WMM Playlist from Sept. 2, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 2, 2020

Ivory Blue + Nick Carswell & Mix Master 2020
+ David Shaughnessey & KC Irish Fest Where You Are

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

2. Shiner – “In The End”
from: Schadenfreude / Two Black Eyes / May 8, 2020
[Shiner is Allen Epley on voice, guitar, Rhodes; Josh Newton on guitar, Jason Gerken on drums, Cymbals; Paul Malinowski on bass. produced by Shiner. Recorded and mixed by Paul Malinowski at Massive Sound, Shawnee, Kansas. Additional recording by Allen Epley. Additional mixing by Josh Newton. Mastered by Mike Nolte at Eureka Mastering, Portland, OR. Art by Mike McKenney (@the_real_theory). Layout by Josh Newton Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude.” The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7” single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times.]

[SHINER plays a 15 Year Anniversary – Kickstarter Kick-Off Party with Heels and DJ Stevie Cruz on Friday September 4, 2020, 7:00 PM to 11:00 PM at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. recordBar is launching a Kickstarter campaign through their Lights On program, which is designed specially to help businesses find funding to weather the pandemic. This campaign will celebrate recordBar’s 15th year by offering rewards of limited edition merchandise, items from recordBar’s vast collection of memorabilia, future tickets and much more. To launch the campaign, an all-time favorite band, Shiner will perform. Tickets can be purchased through the Lemonade Park or recordBar website. This show will also be available via live-stream from the Kickstarter page. Tickets are limited to 75 and are available for $75 a piece, with assigned seating. Donations for the Day of Show Auction include prizes from: KC Royals, Midwest Music Foundation, Jack Daniels, Tito’s, Drunken Fiddles, The Record Machine, Ragazza, The Midland Theater, Josey Records, The Pairing, Boulevard Brewery, Manor Records, Jaykco Guitar Straps, Weights & Measures Recording Studio, Massive Sound Recording Studio, Records With Merritt, Messenger Coffee, Ibis Bakery. More info at: http://www.shiner.net / http://www.kickstarter.com/projects/recordbar/15-year-anniversary-recordbar-will-return%5D

[SHINER plays Night 2 of recordBar 15 Year Anniversary Party with The Whiffs and DJ Thundercutz on Sunday September 6, 2020, 7:00 PM to 11:00 PM at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire.]

3. Daniel Gum – “Ruin Your Life”
from: Ruin Your Life – Single / Manor Records / September 4, 2020
[First single from Daniel Gum’s new album, Thirteen to be released later this fall on Manor Records. Daniel Gum is a 23 year old singer-songwriter from Kansas City. Since the age of 12, he has spent the majority of his time writing and recording songs by himself in his room. His most recent project, Moon, on the other hand was recorded by someone else in another room while Daniel was by himself in yet another room. The Moon EP was released December 7, 2019. It was engineered by Mike Crawford and Daniel Gum and mixed by Daniel Gum with piano and accordion by Cole Crawford. Daniel Gun released his EP i’m not dead October 25, 2017, and his 10-song album Reorient on July 31, 2015, with all songs written, recorded and mixed by Daniel Gum who also performed all vocals guitars, drums, piano, bass. harmonica, and programming.] [On our July 22, 2020, WMM show we played Daniel Gum’s track, “Tired Saint” from French Exit Records – Black Lives Matter Compilation, released July 6, 2020. French Exit Records was launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

4. Sam Prekop – “Summer Places”
from: Comma / Thrill Jockey Records / September 11, 2020
[From his Bandcamp page: Sam Prekop’s boundless imagination is guided by his strong sense of melody. For more than 25 years, as a solo artist or as part of The Sea and Cake, Prekop creates a singular sound inventive and warm. His distinctive vocals, guitar playing and work on modular analog synthesizers are inventive, delicate, and always bear his signature sense of melody. Comma finds Sam Prekop for the first time working extensively with beat programming, focusing his enveloping synthesizer pieces around a newfound rhythmic pulse. // Prekop’s creative process is a combination of preparation and improvisation. Writing sessions for Comma began with an open-ended exploration of sounds and textures from which the first fragments of songs would reveal themselves. The introduction of drum machines and additional synthesizer units to his modular setup shifted things in surprising new directions as he worked to bend them into more traditional pop song structures. Drum tracks and emergent rhythms provided the frameworks and narrative sketches to be fleshed out with lustrous widescreen synth pads and ribboning melodies. In approaching his writing with a completely open mind and letting himself be guided by the music, Prekop maintains a delicate balance between composition and chance, control and spontaneity. Comma embraces the analogue synthesizer’s often unpredictable nature, imbuing the record with a decidedly organic feel even while working within the relative rigidity of beat architectures. // Prekop’s wide-eyed sense of discovery guides his exploration of beat-driven music, pushing him to use rhythm as a narrative tool and to embrace electronic music’s romantic and emotional qualities. “Park Line” and “Circle Line” evoke the relentless forward motion of public transit and commuter routine, one propelled by juddering machine-drums, the other illuminated in glistening neon. “Summer Places” and title track “Comma” are utterly transportive in their intoxicating tropical futurism, aqueous electronic loops cascading over melodic percussion. “September Remember” is notable precisely for its lack of drum track, opening up the field of sound and obliterating all but the faintest after-echoes of skittering percussion in its astral melancholy. “Approaching” achieves an incredible depth of sound and feeling using minimal constituent parts, interlocking synth-lines revealing surprising new sonorities with every repetition. With Comma, Prekop compiles an incredible breadth of ideas into a surprisingly coherent sound-world. // Comma is Prekop’s modern minimal pop album that taps into the experimental heritage of the synthesizer. The album places Sam Prekop’s work squarely in the tradition of electronic music pioneers like Brian Eno and Yellow Magic Orchestra who brought together the unrestrained ambition of the avant-garde with the immediacy and accessibility of pop music. ]

5. Miki P and The Swallowtails – “Imperfect”
from: Right Where We Are / Miki P / August 21, 2020
[Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, and Miki P on guitar & lead Vocals. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P (Mikala Petillo) started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fell to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest More info at: http://www.mikipmusic.com .]

6. Paper Tongues – “Just Do It”
from: Just Do It – Single / Soundview Projects / August 5, 2020
[Paper Tongues are a musical hailing from Charlotte North Carolina. Aswan North grew up in Jacksonville, North Carolina and Danny Santell is originally from the Bronx, New York City, NY. The two combine forces to deliver an eclectic Rock & Hip Hop Sounds. Danny Santell now resides in Kansas City. Paper Tongues was once signed to AM Octone Records and was managed by Randy Jackson (American Idol/Journey). They left the label and got their masters back and are now truly independent recording artists!.]

7. Madisen Ward and the Mama Bear – “Started With a Family”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. Their follow up EP Radio Winners was released July 27, 2018 and recieved critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7,, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

[Madisen Ward plays Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

10:30 – Underwriting

8. Sean Muldoon & Ashley Davis – “Perfectly Beautiful”
from: LightSongs / Dead Rabbit Records / January 14, 2020
[Think Joni Mitchell meets contemporary Celtic and you’ll get something like the creative force of Ashley Davis, an American singer-songwriter whose musical imagination invites the world into her eclectic sphere. Good Morning America, describes the Ashley Davis Band as “new music springing from ancient roots.” A culmination of the many influences that have inspired her over the years, Davis’s songwriting has captivated audiences on either side of the Atlantic. She has excelled in Celtic folk, Americana, and even electronic, proving she can turn any musical style into a spellbinding story. In the words of Academy Award winning composer Philip Glass, Ashley Davis has “as much musicality as anyone could wish for.” A native of Kansas and graduate of the University of Limerick’s World Music Centre, Ashley Davis writes music that lives between continents and speaks to two national traditions. Between her background in American roots and love of Celtic folk, Davis possesses a unique talent for conjoining ancient history with modern, intercultural interpretation. As a performer moving between Nashville, New York, the west of Ireland, and even the Isle of Man, where she served as Artist in Residence in 2006, Ashley has always applied her distinct Great Plains perspective to a range of genres and cultures, forging songs out of the moment when different minds and backgrounds meet. Given all the time she has spent traversing the Atlantic, it is unsurprising that Davis’s music exhibits an inherently ethereal and aqueous quality. Her songs seem to exist air bound above the ocean, merely waiting for the current to direct them toward shore..]

[Ashley Davis plays Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

10:34 – Interview with David Shaughnessy

What happens when you are in the middle of a pandemic and your annual celebrated and incredibly popular annual KC Irish Fest is scheduled for Labor Day Weekend. The result is: KC Irish Fest Where You Are – Benefit Concert, Saturday, September 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating, and also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen.

David Shaughnessy works at Uptown Artist Group, an artist booking and management agency specializing in contemporary Celtic, World and Mainstream music. Their roster consists of Byrne and Kelly, Mundy, Ashley Davis, Runa, Red Hot Chilli Pipers, Dylan Walshe, Shane Hennessy, and Oscar Blue. David is also the founder of Shaughnessy & Associates Photography and he serves as Entertainment Director at Kansas City Irish Fest.

David Shaughnessy, Thanks for being with us on WMM.

Check out http://www.kcirishfest.com for a full listing of Fest Where You Are

Saturday, September 5, at 7:00 PM, a two-hour broadcast of the benefit concert, featuring all the live performances from Crown Center and other surprises, Fest Where You Are will benefit the KC Irish Fest Grant Fund. The broadcast will be available at KCIrishFest.com!

Classic Irish hits & covers from house band Carswell & Hope with guest performances.

PERFORMING LIVE AT CROWN CENTER: Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen

VIRTUAL PERFORMANCES & INTERVIEWS: Aoife Scott, Byrne and Kelly, Corner Boy, Gaelic Storm, Oscar Blue, Shane Hennessy, We Banjo 3.

FEST WHERE YOU ARE BENEFIT CONCERT

Audiences can enjoy the benefit concert live, in-person at Crown Center, with physically distanced tables that seat up to six guests of your choice (and include a beverage package featuring Guinness, Boulevard Products, Miller Lite, wine and water.) Each table also receives a swag bag with gifts from all our Fest Where You Are partners including koozies, bandanas, glassware, and a KC Irish Fest branded mask! All tables are outside under the Crown Center Pavilion tent and spaced a minimum of 8-feet apart. Limited tables available. Tickets must be purchased by table and cannot be purchased individually. Must be 21+ to attend, and agree to these terms and conditions. All proceeds from this concert will be donated to the Kansas City Irish Fest Grant Fund and other non-profit organizations. info@kcirishfest.com
Purchase tickets for the in-person event at Crown Center here: https://bit.ly/3gT2dtu

FEST WHERE YOU ARE CONCERT LIVE FROM CROWN CENTER
WATCH VIRTUALLY VIA LIVESTREAM on KCIrishFest.com
SATURDAY, SEPTEMBER 5TH, 7-9PM

OTHER WAYS TO WATCH

KANSAS CITY IRISH CENTER
Kansas City Irish Center will have a limited number of tickets available for purchase, for a seat on their patio to watch a livestream broadcast of the concert outdoors on a large LED screen. Tickets are $25 and food and beverages will be available for purchase.Enjoy a pre-show with Ian & Kian Byrne.

KELLY’S WESTPORT INN
Kelly’s Westport Inn will be featuring the concert on their TV sets and will have reserved tables available for purchase. Tickets are $15 per person and you must reserve your table by August 20th. Tickets must be purchased by table and cannot be purchased individually. To reserve your table, email info@kellyswestportinn.com

Reservations begin at 7pm but you can stay as long as you like
Table sizes range from 2-20 people, but are limited
All tables are located in the back two rooms of Kelly’s
Ticket includes two drink tickets for Boulevard Wheat, Pale Ale or a Jameson cocktail

BROWNE’S IRISH MARKET
Browne’s Irish Marketplace will be streaming “KC Irish Fest Where you Are” on an LED screen in their large outdoor venue South of Brownes. It is perfect for your small group to be distanced from other small groups. Tickets are $20 and include one drink token. Enjoy a pre-show from the Jump 2-3’s beginning at 6 p.m. Additional food and beverages will be available for purchase.

CONROY’S PUBLIC HOUSE
Conroy’s will be streaming the concert live at their 47th street location. Reservations are required, please call (913) 296-7901 to make your reservation

THE DUBLINER
The Dubliner in the Power & Light District will be streaming the Fest Where You Are Concert at their restaurant. Food & Drink specials available. Reservations are recommended, but not required. Call (816) 268-4700 to make your reservation

Check out 2020.kcirishfest.com for a full listing of Fest Where You Are activities including Whiskey Tastings, Virtual Workshops, Kids Activities and more.

SATURDAY, SEPT. 5.

10:00 am – MR. STINKY FEET VIRTUAL CONCERT & STORYTELLING
11:00 am – COOK IRISH BREAKFAST WITH KYLE FROM BOULEVARD
3:00 pm – SCONES WITH SHAUN BRADY
6:00 pm – JAMESON WHISKEY TASTING
4:00 pm- STONE LION PUPPETS LEPRECHAUN PUPPET WORKSHOP
8:00 pm – LIVE CONCERT AT CROWN CENTER

David Shaughnessy, Thanks for being with us on WMM.

Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen

David Shaughnessy, Thanks for being with us on WMM.

Check out 2020.kcirishfest.com for a full listing of Fest Where You Are

10:52

9. Calvin Arsenia – “Kansas City Baby”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artistsBorn in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Calvin released his full length Christmas album “all is calm.” Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist. Calvin Arsenia will be participating in The West 18th Street Fashion Show’s 20th year as a feature-length film. “We are moving it from the street to the screen,” says Peregrine Honig to inkansascitymagazine.com “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The evening of October 16th at The Boulevard Drive-In will be the debut of the director’s cut of “Summer in Hindsight,” which Peregrine is currently working on with Justin Gardner,” Honig says. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.”

[Calvin Arsenia will be a panelist for MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest, TODAY, Wednesdays, September 2, from 4 to 5:30 PM, focused on COVID Check-in: Staying Well & Staying Creative with panelist s Krystle Warren, Erin McGrane and Nick Carswell, and moderated by Mark Manning.]

[Calvin Arsenia plays Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

10. Black Pumas – “Fast Car”
from: Black Pumas (Deluxe) / ATO / August 28, 2020
[From Rolling Stone: Black Pumas have released a new double album deluxe edition of the band’s debut album, out August 28th via ATO Records. This deluxe edition features live-in-studio version of their song “Confines” where Black Pumas are tapering back the quick soul skip of the original into a groove that still moves at a steady pace, but now boasts additional space for a cadre of background singers and a string quartet. This new arrangement suits Black Pumas, as both Eric Burton’s raw vocals and Adrian Quesada’s spitfire guitar still sound right at home amid the swelling strings. This version of “Confines” is one of three live-in-studio cuts on the deluxe edition, along with renditions of “Colors” and “Oct 33.” The record also features three previously unreleased originals, “I’m Ready,” “Red Rover” and “Black Cat,” plus a live version of “Know You Better,” recorded at the Austin club, C-Boys Heart and Soul. The deluxe edition, Black Pumas also feature four cover songs: their take on Tracy Chapman’s “Fast Car,” plus renditions of the Beatles’ “Eleanor Rigby,” Death’s “Politicians in My Eyes” and Bobby “Blue” Bland’s “Ain’t No Love in the Heart of the City.” // Black Pumas are a funk and soul duo based in Austin, Texas, consisting of singer Eric Burton and guitarist/producer Adrian Quesada. Their work also has strong Latin music influences. The duo received their first Grammy nomination ever for Best New Artist at the 62nd Annual Grammy Awards. The duo formed in 2017 and released their debut album, Black Pumas, on June 21, 2019 which was part of WMM’s 119 Best Recordings of 2019. Black Pumas performed at South by Southwest in 2019 and won a best new band trophy at the 2019 Austin Music Awards. On November 20, 2019, they were nominated for a Grammy Award for Best New Artist. Quesada was a member of Latin funk band Grupo Fantasma when it won the Grammy Award for Best Latin Rock, Urban or Alternative Album for the 2010 album El Existential, and when it was previously nominated for the same award in 2008 for Sonidos Gold.]

11:00 – Station ID

11. Ivory Blue – “Elite Dreamland”
from: “Elite Dreamland” – Single / Devin Robert Kesler / February 17, 2020
[KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivøry Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, Kauffman Stadium, the KCPT Screening of “Real Boy” at The Kansas City Public Library. Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivory moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family.]

Ivory Blue

11:04 – Interview with Ivory Blue

KC based singer songwriter and rock & roller, Ivory Blue caught our attention with the debut EP, Ready Get Set, released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivory Blue joins us on the phone to share the new single “Half a Life” to be released September 20, 2020. Earlier this year Ivory released the single “Elite Dreamland” on February 17. Ivory Blue has been in the studio working on a new 10-song album called, “Compound Love.” Ivory has played Crossroads Music Fest, Middle of the Map Fest, The Westport Roots Festival, Kauffman Stadium, and the KCPT Screening of “Real Boy” at KC Public Library. More info at: http://www.ivorybluemusic.com

Ivory Blue thanks for being with us on Wednesday MidDay Medley.

Creating music in pandemic times.

Ivory Blue has been in the studio working on a new 10-song album, “Compound Love.”

Ivory Blue was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records.

Ivory Blue’s debut EP, Ready Get Set was released in June 2015, recorded and mastered by Larry Gann of Awestruck studios. Micah Burdick on guitar, Craig Kew on bass, and Lester Estelle, drummer for Kelly Clarkson, on drums for Ivory ‘s EP.

More info at: http://www.ivorybluemusic.com

Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Public Library, and The Kauffman Stadium, July 1, Royals home game.

Klaartje Van Lue is Ivory’s manager and she was the one who helped Ivory find their way to KC. Ivory has said that Klaartje saved their life.

Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivory moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and was welcomed into a new family. On June 23, 2015, Ivory released the debut EP, “Ready Get Set.” Ivory is now currently in the process of writing and recording a debut full-length album.

Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender.”

Ivory is one of our most frequent guests and sang “Elite Dreamland” live on our November 6, 2019 edition.

“Half A Life” was composed, arranged, and produced solely by Ivory Blue, with every instrument, every sound effect, thinkle or loop, with the exception of drums by Lennon Bone recorded at Element Studios, (Joel Nanos), and bass by Craig Kew recorded in Ivory’s home studio.

Ivory Blue thanks for being with us on Wednesday MidDay Medley.

Ivory Blue’s new song “Half A Life” will be released September 20. Ivory’s full length 10-song album called “Compound Love” will be released later in 2020. More info at: http://www.ivorybluemusic.com

11:20

12. Ivory Blue – “Half A Life”
from: “Half A Life” – Single / Devin Robert Kesler / September 20, 2020
[“Half A Life” was composed, arranged, and produced solely by Ivory Blue, with every instrument, every sound effect, thinkle or loop, with the exception of drums by Lennon Bone recorded at Element Studios, (Joel Nanos), and bass by Craig Kew recorded in Ivory’s home studio. KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, Kauffman Stadium, the KCPT Screening of “Real Boy” at The Kansas City Public Library. Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivory moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family]

13. Lava Dreams – “See It Through”
from: “Good Energy + Focus / Lava Dreams / June 13, 2020
[Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila Unversity. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com ]

[Lava Dreams plays Saturday Storytellers, Saturday, September 5, at 5:00 PM with Jessica Paige, at Ollie’s Local, 3044 Gillham Rd., in KCMO hosted by Don Simon on the first Saturday of each month.]

14. Shy Boys – “View From The Sky”
from: Talk Loud / Polyvinyl Record Co. / Expected September 25, 2020
[From the upcoming third album from Kansas City’s Shy Boys. The follow up to single, “Trash” released August 3, 2020. and after Dim The Light / Brick By Brick, released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” (originally released by The I’ms) was featured on Spin.com. In June 2014, the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Company.]

11:29 – Underwriting

15. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

[Carswell & Hope will be the house band for KC Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

[Nick Carswell is presenting MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest, TODAY, Wednesdays, September 2, from 4 to 5:30 PM, focused on COVID Check-in: Staying Well & Staying Creative with panelist s Krystle Warren, Erin McGrane and Nick Carswell, and moderated by Mark Manning.]

Nick Carswell

10:34 – Interview with Nick Carswell

Songwriter Nick Carswell is originally from Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011. He formed Carswell & Hope in late 2012. The band released their debut album in 2014, coinciding with a two week Irish tour. Nick has also played bass in the electro-pop band Pink Royal and is the force behind Silly Goose Records and the annual MixMaster music conference, now part of the Crossroads Music Festival. Nick Carswell joins us to shares details on MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest. Now in its 7th year, MXM 2020 is offering a 3-week series of online panel discussions, starting this week, on Wednesdays, from 4 to 5:30 PM, focused on empowering artists, connecting creators with the wider industry, and sharing best practices to advancing your music. In context of the COVID-19 pandemic, topics cover how artists are coping, what opportunities are available, and how to remain positive, creative and connected. The virtual series begins this afternoon, September 2, at 4;00 to 5:30 PM offering COVID Check-in: Staying Well & Staying Creative with panelist Krystle Warren, Calvin Arsenia, Erin McGrane, Nick Carswell, and moderated by Mark Manning. More info at: http://www.kkfi.org

Nick Carswell thanks for being with us on WMM.

Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011.

Last time Nick was on the show was over a year ago when he shared music and information about Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance of 10 songs, accompanied by lighting, projection and stage design, creating a unique visual canvas to the music.: Friday, May 10, at The Irish Center of KC, 19 West Linwood Blvd. AND Saturday, May 11, at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS. The project was supported by an ArtsKC Inspiration Grant.

Carswell & Hope will be the house band for KC Irish Fest Where You Are – Benefit Concert, Saturday, September 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Classic Irish hits & covers from house band Carswell & Hope with guest performances from: Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen.With virtual performances and presentations from: Aoife Scott, Byrne and Kelly, Corner Boy, Gaelic Storm, Oscar Blue, Shane Hennessy, We Banjo 3.

Saturday, September 5, at 7:00 PM, a two-hour broadcast of the benefit concert, featuring all the live performances from Crown Center and other surprises, Fest Where You Are will benefit the KC Irish Fest Grant Fund. The broadcast will be available at KCIrishFest.com!

MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest.

Now in its 7th year, MXM 2020 is offering a 3-week series of online panel discussions, starting this week, on Wednesdays, from 4 to 5:30 PM, focused on empowering artists, connecting creators with the wider industry, and sharing best practices to advancing your music. In context of the COVID-19 pandemic, topics cover how artists are coping, what opportunities are available, and how to remain positive, creative and connected.

September 2, offers COVID Check-in: Staying Well & Staying Creative with panelist Calvin Arsenia, Nick Carswell, and Krystle Warren moderated by Mark Manning.

September 9, offers Connecting with Audiences in COVID times: Livestreams, Patreon and more.

September 16, offers, Keeping the Lights On: Venues, events & the wider industry. The series is hosted by Silly Goose Records, CMFKC and KKFI 90.1 FM. More info at: http://www.kkfi.org

Nick Carswell thanks for being with us on WMM.

11:49

16. Krystle Warren – “Born In The Fall”
from: A Time to Keep Love Songs EP / Parlour Door Music / August 12, 2011
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystle Warren will be a panelist for MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest, TODAY, Wednesdays, September 2, from 4 to 5:30 PM, focused on COVID Check-in: Staying Well & Staying Creative with panelist s Krystle Warren, Erin McGrane and Nick Carswell, and moderated by Mark Manning.]

17. Angel Olsen – “Whole New Mess”
from: Whole New Mess / Jagjaguwar / August 28, 2020
[5th studio album from Angel Olsen. Recorded by Olsen and engineer Michael Harris in a converted church, the album features tracks from her 2019 album, All Mirrors, arranged in a more intimate style. Whole New Mess was recorded over ten days in October 2018 with engineer Michael Harris. The pair worked in isolation in the town of Anacortes, Washington, recording in a converted Catholic church.[2] Olsen would use the church’s corridors to create a natural echo effect on her vocals. The album was recorded prior to Olsen’s 2019 studio album, All Mirrors, which features many of the same compositions in a different form: “When we made [Whole New Mess], I was still processing a lot of the songs, so for me, it’s harder to listen to this record than it is for me to listen to All Mirrors. When I recorded All Mirrors, other people had their hands in the pot, which separated me from the songs. I could get into them in a distant way. On Whole New Mess I’m feeling every feeling that they evoke.” The album was written following the collapse of a romantic relationship, with Olsen noting: “I was really depressed. I had no idea whether the songs were good. They were just about my life. I could have recorded them at home and kept them as demos, but I knew Michael [Harris] was someone I could be depressed in front of, who would help me to explore it in different ways. It was such an emotional process.” Angel Olsen was born January 22, 1987. She is an American singer-songwriter and musician from St. Louis, Missouri who currently lives in Asheville, North Carolina. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center and the Creepy Crawl as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago.After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on February 17, 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016. In addition to her work with Bonnie “Prince” Billy and The Cairo Gang, Olsen has collaborated with a number of other notable figures of American indie rock, including Tim Kinsella of Cap’n Jazz, LeRoy Bach of Wilco and Cass McCombs. Her collaboration with Kinsella and Bach, as well as with Chicago poet Marvin Tate, resulted in the album Tim Kinsella Sings the Songs of Marvin Tate by Leroy Bach Featuring Angel Olsen which the group released on Indianapolis label Joyful Noise Recordings on December 3, 2013.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – ArtsKC – Arts Calendar

Next week on Wednesday, September 9, Bill Sundahl joins us to share details the Crossroads Music Fest presented virtually and over the radio on Saturday, September 9, with Calvin Arsenia, Laura Noble, We the People (feat. Eddie Moore), Julia Othmer, Ezgi Karakus & John Livingston, Soul Servers, and The Royal Chief. More info at: http://www.CMF.com

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Nick Carswell photo by John Knepper

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #853

WMM presents Ivory Blue + Nick Carswell + KC Irish Fest

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 2, 2020

Ivory Blue + Nick Carswell & Mix Master 2020
+ David Shaughnessey & KC Irish Fest Where You Are

Mark plays New & MidCoastal Releases from: Shiner, Miki P & The Swallowtails, Shy Boys, Ivory Blue, Sam Prekop, Daniel Gum, Lava Dreams, Madisen Ward and The Mama Bear, Krystle Warren, Calvin Arsenia, Angel Olsen, Black Pumas, Paper Tongues, and Ashley Davis.

At 10:30 David Shaughnessey shares details about KC Irish Fest Where You Are Benefit Concert, Saturday, September 5, 7:00 to 9:00 PM, broadcast via Livestream and on stage at Crown Center Pavilion, with a limited number of physically distanced tables. The broadcast features Irish classics and covers from house band Carswell & Hope, with special guest performances from: Calvin Arsenia, Ashley Davis, Eddie Delahunt, Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen, with virtual interviews & performances from:<strong> Aoife Scott, Byrne & Kelly, Corner Boy, Gaelic Storm, Oscar Blue, Shane Hennessy, and We Banjo 3. The broadcast will be available LIVE on http://www.KCIrishFest.com.

Ivory Blue

At 11:00 Ivory Blue shares the new single “Half a Life” to be released September 20, 2020. “Half A Life” was composed, arranged, and produced solely by Ivory Blue, with every instrument, every sound effect, thinkle or loop, with the exception of drums by Lennon Bone recorded at Element Studios, (Joel Nanos), and bass by Craig Kew recorded in Ivory’s home studio. Earlier this year Ivory released the single “Elite Dreamland” on February 17. Ivory Blue has been in the studio working on a new 10-song album called, “Compound Love.” Ivory Blue’s EP Ready Get Set was released in 2015. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles and won the top prize. Ivory has played Crossroads Music Fest, Middle of the Map Fest, The Westport Roots Festival, Kauffman Stadium, and the KCPT Screening of “Real Boy” at KC Public Library. More info at: http://www.ivorybluemusic.com

Nick Carswell

At 11:30 Nick Carswell shares details on MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest. Now in its 7th year, MXM 2020 is offering a 3-week series of online panel discussions, starting this week, on Wednesdays, from 4 to 5:30 PM, focused on empowering artists, connecting creators with the wider industry, and sharing best practices to advancing your music. In context of the COVID-19 pandemic, topics cover how artists are coping, what opportunities are available, and how to remain positive, creative and connected. September 2, offers COVID Check-in: Staying Well & Staying Creative with panelist Calvin Arsenia, Nick Carswell, and Krystle Warren moderated by Mark Manning. September 9, offers Connecting with Audiences in COVID times: Livestreams, Patreon and more. September 16, offers, Keeping the Lights On: Venues, events & the wider industry. The series is hosted by Silly Goose Records, CMFKC and KKFI 90.1 FM. More info at: http://www.kkfi.org

Nick Carswell photo by John Knepper

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #853

WMM Playlist from May 27, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 27, 2020

New & MidCoastal Releases + Remy Styrk
+ Dedric Moore of Monta At Odds +
Paul Malinowski of SHINER

1.“Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s Adopted Theme Song]

2. David George & Friends – “When We All Come Together”
from: “When We All Come Together” – Single / Moozer Music / May 11, 2020
[Nearly two months, four creators, and almost 100 musicians came together to make this amazing song! “When We All Come Together” started the week Kansas Citians were asked to self-quarantine. This meant all businesses would be shut down until it was safe to return to normal. But it was pretty clear normal would be a long way away for musicians and others in the music community. Midwest Music Foundation is a Kansas City-based organization that helps those who need help in our music community. This video and song were created to help those struggling in the Kansas City Music Community. To donate or for more information go to: http://www.midwestmusicfoundation.org. Written by David George (featuring rap written by Kadesh Flow). Orchestral arrangements by Brian Lynn. Mastered by Duane Trower. Creative team: Steve Gardels, David George , Michael Lopez, and Giuliano Mingucci. The Band includes: Drew Black, David George, Jeremiah James, John Johnson , J B Moreland, and Mike Penner on guitars; Joe Donley, and Gavin Mac on bass; Giuliano Mingucci on drums; Billy Brimblecom, Jr., Leo Brimblecom (cowbell), and Sam Wisman on percussion; Lin Buck (B3 Organ), and Mark Lowrey (piano) on keyboards; Kian Byrne, Shay Estes, David George, Skeet Hank, Camry Ivory, Kadesh Flow, David Luther, Dana Joel Nicholson, Kirsten Paludan , Nicole Springer, Jillian Roscoe, Jordan Smith, Greg Wickham on featured vocals; Albert Bickley, Lin Buck, Noah Davis, Elizabeth Day & son, Chris Doolittle, Cheryl Fountaine & son, Debbie George, Bill Guilfoyle, Jeff Hon, Rachel Hon, Chris Hudson, Matt Kessler, Brent Kinder, Brian Lynn, Barry Lee, Troy Meiss, John Michaels, Shawn Stewart, Scotty McCormick, Anne Marie McLaughlin, Tiffany Smith, Dave Tanner, and Bob Walkenhorst as the When We All Come Together Choir; with the When We All Come Together Orchestra: Marti Whelan on Bassoon; Phil Brenner, and Teri Quinn on clarinet; Christine Broxterman, Novella Collum, Michael Hon, Laura Hoesly , and Ben Munoz on cello; Karl Hayes on English horn; Janice Lee , Cameron Lynn , Lyra Pherigo , and Mimi Wenger on flute; Karl Hayes on oboe; Phil Brenner (Alto/Tenor), Ian Corbett (Alto/Tenor), Peter Lawless on saxophone; Andrew Anderson, Kadesh Flow, Libby Hanssen, Mark Hoffman, and Anthony Ritchie; Pete Caroll, David Cunningham, Stanton Kessler, Nate Nall, and Ryan Oldham on trumpet; Ben Ruth on tuba; Hannah Dowell, Katie Johnson, Laurel Parks, Roshelle Pekarek, Michael Turnbo on violin; Lexi Carbellero, Roshelle Pekarek, Mason Salmond on viola; When We All Come Together Sign holders (in video): Michelle Bacon & Elena, Tabitha Cosper, Liz Ernst, Sondra Freeman, Shannon Higgins, Liz, Amelia, William Higgins, Phil & Alice Jaggard, Rhonda Lyne, Deegan Poores, Sean Poores, and Pat Tomek; Dancers (in video): Katie Gilchrist, and Brimblecom kids. Thanks to everyone at Midwest Music Foundation for their amazing service to the music industry of Kansas City: Rhonda Lyne, Sondra Freeman, Michelle Bacon, Canyon McClung, Brenton Cook, Christopher Tate, Scott Easterday, Chris Meck, Garrett Nordstrom, Ellen Sherman, Eric Barton. Dr. K. Allen Greiner, Erin Corriveau, Bryant Miller, Vi Tran, Camry Ivory, and Amber Hulet. ©2020 Moozer Music Inc]

3. The Airborne Toxic Event – “Come on Out”
from: Hollywood Park / Rounder Records – Concord / May 8, 2020
[6th studio album from The Airborne Toxic Events and companion piece to lead singer and band founder Mikel Jollett’s memoir Hollywood park, released May 8, 2020, through Celadon Books. The Airborne Toxic Event is an American rock band from Los Angeles, California, formed in 2006. It consists of Mikel Jollett (vocals, guitar, keyboards), Steven Chen (guitar, keyboards), Adrian Rodriguez (electric bass, backing vocals), and Daren Taylor (drums). Named after a section in Don DeLillo’s novel White Noise, the group is known for its blend of rock music and orchestral arrangements, having performed frequently with the Calder Quartet, a string quartet based in Los Angeles. The group has also played concerts with the Louisville Orchestra and the Colorado Symphony Orchestra. Initially a writer and essayist, Jollett began seriously writing songs with an acoustic guitar following a week in March 2006, during which he underwent a break-up, learned his mother had been diagnosed with cancer, and was himself diagnosed with a genetic autoimmune disease that led to the development of two cosmetic conditions: Alopecia areata and Vitiligo. This quick succession of traumatic events spurred a period of intense songwriting, and it was around this time that he first met Taylor through a mutual friend in Silver Lake, Los Angeles. Airborne Toxic Event at The Saint in Asbury Park, NJ, March 2009. Throughout the summer of 2006, Jollett and Taylor rehearsed several of Jollett’s songs, including early incarnations of “Wishing Well,” “Missy,” and “Innocence,” which would eventually appear on the band’s debut album. After a few months of rehearsals, Jollett ran into Anna Bulbrook one night at El Gran Burrito, a popular outdoor Mexican restaurant in Silver Lake. Trained in orchestral and chamber music, she had just moved to Los Angeles from NYC. Though they were just acquaintances at the time, he remembered that she played the violin and asked her to attend one of his and Taylor’s rehearsals. Afraid to bring her more expensive violin to a rock rehearsal, she agreed to bring her viola instead. Jollett then asked Harmon, a Tucson native and graduate of the Herb Alpert School of Music at the California Institute of the Arts, to join his fledgling band, having seen him perform in Los Angeles with other acts and been impressed with his background in rock and jazz, as well as his skill with the upright bass. At the time, Harmon was performing with multiple rock and jazz bands while teaching guitar to children both in East Los Angeles as part of CalArts’ Community Arts Partnership, and at Arroyo Seco Park (Highland Park, CA) as part of its “Art in the Park” program. He refused at first, and it wasn’t until months later—after several shows—that Harmon agreed to join the group full-time. Chen and Jollett, meanwhile, had already known each other for five years. They first met through a mutual friend while both were living in San Francisco and working as writers. After a few years of living in New York, Chen made a return to his hometown of Los Angeles, upon which Jollett contacted him and asked if he’d be interested in playing the keyboard in the band. Chen replied that he, in fact, played guitar and eventually filled the role as lead guitarist. Prior to the formation of the band, and to supplement his fiction writing, Jollett supported himself as a freelance writer, contributing to NPR, Los Angeles Times, Filter and Men’s Health, among other organizations. Soon after the formation of the band, he concentrated only on fiction. In the summer of 2008, McSweeney’s issue 27 published one of Jollett’s short stories, The Crack, which appeared between short stories by Liz Mandrell and Stephen King.[3] In keeping with his literary background, Jollett named the band after a section of the postmodern novel White Noise by Don DeLillo,[4] which won the National Book Award in 1985. In the book, a chemical spill from a railcar releases a poisonous cloud, dubbed by the military and media as an “airborne toxic event.” The reason for choosing this as the name of the band, he has stated, is that the event described in the novel triggers a fear of death and a sense of mortality that fundamentally alters the protagonist’s outlook on himself, his family, and his life. The band was born of a similar life-altering sequence of events, and thus, the themes of mortality and media consumption that arise from the novel’s toxic cloud serve as a major impetus for the band’s creative drive.]

4. Lucinda Williams – “When the Way Gets Dark”
from: Good Souls Better Angels / Highway 20 records – Thirty Tigers / April 24, 2020
[15th album sin 1979 from Lucinda Williams. The release of this album was preceded by the track “Man Without a Soul”, a critique of Donald Trump. Lucinda Gayle Williams (born January 26, 1953) is an American rock, folk and country music singer, songwriter and musician. She recorded her first albums in 1978 and 1980 in a traditional country and blues style and received very little attention from radio, the media, or the public. In 1988, she released her self-titled album, Lucinda Williams. This release featured “Passionate Kisses,” a song later recorded by Mary Chapin Carpenter, which garnered Williams her first Grammy Award for Best Country Song in 1994. Known for working slowly, Williams recorded and released only one other album in the next several years, Sweet Old World, in 1992. Her commercial breakthrough came in 1998 with Car Wheels on a Gravel Road, an album presenting a broader scope of songs that fused rock, blues, country and Americana into a distinctive style that remained consistent and commercial in sound. Car Wheels on a Gravel Road, which includes the Grammy nominated track “Can’t Let Go”, became Williams’ greatest commercial success to date. The album was certified Gold by the RIAA and earned Williams a Grammy Award for Best Contemporary Folk Album, while being universally acclaimed by critics. Williams released the critically acclaimed Essence three years later, and the album also became a commercial success. One of the album’s tracks, “Get Right with God,” earned Williams the Grammy Award for Best Female Rock Vocal Performance in 2002. Williams has released a string of albums since that have earned her more critical acclaim and commercial success. She has won three Grammy Awards, from 15 nominations, and received two Americana Awards, from 12 nominations. Additionally, Williams ranked No. 97 on VH1’s 100 Greatest Women in Rock & Roll in 1998, she was named “America’s best songwriter” by Time magazine in 2002, and was chosen by Rolling Stone as the 79th greatest songwriter of all time. Williams was born in Lake Charles, Louisiana, the daughter of poet and literature professor Miller Williams and an amateur pianist, Lucille Fern Day. Her parents divorced in the mid-1960s. Williams’s father gained custody of her and her younger brother, Robert Miller, and sister, Karyn Elizabeth. Like her father, she has spina bifida.[6] Her father worked as a visiting professor in Mexico and different parts of the United States, including Baton Rouge; New Orleans; Jackson, Mississippi; and Utah before settling at the University of Arkansas in Fayetteville. Williams never graduated from high school but was accepted into the University of Arkansas. Williams started writing when she was 6 years old. She showed an affinity for music at an early age, and was playing guitar at 12. Williams’s first live performance was in Mexico City at 17, as part of a duo with her friend, a banjo player named Clark Jones.]

5. The Republic Tigers – “Mind Over Matter”
from: Mind Over Matter / The Record Machine / June 5, 2020
[Hailing from Kansas City, MO, The Republic Tigers spike their lushly orchestrated indie rock with organic and synthetic elements. Founder Kenn Jankowski originally moved to Kansas City in 1999 and began playing guitar for The People, a band that later changed its name to The Golden Republic (Astralwerks Records). He also made fast friends with local musicians Ryan Pinkston and Adam McGill; and when The Golden Republic disbanded seven years later, he opted to launch his pop-based project with the other two multi-instrumentalists. Taking their name from Jankowski’s high school mascot, The Republic Tigers expanded their lineup with bassist Marc Pepperman and drummer Justin Tricomi. Electronic structures remained to play an important role in their music (via convenience/sensible creation-farming/forming), and the band issued a self-titled EP in late 2007 before putting the finishing touches on Keep Color, which arrived in 2008. Then there was a cool EP in 2011 titled “No Land’s Man” which featured the emo smash hit “The Infidel” and the extremely fun “Merrymake It With Me”. And then a second concept LP was concocted, “Mind Over Matter” – written from the year 2008 to the year 2011. Mixed and mastered in the year 2012. But then it was sadly shelved by the original labels. Which leads us to now, the year is 2020. Something new is going to happen. “Mind Over Matter” will be released on hometown indie label The Record Machine.]

6. Oxford Remedy – “Again”
from: For Those Who Know, Tell Me What I’m Supposed To Do / Oxford Remedy / May 1, 2020
[Debut EP from Kansas City based band. Written and performed by: Kate Mckown on guitar, Grace Mckown on guitar, Sydney Aldridge on bass, and Brody Washam on drums. Mixed and mastered by Braxton Matlock. Cover art by Jesse Solomon.]

7. Krystle Warren & The Faculty– “Sadness Is a Good Thing”
from: Love Songs- A Time to Refrain from Embracing (Love Songs: A Time You May Embrace) / Parlour Door Music / April 9, 2012 UK]
[Krystle Warewn learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.] [Krystle recently participated in KC Bands Together May 15-16, weekend 6-hour streaming concert where Krystle shared three songs including a cover of Gerry Raferty’s “The Ark” from his 1978 album, City to City. Krystle Warren & The Faculty are getting set to release a new album called, “Extended Play.” Krystle told me that the band had wanted to do album cover photos during a concert that was scheduled in Kansas City in March 202, but was cancelled due as COVID-19. Getting everyone together has not been possible. Krystle was hoping for a late 2020 release.]

10:28 – Underwriting

8. Remy Styrk – “Winter/Summer”
from: “Winter/Summer”- Single / Remy Sryrk / February 28, 2019
[21 year old Remy Stryk lives in Leawood Kansas, originally from Newark, New Jersey. This multi instrumentalist has been writing & recording music for several years. About this new single Remy tells us “It represents the two major seasons and personifies them to create a feeling of trust, anger, love, uncertainty, inspiration and comfort. I wanted them to be applicable to many people’s situations in life, no matter who they are or what they believe in. This song is about universal feelings that connect us as one and value our ability to feel and express.” Last year Remy released “In Too Deep” one of 5 singles Remy has released in the last 2 years. Remy Styrk released the EP Sunday, on Jan 25, 2018 a follow up to the Aug 12, 2015 full length album, Telling Stories Through The Basement Door.]

Remy Styrk on the May 27, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

10:36 – Interview with Remy Styrk

21-year old musician and film composer Remy Styrk joins us to share details about “Of My Own Design” his 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story. Scene descriptions can be between 2 sentences and 2 paragraphs. All will be posted on his website: http://www.remystyrk.com/interactive.

Remy Styrk Thanks for being with us on WMM

21 year old Remy Styrk lives in Leawood Kansas.

Remy Styrk Discography

“Of My Own Design” 9-Minute Interactive Album – May 2, 2020

CHIOU – Opening & Closing Tracks from documentary film – March 15, 2020

Particle Evolutions GTRS – 40 ONE SHOT custom royalty free sound samples – March 24, 2020

Pads and Drones – 40 ONE-SHOTS custom royalty free sound samples – January 3, 2020

“Over It” – Single – April 17, 2020

“Winter/Summer” – Single – February 27, 2019

“In Too Deep” – Single – June 13, 2018

Sunday – 5-song EP – January 25, 2018

“Feel So Old” – Single – November 10, 2017

“October” – Single – October 17, 2017

“17” – Single – September 1, 2017

Telling Stories Through The Basement Door – 11- song Album – August 12, 2015

All music is available at http://www.remystyrk.bandcamp.com

On the radio Mark talked about when he first heard of Remy Styrk when he was 13 years old and was part of a songwriting workshop / contest with Money Wolf Music (Kansas City record label) and Christian Hankel.

Remy Styrk’s musical songs and compositions speak to his life, his birth, his adoption, a national tragedy that moved his family to the Kansas City area, and the loss of his mother.

Remy Styrk talked with us about being born in Newark, New Jersey. His birth mother was a homeless heroin addict. He spent three weeks in the hospital as a new born baby fighting to stay alive.

Remy was adopted by Tom and Deborah Styrkowicz in a semi-closed adoption. With his adopted family Remy lived outside New York City in Newark. When Remy was a toddler 9/11 happened and the Styrkowicz family moved away from the New York City area and Remy’s adopted father Tom got a job at Hallmark in Kansas City, Missouri.

Tragedy struck again, after Remy’s family moved to the area and settled in Leawood, Kansas, Remy’s adopted mom Deborah suffered a sudden brain aneurysm and died. Tom Styrkowicz was forced to leave his job at Hallmark to take care of Remy and his older brother, and comfort them in this difficult time for their family.

Tom Styrkowicz began to go back to one of his earlier passions of photography and found work as a photographer. Remy told Brock Wilbur at The Pitch Kansas City that Tom’s endeavors “set the tone for his kids. Push through everything. Never give up. Dedicate yourself to what you love and work towards it each and every day.”

When Remy was six, he shared with his parents his desire to play music. His family supported him entirely. Remy talked about “being spoiled” by parents that gave him the equipment and instruments he needed to make his original music. Remy talked with us about his discovery of folk music and the ability to tell stories with music. Remy talked about music allowed him to express his feelings and write about his mother Deborah, and how much of his music deals with her and the loss of her in his life.

Remy told Brock Wilbur of The Pitch Kansas City, “I grew up black in a predominately white school system,” Styrk says. “I felt like an outcast but it didn’t make me want to give up on who I was. It pushed me to work harder on being who I want to be. I won’t change for anyone.”

Remy Styrk has played in a variety of genres of music learning about Kansas City Blues, playing in indie and rock groups, and composing for film.

“Of My Own Design” his 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story. Scene descriptions can be between 2 sentences and 2 paragraphs. All will be posted on his website: http://www.remystyrk.com/interactive.

Remy Styrk photograph by Tom Styrkowicz

10:45

9. Remy Styrk – “A Ring Around the Moon”
from: Of My Own Design / Remy Sryrk / May 2, 2020

We are talking with 21-year old musician and film composer Remy Styrk joins us to share details about “Of My Own Design” his 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story.

Remy told Brock Wilbur of The Pitch Kansas City, “As an outsider, I’m just adding what is beneficial to a project. My whole mission is to never overpower what I’m working on. Just complimenting the project.” “If what I do doesn’t fit with the project it becomes irrelevant.”

Remy Styrk Thanks for being with us on WMM

“Of My Own Design” his 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story. Scene descriptions can be between 2 sentences and 2 paragraphs. All will be posted on his website: http://www.remystyrk.com/interactive.

10:51
10. Remy Styrk – “A Green World”
from: Of My Own Design / Remy Sryrk / May 2, 2020

11. Chloe Jacobson – “Nice 2 Meet U”
from: “Nice 2 Meet U” – Single / Chloe Jacobson / April 30, 2020
[Follow up to her debut album Frozen Fruit from November 14, 2018. It has been written that Chloe Jacobson’s “soulful, bluesy vocals are colored with the pop cadence of aughts-era emo.”]

Nan Turner

12. Nan & the One Nite Stands – “Desert Nites”
from: “Desert Nites” – Single / Nan Turner / May 22. 2020
[Written by Nan Turner. Recorded by Mark “Dragon” Ospovat @ SpeakerSonic Studios in Brooklyn, NY. Additional recording and mixing and production by Chase Horseman @ Winky World Studios in Kansas City, MO. Mastered by Ian Dobyns. Nan Turner on Vocals and beats – Nan Turner; Mark Ospovat on guitar; percussion; Chase Horseman on Wurlitzer, bass, & synthesizers; Dawn Yoder and Tracy Flowers on back up vocals. Nan writes: “I learned about existentialism at a young age. My Dad was a Philosophy Professor. Waiting for Godot and Archibald MacLeish’s J.B. were in my Ballet Bag for years. My mother + stepfather are libertarian folk that went to church, shot guns, and sold Amway. I’m not saying this song is about any of that. But it’s also NOT NOT about that. I started recording this song in 2017 with my good friend and collaborator Mark Ospovat in Brooklyn, NY. We laid down the foundation tracks of beat, guitar and vocals. Then I let the song lie…..because I didn’t know how to finish it or where it fit in my oeuvre. I almost wrote ovaries. That too. (You do know that songs are like babies, right?) Cut to March 2020, Kansas City. Chase Horseman and I unearthed the tracks right before the quarantine. He sat down at the Wurlitzer and played some notes and suddenly the song made sense to me. Of course it needed Wurlitzer! Through Chase’s arrangements of keys and other instrumentation, and Dawn and Tracy’s backup vocals (shoutout to KC one nite stand dancers extraordinaire)…I knew the song was finally there and it was time to release it into the world.Thanks so much to both Mark Ospovat and Chase Horseman for helping me realize the song’s potential and also for adding your own inventive arrangements. It was a One Nite Stands Magical Collaboration from NYC to Kansas City. BOOM. Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock. This is aa follow up to Nan’s solo EP Champs and Losers, Version 2 released July 12, 2019 Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums and Chase Horseman plays bass. More Info at: http://www.nanturner.bandcamp.com]

11:00 – Station ID

14. Monta At Odds – “Two Lanes Two Paths”
from: Zen Diagram EP / Kosmic City / May 1, 2020
[Conceptual Kansas City art-rock combo Monta At Odds continue their experimentation in sound with an expanded line-up and a new EP, Zen Diagram. Led by Dedric Moore and fueled from 2020’s angst and uncertainty, the band adopts a darker, grittier direction that coincides with a post-punk indulgence. The result is an evocative four-song tableau, showcasing the veteran project’s drive to explore sonic territory as they lay down some mesmerizing jams. The title track opens the EP as a voyage into soundtrack dreams and sonic imagery. It’s a fully-packed production, featuring twin vocals from Mikal Shapiro and Teri Quinn, Krystof Nemeth of Emmaline Twist on epic baritone guitar, Lucas Behrens on Moog, and Delaney Moore on slide guitar. The song builds and builds over 10 minutes, introducing a bevy of interplaying elements and melodies. There’s a complexity that grooves. Monta At Odds embraces the grayer shades of these sessions with a faithful but otherworldly cover of “Movement of Fear,” the classic cut from Tones On Tail. Mikal leans into the vocals with gentle whispers as Lucas plucks the atmosphere. Meanwhile, Matthew Heinrich merges live drums with the programmed ones until he is one with the machines. The result is multi-textured and dubbed-out, exposing the bloodline of Monta’s aesthetic. “Two Lanes Two Paths” is frenetically powered by the jazzy drum drive of Alexander Thomas. Dedric’s relentless bassline, Delaney’s freeform synthesizer soloing, and Krystof’s expressive guitar tones conspire to form a congealed essence. It’s a spaced-out instrumental that could be from another time, floating defiantly into the present. Zen Diagram ends with “I Count The Steps To A New Sunrise.” The previous cut’s path takes us to a crest on a hill with a view of the damage below. The combo is locked-in, as skittering drums, cosmic synths, spacious noise guitars, and a pensive bass riff promise a way out. Dedric’s vocals are pure 2020, overcome with the zeitgeist of isolation and yearning to reach for something, anything. The diagram becomes a map, and this is how we find an escape.]

Dedric Moore on the May 27, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:04 – Interview with Dedric Moore

KCK based musician and producer Dedric Moore about the newest releases from his band Monta At Odds and the new monthly compilations from his music label Kosmic City. Dedric Moore is the founder of the bands: Monta At Odds, Mysterious Clouds, and Gemini Revolution. Dedric is also the creator the annual Kansas City Psych Fest, launched in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. The KC Psych Fest is now called Outer Reaches Fest and is produced in collaboration with Haymaker Records and recordBar. Dedric Moore has produced music for multiple bands in Kansas City including the Philistines, HMPH, and others. More information at: http://www.kosmiccity.com

Dedric Moore, Thanks for being with us on Wednesday MidDay Medley

KCK based musician and producer Dedric Moore about the newest releases from his band Monta At Odds. It’s a fully-packed production, featuring twin vocals from Mikal Shapiro and Teri Quinn, Krystof Nemeth of Emmaline Twist on epic baritone guitar, Lucas Behrens on Moog, and Delaney Moore on slide guitar.

Monthly compilations from his music label Kosmic City.

Dedric Moore is the founder of the bands: Monta At Odds, Mysterious Clouds, and Gemini Revolution.

Dedric is also the creator the annual Kansas City Psych Fest, launched in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. The KC Psych Fest is now called Outer Reaches Fest and is produced in collaboration with Haymaker Records and recordBar.

The New Mysterious Clouds release coming next month was produced by Paul Malinowski.

Dedric Moore has produced music for multiple bands in Kansas City including the Philistines, HMPH, and others. More information at: http://www.kosmiccity.com

Dedric Moore, Thanks for being with us on Wednesday MidDay Medley

Monta At Odds released Zen Diagram EP through Kosmic City on May 1, 2020

More information at: http://www.kosmiccity.com

11:16

14. Monta At Odds – “I Count the Steps to a New Sunrise”
from: Zen Diagram EP / Cosmic City / May 1, 2020
[Conceptual Kansas City art-rock combo Monta At Odds continue their experimentation in sound with an expanded line-up and a new EP, Zen Diagram. Led by Dedric Moore and fueled from 2020’s angst and uncertainty, the band adopts a darker, grittier direction that coincides with a post-punk indulgence. The result is an evocative four-song tableau, showcasing the veteran project’s drive to explore sonic territory as they lay down some mesmerizing jams. The title track opens the EP as a voyage into soundtrack dreams and sonic imagery. It’s a fully-packed production, featuring twin vocals from Mikal Shapiro and Teri Quinn, Krystof Nemeth of Emmaline Twist on epic baritone guitar, Lucas Behrens on Moog, and Delaney Moore on slide guitar. The song builds and builds over 10 minutes, introducing a bevy of interplaying elements and melodies. There’s a complexity that grooves. Monta At Odds embraces the grayer shades of these sessions with a faithful but otherworldly cover of “Movement of Fear,” the classic cut from Tones On Tail. Mikal leans into the vocals with gentle whispers as Lucas plucks the atmosphere. Meanwhile, Matthew Heinrich merges live drums with the programmed ones until he is one with the machines. The result is multi-textured and dubbed-out, exposing the bloodline of Monta’s aesthetic. “Two Lanes Two Paths” is frenetically powered by the jazzy drum drive of Alexander Thomas. Dedric’s relentless bassline, Delaney’s freeform synthesizer soloing, and Krystof’s expressive guitar tones conspire to form a congealed essence. It’s a spaced-out instrumental that could be from another time, floating defiantly into the present. Zen Diagram ends with “I Count The Steps To A New Sunrise.” The previous cut’s path takes us to a crest on a hill with a view of the damage below. The combo is locked-in, as skittering drums, cosmic synths, spacious noise guitars, and a pensive bass riff promise a way out. Dedric’s vocals are pure 2020, overcome with the zeitgeist of isolation and yearning to reach for something, anything. The diagram becomes a map, and this is how we find an escape..

15. Fiona Apple – “I Want You To Love Me”
from: Fetch The Bolt Cutters / Epic – Sony / April 17, 2019
[The fifth studio album by American singer-songwriter Fiona Apple. It is Apple’s first release since The Idler Wheel… in 2012. The album was recorded from 2015 to 2020, largely at Apple’s home in Venice Beach. It was produced and performed by Apple alongside Amy Aileen Wood, Sebastian Steinberg and Davíd Garza; recording consisted of long, often-improvised takes with unconventional percussive sounds. GarageBand was used for much of this recording, and Apple credited the album’s unedited vocals and long takes to her lack of expertise with the program. Rooted in experimentation, the highly percussive album resists genre categorization. While conventional instruments, such as pianos and drum sets, do appear, the album also features prominent use of non-musical found objects as percussion. Apple described the result as “percussion orchestras”. These industrial-like rhythms are contrasted against traditional melodies, and the upbeat songs often subvert traditional pop structures. The album explores freedom from oppression; Apple identified its core message as: “Fetch the fucking bolt cutters and get yourself out of the situation you’re in”. The title, a quote from TV series The Fall, reflects this idea. The album also discusses Apple’s complex relationships with other women and other personal experiences, including bullying and sexual assault. It has nevertheless been referred to as Apple’s most humorous album. Fetch the Bolt Cutters was released during the COVID-19 pandemic, and many critics found its exploration of confinement pertinent. Fiona Apple McAfee-Maggart (born September 13, 1977) is an American singer-songwriter, pianist and poet. Her accolades include one Grammy Award, and an additional seven Grammy Award nominations in various categories. The daughter of actor Brandon Maggart, Apple was born in New York City but was raised alternating between New York and her father’s home in Los Angeles. Classically trained on piano as a child, she began composing her own songs when she was eight years old. Her debut album, Tidal, containing songs written when she was 17, was released in 1996 and received a Grammy Award for Best Female Vocal Rock Performance for the single “Criminal”. She followed with When the Pawn… (1999), produced by Jon Brion, which was also critically and commercially successful and was certified platinum. For her third album, Extraordinary Machine (2005), Apple again collaborated with Brion, and began recording the album in 2002. However, Apple was reportedly unhappy with the production and opted not to release the record, leading fans to protest Epic Records, erroneously believing that the label was withholding its release. The album was eventually re-produced without Brion and released in October 2005. The album was certified gold, and nominated for a Grammy Award for Best Pop Vocal Album. In 2012, she released her fourth studio album, The Idler Wheel…, which received critical praise and was followed by a tour of the United States and was nominated for the Grammy Award for Best Alternative Music Album in 2013. Apple’s fifth studio album, Fetch the Bolt Cutters, was released in 2020 to widespread acclaim. She has sold over 10 million albums worldwide and has received numerous awards and nominations, including a Grammy Award, 2 MTV Video Music Awards and a Billboard Music Award.]

16. KeiyaA – “Do Yourself a Favor” (Single Version)
from: Forever, Ta Girl / Forever recordings / March 27, 2020
[The debut album from KeiyaA originally from Chicago, now based in New York City. Written by keiyaA and produced by keiyaA, featuring additional production from dj blackpower and dj cowriiie. Mixed and mastered by BSTFRND. ]

11:29 – Underwriting

17. Shiner – “In The End”
from: Schadenfreude / Two Black Eyes / May 8, 2020
[Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude.”The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7” single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times. -0=Shiner’s newest record, “Schadenfreude”, will be released May, 08, 2020. A single, “Life as a Mannequin” was released Feb 28, 2020.]

Paul Malinowski on the May 27, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:35 – Interview with Paul Malinowski

Paul Malinowski joins us on the phone to talk about their band SHINER and the new album, “Schadenfreude”, released on May 8, 2020. With Allen Epley on guitar & lead vocals, Josh Newton on guitar, Paul Malinowski on bass, and Jason Gerken on drums, Shiner is back with their first album of new material in 19 years. Formed in 1992, Shiner quickly found exposure, More info at: http://www.shiner.net

Paul Malinowski Thanks for being with us on WMM

Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude” will be released May 08, 2020.

The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7″ single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times.

Paul Malinowski (bass, voice, engineer) Founding Member of Season To Risk: 1989-1995
Bands: Fire of 1666, Shiner, Big Sky Blue Earth

SHINER is Allen Epley on guitar & lead vocals, Paul Malinowski on bass, Josh Newton on guitar, and Jason Gerken on drums.

Shiner’s newest record, “Schadenfreude”, will be released May, 08, 2020. A single, “Life as a Mannequin” was released February 28, 2020.

The band also has the song “Third Gear Scratch” included on the soundtrack of the video game Saints Row 2.

After announcing that the band was breaking up, Shiner scheduled a final performance. The final show was held at The Madrid Theater in Kansas City on January 25, 2003. Houston, Dirtnap, and Elevator Division opened.

Final show
After announcing that the band was breaking up, Shiner scheduled a final performance. The final show was held at The Madrid Theater in Kansas City on January 25, 2003. Houston, Dirtnap, and Elevator Division opened.

Discography:
1996 Splay / DeSoto Records / January 1, 1996
1997 Lula Divinia ? Hit It! Recordings / March 11, 1997
2000 Starless / Owned & Operated / April 18, 2000
2001 The Egg / DeSoto Records / October 23, 2001
2020 Schadenfreude / Two Black Eyes / May 8, 2020

Reunions (2012–present)
Nearly ten years after its final show, Shiner announced a quintet of reunion shows in the US to celebrate the reissue of The Egg on vinyl on August 7, 2012. The dates include stops in NYC, LA, Lawrence, Kansas and Chicago:

8.11 New York, NY – Gramercy
8.18 Los Angeles, CA – Echoplex
8.24 Lawrence, KS – The Granada
8.25 & 26 Chicago, IL – Bottom Lounge

In 2015, the band played a 2nd series of reunion shows in conjunction with a vinyl reissue of Starless:

7.15 Austin, TX – Red 7
7.17 Kansas City, MO – Record Bar
7.18 Minneapolis, MN – Triple Rock
7.19 Chicago, IL – Empty Bottle

In 2016, they played a few shows:
1.14 Pittsburgh, PA – Club Cafe
1.15 New York, NY – St. Vitus
1.16 New York, NY – St. Vitus

2017 saw a similar short US tour in conjunction with the vinyl re-release of Lula Divinia.
2.22 Champaign, IL – Accord
2.24 Kansas City, MO – Record Bar
2.25 Chicago, IL – Thalia Hall
3.03 San Francisco, CA – Bottom Of The Hill
3.04 Los Angeles, CA – The Echo
3.05 San Diego, CA – The Casbah
9.08 Milwaukee, WI – Shank Hall
9.09 Chicago, IL – Wurst Fest

2018
9.21 Rock Island, IL – RIBCO
9.22 Kansas City, MO – Record bar
9.23 Chicago, IL – Empty Bottle

Members Current:
Allen Epley (guitar, vocals)
Paul Malinowski (bass, formerly of Season to Risk)
Josh Newton (guitar, formerly of Season to Risk)
Jason Gerken (drums, formerly of Molly McGuire)

Previous members:
Jeff Brown (drums)
Tim Dow (drums)
Joel Hamilton (guitar)
Shawn Sherrill (bass)
______________________________________________________

Schadenfreude (/ˈʃɑːdənfrɔɪdə/; German: [ˈʃaːdn̩ˌfʁɔʏ̯də] (About this soundlisten); lit. ‘harm-joy’) is the experience of pleasure, joy, or self-satisfaction that comes from learning of or witnessing the troubles, failures, or humiliation of another.

Schadenfreude is a complex emotion, where rather than feeling sympathy towards someone’s misfortune, schadenfreude evokes joyful feelings that take pleasure from watching someone fail. This emotion is displayed more in children than adults. However, adults also experience schadenfreude, though generally concealed.

Etymology – Schadenfreude is borrowed from German; it is a compound of Schaden, “damage, harm”, and Freude, “joy”. The German word was first mentioned in English texts in 1852 and 1867, and first used in English running text in 1895. In German, it was first attested in the 1740s.

Paul Malinowski as Producer: The Pedaljets / The Philistines / Godzillionaire

Paul Malinowski Tyhanks for being with us on Wednesday MidDay Medley

The new SHINER album, “Schadenfreude,” was released May 8. Info at: http://www.shiner.net

11:47

18. Shiner – “Nothing”
from: Schadenfreude / Two Black Eyes / May 8, 2020

19. Okkyung Lee – “The Yellow Porcelain Bird”
from: Yeo-Neun / Shelter Press / May 8, 2020
[Yeo-Neun (Korean: 여는) is the eighth studio album by South Korean artist Okkyung Lee. Maeve Gilchrist on harp, Okkyung Lee on cello, Eivind Opsvik on bass and Jacob Sacks on piano. Written by Okkyung Lee (born 1975 in Daejeon, South Korea) is a South Korean cellist, improviser, and composer. Lee moved to Boston in 1993, where she received a dual bachelor’s degree in Contemporary Writing and Production and Film Scoring (Berklee College of Music), and a master’s degree in Contemporary Improvisation (New England Conservatory of Music). In 2000, Lee moved to New York and immersed herself in the city’s downtown music scene. Since then, she has collaborated with a wide range of musicians and artists, including Laurie Anderson, Arca, David Behrman, Mark Fell, Douglas Gordon, Jenny Hval, Vijay Iyer, Christian Marclay, Lasse Marhaug, Haroon Mirza, Thurston Moore, Ikue Mori, Stephen O’Malley, Lawrence D “Butch” Morris, Jim O’Rourke, Evan Parker, Marina Rosenfeld, Wadada Leo Smith, Swans, Cecil Taylor, C. Spencer Yeh and John Zorn. In 2013, Lee curated the Music Unlimited festival in Wels, Austria, giving it the title “The most beautiful noise on earth”. Lee received a Foundation for Contemporary Arts Grant in 2010. and a Doris Duke Performing Artist Award in 2015. She lives in New York City.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, June 3, we talk with members of The Republic Tigers, we also talk with Konnor Ervin about the new release Koney, and Nan Turner calls into the show too!

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #839

WMM presents Remy Styrk + Dedric Moore + Paul Malinowski

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 27, 2020

New & MidCoastal Releases + Remy Styrk
+ Dedric Moore of Monta At Odds +
Paul Malinowski of SHINER

Mark plays New & MidCostal Releases from: David George & Friends, Monta At Odds, Oxford Remedy, The Republic Tigers, Nan + the One Nite Stands, Remy Styrk, Shiner, Chloe Jacobson, Krystle Warren & The Faculty, The Airborne Toxic Event, Lucinda Williams, Fiona Apple, KeiyaA, and Okkyung Lee.

Remy Styrk photograph by Tom Styrkowicz

At 10:30 musician and film composer Remy Styrk joins us to share details about “Of My Own Design” his 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story. Scene descriptions can be between 2 sentences and 2 paragraphs. All will be posted on his website: http://www.remystyrk.com/interactive. 21 year old Remy Styrk lives in Leawood Kansas. In 2019 he released the single “Winter/Summer.” In 2018 Remy released “In Too Deep” one of 5 singles Remy has released in the last 2 years. On Jan 25, 2018 Remy released the EP Sunday, a follow up to the August 12, 2015 full length album, Telling Stories Through The Basement Door.

At 11:00 Mark talks with KCK based musician and producer Dedric Moore about the newest releases from his band Monta At Odds and the new monthly compilations from his music label Kosmic City. Dedric Moore is the founder of the bands: Monta At Odds, Mysterious Clouds, and Gemini Revolution. Dedric is also the creator the annual Kansas City Psych Fest, launched in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. The KC Psych Fest is now called Outer Reaches Fest and is produced in collaboration with Haymaker Records and recordBar. Dedric Moore has produced music for multiple bands in Kansas City including the Philistines, HMPH, and others. More information at: http://www.kosmiccity.com

SHINER is Allen Epley on guitar & lead vocals, Paul Malinowski on bass, Josh Newton on guitar, and Jason Gerken on drums.

At 11:30 KC based musician & producer Paul Malinowski talks about SHINER and the new album, “Schadenfreude”, released on May 8, 2020. With Allen Epley on guitar & lead vocals, Josh Newton on guitar, Paul Malinowski on bass, and Jason Gerken on drums, Shiner is back with their first album of new material in 19 years. Formed in 1992, Shiner quickly found exposure, releasing a vinyl EP in 1993 and touring with Sunny Day Real Estate, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. Shiner released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7″ single of the group’s songs “Sleep it Off” and “Half Empty”. Shiner toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. More info at: http://www.shiner.net

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #839

WMM Playlist May 20, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 20, 2020

New & MidCoastal Releases + SHINER
+ Anson The Ornery + Andrew R Morris

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s Adopted Theme Song]

2. Perfume Genius – “On The Floor (Edit)”
from: Set My Heart on Fire Immediately / Matador / May 15, 2020
[Second single from the fifth album from Perfume Genius, the stage name for Seattle-based solo artist Mike Hadreas who was born in Des Moines, Iowa, moving to the suburbs of Seattle, Washington at the age of 7.. Hadreas studied painting in school and took piano lessons as a child. His mother was a special education teacher, and is now an assistant principal at a middle school. His parents divorced when he was a teenager. Growing up, Hadreas was the only openly gay student at his school, and he received death threats which were not addressed by the administration. He dropped out of high school during his senior year. Two years after dropping out, he was attacked by several young men in his neighborhood. He moved to Williamsburg, Brooklyn and worked as a doorman for a club in the East Village. In 2005, Hadreas returned home to Seattle and began recording music. In 2008, Hadreas set up a MySpace page under the name Perfume Genius, and thus began his music career. Hadreas’s music explores topics including sexuality, his personal struggle with Crohn’s disease, domestic abuse, and the dangers faced by gay men in contemporary society. In an interview with Jia Tolentino, Mike Hadreas described the album as influenced by his work with choreographer Kate Wallich on a 2019 dance piece titled “The Sun Still Burns Here”. Hadreas composed numerous songs for the performance, with two singles, “Eye in the Wall” and “Pop Song” resulting, though neither was included on Set My Heart on Fire Immediately. Of the experience, Hadreas explained that the themes of embodiment in his prior music were complicated as dance felt “rebellious against [his] body.” He explained that dancing “blew up this separation between [his] work and the world,” resulting in changes to his songwriting, with songs now telling stories grounded in real-life settings and about real people. He cited Townes Van Zandt, Enya, and Cocteau Twins as influences on the new album]

3. Moses Sumney – “Cut Me”
from: grae / Jagjaguwar / September 22, 2017
[“Cut Me” was released as the fourth single on February 7, 2020. Sumney made his US television debut with a performance of “Cut Me” on The Late Show with Stephen Colbert on February 11, 2020. Græ (stylized in all lowercase) is a double album composed of Part 1 and Part 2. The first part was released digitally on February 21, 2020. The second part and the full album was released on May 15, 2020. Græ features a diverse arrangement of musical and technical contributions from Daniel Lopatin, Thundercat, James Blake, Taiye Selasi, John Congleton, Rob Moose, Ezra Miller, Michael Chabon, Adult Jazz, Matthew Otto, Ian Chang, FKJ, Nubya Garcia, Shahzad Ismaily, Jill Scott, Tom Gallo, Shabaka Hutchings, Tunde Jegede, Brandee Younger, Jamie Stewart, and Mac DeMarco. The album was preceded by the singles “Virile”, “Polly”, “Me in 20 Years”, “Cut Me”, and “Bless Me”.Second album and follow up to his debut studio full length album Aromanticism released September 22, 2017 from American singer-songwriter Moses Frimpong Sumney, born May 19, 1990 in San Bernardino, California to Ghanaian parents. He moved with his family back to Ghana at the age of 10. Sumney described his childhood as “Americanized” by this age and had difficulty adjusting to the culture of Ghana. He did not learn to play any instruments until he was older, writing a cappella music for years instead. Sumney did not perform his musical compositions publicly until he was 20. He attended the University of California, Los Angeles. He is based in Los Angeles, California. His self recorded debut EP, Mid-City Island, was released in 2014 and self recorded onto a 4-track recorder given to him by TV on the Radio’s Dave Sitek. The EP was described by Pitchfork as “primarily composed of first-takes and improvisation; the music is stirring but purposefully incomplete”. Sumney has performed as an opening act for Solange, Sufjan Stevens, and Erykah Badu. Sumney released another 5-song EP in 2016, titled Lamentations which featured a guest appearance from Thundercat.]

4. Samantha Fish – “Love Letters”
from: Kill or Be Kind / Rounder Records – Concord Music / September 20, 2019
[Samantha Fish, born January 30, 1989, is an American blues singer-songwriter and guitarist. Samantha Fish grew up in Kansas City, Missouri. Fish started out playing drums, but when she was 15 she switched to the guitar. Fish frequently went to the Knuckleheads Saloon to hear touring Blues artists. After turning 18, she often joined in with the singers and bands who were performing at Knuckleheads. In 2009, Fish recorded and produced Live Bait. The live album attracted the attention of a talent company, who recommended her to Ruf Records. Ruf Records put together a record with Fish and two other female blues artists, Cassie Taylor and Dani Wilde, titled Girls with Guitars. The three guitarists then toured on the Ruf Records 2011 Blues Caravan in the U.S. and Europe. Fish continued touring with the Samantha Fish Band, featuring “Go-Go Ray” Pollard on drums and Chris Alexander on bass, playing in Europe and the United States. In 2011, Fish recorded Runaway with the help of her mentor Mike Zito. The album won the 2012 Blues Music Award for Best New Artist. Fish appeared on Devon Allman’s 2013 album Turquoise in a duet covering the Tom Petty/Stevie Nicks’ song “Stop Draggin’ My Heart Around”. During the summer of 2013, Fish was called up on stage to play with a skeptical Buddy Guy who was so impressed with her playing on the guitar, he declared with a beaming smile to his audience, “When this kind of shit happens, I’ll play all night!” In 2013, Fish released her second major studio album, Black Wind Howlin’, featuring Mike Zito on guitar, Yonrico Scott on drums, Johnny Sansome on harmonica, and Paul Thorn, vocal duet on one track. The album was recorded in Dockside Studios, in Maurice, Louisiana. Mike Zito’s bandmates from his group Royal Southern Brotherhood, Yonrico Scott and Charlie Wooton, were brought in to assist in the session recordings. Also in 2013, Fish appeared on The Healers Live at Knuckleheads Saloon, producing a CD/DVD collaboration with Jimmy Hall, Reese Wynans, Kate Moss, and Danielle and Kris Schnebelen (sister and brother, formerly of the band Trampled Under Foot). Proceeds benefit the Blue Star Connection. The Healers occasionally perform together as their schedule permits. Fish’s third studio album, Wild Heart was released on July 10, 2015. The new album is more roots rock than her earlier blues rock. Fish wrote five songs on the record. She co-wrote five other songs with Jim McCormick in Nashville, Tennessee. Luther Dickinson produced the album, as well as played various stringed instruments (guitar, bass, mandolin, lap steel) to flesh out the sound. The album was recorded in four studios, Royal Studios and Ardent Studios in Memphis, Tennessee, Zebra Ranch in Coldwater, Mississippi, and Blade Studios in Shreveport, Louisiana. Other musicians on the record are Brady Blade (drums), Lightnin’ Malcolm (guitar), Shardé Thomas (drums), Dominic Davis (bass), Shontelle Norman-Beatty (background vocals), and Risse Norman (background vocals). Fish released her fourth solo album, Chills & Fever on March 17, 2017. The album was recorded in Detroit and was recorded with members of the band The Detroit Cobras. Bobby Harlow produced the album. Belle of the West followed in December 2017. Fish released her sixth solo album, Kill or Be Kind, on September 20, 2019, on her new label, Rounder Records. In December Samantha Fish is on a Holiday Tour promoting her new Christmas Album.]

[Samantha Fish plays live on American Routes tonight at 7:00 PM here on 90.1 FM KKFI.]

10:16

5. BLACKSTARKIDS – “Too Depresssed for Sex”
from: SURF / Bedroom Records / February 28, 2020
[Second album from, BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019.]

6. Thao & The Get Down Stay Down – “Nobody Dies”
from: Temple / Ribbon Music / May 15, 2020
[Temple is the fifth full-length album from Thao & The Get Down Stay Down. Produced by Thao and bandmate Adam Thompson, it is also their first self-produced album. Kaleidoscopic and danceable, grounded by Thao’s singular voice, Temple feels boldly dissonant while still highly accessible. A temple is a place of worship and sanctuary. We spend our lives searching for temples where we can belong and be loved, but those spaces can also be a kind of confinement. Temple is an album that pushes open boundaries for a different kind of sanctuary, where you don’t have to whisper. Temple is the follow up to their 4th studio album A Man Alive from 2016. Thao & The Get Down Stay Down are a San Francisco, California-based (formerly Falls Church, Virginia) alternative folk rock music group. The band consists of Thao Nguyen on vocals & guitar and Adam Thompson on vocals, bass guitar & keyboards.. Thao Nguyen was born in Virginia in 1984, and raised in Falls Church, Nguyen began playing guitar and writing songs at the age of twelve while helping out at her mother’s laundromat. She began performing in high school as part of a pop-country duo with friend Brenna Clerkin. She attended Thomas Jefferson High School for Science and Technology in Fairfax County and studied at the College of William & Mary, where she double majored in Sociology and Women’s studies. After recording an EP that differed from her initial style, she began performing as a soloist with her acoustic guitar. With her fellow college students Adam and Willis Thompson she formed Thao Nguyen and the Get Down Stay Down. After graduating she toured extensively, both with the band and as a solo artist. She moved to San Francisco around 2009, and has been based there since.] [We’ve been playing this band on the radio show since 2008!]

Krystle Warren

7. Krystle Warren & The Faculty – “Rising”
from: Rising – Single / Parlour Door Music / May 31, 2019
[This single was produced by co-founding member of The Faculty, bassist Solomon Dorsey. I was texting with Krystle over the weekend after the KC Bands Together weekend 6-hour streaming concert where Krystle shared three songs including a cover of Gerry Raferty’s “The Ark” from his 1978 album, City to City. Krystle was currently doing over dubs on “Rising” that will be included on the new Krystle Warren & The Faculty album called, “Extended Play.” Krystle told me that they had wanted to do album cover photos during a concert that was scheduled in Kansas City in March, but was cancelled due to COVID-19. Getting everyone together has not been possible. Krystle was hoping for a late 2020 release. Krystle Warren learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystle Warren played KC Bands Together – A Livestream Concert Saturday, May 16]

10:30 – Underwriting

8. Shiner – “Genuflect”
from: Schadenfreude / Two Black Eyes / May 8, 2020
[Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude.”The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7” single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times. -0=Shiner’s newest record, “Schadenfreude”, will be released May, 08, 2020. A single, “Life as a Mannequin” was released February 28, 2020.]

Jason Gerken of Shiner on the May 20, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:36 – Interview with Jason Gerken

SHINER is Allen Epley on guitar & lead vocals, Paul Malinowski on bass, Josh Newton on guitar, and Jason Gerken on drums.

Jason Gerken joined us on the phone to talk about the band SHINER and the new album, “Schadenfreude,” released on May 8, 2020. With Allen Epley on guitar & lead vocals, Josh Newton on guitar, Paul Malinowski on bass, and Jason on drums, Shiner is back with their first album of new material in 19 years. Formed in 1992, Shiner quickly found exposure, More info at: http://www.shiner.net

Jason Gerken Thanks for being with us on WMM

Jason Gerken (drums) Member: 1994 (studio) (In a Perfect World)
Bands: Molly McGuire, Kingdom of Snakes, Gunfighter

Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude” will be released May 08, 2020.

The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7″ single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times.

Shiner’s newest record, “Schadenfreude”, will be released May, 08, 2020. A single, “Life as a Mannequin” was released February 28, 2020.

The band also has the song “Third Gear Scratch” included on the soundtrack of the video game Saints Row 2.

After announcing that the band was breaking up, Shiner scheduled a final performance. The final show was held at The Madrid Theater in Kansas City on January 25, 2003. Houston, Dirtnap, and Elevator Division opened.

Final show
After announcing that the band was breaking up, Shiner scheduled a final performance. The final show was held at The Madrid Theater in Kansas City on January 25, 2003. Houston, Dirtnap, and Elevator Division opened.

Discography:
1996 Splay / DeSoto Records / January 1, 1996
1997 Lula Divinia / Hit It! Recordings / March 11, 1997
2000 Starless / Owned & Operated / April 18, 2000
2001 The Egg / DeSoto Records / October 23, 2001
2020 Schadenfreude / Two Black Eyes / May 8, 2020

Reunions (2012–present)
Nearly ten years after its final show, Shiner announced a quintet of reunion shows in the US to celebrate the reissue of The Egg on vinyl on August 7, 2012. The dates include stops in NYC, LA, Lawrence, Kansas and Chicago:

8.11 New York, NY – Gramercy
8.18 Los Angeles, CA – Echoplex
8.24 Lawrence, KS – The Granada
8.25 & 26 Chicago, IL – Bottom Lounge

In 2015, the band played a second series of reunion shows in conjunction with a vinyl reissue of Starless:

7.15 Austin, TX – Red 7
7.17 Kansas City, MO – Record Bar
7.18 Minneapolis, MN – Triple Rock
7.19 Chicago, IL – Empty Bottle

In 2016, they played a few shows:
1.14 Pittsburgh, PA – Club Cafe
1.15 New York, NY – St. Vitus
1.16 New York, NY – St. Vitus

2017 saw a similar short US tour in conjunction with the vinyl re-release of Lula Divinia.

2.22 Champaign, IL – Accord
2.24 Kansas City, MO – Record Bar
2.25 Chicago, IL – Thalia Hall
3.03 San Francisco, CA – Bottom Of The Hill
3.04 Los Angeles, CA – The Echo
3.05 San Diego, CA – The Casbah
9.08 Milwaukee, WI – Shank Hall
9.09 Chicago, IL – Wurst Fest

2018
9.21 Rock Island, IL – RIBCO
9.22 Kansas City, MO – Record bar
9.23 Chicago, IL – Empty Bottle

Members Current:
Allen Epley (guitar, vocals)
Paul Malinowski (bass, formerly of Season to Risk)
Josh Newton (guitar, formerly of Season to Risk)
Jason Gerken (drums, formerly of Molly McGuire)

Previous members:
Jeff Brown (drums)
Tim Dow (drums)
Joel Hamilton (guitar)
Shawn Sherrill (bass)
______________________________________________________

Schadenfreude (/ˈʃɑːdənfrɔɪdə/; German: [ˈʃaːdn̩ˌfʁɔʏ̯də] (About this soundlisten); lit. ‘harm-joy’) is the experience of pleasure, joy, or self-satisfaction that comes from learning of or witnessing the troubles, failures, or humiliation of another.

Schadenfreude is a complex emotion, where rather than feeling sympathy towards someone’s misfortune, schadenfreude evokes joyful feelings that take pleasure from watching someone fail. This emotion is displayed more in children than adults. However, adults also experience schadenfreude, though generally concealed.

Etymology – Schadenfreude is borrowed from German; it is a compound of Schaden, “damage, harm”, and Freude, “joy”. The German word was first mentioned in English texts in 1852 and 1867, and first used in English running text in 1895. In German, it was first attested in the 1740s.

The new SHINER album, “Schadenfreude,” was released May 8. Info at: http://www.shiner.net

10:48

9. Shiner – “Life as a Mannequin”
from: Schadenfreude / Two Black Eyes / May 8, 2020
[Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude.”The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7” single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times. “Life as a Mannequin” was released February 28, 2020.]

10. The Sluts – “King Kong”
from: Enjoy The Show / The Sluts / May 7, 2020
[Second single from The Sluts upcoming 2020 release, Enjoy The Show and follow up to last year’s 6 song EP Break Their Heart. The Lawrence based band The Sluts were formed by Ryan Wise & Kristoffer Dover in 2011. Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios, KCMO. The Sluts released their debut EP Virile on November 14, 2013. The Sluts released The Loser EP on July 8, 2014. They released their 11-song full length album The Sluts on June 17, 2015. The Sluts released their EP Only One on May 25, 2017. Info at http://www.thesluts.bandcamp.com]

11. Berwanger – “Say To Me”
from: “Say To Me” B-Side Single to Watching A Garden Die / Berwanger / May 1, 2020
Josh Berwanger on vocals & guitars, Ricky Salthouse on backing vocals, Brian Klein on bass, Christian Jankowski on drums, and Carly Gwin on backing vocals. Watching A Garden Die was released June 28, 2019 on Wiretap Records. It was 4th full length album from Berwanger the band fronted by rock & roll singer songwriter Josh Berwanger. Josh Berwanger was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released Dtrange Stains in April 2014, the EP Demonios November 11, 2016, Exorcism Rock in October 2017, and The Star Invaders October 2017. Josh Berwanger also plays in the band Radar State.]

11:00 – Station ID

12. Anson The Ornery – “Drawing People I Don’t Really Like”
from: DJ Daniel The Cat / Anson The Ornery / May 6, 2020
[Daniel used small electronic toy synthesizers to accommodate the size of his paws to create his self titled album synth-pop DJ Daniel the Cat containing six upbeat dance songs with lyrics chronicling Daniel’s crippling social anxiety. After Daniel’s disappearance the DJ Daniel the Cat album was believed to be lost over. Over the last decade the notoriety of DJ Daniel the Cat has grown due to the popularity of the internet and the demand for the lost album was never greater when it was recently rediscovered.]

[Anson will be premiering DJ Daniel the Cat live on YouTube on Friday, May 22 at 7:00 PM with a special surprise at the end for longtime fans.]

Anson The Ornery on the May 20, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Anson The Ornery

Anson the Ornery, a multimedia artist who uses the latest technology to create conceptual artwork. He is currently working on The Great Tempest in a Bottle a website gallery that will exhibit a series of sculptures, paintings, short stories and songs inspired by internet culture. DJ Daniel the Cat is just one part of a larger work of art. Anson will be premiering DJ Daniel the Cat live on YouTube on Friday, May 22 at 7:00 PM with a special surprise at the end for longtime fans. More information at: http://www.ansontheornery.com

Anson The Ornery, Thanks for being with us on Wednesday MidDay Medley
Anson the Ornery,is currently working on The Great Tempest in a Bottle a website gallery that will exhibit a series of sculptures, paintings, short stories and songs inspired by internet culture.

DJ Daniel the Cat is just one part of a larger work of art. Anson will be premiering DJ Daniel the Cat live on Youtube May 22nd at 7:00 PM.

Anson The Ornery

Daniel used small electronic toy synthesizers to accommodate the size of his paws to create his self titled album synthpop DJ Daniel the Cat containing six upbeat dance songs with lyrics chronicling Daniel’s crippling social anxiety. After Daniel’s disappearance the DJ Daniel the Cat album was believed to be lost over. Over the last decade the notoriety of DJ Daniel the Cat has grown due to the popularity of the internet and the demand for the lost album was never greater when it was recently rediscovered.

For over a decade it was believed that the ground-breaking 2009 self-titled album DJ Daniel the Cat had been lost after the disappearance of Daniel the Cat in 2010. Recently Anson the Ornery, the producer and singer of DJ Daniel the Cat, rediscovered the album’s masters. The interest in DJ Daniel the Cat has only grown over the years despite the fact that few have ever heard the legendary album outside Daniel’s inner group of friends. That is soon to change, for Anson has announced that on May 22nd 2020 he will be live streaming DJ Daniel the Cat via Facebook and Youtube Live at 7 pm CST in its entirety along with his own personal commentary about the making of the album.

The breakout success of Piano Cat inspired Daniel to become a DJ himself but, due to bigotry in the music industry towards cats, Daniel was worried that his music would not be taken seriously. Anson then became the voice of DJ Daniel the Cat in order for the public to accept Daniel’s music. The two labored on the album for months only using small electronic toy synthesizers to accommodate the size of Daniel’s paws. The result was a masterful collection of six electronic dance music tracks with lyrics chronicling Daniel’s crippling social anxiety. After the news of Daniel’s disappearance Anson was disheartened and DJ Daniel the Cat was lost in the confusion. Over the last decade the notoriety of DJ Daniel the Cat has grown due to the popularity of the internet and the demand for the lost album has never been greater.

The world premiere of DJ Daniel the Cat will be on Facebook and Youtube live on Friday, May 22, 2020 at 7:00 pm CST. There has never been an album better suited for the internet and our current times. This one-time event is in loving memory of Daniel the Cat.

The release contains six tracks:

1. “The Call of the Void / L’appel du Vide”
2. “I’m Going to Turn My Bed Into a Car”
3. “I’m Going Out and Being Nice for Once”
4. “Give a Cat a Sunbeam”
5. “Drawing People I Don’t Really Like”
6. “I’m Antisocial and I’m Loving It”

Anson The Ornery, Thanks for being with us on Wednesday MidDay Medley

Anson will be premiering DJ Daniel the Cat live on YouTube on Friday, May 22 at 7:00 PM with a special surprise at the end for longtime fans. More information at: http://www.ansontheornery.com

11:15

13. Anson The Ornery – “I’m Antisocial and I’m Loving It”
from: DJ Daniel The Cat / Anson The Ornery / May 6, 2020
[Daniel used small electronic toy synthesizers to accommodate the size of his paws to create his self titled album synthpop DJ Daniel the Cat containing six upbeat dance songs with lyrics chronicling Daniel’s crippling social anxiety. After Daniel’s disappearance the DJ Daniel the Cat album was believed to be lost over. Over the last decade the notoriety of DJ Daniel the Cat has grown due to the popularity of the internet and the demand for the lost album was never greater when it was recently rediscovered.]

[Anson will be premiering DJ Daniel the Cat live on YouTube on Friday, May 22 at 7:00 PM with a special surprise at the end for longtime fans.]

14. Monta At Odds – “Two Lanes Two Paths”
from: Zen Diagram EP / Cosmic City / May 1, 2020
[Conceptual Kansas City art-rock combo Monta At Odds continue their experimentation in sound with an expanded line-up and a new EP, Zen Diagram. Led by Dedric Moore and fueled from 2020’s angst and uncertainty, the band adopts a darker, grittier direction that coincides with a post-punk indulgence. The result is an evocative four-song tableau, showcasing the veteran project’s drive to explore sonic territory as they lay down some mesmerizing jams. The title track opens the EP as a voyage into soundtrack dreams and sonic imagery. It’s a fully-packed production, featuring twin vocals from Mikal Shapiro and Teri Quinn, Krystof Nemeth of Emmaline Twist on epic baritone guitar, Lucas Behrens on Moog, and Delaney Moore on slide guitar. The song builds and builds over 10 minutes, introducing a bevy of interplaying elements and melodies. There’s a complexity that grooves. Monta At Odds embraces the grayer shades of these sessions with a faithful but otherworldly cover of “Movement of Fear,” the classic cut from Tones On Tail. Mikal leans into the vocals with gentle whispers as Lucas plucks the atmosphere. Meanwhile, Matthew Heinrich merges live drums with the programmed ones until he is one with the machines. The result is multi-textured and dubbed-out, exposing the bloodline of Monta’s aesthetic. “Two Lanes Two Paths” is frenetically powered by the jazzy drum drive of Alexander Thomas. Dedric’s relentless bassline, Delaney’s freeform synthesizer soloing, and Krystof’s expressive guitar tones conspire to form a congealed essence. It’s a spaced-out instrumental that could be from another time, floating defiantly into the present. Zen Diagram ends with “I Count The Steps To A New Sunrise.” The previous cut’s path takes us to a crest on a hill with a view of the damage below. The combo is locked-in, as skittering drums, cosmic synths, spacious noise guitars, and a pensive bass riff promise a way out. Dedric’s vocals are pure 2020, overcome with the zeitgeist of isolation and yearning to reach for something, anything. The diagram becomes a map, and this is how we find an escape.]

[Dedric Moore will be our guest next week on WMM]

14. Kawehi – “Mad World/Radioactive”
from: Kawehi Covers / Kawehi / January 3, 2019
[Hawaiian singer-songwriter, and one-woman band, known for her live looping sets that draw you in with her melody and lyrics. While based in Lawrence, Kansas, she gained national attention for her YouTube cover of Nirvana’s “Heart-Shaped Box” and gained a new fan in Courtney Love.]

[Kawehi played KC Bands Together – A Livestream Concert Saturday, May 16]

11:30 – Underwriting

16. Andrew R Morris – “One Fine, Sweet & Sunny Day”
from: One Fine, Sweet & Sunny Day / Andrew Morris / May 15, 2020
[This is a new electronic solo project by Andrew. “Here is a collection of tunes I worked up with electronic beats. I sent the rough beats over to Burke Sullivan in Fairmount, IN. He spiffed em up. Then we met up and recorded some in his studio and some at a church in Fairmount, Indiana. There is an accompanying radio drama to go along with the music. You’ll get an email with a link shortly after purchase. Huge thanks to Burke Sullivan for undertaking this project with me. I’m forever indebted to the tremendous amount of effort you put into this project. Big thanks to Julie Bates for encouraging me to make this project a reality and helping so much.” – Andrew. All songs written by Andrew Morris. Andrew Morris on vocals, guitar, mandolin, banjo, beats, bass; Burke Sullivan on drums, beats, bass, guitar; Julie Bates on violins. All tracks, except 1 & 11, recorded & mixed by Burke Sullivan. Tracks 1 & 11 recorded and mixed by Andrew Morris. Mastered by Johnny Kenepaske at Dead Horse Sound, Independence MO. Andrew plays a John Boyd Mandolin. Album art by Andrew Morris] [Andrew Morris is one half of The Matchsellers. a Folk-American duo who have released to EP and three full length albums. The Matchsellers is the unlikely result of a classically trained violinist from Kansas City, MO, (Julie Bates) and a Chicago blues guitarist from Warsaw, Indiana, (Andrew Morris) meeting in Leipzig, Germany, and forming a bluegrass duo.]

Andrew Morris on the May 20, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:35 – Interview with Andrew Morris

Kansas City based Chicago blues guitarist from Warsaw, Indiana, Andrew Morris joins us to share music and details about his new electronic solo project release, “One Fine, Sweet & Sunny Day” a 12-track album that came out May 15, 2020. Andrew Morris is one half of the critically acclaimed Bluegrass, Folk, Americana duo The Matchsellers with his wife, classically trained violinist Julie Bates. Andrew writes, “Here is a collection of tunes I worked up with electronic beats. I sent the rough beats over to Burke Sullivan in Fairmount, IN. He spiffed em up. Then we met up and recorded some in his studio and some at a church in Fairmount, Indiana.” More info at http://www.thematchsellers.com

Andrew Morris thanks for being with us on Wednesday MidDay Medley.
Andrew Morris is one half of The Matchsellers. a Folk-American duo who have released to EP and three full length albums. The Matchsellers is the unlikely result of a classically trained violinist from Kansas City, MO, (Julie Bates) and a Chicago blues guitarist from Warsaw, Indiana, (Andrew Morris) meeting in Leipzig, Germany, and forming a bluegrass duo.

One Fine, Sweet & Sunny Day is a new electronic solo project by Andrew Morris.

“Here is a collection of tunes I worked up with electronic beats. I sent the rough beats over to Burke Sullivan in Fairmount, IN. He spiffed em up. Then we met up and recorded some in his studio and some at a church in Fairmount, Indiana.

There is an accompanying radio drama to go along with the music.

Huge thanks to Burke Sullivan for undertaking this project with me. I’m forever indebted to the tremendous amount of effort you put into this project.

Big thanks to Julie Bates for encouraging me to make this project a reality and helping so much.” – Andrew. All songs written by Andrew Morris.

Andrew Morris on vocals, guitar, mandolin, banjo, beats, bass; Burke Sullivan on drums, beats, bass, guitar; Julie Bates on violins.

All tracks, except 1 & 11, recorded & mixed by Burke Sullivan. Tracks 1 & 11 recorded and mixed by Andrew Morris. Mastered by Johnny Kenepaske at Dead Horse Sound, Independence MO. Andrew plays a John Boyd Mandolin.

Album art by Andrew Morris

Andrew Morris thanks for being with us on Wednesday MidDay Medley.

Andrew’s new electronic solo project release, “One Fine, Sweet & Sunny Day” a 12-track album that came out May 15, 2020. More info at http://www.thematchsellers.com

Andrew R Morris

11:47

17. Andrew R Morris – “I Remember the Stars”
from: One Fine, Sweet & Sunny Day / Andrew Morris / May 15, 2020
[This is a new electronic solo project by Andrew. “Here is a collection of tunes I worked up with electronic beats. I sent the rough beats over to Burke Sullivan in Fairmount, IN. He spiffed em up. Then we met up and recorded some in his studio and some at a church in Fairmount, Indiana. There is an accompanying radio drama to go along with the music. You’ll get an email with a link shortly after purchase. Huge thanks to Burke Sullivan for undertaking this project with me. I’m forever indebted to the tremendous amount of effort you put into this project. Big thanks to Julie Bates for encouraging me to make this project a reality and helping so much.” – Andrew. All songs written by Andrew Morris. Andrew Morris on vocals, guitar, mandolin, banjo, beats, bass; Burke Sullivan on drums, beats, bass, guitar; Julie Bates on violins. All tracks, except 1 & 11, recorded & mixed by Burke Sullivan. Tracks 1 & 11 recorded and mixed by Andrew Morris. Mastered by Johnny Kenepaske at Dead Horse Sound, Independence MO. Andrew plays a John Boyd Mandolin. Album art by Andrew Morris] [Andrew Morris is one half of The Matchsellers. a Folk-American duo who have released to EP and three full length albums. The Matchsellers is the unlikely result of a classically trained violinist from Kansas City, MO, (Julie Bates) and a Chicago blues guitarist from Warsaw, Indiana, (Andrew Morris) meeting in Leipzig, Germany, and forming a bluegrass duo.]

18. Foolish Sad Robot – “Postpone”
from: The Complete Foolish Sad Robot / Independent / 1995-96
[One of 23 songs written & recorded with Tom Livesay and Ike Sheldon (of The Wilders) Foolish Sad Robot was a band that existed somewhere between The Young Johnny Carson Story and The Wilders. The band played in many venues & developed a following.]

19. Jess Williamson – “Wind on Tin”
from: Sorceress / Mexican Summer / May 15, 2020
[The Texas-born, L.A.-based singer and songwriter Jess Williamson makes deeply felt songs that orbit around her powerful voice, a voice that’s strong and vulnerable, big room flawless, quietly ecstatic, and next-to-you intimate. In her most recent work, Sorceress, that voice is surrounded by a deep-hued kaleidoscope of dusty ‘70s cinema, ‘90s country music, and breezy West Coast psychedelia. // Williamson grew up in the suburbs of Dallas. An only child, she was raised by music-loving parents on a healthy diet of Bonnie Raitt, Van Morrison, and K.T. Oslin. A lifelong singer and performer, her earliest memories are of putting on concerts for the other kids on the playground during recess. // While attending the University of Texas, Williamson began to find her footing as an artist in the DIY and student-run art and music spaces of Austin. A photojournalism major, she interviewed and photographed bands for the school newspaper and hosted a radio show on KVRX, the student-run radio station. But quietly, she had an insistent pull to pursue music herself. In her last year of school, following an impulse after seeing Austin’s Ralph White play the banjo at a house show in her friends’ basement, Williamson took up banjo lessons at South Austin Music, and soon after was writing songs and making home recordings. After graduating, she moved to NYC to attend an MFA Photography program at Parsons. But after a couple semesters, she realized the call to pursue a career in music was too big to ignore, and she dropped out. // She started a band in NYC called Rattlesnake with another friend from Texas: Williamson played banjo, her friend played electric guitar, and they both sang. They played their first show at the now defunct venue, Death by Audio, in March of 2010. A few months later, drawn to her larger hometown community, she moved back to Austin to focus on her solo project. // For the next couple years, she was actively playing and booking shows in the Austin music scene, and self-released records on her own Brutal Honest imprint: her debut EP, 2011’s Medicine Wheel/Death Songs, 2014’s Native State, and 2016’s Heart Song. Along the way, she also incorporated guitar and piano into her songwriting and live shows. // In 2016, she relocated to Los Angeles, a move that proved life-changing. Inspired by the new environment and the deep introspection that can come from being alone in a foreign land, she wrote the album Cosmic Wink, which was recorded the following year in Dripping Springs, Texas, and became her first release with a record label—Mexican Summer—in 2018. // Her fourth album, Sorceress, also with Mexican Summer, arrives Spring 2020. It was written in Los Angeles, recorded at Gary’s Electric in Brooklyn, and finished at Dandy Sounds in Dripping Springs, where she recorded Cosmic Wink. While she’s stayed true to her deep country roots, the music has grown in its ambitions. It’s her biggest, most assured collection to date, and a true document of the hard work paying off.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, May 27 we will play more New & MidCoastal Releases. PLUS, at 10:30 we’ll talk with musician and composer Remy Stryck about his newest compositions. At 11:00 we’ll talk with Dedric Moore about Kosmic City Records and the new Monta At Odds release. And at 11:30 AM Paul Malinowski joins us to talk about the new release from Shiner.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #838

WMM presents: SHINER + Anson The Ornery + Andrew R Morris

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 20, 2020

New & MidCoastal Releases + SHINER
+ Anson The Ornery + Andrew R Morris

Mark plays New & MidCostal Releases from: Krystle Warren & The Faculty, The Sluts, Monta At Odds, Shiner, Berwanger, Kawehi, Blackstarkids, Anson the Ornery, Andrew R Morris, Samantha Fish, Foolish Sad Robot, Moses Sumney, Perfume Genius, Thao & The Get Down Stay Down, and Jess Williamson.

SHINER is Allen Epley on guitar & lead vocals, Paul Malinowski on bass, Josh Newton on guitar, and Jason Gerken on drums.

At 10:30 Paul Malinowski & Jason Gerken talk about their band SHINER and the new album, “Schadenfreude”, released on May 8, 2020. With Allen Epley on guitar & lead vocals, Josh Newton on guitar, Paul Malinowski on bass, and Jason on drums, Shiner is back with their first album of new material in 19 years. Formed in 1992, Shiner quickly found exposure, releasing a vinyl EP in 1993 and touring with Sunny Day Real Estate, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. Shiner released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7″ single of the group’s songs “Sleep it Off” and “Half Empty”. Shiner toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. More info at: http://www.shiner.net

Anson The Ornery

At 11:00 Mark talks with Anson the Ornery, a multimedia artist who uses the latest technology to create conceptual artwork. He is currently working on The Great Tempest in a Bottle a website gallery that will exhibit a series of sculptures, paintings, short stories and songs inspired by internet culture. DJ Daniel the Cat is just one part of a larger work of art. Anson will be premiering DJ Daniel the Cat live on Youtube May 22nd at 7:00 PM with a special surprise at the end for longtime fans. More information at: http://www.ansontheornery.com

Andrew R Morris

At 11:30 Kansas City based Chicago blues guitarist from Warsaw, Indiana, Andrew Morris joins us to share music and details about his new electronic solo project release, “One Fine, Sweet & Sunny Day” a 12-track album that came out May 15, 2020. Andrew Morris is one half of the critically acclaimed Folk Americana duo The Matchsellers with his wife, classically trained violinist Julie Bates. Andrew writes, “Here is a collection of tunes I worked up with electronic beats. I sent the rough beats over to Burke Sullivan in Fairmount, IN. He spiffed em up. Then we met up and recorded some in his studio and some at a church in Fairmount, Indiana.” More info at http://www.thematchsellers.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #838

WMM Playlist from August 7, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 7, 2019

New & MidCoastal Releases + Giants Chair
+ Fally Afani & RAICES Benefit

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s opening theme]

2. Mavis Staples – “Change”
from: We Get By / Anti / May 10, 2019
[14th studio solo album from rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

3. Making Movies – “Delilah (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

Enrique Chi

[Enrique Chi plays the Kansas City Songwriter Series curated by Hermon Mehari, Thursday, August 8, at 5:00 – 7:00 PM, at The Kemper Museum of Modern Art, 4420 Warwick Blvd., KCMO.]

[Making Movies play A Fundraiser For RAICES on Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, KS with Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford).]

4. The Philistines – “Further”
from: Further – Single / The Philistines / March 15, 2019
[New music from The Philistines, that will be part of the upcoming album Dysnomia. Produced and engineered by paul Malinowski at Massive Sound Studios. The Philistines are a Kansas City based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Rod Peal on guitar; Josh Mobley on keyboard, Steve Gardels on drums, and Barry Kidd on bass.]

[The Philistines play The Bottleneck, 737 New Hampshire St, Lawrence, KS., Wednesday, August 7, at 8:00 PM, with You Bred Raptors?, and HMPH!]

5. Berwanger – “Friday Night”
from: Watching A Garden Die / Wiretap Records / June 28, 2019
[4th full length album from Berwanger the band fronted by rock & roll singer songwriter Josh Berwanger. Josh Berwanger was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released Dtrange Stains in April 2014, the EP Demonios November 11, 2016, Exorcism Rock in October 2017, and The Star Invaders October 2017. Josh Berwanger also plays in the band Radar State.]

[Berwanger plays recordBar, 1520 Grand, Sat, Aug 10, 8:PM, w/ Beau Jennings & The Tigers, Blue False Indigo]

6. Ivy Roots – “Appreciate (feat. Eddie Moore)”
from: Love Art Growth – EP / Ivy Roots Music / June 5, 2019
[New EP release from natie KC singer songwriter, who plays piano & guitar, and produces beats. This is a follow up to her 2016 full-length debut “Bad Intuition” released April 14, 2016. Ivy Roots has a style that ranges from R & B, Neo Soul, Hip Hop, Acoustic, & Pop. She has performed at Lincoln Center in NYC, Crossroads Music Fest, and with film & performance. Written & produced by Ivy. Info: http://www.itsjustivy.com]

[Ivy Roots plays miniBar, 3810 Broadway, KCMO, Tonight, Aug. 7, at 9:00 PM w/ Sister Ivy, Ant Lab]

[Ivy Roots plays Art Class Jam, an all ages benefit concert/exhibition at Just Off Broadway Theatre, 3051 Central Street, Tomorrow, Thurs, Aug. 8, at 7:00 PM w/ Khrystal., Mae C, Jooby Truth, presented by Tribe U, Shuttlecock Music Magazine and Just Off Broadway Theatre to raise funds to send as many local young adults and teens as possible to see 30 Americans at the Nelson-Atkins Museum of Art.]

7. NuBlvckCity – “Alive”
from: All Night / Alive – Single / NuBlvckCity / July 12, 2019
[NuBlvckCity is a KC-based music collective with Kartez Marcel (Addison), a native of Kansas City, Missouri, a Hip-Hop artist, and community program developer, sound engineer, entrepreneur, recording artist, musician, and songwriter. He provides resources to artists and assists with bringing their artistic visions to life, he also serves as the Director of A/V at a large faith-based organization. With Royce “Sauce” Handy he founded We Are Rap a hip hop program for youth. VP3 (Vernon Percy Howard III) is a Music Producer, Songwriter, Singer, Pianist, & Saxophonist. He recently graduated from the University of Central Missouri where he studied digital media production. Mae C is a singer/songwriter who’s one of KC’s go-to voices and performer’s. Mae C is a KC based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an artist in the KC music scene. Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur.]

[Mae C plays Art Class Jam, an all ages benefit concert/exhibition at Just Off Broadway Theatre, 3051 Central Street, Tomorrow, Thursday, Aug. 8, at 7:00 PM w/ Khrystal., Ivy Roots, Jooby Truth, presented by Tribe U, Shuttlecock Music Magazine and Just Off Broadway Theatre to raise funds to send as many local young adults and teens as possible to see 30 Americans at the Nelson-Atkins Museum of Art.]

8. Khrystal. – “Alchemist (featuring Duncan Burnett)”
from: The Awkward Muva / Khrystal. / July 13, 2018
[Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. You can hear her debut album at; http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017.]

[Khyrstal. plays Art Class Jam, an all ages benefit concert/exhibition at Just Off Broadway Theatre, 3051 Central Street, Tomorrow, Thursday, Aug. 8, at 7:00 PM w/ Ivy Roots, Mae C, Jooby Truth, presented by Tribe U, Shuttlecock Music Magazine and Just Off Broadway Theatre to raise funds to send as many local young adults and teens as possible to see 30 Americans at the Nelson-Atkins Museum of Art.]

10:31 – Underwriting

9. The Creighton Organization featuring: Jimmy Dykes – “Goin To New Orleans”
from: I Heard It On 18th Street II: No Foolin’ We Schoolin’ / (David Ford) / 2009
[The Creighton Organization is a Jazz band from Kansas City, Missouri with Dave Creighton on keys]

[The Creighton Organization plays The Ship, 1217 Union, KCMO – TONIGHT, Aug. 7, at 8:00 PM]

Short Round Stringband

10. Short Round Stringband – “Shine Hallelujah Shine”
from: Ain’t No Part of Nuthin’ / Short Round Stringband / July 19, 2019
[Debut album from the pan-Missouri band with a refreshing approach to old time music: Short Round Stringband is the coming together of two musical couples and a bassist with Kansas roots. The band members are Kelly Wells and Ryan Spearman (The Aching Hearts, St. Louis), Betse Ellis and Clarke Wyatt (Betse & Clarke, Kansas City), and Chris DeVictor (Konza Swamp and more). With deep connections to old-time, country and Ozark tunes and songs, Short Round Stringband takes you on a moving journey through the sounds and stories of the American experience. Their hard driving fiddle tunes will get you out of your seat. Their vocal duets will bring a tear to your eye, and their original songs and inventive new compositions showcase a passion for the depth of tradition and a look to new creative paths. And in between all of that, you’ll laugh at their madcap humor.]

[Short Round Stringband play The Westport Saloon, 4112 Pennsylvania Ave, KCMO, Sunday, August 11, at 7:00 PM, with The Tillers, and Lauren Morrow]

[Short Round Stringband play Olathe Public Library, 201 E Park, Olathe, KS., Tues, Aug. 13, at 7 PM]

11. Calvin Arsenia – “Back To You”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[1st single from L.A. Sessions to be released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe. Patrick Sprehe of Center Cut Records tells us that Calvin has been in California and the West Coast for much the past month. Calvin attended the Pride Parade in San Francisca and had a successful show at Hotel Utah. Center Cut reunited the musicians fromLA Sessions for a big show at The Mint in Los Angeles, Starline Social Club in Oakland, and a couple of events in Healdsburg. Calvin also played Oregon Country Fair with Quixotic and as a solo artist. alvin also played SoFar Sounds/xFinity radio show at the Tonga Room in San Francisco and is attending the first Billboard Pride Summit in LA on Thursday. Then he is off to Boulder for a couple of nights before returning to KC to finish the video for Back To You.]

[Calvin Arsenia plays Bad in Bed LIVE Aug 22 – Aug 24, 8:00 PM at recordBar 1520 Grand, KCMO]

[Calvin Arsenia plays The Sextet Album Release for Among Friends, Sun, Sept 15, 7:00 PM at recordBar, 1520 Grand, KCMO]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

12. Ada Lea – “Wild Heart”
from: What We Say In Private / Saddle Creek / July 19, 2019
[Montreal, Quebec-based musician Ada Lea is also a painter and visual artist, and traces of her many creative abilities run throughout her debut album. To her, music and visual art are different vessels for communicating similar ideas. Ada Lea’s appreciation of female artists — including the writer Sylvia Plath, visual artists Frida Kahlo and Eva Hesse, and musicians Karen Dalton and Nina Simone — provides inspiration and guidance, informing her use of multiple artforms as tools for self-expression. Whether it’s creating music or art, “It’s a world that I can build around me and sit inside,” she says. Through all her work, Ada Lea explores the concept of womanhood as it feels and looks to her, as well as love and how it transforms over time. She doesn’t shy away from exploring uncomfortable and painful emotions, either. With the brightness of love, strength, and hope contrasted with the darkness of loss, suffering, isolation, and abandonment, what we say in private is a varied and vivid record that constantly seems to shift in the light, bringing together all the intricate influences she’s collected over the years.]

13. Florist – “As Alone”
from: Emily Alone / Double Double Whammy / July 26, 2019
[Florist is an American indie pop band from Brooklyn, New Yorkformed in 2013 with the release of a six-track EP titled We Have Been This Way Forever. Florist recorded another six-song EP, titled 6 days of songs, in May 2014, after lead vocalist Emily Sprague was severely injured in a hit-and-run while riding her bicycle. In October 2015, Florist released another EP titled Holdly on Double Double Whammy. Also in 2015, the band was listed on Stereogum’s “50 Best New Bands Of 2015” list. The band was also featured as one of Stereogum’s “Band To Watch” in 2015. In January 2016, Florist released their debut studio album titled The Birds Outside Sang on Double Double Whammy. The album was listed at number 34 on Noisey’s “100 Best Albums of 2016” list. Band members include: Emily Sprague, Rick Spataro, Jonnie Baker, and Felix Walworth. Sprague is an avid modular synthesizer collector and has made a number of YouTube videos showcasing her equipment. She self-released her debut solo album Water Memory, an ambient album composed with these instruments, in December 2017 with a follow-up album “Mount Vision” released in September 2018. In 2019, Beyonce used an instrumental portion of Florist track “Thank You” from their 2016 release The Birds Outside Sang in her Netflix concert movie Homecoming. Florist’s latest album, Emily Alone, was released was granted “Best New Music” by Pitchfork.]

14. Jay Som – “Super Bike”
from: Anak Ko / Polyvinyl Records / August 23, 2019
[9 song releaze and follow up to her debut. from http://www.jaysom.bandcamp.com: Everybody Works released by Polyvinyl Records on March 10, 2017 was the first proper album as Jay Som, Melina Duterte, 22, solidifies her rep as a self-made force of sonic splendor and emotional might. If last year’s aptly named Turn Into compilation showcased a fuzz-loving artist in flux—chronicling her mission to master bedroom recording—then the rising Oakland star’s latest, Everybody Works, is the LP equivalent of mission accomplished. Duterte is as DIY as ever—writing, recording, playing, and producing every sound beyond a few backing vocals—but she takes us places we never could have imagined, wedding lo-fi rock to hi-fi home orchestration, and weaving evocative autobiographical poetry into energetic punk, electrified folk, and dreamy alt-funk. And while Duterte’s early stuff found her bucking against life’s lows, Everybody Works is about turning that angst into fuel for forging ahead. “Last time I was angry at the world,” she says. “This is a note to myself: everybody’s trying their best on their own set of problems and goals. We’re all working for something.” Everybody Works was made in three furious, caffeinated weeks in October. She came home from the road, moved into a new apartment, set up her bedroom studio (with room for a bed this time) and dove in. Duterte even ditched most of her demos, writing half the LP on the spot and making lushly composed pieces like “Lipstick Stains” all the more impressive. While the guitar-grinding Jay Som we first fell in love with still reigns on shoegazey shredders like “1 Billion Dogs” and in the melodic distortions of “Take It,” we also get the sublimely spacious synth-pop beauty of “Remain,” and the luxe, proggy funk of “One More Time, Please.” Duterte’s production approach was inspired by the complexity of Tame Impala, the simplicity of Yo La Tengo, and the messiness of Pixies. “Also, I was listening to a lot of Carly Rae Jepsen to be quite honest,” she says. “Her E•MO•TION album actually inspired a lot of the sounds on Everybody Works.” There’s story in the sounds—even in the fact that Duterte’s voice is more present than before. As for the lyrics, our host leaves the meaning to us. So if we can interpret, there’s a bit about the aspirational and fleeting nature of love in the opener, and the oddity of turning your art into job on the titular track. There’s even one tune, “The Bus Song,” that seems to be written as a dialog between two kids, although it plays like vintage Broken Social Scene and likely has more to do with yearning for things out of reach. While there’s no obvious politics here, Duterte says witnessing the challenges facing women, people of color, and the queer community lit a fire. And when you reach the end of Everybody Works, “For Light,” you’ll find a mantra suitable for anyone trying, as Duterte says, “to find your peace even if it’s not perfect.” As her trusty trumpet blows, she sings: “I’ll be right on time, open blinds for light, won’t forget to climb.”]

[Jay Som plays The Granada Theatre, 1020 Massachusetts, Lawrence KS., Tuesday, October 15, at 7:00 PM with Gia Margaret, and Boy Scouts. All Ages.]

11:01 – Station ID

15. Giants Chair – “Ghost Love”
from: Prefabylon / Giants Chair / To be released later this year
[Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon” and have a third studio album the works.]

[Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.]

Giants Chair

11:04 – Interview with Scott Hobart

Singer-songwriter / guitarist Scott Hobart is a multi-talented artist. Known for his acclaimed honky-tonk country band, Rex Hobart & The Misery Boys (Bloodshot Records). Scott also works as the Coterie Theatre’s Resident Technical Director. He has also composed music and performed in the Coterie’s “Night of The Living Dead.” Scott met his friend Byron Collum at the Kansas City Art Institute in 1989. Eventually, they moved to Collum’s hometown of Green Bay, WI and formed the ‘post-hardcore power-trio’ GIANTS CHAIR in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene – sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, GIANTS CHAIR recorded 2 critically-acclaimed full-length albums and toured the U.S. twice. GIANTS CHAIR sorted ended things in 1997 but have gotten back together here and there. In 2017 the band released two new songs and are working on material for their 3rd studio album. Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

11:14

16. Giants Chair – “Kids Running”
from: Prefabylon / Giants Chair / To be released later this year
[Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon” and have a third studio album the works. ]

[Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.]

11:17 – More Interview with Scott Hobart

We are talking with Singer-songwriter / guitarist Scott Hobart is a multi-talented artist.

Scott’s Notes:

GIANTS CHAIR started in fall of 1993 when the bassist, Byron Collum and I, Scott Hobart, moved from KC to Green Bay, WI to play with drummer Paul Ackerman who Byron had gone to high school with. As this trio, we started writing and made a 7” that winter that was picked up by now-legendary mid-west indie label, CAULFIELD RECORDS of Lincoln, NE.

We made two full-length LP albums and another 7” for CAULFIELD and toured the U.S. twice – once with fellow KC indie band, BOYS LIFE – before going on “unofficial hiatus” in 1997 when we each went off to pursue other projects, including my own focus on straight-forward, hard country / honky-Tonk with Rex Hobart & The Misery Boys (Bloodshot Records).

In the last 20-plus years, we had done a handful of reunion shows and were then approached by Duane Trower with whom we had recorded the 2nd album with back in ‘96. He offered to remake that record start-to-finish now as a more-seasoned engineer with his own studio. We thought about it, and decided we’d rather try to write a new album than re-learn an old one – so we got to work in November of 2016 and finally had 10 new songs by November 2018.

We recorded the album with Duane at his new studio (WEIGHTS AND MEASURES SOUND LAB) this past winter – and here it is! It’s currently available everywhere digitally but we’re also currently working on the real, official, vinyl release as we speak.

Why this album now? At first it was kind of a “Why not? We’re still all here.” And “Can we make up some new songs that we like?” – and I feel like the music actually came pretty naturally – we’ve never talked too much about the music. We just get together and get loud. I bring some guitar parts and scratch vocal things and we see how it all falls. But I will say that, as a lyricist, it was an interesting “journey” to write and sing this kind of stuff after having now spent the last couple of decades writing very straightforward country story-songs. We can talk about that and how, ultimately, I think I found this side of me again – possibly by trying to come to terms with the uncertainty of so many things in the world and America right now.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

11:26

17. Giants Chair – “Time Lapse Shadows”
from: Prefabylon / Giants Chair / To be released later this year
[Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon” and have a third studio album the works.]

[Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.]

Fally Afani

11:31 – Interview with Fally Afani

Fally Afani is an award-winning journalist with a career spanning more than 18 years in media. She has worked extensively in radio, television, newspapers, and magazines. She has received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. Fally lives in Lawrence, Kansas, where she reports on local & touring musicians and is the editor & founder of, I Heart Local Music a comprehensive website providing info and place for music lovers in Lawrence to gather. It was started out of a deep love & appreciation for the local music scene.

Fally Afani joins us to share details about A Fundraiser For RAICES on Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, KS with Making Movies, Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford).

RAICES is a nonprofit agency that provides free and low-cost legal services to immigrant children, families, and refugees. Ticket sales will go towards providing legal aid via the Refugee and Immigrant Center for Education and Legal Services.

Fally Afani, thanks for being with us on Wednesday MidDay Medley

I Heart Local Music believes in equality and human rights, and is therefore appalled at the treatment of immigrants in the concentration camps at the border. More information at: http://www.iheartlocalmusic.com

On Friday, August 16th, the community of Lawrence, Kansas, will gather at the largest venue in Lawrence to stand in solidarity with immigrants.

I Heart Local Music, a music publication based out of Lawrence, is throwing a fundraiser on Friday, August 16th, for RAICES, a nonprofit agency that provides free and low-cost legal services to immigrant children, families, and refugees.

Sales from the tickets ($10) will go towards providing legal aid via the Refugee and Immigrant Center for Education and Legal Services. They can be purchased at Liberty Hall, 644 Massachusetts, or here.

The night will feature musical performances by: • Making Movies • Maria The Mexican • Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford)

There will also have a raffle to help benefit RAICES, with prizes donated by: KANbucha ACME Lawrence High Dive Records Eleven Productions Presents Mammoth The Granada Theater Vinland Valley Nursery

For all media inquiries, please contact:

I HEART LOCAL MUSIC Fally Afani | contact@iheartlocalmusic.com

MAKING MOVIES Ben Yonas | ben@yonasmedia.com

Last year Latinx rock’n’rollers and activists, Making Movies, partnered with RAICES to bring awareness to the family separation and detention crisis at the US border, creating a #ReuniteEveryChild T-shirt and hosting “Rally For RAICES” concerts in Chicago and New York that raised funds toward the cause. The band was last seen in Lawrence, KS, during Live on Mass alongside homegrown favorites The Get Up Kids.

In 2019 Making Movies released their third album ameri’kana and its apparent why Rolling Stone says, “this band is breaking down walls in the United States.” Collaborating with legends Los Lobos, Rubén Blades, and the late Lou Reed has NPR Music placing ameri’kana on its Best Music of 2019.

Rubén Blades joined forces with the Making Movies to release three singles on ameri’kana: No Te Calles, Cómo Perdonar (ft. Flor De Toloache) and Delilah a song co-written by Blades and Lou Reed. Grammy.com called Delilah an “epic musical collaboration brought together by the topic of immigration” and NPR Music placed “No Te Calles: on its Best Music of 2019 (so far).

The band has toured extensively, appearing with the likes of Arcade Fire, Los Lobos, Hurray For the Riff Raff, Bomba Estereo, Galactic, Jesse & Joy, Flor De Toloache, Thievery Corporation and will be joining Rubén Blades for some tour dates fall 2019.

Fally Afani, thanks for being with us on Wednesday MidDay Medley

A Fundraiser For RAICES on Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, KS with Making Movies, Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford).

11:42

18. Making Movies – “No Te Calles (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Enrique Chi plays the Kansas City Songwriter Series curated by Hermon Mehari, Thursday, August 8, at 5:00 – 7:00 PM, at The Kemper Museum of Modern Art, 4420 Warwick Blvd., KCMO.]

[Making Movies play A Fundraiser for RAICES, Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, w/ Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge & Meghan Heriford).]

19. Maria The Mexican – “Carried Away”
rom: South Of The Border Moonlight / Independent / March 11, 2016
[Follow up to their Oct. 2013 debut full length, Moon Colored Jade. Influenced by traditional Mariachi music, Maria The Mexican is a hybrid of Mexican folklore and Rock. For over ten years, Teresa and Maria Elena Cuevas have performed with Marachi Estrella founded by their grandmother Teresa Cuevas in 1970. As one of the first all female mariachi bands in the country, Maria Teresa Alonzo Cuevas is a pioneer in the Hispanic musical community. Her band flourished in the 80s but was struck by tragedy when four of the seven members were killed in the Hyatt Skywalk collapse in 1981. Once Teresa recovered she began teaching her grandchildren Mariachi music. In 2000, Teresa and Maria began exploring other genres of music while simultaneously co-directing Mariachi Estrella. Today the fusion of Maria The Mexican is mixed with a touch of blues, soul, funk, and rock n’ roll enhanced by the musical knowledge and sounds of Garrett Nordstrom]

[Maria The Mexican play A Fundraiser for RAICES, Friday, Aug 16, at Liberty Hall, 644 Massachusetts, Lawrence, w/ Making Movies, Mr. & Mrs. Dodge (Arthur Dodge & Meghan Heriford).]

11:47 – Underwriting

20. Slights – “Higher Than Stoned”
from: Flow State / Slights / November 30, 2018
[Slights is a collaboration band between Ben Parks & Matthew Dunehoo. In late January, 2017 they recorded an album at Ghost Cat Studios in San Francisco w/ Ryan Kleeman and their friend Andrew Skikne on bass. Ben Parks is also visual artist & painter as well as part of the band, Of Tree. Matthew Dunehoo is also a filmmaker & actor, and has been a member of the bands: Loose Park, Baby Teardrops, Doris Henson. On Nov, 7, we interviewed Ben Parks & Matthew Dunehoo who joined us to talk about the debut release of their new band Slights. The new 11-song album was created over the past year. Matt is the founder of Elk’s Pride Pictures, based in KCMO More information at http://www.slightsband.com]

[Slights play plays miniBar, 3810 Broadway, Monday, Aug. 12 w/ Voodoo Gearshift and Joy Subtraction]

11:55

21. Cate Le Bon – “Daylight Matters”
from: Reward / Mexican Summer / May 24, 2019
[From the upcoming 5th solo album from Cate Le Bon who was born Cate Timothy on March 4, 1983. She is a musician and producer. She sings in both English and Welsh. She has released four solo albums, three EPs and a number of singles. Le Bon has toured with artists such as St. Vincent, Perfume Genius and John Grant. In 2018, she joined John Cale on stage at The Barbican with the London Contemporary Orchestra. Le Bon was born in Penboyr, Carmarthenshire, Wales, and first gained public attention when she supported Gruff Rhys (of the Super Furry Animals) on his 2007 solo UK tour. She appeared as a guest vocalist on Neon Neon’s 2008 single “I Lust U” from their album Stainless Style. Under her original name she provided backing vocals on Richard James’s debut solo album The Seven Sleepers Den in 2006. She also appeared on his second solo album, We Went Riding, from 2010. Her first official release was a Welsh language EP, Edrych yn Llygaid Ceffyl Benthyg (“Looking in the Eyes of a Borrowed Horse”, similar to the English expression “to look a gift horse in the mouth”), on Peski Records in 2008. She also self-released the double A-side debut single “No One Can Drag Me Down” / “Disappear” (described by Gruff Rhys as “Bobbie Gentry and Nico fight over a Casio keyboard; melody wins!”) on her website. Le Bon worked alongside Gorky’s Zygotic Mynci’s Megan Childs, who contributed violin, and Super Furry Animals and Thrills collaborator John Thomas, who added pedal steel. Her debut album, Me Oh My was released in 2009, followed by Cyrk and the Cyrk II EP in 2012. In January 2013, Le Bon moved to L A to further her career in the US. Her third album, Mug Museum, was released November 2013. It was produced by Noah Georgeson and Josiah Steinbrick in Los Angeles, and featured Stephen Black (bass) & Huw Evans (guitar). She provided guest vocals on the track “Slow Train” from Kevin Morby’s debut album Harlem River. In 2015, Le Bon collaborated with Tim Presley as DRINKS and released the album Hermits on Holiday in August 2015. DRINKS released their second album Hippo Lite in April 2018. Le Bon released her fourth studio album, Crab Day, on April 15, 2016 on Drag City to generally favourable reviews. The album was produced by Josiah Steinbrick and Noah Georgeson, and again featured Stephen Black (bass) & Huw Evans (guitar), w/ Stella Mozgawa (drums). She noted how the collaboration with Presley had made her realise “that I make music because I love to, not because I have to”. On tour she was supported by Black and Evans and on occasion by Steinbrick and Josh Klinghoffer, a five-piece that also performs instrument improvisations under the name BANANA. In January 2017, Le Bon released the four-track EP Rock Pool via Drag City. It includes her version of the track “I Just Want to Be Good” featuring Perfume Genius, which she wrote for Sweet Baboo’s 2015 album The Boombox Ballads. In the same month Leaving Records released Live by BANANA, recorded live during the band’s 2016 tour and Le Bon remixed Eleanor Friedberger’s ‘Are We Good?’ In 2018, Le Bon signed with Brooklyn based record label Mexican Summer (Ariel Pink, Jessica Pratt, Connan Mockasin). Le Bon will release her fifth studio album, Reward via Mexican Summer on May 24, 2019.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM’s closing theme]

Next week on Wednesday, August 14, Marion Merritt of Records With Merritt returns as Guest Producer with musical discoveries and information from her musically encyclopedic brain. Also next week, Ivory Blue joins us live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #797

WMM Playlist from Sept. 19, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 19, 2018

Stephonne Singleton
+ Ted Riederer of Never Records

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Marc Ribot & Fay Victor – “John Brown”
from: Songs of Resistance 1942 – 2018 / Noise Inc. – Anti Record / September 14, 2018
[Written & Arranged by Marc Ribot (Knockwurst Music). Background Vocals: Rea Dubach & Lukas Rutzen, Sax: James Brandon Lewis, Trombone: Curtis Fowlkes, Bass: Tony Garnier , Percussion: Reinaldo de Jesus , Drums: Chad Taylor. With his new album Songs of Resistance 1948 – 2018, Ribot—one of the world’s most accomplished and acclaimed guitar players—set out to assemble a set of songs that spoke to this political moment with appropriate ambition, passion, and fury. The eleven songs on the record are drawn from the World War II anti-Fascist Italian partisans, the U.S. civil rights movement, and Mexican protest ballads, as well as original compositions, and feature a wide range of guest vocalists, including Tom Waits, Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, Fay Victor, Sam Amidon, and Ohene Cornelius. Ribot began working on the project at the end of 2016, responding not just to the American elections, but to the political trends he was seeing around the world. “I am alarmed by Trump and the movement he’s part of,” he says. “I’ve spent a good chunk of my life running around the world on tour—I’m kind of an accidental internationalist—and I see that he’s not an isolated phenomenon. And if we don’t deal with what is going on, it is going to deal with us.” Ribot was born in Newark,NJ in 1954. As a teen, he played guitar in garage bands while studying with his mentor, Haitian classical guitarist and composer Frantz Casseus. He moved to New York City in 1978. He was a member of the soul/punk Realtones, and John Lurie’s Lounge Lizards. Ribot also worked with Brother Jack McDuff, Wilson Pickett, Carla Thomas, Rufus Thomas, Chuck Berry, and many others. Fay Victor was born July 26, 1965. She is an American musician, composer, lyricist and educator. Originally a singer in the traditional jazz field, she has been working in jazz, blues, opera, free improvising, avant-garde, modern classical music, and occasional acting since re-settling in New York in 2003. PROCEEDS TO BENEFIT: THE INDIVISIBLE PROJECT (501c4) http://www.indivisible.org ]

3. Dirty Projectors – “Break-Thru”
from: Lamp Lit Prose / Domino Recording Co / July 13, 2018
[8th studio album from Brooklyn based band, formed in 2002. The band currently consists of primary recording artist and core member David Longstreth (vocals, guitar), alongside longtime bass guitarist Nat Baldwin, Mike Daniel Johnson (drums), Maia Friedman (guitar, keyboards, backing vocals), Felicia Douglass (percussion, keyboards, backing vocals) and Kristin Slipp (keyboards, backing vocals). Since its formation the band has released eight full-length studio albums, and has had numerous lineup changes, with major contributions from guitarist and vocalist Amber Coffman from 2006 to 2013. “If 2017’s Dirty Projectors was the band’s dark night of the soul, Lamp Lit Prose marks a vibrant rebirth. Bright, colorful, and bursting with hope, the music here splits the difference between pop instinct and avant-garde ambition, live-band rigor and super-synthetic production—think Talking Heads for the 2000s. And where lead Projector Dave Longstreth’s songs have, in the past, tended toward high concepts, here he dwells on the rush of simple things: optimism (“Right Now”), romance (“Break-Thru”), and pure, unfiltered excitement (“I Feel Energy”). It features assists from Rostam, Amber Mark, Fleet Foxes’ Robin Pecknold, and HAIM.”]

10:14 – Underwriting

4. Seasaw – “God(zilla)”
from: Big Dogs / Seasaw / September 7, 2018
[4th full-length album from Indie rock band duo from Madison, Wisconsin consisting of: Eve Wilczewski and Meg Golz who met while working in an Italian restaurant in Freeport, Illinois. They realized they had similar taste in music, and began playing together, at first as “BoboMosie,” a CocoRosie cover band and eventually composing originals as Seasaw. Seasaw’s album “Too Much Of A Good Thing” was selected as one of the top five underground albums of the month by The Nerdist in July 2016. The same month, they were named Top Emerging Artist at Wisconsin Summerfest. Their song “Into the White” was one of Daytrotter’s Best Songs of 2016.Seasaw has performed with Lucius, Thao and the Get Down Stay Down, SOAK, Lissie, Mason Jennings, Har Mar Superstar and Shakey Graves.Golz holds a degree in audio engineering from the Madison Media Institute and Wilczewski was a painting major at University of Illinois.]

[Seasaw plays The Rino at 314 Armour Rd, North Kansas City, on Saturday, September 22 at 7:00 pm, with Other Americans And Pink Royal]

5. Other Americans – “Curtis Mayfield”
from: Other Americans EP / AWAL Records / June 29, 2018
[Debut self-titled EP from Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Zachary Phillips on bass. Hailing from the musical hotbeds of KCMO, and Lawrence, KS, and comprised of members of The Architects, Latenight Callers, Radar State and Brandon Phillips and The Condition, Other Americans is a virtual Midwestern supergroup of sorts. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.” The duo enlisted drummer Adam Phillips, bassist Zachary Phillips and late keyboardist Ehren Starks, who passed away suddenly in March 2018, and began writing the material that would become the EP. The band premiered their video for lead single, “Murdering Crows,” directed by artist Adrian Halperin, via The Spill Magazine in May 2018 Superlatively catchy and conjuring up well-intentioned comparisons to Yeah Yeah Yeahs, Fiery Furnaces, and even a jauntier and more aggressive Passion Pit, the new EP captures the excitement and spontaneity that punctuates coastal indie rock while embracing elements of the electronic dance rock that populates midnight warehouse parties. “All the basic tracking [for the EP] was done at Element Recording and was mastered by Joel Nanos,” Brandon Phillips reported. “Then I took it to my spot and worked and reworked it all for a year until it sounded like something none of us had heard before.”. The band’s video for their song, “Make Me Afraid,” was directed by Todd Norris & Mitch Brian./. Illuminated with the knowledge that the journey is as important as the destination, Phillips admits to looking forward to the period of dues paying that their debut brings. “I’m looking forward to all the firsts;. first show. first record. first tour. Magical thinking could have me pining for a post-Grammys Maserati coke party by the sea, but if I’m all wrapped up in making that fantasy come true, I’ll miss the fun of being present for the firsts and the fifths and the tenths.” From there the plan becomes a bit more complicated, “ The ‘Plan” as I see it is to con some major label artist into taking us out as support, steal their identities on laundry day, have reconstructive surgery, then only tour in countries without U.S. extradition treaties,” Brandon jokes. ]

[Other Americans play Plaze Art FAir, Friday, Sept. 21, at 8:00 on Ink! Live Stage]

[Other Americans play The Rino, 314 Armour Rd, NKC, Sat, Sept 22, 7:pm, w/ Seasaw & Pink Royal]

6. Danny McGaw – “You an Me”
from: “You an Me” – Single / Miki P/ September 1, 2018
[Manchester, England born Danny McGaw was a footballer, then a street musician, then a bar music, and then a husband and father living in Lawrence, Kansas, where he released one of our favorite recordings of 2012 – “Eccles Road.” After that he formed the band, Welles The Traveler with Jason Jones, Dan Hines, Chad Brothers, and Mike West, who produced the group’s debut recording. Eventually Danny and family relocated to California. He has made 10 records in 14 years and records his songs in his home studio. Danny is back in KC this week for multiple gigs and to be part of the 87th Annual Plaza Art Fair, Sept. 21-23.]

[Danny McGaw & Friends play Mike Kelly’s Westsider, TONIGHT, Wednesday, Sept. 19]

[Danny McGaw plays recordBar, 1520 Grand Thursday, Sept. 20, at 7:00 pm with 40 Watt Dreams, Supermassive Black Holes, Shapiro Brothers, and The MGDs.]

Danny McGaw & Chad Brothers play The Spikes 10408 Wenonga Ln, Leawood. Sat. Sept. 22, 6:pm]

[Danny McGaw plays Plaza Art Fair, Sunday, Sept. 23, at 3:00 PM.]

Ted Riederer of Never Records

10:30 – Interview with Ted Reiderer

New York artist & musician Ted Riederer joins us to talk about Never Records a collaborative project exploring the potential of a record store and record label to unite, educate, and uplift a community through recorded sound. Never Records began in January 2010, in an abandoned Tower Records near Union Square in New York City. Soon the project expanded to become a mobile record-making lab with Riederer traveling from city to city, opening a vinyl record shop with recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for people who visit the store. Never Records has traveled to: Liverpool, Derry, Ireland, London, Lisbon, New Orleans, Victoria Texas, Amman Jordan, and now Kansas City. Never Records opened in KC on August 25, as part of Open Spaces Kansas City, and runs through October 28, in the Crossroads, at 1611 Oak, KCMO, Wed thru Sunday, 10:00 am to 6:00 pm. More info at: http://www.neverrecords.net.

Ted Reiderer, thanks for being with us today on Wednesday MidDay Medley.

A “one-time refugee from punk and sometime band member,” Ted Riederer has armed himself with painting supplies, electric guitars, amplifiers, old LPs, record players, drum kits, hard disk recorders, photography equipment, a vinyl record lathe, and long-stemmed roses as he’s ambled artistically from the Americas to the Antipodes. His work has been shown nationally and internationally including exhibitions at PS1, Prospect 1.5, Goff and Rosenthal Berlin, Nicole Klagsbrun Gallery, Jack Hanley Gallery (San Francisco), Marianne Boesky Gallery, Context Gallery (Derry, Ireland), David Winton Bell Gallery (Brown University), The University of South Florida Contemporary Art Museum, the Liverpool Biennial, and the Dhaka Arts Center, Bangladesh. His “Never Records” project has traveled from New York, to Liverpool, to Derry, to New Orleans, to Texas, and to London, which was sponsored by the Tate Modern.

Ted Riederer is the Founding Artistic Director of Howl! Happening: An Arturo Vega Project, non-profit gallery/performance space in the East Village. The New York Times has described Howl! Happening as, “Instrumental to the history of the area.” Howl! Happening’s thriving publishing imprint A/P/E has included essays by: Ai Wei Wei, Dan Cameron, Anthony Haden-Guest, Robert Nickas, Michelle Grabner, Michael Musto, C. Carr, Nicole Rudick, John Lyons, and James Wolcott.

Never Records is a mobile record-making lab, using recording equipment and a vinyl record lathe to cut 2, four-minute records on the spot.

New York artist and musician Ted Riederer launched Never Records in 2010 as part of a collaborative project with curators No Longer Empty in the former sales floor of Tower Records’ fabled East Village flagship store. One year later, Never Records had expanded to become a mobile record-making lab, using recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for whoever walks in the door (one copy stays behind in the fast-growing library).
Never Records opened August 25, 2018 as part of Open Spaces Kansas City, and runs through October 28th, 2018, in a storefront space in the Crossroads district of Kansas City. The space is located at 1611 Oak St., Kansas City, MO 64108.

The exhibition will be open from Wednesday – Sunday from 10am-6pm. There will be a series of workshops and special events. A calendar of events will be posted on the Never Records website http://www.neverrecords.net.

from: http://www.neverrecords.sameexhibit.com

Never Records is a combination recording studio and record shop, all operating in one building. The sole proprietor, interior decorator, and engineer is New York-based artist Ted Riederer. Inspired by his own redemptive education at a young age inside the walls of a local record store in Rockville, Maryland as well as the field recording projects of Alan Lomax, Riederer devised his unique community art installation in the early part of this century and has been replicating it with regional variations throughout the world since 2010.

Performers from a locale sign up for recording sessions ahead of time, with no auditions necessary. Riederer usually offers three hour sessions, during which he mixes on the fly and cuts vinyl right in front of the artist’s eyes once both are satisfied with a particular take. The recordings are free to the artist, the sessions are open to the public, and you can’t buy anything you see. Ted hasn’t lowered prices by cutting out the middleman. He is the middleman. He is not a vertical operation; he is an elliptical one, a constant feedback loop supplying its own demand. Still, everyone takes something home, even if it’s the barest speck of record shop camaraderie inadvertently inhaled.

Within the walls of the Never Records shop, visitors can view a gallery of photographs and artwork from previous temporary establishments in the US and UK, as well as flip through stacks of vinyl representing the hundreds of solo folk artists, punk bands, storytellers, jazz groups, and noisicians who jumped at the chance for a free recording session. Black wooden bins hold a curated selection of records from the growing collection, but these aren’t for sale or even trade.

The artist or band is allowed to take their own copy home, and another is added to Riederer’s archives, as well as a digital copy. Riederer encourages bands to use the recording any way they want. There are no fees, royalties, or ownership issues.

“I walk them through the cutting process and show them their sound waves on a microscope. I consider this interaction the real performance of Never Records. The alchemy of cutting never fails to put a smile on participants’ faces. The machine is a new one made by these crazy but wonderful dudes in southern Germany. It is called a Vinyl Recorder and while it may not be able to compete with a $50,000 Neumann cabinet lathe, I can get pure, beautiful, hiss free recordings.”

Beyond the technical aspect of recording, his main job is to maintain the right conditions inside the shop for insecurity-free performances. The right conditions go beyond the gear and the Persian rugs covering the floors. The right conditions exist separately from the poster-covered walls or the fact that the distribution chain from studio to factory to anti-commercial outlet runs about twelve feet. The right conditions include Riederer’s ability to quickly ascertain a band’s influences and capabilities and the vast cross-genre knowledge that allows him to alter his recording methods for each artist. The right conditions have everything to do with musicians in eyesight of each other, no one isolated in a booth. Everyone experimenting without worry because the meter isn’t running on dead air, eating up the credit limit.

Never Records has a slogan. It is YOU ARE NOT LISTENING. Riederer explains, “A lot of people say that certain movements just need a voice. But it doesn’t matter if you have a voice if no one is fucking listening! You can have the most articulate voice, but if no one’s listening, it’s like the voice doesn’t matter. You gotta listen. Someone has to listen, and this process I take very seriously.”

In a world where bands are judged on 30 second samples and MP3s are collected and traded like baseball cards with no thought to the hard work and personalities behind their creation, Never Records creates a physical reminder of what a virtual platform can never truly duplicate.

– Ryan Sparks, New Orleans 2013

Ted writes:

“Practically every week during my adolescence, with the regularity of a parishioner, I visited Yesterday and Today Records in Rockville, Maryland. It was there where I communed with the spirit of Punk, Ska, Mod, and Rock and Roll. It was there where I learned about politics, sex, existentialism, style, and fashion. Yesterday and Today was more like a social library, a meeting place for musicians and artists, than a retail space. Never Records is my love letter to the record store. In the ruins of the one of the great retail giants of the end of the last century, a casualty of modernity and the Great Recession, we will reclaim the spirit of music and commune amongst the wreckage.

Never Records is an ever evolving project. As it continues, I will endeavor to make al of the archive available with links contacts to all the performers and participants. A huge heartfelt thanks to my family and friends and to everyone who has made Never Records such a thriving community.”

10:40 – Samples of recent Never Records recordings here in Kansas City

7. Kelly Hunt – “Dear Sara”
Recorded by Never Records September 14, 2018
[Kelly Hunt performs her adaptation of the Sullivan Ballou Civil War love letter:. Sullivan wrote this letter to his wife one week before he was killed at the Battle of Bull Run.]

8. Kerexu – “Kerexu”

9. Shapiro Brothers – “Hot Cool”

10. SJ Downes (SJ played live in our 90.1 FM Studios)

SJ Downes and Ted Riederer on the September 19, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Ted Riederer, thanks for being with us today on Wednesday MidDay Medley.

Never Records opened in KC on August 25, as part of Open Spaces Kansas City, and runs through October 28, in the Crossroads, at 1611 Oak, KCMO, Wednesday thru Sunday, 10:00 am to 6:00 pm. More info at: http://www.neverrecords.net.

10:50

11. Lovergurl – “Rebel”
from: “Rebel” – Single / Lovergurl / September 14, 2018
[Recorded and mastered with RLT at Audibly Recording. KC based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. The trio released their EP, The President is a Sex Offender on May 19, 2017. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is 26 years old and is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from The B-52s, The Velvet Underground, and The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews is also 26. She was born and raised in Rhode Island, and moved to Kansas City in 2011 and fell in love with the city.]

[Lovergurl plays Davey’s Uptown Rambler’s Club Friday, Sept. 21, at 9:00 pm with Jupiter and the Moons, and sMallWaves.]

12. Anna Calvi – “Don’t Beat the Girl Out of My Boy”
from: Hunter / Domino Recording Co / August 31, 2018
[3rd album from London singer. Produced by Nick Launay (Nick Cave) at Konk Studios in London with some further production in LA, the album was recorded with Anna’s band – Mally Harpaz on various instruments and Alex Thomas on drums – with the addition of Adrian Utley from Portishead on keys and Martyn Casey from The Bad Seeds on bass. It has a new rawness, a primal energy into which Calvi pushes the limits of her guitar and voice beyond anything she’s recorded before. Hunter is the embodiment of the feeling of truly letting go. For the songwriter and virtuosic guitarist, it was a catharsis, an opportunity to be more truthful than ever. The first new music since 2014’s collaborative release with David Byrne, Strange Weather EP, her self-titled debut album and the 2013 follow-up One Breath, Hunter is a visceral album exploring sexuality and breaking the laws of gender conformity. A queer and a feminist record, it is galvanizing in its hunt for freedom. It was important to Calvi that it was as vulnerable as it is strong; as beautiful as it is harsh; as much about the hunted as it is about the hunter. But she’s careful not to characterize any of these traits as “masculine” or “feminine” – the whole point is that one person, of any gender, can be both. The power is in the contrast itself; in the way she oscillates between extremes, sounding freer than ever before. She wanted to express herself while being “free from the story that either gender is given, free from worrying how people would judge me on what I want to do with my body & myself. For me, that’s quite a utopian

11:00 – Station ID

13. Stephonne Singleton – “You Are Fire”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University.]

[Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org]

11:05 – Interview with Stephonne Singleton

We have the pleasure of welcoming back to the show singer, songwriter and actor, Stephonne Singleton, who shares music from his album, “Caged Bird Sings Songs About Red Beard” released July 27, 2018 by Glory Blue Music. Stephonne and producer Jamie Searle have created a sound that supports Stephonne’s wide ranging and soulful vocals, and vulnerable lyrics. Searle’s orchestrations and arrangements defy category by infusing rock, jazz, r&b, folk and neo-soul into a sound that is timeless and brand new. Stephonne’s press materials report, “It is the voyage of a red state born gay black man that turned the bitter cold and pain of love lost, love mistaken and love unreturned into a body of work that demands to be heard and never forgotten.” Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org

Stephonne Singleton, Thanks for being with us on Wednesday MidDay Medley

Stephonne released an EP of Caged Bird Sings Songs About Red Beard on April 22, 2016

Calling himself the lovechild of Prince and Billie Holiday, 31 year old singer-songwriter Stephonne Singleton received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University. He works as a musician and actor in Kansas City.

Glory Blue Music is the LLC Stephonne created to support his music, named after a band he was in.

11:15

SJ Downes, Ted Riederer and Stephonne Singleton on the September 19, 2018 edition of Wednesday MidDay Medley o KKFI 90.1 FM.

14. Stephonne Singleton – “Fine Feelin Blue”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University.]

11:19 – Interview with Stephonne Singleton

Stephonne and producer Jamie Searle have created a sound that supports Stephonne’s wide ranging and soulful vocals, and vulnerable lyrics. Searle’s orchestrations and arrangements defy category by infusing rock, jazz, r&b, folk and neo-soul into a sound that is timeless and brand new.

For more information visit: http://www.stephonne.com

Stephonne Singleton, Thanks for being with us on Wednesday MidDay Medley

Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org

11:29

SJ Downes, Ted Riederer and Stephonne Singleton on the September 19, 2018 edition of Wednesday MidDay Medley o KKFI 90.1 FM.

15. Stephonne Singleton – “How I Feel”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University.]

[Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org]

11:33 – Underwriting

16. Ivory Blue – “Midas Touch
from: Ready Get Set [EP] / Ivory Blue / June 23, 2015
[Ivory Blue started writing music at the age of 14. An Indiana native, Ivory was given up for adoption at the age of 4, into a family that later caused them to run away at the age of 15. IVORY played coffee houses and small venues before landing in Kansas City in 2010. Ivory was one of the first artists to come-out as Non Binary Transgender, and gained respect from radio, television, and international magazines. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records. The single was released this summer on June 15, 2018.]

[Ivory Blue plays Behind The Gate With Ivory Blue, Friday, September 21, at 7:00 at 11100 E Winner Rd. Independence MO. 64052 a kick off for the “Behind the Gate” patio concert series to benefit “WestiNd Connection.” private, invite / limited seating. More info at: http://www.ivorybluemusic.com]

17. Amanda Fish – “Free”
from: Free / VizzTone / September 14, 2018
[Amanda Fish began as a singer songwriter in late 2012, refining her original material as a solo act for 2 years before she formed her band in early 2014, a Roots Rock and Soul project featuring Amanda’s signature ‘from-the-gut’ vocals locked into a sturdy groove. In 2015, she released her first LP, “Down In The Dirt”, on VizzTone Label Group, for which she was awarded the 2016 “Sean Costello Rising Star” Blues Blast Music Award. Amanda and her band set Beale Street on fire in the 2017 International Blues Challenge Semi Finals, playing new material slated for her next release.]

[Lakeside Live Series presents: Amanda Fish Band, Friday, September 29, at 6:00 PM at Arcadian Moon in Higginsville, Missouri]

18. Madisen Ward and the Mama Bear – “Everybody’s Got Problems”
from: The Radio Winners / Glassnote Records / July 27, 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occasional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear play The Madrid, Monday, September 25, at 8:30 pm, opening for The Record Company]

19. Iron & Wine – “What Hurts Worse”
from: Weed Garden – EP / Sub Pop Records / August 31, 2018
[This EP collects extra Iron & Wine tracks written for 2017’s Beast Epic release. Samuel “Sam” Ervin Beam was born July 26, 1974. He is better known by his stage and recording name Iron & Wine, is an American singer-songwriter. He has released six studio albums, several EPs and singles, as well as a few download-only releases, which include a live album (a recording of his 2005 Bonnaroo performance). He occasionally tours with a full band. Beam was raised in South Carolina before moving to Virginia and then Florida to attend school. He now resides in Durham, North Carolina.[ The name Iron & Wine is taken from a dietary supplement named “Beef, Iron & Wine” that he found in a general store while shooting a film.]

[Iron & Wine play The Midland Theatre on Friday, September 21, at 7:00 PM.]

20. Shiner – “Sleep It Off”
from: Lula Divinia / Castle Face / March 11, 1997 / Reissued by Desoto in 2001
[The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7″ single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Allen Epley is in The Life and Times. Shiner’s 3rd studio album, Starless, from 2000, is now available on vinyl.]

[Shiner plays recordbar on Saturday, September 22, at 7:00 pm with The Whiffs and Bummer]

21. Todd Rundgren – “A Dream Goes On Forever”
from: Todd / Bearsville Records / February 1974
[The 5th album and 2nd double album was an expansion of Rundgren’s experimentation on his previous album, A Wizard, a True Star. It showed his growing interest in the synthesizer, and its ability to expand the textures of rock music. Much of the album is intensely experimental. However, it is not without its share of pop songs. Todd also tinkers with the synth-heavy progressive sound he would take further with his later band Utopia. First issues of this LP included a large wall poster; all the lyrics appeared on one side, while the other was Todd’s cover portrait in shades of fine print, consisting of the names of 10,000 fans who had sent in the postcard included with A Wizard, a True Star. Todd Harry Rundgren (born June 22, 1948) is an American multi-instrumentalist, singer, songwriter, and record producer who has performed a diverse range of styles as a solo artist and as a member of the band Utopia. He is characterized for his sophisticated and often-unorthodox music, flamboyant stage outfits, and his later experiments with interactive entertainment. He also produced innovative music videos, pioneered forms of multimedia, and was an early adopter and promoter of various computer technologies, such as using the Internet as a means of music distribution in the late 1990s. A native of Philadelphia, Rundgren began his professional career in the mid 1960s, forming the psychedelic band Nazz in 1967. Two years later, he left Nazz to pursue a solo career and immediately scored his first US top 40 hit with “We Gotta Get You a Woman” (1970). His best-known songs include “Hello It’s Me” and “I Saw the Light” from Something/Anything? (1972), which have heavy rotation on classic rock radio stations, and the 1983 single “Bang the Drum All Day”, which is featured in many sports arenas, commercials and movie trailers. Although lesser known, “Couldn’t I Just Tell You” (1972) was influential to many artists in the power pop genre. His 1973 album A Wizard, a True Star remains an influence on later generations of “bedroom” musicians. Rundgren organized the first interactive television concert in 1978, designed the first color graphics tablet in 1980, and created the first interactive album, No World Order, in 1994. Additionally, he was one of the first acts to be prominent both as an artist and as a producer. His notable production credits include Badfinger’s Straight Up (1971), Grand Funk Railroad’s We’re an American Band (1973), the New York Dolls’ New York Dolls (1973), Meat Loaf’s Bat Out of Hell (1977) and XTC’s Skylarking (1986).]

[Todd Rundgren plays the Crossroads KC on Saturday, September 22, at 8:00 PM.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday September 26, we’ll play more New & Local Releases. Plus Nathan Bowman and members of the Kansas City Public Theatre joins us in the studio.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #752

WMM Playlist from July 15, 2015

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 15, 2015

Rev Gusto + BUMMER

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dusty Rust – “Happy Father’s Day”
from: Kansas City Cowboy / Little Class Records / July 14, 2015
[Labeled “Neo Honky Tonk.” 2nd album from Portland, Oregon transplant. Since moving to Kansas City, Dusty Rust has played Middle of The Map Fest, The Westport Roots Festival, multiple live shows, while also writing, recording and mixing, a new full length album. Dusty also hosts the weekly Dusty Rust’s Honky Tonk Jam at The Westport Saloon, each Thursday.

[Dusty Rust plays a CD Release show at The Westport Saloon, Saturday, July 18.]

10:05

3. KVÖL – “Nothing To Say”
from: KVÖL EP / Independent / July 12, 2014
[Debut EP from the experimental goth post-punk band from Reykjavik, Iceland.]

[Kvöl play Records with Merritt, this Saturday, July 18, at 8:00 pm, with estates (from Millwaukee, Wisconsin), Churchkey (from Chicago), and KC’s Jorge Arana Trio, and Redder Moon.]

4. SOAK – “Sea Creatures”
from: Before We Forgot How To Dream / Rough Trade Records / May 29, 2015
[Debut recording from Bridie Monds-Watson, aka SOAK, an Irish singer-songwriter born in Derry, Northern Ireland, in 1997.]

10:15

5. LaBelle – “You’ve Got A Friend”
from: LaBelle / Warner Bros. / September 8, 1971
[Debut album from the funk/soul trio of: Patti LaBelle, Nona Hendryx and Sarah Dash, formerly of the four-girl group known as Patti LaBelle & The Bluebelles.]

[Patti LaBelle plays at Kauffman Center for The Performing Arts, Friday, July 17.]

6. enebade – “Happy Robots”
from: Enebade – EP / Independent / May 2, 2015
[Enebade is a studio project by Joshua Wiedenfeld and Beckie Trost. Recorded, mixed, and produced by Joshua Wiedenfeld, Beckie Trost, and Joel Nanos. Enebade was founded by Joshua Wiedenfeld. It is a collection of songs written over a span of over 5 years. This is the first installment of a series of EP’s to come. It was made possible through collaboration of many studio artist, and one of the most supportive music scenes in the United States. Special thanks to Joel Nanos (Element Studios) Beckie Trost (Soft Reeds) Adam McGill, Ben Grimes (Soft Reeds) Dave Gaume (Local Natives, Failure.]

7. Madisen Ward & the Mama Bear – “Daisy Jane”
from: Skeleton Crew / Glassnote Entertainment Group / May 19, 2015
[Singer songwriter, Madisen Ward graduated from William Chrisman High School in Independence, Missouri in 2007. He plays live and records with his mother, Ruth Ward, who has been playing guitar and singing for over 309 years. The duo both play guitar, with Mama Bear harmonizing with her son. Their debut EP was recorded in Kansas City’s Element Recording by Joel Nanos. Wednesday MidDay Medley was the first radio show to play Madisen Ward and the Mama Bear. They have played live on our show in 2013 and 2014, and were featured in 90.1 FM’s Tribute to Pete Seeger at Unity Temple, and The Crossroads Music Fest. They played the Americana Music Fest in Nashville, in the fall of 2014, where the national music press fell in love with their music. They were signed to Glassnote Records and after spending several months recording their new album in Nashville, they made their network television debut, Feb. 11, 2015 on The Late Show With David Letterman. They have embarked on huge tours, both in Europe and accross the United States. They played Bonaroo where they met Robert Plant. At one point during their tour the opened for the Pixies.]

[Madisen Ward and the Mama Bear will do a “Meet and Greet” at the Barnes & Noble in Independence, tomorrow, Thursday, July 16, at 7:00 pm. Madisen Ward and the Mama Bear play The Midland Theatre, August 20, with Luluc.]

10:30 – Underwriting

10:32 – Interview with members of Rev Gusto: Shaun Crowley and Quinn Hernandez

8. Rev Gusto – “Shoot The Messenger”
from: Burnt Out Friends / High Dive Records / July 28, 2015
[1st single from debut full length album, to be released on vinyl. Jerry Frederick on Vocals & Guitar, Sam Frederick on bass, Shaun Crowley on lead guitar and keys; Peter Beatty on guitar & back-up vocals; Quinn Hernandez on drums.]

[Rev Gusto play the Replay Lounge, in Lawrence, Fri, July 17 w/ Other Colors, & CS Luxem]
[Rev Gusto play Harlings Saturday, July 25 with Toughies, and Dream Girl]
[Rev Gusto play Mills Record Co. Aug 15, with Scruffy & The Janitors]

10:35

Rev Gusto, is a Kansas City based, 5-piece garage pop band made up of: Jerry Frederick on vocals & guitar, Shaun Crowley on guitar & trumpet, Sam Frederick on bass and vocals, Peter Beatty on guitar & keyboard, and Quinn Hernandez on drums. Their songs are written by lead singer Jerry Frederick who studied songwriting techniques in England with the Kinks’ Ray Davies. In May 2014 the band was signed to High Dive Records. Their debut full length release, “Burnt Out Friends” was recorded at Element Recording with Joel Nanos, and will be released, July 28, 2015.

Shaun Crowley and Quinn Hernandez joined us to talk.The band has been making music for 5 years now. Last week they hosted a house concert / festival at the Shawnee Manor where all of the band have lived together. Manor Fest featured 12 bands.

Rev Gusto have opened and shared the stage with: Matt & Kim, The Mowgli’s, and The Colourists. Rev Gusto played Sony and Midcoast Takeover showcases at SXSW in 2014.

Jerry Frederick graduated from St. James Academy in Lenexa in 2010, started Rev Gusto in 2010 with brother, Sam, who plays bass, and drummer Quinn Hernandez, a fellow St. James alum. The band regrouped in early 2012, with a different lineup. They added two more St. James alums: Shaun Crowley and Peter Beatty, who play guitar, keyboards and the occasional trumpet.

On the band’s name, Rev Gusto Jerry Frederick explained in an interview, “I used to know a priest who used to encourage people to sing with ‘reverent gusto.’ Eventually it got shortened to ‘rev,’”

The band released a self-titled EP in November 2012

In April of 2014 Rev Gusto put out their first physical release, a 7’ inch single, as part of The Too Much Rock Single Series.

Too Much Rock is a music blog site created by Sid Sowder in 1997, as a place where he could document his life as it relates to music. Sid posts his photos and videos and comments of the live music shows he attends. The site is not created as a for profit venture.

The Too Much Rock Single Series is a collection of 45 RPM singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song pared with one cover chosen by Too Much Rock. 500 limited edition copies are pressed and given to the band, to sell as merchandise at shows and at local record stores.

Rev Gusto were nominated for a 2014 Pitch Music Award for Best Pop/Rock Band

In 2014 Rev Gusto was signed to High Dive Records, the label of: Ghosty, The ACB’s, Fourth of July, Shy Boys, The Gog, Arc Flash, Bummer, and others.

10:43

9. Rev Gusto – “Surf City – Mind In A Cage”
from: Burnt Out Friends / High Dive Records / July 28, 2015
[Debut full length album, released on vinyl. Jerry Frederick on Vocals & Guitar, Sam Frederick on bass, Shaun Crowley on lead guitar and keys; Peter Beatty on guitar & back-up vocals; Quinn Hernandez on drums.]

Full disclosure. Mark first met Rev Gusto at the Youth Volunteer Corps 4th Annual KC Metro Youth Battle of the Bands on March 27, 2010. Jerry, Sam and Quinn were in the band with, at that time, Mitch Hecht and Taylor Mc Henry. All of the members of Rev Gusto were in high school at the time. There were 13 bands in the competition. Mark was a judge with Skid Roadie from the 101 The Fox. Rev Gusto won first place! Mark invited Rev Gusto to opportunity to play on the radio. The band came on as guests of Wednesday MidDay Medley later that summer and played live on the show.

There have been a lot of comparisons of Rev Gusto’s sound to that of the sounds of mid to late sixties British invasion bands, including The Kinks. In a Sept. 4, 2013 Interview for Ink KC, Jerry Frederick told music writer Tim Finn, “Ray Davies does this songwriting class every couple of years over in England,” he said “He picks 12 people from all over the world, and for two weeks he teaches you about songwriting. I’m a big Kinks fan, so I entered some of my songs and got accepted.” “He was really encouraging,” Frederick said. “He said he really liked my songs and told me to keep working at it. So I was like, ‘OK, if you say so, Ray Davies.’”

Jerry Frederick also told music writer Tim Finn, “Instead of going out on weekends, I like to sit in my room and listen to all kinds of music,” he said. “I really like that era of music, sunshine pop and old soul.” He was also influenced, he said, by a grandmother who wrote musicals, performed on Broadway and toured Europe. “She loved Cole Porter, so I heard a lot of that growing up, too,” he said.

Rev Gusto play Replay Lounge, in Lawrence, Fri, July 17 w/ Other Colors, & CS Luxem

Rev Gusto plays Harlings Saturday, July 25 with Toughies, and Dream Girl

Rev Gusto play Mills Record Co. Aug 15, with Scruffy & The Janitors

10:57

10. Rev Gusto – “Suburb of Hoboken”
from: Burnt Out Friends / High Dive Records / July 28, 2015
[Debut full length album, released on vinyl. Jerry Frederick on Vocals & Guitar, Sam Frederick on bass, Shaun Crowley on lead guitar and keys; Peter Beatty on guitar & back-up vocals; Quinn Hernandez on drums.]

11:00 – Station ID

11. Jamaican Queens – “You Can Fall in Love With Anyone”
from: Downers / Magic Death Sounds / June 17, 2015
[2nd full length release from Detroit trop-goth, 4-piece band signed to Philadelphia label. The band includes: Ryan Clancy, Adam Pressley, Ryan Spencer, Charles Trees, currently on a big US Tour thru July & August.]

[Jamaican Queens play FOKL, 556 Central, KCK, Sat, July 18, with Organized Crimes and Rhunes.]

12. Horace GRANT – “Creeps Pretending Not To Be Creeps”
from: Only Our Cats Would Notice / Independent / July 8, 2015
[Chicago based duo. LB on drums & voice, GIB on guitar, bass, and voice. LB Briggs is also a visual artist amazing zines have been gathered into 2 compilations: It’s Alright: A Truckstop Anthology, Volume 1 and 2. available on AMAZON. More info at http://Horacegrant.bandcamp.com%5D

[Horace Grant play FOKL, 556 Central, KCK, Friday, July 17, at 9:00 pm, with Nervosas, Polish Gifts, The Nature Boys, and Red Kate.]

13. Polish Gifts – “we can’t stand still”
from: there is nothing good left to steal / Independent / July 8, 2015
[The Chicago 3-piece band’s 2nd album, originally released on cassette two years ago, now available for digital download.]

[Polish Gifts play FOKL, 556 Central, KCK, Friday, July 17, at 9:00 pm, with Nervosas, Horace Grant, The Nature Boys, and Red Kate.]

14. Be / Non – “A Mountain of Yeses”
from: A Mountain of Yeses / Unipegadong / 2009
[Released on vinyl May 15. Features Brodie Rush – VOX, GUITAR, SYNTH, Ben Ruth – BASS, VOX, SYNTH, Jeremiah James – GUITAR, VOX, PERCUSSION, SYNTH, Ryan Shank – DRUMS, IPOD, SEX APPEAL, “yeahs” and “bom-bom-boms” ]

[Be/Non plays The late Show at Daveys Uptown Rambler’s Club, Saturday, July 18, with The Lucky Graves, and Bone Spur, for The Pit M.O.S.H. Benefit.]

[Be/Non also plays the Haymaker Records, Summer Showcase Party, Friday, July 24, at 9:00 pm, at recordBar, 1020 Westport Rd. with Riala, HMPH, Schwervon!, and Jorge Arana Trio.]

11:15

15. Bummer – “Dude Baby”
from: Spank / High Dive Records / July 14, 2015
[Neanderthal music from Olathe Kansas. Bummer is Matt Perrin, vocals and guitar, Mike Gustafson bass and Sam Hutchinson, drums. Recorded at Westend Recording Studios by Justin Mantooth, who also mixed and co-produced the recordings with the band.]

[Bummer plays a series of record release shows Thursday, July 16, at recordBar, w/ Sharp Weapons; Sat, July 18, Love Garden, in Lawrence, w/ Gnarly Davidson; and Aug 8 at Mills Record Company.]

11:18 – Interview with Matt Perrin, Mike Gustafson, and Sam Hutchinson of Bummer

Bummer on Wednesday MidDay Medley

Bummer on Wednesday MidDay Medley

Bummer is a 3-piece band is made up of: Matt Perrin on vocals & guitar; Mike Gustafson on bass; and Sam Hutchinson on drums. The band is based in Kansas City and members grew up in Olathe, KS. Bummer likes loud rock n’ roll music and that is how they play. Formed in July 2012, Bummer has previously released two EP’s: “Young Ben Franklin” and “Milk.” Their new release, “Spank” was recorded at Westend Recording Studios by Justin Mantooth, who also mixed and co-produced the recordings with the band. “Spank” is being released digitally and on cassette, and also 10″ vinyl from High Dive Records.

Bummer plays a series of record release shows: Thursday, July 16, at recordBar, with Sharp Weapons. Saturday, July 18, Love Garden, in Lawrence, with Gnarly Davidson, and
August 8 at Mills Record Company w/ CHASM. Bummer also plays The Riot Room, July 24, with Coliseum, and Valkyrie.

Bummer’s influences are in hard rock. Heavy. Raw.

We like to keep it primitive,” guitarist/singer Matt Perrin told The Pitch. “It’s all 4/4 (time), sometimes 3/4, maybe some 7/4. But it’s all boneheaded.”

“Spank” was recorded at Westend Recording Studios by Justin Mantooth, who also mixed and co-produced the recordings with the band.

Jeff McCoy signed the band to High Dive Records

“Spank” is being released digitally and on cassette, and 10″ vinyl from High Dive Records.

Bummer has had a couple years, releasing two EPs, In 2014 the band opened for Yuck at The Riot Room, recorded their own version of Gary Numan’s “Cars” playing Middle of The Map Fest and The Center of The City Fest, playing Record Store Day at Mills Record Company, as well as in stores and touring.

Origins of Bummer: The trio of Perrin, bassist Mike Gustafson and drummer Thomas Williams first came together under the name Vestibule. When Williams left the band in summer 2012, Gustafson and Perrin found another drummer, Sam Hunter, and changed the band’s name to Bummer. In April, they released “Young Ben Franklin,” a three-song EP. In July, Hunter left the band and Williams rejoined it. In October, 2012 they released “Milk,” a four-song EP. These were only averrable on digital download. In 2014 the released Milk EP on CD.

Members of Bummer told Tim Finn in an Ink Magazine article from February 18, 2014, about their influences. Mike Gustafson, 21, likes Queens of the Stone Age. “I love stuff that’s heavy & dark,” he said. “I like pop-song structures, stuff that gets stuck in your head. But it has to be heavy.” Matt Perrin, 19, admits he had a Nirvana/Kurt Cobain dependency as a young teen but has since moved on to bands like the Melvins, Unsane, Young Widows and Pissed Jeans. “Those were all turning points,” he said. “It’s all really raw, aggressive stuff.”

11:28

16. Bummer – “Dorm Water”
from: Spank / High Dive Records / July 14, 2015
[Neanderthal music from Olathe Kansas. Bummer is Matt Perrin, vocals and guitar, Mike Gustafson bass and Sam Hutchinson, drums. Recorded at Westend Recording Studios by Justin Mantooth, who also mixed and co-produced the recordings with the band. ]

Bummer plays a series of record release shows:
Thursday, July 16, at recordBar, with Sharp Weapons.
Saturday, July 18, Love Garden, in Lawrence, with Gnarls Davidson, and
August 8, at Mills Record Company w/ CHASM.

Bummer also plays The Riot Room, July 24, with Coliseum, and Valkyrie.

More info at https://bummerkc.bandcamp.com

11:40

17. Bummer – “Double Stairway to Heaven”
from: Spank / High Dive Records / July 14, 2015
[Neanderthal music from Olathe Kansas. Bummer is Matt Perrin, vocals and guitar, Mike Gustafson bass and Sam Hutchinson, drums. Recorded at Westend Recording Studios by Justin Mantooth, who also mixed and co-produced the recordings with the band. ]

11:43 – Underwriting

11:45

18. estates – “Looking”
from: It’s Great to Be Alone / Flannel Gurl Records / May 26, 2015
[Milwaukee, Wisconsin trio, formed in 2012, with Mike Carini on guitar & voice, Charlie Markowiak on bass & voice, and Matt Tomashek on drums/ & voice.]

[estates play Records with Merritt, this Saturday, July 18, at 8:00 pm, with Kvöl (from Iceland), Churchkey (from Chicago), and KC’s Jorge Arana Trio, and Redder Moon.]

19. Shiner – “Sleep It Off”
from: Lula Divinia / Castle Face / March 11, 1997 / Reissued by Desoto in 2001
[The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7″ single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Allen Epley is in The Life and Times.]

[Shiner’s 3rd studio album, Starless, from 2000, is now available on vinyl. Shiner is on a 4-city tour playong Austin, Texas, tonight, recordBar, Friday, July 17 with The String & Return, and then on to Minneapolis and Chicago.]

10:56

20. Christian Hankel – “Sun Up Sun Down”
from: Silver: Music From The Noir Ballet / July 17, 2015 / Money Wolf Music
[Shay Estes on vocals, Desmond Mason on keys, Johnny Hamil on upright bass, Timm Gillespie on tenor sax, Rich Wheeler on tenor sax, Brenna Hayes on bari sax, Kyle Dahlquist on trombone, Jerod Rivers on drums and percussion. Additional keys from Richard Walker, and additional drums from Terre Norton. Written and arranged by Christian Hankel. Produced by Christian Hankel and Jerod Rivers. Engineered and mixed by Jerod Rivers at Sangha Studios, KCMO, Mastered by Patrick Meagher at Fuzz Bomb, KCMO.]

[“Silver: A Noir Ballet,” features an 8-piece jazz ensemble playing 11 original compositions, with score and libretto by Christian Hankel, directed by Tara Varney, with choreography by Evan Lovelace, July 17 through 25, at the H&R Bloch City Stage in Union Station, as part of the 2015 KC Fringe Fest. More info at: http://www.silveranoirballet.com or http://www.kcfringe.org]

11:59:30

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on July 22, Brenton Cook joins us to share music and information about Haymaker Records, Summer Showcase Party, Friday, July 24, at 9:00 pm, at recordBar, 1020 Westport Rd. with Riala, HMPH, Be/Non, Schwervon!, and Jorge Arana Trio, We’ll also welcome the band The Matchsellers, who will play live in our studios. Plus our friend Jamie Rich joins us to talk about a film showing at The Tivoli Theatre.

Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #586