WMM Playlist from October 9, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 9, 2019

Julia Othmer + Jocelyn Olivia Nixin of The Creepy Jingles
+ Music from Outer Reaches with Brenton Cook & Steve Tulipana

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Angel Olsen – “All Mirrors”
from: All Mirrors / Jagjaguwar / October 4, 2019
[4th album from Angel Olsen who was born January 22, 1987. She is an American singer-songwriter and musician from St. Louis, Missouri who currently lives in Asheville, North Carolina. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center and the Creepy Crawl as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago.After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on February 17, 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016. In addition to her work with Bonnie “Prince” Billy and The Cairo Gang, Olsen has collaborated with a number of other notable figures of American indie rock, including Tim Kinsella of Cap’n Jazz, LeRoy Bach of Wilco and Cass McCombs. Her collaboration with Kinsella and Bach, as well as with Chicago poet Marvin Tate, resulted in the album Tim Kinsella Sings the Songs of Marvin Tate by Leroy Bach Featuring Angel Olsen which the group released on Indianapolis label Joyful Noise Recordings on December 3, 2013. Her song “Windows” was featured in the final episode of the Netflix original series 13 Reasons Why.]

3. Pretend Friend – “I Do”
from: Unnatural Currents / Pretend Friend / May 17, 2019
[Pretend Friend is a string-band dynamo out of Wichita, Kansas. Their songs meld traditional bluegrass and folk with fiery rock and roll zest, and their performances are distinguished by high-energy picking and three-part vocal harmonies. Pretend Friend is: Grant Boesen as songwriter, and on guitar & lead vocals; Jason Snavely on drums & vocals; Brody Wellman on bass & vocals; and Evan Ogborn on mandolin & vocals. Unnatural Currents” is Pretend Friend’s second full-length LP. This album is the first to be acoustically arranged and foreshadows Pretend Friend’s stylistic direction since Brody Wellman and Evan Ogborn have joined the ranks as upright bassist and mandolinist, respectively. “The writing of this album acknowledges the futility in pursuing supernatural absolutes, but it also validates respect of the unknown. It relishes the uncertainty of existence, spirituality, and morality, and it celebrates expressions of enthusiasm, infatuation and skepticism.” More info at http://www.pretendfriendmusic.com]

[Pretend Friend play Porch Fest KC Saturday, October 12, at 12:00 Noon, at 3022 Oak Street during The Original PorchFestKC, this Saturday, October 12, 12 Noon to 6:00 PM in Roanoke, Union Hill and Longfellow Neighborhoods, now in its 5th year this music celebration brings music from 152 local & regional bands on 68 porch stages including music in Union Hill Cemetary. The map (and parking suggestions) are available at: PorchFestKC.com ]

10:11

4. Julia Othmer – “Frickin Awesome”
from: Sound / Julia Othmer & James Lundie / June 30, 2016
[One several new songs from Julia Othmer’s upcoming full length release of “Sound,” her second album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.”.]

[Julia Othmer plays recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.]

Julia Othmer

10:14 – Interview with Julia Othmer

We are happy to welcome back to the radio show our friend, singer songwriter Julia Othmer. Julia Othmer joins us to talk about her newest album “Sound,” released on April 12, 2019 on Frikin’ Awesome Records. who went to Park Hill High and studied at Columbia University in New York City. Julia now lives in Los Angeles, California and she is back in her hometown to play recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.

Julia Othmer, thanks for being with us on WMM

Julia Othmer was born August 13, 1975. She is from Kansas City, Missouri. She went to Park Hill High and studied at Columbia University in New York City. Julia Othmer lives in Los Angeles, California.

Julia has lived in New York, Boston, Philadelphia, and in Colorado

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Julia moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.”

Julia’s mother Sieglinde Othmer is from Hamburg, Germany, and is an artist who studied at Sorbonne in Paris. She is the author of several award winning books. Julia recently lost her father Arthur Othmer

Julia first started playing piano in first grade.

This year Julia released “Sound,” her second full-length album, produced with James Lundie, who married Julia in January of 2016 during the completion of the record.

James Lundie is from London, United Kingdom.

Last year Julia Othmer toured with and opened for The Alarm in US show and shows in the United Kingdom.

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Out of Print Magazine says: “This Thursday evening in the quaint little village of NYC, Julia Othmer, the mesmerizingly sultry singer/songwriter will be riding into town tucked under the wings of a Southwest jet. She will be performing at Rockwood Music Hall (196 Allen St. New York, NY) at 7PM sharp. If you haven’t heard of her, it may be because she has been diligently working on her new album for the last few years on the sunny and less immediate coast. Formerly a Kansas City native, Julia has put her pillow in New York, Boston, Philadelphia, some gondola in Colorado and finally Los Angeles, the city of lights and traffic, where she currently lives with her little white piano, her rock star and her cat Cosmo. Julia’s musical musings are so diverse that they become quite elusive to the simple description. Perhaps the best way to explain it would be if Nora Jones, Tom Waits, Billy Holiday and Lyle Lovett had a musical orgy and let you watch behind a curtain of burning lace and a whiskey waterfall. I’ll bring the unfiltered cigarettes, you bring your soul.”

Last time Julia Othmer was in Kansas City she played Knuckleheads, on February 28, with Johnny Hamil on bass, Chris Tady on guitar, John Floyd Whitaker on drums. All three will join Julia on stage at recordBar. Julia will welcome special guest: Julia Reynolds.

Who will be on stage with her on Saturday?

Julia Othmer plays recordBar, 1520 Grand, Sat. Oct. 12, at 8PM, w/ Amado Espinoza.

Julia ‘s newest album “Sound,” was released on April 12, 2019 on Frikin’ Awesome Records. Produced with James Lundie.

Tim Finn describes “Sound” as a “self-made record with a big-label sound… rich in space and soaring dynamics and rife with layers and textures and melodies and grooves.”

Julia Othmer is a graduate of Park Hill High School and moved to Los Angeles in 2006. While she lives in LA, she will always call KC her hometown.

Julia Othmer, thanks for being with us on WMM

Julia Othmer plays recordBar, 1520 Grand Blvd, KCMO Saturday, October 12, at 8:00 PM, with Amado Espinoza. More info at http://www.juliaothmer.com.

10:30 – Underwriting

10:32

5. The Creepy Jingles – “Atom & Evolution”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

Jocelyn Olivia Nixin and Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

10:33 – Interview with Jocelyn Olivia Nixin of The Creepy Jingles

Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

Congratulations on the new EP Release on High Dive Records.

Ross Brown of (Shy Boys and Full Bloods) recorded and mixed the EP at escape Pod Audio.

Mike Nolte Mastered the recordings at Eureka Mastering.

EP credits give special thanks to: Collin Rausch and Kyle Rausch of Shy Boys

The Creepy Jingles photo by: Orange Blossom Photography

From High Dive Records http://www.highdivekc.com:

“The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit.”

“Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing Bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. ”

From FALLY AFANI, I Heart Local Music.com (JUNE 22, 2019):

“The Creepy Jingles are really throwing us for a loop. Like, we know garage rock is supposed to sound raw and a little loose. But The Creepy Jingles are so on point with their craft, we’re not entirely comfortable with picturing them as some laid back group of rockers. Every. Single. Note. Is. Perfect. When The Creepy Jingles play, it sounds like they practice every single day. They don’t miss a single thing! Every note in every song is spot on, we haven’t heard a group of rockers this tight with their performance in ages. When they hit the Replay for their album release show Thursday night, it was hard to look away. Jocelyn Olivia Nixon runs a tight ship with this group. They began the set with her pounding away at the keys, leaving a throbbing urge for more of their exciting rock noise. Then, when they fully dove into their impeccable guitar work, the audience was also treated to her gnarly-as-hell vocals. The growls, the screams, the RAWNESS of it all brings out our most primal emotions.”

Jocelyn Olivia Nixin on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Jocelyn Olivia Nixin is Community Organizer at Bandwaggn Kansas City

Jocelyn Olivia Nixin is Singer/ Songwriter/ Guitar/ Keys at The Creepy Jingles

Jocelyn Olivia Nixin is Singer-songwriter at English Major

Jocelyn Nixin Studied Filming/Directing/Acting/writing at The Art Institute of Austin

Jocelyn Nixin Studied Studied Broadcasting & Film at University of Central Missouri

Jocelyn Nixin Studied Studied Creative Writing in English at Missouri State University

Jocelyn Nixin went to Blue Springs South High School and Jocelyn Nixin lives in Overland Park, Kansas

From The Pitch KC June 19, 2019 Nick Spacek:

Jocelyn Olivia Nixin was part of the band Abracadabras, that was active around Kansas City from 2006 to 2009 or so. Nixon fronted the band, which also included brothers Collin and Kyle Rausch, who now play in the pop act Shy Boys.

Jocelyn Olivia Nixin told Nick Spacek i nan article published in The Pitch KC on June 19, 2019, “That was, like, the first band,” Nixon says. “I’d been writing songs since I was probably about 22, and that was our first band together. So it was like we all grew up together … Once I went to Austin, I felt like it was time for me to stand on my own.”

“I’d left [Kansas City] to work on my marriage,” Nixon continues. “My wife at the time was offered a job and I figured, Yeah, Austin, great music city. I should see what happens. A music city like Austin was the silver lining in moving away from my band.”

The marriage hit the skids a few years in, but Nixon continued writing music. She released a solo project called English Major, a divorce record of sorts. Five years in, though, everything finally seemed to come to a head.

“The traffic, the cost of living — our rent went up $750,” Nixon says. “It was almost impossible to stay. I was like, Why am I killing myself to do this? I was also starting to come to terms with my own personal identity, and it blew into this existential crisis, where I was like, I can’t keep this bottled up anymore.”

Being “bottled up” was Nixon acknowledging her recent transition into life as a woman, a process she’d started early during her time in Austin.

“Tweezing my eyebrows, laser hair removal, therapy, going out more in femme,” she says — but largely abandoned after her marriage fell apart and she stepped into a new relationship. But the desire to transition hadn’t gone away; Nixon was just burying it.
“I was depressed to the point where I kind of — there’s that line in ‘Yer Blues,’ where John Lennon’s like, Feel so suicidal/ Even hate my rock and roll.’ I was like, ‘Oh, I get that line,’”

Nixon says. “I didn’t ever feel like I was going to commit suicide, but I had this fantasy of faking my death and becoming a new person, which was all sort of leading me to transition, but I was just miserable and I just didn’t want to be around it.”

She decided to leave Austin and return to KC, though moving back home as she transitioned wasn’t something Nixon was initially eager to do. “I thought it was scarier to move back,” she says. But then she realized that, as she says, “I needed to do this in front of the people I grew up with, and have those tough conversations, and tell them who I really am and how I really feel. It felt like the most honest way to do things, and it felt like the most authentic way to bridge my past to my present.”

Nixon started hormones and came out as a woman after she moved back home to KC. She says everyone’s been cool about it — tons of support.

“When I came out, I felt stupid, because I was like, ‘I should’ve done this sooner,’” she says. “An immediate weight lifted off of me, just from carrying the weight of that consuming all my mental faculties at all times. It just shot my nervous system.”

Nixon had quit playing music toward the end of her time in Austin, and she gave herself a few years during her transition to “get my head right and heal from a breakup, and also, approaching this new phase in my life,” as she puts it. But she kept writing songs.

She started jamming with Nick Robertson, a drummer. Then they brought in Travis McKenzie, a former Abracadabras guitarist, and the Creepy Jingles were born. They played around for a few years and then, last year, began recording what would become their debut self-titled EP.

“We took it slow, doing it like, once a week, and then once fall rolled around, we were like, ‘Let’s record some things,’” Nixon says. They took the music to Ross Brown, another Shy Boy, who recorded and mixed the EP in his basement. Collin Rausch ended up playing bass on it (Adam York has since joined the group as the full-time bass player).

“It was kind of like a little family reunion,” Nixon says of reuniting with old bandmates.

Nick Spacek wrote: The EP was released on High Dive Records at the beginning of May. It’s confident and exuberant, a Kinksy mishmash of Britpop garage rock”.

She says. I felt like I had to adopt a mask or a character to protect myself a little bit onstage. Now it feels very me, and I’m very comfortable.”

The Creepy Jingles
photo by: Orange Blossom Photography

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:44

6. The Creepy Jingles – “Prodigal Sun Tzu”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

The Creepy Jingles
photo by: Orange Blossom Photography

10:47 – More Interview with Jocelyn Olivia Nixin of The Creepy Jingles

We are talking with Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

This has been a very busy year for you and for the band. You just finished playing Middle of The Map Festival. Before that you played Crossroads Music Festival.

The Creepy Jingles have played all over Kansas City, Lawrence and surrounding areas.

Abracadabras laid the ground work for the path Jocelyn is following for The Creepy Jingles.

The songs on the EP are incredibly poetic, and you are having somuch fun with word and wordplay. The lyrics fly by so fast while making all kinds of modern references to microchips, memes, Reddit, Twitter, Fake News, Samsung, Big Brother while also seeming to be auto biographical and personal first person narratives and calls to action about Coming Out, leaving your past behind, “turning straight people bi-focal”, our currently political reality, and personal break ups and break outs.

Collin & Kyle Rausch and Ross Brown of Shy Boys are suppoters of The Creepy Jingles.

Mark: “One of my favorite aspects of the KC music community is the mix of genre and culture. Musical artists in Kansas City have felt comfortable to come out as Gay Lesbianm non-binary, transgender, ad the music community’s response seems to be okay, that’s great, what do you sound like? I don’t see transgender artist being shoved into a separate sub category where they only play gay bars.” “As an openly gay man I have often felt more accepted in the KC Music Community than in the Kansas City LGBTQIA Community.”

High Dive Records has released some of our most played music on WMM. The ACBs, Shy Boys, Fullbloods, The Conquerors, Psychic Heat, The Whiffs, The Fog, Y God Y have been some of our most played bands on the show. More info at: http://www.highdiverecords.bandcamp.com

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:58

7. The Creepy Jingles – “Circadian Rhythm Guitar”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. Ross Bown recorded and mixed the EP at escape Pod Audio. Mike Nolte Mastered the recordings at Eureka Mastering.]

11:00 – Station ID

Jocelyn Olivia Nixin and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:00 – Music from Outer Reaches Fest at recordBar Saturday October, 19

8. Lumerians – “Silver Trash”
from: Call Of The Void / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland. They have their own recording studio in a converted church in Oakland, California. The band’s sound was influenced by groups such as Sonic Youth, Krautrock groups such as Can and Neu!, and African and South American Psych music from the 1960s and 1970s. In mid-2011 Vasquez left the group to focus on his project The Soft Moon The Lumerians have worked with vocalist Rebecca Coseboom. Coseboom and the Lumerians did the track Separate Half on the EP entitled The Answer EP by Unkle. They performed in 2010 in Brooklyn with the Butthole Surfers. Lumerians released their first full length LP, Transmalinnia in March 2011. In July 2012, Lumerians released their second LP, a collection of instrumental spontaneous compositions titled “Transmissions from Telos Vol. IV.” “Transmissions” was released as a limited 300 edition transparent vinyl by French label Hands in the Dark in Europe and an edition of 500 (150 transparent sea blue and 350 Bone) on Permanent Records in the US. In late November and early December 2012, Lumerians completed their first European tour, ending the year with the release of the Horizon Structures EP on Knitting Factory Records. A limited 500 edition vinyl of Horizon Structures is packaged with “4D Trans-dimensional portal viewing glasses” for viewing the video for “The Bloom,” shot in ChromaDepth. Lumerians released LP The High Frontier in May 2013 in the UK and Europe, supported by performances in UK, France, Netherlands and Belgium. The album was released August 2013 in the US, coinciding with a series of dates supporting My Bloody Valentine on the second half of their US tour, followed by a series of UK and European dates in 2014, culminating with them closing out the Roadburn Festival’s Afterburner in Tilburg, Netherlands. ]

Steve Tulipana and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:06 – Interview with Brenton Cook & Steve Tulipana

Originally called KC Psych Fest, Outer Reaches started in 2012 to bring together outsider musical acts and celebrate experimental music in Kansas City. While still very psychedelic, the Outer Reaches Fest has grown to emphasize musical acts pushing boundaries.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 7 years, Brenton has been a co-curator of the Outer Reaches Fest.

Steve Tulipana is the co-owner of recordBar. Steve studied video, fine arts & painting at UMKC, where he graduated in 1991. Steve is a founding member of influential KC bands: Season To Risk, Roman Numerals, Thee Water MoccaSins, Sie Lieben Maschinen, and Unknown Pleasures. With Shawn Sherrill, he is co-owner of recordBar and miniBar. Along with Outer Reaches, and a full calendar of shows, Steve Tulipana also performs with The Band That Fell To Earth – in Tribute to David Bowie.

Brenton Cook & Steve Tulipana share music & news about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO. This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering). Accompanying the music will be live video projections provided by XO Blackwater. Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com. or http://www.outerreachesfest.com

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

Congratulations on 8 years.

Bands playing Out Reaches Fest 2019:

Lumerians (from Oakland, California),
Thunder Jackson (from Oklahoma and Wales),
KC based bands:
Be/Non,
BCR (Black Crack Revue),
Monta At Odds,
FACEFACE, and
Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.
Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian)

Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

From http://www.unicornsinthesnow.com:
Julia Vering (Unicorns in the Snow) is a performance artist, musician, animator and licensed clinical social worker. She began her involvement with the Kansas City DIY/punk scene as a teenager taking photographs and creating zines about obsolete local amusement parks and punk bands. She attended Evergreen State College where she earned a B.A. in liberal arts studying electronic music, experimental animation and social work. While in Washington state, she formed and toured with the all female conceptual art band Muñeca Chueca, volunteered at a senior center, recorded oral histories, and facilitated music recording workshops for incarcerated youth. After graduation, she moved back to Kansas City and began working at a nursing home where she facilitated art and music therapy and began an experimental drama program. She studied electro-acoustical composition and gerontology at the University of Missouri Kansas City. In 2008, she earned a Masters degree in Social Work from the University of Kansas. She designed a recreational therapy program for the inpatient geriatric psychiatric unit at the Kansas City Veterans Affairs Medical Center and worked as a licensed social worker at Kansas City Presbyterian Manor facilitating a drama club, harmonica band and talent shows. She currently works as a hospice social worker and leads an experimental therapeutic drama group for people with dementia.

Vering balances her client-centered social work with the need to create intensely personal, introspective performances to share with the public. Her work explores mortality, loneliness, absurdity and empathy, seeking to monumentalize the mundane and forgotten through sound, performance and visual art. Vering received a Rocket Grant in 2011 to produce You Live Here Too, a multimedia performance utilizing video, stop-motion animation, an original score, and local senior citizens as actors and oral historians. After a hiatus from taking work after having children she created Motherhood, a psychedelic multimedia performance piece about perception, which utilizes processed accordion, field recordings of her children, stop motion animation of mink stoles and cameos from her own mother. She toured this project in June 2018 with former collaborator Angela Saylor of Mint Hill. Her current project, The Understudy, is an evolving multimedia performance piece featuring cameos from participants of the drama she leads for people with Alzheimer’s disease and other dementias. The piece was inspired by a delusion a nursing home resident shared with her 17 years ago that “every rock in here is from a different place, and if you pick it up, you can see where it’s from.” Vering continues to work within the DIY ethos recording her own music, filming, editing her own videos and writing her own scripts at her home studio in Overland Park, Kansas.

11:13 – Music from Outer Reaches

9. Unicorns in the Snow – “We Started a Rock Company”
rom: The Understudy / Julia Vering / May 9, 2019
[Julia Vering (unicorns in the snow) is a Kansas City-based performance artist, musician, animator and licensed clinical social worker. She earned a BA from The Evergreen State College studying electronic music, experimental animation and social work, and a Masters degree in Social Work from the University of Kansas. She currently works as a licensed hospice social worker, and conducts bi-monthly experimental video-based drama therapy with individuals with Alzheimer’s disease and related dementias at Jeanne’s Place day program. Her solo multimedia performance work has continued to evolve, utilizing large format interactive projections, processed accordion, field recordings of her children and cameos from her mother, culminating in 2018’s Motherhood. She is currently creating and performing, The Understudy, a multi-part performance series featuring adults with dementia.]

[Unicorns in the Snow play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

10. Be/Non – “Aahs Come From The Skies-Oohs Come From The Ground”
from: Mystic Sunrise / Sunset Magic / Haymaker Records / February 25, 2016
[Brodie Rush is a songwriter, musician, singer, organizer, artist, film maker, music video creator. Over 20 years ago KC native, Brodie Rush formed the experimental, psychedelic, prog-pop band. In 1996, Be/Non recorded two sets of songs in a small home studio in Lawrence, Kansas, that would become their first two EPs released on cassette. Be/Non, The band has had more members than Spinal Tap, but Brodie has remained the only consistent member, songwriter and producer. Be/Non personnel: 2007, Brodie Rush – Vocals, Guitar, Keyboards, Bass, Percussion, Drums; Ben Ruth – Bass, Upright Bass, Vocals; Adam Stotts – Guitar, Vocals; John Huff – Keyboards, Synths, Vocals; Adam Phillips – Drums (although Ryan Shank – played Drums on this track.) All songs written by: Brodie Rush, except Freedom Palace with music: John Huff & lyrics: Brodie Rush. Produced by Brodie Rush. Recorded at Westend Recording (Kansas City, Kansas) 2007 (Basic tracks, some overdubs); The Gold Room (Kansas City, Missouri) 2007 (Overdubs); Studio G (Brooklyn New York) 2007 (Mixing, Overdubs); The Map Room (Lawrence, Kansas) 2003 (Overdubs). Engineeres: Paul Malinowski Recorded at Westend Recording (Kansas City, Kansas) 2007 ; Brodie Rush The Gold Room (Kansas City, Missouri) 2007; Joel Hamilton Studio G (Brooklyn New York) 2007 ; Peter Buxton The Map Room (Lawrence, Kansas) 2003, (Saxophone overdubs imported from “Do The Heat” off the record, “Esperanto At The Pantheon, Incognito”). Mixed by Joel Hamilton at Studio G (Brooklyn New York) 2007. Mastered by Brodie Rush. Thanks John Hulston, Anodyne Records, Brenton Cook, Haymaker Records, Paul Malinowski, Tony Maimone, Justin Warring, Adam Phillips, Brandon Phillips, Steve Neuenburg, Mike Miller, Shawna Sowersby-Booth, David Hanson, Billy Brimblecom, Steve Tulipana, Jason Cantu, David Gaume, Robert Moczydlowsky, Laurel Birdsong Sears, Kid Millions, Cypher Sound, The Record Bar. Dedicated to: Failed marriages throughout time and space. The troubled “Freedom Palace” LP was recorded over 10 years ago in the summer of 2007 by Paul Malinowski and Brodie Rush in Kansas City, Missouri. Anodyne Records had commissioned Be/Non to re-record songs from, “RAN” and “Esperanto At The Pantheon, Incognito” along with other unreleased material. The music from the title track “Freedom Palace” was written by John Huff and had the album been released, would have been the first Be/Non composition not penned by Brodie Rush. Be/Non was a 5 piece before recording negotiations began in 2007. Directly before preproduction, the band had lost its drummer of 3 years and Be/Non was actively searching for a replacement. Between Brodie filling in on drums for two songs and Billy Brimblecom playing drums on another track, Be/Non asked Adam Phillips of The Architects to drum on the album’s remaining songs. The album was mostly recorded at Westend Studios in Kansas City and at Brodie’s home studio The Gold Room. After tracking 97% of the album, the project was taken to Studio G in Brooklyn New York for mixing by Joel Hamilton. 10 days later, the album was mixed and ready for duplication. No formal album covers had been decided on. John Huff had an idea of a Unipegadong by a nebula in space, while Brodie was thinking a castle floating in mid air. The first cover idea was mostly just pointing arrows going in all directions. Emotionally that was probably the closest to the mindset of that recording. The album “Freedom Palace” was never pressed or released. Because a contractual arrangement could not be agreed upon between Anodyne Records and Be/Non, the band would not see an album released until 2009, “A Mountain Of Yeses”, 11 years after it’s last release in 1998. “Freedom Palace” is dismissed by the band as a complete failure. Ultimately not having rights to the recordings, the inability to reach a contractual agreement with Anodyne Records and unhappiness with the final mix led to the disbanding of the “Freedom Palace” line up in early 2008. Reclusive, secluded and freshly divorced, a depressed Brodie Rush stopped all live performances for the next two years. Spending time to construct the concept record “A Mountain Of Yeses” as a solo endeavor under the Be/Non band moniker. Then, six years later in 2014, John Hulston of Anodyne Records graciously gave Brodie Rush full rights to the “Freedom Palace” recordings and masters. Be/Non has since tried numerous times to re-record the material for a proper release, but never could fully accomplish this task. Finally, for the entire world, for better or for worse, Be/Non and Haymaker Records would like to present the final mix of “Freedom Palace” the way it was originally intended. Be/Non adamantly renounces the production, mix and performances on these recordings, with few exceptions. The album was mixed and recorded during a dizzying haze of drug and alcohol abuse. The lyrics, the tone and the feel of the record is very unfocused, angry and misguided. This record does not reflect the proper sonic soundscape or performances Brodie Rush and Be/Non had intended whatsoever. “Freedom Palace” was full of rehashed versions of songs better left to their previous incarnations. “Moi Ou Toi” from the 7″ is a remake from “Freedom Palace” but the “FP” version is a remake of the original “Ran” version. Complicated. In fact ALL of the recordings on “FP” are remakes from “Ran” and “Esperanto.” “Do the Heat” and “Lucy” are again remakes of the “Ran” and “Esperanto” versions. The version of “Ice Fight” on “FP” I think… is different than the B-Side to “Moi Ou Toi”. A different remix with other instruments. We had two different versions from 2015. The Kraftwerk reference was unintentional. John Huff started playing that back in 2006 but hadn’t heard the Kraftwerk song until I played it for him in 2015. He just did that and thought he was cool. I hadn’t heard that tune until 2010 or so. It was an accident. There is an unreleased, unfinished song called “No God Of Mine” I recorded in 2002 on my 8 track that when I tried to remake it in 2007 with Mike Cochran on drums, John heard it and played me a song from the band YWKMBT Trail Of Dead from 2005 that was almost identical even the timing on the changes. The vocal melody was different tho. I got so disturbed by it that I stop working on the song altogether. “Garlic”, “In The Nighttime” “More Than Enough” and “Current And The Rind” were all part of an unreleased collection called “Enhance The Smoky” from 2000. Same year “Tenderfoot” was written.]

[Be/Non play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

11:18 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook & Steve Tulipana about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO.

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.

The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com.

We just heard Be/Non from: Mystic Sunrise | Sunset Magic / Haymaker Records / 2/25/16

Be/Non will be joining Outer Reaches this year to perform a special set of music with video accompaniment. This will be their first live appearance in 3 years.

Last year Outer Reaches is part of Open Spaces KC. This year Outer Reaches is again collaborating with Midwest Music Foundation. Outer Reaches 2019 is made possible from the help of a grant through the KC Neighborhood Tourist Development Fund.

Sponsors for this year’s fest include Records with Merritt, 7th Heaven, It’s a Beautiful Day, recordBar, Seen Merch, XO Blackwater, Haymaker Records, Kosmic City, Crush Media, Boulevard Brewing Co., and Print Time. Info: http://www.outerreachesfest.com

11:24 – Music from Outer Reaches

11. Thunder Jackson – “Colours”
from: Colours – Single / Thunder Jackson / March 7, 2018
[Thunder Jackson is the meeting of an Oklahoma’s singer-songwriter and a British producer. After meeting in a taxi cab in Los Angeles, the freshly born duo started to work in basement studio on the west side of the city.Nov 26, 2017.]

[Thunder Jackson play Outer Reaches Fest, Saturday, October 19 at recordbar.]

12. BCR – “Love In Outer Space”
from: Speck of Dust / Sparkling Beatnik / December 31, 2004
[BCR is Black Crack Revue, formed 37 years ago in KC. Called “groovy polyphonic jazz/dance” band.]

[BCR play Outer Reaches Fest, Saturday, October 19 at recordbar.]

11:32 – Underwriting

11:35 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook, and Steve Tulipana about OUTER REACHES VIII on two stages on Saturday, Oct. 19th at recordBar.

Brenton Cook and Steve Tulipana thanks for being with us on WMM.

More info: http://www.outerreachesfest.com/

The music festival Outer Reaches, in its eighth year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

11:42 – Music from Outer Reaches

13. FACEFACE – “Meat Me”
from: MMmm / FACEFACE / February 15, 2018
[KC based experimental electronic hiphop musical collaboration with Paul S. Nyakatura, is a Kansas City based award winning voiceover artist, stand up comedian, commercial producer, and rapper and hip hop artist.and Ryan Lee Toms is a Kansas City based multi-instumentalist, composer and artist who has recorded original experimental dance electronic music as RLT with John Bersuch. Ryan also plays guitar with the math rock band HMPH! and he plays drums for the KC based, 5-piece post-punk deathrock band Beelzebabes..]

[FACEFACE plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

14. Monta At Odds – “Perimeter Dancer”
from: New Unreleased track from band with Mikal Shapiro on vocals
[KCK based band formed by brothers Dedric and Delaney Moore. ]

[Monta At Odds plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

11:48 – Underwriting

11:56 – Music from Outer Reaches

15. Lumerians – “C – Rock”
from: Yellowcake – Single / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland.

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on October 16 – we welcome Krystle Warren with Brad Cox and Jen Owen of Owen/Cox Dance Group who present “Love Songs” at Polsky Theatre Saturday, October 19 at 8:00 pm, and Sunday, October 20 at 3:30 PM. We’ll feature music from Krystle Warren’s critically acclaimed 2012 double album release of 24 original songs, recorded in Brooklyn with a 27-piece band. Also next week special co-hosts Betse Ellis and Marion Merritt join us for our Fall Fund Drive Show encouraging you our beautiful listeners to call us and show your support for the most original radio station you’ve ever listened to, 90.1 FM KKFI where over 85 locally produced radio shows air each week.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #806

WMM Playlist from August 22, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 22, 2018

Emmaline Twist & Abandoned Bells

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Bob & Una Walkenhorst – “Time Goes Walking”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst play recordBar, 1520 Grand, KCMO, Friday October 12, at 7:00 with Of Tree for a DUAL ALBUM RELEASE SUPER SHOW! Both acts will be releaseing debut albums. Spcial guest Storm Circus will open the evening.]

3. Mary Gauthier – “Got Your Six”
from: Rifles and Rosary Beads / In The Black / January 26, 2018
[Brand new collection of songs by Mary Gauthier, co-written with U.S. veterans and their families, through Songwriting With Soldiers, a non-profit organization that pairs US veterans with professional songwriters. These songs are a glimpse inside the hearts and souls of both male and female soldiers, and their spouses. From Pop Matters: “SongwritingWith:Soldiers is an organization founded by songwriter Darden Smith that holds retreats pairing wounded veterans with established songwriters to help them to find a voice to express their experiences and through their sharing work towards emotional and spiritual healing. Songwriters who have participated in the program include Beth Nielsen Chapman, Marshall Crenshaw, Radney Foster, and Amy Speace, and some of the songs produced have been recorded by major country artists including Willie Nelson, Trisha Yearwood, Luke Bryan, and Garth Brooks. Mary Gauthier is a natural to serve as a contributor to this cause, her powerful autobiographical songwriting on past records addressing such topics as addiction, abandonment, and the search for meaning amidst pain. Turning her empathetic ear to the plights of others, she guides a group of veterans and their families through the composition of 11 highly effective and affecting songs. Of the experience, Gauthier writes “None of the veterans are artists. They don’t write songs; they don’t know that songs can be used to move trauma. Their understanding of song doesn’t include that. For me, it’s been the whole damn deal. Songwriting saved me. It’s what I think the best songs do, help articulate the ineffable, make the invisible visible, creating resonance, so that people (including the songwriter) don’t feel alone.” Gauthier was born in New Orleans, Louisiana. Born to a mother she never knew and left in St Vincent’s Women and Infants Asylum, Gauthier was adopted when she was a year old by an Italian Catholic couple from Thibodaux, Louisiana. At age 15, she ran away from home, and spent the next several years in drug rehabilitation, halfway houses, and living with friends; she spent her 18th birthday in a jail cell. Struggling to deal with being adopted, she used drugs and alcohol. These experiences provided fodder for her songwriting later on. Spurred on by friends, she enrolled at Louisiana State University as a philosophy major, dropping out during her senior year. After attending the Cambridge School of Culinary Arts, she opened a Cajun restaurant in Boston’s Back Bay neighborhood, Dixie Kitchen (also the title of her first album). Mary ran, and cooked at, the restaurant for eleven years. She was arrested for drunk driving opening night, July 12, 1990, and has been sober ever since. After achieving sobriety, she was driven to dedicate herself full-time to songwriting, and embarked upon a career in music. She wrote her first song at age 35. She sold her share in the restaurant to finance her second album, Drag Queens in Limousines, in 1998. The summer of the release of this album, she was invited to play 11 major folk festivals, including the Newport Folk Festival. Drag Queens in Limousines won in The 1st Annual Independent Music Awards for Folk/Singer-Songwriter Song, and she was nominated for Best New Artist of the year by the Boston Music Awards. She was nominated for three Gay and Lesbian American Music Awards (GLAMA) and won best country artist of the year. In 2002 her third album, Filth and Fire, was named “Best Indy CD of the year” by Jon Pareles of The New York Times. She moved to Nashville, Tennessee in 2001 and secured a publishing deal with Harlan Howard Songs, then secured a record deal with Lost Highway, a division of Universal Music, in 2003. Her first major label release, in 2005, Mercy Now was on the top 10 list for the year in dozens of publications, including The New York Times, the Los Angeles Times, the Daily News, and Billboard Magazine.]

[Mary Gauthier plays Knuckleheads, 2715 Rochester St., KCMO, Thursday, August 23, at 8:00 PM.]

4. Krystle Warren & The Faculty – “Every Morning”
from: Love Songs: A Time You May Embrace / Parlour Door Music / April 9, 2012 [UK]
[Krystle Warren’s double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

[Krystle Warren plays in Calvin Arsenia’s special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

5. Calvin Arsenia – “Cantaloupe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[First single from upcoming full length album from Calvin Arsenia called, Cantaloupe, the first release on the new recording label Bullseye Records. Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year his full length debut, Catastrophe, and a LIVE recording from Greenwood Social Hall. This year he released the EP Caviar to special guests who attended his show at Wickstock West in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp. Calvin has played Folk Alliance International, Kansas City Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

10:21 – Underwriting

6. Vigil and Thieves – “Ladylike”
from: Make Sure They Hear You / Vigil and Thieves / August 24, 2018
[Kansas City based 4-piece band with Sarah Storm on vocals, guitar, & keyboards; Steph Castor on guitar; Matthew Muckenthaler on bass, and Andrew Flaherty on drums.]

[Vigil and Thieves play a “Make Sure They Hear You” Album Release Party at The Granada Theatre, 1020 Massachusetts Street, Lawrence, Kansas, Friday, August 24, at 7:00 pm, with the bands The Dear Misses, Mess, Life Coach, and of course Vigil & Thieves.]

Emmaline Twist

7. Emmaline Twist – “Starcrossed”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist play a KC Album Release Party Show, for Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.]

10:30 – Interview with Krysztof Nemeth and Kristin Conkright

Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar of the KC based Post-Punk, Darkwave, Shoegaze band Emmaline Twist. Krysztof and Kristin are with us in our 90.1 FM Studios to share details about the band’s new full length 12” vinyl album “DISSIMULATION” on Black Site Records, and their KC Album Release Show, this Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.

Kristin Conkright and Krysztof Nemeth of Emmaline Twist on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Krysztof Nemeth and Kristin Conkright thank you for being with us on WMM.

Emmaline Twist got started in early 2016 when Krysztof Nemeth, former baritone guitarist in The Latenight Callers, started collaborating with Meredith McGrade, a veteran of several Kansas City bands, including Admiral Red, Wick and The Tricks, and The B’Dinas. Krysztof told Timothy Finn of The Kansas City Star, “Meredith and I got started in trying to capture the sound and feel of the music we mutually loved: post-punk and shoegaze,” Nemeth said. “Meredith initially played bass and sang, while I employed the baritone guitar as the lead instrument.”

Jonathan Knecht, formerly of the Silver Maggies, came along as drummer.

Kristin Conkright, formerly of Knife Crime and Onward Crispin Glover, was looking for a project. During the very first The Band That Fell to Earth – Bowie Tribute Show, at The Uptown Theatre, in January 2016, Kristin approached Krysztof asking what he was working on and asked if he needed a bassist. Krzysztof liked her sound and thought it would fit the Emmaline Twist vision. McGrade moved to guitar and Conkright came aboard as bassist.

Alex Alexander & The Band That Fell To Earth

Recently, Alex Alexander, of The Band That Fell to Earth, has joined the band on synthesizers, becoming the 5th member.

In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.”

The band’s new 12″ LP is being released by Black Site Records, a label started by members of the band Red Kate, who have had a busy couple of years releasing music from Red Kate, Chess Club, Truckstop Love, Wick and The Tricks, and others.

Earlier this season, Emmaline Twist became the second official release of the eat.hear.records, limited edition 7″ vinyl single series, with the tracks: “Vega” and “Moon Eyes.” These were the band’s original first two digital releases.

More information at http://www.emmalinetwist.com

8. Emmaline Twist – “Oblivion”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist play a KC Album Release Party Show, for Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.]

Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar of the Kansas City based Post-Punk, Darkwave, Shoegaze band Emmaline Twist. Krysztof and Kristin are with us in our 90.1 FM Studios to share details about the band’s new full length 12” vinyl album “DISSIMULATION” on Black Site Records, and their KC Album Release Show, this Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona. Emmaline Twist will be playing with their newest addition of Alex Alexander to the band on synthesizers & guitar.

Krysztof Nemeth and Kristin Conkright thank you for being with us on WMM.

DISSIMULATION was Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.

Nominated for Pitch Music Awards

Emmaline Twist has been on a media blitz and was recently on 38th The Spot, Eight One Sixty with Chris Haghirian, Retro Redeye Express with my Gemini Sister Sunshine and Too Much Rock, Under The Radar with John Todd.

Krysztof Nemeth and Kristin Conkright thank you for being with us on WMM.

More information at http://www.emmalinetwist.com

10:56

9. Emmaline Twist – “Desparate Measures”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist play a KC Album Release Party Show, for Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.]

11:02 – Station ID

Abandoned Bells

10. Abandoned Bells – “Lost Children”
from: Lost Children – Single / Independent / December 1, 2016
[Recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.
Krystof Nemeth on guitar, Teri Ann Quinn on vocals & banjo, Tyson Schroeder on drums.]

[Abandoned Bells open for Wovenhand, Wednesday, August 29, at 8:00 pm, at the Riot Room.]

Krysztof Nemeth, Teri Ann Quinn and Tyson Schroeder of Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:06 – Interview with Teri Ann Quinn, Tyson Schroeder, and Krysztof Nemeth

The Kansas City three piece band, Abandoned Bells, join us to share details about their up coming live performance opening for Woovenhand, on August 29. Abandoned Bells are Teri Ann Quinn on vocals & banjo, Tyson Schroeder on drums & vocals, and Krysztof Nemeth on baritone guitar.

Teri Ann Quinn of Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Teri Quinn is a Kansas City based singer/songwriter and multi-instrumentalist, originally from Grand Rapids, Michigan. Teri moved to Kansas City in 2009 to study Clarinet Performance and Music Composition at the University Of Missouri Kansas City’s Conservatory of Music where she graduated in 2013. We first met Teri playing clarinet and guitar for Claire and the Crowded Stage. Teri is also a jewelry designer and her business is calle Rattlebone Design. Teri calls herself, “A Northern girl with a Southern heart living in the Mid-West.” Teri has also contributed experimental compositions for The Black House Collective, andin 2016 released her debut EP, Moons and Meltdowns.

Tyson Schroeder is an illustrator and fine artist. Over the last 20 years he has created images for bands, galleries, theatre companies, book illustrations and covers, periodicals, and Zim’s Sauces. Tyson has had works included in group and solo shows in KC, Boston, Salem, Portland, Houston and Nashville, and in museum shows about band posters, as he has created posters for, The Dresden Dolls, Unsane, Fiona Apple, and Season to Risk. Tyson has worked with puppets, sculpture, and improv performance, spoken word, and theatre as an actor, designer, and playwright. Tyson is also a musician, who plays in the band Medicine Theory.

Teri Ann Quinn Kristin Conkright, Krysztof Nemeth, and Tyson Schroeder of Emmaline Twist and Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Krysztof Nemeth moved back to the Kansas City area from Seattle, Washington, 10 years ago. He is a published artist who has work specializing in fetish, gothic, retro, and low-brow kulture pin-up illustration. Krysztof has created saucy pin-up girls for everything from bands to burlesque troupes, gallery shows to rock shows, and clothing stores to private commissions. He work is in shows all over the country. Krysztof is also a father. He was one of the founders and lead guitarist for the band The Latenight Callers who released their critically acclaimed EP Easy Virtues in 2012 and the full length album, Songs for Stolen Moments in 2013. Krysztof os also the founder and baritone guitarist for Emmaline Twist, who are releasing their full length debut album, Dissimulation on Black Site Records, on Friday, August 24, at 8:00 PM, at recordBar, 1520 Grand, with Mysterious Clouds & Sona.

Teri Ann Quinn on vocals & banjo, Tyson Schroeder on drums & vocals, and Krysztof Nemeth on baritone guitar together are Abandoned Bells

We just heard “Lost Children” the single the band released last year.

“Lost Children” was recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.

Today’s Wednesday MidDay Medley demonstrates to paradox of Krysztof’s musical life with bands that represent two very different sides to your own artistic expression: Emmaline Twist + Abandoned Bells

But it’s not just Krysztof, in the last year, Teri has been on the show discussing her solo work and musical tour. Tyson was on the show talking about his play “Bastard” that premiered at The Living Room Theatre, this band is full of incredibly creative and independent artists.

Teri Ann Quinn, Tyson Schroeder, Krysztof Nemeth all have backgrounds in creating visual art pieces, and all have their own distinct visions as artists, their own distinct passions that influence their art.

Teri Ann Quinn, Tyson Schroeder, Krysztof Nemeth, thanks for being with us on WMM.

11:19

11. Abandoned Bells – “Bob’s Bizzare Bizzarre”
from: “Bob’s Bizzare Bizzarre” – Single / Independent / February 5, 2017
[Recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.
Krystof Nemeth on guitar, Terri Ann Quinn on vocals & banjo, Tyson Schroeder on drums.]

[Abandoned Bells open for Wovenhand, Wednesday, August 29, at 8:00 pm, at the Riot Room.]

Teri Ann Quinn, Kristin Conkright, Krysztof Nemeth, and Tyson Schroeder of Emmaline Twist and Abandoned Bells on the August 22, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:26 – Underwriting

11:28 – Manor Records Summer Showcase #2

Californos 4124 Pennsylvania Ave, KCMO, on Saturday, August 25, 8:00 PM – Doors

Manor Records proudly announces the second offering in their ongoing showcase series. This time the party happens at Californos, under the stars on the deck, Saturday August 25, doors open at 8:00 PM. Six of the area’s best bands play.

8:00 – Doors
8:30 to 9:00 – Those Far Out Arrows (Omaha)
9:15 to 9:45 – Toughies (LFK)
10:00 to 10:30 – Planet What (Tulsa)
10:45 to 11:15 – Dreamgirl (KC)
11:30 to 12:00 – Paddlefish (Springfield)
12:15 to 12:45 – Scruffy & The Janitors (St. Joe)

12. Those Far Out Arrows – “Living Today”
from: Where Are You? / Those Far Out Arrows / December 17, 2016
[Omaha, Nebraska band formed in 2013, by brothers Ben Keelan-White and Evan Keelan-White wbo now perform with Derek Levasseur, and Tanner Rogerson. Recorded and mixed by Those Far Out Arrows in Fall of 2016. Mastered by Jon Ochsner at ARC Studios in Omaha, Nebraska. Music writer Tim McMahan wrote, “They (Those Far Out Arrows) unapologetically cross ’60s British psychedelic with Bowery proto-punk a la Velvet Underground.” Those Far Out Arrows were recently signed to KC record label, High Dive Records.]

[Those Far Out Arrows play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 7:00 PM]

13. Toughies – “Real Love”
from: ain’t that something [EP] / Independent / November 24, 2017
[Recorded & Mixed by Steve Squire in the scenic Vinland Valley. All songs written & performed by Toughies. 5-piece band from Lawrence formed by Joe Gronniger on bass & vocals, Caroline Lohrenz on drums, Carl Smith on guitar & lead vocals, Sam Ramer on guitar & vocals, and Ben Sauder http://www.toughies.bandcamp.com]

[Toughies play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 9:15 PM]

14. Dreamgirl – “American Blonde”
from: American Blonde – Single / Independent / February 14, 2015
[Originally formed in 2013, in St. Joe Missouri by members who play with ‘60s-inspired psychedelic & surf rock.The band’s 2015 EP Illuminaughty was self-produced, and recorded over two days, at the home of Austin Marks. The band released their full length album, Dreamgirl on January 1, 2018 Engineered by Sam Stephan and Co-Engineered by Ian Dobyns and Mastered by David Gaumé at Forest Sounds, North Hollywood, CA. The current line-up includes: Lacey Hopkins on lead vocals, Austin Marks on guitar & backing vocals, Sam Stephen on keyboards, Ian Dobyns on drums, Chase Horseman on bass.]

[Dreamgirl play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 10:45 PM]

15. Paddlefish – “Got No Clue”
from: Spill Me! / Independent / August 17, 2018
[Paddlefish is a four-piece band from Springfield, Missouri with: Owen Misterovich on lead vocals, guitar, drums & keyboards; Joe Misterovich on backing vocals, guitar, bass & keyboards; Blake Nieman on bass, and Anthony Clark on drums. All songs written by Owen Misterovich. Engineered by Joe Misterovich. Mastered by Carl Saff. Album Art by Tanner Spreer..]

[Paddlefish play Manor Records Summer Showcase #2, at Californos, 4124 Pennsylvania Ave, on Saturday, August 25, 11:30 PM]

16. Wade D. Brown – “Home Country Pie”
from: From A Child / Wade D. Brown / May 25, 2018
[Debut album from Wade D. Brown on vocal, guitar & harmonica; Colby Earleywine on percussion, Katie West on bass; Mike West on banjo & mandolin. Produced, recorded, mixed, and mastered by Mike West at 9th Ward Pickin’ Parlor in Lawrence, KS February 2018. All words and music Copyright 2018 Wade D. Brown. Wade D. Brown grew up in small town rural Kansas and describes having a “dreamers disease” from a very young age. He quotes Kerouac, Woody Guthrie, and Waldo Emerson for developing his curiosity about being a “life long freedom seeker.” The notion of “self obtained freedom” is the central issue at the heart of Wade D. Brown’s music. With primary influences from pre-war delta and ragtime blues, medicine show music, bluegrass, vaudeville, and country folk, Wade D. Brown’s music is a contrast of light and dark themes. Songs like Home Country Pie and Summer Bliss paint pictures of simple happiness, while songs such as Old Habits and Paper Cups evoke a sense of complex loneliness. Wade D. Brown says that his goal as a songwriter is to “use music rooted in traditional forms with a poetic lyric to create an original sound that challenges the listener emotionally and conceptually.”]

[Wade D. Brown plays The Brick, Saturday, August 25, at 7:00 PM]

Marcus Lewis, Ryan Jamaal Davis aka Kadesh Flow, and Kemet Coleman aka Kemet The Phantom on the October 4, 2017 edition of Wednesday MidDay Medley.

17. Marcus Lewis Big Band – “All Day (feat. Kadesh Flow)”
from: Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

[Marcus Lewis Big Band with Kadesh Flow and
kemet The Phantom play the Brass & Boujee + The Phantastics Joint Album Release Show!, Saturday August 25, at 9:00 PM, at The 10 Spot, 1000 BROADWAY BLVD Suite 300, KCMO on the 3rd floor of The Garment House.]

18. Eems – “Moment”
from: Dreems / Independent / June 26, 2018
[Eems is Phillip Jackson, a KC based ukulele loop artist, singer songwriter, rapper, pianist, drummer, The resonance of his bright musical sounds, and lyrical calls, are woven through genres of folk, hip hop, pop, and dance influences. He has shared the stage with notable hop hop artists, and KC Folk Music Fest, Middle of The Map Fest.]

[Eems plays The Mark Music Show 2.5, Friday, August 24, at 7:30 PM, at St. Mark Hope and Peace Lutheran at 3800 Troost Ave, KCMO]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 29, as we welcome: Amy Farrand, Lisa McKenzie, Ivory Blue, and Barry Lee joins us to share details about Concert for Carolyn

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #748

WMM Playlist from July 25, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 25, 2018

Shy Boys + Heidi Lynne Gluck + Keaton Conrad
+ Sid Sowder & Too Much Rock

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Soccer Mommy – “Last Girl”
from: Clean / Fat Possum Records / March 2, 2018
[Soccer Mommy is the stage name of bedroom pop and indie rock musician Sophie Allison. Allison was born in Switzerland and grew up in Nashville, TN. She attended Nashville School of the Arts, a speciality high school where she studied guitar and played in the swing band. She first picked up a guitar at age 6, which prompted her to start making music. She began posting home-recorded songs to Bandcamp as Soccer Mommy in 2015, during the summer when she was about to leave for college at New York University, where she studied music business. While in college, she played her first show as Soccer Mommy at the community art space Silent Barn in Bushwick, Brooklyn, and shortly after landed a record deal with Fat Possum.She dropped out after a year in 2017 to return to Nashville and pursue her music career. Since beginning her career as Soccer Mommy, Allison has released two full-length albums. Her first, For Young Hearts, was released in 2016 on Orchid Tapes. Her second album, Collection, was released in 2017 on Fat Possum Records. Her debut album proper, titled Clean, was released on March 2, 2018. She has toured with Mitski, Jay Som, Slowdive, Frankie Cosmos, Phoebe Bridgers and others]

[Soccer Mommy opens for Stephen Malkmus and the Jicks at recordbar, Sunday, July 29, at 8:00 PM.]

3. The Philistines – “1971”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Steve Gardels on drums, Rod Peal on guitar; Josh Mobley on keyboard, and Barry Kidd on bass. For this record Michelle Bacon played bass & backing vocals. Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play Jackpot Music Hall, 943 Massachusetts Street, in Lawrence, Kansas Friday, July 27, for the Serene Fiend Album Release Show at 9:00 PM.]

[The Philistines play The Riot Room, 4048 Broadway, Kansas City, MO., Monday, July 30, at 7:00 PM with in The Whale.]

[The Philistines play The Rino, 314 Armour Rd, North Kansas City, Sunday, August 19, at 7:00 PM, with Dream Version, and Westerners]

4. Under the Big Oak Tree – “Dear Brother”
from: The Ark / Under The Big Oak Tree / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).

[Under The Big Oak Tree play a CD Release! Matinee Show, Sunday, August 26 at 5:00 PM, at Replay Lounge, 946 Massachusetts St, Lawrence, KS with Signal Ridge.]

[Under The Big Oak Tree play a CD Release! in St. Joe, Wednesday, August 29 at 8:00 PM, at Unplugged, 2605 Frederick Avenue, Saint Joseph, MO]

[Under The Big Oak Tree play a CD Release! in Kansas City, Friday, August 31 at 8:00 PM, at Mike Kelly’s Westsider, 1515 Westport Rd, Kansas City, MO]

5. The Hollow Ends – “The Low”
from: Bears in Mind / Brave New Records / July 27, 2018
[Debut album from St. Louis, Missouri based singer-songwriter Zachary Schwartz who tracked the record in his bedroom. The record was mixed and mastered by Ben Majchrzak at Native Sound.]

[The Hollow Ends play The Brick, 1727 McGee, KCMO, on Saturday, July 28, at 7:00 pm with Luther Vincent, and Lily Brown.]

6. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

7. Kyle Nachtigal – “Feeling This Way”
from: High Considerations / Kyle Nachtigal / April 20, 2018
[Originally from Springfield, Missouri, this talented guitarist, singer and songwriter has lived in Nashville, Tennessee, since 2009. He studied at Belmont University in the Music City and dedicated himself to full-time music making in February of 2016 which got him out on the road. In his travels he kicks it through Kentucky, meanders to Missouri, then heads back to Tennessee before wandering up to Illinois or down to Arkansas for a few gigs. Yes, the guy stays busy playing his style of percussive, melodic rhythm guitar on a custom designed Craig Southern model backing up his smooth and appealing voice. He works off a song list ranging from unique mashups to top shelf originals, plus all kinds of styles in between since he can “jump effortlessly between folk, rock, hip hop and jazz” without breaking a cool sweat. He released the seven-track recording titled Fort Dakota in 2016 and continues on the solo music adventure as a contemporary troubadour out to make music for the people. – Tom Irwin, IllinoisTimes, 10/26/17]

[Kyle Nachtigal plays Westport Saloon, 4112 Pennsylvania Ave, KCMO, on Friday, July 27, at 8:00 PM, followed by Duncan Hill and the Electric Prairie Surfers, and The Widowmakers.]

8. The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / Expected August 10, 2018
[Full Length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass,folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.”]

[The War and Treaty played an Official Showcase at Folk Alliance International Conference]

10:30 – Underwriting

9. Shy Boys – “Take The Doggie”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. This was the first single from their upcoming full length release.]

10:35 – Interview with Shy Boys

Shy Boys

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys originally formed as a trio in 2012 with brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin (of The ACB’s fame). The three shared a love for 1960s era pop rock and started writing their own music. Kyle Little and Ross Brown (of Fullbloods) joined to make Shy Boys a 5-piece. In 2014 Shy Boys released their self-titled debut on High Dive Records. Their single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles. “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that Shy Boys had signed to Polyvinyl. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being on WMM

Band member Kyle Little had to work at his job at Retro Inferno and couldn’t be with us on the radio.

We gave Ross Brown a little kidding, asking him if he should change his name to Kevin or Carl so as to fit in more phonetically with Collin, Kyle, Konnor, and Kyle.

Shy Boys – Bell House
Shy Boys album art was done by Kit Landwehr

On the Bandcamp page for Shy Boys there is an essay written by fellow Kansas City area musician Kevin Morby who now lives in Los Angeles.

Being in a band is a sacred thing.
Being in a band in 2018 is a sacred thing.
Being from the Midwest is a sacred thing.
Being in a band that is from the Midwest in 2018…

Consider Shy Boys – DIY local champions of Kansas City, MO, who if you add it all up, are something sacred. Comprised of brothers Collin and Kyle Rausch and best friends Konnor Ervin, Kyle Little and Ross Brown, Shy Boys are the heartland’s answer to The Beach Boys had Alex Chilton been on guitar.

But if a harmony falls into a microphone in the middle of America does anyone really hear it? Some do. Take for instance Shy Boys’ 2014 self-titled debut on local Kansas City label, High Dive Records – I first came across this album while living in Los Angeles and catching wind of a band from my home town that I was told could “actually sing,” and after the first spin, through the muddy fidelity, man, could they actually sing.

Shy Boys’ history isn’t too dissimilar from any other Midwestern band. Like the many Replacements or Husker Düs before them – they exist neither here nor there, but instead, somewhere anonymously in the middle. And though you may not find the same opportunity floating in the middle as one would Here or There, you are allotted a certain amount of time and space to grow both yourself and your craft into what you want it to be. Over the past four years, that is exactly what Shy Boys have done and that is what brings us here today.

On August 3, 2018, the world will see the release of their second record, Bell House, out on legendary and globally cherished record label Polyvinyl, bringing both their profile and music to the surface for the first time.

The album’s title is taken from the band’s beloved headquarters – the old house on Bell Street in Kansas City where they lived together for the better part of 5 years.

“‘Lived’ is a loose term,” says lead songwriter Collin. “It was more like a bum den than anything else. There was a giant hole in the floor of the kitchen that had a piece of plywood over it. In the backyard, weeds got like 6 feet high in the summer. It was its own thriving biome. We lived in trash.”

Musically, Collin describes the songs on Bell House taking shape through “a group of guys trying to get through some sort of mutual identity crisis. The lifestyle became overwhelming and really seeped into the music.”

In the time since the release of ST, Collin saw himself falling in love and getting married, leaving the old house on Bell Street, and moving back into his mom’s house with his wife in a suburb of the city. It’s here where the songs of Bell House were born. Being back under the same roof he had grown up in where there was “still writing on the walls from childhood,” Rausch found himself reflective and looking out at his life as a whole.

Take closing track “Champion” for instance, a song Collin says is dedicated to his and Kyle’s mother. “It’s just a note saying that she took care of us when we were young, and now it’s time for us to be there and take care of her.”

The reflective spirit sprinkled throughout the album is also evident on lead single, “Take The Doggie,” a bouncy, guitar driven track centered around wanting to secretly rescue their neighbor’s dog from an abusive owner, or on album highlight “Evil Sin,” which tackles the memory of drummer/bassist Konnor Ervin getting robbed.

But through all of this, Rausch kept his passion in his band, if even for nothing more than to – in his own words – have an excuse to keep hanging out with his brother and best friends.

“I have to keep Shy Boys alive to have a regular excuse to hang out with them,” says Collin. “To keep the band alive, I have to write songs. To be able to travel with my buddies, there has to be a new record.”

There is an old term that’s kicked around in country music called a “blood harmony” – in which two people in the same blood line, usually siblings, harmonize with one another in real time. Perhaps that is Shy Boys’ magic touch, putting them just a notch above all the other angels out there in the indie rock choir, and it makes sense, though no longer practicing evangelicals, Collin and Kyle grew up singing besides their parents in their church choir, so their keen sense of harmony is nothing new to them, but instead a life practice devoted to the voice as an instrument.

The result is Bell House, and the result is beautiful. There is something sensitive to the touch about this album, which is perhaps another way of saying that, well – Shy Boys are indeed Shy Boys. I envision the band as a solid unit, with each moving part as an equal. There is a heavy sense of family in everything they do both, literally and figuratively. Bruce Springsteen’s 1980 song “Highway Patrolman” always seems to come to mind;

“Yeah me and Franky out laughing and drinking,
Nothing feels better than blood on blood.”

-Kevin Morby

Polyvinyl Recording Company based in San Francisco is home to may bands we love and play on Wednesday MidDay Medley: Of Montreal, The Get Up Kids, Anna Burch, Jay Som, Xiu Xiu, Psychic Twin and more.

“Something Sweet: is the third single released from the band’s upcoming album. It came out today.

10:44

10. Shy Boys – “Something Sweet”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown.]

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Kyle Rausch, Collin Rausch, Ross Brown, and Konnor Ervin of Shy Boys on the July 25, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being with us on Wednesday MidDay Medley.

Konner Ervin talked about the status of The ACBs., and that there is a full length album, completely recorded, sitting in the vault waiting for the best opportunity to be released.

We talked with Ross Brown about Full Bloods and their critically acclaimed February 26, 2016 release Mild West released through High Dive Records. It was the second full length from Fullbloods. The band is made up of: Ross Brown, Jared Tomasino, David Seume, & Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).

Collin and Kyle Rausch talked about how Mike Nolte, who is a friend of the band and has worked on their recordings shared the band’s debut album with cohorts at Polyvinyl. When the band was getting ready to make a new album, Polyvinyl came calling.

Shy Boys released “Evil Sin” their 2nd single, with a video written & directed by Kyle Little

10:55

11. Shy Boys – “Evil Sin”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co. ]

[Shy Boys plays a Record Release Show, Sat, August 4, at 8:00 PM at recordBar, 1520 Grand, KCMO.]

11:00 – Station ID

12. Keaton Conrad – “(If I Told You to) Stay”
from: (If I Told You to) Stay – single / Keaton Conrad / July 20, 2018

11:04 – Interview with Keaton Conrad

Keaton Conrad

KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, being regarded as “exceptionally promising” by The Kansas City Star and “making things happen on stages … with an engaging voice and passion for creating good music” from Ink Magazine. In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad’s newest single “(If I Told You to) Stay” is set to be released on July 20th, 2018. A lyric video will be coming out soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of the Lenexa Outdoor Concert Series, September 16.

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

19 year old Kansas Native, Keaton Conrad records all of his own music in his home studio, mixing and mastering it all.

On “(If I Told You to) Stay” Jake Soltow plays bass, and Keaton Conrad plays everything else.

Keaton grew up in Olathe, Kansas (as did Calvin Arsenia, and Duncan Burnett). Keaton sang in High School Choir and performed in Olathe North West High School musicals.

11:12

13. Keaton Conrad – “What Am I Supposed to Do?”
from: What Am I Supposed to Do? – Single / Keaton Conrad / May 26, 2017
[19 year old Kansas native, Keaton Conrad released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on January 27, 2017.]

We’re talking with KC musician and recording artist Keaton Conrad who joins us live in our 90.1 FM Studios. Keaton Conrad just released his new single “(If I Told You to) Stay” on Friday, July 20th. A lyric video will be coming soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16.

Keaton Conrad on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Keaton Conrad is navigating the KC Music Scene while also getting ready for his second year in college at University of Missouri at Kansas City.

“Biscayne” was a single from Keaton Conrad’s 2017 album Waves

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16. More information at http://www.keatonconradmusic.com

11:25

14. Keaton Conrad – “Biscayne”
from: Waves / Keaton Conrad / January 27, 2017
[Debut full length from 19 year old Kansas native]

11:28 – Underwriting

11:30 – Interview with Heidi Lynne Gluck & Sid Sowder of Too Much Rock

Heidi Lynne Gluck and Sid Sowder on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Lawrence, Kansas based songwriter, producer, singer and multi-instrumentalist, Heidi Lynne Gluck is a originally from Manitoba, Canada. After transplanting herself from the plains of Manitoba to the midwestern plains of the United States, Heidi quickly became an in demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including: The Roseline, Approach, Josh Berwanger, Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. In 2015 Heidi released her critically acclaimed EP, Only Girl In The Room, last year on Lotuspool Records. In 2016 Heidi Lynne Gluck released her full length album called, Pony Show, also on Lotuspool, and on vinyl. Heidi Lynne Gluck joins us to share her new 7″ vinyl 45 rpm release through Too Much Rock. Heidi Lynne Gluck plays a Too Much Rock Single release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem.

Heidi Lynne Gluck, Thanks for being with us on Wednesday MidDay Medley

Also joining us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, and Red Kate have all recorded for the Too Much Rock Single Series.

Sid Sowder, Thanks for being with us on Wednesday MidDay Medley

More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

11:37

Too Much Rock Single Series – Heidi Lynne Gluck

15. Heidi Lynne Gluck – “Party Line” [7” Vinyl]
from: Party Line – Single b/w “Good Guys and Bad Guys” / Too Much Rock / August 3, 2018
[Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

We are talking with Heidi Lynne Gluck who plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO.

Too Much Rick – Single Series

16. Heidi Lynne Gluck – “Good Guys and Bad Guys” [7” Vinyl]
from: Good guys and Bad Guys – Single b/w “Party Line” / Too Much Rock / August 3, 2018
[Written by members of Camper Van Beethoven. Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

Heidi Lynne Gluck and Sid Sowder, Thanks for being with us on WMM

Heidi Lynne Gluck – Too Much Rock Single Series

Heidi Lynne Gluck plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem. More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

17. Heidi Lynne Gluck – “Waiting For You To Say It”
from: Pony Show / Lotuspool Records / August 26, 2016

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 1, Calvin Arsenia joins us for the entire show to play live and share tracks from his new recordings. Also joining us is writer and reporter CJ Janovy, who will talk about her new book, No Place Like Home, Lessons in Activism from LGBT Kansas, from University Press of Kansas.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #744

WMM Playlist from April 25, 2012

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Playlist from: Wednesday, April 25, 2012

The Clementines + Missy Koonce & AIDS WALK KC

1. Spirit is the Spirit – “Oh, Speckled Bird”
from: Mother Mountain / Independent / February 26, 2011
[Folk-psychedelic-rock from Lawrence, Kansas. Austen Malone, Noah Compo, Wayne Zimmerman, Josh Landau, Brook Partain, Danny Bowersox. “a Lawrence band with a cosmic hippie vibe plus horns (trumpet, trombone), lots of percussion and supernal vocal harmonies”- Tim Finn]

2. David Burchfield – “The Beginning”
from: The Beginning / Independent / 2011
[Produced, engineered, mixed and master by Mike Crawford at the Impossible Box in Kansas City, with David Burchfield on vocals & guitar; Leslie Hammer on banjo, fiddle and viola; Seth Jenkins on upright bass, Jeff Larison on pedal steel and dobro; Andy Michael on piano and accordian; and Devon Russell on vocals, choir.]

[David Burchfield and Friends play Davey’s Uptown this Friday night, April 27, with Betse Ellis, Loaded Goat, and The Great Stop.]

3. The Quivers – “Hip On Ya”
from: (Single) / Independent / Mar. 5, 2012
[One of 4 single releases from Terra Peal- Vocals & Bass, Todd Grantham- Keys & Vocals, Abe Haddad- Guitar & Vocals, Bernie Dugan- Drums.]

[The Quivers play The Brick on April 27th with The Cave Girls and Deco Auto.]

4. Deco Auto – “Such A Bother”
rom: Single / Independent / 2012
[Steven Garcia – guitar, vocals; Tracy Flowers – bass, vocals; Michelle Bacon – drums. Recorded at Audio Cave Recording Studios with Scott Martinez.

[Deco Auto play The Brick on April 27th with The Cave Girls and The Quivers.]

5. Best Coast – “The Only Place”
from: Single / Kemando / March 26, 2012
[from their upcoming full length release “The Only Place.]

6. Real Estate – “It’s Real”
from: Days / Domino / Oct. 18, 2011

[Real Estate plays The Bottleneck this Saturday, April 28, with The Twerps, and Ghosty.]

7. Justin Townes Earle – “Look The Other Way”
from: Nothing’s Gonna Change The Way You Feel About Me Now / Bloodshot / Mar. 27, 2012

10:30 – Underwriting

10:31 – Interview with The Clementines

8. The Clementines – “Fair Trade”
from: The Clementines [EP] / Independent / Mar. 8, 2012
[Tim Jenkins & Nicole Springer are The Clementines]

Sasha Banks in Overground Magazine wrote, “When The Clementines hit the stage, they pretty much set the benchmark for excellence. Classically trained guitarists, with an alternative folk style with strong, sultry vocals, this duo did nothing short of completely shaking The Brick to the ground.” Tim Jenkins & Nicole Springer, are The Clementines, and they will play The Riot Room, tonight Wednesday, April 25, at 8:00 PM. They also play Jerry’s Bait Shop on Monday, April 30.

Tim & Nicole were introduced by a mutual friend, Craig, in late February of 2011.

The Clementines have been together since last February, when Springer put out a Craigslist ad seeking a musical collaborator. She received a number of responses but was most impressed by Jenkins. (“I’ve been playing for about 12 years but mostly just in garage bands that never left the garage,” Jenkins says.) They met and clicked, and in April they started gigging regularly at local open-mic nights. Since that time, they have written over 20 songs and have even recorded a demo.

The Clementines, music is labeled: acoustic alt. rock, blues, jazz, & folk-pop.

The Clementines, get their name from the main character in Eternal Sunshine of the Spotless Mind.

Nicole Springer grew up in Oak Grove, Missouri, and graduated H.S. in 2004. She studied Music-Vocal/Choral at Missouri State University, in Springfield, Missouri, and studied Special Education with Music at Metropolitan MO CC, in KCMO.

Nicole told The Pitch (in a Jan. 10, 2012 article): “I grew up singing in gospel choirs, in Oak Grove,” she says. “And I still love gospel music, though I’m not religious or anything. I did musicals throughout high school, and I went to school for a year at Missouri State for music education. But I’ve never been in a committed band before this one.”

Nicole told David Hudnall of The Pitch: (her) vision for the Clementines was initially inspired by the Irish folk duo the Swell Season. “I had just seen them in concert before I put up that ad,” Springer says. “They’re just so passionate, and I wanted to do something that had that much soul in it. It’s the same reason I like Aretha or the Gossip.”

Tim Jenkins grew up in KC. Studied at UMKC. He has been playing music for over 12 years.

From David Hudnall’s article in The Pitch: Jenkins, a fan of “geek rock, like ’70s prog stuff,” brought a different sensibility to the table.

“I usually bring in a song,” Springer says, “and Tim will tweak it and add solos and sometimes a riff ― he helps complete it.” “I think we know what our strong suits are,” Jenkins says. “Nicole’s voice is the main draw. And we try to mix that with a blues-folk sound that has a little pop sensibility.”

10:45

9. The Clementines – “Muddy Are The Waters” (Live)

10. The Clementines – “Of My Own” (Live)

The Clementines play The Riot Room, Wednesday, April 25, at 8:00 PM. They also play Jerry’s Bait Shop on Monday, April 30.

More information at: reverbnation.com/theclementinesnicoleandtim

10:59 – Ticket Give Away – Gypsy Kings at The Midland Sunday, April 29

11. First Aid Kit – “Emmylou”
from: The Lions Roar / Wichita / Jan 17, 2012
[A duo of two sisters Johanna (keyboards, autoharp, and Vocals) and Kiara Soderberg (guitar & Vocals). The are from Sweden]

12. Amy Farrand – “How You Feelin’”
from: Amy Farrand (hearts) You / Independent / 2012
[Ernie Locke on harmonica. Recorded and mixed by Chris Meck.]

[Amy Farrand’s “Weirdo Wednesday Supper Club happens every Wednesday night at Davey’s Uptown]

13. Shearwater – “You As You Were”
from: Animal Joy / Sub Pop / Feb. 15, 2012

14. Ghosty – “You Saved Me”
from: GHOSTY / More Famouser Records / April 17, 2012
[Ghosty is Andrew Connor, Mike Nolte an Bill Belzer who recorded their new album themselves over the last couple of years with help from David Wetzel, Josh Adams, Jake Blanton, Konnor Ervin, Ryan Connor, Kirsten Paludan, and Dan Talmadge. The new release will be pressed on vinyl and available on LP and digital download. More info at ghostysounds.com.]

11:20 – Interview with Missy Koonce

Missy Koonce is an Actor, Director, Producer, Writer, Emcee and Entertainer who has conducted multi-talented skills at venues including: The Coterie Theatre, The Unicorn Theatre, The American Heartland Theatre, Late Night Theatre, Missy B’s, and Bar Natasha. Missy has worked professionally as a critically acclaimed director, and an actress for over 20 years in Kansas City, and for 24 years she has served as Emcee for AIDS WALK KC, which is happening this Saturday, April 28 in Theis Park. You can find more information at aidswalkkansascity.org

Missy talked about seeing the event from the inside out, the people involved.

Missy talked with us about the Bar Natasha Reunion Show for KC Fringe Festival.

Missy Koonce will be appearing as Host of a special Burlesque Show – Late Night Stage Strut, Friday, April 28th 10:30PM at the Uptown Theater Complex in The Conspiracy Room as part of the Kansas City Burlesque Festival happening this weekend, April 26th, 27th, 28th, 2012! More info at: kcburlesque.com

Missy also works at Missy B’s

24th annual AIDS WALK KC, that is happening this weekend on Saturday, April 28th, 2012, starting at Theis Park, Kansas City, MO. More information at: aidswalkkansascity.org

11:35 – Underwriting

11:36

15. Santigold – “Disparate Youth”
from: Single / from upcoming release: Master of My Make-Believe / Atlantic / May 1, 2012

16. Lambchop – “Gone Tomorrow”
from: Mr. M / Merge / Feb. 21, 2012

17. M. Ward – “Primitive Girl”
from: A Wasteland Companion / Merge / Apr. 20, 2012

18. Jay Brannan – “Beautiful”
from: Rob Me Blind / Nettwerk – Great Depression / March 27, 2012

19. Glen Campbell – “Ghost On The Canvas”
from: Ghost On The Canvas / Surf Dog Records / August 20, 2011
[Song written by Paul Westerberg. Album intended as his farewell to studio recording due to his diagnosis of Alzheimer’s disease. The album’s creation was made public in March 2010, but Campbell and his wife delayed informing the public about his illness until shortly before he embarked on the Glen Campbell Goodbye Tour. The duo decided to go public so fans of his would not be confused if the performer flubbed his lines or seemed erratic onstage.]

[Glen Campbell plays The Uptown tomorrow night, April 26.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Show #418