WMM Playlist from October 31, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 31, 2017

Happy Halloween with Béla, Boris, & Bette
+ Man of 1001 Faces – Michael McQuary
+ Sondra Freeman & Apocalypse Meow 11

10:00 – Haunted Recordings

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. William Stromberg & Moscow Symphony Orch. – “Universal Signature”
from: Salter – Skinner: Monster Music / Marco-Polo / 1995
[Frank Skinner was a composer & arranger born in Meredosia, Illinois on Dec. 31, 1897. He died in Beverly Hills, California, Oct. 9, 1968. A graduate of the Chicago Musical College (now the Chicago Conservatory of Music), 16-year-old Frank found employment in vaudeville and began playing in local areas with his brother Carl on drums billed as the Skinner Brothers dance band. He began writing and arranging music for dance bands in New York, from 1925 to 1935, arranging 2000 popular songs for Robbins Publishing. After a short period at MGM, working on musical settings for The Great Ziegfeld (1936), Skinner was hired by Universal Studios. Over the course of his 30 years there, he composed music for more than 200 films earning five Academy Award nominations (1938–43). His distinctive approach to scoring horror films, such as Son of Frankenstein (1939) and The Wolf Man (1941), has been characterized as a ‘passion for chromatic lines … mirrored contours … [and] restrained, yet ominously mythical orchestrations’ (Marcello). He gained new recognition in the 1950s for his lush romantic scores, including those for such Douglas Sirk films as Magnificent Obsession (1954) and Written on the Wind (1956). Despite many changes in the film industry, his book Underscore (1950) has survived as an excellent introduction to film music composition. The Wolf Man is a 1941 American drama horror film written by Curt Siodmak and produced and directed by George Waggner. The film stars Lon Chaney, Jr. as a werewolf named “The Wolf Man” and features Claude Rains, Evelyn Ankers, Ralph Bellamy, Patric Knowles, Béla Lugosi, and Maria Ouspenskaya in supporting roles. The title character has had a great deal of influence on Hollywood’s depictions of the legend of the werewolf. The film is the second Universal Pictures werewolf film, preceded six years earlier by the less commercially successful Werewolf of London (1935). Lon Chaney, Jr. would reprise his classic role as “The Wolf Man” in four sequels, beginning with Frankenstein Meets the Wolf Man in 1943.]

3. Anderson Cooper / Donald Trump – “Trump Video Tape”
from: Presidential Debate 2016 #2 – October 9, 2016) / SoundWerks USA / Oct 11, 2016
[Hillary Clinton and Donald J. Trump square off for the second time during a debate held at Washington University in St. Louis. Sunday, October 9, 2016. Moderated by Martha Raddatz and Anderson Cooper.]

4. Sonic Youth – “Youth Against Facism”
from: Dirty (Deluxe Edition) [Remastered] / Interscope – Geffen / July 21, 1992
[Sonic Youth was based in New York City, formed in 1981. Founding members Thurston Moore (guitar, vocals), Kim Gordon (bass, vocals, guitar) and Lee Ranaldo (guitar, vocals) remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, and rounded out the core line-up. Sonic Youth emerged from the experimental no wave art and music scene in New York before evolving into a more conventional rock band and becoming the most prominent of the American noise rock groups. Sonic Youth have been praised for having “redefined what rock guitar could do” using a wide variety of unorthodox guitar tunings and preparing guitars with objects like drum sticks and screwdrivers to alter the instruments’ timbre. The band is considered to be a pivotal influence on the alternative and indie rock movements. After gaining a large underground following and critical praise through releases with SST Records in the late 1980s, the band experienced mainstream success throughout the 1990s and 2000s after signing to major label DGC in 1990 and headlining the 1995 Lollapalooza festival. In 2011, Ranaldo announced that the band was “ending for a while” following the separation of married couple Gordon and Moore. Thurston Moore updated and clarified the position in May 2014: “Sonic Youth is on hiatus. The band is a democracy of sorts, and as long as Kim and I are working out our situation, the band can’t really function reasonably.” Gordon refers several times in her 2015 autobiography Girl in a Band to the band having “split up”. Dirty is the seventh studio album by American alternative rock band Sonic Youth. It was released on July 21, 1992 by record label DGC. The band recorded and produced the album with Butch Vig in early 1992 at the Magic Shop studios. The sound on Dirty was inspired by the grunge scene of the time, and was described as avant-rock. Some songs on the album mark the first appearance of three guitars in Sonic Youth songs. The album was remastered and released on quadruple vinyl and double CD in 2003. The album spawned four singles. The first single was “100%”; it charted well, but was not the crossover hit the label anticipated. The next was “Youth Against Fascism”, which did not chart well. The last two were “Sugar Kane” and “Drunken Butterfly”, released in 1993. “Sugar Kane” did better commercially than “Youth Against Fascism”. The album sold exceptionally well, reaching No. 6 in the UK Albums Chart (their highest charting album in the UK) and No. 83 in the US. In support of the album, the band embarked on the “Pretty Fucking Dirty” tour of 1992 and 1993, where most of Dirty was played. In late 1992, they toured North America, and in early 1993, they toured New Zealand and Australia.]

5. St. Vincent – “Fear The Future (Piano Version)”
from: MassEducation / Loma Vista – Concord Music / October 12, 2018
[“MassEducation” a brand new acoustic rendition of her previous album Masseduction, Clark’s fifth studio album, was released in October 2017. Pitchfork writes: “Recorded over two days at Manhattan’s Reservoir Studios studios, MassEducation strips its hypersexual, neon-clad predecessor for parts, exposing its songs as tales of longing and nostalgia. Clark seemed to always know that her record contained two lives: “This needs to be something people can really dance to,” she said of a song on her last album, “until they listen to the words and then they’re crying.” Hiding melancholy behind pop production is nothing new, but on an album so saturated with sadness, these pared-down renderings give Clark a chance to indulge in their underlying sentiments.” Anne Erin Clark was born September 28, 1982, in Tulsa Oklahoma. She is known professionally as St. Vincent, a musician, singer-songwriter, multi-instrumentalist and record producer. After studying at Berklee College of Music for three years, she began her music career as a member of The Polyphonic Spree. Clark was also a member of Sufjan Stevens’s touring band before forming her own band in 2006. St. Vincent’s work has received consistent praise for its distinct musical style, which blends soft rock, experimental rock, electropop, and jazz influences. Her debut album was Marry Me (2007), followed by Actor (2009), Strange Mercy (2011), St. Vincent (2014), and Masseduction (2017). She released a collaborative album with David Byrne in 2012 titled Love This Giant. Clark also contributed backing vocals for Swans on their 2014 album, To Be Kind. Her fourth solo album, the eponymous St. Vincent, was named album of the year by The Guardian, Entertainment Weekly, NME, and Slant Magazine, as well as second best album of the year by Time magazine. The album won her a Grammy for Best Alternative Album, her first Grammy award. She was the first solo female performer in 20 years to win a Grammy in that category.]

3. Ed Wood – “Plan 9 From Outer Space (Trailer)”
from: Halloween Nuggets: Monster Sixties A Go-Go / Rock Beat / 2014
[Plan 9 from Outer Space (originally titled Grave Robbers from Outer Space) is a 1959 American B & W science fiction horror film. The film was written, produced, directed and edited by Ed Wood, and stars Gregory Walcott, Mona McKinnon, Tor Johnson, Vampira and posthumously bills Bela Lugosi. Shortly after Lugosi’s death the story and screenplay for Grave Robbers from Outer Space were written and finalized, with Wood planning to use the unconnected, unrelated footage of Lugosi as a means of putting a credit for him on the picture. Wood used the Lugosi footage as a means of attracting actors to the picture, by saying to them that he was making “Bela Lugosi’s last movie.” Though Wood’s actions were driven in part by the desire to give his film a ‘star name’ and attract horror fans, the Lugosi cameo was also meant as a loving tribute and farewell to the actor, who had become fast friends with Wood in the last three years of Lugosi’s life. Wood hired his wife’s chiropractor, Tom Mason, as a stand-in for Lugosi, even though Mason was taller than Lugosi and bore no resemblance to him, making him one of the earliest “fake Shemps”. Narration from Criswell was also employed in an attempt to better link Lugosi’s footage with the rest of Plan 9. Every last scrap of material Wood had of Lugosi was utilized in the theatrical cut of the film, including what are minor sprocket discolorations, film trims that would in a normal film be discarded as unusable. Cuts of the film on VHS during the 80s and 90s, the vast majority unauthorized bootleg dupes, varied drastically not only in quality but also in the amount of Lugosi material retained.]

Michael McQuary as Béla Lugosi on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:10 – Interview with Béla Lugosi

We have the grand pleasure of welcoming back to our radio show the star of “Plan 9 From Outer Space” his last film and his 108th film, from his 5 decades as an actor.

Béla Lugosi – Thanks for being with us again on Wednesday MidDay Medley!

Béla Ferenc Dezső Blaskó (Oct. 20, 1882 – Aug 16, 1956), known as Bela Lugosi, a Hungarian-American actor. He’d been playing small parts in his native Hungary before making his first film in 1917, but left after the failed Hungarian Revolution. In 1927, he appeared as Count Dracula in a Broadway adaptation of Bram Stoker’s novel. He later appeared in the classic 1931 film Dracula by Universal Pictures. He was often paired with Boris Karloff, who was able to demand top billing. To his frustration, Lugosi was increasingly restricted to minor parts, kept employed by the studio principally for the sake of his name on the posters. Among his pairings with Karloff, only in The Black Cat (1934), The Raven (1935), and Son of Frankenstein (1939) did he perform major roles again. Lugosi had been receiving regular medication for sciatic neuritis, and he became addicted to morphine and methadone. This drug dependence was noted by producers, and the offers eventually dwindled down to a few parts in Ed Wood’s low-budget movies, most notably Plan 9 from Outer Space. Lugosi was married five times, and had one son, Bela George Lugosi. Lugosi was buried in the Holy Cross Cemetery in Culver City, California.

Lugosi was also the subject of “Bela Lugosi’s Dead”, the first single by the English band Bauhaus. Released in August 1979, it is often considered to be the first gothic rock record.

Andy Warhol’s 1963 silkscreen The Kiss depicts Lugosi from Dracula about to bite into the neck of co-star Helen Chandler, who played Mina Harker. A copy sold for $798,000 at Christie’s in May 2000.

10:12 – Haunted Recordings

7. The Velvet Underground– “Black Angel’s Death Song (Album Version-Stereo)”
from: The Velvet Underground & Nico (45th Anniversary Super Deluxe Edition) / Universal Records / 2012 [Orig. March 12, 1967]
[The Velvet Underground & Nico is the debut album by American rock band the Velvet Underground and vocal collaborator Nico, released in March 1967 by Verve Records. Recorded in 1966 during Andy Warhol’s Exploding Plastic Inevitable multimedia event tour, The Velvet Underground & Nico would gain attention for its experimental performance sensibilities, as well as the focus on controversial subject matter expressed in many of its songs including drug abuse, prostitution, sadism and masochism and sexual deviancy. In 1982, musician Brian Eno famously stated that while The Velvet Underground & Nico initially only sold 30,000 copies, “everyone who bought one of those 30,000 copies started a band.” Though it was a commercial failure upon release and was almost completely ignored by critics at the time, the record has since become one of the most influential and critically acclaimed rock albums in history, appearing at number thirteen on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time as well as being added to the 2006 National Recording Registry by the Library of Congress. “I’ll Be Your Mirror” is a song by The Velvet Underground. It appeared on their 1967 debut album The Velvet Underground & Nico. It also surfaced as a single a year earlier with “All Tomorrow’s Parties” in 1966. Lou Reed wrote the song for Nico, who provides lead vocals. Inspiration for the song apparently came about after Nico approached Reed after a show in 1965 saying, “Oh Lou, I’ll be your mirror.” The song was a favorite of Reed’s and The Velvet Underground & Nico engineer, Norman Dolph.]

8. Laurie Anderson – “Three Ghosts”
from: Heart of a Dog / Nonesuch / October 23, 2015
[The complete soundtrack recording of Laurie Anderson’s film, Heart of a Dog. Anderson was commissioned by the European TV network Arte to create a feature film — her first in 30 years. Her response was a personal essay entitled Heart of a Dog, a work encompassing joy and heartbreak and remembering and forgetting, at the heart of which is a lament for her late beloved piano-playing and finger-painting dog Lolabelle. Scenes range from realistic footage from the animal’s life to imagined scenes of Lolabelle’s passage through the bardo. It also includes other reflections on life and death including Anderson’s experiences in life in downtown New York after 9/11. The Nonesuch album is the full audio recording of the film, including all music and spoken text. Heart of a Dog has been shown at the Telluride, Venice, and Toronto Film Festivals to critical praise, with the New York Times calling it a “philosophically astute, emotionally charged meditation on death, love, art and dogs.” The movie was screened at the New York Film Festival on October 8, 2015, before opening theatrically at New York’s Film Forum October 21, 2015. It was also shown on HBO. ]

9. Nina Simone -“Save Me”
from: Silk and Soul / RCA / 1967
[Born Eunice Kathleen Waymon on February 21, 1933. She died on April 21, 2003. Nina Simone was a singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Simone aspired to be a concert pianist. With the help of the few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in NYC. Simone recorded more than 40 albums.”]

Michael McQuary as Béla Lugosi on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:24 – More Interview with Béla Lugosi.

We have the pleasure of welcoming back to our radio show the star of over 100 films, from his 5 decades as an actor. Bela Lugosi (1882–1956), best known for the original screen portrayal of Bram Stoker’s Dracula in 1931.

Béla Lugosi Thanks for being with us again on Wednesday MidDay Medley!

Béla Lugosi’s last film, “Plan 9 From Outer Space” featured Maila Nurmi (Dec. 11, 1922 – Jan. 10, 2008) a Finnish-American actress born in Petsamo, Finland, who created the campy character Vampira. She portrayed Vampira as TV’s first horror host. She is also billed as Vampira in the 1959 movie The Beat Generation where she plays a beatnik poet.

Bela Lugosi also starred in, Abbott and Costello Meet Frankenstein, a 1948 American horror comedy film directed by Charles Barton starring the comedy team of Abbott and Costello. The picture is the first of several films where the comedy duo meets classic characters from Universal’s horror film stable. In this film, they encounter Count Dracula (Bela Lugosi), Frankenstein’s monster (Glenn Strange), and the Wolf Man (Lon Chaney, Jr.), while subsequent films pair the duo with the Mummy, Dr. Jekyll and Mr. Hyde, and the Invisible Man. On a TV special in the early 1950s, the two did a sketch where they interacted with the latest original Universal Studios monster being promoted at the time, the Creature from the Black Lagoon (1954). The film is considered the swan song for the “Big Three” Universal horror monsters – Count Dracula, the Wolf Man and Frankenstein’s monster, none of whom had appeared in a Universal film since 1945’s House of Dracula.

Bela Lugosi (1882–1956), best known for the original screen portrayal of Bram Stoker’s Dracula in 1931, was in a large number of movies during the course of his career.

In Tim Burton’s Ed Wood, Lugosi is portrayed by Martin Landau, who received the 1994 Academy Award for Best Supporting Actor for the performance. According to Bela G. Lugosi (his son), Forrest Ackerman, Dolores Fuller and Richard Sheffield, the film’s portrayal of Lugosi is inaccurate: In real life, he never used profanity, owned small dogs, or slept in coffins. And contrary to this film, Bela did not struggle performing on The Red Skelton Show.

Lugosi was married five times, and had one son, Bela George Lugosi.
The Ellis Island Immigration Museum in NYC features a live 30-minute play that focuses on Lugosi’s illegal entry into the USA and then his arrival at Ellis Island to enter legally.
Béla Lugosi Thanks for being with us again on Wednesday MidDay Medley!

10:29

10. Michel Rubini & Denny Jaeger – “Sarah’s Panic”
from: The Hunger (Original Motion Picture Soundtrack) MGM/UA Entertainment Co./ 1983

10:30 – Underwriting

10:32 – Haunted Recordings

11. Kenneth Alwyn — “The Bride of Frankenstein (Main Title)”
from: The Bride of Frankenstein (Soundtrack from the Motion Picture) / Silva America / 1993
[The Westminster Philharmonic Orchestra conducted by Kenneth Alwyn. The Bride of Frankenstein is a 1935 horror film, sequel to Universal Pictures’ 1931 hit Frankenstein directed by James Whale with Boris Karloff as The Monster, Elsa Lanchester in the dual role of his mate and Mary Shelley, Colin Clive as Henry Frankenstein, and Ernest Thesiger as Doctor Septimus Pretorius. The film is rooted in a subplot of the original Mary Shelley novel, Frankenstein (1818). In the film, a chastened Henry Frankenstein abandons his plans to create life, only to be tempted and finally coerced by the Monster, encouraged by Henry’s old mentor Dr. Pretorius, into constructing a mate for him. Bride of Frankenstein was released to critical and popular acclaim, although it encountered difficulties with some state and national censorship boards. Since its release the film’s reputation has grown, and it has been hailed as Whale’s masterpiece. Director James Whale met Franz Waxman at a party and asked him to score the picture. “Nothing will be resolved in this picture except the end destruction scene. Would you write an unresolved score for it?” asked Whale. Waxman created three distinctive themes: one for the Monster; one for the Bride; and one for Pretorius. The score closes, at Whale’s suggestion, with a powerful dissonant chord, intended to convey the idea that the on-screen explosion was so powerful that the theater where the film was being screened was affected by it. Constantin Bakaleinikoff conducted 22 musicians to record the score in a single nine-hour session.]

12. Bobby “Boris” Pickett & The Crypt-Kickers — “Monster Mash”
from: The Original Monster Mash / Decca / August 1, 1962
[“Monster Mash” is a 1962 novelty song and the best-known song by Bobby “Boris” Pickett. The song was released as a single on Gary S. Paxton’s Garpax Records label in August 1962 along with a full-length LP called The Original Monster Mash, which contained several other monster-themed tunes. The “Monster Mash” single was #1 on the Billboard Hot 100 chart on October 20–27 of that year, just before Halloween. It has been a perennial holiday favorite ever since. Pickett was an aspiring actor who sang with a band called the Cordials at night while going to auditions during the day. One night, while performing with his band, Pickett did a monologue in imitation of horror movie actor Boris Karloff while performing the Diamonds’ “Little Darlin'”. The audience loved it, and fellow band member Lenny Capizzi encouraged Pickett to do more with the Karloff imitation. Pickett and Capizzi composed “Monster Mash” and recorded it with Gary S. Paxton, pianist Leon Russell, Johnny MacRae, Rickie Page, and Terry Berg, credited as “The Crypt-Kickers”. (Mel Taylor, drummer for the Ventures, is sometimes credited with playing on the record as well, while Russell, who arrived late for the session, appears on the single’s B-side, “Monster Mash Party”.) The song was partially inspired by Paxton’s earlier novelty hit “Alley Oop”, as well as by the Mashed Potato dance craze of the era. A variation on the Mashed Potato was danced to “Monster Mash”, in which the footwork was the same but Frankenstein-style monster gestures were made with the arms and hands. The song is narrated by a mad scientist whose monster, late one evening, rises from his slab to perform a new dance. The dance becomes “the hit of the land” when the scientist throws a party for other monsters. The producers came up with several low-budget but effective sound effects for the recording. For example, the sound of a coffin opening was imitated by a rusty nail being pulled out of a board. The sound of a cauldron bubbling was actually water being bubbled through a straw, and the chains rattling were simply chains being dropped on a tile floor. In addition to narrating the song in the Karloff voice, Pickett also impersonated fellow horror film actor Bela Lugosi as Count Dracula with the line, “Whatever happened to my Transylvania Twist?” The song was re-released several times and appeared in the U.S. Billboard charts on two occasions after the original release: August 1970 and May 1973. The BBC had banned the record from airplay in 1962 on the grounds that the song was “too morbid”. It was re-released in the United Kingdom in 1973, where it peaked at #3 in early October. In the U.S. the record re-entered the Hot 100 on May 5, 1973, peaking at #10 on August 11. On the September 15, 1973 edition of American Top 40, Casey Kasem mistakenly said that the record had accumulated 40 weeks on the Hot 100, which then would have been the all-time record, only for a listener to inform Kasem later that the record’s three weeks on the Hot 100 in 1970 had been included in the 1973 run, thus reducing the total to 37 weeks. The record has not charted on the Hot 100 since then. To celebrate the 1973 release, Bobby and the Crypt-Kickers toured Dallas and St. Louis around the 1973 Halloween holiday. On this tour, the Crypt-Kickers were composed of Brian Ray (now guitarist with Paul McCartney), drummer Brian Englund, keyboardist Don Chambers, singer Jean Ray, and others. “Monster Mash” re-entered the British charts again on November 2, 2008 at #60. “Monsters’ Holiday”, a Christmas-themed follow up, was recorded by Pickett and released in December 1962, peaking at #30 on the Billboard chart. The tune was penned by the renowned novelty song composer Paul Harrison. In 1985, with American culture experiencing a growing awareness of rap music, Pickett released “Monster Rap”, which describes the mad scientist’s frustration at being unable to teach the dancing monster from “Monster Mash” how to talk. The problem is solved when he teaches the monster to rap. A movie musical based on the song starring Pickett was released in 1995. During the 2004 presidential election, Pickett turned the song into a campaign video and retitled it “Monster Slash,” with lyrics by environmental campaigner Peter Altman, which critiqued President George W. Bush’s environmental policies. The “Transylvania Twist,” mentioned in the lyrics of “Monster Mash,” was written into a full song for the film Spookley the Square Pumpkin (Pickett narrated) and performed by The Honeydoos, a Pointer Sisters-like girl group of singing melons. The backing singers for the record were The Blossoms, led by Darlene Love.]

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:36 – Interview with Boris Karloff

Joining us now, in our 90.1 FM Radio studios is a giant star of stage & screen, an english actor who had already acted in eighty films before being found by director James Whale and cast in his 81st role as Frankenstein’s monster in the classic 1931 film Frankenstein. The role propelled him to stardom. Boris Karloff went on star in Bride of Frankenstein in 1935, and Son of Frankenstein in 1939. He also appeared as Imhotep in The Mummy in 1932.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

Boris Karloff was born William Henry Pratt on November 23, 1887, at 36 Forest Hill Road, Camberwell, Surrey (now London), England, but Pratt stated that he was born in nearby Dulwich. His parents were Edward John Pratt, Jr. and Eliza Sarah Millard. His brother, Sir John Thomas Pratt, was a British diplomat. His mother’s maternal aunt was Anna Leonowens, whose tales about life in the royal court of Siam (now Thailand) were the basis of the musical The King and I. Pratt was bow-legged, had a lisp, and stuttered as a young boy. He conquered his stutter, but not his lisp, which was noticeable throughout his career in the film industry.

Pratt spent his childhood years in Enfield, in the County of Middlesex. He was the youngest of nine children, and following his mother’s death was brought up by his elder siblings. He received his early education at Enfield Grammar School, and later at the private schools of Uppingham School and Merchant Taylors’ School. After this, he attended King’s College London where he took studies aimed at a career with the British Government’s Consular Service. However, in 1909, he left university without graduating and drifted, departing England for Canada, where he worked as a farm labourer and did various odd itinerant jobs until happening upon acting.

Karloff acted in eighty movies before being found by James Whale and cast in his eighty-first movie, Frankenstein. Karloff’s role as Frankenstein’s monster in Frankenstein propelled him to stardom. The bulky costume with four-inch platform boots made it an arduous role but the costume and extensive makeup produced the classic image.
The costume was a job in itself for Karloff with the shoes weighing 11 pounds each. Universal Studios was quick to acquire ownership of the copyright to the makeup format for the Frankenstein monster that Jack P. Pierce had designed. Karloff was soon cast as Imhotep who is revived in The Mummy, a mute butler in The Old Dark House (with Charles Laughton) and the starring role in The Mask of Fu Manchu, which were all released within a few months of each other in late 1932. These films confirmed Karloff’s stardom. 5′ 11″, brown-eyed Karloff still played roles in other genres besides horror, such as a religious World War I soldier in the John Ford epic The Lost Patrol (1934).

Horror, however, had now become Karloff’s primary genre, and he gave a string of lauded performances in Universal’s horror films, including several with Bela Lugosi, his main rival as heir to Lon Chaney’s status as the leading horror film star. While the long-standing, creative partnership between Karloff and Lugosi never led to a close friendship, it produced some of the actors’ most revered and enduring productions, beginning with The Black Cat (1934) and continuing with Gift of Gab (1934), The Raven (1935) and The Invisible Ray (1936). Karloff reprised the role of Frankenstein’s monster in two further films, Bride of Frankenstein (1935) and Son of Frankenstein (1939), the latter also featuring Lugosi, with Basil Rathbone replacing Colin Clive as the scientist playing god. Rathbone appeared with Karloff again in Tower of London (1939) as the murderous henchman of King Richard III. Karloff revisited the Frankenstein mythos in several later films as well, taking the starring role of the villainous Dr. Niemann in House of Frankenstein (1944), in which the monster was played by Glenn Strange. He reprised the role of the “mad scientist” in 1958’s Frankenstein 1970 as Baron Victor von Frankenstein II, the grandson of the original creator. The finale reveals that the crippled Baron has given his own face (i.e., Karloff’s) to the monster.

10:41 – Haunted Recordings

13. Jason Beers – “Release the Mice!”
from: Ghoulish Songs for Cretins / Jason Beers / August 20, 2018
[Multi-instrumentalist and songwriter Jason Beers is a founding member of The Brannock Device, Dead Voices, and WYCO Lowriders with Johnny Hamil. Jason is known for his bass playing, and his work with Clawhammer banjo, organ/piano/keyboards, trumpet, musical saw, spoons, harmonica, and guitar. Jason has also released multiple recordings with the bands he is associated with through the years. As a solo artist, this year alone, Jason has released 10 full length albums, all available, with 9 previously released albums on his BandCamp page: http://www.jasonbeers.bandcamp.com]

14. Siouxsie & The Banshees – ” Halloween”
from: Juju / Polydor / June 6, 1981
[4th studio album from British post-punk band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. Initially associated with the English punk rock scene, the band rapidly evolved to create “a form of post-punk discord full of daring rhythmic and sonic experimentation”. The Times cited Siouxsie and the Banshees as “one of the most audacious and uncompromising musical adventurers of the post-punk era.” With the release of Juju the group became an important influence on the emerging gothic rock scene. They disbanded in 1996, with Siouxsie and drummer Budgie continuing to record music as The Creatures, a 2nd band they’d formed in the early 1980s. In 2004, Siouxsie began a solo career.]

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:48 – More with Boris Karloff

In non-horror roles, he is best-known for narrating and as the voice of Grinch in the animated television special of Dr. Seuss’ How the Grinch Stole Christmas! from 1966. For his contribution to film and television, Boris Karloff was awarded two stars on the Hollywood Walk of Fame.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

The 1940s and 1950s – An enthusiastic performer, he returned to the Broadway stage in the original production of Arsenic and Old Lace in 1941, in which he played a homicidal gangster enraged to be frequently mistaken for Karloff. Frank Capra cast Raymond Massey in the 1944 film, which was shot in 1941, while Karloff was still appearing in the role on Broadway (the play’s producers allowed the film to be made under the condition that it not be released until the play closed). He reprised the role on television in the anthology series The Best of Broadway (1955), and with Tony Randall and Tom Bosley in a 1962 production on the Hallmark Hall of Fame.
In 1944, he underwent a spinal operation to relieve his chronic arthritic condition.

His connection with Bela Lugosi continued with Black Friday (1940), You’ll Find Out (also 1940) and The Body Snatcher (1945), the first of three films with RKO produced by Val Lewton. Isle of the Dead (also 1945) and Bedlam (1946) completed the trio.

He married 5 times and had 1 daughter Sara Karloff, by his 4th wife. One marriage was in 1946 right after his divorce. At the time of his daughter’s birth, he was filming Son of Frankenstein and reportedly rushed from the film set to the hospital while still in makeup.

For his contribution to film and television, Boris Karloff was awarded two stars on the Hollywood Walk of Fame, at 1737 Vine Street for motion pictures, and 6664 Hollywood Boulevard for television. Karloff was featured by the U.S. Postal Service as Frankenstein’s Monster and the Mummy in its series “Classic Monster Movie Stamps” issued in September 1997. In 1998, an English Heritage blue plaque was unveiled in his hometown in London. The British film magazine Empire in 2016 ranked Karloff’s portrayal as Frankenstein’s monster the sixth-greatest horror movie character of all time.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

10:53 – Haunted Recordings

15. Thom Yorke – “Voiceless Terror”
from: Suspiria (Music for the Luca Guadagnino Film) / XL Recordings / October 26, 2018
[Suspiria is a 2018 supernatural horror film directed by Luca Guadagnino and written by David Kajganich, based on the 1977 film directed by Dario Argento. Radiohead singer Thom Yorke composed the score, his first feature film soundtrack. It features the London Contemporary Orchestra and Choir and Yorke’s son Noah on drums. He initially refused the offer, but accepted after months of requests from Guadagnino. Much of the score was completed prior to the film shoot, which afforded Guadagnino the opportunity to play the musical score on set during filming. Yorke cited inspiration from the 1982 Blade Runner soundtrack, musique concrète artists such as Pierre Henry, modern electronic artists such as James Holden, and music from the film’s 1977 Berlin setting, such as krautrock. He said: “There’s a way of repeating in music that can hypnotise. I kept thinking to myself that it’s a form of making spells. So when I was working in my studio I was making spells. I know it sounds really stupid, but that’s how I was thinking about it.” Suspiria stars Dakota Johnson, Tilda Swinton in a triple role, Mia Goth, Angela Winkler, Ingrid Caven, Elena Fokina, Sylvie Testud, Renée Soutendijk, Christine LeBoutte, Fabrizia Sacchi, Małgosia Bela, Jessica Harper, and Chloë Grace Moretz. Harper, the lead in the original film, appears in a different role. Set in 1977 Berlin, the plot follows a young American dancer who enrolls at a prestigious dance academy controlled by a coven of witches. Unlike in Argento’s original film which utilized exaggerated color, Guadagnino conceived Suspiria as visually “winter-ish” and bleak, absent of any primary colors. The film also incorporates stylized dance sequences choreographed by Damien Jalet, which factor significantly in its representation of witchcraft. Concurrent to its plot surrounding the coven is a secondary plot involving a psychotherapist who lost his wife under the Nazi regime. Principal photography for Suspiria took place in late 2016 and early 2017 in Varese and Berlin. The score was composed by Radiohead singer Thom Yorke, who completed much of the arrangements prior to and during filming. Suspiria premiered at the 75th Venice International Film Festival on September 1, 2018. In the United States, it was released in a limited release by Amazon Studios in Los Angeles and New York on October 26, 2018, followed by Halloween screenings in select cities before opening wide on November 2, 2018. It will be released in the United Kingdom by Mubi on November 16, 2018.]

16. Jametatone – “Too Late”
from: Empty Bliss / J. Ashley Miller / March 21, 2017
[3-song rare EP from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the The 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe “Unplugged” with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. On December 21, 2017 Jametatone released anew 10-song album “Frog In The Pot”, the solo project of J. Ashley Miller who also records with his band as Metatone You can view more of Ashley’s work at http://www.jametatone.com.]

17. The Misfits – “Halloween”
from: Halloween – Single / Plan 9 Records / October 31, 1981
[Also available on Just Can’t Get Enough: New Wave Halloween. “Halloween” is the 5th single by the horror punk band the Misfits. It was released on singer Glenn Danzig’s label Plan 9 Records. 5,000 copies of the single were pressed on black 7″ vinyl, some of which included a lyrics sheet. This was the first Misfits release to use their Famous Monsters of Filmland-inspired logo, as well as the first to refer to the band as simply “Misfits”. American punk rock band recognized as the progenitors of the horror punk subgenre, blending punk and other musical influences with horror film themes. Founded in 1977 in Lodi, New Jersey by singer & songwriter Glenn Danzig, the group had a fluctuating lineup during its first six years, with Danzig and bassist Jerry Only as the only consistent members. During this time they released several EPs and singles, and with Only’s brother Doyle as guitarist, the albums Walk Among Us (1982) and Earth A.D./Wolfs Blood (1983), both considered touchstones of the early-1980s hardcore punk movement. Misfits disbanded in 1983 and Danzig went on to form Samhain and then the eponymous Danzig. Several albums of reissued and previously unreleased material were issued after the group’s dissolution, and their music became influential to punk rock, heavy metal, and alternative rock music.]

11:01 – Station ID

11:00 – Haunted Recordings

18. Bette Davis – “Kaleidoscope, Broadcast on BBC Radio (Sept. 11, 1974)”
from: Bette Davis In Her Own Words / AudioGO Ltd / September 26, 2011
[In a selection of interviews ranging from 1958 to 1987, Bette Davis talks about visiting England; her career as a star; the film studio’s attempts to change her name and image, and the Hollywood film system. Interviews include: Profile, BBC TV (first broadcast 12 September 1958); Bette Davis at the NFT, BBC TV (first broadcast 17 December 1972); Kaleidoscope, BBC Radio (first broadcast 11 September 1974); Parkinson, BBC TV (18 October 1975); Nine Five, BBC TV (first broadcast 31 October 1975); Woman’s Hour, BBC Radio (first broadcast 12 September 1979); Arena, BBC TV (first broadcast 2 November 1983). Due to the age and nature of this archive material, the sound quality may vary.]

19. Bette Davis – “Whatever Happened to Baby Jane”
from: The Andy Williams Show / Unreleased / December 20, 1962
[Shortly after filming What Ever Happened To Baby Jane? On December 20, 1962, Bette Davis was a guest on The Andy Williams Show to promote the film and upcoming record. When Williams asked Davis what her new record sounded like, she used her fabulous sense of humor to compare it to Chubby Checker. Things really got good when Williams announced that Davis would be performing a little tune for the audience. Davis brought the awesome in a sparkly blue dress, with some sassy dance moves and a set of raspy vocal pipes that were clearly touched by years of constant chain-smoking. The best part is that Davis was happily aware of the camp and the silliness of her performance but she let it rip, regardless. What Ever Happened To Baby Jane? / was released on 7″ Vinyl, in 1962 credited to Bette Davis and Debbie Burton (who on the record does most of the singing) The B-side is: “I’ve Written A Letter To Daddy” on MGM Records.]

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

11:03 – Interview with Bette Davis

Ruth Elizabeth “Bette” Davis was born April 5, 1908 in Lowell, Massachusetts (She died on October 6, 1989). She was an American actress of film, television, and theater. With a career spanning 60 years, she is regarded as one of the greatest actresses in Hollywood history. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute.

Bette Davis Thanks for being with us again on Wednesday MidDay Medley

“Bette” Davis was noted for playing unsympathetic, sardonic characters, and was famous for her performances in a range of film genres, from contemporary crime melodramas to historical and period films, suspense horror, and occasional comedies, although her greatest successes were her roles in romantic dramas.

After appearing in Broadway plays, Davis moved to Hollywood in the summer of 1930. However, her early films for Universal Studios (and as a loanout to other studios) were unsuccessful. She joined Warner Bros. in 1932, and established her career with several critically acclaimed performances. In 1937, she attempted to free herself from her contract. Although she lost the well-publicized legal case against the studio, it marked the beginning of the most successful period of her career. Until the late 1940s, she was one of American cinema’s most celebrated leading ladies, known for her forceful and intense style. Davis gained a reputation as a perfectionist who could be highly combative and confrontational. She clashed with studio executives and film directors, as well as many of her co-stars. Her forthright manner, idiosyncratic speech, and ubiquitous cigarette contributed to a public persona, which has often been imitated.

Davis was the co-founder of the Hollywood Canteen, and was the first female president of the Academy of Motion Picture Arts & Sciences. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute. Her career went through several periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships. Married four times, she was once widowed and three times divorced, and raised her children as a single parent. Her final years were marred by a long period of ill health, but she continued acting until shortly before her death from breast cancer, with more than 100 film, television, and theater roles to her credit during her six-decade-long career. In 1999, Davis was placed second behind Katharine Hepburn on the American Film Institute’s list of the greatest female stars of classic Hollywood cinema.

11:08 – Haunted Recordings

20. Madonna – “Frozen”
from: Ray Of Light / Maverick – Warner Bros. / February 22, 1998
[7th studio album by Madonna. After giving birth to her first child, Madonna started working on the album with producers Babyface & Patrick Leonard. Following failed sessions, Madonna pursued a new musical direction with English producer William Orbit. The recording process was the longest of Madonna’s career and experienced problems with Orbit’s hardware arrangement, which would break down, and recording would be delayed until they could be repaired. A departure, Ray of Light is an electronica and dance album which incorporates multiple genres, including ambient, trip hop, and Middle Eastern music. Vocally, the album saw Madonna sing with greater breadth and a fuller tone. Mystical themes are also strongly present in both the music & lyrics, as a result of Madonna embracing Kabbalah, her study of Hinduism & Buddhism, as well as her daily practice of Ashtanga Yoga. The album received universal acclaim, with reviews commending the singer’s new musical direction. Called her “most adventurous” record, Ray of Light has been noted for its introspective, spiritual nature, with Madonna’s vocals also being praised. Ray of Light won four Grammy Awards from a total of six nominations. The album peaked at #1 in several countries including Australia, Canada, Germany, Poland, and the UK. The album debuted at #2 on the US Billboard 200, with the biggest first-week sales by a female artist at the time, and has sold over 16 million copies worldwide. Five singles were released from the album, including the international hits “Frozen” and “Ray of Light”. The album’s promotion was later supported by the Drowned World Tour in 2001. Academics have noted the album’s influence on popular music, and how it introduced electronica into mainstream pop culture. They also noted Madonna’s musical re-invention which helped her remain contemporary among the teen-marketed artists of the period. Ray of Light is frequently cited by critics as one of the greatest albums of all time.]

21. Cesar Davila-Irizarry & Charlie Clouser – “American Horror Story Theme”
from: American Horror Story Theme – Single / 20th Century Fox TV Records / Oct 17, 2012
[The song was composed in 1998 by César Dávila-Irizarry. Today he’s a television sound editor in Los Angeles, but back then he was just a sophomore at the University of Puerto Rico, living at his mother’s house, futzing around with digital remixes on Windows ’95. “I started playing around with the software that other people were using then, which was Cool Edit 96,” he recalls. “I was just getting some demons out.” He grew attached to a particular sparse, haunting melody and added sounds of clattering metal hangers, dripping water and white noise—all distorted beyond recognition. To some ears, the hangers might sound like an electric guitar. He gave the song to his friend Gabriel Diaz and didn’t think much about it until Diaz—now an editor at Prologue Pictures—dusted off the track a decade later and slotted it in as a temp track for the American Horror Story title sequence. (A temp track is placeholder music that editors use while working on rough cuts.) Everyone at FX and Prologue grew so accustomed to Dávila-Irizarry’s song, they decided to keep it—even after hiring composer Charlie Clouser (formerly of Nine Inch Nails) to write entirely new music. Clouser submitted four of his own demos, but each time was told to make the music sound more like the temp track.

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

11:15 – More with Bette Davis

We’re with legendary star of film Bette Davis was born April 5, 1908 in Lowell, Massachusetts (She died on October 6, 1989). She was, regarded as one of the greatest actresses in Hollywood history. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute.

Bette Davis – Thanks for being with on Wednesday MidDay Medley

In 1930, 22-year-old Davis moved to Hollywood to screen test for Universal Studios. Davis and her mother traveled by train to Hollywood. She later recounted her surprise that nobody from the studio was there to meet her. In fact, a studio employee had waited for her, but left because he saw nobody who “looked like an actress”. She failed her first screen test, but was used in several screen tests for other actors. In a 1971 interview with Dick Cavett, she related the experience with the observation, “I was the most Yankee-est, most modest virgin who ever walked the earth. They laid me on a couch, and I tested fifteen men … They all had to lie on top of me and give me a passionate kiss. Oh, I thought I would die. Just thought I would die.” A second test was arranged for Davis, for the 1931 film A House Divided. Hastily dressed in an ill-fitting costume with a low neckline, she was rebuffed by the film director William Wyler, who loudly commented to the assembled crew, “What do you think of these dames who show their chests and think they can get jobs?”. Carl Laemmle, the head of Universal Studios, considered terminating Davis’ employment, but cinematographer Karl Freund told him she had “lovely eyes” and would be suitable for Bad Sister (1931), in which she subsequently made her film debut. Her nervousness was compounded when she overheard the chief of production, Carl Laemmle, Jr., comment to another executive that she had “about as much sex appeal as Slim Summerville”, one of the film’s co-stars. The film was not a success, and her next role in Seed (1931) was too brief to attract attention.

Universal Studios renewed her contract for three months, and she appeared in a small role in Waterloo Bridge (1931), before being lent to Columbia Pictures for The Menace, and to Capital Films for Hell’s House (all 1932). After one year, and six unsuccessful films, Laemmle elected not to renew her contract. Davis was preparing to return to New York when actor George Arliss chose Davis for the lead female role in the Warner Bros. picture The Man Who Played God (1932), and for the rest of her life, Davis credited him with helping her achieve her “break” in Hollywood. The Saturday Evening Post wrote, “She is not only beautiful, but she bubbles with charm”, and compared her to Constance Bennett and Olive Borden.

Warner Bros. signed her to a 5-year contract, and she remained with the studio for the next 18 years. Davis married Harmon Oscar Nelson on August 18, 1932, in Yuma, Arizona. Their marriage was scrutinized by the press; his $100 a week earnings compared unfavorably with Davis’ reported $1,000 a week income. Davis addressed the issue in an interview, pointing out that many Hollywood wives earned more than their husbands, but the situation proved difficult for Nelson, who refused to allow Davis to purchase a house until he could afford to pay for it himself. Davis had several abortions during the marriage. After more than 20 film roles, the role of the vicious and slatternly Mildred Rogers in the RKO Radio production of Of Human Bondage (1934), a film adaptation of W. Somerset Maugham’s novel, earned Davis her first major critical acclaim. Many actresses feared playing unsympathetic characters, and several had refused the role, but Davis viewed it as an opportunity to show the range of her acting skills. Her co-star, Leslie Howard, was initially dismissive of her, but as filming progressed, his attitude changed, and he subsequently spoke highly of her abilities. The director John Cromwell allowed her relative freedom: “I let Bette have her head. I trusted her instincts.” She insisted that she be portrayed realistically in her death scene, and said: “The last stages of consumption, poverty, and neglect are not pretty, and I intended to be convincing-looking.” The film was a success, and Davis’ characterization won praise from critics, with Life writing that she gave “probably the best performance ever recorded on the screen by a U.S. actress”. Davis anticipated that her reception would encourage Warner Bros. to cast her in more important roles, and was disappointed when Jack L. Warner refused to lend her to Columbia Studios to appear in It Happened One Night, and instead cast her in the melodrama Housewife. When Davis was not nominated for an Academy Award for Of Human Bondage, The Hollywood Citizen News questioned the omission, and Norma Shearer, herself a nominee, joined a campaign to have Davis nominated. This prompted an announcement from the Academy president, Howard Estabrook, who said that under the circumstances, “any voter … may write on the ballot his or her personal choice for the winners”, thus allowing, for the only time in the Academy’s history, the consideration of a candidate not officially nominated for an award. The uproar led, however, to a change in academy voting procedures the following year, wherein nominations were determined by votes from all eligible members of a particular branch, rather than by a smaller committee, with results independently tabulated by the accounting firm Price Waterhouse. Davis appeared in Dangerous (1935) as a troubled actress, and received very good reviews.

Following the attack on Pearl Harbor, Davis spent the early months of 1942 selling war bonds. After Jack Warner criticized her tendency to cajole crowds into buying, she reminded him that her audiences responded most strongly to her “bitch” performances. She sold $2 million worth of bonds in two days, as well as a picture of herself in Jezebel for $250,000. She also performed for black regiments as the only white member of an acting troupe formed by Hattie McDaniel, which included Lena Horne and Ethel Waters.

In 1960, Davis, a registered Democrat, appeared at the 1960 Democratic National Convention in Los Angeles, where she met future President John F. Kennedy, whom she greatly admired. Outside of acting and politics, Davis was an active and practicing Episcopalian.

1961-1970: Renewed success – Davis received her final Academy Award nomination for her role as demented Baby Jane Hudson in What Ever Happened to Baby Jane? (1962) Davis and Joan Crawford played two aging sisters, former actresses forced by circumstance to share a decaying Hollywood mansion. The director, Robert Aldrich, explained that Davis and Crawford were each aware of how important the film was to their respective careers, and commented: “It’s proper to say that they really detested each other, but they behaved absolutely perfectly.” After filming was completed, their public comments against each other allowed the tension to develop into a life-long feud. When Davis was nominated for an Academy Award, Crawford contacted the other Best Actress nominees (who were unable to attend the ceremonies) and offered to accept the award on their behalf, should they win. When Anne Bancroft was announced as winner, Crawford accepted the award on Bancroft’s behalf.

Hush… Hush, Sweet Charlotte (1964) was Robert Aldrich’s follow-up to What Ever Happened to Baby Jane?. Aldrich planned to reunite Davis and Crawford, but Crawford withdrew allegedly due to illness soon after filming began. She was replaced by Olivia de Havilland. The film was a considerable success, and brought renewed attention to its veteran cast, which also included Joseph Cotten, Mary Astor, Agnes Moorehead, and Cecil Kellaway.

Davis’ name became well known to a younger audience when Kim Carnes’ song “Bette Davis Eyes” (written by Jackie DeShannon) became a worldwide hit and the best-selling record of 1981 in the U.S., where it stayed at #1 on the music charts for more than two months. Davis’ grandson was impressed that she was the subject of a hit song and Davis considered it a compliment, writing to both Carnes and the songwriters, and accepting the gift of gold and platinum records from Carnes, and hanging them on her wall.

Bette Davis – Thanks for being with on Wednesday MidDay Medley

11:20 – Haunted Recordings

22. Screaming Jay Hawkins – “I Put a Spell on You”
from: Single – (Jeremy Sole’s Zombie Stomp Remix) / self released / 2011
[Jeremy Sole is a critically acclaimed DJ, he is also a radio show host at KCRW in Santa Monica, California (www.kcrw.com) and is Co-Founder and resident deejay of “AFRO FUNKÉ.” Sole has drawn a loyal crowd every week for the past 7 years. This is his arena for Afrobeat, Latin, Brazilian and other authentic and remixed world rhythms. Hundreds of international guests have joined him, from deejays Rich Medina and Cut Chemist to impromptu jam sessions with Zap Mama and Stevie Wonder. “Jeremy is a great DJ, presenter, producer and knower-of-music …an extremely cool dude. I cannot stop listening to his remix of ‘I Put A Spell On You’ …it’s irresistible.” – Henry Rollins]

23. Snoop Dogg–”Murder Was the Case (Death After Visualizing Eternity)[feat. Dat Nigga Daz]”
from: Doggystyle / Death Row Records / November 23, 1993
[Debut studio album by American rapper Snoop Doggy Dogg. IThe album was recorded and produced following Snoop’s appearances on Dr. Dre’s debut solo album The Chronic (1992), to which Snoop contributed significantly. The West Coast style in hip-hop that he developed from Dre’s first album continued on Doggystyle. Critics have praised Snoop Doggy Dogg for the lyrical “realism” that he delivers on the album and for his distinctive vocal flow. Despite some mixed criticism of the album initially upon its release, Doggystyle earned recognition from many music critics as one of the most significant albums of the 1990s, as well as one of the most important hip-hop albums ever released. Much like The Chronic, the distinctive sounds of Doggystyle helped introduce the hip-hop subgenre of g-funk to a mainstream audience, bringing forward West Coast hip hop as a dominant force in the early-1990s. Doggystyle debuted at No. 1 on the Billboard 200, selling 806,858 copies in its first week alone in the United States, which was the record for a debuting artist and the fastest-selling hip-hop album ever. Doggystyle was included on The Source magazine’s list of the 100 Best Rap Albums; as well as Rolling Stone magazine’s list of Essential Recordings of the ’90s.[3] About.com placed the album in No. 17 of the greatest hip hop/rap albums of all time.The album was certified quadruple platinum by the Recording Industry Association of America (RIAA). By November 2015, the album had sold 7 million copies in the United States, and over 11 million copies worldwide.]

24. AKADUNGEONMASTER –”SOF TRAP INTERLUDE”
from: SWINE FLU INSTRUMETALS VERSION ONE / Mother Russia Industries / July 13, 2013
[The experimental project of Tim J. Harte. musician, composer, co-founder of the Kansas City record label, Mother Russia Industries, Tim J.Harte makes music using Sega Genesis, Dungeons and Dragons, math and several hard working laptop computers. Tim J. Harte is currently studiing composition at UMKC’s Conservatory of Music. He just recently composed music and conducted a 7 piece ensemble for Trench Warfare, a theatrical performance presented last Saturday evening, January 13, at the National World War I Museum and Memorial J.C. Nichols Auditorium. Tim also composed original music for Ryan Wilks art exhibit, Here Where You Wish, is an immersive public installation at the Kansas City Public Library.]

Cristine McCurdy, Michael McQuary , Rebecca Monroe, and Mark Manning on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

11:28 – Underwriting

11:30 – Haunted Recordings

25. Kraftwerk – “Intermission (2009 Remaster)”
from: Radio-Activity (2009 Remaster) / Parlophone Records / October 6, 2009
[Origianally released in October 1975. The fifth studio album by German electronic band Kraftwerk. It is a concept album organized around the theme of radio communication. To cater to the band’s international audience, all releases of the album were bilingual with lyrics in both English and German, the only localised difference being the album and track titles. being about radioactivity and the other half about activity on the radio. More word plays are evident in the track listing: “Radio Stars”, which as a title could refer to pop stars, but upon listening is revealed to be about quasars and pulsars. This was the first Kraftwerk album to be entirely self-produced by Ralf Hütter and Schneider in their Kling Klang studio, and the first one to be performed by the “classic” Hütter, Florian Schneider, Karl Bartos and Wolfgang Flür line-up. All the music was written by Hütter and Schneider, with Emil Schult collaborating on lyrics. Schult also designed the artwork – a modified illustration of a late-1930s ‘Deutscher Kleinempfänger’ radio. It was the first Kraftwerk album to feature use of the distinctive Vako Orchestron keyboard (choir, string and organ sounds), which the group had purchased on their recent US Autobahn tour and the Moog Micromoog which was used extensively on this album. Notably, it provided the harsh sounds on the track “Antenna”. The band’s custom-built electronic percussion also featured heavily in the sound, and extensive use was made of the vocoder. The usual synthesizers were present (including Minimoog and ARP Odyssey), and Hütter’s Farfisa electronic piano made a return on “Transistor”. For the first time the group did not use flute, violin or guitars. By 1975, Hütter and Schneider’s previous publishing deals with Capriccio Music and Star Musik Studio of Hamburg had expired. The compositions on Radio-Activity were published by their own newly set up Kling Klang Verlag music publishing company, giving them greater financial control over the use of songwriting output. Also, the album was the first to bear the fruit of Kling Klang as an established vanity label under the group’s new licensing deal with EMI. The album reached #59 in Canada, in February 1976. The title track “Radioactivity” was released as a single, and became a hit in France after it was used as the theme to a popular music show. The song was later re-recorded by Kraftwerk for their 1991 album The Mix. It was further remixed, for subsequent single release, by William Orbit and François Kevorkian.]

26. Jimi Shawndi – “Creatures Of The Night ( Michael Mixxxx)”
from: Creatures of The Night – Single / Jimi Shwndi / 2018
[This recording features the vocal talents of Michael McQuary]

11:33 – Interview with Michael McQuary

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

“Michael McQuary is more than a pretty face, and he’s got a thousand, anyway. His is a talent today’s entertainment world needs more of. From Fu Manchu to Phantoms to Dietrich, Michael carries them all off to perfection, and I knew the originals. This talented entertainer perfects his transformations while allowing the audience a glimpse of the artist beneath the mask.” – Rex Reed

Michael McQuary – Thanks for being with on Wednesday MidDay Medley

Stage & screen actor, Michael McQuary was born and raised in Portland, Oregon in the 1960s. Michael tells us that he learned about the world “sideways,” and that as a child, “the movies took care of him.”

Michael remembers, at the age of 6, pointing to the television, spellbound by Bela Lugosi as Count Dracula, he said to his mother, “Look how he holds his cape!” From then on Michael’s childhood was focused on his own creative world.

Michael is a master impressionist, with a unique take on the legendary “Monsters of Filmland” and the brightest stars of Hollywood’s golden age. Michael is also a character actor and can be seen in multiple films and shorts.

Michael was the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, Crystal Allan Strikes Back, Back Then They Had Faces, My Own Space and most recently, for KC Fringe Festival “I’m Hollywood.”

He is also a visual stylist and original “Party Monster – Club Kid” from downtown NYC.
Along with performing, Michael McQuary works as a visual artist, making a name for himself at celebrated events where he wows spectators with #youressenceinseconds.

Michael also designs very special works that are forged into art and jewelry based on a one-of-a-kind symbols he creates individually for clients through his company: http://www.YourPowerSign.com.

Michael McQuary – Thanks for being with on Wednesday MidDay Medley

11:40 – Apocalypse Meow 11

27. Hot Suede – “Forget About You”
from: Forget About You – Single / Hot Suede / August 16, 2018
[Formed October 4, 2017, Hot Suede is a new original rock and roll band from Kansas City, Missouri showcasing fiery guitar riffs, an equally groovy and thunderous rhythm section, soaring vocals, and unparalleled swagger. Rising from the ashes of juggernaut Cherokee Rock Rifle, guitarists Doug Nelson, Scott Reed, and drummer Brett Southard joined forces with bassist Chad Toney and vocalist Wayne Hutcherson aka Bobby W. Topaz to form an unpretentious rock band with classic undertones and guitar-driven songwriting. On October 12, 2017 Hot Suede released the single “Get What You Came For.” On December 20, 2017 Hot Suede released the single, “Make It Harder.” More info at: http://www.hotsuede.com]

[Hot Suede play Mills Record Company, Fri, Nov 2, at 7:00 PM for Apocalypse Meow 11, Night One.]

11:43 – Interview with Sondra Freeman

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

Abigail Henderson co-founded Midwest Music Foundation, since her death, five years ago, friends, musicians, collaborators have kept this not-for-profit alive.

Midwest Music Foundation is a part of events all year round: Midcoast Takeover, Middle of The Map Fest, Crossroads Music Fest, and more.

The Midwest Music Foundation and 90.9 The Bridge are proud to present the 11th Annual Apocalypse Meow to benefit Abby’s Fund for Musicians’ Health Care on Friday, Nov. 2 and Saturday, Nov. 3.

For more information http://www.midwestmusicfoundation.org/apocalypsemeow

It kicks off with a free, all-ages concert at Mills Record Company (4045 Broadway Blvd) on Friday, Nov. 2, with Hot Suede and The Whiffs. Doors open at 7 p.m., and Barry Lee (KKFI 90.1 FM) will emcee.

The main event is held on Saturday, Nov. 3, at recordBar (1520 Grand Blvd), with doors opening at 6 p.m. The Too Much Rock Main Stage will showcase performances by Bacon Shoe, The Almighty Trouble Brothers, Chris Meck and The Second Sons, and Chase The Horseman. Jen Harris, Kelly Hunt and Eems will perform on the acoustic stage. Jonathan Wier (The Jonathan Wier Show, KMBZ-FM 98.1) and Paul Chandler (X105.1KC and 105.9 KISS FM) will emcee. Tickets for Saturday are available for $10 at this link or $15 at the door.

RockDocs, a collaboration of University of Kansas and the Community Health Council of Wyandotte County will be on site Saturday to offer health care and ACA information, screenings, wellness programs, opportunities to discuss health conditions and concerns, and arrange follow ups.

A silent auction and raffles will feature an assortment of items donated by local businesses. This event is supported by the Kansas City Neighborhood Tourist Development Fund. More information and a full list of sponsors can be found here. To view a promotional video about Apocalypse Meow with support from Mayor Sly James, visit this link.

In 2008, Apocalypse Meow was established to raise medical funds for local musician Abigail Henderson, who had been diagnosed with cancer. Compelled to give back to the community, she co-founded MMF to provide musicians with health care assistance. Though she passed away in 2013, Abigail’s mission continues — MMF provides financial resources, educational programs, health clinics and events throughout the year. Abby’s Fund dispenses emergency health care grants to KC-area musicians, having contributed more than $130,000 since its inception.

For more information you can visit http://www.midwestmusicfoundion.org.

11:55

28. Chase The Horseman – “RIPchord”
from: RIPchord – Single / Chase the Horseman / eOctober 24, 2017
[Recorded at Element Recording with Engineering, Mixing, Mastering, Coiling, Tutelage nu Joel Nanos , and Fritz Hutchison on C&C Drums, Kustom K Cymbals, Heidi Lynne Gluck on Fender Jazz Bass, Grounding, and Chase Horseman on Prophet 600, Wurlitzer 206, Drumbrute, Arp Explorer, Hagstrom 12-String, Framus 12 String, vox. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more.]

[Chase The Horseman plays Apocalypse Meow 11, Saturday, November 3 at recordBar, 1520 Grand with Chris Meck and the Second Sons, Bacon Shoe, The Almighty Trouble Brothers, Jen Harris, Kelly Hunt and Eems.]

29. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on November 7 we play more of New & MidCoastal Releases. Plus we’ll be joined by company members of Spinning Tree Theatre’s production of “The Nance” running through November 18 at Just Off Broadway Theatre, 3051 Central, KCMO. We’ll also talk with Ben Parks and Matthew Dunehoo about the debut recording of their band SLIGHTS and their album release show, November 30, at recordBar.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #758

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Wednesday MidDay Medley’s Halloween with Béla, Boris, & Bette + Apocalypse Meow 11

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 31, 2017

Happy Halloween with Béla, Boris, & Bette
+ Man of 1001 Faces – Michael McQuary
+ Sondra Freeman & Apocalypse Meow 11

On Halloween Mark plays New & MidCoastal & “Haunted Recordings” from: Hot Suede, Chase The Horseman, Jametatone, Jason Beers, AKA Dundeon Master, St. Vincent, Thom Yorke, Snoop Dogg, Kraftwerk, Laurie Anderson, Nina Simone, Sonic Youth, Madonna, Siouxsie & The Banshees, The Misfits, The Velvet Underground, Screaming Jay Hawkins, Michel Rubini & Denny Jaeger, William Stromberg & Moscow Symphony Orchestra, Kenneth Alwyn, Bette Davis, Cesar Davila-Irizarry & Charlie Clouser, Bobby “Boris” Pickett & The Crypt-Kickers, Donald Trump, and The Jimi Shawndi Band.

Portions of our show will co-hosted by Béla Lugosi, Boris Karloff, and Bette Davis as played by our special guest star, Michael McQuary.

“Michael McQuary is more than a pretty face, and he’s got a thousand, anyway. His is a talent today’s entertainment world needs more of. From Fu Manchu to Phantoms to Dietrich, Michael carries them all off to perfection, and I knew the originals. This talented entertainer perfects his transformations while allowing the audience a glimpse of the artist beneath the mask.” – Rex Reed

Stage & screen actor, Michael McQuary was born and raised in Portland, Oregon in the 1960s. Michael tells us that he learned about the world “sideways,” and that as a child, “the movies took care of him.” Michael remembers, at the age of 6, pointing to the television, spellbound by Bela Lugosi as Count Dracula, he said to his mother, “Look how he holds his cape!” From then on Michael’s childhood was focused on his own creative world. Michael is a master impressionist, with a unique take on the legendary “Monsters of Filmland” and the brightest stars of Hollywood’s golden age. Michael is also a character actor and can be seen in multiple films and shorts. Michael was the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, Crystal Allan Strikes Back, Back Then They Had Faces, My Own Space and most recently, for KC Fringe Festival “I’m Hollywood.” He is also a visual stylist and original “Party Monster – Club Kid” from downtown NYC. Along with performing, Michael McQuary works as a visual artist, making a name for himself at celebrated events where he wows spectators with #youressenceinseconds. Michael also designs very special works that are forged into art and jewelry based on a one-of-a-kind symbols he creates individually for clients through his company: http://www.YourPowerSign.com.

At 11:40 we talk with Sondra Freeman of Midwest Music Foundation about the 11th annual Apocalypse Meow benefit concert on Friday, Nov. 2 and Saturday, Nov. 3. The annual concert is MMF’s primary fundraiser for Abby’s Fund For Musicians’ Health Care. It kicks off with a free, all-ages concert at Mills Record Company (4045 Broadway Blvd) on Friday, Nov. 2, with Hot Suede and The Whiffs. Doors open at 7 p.m., and Barry Lee (KKFI 90.1 FM) will emcee. The main event is held on Saturday, Nov. 3, at recordBar (1520 Grand Blvd), with doors opening at 6 p.m. The Too Much Rock Main Stage will showcase performances by Bacon Shoe, The Almighty Trouble Brothers, Chris Meck and The Second Sons, and Chase The Horseman. Jen Harris, Kelly Hunt and Eems will perform on the acoustic stage. Jonathan Wier (The Jonathan Wier Show, KMBZ-FM 98.1) and Paul Chandler (X105.1KC and 105.9 KISS FM) will emcee. Tickets for Saturday are available for $10 at this link or $15 at the door. More information about Apocalypse Meow 11 and MMF can be found at midwestmusicfoundation.org.

Michael McQuary as Bette Davis by Paul Andrews Photography
Michael McQuary as Boris Karloff by M.R. King Images

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #758

WMM Playlist from October 26, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 25, 2017

New & Scary Cool Songs + Michael McQuary
+ Freight Train Rabbit Killer + Calvin Arsenia

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. David Bowie – “Fashion (Single Version) [Remastered]”
from: Everything Has Changed / Parlophone / November 17, 2014
[Originally released as a single 37 years ago on October 24, 1980. 2nd single from Scary Monsters (And Super Creeps), David Bowie’s 14th studio album. It was his final studio album on RCA and his first following the Berlin Trilogy of Low, Heroes, and Lodger (1977–1979). With Scary Monsters, Bowie achieved what biographer David Buckley called “the perfect balance” of creativity and mainstream success as well as earning critical acclaim; the album peaked at No. 1 in the UK and restored Bowie’s commercial standing in the US. This song draws an implicit analogy between fashion and fascism. Goon squads – referenced in the lyric, “We are the goon squad and we’re coming to town” – are groups of thugs who are hired to perform violent acts on their boss’ behalf. In the context of this song, it is most likely that Bowie is light-heartedly comparing goon squads to the New Romantics – a late ’70s subculture, who were known for their meticulously flamboyant fashion sense. Moreover, the lyric, “Turn to the left, turn to the right,” is not only referring to the mechanical movements of fashion models, but also to the military instruction. According to the producer, Tony Visconti, this song’s bass line and melody took inspiration from Bowie’s 1975 Soul hit, “Golden Years.” King Crimson virtuoso Robert Fripp played guitar on this track. Fripp also played lead guitar on Bowie’s 1977 song, “Heroes.” Bowie had previously used that famous “beep beep” hook in a little-known song that he wrote in 1970 called “Rupert the Riley.” This single reached #5 in the UK and #70 in the US. It was Bowie’s first song to chart in America in three years (his last hit was “Sound And Vision,” which peaked at #69 in 1977). In 1997, Bowie performed this song during his 50th birthday bash at Madison Square Garden with The Pixies’ front man, Frank Black.]

3. Laurie Anderson – “Poison”
from: Bright Red / Warner Bros. / October 25, 1994
[Laurie Anderson on vocals & keyboards, Joey Baron on drums, Brian Eno on treatments & keyboards, Adrian Belew on guitar, Marc Ribot on guitar. Produced by Brian Eno (who also co-wrote several of the songs with Anderson, including “Poison.”). This was Laurie Anderson’s 6th album overall and 5th studio album, released by Warner Bros. Laura Phillips “Laurie” Anderson was born June 5, 1947. She is an American avant-garde artist, composer, musician and film director whose work spans performance art, pop music, and multimedia projects. Initially trained in violin and sculpting, Anderson pursued a variety of performance art projects in New York during the 1970s, making particular use of language, technology, and visual imagery. She became widely more known outside the art world in 1981 when her single “O Superman” reached number two on the UK pop charts. She also starred in and directed the 1986 concert film Home of the Brave. Anderson is a pioneer in electronic music and has invented several devices that she has used in her recordings and performance art shows. In 1977, she created a tape-bow violin that uses recorded magnetic tape on the bow instead of horsehair and a magnetic tape head in the bridge. In the late 1990s, she developed a talking stick, a six-foot (1.8 m) long baton-like MIDI controller that can access and replicate sounds. Anderson started dating Lou Reed in 1992, and was married to him from 2008 until his death in 2013.]

4. Michel Rubini & Denny Jaeger – “Sarah’s Panic”
from: The Hunger (Original Motion Picture Soundtrack) MGM/UA Entertainment Co./ 1983

10:09 – Show Intro & Michael McQuary

Anticipating the Halloween weekend, we played New & Scary Cool Songs from: The MGDs, Amy Farrand and The Like, Freight Train Rabbit Killer, Jametatone, Season To Risk, Looming, Arcade Fire, The Brian Jonestown Massacre, Ministry, Iggy & The Stooges, and Regina Spektor. We started with David Bowie, and Laurie Anderson.

Michael McQuary on the October 25, 2017 edition of Wednesday MidDay Medley

Michael McQuary with his Classic Monsters of Filmland shared his interpretations of Béla Lugosi, Boris Karloff, Vincent Price, Bette Davis and more. Michael is the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, My Own Space and more recently, “I’m Hollywood,” for the KC Fringe Festival. Michael McQuary is also a visual artist of personal portraits and life captures, and he creates personal art works of metal. Michael is seen in multiple films, in promotional shorts for the OM Film Festival, and recently in the Mile Deep Films short film, “Corvalo.”

10:15

5. Jametatone – “Too Late”
from: Empty Bliss / J. Ashley Miller / March 21, 2017
[New EP from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the The 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe Unplugged with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. You can view more of Ashley’s work at http://www.jametatone.com.]

[Jametatone plays The Ship, 1217 Union Avenue, in the West Bottoms, on Halloween, Tuesday, Oct. 31, with Natural Man & The Gland Band, and Takin’ A Dive.]

6. The Brian Jonestown Massacre – “Charmed I’m Sure”
from: Don’t Get Lost / A Records / February 24, 2017
[Formed in San Francisco in 1990 by frontman Anton Newcombe. Their early music was in a shoegaze style. Following their debut album, Methodrone, the group’s sound transitioned to a broader style of psychedelic rock, incorporating styles such as garage rock, folk rock and, later, electronica into their sound. The act continue to experiment with musical styles. The band was the subject of the 2004 documentary film Dig!, and have gained media notoriety for their tumultuous working relationships as well as the erratic behaviour of leader Newcombe. The Brian Jonestown Massacre have released seventeen albums, five compilation albums, five live albums, thirteen EPs, sixteen singles as well as two various-artist compilation albums to date.]

6. Iggy & The Stooges – “Gimme Danger”
from: Raw Power / Columbia / February 7, 1973
[3rd studio album from Ann Arbor, Michigan band, first active from 1967 to 1974, and later reformed in 2003. The Stooges were inducted into the Rock and Roll Hall of Fame in 2010. After their first two albums, The Stooges (1969) and Fun House (1970) were released to little commercial success, The Stooges were in disarray: they had officially broken up, bassist Dave Alexander was fighting alcoholism, and singer Iggy Pop’s heroin addiction was escalating prior to the intervention of David Bowie. Pop later recalled, “Very few people recognized the quality of the Stooges’ songwriting, it was really meticulous. And to his credit, the only person I’d ever known of in print to notice it, among my peers of professional musicians, was Bowie.” Pop relocated to London, having signed on as a solo artist to MainMan Management, who also handled Bowie. Pop said that Columbia executives insisted on two ballads “Gimme Danger” and “I Need Somebody”. The album was recorded in London’s CBS Studios, from Sept. 10 to Oct. 6, 1972. Pop produced and mixed the album by himself; unfortunately, his botched first attempt mixed most of the instruments into one stereo channel and the vocals into the other, with little regard for balance or tone quality. Tony DeFries, the head of MainMan, informed Pop that the album would be remixed by Bowie. Pop agreed to this, claiming that “the other choice was I wasn’t going to get my album out. I think DeFries told me that CBS refused to release it like that, I don’t know”, but insisted that his own mix for “Search and Destroy” be retained. Due to budgetary constraints, Bowie remixed 7 songs in one day in an inexpensive LA studio, Western Sound Recorders, in October 1972.]

10:25 – More with Michael McQuary

Michael McQuary is the creator of the award winning one-man shows in New York City: Matinee Idol, Man of 1001 Faces, and My Own Space, and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael recently appeared in the Mile Deep Films short film, “Corvalo.”

10:30 – Underwriting

8. Amy Farrand and The Like – “Scared To Death of Dying”
from: Apocalypse Meow 10 Compilation / Midwest Music Foundation / November 2, 2017
[Amy Farrand and The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. The band is currently in the studio working on an 11-song debut full length album recorded with Duane Trower at Weights and Measures Soundlab. They are getting ready to start a Kickstarter to help fund the recording. This new 34 track compilation of features Kansas City area bands, and their most recent recordings, along with a few tracks that representative the 10 years of Midwest Music Foundation and Apocalypse Meow. Brenton Cook of Haymaker Records put this new compilation together as he has done in previous MMF compilations. Apocalypse Meow is the annual benefit for Abby’s Fund, named for Abigail Henderson, who co-founded the not-for-profit organization Midwest Music Foundation. MMF unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. ]

[Amy Farrand and The Like play The Brick, 1727 McGee St, KCMO, on Saturday, November 4, at 8:00 pm, with Grand Marquis, and Kelly Hunt.]

9. The MGDs – “Snakebite”
from: Somos Como Somos / The MGDs / November 4, 2017
[From the band’s new EP, their 3rd studio release. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.]

[The MGDs play The Phoenix, 302 West 8th St. KCMO, Friday, October 27, at 9:00 PM]

[The MGDs play an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin]

10. Looming – “Leaves”
from: Seed / No Sleep Records / September 29, 2017
[Springfield, Illinois based band formed in 2013. The band consists of: Jessica Knight on bass & lead vocals, Brandon Carnes on drums & backing vocals, Mitch Baker on guitar & backing vocals, Nick Demarco on guitar, Cassie Staub on guitar & synthesizer. (Original member Jordan Fein left the band after their debut release.) “The band originally came together over a shared common vision and passion for songwriting. After years performing in various Springfield bands (Mother Leopard, Lovecow, Our Lady, Big Storm) the group fell into a natural groove with one another and became known for their unique emo-pop that’s led by the inimitable vocal stylings of Knight that pair perfectly with the band’s bright, airy sound.” “Three guitars work together to perform thick, overlapping lines that lead to satisfying breakdowns. Front-woman Jessica Knight’s curious, chewy singing style and a thumping rhythm section give Looming a potent edge above their peers. ” This album is a follow up to their debut full-length album, Nailbiter that came out in August 14, 2015.]

[Looming play The Rino 314 Armour Rd, North KC, Tuesday, October 31, with Vigil & Thieves, and Riala.]

10:44 – Interview with Michael McQuary

Michael McQuary on the October 25, 2017 edition of Wednesday MidDay Medley

Joining us as our special guest is actor of stage & screen, Michael McQuary, the creator of the award winning one-man shows in New York City: Matinee Idol, Man of 1001 Faces, and My Own Space, and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael recently appeared in the Mile Deep Films short film, “Corvalo.”

10:47

11. Arcade Fire – “Cold Wind”
from: Six Feet Under, Vol. 2: Everything Ends / Astralwerks / January 1, 2002
[Montreal, Quebec, based Arcade Fire released their 5th album Everything Now on July 28, 2017. Consisting of husband and wife Win Butler and Régine Chassagne, along with Win’s younger brother William Butler, Richard Reed Parry, Tim Kingsbury and Jeremy Gara, the band’s current touring line-up also includes former core member Sarah Neufeld, frequent collaborator Owen Pallett, two additional percussionists, Diol Edmond & Tiwill Duprate, and saxophonists Matt Bauder & Stuart Bogie. Founded in 2001 by friends and classmates Win Butler and Josh Deu, the band came to prominence in 2004 with the release of their critically acclaimed debut album Funeral. Their 2nd studio album, Neon Bible, won them the 2008 Meteor Music Award for Best International Album and the 2008 Juno Award for Alternative Album of the Year. Their 3rd studio album, The Suburbs, was released in 2010 to critical acclaim and commercial success. It was the 2011 Grammy for Album of the Year, the 2011 Juno Award for Album of the Year, and the 2011 Brit Award for Best International Album. In 2013, Arcade Fire released their 4th album, Reflektor. All four of their studio albums have received nominations for the Best Alternative Music Album Grammy. The band plays guitar, drums, bass guitar, piano, violin, viola, cello, double bass, xylophone, glockenspiel, keyboard, synthesizer, French horn, accordion, harp, mandolin, hurdy-gurdy, and the multi-instrumentalist band members switch duties throughout shows.]

[Arcade Fire play Silverstein Eye Centers Arena, 19100 E Valley View Pkwy, Independence, MO. Friday, October 27 at 7 PM, in the round.]

12. Season To Risk – “Scorched”
from: Season To Risk / Columbia – Red Decible / 1993
[Members present and past include: Founding member, Steve Tulipana on vocals, guitar, synthesizer (1989-present) Bands: Roman Numerals, Pornhuskers, Unknown Pleasures, Thee Water Moccasins; Founding member, Duane Trower on main guitar, voice, synthesizer, recording engineer, (1989-present) Bands: Overstep, Quitters Club, Weights and Measures; Billy Smith on bass, voice, guitar, synthesizer, (2000-present) Bands: Dirtnap, Olympic Size, Unknown Pleasures, Roman Numerals; David Silver on drums, synthesizer, oscillator, samples, (1994-present), Bands: Iron Rite Mangle, E.A.R.S.H.O.T., Antibodies; Wade Williamson on guitar, keyboard, (2000-present), Bands: Olympic Size, The Stella Link; Josh Newton on bass, voice, synthesizer, (1995- 1999), Bands: Shiner, Reggie and the Full Effect, Glazed Baby, Iron Rite Mangle, From Autumn To Ashes, ETID; Founding member, Paul Malinowski on bass, voice, recording engineer, (1989- 1995)Bands: Fire of 1666, Shiner, Big Sky Blue Earth; Jason Gerken on drums, (1994-studio) Bands: Molly McGuire, Kingdom of Snakes, Gunfighter; Tim Dow on drums, Recurring Member-live show: (1990,1992, 1994) Bands: Shiner, Year of the Rabbit, the Joy Circuit.Season To Risk is the luckiest band alive. Shortly after getting together at school in 1989, they won a ‘Battle of the Bands’ which brought them into the studio for the first time. The only copy of the resulting demo tape that was actually mailed out ended up at Red Decibel records in Minneapolis, MN, who as luck would have it, were starting to work in conjunction with Colombia records. Before they knew what hit them, the band was signed to Columbia records, recording more demos at Sony Studios in NYC, and then living in Chicago, IL to record their self-titled first album at Soundworks Studio. The band spent years constantly touring throughout North America; returning briefly to their hometown of Kansas City, MO for a few days or weeks, sometimes on the road 8 – 10 months out of the year. They lived at Bisi Studios, NYC for the Summer of 1994 recording their second album In a Perfect World. The music was a darker, more complex collection of songs, and the album was received with rave reviews from fans, and puzzled looks from the people at Colombia records. There was no place on the radio for music like this yet, and exactly what category in the music store was this CD supposed to be displayed in? By chance, someone at Sony was looking for a band to play during a scene in the film ‘Strange Days’ and within days, the band was in Hollywood, playing the song ‘Undone’ over and over again. For the next year, the band was in a different city every night, which led to total exhaustion by the end of a summer 1995 arena tour with Corrosion of Conformity and Monster Magnet, resulting in the cancellation of their European tour scheduled with CIV for the Winter of 1996. The band was dropped from Columbia Records. And bass player Paul Malinowski quit to join the KC band Shiner. The band quickly took on bass player Josh Newton and got busy writing music. Pooling their resources, they spent most of the next 2 years building Trainwreck Sound Studios in KC. As floors, walls and ceilings were built, new Season To Risk songs were written, members worked with their other bands, and recording started at Trainwreck, including work by Casket Lottery, The Farewell Bend, Dirtnap, Iron Rite Mangle, Gunfighter and the Pornhuskers. They built their dream studio from the ground up: a 15 x 20 control room, equipped with a 1974 24-channel Auditronics (quadrophonic!) console and a 2-inch tape machine, a 30 x 50 foot tracking room with antique oak floors, and a huge apartment/rehearsal studio upstairs on the second floor. In October 1998, shortly after the studio officially opened to the public, a sudden flash flood of the Missouri river totaled everything in the neighborhood in 15 minutes, destroying the building, their tour RV in the parking lot, their bank account and almost everything else. They’re lucky no one was killed. Luck never gives, it only lends. And the river takes. And then Josh Newton was also lost to Shiner. Fortunately, the 3rd album was finished prior to the flood, and the band was able to wade through the five-foot deep, freezing, flood waters in total darkness out of the building to safety. Unfortunately, they discovered that the album Men Are Monkeys, Robots Win (Thick Records) was printed ‘out-of-phase’, making the songs sound hollowed-out. The label never re-released the printed CD, but the corrected mix is available on iTunes. Legendary punk rock drummer/producer Bill Stevenson (Black Flag, Decendents) has always been a friend to Season To Risk, and has brought the band on tour with ALL several times. This led to the recording of the album The Shattering in 2000 with Jason Livermore and Bill Stevenson at the Blasting Room in Ft. Collins, CO, and its release on Owned & Operated records in 2001. The addition of the third and final bass player of S2R, Billy Smith of the band Dirtnap, brought the band full circle. The Shattering album is more diverse than ever, fusing elements from all of the band’s previous work and some new experimentation into twelve heavy, melodic songs. Several tours followed after The Shattering CD release, and the band spent a few years resting, recouping, and regrouping – working on many other projects, musical and otherwise.]

[Season to Risk play The Uptown Theatre, Fri, Nov 3, 8:00 PM, with Descendents, and Less Than Jake.]

13. Ministry – “I Prefer”
from: The Land of Rape and Honey / Sire-Warner Bros. / October 11, 1988
[3rd studio album from the band founded in 1981 by Al Jourgensen in Chicago, Illinois. The band has recorded 16 studio albums to date. Originally a new wave synthpop outfit, Ministry changed its style to become one of the pioneers of industrial metal in the mid-1980s. The band’s lineup changed consistently throughout the band’s history, with Jourgensen remaining the only constant as the band’s main producer, singer, songwriter, and instrumentalist. Ministry found mainstream success in the late 1980s and early 1990s with the albums The Land of Rape and Honey (1988), The Mind Is a Terrible Thing to Taste (1989) and Psalm 69: The Way to Succeed and the Way to Suck Eggs (1992), with the former of the two certified gold and the latter certified platinum by the RIAA. The band has been nominated for six Grammy Awards, and performed at several notable music festivals, including participating in the second annual Lollapalooza tour in 1992 and co-headlining Big Day Out in 1995. Ministry broke up in 2008 after 27 years of recording and performing, and Jourgensen had since stated that they would never reunite. However, the band announced a reunion in August 2011, and has released two more studio albums since then: Relapse (2012) and From Beer to Eternity (2013). Their next studio album (and first in five years), titled AmeriKKKant, is expected for release in early 2018.]

[Ministry plays The Uptown Theatre, Friday, October 27, at 8:00 pm with Death Grips]

11:00 – Station ID

11:00 – Interview with Kristopher Bruders & Mark Smeltzer / Freight Train Rabbit Killer

Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer). Described as “Apocalyptic Roots” or “Doom Blues” their intense and riveting live shows are accompanied by suits and masks. Freight Train Rabbit Killer have teamed with Haymaker Records to release a 7 inch vinyl series called “Wake Snake Death Dance”. Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Genessee Street. Freight Train Rabbit Killer also play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. A benefit for MMF. More info at: http://www.freighttrainrabbitkillerband.com

11:05

14. Freight Train Rabbit Killer – “Maybe It’s You” [B-Side]
from: Maybe It’s You – 7″ Vinyl Single / Haymaker Records / October 28, 2017
[Volume 1 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Kristopher Bruders. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

11:10 – Interview with Kristopher Bruders & Mark Smeltzer / Freight Train Rabbit Killer

Many Kansas City music fans know Kristopher Bruders for his great work with band, Cadillac Flambé with vocalist and keyboardist, Havilah Bruders, who is also married to Kris.

Mark Smeltzer is a principle musician of Rural Grit and the Rural Grit Happy Hour Mondays at The Brick, one of Kansas City longest running weekly live musical shows. Mark has also been part of bands: Columbo, Trouble In Mind, E.I.O., and Dually Jukes.

11:14

15. Freight Train Rabbit Killer – “Old Man of the Mountain” [A-Side]
from: Old Man of the Mountain – 7″ Vinyl Single / Haymaker Records / October 28, 2017
[Volume 1 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Genessee Street.

Freight Train Rabbit Killer play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. This is a benefit for Midwest Music Foundation.

More info at: http://www.freighttrainrabbitkillerband.com

11:28 – Underwriting

11:30 – Interview with Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and this year his full length debut, Catastrophe. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin has just returned home from a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.

Calvin Arsenia played over 40 shows on tour.

Calvin is working to release new music from Calvin’s June 11th, Live Recording at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC.

11:35

16. Calvin Arsenia – “Back To You” (LIVE)
New song by Calvin Arsenia / Calvin Arsenia on vocals & harp, Simon Huntley on percussion

Simon Huntley & Calvin Arsenia on the October 25, 2017 edition of Wednesday MidDay Medley

Calvin Arsenia plays Apocalypse Meow 10, Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. Apocalypse Meow is a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

11:48

17. Calvin Arsenia – “Poseidon” (LIVE)
New song by Calvin Arsenia / Calvin Arsenia on vocals & harp, Simon Huntley on percussion

11:56

18. Regina Spektor – “On The Radio (Live In London)”
from: Live In London / Sire Records / November 19, 2010
[The first live album by Russian-American musician and songwriter, Regina Spektor, recorded at the Hammersmith Apollo Theatre, in London, during her Far Tour. Regina Spektor was born February 18, 1980, in Moscow (former Soviet Union, now Russia), and began classical training on the piano at the age of six. When she was nine years old, her family left the Soviet Union in 1989, during the period of Perestroika, when Soviet citizens were permitted to emigrate. Regina had to leave her piano behind. The seriousness of her piano studies led her parents to consider not leaving the Soviet Union, but they finally decided to emigrate, due to the racial, ethnic, and political discrimination that Jews faced. Traveling first to Austria and then Italy, the Spektor family was admitted to the United States as refugees with the assistance of HIAS (the Hebrew Immigrant Aid Society). They settled in the Bronx, where Spektor graduated from the SAR Academy, a Jewish day middle school in the Riverdale section of the Bronx. Since the family had been unable to bring their piano from Moscow, Spektor practiced on tabletops and other hard surfaces until she found a piano on which to play in the basement of her synagogue. She began to write original songs shortly thereafter. Spektor gradually achieved recognition through performances in the anti-folk scene in downtown New York City, most prominently at the East Village’s SideWalk Cafe. She also performed at local colleges (such as Sarah Lawrence College) with other musicians, including the Trachtenburg Family Slideshow Players. She sold self-published CDs at her performances during this period: 11:11 (2001) and Songs (2002). After self-releasing her first three records and gaining popularity in New York City’s anti-folk scene, Spektor signed with Sire Records in 2004 and began achieving greater mainstream recognition. After giving her third album, Soviet Kitsch a major label re-release, Sire released her fourth album, Begin to Hope, which would go on to achieve a Gold certification by the RIAA. Her following two albums, Far and What We Saw from the Cheap Seats, each debuted at number 3 on the Billboard 200. Spektor married singer-songwriter Jack Dishel in 2011. Formerly a guitarist with the band the Moldy Peaches, Dishel is a member of the band Only Son and duets with Spektor in the song “Call Them Brothers”. On January 23, 2014, Spektor announced her pregnancy on Facebook. The couple announced the birth of a son in March 2014.]

[Regina Spektor plays A Special Solo Performance, Sun, Oct.28, at 8:00 PM, at The Uptown Theatre]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, November 1, November 1, Rebecca Liberty joins us with a young friend from Italy, who she has been hosting for the last month, helping him explore and experience the KC music scene as a participating musician and student. Both will join us to share about his time here in Kansas City. Also next week Andrew Foshee joins us to share music from his new record, STRANGE RELATIONS, recorded in Nashville at The Bomb Shelter with producer and engineer Andrija Tokic, who has worked with, Alabama Shakes, and Hurray for the Riff Raff. Also next week, Sondra Freeman of Midwest Music Foundation and musician Nathan Corsi, join us to talk about Apocalypse Meow 10. Apocalypse Meow 10, a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. and continuing on Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Calvin Arsenia, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #705

Wednesday MidDay Medley presents Michael McQuary + Freight Train Rabbit Killer + Calvin Arsenia

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 25, 2017

New & Scary Cool Songs + Michael McQuary
+ Freight Train Rabbit Killer + Calvin Arsenia

Anticipating the Halloween weekend, we play New & Scary Cool Songs from: The MGDs, Amy Farrand and The Like, Freight Train Rabbit Killer, Jametatone, Season To Risk, Looming, Arcade Fire, The Brian Jonestown Massacre, Ministry, Iggy & The Stooges, David Bowie, Laurie Anderson, and Regina Spektor.

Michael McQuary

Michael McQuary and his Classic Monsters of Filmland joins us as our special guest. Michael will share his interpretations of Béla Lugosi, Boris Karloff, Lon Chaney, Dr. Fu Manchu, Bette Davis and more. Michael is the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, My Own Space and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael McQuary is also a visual artist of personal portraits and life captures and he creates personal art works of metal. Michael is seen in multiple films, in promotional shorts for the OM Film Festival, and recently in the Mile Deep Films short film, “Corvalo.” More info at: YourPowerSign.com

At 11:00 we talk with Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer). Described as “Apocalyptic Roots” or “Doom Blues” their intense and riveting live shows are accompanied by suits and masks. Freight Train Rabbit Killer have teamed with Haymaker Records to release a 7 inch vinyl series called “Wake Snake Death Dance”. Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Geneses Street. Freight Train Rabbit Killer play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. More info at: http://www.freighttrainrabbitkillerband.com

Calvin Arsenia (Photo by Jenny Wheat)

At 11:30 Calvin Arsenia joins us to play live in our 90.1 FM Studios, fresh from his 3 month US/European “Outlyre Tour” playing Portland, San Francisco, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, and Paris. Calvin Arsenia plays Apocalypse Meow 10, Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow or http://www.calvinarsenia.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #705

WMM Playlist from October 5, 2011

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 5, 2011

New & Local Releases + Laurie Anderson in Kansas City
+ Spinning Tree Theatre’s “Year of Magical Thinking”

1. The Coathangers – “Shake, Shake”
from: Shake, Shake (Single) / Suicide Squeeze Records / 2011
[all female punk group quartet from Atlanta, Georgia, includes: lead vocalist – Julia Kugel, drummer – Stephanie Luke, keyboardist – Candice Jones and bassist – Meredith Franco. They’ve recently released their 3rd album, Larceny and Old Lace.]

2. Veronica Falls – “Veronica Falls”
from: Veronica Falls / Slumberland Records / Sept. 20, 2011
[self-titled debut record from a UK band that daringly recruited a bass player that didn’t know how to play until joining the group. Their first live performance was opening for Pains Of Being Pure At Heart.]

3. Wilco -“Born Alone”
from: The Whole Love / dBpm Records – Epitaph Records / Sept. 23, 2011
[8th album by Chicago based band was formed in 1994 by the remaining members of Uncle Tupelo following Jay Farrar’s departure. Wilco’s lineup has changed frequently, with only singer Jeff Tweedy and bassist John Stirratt remaining from the original incarnation. Since early 2004, the other current members are guitarist Nels Cline, multi-instrumentalists Pat Sansone and Mikael Jorgensen, and drummer Glenn Kotche. Wilco has released 8 studio albums, a live double album, and three collaborations: two with Billy Bragg, and one with The Minus 5.]

10:13 – Underwriting

10:14

4. Soley – “Blue Leaves”
from: We Sink / Morr Music / October 3, 2011
[From Iceland comes Soley, an introverted singer-songwriter who was recently featured in “Backyard” a documentary about the influential Iceland music scene.]

5. St. Vincent – “Cruel”
from: Strange Mercy / 4AD / September 13 , 2011
[Manhattan based Annie Clark’s 11-song follow up to her critically acclaimed release “Actor” from 2009. Strange Mercy was recorded in Dallas, TX. St. Vincent will play Liberty Hall in Lawrence, KS on October 7.]

6. Little Dragon – “Ritual Union”
from: Ritual Union / Peace Frog / July 26, 2011
[From Gothenburg, Sweden. This is the 3rd release frpm the four-piece band that blends R&B, new wave, electronica and experimental pop with the lead vocals of Yukimi Nagano.]

7. Laurie Anderson – “The Beginning of Memory”
from: Homeland / Nonesuch Records / June 21, 2010
[Laurie Anderson will be in Kansas City to kick off the Vanguard Series at the Kauffman Center for the Performing Arts, on Sunday, October 9, at 7:00 PM in Helzberg Hall. For more information kauffmancenter.org or 816-994-7222.]

10:30

8. Laurie Anderson – “Only An Expert”
from: Homeland / Nonesuch Records / June 21, 2010
[Laurie Anderson will be in Kansas City to kick off the Vanguard Series at the Kauffman Center for the Performing Arts, on Sunday, October 9, at 7:00 PM in Helzberg Hall. For more information kauffmancenter.org or 816-994-7222.]

10:38 – Interview with Laurie Anderson (& Bess Wallerstein)

Bess Wallerstein joined us from the Kauffman Center for The Performing Arts. Bess has worked in the KC Theatre as an artist, administrator, producer & teacher. She has worked for The Heart of America Shakespeare Festival and for Theatre League. In 2005, she founded One Time Productions with KC visual artist, Johnny Naugahyde. In 2008, she directed True West by Sam Shepard in an airstream trailer outside in a backyard in Brookside. In 2009 she directed the KC Premiere of Arts or Crafts, at the Bloch Art Center, in collaboration with The Kansas City Art Institute. She is the founder of CounterClockwise Comedy, an experimental comedy group which performs comedy shows and live comedy movie roasts at Screenland Theatre. Last winter Bess also was a performer in “A White Nose Christmas” a show she created with David Wayne Reed and Heidi Van for The Fishtank Performance Space. The trio will be creating a new show this fall called Anchor Baby. Bess made our interview with Laurie Anderson possible. Thank you Bess!

Laurie Anderson is an American experimental performance artist, composer and musician. She began studying classical violin at five and performed with the Chicago Youth Symphony. In 1966 she moved to New York City, where she received her B.A at Barnard College in 1969 and her Masters in Fine Arts from Columbia University in 1972. For two years she taught art history at the City University of New York. One of her early performance art pieces was titled: Automotive (1972), for which she orchestrated car horns. In Duets on Ice, another early piece, she wore ice skates frozen in blocks of ice; and then proceeded to play a duet with herself on an altered violin. Laurie Anderson became widely known outside the art world in 1981 when her single “O Superman” reached number two on the UK pop charts. The success of O Superman, led to Laurie Anderson’s long and critically acclaimed recording career that has produced 8 studio albums, several live albums including the amazing 4 cd set of United States and her 2002 release Live in New York, her retrospective compilation: “Talk Normal,” several soundtrack albums, and musical collaborations with Brian Eno, William S. Burroughs, Peter Gabriel, John Zorn, Antony Hegarty and Lou Reed who she married in 2008. Laurie Anderson, performs her show “Transitory Life” as part of the Vanguard Series at the Kauffman Center for the Performing Arts this Sunday, October 9, at 7:00 PM, in Helzberg Hall. more information kauffmancenter.org

We talked with Laurie Anderson, on the phone, LIVE from Montreal where she was in rehearsals for a performance she would be doing in Montreal with Rufus Wainwright.

In the liner notes to “Talk Normal” the 2-CD retrospective collection of 35 songs from Laurie’s first seven studio albums, Laurie is quoted as saying: “I’m not really a professional anything,” “Well, maybe a professional storyteller. But all the music and the pictures are just ways to tell the stories.”

Laurie has called “Transitory Life” a survey of themes from her life, a mental movie that includes stories and characters from her adventures. Some of the stories in Transitory Life are inspired by Laurie Anderson’s “Happiness Project” where she worked on an Amish farm, at a McDonald’s in Chinatown in NYC, and when she hitch-hiked from her neighborhood in NYC to the North Pole.

“Transitory Life” is the opening track from Laurie’s critically acclaimed 2010 release: “Homeland” which she produced with Lou Reed and Roma Baran, and which was created over several years from improvisations on tour.

The themes explored in Homeland include: US foreign policy, torture, economic collapse, the erosion of personal freedom, medical malpractice, religion and cynicism. You approach these themes as journeys, asking where we are going, what we are doing, translating the headlines of today into perspectives that are haunting, but also demonstrate her great sense of humor.

Laurie Anderson is currently touring North America, performing her piece “Delusion” in Montreal and presenting your exhibition “Forty-Nine Days in The Bardo” in Philadelphia.

Laurie Anderson has described the violin as an alter ego of herself, where she does the talking and the violin does the crying. Another of her alter ego characters is achieved by her use of filters that alter her own voice to create what her husband, Lou Reed, has named: Fenway Bergamot. Fenway Bergamot appears on the cover of her critically acclaimed 2010 release HOMELAND. This character also played a role in the television series she did for PBS in the 1980s and he has made appearances in many of her live shows and recordings over the years. Laurie calls it: “Audio Drag”

You can learn more about Laurie Anderson’s release Homeland at: laurieanderson.com

The Vanguard Series at the Kauffman Center for the Performing Arts starts with Laurie Anderson, on Sunday, October 9, 2011 at 7:00 PM in Helzberg Hall. For more information kauffmancenter.org or 816-994-7222.

11:00

The Wilders, The Grisly Hand and Howard Iceberg will all be in concert TOGETHER that will be recorded LIVE on Friday, October 7 at Davey’s Uptown at 3402 Main Street, KCMO. More info at: daveysuptown.com.

9. The Wilders – “Things They Say About Home”
from: The Wilders / Free Dirt Records / June 21, 2011
[The 10th release from Ike Sheldon- Guitar, Lead Vocals, Betse Ellis- Fiddle, Vocals, Phil Wade- Dobro, Banjo, Mandolin, Vocals, Nate Gawron- Bass, Vocals. Sarah Carpenter also sings back-up on this track.]

10. The Grisly Hand – “The Good Wife”
from: Safe House [EP] / Independent / November 2, 2010
[The Grisly Hand are: Jimmy Fitzner, Johnny Nichols, Chas Snyder, Lauren Krum, Ben Summers, Mike Tuley & Kian Byrne. They played their first shows in January of 2009 and have since performed throughout the Kansas City/Lawrence area winning a 2010 Pitch Music Award. The entire band climbed into our studios and performed live on our Nov. 10 2010 show. Safe House was released on vinyl. For more info: myspace.com/thegrislyhand.]

11. Howard Iceberg & The Titanics – “Jacksonville”
From: Welcome Aboard! Vol. 2 / Independent / June 26, 2011
[7-CD set, includes over 100 new songs, featuring The Titanics: Gary Paredes on lead guitar, Dan Mesh on rhythm guitar, Scott Easterday on bass, Pat Tomek on drums. With contributions from over 70 local artists, who’ve joined in on Howard’s “never-ending recording project” conducted in Pat Tomek’s home studio. ]

12. Tom Russell – “Furious Love (For Liz)”
from: Mesabi / Shout! Factory Records / Septenber 5, 2011
[Playing Knuckleheads Thursday, October 6, at 8:00 PM]

11:15 – Interview with Peggy Friesen & Michael Grayman

Peggy Friesen & Michael Grayman joined us to discuss the KC premiere of Joan Didion’s “The Year of Magical Thinking,” produced by Spinning Tree Theatre, and running October 12-23, at The Living Room, 1818 McGee in KC.

Peggy Friesen has been a professional actress in the Kansas City for over 25 years. She received her masters of Fine Arts from Ohio State University and has performed in over 50 productions at Kansas City Repertory Theatre, and dozens of productions at the Unicorn Theatre where she won Best Actress Award from The Pitch in 2000 for the play “Wit.” On film, Peggy Friesen has appeared in many films and has worked with Directors: Robert Altman, Steven Soderbergh, and Ang Lee. Peggy is also a professional harpist, playing both concert and Celtic instruments. She shares an old house with her husband, musician, photographer, and T’ai Chi instructor, Royal Scanlon.

Michael Grayman is the Artistic Director at Spinning Tree Theatre. Michael most recently directed Spinning Tree Theatre’s inaugural production of “Make Me a Song: The Music of William Finn” at Kansas City Crown Center’s Off Center Theatre. As a resident director at The Barnstormers Theatre in New Hampshire he Directed A Funny Thing Happened on the Way to the Forum, Brigadoon and I Love You, You’re Perfect, Now Change. In the Fall of 2010 he was represented as Associate Director of Sylvia at The New Theatre in Kansas City. He is a teaching artist for Coterie Theatre and Accelerated School Overland Park. As a member of Actors’ Equity Association, he made his national tour debut at age 14 with The King and I. Other Broadway national tours include Mamma Mia! and the 40th anniversary production of West Side Story. Born and raised in Cincinnati, Ohio, Michael is a graduate of the Cincinnati School for Creative and Performing Arts. Michael holds a BFA from The Boston Conservatory and is also a member of Screen Actors Guild and American Federation of Television and Radio Artists.

Michael Grayman, after many years working in New York City and in Delaware, started Spinning Tree Theatre, with his partner Andy Parkhurst, here in Kansas City. Michael told us that the name Spinning Tree after a long brainstorming session to find a name that evoked the spirit of their theatre vision.

Michael talked about seeing the Broadway production of Joan Didion’s “The Year of Magical Thinking” starring Vanessa Redgrave.

KC premiere of Joan Didion’s “The Year of Magical Thinking.” The play will run October 12-23, at The Living Room, 1818 McGee in Kansas City. Performances are Wednesdays through Sundays. For info: spinningtreetheatre.com for tickets: thelivingroomkc.com

The last time Peggy Friesen was a guest on Wednesday MidDay Medley was when she visited us to discuss “Nickel and Dimed” a show produced by The Unicorn Theatre, another play, based on a popular book, written by another fierce female author/journalist. Peggy Friesen has been able to bring to life on the stage, many amazing female characters. Michael talked about how this play seemed to be perfect for Peggy Friesen. Peggy Discussed the challenges of a one-woman-show and how she uses the audience, as a character, she plays to, in her performances.

The Year of Magical Thinking is written in a stream-of-consciousness style, in which ideas are introduced and repeated, images and memories get triggered unexpectedly, and information is processed in real time and then integrated into the overall narrative. In this book, Didion doesn’t simply tell us how she thinks: she shows us.

The Year of Magical Thinking documents Didion’s experience of grief after losing her husband John, and also serves as a memorial to their relationship and forty-year marriage. At the same time, she is dealing with her daughter Quintana Roo Dunne, who spends most of the book in either a coma or a state of slow recovery. Her daughter Quintana also eventually dies, in a tragic postscript.

In the 2005 NY Times review of this book, critic Robert Pinsky wrote, “”The Year of Magical Thinking” is not a downer. On the contrary. Though the material is literally terrible, the writing is exhilarating and what unfolds resembles an adventure narrative: a forced expedition. As in Didion’s previous writing, her sense of timing, sentence by sentence and in the arrangement of scenes, draws the reader forward. Her manner is deadpan funny, slicing away banality with an air that is ruthless yet meticulous.”

The Book won the National Book Award in November 2005 and was a finalist for the National Book Critics Circle Award as well as the Pulitzer Prize for Biography/Autobiography.

On March 29, 2007, Didion’s adaptation of her book for Broadway, directed by David Hare, opened with Vanessa Redgrave as the sole cast member. The play expands upon the memoir by dealing with Quintana’s death. Redgrave reprised her role to largely positive reviews at London’s National Theatre.

Spinning Tree Theatre aims to produce works which celebrate and reflect the diversity of KC itself by exploring a variety of cultures & art forms through theatre, music and dance. Their goal is to present new, contemporary & classic pieces that are relevant, thought-provoking & entertaining. We hope to educate, challenge, stimulate & inspire audience & artist alike.

The KC premiere of Joan Didion’s “The Year of Magical Thinking,” produced by Spinning Tree Theatre, will run October 12-23, at The Living Room, 1818 McGee in KC. Performances are Wednesdays thru Sundays. For info: spinningtreetheatre.com For tickets: thelivingroomkc.com

11:35

13. Greg Brown – “Lovinest One”
from: Freak Flag / Yep Roc Records / May 10, 2011
[Greg Brown will be in concert in a rare KC performance with his wife Iris Dement, on 11-11-11 at The Folly Theatre to honor and benefit United Inner City Services home of St. Mark Child and Family Development Center. For more info you can call 816-994-5400 or visit: irisandgregbenefitconcert.com]

14. Jono McCleery – “Fears”
from: There Is / Counter Records / Sept. 26, 2011
[London based singer-songwriter new album opens with ‘Fears’ and includes collaborations with Fink and Vashti Bunyan.]

15. Kristie Stremel & The 159ers – “Clementine”
from: Color of Stars / Stremeltone / 2010
[Kristie Stremel & The 159ers will play the RecordBar Saturday Oct. 8 at 8:00 PM]

11:45 – New Electronica from: Neon Indian, Com Truise and Purity Ring

Neon Indian, Com Truise and Purity Ring will be in concert together, Tuesday October 11, at The RecordBar, 1020 Westport Road. in a show that starts at 8:30 PM

16. Neon Indian – “Hex Girlfriend”
from: Era Extrana / Mom + Pop / September 13, 2011

17. Com Truise – “Futureworld”
from: Galactic Melt / Ghostly / July 2011
[Com Truise, is New Jersey based designer and musician named Seth Haley, who said he envisioned this record as a “sort of film score…from the mind,” chronicling the life and death of Com Truise, the world’s first robotic astronaut, from his creation and life on Earth to his subsequent mission to a newly discovered galaxy called “Wave 1.”]

18. Purity Ring – “Ungirthed”
from: Ungirthed 7″ / Independent / Jan. 14, 2011

11:59:30

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Sources for Notes: Artist’s websites noted above and wikipedia.org

Show #389

Playlist from September 28, 2011

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Playlist from: Wednesday, September 28, 2011

Jori Sackin & Pat Vamos & “Space Thang”
+ City Arts Project with Sean Kelley
+ Matt Jacobs & David Rhoads – Guest D.J.s

1. Laurie Anderson – “Cartoon Song”
from: Talk Normal: The Laurie Anderson Anthology (Remastered) / Warner Bros. / Oct. 17, 2000
[Originally from United States Live, the third album release by avant-garde singer-songwriter Laurie Anderson. Released as a 5-record boxed set (later reissued, slightly truncated, on four CDs), the album was recorded at the Brooklyn Academy of Music in New York City in February 1983 as part of her 4 and one half hour performance that also included film and video segments. Laurie Anderson will be in Kansas City in concert at Kauffman Center for the Performing Arts, Helzberg Hall, Sunday October 9, 2011, at 7:00 PM.you can go to Kauffmancenter.org or call 816-994-7222 for more information.]

HAPPY BIRTHDAY PHILIP ‘blue owl’ HOOSER!!!

2. Tammar – “The Last Line (Dylan Ettinger remix)”
from: Visits / Suicide Squeeze Records / Sept. 20, 2011

3. The Velvet Underground – “I’ll Be Your Mirror”
from: Peel Slowly and See / PolyGram / 1995 [5 CD Box Set – Out of Print] [orig. from LIVE AT MAX’S KANSAS CITY, released May 1972. Recorded by Brigid Polk on a cassette recorder with Lou Reed on vocals & guitar, Sterling Morrison on guitar, Doug Yule on bass & vocals, and Billy Yule on drums. Lou and Doug sing with an accent to immitate Nico’s original vocals.]

4. Mary Fortune – “Sheets on the Bed”
from: Mary Fortune / Independent / May 6, 2011
[Mary Fortune is: Laura Frank, Jori Sackin, Andrew Connor, Liz Connor, Bill Belzer. Mixed by Mike Nolte.]

10:15 – Interview with Jori Sackin and Pat Vamos

SPACE THANG is a new film created by artists Jori Sackin and Pat Vamos that will premiere, this Saturday, October 1, in a special screening at The Strand Theatre, 3544 Troost, in Kansas City. The band Mary Fortune will kick things off at 9:00 PM with a live musical performance that will be followed by trailers that Pat Vamos has assembled. The video: “Follow The Sun” created by MK12 will be screened, followed by the premiere of SPACE THANG.

Pat Vamos, has worked with the Upright Citizens Brigade, and has recently done music videos for local bands: Ghosty, The Get-up Kids and Bill Belzer’s “Devil Girl” song.

SPACE THANG tells the story of The Chicken. Interspersed between Chicken segments will be found footage cut-ups from early sexploitation and porn movies.

SPACE THANG will premiere, this Saturday, October 1, at The Strand Theatre, 3544 Troost. Mary Fortune will kick things off at 9:00 PM with a live musical performance, followed by trailers, original music videos, “Follow The Sun” created by MK12, followed by the premiere of SPACE THANG.

10:29 – Underwriting

10:31

5. Radiohead – “Lotus Flower”
from: King of Limbs / Ticker Tape / Feb 18, 2011

10:36 – Interview with Sean Kelley, Matt Jacobs and David Rhoads

Sean Kelley, is Co-Founder and Director at City Arts Project, 2015 Campbell Street, Kansas City, a new art space that is located in the historic City Ice building at the northeast corner of 21st and Campbell Streets that combines a gallery, pop shop and six artist workspaces. Co-Curators: Matt Jacobs and David Rhoads joined us to discuss C.A.P.’s newest exhibit, Twenty Something, opening this October 7.

More information at: 816-820-4105. For more information about Matt and David’s work you can visit: thatmattjacobs.com or davidjrhoads.com

10:50

6. Jim Noir – “One Note World”
from: Rainbuns and Blank Ends EP / Noir Club – jimnoir.com / June, 2011

7. Neon Indian – “Polish Girl”
from: Era Extrana / Mom + Pop / September 13, 2011

11:00 – Guest DJs – Matt Jacobs & David Rhoads

Matt Jacobs grew up in the Chicago area while David Rhoads is from St. Louis. After receiving their BFA’s from the Kansas City Art institute in 2010, both have continued creating works and helping to develop new artist spaces. Both have also found work at You Say Tomato where they have served as Line Cooks among other positions at the store. A frequent customer of You Say Tomato, Jim “The Blind Guy” Hoschek, recently donated to 90.1 FM during our last fund drive and he received a “Guest DJ” Thank you gift for his generous donation. Jim passed the Guest DJ certificate on to Matt Jacob & David Rhoads.

8. Ken Nordine – “Yellow”
from: Colors / Asphodel Records / May 9, 2000
[From Amazon.com: The voice-over man from a thousand commercials, Ken Nordine registers in your subconscious instantly: Wait, I know that guy! Smooth as an ice sculpture and ringing with “the voice of our sponsor,” Nordine has personified authority since the 1960s. It’s disorienting at first to hear the way Nordine lets go on this record with a Beat-inspired, mellifluous-sounding, Dr. Seuss-like exploration of the meanings of different colors. Many of the pieces are parables on racism and human behavior, but they’re also totally silly, and meant to be. Recorded in the late 1960s, the 34 tracks manage to be sort of psychedelically goofy but charming at the same time. “Absolute gray is the grayest gray / That’s the same distance from absolute white as it is from absolute black,” Nordine almost-sings to a delightful, freeform studio backing of hip jazz. All your mix tapes will be very happy that you’ve bought this strange record to flavor them with. –Mike McGonigal]

9. Little Eva – “The Loco-Motion”
from: The Loco-Motion / Rhino / Feb. 26, 1996
[The original recording of the song was sung by Eva Boyd, under the stage name Little Eva. Boyd was actually Carole King’s babysitter, having been introduced to King and husband Gerry Goffin by The Cookies, a local girl group who would also record for the songwriters. The song is notable for appearing in the American Top 5 three times – each time in a different decade: for Little Eva in 1962 (U.S. #1); for Grand Funk Railroad in 1974 (U.S. #1); and for Kylie Minogue in 1988 (U.S. #3).]

10. The Shangri-Las – “Give Him A Great Big Kiss”
from: Stonewall: Music From The Motion Picture / Sony / 1996

11. The Chips – “Rubber Biscuit”
from: Super-Size Me: A Soundtrack of Epic Porportions / Kinkysweet / 2004
[a short-lived New York doo-wop vocal group consisting of teenage friends Charles Johnson (lead vocal), Nathaniel Epps (baritone), Paul Fulton (bass), Sammy Strain and Shedrick Lincoln (tenors). The group’s first recording is their most enduring; “Rubber Biscuit” started life as Johnson’s answer to the marching rhythms of the Warwick School For Delinquent Teenagers while he was an intern there.]

12. Thee Oh Sees – “Ghost in The Trees”
from: The Master’s Bedroom is Worth Spending the Night In / Tomlab / April 8, 2008

11:15

13. The Sugarcubes – ” Motorcrash”
from: Life’s Too Good / Elektra / 1988

14. Sneaky Creeps – “All Sales Final”
from: World Cup / Independent / 2011

11:30 – Underwriting

15. Gorillaz featuring Lou Reed – “Some Kind of Nature”
from: Plastic Beach / Virgin Records / March 3, 2010
[The third studio album by British virtual band and alternative hip hop supergroup Gorillaz. Conceived from an unfinished Gorillaz project called Carousel, the album was recorded during June 2008 to November 2009 and produced primarily by group co-creator Damon Albarn. It features guest appearances by several artists, including Snoop Dogg, Gruff Rhys, De La Soul, Bobby Womack, Mos Def, Lou Reed, Mick Jones, Mark E. Smith, Paul Simonon, Bashy, Kano, Little Dragon and the Hypnotic Brass Ensemble.]

16. The Magnetic Fields – “Underwear”
from: 69 Love Songs / Merge / 1999

17. Ken Nordine – “Beige”
from: Colors / Asphodel Records / May 9, 2000

18. Jonathan Richman – “Monologue About Bermuda”
from: Having A Party With Jonathan Richman / Rounder Records / 1991

11:45

19. Cyndi Lauper – “When You Were Mine”
from: She’s So Unusual / Portrait / October 14, 1983 [written by Prince]

20. Lady Ga Ga – “Monster”
from: The Fame Monster / Interscope / 2009

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Sources for Notes: Artist’s websites noted above and wikipedia.org

Show #388

WMM Playlist from September 21, 2011

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 21, 2011:

Songs About Jesus, the Bible, the Pope, & Hell
+ Rev. Paul Smith + “At The End Of Apathy”

1. Tia Blake – “Plastic Jesus”
from: Folksongs & Ballads / Caravage Records / 2008
[written by Ed Rush and George Cromarty in 1957. Ed Rush has stated that the inspiration for the song came from a religious radio station from Del Rio, Texas in the mid 1950s. The station was allegedly run by a dentist and religious fanatic who “sold the most outrageous stuff imaginable, all with magical healing properties.” Ernie Marrs, along with the “Marrs Family” (friends Kay Cothran and Bud Foote) recorded a version of Plastic Jesus in 1965 that was featured in the motion picture Cool Hand Luke (1967). In the film, Paul Newman also sings the song while playing a banjo.]

2. Tom Waits – “Chocolate Jesus”
from: Mule Variations / Anti- Records / 1999
[Born Dec. 7, 1949, in Pomona, CA, Tom Waits has released 23 albums, appeared in 23 films, has won several Grammy Awards, was nominated for an Oscar for his work on the soundtrack to Frances Ford Coppola’s “One From The Heart,” and this year was inducted into the Rock and Roll hall of Fame. Waits has steadfastly refused to allow the use of his songs in commercials.]

3. The Flaming Lips – “Thank You Jack White (For the Fiber-Optic Jesus That You Gave Me)”
from: Fight Test EP / Warner Bros. / April 15, 2003
[EP collection of B-sides and unreleased tracks from singles released from, “Yoshimi Battles the Pink Robots.”]

10:15

4. Nathan Grannar & Beau Bledsoe – “Give Me Jesus”
from: Departure / Tzigane Records / Nov. 1 2005
[If you have ever been in the same room with Nathan Grannar’s amazing tenor voice, then you know the power of his range and delivery. Here, with frequent collaborator and guitar player extradinaire, Beau Bledsoe these two musicians represent some of Kansas City finest musical artists.]

5. Greg Brown – “Jesus & Elvis” from: The Poet Game / Redhouse Records / 1994
[Greg Brown will be in concert in a rare KC performance with his wife Iris Dement, on 11-11-11 at The Folly Theatre to honor and benefit United Inner City Services home of St. Mark Child and Family Development Center. For more info you can call 816-994-5400 or visit: irisandgregbenefitconcert.com]

6. Judee Sill – “Jesus Was a Crossmaker”
from: Live in London – the BBC Recordings 1972 – 1973 (Live) / Judee Sill Estate / 2007
[Born October 7, 1944 Judee Sill was one of the first artists signed to David Geffen’s Asylum label, she released two albums. Judee Sill died from drug abuse November 23, 1979. This song was the single from her debut, released in late 1971, one of the best year’s in music. Her debut was followed 18 months later by Heart Food. Heavily influenced by Bach and Ray Charles her work drew substantially on Christian themes of rapture and redemption.]

10:30 – Interview with Rev. Paul Smith

Paul Smith began serving several Southern Baptist churches in St. Louis while in high school and college, he completed his BA in psychology at Washington University in 1959 and after receiving a Masters degree in theology and biblical studies from Midwestern Baptist Theological Seminary in Kansas City, Missouri, he came to Broadway Baptist Church in midtown Kansas City in 1963 where he after 48 years he continues to pastor and teach. Paul Smith was given the GLAAD Leadership Award in 1995. In addition to hundreds of CDs, brochures, booklets, and published articles outlining his theological beliefs and practices, he contributed two chapters to the book Enabling the Dialogue About Homosexuality, and he has written several books, including: “Is It Okay To Call God Mother? Considering the feminine face of God” from Hendrickson Publishing and his newest book: “Integral Christianity: The Spirit’s Call to Evolve,” released March 3, 2011 from Paragon House Publishing. Paul Smith joins us to talk about his own evolution while serving for 48 years as Pastor at Broadway Church, and we’ll also talk about: Jesus, the Bible, the Pope and Hell.

In his soon to be half a century as pastor at Broadway, the church experienced significant and on-going change, becoming nationally recognized as a pioneer in small groups, contemporary worship, team leadership, justice issues, progressive theology, church renewal, and spiritual formation. It continues to evolve today.

In 1872 eighteen Swedes joined hands in prayer as they covenanted together to begin the First Swedish Baptist Church of Kansas City. They wanted to provide a welcoming place for others in Kansas City who did not always feel at home in other churches because of their different customs and language.

Paul’s new book “Integral Christianity: The Spirit’s Call to Evolve,” released March 3, 2011 from Paragon House Publishing is now available through your local bookstore and amazon.

Broadway Church is located at 3931 Washington in Kansas City, for more information you can call: 816.561.3274 or visit broadwaychurch-kc.org or revpaulsmith.com

10:45

7. The Middle East – “Jesus Came To My Birthday Party”
from: I Want That You Are Always Happy / Spunk Records / April 2011
[debut studio album by Australian folk band The Middle East, released in Australia and New Zealand. Based in Townsville in Queensland, Australia. Formed in 2005, the group played locally and completed several East Coast tours of mainly Christian festivals throughout Australia. They played their last show on July 31, 2011.]

8. The Pilgrim Travelers – “Jesus Hits Like The Atom Bomb”
from: The Best of the Pilgrim Travelers / Specialty Records / April 17, 1991
[Formed in Houston Texas in the early 1930s.]

9. Iris DeMent – “I Never Shall Forget The Day”
from: Lifeline / Flariella / 2004
[Iris Dement will be in concert in a rare KC performance with her husband Greg Brown, on 11-11-11 at The Folly Theatre to honor and benefit United Inner City Services home of St. Mark Child and Family Development Center. For more info you can call 816-994-5400 or visit: irisandgregbenefitconcert.com]

10. Blacks – “Fakeout Jesus”
from: Just Like Home / Bloodshot Records / 2000
[The Blacks (originally called ‘The Black Family’) were and insurgent country band from Chicago, IL. They released two albums through Bloodshot Records.]

11:00

11. Lambchop – “Paperback Bible”
from: Single / Merge Records / January 24, 2006
[from Nashville, Tennessee, never a band with a “core” lineup, Lambchop has consisted of a large and fluid collective of musicians focused around its creative centre, frontman Kurt Wagner..]

12. Jason Ringenberg with Steve Earle – “Bible and a Gun”
from: Best Tracks and Side Tracks 1979-2007 / Yep Roc Records / 2008
[Jason Ringenberg, of course, was the voice and principal songwriter of the mid-Eighties alt-country band Jason & The Scorchers.]

11:15 – Interview with Rusty Sneary, Bryan Moses and Sean Hogge

“At the End of Apathy,” is a new tragicomedy by Bryan Moses that is currently playing at The Living Room, 1818 McGee, through September 26. “At The End of Apathy” takes place on Sept. 10, 2001 and Danny and Tom, two twenty-something guys, are ready to make a drastic decision to be remembered and make a statement about the current state of affairs in America to put an end to all the Apathy. The play features: Sean Hogge, Bob Linebarger, George Forbes, and Kelly Main, and is written and directed by The Living Room’s Associate Artistic Director, Bryan Moses.

“At the End of Apathy,” a new tragicomedy written and directed by Bryan Moses is currently playing at The Living Room, 1818 McGee, through September 26, with performances: Thursdays through Mondays at 8:00 PM. For more info: thelivingroomkc.com or call (816) 221-4260.

11:30

13. eels – “Your Lucky Day in Hell”
from: Beautiful Freak / Dreamworks Records / 1996 [Debut]

14. The Flaming Lips – “Ego Tripping At The Gates of Hell”
from: Yoshimi Battles The Pink Robots / Warner Bros. / 2003

15. The Velvet Underground – “Jesus”
from: Peel Slowly and See / PolyGram / 1995 [5 CD Box Set – Out of Print] [orig. 1969]

11:45

16. The Prats – “Disco Pope”
from: Rough Trade Shops: Post Punk Vol. 1 / Mute Records / 2003
[an Edinburgh-based punk rock group, active from 1977 to 1981. More recently, their track “General Davis” was featured in the opening credits of Jonathan Demme’s 2004 film, The Manchurian Candidate]

17. Elbow – “An Audience With The Pope”
from: The Seldom Seen Kid / Polydor / 2008
[4th studio album by the UK band Elbow.]

18. Laurie Anderson – “Born Never Asked”
from: Big Science / Nonesuch Records / Reissued 2009
[Lauire Anderson will be in Kansas City in concert at Kauffman Center for the Performing Arts, Helzberg hall, Sunday October 9, 2011, at 7:00 PM.]

11:59:30

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Sources for Notes: Artist’s websites noted above and wikipedia.org

Show #387