WMM Playlist from May 15, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 15, 2019

Wednesday MidDay Medley Celebrates 15

WMM Celebrates our 15th Anniversary with 15 Special Guests: Iris DeMent, Krystle Warren, Calvin Arsenia, Betse Ellis, Kasey Rausch, Mikal Shapiro, Jake Wells, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Jen Harris, Nico Gray, Fran Stanton, Barry Lee, and Brenton Cook.

Today’s show is a celebration of 786 weeks, 1572 hours of radio, 15,720 hours of preparation, over 2000 guests, and over 15,000 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, and free speech. We seek to connect listeners with artists and venues and studios and community gathering spaces. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City/Lawrence area music communities, “The Midcoast Sound,” as we like to call it.

To say I’ve been inspired by the KC music scene, is an understatement. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists I’ve met while doing this show. I am inspired by the women who created radio on 90.1 FM long before me: my friend April Fletcher who now plays bass professionally in Los Angeles, and my friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. I’m inspired by the diverse , intelligent, motivated, listeners, looking for a place where we can connect to the amazing stories and music of our community.

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers. Today we celebrate 15 years of Wednesday MidDay Medley, the show that has brought us together, at this time, on this frequency, on these community airwaves. Thanks for listening.

10:00

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Dimitri From Paris – “Prologue,”
from: Sacreblu / Atlantic Records / June 11, 1996

Marion Merritt

10:04 – Introduction of Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 15 years she has been sharing her sonic discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every WMM on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri, that feature in-store performances from young and upcoming bands.

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

We always wanted someone from a record store to have a regular presence on WMM.

When Mark first met Marion she walked up to him and handed him the Philip Glass recordings of the Low Symphony with David Bowie and Brian Eno, saying, “I think you may be interested in this.”

Mark and Marion really didn’t know each other in the beginning, but throughout these 15 years they’ve become very close friends. Mark has watched Marion’s life transition from corporate retail to owning her own record store in the neighborhood where Mark lives.

For 15 years Marion has had a huge influence on our WMM playlists.

Marion Merritt, Kasey Rausch, Barry Lee, Betse Ellis, Fran Stanton

10:07 – Marion’s pick

3. Billy Preston – “That’s the Way God Planned It (Live)”
from: The Concert for Bangladesh / Apple Records / December 20, 1971
[The Concert for Bangladesh is a live triple album credited to “George Harrison & Friends” and released on Apple Records in December 1971 in America and January 1972 in Britain. The album followed the two concerts of the same name, held on August 1, 1971 at New York’s Madison Square Garden, featuring Harrison, Bob Dylan, Ravi Shankar, Ali Akbar Khan, Ringo Starr, Billy Preston, Leon Russell and Eric Clapton. The shows were a pioneering charity event, in aid of the homeless Bengali refugees of the Bangladesh Liberation War, and set the model for future multi-artist rock benefits such as Live Aid (1985) and the Concert for New York City (2001). The event brought Harrison and Starr together on a concert stage for the first time since 1966, when the Beatles retired from live performance, and represented Dylan’s first major concert appearance in the US in five years. Co-produced by Phil Spector, The Concert for Bangladesh features his Wall of Sound approach in a live setting. Besides the main performers, the musicians and singers include Badfinger, Jim Horn, Klaus Voormann, Alla Rakha, Jim Keltner, Jesse Ed Davis and Claudia Linnear. Minimal post-production was carried out on the recordings, ensuring that the album was a faithful document of the event. The box set’s packaging included a 64-page book containing photos from the concerts; the album cover, designed by Tom Wilkes, consisted of an image of a malnourished child sitting beside an empty food bowl. The album was delayed for three months due to protracted negotiations between Harrison and two record companies keen to protect their business interests, Capitol and Columbia/CBS. On release, The Concert for Bangladesh was a major critical and commercial success. It topped albums charts in several countries and went on to win the Grammy Award for Album of the Year in March 1973. Together with the 1972 Apple concert film directed by Saul Swimmer, the album gained Indian classical music its largest Western audience up until that time. It was reissued in 2005, four years after Harrison’s death, with revised artwork. As of 2011, sales of the album continue to benefit the George Harrison Fund for UNICEF, which raised $1.2 million for children in the Horn of Africa, in a campaign marking the album’s 40th anniversary.] [William Everett Preston (September 2, 1946 – June 6, 2006) was an American musician whose work encompassed R&B, rock, soul, funk, and gospel. Preston was a top session keyboardist in the 1960s, during which he backed artists such as Little Richard, Sam Cooke, Ray Charles, Rev. James Cleveland and the Beatles. He went on to achieve fame as a solo artist, with hit singles such as “That’s the Way God Planned It”, “Outa-Space”, “Will It Go Round in Circles”, “Space Race”, “Nothing from Nothing” and “With You I’m Born Again”. Additionally, Preston co-wrote “You Are So Beautiful”, which became a number 5 hit for Joe Cocker. Preston was one of five musicians credited on a Beatles recording other than the group’s four members. Preston continued to record and perform with other artists, notably George Harrison after the Beatles’ breakup, and Eric Clapton, and he played keyboards for the Rolling Stones on many of the group’s albums and tours during the 1970s.]

Maria Vasquez Boyd

10:11 – Introduction of Maria Vasquez Boyd

Maria Vasquez Boyd is an artist, poet, educator, and radio show host & producer. She has been a regular contributor to Wednesday MidDay Medley where she has produced shows about Ukuleles, The Day of The Dead, and The Artist’s Studio. She has been a regular cast member in our “He Touched Me Gospel Hour” programs, and has contributed original material for almost all of our “A Story In A Song” shows, including our live show at recordBar, and Big Bang Buffet Black Sheep Rising at The Buffalo Room. Maria is graduate of the Kansas City Art Institute, where she has taught in the Design/Illustration Department, as well as, the Nelson Atkins Museum of Art. An artiost and a poet, Maria is a founding member of the Latino Writers Collective. Maria uses all of her experience as the host and producer of ARTSPEAK Radio which airs Wednesdays at Noon, following Wednesday Midday Medley on 90.1 FM KKFI. Soon ARTSPEAK Radio will be celebrating 7 years on the air!

Maria Vasquez Boyd, thanks for being with us on Wednesday MidDay Medley

Maria Vasquez Boyd

Mark met Maria at The Writer’s Place. Mark was on the Board of KKFI’s MidCoast Radio Project, Maria was on the board of Latino Writer’s Collective. They would both go in early to set up for their meetings. Maria was a guest on WMM and we welcomed her back to produce & host several shows and it became clear that she should create Artspeak Radio. Mark and Maria became great friends, and she calls him her “Radio Husband.”

11:14 – Maria’s Story

Maria Vasquez Boyd

Necia Gamby and Nico Gray

10:18

4. Wagon Christ – “Rennie Codgers”
from: Tomorrow / Ninja Records / March 29, 2011)

Necia Gamby

10:18 – Introduction of Necia Gamby

Necia Gamby is Licensed Massage Practitioner at her own practice, NRGinMOTION. She also serves as a licensed Massage Therapist at Spa on Penn. Necia has been in practice for 38 years. She uses Swedish (classical) massage technique. Over the years she has studied and practiced Hatha Yoga and is currently studying TaiChi. She founded and directed the Heartland School of Massage from 1988-1996. She has studied and incorporated Shiatsu, trigger point technique, lomi-lomi and a host of other philosophies and techniques into her massage style. She was an instructor for Johnson County Community College’s Certified Massage Program for 6 years where she taught Basic Swedish technique and Business Practices. She is an avid reader and especially loves science fiction and Korean dramas. Necia is the daughter of a KC Jazz pianist, and the mother of a graphic artist and MC from the acclaimed KC based hiphop duo SoundsGood and her other son is an engineer and producer with the 64111 Clinic.

Necia Gamby, thanks for being us on Wednesday MidDay Medley

Mark used to live across the street from Necia.

Necia and Mark used to walk their dogs late at night and talk on the side walks about community radio.

Together, Necia and Mark became friends with Sharon Jones on March 8, 2014

11:22 – Necia’s Pick

5. Bill Withers – “I Love You Dawn”
from: Making Music / Sony / January 1, 1975
[4th studio album by American R&B singer Bill Withers. It was also released in the UK as Making Friends. William Harrison Withers Jr. (born on July 4, 1938) is an American singer-songwriter and musician who performed and recorded from 1970 until 1985. He recorded several major hits, including “Lean on Me”, “Ain’t No Sunshine”, “Use Me”, “Just the Two of Us”, “Lovely Day”, and “Grandma’s Hands”. Withers won three Grammy Awards and was nominated for four more. His life was the subject of the 2009 documentary film Still Bill. He was inducted into the Rock and Roll Hall of Fame in 2015]

Nico Gray

11:25 – Introduction of Nico Gray

Nico Gray has worked as a writer, performance artist, and as an actor with The Kansas City Rep, Gorilla Theatre, the 8th Street Cafe Theatre, Actor’s Craft, and was recently a featured performer in Big Bang Buffet’s Black Sheep Rising. Nico has also worked for Theatre League, The Midland Theatre and is currently a marketing and advertising consultant who does work with Union Station. Rooted in KC, Nico grew up with radio. Nico writes that, “Music has always served as the ‘passport’ through spiritual journeys that have transplanted him to the brownstones of Chicago, the rooftops of Paris, the sea-side of Marseille and the balconies of NYC. ”

Nico Gray welcome back to Wednesday MidDay Medley.

Mark and Nico have been friends since around 1990.

Mark and Nico marched on Washington DC together with their partners in 1993.

11:28 – Nico’s Pick

6. The Limiñanas – “The Gift (Anton mix)”
from: I’ve Got Trouble In Mind Vol. 2 (Rare Stuff 2015/2018) / Because Music / Nov. 16, 2018
[Garage pop and psyche. Getting their start in October of 2009, The Limiñanas are the brainchild of Lio and Marie Limiñana.]

10:32- Underwriting

Betse Ellis

10:34 – Introduction of Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Betse Ellis is also involved with The Short Round Stringband! The 5-piece band is in the process of releasing a new 14-track Tribute To Bill Monroe record.

Betse Ellis thanks for being with us on Wednesday MidDay Medley.

Betse Ellis

Mark has known Betse since the late 1980s when she was going to school at UMKC and they did performance art together at Cafe Lulu and Whistler’s Mother.

For more than five years now Betse has been volunteering for KKFI during our Fund Drive Shows to help raise money to keep community radio alive.

Betse & Clarke play The Robert Johnson Birthday Tribute hosted by KKFI’s Boogie Bridge, Sunday, May 19, 2:00 PM to 5:00 PM, at B.B.’s Lawnside BarB-Q, 1205 East 85th Street, Kansas City.

Betse & Clarke play The Ship on Wednesday, May 22 with Bob & Diana Suckiel.

10:38

7. Betse Ellis – “Heaven Bells Are Ringing/Gone to View that Land” (LIVE)

10:42

8. The Magnetic Fields – BBC Radiophonic Workshop
from: Holiday / Merge / 1994

Kasey Rausch

11:42 – Introduction of Kasey Rausch

Kasey Rausch is a 5th generation songwriter & musician. She is co-producer and co-host of River Trade Radio on 90.1FM KKFI Kansas City Community Radio on Sunday Mornings 9:00 to 11:00. With pedal steel & guitar master Marco Pascolini, Kasey performs as The Country Duo. Kasey plays locally with classic country honky tonk band The Naughty Pines. And Kasey plays bass in songwriter Scott Stanton’s The Butter Band. Rausch’s third album, Guitar in Hand was released on MudStomp Records in 2014, and debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch. She was named 2016 Best of the Northland Artist, 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM and is a four-time Pitch Music Award Nominee. She has shared the stage with Joe Ely, Dale Watson, Peter Rowan, Roland White, Kris Delmhorst, Jack Williams and many more.

Kasey Rausch thanks for being with us on Wednesday MidDay Medley

Kasey was one of the very first live musical guests on WMM. If you look at our very first playlist from May 14, 2004 you’ll see a diverse mix, and equality between women and men, however there was hardly any “local” music. Mark was learning how to do this radio show, and it was the Kansas City and Lawrence area musicians who came on the show and taught him about the music community. Robert Moore’s Oxblood Records compilation “First Blood” became an early road map to the bands Ghosty, The Architects, Olympic Size, Softee, Roman Numerals, Ssion, The Republic Tiger, Be/Non, American Catastrophe, and others. Midwest Music Foundation and Abigail Henderson helped to shine the light. After the death of Anne Winter, Kasey and mark and Betse Ellis made a pact to be there for each other as friends and to attempt to continue some of of Anne’s work. Mark redirected his focus on the radio show to include even more area releases, and to document the growth of the music in Kansas City. Social media and Facebook became the inter-office memo of the are music community. The birth of festivals: Crossroads Music Fest, Middle of the Map Fest, and Folk Alliance International Conference, the development of more studios and record labels, and the re-birth of record stores.

Mikal Shapiro, Kasey Rausch, and Barry Lee

10:47

9. Mark Mothersbaugh – “Look at That Old Grizzly Bear”
from: The Royal Tenenbaums / UMG / May 12, 2015

Kasey Rausch

10:47 – Introduction of Mikal Shapiro

Mikal Shapiro is a singer, songwriter, artist, filmmaker, puppeteer, ring-leader. Mikal Shapiro is the founder of State City Films – a new media house based in KCMO that she founded to create content that amplifies independent voices and tells stories that ache to be told through documentary and experimental filmmaking practices. Mikal Shapiro has worked on commercial, non-profit and independent productions since 2008. She was Director of Photography for the regional Emmy award-winning film “Tipping Point.” She studied Film History, Film, & Writing at Sarah Lawrence College in Bronxville, New York. She received her MFA in Film/Video/New Media/Animation from The School of the Art Institute of Chicago in 2012. She has been involved in music and the arts for over two decades. Mikal’s full length solo releases “The Crow The Lark And The Loon” from 2008, and “For Good” from 2010 and “The Musical” from 2017 and “The Musical II” from 2018 have been acclaimed by local music writers, and have been in the top tens of WMM’s Best of lists.

Mikal Shapiro thanks for being with us on Wednesday MidDay Medley

Mikal Shapiro

Mikal Shapiro just recently finished 10 days of filming, with an female majority crew, inside the Topeka Correctional Facility for Women documenting Rita Chiarelli facilitating a music program that culminated with a concert on May 4, with an all female band presented to their fellow inmates, families, victims, and the community. Authorities from the Department of Corrections were invited to attend including the Kansas Governor Laura Kelly.

Mikal Shapiro plays with Monta At Odds at recordBar, 1520 Grand, KCMO, on Friday, May 17, at 8:00 with Redder Moon, and Namelessnumberheadman.

Mikal Shapiro plays in the Jane Doe Revue: Female Rock Orchestra – A Benefit for Abby’s Fund, Saturday, June 8, at 7:30 PM at recordBar, 1520 Grand Boulevard, KCMO with an all female ensemble comprised of members from local bands, Violet and the Undercurrents, Teri Quinn, Amy Farrand and MORE!

10:50

10. Mikal Shapiro – “Lazy Dazy” (LIVE)
(new original song from Mikal)

11. Quiet Corral – Intro
from: Quiet Corral [EP] / Quiet Corral / 2010
[Quiet Corral was an indie folk band from Lawrence, KS. Most of the group went on to form Hembree. Members: Isaac Flynn, Jim Barnes, Matt Green, Jesse Roberts, Garrett Childers, Zach Mehl.]

Fran Stanton

10:53 – Introduction of Fran Stanton

Fran Stanton is the co-owner of It’s A Beautiful Day. She is also a mom to Hayley and Peter. She is part of the team that produces River Trade Radio every Sunday morning on 90.1 FM KKFI – Kansas City Community Radio. Fran also celebrated her birthday on Mother’s Day – May 12. Fran is a huge music supporter and traveler and gardener. She is also a dear friend to so many people. Fran has been a frequent contributor to WMM for our “Story In A Song” shows, and as part of the ensemble of “The He Touched Me Gospel Hour” co-written and starring Jim “The Blind Guy” Hoschek.

Fran Stanton, thanks for being with us on Wednesday MidDay Medley.

It’s A Beautiful Day at 3918 Broadway, KCMO – Customer Appreciation Day is Sunday, May 19, at 12:00 PM – 5:00 PM. Emceed by Leigh Liles & Miss Conception. Show: 12:15 -12:45 Miss Conception // 1:00-2:00 Original Culture // 2:30-4:00 Better Off Dead – KC // 4:15-5:00 Kan Eyed

10:57 – Station ID

Iris DeMent

10:57 – Intro for Iris DeMent

In his review for WHYY’s Fresh Air, Entertainment Weekly Music Editor – Ken Tucker wrote: “Iris DeMent possesses one of the great voices in contemporary popular music: powerfully, ringingly clear, capable of both heartbreaking fragility and blow-your-ears-back power. Had she been making country albums in the ’70s and ’80s and had more commercial ambition, she’d probably now be considered right up there with Loretta Lynn and Tammy Wynette. Instead, she’s lived a contemporary life, a somewhat private life. As she recently told an interviewer, “There’s a lot that goes into life besides songwriting.”

Iris DeMent released her debut album “Infamous Angel” in 1992, on Warner Brothers records, a collection of instant classic songs including “Let The Mystery Be.” These were songs she first wrote and performed in coffeehouses and small clubs here in Kansas City, along with other “up and coming” singer songwriters: Howard Iceberg and Scott Hrabko. Since then Iris has released six full length recordings, was nominated for a Grammy twice, has had her songs used in multiple films and television shows, appeared as an actress in the film, Song Catcher, appeared on the Late Show with David Letterman, Latenight with Conan OBrien, toured all over the world, was a frequent contributor to Prairie Home Companion, collaborated on recordings with John Prine, Emmylou Harris, Nancy Griffith, Steve Earle, and so many others.

On November 21, 2002 Iris married acclaimed singer-songwriter Greg Brown, in a private ceremony in the office of Rev. Sam Mann of St. Mark Church in Kansas City.

After trying to live in both Iowa and Kansas City, Iris ended up moving to Iowa but she still holds on to her love of the 816.

10:58

12. Iris DeMent – Mark Interviews Iris
from: KKFI Production Studio / Recorded Saturday, May 11, 2019

11:05

13. Iris DeMent – “Let The Mystery Be”
from: Infamous Angel / Warner Brothers / 1992 / 1993
[Iris DeMent’s first three releases, all on Warner Brothers records, were critically acclaimed, and she received two Grammy nominations during this time, in the “Folk Music” category. Meanwhile country radio completely overlooked her original songs, and amazing voice that has been compared to Loretta Lynn and Tammy Wynette. For her 1992 debut record, John Prine wrote the liner notes. “One night after receiving a copy of “Let the Mystery Be,” I was listening to the tape while frying a dozen or so pork chops in a skillet. Well Iris DeMent starts singing about “Mama’s Opry,” and being the sentimental fellow I am, I got a lump in my throat and a tear fell from my eyes into the hot oil. Well the oil popped out and burnt my arm as if the pork chops were trying to say, “Shut up, or I’ll really give you something to cry about.” Of course, pork chops can’t talk. But Iris DeMent’s songs can. They talk about isolated memories of life, love and living. And Iris has a voice I like a whole lot, like one you’ve heard before— but not really. So listen to this music, this Iris DeMent. It’s good for you. And if pork chops could talk, they’d probably learn how to sing one of her songs. Then we’d all have something to cry about.” – John Prine, Songwriter, musician & president Oh Boy! Records.]

Krystle Warren

11:08 – Introduction of Krystle Warren

Krystle Warren began her musical career in KC in 2001 collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label – Because Music, and moved to Paris to release “Circles” in 2009. Krystle played “Later with Jools Holland,” garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music to release her double album: “Love Songs,” from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty. Most recently Krystle released, Three The Hard Way that she co-produced with Ben Kane (D’Angelo). Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.

Krystle Warren thanks for being with us on Wednesday MidDay Medley

We last talked with Krystle on Wednesday MidDay Medley on January 30, 2019 with Brad Cox and Jen Owen just prior to the Owen Cox Dance Group’s show “What Keeps Mankind Alive.”
In late 2018 you were in KC to participate in Calvin Arsenia’s Cantaloupe Premiere at The Gem Theatre, and that same weekend you sand at Mutual Musicians Foundation and did surprise show at The Ship.

Krystle has travelled all over the world and has musical ties in Paris, London, San Francisco, and New York City, but K\C will always hold a special place in her heart.

Krystle was brought to Paris by a record label that sent her a one way ticket. Because Music put our her record “Circles.” Krystle performed on multiple European television shows and then ended up leaving the label.

Krystle’s independently produced, “Love Songs” features 24 songs, on two albums, recorded in New York City, with a 27-piece orchestra. You followed up this double album extravaganza with Three The Hard Way, where you played almost every single instrument and sang lead and harmonized with your own voice in a critically acclaimed work of musical art.

In between all of these projects Krystle has recored with Hercules and The Love Affair, Joon Moon, and tribute concerts and recordings for Kate McGarrigle and Nick Drake.

Krystle has toured extensively with Rufus Wainwright, Joan as Police Woman, Nick Cave, and Norah Jones.

Krystle Warren thanks for being with us on Wednesday MidDay Medley

11:17

14. Krystle Warren – “Get A Load”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.] [Krystle Warren was on WMM on September 20. We played her music on 12 different shows.]

Barry Lee

11:19 – Introduction of Barry Lee

Barry Lee is host of Signal to Noise heard Friday nights at 9:00 here on KKFI 90.1 FM. Barry has been a longtime programmer at KKFI. Barry Lee has organized multiple benefit concerts for KKFI including his annual Beatles Tribute shows, A Tribute to Pete Seeger, and special “Collaborations” recordings. It was while playing in a tribute to Neil Young that Barry and friends formed Broken Arrows, a 5-piece band that has released their second record, “Street Flowers” in August of 2018 to critical acclaim. [Broken Arrows play Knuckleheads, Thursday, May 16 with the Kaw Tikis & Berwanger.] [Broken Arrows play Jazzhaus, Friday, May 17 with the Kaw Tikis ]Broken Arrows play The Bottleneck in Lawrence, Saturday, May 18 in support of The Jubilee Mystics cd release party.

Barry Lee thank you for being with us on WMM

Barry Lee

11:20

15. Barry Lee – “Pale Blue Eyes” (Live)
Written by Lou Reed

11:26

16. Anne Winter – “Flying the Staff to The Pixies in Chicago”
from: Wednesday MidDay Medley’s Tribute to Recycled Sounds / WMM / March 22, 2006

11:27 – Underwriting

Brenton Cook

11:29 – Intro of Brenton Cook

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 6 years, Haymaker Records has been a co-sponsor & co-curator of the Outer Reaches Fest.

Brenton Cook thanks for being with us on Wednesday MidDay Medley

11:32 – Brenton’s Pick

17. HMPH! – “Three Chords”
from: Three Chords – Single / Haymaker Records / To be released
[Ryan Lee Toms on guitar, Jonathan Thatch on drums, and Kitten Adventure Boggs on bass.]

Calvin Arsenia

11:36 – Intro of Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and his full length debut, Catastrophe. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. In 2018 Calvin launched a three month Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris. That same year he was signed to Center Cut Records and released his latest full length album Cantaloupe with a giant show at The Gem Theatre. This year Calvin played Folk Alliance in Montreal and has been traveling all over the world.

Calvin Arsenia thanks for being with us on Wednesday MidDay Medley

Calvin Arsenia just returned from shows on the West and East Coasts.

Calvin Arsenia has a show this Saturday night a The Rino in North Kansas City with Teri Quinn and Aaron James from Memphis.

Calvin Arsenia

11:40

18. Calvin Arsenia – “Cantaloupe” (Live)
from: Cantaloupe / Center Cut Records / September 15, 2018 (KC Release)
[The first release on Center Cut Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

11:45

19. Eulogies – “Inward”
from: Eulogies / Dangerbird Records / September 11, 2007

Jen Harris

11:45 – Intro of Jen Harris

Poet Jen Harris is the founder of Kansas City Poetry Slam, she is a TEDx fellow, She has been nationally recognized for her writing and advocacy. She was recently seen in the 3rd season of Queer Eye on Netflix. She graduated from the University of Missouri-Kansas City with a Bachelor of Liberal Arts. She is the recipient of the 2015 Jim Wanser Pride Award for outstanding LGBT community activism. She is the recipient of The Pitch Magazine’s 2017 Poet of the Year award, and was nominated as the 2017 Spoken Word Host of the Year by the National Spoken Word Awards. She was the 2009 ACP Kansas Journalist of the Year. She has two published books of poetry titled: Slammed and Lust & Disdain. Her spoken word record, Flaunting Her Mediocrity was released Oct 9, 2016.

Jen Harris thanks for being with us on Wednesday MidDay Medley

Mark met Jen Harris at The Tivoli Theatre, since then he has watched her build her spoken word / poetry career in Kansas City, Denver, and across the midwest.

Jen just recently graduated from Artist Inc.

Jen Harris

11:48 – Jen Harris Poem

20. Jen Harris – ” ” (LIVE)

Jake Wells

11:51 – Intro of Jake Wells

Last fall the whole world saw KC based singer songwriter – Jake Wells perform on NBC television’s musical competition show The Voice, where he sang in the blind audition and ended up being chosen to be a part of the team coached by Adam Levine of Maroon 5. Jake Wells spent his childhood singing and playing gospel music throughout the country, all the while developing his own talent and style. He studied musical composition in Colorado and performed music while hitchhiking the States before moving to Kansas City. We first played Jake Wells on Wednesday MidDay Medley when Jake released his first self-produced single, “Roll Like Thunder.” Last year Jake released his debut EP Orange and Blue. Jake Wells joins us today to share his brand new single.

Jake Wells, Thanks for being with us on Wednesday MidDay Medley.

Jake Wells was born in Niceville, Florida and spent his childhood singing and playing gospel music throughout the country with his family, all the while developing his own talent and style.

Jake studied musical composition at University of Northern Colorado in Colorado and performed music while hitchhiking the States before moving to Kansas City.

We first played Jake Wells on Wednesday MidDay Medley when Jake released his first self-produced single, “Roll Like Thunder”.

More information at http://www.jakewellsmusic.com

11:54

For Wednesday MidDay Medley, I’m Mark Manning, Thanks for listening

17. Jake Wells – “Wanted To Love You (Master)”
from: Wanted To Love You – Single / Sound 81 Productions / May 18, 2019
[Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 22 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on May 22Jason Buice joins us to share music from his debut EP Other / Side and David George who produced the new recordings will also join us with new music. At 11:00 Helen Proctor share new music from her band HelKat and Shawn Stewart share music from his new album, “Poppies and Puppies.” And at 11:30 Mark talks with music icon Cris Williamson who returns to Kansas City for a special show on Thursday, May 30 at 7:00 at Center For Spiritual Living with Teresa Trull and Barbara Higbie.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #786

Notes on WMM’s 15th Anniversary:

During the past 15 years, Wednesday MidDay Medley has welcomed over 2000 guests, and we have featured 15,000 songs from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, and free speech. We seek to connect listeners with artists and venues and studios and community gathering places. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City / Lawrence area music communities, “The Midcoast Sound,” as we like to call it.

We have dedicated the majority of our programming to New & MidCoastal Releases and have been the first to broadcast the music of Madisen Ward and The Mama Bear, Calvin Arsenia, Ivory Blue, Krystle Warren, Rev. Gusto, Shy Boys, and so many others. We’ve created new formats in radio, with our popular, “A Story In A Song” series, and our specials featuring: The MidCoast Takeover, Middle of The Map, The Crossroads Music Fest, The Outer Reaches Festival, The Lawrence Field Day Fest, Dr. Martin Luther King Jr., a Tribute to David Bowie, The Pioneers of Punk, LGBT themes, Performance Art, Theatre, “The He Touched Me Gospel Hour,” our interviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin, Sam Harris, Holly Near, Cris Williamson, and our annual 4-week special: the 100+ Best Recordings of the Year.

Wednesday MidDay Medley has been a platform for others too, including Marion Merritt who for 15 years has joined us to share sonic discoveries and information from her musically encyclopedic brain. Maria Vasquez Boyd, host and creator of Artspeak Radio, who first started producing and hosting entire shows for Wednesday MidDay Medley. Other contributing “Guest Producers” include: Nico Gray, Brenton Cook, Simone Briand, Chris Haghirian & Nathan Reusch, Necia Gamby, Michelle Bacon, Aaron Rhodes, Steve Gardels, Fally Afani, Judy Mills, Mikal Shapiro, Sherman Breneman, DJ Fat Sal, Betse Ellis, Anne Winter, Jesse Bartmess, Krystle Warren, Christian LaBeau, Britt Adair, Katlyn Conroy, Kasey & Kim Rausch, Rolf Peterman, Mark Titus, Natalie Gallager, Jamie Rich, Shaun Crowley, Jim “The Blind Guy” Hoschek, Tim Kearns, and more.

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Wednesday MidDay Medley Celebrates 15!

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 15, 2019

Wednesday MidDay Medley Celebrates 15!

WMM Celebrates our 15th Anniversary with 15 Special Guests: Iris DeMent, Krystle Warren, Calvin Arsenia, Betse Ellis, Kasey Rausch, Mikal Shapiro, Jake Wells, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Jen Harris, Nico Gray, Fran Stanton, Barry Lee, and Brenton Cook.

In honor of our 15th Anniversary we welcome to the airwaves live performances from: Calvin Arsenia, Betse Ellis, Jen Harris, Mikal Shapiro, Barry Lee and Maria Vasquez Boyd. Plus, Mark interviews Iris DeMent, Krystle Warren, Kasey Rausch, and Fran Stanton. We will also have musical premieres and special musical tracks brought to us by Brenton Cook, Jake Wells, Marion Merritt, Nico Gray, and Necia Gamby.

During the past 15 years, Wednesday MidDay Medley has welcomed over 2000 guests, and we have featured 15,000 songs from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, and free speech. We seek to connect listeners with artists and venues and studios and community gathering places. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City/Lawrence area music communities, “The Midcoast Sound,” as we like to call it.

We have dedicated the majority of our programming to New & MidCoastal Releases and have been the first to broadcast the music of Madisen Ward and The Mama Bear, Calvin Arsenia, Ivory Blue, Krystle Warren, Rev. Gusto, Shy Boys, and so many others. We’ve created new formats in radio, with our popular, “A Story In A Song” series, and our specials featuring: The MidCoast Takeover, Middle of The Map, The Crossroads Music Fest, The Outer Reaches Festival, The Lawrence Field Day Fest, Dr. Martin Luther King Jr., a Tribute to David Bowie, The Pioneers of Punk, LGBT themes, Performance Art, Theatre, “The He Touched Me Gospel Hour,” our interviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin, Sam Harris, Holly Near, Cris Williamson, and our annual 4-week special: the 100+ Best Recordings of the Year.

Wednesday MidDay Medley has been a platform for others too, including Marion Merritt who for 15 years has joined us to share sonic discoveries and information from her musically encyclopedic brain. Maria Vasquez Boyd, host and creator of Artspeak Radio, who first started producing and hosting entire shows for Wednesday MidDay Medley. Other contributing “Guest Producers” include: Nico Gray, Brenton Cook, Simone Briand, Chris Haghirian & Nathan Reusch, Necia Gamby, Michelle Bacon, Aaron Rhodes, Steve Gardels, Fally Afani, Judy Mills, Mikal Shapiro, Sherman Breneman, DJ Fat Sal, Betse Ellis, Anne Winter, Jesse Bartmess, Krystle Warren, Christian LaBeau, Britt Adair, Katlyn Conroy, Kasey & Kim Rausch, Rolf Peterman, Mark Titus, Natalie Gallager, Jamie Rich, Shaun Crowley, Jim “The Blind Guy” Hoschek, Tim Kearns, and more.

Join us in our radio celebration!

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #786

WMM Playlist from May 8, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 8, 2019

Nick Carswell “Changing Shades” +
Laurel Morgan Parks & Sascha Groschang of The Wires
+ Molly McLaughlin & Turlach Boylan

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Marvin Gaye – “Where Are We Going? (Alternate Mix 2)”
from: You’re the Man / Motown – Universal Music / March 29, 2019
[You’re the Man is a posthumous studio album by American singer Marvin Gaye, originally intended to be released in 1972 as the follow-up to What’s Going On. It was released on March 29, 2019 to celebrate what would have been Gaye’s 80th birthday on April 2, 2019. The album includes the single of the same name, as well as the intended original album in full and other songs Gaye recorded at the time. Salaam Remi’s remix of “My Last Chance” was released in promotion of the album on February 8, 2019.You’re the Man was intended as another socially conscious record like What’s Going On (1971), but following the release of its lead single, the title track “You’re the Man”, Gaye cancelled its release. This was in part due to the reception of the song, as well as the fact that Gaye’s political views were different from those of Motown founder Berry Gordy. For these reasons, You’re the Man was long considered a “lost” album. 15 of the 17 songs have not previously been released on vinyl, but most were made available on CD compilations over the years. The album includes a longer take of “I Want to Come Home for Christmas”, which was first made available in 1990 after being recorded in 1972. The physical release of the album includes liner notes written by David Ritz. “Where Are We Going?” was written by Larry Mizell and Larry Gordon.]

3. Mattiel – “Keep The Change”
from: Satis Factory / ATO Records / June 14, 2019
[Bringing a whole new meaning to the term one-(wo)man band, Atlanta-based Mattiel Brown writes her own music, directs her own visuals and even designs her own sets. Oh, and when she’s not busy with her music career you can find her at her side-hustling as a set designer, illustrator and designer. Having grown up in quiet rurality in Georgia working on her mother’s farm, these creative sensibilities offered a young Mattiel endless escapist opportunities. Dreaming of far away lands and wild worlds, it was upon stumbling across her mum’s record collection (the likes of Donovan, Peter Paul and Mary, and The Monkees) that things really began to click and she discovered the transportive power of music.]

4. The Sextet – “Colors of the Wind (feat. Calvin Arsenia)”
from: Blob Castle / The Sextet / October 7, 2017
[After the release of The Sextet’s debut album, In a Natural State from July 2016, bassist and bandleader Robert Castillo moved from the Pacific Northwest back home to Kansas City. Castillo reconnected with high school friends and other musicians to reform the group and continue performing his compositions and arrangements. Blob Castle showcases not only the talent of musicians bred in a jazz city, but also the diversity and growth of Castillo’s writing. From the Latin groove tune “La Mona,” written for Robert’s mother to the somber ballad “Maggie” written in memory of a friend, this album goes beyond genre barriers to explore the paths of improvisational music. The former album was funded through a Kickstarter campaign in which a reward for donating was a Castillo original composition. On this album you’ll hear these commissioned pieces which include “TC,” “be,” and “#notmypresident.” The album flows from one mood/emotion to the next, taking the audience through a journey through Robert’s imagination. Facilitating the flow are band members Teddy Krulewich on trumpet, Max Levy on tenor sax, Trevor Turla on trombone, Peter Marten on guitar, and Fritz Hutchison on drums. Mixed and mastered by Duane Trower at Weights & Measures in KCMO. The current line up includes: Joe Tesoro on soprano sax, Max Levy on tenor sax, Aryana Nemati on baritone sax, Pete Marten on guitar, Nik Douglas on drums, and Robert Castillo on bass, and composer. The Sextet is getting set to release their third album “Among Friends” in the Fall of 2019]

[The Sextet play Jazz Night at The Ship, 1217 Union Ave, West Bottoms, on Sat, May 11, at 10:00 PM]

5. Danielle Nicole – “How Come U Don’t Call Me Anymore”
from: Cry No More / Concord Records / February 23, 2018
[Nominated for a Grammy Award for Best Contemporary Blues Album. Danielle Nicole lends her incredible voice to this Prince classic in honor of his recent passing. Danielle Nicole wrote or co-wrote 9 of the songs on this album. She sings and plays bass on all tracks, with special guest musicians like Sonny Landreth on slide guitar, Walter Trout on guitar, Kenny Wayne Shepherd on guitar, Johnny Lee Schell on guitar, Monster Mike Welsh on guitar, Brandon Miller on guitar, Luther Dickinson on guitar. Danielle Nicole was born Danielle Nicole Schnebelen. Her self-titled solo debut EP was released March 10, 2015 on Concord Records. The self-titled EP features Grammy Award-winning producer-guitarist Anders Osborne, Galactic’s co-founding drummer Stanton Moore and keyboardist Mike Sedovic. On February 25, 2015, American Blues Scene premiered the track “Didn’t Do You No Good” off the new EP. Danielle Nicole was previously in the band Trampled Under Foot with her brothers Kris and Nick Schnebelen. At the 2014 Blues Music Awards, Trampled Under Foot’s album, Badlands, won the ‘Contemporary Blues Album of the Year’ category. At the same ceremony, Danielle Nicole, under the name of Danielle Schnebelen, triumphed in the ‘Best Instrumentalist – Bass’ category. The band was also nominated in the ‘Band of the Year’ category. In September 2015, her debut album, Wolf Den, was released on Concord Records. It reached number 2 in the Billboard Top Blues Albums chart in October that year. Danielle Nicole’s second solo album, Cry No More, peaked at # 1 in the Billboard Top Blues Albums chart. Bill Withers wrote one of the teacks on the new album.]

[Danielle Nicole Band with special guests The MGDs play Knuckleheads Saloon at 2715 Rochester St, KCMO, Saturday, May 11 at 8:30 PM]

6. Pamper the Madman – “Spinning”
from: Spinning – Single (unmastered) mixes from unreleased new recordings (May 1, 2018)
[Current members of the reformed Kansas City band Pamper The Madman include: Johnny Hamil, Theresa Scott, Chris Fugitt & Chris Tady. Theresa Scott is formerly known Theresa Schloegel. She is one of the original members of Pamper the Madman. Tim Finn in the KC Star wrote: “Clever songs made Pamper the Madman one of the area’s biggest bands 20 years ago.” The band released their self titled debut on Stress Records in 1995. The band stopped playing in 1998 but after a handful of reunion shows between 2014-2016, the band decided to get back together and is recording new material. Theresa Schloegel was born in Kansas City on November 07, 1970. A while back with her husband and family she left town on a boat going south on the river. She also lives in Santa Cruz. Theresa Scott’s family has owned and operated Woodyard BBQue for generations. Members of Pamper the Madman have included Theresa Scott, Chris Fugitt, Robbie Wagner, Marshall Strong, Johnny Hamil and Chris Tady.]

[Pamper the Madman & The Bad Ideas play The Brick 1727 McGee St, KCMO, Saturday, May 18, at 9:00 PM]

7. Stereolab – “International Colouring Contest”
from: Mars Audiac Quintet / Elektra / August 8, 1994
[Expanded Edition Reissued May 3, 2019]
[One of several new reissues remastered from original tapes, with a bonus disk of unreleased demos, outtakes and alternate mixes. Co-released by band’s own label Duophonic UHF Disks and Warp Records. In February 2019, the group announced a tour of Europe and North America to coincide with expanded, remastered reissues of several of the albums. Stereolab were an English-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group’s music combined influences from krautrock, lounge and 1960s pop music, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French. On stage, they played in a more feedback-driven and guitar-oriented style. The band also drew from funk, jazz and Brazilian music, and were one of the first artists to be dubbed “post-rock”. They are regarded among the most innovative and influential groups of the 1990s. Mars Audiac Quintet is the third studio album by English-French rock band Stereolab. It was released on August 8, 1994 in the United Kingdom by Duophonic Records and in the United States by Elektra Records. During the recording of the album, guitarist Sean O’Hagan left as a full-time member to tour with the High Llamas, while keyboardist Katharine Gifford was added.The song “International Colouring Contest” is a tribute to Lucia Pamela, and samples her voice in the intro. Stereolab: Lætitia Sadier on vocals & guitar, Mint’s organs, & tambourine; Tim Gane on guitar, bass, Vox, Farfisa organs, & Moog synthesiser; Duncan Brown on bass; Katharine Gifford on Vox, Farfisa organs, & Moog synthesiser; Mary Hansen on vocals, guitar, tambourine, & egg shaker; Sean O’Hagan on slide guitar, marimba, & brass arrangements; and Andy Ramsay on drums, percussion.] [The last Stereolab release we remember was 2010’s Not Music on Drag City Records. It was their 12th album, released during the band’s self – imposed hiatus from recording and touring. The tracks were recorded in early 2007. Half of the recordings were released in 2008 on their release “Chemical Chords.” It was reported that the recordings began when band member Tim Gane started messing with ‘a series of about seventy tiny drum loops’ on top of improvised chord sequences using piano and vibraphone. “building them up from there – later slowing the tracks down or speeding them up – it was a totally new way of doing songs for us”. The band createdm all the tracks in their studio, Instant Zero, in Bordeaux, France.]

10:30 – Underwriting

8. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

10:35 – Interview with Nick Carswell

Songwriter Nick Carswell is originally from Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011. He formed Carswell & Hope in late 2012. The band released their debut album in 2014, coinciding with a two week Irish tour. Nick also plays bass in the electro-pop band Pink Royal and is the force behind Silly Goose Records and the annual MixMaster music conference, now part of the Crossroads Music Festival. Nick Carswell joins us to share details about Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song in a solo performance of 10 songs, accompanied by lighting, projection and stage design, Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Nick Carswell thanks for being with us on WMM.

Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance of 10 songs, accompanied by lighting, projection and stage design, creating a unique visual canvas to the music.

Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND

Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Each night features guest performances by Amado Espinoza (in KC) and María Elena Cuevas (in Lawrence).

The project was supported by an ArtsKC Inspiration Grant.

More info at: http://www.changingshadesproject.com

10:44

9. Nick Carswell – “The Wave (A Reckoning) ”
from: The Wave (A Reckoning) – Single / Silly Goose / May 7, 2019
[The featured single from “Changing Shades”, a solo project by Nick Carswell.
All music & lyrics by Nick Carswell. Produced by Nick Carswell. Additional mixing by Jason Slote. More info at http://www.changingshades.com.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence with guest performance by María Elena Cuevas.]

10:48 – More Interview with Nick Carswell

Laurel Morgan Parks and Sascha Groschang with Nick Carswell on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

We are talking with Nick Carswell about Changing Shades – Stories of Migration, Confusion & Belonging a solo performance of 10 songs,, Friday, May 10, at 7:00 PM, at The Irish Center of KC, AND Saturday, May 11, at 7:00 at Lawrence Arts Center,.

Nick Carswell thanks for being with us on WMM.

The Wave (A Reckoning) written by Nick Carswell

Where to start? Where do I begin?
I’ve played my part for all the good it’s been
And the stars grow dim
High above me

We all laughed, what a joke it’s been
I’ve sold my lot, all but given in
But still the din
Is rising
above me
All at once
It overcomes me

But here I am at the end
On the outside looking in
I see a friend
I watch the pendulum swing

My body’s bruised
The air is thin
On my back
I’ve been carrying
the greed and sin
of those before me
But now a reckoning
A wave is forming

So here I am at the end
On the outside looking in
I feel the weight
I watch the world caving in

Here am I, All I’ve lost is what I’ve given in
I feel the end
I’m ready to begin

PRESS RELEASE: Lawrence-based Musician Launches New Multimedia Performance Inspired by his Immigrant Experience. “Changing Shades” is a new electro-acoustic project from Irish immigrant and musician Nick Carswell

LAWRENCE, KS MARCH 20, 2019:
Lawrence-based musician Nick Carswell will debut a new multimedia work inspired by his experience as an immigrant in the United States, with concerts at the Kansas City Irish Center (May 10th) and the Lawrence Arts Center (May 11th). The new project is a departure from the usual genres Carswell has previously released work in and combines his recent experience with multimedia public art and a new body of electro-acoustic music. The Lawrence and Kansas City concerts will be accompanied by guests Maria Cuevas (formerly Maria The Mexican) and Bolivian multi-instrumentalist, Amado Espinoza, respectively. Tickets for both concerts are $10 and performances begin at 7pm.

Changing Shades: An Immigrant’s Story of Confusion & Belonging will consist of 10 songs, each accompanied by lighting, projection and stage design, creating a unique visual canvas to accompany the music. The projected was supported by an ArtsKC Inspiration Grant which funded the purchase of electronic music and lighting equipment to expand the music performance into an immersive multimedia presentation.

“This is definitely new ground for me,” Carswell explains. “The project combines some new tools I’ve been quietly working with over the last several years, with themes that have been kind of weighing heavy recently. This combination called for a different kind of presentation.”

The new works focus on the theme of “belonging” and draw upon Carswell’s experience living as an Irish immigrant for 8 years in the U.S. Songs deal with his own sense of shifting cultural life.

Contact: Nick Carswell Phone: (785) 424-5236|Email: nickcarswellmusic@gmail.com

Nick Carswell thanks for being with us on WMM.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, with guest performance by María Elena Cuevas. More info at: http://www.changingshadesproject.com

10:57

10. MorMor – “Some Place Else”
from: Some Place Else – EP / Don’t Guess – AWAL Records / May 3, 2019
[Artist, Singer-Producer, multi-instrumentalist, born and raised in Toronto. MorMor writes, records, produces most of his own work. He tells pigeons and planes, “A lot of my inspiration stems from wanting to share a perspective of Toronto that I feel hasn’t been represented,” he says. “I’m glad Toronto is getting a lot of attention right now, but my experience of the city that has shaped me isn’t really part of the story yet.” he goes on to say, “I always felt different from the other kids at school. I went through a really hard time because I was the kid who always hung out with a wide variety of people. I kept searching for kids like me, but it never happened. In the end it gave me some good perspective. I was a pretty rebellious person when I was young. I had a problem with authority. I was reluctant to take orders if I didn’t believe in the cause. I might be the only kid who got suspended in the first grade. Music was something that I could escape through.]

11:00 – Station ID

13. The Wires – “Wilder”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]

[The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

11:04 – Interview with Laurel Morgan & Sascha Groschang of The Wires

Sascha Groschang and Laurel Morgan Parks of The Wires, on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

Laurel Morgan grew up in Lincoln, Nebraska. A classically trained musician, she has been playing the violin for 30 years. Laurel graduated from the UMKC Conservatory of Music in 2005. She has also performed with the Des Moines Symphony, Quixotic Fusion, Musical Theatre Heritage at the Off-Center Theatre, the folk-rock band, ‘In the Pines” that won several Pitch Music Awards. And with her husband artist Ben Parks she is ia founder of the band Of Tree As a composer, arranger, and musician Laurel Morgan has traveled to Germany, Austria, and throughout the United States, but is based here in Kansas City.

Sascha Groschang graduated from Paseo Academy of Performing Arts in 2000, UMKC Conservatory of Music in 2004, and Mannes College – The New School For Music in 2008. She had her solo recital debut at Carnegie Hall’s recital hall, Weill Hall in February 2009. Sascha has recorded or performed with Peter Gabriel, Joanna Newsom, Ashanti, Adina Menzel, Clay Walker, the Trans-Siberian Orchestra. She has also worked for NBC, Rhino Records, Juniper String Ensemble, Saint Joesph Symphony, and is part of the faculty at Missouri Western State University. She also teaches out of her Midtown KC home studio. You can learn more at: cellolady.com

Together, Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

More info at: http://www.thewires.info

The Wires debut CD titled: “The Wires Alternative Strings” was originally released through i-tunes, Sept. 25, 2012

Sascha moved back to Kansas City in 2010, after living in NYC for 3 years. She and her husband were married in Brooklyn. They now have wo children age 3 and 1.

Laurel worked in the acclaimed band, In The Pines.

11:13

12. The Wires – “Uncaged”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]
cond album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

We’re talking with Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

Laurel was most recently on Wednesday MidDay Medley sharing music from her band Of Tree

Of Tree’s release, How Does It Feel (October 12, 2018) was one of WMM’s 118 Best Recordings of 2018

Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.”

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

More info at: http://www.thewires.info

Molly McLaughlin, Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

11:24

13. Jean Claude and the Eclairs – “Glasgow.”
from: Glasgow. – Single / Jean Claude and the Eclairs / April 4, 2019
[Alternative Pop/Rock trio based in Lawrence, KS formed by Cooper Scott, Garrison Krotz and Quinn Maetzold in June of 2016.]

[Jean Claude and the Eclairs play The Bottleneck, 737 New hampshire St. Lawrence, KS. Thursday, May 9, at 8:00 PM in an all ages show with Shoebox Money, Cavves, and The Arsonist .]

11:29 – Underwriting

11:31 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan and Molly McLaughlin on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

Turlach Boylan learned to play Irish music as a teenager, studying with John Kennedy in Culleybackey, County Antrim. In 1986, he won an Irish national contest for flute slow airs. Turlach comes from a musical family, he has four sisters and one brother that also play music. Since emigrating to America, he has continued to perform, playing in over 30 states with the band Glen Road and, more recently, in a duet with guitarist Davey Mathias. He has produced three recordings, available on CD. In addition to flute and tin whistle, he also plays banjo and mandolin

Molly McLaughlin studied music at the California Institute of the Arts and the Hartt School, specializing in contemporary, Classical, and traditional Irish flute. Molly has toured with Jethro Tull, recorded at Capitol Records, and performed at the Folk Alliance International Conference. Molly is a core member of Kansas City’s Ensemble Ibérica and performs regularly with her Irish band, Into The Sun. She released her first album in 2017. In August, she’s moving to Ireland to study Traditional Irish Flute for the next several years.

Molly McLaughlin and Turlach Boylan will play live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program and we have our final concert coming up on May 18.

11:38

14. Molly McLaughlin & Turlach Boylan – Jigs: “Whistler at the Wake / Battering Ram”

11:42 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan & Molly McLaughlin with Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

We’re talking with Molly McLaughlin and Turlach Boylan who are playing live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program

The Missouri Folk Arts Program identifies, documents, and promotes the folk and traditional arts in our state. Missouri hosts one of the oldest, continuous statewide folk arts apprenticeship programs in the United States, established in 1984. The Traditional Arts Apprenticeship Program funds master artist and apprentice teams who are committed to sustaining their artistic traditions and cultural heritage over an eight month period. This year, Irish flutists Turlach Boylan and Molly McLaughlin were selected to work together.

Harmony Project KC is an intensive, arts-based, youth intervention and mentoring program for under-served children in KC’s urban core. Their mission is to promote the healthy growth and development of children through the study, practice and performance of music; to build healthier communities by investing in the positive development of children through music; to develop children as musical ambassadors of peace, hope and understanding among people of diverse cultures, background and beliefs.

11:49

15. Molly McLaughlin & Turlach Boylan – Reels: “Humours of Ballymac / Devanny’s Goat”

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin and Turlach Boylan perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

11:56

16. Le Grand – “Button Mashing”
from: Plastic Jazz / Le Grand / May 10, 2019
[Kansas City based instrumental rock band with Josh Snow on guitar, Sam Sartorius on drums, Sterling Dorrell on guitar, and Chelby Hanks on bass]

[Le Grand play and EP Release at The Rino, 314 Armour Rd, North Kansas City, MO., Friday at 7:00 PM, with Via Luna, Oxford Remedy, and Aage Birch.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on May 15, Wednesday MidDay Medley Celebrates our 15th Anniversary with 15 Special Guests: Iris DeMent, Krystle Warren, Calvin Arsenia, Betse Ellis, Kasey Rausch, Mikal Shapiro, Jake Wells, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Jen Harris, Nico Gray, Fran Stanton, Barry Lee, and Brenton Cook.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #785

Wednesday MidDay Medley presents Julia Othmer + Guest Producer Nico Gray

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 27, 2019

New & MidCoastal Releases
+ Julia Othmer + Guest Producer Nico Gray

Mark plays more New & MidCoastal Releases from: Violet and the Undercurrents, Remy Styrk, Dead Voices, Julia Othmer, and Slights. Plus, we’ll feature artists participating in Survivors’ Stories: Stand Against Sexual Violence at The Rino and tracks from: Kat King, Bob & Una Walkenhorst, and a spoken word piece from Poet Jen Harris.

Julia Othmer

At 10:30 Julia Othmer shares stories, and her new single, “Hungry Days (Make Me Feel)” produced with James Lundie, who married Julia in 2016 after the completion of the recording of Julia’s new record. Julia Othmer is a graduate of Park Hill High School and moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.” Julia Othmer plays Knuckleheads, at 2715 Rochester Street, Thursday, February 28, at 8:30 pm. More info at http://www.juliaothmer.com.

At 11:00 Mark welcomes Nico Gray who joins us as a Guest Producer for our second hour. Nico Gray is a frequent contributor to Wednesday MidDay Medley. Nico will play tracks from: Baby Huey & The Baby Sitters, Paul McCartney, Yma Sumac, Art d’Ecco, Jackie Shane, Super Borgou de Parakou, Shad, Jeen, Sly Stone, and Emma Louise.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #775

WMM Playlist from Feb. 20, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 20, 2019

New & MidCoastal Releases
+ Claire Adams + Frank Alvarez + Wick Thomas

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Mavis Staples – “Can You Get to That (Live)”
from: Live in London / Anti / February 8, 2019
[New Live album released just prior to her 80th birthday, and 10 years after her last live album, Mavis Staples Live: Hope at the Hideout, from 2008. A follow up to her 16th studio solo album, “If All I Was Was Black, from 2017. For Live in London, Mavis recorded with her touring band: Rick Holmstrom on guitar, music direction & backing vocals; Jeff Turmes on bass & backing vocals; Stephen Hodges on drums; Vicki Randle on backing vocals; and Donny Gerrard on backing vocals. This live album celebrates music from her last 5 studio albums, released in the last nine years, with songs written by Jeff Tweedy, M. Ward, Benjamin Booker, Ben Harper, Curtis Mayfield, Talking Heads, Roebuck “Pops” Staples, Justin Vernon. This track was written by George Clinton & Ernie Harris and recorded for “Maggot Brain,” the third studio album by the Funkadelic, released in 1971. Mavis Staples is a legend. She is a gospel R&B singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. She has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. Mavis!, the first feature documentary about Staples and the Staple Singers, directed by Jessica Edwards, had its world premiere at the South by Southwest Film Festival in March 2015. Mavis! was screened in theaters and on HBO in February 2016. Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down. This song was oroginally included on Mavis Staples’ 2013 release One True Vine, her 13th studio album, and the second on which she collaborated with record producer and Wilco frontman Jeff Tweedy. Tweedy also played most of the instruments on the album, with the exception of the drums, which were played by his son, Spencer Tweedy. The album was recorded at the Wilco Loft in Chicago, and while working on it, Staples commuted back and forth between the Loft (on Chicago’s North Side) and her home on Chicago’s South Side.]

3. Shy Boys – “Dim The Light”
from: Dim The Light / Brick By Brick – Single / Polyvinyl Record Co. / February 15, 2019
[New single release and follow up to the band’s second album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play recordBar, 1520 Grand Ave, KCMO, Friday, February 22, at 8:00 PM, with Natural Man, and The Creepy Jingles.]

4. Kasey Rausch – “City Strangers”
from: Born Near The Waters / Independent / November 24, 2004
[From http://www.kaseyrausch.com: Released on the night of her 30th birthday, “Born Near the Waters…” is the first full album released by Kasey Rausch. It was recorded by Mike West at the 9th Ward Pickin’ Parlor in New Orleans, Louisiana over three hot muggy days – July 3, 4 & 5 2004. Breaks from the studio were spent on top of the now infamous levy broken by the forces of Hurricane Katrina. Kasey’s husband, Travis Huffhines (mandolin) and two of her dear friends, Mikal Shapiro (harmonies, percussion, clarinet) and Joel Kraft (vocals), recorded by day and gigged by night. The result is a raw, un-mastered recording that reflects the once youthful songwriting and vocal styles of Rausch. Guest musicians include Grammy nominee Gina Forsyth on fiddle, Mike West on banjo, mandolin, acoustic guitar and Katie West on upright bass (Truckstop Honeymoon). // Kasey Rausch is a 5th generation songwriter & musician, co-producer/host of roots music radio show River Trade Radio on KKFI 90.1FM Kansas City Community Radio and former host of Campfire on DittyTV (Memphis, TN). Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas (home of the legendary Walnut Valley Festival) and deep Southeast Texas. She tours nationally with pedal steel and guitar master Marco Pascolini as The Country Duo and plays locally with classic country honky tonkers The Naughty Pines and songwriter Scott Stanton. Rausch’s third album, Guitar in Hand (originally released on MudStomp Records 2014), debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch, KC’s weekly entertainment guide. She was named 2016 Best of the Northland Artist, 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM and is a four-time Pitch Music Award Nominee.]

[Kasey Rausch plays a Songwriters Serenade with Rex Pryor and John Keck, Thursday, February 21, at 7:00 PM at Madrigall, 1627 Oak St, KCMO. Hosted by John L. Keck, “Songwriters Serenade” is an evening of performance in a listening environment with original music in the round.]

5. Laura Spiegel – “Strand of Life (“Viroid”)”
from: Unseen Worlds / Unseen Worlds / January 18, 2019 Reissue
[Laurie Spiegel’s second full-length album, Unseen Worlds, arrived just over ten years after her debut album. Having realized the pieces found on The Expanding Universe (1980) on an instrument no longer available to her, the GROOVE System at Bell Laboratories, Spiegel moved on to composing and developing for the Alles Machine, alphaSyntauri, McLeyvier and various other instruments before creating an instrument entirely her own. Spiegel created “Music Mouse – An Intelligent Instrument” on a Macintosh 512k so that she could have an instrument that was not general purpose but a small, specialized, and well defined musical instrument for and by her that she did not have to compromise on or risk losing access to it. While it was a very personal instrument for Spiegel, demand among friends and colleagues nevertheless grew until “Music Mouse – An Intelligent Instrument” became a commercial product for the Macintosh, Amiga, and Atari personal computers with a devoted popular following that continues to this day, despite the obsoletion of those platforms. At the time of her Unseen Worlds album’s original release in 1991, the issuing record label turned out to be going out of business, dissolved and disappeared, sending the album immediately into obscurity. Outside of a private CD edition issued by Spiegel on her own Aesthetic Engineering label in 1994, this new edition represents the first proper commercial release of Unseen Worlds. “Unseen Worlds is not so much based on melody and rhythm as it is on textures, pulses, and sonic environments. Sometimes dark, sometimes light, its drama pulls in the adventurous listener who wants to take a musical journey. Using computer software she wrote in order to implement a unique musical vision, Unseen Worlds blends the artistic and the technical, the cerebral and the sensual, and revives the virtually abandoned tradition of electronic music. Unseen Worlds is the work of a sonic explorer whose music can both challenge and caress. Those looking for other worlds of sound can put on headphones and find them here.” – Craig Anderton // All compositions composed, produced, mixed, and coded by Laurie Spiegel. Mastered by Paul Zinman]

6. Mess – “Cave”
from: “Cave” – Single/ Mess / August 27, 2018
[First single from band’s upcoming debut full length album, ‘Learning How To Talk.’ This Kansas City based band was formed by: Allison Gliesman, Kevin Briody, Tanner Pinkerton & Evan Velasquez. This track was produced by Patrick Robinson, mixed by Braxton Matlock,and mastered by Troy Glessner (spectre).]

[Mess play recordBar, 1520 Grand Blvd, KCMO, Tuesday, February 26, at 8:00 PM, opening for Soccer Mommy with Hovvdy.]

[Mess play a ‘Learning How To Talk’ Record Release Show, Saturday, March 30, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City, MO. with Weathered, LK Ultra, and witchhazel]

7. Mae C – “Anxious”
from: “Anxious” – Single / Mae C / April 10, 2017
[Follow up to her 2016 EP Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an independent artist in the Kansas City music scene. A self-acclaimed black girl nerd, she originally planned on becoming an engineer and studied computer design at Lincoln University of Missouri. After leaving Lincoln to pursue her true passion of singing and songwriting, she finds that her techy side impacts how she writes music. “As a kid, I was always picking things apart and figuring out how to put them back together,” she said. “As an artist, I do the same thing – I pick apart my favorite singers to discover what made them great so I can walk in their footsteps.” With Kansas City becoming a place of movement for arts and entertainment, Mae C says now is the time to reinvent the wheel, break barriers, build bridges, but most of all support each other. “Supporting each other is the secret to rising to the top and putting the town on the map”, says Mae C. She aspires to inspire other artists to capitalize in their craft by not putting themselves in a box. “I’m an African American woman, but I refuse to allow anyone to use that against me. I’m an artist & proud black girl and I deserve a chance at every opportunity just as anyone else,” she said..]

[Mae C. plays The Riot Room, 4048 Broadway, KCMO, Saturday, February 23, at 8:00 PM. with Trxz Jones, They Call Me Sauce, JaySol Music, Guest DJ: DJ G3wizz, and Special Guest: Jo Blaq.]

8. Mercury Rev – “Reunion feat. Rachel Goswell”
from Bobbie Gentry’s the Delta Sweete Revisited / Partisan Records / February 8, 2019
[Rachel Ann Goswell was born May 16, 1971. She is an English singer-songwriter and musician who rose to prominence as vocalist and guitarist of the shoegaze band Slowdive, which formed in 1989. Goswell, along with Neil Halstead, Ian McCutcheon and former Chapterhouse member Simon Rowe became Mojave 3 when Slowdive transitioned to a more country/folk rock style. She released a solo album in 2004, titled Waves Are Universal on 4AD Records. // It slipped out of a Mississippi of hot biscuits, genteel table manners and working-class sense, suddenly overturned by a grave sinning and suicide. Carried on an evening breeze of strings and a supple, foreboding voice like sensually charged breath, “Ode to Bilie Joe”—Bobbie Gentry’s 1967 debut as a singer-songwriter and a Number One single for three weeks in the late Summer of Love—was the most psychedelic record of that year not from San Francisco or London, as if Bob Dylan, Neil Young and Brian Wilson had conspired to make a country-rock Pet Sounds. Except Gentry, just 23 when she wrote the song, got there first, in miniature. // Gentry’s hit was a revolutionary act, a quietly thorough feminism in vision, deed and success amid the strict, paternal order of the country-music industry. And it was her license to thrill again. In October, 1967, while “Billie Joe” was still in the Top Five, Gentry began recording The Delta Sweete, a connected set of a dozen songs that extended the narrative dynamics of that single with personal reflection and set her folk-siren charisma in a richer frame of dream-state orchestration, swamp-rock guitars and big-city-R&B horns. // In her eight original songs for the album, Gentry drew from her childhood and church life on her grandparents’ farm in Chickasaw County, Mississippi: the girl-ish craving for a beautiful dress in “Reunion”; the rise-and-shine of “Mornin’ Glory”; the stern Sunday lessons in “Sermon,” based on a traditional hymn also known as “Run On.” The covers were boldly chosen: Mose Allison’s chain-gang blues “Parchman Farm”; “Tobacco Road”’s litany of trial; the Cajun pride in Doug Kershaw’s “Louisiana Man”. Gentry also turned them to new purpose and even gender. “Gonna get myself a man, one gonna treat me right,” she sang in Jimmy Reed’s “Big Boss Man” with heated assurance. // But The Delta Sweete—released in March, 1968, only three months after Dylan’s John Wesley Harding and right as the Byrds came to Nashville to cut Sweetheart of the Rodeo—was too soon in its precedence. Gentry’s LP, the first country-rock opera, was ignored on arrival, not even cracking Billboard’s Top 100. It was as if Billie Joe had risen out of the Tallahatchie River and thrown that record off the bridge instead. // This Delta Sweete is her long-delayed justice—Mercury Rev’s committed and an affectionate resurrection of an album that anticipated by three decades their own pivotal expedition through transcendental America, 1998’s Deserter’s Songs. From their recording lair in New York’s Catskill Mountains, the founding core of Jonathan Donahue and Grasshopper with Jesse Chandler (previously in the Texas group Midlake) honor Gentry’s foresight and creative triumph with spacious invention and hallucinatory air. And they are not alone. Gentry’s stories and original resolve are brought to new vocal life and empowerment by a vocal cast of women from across modern rock and its alternative paths: among them, Mazzy Star’s Hope Sandoval; Laetitia Sadier, formerly of Stereolab; Marissa Nadler; Margo Price, the fiery new country star with a punk-rock heart; and Norway’s Susanne Sundfør, who cuts through “Tobacco Road” with arctic-Nico poise. Phoebe Bridgers, whose first record was a softly stunning 2015 single for Ryan Adams’ PAX AM label, hovers through the acid- western suspense of Gentry’s “Jessye’ Lisabeth” with floating calm, like a comforting angel. // On the 1968 LP, Gentry opened with a call to jubilant order, “Okolona River Bottom Band,” like she was leading a barn-dance union of the early Rolling Stones and Louis Armstrong’s Hot Five. Norah Jones takes that entrance here with her own sultry command, like Sarah Vaughan at the head of a slow-blooming choir. In “Sermon,” Price—who has known real struggle up close—sings like a survivor through Mercury Rev’s explosion of color and groove: a specialty throughout the band’s history as recently as 2015’s The Light in You, going back through All Is Dream in 2001, the whirling iridescent soul of 1995’s See You on the Other Side and the sumptuous turbulence of the 1992 single “Car Wash Hair.” // Gentry is still very present in the changes. Her seesaw of pride and hurt in the melancholy blur of “Penduli Pendulum” (“When goodbye serves as/My one amusement”) is even more explicit with the seasoned intimacy of Vashti Bunyan—a once-elusive voice from Britain’s psychedelic-folk boom—set against the younger, brighter arc of Kaela Sinclair, now in the electronic project M83. And in “Courtyard,” a despairing finale of strings and guitar arpeggios on Gentry’s LP, Mercury Rev build a striking Delta Krautrock in which the English singer Beth Orton wanders, like Gentry, through a ruin of profound loss and treasured memory. // “Ode to Billie Joe” was not on the ‘68 Delta Sweete. But Mercury Rev go back to that dinner table with Lucinda Williams of Lake Charles, Louisiana, and it is an inspired bond, calling up the ghosts and questions of a South still very much with us. Indeed, Gentry—who retired from recording and performing in the Seventies—reportedly lives only a couple hours’ drive from the bridge that made her famous, while the spirits she set loose in The Delta Sweete are as restless and compelling as they were 50 years ago. This album is a loving tribute to that achievement, one of the greatest albums you have never heard. It is also a dozen new ways to walk that land. -David Fricke]

9. Calvin Arsenia – “Tip Toe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[Calvin’s first release on Bullseye Records. Calvin Arsenia came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, 2017’s Catastrophe. He released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. He undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays the Crossroads Hotel, 2101 Central Street, KCMO, Thurs, Feb 21, at 7:00 PM.]

[Calvin Arsenia plays a special A Fundraising Concert. Saturday, February 23, at 7:00 PM, for The Open Table KC, 318 E 55th St, KCMO. Part of the proceeds will go towards expanding programming and anti-racism trainings at The Open Table KC.]

[Calvin Arsenia plays Mark Music 3.1: A Sunday Evening Of Music With Calvin Arsenia, Sunday, March 24, at 7:30 PM, at Marshall Hall at St. Mark Hope and Peace Lutheran 3800 Troost Avenue.]

[Calvin Arsenia plays Kemper Museum of Contemporary Art, 4420 Warwick Boulevard, KCMO, Thursday, February 28, 2019 at 6:00 PM.]

10:29 – Underwriting

Claire Adams (Photo by Anna Selle)

10. Claire Adams – “Enough”
from: Into The Blue / Independent / December 12, 2015
[Claire Adams on voice & guitar, Nick Bell Conductor, Christina Wince on flute, Teri Quinn on clarinet, Brandon Crawford on bass clarinet, Mark Lauer on bassoon, Jen Oliverio on trumpet, Austin Pfeiffer on trombone, Joseph Felton on tuba, Erik Hassell pn violin, Alyssa Bell on viola, Eman Chalshotori on cello, Sarah Lahasky on double bass, and Stephanie Williams on drum set. Songs composed by Claire Adams “In the Blue” arrangement by Peter Lawless; “Enough” arrangement by Teri Quinn. Recorded by Duane Trower at Weights and Measures Soundlab in Kansas City, MO. Artwork by Katelyn Boone.] [ Aside from her work with Katy Guilllen & The Girls, Claire also released the 5-song EP Waiting for The Winds to Change / on October 24, 2017 featuring new recordings of original songs by Claire Adams on vocals, guitar, & bass; Katy Guillen on guitar & harmony vocals; Lennon Bone on drums. Recorded, mixed & mastered by Duane Trower at Weights + Measures Soundlab, Kansas City, MO. More info at: http://www.claireadamsmusic.com]

[Claire Adams performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City. Alyssa Murray opens the evening.]

Alyssa Bell and Claire Adams on the February 20, 2019 edition of Wednesday MidDay Medley.

11:35 – Interview with Claire Adams & Alyssa Bell

Claire Adams is a critically acclaimed bassist, guitarist, singer, and songwriter. In the last year we have played musical tracks from Appropriate Grammar, Claire Adams and the Crowded Stage, The Classical Revolution, and Katy Guillen & The Girls all recordings and performing projects where Claire was essential, as a singer, songwriter and musician. Claire Adams has released multiple EPs and albums with each of these musical entities, while also releasing her very own solo EPs and solo albums too. Over the last 10 years Claire has traveled all around the world performing music, and “honing her melodic instincts and vision” in multiple genres of rock, blues, folk, americana, pop, jazz, and big band. At the center of all of this work is Claire’s beautiful and expressive voice, and her generous spirit and openness to collaborate, allowing oportunites for new younger musicians and producers to gain experience. Claire Studied Music Business at Belmont University and grew up in Topeka, Kansas.

Kansas City based Alyssa Bell is part if the string quartet Rewound. She is the Founder and Executive Director for Classical Revolution KC. Alyssa also serves as Adjunct Professor of High Strings at Northwest Missouri State University. Alyssa received her Master of Music in Performance/ Viola at Peabody Conservatory in Baltimore, Maryland and her undergraduate degree in Music education at the UMKC Conservatory of Music and Dance.

Claire Adams and Alyssa Bell join us to share information about their new show, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, where she plays with the Kansas City based string quartet, Rewound, performing her original songs as arranged by Peter Lawless. Special guest Alyssa Murray opens the show.

Claire Adams and Alyssa Bell, thanks for being with us on Wednesday MidDay Medley

We just heard Enough from the vinyl release Into The Blue, which was Claire’s last 2015 collaboration with Peter Lawless and The Classical Revolution.

The Classical Revolution was a natural out-growth of your recordings as Claire and The Crowded Stage.

Claire and The Crowded Stage was where you first collaborated with Katy Guillen and Stephanie Williams your co-horts from Katy Guillen & The Girls.

For Claire’s new show on Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, she will perform with the Kansas City based string quartet, Rewound,

Rewound is Carmen Dieker on violin, Alyssa Bell on viola, and Ezgi Karakus on cello.

Claire is performing her original songs as arranged by Peter Lawless.

Peter Lawless is one of the founding members of The B’Dina’s, a band that included Katy Guillen on guitar & vocals, Peter Lawless on bass, saxophone, & vocals. Katelyn Jamison on keyboard & vocals, and Tess Jehle on drums & vocals, and released 3 EPs and one full length album between 2010 and 2014. Meredith McGrade was part of the original line up for their debut EP release. Peter Lawless and Katelyn Jamison play with Found A Job. Katelyn Jamison and Tess Jehle were part of the band Dream Wolf from 2010 to 2014. Tess Jehle is drummer for the band Dynamite Defense

On Friday night at The Rino – Special guest Alyssa Murray opens the show.

10:53

Claire Adams and Alyssa Bell thank you for being with us on WMM.

Claire Adams performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City. Alyssa Murray opens the evening. More information at: http://www.claireadamsmusic.com

10:55

11. The AM Trio – “Fall Awake”
from: As of Now / Independent / June 30, 2015
[Alyssa Murray (Vocalist/Pianist/Songwriter), Joel Stratton (bass), and Josh Blythe (drums/vocals) have crossed paths and joined forces to create unique, multi-dimensional songs. Murray’s writing style has drawn comparison to Joni Mitchell as well as Fiona Apple.]

[Alyssa Murray opens for Claire Adams when she performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City.]

11:00 – Station ID

Alyssa Bell, Wick Thomas, and Claire Adams on the February 20, 2019 edition of Wednesday MidDay Medley.

12. Vedettes – “Train”
from: EPHEMERAL / Vedettes / March 1, 2019
[First single from the band upcoming EP Release Ephemeral, which contains five studio-recorded and mastered tunes, recorded and mixed by Paul Malinowski from May to December 2018 at Massive Sound in Shawnee, Kansas. This Lawrence, Kansas based 4-piece band was formed in 2015 with Heather Lofflin on lead vocals & guitar; Lizz Weiler on bass, & backup vocals; Ben White on lead guitar & backup vocals. More information at: http://www.vedettes.com]

[Vedettes play A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, KS on Friday, February 22 at 7:00 PM, with PartyParty, Katlyn Conroy, Nick Carswell, Wick & The Tricks, Vibralux, Dick Von Dyke, Mean Melin and CindAIRella.]

11:06 – Interview with Wick Thomas

Wick Thomas

Wick Thomas grew up in Drexel Missouri and graduated from UMKC. Wick is an urban pioneer who is also a gardener, a student, a teacher, a librarian and an activist. Wick was voted Best Activist by The Pitch Magazine. Wick has help organize LGBTQIA youth groups on college campuses and in High Schools, he served as President of EQUAL and won an award from the National Gay and Lesbian Task Force. Wick spent many years working for the Kansas City Public Library and then the Nelson Atkins Museum of Art. Recently Wick was a guest artist for The Band That Fell To Earth – A Tribute To David Bowie at recordBar. Appropriately Wick interpreted the Bowie classic, “Rebel Rebel.” Wick Thomas, is lead singer for the punk rock band Wick and The Tricks. In late 2017, Wick & The Tricks, released a 7-inch vinyl, 4-song EP debut called “Not Enough,” on Black Site Records.

Wick Thomas joins us to share details about A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

It was great seeing Wick performing on night one of The Band That Fell To Earth Tribute to David Bowie, Friday, January 19th, at recordBar, 1520 Grand Ave, KCMO. Wick performed “Rebel Rebel” which has become an anthem of gender bending and non-binary identification, can you tell us about your experience interpreting that song?

Now Wick is jumping from David Bowie to Freddie Mercury playing A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Friday, Feb 22 at 7:00 PM.

Presented by I Heart Local Music. More information at: http://www.iheartlocalmusic.com

Wick & the Tricks is now a 5-piece w/ Wick Trick on vocals, Chris (Bardell) Stallion on guitar, Noah Cassity on guitar, Promise Clutter on bass, George Henry Valyer IV on drums.

11:14

13. Wick & The Tricks – “KCBB”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.] [Wick & the Tricks played a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

[Wick & The Tricks play A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, KS on Friday, February 22 at 7:00 PM, with PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, Vibralux, Dick Von Dyke, Mean Melin and CindAIRella.]

11:15

In 2006, the National Gay and Lesbian Task Force gave Thomas a Creating Change Award for establishing a chapter of the Gay-Straight Alliance in 2004 while he was a student at Paola High School. He’s also been involved in bike activism, has volunteered for the ACLU and Greenpeace, and founded the local environmental group TWIG (Think Work Inspire Grow).

Wick Thomas is also involved in Shadow-casting for The Rocky Horror Picture Show.

Wick and The Tricks are playing Unholy Masquerade, Saturday, March 2, at 8:30 PM at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO

Fally Afani is the founder of I Heart Local Music

I Heart Local Music presents A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

11:23

14. Queen – “Another One Bites The Dust”
from: Bohemian Rhapsody (The Original Soundtrack) / Hollywood Records / Oct. 19, 2018
[The Soundtrack to the Queen biopic contains several greatest hits plus 5 songs from the band’s dramatic Live Aid performance now available for the first time. The film includes a faithful recreation of the Live Aid performance. Bohemian Rhapsody was nominated for Best Film, Best Actor for Rami Malek, and Best Sound Editing, Best Sound Mixing, and Best Editing categories. // “Another One Bites the Dust” is a 1980 song by British rock band Queen. Written by bass guitarist John Deacon, the song featured on the group’s eighth studio album The Game (1980). The song was a worldwide hit, charting number one on the US Billboard Hot 100 for three weeks, from 4 October to 18 October (their second number-one single in the country). The song spent fifteen weeks in the Billboard top ten (the longest running top ten song of 1980), including thirteen weeks in the top five, and 31 weeks total on the chart (more than any other song in 1980). It reached number two on the Hot Soul Singles chart and the Disco Top 100 chart, and number seven on the UK Singles Chart. The song is credited as Queen’s best-selling single, with sales of over 7 million copies. This version was ranked at number 34 on Billboard’s All-Time Top Songs. The song won an American Music Award for Favorite Rock Single and also garnered a Grammy Award nomination for Best Rock Performance by a Duo or Group with Vocal.]

11:27 – Underwriting

15. Lenny Lashley’s Gang Of One – “All Are Welcome”
from: All Are Welcome / Pirates Press Records / February 15, 2019
[Lenny Lashley is a household name in New England. Whether it’s performing on stage or slinging drinks at The Midway Cafe in Jamaica Plains, Massachusettes, Lenny is a star – regaling the world with Boston history and decades of tour stories like no one else can. His voice is as Boston as it gets – and as identifiable as any other frontman out there. Lenny’s even narrated movies and done voiceover gigs to help him sustain being a diehard rock and roller. A longtime fixture in the Boston punk scene, Lenny has been playing and touring for 20 years. After a traumatic run of Europe in ’08 (resulting in a mental breakdown) and a few years of reflection, Lenny has re-emerged onto the scene with more energy and clarity than ever before, playing solo acoustic shows, making cameos with Mighty Mighty Bosstones, and even joining the Boston powerhouse Street Dogs. Lenny Lashley’s Gang Of One and the new album, All Are Welcome is aimed to take Lenny’s prowess and message to a larger audience. The underlying message that this release conveys could not be better timed, as the world is desperately in need of a voice of reason.]

[Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with The Uncouth and Red Kate, hosted by Teenage Heart Records.]

11:33 – Interview with Frank Alvarez

Frank Alvarez on the February 20, 2019 edition of Wednesday MidDay Medley.

I first met Frank Alvarez in the mid 1990s. Frank was working as a manager and music buyer for Recycled Sounds at Westport Road & Main Street. Before that Frank ran his own record store, Abba Zappa. When Recycled Sounds closed in 2006, Frank was part of a special radio show we produced on Wednesday MidDay Medley, featuring testimonials from past and present Recycled Sounds employees, and playlist created by Recycled Sounds Staff reflecting stories of the time Prince came into the store, or the multiple bus trips the store organized to see The Pixies, or the many cultural events that were connected to this special place. The Radio show also included live interviews with Frank, Kasey Rausch, Kurt von Schlemmer, Iris DeMent and Anne Winter herself, who helped to produced and coordinate the show.

It seemed like the end of an era for music. The end of vinyl. The end of brick and morter music stores. Frank went on to work for Vinyl Renaissance, one of the only record stores left in the metro, besides Zebedee’s on 39th, It’s A Beautiful Day, and Vinyl Underground at Seventh Heaven. Seven years passed, and then something happened, vinyl made a comeback. Mills Records Company opened in 2013, Records With Merritt opened in 2014, Zebedee’s closed and reopened as Revolution Records in the Crossroads, Josey Records opened at 19th & Oak St.; FM Music opened on East 18th St; Brothers Records & Music opened on Johnson Drive in Mission; and Gotwhatulike at 11601 Hickman Mills Drive opened in July 2014. Record Stores were opening and thriving again, creating that needed community space for music lovers, bands, and vinyl collectors.

Last Fall, Frank Alvarez and longtime friend James Oshel opened Sister Anne’s – Records and Coffee, at 901 East 31st Street, in Kansas City. Sister Anne’s sells used records, new local releases, posters, stereos, and coffee, and was named after Anne Winter who owned Recycled Sounds, one of Kansas City’s most treasured record stores, where both Frank and James worked. Since then their business is growing. They have welcomed many in-store concerts, and this weekend are presenting, Lenny Lashley’s Gang Of One, on Friday, Feb. 22, at 6:30 PM, with The Uncouth and Red Kate, hosted by Teenage Heart Records.

Frank Alvarez thanks for being with us again on WMM

Frank Alvarez & James Oshel of Sister Anne’s – Records and Coffee, 901 East 31st Street, in KCMO. (Photo by Aaron Rhodes)

Sister Anne’s – Records and Coffee is two blocks west of Troost, at 901 East 31st Street.

James Oshel and Frank Alvarez had talked about starting a record store when they were roommates and working together at Recycled Sounds. When Recycled Sounds closed, in 2006, Frank Alvarez went to work at Vinyl Renaissance, and Jim Oshel at Broadway Cafe.

10 years passed by, and then the owner of Windhorse Tattoo, Mark Galloway, who had worked with Jim Oshel at Mercy Seat Tattoo, let his friend know he was moving and there would be extra space in the building. This was the spark that ignited Oshel and Alvarez moving into action to open their own place.

Frank Alvarez and Jim Oshel decided to open a record store and a coffee house and were motivated to name after Anne Winter, owner of Recycled Sounds, who died in 2009.

Recycled Sounds operated from 1988 to 2006. Anne Winter and husband Kurt Von Schlemmer, were integral to the Kansas City Music scene. Anne Winter was a co-founder of the Kansas City Free Speech Coalition, and the brain child behind the annual Culture Under Fire, a week and sometimes two week festival of music, art, performance, guest speakers and writing and publishing events centered around the 1st Amendment and freedom of speech. Recycled Sounds was home to many bands and a meeting place.

Frank told Aaron Rhodes in a Pitch Kansas City article published on December 26, 2018, “I want to do what Anne taught us to do,” Alvarez says. “She taught us to just be good people, help people find the music they’re looking for, provide a space in Kansas City where they can find out about music, come in and talk about music, and just do what we can for the whole scene.”

Frank ran his own record store, Abba Zappa, three blocks away from Recycled Sounds. As is usually the case record stores are generally friendly with each other, as studies prove that the more record stores in a community the more business for all. Frank and Anne were friends. Frank had been second guessing his decision to run his own store when at one point Anne Winter visited Anna Zappa and offered to buy him out, bringing his inventory , and he himself into Recycled Sounds. Alvarez accepted the offer.

Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with The Uncouth and Red Kate hosted by Teenage Heart Records.

11:42

16. Red Kate – “Urban Church”
from: Red Kate – Stiff Middle Fingers split 7″ / Black Site Records / April 8, 2017
[L. Ron Drunkard on bass & lead vocals, Andrew Whelan on drums & vocals, Brad Huhmann on guitar, Desmond Poirier on guitar & vocals. Recorded at Weights & Measures Soundlab, with engineer Duane Trower. 2nd release on KC’s coop record label, Black Site after the release of Red Kate’s 2nd LP, unamerican activities. Cover art designed by Shaun Hamontree, who is also Red Kate’s new rhythm guitarist.]

11:44 – More Interview with Frank Alvarez

Frank told Aaron Rhodes of The Pitch Kansas City, (When Anne hired me), “At that point, I was about 10 years in the game already, and I thought, ‘I know everything,’” Alvarez says. “I went to work for her and learned so much more.”

Anne Winter was one of the people who helped start 90.1 FM KKFI. She served on the Board of Directors and hosted Kansas City first ever Punk Rock show on the radio called Little “Orphan Annie.” Alvarez told Aaron Rhodes about the wide variety of music that could be found at Recycled Sounds. “There was someone there that specialized in every kind of music,” he says. “There was the hip-hop person, the punk rock person, there was a person that knew classic rock. Every base was covered.”

Frank Alvarez and Jim Oshel have been working diligently, building up the physical space and inventory, installing turn tables with coffee and espresso machines for their new business of Sister Anne’s – Records and Coffee. They are open from 7:00 AM to 7:00 PM.The shop is hosting in-stores. Their opening featured Hipshot Killer and Emmaline Twist. Sister Anne’s – Records and Coffee has a big back room that serves as an all-ages venue.

Aaron Rhodes in his Pitchweekly feature called the Sister Anne’s “Winterlike — warm, friendly, knowledgeable.” “This is the only thing I’ve done since 1985,” Alvarez says. “I get up and come to a record store. That’s what I do.”

Sister Anne’s hosts the SPINE WEST COAST TOUR KICK OFF, presented by Kansas City Hardcore, in an ALL AGES show tonight, Wednesday, February 20 at 6:30 with Spine, Devils Den, Constraint (from Kentucky), Brute Force (from St. Louis), and Crisis Actor.

Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, 901 East 31st St, Fri, Feb 22, at 6:30 PM, w/ The Uncouth and Red Kate hosted by Teenage Heart Records. More information at: http://www.sisterannes.com

17. The Uncouth – “Matter of Time (Radio Edit)”
from: “Matter of Time” – Single b/w “All You Fascists” / Teenage Heart Records / Aug, 2018
[Hard hitting Oi! band from KCMO, with CJ Wilson on lead guitar & vocals, Cody Blanchard on lead vocals & guitar, Steve Gardels on bass, and Todd Rainey on drums. “Just A Matter Of Time” written by The Uncouth, “All You Fascists” written by Woody Guthrie. Recorded at Element Recording. Pressed by Gotta Groove Records. Copyright by Know Your Roots Publishing. Producer Johnny Starke. Recorded and mastered by Joel Nanos. Kansas City’s The Uncouth are back again with their third release. Manufactured in the USA on high quality vinyl in Clear, White, and Black wax. Test Pressing four packs include all three limited colors and one of our super limited test pressings straight from the pressing plant.]

[The Uncouth plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with Lenny Lashley’s Gang Of One, and Red Kate, hosted by Teenage Heart Records.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 27, Nico Gray joins us in our second hour at Guest Producer. In our first hour at 10:30 we will be joined by singer songwriter Julia Othmer, who plays Knuckleheads in the Garage, Thursday, February 28, at 8:30 pm.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #774

WMM Playlist from January 9, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 9, 2019

Wednesday MidDay Medley Celebrates David Bowie

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980 [WMM’s theme song]

2. James Murphy – “Golden Years”
from: While We’re Young (Original Soundtrack) / Power Elite / March 23, 2015
[Born February 4, 1970. James Murphy is a musician, producer, DJ, and co-founder of record label DFA Records. His most well-known musical project is LCD Soundsystem. James Murphy was influenced by Bowie and remixed songs for Bowie’s The Next Day Extras, and is credited as a percussionist on Bowie’s Backstar.][“Golden Years” was written and recorded by David Bowie in 1975, and originally released in a shortened form as a single in November 1975, and in its full-length version in January the following year on, Station to Station. It was the first track completed during the Station to Station sessions, a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to the Young Americans funk/soul material from earlier in 1975 than the rest of Station to Station, that foreshadowed the Kraftwerk-influenced Euro-centric and electronic music that Bowie would move into with his ‘Berlin Trilogy’.]

3. Col. Chris Hadfield – “Space Oddity”
from: Space Sessions: Songs From a Tin Can / Chris Hadfield / October 9, 2015
[The video has had over 27,000,000 views on YouTube. The performance was the subject of a piece by Glenn Fleishman in The Economist on 22 May 2013 analyzing the legal implications of publicly performing a copyrighted work of music while in earth orbit. The song is the only one of Bowie’s for which Bowie did not own the copyright. Bowie’s publisher granted Hadfield a license to the song for only one year. Due to the expiry of the one year license, the official video was taken offline on May 13, 2014, despite Bowie’s explicit wishes that the publisher grant Hadfield a license at no charge to record the song and produce the video. Following a period of negotiations, the video was restored to YouTube on November 2, 2014 with a two-year license agreement in place.]

In May of 2013, Canadian astronaut Chris Hadfield, commander of Expedition 35 to the International Space Station, recorded a video of “Space Oddity” while on board the space station. This was the first music video ever shot in space. The lyrics were slightly changed to reflect Hadfield’s imminent return from his final mission. Hadfield announced the video on Twitter, writing, “With deference to the genius of David Bowie, here’s Space Oddity, recorded on board the Station. A last glimpse of the World.” Bowie responded to the video, tweeting back to Hadfield, “Hallo Spaceboy”.

David Bowie seemed to be from another world. He seemed to have multiple lives, he seemed immortal. His art kept coming. His influence vast. He was a guide. Much of my journey as an outsider queer kid finding a way through, was influenced by Bowie.

Bowie’s death, three years ago, in New York City, on January 10, 2016 sent shock waves of grief across the world. Bowie made over 50 years of music, for those of us who felt left out.

Bowie was a “gateway drug” to other important influences: The Velvet Underground, Lou Reed, Andy Warhol, Iggy Pop, Glam Rock, Electronica, Brian Eno, William S. Burroughs, Beat Poetry, Mick Ronson, Tony Visconti, T-Rex, Kraftwerk, Klaus Nomi, Nicolas Roeg, Bauhaus, Gender Expression, and more. Bowie was a synthesizer weaving them together.

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI – Kansas City Community Radio. I’m Mark Manning. Today we Celebrate David Bowie with selected songs from some of his 27 studio albums, and recordings that Bowie wrote and produced for Lou Reed, and Mott the Hoople.

Plus, we’ll play some of our favorite Bowie songs performed by musicians he influenced: Joan As Police Woman, Nile Rodgers, OK Go & Bonerama, including two Kansas City bands: Soft Reeds, and The Band That Fell To Earth. We started with James Murphy and Chris Hadfield

And into this mix of original songs and covers, we’ll feature short stories about David Bowie, from nine of his biggest fans: Michelle Bacon, Barry Lee, Ben Grimes, Cody Wyoming, Krystle Warren, Jesse Bartmess, Marion Merritt, Ian Michael Flanagan Johnson, and Nico Gray.

Our first story comes from band leader, musician, and director, Cody Wyoming, lead guitarist, singer, and founder of the Kansas City band, The Philistines, who released their debut full length album, “The Backbone of Night” on May 27, 2016 and was #1 on WMM’s 116 Best Recordings of 2016.

4. Cody Wyoming’s Bowie Story – “You’re Wonderful”
recorded by Mark Manning, Saturday, February 7, 2016

5. OK Go & Bonerama – “Rock ‘N’ Roll Suicide”
from: You’re Not Alone – EP / Capital / November 7, 2006
[Collaboration by rock band OK Go and brass funk rock band Bonerama, recorded to raise money for New Orleans musicians displaced in 2005 by Hurricane Katrina. The EP was recorded in August 2007 in New Orleans, Bonerama’s home city.] [“Rock ‘n’ Roll Suicide” by David Bowie, was originally released as the closing track on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in June 1972. Critic Stephen Thomas Erlewine found it to have “a grand sense of staged drama previously unheard of in rock & roll”. The exhortation “Oh no, love, you’re not alone” references the Jacques Brel song “You’re Not Alone” (“Jef”) that appeared in the musical Jacques Brel is Alive and Well and Living in Paris. Bowie covered Brel’s “My Death” during some Ziggy Stardust live shows. Rock ‘n’ Roll Suicide”, recorded on February 4, 1972, was one of the last songs recorded for Ziggy Stardust, along with “Suffragette City”, which would immediately precede it in the album track list. As the final song on the album and climax to the Ziggy Stardust live shows throughout 1972-73, it soon became a slogan, appearing on many fans’ jackets.]

6. Jesse Bartmess’ Bowie Story – “Changes in my 4-year old ears”
recorded by Mark Manning, Saturday, February 27, 2016

7. David Bowie – “Changes”
from: Hunky Dory / RCA – (Rykodisk – Virgin – Sony – EMI – Columbia ISO) / Dec. 17, 1971
[Written by David Bowie, originally released on Hunky Dory and as a single in January 1972. “Changes” became one of Bowie’s best-known songs. The lyrics are often seen as a manifesto for his chameleonic personality, the frequent change of the world today, and frequent reinventions of his musical style throughout the 1970s. This single is cited as David Bowie’s official North American debut, despite the fact that the song “The Man Who Sold the World” was released in North America two years prior. This was the last song Bowie performed live on stage before his retirement from live performances at the end of 2006.]

8. Nico Gray’s Bowie Story – “Thank you Bowie!”
recorded by Nico Gray, Sunday, February 28, 2016

9. Mott The Hoople – “All The Young Dudes”
from: All The Young Dudes / Columbia / September 8, 1972
[The album was written and produced by David Bowie, during the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Regarded as one of glam rock’s anthems, the song originated after Bowie came into contact with Mott the Hoople’s bassist Peter Watts and learned that the band was ready to split due to continued lack of commercial success. When Mott rejected his first offer of a composition, “Suffragette City” (from The Rise and Fall of Ziggy Stardust and the Spiders from Mars), Bowie wrote “All the Young Dudes” specially for them, allegedly sitting cross-legged on the floor of a room in Regent Street, London, in front of the band’s lead singer, Ian Hunter. With its dirge-like music, youth suicide references and calls to an imaginary audience, the song bore similarities to Bowie’s own “Rock ‘n’ Roll Suicide”, the final track from Ziggy Stardust. Described as being to glam rock what “All You Need Is Love” was to the hippie era, the lyrics name-checked contemporary star T. Rex and contained references to The Beatles and The Rolling Stones. Bowie himself once claimed that the song was not intended to be an anthem for glam, that it actually carried a darker message of apocalypse. According to an interview Bowie gave to Rolling Stone magazine in 1973, the boys are carrying the same news that the newscaster was carrying in the song “Five Years” from Ziggy Stardust; the news being the fact that the Earth had only five years left to live. Bowie explains: “All the Young Dudes’ is a song about this news. It’s no hymn to the youth, as people thought. It is completely the opposite.” “All the Young Dudes” is also thought of as a gay anthem. Lou Reed said “It’s a Gay Anthem! A rallying call to the young dudes to come out in the streets and show that they were beautiful and gay and proud of it.

10:30 – Underwriting

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM

1972 was an amazing year for the 25 year old David Bowie

Starting with Bowie’s third album, The Man Who Sold The World, in 1970, through Hunky Dory in ’71, The Rise and Fall of Ziggy Stardust and The Spiders From Mars in ’72, Alladdin Sane and Pin Ups in ’73, Bowie records were built around a 4-piece band that included the great Mick Ronson on lead guitar, backing vocals, piano, and arrangements.

Mott The Hoople’s “All The Young Dudes” was written and produced by Bowie, in 1972, the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders From Mars. “All the Young Dudes” was written specially for the band to keep them from breaking up, with Bowie allegedly sitting cross-legged on the floor of a room in Regent Street Hotel, in London, in front of the band’s lead singer, Ian Hunter.

During the year that saw the recording, and release, of two of rock music’s most important albums, David Bowie and Mick Ronson also served as producers on Lou Reed’s second solo album, the classic, Transformer, released on Bowie’s label RCA, in November of 1972.

In many ways Bowie was giving back to one of his biggest influences. Six years earlier, David Bowie’s manager Ken Pitt, returned from a trip to New York City, where he had met with artist Andy Warhol about the possibilities of representing a new, unknown group called The Velvet Underground. Ken Pitt didn’t much care for their music, so he gave the Andy Warhol signed acetate of The Velvet Underground & Nico, the band’s unreleased debut, to the 19-year old Bowie. Bowie said that receiving this acetate was “life changing.” He immedately learned the songs, and encouraged his band to perform, “I’m Waiting for the Man” in live shows, long before the album had been officially released. The Velvet Underground would mark the start of Bowie’s love affair with New York City.

I was able to view up close, this holy grail of glam rock music, the very special acetate, from Bowie’s own personal collection, as part of the internationally touring exhibition, David Bowie Is, at the The Museum of Contemporary Art Chicago, in September 2014.

Next we play the rare, previously unreleased track from the recording sessions of Lou Reed’s, Transformer” produced by David Bowie and Mick Ronson, from the incredible year of 1972.

10. Lou Reed – “Take A Walk on The Wild Side”
from: Monitor This / Monitor This / June-July 2003 (Transformer / RCA / Nov. 8, 1972)
[Produced by David Bowie and Mick Ronson. A previously unreleased version found during remastering sessions for Transformer release – different from version found on the BMG album NYC Man: The Collection. A Lou Reed song from his 1972 second solo album Transformer. It was produced by David Bowie. The song received wide radio coverage, despite its touching on taboo topics such as transsexuality, drugs, male prostitution and oral sex. In the United States, RCA released the single using an edited version of the song without the reference to oral sex. The lyrics, describing a series of individuals and their journeys to NYC, refer to several of the regular “superstars” at Andy Warhol’s New York studio, The Factory, namely Holly Woodlawn, Candy Darling, Joe Dallesandro, Jackie Curtis and Joe Campbell (referred to in the song by his nickname Sugar Plum Fairy). Candy Darling was also the subject of Reed’s earlier song for The Velvet Underground, “Candy Says”. Mick Ronson (who was at the time the lead guitarist with Bowie’s band, the Spiders from Mars) played a major role in the recording of the album at Trident Studios, serving as the co-producer and primary session musician (contributing guitar, piano, recorder and backing vocals), as well as arranger, notably contributing the lush string arrangement for “Perfect Day”. Reed lauded Ronson’s contribution in the Transformer episode of the documentary series Classic Albums, praising the beauty of his work and keeping down the vocal to highlight the strings. The songs on the LP are now among Reed’s best-known works, including “Walk on the Wild Side”, “Perfect Day” and “Satellite of Love”, and the album’s commercial success elevated him from cult status to become an international star.]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

Marion Merritt grew up in Los Angeles and St. Louis and used to sing the lyrics to David Bowie’s “We Are The Dead,” at her family reunions, when she was just a kid. Marion is creator of Records With Merritt, a small, independent, minority owned business. Marion is keeping the tradition of, female-owned, independent record stores, on Westport Rd., alive. Here is Marion’s story…

11. Marion Merritt’s Bowie Story – “Strange Scary Bowie”
recorded by Mark Manning, Monday, February 22, 2016

12. Joan As Police Woman – “Sweet Thing”
from: Real Life (B Sides) – EP / Cheap Lullaby Records / June 12, 2007
[Extra tracks from the solo debut recording of Joan Wasser, born July 26, 1970, known by her stage name, Joan As Police Woman. She is an American musician and singer-songwriter. She began her career playing violin with the Dambuilders. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. Kansas City artist Krystle Warren has toured around the world with her.] [“Sweet Thing” or “Sweet Thing/Candidate/Sweet Thing (Reprise)” is a suite of songs written by David Bowie for the album Diamond Dogs. Recorded in January 1974, the piece comprises the songs “Sweet Thing” and “Candidate” and a one-verse reprise of “Sweet Thing.” In the opening line, “Sweet Thing” contains the lowest note Bowie had recorded in a studio album (C2) until “I Took a Trip on a Gemini Spacecraft” for the album “Heathen” (2002), where he growled the word “Well” (G1) towards the end of the song. Diamond Dogs was the 8th studio album from Bowie, was released May 24, 1974, after the ‘retirement’ of Bowies’s Ziggy Stardust, character. Diamond Dogs featured a new lead character named Halloween Jack, “a real cool cat,” who lives in the decaying “Hunger City”. Bowie, however, still wore the Ziggy haircut on the cover of Diamond Dogs, and the first single, “Rebel Rebel” continues his glam rock sound. However, with the rest of the album, music writers noticed a new Bowie. For his song “Sweet Thing” / “Candidate”/ “Sweet Thing (Reprise)” Bowie first used the William S. Burroughs’ cut-up style of writing. The song “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. The Diamond Dogs Tour of 1974 was one of the first huge Rock and Roll, bus and truck tours. Bowie produced the show with a giant set, like a big Broadway production.]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM

For his song “Sweet Thing” Bowie first used the William S. Burroughs’ cut-up style of writing. Sweet Thing was from Diamond Dogs, Bowie’s 8th studio album, released May 24, 1974. The first single from Diamond Dogs was “Rebel Rebel” which continued Bowie’s glam rock sound, but the rest of Diamond Dogs was different, Mick Ronson was gone, Bowie was on lead guitar, music writers noticed a new Bowie, and songs like “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. Bowie released his 10th album, Station to Station in 1976. It’s first single “Golden Years” was completed during a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to his previous album Young Americans, but the rest of the songs on Station to Station were all foreshadowing of the Kraftwerk-influenced and electronic music of Bowie’s Berlin Trilogy of 1977’s Low, Heroes, and 1979’s Lodger.

Our next story, about Bowie, comes from one of Bowie’s biggest fans, Ben Grimes, founder of two influential KC bands: Soft Reeds and The Golden Republic. Ben Grimes now lives with his family in Los Angeles, where he recorded this story for us, along with sharing a special track, written by Bowie, during that Berlin Trilogy, and recorded by Ben’s band Soft Reeds. Ben will also be performing with The Band That Fell To Earth, Saturday, January19 as a special guest.

13. Ben Grimes Bowie Story – “You are Never Stuck In One Thing”
recorded by Ben Grimes, Sunday, February 28, 2016

14. Soft Reeds – “Sound and Vision”
from: unreleased track recorded during the sessions for Soft Reeds album ‘Blank City’
[Blank City was Soft Reeds second album, released by The Record Machine on April 23, 2013. Produced at Element Recording with Joel Nanos. Soft Reeds is the brainchild of Ben Grimes (formerly of Astralwerks’ The Golden Republic), a Chicago native whose roots grip firmly in the ’77 Berlin sounds of Brian Eno, David Bowie and Iggy Pop, with Austin, TX native Josh Wiedenfeld on drums, Beckie Trost, a fellow Chicagoan and childhood friend of Grimes on bass, and KC native John Mitchell on guitar, saxophone, keys.]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

1977 was another big year for the 30 year old David Bowie. He released the first two albums of his “Berlin Trilogy” Low and Heroes, recording with longtime friend and producer Tony Visconti, and collaborating with musician Brian Eno.

Low came from the creative energy of Bowie’s previous album Station to Station, and music he had intended for the soundtrack to he film The Man Who Fell to Earth. When Bowie presented his material to Nicolas Roeg, the director decided that it wasn’t suitable. Elements from these pieces were incorporated into Low instead. The album’s cover, like Station to Station, is a photographic still from “The Man Who Fell To Earth.”

As a recovering cocaine addict, Bowie’s songwriting on Low dealt with difficult issues. Visconti contended that the title was partly a reference to Bowie’s “low” moods during the album’s writing and recording. Bowie said, “There’s oodles of pain in the Low album. That was my first attempt to kick cocaine, so that was an awful lot of pain.” Bowie and Iggy Pop went to Berlin together to try to kick their drug habit. Bowie said “And I moved to Berlin to do it. I moved out of the coke center of the world, Los Angeles, where Station to Station was recorded, into the smack center of the world, Berlin”.

Heroes was Bowie’s 12th studio album also released in 1977. The second installment of his Berlin Trilogy with Brian Eno .”Heroes” developed the sound of Low and featured the contributions of guitarist Robert Fripp, who flew in from the US to record his parts in one day. Of the Berlin Trilogy, it was the only one wholly recorded in Berlin. The title track remains one of Bowie’s best known. Recorded at Hansa Tonstudio in what was then West Berlin, “Heroes” reflected the zeitgeist of the Cold War, symbolized by the divided city. Co-producer Tony Visconti considered it “one of my last great adventures in making albums. The studio was about 500 yards from the Berlin Wall. Red Guards would look into our control-room window with powerful binoculars.”

11:00 – Station ID

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM KKFI – Kansas City Community Radio,

15. Ian Johnson’s Bowie Story – “My Dad Tim”
recorded by Mark Manning Sunday, February 13, 2016

16. David Bowie – “Heroes” (Single Version)
from: Heroes / RCA / October 14, 1977
[Twelfth studio album by David Bowie, released in 1977. The second installment of his Berlin Trilogy with Brian Eno – the other releases being Low and Lodger – “Heroes” developed the sound of Low and featured the contributions of guitarist Robert Fripp, who flew in from the US to record his parts in one day. Of the three albums, it was the only one wholly recorded in Berlin. The title track remains one of Bowie’s best known, and the song has received lasting critical acclaim and is continually mentioned as one of the greatest songs of all time. Recorded at Hansa Tonstudio in what was then West Berlin, “Heroes” reflected the zeitgeist of the Cold War, symbolised by the divided city. Co-producer Tony Visconti considered it “one of my last great adventures in making albums. The studio was about 500 yards from the Berlin Wall. Red Guards would look into our control-room window with powerful binoculars.” Earlier in 1977, Kraftwerk had name-checked Bowie on the title track of Trans-Europe Express, and he again paid tribute to his Krautrock influences: the title is a nod to the track “Hero” on the album Neu! ’75 by the German band Neu! – whose guitarist Michael Rother had originally been approached to play on the album – while “V-2 Schneider” is inspired by and named after Kraftwerk’s Florian Schneider.]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

Our next story about Bowie comes from another one of Bowie’s biggest fans, musician and writer, Michelle Bacon who talks about The Band That Fell To Earth and band she put together for a Tribute to David Bowie that has now become an annual event.

19. Michelle Bacon’s Bowie Story – “Putting together a perfect band”
recorded by Mark Manning, Saturday, February 27, 2016

19. The Band That Fell To Earth – “Boys Keep Swinging”
from: Recorded Live at recordBar for A Tribute To David Bowie / January 2018

11:15 – Interview with Michelle Bacon

Multi talented, musician and writer, Michelle Bacon, is Content Writer at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle Bacon works as a freelance writer and has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle Bacon plays drums, bass, and sings harmony vocals. Over the last several years she performed and recorded music with, Other Americans, The Band That Fell To Earth, Heidi Lynne Gluck, Erica Joy, Chris Meck and the Guilty Birds, The Blackbird Revue, John L. Johnson, The Philistines, and Nathan Corsi.

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Friday, January 18 and Saturday, January 19, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater Kansas City area.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

The band was curated by musician/writer Michelle Bacon to pay homage to the groundbreaking artist while showcasing talent across Kansas City’s vast musical spectrum. Their annual With Bowie’s untimely passing only three weeks before the inaugural concert, the event garnered an attendance of more than 800 at the Uptown Theater, and generated press from KCPT, The Kansas City Star and various radio stations, along with high demand for an annual show.

Michelle Bacon on bass,
Alex Alexander on guitar,
Nathan Corsi on vocals/guitar,
Kyle Dahlquist on keys/brass,
Katy Guillen on guitar,
Steve Tulipana on vocals,
Stephanie Williams on drums,
Havilah Bruders on backing vocals,
Camry Ivory on backing vocals,
Matt Ronan on percussion,
Christine Broxterman on cello,
Betse Ellis on violin,
Rich Wheeler on saxophone,

American Sign Language interpretation from Peige Turner and video projections from XO Blackwater.

Each night will contain a unique set list and different special guests.

Guest vocalists for Friday, Jan. 18:

Julia Haile who performs solo and with neo-soul/funk group Hi-Lux.

Rachel Mallin songwriter, multi-instrumentalist, leader of Rachel Mallin & The Wild Type.

Michael Tipton who fronts the Talking Heads tribute band, Found A Job!

Wick Thomas activist and educator who leads the glam punk band Wick & The Tricks.

Guest vocalists for Saturday, Jan. 19

Ben Grimes – musician, writer, filmmaker, leader of Soft Reeds and The Golden Republic. He works in TV production on It’s Always Sunny in Philadelphia and Baskets.

Madisen Ward of Madisen Ward and the Mama Bear, “The Radio Winners” received accolades from NPR, the AP and was in the Top 5 of WMM’s 118 Best Recordings of 2018

Slim Hanson singer/songwriter, founding member of the Hellcat Trio and Grand Marquis. He now leads the honky tonk country band Slim Hanson and the Poor Choices.

Miki P is a songwriter and multi-instrumentalist, she was in American Slim, and recently released her debut solo album, “Dome of Swallows.”

Jeff Harshbarger is a bassist, composer, teacher, radio show host on KKFU, and has performed with jazz, rock, tango and avant-garde collectives including Bach Aria Soloists, Krystle Warren, and The People’s Liberation Big Band of Greater Kansas City.

A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater KC area.

Commemorative David Bowie prayer candles & pillows will be sold by Kitschup Creations.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Friday, January 18 and Saturday, January 19, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater Kansas City area. More info at: http://www.therecordbar.com

11:32 – Underwriting

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

To study Bowies albums to to learn about the many guitarists and producers who worked with Bowie including on of the most influential guitarist of modern music…Nile Rodgers.

19. Nile Rodgers talks about making “Lets Dance”

20. David Bowie – “Let’s Dance” (Single Version)
from: Let’s Dance / EMI / April 14, 1983
[Let’s Dance was co-produced by Chic’s Nile Rodgers, the album contained three of his most successful singles; the title track, “Let’s Dance”, reached No. 1 in the US, “Modern Love” and “China Girl” both reached No. 2 in the UK. “China Girl” was a new version of a song which Bowie had co-written with Iggy Pop for the 1977 album The Idiot. The album also contains a re-recorded version of the song “Cat People (Putting Out Fire)” which had been a minor hit for Bowie a year earlier. Let’s Dance was a stepping stone for the career of the Texas blues guitarist Stevie Ray Vaughan, who played on it. Let’s Dance has sold over 10.7 million copies worldwide, making it Bowie’s best-selling album. Let’s Dance is Bowie’s 18th official album release since his debut in 1967, including two live albums, one covers album (Pin Ups, 1973), and a collaboration with the Philadelphia Orchestra (1977). The success of the album surprised Bowie, who felt he had to continue to pander to the new pop audience he acquired with the album. This led to Bowie releasing two further solo albums in 1984 and 1987 that, despite their relative commercial success, did not sell as well as Let’s Dance, were poorly received by critics at the time and subsequently dismissed by Bowie himself as his “Phil Collins years”. Bowie would form the hard rock and grunge-predecessor band Tin Machine in 1989 in an effort to rejuvenate himself artistically. David Bowie had planned to use producer Tony Visconti on the album, as the two had worked together on Bowie’s previous four studio albums. However, he chose Nile Rodgers for the project, a move that came as a surprise to Visconti, who had set time aside to work on Let’s Dance. Visconti called [Bowie’s personal assistant] Coco and she said: “Well, you might as well know – he’s been in the studio for the past two weeks with someone else. It’s working out well and we won’t be needing you. He’s very sorry.” The move damaged the two men’s relationship and Visconti did not work with Bowie again for nearly 20 years (until 2002’s Heathen). Rodgers later recalled that Bowie approached him to produce his album so that Bowie could have hit singles. Rodgers reported that Bowie came into his apartment one day and showed him a photograph of Little Richard in a red suit getting into a bright red Cadillac, saying “Nile, darling, that’s what I want my album to sound like.”]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM. Our next story comes from our talented friend, singer, songwriter, Krystle Warren, who has worked with some of the musical artists we’ve played today, including Joan As Police Woman. Krystle sent us her story from France, where she now lives.

21. Krystle Warren’s Bowie Story – “Always be genuine in your expression”

22. David Bowie – “Without You” (Single Version)
from: Let’s Dance / EMI / April 14, 1983

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

27 studio albums, 8 live albums, over 50 compilation albums, 119 singles, 58 music videos, over 25 films. He was a working artist. He was always working, always creating, always studying, always interested in how it could be put together.. Bowie inspired multiple generations of people with his beautiful catalog of song.

I would like to thank all of our contributors for sharing their stories: Cody Wyoming, Jesse Bartmess, Nico Gray, Marion Merritt, Ben Grimes, Ian Johnson, Michelle Bacon, Krystle Warren, and Barry Lee, who we will hear from in just a few moments.

And we’ll close with “Lazarus” the final single from David Bowie, released on his 27th and final studio album, on January 8, 2016, Bowie’s 69th birthday. Bowie died two days later. Co-producer Tony Visconti described the album as Bowie’s intended swan song and a “parting gift” for his fans before his death.

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

23. Barry Lee’s Bowie Story –”i wasn’t always a fan”

24. David Bowie – “Lazarus”
from: Blackstar / ISO Records – Columbia / January 8, 2016
[Lazarus features David Bowie on vocals, acoustic guitar, and Fender guitar; Donny McCaslin on saxophone, flute, and woodwind; Jason Linder on piano, Wurlitzer organ and keyboards; Tim Lefebvre on bass; Mark Guiliana on drums. McCaslin and the rest of the jazz group recorded their parts in the studio over a period of about one week a month from January to March 2015, and until later in recording were unaware of Bowie’s declining health. The song “Lazarus” is part of Bowie’s Off-Broadway musical of the same name. The album has received universal critical acclaim and commercial success, reaching the number one spot in a number of countries in the wake of Bowie’s death and becoming his first album to reach number one on the Billboard 200 album chart in the U.S. Blackstar is the twenty-fifth and final studio album by musician, writer, actor, chameleon, David Bowie. It is the 27th when you count the Tin Machine records, which you should. The album was released worldwide on January 8, 2016, on Bowie’s 69th birthday, and just two days later David Robert Jones passed away at home surrounded by his wife Iman, and his son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman.]

25. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next Week on Wednesday, Jan 16, we present: “Remembering MLK” to celebrate Dr. Martin Luther King, Jr., born January 15, 1929. We’ll play music from: The Isley Brothers, Curtis Mayfield, Mahalia Jackson, Sweet Honey in The Rock, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pops Staples, Mavis Staples, The Staple Singers, Thelonius Monk Septet, Pete Seeger, Sarah Lee Guthrie & Johnny Irion, Sharon Jones & The Dap-Kings, Labelle, Darwin Hobbs & Karen Clark-Sheard, Bobby Watson & The I Have a Dream Project.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #768

Wednesday MidDay Medley Celebrates David Bowie

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 9, 2019

Wednesday MidDay Medley Celebrates David Bowie

David Bowie’s death in New York City, on January 10, 2016 sent shock waves of grief across the world. Bowie made music for those of us who felt left out. Bowie taught us how to be ourselves, to celebrate being different. Bowie understood the theatre of rock and roll. Bowie was a gateway for his fans to other important discoveries like: The Velvet Underground, Lou Reed, John Cale, Andy Warhol and The Factory, Iggy Pop, Glam Rock, New Wave, Electronica, Brian Eno, Roxy Music, William S. Burroughs, Beat Poetry, Mick Ronson, Luther Vandross, Tony Visconti, Carlos Alomar, Robert Fripp, T-Rex, Kraftwerk, Klaus Nomi, Bauhaus, Gender Expression, Independent film, Arcade Fire, TV on The Radio, and so much more.

Wednesday MidDay Medley presents our Tribute to David Bowie, featuring short stories about David Bowie from nine of his biggest fans: Michelle Bacon, Barry Lee, Ben Grimes, Cody Wyoming, Krystle Warren, Jesse Bartmess, Marion Merritt, Ian Michael Flanagan Johnson, and Nico Gray.

We’ll feature selected songs from, and representing, some of David Bowie’s 27 studio albums, and recordings David Bowie wrote and produced for other artists, including: Lou Reed, Mott the Hoople, and Bowie songs performed by: Joan As Police Woman, OK Go, Bonerama Col. Chris Hadfield, Nile Rodgers and James Murphy and two bands with Kansas City connections: Soft Reeds, and The Band That Fell To Earth.

At 11:15, we welcome musician and writer, Michelle Bacon who joins us to share details about The Band That Fell To Earth and the 4th annual tribute to David Bowie with TWO nights of music: Friday, January 18 and Saturday, January 19, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO, featuring: Michelle Bacon on bass, Alex Alexander on guitar, Nathan Corsi on vocals/guitar, Kyle Dahlquist on keys/brass, Katy Guillen on guitar, Steve Tulipana on vocals, Stephanie Williams on drums, Havilah Bruders on backing vocals, Camry Ivory on backing vocals, Matt Ronan on percussion, Christine Broxterman on cello, Betse Ellis on violin, Rich Wheeler on saxophone, with American Sign Language interpretation from Peige Turner and video projections from XO Blackwater. Each night will contain a unique set list and different special guests, to be announced! A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater Kansas City area. More info at: http://www.therecordbar.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #768

WMM Playlist from July 18, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 18, 2018

Tim Finn + Howard Iceberg & Pranav Nanda & Mom’s Demand Action
+ Cheryl Kimmi & Kansas City Fringe Festival 2018

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Courtney Barnett – “Nameless, Faceless”
from: Tell Me How You Really Feel / Mom+Pop / May 18, 2018
[Lead single from Tell Me How You Really Feel is the second studio album by Australian singer-songwriter Courtney Barnett. It was released on 18 May 2018 by Barnett’s Milk! Records, Mom + Pop Music, and Marathon Artists. The album was recorded in Melbourne with producer Burke Reid, who also worked on Barnett’s previous solo album, Sometimes I Sit and Think, and Sometimes I Just Sit. Barnett was joined on the album by her live rhythm section of Bones Sloane (bass, backing vocals) and Dave Mudie (drums, backing vocals), as well as guitarist Dan Luscombe of The Drones. The album also features guest appearances from the Deal sisters, Kim and Kelley. In 2012 Barnett started her own label, Milk! Records, and released her first EP I’ve Got A Friend Called Emily Ferris to glowing reviews around Australia. From 2011 – 2013 Barnett was a member of Australian psych/country band Immigrant Union, a musical project founded by Brent DeBoer of The Dandy Warhols and Bob Harrow. Along with sharing vocal duties Barnett predominantly played slide guitar and features on their second studio album ‘Anyway’. DeBoer also played drums on her first EP ‘I’ve Got A Friend Called Emily Ferris’. Barnett received international critical acclaim in 2013 with her second EP How To Carve A Carrot Into A Rose. Barnett combined the 2 releases into The Double EP: A Sea of Split Peas.]

[Courtney Barnett plays The Truman, 601 E. Truman Road, KCMO, TONIGHT, July 18, at 8:00 pm.]

3. Vacationer – “Being Here”
from: Mindset / Downtown Records / June 22, 2018
[The third full-length from Vacationer, Mindset is built on delicate melodies and crystalline rhythms that seem to alter the very texture of the world around you. Ornately composed but breezy in energy, Vacationer’s warm-hearted dream-pop perfectly mirrors frontman Ken Vasoli’s intentions in making the album. “The objective was to write songs that remind me how my brain needs to operate for my own wellbeing and happiness,” Vasoli says. “That’s where the title comes from—the record’s filled with all these reminders that put me in a good mindset for the day.” Despite its often-euphoric effect, Mindset began in frustration for Vasoli. After countless false starts on the follow-up to 2014’s Relief, the Philadelphia-based musician decided to completely upend his creative approach. While Vacationer’s previous albums came to life in close collaboration with fellow members Matthew Young and Grant Wheeler, Vasoli shifted his focus from songwriting to production and worked entirely on his own for months on end. During that time, he immersed himself in exploring the nuances of Ableton and analyzing the construction of beloved albums by artists like the Beach Boys, Barry White, and Curtis Mayfield.]

[Vacationer plays recordbar, 1520 Grand, KCMO, Sunday, July 22, at 7:00 pm with guests Sego.]

4. Payge Turner – “But For Now”
from: Acoustic Vibes – Single / Middleman / February 25, 2018
[3rd Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays The Rino’s 1st Anniversary, Saturday, July 21, at 8:00 pm, with The UKs, Late Nite Cavalry. The Rino is located at 314 Armour Rd, North Kansas City.]

[Payge Turner plays Voltaire, Tuesday, July 24, at 9:00 pm, with Rhe Black Creatures.]

5. Miles Bonny – “It’s Your World”
from: It’s Your World / INnatesounds / April 21, 2018
[“It’s Your World” with lyrics & music by Brian Jackson is the title track of the double album by soul artist Gil Scott-Heron and Brian Jackson, released in November 1976 on Arista Records. Recording sessions for the album took place in studio and live in July 1976 at St. Paul’s Mall in Boston, Massachusetts, Electric Lady Studios in New York City, and American Star Studios in Merrifield, Virginia. Scott-Heron and Jackson recorded the album with the former’s backing ensemble, The Midnight Band. It’s Your World was originally released on vinyl. Already a fan of Gil Scott and Brian Jackson, Miles was asked to learn “It’s your world” so he may cover it live at a Gil Scott-Heron tribute party in Cologne, Germany. The party never happened, but the song’s lyrics deeply impacted Miles. Upon moving to New Mexico shortly after, Miles recorded the lead vocal live alongside the cajon played by fellow explorer and off-grider Trance Conductor. The additional vocals, horns, percussion, and piano were recorded elsewhere in the neighborhood at Miles’ Mud Cabin Studio. Bass was layed by friend and fellow INnatesounds representative Dominique Sanders in Kansas City. Mixed and mastered by Miles Bonny in Northern New Mexico. Miles Bonny on vocals, horns, piano, claps; Sam Burke-Favaro (inductions.bandcamp.com) on cajon, triangle, claps; Dominique Sanders (dominiquesanders.bandcamp.com) on bass. Mixing and Mastering – Miles Bonny. Everything recorded off grid with solar power in Northern New Mexico with the exception of bass recorded in KCMO. Miles writes “I want this to be out and make you feel good. It’s been in my vault for a lil while. I love the vibes, hope you do too. peace.” http://www.milesbonny.com]

[Miles Bonny plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, & Brandon Draper on Fri, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

[Miles Bonny plays Melovated with the Innate Sounds Crew featuring: Eddie Moore, Dominique Sanders, Miles Bonny, Leonard Dstroy, Abnorm, Kemet The Phantom, Kadesh Flow, Saturday, July 21, at 9:00pm, at The 10 spot, 1000 Broadway Blvd.. Kansas City, MO, US]

6. Brandon Draper – “Calm Inward Drive”
from: Meditation Music Vol. 1 / Brandon Draper / April 20, 2018
[Brandon Draper on tabla, metal tongue drums, Cooperman frame drums. Produced by Looking Up Productions Inc. Recorded Live at Tone Dimension Studio. Engineered by Bryan Nicholas. Mixed and Mastered Bryan Nicholas.]

[Brandon Draper plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, Miles Bonny on Friday, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

7. Benjamin Clementine – “Jupiter”
from: I Tell A Fly / Virgin Records / October 2, 2017
[English artist, poet, vocalist, composer, and musician, Benjamin Sainte-Clémentine was born December 7, 1988, n London, England,. Clementine later moved to Paris, France becoming homeless as a teenager. There, his performances helped him to become a cult figure in the music and art scene. Moving back to London, he made his TV debut on the BBC programme Later With Jools Holland in 2013. A number of critics described him as becoming one of the great singer-songwriters of his generation and the future sound of London, whilst struggling to place his music in any one genre. Considered by The New York Times as one of the 28 geniuses who defined culture in 2016, Clementine’s compositions are musically incisive and attuned to the issues of life but also poetic, mixing revolt with love and melancholy, sophisticated lyricism with slang and shouts, and rhyming verse with prose monologues. He moved to popular art music, breaking free from traditional song structure, inventing his own dramatic and innovative musical territory. He is noticeably seen topless and barefoot onstage, dressed entirely in black or dark grey, with a long, wool trench coat. Clementine debut album At Least for Now won the 2015 Mercury Prize but fared better across mainland Europe. At the end of 2015, Clementine was included in The Guardian’s New Year’s honours list to celebrate heroes of 2015. Debrett’s and the London Evening Standard named him one of the most influential people in Britain. ]

[Benjamin Clementine opened for David Byrne at Kauffman Center for the Performing Arts, June 7.]

Playing Chris Hazelton’s Boogaloo 7 on vinyl on the KKFI 90.1 FM Studios on Wednesday MidDay Medley.

8. Chris Hazelton’s Boogaloo 7 – “Turnin’ Up the Burner” (Vinyl)
from: The Basement Beat / Sunflower Soul / July 20, 2018
[Hammond organist Chris Hazelton and his large-group Boogaloo 7 pay homage to greats such as Lonnie Smith, Jimmy McGriff, Grant Green, and Lou Donaldson with their groove-centered brand of jazz, all the while pushing the genre forward with exciting new and original music. More information at: http://www.chrishazelton.com. Chris Hazelton on Hammond B-3 organ; Nick Howell on trumpet & tamborine; Nick Rowland on alto & tenor sax (tracks 1, 2, & 4); Zak Pischnotte on alto & tenor sax (tracks 3, 5, & 6); Brett Jackson on baritone sax; Matt Hopper on guitar; Danny Rojas on drums; and Pat Conway on congas (tracks 1-4, 6), bongos & cowbell (Track 5); Juan-Carlos Chaurand on congas (Track 5); John Kizilarmut on timbales & güiro (Track 5). Recorded live to 8-track analog tape, mixed, and produced by Chris Hazelton at the FORTRESS OF SOULITUDE. Mastered by Adam Boose at Cauliflower Audio. Pressed by Gotta Groove Records. Chris Hazelton’s Boogaloo 7 will be releasing a single 7″ called “100 Days, 100 Nights” also on July 20, but released on Lugnut Records as part of a tribute to Sharon Jones and The Dap Kings.]

[Chris Hazelton’s Boogaloo 7 play a Record Release Show for The Basement Beat, Sunday, July 22, at 8:00 pm, at Black Dolphin, 1813 Grand Boulevard.]

10:30 – Interview with Cheryl Kimmi

Nico Gray and Cheryl Kimmi on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Cheryl Kimmi, is Executive Producer of KC Creates, and the founder of the Kansas City Fringe Festival. She joins us on WMM to share details about the 14 Annual KC Fringe Festival, starting tomorrow, July 19 running through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. The 14 Annual KC Fringe Fest features 76 different producers, over 650 participating artists, galleries showcasing 35 visual artists, with more than 400 opportunities to find Fringe this year. For info: http://www.KCFringe.org

Cheryl Kimmi, thanks for being with us on Wednesday MidDay Medley

Congratulations on 14 years.

Fringe Festival KC is committed to accepting artists without jury or censorship. We accept artists on a first come, first serve basis. Our five mile footprint spans through the cultural corridors of KC from River North to Old Westport. We feature visual, film, and performing artists in venues ranging in size from small to large.

KC Fringe festival opens with a large Opening Night Party where artists preview their shows in rapid-fire succession and our fringe loyalists mark their programs for the can’t-miss shows. Throughout the festival, you can count on Late Night on the Fringe events to meet, connect, and engage with participating artists and excited audiences. We culminate the festival with a celebratory Closing Night Party. We eat, we dance, we celebrate the wonderful success of our Fringe participants.

All audience members must have a button to access shows and galleries. The button is a one time, five-dollar purchase that allows Fringe Festival KC to adequately pay our artists and venue owners from ticket revenue.

Over 100 Local, Regional, and International Performing Artists throughout a 5-mile footprint of Kansas Cit’s cultural cooridors. Music-dance-theatre- music-dance- visual arts – Touth & Teen Fringe – There’s is something for everyone! THERE’S SOMETHING FOR EVERYONE! SUPPORT THE ARTS AND BUY TICKETS AT KCFRINGE.ORG

Showcases local, national and international artists in a diverse melting pot of performing and visual arts. All are welcome; whether you’re a first-timer or a veteran Fringer!

The KC Fringe stage is for the diversity, innovation & creativity that can be found through out our community. An example of how the arts bring people from all walks of life together, inspiring participants & attendees to embrace creativity and dare to be different.

The KC Fringe has something for everyone.
The youngest members of your family can find their Fringe during our opening weekend.

Youth Fringe program takes place at The Plaza Library, and teens will produce and perform with KC Fringe at Kansas City Young Audiences and access workshops at The Nelson Atkins Museum.

KC Fringe Staff:

Cheryl Kimmi – Executive Producer
Tiffany Chappell – Director of Operations
Skip Gordon – Technical Director
Ashley Dover – Assistant Technical Director
Barbara Dooley Editor-Review Team
Sandy Woodson – Teen Coordinator
Sheri Hall – Youth Coordinator
Sarah Slaughter – Visual Arts Coordinator
Bryan Colley – Program Design and Technology Guru
Trenna Keltner – 411 Manager
Natalie Leslie – Fringe Intern
Katie Sheiferecke – Fringe Intern

The 14 Annual KC Fringe Festival, starts tomorrow, July 19 and runs through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. For more information you can visit: http://www.KCFringe.org

10:44 – Underwriting

9. The Fey – “Contender” (Radio Edit)
from: Strawberry Lemonade EP / The Record Machine / July 13, 2018
[The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, “Don’t let The Fey’s new EP title Strawberry Lemonade fool you; this record is no light beach drink. Rather, it’s a cocktail of the molotov variety, the kind you’ll want to toss into the middle of your ‘songs that rock’ summer playlist. From the opening salvos of ‘Contender’, to the slow burn of ‘Bones Underwater’, to the final soothing swells of ‘The Cool’, Strawberry Lemonade is a masterclass in modern songwriting, arrangement, instrumentation, and production.” Music arranged and composed by Zach Watkins. Lyrics written by Zach Watkins and Ishma Valenti. The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play The Record Machine’s – What’s Next KC, Friday, July 27, at 7:00 pm, at recordBar, 1520 Grand, with Y God Y, Instant Karma, and Pageant Boy.]

Playing Emmaline Twist on vinyl on Wednesday MidDay Medley on KKFI 90.1 FM.

10. Emmaline Twist – “Vega” (Vinyl)
from: “Vega” – Single b/w “Moon Eyes” / Eat.Hear.Records / July 16, 2018
[New 7″ vinyl release, and 2nd in a series from Eat.Hear.Records, a project of the folks at recordBar and Steve Tulipana. Emmaline Twist is KCs Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s digital single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded & Mixed by Lin Buck at Temple Sound, KCMO. Mastered by Duane Trower at Weights + Measures, KCMO. The band’s debut LP Dissimulation will be released on vinyl, August 24, 2018 on Black Site Records.]

[Emmaline Twist play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 7:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

[Emmaline Twist play a KC Album Release Show for “Dissimulation” on Black Site Records, Friday, August 24, at 9:00 pm, at recordBar, 1520 Grand with Ghost Bones and Sona]

[Emmaline Twist joins us on WMM on Aug. 22.]

11. Belle & The Vertigo Waves – “What You Wanted”
from: What You Wanted – Single / Drop Out Records / August 19, 2017
[Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. The band’s debut album “Aligned” was released October 6, 2017 and is available on iTunes and all streaming services. The band recently played Middle of the Map Fest.]

[Belle and The Vertigo Waves play recordbar, 1520 Grand Ave, Thursday, July 19, at 7:00 pm, with Tandem, and Faintheart.]

11:00 – Station ID

12. Patsy Cline – “Sweet Dreams”
from: The Patsy Cline Story / Decca / June 10, 1963
[Patsy Cline was born Virginia Patterson Hensley on September 8, 1932. She died in a plane crash on March 5, 1963. She was an American country music singer and part of the Nashville sound during the late 1950s and early 1960s. She successfully “crossed over” to pop music and was one of the most influential, successful, and acclaimed vocalists of the 20th century. She died at age 30 in the crash of a private airplane. Cline was known for her rich tone, emotionally expressive and bold contralto voice, and her role as a country music pioneer. She helped to pave the way for women as headline performers in the genre, along with Kitty Wells. She overcame poverty, a devastating automobile accident, and significant professional obstacles, and she has been cited as an inspiration by Reba McEntire, LeAnn Rimes, and other singers in diverse styles. Books, movies, documentaries, and stage plays document her life and career. Her hits began in 1957 with Donn Hecht’s and Alan Block’s “Walkin’ After Midnight,” Hank Cochran’s and Harlan Howard’s “I Fall to Pieces,” Hank Cochran’s “She’s Got You,” and Willie Nelson’s “Crazy,” and ended in 1963 with Don Gibson’s “Sweet Dreams.” Millions of her records have sold since her death. She won awards and accolades, causing many to view her as an icon at the level of Jim Reeves, Johnny Cash, and Elvis Presley. She became the first female solo artist inducted into the Country Music Hall of Fame in 1973, ten years after her death. In 1999, she was voted number 11 on VH1’s special The 100 Greatest Women in Rock and Roll. In 2002, she was voted Number One on Country Music Television’s The 40 Greatest Women of Country Music, and she was ranked 46th in the “100 Greatest Singers of All Time” issue of Rolling Stone magazine. Her 1973 Country Music Hall of Fame plaque reads: “Her heritage of timeless recordings is testimony to her artistic capacity.”]

[In early 1963, Patsy Cline was recording songs for her next album, Faded Love, which was set for release in late March, 1963. She recorded “Sweet Dreams” for the album on February 5. However, on March 5, Cline died in a plane crash on the way home from a benefit in Kansas City, Kansas for the family of Cactus Jack Call, a disc jockey who was killed in an automobile accident so, therefore, the album was never released. The songs were later compiled for the release Patsy Cline the Last Sessions in 1988. Instead, Decca Records issued a double album, entitled The Patsy Cline Story, in the summer of 1963.]

[In 1963, “Sweet Dreams” was released to the public and became a big Crossover hit, making it to #5 on the Country charts and to #44 on the pop music charts. It also peaked on the U.S. Adult Contemporary charts at #15. This song was followed by two other songs that were planned for release on Cline’s upcoming album: “Leavin’ on Your Mind” and “Faded Love”, which both became hits. It was said that Cline did not like the use of the violins that producer Owen Bradley was bringing into the song, because she feared she was becoming too “pop” for her Country audience (All references in this section are either from Patsy by Margaret Jones or Honky Tonk Angel by Ellis Nassour). But upon hearing the song after the playbacks the night she recorded it, she supposedly held a record up of her first record and “Sweet Dreams” and proclaimed “Well, here it is: The first and the last.” (Source: Loretta Lynn: Coal Miner’s Daughter (1976) This quote came from the video called Remembering Patsy, and was quoted by Jan Howard whose husband at the time was Harlan Howard. In 1985, the song became the title tune of a Patsy Cline biopic starring Jessica Lange as Cline. Cline’s hit version of “Sweet Dreams” was included on the film’s soundtrack, along with “Crazy,” “She’s Got You,” and many of her other songs.]

11:03 – Interview with Tim Finn

Timothy Finn

Local music writer Tim Finn is originally from Youngstown, New York. He studied at University of Missouri in Columbia and received his Masters of Arts, in Journalism from the University of Kansas. Tim served as Music Writer of the KC Star, where he worked for 29 years. You can hear Tim Finn Thursday afternoons between 4 and 6 on 90.9 The Bridge with Jon Hart.

Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. Tim Finn highlights concerts, shows, and encounters from our city’s music scene. From Patsy Cline’s final performance and the Beatles’ one and only local appearance to the three-day world premiere of The Jacksons Victory Tour. To RSVP visit: http://www.kclibrary.org

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

Since we last talked with Tim on the radio he has gone through several big life events.

Timothy Finn recently sold his house in Liberty, where he lived for 25 years.

Timothy Finn recently ended his time at The Kansas City Star, after 29 years.

Timothy Finn recently got married to Michelle Gaumé Finn.

Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, as part of the 2018 Adult Summer Reading Program Rock & Read. One of the concerts he will discuss is patsy Cline’s last performance of her career in Kansas City, Kansas.

Patsy Cline at Memorial Hall – March 3, 1963

We just heard Patsy Cline singing a song she record on February 5, 1963. Nearly one month later, on March 3, 1963, Cline performed a benefit at the Soldiers and Sailors Memorial Hall, Kansas City, Kansas, for the family of disc jockey “Cactus” Jack Call. He had died in an automobile crash a little over a month earlier. Call was a longtime DJ for KCKN, but had switched to KCMK a week before his death on January 25, 1963, at the age of 39. Also performing in the show were George Jones, George Riddle and The Jones Boys, Billy Walker, Dottie West, Wilma Lee and Stoney Cooper, George McCormick, the Clinch Mountain Boys as well as Cowboy Copas and Hawkshaw Hawkins.

Cline, ill with the flu, gave three performances, at 2 p.m. and 5:15 p.m., with an 8 p.m. show added due to popular demand. All the shows were standing-room only. For the 2 p.m. show, she wore a sky-blue tulle-laden dress; for the 5:15 show a red shocker; and for the closing show at 8 p.m., Cline wore white chiffon, closing the evening to a thunderous ovation. Her final song was the last she had recorded the previous month, “I’ll Sail My Ship Alone.”

Cline, who had spent the night at the Town House Motor Hotel, was unable to fly out the day after the concert because Fairfax Airport was fogged in. West asked Patsy to ride in the car with her and husband, Bill, back to Nashville, a 16-hour drive, but Cline refused, saying, “Don’t worry about me, Hoss. When it’s my time to go, it’s my time.” On March 5, she called her mother from the motel and checked out at 12:30 p.m., going the short distance to the airport and boarding a Piper PA-24 Comanche plane, aircraft registration number N-7000P. The plane stopped once in Missouri to refuel and subsequently landed at Dyersburg Municipal Airport in Dyersburg, Tennessee at 5 p.m.

Hughes was the pilot, but was not trained in instrument flying. Hawkins had accepted Billy Walker’s place after Walker left on a commercial flight to take care of a stricken family member. The Dyersburg, Tennessee, airfield manager suggested that they stay the night because of high winds and inclement weather, offering them free rooms and meals. But Hughes responded, “I’ve already come this far. We’ll be there before you know it.” The plane took off at 6:07 p.m. Hughes’ flight instructor, Elmo Merriwether, had also trained Jim Reeves, whose plane crashed the following year. Neither pilot was instrument-rated, and both attempted to navigate by visual flight rules (VFR), which proved impossible in the driving rain faced by both flights.

Cline’s flight crashed in heavy weather on the evening of March 5, 1963. Her recovered wristwatch had stopped at 6:20 p.m. The plane was found some 90 miles from its Nashville destination, in a forest outside Camden, Tennessee. Forensic examination concluded that everyone aboard had been killed instantly. Until the wreckage was discovered the following dawn and reported on the radio, friends and family had not given up hope. Endless calls tied up the local telephone exchanges to such a degree that other emergency calls had trouble getting through. The lights at the destination Cornelia Fort Airpark were kept on throughout the night, as reports of the missing plane were broadcast on radio and TV.

Early in the morning, Roger Miller and a friend went searching for survivors: “As fast as I could, I ran through the woods screaming their names–through the brush and the trees–and I came up over this little rise, oh, my God, there they were. It was ghastly. The plane had crashed nose down.” Shortly after the bodies were removed, looters scavenged the area. Some of the items which were recovered were eventually donated to The Country Music Hall of Fame. Among them were Cline’s wristwatch, Confederate flag cigarette lighter, studded belt and three pairs of gold lamé slippers. Cline’s fee and her attire from the last performance were never recovered.

Per her wishes, Cline’s body was brought home for her memorial service, which thousands attended. She was buried at Shenandoah Memorial Park in her hometown of Winchester, Virginia. Her grave is marked with a bronze plaque, which reads: “Virginia H. Dick (Patsy Cline) is noted under her name. ‘Death Cannot Kill What Never Dies: Love’.” With the help of Loretta Lynn and Dottie West, a bell tower was erected at the cemetery in her memory, which plays hymns daily at 6:00 p.m., the hour of her death. Another memorial marks the exact place off Fire Tower Road in Fatty Bottom, Tennessee, where the plane crashed in the still-remote forest.
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Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, at 6:30 pm, at 4801 Main Street, Kansas City.

Tim will have some tales to tell about Elvis, and James Brown, and Garth Brooks.

Tim mentioned that his favorite concerts were seeing Prince live. He mentioned the Musicology tour.

Tim talked about the numerous interviews with artists prior to their concerts. He talked about his interview with David Bowie before the 2004 show at Starlight Theatre.

11:11

13. Michael Jackson – “Wanna Be Startin’ Somethin'”
from: Thriller / Epic/ November 30, 1982
[6th studio album by American singer Michael Jackson, released on November 30, 1982, in the United States by Epic Records and internationally by CBS Records. It explores genres similar to Jackson’s previous album, Off the Wall, including pop, post-disco, rock and funk. Recording sessions took place from April to November 1982 at Westlake Recording Studios in Los Angeles, with a production budget of $750,000. Quincy Jones produced the album and Jackson wrote four of its nine songs. In just over a year, Thriller became—and currently remains—the world’s best-selling album, with estimated sales of 66 million copies. It is the best-selling album in the United States and as of 2017 is the only album to reach 30x multi-platinum, with U.S. shipments of 33 million album-equivalent units certified. The album won a record-breaking eight Grammy Awards in 1984, including Album of the Year. It produced seven singles—”The Girl Is Mine”, “Billie Jean”, “Beat It”, “Wanna Be Startin’ Somethin'”, “Human Nature”, “P.Y.T. (Pretty Young Thing)”, and “Thriller”—all of which reached the top 10 on the US Billboard Hot 100 chart. Thriller broke racial barriers in pop music, enabling Jackson’s appearances on MTV and meeting with President Ronald Reagan at the White House. The album was one of the first to use music videos as successful promotional tools, and the videos for the songs “Thriller”, “Billie Jean”, and “Beat It” all received regular rotation on MTV. In 2001, a special edition reissue was released, which contains additional audio interviews, demo recordings and the song “Someone in the Dark”, a Grammy-winning track from the E.T. the Extra-Terrestrial storybook. In 2008, Thriller was reissued again as Thriller 25, containing remixes with contemporary artists, previously unreleased songs, and a DVD with three music videos and Jackson’s performance of “Billie Jean” from the 1983 television special Motown 25. In the same year, the album was inducted into the Grammy Hall of Fame along with Off the Wall. In 2012, Slant Magazine named Thriller the best album of the 1980s”. In 2003, Rolling Stone placed the album at number 20 on their list of “The 500 Greatest Albums of All Time”. The album was listed by the National Association of Recording Merchandisers at number three on its “Definitive 200” album list. Thriller was also included in the Library of Congress’ National Recording Registry of culturally significant recordings, and the Thriller music video was included in the National Film Preservation Board’s National Film Registry of “culturally, historically, or aesthetically significant films”.]

Tim Finn former music writer for KC Star, Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, at the Kansas City Public Library, Plaza Branch. Tim Finn highlights concerts, including the three-day world premiere of The Jacksons Victory Tour.

The Jacksons at Arrowhead Stadium – July 6, 7, and 8, 1984

The Victory Tour traveled the United States and Canada with Michael Jackson and The Jacksons between July and December 1984. It was the only tour with all six Jackson brothers (even though Jackie was injured for most of the tour). The group performed 55 concerts to an audience of approximately 2 million. Most came to see Michael, whose album Thriller had been dominating the popular music world at the time. Many consider it to be his Thriller tour, with most of the songs on the set list coming off of his Off the Wall album and from the Thriller album. The tour reportedly grossed approximately $75 million (US $181,608,277.19 in 2018 dollars) and set a new record for the highest grossing tour. It showcased Michael’s single glove, black sequined jacket and moonwalk.

Despite its focus on Michael, it was named after the newly released Jacksons’ album Victory although none of the album’s songs were performed. Marlon confirmed[citation needed] this was because Michael refused to rehearse or perform them; in fact, he had only reluctantly joined his brothers, who needed the income while he himself did not. On the tour, tensions between Michael and his brothers increased to the point that he announced at the final show that it would be the last time they would perform together, ending plans for a European and Australian leg of the tour in the spring and summer of 1985.

The Jacksons did make money from the tour, along with promoter Don King. Michael donated his share to several charities as he had promised before it, but the rancor between Michael and his brothers had a deep and lasting effect on the Jacksons as a family, alienating him from them for most of his later life and it effectively ended the Jacksons as a performing group. They made one more album (2300 Jackson Street which was released in 1989) but aside from the concert celebrating Michael’s 30 years as a solo artist in 2001, they never toured again during Michael’s lifetime.

The tour was a financial disaster for promoter Chuck Sullivan, who along with his father Billy was eventually forced to sell the New England Patriots football team they owned, along with Foxboro Stadium, the team’s home field, as a result of the losses he incurred.

A bowl-shaped concrete structure. In the middle is an oval sign with “Arrowhead” written on it in red letters. Arrowhead Stadium, where the tour opened, as it appeared at the time
The tour sold what was then a record number of tickets despite the high price. The opening shows were widely covered in the national media and sold out. “Anybody who sees this show will be a better person for years to come”, King told the media before the first date in Kansas City. “Michael Jackson has transcended all earthly bounds. Every race, color and creed is waiting for this tour.”

The Jacksons and Don King had made money even though Sullivan had not, and near the end of the tour they began making plans for a European leg. When word reached Michael, he let them know through his representatives that he would not be taking part. At the rain-soaked tour finale in Los Angeles’ Dodger Stadium, after six sold-out shows, Michael announced at the end of the show, to his brothers’ shocked expressions, that this would be the last time they all performed together. The plans to go to Europe were ended.

The set list included songs from the Jackson’s albums Destiny and Triumph. Despite the name of the tour, the Victory album was not represented. There were also songs on the list from Jermaine’s and Michael’s solo careers. Songs from Michael’s albums Off the Wall and Thriller were both represented. The set list did not include “Thriller” itself because Michael did not like the way the song sounded live (it was later performed regularly during Michael’s solo tours).
________________________________________________________________________

Tim Finn former music writer for KC Star, Tim joined us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch. Tim Finn discusses some of KC’s best and most significant music moments including the Beatles’ one and only local appearance.

The Beatles at Kansas City Municipal Stadium – September 17, 1964

The Beatles played for 31 minutes in Kansas City. The 20,280 tickets sold here tied Vancouver, British Columbia, for the second highest attendance for a single performance on the tour.

Charles O. Finley, owner of the Kansas City Athletics baseball team convinced The Beatles to add Kansas City to their tour, flying here on what was suppose to be their day off.

The Beatles spoke at a pre-concert news conference at the Hotel Muehlebach.

There were two Beatles visits to the U.S. in 1964. The first began with their famous Feb. 9 – “Ed Sullivan Show” appearance, watched by 73 million. They also played concerts in Washington, D.C., and New York, then did another Sullivan show from Miami Beach, Fla. By the time the third Sullivan bit, this one taped, ran Feb. 23, Thea Beatles were back in England. When The Beatles came back to the U.S. on Aug. 19 that year, their film “A Hard Day’s Night” had just been released theaters, and the title song went gold.

The 2nd tour was 33 days in 24 U.S. & Canadian cities.

The Kansas City Star reported that The Beatles “had not even left its first venue, San Francisco, before Charlie O. Finley contacted band manager Brian Epstein to see if a KC stop could be carved out of one of the eight off days. He offered $50,000. To put that in perspective, Frank Sinatra and Judy Garland were drawing $10,000 to $15,000 for a show, and a ’64 Beatles concert was running from $20,000 to $40,000.”

The band wasn’t excited about it. In “The Beatles Anthology, ” McCartney recalled: “Our days off were sacred. If you look at our 1964 timetable you can see why. I didn’t realise until recently that we used to have a whole year of work, and then get something like 23rd November off – and then have to judge a beauty competition that day. So, by the time we got to Kansas City, we probably needed a day off. I can’t actually remember falling out with Brian about him wanting us to work on a day off, we’d talk to each other rather than fall out.”

Then Finley wired Los Angeles, where the group played at the Hollywood Bowl, to double his bid. No, thanks, he was told again.

Charles O. Finley made a third offer: $150,000, at the time it was the all-time record cost for a single performance. In today’s dollars it would be $1.1 million.

The large photo in the Kansas City Times captured girls and boys excitedly waving their arms on the field, under a headline that continued the sense of a natural disaster averted: Police Hold Tide of Beatlemania.

The opening number was added as a concession to Finley: The Beatles’ version of “Kansas City/Hey-Hey-Hey.” It was included the next month when they cut their next album, “Beatles for Sale.” The Beatles played “Twist and Shout.”

The set list included: “You Can’t Do That”; “All My Loving”; “She Loves You, Yeah, Yeah! Yeah!”; “Things We Said Today”; “Roll Over Beethoven”; “Can’t Buy Me Love”; “If I Fell”; “I Wanna Hold Your Hand”; “Boys”; “A Hard Day’s Night” and “Long Tall Sally.”
_____________________________________________________________________________

Tim Finn former music writer for KC Star, will soon be writing for a new Kansas City monthly periodical called “In Kansas City.” Tim Finn presents: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. To RSVP visit: http://www.kclibrary.org

You can hear Tim Finn Thursday afternoons between 4:00 and 6:00 pm on 90.9 The Bridge with Jon Hart.

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

11:27

14. The Beatles – “You Can’t Do That”
from: A Hard Days Night / Parlophone / July 10, 1964
[A Hard Day’s Night is the third studio album by the English rock band the Beatles, released on 10 July 1964, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. In contrast to their first two albums, all 13 tracks on A Hard Day’s Night were written by John Lennon and Paul McCartney showcasing the development of their songwriting talents. The album includes the title track, with its distinct opening chord, and the previously released “Can’t Buy Me Love”, both transatlantic number-one singles for the band. The title of the album was the accidental creation of drummer Ringo Starr. According to Lennon in a 1980 interview with Playboy magazine: “I was going home in the car and Dick Lester [director of the movie] suggested the title, ‘Hard Day’s Night’ from something Ringo had said. I had used it in In His Own Write, but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it not to be funny … just said it. So Dick Lester said, ‘We are going to use that title.’]

11:30 – Underwriting

15. The Hermanos Brothers – “All My Loving (The Beatles)”
from: The Hermanos Brothers – Covers / Howard Iceberg / March 20, 2018
[The Hermanos Brothers are Howard Iceberg on vocals, rhythm guitar, & harp; and Chad Brothers on lead guitar & harmony vocals. These songs, all covers, were recorded in one day, between the hours of 9:00 am to 5:00 pm. The songs were recorded and mixed and mastered by Phil Wade who added dobro, mandolin and guitar.]

11:33 – Interview with Howard Iceberg and Pranav Nanda.

Tim Finn, Howard iceberg, and Pranav Nanda on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard Iceberg. He is one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs. Ear;lier this year Howard released Netherlands his collaboration with Rich Hill and other area Jazz musicians.

Howard Iceberg, thanks for being with us on Wednesday MidDay Medley

Pranav Nanda is a 2017 Teach for America Corps Member, serving as a teacher and leader in Kansas City. In his first year at Teach For America, he taught Humanities at DeLaSalle Charter School, an alternative high school serving the Kansas City Urban Corps. This summer, Pranav has had the opportunity to work in the Kansas City’s Mayor’s office through the Urban Leaders Fellowship. Pranav is currently pursuing his Master’s in Education at the University of Missouri in St. Louis & plans on going to Law School after his Teach For America service. Prior to joining Teach For America, Pranav attending George Washington University in Washington DC, receiving a Bachelor’s in Art in International Affairs and minored in Sociocultural Anthropology. While attending GW, Pranav had the opportunity to intern in the White House in the Office of Presidential Correspondence, at the Department of Education in the Office of Post-Secondary Education, and in many leadership positions on campus.

Pranav Nanda thanks for being with us on Wednesday MidDay Medley

Howard Iceberg and Pranav Nanda are here to share information about the Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more info: http://www.momsdemandaction.org,

Moms Demand Action have chapters in many cities.

About Moms Demand Action For Gun Sense In America / media@momsdemandaction.org
Press Contact: Moms Demand Action For Gun Sense In America; E-mail:

ABOUT US

Like Mothers Against Drunk Driving, created to reduce drunk driving, Moms Demand Action for Gun Sense in America was created to demand action from legislators, state & federal; companies; & educational institutions to establish common-sense gun reforms.

WHO WE ARE

Moms Demand Action was founded by stay-at-home mom Shannon Watts on December 15, 2012, in response to the devastating shooting at Sandy Hook Elementary School. The organization quickly flourished into a leading force for gun violence prevention, with chapters in all 50 states and a powerful grassroots network of moms that has successfully effected change at the local, state and national level. In December 2013, Moms Demand Action partnered with Mayors Against Illegal Guns to unite a nationwide movement of millions of Americans working together to change the game and end the epidemic of gun violence that affects every community.

WHAT WE STAND FOR

Moms Demand Action supports the 2nd Amendment, but we believe common-sense solutions can help decrease the escalating epidemic of gun violence that kills too many of our children and loved ones every day. Whether the gun violence happens in urban Chicago, suburban Virginia, or rural Texas, we must act now on new and stronger gun laws and policies to protect our children.

Moms Demand Action envisions a country where all children and families are safe from gun violence. Our nonpartisan grassroots movement has grown to include a chapter in every state across the country. We are educating, motivating, and mobilizing supporters to take action that will result in stronger laws and policies to save lives.

We are facing a public health crisis: seven American children or teens are shot and killed every day.

For too long, the gun lobby has dominated the conversation about gun violence. American families are being destroyed and we have had enough; we will no longer stand by and let elected officials, corporate leaders and other influential voices turn their back on sensible gun laws and policies. We are organizing to apply pressure that will result in stronger, sensible gun laws and policies that will protect our children and families. The momentum is with us, and we are winning.

Shapiro Brothers

Chad Brothers is a Kansas City based singer-songwriter and guitarist who has played music for over 25 years. His dynamic approach to guitar sets him among the best this town has to offer. He’s actively involved in several projects around town including Old Sound, Shapiro Brothers, Supermassive Black Holes, The Butter Band, and he is Mikal Shapiro’s lead guitarist in her band The Musical. In addition, he and Howard Iceberg have now formed a duo called The Hermanos Brothers. Chad was born and raised in Winfield, KS, home of the Walnut Valley Festival and National Flatpicking Championships, and finds himself comfortably at home among a wide range of musical genres including bluegrass, folk, blues, country and rock.

Mikal Shapiro is a Kansas City songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the United States and has recorded five critically acclaimed albums. Kansas City Star critic Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union. Mikal Shapiro released her latest solo album, The Musical II, on May 26.

11:41

16. Shapiro Brothers – “The Other Night”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. All songs written by Mikal Shapiro, except “Almost Ready” was written by Mikal Shapiro and Chad Brothers. Shapiro Brothers played a special EP Release show, November 3, at The Brick, with Grady Keller from Old Sound and Spectator from St. Louis.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

11:44 – More Interview with Howard Iceberg and Pranav Nanda

Uptown Arts Bar and Greg Patterson hosts a night of action, awareness and stellar music as we raise funds to benefit Moms Demand Action for Gun Sense in America, featuring the music of Howard Iceberg and Shapiro Brothers!

More information at: http://www.howardicebergandthetitanics.bandcamp.com and
http://www.shapirobrothersmusic.com

The benefit is Wednesday, July 25. The 25th of every month is “Orange Day” declared by the UN: “The 25th of every month has been designated “Orange Day” by the United Nations Secretary-General’s Campaign UNiTE to End Violence Against Women, to raise awareness and take action to end violence against women and girls. As a bright and optimistic colour, orange represents a future free from violence against women and girls. Orange Day calls upon civil society, governments, and UN partners to mobilize people and highlight issues relevant to preventing and ending violence against women and girls, not only once a year on the International Day for the Elimination of Violence against Women (25 November), but every month.”

More information at: http://www.un.org/en/women/endviolence/orangeday.shtml

Howard Iceberg has been writing songs, recording and performing in the K.C. area for more than 40 years. His songs have been performed by many other local musicians through the years. He is looking forward to playing the Uptown Arts Bar in support of Mothers Demand Action for Gun Sense, and wishes to state that he is pro-mother and anti-gun.

More information at: http://www.oldsoundmusic.com and http://www.shapirobrothersmusic.com and http://www.facebook.com/thesupermassiveblackholes

Howard Iceberg, and Pranav Nanda, thanks for being with us on WMM

The Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more information: http://www.momsdemandaction.org,

11:57

17. Howard Iceberg & The Titanics – “The Times of Our Lives”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Bryan Hicks on electric bass, Doug Auwarter on drums, Marco Pascolini on baritone guitar , Chad Rex on guitar. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on July 25 Shy Boys join us LIVE in our 90.1 FM Studios to talk about their new release Bell House on Polyvinyl Record Co. to be released August 3, 2018. Also next week we welcome Keaton Conrad, and Heidi Lynne Gluck and Sid Sowder of Too Much Rock premieres the newest Too Much Rock 7″ single release right here on Wednesday MidDay Medley.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #743

Wednesday MidDay Medley

WMM Playlist from March 28, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 28, 2018

New & MidCoastal Releases + Howard Iceberg
+ Guest Producer Nico Gray

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. The Decemberists – “Severed”
from: I’ll Be Your Girl / Capitol Records / March 16, 2018
[8th studio album by indie rock band The Decemberists from Portland, Oregon. The band consists of Colin Meloy (lead vocals, guitar, principal songwriter), Chris Funk (guitar, multi-instrumentalist), Jenny Conlee (piano, keyboards), Nate Query (bass), and John Moen (drums). Produced by John Congleton, the band experimented with new instrumentation during the album’s recording sessions, including several synth-based compositions inspired by New Order and Depeche Mode.]

[The Decemberists play The Uptown Theatre, Wednesday, May 23 with Eleanor Friedberger.]

3. MorMor – “Heaven’s Only Wishful”
from: Heaven’s Only Wishful – Single / Don’t Guess / February 2, 2018
[Artist, Singer-Producer, multi-instrumentalist, born and raised in Toronto. MorMor writes, records, and produces most of his own work. He tells pigeons and planes, “A lot of my inspiration stems from wanting to share a perspective of Toronto that I feel hasn’t been represented,” he says. “I’m glad Toronto is getting a lot of attention right now, but my experience of the city that has shaped me isn’t really part of the story yet.” he goes on to say, “I always felt different from the other kids at school. I went through a really hard time because I was the kid who always hung out with a wide variety of people. I kept searching for kids like me, but it never happened. In the end it gave me some good perspective. I was a pretty rebellious person when I was young. I had a problem with authority. I was reluctant to take orders if I didn’t believe in the cause. I might be the only kid who got suspended in the first grade. Music was something that I could escape through.]

4. Lucy Dacus – “Addictions”
from: Historian / Matador / March 2, 2018
[Lucy Dacus was born 1995 and grew up in Richmond, Virginia . She is an indie rock singer-songwriter who has has released two albums, both on Matador Records: 2016’s No Burden and 2018’s Historian. She started studying film at Virginia Commonwealth University but left to pursue her music career. She first performed in New York in March 2015. Sasha Gessen in Pitchfork wrote about Historian: ” It’s not an easy album to wear out. It lasts, and it should, given that so many of its lyrics pick at time, and the way time condenses around deep emotional attachments to other people.”

[Lucy Dacus plays Reverb Lounge in Omaha, NE, Monday, April 2, at 7:00 PM.]

5. Sinple – “SH-2 (SYSTEM SEGWAY)
from: Music For Machines Vol. 2 / Sinple / March 9, 2018
[Ambient Album Inspired by Brian Eno’s “Music for Airports.” Music for Machines: Written and Recorded by Sinple @ Moldy Basement. The Ambient, Darkwave, New Wave, R&B sounds of Sinple are created by KC based musician Jesse Bartmess on Synths, Drum Machine, and Vocals. Formed in 2011 and influenced by David Bowie, Kraftwerk, Gary Numan, Depeche Mode, Sade, Massive Attack, and Radiohead. Jesse Bartmess also plays keyboards in Rchel Mallin & the Wild Type. Info at: http://www.sinple.bandcamp.com/music%5D

[Today is the 30th Birthday of Jesse Bartmess who is hosting a skating Party, Friday night to celebrate.]

6. Khrystal. – “M e L A N i N P o P P i N”
from: Q u a r t e r C e n t u r y L i v i n g / Khrystal. / September 1, 2017
[Khrystal’s debut EP. Written and performed by Khrystal. Produced by Katheryne Johnson. Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017.

[Khrystal. plays the: I Heart Local Music Birthday Party Show at Jackpot in Lawrence, KS., with Bummer, and The Sluts on Friday, March 30, at 9:00 PM.]

7. Kadesh Flow – “Room Service”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[Kadesh Flow plays Pax east in Boston, Mass, Thursday, April 5]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

8. Kid Computer – “Dive”
from: Dive – Single / Kid Computer / April 6, 2018
[A Kansas City based 4-piece band featuring Matt Gore, Christian Sanchez and George McMillian. The band is getting set to release two separate singles “Afterglow” and “Dive” on Friday.]

[Kid Computer play a Single Release Show, Friday, April 6, at 7:00 pm with The UK’s and Quasar, at The Rino, 314 Armour Rd, North Kansas City, MO]

10:30 – Underwriting

10:32 – Interview with Howard Iceberg & Rich Hill

Howard Iceberg & Rich Hill on the March 28, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard Iceberg. He is one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.”

Larry Kopitnik, for The Pitch writes, “Pianist-vocalist Rich Hill has a personal sound steeped in the rich jazz, blues and gospel traditions of his Kansas City hometown. His keyboard style is grounded in the long tradition of jazz piano from ragtime to stride, bebop and modern jazz. Depending on the song, he might play something that sounds like Fats Waller, then something with a kind of Bill Evans or Chick Corea feel, followed by a tune suggesting Ray Charles’ blues-tinged earthiness. His success entertaining audiences with his keyboard and vocal talents while maintaining a certain standard of artistry is a notable accomplishment proven by continued demand for bookings.”

Howard Iceberg and Rich Hill share music from Howard Iceberg & The Titanics’ new album, Netherlands. Howard Iceberg & The Titanics play an Album Release show at The Ship, 1217 Union, in the West Bottoms, Thursday, March 29, 7-9pm, w/ 3 sets of music & special guests. This is a benefit for Care Beyond the Blvd, a non-profit organization providing medical & social services to homeless and vulnerable groups.

Howard Iceberg and Rich Hill, Thanks for being with us on Wednesday MidDay Medley.

On Netherlands Howard teamed with jazz artist Rich Hill on keys & backing vocals.
Other collaborating musicians include Jazz musicians: Bryan Hicks on stand up bass, electric bass and backing vocals; Charles Perkins on saxophone and flute; Gary Cardile on percussion; and Doug Auwarter on drums. All frequent collaborators with Rich Hill.

Other musicians bringing their talents to the album include: Dan Bliss on guitar, Betse Ellis on violin, Camry Ivory on vocals & backing vocals, Marco Pascolini on on baritone guitar & pedal steel, Phil Wade on dobro, Jeff Freling on guitar, and Chad Rex on guitar.

Netherlands was produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.

The songs on Netherlands were written by Howard Iceberg

Pat Tomek at Largely Studios is part of Howard Iceberg’s long time recording project. Howard tells us that he has more than 4 albums worth of new songs in the works.

Pat Tomek is longtime member of The Titanics, drummer and member of legendary band The Rainmakers, and drummer in the band Deco Auto, that we played earlier in the show. Pat Tomek is also a recording engineer and producer who has worked with countless area bands and musicians and has been a primary partner and caretaker in the recording and production of Howard’s recording project of songs.

10:38

9. Howard Iceberg & The Titanics – “My Love For You Is Real” (CD #9) (2:16)
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals & harmony vocals Rich Hill on piano, Bryan Hicks on stand-up bass, Gary Cardile on percussion, and Charles Perkins on sax. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

Howard Iceberg calls this album, “More songs from another time and place. This time around, a story album. Not mine, but that of spirits both close and far. Help from Durrell and Hemingway. The stories fleshed out by some of KC’s jazz cats, not to mention the usual suspects. I keep my eyes open and my mouth shut (heh heh). Imagining I am seeing the arc of love and the arc of life more clearly with the years. Waiting for a train.”

10:44

10. Howard Iceberg & The Titanics – “All In For You”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Rich Hill on organ, Bryan Hicks on electric bass, Doug Auwarter on drums, Dan Bliss on guitar, and Chad Rex on guitar. All words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

Howard Iceberg began performing in KC while in Law School. In the 1980s he was rubbing elbows with fellow area independent songwriters Scott Hrabko and Iris DeMent. At one point Howard was playing accordion in one of Scott Hrabko’s bands.

10:51

11. Howard Iceberg & The Titanics – “I Can’t Find You At All”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals & harmony vocals, Rich Hill on organ, Bryan Hicks on electric bass, Doug Auwarter on drums, Dan Bliss on guitar. All words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

Care Beyond the Boulevard was conceived by Jaynell (KayKay) Assmann after she noted the number of homeless people coming into the hospital where she worked as a nurse. As soon as she became certified as a Nurse Practitioner, her first goal was to establish an outreach to the urban poor and especially the homeless. She worked as a volunteer at the Micah Ministry food kitchen and in 2016 while working at Family Health Care, KayKay developed Care Beyond the Boulevard. We see 10-25 people each session (most Monday evenings) and provide care for urgent and chronic health needs. In addition we go on the streets into homeless encampments, providing healthcare directly to the homeless one other night per week, seeing between 7-15 patients. Additional services are provided as necessary through Family Health Care’s Southwest Boulevard clinic. More info at: http://www.carebeyondtheboulevard.org

Howard Iceberg and Rich Hill, Thanks for being with us on Wednesday MidDay Medley

Howard Iceberg & The Titanics play an Album Release show at The Ship, 1217 Union, in the West Bottoms, Thursday, March 29, 7-9pm, w/ 3 sets of music & special guests. This is a benefit for Care Beyond the Blvd, a non-profit organization providing medical & social services to homeless and vulnerable groups.

10:57

12. Howard Iceberg & The Titanics – “Rainy Rainy Day”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Rich Hill on piano & organ, Camry Ivory on harmony vocals. All words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

11:00 – Station ID

11:00 – Guest Producer Nico Gray

Nico Gray

13. Orchestral Manoeuvres In the Dark — “The New Stone Age”
from: Architecture & Morality / Dindisc-Virgin / November 8, 1981
[3rd studio album by British electronic music group Orchestral Manoeuvres in the Dark. English electronic music band formed in Wirral, Merseyside in 1978. Spawned by earlier group The Id, the outfit is composed of co-founders Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), along with Martin Cooper (various instruments) and Stuart Kershaw (drums); McCluskey is the only constant member. OMD released their influential debut single, “Electricity”, in 1979, and gained popularity throughout Europe with the 1980 anti-war song “Enola Gay”. The band achieved broader recognition via their album Architecture & Morality (1981) hailed as the band’s seminal work, the album received critical acclaim and has appeared on various “best albums” lists; The Morning News named it the finest record of 1981, and “the blueprint for synth-pop”. The album also became a commercial success, selling over 4 million copies by 2007. The record spawned three international hit singles, which sold more than 8 million copies combined.Critic Hugo Lindgren wrote that OMD have cultivated a “legacy as musical innovators”. In February 2007 a Scotsman journalist said: “If Kraftwerk were the Elvis Presley of synth-pop, then Orchestral Manoeuvres in the Dark were its Beatles.” In 2008, American publication The A.V. Club noted that McCluskey and Humphreys were “often labeled as the ‘Lennon-McCartney of synth-pop’.” In a 2008 piece on OMD, The Quietus magazine editor John Doran called them “the only Liverpool band to come near to living up to the monolithic standards of productivity and creativity set in place by the Beatles”, and asserted: “Orchestral Manouevres in the Dark are not one of the best synth bands ever: they are one of the best bands ever.” Veteran BBC DJ Simon Mayo described OMD as “the fathers of electronic music in this country [the UK].”]

11:03

We welcome back to the show, our friend Nico Gray, joins us as “Guest Producer” for our second hour. Nico is a former theatre actor, performance artist, writer, and is currently a marketing and advertising consultant. Rooted in KC, Nico grew up with radio. Nico writes that, “Music has always served as the ‘passport’ through spiritual journeys that have transplanted him to the brownstones of Chicago, the rooftops of Paris, the sea-side of Marseille and the balconies of NYC.” For WMM Nico Gray has co-hosted three of our on-air fund drive shows. He participated in our special 700th show, his writing has been featured on three of our Bowie Tribute Shows, and today is his 6th appearance as Guest Producer from over the past three years.

Nico Gray welcome back to Wednesday MidDay Medley.

11:09

14. Annie Hart — “Hard to Be Still”
from: Impossible Accomplice/ Instant Records / 2017
[Annie Hart is a keyboardist, songwriter and vocalist. She primarily composes and performs in the band Au Revoir Simone. In 2017, she released a solo album entitled Impossible Accomplice. She has contributed vocals to other artists’ projects and appeared on the 2017 series of Twin Peaks. Annie Hart was born on Long Island, New York. She has been in other groups including Uninhabitable Mansions, featuring members of Clap Your Hands Say Yeah, and collaborated as a composer with French band Air for their soundtrack to Les Voyages Dans La Lune. In 2017, she began releasing music under her own name apart from Au Revoir Simone and embarked on a world tour. She has appeared on screen along with the other members of Au Revoir Simone in Episodes 4[8] and 9[9] of the 2017 series of Twin Peaks. Her song, “Hard To Be Still,” appeared on episode one of the Netflix series, Gypsy, starring Naomi Watts. Au Revoir Simone is an American dream pop/synth-pop band from Williamsburg, Brooklyn, New York, formed in 2003. The group is composed of Erika Forster (vocals/keyboard), Annie Hart (vocals/keyboard/bass) and Heather D’Angelo (vocals/drum machine/keyboard). The band’s name comes from a line Pee-wee Herman says to a minor character (named Simone) in Tim Burton’s 1985 film Pee-wee’s Big Adventure.[1] The group’s musical inspirations were compared by the band’s European label, Moshi Moshi Records, to “a dutifully mined musical thrift store”; these diverse influences include Modest Mouse, Stereolab, the Mountain Goats, Louis Prima, Pavement, the Beach Boys, Björk, Broadcast, Belle & Sebastian, David Bowie, Bee Gees and Billie Holiday.]

15. Nina Simone — “Seems I’m Never Tired Lovin’ You”
from: Nina Simone and Piano! / RCA Victor / 1969
[Born Eunice Kathleen Waymon, on February 21, 1933 and died in France on April 21, 2003. Nina Simone was an American singer, songwriter, pianist, arranger, and civil rights activist. She worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. The sixth child of a preacher’s family in North Carolina, Simone aspired to be a concert pianist. Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. “Simone said she later found out from an insider at Curtis that she was denied entry because she was black.” To fund her continuing musical education and become a classical pianist, she began playing in a small club in Atlantic City where she was also required to sing. She was approached by Bethlehem Records, and her rendition of “I Loves You, Porgy” was a hit in the United States in 1958. Over the length of her career Simone recorded more than 40 albums, mostly between 1958, when she made her debut with Little Girl Blue, and 1974. Her musical style arose from a fusion of gospel and pop songs with classical music, in particular with influences from her first inspiration, Johann Sebastian Bach, and accompanied with her expressive jazz-like singing in her characteristic contralto voice. She injected her classical background into her music as much as possible to give it more depth and quality, as she felt that pop music was inferior to classical. Her intuitive grasp on the audience–performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years old.]

11:17

16. Sabina — “Won’t Let You Break Me”
from: Toujours / Bar None Records / March 24, 2014
[The singer of avant-garde electro-punk outfit Brazilian Girls, Sabina Sciubba is a multi-lingual artist whose music transcends both space and time. Across no less than five different languages, her straight talking debut solo album Toujours is a compelling, intimate, narcotic dreamscape you might call The Parisienne Velvet Underground and Nico, with a surprising sense of humour. “I photographed myself naked, sitting on a closet, like a French dresser,” she laughs describing the DIY semi-animated video for the album’s title-track. Paying homage to Pythonesque surrealism it sees Sciubba riding a donkey whilst playing a ukulele, wearing nothing but a smile. “The actual photos are ridiculous. My older son was looking at me like, ‘oh no, she’s lost it’.” Equally adept at casting opinion as well as writing songs, Sciubba is a modern day heroine, skilled in the art of elegant seduction. Cut from the same rebellious cloth as other uncompromising femme fatales Patti Smith or Madonna, whilst channelling the visual impact of Grace Jones and Bjork (one billowing outfit appeared to be a ventilation shaft, made of crepe), she is a fearless woman, whose passion for speaking her mind – in German, Italian, French, Spanish, and English – only enhances her sophisticated lo-fi pop music. Born in Rome to German and Italian parents, raised in Munich and Nice, and discovered in Hamburg at age 19 by virtuoso guitarist Antonio Foricone before relocating to New York to lend her stunningly sultry vocals to Brazilian Girls (incidentally one girl – Sciubba – and no Brazilians), the new album was written on guitars in Paris and has found Sciubba reunited with Brazilian Girls producer Frederick Rubens.]

17. Jacqueline Taieb — “7 Heures Du Matin”
from: 7 Heures Du Matin – Single / Impact / 1967
[Jacqueline Taïeb was born November 9, 1948 in Tunis, French protectorate of Tunisia. She is a French singer and songwriter of Tunisian descent. She achieved her greatest success as a pop and yé-yé singer in France in the 1960s. Taïeb arrived in France from Tunisia with her parents at age eight. She began composing songs with her guitar at 12 and in 1966 was discovered by a talent scout while Taïeb was singing with friends. After arriving in Paris, she was signed to Impact Records and released the song “7 heures du matin” in 1967, which became her biggest French hit. She was subsequently voted Best Newcomer at the inaugural Midem music festival in Cannes for the song. The song was about a bored teenage girl who doesn’t wish to go to school that day and fantasizes about rock and roll stars such as The Who and Paul McCartney. In the early 1970s, Taïeb took a break from recording. In 1988, she penned the song “Ready to Follow You”, which became an international hit for American singer Dana Dawson. The single sold more than 500,000 copies, and the album sold 300,000 in France alone.]

11:28

18. Miley Cyrus — “Twinkle Song”
from: Saturday Night Live / October 6, 2015
[Originally recorded for her 5th studio album, Miley Cyrus & Her Dead Petz, which was independently released on SoundCloud on August 30, 2015. Opting for an album relying less on computerized elements than her previous release, Bangerz (2013), Cyrus began planning the project in 2013 before Bangerz was released. Work continued into 2014 and 2015, when she befriended and began collaborating with the Flaming Lips. Without previous promotion, Cyrus announced that Miley Cyrus & Her Dead Petz was available for free online streaming when she hosted the 2015 MTV Video Music Awards, released independently. Cyrus has promoted the album with music videos for “Dooo It!”, “Lighter” and “BB Talk”, performances of “Karen Don’t Be Sad” and “Twinkle Song” when she hosted Saturday Night Live, and the Milky Milky Milk Tour in November and December 2015. Miley Ray Cyrus was born Destiny Hope Cyrus on November 23, 1992. She is an American singer, songwriter, and actress. After playing minor roles in the television series Doc and the film Big Fish in her childhood, she became a teen idol starring as the character Miley Stewart on the Disney Channel television series Hannah Montana in 2006. Her father Billy Ray Cyrus also starred on the series, which aired for four seasons until 2011. Cyrus has earned five number-one and eleven top-ten albums on the US Billboard 200, including releases credited as both herself and Hannah Montana.]

19. David Bowie — “Sorrow”
from: Pin Ups / RCA Records / October 19, 1973
[7th studio album by David Bowie, containing cover versions of songs. Pin Ups entered the UK chart on November 3 1973 the same day as Bryan Ferry’s covers album These Foolish Things and stayed there for 21 weeks, peaking at No. 1. According to co-producer Ken Scott, the LP was originally conceived as “a complete opposite of [Bowie’s] other albums”, consisting of all cover songs except one original composition, and mainly turned towards the US market since “he wanted to do songs that weren’t known as well in the States as they were in England”, yet eventually the plan was dropped. Pin Ups was the first of two “1960s nostalgia” albums that Bowie had planned to release. The second, which was planned to be called “Bowie-ing Out,” would have contained Bowie covering his favorite American artists, but was never recorded. Bowie also apparently considered making a Pin Ups sequel: he had compiled a list of songs he wanted to cover, some of which showed up on his later releases of Heathen (2002) and Reality (2003). In the album booklet, Bowie, writing in his own hand, describes Pin Ups as: “These songs are among my favorites from the ’64–67′ period of London. / Most of the groups were playing the Ricky-Ticky-Scene club circuit. / Some are still with us. / Pretty Things, Them, Yardbirds, Syd’s Pink Floyd, Mojos, Who, Easybeats, Merseys, The Kinks. / Love-on ya!”The woman on the cover with Bowie is 1960s supermodel Twiggy in a photograph taken by her then-manager Justin de Villeneuve. It was shot in Paris for Vogue magazine, but at Bowie’s request was used for the album instead. “Sorrow” was originally recorded by The Merseys.]

11:35 – Underwriting

20. Bert Kaempfert — “Wonderland By Night”
from: Wonderland By Night – Single / Decca Records / August 1960
[“Wonderland by Night” (German title “Wunderland bei Nacht”) is a popular song by Bert Kaempfert that was a Billboard #1 hit for 3 weeks, starting Jan 9, 1961. Written by Klaus-Günter Neumann with English lyrics by Lincoln Chase. It was Kaempfert’s 1st hit with his orchestra. The song featured Charly Tabor on trumpet. The original version of “Wonderland by Night” also crossed over to the R&B chart where it peaked at number five. Another cover, recorded and released by Louis Prima, also charted in the same year, reaching #15 on the Billboard charts. Anita Bryant’s version, which included orchestrations by Lew Douglas, reached #18 on the US Pop Chart. Berthold Heinrich Kämpfert, (Oct. 16, 1923-June 21, 1980), better known as Bert Kaempfert, was a German orchestra leader, music producer, arranger, & songwriter. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including “Strangers in the Night” and “Moon Over Naples”. Kaempfert’s own first hit with his orchestra had been in 1960, “Wonderland by Night”. Wonderland by Night, which was recorded in July 1959, couldn’t get a hearing in Germany. Instead, Kaempfert brought the track to Decca Records in New York, who released it in America in 1959 (or fall 1960); with its haunting solo trumpet, muted brass, and lush strings, the single topped the American pop charts and turned Bert Kaempfert and Orchestra into international stars. Over the next few years, he revived such pop tunes as “Tenderly”, “Red Roses for a Blue Lady”, “Three O’Clock in the Morning”, and “Bye Bye Blues”, as well as composing pieces of his own, including “Spanish Eyes (Moon Over Naples)”, “Danke Schoen”, and “Wooden Heart”, which were recorded by, respectively, Al Martino, Wayne Newton, and Elvis Presley. For Kaempfert, little may have brought him more personal satisfaction than Nat King Cole recording his “L-O-V-E”. As a producer, Kaempfert also played a part in the rise of The Beatles when he signed a Liverpool-based singer named Tony Sheridan, who was performing in Hamburg, and needed to recruit a band to play behind him on the proposed sides. He auditioned and signed the Beatles, and recorded two tracks with them during his sessions for Sheridan: “Ain’t She Sweet”, sung by rhythm guitarist John Lennon and the instrumental “Cry for a Shadow”, co-written by Lennon and lead guitarist George Harrison. Kaempfert’s recording of the Beatles, even as a backing band for Sheridan, provided an impetus to their subsequent success, even though none of the Kaempfert-recorded sides resembled the music for which they became famous. On October 28, 1961, a man walked into the music store owned by Brian Epstein to ask for a copy of “My Bonnie”, recorded by the Beatles (but, actually credited to Tony Sheridan). The store did not have it, but Epstein noted the request and was so intrigued by the idea of a Liverpool band getting a record of its own out, he personally followed up on it. This event led to his discovery of the Beatles and, through his effort, their signing by George Martin to Parlophone Records after getting clear of any contractual claim by Polydor. Jimi Hendrix included the melody of “Strangers in the Night” in his improvised guitar solo for his famous guitar-burning version of “Wild Thing” at the 1967 Monterey Pop Festival.]

11:41

21. Janelle Monáe — “Make Me Feel”
from: Dirty Computer / Wondaland Arts Society – Bad Boy – Epic / April 27, 2018
[Janelle Monáe moved from Kansas City, Kansas to New York to study theatre at the American Musical and Dramatic Academy. Her original plan was to pursue a career on Broadway, but she soon changed her mind and returned to music. After moving to Atlanta, GA, where she met OutKast’s Big Boi, Monáe founded the Wondaland Arts Society with like-minded young artists and made appearances on Outcast’s Idlewild, where Janelle is featured on the songs “Call The Law” and “In Your Dreams”. In 2007, Monáe released her first solo work, titled Metropolis. A few months later she was signed to Sean “Diddy” Combs’ label, Bad Boy Records. Dirty Computer is the third studio album by Janelle Monáe. In October 2016, Monáe made her big screen acting debut in the critically acclaimed film Moonlight. Monáe also starred in the film Hidden Figures. While filming her two movie roles, Monáe remained active in music with features on Grimes’ “Venus Fly” from her Art Angels album and also the soundtrack for the Netflix series The Get Down with a song titled, “Hum Along and Dance (Gotta Get Down)”. She was also on the tracks “Isn’t This the World” and “Jalapeño” for the Hidden Figures soundtrack. In an interview with People, Monáe revealed that she was already working on her third studio album when she received the scripts for her two first acting roles; therefore, she put the album on hold. It was confirmed by Monae after “Make Me Feel” was released that Prince, with whom she collaborated on her preceding album, The Electric Lady, had worked on the single, as well as the entire album, before he passed away. This was confirmed after listeners noticed similarities between the single’s sound and the late musician’s work. Monae stated in an interview with BBC Radio 1: “Prince was actually working on the album with me before he passed on to another frequency, and helped me come up with some sounds. And I really miss him, you know, it’s hard for me to talk about him. But I do miss him, and his spirit will never leave me.” The synth groove in “Make Me Feel” was played at one of Prince’s parties years prior to its inclusion in the single, as confirmed by Prince’s DJ, Lenka Paris.]

22. Jimmie Spheeris – “Open Up”
from: Original Tap Dancing Kid / Columbia / 1973
[2nd studio album from Jimmie Spheeris (Nov. 5, 1949-July 4, 1984). He was an American singer-songwriter who released 4 albums in the 1970s on Columbia and Epic Records. He was of Greek descent. He was brother of film director & producer Penelope Spheeris, and cousin of musician Chris Spheeris and film director Costa Gavras. Jimmie (James) Spheeris was born in Phenix City, Alabama, to Juanita ‘Gypsy’ and Andrew Spheeris, who owned and operated a traveling carnival called the Majick Empire. These childhood years of colorful transience were a major influence on later work, as evidenced in songs such as “Lost in the Midway” and “Decatur Street,” among others. Spheeris had two sisters, Penelope and Linda, and a brother, Andy. After his father was murdered by a “belligerent carnival-goer,” Gypsy Spheeris moved the family to San Diego, CA. The family eventually settled in Venice, California. Gypsy Spheeris tended bar at an establishment on Main Street called The Circle. Spheeris moved to NYC in the late 1960s to pursue and develop his songwriting career. The liner notes on his debut album credit friend and fellow songwriter Richie Havens, who introduced Spheeris to Columbia Records executive Clive Davis. Davis signed Spheeris to a 4 album recording contract and his debut album was released on Columbia. Spheeris’ 1971 debut album, Isle of View, garnered a devoted following and FM radio airplay, notably for the song “I am the Mercury.” His 1973 album, The Original Tap Dancing Kid, was followed by a period of extensive concert touring. Spheeris returned to the recording studio in 1975 with The Dragon is Dancing and released Ports of the Heart in 1976. After Ports of the Heart, Spheeris had no recording contract. Except for a 1980 single, “Hold Tight,” Spheeris released no new material through a major record label. Spheeris died at the age of 34 in Santa Monica, CA, when his motorcycle collided with a van at 2 a.m. on the morning of July 4, 1984. The driver of the van, Bruce Burnside, was charged with driving under the influence of alcohol and felony vehicular manslaughter.[5] Hours before his death, Spheeris finished the self-titled album, Spheeris, which was produced by Paul Delph. This final album was not publicly released for 16 years. Delph would later record two of Spheeris’ songs for his final album A God That Can Dance.

11:47 – Original Spoken Word Piece by Nico Gray about his father Terry Edward Gray, 84, who passed away on March 7, 2018 in Harrisonville, Missouri, surrounded by his family.

11:57

23. Sinéad O’Connor — “Kyrié Eléison”
from: Faith and Courage / Atlantic / June 13, 2000
[5th full-length album by Irish singer Sinéad O’Connor. It was O’Connor’s first release in three years, her previous album being the greatest hits package So Far… The Best of Sinéad O’Connor in 1997, plus it was her first studio album in six years. O’Connor composed a majority of the tracks on Faith and Courage and production duties were shared by a variety of artists including Wyclef Jean, David A. Stewart, Brian Eno, Kevin “She’kspere” Briggs, Anne Preven and Scott Cutler among others. The album sold 1,000,000 copies worldwide and was certified gold in Australia in 2000. As of 2014, sales in the United States have exceeded 219,000 copies, according to Nielsen SoundScan. Magda Davitt was born Sinéad Marie Bernadette O’Connor December 8, 1966. She rose to fame in the late 1980s with her debut album The Lion and the Cobra. As Sinéad O’Connor, she achieved worldwide success in 1990 with a new arrangement of Prince’s song “Nothing Compares 2 U”. Since then, while maintaining her singing career, she has occasionally encountered controversy, partly due to her statements and gestures—such as her ordination as a priest despite being a woman with a Roman Catholic background—and her strongly expressed views on organised religion, women’s rights, war, and child abuse. In addition to her ten solo albums, her work includes many singles, songs for films, collaborations with many other artists, and appearances at charity fundraising concerts. In 2017, O’Connor said that she had changed her legal name to Magda Davitt.]

24. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Nico Gray thanks for being with us on Wednesday MidDay Medley.

Next week, on April 4 Austin Williams and his band Ten Thousand One join us live in our 90.1 FM studios. Also the band Olivia Fox will join us to share their new music, and Artist Ryan Wilks joins us to share the latest news about his new exhibit, Here Where You Wish, an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #727

Wednesday MidDay Medley presents Howard Iceberg + Nico Gray

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 28, 2018

New & MidCoastal Releases + Howard Iceberg
+ Guest Producer Nico Gray

Mark plays more New & MidCoastal Releases from: Kadesh Flow, Howard Iceberg & The Titanics, Kid Computer, Sinple, Khrystal., MorMor, Lucy Dacus, and The Decemberists.

Howard Iceberg

At 10:30 Howard Iceberg shares music from his new album, Netherlands, prior to his Album Release show at The Ship, 1217 Union, in the West Bottoms, KCMO, on Thursday, March 29, 7:00 to 09:00 pm, with three sets of music and lotsa special guests. This show is a benefit for Care Beyond the Blvd, a non-profit organization providing medical & social services to homeless and vulnerable groups. For Netherlands Howard Iceberg teamed up with jazz artists: Rich Hill, Bryan Hicks, and Gary Cradle, Dan Bliss, Betse Ellis, Charles Perkins, Camry Ivory, Marco Pascolini, Phil Wade, Jeff Freling, Chad Rex and more. Netherlands was produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.

Nico Gray

At 11:00 Mark welcomes Nico Gray who joins us as a Guest Producer for our second hour. Nico is an area marketing specialist, writer and actor. He is a frequent contributor to Wednesday MidDay Medley. Nico will play tracks from: Orchestral Manoeuvres In the Dark, Annie Hart, Nina Simone, Sabina, Jacqueline Taieb, Miley Cyrus, David Bowie, Bert Kaempfert, Janelle Monáe, Jimmie Spheeris, Sinéad O’Connor, and INXS.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #727