WMM Playlist from October 9, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 9, 2019

Julia Othmer + Jocelyn Olivia Nixin of The Creepy Jingles
+ Music from Outer Reaches with Brenton Cook & Steve Tulipana

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Angel Olsen – “All Mirrors”
from: All Mirrors / Jagjaguwar / October 4, 2019
[4th album from Angel Olsen who was born January 22, 1987. She is an American singer-songwriter and musician from St. Louis, Missouri who currently lives in Asheville, North Carolina. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center and the Creepy Crawl as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago.After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on February 17, 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016. In addition to her work with Bonnie “Prince” Billy and The Cairo Gang, Olsen has collaborated with a number of other notable figures of American indie rock, including Tim Kinsella of Cap’n Jazz, LeRoy Bach of Wilco and Cass McCombs. Her collaboration with Kinsella and Bach, as well as with Chicago poet Marvin Tate, resulted in the album Tim Kinsella Sings the Songs of Marvin Tate by Leroy Bach Featuring Angel Olsen which the group released on Indianapolis label Joyful Noise Recordings on December 3, 2013. Her song “Windows” was featured in the final episode of the Netflix original series 13 Reasons Why.]

3. Pretend Friend – “I Do”
from: Unnatural Currents / Pretend Friend / May 17, 2019
[Pretend Friend is a string-band dynamo out of Wichita, Kansas. Their songs meld traditional bluegrass and folk with fiery rock and roll zest, and their performances are distinguished by high-energy picking and three-part vocal harmonies. Pretend Friend is: Grant Boesen as songwriter, and on guitar & lead vocals; Jason Snavely on drums & vocals; Brody Wellman on bass & vocals; and Evan Ogborn on mandolin & vocals. Unnatural Currents” is Pretend Friend’s second full-length LP. This album is the first to be acoustically arranged and foreshadows Pretend Friend’s stylistic direction since Brody Wellman and Evan Ogborn have joined the ranks as upright bassist and mandolinist, respectively. “The writing of this album acknowledges the futility in pursuing supernatural absolutes, but it also validates respect of the unknown. It relishes the uncertainty of existence, spirituality, and morality, and it celebrates expressions of enthusiasm, infatuation and skepticism.” More info at http://www.pretendfriendmusic.com]

[Pretend Friend play Porch Fest KC Saturday, October 12, at 12:00 Noon, at 3022 Oak Street during The Original PorchFestKC, this Saturday, October 12, 12 Noon to 6:00 PM in Roanoke, Union Hill and Longfellow Neighborhoods, now in its 5th year this music celebration brings music from 152 local & regional bands on 68 porch stages including music in Union Hill Cemetary. The map (and parking suggestions) are available at: PorchFestKC.com ]

10:11

4. Julia Othmer – “Frickin Awesome”
from: Sound / Julia Othmer & James Lundie / June 30, 2016
[One several new songs from Julia Othmer’s upcoming full length release of “Sound,” her second album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.”.]

[Julia Othmer plays recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.]

Julia Othmer

10:14 – Interview with Julia Othmer

We are happy to welcome back to the radio show our friend, singer songwriter Julia Othmer. Julia Othmer joins us to talk about her newest album “Sound,” released on April 12, 2019 on Frikin’ Awesome Records. who went to Park Hill High and studied at Columbia University in New York City. Julia now lives in Los Angeles, California and she is back in her hometown to play recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.

Julia Othmer, thanks for being with us on WMM

Julia Othmer was born August 13, 1975. She is from Kansas City, Missouri. She went to Park Hill High and studied at Columbia University in New York City. Julia Othmer lives in Los Angeles, California.

Julia has lived in New York, Boston, Philadelphia, and in Colorado

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Julia moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.”

Julia’s mother Sieglinde Othmer is from Hamburg, Germany, and is an artist who studied at Sorbonne in Paris. She is the author of several award winning books. Julia recently lost her father Arthur Othmer

Julia first started playing piano in first grade.

This year Julia released “Sound,” her second full-length album, produced with James Lundie, who married Julia in January of 2016 during the completion of the record.

James Lundie is from London, United Kingdom.

Last year Julia Othmer toured with and opened for The Alarm in US show and shows in the United Kingdom.

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Out of Print Magazine says: “This Thursday evening in the quaint little village of NYC, Julia Othmer, the mesmerizingly sultry singer/songwriter will be riding into town tucked under the wings of a Southwest jet. She will be performing at Rockwood Music Hall (196 Allen St. New York, NY) at 7PM sharp. If you haven’t heard of her, it may be because she has been diligently working on her new album for the last few years on the sunny and less immediate coast. Formerly a Kansas City native, Julia has put her pillow in New York, Boston, Philadelphia, some gondola in Colorado and finally Los Angeles, the city of lights and traffic, where she currently lives with her little white piano, her rock star and her cat Cosmo. Julia’s musical musings are so diverse that they become quite elusive to the simple description. Perhaps the best way to explain it would be if Nora Jones, Tom Waits, Billy Holiday and Lyle Lovett had a musical orgy and let you watch behind a curtain of burning lace and a whiskey waterfall. I’ll bring the unfiltered cigarettes, you bring your soul.”

Last time Julia Othmer was in Kansas City she played Knuckleheads, on February 28, with Johnny Hamil on bass, Chris Tady on guitar, John Floyd Whitaker on drums. All three will join Julia on stage at recordBar. Julia will welcome special guest: Julia Reynolds.

Who will be on stage with her on Saturday?

Julia Othmer plays recordBar, 1520 Grand, Sat. Oct. 12, at 8PM, w/ Amado Espinoza.

Julia ‘s newest album “Sound,” was released on April 12, 2019 on Frikin’ Awesome Records. Produced with James Lundie.

Tim Finn describes “Sound” as a “self-made record with a big-label sound… rich in space and soaring dynamics and rife with layers and textures and melodies and grooves.”

Julia Othmer is a graduate of Park Hill High School and moved to Los Angeles in 2006. While she lives in LA, she will always call KC her hometown.

Julia Othmer, thanks for being with us on WMM

Julia Othmer plays recordBar, 1520 Grand Blvd, KCMO Saturday, October 12, at 8:00 PM, with Amado Espinoza. More info at http://www.juliaothmer.com.

10:30 – Underwriting

10:32

5. The Creepy Jingles – “Atom & Evolution”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

Jocelyn Olivia Nixin and Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

10:33 – Interview with Jocelyn Olivia Nixin of The Creepy Jingles

Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

Congratulations on the new EP Release on High Dive Records.

Ross Brown of (Shy Boys and Full Bloods) recorded and mixed the EP at escape Pod Audio.

Mike Nolte Mastered the recordings at Eureka Mastering.

EP credits give special thanks to: Collin Rausch and Kyle Rausch of Shy Boys

The Creepy Jingles photo by: Orange Blossom Photography

From High Dive Records http://www.highdivekc.com:

“The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit.”

“Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing Bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. ”

From FALLY AFANI, I Heart Local Music.com (JUNE 22, 2019):

“The Creepy Jingles are really throwing us for a loop. Like, we know garage rock is supposed to sound raw and a little loose. But The Creepy Jingles are so on point with their craft, we’re not entirely comfortable with picturing them as some laid back group of rockers. Every. Single. Note. Is. Perfect. When The Creepy Jingles play, it sounds like they practice every single day. They don’t miss a single thing! Every note in every song is spot on, we haven’t heard a group of rockers this tight with their performance in ages. When they hit the Replay for their album release show Thursday night, it was hard to look away. Jocelyn Olivia Nixon runs a tight ship with this group. They began the set with her pounding away at the keys, leaving a throbbing urge for more of their exciting rock noise. Then, when they fully dove into their impeccable guitar work, the audience was also treated to her gnarly-as-hell vocals. The growls, the screams, the RAWNESS of it all brings out our most primal emotions.”

Jocelyn Olivia Nixin on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Jocelyn Olivia Nixin is Community Organizer at Bandwaggn Kansas City

Jocelyn Olivia Nixin is Singer/ Songwriter/ Guitar/ Keys at The Creepy Jingles

Jocelyn Olivia Nixin is Singer-songwriter at English Major

Jocelyn Nixin Studied Filming/Directing/Acting/writing at The Art Institute of Austin

Jocelyn Nixin Studied Studied Broadcasting & Film at University of Central Missouri

Jocelyn Nixin Studied Studied Creative Writing in English at Missouri State University

Jocelyn Nixin went to Blue Springs South High School and Jocelyn Nixin lives in Overland Park, Kansas

From The Pitch KC June 19, 2019 Nick Spacek:

Jocelyn Olivia Nixin was part of the band Abracadabras, that was active around Kansas City from 2006 to 2009 or so. Nixon fronted the band, which also included brothers Collin and Kyle Rausch, who now play in the pop act Shy Boys.

Jocelyn Olivia Nixin told Nick Spacek i nan article published in The Pitch KC on June 19, 2019, “That was, like, the first band,” Nixon says. “I’d been writing songs since I was probably about 22, and that was our first band together. So it was like we all grew up together … Once I went to Austin, I felt like it was time for me to stand on my own.”

“I’d left [Kansas City] to work on my marriage,” Nixon continues. “My wife at the time was offered a job and I figured, Yeah, Austin, great music city. I should see what happens. A music city like Austin was the silver lining in moving away from my band.”

The marriage hit the skids a few years in, but Nixon continued writing music. She released a solo project called English Major, a divorce record of sorts. Five years in, though, everything finally seemed to come to a head.

“The traffic, the cost of living — our rent went up $750,” Nixon says. “It was almost impossible to stay. I was like, Why am I killing myself to do this? I was also starting to come to terms with my own personal identity, and it blew into this existential crisis, where I was like, I can’t keep this bottled up anymore.”

Being “bottled up” was Nixon acknowledging her recent transition into life as a woman, a process she’d started early during her time in Austin.

“Tweezing my eyebrows, laser hair removal, therapy, going out more in femme,” she says — but largely abandoned after her marriage fell apart and she stepped into a new relationship. But the desire to transition hadn’t gone away; Nixon was just burying it.
“I was depressed to the point where I kind of — there’s that line in ‘Yer Blues,’ where John Lennon’s like, Feel so suicidal/ Even hate my rock and roll.’ I was like, ‘Oh, I get that line,’”

Nixon says. “I didn’t ever feel like I was going to commit suicide, but I had this fantasy of faking my death and becoming a new person, which was all sort of leading me to transition, but I was just miserable and I just didn’t want to be around it.”

She decided to leave Austin and return to KC, though moving back home as she transitioned wasn’t something Nixon was initially eager to do. “I thought it was scarier to move back,” she says. But then she realized that, as she says, “I needed to do this in front of the people I grew up with, and have those tough conversations, and tell them who I really am and how I really feel. It felt like the most honest way to do things, and it felt like the most authentic way to bridge my past to my present.”

Nixon started hormones and came out as a woman after she moved back home to KC. She says everyone’s been cool about it — tons of support.

“When I came out, I felt stupid, because I was like, ‘I should’ve done this sooner,’” she says. “An immediate weight lifted off of me, just from carrying the weight of that consuming all my mental faculties at all times. It just shot my nervous system.”

Nixon had quit playing music toward the end of her time in Austin, and she gave herself a few years during her transition to “get my head right and heal from a breakup, and also, approaching this new phase in my life,” as she puts it. But she kept writing songs.

She started jamming with Nick Robertson, a drummer. Then they brought in Travis McKenzie, a former Abracadabras guitarist, and the Creepy Jingles were born. They played around for a few years and then, last year, began recording what would become their debut self-titled EP.

“We took it slow, doing it like, once a week, and then once fall rolled around, we were like, ‘Let’s record some things,’” Nixon says. They took the music to Ross Brown, another Shy Boy, who recorded and mixed the EP in his basement. Collin Rausch ended up playing bass on it (Adam York has since joined the group as the full-time bass player).

“It was kind of like a little family reunion,” Nixon says of reuniting with old bandmates.

Nick Spacek wrote: The EP was released on High Dive Records at the beginning of May. It’s confident and exuberant, a Kinksy mishmash of Britpop garage rock”.

She says. I felt like I had to adopt a mask or a character to protect myself a little bit onstage. Now it feels very me, and I’m very comfortable.”

The Creepy Jingles
photo by: Orange Blossom Photography

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:44

6. The Creepy Jingles – “Prodigal Sun Tzu”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

The Creepy Jingles
photo by: Orange Blossom Photography

10:47 – More Interview with Jocelyn Olivia Nixin of The Creepy Jingles

We are talking with Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

This has been a very busy year for you and for the band. You just finished playing Middle of The Map Festival. Before that you played Crossroads Music Festival.

The Creepy Jingles have played all over Kansas City, Lawrence and surrounding areas.

Abracadabras laid the ground work for the path Jocelyn is following for The Creepy Jingles.

The songs on the EP are incredibly poetic, and you are having somuch fun with word and wordplay. The lyrics fly by so fast while making all kinds of modern references to microchips, memes, Reddit, Twitter, Fake News, Samsung, Big Brother while also seeming to be auto biographical and personal first person narratives and calls to action about Coming Out, leaving your past behind, “turning straight people bi-focal”, our currently political reality, and personal break ups and break outs.

Collin & Kyle Rausch and Ross Brown of Shy Boys are suppoters of The Creepy Jingles.

Mark: “One of my favorite aspects of the KC music community is the mix of genre and culture. Musical artists in Kansas City have felt comfortable to come out as Gay Lesbianm non-binary, transgender, ad the music community’s response seems to be okay, that’s great, what do you sound like? I don’t see transgender artist being shoved into a separate sub category where they only play gay bars.” “As an openly gay man I have often felt more accepted in the KC Music Community than in the Kansas City LGBTQIA Community.”

High Dive Records has released some of our most played music on WMM. The ACBs, Shy Boys, Fullbloods, The Conquerors, Psychic Heat, The Whiffs, The Fog, Y God Y have been some of our most played bands on the show. More info at: http://www.highdiverecords.bandcamp.com

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:58

7. The Creepy Jingles – “Circadian Rhythm Guitar”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. Ross Bown recorded and mixed the EP at escape Pod Audio. Mike Nolte Mastered the recordings at Eureka Mastering.]

11:00 – Station ID

Jocelyn Olivia Nixin and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:00 – Music from Outer Reaches Fest at recordBar Saturday October, 19

8. Lumerians – “Silver Trash”
from: Call Of The Void / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland. They have their own recording studio in a converted church in Oakland, California. The band’s sound was influenced by groups such as Sonic Youth, Krautrock groups such as Can and Neu!, and African and South American Psych music from the 1960s and 1970s. In mid-2011 Vasquez left the group to focus on his project The Soft Moon The Lumerians have worked with vocalist Rebecca Coseboom. Coseboom and the Lumerians did the track Separate Half on the EP entitled The Answer EP by Unkle. They performed in 2010 in Brooklyn with the Butthole Surfers. Lumerians released their first full length LP, Transmalinnia in March 2011. In July 2012, Lumerians released their second LP, a collection of instrumental spontaneous compositions titled “Transmissions from Telos Vol. IV.” “Transmissions” was released as a limited 300 edition transparent vinyl by French label Hands in the Dark in Europe and an edition of 500 (150 transparent sea blue and 350 Bone) on Permanent Records in the US. In late November and early December 2012, Lumerians completed their first European tour, ending the year with the release of the Horizon Structures EP on Knitting Factory Records. A limited 500 edition vinyl of Horizon Structures is packaged with “4D Trans-dimensional portal viewing glasses” for viewing the video for “The Bloom,” shot in ChromaDepth. Lumerians released LP The High Frontier in May 2013 in the UK and Europe, supported by performances in UK, France, Netherlands and Belgium. The album was released August 2013 in the US, coinciding with a series of dates supporting My Bloody Valentine on the second half of their US tour, followed by a series of UK and European dates in 2014, culminating with them closing out the Roadburn Festival’s Afterburner in Tilburg, Netherlands. ]

Steve Tulipana and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:06 – Interview with Brenton Cook & Steve Tulipana

Originally called KC Psych Fest, Outer Reaches started in 2012 to bring together outsider musical acts and celebrate experimental music in Kansas City. While still very psychedelic, the Outer Reaches Fest has grown to emphasize musical acts pushing boundaries.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 7 years, Brenton has been a co-curator of the Outer Reaches Fest.

Steve Tulipana is the co-owner of recordBar. Steve studied video, fine arts & painting at UMKC, where he graduated in 1991. Steve is a founding member of influential KC bands: Season To Risk, Roman Numerals, Thee Water MoccaSins, Sie Lieben Maschinen, and Unknown Pleasures. With Shawn Sherrill, he is co-owner of recordBar and miniBar. Along with Outer Reaches, and a full calendar of shows, Steve Tulipana also performs with The Band That Fell To Earth – in Tribute to David Bowie.

Brenton Cook & Steve Tulipana share music & news about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO. This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering). Accompanying the music will be live video projections provided by XO Blackwater. Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com. or http://www.outerreachesfest.com

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

Congratulations on 8 years.

Bands playing Out Reaches Fest 2019:

Lumerians (from Oakland, California),
Thunder Jackson (from Oklahoma and Wales),
KC based bands:
Be/Non,
BCR (Black Crack Revue),
Monta At Odds,
FACEFACE, and
Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.
Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian)

Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

From http://www.unicornsinthesnow.com:
Julia Vering (Unicorns in the Snow) is a performance artist, musician, animator and licensed clinical social worker. She began her involvement with the Kansas City DIY/punk scene as a teenager taking photographs and creating zines about obsolete local amusement parks and punk bands. She attended Evergreen State College where she earned a B.A. in liberal arts studying electronic music, experimental animation and social work. While in Washington state, she formed and toured with the all female conceptual art band Muñeca Chueca, volunteered at a senior center, recorded oral histories, and facilitated music recording workshops for incarcerated youth. After graduation, she moved back to Kansas City and began working at a nursing home where she facilitated art and music therapy and began an experimental drama program. She studied electro-acoustical composition and gerontology at the University of Missouri Kansas City. In 2008, she earned a Masters degree in Social Work from the University of Kansas. She designed a recreational therapy program for the inpatient geriatric psychiatric unit at the Kansas City Veterans Affairs Medical Center and worked as a licensed social worker at Kansas City Presbyterian Manor facilitating a drama club, harmonica band and talent shows. She currently works as a hospice social worker and leads an experimental therapeutic drama group for people with dementia.

Vering balances her client-centered social work with the need to create intensely personal, introspective performances to share with the public. Her work explores mortality, loneliness, absurdity and empathy, seeking to monumentalize the mundane and forgotten through sound, performance and visual art. Vering received a Rocket Grant in 2011 to produce You Live Here Too, a multimedia performance utilizing video, stop-motion animation, an original score, and local senior citizens as actors and oral historians. After a hiatus from taking work after having children she created Motherhood, a psychedelic multimedia performance piece about perception, which utilizes processed accordion, field recordings of her children, stop motion animation of mink stoles and cameos from her own mother. She toured this project in June 2018 with former collaborator Angela Saylor of Mint Hill. Her current project, The Understudy, is an evolving multimedia performance piece featuring cameos from participants of the drama she leads for people with Alzheimer’s disease and other dementias. The piece was inspired by a delusion a nursing home resident shared with her 17 years ago that “every rock in here is from a different place, and if you pick it up, you can see where it’s from.” Vering continues to work within the DIY ethos recording her own music, filming, editing her own videos and writing her own scripts at her home studio in Overland Park, Kansas.

11:13 – Music from Outer Reaches

9. Unicorns in the Snow – “We Started a Rock Company”
rom: The Understudy / Julia Vering / May 9, 2019
[Julia Vering (unicorns in the snow) is a Kansas City-based performance artist, musician, animator and licensed clinical social worker. She earned a BA from The Evergreen State College studying electronic music, experimental animation and social work, and a Masters degree in Social Work from the University of Kansas. She currently works as a licensed hospice social worker, and conducts bi-monthly experimental video-based drama therapy with individuals with Alzheimer’s disease and related dementias at Jeanne’s Place day program. Her solo multimedia performance work has continued to evolve, utilizing large format interactive projections, processed accordion, field recordings of her children and cameos from her mother, culminating in 2018’s Motherhood. She is currently creating and performing, The Understudy, a multi-part performance series featuring adults with dementia.]

[Unicorns in the Snow play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

10. Be/Non – “Aahs Come From The Skies-Oohs Come From The Ground”
from: Mystic Sunrise / Sunset Magic / Haymaker Records / February 25, 2016
[Brodie Rush is a songwriter, musician, singer, organizer, artist, film maker, music video creator. Over 20 years ago KC native, Brodie Rush formed the experimental, psychedelic, prog-pop band. In 1996, Be/Non recorded two sets of songs in a small home studio in Lawrence, Kansas, that would become their first two EPs released on cassette. Be/Non, The band has had more members than Spinal Tap, but Brodie has remained the only consistent member, songwriter and producer. Be/Non personnel: 2007, Brodie Rush – Vocals, Guitar, Keyboards, Bass, Percussion, Drums; Ben Ruth – Bass, Upright Bass, Vocals; Adam Stotts – Guitar, Vocals; John Huff – Keyboards, Synths, Vocals; Adam Phillips – Drums (although Ryan Shank – played Drums on this track.) All songs written by: Brodie Rush, except Freedom Palace with music: John Huff & lyrics: Brodie Rush. Produced by Brodie Rush. Recorded at Westend Recording (Kansas City, Kansas) 2007 (Basic tracks, some overdubs); The Gold Room (Kansas City, Missouri) 2007 (Overdubs); Studio G (Brooklyn New York) 2007 (Mixing, Overdubs); The Map Room (Lawrence, Kansas) 2003 (Overdubs). Engineeres: Paul Malinowski Recorded at Westend Recording (Kansas City, Kansas) 2007 ; Brodie Rush The Gold Room (Kansas City, Missouri) 2007; Joel Hamilton Studio G (Brooklyn New York) 2007 ; Peter Buxton The Map Room (Lawrence, Kansas) 2003, (Saxophone overdubs imported from “Do The Heat” off the record, “Esperanto At The Pantheon, Incognito”). Mixed by Joel Hamilton at Studio G (Brooklyn New York) 2007. Mastered by Brodie Rush. Thanks John Hulston, Anodyne Records, Brenton Cook, Haymaker Records, Paul Malinowski, Tony Maimone, Justin Warring, Adam Phillips, Brandon Phillips, Steve Neuenburg, Mike Miller, Shawna Sowersby-Booth, David Hanson, Billy Brimblecom, Steve Tulipana, Jason Cantu, David Gaume, Robert Moczydlowsky, Laurel Birdsong Sears, Kid Millions, Cypher Sound, The Record Bar. Dedicated to: Failed marriages throughout time and space. The troubled “Freedom Palace” LP was recorded over 10 years ago in the summer of 2007 by Paul Malinowski and Brodie Rush in Kansas City, Missouri. Anodyne Records had commissioned Be/Non to re-record songs from, “RAN” and “Esperanto At The Pantheon, Incognito” along with other unreleased material. The music from the title track “Freedom Palace” was written by John Huff and had the album been released, would have been the first Be/Non composition not penned by Brodie Rush. Be/Non was a 5 piece before recording negotiations began in 2007. Directly before preproduction, the band had lost its drummer of 3 years and Be/Non was actively searching for a replacement. Between Brodie filling in on drums for two songs and Billy Brimblecom playing drums on another track, Be/Non asked Adam Phillips of The Architects to drum on the album’s remaining songs. The album was mostly recorded at Westend Studios in Kansas City and at Brodie’s home studio The Gold Room. After tracking 97% of the album, the project was taken to Studio G in Brooklyn New York for mixing by Joel Hamilton. 10 days later, the album was mixed and ready for duplication. No formal album covers had been decided on. John Huff had an idea of a Unipegadong by a nebula in space, while Brodie was thinking a castle floating in mid air. The first cover idea was mostly just pointing arrows going in all directions. Emotionally that was probably the closest to the mindset of that recording. The album “Freedom Palace” was never pressed or released. Because a contractual arrangement could not be agreed upon between Anodyne Records and Be/Non, the band would not see an album released until 2009, “A Mountain Of Yeses”, 11 years after it’s last release in 1998. “Freedom Palace” is dismissed by the band as a complete failure. Ultimately not having rights to the recordings, the inability to reach a contractual agreement with Anodyne Records and unhappiness with the final mix led to the disbanding of the “Freedom Palace” line up in early 2008. Reclusive, secluded and freshly divorced, a depressed Brodie Rush stopped all live performances for the next two years. Spending time to construct the concept record “A Mountain Of Yeses” as a solo endeavor under the Be/Non band moniker. Then, six years later in 2014, John Hulston of Anodyne Records graciously gave Brodie Rush full rights to the “Freedom Palace” recordings and masters. Be/Non has since tried numerous times to re-record the material for a proper release, but never could fully accomplish this task. Finally, for the entire world, for better or for worse, Be/Non and Haymaker Records would like to present the final mix of “Freedom Palace” the way it was originally intended. Be/Non adamantly renounces the production, mix and performances on these recordings, with few exceptions. The album was mixed and recorded during a dizzying haze of drug and alcohol abuse. The lyrics, the tone and the feel of the record is very unfocused, angry and misguided. This record does not reflect the proper sonic soundscape or performances Brodie Rush and Be/Non had intended whatsoever. “Freedom Palace” was full of rehashed versions of songs better left to their previous incarnations. “Moi Ou Toi” from the 7″ is a remake from “Freedom Palace” but the “FP” version is a remake of the original “Ran” version. Complicated. In fact ALL of the recordings on “FP” are remakes from “Ran” and “Esperanto.” “Do the Heat” and “Lucy” are again remakes of the “Ran” and “Esperanto” versions. The version of “Ice Fight” on “FP” I think… is different than the B-Side to “Moi Ou Toi”. A different remix with other instruments. We had two different versions from 2015. The Kraftwerk reference was unintentional. John Huff started playing that back in 2006 but hadn’t heard the Kraftwerk song until I played it for him in 2015. He just did that and thought he was cool. I hadn’t heard that tune until 2010 or so. It was an accident. There is an unreleased, unfinished song called “No God Of Mine” I recorded in 2002 on my 8 track that when I tried to remake it in 2007 with Mike Cochran on drums, John heard it and played me a song from the band YWKMBT Trail Of Dead from 2005 that was almost identical even the timing on the changes. The vocal melody was different tho. I got so disturbed by it that I stop working on the song altogether. “Garlic”, “In The Nighttime” “More Than Enough” and “Current And The Rind” were all part of an unreleased collection called “Enhance The Smoky” from 2000. Same year “Tenderfoot” was written.]

[Be/Non play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

11:18 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook & Steve Tulipana about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO.

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.

The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com.

We just heard Be/Non from: Mystic Sunrise | Sunset Magic / Haymaker Records / 2/25/16

Be/Non will be joining Outer Reaches this year to perform a special set of music with video accompaniment. This will be their first live appearance in 3 years.

Last year Outer Reaches is part of Open Spaces KC. This year Outer Reaches is again collaborating with Midwest Music Foundation. Outer Reaches 2019 is made possible from the help of a grant through the KC Neighborhood Tourist Development Fund.

Sponsors for this year’s fest include Records with Merritt, 7th Heaven, It’s a Beautiful Day, recordBar, Seen Merch, XO Blackwater, Haymaker Records, Kosmic City, Crush Media, Boulevard Brewing Co., and Print Time. Info: http://www.outerreachesfest.com

11:24 – Music from Outer Reaches

11. Thunder Jackson – “Colours”
from: Colours – Single / Thunder Jackson / March 7, 2018
[Thunder Jackson is the meeting of an Oklahoma’s singer-songwriter and a British producer. After meeting in a taxi cab in Los Angeles, the freshly born duo started to work in basement studio on the west side of the city.Nov 26, 2017.]

[Thunder Jackson play Outer Reaches Fest, Saturday, October 19 at recordbar.]

12. BCR – “Love In Outer Space”
from: Speck of Dust / Sparkling Beatnik / December 31, 2004
[BCR is Black Crack Revue, formed 37 years ago in KC. Called “groovy polyphonic jazz/dance” band.]

[BCR play Outer Reaches Fest, Saturday, October 19 at recordbar.]

11:32 – Underwriting

11:35 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook, and Steve Tulipana about OUTER REACHES VIII on two stages on Saturday, Oct. 19th at recordBar.

Brenton Cook and Steve Tulipana thanks for being with us on WMM.

More info: http://www.outerreachesfest.com/

The music festival Outer Reaches, in its eighth year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

11:42 – Music from Outer Reaches

13. FACEFACE – “Meat Me”
from: MMmm / FACEFACE / February 15, 2018
[KC based experimental electronic hiphop musical collaboration with Paul S. Nyakatura, is a Kansas City based award winning voiceover artist, stand up comedian, commercial producer, and rapper and hip hop artist.and Ryan Lee Toms is a Kansas City based multi-instumentalist, composer and artist who has recorded original experimental dance electronic music as RLT with John Bersuch. Ryan also plays guitar with the math rock band HMPH! and he plays drums for the KC based, 5-piece post-punk deathrock band Beelzebabes..]

[FACEFACE plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

14. Monta At Odds – “Perimeter Dancer”
from: New Unreleased track from band with Mikal Shapiro on vocals
[KCK based band formed by brothers Dedric and Delaney Moore. ]

[Monta At Odds plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

11:48 – Underwriting

11:56 – Music from Outer Reaches

15. Lumerians – “C – Rock”
from: Yellowcake – Single / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland.

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on October 16 – we welcome Krystle Warren with Brad Cox and Jen Owen of Owen/Cox Dance Group who present “Love Songs” at Polsky Theatre Saturday, October 19 at 8:00 pm, and Sunday, October 20 at 3:30 PM. We’ll feature music from Krystle Warren’s critically acclaimed 2012 double album release of 24 original songs, recorded in Brooklyn with a 27-piece band. Also next week special co-hosts Betse Ellis and Marion Merritt join us for our Fall Fund Drive Show encouraging you our beautiful listeners to call us and show your support for the most original radio station you’ve ever listened to, 90.1 FM KKFI where over 85 locally produced radio shows air each week.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #806

WMM Playlist from July 25, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 25, 2018

Shy Boys + Heidi Lynne Gluck + Keaton Conrad
+ Sid Sowder & Too Much Rock

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Soccer Mommy – “Last Girl”
from: Clean / Fat Possum Records / March 2, 2018
[Soccer Mommy is the stage name of bedroom pop and indie rock musician Sophie Allison. Allison was born in Switzerland and grew up in Nashville, TN. She attended Nashville School of the Arts, a speciality high school where she studied guitar and played in the swing band. She first picked up a guitar at age 6, which prompted her to start making music. She began posting home-recorded songs to Bandcamp as Soccer Mommy in 2015, during the summer when she was about to leave for college at New York University, where she studied music business. While in college, she played her first show as Soccer Mommy at the community art space Silent Barn in Bushwick, Brooklyn, and shortly after landed a record deal with Fat Possum.She dropped out after a year in 2017 to return to Nashville and pursue her music career. Since beginning her career as Soccer Mommy, Allison has released two full-length albums. Her first, For Young Hearts, was released in 2016 on Orchid Tapes. Her second album, Collection, was released in 2017 on Fat Possum Records. Her debut album proper, titled Clean, was released on March 2, 2018. She has toured with Mitski, Jay Som, Slowdive, Frankie Cosmos, Phoebe Bridgers and others]

[Soccer Mommy opens for Stephen Malkmus and the Jicks at recordbar, Sunday, July 29, at 8:00 PM.]

3. The Philistines – “1971”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Steve Gardels on drums, Rod Peal on guitar; Josh Mobley on keyboard, and Barry Kidd on bass. For this record Michelle Bacon played bass & backing vocals. Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play Jackpot Music Hall, 943 Massachusetts Street, in Lawrence, Kansas Friday, July 27, for the Serene Fiend Album Release Show at 9:00 PM.]

[The Philistines play The Riot Room, 4048 Broadway, Kansas City, MO., Monday, July 30, at 7:00 PM with in The Whale.]

[The Philistines play The Rino, 314 Armour Rd, North Kansas City, Sunday, August 19, at 7:00 PM, with Dream Version, and Westerners]

4. Under the Big Oak Tree – “Dear Brother”
from: The Ark / Under The Big Oak Tree / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).

[Under The Big Oak Tree play a CD Release! Matinee Show, Sunday, August 26 at 5:00 PM, at Replay Lounge, 946 Massachusetts St, Lawrence, KS with Signal Ridge.]

[Under The Big Oak Tree play a CD Release! in St. Joe, Wednesday, August 29 at 8:00 PM, at Unplugged, 2605 Frederick Avenue, Saint Joseph, MO]

[Under The Big Oak Tree play a CD Release! in Kansas City, Friday, August 31 at 8:00 PM, at Mike Kelly’s Westsider, 1515 Westport Rd, Kansas City, MO]

5. The Hollow Ends – “The Low”
from: Bears in Mind / Brave New Records / July 27, 2018
[Debut album from St. Louis, Missouri based singer-songwriter Zachary Schwartz who tracked the record in his bedroom. The record was mixed and mastered by Ben Majchrzak at Native Sound.]

[The Hollow Ends play The Brick, 1727 McGee, KCMO, on Saturday, July 28, at 7:00 pm with Luther Vincent, and Lily Brown.]

6. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

7. Kyle Nachtigal – “Feeling This Way”
from: High Considerations / Kyle Nachtigal / April 20, 2018
[Originally from Springfield, Missouri, this talented guitarist, singer and songwriter has lived in Nashville, Tennessee, since 2009. He studied at Belmont University in the Music City and dedicated himself to full-time music making in February of 2016 which got him out on the road. In his travels he kicks it through Kentucky, meanders to Missouri, then heads back to Tennessee before wandering up to Illinois or down to Arkansas for a few gigs. Yes, the guy stays busy playing his style of percussive, melodic rhythm guitar on a custom designed Craig Southern model backing up his smooth and appealing voice. He works off a song list ranging from unique mashups to top shelf originals, plus all kinds of styles in between since he can “jump effortlessly between folk, rock, hip hop and jazz” without breaking a cool sweat. He released the seven-track recording titled Fort Dakota in 2016 and continues on the solo music adventure as a contemporary troubadour out to make music for the people. – Tom Irwin, IllinoisTimes, 10/26/17]

[Kyle Nachtigal plays Westport Saloon, 4112 Pennsylvania Ave, KCMO, on Friday, July 27, at 8:00 PM, followed by Duncan Hill and the Electric Prairie Surfers, and The Widowmakers.]

8. The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / Expected August 10, 2018
[Full Length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass,folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.”]

[The War and Treaty played an Official Showcase at Folk Alliance International Conference]

10:30 – Underwriting

9. Shy Boys – “Take The Doggie”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. This was the first single from their upcoming full length release.]

10:35 – Interview with Shy Boys

Shy Boys

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys originally formed as a trio in 2012 with brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin (of The ACB’s fame). The three shared a love for 1960s era pop rock and started writing their own music. Kyle Little and Ross Brown (of Fullbloods) joined to make Shy Boys a 5-piece. In 2014 Shy Boys released their self-titled debut on High Dive Records. Their single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles. “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that Shy Boys had signed to Polyvinyl. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being on WMM

Band member Kyle Little had to work at his job at Retro Inferno and couldn’t be with us on the radio.

We gave Ross Brown a little kidding, asking him if he should change his name to Kevin or Carl so as to fit in more phonetically with Collin, Kyle, Konnor, and Kyle.

Shy Boys – Bell House
Shy Boys album art was done by Kit Landwehr

On the Bandcamp page for Shy Boys there is an essay written by fellow Kansas City area musician Kevin Morby who now lives in Los Angeles.

Being in a band is a sacred thing.
Being in a band in 2018 is a sacred thing.
Being from the Midwest is a sacred thing.
Being in a band that is from the Midwest in 2018…

Consider Shy Boys – DIY local champions of Kansas City, MO, who if you add it all up, are something sacred. Comprised of brothers Collin and Kyle Rausch and best friends Konnor Ervin, Kyle Little and Ross Brown, Shy Boys are the heartland’s answer to The Beach Boys had Alex Chilton been on guitar.

But if a harmony falls into a microphone in the middle of America does anyone really hear it? Some do. Take for instance Shy Boys’ 2014 self-titled debut on local Kansas City label, High Dive Records – I first came across this album while living in Los Angeles and catching wind of a band from my home town that I was told could “actually sing,” and after the first spin, through the muddy fidelity, man, could they actually sing.

Shy Boys’ history isn’t too dissimilar from any other Midwestern band. Like the many Replacements or Husker Düs before them – they exist neither here nor there, but instead, somewhere anonymously in the middle. And though you may not find the same opportunity floating in the middle as one would Here or There, you are allotted a certain amount of time and space to grow both yourself and your craft into what you want it to be. Over the past four years, that is exactly what Shy Boys have done and that is what brings us here today.

On August 3, 2018, the world will see the release of their second record, Bell House, out on legendary and globally cherished record label Polyvinyl, bringing both their profile and music to the surface for the first time.

The album’s title is taken from the band’s beloved headquarters – the old house on Bell Street in Kansas City where they lived together for the better part of 5 years.

“‘Lived’ is a loose term,” says lead songwriter Collin. “It was more like a bum den than anything else. There was a giant hole in the floor of the kitchen that had a piece of plywood over it. In the backyard, weeds got like 6 feet high in the summer. It was its own thriving biome. We lived in trash.”

Musically, Collin describes the songs on Bell House taking shape through “a group of guys trying to get through some sort of mutual identity crisis. The lifestyle became overwhelming and really seeped into the music.”

In the time since the release of ST, Collin saw himself falling in love and getting married, leaving the old house on Bell Street, and moving back into his mom’s house with his wife in a suburb of the city. It’s here where the songs of Bell House were born. Being back under the same roof he had grown up in where there was “still writing on the walls from childhood,” Rausch found himself reflective and looking out at his life as a whole.

Take closing track “Champion” for instance, a song Collin says is dedicated to his and Kyle’s mother. “It’s just a note saying that she took care of us when we were young, and now it’s time for us to be there and take care of her.”

The reflective spirit sprinkled throughout the album is also evident on lead single, “Take The Doggie,” a bouncy, guitar driven track centered around wanting to secretly rescue their neighbor’s dog from an abusive owner, or on album highlight “Evil Sin,” which tackles the memory of drummer/bassist Konnor Ervin getting robbed.

But through all of this, Rausch kept his passion in his band, if even for nothing more than to – in his own words – have an excuse to keep hanging out with his brother and best friends.

“I have to keep Shy Boys alive to have a regular excuse to hang out with them,” says Collin. “To keep the band alive, I have to write songs. To be able to travel with my buddies, there has to be a new record.”

There is an old term that’s kicked around in country music called a “blood harmony” – in which two people in the same blood line, usually siblings, harmonize with one another in real time. Perhaps that is Shy Boys’ magic touch, putting them just a notch above all the other angels out there in the indie rock choir, and it makes sense, though no longer practicing evangelicals, Collin and Kyle grew up singing besides their parents in their church choir, so their keen sense of harmony is nothing new to them, but instead a life practice devoted to the voice as an instrument.

The result is Bell House, and the result is beautiful. There is something sensitive to the touch about this album, which is perhaps another way of saying that, well – Shy Boys are indeed Shy Boys. I envision the band as a solid unit, with each moving part as an equal. There is a heavy sense of family in everything they do both, literally and figuratively. Bruce Springsteen’s 1980 song “Highway Patrolman” always seems to come to mind;

“Yeah me and Franky out laughing and drinking,
Nothing feels better than blood on blood.”

-Kevin Morby

Polyvinyl Recording Company based in San Francisco is home to may bands we love and play on Wednesday MidDay Medley: Of Montreal, The Get Up Kids, Anna Burch, Jay Som, Xiu Xiu, Psychic Twin and more.

“Something Sweet: is the third single released from the band’s upcoming album. It came out today.

10:44

10. Shy Boys – “Something Sweet”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown.]

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Kyle Rausch, Collin Rausch, Ross Brown, and Konnor Ervin of Shy Boys on the July 25, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being with us on Wednesday MidDay Medley.

Konner Ervin talked about the status of The ACBs., and that there is a full length album, completely recorded, sitting in the vault waiting for the best opportunity to be released.

We talked with Ross Brown about Full Bloods and their critically acclaimed February 26, 2016 release Mild West released through High Dive Records. It was the second full length from Fullbloods. The band is made up of: Ross Brown, Jared Tomasino, David Seume, & Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).

Collin and Kyle Rausch talked about how Mike Nolte, who is a friend of the band and has worked on their recordings shared the band’s debut album with cohorts at Polyvinyl. When the band was getting ready to make a new album, Polyvinyl came calling.

Shy Boys released “Evil Sin” their 2nd single, with a video written & directed by Kyle Little

10:55

11. Shy Boys – “Evil Sin”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co. ]

[Shy Boys plays a Record Release Show, Sat, August 4, at 8:00 PM at recordBar, 1520 Grand, KCMO.]

11:00 – Station ID

12. Keaton Conrad – “(If I Told You to) Stay”
from: (If I Told You to) Stay – single / Keaton Conrad / July 20, 2018

11:04 – Interview with Keaton Conrad

Keaton Conrad

KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, being regarded as “exceptionally promising” by The Kansas City Star and “making things happen on stages … with an engaging voice and passion for creating good music” from Ink Magazine. In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad’s newest single “(If I Told You to) Stay” is set to be released on July 20th, 2018. A lyric video will be coming out soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of the Lenexa Outdoor Concert Series, September 16.

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

19 year old Kansas Native, Keaton Conrad records all of his own music in his home studio, mixing and mastering it all.

On “(If I Told You to) Stay” Jake Soltow plays bass, and Keaton Conrad plays everything else.

Keaton grew up in Olathe, Kansas (as did Calvin Arsenia, and Duncan Burnett). Keaton sang in High School Choir and performed in Olathe North West High School musicals.

11:12

13. Keaton Conrad – “What Am I Supposed to Do?”
from: What Am I Supposed to Do? – Single / Keaton Conrad / May 26, 2017
[19 year old Kansas native, Keaton Conrad released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on January 27, 2017.]

We’re talking with KC musician and recording artist Keaton Conrad who joins us live in our 90.1 FM Studios. Keaton Conrad just released his new single “(If I Told You to) Stay” on Friday, July 20th. A lyric video will be coming soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16.

Keaton Conrad on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Keaton Conrad is navigating the KC Music Scene while also getting ready for his second year in college at University of Missouri at Kansas City.

“Biscayne” was a single from Keaton Conrad’s 2017 album Waves

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16. More information at http://www.keatonconradmusic.com

11:25

14. Keaton Conrad – “Biscayne”
from: Waves / Keaton Conrad / January 27, 2017
[Debut full length from 19 year old Kansas native]

11:28 – Underwriting

11:30 – Interview with Heidi Lynne Gluck & Sid Sowder of Too Much Rock

Heidi Lynne Gluck and Sid Sowder on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Lawrence, Kansas based songwriter, producer, singer and multi-instrumentalist, Heidi Lynne Gluck is a originally from Manitoba, Canada. After transplanting herself from the plains of Manitoba to the midwestern plains of the United States, Heidi quickly became an in demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including: The Roseline, Approach, Josh Berwanger, Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. In 2015 Heidi released her critically acclaimed EP, Only Girl In The Room, last year on Lotuspool Records. In 2016 Heidi Lynne Gluck released her full length album called, Pony Show, also on Lotuspool, and on vinyl. Heidi Lynne Gluck joins us to share her new 7″ vinyl 45 rpm release through Too Much Rock. Heidi Lynne Gluck plays a Too Much Rock Single release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem.

Heidi Lynne Gluck, Thanks for being with us on Wednesday MidDay Medley

Also joining us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, and Red Kate have all recorded for the Too Much Rock Single Series.

Sid Sowder, Thanks for being with us on Wednesday MidDay Medley

More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

11:37

Too Much Rock Single Series – Heidi Lynne Gluck

15. Heidi Lynne Gluck – “Party Line” [7” Vinyl]
from: Party Line – Single b/w “Good Guys and Bad Guys” / Too Much Rock / August 3, 2018
[Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

We are talking with Heidi Lynne Gluck who plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO.

Too Much Rick – Single Series

16. Heidi Lynne Gluck – “Good Guys and Bad Guys” [7” Vinyl]
from: Good guys and Bad Guys – Single b/w “Party Line” / Too Much Rock / August 3, 2018
[Written by members of Camper Van Beethoven. Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

Heidi Lynne Gluck and Sid Sowder, Thanks for being with us on WMM

Heidi Lynne Gluck – Too Much Rock Single Series

Heidi Lynne Gluck plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem. More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

17. Heidi Lynne Gluck – “Waiting For You To Say It”
from: Pony Show / Lotuspool Records / August 26, 2016

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 1, Calvin Arsenia joins us for the entire show to play live and share tracks from his new recordings. Also joining us is writer and reporter CJ Janovy, who will talk about her new book, No Place Like Home, Lessons in Activism from LGBT Kansas, from University Press of Kansas.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #744

Wednesday MidDay Medley presents Shy Boys + Heidi Lynne Gluck + Keaton Conrad + Too Much Rock

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 25, 2018

Shy Boys + Heidi Lynne Gluck + Keaton Conrad
+ Sid Sowder & Too Much Rock

Mark plays New & MidCoastal Releases from: Shy Boys, Heidi Lynne Gluck, Keaton Conrad, Under the Big Oak Tree, Mikal Shapiro, The Philistines, The Hollow Ends, The War and Treaty, Kyle Nachtigal, and Soccer Mommy.

Shy Boys – Bell House
Shy Boys album art was done by Kit Landwehr

At 10:30 we talk with Shy Boys on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys originally formed as a trio in 2012 with brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin (of The ACB’s fame). The three shared a love for 1960s era pop rock and started writing their own music. Kyle Little and Ross Brown (of Fullbloods) joined to make Shy Boys a 5-piece. In 2014 Shy Boys released their self-titled debut on High Dive Records. Their single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles. “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that Shy Boys had signed to Polyvinyl. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone (J Ashley Miller), and Blastocyst. More info at: http://www.shyboys.website

Keaton Conrad

At 11:00, KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, being regarded as “exceptionally promising” by The Kansas City Star and “making things happen on stages … with an engaging voice and passion for creating good music” from Ink Magazine. Keaton Conrad has just released his new single “(If I Told You to) Stay” on Friday, July 20th. A lyric video will be coming out soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of the Lenexa Outdoor Concert Series, September 16. More information at http://www.keatonconradmusic.com

Heidi Lynne Gluck

At 11:30, Lawrence based musician Heidi Lynne Gluck shares her new Too Much Rock – Singles Series, 7” vinyl 45 rpm release. Heidi’s original song, “Party Line,” is on side A, with a side B cover of Camper Van Beethoven’s, ”Good Guys and Bad Guys.” Both tracks were produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas.The racks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana. Heidi Gluck plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 PM, at Mills Record Company, 4045 Broadway Blvd, KCMO. Heidi plays Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas with Jess Williamson, and CS Luxem. More info at http://www.heidilynnegluck.com

Too Much Rick – Single Series

Also joining us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, Red Kate have all recorded for the Too Much Rock Single Series. More info at: http://www.toomuchrock.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #744

Wednesday MidDay Medley

WMM Playlist from: Feb. 27, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 27, 2013

The ACB’s + New & Local Releases + Stephanie Roberts & Eat This!
+ Music from the KC Friends of JJ’s Benefit at Uptown Theatre

1. Divine Fits – “Would That Not Be Nice”
from: A Thing Called The Divine Fits / Merge Records / August 28, 2012
[Debut album from U.S. / Canadian band made up of: Britt Daniel – lead singer & guitarist of Spoon, Dan Boeckner of Wolf Parade & Handsome Furs, Sam Brown, – drummer of New Bomb Turks, and Alex Fischel – keyboardist from the band PAPA. The vocals are shared between Daniel & Boeckner. The album was recorded in Los Angeles in a backyard studio, with producer Nick Launay in March through May 2012.]

[The Divine Fits were just added to the Middle of The Map Fest, April 4-6. middleofthemapfest.com]

Thanks for tuning into Wednesday MidDay Medley.

On Tuesday, February 19, a huge natural-gas explosion, in Kansas City’s west edge of the Country Club Plaza, destroyed the beloved restaurant JJ’s, reducing the area to a crater. 16 people were injured, including many JJ’s employees.

One JJ’s server, Megan Cramer, was killed in the blast. Megan Cramer had lived here in KC for over 26 years. She received her law degree from UMKC and started one of UMKC’s very first LGBT Student groups. As well as working with KC Human Rights Ordinance Project in the early 1990s, Megan was active in many other equality projects. Megan will be greatly missed by her Family from Springfield MO, and by her JJ’s Family, and all of us in the KC LGBT & Allied Communities, who have known and admired Megan for many years. A memorial service for Megan Cramer will be held at 1 p.m., Monday, March 4, at Community Christian Church, 4601 Main St., Kansas City, MO.

The Music & Restaurant Communities were quick to mobilize support for JJ’s and their employees. One example of this support is: the “Friends of JJ’s Benefit” Tuesday, March 5, at 7:00 PM at The Uptown Theatre, 3700 Broadway. Info: friendsofjjs@gmail.com

2. Krief – “Forever Goodnight”
from: Hundred Thousand Pieces / Pirates Blend Music / Released April 17, 2012 in Canada
[Montreal based musician and singer-songwriter, best known as the guitarist for The Dears since 2004. In August 2007 Krief released his debut solo EP Take It Or Leave, which was co-mixed by former Dears bandmate Murray Lightburn. In 2009 Krief released “Calm Awaits” with his band Black Diamond Bay..]

[Krief plays The Uptown Theatre, Tuesday, March 5 for the Friends of JJ’s Benefit]

10:12 – Underwriting

3. Jimbo Mathus & The Tri -State Coalition – “(I Wanna Be) Your Satellite”
from: White Buffalo / Fat Possom / Jan. 22, 2013 [Born in Oxford, MS. in 1967. In the early 1980s Jimbo help form the band Johnny Vomit & The Dry Heaves and participated in the South Memphis early punk scene with Jack Oblivion. In 1993 Jimbo co-founded the Squirrel Nut Zippers. Jimbo’s been nominated for 2 Grammys, and performed for Presidents, Olympics, & Dick Clark.]

[Jimbo Mathus & Tri-State Coalition play Knuckleheads Mar. 8 w/ Reverend Peyton’s Big Damn Band.]

4. Fourth Of July – “Friend of a Friend”
from: Before Our Hearts Explode / Rangelife Records / 2010
[Comprised of two sets of siblings, Brendan Hangauer (guitar, vocals), Patrick Hangauer (bass guitar), Brian Costello (drums, vocals), Brendan Costello (lead guitar, vocals). The band is currently putting the finishing touches on their new record produced by Chris Crisci of Old Canes and Appleseed Cast.]

[Fourth of July play The ACB’s Record Release Show, Fri, Mar 1, 7:00 PM, at the recordBar]

Music from Friends of JJ’s Benefit, Tuesday, March 5, at 7:00 at The Uptown Theatre

5. David George & A Crooked Mile – “Cold Rain”
from: Going Underground [EP] / Independent / June 21, 2012
[Featured on “Cold Rain” is Danielle and Jacob Prestidge of The Blackbird Revue.]

[David George & A Crooked Mile play Uptown Theatre, Tues, March 5 for the Friends of JJ’s Benefit]

6. The Grisly Hand – “Paris of The Plains”
from: Safe House [EP] / Independent / November 2, 2010

[The Grisly Hand play Uptown Theatre, Tues, March 5 for the Friends of JJ’s Benefit]

10:30

7. The ACB’s – “Feel Winter”
from: Little Leaves / High Dive Records / March 1, 2013
[Konnor Ervin on lead vocals, Andrew Connor on Guitar & Vocals, Bryan McGuire on Bass & Vocals, Kyle Rausch on Drums & Vocals. ]

10:32 – Interview with The ACB’s

Konnor Ervin, Bryan McGuire, Andrew Connor, and Kyle Rausch are The ACB’s. This week the band is releasing their new full length: “Little Leaves,” from High Dive Records. After five years of being nominated, The ACB’s won the 2012 Pitch Music Award for Best Pop Band. Their songs have been featured on MTV’s The Inbetweeners, and on Daytrotter. Their lead single, “Ocean,” released in late 2012, moved Popmatters to declare The ACB’s as one of its “Best Hopes to Break Out in 2013.” The ACB’s play a Record Release Show, Fri, Mar. 1, 7:00 PM, at recordBar, 1020 Westport Rd, with Fourth Of July. The ACB’s also play Vinyl Renaissance, 1415 West 39th Street, on Saturday, March 9, at 1:00 PM.

Konnor Ervin, Bryan McGuire, and Kyle Rausch, joined us live on WMM.

The ACB’s formed in 2006 in KC. In 2007 they released their self titled solo debut, went on tour, and played with The Get Up Kids, Republic Tigers. Music Editor of The Pitch, David Hudnall wrote: ‘The ACBs began 2010 as a broken band, but closed out the year as a super -group of sorts. After half the band moved to L.A., frontman Konnor Ervin & bassist Bryan McGuire regrouped, adding Andrew Connor from Ghosty and Kyle Rausch from Abracadabras. They released their first album in 4 years. On Stona Rosa, the ACBs moved beyond the power pop sound they’d cultivated on their debut and settled into a stranger, stonier, lonelier space. Ervin’s couching his inventive melodies in more tender, artful compositions, and the band has the chops & confidence to sell it. It’s a good look on them.’

Andrew Connor’s band Ghosty recorded one of our favorite releases of 2012.
Even though they weren’t officially released, the demos of Kyle’s band The I’ms, now known as Shy Boys, were included in our top ten Best Recordings of 2011.

Little Leaves, The ACBs 3rd full-length was inspired by Connor Ervin’s landscaping job.

The band’s 2nd single from “Little Leaves” is “Record Store.”

10:44

8. The ACB’s – “Record Store”
from: Little Leaves / High Dive Records / March 1, 2013
[David Hudnall of The Pitch wrote, “Nobody in the city is writing sharper or more inventive melodies than Ervin, who has honed his craft the old-fashioned way: working a part-time job, living in a (crappy) apartment and practicing music all the time.”]

10:46

Konnor Ervin, Bryan McGuire, Andrew Connor, and Kyle Rausch are The ACB’s. This week the band is releasing their new full length: “Little Leaves,” from High Dive Records. The ACB’s play a Record Release Show, this Friday, March 1, 7:00 PM, at recordBar, 1020 Westport Rd, with Fourth Of July. The ACB’s also play Vinyl Renaissance, 1415 West 39th Street, on Saturday, March 9, at 1:00 PM.

Fourth of July – this band is made up of good friends of The ACB’s.

Bryan McGuire talked about how the band’s new release comes out on a new label, High Dive Records.

There will be a High Dive Records Showcase with: Ghosty, Shy Boys, and Fourth of July, for Ink’s Middle of The Map Festival, April 4-6

Mark read from biographical information on The ACB’s where it was written that the band is influenced by the music of Michael Jackson, early Beatles, Matthew Sweet, and modern bands: Wolfdeerhorse and Bear Eyes.

The information went on to talk about how the The ACB’s are also influenced by an inability to interact comfortably with the opposite sex, fear of hair loss, male friendships that have been described by outsiders as bordering on homoerotic, and the lingering effects of their deeply Midwestern religious upbringing.

Konnor talked about his process of song writing and how he records his ideas on a small dictaphone for reference later.

The band talked about how they balance the connections between The ACB’s, Ghosty, and Shy Boys with the shows, recording process, and rehearsals.

The ACB’s have a brand new video for your new single “Television.” The video was directed by Brook Linder (SSLYBY, Free Energy), the clip’s grainy look is inspired by the grind house cinema of the ’70s. There was a disembodied beauty to the performances.

The ACB’s play a Record Release Show, Friday, March 1, 7:00 PM, at the recordBar, 1020 Westport Rd, with Fourth Of July. The ACB’s also play Vinyl Renaissance, on West 39th Street, on Saturday, March 9, at 1:00 PM.

10:57

9. The ACB’s – “Television”
from: Little Leaves / High Dive Records / March 1, 2013

11:00 – Station ID

10. Christopher Owens – “Here We Go”
from: Lysandre / Fat Possom / January 15, 2013
[Best known as the frontman & songwriter for the band Girls, Owens was born in Miami, Florida in 1979. At the time of his birth, both his parents were members of the Children of God traveling religious community. Shortly before Owens’ birth his infant brother Steven died of pneumonia due to the reluctance of the church’s members to seek professional medical assistance. In 1981, Owens’ family left the United States to travel with the church and he lived “all over Asia” until he was ten, before traveling throughout Western Europe. Owens learned to play guitar in his early teens and would perform covers of Everly Brothers and Fleetwood Mac songs on the street. At the age of sixteen, while living in Slovenia, he left the church and followed his sister to Amarillo, Texas. Owens spent his first four years in Texas working as a nighttime shelf stocker in Albertson’s grocery store as well as in various restaurants. In 2001 he met artist and oil tycoon Stanley Marsh 3, who hired him first as a lawn mower and later as a personal assistant. After nine years in Texas, Owens moved to San Francisco, California with the intention of becoming a “famous painter”. There he met musicians Matt Fishbeck and Ariel Pink and joined their band as a touring guitarist. In 2007, Owens was inspired to form his own band and began writing songs for the first time. In September 2012, it was announced by Saint Laurent Paris (formerly Yves Saint Laurent) that Owens would be the face of their Spring/Summer campaign.]

11. Beach Fossils – “Clash The Truth”
from: Clash The Truth / Captured Tracks / Feb. 19, 2013
[2nd release from Brooklyn band, formed in 2009, by Dustin Payseur’s who recorded the band’s self-titled debut album on his own, playing all instruments. After signing to Captured Tracks Beach Fossils became a full band, touring the U.S. endlessly with a scattered line-up that included 12 different drummers and 3 guitarists.]

12. Veronica Falls – “Teenage”
from: Waiting For Something to Happen / Slumberland Records / Feb. 12, 2012
[2nd album from English indie pop band, formed in London, in 2009. The band consists of Roxanne Clifford & James Hoare, both on vocals & guitar, Marion Herbain on bass and Patrick Doyle on drums & back vocals.]

13. The Wires – “Grappelli”
from: The Wires – Alternative Strings / Independent / March 9, 2013
[Hailing from KCMO, The Wires compose & perform original music performed by Laurel Morgan on violin (formerly of In The Pines) & Sascha Groschang on cello).]

[The Wires play a CD Release at the recordBar, Saturday, March 9, 2013, at 7:00 PM, accompanied by a video-installation by multi-media artist Ben Parks.]

11:15 – Underwriting

11:16 – Interview with Stephanie Roberts

Writer, Director, Performer, Stephanie Roberts, was the winner of the 2010 Charlotte Street Foundation’s Generative Performing Artist Award. She is Assistant Professor of Physical Theatre for the UMKC’s MFA Professional Actor Training Program. She has toured nationally and abroad, and taught and directed works for the Seattle Repertory Theatre as well Cornish College of the Arts. Her Ensemble-generated works include “Meanwhile” for UMKC’s Undergraduate Theatre Department, “Tallahassee” for KC Fringe Festival, and “Boom! An International Lost and Found Marching Band” for KC Fringe Festival, and The St. Mane in Lanesboro, MN. In 2010 she created a piece with graduate theater students called “Slammed! KC Speaks Out About the Recession,” based on interviews with Kansas Citians. She received an Inspiration Award from ArtsKC, to development of “The Mask of the Broken Heart,” a one-woman mask play which premiered at the Fishtank Performance Studio. She holds a BFA in Acting from Cornish, and an MFA in Ensemble Based Physical Theatre from Dell’Arte International School of Physical Theatre. Stephanie Roberts joins us today to discuss her work as writer and director of the new UMKC Theatre production, Eat This! “KC Chews on the Politics of Food,” with preview performances March 2 – 5, Opening on March 6, and continuing through March 10, in Studio 116, of the Olson Performing Arts Center, at UMKC.

Stephanie talked about how she believes that our society is in the middle of a food movement, and many people don’t realize that this movement is happening, but that this movement is very politicized.

Stephanie and other company members visited farms, elementary schools, slaughterhouses and processing plants. You interviewed urban farmers, and nutritionists who plan school lunch menus, teachers and students.

Stephanie told The KC Star that: “It’s important (to me) that it’s not journalism because we’re putting our own stamp on it,” she said. “Most of the interviews I do are at a coffee shop. A lot of the people we interview are more introverted and soft-spoken. We, as actors and theater-makers, need to bring that inner passion out.”

“And also, because it’s theater, there needs to be conflict. We used the audio recordings for inspiration for characters. So it’s not by any means an impersonation. But it’s important that we get it right so we don’t misrepresent the people we’re portraying.”

Stephanie told Bob Trussell, in the KC Star that, “We found that most people are not connected to where their food comes from, and we became curious about that,” she said. “What goes into our food? Not just the ingredients, but where did it come from? How do you eat it? Where do you buy it? Who brought it to you?”

Stephanie discussed how all of the interview assembled, virtually hours and hours of narrative, were edited into a stage show.

Stephanie talked about how there are 60 characters are in the show.

Stephanie talked about the technical abilities of Studio 116 known as a black box theatre, in the Performing Arts Center. The show will use video projections, special lighting and sound, and a huge set change between act one and act two

Eat This! serves up issues as well as a meal–prepared onstage and shared with the audience! “Food artists” for this project are Sean Starowitz and Andrew Erdrich from Bread KC. [breadkc.wordpress.com]

The UMKC Theatre production, Eat This! KC Chews on the Politics of Food, with preview performances March 1 – 5, Opening on March 6, and continuing through March 10, in Studio 116, of the Olson Performing Arts Center, at 4949 Cherry at UMKC.

For tickets and information you can call the Central Ticket office at 816-235-6222.

11:39

14. Me Like Bees – “The Ides”
from: The Ides / Indep. / 2013 [Formed in Joplin by Luke Sheafer, Nick Bynum, Pete Burton, Tim Cote.]

15. Shy Boys – “Postcardd”
from: demos from upcoming album / Independent / 2013
[Collin & Kyle Rausch, Konnor Ervin]

16. The Postal Service – “A Tattered Line of String”
from: Single Release / Sub Pop / Feb. 12, 2013
[It’s been a decade since The Postal Service released “Give Up” Feb, 2003. The indie classic recently went platinum! Sub Pop is releasing a deluxe, 10th anniversary reissue of Give Up on April 9th. The deluxe version will feature 15 bonus tracks, including covers by The Shins and Iron & Wine, and two brand new Postal Service songs, “Turn Around” and “A Tattered Line of String.” The Postal Service will also be setting out on a 10th anniversary tour with Ben Gibbard and Jimmy Tamberello as well as Jenny Lewis.]

17. Johnny Marr – “Upstarts”
from: The Messenger / Sire / Feb. 26, 2013
[Debut solo recording from British musician, Born October 31, 1963. Marr is best know as lead guitarist and co-songwriter for one of the most influencial bands of all time, “The Smiths.” Marr has also been a member of Electronic, The The and Modest Mouse.]

11:53

18. Tiny Horse – “Ghost”
from: Darkly Sparkly / Independent / Mar. 4, 2013
[Outside of the band, we were the first to hear the very new, debut EP release from Abigail Henderson and Christopher Lynn Meck with Matt Richey on Drums, & Cody Wyoming on guitar. In our opinion, Abigail Henderson’s voice remains one of the most honest and moving voices in KC music scene, Christopher Meck’s guitar sings too. the addition of Matt Richey who also plays drums for Dead Voices and The Grisly Hand, and Cody Wyoming help give this Tiny Horse galloping power.]

[Tiny Horse play a Video and EP Release Show, Mon, Mar. 4th, at recordBar, 1020 Westport RD.]

11:59:30

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

sources for notes: artists websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #462

WMM Playlist from Jan. 2, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 2, 2013

The Rausch Haus Radio Show

Special Guest Producers & Guest Co-Hosts: Kasey Rausch & Kim Rausch McLaws

10:01 – Kasey & Kim talked about the Ford / Felts / Rausch / Delp Families

On their Mother’s Side

Great-Grandpa Riley Ford – He played the fiddle. He played at Parkville and Platte County barn dances regularly. Kasey now plays his 100+ year old fiddle.

Grandma Waunita Ford Felts (Riley’s daughter) – She played the piano & organ. She played at the USO dances, during the war.

Grandpa Ed Felts (Husband of Waunita) – He played the trombone. He played in his high school and in the US Army Band.

On their Father’s Side

Great-Grandpa Arley Delp – He played the banjo, and his sisters played guitar.

Grandma Vernice Delp Rausch (Arley’s daughter) – She played the trombone, piano, ukulele, and auto harp. She was a vocalist who led the chorus group, The Momettes.

10:10 – Music by Vernice Delp Rausch

1. Momettes – “Candy Man”
from: Home Recording on Cassette / Momettes with St. James Lutheran Choir / May 17, 1975

10:13 – Kasey & Kim talked about Grandpa Dean Rausch

2. Dean Rausch – “Dark Eyes”
from: Home Recording on Cassette
[Old Russian melody made popular in English speaking world by big band arrangements in the 1940s. Thank you to Gib Shell for information.]

3. Dean Rausch – “Dancing” (Unknown Title)
from: Home Recording on Cassette

4. Dean Rausch – “Malaguena”
from: Home Recording on Cassette
[Written by Ernesto Lecuona. Recorded by Chet Atkins in 1956. Thank you to Gib Shell for information.]

10:20 – Kasey & Kim talked about mountain dulcimers, building with Pop

5. Dean & Brad Rausch – “Unknown title”
from: Home Cassette Recordings / Jan. 1, 1983
[Dean Rausch on mountain dulcimer & Brad Rausch on mandolin]

10:24 – Underwriting

10:25 –Kasey & Kim talked about the 70’s & 80’s Rausch Haus

6. Dean Rausch – “My Mama Was a Cotton Picker”
from: Terry’s Home Recording on Cassette / Feb. 2, 1974
[Featuring Lou Botteberg on mandolin]

10:29 – Kasey & Kim talked about the Seven Rausch Sons of Dean and Vernice (This is Kim & Kasey’s Father’s generation)

7. Terry Rausch, Brad Rausch, Ronnie Abner – “Some of Shelley’s Blues”
from: Terry’s Home Recording on Cassette

8. Terry Rausch, Brad Rausch, Ronnie Abner – “Helplessly Hoping”
from: Terry’s Home Recording on Cassette

10:38 – Kasey & Kim & Dean talked about Greg Rausch, (Kim & Kasey’s Dad)

9. Greg Rausch – “Give Me All Your Money, Honey”
from: Home Recording on Cassette

10:41 – Kasey & Kim Introduced their Uncle Kent Rausch

10. Kent Rausch – “I’ve Known You for a Couple Months”
from: Home Recordings on Cassette

11. Kent Rausch – “Humphrey’s Access”
from: New recording from Kent who wrote and recorded all tracks

10:51 – Kasey & Kim talked about Rausch Bros & Winfield family, and Uncle Larry Ford & Uncle Terry Rausch

12. Bottom Dollar Band (w/Larry Ford & Terry Rausch) – “Truck Drivin’ Man”
from: The Bottom Dollar Band / Independent

11:00 – Station Identification

11:00 – Kasey & Kim talked about their mom, Linda Felts Rausch

13. Linda Rausch (with Kim & Kasey Rausch) – “Banks of the Ohio”
from: Home Recordings on iPhone

11:04 – Kasey & Kim talked about their Cousins

Austin Rausch – Mizzou Graduate/Marching band. Now Director at North Callaway HS Band in Kingdom City, MO. Student taught w/ Kent Rausch. Plays in Columbia Community Band.

Jarret Rausch – 13 years old – trombone – all star band (regionals), piano.

11:08 – Music by Kim & Kasey Rausch (Greg’s daughters)

15. Kim & Kasey Rausch – “Sweet Potatoes” (LIVE)

16. Kim & Kasey Rausch – “After You’ve Gone” (LIVE)

11:15 – Kasey & Kim introduced cousins Collin & Kyle Rausch (Kent’s sons), who play in the bands: Abracadabras, Shy Boys, and The ACB’s.

17. Shy Boys (Collin & Kyle Rausch, Konnor Ervin) – “Trim” (LIVE)

18. Shy Boys (Collin & Kyle Rausch, Konnor Ervin) – “Postcardd” (LIVE)

11:30 – Underwriting

11:32 – Kasey & Kim introduced cousin Ethan Ridings

19. Ethan Ridings – “All Along The Watchtower” (LIVE)

20. Ethan Ridings & Kasey Rausch – “103” (LIVE)

11:41 – Kim introduced her daughter, Natalie McLaws

21. Natalie McLaws with Aaron Hurtado – “Talking Bird” (LIVE)

11:52 – Closing Music from Grandpa Rausch

22. Dean Rausch – “Navajo Prayer/Amazing Grace”
from: Home Recording on Cassette / Aug. 25, 2001
[Dean Rausch – Cedar flute, Austin Rausch – Native drum. English/Navajo language]

11:59:30

23. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Wednesday MidDay Medley in on the web:
WednesdayMidDayMedley.org
facebook.com/WednesdayMidDayMedleyon90.1FM and
kkfi.org

Show #454

WMM Playlist from Dec. 28 – The 111 Best Recordings of 2011 (part 4 of 4)

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 28, 2011:

The 111 Best Recordings of 2011
(Part 4 of 4)

The 111 Best Recordings of 2011 are based on the playlists of Wednesday MidDay Medley. In 2011 we’ve featured hundreds of New & Local Releases, we’ve featured dozens of LIVE, in-studio performances from area musicians, and we’ve interviewed over 150 local and national artists. Over 40 recordings on our list are from the KC & Lawrence area. All December we’ve been playing nearly 8-hours of music that represent: The 111 of Best Recordings of 2011!

Howard Iceberg's 7-CD collection of over 100 songs, "Welcome Aboard" tops our list of The 111 Best Recordings of 2011

The Wilders also make our list with their 2011 release, "The Wilders"

1. (27.) Dale Earnhardt Jr. Jr. – “Morning Thought”
from: It’s A Corporate World / Warner Brothers / June 3, 2011
[A project started by Detroit based Joshua Epstein and Daniel Zott, recording in a basement without the benefit of expensive microphones or big-name producers.]

2. (26.) The Low Anthem – “Boeing 737”
from: Smart Flesh / Nonesuch / February 21, 2011
[The follow up to their critically acclaimed “Oh My God, Charlie Darwin” where the three original band members-Jocie Adams, Ben Knox Miller, and Jeff Prystowsky took over a Block Island cabin in the dead of winter. To record Smart Flesh, the group expanded to a quartet with the addition of drummer Mat Davidson and they found a former pasta factory in Central Falls, Rhode Island, a cavernous loft space that became crucial to the shape of the album. Says vocalist Miller, “We knew right away when we stepped into the factory that the space was really the main instrument for the whole record. The resonance was chilling. We were able to experiment with new recording techniques to capture the sound at different distances. Mics 100-200 feet away caught the sound barreling across the room.” Additional tracks were recorded in a garage that had previously been home to a reptile breeder, another unconventional studio space that the quartet dubbed “the gator pit.”]

3. (25.) Dengue Fever – “Cement Slippers”
from: Cannibal Courtship / Concord Music / April 19, 2011
[Newest release from 6-piece band formed by brothers: Zac and Ethan Holtzman in 1981 after being inspired by a trip to Cambodia.]

4. (24.) Thee Oh Sees – “Crushed Grass”
from: Carrion Crawler – The Dream / In The Red Records / Nov. 8, 2011
[From San Francisco. It began as an outlet for John Dwyer to release his instrumental, experimental home recordings, and over the course of several albums evolved into a full band. We first played The Oh Sees on Sept. 28.]

5. (23.) David Kilgour & the Heavy Eights – “I’ll Climb Back Up That Hill”
from: Left By Soft / Merge Records / April 26, 2011
[8th album from former leader of legendary New Zealand band, the Clean.]

6. (22.) Tom Waits – “Chicago”
from: Bad As Me / Anti Records / October 21, 2011,
[17th studio album and Waits’ first album consisting completely of new material in seven years since Real Gone (2004). Waits’ label, ANTI-, recently agreed on a distribution deal with Warner Music Group allowing them to release the album internationally. This marks Waits’ first release through the Warner organization since Heartattack and Vine (1980). Upon its release, Bad As Me received widespread critical acclaim.]

7. (21.) Austra –“Lose It”
from: Feel It Break / Domino Records / May 17, 2011
[Co-founder and lead singer, and songwriter Katie Stelmanis, draws upon her classical and operatic upbringing and mixes it up with drummer Maya Postepski and bassist Dorian Wolf to create what Amazon calls, “a stark, danceable masterpiece suitable for both ritual incantations and clubs.”]

10:30

8. (20.) Victor & Penny – “Exactly Like You”
from: Antique Pop / V & P Productions / December 9, 2011
[Victor & Penny performed LIVE on our Sept. 7 Wednesday MidDay Medley. This Chicago / KC based duo is Jeff Freling of the Chicago Blue Man Group; and Erin McGrane of the cabaret group Alacartoona. Antique Pop which contains 8 vintage songs plus 2 original songs written by Jeff Freling and a song written by Barclay Martin.]

9. (19.) Pieta Brown – “Mercury”
from: Mercury / Red House / September 27, 2011
[Born in Iowa City, Iowa in 1973, she is the daughter of two preachers’ kids. Her early upbringing in Iowa was in a rural outpost with no furnace or running water. There, Brown was exposed to traditional and rural folk music through her father, singer songwriter Greg Brown. Brown spent her childhood living in 17 different residences between Iowa and Alabama. While living with her mother in Alabama, Brown began writing poetry and composing instrumental songs on piano. She has released four critically acclaimed albums and three EPs in the last decade. She has performed with artists such as Mark Knopfler, John Prine, Amos Lee and Calexico. Collaborator Bo Ramsey produced her 2002 debut record, Pieta Brown and co-produced her 2005 album In the Cool which was named one of the year’s best by Amazon. Pieta and Bo are now married.]

10. (18.) Low – “Something’s Turning Over”
from: C’Mon / Sub Pop / April 12, 2011
[9th full-length album from the band formed in Duluth, Minnesota, in 1993. C’mon was recorded in an old church in Duluth, MN and mixed in an apartment in Hollywood, CA.]

11. (17.) Wire – “Adapt”
from: Red Barked Tree / Pink Flag / Jan. 10, 2011
[12th studio album from Wire, formed in London in 1976 by Colin Newman (vocals, guitar), Graham Lewis (bass, vocals), Bruce Gilbert (guitar), and Robert Gotobed (drums). They were originally associated with the punk rock scene. Wire’s debut album, Pink Flag from 1977, is one of my all-time favorite recordings.]

10:45

12. (16.) Deer Tick – “Main Street”
from: Divine Providence / Partisan Records / October 24, 2011
[from Providence, Rhode Island led by guitarist and singer-songwriter John McCauley]

13. (15.) tUnE- yArDs – “Gangsta”
from: W H O K I L L / 4AD Records / April 19, 2011
[2nd studio release by Merrill Garbus’ experimental solo-project tUnE-yArDs. When performing live, Garbus creates drum loops on the spot, and layers these w/ ukulele, voice, & electric bass played by Nate Brenner. tUnE-yArDs played The Jackpot Lounge in Lawrence on November 7.]

14. (14.) John Vanderslice – “Sea Salt”
from: Whte Wilderness / Dead Oceans / Jan 25, 2011 [9 new songs captured live over 3 days in a collaboration with the Magik*Magik Orchestra, a collective of classically trained musicians in the Bay Area led by artistic director Minna Choi who arranged and conducted White Wilderness with 19 members of the Magik*Magik playing strings and horns, vibraphone, pedal steel and piano, an assortment of reed instruments, and with the voice of Minna Choi singing backup at key moments throughout the album.]

11:00

15. (13.) The Empty Spaces – “Mind Over Matter”
from: Low Noise / Golden Sounds / 2011
[Debut EP from a KC based band formed from a studio band that recorded Mat Shoare’s solo album The Empty Spaces in 2010. The three piece began to collaborate more with song arrangements and came up with a kind of “retro-punk rock” that is fronted by an energetic, yelping vocal style. One writer described their sound as “charming fuzzed-out slacker rock.” The band has been touring to support the release. Mat Shoare is also a founding member of Everyday/Everynight and a founding partner in Golden Sound Records.]

16. (12.) Cass McCombs – “County Line”
from: Wit’s End / Domino / April 26, 2011
[Born in Concord, California in 1977. Famed DJ John Peel called his music “unobtrusively brilliant.” Cass McCombs has received widespread critical acclaim. He has led a nomadic existence for most of his adult life, moving from one city to the next, living in cars, on couches and at campsites. McCombs spent time developing his music bouncing between New York City, San Francisco, the Pacific Northwest, England and Baltimore. McCombs has stated that his tombstone will read “Home At Last.”]

17. (11.) Cut Copy – “Where I’m Going”
from: Zonoscope / Modular / Feb. 8, 2011
[3rd studio album by electronic band Cut Copy, formed in 2001 in Melbourne, Australia. It was originally a solo-project of Dan Whitford, a DJ and graphic designer. The band now includes: Tim Hoey on guitar and sampler, Ben Browning on bass guitar and Mitchell Scott on drums. Zonoscope has also been nominated for Best Dance/Electronica Album at the 54th Grammy Awards.]

11:15

18. (10.) The I’ms – “Bully Fight”
from: Second MIXES / Independent / 2011
[from their Facebook Page – Collin Rausch, Kyle Rausch. Hearing Collin Rausch and his cousin Kasey Rausch performed together at Barry Lee’s night of Beatles music was a real treat. Kyle Rausch also plays with The ACB’s.]

19. (9.) Greg Brown – “The Lovinest One”
from: Freak Flag / Yep Roc / May 10, 2011
[Accomplished songwriter, co-founder of the influential indie roots label Red House, and former musical director for Garrison Keillor’s A Prairie Home Companion radio program,. While recording what was to be his next album lighting hit the studio where he was working, and Greg Brown lost the recordings. Greg, used the experience to turn inward and write more songs that comprise his 24th album: Freak Flag, the title track is all that remains of the lost original album. Greg wrote ten new songs, recording them at Memphis, Tennessee’s legendary Ardent Studios. Produced by Bo Ramsey, the album also includes a cover of Brown’s wife Iris Dement’s ”Let the Mystery Be” and Brown’s daughter Pieta’s song ”Remember the Sun.” Greg Brown played LIVE on our Nov. 9 WMM.]

20. (8.) Sara Swenson and The Pearl Snaps – “Windows and Doors”
from: Never Left My Mind EP / Independent / Nov. 19, 2011
[The Pearl Snaps are: Ian Davidson, John Flynn, Brandon Graves, Sarah Magill and Roger Strong. Their new EP, “Never Left My Mind,” features five tracks recorded and produced in Kansas City by Mike Crawford and Beau Davidson. Sara Swenson & The Pearl Snaps EP Release was November 19 at The Brick.]

21. (7.) Mr. Marco’s V-7 – “Sweet 2”
from: Sparkin’ Your Mama / Independent / 2011
[drummer Kent “Precious Metalz’ Burnham, bassist Johnny “License Bolt” Hamil, guitarist Marco “Hair Party” Pascolini and console/steel / Theremin / moog man Mike “Creeping Death” Stover. 3 0f the 4 members were our guests, Feb 16, on Wednesday MidDay Medley.]

11:30

22. (6.) Atlantic Fadeout – “Traveling Girl”
from: Better Run of Bad Luck / Flyover Records / May 23, 2011
[Debut album of Atlantic Fadeout featuring: the great…Abigail Henderson on lead vocals and guitar; Chris Meck lead guitar, steel guitar, vocals; Dutch Humphrey on bass, vocals; and Amy Farrand on drums. The new band was created from the ashes of The Gaslights, combined with the super powers of Amy Farrand who plays bass in American Catastrophe (amoung several other bands) and Dutch Humphrey who sings lead in Cherokee Rock Rifle.]

23. (5.) Everyday/Everynight –“Breathe Deep”
from: Etc. / Golden Sound Records / May 3, 2011
[Nominated for a Pitch Music Award for “Best Emerging Act” this is the brand new release from Evan Ashby on Guitar, Mat Shoare on Guitar/Keyboard/Vocals, Austin Lyon on Drums, and Jerad Colton Tomasino on Guitar/Keyboard/Vocals of Everyday/Everynight. The band includes three of the members who sing and write songs. Golden Sound Records is a new local recording company who also release the music of Oriole Post. The Fullbloods, and The Empty Spaces, as well as the solo works of Jerad Colton Tomasina and Mat Shoare.]

24. (4.) Jacob Fred Jazz Odyssey – “Mt. Zion”
from: Race Riot Suite / Kinnara Records – The Royal Family / August 30, 2011
[from Tulsa, Ok, their 20th album, Race Riot Suite, written by Chris Combs for the current quartet of Brian Haas on piano & keyboards, Josh Raymer on drums, Chris Combs on lap steel and Jeff Harshbarger on upright bass. For this recording the band is accompanied by a horn section consisting of Sex Mob’s Steven Bernstein, Jeff Coffin (of Dave Matthews and Bela Fleck fame), Mark Southerland (Snuff Jazz, Malachy Papers), Peter Apfelbaum, and former JFJO member Matt Leland. The album is dedicated to the victims of the 1921 Tulsa Race Riot, the largest race riot in United States history. Jacob Fred Jazz Odyssey join us LIVE in the studio on March 30. ]

11:45

25. (3.) Hidden Pictures – “It’s My Fantasy (It’s Not Your Fantasy)”
from: Synchronized Sleeping / Hidden Pictures / April 1, 2011
[Richard Gintowt and Michelle Sanders first met at the Record bar and performed together in OK Jones before starting Hidden Pictures. This is their debut full length. Several songs had been previously released in two separate EPs in 2010.]

26. (2.) The Wilders – “Things They Say About Home”
from: The Wilders / Free Dirt Records / June 21, 2011
[10th release from Ike Sheldon- Guitar, Lead Vocals, Betse Ellis- Fiddle, Vocals, Phil Wade- Dobro, Banjo, Mandolin, Vocals, Nate Gawron- Bass, Vocals. Sarah Carpenter also sings back-up on this track. On December 6, Ike and the band announced that they would be taking a hiatus in 2012, after 12 years of almost constant touring. We absolutely LOVE LOVE LOVE this band and each of the members who are some of the most amazing musicians and as well as being really great human beings. Betse Ellis was our guest producer and host on march 2, in a show celebrating Cajun Music.]

27. (1.) Howard Iceberg & The Titanics – “Jacksonville”
from: Welcome Aboard / Independent / June 26, 2011
[7-CD set, includes over 100 new songs, feat. The Titanics: Gary Paredes on lead guitar, Dan Mesh on rhythm guitar, Scott Easterday on bass, Pat Tomek on drums. W/ contributions from over 70 local artists participating in Howard’s “never-ending recording project” conducted in Pat Tomek’s home studio. Howard Iceberg, Pat Tomek, Scott Easterday, Elaine McMilian & Danny Alexander joined us LIVE on June 22, before the tribute to Howard at Crosstown Station on June 26.]

Concert Calendar:
12-29 BCR at Californos
12-29 Antennas Up/Not A Planet/Margo May at recordBar
12-30 Ad Astra Arkestra/The Caves/The Grisly Hand at Davey’s
12-30 Mr Marcos V7 at The Brick
12-30 Trampled Under Foot at Knuckleheads
12-31 INK PRESENTS: NYE w/The Sex Police/77 Jefferson/DJ 2-Tone at Beaumont
12-31 Hammerlord/Walking Oceans/Mansion/Humans at The Riot Room
12-31 Minden/Capybara/Ghosty at recordBar
12-31 Katy and Go-Go/New Years Eve Happy Hour at The Brick
12-31 Split Lip Rayfield/Dumptruck Butterlips/Ashes To Immortality at The Bottleneck
12-31 The Rainmakers & The Belairs (sold out) at Knuckleheads

11:59:30

28. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Sources for note: Wikipedia.org, artist’s websites

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #401