WMM Playlist from August 7, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 7, 2019

New & MidCoastal Releases + Giants Chair
+ Fally Afani & RAICES Benefit

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s opening theme]

2. Mavis Staples – “Change”
from: We Get By / Anti / May 10, 2019
[14th studio solo album from rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

3. Making Movies – “Delilah (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

Enrique Chi

[Enrique Chi plays the Kansas City Songwriter Series curated by Hermon Mehari, Thursday, August 8, at 5:00 – 7:00 PM, at The Kemper Museum of Modern Art, 4420 Warwick Blvd., KCMO.]

[Making Movies play A Fundraiser For RAICES on Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, KS with Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford).]

4. The Philistines – “Further”
from: Further – Single / The Philistines / March 15, 2019
[New music from The Philistines, that will be part of the upcoming album Dysnomia. Produced and engineered by paul Malinowski at Massive Sound Studios. The Philistines are a Kansas City based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Rod Peal on guitar; Josh Mobley on keyboard, Steve Gardels on drums, and Barry Kidd on bass.]

[The Philistines play The Bottleneck, 737 New Hampshire St, Lawrence, KS., Wednesday, August 7, at 8:00 PM, with You Bred Raptors?, and HMPH!]

5. Berwanger – “Friday Night”
from: Watching A Garden Die / Wiretap Records / June 28, 2019
[4th full length album from Berwanger the band fronted by rock & roll singer songwriter Josh Berwanger. Josh Berwanger was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released Dtrange Stains in April 2014, the EP Demonios November 11, 2016, Exorcism Rock in October 2017, and The Star Invaders October 2017. Josh Berwanger also plays in the band Radar State.]

[Berwanger plays recordBar, 1520 Grand, Sat, Aug 10, 8:PM, w/ Beau Jennings & The Tigers, Blue False Indigo]

6. Ivy Roots – “Appreciate (feat. Eddie Moore)”
from: Love Art Growth – EP / Ivy Roots Music / June 5, 2019
[New EP release from natie KC singer songwriter, who plays piano & guitar, and produces beats. This is a follow up to her 2016 full-length debut “Bad Intuition” released April 14, 2016. Ivy Roots has a style that ranges from R & B, Neo Soul, Hip Hop, Acoustic, & Pop. She has performed at Lincoln Center in NYC, Crossroads Music Fest, and with film & performance. Written & produced by Ivy. Info: http://www.itsjustivy.com]

[Ivy Roots plays miniBar, 3810 Broadway, KCMO, Tonight, Aug. 7, at 9:00 PM w/ Sister Ivy, Ant Lab]

[Ivy Roots plays Art Class Jam, an all ages benefit concert/exhibition at Just Off Broadway Theatre, 3051 Central Street, Tomorrow, Thurs, Aug. 8, at 7:00 PM w/ Khrystal., Mae C, Jooby Truth, presented by Tribe U, Shuttlecock Music Magazine and Just Off Broadway Theatre to raise funds to send as many local young adults and teens as possible to see 30 Americans at the Nelson-Atkins Museum of Art.]

7. NuBlvckCity – “Alive”
from: All Night / Alive – Single / NuBlvckCity / July 12, 2019
[NuBlvckCity is a KC-based music collective with Kartez Marcel (Addison), a native of Kansas City, Missouri, a Hip-Hop artist, and community program developer, sound engineer, entrepreneur, recording artist, musician, and songwriter. He provides resources to artists and assists with bringing their artistic visions to life, he also serves as the Director of A/V at a large faith-based organization. With Royce “Sauce” Handy he founded We Are Rap a hip hop program for youth. VP3 (Vernon Percy Howard III) is a Music Producer, Songwriter, Singer, Pianist, & Saxophonist. He recently graduated from the University of Central Missouri where he studied digital media production. Mae C is a singer/songwriter who’s one of KC’s go-to voices and performer’s. Mae C is a KC based singer songwriter who we’ve played several times on the show. Her single “Anxious” was preceded by her EP, Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an artist in the KC music scene. Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur.]

[Mae C plays Art Class Jam, an all ages benefit concert/exhibition at Just Off Broadway Theatre, 3051 Central Street, Tomorrow, Thursday, Aug. 8, at 7:00 PM w/ Khrystal., Ivy Roots, Jooby Truth, presented by Tribe U, Shuttlecock Music Magazine and Just Off Broadway Theatre to raise funds to send as many local young adults and teens as possible to see 30 Americans at the Nelson-Atkins Museum of Art.]

8. Khrystal. – “Alchemist (featuring Duncan Burnett)”
from: The Awkward Muva / Khrystal. / July 13, 2018
[Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. You can hear her debut album at; http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017.]

[Khyrstal. plays Art Class Jam, an all ages benefit concert/exhibition at Just Off Broadway Theatre, 3051 Central Street, Tomorrow, Thursday, Aug. 8, at 7:00 PM w/ Ivy Roots, Mae C, Jooby Truth, presented by Tribe U, Shuttlecock Music Magazine and Just Off Broadway Theatre to raise funds to send as many local young adults and teens as possible to see 30 Americans at the Nelson-Atkins Museum of Art.]

10:31 – Underwriting

9. The Creighton Organization featuring: Jimmy Dykes – “Goin To New Orleans”
from: I Heard It On 18th Street II: No Foolin’ We Schoolin’ / (David Ford) / 2009
[The Creighton Organization is a Jazz band from Kansas City, Missouri with Dave Creighton on keys]

[The Creighton Organization plays The Ship, 1217 Union, KCMO – TONIGHT, Aug. 7, at 8:00 PM]

Short Round Stringband

10. Short Round Stringband – “Shine Hallelujah Shine”
from: Ain’t No Part of Nuthin’ / Short Round Stringband / July 19, 2019
[Debut album from the pan-Missouri band with a refreshing approach to old time music: Short Round Stringband is the coming together of two musical couples and a bassist with Kansas roots. The band members are Kelly Wells and Ryan Spearman (The Aching Hearts, St. Louis), Betse Ellis and Clarke Wyatt (Betse & Clarke, Kansas City), and Chris DeVictor (Konza Swamp and more). With deep connections to old-time, country and Ozark tunes and songs, Short Round Stringband takes you on a moving journey through the sounds and stories of the American experience. Their hard driving fiddle tunes will get you out of your seat. Their vocal duets will bring a tear to your eye, and their original songs and inventive new compositions showcase a passion for the depth of tradition and a look to new creative paths. And in between all of that, you’ll laugh at their madcap humor.]

[Short Round Stringband play The Westport Saloon, 4112 Pennsylvania Ave, KCMO, Sunday, August 11, at 7:00 PM, with The Tillers, and Lauren Morrow]

[Short Round Stringband play Olathe Public Library, 201 E Park, Olathe, KS., Tues, Aug. 13, at 7 PM]

11. Calvin Arsenia – “Back To You”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[1st single from L.A. Sessions to be released August 16. Produced by Tony Braunagel (he also delivers exquisite percussion on LA Sessions) with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names, including Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers From Center Cut Record Press Release: “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” He believes the immediacy of the LA Sessions, and having the instrumentation all happening in the “same emotional space together as a band,” powerfully served the intimacy of the album, particularly on the reflective “Back To You.” “It’s one of the most vulnerable songs on the album, and it always plays that way in my live set, and the guys were able to help me capture that,” he says. “The song is a very heartfelt admission of guilt, I think. But it’s done in a way people usually don’t want to talk about. Breakup songs are usually angry and lashing out and this is a very sober-minded take on it. It’s not something we usually want to admit, surrendering or admitting defeat in a relationship, because everyone thinks you’re always going to make it through, and this is saying ‘no we didn’t…but it’s OK.’” Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Most recently, Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.” On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. Calvin released Honeydew on June 28, an EP including a remix of three of the songs from Cantaloupe. Patrick Sprehe of Center Cut Records tells us that Calvin has been in California and the West Coast for much the past month. Calvin attended the Pride Parade in San Francisca and had a successful show at Hotel Utah. Center Cut reunited the musicians fromLA Sessions for a big show at The Mint in Los Angeles, Starline Social Club in Oakland, and a couple of events in Healdsburg. Calvin also played Oregon Country Fair with Quixotic and as a solo artist. alvin also played SoFar Sounds/xFinity radio show at the Tonga Room in San Francisco and is attending the first Billboard Pride Summit in LA on Thursday. Then he is off to Boulder for a couple of nights before returning to KC to finish the video for Back To You.]

[Calvin Arsenia plays Bad in Bed LIVE Aug 22 – Aug 24, 8:00 PM at recordBar 1520 Grand, KCMO]

[Calvin Arsenia plays The Sextet Album Release for Among Friends, Sun, Sept 15, 7:00 PM at recordBar, 1520 Grand, KCMO]

[Calvin Arsenia plays The LA Sessions EP Release, Sept 19, 8:PM at recordBar, 1520 Grand, KCMO]

12. Ada Lea – “Wild Heart”
from: What We Say In Private / Saddle Creek / July 19, 2019
[Montreal, Quebec-based musician Ada Lea is also a painter and visual artist, and traces of her many creative abilities run throughout her debut album. To her, music and visual art are different vessels for communicating similar ideas. Ada Lea’s appreciation of female artists — including the writer Sylvia Plath, visual artists Frida Kahlo and Eva Hesse, and musicians Karen Dalton and Nina Simone — provides inspiration and guidance, informing her use of multiple artforms as tools for self-expression. Whether it’s creating music or art, “It’s a world that I can build around me and sit inside,” she says. Through all her work, Ada Lea explores the concept of womanhood as it feels and looks to her, as well as love and how it transforms over time. She doesn’t shy away from exploring uncomfortable and painful emotions, either. With the brightness of love, strength, and hope contrasted with the darkness of loss, suffering, isolation, and abandonment, what we say in private is a varied and vivid record that constantly seems to shift in the light, bringing together all the intricate influences she’s collected over the years.]

13. Florist – “As Alone”
from: Emily Alone / Double Double Whammy / July 26, 2019
[Florist is an American indie pop band from Brooklyn, New Yorkformed in 2013 with the release of a six-track EP titled We Have Been This Way Forever. Florist recorded another six-song EP, titled 6 days of songs, in May 2014, after lead vocalist Emily Sprague was severely injured in a hit-and-run while riding her bicycle. In October 2015, Florist released another EP titled Holdly on Double Double Whammy. Also in 2015, the band was listed on Stereogum’s “50 Best New Bands Of 2015” list. The band was also featured as one of Stereogum’s “Band To Watch” in 2015. In January 2016, Florist released their debut studio album titled The Birds Outside Sang on Double Double Whammy. The album was listed at number 34 on Noisey’s “100 Best Albums of 2016” list. Band members include: Emily Sprague, Rick Spataro, Jonnie Baker, and Felix Walworth. Sprague is an avid modular synthesizer collector and has made a number of YouTube videos showcasing her equipment. She self-released her debut solo album Water Memory, an ambient album composed with these instruments, in December 2017 with a follow-up album “Mount Vision” released in September 2018. In 2019, Beyonce used an instrumental portion of Florist track “Thank You” from their 2016 release The Birds Outside Sang in her Netflix concert movie Homecoming. Florist’s latest album, Emily Alone, was released was granted “Best New Music” by Pitchfork.]

14. Jay Som – “Super Bike”
from: Anak Ko / Polyvinyl Records / August 23, 2019
[9 song releaze and follow up to her debut. from http://www.jaysom.bandcamp.com: Everybody Works released by Polyvinyl Records on March 10, 2017 was the first proper album as Jay Som, Melina Duterte, 22, solidifies her rep as a self-made force of sonic splendor and emotional might. If last year’s aptly named Turn Into compilation showcased a fuzz-loving artist in flux—chronicling her mission to master bedroom recording—then the rising Oakland star’s latest, Everybody Works, is the LP equivalent of mission accomplished. Duterte is as DIY as ever—writing, recording, playing, and producing every sound beyond a few backing vocals—but she takes us places we never could have imagined, wedding lo-fi rock to hi-fi home orchestration, and weaving evocative autobiographical poetry into energetic punk, electrified folk, and dreamy alt-funk. And while Duterte’s early stuff found her bucking against life’s lows, Everybody Works is about turning that angst into fuel for forging ahead. “Last time I was angry at the world,” she says. “This is a note to myself: everybody’s trying their best on their own set of problems and goals. We’re all working for something.” Everybody Works was made in three furious, caffeinated weeks in October. She came home from the road, moved into a new apartment, set up her bedroom studio (with room for a bed this time) and dove in. Duterte even ditched most of her demos, writing half the LP on the spot and making lushly composed pieces like “Lipstick Stains” all the more impressive. While the guitar-grinding Jay Som we first fell in love with still reigns on shoegazey shredders like “1 Billion Dogs” and in the melodic distortions of “Take It,” we also get the sublimely spacious synth-pop beauty of “Remain,” and the luxe, proggy funk of “One More Time, Please.” Duterte’s production approach was inspired by the complexity of Tame Impala, the simplicity of Yo La Tengo, and the messiness of Pixies. “Also, I was listening to a lot of Carly Rae Jepsen to be quite honest,” she says. “Her E•MO•TION album actually inspired a lot of the sounds on Everybody Works.” There’s story in the sounds—even in the fact that Duterte’s voice is more present than before. As for the lyrics, our host leaves the meaning to us. So if we can interpret, there’s a bit about the aspirational and fleeting nature of love in the opener, and the oddity of turning your art into job on the titular track. There’s even one tune, “The Bus Song,” that seems to be written as a dialog between two kids, although it plays like vintage Broken Social Scene and likely has more to do with yearning for things out of reach. While there’s no obvious politics here, Duterte says witnessing the challenges facing women, people of color, and the queer community lit a fire. And when you reach the end of Everybody Works, “For Light,” you’ll find a mantra suitable for anyone trying, as Duterte says, “to find your peace even if it’s not perfect.” As her trusty trumpet blows, she sings: “I’ll be right on time, open blinds for light, won’t forget to climb.”]

[Jay Som plays The Granada Theatre, 1020 Massachusetts, Lawrence KS., Tuesday, October 15, at 7:00 PM with Gia Margaret, and Boy Scouts. All Ages.]

11:01 – Station ID

15. Giants Chair – “Ghost Love”
from: Prefabylon / Giants Chair / To be released later this year
[Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon” and have a third studio album the works.]

[Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.]

Giants Chair

11:04 – Interview with Scott Hobart

Singer-songwriter / guitarist Scott Hobart is a multi-talented artist. Known for his acclaimed honky-tonk country band, Rex Hobart & The Misery Boys (Bloodshot Records). Scott also works as the Coterie Theatre’s Resident Technical Director. He has also composed music and performed in the Coterie’s “Night of The Living Dead.” Scott met his friend Byron Collum at the Kansas City Art Institute in 1989. Eventually, they moved to Collum’s hometown of Green Bay, WI and formed the ‘post-hardcore power-trio’ GIANTS CHAIR in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene – sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, GIANTS CHAIR recorded 2 critically-acclaimed full-length albums and toured the U.S. twice. GIANTS CHAIR sorted ended things in 1997 but have gotten back together here and there. In 2017 the band released two new songs and are working on material for their 3rd studio album. Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

11:14

16. Giants Chair – “Kids Running”
from: Prefabylon / Giants Chair / To be released later this year
[Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon” and have a third studio album the works. ]

[Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.]

11:17 – More Interview with Scott Hobart

We are talking with Singer-songwriter / guitarist Scott Hobart is a multi-talented artist.

Scott’s Notes:

GIANTS CHAIR started in fall of 1993 when the bassist, Byron Collum and I, Scott Hobart, moved from KC to Green Bay, WI to play with drummer Paul Ackerman who Byron had gone to high school with. As this trio, we started writing and made a 7” that winter that was picked up by now-legendary mid-west indie label, CAULFIELD RECORDS of Lincoln, NE.

We made two full-length LP albums and another 7” for CAULFIELD and toured the U.S. twice – once with fellow KC indie band, BOYS LIFE – before going on “unofficial hiatus” in 1997 when we each went off to pursue other projects, including my own focus on straight-forward, hard country / honky-Tonk with Rex Hobart & The Misery Boys (Bloodshot Records).

In the last 20-plus years, we had done a handful of reunion shows and were then approached by Duane Trower with whom we had recorded the 2nd album with back in ‘96. He offered to remake that record start-to-finish now as a more-seasoned engineer with his own studio. We thought about it, and decided we’d rather try to write a new album than re-learn an old one – so we got to work in November of 2016 and finally had 10 new songs by November 2018.

We recorded the album with Duane at his new studio (WEIGHTS AND MEASURES SOUND LAB) this past winter – and here it is! It’s currently available everywhere digitally but we’re also currently working on the real, official, vinyl release as we speak.

Why this album now? At first it was kind of a “Why not? We’re still all here.” And “Can we make up some new songs that we like?” – and I feel like the music actually came pretty naturally – we’ve never talked too much about the music. We just get together and get loud. I bring some guitar parts and scratch vocal things and we see how it all falls. But I will say that, as a lyricist, it was an interesting “journey” to write and sing this kind of stuff after having now spent the last couple of decades writing very straightforward country story-songs. We can talk about that and how, ultimately, I think I found this side of me again – possibly by trying to come to terms with the uncertainty of so many things in the world and America right now.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

11:26

17. Giants Chair – “Time Lapse Shadows”
from: Prefabylon / Giants Chair / To be released later this year
[Scott Hobart on lead vocals & guitar, Byron Collum on bass, and Paul Ackerman on drums. Recorded, mixed, and mastered by Duane Trower at Weights & Measures Soundlab, KCMO. Scott and Byron met at the KC Art Institute in 1989. After college they moved to Collum’s hometown of Green Bay, and formed Giant’s Chair in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene, sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. Shiner even named one of their songs after the band. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, Giant’s Chair recorded two full-length albums and toured the U.S. twice. Giant’s Chair ended in 1997 but have recently been working on new music. In 2017 they releases the singles “The Streets” and “Featureless Horizon” and have a third studio album the works.]

[Giant’s Chair play Revolution Records, 1830 Locust St, with Truth Cult (DC), and Devil’s Den, on Friday, August 9, at 8:00 PM presented by Shuttlecock Magazine Music & Kansas City Hardcore.]

Fally Afani

11:31 – Interview with Fally Afani

Fally Afani is an award-winning journalist with a career spanning more than 18 years in media. She has worked extensively in radio, television, newspapers, and magazines. She has received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. Fally lives in Lawrence, Kansas, where she reports on local & touring musicians and is the editor & founder of, I Heart Local Music a comprehensive website providing info and place for music lovers in Lawrence to gather. It was started out of a deep love & appreciation for the local music scene.

Fally Afani joins us to share details about A Fundraiser For RAICES on Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, KS with Making Movies, Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford).

RAICES is a nonprofit agency that provides free and low-cost legal services to immigrant children, families, and refugees. Ticket sales will go towards providing legal aid via the Refugee and Immigrant Center for Education and Legal Services.

Fally Afani, thanks for being with us on Wednesday MidDay Medley

I Heart Local Music believes in equality and human rights, and is therefore appalled at the treatment of immigrants in the concentration camps at the border. More information at: http://www.iheartlocalmusic.com

On Friday, August 16th, the community of Lawrence, Kansas, will gather at the largest venue in Lawrence to stand in solidarity with immigrants.

I Heart Local Music, a music publication based out of Lawrence, is throwing a fundraiser on Friday, August 16th, for RAICES, a nonprofit agency that provides free and low-cost legal services to immigrant children, families, and refugees.

Sales from the tickets ($10) will go towards providing legal aid via the Refugee and Immigrant Center for Education and Legal Services. They can be purchased at Liberty Hall, 644 Massachusetts, or here.

The night will feature musical performances by: • Making Movies • Maria The Mexican • Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford)

There will also have a raffle to help benefit RAICES, with prizes donated by: KANbucha ACME Lawrence High Dive Records Eleven Productions Presents Mammoth The Granada Theater Vinland Valley Nursery

For all media inquiries, please contact:

I HEART LOCAL MUSIC Fally Afani | contact@iheartlocalmusic.com

MAKING MOVIES Ben Yonas | ben@yonasmedia.com

Last year Latinx rock’n’rollers and activists, Making Movies, partnered with RAICES to bring awareness to the family separation and detention crisis at the US border, creating a #ReuniteEveryChild T-shirt and hosting “Rally For RAICES” concerts in Chicago and New York that raised funds toward the cause. The band was last seen in Lawrence, KS, during Live on Mass alongside homegrown favorites The Get Up Kids.

In 2019 Making Movies released their third album ameri’kana and its apparent why Rolling Stone says, “this band is breaking down walls in the United States.” Collaborating with legends Los Lobos, Rubén Blades, and the late Lou Reed has NPR Music placing ameri’kana on its Best Music of 2019.

Rubén Blades joined forces with the Making Movies to release three singles on ameri’kana: No Te Calles, Cómo Perdonar (ft. Flor De Toloache) and Delilah a song co-written by Blades and Lou Reed. Grammy.com called Delilah an “epic musical collaboration brought together by the topic of immigration” and NPR Music placed “No Te Calles: on its Best Music of 2019 (so far).

The band has toured extensively, appearing with the likes of Arcade Fire, Los Lobos, Hurray For the Riff Raff, Bomba Estereo, Galactic, Jesse & Joy, Flor De Toloache, Thievery Corporation and will be joining Rubén Blades for some tour dates fall 2019.

Fally Afani, thanks for being with us on Wednesday MidDay Medley

A Fundraiser For RAICES on Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, KS with Making Movies, Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge and Meghan Heriford).

11:42

18. Making Movies – “No Te Calles (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Enrique Chi plays the Kansas City Songwriter Series curated by Hermon Mehari, Thursday, August 8, at 5:00 – 7:00 PM, at The Kemper Museum of Modern Art, 4420 Warwick Blvd., KCMO.]

[Making Movies play A Fundraiser for RAICES, Friday, August 16, at Liberty Hall, 644 Massachusetts, Lawrence, w/ Maria The Mexican, and Mr. & Mrs. Dodge (Arthur Dodge & Meghan Heriford).]

19. Maria The Mexican – “Carried Away”
rom: South Of The Border Moonlight / Independent / March 11, 2016
[Follow up to their Oct. 2013 debut full length, Moon Colored Jade. Influenced by traditional Mariachi music, Maria The Mexican is a hybrid of Mexican folklore and Rock. For over ten years, Teresa and Maria Elena Cuevas have performed with Marachi Estrella founded by their grandmother Teresa Cuevas in 1970. As one of the first all female mariachi bands in the country, Maria Teresa Alonzo Cuevas is a pioneer in the Hispanic musical community. Her band flourished in the 80s but was struck by tragedy when four of the seven members were killed in the Hyatt Skywalk collapse in 1981. Once Teresa recovered she began teaching her grandchildren Mariachi music. In 2000, Teresa and Maria began exploring other genres of music while simultaneously co-directing Mariachi Estrella. Today the fusion of Maria The Mexican is mixed with a touch of blues, soul, funk, and rock n’ roll enhanced by the musical knowledge and sounds of Garrett Nordstrom]

[Maria The Mexican play A Fundraiser for RAICES, Friday, Aug 16, at Liberty Hall, 644 Massachusetts, Lawrence, w/ Making Movies, Mr. & Mrs. Dodge (Arthur Dodge & Meghan Heriford).]

11:47 – Underwriting

20. Slights – “Higher Than Stoned”
from: Flow State / Slights / November 30, 2018
[Slights is a collaboration band between Ben Parks & Matthew Dunehoo. In late January, 2017 they recorded an album at Ghost Cat Studios in San Francisco w/ Ryan Kleeman and their friend Andrew Skikne on bass. Ben Parks is also visual artist & painter as well as part of the band, Of Tree. Matthew Dunehoo is also a filmmaker & actor, and has been a member of the bands: Loose Park, Baby Teardrops, Doris Henson. On Nov, 7, we interviewed Ben Parks & Matthew Dunehoo who joined us to talk about the debut release of their new band Slights. The new 11-song album was created over the past year. Matt is the founder of Elk’s Pride Pictures, based in KCMO More information at http://www.slightsband.com]

[Slights play plays miniBar, 3810 Broadway, Monday, Aug. 12 w/ Voodoo Gearshift and Joy Subtraction]

11:55

21. Cate Le Bon – “Daylight Matters”
from: Reward / Mexican Summer / May 24, 2019
[From the upcoming 5th solo album from Cate Le Bon who was born Cate Timothy on March 4, 1983. She is a musician and producer. She sings in both English and Welsh. She has released four solo albums, three EPs and a number of singles. Le Bon has toured with artists such as St. Vincent, Perfume Genius and John Grant. In 2018, she joined John Cale on stage at The Barbican with the London Contemporary Orchestra. Le Bon was born in Penboyr, Carmarthenshire, Wales, and first gained public attention when she supported Gruff Rhys (of the Super Furry Animals) on his 2007 solo UK tour. She appeared as a guest vocalist on Neon Neon’s 2008 single “I Lust U” from their album Stainless Style. Under her original name she provided backing vocals on Richard James’s debut solo album The Seven Sleepers Den in 2006. She also appeared on his second solo album, We Went Riding, from 2010. Her first official release was a Welsh language EP, Edrych yn Llygaid Ceffyl Benthyg (“Looking in the Eyes of a Borrowed Horse”, similar to the English expression “to look a gift horse in the mouth”), on Peski Records in 2008. She also self-released the double A-side debut single “No One Can Drag Me Down” / “Disappear” (described by Gruff Rhys as “Bobbie Gentry and Nico fight over a Casio keyboard; melody wins!”) on her website. Le Bon worked alongside Gorky’s Zygotic Mynci’s Megan Childs, who contributed violin, and Super Furry Animals and Thrills collaborator John Thomas, who added pedal steel. Her debut album, Me Oh My was released in 2009, followed by Cyrk and the Cyrk II EP in 2012. In January 2013, Le Bon moved to L A to further her career in the US. Her third album, Mug Museum, was released November 2013. It was produced by Noah Georgeson and Josiah Steinbrick in Los Angeles, and featured Stephen Black (bass) & Huw Evans (guitar). She provided guest vocals on the track “Slow Train” from Kevin Morby’s debut album Harlem River. In 2015, Le Bon collaborated with Tim Presley as DRINKS and released the album Hermits on Holiday in August 2015. DRINKS released their second album Hippo Lite in April 2018. Le Bon released her fourth studio album, Crab Day, on April 15, 2016 on Drag City to generally favourable reviews. The album was produced by Josiah Steinbrick and Noah Georgeson, and again featured Stephen Black (bass) & Huw Evans (guitar), w/ Stella Mozgawa (drums). She noted how the collaboration with Presley had made her realise “that I make music because I love to, not because I have to”. On tour she was supported by Black and Evans and on occasion by Steinbrick and Josh Klinghoffer, a five-piece that also performs instrument improvisations under the name BANANA. In January 2017, Le Bon released the four-track EP Rock Pool via Drag City. It includes her version of the track “I Just Want to Be Good” featuring Perfume Genius, which she wrote for Sweet Baboo’s 2015 album The Boombox Ballads. In the same month Leaving Records released Live by BANANA, recorded live during the band’s 2016 tour and Le Bon remixed Eleanor Friedberger’s ‘Are We Good?’ In 2018, Le Bon signed with Brooklyn based record label Mexican Summer (Ariel Pink, Jessica Pratt, Connan Mockasin). Le Bon will release her fifth studio album, Reward via Mexican Summer on May 24, 2019.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM’s closing theme]

Next week on Wednesday, August 14, Marion Merritt of Records With Merritt returns as Guest Producer with musical discoveries and information from her musically encyclopedic brain. Also next week, Ivory Blue joins us live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #797

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WMM Playlist from October 26, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 25, 2017

New & Scary Cool Songs + Michael McQuary
+ Freight Train Rabbit Killer + Calvin Arsenia

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. David Bowie – “Fashion (Single Version) [Remastered]”
from: Everything Has Changed / Parlophone / November 17, 2014
[Originally released as a single 37 years ago on October 24, 1980. 2nd single from Scary Monsters (And Super Creeps), David Bowie’s 14th studio album. It was his final studio album on RCA and his first following the Berlin Trilogy of Low, Heroes, and Lodger (1977–1979). With Scary Monsters, Bowie achieved what biographer David Buckley called “the perfect balance” of creativity and mainstream success as well as earning critical acclaim; the album peaked at No. 1 in the UK and restored Bowie’s commercial standing in the US. This song draws an implicit analogy between fashion and fascism. Goon squads – referenced in the lyric, “We are the goon squad and we’re coming to town” – are groups of thugs who are hired to perform violent acts on their boss’ behalf. In the context of this song, it is most likely that Bowie is light-heartedly comparing goon squads to the New Romantics – a late ’70s subculture, who were known for their meticulously flamboyant fashion sense. Moreover, the lyric, “Turn to the left, turn to the right,” is not only referring to the mechanical movements of fashion models, but also to the military instruction. According to the producer, Tony Visconti, this song’s bass line and melody took inspiration from Bowie’s 1975 Soul hit, “Golden Years.” King Crimson virtuoso Robert Fripp played guitar on this track. Fripp also played lead guitar on Bowie’s 1977 song, “Heroes.” Bowie had previously used that famous “beep beep” hook in a little-known song that he wrote in 1970 called “Rupert the Riley.” This single reached #5 in the UK and #70 in the US. It was Bowie’s first song to chart in America in three years (his last hit was “Sound And Vision,” which peaked at #69 in 1977). In 1997, Bowie performed this song during his 50th birthday bash at Madison Square Garden with The Pixies’ front man, Frank Black.]

3. Laurie Anderson – “Poison”
from: Bright Red / Warner Bros. / October 25, 1994
[Laurie Anderson on vocals & keyboards, Joey Baron on drums, Brian Eno on treatments & keyboards, Adrian Belew on guitar, Marc Ribot on guitar. Produced by Brian Eno (who also co-wrote several of the songs with Anderson, including “Poison.”). This was Laurie Anderson’s 6th album overall and 5th studio album, released by Warner Bros. Laura Phillips “Laurie” Anderson was born June 5, 1947. She is an American avant-garde artist, composer, musician and film director whose work spans performance art, pop music, and multimedia projects. Initially trained in violin and sculpting, Anderson pursued a variety of performance art projects in New York during the 1970s, making particular use of language, technology, and visual imagery. She became widely more known outside the art world in 1981 when her single “O Superman” reached number two on the UK pop charts. She also starred in and directed the 1986 concert film Home of the Brave. Anderson is a pioneer in electronic music and has invented several devices that she has used in her recordings and performance art shows. In 1977, she created a tape-bow violin that uses recorded magnetic tape on the bow instead of horsehair and a magnetic tape head in the bridge. In the late 1990s, she developed a talking stick, a six-foot (1.8 m) long baton-like MIDI controller that can access and replicate sounds. Anderson started dating Lou Reed in 1992, and was married to him from 2008 until his death in 2013.]

4. Michel Rubini & Denny Jaeger – “Sarah’s Panic”
from: The Hunger (Original Motion Picture Soundtrack) MGM/UA Entertainment Co./ 1983

10:09 – Show Intro & Michael McQuary

Anticipating the Halloween weekend, we played New & Scary Cool Songs from: The MGDs, Amy Farrand and The Like, Freight Train Rabbit Killer, Jametatone, Season To Risk, Looming, Arcade Fire, The Brian Jonestown Massacre, Ministry, Iggy & The Stooges, and Regina Spektor. We started with David Bowie, and Laurie Anderson.

Michael McQuary on the October 25, 2017 edition of Wednesday MidDay Medley

Michael McQuary with his Classic Monsters of Filmland shared his interpretations of Béla Lugosi, Boris Karloff, Vincent Price, Bette Davis and more. Michael is the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, My Own Space and more recently, “I’m Hollywood,” for the KC Fringe Festival. Michael McQuary is also a visual artist of personal portraits and life captures, and he creates personal art works of metal. Michael is seen in multiple films, in promotional shorts for the OM Film Festival, and recently in the Mile Deep Films short film, “Corvalo.”

10:15

5. Jametatone – “Too Late”
from: Empty Bliss / J. Ashley Miller / March 21, 2017
[New EP from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the The 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe Unplugged with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. You can view more of Ashley’s work at http://www.jametatone.com.]

[Jametatone plays The Ship, 1217 Union Avenue, in the West Bottoms, on Halloween, Tuesday, Oct. 31, with Natural Man & The Gland Band, and Takin’ A Dive.]

6. The Brian Jonestown Massacre – “Charmed I’m Sure”
from: Don’t Get Lost / A Records / February 24, 2017
[Formed in San Francisco in 1990 by frontman Anton Newcombe. Their early music was in a shoegaze style. Following their debut album, Methodrone, the group’s sound transitioned to a broader style of psychedelic rock, incorporating styles such as garage rock, folk rock and, later, electronica into their sound. The act continue to experiment with musical styles. The band was the subject of the 2004 documentary film Dig!, and have gained media notoriety for their tumultuous working relationships as well as the erratic behaviour of leader Newcombe. The Brian Jonestown Massacre have released seventeen albums, five compilation albums, five live albums, thirteen EPs, sixteen singles as well as two various-artist compilation albums to date.]

6. Iggy & The Stooges – “Gimme Danger”
from: Raw Power / Columbia / February 7, 1973
[3rd studio album from Ann Arbor, Michigan band, first active from 1967 to 1974, and later reformed in 2003. The Stooges were inducted into the Rock and Roll Hall of Fame in 2010. After their first two albums, The Stooges (1969) and Fun House (1970) were released to little commercial success, The Stooges were in disarray: they had officially broken up, bassist Dave Alexander was fighting alcoholism, and singer Iggy Pop’s heroin addiction was escalating prior to the intervention of David Bowie. Pop later recalled, “Very few people recognized the quality of the Stooges’ songwriting, it was really meticulous. And to his credit, the only person I’d ever known of in print to notice it, among my peers of professional musicians, was Bowie.” Pop relocated to London, having signed on as a solo artist to MainMan Management, who also handled Bowie. Pop said that Columbia executives insisted on two ballads “Gimme Danger” and “I Need Somebody”. The album was recorded in London’s CBS Studios, from Sept. 10 to Oct. 6, 1972. Pop produced and mixed the album by himself; unfortunately, his botched first attempt mixed most of the instruments into one stereo channel and the vocals into the other, with little regard for balance or tone quality. Tony DeFries, the head of MainMan, informed Pop that the album would be remixed by Bowie. Pop agreed to this, claiming that “the other choice was I wasn’t going to get my album out. I think DeFries told me that CBS refused to release it like that, I don’t know”, but insisted that his own mix for “Search and Destroy” be retained. Due to budgetary constraints, Bowie remixed 7 songs in one day in an inexpensive LA studio, Western Sound Recorders, in October 1972.]

10:25 – More with Michael McQuary

Michael McQuary is the creator of the award winning one-man shows in New York City: Matinee Idol, Man of 1001 Faces, and My Own Space, and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael recently appeared in the Mile Deep Films short film, “Corvalo.”

10:30 – Underwriting

8. Amy Farrand and The Like – “Scared To Death of Dying”
from: Apocalypse Meow 10 Compilation / Midwest Music Foundation / November 2, 2017
[Amy Farrand and The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. The band is currently in the studio working on an 11-song debut full length album recorded with Duane Trower at Weights and Measures Soundlab. They are getting ready to start a Kickstarter to help fund the recording. This new 34 track compilation of features Kansas City area bands, and their most recent recordings, along with a few tracks that representative the 10 years of Midwest Music Foundation and Apocalypse Meow. Brenton Cook of Haymaker Records put this new compilation together as he has done in previous MMF compilations. Apocalypse Meow is the annual benefit for Abby’s Fund, named for Abigail Henderson, who co-founded the not-for-profit organization Midwest Music Foundation. MMF unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. ]

[Amy Farrand and The Like play The Brick, 1727 McGee St, KCMO, on Saturday, November 4, at 8:00 pm, with Grand Marquis, and Kelly Hunt.]

9. The MGDs – “Snakebite”
from: Somos Como Somos / The MGDs / November 4, 2017
[From the band’s new EP, their 3rd studio release. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.]

[The MGDs play The Phoenix, 302 West 8th St. KCMO, Friday, October 27, at 9:00 PM]

[The MGDs play an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin]

10. Looming – “Leaves”
from: Seed / No Sleep Records / September 29, 2017
[Springfield, Illinois based band formed in 2013. The band consists of: Jessica Knight on bass & lead vocals, Brandon Carnes on drums & backing vocals, Mitch Baker on guitar & backing vocals, Nick Demarco on guitar, Cassie Staub on guitar & synthesizer. (Original member Jordan Fein left the band after their debut release.) “The band originally came together over a shared common vision and passion for songwriting. After years performing in various Springfield bands (Mother Leopard, Lovecow, Our Lady, Big Storm) the group fell into a natural groove with one another and became known for their unique emo-pop that’s led by the inimitable vocal stylings of Knight that pair perfectly with the band’s bright, airy sound.” “Three guitars work together to perform thick, overlapping lines that lead to satisfying breakdowns. Front-woman Jessica Knight’s curious, chewy singing style and a thumping rhythm section give Looming a potent edge above their peers. ” This album is a follow up to their debut full-length album, Nailbiter that came out in August 14, 2015.]

[Looming play The Rino 314 Armour Rd, North KC, Tuesday, October 31, with Vigil & Thieves, and Riala.]

10:44 – Interview with Michael McQuary

Michael McQuary on the October 25, 2017 edition of Wednesday MidDay Medley

Joining us as our special guest is actor of stage & screen, Michael McQuary, the creator of the award winning one-man shows in New York City: Matinee Idol, Man of 1001 Faces, and My Own Space, and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael recently appeared in the Mile Deep Films short film, “Corvalo.”

10:47

11. Arcade Fire – “Cold Wind”
from: Six Feet Under, Vol. 2: Everything Ends / Astralwerks / January 1, 2002
[Montreal, Quebec, based Arcade Fire released their 5th album Everything Now on July 28, 2017. Consisting of husband and wife Win Butler and Régine Chassagne, along with Win’s younger brother William Butler, Richard Reed Parry, Tim Kingsbury and Jeremy Gara, the band’s current touring line-up also includes former core member Sarah Neufeld, frequent collaborator Owen Pallett, two additional percussionists, Diol Edmond & Tiwill Duprate, and saxophonists Matt Bauder & Stuart Bogie. Founded in 2001 by friends and classmates Win Butler and Josh Deu, the band came to prominence in 2004 with the release of their critically acclaimed debut album Funeral. Their 2nd studio album, Neon Bible, won them the 2008 Meteor Music Award for Best International Album and the 2008 Juno Award for Alternative Album of the Year. Their 3rd studio album, The Suburbs, was released in 2010 to critical acclaim and commercial success. It was the 2011 Grammy for Album of the Year, the 2011 Juno Award for Album of the Year, and the 2011 Brit Award for Best International Album. In 2013, Arcade Fire released their 4th album, Reflektor. All four of their studio albums have received nominations for the Best Alternative Music Album Grammy. The band plays guitar, drums, bass guitar, piano, violin, viola, cello, double bass, xylophone, glockenspiel, keyboard, synthesizer, French horn, accordion, harp, mandolin, hurdy-gurdy, and the multi-instrumentalist band members switch duties throughout shows.]

[Arcade Fire play Silverstein Eye Centers Arena, 19100 E Valley View Pkwy, Independence, MO. Friday, October 27 at 7 PM, in the round.]

12. Season To Risk – “Scorched”
from: Season To Risk / Columbia – Red Decible / 1993
[Members present and past include: Founding member, Steve Tulipana on vocals, guitar, synthesizer (1989-present) Bands: Roman Numerals, Pornhuskers, Unknown Pleasures, Thee Water Moccasins; Founding member, Duane Trower on main guitar, voice, synthesizer, recording engineer, (1989-present) Bands: Overstep, Quitters Club, Weights and Measures; Billy Smith on bass, voice, guitar, synthesizer, (2000-present) Bands: Dirtnap, Olympic Size, Unknown Pleasures, Roman Numerals; David Silver on drums, synthesizer, oscillator, samples, (1994-present), Bands: Iron Rite Mangle, E.A.R.S.H.O.T., Antibodies; Wade Williamson on guitar, keyboard, (2000-present), Bands: Olympic Size, The Stella Link; Josh Newton on bass, voice, synthesizer, (1995- 1999), Bands: Shiner, Reggie and the Full Effect, Glazed Baby, Iron Rite Mangle, From Autumn To Ashes, ETID; Founding member, Paul Malinowski on bass, voice, recording engineer, (1989- 1995)Bands: Fire of 1666, Shiner, Big Sky Blue Earth; Jason Gerken on drums, (1994-studio) Bands: Molly McGuire, Kingdom of Snakes, Gunfighter; Tim Dow on drums, Recurring Member-live show: (1990,1992, 1994) Bands: Shiner, Year of the Rabbit, the Joy Circuit.Season To Risk is the luckiest band alive. Shortly after getting together at school in 1989, they won a ‘Battle of the Bands’ which brought them into the studio for the first time. The only copy of the resulting demo tape that was actually mailed out ended up at Red Decibel records in Minneapolis, MN, who as luck would have it, were starting to work in conjunction with Colombia records. Before they knew what hit them, the band was signed to Columbia records, recording more demos at Sony Studios in NYC, and then living in Chicago, IL to record their self-titled first album at Soundworks Studio. The band spent years constantly touring throughout North America; returning briefly to their hometown of Kansas City, MO for a few days or weeks, sometimes on the road 8 – 10 months out of the year. They lived at Bisi Studios, NYC for the Summer of 1994 recording their second album In a Perfect World. The music was a darker, more complex collection of songs, and the album was received with rave reviews from fans, and puzzled looks from the people at Colombia records. There was no place on the radio for music like this yet, and exactly what category in the music store was this CD supposed to be displayed in? By chance, someone at Sony was looking for a band to play during a scene in the film ‘Strange Days’ and within days, the band was in Hollywood, playing the song ‘Undone’ over and over again. For the next year, the band was in a different city every night, which led to total exhaustion by the end of a summer 1995 arena tour with Corrosion of Conformity and Monster Magnet, resulting in the cancellation of their European tour scheduled with CIV for the Winter of 1996. The band was dropped from Columbia Records. And bass player Paul Malinowski quit to join the KC band Shiner. The band quickly took on bass player Josh Newton and got busy writing music. Pooling their resources, they spent most of the next 2 years building Trainwreck Sound Studios in KC. As floors, walls and ceilings were built, new Season To Risk songs were written, members worked with their other bands, and recording started at Trainwreck, including work by Casket Lottery, The Farewell Bend, Dirtnap, Iron Rite Mangle, Gunfighter and the Pornhuskers. They built their dream studio from the ground up: a 15 x 20 control room, equipped with a 1974 24-channel Auditronics (quadrophonic!) console and a 2-inch tape machine, a 30 x 50 foot tracking room with antique oak floors, and a huge apartment/rehearsal studio upstairs on the second floor. In October 1998, shortly after the studio officially opened to the public, a sudden flash flood of the Missouri river totaled everything in the neighborhood in 15 minutes, destroying the building, their tour RV in the parking lot, their bank account and almost everything else. They’re lucky no one was killed. Luck never gives, it only lends. And the river takes. And then Josh Newton was also lost to Shiner. Fortunately, the 3rd album was finished prior to the flood, and the band was able to wade through the five-foot deep, freezing, flood waters in total darkness out of the building to safety. Unfortunately, they discovered that the album Men Are Monkeys, Robots Win (Thick Records) was printed ‘out-of-phase’, making the songs sound hollowed-out. The label never re-released the printed CD, but the corrected mix is available on iTunes. Legendary punk rock drummer/producer Bill Stevenson (Black Flag, Decendents) has always been a friend to Season To Risk, and has brought the band on tour with ALL several times. This led to the recording of the album The Shattering in 2000 with Jason Livermore and Bill Stevenson at the Blasting Room in Ft. Collins, CO, and its release on Owned & Operated records in 2001. The addition of the third and final bass player of S2R, Billy Smith of the band Dirtnap, brought the band full circle. The Shattering album is more diverse than ever, fusing elements from all of the band’s previous work and some new experimentation into twelve heavy, melodic songs. Several tours followed after The Shattering CD release, and the band spent a few years resting, recouping, and regrouping – working on many other projects, musical and otherwise.]

[Season to Risk play The Uptown Theatre, Fri, Nov 3, 8:00 PM, with Descendents, and Less Than Jake.]

13. Ministry – “I Prefer”
from: The Land of Rape and Honey / Sire-Warner Bros. / October 11, 1988
[3rd studio album from the band founded in 1981 by Al Jourgensen in Chicago, Illinois. The band has recorded 16 studio albums to date. Originally a new wave synthpop outfit, Ministry changed its style to become one of the pioneers of industrial metal in the mid-1980s. The band’s lineup changed consistently throughout the band’s history, with Jourgensen remaining the only constant as the band’s main producer, singer, songwriter, and instrumentalist. Ministry found mainstream success in the late 1980s and early 1990s with the albums The Land of Rape and Honey (1988), The Mind Is a Terrible Thing to Taste (1989) and Psalm 69: The Way to Succeed and the Way to Suck Eggs (1992), with the former of the two certified gold and the latter certified platinum by the RIAA. The band has been nominated for six Grammy Awards, and performed at several notable music festivals, including participating in the second annual Lollapalooza tour in 1992 and co-headlining Big Day Out in 1995. Ministry broke up in 2008 after 27 years of recording and performing, and Jourgensen had since stated that they would never reunite. However, the band announced a reunion in August 2011, and has released two more studio albums since then: Relapse (2012) and From Beer to Eternity (2013). Their next studio album (and first in five years), titled AmeriKKKant, is expected for release in early 2018.]

[Ministry plays The Uptown Theatre, Friday, October 27, at 8:00 pm with Death Grips]

11:00 – Station ID

11:00 – Interview with Kristopher Bruders & Mark Smeltzer / Freight Train Rabbit Killer

Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer). Described as “Apocalyptic Roots” or “Doom Blues” their intense and riveting live shows are accompanied by suits and masks. Freight Train Rabbit Killer have teamed with Haymaker Records to release a 7 inch vinyl series called “Wake Snake Death Dance”. Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Genessee Street. Freight Train Rabbit Killer also play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. A benefit for MMF. More info at: http://www.freighttrainrabbitkillerband.com

11:05

14. Freight Train Rabbit Killer – “Maybe It’s You” [B-Side]
from: Maybe It’s You – 7″ Vinyl Single / Haymaker Records / October 28, 2017
[Volume 1 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Kristopher Bruders. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

11:10 – Interview with Kristopher Bruders & Mark Smeltzer / Freight Train Rabbit Killer

Many Kansas City music fans know Kristopher Bruders for his great work with band, Cadillac Flambé with vocalist and keyboardist, Havilah Bruders, who is also married to Kris.

Mark Smeltzer is a principle musician of Rural Grit and the Rural Grit Happy Hour Mondays at The Brick, one of Kansas City longest running weekly live musical shows. Mark has also been part of bands: Columbo, Trouble In Mind, E.I.O., and Dually Jukes.

11:14

15. Freight Train Rabbit Killer – “Old Man of the Mountain” [A-Side]
from: Old Man of the Mountain – 7″ Vinyl Single / Haymaker Records / October 28, 2017
[Volume 1 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Genessee Street.

Freight Train Rabbit Killer play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. This is a benefit for Midwest Music Foundation.

More info at: http://www.freighttrainrabbitkillerband.com

11:28 – Underwriting

11:30 – Interview with Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and this year his full length debut, Catastrophe. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin has just returned home from a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.

Calvin Arsenia played over 40 shows on tour.

Calvin is working to release new music from Calvin’s June 11th, Live Recording at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC.

11:35

16. Calvin Arsenia – “Back To You” (LIVE)
New song by Calvin Arsenia / Calvin Arsenia on vocals & harp, Simon Huntley on percussion

Simon Huntley & Calvin Arsenia on the October 25, 2017 edition of Wednesday MidDay Medley

Calvin Arsenia plays Apocalypse Meow 10, Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. Apocalypse Meow is a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

11:48

17. Calvin Arsenia – “Poseidon” (LIVE)
New song by Calvin Arsenia / Calvin Arsenia on vocals & harp, Simon Huntley on percussion

11:56

18. Regina Spektor – “On The Radio (Live In London)”
from: Live In London / Sire Records / November 19, 2010
[The first live album by Russian-American musician and songwriter, Regina Spektor, recorded at the Hammersmith Apollo Theatre, in London, during her Far Tour. Regina Spektor was born February 18, 1980, in Moscow (former Soviet Union, now Russia), and began classical training on the piano at the age of six. When she was nine years old, her family left the Soviet Union in 1989, during the period of Perestroika, when Soviet citizens were permitted to emigrate. Regina had to leave her piano behind. The seriousness of her piano studies led her parents to consider not leaving the Soviet Union, but they finally decided to emigrate, due to the racial, ethnic, and political discrimination that Jews faced. Traveling first to Austria and then Italy, the Spektor family was admitted to the United States as refugees with the assistance of HIAS (the Hebrew Immigrant Aid Society). They settled in the Bronx, where Spektor graduated from the SAR Academy, a Jewish day middle school in the Riverdale section of the Bronx. Since the family had been unable to bring their piano from Moscow, Spektor practiced on tabletops and other hard surfaces until she found a piano on which to play in the basement of her synagogue. She began to write original songs shortly thereafter. Spektor gradually achieved recognition through performances in the anti-folk scene in downtown New York City, most prominently at the East Village’s SideWalk Cafe. She also performed at local colleges (such as Sarah Lawrence College) with other musicians, including the Trachtenburg Family Slideshow Players. She sold self-published CDs at her performances during this period: 11:11 (2001) and Songs (2002). After self-releasing her first three records and gaining popularity in New York City’s anti-folk scene, Spektor signed with Sire Records in 2004 and began achieving greater mainstream recognition. After giving her third album, Soviet Kitsch a major label re-release, Sire released her fourth album, Begin to Hope, which would go on to achieve a Gold certification by the RIAA. Her following two albums, Far and What We Saw from the Cheap Seats, each debuted at number 3 on the Billboard 200. Spektor married singer-songwriter Jack Dishel in 2011. Formerly a guitarist with the band the Moldy Peaches, Dishel is a member of the band Only Son and duets with Spektor in the song “Call Them Brothers”. On January 23, 2014, Spektor announced her pregnancy on Facebook. The couple announced the birth of a son in March 2014.]

[Regina Spektor plays A Special Solo Performance, Sun, Oct.28, at 8:00 PM, at The Uptown Theatre]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, November 1, November 1, Rebecca Liberty joins us with a young friend from Italy, who she has been hosting for the last month, helping him explore and experience the KC music scene as a participating musician and student. Both will join us to share about his time here in Kansas City. Also next week Andrew Foshee joins us to share music from his new record, STRANGE RELATIONS, recorded in Nashville at The Bomb Shelter with producer and engineer Andrija Tokic, who has worked with, Alabama Shakes, and Hurray for the Riff Raff. Also next week, Sondra Freeman of Midwest Music Foundation and musician Nathan Corsi, join us to talk about Apocalypse Meow 10. Apocalypse Meow 10, a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. and continuing on Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Calvin Arsenia, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #705

Wednesday MidDay Medley presents Michael McQuary + Freight Train Rabbit Killer + Calvin Arsenia

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 25, 2017

New & Scary Cool Songs + Michael McQuary
+ Freight Train Rabbit Killer + Calvin Arsenia

Anticipating the Halloween weekend, we play New & Scary Cool Songs from: The MGDs, Amy Farrand and The Like, Freight Train Rabbit Killer, Jametatone, Season To Risk, Looming, Arcade Fire, The Brian Jonestown Massacre, Ministry, Iggy & The Stooges, David Bowie, Laurie Anderson, and Regina Spektor.

Michael McQuary

Michael McQuary and his Classic Monsters of Filmland joins us as our special guest. Michael will share his interpretations of Béla Lugosi, Boris Karloff, Lon Chaney, Dr. Fu Manchu, Bette Davis and more. Michael is the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, My Own Space and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael McQuary is also a visual artist of personal portraits and life captures and he creates personal art works of metal. Michael is seen in multiple films, in promotional shorts for the OM Film Festival, and recently in the Mile Deep Films short film, “Corvalo.” More info at: YourPowerSign.com

At 11:00 we talk with Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer). Described as “Apocalyptic Roots” or “Doom Blues” their intense and riveting live shows are accompanied by suits and masks. Freight Train Rabbit Killer have teamed with Haymaker Records to release a 7 inch vinyl series called “Wake Snake Death Dance”. Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Geneses Street. Freight Train Rabbit Killer play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. More info at: http://www.freighttrainrabbitkillerband.com

Calvin Arsenia (Photo by Jenny Wheat)

At 11:30 Calvin Arsenia joins us to play live in our 90.1 FM Studios, fresh from his 3 month US/European “Outlyre Tour” playing Portland, San Francisco, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, and Paris. Calvin Arsenia plays Apocalypse Meow 10, Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow or http://www.calvinarsenia.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #705