WMM Playlist from January 24, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 24, 2018

New & MidCoastal Releases
+ Spinning Tree Theatre’s FULL GALLOP +
Ryan Lee Toms & Paul S. Nyakatura of FACEFACE

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. The Go! Team – “Semicircle Song”
from: SEMICIRCLE / Memphis Industries / January 19, 2018
[5th studio album from the six-piece band from Brighton, England. They combine indie rock and garage rock with a mixture of blaxploitation and Bollywood soundtracks, double Dutch chants, old school hip hop and distorted guitars. Their songs are a mix of live instrumentation and samples from various sources. The band’s vocals vary between performances: while live vocals are handled mostly by Ninja (with Angela Won-Yin Mak also singing some solos), vocals on record also feature sampled and guest voices. Ian Parton conceived the project after wanting to create music incorporating Sonic Youth-style guitars, double Dutch chants, Bollywood soundtracks, old school hip hop and electro. These ideas led towards the recording of Thunder, Lightning, Strike in his parents’ kitchen. Their debut album was released September 13, 2004.]

3. Yo La Tengo – “Shades of Blue”
from: There’s a Riot Going On / Matador Records / Expected March 16, 2018
[15th album from band formed in Hoboken, New Jersey in 1984. Since 1992, the lineup has consisted of Ira Kaplan (guitars, piano, vocals), Georgia Hubley (drums, piano, vocals), and James McNew (bass, vocals). In 2015, original guitarist Dave Schramm rejoined the band and appears on their f14th album, Stuff Like That There. Despite achieving limited mainstream success, Yo La Tengo has been called “the quintessential critics’ band” and maintains a strong cult following. They chose the name “Yo La Tengo” (Spanish for “I have it”; or referring to a female-gender object or person, also “I’ve Got Her”) in an effort to avoid any connotations in English. The name came from a baseball anecdote. During the 1962 season, New York Mets center fielder Richie Ashburn and Venezuelan shortstop Elio Chacón found themselves colliding in the outfield. When Ashburn went for a catch, he would scream, “I got it! I got it!” only to run into Chacón, who spoke only Spanish. Ashburn learned to yell, “¡Yo la tengo! ¡Yo la tengo!” instead. In a later game, Ashburn happily saw Chacón backing off. He relaxed, positioned himself to catch the ball, and was instead run over by left fielder Frank Thomas, who understood no Spanish and had missed a team meeting that proposed using the words “¡Yo la tengo!” as a way to avoid outfield collisions. After getting up, Thomas asked Ashburn, “What the hell is a Yellow Tango?”]

4. They Might Be Giants – “Last Wave”
from: I Like Fun / Idlewild Recordings / January 19, 2018
[20th studio album from band formed in 1982 by John Flansburgh & John Linnell. During TMBG’s early years, Flansburgh & Linnell frequently performed as a duo, often accompanied by a drum machine. In the early 1990s, TMBG expanded to include a backing band. The duo’s current backing band consists of Marty Beller, Dan Miller, and Danny Weinkauf. The group is best known for an unconventional and experimental style of alternative music. Over their career, they have found success on the modern rock and CMJ charts. More recently they have also found success in children’s music, and in theme music for several television programs and films. TMBG have released 19 studio albums. Flood has been certified platinum and their children’s music albums Here Come the ABCs, Here Come the 123s, and Here Comes Science have all been certified gold. The band has won two Grammy Awards, one in 2002 for their song “Boss of Me”, which is most known as the theme song of the television series Malcolm in the Middle. They won their second in 2009 for Here Come the 123s. The band has sold over 4 million records. Linnell and Flansburgh first met as teenagers growing up in Lincoln, Massachusetts. They began writing songs together while attending Lincoln-Sudbury Regional High School but did not form a band at that time. The two attended separate colleges after high school and Linnell joined The Mundanes, a new wave group from Rhode Island. The two reunited in 1981 after moving to Brooklyn (to the same apartment building on the same day) to continue their career.]

[They Might Be Giants play The Truman, 601 E. Truman Rd, KC, on Tues, Mar 13, at 8:00 PM.]

