WMM Playlist from Sept. 17, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 18, 2019

Calvin Arsenia +
Dedric Moore & Nathan Reusch & 3 Deep
+ Rigby Summer & Ed Dupa
s

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Lee Fields & The Expressions – “It Rains Love”
from: It Rains Love / Big Crown Records / April 5, 2019
[With a career spanning 43 years, releases on twelve different record labels, and having toured the world over with his raucous-yet- tender voice, itʼs mind-blowing that the music heʼs making today. Elmer Lee Fields was born in 1951 in Wilson, North Carolina, the son of Emma Jean Fields and John Fields. He was the second child of six children. Fields had an interest in music from an early age. He decided to go to New York, at the age of 17 to pursue a music career. Although his mother (whom he later named an album in honor of) tried to convince him not to go, she ended up giving him her last 20 dollars. With moves and style inspired by James Brown, Fields soon had the nickname “Little JB” because of his physical and vocal resemblance with James Brown. He has worked with Kool and the Gang, Hip Huggers, O.V. Wright, Darrell Banks, and Little Royal. Fields has also worked with such legends such as B.B. King, Clarence Carter, Dr. John, Tyrone Davis, Johnny Taylor, Denise LaSalle, Bobby Blue Bland, Betty Wright, The Manhattans, Little Milton and Bobby Womack. He recorded his first single in 1969 on the Bedford label, “Bewildered” b/w “Tell Her I Love Her.” He recorded “Gonna Make Love” on London Records in 1973. That same year, Fields released the popular 45, “Let’s Talk It Over” b/w “She’s a Love Maker”. Fields dropped “Everybody Gonna Give Their Thing Away to Somebody (Sometime)” b/w “East Coast Rapper,” on SoundPlus in 1975. Most of the second half of the 70’s Fields spent cutting singles for Angle 3 Records, including “The Bull Is Coming” b/w “Funky Screw”. In 1980 he released a full-length album with Angle 3 called Let’s Talk It Over. In the 1980s, disco became increasingly popular, at the expense of soul. Venues that had previously booked Fields now booked DJs. Fields moved into real estate in Newark, New Jersey, in order to provide for his family. In the 1990s, Fields returned singing soul-blues on the Southern circuit. He signed with Mississippi-based Ace Records and debuted Enough Is Enough. On Ace, Fields released Coming to Tear the Roof Down in 1995 and Dreaming Big Time in 1996 in which he played keyboards and synthesizers. Later that year Fields signed to Desco Records founded by Gabriel Roth and Phillip Lehman. Sharon Jones, who was signed to Desco also at that time, sang backup for Fields on an early 45. Fields was featured on the debut album Gimmie the Paw by the label’s band The Soul Providers in 1997. He released several singles with in Desco and in 1999, dropped a full-length album Let’s Get a Groove On. Desco later split into, Daptone Records and Soul Fire, and Fields eventually recorded for them both. “Give Me a Chance” and “Shot Down” were two 7″ singles he released on Daptone over 2001-2002 and in late 2002, the album Problems, on Soul Fire. In early 2005 he performed on “Stranded In Your Love” included on Sharon Jones and The Dap-Kings’ Naturally LP. In 2006 French House DJ Martin Solveig approached him to do a dance track. They toured in France and recorded the songs “Jealousy”, “Everybody”, “I’m a Good Man”, and “I Want You”. Truth and Soul Records recorded a single with Fields that later became “Honey Dove”. Lee Fields & The Expressions released “My World” for Truth and Soul in 2009. In 2011 he followed up with the album titled Treacherous. After releasing Faithful Man in 2012 with Truth and Soul, the singer toured globally. He then released two albums Emma Jean in 2014 and Special Night in 2017 (on Big Crown Records by former Truth and Soul co founder Leon Michels).]

[Lee Fields & The Expressions play Knuckleheads Saloon, 2715 Rochester KCMO, Friday, September 20, at 7:00 PM, with Neal Francis.]

3. Broken Heart Syndrome – “Dolly (and other unfinished business)”
from: Dolly (and other unfinished business) – Single / Broken Heart Syndrome / Sept, 13, 2019
[Kansas City bsed supergroup Broken Heart Syndrome, is Matthew Roth (of Schwervon!, Major Matt Mason USA) on songwriting, vocals & guitar, Pat Tomek (of The Rainmakers) on drums & percussion, Dave Tanner (of The Depth and The Whisper) on bass and backing vocals, Todd Granthem (of The Quivers) on keyboards. This recording was engineered and co-produced by Pat Tomek at Level Stage in KC, MO. Dolly (and other unfinished business) is the second official Broken Heart Syndrome release. Matthew Roth writes, “This track was inspired by the autobiography of Dolly Parton. Many years ago, while I was still living in New York, I took part in a very ambitious singer-songwriter night that is put on by my friend Susan Hwang, called the Bushwick Book Club. It’s still going on, as far as I know. Basically, you read a book and then you write a song about it. The book was Dolly Parton’s: My Life and Other Unfinished Business. I was having a hard time tracking down a copy of the book and luckily my friend Diane Cluck just so happened to have it on tape. It was an actual cassette tape. So, yeah turns out Dolly Parton had a pretty amazing life. It was great to hear her voice telling her own story. There were several points where I felt very moved and even connected to her story. I tried to take some of those parts and channel them as inspiration for the lyrics. It’s like a little secret message from me to her. I don’t think most people would be able to tell what the song is about if I didn’t tell them. I’m pretty positive that she’ll probably never hear it but it’s a really fun way to write a song.”]

[Broken Heart Syndrome plays Revolution Records 1830 Locust KCMO, Wednesday, September 18, at 7:30 PM with Golden Shoulders (from Nevada City, CA) on tour in support of their new album.]

4. Dylan Pyles – “Always Missing the Point”
from: Popular Songs for the Heart / Manor Records / September 20, 2019
[Kansas City based musician, singer, songwriter, music scholar, record buyer at Mills Record Company]

[Dylan Pyles plays a cassette release show of Popular Sings for the Heart at MiniBar, 3810 Broadway, KCMO, Thursday, September 19, with Jaye Jayle, and The Casket Lottery.]

[Dylan Pyles will be our guest on Wednesday MidDay Medley next week on September 25]

10:18

5. NuBlvckCity – “Alive”
from: All Night / Alive – Single / NuBlvckCity / July 12, 2019
[NuBlvckCity is a KC-based music collective with Kartez Marcel (Addison), a native of Kansas City, Missouri, a Hip-Hop artist, and community program developer, sound engineer, entrepreneur, recording artist, musician, and songwriter. He provides resources to artists and assists with bringing their artistic visions to life, he also serves as the Director of A/V at a large faith-based organization. With Royce “Sauce” Handy he founded We Are Rap a hip hop program for youth. VP3 (Vernon Percy Howard III) is a Music Producer, Songwriter, Singer, Pianist, & Saxophonist. He recently gradualted from the University of Central Missouri where he studied digital media production. Mae C is a singer/songwriter who’s one of KC’s go-to voices and performer’s. Mae C is a KC based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceeded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an artist in the KC music scene. Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur.]
[NuBlvckCity play Lincoln Calling 2019, Downtown Lincoln NE, 1412 O St, TONIGHT, Sept. 18.]

[NuBlvckCity play 2019 Plaza Art Fair, Saturday Zeptember, 21 at 6:20 on the Ink Magazine Music Stage at Ward Parkway and Pennsylvania, KCMO]

[NuBlvckCity play Troostapalooza, Saturday, September 21, at 3000 Troost Ave, KCMO with Hi-Lux, The Black Creatures, The Freedom Affair, The Phantastics, and more ]

[NuBlvckCity play The Granada Theatre, 1020 Massachusettes, St., Lawrence, KS., Monday, September 23, at 7:00 PM opening for Phony Ppl/]

6. The Black Tones – “Ghetto Spaceship”
from: Cobain & Cornbread / Chauty & Chauto Records / April 12, 2019
[The Black Tones are like a mixture of Kurt Cobain and cornbread. Consisting of founders/twin siblings Eva Walker on guitar/vocals and Cedric Walker on drums, the blues and punk-based dynamo continuously project subversion, power and the potential for something new on stage. Born and raised in Seattle WA, they credit their family’s New Orleans roots as an influence on their music and writing. During the past year, the band’s name has been on the tongue of nearly everyone who follows the richness of Seattle music. In 2018, the group opened for Death Cab for Cutie at the historic Paramount Theater during its 90th Anniversary celebration; became the most played band on KEXP (on the 50th anniversary of Martin Luther King’s assassination) with their song, “The Key of Black (They Want Us Dead)”; and performed at countless summer festivals from Doe Bay to the Capitol Hill Block Party. The Black Tones have also shared stages with standout groups like Thunderpussy, Tacocat, Delvon Lamarr Organ Trio and We Were Promised Jetpacks.The Black Tones have made appearances on Band In Seattle and The Spud Goodman Show, as well as having music licensed to the independent film “The Noise Made by People”. They have received praise from the Seattle Public Library system, The Stranger and AfroPunk. The band’s debut record Cobain & Cornbread, recorded with famed Seattle producer Jack Endino.]

7. Wick & The Tricks – “Drama Queen (Radio Edit)”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band for thie recording: Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios. The current line up includes: Wick Trick on vocals, Chris Stallion on guitar, & backing vocals, George Valiant on drums, Promise Clutter on bass, Young Noah on guitar & backing vocals and the band has a new soingle called “Mastermind” that was released on July 10, 2019. In 2006, the National Gay and Lesbian Task Force gave Thomas a Creating Change Award for establishing a chapter of the Gay-Straight Alliance in 2004 while he was a student at Paola High School. He’s also been involved in bike activism, has volunteered for the ACLU and Greenpeace, and founded the local environmental group TWIG (Think Work Inspire Grow).]

[Wick & The Tricks play The Rino 314 Armour Rd, NKC, Thursday, September 19, at 7:00 PM with The Black Feathers (from Denver) and Belle & The Vertigo Waves.]

[Wick & The Tricks play The Bottleneck, 737 New Hampshire St. Lawrence, KS., Saturday, Sept. 21, at 7:00 PM, opening for Radkey, with The Sluts and The Many Colored Death.]

8. Red Kate – “You Don’t Speak For Me”
from: unamerican activities / Black Site Records / April 2, 2016
[Fro this recording: L. Ron Drunkard on bass & vocals, Andrew Whelan on drums & vocals, Brad Huhmann on guitar & vocals, Desmond Poirier on guitar & vocals. (After this release Shaun Hamontree joined band on guitar.) Produced by Red Kate. Recorded at Weights & Measures Soundlab, KCMO, w/ Duane Trower doing recording, mixing and digital mastering engineering. Roger Seibel on vinyl mastering at SAE Mastering, Phoenix, AZ. Shaun Hamontree created cover art. Pressed at Quality Record Pressings, Salina, KS.]

[Red Kate plays The Brick’s 20th Anniversary on Friday, September 20 with Captured By Robots!]

10:30 – Underwriting

9. JAENKI – “Bolt”
from: Every Human – EP / Jaenki / November 23, 2018
[Jaenki is the new musical project from The Republic Tigers lead singer, Kenn Jankowski now with Stephanie Perkins on vocals, synth, & guitars; Kenn Jankowski on vocals, synth & guitars, and Liam Sumnicht on drums. This Kansas City based band previously released their Jaenki Ep 1 with Kenn Jankowski, Ryan Wallace, Drew Little and Rachel Mallin on August 30 2016 with a video for their song “Miracle Maze” released on December 12.]

[Jaenki plays 3 Deep – Chromadepth 3D Concert, Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand with Pala Zolo, Flaural, Triptides, Monta At Odds (Dub Set), and Live Visuals by VJDN8 ]

Dedric Moore and Nathan Reusch on the Sept. 18, 2019 edition of Wednesday MidDay Medley on KKFI.

10:36 – Interview with Dedric Moore and Nathan Reusch

Dedric Moore is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines, HMPH!, and others. He is co-founder of Outer Reaches Festival, the HQ Artspace in KCK, and Kosmic City Records.

Nathan Reusch is co-founder of The Record Machine, Sound Machine KC, and Middle of the Map Fest.

Dedric Moore & Nathan Reusch join us to share details about 3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Monta At Odds (Dub Set), Live Visuals by VJDN8.

Dedric Moore and Nathan Reusch, Thanks for being with us on WMM.

We just heard Jaenki from their most recent EP Every Human that came out so late in 2018 we consider it a 2019 release.

Jaenki is the musical project from The Republic Tigers lead singer, Kenn Jankowski

Jaenki has gome through some personnel changes: with Stephanie Perkins on vocals, synth, & guitars; Kenn Jankowski on vocals, synth & guitars, and Liam Sumnicht on drums. This Kansas City based band previously released their Jaenki Ep 1 with Kenn Jankowski, Ryan Wallace, Drew Little and Rachel Mallin on August 30 2016 with a video for their song “Miracle Maze” released on December 12.

11:43

19. Pala Zolo – “Up Northern”
rom Up Northern – Single / The Record Machine / February 8, 2019
[Pala Zolo is the instrumental electronic project of Lawrence, KS musician Eric Davis. In Pala Zolo, Davis blends synthesizers and drum machines with live instruments to create his blend of cinematic pop music. He chose the name to pay homage to his Sicilian heritage by naming the project after a small Sicilian village he spent time in while studying abroad in Italy. Pala Zolo allows Davis the full freedom to experiment in ways that are a departure from his main gig as the keyboard player in buzzy up-and-coming rock band Hembree (Thirty Tigers, Oread Records). // The inspiration for Pala Zolo came from a chance meeting with fellow electronic musician, Tycho’s Scott Hansen. One day while working at The Granada Theater in Lawrence, Davis was given the job of being Hansen’s driver. For years Davis had been writing and recording his own demos and was completely unsure of what to do with them. After spending the entire day with Hansen and seeing him perform, Davis realized he could bring his incomplete ideas to life in his own unique way. Seeing an instrumental band perform such an emotionally charged set inspired Davis to finish his songs without traditional vocals and to begin creating his own sound in that genre. // Soon after, Davis set forth to finalize the recordings with his good friend and producer Joel Martin (Y god Y). The two of them spent countless hours experimenting with synthetic and acoustic textures to create perfect soundscapes to compliment Davis’ intricately arranged compositions. In 2018, Davis self-released singles House Plant & 40K, and continued to take Pala Zolo to another level by performing live with drummer Gerardo Rojas. The duo brings the songs to life with live synths, guitars and drums and has been resonating with audiences. // In the summer of 2019, Pala Zolo is releasing their debut EP on Kansas City label The Record Machine and looks to take Pala Zolo to new heights.]

11:47

We are talking with Dedric Moore & Nathan Reusch about 3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Monta At Odds (Dub Set), Live Visuals by VJDN8.

Dedric Moore and Nathan Reusch, Thanks for being with us on WMM.

We just heard Pala Zolo the instrumental electronic project of Lawrence, KS musician Eric Davis the keyboard player in rock band Hembree (Thirty Tigers, Oread Records). .In Pala Zolo, Davis blends synthesizers and drum machines with live instruments to create his blend of cinematic pop music. He chose the name to pay homage to his Sicilian heritage by naming the project after a small Sicilian village he spent time in while studying abroad in Italy.

The inspiration for Pala Zolo came from a chance meeting with fellow electronic musician, Tycho’s Scott Hansen. One day while working at The Granada Theater in Lawrence, Davis was given the job of being Hansen’s driver. For years Davis had been writing and recording his own demos and was completely unsure of what to do with them. After spending the entire day with Hansen and seeing him perform, Davis realized he could bring his incomplete ideas to life in his own unique way. Seeing an instrumental band perform such an emotionally charged set inspired Davis to finish his songs without traditional vocals and to begin creating his own sound in that genre. // Soon after, Davis set forth to finalize the recordings with his good friend and producer Joel Martin (Y god Y). The two of them spent countless hours experimenting with synthetic and acoustic textures to create perfect soundscapes to compliment Davis’ intricately arranged compositions.

In 2018, Davis self-released singles House Plant & 40K, and continued to take Pala Zolo to another level by performing live with drummer Gerardo Rojas. The duo brings the songs to life with live synths, guitars and drums and has been resonating with audiences.

On Saturday night, Pala Zolo is releasing their debut EP on Kansas City label The Record Machine.

Dedric Moore and Nathan Reusch, Thanks for being with us on WMM.

3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Monta At Odds (Dub Set), Live Visuals by VJDN8.

10:53

11. Monta At Odds feat. Your Friend – “Chromosphere”
from: Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from the psychedelic, experimental indie/space rock/electronic collective based in KCK formed by brothers Dedric and Delaney Moore. The band describes their music as: Mutant Disco, minimal synthwave, post-punk dance, Electronica, Indie, Space Rock, Ambient. Current members include: Dedric Moore, Delaney Moore, Alexander Thomas, Adam Davies, Zach Bozich, Aaron Osborne, Matthew Hayden, past supporting members: Mika Tanaya, Sterling Holman, Bree Plaster; Eric Bessenbacher, Ryan Shank, Jeremiah James, Samer Saba, Doug Hutchinson, Erin O’Neill, Sam Behrens, Luke Behrens, Sam Hughes, Tom Romero, Caleb Aldrich, John Aldrich.] [MONTA AT ODDS played the 3 DEEP : CHROMADEPTH 3-D CONCERT WITH, Y GOD Y, LA GUERRE, PALA ZOLO w/ Live Visuals from VJDN (Nate Bogert), Friday, March 29, at 8:00 PM. at recordBar, 1520 Grand, KCMO. Produced by Kosmic City and Sound Machine KC.]

[Monta At Odds play 3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Fri., Sept. 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Live Visuals by VJDN8.]

The Band That Fell To Earth at Lawrence Arts Center Saturday, September 21, 2019.

12. The Band That Fell To Earth – “Boys Keep Swinging”
from: Recorded Live at recordBar for A Tribute To David Bowie / January 2018
[Curated by musician/writer Michelle Bacon to pay homage to David Bowie while showcasing talent across Kansas City’s vast musical spectrum. With Bowie’s untimely passing only three weeks before the inaugural concert, the event garnered an attendance of more than 800 at the Uptown Theater, and generated press from KCPT, The Kansas City Star and various radio stations, along with high demand for an annual show. This was from the second year of the annual performances with: Michelle Bacon on bass, Alex Alexander on guitar, Nathan Corsi on vocals/guitar, Kyle Dahlquist on keyboards, Katy Guillen on guitar, Steve Tulipana on vocals, Stephanie Williams on drums, Havilah Bruders on backing vocals, Camry Ivory on backing vocals, Matt Ronan on percussion, Christine Broxterman on cello, Betse Ellis on violin, Rich Wheeler on saxophone.]

[The Band That Fell To Earth play The Lawrence Arts Center, 940 New Hampshire St., Lawrence KS., Saturday, Sept. 21, at 7:30 PM featuring many Lawrence area rock and rollers in guest singing roles.]

11:00 – Station ID –

13. Calvin Arsenia – “Back To You (Paul Brown Mix)”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[1st single from L.A. Sessions released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

Calvin Arsenia

11:04 – Interview with Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, Catastrophe, Caviar, Honeydew, and his beautiful full length self produced, Catastrophe. After signing with Center Cut Records he released his critically acclaimed album Cantaloupe in September 2018, with a giant show at The Gem Theatre.

Calvin Arsenia at recordBar, Thursday, September 19, 2019.

Now Calvin is set to put out his newest Center Cut Records release LA Sessions, with a LA Sessions Album Release Show at recordBar, 1520 Grand, on Thursday, September 19, at 7:00 PM.

Calvin Arsenia, thanks for being with us on WMM.

We just heard the 1st single from L.A. Sessions released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers.

From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.”

He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’”

LA Sessions is a collection of subtly reimagined songs featuring musicians who have worked with some of music’s most iconic names including Jimi Hendrix, Stevie Wonder, Bonnie Raitt, and Buddy Guy.

Guitarist Paul Brown worked with Aretha Franklin, keyboard player Mike Finnigan sessioned with Etta James, bassist Freddie Washington sat in with B.B. King and Elton John, and pianist David Garfield recorded with Smokey Robinson and Cher. The producer for LA Sessions was Tony Braunagel, who put together the band.

More info at http://www.centercutrecords.com http://www.calvinarsenia.com

Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond.

His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life.

Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’

Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist.

Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album.

Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.”

On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.

11:13

14. Calvin Arsenia – “Falling Over”
from: L.A. Sessions / Center Cut Records / September 20, 2019

11:17

Calvin Arsenia on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

We are talking with Calvin Arsenia about his LA Sessions Album Release Show at recordBar, 1520 Grand, on Thursday, September 19, at 7:00 PM. More info at More info at http://www.centercutrecords.com http://www.calvinarsenia.com

10:26

15. Calvin Arsenia – “Toxic”
from: Cantaloupe / Center Cut Records / September 15, 2018 (KC Release)
[Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, Cavia, and the full length debut, Catastrophe.Standing at 6 foot 7 inches, Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.]

11:30 – Underwriting

Calvin Arsenia, Rigby Summer, and Ed Dupas on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

11:32 – Interview with Rigby Summer and Ed Dupas

Singer songwriters Rigby Summer and Ed Dupas travel all over the country to play their original songs and sometimes they get to play on the same bill. Rigby Summer and Ed Dupas play Carl Butler’s Gospel Lounge at Knuckleheads Saloon, 2715 Rochester St, TONIGHT, Wednesday, September 18, at 7:30, swapping songs to close out the night after Carl’s band kicks off the night. Rigby Summer and Ed Dupas join us today to play live in our 90.1 FM Studios.

Ed Dupas

Ed Dupas’ soulful music has been compared to Steve Earle and Bruce Springsteen. Born in Houston, Texas and raised in Winnipeg, Manitoba, Dupas is a self-described searcher and thinker, whose religious upbringing managed only to push him away from mainstream ideas, rather than box him in.

Rigby Summer

Oklahoma-based songwriter Rigby Summer weaves an Americana soundscape that reflects the road she’s traveled, from her Kansas City jazz upbringing to the beach pop of her former home in southern California to the red dirt roots of her current home in Stillwater, Oklahoma. Her sound has been compared to Ingrid Michaelson and Peggy Lee.

Rigby Summer and Ed Dupas thanks for being with us on WMM

ED DUPAS – WELL WORN WIDE AWAKE MUSIC

Americana singer-songwriter Ed Dupas’ lived-in melodies unwind with reflective lyrics and speak to the current state of the human condition, soothing where possible, agitating where necessary, and seeking change where appropriate. Ed Dupas creates and shares well-worn wide-awake music.

THE LONESOME SIDE OF TOWN – Ed Dupas’ 3rd studio album features 11 new songs! When all is said and done, The Lonesome Side Of Town is a collection of songs that bear witness to a time of tremendous personal change in my life. Its songs testify to both the steadfastness of love, as well as its departure. Hopefully, the record serves to communicate the lessons, the struggle, and the beauty to be found in all of it.

The Lonesome Side of Town was conceived in a small church in Greenville, Michigan. Having been constructed in the 1880’s, the building found new life as a recording studio when it was purchased by my friend and fellow musician, Chris Ranney. In August of 2018, Chris and I spent a day tracking drums in the church with producer Michael Crittenden and drummer Rob Avsharian. Rob’s playing was solid and artful as ever, and he proved himself a good sport when our creative wanderings gave way to bossa nova beats and vinyl LPs on drum heads. As night fell, a line of storms approached the town, and we had no choice but to call the session. It was enough, we’d gotten the drum tracks we needed in a single day. We also captured the character of the church, who’s color permeates and shapes the entire record.

Ed Dupas 2nd album was released in spring of 2017, Tennessee Night, is the result of three days tracking with producer Michael Crittenden at Mackinaw Harvest Studios in Grand Rapids, MI. The heart of the record was recorded live in July of 2016 in the midst of a summer heatwave. The album features Rob Avsharian on drums, James Simonson on bass, Drew Howard on Steel/electric guitar, Chris Ranney on Piano, and Michael Crittenden doing a little of everything. Also featured on the album are singer-songwriter Judy Banker (Heading Home Again), Tara Cleveland (Some Things), and Cole Hansen (Everything Is In Bloom, Promised Land, and Tennessee Night.)

Ed Dupas first album: A GOOD AMERICAN LIFE was named as one of the best country albums of 2015 by The Telegraph-UK, this debut record was independently released late May, 2015. A Good American Life was recorded/produced in Grand Rapids, MI by Michael Crittenden.

“Sonically, the album consistently retains a dusky hue, reminiscent of Nebraska-era Springsteen or early Red House Painters. Ed’s music is essentially acoustic at its core; the recordings include some accompaniment complete with flourishes of overdriven, midwestern guitar shapes and pedal steel over top spare and sure drumming, while the occasional harmonica embellishes the quintessentially American folk sense of these tunes. Ed’s baritone vocals retain an easy, warm, and melodic tone, his lyrics refreshingly well articulated with just a touch of sardonic wit beneath the heartfelt and at times aching delivery.” -National Country Review

” … Songs that could or should have come from the pens of Springsteen, Kristofferson or more recently Sturgill Simpson….” – No Depression

SEP 19 THU – The Blue Door – Oklahoma City, OK,
SEP 22 SUN – Old Town Tavern – Ann Arbor, MI,
OCT 11 FRI – Noggin Room Pub – Petoskey, MI,
OCT 12 SAT – Trinity House Theatre w/ Judy Banker – Livonia, MI,
OCT 18 FRI – Westside Bowl – Youngstown, OH,
OCT 19 SAT – Taffys of Eaton – Eaton, OH,
OCT 25 FRI – Cambria – Nashville, TN,
OCT 26 SAT – Lowell Arts – Lowell, MI,
NOV 14 THU – Duke’s Indy – Indianapolis, IN,

More info at: http://www.eddupas.com

11:41

Ed Dupas plays live on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

16. Ed Dupas – “Both Hands on The Wheel” (LIVE)
also available on: The Lonesome Side of Town / Road trip Songs / 2019

11:45 – Interview with Rigby Summer and Ed Dupas

Rigby Summer and Ed Dupas on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

We are talking with Rigby Summer and Ed Dupas who play Carl Butler’s Gospel Lounge at Knuckleheads Saloon, 2715 Rochester St, TONIGHT, Wednesday, September 18, at 7:30, swapping songs to close out the show after Carl’s band kicks off the night.

Rigby Summer and Ed Dupas thanks for being with us on WMM.

Rigby Summer is an emerging, Oklahoma-based songwriter. She weaves an Americana soundscape that reflects the road she’s traveled, from her Kansas City jazz upbringing to the beach pop of her former home in southern California to the red dirt roots of her current home in Stillwater. Those cross-country moves and life-changes put music on the back burner in recent years, but she’s now come into her own, giving these songs new life.

While her influences range from Mary Chapin Carpenter to The Frames, Sia Furler to Johnny Cash, her sound often draws comparisons to Ingrid Michaelson and Peggy Lee–a little modern, a little old-fashioned, always earnest.

In 2017, after a five-year hiatus from performing music, she founded the monday@modella songwriter pop-up, and started sharpening her musical teeth, slowly carving a niche for herself in the Oklahoma scene. Recent honors include Honorable Mention in the 2017 Woody Guthrie Festival Songwriting Contest and invitations to join Norman Music Festival 2018, Bob Childers’ Gypsy Café 2018 and Women of Woodyfest 2018.

Meanwhile, Nadia credits the songs themselves for her return to the stage. “When I see the audience’s reaction to a lyric I’ve been given, I realize this isn’t about me. It’s about the songs and the power of words to connect us. I decided I had an obligation to bring these songs into the world.”

Influences
a good up-bringing.
midwestern winters.
jazz in the night.
three quiet years of listening in nashville.
winfield.
quarter-life angst.
an imaginary boyfriend.
hotel cafe.
malibu sunsets.

SEP 18 7:30pm Knuckleheads Saloon Kansas City, MO with Ed Dupas
SEP 19, 7:30pm The Blue Door – Oklahoma City, OK with Ed Dupas
SEP 21, 12:00pm – Ten Sleep Brewing Company, Ten Sleep, WY US
SEP 24, 6:00pm AC Hotel – Oklahoma City, OK
SEP 26, 6:00pm – Prairie to Palette – Ponca City, OK
SEP 27, 8:00pm Zannotti’s Wine Bar – Stillwater, OK
SEP 28, 2:00pm – Alumniati Tail Gate Stillwater, OK
OCT 08, 6:00pm – AC Hotel Oklahoma City, OK
OCT 10, 6:00pm – George’s Stables – Stillwater, OK
OCT 24, 3:00pm – FARM-Folk Alliance Region Midwest – Grand Rapids, MI
OCT 25, 9:00am – FARM-Folk Alliance Region Midwest Grand Rapids, MI
OCT 26, 9:00am, FARM-Folk Alliance Region Midwest Grand Rapids, MI

11:50

Rigby Summer plays live on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

17. Rigby Summer – “Buy My A Piano” (LIVE) (4:00)
original piece written and perormed by Jen Harris from Curses & Charms

Rigby Summer and Ed Dupas thanks for being with us on WMM

Rigby Summer and Ed Dupas play Carl Butler’s Gospel Lounge at Knuckleheads Saloon, 2715 Rochester St, TONIGHT, Wednesday, September 18, at 7:30, swapping songs to close out the night after Carl’s band kicks off the night.

More info at: http://www.eddupas.com or http://www.thisissummerland.com

11:56

18. Joan Shelley – “The Fading”
from: Like The River Loves The Sea / No Quarter Records / August 30, 2019
[Joan Shelley was born in 1985,. She is a songwriter and singer from Louisville, KY. She draws inspiration from traditional and traditionally-minded performers from her native Kentucky, as well as those from Ireland, Scotland, and England, but she’s not a folksinger. Her disposition aligns more closely with that of, say, Roger Miller, Dolly Parton, or her fellow Kentuckian Tom T. Hall, who once explained—simply, succinctly, in a song—“I Witness Life.” Since the 2015 release of her fourth album Over and Even, Shelley has crossed the country and toured Europe several times as a headlining artist, joined by guitarist Nathan Salsburg and sharing shows with the likes of Jake Xerxes Fussell, Bonnie “Prince” Billy, Doug Paisley, Daniel Martin Moore, the Other Years, and Michael Hurley. She has opened for Wilco, Chris Smither, Andrew Bird, and Richard Thompson. Jeff Tweedy produced her 2017 record “Joan Shelley” at The Loft in Chicago. She’ll be familiar to readers of guitar-centric magazines for having appeared, in the same season, on the covers of Fretboard Journal and Acoustic Guitar. Her latest album, “Like the River Loves the Sea,” was released to wide acclaim in Uncut magazine, Rolling Stone, Pitchfork, Mojo, and Q magazine. Her second album, Ginko, and third album Farthest Field (with Daniel Martin Moore) were released in 2012 on Ol Kentuck. In 2014, Shelley released her fourth album, Electric Ursa, on No Quarter Records. In 2015, Shelley released her fifth album, Over and Even, on No Quarter. In 2017, Shelley released her eponymous sixth album. Her seventh album, Like the River Loves the Sea, was released in 2019. ]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on September 25 – Clint Hoffmeier, Matt Tady, and Katelyn B. Jamison the hosts of the popular Wednesday Night Drinking Practice Podcast join us to share details about their “This or That live game show!, Thursday, September 26, at 7:00 PM at Phosphor Studio in the Crossroads Arts District at 1730 Broadway, KCMO. Also next week Kansas City based musician, singer, songwriter, music scholar, record buyer at Mills Record Company, Dylan Pyles joins us to share music and details on his Popular Songs for the Heart, Manor Records release. And…Ian Griggs & Brad Buckner of the band Tiki Brawlers join us to share their latest music and info on their upcoming show Sunday, September 29 at The Riot Room with The Toasters. PLUS, we talk with Jade Green & Xavier Martin of The Black Creatures.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #803

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WMM Playlist from May 8, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 8, 2019

Nick Carswell “Changing Shades” +
Laurel Morgan Parks & Sascha Groschang of The Wires
+ Molly McLaughlin & Turlach Boylan

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Marvin Gaye – “Where Are We Going? (Alternate Mix 2)”
from: You’re the Man / Motown – Universal Music / March 29, 2019
[You’re the Man is a posthumous studio album by American singer Marvin Gaye, originally intended to be released in 1972 as the follow-up to What’s Going On. It was released on March 29, 2019 to celebrate what would have been Gaye’s 80th birthday on April 2, 2019. The album includes the single of the same name, as well as the intended original album in full and other songs Gaye recorded at the time. Salaam Remi’s remix of “My Last Chance” was released in promotion of the album on February 8, 2019.You’re the Man was intended as another socially conscious record like What’s Going On (1971), but following the release of its lead single, the title track “You’re the Man”, Gaye cancelled its release. This was in part due to the reception of the song, as well as the fact that Gaye’s political views were different from those of Motown founder Berry Gordy. For these reasons, You’re the Man was long considered a “lost” album. 15 of the 17 songs have not previously been released on vinyl, but most were made available on CD compilations over the years. The album includes a longer take of “I Want to Come Home for Christmas”, which was first made available in 1990 after being recorded in 1972. The physical release of the album includes liner notes written by David Ritz. “Where Are We Going?” was written by Larry Mizell and Larry Gordon.]

3. Mattiel – “Keep The Change”
from: Satis Factory / ATO Records / June 14, 2019
[Bringing a whole new meaning to the term one-(wo)man band, Atlanta-based Mattiel Brown writes her own music, directs her own visuals and even designs her own sets. Oh, and when she’s not busy with her music career you can find her at her side-hustling as a set designer, illustrator and designer. Having grown up in quiet rurality in Georgia working on her mother’s farm, these creative sensibilities offered a young Mattiel endless escapist opportunities. Dreaming of far away lands and wild worlds, it was upon stumbling across her mum’s record collection (the likes of Donovan, Peter Paul and Mary, and The Monkees) that things really began to click and she discovered the transportive power of music.]

4. The Sextet – “Colors of the Wind (feat. Calvin Arsenia)”
from: Blob Castle / The Sextet / October 7, 2017
[After the release of The Sextet’s debut album, In a Natural State from July 2016, bassist and bandleader Robert Castillo moved from the Pacific Northwest back home to Kansas City. Castillo reconnected with high school friends and other musicians to reform the group and continue performing his compositions and arrangements. Blob Castle showcases not only the talent of musicians bred in a jazz city, but also the diversity and growth of Castillo’s writing. From the Latin groove tune “La Mona,” written for Robert’s mother to the somber ballad “Maggie” written in memory of a friend, this album goes beyond genre barriers to explore the paths of improvisational music. The former album was funded through a Kickstarter campaign in which a reward for donating was a Castillo original composition. On this album you’ll hear these commissioned pieces which include “TC,” “be,” and “#notmypresident.” The album flows from one mood/emotion to the next, taking the audience through a journey through Robert’s imagination. Facilitating the flow are band members Teddy Krulewich on trumpet, Max Levy on tenor sax, Trevor Turla on trombone, Peter Marten on guitar, and Fritz Hutchison on drums. Mixed and mastered by Duane Trower at Weights & Measures in KCMO. The current line up includes: Joe Tesoro on soprano sax, Max Levy on tenor sax, Aryana Nemati on baritone sax, Pete Marten on guitar, Nik Douglas on drums, and Robert Castillo on bass, and composer. The Sextet is getting set to release their third album “Among Friends” in the Fall of 2019]

[The Sextet play Jazz Night at The Ship, 1217 Union Ave, West Bottoms, on Sat, May 11, at 10:00 PM]

5. Danielle Nicole – “How Come U Don’t Call Me Anymore”
from: Cry No More / Concord Records / February 23, 2018
[Nominated for a Grammy Award for Best Contemporary Blues Album. Danielle Nicole lends her incredible voice to this Prince classic in honor of his recent passing. Danielle Nicole wrote or co-wrote 9 of the songs on this album. She sings and plays bass on all tracks, with special guest musicians like Sonny Landreth on slide guitar, Walter Trout on guitar, Kenny Wayne Shepherd on guitar, Johnny Lee Schell on guitar, Monster Mike Welsh on guitar, Brandon Miller on guitar, Luther Dickinson on guitar. Danielle Nicole was born Danielle Nicole Schnebelen. Her self-titled solo debut EP was released March 10, 2015 on Concord Records. The self-titled EP features Grammy Award-winning producer-guitarist Anders Osborne, Galactic’s co-founding drummer Stanton Moore and keyboardist Mike Sedovic. On February 25, 2015, American Blues Scene premiered the track “Didn’t Do You No Good” off the new EP. Danielle Nicole was previously in the band Trampled Under Foot with her brothers Kris and Nick Schnebelen. At the 2014 Blues Music Awards, Trampled Under Foot’s album, Badlands, won the ‘Contemporary Blues Album of the Year’ category. At the same ceremony, Danielle Nicole, under the name of Danielle Schnebelen, triumphed in the ‘Best Instrumentalist – Bass’ category. The band was also nominated in the ‘Band of the Year’ category. In September 2015, her debut album, Wolf Den, was released on Concord Records. It reached number 2 in the Billboard Top Blues Albums chart in October that year. Danielle Nicole’s second solo album, Cry No More, peaked at # 1 in the Billboard Top Blues Albums chart. Bill Withers wrote one of the teacks on the new album.]

[Danielle Nicole Band with special guests The MGDs play Knuckleheads Saloon at 2715 Rochester St, KCMO, Saturday, May 11 at 8:30 PM]

6. Pamper the Madman – “Spinning”
from: Spinning – Single (unmastered) mixes from unreleased new recordings (May 1, 2018)
[Current members of the reformed Kansas City band Pamper The Madman include: Johnny Hamil, Theresa Scott, Chris Fugitt & Chris Tady. Theresa Scott is formerly known Theresa Schloegel. She is one of the original members of Pamper the Madman. Tim Finn in the KC Star wrote: “Clever songs made Pamper the Madman one of the area’s biggest bands 20 years ago.” The band released their self titled debut on Stress Records in 1995. The band stopped playing in 1998 but after a handful of reunion shows between 2014-2016, the band decided to get back together and is recording new material. Theresa Schloegel was born in Kansas City on November 07, 1970. A while back with her husband and family she left town on a boat going south on the river. She also lives in Santa Cruz. Theresa Scott’s family has owned and operated Woodyard BBQue for generations. Members of Pamper the Madman have included Theresa Scott, Chris Fugitt, Robbie Wagner, Marshall Strong, Johnny Hamil and Chris Tady.]

[Pamper the Madman & The Bad Ideas play The Brick 1727 McGee St, KCMO, Saturday, May 18, at 9:00 PM]

7. Stereolab – “International Colouring Contest”
from: Mars Audiac Quintet / Elektra / August 8, 1994
[Expanded Edition Reissued May 3, 2019]
[One of several new reissues remastered from original tapes, with a bonus disk of unreleased demos, outtakes and alternate mixes. Co-released by band’s own label Duophonic UHF Disks and Warp Records. In February 2019, the group announced a tour of Europe and North America to coincide with expanded, remastered reissues of several of the albums. Stereolab were an English-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group’s music combined influences from krautrock, lounge and 1960s pop music, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French. On stage, they played in a more feedback-driven and guitar-oriented style. The band also drew from funk, jazz and Brazilian music, and were one of the first artists to be dubbed “post-rock”. They are regarded among the most innovative and influential groups of the 1990s. Mars Audiac Quintet is the third studio album by English-French rock band Stereolab. It was released on August 8, 1994 in the United Kingdom by Duophonic Records and in the United States by Elektra Records. During the recording of the album, guitarist Sean O’Hagan left as a full-time member to tour with the High Llamas, while keyboardist Katharine Gifford was added.The song “International Colouring Contest” is a tribute to Lucia Pamela, and samples her voice in the intro. Stereolab: Lætitia Sadier on vocals & guitar, Mint’s organs, & tambourine; Tim Gane on guitar, bass, Vox, Farfisa organs, & Moog synthesiser; Duncan Brown on bass; Katharine Gifford on Vox, Farfisa organs, & Moog synthesiser; Mary Hansen on vocals, guitar, tambourine, & egg shaker; Sean O’Hagan on slide guitar, marimba, & brass arrangements; and Andy Ramsay on drums, percussion.] [The last Stereolab release we remember was 2010’s Not Music on Drag City Records. It was their 12th album, released during the band’s self – imposed hiatus from recording and touring. The tracks were recorded in early 2007. Half of the recordings were released in 2008 on their release “Chemical Chords.” It was reported that the recordings began when band member Tim Gane started messing with ‘a series of about seventy tiny drum loops’ on top of improvised chord sequences using piano and vibraphone. “building them up from there – later slowing the tracks down or speeding them up – it was a totally new way of doing songs for us”. The band createdm all the tracks in their studio, Instant Zero, in Bordeaux, France.]

10:30 – Underwriting

8. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

10:35 – Interview with Nick Carswell

Songwriter Nick Carswell is originally from Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011. He formed Carswell & Hope in late 2012. The band released their debut album in 2014, coinciding with a two week Irish tour. Nick also plays bass in the electro-pop band Pink Royal and is the force behind Silly Goose Records and the annual MixMaster music conference, now part of the Crossroads Music Festival. Nick Carswell joins us to share details about Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song in a solo performance of 10 songs, accompanied by lighting, projection and stage design, Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Nick Carswell thanks for being with us on WMM.

Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance of 10 songs, accompanied by lighting, projection and stage design, creating a unique visual canvas to the music.

Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND

Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Each night features guest performances by Amado Espinoza (in KC) and María Elena Cuevas (in Lawrence).

The project was supported by an ArtsKC Inspiration Grant.

More info at: http://www.changingshadesproject.com

10:44

9. Nick Carswell – “The Wave (A Reckoning) ”
from: The Wave (A Reckoning) – Single / Silly Goose / May 7, 2019
[The featured single from “Changing Shades”, a solo project by Nick Carswell.
All music & lyrics by Nick Carswell. Produced by Nick Carswell. Additional mixing by Jason Slote. More info at http://www.changingshades.com.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence with guest performance by María Elena Cuevas.]

10:48 – More Interview with Nick Carswell

Laurel Morgan Parks and Sascha Groschang with Nick Carswell on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

We are talking with Nick Carswell about Changing Shades – Stories of Migration, Confusion & Belonging a solo performance of 10 songs,, Friday, May 10, at 7:00 PM, at The Irish Center of KC, AND Saturday, May 11, at 7:00 at Lawrence Arts Center,.

Nick Carswell thanks for being with us on WMM.

The Wave (A Reckoning) written by Nick Carswell

Where to start? Where do I begin?
I’ve played my part for all the good it’s been
And the stars grow dim
High above me

We all laughed, what a joke it’s been
I’ve sold my lot, all but given in
But still the din
Is rising
above me
All at once
It overcomes me

But here I am at the end
On the outside looking in
I see a friend
I watch the pendulum swing

My body’s bruised
The air is thin
On my back
I’ve been carrying
the greed and sin
of those before me
But now a reckoning
A wave is forming

So here I am at the end
On the outside looking in
I feel the weight
I watch the world caving in

Here am I, All I’ve lost is what I’ve given in
I feel the end
I’m ready to begin

PRESS RELEASE: Lawrence-based Musician Launches New Multimedia Performance Inspired by his Immigrant Experience. “Changing Shades” is a new electro-acoustic project from Irish immigrant and musician Nick Carswell

LAWRENCE, KS MARCH 20, 2019:
Lawrence-based musician Nick Carswell will debut a new multimedia work inspired by his experience as an immigrant in the United States, with concerts at the Kansas City Irish Center (May 10th) and the Lawrence Arts Center (May 11th). The new project is a departure from the usual genres Carswell has previously released work in and combines his recent experience with multimedia public art and a new body of electro-acoustic music. The Lawrence and Kansas City concerts will be accompanied by guests Maria Cuevas (formerly Maria The Mexican) and Bolivian multi-instrumentalist, Amado Espinoza, respectively. Tickets for both concerts are $10 and performances begin at 7pm.

Changing Shades: An Immigrant’s Story of Confusion & Belonging will consist of 10 songs, each accompanied by lighting, projection and stage design, creating a unique visual canvas to accompany the music. The projected was supported by an ArtsKC Inspiration Grant which funded the purchase of electronic music and lighting equipment to expand the music performance into an immersive multimedia presentation.

“This is definitely new ground for me,” Carswell explains. “The project combines some new tools I’ve been quietly working with over the last several years, with themes that have been kind of weighing heavy recently. This combination called for a different kind of presentation.”

The new works focus on the theme of “belonging” and draw upon Carswell’s experience living as an Irish immigrant for 8 years in the U.S. Songs deal with his own sense of shifting cultural life.

Contact: Nick Carswell Phone: (785) 424-5236|Email: nickcarswellmusic@gmail.com

Nick Carswell thanks for being with us on WMM.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, with guest performance by María Elena Cuevas. More info at: http://www.changingshadesproject.com

10:57

10. MorMor – “Some Place Else”
from: Some Place Else – EP / Don’t Guess – AWAL Records / May 3, 2019
[Artist, Singer-Producer, multi-instrumentalist, born and raised in Toronto. MorMor writes, records, produces most of his own work. He tells pigeons and planes, “A lot of my inspiration stems from wanting to share a perspective of Toronto that I feel hasn’t been represented,” he says. “I’m glad Toronto is getting a lot of attention right now, but my experience of the city that has shaped me isn’t really part of the story yet.” he goes on to say, “I always felt different from the other kids at school. I went through a really hard time because I was the kid who always hung out with a wide variety of people. I kept searching for kids like me, but it never happened. In the end it gave me some good perspective. I was a pretty rebellious person when I was young. I had a problem with authority. I was reluctant to take orders if I didn’t believe in the cause. I might be the only kid who got suspended in the first grade. Music was something that I could escape through.]

11:00 – Station ID

13. The Wires – “Wilder”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]

[The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

11:04 – Interview with Laurel Morgan & Sascha Groschang of The Wires

Sascha Groschang and Laurel Morgan Parks of The Wires, on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

Laurel Morgan grew up in Lincoln, Nebraska. A classically trained musician, she has been playing the violin for 30 years. Laurel graduated from the UMKC Conservatory of Music in 2005. She has also performed with the Des Moines Symphony, Quixotic Fusion, Musical Theatre Heritage at the Off-Center Theatre, the folk-rock band, ‘In the Pines” that won several Pitch Music Awards. And with her husband artist Ben Parks she is ia founder of the band Of Tree As a composer, arranger, and musician Laurel Morgan has traveled to Germany, Austria, and throughout the United States, but is based here in Kansas City.

Sascha Groschang graduated from Paseo Academy of Performing Arts in 2000, UMKC Conservatory of Music in 2004, and Mannes College – The New School For Music in 2008. She had her solo recital debut at Carnegie Hall’s recital hall, Weill Hall in February 2009. Sascha has recorded or performed with Peter Gabriel, Joanna Newsom, Ashanti, Adina Menzel, Clay Walker, the Trans-Siberian Orchestra. She has also worked for NBC, Rhino Records, Juniper String Ensemble, Saint Joesph Symphony, and is part of the faculty at Missouri Western State University. She also teaches out of her Midtown KC home studio. You can learn more at: cellolady.com

Together, Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

More info at: http://www.thewires.info

The Wires debut CD titled: “The Wires Alternative Strings” was originally released through i-tunes, Sept. 25, 2012

Sascha moved back to Kansas City in 2010, after living in NYC for 3 years. She and her husband were married in Brooklyn. They now have wo children age 3 and 1.

Laurel worked in the acclaimed band, In The Pines.

11:13

12. The Wires – “Uncaged”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]
cond album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

We’re talking with Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

Laurel was most recently on Wednesday MidDay Medley sharing music from her band Of Tree

Of Tree’s release, How Does It Feel (October 12, 2018) was one of WMM’s 118 Best Recordings of 2018

Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.”

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

More info at: http://www.thewires.info

Molly McLaughlin, Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

11:24

13. Jean Claude and the Eclairs – “Glasgow.”
from: Glasgow. – Single / Jean Claude and the Eclairs / April 4, 2019
[Alternative Pop/Rock trio based in Lawrence, KS formed by Cooper Scott, Garrison Krotz and Quinn Maetzold in June of 2016.]

[Jean Claude and the Eclairs play The Bottleneck, 737 New hampshire St. Lawrence, KS. Thursday, May 9, at 8:00 PM in an all ages show with Shoebox Money, Cavves, and The Arsonist .]

11:29 – Underwriting

11:31 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan and Molly McLaughlin on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

Turlach Boylan learned to play Irish music as a teenager, studying with John Kennedy in Culleybackey, County Antrim. In 1986, he won an Irish national contest for flute slow airs. Turlach comes from a musical family, he has four sisters and one brother that also play music. Since emigrating to America, he has continued to perform, playing in over 30 states with the band Glen Road and, more recently, in a duet with guitarist Davey Mathias. He has produced three recordings, available on CD. In addition to flute and tin whistle, he also plays banjo and mandolin

Molly McLaughlin studied music at the California Institute of the Arts and the Hartt School, specializing in contemporary, Classical, and traditional Irish flute. Molly has toured with Jethro Tull, recorded at Capitol Records, and performed at the Folk Alliance International Conference. Molly is a core member of Kansas City’s Ensemble Ibérica and performs regularly with her Irish band, Into The Sun. She released her first album in 2017. In August, she’s moving to Ireland to study Traditional Irish Flute for the next several years.

Molly McLaughlin and Turlach Boylan will play live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program and we have our final concert coming up on May 18.

11:38

14. Molly McLaughlin & Turlach Boylan – Jigs: “Whistler at the Wake / Battering Ram”

11:42 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan & Molly McLaughlin with Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

We’re talking with Molly McLaughlin and Turlach Boylan who are playing live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program

The Missouri Folk Arts Program identifies, documents, and promotes the folk and traditional arts in our state. Missouri hosts one of the oldest, continuous statewide folk arts apprenticeship programs in the United States, established in 1984. The Traditional Arts Apprenticeship Program funds master artist and apprentice teams who are committed to sustaining their artistic traditions and cultural heritage over an eight month period. This year, Irish flutists Turlach Boylan and Molly McLaughlin were selected to work together.

Harmony Project KC is an intensive, arts-based, youth intervention and mentoring program for under-served children in KC’s urban core. Their mission is to promote the healthy growth and development of children through the study, practice and performance of music; to build healthier communities by investing in the positive development of children through music; to develop children as musical ambassadors of peace, hope and understanding among people of diverse cultures, background and beliefs.

11:49

15. Molly McLaughlin & Turlach Boylan – Reels: “Humours of Ballymac / Devanny’s Goat”

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin and Turlach Boylan perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

11:56

16. Le Grand – “Button Mashing”
from: Plastic Jazz / Le Grand / May 10, 2019
[Kansas City based instrumental rock band with Josh Snow on guitar, Sam Sartorius on drums, Sterling Dorrell on guitar, and Chelby Hanks on bass]

[Le Grand play and EP Release at The Rino, 314 Armour Rd, North Kansas City, MO., Friday at 7:00 PM, with Via Luna, Oxford Remedy, and Aage Birch.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on May 15, Wednesday MidDay Medley Celebrates our 15th Anniversary with 15 Special Guests: Iris DeMent, Krystle Warren, Calvin Arsenia, Betse Ellis, Kasey Rausch, Mikal Shapiro, Jake Wells, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Jen Harris, Nico Gray, Fran Stanton, Barry Lee, and Brenton Cook.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #785

Wednesday MidDay Medley presents Nick Carswell + The Wires + Molly McLaughlin & Turlach Boylan

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 8, 2019

Nick Carswell “Changing Shades” +
Laurel Morgan Parks & Sascha Groschang of The Wires
+ Molly McLaughlin & Turlach Boylan

Mark spins New & MidCoastal Releases from: Le Grand, The Wires, Pamper The Madman, Jean Claude and the Eclairs, Danielle Nicole, Nick Carswell, Carswell & Hope, The Sextet with Calvin Arsenia, Marvin Gaye, Stereolab, MorMor, and Mattiel.

At 10:30 Nick Carswell shares details about Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance of 10 songs, accompanied by lighting, projection and stage design, creating a unique visual canvas to the music, Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS. Each night features guest performances by Amado Espinoza (in KC) and María Elena Cuevas (in Lawrence). The project was supported by an ArtsKC Inspiration Grant. More info at: http://www.changingshadesproject.com

At 11:00 Mark talks with The Wires Alternative String DuoLaurel Morgan Parks on violin, and Sascha Groschang on cello. The Wires compose and perform original music inspired by a myriad of genres and eclectic sounds, and blend wide-ranging styles, from tango to gypsy, jazz to rock, infused with the precision of classical form. Laurel Morgan Parks and Sascha Groschang will share details about The Wires 2nd Album Release – Wilder, Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. More info at: http://www.thewires.info

At 11:30 Molly McLaughlin and Turlach Boylan play live in our 90.1 FM Studios. Together they will share music that they have been working together for the past six months. Molly McLaughlin and Turlach Boylan will be in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, Kansas City Missouri. This is the culmination of their work together though the MO Folk Arts Apprenticeship Program, a grant they received last year. Suggested donation is $10 half of all proceeds will benefit Harmony Project KC.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #785

WMM Playlist from May 2, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 2, 2018

Spinning Records With Marion Merritt
+ Barry Lee & An Evening With the Music of The Beatles: Unplugged

10:00 – Guest Producer: Marion Merritt

Marion Merritt of Records With Merritt

We welcome back to the show, Marion Merritt as our special “Guest Producer.” For 14 years now she has been sharing her musical discoveries and information from her encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. Cymande – “Anthracite”
from: Second Time Round/ Cherry Red / 1973 [Reissued by Mr. Bongo 2018]
[Cymande (See-man-day) was a British funk group that released several albums in the early 1970s and reunited in 2014 with a European tour and a new album released in 2015. The group was formed by Steve Scipio and Patrick Patterson in 1971 in London, England, along with musicians from Guyana, Jamaica and Saint Vincent. The name Cymande is derived from a calypso word for dove, symbolising peace and love. The group developed a subtle and complex, deep funk style influenced by calypso rhythms, jazz, African music, American soul and UK rock of the time. By the mid-1970s the band members were going their separate ways, and the group disbanded in 1974. It was not until 20 years later that they reaped any financial rewards, as their music became a popular source for samplers. Cymande’s original albums are still widely sought-after by DJs and funk aficionados. Perhaps the band’s best known recording is the soulful dancefloor filler called “Bra”, which was later sampled by the American hip-hop group De La Soul and used as a breakbeat record by Kool Herc and Grandmaster Flash. Cymande was accidentally discovered by English producer John Schroeder in a Soho, London club where they were rehearsing. He was there to see a rock band but the gig had been cancelled, and he stumbled upon these West Indian musicians. He soon signed the band and recorded their initial single “The Message.” The single was released by Janus Records, a division of Chess Records. The track reached #20 on the US Billboard R&B chart. This set the stage for Cymande’s self-titled release in 1972. Cymande traveled to New York after the success of the first album, and began a tour of the US with Al Green. They shared bills with Latin funk ensemble Mandrill. They played The Apollo, and played a gig on Soul Train. The band released 3 LPs for Janus. However, their final album, Promised Heights, was not released in the US, where Cymande had achieved their initial success. Promised Heights included “Brothers on the Slide”, “The Recluse” and “Promised Heights”. The tracks “Brothers on the Slide” and “Bra” also were staples of the rare groove scene that developed in London and NYC nightclubs during the 1980s.

Discography
1972 – Cymande
1973 – Second Time Round
1974 – Promised Heights
1981 – Arrival
1999 – The Message (compilation)
2000 – The Soul of Rasta (compilation)
2003 – The Best of Cymande (compilation)
2003 – Nyah-Rock (compilation)
2004 – Renegades of Funk (best of anthology)
2007 – Promised Heights (reissue compilation)
2015 – A Simple Act of Faith]

4. Cymande – “Promised Heights
from: Promised Heights / Newhouse Records / 1974 [Reissued by Mr. Bongo 2018]

5. King Britt & Sister Gertrude Morgan – “Living Bread”
from: King Britt Presents: Sister Gertrude Morgan / Ropeadope / 2005
[Reissued 2018]
[King Britt is a DJ, composer & record producer from Philadelphia. He is a 1986 graduate of Central High School (Philadelphia). In 1987 he started working at Tower Records, as a buyer for the singles/import section. His extensive knowledge of dance music made him an in demand buyer in the company. He went on to make many connections in the music community, bringing in records and new labels from all over the world. King attended Temple University. He produced King Britt Presents: Sister Gertrude Morgan in 2005. A recreation of self-proclaimed bride of christ, Sister Gertrude’s original Preservation Hall album gets new life. The record goes on to be included in the Michael Mann’s 2006 film Miami Vice, on the AdBusters compilation, Live Without Dead Time and the HBO television show True Blood. Sister Gertrude Morgan (April 7, 1900 – July 8, 1980) was a self-taught African American artist, musician, poet and preacher. Born in LaFayette, Alabama, she relocated to New Orleans in 1939, where she lived and worked until her death in 1980. Sister Morgan achieved critical acclaim during her lifetime for her folk art paintings. Her work has been included in many groundbreaking exhibitions of visionary and folk art from the 1970s onwards. In 1957 Sister Morgan received another revelation from God. Dreaming, she heard a voice that told her she was the Bride of Christ. She then discarded her black missionary attire in favor of an all-white ensemble made up of a nurses’ uniform, peaked nurses’ cap and matching white shoes. Music was another tool of Sister Morgan’s ministry. In the early 1970s, Let’s Make A Record was recorded in order to capture Morgan singing and playing her tambourine. In 2004 the original album was re-released on the Preservation Hall Recordings label. In 2005, Ropeadope released King Britt presents Sister Gertrude Morgan, which took the a cappella/tambourine recordings of Let’s Make A Record and added contemporary beat programming and instrumentation. The album received rave reviews and created a new, young audience for Sister Gertrude Morgan. The album artwork featured her paintings.]

6. Nina Simone – “I Can’t See Nobody (Daniel Y. Remix)”
from: Nina Simone Remixed & Reimagined / Legacy /2006 [Reissued-Legacy RCA 2008]
[Nina Simone was born Eunice Kathleen Waymon on February 21, 1933. She died April 21, 2003. She was was a singer, songwriter, pianist, arranger, and activist in the Civil Rights Movement. Simone employed a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Waymon aspired to be a concert pianist. With the help of a few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in New York. Waymon then applied for a scholarship to study at the prestigious Curtis Institute of Music in Philadelphia, where she was denied admission despite a well-received audition. Waymon became fully convinced this rejection had been entirely due to racial discrimination. In 2003, just days before her death, the Curtis Institute of Music bestowed on her an honorary degree. To make a living, Eunice Waymon changed her name to “Nina Simone”. The change related to her need to disguise herself from family members, having chosen to play “the devil’s music” or “cocktail piano” at a nightclub in Atlantic City. She was told in the nightclub that she would have to sing to her own accompaniment, and this effectively launched her career as a jazz vocalist. Simone recorded more than 40 albums, mostly between 1958, when she made her debut with Little Girl Blue, and 1974. She had a hit in the United States in 1958 with “I Loves You, Porgy”. Simone’s musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.]

7. Thievery Corporation – “Music to Make You Stagger”
from: Treasures from the Temple / Eighteen St – ESL / April 20, 2018
[10th album from Thievery Corporation was formed in the summer of 1995 at Washington D.C.’s Eighteenth Street Lounge. Rob Garza and Lounge co-owner Eric Hilton were drawn together over their mutual love of club life, as well as dub, bossa nova and jazz records. They decided to see what would come of mixing all these in a recording studio, and from this, in 1996 the duo started their Eighteenth Street Lounge Music record label. The duo drew attention with their first two 12-inch offerings, “Shaolin Satellite” and “2001: a Spliff Odyssey” and with their 1996 debut LP, Sounds from the Thievery Hi-Fi. The duo has publicly stated their fondness of the Brazilian culture in interviews and liner notes of their releases, especially of the 1960s Bossa Nova music movement. Some of their earlier recordings even had specific artwork paying homage to classic releases by bossa nova artists like João Gilberto (His self-titled 1973 album) or Tom Jobim (Stone Flower). They also released “Sounds From The Verve Hi-Fi” in 2001, a ‘best of’ compilation of 1960s–1970s material of Verve Records that includes Jazz, Bossa Nova and Latin Jazz works from artists like Cal Tjader, Wes Montgomery, Sérgio Mendes & Brasil ’66, Luiz Bonfá, among others. Their 1997 debut album is also dedicated to the memory of Antonio Carlos Jobim, who died three years earlier.]

8. Thievery Corporation – “Voyage Libre (feat. LouLou Ghelichkhani)”
from: Treasures from the Temple / Eighteen St – ESL / April 20, 2018

10:39 – Underwriting

9. Bettye LaVette – “Person to Person”
from: Strange Angels: In Flight with Elmore James / Sylvan Songs / Jan. 26, 2018
[Bettye LaVette was born Betty Jo Haskins, on January 29, 1946. She is an American soul singer-songwriter who made her first record at sixteen, but achieved only intermittent fame until 2005, with her album I’ve Got My Own Hell to Raise. Her eclectic musical style combines elements of soul, blues, rock and roll, funk, gospel, and country music. LaVette was born in Muskegon, Michigan, and raised in Detroit. Unlike many of her contemporaries, she did not begin singing in the church, but in her parents’ living room, singing R&B and country and western music. She was signed by Johnnie Mae Matthews, a local record producer. In 1962, aged sixteen, she recorded a single, “My Man — He’s a Lovin’ Man”, with Matthews, which became a Top Ten R&B hit after Atlantic Records bought distribution rights. This led to a tour with rhythm and blues musicians Clyde McPhatter, Ben E. King, Barbara Lynn, and then-newcomer Otis Redding. She next hit the charts with “Let Me Down Easy” on Calla Records in 1965. This led to a brief stint with The James Brown Revue. After recording several singles for local Detroit labels, LaVette signed to the Silver Fox label in 1969. She cut a handful of tracks, including two Top 40 R&B hits: “He Made A Woman Out Of Me” and “Do Your Duty”. The Memphis studio musicians on these recordings have since become known as The Dixie Flyers. In 1972, she signed once again with Atlantic/Atco. She was sent to Muscle Shoals Sound Studio in Alabama to record what was to be her first full-length album. Titled Child of the Seventies, it was produced by Brad Shapiro and featured the Muscle Shoals Rhythm Section, now known as The Swampers, but Atco chose not to issue the album. The mid 1970s saw a brief stint and two 45s with Epic, and in 1978 she released the disco smash on West End Records “Doin’ The Best That I Can”. In 1982, she was signed by her hometown label, Motown, and sent to Nashville to record. The resulting LP (her first album actually issued), titled Tell Me A Lie, was produced by Steve Buckingham. The first single, “Right In The Middle (Of Falling In Love)” hit the R&B Top 40. She briefly gave up recording for a six-year run in the Broadway smash Bubbling Brown Sugar, appearing alongside Honi Coles and Cab Calloway. After LaVette had played her own personal mono recordings of Child of the Seventies for Gilles Petard, a French soul music collector, he sought the master recordings at Atlantic, whose personnel had previously thought they had been lost in a fire some years back. In 1999, he finally discovered the masters and then licensed the album from Atlantic and released it in 2000 as Souvenirs on his Art and Soul label. At the same time, Let Me Down Easy — Live In Concert was issued by the Dutch Munich label. Both albums sparked a renewed interest in LaVette and in 2003, A Woman Like Me (produced by Dennis Walker) was released. The CD won the 2004 W. C. Handy Award for “Comeback Blues Album of the Year”. In an interview, LaVette identified A Woman Like Me as the first album in the second phase of her career and said her 2012 autobiography was named after the album.]

10. C.W. Stoneking – “Jungle Blues”
from: Jungle Blues / King Hokum / 2008 [Reissued by King Hokum 2018]
[Christopher William “C.W.” Stoneking (born 1974) is an Australian blues singer-songwriter, guitarist and banjo player. He has released three studio albums, King Hokum (March 2005), Jungle Blues (28 August 2008) and Gon’ Boogaloo (17 October 2014), on his own King Hokum Records label.]

11. Kevin Morby – “Slow Train (feat. Cate Le Bon)”
from: Harlem River / Woodsist / November 26, 2013
[Debut full length solo release from Kevin Robert Morby born April 2, 1988. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River with positive reviews. His 2nd album Still Life was released in 2014. His album Singing Saw was one of our 116 Best Recordings of 2016, In 2017 Kevin Morby released his 4th album, City Music on Dead Oceans Records. It was one of WMM’s The 117 Best Recordings of 2017.]

[Kevin Morby plays recordBar, 1520 Grand, KCMO. Saturday, May 5, at 9:00 pm, with Hand Habits.]

12. Mike Donovan – “Spiral Tee Shirt”
from: How to Get Your Record Played in Shops / Drag City / April 20, 2018
[Mike Donovan was born October 6, 1971. He is a San Francisco, California based musician best known as the guitarist and singer of Sic Alps (2004-2013). He has also released music by other San Francisco musicians with his Dial Records and Folding Cassettes labels. Donovan is a veteran of several other bands. He was a member of The Ropers, The Church Steps with Chris Douglas, NAM, Big Techno Werewolves, Sounds of the Barbary Coast and Yikes. In October 2013 he released his solo debut “Wot” on Drag City. In May 2015, Donovan formed the San Francisco lo-fi supergroup The Peacers, releasing a self-titled debut on July 17, 2015. The self-titled album was co-produced and co-performed by Ty Segall. The current lineup of The Peacers is Mike Donovan, Shayde Sartin, Mike Shoun and Bo Moore. The band release their 2nd record “Introducing The Crimsmen” on Drag City on June 16, 2017]

11:00 – Station ID

13. Matador! Soul Sounds – “Get Ready”
from: Get Ready / Color Red Records / March 12, 2018
[Matador! Soul Sounds is a band loosely based on the concept of Spanish bullfighting. A common misconception in America is that bullfighting is a feat of one man versus one bull—in reality, bullfighting is largely a team effort by a matador and his cuadrilla. Born from the vision of Eddie Roberts (The New Mastersounds) and Alan Evans (Soulive) their fierce cuadrilla consists of keyboardist Chris Spies and bassist Kevin Scott (Jimmy Herring) as the band’s “banderilleros”. Adding a feminine energy to the band are Adryon de León and Kimberly Dawson (Pimps of Joytime) on vocals. Combining the dynamism of each band leader, the music they have created is brand new, hard hitting and drenched with their shared musical passions – jazz, funk & soul. The band made their official World Debut at Live for Live Music’s Brooklyn Comes Alive 2017 and will be touring in the spring of 2018 behind their first full length EP “Get Ready”]

14. The New Mastersounds – “Chicago Girl”
from: Renewable Energy / One Note Records / April 13, 2018
[The New Mastersounds are a British four-piece jazz fusion and funk band from Leeds, England. Over the last 16 years, they have issued ten studio albums, two live dates, two remix collections, and a compilation album.In the late 1990s, guitarist and producer Eddie Roberts was running a club night in Leeds called “The Cooker.” When The Cooker moved into a new venue with a second floor in 1999, there was space and the opportunity to put a live band together to complement the DJ sets. Simon Allen and Roberts had played together in 1997 as The Mastersounds, with a different bassist and no organ. Through friends and the intimate nature of the Leeds music scene, Pete Shand and Bob Birch were added on bass and Hammond respectively, establishing The New Mastersounds. Their first rehearsal produced the release for Blow it Hard Records on two limited-edition 7″ singles in 2000.]

15. Grouper – “Parking Lot”
from: Grid of Points / Kranky / April 27, 2018
[Grouper is the solo project of US-American musician, artist and producer Liz Harris. She has been releasing material on her own label and other independent labels since 2005. Grouper released the critically acclaimed Dragging a Dead Deer Up a Hill in 2008, followed by five more records, including a two-part album, A I A, and the piano-led album Ruins. Her eleventh album, Grid Of Points was released on April 27, 2018. On March 8, 2018, the song Parking Lot from the forthcoming album was released via her BandCamp. She has collaborated with a number of other artists, including Xiu Xiu, Jesy Fortino (Mirrorring), Roy Montgomery, The Bug, Lawrence English (Slow Walkers), and Jefre Cantu-Ledesma (Raum). Harris was born in Northern California and grew up around the San Francisco Bay area. She grew up in a Fourth Way commune there which was inspired by the philosophy of George Gurdjieff. The community was known as “The Group”, which would later serve as some inspiration for the moniker Grouper. According to Harris, the kids called each other and the parents ‘groupers’ sort of as a defiance. She says: “It was us making our own identities inside a pretty controlled environment, and sort of lashing back maybe… When I had to think of a name I felt annoyed at nothing sounding right. I wanted something that referenced me without referencing ‘Me.'” According to her, she “felt like the music was at its barest just a grouping of sounds, and I was just the grouper.”]

16. Melody’s Echo Chamber – “Breathe in, Breathe Out”
from: Bon Voyage / Fat Possum Records / June 16, 2018
[Melody’s Echo Chamber is the main project of French musician Melody Prochet. When Prochet’s previous project My Bee’s Garden supported Tame Impala on their European tour in 2010, Prochet collaborated with Kevin Parker to produce her new solo material as Melody’s Echo Chamber. The material was recorded in Parker’s makeshift studio in Perth, Australia and Prochet’s grandmother’s seaside home in the south of France. The self-titled debut album was released on Fat Possum Records in the Fall of 2012.]

17. Lou Johnson – “Rock Me Baby”
from: Sweet Southern Soul / Water Music Records / 1969
[Reissued by Run Out Groove Records 2018]
[Born 1941, in Brooklyn, NYC. He is a soul singer & pianist who was active as a recording artist in the 60s and early 70s. He started singing in gospel choirs in his teens, before studying music at Brooklyn College. He learned keyboards & percussion, forming a gospel group, the Zionettes, who recorded for Simpson Records and achieved some local success. Johnson then formed a secular group, the Coanjos, with Tresia Cleveland & Ann Gissendammer, recording “Dance the Boomerang” before Cleveland & Gissendanner left to become the Soul Sisters. In 1962, Johnson signed as a solo singer with Bigtop Records, run by the Hill & Range music publishing company in the Brill Building. There, he met the songwriting team of Burt Bacharach & Hal David, who wrote Johnson’s 1st single, “If I Never Get to Love You”. Neither that song nor his 2nd record, “You Better Let Him Go”, were hits, but his 3rd single, “Reach Out for Me”, also written by Bacharach & David and this time produced by Bacharach, reached # 74 on the Billboard Hot 100 in late 1963. However, as it rose up the charts, the record company collapsed, limiting the record’s success. Johnson signed to its successor label, Big Hill, and continued to record Bacharach & David songs. In 1964, his original version of “(There’s) Always Something There to Remind Me”, with backing vocals by Doris Troy, Dee Dee Warwick, and Cissy Houston, reached # 49 in the US charts. In the UK, a cover version by English singer Sandie Shaw rose to #1 on the British singles chart. Johnson also recorded the original versions of several other Bacharach & David songs that later proved to be bigger hits for other musicians. “Reach Out for Me”, “Message to Michael (Kentucky Bluebird)” (originally “A Message to Martha”), and “(There’s) Always Something There to Remind Me” were all American hits, also produced by Bacharach & David, for Dionne Warwick. Several of his records reached the Cashbox R&B Top 20 including “Always” peaking at # 12 and “Reach Out” at #15. In the UK, Johnson’s version of “A Message to Martha” was his biggest hit, reaching #36 in late 1964, but was outsold by Adam Faith’s cover version. In 1965, working with the team of Bill Giant, Bernie Baum & Florence Kaye on the reactivated Bigtop label, Johnson recorded a vocal version of Sidney Bechet’s instrumental hit of a few years earlier, “Petite Fleur”, entitled “A Time to Love, A Time to Cry”. He appeared on the UK TV program: Ready Steady Go!, but neither it nor its follow-ups, a version of the jazz standard “Anytime” and then a version of “Walk On By” co-produced by Allen Toussaint, were successful, and the record company’s choice of songs distanced him from his earlier audience. An album, called Anytime, went unreleased as the record company again collapsed. Johnson recorded two albums in the late 1960s and early 1970s. The first, Sweet Southern Soul, for the Atlantic subsidiary Cotillion, was produced by R&B producer, Jerry Wexler, at Fame Studios in Muscle Shoals. Allen Toussaint produced the 2nd, With You in Mind, at his New Orleans studio for Stax’s Volt label, but neither proved successful. After moving to Orange County, CA, Johnson became a nightclub entertainer. He sometimes performed in a latter-day version of the Ink Spots.]

18. Sir Stanley – “I Believe”
from: Eccentric Soul: The Saru Label / Numero Group / March 23, 2018
[20th volume of our flagship Eccentric Soul series has all the boxes checked: Gun-toting, skip-tracing record producers, child stars, rip-offs, the “World’s Greatest Bail Bondsman,” swindles, soaring falsettos, and a dwindling rust-belt cityscape offering mere glimpses of hope before the record industry escaped for the coasts. Helmed by the O’Jays Bobby Massey, Saru was a creative vortex that pulled Cuyahoga County’s greatest talent in, making a strong case for Cleveland to contend with Detroit, Philly, and Memphis as America’s soul music’s capital. Deluxe compact disc includes 25 obscure and unknown sides from the Out of Sights, the Elements, Pandella Kelly, David Peoples, Sir Stanley, the Ponderosa Twins + 1, Ba-Roz, Bobby Dukes, and of course, the O’Jays.]

19. Miles Davis & John Coltrane – “Round Midnight (Live from Olympia Theatre, Paris)”
from: The Final Tour: The Bootleg Series, Vol. 6 / Columbia-Sony Legacy / March 23, 2018
[The latest entry in the award-winning Miles Davis Bootleg Series focuses on the final chapter in the landmark collaboration between Davis and saxophonist John Coltrane: their last live performances together, in Europe in the spring of 1960. Miles and Coltrane first collaborated in 1955, when Davis recruited the tenor saxophonist alongside pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones. This “first great quintet” made their Columbia Records debut in 1957. Those early recordings showcased the stunning contrasts between Miles’ spacious, melodic lines and Trane’s cascading high-energy solos, famously described by the critic Ira Gilter in 1958 as “sheets of sound.” While the quintet disbanded shortly after the release of ‘Round About Midnight, Coltrane was back in Miles’ ensemble in early 1958. A year late, the Miles Davis Sextet (Davis, Coltrane, Chambers, saxophonist Julian “Cannonball” Adderley, pianists Bill Evans or Wynton Kelly, and drummer Jimmy Cobb) recorded the historic Kind Of Blue, the best-selling jazz album of all time. And for this final tour the rhythm section of Kelly, Chambers and Cobb backed Miles and Trane. These historic performances marked Miles and Trane’s last outing together and showcased both musicians’ incredible influence on the changing sound of jazz. The beautiful music they made together is presented here officially for the very first time. The 4CD set The Final Tour: The Bootleg Series Vol. 6 includes concerts recorded in Paris, Copenhagen and Stockholm.]

Marion Merritt thanks for being with us on Wednesday MidDay Medley. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri. More info at: http://www.recordswithmerritt.com

11:31 – Underwriting

11:33 – Interview with Barry Lee

Barry Lee and Marion Merritt on the May 2, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Barry Lee joins us to share information about, An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS. Signal to Noise’s Barry Lee hosts an All-Star group of KC & Lawrence musicians in a benefit for KPR’s Audio Reader Network. The evening will highlight the quieter side of the Beatles’ music. Special guests, The Volker Brothers (David George & Eric Voeks) will open the show with a set of acoustic Beatles songs.

Barry Lee is the host & producer of Signal To Noise heard Friday nights at 9:00 PM.

We offered our sincere condolences on the loss of Barry’s friend and wife Caroline Lee who passed away peacefully on Wednesday, April 18th, surrounded by her family.

Caroline and Barry Lee

Caroline was an early volunteer and organizer for KKFI beginning in 1985. When the station went on the air in 1988, she hosted a show called “Watusi Rodeo,” which was one of the first alternative country radio shows in the country.

After that, she guested often on Signal To Noise, tended her garden, went to music shows and doted on her cats.

Barry plans two memorial shows for Caroline Lee on May 4th and May 11th, at 9:00 pm on KKFI. Signal To Noise, will present “Watusi Radio” a tribute to Caroline Lee on Friday, May 4, at 9:00 PM.

There will also be a concert at Knuckleheads in July in her memory. She requested donations be sent to KKFI via http://www.kkfi.org/donate in lieu of flowers or cards.

Barry has been working on a special benefit he is producing for KPR’s Audio Reader Network.

An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS

An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS.

10:42

20. Beatles Tribute Band – “Two Of Us”
from: Unreleased Rehearsal Recordings / April 29, 2018
[Mike Penner on guitar & vocals, Darrell Lea on guitar & vocals, Nate Holt on keyboards, Paul Lemon on percussion, Pat Tomek on drums, & Michael Paull on bass & vocals]

10:46 – More interview with Barry Lee

Barry Lee joins us to share information about, An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS.

Signal to Noise’s Barry Lee hosts an All-Star group of KC & Lawrence musicians in a benefit for KPR’s Audio Reader Network.

The evening will highlight the quieter side of the Beatles’ music. Special guests, The Volker Brothers (David George & Erik Voeks) will open the show with a set of acoustic Beatles songs.

The Volker Brothers (David George & Erik Voeks) will open the show

All – Star band:
Mike Penner on guitar,
Darrell Lea on guitar,
Nate Holt on keyboards,
Paul Lemon on percussion,
Pat Tomek on drums, &
Michael Paull on vocals and bass

11:56

21. Beatles Tribute Band – “Fool On A Hill”
from: Unreleased Rehearsal Recording / April 29, 2018
[Mike Penner on guitar, Darrell Lea on guitar, Nate Holt on keyboards, Paul Lemon on percussion, Pat Tomek on drums, & Michael Paull on vocals and bass]

[An Evening With the Music of The Beatles: Unplugged, Saturday, May 12 at 7:30 PM, at Lawrence Arts Center, 940 New Hampshire St, Lawrence, KS.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on May 9th David Wayne Reed joins us to share information the premiere of Eternal Harvest his new short film about the cycle of life as depicted by the growing season on a rural Kansas farm using drones, dance, farm implements, heirloom quilts, agriculture, and video installation, that will be part of the Miami County Farm Tour May 12 in Louisburg, Kansas. Also next week we’ll talk with Johnny Hamil, Theresa Scott, Chris Tady about Woodstack 2018 on Saturday, May 12 at Woodyard BBQ, 3001 Merriam Lane in Kansas City, Kansas featuring The Sleazebeats, Sopchoppy, Claire Adams, Erica Joy, Betse & Clarke, WyCo Low Riders, The Almighty Trouble Brothers and Pamper The Madman. Also next week we have an extended interview with Musician and Director Cody Critcheloe of SSION, just before the national release of the new SSION album, 0, thaty comes out May 11 on DERO ARCADE records. Also next week Shawn Saving joins us to share information about Workers Revival Fest – May 11 and 12 at recordBar, 1520 Grand Blvd, KCMO, with Downtown Boy, Red Kate, Friendship Commanders, EBONY TUSKS, Nublvckcity, Baracutanga, Rev. Sekou, Austin Lucas, Scruffy & the Janitors, and Lovergurl featuring speakers from Jobs With Justice, Greater AFL-CIO, Noisey, and more

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #732

Wednesday MidDay Medley

WMM Playlist from April 24, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 24, 2013

The Grisly Hand + Sneaky Creeps +
Bach Aria Soloists + Artist Judith Levy’s “NV in KC”

1. The Grisly Hand – “If You Say So”
from: Country Singles / Independent / April 26, 2013

10:05 – Interview with The Grisly Hand

The Grisly Hand, is a Kansas City based, six member band that first started playing live in 2009. The current line up includes: Jimmy Fitzner (Guitar and Vocals), Lauren Krum (Vocals and Percussion), Johnny Nichols (Bass and Vocals), Matt Richey (Drums), Mike Stover (Steel Guitar), and Ben Summers (Guitar and Mandolin). The band’s debut release “Safe House” was release in November of 2010. Their EP “Western Avenue” was one of our Best Recordings of 2012 . The Grisly Hand are now releasing their new full-length recording, “Country Singles” with a special concert, Friday, April 26, at 7:00 at Knuckleheads Saloon, 2715 Rochester, KCMO. More info at: thegrislyhand.com

Lauren Krum and Mike Stover joined us live in the studio.

This band shares Matt Richey and Mike Stover with a few other bands including Dead Voices. Matt also plays with Tiny Horse and Victor & Penny. Mike also plays with Mr. Marcos V7, and three other bands.

The Grisly Hand will be headlining the Spring Dance – Spice of Life Productions 10th Anniversary, on Saturday, May 18, at Crossroads KC at Grinders, 8:00pm, with My Brothers & Sisters, and Starhaven Rounders.

This weekend The Grisly Hand is releasing their third recording. The cover of the new record “Country Singles” is a photograph where more than half of the frame is taken up by a blacktop country road, with four or five semi-trucks parked in the top left corner on the horizon with the big blue sky behind and the sun setting behind a line of bare trees.

“Country Singles” contains rousing country, truckstop spirited, tracks, but there is also the beautiful “Blind Horse” which is just Lauren’s voice with a piano. This song transcends category and displays the special vocal abilities of Lauren Krum. Mike Stover talked about how that track came to be after a piano had just been delivered to Element Studios.

10:15

2. The Grisly Hand – “Municipal Farm Blues”
from: Country Singles / Independent / April 26, 2013

10:15

“Safe House” gave us the anthem “Paris of the Plains” and many great songs that defined who and where. “Country Singles” has some introspective songs looking inside. Lauren talked about the songwriting process for the band.

Kian Byrne left the band to work full time in his family band The Elders, but it sounds like Mike Stover’s steel guitar has come into take the place of Kian’s fiddle in the composition of The Grisly Hand’s beautiful sound.

Bill Sundahl describes the band: “A mixture of down home and metropolitan Country, Blues, Rock, Bluegrass, and just the right infusion of Soul is what sets them apart from their peers, yet invites you in to the party. Brilliant!”

Friday night, April 26, is the “Country Singles'” CD Release Party at Knuckleheads, 2715 Rochester St, with: She’s A Keeper and Trevor McSpadden, lead singer of Chicago’s Hoyle Brothers. More info at: thegrislyhand.com

10:25

3. The Grisly Hand – “Coal & Black”
from: Country Singles / Independent / April 26, 2013

4. Soft Reeds – “Pregnant Actress”
from: Blank City / The Record Machine / Tuesday, April 23, 2013

[Soft Reeds play a Kansas City Album Release Party, Friday, April 26, at the Riot Room, 4048 Broadway, with Be/Non, and Rev Gusto.]

10:31 – Underwriting

10:32

5. Sneaky Creeps – “Mom Needs A Vacation”
from: December Demos / Independent / 2013
[Downloaded form their SoundCloud page.]

10:35 – Interview with William Andrew Erdrich, Max Crutcher, and Isaac (the new bass player) of Sneaky Creeps

William Andrew Erdrich & Max Crutcher met while going to KCAI. Their second release “The Thin Man Wigs Out” was on of our favorite recordings of 2012. The band recently brought in a bass player, Isaac, and are now a three piece again and have been recording new music. SNEAKY CREEPS kick off their tour with a special concert, Wednesday, May 1, at The Roost, 1100 Santa Fe, KCMO, with LAZY, and YUCKRATZ.

10:52

6. Sneaky Creeps – “Worn Out”
from: December Demos / Independent / 2013
[Downloaded form their SoundCloud page.]

7. David Bowie – “The Stars (Are Out Tonight)”
from: The Next Day / ISO Records – Columbia / March 12, 2013
[Bowie’s first new music in 10 years. In the works for over 2 years, Bowie is collaborated with longtime producer Tony Visconti who told the BBC that they worked on the new album at a very slow pace. “We never spent more than two to three weeks at a time recording,” Visconti said. “And then we’d take off as much as two months. We’d usually work on one or two songs in an afternoon and we’d whip them up to shape where they’d sound like great rock tracks. At that point there wouldn’t be any final vocals or lyrics. This is the same way I’d been working with him since The Man Who Sold the World. He hasn’t really changed in his approach.” Toward the end of Bowie’s 2004 tour in Europe the singer underwent emergency heart surgery for a blocked artery. There were rumors about Bowie’s health. Visconti told the BBC “He’s a very healthy man… I couldn’t explain how I know that, but I worked with a very healthy David Bowie in the studio and a very happy David Bowie in the studio.”]

11:00 – Station ID

8. Swimming in Speakers – “In Knowing”
from: Guessing The Others / Independent / February 5, 2013
[Debut full-length recording from Christopher Clarke & Meadow Elizabeth. Christopher Clarke was a professional actor in Kansas City after graduating from UMKC’s professional actor training program at the conservatory. After living and working in Prague, Christopher landed back in Adirondack Park, New York where Swimming in Speakers was formed, and ignited the rich Northeastern music scene with strong live performances and an impressive EP that twice landed them on episodes of Grey’s Anatomy. The band mixes indie ambient synth-pop, toe-tapping freak folktronica, and Christopher Clarke’s multi-layered production with Meadow Elizabeth’s hypnotic vocals.]

9. Palace – “Treetop Lover”
from: Single remix release / The Record Machine / March 2013
[St. Louis based band: Matthew James: Vocals/ Guitar/ Canadian-Tuxedos, Danny James: Drums/ Vocals/ Mustaches, Phil Grooms: Trumpet/Bass/Tall, Josh Eaker: Bass/fuzz, Crystal Owens: Vocals/X-bells]

[Palace returns to KC to open for COWBOY INDIAN BEAR’s KC ALBUM RELEASE PARTY! Thurs. April 25, 8:00pm, at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO, w/ Heartfelt Anarchy]

11:10 – Interview with Elizabeth Suh Lane, Beau Bledsoe, and Jeff Harshbarger

Elizabeth Suh Lane, has been acclaimed, “…among the finest chamber musicians in America today” by San Francisco Symphony’s Music Director Michael Tilson Thomas. She has performed across the globe as a chamber, solo and orchestral musician in the finest concert halls. Elizabeth is founder-Executive-Artistic Director and violinist of the Bach Aria Soloists. Her leadership has brought world-class collaborations to Kansas City to partner with the ensemble.

Beau Bledsoe comes from a large musical family in Little Rock, Arkansas. While in high school, he obtained a handful of old records from the Spanish guitar masters and began his formal studies at the University of Arkansas at Little Rock, graduating with honors and receiving top prizes from regional music competitions. Beau relocated to the graduate guitar program at the University of Missouri-KC Conservatory of Music and has continued his professional career collaborating with Nathan Granner, composer/pianist Brad Cox, and the ensemble, Alaturka.

Jeff Harshbarger, was voted Kansas City’s Best Bassist by Pitch Magazine in 2007, has ecorded and performed across the globe with such varied groups as Jacob Fred Jazz Odyssey, Bobby Watson, Curtis Fuller, Forever Tango, Eugene Chadborne, Mitt Abel, Tango and dozens more. He is the curator of Jeff Harshbarger Presents: An Alternative Jazz Series, promoting new improvised music in Kansas City.

The Bach Aria Soloists: Elizabeth Suh Lane, Beau Bledsoe, and Jeff Harshbarger perform Tango music LIVE in our 90.1 FM studios. And we’ll talk with these amazing musicians about their upcoming concert, “A Night of Tango,” on April 27, at 8:00 PM at HELZBERG HALL, in The Kauffman Center For the Performing Arts. The show highlights the rich music of Astor Piazzolla and his Piazzolla quintet, with legendary Tango master Héctor Del Curto.

10. Bach Aria Soloists: Elizabeth Suh Lane, Beau Bledsoe, & Jeff Harshbarger – “Libertango” (Live)

11. Bach Aria Soloists: Elizabeth Suh Lane, Beau Bledsoe – “Bordel 1900” (Live)

11:30 – Underwriting

11:32

12. Lyal Strickland– “Every Time It Starts To Rain”
from: Balanced On Barbed Wire / Independent / 2013
[From Buffalo Missouri]

[Lyal Strickland plays Knuckleheads Saloon, 2715 Rochester Ave, KCMO, Thurs, April 25, at 7:30pm]

13. Diana Krall – “We Just Couldn’t Say GoodBye”
from: Glad Rag Doll (Deluxe Edition) / Verve Music Group / Oct. 27, 2012

[Diana Krall plays The Midland Theatre, Wednesday, May 1, at 8:00pm.]

14. Tim Coons – “Envy”
from: The Deadly Sins and Beatitudes / Tim Coons / Oct. 8, 2008
[Born in Hutchinson, Kansas, Tim Coons in now based in Greely, Colorado.]

11:35 – Interview with Judith Levy

Artist & Filmmaker, Judith Levy was the recipient of the Artopia, Visual Artist of the Year, by The Pitch Newspaper, 2012. Her work has been presented in multiple galleries in Kansas City as well as Indianapolis, Minneapolis, Chicago, and Winnipeg to name a few. Her 2012 video “On The Seventh Day” was sceened at film festivals across the country including the Kansas City Gay & Lesbian Film Festival. Judith joins us to discuss her new film, “NV in KC,” a community filmmaking project funded by an Andy Warhol Foundation Rocket Grant Award. The film takes place in the vibrant art world of present-day Kansas City. The film will have it’s premiere Thursday May 2, at the Tivoli Cinema in Kansas City, and on May 9, at the Lawrence Arts Center, in Lawrence, Kansas. More info at: nvinkc.com or judithglevy.com.

“NV in KC” combines performers and actors playing fictional characters in scripted scenes with real life documentary interviews conducted by you with notable arts leaders.

11:40

15. Audio Clip #2 from “NV in KC” Jealousy Vs. Envy – Erin McGrane (:35)

16. Audio Clip #3 from “NV in KC” Featuring Julian Zugazagoitia (1:04)

Well-known local performers, and notable arts leaders appear in the film: De De DeVille, Carol Holstead, Judith G. Levy, Erin McGrane, Shannon Michalski, Garry Noland, Jaimie Warren, Rachael Cozad, Saralyn Reece Hardy, Sherry Leedy, Raechell Smith, Julian Zugazagoitia. How did you find the cast?

The film is a diary-like tale about artist Lee J. Ross’ (played by Judith Levy) efforts to come to terms with her own envious feeling and those of her friends.

Kansas City’s May 2nd Tivoli Screening is SOLD OUT!

May 9, 2013 at 7:00 pm, At The Lawrence Art Center, 940 New Hampshire St. Lawrence, KS., (785) 843-2787

A community filmmaking project funded by an Andy Warhol Foundation Rocket Grant

NV in KC: a story about artists and envy in Kansas City is a humorous and probing film set in the vibrant art world of present-day Kansas City. Well-known, local performers and notable arts leaders star in this diary-like tale about artist Lee J. Ross’ efforts to come to terms with her own envious feeling and those of her friends. Invented narrative is blended with documentary-like interviews to tell a story that was filmed in Lawrence and Kansas City and captures the complexity of a challenging emotion.

The film was made possible through the support of the Charlotte Street Foundation and Spencer Museum of Art.

11:45

17. Audio Clip from “NV in KC” Success & Failure: Saralyn Reece Hardy(1:25)

“NV in KC” will have it’s premiere Thursday May 2, at the Tivoli Cinema in Kansas City, and on May 9, at the Lawrence Arts Center, in Lawrence, Kansas. More info at: nvinkc.com or judithglevy.com

11:59:30

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Sources for notes: artist’s websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #470