WMM Playlist from August 12, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 12, 2020

Calvin Arsenia + Cuee + Greenline Grows KC
+ Nathan Reusch + New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

2. Scott Hrabko & The Rabbits – “Last Dance”
from: Last Dance EP / Scott Hrabko / August 7, 2020
[Scott Hrabko calls this new EP release a “bit of a departure …” Scott writes on his bandcamp page: “For some time now, ideas for dance/experimental rhythms have been knocking (in syncopation!) on the doors of my dreams, with a growing sense of urgency. Eventually I had no choice but to heed the call, so I got busy and recorded this EP. In this time of social distancing I played all of the Rabbit parts except as noted below, with my friends, Chris Tady (in person, pre-pandemic) and Jason Beers (via remote). My son, Sam Hrabko created the beautiful image on the cover. Chris Tady on lead guitar on “45 Spiders,” Jason Beers on slide guitar on “Last Dance,” all other sounds and utterances by Scott Hrabko. Produced by Scott Hrabko. Mastered by Mike Nolte at Eureka Mastering – Portland, OR. Earlier this year Scott Hrabko released the singles “Free” on August 7, and “Dog In The Backyard” on April 3, 2020. These singles followed the single “Pretty Good Day,” released November 2, 2019. Scott Hrabko released the EP Smash Hits From A Parallel Universe, on February 14, 2019, with Scott Hrabko on lead vocals, backing vocals, acoustic 6 and 12 string guitar, electric guitar, keyboards, & percussion; Jason Beers on bass guitar; Tim Higgins on drums, Marco Pascolini on junior electric guitar. Scott called this release: 4 songs for the new age of anxiety. Scott Hrabko & The Rabbits released the albums: “Summer,” in 2017, and “Biscuits and Gravity” in 2015. Scott Hrabko’s 2013 critically acclaimed solo release, “Gone Places” was said to be 30 years in the making. Singer-songwriter Scott Hrabko has played with KC’s oldest garage band The Original Sinners, as well as various incarnations of the 1980s bands: The Splinters, and The Andersons. In the early 1990s Scott performed as a solo artist in coffee houses with Iris Dement and Howard Eisberg. More info at: http://www.scotthrabko.com]

3. Kemet Coleman – “Black Is Beautiful”
from: Black Is Beautiful / Kemet Coleman / August 1, 2020
[Crane Brewing, partnered with rap artist, urbanist and beer lover, Kemet Coleman for their latest brew, Black is Beautiful, highlighted by a musical release, also called Black is Beautiful, written and performed by Coleman. The new Imperial Stout, part of the Black Is Beautiful initiative created by Weathered Soul’s Brewing, will be released in cans and sold at liquor stores in Missouri, Kansas, Iowa and Nebraska starting August 1, 2020. All proceeds will be donated to G.I.F.T (Generating Income for Tomorrow), a Kansas City-based non-profit with a goal to provide grants to Black owned businesses in Kansas City, with a specific interest in businesses that operate in low income areas. Music written, composed and produced by Kemet Coleman except for COLLECTION PLATE which is produced by Sharif Thomas. Kemet Coleman is a Kansas City based musicians and is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet is known for his unprecedented collaborations with UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. Earlier this year Coleman contributed his song, “The Virus” to the compilation, Kansas City Syzygy, music created by over 25 Kansas City-based musicians in the middle of the map of a pandemic. “The Virus” is his comment on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home came together. More info at: http://www.kemetcoleman.com]

[Kemet Coleman and his band The Phantastics play Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, and more!]

4. Krystle Warren & The Faculty – “Climbing Out (feat. Teddy Thompson)”
from: Love Songs – A Time to Refrain from Embracing / Parlour Door Music / April 9, 2012 UK]
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, who gave her a one way ticket to France. Krystle moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world on tours with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle left Because Music and created, Parlour Door Music, to release “Love Songs: A Time You May Embrace / A Time to Refrain from Embracing” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. In 2019 The Kansas City based Owen/Cox Dance Group premiered a new dance piece titled “Love Songs” with choreography by Jennifer Owen, set to all 24 songs, in the order they appear in the double album recording, that Brad Cox originally worked on as an arranger and keyboardist. Krystle Warren has collaborated with Erykah Badu, Keziah Jones, Zap Mama, Rufus Wainwright and Martha Wainwright, Brad Cox Amadou & Mariam, Lakecia Benjamin, Guarco, Teddy Thompson, Gwyneth Herbert, Hercules & Love Affair, and Joon Moon. Along with being included in the compilation “NYC Subway – Songs from the Underground,” and tribute recordings for Kate McGarrigle, and Nick Drake, Warren has released the EP “Diary” on May 1, 2007; “The Up Series – EP” on November 10, 2008; “Circles” her 13-song full length on March 13, 2009; “A Time To Keep – Love Songs EP”, on August 12, 2011, The double album 24-song “Love Songs” released on vinyl in Europe on April 9, 2012 and as separate digital and CD albums in the U.S. as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015; Krystle released “Three the Hard Way” on August 18, 2017; and the new single “Rising”was released May 31, 2019.]

[Krystle Warren plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

5. Kris Delmhorst – “The Horses”
from: Long Day In The Milky Way / Kris Delmhorst / August 14, 2020
[Kris Delmhorst is an American singer-songwriter and musician. Originally from Brooklyn, New York, United States, she now lives in Western Massachusetts, is an active member of the Boston folk scene, and tours internationally. She has released nine full-length solo albums and two EPs on Signature Sounds Recordings. Delmhorst released Appetite, her first album, in 1998, the same year she was involved in producing the Respond compilation, a fundraiser for domestic violence groups. It included her song Weatherman. In 1999, she released a live album with The Vinal Avenue String Band, consisting of herself, Sean Staples, and Ry Cavanaugh. Her second solo album, Five Stories, was released in 2001 and was well received. In 2005, Delmhorst, Jeffrey Foucault, and Peter Mulvey released an album entitled Redbird. The trio released a live album in 2011. In 2006, Delmhorst took the words of poems by writers such as Lord Byron, George Eliot and Edna St. Vincent Millay, and set them to original music.[4] Delmhorst released Shotgun Singer in 2008, a collection of original recordings noted for its artistic vibe, instrumentation and alternative aesthetic, compared to previous recordings that focused more heavily on vocals and lyrics. In 2011, Delmhorst gathered instrumentalists and singers from across the Boston/Cambridge music scene, including The Cars’ keyboardist Greg Hawkes, to record a covers album dedicated to music by the new wave band The Cars. Delmhorst’s seventh album, Blood Test was released on Signature Sounds on May 13, 2014. It is her first of original music since her 2008 album Shotgun Singer. Delmhorst has recorded vocals, fiddle and cello on over 50 albums from artists such as Peter Wolf, Mary Gauthier, Chris Smither and Lori McKenna. Delmhorst is married to fellow singer/songwriter Jeffrey Foucault, with whom she had a daughter in 2008.[9] She occasionally performs as part of the collective Redbird with Foucault and Mulvey.]

6. Indigo Girls – “K.C. Girl”
from: Look Long / Rounder Records – Concord / April 24, 2020
[15th studio album by American folk rock duo Indigo Girls. The Indigo Girls recorded the album with previous collaborator John Reynolds. Tour dates were postponed due to the COVID-19 pandemic in the United States but the duo performed a series of weekly live-streamed concerts online to raise money for charity as well as promote this release. These events were accompanied by a question and answer session and audience requests for performances. They also performed at a virtual festival of musicians raising money for the United Nations Foundation on Mother’s Day, 2020. Indigo Girls are an American folk rock music duo from Atlanta, Georgia, consisting of Amy Ray and Emily Saliers. The two met in elementary school and began performing together as high school students in Decatur, Georgia, part of the Atlanta metropolitan area. They started performing with the name Indigo Girls as students at Emory University, performing weekly at The Dugout, a bar in Emory Village. They released a self-produced, full-length record album entitled Strange Fire in 1987, and contracted with a major record company in 1988. After releasing nine albums with major record labels from 1987 through 2007, they have now resumed self-producing albums with their own IG Recordings company. Outside of working on Indigo Girls–related projects, Ray has released solo albums and founded a non-profit organization that promotes independent musicians, while Saliers is an entrepreneur in the restaurant industry as well as a professional author; she also collaborates with her father, Don Saliers, in performing for special groups and causes. Saliers & Ray are both lesbians and active in political and environmental causes.]

7. Gemini Revolution – “Pure Air”
from: Supernova Remnant / Kosmic City Records / August 6, 2020
[Dedric Moore on synthesizer, bass, drum programming, dub guitar; Delaney Moore on synthesizer, Krystof Nemeth on baritone guitar on 4, 5, and 6; Mikal Shapiro on lead vocal on 6; Teri Quinn on backing vocal on 6; Alexander Thomas on drums on 6. An alternate timeline side of Monta at Odds. Gemini Revolution explores the dark ambient side of sonic space exploration digging deep into sounds from beyond slowly enveloping everything it comes into contact. Set your controls to the heart of the supernova. Gemini Revolution finds brothers Dedric and Delaney veering from their duties in Monta At Odds and into the uncharted star-field. Their album Supernova Remnant yields expansive results — kosmiche tones and analog textures blending into an intense brand of ambient extraction. Throughout Supernova Remnant, Gemini Revolution masterfully execute a push/pull effect with layers of sound, planting a feeling of time’s motion stuck in place. The opening “Slow Stars” sets up the project, inspired by a challenge from fellow 8Di’er San Mateo and morphing into a blossoming 17 minutes that surround in a sonically colorful haze. From there, Supernova Remnant tours the sizzling remains of celestial objects, with Dedric and Delaney’s intertwined instrumentation guiding the way. Krystof Nemeth, of darkwave band Emmaline Twist, supplies his remote ‘baritone guitar’ on a few key tracks. And drummer Alexander Thomas and vocalists Mikal Shapiro and Teri Quinn appear for the epic finale, “Children of Collisions.” Together the six tracks complete Gemini Revolution’s orbit, floating through the darkness as a cosmic whole. Listen as Supernova Remnant traces the distance of imagination. More info at http://www.kosmiccity.com]

8. Mikal Shapiro & The Musical – “The Distance of Elements”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[The Musical is Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Recorded separately and with social distancing. Mikal Shapiro released her critically acclaimed album The Musical II on May 26, 2018 which included “Everybody’s Baby” her pop song she wrote that got a lot of radio play, but all the songs on The Musical 11 are great. The Musical II is the sequel to Shapiro’s 2015 concept album, “The Musical.” Along with Mikal Shapiro, Chad Brothers, Johnny Hamil and Matt Richey, special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union // Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastered by J Ashley Miller, designed by JC Franco, with compilation direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in April of 2020. The album can be purchased from Bandcamp. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

10:29 – Underwriting

9. Soultru – “We”
from: “We” – Single / The Record Machine / January 31, 2020
[One of several singles Soultru has released this year incuding “Come & Gone” released April 10, 2020. Vocals by Terrance Banks. Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little. Soultru released the single “Must Be” on August 24, 2019. More info at: http://www.soultrumusic.com]

Nathan Reusch

10:36 – Interview with Nathan Reusch

Nathan Reusch is founder of The Record Machine, a homegrown record label started in 2003. Originally created to promote music from Kansas City & Lawrence, TRM has grown to turnout records from bands all across the country. Nathan is also co-founder & curator of the Middle of The Map Fest, and Sound Machine KC. You can learn about all of their bands and more details at http://www.therecordmachine.co

Nathan Reusch joins us to share the new single from The Fey. The Fey play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 14, at 7:00 PM, with Black Light Animals, and The Freedom Affair.

Nathan Reusch, Thanks for being with us on WMM.

Current Record Machine Releases:

Soultru

Soultru – “Must Be” – single, released August 24, 2019. Soultru is Terrance Banks, a singer, songwriter, poet and emcee, and native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little. Soultru released the single “Must Be” on August 24, 2019.

The Noise FM

The Noise FM – “Cooler Heads Prevail” / “Who’s Watching Who?” – single, released July 24, 2020. The Noise FM play melodic, beat-driven indie-rock. Sometimes the tunes get really loud with fuzzed out synthesizers and gnarly riffs. Other times, it gets quieter — all grooves and sexy vibes. Regardless of the volume, people tend to dance. Brothers Alex & Austin Ward formed The Noise FM in Lawrence, Kansas. After 9 years in Chicago, the band relocated to Los Angeles in 2019. The band released their 10 song album Attraction on January 28, 2014. The band released Hot Sauce: The Noise FM Live from recordBar on December 9, 2016. They released their 6-song EP Enclave on May 14, 2010. The band released Dream of the Attack on October 1, 2008. They released their 16 track Night of the Sentinels on January 1, 2007. Alex & Austin Ward are also members of the band Hembree.]

The Republic Tigers – Mind Over Matter, album, released June 5, 2020. Hailing from Kansas City, MO, The Republic Tigers spike their lushly orchestrated indie rock with organic and synthetic elements. Founder Kenn Jankowski originally moved to Kansas City in 1999 and began playing guitar for The People, a band that later changed its name to The Golden Republic (Astralwerks Records). He also made fast friends with local musicians Ryan Pinkston and Adam McGill; and when The Golden Republic disbanded seven years later, he opted to launch his pop-based project with the other two multi-instrumentalists. Taking their name from Jankowski’s high school mascot, The Republic Tigers expanded their lineup with bassist Marc Pepperman and drummer Justin Tricomi. Electronic structures remained to play an important role in their music (via convenience/sensible creation-farming/forming), and the band issued a self-titled EP in late 2007 before putting the finishing touches on Keep Color, which arrived in 2008. Then there was a cool EP in 2011 titled “No Land’s Man” which featured the emo smash hit “The Infidel” and the extremely fun “Merrymake It With Me”. And then a second concept LP was concocted, “Mind Over Matter” – written from the year 2008 to the year 2011. Mixed and mastered in the year 2012. But then it was sadly shelved by the original labels until finally being released on hometown indie label The Record Machine in 2020.

Sally Haze

Sally Haze – “All That Matters” – single, released May 15, 2020. You might think this Chicago act was a solo artist, but it’s actually the project of trans-continental couple, Jess and Will Wright; the name is a sly literary reference. Jess, born and raised in Chicago, and Will, born in Leeds, England began writing and recording as Sally Haze in their home studio in 2019. Their goal is to create music that blurs the lines between Dream Pop, Shoegaze, and Neo-Psychedelia while maintaining pop sensibilities with a heavy focus on rhythm and melody. Their DIY attitude leads them to make music they enjoy listening to as much as it was fun to play. Their new EP, Wet Dream not only picks up where the couple left off, but shows growth too. The five tracks on Wet Dream are dream-pop songs that make you want to dance. They are bombastic, yet still find a way to be ethereal. Most of the songs on the EP were written drums and bass first, with guitars and vocal melodies fleshed out afterwards. Their debut EP, Dining Room, was praised by critics. It was included in the Uproxx ‘Best of Bandcamp November 2019′ list, and the duo was named Chicago Artist of the Month by the Deli. Wet Dream will be released in the summer of 2020.

Pala Zolo

Pala Zolo – “You Can’t” – single, released April 17, 2020. Pala Zolo is the instrumental electronic project of Lawrence, KS musician Eric Davis. In Pala Zolo, Davis blends synthesizers and drum machines with live instruments to create his blend of cinematic pop music. He chose the name to pay homage to his Sicilian heritage by naming the project after a small Sicilian village he spent time in while studying abroad in Italy. Pala Zolo allows Davis the full freedom to experiment in ways that are a departure from his main gig as the keyboard player in buzzy up-and-coming rock band Hembree (Thirty Tigers, Oread Records). // The inspiration for Pala Zolo came from a chance meeting with fellow electronic musician, Tycho’s Scott Hansen. One day while working at The Granada Theater in Lawrence, Davis was given the job of being Hansen’s driver. For years Davis had been writing and recording his own demos and was completely unsure of what to do with them. After spending the entire day with Hansen and seeing him perform, Davis realized he could bring his incomplete ideas to life in his own unique way. Seeing an instrumental band perform such an emotionally charged set inspired Davis to finish his songs without traditional vocals and to begin creating his own sound in that genre. // Soon after, Davis set forth to finalize the recordings with his good friend and producer Joel Martin (Y god Y). The two of them spent countless hours experimenting with synthetic and acoustic textures to create perfect soundscapes to compliment Davis’ intricately arranged compositions. In 2018, Davis self-released singles House Plant & 40K, and continued to take Pala Zolo to another level by performing live with drummer Gerardo Rojas.

The Fey

The Fey – “Tear It Off” – single, released August 7, 2020. The Fey is an Alternative R&B band, was formed by singer, songwriter, and producer Zach Watkins. While the infrastructure of the group’s style and sound is developed by Watkins, it is made complete by instrumentalists Michael Rogers (lead guitar), Ludwing Siebenhor (rhythm guitar), and John Fucinaro (bass). Evolved from the rock-soul project formally known as, AZP, and after years of arranging, composing, and performing under the former brand, Watkins felt destined to shape things back to his original design to produce modern music with a retro vibe. Since his jazz percussion studies at Berklee College of Music, Watkins has created music for and with artists of various genres, while crafting what he considers the ideal blend of sound and style that is now The Fey. This style holds true to the genres of pop and hip-hop with head-nodding breakbeats and hypnotizing bass lines that are the foundation of The Fey’s records. “Growing up, my father loaded the house with gospel and soul albums,” says Watkins, “but it was the culture of hip-hop that pulled me under its wing outside of the home. It was the best of both worlds.” Those classic soul and gospel tunes are where Watkins gives vocal credit. The Fey’s gripping connection between soulful-bluesy vox and modern-vintage instrumental continues to entice music enthusiasts of all sorts. With singles like “Contender” and “Tear It Off”, the band fervidly builds the strong rhythm section and surrounds Watkins’ expressive melodies with classic tones of guitar and synth, giving The Fey an edgy “rock star” aura. These anthem-esque vibes are funky, moody, and heavy, all under one roof. Lyrically, Watkins describes The Fey message as the voice of the underdogs, like “a stray wolf drifted away from the pack, embracing his own path through peaks and valleys.” Though the sensible ebb and flow of Zach’s personal life may set the band’s lyrical tone, The Fey is no underdog to a live performance. Rooted from numerous awards and achievements – six regionally recognized tours, including more than ten unofficial showcases at SXSW, as well as various performances for blog, radio, and television – The Fey has a reputation for rocking the stage. Since the release of their 2018 EP, Strawberry Lemonade, The Fey continues to make strides alongside their Kansas City-based indie record label, The Fey’s debut full-length LP, Palm Tree Shade, is to be released.

Nathan Reusch, Thanks for being with us on WMM.

10:45

10. The Fey – “Tear It Off (Radio Edit)”
from: Tear It Off- Single / The Record Machine / August 7, 2020
[New single that follows their last single, “Lost In My Head” released August 2, 2019, that followed the band’s July 13, 2018 EP Strawberry Lemonade. The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 14, at 7:00 PM, with Black Light Animals, and The Freedom Affair. More info at http://www.therecordmachine.co]

Betse & Clarke

11. Betse & Clarke – “Who By Fire”
from: Winter / Betse & Clarke / June 4, 2020
[A collection of songs and tunes, original, traditional, fiddle, and modern songs re-envisioned. This recording was compiled during winter 2020, with a feeling of introspection. Songs under copyright were properly licensed for this digital release. Regular folks, exceptional music: This duo from the heartland (Kansas City, Missouri) has its roots in Ozark old time music, honoring traditional songs and tunes that resonate with human experience. New compositions add compelling elements to their musical tapestry. Follow up to the duo’s 2017 release, Tunes We Like released only in analog on cassette. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” http://www.betseandclarke.com]

12. Jamila Woods – “SULA (Paperback)”
from: SULA (Paperback) – Single! / Jagjaguwar / August 6, 2020
[Woods has released a new song written under the premise of her 2019 album Legacy Legacy, this time inspired by the late Toni Morrison. “SULA (Paperback)” is based on Morrison’s 1974 novel of the same name, and honors both the author and her literary characters. Listen to it below. In a press release, Jamila Woods stated: “Sula was the first Toni Morisson novel I ever read and it inspired the first chapbook of poems I ever wrote. The novel shows the evolution of a friendship between two Black women and how they choose to navigate society’s strict gender roles and rules of respectability. On Sula, Toni Morrison wrote, “Living totally by the law and surrendering totally to it without questioning anything sometimes makes it impossible to know anything about yourself.” Last year Jamila Woods released her second album Legacy Legacy on May 10, 2019. and it was part of WMM 119 Best Recordings of 2019. From Pitchfork: “On LEGACY! LEGACY!, Woods celebrates 12 of her heroes, along with the cultural lineage they have created for her. Each track is named after a forebear, like a single lit candle to their altar. Several are immediately recognizable in their pop-culture ubiquity, including “EARTHA,” “BASQUIAT,” and “MILES.” Others are less known: “GIOVANNI” and “SONIA” nod to the poets Nikki Giovanni and Sonia Sanchez, who’ve written grandly and compassionately about women of color. For many tracks, Woods pored over past interviews with her subjects to further get into their minds; in some cases, they were artists she’s taught to her mentees at the literacy nonprofit Young Chicago Authors, where she is the Associate Artistic Director. (Ever the teacher, she is including a bibliography of her research in the album’s liner notes.)” from Jamila Woods who was born October 6, 1989, and is a Chicago-based American singer, songwriter and poet. Woods is a graduate of St. Ignatius College Prep and Brown University, where she received a BA in Africana Studies and Theater & Performance Studies. Her work focuses on themes of Black ancestry, Black feminism, and Black identity, with recurring emphases on self-love and the City of Chicago. In 2012, Jamila Woods published her first chapbook, entitled The Truth About Dolls. Her work can be found in the anthologies The Breakbeat Poets: New American Poetry in the Age of Hip-Hop (2015), Courage: Daring Poems for Gutsy Girls (2014), and The UnCommon Core: Contemporary Poems for Learning & Living (2013). Her influences include Lucille Clifton, Gwendolyn Brooks, Toni Morrison, and Frida Kahlo. Woods was also one of three editors of The Breakbeat Poets Volume II, entitled Black Girl Magic. The 2018 publication is an anthology of poetry by contemporary Black women, “exploring themes of beauty, unapologetic blackness, intersectionality, self-definition, and more.” Woods is the Associate Artistic Director of Young Chicago Authors (YCA), an organization in the Chicago dedicated to uplifting youth voices through arts education and mentorship. Through YCA, Woods helps to organize Louder Than a Bomb, the world’s largest youth poetry slam festival. She also facilitates poetry workshops and creates curriculum for Chicago Public Schools. She is widely known for her collaborative works with Chance the Rapper on the hit song “Sunday Candy” from the album Surf as well as “Blessings” from Coloring Book. Woods is also featured on the Macklemore & Ryan Lewis song “White Privilege II”. In January 2016, Woods signed to Chicago’s independent hip-hop label, Closed Sessions. Jamila released her debut album HEAVN on July 11, 2016 to critical acclaim. The album features collaborations with Chance the Rapper, Noname, Saba, Lorine Chia, Kweku Collins and Donnie Trumpet.]

13. Duncan Burnett – “You Agree?”
from: One of Those Days – EP / R.I.O.T LLC / April 10, 2020
[Olathe, KS based hip hop artist, singer, songwriter, producer, musician, drummer. From Tim Finn’s Back To Rockville(KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. Burnett has been performing live since he was 7. Live music, he said, is in his blood. Follow up to his 2018 EP The Almighty.]

11:00 – Station ID

Calvin Arsenia

14. Calvin Arsenia – “Dying”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[Produced by Tony Braunagel with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names: Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers. “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Clvin released his full length Christmas album “all is calm.”]

[Calvin Arsenia who plays a Live Stream Event, Friday, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.]

Calvin Arsenia

11:04 – Interview with Calvin Arsenia

Since 2014 WMM has celebrated Calvin Arsenia who came home to KC after living in Edinburgh, Scotland. His EPs: Moments, Prose, Catastrophe, Caviar, and full length, Catastrophe led to his signing with Center Cut Records where he released the album Cantaloupe in 2018, and L.A. Sessions in 2019. Calvin released an EP of remixes, Honey Dew, an EP with Quixotic, and the holiday album, All Is Calm, also in 2019. Voted KC’s Best Musician in 2018 and 2019 in The Pitch, and featured on Billboard, NPR.org, NEWNOWNEXT, Pride.com, and GRAMMY.com, Arsenia’s classically trained voice, visually striking 6-foot-6 presence, and deft harp playing have built his reputation as a live performer. Arsenia believes the art comes from crafting the perfect moment, organically unfolding with beauty, surprise, and something for all of the senses. More info at http://www.calvinarsenia.com

Calvin Arsenia plays a Live Stream Event, Fri, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.

Calvin Arsenia plays a Center Cut Records Showcase at Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, August 29, at 7:00 PM, with The Black Creatures. More info at: http://www.centercutrecords.com

Calvin Arsenia, Thanks for being with us on Wednesday MidDay Medley

Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond.

His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life.

Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’

Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.”

On September 15, 2018 Calvin released Cantaloupe on Center Cut Records.

Calvin released L.A. Sessions September 20, 2019 on Center Cut Records

Calvin Arsenia – Honeydew / Center Cut Records / June 28, 2019
[On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. This new EP is a remix of three of the songs from Cantaloupe, plus a Talking Heads cover that was performed live in this style at a New Year’s Eve show at The Truman opening for Making Movies who performed the entire Talking Heads album, Remain in Light. The last three songs on Honeydew were from performed in this style at The Nelson Atkins 2019 event “Party Arty.” Honeydew was produced by Jametatone, Simon Huntley, Calvin Arsenia.

Quixotic & Calvin Arsenia – “Goddess – EP / Quixotic / May 17, 2019
[An innovative performance art collective that fuses imagination with technology, dance, projection, mapping and live music to create fully-immersive, multi-sensory experiences. Quixotic harnesses light, rhythm and expressive emotion. Quixotic was given Silicon Valley’s unofficial stamp of genius when they were invited to perform at the global TED Conference in 2012. A unique blend of performance art, technology and emotion. Quixotic fuses all these elements in to what the New York Times branded an “innovative circus performance,” and Men’s Journal declared “one of the best contemporary [cirque] acts.” They have performed for audiences worldwide and have helped launch brand products for companies such as BVLGARI, Faena Hotels, Garmin, HP, Smithsonian and Toyota. Quixotic harnesses light, rhythm and expressive emotion.] [Quixotic presents Sensatia, Cirque Cabaret, through Dec. 28 at 2450 Grand Blvd, 301 Kansas City

Calvin Arsenia – all is calm / Calvin Arsenia. / December 13, 2019
[Arsenia’s dreamlike whimsy shimmering through your favorite Christmas Classics. All proceeds for this album go towards the purchase of Calvin’s first harp. Featuring: Ben Muñoz on Cello, Shane Borth on Violin and Voila, and Luke “Skippy” Harbur on Beatbox. Mastered by Jametatone at the Infoaming Vertex and special thanks to Simon Huntley. Calvin wrote: “I recorded the majority of this album in my bedroom in between flights to and from KC and SF. I had my nephews and friend’s kids in mind and wanted an album of Christmas lullabys. I think it became just a little more sassy than anticipated, but I think you’ll enjoy it regardless.

Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.

A slice of Calvin’s Shows from 2019 to 2020…

[Calvin Arsenia played Tristian Griffin’s Palimpsest, Thur, June 13 at 7:00 PM & Fri, June 14 at 11:00 PM at Capsule, Charlotte Street Foundation’s new multi-room installation event space, 1664 Broadway Blvd, KCMO. the collaborative multi-media interactive art performance, features award-winning poet Glenn North, and original music by Calvin Arsenia and Pheenix Leeor]

[Calvin Arsenia appeared with The Mike Dillon Band opening for Rickie Lee Jones, Sun, June 16, at Crossroads KC, 417 E. 18th St, KCMO, 8:00 PM. Mike Dillon co-produced R.L.J. new KICKS.]

[Calvin Arsenia played INTER Relation>ship w/ Jade Osborne, Wed, June 19, 7:00 PM at Washington Square Park, 100 E. Pershing Rd, KCMO.]

[Calvin Arsenia played Briarfest, June 21, at Briar Cliff, 4100 N Mulberry Dr, KCMO.]

[Calvin played Crossroads Fashion Show]

[Calvin Arsenia played Bad in Bed LIVE Aug 22 – Aug 24, 8:00 PM at recordBar]

[Calvin Arsenia played The Sextet Album Release for Among Friends, Sept 15, at recordBar]

[Calvin Arsenia played Home for the Holidays with Calvin Arsenia & Friends Friday, December 13, at 7:00 PM, at Second Presbyterian, 318 E 55th St]

[Calvin Arsenia played Center Cut Records Holiday Party, Wednesday, December 18, at 7:00 recordBar with Fritz Hutchison, and The Black Creatures.]

[Calvin Arsenia played a New Year’s Eve show at Crossroads Hotel 2101 Central St., KCMO., Tuesday, December 31, at 9:00 PM with Quixotic, and DJ Marvin Gardens & DJ House of Dante.]

[Calvin Arsenia played Olathe Indian Creek Library, Olathe, KS, on Sunday, January 5.]

[Calvin Arsenia opened for Krystle Warren & The Faculty LIVE at Rough Trade NYC, 64 N 9th St, New York, New York, Saturday, Jan 10, 2020 at 8:00 PM.]

[Calvin Arsenia played Woody Guthrie Center, Oklahoma, February 21, 2020]

[Calvin Arsenia played Carpenter Square Theater, on Oklahoma City, February 23, 2020]

All of these shows ended in March at COVID-19 Quarantine began and music venues closed down. Calvin spent the first 2 months of Quarantine doing banjo and ukulele classes, live streaming shows, visual zoom gatherings.

Calvin Arsenia

We are talking with Calvin Arsenia who plays a Live Stream Event, Friday, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.

Calvin Arsenia plays a Center Cut Records Showcase at Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, August 29, at 7:00 PM, with The Black Creatures. More info at: http://www.centercutrecords.com

The Black Lives Matter Movement has had a great effect on Calvin Arsenia.

Calvin’s great, great, great grandmother Alice Gilliam Scott, was former slave who observed her 100th birthday.

11:14

15. Calvin Arsenia – “Revelation”
from: “Revelation” – Single / Calvin Arsenia / August 12, 2020 (Un-released) New Song

Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist.

In 2020 Calvin was able to purchase a new harp

Calvin Arsenia will be participating in The West 18th Street Fashion Show’s 20th year as i a feature-length film. “We are moving it from the street to the screen,” says Peregrin Honig to inkansascitymagazine. “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The evening of October 16th at The Boulevard Drive-In will be the debut of the director’s cut of “Summer in Hindsight,” which Peregrine is currently working on with Justin Gardner,” Honig says. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.”

Calvin Arsenia, Thanks for being with us on Wednesday MidDay Medley

11:25

16. Calvin Arsenia – “River”
from: all is calm / Calvin Arsenia. / December 13, 2019
[Step into Arsenia’s dreamlike whimsy shimmering through your favorite Christmas Classics. All proceeds for this album go towards the purchase of Calvin’s first harp. Featuring: Ben Muñoz on Cello, Shane Borth on Violin and Voila, and Luke “Skippy” Harbur on Beatbox. Mastered by Jametatone at the Infoaming Vertex and special thanks to Simon Huntley. Calvin wrote: “I recorded the majority of this album in my bedroom in between flights to and from Kansas City and SF. I had my nephews and friend’s kids in mind and wanted an album of Christmas lullabys. I think it became just a little more sassy than i had anticipated but I think you’ll enjoy it regardless. Most of you may not know that I actually do not own a harp. 😮The ones you’ve seen me play over the past ten years have all been on loan. Donations for this album will go towards the purchase of my very own orchestral harp.”

[Calvin Arsenia plays a Live Stream Event, Friday, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.]

[Calvin Arsenia plays a Center Cut Records Showcase at Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, August 29, at 7:00 PM, with The Black Creatures. More info at: http://www.centercutrecords.com]

11:30 – Underwriting

17. Cuee – “Shook (2020 Remix)”
from: Shameless / Cuee / November 23, 2018
[Originally from Chicago, Illinois, Cuee is a 27 year old Lawrence based hip-hop artist emcee, and educator. In the last 5 years Cuee has wowed audiences for his critically acclaimed releases and live performances. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release an new album titled, “Gospel.” Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a recently graduate of Artist Inc. ]

[Cuee plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

Cuee

11:36 – Interview with Cuee

Originally from Chicago, Illinois, in the last five years 27 year old Lawrence based hip-hop artist Cuee has wowed audiences in Lawrence and KC with his critically acclaimed musical releases and live performances. Cuee exhibits an energetic and fun, yet smooth and motivational edge to his style of music. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper, one could see why his storytelling essence fuses with harmonic flows. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release a new album titled, “Gospel.” Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a graduate of Artist Inc.

Cuee Thanks for being with us on Wednesday MidDay Medley

Cuee plays, Greenline Grows KC – Benefit for The Greenline Initiative, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altor, Stephonne Singleton, Krystle Warren, They Call Me Sauce, and The Phantastics. The evening will be centered around Black stories & voices, highlighting Black excellence in KC, and will also include non-Black performers & leaders who will speak on privilege, solidarity, and the importance of our black community members. The Greenline Initiative is a Black family-owned organization that uses crowdsourcing to help historically marginalized and low income populations buy and renovate the houses they rent. Based in KC’s 3rd District, the initiative builds permanent community. http://www.thegreenlineinitiative.com

Cuee is Mar’quis Wright

On August 4 Cuee announced on Facebook that “the judge approved (his) name change order…It’s official y’all…Mar‘Quis or ‘Quis for short (Kiese)”

27 year old Lawrence based hip-hop artist emcee, and educator. Cuee has gained fans over the last five years in Lawrence and Kansas City for his critically acclaimed musical releases and live performances.

On November 28, 2018 Cuee released the 10-track album Shameless.

Originally from Chicago, Illinois, where Cuee’s father still lives.

Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas where Cuee worked as a graduate assistant.

Cuee is also a recently graduate of Artist Inc.

Cuee has a passionate drive for everything hip-hop. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper,

Cuee is currently working to release a new album titled, “Gospel.”

Follow Cuee @cueemusic everywhere | http://www.officialcuee.com .
IG: @cueemusic
Twitter: @cueemusic
SoundCloud: https://soundcloud.com/cueemusic

CUEE Thanks for being with us on Wednesday MidDay Medley

11:48

18. Cuee – “Who’s Back”
from: Who’s Back – Single / Cuee / August 12, 2020
[Originally from Chicago, Illinois, Cuee is a 27 year old Lawrence based hip-hop artist emcee, and educator. In the last 5 years Cuee has wowed audiences in Lawrence and KC for his critically acclaimed musical releases and live performances. Cuee exhibits an energetic and fun, yet smooth and motivational edge to his style of music. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper, one could see why his storytelling essence fuses with harmonic flows. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release an new album titled, “Gospel.”Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a recently graduate of Artist Inc. ]

[Cuee plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

Black Light Animals “Playboys of The Western World”

19. Black Light Animals – “Halo”
from: Playboys of The Western World / Groove King Records / July 3, 2020
[Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night. Members include: Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, and Zach Harris on drums. More info at: http://www.blacklightanimalsband.bandcamp.com]

[Black Light Animals play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 14, at 7:00 PM, with The Fey, and The Freedom Affair. More info at http://www.therecordmachine.co]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – ArtsKCGo – Arts Calendar

Next week on Wednesday, August 19, Nico Gray joins us as Guest Producer.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #850

WMM Playlist from May 27, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 27, 2020

New & MidCoastal Releases + Remy Styrk
+ Dedric Moore of Monta At Odds +
Paul Malinowski of SHINER

1.“Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]

2. David George & Friends – “When We All Come Together”
from: “When We All Come Together” – Single / Moozer Music / May 11, 2020
[Nearly two months, four creators, and almost 100 musicians came together to make this amazing song! “When We All Come Together” started the week Kansas Citians were asked to self-quarantine. This meant all businesses would be shut down until it was safe to return to normal. But it was pretty clear normal would be a long way away for musicians and others in the music community. Midwest Music Foundation is a Kansas City-based organization that helps those who need help in our music community. This video and song were created to help those struggling in the Kansas City Music Community. To donate or for more information go to: http://www.midwestmusicfoundation.org. Written by David George (featuring rap written by Kadesh Flow). Orchestral arrangements by Brian Lynn. Mastered by Duane Trower. Creative team: Steve Gardels, David George , Michael Lopez, and Giuliano Mingucci. The Band includes: Drew Black, David George, Jeremiah James, John Johnson , J B Moreland, and Mike Penner on guitars; Joe Donley, and Gavin Mac on bass; Giuliano Mingucci on drums; Billy Brimblecom, Jr., Leo Brimblecom (cowbell), and Sam Wisman on percussion; Lin Buck (B3 Organ), and Mark Lowrey (piano) on keyboards; Kian Byrne, Shay Estes, David George, Skeet Hank, Camry Ivory, Kadesh Flow, David Luther, Dana Joel Nicholson, Kirsten Paludan , Nicole Springer, Jillian Roscoe, Jordan Smith, Greg Wickham on featured vocals; Albert Bickley, Lin Buck, Noah Davis, Elizabeth Day & son, Chris Doolittle, Cheryl Fountaine & son, Debbie George, Bill Guilfoyle, Jeff Hon, Rachel Hon, Chris Hudson, Matt Kessler, Brent Kinder, Brian Lynn, Barry Lee, Troy Meiss, John Michaels, Shawn Stewart, Scotty McCormick, Anne Marie McLaughlin, Tiffany Smith, Dave Tanner, and Bob Walkenhorst as the When We All Come Together Choir; with the When We All Come Together Orchestra: Marti Whelan on Bassoon; Phil Brenner, and Teri Quinn on clarinet; Christine Broxterman, Novella Collum, Michael Hon, Laura Hoesly , and Ben Munoz on cello; Karl Hayes on English horn; Janice Lee , Cameron Lynn , Lyra Pherigo , and Mimi Wenger on flute; Karl Hayes on oboe; Phil Brenner (Alto/Tenor), Ian Corbett (Alto/Tenor), Peter Lawless on saxophone; Andrew Anderson, Kadesh Flow, Libby Hanssen, Mark Hoffman, and Anthony Ritchie; Pete Caroll, David Cunningham, Stanton Kessler, Nate Nall, and Ryan Oldham on trumpet; Ben Ruth on tuba; Hannah Dowell, Katie Johnson, Laurel Parks, Roshelle Pekarek, Michael Turnbo on violin; Lexi Carbellero, Roshelle Pekarek, Mason Salmond on viola; When We All Come Together Sign holders (in video): Michelle Bacon & Elena, Tabitha Cosper, Liz Ernst, Sondra Freeman, Shannon Higgins, Liz, Amelia, William Higgins, Phil & Alice Jaggard, Rhonda Lyne, Deegan Poores, Sean Poores, and Pat Tomek; Dancers (in video): Katie Gilchrist, and Brimblecom kids. Thanks to everyone at Midwest Music Foundation for their amazing service to the music industry of Kansas City: Rhonda Lyne, Sondra Freeman, Michelle Bacon, Canyon McClung, Brenton Cook, Christopher Tate, Scott Easterday, Chris Meck, Garrett Nordstrom, Ellen Sherman, Eric Barton. Dr. K. Allen Greiner, Erin Corriveau, Bryant Miller, Vi Tran, Camry Ivory, and Amber Hulet. ©2020 Moozer Music Inc]

3. The Airborne Toxic Event – “Come on Out”
from: Hollywood Park / Rounder Records – Concord / May 8, 2020
[6th studio album from The Airborne Toxic Events and companion piece to lead singer and band founder Mikel Jollett’s memoir Hollywood park, released May 8, 2020, through Celadon Books. The Airborne Toxic Event is an American rock band from Los Angeles, California, formed in 2006. It consists of Mikel Jollett (vocals, guitar, keyboards), Steven Chen (guitar, keyboards), Adrian Rodriguez (electric bass, backing vocals), and Daren Taylor (drums). Named after a section in Don DeLillo’s novel White Noise, the group is known for its blend of rock music and orchestral arrangements, having performed frequently with the Calder Quartet, a string quartet based in Los Angeles. The group has also played concerts with the Louisville Orchestra and the Colorado Symphony Orchestra. Initially a writer and essayist, Jollett began seriously writing songs with an acoustic guitar following a week in March 2006, during which he underwent a break-up, learned his mother had been diagnosed with cancer, and was himself diagnosed with a genetic autoimmune disease that led to the development of two cosmetic conditions: Alopecia areata and Vitiligo. This quick succession of traumatic events spurred a period of intense songwriting, and it was around this time that he first met Taylor through a mutual friend in Silver Lake, Los Angeles. Airborne Toxic Event at The Saint in Asbury Park, NJ, March 2009. Throughout the summer of 2006, Jollett and Taylor rehearsed several of Jollett’s songs, including early incarnations of “Wishing Well,” “Missy,” and “Innocence,” which would eventually appear on the band’s debut album. After a few months of rehearsals, Jollett ran into Anna Bulbrook one night at El Gran Burrito, a popular outdoor Mexican restaurant in Silver Lake. Trained in orchestral and chamber music, she had just moved to Los Angeles from NYC. Though they were just acquaintances at the time, he remembered that she played the violin and asked her to attend one of his and Taylor’s rehearsals. Afraid to bring her more expensive violin to a rock rehearsal, she agreed to bring her viola instead. Jollett then asked Harmon, a Tucson native and graduate of the Herb Alpert School of Music at the California Institute of the Arts, to join his fledgling band, having seen him perform in Los Angeles with other acts and been impressed with his background in rock and jazz, as well as his skill with the upright bass. At the time, Harmon was performing with multiple rock and jazz bands while teaching guitar to children both in East Los Angeles as part of CalArts’ Community Arts Partnership, and at Arroyo Seco Park (Highland Park, CA) as part of its “Art in the Park” program. He refused at first, and it wasn’t until months later—after several shows—that Harmon agreed to join the group full-time. Chen and Jollett, meanwhile, had already known each other for five years. They first met through a mutual friend while both were living in San Francisco and working as writers. After a few years of living in New York, Chen made a return to his hometown of Los Angeles, upon which Jollett contacted him and asked if he’d be interested in playing the keyboard in the band. Chen replied that he, in fact, played guitar and eventually filled the role as lead guitarist. Prior to the formation of the band, and to supplement his fiction writing, Jollett supported himself as a freelance writer, contributing to NPR, Los Angeles Times, Filter and Men’s Health, among other organizations. Soon after the formation of the band, he concentrated only on fiction. In the summer of 2008, McSweeney’s issue 27 published one of Jollett’s short stories, The Crack, which appeared between short stories by Liz Mandrell and Stephen King.[3] In keeping with his literary background, Jollett named the band after a section of the postmodern novel White Noise by Don DeLillo,[4] which won the National Book Award in 1985. In the book, a chemical spill from a railcar releases a poisonous cloud, dubbed by the military and media as an “airborne toxic event.” The reason for choosing this as the name of the band, he has stated, is that the event described in the novel triggers a fear of death and a sense of mortality that fundamentally alters the protagonist’s outlook on himself, his family, and his life. The band was born of a similar life-altering sequence of events, and thus, the themes of mortality and media consumption that arise from the novel’s toxic cloud serve as a major impetus for the band’s creative drive.]

4. Lucinda Williams – “When the Way Gets Dark”
from: Good Souls Better Angels / Highway 20 records – Thirty Tigers / April 24, 2020
[15th album sin 1979 from Lucinda Williams. The release of this album was preceded by the track “Man Without a Soul”, a critique of Donald Trump. Lucinda Gayle Williams (born January 26, 1953) is an American rock, folk and country music singer, songwriter and musician. She recorded her first albums in 1978 and 1980 in a traditional country and blues style and received very little attention from radio, the media, or the public. In 1988, she released her self-titled album, Lucinda Williams. This release featured “Passionate Kisses,” a song later recorded by Mary Chapin Carpenter, which garnered Williams her first Grammy Award for Best Country Song in 1994. Known for working slowly, Williams recorded and released only one other album in the next several years, Sweet Old World, in 1992. Her commercial breakthrough came in 1998 with Car Wheels on a Gravel Road, an album presenting a broader scope of songs that fused rock, blues, country and Americana into a distinctive style that remained consistent and commercial in sound. Car Wheels on a Gravel Road, which includes the Grammy nominated track “Can’t Let Go”, became Williams’ greatest commercial success to date. The album was certified Gold by the RIAA and earned Williams a Grammy Award for Best Contemporary Folk Album, while being universally acclaimed by critics. Williams released the critically acclaimed Essence three years later, and the album also became a commercial success. One of the album’s tracks, “Get Right with God,” earned Williams the Grammy Award for Best Female Rock Vocal Performance in 2002. Williams has released a string of albums since that have earned her more critical acclaim and commercial success. She has won three Grammy Awards, from 15 nominations, and received two Americana Awards, from 12 nominations. Additionally, Williams ranked No. 97 on VH1’s 100 Greatest Women in Rock & Roll in 1998, she was named “America’s best songwriter” by Time magazine in 2002, and was chosen by Rolling Stone as the 79th greatest songwriter of all time. Williams was born in Lake Charles, Louisiana, the daughter of poet and literature professor Miller Williams and an amateur pianist, Lucille Fern Day. Her parents divorced in the mid-1960s. Williams’s father gained custody of her and her younger brother, Robert Miller, and sister, Karyn Elizabeth. Like her father, she has spina bifida.[6] Her father worked as a visiting professor in Mexico and different parts of the United States, including Baton Rouge; New Orleans; Jackson, Mississippi; and Utah before settling at the University of Arkansas in Fayetteville. Williams never graduated from high school but was accepted into the University of Arkansas. Williams started writing when she was 6 years old. She showed an affinity for music at an early age, and was playing guitar at 12. Williams’s first live performance was in Mexico City at 17, as part of a duo with her friend, a banjo player named Clark Jones.]

5. The Republic Tigers – “Mind Over Matter”
from: Mind Over Matter / The Record Machine / June 5, 2020
[Hailing from Kansas City, MO, The Republic Tigers spike their lushly orchestrated indie rock with organic and synthetic elements. Founder Kenn Jankowski originally moved to Kansas City in 1999 and began playing guitar for The People, a band that later changed its name to The Golden Republic (Astralwerks Records). He also made fast friends with local musicians Ryan Pinkston and Adam McGill; and when The Golden Republic disbanded seven years later, he opted to launch his pop-based project with the other two multi-instrumentalists. Taking their name from Jankowski’s high school mascot, The Republic Tigers expanded their lineup with bassist Marc Pepperman and drummer Justin Tricomi. Electronic structures remained to play an important role in their music (via convenience/sensible creation-farming/forming), and the band issued a self-titled EP in late 2007 before putting the finishing touches on Keep Color, which arrived in 2008. Then there was a cool EP in 2011 titled “No Land’s Man” which featured the emo smash hit “The Infidel” and the extremely fun “Merrymake It With Me”. And then a second concept LP was concocted, “Mind Over Matter” – written from the year 2008 to the year 2011. Mixed and mastered in the year 2012. But then it was sadly shelved by the original labels. Which leads us to now, the year is 2020. Something new is going to happen. “Mind Over Matter” will be released on hometown indie label The Record Machine.]

6. Oxford Remedy – “Again”
from: For Those Who Know, Tell Me What I’m Supposed To Do / Oxford Remedy / May 1, 2020
[Debut EP from Kansas City based band. Written and performed by: Kate Mckown on guitar, Grace Mckown on guitar, Sydney Aldridge on bass, and Brody Washam on drums. Mixed and mastered by Braxton Matlock. Cover art by Jesse Solomon.]

7. Krystle Warren & The Faculty– “Sadness Is a Good Thing”
from: Love Songs- A Time to Refrain from Embracing (Love Songs: A Time You May Embrace) / Parlour Door Music / April 9, 2012 UK]
[Krystle Warewn learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.] [Krystle recently participated in KC Bands Together May 15-16, weekend 6-hour streaming concert where Krystle shared three songs including a cover of Gerry Raferty’s “The Ark” from his 1978 album, City to City. Krystle Warren & The Faculty are getting set to release a new album called, “Extended Play.” Krystle told me that the band had wanted to do album cover photos during a concert that was scheduled in Kansas City in March 202, but was cancelled due as COVID-19. Getting everyone together has not been possible. Krystle was hoping for a late 2020 release.]

10:28 – Underwriting

8. Remy Styrk – “Winter/Summer”
from: “Winter/Summer”- Single / Remy Sryrk / February 28, 2019
[21 year old Remy Stryk lives in Leawood Kansas, originally from Newark, New Jersey. This multi instrumentalist has been writing & recording music for several years. About this new single Remy tells us “It represents the two major seasons and personifies them to create a feeling of trust, anger, love, uncertainty, inspiration and comfort. I wanted them to be applicable to many people’s situations in life, no matter who they are or what they believe in. This song is about universal feelings that connect us as one and value our ability to feel and express.” Last year Remy released “In Too Deep” one of 5 singles Remy has released in the last 2 years. Remy Styrk released the EP Sunday, on Jan 25, 2018 a follow up to the Aug 12, 2015 full length album, Telling Stories Through The Basement Door.]

Remy Styrk on the May 27, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

10:36 – Interview with Remy Styrk

21-year old musician and film composer Remy Styrk joins us to share details about “Of My Own Design” his 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story. Scene descriptions can be between 2 sentences and 2 paragraphs. All will be posted on his website: http://www.remystyrk.com/interactive.

Remy Styrk Thanks for being with us on WMM

21 year old Remy Styrk lives in Leawood Kansas.

Remy Styrk Discography

“Of My Own Design” 9-Minute Interactive Album – May 2, 2020

CHIOU – Opening & Closing Tracks from documentary film – March 15, 2020

Particle Evolutions GTRS – 40 ONE SHOT custom royalty free sound samples – March 24, 2020

Pads and Drones – 40 ONE-SHOTS custom royalty free sound samples – January 3, 2020

“Over It” – Single – April 17, 2020

“Winter/Summer” – Single – February 27, 2019

“In Too Deep” – Single – June 13, 2018

Sunday – 5-song EP – January 25, 2018

“Feel So Old” – Single – November 10, 2017

“October” – Single – October 17, 2017

“17” – Single – September 1, 2017

Telling Stories Through The Basement Door – 11- song Album – August 12, 2015

All music is available at http://www.remystyrk.bandcamp.com

On the radio Mark talked about when he first heard of Remy Styrk when he was 13 years old and was part of a songwriting workshop / contest with Money Wolf Music (Kansas City record label) and Christian Hankel.

Remy Styrk’s musical songs and compositions speak to his life, his birth, his adoption, a national tragedy that moved his family to the Kansas City area, and the loss of his mother.

Remy Styrk talked with us about being born in Newark, New Jersey. His birth mother was a homeless heroin addict. He spent three weeks in the hospital as a new born baby fighting to stay alive.

Remy was adopted by Tom and Deborah Styrkowicz in a semi-closed adoption. With his adopted family Remy lived outside New York City in Newark. When Remy was a toddler 9/11 happened and the Styrkowicz family moved away from the New York City area and Remy’s adopted father Tom got a job at Hallmark in Kansas City, Missouri.

Tragedy struck again, after Remy’s family moved to the area and settled in Leawood, Kansas, Remy’s adopted mom Deborah suffered a sudden brain aneurysm and died. Tom Styrkowicz was forced to leave his job at Hallmark to take care of Remy and his older brother, and comfort them in this difficult time for their family.

Tom Styrkowicz began to go back to one of his earlier passions of photography and found work as a photographer. Remy told Brock Wilbur at The Pitch Kansas City that Tom’s endeavors “set the tone for his kids. Push through everything. Never give up. Dedicate yourself to what you love and work towards it each and every day.”

When Remy was six, he shared with his parents his desire to play music. His family supported him entirely. Remy talked about “being spoiled” by parents that gave him the equipment and instruments he needed to make his original music. Remy talked with us about his discovery of folk music and the ability to tell stories with music. Remy talked about music allowed him to express his feelings and write about his mother Deborah, and how much of his music deals with her and the loss of her in his life.

Remy told Brock Wilbur of The Pitch Kansas City, “I grew up black in a predominately white school system,” Styrk says. “I felt like an outcast but it didn’t make me want to give up on who I was. It pushed me to work harder on being who I want to be. I won’t change for anyone.”

Remy Styrk has played in a variety of genres of music learning about Kansas City Blues, playing in indie and rock groups, and composing for film.

“Of My Own Design” his 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story. Scene descriptions can be between 2 sentences and 2 paragraphs. All will be posted on his website: http://www.remystyrk.com/interactive.

Remy Styrk photograph by Tom Styrkowicz

10:45

9. Remy Styrk – “A Ring Around the Moon”
from: Of My Own Design / Remy Sryrk / May 2, 2020

We are talking with 21-year old musician and film composer Remy Styrk joins us to share details about “Of My Own Design” his 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story.

Remy told Brock Wilbur of The Pitch Kansas City, “As an outsider, I’m just adding what is beneficial to a project. My whole mission is to never overpower what I’m working on. Just complimenting the project.” “If what I do doesn’t fit with the project it becomes irrelevant.”

Remy Styrk Thanks for being with us on WMM

“Of My Own Design” his 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story. Scene descriptions can be between 2 sentences and 2 paragraphs. All will be posted on his website: http://www.remystyrk.com/interactive.

10:51
10. Remy Styrk – “A Green World”
from: Of My Own Design / Remy Sryrk / May 2, 2020

11. Chloe Jacobson – “Nice 2 Meet U”
from: “Nice 2 Meet U” – Single / Chloe Jacobson / April 30, 2020
[Follow up to her debut album Frozen Fruit from November 14, 2018. It has been written that Chloe Jacobson’s “soulful, bluesy vocals are colored with the pop cadence of aughts-era emo.”]

Nan Turner

12. Nan & the One Nite Stands – “Desert Nites”
from: “Desert Nites” – Single / Nan Turner / May 22. 2020
[Written by Nan Turner. Recorded by Mark “Dragon” Ospovat @ SpeakerSonic Studios in Brooklyn, NY. Additional recording and mixing and production by Chase Horseman @ Winky World Studios in Kansas City, MO. Mastered by Ian Dobyns. Nan Turner on Vocals and beats – Nan Turner; Mark Ospovat on guitar; percussion; Chase Horseman on Wurlitzer, bass, & synthesizers; Dawn Yoder and Tracy Flowers on back up vocals. Nan writes: “I learned about existentialism at a young age. My Dad was a Philosophy Professor. Waiting for Godot and Archibald MacLeish’s J.B. were in my Ballet Bag for years. My mother + stepfather are libertarian folk that went to church, shot guns, and sold Amway. I’m not saying this song is about any of that. But it’s also NOT NOT about that. I started recording this song in 2017 with my good friend and collaborator Mark Ospovat in Brooklyn, NY. We laid down the foundation tracks of beat, guitar and vocals. Then I let the song lie…..because I didn’t know how to finish it or where it fit in my oeuvre. I almost wrote ovaries. That too. (You do know that songs are like babies, right?) Cut to March 2020, Kansas City. Chase Horseman and I unearthed the tracks right before the quarantine. He sat down at the Wurlitzer and played some notes and suddenly the song made sense to me. Of course it needed Wurlitzer! Through Chase’s arrangements of keys and other instrumentation, and Dawn and Tracy’s backup vocals (shoutout to KC one nite stand dancers extraordinaire)…I knew the song was finally there and it was time to release it into the world.Thanks so much to both Mark Ospovat and Chase Horseman for helping me realize the song’s potential and also for adding your own inventive arrangements. It was a One Nite Stands Magical Collaboration from NYC to Kansas City. BOOM. Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock. This is aa follow up to Nan’s solo EP Champs and Losers, Version 2 released July 12, 2019 Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. More Info at: http://www.nanturner.bandcamp.com]

11:00 – Station ID

14. Monta At Odds – “Two Lanes Two Paths”
from: Zen Diagram EP / Kosmic City / May 1, 2020
[Conceptual Kansas City art-rock combo Monta At Odds continue their experimentation in sound with an expanded line-up and a new EP, Zen Diagram. Led by Dedric Moore and fueled from 2020’s angst and uncertainty, the band adopts a darker, grittier direction that coincides with a post-punk indulgence. The result is an evocative four-song tableau, showcasing the veteran project’s drive to explore sonic territory as they lay down some mesmerizing jams. The title track opens the EP as a voyage into soundtrack dreams and sonic imagery. It’s a fully-packed production, featuring twin vocals from Mikal Shapiro and Teri Quinn, Krystof Nemeth of Emmaline Twist on epic baritone guitar, Lucas Behrens on Moog, and Delaney Moore on slide guitar. The song builds and builds over 10 minutes, introducing a bevy of interplaying elements and melodies. There’s a complexity that grooves. Monta At Odds embraces the grayer shades of these sessions with a faithful but otherworldly cover of “Movement of Fear,” the classic cut from Tones On Tail. Mikal leans into the vocals with gentle whispers as Lucas plucks the atmosphere. Meanwhile, Matthew Heinrich merges live drums with the programmed ones until he is one with the machines. The result is multi-textured and dubbed-out, exposing the bloodline of Monta’s aesthetic. “Two Lanes Two Paths” is frenetically powered by the jazzy drum drive of Alexander Thomas. Dedric’s relentless bassline, Delaney’s freeform synthesizer soloing, and Krystof’s expressive guitar tones conspire to form a congealed essence. It’s a spaced-out instrumental that could be from another time, floating defiantly into the present. Zen Diagram ends with “I Count The Steps To A New Sunrise.” The previous cut’s path takes us to a crest on a hill with a view of the damage below. The combo is locked-in, as skittering drums, cosmic synths, spacious noise guitars, and a pensive bass riff promise a way out. Dedric’s vocals are pure 2020, overcome with the zeitgeist of isolation and yearning to reach for something, anything. The diagram becomes a map, and this is how we find an escape.]

Dedric Moore on the May 27, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:04 – Interview with Dedric Moore

KCK based musician and producer Dedric Moore about the newest releases from his band Monta At Odds and the new monthly compilations from his music label Kosmic City. Dedric Moore is the founder of the bands: Monta At Odds, Mysterious Clouds, and Gemini Revolution. Dedric is also the creator the annual Kansas City Psych Fest, launched in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. The KC Psych Fest is now called Outer Reaches Fest and is produced in collaboration with Haymaker Records and recordBar. Dedric Moore has produced music for multiple bands in Kansas City including the Philistines, HMPH, and others. More information at: http://www.kosmiccity.com

Dedric Moore, Thanks for being with us on Wednesday MidDay Medley

KCK based musician and producer Dedric Moore about the newest releases from his band Monta At Odds. It’s a fully-packed production, featuring twin vocals from Mikal Shapiro and Teri Quinn, Krystof Nemeth of Emmaline Twist on epic baritone guitar, Lucas Behrens on Moog, and Delaney Moore on slide guitar.

Monthly compilations from his music label Kosmic City.

Dedric Moore is the founder of the bands: Monta At Odds, Mysterious Clouds, and Gemini Revolution.

Dedric is also the creator the annual Kansas City Psych Fest, launched in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. The KC Psych Fest is now called Outer Reaches Fest and is produced in collaboration with Haymaker Records and recordBar.

The New Mysterious Clouds release coming next month was produced by Paul Malinowski.

Dedric Moore has produced music for multiple bands in Kansas City including the Philistines, HMPH, and others. More information at: http://www.kosmiccity.com

Dedric Moore, Thanks for being with us on Wednesday MidDay Medley

Monta At Odds released Zen Diagram EP through Kosmic City on May 1, 2020

More information at: http://www.kosmiccity.com

11:16

14. Monta At Odds – “I Count the Steps to a New Sunrise”
from: Zen Diagram EP / Cosmic City / May 1, 2020
[Conceptual Kansas City art-rock combo Monta At Odds continue their experimentation in sound with an expanded line-up and a new EP, Zen Diagram. Led by Dedric Moore and fueled from 2020’s angst and uncertainty, the band adopts a darker, grittier direction that coincides with a post-punk indulgence. The result is an evocative four-song tableau, showcasing the veteran project’s drive to explore sonic territory as they lay down some mesmerizing jams. The title track opens the EP as a voyage into soundtrack dreams and sonic imagery. It’s a fully-packed production, featuring twin vocals from Mikal Shapiro and Teri Quinn, Krystof Nemeth of Emmaline Twist on epic baritone guitar, Lucas Behrens on Moog, and Delaney Moore on slide guitar. The song builds and builds over 10 minutes, introducing a bevy of interplaying elements and melodies. There’s a complexity that grooves. Monta At Odds embraces the grayer shades of these sessions with a faithful but otherworldly cover of “Movement of Fear,” the classic cut from Tones On Tail. Mikal leans into the vocals with gentle whispers as Lucas plucks the atmosphere. Meanwhile, Matthew Heinrich merges live drums with the programmed ones until he is one with the machines. The result is multi-textured and dubbed-out, exposing the bloodline of Monta’s aesthetic. “Two Lanes Two Paths” is frenetically powered by the jazzy drum drive of Alexander Thomas. Dedric’s relentless bassline, Delaney’s freeform synthesizer soloing, and Krystof’s expressive guitar tones conspire to form a congealed essence. It’s a spaced-out instrumental that could be from another time, floating defiantly into the present. Zen Diagram ends with “I Count The Steps To A New Sunrise.” The previous cut’s path takes us to a crest on a hill with a view of the damage below. The combo is locked-in, as skittering drums, cosmic synths, spacious noise guitars, and a pensive bass riff promise a way out. Dedric’s vocals are pure 2020, overcome with the zeitgeist of isolation and yearning to reach for something, anything. The diagram becomes a map, and this is how we find an escape..

15. Fiona Apple – “I Want You To Love Me”
from: Fetch The Bolt Cutters / Epic – Sony / April 17, 2019
[The fifth studio album by American singer-songwriter Fiona Apple. It is Apple’s first release since The Idler Wheel… in 2012. The album was recorded from 2015 to 2020, largely at Apple’s home in Venice Beach. It was produced and performed by Apple alongside Amy Aileen Wood, Sebastian Steinberg and Davíd Garza; recording consisted of long, often-improvised takes with unconventional percussive sounds. GarageBand was used for much of this recording, and Apple credited the album’s unedited vocals and long takes to her lack of expertise with the program. Rooted in experimentation, the highly percussive album resists genre categorization. While conventional instruments, such as pianos and drum sets, do appear, the album also features prominent use of non-musical found objects as percussion. Apple described the result as “percussion orchestras”. These industrial-like rhythms are contrasted against traditional melodies, and the upbeat songs often subvert traditional pop structures. The album explores freedom from oppression; Apple identified its core message as: “Fetch the fucking bolt cutters and get yourself out of the situation you’re in”. The title, a quote from TV series The Fall, reflects this idea. The album also discusses Apple’s complex relationships with other women and other personal experiences, including bullying and sexual assault. It has nevertheless been referred to as Apple’s most humorous album. Fetch the Bolt Cutters was released during the COVID-19 pandemic, and many critics found its exploration of confinement pertinent. Fiona Apple McAfee-Maggart (born September 13, 1977) is an American singer-songwriter, pianist and poet. Her accolades include one Grammy Award, and an additional seven Grammy Award nominations in various categories. The daughter of actor Brandon Maggart, Apple was born in New York City but was raised alternating between New York and her father’s home in Los Angeles. Classically trained on piano as a child, she began composing her own songs when she was eight years old. Her debut album, Tidal, containing songs written when she was 17, was released in 1996 and received a Grammy Award for Best Female Vocal Rock Performance for the single “Criminal”. She followed with When the Pawn… (1999), produced by Jon Brion, which was also critically and commercially successful and was certified platinum. For her third album, Extraordinary Machine (2005), Apple again collaborated with Brion, and began recording the album in 2002. However, Apple was reportedly unhappy with the production and opted not to release the record, leading fans to protest Epic Records, erroneously believing that the label was withholding its release. The album was eventually re-produced without Brion and released in October 2005. The album was certified gold, and nominated for a Grammy Award for Best Pop Vocal Album. In 2012, she released her fourth studio album, The Idler Wheel…, which received critical praise and was followed by a tour of the United States and was nominated for the Grammy Award for Best Alternative Music Album in 2013. Apple’s fifth studio album, Fetch the Bolt Cutters, was released in 2020 to widespread acclaim. She has sold over 10 million albums worldwide and has received numerous awards and nominations, including a Grammy Award, 2 MTV Video Music Awards and a Billboard Music Award.]

16. KeiyaA – “Do Yourself a Favor” (Single Version)
from: Forever, Ta Girl / Forever recordings / March 27, 2020
[The debut album from KeiyaA originally from Chicago, now based in New York City. Written by keiyaA and produced by keiyaA, featuring additional production from dj blackpower and dj cowriiie. Mixed and mastered by BSTFRND. ]

11:29 – Underwriting

17. Shiner – “In The End”
from: Schadenfreude / Two Black Eyes / May 8, 2020
[Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude.”The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7” single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times. -0=Shiner’s newest record, “Schadenfreude”, will be released May, 08, 2020. A single, “Life as a Mannequin” was released Feb 28, 2020.]

Paul Malinowski on the May 27, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:35 – Interview with Paul Malinowski

Paul Malinowski joins us on the phone to talk about their band SHINER and the new album, “Schadenfreude”, released on May 8, 2020. With Allen Epley on guitar & lead vocals, Josh Newton on guitar, Paul Malinowski on bass, and Jason Gerken on drums, Shiner is back with their first album of new material in 19 years. Formed in 1992, Shiner quickly found exposure, More info at: http://www.shiner.net

Paul Malinowski Thanks for being with us on WMM

Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude” will be released May 08, 2020.

The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7″ single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times.

Paul Malinowski (bass, voice, engineer) Founding Member of Season To Risk: 1989-1995
Bands: Fire of 1666, Shiner, Big Sky Blue Earth

SHINER is Allen Epley on guitar & lead vocals, Paul Malinowski on bass, Josh Newton on guitar, and Jason Gerken on drums.

Shiner’s newest record, “Schadenfreude”, will be released May, 08, 2020. A single, “Life as a Mannequin” was released February 28, 2020.

The band also has the song “Third Gear Scratch” included on the soundtrack of the video game Saints Row 2.

After announcing that the band was breaking up, Shiner scheduled a final performance. The final show was held at The Madrid Theater in Kansas City on January 25, 2003. Houston, Dirtnap, and Elevator Division opened.

Final show
After announcing that the band was breaking up, Shiner scheduled a final performance. The final show was held at The Madrid Theater in Kansas City on January 25, 2003. Houston, Dirtnap, and Elevator Division opened.

Discography:
1996 Splay / DeSoto Records / January 1, 1996
1997 Lula Divinia ? Hit It! Recordings / March 11, 1997
2000 Starless / Owned & Operated / April 18, 2000
2001 The Egg / DeSoto Records / October 23, 2001
2020 Schadenfreude / Two Black Eyes / May 8, 2020

Reunions (2012–present)
Nearly ten years after its final show, Shiner announced a quintet of reunion shows in the US to celebrate the reissue of The Egg on vinyl on August 7, 2012. The dates include stops in NYC, LA, Lawrence, Kansas and Chicago:

8.11 New York, NY – Gramercy
8.18 Los Angeles, CA – Echoplex
8.24 Lawrence, KS – The Granada
8.25 & 26 Chicago, IL – Bottom Lounge

In 2015, the band played a 2nd series of reunion shows in conjunction with a vinyl reissue of Starless:

7.15 Austin, TX – Red 7
7.17 Kansas City, MO – Record Bar
7.18 Minneapolis, MN – Triple Rock
7.19 Chicago, IL – Empty Bottle

In 2016, they played a few shows:
1.14 Pittsburgh, PA – Club Cafe
1.15 New York, NY – St. Vitus
1.16 New York, NY – St. Vitus

2017 saw a similar short US tour in conjunction with the vinyl re-release of Lula Divinia.
2.22 Champaign, IL – Accord
2.24 Kansas City, MO – Record Bar
2.25 Chicago, IL – Thalia Hall
3.03 San Francisco, CA – Bottom Of The Hill
3.04 Los Angeles, CA – The Echo
3.05 San Diego, CA – The Casbah
9.08 Milwaukee, WI – Shank Hall
9.09 Chicago, IL – Wurst Fest

2018
9.21 Rock Island, IL – RIBCO
9.22 Kansas City, MO – Record bar
9.23 Chicago, IL – Empty Bottle

Members Current:
Allen Epley (guitar, vocals)
Paul Malinowski (bass, formerly of Season to Risk)
Josh Newton (guitar, formerly of Season to Risk)
Jason Gerken (drums, formerly of Molly McGuire)

Previous members:
Jeff Brown (drums)
Tim Dow (drums)
Joel Hamilton (guitar)
Shawn Sherrill (bass)
______________________________________________________

Schadenfreude (/ˈʃɑːdənfrɔɪdə/; German: [ˈʃaːdn̩ˌfʁɔʏ̯də] (About this soundlisten); lit. ‘harm-joy’) is the experience of pleasure, joy, or self-satisfaction that comes from learning of or witnessing the troubles, failures, or humiliation of another.

Schadenfreude is a complex emotion, where rather than feeling sympathy towards someone’s misfortune, schadenfreude evokes joyful feelings that take pleasure from watching someone fail. This emotion is displayed more in children than adults. However, adults also experience schadenfreude, though generally concealed.

Etymology – Schadenfreude is borrowed from German; it is a compound of Schaden, “damage, harm”, and Freude, “joy”. The German word was first mentioned in English texts in 1852 and 1867, and first used in English running text in 1895. In German, it was first attested in the 1740s.

Paul Malinowski as Producer: The Pedaljets / The Philistines / Godzillionaire

Paul Malinowski Tyhanks for being with us on Wednesday MidDay Medley

The new SHINER album, “Schadenfreude,” was released May 8. Info at: http://www.shiner.net

11:47

18. Shiner – “Nothing”
from: Schadenfreude / Two Black Eyes / May 8, 2020

19. Okkyung Lee – “The Yellow Porcelain Bird”
from: Yeo-Neun / Shelter Press / May 8, 2020
[Yeo-Neun (Korean: 여는) is the eighth studio album by South Korean artist Okkyung Lee. Maeve Gilchrist on harp, Okkyung Lee on cello, Eivind Opsvik on bass and Jacob Sacks on piano. Written by Okkyung Lee (born 1975 in Daejeon, South Korea) is a South Korean cellist, improviser, and composer. Lee moved to Boston in 1993, where she received a dual bachelor’s degree in Contemporary Writing and Production and Film Scoring (Berklee College of Music), and a master’s degree in Contemporary Improvisation (New England Conservatory of Music). In 2000, Lee moved to New York and immersed herself in the city’s downtown music scene. Since then, she has collaborated with a wide range of musicians and artists, including Laurie Anderson, Arca, David Behrman, Mark Fell, Douglas Gordon, Jenny Hval, Vijay Iyer, Christian Marclay, Lasse Marhaug, Haroon Mirza, Thurston Moore, Ikue Mori, Stephen O’Malley, Lawrence D “Butch” Morris, Jim O’Rourke, Evan Parker, Marina Rosenfeld, Wadada Leo Smith, Swans, Cecil Taylor, C. Spencer Yeh and John Zorn. In 2013, Lee curated the Music Unlimited festival in Wels, Austria, giving it the title “The most beautiful noise on earth”. Lee received a Foundation for Contemporary Arts Grant in 2010. and a Doris Duke Performing Artist Award in 2015. She lives in New York City.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, June 3, we talk with members of The Republic Tigers, we also talk with Konnor Ervin about the new release Koney, and Nan Turner calls into the show too!

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
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Show #839

WMM presents Remy Styrk + Dedric Moore + Paul Malinowski

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 27, 2020

New & MidCoastal Releases + Remy Styrk
+ Dedric Moore of Monta At Odds +
Paul Malinowski of SHINER

Mark plays New & MidCostal Releases from: David George & Friends, Monta At Odds, Oxford Remedy, The Republic Tigers, Nan + the One Nite Stands, Remy Styrk, Shiner, Chloe Jacobson, Krystle Warren & The Faculty, The Airborne Toxic Event, Lucinda Williams, Fiona Apple, KeiyaA, and Okkyung Lee.

Remy Styrk photograph by Tom Styrkowicz

At 10:30 musician and film composer Remy Styrk joins us to share details about “Of My Own Design” his 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story. Scene descriptions can be between 2 sentences and 2 paragraphs. All will be posted on his website: http://www.remystyrk.com/interactive. 21 year old Remy Styrk lives in Leawood Kansas. In 2019 he released the single “Winter/Summer.” In 2018 Remy released “In Too Deep” one of 5 singles Remy has released in the last 2 years. On Jan 25, 2018 Remy released the EP Sunday, a follow up to the August 12, 2015 full length album, Telling Stories Through The Basement Door.

At 11:00 Mark talks with KCK based musician and producer Dedric Moore about the newest releases from his band Monta At Odds and the new monthly compilations from his music label Kosmic City. Dedric Moore is the founder of the bands: Monta At Odds, Mysterious Clouds, and Gemini Revolution. Dedric is also the creator the annual Kansas City Psych Fest, launched in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. The KC Psych Fest is now called Outer Reaches Fest and is produced in collaboration with Haymaker Records and recordBar. Dedric Moore has produced music for multiple bands in Kansas City including the Philistines, HMPH, and others. More information at: http://www.kosmiccity.com

SHINER is Allen Epley on guitar & lead vocals, Paul Malinowski on bass, Josh Newton on guitar, and Jason Gerken on drums.

At 11:30 KC based musician & producer Paul Malinowski talks about SHINER and the new album, “Schadenfreude”, released on May 8, 2020. With Allen Epley on guitar & lead vocals, Josh Newton on guitar, Paul Malinowski on bass, and Jason Gerken on drums, Shiner is back with their first album of new material in 19 years. Formed in 1992, Shiner quickly found exposure, releasing a vinyl EP in 1993 and touring with Sunny Day Real Estate, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. Shiner released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7″ single of the group’s songs “Sleep it Off” and “Half Empty”. Shiner toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. More info at: http://www.shiner.net

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #839

WMM Playlist May 20, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 20, 2020

New & MidCoastal Releases + SHINER
+ Anson The Ornery + Andrew R Morris

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s Adopted Theme Song]

2. Perfume Genius – “On The Floor (Edit)”
from: Set My Heart on Fire Immediately / Matador / May 15, 2020
[Second single from the fifth album from Perfume Genius, the stage name for Seattle-based solo artist Mike Hadreas who was born in Des Moines, Iowa, moving to the suburbs of Seattle, Washington at the age of 7.. Hadreas studied painting in school and took piano lessons as a child. His mother was a special education teacher, and is now an assistant principal at a middle school. His parents divorced when he was a teenager. Growing up, Hadreas was the only openly gay student at his school, and he received death threats which were not addressed by the administration. He dropped out of high school during his senior year. Two years after dropping out, he was attacked by several young men in his neighborhood. He moved to Williamsburg, Brooklyn and worked as a doorman for a club in the East Village. In 2005, Hadreas returned home to Seattle and began recording music. In 2008, Hadreas set up a MySpace page under the name Perfume Genius, and thus began his music career. Hadreas’s music explores topics including sexuality, his personal struggle with Crohn’s disease, domestic abuse, and the dangers faced by gay men in contemporary society. In an interview with Jia Tolentino, Mike Hadreas described the album as influenced by his work with choreographer Kate Wallich on a 2019 dance piece titled “The Sun Still Burns Here”. Hadreas composed numerous songs for the performance, with two singles, “Eye in the Wall” and “Pop Song” resulting, though neither was included on Set My Heart on Fire Immediately. Of the experience, Hadreas explained that the themes of embodiment in his prior music were complicated as dance felt “rebellious against [his] body.” He explained that dancing “blew up this separation between [his] work and the world,” resulting in changes to his songwriting, with songs now telling stories grounded in real-life settings and about real people. He cited Townes Van Zandt, Enya, and Cocteau Twins as influences on the new album]

3. Moses Sumney – “Cut Me”
from: grae / Jagjaguwar / September 22, 2017
[“Cut Me” was released as the fourth single on February 7, 2020. Sumney made his US television debut with a performance of “Cut Me” on The Late Show with Stephen Colbert on February 11, 2020. Græ (stylized in all lowercase) is a double album composed of Part 1 and Part 2. The first part was released digitally on February 21, 2020. The second part and the full album was released on May 15, 2020. Græ features a diverse arrangement of musical and technical contributions from Daniel Lopatin, Thundercat, James Blake, Taiye Selasi, John Congleton, Rob Moose, Ezra Miller, Michael Chabon, Adult Jazz, Matthew Otto, Ian Chang, FKJ, Nubya Garcia, Shahzad Ismaily, Jill Scott, Tom Gallo, Shabaka Hutchings, Tunde Jegede, Brandee Younger, Jamie Stewart, and Mac DeMarco. The album was preceded by the singles “Virile”, “Polly”, “Me in 20 Years”, “Cut Me”, and “Bless Me”.Second album and follow up to his debut studio full length album Aromanticism released September 22, 2017 from American singer-songwriter Moses Frimpong Sumney, born May 19, 1990 in San Bernardino, California to Ghanaian parents. He moved with his family back to Ghana at the age of 10. Sumney described his childhood as “Americanized” by this age and had difficulty adjusting to the culture of Ghana. He did not learn to play any instruments until he was older, writing a cappella music for years instead. Sumney did not perform his musical compositions publicly until he was 20. He attended the University of California, Los Angeles. He is based in Los Angeles, California. His self recorded debut EP, Mid-City Island, was released in 2014 and self recorded onto a 4-track recorder given to him by TV on the Radio’s Dave Sitek. The EP was described by Pitchfork as “primarily composed of first-takes and improvisation; the music is stirring but purposefully incomplete”. Sumney has performed as an opening act for Solange, Sufjan Stevens, and Erykah Badu. Sumney released another 5-song EP in 2016, titled Lamentations which featured a guest appearance from Thundercat.]

4. Samantha Fish – “Love Letters”
from: Kill or Be Kind / Rounder Records – Concord Music / September 20, 2019
[Samantha Fish, born January 30, 1989, is an American blues singer-songwriter and guitarist. Samantha Fish grew up in Kansas City, Missouri. Fish started out playing drums, but when she was 15 she switched to the guitar. Fish frequently went to the Knuckleheads Saloon to hear touring Blues artists. After turning 18, she often joined in with the singers and bands who were performing at Knuckleheads. In 2009, Fish recorded and produced Live Bait. The live album attracted the attention of a talent company, who recommended her to Ruf Records. Ruf Records put together a record with Fish and two other female blues artists, Cassie Taylor and Dani Wilde, titled Girls with Guitars. The three guitarists then toured on the Ruf Records 2011 Blues Caravan in the U.S. and Europe. Fish continued touring with the Samantha Fish Band, featuring “Go-Go Ray” Pollard on drums and Chris Alexander on bass, playing in Europe and the United States. In 2011, Fish recorded Runaway with the help of her mentor Mike Zito. The album won the 2012 Blues Music Award for Best New Artist. Fish appeared on Devon Allman’s 2013 album Turquoise in a duet covering the Tom Petty/Stevie Nicks’ song “Stop Draggin’ My Heart Around”. During the summer of 2013, Fish was called up on stage to play with a skeptical Buddy Guy who was so impressed with her playing on the guitar, he declared with a beaming smile to his audience, “When this kind of shit happens, I’ll play all night!” In 2013, Fish released her second major studio album, Black Wind Howlin’, featuring Mike Zito on guitar, Yonrico Scott on drums, Johnny Sansome on harmonica, and Paul Thorn, vocal duet on one track. The album was recorded in Dockside Studios, in Maurice, Louisiana. Mike Zito’s bandmates from his group Royal Southern Brotherhood, Yonrico Scott and Charlie Wooton, were brought in to assist in the session recordings. Also in 2013, Fish appeared on The Healers Live at Knuckleheads Saloon, producing a CD/DVD collaboration with Jimmy Hall, Reese Wynans, Kate Moss, and Danielle and Kris Schnebelen (sister and brother, formerly of the band Trampled Under Foot). Proceeds benefit the Blue Star Connection. The Healers occasionally perform together as their schedule permits. Fish’s third studio album, Wild Heart was released on July 10, 2015. The new album is more roots rock than her earlier blues rock. Fish wrote five songs on the record. She co-wrote five other songs with Jim McCormick in Nashville, Tennessee. Luther Dickinson produced the album, as well as played various stringed instruments (guitar, bass, mandolin, lap steel) to flesh out the sound. The album was recorded in four studios, Royal Studios and Ardent Studios in Memphis, Tennessee, Zebra Ranch in Coldwater, Mississippi, and Blade Studios in Shreveport, Louisiana. Other musicians on the record are Brady Blade (drums), Lightnin’ Malcolm (guitar), Shardé Thomas (drums), Dominic Davis (bass), Shontelle Norman-Beatty (background vocals), and Risse Norman (background vocals). Fish released her fourth solo album, Chills & Fever on March 17, 2017. The album was recorded in Detroit and was recorded with members of the band The Detroit Cobras. Bobby Harlow produced the album. Belle of the West followed in December 2017. Fish released her sixth solo album, Kill or Be Kind, on September 20, 2019, on her new label, Rounder Records. In December Samantha Fish is on a Holiday Tour promoting her new Christmas Album.]

[Samantha Fish plays live on American Routes tonight at 7:00 PM here on 90.1 FM KKFI.]

10:16

5. BLACKSTARKIDS – “Too Depresssed for Sex”
from: SURF / Bedroom Records / February 28, 2020
[Second album from, BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019.]

6. Thao & The Get Down Stay Down – “Nobody Dies”
from: Temple / Ribbon Music / May 15, 2020
[Temple is the fifth full-length album from Thao & The Get Down Stay Down. Produced by Thao and bandmate Adam Thompson, it is also their first self-produced album. Kaleidoscopic and danceable, grounded by Thao’s singular voice, Temple feels boldly dissonant while still highly accessible. A temple is a place of worship and sanctuary. We spend our lives searching for temples where we can belong and be loved, but those spaces can also be a kind of confinement. Temple is an album that pushes open boundaries for a different kind of sanctuary, where you don’t have to whisper. Temple is the follow up to their 4th studio album A Man Alive from 2016. Thao & The Get Down Stay Down are a San Francisco, California-based (formerly Falls Church, Virginia) alternative folk rock music group. The band consists of Thao Nguyen on vocals & guitar and Adam Thompson on vocals, bass guitar & keyboards.. Thao Nguyen was born in Virginia in 1984, and raised in Falls Church, Nguyen began playing guitar and writing songs at the age of twelve while helping out at her mother’s laundromat. She began performing in high school as part of a pop-country duo with friend Brenna Clerkin. She attended Thomas Jefferson High School for Science and Technology in Fairfax County and studied at the College of William & Mary, where she double majored in Sociology and Women’s studies. After recording an EP that differed from her initial style, she began performing as a soloist with her acoustic guitar. With her fellow college students Adam and Willis Thompson she formed Thao Nguyen and the Get Down Stay Down. After graduating she toured extensively, both with the band and as a solo artist. She moved to San Francisco around 2009, and has been based there since.] [We’ve been playing this band on the radio show since 2008!]

Krystle Warren

7. Krystle Warren & The Faculty – “Rising”
from: Rising – Single / Parlour Door Music / May 31, 2019
[This single was produced by co-founding member of The Faculty, bassist Solomon Dorsey. I was texting with Krystle over the weekend after the KC Bands Together weekend 6-hour streaming concert where Krystle shared three songs including a cover of Gerry Raferty’s “The Ark” from his 1978 album, City to City. Krystle was currently doing over dubs on “Rising” that will be included on the new Krystle Warren & The Faculty album called, “Extended Play.” Krystle told me that they had wanted to do album cover photos during a concert that was scheduled in Kansas City in March, but was cancelled due to COVID-19. Getting everyone together has not been possible. Krystle was hoping for a late 2020 release. Krystle Warren learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystle Warren played KC Bands Together – A Livestream Concert Saturday, May 16]

10:30 – Underwriting

8. Shiner – “Genuflect”
from: Schadenfreude / Two Black Eyes / May 8, 2020
[Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude.”The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7” single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times. -0=Shiner’s newest record, “Schadenfreude”, will be released May, 08, 2020. A single, “Life as a Mannequin” was released February 28, 2020.]

Jason Gerken of Shiner on the May 20, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:36 – Interview with Jason Gerken

SHINER is Allen Epley on guitar & lead vocals, Paul Malinowski on bass, Josh Newton on guitar, and Jason Gerken on drums.

Jason Gerken joined us on the phone to talk about the band SHINER and the new album, “Schadenfreude,” released on May 8, 2020. With Allen Epley on guitar & lead vocals, Josh Newton on guitar, Paul Malinowski on bass, and Jason on drums, Shiner is back with their first album of new material in 19 years. Formed in 1992, Shiner quickly found exposure, More info at: http://www.shiner.net

Jason Gerken Thanks for being with us on WMM

Jason Gerken (drums) Member: 1994 (studio) (In a Perfect World)
Bands: Molly McGuire, Kingdom of Snakes, Gunfighter

Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude” will be released May 08, 2020.

The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7″ single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times.

Shiner’s newest record, “Schadenfreude”, will be released May, 08, 2020. A single, “Life as a Mannequin” was released February 28, 2020.

The band also has the song “Third Gear Scratch” included on the soundtrack of the video game Saints Row 2.

After announcing that the band was breaking up, Shiner scheduled a final performance. The final show was held at The Madrid Theater in Kansas City on January 25, 2003. Houston, Dirtnap, and Elevator Division opened.

Final show
After announcing that the band was breaking up, Shiner scheduled a final performance. The final show was held at The Madrid Theater in Kansas City on January 25, 2003. Houston, Dirtnap, and Elevator Division opened.

Discography:
1996 Splay / DeSoto Records / January 1, 1996
1997 Lula Divinia / Hit It! Recordings / March 11, 1997
2000 Starless / Owned & Operated / April 18, 2000
2001 The Egg / DeSoto Records / October 23, 2001
2020 Schadenfreude / Two Black Eyes / May 8, 2020

Reunions (2012–present)
Nearly ten years after its final show, Shiner announced a quintet of reunion shows in the US to celebrate the reissue of The Egg on vinyl on August 7, 2012. The dates include stops in NYC, LA, Lawrence, Kansas and Chicago:

8.11 New York, NY – Gramercy
8.18 Los Angeles, CA – Echoplex
8.24 Lawrence, KS – The Granada
8.25 & 26 Chicago, IL – Bottom Lounge

In 2015, the band played a second series of reunion shows in conjunction with a vinyl reissue of Starless:

7.15 Austin, TX – Red 7
7.17 Kansas City, MO – Record Bar
7.18 Minneapolis, MN – Triple Rock
7.19 Chicago, IL – Empty Bottle

In 2016, they played a few shows:
1.14 Pittsburgh, PA – Club Cafe
1.15 New York, NY – St. Vitus
1.16 New York, NY – St. Vitus

2017 saw a similar short US tour in conjunction with the vinyl re-release of Lula Divinia.

2.22 Champaign, IL – Accord
2.24 Kansas City, MO – Record Bar
2.25 Chicago, IL – Thalia Hall
3.03 San Francisco, CA – Bottom Of The Hill
3.04 Los Angeles, CA – The Echo
3.05 San Diego, CA – The Casbah
9.08 Milwaukee, WI – Shank Hall
9.09 Chicago, IL – Wurst Fest

2018
9.21 Rock Island, IL – RIBCO
9.22 Kansas City, MO – Record bar
9.23 Chicago, IL – Empty Bottle

Members Current:
Allen Epley (guitar, vocals)
Paul Malinowski (bass, formerly of Season to Risk)
Josh Newton (guitar, formerly of Season to Risk)
Jason Gerken (drums, formerly of Molly McGuire)

Previous members:
Jeff Brown (drums)
Tim Dow (drums)
Joel Hamilton (guitar)
Shawn Sherrill (bass)
______________________________________________________

Schadenfreude (/ˈʃɑːdənfrɔɪdə/; German: [ˈʃaːdn̩ˌfʁɔʏ̯də] (About this soundlisten); lit. ‘harm-joy’) is the experience of pleasure, joy, or self-satisfaction that comes from learning of or witnessing the troubles, failures, or humiliation of another.

Schadenfreude is a complex emotion, where rather than feeling sympathy towards someone’s misfortune, schadenfreude evokes joyful feelings that take pleasure from watching someone fail. This emotion is displayed more in children than adults. However, adults also experience schadenfreude, though generally concealed.

Etymology – Schadenfreude is borrowed from German; it is a compound of Schaden, “damage, harm”, and Freude, “joy”. The German word was first mentioned in English texts in 1852 and 1867, and first used in English running text in 1895. In German, it was first attested in the 1740s.

The new SHINER album, “Schadenfreude,” was released May 8. Info at: http://www.shiner.net

10:48

9. Shiner – “Life as a Mannequin”
from: Schadenfreude / Two Black Eyes / May 8, 2020
[Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude.”The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7” single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times. “Life as a Mannequin” was released February 28, 2020.]

10. The Sluts – “King Kong”
from: Enjoy The Show / The Sluts / May 7, 2020
[Second single from The Sluts upcoming 2020 release, Enjoy The Show and follow up to last year’s 6 song EP Break Their Heart. The Lawrence based band The Sluts were formed by Ryan Wise & Kristoffer Dover in 2011. Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios, KCMO. The Sluts released their debut EP Virile on November 14, 2013. The Sluts released The Loser EP on July 8, 2014. They released their 11-song full length album The Sluts on June 17, 2015. The Sluts released their EP Only One on May 25, 2017. Info at http://www.thesluts.bandcamp.com]

11. Berwanger – “Say To Me”
from: “Say To Me” B-Side Single to Watching A Garden Die / Berwanger / May 1, 2020
Josh Berwanger on vocals & guitars, Ricky Salthouse on backing vocals, Brian Klein on bass, Christian Jankowski on drums, and Carly Gwin on backing vocals. Watching A Garden Die was released June 28, 2019 on Wiretap Records. It was 4th full length album from Berwanger the band fronted by rock & roll singer songwriter Josh Berwanger. Josh Berwanger was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released Dtrange Stains in April 2014, the EP Demonios November 11, 2016, Exorcism Rock in October 2017, and The Star Invaders October 2017. Josh Berwanger also plays in the band Radar State.]

11:00 – Station ID

12. Anson The Ornery – “Drawing People I Don’t Really Like”
from: DJ Daniel The Cat / Anson The Ornery / May 6, 2020
[Daniel used small electronic toy synthesizers to accommodate the size of his paws to create his self titled album synth-pop DJ Daniel the Cat containing six upbeat dance songs with lyrics chronicling Daniel’s crippling social anxiety. After Daniel’s disappearance the DJ Daniel the Cat album was believed to be lost over. Over the last decade the notoriety of DJ Daniel the Cat has grown due to the popularity of the internet and the demand for the lost album was never greater when it was recently rediscovered.]

[Anson will be premiering DJ Daniel the Cat live on YouTube on Friday, May 22 at 7:00 PM with a special surprise at the end for longtime fans.]

Anson The Ornery on the May 20, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Anson The Ornery

Anson the Ornery, a multimedia artist who uses the latest technology to create conceptual artwork. He is currently working on The Great Tempest in a Bottle a website gallery that will exhibit a series of sculptures, paintings, short stories and songs inspired by internet culture. DJ Daniel the Cat is just one part of a larger work of art. Anson will be premiering DJ Daniel the Cat live on YouTube on Friday, May 22 at 7:00 PM with a special surprise at the end for longtime fans. More information at: http://www.ansontheornery.com

Anson The Ornery, Thanks for being with us on Wednesday MidDay Medley
Anson the Ornery,is currently working on The Great Tempest in a Bottle a website gallery that will exhibit a series of sculptures, paintings, short stories and songs inspired by internet culture.

DJ Daniel the Cat is just one part of a larger work of art. Anson will be premiering DJ Daniel the Cat live on Youtube May 22nd at 7:00 PM.

Anson The Ornery

Daniel used small electronic toy synthesizers to accommodate the size of his paws to create his self titled album synthpop DJ Daniel the Cat containing six upbeat dance songs with lyrics chronicling Daniel’s crippling social anxiety. After Daniel’s disappearance the DJ Daniel the Cat album was believed to be lost over. Over the last decade the notoriety of DJ Daniel the Cat has grown due to the popularity of the internet and the demand for the lost album was never greater when it was recently rediscovered.

For over a decade it was believed that the ground-breaking 2009 self-titled album DJ Daniel the Cat had been lost after the disappearance of Daniel the Cat in 2010. Recently Anson the Ornery, the producer and singer of DJ Daniel the Cat, rediscovered the album’s masters. The interest in DJ Daniel the Cat has only grown over the years despite the fact that few have ever heard the legendary album outside Daniel’s inner group of friends. That is soon to change, for Anson has announced that on May 22nd 2020 he will be live streaming DJ Daniel the Cat via Facebook and Youtube Live at 7 pm CST in its entirety along with his own personal commentary about the making of the album.

The breakout success of Piano Cat inspired Daniel to become a DJ himself but, due to bigotry in the music industry towards cats, Daniel was worried that his music would not be taken seriously. Anson then became the voice of DJ Daniel the Cat in order for the public to accept Daniel’s music. The two labored on the album for months only using small electronic toy synthesizers to accommodate the size of Daniel’s paws. The result was a masterful collection of six electronic dance music tracks with lyrics chronicling Daniel’s crippling social anxiety. After the news of Daniel’s disappearance Anson was disheartened and DJ Daniel the Cat was lost in the confusion. Over the last decade the notoriety of DJ Daniel the Cat has grown due to the popularity of the internet and the demand for the lost album has never been greater.

The world premiere of DJ Daniel the Cat will be on Facebook and Youtube live on Friday, May 22, 2020 at 7:00 pm CST. There has never been an album better suited for the internet and our current times. This one-time event is in loving memory of Daniel the Cat.

The release contains six tracks:

1. “The Call of the Void / L’appel du Vide”
2. “I’m Going to Turn My Bed Into a Car”
3. “I’m Going Out and Being Nice for Once”
4. “Give a Cat a Sunbeam”
5. “Drawing People I Don’t Really Like”
6. “I’m Antisocial and I’m Loving It”

Anson The Ornery, Thanks for being with us on Wednesday MidDay Medley

Anson will be premiering DJ Daniel the Cat live on YouTube on Friday, May 22 at 7:00 PM with a special surprise at the end for longtime fans. More information at: http://www.ansontheornery.com

11:15

13. Anson The Ornery – “I’m Antisocial and I’m Loving It”
from: DJ Daniel The Cat / Anson The Ornery / May 6, 2020
[Daniel used small electronic toy synthesizers to accommodate the size of his paws to create his self titled album synthpop DJ Daniel the Cat containing six upbeat dance songs with lyrics chronicling Daniel’s crippling social anxiety. After Daniel’s disappearance the DJ Daniel the Cat album was believed to be lost over. Over the last decade the notoriety of DJ Daniel the Cat has grown due to the popularity of the internet and the demand for the lost album was never greater when it was recently rediscovered.]

[Anson will be premiering DJ Daniel the Cat live on YouTube on Friday, May 22 at 7:00 PM with a special surprise at the end for longtime fans.]

14. Monta At Odds – “Two Lanes Two Paths”
from: Zen Diagram EP / Cosmic City / May 1, 2020
[Conceptual Kansas City art-rock combo Monta At Odds continue their experimentation in sound with an expanded line-up and a new EP, Zen Diagram. Led by Dedric Moore and fueled from 2020’s angst and uncertainty, the band adopts a darker, grittier direction that coincides with a post-punk indulgence. The result is an evocative four-song tableau, showcasing the veteran project’s drive to explore sonic territory as they lay down some mesmerizing jams. The title track opens the EP as a voyage into soundtrack dreams and sonic imagery. It’s a fully-packed production, featuring twin vocals from Mikal Shapiro and Teri Quinn, Krystof Nemeth of Emmaline Twist on epic baritone guitar, Lucas Behrens on Moog, and Delaney Moore on slide guitar. The song builds and builds over 10 minutes, introducing a bevy of interplaying elements and melodies. There’s a complexity that grooves. Monta At Odds embraces the grayer shades of these sessions with a faithful but otherworldly cover of “Movement of Fear,” the classic cut from Tones On Tail. Mikal leans into the vocals with gentle whispers as Lucas plucks the atmosphere. Meanwhile, Matthew Heinrich merges live drums with the programmed ones until he is one with the machines. The result is multi-textured and dubbed-out, exposing the bloodline of Monta’s aesthetic. “Two Lanes Two Paths” is frenetically powered by the jazzy drum drive of Alexander Thomas. Dedric’s relentless bassline, Delaney’s freeform synthesizer soloing, and Krystof’s expressive guitar tones conspire to form a congealed essence. It’s a spaced-out instrumental that could be from another time, floating defiantly into the present. Zen Diagram ends with “I Count The Steps To A New Sunrise.” The previous cut’s path takes us to a crest on a hill with a view of the damage below. The combo is locked-in, as skittering drums, cosmic synths, spacious noise guitars, and a pensive bass riff promise a way out. Dedric’s vocals are pure 2020, overcome with the zeitgeist of isolation and yearning to reach for something, anything. The diagram becomes a map, and this is how we find an escape.]

[Dedric Moore will be our guest next week on WMM]

14. Kawehi – “Mad World/Radioactive”
from: Kawehi Covers / Kawehi / January 3, 2019
[Hawaiian singer-songwriter, and one-woman band, known for her live looping sets that draw you in with her melody and lyrics. While based in Lawrence, Kansas, she gained national attention for her YouTube cover of Nirvana’s “Heart-Shaped Box” and gained a new fan in Courtney Love.]

[Kawehi played KC Bands Together – A Livestream Concert Saturday, May 16]

11:30 – Underwriting

16. Andrew R Morris – “One Fine, Sweet & Sunny Day”
from: One Fine, Sweet & Sunny Day / Andrew Morris / May 15, 2020
[This is a new electronic solo project by Andrew. “Here is a collection of tunes I worked up with electronic beats. I sent the rough beats over to Burke Sullivan in Fairmount, IN. He spiffed em up. Then we met up and recorded some in his studio and some at a church in Fairmount, Indiana. There is an accompanying radio drama to go along with the music. You’ll get an email with a link shortly after purchase. Huge thanks to Burke Sullivan for undertaking this project with me. I’m forever indebted to the tremendous amount of effort you put into this project. Big thanks to Julie Bates for encouraging me to make this project a reality and helping so much.” – Andrew. All songs written by Andrew Morris. Andrew Morris on vocals, guitar, mandolin, banjo, beats, bass; Burke Sullivan on drums, beats, bass, guitar; Julie Bates on violins. All tracks, except 1 & 11, recorded & mixed by Burke Sullivan. Tracks 1 & 11 recorded and mixed by Andrew Morris. Mastered by Johnny Kenepaske at Dead Horse Sound, Independence MO. Andrew plays a John Boyd Mandolin. Album art by Andrew Morris] [Andrew Morris is one half of The Matchsellers. a Folk-American duo who have released to EP and three full length albums. The Matchsellers is the unlikely result of a classically trained violinist from Kansas City, MO, (Julie Bates) and a Chicago blues guitarist from Warsaw, Indiana, (Andrew Morris) meeting in Leipzig, Germany, and forming a bluegrass duo.]

Andrew Morris on the May 20, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:35 – Interview with Andrew Morris

Kansas City based Chicago blues guitarist from Warsaw, Indiana, Andrew Morris joins us to share music and details about his new electronic solo project release, “One Fine, Sweet & Sunny Day” a 12-track album that came out May 15, 2020. Andrew Morris is one half of the critically acclaimed Bluegrass, Folk, Americana duo The Matchsellers with his wife, classically trained violinist Julie Bates. Andrew writes, “Here is a collection of tunes I worked up with electronic beats. I sent the rough beats over to Burke Sullivan in Fairmount, IN. He spiffed em up. Then we met up and recorded some in his studio and some at a church in Fairmount, Indiana.” More info at http://www.thematchsellers.com

Andrew Morris thanks for being with us on Wednesday MidDay Medley.
Andrew Morris is one half of The Matchsellers. a Folk-American duo who have released to EP and three full length albums. The Matchsellers is the unlikely result of a classically trained violinist from Kansas City, MO, (Julie Bates) and a Chicago blues guitarist from Warsaw, Indiana, (Andrew Morris) meeting in Leipzig, Germany, and forming a bluegrass duo.

One Fine, Sweet & Sunny Day is a new electronic solo project by Andrew Morris.

“Here is a collection of tunes I worked up with electronic beats. I sent the rough beats over to Burke Sullivan in Fairmount, IN. He spiffed em up. Then we met up and recorded some in his studio and some at a church in Fairmount, Indiana.

There is an accompanying radio drama to go along with the music.

Huge thanks to Burke Sullivan for undertaking this project with me. I’m forever indebted to the tremendous amount of effort you put into this project.

Big thanks to Julie Bates for encouraging me to make this project a reality and helping so much.” – Andrew. All songs written by Andrew Morris.

Andrew Morris on vocals, guitar, mandolin, banjo, beats, bass; Burke Sullivan on drums, beats, bass, guitar; Julie Bates on violins.

All tracks, except 1 & 11, recorded & mixed by Burke Sullivan. Tracks 1 & 11 recorded and mixed by Andrew Morris. Mastered by Johnny Kenepaske at Dead Horse Sound, Independence MO. Andrew plays a John Boyd Mandolin.

Album art by Andrew Morris

Andrew Morris thanks for being with us on Wednesday MidDay Medley.

Andrew’s new electronic solo project release, “One Fine, Sweet & Sunny Day” a 12-track album that came out May 15, 2020. More info at http://www.thematchsellers.com

Andrew R Morris

11:47

17. Andrew R Morris – “I Remember the Stars”
from: One Fine, Sweet & Sunny Day / Andrew Morris / May 15, 2020
[This is a new electronic solo project by Andrew. “Here is a collection of tunes I worked up with electronic beats. I sent the rough beats over to Burke Sullivan in Fairmount, IN. He spiffed em up. Then we met up and recorded some in his studio and some at a church in Fairmount, Indiana. There is an accompanying radio drama to go along with the music. You’ll get an email with a link shortly after purchase. Huge thanks to Burke Sullivan for undertaking this project with me. I’m forever indebted to the tremendous amount of effort you put into this project. Big thanks to Julie Bates for encouraging me to make this project a reality and helping so much.” – Andrew. All songs written by Andrew Morris. Andrew Morris on vocals, guitar, mandolin, banjo, beats, bass; Burke Sullivan on drums, beats, bass, guitar; Julie Bates on violins. All tracks, except 1 & 11, recorded & mixed by Burke Sullivan. Tracks 1 & 11 recorded and mixed by Andrew Morris. Mastered by Johnny Kenepaske at Dead Horse Sound, Independence MO. Andrew plays a John Boyd Mandolin. Album art by Andrew Morris] [Andrew Morris is one half of The Matchsellers. a Folk-American duo who have released to EP and three full length albums. The Matchsellers is the unlikely result of a classically trained violinist from Kansas City, MO, (Julie Bates) and a Chicago blues guitarist from Warsaw, Indiana, (Andrew Morris) meeting in Leipzig, Germany, and forming a bluegrass duo.]

18. Foolish Sad Robot – “Postpone”
from: The Complete Foolish Sad Robot / Independent / 1995-96
[One of 23 songs written & recorded with Tom Livesay and Ike Sheldon (of The Wilders) Foolish Sad Robot was a band that existed somewhere between The Young Johnny Carson Story and The Wilders. The band played in many venues & developed a following.]

19. Jess Williamson – “Wind on Tin”
from: Sorceress / Mexican Summer / May 15, 2020
[The Texas-born, L.A.-based singer and songwriter Jess Williamson makes deeply felt songs that orbit around her powerful voice, a voice that’s strong and vulnerable, big room flawless, quietly ecstatic, and next-to-you intimate. In her most recent work, Sorceress, that voice is surrounded by a deep-hued kaleidoscope of dusty ‘70s cinema, ‘90s country music, and breezy West Coast psychedelia. // Williamson grew up in the suburbs of Dallas. An only child, she was raised by music-loving parents on a healthy diet of Bonnie Raitt, Van Morrison, and K.T. Oslin. A lifelong singer and performer, her earliest memories are of putting on concerts for the other kids on the playground during recess. // While attending the University of Texas, Williamson began to find her footing as an artist in the DIY and student-run art and music spaces of Austin. A photojournalism major, she interviewed and photographed bands for the school newspaper and hosted a radio show on KVRX, the student-run radio station. But quietly, she had an insistent pull to pursue music herself. In her last year of school, following an impulse after seeing Austin’s Ralph White play the banjo at a house show in her friends’ basement, Williamson took up banjo lessons at South Austin Music, and soon after was writing songs and making home recordings. After graduating, she moved to NYC to attend an MFA Photography program at Parsons. But after a couple semesters, she realized the call to pursue a career in music was too big to ignore, and she dropped out. // She started a band in NYC called Rattlesnake with another friend from Texas: Williamson played banjo, her friend played electric guitar, and they both sang. They played their first show at the now defunct venue, Death by Audio, in March of 2010. A few months later, drawn to her larger hometown community, she moved back to Austin to focus on her solo project. // For the next couple years, she was actively playing and booking shows in the Austin music scene, and self-released records on her own Brutal Honest imprint: her debut EP, 2011’s Medicine Wheel/Death Songs, 2014’s Native State, and 2016’s Heart Song. Along the way, she also incorporated guitar and piano into her songwriting and live shows. // In 2016, she relocated to Los Angeles, a move that proved life-changing. Inspired by the new environment and the deep introspection that can come from being alone in a foreign land, she wrote the album Cosmic Wink, which was recorded the following year in Dripping Springs, Texas, and became her first release with a record label—Mexican Summer—in 2018. // Her fourth album, Sorceress, also with Mexican Summer, arrives Spring 2020. It was written in Los Angeles, recorded at Gary’s Electric in Brooklyn, and finished at Dandy Sounds in Dripping Springs, where she recorded Cosmic Wink. While she’s stayed true to her deep country roots, the music has grown in its ambitions. It’s her biggest, most assured collection to date, and a true document of the hard work paying off.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, May 27 we will play more New & MidCoastal Releases. PLUS, at 10:30 we’ll talk with musician and composer Remy Stryck about his newest compositions. At 11:00 we’ll talk with Dedric Moore about Kosmic City Records and the new Monta At Odds release. And at 11:30 AM Paul Malinowski joins us to talk about the new release from Shiner.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #838

WMM Playlist from October 9, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 9, 2019

Julia Othmer + Jocelyn Olivia Nixin of The Creepy Jingles
+ Music from Outer Reaches with Brenton Cook & Steve Tulipana

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Angel Olsen – “All Mirrors”
from: All Mirrors / Jagjaguwar / October 4, 2019
[4th album from Angel Olsen who was born January 22, 1987. She is an American singer-songwriter and musician from St. Louis, Missouri who currently lives in Asheville, North Carolina. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center and the Creepy Crawl as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago.After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on February 17, 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016. In addition to her work with Bonnie “Prince” Billy and The Cairo Gang, Olsen has collaborated with a number of other notable figures of American indie rock, including Tim Kinsella of Cap’n Jazz, LeRoy Bach of Wilco and Cass McCombs. Her collaboration with Kinsella and Bach, as well as with Chicago poet Marvin Tate, resulted in the album Tim Kinsella Sings the Songs of Marvin Tate by Leroy Bach Featuring Angel Olsen which the group released on Indianapolis label Joyful Noise Recordings on December 3, 2013. Her song “Windows” was featured in the final episode of the Netflix original series 13 Reasons Why.]

3. Pretend Friend – “I Do”
from: Unnatural Currents / Pretend Friend / May 17, 2019
[Pretend Friend is a string-band dynamo out of Wichita, Kansas. Their songs meld traditional bluegrass and folk with fiery rock and roll zest, and their performances are distinguished by high-energy picking and three-part vocal harmonies. Pretend Friend is: Grant Boesen as songwriter, and on guitar & lead vocals; Jason Snavely on drums & vocals; Brody Wellman on bass & vocals; and Evan Ogborn on mandolin & vocals. Unnatural Currents” is Pretend Friend’s second full-length LP. This album is the first to be acoustically arranged and foreshadows Pretend Friend’s stylistic direction since Brody Wellman and Evan Ogborn have joined the ranks as upright bassist and mandolinist, respectively. “The writing of this album acknowledges the futility in pursuing supernatural absolutes, but it also validates respect of the unknown. It relishes the uncertainty of existence, spirituality, and morality, and it celebrates expressions of enthusiasm, infatuation and skepticism.” More info at http://www.pretendfriendmusic.com]

[Pretend Friend play Porch Fest KC Saturday, October 12, at 12:00 Noon, at 3022 Oak Street during The Original PorchFestKC, this Saturday, October 12, 12 Noon to 6:00 PM in Roanoke, Union Hill and Longfellow Neighborhoods, now in its 5th year this music celebration brings music from 152 local & regional bands on 68 porch stages including music in Union Hill Cemetary. The map (and parking suggestions) are available at: PorchFestKC.com ]

10:11

4. Julia Othmer – “Frickin Awesome”
from: Sound / Julia Othmer & James Lundie / June 30, 2016
[One several new songs from Julia Othmer’s upcoming full length release of “Sound,” her second album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.”.]

[Julia Othmer plays recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.]

Julia Othmer

10:14 – Interview with Julia Othmer

We are happy to welcome back to the radio show our friend, singer songwriter Julia Othmer. Julia Othmer joins us to talk about her newest album “Sound,” released on April 12, 2019 on Frikin’ Awesome Records. who went to Park Hill High and studied at Columbia University in New York City. Julia now lives in Los Angeles, California and she is back in her hometown to play recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.

Julia Othmer, thanks for being with us on WMM

Julia Othmer was born August 13, 1975. She is from Kansas City, Missouri. She went to Park Hill High and studied at Columbia University in New York City. Julia Othmer lives in Los Angeles, California.

Julia has lived in New York, Boston, Philadelphia, and in Colorado

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Julia moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.”

Julia’s mother Sieglinde Othmer is from Hamburg, Germany, and is an artist who studied at Sorbonne in Paris. She is the author of several award winning books. Julia recently lost her father Arthur Othmer

Julia first started playing piano in first grade.

This year Julia released “Sound,” her second full-length album, produced with James Lundie, who married Julia in January of 2016 during the completion of the record.

James Lundie is from London, United Kingdom.

Last year Julia Othmer toured with and opened for The Alarm in US show and shows in the United Kingdom.

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Out of Print Magazine says: “This Thursday evening in the quaint little village of NYC, Julia Othmer, the mesmerizingly sultry singer/songwriter will be riding into town tucked under the wings of a Southwest jet. She will be performing at Rockwood Music Hall (196 Allen St. New York, NY) at 7PM sharp. If you haven’t heard of her, it may be because she has been diligently working on her new album for the last few years on the sunny and less immediate coast. Formerly a Kansas City native, Julia has put her pillow in New York, Boston, Philadelphia, some gondola in Colorado and finally Los Angeles, the city of lights and traffic, where she currently lives with her little white piano, her rock star and her cat Cosmo. Julia’s musical musings are so diverse that they become quite elusive to the simple description. Perhaps the best way to explain it would be if Nora Jones, Tom Waits, Billy Holiday and Lyle Lovett had a musical orgy and let you watch behind a curtain of burning lace and a whiskey waterfall. I’ll bring the unfiltered cigarettes, you bring your soul.”

Last time Julia Othmer was in Kansas City she played Knuckleheads, on February 28, with Johnny Hamil on bass, Chris Tady on guitar, John Floyd Whitaker on drums. All three will join Julia on stage at recordBar. Julia will welcome special guest: Julia Reynolds.

Who will be on stage with her on Saturday?

Julia Othmer plays recordBar, 1520 Grand, Sat. Oct. 12, at 8PM, w/ Amado Espinoza.

Julia ‘s newest album “Sound,” was released on April 12, 2019 on Frikin’ Awesome Records. Produced with James Lundie.

Tim Finn describes “Sound” as a “self-made record with a big-label sound… rich in space and soaring dynamics and rife with layers and textures and melodies and grooves.”

Julia Othmer is a graduate of Park Hill High School and moved to Los Angeles in 2006. While she lives in LA, she will always call KC her hometown.

Julia Othmer, thanks for being with us on WMM

Julia Othmer plays recordBar, 1520 Grand Blvd, KCMO Saturday, October 12, at 8:00 PM, with Amado Espinoza. More info at http://www.juliaothmer.com.

10:30 – Underwriting

10:32

5. The Creepy Jingles – “Atom & Evolution”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

Jocelyn Olivia Nixin and Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

10:33 – Interview with Jocelyn Olivia Nixin of The Creepy Jingles

Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

Congratulations on the new EP Release on High Dive Records.

Ross Brown of (Shy Boys and Full Bloods) recorded and mixed the EP at escape Pod Audio.

Mike Nolte Mastered the recordings at Eureka Mastering.

EP credits give special thanks to: Collin Rausch and Kyle Rausch of Shy Boys

The Creepy Jingles photo by: Orange Blossom Photography

From High Dive Records http://www.highdivekc.com:

“The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit.”

“Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing Bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. ”

From FALLY AFANI, I Heart Local Music.com (JUNE 22, 2019):

“The Creepy Jingles are really throwing us for a loop. Like, we know garage rock is supposed to sound raw and a little loose. But The Creepy Jingles are so on point with their craft, we’re not entirely comfortable with picturing them as some laid back group of rockers. Every. Single. Note. Is. Perfect. When The Creepy Jingles play, it sounds like they practice every single day. They don’t miss a single thing! Every note in every song is spot on, we haven’t heard a group of rockers this tight with their performance in ages. When they hit the Replay for their album release show Thursday night, it was hard to look away. Jocelyn Olivia Nixon runs a tight ship with this group. They began the set with her pounding away at the keys, leaving a throbbing urge for more of their exciting rock noise. Then, when they fully dove into their impeccable guitar work, the audience was also treated to her gnarly-as-hell vocals. The growls, the screams, the RAWNESS of it all brings out our most primal emotions.”

Jocelyn Olivia Nixin on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Jocelyn Olivia Nixin is Community Organizer at Bandwaggn Kansas City

Jocelyn Olivia Nixin is Singer/ Songwriter/ Guitar/ Keys at The Creepy Jingles

Jocelyn Olivia Nixin is Singer-songwriter at English Major

Jocelyn Nixin Studied Filming/Directing/Acting/writing at The Art Institute of Austin

Jocelyn Nixin Studied Studied Broadcasting & Film at University of Central Missouri

Jocelyn Nixin Studied Studied Creative Writing in English at Missouri State University

Jocelyn Nixin went to Blue Springs South High School and Jocelyn Nixin lives in Overland Park, Kansas

From The Pitch KC June 19, 2019 Nick Spacek:

Jocelyn Olivia Nixin was part of the band Abracadabras, that was active around Kansas City from 2006 to 2009 or so. Nixon fronted the band, which also included brothers Collin and Kyle Rausch, who now play in the pop act Shy Boys.

Jocelyn Olivia Nixin told Nick Spacek i nan article published in The Pitch KC on June 19, 2019, “That was, like, the first band,” Nixon says. “I’d been writing songs since I was probably about 22, and that was our first band together. So it was like we all grew up together … Once I went to Austin, I felt like it was time for me to stand on my own.”

“I’d left [Kansas City] to work on my marriage,” Nixon continues. “My wife at the time was offered a job and I figured, Yeah, Austin, great music city. I should see what happens. A music city like Austin was the silver lining in moving away from my band.”

The marriage hit the skids a few years in, but Nixon continued writing music. She released a solo project called English Major, a divorce record of sorts. Five years in, though, everything finally seemed to come to a head.

“The traffic, the cost of living — our rent went up $750,” Nixon says. “It was almost impossible to stay. I was like, Why am I killing myself to do this? I was also starting to come to terms with my own personal identity, and it blew into this existential crisis, where I was like, I can’t keep this bottled up anymore.”

Being “bottled up” was Nixon acknowledging her recent transition into life as a woman, a process she’d started early during her time in Austin.

“Tweezing my eyebrows, laser hair removal, therapy, going out more in femme,” she says — but largely abandoned after her marriage fell apart and she stepped into a new relationship. But the desire to transition hadn’t gone away; Nixon was just burying it.
“I was depressed to the point where I kind of — there’s that line in ‘Yer Blues,’ where John Lennon’s like, Feel so suicidal/ Even hate my rock and roll.’ I was like, ‘Oh, I get that line,’”

Nixon says. “I didn’t ever feel like I was going to commit suicide, but I had this fantasy of faking my death and becoming a new person, which was all sort of leading me to transition, but I was just miserable and I just didn’t want to be around it.”

She decided to leave Austin and return to KC, though moving back home as she transitioned wasn’t something Nixon was initially eager to do. “I thought it was scarier to move back,” she says. But then she realized that, as she says, “I needed to do this in front of the people I grew up with, and have those tough conversations, and tell them who I really am and how I really feel. It felt like the most honest way to do things, and it felt like the most authentic way to bridge my past to my present.”

Nixon started hormones and came out as a woman after she moved back home to KC. She says everyone’s been cool about it — tons of support.

“When I came out, I felt stupid, because I was like, ‘I should’ve done this sooner,’” she says. “An immediate weight lifted off of me, just from carrying the weight of that consuming all my mental faculties at all times. It just shot my nervous system.”

Nixon had quit playing music toward the end of her time in Austin, and she gave herself a few years during her transition to “get my head right and heal from a breakup, and also, approaching this new phase in my life,” as she puts it. But she kept writing songs.

She started jamming with Nick Robertson, a drummer. Then they brought in Travis McKenzie, a former Abracadabras guitarist, and the Creepy Jingles were born. They played around for a few years and then, last year, began recording what would become their debut self-titled EP.

“We took it slow, doing it like, once a week, and then once fall rolled around, we were like, ‘Let’s record some things,’” Nixon says. They took the music to Ross Brown, another Shy Boy, who recorded and mixed the EP in his basement. Collin Rausch ended up playing bass on it (Adam York has since joined the group as the full-time bass player).

“It was kind of like a little family reunion,” Nixon says of reuniting with old bandmates.

Nick Spacek wrote: The EP was released on High Dive Records at the beginning of May. It’s confident and exuberant, a Kinksy mishmash of Britpop garage rock”.

She says. I felt like I had to adopt a mask or a character to protect myself a little bit onstage. Now it feels very me, and I’m very comfortable.”

The Creepy Jingles
photo by: Orange Blossom Photography

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:44

6. The Creepy Jingles – “Prodigal Sun Tzu”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

The Creepy Jingles
photo by: Orange Blossom Photography

10:47 – More Interview with Jocelyn Olivia Nixin of The Creepy Jingles

We are talking with Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

This has been a very busy year for you and for the band. You just finished playing Middle of The Map Festival. Before that you played Crossroads Music Festival.

The Creepy Jingles have played all over Kansas City, Lawrence and surrounding areas.

Abracadabras laid the ground work for the path Jocelyn is following for The Creepy Jingles.

The songs on the EP are incredibly poetic, and you are having somuch fun with word and wordplay. The lyrics fly by so fast while making all kinds of modern references to microchips, memes, Reddit, Twitter, Fake News, Samsung, Big Brother while also seeming to be auto biographical and personal first person narratives and calls to action about Coming Out, leaving your past behind, “turning straight people bi-focal”, our currently political reality, and personal break ups and break outs.

Collin & Kyle Rausch and Ross Brown of Shy Boys are suppoters of The Creepy Jingles.

Mark: “One of my favorite aspects of the KC music community is the mix of genre and culture. Musical artists in Kansas City have felt comfortable to come out as Gay Lesbianm non-binary, transgender, ad the music community’s response seems to be okay, that’s great, what do you sound like? I don’t see transgender artist being shoved into a separate sub category where they only play gay bars.” “As an openly gay man I have often felt more accepted in the KC Music Community than in the Kansas City LGBTQIA Community.”

High Dive Records has released some of our most played music on WMM. The ACBs, Shy Boys, Fullbloods, The Conquerors, Psychic Heat, The Whiffs, The Fog, Y God Y have been some of our most played bands on the show. More info at: http://www.highdiverecords.bandcamp.com

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:58

7. The Creepy Jingles – “Circadian Rhythm Guitar”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. Ross Bown recorded and mixed the EP at escape Pod Audio. Mike Nolte Mastered the recordings at Eureka Mastering.]

11:00 – Station ID

Jocelyn Olivia Nixin and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:00 – Music from Outer Reaches Fest at recordBar Saturday October, 19

8. Lumerians – “Silver Trash”
from: Call Of The Void / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland. They have their own recording studio in a converted church in Oakland, California. The band’s sound was influenced by groups such as Sonic Youth, Krautrock groups such as Can and Neu!, and African and South American Psych music from the 1960s and 1970s. In mid-2011 Vasquez left the group to focus on his project The Soft Moon The Lumerians have worked with vocalist Rebecca Coseboom. Coseboom and the Lumerians did the track Separate Half on the EP entitled The Answer EP by Unkle. They performed in 2010 in Brooklyn with the Butthole Surfers. Lumerians released their first full length LP, Transmalinnia in March 2011. In July 2012, Lumerians released their second LP, a collection of instrumental spontaneous compositions titled “Transmissions from Telos Vol. IV.” “Transmissions” was released as a limited 300 edition transparent vinyl by French label Hands in the Dark in Europe and an edition of 500 (150 transparent sea blue and 350 Bone) on Permanent Records in the US. In late November and early December 2012, Lumerians completed their first European tour, ending the year with the release of the Horizon Structures EP on Knitting Factory Records. A limited 500 edition vinyl of Horizon Structures is packaged with “4D Trans-dimensional portal viewing glasses” for viewing the video for “The Bloom,” shot in ChromaDepth. Lumerians released LP The High Frontier in May 2013 in the UK and Europe, supported by performances in UK, France, Netherlands and Belgium. The album was released August 2013 in the US, coinciding with a series of dates supporting My Bloody Valentine on the second half of their US tour, followed by a series of UK and European dates in 2014, culminating with them closing out the Roadburn Festival’s Afterburner in Tilburg, Netherlands. ]

Steve Tulipana and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:06 – Interview with Brenton Cook & Steve Tulipana

Originally called KC Psych Fest, Outer Reaches started in 2012 to bring together outsider musical acts and celebrate experimental music in Kansas City. While still very psychedelic, the Outer Reaches Fest has grown to emphasize musical acts pushing boundaries.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 7 years, Brenton has been a co-curator of the Outer Reaches Fest.

Steve Tulipana is the co-owner of recordBar. Steve studied video, fine arts & painting at UMKC, where he graduated in 1991. Steve is a founding member of influential KC bands: Season To Risk, Roman Numerals, Thee Water MoccaSins, Sie Lieben Maschinen, and Unknown Pleasures. With Shawn Sherrill, he is co-owner of recordBar and miniBar. Along with Outer Reaches, and a full calendar of shows, Steve Tulipana also performs with The Band That Fell To Earth – in Tribute to David Bowie.

Brenton Cook & Steve Tulipana share music & news about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO. This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering). Accompanying the music will be live video projections provided by XO Blackwater. Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com. or http://www.outerreachesfest.com

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

Congratulations on 8 years.

Bands playing Out Reaches Fest 2019:

Lumerians (from Oakland, California),
Thunder Jackson (from Oklahoma and Wales),
KC based bands:
Be/Non,
BCR (Black Crack Revue),
Monta At Odds,
FACEFACE, and
Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.
Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian)

Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

From http://www.unicornsinthesnow.com:
Julia Vering (Unicorns in the Snow) is a performance artist, musician, animator and licensed clinical social worker. She began her involvement with the Kansas City DIY/punk scene as a teenager taking photographs and creating zines about obsolete local amusement parks and punk bands. She attended Evergreen State College where she earned a B.A. in liberal arts studying electronic music, experimental animation and social work. While in Washington state, she formed and toured with the all female conceptual art band Muñeca Chueca, volunteered at a senior center, recorded oral histories, and facilitated music recording workshops for incarcerated youth. After graduation, she moved back to Kansas City and began working at a nursing home where she facilitated art and music therapy and began an experimental drama program. She studied electro-acoustical composition and gerontology at the University of Missouri Kansas City. In 2008, she earned a Masters degree in Social Work from the University of Kansas. She designed a recreational therapy program for the inpatient geriatric psychiatric unit at the Kansas City Veterans Affairs Medical Center and worked as a licensed social worker at Kansas City Presbyterian Manor facilitating a drama club, harmonica band and talent shows. She currently works as a hospice social worker and leads an experimental therapeutic drama group for people with dementia.

Vering balances her client-centered social work with the need to create intensely personal, introspective performances to share with the public. Her work explores mortality, loneliness, absurdity and empathy, seeking to monumentalize the mundane and forgotten through sound, performance and visual art. Vering received a Rocket Grant in 2011 to produce You Live Here Too, a multimedia performance utilizing video, stop-motion animation, an original score, and local senior citizens as actors and oral historians. After a hiatus from taking work after having children she created Motherhood, a psychedelic multimedia performance piece about perception, which utilizes processed accordion, field recordings of her children, stop motion animation of mink stoles and cameos from her own mother. She toured this project in June 2018 with former collaborator Angela Saylor of Mint Hill. Her current project, The Understudy, is an evolving multimedia performance piece featuring cameos from participants of the drama she leads for people with Alzheimer’s disease and other dementias. The piece was inspired by a delusion a nursing home resident shared with her 17 years ago that “every rock in here is from a different place, and if you pick it up, you can see where it’s from.” Vering continues to work within the DIY ethos recording her own music, filming, editing her own videos and writing her own scripts at her home studio in Overland Park, Kansas.

11:13 – Music from Outer Reaches

9. Unicorns in the Snow – “We Started a Rock Company”
rom: The Understudy / Julia Vering / May 9, 2019
[Julia Vering (unicorns in the snow) is a Kansas City-based performance artist, musician, animator and licensed clinical social worker. She earned a BA from The Evergreen State College studying electronic music, experimental animation and social work, and a Masters degree in Social Work from the University of Kansas. She currently works as a licensed hospice social worker, and conducts bi-monthly experimental video-based drama therapy with individuals with Alzheimer’s disease and related dementias at Jeanne’s Place day program. Her solo multimedia performance work has continued to evolve, utilizing large format interactive projections, processed accordion, field recordings of her children and cameos from her mother, culminating in 2018’s Motherhood. She is currently creating and performing, The Understudy, a multi-part performance series featuring adults with dementia.]

[Unicorns in the Snow play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

10. Be/Non – “Aahs Come From The Skies-Oohs Come From The Ground”
from: Mystic Sunrise / Sunset Magic / Haymaker Records / February 25, 2016
[Brodie Rush is a songwriter, musician, singer, organizer, artist, film maker, music video creator. Over 20 years ago KC native, Brodie Rush formed the experimental, psychedelic, prog-pop band. In 1996, Be/Non recorded two sets of songs in a small home studio in Lawrence, Kansas, that would become their first two EPs released on cassette. Be/Non, The band has had more members than Spinal Tap, but Brodie has remained the only consistent member, songwriter and producer. Be/Non personnel: 2007, Brodie Rush – Vocals, Guitar, Keyboards, Bass, Percussion, Drums; Ben Ruth – Bass, Upright Bass, Vocals; Adam Stotts – Guitar, Vocals; John Huff – Keyboards, Synths, Vocals; Adam Phillips – Drums (although Ryan Shank – played Drums on this track.) All songs written by: Brodie Rush, except Freedom Palace with music: John Huff & lyrics: Brodie Rush. Produced by Brodie Rush. Recorded at Westend Recording (Kansas City, Kansas) 2007 (Basic tracks, some overdubs); The Gold Room (Kansas City, Missouri) 2007 (Overdubs); Studio G (Brooklyn New York) 2007 (Mixing, Overdubs); The Map Room (Lawrence, Kansas) 2003 (Overdubs). Engineeres: Paul Malinowski Recorded at Westend Recording (Kansas City, Kansas) 2007 ; Brodie Rush The Gold Room (Kansas City, Missouri) 2007; Joel Hamilton Studio G (Brooklyn New York) 2007 ; Peter Buxton The Map Room (Lawrence, Kansas) 2003, (Saxophone overdubs imported from “Do The Heat” off the record, “Esperanto At The Pantheon, Incognito”). Mixed by Joel Hamilton at Studio G (Brooklyn New York) 2007. Mastered by Brodie Rush. Thanks John Hulston, Anodyne Records, Brenton Cook, Haymaker Records, Paul Malinowski, Tony Maimone, Justin Warring, Adam Phillips, Brandon Phillips, Steve Neuenburg, Mike Miller, Shawna Sowersby-Booth, David Hanson, Billy Brimblecom, Steve Tulipana, Jason Cantu, David Gaume, Robert Moczydlowsky, Laurel Birdsong Sears, Kid Millions, Cypher Sound, The Record Bar. Dedicated to: Failed marriages throughout time and space. The troubled “Freedom Palace” LP was recorded over 10 years ago in the summer of 2007 by Paul Malinowski and Brodie Rush in Kansas City, Missouri. Anodyne Records had commissioned Be/Non to re-record songs from, “RAN” and “Esperanto At The Pantheon, Incognito” along with other unreleased material. The music from the title track “Freedom Palace” was written by John Huff and had the album been released, would have been the first Be/Non composition not penned by Brodie Rush. Be/Non was a 5 piece before recording negotiations began in 2007. Directly before preproduction, the band had lost its drummer of 3 years and Be/Non was actively searching for a replacement. Between Brodie filling in on drums for two songs and Billy Brimblecom playing drums on another track, Be/Non asked Adam Phillips of The Architects to drum on the album’s remaining songs. The album was mostly recorded at Westend Studios in Kansas City and at Brodie’s home studio The Gold Room. After tracking 97% of the album, the project was taken to Studio G in Brooklyn New York for mixing by Joel Hamilton. 10 days later, the album was mixed and ready for duplication. No formal album covers had been decided on. John Huff had an idea of a Unipegadong by a nebula in space, while Brodie was thinking a castle floating in mid air. The first cover idea was mostly just pointing arrows going in all directions. Emotionally that was probably the closest to the mindset of that recording. The album “Freedom Palace” was never pressed or released. Because a contractual arrangement could not be agreed upon between Anodyne Records and Be/Non, the band would not see an album released until 2009, “A Mountain Of Yeses”, 11 years after it’s last release in 1998. “Freedom Palace” is dismissed by the band as a complete failure. Ultimately not having rights to the recordings, the inability to reach a contractual agreement with Anodyne Records and unhappiness with the final mix led to the disbanding of the “Freedom Palace” line up in early 2008. Reclusive, secluded and freshly divorced, a depressed Brodie Rush stopped all live performances for the next two years. Spending time to construct the concept record “A Mountain Of Yeses” as a solo endeavor under the Be/Non band moniker. Then, six years later in 2014, John Hulston of Anodyne Records graciously gave Brodie Rush full rights to the “Freedom Palace” recordings and masters. Be/Non has since tried numerous times to re-record the material for a proper release, but never could fully accomplish this task. Finally, for the entire world, for better or for worse, Be/Non and Haymaker Records would like to present the final mix of “Freedom Palace” the way it was originally intended. Be/Non adamantly renounces the production, mix and performances on these recordings, with few exceptions. The album was mixed and recorded during a dizzying haze of drug and alcohol abuse. The lyrics, the tone and the feel of the record is very unfocused, angry and misguided. This record does not reflect the proper sonic soundscape or performances Brodie Rush and Be/Non had intended whatsoever. “Freedom Palace” was full of rehashed versions of songs better left to their previous incarnations. “Moi Ou Toi” from the 7″ is a remake from “Freedom Palace” but the “FP” version is a remake of the original “Ran” version. Complicated. In fact ALL of the recordings on “FP” are remakes from “Ran” and “Esperanto.” “Do the Heat” and “Lucy” are again remakes of the “Ran” and “Esperanto” versions. The version of “Ice Fight” on “FP” I think… is different than the B-Side to “Moi Ou Toi”. A different remix with other instruments. We had two different versions from 2015. The Kraftwerk reference was unintentional. John Huff started playing that back in 2006 but hadn’t heard the Kraftwerk song until I played it for him in 2015. He just did that and thought he was cool. I hadn’t heard that tune until 2010 or so. It was an accident. There is an unreleased, unfinished song called “No God Of Mine” I recorded in 2002 on my 8 track that when I tried to remake it in 2007 with Mike Cochran on drums, John heard it and played me a song from the band YWKMBT Trail Of Dead from 2005 that was almost identical even the timing on the changes. The vocal melody was different tho. I got so disturbed by it that I stop working on the song altogether. “Garlic”, “In The Nighttime” “More Than Enough” and “Current And The Rind” were all part of an unreleased collection called “Enhance The Smoky” from 2000. Same year “Tenderfoot” was written.]

[Be/Non play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

11:18 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook & Steve Tulipana about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO.

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.

The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com.

We just heard Be/Non from: Mystic Sunrise | Sunset Magic / Haymaker Records / 2/25/16

Be/Non will be joining Outer Reaches this year to perform a special set of music with video accompaniment. This will be their first live appearance in 3 years.

Last year Outer Reaches is part of Open Spaces KC. This year Outer Reaches is again collaborating with Midwest Music Foundation. Outer Reaches 2019 is made possible from the help of a grant through the KC Neighborhood Tourist Development Fund.

Sponsors for this year’s fest include Records with Merritt, 7th Heaven, It’s a Beautiful Day, recordBar, Seen Merch, XO Blackwater, Haymaker Records, Kosmic City, Crush Media, Boulevard Brewing Co., and Print Time. Info: http://www.outerreachesfest.com

11:24 – Music from Outer Reaches

11. Thunder Jackson – “Colours”
from: Colours – Single / Thunder Jackson / March 7, 2018
[Thunder Jackson is the meeting of an Oklahoma’s singer-songwriter and a British producer. After meeting in a taxi cab in Los Angeles, the freshly born duo started to work in basement studio on the west side of the city.Nov 26, 2017.]

[Thunder Jackson play Outer Reaches Fest, Saturday, October 19 at recordbar.]

12. BCR – “Love In Outer Space”
from: Speck of Dust / Sparkling Beatnik / December 31, 2004
[BCR is Black Crack Revue, formed 37 years ago in KC. Called “groovy polyphonic jazz/dance” band.]

[BCR play Outer Reaches Fest, Saturday, October 19 at recordbar.]

11:32 – Underwriting

11:35 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook, and Steve Tulipana about OUTER REACHES VIII on two stages on Saturday, Oct. 19th at recordBar.

Brenton Cook and Steve Tulipana thanks for being with us on WMM.

More info: http://www.outerreachesfest.com/

The music festival Outer Reaches, in its eighth year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

11:42 – Music from Outer Reaches

13. FACEFACE – “Meat Me”
from: MMmm / FACEFACE / February 15, 2018
[KC based experimental electronic hiphop musical collaboration with Paul S. Nyakatura, is a Kansas City based award winning voiceover artist, stand up comedian, commercial producer, and rapper and hip hop artist.and Ryan Lee Toms is a Kansas City based multi-instumentalist, composer and artist who has recorded original experimental dance electronic music as RLT with John Bersuch. Ryan also plays guitar with the math rock band HMPH! and he plays drums for the KC based, 5-piece post-punk deathrock band Beelzebabes..]

[FACEFACE plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

14. Monta At Odds – “Perimeter Dancer”
from: New Unreleased track from band with Mikal Shapiro on vocals
[KCK based band formed by brothers Dedric and Delaney Moore. ]

[Monta At Odds plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

11:48 – Underwriting

11:56 – Music from Outer Reaches

15. Lumerians – “C – Rock”
from: Yellowcake – Single / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland.

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on October 16 – we welcome Krystle Warren with Brad Cox and Jen Owen of Owen/Cox Dance Group who present “Love Songs” at Polsky Theatre Saturday, October 19 at 8:00 pm, and Sunday, October 20 at 3:30 PM. We’ll feature music from Krystle Warren’s critically acclaimed 2012 double album release of 24 original songs, recorded in Brooklyn with a 27-piece band. Also next week special co-hosts Betse Ellis and Marion Merritt join us for our Fall Fund Drive Show encouraging you our beautiful listeners to call us and show your support for the most original radio station you’ve ever listened to, 90.1 FM KKFI where over 85 locally produced radio shows air each week.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #806

WMM Playlist from Sept. 17, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 18, 2019

Calvin Arsenia +
Dedric Moore & Nathan Reusch & 3 Deep
+ Rigby Summer & Ed Dupa
s

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Lee Fields & The Expressions – “It Rains Love”
from: It Rains Love / Big Crown Records / April 5, 2019
[With a career spanning 43 years, releases on twelve different record labels, and having toured the world over with his raucous-yet- tender voice, itʼs mind-blowing that the music heʼs making today. Elmer Lee Fields was born in 1951 in Wilson, North Carolina, the son of Emma Jean Fields and John Fields. He was the second child of six children. Fields had an interest in music from an early age. He decided to go to New York, at the age of 17 to pursue a music career. Although his mother (whom he later named an album in honor of) tried to convince him not to go, she ended up giving him her last 20 dollars. With moves and style inspired by James Brown, Fields soon had the nickname “Little JB” because of his physical and vocal resemblance with James Brown. He has worked with Kool and the Gang, Hip Huggers, O.V. Wright, Darrell Banks, and Little Royal. Fields has also worked with such legends such as B.B. King, Clarence Carter, Dr. John, Tyrone Davis, Johnny Taylor, Denise LaSalle, Bobby Blue Bland, Betty Wright, The Manhattans, Little Milton and Bobby Womack. He recorded his first single in 1969 on the Bedford label, “Bewildered” b/w “Tell Her I Love Her.” He recorded “Gonna Make Love” on London Records in 1973. That same year, Fields released the popular 45, “Let’s Talk It Over” b/w “She’s a Love Maker”. Fields dropped “Everybody Gonna Give Their Thing Away to Somebody (Sometime)” b/w “East Coast Rapper,” on SoundPlus in 1975. Most of the second half of the 70’s Fields spent cutting singles for Angle 3 Records, including “The Bull Is Coming” b/w “Funky Screw”. In 1980 he released a full-length album with Angle 3 called Let’s Talk It Over. In the 1980s, disco became increasingly popular, at the expense of soul. Venues that had previously booked Fields now booked DJs. Fields moved into real estate in Newark, New Jersey, in order to provide for his family. In the 1990s, Fields returned singing soul-blues on the Southern circuit. He signed with Mississippi-based Ace Records and debuted Enough Is Enough. On Ace, Fields released Coming to Tear the Roof Down in 1995 and Dreaming Big Time in 1996 in which he played keyboards and synthesizers. Later that year Fields signed to Desco Records founded by Gabriel Roth and Phillip Lehman. Sharon Jones, who was signed to Desco also at that time, sang backup for Fields on an early 45. Fields was featured on the debut album Gimmie the Paw by the label’s band The Soul Providers in 1997. He released several singles with in Desco and in 1999, dropped a full-length album Let’s Get a Groove On. Desco later split into, Daptone Records and Soul Fire, and Fields eventually recorded for them both. “Give Me a Chance” and “Shot Down” were two 7″ singles he released on Daptone over 2001-2002 and in late 2002, the album Problems, on Soul Fire. In early 2005 he performed on “Stranded In Your Love” included on Sharon Jones and The Dap-Kings’ Naturally LP. In 2006 French House DJ Martin Solveig approached him to do a dance track. They toured in France and recorded the songs “Jealousy”, “Everybody”, “I’m a Good Man”, and “I Want You”. Truth and Soul Records recorded a single with Fields that later became “Honey Dove”. Lee Fields & The Expressions released “My World” for Truth and Soul in 2009. In 2011 he followed up with the album titled Treacherous. After releasing Faithful Man in 2012 with Truth and Soul, the singer toured globally. He then released two albums Emma Jean in 2014 and Special Night in 2017 (on Big Crown Records by former Truth and Soul co founder Leon Michels).]

[Lee Fields & The Expressions play Knuckleheads Saloon, 2715 Rochester KCMO, Friday, September 20, at 7:00 PM, with Neal Francis.]

3. Broken Heart Syndrome – “Dolly (and other unfinished business)”
from: Dolly (and other unfinished business) – Single / Broken Heart Syndrome / Sept, 13, 2019
[Kansas City bsed supergroup Broken Heart Syndrome, is Matthew Roth (of Schwervon!, Major Matt Mason USA) on songwriting, vocals & guitar, Pat Tomek (of The Rainmakers) on drums & percussion, Dave Tanner (of The Depth and The Whisper) on bass and backing vocals, Todd Granthem (of The Quivers) on keyboards. This recording was engineered and co-produced by Pat Tomek at Level Stage in KC, MO. Dolly (and other unfinished business) is the second official Broken Heart Syndrome release. Matthew Roth writes, “This track was inspired by the autobiography of Dolly Parton. Many years ago, while I was still living in New York, I took part in a very ambitious singer-songwriter night that is put on by my friend Susan Hwang, called the Bushwick Book Club. It’s still going on, as far as I know. Basically, you read a book and then you write a song about it. The book was Dolly Parton’s: My Life and Other Unfinished Business. I was having a hard time tracking down a copy of the book and luckily my friend Diane Cluck just so happened to have it on tape. It was an actual cassette tape. So, yeah turns out Dolly Parton had a pretty amazing life. It was great to hear her voice telling her own story. There were several points where I felt very moved and even connected to her story. I tried to take some of those parts and channel them as inspiration for the lyrics. It’s like a little secret message from me to her. I don’t think most people would be able to tell what the song is about if I didn’t tell them. I’m pretty positive that she’ll probably never hear it but it’s a really fun way to write a song.”]

[Broken Heart Syndrome plays Revolution Records 1830 Locust KCMO, Wednesday, September 18, at 7:30 PM with Golden Shoulders (from Nevada City, CA) on tour in support of their new album.]

4. Dylan Pyles – “Always Missing the Point”
from: Popular Songs for the Heart / Manor Records / September 20, 2019
[Kansas City based musician, singer, songwriter, music scholar, record buyer at Mills Record Company]

[Dylan Pyles plays a cassette release show of Popular Sings for the Heart at MiniBar, 3810 Broadway, KCMO, Thursday, September 19, with Jaye Jayle, and The Casket Lottery.]

[Dylan Pyles will be our guest on Wednesday MidDay Medley next week on September 25]

10:18

5. NuBlvckCity – “Alive”
from: All Night / Alive – Single / NuBlvckCity / July 12, 2019
[NuBlvckCity is a KC-based music collective with Kartez Marcel (Addison), a native of Kansas City, Missouri, a Hip-Hop artist, and community program developer, sound engineer, entrepreneur, recording artist, musician, and songwriter. He provides resources to artists and assists with bringing their artistic visions to life, he also serves as the Director of A/V at a large faith-based organization. With Royce “Sauce” Handy he founded We Are Rap a hip hop program for youth. VP3 (Vernon Percy Howard III) is a Music Producer, Songwriter, Singer, Pianist, & Saxophonist. He recently gradualted from the University of Central Missouri where he studied digital media production. Mae C is a singer/songwriter who’s one of KC’s go-to voices and performer’s. Mae C is a KC based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceeded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an artist in the KC music scene. Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur.]
[NuBlvckCity play Lincoln Calling 2019, Downtown Lincoln NE, 1412 O St, TONIGHT, Sept. 18.]

[NuBlvckCity play 2019 Plaza Art Fair, Saturday Zeptember, 21 at 6:20 on the Ink Magazine Music Stage at Ward Parkway and Pennsylvania, KCMO]

[NuBlvckCity play Troostapalooza, Saturday, September 21, at 3000 Troost Ave, KCMO with Hi-Lux, The Black Creatures, The Freedom Affair, The Phantastics, and more ]

[NuBlvckCity play The Granada Theatre, 1020 Massachusettes, St., Lawrence, KS., Monday, September 23, at 7:00 PM opening for Phony Ppl/]

6. The Black Tones – “Ghetto Spaceship”
from: Cobain & Cornbread / Chauty & Chauto Records / April 12, 2019
[The Black Tones are like a mixture of Kurt Cobain and cornbread. Consisting of founders/twin siblings Eva Walker on guitar/vocals and Cedric Walker on drums, the blues and punk-based dynamo continuously project subversion, power and the potential for something new on stage. Born and raised in Seattle WA, they credit their family’s New Orleans roots as an influence on their music and writing. During the past year, the band’s name has been on the tongue of nearly everyone who follows the richness of Seattle music. In 2018, the group opened for Death Cab for Cutie at the historic Paramount Theater during its 90th Anniversary celebration; became the most played band on KEXP (on the 50th anniversary of Martin Luther King’s assassination) with their song, “The Key of Black (They Want Us Dead)”; and performed at countless summer festivals from Doe Bay to the Capitol Hill Block Party. The Black Tones have also shared stages with standout groups like Thunderpussy, Tacocat, Delvon Lamarr Organ Trio and We Were Promised Jetpacks.The Black Tones have made appearances on Band In Seattle and The Spud Goodman Show, as well as having music licensed to the independent film “The Noise Made by People”. They have received praise from the Seattle Public Library system, The Stranger and AfroPunk. The band’s debut record Cobain & Cornbread, recorded with famed Seattle producer Jack Endino.]

7. Wick & The Tricks – “Drama Queen (Radio Edit)”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band for thie recording: Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios. The current line up includes: Wick Trick on vocals, Chris Stallion on guitar, & backing vocals, George Valiant on drums, Promise Clutter on bass, Young Noah on guitar & backing vocals and the band has a new soingle called “Mastermind” that was released on July 10, 2019. In 2006, the National Gay and Lesbian Task Force gave Thomas a Creating Change Award for establishing a chapter of the Gay-Straight Alliance in 2004 while he was a student at Paola High School. He’s also been involved in bike activism, has volunteered for the ACLU and Greenpeace, and founded the local environmental group TWIG (Think Work Inspire Grow).]

[Wick & The Tricks play The Rino 314 Armour Rd, NKC, Thursday, September 19, at 7:00 PM with The Black Feathers (from Denver) and Belle & The Vertigo Waves.]

[Wick & The Tricks play The Bottleneck, 737 New Hampshire St. Lawrence, KS., Saturday, Sept. 21, at 7:00 PM, opening for Radkey, with The Sluts and The Many Colored Death.]

8. Red Kate – “You Don’t Speak For Me”
from: unamerican activities / Black Site Records / April 2, 2016
[Fro this recording: L. Ron Drunkard on bass & vocals, Andrew Whelan on drums & vocals, Brad Huhmann on guitar & vocals, Desmond Poirier on guitar & vocals. (After this release Shaun Hamontree joined band on guitar.) Produced by Red Kate. Recorded at Weights & Measures Soundlab, KCMO, w/ Duane Trower doing recording, mixing and digital mastering engineering. Roger Seibel on vinyl mastering at SAE Mastering, Phoenix, AZ. Shaun Hamontree created cover art. Pressed at Quality Record Pressings, Salina, KS.]

[Red Kate plays The Brick’s 20th Anniversary on Friday, September 20 with Captured By Robots!]

10:30 – Underwriting

9. JAENKI – “Bolt”
from: Every Human – EP / Jaenki / November 23, 2018
[Jaenki is the new musical project from The Republic Tigers lead singer, Kenn Jankowski now with Stephanie Perkins on vocals, synth, & guitars; Kenn Jankowski on vocals, synth & guitars, and Liam Sumnicht on drums. This Kansas City based band previously released their Jaenki Ep 1 with Kenn Jankowski, Ryan Wallace, Drew Little and Rachel Mallin on August 30 2016 with a video for their song “Miracle Maze” released on December 12.]

[Jaenki plays 3 Deep – Chromadepth 3D Concert, Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand with Pala Zolo, Flaural, Triptides, Monta At Odds (Dub Set), and Live Visuals by VJDN8 ]

Dedric Moore and Nathan Reusch on the Sept. 18, 2019 edition of Wednesday MidDay Medley on KKFI.

10:36 – Interview with Dedric Moore and Nathan Reusch

Dedric Moore is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines, HMPH!, and others. He is co-founder of Outer Reaches Festival, the HQ Artspace in KCK, and Kosmic City Records.

Nathan Reusch is co-founder of The Record Machine, Sound Machine KC, and Middle of the Map Fest.

Dedric Moore & Nathan Reusch join us to share details about 3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Monta At Odds (Dub Set), Live Visuals by VJDN8.

Dedric Moore and Nathan Reusch, Thanks for being with us on WMM.

We just heard Jaenki from their most recent EP Every Human that came out so late in 2018 we consider it a 2019 release.

Jaenki is the musical project from The Republic Tigers lead singer, Kenn Jankowski

Jaenki has gome through some personnel changes: with Stephanie Perkins on vocals, synth, & guitars; Kenn Jankowski on vocals, synth & guitars, and Liam Sumnicht on drums. This Kansas City based band previously released their Jaenki Ep 1 with Kenn Jankowski, Ryan Wallace, Drew Little and Rachel Mallin on August 30 2016 with a video for their song “Miracle Maze” released on December 12.

11:43

19. Pala Zolo – “Up Northern”
rom Up Northern – Single / The Record Machine / February 8, 2019
[Pala Zolo is the instrumental electronic project of Lawrence, KS musician Eric Davis. In Pala Zolo, Davis blends synthesizers and drum machines with live instruments to create his blend of cinematic pop music. He chose the name to pay homage to his Sicilian heritage by naming the project after a small Sicilian village he spent time in while studying abroad in Italy. Pala Zolo allows Davis the full freedom to experiment in ways that are a departure from his main gig as the keyboard player in buzzy up-and-coming rock band Hembree (Thirty Tigers, Oread Records). // The inspiration for Pala Zolo came from a chance meeting with fellow electronic musician, Tycho’s Scott Hansen. One day while working at The Granada Theater in Lawrence, Davis was given the job of being Hansen’s driver. For years Davis had been writing and recording his own demos and was completely unsure of what to do with them. After spending the entire day with Hansen and seeing him perform, Davis realized he could bring his incomplete ideas to life in his own unique way. Seeing an instrumental band perform such an emotionally charged set inspired Davis to finish his songs without traditional vocals and to begin creating his own sound in that genre. // Soon after, Davis set forth to finalize the recordings with his good friend and producer Joel Martin (Y god Y). The two of them spent countless hours experimenting with synthetic and acoustic textures to create perfect soundscapes to compliment Davis’ intricately arranged compositions. In 2018, Davis self-released singles House Plant & 40K, and continued to take Pala Zolo to another level by performing live with drummer Gerardo Rojas. The duo brings the songs to life with live synths, guitars and drums and has been resonating with audiences. // In the summer of 2019, Pala Zolo is releasing their debut EP on Kansas City label The Record Machine and looks to take Pala Zolo to new heights.]

11:47

We are talking with Dedric Moore & Nathan Reusch about 3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Monta At Odds (Dub Set), Live Visuals by VJDN8.

Dedric Moore and Nathan Reusch, Thanks for being with us on WMM.

We just heard Pala Zolo the instrumental electronic project of Lawrence, KS musician Eric Davis the keyboard player in rock band Hembree (Thirty Tigers, Oread Records). .In Pala Zolo, Davis blends synthesizers and drum machines with live instruments to create his blend of cinematic pop music. He chose the name to pay homage to his Sicilian heritage by naming the project after a small Sicilian village he spent time in while studying abroad in Italy.

The inspiration for Pala Zolo came from a chance meeting with fellow electronic musician, Tycho’s Scott Hansen. One day while working at The Granada Theater in Lawrence, Davis was given the job of being Hansen’s driver. For years Davis had been writing and recording his own demos and was completely unsure of what to do with them. After spending the entire day with Hansen and seeing him perform, Davis realized he could bring his incomplete ideas to life in his own unique way. Seeing an instrumental band perform such an emotionally charged set inspired Davis to finish his songs without traditional vocals and to begin creating his own sound in that genre. // Soon after, Davis set forth to finalize the recordings with his good friend and producer Joel Martin (Y god Y). The two of them spent countless hours experimenting with synthetic and acoustic textures to create perfect soundscapes to compliment Davis’ intricately arranged compositions.

In 2018, Davis self-released singles House Plant & 40K, and continued to take Pala Zolo to another level by performing live with drummer Gerardo Rojas. The duo brings the songs to life with live synths, guitars and drums and has been resonating with audiences.

On Saturday night, Pala Zolo is releasing their debut EP on Kansas City label The Record Machine.

Dedric Moore and Nathan Reusch, Thanks for being with us on WMM.

3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Monta At Odds (Dub Set), Live Visuals by VJDN8.

10:53

11. Monta At Odds feat. Your Friend – “Chromosphere”
from: Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from the psychedelic, experimental indie/space rock/electronic collective based in KCK formed by brothers Dedric and Delaney Moore. The band describes their music as: Mutant Disco, minimal synthwave, post-punk dance, Electronica, Indie, Space Rock, Ambient. Current members include: Dedric Moore, Delaney Moore, Alexander Thomas, Adam Davies, Zach Bozich, Aaron Osborne, Matthew Hayden, past supporting members: Mika Tanaya, Sterling Holman, Bree Plaster; Eric Bessenbacher, Ryan Shank, Jeremiah James, Samer Saba, Doug Hutchinson, Erin O’Neill, Sam Behrens, Luke Behrens, Sam Hughes, Tom Romero, Caleb Aldrich, John Aldrich.] [MONTA AT ODDS played the 3 DEEP : CHROMADEPTH 3-D CONCERT WITH, Y GOD Y, LA GUERRE, PALA ZOLO w/ Live Visuals from VJDN (Nate Bogert), Friday, March 29, at 8:00 PM. at recordBar, 1520 Grand, KCMO. Produced by Kosmic City and Sound Machine KC.]

[Monta At Odds play 3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Fri., Sept. 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Live Visuals by VJDN8.]

The Band That Fell To Earth at Lawrence Arts Center Saturday, September 21, 2019.

12. The Band That Fell To Earth – “Boys Keep Swinging”
from: Recorded Live at recordBar for A Tribute To David Bowie / January 2018
[Curated by musician/writer Michelle Bacon to pay homage to David Bowie while showcasing talent across Kansas City’s vast musical spectrum. With Bowie’s untimely passing only three weeks before the inaugural concert, the event garnered an attendance of more than 800 at the Uptown Theater, and generated press from KCPT, The Kansas City Star and various radio stations, along with high demand for an annual show. This was from the second year of the annual performances with: Michelle Bacon on bass, Alex Alexander on guitar, Nathan Corsi on vocals/guitar, Kyle Dahlquist on keyboards, Katy Guillen on guitar, Steve Tulipana on vocals, Stephanie Williams on drums, Havilah Bruders on backing vocals, Camry Ivory on backing vocals, Matt Ronan on percussion, Christine Broxterman on cello, Betse Ellis on violin, Rich Wheeler on saxophone.]

[The Band That Fell To Earth play The Lawrence Arts Center, 940 New Hampshire St., Lawrence KS., Saturday, Sept. 21, at 7:30 PM featuring many Lawrence area rock and rollers in guest singing roles.]

11:00 – Station ID –

13. Calvin Arsenia – “Back To You (Paul Brown Mix)”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[1st single from L.A. Sessions released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

Calvin Arsenia

11:04 – Interview with Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, Catastrophe, Caviar, Honeydew, and his beautiful full length self produced, Catastrophe. After signing with Center Cut Records he released his critically acclaimed album Cantaloupe in September 2018, with a giant show at The Gem Theatre.

Calvin Arsenia at recordBar, Thursday, September 19, 2019.

Now Calvin is set to put out his newest Center Cut Records release LA Sessions, with a LA Sessions Album Release Show at recordBar, 1520 Grand, on Thursday, September 19, at 7:00 PM.

Calvin Arsenia, thanks for being with us on WMM.

We just heard the 1st single from L.A. Sessions released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers.

From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.”

He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’”

LA Sessions is a collection of subtly reimagined songs featuring musicians who have worked with some of music’s most iconic names including Jimi Hendrix, Stevie Wonder, Bonnie Raitt, and Buddy Guy.

Guitarist Paul Brown worked with Aretha Franklin, keyboard player Mike Finnigan sessioned with Etta James, bassist Freddie Washington sat in with B.B. King and Elton John, and pianist David Garfield recorded with Smokey Robinson and Cher. The producer for LA Sessions was Tony Braunagel, who put together the band.

More info at http://www.centercutrecords.com http://www.calvinarsenia.com

Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond.

His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life.

Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’

Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist.

Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album.

Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.”

On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.

11:13

14. Calvin Arsenia – “Falling Over”
from: L.A. Sessions / Center Cut Records / September 20, 2019

11:17

Calvin Arsenia on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

We are talking with Calvin Arsenia about his LA Sessions Album Release Show at recordBar, 1520 Grand, on Thursday, September 19, at 7:00 PM. More info at More info at http://www.centercutrecords.com http://www.calvinarsenia.com

10:26

15. Calvin Arsenia – “Toxic”
from: Cantaloupe / Center Cut Records / September 15, 2018 (KC Release)
[Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, Cavia, and the full length debut, Catastrophe.Standing at 6 foot 7 inches, Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.]

11:30 – Underwriting

Calvin Arsenia, Rigby Summer, and Ed Dupas on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

11:32 – Interview with Rigby Summer and Ed Dupas

Singer songwriters Rigby Summer and Ed Dupas travel all over the country to play their original songs and sometimes they get to play on the same bill. Rigby Summer and Ed Dupas play Carl Butler’s Gospel Lounge at Knuckleheads Saloon, 2715 Rochester St, TONIGHT, Wednesday, September 18, at 7:30, swapping songs to close out the night after Carl’s band kicks off the night. Rigby Summer and Ed Dupas join us today to play live in our 90.1 FM Studios.

Ed Dupas

Ed Dupas’ soulful music has been compared to Steve Earle and Bruce Springsteen. Born in Houston, Texas and raised in Winnipeg, Manitoba, Dupas is a self-described searcher and thinker, whose religious upbringing managed only to push him away from mainstream ideas, rather than box him in.

Rigby Summer

Oklahoma-based songwriter Rigby Summer weaves an Americana soundscape that reflects the road she’s traveled, from her Kansas City jazz upbringing to the beach pop of her former home in southern California to the red dirt roots of her current home in Stillwater, Oklahoma. Her sound has been compared to Ingrid Michaelson and Peggy Lee.

Rigby Summer and Ed Dupas thanks for being with us on WMM

ED DUPAS – WELL WORN WIDE AWAKE MUSIC

Americana singer-songwriter Ed Dupas’ lived-in melodies unwind with reflective lyrics and speak to the current state of the human condition, soothing where possible, agitating where necessary, and seeking change where appropriate. Ed Dupas creates and shares well-worn wide-awake music.

THE LONESOME SIDE OF TOWN – Ed Dupas’ 3rd studio album features 11 new songs! When all is said and done, The Lonesome Side Of Town is a collection of songs that bear witness to a time of tremendous personal change in my life. Its songs testify to both the steadfastness of love, as well as its departure. Hopefully, the record serves to communicate the lessons, the struggle, and the beauty to be found in all of it.

The Lonesome Side of Town was conceived in a small church in Greenville, Michigan. Having been constructed in the 1880’s, the building found new life as a recording studio when it was purchased by my friend and fellow musician, Chris Ranney. In August of 2018, Chris and I spent a day tracking drums in the church with producer Michael Crittenden and drummer Rob Avsharian. Rob’s playing was solid and artful as ever, and he proved himself a good sport when our creative wanderings gave way to bossa nova beats and vinyl LPs on drum heads. As night fell, a line of storms approached the town, and we had no choice but to call the session. It was enough, we’d gotten the drum tracks we needed in a single day. We also captured the character of the church, who’s color permeates and shapes the entire record.

Ed Dupas 2nd album was released in spring of 2017, Tennessee Night, is the result of three days tracking with producer Michael Crittenden at Mackinaw Harvest Studios in Grand Rapids, MI. The heart of the record was recorded live in July of 2016 in the midst of a summer heatwave. The album features Rob Avsharian on drums, James Simonson on bass, Drew Howard on Steel/electric guitar, Chris Ranney on Piano, and Michael Crittenden doing a little of everything. Also featured on the album are singer-songwriter Judy Banker (Heading Home Again), Tara Cleveland (Some Things), and Cole Hansen (Everything Is In Bloom, Promised Land, and Tennessee Night.)

Ed Dupas first album: A GOOD AMERICAN LIFE was named as one of the best country albums of 2015 by The Telegraph-UK, this debut record was independently released late May, 2015. A Good American Life was recorded/produced in Grand Rapids, MI by Michael Crittenden.

“Sonically, the album consistently retains a dusky hue, reminiscent of Nebraska-era Springsteen or early Red House Painters. Ed’s music is essentially acoustic at its core; the recordings include some accompaniment complete with flourishes of overdriven, midwestern guitar shapes and pedal steel over top spare and sure drumming, while the occasional harmonica embellishes the quintessentially American folk sense of these tunes. Ed’s baritone vocals retain an easy, warm, and melodic tone, his lyrics refreshingly well articulated with just a touch of sardonic wit beneath the heartfelt and at times aching delivery.” -National Country Review

” … Songs that could or should have come from the pens of Springsteen, Kristofferson or more recently Sturgill Simpson….” – No Depression

SEP 19 THU – The Blue Door – Oklahoma City, OK,
SEP 22 SUN – Old Town Tavern – Ann Arbor, MI,
OCT 11 FRI – Noggin Room Pub – Petoskey, MI,
OCT 12 SAT – Trinity House Theatre w/ Judy Banker – Livonia, MI,
OCT 18 FRI – Westside Bowl – Youngstown, OH,
OCT 19 SAT – Taffys of Eaton – Eaton, OH,
OCT 25 FRI – Cambria – Nashville, TN,
OCT 26 SAT – Lowell Arts – Lowell, MI,
NOV 14 THU – Duke’s Indy – Indianapolis, IN,

More info at: http://www.eddupas.com

11:41

Ed Dupas plays live on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

16. Ed Dupas – “Both Hands on The Wheel” (LIVE)
also available on: The Lonesome Side of Town / Road trip Songs / 2019

11:45 – Interview with Rigby Summer and Ed Dupas

Rigby Summer and Ed Dupas on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

We are talking with Rigby Summer and Ed Dupas who play Carl Butler’s Gospel Lounge at Knuckleheads Saloon, 2715 Rochester St, TONIGHT, Wednesday, September 18, at 7:30, swapping songs to close out the show after Carl’s band kicks off the night.

Rigby Summer and Ed Dupas thanks for being with us on WMM.

Rigby Summer is an emerging, Oklahoma-based songwriter. She weaves an Americana soundscape that reflects the road she’s traveled, from her Kansas City jazz upbringing to the beach pop of her former home in southern California to the red dirt roots of her current home in Stillwater. Those cross-country moves and life-changes put music on the back burner in recent years, but she’s now come into her own, giving these songs new life.

While her influences range from Mary Chapin Carpenter to The Frames, Sia Furler to Johnny Cash, her sound often draws comparisons to Ingrid Michaelson and Peggy Lee–a little modern, a little old-fashioned, always earnest.

In 2017, after a five-year hiatus from performing music, she founded the monday@modella songwriter pop-up, and started sharpening her musical teeth, slowly carving a niche for herself in the Oklahoma scene. Recent honors include Honorable Mention in the 2017 Woody Guthrie Festival Songwriting Contest and invitations to join Norman Music Festival 2018, Bob Childers’ Gypsy Café 2018 and Women of Woodyfest 2018.

Meanwhile, Nadia credits the songs themselves for her return to the stage. “When I see the audience’s reaction to a lyric I’ve been given, I realize this isn’t about me. It’s about the songs and the power of words to connect us. I decided I had an obligation to bring these songs into the world.”

Influences
a good up-bringing.
midwestern winters.
jazz in the night.
three quiet years of listening in nashville.
winfield.
quarter-life angst.
an imaginary boyfriend.
hotel cafe.
malibu sunsets.

SEP 18 7:30pm Knuckleheads Saloon Kansas City, MO with Ed Dupas
SEP 19, 7:30pm The Blue Door – Oklahoma City, OK with Ed Dupas
SEP 21, 12:00pm – Ten Sleep Brewing Company, Ten Sleep, WY US
SEP 24, 6:00pm AC Hotel – Oklahoma City, OK
SEP 26, 6:00pm – Prairie to Palette – Ponca City, OK
SEP 27, 8:00pm Zannotti’s Wine Bar – Stillwater, OK
SEP 28, 2:00pm – Alumniati Tail Gate Stillwater, OK
OCT 08, 6:00pm – AC Hotel Oklahoma City, OK
OCT 10, 6:00pm – George’s Stables – Stillwater, OK
OCT 24, 3:00pm – FARM-Folk Alliance Region Midwest – Grand Rapids, MI
OCT 25, 9:00am – FARM-Folk Alliance Region Midwest Grand Rapids, MI
OCT 26, 9:00am, FARM-Folk Alliance Region Midwest Grand Rapids, MI

11:50

Rigby Summer plays live on the September 18, 2019 edition of Wednesday MidDay Medley on KKFI.

17. Rigby Summer – “Buy My A Piano” (LIVE) (4:00)
original piece written and perormed by Jen Harris from Curses & Charms

Rigby Summer and Ed Dupas thanks for being with us on WMM

Rigby Summer and Ed Dupas play Carl Butler’s Gospel Lounge at Knuckleheads Saloon, 2715 Rochester St, TONIGHT, Wednesday, September 18, at 7:30, swapping songs to close out the night after Carl’s band kicks off the night.

More info at: http://www.eddupas.com or http://www.thisissummerland.com

11:56

18. Joan Shelley – “The Fading”
from: Like The River Loves The Sea / No Quarter Records / August 30, 2019
[Joan Shelley was born in 1985,. She is a songwriter and singer from Louisville, KY. She draws inspiration from traditional and traditionally-minded performers from her native Kentucky, as well as those from Ireland, Scotland, and England, but she’s not a folksinger. Her disposition aligns more closely with that of, say, Roger Miller, Dolly Parton, or her fellow Kentuckian Tom T. Hall, who once explained—simply, succinctly, in a song—“I Witness Life.” Since the 2015 release of her fourth album Over and Even, Shelley has crossed the country and toured Europe several times as a headlining artist, joined by guitarist Nathan Salsburg and sharing shows with the likes of Jake Xerxes Fussell, Bonnie “Prince” Billy, Doug Paisley, Daniel Martin Moore, the Other Years, and Michael Hurley. She has opened for Wilco, Chris Smither, Andrew Bird, and Richard Thompson. Jeff Tweedy produced her 2017 record “Joan Shelley” at The Loft in Chicago. She’ll be familiar to readers of guitar-centric magazines for having appeared, in the same season, on the covers of Fretboard Journal and Acoustic Guitar. Her latest album, “Like the River Loves the Sea,” was released to wide acclaim in Uncut magazine, Rolling Stone, Pitchfork, Mojo, and Q magazine. Her second album, Ginko, and third album Farthest Field (with Daniel Martin Moore) were released in 2012 on Ol Kentuck. In 2014, Shelley released her fourth album, Electric Ursa, on No Quarter Records. In 2015, Shelley released her fifth album, Over and Even, on No Quarter. In 2017, Shelley released her eponymous sixth album. Her seventh album, Like the River Loves the Sea, was released in 2019. ]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on September 25 – Clint Hoffmeier, Matt Tady, and Katelyn B. Jamison the hosts of the popular Wednesday Night Drinking Practice Podcast join us to share details about their “This or That live game show!, Thursday, September 26, at 7:00 PM at Phosphor Studio in the Crossroads Arts District at 1730 Broadway, KCMO. Also next week Kansas City based musician, singer, songwriter, music scholar, record buyer at Mills Record Company, Dylan Pyles joins us to share music and details on his Popular Songs for the Heart, Manor Records release. And…Ian Griggs & Brad Buckner of the band Tiki Brawlers join us to share their latest music and info on their upcoming show Sunday, September 29 at The Riot Room with The Toasters. PLUS, we talk with Jade Green & Xavier Martin of The Black Creatures.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #803

WMM presents Calvin Arsenia + Rigby Summer & Ed Dupas + Dedric Moore & Nathan Reusch & 3 Deep

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 18, 2019

Calvin Arsenia +
Dedric Moore & Nathan Reusch & 3 Deep
+ Rigby Summer & Ed Dupas

Mark plays more New & MidCoastal Releases from: Calvin Arsenia, Broken Heart Syndrome, Jaenki, NuBlvckCity, The Band That Fell To Earth, Pala Zolo, Dylan Pyles, Monta At Odds, Red Kate, Wick & The Tricks, The Black Tones, Joan Shelley, and Lee Fields & The Expressions.

At 10:30 Dedric Moore & Nathan Reusch join us to share details about 3 Deep – Chromadepth 3D Concert, presented by Sound Machine KC, Kosmic City, The Record Machine on Friday, September 20, at 7:00 PM at Recordbar, 1520 Grand Boulevard, KCMO. 3 Deep features: Jaenki, Pala Zolo (Ep Release Party), Flaural, Triptides, Monta At Odds (Dub Set), Live Visuals by VJDN8. Dedric Moore is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines, HMPH!, and others. He is co-founder of Outer Reaches Festival, the HQ Artspace in KCK, and Kosmic City Records. Nathan Reusch is co-founder of The Record Machine, Sound Machine KC, and Middle of the Map Fest. More info at http://www.therecordmachine.co

Calvin Arsenia

At 11:00 Mark talks with Calvin Arsenia about his LA Sessions Album Release Show at recordBar, 1520 Grand, on Thursday, September 19, at 7:00 PM. LA Sessions is a collection of subtly reimagined songs featuring musicians who have worked with some of music’s most iconic names including Jimi Hendrix, Stevie Wonder, Bonnie Raitt, and Buddy Guy. Guitarist Paul Brown worked with Aretha Franklin, keyboard player Mike Finnigan sessioned with Etta James, bassist Freddie Washington sat in with B.B. King and Elton John, and pianist David Garfield recorded with Smokey Robinson and Cher. The producer for LA Sessions was Tony Braunagel, who put together the band. Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, Catastrophe, Caviar, Honeydew, and his beautiful full length self produced, Catastrophe. After signing with Center Cut Records he released his critically acclaimed album Cantaloupe in September 2018, with a giant show at The Gem Theatre. More info at http://www.centercutrecords.com http://www.calvinarsenia.com

Ed Dupas

Rigby Summer

At 11:30 Singer songwriters Rigby Summer and Ed Dupas play live in our 90.1 FM Studios. Rigby Summer and Ed Dupas play Carl Butler’s Gospel Lounge at Knuckleheads Saloon, 2715 Rochester St, Wednesday, September 18, at 7:30, swapping songs to close out the night after Carl’s band kicks off the night. Ed Dupas’ soulful music has been compared to Steve Earle and Bruce Springsteen. Born in Houston, Texas and raised in Winnipeg, Manitoba, Dupas is a self-described searcher and thinker, whose religious upbringing managed only to push him away from mainstream ideas, rather than box him in. Oklahoma-based songwriter Rigby Summer weaves an Americana soundscape that reflects the road she’s traveled, from her Kansas City jazz upbringing to the beach pop of her former home in southern California to the red dirt roots of her current home in Stillwater, Oklahoma. Her sound has been compared to Ingrid Michaelson and Peggy Lee. More info at: http://www.eddupas.com or http://www.thisissummerland.com

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #803

WMM Playlist from Sept. 11, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 11, 2019

Fathers + Poet Jen Harris & Lori Chandler +
Dwight Frizzell & Leo Wetherill & Missouri River Bridge as an Instrument

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Other Americans – “Neon Sunrise (Glitchjoy Remix)”
from: OA2 / AWAL Records / October 19, 2019
[New EP follow up to the band’s debut self-titled EP from June 29, 2018. Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Michelle Bacon on bass. Produced by Brandon Philllips. Engineered by Joel Nanos. Recorded at Element Recording Studios in Kansas City. All remixes by Mensa Deathsquad. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, The Philistines, Radar State and Brandon Phillips and The Condition. Other Americans is a virtual Midwestern supergroup. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.”]

[Other Americans play an OA2 Album Release Party with special guests Emmaline Twist, Saturday, October 19, at 9:00 PM at miniBar, 3810 Broadway, KCMO.]

3. Madisen Ward and the Mama Bear – “Started With a Family”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. The band’s follow up EP, Radio Winners was released July 27, 2018 and received critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

[Madisen Ward and the Mama Bear play The High Watt, Nashville, Sat., Oct. 12.]

[Madisen Ward and the Mama Bear play Levitt Shell, Memphis, Sun., Oct. 13.]

4. Black Belt Eagle Scout – “Scorpio Moon”
from: At the Party With My Brown Friends / Saddle Creek / August 23, 2019
[Released in September of 2018, Mother of My Children was the debut album from Black Belt Eagle Scout, the recording project of Katherine Paul. Heralded as a favorite new musician of 2018 by the likes of NPR Music, Stereogum, and Paste, the album was also named as a “Best Rock Album of 2018” by Pitchfork, and garnered further end-of-year praise from FADER, Under The Radar and more. // Arriving just a year after that debut record, At the Party With My Brown Friends is a brand new full-length recording from Black Belt Eagle Scout. Where that first record was a snapshot of loss and landscape and of KP’s standing as a radical indigenous queer feminist, this new chapter finds its power in love, desire and friendship. // At the Party With My Brown Friends is a profound and understated forward step. The squalling guitar anthems that shaped its predecessor are replaced by delicate vocals and soft keys, sentiments spoken and unspoken, presenting something shadowy and unsettling; a stirring of the waters. // The end result presents a captivating about-face that redefines KP’s beautifully singular artistic vision. At the Party With My Brown Friends is introduced in greater detail here via a new statement by the artist. // ARTIST’S STATEMENT: My name is Katherine Paul and I am Black Belt Eagle Scout. // I grew up on the Swinomish Indian Reservation in NW Washington state, learning to play piano, guitar and drums in my adolescent years. The very first form of music that I can remember experiencing was the sound of my dad singing native chants to coo me to sleep as a baby. I grew up around powwows and the songs my grandfather and grandmother sang with my family in their drum group. This is what shapes how I create music: with passion and from the heart. // After the release of Mother of My Children, I felt awake and desperately wanted to put new music out into the world. I had no real intent behind At the Party With My Brown Friends except creating songs around what was going on in my life. In the past few years, the reciprocal love I experienced within friendships is what has been keeping me going. A lot of what is in this album deals with love, desire and friendship. // The lead single, “At the Party,” starts off with a quintessential BBES guitar lick, heading into booming and abundant drums and vocals. The lines ‘How is it real? We will always sing’ came out of me one evening when I was crafting the song in my bedroom. Within my conscious self, there is always a sense of questioning the legitimacy of the world when you grow up on an Indian reservation. We are all at the party (the world), trying to navigate ourselves within a good or bad situation. I happen to be at the party with my brown friends- Indigenous, Black, POC who always have my back while we walk throughout this event called life. // I started writing “My Heart Dreams” the summer after I initially put out MOMC, writing the guitar chords in a friend’s apartment on Ohlone land. I had been in a transitional part of my life, leaving one love and wanting to find another so much so that I felt like my heart was dreaming about it along with my brain at night. I have an obsession with dreams, mainly because I cannot remember most of mine and often times that leaves me frustrated not knowing that part of myself. I would wake up and be overcome with anxiety about not knowing what had gone down in my brain so much so that I started feeling like my heart dreamt more than my mind, thus becoming the line, my heart dreams. // I wrote “Going To The Beach With Haley” one day when I was out on a coastal trip with my friend Haley Heynderickx. We loaded up her car with our blankets and instruments and drove straight to a beach where we sat and listened to the waves and young families with their babies on the beach. I had brought my mini casio keyboard that had an array of beats I used when writing songs. The beat that’s on the song just stuck there along with the main guitar part. Initially written on an old acoustic guitar my mom bought me, the song really transformed in the studio where I added drums and other melodies to create the song. // Throughout the course of my writing and playing around this record, most of these songs deal with relationships I have either with loved ones or friends. I think it low key has to do with my anthropology degree, but also the fact that writing and playing guitar in my bedroom just makes everything feel better for me. For the longest time, I wanted to convey my feelings around coming out to my family. It had been a good experience for me and while I know it is not always that way when kids decide to tell their family, I think that we can open our hearts more for that. I would watch youtube videos of moms being proud of their kids surrounding their sexuality and gender identity and I really wanted to raise my voice to say, ‘my family too!’ What started with trying to sound so literal in this song ended up turning into a song about how much I love my mom and how our connection is eternal. “You’re Me and I’m You” is about being one with your mother, since we all were a part of their bodies at one point. It’s me trying to explore who she is and who I am with my love for people.]

[Black Belt Eagle Scout plays White Schoolhouse, 1510 North 3rd Street, Lawrence, KS. Thursday, November 7, at 7:00 PM with Hikes, and Bad Alaskan.]

5. Hand Habits – “can’t calm down”
from: placeholder / Saddle Creek Records / March 1, 2019
[Meg Duffy grew up in a small town in Upstate New York and they cut their teeth as a session guitarist and touring member of Kevin Morby’s band. The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time. Two years later, Hand Habits has returned with their sophomore album, placeholder. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world. The name placeholder stems from Meg’s fascination with the undefinable. Their songs serve as openings — carved-out spaces waiting to be endowed with meaning. As a lyricist, Meg is drawn to the in-between, and the songs on this new album primarily confront the ways in which certain experiences can serve as a stepping stone on the road to self-discovery. “A big aspect of my songwriting and the way I move through the world depends on my relationships with people. The songs on placeholder are about accountability and forgiveness,” Meg says. “These are all real stories. I don’t fictionalize much.” Meg describes these songs as their most direct to date, crafted with clear intention, and unlike Wildly Idle (Humble Before The Void), placeholder doesn’t meander. “It’s less of a submerged landscape and more a concise series of thoughts,” Meg explains. Instrumentally, placeholder can be situated alongside some of Meg’s folk-adjacent contemporaries like Angel Olsen or Big Thief, and the guitar work on this album proves that Meg continues to be one of the finest young musicians working today. placeholder is another entry in the Hand Habits songbook, but it’s also a valuable testament of our time. While placeholder inspires a sense of ease, simple questions rarely beget easy answers and Meg honors the indescribable joy and profound sorrow that comes with figuring things out, one step at a time.]

[Hand Habits play In-Store at Mills Record Company, 4050 Broadway, TODAY, Wed Sept 11, 3:30 PM.]

[Hand Habits play The Truman, 601 E. Truman Rd, TONIGHT, Wed, Sept. 11, 7:PM w/ Whitney.]

[Hand Habits play a solo show at Uptown Theatre, Sunday, October 20.]

6. Bon Iver – “Hey, Ma”
from: i,i / Jagjaguwar Records / August 9, 2019
[Bon Iver is an American indie folk band founded in 2006 by singer-songwriter Justin Vernon. Vernon released Bon Iver’s debut album, For Emma, Forever Ago, independently in July 2007. The majority of that album was recorded while Vernon spent three months isolated in a cabin in northwestern Wisconsin. The band later won in 2012 the Grammy awards for Best New Artist and Best Alternative Music Album for their album Bon Iver, Bon Iver. They released their third album 22, A Million to critical acclaim in 2016, which was followed by their fourth album i,i in 2019.The name “Bon Iver” derives from the French phrase bon hiver (French pronunciation: ​[bɔn‿ivɛːʁ]) (“good winter”), taken from a greeting on Northern Exposure.]

7. Calvin Arsenia – “Back To You (Paul Brown Mix)”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[1st single from L.A. Sessions released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe.]

[Calvin Arsenia plays The Sextet Album Release, Sun, Sept 15, 7:PM at recordBar, 1520 Grand.]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

10:30 – Underwriting

Dwight Frizzell

10:32 – Interview with Dwight Frizzell & Leo Wetherill

Dwight Frizzell is a Professor at KCAI, and is an internationally recognized artist whose work combines video, performance, installation, music, audio art, and writing. Frizzell’s work about his boyhood neighbor, Harry S. Truman, was featured in the Peabody-awarded “Lost and Found Sound” series broadcast on National Public Radio. Frizzell has produced an opera based on the life of Charles Darwin. In addition to his B.F.A. degree from KCAI, he holds a terminal fine arts degree in Sound Design from the UMKC. Dwight Frizzell, is a founder of the “groovy polyphonic jazz/dance” band, Black Crack Revue, now in their 37th year. Dwight Frizzell is also a founding member of the newEar contemporary chamber ensemble, and is host & producer of “From Arc To Microchip” heard Wednesdays at 11:30 PM on 90.1 FM.

Also with us is Leo Wetherill, who has been supporting artists, creating venues, and producing performance and musical productions in Kansas City since the late 1980s. He is one of the founders of the Human Observation Lab, and early pioneer space in downtown Kansas City offering performance art space for the early concerts of The Cocktails, and early productions of Gorilla Theatre, Eyes Wide Open, nationally recognized visual artist and DJ Nick Cave, and many other area bands and and performance groups and DJs.

Dwight Frizzell and Leo Wetherill join us to shares details about Missouri River Bridge as an Instrument, Thursday, October 3, at 7:30 PM, at 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, Kansas. BRIDGE is a soundscape concert featuring Bill Dye, Steve Donofrio, Patrick Conway and members of Gamelan Genta Kasturi; Dwight Frizzell’s river bridge recordings, Ron Achelpohl Director of Transportation & Environment at the Mid-America Regional Council; Thomas Aber, and Leo Wetherill, Technical Coordinator.

Dwight Frizzell and Leo Wetherill, Thanks for being with us on WMM.

Last time Dwight & Leo were on the show was on June 12 just prior to their midday Solstice concert-June 21, at KC Art Institute’s Vanderslice Reception Patio (behind historically restored Vanderslice Hall), 4415 Warwick Blvd., KC, MO. Heliophonie (Sun Sound) was performed in-sync to the sun’s harmonic tones. The solar sphere oscillates like a bell ringing every 4 minutes 48 seconds (as heard on a large gong). Overtones pulse in quadra-pole rotation (realized by the instruments & electronics). Solar storms moving vigorously through the resonating convection-zone are performed by instrumental duets.

Missouri River Bridge as an Instrument – Thursday, October 3, 2019, 7:30 PM

BRIDGE is a soundscape concert featuring lap steel guitarist Bill Dye, singing-bowl master Steve Donofrio with sextet, Patrick Conway and members of Gamelan Genta Kasturi, Dwight Frizzell’s river bridge recordings, and Ron Achelpohl of the MARC.

FEATURED PLAYERS ACCOMPANYING THE BRIDGE:

Bill Dye, lap-steel guitar soloist

Steve Donofrio, Singing Bowl master

Patrick Conway, Gamelan master

Dwight Frizzell, bridge recordings, zwoom, video and mixage

Thomas Aber, zwoom specialist

Ron Achelpohl, Director of Transportation & Environment at the MARC

Leo Wetherill, Technical Coordinator

“Bridges are expressions of our social-spiritual evolution and impulse toward transcendence.” –Rev. Dwight Frizzell

Bridges are living, resonant beings activated by our crossing formidable passageways now made passé. Crossing Liberty Bend Bridge, our concert’s featured instrument, takes a mere 14 seconds. We invite you to hang with the bridge a moment longer, entertain its own perspective, listen inside its metal structure, and hear its rhythms and singing tones as recorded and mixed by Dwight Frizzell with live performance engineer Leo Wetherill. The bridge’s harmonic sound world is joined and orchestrated by an ensemble of Tibetan Singing Bowls directed by Steve Donofrio, Balinese gamelan instruments directed by Patrick Conway, long-hose zwoomists and Bill Dye’s lap steel guitar solo.

The sonorous Missouri River bridge at Highway 291 in Sugar Creek is a magnificent traffic-activated instrument expressing a flow of people, materials, animals and plants. Its voice, animated by us humans and full of percussive and harmonic sound, is intimately heard by nestling an ear on its metal understructure (or attaching contact microphones as heard here to map the sound spatially to the performance space with the audience inside the bridge’s singing form.

Liberty Bend Bridge is actually two continuous truss bridges on Highway 291 over the Missouri River in Sugar Creek. It is the rare example of a bridge crossing the Missouri River, but not crossing a county line. The Missouri River was rerouted in 1949, leaving part of the county north of the river. The original Liberty Bend Bridge was located about two miles to the north, which then crossed over into Clay County. The main span length is 460.1 feet and the total length is 1,883.3 feet. Vertical clearance is 16.5 feet.

INTRODUCING LIBERTY BEND BRIDGE: Ron Achelpohl is the Director of Transportation and Environment at the Mid-America Regional Council, the council of governments and metropolitan planning organization for the bi-state Kansas City metropolitan area. Ron directs MARC’s transportation and environmental planning and policy work along with related implementation activities such as the Operation Green Light traffic signal coordination system, the RideShare program and public education initiatives for air quality, water quality, active transportation and transportation safety. Prior to serving in his current role, Ron was an Assistant Director of Transportation at MARC, and before that held positions with the Missouri Department of Transportation. Ron is a registered Professional Engineer with degrees in civil engineering from the University of Missouri and engineering management from the University of Kansas. He is an active member of the American Public Works Association and serves on the boards of several local non-profit organizations.

RON ACHAPOHL’S INTRODUCTION: “As alluded to, I think all bridges are poetic, but I’m not. So, I’m going to set the context for the bridge with a few facts and figures about how it fits into the transportation system in the greater Kansas City area, which is kind of my area of expertise. I’ll start by pointing out that this is one of 3599 bridges in the eight county area that we do transportation planning in. It’s one of only 10 bridges though – highway bridges – that cross the Missouri River. The farthest one in the metro area is up in Leavenworth at Route 92, and as you go down the river there are nine other crossings until you get to the Liberty Bend Bridge. The next crossing to the east is in Lexington, Missouri it’s on Route 13, which coincidentally, is about a 40 minute drive from this bridge – about as long as this piece will be this evening. The bridge, it’s purpose is carrying people and vehicles and goods across the river and it carries – the most recent stats we got about that are that it carries about 23,000 vehicles a day across the bridge and the occupancy rate for people in the Kansas City area, that translates to a little over 24,000 people a day that use the bridge. To put that perspective, there are over 100,000 vehicles that use the Kit-Bond Bridge on I-35 across the river, and about 40,000 vehicles a day on the Buck O’Neil Bridge, that is, the old Broadway Bridge across the Missouri River. The original crossing was built back in 1927, and it crossed at where the Clay County-Jackson Country line is now. The river channel was actually moved to the south, so the bridge that is there now is a twin-span, the northbound span was the first one that was constructed, and it was originally built back in 1949, it was rehabbed in 1986, and it was replaced in 2005. The southbound bridge was built new and added the pairing in 2001. It carries Missouri Route 291, which runs from the city of Liberty south to the city of Harrisonville, it crosses through three different counties and seven different cities. So, it’s an important regional connector; it doesn’t have the most traffic in the region, but it really serves an important purpose. I’m really excited to be a part of the piece this evening, I think it’s always helpful to draw attention to the invisible infrastructure that the community relies on.”

INTRODUCING TIBETAN SINGING BOWLS: Steve Donofrio has been a Free-lance Audio Engineer & Technical Consultant for the past 38 years. He is a founding member of the National Audio Theatre Festivals and served as Technical Coordinator for Midwest Radio Theatre Workshop for 10 years and its Executive Director for three. As a member of The Deli Llama Orchestra, Steve has played Tibetan Singing Bowls for over 30 years, as featured on numerous studio and live recordings from LA to Katmandu, Nepal. Steve is an avid collector of Tibetan Singing Bowls, using them as implements of music and for meditative and tonal healing. Steve has worked on many musical projects as a producer, recoding & mixing engineer, and audio artist. Currently he works at the Columbia Public Library as a technical support specialist and lives in rural Missouri with his wife, two dogs, and a charm of 1000 hummingbirds.

INTRODUCING THE BRIDGE SOUNDSCAPE: Dwight Frizzell is an internationally recognized artist/soundscape composer who began recording environments and playing with their acoustic imprints early on — a practice he calls Turtle Music — as heard on his 1976 LP Beyond the Black Crack. The complexities of place were fore-fronted in Dwight’s Peabody-awarded Center of the World (1997), which features his childhood neighbor Harry S. Truman at the shopping center that leveled the beloved Truman family farm in 1957. Recently, Frizzell was panel moderator for Sounding Sculptural Space at the International Sculpture Conference with composer Robert Carl and long-string instrumentalist Ellen Fullman. Dwight’s teachers included Sun Ra and Douglas Davis. He earned a terminal degree in Sound Design for Theatre at UMKC, and is currently Professor in Converging Media at KCAI.

Contacts: Dwight Frizzell, KCAI artist dfrizzell@kcai.edu

Frizzell works as a professor at The KC Art Institute and is a founding member of the newEar contemporary chamber ensemble. He is host & producer of “From Arc To Microchip” Wed. 11:30 PM – 90.1 FM.

Dwight Frizzell is an internationally recognized artist whose interdisciplinary work combines video, performance, installation, music, audio art and writing. He has been producing the “From Ark to Microchip” series with Jay Mandeville since 1984. Ark radio has been heard on KOPN, KCUR, KGNU, RESONANCE FM (London), RADIO NOVA (Paris), and WKCR (New York).

Dwight’s boyhood neighbor in Independence, Missouri was Harry S. Truman, who appears in Dwight’s work as a pianist, Atlantean King and time-traveler. Dwight released the “Beyond the Black Crack” LP in 1976, studied video art with Douglas Davis (1977), clarinet with Raymond Luedeke (1979) and metaphysics with Sun Ra (1980-1990). His work was exhibited at Biennale de Paris, World-Wide Video Festival (Amsterdam), and broadcast on NPR.

Dwight’s collaborative third-mind creations with writer Jay Mandeville includes plays, essays, and Ark scripts. Their work was published in “Semiotext(e) Radiotext(e)” and “Experimental Sound and Radio” (MIT Press). They edited The Pitch newspaper in the early ‘80s.

Dwight’s music is available on Paradigm discs (England). He plays Buffet clarinets and Yamaha saxophones and wind controllers. His collaborations with Michael Henry include “Sonic Force,” where AFR A10 Warthog Attack Planes were used as musical instruments. Frizzell is a founding member of the Black Crack Revue, the newEar contemporary chamber ensemble, and the National Audio Theatre Festivals. He performed recently with David Ossman and Phil Proctor of the Firesign Theatre.

Dwight Frizzell and Leo Wetherill, Thanks for being with us on WMM.

Missouri River Bridge as an Instrument, Thurs, October 3, at 7:30 PM, at 1900 Building, 1900 Shawnee Mission Parkway, Mission Woods, KS. More info at: http://www.1900bldg.com

10:50

8. Russell Brixey – “Midnight Swim (Feat. Lauren Flynn)”
from: Midnight Swim – Single / Russell Brixey / July 30, 2019
[Russell Brixey is the musical solo project of Ryan Wallace. Ryan Wallace has played with many groups over the years: Heroes and Villains, The Republic Tigers, and JAENKI. This is his first solo single “Midnight Swim” and features the vocals of Lauren Flynn from the band Olivia Fox. Hear Russell Brixey talk about “Midnight Swim” at http://speakimge.com/interview-russell-brixey/%5D

The Sextet’s upcoming album “Among Friends”

9. The Sextet – “Clare de Lune”
from: Among Friends / ARC / September 15 , 2019
[The title of the band’s third release refers to the collaboration of nine other musicians & artists who joined the six members of The Sextet: Joe Tesoro on soprano sax, Max Levy on tenor sax, Trevor Turla on trombone, Forrest Fowler on guitar, Nik Douglas on drums, and Robert Castillo on bass, in the studio to create this new 15 track release. Engineered and Mixed by J Ashley Miller. Produced by J Ashley Miller, Robert Castillo, & The Sextet. Mastered by Duane Trower @ Weights and Measures Soundlab. Recorded Jan. 17,18, & Feb. 1, 2019 @ The Infoaming Vertex. Cover Image: “Circle and Square” by Wassily Kandinsky 1943]

[The Sextet play an Album Release Show, Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.]

11:00 – Station ID

10. Fathers – “Me & America”
from Me America – Single / Fathers / August 30, 2019
[Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; Brooke Honeycutt on vocals, bells, & percussion; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion.]

[Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.]

Members of the band Fathers: David Vava Littlewood, Kenneth Storz, Matt Guilliams, and Bryce Veazey on the September 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Kenneth Storz and members of Fathers

Kenneth Storz, David Vava Littlewood, Matt Guilliams, and Bryce Veazey are four of the members of Fathers the Kansas City band formed in 2017. Fathers have released several singles and on March 1 of this year they released their debut EP High Horses. On August 30 Fathers released their newest single “Me & America.” Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.

Kenneth Storz, David Vava Littlewood, Matt Guilliams, Bryce Veazey, thanks for being with us on WMM.

Fathers Includes:

Kenneth Storz on vocals, guitar, & keyboards;

Brooke Honeycutt on vocals, bells, & percussion;

David Vava Littlewood on vocals, keyboards, & bells;

Matt Guilliams on bass, & percussion;

Bryce Veazey on vibraphone, vocals, & percussion;

Josh Seerden on guitar, keyboards, bass, & percussion;

Celeste Tilley on trombone, vocals, & percussion.

How did this band come to be a band?

Last time the band was on the show was just prior the Fathers High Horses EP Release Party, Saturday, March 9, at 8:00 PM, at the 2016 Main Event Space at 2016 Main St, KCMO, with Eems and Belle & The Vertigo Waves.

Fathers released the 4 song EP High Horses on March 1, 2019 and now 6 months later has this new single out.

Bryce Veazey was recently on stage for the Crossroads Music Fest playing with Madisen Ward and the Mama Bear on Saturday night on the KC Crossroads stage.

The band perform live in our 90.1 FM Studios

11:12

Fathers

11. Fathers – “untitled” (LIVE)
[Kenneth Storz on vocals, guitar, David Vava Littlewood on keyboards, Matt Guilliams on guitar, Bryce Veazey on vibraphone & vocals.]

Part of the recording of High Horses was done in the Yoga studio of Bodyfit

Several reviews have compared Fathers to The Beach Boys and to Olivia Tremor Control.

Fathers has played Middle of The Map Fest, The Buzz Homegrown Showcase, recordbar, the Brick, Power and Light District, The Rino, sharing stages with many area bands including Pink Royal, Y God Y, Pageant Boys, The Fey, Calvin Arsenia, and others. How do you feel about the Kansas Area music scene?

10:23

Kenneth Storz, David Vava Littlewood, Matt Guilliams, Bryce Veazey, thanks for being with us on WMM.

Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.

10:24

12. Fathers – “PRTND”
from High Horses / Fathers / March 1, 2019
[Formed in 2017 the band includes: Kenneth Storz on vocals, guitar, & keyboards; Brooke Honeycutt on vocals, bells, & percussion; David Vava Littlewood on vocals, keyboards, & bells; Matt Guilliams on bass, & percussion; Bryce Veazey on vibraphone, voice, & percussion; Josh Seerden on guitar, keyboards, bass, & percussion; Celeste Tilley on trombone, vocals, & percussion.]

[Fathers play The Rino, 314 Armour Rd, North Kansas City, Saturday, September 14, at 7:00 PM, with Stolen Jars and Of Tree.]

Jen Harris with Members of the band Fathers: David Vava Littlewood, Kenneth Storz, Matt Guilliams, and Bryce Veazey on the September 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:28 – Underwriting

Jen Harris and Lori Chandler on the Sept. 11, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:30 – Interview with Jen Harris & Lori Chandler

Nationally recognized, KC based Poet Jen Harris is the founder of The Writing Workshop KC, and the Kansas City Poetry Slam, she is a TEDx fellow, She has been nationally recognized for her writing and advocacy. She was recently seen in the 3rd season of Queer Eye on Netflix. She graduated from the University of Missouri-Kansas City with a Bachelor of Liberal Arts. She is the recipient of the 2015 Jim Wanser Pride Award for outstanding LGBT community activism. She is the recipient of The Pitch Magazine’s 2017 Poet of the Year award, and was nominated as the 2017 Spoken Word Host of the Year by the National Spoken Word Awards. She was the 2009 ACP Kansas Journalist of the Year. She has two published books of poetry titled: Slammed and Lust & Disdain. Her spoken word record, Flaunting Her Mediocrity was released Oct 9, 2016. More info at: http://www.poetjenharris.com

Along with her husband Doug Chandler, Lori Chandler is founder of Take Five Music Productions. The company grew from their earlier experiences as owners of Take Five Coffee + Bar where they presented innovative Jazz performances. After Take Five Coffee + Bar closed in 2015 the Chandlers decided they would continue presenting collaborative Jazz events and shows in multiple venues all over the metro area. More info at http://www.take5kc.com

Lori Chandler and Poet Jen Harris joins us today to talk about the release of Jen’s third book of poetry and essays, Unconfirmed Certainties, and special show called “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave, with Jen Harris collaborating with Eddie Moore on keyboards, Jason Emmond on bass and Brian Steever on drums. Poet Jen Harris & The Fellas is produced with Take Five Music Productions.

Jen Harris, and Lori Chandler thanks for being with us on WMM.

Jen this is a busy time for you. You are also playing The Sextet’s Album Release show Sunday, September 15, at 7:00 PM at recordBar, 1520 Grand Boulevard, KCMO. Joining the band are special guests: Calvin Arsenia, Poet Jen Harris, Jose Faus, Miki P, Eddie Moore, and JF Letters. Jametatone & Blastocyst will open the show.

Lori Chandler, you wrote: “I first heard Jen Harris at the Fahrenheit Valentine’s Ball in February and she literally took my breath away. Six months and many coffee-fueled discussions later, I’m so privileged to announce this performance. The creative process between Jen, Eddie Moore, Brian Steever and Jason Emmond has been absolutely mind blowing.”

This event includes the jazz accompaniment of “The Fellas,” renowned musicians Eddie Moore (keys), Jason Emmond (bass) and Brian Steever (drums), bringing Jen’s performance to sonic life.

Unconfirmed Certainties “is the intersection of suspicion and intuition” and follows Harris’ year-long exploration, documentation and in-process recovery from flashbacks, suicidal ideation and a significant mental breakdown following a devastating, unexpected public breakup and facing, head-on, a C-PTSD diagnosis.

An outspoken advocate for an accessible mental health system, Harris was relieved to finally put a name to symptoms she had experienced since her early teens. She fought for decades to overturn the misdiagnosis of Bipolar II disorder, which she was given around age 15 as a way to “medicate away her queerness and creative spirit.” Due to the limitations set upon her by the current health care system, this endeavor took Harris nearly 20 years to accomplish.

As the public has come to know from her career, Harris spares no one’s feelings or privacy in her searing truth-telling performance.

Take Five Music Productions. http://www.take5kc.com

Additional notes: This performance contains mature subject matter and is not recommended for young children.

Jen Harris would you share a piece from the show?

11:50

13. Jen Harris – “Love and Other Ghost Stories”
original piece written and performed by Jen Harris from Unconfirmed Certainties

11:53 – Interview with Jen Harris and Lori Chandler

We are talking with Lori Chandler and Poet Jen Harris about the release of Jen’s third book of poetry and essays, Unconfirmed Certainties, and special show: “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave.

Jen Harris and Lori Chandler thanks for being with us on WMM

Jen Harris releases her third book of poetry and essays, Unconfirmed Certainties, with a special show called “Poet Jen Harris & The Fellas” on Sunday, September 22, at 7:00 PM, at Ça Va 4149 Pennsylvania Ave, collaborating with Eddie Moore on keyboards, Jason Emmond on bass and Brian Steever on drums. Poet Jen Harris & The Fellas is produced with Take Five Music Productions. More info at: http://www.take5kc.com

11:55

13. The Ghost Wolves – “Crooked Cop”
from: Crooked Cop / Third Man Records / September 9, 2019
[The Ghost Wolves are Carley “Carazy” Wolf on guitar & vocals and Jonathan “Little Hammer” Wolf on drums & vocals. Third Man Records is excited to release the newest songs from Austin, TX’s Ghost Wolves. Formed in 2011 and hardly taking time to sit since then, the Ghost Wolves create, record and tour at a rapid clip. Blending rock n’ roll, punk rock, garage and blues with electronic elements, the duo has earned a reputation as one of the hardest working bands in the modern rock n’ roll underground, touring internationally for almost 8 years straight, with nearly 1000 shows between them in 23+ countries including most of western Europe, the USA, U.K. and Japan. The duo recorded these three new tracks in early 2019 with engineer/producer John Michael Schoepf (bassist for Ray Wylie Hubbard, Night Glitter) in his Austin living room studio. The recording took place during a very dark time for Carley and Jonny, who have been married for 7 years. Jonny’s father received a terminal cancer diagnosis in late 2018. These songs came together while Jonny was tending to his father in Connecticut, with Carley sending demo songs to him from Texas. When his father stabilized somewhat, Jonny returned to Austin to take a break and they both therapeutically recorded these songs. As can be heard, these recordings are darker, more intimate and more pressing than previous material. Produced by John Michael Schoepf and The Ghost Wolves. Engineered by John Michael Schoepf. Mixed by John Michael Schoepf, Kyle Ellison and Jonas Wilson.]

[The Ghost Wolves play recordBar, 1520 Grand, TONIGHT, Wednesday, September 11, at 7:00 PM with Freight Train Rabbit Killer]

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on Wednesday, September 17 – special guests include: Calvin Arsenia who plays an LA Sessions Release Show at recordBar, September 19. We will also talk with Dedric Moore and Nathan Reusch about their 3 Deep Chromadepth 3-D Concert Friday, September 20 with Jaenki, Pala Zolo, Flaural, Triptidesm and Monta At Odds, at recordBar, 1520 Grand. Also next week, singer-songwriters Rigby Summer and Ed Dupas play live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #802

WMM Playlist from October 24, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 24, 2017

Music From 2018 Outer Reaches Festival
with Brenton Cook, Dedric Moore & Steve Tulipana
+ Davin Watne and Funk The Vote

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Belle & The Vertigo Waves – “New York Letter”
from: Aligned / Drop Out Records / October 6, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services. The Record Machine release a single of this song on May 18, 2018 as part of their What’s Next: KC Sessions, but we prefer this recorded version.]

[Belle & The Vertigo Waves play a Very Vertigo Waves Halloween Show, Fri, Oct 26, at 8:00 PM at The Brick, 1727 McGee St, w/ Mene Mene, Rachel Mallin & The Wild Type and Vik G Trio at The Brick.]

3. The Phantastics – “Heartbreaker”
from: Like of the Party – EP / Kenet Creative / August 24, 2018
[Eight member band from Kansas City formed in December 0f 2010 made up of: Kemet the Phantom -lead vocals; Kim “Phirst Lady” Newsome on lead vocals; JJ Cantrell on lead guitar & vocals; Danny Florez on electric bass; Ashley Thompson on drums, Ernest Melton on saxophone; Ryan Davis on Trombone and rap vocals; Austin Quick on keyboards. The Phantastics specialize in genre-blending dance floor activators. In 2015, the music group was crowned “Kansas City’s best party band” by the Kansas City Star. Musicianship and diversity are at the core of their success. Rock, Rap, Dance, Funk, Jazz and Soul are all incorporated into their music. “The band that can do it all”, according to I Heart Local Music, has shared the stage with some of music’s most legendary acts including George Clinton and the Parliament Funkadelic.]

[The Phantastics play the I Heart Local Music Presents: The Black & White Ball! Saturday, October 27, at 9:00 PM, at The Bottleneck, 7732 New Hampshire St., Lawrence, KS with HighWesthus]

4. Thee Devotion – “Shake It Up”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

[Thee Devotion play Funk The Vote, Saturday, November 3, at 10:00 PM at The Ship, 1217 Union Avenue. KCMO (West Bottoms) with DJ Lady J, and DJ Felt Tip. ]

10:15 – Interview with Davin Watne

Artist, musician and educator – Davin Watne is a professor at UMKC where he teaches painting and drawing. He is a practicing artist that exhibits nationally, internationally and locally. Davin also plays guitar, keyboards, harmonica & sings in the KC based 4-piece band, Thee Devotions who released their latest album Chapel on vinyl, on April 7, 2018

Davin Watne joins us to share information about Funk The Vote, Saturday, November 3, at 10:00 PM at The Ship, 1217 Union Avenue. KCMO (West Bottoms). Thee Devotion will perform live along with DJ Lady J, and DJ Felt Tip.

Davin Watne thanks for being with us on Wednesday MidDay Medley.

Funk The Vote, Sat, Nov 3, 10:PM at The Ship, 1217 Union Ave. KCMO (West Bottoms).

DJ Lady J, and DJ Felt Tip will be spinning from their collection of rare and special soul 7″ singles.

Area political action organizations including: WOLF-PAC Missouri, New Approach Missouri, 350 KC, and the ACLU.

Thee Devotion started in January 1, 2008, with our drummer Keith Patterson and You. You formed Thee Devotion out of the ashes of our first band together called Emma Feel.

“Shake it Up” was written about Ferguson, Missouri.

Chapel is the band’s 2nd record produced by Bill Honan who played piano & moog.

All songs written by Thee Devotion.

The Devotion have two records out on vinyl and on many digital platforms like Spotify, iTunes, Paradora and YouTube.

10:27

Davin Watne thanks for being with us again on Wednesday MidDay Medley.

Thee Devotion play Funk The Vote, Saturday, November 3, at 10:00 PM at The Ship, 1217 Union Avenue. KCMO (West Bottoms) with DJ Lady J, and DJ Felt Tip.

10:28 – Underwriting

10:30 – Music from Outer Reaches Fest at recordBar – Fri & Sat, Oct. 26 & 27

5. Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / May 25, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

10:33 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

Steve Tulipana, Brenton Cook, and Dedric Moore

Outer Reaches was originally called KC Psych Fest and started in 2012 as a way to bring together outsider musical acts and celebrate the variety of experimental music within Kansas City. While still very much in the psychedelic realm, the Outer Reaches Fest has grown to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music, that is adventurous and mind expanding. The Fest endeavors to emphasize musical acts experimenting and pushing boundaries.

2018 Outer Reaches Fest, is happening this weekend, Friday, October 26, and Saturday, October 27, at recordBar, 1520 Grand Ave, KCMO featuring 16 bands, including six bands from Kansas City, two bands from Lawrence, Kansas, a band from KCK, and bands from Brooklyn New York, and Fort Wayne Indiana, two bands from Chicago Illinois, two bands from Montreal Quebec, and a band from Sydney Australia.

Joining us to share music and information about Outer Reaches 2018 are three guys who together make Outer Reaches happen each year: Brenton Cook, Dedric Moore, and Steve Tulipana.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 6 years, Haymaker Records has been a co-sponsor & co-curator of the Outer Reaches Fest.

Steve Tulipana is the co-owner of recordBar. Steve studied video, fine arts & painting at UMKC, where he graduated in 1991. Steve is a founding member of influential KC bands: Season To Risk, Roman Numerals, Thee Water MoccaSins, Sie Lieben Maschinen, and Unknown Pleasures. With Shawn Sherrill, he is co-owner of recordBar and miniBar. Along with Outer Reaches, and a full calendar of shows, Steve helped launch recordBar’s 7″ Single Series, releasing limited edition singles from Victor and Penny and Emmaline Twist on recordBar’s own label: Eat.Hear. Records. Steve Tulipana also performs with The Band That Fell To Earth – in Tribute to David Bowie.

Dedric Moore, Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

We just heard Mysterious Clouds who are part of the big Friday night line up:

Friday, October 26,
features:
Freight Train Rabbit Killer (KCMO),
Heaven’s Gateway Drugs (Fort Wayne, IN),
Mysterious Clouds (KCK),
Abandoned Bells (KCMO),
The Guillotine Choir (KCMO),
JC & the Nuns (Lawrence, KS),
Lesser Pleasures (Lawrence, KS),
New Obsessions (KCMO), and
Lava Dreams (KCMO).

10:40

6. Freight Train Rabbit Killer – “Shake Em” (7″ Vinyl)
from: Shake Em – 7″ Single / Haymaker Records / October 27, 2018
[Volume 4 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

[Freight Train Rabbit Killer play Outer Reaches Fest, Friday, October 26 at recordbar.]

7. Abandoned Bells – “Lost Children”
from: Lost Children – Single / Independent / December 1, 2016
[Recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.
Krystof Nemeth on guitar, Terri Ann Quinn on vocals & banjo, Tyson Schroeder on drums.]

[Abandoned Bells play Outer Reaches Fest, Friday, October 26 at recordbar.]

10:46 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore, and Steve Tulipana three guys who together make Outer Reaches Fest happen each year.

We hear talk that there will be an interactive Giant Rabbit on stage with Freight Train Rabbit Killer.

This year Outer Reaches is part of Open Spaces KC – Outer Reaches is happy to be an official Expanded Field Partner of Open Spaces KC, a contemporary art experience with visual creations and performances by local, national and international artists transforming the city for 9 weeks.

This year Outer Reaches is Collaborating with Midwest Music Foundation – Outer Reaches 2018 is made possible from the help of Midwest Music Foundation and a grant through the KC Neighborhood Tourist Development Fund.

More info: http://www.outerreachesfest.com/

Friday night, October 26, features three area bands: The Guillotine Choir (KCMO), Lesser Pleasures (Lawrence, KS), and New Obsessions (KCMO), that are so new they are currently in the studios with their music, and have plans to release their debut recordings in the next few months.

10:51

8. Heaven’s Gateway Drugs – “Copper Hill”
from: Rubber Nun / dizzybird Records LLC / September 9, 2016
[Heaven’s Gateway Drugs is a counterculture cult rock band hailing from Fort Wayne, Indiana, a rust belt city best known for its abundance of churches and strip clubs. Despite being born in a location that couldn’t be farther from a psychedelic epicenter, Heaven’s Gateway Drugs creates a unique combination of freakbeat, west coast psych, mod, and eastern drone to create a sound that is just at home today as it was in 1968. This description only addresses part of the total experience that is Heaven’s Gateway Drugs. The group is led by Ben Carr, an enigmatic, psychedelic Pied Piper of sorts who entrances audiences with his movements and urges those in attendance to become one with the band. Remember always, “you are Heaven’s Gateway Drugs.”.]

[Heaven’s Gateway Drugs play Outer Reaches Fest, Friday, October 26 at recordbar.]

7. JC & The Nuns – “Psych Burns”
from: Jeez – EP / Independent / September 28, 2017
[Lawrence badsed 4-piece band with JC onlead vocals, Sister Spirit on bass, Sister Hazel on guitar, Sister Sister on percussion. Recorded and mixed at Lawrence Public Library August 2017]

[JC & the Nuns play Outer Reaches Fest, Friday, October 26 at recordbar.]

10:59 – Station ID

8. Lava Dreams – “SWEET SWEET”
from: SWEET SWEET – Single / Lava Dreams / October 19, 2018
[Written, produced, recorded, and performed by Lava Dreams. Lava Dreams is Kansas City based songwriter and producer Julia Hamilton on guitar, and lead vocals. Hear Queer writes: “In her music, Julia Hamilton of Lava Dreams creates landscapes and terrains to explore. Ambient sound and swimming melodies fill the environments that Hamilton is constructing through song.”]

[Lava Dreams play Outer Reaches Fest, Friday, October 26 at recordbar.]

Dedric Moore, Mark Manning, Steve Tulipana, and Brenton Cook talk about Outer Reaches Fest.

11:03 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore, and Steve Tulipana three guys who together make Outer Reaches Fest happen each year.

Dedric Moore, Brenton Cook and Steve Tulipana thanks for being with us on WMM.

More info: http://www.outerreachesfest.com/

Outer Reaches 2018 is a partnership between the festival and Midwest Music Foundation and has been made possible through a grant from the Kansas City Neighborhood Tourist Development Fund. Midwest Music Foundation (MMF), a nonprofit organization founded in 2008, provides health care assistance, education, and resources to the Kansas City music community, and receive proceeds from ticket sales from the event. Outer Reaches is happy to be an official Expanded Field Partner of Open Spaces KC, a contemporary art experience with visual creations and performances by local, national and international artists transforming the city for 9 weeks.

Sponsors for this year’s fest include KKFI 90.1 FM, Records with Merritt, 7th Heaven, KTBG 90.9FM The Bridge, Bullseye Records, Boulevard Brewing Company, Lagunitas Brewing Company, XO Blackwater, Josey Records, It’s a Beautiful Day, Seen Merch, Haymaker Records, Kosmic City, and Print Time.

Saturday, October 27
features
CAVE (Chicago, IL),
Sound of Ceres (Brooklyn, NY),
J Fernandez (Chicago, IL),
Death Bells (Sydney, Australia),
Black Givre (Montréal, Québec),
Kee Avil (Montréal, Québec), and
Jorge Arana Trio (KCMO).

Friday Tickets are $15 (Day of Show), $12 (Advance). Saturday Tickets are $20 (Day of Show), $15 (Advance). Two-Day Ticket available at: $25 (Advance).

For ticket information visit: http://www.therecordbar.com.

The Fest has grown organically, growing too big for FOKL, the arts/performance space in Kansas City, Kan., that hosted the first two KC Psych Fests.

In 2014 the fest moved to recordBar. Outer Reaches feels like a really great fit at recordbar. Steve’s experience booking bands adds to his collaboration with Dedric and Brenton in organizing the line up. recordBar, 1520 Grand, in the Crossroads

11:08

11. CAVE – “San’ Yago”
from: Allways / Drag City / October 29, 2015
[Chicago based 5-piece band made up of: Jeremy Freeze, Rob Frye, Rex McMurry, Cooper Crain, Dan Browning “]

[CAVE plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 27]

12. J Fernandez – “Unwind”
from: Occasional Din / Joyful Noise Recordings / November 9, 2018
[First single from Chicago Illinois based musician J Fernandez started as the eponymous home recording project of Arkansas born Justin Fernandez, who came to Chicago in 2008 to work for map company Rand McNally. After three EPs, his 2015 debut LP ‘Many Levels of Laughter’ attracted high praise from the music press – including 8/10s from UNCUT and NME, plus end of year nods from Under The Radar and Brooklyn Vegan (who called it “one of 2015’s most underrated albums”). That year also saw him share the stage with the likes of Unknown Mortal Orchestra, Alvvays, Mitski, and Ezra Furman.s,

[J Fernandez plays Outer Reaches Fest, at recordBar, Sat, October 27]

11:17 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Festival this Friday and Saturday night at recordBar, 1520 Grand Avenue, in the Crossroads. More information can be found at: http://www.outerreachesfest.com and http://www.therecordbar.com.

Saturday, October 27 features
CAVE (Chicago, IL),
Sound of Ceres (Brooklyn, NY),
J Fernandez (Chicago, IL),
Death Bells (Sydney, Australia),
Black Givre (Montréal, Québec),
Kee Avil (Montréal, Québec), and
Jorge Arana Trio (KCMO).

11:22

13. Sound of Ceres –”Humoria”
from: The Twin / Joyful Noise Recordings / October 6, 2017
[.Karen and Ryan Hover, having completed a Perfect Triumvirate of Candy Claws albums, formed Sound of Ceres in 2014 as a duo in collaboration with members of the Apples in Stereo and the Drums. While Candy Claws explored terrestrial realms such as the ocean, the forest, and the Mesozoic, Sound of Ceres expands to contemplate all of space and time, and the human place within it.]

[Sound of Ceres play Outer Reaches Fest, at recordBar, Sat, October 27.]

14. Death Bells – “Only You”
from: Standing at the Edge of the World / Burning House-Funeral Party / Sept 29, 2017
[Sydney Australia based band, with Maurice Santiago, Rimas Veselis, David Gauci, Aron Postolovic, Sam Shepherd ant William Canning]

[Death Bells play Outer Reaches Fest, at recordBar, Saturday, October 27.]

11:29 – Underwriting

11:31 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Fest, Friday and Saturday at recordBar, 1520 Grand Avenue, in the Crossroads.

The music festival Outer Reaches, in its seventh year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

This year Outer Reaches is Collaborating with Midwest Music Foundation – Outer Reaches 2018 is made possible from the help of Midwest Music Foundation and a grant through the KC Neighborhood Tourist Development Fund.

Second Stage Sponsor:
KKFI 90.1 FM

Video / VJ Sponsors:
Records with Merritt
7th Heaven
KKFI 90.1 FM
KKFI Crossroads Music Fest 2018

Additional Sponsors:

KC Neighborhood Tourist Development Fund
Midwest Music Foundation
90.9 The Bridge
Open Spaces KC
Boulevard Brewing Company
Lagunitas Brewing Co
XO Blackwater
Josey Records Kansas City
recordBar
It’s a Beautiful Day
Sound 81 Productions
Seen Merch
Haymaker Records
Bullseye Records
Kosmic City
Print Time

More information can be found at: http://www.outerreachesfest.com and http://www.therecordbar.com.

11:36 – Montreal Solo Projects

15. Kee Avil – “Sponge”
from: Kee Avil – EP / Black Bough Records / March 15, 2018
[Kee Avil is a solo song project based in Montreal, QC. It combines guitar, voice and electronics into song forms that stagger between structure and improvisation. Kee Avil evolved from playing the guitar with broken cymbals and drumsticks into creating strange beats glued together by samples of screws dropped into crystal bowls. All music by Kee Avil. Mixing by Zach Scholes. Mastering: Sponge and by Harris Newman, and Zach Schole.]

[Kee Avil plays Outer Reaches Fest, at recordBar, Sat, October 27.]

16. Black Givre – “Collusion I”
from: Errance et mépris / Burning House – Funeral party / October 16, 2018
[Montreal, Québec based Black Givre is Samuel Bobony (drum & electronic). Recorded live in front of small audience at Studio Concrete by Zach Scholes. Mixed & Produced by Samuel Bobony & Olivier Fairfield. Mastering by Philippe. Black Givre is Samuel Bobony solo project. A sound artist who creates explosive pieces which combines drum, sampling, field recording and synthesizer. Also member of Avec le Soleil Sortant de Sa Bouche (Constellation Records) & Héliodrome (Endemik Music).]

[Black Givre play Outer Reaches Fest, at recordBar, Saturday, October 27.]

11:43 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Fest, Friday and Saturday at recordBar, 1520 Grand Avenue, in the Crossroads.

The music festival Outer Reaches, in its seventh year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

Saturday, October 27
CAVE (Chicago, IL)
Sound of Ceres (Brooklyn, NY)
J Fernandez (Chicago, IL)
Death Bells (Sydney, Australia)
Black Givre (Montréal, Québec)
Kee Avil (Montréal, Québec)
Jorge Arana Trio (KCMO)

More information can be found at: http://www.outerreachesfest.com and http://www.therecordbar.com.

11:48

17. Jorge Arana Trio – “All My Friends Are Brown”
from: Mammoth / Haymaker Records / September 22, 2016
[Recorded in early 2016 by Justin Wilson at Sound 81 Productions. Jorge Arana Trio is: Jorge Arana, Josh Enyart, & Jason Nash. Formed in 2011. Mammoth is the 3rd album and 2nd full length release. Jorge Arana Trio played their first album release concert at recordBar, September 2 with 34 and Riala.]

[Jorge Arana Trio play Outer Reaches Fest, at recordBar, Sat, Oct. 27.]

11:51 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2018 Outer Reaches Fest, Friday and Saturday at recordBar, 1520 Grand Avenue, in the Crossroads.

The music festival Outer Reaches, in its seventh year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

Outer Reaches FEST at recordBar on Friday & Saturday, October 26 & 27.

Friday, October 26
Freight Train Rabbit Killer
Heaven’s Gateway Drugs (Fort Wayne, IN)
Mysterious Clouds
Abandoned Bells
The Guillotine Choir
JC & the Nuns (Lawrence, KS)
Lesser Pleasures (Lawrence, KS)
New Obsessions
Lava Dreams

Saturday, October 27
CAVE (Chicago, IL)
Sound of Ceres (Brooklyn, NY)
J Fernandez (Chicago, IL)
Death Bells (Sydney, Australia)
Black Givre (Montréal, Québec)
Kee Avil (Montréal, Québec)
Jorge Arana Trio (KCMO)

More info: http://www.outerreachesfest.com and http://www.therecordbar.com.

11:56

18. Monta At Odds – “Argentum Dreams (feat. Your Friend)”
from: Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from KCK based band formed by brothers Dedric and Delaney Moore.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on October 31, we brig you a special Halloween Show with Bela Lugosi, Boris Karloff and Bette Davis — plus an interview with Michael McQuary Man of 1001 Faces.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #757

Wednesday MidDay Medley plays Music From Outer Reaches Fest 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 24, 2017

Music From 2018 Outer Reaches Festival
with Brenton Cook, Dedric Moore & Steve Tulipana
+ Davin Watne and Funk The Vote

Mark plays more New & MidCoastal Releases from: Freight Train Rabbit Killer, Heaven’s Gateway Drugs, Mysterious Clouds, Abandoned Bells, JC & the Nuns, Lava Dreams, CAVE, Sound of Ceres, J Fernandez, Death Bells, Black Givre, Kee Avil, and Jorge Arana Trio. We’ll also play Thee Devotion and Monta At Odds.

At 10:15 Davin Watne of Thee Devotion joins us to share information about Funk The Vote, Saturday, November 3, at 10:00 PM at The Ship, 1217 Union Avenue. KCMO (West Bottoms). Thee Devotion will perform live along with DJ Lady J, and DJ Felt Tip. Plus, political action organizations including: WOLF -PAC Missouri, New Approach, and 350KC will be there to advocate for candidates and issues they support. GET OUT AND VOTE.

Steve Tulipana, Brenton Cook, and Dedric Moore

At 10:30 Brenton Cook, Dedric Moore, and Steve Tulipana join us for 90 minutes, to share information and music from the 2018 Outer Reaches Fest, Friday, October 26, and Saturday, October 27, at recordBar, 1520 Grand Ave, KCMO. Friday, October 26, features: Freight Train Rabbit Killer (KCMO), Heaven’s Gateway Drugs (Fort Wayne, IN), Mysterious Clouds (KCK), Abandoned Bells (KCMO), The Guillotine Choir (KCMO), JC & the Nuns (Lawrence, KS), Lesser Pleasures (Lawrence, KS), New Obsessions (KCMO), and Lava Dreams (KCMO). Saturday, October 27 features CAVE (Chicago, IL), Sound of Ceres (Brooklyn, NY), J Fernandez (Chicago, IL), Death Bells (Sydney, Australia), Black Givre (Montréal, Québec), Kee Avil (Montréal, Québec), and Jorge Arana Trio (KCMO). Friday Tickets are $15 (Day of Show), $12 (Advance). Saturday Tickets are $20 (Day of Show), $15 (Advance). Two-Day Ticket available at: $25 (Advance). For tickets visit: http://www.therecordbar.com.

Outer Reaches (formerly KC Psych Fest) started in 2012 as a way to bring together outsider musical acts and celebrate the variety of experimental music within Kansas City. The fest emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection. The festival aims to be genre-spanning and showcase young and established local, national, and international acts. This marks the seventh anniversary of the festival. More info at: http://www.outerreachesfest.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #757