WMM Playlist from April 4, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 4, 2018

New & MidCoastal Releases + Ten Thousand One
+ OLIVIA FOX + Ryan Wilks & Here Where You Wish

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Cavern of Anti-Matter – “Make Out Fade Out”
from: Hormone Lemonade / Duophonic / March 23, 2018
[Cavern Of Anti-Matter was formed by Stereolab mainman Tim Gane, now Berlin-based and collaborating with original Stereolab drummer Joe Dilworth, and synth wizard Holger Zapf. This is their third album proper following 2016’s Void Beats / Invocation Trex, and Blood-Drums, their 2013 debut album.]

3. Mysterious Clouds – “Road To The Sun featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / To Be Released in May, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the critically acclaimed band Monta At Odds. The Mysterious Clouds “Clear Reflection” was also included on the Haymakers Records compilation, Fairgounds Vol. 2 Released March 24, 2017.]

[Mysterious Clouds play Davey’s Uptown, 3401 Main, Friday, April 6, at 9:00 PM with The Philistines, VEHICLES, and Human Host]

4. Thee Devotion – “Shake It Up”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a Kansas City based, “chickenshack” and “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica and vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, and vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion. The song “Shake it Up” is about Ferguson. Thee Devotion will be our guest on WMM on April 18.]

[Thee Devotion play an Album Release Show on Saturday, April 7, at 9:30 at The Ship, 1217 Union, West Bottoms, with special guests DJ Lady J, and DJ Deep Groove.]

5. Billie Eilish – “bitches broken hearts”
from: bitches broken hearts – Single / Darkroom Interscope Records / March 30, 2018
[16 year old singer songwriter Billie Eilish Pirate Baird O’Connell was born December 18, 2001, and is known professionally as Billie Eilish. She was raised in Highland Park, Los Angeles to actress-musician-screenwriter Maggie Baird & Patrick O’Connell. Billie joined the Los Angeles Children’s Chorus at 8. At age 11, she began writing and singing her own songs, following her brother Finneas O’Connell, known as Finneas, an actor, musician, & producer, known for his role as Alistair in the Fox TV series Glee. Finneas was already performing his own songs with his band. In October 2015, when she was 13, Billie recorded the song “Ocean Eyes”, initially written by Finneas for his band, and sent it to her dance teacher, who hoped to choreograph a dance to it. Billie Eilish released “Ocean Eyes” on SoundCloud in 2016. A music video was released on (4/24/16), and a video of Eilish performing a dance to the song was released (11/22/16). “Ocean Eyes”, racked up over 35 million streams on Spotify. It was rereleased worldwide through Darkroom-Interscope (11/18/16). She released the singles: “Six Feet Under” (2/3/17), “Bellyache” (5/5/17) followed by her debut EP, Don’t Smile at Me (8/11/17) followed by more singles and remixes: “Bored,” “Watch,” “Copycat,” “Idontwannabeyouanymore,” “My Boy,” and “Don’t Smile at Me” (8/12/17). Billie collaborated with American rapper Vince Staples for a remix of “Watch” titled “&Burn.” For 2018 Record Store Day, Billie will release a 7″ vinyl acoustic version of “Party Favor” & acoustic version of “Hotline Bling” by Drake.]

[Billie Eilish plays recordBar, 1520 Grand, TONIGHT, April 4 the show is SOLD OUT.]

6. Margo May – “Trust A Fool”
from: I’m Not Coming Home / Double Shift Music / July 19, 2015
[Written by and performed by Margo May. Recorded live and Mixed by Tim J. Harte in Kansas City, Mo.(motherrussiaindustries.com) Mastered by Cory Shultz. Doby Watson is featured on guitar. Margo May grew up in Kansas City. She has been writing songs since she was 15. She has worked as an actor at The Coterie Theatre. She studied liberal arts and english at University of Missouri – Kansas City. Margo made her national network television debut in the 2010 season of American Idol. Her debut recording “Summerof” was one of our favorite recordings of 2010 and has received critical acclaim. She was the winner of the 2010 Pitch Music Award for Best Emerging Act. Margo has played all over KC, Portland, Oregon, Austin, Texas. Margo has released several albums af her own original music as well as several collaborations and remixes.]

[Margo May plays Revolution Records, 1830 Locust. on First friday, April 6, at 7:00 pm with Joseph Warren & The Wanderlust Revival at 8:00pm, and Fathers at 9:00 pm.]

7. Noah Davis – “Love Me”
from: Magic EP / Noah David / April 3, 2018
[Kansas City based musician, Noah Davis was inspired by his father’s old gospel and blues albums. Noah grew up as a multiracial kid whose parents loved both Rock and Rhythm & Blues, helping Noah discover that music was not about color, but about heart and soul. Noah also credits Jimi Hendrix’s concept of the “musical church” as an ultimate influence in the healing capabilities of music. Last year Noah Davis released his full length album 100% on March 4, 2016.]

[Noah Davis Band play an EP Release Show, Friday, April 6 at 6:30 pm at Gallery 504, 504 East 18th Street, Suite 103 in the Crossroads with DFK.]

8. Martian! Martian! Martian! – “Runner”
from: Runner / Martian! Martian! Martian! / January 1, 2018
[M!M!M! is a newly formed three-piece garage pop band from Kansas City formed by Nick McKenna on bass & vocals, Alex Yoffie on guitar, and Nick Robertson on drums.]

[Martian! Martian! Martian! play miniBar, 3810 Broadway, Friday, April 6, at 9:00 pm with Mene Mene, and The Atomic 50’s]

10:30 – Underwriting

9. Ten Thousand One – “Control”
from: Control / Ten Thousand One / May 5, 2015
[2nd album from KC based band formed in 2006 by Austin Williams on lead vocals, David Capell on bass, Dustin Reed on guitar, Steve Bell on guitar, and Brian Shackelton on drums. In 2015 They won Song of the Year, from The Midwest Music Awards for “Control.”]

[Ten Thousand One play The Rino 314 Armour Rd, Kansas City North, on April 7, at 7:00 pm with Famous For A Day, Conman Economy, and CUDO. ]

Austin Williams, David Capell, & Brian Shackleton of Ten Thousand One on the April 4, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Austin Williams, David Capell, & Brian Shackleton of Ten Thousand One on the April 4, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Austin Williams, David Capell, & Brian Shackleton of Ten Thousand One on the April 4, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:36 – Interview w/ Austin Williams, Brian Shackleton, David Capell of Ten Thousand One

The Kansas City based band Ten Thousand One was formed in 2006 by best friends: Austin Williams on lead vocals, David Capell on bass, Dustin Reed on guitar, Steve Bell on guitar, and Brian Shackelton on drums. The band released their self-titled debut album on October 30, 2012. In 2015 they won Song of the Year, from The Midwest Music Awards for “Control” the title track of their second album, released May 5, 2015. After being chosen to play RockFest in 2016, Ten Thousand One have recently been asked to play Rocklahoma 2018, May 25-27. Ten Thousand One also play The Rino 314 Armour Rd, Kansas City North, on April 7, at 7:00 pm with Famous For A Day, Conman Economy, and CUDO. Joinings us today are three of the members of Ten Thousand One.

Austin Williams, Brian Shackleton & David Capell, Thanks for being with us on WMM.

Since 2006 the band has held weekly practices every Sunday morning, in Brian Shackelton’s basement, which is also the inspiration for the band’s name because his street address is 10001.

10:44

10. Ten Thousand One – “The Letter”
from: Control / Ten Thousand One / May 5, 2015
[2nd album from KC based band formed in 2006 by Austin Williams on lead vocals, David Capell on bass, Dustin Reed on guitar, Steve Bell on guitar, and Brian Shackelton on drums. In 2015 They won Song of the Year, from The Midwest Music Awards for “Control.”]

Ten Thousand One have watched each other get married, have kids, graduate from college, and grad school, create businesses, but through it all they have always carved out time for the band, for that weekly rehearsal, to play music together.

The band has received critical praise for their live performances, and the band’s mix of “alternative to thrash, hardcore to blast beat metal, even dirty blues thrown in.” Their Facebook page refers to: metal riffs and punk beats. They currently see their music as developing a “Southern Rock” sound.

Ten Thousand One were chosen to play RockFest in 2016, the year Disturbed and Seether played the fest. They were part of a contest held by 98.9 The Rock and due to the number of votes registered in their support from fans they were asked to be involved. Each member was thrilled to be on stage at Liberty Memorial.

Ten Thousand One have recently been asked to play Rocklahoma 2018, May 25-27 that will have over 75,000 fans attending this 11th annual event. The event happens just outside Tulsa, OK and is a three-day camping festival that will feature music on three stages, as well as a campground stage to keep the music going all night long. Some of the bands in the line up include: Godsmack, Poison, Cheap Trick, The Cult, Vince Neil, Stone Temple Pilots, Clutch, The Used, Machine Gun Kelly, Candlebox, and Andrew W.K.

Ten Thousand One is a Kansas City/Raytown based band. It all started in Raytown. Raytown is also the home of the fictional TV Comedy, “Mama’s Family.”

Ten Thousand One lead singer, Austin Williams, is a UMKC doctoral student seeking an Interdisciplinary Ph.D. in American History and Educational Leadership, Policy, and Foundations. Austin is collaborating with UMKC’s Gay and Lesbian Archive of Mid America (GLAMA) and the Kansas City LGBT Film Festival, he is currently working on an oral history project, Responding to AIDS: Kansas City (1981-1995), and a documentary film, The Ordinance. His research focuses on the Kansas City activists and politicians who supported and opposed a series of ordinances introduced in the early 1990s designed to protect gays, lesbians, and people with HIV/AIDS from experiencing discrimination in housing, employment, and public accommodations.

Austin Williams, Brian Shackleton & Dustin Reed Thanks for being with us on WMM.

10:56:30

11. Ten Thousand One – “On Our Own”
from: Control / Ten Thousand One / May 5, 2015
[2nd album from KC based band formed in 2006 by Austin Williams on lead vocals, David Capell on bass, Dustin Reed on guitar, Steve Bell on guitar, and Brian Shackelton on drums. In 2015 They won Song of the Year, from The Midwest Music Awards for “Control.”]

[Ten Thousand One play The Rino 314 Armour Rd, Kansas City North, on April 7, at 7:00 pm with Famous For A Day, Conman Economy, and CUDO. ]

Aubrey Callahan, Tiffany Smith, and Lauren Flynn, of OLIVIA FOX meet Austin Williams, Brian Shackleton, and David Capell of Ten Thousand One on the April 4, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:00 – Station ID

12. Olivia Fox – “Utah”
from: Utah – Single / OLIVIA FOX / Febrary 16, 2018

Aubrey Callahan, Lauren Flynn, and Tiffany Smith of OLIVIA FOX on the April 4, 2018 edition of Wednesday MidDay Medley o KKFI 90.1 FM.

11:04 – Interview with Lauren Flynn, Aubrey Callahan and Tiffany Smith

Lauren Flynn, Aubrey Callahan and Tiffany Smith make up the Kansas City band, OLIVIA FOX who released their self titled debut EP, on June 2, 2017. OLIVIA FOX followed that up with two new singles: “Slow Motion” released December 14, 2017, and “Utah” released February 16, 2018. OLIVIA FOX call their sound Folk/Pop and it’s a unique marriage between classic folk instrumentation, vocals, and harmonies to modern programmed beats and synth pads.

OLIVIA FOX play the Homegrown Buzz Music Showcase, Saturday, April 7, on the Kansas City Live! Block, in the Power and Light District, 1330 Grand Blvd. St. KCMO, with: Hembree, Brandon Phillips and The Condition, The Noise FM, Fathers, Mess, Y God Y, The Dear Misses, Faintheart, Hot Suede, and Keaton Conrad. More info at http://www.weareoliviafox.com

Lauren Flynn, Aubrey Callahan and Tiffany Smith thanks for being with us on WMM.

I met the women of Olivia Fox at Folk Alliance International in the hospitality room of the KC Collective Showcase.

OLIVIA FOX is a relatively new band, they been together for a little over a year and a half now, and were all brought together through their manager David “DJ” Lee.

David “DJ” Lee is also the manager for Second Hand King and Tour Manager for Madisen Ward and the Mama Bear.

Aubrey Callahan, Lauren Flynn, and Tiffany Smith with Manager – DJ Lee of OLIVIA FOX on the April 4, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Lauren Flynn, Aubrey Callahan and Tiffany Smith talked about how they ended up with the name OLIVIA FOX, after days and days of searching and talking about names.

Mark shared that his impression of the name is, “strong, creative and dashing women.”

Mark also referenced OLIVIA as the name of the first all women run record label, Olivia Records, a collective founded in 1973 to record and market women’s music. It was the brainchild of ten lesbian-feminists living in Washington, D.C. who wanted to create a feminist organization with an economic base. In 1973, the collective put out a 45 with Meg Christian on one side and Cris Williamson on the other. Without making themselves dependent on any high-profile person, they made $12,000 with that 45, enough to put out singer Meg Christian’s first record, and soon after, Cris Williamson’s groundbreaking album, The Changer and the Changed, in 1975. During a radio interview in Washington, D.C. in 1973, Williamson suggested that a record label aimed at gay women would be a good idea. The independent label Olivia Records was founded the next day. Olivia Records release of Williamson’s The Changer and the Changed became one of the best-selling independent releases of all time. As William Ruhlmann of AllMusic writes: “The Changer and the Changed was to women’s music what Michael Jackson’s Thriller was to the music industry in general in the mid-’80s, an album that sold far beyond the perceived size of the market, more than 100,000 copies in its first year of release. Eventually, it reportedly sold more than 500,000 copies, which would make it a gold album, although it has not been certified as such by the RIAA. (That does not disprove the sales estimate, however. Albums are not certified automatically; a record company must request certification and pay for an audit.)”

“Utah” was released February 16, 2018, after “Slow Motion” that was released December 14, 2017, and after their self titled debut EP, OLIVIA FOX came out June 2, 2017. For the recordings the band has been working with Tyler Banks who engineered, mixed and mastered the recording and co-produced the music with David DJ Lee. Tyler also played Drums, Keys, and Programming

Lauren has been the primary songwriter for these first recordings, and also has worked with DJ Lee on the vocal arrangements.

OLIVIA FOX just recently recorded a live acoustic version of their song “Woodpanels and Wine” for their tiny desk contest entry.

OLIVIA FOX performed “Wood Panels & Wine” live in our 90.1 FM Studios.

11:13

13. Olivia Fox – “Wood Panels And Wine” (LIVE)
also available on Olivia Fox – EP / OLIVIA FOX / June 2, 2017

Wood Panels & Wine

It’s a cold dark place
They’ll never see my face
They’ll never hear a word I say
You like it that way

They’ll never find me out
I got myself locked down
All my intentions hit the ground
You got me so strung out

It’s like you got a gun
And you press it to the side of my head
I say what you want me to say
Then you leave me for dead

Breathe it in it just feels right
Focus on a faded line
You got me all in my mind
Until the well runs dry

It’s like you got a gun and you
And you press it to the side of my head
I say what you want me to say
Then you leave me for dead

Oooh

What you so confused about
Why you always bring me down
You got some nerve to call me out
But, I know your secret

It’s like you got a gun
And you press it to the side of my head
I say what you want me to say
Then you leave me for dead

It’s like you got a gun
And you press it to the side of my head
I say what you want me to say
Then you leave me for dead
Leave me for dead

Oooh

Written by Lauren Flynn BMI

Lauren Flynn, Aubrey Callahan and Tiffany Smith all grew up in the Kansas City Metro area. All are multi-instrumentalists.

Lauren Flynn plays piano, guitar, and mandoshe. She is a songwriter and grew in Independence, Missouri. Prior to Olivia Fox Lauren had been performing as a solo artist as L.A. Price. She has talked about how as a solo artist she was craving harmonies, and string arrangements, and Olivia Fox has brought this into her life.

Aubrey Callahan sings, plays keyboards, synthesizers, and guitar for Olivia Fox. She is also an award winning Kansas City based wedding photographer with Aubrey Erin Photography. She studied photography at University of Central Missouri and the University of Central Lancashire (UCLan). Aubrey grew up in Liberty, Missouri. You can learn more at: http://www.aubreyerinphoto.com and http://www.kcvintagewedding.com

Tiffany Smith along with singing, playing violin and guitar, and creating the band’s string arrangements, is also a Registered Nurse at Outpatient Mental Health. She grew up in the Blue Springs area. She found out about being in OLIVA FOX the same day you graduated form Nursing School.

Lauren Flynn, Aubrey Callahan and Tiffany Smith thanks for being with us on WMM.

OLIVIA FOX play the Homegrown Buzz Music Showcase, Saturday, April 7, on the Kansas City Live! Block, in the Power and Light District, 1330 Grand Blvd. St. KCMO, with: Hembree, Brandon Phillips and The Condition, The Noise FM, Fathers, Mess, Y God Y, The Dear Misses, Faintheart, Hot Suede, and Keaton Conrad. More info at http://www.weareoliviafox.com

11:26:30

14. Olivia Fox – “Play The Game”
from: Olivia Fox – EP / OLIVIA FOX / June 2, 2017

11:30 – Underwriting

Sean Prudden, Ryan Wilks, and Tim J Harte of Here Where You Wish on the April 4, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:32 – Interview with Ryan Wilks, Sean Prudden and Tim J. Harte

Ryan Wilks

Ryan Wilks is a Kansas City based artist who’s work has explored gender issues, queer erotica, femininity and sexuality. His new exhibit, Here Where You Wish, is an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018. Wilks is constructing a large public altar in the Central Library with a transformative temple-like labyrinth entry-way being crafted by renowned artist Ari Fish. Tim J Harte is composing ritual based sounds/music for the event. The 40 square feet altar is being constructed by Sean Prudden and Ryan Wilks, to house the objects that people bring to the piece.

Also joining us is Sean Prudden who joined Ryan in creating the giant altar. Sean is a musician, performance artist, artist, builder of altars, designer, carpenter, future voice over artist and radio announcer.

Tim J Harte

Tim J Harte

Tim J. Harte is a musician, composer, co-founder of the Kansas City record label, Mother Russia Industries. He makes music using Sega Genesis, Dungeons and Dragons, math and several hard working laptop computers. Tim J. Harte is currently studying composition at UMKC’s Conservatory of Music. He just recently composed music and conducted a 7 piece ensemble for Trench Warfare, a theatrical performance presented last Saturday evening, January 13, at the National World War I Museum and Memorial J.C. Nichols Auditorium that had scenery designed and built by Sean Prudden.

Ryan Wilks, Sean Prudden, and Tim J. Harte, thanks for being with us again on Wednesday MidDay Medley

Renowned artist Ari Fish is creating a transformative temple-like labyrinth entry-way for Here Where You Wish. Ari Fish is an artist based out of the middle west of the United States of America. Her work focuses on ideas of transcendental experience for the benefit of the human condition. Fish’s most recent work consists of multi media constructions of temporary temples, meditative video work and sound, and intuitive prayer-driven sigil drawings. Fish has exhibited her work both nationally and internationally; showing in Italy, Germany, Japan, and Canada, She is a recipient of the prestigious Charlotte Street Foundation Visual Artist Award of Kansas City, Missouri, as well as an Arts KC Inspiration Grant recipient. Ari Fish received her BFA with an emphasis in Ceramics from the Kansas City Art Institute where she was awarded the Top Twelve Competitive Scholarship to study. Fish is currently the Academic and Career Advisor, as well as the Continuing Education Instructor for college bound high school students at the Kansas City Art Institute. She is the artist in residence at KSHB Studios, Kansas City, Missouri.

Here Where You Wish is an immersive public installation coming to the Kansas City Public Library, Central Library location at 14 W. 10th St. on April 6, 2018.

The altar will be up for 3 months and will grow substantially in its aesthetic as people leave behind a wish on paper and/or an object.

Wilks will be rolling up the paper wishes and tying them to hundreds of feather sculptures rotating above the altar, stirring the energy of the wishes. Here Where You Wish will provide a space for internal dialogue and reflection. As the installation is in a heavily-trafficked public library, attending participants will contribute to the interactive aspects of the installation. Additionally, Wilks has plans to utilize and honor the objects others leave in the space by publishing a book, which will be a literary and visual documentation of what Kansas City is wishing for in 2018.

There is also the vulnerability of writing down a wish, and people may not want their wish shared in a book; there will be verbiage at the installation that lets people know these are anonymous wishes and to not add information that you would not feel comfortable being published, such as a name. There is something beautiful though, in letting such a vulnerable thing as a wish, be shared with the world, because for every wish there are thousands of people wishing the same wish.

There will be verbiage explaining that objects such as weapons, alcohol, drugs, and food are not welcomed to be placed upon the altar. The objects at the end of the project will be repurposed respectfully, and possibly a part of a more permanent installation in a public space. Ryan Wilks will be coming in twice weekly to ensure that these requests are fulfilled as will library staff.

Ryan Wilks, Sean Prudden and Tim J. Harte, thanks for being with us again on WMM

Here Where You Wish, is an immersive public installation opening at the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, at 5:30 pm.

More info at: http://www.wilkspainting.com http://www.arifish.com

11:55

15. The Philistines – “Get Inside”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Rod Peal on guitar; Michelle Bacon on bass & vocals, Josh Mobley on keyboard, Steve Gardels on drums. Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering. .]

[The Philistines play Davey’s Uptown, 3401 Main, Friday, April 6, at 9:00 PM with Mysterious Clouds, VEHICLES, and Human Host]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on April 11, Doby Watson plays LIVE in our 90.1 FM Studios; we talk with members of Witch Jail about their new album, Music For Magic Moments, and Kadesh Flow aka Ryan Jamaal Davis joins us to share music from his new EP Room Service.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

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Wednesday MidDay Medley presents: Ten Thousand One + OLIVIA FOX + Ryan Wilks

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 4, 2018

New & MidCoastal Releases + Ten Thousand One
+ OLIVIA FOX + Ryan Wilks & Here Where You Wish

Mark plays more New & MidCoastal Releases from: Thee Devotion, The Philistines, Mysterious Clouds, OLIVIA FOX, Martian Martian Martian, Noah Davis, Margo May, Ten Thousand One, Billie Eilish, and Cavern of Anti-Matter.

Ten Thousand One

At 10:30 members of the KC based band, Ten Thousand One, join us live in our 90.1 FM Studios. Ten Thousand One was formed in 2006 by best friends: Austin Williams on lead vocals, David Capell on bass, Dustin Reed on guitar, Steve Bell on guitar, and Brian Shackelton on drums. The band released their self-titled debut album on October 30, 2012. In 2015 Ten Thousand One won Song of the Year, from The Midwest Music Awards for “Control” the title track of their second album, released May 5, 2015. After being chosen to play RockFest in 2016, Ten Thousand One have recently been asked to play Rocklahoma 2018, May 25-27. Ten Thousand One also play The Rino 314 Armour Rd, Kansas City North, on April 7, at 7:00 pm with Famous For A Day, and Conman Economy.

OLIVIA FOX

At 11:00 Mark talks with Lauren Flynn, Aubrey Callahan and Tiffany Smith who make up the Kansas City band, OLIVIA FOX who released their self titled debut EP, on June 2, 2017. OLIVIA FOX followed that up with two new singles: “Slow Motion” released December 14, 2017, and “Utah” released February 16, 2018. OLIVIA FOX call their sound Folk/Pop and it’s a unique marriage between classic folk instrumentation, vocals, and harmonies to modern programmed beats and synth pads. OLIVIA FOX play the Homegrown Buzz Music Showcase, Saturday, April 7, on the Kansas City Live! Block, in the Power and Light District, 1330 Grand Blvd. St. KCMO, with: Hembree, Brandon Phillips and The Condition, The Noise FM, Fathers, Mess, Y God Y, The Dear Misses, Faintheart, Hot Suede, and Keaton Conrad. More info at http://www.weareoliviafox.com

Ryan Wilks

At 11:30 artist Ryan Wilks joins us to share details about his new exhibit, Here Where You Wish, an immersive public installation at the Kansas City Public Library, 14 West 10th Street, Opening on First Friday, April 6, 2018. Wilks is constructing a large public altar in the Central Library with a transformative temple-like labyrinth entry-way being crafted by renowned artist Ari Fish. Tim J Harte is composing ritual based sounds/music for the event. The 40 square feet altar is being constructed by Sean Prudden and Ryan Wilks, to house the objects that people bring to the piece.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #728

WMM Playlist from March 28, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 28, 2018

New & MidCoastal Releases + Howard Iceberg
+ Guest Producer Nico Gray

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. The Decemberists – “Severed”
from: I’ll Be Your Girl / Capitol Records / March 16, 2018
[8th studio album by indie rock band The Decemberists from Portland, Oregon. The band consists of Colin Meloy (lead vocals, guitar, principal songwriter), Chris Funk (guitar, multi-instrumentalist), Jenny Conlee (piano, keyboards), Nate Query (bass), and John Moen (drums). Produced by John Congleton, the band experimented with new instrumentation during the album’s recording sessions, including several synth-based compositions inspired by New Order and Depeche Mode.]

[The Decemberists play The Uptown Theatre, Wednesday, May 23 with Eleanor Friedberger.]

3. MorMor – “Heaven’s Only Wishful”
from: Heaven’s Only Wishful – Single / Don’t Guess / February 2, 2018
[Artist, Singer-Producer, multi-instrumentalist, born and raised in Toronto. MorMor writes, records, and produces most of his own work. He tells pigeons and planes, “A lot of my inspiration stems from wanting to share a perspective of Toronto that I feel hasn’t been represented,” he says. “I’m glad Toronto is getting a lot of attention right now, but my experience of the city that has shaped me isn’t really part of the story yet.” he goes on to say, “I always felt different from the other kids at school. I went through a really hard time because I was the kid who always hung out with a wide variety of people. I kept searching for kids like me, but it never happened. In the end it gave me some good perspective. I was a pretty rebellious person when I was young. I had a problem with authority. I was reluctant to take orders if I didn’t believe in the cause. I might be the only kid who got suspended in the first grade. Music was something that I could escape through.]

4. Lucy Dacus – “Addictions”
from: Historian / Matador / March 2, 2018
[Lucy Dacus was born 1995 and grew up in Richmond, Virginia . She is an indie rock singer-songwriter who has has released two albums, both on Matador Records: 2016’s No Burden and 2018’s Historian. She started studying film at Virginia Commonwealth University but left to pursue her music career. She first performed in New York in March 2015. Sasha Gessen in Pitchfork wrote about Historian: ” It’s not an easy album to wear out. It lasts, and it should, given that so many of its lyrics pick at time, and the way time condenses around deep emotional attachments to other people.”

[Lucy Dacus plays Reverb Lounge in Omaha, NE, Monday, April 2, at 7:00 PM.]

5. Sinple – “SH-2 (SYSTEM SEGWAY)
from: Music For Machines Vol. 2 / Sinple / March 9, 2018
[Ambient Album Inspired by Brian Eno’s “Music for Airports.” Music for Machines: Written and Recorded by Sinple @ Moldy Basement. The Ambient, Darkwave, New Wave, R&B sounds of Sinple are created by KC based musician Jesse Bartmess on Synths, Drum Machine, and Vocals. Formed in 2011 and influenced by David Bowie, Kraftwerk, Gary Numan, Depeche Mode, Sade, Massive Attack, and Radiohead. Jesse Bartmess also plays keyboards in Rchel Mallin & the Wild Type. Info at: http://www.sinple.bandcamp.com/music%5D

[Today is the 30th Birthday of Jesse Bartmess who is hosting a skating Party, Friday night to celebrate.]

6. Khrystal. – “M e L A N i N P o P P i N”
from: Q u a r t e r C e n t u r y L i v i n g / Khrystal. / September 1, 2017
[Khrystal’s debut EP. Written and performed by Khrystal. Produced by Katheryne Johnson. Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017.

[Khrystal. plays the: I Heart Local Music Birthday Party Show at Jackpot in Lawrence, KS., with Bummer, and The Sluts on Friday, March 30, at 9:00 PM.]

7. Kadesh Flow – “Room Service”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[Kadesh Flow plays Pax east in Boston, Mass, Thursday, April 5]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

8. Kid Computer – “Dive”
from: Dive – Single / Kid Computer / April 6, 2018
[A Kansas City based 4-piece band featuring Matt Gore, Christian Sanchez and George McMillian. The band is getting set to release two separate singles “Afterglow” and “Dive” on Friday.]

[Kid Computer play a Single Release Show, Friday, April 6, at 7:00 pm with The UK’s and Quasar, at The Rino, 314 Armour Rd, North Kansas City, MO]

10:30 – Underwriting

10:32 – Interview with Howard Iceberg & Rich Hill

Howard Iceberg & Rich Hill on the March 28, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard Iceberg. He is one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.”

Larry Kopitnik, for The Pitch writes, “Pianist-vocalist Rich Hill has a personal sound steeped in the rich jazz, blues and gospel traditions of his Kansas City hometown. His keyboard style is grounded in the long tradition of jazz piano from ragtime to stride, bebop and modern jazz. Depending on the song, he might play something that sounds like Fats Waller, then something with a kind of Bill Evans or Chick Corea feel, followed by a tune suggesting Ray Charles’ blues-tinged earthiness. His success entertaining audiences with his keyboard and vocal talents while maintaining a certain standard of artistry is a notable accomplishment proven by continued demand for bookings.”

Howard Iceberg and Rich Hill share music from Howard Iceberg & The Titanics’ new album, Netherlands. Howard Iceberg & The Titanics play an Album Release show at The Ship, 1217 Union, in the West Bottoms, Thursday, March 29, 7-9pm, w/ 3 sets of music & special guests. This is a benefit for Care Beyond the Blvd, a non-profit organization providing medical & social services to homeless and vulnerable groups.

Howard Iceberg and Rich Hill, Thanks for being with us on Wednesday MidDay Medley.

On Netherlands Howard teamed with jazz artist Rich Hill on keys & backing vocals.
Other collaborating musicians include Jazz musicians: Bryan Hicks on stand up bass, electric bass and backing vocals; Charles Perkins on saxophone and flute; Gary Cardile on percussion; and Doug Auwarter on drums. All frequent collaborators with Rich Hill.

Other musicians bringing their talents to the album include: Dan Bliss on guitar, Betse Ellis on violin, Camry Ivory on vocals & backing vocals, Marco Pascolini on on baritone guitar & pedal steel, Phil Wade on dobro, Jeff Freling on guitar, and Chad Rex on guitar.

Netherlands was produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.

The songs on Netherlands were written by Howard Iceberg

Pat Tomek at Largely Studios is part of Howard Iceberg’s long time recording project. Howard tells us that he has more than 4 albums worth of new songs in the works.

Pat Tomek is longtime member of The Titanics, drummer and member of legendary band The Rainmakers, and drummer in the band Deco Auto, that we played earlier in the show. Pat Tomek is also a recording engineer and producer who has worked with countless area bands and musicians and has been a primary partner and caretaker in the recording and production of Howard’s recording project of songs.

10:38

9. Howard Iceberg & The Titanics – “My Love For You Is Real” (CD #9) (2:16)
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals & harmony vocals Rich Hill on piano, Bryan Hicks on stand-up bass, Gary Cardile on percussion, and Charles Perkins on sax. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

Howard Iceberg calls this album, “More songs from another time and place. This time around, a story album. Not mine, but that of spirits both close and far. Help from Durrell and Hemingway. The stories fleshed out by some of KC’s jazz cats, not to mention the usual suspects. I keep my eyes open and my mouth shut (heh heh). Imagining I am seeing the arc of love and the arc of life more clearly with the years. Waiting for a train.”

10:44

10. Howard Iceberg & The Titanics – “All In For You”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Rich Hill on organ, Bryan Hicks on electric bass, Doug Auwarter on drums, Dan Bliss on guitar, and Chad Rex on guitar. All words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

Howard Iceberg began performing in KC while in Law School. In the 1980s he was rubbing elbows with fellow area independent songwriters Scott Hrabko and Iris DeMent. At one point Howard was playing accordion in one of Scott Hrabko’s bands.

10:51

11. Howard Iceberg & The Titanics – “I Can’t Find You At All”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals & harmony vocals, Rich Hill on organ, Bryan Hicks on electric bass, Doug Auwarter on drums, Dan Bliss on guitar. All words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

Care Beyond the Boulevard was conceived by Jaynell (KayKay) Assmann after she noted the number of homeless people coming into the hospital where she worked as a nurse. As soon as she became certified as a Nurse Practitioner, her first goal was to establish an outreach to the urban poor and especially the homeless. She worked as a volunteer at the Micah Ministry food kitchen and in 2016 while working at Family Health Care, KayKay developed Care Beyond the Boulevard. We see 10-25 people each session (most Monday evenings) and provide care for urgent and chronic health needs. In addition we go on the streets into homeless encampments, providing healthcare directly to the homeless one other night per week, seeing between 7-15 patients. Additional services are provided as necessary through Family Health Care’s Southwest Boulevard clinic. More info at: http://www.carebeyondtheboulevard.org

Howard Iceberg and Rich Hill, Thanks for being with us on Wednesday MidDay Medley

Howard Iceberg & The Titanics play an Album Release show at The Ship, 1217 Union, in the West Bottoms, Thursday, March 29, 7-9pm, w/ 3 sets of music & special guests. This is a benefit for Care Beyond the Blvd, a non-profit organization providing medical & social services to homeless and vulnerable groups.

10:57

12. Howard Iceberg & The Titanics – “Rainy Rainy Day”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Rich Hill on piano & organ, Camry Ivory on harmony vocals. All words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

11:00 – Station ID

11:00 – Guest Producer Nico Gray

Nico Gray

13. Orchestral Manoeuvres In the Dark — “The New Stone Age”
from: Architecture & Morality / Dindisc-Virgin / November 8, 1981
[3rd studio album by British electronic music group Orchestral Manoeuvres in the Dark. English electronic music band formed in Wirral, Merseyside in 1978. Spawned by earlier group The Id, the outfit is composed of co-founders Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), along with Martin Cooper (various instruments) and Stuart Kershaw (drums); McCluskey is the only constant member. OMD released their influential debut single, “Electricity”, in 1979, and gained popularity throughout Europe with the 1980 anti-war song “Enola Gay”. The band achieved broader recognition via their album Architecture & Morality (1981) hailed as the band’s seminal work, the album received critical acclaim and has appeared on various “best albums” lists; The Morning News named it the finest record of 1981, and “the blueprint for synth-pop”. The album also became a commercial success, selling over 4 million copies by 2007. The record spawned three international hit singles, which sold more than 8 million copies combined.Critic Hugo Lindgren wrote that OMD have cultivated a “legacy as musical innovators”. In February 2007 a Scotsman journalist said: “If Kraftwerk were the Elvis Presley of synth-pop, then Orchestral Manoeuvres in the Dark were its Beatles.” In 2008, American publication The A.V. Club noted that McCluskey and Humphreys were “often labeled as the ‘Lennon-McCartney of synth-pop’.” In a 2008 piece on OMD, The Quietus magazine editor John Doran called them “the only Liverpool band to come near to living up to the monolithic standards of productivity and creativity set in place by the Beatles”, and asserted: “Orchestral Manouevres in the Dark are not one of the best synth bands ever: they are one of the best bands ever.” Veteran BBC DJ Simon Mayo described OMD as “the fathers of electronic music in this country [the UK].”]

11:03

We welcome back to the show, our friend Nico Gray, joins us as “Guest Producer” for our second hour. Nico is a former theatre actor, performance artist, writer, and is currently a marketing and advertising consultant. Rooted in KC, Nico grew up with radio. Nico writes that, “Music has always served as the ‘passport’ through spiritual journeys that have transplanted him to the brownstones of Chicago, the rooftops of Paris, the sea-side of Marseille and the balconies of NYC.” For WMM Nico Gray has co-hosted three of our on-air fund drive shows. He participated in our special 700th show, his writing has been featured on three of our Bowie Tribute Shows, and today is his 6th appearance as Guest Producer from over the past three years.

Nico Gray welcome back to Wednesday MidDay Medley.

11:09

14. Annie Hart — “Hard to Be Still”
from: Impossible Accomplice/ Instant Records / 2017
[Annie Hart is a keyboardist, songwriter and vocalist. She primarily composes and performs in the band Au Revoir Simone. In 2017, she released a solo album entitled Impossible Accomplice. She has contributed vocals to other artists’ projects and appeared on the 2017 series of Twin Peaks. Annie Hart was born on Long Island, New York. She has been in other groups including Uninhabitable Mansions, featuring members of Clap Your Hands Say Yeah, and collaborated as a composer with French band Air for their soundtrack to Les Voyages Dans La Lune. In 2017, she began releasing music under her own name apart from Au Revoir Simone and embarked on a world tour. She has appeared on screen along with the other members of Au Revoir Simone in Episodes 4[8] and 9[9] of the 2017 series of Twin Peaks. Her song, “Hard To Be Still,” appeared on episode one of the Netflix series, Gypsy, starring Naomi Watts. Au Revoir Simone is an American dream pop/synth-pop band from Williamsburg, Brooklyn, New York, formed in 2003. The group is composed of Erika Forster (vocals/keyboard), Annie Hart (vocals/keyboard/bass) and Heather D’Angelo (vocals/drum machine/keyboard). The band’s name comes from a line Pee-wee Herman says to a minor character (named Simone) in Tim Burton’s 1985 film Pee-wee’s Big Adventure.[1] The group’s musical inspirations were compared by the band’s European label, Moshi Moshi Records, to “a dutifully mined musical thrift store”; these diverse influences include Modest Mouse, Stereolab, the Mountain Goats, Louis Prima, Pavement, the Beach Boys, Björk, Broadcast, Belle & Sebastian, David Bowie, Bee Gees and Billie Holiday.]

15. Nina Simone — “Seems I’m Never Tired Lovin’ You”
from: Nina Simone and Piano! / RCA Victor / 1969
[Born Eunice Kathleen Waymon, on February 21, 1933 and died in France on April 21, 2003. Nina Simone was an American singer, songwriter, pianist, arranger, and civil rights activist. She worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. The sixth child of a preacher’s family in North Carolina, Simone aspired to be a concert pianist. Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. “Simone said she later found out from an insider at Curtis that she was denied entry because she was black.” To fund her continuing musical education and become a classical pianist, she began playing in a small club in Atlantic City where she was also required to sing. She was approached by Bethlehem Records, and her rendition of “I Loves You, Porgy” was a hit in the United States in 1958. Over the length of her career Simone recorded more than 40 albums, mostly between 1958, when she made her debut with Little Girl Blue, and 1974. Her musical style arose from a fusion of gospel and pop songs with classical music, in particular with influences from her first inspiration, Johann Sebastian Bach, and accompanied with her expressive jazz-like singing in her characteristic contralto voice. She injected her classical background into her music as much as possible to give it more depth and quality, as she felt that pop music was inferior to classical. Her intuitive grasp on the audience–performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years old.]

11:17

16. Sabina — “Won’t Let You Break Me”
from: Toujours / Bar None Records / March 24, 2014
[The singer of avant-garde electro-punk outfit Brazilian Girls, Sabina Sciubba is a multi-lingual artist whose music transcends both space and time. Across no less than five different languages, her straight talking debut solo album Toujours is a compelling, intimate, narcotic dreamscape you might call The Parisienne Velvet Underground and Nico, with a surprising sense of humour. “I photographed myself naked, sitting on a closet, like a French dresser,” she laughs describing the DIY semi-animated video for the album’s title-track. Paying homage to Pythonesque surrealism it sees Sciubba riding a donkey whilst playing a ukulele, wearing nothing but a smile. “The actual photos are ridiculous. My older son was looking at me like, ‘oh no, she’s lost it’.” Equally adept at casting opinion as well as writing songs, Sciubba is a modern day heroine, skilled in the art of elegant seduction. Cut from the same rebellious cloth as other uncompromising femme fatales Patti Smith or Madonna, whilst channelling the visual impact of Grace Jones and Bjork (one billowing outfit appeared to be a ventilation shaft, made of crepe), she is a fearless woman, whose passion for speaking her mind – in German, Italian, French, Spanish, and English – only enhances her sophisticated lo-fi pop music. Born in Rome to German and Italian parents, raised in Munich and Nice, and discovered in Hamburg at age 19 by virtuoso guitarist Antonio Foricone before relocating to New York to lend her stunningly sultry vocals to Brazilian Girls (incidentally one girl – Sciubba – and no Brazilians), the new album was written on guitars in Paris and has found Sciubba reunited with Brazilian Girls producer Frederick Rubens.]

17. Jacqueline Taieb — “7 Heures Du Matin”
from: 7 Heures Du Matin – Single / Impact / 1967
[Jacqueline Taïeb was born November 9, 1948 in Tunis, French protectorate of Tunisia. She is a French singer and songwriter of Tunisian descent. She achieved her greatest success as a pop and yé-yé singer in France in the 1960s. Taïeb arrived in France from Tunisia with her parents at age eight. She began composing songs with her guitar at 12 and in 1966 was discovered by a talent scout while Taïeb was singing with friends. After arriving in Paris, she was signed to Impact Records and released the song “7 heures du matin” in 1967, which became her biggest French hit. She was subsequently voted Best Newcomer at the inaugural Midem music festival in Cannes for the song. The song was about a bored teenage girl who doesn’t wish to go to school that day and fantasizes about rock and roll stars such as The Who and Paul McCartney. In the early 1970s, Taïeb took a break from recording. In 1988, she penned the song “Ready to Follow You”, which became an international hit for American singer Dana Dawson. The single sold more than 500,000 copies, and the album sold 300,000 in France alone.]

11:28

18. Miley Cyrus — “Twinkle Song”
from: Saturday Night Live / October 6, 2015
[Originally recorded for her 5th studio album, Miley Cyrus & Her Dead Petz, which was independently released on SoundCloud on August 30, 2015. Opting for an album relying less on computerized elements than her previous release, Bangerz (2013), Cyrus began planning the project in 2013 before Bangerz was released. Work continued into 2014 and 2015, when she befriended and began collaborating with the Flaming Lips. Without previous promotion, Cyrus announced that Miley Cyrus & Her Dead Petz was available for free online streaming when she hosted the 2015 MTV Video Music Awards, released independently. Cyrus has promoted the album with music videos for “Dooo It!”, “Lighter” and “BB Talk”, performances of “Karen Don’t Be Sad” and “Twinkle Song” when she hosted Saturday Night Live, and the Milky Milky Milk Tour in November and December 2015. Miley Ray Cyrus was born Destiny Hope Cyrus on November 23, 1992. She is an American singer, songwriter, and actress. After playing minor roles in the television series Doc and the film Big Fish in her childhood, she became a teen idol starring as the character Miley Stewart on the Disney Channel television series Hannah Montana in 2006. Her father Billy Ray Cyrus also starred on the series, which aired for four seasons until 2011. Cyrus has earned five number-one and eleven top-ten albums on the US Billboard 200, including releases credited as both herself and Hannah Montana.]

19. David Bowie — “Sorrow”
from: Pin Ups / RCA Records / October 19, 1973
[7th studio album by David Bowie, containing cover versions of songs. Pin Ups entered the UK chart on November 3 1973 the same day as Bryan Ferry’s covers album These Foolish Things and stayed there for 21 weeks, peaking at No. 1. According to co-producer Ken Scott, the LP was originally conceived as “a complete opposite of [Bowie’s] other albums”, consisting of all cover songs except one original composition, and mainly turned towards the US market since “he wanted to do songs that weren’t known as well in the States as they were in England”, yet eventually the plan was dropped. Pin Ups was the first of two “1960s nostalgia” albums that Bowie had planned to release. The second, which was planned to be called “Bowie-ing Out,” would have contained Bowie covering his favorite American artists, but was never recorded. Bowie also apparently considered making a Pin Ups sequel: he had compiled a list of songs he wanted to cover, some of which showed up on his later releases of Heathen (2002) and Reality (2003). In the album booklet, Bowie, writing in his own hand, describes Pin Ups as: “These songs are among my favorites from the ’64–67′ period of London. / Most of the groups were playing the Ricky-Ticky-Scene club circuit. / Some are still with us. / Pretty Things, Them, Yardbirds, Syd’s Pink Floyd, Mojos, Who, Easybeats, Merseys, The Kinks. / Love-on ya!”The woman on the cover with Bowie is 1960s supermodel Twiggy in a photograph taken by her then-manager Justin de Villeneuve. It was shot in Paris for Vogue magazine, but at Bowie’s request was used for the album instead. “Sorrow” was originally recorded by The Merseys.]

11:35 – Underwriting

20. Bert Kaempfert — “Wonderland By Night”
from: Wonderland By Night – Single / Decca Records / August 1960
[“Wonderland by Night” (German title “Wunderland bei Nacht”) is a popular song by Bert Kaempfert that was a Billboard #1 hit for 3 weeks, starting Jan 9, 1961. Written by Klaus-Günter Neumann with English lyrics by Lincoln Chase. It was Kaempfert’s 1st hit with his orchestra. The song featured Charly Tabor on trumpet. The original version of “Wonderland by Night” also crossed over to the R&B chart where it peaked at number five. Another cover, recorded and released by Louis Prima, also charted in the same year, reaching #15 on the Billboard charts. Anita Bryant’s version, which included orchestrations by Lew Douglas, reached #18 on the US Pop Chart. Berthold Heinrich Kämpfert, (Oct. 16, 1923-June 21, 1980), better known as Bert Kaempfert, was a German orchestra leader, music producer, arranger, & songwriter. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including “Strangers in the Night” and “Moon Over Naples”. Kaempfert’s own first hit with his orchestra had been in 1960, “Wonderland by Night”. Wonderland by Night, which was recorded in July 1959, couldn’t get a hearing in Germany. Instead, Kaempfert brought the track to Decca Records in New York, who released it in America in 1959 (or fall 1960); with its haunting solo trumpet, muted brass, and lush strings, the single topped the American pop charts and turned Bert Kaempfert and Orchestra into international stars. Over the next few years, he revived such pop tunes as “Tenderly”, “Red Roses for a Blue Lady”, “Three O’Clock in the Morning”, and “Bye Bye Blues”, as well as composing pieces of his own, including “Spanish Eyes (Moon Over Naples)”, “Danke Schoen”, and “Wooden Heart”, which were recorded by, respectively, Al Martino, Wayne Newton, and Elvis Presley. For Kaempfert, little may have brought him more personal satisfaction than Nat King Cole recording his “L-O-V-E”. As a producer, Kaempfert also played a part in the rise of The Beatles when he signed a Liverpool-based singer named Tony Sheridan, who was performing in Hamburg, and needed to recruit a band to play behind him on the proposed sides. He auditioned and signed the Beatles, and recorded two tracks with them during his sessions for Sheridan: “Ain’t She Sweet”, sung by rhythm guitarist John Lennon and the instrumental “Cry for a Shadow”, co-written by Lennon and lead guitarist George Harrison. Kaempfert’s recording of the Beatles, even as a backing band for Sheridan, provided an impetus to their subsequent success, even though none of the Kaempfert-recorded sides resembled the music for which they became famous. On October 28, 1961, a man walked into the music store owned by Brian Epstein to ask for a copy of “My Bonnie”, recorded by the Beatles (but, actually credited to Tony Sheridan). The store did not have it, but Epstein noted the request and was so intrigued by the idea of a Liverpool band getting a record of its own out, he personally followed up on it. This event led to his discovery of the Beatles and, through his effort, their signing by George Martin to Parlophone Records after getting clear of any contractual claim by Polydor. Jimi Hendrix included the melody of “Strangers in the Night” in his improvised guitar solo for his famous guitar-burning version of “Wild Thing” at the 1967 Monterey Pop Festival.]

11:41

21. Janelle Monáe — “Make Me Feel”
from: Dirty Computer / Wondaland Arts Society – Bad Boy – Epic / April 27, 2018
[Janelle Monáe moved from Kansas City, Kansas to New York to study theatre at the American Musical and Dramatic Academy. Her original plan was to pursue a career on Broadway, but she soon changed her mind and returned to music. After moving to Atlanta, GA, where she met OutKast’s Big Boi, Monáe founded the Wondaland Arts Society with like-minded young artists and made appearances on Outcast’s Idlewild, where Janelle is featured on the songs “Call The Law” and “In Your Dreams”. In 2007, Monáe released her first solo work, titled Metropolis. A few months later she was signed to Sean “Diddy” Combs’ label, Bad Boy Records. Dirty Computer is the third studio album by Janelle Monáe. In October 2016, Monáe made her big screen acting debut in the critically acclaimed film Moonlight. Monáe also starred in the film Hidden Figures. While filming her two movie roles, Monáe remained active in music with features on Grimes’ “Venus Fly” from her Art Angels album and also the soundtrack for the Netflix series The Get Down with a song titled, “Hum Along and Dance (Gotta Get Down)”. She was also on the tracks “Isn’t This the World” and “Jalapeño” for the Hidden Figures soundtrack. In an interview with People, Monáe revealed that she was already working on her third studio album when she received the scripts for her two first acting roles; therefore, she put the album on hold. It was confirmed by Monae after “Make Me Feel” was released that Prince, with whom she collaborated on her preceding album, The Electric Lady, had worked on the single, as well as the entire album, before he passed away. This was confirmed after listeners noticed similarities between the single’s sound and the late musician’s work. Monae stated in an interview with BBC Radio 1: “Prince was actually working on the album with me before he passed on to another frequency, and helped me come up with some sounds. And I really miss him, you know, it’s hard for me to talk about him. But I do miss him, and his spirit will never leave me.” The synth groove in “Make Me Feel” was played at one of Prince’s parties years prior to its inclusion in the single, as confirmed by Prince’s DJ, Lenka Paris.]

22. Jimmie Spheeris – “Open Up”
from: Original Tap Dancing Kid / Columbia / 1973
[2nd studio album from Jimmie Spheeris (Nov. 5, 1949-July 4, 1984). He was an American singer-songwriter who released 4 albums in the 1970s on Columbia and Epic Records. He was of Greek descent. He was brother of film director & producer Penelope Spheeris, and cousin of musician Chris Spheeris and film director Costa Gavras. Jimmie (James) Spheeris was born in Phenix City, Alabama, to Juanita ‘Gypsy’ and Andrew Spheeris, who owned and operated a traveling carnival called the Majick Empire. These childhood years of colorful transience were a major influence on later work, as evidenced in songs such as “Lost in the Midway” and “Decatur Street,” among others. Spheeris had two sisters, Penelope and Linda, and a brother, Andy. After his father was murdered by a “belligerent carnival-goer,” Gypsy Spheeris moved the family to San Diego, CA. The family eventually settled in Venice, California. Gypsy Spheeris tended bar at an establishment on Main Street called The Circle. Spheeris moved to NYC in the late 1960s to pursue and develop his songwriting career. The liner notes on his debut album credit friend and fellow songwriter Richie Havens, who introduced Spheeris to Columbia Records executive Clive Davis. Davis signed Spheeris to a 4 album recording contract and his debut album was released on Columbia. Spheeris’ 1971 debut album, Isle of View, garnered a devoted following and FM radio airplay, notably for the song “I am the Mercury.” His 1973 album, The Original Tap Dancing Kid, was followed by a period of extensive concert touring. Spheeris returned to the recording studio in 1975 with The Dragon is Dancing and released Ports of the Heart in 1976. After Ports of the Heart, Spheeris had no recording contract. Except for a 1980 single, “Hold Tight,” Spheeris released no new material through a major record label. Spheeris died at the age of 34 in Santa Monica, CA, when his motorcycle collided with a van at 2 a.m. on the morning of July 4, 1984. The driver of the van, Bruce Burnside, was charged with driving under the influence of alcohol and felony vehicular manslaughter.[5] Hours before his death, Spheeris finished the self-titled album, Spheeris, which was produced by Paul Delph. This final album was not publicly released for 16 years. Delph would later record two of Spheeris’ songs for his final album A God That Can Dance.

11:47 – Original Spoken Word Piece by Nico Gray about his father Terry Edward Gray, 84, who passed away on March 7, 2018 in Harrisonville, Missouri, surrounded by his family.

11:57

23. Sinéad O’Connor — “Kyrié Eléison”
from: Faith and Courage / Atlantic / June 13, 2000
[5th full-length album by Irish singer Sinéad O’Connor. It was O’Connor’s first release in three years, her previous album being the greatest hits package So Far… The Best of Sinéad O’Connor in 1997, plus it was her first studio album in six years. O’Connor composed a majority of the tracks on Faith and Courage and production duties were shared by a variety of artists including Wyclef Jean, David A. Stewart, Brian Eno, Kevin “She’kspere” Briggs, Anne Preven and Scott Cutler among others. The album sold 1,000,000 copies worldwide and was certified gold in Australia in 2000. As of 2014, sales in the United States have exceeded 219,000 copies, according to Nielsen SoundScan. Magda Davitt was born Sinéad Marie Bernadette O’Connor December 8, 1966. She rose to fame in the late 1980s with her debut album The Lion and the Cobra. As Sinéad O’Connor, she achieved worldwide success in 1990 with a new arrangement of Prince’s song “Nothing Compares 2 U”. Since then, while maintaining her singing career, she has occasionally encountered controversy, partly due to her statements and gestures—such as her ordination as a priest despite being a woman with a Roman Catholic background—and her strongly expressed views on organised religion, women’s rights, war, and child abuse. In addition to her ten solo albums, her work includes many singles, songs for films, collaborations with many other artists, and appearances at charity fundraising concerts. In 2017, O’Connor said that she had changed her legal name to Magda Davitt.]

24. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Nico Gray thanks for being with us on Wednesday MidDay Medley.

Next week, on April 4 Austin Williams and his band Ten Thousand One join us live in our 90.1 FM studios. Also the band Olivia Fox will join us to share their new music, and Artist Ryan Wilks joins us to share the latest news about his new exhibit, Here Where You Wish, an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #727

WMM Playlist from January 17, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 17, 2018

Maria Vasquez Boyd, Tim J. Harte, Ryan Wilks, and Lesley Pories on the January 17, 2018 edition of Wednesday MidDay Medley

New & MidCoastal Releases + Lesley Pories
+ Ryan Wilks & Here Where You Wish

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Destroyer – “Tinseltown Swimming in Blood”
from: Ken / Merge Records / October 20, 2017
[11th studio album from Destroyer from Vancouver, British Columbia fronted by singer-songwriter Dan Bejar and formed in 1995. Destroyer songs are characterized by abstract, poetic lyrics and idiosyncratic vocals. The band’s discography draws on a variety of musical influences, resulting in albums that can sound markedly distinct from one another; in Bejar’s words, “That’s kind of my goal: to start from scratch every time.” Daniel Bejar was born October 4, 1972. Bejar has gained widespread popularity through his musical collaborations with Vancouver indie-rock band The New Pornographers, but has released far more material as the frontman of his band Destroyer. He is renowned for his poetic and often cryptic lyrics as well as his unorthodox vocals. Bejar’s father was a Spanish physicist and his mother was a Spanish teacher. Growing up, Bejar moved frequently, and as an adult he has resided in Canada and Spain. Bejar attended University of British Columbia for three years: “To my credit, I eventually dropped out; to my discredit, I waited three years to do it. I was taking mostly English and Philosophy classes, fooling myself into thinking I might be an academic.”]

[Destroyer plays recordbar, 1520 Grand, TONIGHT, January 17, at 9:00 PM with Mega Bog]

3. Be/Non – “Freedom Palace” [2015 new version, John Huff on lead vocals]
from: Freedom Palace / Haymaker Records / February 17, 2018
[Brodie Rush is a songwriter, musician, singer, organizer, artist, film maker, music video creator. Over 20 years ago KC native, Brodie Rush formed the experimental, psychedelic, prog-pop band. In 1996, Be/Non recorded two sets of songs in a small home studio in Lawrence, Kansas, that would become their first two EPs released on cassette. Be/Non, The band has had more members than Spinal Tap, but Brodie has remained the only consistent member, songwriter and producer. Be/Non personnel: 2007, Brodie Rush – Vocals, Guitar, Keyboards, Bass, Percussion, Drums; Ben Ruth – Bass, Upright Bass, Vocals; Adam Stotts – Guitar, Vocals; John Huff – Keyboards, Synths, Vocals; Adam Phillips – Drums (although Ryan Shank – played Drums on this track.) All songs written by: Brodie Rush, except Freedom Palace with music: John Huff & lyrics: Brodie Rush. Produced by Brodie Rush. Recorded at Westend Recording (Kansas City, Kansas) 2007 (Basic tracks, some overdubs); The Gold Room (Kansas City, Missouri) 2007 (Overdubs); Studio G (Brooklyn New York) 2007 (Mixing, Overdubs); The Map Room (Lawrence, Kansas) 2003 (Overdubs). Engineeres: Paul Malinowski Recorded at Westend Recording (Kansas City, Kansas) 2007 ; Brodie Rush The Gold Room (Kansas City, Missouri) 2007; Joel Hamilton Studio G (Brooklyn New York) 2007 ; Peter Buxton The Map Room (Lawrence, Kansas) 2003, (Saxophone overdubs imported from “Do The Heat” off the record, “Esperanto At The Pantheon, Incognito”). Mixed by Joel Hamilton at Studio G (Brooklyn New York) 2007. Mastered by Brodie Rush. Thanks John Hulston, Anodyne Records, Brenton Cook, Haymaker Records, Paul Malinowski, Tony Maimone, Justin Warring, Adam Phillips, Brandon Phillips, Steve Neuenburg, Mike Miller, Shawna Sowersby-Booth, David Hanson, Billy Brimblecom, Steve Tulipana, Jason Cantu, David Gaume, Robert Moczydlowsky, Laurel Birdsong Sears, Kid Millions, Cypher Sound, The Record Bar. Dedicated to: Failed marriages throughout time and space. The troubled “Freedom Palace” LP was recorded over 10 years ago in the summer of 2007 by Paul Malinowski and Brodie Rush in Kansas City, Missouri. Anodyne Records had commissioned Be/Non to re-record songs from, “RAN” and “Esperanto At The Pantheon, Incognito” along with other unreleased material. The music from the title track “Freedom Palace” was written by John Huff and had the album been released, would have been the first Be/Non composition not penned by Brodie Rush. Be/Non was a 5 piece before recording negotiations began in 2007. Directly before preproduction, the band had lost its drummer of 3 years and Be/Non was actively searching for a replacement. Between Brodie filling in on drums for two songs and Billy Brimblecom playing drums on another track, Be/Non asked Adam Phillips of The Architects to drum on the album’s remaining songs. The album was mostly recorded at Westend Studios in Kansas City and at Brodie’s home studio The Gold Room. After tracking 97% of the album, the project was taken to Studio G in Brooklyn New York for mixing by Joel Hamilton. 10 days later, the album was mixed and ready for duplication. No formal album covers had been decided on. John Huff had an idea of a Unipegadong by a nebula in space, while Brodie was thinking a castle floating in mid air. The first cover idea was mostly just pointing arrows going in all directions. Emotionally that was probably the closest to the mindset of that recording. The album “Freedom Palace” was never pressed or released. Because a contractual arrangement could not be agreed upon between Anodyne Records and Be/Non, the band would not see an album released until 2009, “A Mountain Of Yeses”, 11 years after it’s last release in 1998. “Freedom Palace” is dismissed by the band as a complete failure. Ultimately not having rights to the recordings, the inability to reach a contractual agreement with Anodyne Records and unhappiness with the final mix led to the disbanding of the “Freedom Palace” line up in early 2008. Reclusive, secluded and freshly divorced, a depressed Brodie Rush stopped all live performances for the next two years. Spending time to construct the concept record “A Mountain Of Yeses” as a solo endeavor under the Be/Non band moniker. Then, six years later in 2014, John Hulston of Anodyne Records graciously gave Brodie Rush full rights to the “Freedom Palace” recordings and masters. Be/Non has since tried numerous times to re-record the material for a proper release, but never could fully accomplish this task. Finally, for the entire world, for better or for worse, Be/Non and Haymaker Records would like to present the final mix of “Freedom Palace” the way it was originally intended. Be/Non adamantly renounces the production, mix and performances on these recordings, with few exceptions. The album was mixed and recorded during a dizzying haze of drug and alcohol abuse. The lyrics, the tone and the feel of the record is very unfocused, angry and misguided. This record does not reflect the proper sonic soundscape or performances Brodie Rush and Be/Non had intended whatsoever. “Freedom Palace” was full of rehashed versions of songs better left to their previous incarnations. “Moi Ou Toi” from the 7″ is a remake from “Freedom Palace” but the “FP” version is a remake of the original “Ran” version. Complicated. In fact ALL of the recordings on “FP” are remakes from “Ran” and “Esperanto.” “Do the Heat” and “Lucy” are again remakes of the “Ran” and “Esperanto” versions. The version of “Ice Fight” on “FP” I think… is different than the B-Side to “Moi Ou Toi”. A different remix with other instruments. We had two different versions from 2015. The Kraftwerk reference was unintentional. John Huff started playing that back in 2006 but hadn’t heard the Kraftwerk song until I played it for him in 2015. He just did that and thought he was cool. I hadn’t heard that tune until 2010 or so. It was an accident. There is an unreleased, unfinished song called “No God Of Mine” I recorded in 2002 on my 8 track that when I tried to remake it in 2007 with Mike Cochran on drums, John heard it and played me a song from the band YWKMBT Trail Of Dead from 2005 that was almost identical even the timing on the changes. The vocal melody was different tho. I got so disturbed by it that I stop working on the song altogether. “Garlic”, “In The Nighttime” “More Than Enough” and “Current And The Rind” were all part of an unreleased collection called “Enhance The Smoky” from 2000. Same year “Tenderfoot” was written.]

4. Momma’s Boy – “Want Me Back”
from: Don’t Talk About It – Single / Dead Summer Single Series / November 3, 2017
[2nd release of Momma’s Boys’ Dead Summer Single Series. Written by Peter Beatty. Lead vocals by Jared Bajkowski. Momma’s Boy, an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass & vocals. Recorded at Element Recording Studios with Joel Nanos.Their debut EP Liquid Courage was released Feb. 25, 2017.]

[Momma’s Boy play Riot Room, 4048 Broadway, Friday, January 19, at 9:00 with Rachel Mallin & The wild Type, and Dreamgirl.]

5. Superorganism – “Everybody Wants To Be Famous”
from: Superorganism / Domino Records / Expected: March 2, 2018
[Superorganism is an indie pop band that formed in early 2017. The group is made up of 8 members, one of which is a 17-year-old Japanese girl only known as Orono. The 7 other members go by the names of Harry, Emily, Ruby, B, Tucan, Soul, and Robert. The group, started with members from all over the world including The United States, Japan, South Korea, London, Australia, and New Zealand, makes original internet-age electronically-tinged indie pop music. Bandmembers Harry, Emily, Ruby, B, Tucan, Soul, and Robert were all longtime friends who decided it was finally time to work together. Harry and Emily met Orono during one of their old band’s Japan shows (she attended as a fan), and they struck up a Facebook friendship with their future bandmate. After discovering she could sing, they invited her to add lyrics and vocals to a demo they’d been working on for a new project at the beginning of 2017.]

6. Dead Voices – “Trust A Fool”
from: Dead Voices / Independent / April 20, 2013
[Formed in Sept 2010, by David Regnier, Jason Beers, Matt Richey, Michael Stover, Marco Pascolini.]

[Dead Voices play recordBar, 1520 Grand, Sat., Jan. 20, at 9:00 with Slights, and The Old Chelsea]

7. Sara Morgan – “Never Been to Nashville”
from: Average Jane / River Delta Records / Expected January 26, 2018
[KC based Singer/Songwriter, originally from McGehee, Arkansas. Sara Morgan plays saxophone, guitar, banjo, ukulele, and piano. Sara has opened for BJ Thomas, John Michael Montgomery, John Corbett, Sean Rowe, Chuck Mead, Ben Taylor, and was the preshow before Loretta Lynn at The Uptown, November 2014. Ms. Lynn hosted Sara on her tour bus after Sara’s set and prior to Ms. Lynn’s performance.]

[Sara Morgan plays a CD Preview, Fri, Jan. 19, at 8:30 PM, at Gospel Lounge at Knuckleheads Saloon.]

10:30 – Underwriting

10:32 – Interview with Lesley Pories

MidCoast Radio Project Board Member and 90.1 FM Membership Committee Chair – Lesley Pories joins to talk about 90.1 FM KKFI, and how listeners can become more involved. Lesley moved to KC four years ago and has been volunteering at 90.1 FM for most of that time, and has served on the Board of Directors for two of those years. A DC native, Lesley has a Masters in Urban Planning from UNC Chapel Hill and a Masters in International Relations from the Fletcher School at Tufts University. Aside from the East Coast, she’s lived and worked in Uzbekistan, India and Guinea. Here in KC, she also serves on the Board of BikeWalkKC. During the day, Lesley works as a Senior Sector Analyst at water and sanitation non-profit, Water.org.

Lesley Pories, Thanks for being with us on Wednesday MidDay Medley

Lesley grew up in Vienna (Virginia).

Two Masters Degrees

Lesley volunteered in Peace Corps for two years in Uzbekistan.

Lesley worked for The Carter Center and spent three months observing political elections in Guinea

Water.org – Kansas City – Senior Sector Analyst – traveling India

Volunteering at KKFI for more information: Volunteer@kkfi.org

10:44

8. Marideth Sisco & Accomplices – “Been Here Before”
from: Empty Doors / Juneapple Records / November 23, 2017
[Written by Marideth Sisco and songwriting partner Robin Frederick. Performed by Sisco with members of The Blackberry Winter Band: Linda Stoffel – Vocals, Dennis Crider – Guitar, Van Colbert – Banjo, Tedi May – Upright Bass, Bo Brown – Mandolin & Dobro. Marideth Sisco is a journalist, teacher, author, musician, student of folklore, and creator of Elder Mountain Press, a venue for publishing stories relevant to Ozarks culture and history. You can hear her essays “These Ozarks Hills” on public radio, ksmu.org. Discovered by producers of the independent film Winter’s Bone who asked her to be a part of the film and to serve as music consultant. “Winter’s Bone,” ended up winning best picture and best screenplay at Sundance Film Festival, it was honored at the Berlin Film Festival and was nominated for four Academy Awards. The band that created the music for the film is has made several tours, and recordings. More information at http://www.maridethsisco.com]

9. David Byrne – “Everybody’s Coming To My House”
from: American Utopia / Todomundo – Nonesuch / March 9, 2018
[Co written with Brian Eno. David Byrne’s first solo studio album since 2004’s Grown Backwards. Even though since then he has released albums with Brian Eno, Fat Boy Slim, and St. Vincent. The album is his 11th outside of his work with talking Heads. The new album is one part of a larger multimedia project entitled Reasons to Be Cheerful which aims to give reasons for being happy and optimistic in spite of political strife and environmental problems. The project was entitled after the Ian Dury song “Reasons to Be Cheerful (Part 3)”. David Byrne writes: “Is this meant ironically? Is it a joke? Do I mean this seriously? In what way? Am I referring to the past or the future? Is it personal or political? These songs don’t describe an imaginary or possibly impossible place but rather attempt to depict the world we live in now. Many of us, I suspect, are not satisfied with that world—the world we have made for ourselves. We look around and we ask ourselves—well, does it have to be like this? Is there another way? These songs are about that looking and that asking. This album is indirectly about those aspirational impulses. Sometimes to describe is to reveal, to see other possibilities. To ask a question is to begin the process of looking for an answer. To be descriptive is also to be prescriptive, in a way. The act of asking is a big step. The songs are sincere—the title is not ironic. The title refers not to a specific utopia, but rather to our longing, frustration, aspirations, fears, and hopes regarding what could be possible, what else is possible. The description, the discontent and the desire—I have a feeling that is what these songs touch on. I have no prescriptions or surefire answers, but I sense that I am not the only one looking and asking, wondering and still holding onto some tiny bit of hope, unwilling to succumb entirely to despair or cynicism.”]

[David Byrne plays the Muriel Kauffman Theatre at the Kauffman Center for he Performing Arts, Thursday, June 7, at 7:30 PM. Tickets go on sale Tuesday, Jan 23.]

10. Old Sound – “The Ocean”
from: Rain Follows The Plow / Independent / February 2014
[Greg Herrenbruck on bass & vocals; Grady Keller on mandolin, acoustic guitar & vocals; Chad Brothers on acoustic guitar & vocals. Recorded and produced by Phil Wade at his studio: Alluvial Fan Studios.]

[Old Sound plays The Phoenix, 302 West 8th St., Thursday, January 18, at 7:00 pm.]

11. Hipshot Killer – “They Will Try To Kill Us All”
from: They Will Try To Kill Us All / Throwing Things / January 16, 2016
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) For the recording: Mike Alexander on guitar & vocals, Chris Wagner on bass & vocals, Thomas Becker (Beautiful Bodies), on drums. The band released their debut record Hipshot Killer, April 29, 2011, and a single on Too Much Rock on October 21. Mike Alexander joined us live on WMM on October 19.]

[Hipshot Killer plays miniBar, 3810 Broadway, Saturday, January 20, with various Blonde, North By North, and Witch Jail.]

11:00 – Station ID

12. Sufjan Stevens – “Tonya Harding (In Eb major)”
from: Tonya Harding – Single / Asthmatic Kitty Records / December 8, 2017
[Sufjan Stevens (SOOF-yan) was born July 1, 1975, and is an American singer-songwriter and multi-instrumentalist. His debut album A Sun Came was released in 2000 on the Asthmatic Kitty label which he cofounded with his stepfather. He is perhaps best known for his 2005 album Illinois, which hit number one on the Billboard Top Heatseekers chart, and for the single “Chicago” from that album. Stevens was born in Detroit, Michigan, and lived there until the age of nine, when his family moved to Petoskey, in the northern part of the Lower Peninsula of Michigan. He was raised by his father Rasjid and his stepmother Pat, only occasionally visiting his mother, Carrie, in Oregon after she married her second husband Lowell Brams. (Brams later became the head of Stevens’ record label Asthmatic Kitty).He attended the Detroit Waldorf School, Petoskey High School and Interlochen Arts Academy, and graduated from Harbor Light Christian School. He then attended Hope College in Holland, Michigan, and earned a Masters of Fine Arts from The New School in New York City. Sufjan is a Persian name meaning “comes with a sword”. It predates Islam and most famously belonged to Abu Sufyan, a figure from early Islamic history. The name was given to Stevens by the founder of Subud, an inter-faith spiritual community to which his parents belonged when he was born. A multi-instrumentalist, Stevens is known for his use of the banjo, but also plays guitar, piano, drums, xylophone, and several other instruments, often playing all of these on his albums through the use of multitrack recording. While in school, he studied the oboe and English horn, which he also plays on his albums. Stevens did not learn to play the guitar until his time at Hope College. Stevens lives in Kensington, Brooklyn, in New York City, where he makes up the Brooklyn staff of Asthmatic Kitty Records.]

13. Payge Turner – “Only One”
from: Only One – Single / Justin’s Place / September 1, 2017
[Second Single from Kansas City based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. she writes that, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays “An Acoustic Evening” with Pink Royal and Instant Karma, Thursday, January 25, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City.]

14. Jake Wells – “Circle of Life”
from: “Circle of Life” – Single / Beach Boy Music / February 21, 2017
[Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 21 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations.]

[Jake Wells plays SoundMachine KC with Belle Game, and Spirit is The Spirit, Mlnday, January 29, at 7:00 PM, at recordBar, 1520 Grand Blvd.]

11:15 – Interview with Ryan Wilks & Tim J. Harte

Ryan Wilks is a Kansas City based artist who’s work has explored gender issues, queer erotica, femininity and sexuality. His new exhibit, Here Where You Wish, is an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018. Wilks is constructing a large public altar in the Central Library with a transformative temple-like labyrinth entry-way being crafted by renowned artist Ari Fish. Tim J Harte is composing ritual based sounds/music for the event. The 40 square feet altar is being constructed by Sean Prudden and Ryan Wilks, to house the objects that people bring to the piece.

Ryan Wilks, thanks for being with us again on Wednesday MidDay Medley

Also with us is musician, composer, co-founder of the Kansas City record label, Mother Russia Industries, Tim J.Harte makes music using Sega Genesis, Dungeons and Dragons, math and several hard working laptop computers. Tim J. Harte is currently studying composition at UMKC’s Conservatory of Music. He just recently composed music and conducted a 7 piece ensemble for Trench Warfare, a theatrical performance presented last Saturday evening, January 13, at the National World War I Museum and Memorial J.C. Nichols Auditorium.

Tim J. Harte, thanks for being with us again on t90.1 FM.

To support this project you can visit: https://www.kickstarter.com/projects/1840510472/here-where-you-wish/description

Here Where You Wish is an immersive public installation coming to the Kansas City Public Library, Central Library location at 14 W. 10th St. on April 6, 2018.

From Ryan’s press materials: Kansas City-based visual artist Ryan Wilks is constructing a large public altar in the KCPL Central Library with a transformative temple-like labyrinth entry way that encourages the public to consciously and methodically enter. The elaborate and flowing entrance is meticulously crafted by renowned artist Ari Fish.

Tim J Harte akadungionmaster is composing ritual based sounds/music to softly play through the installation. The altar itself will be 40 square feet and constructed by Sean Prudden and Ryan Wilks, and will beautifully house the objects that people leave behind.

11:25

15. AKADungeonMaster – “B LUCE DELL-ALBA”
from: MOTHER RUSSIA INDUSTRIES DOT COM VOL. THREE / M. R. I. / June 24, 2016
[Mother Russia Industries is a Kansas City based music label formed in 2008 by Tim J Harte and Rita Brinkerhoff supporting the music of AKA DJ DUNGEONMASTER, Blondie Brunetti, and others.]

We are talking with Ryan Wilks & Tim J. Harte about the new exhibit, Here Where You Wish

From Ryan’s press materials: Altars are typically resurrected to pay homage to a historical event or to worship deities. This altar is intended to serve as a nondenominational safe-space for personal expression and reflection. Created for everyone, by everyone. People from all walks of life are encouraged to write down a wish and leave it on the altar. A wish, a non-religious prayer, opens us up to a child-like connection to the invisible and allows us to gently believe even if just for a second that what we most desire can and will come true if we are bold enough to speak its name.

2017 was a hard year for all of us. No matter what side of the protest lines we stand, we do so because we are uneasy, angry, afraid, and unwilling to compromise what we think is right. There is a need to create a safe and sacred space for all of us to feel hope in. To believe in the power of the individual and of a wish.

The altar will be up for 3 months and will grow substantially in its aesthetic as people leave behind a wish on paper and/or an object. Wilks will be rolling up the paper wishes and tying them to hundreds of feather sculptures rotating above the altar, stirring the energy of the wishes. Here Where You Wish will provide a space for internal dialogue and reflection. As the installation is in a heavily-trafficked public library, attending participants will contribute to the interactive aspects of the installation. Additionally, Wilks has plans to utilize and honor the objects others leave in the space by publishing a book, which will be a literary and visual documentation of what Kansas City is wishing for in 2018.

Risks and challenges

Every project comes with its own unique risks and challenges:

Foreseeably people will want to know where their objects that they have left at the altar will end up. We are open to suggestions! Obviously since Here Where You Wish is in a public space, leaving behind your grandmothers broach is not encouraged if your heart is intent on getting it back once the installation is complete. People may feel connected to certain objects and take them with them. This is not necessarily the goal here, but it may happen, and the Library nor anyone involved in the project can be held responsible for missing objects. Items left should hold some emotional weight with the individual but not to the degree that letting it go with a wish would cause regret.

The objects at the end of the project will be repurposed respectfully, and possibly a part of a more permanent installation in a public space.

There is also the vulnerability of writing down a wish, and people may not want their wish shared in a book; there will be verbiage at the installation that lets people know these are anonymous wishes and to not add information that you would not feel comfortable being published, such as a name. There is something beautiful though, in letting such a vulnerable thing as a wish, be shared with the world, because for every wish there are thousands of people wishing the same wish.

There will be verbiage explaining that objects such as weapons, alcohol, drugs, and food are not welcomed to be placed upon the altar.
Ryan Wilks will be coming in twice weekly to ensure that these requests are fulfilled as will library staff.

Ryan Wilks and Tim J. Harte, thanks for being with us again on WMM

His new exhibit, Here Where You Wish, is an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018.

More info at: http://www.wilkspainting.com
http://www.motherrussiaindustries.bandcamp.com

11:37

16. Superchunk – “Erasure (feat. Waxahatchee & Stephin Merritt)”
from: What a Time to Be Alive / Merge / Expected: February 16, 2018
[11th album release from band formed in 1989 in Chapel Hill, North Carolina, Superchunk is Mac McCaughan (guitar, vocals), Jim Wilbur (guitar, backing vocals), Jon Wurster (drums, backing vocals), and Laura Ballance (bass, backing vocals). Since releasing their first 7-inch in 1989, Superchunk has run the gamut of milestone albums: early punk rock stompers, polished mid-career masterpieces, and lush, adventurous curveballs. Recorded by Beau Sorenson at Manifold Recording, Pittsboro, NC., except “Break the Glass” and “I Got Cut” at Overdub Lane. Mastered by Matthew Barnhart at Chicago Mastering .]

11:41 – Underwriting

17. Minnie Riperton – “Lovin’ You (Single Version With Countdown)”
from: Perfect Angel (Deluxe Edition) / Capitol / orig. Aug. 9, 1974 -Reissued Dec. 5, 2017
[Produced by Stevie Wonder under the name “El Toro Negro” to circumvent Motown’s refusal to allow him to produce the record for Epic. Minnie Julia Riperton-Rudolph (November 8, 1947 – July 12, 1979), known professionally as Minnie Riperton, was an American singer-songwriter best known for her 1975 single “Lovin’ You” and her five-octave coloratura soprano. She is also widely known for her use of the whistle register and has been referred to by the media as the “Queen of the whistle register”. Born in 1947, Riperton grew up in Chicago’s Bronzeville neighborhood on the South Side. As a child, she studied music, drama, and dance at Chicago’s Lincoln Center. In her teen years, she sang lead vocals for the Chicago-based girl group, The Gems. Her early affiliation with the legendary Chicago-based Chess Records afforded her the opportunity to sing backup for various established artists such as Etta James, Fontella Bass, Ramsey Lewis, Bo Diddley, Chuck Berry, and Muddy Waters. While at Chess, Riperton also sang lead for the experimental rock/soul group Rotary Connection, from 1967 to 1971. On April 5, 1975, Riperton reached the apex of her career with her no. 1 single, “Lovin’ You”. The single was the last release from her 1974 gold album entitled Perfect Angel. In January 1976, Riperton was diagnosed with breast cancer and underwent a radical mastectomy. By the time of diagnosis, the cancer had metastasized and she was given about six months to live. Despite the grim prognosis, she continued recording and touring. She was one of the first celebrities to go public with her breast cancer diagnosis, but did not disclose she was terminally ill. In 1977, she became a spokesperson for the American Cancer Society. In 1978, she received the American Cancer Society’s Courage Award which was presented to her at the White House by President Jimmy Carter. Riperton died of cancer on July 12, 1979 at age 31.]

18. The Hillary Watts Riot – “Killer Kind”
from: A/S/L / Money Wolf Music / April 20, 2012
[Debut album. THWR include: Hillary Watts Bird, Christian Hankel, Tommy Donoho, Sergio Moreno, Justin Penney. They describe their music as “freak pop.” This band is so fun to see live.]

[The Hillary Watts Riot play Bottleneck, LFK Sat, Jan 20 w/Alice Sweet Alice, Benevox, People Watching]

19. Westerners – “Tetris”
from: Reoccurring Dream Theme / The Record Machine / July 14, 2017
[Debut full length album from Lawrence / Kansas City based band formed in August of 2013. The band includes: Mitch Hewlett, Josh Hartranft, Matthew Pesma and Gerardo Rojas. Westerners signed to Kansas City independent label The Record Machine in 2015.] [Westerners played an album release at Mills Record Co, Fri, July 7, w/ Shortsweather and at Love Garden Records, Lawrence, July 8, w/ No Magic, and CS Luxem.]

[The Westerners play recordBar, 1520 Grand, Sun, Jan 21, ay 8:00 PM, with Motherfolk and Toughies.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next Week on Wednesday, January 24 we’ll talk with company members of Spinning Tree Theatre about FULL GALLOP their newest show running January 26 through February 11 at Just Off Broadway Theatre, 3051 Central in KCMO. Tickets available at Central Ticket Office at (816) 235-6222. More information at http://www.spinningtreetheatre.com. Cheryl Weaver stars as fashion doyenne Diana Vreeland in this one-woman play. The Kansas City premiere is directed by Doug Weaver.

Also next week we’ll talk with Ryan Lee Toms about his newest musical collaboration, FaceFace and their latest release MMMMM.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #717

WMM talks with Ryan Wilks of Here Where You Wish + Lesley Pories

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 17, 2018

New & MidCoastal Releases + Lesley Pories +
+ Ryan Wilks & Here Where You Wish

Mark plays New & MidCoastal Releases from: Momma’s Boy, Sara Morgan, Nathan Corsi, Be/Non, Payge Turner, Dead Voices, Marideth Sisco & Accomplices, Westerners, Jake Wells, Mother Russia Industries, The Hillary Watts Riot, Hipshot Killer, Old Sound, Destroyer, Superorganism, Minnie Riperton, Sufjan Stevens, and Superchunk with Waxahatchee & Stephin Merritt.

At 10:30, MidCoast Radio Project Board Member and 90.1 FM Membership Committee Chair – Lesley Pories joins us to talk about 90.1 FM KKFI, and how listeners can become more involved. Lesley has been volunteering at 90.1 FM for nearly three years, and has served on the Board of Directors for two of those years. She is originally from Vienna, Virgina has worked in Washington DC, and Atlanta. Lesley spent two years teaching English as a Peace Corp Volunteer in Uzbekistan, worked on small water conservation in Hubli, India, observed presidential elections in Guinea, and obtained two Masters Degrees from the University of North Carolina and the Fletcher School (Tufts). Lesley currently works as a Senior Sector Analyst at Water.org based here in Kansas City.

At 11:15, Mark talks with artist Ryan Wilks about his new exhibit, Here Where You Wish, an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018. Wilks is constructing a large public altar in the Central Library with a transformative temple-like labyrinth entry-way being crafted by renowned artist Ari Fish. Tim J Harte is composing ritual based sounds/music for the event. The 40 square feet altar is being constructed by Sean Prudden and Ryan Wilks, to house the objects that people bring to the piece. To support this project you can visit: https://www.kickstarter.com/projects/1840510472/here-where-you-wish/description

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #717