WMM Playlist from March 20, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 20, 2019

Mike Alexander & Hipshot Killer
+ Patrick Alonzo Conway & Gamelan Genta Kasturi
+ New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

Radkey

2. Radkey – “Spiders”
from: No Strange Cats…P.A.W. / The Century Family / February 22, 2019
[This new 7 song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018 to talk about their performance at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band went back on the road playing shows with The Damned throughout the United States. In December they went back into the studio to record songs for this release with producer Bill Stevenson of the California punk rock group Descendants. In early 2019 they played shows in Amsterdam and Stockholm. Last year the and released “Basement” , “St. Elwood” “Rock & Roll Homeschool” as well as several other singles.]

[Radkey plays The Bottleneck, 737 New Hampshire St, Lawrence, KS, Friday, March 22, at at 7:00 PM with special guests: Drop A Grand, The Bad Ideas, and Wick & The Tricks.]

3. Metric – “Now or Never Now (Radio Edit)”
from: Art of Doubt / MMI-Crystal Math Music-BMG / September 11, 2018
[7th full-length record, from Canadian band Metric founded in 1998 in Toronto, Ontario. Emily Haines on lead vocals, synthesizers, guitar, tambourine, harmonica, piano; James Shaw on guitar, synthesizers, theremin, backing vocals; Joshua Winstead on bass, synthesizers, backing vocals; and Joules Scott-Key on drums & percussion. Although the band is Canadian, Haines was born in India to American parents, and Winstead and Scott-Key are American. The band started in 1998 as a duo formed by Haines and Shaw with the name “Mainstream”. After releasing an EP titled Mainstream EP, they changed the band’s name to Metric. The band’s first studio album, Old World Underground, Where Are You Now?, was released in 2003. Live It Out, released in 2005, was nominated for the 2006 Polaris Music Prize for the “Canadian Album of the Year” and for the 2006 Juno Awards for “Best Alternative Album”. Their third studio album, Grow Up and Blow Away, was recorded in 2001; it was initially planned as their debut album, but was delayed for many years and finally released, with some changes, in 2007. Metric’s fourth album Fantasies was released in 2009. It was shortlisted for the 2009 Polaris Music Prize for “Canadian Album of the Year”, and won the “Alternative Album of the Year” at the 2010 Juno Awards. Metric also won the 2010 “Group of the Year”. The fifth Metric studio album, Synthetica, was released in 2012. The band won two awards at 2013 Juno Awards: “Alternative Album of the Year” for Synthetica & “Producer of the Year” for Shaw. The art director/designer/photographer Justin Broadbent also won an award for “Recording Package of the Year” for Synthetica. Metric’s sixth album, Pagans in Vegas, was released in 2015. Art of Doubt, was produced by Justin Meldal-Johnson.]

[Metric plays The Truman, 601 E. Truman Road, KCMO, Thursday, March 21, at 8:00 PM]

Yola

4. Yola – “Faraway Look”
from: Walk Through Fire / Easy Eye Soud – Nonesuch Records / February 22, 2019
[Yolanda Quartey was born 1984. Known professionally as Yola. She is an English singer-songwriter, from Bristol, England. She became the lead singer of the band Phantom Limb, who released their first album in 2010. She also sang backing vocals for Massive Attack. Yola released her first EP, Orphan Offering, in 2016. In February 2019, she released her debut album Walk Through the Fire on Dan Auerbach’s Easy Eye Sound label, to much acclaim. AllMusic called it “an extraordinary record, one designed to be part of a grand musical tradition, and it contains enough emotion and imagination to earn its place within that lineage.”]

5. Soultru – “Can You Keep A Secret”
from: Soultru & Progeny / Fake Four Inc. / December 25, 2018
[ Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little. Soultru is the latest signing to Kansas City label The Record Machine.]

[Soultru plays SoundMachineKC on Saturday, May 4, at 8:00 PM, with The Freedom Affair, and Duncan Burnett.]

6. Rina Mushonga – “In a Galaxy”
from: In a Galaxy / Rina Mushonga / February 15, 2019
[Rina Mushonga was born in India and raised in Harare, Zimbabwe. She attended college in the Netherlands and eventually moved to Peckham, in London, where her music career ignited. As a child she learned to play guitar and piano and began writing her own songs. She names her influences as Paul Simon, Oliver Mtukudzi, Nina Simone, and Fleetwood Mac. She started out by playing at open-mike nights in Harare. Her 2014 debut, The Wild, The Wilderness, was recorded while she was living in the Netherlands and released on Sony Music. The album contained a folk/rock-influenced sound in the vein of her early influences, but Mushonga was unsatisfied, feeling she was unable to express her authentic self. It was only after she moved to Peckham, a multiculturally rich neighborhood of London, that she felt more at home and able to explore her African heritage in music. The resulting album took five years, as she juggled making music with working and caring for her young daughter. She made a demo with Frans Verburg in Rotterdam, recorded with Brett Shaw at his studio in Peckham, and eventually released “In a Galaxy” on PIAS in 2019. The album has a rich, kaleidoscopic sound incorporating elements of Afro-pop, indie, and electro into a catchy yet experimental whole. ~ John D. Buchanan, Rovi]

7. Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / May 25, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

[Mysterious Clouds play recordBar 1520 Grand Blvd, KCMO, TONIGHT, March 20, at 8:00 pm, opening for The Bright Light Social Hour with Sea Moya.]

8. Rufus Wainwright – “Blue (Live)”
from: Joni 75: A Joni Mitchell Birthday Celebration (Live) / Decca / March 8, 2019
[A Joni Mitchell tribute album, celebrating her 75th birthday, features live renditions of the singer’s songs by Brandi Carlile, Norah Jones, Chaka Khan, James Taylor and many others. The record contains a recording of a tribute concert that was held in her honor in Los Angeles last November. The concert was additionally broadcast in movie theaters on February 7th. Percussionist Brian Blade, who made three studio albums and toured with Mitchell, served as the evening’s co-musical director alongside producer and arranger Jon Cowherd. The evening was presented by the Music Center, a non-profit organization that tries to bring artists and communities together with an eye toward enriching the lives of people living in Los Angeles County. “By honoring Joni Mitchell, an amazing iconic artist, the Music Center had an incredible opportunity to bring her music to Los Angeles audiences,” the organization’s president and CEO, Rachel Moore, said in a statement. “Now that experience can be enjoyed by many more Joni Mitchell fans with an album that allows other music legends to shine a light on her artistry.” Rolling Stone reviewed the concert and called it a “moving tribute show.” “The unifying effect of Mitchell’s music rang out with a closing group singalong to ‘Big Yellow Taxi,’ one of the more ebullient standouts from her oeuvre,” the review reads. “The billed artists stood side by side … and belted the number, a bright rumination on the harrowing effects that man has on society. They each delivered solos, then bowed in unison, as a portrait of Mitchell loomed in the background, a fitting homage to an icon whose presence is still felt, even in her absence.”Mitchell herself, who has been battling health issues, did not take the stage at the event. Joni 75: A Birthday Celebration track list: “Dreamland” – Los Lobos with La Marisoul, Xochi Flores and Cesar Castro “Help Me” – Chaka Khan “Amelia” – Diana Krall “All I Want” – Rufus Wainwright “Coyote” – Glen Hansard. “River” – James Taylor “Both Sides Now” – Seal “Our House” – Graham Nash “A Case of You” – Kris Kristofferson and Brandi Carlile “Down to You” – Brandi Carlile “Blue” – Rufus Wainwright “Court And Spark” – Norah Jones “Nothing Can Be Done” – Los Lobos with La Marisoul, Xochi Flores and Cesar Castro “The Magdalene Laundries” – Emmylou Harris “Woodstock” – James Taylor “Big Yellow Taxi” – La Marisoul, James Taylor, Chaka Khan and Brandi Carlile.]

10:29 – Underwriting

Patrick Alonzo Conway on the March 20, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Patrick Alonzo Conway

Patrick Alonzo Conway is a Kansas City based composer, performer, educator, and independent musician. He holds a Masters in Music Composition from the UMKC Conservatory of Music. He was a founding member of newEar, and he works with Terrestrial Consort, People’s Liberation Big Band of Greater Kansas City, Chris Hazelton’s Boogaloo 7, and BCR. He is a 2012 recipient of the Charlotte Street Foundation Generative Performing Artist Fellow Award. Patrick Alonzo Conway is also the Director of Gamelan Genta Kasturi.

Patrick joins us to share details about Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO.

Patrick Alonzo Conway thanks for being with us again on WMM.

Gamelan Genta Kasturi – Spring Concert w/ guest Balinese artists: I Ketút Gedé Asnawa, Putu Oka Mardiani, Ni Made Nias Yunirika & Ni Nyoman Nias Yonitika

Sunday March 24, 2019 – 1:00 pm – Nelson Atkins Museum – Atkins Auditorium
FREE and open to the public ticket required at the info desk or http://www.nelson-atkins.org

Funds provided through a grant from the Leo Gilbert Wetherill Foundation

For over 16 years KC’s community Balinese gamelan orchestra, Gamelan Genta Kasturi, has been presenting community concerts.

The group’s founder and family return in a special concert of Balinese Music & Dance featuring original compositions by Mr. Asnawa and traditional classics.

Gamelan Genta Kasturi with Balinese Guest Artists, under the direction of I Ketút Gedé Asnawa, featuring his wife Putu Oka Mardiani Asnawa, and two daughters Yunirika Asnawa & Yonitika Asnawa performing several dances with the music.

Mr. Asnawa has been faculty at the University of Illinois, Urbana-Champaign in conjunction with the Robert E. Brown Center For World Music since leaving KaC in 2006. He & his family maintain an active schedule performing, teaching & promoting Balinese Cultural Arts.

Gamelan Genta Kasturi players:

Patrick Alonzo Conway – director, ugal, trompong, kendang; Sam Hughes – assistant director, pemade, kantilan, ceng ceng kopyak; Roy Alanis – jegogan, ceng ceng kopyak; Matt Brahl – kajar, jublag, pemade, ceng ceng kopyak; Malcolm Cook – pemade, ceng ceng kopyak; David Bennett Freeling – jublag, ponggang; Wesley Isaac – pemade, kantilan, ceng ceng kopyak; Sara Koron – gongs; Sean Mawhirter – jegogan, kajar; Lauren Mola – jublag, pemade, kantilan, ponggang; Julian Schempf – pemade, kantilan, ceng ceng kopyak; Wayne Yockey – suling, pemade; Allan Winkler – ceng ceng, kempur

One of the pieces from the program is Kebyar Ding – I Wayan Regog

This composition is credited with being the first Gamelan work that began the wave of “Kebyar” style that swept the entire island of Bali after it’s introduction in 1915. Kebyar has been interpreted as “lightning”, “the bursting open of a flower” and “explosive”. This style is highlighted by abrupt bursts of sound, shifts in tempo, rapid stops and a style of fast succession of themes within a single piece, in contrast with the more evenly colotomic and structured traditional repertoire of Balinese Gamelan.

10:39

9. Gamelan Genta Kasturi – “Keybar Ding”
from: unreleased track / Gamelan Genta Kasturi / Feb, 2011
[This performance taken from 10th Anniversary Concert.]

Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO.

Patrick Alonzo Conway joins us to share details about Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO. Event is open to the public, more info at: http://www.nelson-atkins.org.

Another piece from the program is Sekar Gadung arranged by I Ketút Gedé Asnawa

This composition is an influential resetting of a traditional sacred gamelan selonding work into gamelan semar pegulingan style.

10:45

7. Field recording of I Ketút Gedé Asnawa neighboring Gamelan group – “Sekar Gadung (Semar Pegulingan style)”

Gamelan Genta Special Thanks: Catherina Mueller – Nelson-Atkins Museum; Laura Isaac – Arts Dojo; Leo Wetherill – Leo Gilbert Wetherill Foundation; Karen Williams – Kindness, Inc.; Wayne Yockey; Thaylia Smith

A gamelan is a traditional musical ensemble from Indonesia, typically from the islands of Java and Bali, featuring a variety of instruments such as metallophones, xylophones, kendang (drums) & gongs; bamboo flutes, bowed & plucked strings. Vocalists may also be included. For most Indonesians, gamelan music is an integral part of Indonesian culture.

The term refers more to the set of instruments than to the players of those instruments. A gamelan is a set of instruments as a distinct entity, built and tuned to stay together – instruments from different gamelan are generally not interchangeable.

Patrick Alonzo Conway thanks for being with us again on WMM.

Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO. Event is open to the public, more info at: http://www.nelson-atkins.org.

10:53

11. Shapiro Brothers – “Almost Ready”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. All songs written by Mikal Shapiro, except “Almost Ready” was written by Mikal Shapiro and Chad Brothers.]

[Shapiro Brothers play The Westport Saloon, 4112 Pennsylvania Ave, KCMO, Saturday, March 23, at 8:00 PM with Grant Sabin and the Juke Joint Highball, and Outside Voices.]

12. Sky Smeed – “If You’re Taught You Learn to Be Mean”
from: Leaving Again / Sky Smeed / February 9, 2019
[Sky Smeed told us that he wrote this song while watching the horrible things that happened in Charlottesville, WV a few weeks ago. It’s influenced by a bunch of things for certain. Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays recordBar, 1520 Grand, on Friday, March 22, at 7:00 PM, with Kelly Hunt.]

11:00 – Station ID

13. Hipshot Killer – “New Gillham Park”
from: All This Time is Ours / Throwing Things / January 16, 2016
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016. Hipshot Killer also released a single on Too Much Rock on October 21, 2016 .]

[Hipshot Killer, play an “All This Time is Ours” LP release show, Saturday, March 30, 2019 at 9:00 PM at miniBar 3810 Broadway Rd, KCMO with Midlife from Springfield MO and KC’s own Arson Class.]

Mike Alexander on the March 20, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Mike Alexander

Mike Alexander is lead vocalist & guitarist of Hipshot Killer with Chris Wagner on bass & vocals, and Jon “Buddy” Paul on drums. Hipshot Killer released their debut album Hipshot Killer, on April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016. Hipshot Killer also released a single on Too Much Rock on October 21, 2016. Mike Alexander has been a tireless organizer of the KC area punk scene and has helped to produce multiple years of the Center of the City Fest. Mike also helped to create the 8-song tribute recording, I’ll Repay You: A Benefit for John Fackler – featuring the songs of John Fackler and Jettison . Mike Alexander joins us to share information about Hipshot Killer’s new album All This Time is Ours, and the band’s special – LP Release Show, Saturday, March 30, at 9:00 PM, at miniBar, 3810 Broadway Rd, KCMO, with the Midlife from Springfield MO and KC’s own Arson Class.

Mike Alexander thanks for being with us on WMM.

Drum tracks for All This Time is Ours were recorded at Weights and Measures studio by Duane Trower.

Music tracks were recorded in the bands rehearsal space and then taken back to Weights and Measures to be mastered.

All songs written by Mike Alexander

More information at http://www.hipshotkiller.com

11:12

14. Hipshot Killer – “Breaking the Lease”
from: All This Time is Ours / Throwing Things / January 16, 2016
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016. Hipshot Killer also released a single on Too Much Rock on October 21, 2016 .]

Hipshot Killer

We are talking with Mike Alexander lead vocalist & guitarist of Hipshot Killer with Chris Wagner on bass & vocals, and Jon “Buddy” Paul on drums. Mike Alexander joins us to share information about Hipshot Killer’s new album All This Time is Ours

Mike is also a much sought after guitar player and he regularly performs live and records with John Velghe & The Prodigal Sons, The Starhaven Rounders, and The Architects.

Mike Alexander wrote all the songs on “All This Time is Ours” and then the band further developed them in the recording process.

Hipshot Killer play an All This Time is Ours – LP Release Show, Saturday, March 30, at 9:00 PM, at miniBar, 3810 Broadway Rd, KCMO, with the Midlife from Springfield MO and KC’s own Arson Class. More information at http://www.hipshotkiller.com

11:25

15. Hipshot Killer – “Perfect Midnight Sky”
from: All This Time is Ours / Throwing Things / January 16, 2016
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016.]

11:31 – Underwriting

16. Durand Jones and The Indications– “Don’t You Know”
from: American Love Call / Dead Oceans / March 1, 2019
[Bayou-born soul sensation, Durand Jones got his start in the church, after being forced to sing in the choir of his rural hometown Hillaryville, Louisiana because his Grandmother thought he sang too much at home. When his music career took him to Bloomington, Indiana, he was selected to join the legendary Indiana University Soul Revue, and it was through his involvement that he met writer/producer duo Aaron Frazer and Blake Rhein. The three began writing original soul music, recording themselves straight to tape in the basements of Bloomington – and their debut album is now available on Colemine Records.]

[Durand Jones & The Indications play recordBar, 1520 Grand, Sat. April 6, at 7:00 with Ginger Root]

17. Payge Turner – “Wyld (feat. The Authors)”
from: Wyld – Single / Payge Turner / September 21, 2018
[4th Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays The Rino, 314 Armour Rd, North Kansas City, Tomorrow, March 21, at 7:00 PM, with Tom West, Chase The Horseman and Erica Joy.]

[Payge Turner plays Voltaire 1617 Genessee St, KCMO, Sat, March 23, at 10:30 PM with Jessica Paige.]

18. Sugarpulp – “Open Yr Mouth”
from: Teeth / Sugarpulp Records / February 22, 2019
[Chicago based rock dance rock glam psych band with Deb Chesterman on keyboards & vocals; Sam Allyn on guitar, synthesizers, & programming; Patrick Riley on drums; and Patrick Foley on bass. All songs written and produced by Sugarpulp. Recorded and Mastered by Mike Hagler.]

[Sugarpulp plays miniBar 3810 Broadway Rd, KCMO, TONIGHT, Wednesday,march 20, at 9:00 PM with Golden Groves, Salty, and Ethan Eckert.]

19. Kill Vargas – “What We Don’t Know”
from: Laugh It Off / Kill Vargas / April 2, 2019
[Wichita, Kansas based band with Logan Bush on drums, Austin Engler on bass, Griffin Bush on guitar & vocals, and Trent Gaddie on guitar]

[Kill Vargas plays Sister Anne’s – Records and Coffee, 901 E 31st St, KCMO Saturday, March 30, 2019 at 5:00 PM with Red Kate, Busey, Ultrasounds, VidCo Kult.]

20. VidCo Kult – “Tim Allen’s Demolition Kitchen”
from:Enrollment Opportunities : Tangential Life Trajectories Ensuring Physical and Spiritual Greatness Through the Power of Devotional Subjugation / Double Double Whammy / March 1, 2019
[VidCo Kult is a musical trio involving Bob Lyons, Tripp Kirby and Keith. They are based in Kansas City, Missouri. Aside from live performances of original material, they mostly argue about comic books and science fiction.]

[VidCo Kult plays Sister Anne’s – Records and Coffee, 901 E 31st St, KCMO Saturday, March 30, 2019 at 5:00 PM with Red Kate, Busey, Ultrasounds, and Kill Vargas.]

21. Adia Victoria – “Different Kind of Love”
from: Silences / Atlantic Recording Corporation / February 22, 2019
[Adia Victoria was born July 22, 1986. She is an American singer and songwriter, known for her “gothic blues” musical style. In addition to playing and writing music, she also writes poetry. She is currently based in Nashville. Adia Victoria was born in Spartanburg, South Carolina and is one of six siblings. Her father is Trinidadian. She was raised as a Seventh-day Adventist and she attended church schools until in the 6th grade, her mother enrolled her in public school. Shortly after, her parents divorced and Victoria began to write poetry and short stories as a means of coping. Being moved from the world of Seventh-day Adventists to a public school was difficult for Victoria, who didn’t feel like she fit in. Victoria and her siblings often spent time with her maternal grandparents who lived near Campobello. She attended Landrum Junior High School in Campobello. Her family also left the Adventist church before Victoria attended high school, which allowed her to explore music she hadn’t been exposed to before, like Kurt Cobain, Miles Davis and Fiona Apple.After high school, she went to New York for a time, in an attempt to “strike it big in a new city.” In 2007, she left New York for Atlanta. On her 21st birthday, a friend gave her a guitar and she began to work with blues music. Victoria moved to Nashville in 2010. She chose Nashville as a place where she could live anonymously. In Nashville, she earned her GED and then took French in college. She began to perform around Nashville. In 2016, she performed at South by Southwest. Her personal “look” was noticed by Vogue for its “Afropop” roots. However, Victoria states that she doesn’t like to be “fetishized” for her looks, saying, “People think that because you are attractive, you owe the world something, to let them consume you.” Victoria began her career with a backing band consisting of Ruby Rogers, Tiffany Minton, and Mason Hickman. Later, she began working with a different group, and they debuted together in January 2016.Victoria’s first single release was “Stuck In the South”, which was described on All Things Considered as a “very swampy mysterious kind of slow-burning song.” Rolling Stone describes her as “PJ Harvey covering Loretta Lynn at a haunted debutante ball.” Her live performances are described by Wondering Sound as angry and “furious and feral.” American Songwriter calls her stage presence “commanding.” Victoria’s full-length debut, Beyond the Bloodhounds, was produced by Roger Moutenot, The name of the album is a reference to Incidents in the Life of a Slave Girl by Harriet Jacobs. The predominant theme of her first album is dealing with life in her twenties. Moutenot has previously collaborated with Yo La Tengo and also produced her first single. Canvasback is her current record label]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on March 27 we welcome Steven Ervay and Savanna Howland of Playlistplay

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #778

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WMM Playlist from March 13, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 13, 2019

WMM’s 777th Show!
New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Emily King – “Remind Me”
from: Scenery / ATO Records / February 1, 2019
[We fIrst played Emily King on June 29, 2016 when our friend Krystle Warren was Guest Producer and played the song “Georgia” from King’s 2011 EP Seven. She is an American singer and songwriter. She started her career in 2004 and her debut album East Side Story was released three years later in August 2007. In December 2007, King was listed as a Grammy nominee for Best Contemporary R&B Album. Born July 10, 1985, in NYC in 1985, King grew up in a small apartment on the Lower East Side. Her parents, Marion Cowings and Kim Kalesti, were a singing duo who performed and traveled regularly bringing her and her older brother along with them. At age 16, King left high school after earning her GED to pursue her music career. She began playing shows in restaurants and venues around New York City including CBGB and The Bitter End. King signed her first record deal with J Records in 2004 and was featured on Nas’ 2004 album Street’s Disciple credited as simply “Emily”. Her debut album East Side Story was released 3 years later in August 2007. It went on to earn a Grammy nomination for “Best Contemporary R&B Album of the Year.” During that time King toured with John Legend & Floetry. She opened for various artists such as Nas, Alicia Keys, Chaka Khan & Erykah Badu. After parting ways with her label in 2008, King continued independently. She self-recorded her follow-up EP Seven in her home, released July 2011. In October 2011, she accepted an invite from Maroon 5 to open on their European/Scandinavian tour. In 2012, King was awarded the Holly Prize (a tribute to the legacy of Buddy Holly) from The Songwriters Hall of Fame for recognition of the “all-in songwriter” whose work exhibits the qualities of Holly’s music: true, great and original. King was invited by Emeli Sande to open for her UK tour playing sold out shows in 5 cities including The Royal Albert Hall in London. King collaborated with José James on his album No Beginning No End in 2013 and can be heard on tracks Heaven on the Ground and the acoustic version of Come to My Door. In 2014, King was performing as an opening act for Sara Bareilles’ Little Black Dress tour. The year 2015 marked the release of King’s 2nd studio album, The Switch, Emily self-released on her label Making Music Records on June 26. The Wall Street Journal remarked that the album is “a tasteful collection of 11 songs that showcase King’s distinctive voice.” After signing with the ATO Records in 2017, King became label mates with Brittany Howard, Benjamin Booker & Brandi Carlile. More info at: http://www.emilykingmusic.com]

3. Kevin Morby – “No Halo”
from: Oh My God / Dead Oceans / April 29, 2019
[5th release from Kevin Robert Morby born April 2, 1988. follow up to his 2017 release City Music. Kevin learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens. 17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012. He began a solo career in 2013 releasing his debut album Harlem River. His 2nd album Still Life was released in 2014. His album Singing Saw was in WMM’s The 116 Best Recordings of 2016. His album City Music was in WMM’s The 118 Best Recordings of 2018]

4. Ebony Tusks – “Everybody Run feat. Jamaal Rashad, Morri$)”
from: Midas – EP / Team Bear Club / June 2011
[Debut 3-track EP released by the band. Ebony Tusks is a hip hop project from Lawrence KS, formed in 2010 by Nathan Giesecke, Martinez Hillard (of Cowboy Indian Bear), and Daniel B. Smith. Inspired by series of nightmares after a string of real-life armed robberies in which he was the victim, Martinez Hillard (EBONY TUSKS) began writing and composing material alongside MORRI$ & TOM RICHMAN, both members of BEAR CLUB’s rapidly ascending group of producers, to create what would become the music for MIDAS. Narrative-driven, rhythmically diverse and over all too soon.]

[Ebony Tusks play The Bottleneck, 737 New Hampshire St, Lawrence, KS Saturday March 16, at 7:00 PM with special guests: V.I.S.I.T.O.R., Flock of Pigs, and Drifter.]

5. Helado Negro – “Running”
from: This Is How You Smile / RVNG Intl./ March 8, 2019
[6th album from Roberto Carlos Lange, better known by his stage name Helado Negro, is an American musician. He was formerly signed to Asthmatic Kitty Records from 2009 to 2016. Helado is now currently signed to and released his latest album through RVNG Intl., a Brooklyn-based music institution. Helado grew up in Miami, Florida where he spent his teenage years searching for his identity in the cultural melting pot of south Florida. He immersed himself in the hip-hop and electronic music scenes, where he learned to be an artist by playing out shows to small audiences. Helado released his first full-length album in 2009 titled Awe Owe. In 2010, Helado released an EP titled Pasajero. Helado released his second full-length album in 2011 titled Canta Lechuza. In 2012, Helado released the first of a three part EP, titled Island Universe Story – One. Helado released his third full-length album in 2013 titled Invisible Life. Helado released the second Island Universe Story EP in 2013. In 2014, Helado released his fourth full-length album titled Double Youth. The third EP in Helado’s three-part Island Universe Story series was released in 2014. In 2015, Helado released the single “Young, Latin and Proud” along with an animated-visual and lyric video. Lange describes the song as “It was as if I was singing my 6-year-old self a lullaby… It’s about feeling a sense of pride and self-confidence, understanding that you’re born into something and it’s alright to feel good about it. Stereotypes and contradictions are built into identity and I think those are a strong current in both Latino and black identity in the U.S. today.” In 2016, Helado released his fifth full-length album titled Private Energy.]

6. Our Native Daughters – “Black Myself”
from: Songs of Our Native Daughters / Smithsonian Folkways Recordings / February 22, 2019
[Our native Daughters is: Rhiannon Giddens, Leyla McCalla, Amythyst Kiah & Allison Russell (of Birds of Chicago). This song features all of their voices. Songs of Our Native Daughters’ gathers together kindred musicians in song and sisterhood to communicate with their forebears. Drawing on and reclaiming early minstrelsy and banjo music, these musicians reclaim, recast, and spotlight the often unheard and untold history of their ancestors, whose stories remain vital and alive today. The material on ‘Songs of Our Native Daughters’ — written and sung in various combinations — is inspired by New World slave narratives, discrimination and how it has shaped our American experience, as well as musicians such as Haitian troubadour Althiery Dorval and Mississippi Hill Country string player Sid Hemphill, and more. Rhiannon Giddens is the co-founder of the Grammy Award-winning string band Carolina Chocolate Drops, was awarded a 2017 MacArthur “Genius” Fellowship and won the 2016 Steve Martin Prize for Excellence in Bluegrass and Banjo. She has performed for President Barack Obama, appeared on The Late Show, Austin City Limits, CBS Sunday Morning, and has played a recurring role on the television drama Nashville in the role of Hallie Jordan, a young social worker with “the voice of an angel.” For her project with Our Native Daughters, Giddens brought together three other black female roots artists. “Gathering a group of fellow black female artists who had and have a lot to say, made it both highly collaborative and deeply personal to me,” she explains. “It felt like there were things we had been waiting to say our whole lives in our art; and to be able to say them in the presence of our sisters-in-song was sweet, indeed.” Their debut recording, Songs of Our Native Daughters, is a stunning thirteen-track album. Produced by Rhiannon Giddens and Dirk Powell. Engineered and mixed by Dirk Powell. Recorded at Cypress House Studio, Breaux Bridge, LA. Mastered by Emily Lazar at The Lodge NY. Assisted by Chris Allgood. Annotated by Rhiannon Giddens, Amythyst Kiah, Leyla McCalla, Allison Russell, and Dirk Powell.]

7. Deerhunter – “Death in Midsummer”
from: Why Hasn’t Everything Already Disappeared? / 4AD / January 18, 2019
[8th studio album by the American indie rock band Deerhunter. The album was co-produced by singer-songwriter Cate Le Bon, Ben H. Allen (who had previously worked with the band on Halcyon Digest and Fading Frontier), Ben Etter (who worked as a studio assistant on Fading Frontier) and the band itself. The first single, “Death in Midsummer”, was released on October 30, 2018. The same day, a world tour in support of the album was announced, starting in November 4, 2018. The second single from the album, “Element”, was released on December 6, 2018. The album leaked on December 12, 2018. Deerhunter is an American rock band from Atlanta, Georgia, formed in 2001. The band consists of Bradford Cox (vocals, guitar, keyboards), Moses Archuleta (drums, electronics, sound treatments), Lockett Pundt (guitar, vocals, keyboards), Josh McKay (bass) and Javier Morales (keyboards, synthesizers, alto saxophone). Founded by Cox and Archuleta, Deerhunter’s first stable line-up included guitarist Colin Mee and bass guitarist Justin Bosworth. After recording a split EP with Alphabets, Bosworth died of head injuries, suffered during a skateboarding accident. The band recorded their first studio album, Turn It Up Faggot (2005), with Josh Fauver occupying the vacant role of bass guitarist. Following the album’s release, Cox asked childhood friend, Lockett Pundt, to join.

10:29 – Underwriting

8. FEELS – “Awful Need”
from Post Earth / Wichita Recordings / February 22, 2019
[East Los Angeles and made up of: Laena Geronimo on vocals & guitar, Shannon Lay on vocals & guitar, Amy Allen on vocals & bass, and Michael Perry Rudes on drums. Recorded and Mixed by Tim Green at Louder Studios in Grass Valley, CA except for; lead vocals on “Find A Way” and “Last Chance” recorded by Dante White Aliano at The Cone, “Sour” lead vocals and crowd noise recorded, effected and arranged by Laena Geronimo with additional vocal effects by Dante White-Aliano. Mastered by Howie Weinberg.]

9. Citizen Cope – “Justice”
from Heroin and Helicopters / RainWater Recordings / March 1, 2019
[7th album from Clarence Greenwood (born May 20, 1968), also known by his stage name, Citizen Cope. He, is an American songwriter, producer and performer. His music is commonly described as a mix of blues, soul, folk, and rock. Citizen Cope’s compositions have been recorded by artists as varied as Carlos Santana, Dido, Pharoahe Monch and Richie Havens. He currently records and produces for his own record label, Rainwater Recordings, which he founded in 2010 after deciding not to work with major labels any longer. He had previously been signed to Capitol, Arista, DreamWorks and RCA. On March 1, 2019, he released his first album in six years, Heroin and Helicopters, on his own label, RainWater Recordings. Billboard magazine called Heroin and Helicopters “Personal and poignant.”]

[Citizen Cope plays The Truman, 601 East Truman Road, KCMO, Tonight, March 13, at 8:00 PM.]

10. The Dear Misses – “Kansas City”
from: Kansas City – Single / The Dear Misses / February 25, 2019
[Kansas City based 4-piece band made up of: Todd Anderson on lead vocals & rhythm guitar, Cody Stapleton on lead guitar & backing vocals, Bret Collins on drums, and Shane Berggren on bass. The band is currently in the studio recording songs for their upcoming release. More information at: http://www.reverbnation.com/thedearmisses%5D%5B

11. Kris Kristofferson & Brandi Carlile – “A Case of You (Live)”
from: Joni 75: A Joni Mitchell Birthday Celebration (Live) / Decca / March 8, 2019
[A Joni Mitchell tribute album, celebrating her 75th birthday, features live renditions of the singer’s songs by Brandi Carlile, Norah Jones, Chaka Khan, James Taylor and many others. The record contains a recording of a tribute concert that was held in her honor in Los Angeles last November. The concert was additionally broadcast in movie theaters on February 7th. Percussionist Brian Blade, who made three studio albums and toured with Mitchell, served as the evening’s co-musical director alongside producer and arranger Jon Cowherd. The evening was presented by the Music Center, a non-profit organization that tries to bring artists and communities together with an eye toward enriching the lives of people living in Los Angeles County. “By honoring Joni Mitchell, an amazing iconic artist, the Music Center had an incredible opportunity to bring her music to Los Angeles audiences,” the organization’s president and CEO, Rachel Moore, said in a statement. “Now that experience can be enjoyed by many more Joni Mitchell fans with an album that allows other music legends to shine a light on her artistry.” Rolling Stone reviewed the concert and called it a “moving tribute show.” “The unifying effect of Mitchell’s music rang out with a closing group singalong to ‘Big Yellow Taxi,’ one of the more ebullient standouts from her oeuvre,” the review reads. “The billed artists stood side by side … and belted the number, a bright rumination on the harrowing effects that man has on society. They each delivered solos, then bowed in unison, as a portrait of Mitchell loomed in the background, a fitting homage to an icon whose presence is still felt, even in her absence.”Mitchell herself, who has been battling health issues, did not take the stage at the event. Joni 75: A Birthday Celebration track list: 1. “Dreamland” – Los Lobos with La Marisoul, Xochi Flores and Cesar Castro / 2. “Help Me” – Chaka Khan / 3. “Amelia” – Diana Krall / 4. “All I Want” – Rufus Wainwright / 5. “Coyote” – Glen Hansard / 6. “River” – James Taylor / 7. “Both Sides Now” – Seal / 8. “Our House” – Graham Nash / 9. “A Case of You” – Kris Kristofferson and Brandi Carlile / 10. “Down to You” – Brandi Carlile / 11. “Blue” – Rufus Wainwright / 12. “Court And Spark” – Norah Jones / 13. “Nothing Can Be Done” – Los Lobos with La Marisoul, Xochi Flores and Cesar Castro / 14. “The Magdalene Laundries” – Emmylou Harris / 15. “Woodstock” – James Taylor / 16. “Big Yellow Taxi” – La Marisoul, James Taylor, Chaka Khan and Brandi Carlile.]

12. Violet and The Undercurrents – “Inconvenient Friend”
from: The Captain / Violet Vonder Haar Music / March 1, 2019
[The band’s new 10-song album called The Captain, was inspired by lead singer and songwriter Violet Vonder Haar’s father, a riverboat captain who introduced her to the music of folk legends and encouraged her journey as an artist. This Columbia, Missouri based 4-piece band is made up of Violet Vonder Haar on lead vocals & guitar; Linda Bott on bass guitar; Phylshawn Johnson on drums, and Lizzy Weiland on lead guitar. The quartet is anchored by the intrepid songwriting of Violet Vonder Haar and enriched by the creative energy of her musical counterparts. Raised in a small town at the edge of the Missouri River and nurtured by a thriving folk music-centered community, Vonder Haar started honing her craft as a songwriter, performer and vocalist at an early age. She More information at: http://www.violetandtheundercurrents.com]

[Violet and the Undercurrents are playing an album release at Midcoast Takeover Thursday, March 14 at 4:30 PM at the Shangri La, 016 E 6th St, Austin, Texas.]

13. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

[Carswell & Hope play Replay Lounge, 946 Massachusetts Street, Lawrence, KS, Sunday, March 17, St. Patrick’s Day, 3:40 PM in a day long line up that include Nicolas St. James, The Brody Buster Band, Whiskey For The Lady, Signal Ridge, Midnight Kick, Rolling Foliage and Tyler Gregory.]

[Carswell & Hope play Frank’s North Star Tavern, 508 Locust St, Lawrence, KS, Sunday, March 17, St. Patrick’s Day, 7:00 to 10:00 PM]

11:00 – Station ID

14. Radkey – “P.A.W.”
from: No Strange Cats…P.A.W. / The Century Family / February 22, 2019
[This new 7 song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018 to talk about their performance at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band went back on the road playing shows with The Damned throughout the United States. In December they went back into the studio to record songs for this release with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. Last year the band released “Basement” , “St. Elwood” “Rock & Roll Homeschool” as well as several other singles.]

15. The Sluts – “It’s Ok to Fake It”
from: Break Their Heart / The Sluts / February 12, 2019
[New 6 song EP from the Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011. Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios, KCMO]

[The Sluts play recordBar, 1520 Grand Boulevard, KCMO, on Friday, April 5, 2019 at 9:30 PM with Brandon Phillips and The Condition and Dead Voices.]

16. Deco Auto – “Goals”
from: Goals – Single / Deco Auto / February 21, 2017
[Most recent new music from Kansas City based alternative pop-punk / power-pop trio. Guitar/vocals: Steven Garcia on guitar and lead vocals, Tracy Flowers on bass & vocals, and Pat Tomek on drums . Written by Steven Garcia, $tudent Loans For Life Music (ASCAP). Recorded, mixed and mastered by Pat Tomek at Largely Studios, Kansas City, MO. The band is currently working on a new album to be released this year.]

[Deco Auto plays St. Patrick’s Eve, Saturday, March 16, at 10:00 PM at The Brick, 1727 McGee St, KCMO with Scruffy and the Janitors.]

17. Y La Bamba – “Mujeres (Album Version)”
from: Mujeres / Tender Loving Empire / February 8, 2019
[Mujeres is “Woman Island” in the Gulf of Mexico. Y La Bamba has been many things, but at the heart of it is singer-songwriter Luz Elena Mendoza’s inquisitive sense of self. Their fifth record, Mujeres, carries on the Portland-based band’s affinity for spiritual contemplation, but goes a step further in telling a story with a full emotional spectrum. Coming off Ojos Del Sol, one of NPR’s Top 50 Albums of 2016, Mujeres exhibits the scope of Mendoza’s artistic voice like never before. “Soy como soy,” Mendoza says, and that declaration is the bold— even political— statement that positions Mujeres to be Y La Bamba’s most unbridled offering yet.]

18. Pedro The Lion – “Circle K”
from: Phoenix / Polyvinyl Recording Company / January 18, 2019
[Pedro the Lion is an indie rock band from Seattle, Washington. David Bazan formed the band in 1995 and represented its main creative force, backed by a varying rotation of collaborating musicians. In 2006 Pedro the Lion was dissolved as Bazan went solo; Bazan reformed the band and resumed performing under the Pedro the Lion moniker in late 2017. Releasing five full-length albums and five EPs over 11 years, the band is known for its first person narrative lyrics with political and religious themes. Pedro the Lion was formed by David Bazan in 1995. In 1997 they released their debut EP Whole with Bazan playing nearly every instrument, a format he continued on the band’s first two full-length albums, It’s Hard to Find a Friend (1998), and Winners Never Quit (2000).]

[Pedro The Lion plays recordBar, 1520 Grand, KCMO, on Wednesday, May 1, at 9:00 PM with John Vanderslice.]

19. Sugo Day – “Charm (radio edit)”
from: Charm – Single / Sugo Day / February 14, 2019
[Sugo Day is the solo side project of Nicholas Turner who we first met when he played in the Kansas City band Riala. Nicholas moved away from his hometown and is now based in Minneapolis and has released several singles. On March 6, 2018 Sugo released a 7-song EP called “Lush.” Nicholas told us that “Charm” is “a celebration of self in a sense—I find there is a lot of self defeating music that is really popular right now so i wanted to captured me playing shows on the west coast as a solo artist which is what the chorus is about a motivational tune with a subversive sense of vulnerability in the middle verse.”]

20. Lomelda – “M for Mush”
from: M for Empathy / Double Double Whammy / March 1, 2019
[Lomelda is the stage name of musician Hannah Read. According to Read, Lomelda is a made up word that means “echo of the stars”. Hannah Read was raised in Silsbee, Texas. She began her music career playing in bands with her brother as well as her high school friends. Read’s first full-length album, Forever, was released in 2015. In 2017, Read released her second full-length album, Thx, with the independent record label Double Double Whammy. The album was co-produced with the assistance of Read’s brother, Tommy. It was primarily written over a few months while Read was sleeping in her car.]

21. Solange – “Dreams”
from: When I Get Home / Columbia Records / March 1, 2019
[4th studio album from singer and songwriter Solange, and follow up to her breakthrough record, A Seat at the Table released on September 30, 2016,. Following the release of her second studio album Sol-Angel and the Hadley St. Dreams (2008), Knowles began work on her third studio album, during which she suffered a “breakdown” due to the amount of time and emotion she was putting into the recording process. While recording the album Knowles released an EP entitled True (2012) and launched her own record label named Saint Records. A Seat at the Table became Solange’s first number-one album on the Billboard 200 in the United States.]

11:31 – Underwriting

13. Shay Estes & Trio All – “Little Drop Of Poison”
from: Despite Your Destination / Independent / December 3, 2009
[Shay Estes with Trio All an acronym for: Zack Albetta on drums, Mark Lowrey on piano, and Ben Leifer on Bass. The debut album–a collection of songs drawn from a wide range of eras and composers, all given fresh, unique arrangements. Before turning to jazz, vocalist Shay Estes performed with a rock band, a Western-surf band, and a burlesque troupe. In recent years, Estes has collaborated with Brad Cox’s People’s Liberation Big Band and Mark Southerland’s “Urban Noise Camp.” “Despite Your Destination” includes standards by Irving Berlin, and George and Ira Gershwin, as well as reworked versions of contemporary songs, like Tom Waits’ “Little Drop of Poison.”]

14. Hot Club of Cowtown – “This Wheel’s on Fire”
from: Crossing the Great Divide / Hot Club Productions / January 11, 2019
[16th release from The Hot Club of Cowtown, an American hot jazz and Western swing trio that formed in 1997. The band’s name comes from two sources: “Hot Club” from the hot jazz guitarist Django Reinhardt and violinist Stephane Grappelli’s Quintette du Hot Club de France, and “Cowtown” from the western influence of Bob Wills and His Texas Playboys and the band’s love of fiddle tunes, hoedowns, and songs of the American west. The band was formed Whit Smith from Cape Cod, Massachusetts and Elana James from Prairie Village, Kansas. The two met through an ad in the classified music section of The Village Voice in 1994. They played together in New York City before moving to San Diego in 1997, where they spent a year playing for tips and building up their repertoire. In 1998 they moved to Austin, Texas and two years later added Jake Erwin from Tulsa, Oklahoma on bass. The band split briefly in 2005, though they reunited for occasional shows in 2005–07, including the Fuji Rock Festival and a tour of Australia as Elana James & The Hot Club of Cowtown, in 2007. Whit Smith performed as Whit Smith’s Hot Jazz Caravan, based in Austin, Texas. Elana toured with Bob Dylan in 2005. Changing her last name to James, Elana began performing with her own trio in late 2005. Smith and James resumed playing together full-time in 2006. By early 2008 the Hot Club of Cowtown had officially re-formed. “Crossing The Great Divide” is a tribute to The Band. “This Wheel’s on Fire” is a song written by Bob Dylan and Rick Danko. It was originally recorded by Dylan and the Band during their 1967 sessions, portions of which (including this song) comprised the 1975 album, The Basement Tapes. The Band’s own version appeared on their 1968 album, Music from Big Pink. Live versions by the Band appear on their 1972 live double album Rock of Ages, as well as the more complete four-CD-DVD version of that concert, Live at the Academy of Music 1971, and the 2002 Box Set of The Last Waltz (the song did not make it into the movie or the original soundtrack album). In 1968, a version by Julie Driscoll with Brian Auger and the Trinity became a hit in the United Kingdom, peaking at number 5 on the UK Singles Chart (see 1968 in music) and also reaching number 106 on the U.S. Bubbling Under Hot 100 Singles chart. With its use of distortion, phasing, the evocative imagery of the song’s title and the group’s flamboyant dress, this version is closely associated with the psychedelic era in British music. The arrangement featured prominent use of both Hammond organ and mellotron. Driscoll recorded the song again in the early 1990s with Adrian Edmondson as the theme to the BBC comedy series Absolutely Fabulous, whose main characters are throwbacks to that era. Australian singer Kylie Minogue released a cover of the track as the official theme song for 2016’s Absolutely Fabulous: The Movie. The Byrds released a recording of “This Wheel’s on Fire” on their 1969 album, Dr. Byrds & Mr. Hyde, and live versions of the song are also included on the Byrds’ Live at the Fillmore – February 1969 album and the expanded CD reissue of their (Untitled) album. In 1987, the song was covered by the British rock band Siouxsie and the Banshees for their all-covers album, Through the Looking Glass. Released as the first single from that album, Siouxsie and the Banshees’ version climbed to number 14 on the UK singles chart. The band did not know the song had been composed by Dylan before recording it: they covered it because they liked Driscoll’s version. Australian pop, rock group, Flake, had a top 20 hit on the Go-Set National Top 60 with their rendition in July 1970, which remained in the charts for 22 weeks. Other artists who have released their own versions of the song include: Hamilton Camp, Phil Lesh, Golden Earring, Elvis Costello, the Hollies, Ian and Sylvia, Les Fradkin, Leslie West, Serena Ryder, Charlie Winston, June Tabor, Guster and Rat Scabies.]

Black Stacey

24. Black Stacey – “Lose The Peace”
from: Lose The Peace – Single (unmastered) / Sharaden Staten / To Be Released This Spring
[Black Stacey is Sharaden Staten, a Missouri native, who release his album “Electric Church” in 2017. Part of WMM’s The 117 Best Recordings of 2017. Sharaden, a 27-year-old, having grown up in the back woods of central Missouri, and couch surfed his way into the KC metro, pairs subtle notes of R&B, funk, soul, and rock; dramatically blending it into a raw eclectic mix. In 2015 Sharaden began writing, recording and producing Black Stacey’s debut, “Electric Chariot”. A project that has given him a solid foundation in the KC music scene, gaining him spots on local radio and the opportunity to work with producer Joel Nanos (Madisen Ward and The Mama Bear, Radkey, Sly/Robbie & the Taxi Gang). More info at http://www.blackstacey.com.]

[Black Stacey plays SoundMachine KC, on Tuesday, March 19, at 9:00 PM at miniBar, 810 Broadway Rd, KCMO, with Stuyedeyed, and Stone Grower.]

25. Rachel Mallin – “Noise of The Night”
from: The Persistence of Vision EP / Independence / September 12, 2014
[Rachel Mallin is from Kansas City, MO. At the age of 19 she released her self produced 4-song, EP The Persistence of Vision. The songs were written and created by Rachel in her mother’s basement during the summer of 2014, and recorded, mixed, and produced by Rachel Mallin in September. “Listener’s are immersed into Rachel’s writing and production as each song musically transcends the discord of human emotion into a harmonious wave of expression.” Co-mixed by Michael Kessler. Mastered by William Reeves at Centro Cellar Studio. In less than a year following her four-track EP’s release, her songs “Razorback” and “Noise of the Night” were broadcast on radio stations in Kansas City and nationally. In 2015 Rachel formed a band called The Wild Type. Rachel Mallin & The Wild Type also revealed a new song: “Something Wicked” on the on the new compilation series How To Keep Dreaming from The Record Machine released September 10, 2015. http://www.HowToKeepDreaming.com. On July 30, 2016 Rachel Mallin & The Wild Type – released their debut EP as a band, Degenerate Matters with: Rachel Mallin on lead vocals & guitar, Justin Walker on bass, Austin Edmisten on drums & back-up vocals, Jesse Bartmess on synthesizers & keyboards, Matt Kosinski on lead guitar. Degenerate Matters was recorded, produced, and mastered by Joel Nanos at Element Recording Studios. Musical Arrangements written and performed by Rachel Mallin, Justin Walker, Austin Edmisten, Jesse Bartmess, & Matt Kosinski. Lyrics by Rachel Mallin.]

[Rachel Mallin and the Wild Type play 100 Days A Tribute to the life of Mills Record Company and Judy Mills beloved shop dog Loretta Lynn, on the 100th day after her passing, Tonight, Wednesday, March 13 at 6:00 PM at Mills Record Company, 4045 Broadway Blvd KCMO with Dylan Pyles, and Westside Royal. This will also be a fundraiser for the shelter where Loretta was rescued (SEK Humane Society). More info at http://www.millsrecordcompany.com ]

26. Varma Cross – “Stairjumper”
from: Varma Cross / Varma Cross / February 18, 2019
[Debut album from Varma Cross with: Sam Boatright, Bryce Boley, Bradley McKellip , and Kelsey Richardson. Recorded and mixed by Duane Trower at Weights and Measures. Mastered by Carl Saff.]

[Varma Cross play Replay Lounge 946 Massachusetts St, Lawrence, KS, Saturday, March 16, i a Matinee from 6:00 to 9:00 PM with F I N K E L [LA], and Wonderfuzz.]

27. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on March 20 Patrick Alonzo Conway joins us to share details about the upcoming Kansas City Gamelan Genta Gasturi concert. Plus, musician Mike Alexander joins us to share new music from Hip Shot Killer.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #777

WMM Playlist from Dec. 26, 2018

Wednesday MidDay Medley
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Wednesday, December 26, 2018

The 118 Best Recordings of 2018
(Part 4 of 4)

Wednesday MidDay Medley presents part-four, of our four-week special: The 118 Best Recordings of 2018. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, please accept our list as a celebration of the year in music.

In 2018 we’ve played nearly 1000 different songs on the show, and we’ve played from over 400 New Releases. More than 250 of these were New MidCoastal Releases. We also conducted over 117 interviews with over 150 different guests. 75 of the representative recordings in our “Best of” list were MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us as guests on Wednesday MidDay Medley on 90.1 FM. It’s all good!

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. (#29) Parquet Courts – “Almost Had to Start a Fight / In and Out of Patience
from: Wide Awake / Rough Trade / May 18, 2018
[6th studio album from Parquet Courts, of Denton, Texas, currently residing in New York City, New York. The band consists of Andrew Savage on vocals & guitar, Austin Brown on vocals & guitar, Sean Yeaton on bass, and Max Savage on drums. The band released their debut album, American Specialties, as a limited cassette release, in 2011. The band’s second studio album, Light Up Gold (2012), was initially released on Savage’s Dull Tools label and later reissued on What’s Your Rupture? in 2013. Light Up Gold received widespread critical acclaim in both the DIY underground and mainstream rock press. In 2014, the band reached #55 on the Billboard albums chart with its third studio album, Sunbathing Animal. Later in 2014, the band released “Uncast Shadow of a Southern Myth” as a single under an alternative name, Parkay Quarts. Soon after they released their fourth studio album, Content Nausea, on which Sean and Max were absent, due to other commitments.The following year, the band released a mostly instrumental, experimental EP, entitled Monastic Living. On February 4, 2016, the band announced their fifth studio album, entitled Human Performance. The album was released on April 8 through Rough Trade. On October 13, 2017, the band’s co-frontman A. Savage released his first solo album, Thawing Dawn, through Dull Tools.]

3. (#28) Dirty Projectors – “Break-Thru”
from: Lamp Lit Prose / Domino Recording Co / July 13, 2018
[8th studio album from Brooklyn based band, formed in 2002. The band currently consists of primary recording artist and core member David Longstreth (vocals, guitar), alongside longtime bass guitarist Nat Baldwin, Mike Daniel Johnson (drums), Maia Friedman (guitar, keyboards, backing vocals), Felicia Douglass (percussion, keyboards, backing vocals) and Kristin Slipp (keyboards, backing vocals). Since its formation the band has released eight full-length studio albums, and has had numerous lineup changes, with major contributions from guitarist and vocalist Amber Coffman from 2006 to 2013. “If 2017’s Dirty Projectors was the band’s dark night of the soul, Lamp Lit Prose marks a vibrant rebirth. Bright, colorful, and bursting with hope, the music here splits the difference between pop instinct and avant-garde ambition, live-band rigor and super-synthetic production—think Talking Heads for the 2000s. And where lead Projector Dave Longstreth’s songs have, in the past, tended toward high concepts, here he dwells on the rush of simple things: optimism (“Right Now”), romance (“Break-Thru”), and pure, unfiltered excitement (“I Feel Energy”). It features assists from Rostam, Amber Mark, Fleet Foxes’ Robin Pecknold, and HAIM.”]

4. (#27) Blood Orange – “Orlando”
from: Negro Swan / Domino Recording Co / August 24, 2018
[Devonté Hynes aka David Joseph Michael Hynes,was born December 23, 1985, better known as Blood Orange and formerly Lightspeed Champion, is a British singer, songwriter, composer, producer, dancer and director. From 2004 to 2006, Hynes was a member of the band Test Icicles, playing guitar, synth, and occasionally performing vocals. They released one full-length album in 2005. Hynes went on to release two solo studio albums as Lightspeed Champion and subsequently four more as Blood Orange, between 2008 and 2018. He has written, played or produced for artists such as Tinashe, Solange Knowles, Sky Ferreira, FKA twigs, Haim, Florence and the Machine, Carly Rae Jepsen, Diana Vickers, The Chemical Brothers, Kylie Minogue, A$AP Rocky and Blondie. Hynes was voted the 49th ‘coolest person in rock’ in NME’s 2007 Cool List, jumping to position 20 in the following year’s list.]

5. (#26) Amen Dunes – “Blue Rose”
from: Freedom / Sacred Bones Records / March 30, 2018
[The fifth studio album from Amen Dunes the musical project formed by American singer-songwriter and musician Damon McMahon in 2006 in New York. In addition to his regular collaborators Parker Kindred and Jordi Wheeler, Freedom features Delicate Steve and underground Roman musician Panoram. Chris Coady  (Beach House) produced. The record was recorded at Electric Lady Studios in NYC and Sunset Sound in LA.]

6. (#25) Superchunk – “Erasure (feat. Waxahatchee & Stephin Merritt)”
from: What a Time to Be Alive / Merge / Expected: February 16, 2018
[11th album release from band formed in 1989 in Chapel Hill, North Carolina, Superchunk is Mac McCaughan (guitar, vocals), Jim Wilbur (guitar, backing vocals), Jon Wurster (drums, backing vocals), and Laura Ballance (bass, backing vocals). Since releasing their first 7-inch in 1989, Superchunk has run the gamut of milestone albums: early punk rock stompers, polished mid-career masterpieces, and lush, adventurous curveballs. Recorded by Beau Sorenson at Manifold Recording, Pittsboro, NC., except “Break the Glass” and “I Got Cut” at Overdub Lane. Mastered by Matthew Barnhart at Chicago Mastering .]

7. (#24) Slights – “Higher Than Stoned”
from: Flow State / Slights / November 30, 2018
[Slights is a collaboration band between Ben Parks & Matthew Dunehoo. In late January, 2017 they recorded an album at Ghost Cat Studios in San Francisco w/ Ryan Kleeman and their friend Andrew Skikne on bass. Ben Parks is also visual artist & painter as well as part of the band, Of Tree. Matthew Dunehoo is also a filmmaker & actor, and has been a member of the bands: Loose Park, Baby Teardrops, Doris Henson. On Nov, 7, we interviewed Ben Parks & Matthew Dunehoo who joined us to talk about the debut release of their new band Slights. The new 11-song album was created over the past year. Matt is the founder of Elk’s Pride Pictures, based in KCMO More information at http://www.slightsband.com]

8. (#23) Broken Arrows – “Not Coming Back”
from: Street Flowers / Intelligent Design Records / August 3, 2018
[Guest Howard Iceberg sings lead and backing vocals on “Recognize My Heart.” Drums & percussion tracks recorded at Roll Away The Stone Studio. Album notes from Barry Lee: Broken Arrows started recording Street Flowers during the last months of 2017 and into the first of the year 2018. The band had road tested about half the songs in concert during the year, so they had a good starting point. Broken Arrows have four songwriters in the band, and they all wrote material for the record. Sessions for the basic tracks were done at Dave Storms’ studio, The Storms Cellar and the vocals and guitar tracks were finished at Cricket Palace, Mike Penner’s studio. Mike Mixed & Mastered and produced the album. About a third of the way through the sessions band member Barry Lee’s wife Caroline took a turn for the worse and his involvement lessened as he stayed with her to take care of her in her final days. The band recorded a couple of tracks, “Not Coming Back” and “Put Me Down” without Barry but refused to do any more recording until he was able to return. The first song Barry did after Carolyn died was “Recognize My Heart.” Barry was still in shock and you can hear it in his voice on that song. The album has gotten airplay on 102.7, Little Steven’s Underground Garage on Sirius XM and extensively on 90.1 FM KKFI. It was also favorably reviewed in Tuning Fork and in a national publication, Blurt. Early next year Broken Arrows will have a single release on Big Stir Records in L.A.. The photos on the album cover were taken by Barry Lee in and around Lawrence, Kansas. For some reason, there are lots of street flowers there. Broken Arrows are: Barry Lee on vocals, acoustic & electric guitars; Mike Penner on lead guitar & vocals; Bill Ryan on lead guitar & vocals, John Chevalier on bass, acoustic guitar & vocals; and Dave Storms on drums, percussion & vocals.]

10:29 – Underwriting

9. (#22) Cowboy Junkies – “The Things We Do To Each Other”
from: All That Reckoning / Latent Records / July 13, 2018
[The Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985. The group was formed in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timmins are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was initially a member of the band but left the group before the recording of their first album. The band line-up has never changed since, although they use several guest musicians on many of their albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first. The Junkies’ 1986 debut album, produced by Canadian producer Peter Moore, was the blues-inspired Whites Off Earth Now!!, recorded in the family garage using a single ambisonic microphone. The Junkies gained worldwide fame and recognition with their second album, The Trinity Session, recorded in 1987 at Toronto’s Church of the Holy Trinity. Their sound, again using the ambisonic microphone, and their mix of blues, country, folk, rock and jazz earned them both critical attention and a strong fan base. The Los Angeles Times named the recording as one of the ten best albums of 1988. The Cowboy Junkies have gone on to record a total of sixteen studio albums and five live albums, and remain an active band for over thirty years.]

10. (#21) Marcus Lewis Big Band – “Post Racial (feat. Kadesh Flow)”
from: Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

11. (#20) Meshell Ndegeocello – “Tender Love”
from: Ventriloquism / Naive / March 16, 2018
[Singer-songwriter, rapper, bassist, and vocalist. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, and has had ten career Grammy Award nominations. She has been credited for having “sparked the neo-soul movement.”Ventriloquism is the 12th studio album from Meshell Ndegeocello. The album covers eleven R&B and pop tracks originally recorded in the 1980s and 1990s. A portion of the profits of the album will go to the ACLU. This album follows “Comet, Come to Me”, her 11th studio album. “Tender Love” is a song by Force MDs from their second album Chillin’ (1985). Written and produced by Jimmy Jam and Terry Lewis, the tune appeared in the film Krush Groove (1985), and was featured on the film’s soundtrack. Although primarily known as a pre-new jack swing/old school hip hop band, the Force MDs introduced themselves to a whole new audience with this song. Not only did the song reach number 4 on the R&B charts (where the group had already amassed a steady string of minor hits), but it also became a crossover hit, cracking the top ten on the Billboard Hot 100 in the spring of 1986, becoming the group’s only single to date to break the Pop top 40. On the Adult Contemporary chart, the song peaked at number 2. The song was also a hit in the United Kingdom, reaching number 23 in the UK Singles Chart. The tune was a major contributing factor to Jam & Lewis’ winning a Grammy Award for Producer of the Year in 1986.]

12. (#19) U.S. Girls – “Velvet 4 Sale”
from: In a Poem Unlimited / 4AD / February 16, 2018
[6th studio album from U.S. Girls, the recording moniker of American-Canadian musician Meghan Remy. Formed in the United States in 2007 as a noise-pop project, Remy later moved the band to Toronto after marrying Canadian musician Max “Slim Twig” Turnbull. She released music on a variety of independent labels in both the United States and Canada before signing to 4AD in 2015. Her first record for that label, Half Free, was released the same year. Half Free garnered a Juno Award nomination for Alternative Album of the Year at the Juno Awards of 2016, and was a shortlisted finalist for the 2016 Polaris Music Prize. In a Poem Unlimited is her follow up and second release on 4AD.] [First play February 28, 2018]

13. (#18) Cat Power – “You Get”
from: Wanderer / Domino Recording Co / October 5, 2018
[10th studio album by Cat Power The album was produced entirely by Marshall herself and was written and recorded in Miami and Los Angeles over the past few years, she stated: “The course my life has taken in this journey—going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. Folk singers, blues singers, and everything in between. They were all wanderers, and I am lucky to be among them.” The album includes a collaboration with Lana Del Rey, whom Marshall opened for on the European leg of her LA to the Moon Tour. It is her first album to not be released on Matador since 1996. In support of the release, Marshall has embarked a world tour, that began in September. Charlyn Marie “Chan” Marshall was born January 21, 1972, She is better known by her stage name Cat Power. She is a singer-songwriter, musician, occasional actress, and model. Cat Power was originally the name of Marshall’s first band, but has become her stage name as a solo artist. Born in Atlanta, Marshall was raised throughout the southern United States, and began performing in local bands in Atlanta in the early 1990s. She was discovered opening for Liz Phair in 1994 by Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, with whom she recorded her first two albums, Dear Sir (1995) and Myra Lee (1996), on the same day in 1994. In 1996 she signed with Matador Records, and released a third album of new material with Shelley and Foljahn, What Would the Community Think. Following this she released the critically acclaimed Moon Pix (1998), recorded with members of Dirty Three, and The Covers Record (2000), a collection of sparsely-arranged cover songs. After a brief hiatus she released You Are Free (2003), featuring guest musicians Dave Grohl and Eddie Vedder, followed by the soul-influenced The Greatest (2006), recorded with numerous Memphis studio musicians. A second album of cover tracks, Jukebox, was released in 2008. In 2012 she released the self-produced Sun, which debuted at number 10 on the Billboard 200, the highest charting album of her career to date. Critics have noted the constant evolution of Cat Power’s sound, with a “mix of punk, folk and blues” on her earliest albums, and elements of soul and other genres more prevalent in her later material.]

14. (#17) Other Americans – “Curtis Mayfield”
from: Other Americans EP / AWAL Records / June 29, 2018
[Debut self-titled EP from Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Zachary Phillips on bass. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, Radar State and Brandon Phillips and The Condition, Other Americans is a virtual Midwestern supergroup of sorts. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.” With first date jitters behind them, the duo enlisted drummer Adam Phillips, bassist Zachary Phillips and late keyboardist Ehren Starks, who passed away suddenly in March 2018, and began writing the material that would become the EP. The band premiered the late night public access by-way-of 120 Minutes-inspired video for lead single, “Murdering Crows,” directed by artist Adrian Halperin, via The Spill Magazine in May 2018, exposing the band’s brand of kickass dance rock to a broad and international audience. Superlatively catchy and conjuring up well-intentioned comparisons to Yeah Yeah Yeahs, Fiery Furnaces, and even a jauntier and more aggressive Passion Pit, the new EP captures the excitement and spontaneity that punctuates coastal indie rock while embracing elements of the electronic dance rock that populates midnight warehouse parties. “All the basic tracking [for the EP] was done at Element Recording and was mastered by Nanos,” he recalls. “Then I took it to my spot and worked and reworked it all for a year until it sounded like something none of us had heard before.” Prior to the EP’s release the band makes their hard fought and won live debut on June 11, 2018, at Kansas City’s Riot Room, an already sold-out performance supporting singer songwriter Meg Myers. The band will also release their video for “Make Me Afraid,” directed by Todd Norris and Mitch Brian, in coming weeks. Illuminated with the knowledge that the journey is as important as the destination, Phillips admits to looking forward to the period of dues paying that their debut brings. “I’m looking forward to all the firsts;. first show. first record. first tour. Magical thinking could have me pining for a post-Grammys Maserati coke party by the sea, but if I’m all wrapped up in making that fantasy come true, I’ll miss the fun of being present for the firsts and the fifths and the tenths.” From there the plan becomes a bit more complicated, “ The ‘Plan” as I see it is to con some major label artist into taking us out as support, steal their identities on laundry day, have reconstructive surgery, then only tour in countries without U.S. extradition treaties,” Brandon jokes.]

11:00 – Station ID

15. (#16) The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / August 10, 2018
[Full Length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass, folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ] [First Played February 7, 2018]

[The War and Treaty played an Official Showcase at Folk Alliance International Conference]

16. (#15) Howard Iceberg & The Titanics – “With Or Without You”
from: Netherlands / Howard Iceberg & The Titanics / March 29, 2018
[Howard Iceberg on lead vocals & harmony vocals; Rich Hill on piano, organ & harmony vocals; Bryan Hicks on electric bass & harmony vocals; and Doug Auwarter on drums. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg & Pat Tomek. Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Haoward iceberg. Heis one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.”]

17. (#14) Under the Big Oak Tree – “Dear Brother”
from: The Ark / DashGo / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).

18. (#13) SSION – “Comeback”
from: O / Dero Arcade / May 11, 2018
[“Comeback” was the first single from SSION’s LP, O. SSION (pronounced “shun”) is a multifaceted creative project spearheaded by Cody Critcheloe. An art-punk act fronted by flamboyant vocalist/artist Cody Critcheloe, Ssion recorded a series of underground releases during the 2000s, yet were perhaps best recognized for their extravagant live show. Ssion (pronounced “shun”) were founded in Kansas City, MO, by Critcheloe, who studied at the Kansas City Art Institute, and draw from a range of influences, including the punk spectacle of Iggy Pop and the dance-party new wave of the B-52’s as well as performance art and gay culture. Critcheloe’s artwork graces the cover of Yeah Yeah Yeahs’ Fever to Tell (2003) and the video for Liars’ “There’s Always Room on the Broom” (2004). Besides Critcheloe, Ssion’s membership includes, among others, backup vocalists Taylor Painter-Wolfe and Shannon Michaels, who respectively create costumes and stage props for the act’s live shows. Critcheloe made his recording debut as Ssion in 1999 with Fucked into Oblivion, a self-released cassette/CD-R. I Don’t Want New Wave & I Don’t Want the Truth, another self-released CD-R, followed in 2001. In 2003 Ssion made their label debut, releasing the Minor Treat EP and the Opportunity Bless My Soul album on Version City Records. Next, following a self-released album, Glory Hound (2005), and EP, Street Jizz (2006), Ssion signed to Sleazetone Records. In 2008 the label released the Fools Gold album and the accompanying Clown remix EP. ~ Jason Birchmeier]

19. (#12) Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

20. (#11) Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / May 25, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

21. (#10) Monta At Odds – “Chromosphere”
from: Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from the psychedelic, experimental indie/space rock/electronic collective based in KCK formed by brothers Dedric and Delaney Moore. The band describes their music as: Mutant Disco, minimal synthwave, post-punk dance, Electronica, Indie, Space Rock, Ambient. Current members include: Dedric Moore, Delaney Moore, Alexander Thomas, Adam Davies, Zach Bozich, Aaron Osborne, Matthew Hayden. For this new EP the band collaborated with Taryn Blake Miller who records as Your Friend. Past supporting members of Monta At Odds include: Mika Tanaya, Sterling Holman, Bree Plaster; Eric Bessenbacher, Ryan Shank, Jeremiah James, Samer Saba, Doug Hutchinson, Erin O’Neill, Sam Behrens, Luke Behrens, Sam Hughes, Tom Romero, Caleb Aldrich, John Aldrich.]

22. (#9) CS Luxem – “Let Me Go On”
from: Symptoms / Whatever Forever / February 17, 2018
[Debut full-length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. Info at http://www.csluxe

11:27 – Underwriting

23. (#8) Shy Boys – “Something Sweet”
from: Bell House / Polyvinyl Record Co. / August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

24. (#7) Janelle Monáe — “Make Me Feel”
from: Dirty Computer / Wondaland Arts Sociaety – Bad Boy – Epic / April 27, 2018
[Nominated for a Grammy Award for Album of The Year, and Best Music Video for “Pynk.” Janelle Monáe moved from Kansas City, Kansas to New York to study theatre at the American Musical and Dramatic Academy. Her original plan was to pursue a career on Broadway, but she soon changed her mind and returned to music. After moving to Atlanta, GA, where she met OutKast’s Big Boi, Monáe founded the Wondaland Arts Society with like-minded young artists and made appearances on Outcast’s Idlewild, where Janelle is featured on the songs “Call The Law” and “In Your Dreams”. In 2007, Monáe released her first solo work, titled Metropolis. A few months later she was signed to Sean “Diddy” Combs’ label, Bad Boy Records. Dirty Computer is the third studio album by Janelle Monáe. In October 2016, Monáe made her big screen acting debut in the critically acclaimed film Moonlight. Monáe also starred in the film Hidden Figures. While filming her two movie roles, Monáe remained active in music with features on Grimes’ “Venus Fly” from her Art Angels album and also the soundtrack for the Netflix series The Get Down with a song titled, “Hum Along and Dance (Gotta Get Down)”. She was also on the tracks “Isn’t This the World” and “Jalapeño” for the Hidden Figures soundtrack. In an interview with People, Monáe revealed that she was already working on her third studio album when she received the scripts for her two first acting roles; therefore, she put the album on hold. It was confirmed by Monae after “Make Me Feel” was released that Prince, with whom she collaborated on her preceding album, The Electric Lady, had worked on the single, as well as the entire album, before he passed away. This was confirmed after listeners noticed similarities between the single’s sound and the late musician’s work. Monae stated in an interview with BBC Radio 1: “Prince was actually working on the album with me before he passed on to another frequency, and helped me come up with some sounds. And I really miss him, you know, it’s hard for me to talk about him. But I do miss him, and his spirit will never leave me.”

[Janelle Monáe played Starlight Theatre, Saturday, October 13 as part of Open Spaces KC, with The Marcus Lewis Big Band with Kemet The Phantom and Kadesh Flow.]

25. (#6) Emmaline Twist – “Starcrossed”
from: Dissimulation / Black Site / August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

26. (#5) Amy Farrand & The Like – “Scared to Death of Dying (Radio Edit)”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded with Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”]

27. (#4) Madisen Ward and the Mama Bear – “Walk in The Park”
from: Radio Winners – EP / Glassnote Records / July 27. 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear play The Truman, 601 E. Truman Rd, KCMO, Saturday, January 26, at 7:30, with support from Me Like Bees.]

28. (#3) Mikal Shapiro – “Little Black Ant”
from: The Musical II / Mikal Shapiro / May 26, 2018
[“Everybody’s Baby” is her pop song she wrote, but all the songs on The Musical 11 are great. The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

29. (#2) Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst play The Gospel Lounge at Knuckleheads, Thursday, Dec 27, at 8:00 PM]

30. (#1) Calvin Arsenia – “Tip Toe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays a special New Year’s Eve Show at The Truman, 601 E. Truman Rd, KCMO, Monday, December 31 with Making Movies performing the entire talking Heads album Remain In Light after midnight.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, January 2, 2019, Wednesday MidDay Medley celebrates Iris DeMent, born January 5, 1961, in rural Paragould, Arkansas. She was the youngest of 14 children. We’ll feature music from all six of Iris DeMent’s full length recordings, plus her additional work with artists such as her husband – Greg Brown, and also: John Prine, John Emmylou Harris, and others.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #766

WMM Playlist from July 18, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 18, 2018

Tim Finn + Howard Iceberg & Pranav Nanda & Mom’s Demand Action
+ Cheryl Kimmi & Kansas City Fringe Festival 2018

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Courtney Barnett – “Nameless, Faceless”
from: Tell Me How You Really Feel / Mom+Pop / May 18, 2018
[Lead single from Tell Me How You Really Feel is the second studio album by Australian singer-songwriter Courtney Barnett. It was released on 18 May 2018 by Barnett’s Milk! Records, Mom + Pop Music, and Marathon Artists. The album was recorded in Melbourne with producer Burke Reid, who also worked on Barnett’s previous solo album, Sometimes I Sit and Think, and Sometimes I Just Sit. Barnett was joined on the album by her live rhythm section of Bones Sloane (bass, backing vocals) and Dave Mudie (drums, backing vocals), as well as guitarist Dan Luscombe of The Drones. The album also features guest appearances from the Deal sisters, Kim and Kelley. In 2012 Barnett started her own label, Milk! Records, and released her first EP I’ve Got A Friend Called Emily Ferris to glowing reviews around Australia. From 2011 – 2013 Barnett was a member of Australian psych/country band Immigrant Union, a musical project founded by Brent DeBoer of The Dandy Warhols and Bob Harrow. Along with sharing vocal duties Barnett predominantly played slide guitar and features on their second studio album ‘Anyway’. DeBoer also played drums on her first EP ‘I’ve Got A Friend Called Emily Ferris’. Barnett received international critical acclaim in 2013 with her second EP How To Carve A Carrot Into A Rose. Barnett combined the 2 releases into The Double EP: A Sea of Split Peas.]

[Courtney Barnett plays The Truman, 601 E. Truman Road, KCMO, TONIGHT, July 18, at 8:00 pm.]

3. Vacationer – “Being Here”
from: Mindset / Downtown Records / June 22, 2018
[The third full-length from Vacationer, Mindset is built on delicate melodies and crystalline rhythms that seem to alter the very texture of the world around you. Ornately composed but breezy in energy, Vacationer’s warm-hearted dream-pop perfectly mirrors frontman Ken Vasoli’s intentions in making the album. “The objective was to write songs that remind me how my brain needs to operate for my own wellbeing and happiness,” Vasoli says. “That’s where the title comes from—the record’s filled with all these reminders that put me in a good mindset for the day.” Despite its often-euphoric effect, Mindset began in frustration for Vasoli. After countless false starts on the follow-up to 2014’s Relief, the Philadelphia-based musician decided to completely upend his creative approach. While Vacationer’s previous albums came to life in close collaboration with fellow members Matthew Young and Grant Wheeler, Vasoli shifted his focus from songwriting to production and worked entirely on his own for months on end. During that time, he immersed himself in exploring the nuances of Ableton and analyzing the construction of beloved albums by artists like the Beach Boys, Barry White, and Curtis Mayfield.]

[Vacationer plays recordbar, 1520 Grand, KCMO, Sunday, July 22, at 7:00 pm with guests Sego.]

4. Payge Turner – “But For Now”
from: Acoustic Vibes – Single / Middleman / February 25, 2018
[3rd Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays The Rino’s 1st Anniversary, Saturday, July 21, at 8:00 pm, with The UKs, Late Nite Cavalry. The Rino is located at 314 Armour Rd, North Kansas City.]

[Payge Turner plays Voltaire, Tuesday, July 24, at 9:00 pm, with Rhe Black Creatures.]

5. Miles Bonny – “It’s Your World”
from: It’s Your World / INnatesounds / April 21, 2018
[“It’s Your World” with lyrics & music by Brian Jackson is the title track of the double album by soul artist Gil Scott-Heron and Brian Jackson, released in November 1976 on Arista Records. Recording sessions for the album took place in studio and live in July 1976 at St. Paul’s Mall in Boston, Massachusetts, Electric Lady Studios in New York City, and American Star Studios in Merrifield, Virginia. Scott-Heron and Jackson recorded the album with the former’s backing ensemble, The Midnight Band. It’s Your World was originally released on vinyl. Already a fan of Gil Scott and Brian Jackson, Miles was asked to learn “It’s your world” so he may cover it live at a Gil Scott-Heron tribute party in Cologne, Germany. The party never happened, but the song’s lyrics deeply impacted Miles. Upon moving to New Mexico shortly after, Miles recorded the lead vocal live alongside the cajon played by fellow explorer and off-grider Trance Conductor. The additional vocals, horns, percussion, and piano were recorded elsewhere in the neighborhood at Miles’ Mud Cabin Studio. Bass was layed by friend and fellow INnatesounds representative Dominique Sanders in Kansas City. Mixed and mastered by Miles Bonny in Northern New Mexico. Miles Bonny on vocals, horns, piano, claps; Sam Burke-Favaro (inductions.bandcamp.com) on cajon, triangle, claps; Dominique Sanders (dominiquesanders.bandcamp.com) on bass. Mixing and Mastering – Miles Bonny. Everything recorded off grid with solar power in Northern New Mexico with the exception of bass recorded in KCMO. Miles writes “I want this to be out and make you feel good. It’s been in my vault for a lil while. I love the vibes, hope you do too. peace.” http://www.milesbonny.com]

[Miles Bonny plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, & Brandon Draper on Fri, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

[Miles Bonny plays Melovated with the Innate Sounds Crew featuring: Eddie Moore, Dominique Sanders, Miles Bonny, Leonard Dstroy, Abnorm, Kemet The Phantom, Kadesh Flow, Saturday, July 21, at 9:00pm, at The 10 spot, 1000 Broadway Blvd.. Kansas City, MO, US]

6. Brandon Draper – “Calm Inward Drive”
from: Meditation Music Vol. 1 / Brandon Draper / April 20, 2018
[Brandon Draper on tabla, metal tongue drums, Cooperman frame drums. Produced by Looking Up Productions Inc. Recorded Live at Tone Dimension Studio. Engineered by Bryan Nicholas. Mixed and Mastered Bryan Nicholas.]

[Brandon Draper plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, Miles Bonny on Friday, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

7. Benjamin Clementine – “Jupiter”
from: I Tell A Fly / Virgin Records / October 2, 2017
[English artist, poet, vocalist, composer, and musician, Benjamin Sainte-Clémentine was born December 7, 1988, n London, England,. Clementine later moved to Paris, France becoming homeless as a teenager. There, his performances helped him to become a cult figure in the music and art scene. Moving back to London, he made his TV debut on the BBC programme Later With Jools Holland in 2013. A number of critics described him as becoming one of the great singer-songwriters of his generation and the future sound of London, whilst struggling to place his music in any one genre. Considered by The New York Times as one of the 28 geniuses who defined culture in 2016, Clementine’s compositions are musically incisive and attuned to the issues of life but also poetic, mixing revolt with love and melancholy, sophisticated lyricism with slang and shouts, and rhyming verse with prose monologues. He moved to popular art music, breaking free from traditional song structure, inventing his own dramatic and innovative musical territory. He is noticeably seen topless and barefoot onstage, dressed entirely in black or dark grey, with a long, wool trench coat. Clementine debut album At Least for Now won the 2015 Mercury Prize but fared better across mainland Europe. At the end of 2015, Clementine was included in The Guardian’s New Year’s honours list to celebrate heroes of 2015. Debrett’s and the London Evening Standard named him one of the most influential people in Britain. ]

[Benjamin Clementine opened for David Byrne at Kauffman Center for the Performing Arts, June 7.]

Playing Chris Hazelton’s Boogaloo 7 on vinyl on the KKFI 90.1 FM Studios on Wednesday MidDay Medley.

8. Chris Hazelton’s Boogaloo 7 – “Turnin’ Up the Burner” (Vinyl)
from: The Basement Beat / Sunflower Soul / July 20, 2018
[Hammond organist Chris Hazelton and his large-group Boogaloo 7 pay homage to greats such as Lonnie Smith, Jimmy McGriff, Grant Green, and Lou Donaldson with their groove-centered brand of jazz, all the while pushing the genre forward with exciting new and original music. More information at: http://www.chrishazelton.com. Chris Hazelton on Hammond B-3 organ; Nick Howell on trumpet & tamborine; Nick Rowland on alto & tenor sax (tracks 1, 2, & 4); Zak Pischnotte on alto & tenor sax (tracks 3, 5, & 6); Brett Jackson on baritone sax; Matt Hopper on guitar; Danny Rojas on drums; and Pat Conway on congas (tracks 1-4, 6), bongos & cowbell (Track 5); Juan-Carlos Chaurand on congas (Track 5); John Kizilarmut on timbales & güiro (Track 5). Recorded live to 8-track analog tape, mixed, and produced by Chris Hazelton at the FORTRESS OF SOULITUDE. Mastered by Adam Boose at Cauliflower Audio. Pressed by Gotta Groove Records. Chris Hazelton’s Boogaloo 7 will be releasing a single 7″ called “100 Days, 100 Nights” also on July 20, but released on Lugnut Records as part of a tribute to Sharon Jones and The Dap Kings.]

[Chris Hazelton’s Boogaloo 7 play a Record Release Show for The Basement Beat, Sunday, July 22, at 8:00 pm, at Black Dolphin, 1813 Grand Boulevard.]

10:30 – Interview with Cheryl Kimmi

Nico Gray and Cheryl Kimmi on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Cheryl Kimmi, is Executive Producer of KC Creates, and the founder of the Kansas City Fringe Festival. She joins us on WMM to share details about the 14 Annual KC Fringe Festival, starting tomorrow, July 19 running through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. The 14 Annual KC Fringe Fest features 76 different producers, over 650 participating artists, galleries showcasing 35 visual artists, with more than 400 opportunities to find Fringe this year. For info: http://www.KCFringe.org

Cheryl Kimmi, thanks for being with us on Wednesday MidDay Medley

Congratulations on 14 years.

Fringe Festival KC is committed to accepting artists without jury or censorship. We accept artists on a first come, first serve basis. Our five mile footprint spans through the cultural corridors of KC from River North to Old Westport. We feature visual, film, and performing artists in venues ranging in size from small to large.

KC Fringe festival opens with a large Opening Night Party where artists preview their shows in rapid-fire succession and our fringe loyalists mark their programs for the can’t-miss shows. Throughout the festival, you can count on Late Night on the Fringe events to meet, connect, and engage with participating artists and excited audiences. We culminate the festival with a celebratory Closing Night Party. We eat, we dance, we celebrate the wonderful success of our Fringe participants.

All audience members must have a button to access shows and galleries. The button is a one time, five-dollar purchase that allows Fringe Festival KC to adequately pay our artists and venue owners from ticket revenue.

Over 100 Local, Regional, and International Performing Artists throughout a 5-mile footprint of Kansas Cit’s cultural cooridors. Music-dance-theatre- music-dance- visual arts – Touth & Teen Fringe – There’s is something for everyone! THERE’S SOMETHING FOR EVERYONE! SUPPORT THE ARTS AND BUY TICKETS AT KCFRINGE.ORG

Showcases local, national and international artists in a diverse melting pot of performing and visual arts. All are welcome; whether you’re a first-timer or a veteran Fringer!

The KC Fringe stage is for the diversity, innovation & creativity that can be found through out our community. An example of how the arts bring people from all walks of life together, inspiring participants & attendees to embrace creativity and dare to be different.

The KC Fringe has something for everyone.
The youngest members of your family can find their Fringe during our opening weekend.

Youth Fringe program takes place at The Plaza Library, and teens will produce and perform with KC Fringe at Kansas City Young Audiences and access workshops at The Nelson Atkins Museum.

KC Fringe Staff:

Cheryl Kimmi – Executive Producer
Tiffany Chappell – Director of Operations
Skip Gordon – Technical Director
Ashley Dover – Assistant Technical Director
Barbara Dooley Editor-Review Team
Sandy Woodson – Teen Coordinator
Sheri Hall – Youth Coordinator
Sarah Slaughter – Visual Arts Coordinator
Bryan Colley – Program Design and Technology Guru
Trenna Keltner – 411 Manager
Natalie Leslie – Fringe Intern
Katie Sheiferecke – Fringe Intern

The 14 Annual KC Fringe Festival, starts tomorrow, July 19 and runs through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. For more information you can visit: http://www.KCFringe.org

10:44 – Underwriting

9. The Fey – “Contender” (Radio Edit)
from: Strawberry Lemonade EP / The Record Machine / July 13, 2018
[The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, “Don’t let The Fey’s new EP title Strawberry Lemonade fool you; this record is no light beach drink. Rather, it’s a cocktail of the molotov variety, the kind you’ll want to toss into the middle of your ‘songs that rock’ summer playlist. From the opening salvos of ‘Contender’, to the slow burn of ‘Bones Underwater’, to the final soothing swells of ‘The Cool’, Strawberry Lemonade is a masterclass in modern songwriting, arrangement, instrumentation, and production.” Music arranged and composed by Zach Watkins. Lyrics written by Zach Watkins and Ishma Valenti. The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play The Record Machine’s – What’s Next KC, Friday, July 27, at 7:00 pm, at recordBar, 1520 Grand, with Y God Y, Instant Karma, and Pageant Boy.]

Playing Emmaline Twist on vinyl on Wednesday MidDay Medley on KKFI 90.1 FM.

10. Emmaline Twist – “Vega” (Vinyl)
from: “Vega” – Single b/w “Moon Eyes” / Eat.Hear.Records / July 16, 2018
[New 7″ vinyl release, and 2nd in a series from Eat.Hear.Records, a project of the folks at recordBar and Steve Tulipana. Emmaline Twist is KCs Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s digital single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded & Mixed by Lin Buck at Temple Sound, KCMO. Mastered by Duane Trower at Weights + Measures, KCMO. The band’s debut LP Dissimulation will be released on vinyl, August 24, 2018 on Black Site Records.]

[Emmaline Twist play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 7:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

[Emmaline Twist play a KC Album Release Show for “Dissimulation” on Black Site Records, Friday, August 24, at 9:00 pm, at recordBar, 1520 Grand with Ghost Bones and Sona]

[Emmaline Twist joins us on WMM on Aug. 22.]

11. Belle & The Vertigo Waves – “What You Wanted”
from: What You Wanted – Single / Drop Out Records / August 19, 2017
[Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. The band’s debut album “Aligned” was released October 6, 2017 and is available on iTunes and all streaming services. The band recently played Middle of the Map Fest.]

[Belle and The Vertigo Waves play recordbar, 1520 Grand Ave, Thursday, July 19, at 7:00 pm, with Tandem, and Faintheart.]

11:00 – Station ID

12. Patsy Cline – “Sweet Dreams”
from: The Patsy Cline Story / Decca / June 10, 1963
[Patsy Cline was born Virginia Patterson Hensley on September 8, 1932. She died in a plane crash on March 5, 1963. She was an American country music singer and part of the Nashville sound during the late 1950s and early 1960s. She successfully “crossed over” to pop music and was one of the most influential, successful, and acclaimed vocalists of the 20th century. She died at age 30 in the crash of a private airplane. Cline was known for her rich tone, emotionally expressive and bold contralto voice, and her role as a country music pioneer. She helped to pave the way for women as headline performers in the genre, along with Kitty Wells. She overcame poverty, a devastating automobile accident, and significant professional obstacles, and she has been cited as an inspiration by Reba McEntire, LeAnn Rimes, and other singers in diverse styles. Books, movies, documentaries, and stage plays document her life and career. Her hits began in 1957 with Donn Hecht’s and Alan Block’s “Walkin’ After Midnight,” Hank Cochran’s and Harlan Howard’s “I Fall to Pieces,” Hank Cochran’s “She’s Got You,” and Willie Nelson’s “Crazy,” and ended in 1963 with Don Gibson’s “Sweet Dreams.” Millions of her records have sold since her death. She won awards and accolades, causing many to view her as an icon at the level of Jim Reeves, Johnny Cash, and Elvis Presley. She became the first female solo artist inducted into the Country Music Hall of Fame in 1973, ten years after her death. In 1999, she was voted number 11 on VH1’s special The 100 Greatest Women in Rock and Roll. In 2002, she was voted Number One on Country Music Television’s The 40 Greatest Women of Country Music, and she was ranked 46th in the “100 Greatest Singers of All Time” issue of Rolling Stone magazine. Her 1973 Country Music Hall of Fame plaque reads: “Her heritage of timeless recordings is testimony to her artistic capacity.”]

[In early 1963, Patsy Cline was recording songs for her next album, Faded Love, which was set for release in late March, 1963. She recorded “Sweet Dreams” for the album on February 5. However, on March 5, Cline died in a plane crash on the way home from a benefit in Kansas City, Kansas for the family of Cactus Jack Call, a disc jockey who was killed in an automobile accident so, therefore, the album was never released. The songs were later compiled for the release Patsy Cline the Last Sessions in 1988. Instead, Decca Records issued a double album, entitled The Patsy Cline Story, in the summer of 1963.]

[In 1963, “Sweet Dreams” was released to the public and became a big Crossover hit, making it to #5 on the Country charts and to #44 on the pop music charts. It also peaked on the U.S. Adult Contemporary charts at #15. This song was followed by two other songs that were planned for release on Cline’s upcoming album: “Leavin’ on Your Mind” and “Faded Love”, which both became hits. It was said that Cline did not like the use of the violins that producer Owen Bradley was bringing into the song, because she feared she was becoming too “pop” for her Country audience (All references in this section are either from Patsy by Margaret Jones or Honky Tonk Angel by Ellis Nassour). But upon hearing the song after the playbacks the night she recorded it, she supposedly held a record up of her first record and “Sweet Dreams” and proclaimed “Well, here it is: The first and the last.” (Source: Loretta Lynn: Coal Miner’s Daughter (1976) This quote came from the video called Remembering Patsy, and was quoted by Jan Howard whose husband at the time was Harlan Howard. In 1985, the song became the title tune of a Patsy Cline biopic starring Jessica Lange as Cline. Cline’s hit version of “Sweet Dreams” was included on the film’s soundtrack, along with “Crazy,” “She’s Got You,” and many of her other songs.]

11:03 – Interview with Tim Finn

Timothy Finn

Local music writer Tim Finn is originally from Youngstown, New York. He studied at University of Missouri in Columbia and received his Masters of Arts, in Journalism from the University of Kansas. Tim served as Music Writer of the KC Star, where he worked for 29 years. You can hear Tim Finn Thursday afternoons between 4 and 6 on 90.9 The Bridge with Jon Hart.

Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. Tim Finn highlights concerts, shows, and encounters from our city’s music scene. From Patsy Cline’s final performance and the Beatles’ one and only local appearance to the three-day world premiere of The Jacksons Victory Tour. To RSVP visit: http://www.kclibrary.org

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

Since we last talked with Tim on the radio he has gone through several big life events.

Timothy Finn recently sold his house in Liberty, where he lived for 25 years.

Timothy Finn recently ended his time at The Kansas City Star, after 29 years.

Timothy Finn recently got married to Michelle Gaumé Finn.

Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, as part of the 2018 Adult Summer Reading Program Rock & Read. One of the concerts he will discuss is patsy Cline’s last performance of her career in Kansas City, Kansas.

Patsy Cline at Memorial Hall – March 3, 1963

We just heard Patsy Cline singing a song she record on February 5, 1963. Nearly one month later, on March 3, 1963, Cline performed a benefit at the Soldiers and Sailors Memorial Hall, Kansas City, Kansas, for the family of disc jockey “Cactus” Jack Call. He had died in an automobile crash a little over a month earlier. Call was a longtime DJ for KCKN, but had switched to KCMK a week before his death on January 25, 1963, at the age of 39. Also performing in the show were George Jones, George Riddle and The Jones Boys, Billy Walker, Dottie West, Wilma Lee and Stoney Cooper, George McCormick, the Clinch Mountain Boys as well as Cowboy Copas and Hawkshaw Hawkins.

Cline, ill with the flu, gave three performances, at 2 p.m. and 5:15 p.m., with an 8 p.m. show added due to popular demand. All the shows were standing-room only. For the 2 p.m. show, she wore a sky-blue tulle-laden dress; for the 5:15 show a red shocker; and for the closing show at 8 p.m., Cline wore white chiffon, closing the evening to a thunderous ovation. Her final song was the last she had recorded the previous month, “I’ll Sail My Ship Alone.”

Cline, who had spent the night at the Town House Motor Hotel, was unable to fly out the day after the concert because Fairfax Airport was fogged in. West asked Patsy to ride in the car with her and husband, Bill, back to Nashville, a 16-hour drive, but Cline refused, saying, “Don’t worry about me, Hoss. When it’s my time to go, it’s my time.” On March 5, she called her mother from the motel and checked out at 12:30 p.m., going the short distance to the airport and boarding a Piper PA-24 Comanche plane, aircraft registration number N-7000P. The plane stopped once in Missouri to refuel and subsequently landed at Dyersburg Municipal Airport in Dyersburg, Tennessee at 5 p.m.

Hughes was the pilot, but was not trained in instrument flying. Hawkins had accepted Billy Walker’s place after Walker left on a commercial flight to take care of a stricken family member. The Dyersburg, Tennessee, airfield manager suggested that they stay the night because of high winds and inclement weather, offering them free rooms and meals. But Hughes responded, “I’ve already come this far. We’ll be there before you know it.” The plane took off at 6:07 p.m. Hughes’ flight instructor, Elmo Merriwether, had also trained Jim Reeves, whose plane crashed the following year. Neither pilot was instrument-rated, and both attempted to navigate by visual flight rules (VFR), which proved impossible in the driving rain faced by both flights.

Cline’s flight crashed in heavy weather on the evening of March 5, 1963. Her recovered wristwatch had stopped at 6:20 p.m. The plane was found some 90 miles from its Nashville destination, in a forest outside Camden, Tennessee. Forensic examination concluded that everyone aboard had been killed instantly. Until the wreckage was discovered the following dawn and reported on the radio, friends and family had not given up hope. Endless calls tied up the local telephone exchanges to such a degree that other emergency calls had trouble getting through. The lights at the destination Cornelia Fort Airpark were kept on throughout the night, as reports of the missing plane were broadcast on radio and TV.

Early in the morning, Roger Miller and a friend went searching for survivors: “As fast as I could, I ran through the woods screaming their names–through the brush and the trees–and I came up over this little rise, oh, my God, there they were. It was ghastly. The plane had crashed nose down.” Shortly after the bodies were removed, looters scavenged the area. Some of the items which were recovered were eventually donated to The Country Music Hall of Fame. Among them were Cline’s wristwatch, Confederate flag cigarette lighter, studded belt and three pairs of gold lamé slippers. Cline’s fee and her attire from the last performance were never recovered.

Per her wishes, Cline’s body was brought home for her memorial service, which thousands attended. She was buried at Shenandoah Memorial Park in her hometown of Winchester, Virginia. Her grave is marked with a bronze plaque, which reads: “Virginia H. Dick (Patsy Cline) is noted under her name. ‘Death Cannot Kill What Never Dies: Love’.” With the help of Loretta Lynn and Dottie West, a bell tower was erected at the cemetery in her memory, which plays hymns daily at 6:00 p.m., the hour of her death. Another memorial marks the exact place off Fire Tower Road in Fatty Bottom, Tennessee, where the plane crashed in the still-remote forest.
____________________________________________________________________________

Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, at 6:30 pm, at 4801 Main Street, Kansas City.

Tim will have some tales to tell about Elvis, and James Brown, and Garth Brooks.

Tim mentioned that his favorite concerts were seeing Prince live. He mentioned the Musicology tour.

Tim talked about the numerous interviews with artists prior to their concerts. He talked about his interview with David Bowie before the 2004 show at Starlight Theatre.

11:11

13. Michael Jackson – “Wanna Be Startin’ Somethin'”
from: Thriller / Epic/ November 30, 1982
[6th studio album by American singer Michael Jackson, released on November 30, 1982, in the United States by Epic Records and internationally by CBS Records. It explores genres similar to Jackson’s previous album, Off the Wall, including pop, post-disco, rock and funk. Recording sessions took place from April to November 1982 at Westlake Recording Studios in Los Angeles, with a production budget of $750,000. Quincy Jones produced the album and Jackson wrote four of its nine songs. In just over a year, Thriller became—and currently remains—the world’s best-selling album, with estimated sales of 66 million copies. It is the best-selling album in the United States and as of 2017 is the only album to reach 30x multi-platinum, with U.S. shipments of 33 million album-equivalent units certified. The album won a record-breaking eight Grammy Awards in 1984, including Album of the Year. It produced seven singles—”The Girl Is Mine”, “Billie Jean”, “Beat It”, “Wanna Be Startin’ Somethin'”, “Human Nature”, “P.Y.T. (Pretty Young Thing)”, and “Thriller”—all of which reached the top 10 on the US Billboard Hot 100 chart. Thriller broke racial barriers in pop music, enabling Jackson’s appearances on MTV and meeting with President Ronald Reagan at the White House. The album was one of the first to use music videos as successful promotional tools, and the videos for the songs “Thriller”, “Billie Jean”, and “Beat It” all received regular rotation on MTV. In 2001, a special edition reissue was released, which contains additional audio interviews, demo recordings and the song “Someone in the Dark”, a Grammy-winning track from the E.T. the Extra-Terrestrial storybook. In 2008, Thriller was reissued again as Thriller 25, containing remixes with contemporary artists, previously unreleased songs, and a DVD with three music videos and Jackson’s performance of “Billie Jean” from the 1983 television special Motown 25. In the same year, the album was inducted into the Grammy Hall of Fame along with Off the Wall. In 2012, Slant Magazine named Thriller the best album of the 1980s”. In 2003, Rolling Stone placed the album at number 20 on their list of “The 500 Greatest Albums of All Time”. The album was listed by the National Association of Recording Merchandisers at number three on its “Definitive 200” album list. Thriller was also included in the Library of Congress’ National Recording Registry of culturally significant recordings, and the Thriller music video was included in the National Film Preservation Board’s National Film Registry of “culturally, historically, or aesthetically significant films”.]

Tim Finn former music writer for KC Star, Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, at the Kansas City Public Library, Plaza Branch. Tim Finn highlights concerts, including the three-day world premiere of The Jacksons Victory Tour.

The Jacksons at Arrowhead Stadium – July 6, 7, and 8, 1984

The Victory Tour traveled the United States and Canada with Michael Jackson and The Jacksons between July and December 1984. It was the only tour with all six Jackson brothers (even though Jackie was injured for most of the tour). The group performed 55 concerts to an audience of approximately 2 million. Most came to see Michael, whose album Thriller had been dominating the popular music world at the time. Many consider it to be his Thriller tour, with most of the songs on the set list coming off of his Off the Wall album and from the Thriller album. The tour reportedly grossed approximately $75 million (US $181,608,277.19 in 2018 dollars) and set a new record for the highest grossing tour. It showcased Michael’s single glove, black sequined jacket and moonwalk.

Despite its focus on Michael, it was named after the newly released Jacksons’ album Victory although none of the album’s songs were performed. Marlon confirmed[citation needed] this was because Michael refused to rehearse or perform them; in fact, he had only reluctantly joined his brothers, who needed the income while he himself did not. On the tour, tensions between Michael and his brothers increased to the point that he announced at the final show that it would be the last time they would perform together, ending plans for a European and Australian leg of the tour in the spring and summer of 1985.

The Jacksons did make money from the tour, along with promoter Don King. Michael donated his share to several charities as he had promised before it, but the rancor between Michael and his brothers had a deep and lasting effect on the Jacksons as a family, alienating him from them for most of his later life and it effectively ended the Jacksons as a performing group. They made one more album (2300 Jackson Street which was released in 1989) but aside from the concert celebrating Michael’s 30 years as a solo artist in 2001, they never toured again during Michael’s lifetime.

The tour was a financial disaster for promoter Chuck Sullivan, who along with his father Billy was eventually forced to sell the New England Patriots football team they owned, along with Foxboro Stadium, the team’s home field, as a result of the losses he incurred.

A bowl-shaped concrete structure. In the middle is an oval sign with “Arrowhead” written on it in red letters. Arrowhead Stadium, where the tour opened, as it appeared at the time
The tour sold what was then a record number of tickets despite the high price. The opening shows were widely covered in the national media and sold out. “Anybody who sees this show will be a better person for years to come”, King told the media before the first date in Kansas City. “Michael Jackson has transcended all earthly bounds. Every race, color and creed is waiting for this tour.”

The Jacksons and Don King had made money even though Sullivan had not, and near the end of the tour they began making plans for a European leg. When word reached Michael, he let them know through his representatives that he would not be taking part. At the rain-soaked tour finale in Los Angeles’ Dodger Stadium, after six sold-out shows, Michael announced at the end of the show, to his brothers’ shocked expressions, that this would be the last time they all performed together. The plans to go to Europe were ended.

The set list included songs from the Jackson’s albums Destiny and Triumph. Despite the name of the tour, the Victory album was not represented. There were also songs on the list from Jermaine’s and Michael’s solo careers. Songs from Michael’s albums Off the Wall and Thriller were both represented. The set list did not include “Thriller” itself because Michael did not like the way the song sounded live (it was later performed regularly during Michael’s solo tours).
________________________________________________________________________

Tim Finn former music writer for KC Star, Tim joined us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch. Tim Finn discusses some of KC’s best and most significant music moments including the Beatles’ one and only local appearance.

The Beatles at Kansas City Municipal Stadium – September 17, 1964

The Beatles played for 31 minutes in Kansas City. The 20,280 tickets sold here tied Vancouver, British Columbia, for the second highest attendance for a single performance on the tour.

Charles O. Finley, owner of the Kansas City Athletics baseball team convinced The Beatles to add Kansas City to their tour, flying here on what was suppose to be their day off.

The Beatles spoke at a pre-concert news conference at the Hotel Muehlebach.

There were two Beatles visits to the U.S. in 1964. The first began with their famous Feb. 9 – “Ed Sullivan Show” appearance, watched by 73 million. They also played concerts in Washington, D.C., and New York, then did another Sullivan show from Miami Beach, Fla. By the time the third Sullivan bit, this one taped, ran Feb. 23, Thea Beatles were back in England. When The Beatles came back to the U.S. on Aug. 19 that year, their film “A Hard Day’s Night” had just been released theaters, and the title song went gold.

The 2nd tour was 33 days in 24 U.S. & Canadian cities.

The Kansas City Star reported that The Beatles “had not even left its first venue, San Francisco, before Charlie O. Finley contacted band manager Brian Epstein to see if a KC stop could be carved out of one of the eight off days. He offered $50,000. To put that in perspective, Frank Sinatra and Judy Garland were drawing $10,000 to $15,000 for a show, and a ’64 Beatles concert was running from $20,000 to $40,000.”

The band wasn’t excited about it. In “The Beatles Anthology, ” McCartney recalled: “Our days off were sacred. If you look at our 1964 timetable you can see why. I didn’t realise until recently that we used to have a whole year of work, and then get something like 23rd November off – and then have to judge a beauty competition that day. So, by the time we got to Kansas City, we probably needed a day off. I can’t actually remember falling out with Brian about him wanting us to work on a day off, we’d talk to each other rather than fall out.”

Then Finley wired Los Angeles, where the group played at the Hollywood Bowl, to double his bid. No, thanks, he was told again.

Charles O. Finley made a third offer: $150,000, at the time it was the all-time record cost for a single performance. In today’s dollars it would be $1.1 million.

The large photo in the Kansas City Times captured girls and boys excitedly waving their arms on the field, under a headline that continued the sense of a natural disaster averted: Police Hold Tide of Beatlemania.

The opening number was added as a concession to Finley: The Beatles’ version of “Kansas City/Hey-Hey-Hey.” It was included the next month when they cut their next album, “Beatles for Sale.” The Beatles played “Twist and Shout.”

The set list included: “You Can’t Do That”; “All My Loving”; “She Loves You, Yeah, Yeah! Yeah!”; “Things We Said Today”; “Roll Over Beethoven”; “Can’t Buy Me Love”; “If I Fell”; “I Wanna Hold Your Hand”; “Boys”; “A Hard Day’s Night” and “Long Tall Sally.”
_____________________________________________________________________________

Tim Finn former music writer for KC Star, will soon be writing for a new Kansas City monthly periodical called “In Kansas City.” Tim Finn presents: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. To RSVP visit: http://www.kclibrary.org

You can hear Tim Finn Thursday afternoons between 4:00 and 6:00 pm on 90.9 The Bridge with Jon Hart.

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

11:27

14. The Beatles – “You Can’t Do That”
from: A Hard Days Night / Parlophone / July 10, 1964
[A Hard Day’s Night is the third studio album by the English rock band the Beatles, released on 10 July 1964, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. In contrast to their first two albums, all 13 tracks on A Hard Day’s Night were written by John Lennon and Paul McCartney showcasing the development of their songwriting talents. The album includes the title track, with its distinct opening chord, and the previously released “Can’t Buy Me Love”, both transatlantic number-one singles for the band. The title of the album was the accidental creation of drummer Ringo Starr. According to Lennon in a 1980 interview with Playboy magazine: “I was going home in the car and Dick Lester [director of the movie] suggested the title, ‘Hard Day’s Night’ from something Ringo had said. I had used it in In His Own Write, but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it not to be funny … just said it. So Dick Lester said, ‘We are going to use that title.’]

11:30 – Underwriting

15. The Hermanos Brothers – “All My Loving (The Beatles)”
from: The Hermanos Brothers – Covers / Howard Iceberg / March 20, 2018
[The Hermanos Brothers are Howard Iceberg on vocals, rhythm guitar, & harp; and Chad Brothers on lead guitar & harmony vocals. These songs, all covers, were recorded in one day, between the hours of 9:00 am to 5:00 pm. The songs were recorded and mixed and mastered by Phil Wade who added dobro, mandolin and guitar.]

11:33 – Interview with Howard Iceberg and Pranav Nanda.

Tim Finn, Howard iceberg, and Pranav Nanda on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard Iceberg. He is one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs. Ear;lier this year Howard released Netherlands his collaboration with Rich Hill and other area Jazz musicians.

Howard Iceberg, thanks for being with us on Wednesday MidDay Medley

Pranav Nanda is a 2017 Teach for America Corps Member, serving as a teacher and leader in Kansas City. In his first year at Teach For America, he taught Humanities at DeLaSalle Charter School, an alternative high school serving the Kansas City Urban Corps. This summer, Pranav has had the opportunity to work in the Kansas City’s Mayor’s office through the Urban Leaders Fellowship. Pranav is currently pursuing his Master’s in Education at the University of Missouri in St. Louis & plans on going to Law School after his Teach For America service. Prior to joining Teach For America, Pranav attending George Washington University in Washington DC, receiving a Bachelor’s in Art in International Affairs and minored in Sociocultural Anthropology. While attending GW, Pranav had the opportunity to intern in the White House in the Office of Presidential Correspondence, at the Department of Education in the Office of Post-Secondary Education, and in many leadership positions on campus.

Pranav Nanda thanks for being with us on Wednesday MidDay Medley

Howard Iceberg and Pranav Nanda are here to share information about the Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more info: http://www.momsdemandaction.org,

Moms Demand Action have chapters in many cities.

About Moms Demand Action For Gun Sense In America / media@momsdemandaction.org
Press Contact: Moms Demand Action For Gun Sense In America; E-mail:

ABOUT US

Like Mothers Against Drunk Driving, created to reduce drunk driving, Moms Demand Action for Gun Sense in America was created to demand action from legislators, state & federal; companies; & educational institutions to establish common-sense gun reforms.

WHO WE ARE

Moms Demand Action was founded by stay-at-home mom Shannon Watts on December 15, 2012, in response to the devastating shooting at Sandy Hook Elementary School. The organization quickly flourished into a leading force for gun violence prevention, with chapters in all 50 states and a powerful grassroots network of moms that has successfully effected change at the local, state and national level. In December 2013, Moms Demand Action partnered with Mayors Against Illegal Guns to unite a nationwide movement of millions of Americans working together to change the game and end the epidemic of gun violence that affects every community.

WHAT WE STAND FOR

Moms Demand Action supports the 2nd Amendment, but we believe common-sense solutions can help decrease the escalating epidemic of gun violence that kills too many of our children and loved ones every day. Whether the gun violence happens in urban Chicago, suburban Virginia, or rural Texas, we must act now on new and stronger gun laws and policies to protect our children.

Moms Demand Action envisions a country where all children and families are safe from gun violence. Our nonpartisan grassroots movement has grown to include a chapter in every state across the country. We are educating, motivating, and mobilizing supporters to take action that will result in stronger laws and policies to save lives.

We are facing a public health crisis: seven American children or teens are shot and killed every day.

For too long, the gun lobby has dominated the conversation about gun violence. American families are being destroyed and we have had enough; we will no longer stand by and let elected officials, corporate leaders and other influential voices turn their back on sensible gun laws and policies. We are organizing to apply pressure that will result in stronger, sensible gun laws and policies that will protect our children and families. The momentum is with us, and we are winning.

Shapiro Brothers

Chad Brothers is a Kansas City based singer-songwriter and guitarist who has played music for over 25 years. His dynamic approach to guitar sets him among the best this town has to offer. He’s actively involved in several projects around town including Old Sound, Shapiro Brothers, Supermassive Black Holes, The Butter Band, and he is Mikal Shapiro’s lead guitarist in her band The Musical. In addition, he and Howard Iceberg have now formed a duo called The Hermanos Brothers. Chad was born and raised in Winfield, KS, home of the Walnut Valley Festival and National Flatpicking Championships, and finds himself comfortably at home among a wide range of musical genres including bluegrass, folk, blues, country and rock.

Mikal Shapiro is a Kansas City songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the United States and has recorded five critically acclaimed albums. Kansas City Star critic Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union. Mikal Shapiro released her latest solo album, The Musical II, on May 26.

11:41

16. Shapiro Brothers – “The Other Night”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. All songs written by Mikal Shapiro, except “Almost Ready” was written by Mikal Shapiro and Chad Brothers. Shapiro Brothers played a special EP Release show, November 3, at The Brick, with Grady Keller from Old Sound and Spectator from St. Louis.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

11:44 – More Interview with Howard Iceberg and Pranav Nanda

Uptown Arts Bar and Greg Patterson hosts a night of action, awareness and stellar music as we raise funds to benefit Moms Demand Action for Gun Sense in America, featuring the music of Howard Iceberg and Shapiro Brothers!

More information at: http://www.howardicebergandthetitanics.bandcamp.com and
http://www.shapirobrothersmusic.com

The benefit is Wednesday, July 25. The 25th of every month is “Orange Day” declared by the UN: “The 25th of every month has been designated “Orange Day” by the United Nations Secretary-General’s Campaign UNiTE to End Violence Against Women, to raise awareness and take action to end violence against women and girls. As a bright and optimistic colour, orange represents a future free from violence against women and girls. Orange Day calls upon civil society, governments, and UN partners to mobilize people and highlight issues relevant to preventing and ending violence against women and girls, not only once a year on the International Day for the Elimination of Violence against Women (25 November), but every month.”

More information at: http://www.un.org/en/women/endviolence/orangeday.shtml

Howard Iceberg has been writing songs, recording and performing in the K.C. area for more than 40 years. His songs have been performed by many other local musicians through the years. He is looking forward to playing the Uptown Arts Bar in support of Mothers Demand Action for Gun Sense, and wishes to state that he is pro-mother and anti-gun.

More information at: http://www.oldsoundmusic.com and http://www.shapirobrothersmusic.com and http://www.facebook.com/thesupermassiveblackholes

Howard Iceberg, and Pranav Nanda, thanks for being with us on WMM

The Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more information: http://www.momsdemandaction.org,

11:57

17. Howard Iceberg & The Titanics – “The Times of Our Lives”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Bryan Hicks on electric bass, Doug Auwarter on drums, Marco Pascolini on baritone guitar , Chad Rex on guitar. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on July 25 Shy Boys join us LIVE in our 90.1 FM Studios to talk about their new release Bell House on Polyvinyl Record Co. to be released August 3, 2018. Also next week we welcome Keaton Conrad, and Heidi Lynne Gluck and Sid Sowder of Too Much Rock premieres the newest Too Much Rock 7″ single release right here on Wednesday MidDay Medley.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #743

Wednesday MidDay Medley

WMM Playlist from March 7, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 7, 2018

More New & MidCoastal Releases
+ Guest Producer – DJ Timmy

10:00 – New & MidCoastal Releases

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. The Breeders – “Wait in the Car”
from: All Nerve / 4AD / March 2, 2018
[1st single from the band’s 5th full-length studio album, released 10 years after their previous album Mountain Battles (2008). The album also marks the band’s first in 25 years with their “Last Splash” lineup. Kim Deal on lead vocals, guitar, moog, casiotone; Kelley Deal on guitar, Kenmore 12-stitch, vocals; Jim MacPherson on drums, Josephine Wiggs on bass guitar, double bass, vocals, cello; (Tanya Donelly on vocals and guitar was also on Last Splash, but left the band to form Belly.) The Breeders were last in Kansas Ciyy on September 3, 2014, at recordBar, with a reunion tour of The Last Slash line-up.]

[The Breeders play The Truman, 601 E. Truman Road, KCMO, Friday, May 11, at 8:00 pm]

3. Soccer Mommy – “Last Girl”
from: Clean / Fat Possum Records / March 2, 2018
[Soccer Mommy is the stage name of bedroom pop and indie rock musician Sophie Allison. Allison was born in Switzerland and grew up in Nashville, TN. She attended Nashville School of the Arts, a speciality high school where she studied guitar and played in the swing band. She first picked up a guitar at age 6, which prompted her to start making music. She began posting home-recorded songs to Bandcamp as Soccer Mommy in 2015, during the summer when she was about to leave for college at New York University, where she studied music business. While in college, she played her first show as Soccer Mommy at the community art space Silent Barn in Bushwick, Brooklyn, and shortly after landed a record deal with Fat Possum.She dropped out after a year in 2017 to return to Nashville and pursue her music career. Since beginning her career as Soccer Mommy, Allison has released two full-length albums. Her first, For Young Hearts, was released in 2016 on Orchid Tapes. Her second album, Collection, was released in 2017 on Fat Possum Records. Her debut album proper, titled Clean, was released on March 2, 2018. She has toured with Mitski, Jay Som, Slowdive, Frankie Cosmos, Phoebe Bridgers and others]

4. Tracey Thorn – “Queen”
from: Record / Merge Records / March 2, 2018
[Debut single from the 5th solo studio album from Tracey Thorn. The album was produced by Ewan Pearson, and features contributions from Corinne Bailey Rae, Shura, Jona Ma and Stella and Jenny from Warpaint. Tracey Thorn was born September 26, 1962, and is an English singer, songwriter and writer. She is best known as being one half of the duo Everything but the Girl. The youngest of three children, Thorn was born in Brookmans Park, Hatfield, Hertfordshire. She grew up in Hatfield and studied English at the University of Hull, where she graduated in 1984 with First Class Honours. She later took an MA degree at Birkbeck College, University of London. After 27 years as a couple, Thorn and the other half of Everything But The Girl, Ben Watt, married in 2008 at Chelsea Register Office. They live in Hampstead, North London. The couple have twin girls, Jean and Alfie, born in 1998, and a son, Blake, born in 2001.]

5. Shapiro Brothers – “Mockingbird”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. Written by Mikal Shapiro.]

[Shapiro Brothers play Davey’s Uptown Rambler’s Club, Monday, March 12 with Jack Topht, Major Matt Mason, Nan + The One Nite Stands]

6. Scuffy & the Janitors – “The Spins”
from: Modeling Is Hard / This Tall Records / March 2, 2018
[Saint Joseph, MO based trio formed by Steven Foster on vocals & bass, Teriq Newton on guitar & vocals, and Trevin Newton on drums. Scruffy & The Janitors have been described as creating working-class punk and catchy alt-rock. Scruffy & The Janitors have played at: SXSW, Middle Of the Map Fest, NXNE, and Lawrence Field Day Fest. They have also opened for:KONGOS, Kitten, J. Roddy Walston & the Business, Brick + Mortar, Radkey, Cheap Girls, Skaters, Bass Drum Of Death, Your Friend, Rev Gusto, and Dreamgirl. ]

[Scruffy & the Janitors play a KC release show at Riot Room, Sat, April 6 with Momma’s Boy, Toughies.]

7. Witch Jail – “Saucer Season Revisited”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on drums, and A. Ghost. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven]

[Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, and Bad Girls.]

8. Of Tree – “Feel It”
from: Sorry We’re Chosen [EP] / Of Tree / June 1, 2017
[Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on percussion & sub-bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.” Of Tree began in 2009 and has taken many forms as it has evolved over time, including a full 5 piece folk band and, at one time, a classical trio backing Parks’ voice and guitar. Of Tree launched a Kickstarter Campaign to help record their new album and release their music on vinyl. Of Tree have been actively writing music for this project since the summer of 2016. Laurel writes “As a married couple its been quite a road for us to be able work through music together without taking things too personally (as people in relationships tend to do), but the magic happened last summer when music started pouring out of us and we were able just allow it to happen. Both of us come from fairly strict religious backgrounds and a lot of our lyrics have to do with healing from those experiences. We also deal with themes of finding new footing in life, moving beyond the past and letting go. Really this album is all about healing on a very personal level.” Laurel writes that she is, “very interested in pushing the boundaries of what instrumentation I can marry to my classical violin training. I have been cross pollinating between electronic music I write on the computer using midi inputs with melodies I write on my violin. I enjoy putting a techno beat behind a folk instrument such as the Kalimba or chime and then morphing that into a journey of layered strings and melodic hooks. I am always interested in melody over lyrics. A lot of the music I wrote for this album is inspired from studying folk traditions such as Celtic fiddling, thematic movie music and Peruvian icaros. ” John Bersuch, has been playing with Of Tree since November of 2016. He adds tasteful beats and enjoys thinking outside the box. He once brought a tree to an “Of Tree” show and played it as a percussive instrument. Ben Parks is a visual artist who also plays in the band Slights with Matthew Dunehoo. Laurel Parks also plays in The Wires, John Bersuch is in Bacon Shoe, RLT, and many others.]

[Of Tree play The Brick, 1727 McGee, Sat, Mar 10, at 9:00 pm with The Blessed Broke, & Aaron James.]

10:29 – Underwriting

9. Salty – “Perfect Angels”
from: Dry Rub / Independent / to be released late Summer or Fall, 2018
[Salty is formerly know as Lil Toughies. Formed in early 2016. The current lineup includes: Salty is Jonathan Brokaw (JB) on guitar and vocals, Zach Turner on synthesizers, Ethan Eckert on drums, and Jesslay Huh on bass. More info at http://www.saltykcmo.bandcamp.com or http://www.saltyisthebest.com]

10. La Guerre – “Lake Ontario”
from: The Three [EP] / The Record Machine / May 7, 2013
[Katlyn Conroy is a singer songwriter who is based in Lawrence, KS and is a member of, Cowboy Indian Bear. La Guerre is the French for “war.” In 2013 La Guerre also relased: Violent (7-song EP) on The Record Machine on Aug. 20, 2013. On Feb. 2, 2018 La Guerre released, Discord: recordings from the House of Leaves a 4-song EP.]

[La Guerre plays The Rino, 314 Armour Road, North Kansas City, on Saturday, March 24, at 7:00 pm with Fathers, and Pageant Boys.]

11. Digital Leather – “Same Time Tomorrow”
from: Headache Heaven / Digital Leather / January 23, 2018
[14th album and 21 song digital release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink.]

12. Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / Spring 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the critically acclaimed band Monta At Odds. The Mysterious Clouds “Clear Reflection” was also included on the Haymakers Records compilation, Fairgounds Vol. 2 Released March 24, 2017.]

[Mysterious Clouds play a benefit show for MAPS at The Rino, 314 Armour Road, North Kansas City, on Friday, March 9, at 7:00 pm with Myco, and FRB. This show is a benefit concert for Multidisciplinary Association for Psychedelic Studies (MAPS) All proceeds will be donated to MAPS. Founded in 1986, the Multidisciplinary Association for Psychedelic Studies (MAPS) is a 501(c)(3) non-profit research and educational organization that develops medical, legal, and cultural contexts for people to benefit from the careful uses of psychedelics and cannabis. https://www.maps.org/%5D

13. They Might Be Giants – “Photosynthesis”
from: Here Comes Science / Walt Disney Records / January 1, 2009
[4th children’s album (and 14th studio album overall) from Brooklyn-based band They Might Be Giants, packaged as a CD/DVD set. The album is (as the title suggests) science-themed, and is the third in their line of educational albums, following 2005’s Here Come the ABCs and 2008’s Here Come the 123s. It was nominated for the “Best Musical Album For Children” Grammy.This year the band released their 20th studio album I Like Fun on Idlewild Recordings on January 19, 2018 from band formed in 1982 by John Flansburgh & John Linnell. During TMBG’s early years, Flansburgh & Linnell frequently performed as a duo, often accompanied by a drum machine. In the early 1990s, TMBG expanded to include a backing band. The duo’s current backing band consists of Marty Beller, Dan Miller, and Danny Weinkauf. The group is best known for an unconventional and experimental style of alternative music. Over their career, they have found success on the modern rock and CMJ charts. More recently they have also found success in children’s music, and in theme music for several television programs and films. TMBG have released 19 studio albums. Flood has been certified platinum and their children’s music albums Here Come the ABCs, Here Come the 123s, and Here Comes Science have all been certified gold. The band has won two Grammy Awards, one in 2002 for their song “Boss of Me”, which is most known as the theme song of the television series Malcolm in the Middle. They won their second in 2009 for Here Come the 123s. The band has sold over 4 million records. Linnell and Flansburgh first met as teenagers growing up in Lincoln, Massachusetts. They began writing songs together while attending Lincoln-Sudbury Regional High School but did not form a band at that time. The two attended separate colleges after high school and Linnell joined The Mundanes, a new wave group from Rhode Island. The two reunited in 1981 after moving to Brooklyn (to the same apartment building on the same day) to continue their career.]

[They Might Be Giants play The Truman, 601 E. Truman Rd, KC, on Tues, Mar 13, at 8:00 PM.]

14. Hello BiPlane – “Hide and Go Seek”
from: Hello BiPlane [EP] / Independent / Dec. 17, 2010
[Originally formed in Lawrence, Kansas by Braden Young and Spencer Goertz-Giffen who write songs and play them with their friends, and record infrequently, and play shows for fun. Jordan Geiger and Jeff Jackson joined the duo for this EP. Spencer Goertz-Giffen and Braden Young now both live in Oakland, California.]

[Hello BiPlane play Replay Lounge in Lawrence Friday, March 9, at 6;00 PM for the matinee, with Suzannah Johannes.]

15. The Project H – “NaCl”
from: Everyday, Forever/ The Project H / March 23, 2018
[This is the fourth album from the collective that includes: Clint Ashlock – trumpet, Ryan Heinlein – trombone, Brett Jackson – woodwinds, Matt Leifer – drums, Andrew Ouellette – keys, Dominique Sanders – bass, Jeff Stocks- guitars. The Project H were winners of the 2014 Pitch Music Award for Best Jazz Ensemble.]

[The Project H play The Black Dolphin, Saturday, March 10.]

[The Project H play am Album Release show will be Wednesday, April 4th at the Westport Coffee House Theater with special guests, the Mark Lettieri Trio from Dallas, Texas.]

11:00 – Station ID – Guest Producer DJ Timmy

For our second hour we welcomes Guest Producer DJ Timmy, who won the Wednesday MidDay prize package at the Silent Auction for last November’s Apocalypse Meow 10, a fundraiser for Abby’s Fund of the Midwest Music Foundation.

DJ Timmy grew up in Kansas City and graduated from Southwest High School. He hates winter so he moved to California, and then to Austin, Texas where had many opportunities to see and hear great music. DJ Timmy moved back to KC last year to be closer to family. His first concert was The Moody Blues with Trapeze at Municipal Auditorium. DJ Timmy has spent many hours behind the board at student radio station, KCOU, in Columbia, MO.

11:03 – Texas Oriented Music

16. Cornell Hurd Band – “I Cry, Then I Drink, Then I Cry”
from: Honky Tonk Mayhem / Behemoth Records / 1991
[In 1968 guitarist Hurd and bass player Frank Roeber formed a four-piece band to play for fellow high school students in Cupertino, California. After one public performance, the band folded but reappeared a little later, now named the Ragg Brothers, with Hurd, Roeber, Cornell’s brother Drew Hurd (harmonica), Joel Crawford (vocals), and Kim Muscatel (lead guitar). The group worked sporadically, playing some original material amid covers of western swing music. By 1971 Hurd and Roeber had moved to Berkeley, California, where they formed the El Rancho Cowboys. With them in this band were Gary Dulleck (piano), Lyle Pratt (lead guitar), and Kim Winn (drums). With some personnel additions and changes, the band played on into 1973, working all manner of one-night stands, including opening shows for big name artists. For a short while, Hurd worked at an electronics plant but was inspired by music he heard in Texas to form a new band, again with Roeber and Crawford, which he named the Original Mondo Hotpants Orchestra. This band survived long enough to make a couple of EPs, the eight tracks being mainly original songs. There followed in swift succession personnel changes and name changes as the band played club and concert dates on tours mainly in the Midwest and in Texas. By the end of 1976 Hurd had a band that was approaching his ideal and shortly thereafter dropped the Mondo Hotpants title to become the Cornell Hurd Band, a name that was taken much more seriously. Over the next few years there were constant changes in personnel although Hurd and his brother, Roeber, Patrick Hennessey and Dave Clemes were consistent members into the early 80s, while guitarist Paul Skelton was in and out all the time. Their tours took them steadily further afield and their recording sessions became more frequent. Still active in the early 00s, the band played in France in mid-summer 2005, at which time the personnel included Skelton (guitar), Howard Kalish (fiddle), Blackie White (guitar), Scott Walls (steel guitar), Del Puschert (tenor saxophone), T. Jarrod Bonta (piano), Randy ‘The Badger’ Glines (bass), Lisa Pankratz (drums), and Danny Roy Young (rub board).]

17. Bob Wills – “So Let’s Rock”
from: Country Music Hall of Fame Series / MCA / 1992
[James Robert Wills (March 6, 1905 – May 13, 1975) was an American Western swing musician, songwriter, and bandleader. Considered by music authorities as the co-founder of Western swing, he was universally known as the King of Western Swing (although Spade Cooley self-promoted the moniker “King Of Western Swing” from 1942 to 1969). Wills formed several bands and played radio stations around the South and West until he formed the Texas Playboys in 1934 with Wills on fiddle, Tommy Duncan on piano and vocals, rhythm guitarist June Whalin, tenor banjoist Johnnie Lee Wills, and Kermit Whalin, who played steel guitar and bass. The band played regularly on a Tulsa, Oklahoma radio station and added Leon McAuliffe on steel guitar, pianist Al Stricklin, drummer Smokey Dacus, and a horn section that expanded the band’s sound. Wills favored jazz-like arrangements and the band found national popularity into the 1940s with such hits as “Steel Guitar Rag”, “New San Antonio Rose”, “Smoke On The Water”, “Stars And Stripes On Iwo Jima”, and “New Spanish Two Step”. Wills and the Texas Playboys recorded with several publishers and companies, including Vocalion, Okeh, Columbia, and MGM, frequently moving. In 1950, he had two Top 10 hits, “Ida Red Likes The Boogie” and “Faded Love”, which were his last hits for a decade. Throughout the 1950s, he struggled with poor health and tenuous finances, but continued to perform frequently despite the decline in popularity of his earlier music as rock and roll took over. Wills had a heart attack in 1962 and a second one the next year, which forced him to disband the Playboys although Wills continued to perform solo.The Country Music Hall of Fame inducted Wills in 1968 and the Texas State Legislature honored him for his contribution to American music. In 1972, Wills accepted a citation from the American Society of Composers, Authors and Publishers in Nashville. He was recording an album with fan Merle Haggard in 1973 when a stroke left him comatose until his death in 1975. The Rock and Roll Hall of Fame inducted Wills and the Texas Playboys in 1999.]

18. Roger Miller – “Squares Make the World Go Around” (Vinyl LP)
from: Dang Me / Smash Records / 1964
[Roger Dean Miller, Sr. (January 2, 1936 – October 25, 1992) was an American singer-songwriter, musician, and actor, best known for his honky-tonk-influenced novelty songs. His most recognized tunes included the chart-topping country and pop hits “King of the Road”, “Dang Me”, and “England Swings”, all from the mid-1960s Nashville sound era. After growing up in Oklahoma and serving in the United States Army, Miller began his musical career as a songwriter in the late 1950s, writing such hits as “Billy Bayou” and “Home” for Jim Reeves and “Invitation to the Blues” for Ray Price. He later began a recording career and reached the peak of his fame in the mid-1960s, continuing to record and tour into the 1990s, charting his final top 20 country hit “Old Friends” with Willie Nelson in 1982. He also wrote and performed several of the songs for the 1973 Disney animated film Robin Hood. Later in his life, he wrote the music and lyrics for the 1985 Tony-award winning Broadway musical Big River, in which he acted. Miller died from lung cancer in 1992 and was inducted into the Country Music Hall of Fame three years later. His songs continued to be recorded by other singers, with covers of “Tall, Tall Trees” by Alan Jackson and “Husbands and Wives” by Brooks & Dunn; both reached the number one spot on country charts in the 1990s. The Roger Miller Museum in his home town of Erick, Oklahoma, was a tribute to Miller.]

19. John Prine – “Your Flag Decal Won’t Get You Into Heaven Anymore”
from: The Singing Mailman Delivers / Oh Boy Records / 2011
[John Prine (born October 10, 1946) is an American country folk singer-songwriter. He has been active as a composer, recording artist, and live performer since the early 1970s, and is known for an often humorous style of country music that has elements of protest and social commentary. Born and raised in Maywood, Illinois, Prine learned to play the guitar at the age of 14. After serving in West Germany with the U.S. armed forces, he moved to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs as a hobby. Becoming a part of the city’s folk revival, he was discovered by Kris Kristofferson, resulting in the production of Prine’s self-titled debut album with Atlantic Records in 1971. After receiving critical acclaim, Prine focused on his musical career, recording three more albums for Atlantic. He then signed to Asylum Records, where he recorded an additional three albums. In 1984 he co-founded Oh Boy Records, an independent record label with which he would release most of his subsequent albums. After his battle with squamous cell cancer in 1998, Prine’s vocals deepened into a gravelly voice, resulting in the award-winning album Fair & Square (2005). Widely cited as one of the most influential songwriters of his generation, Prine is known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary, or which recollect melancholy tales from his life. His 24th album, The Tree of Forgiveness, is coming out April 13.]

20. Jaye P. Morgan – “Pagan Love Song” (Vinyl 45)
from: DJ promotional 45 / RCA Victor / 1955
[Jaye P. Morgan (born Mary Margaret Morgan; December 3, 1931) is a retired popular music American singer, actress and game show panelist. Morgan was born in Mancos[1][2] in Montezuma County in far southwestern Colorado. Her family moved to California by the time she was in high school. Morgan had six siblings; five brothers and one sister.[1] In the late 1940s, at Verdugo Hills High School in the Tujunga neighborhood of Los Angeles, she served as class treasurer (and got the nickname “Jaye P.” after the banker J. Pierpont Morgan) and sang at school assemblies, accompanied by her brother on guitar. Morgan was not the only vocalist in her family. Three of her brothers were also singers. From top: Dick, Duke and Charlie with Jaye P., for a 1959 appearance on The Jimmy Dean Show. In 1950, a year after her graduation from high school, Morgan made a recording of “Life Is Just a Bowl of Cherries” issued by Derby Records, which made it to #26 in the U.S. Billboard record chart . Soon after, she received an RCA Victor recording contract, and she had five hits in one year, including “That’s All I Want from You,” her biggest hit, which reached #3 on the chart. Other notable hits included “The Longest Walk” and “Pepper Hot Baby”. In 1954, she married Michael Baiano. She joined MGM Records in 1959 after spending the previous six years with RCA Victor. From 1954 to 1955, Morgan was a vocalist on the ABC television series show Stop the Music. In November 1955, the British music magazine, NME, reported that Morgan was the top female vocalist in the U.S. Cash Box poll.In 1956, she had her own show, The Jaye P. Morgan Show, and made guest appearances on a number of other variety shows. She was a charter member of the Robert Q. Lewis “gang” on Lewis’s weekday program on CBS, and was featured on a special episode of The Jackie Gleason Show in which Lewis’s entire company substituted for the vacationing Gleason. In 1958, Morgan appeared on ABC’s The Pat Boone Chevy Showroom. On October 6, 1960, she guest starred on NBC’s The Ford Show, Starring Tennessee Ernie Ford. In 1961, Morgan was cast as Sally Dwight in the episode “Money and the Minister” of the CBS anthology series, General Electric Theater, hosted by Ronald Reagan. In 1962, she played Patty Maxwell in “Patti’s Tune” of the CBS military sitcom/drama Hennesey, starring Jackie Cooper. That same year, she was cast as Kitty Flanders in “That’s Showbiz” on NBC’s The Joey Bishop Show. In 1964, Morgan was cast as Ruth Evans in the episode “Sunday Father” of the NBC medical drama, The Eleventh Hour. She spent considerable time in the 1960s making nightclub appearances. In 1966, she guest starred on CBS’s My Three Sons as fading singer Claudia Farrell in the episode entitled “A Falling Star”. In 1973, Morgan played herself in the episode “The Songwriter” of the sitcom, The Odd Couple. She appeared as Magda Valentine in the film The All-American Boy, and continued to play small roles in films such as Loose Shoes (1980), Night Patrol (1984) and Home Alone 2: Lost in New York (1992). Morgan guest starred on The Muppet Show (episode 2.18)[7] in which she and Dr. Teeth sang “That Old Black Magic.” From 1976 to 1978, Morgan was a regular panelist on the popular game/variety show The Gong Show, from which she was fired for flashing her breasts. She also appeared on Rhyme and Reason and Match Game and in the 1980 “behind-the-scenes” movie version of The Gong Show. She also appeared on the Playboy Channel game show Everything Goes, and with her former Gong partner Jamie Farr on Hollywood Squares Game Show Week II in 2004. Morgan appeared in the 2002 George Clooney–directed film Confessions of a Dangerous Mind, a fictionalized version of the life of Chuck Barris, creator of TV game shows The Gong Show, The Dating Game, and The Newlywed Game.]

21. Louis Prima – “Oh Marie”
from: Capitol Collector Series / Capitol / May 13, 1991
[Louis Prima (December 7, 1910 – August 24, 1978) was an American singer, songwriter, and trumpeter. He rode the musical trends of his time, starting with his 7-piece New Orleans style jazz band in the 1920s, a swing combo in the 1930s, a big band in the 1940s, a Vegas lounge act in the 1950s, and a pop-rock band in the 1960s. Keely Smith was 17 when Louis Prima met her. Her hometown was Norfolk, Virginia. In August 1948, she made a point to stop by the Surf Club in Virginia Beach to visit one of her favorite artists, Louis Prima. To her surprise, he was looking for a new female vocalist to replace Lily Ann Carol. Keely had a bathing suit on and was not allowed into the club until she had proper attire on. Luckily, someone was able to lend her some acceptable clothing and she auditioned. She landed the part and travelled with the band. Louis signed with Columbia records in the fall of 1951 to keep up with the rapid changes in the marketing industry.Throughout the sixteen-month contract his top hits consisted of “Chop Suey, Chow Mein,” “Ooh-Dahdily-Dah,” and “Chili Sauce”. To manage his expenses, he had to drop his big band and play in low-grade clubs to support his horses. On top of it all, he divorced his third wife Tracelene on June 18, 1953. Less than a month later he married Keely, who was half his age. She was open to criticism and he wanted to make her a star. He had to find the style that fit her correctly, especially since rock and roll was emerging. Prima was not against rock’n’roll like some other artists, such as Frank Sinatra and Jackie Gleason. He accepted that the kids had “an instinct for the kind of music that’s fun to listen to and dance to.”

22. Xavier Cugat – “Sibony” (Vinyl LP)
from: Viva Cugat / Mercury / 1961
[Xavier Cugat was born January 1, 1900 and died on October 27, 1990. He was a Spanish-American bandleader and native of Spain who spent his formative years in Havana, Cuba. A trained violinist and arranger, he was a leading figure in the spread of Latin music in United States popular music. In New York, he was the leader of the resident orchestra at the Waldorf-Astoria before and after World War II. He was also a cartoonist and a restaurateur. The personal papers of Xavier Cugat are preserved in the Biblioteca de Catalunya. Cugat was born as Francisco de Asís Javier Cugat Mingall de Bru y Deulofeu in Girona, Catalonia, Spain. His family immigrated to Cuba when Xavier was five. He was trained as a classical violinist and played with the Orchestra of the Teatro Nacional in Havana. On 6 July 1915, he and his family arrived in New York City as immigrant passengers on board the SS Havana. Cugat appeared in recitals with Enrico Caruso, playing violin solos. Cugat was married five times. His first marriage was to Rita Montaner (1918–1920); his second was to Carmen Castillo (1929–1944); his third to Lorraine Allen (1947–52); his fourth to singer Abbe Lane (1952–64); and his fifth to Spanish guitarist and comic actress Charo Baeza (1966–78). Entering the world of show business, he played with a band called The Gigolos during the tango craze. Later, he went to work for the Los Angeles Times as a cartoonist. Cugat’s caricatures were later nationally syndicated. His older brother, Francis, was an artist of some note, having painted the famous cover art for F. Scott Fitzgerald’s novel, The Great Gatsby. In the late 1920s, as sound began to be used in films, Cugat put together another tango band that had some success in early short musical films. And by the early 1930s, he began appearing with his group in feature films. His first notable appearance occurred in 1942, in the Columbia production You Were Never Lovelier with Rita Hayworth, Fred Astaire, and Adolphe Menjou. Most of his subsequent movies were made at Metro-Goldwyn-Mayer studios, including Week-End at the Waldorf (1945), Holiday in Mexico (1948), A Date with Judy (1948), Luxury Liner (1948), and the Esther Williams musicals Bathing Beauty (1944), This Time for Keeps (1947), On an Island with You (1948), and Neptune’s Daughter (1949). In 1931, Cugat had taken his band to New York for the 1931 opening of the Waldorf Astoria Hotel, and he eventually replaced Jack Denny as the leader of the hotel’s resident band. For 16 years, Cugat helmed the Waldorf-Astoria Hotel’s orchestra ( the Waldorf-Astoria Orchestra), shuttling between New York and Los Angeles for most of the next 30 years. One of his trademark gestures was to hold a chihuahua while he waved his baton with the other arm.]

11:24 – Underwriting

23. Spook School – “I Only Dance When I Want To”
from: Could it be Different? / Alcopop – Slumberland Records / (2017) January 26, 2018
[The Spook School are a four-piece indie pop band from Edinburgh, Scotland.[3] The name is a reference to the Glasgow School. The band’s lyrics explore “gender, sexuality and queer issues” with themes such as “fluidity and the lack of a binary in gender”. Their music often gets compared to bands off the C86 compilation, such as The Shop Assistants, as well as The Buzzcocks; the band also lists David Bowie as an influence. They met and formed in 2012 whilst attending the University of Edinburgh. Brothers Nye and Adam Todd met AC Cory and Niall McCamley through the university’s comedy society. Most of the band have previously been involved in live comedy shows, some of which were performed at the Edinburgh Festival Fringe. Fortuna Pop! label owner Sean Price signed the band after seeing them play at Indietracks Festival in 2012. They released music on the label until its dissolution in 2017, shortly after which they signed to Alcopop! Records. Their debut album, released in 2013, is entitled Dress Up because it “relates to the idea of gender being a social construction, something that can be artificially appropriated”. The record received positive reviews from Loud and Quiet, Under the Radar, and The Skinny. Their second album, Try To Be Hopeful, released in 2015, has also received favourable coverage from music journalists. Often with emphasis that their world-view encompasses the fluidity of both gender and sexuality and that this gives their output “urgency and cheering freshness”. The band’s third album, Could It Be Different? was released January 2018 – just before embarking on a US tour supporting New York state pop-punk duo Diet Cig. It has been described as a “defining statement”, and a “a life-affirming return” which finds them “on the cusp of greatness”]

24. David Bowie – “Hang on to Yourself”
from: Bowie At the Beeb / Virgin / September 26, 2000
[Bowie at the Beeb is a compilation album by David Bowie, first released in 2000. Originally, it came in a three-CD set, the third, bonus CD being a live recording made on 27 June 2000 at the Portland BBC Radio Theatre. Later editions contain only the first two CDs. The first pressing mistakenly included the second (disc 2, track 12) version of the song “Ziggy Stardust” twice on disc two, missing the first (disc 2, track 4) version. EMI declined to issue corrected replacement discs to customers, instead mailing out one-song CDRs of the first version. This compilation also features a previously unreleased song, “Looking for a Friend” (disc 1, track 15), which John Peel said would be released as a single by Arnold Corns as a follow-up to the Arnold Corns versions of “Moonage Daydream” and “Hang On to Yourself”, but it was never released, thus making this the only performance of “Looking for a Friend”.]

25. Sweet Spirit – “Let Me Be on Top” (Vinyl 10” EP)
from: Sweet Spirit (eponymous debut Ep) / Nine Mile Records / May 11, 2015
[Formed in 2014 the Austin Texas nine-piece band Sweet Spirit started as a solo project. Austin singer Sabrina Ellis was going through some distressing times: the band that she fronted for several years, Bobby Jealousy, with her then husband was disintegrating along with their relationship. Everything Ellis was working toward was suddenly in free-fall. She started Sweet Spirit to hone her ability to write and perform on her own. “It was supposed to be focused on me writing solo, and performing with the guitar,” she says. But it didn’t stay that way for long. When Ellis started Sweet Spirit, she was still writing and performing with her longstanding garage punk band A Giant Dog. AGD Co-founder Andrew Cashen was intrigued by Ellis’ new emphasis on soul and country and pop music as touchstones for Sweet Spirit and quickly climbed on board the project. “I’m very comfortable doing loud and fast,” Cashen says, “so this is uncharted territory for me.” Together Ellis and Cashen began turning out songs at a breakneck pace. They assembled a core band of four more members, rehearsed religiously, and started playing gigs around town. Immediately they began turning heads and packing clubs. Within six months they had gotten noticed by one of Austin’s most famous musical residents, Britt Daniel of Spoon. In October of 2014, Daniel asked the band to perform at Spoon’s “secret” tour kick off show at the cramped rock club Hotel Vegas for their latest record They Want My Soul, and Sweet Spirit was quickly thrown into the local buzzmill. Ex-Spoon producer and friend Mike McCarthy was also an early devotee. He met with the band and invited them to record demos at his studio to shop around. Those early demos were so strong, that with minimal mixing, they became the band’s eponymous 10″ EP. Meanwhile, the band released their full-length debut Cokomo, as well as a two song collaboration with Daniel, receiving praise from Stereogum, Consequence Of Sound, SPIN, and other outlets, and leading to two more national tours. In between shows, the band found time to work with producer Steve Berlin (Los Lobos, Deer Tick) on their sophomore full-length St. Mojo. The new record comes out on April 7, 2017 on Austin label Nine Mile Records and features a bigger, more dynamic set of songs. Lead single “The Power” has already become a fan favorite at live shows, while the Queen-esque track “The Mighty” and Prince dance funk of “I Wanna Have You” take the band is exciting, unexpected new directions. Guest contributions from members of Grupo Fantasma, Mother Falcon and A Giant Dog.]

26. Nic Armstrong & The Thieves – “I Can’t Stand It”
from: The Greatest White Liar / New West / March 8, 2005
[Nic Armstrong & The Thieves are an English rock band founded by Nic Armstrong, and perceived to be inspired by the blues and the rock music of the 1960s, particularly bands such as the Beatles, the Rolling Stones, and the Kinks. Nic Armstrong’s The Greatest White Liar was released in April 2004 by One Little Indian Records and subsequently re-released in 2005 under the moniker Nic Armstrong & The Thieves to illustrate that his live show featured a full band. The US version was released on March 8, 2005 by New West Records and included a cover of “I Want to Be Your Driver,” originally by Chuck Berry. The album was produced at Toe Rag Studios by Grammy Award-winning British record producer Liam Watson, who has also worked on albums for the White Stripes, the Zutons, and the Kills. All tracks on The Greatest White Liar were written and composed by Nic Armstrong, with the exception of “Down Home Girl” and “I Want to Be Your Driver”. Armstrong played the majority of the instruments and all vocals found on the recordings, with the exception of one backing vocal overdub. Jonny Aitken performed on drums. “She Changes Like The Weather” & “Back In That Room” was selected by THQ and (the now defunct Pandemic Studios) to feature in the soundtrack of Destroy All Humans! The song was also featured in the film, Moving McAllister. “Down Home Girl” was featured in a Honda Ridgeline commercial during Super Bowl XL. The music video for “Broken Mouth Blues” was directed by Duncan Jones. In 2004, Paul Weller invited Armstrong to open solo for him on his European tour, shortly after this Nic Armstrong & The Thieves joined Weller on a full UK tour. The band made its US debut at SXSW and US network television debut on The Late Late Show with Craig Ferguson in 2005, followed by performances at the Coachella Festival and Austin City Limits Music Festival. Oasis invited the band on a North American tour during the summer of 2005, which led Noel Gallagher to comment on the band’s live show, “if they get their hair cut, they’ll be one of the biggest bands in Britain. They’re pretty special, man…” In 2006, under the band name, IV Thieves, New West Records released the album, If We Can’t Escape My Pretty (titled after a limited edition Nic Armstrong song that was featured on a limited edition Dazen and Confused flexi-disk). Armstrong is currently working on new material for both projects; Nic Armstrong and Nic Armstrong & The Thieves. There are no plans for any further IV Thieves release. he six-track Pocketless Shirt EP was released in November 2013. The six-track album was recorded at Cacophony Recorders in Austin, TX with Grammy Award winner, Erik Wofford. Negative Slant EP was released in November 2015.]

27. Wreckless Eric – “Take The Cash (K.A.S.H.)” (Vinyl LP)
from: The Whole Wide World / Stiff / 1979
[Eric Goulden was born May 18, 1954, in Newhaven, East Sussex. He is known as Wreckless Eric, is an English rock/new wave singer-songwriter, best known for his 1977 single “Whole Wide World” on Stiff Records. More than two decades after its release, the song was included in Mojo magazine’s list of the best punk rock singles of all time. It was also acclaimed as one of the “top 40 singles of the alternative era 1975–2000”. In 1973 he began attending Art School in Hull, where he joined bands such as Dirty Henry that played local clubs. On a break after his first year at school he saw Kilburn and the High Roads in Oldham. Struck by their honest approach to music, Eric decided to employ the same to his composing and performing. His next band, Addis and the Flip Tops, were the first incarnation of what would later be known as the DIY style. He first became known as one of the original members of the late 1970s Stiff Records artist roster, along with Ian Dury, Elvis Costello and Nick Lowe. Eric’s first appearance on record was “Whole Wide World” on the Stiff label sampler A Bunch of Stiff Records in April 1977. The single version of that song was finally released in August. The song was produced by, and featured bass and guitar by Nick Lowe, with Steve Goulding on drums. The following month, the song was one of five tracks broadcast for the first of two sessions Eric recorded for DJ John Peel at BBC Radio 1. The song went on to make number 47 in John Peel’s ‘Festive Fifty’, the so-called ‘lost list’ of 1977; it was number 8 in the Sounds critics’ singles of the year; and it received an ‘honourable mention’ in the NME critics’ chart. The song’s reputation has grown over the years and numerous bands have covered “Whole Wide World”, such as the Lightning Seeds, Mental As Anything, The Monkees (who covered the song on their Pool It! album in 1987), The Proclaimers (who covered it on their 2007 album Life With You), Paul Westerberg, and Cage The Elephant (who covered it in their 2017 album Unpeeled). His debut album Wreckless Eric was a Top 50 hit in the UK Albums Chart. His 2nd album with Stiff Records was The Wonderful World of Wreckless Eric.]

28. Amy Rigby – “The Trouble With Jeanie”
from: Little Fugitive / Signature Sounds Records / 2005
[Amy Rigby (born Amelia McMahon, 1959) is an American singer-songwriter.[1] After playing with several New York bands she began a solo career, recording several albums which had only modest sales despite enthusiastic reviews. She settled into a career of touring while raising a daughter, then formed a duo with Wreckless Eric whom she also married. As of November 2011 they continue to tour from a base in upstate New York. Rigby was born in Pittsburgh and moved to New York City in 1976. She married dB’s drummer Will Rigby in the 1980s, and during the late 1980s and early 1990s recorded with New York bands such as The Shams and Last Roundup. Her solo career began in 1996. In 1999 Rigby moved to Nashville to pursue a publishing deal, and continued to record and tour. She later relocated to Cleveland, and in late 2006 moved to France with her second husband, Wreckless Eric. In the fall of 2011 they relocated to the USA, moving to a town in upstate New York. Rigby released her first full-length recording under her own name, Diary of a Mod Housewife, in 1996. Village Voice critic Robert Christgau praised the album, calling it “concept album of the year”.[2] Spin voted Rigby “Songwriter of the Year” for 1996. Middlescence and The Sugar Tree (like Mod Housewife, recorded for Koch Records), also were well received by critics and listeners. Koch also released Rigby’s compilation album, 18 Again. After leaving Koch, she recorded for the Signature Sounds label, and also sold live CD and DVD material through her website. Til The Wheels Fall Off, with its opening track, “Why Do I,” produced by Richard Barone, was released on Signature in 2003, and Little Fugitive in 2005. The weekly newspaper The Nashville Scene said that Little Fugitive “finds Rigby as sharp as ever, even as many of the songs evince the fuzz of dislocation…or the exasperation of a survivor who hasn’t lost her sense of humor but knows that jokes have their limits.” She writes lyrics about the trials of a cash-strapped single mother in an uncaring world. “The Good Girls” is a song about consumerism and under-employment, for example. Asked by her manager if she would not be able to write the same kind of songs after starting a happy relationship, she responded “No problem. I’m still poor”, before cranking out a lyric about her beau’s ex-wife. Another trademark is outrageous sexual humor, as in the songs “I Hate Every Bone in Her Body” and “Are We Ever Going to Have Sex Again?” Rigby uses basic chord structures derived from ’60s rock and pop music. Her records are as notable for their musical sophistication as for their lyrical directness. Her influences also include New York City punk rock, especially as played at the famous CBGB club, as well as the Beatles and other mid-1960s pop. One of her recent songs is entitled “Dancing With Joey Ramone.” Ronnie Spector, Sara Hickman, and Laura Cantrell have recorded compositions by Rigby. In 2008 Wreckless Eric & Amy Rigby was released. The album is described as combining various influences.]

29. Wussy – “Acetylene” (Vinyl LP)
from: Attica / Shake It Records / 2014
[Fifth studio album from Cincinnati, Ohio, indie rock band formed in 2001. The 11 songs on Attica! were recorded at Ultrasuede Studios in Cincinnati, which is owned by former Afghan Whigs bassist John Curley. The album also saw the return of a member of one of Wussy frontman Chuck Cleaver’s former bands–Ass Ponys guitarist John Erhardt performed on Attica! as Wussy’s fifth member. Attica!’s opening track, “Teenage Wasteland”, describes singer Lisa Walker’s memories of listening to the Who, especially the song “Baba O’Riley”, and includes shoutouts to several of its members. The song also contains a guitar part that closely resembles that on Baba O’Riley. The album’s title track also references Dog Day Afternoon, portraying it as a tale of romantic desperation.]

30. Flamin’ Groovies – “Shake Some Action”
from: Groovies Greatest Grooves / Sire / 1989
[Flamin’ Groovies is an American rock music band whose peak was in the 1960s and 1970s. The band began as a “throwback”-influenced group in San Francisco in 1965, led by Roy Loney and Cyril Jordan. After the Groovies released three albums on major labels without much success, Loney left the band in 1971. He was replaced as co-leader by Chris Wilson, and the band’s emphasis shifted more toward British Invasion power pop. The reconstituted band signed to United Artists Records in 1972 but only released three more singles until 1976. The Groovies then signed to Sire Records and released three albums between 1976-79, also with limited success, before Wilson left the band in 1981. After that, Jordan and original bassist George Alexander continued on as the Groovies until the group finally disbanded in 1991. After a couple of limited reunions with different lineups, the 1970s nucleus of Jordan, Wilson, and Alexander reformed the group in 2013, and the band’s first post-reunion album was released in 2017. In addition to the band’s role in the advancement of power pop, the Flamin’ Groovies have also been called one of the forerunners of punk rock.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on March 14, professional actor and teacher Richard Alan Nichols joins us to talk about his new book, TO ACT IS TO DO. Also next week, the multi-talented actor-singer-comedian Spencer Brown aka Daisy Buckët joins us to talk about Daisy’s full length solo album debut, Pansy

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

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Show #724