WMM Playlist from July 11, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 11, 2018

Music From Lawrence Field Day Fest 2018
+ Fally Afani of I Heart Local Music +
Liz Jeans of The Human Touch

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Helen Gillet – “I Live Off You”
from: Helkiase / Helen Gillet / July 6, 2018
[Cover of English punk band X-Ray Spex from Germfree Adolescents, released Nov. 10, 1978. Written by Polystyrene aka Marianne Joan Elliott-Said born July 3, 1957, a British musician, singer-songwriter, frontwoman for X-Ray Spex. She died of Metastatic Breast Cancer on April 25, 2011, at the age of 53.] [Originally from Leuven, Belgium and now based in New Orleans, Louisiana. Globe Trotting, multi-faceted, jazz-based cellist, singer, composer and improviser Helen Gillet is a “mixed bag” of musical influence. Downbeat Magazine recently nominated her a Rising Star in the 61st Annual Critic’s Poll. She believes music to be an expression of the honest human condition; performing an eclectic mix of French pop, Avant Garde Jazz, North Indian, Folk and Classical styles. Helen Gillet’s 2018 solo album is Inspired by Helkiase, a cure-all medicine invented by the nuns of Notre Dame à la Rose hospital in Lessines, Belgium. (The hospital was one of Europe’s longest continually operating hospitals founded in XIII’s century). Gillet’s latest music deals with the more recent personal layers of complicated grief and finding new strength, sense of humor and inspiration. This recording captures the current spirit of Gillet’s live performance and features her newest original songs “Slow Drag Pavageau” written about legendary dancer and New Orleans bassist Alcide Pavageau, as well as “You Found Me,” “Skin,” and “Vautour,”song inspired by Israeili composer and artist Naama Tsabar. All songs are performed by Helen Gillet using a Boss RC50 Loop station and mainly cello and voice. Tracks 7 “Tonnerre” and 4 “Helkiase” use a Moog Sub Fatty synthesizer and vinyl scratching of a famous 1940 General de Gaulle speech. Live studio sessions and evening concerts recorded by Andrew “Goat” Gilchrist at the House of 1Hz on March 8th and 9th 2018 in New Orleans, LA. Mastered by Bruce Barielle.

3. The Dear Misses – “All The Same”
from: All The Same – Single / Independent / June 19, 2018
[In early 2017 The Dear Misses releasd their first full length album, “Just Let Go,” written over the course of 4 years. TDM started as a side project for lead singer Todd Anderson and Guitarist Cody Stapleton and caught full sail upon the addition of Drummer Bret Collins in 2014 and Bassist Shane Berggren in Late 2015. This Lawrence Kansas based 4-piece band is made up of: Todd Anderson on lead vocals & rhythm guitar, Cody Stapleton on lead guitar & backing vocals, Bret Collins on drums, and Shane Berggren on bass. More information at: http://www.reverbnation.com/thedearmisses%5D

[The Dear Misses play The Granada Theatre, 1020 Massachusetts Street, Lawrence, Kansas, Friday, August 24, at 7:00 pm, for the Vigil & Thieves “Make Sure They Hear You” Album Release Party, along with the bands Mess, Life Coach, and of course Vigil & Thieves.]

4. Belle & The Vertigo Waves – “Don’t Come Back”
from: Aligned / Drop Out Records / October 6, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services. The band recently played Middle of the Map Fest.]

[Belle and The Vertigo Waves play The Rino, 314 Armour Rd, North Kansas City, THursday, July 12, at 7:00 pm, with Carry Illinois, and Rachel Mallen.]

[Belle and The Vertigo Waves play Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO, on Saturday, July 14 at 8:00 PM with The Monolithic, L.A. Jones, and Mene Mene.]

5. Amy Farrand & The Like – “Junk Man”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded with Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”]

[Amy Farrand & The Like play the I Love KC Music Birthday Show, Friday, July 13, at Californio’s with The Philistines and Temp Tats.]

6. Andrea von Kampen – “Boots of Spanish Leather (Live)”
from: Boots of Spanish Leather (Live) – Single / Andrea von Kampen / January 15, 2018
[Lincoln, Nebraska based singer songwriter with over 5 million Spotify streams Andrea von Kampen has quickly established herself in the recording studio and on the road. Her deft guitar work and intuitive song construction display striking maturity, and her effortless vocal delivery has been praised by Hear Nebraska as “soulful and worn-in.” Andrea has shared the stage with Tall Heights, Esme Patterson, Gregory Alan Isakov, Dead Man Winter, John Moreland, Dead Horses, Gaelyn Lea, and more. She was featured as a finalist in NPR’s Tiny Desk Contest, and won Eddie’s Attic Open Mic Night in Decatur, GA. Her recent midwest tour included a live session at Audiotree in Chicago. The resulting recording is now available wherever music is sold and streamed, alongside Andrea’s studio EPs “Desdemona” and “Another Day.”]

[Andrea von Kampen plays recordBar, 1520 Grand Ave, on Friday, July 13, at 7:00 PM with Calvin Arsenia and Of Tree]

7. Keaton Conrad – “(If I Told You to) Stay”
from: (If I Told You to) Stay – single / Keaton Conrad / Expected July 20, 2018
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine).I n 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad’s newest single “(If I Told You to)Stay” is set to be released on July 20th, 2018. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. In 2015 he released a 5-song EP, Panic & Blame. ]

[Keaton Conrad plays The Dubliner, 170 East 14th Street, Downtown, on Friday, July 13.]

10:30 – Interview with Liz Jeans

Liz Jeans on the July 11, 2018 edition of Wednesday MidDay Medley on KKFI.

Liz Jeans received her Masters in Dance from the University of Oregon. Liz developed dance programs for the Performing Arts in Eugene, Oregon, and co-directed Powers & Jeans Dance Ensemble. Liz has performed in Los Angeles, Baghdad, Paris, Tokyo, and East Berlin. In 1988 she returned to KC to teach dance in the Visual Performing Arts School. In 2001 she developed a dance program for St. Teresa’s Academy. In 1997 Liz received her massage training certification from Mueller College in San Diego, California. Liz founded A Healing Touch to offer Therapeutic, Deep Tissue, Zen Body Therapy, Thai massage, plus Energy work, and Dog Massage. A Healing Touch hosts an “open house” July 15, 2 to 6:00 pm, at 4050 Pennsylvania, #302, with music from: Pickett, Paull & Jeans, art & poetry from Boni Tolson, and a monologue from Glendora Davis of Potluck Productions. More info at: 816-456-3671 / http://www.ahealingtouchkc.massagetherapy.com

Liz Jeans, thanks for being with us on Wednesday MidDay Medley

Liz’s first love was movement and dance, as a choreographer, dancer and teacher. She received her MA in dance from the University of Oregon, in Eugene, Oregon where she developed a Dance Program for the Community Center for the Performing Arts and co-directed POWERS & JEANS DANCE ENSEMBLE.

After a short debut in LA, she began an international escapade starting in Baghdad, during the Iran/Iraq war. She then moved to Paris where she danced at the historic Moulin Rouge. Liz also danced with Soho Productions in Tokyo and at the Friedreichstadt Palast in East Berlin while the Wall was still a very real aspect of German life.

In 1988, she returned to the US and taught dance in the Visual Performing Arts School for 7 years and in 2001 developed a dance program at St. Teresa’s Academy.

Liz combined her arts with the healing arts in 1997 and became a licensed massage therapist. She received her massage training from Mueller College in San Diego, CA.

Liz writes, “With my background in movement and body awareness as a dance educator, I know that if my body doesn’t feel good, I don’t feel good, that listening to my body is the first step to healing, and that taking care of my body is taking care of me. I know the importance of freedom of movement. Massage is an excellent step to creating a sense of well-being.”

In 2011, Liz expanded her repertoire to include animals, as they innately exude unconditional love, the core element of healing. Because they have no filters, their feedback is informative and useful in developing a stronger practice for both people and animals. Plus…. there are the benefits of unadulterated appreciation. She received her certification and began an internship at State Line Animal Hospital, where she continues to practice animal massage. Her clients include dogs and cats.

Liz founded A Healing Touch to offer Therapeutic, Deep Tissue, Zen Body Therapy, Thai massage, plus Energy work, and Dog Massage.

A Healing Touch hosts an “open house” July 15, 2 to 6:00 pm, at 4050 Pennsylvania, #302, with music from: Pickett, Paull & Jeans, art & poetry from Boni Tolson, and a monologue from Glendora Davis of Potluck Productions. More info at: 816-456-3671 / http://www.ahealingtouchkc.massagetherapy.com

10:45 – Underwriting

8. Westerners – “Dog Years”
from: Reoccurring Dream Theme / The Record Machine / July 14, 2017
[Debut full length album from Lawrence / Kansas City based band formed in August of 2013. The band includes: Mitch Hewlett, Josh Hartranft, Matthew Pesma and Brian Robertson. Westerners signed to Kansas City independent label The Record Machine in 2015.] [Westerners played an album release at Mills Record Co, Fri, July 7, w/ Shortsweather and at Love Garden Records, Lawrence, July 8, w/ No Magic, CS Luxem.]

[The Westerners play Lawrence Field Day Fest, Thursday, Juy 19, at 11:45 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

9. Emmaline Twist – “Oblivion”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering.. Matched with compelling cover-art created by Amy Abshier. Emmaline Twist joins us on WMM on August 22.]

[Emmaline Twist play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 7:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

10. Lincoln Marshall – “Brave”
from: Wake / Datura Records / October 18, 2017
[Written By: Milkdrop & Approach. Produced, Sequenced, Recorded, Mixed & Mastered By: Aikido Bray at Prosidio Gardens in Lovely Lawrence, Kansas. Artwork, Layout and Design By: The Art My Life Imitates Equipment Used: ASR-10. Approach aka Sean Hunt reports that is is a collection of songs we recorded during the creation of “Weight/Water” albums. “Milk & I revisited these songs and felt like they are strong enough to release. We are in the final stages of finishing our new album “Wisdom” and wanted to give you a little something in the meantime.”

[Lincoln Marshall play Lawrence Field Day Fest, Saturday, July 21, at 12:30 am, at Replay Lounge, 946 Massachusetts Street, Lawrence, Kansas.]

11:00 – Station ID

11:00 – Fally Afani Guest Producer

Wednesday MidDay Medley is celebrating the 7th Annual Lawrence Field Day Fest, July 19-21, in Downtown Lawrence, Kansas, featuring over 60 bands at multiple venues: The Bottleneck, Jackpot Music Hall, The Replay Lounge, The 8th Street Taproom and more, with showcases from: I Heart Local Music, and Black Site Records. http://iheartlocalmusic.com/2018/06/18/i-heart-local-music-announces-field-day-fest-lineup-2/

Fally Afani on the July 11, 2018 edition Wednesday MidDay Medley on KKFI.

Fally Afani, is Editor & Founder of I Heart Local Music and she joins us for our entire second hour as Guest Producer to play music from Lawrence Field Day Fest. Fally Afani is an award-winning journalist with a career spanning more than 15 years in media. She has worked extensively in radio, television, newspapers, magazines, and more. Fally Afani’s work has been featured in magazines, newspapers, and television stations across Kansas. She received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. I Heart Local Music is a place for music lovers in Lawrence to gather. It was started out of a deep love and appreciation for the local music scene. I Heart Local Music recently published their first print magazine edition. More information at: http://www.iheartlocalmusic.com

Fally Afani, thank you for being with us in Wednesday MidDay Medley.

11. Khrystal. – “Black Girl Magic”
from: Q u a r t e r C e n t u r y L i v i n g / Khrystal. / September 1, 2017
[Khrystal’s debut EP. Written and performed by Khrystal. Produced by Katheryne Johnson. Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017.

[Khrystal plays Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 8:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

12. Serene Fiend – “Just Wont Go Away”
from: Sowing Discord / DK Records / Expected July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.” You can preview the new single from Sowing Discord here: https://youtu.be/nGdafcUz3Zw%5D

[Serene Fiend plays Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 10:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

[Serene Fiend plays an ALBUM Release Friday, July 27 at 9:00 PM, at Jackpot Music Hall, 943 Massachusetts St, Lawrence, Kansas, with The Philistines]

13. The Sluts – “Only One”
from: Only One / The Sluts / May 25, 2017
[5 song EP from the Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011.]

[The Sluts play Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 11:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

14. Bruiser Queen – “Sugar High”
from: Heavy High / Bruiser Queen / November 10, 2017
[St. Louis based Garage Pop Rock N Roll duo Bruiser Queen blend 21st Century punk stomp with 60’s girl group shimmy. Morgan Nusbaum’s vocals & guitar arrive on stage like a Riot Grrrl but bop to the beat of Jason Potter’s huge, dark drumming.]

[Bruiser Queen plays Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 9:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

15. Young Mvchetes – “Maniq (Radio Edit)”
from: The Week / Young Mvchetes / April 7, 2018
[Rap duo from Topeka Kansas. All tracks were recorded in a week. A;; tracks were written by Young Mvchetes. All track were produced, mixed, and mastered by Young Mvchetes and Devon Hanna, with additional guitars by MAADCXMMANDER ON “Maniq.” 99.9% of shredding performed by Devon Hanna.]

[Young Mvchetes play Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 12:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

11:27 – Underwriting

16. Duncan Burnett – “Black Boy Joy”
from: The Almighty EP / R.I.O.T LLC / May 4, 2018
[Olathe, Kansas based hip hop artist, singer, songwriter, producer, musician, drummer. From Tim Finn’s Back To Rockville(KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind. The first: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. A trained drummer and percussionist, Burnett, 26, has been performing live since he was 7 years old. Live music, he said, is in his blood.][Duncan Burnett (Black Boy Joy, just released: http://iheartlocalmusic.com/2018/05/08/album-review-duncan-burnett-the-almighty-ep/%5D

[Duncan Burnett plays Lawrence Field Day Fest, Thursday, July 19, at 8: 00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

17. HighWesthus – “Burn (Radio Edit)”
from: HighWesthus – The Trilogy (Part I, II, III) / Datura Records / August 26, 2017
[Written and produced and performed by HighWesthus, and mixed and mastered by Leyone Tracks. HighWesthus was born Shaun Teamer, in Chicago, Illinose. He is now based in Kansas City. In October 2016 HighWesthus released Part III. The ILLU as the last official album of the Trilogy Set that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. Recently Lawrence based Datura Records in co-release with Whatever Forever, released all three parts as one 29 song collection. HighWesthus is a freelance multimedia artist living in Kansas City. He graduated from the Kansas City Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illistration, animation, graphic design, dideo editing, sound editing, music producing, writng and storytelling.][HighWesthus – http://iheartlocalmusic.com/2017/08/17/drop-everything-and-see-highwesthus/%5D

[HighWesthus plays Lawrence Field Day Fest, Thursday, July 19, at 12:00 am, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

18. Vigil and Thieves – “Ladylike”
from: Make Sure They Hear You / Vigil and Thieves / August 24, 2018
[Kansas City based 4-piece band with Sarah Storm on vocals, guitar, & keyboards; Steph Castor on guitar; Matthew Muckenthaler on bass, and Andrew Flaherty on drums.]

[Vigil and Thieves play Lawrence Field Day Fest,, Saturday, July 21, at 11:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

[Vigil and Thieves play a “Make Sure They Hear You” Album Release Party at The Granada Theatre, 1020 Massachusetts Street, Lawrence, Kansas, Friday, August 24, at 7:00 pm, with the bands The Dear Misses, Mess, Life Coach, and of course Vigil & Thieves.]

19. Chess Club – “Thick”
from: Hit The Ball / Black Site / June 9, 2018
[Lawrence Kansas based Emo / math pop band with Griffin Nelson on guitar & vocals, Cooper Avery on drums, and David Krejci on bass.][Chess Club – http://iheartlocalmusic.com/2018/06/26/album-review-chess-club-hit-the-ball/%5D

[Chess Club play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 6:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

20. Wick & The Tricks – “Drama Queen”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece punk band from Kansas City. On this recording: Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.]

[Wick & The Tricks play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 8:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

21. Red Kate – “Iraqi Girl”
from: Iraqi Girl – Single / Too Much Rock / February 24, 2018
[L. Ron Drunkard – bass/lead vocalist, Andrew Whelan – Drums/Vocals, Desmond Poirier – guitar/vocals. Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, and Witch Jail have all recorded for the Too Much Rock Single Series. More info at: http://www.toomuchrock.com. //// Red Kate is proud to announce the release of a new single on local label, Too Much Rock. As with all records in the Singles Series, this old-school, 45 rpm ripper contains one original track and one cover selected by the label. Side A, Iraqi Girl, is a grinding statement on American foreign policy, while side B follows suit with a cover of the TSOL song, American Zone. This frank indictment of how we treat those sent off to impose that foreign policy is as relevant today as it was in 1984. American Zone marks the first recording with the band’s newest member, rhythm guitarist Shaun Hamontree, whose contribution to the effort also includes his arresting, if not disturbing, cover art invoking the devastating reality of a war widow’s scrap book. /// Both tracks were recorded at Weight and Measures Soundlab where engineer Duane Trower and producer L. Ron Drunkard have perfected Red Kate’s sonic signature. And like all 7” releases by the band, the covers were printed locally by the good folks of the Allied Printing and Trades Local 16C at Callander Printing in Kansas City, KS][http://iheartlocalmusic.com/2018/03/12/review-red-kate-iraqi-girlamerican-zone-singles/]

[Red Kate plays Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 10:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on July 18 we talk with organizers of this years Kansas City Fringe Festival, Plus Tim Finn joins us on the day before he presents, “A Look Back at Rockville: Great Moments in Kansas City Concerts” at The Kansas City Public Library – Plaza Branch, Thursday, July 19 at 6:30 PM. Plus, we’ll tlk with organizers of Mom’s Demand Action for Gun Sense benefit featuring: Howard Iceberg at Wednesday, July 25 at 7 PM , at The Uptown Arts Bar, 3611 Broadway St, Kansas City, Missouri.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #742

Lawrence Field Day Fest 2018
TENTATIVE SCHEDULE – SUBJECT TO CHANGE

THURSDAY 7/19

The Bottleneck
7:00 LK Ultra
8:00 Duncan Burnett
9:00 Hannah Norris and The Band
10:00 Deco Auto
11:00 The Dead Girls
12:00 High Westus

The 8th Street Taproom
9:15 Hot Suede
10:15 Cuee
11:15 Breakadawn
12:15 The Harrisonics

The Replay Lounge
8:30 Asterales
9:30 Second Hand King
10:30 Annalibera (Des Moines)
11:30 Stitch 81 Classic
12:30 Salty

The Jackpot
7:45 They Call Me Sauce
8:45 Cuddle Puddle
9:45 The Travel Guide
10:45 The Uncouth
11:45 Westerners
12:45 Domineko

FRIDAY 7/20

The Replay Lounge Early
5:00 Something and The Whatever’s
6:00 TBA
7:00 The Windermeres
8:00 Tire Fire

The Replay Lounge Late
9:30 Approach
10:30 Blackheart Saviors
11:30 The Architects
12:30 Headlight Rivals

The Jackpot Music Hall
I Heart Local Music Showcase (order subject to change)
8:15 Khrystal
9:15 Bruiser Queen
10:15 Serene Fiend
11:15 The Sluts
12:15 Young Mvchetes

The Bottleneck
6:15 Even The Girl
7:15 Our Lives Yesterday
8:15 Bearblood
9:15 The Soiled Doves
10:15 Sheven
11:15 Godzillionaire
12:15 Hyborian

SATURDAY 7/21

The Replay Lounge Early
5:00 The Goodbye Sort
6:00 Nick Siegel and Band
7:00 Shoebox Money
8:00 Broken Arrows

The Replay Lounge Late
9:30 Metawatt and TRS-One
10:30 Momma’s Boy
11:30 The Ghoulies
12:30 Lincoln Marshall

The Jackpot Music Hall Early
3:30 Life Coach
4:30 Baby D
5:30 TBA

The Jackpot Music Hall Late
7:15 The Blackbird Fields
8:15 Philosophy Of Lions
9:15 Feng$hui
10:15 Louiz Rip
11:15 Vigil and Thieves
12:15 Vibralux

The Bottleneck
Black Site Records Showcase
6:00 Chess Club
7:00 Emmaline Twist
8:00 Wick and The Tricks
9:00 Rich Yarges and The Pop Mechanics
10:00 Red Kate
11:00 Truck Stop Love
12:30 Stiff Middle Fingers

Wednesday MidDay Medley

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Wednesday MidDay Medley welcomes Fally Afani & Lawrence Field Day Fest

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 11, 2018

Music From Lawrence Field Day Fest 2018
+ Fally Afani of I Heart Local Music +
Liz Jeans of The Human Touch

Wednesday MidDay Medley celebrates the 7th Annual Lawrence Field Day Fest, July 19-21, in Downtown Lawrence, Kansas, featuring over 60 bands at multiple venues: The Bottleneck, Jackpot Music Hall, The Replay Lounge, The 8th Street Taproom and more, with showcases from: I Heart Local Music, and Black Site Records.

We’ll play music from: Khrystal., The Sluts, Duncan Burnett, Bruiser Queen, HighWesthus, Wick & The Tricks, Chess Club, Red Kate, Young Mvchetes, Lincoln Marshall and Westerners, plus radio premieres of tracks from Serene Fiend, Vigil And Thieves, and Emmaline Twist. We’ll also play New & MidCoastal Releases from Belle & The Vertigo Waves, Amy Farrand & The Like, The Dear Misses, Helen Gillet, Keaton Conrad, and Andrea von Kampen.

At 10:30 Mark talks with Liz Jeans who received her Bachelor’s of Science degree in Education and a Masters in Dance from the University of Oregon. Liz developed dance programs for the Performing Arts in Eugene, Oregon, and co-directed Powers & Jeans Dance Ensemble. Liz has performed in Los Angeles, Baghdad, Paris, Tokyo, and East Berlin. In 1988 she returned to KC to teach dance in the Visual Performing Arts School. In 2001 she developed a dance program for St. Teresa’s Academy. In 1997 Liz received her massage training certification from Mueller College in San Diego, California. Liz founded The Healing Touch to offer Therapeutic, Deep Tissue, Zen Body Therapy, Thai massage, plus Energy work, and Dog Massage. The Healing Touch hosts an “open house” July 15, 2 to 6:00 pm, at 4050 Pennsylvania, #302, with music from: Pickett, Paull & Jeans, art & poetry from Boni Tolson, and a monologue from Glendora Davis of Potluck Productions. More info at: 816-456-3671 / http://www.ahealingtouchkc.massagetherapy.com

At 11:00, Fally Afani, Editor & Founder of I Heart Local Music joins us for our entire second hour to play music from Lawrence Field Day Fest. Fally Afani is an award-winning journalist with a career spanning more than 15 years in media. She has worked extensively in radio, television, newspapers, magazines, and more. Fally Afani’s work has been featured in magazines, newspapers, and television stations across Kansas. She received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. I Heart Local Music is a place for music lovers in Lawrence to gather. It was started out of a deep love and appreciation for the local music scene. I Heart Local Music recently published their first print magazine edition. More information at: http://www.iheartlocalmusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #742

Wednesday MidDay Medley

WMM Playlist from June 6, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 6, 2018

The MidCoast Sound + Second Hand King
+ Belle Plaine, Blake Berglund & Nadia Piotrowsky +
Marion Merritt & Jolle St. Pierre

10:00

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme song]

2. Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

David Byrne at Kauffman Center For The Performing Arts (6/7/18)

David Byrne at Kauffman Center For The Performing Arts (6/7/18)

David Byrne at Kauffman Center For The Performing Arts (6/7/18)

3. David Byrne – “Gasoline and Dirty Sheets”
from: American Utopia / Todomundo – Nonesuch / March 9, 2018
[Co written with Brian Eno. David Byrne’s first solo studio album since 2004’s Grown Backwards. Even though since then he has released albums with Brian Eno, Fat Boy Slim, and St. Vincent. The album is his 11th outside of his work with Talking Heads. The new album is one part of a larger multimedia project entitled Reasons to Be Cheerful which aims to give reasons for being happy and optimistic in spite of political strife and environmental problems. The project was entitled after the Ian Dury song “Reasons to Be Cheerful (Part 3)”. David Byrne writes: “Is this meant ironically? Is it a joke? Do I mean this seriously? In what way? Am I referring to the past or the future? Is it personal or political? These songs don’t describe an imaginary or possibly impossible place but rather attempt to depict the world we live in now. Many of us, I suspect, are not satisfied with that world—the world we have made for ourselves. We look around and we ask ourselves—well, does it have to be like this? Is there another way? These songs are about that looking and that asking. This album is indirectly about those aspirational impulses. Sometimes to describe is to reveal, to see other possibilities. To ask a question is to begin the process of looking for an answer. To be descriptive is also to be prescriptive, in a way. The act of asking is a big step. The songs are sincere—the title is not ironic. The title refers not to a specific utopia, but rather to our longing, frustration, aspirations, fears, and hopes regarding what could be possible, what else is possible. The description, the discontent and the desire—I have a feeling that is what these songs touch on. I have no prescriptions or surefire answers, but I sense that I am not the only one looking and asking, wondering and still holding onto some tiny bit of hope, unwilling to succumb entirely to despair or cynicism.”]

[David Byrne plays the Muriel Kauffman Theatre at the Kauffman Center for The Performing Arts, Thursday, June 7, at 7:30 PM.]

10:07 – Pledge Break #1

Marion Merritt

But first, Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first tour when they played One Block West, in 1978. For 14 years she has been sharing her musical discoveries and information from her encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. More at: recordswithmerritt.com

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

Joelle St. Pierre

Also with us is Joelle St. Pierre, a friend of the show, a friend of mine since the early 1990s, and a huge friend to 90.1 FM KKFI. Joelle is a 90.1 FM Super Volunteer, helping with KKFI’s special events, the Crossroads Music Festival, The Spring Dance, Folk Alliance International, and answering phones for our On-Air-Fund Drives. Joelle stepped out of the crowd of our beautiful listening audience, to not only donate financially to KKFI, but also give her time and energy to help keep this rare treasure of the airwaves alive. Despite all of her hours given to community radio, like so many of our hardest working volunteers, she is not often found behind the microphone, so today is special.

Joelle St. Pierre, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt, and Joelle St. Pierre, join us for our Spring Fund Drive Show, to encourage our listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio, “The Voice of The Community.”

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming, that is…essentially free to you. this year, 90.1 FM KKFI is celebrating our 30th year on the airwaves. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We’re non-profit, but we still have to pay the electric bill, the rent on our fully accessible production studios and offices, insurance, staff, royalties, production expenses. Even though we have hundreds of committed volunteers, who donate thousands of hours every year, producing radio shows, answering phones, creating websites, producing benefits, rewiring the board, setting up our computer system, we still need YOU, our listener, to take a moment and donate to keep us alive! YOU are the reason we are able to stay alive.

10:16

Yanna the Supa Flowa at I Heart Local Music presents Pride for The Masses at Jackpot Music Hall (6/9/18)

4. Supa Flowa – “The Wu”
from: The Supa Flowa EP / R.I.O.T. LLC / May 4, 2018
[KC based Supa Flowa, aka Yanna, is a multi-media artist and rapper. The Supa Flowa Ep is a very vulnerable, yet an uplifting play on Yanna’s experience in dealing with anxiety, self doubt, and becoming comfortable with the androgynous, “sunflower dyke” that she is. Her goal is to reach out to queer & LGBTQIA youth; who have endured similar experiences to hers, in finding and cultivating self love and peace of mind.]

[Yanna the supa flowa plays the I Heart Local Music Presents: Pride for the Masses, June 8 & June 9, at Jackpot Music Hall, 943 Mass St., Lawrence, w/ Vibralux, Wick & The Tricks Calvin Arsenia, & Cuee.]

5. Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / To Be Released in May, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

10:21 – Underwriting

10:23 – Pledge Break #2

WMM Plays New & MidCoastal Releases. Timothy Finn of Kansas City Star named WMM “The Best Place to Hear Local Music on the Radio.”

Why do listeners need to support of this one-of-a-kind, programming?
Because 90.1 FM KKFI is “The Voice of the Community” Our Kansas City area Community Speaks Through our Airwaves and this Program

Along with all of the music, WMM interviews nearly 200 guests each year:

Michelle Bacon, Krystle Warren, Katy Guillen, Lesley Poiries, Ryan Wilks, Tim J. Harte, Julia Othmer, Victor & Penny, The Grand Mrquis, Megan Slankard, Justin Van Pelt, Amy Farrand, Jen Harris, Spencer Brown, CS Luxem, Red Kaye, Olivia Fox, Howard Iceberg, Doby Watson, Kadesh Flow, Bach Aria Soloists, Cris Williamson, David Wayne Reed, Mikal Shapiro, Calvin Arsenia, Shoun Crowley, Nick Carswell, Cody Critcheloe, Patrick Alonzo Conway, The Matchsellers, Teri Quinn, Cat Dail, Thee Devotion, Steve Tullipana, Kemet The Phantom, D Rashawn Gilmore, Madisen Ward and the Mama Bear, Scott Hobart, Necia Gamby, Dedric Moore, Brenton Cook, Erica Joy, Wick Thomas, Kadesh Flow, Betse Ellis, Clarke Wyatt, Nico Gray, Ron Megee, Nan Turner, Matthew Roth, Johnny Hamil, Marco Pascolini, Ada Brumback, Richard Alan Nichols, Erin Keller, Summer Osborne, Jen Appell, Steve Gardels, Cynthia Hardeman, Fally Afani, Matt Kesler, Scott Mize, Jennie Ferguson, Doug Hitchcock, Cole Bales, Cody Calhoun, Scott Hrabko, Jonathan Brokaw, Ethan Eckert, Jamie Rich, David Weeda, Austin Williams, Philip Hooser, IVØRY BLACK, Anna Selle, Bill Dickey, Roxi Copland, Joy Baker, Kathryn Golden, Bill Sundahl, Derick Cunninhgham, Desmond Mason, Bill Svoboda, Claire Adams, Ross Brown, Jerad Tomasino, Laurel Parks, Ben Parks, Maria Cuevas, Garrett Nordstrom, Barry Lee, Noah Davis, Steven Eubank, Julie Shaw, Sarah Beth Mundy, Lovergurl (Stephanie Bankston, Brook Worlledge, Heather Andrews), Chad Meise, Chris Haghirian, Nathan Reusch, Aaron Rhodes, Beth Marshall, Jon “Piggy” Cupit, Janet Henry, Michael McQuary, Clint Hoffmeier, Matt Tady, Patrick Alonzo Conway, Alan Winkler, Run With It (Miguel Carabello, Ben Byard, Daniel Cole) Matthew Dunehoo, Lou Jane Temple, Dave Storms, Sondra Freeman, David George, Jade Osborne, Quinn Hernandez, John Craige, Jennifer McCartney, Amy Marcus, Susanna Lee, Kyle Dahlquist, Vanessa Severo, Tim Finn, Simone Briand, Maria Vasquez Boyd, Jenny Mendez, Chato Villalobos, Miguel Morales, Salar Rajabnick, Barclay Martin, Zachary Van Benthusen, Krysztof Nemeth, Britt Adair, Duncan Burnett, Judy Mills, Stephonne Singleton, Jamie Searle, Patrick Alexander.

10:30

6. Second Hand King – “Go So Wrong”
from: Frankie / Second Hand King / June 9, 2018
[KC based Joe Stanziola records as Second Hand King, the original Doo Wop Rapper. His name was derived from a 1966 Doo Wop song known as, “The Joker Went Wild” by Brian Hyland. Second Hand King has released five previous albums: All My Fears (2012), The Lower Depths (2013), Chuck (2014), Before The Bomb Drops (2015), and Almost Blue (2016).]

[Second Hand King & The Lovers play a “FRANKIE” album release show, at recordBar, 1520 Grand, Sat, June 9 at 7:PM, w/ Black Mariah Theater, Rockababyrock & Tyler Banks, w/ Dj Peter Anthony.]

10:33 – Interview with Joe Stanziola

Joe Stanziola on the June 6, 2018 edition of Wednesday MidDay Medley on 90.1 FM.

Joe Stanziola performs and records as Second Hand King, the original Doo Wop Rapper. His name was derived from a 1966 Doo Wop song, “The Joker Went Wild” by Brian Hyland. Joe’s been exploring the connections between Doo Wop and Hip Hop since he released his The Santa Sangre EP in 2011. Joe followed that up with five more albums: All My Fears (2012), The Lower Depths (2013), Chuck (2014), Before The Bomb Drops (2015), and Almost Blue (2016). Joe is set to release his 6th full length album, Frankie when Second Hand King & The Lovers play a “FRANKIE” album release show, Saturday, June 9 at 7:00 PM, at recordBar, 1520 Grand, with Black Mariah Theater, Rockababyrock & Tyler Banks, along with Dj Peter Anthony.

Joe Stanziola thank you for being with us on WMM.

First off, a Doo-Wop Tutorial from Wikipedia.org:

Doo-Wop – origins: Rhythm and blues harmony vocal groups a cappella negro spirituals barbershop music gospel ballads blues jump blues swing

Doo Wop – Derivative forms: Beach music beat Brill Building pop rock power pop soul vocal surf

Doo-wop is a genre of rhythm and blues music that was developed in African-American communities in the East Coast of the United States in the 1940s, achieving mainstream popularity in the 1950s and early 1960s. Built upon vocal harmony, doo-wop was one of the most mainstream, pop-oriented styles of the time. Singer Bill Kenny is often called the “Godfather of Doo-wop” for his introducing the “top and bottom” format which featured a high tenor singing the lead and a bass singer reciting the lyrics in the middle of the song. Doo-wop features vocal group harmony, nonsense syllables, a simple beat, sometimes little or no instrumentation, and simple music and lyrics

From the outset, singers gathered on street corners, and in subways, generally in groups of three to six. They sang a cappella arrangements, and used wordless onomatopeia to mimic instruments since instruments were little used: the bass singing “bom-bom-bom”, a guitar rendered as “shang-a-lang” and brass riffs as “dooooo -wop-wop”. For instance, “Count Every Star” by The Ravens (1950), includes vocalizations imitating the “doomph, doomph” plucking of a double bass. This art dates to The Mills Brothers, who first came to fame in the 1930s with their mimicking of instrumental music. Radio, gramophone, and cinema inspired imitation in many U.S. cities.

The late 1940s and early 1950s brought the so-called “bird groups”; The Swallows, the Ravens, The Orioles, The Penguins, The Crows, The Flamingos, The Blue Jays, The Cardinals, and The Larks. A number of band names are also drawn from cars (The Edsels, The Cadillacs, The Fleetwoods, The Impalas, and Little Anthony and the Imperials). The Orioles helped develop the doo-wop sound with their hits “It’s Too Soon to Know” (1948) and “Crying in the Chapel” (1953). Doo-wop scored 1951 R&B chart hits such as “Sixty Minute Man” by Billy Ward and His Dominoes, “Where Are You?” by The Mello-Moods, “The Glory of Love” by The Five Keys, “Shouldn’t I Know” by The Cardinals, “I Will Wait” by the Four Buddies, and “Will You Be Mine”, by The Swallows.

The term “doo-wop” first appeared in print in 1961 in The Chicago Defender; fans of the music coined the term during the height of a vocal harmony resurgence. The phrase was attributed to radio disc jockey Gus Gossert but Gossert suggested “doo-wop(p) was already in use [before me] to categorize the music in California.”

The first record to use the syllables “doo-wop” in the refrain was the 1955 hit “When You Dance” by The Turbans (Herald Records H-458). Previously, the backing vocal “doo-wop” is heard in The Delta Rhythm Boys’ 1945 recording of “Just A-Sittin’ And A-Rockin”, The Clovers’ 1953 release “Good Lovin'” (Atlantic Records 1000) and in the chorus of Carlyle Dundee & The Dunde

1958 also saw the rise of Italian American doo-wop groups. Like African-Americans, the Italian Americans generally attended church, where they gained singing experience, and lived in urban neighborhoods, where they would sing on street corners. By the late 1950s, Italian American street corner doo-wop groups were seen in cities such as New York, especially the Bronx and Brooklyn. Some of the Italian American groups with national chart hits included: Dion and the Belmonts, in 1958, with “I Wonder Why”, and Top #5 hits “Teenager in Love” and “Where or When”; The Four Seasons; The Capris with “There’s a Moon Out Tonight”, in 1960; The Earls; The Chimes; The Demensions; The Elegants; The Mystics; The Duprees; Vito & the Salutations; The Gaylords; Johnny Maestro & the Brooklyn Bridge; The Regents; Nino and the Ebb Tides; The Del-Satins; The Videls; most of the members of The Passions; and The Chaperones. Other Italian American groups included Randy & the Rainbows, who charted with their Top #10 1963 single “Denise”.

The contribution of Hispanics is often overlooked. Early, especially in U.S. East Coast cities, Puerto Ricans were lead singers in some groups with black and white members, including The Crests, Frankie Lymon and the Teenagers, the Five Discs and the Tune Weavers. “Racially integrated” groups with both black and white performers, included The Del-Vikings, who hit big in 1957 with “Come Go With Me” and “Whispering Bells”; The Crests, whose “16 Candles” appeared in 1958, and The Impalas, whose “Sorry (I Ran All the Way Home)” was a hit in 1959. All-white doo-wop groups were also appearing: The Mello-Kings’ 1956 “Tonight, Tonight” and The Diamonds’ chart-topping “Little Darlin'” in 1957, The Skyliners’ 1959 “Since I Don’t Have You” and 1960 “This I Swear”, The Tokens’ 1961 “Tonight I Fell In Love” and “I Love My Baby”, all saw success.

Female doo wop singers were unusual in the early days. Lillian Leach, lead singer of the Mellows from 1953 to 1958, helped pave the way for women and is often cited as an influence by later performers.

The peak of doo-wop might have been in the early 1960s with the most notable hits being Dion’s “Runaround Sue”, “The Wanderer”, “Lovers Who Wander” and “Ruby Baby” and The Marcels’ “Blue Moon”. There was a revival of the nonsense-syllable form of doo-wop in the early 1960s, with popular records by The Marcels, The Rivingtons, and Vito & the Salutations. A few years later, the genre reached the self-referential stage, with songs about the singers (“Mr. Bass Man” by Johnny Cymbal) and the songwriters (“Who Put the Bomp?” by Barry Mann), in 1961. Other important groups, including The Coasters, The Drifters, The Midnighters, and The Platters, helped link the doo-wop style to the mainstream, and to the future sound of soul music. The style is heard in the music of The Miracles, particularly in their early hits such as “Got A Job” (an answer song to “Get a Job”), “Bad Girl”, “Who’s Loving You”, “(You Can) Depend on Me”, and “Ooo Baby Baby”. The style is also heard in the early days of The Famous Flames, led by James Brown; the group recorded several doo-wop hits, including “Please, Please, Please”, “Bewildered”, “I Don’t Mind”, and their hit cover of The “5” Royales’ “Think all entering the Top#10, as well as R&B Number #1 Try Me

Doo-wop’s influence continued in soul, pop, and rock groups of the 1960s, including The Four Seasons, girl groups, and vocal surf music performers such as Jan and Dean and the Beach Boys. In the Beach Boys’ case, the doo-wop influence is evident in early hits such as “Surfin'” and “Surfer Girl”, and in albums recorded within their psychedelic era, during which the group experimented and innovated with the human voice as an instrument[15] in a self-described effort to “expand modern vocal harmony”.

As with most American popular music genres of the time, doo-wop’s mainstream popularity was decimated by the British Invasion of the mid-1960s

Joe Stanziola grew up in Kansas.

At the Age of 16 he first heard Tupac, it changed his life.

Born December 19, 1989 his parents wrote him a rap upon his birth.

Joe says that “At my core, I am a rapper.”

Joe confesses to be “a little bit of a loner.”

Joe didn’t like school.

In his search to find himself Joe discovered doo-wop with the Gene Chandler song “Duke of Earl”

Joe has listened to so much doo-wop it is now just part of him, he has no choice. Doo-wop is his “guiding light.”

Joe is now working with a band.

Frankie is a “coming out” moment.

Second Hand King

10:47

7. Second Hand King – “The King of Broken Hearts”
from: Frankie / Second Hand King / June 9, 2018
[KC based Joe Stanziola records as Second Hand King. His name was derived from a 1966 Doo Wop song known as, “The Joker Went Wild” by Brian Hyland. Joe has released five previous albums: All My Fears (2012), The Lower Depths (2013), Chuck (2014), Before The Bomb Drops (2015), and Almost Blue (2016).]

[Second Hand King & The Lovers play a “FRANKIE” album release show, at recordBar, 1520 Grand, Sat, June 9 at 7:PM, w/ Black Mariah Theater, Rockababyrock & Tyler Banks, w/ Dj Peter Anthony.]

8. Joni Mitchell – “You Turn Me On I’m A Radio”
from: For The Roses / Asylum / November 1972
[Joni Mitchell originally wrote the song in response to her record label’s desire for her to write a hit song. Mitchell reveals her purpose on lines such as, “And I’m sending you out this signal here, I hope you can pick it up loud and clear”. She believed that including words in the song about radio themes would convince stations to play the recording. The song was recorded in preparation for Mitchell’s upcoming fifth studio album in Hollywood, California, United States at A&M Studios. Although Graham Nash, David Crosby, and Neil Young all contributed to the recording session for the song, only the harmonica piece performed by Graham Nash was included on the official release. “You Turn Me On, I’m a Radio” was released as a single in November 1972 via Asylum Records. The song became Mitchell’s first top-ten hit in Canada, reaching the tenth position on the RPM Top Singles chart. Additionally, the single became her first top-forty hit in the United States, reaching number twenty-five on the Billboard Hot 100. Outside North America, “You Turn Me On, I’m a Radio” peaked within the top-forty on the Australian Kent Music Report chart. The single was included on Mitchell’s fifth studio effort For the Roses, which was issued in November 1972. Released between her 2 biggest commercial and critical successes – “Blue” and “Court & Spark”. In 2007 it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. “For the Roses” was Mitchell’s farewell to the business; she took an extended break for a year after. The album was critically acclaimed with The New York Times saying “Each of Mitchell’s songs on For the Roses is a gem glistening with her elegant way with language, her pointed splashes of irony & her perfect shaping of images. Never does Mitchell voice a thought or feeling commonly. She’s a songwriter and singer of genius who can’t help but make us feel we are not alone.”]

10:53 – Pledge Break #3

KKFI is an Independent, non-commercial radio station!

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, and share your concerns, and offer resources, and community activities and information. Along with our stellar National Public Affairs shows like Democracy Now, and Workers Independent News we also offer more locally produced public affairs programs than anywhere else on the dial. We offer programs specifically produced for the LGBTQIA Community, Women’s Issues, Native American News and Culture, Middle Eastern Music and Information, Latino Programming, African American Public Affairs and Community News, Labor and Worker’s Unions, our prison population and justice system, environmental programming, Visual and lLiterary Arts, and Performing Arts.

Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI!

No Commercials. We do have brief underwriting announcements, recognizing those who financially contribute to support non-profit community radio. But No Commercials

No automated robot playing the same 40 to 100 songs in a “rotation,” based on a formula, created someone who programs the robot. We are the opposite of this.

We are The Voice of The Community

90.1 offers 104 different radio programs. 82 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. It is very special. It needs to be nourished and kept alive in a world of corporate nationally owned commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this you also hear the voices from the hundreds of KKFI volunteers and the hundreds of guests who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. How much is this worth to you?
We are The Voice of The Community

At http://www.wednesdaymiddaymedley.org you can find our playlists from the last 12 years.

11:00 – Station ID

9. CS Luxem – “Let Me Go On”
from: Symptoms / Whatever Forever / February 17, 2018
[Debut length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. Info at http://www.csluxem.bandcamp.com]

[CS Luxem plays 8th Street Tap Room in Lawrence, KS. on Friday, June 8 at 6:30 with LaGuerre, Miwi La Lupa, and Nik Freitas.]

[CS Luxem plays Decade, 920 Delaware St. Lawrence, KS. Monday, June 11, at 7:PM with Curt Oren, Dan English, and Morning Ritual.]

9. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios.]

[Mikal Shapiro plays The Westport Saloon, 4112 Pennsylvania, Tonight, 9:PM, with Wonky Tonk.]

9. Howard Iceberg & The Titanics – “My Love For You Is Real”
from: Netherlands / Howard Iceberg & The Titanics / March 29, 2018
[Howard Iceberg on lead vocals & harmony vocals; Rich Hill on piano, organ & harmony vocals; Bryan Hicks on electric bass & harmony vocals; and Doug Auwarter on drums. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg & Pat Tomek.]

11:07 – Pledge Break #4

Donating to 90.1 FM KKFI is investing in your community.

(From our bylaws of The MidCoast Radio Project)

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:14

12. Belle Plaine – “Golden Ring (feat. Megan Nash) – Single”
from: Malice, Mercy, Grief and Wrath / Belle Plaine / To Be Peleased Soon
[Belle Plaine is a singer, a songwriter and an inventive musician who was raised on the Canadian prairies near the hamlet of Fosston, Saskatchewan – population: 54. Belle’s reverence for artists who defy categorization has led her to create a brand of roots music that combines vintage blues and swing tones of the 1940s with classic country styles made popular in the heyday of the Grand Ole Opry. In 2015 she appeared as a guest vocalist on Colter Wall’s breakthrough debut album, Imaginary Appalachia. In 2016 she performed her work with the Regina Symphony Orchestra. She comtributed as a songwriter and harmony-vocalist on Blake Berglund’s 2017 album, Realms.]

[American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak Street, KCMO, on Friday, June 8, at 8:00 pm.]

11:17 – Interview with Belle Plaine, Blake Berglund & Nadia Piotrowsky

Blake Berglund, Belle Plaine, and Nadia Piotrowsky on the June 6, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Kansas raised, Oklahoma based, Nadia Piotrowsky who performs as summerland, joins us today and she has brought along her singer-songwriter friends from Saskatchewan, Canada, Belle Plaine and Blake Berglund who have been embraced by the Red Dirt and Americana communities as evidenced by a slot at this year’s Tumbleweed Festival in La Cygne, KS, and an eight date tour along side summerland that includes Kansas City. American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak St, KCMO, on Friday, June 8, at 8:00 pm.

Belle Plaine, Blake Berglund & Nadia Piotrowsky, Thanks for being with us on WMM.

Belle Plaine is a singer, a songwriter and an inventive musician who was raised on the Canadian prairies near the hamlet of Fosston, Saskatchewan – population: 54.

We just heard “Golden Ring,” the first single from her upcoming LP Malice, Mercy, Grief and Wrath and is in collaboration with fellow Saskatchewanian, Megan Nash. True to Plaine’s genre-bending style, the song pairs a surf-era baritone guitar to an Everly Brothers inspired harmony.

Belle Plaine, Blake Berglund have split their time in the last year between Canada and the Appalachians promoting Berglund’s 2017 release, Realms, and have been direct support for Colter Wall, Tyler Childers, The Dead South, Jason Eady and Dwight Yoakam.

Plaine appeared on Colter Wall’s Imaginary Appalachia (2015) and serves up a hybrid of American music: her mix of folk, country, jazz and blues was showcased at Folk Alliance International in February 2017 and at Americana Fest in September 2017 to a full house at Nashville’s 12th and Porter.

Blake Berglund & Belle Plaine

TOUR DATES

Fri. June 8 – Kansas City, MO SqueezeBox Theatre^

Sat. June 9 – Ottawa, KS House Concert^

Sun. June 10 – Tulsa, OK Tulsa Tough Cry Baby Hill VIP Part presented by Vox Pop^

Mon. June 11 – Stillwater, OK Modella Art Gallery^

Tue. June 12 – Okemah, OK Rocky Road Tavern^

Wed. June 13 – Norman, OK Red Brick Bar^

Thu. June 14 – Stillwater, OK Summer on the Plaza at Oklahoma State University^

Fri. June 15 – La Cygne, KS Tumbleweed Festival

Sun. June 17 – Kansas City, MO Ollie’s Local

^with summerland

summerland

11:22

13. summerland (Nadia Piotrowsky) – “Kentucky”
from: Fourth Street Session / Nadia Piotrowsky /
[Oklahoma based singer songwriter Nadia Piotrowsky performs as summerland. Post-college adventures in Nashville, bumps and bruises from jobs and relationships, and a move to Los Angeles in the last couple of years have inspired the melodies and lyrics that now pour out of her. Her folk-rock tales are accompanied by the sounds and rhythms of the guitar that she learned to play while sitting on the porch of her college home in Manhattan, Kansas. Various music projects with friends have led to her current project “Summerland,” which is Nadia’s first official lead role in her own musical story. Standing on the stage with her own band, made up of various talented friends from L.A.]

[American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak Street, KCMO, on Friday, June 8, at 8:00 pm.]

11:24

NEWEST VIDEO,“GOLDEN RING”: https://www.youtube.com/watch?v=kwAgaqvnze0

Website:http://belleplainemusic.com/
Facebook:https://www.facebook.com/belleplaine
Twitter:https://twitter.com/Belle_Plaine
Instagram:https://www.instagram.com/blackpowderbelle/
Soundcloud:https://soundcloud.com/belleplaine
Spotify:https://open.spotify.com/artist/5bCjjNx0wXytkKko9jlaLl
YouTube:https://www.youtube.com/user/BellePlaineMusic

BLAKE BERGUND LINKS

NEWEST VIDEO, “MOOSE MOUNTAIN”: https://www.youtube.com/watch?v=PImDzid_cLE
Website:http://blakeberglund.com/
Facebook:https://www.facebook.com/blakeberglund
Twitter:https://twitter.com/blakeberglund
Instagram:https://www.instagram.com/blakeberglund/
Soundcloud:https://soundcloud.com/blakeberglund/sets/blake-berglund-realms
Spotify: https://open.spotify.com/artist/3WEBMhfeVkjS6jR0EQwVq0
YouTube:https://www.youtube.com/user/blakeberglund

Berglund’s album, Realms, has carved out its place among critics. Beatroute Magazine called it “the most ambitious Canadian country record of 2017 and should certainly be regarded as one of the best,” where popular online blog, Bandsintown says “Berglund’s psychedelic country is changing the game.” Realms applies the story arc of the hero’s journey to a good ol’ boy character – the listener follows the Everyman from ignorance to enlightenment, and eventually to reincarnation. Berglund has released four videos that compliment this storyline, the latest being the stunning “Moose Mountain” where Berglund appears amidst his homeland’s eautiful scenery on horseback enjoying a tightly rolled doobie.

11:30

15. Blake Berglund – “Crooked Old Earth”
from: Realms / Oceanman Records / September 1, 2017
[Blake Berglund’s fresh style of country music is unpredictable, intelligent, genuine, and a pleasant surprise, given his hard-rock/pseudo metal background. His grassroots approach has earned him a reputation as ‘the guy who sold 10,000 CDs door-to-door.” Raised in the Moose Mountains deep in Saskatchewan’s south east corner, Berglund took his early childhood responsibilities of tending to 200 head of horses as the education needed to base his music career around hard work and cultivating relationships. Berglund’s album was released through his independently owned and operated, Oceanman Records. Described as an allegorical concept record about the ‘breadth of the human experience’, the ten track album explores spiritual based themes, alternative beliefs, and universal truths. Inspired by the teachings, observations and research of Thomas P. Fusco, Dr. Rick Strassman, and authors Joseph Campbell and C.S. Lewis, Realms follows an ancient story-telling archetype and is riddled with patterns, puzzles and nuances. Berglund is self-managed and booked. He’s gained supporters world-wide based on his work ethic, out of the box marketing and unique musical style.]

[American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak Street, KCMO, on Friday, June 8, at 8:00 pm.]

11:34 – Underwriting

11:36 – Pledge Break #5

We offer loads and loads of information about what is going on in the community. We shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, and political action scene.

In just this past year, we’ve featured segments on: Bach Aria Soloist, KC Gamelan Genta Kasturi, The Workers Revival Festival, The Arts Asylum, KC PrideFest, Midwest Music Foundation and the MidCoast Takeover, Kansas City Public Library, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr. , Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Showcase, First Friday Film Fest, American Jazz Museum, KC Fringe Theatre Fest, Late Night Theatre, The Barn Players, Crossroads Music Fest, Lawrence Field Day Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, The Buffalo Room, Standing Rock, Union Station, Outer Reaches Festival, Plaza Art Fair, No Wave Fest, Haymaker Records, Johnson County Performing Arts Series, The Pop Poetry Series at Prospero’s Books, Datura Records, Center of The City Fest, Too Much Rock, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, Artist Inc., and more…

11:43

15. Amy Farrand & The Like – “White Girl Wasted (Radio Edit)”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.” ]

16. Kadesh Flow – “FYI”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[Kadesh Flow plays The Riot Room, 4048 Broadway, Saturday, June 30, at 2:00 to 5:00 PM with Kemet the Phantom and the Phantastics.]

11:50 – Pledge Break #6

Why listeners need to support of this one-of-a-kind, programming.

KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100, 000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my friend introducing me to all kinds of new & local music, as well as news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your artspace, on your ipod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to kkfi.org everyday, but studies show, that less than 5 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

This is your chance to put your money where your ears are. Please help keep, at least this part of our public airwaves, alive for our public to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

11:56

17. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

[Carswell & Hope play the 2018 Smoky Hill River Festival, Thursday, June 7, at 4:00 pm, in Salina Kansas in Oakdale Park.]


11:59:30

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on June 13, we present part 2 of our series of Our Favorite Releases of 2018 …So Far and 10 more bands and representative tracks to play. Also next week, we’ll talk with Joseph Warren Wheeler of the Wanderlust Revival and the guys from FaceFace return to the show.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #737

WMM Playlist from April 18, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 18, 2018

Bach Aria Soloists + Amy Farrand
+ Outer Reaches Explores The World + Thee Devotion

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Hi-Lux – “Dance With My Baby”
from: Hi-Lux – EP / Hi-Lux / Februay 1, 2018
[Originally released as a digital single on June 16, 2017. Then released as a 7 inch Vinyl 45 rpm single with b/w “Don’t Blame Me” on Sunflower Soul Records on January 5, 2018. Now included in this 6 song EP released February 1, 2018. This was part of a series of Single releases from the band. Julia Haile told us that each single demonstrates the different influences of individual members of the band, showing their range from reggae, funk, pop, R&B, and dance. HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in KC. More info at: http://www.hi-lux.bandcamp.com]

[Hi-Lux plays Third Thursday at The Nelson Atkins Musieum of Art, 4525 Oak, KCMO, Thursday, April 19, 6:00 to 9:00 PM.]

[Hi-Lux plays Day-2 of Mills Record Company’s Record Store Day Celebration, on Sunday, April 22, w/ Instant Karma, & Bad Dreamer, 4:30-6:00 PM. Mills Record Company is at 4045 Broadway.]

[Record Store Day is Saturday, April 21, starting in most stores at 7:00 AM – Mills Record Company, Records With Merritt, Josey Records, and Revolution Records in the East Crossroads, Brothers Music in Mission Kansas, Vinyl Renaissance in Overland Park Kansas, Love Records in Lawrence]

3. Yo La Tengo – “Esportes Casual”
from: There’s a Riot Going On / Matador Records / March 16, 2018
[15th album from band formed in Hoboken, New Jersey in 1984. Since 1992, the lineup has consisted of Ira Kaplan (guitars, piano, vocals), Georgia Hubley (drums, piano, vocals), and James McNew (bass, vocals). In 2015, original guitarist Dave Schramm rejoined the band and appears on their f14th album, Stuff Like That There. Despite achieving limited mainstream success, Yo La Tengo has been called “the quintessential critics’ band” and maintains a strong cult following. They chose the name “Yo La Tengo” (Spanish for “I have it”; or referring to a female-gender object or person, also “I’ve Got Her”) in an effort to avoid any connotations in English. The name came from a baseball anecdote. During the 1962 season, New York Mets center fielder Richie Ashburn and Venezuelan shortstop Elio Chacón found themselves colliding in the outfield. When Ashburn went for a catch, he would scream, “I got it! I got it!” only to run into Chacón, who spoke only Spanish. Ashburn learned to yell, “¡Yo la tengo! ¡Yo la tengo!” instead. In a later game, Ashburn happily saw Chacón backing off. He relaxed, positioned himself to catch the ball, and was instead run over by left fielder Frank Thomas, who understood no Spanish and had missed a team meeting that proposed using the words “¡Yo la tengo!” as a way to avoid outfield collisions. After getting up, Thomas asked Ashburn, “What the hell is a Yellow Tango?”]

[On April 28 the band embarks on month-long European Tour, followed by dates in the states, then back to Europe.]

4. Keaton Conrad – “Cinnamon”
from: Waves / Keaton Conrad / January 27, 2017
[Debut full length from 18 year old Kansas native, Keaton Conrad mixes indie rock, house, jazz, and hip-hop. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. In 2015 he released a 5-song EP, Panic & Blame.]

[Keaton Conrad plays The Rino, 314 Amour Rd, North Kansas City, Thursday, April 19, at 7:00 PM, with Thames and Luther Vincent Orchestra on April 19th.]

10:11 – Bach Aria Soloists

Bach Aria Soloists – Elizabeth Suh Lane, Beau Bledsoe, and Jeff Harshbarger playing the Tango music of Astor Piazolla on the April 18, 2018 editon of Wednesday MidDay Medley on KKFI 90.1 FM.

Live in our 90.1 FM Studios – performing Astor Piazzolla’s “Bordel from Histoire du Tango” it is the Bach Aria Soloists

5. Bach Aria Soloists – “Bordel from Histoire du Tango” (LIVE)
Elizabeth Suh Lane on violin, Beau Bledsoe on guitar, written by Astor Piazzolla

10:17 – Interview with Bach Aria Soloists

Elizabeth Suh Lane on violin, is Artistic Director of Bach Aria Soloists, Beau Bledsoe on guitar, and Jeff Harshbarger on bass. These three amazing musicians will be joined by Héctor Del Curto, bandoneónist, 2018 Grammy winner for Best Latin Jazz Album; Gustavo Casenave, Latin Grammy-nominated pianist; when Bach Aria Soloists present their critically acclaimed, Night of Tango, this Saturday, April 21, 7:30 pm, at The Folly Theater, 300 W. 12th St, KCMO, featuring the quintet classics by Astor Piazzolla, Argentina’s most famous composer and bandoneónist (ban-doe-neo-nist).

It has been five years since Bach Aria Soloists last performed their celebrated Night of Tango, named “Best concert of 2013” and “A concert for the ages” by KCMetropolis. Night of Tango will feature the beloved quintet classics by Astor Piazzolla, Argentina’s most famous composer and virtuoso bandoneónist who revolutionized Tango and remains a towering figure more than 25 years after his death.

The evening’s ensemble will consist of:
Elizabeth Suh Lane, violin, Artistic Director Bach Aria Soloists
Beau Bledsoe, guitar Bach Aria Soloists
Kansas City bassist Jeff Harshbarger
Héctor Del Curto, bandoneón
Gustavo Casenave, piano

Bach Aria Soloists on stage at The Folly Theater for a Night of Tango with Gustavo Casenave on piano, Jeff Harshbarger on bass, Elizabeth S Lane on violin, Hector Del Curto on bandoneón, and Beau Bledsoe on guitar, Saturday, April 21, 2018.

Bach Aria Soloists will return to one of its most critically acclaimed programs when it presents – Night of Tango with two world-class masters of the genre, bandoneónist Héctor Del Curto — 2018 Grammy winner for Best Latin Jazz Album — and Latin Grammy-nominated pianist Gustavo Casenave.

7:30 p.m., Saturday, April 21, at The Folly Theater, 300 W. 12th St., KCMO 64105
Ticket and information available at: http://www.follytheater.org

About Bach Aria Soloists – Midway through its 18th season, the critically acclaimed Bach Aria Soloists has already launched four sold-out, artistically vital concerts. Dedicated to presenting the genius and relevance of Johann Sebastian Bach, his contemporaries and those he inspired, the adventurous ensemble explores chamber music repertoire from Baroque to Contemporary in new ways through innovative, multi-genre collaborations, introducing new audiences to their scintillating vocal and instrumental artistry.

10:23 – Bach Aria Soloists

6. Bach Aria Soloists – “Piazzolla’s Oblivion” (LIVE)
Elizabeth Suh Lane on violin, Beau Bledsoe on guitar, Jeff Harshbarger on bass
Written by Astor Piazzolla

10:27 – Interview with Bach Aria Soloists

Bach Aria Soloists present their critically acclaimed, Night of Tango, this Saturday, April 21, 7:30 pm, at The Folly Theater, 300 W. 12th St, KCMO, featuring the quintet classics by Astor Piazzolla, Argentina’s most famous composer and bandoneónist.

Bach Aria Soloists brings Piazzolla back to KC with Two World-Class Tango Masters

Héctor Del Curto – hectordelcurto.com
Praised by the New York Times as a “splendid player,” Argentinean bandoneónist Héctor Del Curto’s career has spanned more than 25 years and has encompassed traditional Tango, New Tango, Jazz, Classical and World music.

On Jan. 28, Del Curto just won the Grammy for Best Latin Jazz Album as a member of the Pablo Ziegler Trio, for the album Jazz Tango.

As one of the world’s most sought-after bandoneónists, he has performed with luminaries across many musical genres, including the Tango legends Astor Piazzolla and Osvaldo Pugliese; Latin jazz giant Paquito D’Rivera; jazz violinist Regina Carter; saxophonist Joe Lovano; and violinist Cho-Liang Lin. He has appeared with such prestigious orchestras as the Metropolitan Opera Orchestra, St. Louis Symphony Orchestra, National Symphony Orchestra, Orpheus Chamber Orchestra, Rochester Philharmonic Orchestra, Mobile Symphony and Buenos Aires Symphony Orchestra.

Gustavo Casenave – gustavocasenave.com
Originally from Montevideo, Uruguay, Gustavo Casenave is a pianist, composer, producer & educator. He has been called “one of the best pianists our country has” by Uruguayan newspaper Diario El Pais. He was a Latin Grammy nominee in 2012 and 2014.

He has toured throughout Europe, Asia, South America, Central America and United States, performing in the prestigious festivals and concert halls throughout the world. As a composer, Casenave has composed and arranged more than 200 works, including original music for movies. He received the prestigious Organization of American States scholarship to study at the Berklee College of Music in Boston, where he received the Professional Music Achievement award. His composition Fragiltimer for the Past Future was named one of 10 best original compositions from Berklee in the last 30 years.

“KC has proven that they love Jazz and Tango. We believe our community will relish in this concert of Piazzolla’s passionate music expertly combining his singular language of Tango with jazz and classical influences,” says Elizabeth Suh Lane, Artistic Director-Founder-violinist. “We are extremely fortunate to be sharing the stage with Hector and Gustavo. The virtuosity of our musicians and the searing music will sweep our listeners away to Buenos Aires for an experience that will last for much longer than one night!”

BAS is led by Artistic Director-Founder-violinist Elizabeth Suh Lane. The ensemble also includes Sarah Tannehill Anderson, soprano; Elisa Williams Bickers, harpsichord, organ and piano; and Beau Bledsoe, guitar.

2018 Concert Calendar
Feb. 10: Opus 22 the Organ and BAS
April 21: Night of Tango
June 16: Bach Aria Soloists and the Kansas City Chorale, St. Paul’s Episcopal Church

Funded in part by a donation from the Estelle S and Robert A Long Ellis Foundation.

Financial assistance provided by the Missouri Arts Council, a state agency.

Jeff Harshbarger has a show Thursday night, April 19, with his Trio, at American Jazz Museum.

Bach Aria Soloists present their critically acclaimed, Night of Tango, this Saturday, April 21, 7:30 pm, at The Folly Theater, 300 W. 12th St, KCMO, featuring the quintet classics by Astor Piazzolla, Argentina’s most famous composer and bandoneónist.

http://www.follytheatre.org / http://www.bachariasoloists.com

10:32 – Bach Aria Soloists

7. Bach Aria Soloists – “Libertango (Brief version)” (LIVE)
Elizabeth Suh Lane on violin, Beau Bledsoe on guitar, Jeff Harshbarger on bass
Written by Astor Piazzolla

10:35 – Underwriting

8. Amy Farrand & The Like – “Scared To Death of Dying (Radio Edit)”
from: One / Amy Farrand / April 28, 2018

10:41 – Interview with Amy Farrand

Amy Farrand sharing new music from her band Amy Farrand and The Like, on the April 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Amy Farrand plays over a dozen instruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”

Amy Farrand joins us to share music from One, the new 11-song debut full length album from her new band, Amy Farrand & The Like.

Amy Farrand & The Like play a special Album Release Show at Davey’s Uptown Rambler’s Club, 3402 Main St., Saturday, April 28 at 9:00 pm, with Pamper The Madman with GAV7D.

Amy Farrand, thanks for being with us on Wednesday MidDay Medley

Congratulations on the new record.

The Like includes: Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals.

One was recorded with Duane Trower at Weights and Measures Soundlab.

10:48

9. Amy Farrand & The Like – “White Girl Wasted (Radio Edit)”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab.]

Amy Farrand & The Like play a special Album Release Show at Davey’s Uptown Rambler’s Club, 3402 Main St., Saturday, April 28 at 9:00 pm, with Pamper The Madman with GAV7D.

10:58

10. Amy Farrand & The Like – “Dragon Woman”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab.]

11:01 – Station ID

11. SUNU – “Liberation” (on 7” Vinyl)
from: Food, Inc. – Single b/w “Liberation” / Sunflower Soul Records / December 11, 2015
[Rev. Aaron Morris – Trumpet & Lead Vocals; Dan Pem – Tenor Sax; Chris Leopold – Trombone; Mike Hamm – Guitar; Chris Shaw – Bass; Dylan Bassett – Drums & Percussion; Alex Thiessen – Drums & Percussion; Taylor Babb – Drums & Percussion. Recorded, mixed, & produced by Chris Hazelton. Mastered by Adam Boose at Cauliflower Audio.]

[SUNU plays Outer Reaches Explores The World, at recordBar, 4/20]

11:04 – Interview with Brenton Cook & Dedric Moore

Dedric Moore and Brenton Cook share information about Outer Reaches Explores the World on the April 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1FM.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, from Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others. For the last 5 years, Brenton & Haymaker Records has co-sponsored & co-curated of the Outer Reaches Music Fest with Dedric Moore.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook and Dedric Moore join us to share information about, Outer Reaches Explores the World, this Friday, 4/20, at recordBar, 1520 Grand Blvd, KCMO. The night includes: SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. More info at: http://www.outerreachesfest.com/

Brenton Cook & Dedric Moore thanks for being with us on Wednesday MidDay Medley

Outer Reaches showcases the left-of-center, under-the-radar artists experimenting and pushing boundaries within their respective genres. Regional, national, and international touring acts comprise the annual fest, with previous appearances from Deerhoof, El Ten Eleven, and Magic Castles.

The show celebrates boundary-pushing music while emphasizing a broader geographic appeal, giving prominence to artists inspired by rhythms & traditional world instruments.

The show begins with a lecture and workshop on world percussion from Brandon Draper’s Drum Safari.

Other performers include Smoky Mountain banjo folk artist Teri Quinn;

Harptasia, a multi-harp project featuring Calvin Arsenia;

a solo set from Making Movies’ frontman Enrique Javier Chi;

and Afrobeat, funk, jazz, and soul group SUNU.

Live video projection will be provided by XO Blackwater;

DJ Memo will be play dance-friendly vinyl from around the globe between sets.

Outer Reaches Explores the World is a partnership between the festival and Midwest Music Foundation and has been made possible through a grant from the Kansas City Neighborhood Tourist Development Fund.

Midwest Music Foundation (MMF), a nonprofit organization founded in 2008, provides health care assistance, education, and resources to the Kansas City music community, and receive proceeds from ticket sales for the April 20 event.

The event is 18 and older, or all ages when accompanied by a parent.

11:11

8. Making Movies – “Brave Enough (feat. Hurray for the Riff Raff & Alaina Moore)”
from: I Am Another You / Making Movies / May 26, 2017
[Enrique Chi on lead vocals, electric guitar, el piano; Alynda Segarra on lead vocal, Alaina Moore on background vocals, Steve Berlin of Los Lobos synth organ; Juan-Carlos Chaurand on congas, timbales, percussion, Diego Chi on bass, d-synth, b3 organ; and Brendan Culp on drums. 3rd full length release: from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. Upon their release of this album Making Movies kicked off a 22-date Immigrants Are Beautiful Tour, a celebration of solidarity in the face of fear-mongering and hate. Frontman Enrique Chi shared, “It’s time to realize we are all part of this continuum, this beautifully flawed human race that has migrated from every continent to bring us all the beauty we enjoy today.” The band’s social statement is straightforward enough that they can express it in four words: “We Are All Immigrants.” In supporting that cause, a portion of all proceeds from the album and tour go to the National Immigration Law Center. Enrique Chi, describes, “since making the album, the tides have shifted and the underbelly of systematic racism has reared its ugly head. It is no longer time to be silent is time for us to raise our voices.” The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Enrique Chi plays Outer Reaches Explores The World, at recordBar, 4/20]

11:15 – More Interview with Brenton Cook & Dedric Moore

Brenton Cook and Dedric Moore organizers of the Outer Reaches Music Festival join us to share information and Music about the night.

Brenton Cook & Dedric Moore thanks for being with us on Wednesday MidDay Medley

Funding is from the KC Neighborhood Tourist Development Fund. Special promotions provided by KKFI 90.1 FM.

Outer Reaches Festival was held during the last weekend of September in 2017. Have you set dates for this year’s fest? Will it be at recordBar again?

Dedric Moore, tell us about the upcoming Mysterious Clouds EP My Head is Going Round. You sent us the EP prior to it’s release and we’ve been playing tracks from it, in fact the two we’ve played have featured the band collaborating with Your Friend. Lawrence musician,Taryn Blake Miller.

Brenton, Haymaker just recently release a new full length from Be/Non and two 7′ singles for Frieght Train Rabbit Killer, what else is happening at Haymaker?

Brenton Cook & Dedric Moore thanks for being with us on Wednesday MidDay Medley

Outer Reaches Explores the World, is this Friday, 4/20, at recordBar, 1520 Grand Blvd, KCMO. Proceeds benefit the Midwest Music Foundation. The night includes: SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. More info at: http://www.outerreachesfest.com/

10. Teri Quinn – “Moons and Meltdowns”
from: Moons and Meltdowns / Teri Quinn / April 17, 2016
[KC based singer/songwriter and multi-instrumentalist Teri Quinn. Originally from Grand Rapids, Michigan, Teri Quinn moved to Kansas City in 2009 to study Clarinet Performance and Music Composition at the University Of Missouri Kansas City’s Conservatory of Music where Teri graduated in 2013. Teri Ann Quinn plays banjo & sings with Abandoned Bells with Tyson Schroeder on drums & vocals, and Krysztof Nemeth on baritone guitar. Teri plays clarinet and guitar for Claire and the Crowded Stage and has also contributed experimental compositions for The Black House Collective.]

[Teri Quinn plays Outer Reaches Explores The World, at recordBar, 4/20]

11:28 – Underwriting

11. Thee Devotion – “Shake It Up”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

11:34 – Interview with Davin Watne & Chris Teasley


Wednesday MidDay Medley
Page Liked · August 13, 2011 · ·
Chris Teasley and Davin Watne share new music from their band Thee Devotion on the April 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Chris Teasley is an artist and musician. Chris is currently in several bands: The New Lost Souls, Heavy Figgs, Dynamite Defense and Thee Devotion and lends his musical skills to several other bands as well. He is also a painter. He studied at School of the Museum of Fine Arts in Boston

Davin Watne is also an artist and musician as well as an educator. He is a professor at UMKC where I teaches Painting and Drawing. He is a practicing artist that exhibits nationally, internationally and locally. He studied The Kansas City Art Institute.

Davin Watne plays guitar, keyboards, harmonica & sings in the KC based 4-piece band, Thee Devotions with Chris Teasely who plays keyboards, organ, harmonica, flute, trumpet, and sings. Thee Devotion’s released their new album Chapel on vinyl, on April 7, 2018

Davin Watne & Chris Teasley, thanks for being with us on Wednesday MidDay Medley.

The two other members of Thee Devotion, Bruce Eddy who plays bass and sings; and Keith Patterson who plays drums and sings.

Davin told us the band first started in January 1, 2008, with Davin ad our drummer Keith Patterson. They formed Thee Devotion out of the ashes of our first band together called Emma Feel.

We both love Funk and Soul music and wanted to explore it more. So we brought on some other musicians to help fill out the sound and expand our vision.

The Devotion call their music: “chickenshack” & “garage soul”

Chapel is the band’s second record and was produced by Bill Honan who also played piano and moog.

Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record.

All songs written by Thee Devotion. We have two records out on vinyl and on many digital platforms like Spotify, iTunes, Pandora and YouTube.

11:41

12. Thee Devotion – “Ooooo Weeeee”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

11:46 – More Interview with Davin Watne & Chris Teasley

We are talking with Davin Watne & Chris Teasley of the band Thee Devotion their new album Chapel was released on vinyl, on April 7, 2018

Davin Watne & Chris Teasley, thanks for being with us on Wednesday MidDay Medley

Chris’s wife Sara Teasley plays with him in The Heavy Figs, and The New Lost Souls, and also plays in The Cave Girls.

Chapel is the band’s 2nd record and was produced by Bill Honan who also played piano and moog.

Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record.

All songs written by Thee Devotion. Thee Devotion have two records out on vinyl and on many digital platforms like Spotify, iTunes, Paradora and YouTube.

11:55

13. Thee Devotion – “Slinky Tight”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on April 25, John Keck joins us to share music from his new EP, Out In The Cold – 12th Street Singles, and his show with John Statz Friday, April 27 at Replay Lounge in Lawrence. Also next week, Patrick Alonzo Conway joins us to share music and information about Kansas City’s Gamelan Genta Kasturi and their 15th Anniversary performance at The Nelson Atkins Museum of Art, Sunday, April 29 at 2:00 PM. Also next week, Joe Athon and friends, drop in to share stories about their 1990’s group, the Purple Skunk Funk Band, and their special reunion show Saturday, April 28, at Knuckleheads. Also next week, members of Grand Marquis join us to share music from their new album, Brighter Days, and share info about their Brighter Days CD Release Party at Knuckleheads, Saturday, April 28, at 8:30 with Victor & Penny, and Brandon Phillips & The Condition. And if that isn’t enough, we will talk with legendary singer-songwriter, Cris Williamson who has just released her 29th album, Motherland, and will be in Kansas City, in concert, for the first time in over 10 years, at All Souls Unitarian Universalist Church, Saturday, April 27, at 7:00 pm.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #730

Wednesday MidDay Medley presents: Bach Aria Soloists + Amy Farrand + Outer Reaches + Thee Devotion

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 18, 2018

Bach Aria Soloists + Amy Farrand
+ Outer Reaches Explores The World + Thee Devotion

Mark plays more New & MidCoastal Releases from: Making Movies, Thee Devotion, Amy Farrand & The Like, SUNU, Hi-Lux, Teri Quinn, Keaton Conrad and Yo La Tengo.

Bach Aria Soloists

At 10:10 violinist Elizabeth Suh Lane, guitarist Beau Bledsoe, & bassist Jeff Harshbarger of Bach Aria Soloists play live Tango music in our 90.1 FM Studios. Bach Aria Soloists are presenting their critically acclaimed, Night of Tango, Saturday, April 21, 7:30 pm, at The Folly Theater, 300 W. 12th St, KCMO, featuring the quintet classics by Astor Piazzolla, Argentina’s most famous composer and bandoneónist. The evening’s ensemble includes: Héctor Del Curto, bandoneónist, 2018 Grammy winner for Best Latin Jazz Album; Gustavo Casenave, Latin Grammy-nominated pianist; with Elizabeth Suh Lane, violin, Artistic Director Bach Aria Soloists; Beau Bledsoe, guitar, Bach Aria Soloists, and Kansas City bassist Jeff Harshbarger. More info at: http://www.bachariasoloists.com / http://www.follytheater.org

Amy Farrand

At 10:35 Amy Farrand joins us to share music from One, the new 11-song debut full length album from her band, Amy Farrand & The Like. The band includes: Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. One was recorded with Duane Trower at Weights and Measures Soundlab. Amy Farrand and The Like play a special Album Release Show at Davey’s Uptown Rambler’s Club, 3402 Main St., Saturday, April 28 at 9:00 pm, with Pamper The Madman with GAV7D.

At 11:00 Brenton Cook and Dedric Moore organizers of the Outer Reaches Music Festival join us to share information about, Outer Reaches Explores the World, on Friday, April 20, at recordBar, 1520 Grand Blvd, KCMO. Proceeds benefit the Midwest Music Foundation and funding is from the KC Neighborhood Tourist Development Fund. Special promotions provided by KKFI 90.1 FM. The night includes: SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. This event is $10 with Advance Tickets available at recordBar or $15 Day of Show. More info at: http://www.outerreachesfest.com/

At 11:30 members of the Kansas City band Thee Devotion join us to share music from their new release Chapel. Formed on January 1, 2008, Thee Devotion call their music “chickenshack” and “garage soul.” The band includes: Davin Watne on guitar, keyboards, harmonica and vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, and vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #730

WMM Playlist from April 11, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 11, 2018

New & MidCoastal Releases + Doby Watson
+ Witch Jail + Kadesh Flow

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Beach House – “Dark Spring”
from: 7 / Sub Pop Records / Expected May 11, 2018
[th studio album from American dream pop band from Baltimore, Maryland, formed in 2004. The band consists of vocalist and keyboardist Victoria Legrand and guitarist, keyboardist, and backup vocalist Alex Scally. Unlike with previous records, Beach House took their time with the recording process of this album. Instead of one long studio session, they recorded when inspired by batches of songs, which resulted in five mini-sessions over the course of eleven months. All of the songs on the album began in the duo’s home studio in Baltimore, and were finished at Carriage House in Stamford, CT and Palmetto Studio in Los Angeles. The band stated that their goal throughout the recording process of the album was “rebirth and rejuvenation,” continuing: “We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel.” The band also stated that 7 didn’t have a producer in the traditional sense, which let the ideas drive the creativity and not any one person’s process. The band’s touring drummer since 2016, James Barone, plays on the entire record. They also worked with Peter Kember, known by the stage name Sonic Boom, who helped “in the shedding of conventions and in helping to keep the songs alive, fresh and protected from the destructive forces of recording studio over-production/over-perfection. Thematically, 7 often deals with “the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny.” The album’s title itself simply represents it being the duo’s seventh studio album, saying they “hoped its simplicity would encourage people to look inside. No title using words that we could find felt like an appropriate summation of the album,” although they later mentioned that the number 7 represents some interesting connections in numerology, which further inspired them in naming the album as such. The band cited the “societal insanity” during 2016 and 2017 as a deep influence on the creation of the record, elaborating: “there is quite a bit of chaos happening in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source.”]

3. The Get Up Kids – “Maybe”
from: Kicker EP / Polyvinyl Record Co / To Be Released June 8, 2018
[Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. On March 29, 2018, Polyvinyl Records announced on their Instagram account that they had signed the band and that new music will be coming soon. The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records. While the imprint was started to release albums by The Get Up Kids, it served as a launching pad for several side-projects such as The New Amsterdams and Reggie and the Full Effect. The Get Up Kids were viewed throughout their existence as a prototypical emo band, having been major players in the Midwest emo movement of the mid-1990s. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. However, like many early emo bands, The Get Up Kids sought to dissociate themselves with the term, as it was considered dismissive to be seen as an “emo band.” The band departed heavily from their established style with the release of their 2002 album On a Wire, which saw the band take on a much more layered, alternative rock sound. Years later, guitarist Jim Suptic even apologized for having the influence they did on many of the modern third-wave emo bands, commenting that “[t]he punk scene we came out of and the punk scene now are completely different. It’s like glam rock now … If this is the world we helped create, then I apologize.” Due to internal conflicts, the band broke up in 2005. Three years later, the band reunited to support the tenth anniversary re-release of Something to Write Home About, and soon afterward entered the studio to write new material. In early 2010, the band released Simple Science, their first release in six years, followed in 2011 by the full-length There Are Rules. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams.]

[On June 14 The Get Up Kids will launch a 20 city month long US Tour]

4. Shy Boys – “Keeps Me On My Toes”
from: Shy Boys / High Dive Records / January 17, 2014
[On April 3, 2018 it was announced that Shy Boys had been signed to San Francisco based, national label, Polyvinyl Records. Hailed as “The Beach Boys on Robitussin”, Shy Boys (brothers Collin & Kyle Rausch, Konnor Ervin, Kyle Little & Ross Brown) were bred in the dankest basements of Kansas City, MO as a group of ill-fitting squares in a scene of punks and weirdos. We find these great friends now, still living & loving in KC, trading instruments while creating melodic, happy-sad tunes to make your heart swell. Shy Boys’ sophomore album will arrive later this year on Polyvinyl Record Co., bringing with it big, melancholic vocal harmonies of a past’s present, amidst these strange and bittersweet future daze. This was the bands debut release. Brothers Collin Rausch, Kyle Rausch, and friend and roommate at the time Konnor Ervin, created this record. Collin and Kyle’s father was a High School band director and music teacher. Konnor Ervin was the lead singer and songwriter of The ACBs, where Kyle also played drums. The 10 song release had two singles premiered by Stereogum. “Keeps Me On My Toes” was a song Collin wrote in 15 minutes while his girlfriend was in the shower. Wednesday MidDay Medley has been a big fan of The Shy Boys and all of the ACBs recordings. In 2011 we started playing songs from The I’ms, a duo made of up Collin and Kyle, who posted 6 of their self recorded songs on their facebook page. We included this informal release in our Top Ten of The 111 Best Recordings of 2011. 3 of the songs from The I’ms recordings ended up being re-recorded for Shy Boys. The album was recorded at West End Studio, over two-weekends.]

[On Saturday, April 14 Shy Boys launch their 15 city US tour at Replay Lounge, in Lawrence Kansas, with Cocordion, Fraydee Cat, and Fullbloods.]

5. Mac Lethal – “Backward”
from: 11:11/ Rhymesayers Entertainment / April 8, 2008
[David McCleary Sheldon was born July 25, 1981. Known by his stage name Mac Lethal, he released his debut album, Men Are from Mars, Pornstars Are from Earth, on HHI Recordings in 2002. Sage Francis took him on the Fuck Clear Channel Tour in 2004. In 2006, Mac Lethal founded Black Clover Records with longtime friend Jeremy Willis, who had been running the Datura Label. In 2007, he released the album entitled 11:11 on Rhymesayers Entertainment. In November 2011, Mac Lethal released a video on YouTube of him rapping over the beat to “Look at Me Now” while he prepares a dish of pancakes in his kitchen. The video became a viral hit and got millions of views in a matter of days and led to interviews on websites like CNN and The Washington Post. In 2011, he was offered a contract from Sony which he rejected, referring to the $250,000, 5 album, 2 option and one milestone option deal as “insane.” Mac Lethal has also managed a Tumblr feed called “Texts from Bennett”, in which he posts text message conversations between himself and his cousin Bennett. Although some have questioned whether or not Bennett is a real person, he insists that the conversations are genuine. He released the novel of the same name on Simon & Schuster in 2013. On Sept. 13, 2016, he released the album, Congratulations, which featured a guest appearance from Tech N9ne.]

[Mac Lethal plays recordBar Sunday, April 15, with Wax, the 21st date, on his 45-city US Tour.]

6. Kississippi – “Rinse, Repeat”
from: Sunset Blush / Bug Crusher Records / April 6, 2018
[Debut full length album from Philadephia based indie folk band fronted by Zoe Allaire Reynolds (with Adam DaSilva, Jeremy Probst, Allegra Eidinger, and Kaylen Alan Krebsbach.]

7. Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe Unplugged with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. You can view more of Ashley’s work at http://www.jametatone.com.]

[Jametatone plays The Ship, 1217 Union Avenue, in the West Bottoms, Saturday, April 14, with Calvin Arsenia, and Tegu-Tegu Pro Fusion.]

8. Calvin Arsenia – “Experience”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Recently Calvin Arsenia was signed to a new record label in Kansas City called Bull’s Eye Records founded by Jim Andrews and Patrick Sprehe. Calvin Arsenia originally premiered the songs from Catstrophe in a live show at recordBar in November 2016, in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp Calvin has also worked as a teacher of music to elementary students. Calvin is a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia on WMM. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin played at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC on June 11, 2017 in a show that was recorded live. In the Fall of 2017 Calvin embarked on a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Sweden, Edinburgh, Denmark, Holland, Switzerland, Lyon and Paris. Calvin played over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. On December 5, 2017 Calvin released his EP Caviar, produced for attendees at Calvin’s “Secret Show,” Tuesday, December 5, at Wickstock West, 1324 West 12th Street, in The West Bottoms, and for supporters of his Outlyre Tour. Words & Music by Calvin Arsenia. Caviar was produced by Jametatone, Simon Huntley and Calvin Arsenia. Recorded at The Infoaming Vertex.]

[Calvin Arsenia plays The Ship, 1217 Union Avenue, in the West Bottoms, Saturday, April 14, with Jametatone, and Tegu-Tegu Pro Fusion.]

9. Bobby Watson & The I Have a Dream Project–”My Song” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / August 28, 2013
[Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas. Glenn North is a nationally recognized performance poet who has shared the stage with such noted poets as Nikki Giovanni, Sonia Sanchez, and Amiri Baraka. He served as Poet-In-Residence and Education Specialist at The American Jazz Museum from 2004 to 2014. He was a 2009 Charlotte Street Foundation Generative Performing Awards Fellow. North’s work has been commissioned by entities including Points of Light Foundation, the Norman Lear Center, the Nelson Atkins Museum of Art, and Kansas City Public Library. He has been a featured poet at events hosted by MTV Rock the Vote, NAACP Black History Month, and KC Repertory Theatre in conjunction with the world premiere of Clay. He was accepted into the Cave Canem program. He has worked as director of the Urban Transcendence Poetry Project. His original spoken word tracks are featured on recordings including: Out of the Comfort Zone by the Jazz Disciples, Release by the Phantom, The Experience by Tru Sol, and Check Cashing Day from Bobby Watson & The I Have a Dream Project. He studied English at Lincoln University in Jefferson City, earned his BLS from Rockhurst University, and is currently pursuing his MFA in Creative Writing at UMKC.]

[On Friday, April 13, at 6:00 pm, Celebrating National Poetry Month, the Nelson-Atkins Museum of Art presents the debut screening of director Harold Smith’s documentary, The Gospel According to Glenn North. The film explores 18th & Vine Poet Laureate Glenn North’s unique poetic blend of jazz, blues, religion, black history, and social commentary. the screening will be followed by a Q&A with Kansas City native Glenn North. The Nelson-Atkins Museum of Art is located at 4525 Oak St, Kansas City, MO. Tickets Available at http://www.nelson-atkins.org]

10:31 – Underwriting

10:33 – Interview with Doby Watson

Doby Watson

Singer-Songwriter Doby Watson has just released his new EP, Family Mattress Deluxe, a collection of songs written by Doby and co-produced with Zack Hames. Doby Watson was born in 1986. Instead of attending college, as Richard Gintowt wrote for The Pitch in 2009, “Watson spent his young-adult years touring the country with a guitar and a box of Clif Bars, one for lunch, then a real meal for dinner, and a bunch of sad and beautiful homespun songs that are as sparse and haunting as those of Leonard Cohen or Jason Molina.” In 2009 Doby released Twenty Two. In 2013 He released Watson & May an EP in collaboration with Margo May that was produced & engineered by Lennon Bone. Double Shift Music released Doby’s album Live-In Son in 2014, and the EP collaborative: Swearengin, Watson & May in 2016. More info at: http://www.dobywatson.bandcamp.com

Doby Watson, Thanks for being with us on WMM.

Midwestern DIY folk veteran, Doby Watson, returns from a break in his ceaseless tour schedule, with a new EP, titled “Family Mattress Deluxe’ available on limited cassette via eclectic hardcore label Error Records and across all streaming platforms.

Congratulations on the new EP Family Mattress Deluxe.

For nearly 15 years Doby has been traveling all over the country playing shows. While in KC he is often helping to put together shows for fellow traveling musician friends.

Family Mattress Deluxe EP

Side A (Family Mattress EP)
Miami Vomit II
Starve
Family Mattress III

Side B (bonus tracks)
Natural Ice (Early Morning version)
Family Mattress (AKADUNGEONMASTER remix)
Beer For Dinner II (with Austin Swearengin)
[a moody collaboration with New York based sculptor / songwriter Austin Swearengin. The warbly, lo-fi duet finds itself evolving into a slow burning, industrial-tinged jam that fizzles into feedback.]

10:40

Doby Watson playing live on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

10. Doby Watson – “In Rows” (Live)
This song was on Doby’s album: Live-In Son / Double Shift Music / October 17, 2014
[For the record: Watson performed the songs live, while being recorded, in Ross Brown’s basement in KCMO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings & auxiliary percussion while he mixed the songs in Champaign, IL. Mastered by Cory Schulz in Milwaukee, WI.]

We are talking with Singer-Songwriter Doby Watson who has just released his new EP, Family Mattress Deluxe, on February 23, 2018, on Error Records.

From Doby’s own words: “When I was a kid I played guitar in some hardcore bands. When I found myself without a band, at the end of high school, I started trying to sing and write songs. Falling on the moniker “Boo Hiss” (something a class mate of mine said in place of swear words). I put some songs online and got asked to be on a small DIY label from Ohio called Tract Records. Around that time, I befriended touring DIY artists’ such as Viking Moses, Real Live Tigers, Manipulator Alligator and a young man named Joseph Murphy (who was in tons of bands), as well. Through these connections I was encouraged to tour and became involved in the Midwest’s various DIY communities, making countless friends.”

“Rather than go to college, I chose to focus solely on DIY touring and releasing music (for much of it taking my good friend, then KC native, and amazing songwriter, Austin Swearengin with me for most of these tours). ”

“Around that same time, I made an attempt to be taken more “seriously”, dropped my moniker and unsuccessfully released a mini-album under my own name. After some rather chaotic and unorganized tours for the album, I became depressed and disillusioned with music. I set music aside as a priority, moved to Lawrence, KS and tried to assimilate to what I thought was a ‘normal’ life. ”

“I went to college, got a day job, and wound up generally hating life. This new ‘normal’ path inevitably didn’t work out for me – I moved back in with my parents and held various dead end jobs and sank deeper into a depression, completely ceasing to make any music.”

“I (Doby) performed the songs live, while being recorded, in Ross Brown’s basement in Kansas City, MO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings and auxiliary percussion while he mixed the songs in Champaign, IL. The results were mastered by Cory Schulz in MIlwaukee, WI. ”

10:47

11. Doby Watson – “Pick Up” (Live)
[Doby Watson recorded this song for a Daytrotter Session, August 11, 2016, in Horseshack, Davenport, Iowa. It was also featured in Paste Magazine, September 16, 2016, and American Songwriter on September 9, 2015, from his SoundCloud page.]

Doby Watson calls his music, “Experimental Americana from Missouri.”

Doby Watson on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

10:54

12. Doby Watson – “I Wish That Everything” (Live)
This song was also on Doby’s album: Live-In Son / Double Shift Music / October 17, 2014
[This song was written by Doby’s friend Matthew Hoppock. For the record: Watson performed the songs live, while being recorded, in Ross Brown’s basement in KCMO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings & auxiliary percussion while he mixed the songs in Champaign, IL. Mastered by Cory Schulz in Milwaukee, WI.]

Doby Watson recently wrote: “if I could make a deal with the devil I would trade voices with contemporary R&B singer Tank.”

Doby Watson, Thanks for being with us on WMM.

Doby Watson has just released his new EP, Family Mattress Deluxe, a collection of songs written by Doby and co-produced with Zack Hames. More info at: http://www.dobywatson.bandcamp.com

11:00 – Station ID

13. Witch Jail – “Saucer Season Revisited”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

11:04 – Interview with Guy Slimey, Eddie Morphine, and A. Ghost of Witch Jail

Witch Jail

The Kansas City based post-exotic, death-pop band, Witch Jail was formed in 2013. The band writes that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven. Witch Jail have a new album: Music For Magic Moments, that will be released Friday, April 13.

Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, Bad Girls, and Neptune. More info at: http://www.witchjail.bandcamp.com

Guy Slimey, Eddie Morphine, & A. Ghost of Witch Jail thanks for being with us on WMM.

Witch Jail were on our radio show last February 8, 2017 with Sid Sowder talking about the Too Much Rock Single Series release of ”Slimewave USA”

Witch Jail are having a busy week:

Wednesday: on WMM talking about the new Witch Jail album

Thursday: Release show at The Brick with Jorge Arana Trio, Bird Girls, and Neptune

Friday: In Madison, playing at Mickey’s Tavern with Solid Freex and No Question

Saturday: In Cedar Rapids at The Hive Collective with Tu’mera Divine

Sunday: In Des Moines at Vaudeville Mews with Odd Pets, The Vahnevants, and Greg Wheeler and the Poly Mall Cops

Monday: Back at work!

Then in a month Witch Jail heads down south: Nashville, Memphis, NOLA, Austin, Ft. Worth, OKC, and Wichita. No rest for the wicked!

Witch Jail

11:13

14. Witch Jail – “Under The Volcano”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

11:25

15. Witch Jail – “Snake Church”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

[Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, Bad Girls, and Neptune. More info at: http://www.witchjail.bandcamp.com]

16. Kadesh Flow – “Room Service”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

11:34 – Interview with Kadesh Flow

Kadesh Flow

Kadesh Flow aka Ryan Davis joins us to share music from his new EP, Room Service. Kadesh Flow is a rapper, trombonist, and producer. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. The Phantastics play Record Store Day at Josey Records, Saturday, April 21, at 8:00 PM. More info at: http://www.kadeshflow.com

Kadesh Flow aka Ryan Davis, thanks for being with us again on WMM

The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Earlier in the year Kadesh found out he would be playing a showcase a South By Southwest, and he though it might be good to have new music to offer, and that’s when it sort of fell into place to record this new EP.

11:42

17. Kadesh Flow – “Glassy Eyes feat. Eye-Q”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

Kadesh Flow has also played with Hearts of Darkness, and is a part of The Nerdy People Of Color Collective.

Kadesh Flow on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

11:56

18. Kadesh Flow – “FYI feat. Atlas & O.Super”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on April 18, Bach Aria Soloists including Elizabeth Suh Lane, Beau Bledsoe, and Jeff Harshbarger play live Tango music in our 90.1 FM Studios. Plus Amy Farrand joins us to share music from the debut release of her band, Amy Farrand & The Like. Plus, Brenton Cook joins us to share music and information about Outer Reaches Explores The World – Friday, April 20 at recordBar with SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. Plus, the band, Thee Devotion joins us to share tracks from their new album, Chapel.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #729

WMM Playlist from October 26, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 25, 2017

New & Scary Cool Songs + Michael McQuary
+ Freight Train Rabbit Killer + Calvin Arsenia

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. David Bowie – “Fashion (Single Version) [Remastered]”
from: Everything Has Changed / Parlophone / November 17, 2014
[Originally released as a single 37 years ago on October 24, 1980. 2nd single from Scary Monsters (And Super Creeps), David Bowie’s 14th studio album. It was his final studio album on RCA and his first following the Berlin Trilogy of Low, Heroes, and Lodger (1977–1979). With Scary Monsters, Bowie achieved what biographer David Buckley called “the perfect balance” of creativity and mainstream success as well as earning critical acclaim; the album peaked at No. 1 in the UK and restored Bowie’s commercial standing in the US. This song draws an implicit analogy between fashion and fascism. Goon squads – referenced in the lyric, “We are the goon squad and we’re coming to town” – are groups of thugs who are hired to perform violent acts on their boss’ behalf. In the context of this song, it is most likely that Bowie is light-heartedly comparing goon squads to the New Romantics – a late ’70s subculture, who were known for their meticulously flamboyant fashion sense. Moreover, the lyric, “Turn to the left, turn to the right,” is not only referring to the mechanical movements of fashion models, but also to the military instruction. According to the producer, Tony Visconti, this song’s bass line and melody took inspiration from Bowie’s 1975 Soul hit, “Golden Years.” King Crimson virtuoso Robert Fripp played guitar on this track. Fripp also played lead guitar on Bowie’s 1977 song, “Heroes.” Bowie had previously used that famous “beep beep” hook in a little-known song that he wrote in 1970 called “Rupert the Riley.” This single reached #5 in the UK and #70 in the US. It was Bowie’s first song to chart in America in three years (his last hit was “Sound And Vision,” which peaked at #69 in 1977). In 1997, Bowie performed this song during his 50th birthday bash at Madison Square Garden with The Pixies’ front man, Frank Black.]

3. Laurie Anderson – “Poison”
from: Bright Red / Warner Bros. / October 25, 1994
[Laurie Anderson on vocals & keyboards, Joey Baron on drums, Brian Eno on treatments & keyboards, Adrian Belew on guitar, Marc Ribot on guitar. Produced by Brian Eno (who also co-wrote several of the songs with Anderson, including “Poison.”). This was Laurie Anderson’s 6th album overall and 5th studio album, released by Warner Bros. Laura Phillips “Laurie” Anderson was born June 5, 1947. She is an American avant-garde artist, composer, musician and film director whose work spans performance art, pop music, and multimedia projects. Initially trained in violin and sculpting, Anderson pursued a variety of performance art projects in New York during the 1970s, making particular use of language, technology, and visual imagery. She became widely more known outside the art world in 1981 when her single “O Superman” reached number two on the UK pop charts. She also starred in and directed the 1986 concert film Home of the Brave. Anderson is a pioneer in electronic music and has invented several devices that she has used in her recordings and performance art shows. In 1977, she created a tape-bow violin that uses recorded magnetic tape on the bow instead of horsehair and a magnetic tape head in the bridge. In the late 1990s, she developed a talking stick, a six-foot (1.8 m) long baton-like MIDI controller that can access and replicate sounds. Anderson started dating Lou Reed in 1992, and was married to him from 2008 until his death in 2013.]

4. Michel Rubini & Denny Jaeger – “Sarah’s Panic”
from: The Hunger (Original Motion Picture Soundtrack) MGM/UA Entertainment Co./ 1983

10:09 – Show Intro & Michael McQuary

Anticipating the Halloween weekend, we played New & Scary Cool Songs from: The MGDs, Amy Farrand and The Like, Freight Train Rabbit Killer, Jametatone, Season To Risk, Looming, Arcade Fire, The Brian Jonestown Massacre, Ministry, Iggy & The Stooges, and Regina Spektor. We started with David Bowie, and Laurie Anderson.

Michael McQuary on the October 25, 2017 edition of Wednesday MidDay Medley

Michael McQuary with his Classic Monsters of Filmland shared his interpretations of Béla Lugosi, Boris Karloff, Vincent Price, Bette Davis and more. Michael is the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, My Own Space and more recently, “I’m Hollywood,” for the KC Fringe Festival. Michael McQuary is also a visual artist of personal portraits and life captures, and he creates personal art works of metal. Michael is seen in multiple films, in promotional shorts for the OM Film Festival, and recently in the Mile Deep Films short film, “Corvalo.”

10:15

5. Jametatone – “Too Late”
from: Empty Bliss / J. Ashley Miller / March 21, 2017
[New EP from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the The 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe Unplugged with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. You can view more of Ashley’s work at http://www.jametatone.com.]

[Jametatone plays The Ship, 1217 Union Avenue, in the West Bottoms, on Halloween, Tuesday, Oct. 31, with Natural Man & The Gland Band, and Takin’ A Dive.]

6. The Brian Jonestown Massacre – “Charmed I’m Sure”
from: Don’t Get Lost / A Records / February 24, 2017
[Formed in San Francisco in 1990 by frontman Anton Newcombe. Their early music was in a shoegaze style. Following their debut album, Methodrone, the group’s sound transitioned to a broader style of psychedelic rock, incorporating styles such as garage rock, folk rock and, later, electronica into their sound. The act continue to experiment with musical styles. The band was the subject of the 2004 documentary film Dig!, and have gained media notoriety for their tumultuous working relationships as well as the erratic behaviour of leader Newcombe. The Brian Jonestown Massacre have released seventeen albums, five compilation albums, five live albums, thirteen EPs, sixteen singles as well as two various-artist compilation albums to date.]

6. Iggy & The Stooges – “Gimme Danger”
from: Raw Power / Columbia / February 7, 1973
[3rd studio album from Ann Arbor, Michigan band, first active from 1967 to 1974, and later reformed in 2003. The Stooges were inducted into the Rock and Roll Hall of Fame in 2010. After their first two albums, The Stooges (1969) and Fun House (1970) were released to little commercial success, The Stooges were in disarray: they had officially broken up, bassist Dave Alexander was fighting alcoholism, and singer Iggy Pop’s heroin addiction was escalating prior to the intervention of David Bowie. Pop later recalled, “Very few people recognized the quality of the Stooges’ songwriting, it was really meticulous. And to his credit, the only person I’d ever known of in print to notice it, among my peers of professional musicians, was Bowie.” Pop relocated to London, having signed on as a solo artist to MainMan Management, who also handled Bowie. Pop said that Columbia executives insisted on two ballads “Gimme Danger” and “I Need Somebody”. The album was recorded in London’s CBS Studios, from Sept. 10 to Oct. 6, 1972. Pop produced and mixed the album by himself; unfortunately, his botched first attempt mixed most of the instruments into one stereo channel and the vocals into the other, with little regard for balance or tone quality. Tony DeFries, the head of MainMan, informed Pop that the album would be remixed by Bowie. Pop agreed to this, claiming that “the other choice was I wasn’t going to get my album out. I think DeFries told me that CBS refused to release it like that, I don’t know”, but insisted that his own mix for “Search and Destroy” be retained. Due to budgetary constraints, Bowie remixed 7 songs in one day in an inexpensive LA studio, Western Sound Recorders, in October 1972.]

10:25 – More with Michael McQuary

Michael McQuary is the creator of the award winning one-man shows in New York City: Matinee Idol, Man of 1001 Faces, and My Own Space, and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael recently appeared in the Mile Deep Films short film, “Corvalo.”

10:30 – Underwriting

8. Amy Farrand and The Like – “Scared To Death of Dying”
from: Apocalypse Meow 10 Compilation / Midwest Music Foundation / November 2, 2017
[Amy Farrand and The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. The band is currently in the studio working on an 11-song debut full length album recorded with Duane Trower at Weights and Measures Soundlab. They are getting ready to start a Kickstarter to help fund the recording. This new 34 track compilation of features Kansas City area bands, and their most recent recordings, along with a few tracks that representative the 10 years of Midwest Music Foundation and Apocalypse Meow. Brenton Cook of Haymaker Records put this new compilation together as he has done in previous MMF compilations. Apocalypse Meow is the annual benefit for Abby’s Fund, named for Abigail Henderson, who co-founded the not-for-profit organization Midwest Music Foundation. MMF unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. ]

[Amy Farrand and The Like play The Brick, 1727 McGee St, KCMO, on Saturday, November 4, at 8:00 pm, with Grand Marquis, and Kelly Hunt.]

9. The MGDs – “Snakebite”
from: Somos Como Somos / The MGDs / November 4, 2017
[From the band’s new EP, their 3rd studio release. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.]

[The MGDs play The Phoenix, 302 West 8th St. KCMO, Friday, October 27, at 9:00 PM]

[The MGDs play an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin]

10. Looming – “Leaves”
from: Seed / No Sleep Records / September 29, 2017
[Springfield, Illinois based band formed in 2013. The band consists of: Jessica Knight on bass & lead vocals, Brandon Carnes on drums & backing vocals, Mitch Baker on guitar & backing vocals, Nick Demarco on guitar, Cassie Staub on guitar & synthesizer. (Original member Jordan Fein left the band after their debut release.) “The band originally came together over a shared common vision and passion for songwriting. After years performing in various Springfield bands (Mother Leopard, Lovecow, Our Lady, Big Storm) the group fell into a natural groove with one another and became known for their unique emo-pop that’s led by the inimitable vocal stylings of Knight that pair perfectly with the band’s bright, airy sound.” “Three guitars work together to perform thick, overlapping lines that lead to satisfying breakdowns. Front-woman Jessica Knight’s curious, chewy singing style and a thumping rhythm section give Looming a potent edge above their peers. ” This album is a follow up to their debut full-length album, Nailbiter that came out in August 14, 2015.]

[Looming play The Rino 314 Armour Rd, North KC, Tuesday, October 31, with Vigil & Thieves, and Riala.]

10:44 – Interview with Michael McQuary

Michael McQuary on the October 25, 2017 edition of Wednesday MidDay Medley

Joining us as our special guest is actor of stage & screen, Michael McQuary, the creator of the award winning one-man shows in New York City: Matinee Idol, Man of 1001 Faces, and My Own Space, and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael recently appeared in the Mile Deep Films short film, “Corvalo.”

10:47

11. Arcade Fire – “Cold Wind”
from: Six Feet Under, Vol. 2: Everything Ends / Astralwerks / January 1, 2002
[Montreal, Quebec, based Arcade Fire released their 5th album Everything Now on July 28, 2017. Consisting of husband and wife Win Butler and Régine Chassagne, along with Win’s younger brother William Butler, Richard Reed Parry, Tim Kingsbury and Jeremy Gara, the band’s current touring line-up also includes former core member Sarah Neufeld, frequent collaborator Owen Pallett, two additional percussionists, Diol Edmond & Tiwill Duprate, and saxophonists Matt Bauder & Stuart Bogie. Founded in 2001 by friends and classmates Win Butler and Josh Deu, the band came to prominence in 2004 with the release of their critically acclaimed debut album Funeral. Their 2nd studio album, Neon Bible, won them the 2008 Meteor Music Award for Best International Album and the 2008 Juno Award for Alternative Album of the Year. Their 3rd studio album, The Suburbs, was released in 2010 to critical acclaim and commercial success. It was the 2011 Grammy for Album of the Year, the 2011 Juno Award for Album of the Year, and the 2011 Brit Award for Best International Album. In 2013, Arcade Fire released their 4th album, Reflektor. All four of their studio albums have received nominations for the Best Alternative Music Album Grammy. The band plays guitar, drums, bass guitar, piano, violin, viola, cello, double bass, xylophone, glockenspiel, keyboard, synthesizer, French horn, accordion, harp, mandolin, hurdy-gurdy, and the multi-instrumentalist band members switch duties throughout shows.]

[Arcade Fire play Silverstein Eye Centers Arena, 19100 E Valley View Pkwy, Independence, MO. Friday, October 27 at 7 PM, in the round.]

12. Season To Risk – “Scorched”
from: Season To Risk / Columbia – Red Decible / 1993
[Members present and past include: Founding member, Steve Tulipana on vocals, guitar, synthesizer (1989-present) Bands: Roman Numerals, Pornhuskers, Unknown Pleasures, Thee Water Moccasins; Founding member, Duane Trower on main guitar, voice, synthesizer, recording engineer, (1989-present) Bands: Overstep, Quitters Club, Weights and Measures; Billy Smith on bass, voice, guitar, synthesizer, (2000-present) Bands: Dirtnap, Olympic Size, Unknown Pleasures, Roman Numerals; David Silver on drums, synthesizer, oscillator, samples, (1994-present), Bands: Iron Rite Mangle, E.A.R.S.H.O.T., Antibodies; Wade Williamson on guitar, keyboard, (2000-present), Bands: Olympic Size, The Stella Link; Josh Newton on bass, voice, synthesizer, (1995- 1999), Bands: Shiner, Reggie and the Full Effect, Glazed Baby, Iron Rite Mangle, From Autumn To Ashes, ETID; Founding member, Paul Malinowski on bass, voice, recording engineer, (1989- 1995)Bands: Fire of 1666, Shiner, Big Sky Blue Earth; Jason Gerken on drums, (1994-studio) Bands: Molly McGuire, Kingdom of Snakes, Gunfighter; Tim Dow on drums, Recurring Member-live show: (1990,1992, 1994) Bands: Shiner, Year of the Rabbit, the Joy Circuit.Season To Risk is the luckiest band alive. Shortly after getting together at school in 1989, they won a ‘Battle of the Bands’ which brought them into the studio for the first time. The only copy of the resulting demo tape that was actually mailed out ended up at Red Decibel records in Minneapolis, MN, who as luck would have it, were starting to work in conjunction with Colombia records. Before they knew what hit them, the band was signed to Columbia records, recording more demos at Sony Studios in NYC, and then living in Chicago, IL to record their self-titled first album at Soundworks Studio. The band spent years constantly touring throughout North America; returning briefly to their hometown of Kansas City, MO for a few days or weeks, sometimes on the road 8 – 10 months out of the year. They lived at Bisi Studios, NYC for the Summer of 1994 recording their second album In a Perfect World. The music was a darker, more complex collection of songs, and the album was received with rave reviews from fans, and puzzled looks from the people at Colombia records. There was no place on the radio for music like this yet, and exactly what category in the music store was this CD supposed to be displayed in? By chance, someone at Sony was looking for a band to play during a scene in the film ‘Strange Days’ and within days, the band was in Hollywood, playing the song ‘Undone’ over and over again. For the next year, the band was in a different city every night, which led to total exhaustion by the end of a summer 1995 arena tour with Corrosion of Conformity and Monster Magnet, resulting in the cancellation of their European tour scheduled with CIV for the Winter of 1996. The band was dropped from Columbia Records. And bass player Paul Malinowski quit to join the KC band Shiner. The band quickly took on bass player Josh Newton and got busy writing music. Pooling their resources, they spent most of the next 2 years building Trainwreck Sound Studios in KC. As floors, walls and ceilings were built, new Season To Risk songs were written, members worked with their other bands, and recording started at Trainwreck, including work by Casket Lottery, The Farewell Bend, Dirtnap, Iron Rite Mangle, Gunfighter and the Pornhuskers. They built their dream studio from the ground up: a 15 x 20 control room, equipped with a 1974 24-channel Auditronics (quadrophonic!) console and a 2-inch tape machine, a 30 x 50 foot tracking room with antique oak floors, and a huge apartment/rehearsal studio upstairs on the second floor. In October 1998, shortly after the studio officially opened to the public, a sudden flash flood of the Missouri river totaled everything in the neighborhood in 15 minutes, destroying the building, their tour RV in the parking lot, their bank account and almost everything else. They’re lucky no one was killed. Luck never gives, it only lends. And the river takes. And then Josh Newton was also lost to Shiner. Fortunately, the 3rd album was finished prior to the flood, and the band was able to wade through the five-foot deep, freezing, flood waters in total darkness out of the building to safety. Unfortunately, they discovered that the album Men Are Monkeys, Robots Win (Thick Records) was printed ‘out-of-phase’, making the songs sound hollowed-out. The label never re-released the printed CD, but the corrected mix is available on iTunes. Legendary punk rock drummer/producer Bill Stevenson (Black Flag, Decendents) has always been a friend to Season To Risk, and has brought the band on tour with ALL several times. This led to the recording of the album The Shattering in 2000 with Jason Livermore and Bill Stevenson at the Blasting Room in Ft. Collins, CO, and its release on Owned & Operated records in 2001. The addition of the third and final bass player of S2R, Billy Smith of the band Dirtnap, brought the band full circle. The Shattering album is more diverse than ever, fusing elements from all of the band’s previous work and some new experimentation into twelve heavy, melodic songs. Several tours followed after The Shattering CD release, and the band spent a few years resting, recouping, and regrouping – working on many other projects, musical and otherwise.]

[Season to Risk play The Uptown Theatre, Fri, Nov 3, 8:00 PM, with Descendents, and Less Than Jake.]

13. Ministry – “I Prefer”
from: The Land of Rape and Honey / Sire-Warner Bros. / October 11, 1988
[3rd studio album from the band founded in 1981 by Al Jourgensen in Chicago, Illinois. The band has recorded 16 studio albums to date. Originally a new wave synthpop outfit, Ministry changed its style to become one of the pioneers of industrial metal in the mid-1980s. The band’s lineup changed consistently throughout the band’s history, with Jourgensen remaining the only constant as the band’s main producer, singer, songwriter, and instrumentalist. Ministry found mainstream success in the late 1980s and early 1990s with the albums The Land of Rape and Honey (1988), The Mind Is a Terrible Thing to Taste (1989) and Psalm 69: The Way to Succeed and the Way to Suck Eggs (1992), with the former of the two certified gold and the latter certified platinum by the RIAA. The band has been nominated for six Grammy Awards, and performed at several notable music festivals, including participating in the second annual Lollapalooza tour in 1992 and co-headlining Big Day Out in 1995. Ministry broke up in 2008 after 27 years of recording and performing, and Jourgensen had since stated that they would never reunite. However, the band announced a reunion in August 2011, and has released two more studio albums since then: Relapse (2012) and From Beer to Eternity (2013). Their next studio album (and first in five years), titled AmeriKKKant, is expected for release in early 2018.]

[Ministry plays The Uptown Theatre, Friday, October 27, at 8:00 pm with Death Grips]

11:00 – Station ID

11:00 – Interview with Kristopher Bruders & Mark Smeltzer / Freight Train Rabbit Killer

Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer). Described as “Apocalyptic Roots” or “Doom Blues” their intense and riveting live shows are accompanied by suits and masks. Freight Train Rabbit Killer have teamed with Haymaker Records to release a 7 inch vinyl series called “Wake Snake Death Dance”. Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Genessee Street. Freight Train Rabbit Killer also play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. A benefit for MMF. More info at: http://www.freighttrainrabbitkillerband.com

11:05

14. Freight Train Rabbit Killer – “Maybe It’s You” [B-Side]
from: Maybe It’s You – 7″ Vinyl Single / Haymaker Records / October 28, 2017
[Volume 1 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Kristopher Bruders. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

11:10 – Interview with Kristopher Bruders & Mark Smeltzer / Freight Train Rabbit Killer

Many Kansas City music fans know Kristopher Bruders for his great work with band, Cadillac Flambé with vocalist and keyboardist, Havilah Bruders, who is also married to Kris.

Mark Smeltzer is a principle musician of Rural Grit and the Rural Grit Happy Hour Mondays at The Brick, one of Kansas City longest running weekly live musical shows. Mark has also been part of bands: Columbo, Trouble In Mind, E.I.O., and Dually Jukes.

11:14

15. Freight Train Rabbit Killer – “Old Man of the Mountain” [A-Side]
from: Old Man of the Mountain – 7″ Vinyl Single / Haymaker Records / October 28, 2017
[Volume 1 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Genessee Street.

Freight Train Rabbit Killer play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. This is a benefit for Midwest Music Foundation.

More info at: http://www.freighttrainrabbitkillerband.com

11:28 – Underwriting

11:30 – Interview with Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and this year his full length debut, Catastrophe. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin has just returned home from a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.

Calvin Arsenia played over 40 shows on tour.

Calvin is working to release new music from Calvin’s June 11th, Live Recording at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC.

11:35

16. Calvin Arsenia – “Back To You” (LIVE)
New song by Calvin Arsenia / Calvin Arsenia on vocals & harp, Simon Huntley on percussion

Simon Huntley & Calvin Arsenia on the October 25, 2017 edition of Wednesday MidDay Medley

Calvin Arsenia plays Apocalypse Meow 10, Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. Apocalypse Meow is a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

11:48

17. Calvin Arsenia – “Poseidon” (LIVE)
New song by Calvin Arsenia / Calvin Arsenia on vocals & harp, Simon Huntley on percussion

11:56

18. Regina Spektor – “On The Radio (Live In London)”
from: Live In London / Sire Records / November 19, 2010
[The first live album by Russian-American musician and songwriter, Regina Spektor, recorded at the Hammersmith Apollo Theatre, in London, during her Far Tour. Regina Spektor was born February 18, 1980, in Moscow (former Soviet Union, now Russia), and began classical training on the piano at the age of six. When she was nine years old, her family left the Soviet Union in 1989, during the period of Perestroika, when Soviet citizens were permitted to emigrate. Regina had to leave her piano behind. The seriousness of her piano studies led her parents to consider not leaving the Soviet Union, but they finally decided to emigrate, due to the racial, ethnic, and political discrimination that Jews faced. Traveling first to Austria and then Italy, the Spektor family was admitted to the United States as refugees with the assistance of HIAS (the Hebrew Immigrant Aid Society). They settled in the Bronx, where Spektor graduated from the SAR Academy, a Jewish day middle school in the Riverdale section of the Bronx. Since the family had been unable to bring their piano from Moscow, Spektor practiced on tabletops and other hard surfaces until she found a piano on which to play in the basement of her synagogue. She began to write original songs shortly thereafter. Spektor gradually achieved recognition through performances in the anti-folk scene in downtown New York City, most prominently at the East Village’s SideWalk Cafe. She also performed at local colleges (such as Sarah Lawrence College) with other musicians, including the Trachtenburg Family Slideshow Players. She sold self-published CDs at her performances during this period: 11:11 (2001) and Songs (2002). After self-releasing her first three records and gaining popularity in New York City’s anti-folk scene, Spektor signed with Sire Records in 2004 and began achieving greater mainstream recognition. After giving her third album, Soviet Kitsch a major label re-release, Sire released her fourth album, Begin to Hope, which would go on to achieve a Gold certification by the RIAA. Her following two albums, Far and What We Saw from the Cheap Seats, each debuted at number 3 on the Billboard 200. Spektor married singer-songwriter Jack Dishel in 2011. Formerly a guitarist with the band the Moldy Peaches, Dishel is a member of the band Only Son and duets with Spektor in the song “Call Them Brothers”. On January 23, 2014, Spektor announced her pregnancy on Facebook. The couple announced the birth of a son in March 2014.]

[Regina Spektor plays A Special Solo Performance, Sun, Oct.28, at 8:00 PM, at The Uptown Theatre]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, November 1, November 1, Rebecca Liberty joins us with a young friend from Italy, who she has been hosting for the last month, helping him explore and experience the KC music scene as a participating musician and student. Both will join us to share about his time here in Kansas City. Also next week Andrew Foshee joins us to share music from his new record, STRANGE RELATIONS, recorded in Nashville at The Bomb Shelter with producer and engineer Andrija Tokic, who has worked with, Alabama Shakes, and Hurray for the Riff Raff. Also next week, Sondra Freeman of Midwest Music Foundation and musician Nathan Corsi, join us to talk about Apocalypse Meow 10. Apocalypse Meow 10, a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. and continuing on Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Calvin Arsenia, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #705

Wednesday MidDay Medley presents Michael McQuary + Freight Train Rabbit Killer + Calvin Arsenia

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 25, 2017

New & Scary Cool Songs + Michael McQuary
+ Freight Train Rabbit Killer + Calvin Arsenia

Anticipating the Halloween weekend, we play New & Scary Cool Songs from: The MGDs, Amy Farrand and The Like, Freight Train Rabbit Killer, Jametatone, Season To Risk, Looming, Arcade Fire, The Brian Jonestown Massacre, Ministry, Iggy & The Stooges, David Bowie, Laurie Anderson, and Regina Spektor.

Michael McQuary

Michael McQuary and his Classic Monsters of Filmland joins us as our special guest. Michael will share his interpretations of Béla Lugosi, Boris Karloff, Lon Chaney, Dr. Fu Manchu, Bette Davis and more. Michael is the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, My Own Space and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael McQuary is also a visual artist of personal portraits and life captures and he creates personal art works of metal. Michael is seen in multiple films, in promotional shorts for the OM Film Festival, and recently in the Mile Deep Films short film, “Corvalo.” More info at: YourPowerSign.com

At 11:00 we talk with Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer). Described as “Apocalyptic Roots” or “Doom Blues” their intense and riveting live shows are accompanied by suits and masks. Freight Train Rabbit Killer have teamed with Haymaker Records to release a 7 inch vinyl series called “Wake Snake Death Dance”. Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Geneses Street. Freight Train Rabbit Killer play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. More info at: http://www.freighttrainrabbitkillerband.com

Calvin Arsenia (Photo by Jenny Wheat)

At 11:30 Calvin Arsenia joins us to play live in our 90.1 FM Studios, fresh from his 3 month US/European “Outlyre Tour” playing Portland, San Francisco, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, and Paris. Calvin Arsenia plays Apocalypse Meow 10, Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow or http://www.calvinarsenia.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #705