is Katie Crutchfield who performs as Waxahatchee who headlines YEEHAW! With Caleb Hearon on Friday, October 23, at 7:00pm Doors, 8:00pm Show at The Uptown Theatre 3700 Broadway, KCMO.]

  1. Lava Dreams – “Chemistry”
    from: “Chemistry – Single / Lava Dreams / February 19, 2026
    [Written by Lava Dreams and produced by Spencer Hoad. Lava Dreams (she/they) is a queer, multidisciplinary artist, performer, and songwriter based in Kansas City, Missouri – who’s been writing music for as long as they can remember. / Flourishing dreamy vocals, vulnerable lyrics, and visceral rhythms- hooking listeners through catchy melodies and electric performances – Lava Dreams is quickly becoming a striking figure in the Alternative Pop scene. / Their performances have taken them to stages across Kansas City, including Boulevardia, Kansas City Pride, Queer Dyke Night, Outer Reaches, and Manor Fest./ Lava Dreams released the single “Thirsty” on September 12, 2025, “Your Warrior” on August 9, 2024, “Driver” on May 24, 2024, “R.I.P. The Old Me” non July 28, 2023, “Thrill Ride” on July 1, 2022, “Galaxies” on July 9, 2021, and “The Amazing Wave” on January 8, 2021. Her 2020 project “GOOD ENERGY + FOCUS,” was praised by 909 The Bridge as one of the best EPs of that year. / Lava Dreams is dedicated to writing songs that lift the spirit and connect to the soul. Lava Dreams released the single. You can listen to Lava Dreams everywhere you stream music. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Lava Dreams (Julia Hamilton) is also a film maker who received her Bachelor’s of Arts degree in Film from Avila University. More info at: LavaDreamsMusic.com] [Lava Dreams played Apocalypse Meow 18, Saturday, November 1, at recordBar, with: Steddy P, Betse & Clarke (Electric), and Nathan Corsi & My Atomic Daydream. Explore their music at LavaDreamsMusic.com]

[Lava Dreams plays Spirit & Song series at Zhou B Art Center KC, at 1801 East 18th Street KCMO on Friday, October 23, 2026, Doors at 6:00pm. Performance 7:00pm to 9:00pm.]

  1. The Avalanches – “Under Yr Power”
    from: No Bad Memories / Modular / October 16, 2026
    [One of four singles from No Bad Memories, the upcoming fourth studio album from Australian electronic group the Avalanchess. // According to a press release, No Bad Memories is “inspired by the simultaneously magical and insidious ways that advertising and name-brand technology wraps itself around our memories. An ambivalent ode to the nostalgic pull of commercial ingles, proprietary start-up sounds, and long-forgotten audio logos. Revisiting imagery and jingles from childhood and realizing how profoundly they have stuck. Taking these sound sources from within the heart of this kinda corporate framework and flipping the fragments into our own kind of joyous pop music… Eventually we arrived at this world of No Bad Memories”. // The Avalanches are an Australian electronic music group formed in Melbourne in 1997. They have released three studio albums, Since I Left You (2000), Wildflower (2016), and We Will Always Love You (2020). The group is scheduled to release their fourth album No Bad Memories (2026) on October 16. They perform a hybrid live show that also incorporates elements of DJing. The group currently consists of co-founding members Robbie Chater and Tony Di Blasi, as well as multi-instrumentalist Andy Szekeres. // The band is an exponent of the plunderphonics genre, and their first album, Since I Left You, has been recognised by many critics as the most important example of the genre. // Three future Avalanches members formed Alarm 115 in Melbourne in 1994 as a noise punk outfit inspired by Drive Like Jehu, The Fall, and Ultra Bide. The line-up was Robbie Chater on keyboards, Tony Di Blasi on keyboards, bass and backing vocals, and Darren Seltmann on vocals (ex-Ripe). By 1995, Manabu Etoh joined on drums. The group bought instruments, recording gear and numerous old vinyl records by the crate at second-hand shops. When Etoh was deported and Alarm 115 disbanded, these records became the core of a new project. Chater was a film student at RMIT University and had access to a recording studio, which he and Seltmann used to turn the records into a 30-song demo tape labelled Pan Amateurs. In 1997 a new group consisting of Chater, Di Blasi, Seltmann, and Gordon McQuilten on keyboards was assembled to play the tracks live. Chater, Di Blasi and McQuilten had all been school mates in Maryborough. Starting in July, their first four shows were played under different names: Swinging Monkey Cocks, Quentin’s Brittle Bones, and Whoops Downs Syndrome. The group became “The Avalanches” at their fifth gig, borrowing the new band name from an American surf rock band, which recorded only one album, Ski Surfin’ with the Avalanches, in 1963.]
  1. The Womack Sisters – “If You Want Me”
    from: The Womack Sisters / Daptone Records / August 14, 2026
    [The Womack Sisters are indeed the nieces of Bobby Womack, as well as the granddaughters of the legendary Sam Cooke. They are part of a musical lineage that has significantly influenced soul and R&B music. The Womack Sisters: Kucha, Zeimani, and BG Womack, were singing before they could walk. The Sisters grew up on the road. Their schools were stages & studios all over the world, where they sang behind their parents, Zekkariyas & Zeriiya (fka Womack & Womack), alongside their four siblings. Nowhere was home for long. No matter where they lived they were always surrounded by music and family. // Their 2026 debut album,The Womack Sisters, is the musical culmination of the Sisters’ long and winding journey to find them-selves. Over an intensely soulful collection of tunes that harkens back to when pop music had substance, vibe and purpose, each of their distinct voices have their moments in the spotlight. // www. thewomacksisters.com.]

10:26 – Underwriting

10:27 – Pledge Break #2

WMM on-Air / Fall Fund Drive Team: Betse Ellis, Mara Williams, Eddie Moore

We are inspired by KKFI. Donating to 90.1 FM KKFI is BUILDING your community.

For 38 Years our Kansas City Area Community Speaks through our Airwaves. You’re the reason we’re able to stay alive and on the airwaves for all of these past 38 years.

On May 13, 2026 – WMM recently celebrated 22 years on the radio. As of this week WMM has done 1170 weeks, equal to 2340 hours of radio, over 18,000 hours of preparation, 3000 interviews, over 3000 guests, and nearly 25,000 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music community, “The Midcoast Sound,” as we like to call it. We have dedicated our WMM programming to New & MidCoastal Releases.

We are inspired by the Fearless Women who created radio on 90.1 FM long before us: our friend April Fletcher who plays bass professionally in Los Angeles, and hosted Mix Well Before Serving on 90.1 in 1988 on KKFI’s first year of broadcast, and two years ago returned after 35 years to host and produce WMM.

We are inspired by our friend Anne Winter, who left us in 2009. Anne helped to build KKFI being one of the very first programmers who recorded their shows in Tom Crane‘s basement on reel to reel tape. Anne hosted Kansas City’s first ever Punk Rock Show: Little Orphan Annie. She served on the KKFI board. She helped recruit Robert Moore to serve as KKFI’s manager, briefly in the mid 1990s. Anne also organized Culture Under Fire a two week festival of live bands, teen poetry, performance art, guest speakers, zine workshops, art exhibitions, and community building. Anne reminded us how we’re all connected. Anne also owned and operated Recycled Sounds, an influential record store in Kansas city from 1986 to 2005 at Westport Road and Main Street.

At Anne’s funeral we realized that we are connected to hundreds of other people who Anne had touched with her gentle, wise, guidance and had nudged into taking a job, going out on a stage, organizing an event, doing a radio show. We were all connected, she had loved us all and supported us, and some of us made a pact to do just a little bit of what Anne did, if we all did a little we could continue her work to help build our community, that is how we keep Anne alive in our heart.

We are inspired through collaboration, and shining a light, like Abigail Hope Henderson, who we lost in 2013, but not before she ignited a movement to create the Midwest Music Foundation supporting heath care needs and mental health care for the music community. Abigail was a frequent guest on the radio show. She told us that she felt like this was “our” radio show. Inspiring Mark to re-think the entire objective of Wednesday MidDay Medley with the mission to help tell the story of Kansas City’s music “community.”

We are inspired by the diverse, intelligent, motivated, listeners, looking for place on the dial, where they can connect to the stories & music & voice of our community.

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers.

Together we are building our community. We celebrate 1170 weeks of WMM, the show that has brought us together, at this time, on this frequency, in these community airwaves.
Thanks for listening.

In 2025 there were over 1675 MidCoastal (KC area) releases in Albums, EPs, & Singles…(that we know of).

In 2026 so far there have been 828 MidCoastal (KC area) releases in Albums, EPs, & Singles…(that we know of).

On WMM we culled these releases for our special mix of New & MidCoastal releases. In 2025 we’ve broadcast nearly 900 different tracks on WMM over our 100,000 watts of 90.1 FM Community Radio Airwaves.

Since 2009 WMM has presented our End-of-Year Specials: The 120 Best Recording of the Years, a 4-part, 4 week series. All of our Best of Lists and all of our weekly playlists are available at: Our “Best of Lists” can be found at: www.wednesdaymiddaymedley.org

10:35 – Re/Gen

Re/Gen: The Revitalization of KC Jazz –
An introduction to new/up and coming Jazz Artists

YesWay Live, 1519 Oak St., KCMO Sunday, October 25, at 5:00pm to 9:30pm

Jazz is a music of its time period, it has always reflected the present, and through time this has been an important part of the culture. “Re/Gen” is the regeneration of Kansas City’s historic jazz culture through modern artists. The infusion of Hip-hop, R&B, Soul, Funk, and Jazz will be performed live in between sets from the DJ Skeme. The interchange between digital and visual art will resonate with the current state of popular music. To further merge the music with culture, we have brought in River MaKenzi for floral work and stage design. River’s work creates an immersive environment that breaks the wall between audience and performer for a truly authentic experience.

Run of show: The show will feature compositions led by tenured jazz keyboardist, Eddie Moore, accompanied by a rotating cast featuring some of KC’s most forward thinking and upcoming jazz artists. Including Paxton Harvey Elektrik Band (bass), Nick Hmeljak’s Open Channel (trumpet), and Daul Lee’s Atelier (keyboards). As the night continues, invited artists will join the team on stage for “friends sets” to reinforce the interchange between the artists and the audience. Together, the exchanges will dovetail musically to embody the cornerstone of Kansas City’s identity.

Daul Lee – “Dilemma”
Paxton Harvey – “Evil Forest”
Jaylen Way – “Light”
(Cut for time: Nick Hmeljak, Open Channel – “I Don’t Feel Quite Myself”

10:36

  1. Daul Lee – “Dilema”
    from: “Dilema” / Daul Lee’s Atelier / To be released in November, 2026
    [Daul Lee is a 22 year old composer and pianist from Wichita, Kansas, known for his contributions to jazz music. He has premiered notable arrangements, including works by Oliver Nelson, and has collaborated with the award-winning Jazz Ensemble I at the University of Kansas.]

[Daul Lee plays Re/Gen: The Revitalization of KC Jazz – An introduction to new/up and coming Jazz Artists at YesWay Live, 1519 Oak St., KCMO, Sunday October 25, at 5:00pm to 9:30pm.]

  1. Paxton Harvey – “Evil Forest”
    from: “Evil Forest” – Single / Paxton Harvey / June 12, 2026
    [Paxton Harvey’s debut single, featuring electrifying synth from Eddie Moore with brutal grooves from The Paxton Harvey Elektrik Band. This track perfectly captures the improvisatory nature of the band and their masterful manipulation of energy. Eddie Moore on Synth, John Fraka on guitar, Paxton Harvey on bass, Jade Harvey on drums, Rengineered by Yarrow Harvey. Produced by Eddie Moore]

[Paxton Harvey plays Re/Gen: The Revitalization of KC Jazz – An introduction to new/up and coming Jazz Artists at YesWay Live, 1519 Oak St., KCMO, Sunday October 25, at 5:00pm to 9:30pm.]

  1. Jaylen Ward – “Light”
    from: “Light” – Single / Jaylen Ward / To be released in November, 2026
    [Jaylen Ward is a Drummer, composer, producer, and audio engineer with roots in South KC. During his time in College, he has been awarded the Down Beat National Award for Best Jazz Trio (2025) and Audio Engineering (2024). Throughout his career, he has performed with artists such as Logan Richardson, Tia Fuller, Harold “Spike” Bonhart of the Four Tops, Lonnie McFadden, Tivon Pennicott, Sean Jones, Isaiah Collier and the Chosen Few, Ben Vangelder, Adam Larson, Peter Schlamb, Eddie Moore, Dominique Sanders, Lynn Seaton, and many more. He performs regularly with The James Ward Band and many other artists in Kansas City, along with his own project since 2021. In 2025, Jaylen participated in two cultural exchanges in Chile and China. While in Chile, Jaylen performed at the International Festival of Jazz of Valparaiso, collaborating with several world-renowned South American musicians. In China, Jaylen performed and was a Jazz Faculty member with Bobby Watson of Art Blakey’s Jazz Messengers, James Ward, and Charles Williams. Jaylen toured Shanghai University, Beijing University, and Zhengzhou University.

[Jaylen Ward plays Re/Gen: The Revitalization of KC Jazz – An introduction to new/up and coming Jazz Artists at YesWay Live, 1519 Oak St., KCMO, Sunday October 25, at 5:00pm to 9:30pm.]

10:49 – Fall Fund Drive Break #3

WMM Fall Fund Drive Team: Betse Ellis, Mara Williams, Eddie Moore

So far this year in 2026 Mark conducted Over 100 interviews with 153 guests:

Michelle Bacon, Chris Hudson, Dwight Frizzell, David Basse, D Rashaan Gilmore, Calvin Arsenia, Cera Impala, FlareThaRebel, Shaun Crowley, Sara Swenson, Nathan Reusch, Charlie Burt, Mike Bland, Brad Smith, Mará Rose Williams, Sandra Draper, Betse Ellis, Joelle St. Pierre, Jennie Ferguson, Scott Mize, Matt Kesler, Hank Pendergraft, Diane Scott, Jade Osborne, Dedric Moore, Steve Tulipana, Christena Graves, IVORY BLUE, Dandelion Lakewood, Rosie O’Brien, Sam Wright, Spencer Goertz-Giffen, Braden Young, Brent Kinder, Ed Wallerstein, Ian Byrne, Kian Byrne, Norm Dahlor, A.M. Merker, Colm Chomicky, Jennifer Owen, Brad Cox, Krystle Warren, Michael B. Tipton, Kasey Rausch, Marcus Rattler, Hailes, Scott Moreau, Becky Barta, Taylor Bapp, Lava Dreams, Julie Bennett Hume, Amelia Rose, Alan Wasserman, Janice Wasserman, Jesse Bartmess, Krysztof Nemeth, Ned Stacie, Francois, Peter Pain, Rachel Christia, Vi Tran, Darin Challacombe, Madeline Marak, Lori Buntin, Margaret Cho, Brodie Rush, Cody Calhoun, Liam Sumnich, Nate Hubert, Tim Jenkins, David Brighton, Jocelyn Olivia Nixon, Stephonne, Will Kuenne, Vinnie Cascone, Carlos Nunez, Jonathan Van Ness, Warren Williams, Julia Othmer, James Lundie, Ames King, Noah Bartelt, Katie Schieferecke, Luke Rowe, Miki P, Rachel Lovelace, Brooke Tuley, IVORY BLUE, John Lawrence Johnson, Jamogi, Danny Fischer, Audrey Crabtree, Chris Garibaldi, Scott Free, Nick Carroll, Kimmie Queen, Theresa Scott, Nicki White, Danielle Anderson, Katheryn Krouse, Bowie Krouse, Lee Walter Redding, Angela Ward, James Ward, Joel Kraft, BOSCO, Just Angel, Clarence Copridge, Abe Abaleanie Brown, Matthew Hayden, Stephen Roper, Austin Marks, Al Hawkins, Fritz Hutchison, Derek Trautwein, Amanda Davis, Andrew Woody, Brian Hurtgen, Joseph Peaks, Ken Lovern, Xavier Martin, Maddie Lai, Bill Sundahl, Mike McCoy, Erin Eades, Silver Wesley, Tim Miller, Heather Carver, William Horner, Marilyn Maye, Michelle Shocked, Zachary Van Benthusen, Jane Prewitt Watkins, Patty Prewitt, Cortland Gibson, Elaine (Lainey) Chang, Colin Halliburton, Jesse Kates, Mack McKinney, Kate McCandless, Fanny Mandelberger, T.A. Rell, Gie Santana, Jon Hypocrace Lewis, Eboni Fondren, Alec Nicholas, Shawn Saving, Francis Connor, Darren Defrain, Eddie Moore, Claire Adams

Last year In 2025 Mark conducted interviews with 159 special guests:

Krystle Warren, elska, Michelle Bacon, Mike Dillon, Peregrine Honig, Malek Azrael, Joshua Luke, Izzy Vivas, Julie Bennet Hume, Doug Hitchcock, Diana Watts, Kevin King, Daniel Gum, Chris Garibaldi, Mark Henning, Ross Brown, Miquel Antonio, Daniel Cole, Paul Seiz, Cody Ryan Stapleton, Matt Muckenthaler, Nathan Reusch, Zach Lamun, Les Izmore, Charlie Colborne, Billy Belzer, T.A. Rell, Just Angel, Dylan Pease, Andy Wooden, Betse Ellis, Rachel Christia, Mikal Shapiro, Seth Davis, Evan Verploegh, Shanté Clair, Benjamin Baker, SEYKO, Cole Bales, Cody Calhoun, Noah Cassity, Kole Waters, Alex May, Stephonne, Danielle Anderson, Zach Hodson, Valerie Schurman, Joe Frogge, Fally Afani, Til Willis, Heather Pontonio, Jose Faus, Elizabeth Bettendorf Bowman, Chico Sierra, Zo E., Jaclyn Danger, Simon Huntley, J. Ashley Miller, Grace Broadhead, Jason Turk, Sandra Draper, Enrique Chi, Julia Othmer, James T. Lundie, Alber, Jennie Ferguson, Scott Mize, Matt Kesler, Shaun Crowley, Paul Jesse, Alex Wong, Jen Kiper, David Luther, Sergio Anthony Gonzalez, Jeremiah James Gonzalez, Katlyn Conroy, Chris Catterall, Cheyenne Jackson, Kate McCandless, Moksha Sommer, Jemal Wade Hines, Chris Haghirian, James McGee, Meighan Peifer, Michael McQuary, Joey Arias, Lonnie Fisher, Tara Fisher, Adee Dancy aka Sisterbot, Hadiza., Suzannah Johannes, Keelon Van, Alyssa Murray, Ernest Melton, Mará Williams, J.M. Banks, Beth Watts Nelson, Spencer Thompson, Amanda Davis, Derek Trautwein, Dedric Moore, Rachel Lovelace, Kai McGarry, Alicia McGarry, Sandra Draper, Steve Tulipana, Day Shepherd, Tirzah DeMeire, Keyon Monté, Lee Sampson, Joel Stratton, Jim Hubbell, TheBabeGabe, TyFaison, Mitzi McKee, Don Simon, Morgan Holcomb, Bill Sundahl, Rick Truman, Nick Carswell, Brody Lowe, Fritz Hutchison, Mark Ronning, Iona DeWalt, Nan Turner, Amy Steinberg, Pete Kuhn, Brandon Day, Flare Tha Rebel, Margo May, Jared Bond, Tim York, Rita Hanch, Brock Johnson, Howard Iceberg, Chad Brothers, Julie Bates, Andrew Morris, Bess Wallerstein-Huff, Christopher Ruiz, Wills Nan Doorn, Sondra Freeman, Steddy P, David George, Scotty Sharp, Ben Wendt, Brock Wilbur, Nick Spacek, Gabe Rivera, Sara Swenson, Tommy Capps, Dirk Liebert, Graham Stone, Barry Lee, Chuck Haddix, Judy Mills, and Bill Brownlee.

10:56 – Station ID

  1. Hedwig & The Angry Inch – “Wicked Little Town”
    from: Original Motion Picture Soundtrack to Hedwig & The Angry Inch / Hybrid / 2001
    [Hedwig and the Angry Inch is a 2001 American musical comedy-drama film written, adapted, and directed by John Cameron Mitchell, who also portrayed the title role, reprising his performance from the original production. Based on Mitchell’s and Stephen Trask’s stage musical of the same name, the film follows a fictional rock band fronted by an East German transgender singer who survives a botched sex change operation. Hedwig subsequently develops a relationship with a younger man, Tommy, becoming his mentor and musical collaborator, only to have Tommy steal her music and move on without her. The film follows Hedwig and her backing band, the Angry Inch, as they shadow Tommy’s tour, while exploring Hedwig’s past and complex gender identity. The musical has developed a devoted cult following. Despite largely positive reviews from critics and audiences, the film was a box office bomb, grossing only $3.6 million from an estimated $6 million budget. In 2001, the film won the Best Director and Audience Awards at the Sundance Film Festival as well as Best Directorial Debut from the National Board of Review, the Gotham Awards, and the Los Angeles Film Critics Association. Mitchell received a Golden Globe nomination for Best Actor and the Premiere magazine Performance of the Year Award. Hedwig and the Angry Inch is a rock musical about a fictional rock and roll band fronted by a genderqueer East German singer, Hedwig Robinson. The book is by John Cameron Mitchell, and the music and lyrics are by Stephen Trask. The story draws on Mitchell’s life as the son of a U.S. Army Major General who once commanded the U.S. sector of occupied West Berlin. The character of Hedwig was inspired by a German divorced U.S. Army wife who was a Mitchell family babysitter and moonlighted as a prostitute at her Junction City, Kansas, trailer park home. The music is steeped in the androgynous 1970s glam rock style of David Bowie (who co-produced the Los Angeles production of the show), as well as the work of John Lennon and early punk performers Lou Reed and Iggy Pop. The musical opened Off-Broadway in 1998, and won the Obie Award and Outer Critics Circle Award for Best Off-Broadway Musical. The production ran for two years, and was remounted with various casts by the original creative team in other US cities. In 2000, the musical had a London West End production, and it has been produced throughout the world in hundreds of stage productions. In 2014, the show saw its first Broadway incarnation, opening that April at the Belasco Theatre and winning the year’s Tony Award for Best Revival of a Musical. The production closed on September 13, 2015. A national tour of the show began at San Francisco’s Golden Gate Theatre in October 2016 before closing at the Kennedy Center in July 2017. The character of Hedwig was originally a supporting character in the piece. She was loosely inspired by a German female babysitter/prostitute who worked for Mitchell’s family when he was a teenager in Junction City, Kansas. The character of Tommy, originally conceived as the main character, was based on Mitchell himself: both were gay, the sons of an army general, deeply Roman Catholic, and fascinated with mythology. Hedwig became the story’s protagonist when Trask encouraged Mitchell to showcase their earliest material in 1994 at NYC’s drag-punk club Squeezebox, where Trask headed the house band and Mitchell’s boyfriend, Jack Steeb, played bass. They agreed the piece should be developed through band gigs in clubs rather than in a theater setting in order to preserve a rock energy. Mitchell was deeply influenced by Squeezebox’s roster of drag performers who performed rock covers. The setlists of Hedwig’s first gigs included many covers with lyrics rewritten by Mitchell to tell Hedwig’s story: Fleetwood Mac’s “Oh Well”; Television’s “See No Evil”; Wreckless Eric’s “Whole Wide World”; Yoko Ono’s “Death of Samantha”; Pere Ubu’s “Non-Alignment Pact”; Cher’s “Half Breed”; David Bowie’s “Boys Keep Swinging”; Mott the Hoople’s “All the Young Dudes”; and the Velvet Underground’s “Femme Fatale.” A German glam rendition of Debby Boone’s “You Light Up My Life” once served as the musical’s finale. Mitchell’s second gig was as fill-in host at Squeezebox on a bill featuring singer Deborah Harry of Blondie. It was for this occasion that Mike Potter first designed Hedwig’s trademark wig, which was initially constructed from toilet paper rolls wrapped with synthetic blond hair. Mitchell, Trask, and the band Cheater (Jack Steeb, Chris Wielding, Dave McKinley, and Scott Bilbrey) continued to workshop material at venues such as Fez Nightclub and Westbeth Theater Center for four years before premiering the completed musical Off-Broadway in 1998. Mitchell has explained that Hedwig is not a trans woman, but a genderqueer character. “She’s more than a woman or a man,” he has said. “She’s a gender of one and that is accidentally so beautiful.”]

[John Cameron Mitchell will be appearing live at Screenland Armour, 408 Armour Rd., North Kansas City on Saturday, October 24 at 2;00pm for the Hedwig and the Angry Inch with Writer/Director/Star John Cameron Mitchell will be talking over the film doing a live commentary. – Celebrate the 25th anniversary of the critically acclaimed, award-winning rock movie musical Hedwig and the Angry Inch with an unforgettable event featuring Golden Globe–nominated star John Cameron Mitchell!]

11:00 – Station ID

11:00 – Interview with Claire Adams

Claire Adams joins us to share music from her new album CARACOLES.

Musically curious & multifaceted, Claire Adams is dedicated to collaborating, recording, and songwriting to hone her melodic instincts & vision. A bassist, guitarist, singer/

Adams has lent a discerning ear and versatility to a number of recording projects and also worked as a touring bassist and back-up vocalist for artists including Lilly Hiatt, Katy Guillen, Samantha Fish, Frogpond and Thelma & The Sleaze.

Claire Adams thanks for being with us on Wednesday MidDay Medle

Claire Adams plays B.B.’S LAWNSIDE BBQ 1205 E 85th St, KCMO on Friday, Oct. 23, 2026 at 7:00pm.

Claire Adams plays THE 1909 CLUB, 25 Southeast 3rd St., Lee’s Summit, MO, on Friday, Oct. 30, 2026 at 7:00pm.

Claire Adams plays EAST FORTY BREWING 1201 W Main Street, Blue Springs, MO, on Sunday, November 8, 2026, at 7:00pm.

Claire Adams plays COMPASS POINT: HOME OF DIRTY GIRL ADVENTURES 800 North Kansas Avenue, Topeka, KS on Sunday, Nov. 8, 2026, 2:30pm to 6:00pm.

Claire Adams thanks for being with us on Wednesday MidDay Medley

More info at: www.claireadamsmusic.com

11:08 – Claire Adams

  1. Claire Adams – “Big Blue Sky”
    from: Caracoles / Claire Adams / September 22, 2026
    [Claire Adams on vocals, bass, rhythm guitars, piano; Abraham Villaseñor on lead and rhythm guitars; Jean Pierre Chaurand on drums and percussion; Tzintuni Varela on vocals on The Sun Still Shines, Garden Green, Thief in the Night; W. Gregory on trumpet on Garden Green; Agnes Esparza on spoons and ruckus on Garden Green. Recorded at Sonocomio GDL and Weights + Measures KC with additional tracking at Rio Verde. Recording Engineers: Agnes Esparza, J.P. Ortega, Alex Lepe, Duane Trower, Claire Adams. Mixed and Mastered by Duane Trower at W+M // On May 2, 2025 Claire Adams released the 11-track album Passenger Seat, Recorded at Rio Verde in Guadalajara, Jalisco with Additional recording at Maniax Studios GDL and Weights + Measures KCMO. Mixed and Mastered by Duane Trower at Weights + Measures. Claire Adams on bass, rhythm guitar, vocals; Abraham Villaseñor on lead guitar, rhythm guitar, vocals; Jean Pierre Chaurand on drums; Christian Jiménez on keyboards; Carmen Aguilar on violin; Allysa Bell Jackson on viola; Mike Stover on pedal steel, Juan Carlos Chaurand on percussion; Stephanie Williams on percussion. // Claire Adams lives in Guadalajara, Jalisco, Mexico but still gets back to Kansas City often to work on musical projects and see family and friends. // Musically curious and multifaceted, Claire Adams has spent more than a decade touring, recording and songwriting to hone her melodic instincts and vision. A bassist, guitarist, singer and songwriter, Adams has lent a discerning ear and versatility to a number of projects. // Picking up guitar as a teenager, Adams was immediately drawn to songwriting. Her penchant for wordplay and melody led her to Nashville to study, write and perform, sparking an interest in traveling, touring and working in collaborative environments. // Upon returning closer to home in 2010, Adams set up shop in Kansas City, Missouri, and Claire founded the eight-piece genre-jumping collective Claire and the Crowded Stage – a project that united her pop sensibilities with non-traditional instrumentation. This project teamed her up with guitarist Katy Guillen and drummer Stephanie Williams, leading them to form the nationally touring blues-rock trio Katy Guillen & the Girls in 2012, with Adams on bass and backing vocals. In recent years Adams has been performing solo, collaborating with the KC based string quartet Rewound, pianist Alyssa Murray, Steve Gardels. // On April 2, 2024 Claiere Adams released the EP Words of Love with Claire Adams on vocals, bass; Daniel Dissmore on trumpet; Fritz Hutchison on drums; Jackie Myers on piano; Trevor Turla on trombone; Abraham Villaseñor on guitar. // Recorded, mixed and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Additional recording by Odin Parada at Rec4 Studios, GDL. // Musically curious and multifaceted, Claire Adams is dedicated to collaborating, recording and songwriting to hone her melodic instincts and vision. A bassist, guitarist, singer and songwriter, Adams has lent a discerning ear and versatility to a number of projects. Claire founded the eight-piece genre-jumping collective Claire and the Crowded Stage – a project that united her pop sensibilities with non-traditional instrumentation. This project teamed her up with guitarist Katy Guillen and drummer Stephanie Williams, leading them to form the nationally touring blues-rock trio Katy Guillen & the Girls in 2012, with Adams on bass and backing vocals. In recent years Adams has been performing solo, collaborating with the KC based string quartet Rewound, and in a trio featuring pianist Alyssa Murray. // Claire Adams Alyssa Murray and Steve Gardels released the EP Easy Match on November 1, 2023. Easy Match contains 5 songs. // Claire Adams released “It’s All in Fun” – Single on June 30, 2023. Claire Adams told Michelle Bacon at The Bridge, “”I wrote the string arrangement in the summer of 2021 and we went in to record it this past spring,” Adams said. “I’ve had the happiness of working with Alyssa Bell (viola) and Carmen Dieker (violin) for several years now, mostly playing my songs as arranged by others and I wanted to give a try to arranging a song myself.” “I feel like having an understanding of everyone else’s styles and strengths gives me a sense of direction and focus on what can otherwise be a really abstract craft,” she said. On bass, she, Guillen and Williams comprised the acclaimed trio Katy Guillen & The Girls for seven years, while she has consistently been working with Murray in the years to follow. The four of them got to work with Duane Trower, who has recorded and engineered the majority of Adams‘ solo songs. // Claire Adams released “If It Isn’t Right (Alyssa Murray Remix)” on April 15, 2022 Claire Adams wrote to us saying, “Alyssa Murray made a super cool remix of one of the songs off the last album and I wanted to share it with you. The song is ‘If It Isn’t Right’ and also features the Rewound string trio and an arrangement by Peter Lawless. Alyssa really made it her own and gave it a whole new spin, she’s amazing!” Here are the full credits: Vocals: Claire Adams, Alyssa Murray, Fritz Hutchison. Synths and Beats: Alyssa Murray. Cello: Ezgi Karakus. Viola: Alyssa Bell. Violin: Carmen Dieker. String Arrangement: Peter Lawless. Mixed and Mastered by Duane Trower at Weights + Measures Soundlab. Cover Art by Cassie Allen. ‘If It Isn’t Right’ written by Claire Adams. This song was originally on Claire’s acclaimed album YOU KNOW I KNOW YOU originally released April 24, 2020. // Claire Adams released her album YOU KNOW I KNOW YOU April 24, 2020. Lost in the COVID 19 of 2020. The album was properly given a “release show” and put out on CD in 2021. 10 songs all written by Claire Adams. Recorded at The Blue House in Kansas City, MO. Additional tracking at MARZ Studios in Nederland, TX. Mixed & mastered at Weights + Measures Soundlab in KCMO. Written by Claire Adams, with Claire Adams on guitars, bass, and vocals; Alyssa Murray on keyboards & vocals; and Fritz Hutchison on drums & vocals. // Claire Adams released: Words of Love EP on Feb. 5, 2021 – Recorded and Produced by Claire Adams at Casa 34 in Guadalajara, Jalisco. Mixed and Mastered by Duane Trower at Weights + Measures in Kansas City, MO. Cover Photo by Hugo Parasol. ‘So This Is Love’ written by Mack David, Al Hoffman, and Jerry Livingston. ‘Pocketful Of Rainbows’ written by Ben Weisman, ‘Till There Was You’ written by Meredith Wilson. “Words of Love” written by Claire Adams. ‘Calico Skies’ written by Paul McCartney. // Claire Adams released the EP Moras under the moniker, Mismo Sismo (same earthquake) on July 21, 2021. Claire Adams wrote and recorded this EP at home during the first months of the COVID-19 quarantine. The three songs are meant to be played all together but also stand alone. Mismo Sismo is a collaboration with photographer Hugo Parasol.// Claire played guitar on True Lions album THE FEMPIRE STRIKES BACK. In 2020 Clairplayed with the band Ondist for their three full length albums, No Coincidence on June 12, and Electricity on Aug. 14, and Mise en Place on Nov. 13, 2020 with songs recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, and Jillian Riscoe on vocals. Claire also participated in Katy Guillen and The Girls Reunion shows in summer of 20. More info at: https://claireadams.bandcamp.com]

[Claire Adams plays B.B.’S LAWNSIDE BBQ 1205 E 85th St, KCMO on Fri, Oct. 23, 2026 at 7:00pm. ]

[Claire Adams plays THE 1909 CLUB, 25 Southeast 3rd St., Lee’s Summit, MO, Fri, Oct. 30, 7:00pm. ]

[Claire Adams plays EAST FORTY BREWING 1201 W Main, Blue Springs, MO, Sun, Nov. 8, 7:00pm]

[Claire Adams plays COMPASS POINT: HOME OF DIRTY GIRL ADVENTURES 800 North Kansas Avenue, Topeka, KS on Sunday, Nov. 8, 2026, 2:30pm to 6:00pm.]

11:11 – Fund Drive Break #4

WMM Fall Fund Drive Team: Betse Ellis, Mara Williams, Eddie Moore

Timothy Finn in KC Star named WMM “The Best Place to Hear Local Music on the Radio.” and the Best Place to hear area musicians talk about their music.

Wednesday MidDay Medley was the first radio show to ever play the recordings of: Calvin Arsenia, Stephonne, Madisen Ward and the Mama Bear, Krystle Warren, The Black Creatures, The Shy Boys, The ACB’s, Miss Boating, Rev Gusto, Mommas Boy, The Salvation Choir, The Creepy Jingles, Ivory Blue, Miki P., Kai McGarry, Rude Cousin. We were the first to interview these artists live on the radio and bring their music to a wider audience.

In 2026 we have had Live Performances from: Calvin Arsenia, Erin Eades, Dandelion Lakewood, Gullywasher, Rosie O’Brien & Taylor Bapp, Lee Walter Redding, Just Angel & Clarence Copridge, oldnothing, Maddie Lai, Just Angel, & T.A. Rell, and more.

WMM has presented new formats in radio, with our “A Story In A Song” series, our shows featuring: Apocalypse Meow, Juneteenth, Power to The People Fest, Crossroads Music Fest, Folk Alliance International, Manor Fest, The Outer Reaches Festival, Boulevardia. KC Fringe Festival, Waldo Folk Series, Shuttlecock Music, The Folly Theatre, Owen Cox Dance Group, Bach Aria Soloists, KC Pride, our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, LGBTQIA Themes, Black Lives Matter and interviews with Lily Tomlin, Laurie Anderson, Tommy Ramone, Sweet Honey in The Rock, Joey Arias, Marilyn Maye, Cheyenne Jackson, Margaret Cho, Iris Dement, Greg Brown, Scott McCaughey, Michelle Shocked, Flamy Grant, Members of Fanny, Regina Spektor, Regina Carter, Jonathan Van Ness, Tim Miller, Cris Williamson, Nick Cave, Holly Near, Sam Harris, our annual 4-week special: WMM’s 120 Best Recordings of the Year.

WMM has been inspired by the KC music community. The KC music community is fueled by a collaborative & generous heart that is beating in the artists we’ve met doing this show.

11:19 – Underwriting

11:20 – More Interview with Claire Adams

Claire Adams joins us to share music from her new album CARACOLES.

Last year (2025) Claire played bass for two national tours with songwriter Lily Hiatt, and rock ‘n’ rollers Thelma & The Sleaze, and released the album ‘Passenger Seat’

This year (2026) Claire filled in with Katy Guillen & the Drive for some KC World Cup shows and a tour in Alaska.

Claire has a trio in Guadalajara with Abraham Villaseñor on guitar and Jean Pierre Chaurand on drums. We play original music and recorded the last album ‘Passenger Seat’ and the new one ‘Caracoles’ together.

‘Caracoles’ is the new full-length album, released Sept 22nd. I think of this album as music for times of transition, music for dancing in the kitchen, music for too much wine, music for crying til you laugh, for fall, for quiet drives, for the garden, for longing, for memory. It’s a work of joy and pain, looking into the past, present, and future. Dancing along the fine lines…

The title comes from the Spanish word for snail or spiral, and the idea of returning to a place in life that feels familiar, perhaps too familiar, the feeling of a cycle, a loop, a trap. But looking at this familiar place with the memory and knowledge of when you were there before… the loop breaks, the spiral opens. It can pull you down and in… it can guide you back out again.

Claire Adams thanks for being with us on Wednesday MidDay Medle

Claire Adams plays B.B.’S LAWNSIDE BBQ 1205 E 85th St, KCMO on Friday, Oct. 23, 2026 at 7:00pm.

Claire Adams plays THE 1909 CLUB, 25 Southeast 3rd St., Lee’s Summit, MO, on Friday, Oct. 30, 2026 at 7:00pm.

Claire Adams plays EAST FORTY BREWING 1201 W Main Street, Blue Springs, MO, on Sunday, November 8, 2026, at 7:00pm.

Claire Adams plays COMPASS POINT: HOME OF DIRTY GIRL ADVENTURES 800 North Kansas Avenue, Topeka, KS on Sunday, Nov. 8, 2026, 2:30pm to 6:00pm.

Claire Adams thanks for being with us on Wednesday MidDay Medley

More info at: www.claireadamsmusic.com

  1. Claire Adams – “The Sun Still Shines feat. Tzintzuni Varela”
    from: Caracoles / Claire Adams / September 22, 2026
    [Claire Adams on vocals, bass, rhythm guitars, piano; Abraham Villaseñor on lead and rhythm guitars; Jean Pierre Chaurand on drums and percussion; Tzintuni Varela on vocals on The Sun Still Shines, Garden Green, Thief in the Night; W. Gregory on trumpet on Garden Green; Agnes Esparza on spoons and ruckus on Garden Green. Recorded at Sonocomio GDL and Weights + Measures KC with additional tracking at Rio Verde. Recording Engineers: Agnes Esparza, J.P. Ortega, Alex Lepe, Duane Trower, Claire Adams. Mixed and Mastered by Duane Trower at W+M One of the first singles from Claire Adams new album, Caracoles to be released in October 2026. More info at: https://claireadams.bandcamp.com]

[Claire Adams plays B.B.’S LAWNSIDE BBQ 1205 E 85th St, KCMO on Fri, Oct. 23, 2026 at 7:00pm. ]

[Claire Adams plays THE 1909 CLUB, 25 Southeast 3rd St., Lee’s Summit, MO, Fri, Oct. 30, 7:00pm. ]

[Claire Adams plays EAST FORTY BREWING 1201 W Main, Blue Springs, MO, Sun, Nov. 8, 7:00pm]

[Claire Adams plays COMPASS POINT: HOME OF DIRTY GIRL ADVENTURES 800 North Kansas Avenue, Topeka, KS on Sunday, Nov. 8, 2026, 2:30pm to 6:00pm.]

11:31 – Fund Drive Break #5

WMM on-Air / Fall Fund Drive Team: Betse Ellis, Mara Williams, Eddie Moore

For 22 years we’ve shined a light on artists, music labels, recording studios, & venues.

Wednesday MidDay Medley offers incredible mix of: Themes, Events, Bands, Venues featured:

MLK Tribute, Iris Dement Tribute, David Bowie Tribute, The Band That Fell To Earth KC, Folk Alliance International in New Orleans, New Protest Songs, Grammy Winners, Manor Records Foundation, Greenwood Social Hall, The Uptown Theater, Enigmatic Brunch Records, She Said, Kansas City Synthesizer Collective, The Record Machine, Black History with 20+ Black Artists & Bands from KC, Mid-America Arts Alliance, Kansas City Community Collage, Outer Reaches Fest, Artist INC, Artists Thrive, Kosmic City, The RINO, Sass-a-Brass Band, The Elders, Owen Cox Dance Collective, Rock & Roll Hall of Fame, Quality Hill Playhouse, BCR celebrates 50 Years!, Lawrence Pride, WOMEN OF THE REBELLION, recordBar, Heartland Song Network, Missouri Arts Council, Vine Street Brewing, NED’s Friend-Hole Cabaret LIVE, The Warwick Theater, REVISER, The Emerald, Manor Fest 8, All That Class and Jazz, KC Folk Fest, Kansas City Artists Coalition, An Evening of Pink Floyd, The Folly Theater, David Brighton’s SPACE ODDITY, Say That Again, Sound Mandala, The Forcefields, The Unicorn Theatre, Sara Bellum and the Brainwaves, The Swallowtails, Shuttlecock Music, PERSPECTIVES at Lavender Studio, miniBar, Replay Lounge, Lemonade Park, The Ship, Equal Minded Cafe, KC Fringe Fest, Bird Comedy Theater, Whim Space, Lotuspool Records, The Suneaters, Pamper The Madman, The Philistines, The Musical Universe of Rev. Dwight Frizzell, AMERI’KANA Music & Arts Festival, Magic of Grandmas, Comprehensive Arts Institute, The Blue Room, The Morton Amphitheater, The Brick, RuPaul’s Drag Race, Flew the Coop Fest, Unbossed and Unbothered with D. Rashaan Gilmore, BlaqOut KC, Light Up the Lawn of the Nerman Museum of Contemporary for Art, Waldo Folk, Zhou B Art Center – Zhou Spirit and Song, Rural Grit Happy Hour, Oddly Correct Block Party, Hotel Leo, Knuckleheads, Molly Picture Club, Found A Job, Tribute to Dolly Parton, Hillsider’s, The Creepy Jingles, True Lions, Charlotte Street, The Spooky Shxt Show, YesWay Live, John William “Blind” Boone, The Boone Theater, encode, 22nd Annual Crossroads Music Fest, 30 Annual Kansas City Film Fest, Spike Hellis, Tribute to Mama Bear – Ruth Whitlock Ward, 9th annual Apocalypse Meow, The Roseline, She Speaks in Tongues, The Sexy Accident, No Choice but Action: Kansas Postpunk 1978-1994, Black Site Records, Truck Stop Love, Ned’s Fright-Hole Cabaret,

11:39 – WMM Celebrates New & MicCoastal Release

  1. Jamogi – “Georgia Peach”
    from: J’DAY / Jam Tunes / June 12, 2026
    [J’Day is a celebration of growth, creativity, and self discovery. Three years in the making, the album represents the culmination of Jamogi’s journey through a wide range of genres, influences, and sonic landscapes. The result is a body of work that not only showcases his musical versatility but also reveals the many facets of his personality. // Produced alongside OceanLife Gianni, J’Day captures the energy, emotion, and moments that make life memorable. From the horn driven fanfare of “Go Big or Go Home” to the flirtatious blend of West Coast, Midwest, and Southern influences on “Back N’ Forth,” Jamogi demonstrates a clear understanding of both his sound and his audience. Tracks like “Do It to Me” transport listeners through different eras and musical inspirations, while songs such as “Storybook,” “Treasure,” and “Georgia Peach” reveal his romantic side through storytelling, heartfelt lyricism, and poetic imagery. // The album also features collaborations with a talented lineup of friends and fellow artists on tracks including “What’s It Gonna Be?” and “HOLLABACK,” adding even more personality and perspective to the project. // More than just a collection of songs, J’Day marks a defining moment in Jamogi’s artistic journey. It is a bold statement of who he is today and a testament to the creative vision he has spent years refining. Rich with personality, versatility, and heart, the project positions Jamogi for his next era and leaves listeners wondering where he’ll take them next. // Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California.// Jamogi released the single “Georgia Peach (feat. Burgandy)” on September 5, 2025. Jamogi released Jamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live) through Jam Tunes on April 11, 2025. // Jamogi released the single “Do It To Me” on March 28, 2025. // Jamogi released the single “Go Big or Go Home” on August 30, 2024, Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire. Kamogi and the Jammers played Boulevardia 2025]

[Jamogi & The Jammers play The 19th annual Apocalypse Meow on Saturday, November 7th, Doors at 6pm, Show at 7pm, at recordBar, featuring live music from: ROMAN NUMERALS, JAMOGI & THE JAMMERS, PHAZE II, and STUBBLEFIELD. Apocalypse Meow is MMF’s main fundraiser for Abby’s Fund For Musicians’ Health Care, which provides local musicians and music workers with essential health care resources. In addition the RockDocs will be on site to offer flu shots and COVID boosters provided by the KC Indian Center, as well as discuss screenings, wellness programs, health conditions and concerns, and arrange follow-ups. We’ll also have live raffles that feature an assortment of items donated by local businesses at AM19, and an online auction running the month of November.]

  1. Corey Dies in the End – “Let’s Stay Together for the Cruise”
    from: “Boy With No Job” – Single / Lime Squeeze Records / February 17, 2023
    [Corey Dies in the End released, “Boy With No Job” on February 17, 2023. Corey Dies in the End released, “Buyers Remorse” on June 9, 2023. Corey Dies in the End is the solo musical project of Corey Vitt who has been playing in Kansas City and Lawrence bands since 2006 playing with Videodisk, Parents, Hidden Pictures, Rooms Without Windows, and Beautiful Bodies. With Corey Dies in the End on vocals, programming, & guitars and Matty Harris on mixing & mastering. / Corey Dies in the End released the single, “Stranger’s Faces” on September 2, 2022. / Corey Dies in the End released the single, “Goth Girl Summer” on May 20. 2022. / Corey Dies in the End released the single, “Air” on January 26, 2022. / Corey Dies in the End released the single, “Island” on Oct 6, 2021. info at: www.coreydiesintheend.bandcamp.com]

[Corey Dies in The End play Sound Bite Social at Warehouse on Broadway, 3951 Broadway Blvd., KCMO on Friday, October 23, at 7:00pm.]

  1. Suzannah Johannes – “Rebecca”
    from: Kansas City: Hanz Bronze Boulevard / Suzannah Johannes / August 29, 2025
    [Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera. More info at: www.suzannahjohannes.com.]

[Suzannah Johannes plays Northside Social, 340 Locust St., Lawrence KS. on Sunday, October 25, at 7;00pm with Small Birds of Sound.]

11:48 – Pledge Break #6

WMM On-Air / Fall Fund Drive Team: Betse Ellis, Mará Williams, Eddie Moore

KKFI Offers Incredible Diversity

With shows locally produced about Native People, LGBTQIA People, Women, Working People, Black People, Ecological People, People in Prison, Stories of Middle Eastern and Latinx, KC Tenants, Understanding Israel Palestine, Economics For The People, Local elected leaders, Creatives, Artists, Poets, Musicians, Teachers, Theatre People, Dancers, Writers, Environmentalists, Historians, Activists, Survivors, KKFI’s News, Public Affairs, Arts & Culture programs go the distance with every show to represent and report of what is going on in our world here in Kansas City and the surrounding metro in our 80 mile radius of signal, and even farther on line digitally.

KKFI offers music shows produced by steadfast representatives from the diverse Music Community of Kansas City: Jazz shows 7 days a week hosted by professional Jazz Musicians; Reggae Shows throughout the week hosted by Reggae Royalty, Folk and Americana shows all week long hosted by folk musicians with decades of performances; Blues shows hosted by women & men who dearly love and live in KC’s enduring and nationally recognized blues community. Music shows that celebrate Independent, Local, Alternative, Soul and R&B, Punk, Hip Hop, Electronic, Vinyl Only, Glam Rock, New Wave, Rockabilly, Tejano, Classical, K-Pop, LIVE!, Gospel, New!, World, Experimental, Old-Timey, House, Country, Heavy Metal, and so much more. Every show is produced, engineered and hosted by a real live person on the other end of the telephone.

90.1 FM is a miracle in broadcasting because hundreds of volunteers and active members keep it alive with their passion for the possibilities of radio, our most accessible media, available online, but also over the airwaves from our 100,000 watt tower that we own as a station and non-profit membership based organization. Please help us survive. Reports show that 1 to 10 percent of listeners actually give back and donate in support of community radio. With your donation, YOU are the funder of something 100 other people will enjoy (for free) because of your donation.

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, to share your concerns, and offer resources and information. Along with our National Public Affairs shows like Democracy Now and Alternative Radio we offer more locally produced public affairs programs than anywhere else on the dial.

We offer programs for Women, the LGBTQIA Community, Native Americans, Black Public Affairs, Labor & Worker’s Unions, Middle Eastern Music & Information, Latino Programming, prison & justice system, environmental programming, Visual & Performing Arts, KC Tenants, Economics for the People, Understanding Israel Palestine.

At KKFI there is no automated robot playing the same 40 songs in a “rotation,” based on a formula, created by a singular programmer of the robot. KKFI is the opposite of a robot.

There is almost always a human on the end of the phone line when you call 816-931-KKFI.

90.1 offers 100 different radio programs. 88 of these programs are locally, produced, hosted, engineered and written by over 150 different people, who create content, and personally handcraft each show, each week. There are 64 local music shows and 24 locally produced News, Public Affairs, Arts & Talk shows.

There are 140 hours each week of locally produced handcrafted programs.

You will not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting.

Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental.

With all of this, you hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, broadcast live from our non-commercial, midtown studios, at 39th & Main, in the center of our metro, across two states, a collective of communities, and thousands of listeners. What is this worth to you?

For Betse Ellis, Mará Williams, Edie Moore, I’m Mark Manning. Thanks for listening! Thank you to everyone for donating!

  1. Noel Coward – “The Party’s Over Now”
    rom: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, October 28 we welcome Dan Talmadge! Plus Mará Williams will be back for our On Air Fall Fund Drive to encourage YOU to please call us at 888-931-0901 or www.kkfi.org and support Community Radio

You can find our playlists at: www.wednesdaymiddaymedley.org & www.kkfi.org
www.facebook.com/WednesdayMidDayMedleyon90.1FM
www.instagram.wednesday_midday_medley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein-Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Office Manager Book Keeper – Shaina Littler.

THANK YOU to everyone who donated to KKFI’s Fall Fund Drive during WMM. 25 people donated a total of $2979.75 THANK YOU SO MUCH! You are helping to build our community!

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.121

Show #1170

WMM Playlist from October 7, 2026

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 7, 2026

Calvin Arsenia + Just Angel, T.A. Rell & Friends + Fanny Mandelberger

  1. “It’s Showtime Folks”
    from: Original Motion Picture Soundtrack to All That Jazz / 1980
    [WMM’s theme song]
Meshell N’Degeocello – Chanteuse et Bassiste – USA – Photographiée au festival Banlieues Bleues – 13 Avril 2013 – Epinay/Seine
  1. Meshell Ndegeocello, Lizz Wright, Emily King – “Be Real Black For Me”
    from: Synonym / Blue Note – Verve / October 2, 2026
    [15th album from acclaimed GRAMMY-winning multi-instrumentalist, singer, and songwriter Meshell Ndegeocello. // This is Ndegeocello’s 3rd Blue Note album, With Synonym, the singer-bassist-producer reimagines and reconceptualizes a brilliantly curated collection of classic songs as duets with an astounding roll call of guests. // Written by Roberta Flack, Donny Hathaway & Charles Mann for the album Roberta Flack & Donny Hathaway, released April 1972, with producers Joel Dorn & Arif Mardin. Be Real Black for Me centers on a plea for authentic self-expression within an intimate relationship. The speaker addresses their partner directly, asking them to embrace their natural Black identity without pretense or alteration. The song celebrates Black physical features and cultural identity while expressing deep emotional dependence on the relationship’s continuation.// Synonym was introduced with the lead track “I Knew You Were Waiting (For Me),” an arresting take on the George Michael/Aretha Franklin duet sung by Ndegeocello and Cynthia Erivo. Other featured guests on the album include Chaka Khan, Brandi Carlile, Bill Callahan, Chris Thile, Madison Cunningham, Laura Lee (of Khruangbin), Lianne La Havas, Moses Sumney, Destin Conrad, Nick Hakim, Robert Glasper, ANOHNI, WILLOW, Evann McIntosh, and Ink. // The album also notably marks a reunion with David Gamson, the producer of Ndegeocello’s first two classic albums – Plantation Lullabies (1993) and Peace Beyond Passion (1996) – who co-produced Synonym with Ndegeocello and Abe Rounds. A rotating cast of instrumentalists also anchors the music on the album, many of whom are Ndegeocello’s close artistic conspirators, including drummers Rounds and Deantoni Parks; guitarist Chris Bruce; keyboardists Jake Sherman, Jebin Bruni, and Larry Goldings; saxophonists Josh Johnson and Levon Henry; flutist Elena Pinderhughes, banjoist Bela Fleck; and others. // Exploring expressions of desire, care, heartbreak, friendship, disappointment, and love in all forms, the songs range from 1960s folk and 70s soul, country, and pop to 80s R&B and electro-boogie, early-90s alternative rock, and early-aughts hip-hop. “This project is about classic songs that are known and loved,” Ndegeocello says. “The songs have diverse tones, representing various genres and intentional grooves. But the album is also about joy, selfhood, individual representation, and universal experience.” // When asked about the album’s intriguing title, Ndegeocello first suggests that the word “just feels good on the mouth,” before expounding upon its true definition: a word or phrase that means the same thing as another word in the same language. “That’s how humans are,” Ndegeocello theorizes, “Regardless of our differences, deep down we essentially want the same things: healthy food and a safe place to live. We are all different. But at the core of the human condition, we are the same.” / / On August 2, 2024 Meshell Ndegeocello released her acclaimed No More Water: The Gospel Of James Baldwin on Blue Note – Verve. A tribute album to African-American thinkers and writers, including namesake James Baldwin and Audre Lorde. The album was released on Baldwin’s Centennial: August 2, 2024. (from www.bluenote.com): The visionary work is at once a musical experience, a church service, a celebration, a testimonial, and a call to action. With No More Water, Ndegeocello embarks on a prophetic musical odyssey that transcends boundaries and genres, delving headfirst into race, sexuality, religion, and other recurring themes explored in Baldwin’s canon. Following 2023’s The Omnichord Real Book, her acclaimed Blue Note debut which won the inaugural GRAMMY Award for Best Alternative Jazz Album, the multi-instrumentalist, singer, songwriter, and producer renders an immersive and palpable document that is as sagacious, unabashed, and introspective as Baldwin was in life. // Co-produced by Ndegeocello and guitarist Chris Bruce, No More Water features some of the bassist’s frequent collaborators including Bruce, vocalist Justin Hicks, saxophonist (and Omnichord producer) Josh Johnson, keyboardist Jebin Bruni, and drummer Abe Rounds. Also appearing on various songs are vocalist Kenita-Miller Hicks, keyboardists Jake Sherman and Julius Rodriguez, and Executive Director of the NYCPS Arts Office and trumpeter Paul Thompson. The album also showcases powerful spoken word by venerated poet Staceyann Chin and Pulitzer Prize-winning author and critic Hilton Als. // Nearly a decade in the making, the album’s origins began in 2016 during a performance at The Harlem Stage Gatehouse as part of their annual showcase honoring Baldwin. Ndegeocello had delved into Baldwin’s work the year before, including the seminal nonfiction work The Fire Next Time, which she considers “life-changing” and carries with her as a “spiritual text.” Ndegeocello says, “It was just a revelation to me, and it softened my heart in so many ways.” // Meshell Ndegeocello released her Blue Note Records debut with The Omnichord Real Book, on June 16, 2023. // At The 2024 Grammy Awards, Meshell Ndegeocello won the first-ever GRAMMY for Best Alternative Jazz Album for The Omnichord Real Book. In her acceptance speech, the two-time GRAMMY winner and 12-time nominee thanked Don Was, the president of Blue Note Records, as well as other colleagues and loved ones — including her two sons. “I hope I haven’t forgotten anybody,” Ndegeocello graciously said at the end, and invoked an elder of the music: “Oliver Lake, this is for you.” // It was a visionary, expansive, and deeply jazz-influenced album that marks the start of a new chapter in her career. Following her 2018 album Ventriloquism, Meshell returns with an album of new original material that taps into a broad spectrum of her musical roots. The Omnichord Real Book was produced by Josh Johnson and features a wide range of guest artists including Jason Moran, Ambrose Akinmusire, Joel Ross, Jeff Parker, Brandee Younger, Julius Rodriguez, Mark Guiliana, Cory Henry, Joan As Police Woman, Thandiswa, and others. // Meshell Ndegeocello was born Michelle Lynn Johnson on August 29, 1968 in West Berlin, Germany, to US Army Sergeant Major and saxophonist father Jacques Johnson and health care worker mother Helen. She was raised in Washington, D.C. where she attended Duke Ellington School of the Arts and Oxon Hill High School. She is a singer-songwriter, rapper, and bassist. She has gone by the name Meshell Suhaila Bashir-Shakur which is used as a writing credit on some of her later work. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, being nominated for eleven Grammy Awards, and winning one. She also has been credited for helping to “spark the neo-soul movement”. // Ndegeocello adopted her surname, which she says means “free like a bird” in Swahili.]

The tracklisting for Synonym is as follows:
I Knew You Were Waiting (For Me) with Cynthia Erivo
Don’t You Want Me with Cat Power
Don’t Stop The Music with Nick Hakim, Robert Glasper
Islands In The Stream with Chaka Khan
It Ain’t Me Babe with Madison Cunningham
Always on Time with Laura Lee
Be Real Black For Me with Emily King, Lizz Wright
Don’t Look Any Further with Lianne La Havas
The Closer I Get To You with Destin Conrad, Moses Sumney
Golden Ring with Brandi Carlile
I Got You Babe with ANOHNI
Here We Come (Here He Comes) with Evann McIntosh
Guilty with Ink
Hunger Strike with WILLOW
With God On Our Side with Bill Callahan, Chris Thile.

  1. Mary Gauthier – “Alcohol and Adderall”
    from: Reckoning / Soundly/Thirty Tigers / September 25, 2026
    [Grammy-nominated singer/songwriter/author Mary Gauthier releases her haunting new song, “Alcohol and Adderall,” off her powerful album, Reckoning. Co-written by Gauthier, Ben Roberts and Jaimee Harris, “Alcohol and Adderall” is a portrait of a relationship with someone struggling to outrun addiction, loneliness, and the wounds that keep pulling them inward. Through vivid imagery, the song captures both the narrator’s desire to reach them and the painful realization that some battles cannot be won for another person. // “My friend Ben and I were talking about a friend of his who was having major trouble with alcohol and pills,” says Gauthier. “People all around were trying to help, trying to pull him back toward the life he could have. And he just kept screwing it up. As we talked, our conversation turned to what it feels like to love someone who is sinking in self-destruction. The helplessness. The sadness. The fear. The anger. The wrenching ache. This is where the song began.” “Ben and I are both in recovery,” she adds. “We know what it feels like to be that person spiraling downward. But being on the other side of that struggle, loving someone who can’t seem to stop hurting themselves, is a different kind of heartbreak, reaching for someone who keeps building walls between themselves and the people who love them is a hard place to be. Sometimes all you can do is step back and watch them disappear.” // The songs on Reckoning exude an urgency during turbulent times, while offering inspiration and hope. Each song serves as a compelling vignette with characters who arrive at pivotal moments and face choices that ultimately define lives, communities, and even history. After nine critically accl // Mary Gauthier is a Grammy-nominated American folk singer-songwriter and author, known for songs that blend emotional resonance, depth of character, and lyrical insight. Her storytelling—raw, honest, and unwavering—has established her as one of America’s most compelling voices, offering beauty in sorrow, healing in loss, and perspectives only an artist of profound empathy can provide. Gauthier’s songs have been recorded by artists including Tim McGraw, Blake Shelton, Kathy Mattea, Boy George, Jimmy Buffett, Vince Gill, Bettye LaVette, and many more. She has received honors from the Americana Music Association, International Folk Music Awards, the Independent Music Awards, the GLAMA Awards, and the UK Americana Association. Her work has appeared extensively in film and television, including Yellowstone and ABC’s Nashville, and her memoir, Saved by a Song, was published by St. Martin’s Press.]
  1. Brandi Carlile – “Joni – Sad Gay Version”
    from: Returning To Myself (Sad Gay Version) / Interscope – Lost Highway / Sept. 25, 2026
    [New deluxe version of Brandi Carlile’s critically acclaimed album, Returning To Myself. // Returning To Myself (Sad Gay Version) features intimate reimagined versions of all ten songs from the original album, with Carlile returning to Long Pond Studio to co-produce four tracks with Aaron Dessner. The collection includes a collaboration with Grammy-nominated composer and electronic musician Jon Hopkins (Brian Eno, Coldplay) on the breakout single, “Human,” as well as a new version of Billy Joel’s “And So It Goes” exclusively on DSPs (a version of which is also featured on the official soundtrack for Practical Magic 2). See below for full track list details. // Adding to yet another monumental year, Carlile wrapped the fall leg of her extensive “The Human Tour” earlier this week, which included three sold-out shows at Red Rocks featuring opener Stephen Wilson Jr. and surprise appearances from Alanis Morissette and Nathaniel Rateliff. The tour also included “Be Human: A Concert For Minneapolis.” Filmed during her sold-out show at Minneapolis’ Target Center, “Be Human” is now available in full on YouTube and raised over $750,000 to date for The Advocates for Human Rights via Carlile’s Looking Out Foundation. “A monumental gig” (Rolling Stone), the show includes a special performance of “It’s Okay to Change Your Mind” with Minneapolis’ Singing Resistance as well as Carlile and The Head and the Heart joining forces for Coldplay’s “Viva La Vida.” // Furthermore, Carlile won Song of the Year at the 2026 Americana Awards (“Returning To Myself”), was honored as one of TIME’s 2026 Women of the Year and performed “gorgeous” (Billboard) renditions of “America The Beautiful” at Super Bowl LX (watch HERE) and as part of ABC News’ America 250 celebration (watch HERE). She also returned to NPR Music’s Tiny Desk Concert series and NBC’s Saturday Night Live as musical guest for the fourth time, was featured on The Late Show with Stephen Colbert, Las Culturistas, Good Hang with Amy Poehler, The Howard Stern Show, NPR’s Wild Card with Rachel Martin and The Drew Barrymore Show, and spoke with The New York Times for an in-depth profile.

Critical acclaim for Returning To Myself:

“Carlile is a bona fide superstar whose compositions feel like instant classics”—NPR Music

“It has the luster and confidence of an artist realizing her prime, finding memory and maturity in the lyrics.”—The New York Times

“It’s a record about navigating the second half of life with fortitude and not fear; and how the best way to do that is to remember where we came from, and who we got there with.”—Rolling Stone

“For an artist already established as one of her generation’s brightest songwriters, this represents another significant evolution”—Rolling Stone U.K.

“Carlile’s eighth album does the difficult work of cracking open the soul to let flow her vulnerability. The songs succeed in their tasks: bringing her into a fresh creative moment where she flourishes”—Paste

“A pearl from the new queen of Laurel Canyon…it never sounds less than gorgeous”—MOJO

“An album full of warmth and humanity”—The London Standard

One of music’s most respected voices, Carlile is an Oscar-nominee, 11x Grammy-winner, 2x EMMY-winner and #1 New York Times Bestselling author. Throughout her acclaimed career, Carlile has released eight studio albums including Who Believes in Angels?, the universally acclaimed, Grammy-nominated collaborative album with her childhood hero, Elton John, which debuted at #1 in the U.K. and top 10 in the U.S. She received her first Oscar nomination in the Original Song category in January 2025 for “Never Too Late,” a Grammy-nominated track written alongside Elton John, Bernie Taupin and Andrew Watt for the Disney+ documentary of the same name. // Additionally, Carlile is a renowned producer with recent Grammy-winning projects from Joni Mitchell and Brandy Clark. She also produced and recorded a rendition of Indigo Girls’ “Closer To Fine” with her wife, Catherine, which was included on Barbie The Album as well as a version of “Home,” which was featured in the final season of Ted Lasso, while her song “You Without Me” was featured twice in the season three finale of Apple TV’s Shrinking.// Beloved by her peers, Carlile has worked with artists such as Soundgarden, Sam Smith, Alicia Keys, Hozier, Noah Kahan, P!nk and Dolly Parton, was named OUT Magazine’s Icon of the Year, awarded Billboard’s Women In Music Trailblazer Award and NMPA’s Songwriter Icon Award as well as multiple awards from the Americana Music Association. She also launched a partnership with the National Park Foundation to raise critical funds to preserve and protect these cherished places across the country and is a founder of the Looking Out Foundation, which has raised over $10M for grassroots causes to date. Carlile lives in rural Washington state with her wife and two daughters.]

  1. Ivory Blue – “Come On Over Rover”
    from: “Come On Over Rover” – Single / IVORY BLUE / September 25, 2026
    [Ivory Blue released her single “Feelin’ Like A Star” on Jly 17, 2026. Ivory Blue released her New 10-song full length album ECHO on May 22, 2026. Her third full length album. IVORY BLUE released the singles: “History” on April 3, 2026.,“afterglow” on February 20, 2026; “Forevermore” on November 28, 2025; and “Echo” on September 5, 2025. // Kansas City based artist, IVORY BLUE has a tendency of breaking through barriers that keeps her from saying what needs to be said, regardless of style. Bringing us hard hitting rock inspired ear candy like “Starlit Love Child” and “Control”, the idea of genre is only a tool IVORY uses to express her ability to communicate through music. // IVORY BLUE released the singles “Mirrors” on August 1, 2025; “Heartbeat” on March 28, 2025; “Rhythm of the Radio” on January 31, 2025 // “Exiled” on November 29, 2024; “Olé!” on October 4, 2024, Breathing Underwater” on August 9, 2024, “Bad Dreams”on June 7, 2024, “Batter Up” on April 22, 2024, “Flashback” on March 15, 2024, “Howl” on Feb. 16, 2024. // IVORY BLUE released their 2nd full length album, STARLIT LOVE CHILD, on Nov. 17, 2023. The 10-track album was in the top five of WMM’s 120 Best Recordings of 2023, and in the “Best of” lists at 90.9 The Bridge and stations around the world. // On Oct. 27, 2023 IVORY BLUE released the single “Ghost of Life.” This single followed IVORY’s previous releases,”In A World Like This” from Sept. 22, 2023, ”The Best of Life” from Aug. 4, 2023 and “Control” from May 26, 2023. IVORY released the single “All Outta Love” on Feb. 24, 2023. // IVORY BLUE released the single “Starlit Love Child” on Oct. 28, 2022, “Red Light” on July 29, 2022. // IVORY BLUE released their full length debut album COMPOUND LOVE on Feb. 25, 2022. COMPOUND LOVE was in the Top 10 of WMM’s 120 Best Recordings of 2022. For COMPOUND LOVE, IVORY BLUE served as songwriter, producer, vocalist and played all instruments with the exception of: Lester Estelle on drums, Klaartje Van Lue on piano, Craig Kew on bass, Lennon Bone on drums, and Marco Pascolini on pedal steel guitar. // IVORY BLUE released the single “Good Changes” on Oct 26, 2021. Ivory Blue released the singles: “Heavy,” “Bad Weather,” “It Must Have Been Me,” “Compound Love,” and “The Start” on December 14, 2021. // IVORY BLUE’s debut EP, Ready Get Set was released in June 2015. While the EP helped spread the word and give IVORY BLUE attention from regional radio and TV stations, a big break would come in 2017 when Ivory was among 1800 artists/bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. // IVORY BLUE has played with The Band That Fell to Earth, Boulevardia, Crossroads Music Festival, Middle of the Map Fest, Westport Roots Festival, KCPT Screening of “Real Boy” at KC Public Library, and Kauffman Stadium. // Ivory Blue was born in 1986 in Peoria Illinois, as Devin James Miclettet. Ivory’s birth mother put them up for adoption at the age of four. Ivory speaks about how it was difficult to find trust in people offering their home to someone denied it for so long, Ivory lived with eight different families, before running away at 15. // Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. In 2011, Ivory settled in the Kansas City, MO area. During the past 10 years Ivory came out as “Non-Binary Transgender”, and then later as Trans-Female. // As a multi-instrumentalist, Ivory began refining their performance style, using digital looping pedals to stack harmonies and guitar parts live on stage, giving their solo shows the feel of a full band. Info at: www.ivorybluemusic.com]

[IVORY BLUE plays The Ship, 1221 Union Ave, KCMO West Bottoms on Saturday, October 10, at 7:00pm EX LIBRIS CABARET – A Birthday Party for Wick Thomas. This is Banned Books Week, celebrate your Freedom to Read with the only librarian in the Missouri legislature. Featuring our Emcee Annie Cherry and Performances by: The Wanderlust Revival, Damian Blake, and more.]

  1. The Nature Boys – “Tin Foil Hat”
    from: Reno Man / Dead Broke Rekerds / October 21, 2026
    [The band includes: Danny Fischer on guitar & vocals, Suzanne Hogan on bass & vocals, Brad Highnam on drums. Recorded // Nature Boys – Kansas City, Missouri punk rock & rollers that have been kickin’ up dust all across the country since 2009! They left for our first tour in January of 2010. // Nature Boys released their album IV /on September 24, 2021. Nature Boys started playing together in Kansas City, Missouri September of 2009. They wrote this about their band: “We had our first show in November or December at the Troost House, and then our second show at Dave’s Stagecoach Inn. // Nature Boys released the single: “Common Visions” from / Dead Broke Rekerds on April 11, 2025 // They released their IV album and first on Dead Broke on Septembr 24, 2021, after self-releasing a slew of their previous efforts including: Nature Boys 3rd album on April 19, 2017, Nature Boys 2nd Album on February 16, 2014, and Natures Boys 1st Album on January 26, 2014. Imagine if Dead Moon was a bunch of punk rockers from the south, then you might be getting close to what Nature Boys scrappy & energetic punk rock is all about. ]

Danny Fischer Discography

The Afterparty – Forever After – 2005
Piano, Electric Piano [Rhodes], Vocals – Josh Mobley
Bass – Chris DeVictor
Drums – Paul Andrews
Vocals – Sarah Carpenter
Vocals, Guitar – Danny Fischer, Dave Regnier*
Recorded By, Engineer – Chad Meise, Clarke Wyatt
All Songs Written – The Afterparty
Arranged – The Afterparty

The Afterparty – Under The Rainbow – 2006
Vocals, Guitar, Organ – Danny Fischer
Piano [Rhodes] – Josh Mobley
Bass – Chris Devictor
Drums – Paul Andrews
Guitar – David Regnier
Vocals [The Brunettes] – Amie Nelson, Sarah Carpenter, Sonya Andrews
Guitar [Guest Musician] – Marco Pascolini
Saxophone [Guest Musician] – Mark Southerland, Mark Weinberg, Sam Hughes
Soprano Saxophone [Guest Musician] – Jolin Smith
Sousaphone [Guest Musician] – Bill McKemy
Trombone [Guest Musician] – Jeremiah Kidwell, Seth Lee
Trumpet [Guest Musician] – Bobby DuSoul
Fiddle [Guest Musician] – Betse Ellis
Recorded – Chad Meise
Mastered – E. Clarke Wyatt*
Arranged – The Afterparty
Artwork [Art/Packaging] – Pascolini Design Lab

The Afterparty – unreleased 3rd album – 2007 (a limited number of cassettes were created.)
Side one:
boots
Big Mamou
Rock Bump Head
Tacoland Blues
In Blazes
Dinosaurs
Side two:
Butterflies and Clothesline
Drakkars Mamma
Phil
I Love You

Nature Boys – Nature Boys – 2010
San Huevos Records
Guitar, Vocals – Danny Fischer
Bass, Vocals – Suzanne Hogan
Drums – Aaron Rommel
Recorded – Ashley Miller
Recorded [Assisted By] – Zachary VanBenthusen
Written – Nature Boys
Artwork, Photography, Design Concept – Nature Boys

Nature Boys – Nature Boys – 2013
San Huevos Records
Danny Fischer – Guitar, Vocals
Suzanne Hogan – Bass, Vocals
Aaron Rommel – Drums
Danny Fischer – Lyrics
Recorded by – Jon Kraft
Mixed – Mike Tuley, Jon Kraft, Nature Boys
Photography – Michael Boles
Will Burnip – Artwork [Insert Art]

Nature Boys – 2017
San Huevos Records
Suzanne Hogan
Suzanne Hogan – Bass, Vocals
Evan Malone – Drums
Danny Fischer – Guitar, Vocals
Recorded by – Danny Fischer
Mastered By – Carl Saff
Written By – Nature Boys

Nature Boys – IV – 2021
Dead Broke Rekerds
Suzanne Hogan – Bass, Vocals
Evan Malone – Drums
Danny Fischer – Guitar, Vocals
Recorded By – Danny Fischer, James Rumsey
Carl Saff – Lacquer Cut
Pam Fischer – Cover, Artwork
Grace Ambrose – Layout

Warren Burns – Warren Burns – 2023
Danny Fischer – Guitar, Vocals
Recorded By – Danny Fischer
Mastered By – Carl Saff

Warren Burns – Burn Again – April 10, 2026
Warren Burns on vocals, guitar, piano, harmonica
Brad Highnam on bass, backing vocals, piano
Marco Pascolini on pedal steel
Jon Kraft on drums
with Mark Cohick on pipes,
Marvin Gruenbaum & Tony DeMarco & Kent Brauninger on violin;
Steve Molloy & Danny Fischer on trumpet;
Kari Agosti & Suzanne Hogan & on backing vocals.
Recorded by Duane Trower at Weights & Measures Soundlab.
Mastered by Carl Saff

Nature Boys play official Kansas City release will be Friday, November 13, 2026 at Sister Anne’s Records and Coffee, 901 East 31st Street, KCMO w/ Prion and Bad Ideas

Nature Boys on Tour
November 12 Fayetteville @ Punk Truck Stop
November 11 Little Rock @ Kylie’s house
November 10 Hattiesburg/Jackson? Maybe day off…
November 8 New Orleans @ Emma’s House w/ Tonya, STGMA, Subsidence
November 7 Pensacola @ Betty’s
November 6 Huntsville @ Lone Goose w/ EVRYTHNGISWRNG, Curdled Milk Bitch
November 5 Chattanooga @ JJ’s Bohemia w/ Laughter, Defoliant
November 4 Asheville @ Fleetwoods
November 3 Richmond @ Cobra Cabana w/ Housie
November 1 Philadelphia @ Cousin Danny’s Lounge
October 31 New York City @ Property Is Theft (P.I.T.) w/ Sub Rosa and ShellShag
October 30 Providence w/ Excess Blood
October 28 Portland @ Apohadion Theater
October 26 Pittsburgh @ The Rock Room
October 25 Cleveland @ Little Rose Tavern
October 24 Detroit @ Painted Lady
October 23 Cincinnati @ Motr Pub w/ Spirit Level and Poor Little Critters
October 22 Chicago @ Max’s house
October 21 St. Louis @ CBGB w/ Sorry and Little Big Bangs

  1. The Utilitarians – “We Battle Babylon”
    from: The Utilitarians / The Utilitarians / March 8, 2026
    [Theresa Schloegel, Billy Guilfoyle, Chris Tady and Jack Boyd… flapper punk, tap and roll… a ‘real good time’ // The Utilitarians have tricks up their sleeves, they rip and shred, but they cool it didn’t go to their head, they treat their fans with respect and in this Rocking form of art this is the “Band with a Heart.” Stars all in their own rights: this 4 piece outfit has the charm of each member being legendary in the KC Underground Community. – Patrick Sumner – Bent Edge KC Punk.]
  1. Michigander – “Taxi”
    from: Over Before You Know It / Totally Normal Records – Thirty Tigers / July 31, 2026
    [Michigander – the acclaimed indie rock project led by Nashville-based singer-songwriter/multi-instrumentalist Jason Singer – has announced his sophomore album. Over Before You Know It is the follow-up to last year’s self-titled debut album and is heralded by “Freaking Out.” The first song that Singer wrote for the album, the dissociative anthem is the thematic core of the forthcoming Over Before You Know It. Singer tells us clearly about all that’s going wrong, from the weed that seems to be cleaving him from reality to his world that seems forever wobbling. “I don’t know about you,” he deadpans, “but I haven’t been happy in a while.” In the chorus, though, Singer lands on a line that pushes these three minutes well beyond complaints: “This is what it feels like to be alive,” he sings, the sound of a smile stretched across his lips. // “One of my favorite lines from the entire album is on ‘Freaking Out’, and it is, ‘this is what it feels like to be alive’, says Jason Singer. “I’ve learned that life is complicated and not as black and white as I thought it would be. Growing up is hard. So many things happen that you’re never prepared for. Life is all about the constant battle of good and bad. It’s about coming to the realization that it’s all just ‘part of it.’”]

[Michigander plays recordBar 1520 Grand Ave, Kansas City, MO. on October 20, 2026.]

  1. Kelly Hunt – “One Of These Days”
    from: Requiem for a Sleepless Night / Compass Records / September 18, 2026
    [Produced, Recorded & Mixed by Dirk Powell at the Cypress House, Breaux Bridge, Louisiana. Mastered by Eric Conn at Independent Mastering, Nashville, Tennessee. Photography by makemade. Graphic Design by Kelly Hunt. // Memphis native Kelly Hunt returns with her most contemporary and personal album to date: Requiem for a Sleepless Night, a third full-length written in the disorienting hours of insomnia and recorded in taut trio form with acclaimed producer Dirk Powell and his daughter, Amelia Powell, on harmony vocals. // Where Hunt’s earlier work drew its warmth from her storied Depression-era tenor banjo — the instrument at the heart of her 2019 debut, Even the Sparrow (International Folk Music Awards “Album of the Year” finalist) — Requiem for a Sleepless Night marks a shift toward a more guitar-centric sound, with banjo reserved for a handful of key tracks. Recorded once again at Powell’s Cypress House studio in Breaux Bridge, Louisiana — the same room that produced her acclaimed sophomore release, Ozark Symphony, praised by GratefulWeb as a project that “truly captures the spirit of America” — the new album inhabits the rarefied space between waking and dreaming, meditating on love, fear, and the search for meaning.// Self-taught on banjo and guitar, Hunt brings a highly original style built on drones, inflections, pulsing rhythms, and percussive strumming, paired with a voice Rolling Stone’s Greil Marcus says “lets the instrument shape her syllables.” Popmatters has praised her “innate ability to summon the same vigorous energy of classic folk players” while pushing the tradition forward.// For fans of Lucinda Williams, Nanci Griffith, and the wider Americana/Roots tradition, Requiem for a Sleepless Night is Hunt’s most fully realized work yet — atmospheric, intimate, and unmistakably her own, hovering beyond the constraints of genre to navigate the tension between past and present, old world and new. As Folk Radio UK puts it: “keep your eye on this sparrow.” // “If you’ve ever been enchanted by the lyrical power of Lucinda Williams or felt the emotional tug of Nanci Griffith, then you’re about to meet your next obsession.” —Grateful Web // “Standing shoulder to shoulder with contemporaries like Gillian Welch and Rhiannon Giddens…folk music harking back to the stripped-down sounds of Leadbelly, Robert Johnson and Woody Guthrie.” —Americana UK // “Hunt lets the instrument shape her syllables. From the first instant you know you’re in a place where there is no sense of time, where anything can happen and no one will ever have to admit to a thing.” —Rolling Stone ]

[Kelly Hunt plays Paola Community Center in Paola KS., Fri, Oct. 23, 2026 at 7:00pm w/ Dirk Powell]

10:29 – Underwriting

The 19th Annual Apocalypse Meow

[The 19th annual Apocalypse Meow on Saturday, November 7th, Doors at 6pm, Show at 7pm, at recordBar, featuring live music from: ROMAN NUMERALS, JAMOGI & THE JAMMERS, PHAZE II, and STUBBLEFIELD. Apocalypse Meow is MMF’s main fundraiser for Abby’s Fund For Musicians’ Health Care, which provides local musicians and music workers with essential health care resources. In addition to live music, the RockDocs will be on site to offer flu shots and COVID boosters provided by the KC Indian Center, as well as discuss screenings, wellness programs, health conditions and concerns, and arrange follow-ups. We’ll also have live raffles that feature an assortment of items donated by local businesses at AM19, and an online auction running the month of November. // We are seeking donations for our annual Apocalypse Meow silent auction and fundraiser! Advertise your business or band while supporting our mission to provide healthcare grants to music professionals in the Kansas City area! Items like merchandise, music, classes, gift certificates, experiences, and art are greatly appreciated. // If you would like to donate or know of someone who can, please email Rhonda Lyne at rhonda@midwestmusicfound.org. // In 2008, Apocalypse Meow was established to raise medical funds for local musician Abigail Henderson, who had been diagnosed with cancer. Compelled to give back to the community, she co-founded MMF to provide musicians with health care assistance. Though she passed away in 2013, Abigail’s mission continues — MMF provides financial resources, educational programs, health clinics and events throughout the year. Abby’s Fund dispenses emergency health care grants to KC-area musicians, having contributed more than $780,000 since its inception. // Midwest Music Foundation provides grants to musicians faced with urgent health care expenses and preventative health care services through Abby’s Fund for Musicians’ Health Care. This assistance is available to active KC area musicians and music personnel. LEARN MORE AND APPLY HERE or email our Executive Director, Rhonda Lyne, for more information at rhonda@midwestmusicfound.org.]

10:31 – Interview with Fanny Mandelberger

Fanny Mandelberger is a Massage Therapist and an Occupational Therapist who joins us to talk about Occupational & Physical Therapy in the Performance Arts. As owner of Massage Off Broadway and Eco-Massage by Fanny, she has been providing therapeutic massage care for over 45 years and has built practices in NY, Miami, DC & Maryland, and now in Kansas City. Being the first generation of Holocaust survivor parents, Fanny was drawn to life-affirming paths, resilience, possibility. This has led her to combine her private practice as an Occupational Therapist to specializing in contracts with the performing arts in NYC, Miami, and KC working with performers from: Cats, Random Hearts, Dreamgirls, Fun Home, Washington National Opera, Kennedy Center, Heart of America Shakespeare Festival. Based in Kansas City for the last 10 years, Fanny is dedicated to a wellness model reinforcing that we are all equipped to handle what life presents with the variety of tools available to learn and practice. More info at: www.fannyswebsite.wixsite.com

Fanny Mandelberger thanks for being with us on Wednesday MidDay Medley

As owner of Massage Off Broadway and Eco-Massage by Fanny, Fanny has been providing therapeutic massage care for over 45 years with a varied population.  I have built practices in NY, Miami, DC & Maryland, and now in Kansas City.

Fanny – “I had a private massage therapy client, an actor/musician who referred me to the MTV shooting of Rim Tug Tugger number from Cats, the Andrew Lloyd Weber Broadway musical. Next thing I know I was asked to be the company massage therapist for the entire run of the show, over 3 decades! What a gift to educate on injury prevention, energy conservation, flexibility, and diaphragmatic breathing. Those client relationships to this day have yielded entrees into other theatres, dance, film, fashion, and music communities.

Fanny Margaret Mandelberger is a therapist based in Kansas City, Missouri. Moved to KC ten years ago. She is specialized in Occupational Therapy. Active license number of Fanny Margaret Mandelberger is 17-0317 for Occupational Therapy in Kansas. Her current practice location is 11228 Military Club Rd, Kansas City. Patients can reach her at 913-362-7518. Fanny Margaret Mandelberger is OTR/L in Occupational Therapy and her NPI number (Unique professional ID assigned by NPPES) is 1295243053.

Fanny Margaret Mandelberger provides interventions based on evaluation and which emphasize the therapeutic use of everyday life activities (i.e., occupations) with individuals or groups for the purpose of facilitating participation in roles and situations and in home, school, workplace, community and other settings. Occupational therapy services are provided for the purpose of promoting health and wellness and are provided to those who have or are at risk for developing an illness, injury, disease, disorder, condition, impairment, disability, activity limitation, or participation restriction.

Fanny’s modality specialties include Pre & Postnatal, Labor Induction Reflexology, Integrative Reflexology, Deep Tissue, Yogassage, Hot Stone Therapy, Swedish Massage, Stretching, Range of Motion Exercises, Mindful Meditation Techniques, Energy Work, Breathwork, etc.  From our microfiber plush linens, to our therapeutic grade, locally handcrafted organic lotions, balms, energy efficient lighting and cleaning supplies, our mission is to offer compassionate care while gently and intentionally treading on the planet.

Fanny Mandelberger has always been a curious seeker since a young child. Being the first generation of Holocaust survivor parents, she was innately was drawn to life-affirming paths, resilience, possibility, and healing.

Fanny comes from a courageous lineage of holocaust survivors. Her parents, grandparents, aunts & uncles modeled “not to sweat the small stuff” and that life is a precious gift and to embrace it with kindness, compassion, service, fearlessness, love and adventure. She knows that’s why she chose her profession or it chose her, to model to clients and patients that they are equipped to thrive and not be defined by their circumstances.

Fanny’s brother was Arthur Sandy Mandelberger was a Documentary Filmmaker Film Professional and Journal-ist, most recently Editor-in-Chief of Film Festival Today. After he passed his partner of 37 years Richard compiled Sandy’s writings in a printed book. Fanny read to us one of her brother pieces.

For the past four decades, This personally snd professionally led her to combine her interest in holistic health in clinical settings and in private practice educating on broadening the scope of rehab as an Occupational Therapist and massage therapist utilizing mindfulness, breathwork meditation along with traditional modalities to benefit the best quality of life for clients and patients of all demographics.

Fanny had a private practice Massage On/Off Broadway specializing in contracts with the performing arts in NYC, Miami: Random Hearts, Dreamgirls etc. DC: Fun Home, Dreamgirls, Washington National Opera, Randy Graff one woman show at Kennedy Center etc. At Center for the Healing Arts,.

Fanny was the owner providing eco-friendly treatments in Takoma Park MD, now Kansas City, Mo. I’m dedicated to a wellness model reinforcing that we are all equipped to handle what life presents with the variety of tools available to learn and practice.

Having your own practice can have flush and lean times as far as clients’ finances, and my attitude of abundance has served me well to stay focused, steadfast and. Provide sustainability. I am very passionate about my field, and that makes all the difference.

Massage On/Off Broadway nationwide is active which provides dance , theatre, fashion, film, music industries, therapeutic preventative care to include: massage therapy, physical therapy, Occupational therapy for rehabilitation for injuries, acupuncture, reflexology, stretching, range of motion .Please contact for contract prices nationwide. Clients on Broadway: Cats, Starlight Express, Les Miserables, Fun Home, Phantom of the Opera, A Chorus Line, Dancin’, Off Broadway:Hamilton, Beauty and the Beast.

Bringing a holistic wellness approach in clinical, theatrical, end-of-life care, film sets, pre & post-natal has been a passion of mine since my youth. And I feel most fortunate to have attracted purposeful ways of service through my skills and entrepreneurship

Fanny also has practiced tap dancing.

Fanny has also spent time kayaking, floating down the Buffalo, 11 point rivers.

Fanny says, “Resiliency is in my bones!”

Fanny says, “She enjoys making vegan soups, and selling them to the local community.”

I am available to set up meetings with theatre producers/company managers / stage managers.

“We are all in this together mindset. Life is short and precious. Be curious, kind and stay connected. We learn from each other of all cultures, diversity and it enriches us!”

Fanny Mandelberger thanks for being with us on Wednesday MidDay Medley

More info at: www.fannyswebsite.wixsite.com
Email: ecomassagebyfanny@gmail.com
Facebook: Eco-Massage By Fanny
Linkedin: Fanny’s Eco-Wellness Collective for the Performing Arts
Yelp: Eco-Massage By Fanny

10:52

  1. Jazlyn – “Dangerous”
    from: “Dangerous” – Single / JNaz Productiond / September 11, 2026
    [Jazlyn Epps is a talented actor, singer, songwriter, and teaching artist based in Kansas City. She began her artistic journey at the age of nine in Springfield Missouri. and graduated with a Bachelor of Fine Arts in Musical Theatre from Avila University. Since moving to Kansas City in 2015, she has actively contributed to the local arts scene. // Jazlyn specialize in R&B music, but truly loves all genres. She is known for being on the stage and under the lights, whether that’s performing at Musical Theater Heritage in Crown Center, or at Made Mobb singing my original pieces. She has been in 33+ theatrical productions in her lifetime and have had the opportunities to sing at the Vatican, in Italy. Travel and sing throughout Rome and France. And She has released 10 songs within a year. She is most proud of her resilience and never putting herself into a box.]

[Jazlyn Epps plays LOCAL THURSDAYS presented by Manor Records at J. Rieger & Co.’s Electric Park, 2700 Guinotte Ave, KCMO on Thursday, October 8, 6:00 to 8:00pm.]

  1. Bobby Watson – “Carter’s Way (For Larry)”
    from: Continuum / HighNote Records / October 5, 2026
    [Bobby Watson is a multi-GRAMMY-nominated saxophonist, composer, bandleader, educator and producer, who trained formally at the University of Miami and then, from 1977-1981, earned his “doctorate” as musical director of Art Blakey’s Jazz Messengers. During his four-plus years with the legendary drummer, the saxophonist contributed to 14 Jazz Messengers recordings — more than anyone else in the group’s 35-year (1955-1990) storied history. // From wikipedia.org: “Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 29 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas. // From his years with Art Blakey and the Jazz Messengers through decades leading Horizon, Bobby Watson has remained a vital force in contemporary jazz. Like Blakey before him, the acclaimed saxophonist, composer and educator has long embraced the responsibility of nurturing the next generation, welcoming fresh voices while remaining firmly rooted in the values of the music. // Joined by longtime collaborators Curtis Lundy and Victor Jones, along with the younger talents of Jordan Williams, Wallace Roney Jr. and Kysen Ellis, Watson once again demonstrates the artistic philosophy that has guided his remarkable career. More than a reflection on past accomplishments, Continuum captures Bobby Watson in constant motion, building on a lifetime of experience while continuing to create, challenge and inspire with undiminished imagination. His distinctive compositions continue to reveal new possibilities, his longstanding musical relationships remain as vital as ever, and his commitment to the next generation ensures that the tradition he inherited continues to move forward.]

[Bobby Watson will be the musical guest when Chuck Haddix presents “Bird: Charlie Parker on Record in Kansas City” at KC Oasis, 1717 W 41st St, KCMO, Sun., Oct. 11, 11:00 to 1:00pm. By participating, you agree to abide by the Oasis Code of Conduct: II. CORE VALUES At KC Oasis, we think: People are more important than beliefs. // Human hands solve human problems.// Reality is known through reason. // Meaning comes from making a difference. // Be accepting and be accepted.]

11:00 – Station ID

  1. Calvin Arsenia – “River”
    from: all is calm / Calvin Arsenia / December 13, 2019
    [Arsenia’s dreamlike whimsy shimmering through your favorite Christmas Classics. All proceeds for this album go towards the purchase of Calvin’s first harp. Featuring: Ben Muñoz on Cello, Shane Borth on Violin and Voila, and Luke “Skippy” Harbur on Beatbox. Mastered by Jametatone at the Infoaming Vertex and special thanks to Simon Huntley. Calvin wrote: “I recorded the majority of this album in my bedroom in between flights to and from KC and SF. I had my nephews and friend’s kids in mind and wanted an album of Christmas lullabys. I think it became just a little more sassy than anticipated, but I think you’ll enjoy it.]

[Calvin Arsenia & Friends play The Folly Theater, 300 West 12th Street, KCMO on Tuesday, October 13 at 8:00pm More info at: www.follytheater.org]

11:04 – Interview with Calvin Arsenia

KC Magazine hailed Calvin Arsenia as “equal parts opera, symphony, musical theatre, rock show, all built around its creator, a charismatic 6-foot-7-inch harpist with a 3 and ½ octave range, natural stage command and knack for gilding gold and painting lilies.” Calvin Arsenia was voted KC’s Best Musician in The Pitch in 2018, 2019, 2020, 2021, 2022, 2023, 2024, and 2025. He has been featured in Billboard, NPR.org. Calvin is the recipient of the Charlotte Street Foundation 2022 Generative Performing Artist Awards, along with The Black Creatures. Calvin is also the co-creator of the podcast, “We Were Christian Kids” created with childhood friend Justin Randall who is a stand up comedian working in New York City and Los Angeles. Calvin is also the published author of EVERY GOOD BOY DOES FINE, a collection of Poetry & Prose published on October 5, 2021, by Andrews McMeel Universal.

Calvin Arsenia a multi-instrumentalist, vocalist, teacher, writer, actor, model, designer, and artist. Calvin Arsenia was born in Orlando, Florida. His creative journey began when he moved to Olathe, Kansas, teaching himself guitar, piano, banjo. He learned the harp, at the age of 20. Calvin Arsenia first appeared on WMM on July 25, 2012. His passion for stretching the boundaries saw him transformed after a trip to Edinburgh, Scotland’s Fringe Festival early in his career. An Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to KC reborn as a humanistic songwriter / performer where at 24 he released his EP, MOMENTS, in 2014, his EP, PROSE in 2015, and his Folk Alliance exclusive EP, CATASTROPHE in 2016.

On February 14, 2017 Calvin released his full length debut, CATASTROPHE, with a live show at recordBar in November 2016, involving 50 people: dancers, body painting, stilt walkers. After signing to Center Cut Records, Calvin released the albums: CANTALOUPE in 2018, with a sold out show at The Gem Theatre on September 15, 2018. He then released, L.A. SESSIONS in 2019, along with the EP, HONEY DEW, the EP, GODDESS with Quixotic, and the holiday album, ALL IS CALM. In 2020 Calvin collaborated with Mike Dillon on the Soundtrack to “SUMMER IN HINDSIGHT,” a feature-length film created by The West 18th Street Fashion Show that starred Calvin as an actor. Calvin Arsenia released his 14 track album PARADISE to fans on June 23, 2023. His most biographical album yet, with songs about Black Lives Matter, racism, probation, gay love, and collaborations with Cheery, Kadesh Flow & Jametatone.

If that isn’t enough Calvin is the proprietor of The Greenwood Social Hall 1715 Belleview, KCMO West Side, a historical Black Baptist Church that sat empty for several years was refashioned by artist Peregrine Honig and now in the investing hands of Calvin Arsenia who is raising funding ti purchase the building and is producing multiple shows shows in a full calendar of events featuring musical artists, performance artists, vkisual artist theatre artists, and meeting place.

Calvin Arsenia & Friends play The Folly Theater, 300 West 12th Street, KCMO on Tuesday, October 13 at 8:00pm More info at: www.follytheater.org // www.calvinarsenia.com

Calvin Arsenia thanks for being with us on WMM.


Calvin says “We are gathering at historic Folly Theater to convene in the name of love, beauty, and truth, reminding us all that, despite its difficulties, being alive is a magical, beautiful, and delicate thing.”

On Tuesday, October 6, 2026 Calvin sent a special message to his e-mail subscribers and fans:

My name is Calvin Arsenia. I grew up in Olathe, Kansas. My family reaches back to West Africa and the British Isles through the sieve of Colonial Virginia. I first discovered music’s power to heal and inspire growing up in evangelical and protestant churches. Week in and week out, I attended – spellbound – profoundly emotional and reverent musical experiences and got involved in choirs and worship team as soon as I could. I spent over a decade singing songs dedicated to ushering in the second coming of Jesus in coffee shops, school gyms, living rooms, and large sanctuaries. I sang in choirs and wrote worship songs and ambiguous love songs that I often self-produced and sold at coffee shop concerts. As a young adult, I eventually wound up on staff with a community of Christians in Edinburgh, Scotland, and there, through the deep friendships I made with musicians and storytellers, I discovered the power of telling one’s own story as an alternative way to freedom from “sin.”

I canceled shame. To chalk it up to sexual identity would be an over-simplification. I was deeply afraid to be perceived as gay, but moreover, I didn’t want to be separated, isolated… humiliated. To be excluded from the community I was going to help save the world with, from “the sacred,” from “home.” I thought I was destined for hell until I realized I was not alone, or odd, or evil. The more transparent I’ve been, the more I realize that we have way more in common than not.

After I came back to Kansas City from Scotland, I had a newfound hope and an appetite for provocative performance art. I presented an album, Catastrophe, on a Tuesday night where I told the story of my precarious love life up til that point. I was terrified of being seen by the friends I had made in my church days. I so badly wanted to be understood, to be honest, and to be loved for who I am.

In the time surrounding The Pandemic™, I spent several years performing in marvelous places – from Alaska to Miami to Mexico to Lincoln Center to Paris to New Orleans – festivals, fashion shows, film scores – all the while studying the mix of vulnerability, perception, frequency, and hospitality. I’ve shared the stage with other fantastic performers and others fail to connect with their audiences at all. How and why are some musical experiences life-changing? What’s the secret sauce? Here is what I’ve learned so far: Intention, care, risk, and preparation are all essential ingredients in creating performances that can change the world.

One of my favorite places to share music is right here in Kansas City: Greenwood Social Hall. It is a treasure trove of musical wonder and artistic delight. Over the last three years, I have curated and hosted hundreds of intimate concert gatherings, always enjoying and studying, and sometimes performing.

Every few years, I host a blow-out musical extravaganza somewhere in Kansas City where I gather a bunch of friends, we dress up, and attempt to transcend yet again. This year, it is happening at the Folly Theater – a place also known for its salacious past.

Next Tuesday, I’m bringing you the cream of the crop – a talented blend of people who call Kansas City home; a selection of the most beautiful songs I have written or discovered, inside our beloved Folly Theater. For the love of live and living music!

As part of the VIP package, I will perform a short prelude of songs I wish could be a part of the main show. I am bringing new t-shirts, candles, soaps, CDs, and some technological items for world-immersion gifts and merchandise. Holiday Gifts!

Thank you, dear friends and loved ones in Kansas City, for providing me with the space and resources to let the music of my mind and the meditations of my heart have a safe place to play – and for coming to play with me. This is my wildest dream coming true. I do not take it for granted.

Calvin Arsenia is inviting an orchestra of performers for his Folly Theater Concert

Calvin Arsenia: voice, harp, guitar, banjo
Canterberries: Vocals
Matt Bennett: Violin
Joanna Metzker: Violin
Christine Grossman: Viola
Eman Chalshotori: Cello
Alyssa Murray: Keys
Simon Huntley: Drums
Joe Donley: Bass
Marcus Rattler: Steel Pan and Auxiliary Percussion
Xion Soundwaves: Choir/Ensemble
Trevor Turla: Trombone
Josué Estrada: Trumpet
Tajma Stetson: Woodwinds
Drew Doran Crane: Piano
Lucas Miguel Parker: Electric Guitar

Special Guests:
Laurel Morgan
Cheery

Each artist brings decades of dedication to their playing. Wit, humor, and revelry.

Calvin Arsenia Live at The Folly Theater
300 W 12th St, Kansas City, MO 64105
6:00PM VIP
7:00PM Doors
8:00PM Music
Attire: A Night at the Theater (Furs, Velvet, Gloves, Odd or Opulent, Victorian Surrealism)

After party – TBD

Ten years ago, Calvin Arsenia premiered Catastrophe at recordBar on Grand Boulevard, introducing Kansas City to a theatrical concert vocabulary that would become central to his work: harp, voice, movement, spectacle, storytelling, and a cast of collaborators large enough to make a concert feel more like a small civilization. Since then, Arsenia has become one of Kansas City’s most singular musical figures, voted Kansas City’s Best Musician by The Pitch for eight consecutive years, 2018–2025, while receiving recognition and support from organizations including the Charlotte Street Foundation, ArtsKC, and the Mid-America Arts Alliance. His work has moved between concert halls, fashion runways, theaters, recordings, and film, including the feature-length Summer in Hindsight, for which he contributed original music and performance.

On Tuesday, October 13, 2026, Arsenia returns to the historic Folly Theater with a seasoned gathering of beloved Kansas City musicians for an evening that looks across a decade of songwriting. Familiar songs will sit alongside new arrangements, offering a portrait of an artist whose work has continued to evolve without losing its appetite for beauty, theater, intimacy, and transcendence. A curated VIP experience will provide an additional, more intimate entry into the evening. Ten years after Catastrophe, the Darling Harpist comes home to the stage that KC built for its most extravagant little secrets.

11:20

11:20

  1. Calvin Arsenia – “Rose Petals” (LIVE)
    just released as a single on September 25, 2026

11:23 – More Interview with Calvin Arsenia

Calvin Arsenia & Friends play The Folly Theater, 300 West 12th Street, KCMO on Tuesday, October 13 at 8:00pm More info at: www.follytheater.org // www.calvinarsenia.com

Calvin Arsenia thanks for being with us on WMM.

Calvin Arsenia Discography

Calvin Arsenia – Moments [EP] / Independent / April 9, 2014
Calvin Arsenia was 24 when he released this EP after returning home to Kansas City after living and performing in Edinburgh, Scotland. Calvin works as a songwriter, composer, lyricist, producer, and engineer. Calvin Arsenia played live on Wednesday MidDay Medley on October 22. 2014.

Calvin Arsenia – Prose [EP] / Independent / February 3, 2015
Recorded over the course of three live sessions at Edinburgh’s Napier University. Produced by Graham Coe. Engineered by David O’Leary. Music and Lyrics: Calvin Arsenia, with Fiona Reid & Liselot Van Oosterom on Vocals, Graham Coe on Cello, Mark Smith on Percussion, Lyle Watt on Guitar Calvin Arsenia on Vocals & Guitar & Piano. Calvin Arsenia joined us on WMM on March 18, August 5, and October 28.

Calvin Arsenia – Catastrophe {EP] / Calvin Arsenia / February 17, 2016
Limited edition EP, produced for Folk Alliance International, contains demo recordings of original gems that are the blueprints for Calvin’s soon to be released full length debut, coming in 2017. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. He has played all over town, including showcases at Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, and collaborations with bands like My Brothers and Sisters. Standing at 6 foot 5 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, bango, guitar and harp. Calvin Arsenia is getting ready to release a new album in the fall. Calvin teaches music to elementary students. Calvin is also a graduate of Artist INC professional development program for artists in the Kansas City metro area and across the Mid-America Arts Alliance five state region. Calvin Arsenia joined us live on WMM on February 24, July 13, and November 2.

Calvin Arsenia – Catastrophe [Album] / Calvin Arsenia / February 14, 2017
Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp Calvin teaches music to elementary students. Calvin is also a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin recently returned home from a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerlnd, Lyon and Paris. in over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. Calvin is working to release new music from Calvin’s June 11th, Live Recording at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC. ] [Calvin Arsenia played Big Bang Buffet’s “Black Sheep Rising,” Tuesday, April 11, at 8:00 at The Buffalo Room. A benefit for 90.1 FM KKFI featuring Ron Megee, Lisa Cordes, Jon “Piggy” Cupit, The Sleazebeats, Kristie Stremel, Jen Harris, Maria Vasquez Boyd, Jen Appell, Bill Belzer, Charlie Colborne, Mark Manning, Susan Cedarquis-Brewington, BJ McBride, Michael McQuary, Janet Henry, Ryan Wilks, and Nico Gray.] [Calvin Arsenia was on WMM on Feb. 15, April 12, Sept. 20, and Oct. 25 , 2017.

Calvin Arsenia – Live at Greenwood Social Hall / Unreleased / June 11, 2017
Solo live performance at Greenwood Social Hall, 1760 Bellevue, KCMO.

Calvin Arsenia – Caviar [EP] / Calvin Arsenia / December 5, 2017
Produced for attendees at Calvin’s “Secret Show,” Tuesday, December 5, at Wickstock West, 1324 West 12th Street, in The West Bottoms, and for supporters of his Outlyre Tour. Words and Music by Calvin Arsenia. Produced by Jametatone, Simon Huntley and Calvin Arsenia. Recorded at The Infoaming Vertex. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. n the late Summer and Fall Calvin went on a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerlnd, Lyon and Paris. in over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp. Calvin teaches music. Calvin is a graduate of Artist INC.

Calvin Arsenia – Cantaloupe / Center Cut Records / September 15, 2018.
Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist.

Calvin Arsenia – L.A. Sessions / Center Cut Records / September 20, 2019
Calvin performed live at L.A.’s The Mint, showcasing songs on LA Sessions with musicians who collaborated on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.”

Calvin Arsenia – Honeydew / Center Cut Records / June 28, 2019
[On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. This new EP is a remix of three of the songs from Cantaloupe, plus a Talking Heads cover that was performed live in this style at a New Year’s Eve show at The Truman opening for Making Movies who performed the entire Talking Heads album, Remain in Light. The last three songs on Honeydew were from performed in this style at The Nelson Atkins 2019 event “Party Arty.” Honeydew was produced by Jametatone, Simon Huntley, Calvin Arsenia.

Quixotic & Calvin Arsenia – “Goddess – EP / Quixotic / May 17, 2019
[An innovative performance art collective that fuses imagination with technology, dance, projection, mapping & live music to create fully-immersive, multi-sensory experiences. Quixotic harnesses light, rhythm and expressive emotion. Quixotic was given Silicon Valley’s unofficial stamp of genius when they were invited to perform at the global TED Conference in 2012. A unique blend of performance art, technology & emotion. Quixotic fuses all these elements in to what the New York Times branded an “innovative circus performance”.]

Calvin Arsenia – all is calm / Calvin Arsenia. / December 13, 2019
[Arsenia’s dreamlike whimsy shimmering through your favorite Christmas Classics. All proceeds for this album go towards the purchase of Calvin’s first harp. Featuring: Ben Muñoz on Cello, Shane Borth on Violin and Voila, and Luke “Skippy” Harbur on Beatbox. Mastered by Jametatone at the Infoaming Vertex and special thanks to Simon Huntley. Calvin wrote: “I recorded the majority of this album in my bedroom in between flights to and from KC and SF. I had my nephews and friend’s kids in mind and wanted an album of Christmas lullabys. I think it became just a little more sassy than anticipated, but I think you’ll enjoy it regardless.

Calvin Arsenia – Summer in Hindsight / Calvin Arsenia & Mike Dillon / Oct. 16, 2020
Soundtrack by Calvin Arsenia and Mike Dillon for The West 18th Street Fashion Show’s 20th year as a feature-length film. COVID-19 changed everything in 2020. “We are moving it from the street to the screen,” says Peregrine Honig to inkansascitymagazine. “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The film premiered October 16, 2020 at The Boulevard Drive-In. Honig wrote,. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.” Calvin Arsenia had recently been emotionally and greatly moved by the area and national Black Lives Matter Movement. His own research into his own family revealed that Calvin’s great, great, great grandmother Alice Gilliam Scott, was a former slave who lived to observe her 100th birthday as noted by a regional newspaper Calvin had written. In the summer of 2020 Calvin wrote “Revelation” an unreleased track inspired by Black Lives Matter. Calvin premiered the song on WMM on August 12, 2020. He later shared his other new songs, “Scars and Stripes” and “The Flying Monkees are Coming!” on our October 14, 2020 edition of WMM. Both of those songs ended up on Summer in Hindsight.

Calvin Arsenia & Rewound – Love Story EP / Outlyer Productions / May 9, 2023
Rewound is a trio with Carmen Dieker on violin, Alyssa Bell on viola, and Ezgi Karakus on cello that perform classical and contemporary music re-imagined. For these recordings they are collaborating with Calvin Arsenia on harp.]

Paradise / Calvin Arsenia – Paradise / June 23, 2023
Paradise is Calvin Arsenia’s new 14 track album. It is only available through www.calvinarsenia.com // A new turning point as a songwriter. His most biographical album yet, with songs about Black Lives Matter, Racism, The Police, being on probation, gay love. The album contains collaborations with Cheery, Kadesh Flow and Jametatone. Calvin Arsenia one of our most frequent guests, who first appeared on WMM on July 25, 2012. KC Magazine has hailed Calvin as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a 3 and ½ octave range, natural stage command and knack for gilding gold and painting lilies.’ // Calvin Arsenia played a PARADISE Album Release Party, Friday, June 23, and Saturday, June 24, at 7:00 PM at The Emerald, 1715 West 9th Street, KCMO, WEST BOTTOMS.

Calvin’s Book VERY GOOD BOY DOES FINE / Andrews McMeel Universal / Oct. 5, 2021 a collection of Poetry & Prose

Calvin Arsenia thanks for being with us on WMM

Calvin Arsenia & Friends play The Folly Theater, 300 West 12th Street, KCMO on Tuesday, October 13 at 8:00pm More info at: www.follytheater.org

More info at http://www.calvinarsenia.com

11:26

  1. Calvin Arsenia – “Experience”
    from: Catastrophe / Calvin Arsenia / February 14, 2017
    [Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. His full length album Catastrophe on February 14, 2017, His EP Caviar in Novenber 2017. Calvin’s 2018 national debut, Cantaloupe, was released on September 15, 2018 on Center Cut Records. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On September 20, 2019 Calvin released LA Sessions. On December 13, 2019 Calvin released his full length Christmas album “all is calm.” Calvin is also a graduate of Artist INC.]

[Calvin Arsenia & Friends play The Folly Theater, 300 West 12th Street, KCMO on Tuesday, October 13 at 8:00pm More info at: www.follytheater.org // www.calvinarsenia.com]

11:29 – Underwriting

  1. Just Angel – “Intent”
    from: Just Angel: Pt. 2 {EP] / Just Angel / December 25, 2021
    [Just Angel is a Kansas City based, singer, musician, songwriter, dancer. and creative artist. She recently contributed vocals to the recent Sisterbot record. More info at: /distrokid.com/hyperfollow/justangel/just-angel–pt-1: Just Angel: Pt. 2 is a followup to Just Angle Pt.1 – EP released on December 24, 2020 More info at: https://linktr.ee/JustAngel_TigerLilyStar]

[Just Angel plays POETRY IN PINK GALA – Sunday, October 25 at 6:00pm at Sherri’s Executive Lounge, 3834 Genessee Street, KCMO for the 2nd annual Cancer Awareness Gala for Cancer Survivors, Angels, Families and Communities.]

11:34 – Interview w/ Just Angel, T.A. Rell, Gie Santana, and Jon Hypocrace Lewis

Just Angel, is a a creative singer hailed as “Passionate … Soulful… and an Inspiring Voice.” She’s an Earthy Vocalist, whose voice finds its home in Rock, Jazz, and Alternative music, but has found a way to incorporate those genres within her love of Soul & R&B. Just Angel and her band The Wades can be found playing eclectic takes on popular music, along with her original songs from her EPs, Just Angel Part 1 & 2, and her, newest singles “Dumb”, released August 9, 2024, and “Sad Song”, released June 8, 2025.

We are happy to welcome back to the show Just Angel, with T.A. Rell, Gie Santana, Jon Hypocrace Lewis, who share details about POETRY IN PINK GALA – Sunday, October 25 at 6:00pm at Sherri’s Executive Lounge, 3834 Genessee Street, KCMO for the 2nd annual Cancer Awareness Gala for Cancer Survivors, Angels, Families and Communities. Joining Angel will be Gie Santana, Jon Hypocrace Lewis and Sherri Hall.

Just Angel will perform LIVE in our 90.1 FM Studios with musician T.A. Rell.

Just Angel T.A. Rell, Gie Santana, Jon Hypocrace Lewis, Thank You for being with us on WMM

Just Angel has performed with My Brothers & Sisters. Just Angel and her band, The Wades (which include T.A. Rell) can be found

She released her debut EP, JUST ANGEL, PART 1 on December 24, 2020. She released her follow up EP, JUST ANGEL, PART 2 on December 25, 2021. She also contributed vocals to the amazing Sisterbot record. Just Angel released the single “Dumb” – part of WMM’s favorite 50 Singles of 2024.

Just Angel has performed in multiple theatre theatre productions., and has been working on her musical degree at UMKC.

Just Angel collaborates with T.A. Rell who plays keyboards and sings background with Just Angel in their band The Wades. The Wades rock the stages with Just Angel’s original songs from her recordings and eclectic takes on popular music.

Arick “T.A. Rell” Ridgell is a 24 year old musician has been writing and producing music since the age of 18. The Kansas City, Missouri native was born August 29, 1990. He’s an alumni of Center High School (Kansas City, MO), and a current student at Longview Community College (Lee’s Summit, MO), where he’s currently looking to obtain a degree in Audio Engineering.

Just Angel has been working on her musical degree at UMKC.

11:48

  1. Just Angel and T.A. Rell – “I.B.H.D.” (LIVE)
    this song can be found on Just Angel: Pt. 2 {EP] / Just Angel / December 24, 2020

11:53 – More Interview w/ Just Angel, T.A. Rell, Gie Santana, Jon Hypocrace Lewis

We are happy to welcome back to the show Just Angel, with T.A. Rell, Gie Santana, Jon Hypocrace Lewis, who share details about POETRY IN PINK GALA – Sunday, October 25 at 6:00pm at Sherri’s Executive Lounge, 3834 Genessee Street, KCMO for the 2nd annual Cancer Awareness Gala for Cancer Survivors, Angels, Families and Communities. Joining Angel will be Gie Santana, and Jon Hypocrace Lewis.

Just Angel T.A. Rell, Gie Santana, Jon Hypocrace Lewis Thank You for being with us on WMM

POETRY IN PINK GALA – Sunday, October 25 at 6:00pm at Sherri’s Executive Lounge, 3834 Genessee Street, KCMO for the 2nd annual Cancer Awareness Gala for Cancer Survivors, Angels, Families and Communities.

Just Angel, has been seen on stages of The Barn Players Community Theatre, at Johnson County Arts & Heritage Center in BEAUTIFUL, The Carole King Musical,, The Music Theater Heritage: Ruby Room performance of “Piece of My Heart” in 2023, The Black Repertory Theatre of Kansas City “After Midnight” in 2022, and playing Osceola Mays in “Texas in Paris” in 2021.

We are talking with Just Angel who with their band, The Wades can be found rocking stages with original songs from their recordings and eclectic takes on popular music.

Just Angel produced the 4 song EP, JUST ANGEL PT.1 in 3 days in 2020, She then produced a second 4-song EP, JUST ANGEL PT. 2 in 24 hours in 2021. Just Angel has a birthday on December 24. Producer & Musician T.A. Rell helped birth into fruition the Just Angel EP releases with the 5 month hiatus between recordings.

More at https://linktr.ee/JustAngel_TigerLilyStar]

11:57

  1. Noel Coward – “The Party’s Over Now”
    rom: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, October 14,

At 10:00 Ned Stacie joins us to share details about NED’s Fright-Hole Cabaret, November 7th, 12th, 13th at 7:00pm doors, 8:00pm Show at The Warwick, 3927 Main Street, KCMO. https://www.eventbrite.com/e/neds-fright-hole-cabaret-tickets // ALSO Joey Moreno and their partner Bella Cybin, The Emerald film crew and document most all of Ned’s Night-Hole shows is fund raising for their independent short film Level Sands – making art at the end of the world. https://www.indiegogo.com/en/projects/bella-cybin/level-sands

At 10:30 Our favorite Soul Child – Nicolette Paige joins us to talk about her healing work, her musical performances, farming and gardening and her recent travels to Africa.

At 11:00 Shawn Saving of Black Site Records also joins us with writers Francis X. Connor and Darren DeFrain to talk about: No Choice but Action: Kansas Postpunk 1978-1994. Featuring twenty-four tracks ranging from basement tape demos to professional studio recordings, this double LP highlights the evolution of the DIY music scene in the heart of “flyover country” from its nascent punk roots in the late 1970s to the alternative rock era of the early 1990s. Produced in collaboration with Wichita State University, this record is the essential audio companion to the book from University Press of Kansas, No Choice but Action: The Kansas Postpunk Revolution, by Francis X. Connor and Darren DeFrain.

While the history of punk has mostly focused on the coastal cities of the US, a fiercely independent music scene was thriving across Kansas in the late 1970s and 1980s. From Lawrence to Wichita, bands like The Embarrassment, Get Smart!, Micronotz, Pedaljets and Truck Stop Love built a decentralized, grassroots network fueled by basement venues, cassette culture, zines, and pure creative urgency—without the backing of major labels or industry infrastructure. This electrifying cultural history challenges everything we think we know about where music revolutions begin, revealing how Kansas became an unlikely but influential center of the American postpunk movement.

At 11:30pm the band Truck Stop Love joins us live to talk about the release of the re-release of their 1995 debut album, HOW I SPENT MY SUMMER VACATION, on vinyl for the first time.

You can find our playlists at: www.wednesdaymiddaymedley.org & www.kkfi.org
www.facebook.com/WednesdayMidDayMedleyon90.1FM
www.instagram.wednesday_midday_medley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein-Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Office Manager Book Keeper – Shaina Littler.

THANK YOU to everyone who donated to KKFI’s Summer Fund Drive during WMM we had a total of 33 people donate a total of $3513.50. THANK YOU SO MUCH!

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1168

WMM Playlist from September 30, 2026

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 30, 2026

Shaun Crowley + Colin Halliburton + Jesse Kates & Kate McCandless

  1. “It’s Showtime Folks”
    from: Original Motion Picture Soundtrack to All That Jazz / 1980
    [WMM’s theme song]
  1. Stevie Wonder – “It’s Easier”
    from: Songs In The Key Of Life – The EP / Motown / September 28, 2026
    [Stevie Wonder shares new tracks from the vault with this new EP release: Songs in the Key of Life. Stevie Wonder now 76 is a musical Icon and his critically acclaim Songs in The Key of Life is commemorating its 50th anniversary. In celebration Stevie Wonder shares new tracks from the vault, previously unheard songs, from the Songs in the Key of Life recording sessions include: “It’s Easier,” “My Life Story of Love,” “I Can See the Sun in Late December,” and “I’m Into Livin’.” // “We’ve lived with Songs in the Key of Life for fifty years, but there’s more to hear,” Wonder said in a press release. “We didn’t add these songs to the album, but they were part of what I was feeling and discovering as we made it. They bring me back to that time in my life, and now they get to become part of yours.” Wonder wrote and produced the four new releases, with “My Life Story of Love” featuring a co-writing credit for The Supremes’ Susaye Greene. “I’m Into Livin’” also includes backing vocals from soul star Deniece Williams and R&B great Thelma Houston. In addition to releasing the EP commemorating the groundbreaking LP, Wonder is heading on an 18-date anniversary world tour this fall, kicking off October 13 in Birmingham, England. // Songs in the Key of Life is Wonder’s eighteenth LP. Released when Wonder was already one of the most popular artists of the era, Songs in the Key of Life cemented his legacy as a Motown legend, featuring classics such as “Isn’t She Lovely” and “Sir Duke.” // Stevland Hardaway Morris; born May 13, 1950), known professionally as Stevie Wonder, is an singer-songwriter, musician, and record producer. He is widely regarded as one of the most influential musicians of the 20th century, and is credited as a pioneer and influence by musicians across a range of genres that include R&B, pop, soul, gospel, funk, and jazz. Wonder’s use of synthesizers and other electronic musical instruments in the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. // Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown’s Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. As a teenager, he established himself as one of Motown’s most successful acts, known for his excited harmonica playing and high-pitched singing. His single “Fingertips” topped the Billboard Hot 100 when he was 13, making him the youngest solo artist ever to top the chart. Wonder’s critical and commercial peak, termed his “classic period” (1972–1976), began with the albums Music of My Mind and Talking Book (1972), which abandoned the Motown sound in favor of a synthesizer- and keyboard-driven one. With Innervisions (1973), Fulfillingness’ First Finale (1974), and Songs in the Key of Life (1976), he became the first Black musician to win the Grammy Award for Album of the Year and the only artist to have won the award with three consecutive album releases. // In the 1980s, Wonder achieved international cultural presence, with high-profile collaborations (notably with Paul McCartney & Michael Jackson), television appearances, charity work, and political influence, including his 1980 campaign to make Martin Luther King Jr.’s birthday a federal holiday in the United States. Hotter Than July (1980), the soundtrack album The Woman in Red (1984), and In Square Circle (1985) all peaked within the top five of the Billboard 200. “Ebony and Ivory”, “I Just Called to Say I Love You”, “Part-Time Lover”, and “That’s What Friends Are For” all reached number one, making him the first act to top the Billboard Hot 100 in three consecutive decades. Wonder returned to the top five with his latest album, A Time to Love (2005), and he has continued to remain active in music and political causes. // Wonder is one of the best-selling music artists of all time, with sales of more than 100 million records worldwide. He has won 25 Grammy Awards (the most by a male solo artist) and an Academy Award. He has been inducted into the Rhythm and Blues Music Hall of Fame, the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. He ranked in the top 10 on Rolling Stone’s lists of the greatest singers and greatest songwriters of all time. In 2009, Wonder was named a United Nations Messenger of Peace, and in 2014, he was honored with the Presidential Medal of Freedom. Believing himself to be of Ghanaian ancestry, he was conferred Ghanaian citizenship in 2024. // Wonder was born Stevland Hardaway Judkins on May 13, 1950, in Saginaw, Michigan, the third of five children born to Lula Mae Hardaway, and the second of Hardaway’s two children with Calvin Judkins. Wonder was born six weeks premature, a condition that, along with the oxygen-rich atmosphere in the hospital incubator, resulted in retinopathy of prematurity, a disease that aborts eye growth and often causes the retinas to detach, which left him blind. // When Wonder was 4, his mother divorced his father and moved with her 3 children to Detroit. Wonder attended Whitestone Baptist Church, where he sang in the choir and became a soloist at age 8. His mother later rekindled her relationship with her first child’s father (whose surname was also coincidentally Hardaway), changed her name back to Lula Hardaway, and had 2 more children. // Wonder began playing instruments at an early age, including piano, harmonica, drums. He formed a singing partnership with a friend; calling themselves Stevie & John, they played on street corners and occasionally at parties & dances. When Stevie was signed by Motown in 1961, his surname was legally changed to Morris, which (according to Lula Mae Hardaway’s authorized biography) was an old family name. // Wonder attended Fitzgerald Elementary School in Detroit. After his 1st album was released, The Jazz Soul of Little Stevie (1962), he enrolled in Michigan School for the Blind in Lansing, MI.]

Stevie Wonder Discography
The Jazz Soul of Little Stevie (1962)
Tribute to Uncle Ray (1962)
With a Song in My Heart (1963)
Stevie at the Beach (1964)
Up-Tight (1966)
Down to Earth (1966)
I Was Made to Love Her (1967)
Someday at Christmas (1967)
Eivets Rednow (1968)
For Once in My Life (1968)
My Cherie Amour (1969)
Signed, Sealed & Delivered (1970)
Where I’m Coming From (1971)
Music of My Mind (1972)
Talking Book (1972)
Innervisions (1973)
Fulfillingness’ First Finale (1974)
Songs in the Key of Life (1976)
Stevie Wonder’s Journey Through “The Secret Life of Plants” (1979, soundtrack)
Hotter than July (1980)
The Woman in Red (1984, soundtrack)
In Square Circle (1985)
Characters (1987)
Jungle Fever (1991, soundtrack)
Conversation Peace (1995)
A Time to Love (2005)

  1. Mon Rovîa – “Pray the Devil Back to Hell”
    from: Pray the Devil Back to Hell – Single / Mon Rovîa – Nettwerk / June 19, 2026
    [Janjay Lowe, known professionally as Mon Rovîa, is an Afro-Appalachian singer-songwriter from Liberia who grew up in the United States. // Janjay Lowe was born in Monrovia, Liberia. He was adopted around the age of seven by an American family, and during his early years his family lived in Florida, Montana, the Bahamas, and Tennessee. It was in Chattanooga, Tennessee where he was first exposed to folk music. As he began exploring his interest in music, he learned to play the ukulele, guitar, and other instruments. // Lowe uploaded his first song to SoundCloud in 2017 under the name Mon Rovîa, a name he chose in honor of his birthplace of Monrovia, Liberia. In 2020, he released his first EP, Sunburnt. His first album, Dark Continent, debuted in 2021 and featured a blend of hip-hop, trap, R&B, and folk influences. During 2022, his style shifted towards folk music with songs like “Vulture Culture,” “Where the Rivers Run,” and “Borderline.” // Starting in July 2023, he began releasing a series of four EPs based on the structure of the hero’s journey: Act 1: The Wandering, Act 2: Trials, Act 3: The Dying of Self, and Act 4: Atonement. One of the singles from Act 4: Atonement, “Winter Wash 24,” was inspired by the work of the International Rescue Committee, and all the proceeds from the single went to this organization. // Mon Rovîa made his music festival debut at Bonnaroo in 2024. He has also achieved a significant following on TikTok, with over 500 million views as of October 2024. He made his debut Grand Ole Opry performance in July 2025.]
  1. Valerie June – “I’ll Fly Away”
    from: Brighter Blue – 3 song Single / June Tunes – Concord / September 11, 2026
    [“I’ll Fly Away” composed by Albert E. Brumley in 1929 Published 1932 is a hymn written between 1929 and 1932 by Albert E. Brumley and published in 1932 by the Hartford Music company in a collection titled Wonderful Message. Albert took three years to write the song after getting the idea while picking cotton in 1928. Over the years multiple derivative versions have been created and will be licensed for decades to come. Brumley’s writing was influenced by the 1924 secular ballad “The Prisoner’s Song”. // “I’ll Fly Away” has been called the most recorded gospel song. It is frequently used in worship services by Baptists, Pentecostals, Nazarenes, the Churches of Christ and many Presbyterians and Methodists. It appears in many hymnals where it is listed under the topics of eternal life, heaven and acceptance. It is a standard song at bluegrass jam sessions and is often performed at funerals, including jazz funerals in the New Orleans tradition.Singer, songwriter, and multi-instrumentalist Valerie June releases her new EP, Brighter Blue, out now via Concord Records. In conjunction, she announces a March 2027 headline tour. Brighter Blue finds June journeying through the American songbook, marking a return to her early work weaving blues, folk, gospel, rock, and grunge. Throughout, she honors tradition while pushing into new territory. Today’s “Trouble in Mind,” which features Sam Amidon, has been interpreted by hundreds of artists, including Lightnin’ Hopkins, Nina Simone, and Muddy Waters. June comments, “The most transformative moments of my life have come when I found the courage to face my fears—to feel them fully and discover the stillness that remains when the storm passes. There is perhaps no better song to capture the journey from hardship toward happiness than the old blues song ‘Trouble in Mind.’ Rooted in sorrow yet reaching toward hope, it reminds us that even in our darkest moments, something within us continues to sing.” // “Trouble In Mind” follows June’s cover of “Smokestack,” a “revved-up electric blues” (Brooklyn Vegan) number, now accompanied by a video. Of the “Smokestack” video, June comments, “This one is for tiny thick thighs, lovers of the blues, and electric guitar lovers. In truth, I’m just trying to be like the other badass Black ladies who shredded on the electric guitar and came before me: Sister Rosetta Tharpe, Jessie Mae Hemphill, Memphis Minnie, Beverly ‘Guitar’ Watkins, and Peggy Jones/Lady Bo. I have a personal connection to all of them, and I try to keep their spirits alive in my own style. Every time I play electric, I’m giving them their flowers. They lived in times when female guitarists weren’t celebrated in the ways we’ve come to celebrate women guitarists today. So every riff, every solo, every nasty little sound is my way of honoring the women who picked up the electric guitar and showed us what was possible. This one’s for them.” // “She’s weaving together a tapestry of history, connecting genres between seemingly disparate scenes and communities. This new evolution of June is hard to categorize and undoubtedly fun.” — Chicago Tribune // “Valerie June manages to make rollicking, catchy splendor as she unpretentiously and seamlessly waltzes from pop to rock to gospel to ‘60s girl-group/Wall of Sound brilliance.” — Treble // “[A] vibrant single…a fresh take on a classic.” – Culture Beat // Valerie June is an author, poet, Grammy®-nominated singer-songwriter and three-time Americana Music Honors and Awards nominee. Recently the subject of an exhibit at Nashville’s National Museum of African American Music, she has been praised by Bob Dylan, written music for Mavis Staples, and shared the stage with Willie Nelson, Dinosaur Jr., John Prine, Tyler Childers, Brandi Carlile, Elvis Costello, Robert Plant, Meshell Ndegeocello, and well beyond. As NPR Music hailed, “Not all artists are cut quite like Valerie June. She is just the most expansive artist dabbling in psychedelic folk, indie rock, Appalachian, bluegrass, country, soul, gospel, you name it” (NPR’s All Songs Considered). June’s most recent album was 2025’s Owls, Omens, and Oracles. // June just wrapped a tour supporting Ani DiFranco on the west coast, and is currently in the midst of a North American headline tour with several festival appearances along the way. On September 18th at Americanafest, she’ll be in conversation with NPR Music’s Ann Powers at the Women & Guitars panel.

10:15 – Tribute to Mama Bear – Ruth Whitlock Ward

Recently our friend Madisen Ward wrote on social media that his mom, Ruth Evelyn “Mama Bear” Ward had passed away on Sunday, September 13, 2026 at the age of 75. Ruth was born on September 12, 1951, in South Bend, Indiana, where she was raised. She later became a longtime resident of Independence, Missouri, which she called home for many years. She was the daughter of the late Isiah Whitlock Sr. and the late Ruth Moore Whitlock. / Per her obituary: Ruth was a sharp, quick-witted, and creative soul. A true artist, she expressed herself through music and had a beautiful singing voice. // Ruth Ward continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo acoustic gospel record. In the midst of this she got married and became a mom, and was busy raising a family. / Ruth youngest son Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occasional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration.They got signed to Glassnote Records and their debut album, THE SKELETON CREW was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Their follow up EP RADIO WINNERS was released July 27, 2018 and received critical acclaim. // Madisen Ward and The Mama Bear released the album STARTED WITH A FAMILY on September 6, 2019. // Music was a huge part of Ruth’s life. She recorded and performed music across the world and made several appearances on national television. Her creativity, musical talent, and love of performing were an important part of the legacy she leaves behind. // Ruth was preceded in death by her parents and her siblings Bobbie Whitlock, Donnie Ray Whitlock, Christopher Whitlock, Kimberly Whitlock, and Isiah “Teddy” Whitlock Jr. // Ruth was a loving mother and grandmother. She and her husband, Kenneth Ward, shared three children: Heather Johnson and her husband, Matt Johnson, of Lake Worth, Florida; Adam Ward and his wife, Kortney Ward, of Raytown, Missouri; and Madisen Ward, of Independence, Missouri. She was also a proud grandmother to Gabrielle Fanning, Jax Ward, and Cora Ward. Ruth was also loved and cherished by her South Bend family, who held a special place in her heart. // She is survived by her four siblings, Deborah Riley, Michelle K. Stewart and her husband, James, Velma L. Lloyd, and Beverly Taylor, as well as many beloved nieces and nephews, all of South Bend, Indiana. // Her memory will be cherished by her family, friends, and all who had the privilege of hearing her sing, experiencing her creativity, and knowing her humor and loving spirit. // Wednesday MidDay Medley was the first radio show to ever play the music of Madisen Ward and the Mama Bear. Recording producer and engineer and friend of their family Joel Nanos recorded an EP with the duo and then passed it on to me saying, “I don’t think I have ever heard anything quite like this before.” // Madisen Ward and the Mama Bear first played LIVE on WMM on May 8, 2013. Madisen Ward and the Mama Bear made 7 live appearances on our radio show playing live on 5 different shows.

10:17

  1. Madisen Ward and the Mama Bear – “Dreams”
    from: “Dreams” – Single / Glassnote Entertainment / January 22, 2015
    [Madisen Ward and the Mama Bear garnered international acclaim, from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. // Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of KCMO. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occasional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony & orchestration. Their debut album, THE SKELETON CREW was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. Their follow up EP RADIO WINNERS was released July 27, 2018 and received critical acclaim. // Madisen Ward and the Mama Bear released STARTED WITH A FAMILY on Sept. 6, 2019. Produced with Grammy-winner Nathan Chapman at Blackbird Studios in Nashville.]
  1. Shabazz Palaces – “Pop Life (Prince Cover)”
    from: Maximum MN: a Digital Mixtape Compilation To Benefit The International Institute of Minnesota / Sub Pop / January 22, 2026
    [The International Institute of Minnesota Provides Services To Immigrants and Refugees So They Can Build New Lives, Find Work To Support Their Families, and Contribute To Their New Communities. Proceeds From This Compilation Improves The Lives of Refugees and Immigrants and Help Strengthen Our Communities’ Future. // Maximum MN, a digital mixtape featuring Sub Pop artists covering Minnesota musicians, capturing a snapshot of Minnesota’s long history of life-changing music and showing solidarity with the people of Minnesota, is out today worldwide, Friday, September 18th, 2026. In the wake of the ICE raids in Minneapolis this year, a lot of communities have been hit hard. Families have been disrupted, people have been displaced, and local support systems are under real strain. Proceeds from this compilation will be sent to The International Institute of Minnesota, a non-profit organization that supports refugees and immigrants through resettlement services, English and citizenship classes, job training (including nursing assistant training), immigration legal services, and direct financial support in the current environment. // The eight-song tracklist includes Yuno (covering Hippo Campus “The Way It Goes”), Sweeping Promises (covering Hüsker Dü’s “Something I Learned Today”), Mudhoney (covering Halo of Flies’ “Rubber Room”), Shabazz Palaces (covering Prince’s “Pop Life”), Flock of Dimes (covering Low’s “Especially Me”), Weird Nightmare (covering Paul Westerberg’s “It’s a Wonderful Lie”), and Pissed Jeans (covering former Minnesota Governor and WWF wrestler Jesse “The Body” Ventura’s “The Body Rules”). Listen to Downtown Boys cover of The Replacements “Can’t Hardly Wait” now. // Shabazz Palaces is a Seattle-based hip hop group led by Ishmael Butler a.k.a. Palaceer Lazaro (formerly Butterfly of jazz rap group Digable Planets). // Much of Butler’s work as Shabazz Palaces was made in collaboration with multi-instrumentalist Tendai “Baba” Maraire, son of mbira master Dumisani Maraire. Maraire left the group before the release of their fifth album in 2020. // Shabazz Palaces has released seven studio albums on Sub Pop between 2011 and 2024 after self-releasing two EPs in 2009. // Two anonymously self-released EPs titled Shabazz Palaces and Of Light in 2009 led to Shabazz Palaces becoming the first hip-hop act to be signed to Sub Pop. Their debut full-length album, Black Up, was released on June 28, 2011 to widespread critical acclaim. In 2019, Pitchfork ranked Black Up at number 179 on their list of “The 200 Best Albums of the 2010s”; cultural critic Hanif Abdurraqib wrote: “From great mystery exploded an album of impossible vision”. // Their second album, Lese Majesty, was released on July 29, 2014 days after premiering at the ‘Laser Dome’ in Seattle’s Pacific Science Center. // On July 14, 2017, Shabazz Palaces released its third and fourth full-length records concurrently. Quazarz: Born on a Gangster Star and Quazarz vs. The Jealous Machines were accompanied by a short film directed by Nep Sidhu, and a limited-run comic book illustrated by Joshua Ray Stephens. In 2020, “Shine a Light” was added to the soundtrack of the 2013 video game, Grand Theft Auto V. // The following year, Shabazz Palaces joined up with frequent collaborator Erik Blood to release a full-length LP titled 1 Time Mirage under the moniker Knife Knights which released on September 14, 2018. The moniker had been used by Butler for his collaborative production work with Blood on previous Shabazz Palaces records, though now formalised as a touring band signed to Sub Pop. // Shabazz Palaces’ fifth full-length record, The Don of Diamond Dreams, was released on April 17, 2020. An article written by The Guardian confirmed that Tendai Maraire was no longer part of Shabazz Palaces and was not involved in creation of the album. // On April 12, 2023, an EP titled Illusions Ago was released on Glass Cane Records in collaboration with ‘Lavarr The Starr’, presumed to be another moniker of Butler’s. // A 6th studio album by Shabazz Palaces, Robed in Rareness, released later in the year on Oct. 27, 2023. // On March 29, 2024, Shabazz Palaces’ 7th studio album was released, titled Exotic Birds of Prey. // On Aug. 11, 2026, Shabazz Palaces announced their 8th album entitled It’s a Style Sport would be released on Oct. 23rd, 2026 and also released a single, “Ahh World (I Won The Alpha Bet)”. // “Pop Life” is a song by Prince and the Revolution. It was the 2nd US (and final UK) single from their 1985 album, Around the World in a Day, reaching # 7 in the US charts, becoming Prince’s 8th top-10 hit in a 2-year span. // The song starts with a faded-in synth line – quickly starts the main tune. The easy groove is achieved with a smooth bass guitar & piano embellishments. A drum machine provides handclaps to make the song danceable. “Pop Life” was recorded before Purple Rain was completed, indicating a new direction Prince wanted to take after the success of that album. Lyrically, the song describes the tiresome, stressful side of the celebrity life, including the pressure that can lead to drug use (“What you putting in your nose?/Is that where all your money goes?”)]
  1. Beck – “It Ends Right Here”
    from: Ride Lonesome / Iliad – Capitol / September 18, 2026
    [Ride Lonesome is the fifteenth studio album by Beck. The first studio album Beck has released since the 2019 ‘s Hyperspace, marking his longest gap between studio albums. // On January 29, 2026, Beck released the compilation album, Everybody’s Gotta Learn Sometime, that featured covers and rarities. // Beck David Hansen (born Bek David Campbell; July 8, 1970), known mononymously as Beck, is an American singer, songwriter, and record producer. He rose to fame in the early 1990s with his experimental and lo-fi style, and became known for creating musical collages of wide-ranging genres. He has musically encompassed folk, funk, soul, hip-hop, electronica, alternative rock, country, and psychedelia. He has released 15 studio albums, as well as several non-album singles and a book of sheet music. // Born and raised in Los Angeles, Beck gravitated towards hip-hop and folk in his teens and began to perform locally at coffeehouses and clubs. He moved to New York City in 1989 and became involved in the city’s anti-folk movement. Returning to Los Angeles in the early 1990s, he saw his commercial breakthrough with his 1993 single “Loser”. After signing with DGC Records, the song peaked at number ten on the Billboard Hot 100 and served as the lead single for his third album and major label debut, Mellow Gold (1994). Its follow-up, Odelay (1996), topped critic polls and won several awards. Before his 1996 release, the same year, he played the role of a taxi driver in the US video of Alisha’s Attic’s single, “I Am, I Feel”. // Beck released the country-influenced Mutations in 1998, and the funk-infused Midnite Vultures in 1999. The soft-acoustic Sea Change in 2002 showcased a more serious Beck, and 2005’s Guero returned to Odelay’s sample-based production. The Information in 2006 was inspired by electro-funk, hip-hop, and psychedelia; 2008’s Modern Guilt was inspired by 1960s pop; and 2014’s folk-infused Morning Phase, a stylistic and thematic follow-up to Sea Change, won Album of the Year at the 57th Grammy Awards. His 2017 album, Colors, won awards for Best Alternative Music Album and Best Engineered Album, Non-Classical at the 61st Annual Grammy Awards. His fourteenth studio album, Hyperspace, was released on November 22, 2019. In 2022, Beck was nominated for the Rock & Roll Hall of Fame. // With a pop art collage of musical styles, oblique and ironic lyrics, and postmodern arrangements incorporating samples, drum machines, live instrument-ation, and sound effects, Beck has been hailed by critics and the public throughout his musical career as being among the most idiosyncratically creative musicians of the 1990s and 2000s alternative rock. Two of Beck’s most popular and acclaimed recordings are Odelay and Sea Change, both of which were ranked on Rolling Stone’s list of the 500 greatest albums of all time. Beck is a four-time platinum artist; he has collaborated with several artists and contributed to several soundtracks. // Bek David Campbell was born in Los Angeles on July 8, 1970, the son of American visual artist Bibbe Hansen and Canadian arranger, composer, and conductor David Campbell. Bibbe Hansen grew up amid Andy Warhol’s The Factory art scene of the 1960s in New York City and was a Warhol superstar. She moved to California at 17 and met David Campbell. Beck’s maternal grandfather, artist Al Hansen, was of Norwegian descent and was a pioneer in the avant-garde Fluxus movement. Beck’s maternal grandmother was Jewish; he has said that he considers himself Jewish because he was “raised celebrating Jewish holidays.” // Beck was born in a rooming house near downtown Los Angeles. As a child he lived in a declining neighborhood near Hollywood Boulevard. He remembers “By the time we left there, they were ripping out miles of houses en masse and building low-rent, giant apartment blocks.” The working-class family struggled financially, moving to Hoover and Ninth Street, a neighborhood populated primarily by Koreans and Salvadorian refugees. He was sent for a time to live with his paternal grandparents in Kansas; he later remarked that he thought “they were kind of concerned” about his “weird” home life. Because his paternal grandfather was a Presbyterian minister, Beck grew up influenced by church music and hymns. He also spent time in Europe with his maternal grandfather. // After his parents separated when he was ten, Beck stayed with his mother and brother Channing in Los Angeles, where he was influenced by the city’s diverse musical offerings—everything from hip-hop to Latin music and his mother’s art scene—all of which would later reappear in his work. Beck obtained his first guitar at 16 and became a street musician, often playing Lead Belly covers at Lafayette Park. During his teens, Beck discovered the music of Sonic Youth, Pussy Galore, and X, but remained uninterested in most music outside the folk genre until many years into his career The first contemporary music that made a direct connection with Beck was hip-hop, which he first heard on Grandmaster Flash records in the early 1980s. Growing up in a predominantly Latin district, he found himself the only white child at his school, and quickly learned how to breakdance. When he was 17, Beck grew fascinated after hearing a Mississippi John Hurt record at a friend’s house, and spent hours in his room trying to emulate Hurt’s finger-picking techniques. Shortly thereafter Beck explored blues and folk music further, discovering Woody Guthrie and Blind Willie Johnson. // Feeling like “a total outcast”, Beck dropped out of school after junior high. He later said that although he felt school was important, he felt unsafe there. When he applied to the new performing arts high school downtown, he was rejected. His brother took him to post-Beat jazz places in Echo Park and Silver Lake. He hung out at Los Angeles City College perusing records, books, and old sheet music in the college’s library. He used a fake ID to sit in on classes there, and he also befriended a literature instructor and his poet wife. He worked at a string of odd jobs, including loading trucks and operating a leaf blower.]

[Beck plays The Uptown Theater, 3700 Broadway, KCMO on Sunday, October 4, at 8:00 pm with Ionna Gika in an all Ages SOLD OUT show.]

10:29 – Underwriting

  1. Jass – “Autumn In The City”
    from: Autumn In The City / Jass / September 25, 2025.
    [Jass is Jasmine “Jass” Couch. This release captures Jass’s dynamic sound in a live band recording, tracked and recorded by bandmate Clarence Copridge. The smooth vocals from Jass and instrumentals of vibes and upright bass in this track are the perfect end of summer/welcome to fall track. // Jass writes, “My new single ‘Autumn in the City” s close to my heart—paying homage to my hometown and the fall season that inspires so much love and reflection.” // Jass released the EP APRIL SHOWERS on April 27, 2025. // Jass released the single “Hope.wav” on February 29, 2024. // Jass and The Boys released the single, “Daydream Girl” on August 25, 2023. // Jass and The Boys released the single “Gvn2u” on July 14, 2023. // Jass released the single, “Time&Space” on July 14, 2023. n// Jass released the single, “Eye Contact.” // Jass released the single, “Lifetime” on January 6, 2023 // Jass and The Boys released the single “Love U Like I Love U” on December 2, 2022. Jass released the single “grow” on November 26, 2022. Jass released the EP, OFF KEY: TOO HIGH on September 23, 2022. Jass released the single “Higher Ground” on August 16, 2022. It was #1 on WMM’s 50 Favorite Singles of 2022. Jass released her single, “Him” on February 23, 2022. Jass released At the Close of a Decade on November 26, 2022. It was part of WMM’s 121 Best Recordings of 2021. She wrote, “After years of writing and recording in voice memos .. I decided to grab my iPad and began recording something that I am very proud of. I named it, At the Close of A Decade, and released it in November 2019. With my iPhone/iPad, some apple headphones, I created this project. The amazing people around me told me it was worth it, even when I didn’t believe it myself. I convinced myself I would be the only one that liked my songs. If you decide to listen you’ll hear sound clips of shows and movies that made a difference in the way I saw the world, the way I saw myself, and the way I overcame my experiences. I remember asking my grandma and my son if I should release what I’ve been writing and they both said very simply to do it, so I’ve done it. I want to thank all of my wonderful friends who have been my soundboards during this process, all of the people that have asked me when it’s coming, the people that have kept me accountable, and believed that this time it was for real. My story is so very triumphant and beautiful because I have overcome experiences and shunned the fear I had to do what I love. It’s crazy how you can talk your way out of some amazing things and also how you can talk yourself into making some amazing things happen. If you partake, I hope you enjoy.” // Info: www.jassrcouch.com]

[Jass plays MANOR RECORDS 9 YEAR ANNIVERSARY, Thursday, October 1, at 7:00pm to Midnight, at The Ship 1221 Union Ave, KCMO in the historic West Bottoms. The celebration will include performances by The Manor Records Family Band, DJ Mers, and host Brittany Tilander.]

10:35 – Interview with Shaun Crowley

Thanks for tuning into WMM on 90.1 FM KKFI. I’m Mark Manning. Today we’re happy to welcome back our friend Shaun Crowley the Founder & Executive Director of Manor Records, a non-profit organization that functions as a record label to support KC musicians. Shaun shares details about MANOR RECORDS 9 YEAR ANNIVERSARY, Thursday, October 1, at 7:00pm to Midnight, at The Ship 1221 Union Ave, KCMO in the historic West Bottoms. The celebration will include performances by The Manor Records Family Band, DJ Mers, and host Brittany Tilander. There will also be a Raffle and Silent Auction with items from local businesses such as JHS Pedals, Bay Boy Specialty Sandwiches, KC Fret Shop, and more! Proceeds help to fund Manor Records 2027 Record Label programming that gives funding to local KC musicians. More info at www.manorrecords.com

Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians.

Shaun Crowley is a classically trained guitarist, and studied at the University of Missouri-Kansas City Conservatory. Shaun is the Founder & Executive Director of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. We first met Shaun as part of the band Rev Gusto, originally formed in high school with friends at Saint James Academy.

Shaun Crowley thanks for being with us on Wednesday MidDay Medley

Manor Records Board
Khrystal Johnson – President
Danielle Krakenberg – Secretary
Tyler Fowler – Board Treasurer
Talon Ice – Board Member
Droo Long – Board Member

Record Label Operations Team
Our record label team is a mix of our core operations staff and dedicated volunteers who work hands-on with the artists on our roster each year. Beyond supporting our musicians, we’re committed to developing the next generation of music industry professionals—giving them real experience in booking, press, and other key roles. Our long-term goal is to grow Kansas City’s music industry by turning these positions into paid, part-time roles and creating sustainable career pathways right here at home.

Shaun Crowley – Founder & Executive Director
Skylar Rochelle – Record Label Lead
Kayla Jarrett – Physical & Digital Distribution
Betsie Yeomans – Booking
Abigail Elwart – Social Media
Kate Whitefield – Press / PR
Valorie Mersman – Press / PR
Enrique Guiterrez – Graphic Design
Randee Wisdom – Blog Editor

Manor Records Event Volunteers & Manor Fest 8 Team
Dorian Allen – Manor Fest Sound Lead
Sarai Vega – Manor Fest Photo Lead
James Miller -Events Volunteer
Evan Herd – Manor Fest Lead Volunteer

Mission – Manor Records Foundation’s mission is to strengthen Kansas City’s music community by providing equitable funding and artist development to uplift and advance emerging independent artists.

Our Story – Manor Records Foundation’s mission is to provide equitable funding and artist development to uplift and advance emerging independent artists in Kansas City. Manor Records Foundation is a Kansas City based nonprofit record label dedicated to sustaining and developing our local music community through direct artist funding, development programs, and community events. Our roots trace back to The Shawnee Manor, a basement venue that became a launching pad for local and touring talent, featuring early shows from bands like Glass Animals and Hinds. From these grassroots beginnings and much learning along the way – we have grown into a fully operational nonprofit label supporting local artists.

Today, Manor Records Foundation has supported more than 60 digital releases and over 30 physical albums from emerging Kansas City musicians — helping artists fund projects, build sustainable careers, and reach wider audiences. Through initiatives like our annual Manor Fest, showcasing over 60 local acts, and year-round programs like Songbird Sessions, we provide platforms that celebrate and reinvest in the creative heartbeat of our city. By combining the spirit of community with structured artist development, Manor Records Foundation ensures that KC’s vibrant music scene continues to thrive and grow.

Manor Records Record Label Program – Each year, Manor Records raises $2,000 in direct project funding for 10 local artists, helping them bring their work to life through physical releases, music videos, touring support, and whatever resources they need as they grow.

Manor Records 2026 Roster of Artists:
Fritz Hutchison
True Lions
Jamogi
Paris Williams
Jass
Frankie Shorez
Alber
Aigerue
Kirstie Lynn

Artists Manor Records have worked with in the past:
BLANKY
CATTY CLINE
CHARLOTTE BUMGARNER
DANIEL GUM
DYLAN PYLES
FLOODING
FOREST PORRIDGE
JAIRY
KAT KING
KHRYSTAL.
MINT FATIGUES
MOMMA’S BOY
PALE TONGUE
R.I.PETER
SCABB
SUPERMOTO
THE WILD TYPE

10:44

  1. Jamogi – “Back & Forth”
    from: J’DAY / Jam Tunes / June 12, 2026
    [J’Day is a celebration of growth, creativity, and self discovery. Three years in the making, the album represents the culmination of Jamogi’s journey through a wide range of genres, influences, and sonic landscapes. The result is a body of work that not only showcases his musical versatility but also reveals the many facets of his personality. // Produced alongside OceanLife Gianni, J’Day captures the energy, emotion, and moments that make life memorable. From the horn driven fanfare of “Go Big or Go Home” to the flirtatious blend of West Coast, Midwest, and Southern influences on “Back N’ Forth,” Jamogi demonstrates a clear understanding of both his sound and his audience. Tracks like “Do It to Me” transport listeners through different eras and musical inspirations, while songs such as “Storybook,” “Treasure,” and “Georgia Peach” reveal his romantic side through storytelling, heartfelt lyricism, and poetic imagery. // The album also features collaborations with a talented lineup of friends and fellow artists on tracks including “What’s It Gonna Be?” and “HOLLABACK,” adding even more personality and perspective to the project. // More than just a collection of songs, J’Day marks a defining moment in Jamogi’s artistic journey. It is a bold statement of who he is today and a testament to the creative vision he has spent years refining. Rich with personality, versatility, and heart, the project positions Jamogi for his next era and leaves listeners wondering where he’ll take them next. // Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California.// Jamogi released the single “Georgia Peach (feat. Burgandy)” on September 5, 2025. Jamogi released Jamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live) through Jam Tunes on April 11, 2025. // Jamogi released the single “Do It To Me” on March 28, 2025. // Jamogi released the single “Go Big or Go Home” on August 30, 2024, Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire. Kamogi and the Jammers played Boulevardia 2025]

[Jamogi plays the 19th annual Apocalypse Meow on Saturday, November 7th, Doors at 6pm, Show at 7pm, at recordBar, featuring live music from: ROMAN NUMERALS, JAMOGI & THE JAMMERS, PHAZE II, and STUBBLEFIELD. Apocalypse Meow is MMF’s main fundraiser for Abby’s Fund For Musicians’ Health Care, which provides local musicians and music workers with essential health care resources. In addition to live music, the RockDocs will be on site to offer flu shots and COVID boosters provided by the KC Indian Center, as well as discuss screenings, wellness programs, health conditions and concerns, and arrange follow-ups. We’ll also have live raffles that feature an assortment of items donated by local businesses at AM19, and an online auction running the month of November. // We are seeking donations for our annual Apocalypse Meow silent auction and fundraiser! Advertise your business or band while supporting our mission to provide healthcare grants to music professionals in the Kansas City area! Items like merchandise, music, classes, gift certificates, experiences, and art are greatly appreciated. // If you would like to donate or know of someone who can, please email Rhonda Lyne at rhonda@midwestmusicfound.org. // In 2008, Apocalypse Meow was established to raise medical funds for local musician Abigail Henderson, who had been diagnosed with cancer. Compelled to give back to the community, she co-founded MMF to provide musicians with health care assistance. Though she passed away in 2013, Abigail’s mission continues — MMF provides financial resources, educational programs, health clinics and events throughout the year. Abby’s Fund dispenses emergency health care grants to KC-area musicians, having contributed more than $780,000 since its inception. // Midwest Music Foundation provides grants to musicians faced with urgent health care expenses and preventative health care services through Abby’s Fund for Musicians’ Health Care. This assistance is available to active KC area musicians and music personnel. LEARN MORE AND APPLY HERE or email our Executive Director, Rhonda Lyne, for more information at rhonda@midwestmusicfound.org.]

10:48 – More Interview with Shaun Crowley

We welcome back our friend Shaun Crowley the Founder & Executive Director of Manor Records, a non-profit organization that functions as a record label to support KC musicians. Shaun shares details about MANOR RECORDS 9 YEAR ANNIVERSARY, Thursday, October 1, at 7:00pm to Midnight, at The Ship 1221 Union Ave, KCMO in the historic West Bottoms. The celebration will include performances by The Manor Records Family Band, DJ Mers, and host Brittany Tilander. There will also be a Raffle and Silent Auction with items from local businesses such as JHS Pedals, Bay Boy Specialty Sandwiches, KC Fret Shop, and more! Proceeds help to fund Manor Records 2027 Record Label programming that gives funding to local KC musicians. www.manorrecords.com

Money raised from the festival supports the non profit mission of releasing music from local artists on physical platforms and other resources for musicians.

Shaun Crowley is a classically trained guitarist, and studied at the University of Missouri-Kansas City Conservatory. Shaun is the Founder & Executive Director of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. We first met Shaun as part of the band Rev Gusto, originally formed in high school with friends at Saint James Academy.

Shaun Crowley thanks for being with us on Wednesday MidDay Medley

Crowley started playing in the KC when he was 17 in band Rev Gusto and Momma’s Boy. Shaun Crowley started Manor Records in 2017. The organization was born from the special concerts produced in the basement of the Rev.Gusto / Momma’s Boy band house, where Shaun and his band mates were living at the time. Named “The Manor” this house was located in the suburbs of Shawnee, KS An almost anonymous venue, where the band invited other up and coming area bands to play a musical festival held in a basement. Even national artists joined in the show. From Glass Animals to Shy Boys, the underground venue hosted numerous local acts, some national touring acts. Founder Shaun Crowley created the 1st Manor Fest with 10 bands 1-night, then grew to 2 nights and 20 bands.

Eventually band members moved out of The Manor, and went into different directions, some starting solo projects, through Manor Records, some getting married, some moving away from Kansas City. Shaun carried on, collaborating with actual public venues in Strawberry Hill to create a record store, creating monthly and weekly music events, and creating a non-for profit, called Manor Records.

Shaun was working full time, while also teaching himself how to run a non-for profit. When spaces in Strawberry Hill became unavailable Manor Records moved to the West Bottoms, and then to a Troost storefront retail space, continuing the Record Store-Record Label-Music Venue idea, and also providing music classes. Moving over state lines meant reapplying as a non-profit now under Missouri guidance.

Today, Manor Records Foundation has supported more than 60 digital releases and over 30 physical albums from emerging Kansas City musicians — helping artists fund projects, build sustainable careers, and reach wider audiences. Through initiatives like our annual Manor Fest, showcasing over 60 local acts, and year-round programs like Songbird Sessions, we provide platforms that celebrate and reinvest in the creative heartbeat of our city. By combining the spirit of community with structured artist development, Manor Records Foundation ensures that KC’s vibrant music scene continues to thrive and grow.

Manor Records Record Label Program – Each year, Manor Records raises $2,000 in direct project funding for 10 local artists, helping them bring their work to life through physical releases, music videos, touring support, and whatever resources they need as they grow.

10:56

Shaun Crowley Thanks for being with us on Wednesday MidDay Medley

MANOR RECORDS 9 YEAR ANNIVERSARY, Thursday, October 1, at 7:00pm to Midnight, at The Ship 1221 Union Ave, KCMO in the historic West Bottoms. The celebration will include performances by The Manor Records Family Band, DJ Mers, and host Brittany Tilander. There will also be a Raffle and Silent Auction with items from local businesses such as JHS Pedals, Bay Boy Specialty Sandwiches, KC Fret Shop, and more! Proceeds help to fund Manor Records 2027 Record Label programming that gives funding to local KC musicians.

www.manorrecords.com

10:56

  1. Frankie Lynn Shorez & Mercy Fire – “Start Over”
    from: Project Lullaby – Adventures in the City EP / Mercy Fire LLC / April 15, 2026
    [Frankie Shorez : Lead vocals, Lyrical comp & Arrangments, Backing Vocals. Featuring MC : Jazmine Revely. Dylan Guthrie on guitar, Daniel Cole on drums, Joshua Wright on bass, Jamogi Bridges on piano. // Frankie B. Shorez is a 25 year old singer, songwriter, model, actress, and clothing designer and small business owner based in Lee’s Summit, Missouri, known for her soulful voice, emotionally driven songwriting, and dynamic live performances. Since emerging on the Kansas City music scene in 2022, she has quickly built a reputation through appearances at local staples like The Fling KC, The Rino, Knuckleheads, and The Phoenix. // A songwriter as well as a performer, Frankie has contributed to several standout Kansas City artists, with multiple unreleased collaborations currently in development. Her own catalog began at age 17 with the release of her debut SoundCloud single “Shame,” and has since grown to include self-produced tracks like “Need That Back,” “Love My Baby,” and “Sam.” Her hands-on approach to music is backed by formal training at the Phil Rodgers Foundation of Music, where she studied audio recording, mixing, and mastering. // In 2026, Frankie released her highly anticipated EP, Project Lullaby, a deeply personal body of work that reflects her growth as both a songwriter and producer. Alongside her original music career, she is an active and in-demand wedding vocalist, bringing a refined, heartfelt touch to ceremonies and private events across the region. // Beyond her solo work, Frankie is the founder and frontwoman of her band Mercy Fire, where she continues to book, curate, and build immersive live experiences. Her background also includes four years as a professional modeling instructor with Barbizon USA, adding to her strong stage presence and artistic versatility. // On January 3, 2024 Frankie Shorez released the single, “Wanna Be Bad.” // In 2025 Frankie Shorez & Mercy Fire played ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at the Zhou B Art Center, with Malek Azrael & The Vibez, Jamogi and The Jammers, and Stephonne.]

[Frankie Shorez & Mercury Fire play MANOR RECORDS 9 YEAR ANNIVERSARY, Thursday, October 1, at 7:00pm to Midnight, at The Ship 1221 Union Ave, KCMO in the historic West Bottoms. The celebration will include performances by The Manor Records Family Band, DJ Mers, and host Brittany Tilander.]

11:00 – Station ID

  1. The Roseline – “Heart of Oak”
    from: 86 Gumption / The Roseline / July 3, 2026
    [Colin Halliburton – acoustic guitar, vocals; Bradley McKellip – electric guitar. Heidi Gluck – bass, keys, vocals. Jim Piller – drums, percussion. Recorded by Joel Nanos at Element Recording Studios, Jim Piller, Heidi Gluck, and Bradley McKellip. Mixed by Jim Piller. Mastered by Mike Nolte at Eureka Mastering // The Roseline (pronounced ‘rose’ like the flower, ‘line’ like a straight line) is a band from Lawrence, Kansas USA. They have released eight LPs and one live album, to date. They started out as a fairly delicate little acoustic trio and have since evolved into the heartland rock five-piece behemoth of their current state. // Good luck trying to coax any braggadocious one-sheet “high-lights” out of these humble Kansans. It will require some serious finesse. But, if you insist…they have had four records chart in the TOP TEN in the wildly niche Euro Americana Chart. Some very sweet words have been written about them in such esteemed publications and websites as NPR, Bandcamp, American Song-writer, No Depression, Glide, Pop Matters, and The Bluegrass Situation. They have had their songs featured (*barely audible as source music in the background of bar scenes) in ABC’s ‘Nashville’ & ‘Resurrection’, CBS’s ‘Marshals’, USA’s ‘Queen of the South’, Netflix’s ‘Virgin River’, and MTV’s own Sistine Chapel, ‘Teen Mom’. They have toured in the US, Sweden, Norway, Denmark, the UK, Poland, Germany, Belgium, the Netherlands, and Luxembourg. // The band made their UK debut as an Official Showcase act at 2025’s UK Americana Music Week in London. However, they have not been accepted to showcase at the stateside Americana Fest for a record-breaking 17 consecutive years. Impressive stuff. // Today, they arrive with their ninth LP “86 Gumption”. Ironically, it called for quite a bit of collective gumption to get this thing across the finish line. Recorded over a year (with a big breather in the middle) in myriad studios and homes, “86 Gumption” is perhaps the band’s most diverse musical offering yet. Indie rock, honky tonk, heartland rock, folk and alt-country occupy the sonic spectrum of the album. Primary singer and songwriter, Colin Halliburton, is found exploring the nuances of marriage, middle-age, grief, geopolitics, acts of creation, hedonism, sobriety, and everything in between. There is darkness. There is a sliver of light. Play it loud.]

[The Roseline play a KC ALBUM RELEASE SHOW at Hillsiders, 403 N. 5th Street KCK, on Friday, October 2, at 8:00pm with The Creepy Jingles, and True Lions.]

[The Roseline play a LAWRENCE ALBUM RELEASE SHOW with Gracie Hughes and her band, at Replay Lounge, 946 Massachusetts, Lawrence KS on Saturday October 3, at 8:00pm]

11:04 – Interview with Colin Halliburton

Colin Halliburton joins us to share music from his band, The Roseline and their new album 86 GUMPTION, released August 7, 2026, The Roseline play a KC ALBUM RELEASE SHOW at Hillsiders, 403 N. 5th Street KCK, on Friday, October 2, at 8:00pm with The Creepy Jingles, and True Lions. The Roseline play a LAWRENCE ALBUM RELEASE SHOW with Gracie Hughes and her band, at Replay Lounge, 946 Massachusetts, Lawrence KS. More info at: www.roselonemusic.com

Colin Halliburton Thanks for being with us on Wednesday MidDay Medley

86 Gumption – Released August 7, 2026 – The 9th Studio album from The Roseline

Colin Halliburton – acoustic guitar, vocals
Bradley McKellip – electric guitar, acoustic guitar, field recording
Heidi Gluck – keys, bass, vocals
Colin Jones – bass
Jim Piller – drums, percussion
Lynn Piller – pedal steel

Recorded at Element Recording Studios, The Green Lodge, KPR, and in the homes of Jim Piller, Bradley McKellip, and Heidi Gluck.

Engineered by Joel Nanos, Jim Piller, Jason Slote, Bradley McKellip, Heidi Gluck, and Rob Pope. Mixed by Jim Piller. Mastered by Mike Nolte at Eureka Mastering

Design by Emily Demarchi; “Cat and Sweetpeas” image courtesy of The Met’s Open Access public domain image archive.

All songs written by Colin Halliburton / ASCAP (LFK TOWNIE)
All songs arranged by The Roseline

The Roseline (pronounced ‘rose’ like the flower, ‘line’ like a straight line) is a band from Lawrence, Kansas USA. They have released eight LPs and one live album, to date.

One reviewer wrote: “Good luck trying to coax any sort of braggadocious one-sheet “highlights” out of these humble Kansans. It will require some serious finesse. But if you insist…they have had four records chart in the TOP TEN in the wildly niche Euro Americana chart. Some very sweet words have been written about them in such esteemed publications and websites as NPR, Bandcamp, American Songwriter, No Depression, Glide, Pop Matters, and The Bluegrass Situation.”

The Roseline have had their songs featured (*barely audible as source music in the background of bar scenes) in ABC’s ‘Nashville’ & ‘Resurrection’, CBS’s ‘Marshals’, USA’s ‘Queen of the South’, Netflix’s ‘Virgin River’, and MTV’s own Sistine Chapel, ‘Teen Mom’.

The Roseline have toured in the US, England, Sweden, Norway, Denmark, Poland, Germany, Belgium, the Netherlands, and Luxembourg. The band made their UK debut as an Official Showcase act at 2025’s UK Americana Music Week in London, although has not been accepted to showcase at the stateside Americana Fest for a record-breaking 20 consecutive years. Impressive stuff. Their 9th LP “86 Gumption” arrived August 7, 2026 and was immediately followed by a run of shows in the UK and Sweden.

Colin’s Recent Tour DATES (all dates are Colin solo/acoustic)

Thursday, August 13 — The Grafton Arms; Manchester, UK
Friday, August 14 — The Vinyl Tap; Preston, UK
Saturday, August 15 — Northern Guitars; Leeds, UK
Sunday, August 16 — Oxted Sessions @ The Ginistry; Oxted, UK
Monday, August 17 — St James Wine Vaults; Bath, UK
Tuesday, August 18 — Kingsmeade House Concerts; High Wycombe, UK
Wednesday, August 19 — The Grove; Nottingham, UK
Thursday, August 20 — Biddle Bros; London, UK
Saturday, August 22 — Rootsy Summer Fest; Falkenberg, SE
Sunday, August 23 – Stockholm Roots (@ Debaser); Stockholm, SE
Lawrence and KC full-band album release shows TBD

11:12

  1. The Roseline – “Apex”
    from: 86 Gumption / The Roseline / July 3, 2026
    [Colin Halliburton – acoustic guitar, vocals; Bradley McKellip – electric guitar. Heidi Gluck – bass, keys, vocals. Jim Piller – drums, percussion. Recorded by Joel Nanos at Element Recording Studios, Jim Piller, Heidi Gluck, and Bradley McKellip. Mixed by Jim Piller. Mastered by Mike Nolte at Eureka Mastering // The Roseline (pronounced ‘rose’ like the flower, ‘line’ like a straight line) is a band from Lawrence, Kansas USA. They have released eight LPs and one live album, to date. They started out as a fairly delicate little acoustic trio and have since evolved into the heartland rock five-piece behemoth of their current state. // Good luck trying to coax any braggadocious one-sheet “high-lights” out of these humble Kansans. It will require some serious finesse. But, if you insist…they have had four records chart in the TOP TEN in the wildly niche Euro Americana Chart. Some very sweet words have been written about them in such esteemed publications and websites as NPR, Bandcamp, American Song-writer, No Depression, Glide, Pop Matters, and The Bluegrass Situation. They have had their songs featured (*barely audible as source music in the background of bar scenes) in ABC’s ‘Nashville’ & ‘Resurrection’, CBS’s ‘Marshals’, USA’s ‘Queen of the South’, Netflix’s ‘Virgin River’, and MTV’s own Sistine Chapel, ‘Teen Mom’. They have toured in the US, Sweden, Norway, Denmark, the UK, Poland, Germany, Belgium, the Netherlands, and Luxembourg. // The band made their UK debut as an Official Showcase act at 2025’s UK Americana Music Week in London. However, they have not been accepted to showcase at the stateside Americana Fest for a record-breaking 17 consecutive years. Impressive stuff. // Today, they arrive with their ninth LP “86 Gumption”. Ironically, it called for quite a bit of collective gumption to get this thing across the finish line. Recorded over a year (with a big breather in the middle) in myriad studios and homes, “86 Gumption” is perhaps the band’s most diverse musical offering yet. Indie rock, honky tonk, heartland rock, folk and alt-country occupy the sonic spectrum of the album. Primary singer and songwriter, Colin Halliburton, is found exploring the nuances of marriage, middle-age, grief, geopolitics, acts of creation, hedonism, sobriety, and everything in between. There is darkness. There is a sliver of light. Play it loud.]

[The Roseline play a KC ALBUM RELEASE SHOW at Hillsiders, 403 N. 5th Street KCK, on Friday, October 2, at 8:00pm with The Creepy Jingles, and True Lions.]

[The Roseline play a LAWRENCE ALBUM RELEASE SHOW with Gracie Hughes and her band, at Replay Lounge, 946 Massachusetts, Lawrence KS., on Saturday October 3, at 8:00pm]

11:16 – More Interview with Colin Halliburton

Colin Halliburton joins us to share music from his band, The Roseline and their new album 86 GUMPTION, The Roseline play a KC ALBUM RELEASE SHOW at Hillsiders, 403 N. 5th Street KCK, on Friday, October 2, at 8:00pm with The Creepy Jingles, and True Lions. The Roseline play a LAWRENCE ALBUM RELEASE SHOW with Gracie Hughes and her band, at Replay Lounge, 946 Massachusetts, Lawrence KS. More info at: www.roselonemusic.com

Colin Halliburton Thanks for being with us on Wednesday MidDay Medley

86 GUMPTION the band’s 9th Studio album was released August 7, 2026, that was recorded at Element Recording Studios, The Green Lodge, KPR, and in the homes of Jim Piller, Bradley McKellip, and Heidi Gluck.

Engineered by Joel Nanos, Jim Piller, Jason Slote, Bradley McKellip, Heidi Gluck, and Rob Pope.

And features Colin Halliburton on acoustic guitar, vocals; Bradley McKellip on electric guitar, acoustic guitar, field recording; Heidi Gluck on keys, bass, vocals; Colin Jones on bass; Jim Piller on drums, percussion; and Lynn Piller on pedal steel.

The Roseline will play release shows for “86 Gumption” at Hillsiders with the Creepy Jingles and True Lions on Friday, October 2, and at the Replay Lounge with Gracie Hughes & Her Band on Saturday, October 3.

Introspective Lawrence country-rockers The Roseline’s ninth full-length, “86 Gumption”, comes two and a half years after their last proper release, 2024’s Keystone of the Heart, with a live album released in between. The album was recorded over the course of a year and yet feels like a single moment, so the introspection comes through clearly.

Maybe it’s the fact these folks have been playing together so long that they don’t need to hunker down over the course of a month to maintain any sort of cohesion. You can feel the relative comfort in a band capable of switching from the out and out honky tonk of “Tooth & Claw” to the AM gold country yacht rock of “Balance of Beauty,” with the Roseline seeming as though they didn’t even need to shift gears.

It’s all of a piece, lyrically and musically. Frontman Colin Halliburton’s voice plays off the backing vocals of Heidi Gluck, whose keys nicely counterpoint Bradley McKellip’s guitar, complemented by the steady rhythm of bassist Colin Jones and drummer Jim Piller, with Lynn Piller’s pedal steel popping up just when needed. For a band nine albums in, it certainly doesn’t feel like they’re settling, however.

The opening pair of songs, “Heart of Oak” and “Wet Black Fin,” are as intimately epic as anything the Roseline has done, while closing with Halliburton and an acoustic guitar for the heart-rending story of “Palm to the Sky” takes the project all the way back to its roots as a Halliburton solo project. “86 Gumption” reminds us that life is cyclical, with change constantly reminding us of what’s come before and what will come to be.

Colin Halliburton told Nick Spacek of The Pitch:

“I was listening to Nick Lowe’s The Convincer a lot during the writing of this record. I’m not sure exactly if there is a through line between the two, but I’m certain it influenced me. He has such a deft touch when balancing heartbreak and comedy. I always attempt that, but I’m unsure of how successful I am. I think both The Convincer and “86 Gumption” are distinctly adult records–we’ve seen some shit, life has landed some punches, but we’re still able to laugh it off … most of the time.”

Official Showcase act at UK Americana Music Week 2025

“Best Country of Bandcamp (Feb ’24)” – Bandcamp

“…vivid, emotion-charged songwriting. Best New Music” – American Songwriter

“The Roseline produces minimalistic and windswept Americana indicative of their Heartland roots. There’s something more to their portfolio than another set of strong contributions to the alt-country scene.” – Pop Matters

“Midwestern alt-country stalwarts… breezy, affectionate (and honest) blend of wit and melancholic twang” – No Depression

“Warm and dreamy Americana. Classic alt-country.” – Glide Magazine

“Colin Halliburton has cornered the market on power pop and Americana.” – The Boot

“9/10” – Americana-UK.com (United Kingdom)

“5/5” – Rockfarbror.se (Sweden)

“4 Stars ****” – Spill Magazine

“4 Stars ****” – Altcountry.nl (The Netherlands)

“a sparkling Americana jam.” – Petal Motel

“#1 in the Top 120 Recordings of 2021” – Mark Manning; Wednesday Midday Medley 90.1 KKFI

“hands down the best album of the year” – Fally Afani; explorelawrence.com

“Top 10 Albums of the Year” Tim Finn; InKC Magazine

“Album of the Year” – Steven Routledge; Rockin The Suburbs Podcast

“Album of the Year” – CJ Janovy; Kansas Reflector

“The Roseline’s ‘Constancy’ is a slice of pumpkin pie as imagined by a cutting edge chef.” – Jason Earle; The Marinade podcast

“These lyrics are poetic and immense. The Roseline redefines their genre. It’s a fresh take on subtlety and magic.” – Tuned Up
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“(The Roseline) has taken the fabric of country music and painted a colorful Americana mix of pure front porch, pulling at your heart strings, sincere country gold.” – Nashville Music Guide

“He’s a master storyteller that draws you in and leaves you hanging on every word until a song fades away as gently as it started… the lyrics are so vivid and relatable it’s difficult to not get lost in them.” – I Heart Local Music

“Colin Halliburton distills the essence of Midwestern sincerity as the Roseline. The unassuming voice and gentle country-rock of the singer/songwriter reflects the rugged independence and understated graciousness associated with his home state of Kansas.” – Ink Magazine

“It’s poetic country with sublime melodies and haunting vocals.” – Diamond Deposits

“A gorgeous assortment of songs that occupy sprawling territory vaguely dubbed Americana. The Roseline have forged their path with sharp songwriting, a soft-edged country mellow burnished to produce a warm glow with pedal steel, pretty piano, and Colin Halliburton’s sweet, expressive voice. These songs will transport you.” -Present Magazine

“The Roseline have both emotion and depth. This is solid, smoky Americana.” -John Mills, Happening Magazine
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“It’s kind of sick how good the band is… We highly endorse them.” -MTV2 Subterranean blog
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“Let me tell you, if you’re a fan of the alt-country genre and you don’t have this album in your collection then you should stop calling yourself a fan right now.” – Parasite Gods

“The band’s fourth release is their most fully realized, both sonically and lyrically. ‘Townie’ is both bleak and hopeful at once.” -No Depression

“4 stars ****” – altcountry.nl, rootstime.be, kindamusik.com

Top 5 Albums of 2015 – Natalie Gallagher, Pitch Magazine

The Roseline play a KC ALBUM RELEASE SHOW at Hillsiders, 403 N. 5th Street KCK, on Friday, October 2, at 8:00pm with The Creepy Jingles, and True Lions.

The Roseline play a LAWRENCE ALBUM RELEASE SHOW with Gracie Hughes and her band, at Replay Lounge, 946 Massachusetts, Lawrence KS

11:24

  1. The Roseline – “Wet Black Fin”
    from: 86 Gumption / The Roseline / July 3, 2026
    [Colin Halliburton – acoustic guitar, vocals; Bradley McKellip – electric guitar. Heidi Gluck – bass, keys, vocals. Jim Piller – drums, percussion. Recorded by Joel Nanos at Element Recording Studios, Jim Piller, Heidi Gluck, and Bradley McKellip. Mixed by Jim Piller. Mastered by Mike Nolte at Eureka Mastering // The Roseline (pronounced ‘rose’ like the flower, ‘line’ like a straight line) is a band from Lawrence, Kansas USA. They have released eight LPs and one live album, to date. They started out as a fairly delicate little acoustic trio and have since evolved into the heartland rock five-piece behemoth of their current state. // Good luck trying to coax any braggadocious one-sheet “high-lights” out of these humble Kansans. It will require some serious finesse. But, if you insist…they have had four records chart in the TOP TEN in the wildly niche Euro Americana Chart. Some very sweet words have been written about them in such esteemed publications and websites as NPR, Bandcamp, American Song-writer, No Depression, Glide, Pop Matters, and The Bluegrass Situation. They have had their songs featured (*barely audible as source music in the background of bar scenes) in ABC’s ‘Nashville’ & ‘Resurrection’, CBS’s ‘Marshals’, USA’s ‘Queen of the South’, Netflix’s ‘Virgin River’, and MTV’s own Sistine Chapel, ‘Teen Mom’. They have toured in the US, Sweden, Norway, Denmark, the UK, Poland, Germany, Belgium, the Netherlands, and Luxembourg. // The band made their UK debut as an Official Showcase act at 2025’s UK Americana Music Week in London. However, they have not been accepted to showcase at the stateside Americana Fest for a record-breaking 17 consecutive years. Impressive stuff. // Today, they arrive with their ninth LP “86 Gumption”. Ironically, it called for quite a bit of collective gumption to get this thing across the finish line. Recorded over a year (with a big breather in the middle) in myriad studios and homes, “86 Gumption” is perhaps the band’s most diverse musical offering yet. Indie rock, honky tonk, heartland rock, folk and alt-country occupy the sonic spectrum of the album. Primary singer and songwriter, Colin Halliburton, is found exploring the nuances of marriage, middle-age, grief, geopolitics, acts of creation, hedonism, sobriety, and everything in between. There is darkness. There is a sliver of light. Play it loud.]

[The Roseline play a KC ALBUM RELEASE SHOW at Hillsiders, 403 N. 5th Street KCK, on Friday, October 2, at 8:00pm with The Creepy Jingles, and True Lions.]

[The Roseline play a LAWRENCE ALBUM RELEASE SHOW with Gracie Hughes and her band, at Replay Lounge, 946 Massachusetts, Lawrence KS., on Saturday October 3, at 8:00pm]

11:28 – Underwriting

  1. SHE SPEAKS IN TONGUES – “SMILE (ft. Frogpond)”
    from: SMILE (ft. Frogpond) – Single / SHE SPEAKS IN TONGUES / July 28, 2026
    [Kate McCandless is SHE SPEAKS IN TONGUES (vocals, looping pedal, music, lyrics, guitar) featuring members of Kansas City’s iconic band, Frogpond – Heidi Phillips (guitar), Kristen Conkright (bass), Michelle Bacon (drums). Recorded at Element Recording, Kansas City KS with Joel Nanos as Engineer + Mixing + Mastering. Kate McCandless writes, “this song was created to capture the feeling of that “second skin” – a feeling all too familiar for women – that curdles and writhes when we’re being perceived. when power and entitlement are being projected onto us by men. the song highlights the root of rape culture, this sense of entitlement to women’s bodies rooted in patriarchy. this entitlement translates to gestures of violence that needle away at us, gradually building to a full on bleed. leers, stares, cat calls, and “innocent” remarks – “why don’t you smile, honey?” – translate directly to more extreme acts of violence – abuse, sexual assault, murder. this is the air we breathe. its pervasiveness and constancy is mirrored in the repetitive nature of the song, looping the same line again and again until it builds to a chorus of voices, all chanting the same mantra – “DON’T BAT ONE PITCH.” // don’t make eye contact, just walk down the street, ignore them, walk tall. // a body can’t just walk down the street. the second skin recoils. // beyond the chorus arises a woman’s solo cry, increasingly persistent and terrified – // “DON’T. DON’T. DON’T! DON’T!!!” // she said no, and they’re not listening.] [www.shespeaksintongues.bandcamp.com]

[She Speaks in Tongues open for The Sexy Accident’s 21st anniversary album release on Friday, October 2, 2026, at 8:00pm at Leedy-Voulkos Art Center, 2012 Baltimore Ave, KCMO. The Sexy Accident will perform their new vinyl album release, BEFORE WE INVENTED THE MOON as a six-piece acoustic ensemble in Studio 306 above the Leedy-Voulkos Art Center.]

11:35 – Interview with Jesse Kates, Mack McKinney, & Kate McCandless

Kate McCandless performs as SHE SPEAKS IN TONGUES. Kate writes: “My work is about reclaiming agency. It is about giving voice and liberation to what was repressed and silenced.”With vocals, looping pedal, music, lyrics, guitar, Kate collaborated with members of Kansas City’s iconic band, Frogpond – Heidi Phillips (guitar), Kristen Conkright (bass), Michelle Bacon (drums). Recorded at Element Recording, Kansas City KS with Joel Nanos as Engineer + Mixing + Mastering. Kate McCandless writes, “this song was created to capture the feeling of that “second skin” – a feeling all too familiar for women – that curdles and writhes when we’re being perceived. when power and entitlement are being projected onto us by men. the song highlights the root of rape culture, this sense of entitlement to women’s bodies rooted in patriarchy. this entitlement translates to gestures of violence that needle away at us, gradually building to a full on bleed. leers, stares, cat calls, and “innocent” remarks – “why don’t you smile, honey?”

SHE SPEAKS IN TONGUES is artist, singer, and performer, Kate McCandless. She makes music and performances with her body, voice, and a looping pedal; and in collaboration with other musicians and artists. The work is about reclaiming femme agency, giving voice to what was silenced and suppressed, and using the voice for healing and liberation.

Albums gloria GUITAR (2012) DOMESTIKA a bjork inspired ritual (2020) and new single SMILE ft. Frogpond can be on Bandcamp and selectively on mainstream platforms. To stay most up to date on new music, performances, and events follow on Instagram @she_speaks_in_tongues

Jesse Kates and Kate McCandless who join us to share details about: Jesse’s Band The Sexy Accident’s 21st anniversary album release with She Speaks in Tongues, Friday, October 2, 2026, at 8:00pm at Leedy-Voulkos Art Center, 2012 Baltimore Ave, KCMO. The Sexy Accident is Jamie Lin, Ramone Hall, Jesse Kates, Ryan Leip, Mack McKinney who will perform their new vinyl album release, BEFORE WE INVENTED THE MOON as a six-piece acoustic ensemble in Studio 306 above the Leedy-Voulkos Art Center. BEFORE WE INVENTED THE MOON is a revisionist history of new, homespun recordings. The album features a re-imagined selection of songs from all eras of the band’s back catalog, plus one entirely new tune, “Hard Launch.” She Speaks in Tongues opens the night..

Kate McCandless & Jesse Kates thanks for being with us on Wednesday MidDay Medley

Kate McCandless is SHE SPEAKS IN TONGUES. She writes: “My work is about reclaiming agency. It’s about giving voice & liberation to what was repressed & silenced.”

Kate McCandless writes, “Smile” “is song was created to capture the feeling of that “second skin” – a feeling all too familiar for women – that curdles and writhes when we’re being perceived. when power and entitlement are being projected onto us by men. the song highlights the root of rape culture, this sense of entitlement to women’s bodies rooted in patriarchy. this entitlement translates to gestures of violence that needle away at us, gradually building to a full on bleed. leers, stares, cat calls, and “innocent” remarks – “why don’t you smile, honey?” – translate directly to more extreme acts of violence – abuse, sexual assault, murder. this is the air we breathe. its pervasiveness and constancy is mirrored in the repetitive nature of the song, looping the same line again and again until it builds to a chorus of voices, all chanting the same mantra – “DON’T BAT ONE PITCH.” // don’t make eye contact, just walk down the street, ignore them, walk tall. // a body can’t just walk down the street. the second skin recoils. // beyond the chorus arises a woman’s solo cry, increasingly persistent and terrified – // “DON’T. DON’T. DON’T! DON’T!!!” // she said no, and they’re not listening.

Described by Sasha Geffen as “Best Feminist Rock n’ Roll Exorcism”.

Armed with body, voice, and a fierce, shamanic energy, SHE SPEAKS IN TONGUES often lures with nostalgia – simultaneously embracing and questioning its comfort and authority with a dark, feminist bent. McCandless creates & performs her work solo, and in collaboration with other musicians. The effect is jarring, haunting, and a cathartic call to healing. A transplant from Chicago since 2020, McCandless now calls KC her creative home base.

SHE SPEAKS IN TONGUES started in Chicago and has transitioned to Kansas City.

We became aware of She Speaks in Tongues in 2022 when she played Outer Reaches Fest.

This first time Kate was on the WMM was April 5, 2023 when Kate & Cody Wyoming came on tshare details about SHE SPEAKS IN TONGUES submits: Patti Smith’s EASTER on EASTER, Sun, April 9, 2023, a 7:00 PM, at recordBar 1520 Grand.

Previous shows by SHE SPEAKS IN TONGUES

SHE SPEAKS IN TONGUES played The Benefit for Amplify Lawrence Saturday, May 31, 2025. at 8:00pm at The Bottleneck, 737 New Hampshire St., Lawrence, KS. with Sisterbot, Lauren Lovelle, True Lions, and Cheery.

SHE SPEAKS IN TONGUES submits: SUPPOSED FORMER INFATUATION JUNKIE//Alanis Morissette, May 13, 2025 at The Black Box, 1060 Union Ave, KCMO with Katie Gilchrist and Project1994 performing JAGGED LITTLE PILL.

SHE SPEAKS IN TONGUES partnered: THE CODY WYOMING DEAL, and Julia Othmer, and Teri Quinn to create a cathartic, sacred homage to Patti Smith and her work…with a surprising, shamanic edge where nothing is sacred… Sacred is all.
Info at: www.shespeaksintongues.com

The Sexy Accident has released 19 albums/EPs and multiple singles. Many of their albums have been released in creative very ways including a hardbound book of lyrics, interviews and original artwork, and as a board/card game. More information at http://www.thesexyaccident.com

The last time Jesse Kates was on WMM was October 9, 2024 to share The Sexy Accident’s new single “Becoming. On June 13, 2024, The Sexy Accident released their 4-song EP, Live at Prospero’s Bell Tower, recorded at Prospero’s Books in Kansas City on December 9, 2023.

Before We Invented the Moon / The Sexy Accident / September 29, 2026

twenty-first-anniversary revisionist history of new, homespun recordings. Features the completely new song Hard Launch.

Written by Jesse Kates {Halaster Music | ASCAP}
Arranged by The Sexy Accident:

Jesse Kates (singing, guitars, piano, autoharp, mallets, percussion)
Ramone Hall (drums, cajon)
Ryan Leip (guitars)
Mack McKinney (bass)
Rachel Jaggard (singing)

Violin on “I Tried Again” by Jonas Kates
Trumpet on “I Tried Again” by Mark Hamblin.

Group singing on “I Tried Again” by Becky Mack, Jason Ammerman, Jason Vaughn, Jonas Kates, Maggie Ammerman, Nicole Hall, Samuel Haney, Stephanie Kates, Tobias Kates and Will Leathem

Produced and engineered by Jesse Kates
Mixed by Josh Williams. Mastering by Mike Nolte
Prints by Graesen Joyce

Recorded in 2024 and 2025 at Jesse’s house in Kansas City

11:43

  1. The Sexy Accident – “I’m Going to Love Your New Boyfriend”
    from: Before We Invented the Moon / The Sexy Accident / September 29, 2026
    [A twenty-first-anniversary revisionist history of new, homespun recordings. Features the completely new song Hard Launch. / Written by Jesse Kates {Halaster Music | ASCAP}. Arranged by The Sexy Accident: Jesse Kates (singing, guitars, piano, autoharp, mallets, percussion); Ramone Hall (drums, cajon); Ryan Leip (guitars); Mack McKinney (bass); Rachel Jaggard (singing). Violin on “I Tried Again” by Jonas Kates. Trumpet on “I Tried Again” by Mark Hamblin. // Group singing on “I Tried Again” by Becky Mack, Jason Ammerman, Jason Vaughn, Jonas Kates, Maggie Ammerman, Nicole Hall, Samuel Haney, Stephanie Kates, Tobias Kates and Will Leathem // Produced and engineered by Jesse Kates // Mixed by Josh Williams. Mastering by Mike Nolte. Prints by Graesen Joyce. Recorded in 2024 and 2025 at Jesse’s house in KC. Released on 180-gram vinyl via support from Club Medici. More information at www.thesexyaccident.com]

[The Sexy Accident play a show in honor of their 21st anniversary album release on Friday, October 2, 2026, at 8:00pm at Leedy-Voulkos Art Center, 2012 Baltimore Ave, KCMO. The Sexy Accident will perform their new vinyl album release, BEFORE WE INVENTED THE MOON as a six-piece acoustic ensemble in Studio 306 above the Leedy-Voulkos Art Center, with She Speaks in Tongues opening. ]

11:45 – Interview with Jesse Kates, Mack McKinney, & Kate McCandless

Jesse Kates, Mack McKinney, and Kate McCandless who join us to share details about: Jesse’s Band The Sexy Accident’s 21st anniversary album release with She Speaks in Tongues, Friday, October 2, 2026, at 8:00pm at Leedy-Voulkos Art Center, 2012 Baltimore Ave, KCMO. The Sexy Accident is Jamie Lin, Ramone Hall, Jesse Kates, Ryan Leip, Mack McKinney who will perform their new vinyl album release, BEFORE WE INVENTED THE MOON as a six-piece acoustic ensemble in Studio 306 above the Leedy-Voulkos Art Center. BEFORE WE INVENTED THE MOON is a revisionist history of new, homespun recordings. The album features a re-imagined selection of songs from all eras of the band’s back catalog, plus one entirely new tune, “Hard Launch.” She Speaks in Tongues opens the night.

Kate McCandless & Jesse Kates & Mack McKinney thanks for being with us on WMM

About SHE SPEAKS IN TONGUES submits series: SHE SPEAKS IN TONGUES submits: is a live, album listening experience with a femme/feminist edge; twists, turns and script flipping. Featuring artist, vocalist, performer Kate McCandless and an assembly of top notch Kansas City musicians and collaborators, this is not your typical tribute. Collaborators have included Cody Wyoming, Katie Gilchrist, Matt Richey just to name a few. Recent performances as part of the series include: EASTER//Patti Smith (2023-2024) TO BRING YOU MY LOVE//PJ Harvey (2023-2024) and currently, SUPPOSED FORMER INFATUATION JUNKIE//Alanis Morissette

About SHE SPEAKS IN TONGUES’ Bjork-inspired album/performance DOMESTIKA

“Kate McCandless samples music as hungrily as Girl Talk, but she doesn’t use a computer. With her band Speaks in Tongues, the singer repurposes well-worn rock and blues classics into new narratives…unravels threads from the music she loves to knot together her own bizarro-world reimaginings, a process she describes…as ‘a necessary feminist act…a reclaim of agency.'” – Sasha Geffen, The Chicago Reader

1 day, 1 take per song. Just me, my voice, and my looping pedal, live and in the moment, recorded in Chicago and released in 2020 at the start of the pandemic.
This album is my bloody valentine to Bjork, Motherhood, Feminism, and all the wisdom they have given me. My hope is that this music/performance serves as a stinging yet redemptive balm for my listeners, especially during these trying times.
In addition to performing excerpts from DOMESTIKA live in local music venues, my intention with this work is to create a more intentional performance, to debut in Kansas City and to tour.

This project began as an exploration of what I believed were feminist themes in Bjork’s music and a desire to highlight them, especially given her latest releases Vulnicura & Utopia, and subsequent interviews. “Domestika” was the original title intended for what became Bjork’s iconic Vespertine, during which she fell in love with Matthew Barney … the partner who would later cheat on her and file for divorce. There was something I wanted to reclaim in that. This desire was highlighted by my more recent struggles with Motherhood, mental health, and the wounding of being homebound.

What I didn’t expect was how this project would become a cathartic space in which to process the unfolding reckoning with injustice in our times … #MeToo, Black Lives Matter, the Trump presidency, the collective isolation/struggle during a pandemic…In the process I formed a chain of channeled messages … as if from my Mother ancestors, or Mother Earth herself. Messages of unheard stories, pain, healing, justice, and hope.

For, SHE SPEAKES IN TONGUES – DOMESTIKA, released May 8, 2020 – Kate McCandless writes DOMESTIKA began as an exploration of what I believed were feminist themes in Bjork’s music and a desire to highlight them. This was especially given her latest releases Vulnicura & Utopia, and subsequent interviews. “Domestika” was the original title intended for what became Bjork’s iconic Vespertine, until she met Matthew Barney … the partner who would later cheat on her and file for divorce. There was something I wanted to reclaim in that. This desire was highlighted by my more recent struggles with Motherhood, mental health, and the wounding of being homebound. // In the process I formed a chain of channeled messages … as if from my Mother ancestors, or Mother Earth herself. Messages of unheard stories, pain, healing, justice, and hope. // This album is my bloody valentine to Motherhood and all the wisdom She gave me. My hope is that this music serves as a kind of balm for my listeners, especially during these trying times. // Vocals, looping pedal, arrangement/mashup, select lyrics: Kate McCandless.Electronic music (Light Bearer): Nigel Harsch. Engineering: Steve Marek. Mixing and Mastering: Steve Marek. Music & Lyric Inspiration: Bjork.

About SHE SPEAKS IN TONGUES//// HEALING ARTS

Kate McCandless (SHE SPEAKS IN TONGUES) is as an artist, writer, energy healer, and tarot reader in the Kansas City area, after studying and practicing in Chicago IL. Her Shamanic approach takes the work beyond the basic hand positions or interpreter role, and flows seamlessly with her artistic practice and expression. Kate was attuned and initiated into the Reiki practice at levels 1-Master through Sara Gaines of Red Bird Reiki’s 1 Year Shamanic Reiki Apprenticeship (Chicago/Galena IL.) There she studied and explored Shamanism in the open tradition/practice of the Andean Peruvian shamans/Q’ero. Kate’s path to Tarot came naturally and intuitively and she is mostly self taught, though counted among her teachers is Lindsay Mack. Kate has completed Mack’s renowned and in depth course, Tarot for the Wild Soul and continues to study and practice on her own. Kate believes tarot and energy work is for every person and can be used as an excellent tool for self reflection, healing, and self care for any one who is curious, interested, and/or called. She serves as a compassionate facilitator and holder of space. She believes the journey is yours and she is here to support that without dogma nor judgement. Kate believes that tarot and energy work is intended to be inclusive, compassionate, healing, unpretentious and easeful, while rooted in the here and now. By reflecting on “what’s here now” we can curiously and kindly bring our awareness to reach for a more whole and healing present, and therefore, future. Other practitioners/artists she considers teachers and inspirations are Chani Nicholas, Sarah Faith Gottesdiener, Tatianna Morales, Renee Sills (Embodied Astrology,) Michelle Tea, Julia Cameron, and Rachael Gonzalez (FAMILIAR) just to name a few.

SHAMANIC ENERGY WORK + TAROT //// SHE SPEAKS IN TONGUES

“KATE IS INCREDIBLE! I don’t have the words to fully relay what happened but Kate created the most healing safe cocoon of reiki energy magic I have ever experienced. I was able to feel and release challenging emotions and I feel we accomplished deep healing work for myself and ancestors… my experience was so epic. Thank you Kate for doing this kind of work in the world.” – Amy W., Energy Healing Client, Kansas City, MO

Selected The Sexy Accident Discography

Live at Prospero’s Bell Tower (2024)
The Sexy Accident released this 4-song EP om June 13, 2024. Songs written by Jesse Kates / Halaster Music [ASCAP]. Performed by The Sexy Accident: Jesse Kates on vocals & guitars. Ramone Hall on drums, Ryan Leip on keys, Mack McKinney on bass, and Rachel Jaggard on vocals. Produced by Danny Mac. Recorded and Mixed by Josh Luke. Recorded at Prospero’s Books in Kansas City on December 9, 2023. Thanks to Will Leathem More info at: www.sexyaccident.bandamp.com]

New Roulette (2022)
Kansas City’s The Sexy Accident plays mercurial pop of brains and heart “driven by catchy melodies and smart, real-life lyric writing.” (The Big Takeover) When the pandemic struck in 2020, songwriter and bandleader Jesse Kates built a home studio and began producing New Roulette remotely. Josh Williams performed and recorded Ramone Hall’s drum parts. Ryan Leip flew in guitars for Jesse to re-amp. Jamie Pratt sang at her father’s suburban home and Mack McKinney played bass from Jesse’s back yard. For more Kansas City flavor, New Roulette’s lead track, I’m Feeling Dancy, features Sisterbot and the EP includes a cover of Wind Flirter by True Lions. New Roulette comprises six tracks and releases on 23 April 2022.

Rabarbaro (2020)
The band’s seventh long-player, Rabarbaro, released on 14 April 2020 during the year of the band’s fifteenth anniversary. Produced, engineered and mixed by longtime collaborator and pacific northwest legend Steve Fisk (Car Seat Headrest, Low, Unwound, Nirvana, Pigeonhed) in Kansas City and Tacoma, Rabarbaro comprises eleven of songwriter Jesse Kates’ most dark, dynamic and sensual songs, living up to the intensity of the album’s namesake adult beverage: a bittersweet, intoxicating (30% ABV) variety of Italian amaro distilled from Chinese rhubarb with zest and cardamom.

Live at Holy Cow EP (Sept. 23, 2017
Performed on September 23, 2016, with Jesse Kates on vocals & guitar, Ramone Hall on drums, Jamie Lin on vocals, Pete Marten on bass, and Ryan Leip on keyboards. Recorded by Josh Williams. Songs selected from Champagne Babycakes, Lavender 3 and Ninja Ninja Fight Darth Vader. Cover art curated by Carly Lewandowski of How Very Vintage from objects found at Holy Cow.

Champagne Babycakes (2016)
Champagne Babycakes is the world’s first album released as a card game. Each copy of Champagne Babycakes includes a complete game deck of 54 cards illustrated by Gavin Snider and twelve songs written by Sexy Accident bandleader Jesse Kates. Champagne Babycakes was produced by Steve Fisk

The songs of Champagne Babycakes are hefty yet compact, like a deck of cards, and reflect Kates’ mainstay themes of romance and family life. Sonically, the album echoes and amplifies features of The Sexy Accident’s prior work, including the groove of Ninja Ninja Fight Darth Vader, the layering of Lavender 3, the squall of Mantoloking, and the dynamics of Kinda Like Fireworks.

Lavender 3 (2013)
Like Champagne Babycakes, The Sexy Accident’s fifth release isn’t a typical record. To deliver tactile pleasure with the ease of downloads, the band created a pop album as a hardback book. Lavender 3 is a nine-inch square, 48-page, silver cloth-covered, smythe-sewn, silk-screened book brimming with lyrics, paintings, illustrations, interviews and commentary, including works by Blue Gallery painter Bernal Koehrsen and poet Jim Daniels. Lavender 3 comprises twelve love songs marinated in strings, keyboards and alternate-tuned guitars. The tracks guest star Laurel Parks and Sascha Groschang of string ensemble The Wires, and Sean Nelson of Harvey Danger, among others.

Origins
In 2005, after years of spinning wordless tales with Pittsburgh, PA-based instrumental band Whitford, Jesse Kates decided to sing. Jesse had recently relocated to Kansas City for a day job and needed co-conspirators. A search of nearby cubicles revealed Dan Weller, the bass-playing spouse of a market researcher, and Craig used his list to find Billy Brown, the band’s first drummer. Musicians assembled, Jesse began to write. A graduate of Carnegie Mellon University’s Creative Writing program, Jesse remains influenced by a mantra of the faculty – have the courage to be clear – to this day. As the only permanent band member, The Sexy Accident remains unavoidably Jesse-centric, yet the sonics transform from album to album, showcasing the strengths of each lineup.

“The Oh,” was the third single from Rabarbaro released February 13, 2020.
“The Land of Want” was the second single released November 2, 2019
“Unto a Sparkling Shore” was the first single released September 21, 2019

The Sexy Accident – Key Lineups

2026 Jesse Kates, Ramone Hall, Ryan Leip, Mack McKinney, Jamie Lin,
2024 Jesse Kates, Ramone Hall, Ryan Leip, Mack McKinney, Rachel Jaggard.
2022 Jesse Kates, Ramone Hall, Jamie Pratt, Ryan Leip, Mack McKinney
2015 Jesse Kates, Ramone Hall, Jamie Pratt, Dan Diamond
2013 Jesse Kates, Daniel Torrence, Camry Ivory, Mark Hamblin, Kristin Smith view
2010 Jesse Kates, Daniel Torrence, Camry Ivory, Mark Hamblin
2009 Jesse Kates, Daniel Torrence, Chad Toney, Pat Padgett
2007 Jesse Kates, Daniel Torrence, Pat Fent
2005 Jesse Kates, Billy Brown, Dan Weller

Jesse was on WMM on April 15, 2020 in the early days of COVID 19. Jesse called into the show to share details about The Sexy Accident’s 7th full length, Rabarbaro, released April 14, 2020 during the band’s 15th year. Produced, engineered & mixed in Kansas City and Seattle, by longtime collaborator and pacific-northwest legend Steve Fisk (Car Seat Headrest, Low, Unwound, Nirvana, Pigeonhead), Rabarbaro includes 11 of songwriter Jesse Kates’ most dark, dynamic and sensual songs. Rabarbaro was performed by Jesse Kates on guitars, vocals, keyboards & percussion; Ramone Hall on drums; Jamie Pratt on vocals; Ryan Leip on guitars & keyboards; and Eric Knight on bass; with Steve Fisk on keyboards, and guest violinist Laurel Parks. More info at www.sexyaccident.com

The Sexy Accident is a pop band from Kansas City. The Sexy Accident have released nearly 200 songs on s19even albums/EPs. The Sexy Accident doesn’t do normal, their 2014 album Lavendar 3 was released as a 9” x 9” square, 48-page, cloth-covered, foil-stamped hardback book. Their 2016 recording Champagne Babycakes, the band’s 6th full length record, was released as a “card game.” The band’s last release, Chamcakes Babypagne was a selection of songs from The Sexy Accident’s , Champagne Babycakes, re-imagined and reconstructed by Steve Fisk, namelessnumberheadman, Akkilles and guest musicians.

Congratulations on 21 years as a band.

11:50

Jesse Kates, Mack McKinney, and Kate McCandless, Thanks for being with us on WMM

The Sexy Accident play a show in honor of their 21st anniversary album release on Friday, October 2, 2026, at 8:00pm at Leedy-Voulkos Art Center, 2012 Baltimore Ave, KCMO. The Sexy Accident will perform their new vinyl album release, BEFORE WE INVENTED THE MOON as a six-piece acoustic ensemble in Studio 306 above the Leedy-Voulkos Art Center, with She Speaks in Tongues opening.

More information at: www.sexyaccident.com // Info at: www.shespeaksintongues.com

For WMM, I’m Mark Manning & Jesse Kates, Mack McKinney, & Kate McCandless. Thanks for listening!

11:54

  1. The Sexy Accident – “Hard Launch”
    from: Before We Invented the Moon / The Sexy Accident / September 29, 2026
    [A twenty-first-anniversary revisionist history of new, homespun recordings. Features the completely new song Hard Launch. / Written by Jesse Kates {Halaster Music | ASCAP}. Arranged by The Sexy Accident: Jesse Kates (singing, guitars, piano, autoharp, mallets, percussion); Ramone Hall (drums, cajon); Ryan Leip (guitars); Mack McKinney (bass); Rachel Jaggard (singing). Violin on “I Tried Again” by Jonas Kates. Trumpet on “I Tried Again” by Mark Hamblin. // Group singing on “I Tried Again” by Becky Mack, Jason Ammerman, Jason Vaughn, Jonas Kates, Maggie Ammerman, Nicole Hall, Samuel Haney, Stephanie Kates, Tobias Kates and Will Leathem // Produced and engineered by Jesse Kates // Mixed by Josh Williams. Mastering by Mike Nolte. Prints by Graesen Joyce. Recorded in 2024 and 2025 at Jesse’s house in KC. Released on 180-gram vinyl via support from Club Medici. More information at www.thesexyaccident.com]

[The Sexy Accident play a show in honor of their 21st anniversary album release on Friday, October 2, 2026, at 8:00pm at Leedy-Voulkos Art Center, 2012 Baltimore Ave, KCMO. The Sexy Accident will perform their new vinyl album release, BEFORE WE INVENTED THE MOON as a six-piece acoustic ensemble in Studio 306 above the Leedy-Voulkos Art Center, with She Speaks in Tongues opening.]

  1. Noel Coward – “The Party’s Over Now”
    rom: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, October 7, we’ll talk with Calvin Arsenia about his big show at The Folly Theatre on Tuesday, October 13, and we welcome back to the show Just Angel, who share detals about POETRY IN PINK GALA – Sunday, October 25 at 6:00pm at Sherri’s Executive Lounge, 3834 Gennessee Street, KCMO for the 2nd annual Cancer Awareness Gala for Cancer Survivors, Angels, Families and Communities. Joining Angel will be Gie Santana, Jon Hypocrace Lewis and Sherri Hall. We also talk with Fanny Mandelberger about Occupational Therapy and Physical Therapy in the Performance Arts.

You can find our playlists at: www.wednesdaymiddaymedley.org & www.kkfi.org
www.facebook.com/WednesdayMidDayMedleyon90.1FM
www.instagram.wednesday_midday_medley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein-Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Office Manager Book Keeper – Shaina Littler.

THANK YOU to everyone who donated to KKFI’s Summer Fund Drive during WMM we had a total of 33 people donate a total of $3513.50. THANK YOU SO MUCH!

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1167

WMM Playlist from September 23, 2026

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 23, 2026

Marilyn Maye + Michelle Shocked + Spike Hellis + Zachary Van Benthusen

  1. “It’s Showtime Folks”
    from: Original Motion Picture Soundtrack to All That Jazz / 1980
    [WMM’s theme song]
  1. Marilyn Maye – “Guess Who I Saw Today”
    from: The Magic of Marilyn Maye: Live at Jazz at Lincoln Center / Blue Engine / Jan. 16, 2028
    [Blue Engine Records, the in-house record label of Jazz at Lincoln Center, is proud to release The Magic of Marilyn Maye: Live at Jazz at Lincoln Center. Marking the first album release in a decade from the renowned vocalist, actress, director, and arranger, this collection spotlights some of Marilyn Maye’s most unforgettable performances on Jazz at Lincoln Center’s stages over the years. The Magic of Marilyn Maye: Live at Jazz at Lincoln Center is available now on all major streaming platforms now. For more info:t jazz.org/marilyn.
    Recorded across all of Jazz at Lincoln Center’s stages—Rose Theater, The Appel Room, and Dizzy’s Club—The Magic of Marilyn Maye: Live at Jazz at Lincoln Center captures the full breadth of Maye’s artistic command in spaces that have become a second home to her. Produced by Lisa Schiff, Jazz at Lincoln Center Chair Emeritus, the album features collaborations with top-notch performers including the Jazz at Lincoln Center Orchestra with Wynton Marsalis, with whom Maye delivers a show-stopping medley of Johnny Mercer tunes. // Marilyn Maye McLaughlin was born April 10, 1928. She is 98 and still performing live. She is an American singer, musical theater actress and masterclass educator. With a career spanning eight decades, Maye has performed music in the styles of cabaret, jazz and pop music. She has received one nomination from the Grammy Awards and had commercial success as a recording artist. // Maye was raised in both Kansas and Iowa. With her mother’s encouragement, Maye performed onstage and on the radio during her childhood. In her teenage years, she had her own radio program in Des Moines, Iowa. Maye performed locally during the 1940s and 1950s until being discovered in 1963 by Steve Allen, later appearing on his television show. She also began a 76-episode run on The Tonight Show Starring Johnny Carson. This led to her signing a recording contract with RCA Victor. // Between 1965 and 1970, Maye recorded a series of albums for RCA. Her debut studio album Meet Marvelous Marilyn Maye was released in 1965. Producer Joe René brought Maye Broadway show tunes to record prior to them appearing in musicals. Many of these songs were issued by RCA as singles and some became successful. Three singles reached the American adult contemporary top ten: “Cabaret” (1966), “Sherry!” (1967) and “Step to the Rear” (1967). // By the 1970s, the nightclub circuit began to disappear and Maye found performing work elsewhere. For two decades, she made regional appearances in musicals like Hello, Dolly!, Mame and Follies. She also continued her recording career, releasing an album of music from Hello Dolly in 1985 and a tribute album of songs to Ray Charles in 2005. She also continued working across the United States in smaller venues. In 2006, she gained attention after performing in New York City at the Mabel Mercer Foundation. This led to Maye gaining a new audience in her late seventies and a renewed interest in her concert appearances. Now in her nineties, Maye has continued to appear regularly in concert. // Marilyn Maye McLaughlin was born on April 10, 1928 in Wichita, Kansas to father Kenneth and mother Lyla McLaughlin. She was named after Marilyn Miller, a 1920s singer and performer. Maye’s cousin was Broadway actress Joy Hodges. Her father was a pharmacist who relocated the family to nearby Topeka where he ran a drugstore. During this period, her mother encouraged her daughter to sing and perform. “Mother was a very strong lady, so thank God I had talent, because she was determined to make me a singer,” she told Theatre Mania in 2007. Lyla McLaughlin had her daughter begin singing and dancing at age three. She also had Maye train with a classical vocal coach in Topeka. // At age nine, Marilyn won a Topeka talent contest. This led to her landing a 13-week radio spot on WIBW and she earned a total of three dollars, which would be equivalent to $66 in 2024. In 1939, she performed in a children’s revue program in Topeka’s Jayhawk Theatre. In her childhood, Marilyn’s parents divorced. Her mother relocated to Des Moines, Iowa and Marilyn moved with her. By age 13, she was performing inside ballrooms often singing big band music. Since she was underage, prompting Maye’s mother kept a book where to record the false ages of her daughter to remember to tell it to agents. She had own her weekly radio program during her teenage years in Iowa. She often skipped her high school Spanish class so she could make regular radio appearances. In 1946, Marilyn graduated from East High School in Des Moines. // Following her 1946 high school graduation, Maye became a staff vocalist for WHAS radio in Louisville, Kentucky. There she performed with combos and orchestras. She then embarked as a solo performer throughout the Midwest United States, including nightclubs in Chicago, Illinois. Among her Midwest gigs was the President Hotel, located in the downtown district of Kansas City, Missouri. At the hotel she met dancer Jimmy De Fore, whom she later married. De Fore became the opening act in her shows. // After marrying De Fore, Maye relocated permanently to Kansas City. During this period, the couple operated a children’s dance studio in Kansas City. De Fore taught dancing and Maye taught singing. Maye also took on a gig as the permanent performer at Kansas City’s Colony Steakhouse. She worked alongside pianist (and her now second husband) Sammy Tucker. She remained at Colony Steakhouse for 11 years. The arrangements and musical routines she developed at the Colony would later be used on her first albums. Maye then recorded her first album in an attempt to bring her to the attention of major record labels. In 1961, the Holly record label released Marilyn…the Most. It featured compositions by Midwest writer Carl Bolte, Jr. and was a locally distributed album in Missouri. // In 1963, Maye was performing at a nightclub when she was heard by television personality Steve Allen. He was also brought to the attention of her debut album, which impressed him enough to book her for several appearances on The Steve Allen Show. She also continued to perform at the Colony Steakhouse in Kansas City. Maye performed on The Steve Allen Show a total of six times. On the sixth show, she was heard by a label executive from RCA Victor. She officially signed with the label in 1965. Maye then began recording with Joe René, who produced her first RCA Victor album. Titled Meet Marvelous Marilyn Maye, the album was released in August 1965 and featured liner notes from Steve Allen. It was given a positive review from Billboard magazine, who named it a “Pop Special Merit” pick in its weekly list of albums. // Maye was discovered by Steve Allen in the early 1960s. Her performances on his television program led to a recording contract with RCA Victor that brought Maye commercial success during the decade. Maye was then heard at a New York City nightclub by Ed McMahon of The Tonight Show Starring Johnny Carson. He advocated for her to appear on the late-night television program and she first appeared there in 1966. Maye went on to appear on The Tonight Show for a record 76 times, the most of any music artist. RCA Victor also released two albums of Maye’s material in 1966. This began with the release of a live LP titled The Second of Maye. It was recorded at The Living Room in New York City and featured accompaniment from Maye’s husband’s quartet. A studio project titled The Lamp Is Low was then released in October 1966. Most of the tracks were new material that were cut in a jazz style. // After recording “I Love You Today” for an upcoming musical, producer Joe René was inspired to bring Maye more show tune material. In 1966, René had Maye record “Cabaret” from the Broadway musical of the same name. Released as a single, “Cabaret” became her breakthrough recording. In 1966, it reached number nine on America’s Billboard adult contemporary chart. It was followed by “Sherry!”, which would appear in the Broadway show of the same name. Similar to its predecessor, “Sherry!” climbed into the top ten of the Billboard adult contemporary chart. Both were included on Maye’s fourth studio album titled A Taste of “Sherry!” (1967). It was her next single that became her most commercially successful recording. Taken from the Broadway musical How Now, Dow Jones, Maye’s version of “Step to the Rear” reached number two on the adult contemporary chart in 1968. It was then included in Maye’s fifth studio album of the same name. // Now in popular demand, Maye made appearances on many popular television programs. During this period, she appeared periodically on The Ed Sullivan Show, The Dick Cavett Show, The Merv Griffin Show and The Mike Douglas Show. She continued to be a concert attraction in New York City’s nightclub circuit. She also performed at political functions, including Iowa Governor Robert D. Ray and US Senator Bob Dole. In 1966, she was nominated by the Grammy Awards for Best New Artist, but ultimately lost to Tom Jones. In 1969, “Step to the Rear” began being featured in televised advertisements for the Lincoln and Mercury automobiles. Maye recorded the song with new lyrics to match the advertisement. She received a new car from Lincoln–Mercury for several years. // RCA Victor kept Maye under contract until 1970 and she continued recording a steady output of material. Her sixth studio album The Happiest Sound in Town appeared in 1968. That same year, the song “Feelin'” became a top 20 single on the Billboard adult contemporary chart. A duet with Ed Ames titled “Think Summer” also reached the adult contemporary top 20 during this time. RCA issued Maye’s final studio album with their label in 1970 called Marilyn Maye, Girl Singer. // Maye departed RCA Victor by 1970. She found less work on the nightclub circuit as supper clubs declined in popularity. “I was too late to have a big career,” she told Theater Mania. “It was amazing that I was able to as much as I did in the 1960s, and even more amazing that I was able to carry on into the ’70s — because by that time, of course, music had totally changed.” The only concert work she could find was on the American West Coast, which had limited availability. Meanwhile, she maintained consistent appearances The Tonight Show with Johnny Carson throughout the decade. She made her final performance there in 1979. // Maye also started appearing in regional theater productions during the 1970s. She played a series of shows at the Starlight Theatre in Kansas City, Missouri. This began in 1970 when she starred as Dolly Levi in Hello, Dolly!. She also performed in the Starlight’s production of Can-Can. “I performed the part of Pistache and loved singing ‘C’est Magnifique’ each night,” she told Playbill magazine. In 1973, she appeared at the Starlight again in The Doc Severinsen Show. In Houston, Texas she played the lead in Mame. In 1990, Maye auditioned for the lead in a regional production of Follies. After the role was given to another actress, Maye was instead giving the supporting role of Carlotta. // Maye also continued her career as singer and recording artist. She took her concerts to performing arts centers and smaller venues around the United States. In 1981, she began working with Billy Stritch who has since been her off-and-off accompanist and music director. On her own Marilyn Maye Records, she released a studio collection called Marilyn Maye Sings All of Jerry Herman’s “Hello Dolly”. Released in 1985, the album was a collection of songs from the original musical. Writer of the show Jerry Herman penned the album’s lines notes, calling Maye an “extraordinary combination of acting and singing talent”. // More studio albums followed. In 2005, she released a studio album of songs first recorded by Ray Charles. Titled Maye Sings Ray, the album was also released on her own record label. Author Will Friedwald praised the disc, commenting that “she takes Brother Ray’s signatures and refits them for herself while retaining the essence of the original.” Maye released another studio album in 2005 featuring songs she performed on Johnny Carson’s show called Super Singer – A Tribute to Johnny Carson. The disc included “Here’s That Rainy Day”, which was Carson’s favorite song Maye sang. // despite her age, Maye stated to many publications that she refused to retire and continued performing. In 2006 at age 78, Maye gained notable attention after performing at New York City’s Lincoln Center for the Mabel Mercer Foundation. With encouragement from Billy Stritch and her lawyer, Maye went on to perform at New York’s Metropolitan Room where she reportedly “blew the roof off”. From there, began returning to New York City with more frequency, doing nearly ten shows yearly. In April 2007, she returned to New York and did a 14-show engagement. “Now in her mid-70s, combines Broadway brass and jazz scooby-do with such a natural feel for both that they become twin styles that you can hardly tell apart,” wrote Stephen Holden of The New York Times. // At age 80, she returned in 2008 to the Metropolitan room with a new stage show of Cabaret music called “Love on the Rocks”. The program featured both popular nightclub songs, along with more recent covers such as songs by James Taylor. Maye continued to draw concert work in other places such as Philadelphia, Pennsylvania, Sioux City, Iowa and Provincetown, Massachusetts. In the 2010s, Maye continued a regular concert schedule throughout the United States, including continual New York City engagements. In 2010, she performed at a Carnegie Hall concert in celebration of Stephen Sondheim’s 80th birthday. In both 2011 and 2012, she performed at Feinstein’s at Loews Regency. // Approaching the age of 90, Maye was featured in a 2018 episode of CBS Sunday Morning, with a profile by Mo Rocca. When she was 93, Rocca profiled her again for the television program. Maye discussed the loss of concert work due to the COVID-19 pandemic and how she continued to perform outdoors when indoor nationwide shutdowns occurred. At age 95, Maye made her solo concert debut at Carnegie Hall. The concert drew positive reviews from critics who remarked at the singer’s age and vocal ability. “Maye is a master of the American songbook and for two solid hours, she had the crowd eating from the palm of her hand,” wrote Ryan Leeds of the Manhattan Digest. “For this writer who has, for some time, marveled at the breadth of her talent and endurance, she is The Unstoppable Marilyn Maye,” wrote Stephen Mosher of BroadwayWorld. // Nate Chinen of NPR called her “one of our greatest living songbook singers”. The New York Times called her “the last of a great generation of American Songbook singers.” Ella Fitzgerald (a friend of Maye’s and a fan of her work) referred to Maye as “the greatest white female singer in the world”. Her version of “Too Late Now” was included in the Smithsonian Institution recordings of the 20th Century. // Maye has been the recipient of awards and honors in her later years. In 2008, she received a Distinguished Arts Award from the Governor of Kansas. Other honors include the Jazz Heritage Award, the Kansas City Jazz Ambassador’s Award of Excellence, the Elder Statesmen of Jazz Award, and lifetime achievement awards from both the Oklahoma Jazz Hall of Fame and Kansas City’s CODA Jazz Fund. She was given a lifetime achievement award by the American Jazz Museum and inducted into its Walk of Fame. She has also received lifetime achievement awards from the Great American Songbook Foundation, Licia Albanese-Puccini Foundation, and the Chicago Cabaret Professionals Association. On September 18, 2012, the Native Sons and Daughters of Greater Kansas City honored Maye with the organization’s Outstanding Kansas Citian Award.// Maye has been married three times. She also had one long-term partnership. At age 18, she married her first husband who was a dancer. The pair briefly moved to Florida before divorcing one year later. Maye later cited his gambling and alcohol addictions for the marriage’s demise. Her second marriage was to Jimmie De Fore. Their union resulted in Maye’s only child, daughter Kristi Tucker. Maye’s daughter is a singer and vocal instructor in KC. Tucker is employed at the Marley School of Dance in Overland Park, KS. Her third marriage was to Jazz performer Sammy Tucker. He adopted Maye’s daughter. However, she found him abusive and their marriage also ended in divorce. Maye was involved in a long-term relationship with a man for roughly ten years. When the pair ended their relationship, Maye purposely sang “I Will Survive” on The Tonight Show and told her partner to watch the show.]

[Marilyn Maye plays The Folly Theater, 300 West 12th St. KCMO, Friday, September 25, at 7:30pm]

10:06 – Interview with Marilyn Maye

Legendary musical icon Marilyn Maye who plays The Folly Theater, 300 West 12th Street, KCMO, on Friday, September 25 at 7:30pm. Marilyn Maye celebrated her 98th birthday April 18, on stage at 54 Below, New York’s Broadway themed supper club, doing what she has done for nearly nine decades interpreting the American songbook in front of her adoring fans. She is an American singer, musical theater actress and masterclass educator who appeared on The Tonight Show Starring Johnny Carson 76 times. At age nine, Marilyn won a Topeka talent contest that led to her doing a 13-week radio spot on WIBW. By age 13, she was performing inside ballrooms singing big band music. At 98 she is preparing a 10-show run at 54 Below in New York City, November 17 thru 28, and a 4-show run at Birdland in New York City, December 31 thru January 3, 2027. The New York Times called her “the last of a great generation of American Songbook singers.” Ella Fitzgerald (a friend of Maye’s and a fan of her work) referred to Maye as “the greatest white female singer in the world”. More info at www.follytheater.org

Marilyn Maye thanks for being with us this morning on Wednesday MidDay Medley.

Welcome back to KKFI 90.1 FM and Congratulations on Marilyn on her beautiful new LIVE album: The Magic of Marilyn Maye: Live at Jazz at Lincoln Center

Recorded across all of Jazz at Lincoln Center’s stages—Rose Theater, The Appel Room, and Dizzy’s Club—The Magic of Marilyn Maye: Live at Jazz at Lincoln Center captures the full breadth of Maye’s artistic command in spaces that have become a second home to her. Produced by Lisa Schiff, Jazz at Lincoln Center Chair Emeritus.

Marilyn Maye celebrated her 98th birthday April 18, on stage at 54 Below, New York’s Broadway themed supper club, doing what she has done for nearly nine decades interpreting the American songbook in front of her adoring fans.

At 98 she is preparing a 10-show run at 54 Below in New York City, November 17 thru 28, and a 4-show run at Birdland in New York City, December 31 thru January 3, 2027.

Marilyn Maye lives in and loves New York City!

Marilyn returns to play The Folly Theatre here in Kansas City, her “home town.”

In 2008, Marilyn received a Distinguished Arts Award from the Governor of Kansas. Other honors include the Jazz Heritage Award, the Kansas City Jazz Ambassador’s Award of Excellence, the Elder Statesmen of Jazz Award, and lifetime achievement awards from both the Oklahoma Jazz Hall of Fame and Kansas City’s CODA Jazz Fund.

She was given a lifetime achievement award by the American Jazz Museum and inducted into its Walk of Fame. She has also received lifetime achievement awards from the Great American Songbook Foundation, Licia Albanese-Puccini Foundation, and the Chicago Cabaret Professionals Association.

On September 18, 2012, the Native Sons and Daughters of Greater Kansas City honored Maye with the organization’s Outstanding Kansas Citian Award.

Marilyn Maye was “discovered in 1963” by Steve Allen, later appearing on his television show. Marilyn Maye appeared periodically on The Ed Sullivan Show, The Dick Cavett Show, The Merv Griffin Show and The Mike Douglas Show. She also began a 76-episode run on The Tonight Show Starring Johnny Carson.

Started in radio At age nine, Marilyn won a Topeka talent contest. This led to her landing a 13-week radio spot on WIBW and she earned a total of three dollars. Following her 1946 high school graduation, Maye became a staff vocalist for WHAS radio in Louisville, Kentucky.

At age 95, Maye made her solo concert debut at Carnegie Hall. The concert drew positive reviews from critics who remarked at the singer’s age and vocal ability. “Maye is a master of the American songbook and for two solid hours, she had the crowd eating from the palm of her hand,” wrote Ryan Leeds of the Manhattan Digest. “For this writer who has, for some time, marveled at the breadth of her talent and endurance, she is The Unstoppable Marilyn Maye,” wrote Stephen Mosher of BroadwayWorld.

Nearly nine decades of constant performing: Radio, Television, Stage, Clubs, Concert halls

Nate Chinen of NPR called her “one of our greatest living songbook singers”. The New York Times called her “the last of a great generation of American Songbook singers.” Ella Fitzgerald (a friend of Maye’s and a fan of her work) referred to Maye as “the greatest white female singer in the world”.

Marilyn Maye thanks for being with us this morning on Wednesday MidDay Medley.

Marilyn Maye plays The Folly Theater, 300 West 12th St. KCMO, Saturday, September 25, at 7:30pm More info at www.follytheater.org

10:24

  1. Marilyn Maye – “Put On A Happy Face”
    from: The Magic of Marilyn Maye: Live at Jazz at Lincoln Center / Blue Engine / Jan. 16, 2028
    [“Put on a Happy Face” is a popular song with lyrics by Lee Adams and music by Charles Strouse. It was introduced by Dick Van Dyke in the 1960 stage musical Bye Bye Birdie. // Blue Engine Records, the in-house record label of Jazz at Lincoln Center, is proud to release The Magic of Marilyn Maye: Live at Jazz at Lincoln Center. Marking the first album release in a decade from the renowned vocalist, actress, director, and arranger, this collection spotlights some of Marilyn Maye’s most unforgettable performances on Jazz at Lincoln Center’s stages over the years. The Magic of Marilyn Maye: Live at Jazz at Lincoln Center is available now on all major streaming platforms now. For more info:t jazz.org/marilyn. Recorded across all of Jazz at Lincoln Center’s stages—Rose Theater, The Appel Room, and Dizzy’s Club—The Magic of Marilyn Maye: Live at Jazz at Lincoln Center captures the full breadth of Maye’s artistic command in spaces that have become a second home to her. Produced by Lisa Schiff, Jazz at Lincoln Center Chair Emeritus, the album features collaborations with top-notch performers including the Jazz at Lincoln Center Orchestra with Wynton Marsalis, with whom Maye delivers a show-stopping medley of Johnny Mercer tunes.

[Marilyn Maye plays The Folly Theater, 300 West 12th St. KCMO, Saturday, September 25, at 7:30pm]

10:27 – Underwriting

FLVMING CR3VTVR3S
  1. FLVMING CR3VTVR3S – “4GET U (DEMO)”
    from: 4GET U (DEMO) – Single / FLVMING CR3VTVR3S / Jan. 16, 2020
    [“4GET U (DEMO)” eventually became “Forget U” track 5 on the debut 10-track album from FLVMING CR3VTVR3S called Vol II, released January 25, 2021. Prior to this album, from July 2014 to December 2020 FLVMING CR3VTVR3S released 15 singles, and then released two 13-track albums: Vol III on October 30, 2021, and Vol IV on February 5, 2022. // FLVMING CR3VTVR3S is also known as Christian O’Reilly. He is a multi-instrumentalist, songwriter, and visual artist embedded deep within the Kansas City underground DIY music and art community. Known for a distinct, avant-garde ethos that challenges traditional boundaries, O’Reilly has built a reputation across the region for his prolific output in left-of-the-dial garage rock, noise punk, and sub-underground art rock.” Christian is also a celebrated archivis

10:31 – Interview with Zachary Van Benthusen

We are very happy to welcome back to the WMM show, Zachary Van Benthusen, a musician, actor, model, filmmaker, playwright, scene maker and producer. Fascinated by his dad’s Kiss records hanging on the walls when he was in 1st grade, he dressed up like Kiss guitarist Ace Frehley for halloween. In 2nd grade Zachary dropped out of school as part of an “unschooling” movement. He took guitar lessons with “Fast” Johnny Ricker, and at 9 he served as a guest DJ on 90.1 FM playing The Doors, and Pink Floyd. As a 12 year old he started working with Paul Mesner Puppets while also starting a photography business. When Zach was 16 he was modeling underwear for Late Night Theatre, and at 17 was writing plays with The Coterie Theatre’s Young Playwrights Roundtable. Zachary has worked in film & video. He has collaborated on music & videos for SSION, with musician & director Cody Critcheloe. Zachary has been a collaborator with Whoop Dee Doo and has worked with the band Nature Boys. For five years Zachary played music with the band Lazy and produced videos for the band.

Zachary Van Benthusen Thank you for being with us on Wednesday MidDay Medley

The last time Zach was on WMM was September 28, 2016, to introduce us to the the Chicago punk/electronic/performance art band ONO who Zach brought to KC for an incredible show that we will never forget.

We just heard music from a former bandmate of Zachary’s, Christian O’Reilly aka FLVMING CR3VTVR3S.

Zachary has brought us several tracks from friends who don’t get much spotlight, and next up Peterson Pistol.

10:35

Peterson Pistol
  1. Peterson Pistol – “Power House”
    from: Demos EP / Erica & Andrea Peterson / August 10, 2014
    [Originally released as a single on October 5, 2013. Originally released as DATED now called Peterson Pilot and centered around sisters Erica and Andrea Peterson. Erica Peterson and Andrea Peterson are multidisciplinary creators, musicians, and collaborative artists rooted in the independent underground scene of the Kansas City metro area. Best known for their shared contributions to local lo-fi music and experiential art initiatives, they have heavily influenced the DIY culture of the region.]

10:39 – More Interview with Zachary Van Benthusen

Today our social guest co-host is, Zachary Van Benthusen, a musician, actor, model, filmmaker, playwright, scene maker and producer. For this radio episode, Zach brought along his beautiful mother Jane Prewitt Watkins, and grandmother Patty Prewitt.

Zachary Van Benthusen, Jane and Patty, Thank you for being with us on Wednesday MidDay Medley.

10:42

BACXTE
  1. BACXTE – “BACK AND FORTH”
    from: A WAY / BACXTE / September 13, 2014
    [Produced by PSYCH-O-DELIC GANGBANG. One of multiple singles, EPs and albums BACXTE has releaed since their 10-track debut on January 28, 2011. // BACXTE is Brandon Gay, an underground multi-disciplinary visual artist based in the Kansas City metropolitan area. Operating within a fiercely independent, counterculture niche, Gay has utilized several distinct, provocative monikers and creative projects throughout his career, including Psych-O-delic Gangbang, Baxcte, Thugees, More info at www.romanceholocaust.bandcamp.com]

10:44 – More Interview with Zachary Van Benthusen

Today we are joined by our friend, Zachary Van Benthusen, a musician, actor, model, filmmaker, playwright, scene maker and producer. Fascinated by his dad’s Kiss records hanging on the walls when he was in 1st grade, he dressed up like Kiss guitarist Ace Frehley for halloween. In 2nd grade Zachary dropped out of school as part of an “unschooling” movement. He took guitar lessons with “Fast” Johnny Ricker, and at 9 he served as a guest DJ on 90.1 FM playing The Doors, and Pink Floyd. Zachary has worked in film & video. He has collaborated on music & videos for SSION, with musician & director Cody Critcheloe. Zachary has been a collaborator with Whoop Dee Doo and has worked with the band Nature Boys. For five years Zachary played music with the band Lazy and produced videos for the band.

Zachary Van Benthusen Thank you for being with us on Wednesday MidDay Medley

10:47

Couch Serf
  1. Couch Serf – “Soft Targets”
    from: Mercies / Couch Serf / October 17, 2025
    [Written by Couch Serf. Mastered by Tim Harte. Album art by Couch Serf and Patrick Rocha. Couch Serf also released the 17-track album, Your Anxiety Is Valid, on December 5, 2024. Couch Serf also released the single “Going 95” on July 3, 2023. Couch Serf also released the spilt EP with Twin Boyfriend on May 3, 2023. Couch Serf is Jonathan Brokaw. // Jonathan “JB” Brokaw is a singer, guitarist, and songwriter in the Kansas City, Missouri DIY and punk music community. Known for his eclectic, high-energy, and often experimental songwriting. Brokaw was the creative engine behind several notable underground KC bands: Salty and Lil Toughies. Salty’s PRESERVATION BLUES (2017) and DRY RUB (2019) we’re part of WMM Best Recordings of 2017 and 2019.]
Zach on WMM from 2017

10:51 – More Interview with Zachary Van Benthusen

Today we are joined by our friend, Zachary Van Benthusen, a musician, actor, model, filmmaker, playwright, scene maker and producer. As a 12 year old he started working with Paul Mesner Puppets while also starting a photography business. When Zach was 16 he was modeling underwear for Late Night Theatre, and at 17 was writing plays with The Coterie Theatre’s Young Playwrights Roundtable. For five years Zachary played music with the band Lazy and produced videos for the band.

Zachary Van Benthusen Thank you for being with us on Wednesday MidDay Medley

Brave Boy is next, and Zach is hanging out to help us interview Spike Hellis a segment he set up for the show.

10:54

  1. Brave Boy – “Take You Away”
    from: “Take You Away” – Single / Brave Boy / December 29, 2023
    [Mary Harrison on vocals; Eric Harrison on guitar, bass, synthesizers; and Chad Duncan on guitar. Inspired by the Joyce Carol Oates short story “Where Are You Going, Where Have You Been? // Brave Boy is a Wichita-based band blending the gauzy elegance of dreampop with sharp-edged rhythms and a theatrical sense of release. Formed by married duo Mary and Eric Harrison, Brave Boy crafts emotionally vivid songs that shimmer, pulse, and unravel — drawing from a wide palette of synthpop, glam, shoegaze, and angular art rock. More info atwww.braveboymusic.com]

10:59 – Station ID

  1. Spike Hellis – “Teardrop (Kisses)”
    from: Spike Hellis / Over-Pop / April 1, 2022
    [Engineered, recorded & produced by Spike Hellis. Mastered by Evan Conway @ rec center Los Angeles, CA, 2020-2021. Cover artwork by Buvard. Special Thanks to our family, friends and therapist (!!) // Spike Hellis is Cortland Gibson and Elaine Chang (Lainey ), the Los Angeles-based electronic duo became fully formed on October 31, 2019. Following the release of their first EP Crisis Talk in 2020, they self-released their debut full-length under their imprint Over-Pop in April 2022. They’ve since toured relentlessly across North America, Europe, and Latin America with no end in sight. The band’s new album Successor was released by Over-Pop records. More info at: www.spikehellis.com]

[Spike Hellis plays Replay Lounge, 946 Massachusetts St., in Lawrence, Kansas on Wednesday, September 23, at 10:00pm with DJ Hylle, and Soulfire Sky.]

[Spike Hellis plays Union Library 1317 Union Ave, KCMO in West Bottoms Thur, Sept. 24, at 9:00pm.]

11:03 – Interview with Cortland Gibson & Lainey Chang of Spike Hellis

Spike Hellis recently release their new 10 track album Successor. Spike Hellis plays Replay Lounge, 946 Massachusetts St., in Lawrence, Kansas on Wednesday, September 23, at 10:00pm with DJ Hylle, and Soulfire Sky. Spike Hellis plays Union Library 1317 Union Ave, KCMO in West Bottoms Thur, Sept. 24, at 9:00pm. Spike Hellis is Cortland Gibson and Lainey (Elaine Chang), the Los Angeles-based electronic duo became fully formed on October 31st, 2019. Following the release of their first EP Crisis Talk in 2020, they self-released their debut full-length under their imprint Over-Pop in April 2022. They’ve since toured relentlessly across North America, Europe, and Latin America with no end in sight. The band’s new album Successor was released by Over-Pop records. More info at: www.spikehellis.com

Cortland Gibson thanks for being with us on Wednesday MidDay Medley

Cortland and Lainey are excited to be back in the area for the shows at Replay Lounge, 946 Massachusetts St., in Lawrence, Kansas TONIGHT on Wednesday, September 23, at 10:00pm with DJ Hylle, and Soulfire Sky. And TOMORROW Night Spike Hellis plays Union Library 1317 Union Ave, KCMO in West Bottoms Thur, Sept. 24, at 9:00pm.

Spike Hellis formed on October 31, 2019.

Spike Hellis recently released their new 10 track album Successor.

11:10

  1. Spike Hellis – “Crisis”
    from: Crisis Talk / Over-Pop / March 27, 2020
    [Recorded & mixed by Spike Hellis in Los Angeles, CA. Mastered by Colin Knight @ Paradise Records, January 2020. Special thanks to Susan Subtract, our family, friends and therapist. // Spike Hellis is Cortland Gibson and Elaine Chang (Lainey ), the Los Angeles-based electronic duo became fully formed on October 31, 2019. Following the release of their first EP Crisis Talk in 2020, they self-released their debut full-length under their imprint Over-Pop in April 2022. They’ve since toured relentlessly across North America, Europe, and Latin America with no end in sight. The band’s new album Successor was released by Over-Pop records. More info at: www.spikehellis.com]

[Spike Hellis plays Replay Lounge, 946 Massachusetts St., in Lawrence, Kansas on Wednesday, September 23, at 10:00pm with DJ Hylle, and Soulfire Sky.]

[Spike Hellis plays Union Library 1317 Union Ave, KCMO in West Bottoms Thur, Sept. 24, at 9:00pm.]

11:11 – More Interview with Cortland Gibson & Lainey Chang of Spike Hellis

Spike Hellis recently release their new 10 track album Successor. Spike Hellis plays Replay Lounge, 946 Massachusetts St., in Lawrence, Kansas on Wednesday, September 23, at 10:00pm with DJ Hylle, and Soulfire Sky. Spike Hellis plays Union Library 1317 Union Ave, KCMO in West Bottoms Thur, Sept. 24, at 9:00pm. Spike Hellis is Cortland Gibson and Elaine Chang aka Lainey, the Los Angeles-based electronic duo became fully formed on October 31st, 2019. Following the release of their first EP Crisis Talk in 2020, they self-released their debut full-length under their imprint Over-Pop in April 2022. They’ve since toured relentlessly across North America, Europe, and Latin America with no end in sight. The band’s new album Successor was released by Over-Pop records. More info at: www.spikehellis.com

Cortland Gibson and Lainey Chang thanks for being with us on Wednesday MidDay Medley

Spike Hellis plays Replay Lounge, 946 Massachusetts St., in Lawrence, Kansas on Wednesday, September 23, at 10:00pm with DJ Hylle, and Soulfire Sky

Spike Hellis plays Union Library 1317 Union Ave, KCMO in West Bottoms Thur, Sept. 24, at 9:00pm.

Cortland Gibson thanks for being with us on Wednesday MidDay Medley

The band’s new album Successor was released by Over-Pop records.

More info at: www.spikehellis.com

11:18

  1. Spike Hellis– “No Bite”
    from: Successor / Over-Pop / August 7, 2026
    [Spike Hellis is Cortland and Lainey, the Los Angeles-based electronic duo became fully formed on October 31, 2019. Following the release of their first EP Crisis Talk in 2020, they self-released their debut full-length under their imprint Over-Pop in April 2022. They’ve since toured relentlessly across North America, Europe, and Latin America with no end in sight. The band’s new album Successor was released by Over-Pop records. More info at: www.spikehellis.com]

[Spike Hellis plays Replay Lounge, 946 Massachusetts St., in Lawrence, Kansas on Wednesday, September 23, at 10:00pm with DJ Hylle, and Soulfire Sky.]

[Spike Hellis plays Union Library 1317 Union Ave, KCMO in West Bottoms Thur, Sept. 24, at 9:00pm.]

  1. ssshheee – “Molecules (Anais Nin)”
    from: The Bridge / ssshheee / March 26, 2026
    [This album’s experimental electronic sound is influenced by entertaining authors, X-Files marathons, radio static. Written recorded and produced by ssshheee/ // ssshheee is Hannah Hurrle is a versatile multimedia artist, designer, and experimental musician whose creative career spans the vibrant indie scenes of both Kansas City, Missouri and Green Bay, Wisconsin. Blending visual communication with experimental sound design, she explores the intersection of fine art, community-focused design, and underground music.”]

11:28 – Underwriting

  1. Michelle Shocked – “Steppin’ Out”
    from: The Texas Campfire Tapes / Cooking Vinyl / 1986
    [The Texas Campfire Tapes is the first album by American singer and songwriter Michelle Shocked. The album was recorded on a Sony Walkman during an impromptu set performed by Shocked around a campfire at the Kerrville Folk Festival in Texas; the recording was made by Pete Lawrence, founder of the Cooking Vinyl label, on his first visit to the US. It was then released by Cooking Vinyl in 1986 and Shocked moved over to Europe to support and promote the album, which was subsequently released by Mercury Records. The album reached the top spot on the British independent record chart. It was remastered and reissued in 2003 as a two-CD set called Texas Campfire Takes by Shocked’s own label, Mighty Sound.]

[Michelle Shocked plays Greenwood Social Hall, 1750 Belleview, KCMO, on Thurs, Sept 24, 7:00pm]

  1. Michelle Shocked – “When I Grow Up”
    from: Short Sharp Shocked / Capital – Mercury / August 15, 1988
    [Short Sharp Shocked is the debut studio album by American singer-songwriter Michelle Shocked, released in 1988 by Mercury Records. It was remastered and reissued in 2003 as a two-CD set by Shocked’s own label, Mighty Sound. The title Short Sharp Shocked is a play on the phrase “short, sharp shock”. The photograph of Shocked that appears on the album cover was taken by Chris Hardy of the San Francisco Examiner at a protest in San Francisco during the 1984 Democratic National Convention. The front cover of the 2003 reissue decontextualized the original photograph by closely cropping it to Shocked’s face, but the back cover features it in full, with the restraining officer’s eyes not obscured by airbrushed-on sunglasses like the front cover of the original Mercury release. The title and cover image are similar to those of the 1984 album Short Sharp Shock by the English punk rock band Chaos UK, who would respond by titling their 1989 album The Chipping Sodbury Bonfire Tapes after Shocked’s 1986 album The Texas Campfire Tapes. // Q magazine’s Robert Sandall wrote, “Where this album hits hardest is in the playful unpredictability of [Pete] Anderson and Shocked’s arrangements,” and observed, “‘When I Grow Up’ … introduces a jazzy, acoustic bass shuffle, then starts bouncing miscellaneous sound inserts around beneath the vocal. From here, it’s pretty much all stops to the thrash metal finale at the end of side two.” Including the album in its best-of-the-year round-up, Q commented, “Her excellent band revels in every opportunity she gives to cut loose and take chances, which heightens the spontaneous feel of her raggedy vocals. Second albums can often be a disappointment, but this is a firecracker.” Short Sharp Shocked was voted the fifth-best album of 1988 in The Village Voice’s year-end Pazz & Jop critics’ poll. // Retrospectively, Rolling Stone critic Adrian Zupp described Short Sharp Shocked as Shocked’s “high-water mark” and, with its “confluence of home-grown musical styles”, her “tribute to her geo-cultural roots and, inadvertently, her own uniqueness.”]

[Michelle Shocked plays Greenwood Social Hall, 1750 Belleview, KCMO, on Thurs, Sept 24, 7:00pm]

11:35 – Interview with Michelle Shocked

Michelle Shocked was born in Dallas and raised in the soaking humid Piney Woods of east Texas, Michelle Shocked grew up in a large fundamentalist Mormon family before leaving home at sixteen. She put herself through the University of Texas at Austin, earning a degree in Oral Interpretation of Literature while becoming increasingly involved in political activism.

Before she was a celebrated recording artist, Shocked was a fixture of the American punk underground. Flying a mohawk and a safety pin for a nose ring, while busking on the streets with her mandolin and fiddle, she sprang, fully-formed, from the San Francisco hardcore scene. She was arrested in 1984 at the Democratic National Convention in San Francisco and again at the Republican National Convention in Dallas, and the iconic San Francisco Examiner photo of her arrest, in a police chokehold, subsequently became the cover image of her debut studio album, Short Sharp Shocked.

“You can be poor anywhere,” she figured, making her way to Paris to join the resistance against Reagan’s Cold War provocations: squatting in Amsterdam while working with a pirate radio collective, joining fellow pirate radio activists in Madrid to celebrate the 10th Anniversary of Franco’s death, enlisting at a women’s peace camp in Sicily, vagabonding Europe—from Finland to Morocco—on a counterfeit rail pass poached in Brixton, and survived on the remnants of the Old Left’s mutual aid network. Music was never the plan. Activism was.

That unlikely journey would eventually produce one of the most unconventional careers in contemporary American music—one that has continually crossed the boundaries between folk, blues, swing, gospel, politics, faith, and storytelling while remaining defiantly independent at every turn. Activist and musician Michelle Shocked emerges with the release of her audio memoir, Bootleg This! Which you can fiund at https://michelleshocked.supercast.com/

Michelle Shocked plays Greenwood Social Hall, 1750 Belleview, – Thurs, Sept 24, 7:00pm

Michelle Shocked Thanks for being with us on WMM

14 Full Length albums, hundreds of recorded songs, huge catalog of really great songs. Songs that I would place next to the best songs of John Prine.

She said you can be poor anywhere – Caught up in the cycle of homelessness that swept across America in the 1980s, Shocked searched for an alternative. She made her way to Paris, hitchhiked throughout Europe, busking on the streets of Madrid , surviving on her wits, and a daily ration of alfalfa sprouts. The vagabond lifestyle was far from ideal. At an anti-cruise missile peace camp in Sicily, she was raped by a Green Party comrade. Settling on Amsterdam for the interim, she worked for a pirate radio station and shared a squat with a stranded British reggae band from Birmingham. She was still poor, but she was free.

In 1986 Shocked returned to Texas, to the annual songwriters’ gathering at the Kerrville Folk Festival, to volunteer and hang out with her friends, to listen to their new songs and play her own. In those days (and for that matter, still today) Shocked was determined to credit her inspiration from fellow Texas songwriters Guy Clark and Townes Van Zandt. An Englishman who said he was a journalist heard her one night out among the campfires and asked if she would play her songs for his Sony Walkman. He never got around to mentioning that he was actually a partner in a brand new British independent record label. She played him some songs out there that night, his tape recorder sitting on a log as the crickets sang bucolic background vocals and the trucks downshifted, and she told some stories. She did not know it at the moment, but just like some of her heroes, Leadbelly and Muddy Waters, she was being “field recorded.” That tape of her music, made on a Walkman with weak batteries so that it ran far too quickly when played back at normal speed, got played repeatedly on the BBC.

It was a friend who owned a phone that got the call. “Your record is on the charts,” was the information the label, Cooking Vinyl had to report. “What record?” Shocked inquired. It had been named The Texas Campfire Tapes and it was to be her “debut” recording. Figuring she had nothing much to lose, Shocked saw it as her chance to offer up her two-cents worth. She had grown up in a tradition of bluegrass and blues, of Texas swing and singer-songwriters, and now Michelle Shocked was an authentic British pop phenomenon.

She played her first show, her first show ever, at London’s Queen Elizabeth Hall. She had planned on activism, not a music career. Over the next eighteen months, Shocked found herself working for a manager who was also her booking agent and who was also her record label owner. Shocked remembers, “the label was shopping me to major labels, licensing my record around the world, booking gigs, collecting commissions and my royalties, and shipping me and my guitar C.O.D. It was as if I’d fallen into a new job at the circus getting shot out of a cannon.” Despite the disarray, she had a plan.

Michelle teaches Mark the sound cues for her show.

Shocked risked signing with a major label (Mercury) for the sake of attempting to change the system from within. She turned down the label’s advance for the sake of owning her work. And she had another plan too. She had organized her songs into a trilogy that was meant to show where she had come from — not just show the listener, but to also remind herself as well. After her first taste of circus-cannon celebrity, she was leaving something more substantial than breadcrumbs behind her to mark her way back home, a trail of remarkable songs. The first part of her trilogy was called Short Sharp Shocked (1988). She was introduced to producer Pete Anderson, known for his commercial success with Dwight Yoakum. The album they made together became an instant classic, so much so that when they returned to the studio a year later, most everyone presumed they would automatically set forth on Short Sharp Shocked II.

Captain Swing (1989) was a lot of things, but it was not Short Sharp Shocked II. The album took advantage of her Texas roots to pursue her notion that swing was more than just a style that the mere act of music swinging shot past style. Her use of horn arrangements emphasized Michelle Shocked ‘s diverse songwriting skills. Categories now, did not apply. The final phase of her trilogy, named Arkansas Traveler –before she had even recorded Short Sharp Shocked — had always been meant to be a tribute to the fiddle tunes she had played with her father and brother on mandolins, banjos and such. She pursued the hidden roots of that music and those old familiar tunes. Writing new lyrics, trying out new ways of playing the oldest of tunes, writing new tunes that sounded ancient, she traveled three continents to play with her heroes and her peers and a few rank strangers. Pops Staples, Doc Watson, Gatemouth Brown, Jimmie Driftwood, Taj Mahal, and Allison Krauss were part of the adventure. Recorded on steamboats, in log cabins and even recording studios, Arkansas Traveler (1992) was a triumph, and if even she did not know what was next, she knew she had made her way back home.

Following her instincts, she began exploring gospel traditions while attending an African-American church in Los Angeles, where she was living on a houseboat. Shocked began writing a gospel record. On the day her next recording was to begin, she entered the studio to discover that her label was refusing to issue payment before the session even started. Shocked recounts, “I was taken into a closed-door meeting with the head of business affairs, who informed me that the label was no longer going to promote my music because I cut too good a deal for myself!” Her catalog was continuing to sell steadily; the label wanted the masters back. She left the office and she never went back — not until the day she arrived to collect what she had owned all along.

Michelle Shocked plays Greenwood Social Hall, 1750 Belleview, KCMO, Tomorrow – Thurs, Sept 24, 7:00pm

Currently touring the show across the United States, Michelle Shocked presents a solo show that weaves a carefully-curated catalog of compositions with personal reflections drawn from her remarkable so-called career. Audacious, interactive, and ultimately deeply human, it’s a rare opportunity to experience a true iconoclast: up close, unfiltered, ever-evolving, and in her own words.

An acclaimed singer/songwriter known for her uncompromising independence and her inimitable lyrics and mnemonic melodies, Shocked was catapulted into an inadvertent recording career in the ‘80s by a cassette tape bootleg released in England. In the record deal bidding war that followed, The Texas Campfire Tapesphenom emerged triumphant, with ownership of both her master recordings and song copyrights. Three Grammy-nominated albums (her Mercury Trilogy) were released over the next five years, launched by her signature song, “Anchorage.” The albums Short Sharp Shocked, Captain Swing, and Arkansas Travelercemented her reputation as a singular songwriter, blending roots music with sharp storytelling and a refusal to fit into any one genre.

Shocked started at the top, but playing by her own rules has never been easy, and came at a steep price: determined to change the system from within the music industry, and following a behind-the-scenes power struggle at Polygram Records in 1992, Shocked found herself exiled from the business for five years. Not allowed to record, but not able to leave the label, she successfully asserted her 13th Amendment rights, won her artistic freedom, and established her own label: Mighty Sound.

Free from major-label constraints, Shocked embarked on one of the most prolific periods of her career. With Mighty Sound, she released a remarkable series of albums including Deep Natural (with the companion album Dub Natural), a digital reissue of Kind Hearted Woman, Don’t Ask Don’t Tell, Got No Strings, Mexican Standoff, ToHeavenURide, and Soul of My Soul, continuing to develop new musical idioms while maintaining complete creative control.

But controversy and reinvention would remain recurring themes. In 2013, remarks made during a workshop performance intended to road-test new material from Indelible Women (a still-unrecorded song cycle the artist considers her magnum opus) triggered a high-visibility defamation campaign fueled by agentic AI and “outrage metrics” which effectively banished her from the public eye for more than a decade. Rather than retreat, Shocked fanned the flames by withdrawing her entire catalog from distribution while continuing to create new work (including the forthcoming Musical Chairs and Shocking Red) and re-examining a life spent at the intersection of art, faith, politics, and free expression. The result is Bootleg This!.

Forty years after her legendary bootleg debut—having managed to extricate herself from the biggest bootleg operation the world has ever seen with complete ownership of an amazing, critically acclaimed, internationally recognized catalog—the Grammy-winning, battle-scarred, music-industry veteran returns with a vengeance. The live performances in Edinburgh connect directly with the release of her audio memoir, Bootleg This!. Hers is a fiercely original voice shaped by Texas folk, blues, with storytelling and spiritual conviction.

“Whether you start at the top or the bottom, it has no bearing on your artistic purpose,” said the artist. “They can take away everything else, but my compulsion to solve songs never left me. The art of resilience is in remaining whole.”

For decades, Shocked has remained that same resilient force of nature—touring relentlessly, collaborating widely, and building an idiomatic body of work that defies categorization, from folk to punk to swing to gospel… and beyond.

Michelle Shocked – Roadworks 2026 tour

Nov 16, 2026 To Be Announced Tulsa, Oklahoma, United States
Nov 15, 2026 To Be Announced Wichita, Kansas, United States
Nov 14, 2026 Sidecar Austin, Texas, United States
Nov 13, 2026 Oklahoma City, Oklahoma, United States
Oct 18, 2026 Duluth, Georgia, United States
Oct 16, 2026 Virginia Beach Virginia Beach, Virginia, United States
Oct 11, 2026 Baltimore Baltimore, Maryland, United States
Oct 10, 2026 Virginia Beach Virginia Beach, Virginia, United States
Oct 09, 2026 Greensboro Greensboro, North Carolina, United States
Oct 08, 2026 Raleigh Raleigh, North Carolina, United States
Oct 07, 2026 Charlotte Charlotte, North Carolina, United States
Oct 06, 2026 Charlotte Charlotte, North Carolina, United States
Oct 04, 2026 City Winery Nashville Nashville, Tennessee, United States
Oct 03, 2026 Louisville Louisville, Kentucky, United States
Oct 02, 2026 Washington Washington, District of Columbia, United States
Oct 01, 2026 Philadelphia Philadelphia, Pennsylvania, United States
Sep 30, 2026 Boston Boston, Massachusetts, United States
Sep 29, 2026 New York (NYC) New York, New York, United States
Sep 26, 2026 Columbus Columbus, Ohio, United States
Sep 25, 2026 Indianapolis Indianapolis, Indiana, United States
Sep 24, 2026 Kansas City Kansas City, Missouri, United States
Sep 23, 2026 Omaha Omaha, Nebraska, United States
Sep 22, 2026 Minneapolis Minneapolis, Minnesota, United States
Sep 20, 2026 Milwaukee Milwaukee, Wisconsin, United States
Sep 19, 2026 Detroit Detroit, Michigan, United States
Sep 18, 2026 Beachland Tavern, The Beachland Ballroom & Tavern Cleveland, Ohio,

SHOW DESCRIPTION

Surviving a 13 year blacklist, activist & musician Michelle Shocked has emerged with the release of her audio memoir Bootleg This! https://michelleshocked.supercast.com/

Forty years after her legendary bootleg debut, the Grammy winner returns with a vengeance.

An act of defiance — this tour is breaking the blacklist, disturbing the silence. Slinging stories and songs set carefully like stones; a fusillade of human emotion in an air-punching F**k Yeah.

Calm, confident, controlled with a lethal focus. Balanced and battle-bitten, sharing tales of media misadventures fused by a set of select songs.

“You can’t take the art out of the artist. Creative labor has value; stolen art has potent power.”

“I knew it would work — I just didn’t know it would work so well.

“Michelle Shocked is a true trailblazer who knows how to play with fire” – Rolling Stone

Michelle Shocked – we love you! You came into our lives when we need your music. Your music has been used in our own stories about our own survival.

We always knew that you question authority in a manner that is courageous and fearless
We still need you, even now more than ever. Thank you for going on tour

Michelle Shocked Thanks for being with us on WMM

Michelle Shocked plays Greenwood Social Hall, 1750 Belleview, KCMO, Tomorrow – Thurs, Sept 24, 7:00pm

11:54

  1. Michelle Shocked – “Liquid Prayer”
    from: Soul of My Soul / Mighty Sound / 2009
    [In 1995, Shocked contributed an original song to the soundtrack for the film Dead Man Walking called “Quality of Mercy”. In 1996, she released a studio version of Kind Hearted Woman on the short-lived Private Music label. // Starting in 2002 with the release of Deep Natural, Shocked established her own label, Mighty Sound. She reissued expanded versions of her entire catalog, made possible by having retained complete ownership of her work when she signed with Mercury in 1987. // An acoustic version of her song “How You Play the Game” was featured as the opening and credits soundtrack on the DVD of the 2004 documentary film Bush’s Brain. //Shocked continued to make music as an independent artist. In June 2005, she released a trilogy of albums called Threesome (Don’t Ask Don’t Tell, Mexican Standoff and Got No Strings). In May 2007, she released the album ToHeave. ” Soul of My Soul remains Shocked’s last released recording to date. She toured consistently through 2013, then took time off before resuming live performances and touring in 2016. // Shocked is a vocal critic of Spotify and its low pay rates for artists, declaring that “None of my music will be on there until they commit to a sustainable rate rather than suing songwriters.” She has also refused to allow her music to be on iTunes, YouTube, or Amazon Music.]]

[Michelle Shocked plays Greenwood Social Hall, 1750 Belleview, KCMO, on Thurs, Sept 24, 7:00pm]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

For WMM, I’m Mark Manning. Thanks for listening!

Next week, on Wednesday, September 30, we’ll talk with Shaun Crowley of Manor Records, Colin Halliburton of The Roseline, and Jesse Kates of The Sexy Accident.

You can find our playlists at: www.wednesdaymiddaymedley.org & www.kkfi.org
www.facebook.com/WednesdayMidDayMedleyon90.1FM
www.instagram.wednesday_midday_medley

Thank you to KKFI Staff: Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Office Manager Book Keeper – Shaina Littler.

THANK YOU to everyone who donated to KKFI’s Summer Fund Drive during WMM we had a total of 33 people donate a total of $3513.50. THANK YOU SO MUCH!

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
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Show #1166

WMM presents Marilyn Maye + Michelle Shocked + Spike Hellis + Zachary Van Benthusen

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 23, 2026

Marilyn Maye + Michelle Shocked + Spike Hellis + Zachary Van Benthusen

Mark and Zachary will be playing New & MidCoastal musical releases from: Spike Hellis, Peterson Pistol, FLVMING CR3VTVR3S, Couch Serf, BACTXE, Brave Boy, Molecules featuring Anais Nin 2, Michelle Shocked, and Marilyn Maye.

At 10:00 Mark talks with legendary musical icon Marilyn Maye who plays The Folly Theater, 300 West 12th Street, KCMO, on Friday, September 25 at 7:30pm. Marilyn Maye celebrated her 98th birthday April 18, on stage at 54 Below, New York’s Broadway themed supper club, doing what she has done for nearly nine decades interpreting the American songbook in front of her adoring fans. She is an American singer, musical theater actress and masterclass educator who appeared on The Tonight Show Starring Johnny Carson 76 times. At age nine, Marilyn won a Topeka talent contest that led to her doing a 13-week radio spot on WIBW. By age 13, she was performing inside ballrooms singing big band music. At 98 she is preparing a 10-show run at 54 Below in New York City, November 17 thru 28, and a 4-show run at Birdland in New York City, December 31 thru January 3, 2027. The New York Times called her “the last of a great generation of American Songbook singers.” Ella Fitzgerald (a friend of Maye’s and a fan of her work) referred to Maye as “the greatest white female singer in the world”. More info at www.follytheater.org

At 10:30 We welcome back to the show, Zachary Van Benthusen, a musician, actor, model, filmmaker, playwright, scene maker and producer. Fascinated by his dad’s Kiss records hanging on the walls when he was in 1st grade, he dressed up like Kiss guitarist Ace Frehley for halloween. In 2nd grade Zachary dropped out of school as part of an “unschooling” movement. He took guitar lessons with “Fast” Johnny Ricker, and at 9 he served as a guest DJ on 90.1 FM playing The Doors, and Pink Floyd. As a 12 year old he started working with Paul Mesner Puppets while also starting a photography business. When Zach was 16 he was modeling underwear for Late Night Theatre, and at 17 was writing plays with The Coterie Theatre’s Young Playwrights Roundtable. Zachary has worked in film & video. He has collaborated on music & videos for SSION, with musician & director Cody Critcheloe. Zachary has been a collaborator with Whoop Dee Doo and has worked with the band Nature Boys. For five years Zachary played music with the band Lazy and produced videos for the band.

At 11:00 we talk with Cortland Gibson of Spike Hellis. Spike Hellis recently release their new 10 track album Successor. Spike Hellis plays Replay Lounge, 946 Massachusetts St., in Lawrence, Kansas on Wednesday, September 23, at 10:00pm with DJ Hylle, and Soulfire Sky. Spike Hellis is Cortland and Lainey, the Los Angeles-based electronic duo became fully formed on October 31st, 2019. Following the release of their first EP Crisis Talk in 2020, they self-released their debut full-length under their imprint Over-Pop in April 2022. They’ve since toured relentlessly across North America, Europe, and Latin America with no end in sight. he band’s new album Successor was released by Over-Pop records. More info at: www.spikehellis.com

At 11:30 Mark welcomes internationally acclaimed, Grammy winning singer songwriter Michelle Shocked who plays The Greenwood Social Hall, Thursday, September 24, at 7:00pm with her Roadworks 2026 tour combining songs and stories from throughout her career alongside material connected to her audio memoir, Bootleg This!, marking 40 years since her bootleg debut recording. Shocked received her first international exposure after Pete Lawrence recorded her performance on a portable tape recorder at the Kerrville Folk Festival in Texas. Lawrence released the tape in Europe as The Texas Campfire Tapes (1986). The album’s success brought major labels asking her to sign a contract. Shocked was resistant to what she saw as the machinations of the music industry, and worked to retain a degree of creative control. Her first US success came with the release of her 1988 debut album, Short Sharp Shocked, and the debut single, “Anchorage.” Shocked has released 14 albums, three compilations and multiple re-releases. More info at www.michelleshocked.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1166

WMM Playlist from September 16, 2026

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 16, 2026

Mike McCoy + Erin Eades + Silver Wesley + Tim Miller with Heather Carver & William Horner

  1. “It’s Showtime Folks”]
    from: Original Motion Picture Soundtrack to All That Jazz / 1980
    [WMM’s theme song]
  1. The Womack Sisters – “If I Let You”
    from: The Womack Sisters / Daptone Records / August 14, 2026
    [The Womack Sisters are indeed the nieces of Bobby Womack, as well as the granddaughters of the legendary Sam Cooke. They are part of a musical lineage that has significantly influenced soul and R&B music. The Womack Sisters: Kucha, Zeimani, and BG Womack, were singing before they could walk. The Sisters grew up on the road. Their schools were stages & studios all over the world, where they sang behind their parents, Zekkariyas & Zeriiya (fka Womack & Womack), alongside their four siblings. Nowhere was home for long. No matter where they lived they were always surrounded by music and family. // Their 2026 debut album,The Womack Sisters, is the musical culmination of the Sisters’ long and winding journey to find them-selves. Over an intensely soulful collection of tunes that harkens back to when pop music had substance, vibe and purpose, each of their distinct voices have their moments in the spotlight. // www.thewomacksisters.com.]
  1. Wood Roses – “My Darlin'”
    from: We Call It Maize / Michael George McCoy / April 3, 2020
    [Austin Texas based band that includes Kansas City’s Mike Stover. The band was founded by Mike McCoy grew up in Hutchinson, Kansas. After graduating High school he moved to Kansas City. Mike has been making music for more than 30 years, playing country-roots to punk to performance art and power pop. Mike founded the KC band Cher UK in the mid 1990s and fronted the Black Rabbits of Lawrence, Kansas, and the Austin, bands: American People and The Service Industry. Mike is the founder of The North vs. South Music Festival. Mike McCoy, lives in Austin Texas where he builds all kinds of cool things with his construction company. ]

[Mike McCoy’s band Cher UK plays Woodyard BBQ, 2001 Merriam Lane, KCK on Thursday, September 17, at 6:00pm followed by Medicine Theory at 7:00pm.]

10:11 – Interview with Mike McCoy

Mike McCoy grew up in Hutchinson, Kansas. After graduating High school he moved to Kansas City. After his gap year ended he left KC to attend Texas Christian University. After college Mike returned to KC to work at the Nelson-Atkins Museum of Art. Mike has been making music for more than 30 years, playing country-roots to punk to performance art and power pop. Mike founded the KC band Cher UK in the mid 1990s and fronted the Black Rabbits of Lawrence, Kansas, and the Austin, bands: American People and The Service Industry. Mike is the founder of The North vs. South Music Festival. In 2019 Mike McCoy’s Trompe-l’œil released “Eyein’ Lies” one of WMM’s 119 Best Recordings of 2019. Mike McCoy, lives in Austin Texas where he builds all kinds of cool things with his construction company.

Mike McCoy drops by to share music from his band, Wood Roses. Mike McCoy’s other band Cher UK plays Woodyard BBQ, 2001 Merriam Ln, KCK, Thur, Sept 17, at 6:00pm followed by Medicine Theory at 7:00pm.

Wood Roses – Smooth, easy and pensive all at once. Creepy, self-indulgent back-slapping true crime country.

Mike McCoy was back in Kansas City for the Celebration of Life for Rob Morrow Memorial this past Sunday, September 13 at The Ship

Rob Morrow’s band members from The Pedaljets wrote on socials:

On Monday, June 29th Rob Morrow passed away peacefully at his home due to complications after an appendectomy.

We are shocked, deeply saddened and heartbroken to lose our sweet friend and bandmate. Words cannot express the intensity of our grief at this moment.

Rob was the powerhouse backbeat, the rhythm and soul behind the Pedaljets. More importantly he was the positive energy force that bonded us together over decades of making music together.

He always had a smile, he always looked for the best in people and he loved his family and friends more than any of us could realize.

He had the ability to light up a room and put a smile on your face no matter what!

Raise a glass and toast our Brother Rob!

May he Rock eternally!

Rest In Peace Dear Friend.

You left us with love that will live in our hearts forever.

Rob Morrow’s daughters Nicki and Jacilyn wrote:

After 65 years of making noise and people laugh, Rob has exited the stage….though anyone who knew him knows he probably argued with the timing.

He spent a lifetime proving that a good drumbeat could get you through anything. Whether he was behind a drum kit or tapping out rhythms on the steering wheel, the kitchen table, or literally anything within reach, music wasn’t just something he loved—it was the soundtrack of his life.

And then there was his sense of humor and the most generous heart that loved without any expectation. If you ever laughed until your stomach hurt because of something he said, you made his life that much more full.

He leaves behind his daughters and grandchildren who adore him, his loving girlfriend and family, the most incredible friends a guy could have, his sister, his nephew, and countless people who are better because they knew him. He also leaves behind an alarming amount of drumsticks, a number of unfinished projects that he swore he’d get around to, and stories that get funnier every time they’re told.

Keep the beat going, Dad. We’ll miss you forever.

After graduating High school Mike McCoy moved from Hutchison, Kansas to Kansas City, Missouri. It was considered his “gap year.” Mike’s older bother had gone to the Art Institute of Kansas City so Mike already had discovered Kansas City and seen area bands, After his gap year ended he left KC to attend Texas Christian University. After college Mike returned to KC to work at the Nelson-Atkins Museum of Art.

Mike McCoy has been making music for more than 30 years, playing country-roots to punk to performance art and power pop. Mike founded the KC band Cher UK in the mid 1990s and fronted the Black Rabbits of Lawrence, Kansas, and the Austin, bands: American People and The Service Industry. Mike is the founder of The North vs. South Music Festival. Mike McCoy, lives in Austin Texas where he builds all kinds of cool things with his construction company.

Mike McCoy is here to share music from his band, Wood Roses. Mike McCoy’s other band Cher UK plays Woodyard BBQ, 2001 Merriam Ln, KCK, Thur, Sept 17, at 6:00pm followed by Medicine Theory at 7:00pm.

Cher U.K. was signed to Red Decibel in 1993 after Brent Ashley, head of promotions at Red Decibel saw them in KC. Their first album, She’s a Weird Little Snack, was released on Oct. 12, 1993, followed by Go-Go Fish, released in Nov. 1994. While the albums featured such classics as “College Song,” “Go-Go,” and “Kibbles’n’ Bitz,” it’s the live shows that always attracted the most attention. Angie Scharnhorst of the Kansas City Star probably described them best as a “neo-punk trio combining screaming, almost disembodied vocals with staccato rhythms, and a guitar that seems to throb with a life of its own.”

Kansas native and Austin resident Mike McCoy is a man for all seasons. A gifted singer, composer, songwriter, social commentator and conceptual artist from the heartland, McCoy has been making music for more than 30 years, incorporating a whiplash array of styles and genres from country-roots to punk to performance art and power pop. All overlap in McCoy’s world. Mike founded the KC power-pop band Cher UK (Cargo/FistPuppet) & (Red Decibel/Columbia Records) in the mid 1990s and has fronted other quirky conceptual bands such as the Black Rabbits of Lawrence, Kansas, and two Austin critics’ darlings, the American People and the Service Industry.

Mike is also a prolific solo artist. A religion studies and art-history graduate of TCU, fund-raising researcher at Yale, a carpenter/designer in Austin, an online “word contortionist” and a former museum administrator in KC, McCoy’s truest calling is the crafting of songs. He’s a hayseed intellectual-philosopher whose compositions strike the right balance of plaintive and high-brow, sardonic and humble. McCoy brings a singular, poet’s sensibility to the music equation. He writes about a wonderful waitress in a rundown town who has the power to make or break your stay (“if you treat her well, you might get what you want…”), about an immigrant woman whose dreams of America lead her to a lonesome life as a domestic (“feather duster I believe her, no one sees the way I see her…”), about American apathy and how winter is a submarine (“winter is a submarine — I lay inside and I no longer dream…”).

In most of McCoy’s songs, there is something deeply wistful, despite the freighted narratives and their dizzying wordplay. He’s a serious guy and he writes about serious stuff. Yet in the lyrics and in the spaces between words and melody, you can almost hear that lone whistle blow in the dark of a heartlands night; you hear a style of writing that combines political commentary and snarky populism with an inextinguishable belief that somehow, with the right blend of gumption and fortitude, we humans might just pull off something good. He’s equal parts punk-rock-Americana — a strange brew of Bob Dylan, Iggy Pop, John Mellencamp, Ramones and Burl Ives. But no matter in what incarnation you encounter Mike McCoy, you’ll find he’s driven by the same basic themes: ideas and ideals of humanity, principles and hopes, outrage and indignation, absurdism and dadaism, puns and poetry and parody, with a large dose of red-white-and-blue wishful thinking.

Mike has worked as a fund-raising researcher at Yale, a carpenter & designer in Austin.

Mike McCoy Thanks for being with us on WMM.

Cher UK play Woodyard BBQ, 2001 Merriam Lane, KCK on Thursday, September 17, at 6:00pm followed by Medicine Theory at 7:00pm.

10:29

  1. Wood Roses – “Pinot Grigio”
    from: We Call It Maize / Michael George McCoy / April 3, 2020
    [Austin Texas based band that includes Kansas City’s Mike Stover. The band was founded by Mike McCoy grew up in Hutchinson, Kansas. After graduating High school he moved to Kansas City. Mike has been making music for more than 30 years, playing country-roots to punk to performance art and power pop. Mike founded the KC band Cher UK in the mid 1990s and fronted the Black Rabbits of Lawrence, Kansas, and the Austin, bands: American People and The Service Industry. Mike is the founder of The North vs. South Music Festival. Mike McCoy, lives in Austin Texas where he builds all kinds of cool things with his construction company. ]

[Mike McCoy’s band Cher UK plays Woodyard BBQ, 2001 Merriam Lane, KCK on Thursday, September 17, at 6:00pm followed by Medicine Theory at 7:00pm.]

10:34 – Underwriting

10:36 – Interview with Silver Wesley

Welcome back to Wednesday MidDay Medley. Our next guest is Silver Wesley a Music Producer, Audio Visual Engineer, Writer, Comedian, and Artistic & Technical Director for WEBCORE Multimedia Production House. Silver also works as a lighting and sound tech at The Bird Comedy Theatre, The Unicorn Theatre, KC Fringe, and others. More information at ko-fi.com/webcoreprodhouse

Silver Wesley Thank you for being with us on Wednesday MidDay Medley

Keertika Gullipalli, Managing Director of WEBCORE Multimedia Production House. also joined us in conversation.

Silver Wesley a Music Producer, Audio Visual Engineer, Writer, Comedian, and

Silver also works as a lighting and sound tech at The Bird Comedy Theatre, The Unicorn Theatre, KC Fringe, and others

Artistic & Technical Director for WEBCORE Multimedia Production House.

(Media Skills History) – Silver writes:

I do some work in the administrative side of the music industry. In the past, I have done A&R, brand design, and event management for ONWARD Collective and Floppa Collective.

Currently doing work for Webcore Multimedia Productions, including social media, branding, event management, A&R, and creative/technical direction.

Silver went to high school in Dallas, Texas.

I have a music production project under the name Jsilver. I am an audio/visual tech for the local theatre scene, doing shows with Unicorn Theatre, KC Fringe, William Jewell College, and Leawood Stage Company.

I have proficiencies in soundboard operation and programming, audio network engineering, mixing, mastering, live sound, and sound design/audio production.

You can check out Webcore’s “drop-in’ classes starting on Monday, September, 21 at 7:00pm, focusing on the basics of digital production. Everyone is welcome fregadless of experience level.

Silver Wesley and Keertika Gullipalli thank you for being with us on Wednesday MidDay Medley

More information at: https://www.instagram.com/webcoreproductionhouse/

10:52

  1. Run With It – “One Way Ticket”
    from: “One Way Ticket” – Single / Run With It / September 10, 2026
    [Run With it writes: We made a lot of changes this year. The biggest was deciding to go all in on One New Song — Every Month. And somewhere along the way, it stopped being just about releasing more music. It opened our eyes to what we’re capable of—and how many different places these songs can live. So we’re digging deeper. Writing more. Creating more. And doing everything we can to keep putting new music in your hands every single month. At the same time, we’re diving headfirst into the world of Sync Licensing, with the hope that some of these songs find their way into the TV shows, films, and stories where they belong.More songs. More chances to connect. More places for the music to live. We’re just getting started.Every month, // Fans of Kings Of Leon, The Killers, and AWOLNATION will connect with its soaring vocals, atmospheric guitars, and nostalgic energy. The band also documents the full creative process online as they release one new song every month. // One of 20 new singes the band has produced over the past two years. // Miguel Antonio on lead vocals & guitar. Daniel Cole on drums. Cody Ryan Stapleton on lead guitar. // The band has always been known for their energetic live shows, leaving it all on the stage, and working their musical assets to make their audiences happy. The band has toured extensively. Run With It are influenced by The Black Keys, Maroon 5, Bill Withers, and more. With backgrounds in gritty rock, groovy soul, stylish R&B. // Miguel Carabello was born June 11, 1980 originally from Junction City, Kansas, Married. Daniel Cole was born April 8, 1991 and graduated from Lee’s Summit West HS in 2009. Cody Ryan Stapleton lives in KCK he has played with several bands including The Dear Misses.]
  1. Artista Selene & The Chingona Band – “Fat Barbie Chola”
    from: “Fat Barbie Chola”- Single / Artista Selene / July 14, 2026
    [Artista Selene lead singer says we are: This Latin Alternative pop band pulls from all their worlds, mexican roots,Body postivity and turns it into bilingual tracks and stories that hit you in the chest. Their lyrics are real,political, layered and powerful. Soulful voice & rhymes, Latin beats, and a ragey Alt pop edge. // Artista Selene told Voyage Magazine: I am a immigrant artist. Juárez m`Puro frontera + Midwest energy. // Growing up as a immigrant in our country was not easy and my family encountered many obstacles. One thing my father and mother both taught me was to never give up on your dreams, and perseverance and hard work WILL and CAN pay off as long as we continue onward or as they said, //and now im honoring their sacrifice by not wasting it. I am pursuing my dreams of being a fulltime music artist. Their bravery , gives me courage to be brave too and to dream BIG and go after whats in my hearkt. // Artista writes, “Lately iIwrite a lot about our current political climate and have been known for my cover and revision of zombie. // My lyrics are not always comfortable to hear. But i am a artist not just a entertainer. My lyric risk to share political music and lyrics with a vulnerable message reflecting your own world and community affected with the very sometimes harsh public. But I would rather sing about whats real rather than whats comfortable and entertaining/popular. Artist are here to remind us of our humanity, and to help us connect to one another. We encourage all artist to stand in their authenticity and be bold and brave to TAKE THE RISK.]

[Artista Selene & The Chingona Band play Grinder;s Patio TONIGHT, Wednesday, September 16 at 8:00pm.]

11:00 – Station ID

  1. Erin Eades – “Eye For an Eye”
    from: Monsters / Erin Eades / September 8, 20246
    [Erin Eades sings the stories she finds hard to talk about. Her sound harmonizes Americana and modern folk with 90’s alternative swagger while supporting lyrics that aren’t afraid to be authentic. Raised in Appalachia, she’s found a home in the heartland in Kansas City and plans to tour in support of Monsters throughout the Midwest and Mid-Atlantic in 2027.Erin Eades is an Americana singer-songwriter and solo acoustic performer from Kansas City, drawing influence from indie rock, alternative, and country music. Through her music, she weaves a narrative of resilience and transformation, inviting listeners to embrace the bittersweet complexities of the human experience. Erin frequently performs in Missouri and Kansas. More info at: www.erineadesmusic.com]

11:04 – Interview with Erin Eades

Thanks for tuning into WMM on 90.1 FM KKFI. I’m Mark Manning. Erin Eades joins us to shares music from her debut album MONSTERS. Erin Eades sings the stories she finds hard to talk about. Her first full-length album collects songs written over the course of almost 15 years. Eades takes listeners through the ending of her marriage and the depth of emotions that came with it, addressing themes of accountability, infidelity, double standards, and the pendulum of heartache. Recorded in both Kansas City and Nashville, Erin worked with award-winning songwriter and producer Helena Hallberg (2026 Kerrville New Folk winner) to create raw storytelling, with supportive instrument-ation. Monsters includes seven original songs and one reimagined work, a cover of Mike Doughty’s “Down on the River By the Sugar Plant.” Raised in Appalachia, she’s found a home in the heartland in Kansas City and plans to tour in support of Monsters throughout the Midwest and Mid-Atlantic in 2027. More info at: www.erineadesmusic.com

Erin Eades thanks for being with us on Wednesday MidDay Medley

“Eye for an Eye” is a pop-forward, driving rhythmic track that challenges the double-standard on infidelity I experienced in a marriage. Sassy B3 organ and crispy electric leads support this song that isn’t afraid to stand up and call it what it was.

It’s a concept album that took almost 15 years to write – grief is anything but linear – and takes listeners through the ending of my marriage and the depth of emotions that came with it.

I’m so proud of the Americana and modern folk sound I achieved with the help of Swedish-Swiss Nashville-based producer and singer-songwriter Helena Hallberg (2026 Kerrville New Folk Winner).

Kansas City musician Devon Teran (Timbers) played electric and acoustic guitar on the album. We did some recording at his studio and with Wills Van Doorn, both in KCK (Wills lives in CO now). It was exciting to watch the process unfold as the album came together layer-by-layer, often from a distance. Please let me know if it’s helpful to follow up with a CD and one sheet via mail to the station!

11:13

  1. Erin Eades – “Echoes of You”
    from: Monsters / Erin Eades / September 8, 20246
    [Erin Eades sings the stories she finds hard to talk about. Her sound harmonizes Americana and modern folk with 90’s alternative swagger while supporting lyrics that aren’t afraid to be authentic. Raised in Appalachia, she’s found a home in the heartland in Kansas City and plans to tour in support of Monsters throughout the Midwest and Mid-Atlantic in 2027.Erin Eades is an Americana singer-songwriter and solo acoustic performer from Kansas City, drawing influence from indie rock, alternative, and country music. Through her music, she weaves a narrative of resilience and transformation, inviting listeners to embrace the bittersweet complexities of the human experience. Erin frequently performs in Missouri and Kansas. More info at: www.erineadesmusic.com

11:17 – More Interview with Erin Eades

Thanks for tuning into WMM on 90.1 FM KKFI. I’m Mark Manning. Erin Eades joins us to shares music from her debut album MONSTERS. Erin Eades sings the stories she finds hard to talk about. Her first full-length album collects songs written over the course of almost 15 years. Eades takes listeners through the ending of her marriage and the depth of emotions that came with it, addressing themes of accountability, infidelity, double standards, and the pendulum of heartache. Recorded in both Kansas City and Nashville, Erin worked with award-winning songwriter and producer Helena Hallberg (2026 Kerrville New Folk winner) to create raw storytelling, with supportive instrument-ation. Monsters includes seven original songs and one reimagined work, a cover of Mike Doughty’s “Down on the River By the Sugar Plant.” Raised in Appalachia, she’s found a home in the heartland in Kansas City and plans to tour in support of Monsters throughout the Midwest and Mid-Atlantic in 2027. More info at: www.erineadesmusic.com

Erin Eades thanks for being with us on Wednesday MidDay Medley

  1. Erin Eades – “Just Getting By”
    from: Monsters / Erin Eades / September 8, 20246
    [Erin Eades sings the stories she finds hard to talk about. Her sound harmonizes Americana and modern folk with 90’s alternative swagger while supporting lyrics that aren’t afraid to be authentic. Raised in Appalachia, she’s found a home in the heartland in Kansas City and plans to tour in support of Monsters throughout the Midwest and Mid-Atlantic in 2027.Erin Eades is an Americana singer-songwriter and solo acoustic performer from Kansas City, drawing influence from indie rock, alternative, and country music. Through her music, she weaves a narrative of resilience and transformation, inviting listeners to embrace the bittersweet complexities of the human experience. Erin frequently performs in Missouri and Kansas. More info at: www.erineadesmusic.com]

11:30 – Underwriting

11:30pm – Interview with Tim Miller, Mary Heather Carver & William T. Horner

iMark Manning writes, “One of my personal heroes is….internationally acclaimed performance artist, Tim Miller and film directors Mary Heather Carver & William T. Horner, who join us to share details about their new documentary film, TIM MILLER CITIZEN ARTIST Performing Stories to Change The Ending. The film explores the life and career of Tim Miller who, over his long career gave the first known performance onstage about HIV/AIDS, fought a free speech case all the way to the U.S. Supreme Court as one of the “NEA Four,” and started two groundbreaking performances spaces, one in New York and one in Los Angeles which continue to be hubs for creativity and change. He uses his creative work to fight for social change and human decency. A fierce defender of the First Amendment and an uncompromising figure for LGBTQ rights and the rights of marginalized people for more four decades, Tim Miller is an artist who performs to change the world for the better.

William T. Horner is Curators’ Distinguished Teaching Professor of Political Science at the University of Missouri in Columbia, Missouri. He has written, or co-written, multiple books.

William T. Horner is a director known for his work on the documentary “Keep the Cameras Rolling: The Pedro Zamora Way” and the podcast “The Atlanta Film Chat.” His contributions to film and media have garnered attention in various platforms, showcasing his storytelling abilities and insights into significant cultural topics.

M Heather Carver is a professor and department chair in the Department of Theatre at the University of Missouri. She is the co-director of the university’s Writing for Performance Program (2017 Gold Medallion winner from the Kennedy Center American College Theatre Festival). M Heather Carver hlds aB.S. Performance Studies, Honors, Certificate in Writing for the Media, Teaching Certification in Drama, English & Speech, Northwestern University, 1990, also M.A. Communication/Performance Studies Arizona State University, 1994, also Ph.D. Communication/Performance Studies University of Texas, 1999.

M Heather Carver began studying acting, musical theatre, clowning and improvisation at Camelot Academy and the Coterie Theatre in Kansas City. She continued her studies at Northwestern University, joining the improvisation group Rubber Teeth and performing on stage and in comedic films. At Northwestern she studied acting and devising with Tony-award winning directors Frank Galati and Mary Zimmerman. Carver had several favorite acting roles at NU, most memorable included Anna in the adaptation of Tolstoy’s Anna Karenina and Mrs. Penmark in Maxwell Anderson’s The Bad Seed. Carver also earned her Writing for the Media certificate, taking courses in playwriting from Charles Smith and screenwriter Julia Cameron. After earning her bachelor’s degree in Performance Studies in 1990, Carver began her Master’s Degree at Arizona State University where she studied applied theatre, devising, and social justice performance with Fred Corey and Kristin Valentine. Carver performed in plays addressing sexual violence and created a performance troupe on HIV/AIDS prevention. After earning her MA (1994), she continued her studies of personal narrative as a means of addressing health issues at the University of Texas where she earned her doctorate in Performance Studies (1999) with Lynn Miller as her dissertation advisor with research on women’s autobiographical performance and representation in cinema. While at Texas, Carver taught courses in acting, adaptation, and screenwriting—she also performed in Gertrude Stein’s “My Wife Has a Cow a Love Story” and directed performances such as Zooman and the Sign. In 1999, as an Assistant Theatre professor at Lake Superior State University, Carver taught courses in acting, improvisation, stage movement and oral interpretation. In Fall, 2000, she was hired by the University of Missouri where she has continued to teach acting, performance of literature, playwriting, screenwriting, solo performance, devising, and graduate seminars in applied theatre and performance studies. Since 2001 she has annually directed the Life and Literature in Performance Series, and she co-created and began directing the Troubling Violence Performance Troupe in 2003. She has written and co-written several books, articles and plays in addition to producing and co-directing award-winning documentary films. Carver has been honored by the Kennedy Center American College Theatre Festival and the National Communication Association for her performance work, and by campus organizations for her teaching, creative research, service, and mentorship. A Professor in the Department of Theatre & Performance Studies, she currently serves as Director of the Center for Applied Theatre and Drama Research.

Selected Publications
Co-editor, Voices Made Flesh: Performing Women’s Autobiography, University of Wisconsin Press, 2001.

Co-author, Troubling Violence: A Performance Project, University of Mississippi Press, 2009.

Co-author, Saturday Night and the 1976 Presidential Election: A New Voice Enters Campaign Politics, McFarland, 2018

TIM MILLER CITIZEN ARTIST all have its World Premiere, Saturday, September 19, at 12:15pm at AMC Ward Parkway Theatre as part of the 30 Annual Kansas City Film Fest.

Tim Miller, Heather Carver & William Horner, Thanks for being with us on WMM

Tim Miller is an internationally acclaimed performance artist and gay rights activist. Tim has performed in such venues as the Yale Repertory Theatre, the Institute of Contemporary Art in London, the Walker Art Center in Minneapolis, and the Brooklyn Academy of Music. He has sold out shows from London to DC to Australia to Los Angeles. He addresses issues of gender, immigration, homophobia, and censorship. As one of the “NEA Four,” who successfully sued the federal government for violating their First Amendment rights when their funding was rescinded in the early 1990s, Miller has always played an important role in defending queer artistic expression on stage. Tim is cofounder of the two most important performance spaces in the country: PS 122 now known as, Performance Space New York and Highways Performance Space in Santa Monica, California. Tim Miller’s autobiographical explorations into identity, politics, and art through the lens of his own experiences lead to visceral, humorous, and poignant performances. Tim Miller is the author of Shirts & Skin, Body Blows: Six Performances, and 1001 Beds: Performances, Essays, and Travels. Tim Miller’s newest book, A Body in the O, Performances and Stories was released last year from University of Wisconsin Press.

Mark Manning first met Tim Miller in 1992. He led performance art workshops for gay men in Kansas City. While Tim was in Kansas City to perform his piece “My Queer Body” at the Granada Theatre in Kansas City, Kansas. And was Grand Marshall in the Kansas Cit Gay Pride Parade.

For Mark, Tim Miller has been a teacher, and guide. In 1990 Mark wrote and performed his first performance piece, in an art space in Kansas City, about a “gay bashing.” Mark didn’t know where this fit in the world of theatre. Tim’s work, and sense of community helped Mark understand that he was part of something bigger. That the personal is political. Mark searched out opportunities to find Tim’s writings, to witness all of the “NEA Four artists” live on stage, and even ritualize the works by Karen Findley in our performances in Kansas City.

As one of the “NEA Four,” who successfully sued the federal government for violating their First Amendment rights when their funding was rescinded in the early 1990s. Tim has written a lot about the Supreme Court.

Tim Miller travels all over the world performing his works, teaching workshops, doing residencies in Colleges and Universities, often in smaller communities. Still he encounters audiences that have never heard a gay person tell their story, out loud, in a theatre or space.

Alistair McCartney Tim’s husband has brought their experiences with immigration, and marriage equality into Tim’s work.

And now Tim Miller’s work is being performed by high school students in state speech competitions. Tim Miller’s most recent book, A Body in the O, Performances and Stories was released from University of Wisconsin Press.

TIM MILLER CITIZEN ARTIST all have its World Premiere, Saturday, September 19, at 12:15pm at AMC Ward Parkway Theatre as part of the 30 Annual Kansas City Film Fest.

Tim Miller, Heather Carver & William Horner, Thanks for being with us on WMM

More info at: www.timmillerperformer.com

11:48

  1. Crys Matthews – “Citizen”
    from: “Citizen” – Single / Crys Matthews / April 24, 2026
    [A troubadour of truth, Nashville resident Crys Matthews is among the brightest stars of the new generation of social justice music-makers. An award-winning, prolific lyricist and composer, Matthews blends Country, Americana, Folk, Blues, and Bluegrass into a bold, complex performance steeped in traditional melodies punctuated by honest, original lyrics. She is made for these times. Justin Hiltner of Bluegrass Situation adds, her gift is a “reminder of what beauty can occur when we bridge those divides.” In her own words, Matthews says her mission is: to amplify the voices of the unheard, to shed light on the unseen, and to be a steadfast reminder that hope and love are the truest pathways to equity and justice. Matthews is the 2025 and 2022 Song of the Year winner at the International Folk Music Awards, making her the first person to win the award twice since its inception, and she is also the 2024 Artist of the Year winner.]
Screenshot
  1. The Freedom Affair – “Get My Share”
    from: The Freedom Affair / Sunflower Soul Records / May 9, 2025
    [Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]

[Shon Ruffin, Paula Saunders , and Seyko Groves of The Freedom Affair, also known as The Freedom Threedom are staring in ARETHA: The Music of Aretha Franklin opening tonight September 16 and and running through Sunday, September 20, at Music Theatre Heritage, in Crown Center Level 3, 2450 Grand KCMO.]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

For WMM, I’m Mark Manning. Thanks for listening!

Next week, on Wednesday, September 23, we’ll talk with Marilyn Maye, Michelle Shocked, Spike Hellis and Zachary Van Benthusen.

You can find our playlists at: www.wednesdaymiddaymedley.org & www.kkfi.org
www.facebook.com/WednesdayMidDayMedleyon90.1FM
www.instagram.wednesday_midday_medley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein-Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Office Manager Book Keeper – Shaina Littler.

THANK YOU to everyone who donated to KKFI’s Summer Fund Drive during WMM we had a total of 33 people donate a total of $3513.50. THANK YOU SO MUCH!

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1165

WMM Playlist from September 2, 2026

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 2, 2026

Ken Lovern & “Blind Boone The Musical” + Xavier Martin aka encode + Maddie Lai

  1. Various Artists – “Main Title Instrumental (It’s Showtime Folks)”
    from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
    [WMM’s theme]
  1. Charli XCX – “SS26″
    from: Music Fashion Film / Atlantic Recordings / July 24, 2026
    [Music, Fashion, Film is the eighth studio album by the British singer-songwriter Charli XCX, released on 24 July 2026 and distributed through Atlantic Records. A pop album, it features production by her longtime collaborators A. G. Cook and Finn Keane, who both co-wrote the album with Charli. // The album was preceded by the release of four singles, all of which have accompanying music videos; the lead single “Rock Music”, followed by “SS26”, “Wink Wink” and “Camera”. A film of the same name accompanies the album, which includes visuals for all 11 songs, as well as behind-the-scenes footage of the album’s creation. // Upon release, Music, Fashion, Film received acclaim from music critics, who praised its lyrical honesty and experimental production. It topped the charts in Australia, Belgium (Flanders), Hungary, New Zealand, Scotland, and the United Kingdom, while reaching the top ten in multiple countries including Austria, Germany, Ireland, Finland, the Netherlands, Sweden, Switzerland, and the United States. To further promote the album, Charli will embark on the eponymous fifth concert tour from September to October 2026. // Charlotte Emma Aitchison (/ˈeɪtʃɪsən/ AYTCH-ih-sən; born 2 August 1992), known professionally as Charli XCX, is a British singer, songwriter, and actress. She began posting songs on Myspace in 2008 before entering the London rave scene. Signing a recording contract with Asylum Records in 2010, Charli XCX released a series of singles and mixtapes in the early 2010s. In 2012, she co-wrote and was featured on Icona Pop’s “I Love It”, which became her first number-one song in the UK and received global success, but her debut album, True Romance (2013), failed to meet commercial expectations. // In 2014, Charli XCX was featured on Iggy Azalea’s single “Fancy”, which became her most streamed song and one of the year’s best-selling singles worldwide. The same year, she released “Boom Clap”, which became her first solo top-ten single in the US. Her second album, Sucker (2014), spawned the singles “Break the Rules” and “Doing It”. She began working alongside producers associated with the UK collective PC Music in 2015, developing a more experimental sound and image. She released the EP Vroom Vroom in 2016 and the mixtapes Number 1 Angel and Pop 2 in 2017. Her third album, Charli (2019), produced the hit single “1999” with Troye Sivan. Her fourth album, How I’m Feeling Now (2020), was made during the COVID-19 lockdowns and received critical acclaim. // Charli XCX’s fifth studio album, Crash (2022), became her first number-one album in the UK and Australia. She contributed the UK top-ten single “Speed Drive” as part of the soundtrack for the 2023 film Barbie. Her sixth album, Brat (2024), became her second UK number-one album and was named the best album of 2024 by various publications, such as Billboard and Rolling Stone. The album spawned the UK top-ten hit “Apple” and the remix album brought her second number-one song, “Guess” featuring Billie Eilish. Brat and its songs won three Grammy Awards: Best Dance Pop Recording for “Von Dutch”, Best Dance/Electronic Album, and Best Recording Package. The album sparked a cultural phenomenon dubbed Brat Summer, which served as an inspiration for Aidan Zamiri’s film The Moment (2026) that she co-produced and starred in. During this period, Charli XCX also began appearing in independent cinema, securing acting roles in the 2025 films Erupcja, Sacrifice, and 100 Nights of Hero, as well as the 2026 films I Want Your Sex and Faces of Death. Her seventh and eighth albums Wuthering Heights and Music, Fashion, Film were released in 2026; the former also served as the soundtrack to the film of the same name. // In addition to her solo work, Charli XCX has co-written songs for other artists, including Iggy Azalea’s “Beg for It” (2014), Selena Gomez’s “Same Old Love” (2015), Will.i.am’s “Boys & Girls” (2016), Blondie’s “Tonight” (2017), Shawn Mendes and Camila Cabello’s “Señorita” (2019), Sigala and Rita Ora’s “You for Me” (2021), and Katseye’s “Gabriela” (2025). She was awarded the ASCAP Global Impact Award in 2024 and featured on the 2024 Gold House’s most impactful Asian A100 list, making her the first woman of British Indian origin to be honoured.]

10:07 – Radio Premiere!!!

  1. Sara Bellum and the Brainwaves –”RayGun (Dance Punk)”
    from: “RayGun (Dance Punk)” – Single / Sara Bellum and the Brainwaves / September 9, 2026
    [Sara Bellum and the Brainwaves released their last single “Manic Pixie Dream Girl” on June 17, 2026. Sara Bellum and the Brainwaves are a 7-piece dance punk band based in Kansas City, Missouri. Their music combines danceable rhythms, rockin’ guitar riffs, and upbeat melodies paired with the uncommon instrument-ation of viola, keytar, and foley art. The band’s inception began in theatre school where lead vocalist Sara Bellum first met guitarist MC Burnie Beta, sound designer Theo Theta, and vocalist/keytarist Zesty Zeta. Although it took many years for the band to fully form, these friendships developed the ground-work of what the group would become. After meeting violist Gemma Gamma, drummer Delma Delta, and bassist Athen Alpha, the band was fully assembled in late 2024, began performing live in January 2025, and started record-ing in April 2025. After Athen Alpha left to attend college at the end of 2025, Brainwaves welcomed bassist / keys player Spencer Synapse into the group. Just as their name emphasizes the brain, much of the Brainwaves’ music and art focuses on mental health and healing. With the belief that mental health is just as important as physical health, they wish to build a loving community with their art.

[Sara Bellum & the Brainwaves play a release show Thur, Sept. 10, Sk8bar 209 Westport Rd, Westport]

  1. Monta At Odds – “When I’m Gone – The Republic Tigers Remix”
    from: Peaked – Alternative Takes and Remixes / The Record Machine / June 24, 2022
    [Dedric Moore announced a new team for Monta at Odds with Dedric is Kirsten Paludan, Nate Holt, and Patrick Buchanan (House of Transgression, Mousetrap). // For this track Monta At Odds created a new version of Teri Quinn’s song “When I’m Gone.” Then the band released a remix of their single “When I’m Gone” mixed by The Record Machine label mate Kenn Jankowski, lead singer, co-founder of The Republic Tigers. The remix featured Kenn’s voice singing with Teri’s voice. The collaboration led to Kenn joining Monta At Odds as a vocalist and synth player. And when Kenn played out as The Republic Tigers the members of Monta At Odds became The Republic Tigers. // PEAKED has remixes and alternative versions of Monta At Odds’ 2021 album, PEAK OF ETERNAL LIGHT released on July 23, 2021. // Monta At Odds was founded by brothers Dedric & Delaney Moore. The two played music together all their lives and have been exploring the Monta At Odds sound since the band’s debut in 2000. // In 2020 the band added acclaimed vocalists, guitarists, and songwriters Mikal Shapiro & Teri Quinn to the lineup. With their otherworldly vocal contributions, Monta At Odds continued to push their alternate reality into streamlined consciousness. With Lucas Behrens on guitar & synth and Matthew Heinrich on drums both rounds out the stellar lineup. On Dec. 18, 2020 Monta At Odds released A GREAT CONJUNCTION their 5-song EP released just in to coincide with the ‘double-planet’ convergence of Jupiter and Saturn on December 21 2020, which last occurred in 1226. These tunes form a soundtrack to the planetary event, five songs linked together by the vastness of space and as a meditation on our infinitesimal place in the universe. The EP featured Krystof Nemeth, Teri Quinn, Alexander Thomas, Dedric Moore & Matthew Heinrich. // In late 2020 Monta At Odds released the single “When Stars Grow Old.” // Monta At Odds released their 4-song EP Zen Diagram on May 1, 2020. The album was a more post-punk leaning follow-up to Argentum Dreams. Expect minimal rhythms set to maximum noise, shoegazed guitar signals, slo-mo psychedelic darkwave, endless dub echo, extended-cut warped disco.]

[The new line up of Monta At Odds play 3DEEP with Modeling, Bobcat Attack, and Korgtron on Saturday, September 5, at 7:00pm at recordBar, 1520 Grand, BLVD. KCMO.]

  1. Bobcat Attack – “Compression Socks”
    from: “Compression Socks”- Single / The Record Machine / Fall, 2026
    [Bobcat Attack released the single, “Birds Are Real. & They Haunt Me” on June 5, 2026; the single, “They Are Still Here” on May 1, 2026; the single “Rhinopasty” on Feb. 20, 2026 as part of the Bi-state Voltage Controllers Vol. 2 – a Compilation of multiple artists from the KC Synthesizer Collective. Bobcat Attack is part of The KC Synthesizer Collective a community centered around creativity & self-expression in the electronic music scene. The collective meets on the 1st and 3rd Tuesdays from 6:00pm to 10:00 pm at Stockyards Brewing Co. info at: www.kcsynthcollective.com. // Bobcat Attack released The Year of The Bobcat on Aug. 1, 2025. It was part of WMM’s 120 Best recordings of 2025. // Bobcat Attack released the single “Bird of Prey” on January 10, 2025; debut single , “Pallas,” on Sept. 20, 2024. //Bobcat Attack is the alter ego of Nathan Reusch who has a passion for blending dub, techno, and ambient electronica into his own improvised vision. His compositions, crafted with synthesizers, drum machines, and modular synths, create a pulsing soundscape that is both intimate and lush, setting him apart in the electronic music scene. // Reusch started making electronic music influenced by emo/punk in the early 2000s, opening for Taking Back Sunday, Mewihoutyou, Coheed & Cambria, Joy Electric, Atom & His Package, Casiotone for the Painfully Alone and Yacht. In 2003, he started his indie label, The Record Machine, and in 2011 founded KC’s Middle of the Map Fest; his time and focus on making his music came to a halt. The pandemic inspired Reusch to dust off his Bobcat Attack moniker and renewed his interest in making music. After a few months of trying to figure out patches and midi cables, he joined KC’s Synth Collective and found a group of similarly-minded electronic musicians. After playing and organizing with KC Synth Collective he is regained his footing. Bobcat Attack bridges the gap between ambient, dub-techno, and house music. The result is a rich textural environment of blooming melodies, entrancing techno beats, and vibrant ambient flooding forest soundscapes.]

[Bobcat Attack plays 3DEEP with Monta At Odds, Modeling, and Korgtron, Sat, Sept. 5, 7:00pm at recordBar, 1520 Grand, BLVD. KCMO.]

  1. Heath Church – “The Invitation”
    from: “The Invitation” – Single / Heath Church / June 26, 2026
    [Heath Church writes: “ I recorded “The Invitation” one evening on the bottom level of a parking garage. After recording take after take over for the course of several hours, I finally got the perfect take that didn’t include the sounds of cars driving past. I believe it was completely worth it. The naturally occurring reverb embelishes this single live take recording with an atmosphere that is ethereal, dreamy and larger-than-life. It is slated to be the very first track of my new album “Midwestern Heartbreak”. Enjoy.” On April 10, 2026 Heath Church released the single “Breathe Again.” On Dec. 19, 2025 Heath Church released the single”Huge Sale.” On Nov. 25, 2025 Heath Church released the single. “I’m Gonna Lay You Down (Max’s Song).” On Aug. 8, 2025 Heath Church released “Fire Exit Signs.” Heath Church is an American singer-songwriter from KC who primarily plays indie-folk music. He grew up in Blue Springs, Missouri and performs all over the metropolitan area. His style is inspired by Elliott Smith, John Prine, Rivers Cuomo, The Smiths. His songs include intimate vocals, poetic lyrics, and warm acoustic guitar tracks. His lyrics speak poetically about his own life, losses, struggles and intimate moments. Heath enjoys playing music in intimate venues and interacting with his audiences. In the last 4 years Heath has released four 5-song EPs, 16 singles. Info at: www.heathchurchmusic.com]

[Heath Church plays an Album Release show at Englewood Arts Center, on Saturday, October 3, 2026.]

  1. Kam Franklin – “Didn’t I (feat. Kevin Morby)”
    from: Land of The Neon Sun / Homegirl Island Records / August 28, 2026
    [Kamerra Jodale Franklin (born June 7, 1987), is known as Kam Franklin, is a Grammy Award-winning American singer-songwriter, performance artist, activist, writer and orator. She is known as the lead singer for the Houston soul group The Suffers. She began her career as a backing vocalist and dancer, and has toured with Jim James, Ruthie Foster, Margo Price, and the Very Best. // Franklin is known for her soulful mezzo-soprano vocals, as well as her collaborations with artists across many different genres, including Houston rappers Z-Ro and Fat Tony (rapper), Americana-rocker Matthew Logan Vasquez of Delta Spirit, famed drummers Chris Tsagakis of RX Bandits and The Sound of Animals Fighting, and her production mentor Jim Eno of Spoon. // Franklin was nominated for the 2008, 2009, and 2011 Houston Press Music Award for Best Female Vocalist. Franklin finally won the award in 2012, and again in 2014. Her band, The Suffers, took home The 2012 Houston Press music award for “Best New Act” and Bes Reggae / Ska / Dub. // Franklin won 2014 and 2015 Houston Press Music Award for Local Musician of the Year. // Franklin was featured in a national advertising campaign for ModCloth and has been featured in a BuzzFeed article on fashion for plus-sized women. // Franklin was in Houston when Hurricane Harvey hit in 2017 and gave an account of it to the Texas Monthly newspaper. // In 2018, Franklin released a single with the Tejano group La Mafia. // In 2022, she founded the Bayou City Comeback Chorus, a Houston-based collective supported by a grant from the Houston Arts Alliance. The project resulted in a four-song EP released on her Homegirl Island Records label. The Bayou City Comeback Chorus focuses on themes of healing, racial justice, and community resilience. // In 2023 Franklin released the single “Byrd and Shepard,” dedicated to the memory of James Byrd Jr. and Matthew Shepard. Proceeds from the release supported the Byrd Foundation for Racial Healing and the Matthew Shepard Foundation. // In June 2025, Franklin funded her debut solo album through Kickstarter, surpassing its USD 20,000 goal within 11 days. // In 2025 she contributed vocals to A Tribute to the King of Zydeco, a compilation album honoring Clifton Chenier, that won a Grammy for Best Regional Roots Music Album in 2026. // Her primary musical influences are drawn from soul, country, gospel, reggae & rock music.]
  1. Asher White – “The eagle is no omen”
    from: Love Aggregates / Joyful Noise Recordings / August 28, 2026
    [Asher White is an American multi-instrumentalist, producer, visual artist, and writer. // White studied sculpture at the Rhode Island School of Design. White began releasing albums on Bandcamp at the age of 14, and released her fifteenth album Home Constellation Study in 2024. Andy Cush of Pitchfork described the album as extraordinary in its eclecticism. // In 2024 she spoke with MIZU on the Talkhouse podcast on the occasion of Red Hot’s release of the compilation album Transa, on which she was featured. // In April 2025, White signed to the label Joyful Noise. Alongside the announcement, she released “Kratom Headache Girls Night”, a single for her forthcoming album. In May 2025, she performed at Gender Liberation Movement’s Liberation Weekend music festival with Ekko Astral, Speedy Ortiz, and others in Washington D.C. In September 2025, White released her sixteenth album 8 Tips for Full Catastrophe Living via Joyful Noise. // In February 2026, White released a cover album of Jessica Pratt’s self titled album. In March 2026, Rolling Stone named White one of their Future 25, which honors “what’s next around the world and across all genres.”]

10:29 – Underwriting

  1. Ken Lovern – “Quindaro (feat. Kadesh Flow)”
    from: Blind Boone the Musical / Free State Recordings / September 2, 2026.
    [Music & Lyrics by Ken Lovern. Additional lyrics by Kadesh Flow / Lead Vocal: Madisen Ward. Lead Vocal: Kadesh Flow. Harmony Vocals: Julia Haile, Madisen Ward, Kadesh Flow, Ken Lovern. Guitar: Terry Swope. Bass: Tyrone Clark. Drum Programming: Robert Rebeck. Drums: Zach Morrow. Bata drums &congas: Patrick Alonzo Conway. Ken Lovern played organ, Rhodes Electric Piano, Clavinet, Cowbell, Shaker, other percu-ssion: Ken Lovern. // “Blind Boone the Musical” a historical fantasy based on the Life and Times of John William “Blind” Boone. // This release is available in vinyl & CD. Both come with a comic book companion by The Gutter Studios, Constanza Osuna, Julia Diaz, & Katie Blancha. Info: blindboonethemusical.com.]

[Ken Lovern & Co. host a Record Release and Listening Event at YesWay Live, 1519 Oak St., KCMO on Tues, Sept. 29, 2026, at 7:30pm. Audiences will listen to the recording and discuss the story of Blind Boone, the behind the scenes of making the recording, and the Concert to come January 28-30, 2027]

10:35 – Interview with Ken Lovern

Ken Lovern, is a KC based composer and jazz organist, joins us to share music from his recent creation “Blind Boone the Musical” a historical fantasy based on the Life and Times of John William “Blind” Boone being released September 2, 2026. For “Blind Boone The Musical,” the music, lyrics, and story was by Ken Lovern, and additional lyrics by Kadesh Flow on “Quindaro” and “School for the Blind.” Guest vocals include: Madisen Ward, Julia Haile, Kadesh Flow, Alyson Cambridge, Jordan Smith, Lisa Henry, Willis White, Terry Swope, Robert Rebeck, and Ken Lovern. Terry Swope, Brian Baggett played guitar; Zach Morrow; Lester Estelle Jr., John Kizilarmut, Brian Steever, and Kenny Watson Jr. played drums; Tyrone Clark and Matt Kesler played bass; Stanton Kessler played trumpet; Patrick Alonzo Conway played Bata drums & congas; and Ken Lovern played organ, piano, clarinet, synthesizers, and percussion. The project also includes a comic book adaptation by The Gutter Studios, Constanza Osuna, Julia Diaz, and Katie Blancha.

Ken Lovern & Co. host a Record Release & Listening Event at YesWay Live, 1519 Oak St., KCMO on Tues, Sept. 29, at 7:30pm. Audiences will listen and discuss the story of Blind Boone, the making the recording, and the Concert to come January 28-30, 2027.

Ken Lovern, thanks for being with us on Wednesday MidDay Medley

A Musical Historical Fantasy by Ken Lovern – Music, Lyrics, and Story by Ken Lovern
Additional Lyrics by Kadesh Flow on Quindaro and School for the Blind. Based on the Life and Times of John William “Blind” Boone. More at blindboonethemusical.com

Vocals: Madisen Ward, Julia Haile, Kadesh Flow, Alyson Cambridge, Jordan Smith, Lisa Henry, Willis White, Terry Swope, Robert Rebeck, Ken Lovern
Guitars: Terry Swope, Brian Baggett (The Natural Order and Good Things)
Drums: Zach Morrow; Lester Estelle Jr., John Kizilarmut, Brian Steever, Kenny Watson Jr.
Bata Drums and Congas: Patrick Conway // Trumpet: Stanton Kessler
Bass: Tyrone Clark (Quindaro) Matt Kesler (The Natural Order and I’m Blind)
Organ, Piano, Electric Piano, Clavinet, Synths, Percussion: Ken Lovern;;;;;
Drum Programming on Quindaro and Let Boone Play by Robert Rebeck

Ken Lovern is a composer and jazz organist who has lived in the free state of Kansas his entire life. Even before graduating from the Conservatory of Music of the UMKC, Ken was playing gigs full time with legendary KC vocalist Ida McBeth. Ken was recognized by Keyboard Magazine as the “Unsigned Artist of the Month” for May 2006.

In Blind Boone the Musical, Ken has composed the music, lyrics, and story to create an historical musical fantasy about the life of Missouri’s’ ragtime pioneer, John William “Blind” Boone. Blind Boone struggled against and overcame racism as one of the first African American concert performers. This musical tells of his roots in a Union Army camp at the end of the Civil War and how a former Confederate General and town elder of Warrensburg helped arrange for Boone to be educated at a school for the blind.

Ken has been composing for musicals since he wrote the music for “Excuse Me, Are You a Dragon” for Stone Lion Puppets. Ken wrote the music for numerous Stone Lion shows including Frog Prints, Little Red Hen’s Garden, and The Lost Treasure.

For over 13 years Ken has played jazz organ with OJT at Green Lady Lounge 5 nights a week. A tragic fire at Green Lady Lounge has ended this run for tnow. For the last 3 years, Ken has helped record, mix, & curate “Live at Green Lady Lounge” a weekly hour long show on Kansas Public Radio that features groups that play at Green Lady Lounge.

Ken has been releasing jazz recordings on his Jazz Daddy Records label since the release of “Ken Lovern’s OJT” in 2005. Ken has started a new label, Free State Recordings, to release concept albums and historical musicals such as Blind Boone the Musical.

OJT: Ken Lovern -Hammond Organ, Brian Baggett – Guitar, & Kenny Watson Jr. – Drums. OJT builds on the classic organ jazz trio by mixing old school Kansas City jazz with blues and a modern funky groove. Ken Lovern on Hammond organ, Kenny Watson Jr. on drums, and Brian Baggett on guitar play equal parts in balanced arrangements with outstanding improvisations. OJT has been a band for more than 20 years and it shows. Kenny Watson Jr. has been with the group for just over two years, and he brings a fresh groove to the old school organ jazz jams.

Guitarist & composer Brian Baggett started playing jazz gigs in KC in 2000. Shortly thereafter in 2003, Brian teamed up with Ken Lovern & Kevin Frazee to form the original OJT. For years the group played clubs and festivals around Kansas City. In 2013, OJT started playing shows at Green Lady Lounge. Roughly a thousand gigs later the band is still playing Green Lady Lounge four nights a week. Brian also plays in Guitar Elation with Danny Embrey and fronts the Brian Baggett Trio on Mondays at Green Lady Lounge. Both groups have recorded live albums at the club and have done “in studio” performances for Kansas Public Radio. Before becoming a full time jazz musician, Brian worked for Supersonic Music, taught guitar at area universities, and spent five years making guitar videos for Musicians Friend and Guitar Center.

Kenny Watson Jr. is a highly skilled musician with over a decade of professional experience as a drummer, bassist, composer, and teacher. Kenny’s music is known for its energy and infectious positivity, always leaving audiences with a smile on their faces. Recently, Kenny was featured in KC’s JAM Magazine, cementing their status as a rising star in the music industry.

John William “Blind” Boone (May 17, 1864 – October 4, 1927) was an American pianist and composer of ragtime music.

Boone was born in a Federal militia camp near Miami, Missouri, May 17, 1864, to a contraband slave, Rachel, who used the surname, Boone, on the 1870 Federal Census. On John W. Boone’s 1927 Missouri Death Record, Rachel’s maiden name is said to be Carpenter. His father was a bugler in the 7th Missouri State Militia Cavalry (Union). At six months Boone fell ill to “brain fever” and to release the swelling of the brain a radical surgical procedure was performed, removing both of his eyes. This is how he became “blind” Boone. He grew up in Warrensburg, Missouri, where Camp Grover was the headquarters of the 7th MSM at the end of the Civil War.

Boone’s mother, Rachel Boone Hendricks (when she married Harrison Hendricks in 1871, she used the Boone surname), worried that her son would find life too difficult without some sort of education. Because of this, his hometown of Warrensburg decided to make sure that Boone received an education and paid for him to attend the Missouri School for the Blind where he played the piano for first time. After growing bored with his experience there (they tried to teach him to make brooms), Boone’s habitual rule breaking (sneaking off at night to listen to piano music at the local barrooms) got him expelled. He returned to Warrensburg where he began to wander, playing with local musicians. He was actually kidnapped for a time by a gambler and sometime showman, Mark Cromwell, until his step-father, Harrison Hendricks caught up with them in Mexico, Missouri. In 1879, Boone was “discovered” by Columbia, Missouri, contractor, John B. Lange, Jr., who put Boone on the road, as Blind John. Only meager financial success was attained until Boone was boarded for two months at the home of George Sampson in Iowa. Mrs. Sampson was an accomplished pianist herself and taught Boone how to properly play the great European masters. It is said she taught him not only their minds, but their hearts as well. Upon his return to Iowa, Lange found his young protege had acquired much new skill, and with the addition of a vocalist, began billing as the Blind Boone Concert Company. The Company worked hard, traveling from town to town on a whistle-stop like tour. They began to acquire fame and fortune, returning to Columbia in 1887 with a large sum of money to deposit in their bank account. By the new century, they were among the most popular acts in the country, playing 300-plus dates annually. John Lange died in Kansas City in 1916. In 1889, Boone had married John Lange’s daughter, Eugenia Lange. Boone continued on, touring the eastern US in 1919, spending an entire month in New York city. Upon announcing his retirement from touring in 1924, Boone was described by a Kansas City newspaper as having, “combined talent with hard work to make life worth living.” Due to financial difficulties brought on by a less than adequate manager, Boone continued to play concerts until the spring of 1927. He died of acute dilation of the heart on October 4, 1927, in Warrensburg. He was buried at the Columbia Cemetery. “Blind Boone, His Early Life and Achievements,” Mrs. Melissa Fuell-Cuther, B.S.D., Evangel Pub. Society, Robbins, Tennessee, 1918.

Boone played thousands of concerts in the U.S. and Canada. After becoming one of the first black artists recorded by the QRS piano roll company in 1912, he played 11 selections while a machine punched the notes on the roll. Boone’s ability to play many notes rapidly made it difficult to record him accurately. His best-known composition, “The Marshfield Tornado”, was never recorded or written down because it was too complex. Between Jan. 18, 1880 (his first concert) and 1913 John William Boone had given 7,200 concerts, traveled 144,000 miles (sometimes traveling 20 miles a day) slept in around 7,000 beds, and given $180,000 to charities, churches, halls, opera houses, etc. The original Blind Boone Concert Company consisted of Boone, John Lange, Stella May, Ruth Lange, and Eugenia Boone.

Boone married Eugenia Lange in 1889. Lange traveled with Boone and would read to him and help him learn geography. “With his excellent memory, he recalled all the railroad routes he had taken when young and the many places he had traveled”.

Due to Boone’s disability, he identified colors by feel. He called it “seeing with my mind”.

The home of Blind Boone still exists in Columbia, Missouri. In 2000, the City of Columbia purchased the home and it is currently undergoing restoration. The home is listed on the National Register of Historic Places.

Boone’s 1891 custom-made Chickering piano has been completely refurbished and was gifted to the Boone County Historical Society’s Museum. The 9 ft., oak grand piano is curated by the historical society and is on display to the public during the museum’s open hours. The piano is also brought to life several times each year as the featured attraction of a concert series held in the gallery where the piano resides.

There is also a park in Warrensburg, MO called “Blind Boone Park,” wmade in the 1950s.

The John William Boone Heritage Foundation was founded to preserve the history of Blind Boone and to elaborate the important role Missouri played in the development of Ragtime and early Jazz music.

10:44

  1. Ken Lovern – “Rachel’s Song (feat. Julia Haile & Rober Rebeck)”
    from: Blind Boone the Musical / Free State Recordings / September 2, 2026.
    [Music and Lyrics by Ken Lovern. Lead Vocal: Julia Haile. Lead Vocal: Robert Rebeck. Guitar: Terry Swope. Drums: Zach Morrow. Organ, Rhodes, Electric Piano, Clavinet, Synth Bass: Ken Lovern. // “Blind Boone the Musical” a historical fantasy based on the Life and Times of John William “Blind” Boone. // This unique release is available in vinyl and CD format. Both come with a comic book companion by The Gutter Studios, Constanza Osuna, Julia Diaz, and Katie Blancha. More info at: www.blindboonethemusical.com.]

[Ken Lovern & Co. host a Record Release and Listening Event at YesWay Live, 1519 Oak St., KCMO on Tues, Sept. 29, 2026, at 7:30pm. Audiences will listen to the recording and discuss the story of Blind Boone, the behind the scenes of making the recording, and the Concert to come January 28-30, 2027]

10:46 – Interview with Ken Lovern

Ken Lovern, a KC based composer and jazz organist, joins us to share music from his recent creation “Blind Boone the Musical” a historical fantasy based on the Life and Times of John William “Blind” Boone being released September 2, 2026. For “Blind Boone The Musical,” the music, lyrics, and story was by Ken Lovern, and additional lyrics by Kadesh Flow on “Quindaro” and “School for the Blind.” Guest vocals include: Madisen Ward, Julia Haile, Kadesh Flow, Alyson Cambridge, Jordan Smith, Lisa Henry, Willis White, Terry Swope, Robert Rebeck, and Ken Lovern. Terry Swope, Brian Baggett played guitar; Zach Morrow; Lester Estelle Jr., John Kizilarmut, Brian Steever, and Kenny Watson Jr. played drums; Tyrone Clark and Matt Kesler played bass; Stanton Kessler played trumpet; Patrick Alonzo Conway played Bata drums & congas; and Ken Lovern played organ, piano, clarinet, synthesizers, and percussion. The project also includes a comic book adaptation by The Gutter Studios, Constanza Osuna, Julia Diaz, and Katie Blancha. More

Ken Lovern & Co. host a Record Release and Listening Event at YesWay Live, 1519 Oak St., KCMO on Tuesday, September 29, 2026, at 7:30pm. Audiences will listen to the recording and discuss the story of Blind Boone, the behind the scenes of making the recording, and the Concert to come January 28-30, 2027.

Ken Lovern, thanks for being with us on Wednesday MidDay Medley

A Musical Historical Fantasy by Ken Lovern – Music, Lyrics, and Story by Ken Lovern
Additional Lyrics by Kadesh Flow on Quindaro and School for the Blind

Based on the Life and Times of John William “Blind” Boone

You can hear all of the music and learn more at blindboonethemusical.com

Vocals: Madisen Ward, Julia Haile, Kadesh Flow, Alyson Cambridge, Jordan Smith, Lisa Henry, Willis White, Terry Swope, Robert Rebeck, Ken Lovern

Guitars: Terry Swope, Brian Baggett (The Natural Order and Good Things)
Drums: Zach Morrow; Lester Estelle Jr., John Kizilarmut, Brian Steever, Kenny Watson Jr.
Bata Drums and Congas: Patrick Conway
Bass: Tyrone Clark (Quindaro) Matt Kesler (The Natural Order and I’m Blind)
Organ, Piano, Electric Piano, Clavinet, Synths, Percussion: Ken Lovern
Trumpet: Stanton Kessler
Drum Programming on Quindaro and Let Boone Play by Robert Rebeck

Record and CD Cover Design and Layout by Tim Huggins

The Boone Theater on the corner of East 18th Street and Highland Avenue, was first constructed in 1924 as a mixed-use commercial and theater building.

The theater went through several name changes over the years. Initially called the Rialto Theater, it was renamed the New State Theater by 1929, and then the Boone Theater by 1930. Its second name change was in memory of concert pianist John William “Blind” Boone, one of Missouri’s earliest and most influential Black ragtime pianists and composers, who died in 1927. In the mid-1940s, the theater and one of the storefronts became the Scott Theatre-Restaurant.

The building was also home to several local businesses in the 1920s-40s, including beauty parlors, barbers, a real estate office, women’s clothing stores, a physician’s office, a dentist’s office, a market, a music teacher’s office, and a record store. The Musicians Protective Union Local 627 also operated out of the building in the late 1920s. In the 1940s, while the Scott Theatre-Restaurant was in business, a portion of the building was a hotel.

In 1949, the building was converted into an armory for the National Guard 242nd Engineer Battalion. Not much is presently known about the 242nd, but it was established in 1949 and appears to have been an all-Black or majority-Black battalion. Its members may have been the first Black troops accepted into the Missouri National Guard. After the 242nd left the building in 1962, it served as an armory for the 104 Replacement Battalion, then the 146th Engineers Battalion, and finally the 1140th Military Police Company, which left the building in 1971. The building has been vacant since then.

The Boone Theater building is a contributing resource to the 18th and Vine National Register Historic District, whose period of significance spans from 1886 to 1941. This period begins with the construction of the earliest extant building in the district at the time of nomination (1991) to the arbitrary 50-year cutoff. Therefore, in accordance with the district’s listing, the period of significance for the Boone Theater building itself spans from its original construction in 1924 to 1941.

Features and finishes from this period are considered historic, even if they are not original. SHPO/NPS will consider their significance to the property and whether they are character-defining elements and to what degree they are impacted by proposed changes. This period of significance is relatively brief in relation to the history of the Boone Theater building. It does not cover the years during which the Scott Theater-Restaurant inhabited the building, nor the 20 year period during which the building served as an armory, which are objective-ly significant periods of the building’s use. Because the changes made in 1949 when the building was converted to an armory fall outside of the current period of significance, those changes are considered non-historic. This means that they may be removed/reversed, if desired. However, because the armory was a significant use of the building and given that it played an important role in Black military history, it may be worth considering electing to keep some changes to preserve and tell the story of that era of the building’s history.

Boone Theater is a rectangular CMU building clad with brick and stucco. The exterior has elements of the Spanish Colonial Revival architectural style, while the interior of the auditorium has Classical Revival detailing. The north portion (front) of the building is divided into three stories and originally housed the theater entrance, commercial storefronts, and offices, while the theater auditorium and back of house area in the rear span the full height of the building. Situated on a corner in a dense urban setting, the building has principal elevations on the north and west sides, and it sits flush with the sidewalks. – (This article was sourced by: Rachel Alison, Rosin Preservation)

“Blind Boone the Musical” a historical fantasy based on the Life and Times of John William “Blind” Boone being released September 2, 2026. For “Blind Boone The Musical,” the music, lyrics, and story was by Ken Lovern, and additional lyrics by Kadesh Flow on “Quindaro” and “School for the Blind.” Guest vocals include: Madisen Ward, Julia Haile, Kadesh Flow, Alyson Cambridge, Jordan Smith, Lisa Henry, Willis White, Terry Swope, Robert Rebeck, and Ken Lovern. Terry Swope, Brian Baggett played guitar; Zach Morrow; Lester Estelle Jr., John Kizilarmut, Brian Steever, and Kenny Watson Jr. played drums; Tyrone Clark and Matt Kesler played bass; Stanton Kessler played trumpet; Patrick Alonzo Conway played Bata drums & congas; and Ken Lovern played organ, piano, clarinet, synthesizers, and percussion.

Ken Lovern & Co. host a Record Release and Listening Event at YesWay Live, 1519 Oak St., KCMO on Tuesday, September 29, 2026, at 7:30pm. Audiences will listen to the recording and discuss the story of Blind Boone, the behind the scenes of making the recording, and the Concert to come January 28-30, 2027.

Ken Lovern, thanks for being with us on Wednesday MidDay Medley

A Musical Historical Fantasy by Ken Lovern – Music, Lyrics, and Story by Ken Lovern
Additional Lyrics by Kadesh Flow on Quindaro and School for the Blind. Based on the Life and Times of John William “Blind” Boone. More at blindboonethemusical.com

10:56

  1. Ken Lovern – “Good Things (Feat. Lisa Henry)”
    from: Blind Boone the Musical / Free State Recordings / September 2, 2026.
    [Music and Lyrics by Ken Lovern. Lead Vocal: Lisa Henry. Guitar: Brian Baggett. Drums: Kenny Watson Jr. Shakers: Robert Rebeck. Organ, Clavinet: Ken Lovern. // “Blind Boone the Musical” a historical fantasy based on the Life and Times of John William “Blind” Boone. // This unique release is available in vinyl and CD format. Both come with a comic book companion by The Gutter Studios, Constanza Osuna, Julia Diaz, and Katie Blancha. More info at: www.blindboonethemusical.com.]

[Ken Lovern & Co. host a Record Release and Listening Event at YesWay Live, 1519 Oak St., KCMO on Tues, Sept. 29, 2026, at 7:30pm. Audiences will listen to the recording and discuss the story of Blind Boone, the behind the scenes of making the recording, and the Concert to come January 28-30, 2027]

11:00 – Station ID – Music Premiere

  1. encode – “Ghosts (feat. Lava Dreams)”
    from: Wha+arewe / encode/ September 10, 2024
    [Produced by encode (Xavier Martin). Written by encode. Vocals: Lava Dreams. Recording Engineer: Ernest Douglas & Mark Theis. Katie Higgins Mastering Engineer. encode is a KC based musician with a foundational orchestral background supporting an independent Pop/R&B production. Their composing and performing experience in the KC music community had historically been through the band The Black Creatures. // Xavier Martin, one half of The Black Creatures with Jade Green, created music from 2013 to 2022. Their albums: WILD ECHOES and BY THY HAND (Center Cut Records) were both named album of the year by The Pitch. The Black Creatures were the recipients of the Charlotte Street Foundation 2022 Generative Performing Artist Award and they collaborated with Owen Cox Dance Group and Director & Choreographer Christian A. Warner for, WHAT CAME WITH SPRING at Union Station. As was their plan from the very beginning, after nine years The Black Creatures went on hiatus. // Since the band’s hiatus, encode took to developing a sound all their own. // Delivered through a mix of genres, encode’s freshman album, wha+arewe, examines relationship dynamics and the grief, hardships, lust, infatuation, love, service and questions that come with them. To best imbue and embody the theming, encode enlisted the support of KC artists to feature on every track. // Featuring: Lava Dreams, Victoria Leigh Hambrick-Cable of the band VCMN, Effie, Manny Cable, Brook Worlledge, Stephanie Leigh of Boxknife. // Planet Bozo Album Cover Artist. Special Thanks: Nicole Martin and Ivy Spellman] //

Track Listing:

  1. Ghosts (feat. Lava Dreams)
  2. Wildin’ (feat. Victoria Leigh Hambrick-Cable of the band VCMN)
  3. Cherry Pits (feat. Effie)
  4. Right Now (feat. Victoria Leigh Hambrick-Cable of the band VCMN)
  5. Mixtape (feat. Manny Cable of the band VCMN, Brook Worlledge, Stephanie Leigh of Boxknife
  6. Moth To A Flame (feat. Victoria Leigh Hambrick-Cable of the band VCMN)
  7. Relief (feat. Victoria Leigh Hambrick-Cable of the band VCMN)
  8. wha+arewe (feat. Effie)

11:04 – Interview with Xavier Martin aka encode.

Xavier Martin a KC based musician with a foundational orchestral background supporting independent Pop/R&B production. Xavier Martin records and performs as encode. encode’s composing and performing experience in the KC Music Community had historically been through the band, The Black Creatures.

Xavier Martin, one half of The Black Creatures with Jade Green, created music from 2013 to 2022. Their albums: WILD ECHOES and BY THY HAND (Center Cut Records) were both named album of the year by The Pitch. The Black Creatures were the recipients of the Charlotte Street Foundation 2022 Generative Performing Artist Award and they collaborated with Owen Cox Dance Group and Director & Choreographer Christian A. Warner for, WHAT CAME WITH SPRING at Union Station. As was their plan from the very beginning, after nine years The Black Creatures went on hiatus.

Since the band’s hiatus, encode took to developing a sound all their own. Delivered through a mix of genres, encode’s freshman album, wha+arewe, examines relationship dynamics and the grief, hardships, lust, infatuation, love, service and questions that come with them.

Xavier Martin, thanks for being with us again on Wednesday MidDay Medley

The Black Creatures with Jade Green, have been one of the most played bands on this radio show. The Black Creatures created music from 2013 to 2022. Their albums: WILD ECHOES and BY THY HAND (Center Cut Records) were both named album of the year by The Pitch. No one else in Kansas City was making music like The Black Creatures

The Black Creatures were the recipients of the Charlotte Street Foundation 2022 Generative Performing Artist Award and they collaborated with Owen Cox Dance Group and Director & Choreographer Christian A. Warner for, WHAT CAME WITH SPRING at Union Station.

As was their plan from the beginning, after 9 years The Black Creatures went on hiatus.

encode enlisted the support of several amazing KC vocalists for every track, including: Lava Dreams, Effie, Victoria Leigh Hambrick-Cable, Manny Cable, Brook Worlledge, and Stephanie Leigh.

encode’s wha+arewe, will be streaming everywhere on September 10, 2026.

Produced by encode (Xavier Martin). Written by encode.
Recording Engineer: Ernest Douglas & Mark Theis. Katie Higgins Mastering Engineer.

encode is a KC based musician with a foundational orchestral background supporting an independent Pop/R&B production. Their composing and performing experience in the KC music community had historically been through the band The Black Creatures. Since tha band’s hiatus, encode took to developing a sound all their own. // Delivered through a mix of genres, encode’s freshman album, wha+arewe, examines relationship dynamics and the grief, hardships, lust, infatuation, love, service and questions that come with them.

To best imbue and embody the theming, encode enlisted the support of KC artists to feature on every track. // Featuring: Lava Dreams, Victoria Leigh Hambrick-Cable of the band VCMN, Effie, Manny Cable, Brook Worlledge, Stephanie Leigh of Boxknife.

Planet Bozo Album Cover Artist. Special Thanks: Nicole Martin and Ivy Spellman

Track Listing:

  1. Ghosts (feat. Lava Dreams)
  2. Wildin’ (feat. Victoria Leigh Hambrick-Cable of the band VCMN)
  3. Cherry Pits feat. Effie
  4. Right Now (feat. Victoria Leigh Hambrick-Cable of the band VCMN)
  5. Mixtape (feat. Manny Cable of VCMN), (Brook Worlledge, Stephanie Leigh of Boxknife)
  6. Moth To A Flame (feat. Victoria Leigh Hambrick-Cable of the band VCMN)
  7. Relief (feat. Victoria Leigh Hambrick-Cable of the band VCMN)
  8. wha+arewe feat. Effie

encode’s wha+arewe, will be streaming everywhere on September 10, 2026.

Xavier Martin a KC based musician with a foundational orchestral background supporting independent Pop/R&B production. Xavier Martin records and performs as encode. encode’s composing and performing experience in the KC Music Community had historically been through the band, The Black Creatures. Since the band’s hiatus, encode took to developing a sound all their own. Delivered through a mix of genres, encode’s freshman album, wha+arewe, examines relationship dynamics and the grief, hardships, lust, infatuation, love, service and questions that come with them.

Xavier Martin, thanks for being with us again on Wednesday MidDay Medley

11:24

  1. encode – “Cherry Pits (feat. Effie)”
    from: Wha+arewe / encode/ September 10, 2024
    [Produced by encode (Xavier Martin). Written by encode. Vocals: Lava Dreams. Recording Engineer: Ernest Douglas & Mark Theis. Katie Higgins Mastering Engineer. encode is a KC based musician with a foundational orchestral background supporting an independent Pop/R&B production. Their composing and performing experience in the KC music community had historically been through the band The Black Creatures. // Xavier Martin, one half of The Black Creatures with Jade Green, created music from 2013 to 2022. Their albums: WILD ECHOES and BY THY HAND (Center Cut Records) were both named album of the year by The Pitch. The Black Creatures were the recipients of the Charlotte Street Foundation 2022 Generative Performing Artist Award and they collaborated with Owen Cox Dance Group and Director & Choreographer Christian A. Warner for, WHAT CAME WITH SPRING at Union Station. As was their plan from the very beginning, after nine years The Black Creatures went on hiatus. // Since the band’s hiatus, encode took to developing a sound all their own. // Delivered through a mix of genres, encode’s freshman album, wha+arewe, examines relationship dynamics and the grief, hardships, lust, infatuation, love, service and questions that come with them. To best imbue and embody the theming, encode enlisted the support of KC artists to feature on every track. // Featuring: Lava Dreams, Victoria Leigh Hambrick-Cable of the band VCMN, Effie, Manny Cable, Brook Worlledge, Stephanie Leigh of Boxknife. // Planet Bozo Album Cover Artist. Special Thanks: Nicole Martin and Ivy Spellman] //

Track Listing:

  1. Ghosts (feat. Lava Dreams)
  2. Wildin’ (feat. Victoria Leigh Hambrick-Cable of the band VCMN)
  3. Cherry Pits feat. Effie
  4. Right Now (feat. Victoria Leigh Hambrick-Cable of the band VCMN)
  5. Mixtape (feat. Manny Cable of VCMN), Brook Worlledge, Stephanie Leigh of Boxknife
  6. Moth To A Flame (feat. Victoria Leigh Hambrick-Cable of the band VCMN)
  7. Relief (feat. Victoria Leigh Hambrick-Cable of the band VCMN)
  8. wha+arewe feat. Effie

11:28 – Underwriting

11:30 – Interview with Maddie Lai

Maddie Lai is an indie-folk artist with a knack for emotional yet understated songwriting. Maddie has been playing out for four years but really started playing proper shows in 2025 across Kansas City and Lawrence, including recent shows at The Rino, Knuckleheads, Replay Lounge, and MidCoast LIVE! on 90.1 FM KKFI. Although occasionally joined by friends, Maddie most often plays solo. She welcomes the challenge of connecting with audiences with only her voice and an acoustic guitar. Maddie came up through Art As Mentorship, Her grand Parents were musicians. Her grandmother was a soprano vocalist and her grandfather was a player of the bass trombone. She grew up in Overland Park, Kansas,

Maddie Lai plays the 22nd Annual Crossroads Music Festival, Saturday, September 12 Noon to 1:00am in the Historic West Bottoms of Kansas City. www.cmfkc.com

Maddie Plays Community Roots at Big Dudes, 3817 Broadway Blvd. KCMO on Saturday, September 26, at 1:00.

Maddie Lai plays The RINO, 313 Armour Rd, NKC on Sat. Nov. 14, at 7:00pm for the Land Lion “Hymns for End Times” anniversary show.

Maddie Lai, thanks for being with us on WMM.

11:33 – Maddie Lai – LIVE

  1. Maddie Lai – “Mainstreet” (LIVE) 
[This song was a co-write with Jack Summers and Jackson Wolfe]

11:37 – More Interview with Maddie Lai

Maddie Lai is an indie-folk artist with a knack for emotional yet understated songwriting. Maddie has been playing out for four years but really started playing proper shows after being part of Art As Mentoship. In 2025 she performed across Kansas City and Lawrence, including recent shows at The Rino, Knuckleheads, Replay Lounge, and MidCoast LIVE! on 90.1 FM KKFI. Although occasionally joined by friends, Maddie most often plays solo. She welcomes the challenge of connecting with audiences with only her voice and an acoustic guitar.

Maddie Lai plays the 22nd Annual Crossroads Music Festival, Saturday, September 12 Noon to 1:00am in the Historic West Bottoms of Kansas City. More information at www.cmfkc.com

Maddie Plays Community Roots at Big Dudes, 3817 Broadway Blvd. KCMO on Saturday, September 26, at 1:00.

Maddie Lai plays The RINO, 313 Armour Road, North Kansas City on Saturday November 14, at 7:00pm for the Land Lion “Hymns for End Times” anniversary show.

Maddie Lai, thanks for being with us on WMM.

11:40 – Maddie Lai – LIVE!!

  1. Maddie Lai – “Runaway Train” (LIVE)

11:44 – Interview with Maddie Lai

Maddie Lai is an indie-folk artist with a knack for emotional yet understated songwriting. Maddie has been playing out for four years but really started playing proper shows in 2025 across Kansas City and Lawrence, including recent shows at The Rino, Knuckleheads, Replay Lounge, and MidCoast LIVE! on 90.1 FM KKFI. Although occasionally joined by friends, Maddie most often plays solo. She welcomes the challenge of connecting with audiences with only her voice and an acoustic guitar.

Maddie Lai, thanks for being with us on WMM.

11:47 – Maddie Lai – LIVE!

  1. Maddie Lai – “Lost On You” (LIVE)

Maddie Lai, thanks for being with us on WMM.

Maddie Lai plays the 22nd Annual Crossroads Music Festival, Saturday, September 12 Noon to 1:00am in the Historic West Bottoms of Kansas City. More information at www.cmfkc.com

Maddie Plays Community Roots at Big Dudes, 3817 Broadway Blvd. KCMO on Saturday, September 26, at 1:00.

Maddie Lai plays The RINO, 313 Armour Road, North Kansas City on Saturday November 14, at 7:00pm for the Land Lion “Hymns for End Times” anniversary show.

For WMM, I’m Mark Manning. Thanks for listening!

11:53

  1. Maddie Lai – “Target”
    from: “Target” – Demo Single / Maddie Lai / May 13, 2026
    [Maddie Lai – Vocals & Guitar, Written and Recorded by Maddie Lai for the Wednesday MidDay Medley. Maddie Lai played Night Six of Manor Fest 8 on Thursday, May 28 at 5:00 at PH Coffee, 2200 Lexington Ave,, KCMO with Henry Scamurra & Jacob E. Chord Grüp]

[Maddie Lai plays the 22nd Annual Crossroads Music Festival, Saturday, September 12 Noon to 1:00am in the Historic West Bottoms of Kansas City. More info at www.cmfkc.com ]

[Maddie Plays Community Roots at Big Dudes, 3817 Broadway Blvd. KCMO on Sat, Sept. 26, at 1:00.]

[Maddie Lai plays The RINO, 313 Armour Road, North Kansas City on Saturday November 14, at 7:00pm for the Land Lion “Hymns for End Times” anniversary show. ]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, September 9 – Bill Sundahl returns to WMM for the 22nd year in a row, to share all of the details about the 22nd Annual Crossroads Music Fest, Saturday, September 12, Noon to 1:00am in the Historic West Bottoms of Kansas City.

You can find our playlists at: www.wednesdaymiddaymedley.org & www.kkfi.org
www.facebook.com/WednesdayMidDayMedleyon90.1FM
www.instagram.wednesday_midday_medley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein-Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Office Manager Book Keeper – Shaina Littler.

THANK YOU to everyone who donated to KKFI’s Summer Fund Drive during WMM we had a total of 33 people donate a total of $3513.50. THANK YOU SO MUCH!

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1163

WMM Playlist from August 19, 2026

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 19, 2026

Michael Tipton & Matthew Hayden + Stephen Roper of Hotel Leo + Austin Marks of oldnothing

  1. Various Artists – “Main Title Instrumental (It’s Showtime Folks)”
    from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
    [WMM’s theme]
  1. Meshell Ndegeocello & Cat Power – “Don’t You Want Me”
    from: Synonym / Blue Note – Verve / October 2, 2026
    [15th album from acclaimed GRAMMY-winning multi-instrumentalist, singer, and songwriter Meshell Ndegeocello. // This is Ndegeocello’s third Blue Note album, With Synonym, the acclaimed singer-bassist-producer reimagines and reconceptualizes a brilliantly curated collection of classic songs as duets with an astounding rollcall of special guests. Ndegeocello has shared the 2nd single “Don’t You Want Me” featuring Cat Power, an inventive cover of The Human League’s 80s synth-pop hit given a Reggae groove with horn embellishments and performed as a duet by two of the most distinctive song stylists of our time. // Synonym was introduced last month with the lead track “I Knew You Were Waiting (For Me),” an arresting take on the George Michael/Aretha Franklin duet sung by Ndegeocello and Cynthia Erivo. Other featured guests on the album include Chaka Khan, Brandi Carlile, Bill Callahan, Chris Thile, Madison Cunningham, Laura Lee (of Khruangbin), Lizz Wright, Emily King, Lianne La Havas, Moses Sumney, Destin Conrad, Nick Hakim, Robert Glasper, ANOHNI, WILLOW, Evann McIntosh, and Ink. // The album also notably marks a reunion with David Gamson, the producer of Ndegeocello’s first two classic albums – Plantation Lullabies (1993) and Peace Beyond Passion (1996) – who co-produced Synonym with Ndegeocello and Abe Rounds. A rotating cast of instrumentalists also anchors the music on the album, many of whom are Ndegeocello’s close artistic conspirators, including drummers Rounds and Deantoni Parks; guitarist Chris Bruce; keyboardists Jake Sherman, Jebin Bruni, and Larry Goldings; saxophonists Josh Johnson and Levon Henry; flutist Elena Pinderhughes, banjoist Bela Fleck; and others. // Exploring expressions of desire, care, heartbreak, friendship, disappointment, and love in all forms, the songs range from 1960s folk and 70s soul, country, and pop to 80s R&B and electro-boogie, early-90s alternative rock, and early-aughts hip-hop. “This project is about classic songs that are known and loved,” Ndegeocello says. “The songs have diverse tones, representing various genres and intentional grooves. But the album is also about joy, selfhood, individual representation, and universal experience.” // When asked about the album’s intriguing title, Ndegeocello first suggests that the word “just feels good on the mouth,” before expounding upon its true definition: a word or phrase that means the same thing as another word in the same language. “That’s how humans are,” Ndegeocello theorizes, “Regardless of our differences, deep down we essentially want the same things: healthy food and a safe place to live. We are all different. But at the core of the human condition, we are the same.” //

The tracklisting for Synonym is as follows:
I Knew You Were Waiting (For Me) with Cynthia Erivo
Don’t You Want Me with Cat Power
Don’t Stop The Music with Nick Hakim, Robert Glasper
Islands In The Stream with Chaka Khan
It Ain’t Me Babe with Madison Cunningham
Always on Time with Laura Lee
Be Real Black For Me with Emily King, Lizz Wright
Don’t Look Any Further with Lianne La Havas
The Closer I Get To You with Destin Conrad, Moses Sumney
Golden Ring with Brandi Carlile
I Got You Babe with ANOHNI
Here We Come (Here He Comes) with Evann McIntosh
Guilty with Ink
Hunger Strike with WILLOW
With God On Our Side with Bill Callahan, Chris Thile.

/ / On August 2, 2024 Meshell Ndegeocello released her acclaimed No More Water: The Gospel Of James Baldwin on Blue Note – Verve. A tribute album to African-American thinkers and writers, including namesake James Baldwin and Audre Lorde. The album was released on Baldwin’s Centennial: August 2, 2024. (from www.bluenote.com): The visionary work is at once a musical experience, a church service, a celebration, a testimonial, and a call to action. With No More Water, Ndegeocello embarks on a prophetic musical odyssey that transcends boundaries and genres, delving headfirst into race, sexuality, religion, and other recurring themes explored in Baldwin’s canon. Following 2023’s The Omnichord Real Book, her acclaimed Blue Note debut which won the inaugural GRAMMY Award for Best Alternative Jazz Album, the multi-instrumentalist, singer, songwriter, and producer renders an immersive and palpable document that is as sagacious, unabashed, and introspective as Baldwin was in life. // Co-produced by Ndegeocello and guitarist Chris Bruce, No More Water features some of the bassist’s frequent collaborators including Bruce, vocalist Justin Hicks, saxophonist (and Omnichord producer) Josh Johnson, keyboardist Jebin Bruni, and drummer Abe Rounds. Also appearing on various songs are vocalist Kenita-Miller Hicks, keyboardists Jake Sherman and Julius Rodriguez, and Executive Director of the NYCPS Arts Office and trumpeter Paul Thompson. The album also showcases powerful spoken word by venerated poet Staceyann Chin and Pulitzer Prize-winning author and critic Hilton Als. // Nearly a decade in the making, the album’s origins began in 2016 during a performance at The Harlem Stage Gatehouse as part of their annual showcase honoring Baldwin. Ndegeocello had delved into Baldwin’s work the year before, including the seminal nonfiction work The Fire Next Time, which she considers “life-changing” and carries with her as a “spiritual text.” Ndegeocello says, “It was just a revelation to me, and it softened my heart in so many ways.” // Meshell Ndegeocello released her Blue Note Records debut with The Omnichord Real Book, on June 16, 2023. // At The 2024 Grammy Awards, Meshell Ndegeocello won the first-ever GRAMMY for Best Alternative Jazz Album for The Omnichord Real Book. In her acceptance speech, the two-time GRAMMY winner and 12-time nominee thanked Don Was, the president of Blue Note Records, as well as other colleagues and loved ones — including her two sons. “I hope I haven’t forgotten anybody,” Ndegeocello graciously said at the end, and invoked an elder of the music: “Oliver Lake, this is for you.” // It was a visionary, expansive, and deeply jazz-influenced album that marks the start of a new chapter in her career. Following her 2018 album Ventriloquism, Meshell returns with an album of new original material that taps into a broad spectrum of her musical roots. The Omnichord Real Book was produced by Josh Johnson and features a wide range of guest artists including Jason Moran, Ambrose Akinmusire, Joel Ross, Jeff Parker, Brandee Younger, Julius Rodriguez, Mark Guiliana, Cory Henry, Joan As Police Woman, Thandiswa, and others. // Meshell Ndegeocello was born Michelle Lynn Johnson on August 29, 1968 in West Berlin, Germany, to US Army Sergeant Major and saxophonist father Jacques Johnson and health care worker mother Helen. She was raised in Washington, D.C. where she attended Duke Ellington School of the Arts and Oxon Hill High School. She is a singer-songwriter, rapper, and bassist. She has gone by the name Meshell Suhaila Bashir-Shakur which is used as a writing credit on some of her later work. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, being nominated for eleven Grammy Awards, and winning one. She also has been credited for helping to “spark the neo-soul movement”. // Ndegeocello adopted her surname, which she says means “free like a bird” in Swahili. Early pressings of Plantation Lullabies were affixed with stickers to help pronounce her name. The spelling has changed in the hands of record labels a few times during her career; the correct spelling of her stage name as of 2001 is Meshell Ndegeocello.]

Katy Guillen & The Drive
  1. Katy Guillen & The Drive – “Staying Awake”
    from: MAKE THAT SOUND / Are and Be Recordings / October 17, 2025
    [Katy Guillen & The Drive released the singles: “What If: on July 25, and “Outcome” on August 22, 2025) from the band’s upcoming album.// MAKE THAT SOUND was Produced by Megan McCormick, Engineered & Mixed by Brandon Bell with Annie Petrik, Mastered by Kim Rosen. Katy Guillen on vocals & guitar; Stephanie Williams on drums & percussion; Megan McCormick on bass, backing vocals, additional guitars & percussion; Erin Manning on Synthesizers; and Brandon Bell on Loops & programming. // Established in 2019, Katy Guillen & The Drive is an independent Indie Roots Rock band from Kansas City, Missouri, formed by partners Katy Guillen (Vocals, Guitar) and Stephanie Williams (Drums). The band’s 2022 debut album Another One Gained, produced by Kevin Ratterman (My Morning Jacket, Heartless Bastards), “hit the sweet spot with a mix of spiky garage rock and soulful country torch songs,” lauds Uncut Magazine. Under The Radar Magazine declares the duo “evokes a timeless indie rock sound” and displays “effortless instrumental chemistry that gives both members a chance to shine.” Following this release, the band unleashed Another One Gained Deluxe featuring ‘Batallas,’ a highly anticipated Spanish version of the fan-favorite ‘Battles,’ which spotlighted special guest Latin Grammy winner Mireya Ramos (Flor De Toloache) on violin and backing vocals. // Katy Guillen & The Drive prides itself on fostering empowered spaces for women in music both onstage and off, and performances showcase the group’s signature all-female powerhouse formation, technical prowess, and electrifying chemistry. This core value heavily influenced the band’s second full-length effort Make That Sound. Guillen admits, “Having never worked with a woman in the studio, that’s something we wanted to change on this record. We wanted more female energy, ideas, and power to influence this album.” With this goal in mind, the band was eventually led to Producer Megan McCormick (Allison Russell, Amythyst Kiah). As a result of their fast friendship and facile chemistry, the duo embraced their newfound creative trust in this relationship and ran with it. Within a matter of a few days, the three collaborated on everything from songwriting and arrangements to live tracking and overdubs, resulting in a liberated, emboldened, and nuanced new record. Williams shares, “The recording process was dense and fast. It required being totally present, trusting our initial instincts, and pushing into some uncharted territory at times.” Guillen speaks to the inspiration behind the songs and process, “In creating this album I felt particularly inspired by the countless strong and important women in my life, the love that I’ve grown with my partner, and the strength I’ve gained from digging inward through challenging times.” Make That Sound is a celebration of self-empowerment, liberation, vulnerability, honesty, and love. In addition to McCormick, the band was fortunate to work with engineers Brandon Bell (Brandi Carlile, Joni Mitchell) and Annie Petrik on tracking and mixing, as well as mastering engineer Kim Rosen (Bonnie Raitt, Allison Russell). The band will partner with Nashville-based indie label and artist collective Are & Be Recordings for the release.]

[Katy Guillen & The Drive play Light Up the Lawn Light Up the Lawn of the Nerman Museum of Contemporary for Art Midwest Trust Center at Johnson County Community College 12345 College Blvd, Overland Park, KS on Friday, August 21, at 8:00pm.]

Screenshot
  1. the eradicats – “I Ate a Sandwich”
    from: “I Ate a Sandwich” – Single / Celery Wolf Records / February 27, 2026
    [the eradicats released their singles, “Be My Baby” on August 15, 2025, “Smead” on July 18. 2025, “89 Batman” on May 13, 2025. the eradicats released their EP, best in show on October 2, 2024. Words by Kristi Who and Josh Thomas. Music by Josh Thomas, Chris Smead, Justin Brooks, and Kristi Who, Artwork by Kristi Who. // What if Pixies were funny? Black Francis specifically, Kim Deal is hilarious and the coolest person ever. What if They Might Be Giants grew up listening to punk? The eradicats answer these questions, and maybe even a few others, on their debut EP “Best in Show”.]

[the eradicats play Sound Bite at Warehouse on Broadway, 3951 Broadway BLVFD., KCMO, on Friday, August 21, 2026 , at 6:00pm, with The Touchdowns, and Headlight Rivals.]

  1. The Womack Sisters – “I Just Don’t Want You (To Say Goodbye)”
    from: The Womack Sisters / Daptone Records / August 14, 2026
    [The Womack Sisters: Kucha, Zeimani, and BG Womack, were singing before they could walk. The Sisters grew up on the road. Their schools were stages & studios all over the world, where they sang behind their parents, Zekkariyas & Zeriiya (fka Womack & Womack), alongside their four siblings. Nowhere was home for long. No matter where they lived they were always surrounded by music and family. // Their 2026 debut album,The Womack Sisters, is the musical culmination of the Sisters’ long and winding journey to find them-selves. Over an intensely soulful collection of tunes that harkens back to when pop music had substance, vibe and purpose, each of their distinct voices have their moments in the spotlight. // www. thewomacksisters.com.]
  1. Sara Swenson – “Your Town” [Video released April 7, 2026]
    from: TALLER / Sara Swenson / February, 28, 2026
    [Sara Swenson and more than 20 beloved KC singer-songwriters, instrumentalists, radio DJs and promoters sing “Your Town”. Includes live footage from Swenson’s performances at KC music venues – the Gospel Lounge at Knuckleheads, recordBar and Crossroads Music Fest at Stockyards Brewing Co. Sara Swenson has released some of our most played and favorite recordings of the last 7 years. Her self titled debut ended up at the top of our list of The 100 Best Recordings of 2009. In 2010 Sara Swenson released her second full length recording, “All Things Big and Small” again working with Don Chaffer in Nashville who added new layers to Sara’s great songs and voice. In November of 2011, Sara released her 5 song EP called “Never Left My Mind,” featuring her band at the time, The Pearl Snaps. In that time frame, she also had picked up two KC Singer-Songwriter of the Year awards, performed with Sarah McLachlan’s Lilith Fair, and placed a song on the season finale of ABC’s “Private Practice.” Then after the school year ended in 2012, Sara Swenson left her job as a High School English & Journalism Teacher in Platte County High School, and left KC, and she flew off to the United Kingdom, where she got married. In the spring of 2014, Sara returned and performed for the Folk Alliance International Conference. On July 18, 2014 she released her 4th album, RUNWAY LIGHTS that captures snapshots of her 18-month experience of living abroad, moving from dating to marriage and sorting through the accompanying transitions. Produced by Don Chaffer in Nashville. On March 26, 2021 Sara Swenson released, “I Wont Let You Feel Alone”a song from husband Michael Price’s film “The Hidden Pandemic” that premiered on KCPBS that also features Mark Lowrey’s piano. Info: saraswenson.com.]

[Sara Swenson plays Greenwood Social Hall at 1750 Belleview Ave. KCMO on Fri., Aug. 21, at 8:00pm]

  1. The Elders – “Next To You Love”
    from: The Spirits and The Sea – EP / The Elders / August 7, 2026
    [Ian Byrne on vocals & percussion, Norm Dahlor on vocals, bass, guitar, banjo; Kian Byrne on vocals, drums, bass, mandolin; Bill “Liam” Latas on guitar, Brent Hoad – vocals, keyboards, fiddle, guitar; Dan “Danko” Loftus on keyboard, Shannon O’Shea on violin. // The Elders formed in 1998 with a passion for music rooted in Americana & Celtic folk rock. From the beginning The Elders seemed to be channeling something ancient and enduring, unaffected by fads, trends and the giant maw of mind-numbing commercialism. The Elders remain one of the top Celtic-rock bands in the U.S. after more than two decades because of their timeless sound. Their fans feel connected to the band because of their passion, great melodies, unique harmonies, unparalleled musicianship and strong song-writing. And that songwriting began in 1998 when two musicians moved back from Los Angeles to KC to play Irish music. Norm Dahlor & Brent Hoad, played in numerous bands but their American and Celtic-folk rock roots were calling and The Elders were born. // Their ability to bring together the art of story telling with elements both musically progressive and rooted in tradition, has won them a broad international fan base, as well as critical acclaim ifrom: PASTE Magazine, Folk & Acoustic Music Exchange, Music Row Magazine, Goldmine Magazine, TRAD Magazine, Chicago Sun-Times, Kansas City Star and more. Their 8th studio album, TRUE, builds upon The Elders’ song-writing reputation. The songs feature story lines with vibrant narratives that explore history, legends, tall tales & true-life experience. www.eldersmusic.com

[The Elders play Knuckleheads, 2715 Rochester Ave. KCMO on Fri., Aug. 21, at 8:00pm]

The Elders Discography
2000 CD – “The Elders”
2002 CD – “Pass it on Down”
2004 CD – “American Wake”
2005 DVD/CD – “Live at the Gem Theater” (Live)
2006 CD – “Racing the Tide”
2007 DVD/CD – “Alive & Live in Ireland” (Live)
2009 CD – “Gael Day”
2010 CD – “The Best of The Elders”
2011 CD – “Wandering Life & Times”
2012 DVD/CD – “The Elders Hoolie” (Live)
2014 DVD – “Live at The Uptown Theater”
2014 CD “Story Road”
2017 CD “True”
2022 CD “Well Alright Then”
2026 EP – The Spirits and The Sea

Filmography
“Live at the Gem” (2005)
“Alive and Live In Ireland” (2007)
“American Music: OFF THE RECORD” (2008)
“The Elders: Hoolie” (2012)
“Live at The Uptown Theater” (2014)
“Evergy & The Elders Light up the Plaza” (2020) Emmy Winner

10:29 – Underwriting

  1. Hotel Leo – “It’s Not Working Out”
    from: Everybody You Know / The Record Machine / August 28, 2026
    [Stephen Roper on Vocals, Synth, Piano, Guitar, Drums; Darin Breeden on Backup Vocals, Guitar, Bass Guitar; and Evan Verploegh on Drums. Mixed by Ross Brown. Mastered By Mike Nolte. Artwork by Tessa Kriss. // In 2026 Hotel Leo released the singles: “It’s Not Working Out” on February 27, 2026; “Mechanical” on March 27, 2026; “Just a Rumor” on May 1, 2026; “Notes in the Door” on June 5, 2026; “Limerence” on July 24, 2026. In 2024 Hotel Leo also released the singles: “Another Low” on May 19, 2024; “Give It a Chance” on June 21, 2024, and “Time Apart” on August 2, 2024. Hotel Leo is the musical project of Stephen Roper who told It’s Psychedelic Baby Magazine, “ Hotel Leo has always been a studio-only project, and the idea to bring these songs to a live format is a fairly recent one. I’m lucky to have met several awesome musicians over the past year, and bringing them in to play on Hotel Leo songs feels like unlocking a whole new dimension of the band. I love the different sounds and ideas everybody brings to the table. When writing songs I don’t think about how I’m going to recreate them live – I just try and serve the song however I can. Moving those songs into a more traditional live band lineup has been a challenge. For example, how do we translate some of these synth parts to electric guitar? Or how do some of these songs recorded with a drum machine sound with real drums? I’m really enjoying the new takes on the music, and I feel like it has given new life to these songs.]

[Hotel Leo play an Album Release Show on Friday, August 28 at miniBar, 3810 Broadway, KCMO with Teri Quinn & The Coyotes and The Creepy Jingles.]

[Hotel Leo also plays The RINO, 314 Armour Rd., North Kansas City on September 19 with Brotha Josh, and Mel Crosby, and Pool Culture.]

10:35 – Interview with Stephen Roper

Hotel Leo an indie rock/dream pop project based in Kansas City. It started in 2016 as a bedroom project from songwriter Stephen Roper, and has grown over the past two years into a full band, wth Stephen Roper on vocals, synthesizers, piano, guitar, drums; Darin Breeden on backup vocals, guitar, bass guitar; and Evan Verploegh on drums, regularly playing live shows. The band’s sound was originally built around analog synthesizers and drum machines – still a big part of the project – but has since waded into utilizing electric guitars, acoustic drums, and more. Hotel Leo’s new album “Everybody You Know” will be released through The Record Machine on August 28, 2026.

Hotel Leo play an Album Release Show on Friday, August 28 at miniBar, 3810 Broadway, KCMO with Teri Quinn & The Coyotes and The Creepy Jingles.

Hotel Leo also plays The RINO, 314 Armour Rd., North Kansas City, on September 19 with Brotha Josh, and Mel Crosby, and Pool Culture.

Stephen Roper, thanks for being with us again on WMM

Where are you originally from?
I’m from Kansas City, Missouri

Where did you go to school?
I went to Belton High School, then JCCC, and then UMKC. I dropped out to go on tour with my band.

Have you been another bands?
Yes! I was the drummer in Jump Rope for Heart and Reward Tree, started playing synth in a band called Riddles, and I currently play Synth in Lava Dreams.

When did you start playing music?
I come from a musical family, so played piano as a child. My mother is a drummer in an all-girl classic rock cover band, and inspired me to start playing drums through school and high school.

Who are your biggest influences?
So many, but let’s go with Animal Collective, Broken Social Scene, Future Islands, The Good Life

Darin Breeden, Stephen Roper, and Evan Verploegh

On the album’s core idea: It’s about connection. Really how everyone’s got their own separate life going on, but we’re all tied together by the same basic truth: none of us get forever. That could sound dark, but for me it actually landed the opposite way. There’s certainly themes of fear and anxiety around mortality on the record, but also how the limited time we have is what makes life worth living.

On the relationship side: I also went through a pretty significant breakup while writing this, and that’s all over the record too – longing, rejection, the process of letting something end. It’s less “concept album about death” and more about how endings of all kinds – a relationship, a chapter, eventually everything – force you to pay attention to what actually matters.

On loss: I also lost my brother while I was working on this record, and that loss is woven through it too. Grief has a way of showing up in your writing whether you plan for it or not. I don’t think of the album as being about any one loss – it’s more that everything I was going through at the time, the breakup, missing him, thinking about how fragile all of it is – it all ended up in the same place.

Stephen Roper, thanks for being with us again on WMM

Hotel Leo play an Album Release Show on Friday, August 28 at miniBar, 3810 Broadway, KCMO with Teri Quinn & The Coyotes and The Creepy Jingles.

Hotel Leo also plays The RINO, 314 Armour Rd., North Kansas City, on September 19 with Brotha Josh, and Mel Crosby, and Pool Culture.

10:54

  1. Hotel Leo – “Notes in The Door”
    from: Everybody You Know / The Record Machine / August 28, 2026
    [Stephen Roper on Vocals, Synth, Piano, Guitar, Drums; Darin Breeden on Backup Vocals, Guitar, Bass Guitar; and Evan Verploegh on Drums. Mixed by Ross Brown. Mastered By Mike Nolte. Artwork by Tessa Kriss. // In 2026 Hotel Leo released the singles: “It’s Not Working Out” on February 27, 2026; “Mechanical” on March 27, 2026; “Just a Rumor” on May 1, 2026; “Notes in the Door” on June 5, 2026; “Limerence” on July 24, 2026. In 2024 Hotel Leo also released the singles: “Another Low” on May 19, 2024; “Give It a Chance” on June 21, 2024, and “Time Apart” on August 2, 2024. Hotel Leo is the musical project of Stephen Roper who told It’s Psychedelic Baby Magazine, “ Hotel Leo has always been a studio-only project, and the idea to bring these songs to a live format is a fairly recent one. I’m lucky to have met several awesome musicians over the past year, and bringing them in to play on Hotel Leo songs feels like unlocking a whole new dimension of the band. I love the different sounds and ideas everybody brings to the table. When writing songs I don’t think about how I’m going to recreate them live – I just try and serve the song however I can. Moving those songs into a more traditional live band lineup has been a challenge. For example, how do we translate some of these synth parts to electric guitar? Or how do some of these songs recorded with a drum machine sound with real drums? I’m really enjoying the new takes on the music, and I feel like it has given new life to these songs.]

[Hotel Leo play an Album Release Show on Friday, August 28 at miniBar, 3810 Broadway, KCMO with Teri Quinn & The Coyotes and The Creepy Jingles.]

[Hotel Leo also plays The RINO, 314 Armour Rd., North Kansas City on September 19 with Brotha Josh, and Mel Crosby, and Pool Culture.]

11:00 – Station ID

  1. Molly Picture Club – “Disconnected”
    from: In My Own Time Machine / Indep. / Orig. April 30, 2013 / Re-released Sept. 8, 2026
    [Aniko Adany: vocals, keys, synths & omnichord; Matthew Hayden: drums, & drum sequencing; Michael Tipton: vocals, guitar, & bass. All songs written, arranged, performed, & produced by Molly Picture Club. Additional percussion by Justin Skinner. Drums recorded, EP Mixed & Mastered by Duane Trower at Weights & Measures Soundlab. All other sounds recorded by Matthew Hayden at Southland Studios.]

[Thursday, August 27, 2026 – Mike Tipton Trio plays Knuckleheads with The Clay Clear Band, Free Rent Band and The Band Grim.]

[Friday, August 21 – Found a Job play The Ship 1221 Union Ave, West Bottoms]

[Friday, August 28, 2026 – Found A Job play Light Up the Lawn Light Up the Lawn of the Nerman Museum of Contemporary for Art Midwest Trust Center at Johnson County Community College 12345 College Blvd, Overland Park, KS on Friday, August 21, at 8:00pm.]

11:03 – Interview with Michael Tipton & Matthew Hayden

Michael Tipton & Matthew Hayden are part of the eight piece, Talking Heads tribute band, Found A Job. The two have collaborated together in many projects and as part of the acclaimed bands: Molly Picture Club (2009-2013), and Kodascope (2013-2016). Molly Picture Club called themselves a “dark disco” band from Kansas City. Heavily influenced by 80s and 90s punk, Hungarian-born Aniko Adany added punchy synth and raw vocals backed by the afro-beat and Latin influenced rhythms of drummer Matt Hayden, while front man and lead guitarist Michael Tipton accentuated the group’s music with yelps and quips that form the characters in MPC’s songs. Matthew has played in the band Afrolicious. Michael & Matt will share two tracks from their upcoming EP re-release, “My Own Time Machine” from Molly Picture Club.

Michael Tipton & Matthew Hayden thanks for being with us on WMM

Shows:

Thursday, August 27, 2026 at 7:00pm – Mike Tipton Trio plays Knuckleheads with The Clay Clear Band, Free Rent Band and The Band Grim

Friday, August 21 – Found a Job play The Ship 1221 Union Ave, West Bottoms

Friday, August 28, 2026 – Found A Job play Light Up the Lawn Light Up the Lawn of the Nerman Museum of Contemporary for Art Midwest Trust Center at Johnson County Community College 12345 College Blvd, Overland Park, KS on Fri., Aug. 21, at 8:00pm.

Michael B. Tipton released 5+ new singles Michael B. Tipton released in 2025. This single was recorded at Weights & Measures Soundlab here in KC. Performers on the track are Nate Holt- organ, Aaron Lewis– bass, Jace Hughes– electric guitar, Sam Shoemaker-pedal steel guitar, Justin Danner-drums, Ashleigh Guthrie-backing vocals, and myself on acoustic and vocals. Written by Michael B. Tipton. // Along with the country singles Michael recently teamed up with vocalist Seyko of The Freedom Affair member Seyko to release a Christmas collab they co-wrote called “Better To Believe” in early December. This song features performances by The Freedom Affair, members of Found A Job and Michael’s country band The Scoundrels, and Seyko’s daughter Reiko. // Michael B. Tipton has been working with Nashville songwriters and studios this past year and recently recorded an original song “Favorite Place in Town” (written about Strawberry Hill’s Hillsiders), at County Q Studios in Nashville. This song will be released TBA in 2026 and distributed to FM and AM Country stations across the country. Michael B. Tipton was signed to Stone Bridge Entertainment in July 2025. His debut solo album, Out of the Woods, was released on October 13, 2023. With his band The Scoundrels, Michael has shared stages with Bronwyn Keith Hynes and Jason Isbell.

Michael Tipton was one of the first musical guests we ever interviewed on WMM when he was in the band Tabla Rasa. We also played almost everything they recorded when Michael was part of the band, Molly Picture Club. Michael’s band Found a Job has been rocking venues in Kansas City for over 10 years playing Talking Heads tracks.

Michael has also been a frequent contributor to The Band That Fell to Earth proving he can serve and deliver with the lyrics of David Byrne and David Bowie.

Michael B Tipton is a seasoned singer-songwriter who has performed for audiences nationwide for over 26 years. With a remarkable versatility across genres like folk, country, electronic, indie rock, and hard rock, his compositions are written to be adapted to various musical styles. Michael made his mark as a member of acclaimed bands: Tabla Rasa (1999-2005), 5 Defy (2006-2008) (With Aniko Adany), Molly Picture Club (with Aniko Adany) (2009-2013), and Kodascope (2013-2016).

He is also the driving force behind Found A Job, a popular 8-piece tribute to Talking Heads since 2012, where he embodies David Byrne’s essence.

In addition to his live performances, Michael’s songwriting prowess has earned him placements on notable TV shows like “Keeping Up With The Kardashians” and various Discovery Channel segments. With an extraordinary ability to connect through heartfelt lyrics, captivating melodies, and a solid beat, Michael B Tipton continues to enchant audiences with his music. Stay tuned as this artist ventures into new musical horizons.

Michael has also been a frequent contributor to The Band That Fell to Earth KC proving he can serve and deliver with the lyrics of David Bowie as well as David Byrne.

Michael B Tipton is a seasoned singer-songwriter who has performed for audiences nationwide for over 26 years. With a remarkable versatility across genres like folk, country, electronic, indie rock, and hard rock, his compositions are written to be adapted to various musical styles.

Michael is / was a member of acclaimed bands:
Tabla Rasa (1999-2005),
5 Defy (2006-2008),
Molly Picture Club (2009-2013),
Kodascope (2013-2016)
Michaek B. Tipton & The Scoundrels (2024-2026)
Found A Job (2014 -Present)

Michael B. Tipton is singer-songwriter whose stories are shaped by his expansive life experiences: cowboy, preacher, teacher, massage therapist, door-to-door salesman and dad. He has four kids. www.michaelbtiptonmusic.com

Found A Job:
Michael Tipton: lead vocals, guitar
Matt Hayden: drums
Camry Ivory: vocals, choreography
Peter Lawless: multi-instrumentalist and band director
Justin Skinner: percussion, sound engineering & Jedi-like, show-saving skills
Katelyn Jamison; vocals, choreography
Brent Jamison: bass, keyboards
Ashleigh Guthrie; keyboards (2014-2024)
Lauren Williams: bass (2024-present)

Friday, August 21 – Found a Job play The Ship 1221 Union Ave, West Bottoms

Friday, August 28, 2026 – Found A Job play Light Up the Lawn Light Up the Lawn of the Nerman Museum of Contemporary for Art Midwest Trust Center at Johnson County Community College 12345 College Blvd, Overland Park, KS on Fri., Aug. 21, at 8:00pm.

Michael Tipton & Matthew Hayden thanks for being with us on WMM.

11:23

  1. Molly Picture Club – “As You Were”
    from: In My Own Time Machine / Indep. / Orig. April 30, 2013 / Re-released Sept. 8, 2026
    [Aniko Adany: vocals, keys, synths & omnichord; Matthew Hayden: drums, & drum sequencing; Michael Tipton: vocals, guitar, & bass. All songs written, arranged, performed, & produced by Molly Picture Club. Additional percussion by Justin Skinner. Drums recorded, EP Mixed & Mastered by Duane Trower at Weights & Measures Soundlab. All other sounds recorded by Matthew Hayden at Southland Studios.]

[Thursday, August 27, 2026 – Mike Tipton Trio plays Knuckleheads with The Clay Clear Band, Free Rent Band and The Band Grim]

[Friday, August 21 – Found a Job play The Ship 1221 Union Ave, West Bottoms]

[Friday, August 28, 2026 – Found A Job play Light Up the Lawn Light Up the Lawn of the Nerman Museum of Contemporary for Art Midwest Trust Center at Johnson County Community College 12345 College Blvd, Overland Park, KS on Friday, August 21, at 8:00pm.]

11:28 – Underwriting

  1. oldnothing – “Take You To The Sun”
    from: Don’t Call Me Tina / oldnothing / August 15, 2026
    [Produced by David Bennett. Album artwotk by Sarah Dowen. // Austin Marks who is currently recording and performing as, oldnothing. Austin Marks is a songwriter from St. Joseph, Missouri. He writes sad songs and love songs (not that there’s any difference), and creates them all himself as warm, hazy, and drenched in reverb. He spent years playing in the Kansas City band Dreamgirl before setting out on his own. His debut album, “Don’t Call Me Tina,” is out now. You can find all of his stuff at www.oldnothing.com.]

11:32 – Interview with Austin Marks

Austin Marks records and performing as, oldnothing. Austin Marks is a songwriter from St. Joseph, Missouri. He writes sad songs and love songs (not that there’s any difference), and creates them all himself as warm, hazy, and drenched in reverb. He spent years playing in the Kansas City band Dreamgirl before setting out on his own. His debut album, “Don’t Call Me Tina,” is out now. You can find all of his stuff at www.oldnothing.com

Austin Marks Thanks for being with us on Wednesday MidDay Medley

Take you to The Sun (Lyrics)

Well I don’t know your name
But it sure sounds the same
And I could never say “I love you”

But if you wanna try
I guess you’ll blow my mind
And it might be a crime
Why don’t ya

I’l take you to the sun
You might just be the one that I’m sticking to
But you can bathe alone
And I’ll get stoned
And secretly watching

Yeah, I try
Try to make it up to the rainbow
And I lie
Lying when I said I won’t hurt you
Now I desert you
And it’s fine
Fine to move along til you forget me
Say it’s mine
Mine forever til you up and left me
I know it’s crazy

I’l take you to the sun
You might just be the one that I’m sticking to
But you can bathe alone
And I’ll get stoned
And secretly watching

oldnothing writes sad songs and love songs (and he adds: not that there’s any difference). He creates them all himself as warm, hazy, and drenched in reverb.

Oldnothing aka Ausitn Marks is also in the band Dreamgirl

Before Dreamgirl he played in the band eyelit with is ex-wife Dansare.

11:40 – Live Performance

13. oldnothing – “Take Your Time” (LIVE)

11:43 – More Interview with Austin Marks

Austin Marks records and performing as, oldnothing. Austin Marks is a songwriter from St. Joseph, Missouri. He writes sad songs and love songs (not that there’s any difference), and creates them all himself as warm, hazy, and drenched in reverb. He spent years playing in the Kansas City band Dreamgirl before setting out on his own. His debut album, “Don’t Call Me Tina,” is out now. You can find all of his stuff at www.oldnothing.com

Austin Marks Thanks for being with us on Wednesday MidDay Medley

His debut album, “Don’t Call Me Tina,” is out now. You can find all of his stuff at www.oldnothing.com

For WMM, I’m Mark Manning. Thanks for listening!

11:55

  1. oldnothing – “More Than You Used To Know”
    from: Don’t Call Me Tina / oldnothing / August 15, 2026
    [Produced by David Bennett. Album artwotk by Sarah Dowen. // Austin Marks recorda and performs as, oldnothing. Austin Marks is a songwriter from St. Joseph, Missouri. He writes sad songs and love songs (not that there’s any difference), and creates them all himself as warm, hazy, and drenched in reverb. He spent years playing in the Kansas City band Dreamgirl before setting out on his own. His debut album, “Don’t Call Me Tina,” is out now. You can find all of his stuff at www.oldnothing.com.]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, August 26 we welcome our friend Jocelyn Olivia Nixon joins us to share new music from The Creepy Jingles. Also next week: Al Hawkins and Fritz Hutchison join us to talk about Cold Gravy Bowl 2: The Coldest Bowl playing August 28 and August 29 at Charlotte Street Foundation with The Matchsellers. AND, Amanda Davis and Derek Trautwein of the Spooky Shxt Show, join us to share details about Beach Basement Party September 3, 7:00 to 9:00pm at Hula Hoop KC.

You can find our playlists at: www.wednesdaymiddaymedley.org & www.kkfi.org
www.facebook.com/WednesdayMidDayMedleyon90.1FM
www.instagram.wednesday_midday_medley

Thank you to KKFI Staff: Executive Director – Bess Wallerstein-Huff, Chief Operator – Chad Brothers, Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, and Office Manager Book Keeper – Shaina Littler.

THANK YOU to everyone who donated to KKFI’s Summer Fund Drive during WMM we had a total of 33 people donate a total of $3513.50. THANK YOU SO MUCH!

This radio station is more than the individual hosts of each individual radio show. It is a collective spirit of hundreds of people, setting aside ego, to work for the greater good of community building and the goal of keeping our airwaves, non-commercial, and open! Thank you to programmers who create content for over 85 locally produced radio shows & volunteers who made extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #1161

WMM presents: Michael Tipton & Matthew Hayden + Stephen Roper of Hotel Leo + Austin Marks of oldnothing

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 19, 2026

Michael Tipton & Matthew Hayden + Stephen Roper of Hotel Leo + Austin Marks of oldnothing

Mark Spins More New & MidCoastal Releases from: Molly Picture Club, old nothing, Hotel Leo, Katy Guillen & The Drive, the eradicats, Sara Swenson, The Elders, Meshell Ndegeocello, and The Womack Sisters.

At 10:30 Mark welcomes Stephen Roper of Hotel Leo an indie rock/dream pop project based in Kansas City. It started in 2016 as a bedroom project from songwriter Stephen Roper, and has grown over the past two years into a full band, regularly playing live shows. The band’s sound was originally built around analog synthesizers and drum machines – still a big part of the project – but has since waded into utilizing electric guitars, acoustic drums, and more. Hotel Leo’s new album “Everybody You Know” will be released through The Record Machine on August 28, 2026. Hotel Leo play an Album Release Show on Friday, August 28 at miniBar, 3810 Broadway, KCMO with Teri Quinn & The Coyotes and The Creepy Jingles. Hotel Leo also plays The RINO on September 19 with Brotha Josh, and Mel Crosby, and Pool Culture.

At 11:00 Mark talks with Michael Tipton & Matthew Hayden who are part of the eight piece, Talking Heads tribute band, Found A Job. The two have collaborated together in many projects and as part of the acclaimed bands: Molly Picture Club (2009-2013), and Kodascope (2013-2016). Molly Picture Club called themselves a “dark disco” band from Kansas City. Heavily influenced by 80s and 90s punk, Hungarian-born Aniko Adany adds punchy synth and raw vocals backed by the afro-beat and Latin influenced rhythms of drummer Matt Hayden, while front man and lead guitarist Michael Tipton accentuates the group’s music with yelps and quips that form the characters in MPC’s songs. Michael & Matt will share two tracks from their upcoming EP release, “My Own Time Machine” from Molly Picture Club.

At 11:30 we welcome musician Austin Marks who is currently recording and performing as, oldnothing. Austin Marks is a songwriter from St. Joseph, Missouri. He writes sad songs and love songs (not that there’s any difference), and creates them all himself as warm, hazy, and drenched in reverb. He spent years playing in the Kansas City band Dreamgirl before setting out on his own. His debut album, “Don’t Call Me Tina,” is out now. You can find all of his stuff at www.oldnothing.com.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1161