5.tUnE-yArDs – “ABC 123”
from: I can feel you creep into my private life / 4AD / January 19, 2018
[4th album from the music project of New England native Merrill Garbus (born March 4, 1979). Garbus’s music draws from an eclectic variety of sources and utilizes elements such as loop pedals, ukulele, vocals, and lo-fi percussion, in addition to electric bass played by Nate Brenner. Tune-Yards’ 2011 album Whokill was ranked the number one album of that year in The Village Voice’s annual Pazz and Jop critic’s poll. Garbus was raised in New York City and in New Canaan, Connecticut. She attended Smith College. She was a puppeteer for the Sandglass Theater in Vermont and lived in Montreal where she played ukulele in the band Sister Suvi with guitarist Patrick Gregoire & drummer Nico Dann. Merrill’s sister Ruth Garbus is also a musician who has played solo and in the band Happy Birthday. After releasing her first Tune-Yards album in 2006, she moved to Oakland, California, where her partner in Tune-Yards, Nate Brenner, also lives. The first Tune-Yards album, BiRd-BrAiNs was originally self-released by Garbus on recycled cassette tape. It was recorded using only a handheld voice recorder. A limited edition vinyl was released in June 2009, via the Portland-based imprint Marriage Records. In July 2009, it was announced that Tune-Yards had signed to 4AD, and a limited edition pressing of Bird-Brains was released on August 17, 2009. A full worldwide release followed on November 16, 2009 (and November 17 in North America). The autumn 2009 pressing was remastered at Abbey Road Studios by Christian Wright, and includes two new bonus tracks: “Want Me To” and “Real Live Flesh.”]

6. Betty Davis – “Nasty Gal”
from: Nasty Gal / Independent / Originally released 1975 – Reissued 2009 by Light In The Attic
[3rd studio album from Betty Davis (born Betty Mabry, July 26, 1945) who also produced this record. Betty davis is an American funk and soul singer. She is known as one of the most influential voices of the funk era and a performer who was known for her memorable live shows. Betty Mabry grew up in Durham, North Carolina, and just outside Pittsburgh. On her grandmother’s farm in Reidsville, North Carolina, she listened to B.B. King, Jimmy Reed, and Elmore James and other blues musicians. One of the first songs she wrote, at the age of twelve, was called “I’m Going to Bake That Cake of Love.” Aged 16, she left Pittsburgh for New York City, enrolling at the Fashion Institute of Technology while living with her aunt. She soaked up the Greenwich Village culture and folk music of the early 1960s. She associated herself with frequenters of the Cellar, a hip uptown club where young and stylish people congregated. It was a multiracial, artsy crowd of models, design students, actors, and singers. At the Cellar she played records and chatted people up. She also worked as a model, appearing in photo spreads in Seventeen, Ebony and Glamour. In her time in New York, she met several musicians including Jimi Hendrix and Sly Stone. The seeds of her musical career were planted through her friendship with soul singer Lou Courtney, who produced her first single, “The Cellar” with simple, catchy lyrics like, “Where you going fellas, so fly? / I’m going to the Cellar, my oh my / What you going to do there / We’re going to boogaloo there.” The single was a local jam for the Cellar. Yet her first professional gig was not until she wrote “Uptown (to Harlem)” for the Chambers Brothers. Their 1967 album was a major success, but Betty Mabry was focusing on her modeling career. She was successful as a model but felt bored by the work. According to Oliver Wang’s They Say I’m Different liner notes, she said, “I didn’t like modeling because you didn’t need brains to do it. It’s only going to last as long as you look good.” She met Miles Davis in 1967 and married him in September 1968. In just one year of marriage, she influenced him greatly by introducing him to the fashions and the new popular music trends of the era. In his autobiography, Miles credited Betty with helping to plant the seeds of his future musical explorations by introducing the trumpeter to psychedelic rock guitarist Jimi Hendrix and funk innovator Sly Stone. The Miles Davis album Filles de Kilimanjaro (1968) includes a song named after her and her photo on the front cover. Miles believed that Hendrix and Betty had an affair which supposedly hastened the end of their marriage, but Betty denies this. Hendrix and Miles stayed close after the divorce, planning to record, until Hendrix’s death. The influence of Hendrix and especially Sly Stone on Miles Davis was obvious on the album Bitches Brew (1970), which ushered in the era of jazz fusion. The origin of the album’s title is unknown, but some believe Miles was subtly paying tribute to Betty and her girlfriends. In fact, it is said that he originally wanted to call the album Witches Brew—it was Betty who convinced him to change it. After the end of her marriage with Davis, Betty moved to London, probably around 1971, to pursue her modeling career. She wrote music while in the UK and returned to the US around 1972 with the intention of recording songs with Santana. Instead, she recorded her own songs with a group of West Coast funk musicians. Her first record, Betty Davis, was released in 1973. She had two minor hits on the Billboard R&B chart: “If I’m in Luck I Might Get Picked Up”, which reached no. 66 in 1973, and “Shut Off the Lights”, which reached no. 97 in 1975. Davis released two more studio albums, They Say I’m Different (1974) and her major label debut on Island Records Nasty Gal (1975). None of the three albums was a commercial success. Davis remained a cult figure as a singer, due in part to her open sexual attitude, which was controversial for the time. Some of her shows were boycotted, and her songs were not played on the radio due to pressure by religious groups and the NAACP. Both Betty Davis (1973) and They Say I’m Different (1974) were re-released by Light in the Attic Records on May 1, 2007. In September 2009, Light in the Attic Records reissued Nasty Gal and her unreleased fourth studio album recorded in 1976, re-titled as Is It Love or Desire?. Both reissues contained extensive liner notes and shed some light on the mystery of why her fourth album, considered possibly to be her best work by many members of her last band (Herbie Hancock, Chuck Rainey, Alphonse Mouzon), was shelved by the record label and remained unreleased for 33 years. After some final recording sessions in 1979 (Crashin’ from Passion), Davis eventually stopped making music and returned to Pennsylvania. Material from the 1979 recording sessions was eventually used for two bootleg albums, Hangin’ Out in Hollywood (1995) and Crashin’ from Passion (1996). A greatest hits album, Anti Love: The Best of Betty Davis, was released in 2000.]

7. The MGDs – “North Park”
from: Somos Como Somos / The MGDs / November 4, 2017
[From the band’s new EP, their 3rd studio release. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.] [The MGDs played an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin.]

[The MGDs play The Phoenix, 302 West 8th St., Friday, January 26, at 7:00 pm.]

10:30 – Underwriting

10:32 – Interview with Andrew Grayman Parkhurst

Andrew Grayman-Parkhurst, is Managing Director of Spinning Tree Theatre, and a co-founder of the theatre with partner Michael Grayman-Parkhurst. Andrew grew up in Kansas City and received his Bachelors in Fine Arts from Texas Christian University. He has been a member of Actor Equity Association since 1996. As a dancer he has worked with Roman Polanski, he was chosen and directed by Alvin Ailey at age 16 to dance Memoria. Andrew sang and danced on 2009 Tony Awards at Radio City Music Hall. He has been a part of five international productions of West Side Story. He has worked all over the world as an actor and dancer in shows such as: Call Me Madam, La Cage aux Folles, and Evita. He was an original cast member and dance captain of the Broadway touring production of Mamma Mia! for over 2,000 performances. He was in the touring company of Chicago. He has worked as a choreographer on Broadway, and in New York City, across the country, and in Kansas City for The Coterie, Starlight Theatre, New Theatre, and The Midland. Andrew joins us today to share information about Spinning Tree Theatre‘s new show FULL GALLOP, running January 26 through February 11 at Just Off Broadway Theatre, 3051 Central in KCMO. Tickets available at Central Ticket Office at (816) 235-6222. More information at http://www.spinningtreetheatre.com.

Andrew Grayman-Parkhurst Thanks for being with us on Wednesday MidDay Medley.

Full Gallop – Kansas City premiere! – 13 Dates – Jan 26 – Feb 11

FULL GALLOP is based on the life of fashion doyenne Diana Vreeland, who stood at the center of American style for five decades. As editor of Harper’s Bazaar and Vogue magazines, and as a member of the International Café Society, she chronicled the extraordinary people and events of her time.

FULL GALLOP is a portrait of this remarkable woman at a turning point in her life. Vreeland has just returned home to New York after four months in Europe—a trip she took after being fired from Vogue magazine. She throws an impromptu dinner party in the hope that a wealthy friend who is invited will bankroll her in starting a magazine of her own. Other friends, however, attempt to persuade her to take a job at the famed Metropolitan Museum of Art. In her distinctive style, once she decides in which direction her life will move, she goes at it “full gallop.”

Spinning Tree Theatre at Just off Broadway Theatre, 3051 Central St., KCMO

Central Ticket Office at (816) 235-6222 //// tickets.cto.umkc.edu

Full Gallop by Mark Hampton and Mary Louise Wilson
starring Cheryl Weaver as Diana Vreeland /// directed by Doug Weaver

Stage Manager: Taylorrae Burton
Scenic and Properties Design: De De DeVille
Lighting Design: Nicole Jaja
Sound Design: Jeff Eubank
Hair Design: Russell Bagwell-Shein
Assistant Stage Manager: Victoria Barbee

FULL GALLOP previews Fri, Jan 26 at 7:30pm and Sat, Jan 27 at 2:00pm.

Official Opening Night is Saturday, January 27 at 7:30pm.

Cast & artistic team will hold a talkback following the Thursday, February 1 performance.

Performances are Wed-Sat at 7:30pm / Sundays at 2:00pm thru Feb 11 at JOB Theatre.

FULL GALLOP runs approx 90 minutes, including one 15-minute intermission.

FULL GALLOP is recommended for ages 14 and up.

Spinning Tree Theatre’s new show FULL GALLOP, is running January 26 through February 11 at Just Off Broadway Theatre, 3051 Central in KCMO. Tickets available at Central Ticket Office at (816) 235-6222. More info at http://www.spinningtreetheatre.com.

10:45

8. The Sea and Cake – “Any Day”
from: Any Day / Thrill Jockey Records / Expecting May 11, 2018
[11th album and first new album in 6 years from indie rock band with a jazz influence, based in Chicago. The group formed in the mid-1990s from members of The Coctails (Archer Prewitt), Shrimp Boat (Sam Prekop and Eric Claridge), and Tortoise (John McEntire); the group’s name came from a willful reinterpretation (as the result of an accidental miscomprehension) of “The C in Cake”, a song by Gastr del Sol. Starting with 1997’s The Fawn, the group has relied on electronic sound sources, such as drum machines and synthesizers, to color its music, but has retained its distinctive post-jazz combo style. The band has shied away from releasing singles, preferring the album format. Contrary to his multi-instrumentalist role in Tortoise, John McEntire almost exclusively plays drums in The Sea and Cake. Members Sam Prekop, Archer Prewitt, and John McEntire each have released solo albums. The cover art of The Sea And Cake’s releases are largely paintings by member Eric Claridge and photographs by Prekop. (Postcards of some of the One Bedroom-era photos were sold on the band’s 2003 tour.) Prewitt has been involved in publishing his own comic books and doing graphic design. The band was on hiatus from 2004 to 2007, returning with Everybody. Their eighth studio album, Car Alarm, was released in October 2008. Their album, “Runner” was released in 2012.]

9. The Grisly Hand – “Municipal Farm Blues’
from: Country Singles / Independent / April 26, 2013
[Formed in 2009. For this recording: Jimmy Fitzner (Guitar and Vocals), Lauren Krum (Vocals and Percussion), Johnny Nichols (Bass and Vocals), Matt Richey (Drums), Mike Stover (Steel Guitar), and Ben Summers (Guitar and Mandolin).]

[The Grisly Hand play recordBar, 1520 Grand, Friday, January 26, with Andrew Foshee.]

10. Andrew Foshee – “Honor Among Thieves”
from: Strange Relations / Andrew Foshee / October 31, 2017
[Andrew Foshee on acoustic guitar, vocals, sampling, keys; Jon Estes on classical guitar, electric guitar, standup bass, piano, keys, percussion, string arrangements; Jeremy Fetzer on electric guitar, acoustic guitar; Jack Lawrence on bass guitar; Dave Racine on drums, percussion; Alexis Saski on backing vocals; Jem Cohen on backing vocals; Molly Parden on backing vocals; Liz Estes on viola, violin; Amy Helman on viola, violin; Eduardo DuQuesne on words of encouragement. Produced, engineered and mixed by Andrija Tokic
At The Bomb Shelter in Nashville, TN. Mastered by John Baldwin At John Baldwin Mastering in Nashville, TN. Additional production and sequencing done by Andrew At Ye Ol’ Basement Studio in Kansas City, MO. Cover art by Mariano Peccinetti. Andrew Foshee is a songwriter from Kansas City, Missouri. His knack for cinematic home recordings has lead to several song placements in tv and new media. Earlier this year he teamed up with producer Andrija Tokic (Alabama Shakes, Benjamin Booker) and a high clergy of guest musicians at Tokic’s Nashville studio, The Bomb Shelter, to fully realize his latest project. More info at: http://www.andrewfoshee.com] [Andrew Foshee joined us on WMM on November 1.]

[Andrew Foshee plays an album release at recordBar, 1520 Grand, Fri, Jan 26, w/ The Grisly Hand]

11:00 – Station ID

11. Matt Otto & Andy Ehling – “Eleven Thirty”
from: Reunion / Jazz Collective Records / February 2, 2017
[Matt Otto (tenor sax), Andy Ehling (alto sax), Leonard Thompson (rhodes), Brad Williams (drums), and Ben Leifer (bass). Andy Ehling, who spearheaded the project, flew from the Bay Area to KC in summer of 2015. After rehearsing and performing the music live, the band went into the studio for 2 days to record the material. Leonard Thompson flew in from NYC, while Brad, Matt & Ben are local to the KC area. The music is a nice reflection of both Matt & Andy’s compositions and improvisation. The two have played together for over 30 years. Audio engineer – Nate Espy of Rooftop Media KC. Mixed & Mastered by Matt Otto.]
[Matt Otto plays The Blue Room, Sat, Jan 27]

12. Minnie Riperton & Stevie Wonder – “Take a Little Trip”
from: Perfect Angel (Deluxe Edition) / Capitol / orig. Aug. 9, 1974 — Reissued Dec. 5, 2017
[Produced by Stevie Wonder under the name “El Toro Negro” to circumvent Motown’s refusal to allow him to produce the record for Epic. Minnie Julia Riperton-Rudolph (November 8, 1947 – July 12, 1979), known professionally as Minnie Riperton, was an American singer-songwriter best known for her 1975 single “Lovin’ You” and her five-octave coloratura soprano. She is also widely known for her use of the whistle register and has been referred to by the media as the “Queen of the whistle register”. Born in 1947, Riperton grew up in Chicago’s Bronzeville neighborhood on the South Side. As a child, she studied music, drama, and dance at Chicago’s Lincoln Center. In her teen years, she sang lead vocals for the Chicago-based girl group, The Gems. Her early affiliation with the legendary Chicago-based Chess Records afforded her the opportunity to sing backup for various established artists such as Etta James, Fontella Bass, Ramsey Lewis, Bo Diddley, Chuck Berry, and Muddy Waters. While at Chess, Riperton also sang lead for the experimental rock/soul group Rotary Connection, from 1967 to 1971. On April 5, 1975, Riperton reached the apex of her career with her no. 1 single, “Lovin’ You”. The single was the last release from her 1974 gold album entitled Perfect Angel. In January 1976, Riperton was diagnosed with breast cancer and underwent a radical mastectomy. By the time of diagnosis, the cancer had metastasized and she was given about six months to live. Despite the grim prognosis, she continued recording and touring. She was one of the first celebrities to go public with her breast cancer diagnosis, but did not disclose she was terminally ill. In 1977, she became a spokesperson for the American Cancer Society. In 1978, she received the American Cancer Society’s Courage Award which was presented to her at the White House by President Jimmy Carter. Riperton died of cancer on July 12, 1979 at age 31.]

13. Stevie Wonder – “You Haven’t Done Nothing”
from: Fullfillingness First Finale / Motown / 1974
[Stevie Wonder; widely considered one of the albums from his “classic period”. Released on July 22, 1974 on the Tamla label, it is Wonder’s nineteenth album overall, and seventeenth studio album. According to Billboard magazine, it was Wonder’s first studio album to top the Pop Albums chart where it remained for two weeks, while it was his third album to top the R&B/Black Albums chart where it spent nine non-consecutive weeks. Subsequent to the epic sweep and social consciousness of Innervisions, this set projected a reflective, decidedly somber tone. The musical arrangements used in several songs while masterly could be considered sparse in comparison to others among his 1970s masterworks, especially in the bleak “They Won’t Go When I Go” and understated “Creepin'”. While largely a stripped down, more personal sounding record, Wonder had not completely foregone social commentary on the world around him. The No. 1 hit “You Haven’t Done Nothin'” launched a pointed criticism of the Nixon administration bolstered by clavinet, drum machine, and a Jackson 5 cameo. The album received three Grammy Awards, including Album of the Year, in 1974.]

11:14

14. FACEFACE – “We Awesome (radio edit)”
from: MMMM / FACEFACE / Expected Late Winter 2018
[KC based experimental electronic hiphop musical collaboration with Ryan Lee Toms & Paul S. Nyakatura.]

11:17 – Interview with Ryan Lee Toms & Paul Nyakatura of FACEFACE

Ryan Lee Toms and Paul S. Nyakatura of FACEFACE on the January 24, 2018 edition of Wednesday MidDay Medley.

Ryan Lee Toms is a Kansas City based multi-instumentalist, composer and artist who has recorded original experimental dance electronic music as RLT with John Besuch. Ryan also plays guitar with the math rock band HMPH! and he plays drums for the Kansas City based, 5-piece post-punk deathrock band Beelzebabes. All the while Ryan has also been nurturing a fourth collaboration called FACEFACE, an experimental electronic hiphop musical collaboration with Paul S Nyakatura.

Ryan Lee Toms, thanks for being with us again on Wednesday MidDay Medley

Paul S. Nyakatura, is a Kansas City based award winning voiceover artist, stand up comedian, commercial producer, and rapper and hip hop artist. Paul is the voice of FACEFACE and featured in the FACEFACE video for their new song, “We Awesome,” all shot in one take from Celestial Pictures.

Paul S. Nyakatura, thanks for being with us on Wednesday MidDay Medley

Paul grew up in Kansas City Kansas and attended F L Schlagle High and Sumner Academy of Arts & Sciences. Paul studied Social Sciences at Kansas State University.

Ryan grew up in Wamego, Kansas, about 15 miles east of Manhattan, Kansas.

Ryan plays keyboards with RLT and FACEFACE, drums with Beelzebabes, guitar with HMPH! with Jonathan Thatch, and their new bass player, Kitten Adventure Bogs (his legal name).

FACEFACE released a video for their new song, “We Awesome,” all shot in one-take from Celestial Pictures.

11:27

15. FACEFACE – “Gun Control (radio edit)”
from: MMMM / FACEFACE / Expected Late Winter 2018
[KC based experimental electronic hiphop musical collaboration with Ryan Lee Toms & Paul S. Nyakatura.]

We’re talking with Ryan Lee Toms and Paul S Nyakatura about FACEFACE, an experimental electronic hiphop musical collaboration. Ryan and Paul have brought in music from the new FACEFACE release MMMMM.

MMMM stands for: Mutant Midwestern Musical Millennials

Paul is a former Hot 103 DJ

Paul Nyakatura has voiced over 1000 commercials in the past 5 years.

Paul Nyakatura has been doing Stand up comedy for the past 8 years. He has performed at The Improv, Stanford & Sons, and clibs and colleges across the midwest.

Paul Nyakatura released A Mixed Tape, January 17, 2013 More info at: http://www.paulnyakatura.bandcamp.com

FaceFace released “You Make The Party” through Mother Russia Industries, July 4, 2014

Ryan Lee Toms and Paul Nyakatura, thanks for being with us on WMM.

More information at: http://www.paulnyakatura.com rltlives.bandcamp.com

11:36

16. FACEFACE – “ISM’s (radio edit)”
from: MMMM / FACEFACE / Expected Late Winter 2018
[KC based experimental electronic hiphop musical collaboration with Ryan Lee Toms & Paul S. Nyakatura.]

17. First Aid Kit – “Ruins”
from: Ruins / Columbia / January 19, 2018
[4th full length album from Swedish folk duo of sisters: Klara (vocals/guitar) and Johanna Söderberg (vocals/keyboards/Autoharp/bass guitar). When performing live, the duo are accompanied by a drummer, a pedal steel guitarist and recently a keyboard player. They have now released four albums, two EPs and a handful of singles. In 2015 they were nominated for a Brit Award as one of the 5 best international groups. Sisters Johanna & Klara Söderberg are from Enskede, in the outskirts of Stockholm. Johanna was born Oct 31, 1990 and Klara on Jan 8, 1993. Their father was a member of the Swedish rock band Lolita Pop but he quit before Johanna was born and later became a teacher of history & religion. Their mother is a teacher of cinematography. From childhood, Klara & Johanna were eager singers by giving concerts using a jump rope as a pretend microphone. Klara’s first favorite songs were Judy Garland’s songs from The Wizard of Oz and Billie Holiday’s version of Gloomy Sunday, that she sang without much understanding of the English lyrics. Klara wrote her first song “Femton mil i min Barbiebil” when she was six. They both attended the International English school of Enskede. Klara applied for admission to a music school but she was not accepted. In 2005 when Klara was 12, a friend introduced her to the band Bright Eyes. This led her to country music stars such as Johnny Cash, Bob Dylan, Leonard Cohen, Carter family, Louvin Brothers, Townes Van Zandt, Gram Parsons and Emmylou Harris. The same year she received a guitar as a Christmas present and quickly learned to play it. Johanna enjoyed a wide range of music from Britney Spears to German Techno. However, it wasn’t until watching the film O Brother, Where Art Thou? and listening to the film’s soundtrack that she was inspired to sing “Down to the River to Pray” with sister, Klara. Fascinated by the result they started to sing together at home and then as street singers, in the Stockholm metro and in front of liquor stores. They came up with the name for their band simply by randomly opening a dictionary.Klara and Johanna also started to write and compose their own country-folk songs inspired by Devendra Banhart and CocoRosie, among others, without much influence from their parents who were more fond of Patti Smith, Velvet Underground and Pixies. Their father confessed later in a Swedish radio program that he was astonished and actually a little jealous of the ease his daughters had in producing top-notch music. The most important advice their father gave to them was to sing so loud that even somebody behind the wall could hear it.]

11:44 – Underwriting

18. Katy Guillen and The Girls – “Can’t Live Here Anymore”
from: Remember What You Knew Before / KG & The Girls / November 11, 2017
[For this new album the band worked with producer Lennon Bone. The band reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.] [Katy Guillen & The Girls joined us on WMM on November 8, 2017.]

[Katy Guillen and The Girls play the Bottleneck in Lawrence, KS, Fri, Jan 26, with Heidi Lynne Gluck]

[Katy Guillen & Claire Adams play Ca Va, 4149 Pennsylvania, Thurs. Jan. 25, at 9:00 PM.]

19. Heidi Lynne Gluck – “Better Homes & Gardens”
from: Pony Show / Lotuspool Records / August 26, 2016
[Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist originally from the middle of Canada. After transplanting herself from the plains of Manitoba to the midwestern United States, Heidi quickly became an in-demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. Heidi Lynne Gluck played 90.1 FM’s Crossroads Music Fest, September 10. Heidi Lynne Gluck joined us live on WMM on June 8, and August 24, 2016.]

[Heidi Lynne Gluck play the Bottleneck in Lawrence, KS, Friday, Jan 26, with Katy Guillen and The Girls.]

11:56

20. Dylan Guthrie & The Good Time Guys – “Dreaming of Love”
from: Dreaming of Love – Single / Dylan Guthrie & The Good Time Guys / January 2, 2018
[Dylan Guthrie & The Good Time Guys released their debut EP, Live at The Indiana House, on December 19, 2016. Dylan Guthrie was formerly the lead singer for Pink Royal who left to travel and work in China and is back and has now formed a new six piece band with several of the members of Pink Royal. The band is made up of Dylan Guthrie, Olie Bowden, Alexander Hartmann, Vik Govindarajan, Lucas Parker, and Cody Stuber. Mixed by Jim Barnes. Mastered by Steve Hall at Future Disc.]

[Dylan Guthrie & The Good Time Guys play Lucia Beer Garden & Grill, 1016 Massachusetts Street, in Lawrence Kansas, Friday, February 9, at 9:00 pm, with North Folk, and Lucas Parker.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, January 31 we present “The MidCoast Sound” with music from: Bobby Watson, Akkilles, Rubeo, Victor & Penny, Chris Meck and The Guilty Birds, Betse & Clarke, Fathers, KD Kuro, Chase The Horseman, Calvin Arsenia, Howard Iceberg, Rachel Mallin & The Wild Type, Sara Swenson, Truckstop Honeymoon, Khrystal, and more! Also next week, Marion Merritt and Betse Ellis join me for the entire show as our special Guest Co-Hosts for our Winter On-Air Fund Drive Show to encourage YOU, our wonderful and beautiful listeners, to pick up the phone and call in to 888-931-0901 to donate to the Voice of The Community – 90.1 FM KKFI – Kansas City Community Radio. We will have some special WMM “Thank You Gifts.”

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #718

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Wednesday MidDay Medley features FACEFACE and Full Gallop

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 24, 2018

New & MidCoastal Releases
+ Spinning Tree Theatre’s FULL GALLOP +
Ryan Lee Toms of FACEFACE

Mark plays New & MidCoastal Releases from: FACEFACE, Katy Guillen and The Girls, The MGDs, Matt Otto & Andy Ehling, Andrew Foshee, The Grisly Hand, Dylan Guthrie & The Good Time Guys, The Sea and cake, Tune-Yards, The Go! Team, Yo La Tengo, First Aid Kit, Minnie Riperton, Stevie Wonder, They Might Be Giants, and Betty Davis.

At 10:30, we’ll talk with founders of Spinning Tree Theatre about FULL GALLOP, their newest show running January 26 through February 11 at Just Off Broadway Theatre, 3051 Central in KCMO. Cheryl Weaver stars as fashion doyenne Diana Vreeland in this one-woman play. Tickets available at Central Ticket Office at (816) 235-6222. More information at http://www.spinningtreetheatre.com.

At 11:15 Mark talks with Ryan Lee Toms about FACEFACE, an experimental electronic hiphop musical collaboration with Paul S Nyakatura. We will play music from the new FACEFACE release MMMMM. FACEFACE recently released a video for their new song, “We Awesome,” all shot in one take form Celestial Pictures. You can check out their new video at this link: https://www.youtube.com/watch?v=J3K825nRSwg&t

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #718

WMM Playlist from January 17, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 17, 2018

Maria Vasquez Boyd, Tim J. Harte, Ryan Wilks, and Lesley Pories on the January 17, 2018 edition of Wednesday MidDay Medley

New & MidCoastal Releases + Lesley Pories
+ Ryan Wilks & Here Where You Wish

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Destroyer – “Tinseltown Swimming in Blood”
from: Ken / Merge Records / October 20, 2017
[11th studio album from Destroyer from Vancouver, British Columbia fronted by singer-songwriter Dan Bejar and formed in 1995. Destroyer songs are characterized by abstract, poetic lyrics and idiosyncratic vocals. The band’s discography draws on a variety of musical influences, resulting in albums that can sound markedly distinct from one another; in Bejar’s words, “That’s kind of my goal: to start from scratch every time.” Daniel Bejar was born October 4, 1972. Bejar has gained widespread popularity through his musical collaborations with Vancouver indie-rock band The New Pornographers, but has released far more material as the frontman of his band Destroyer. He is renowned for his poetic and often cryptic lyrics as well as his unorthodox vocals. Bejar’s father was a Spanish physicist and his mother was a Spanish teacher. Growing up, Bejar moved frequently, and as an adult he has resided in Canada and Spain. Bejar attended University of British Columbia for three years: “To my credit, I eventually dropped out; to my discredit, I waited three years to do it. I was taking mostly English and Philosophy classes, fooling myself into thinking I might be an academic.”]

[Destroyer plays recordbar, 1520 Grand, TONIGHT, January 17, at 9:00 PM with Mega Bog]

3. Be/Non – “Freedom Palace” [2015 new version, John Huff on lead vocals]
from: Freedom Palace / Haymaker Records / February 17, 2018
[Brodie Rush is a songwriter, musician, singer, organizer, artist, film maker, music video creator. Over 20 years ago KC native, Brodie Rush formed the experimental, psychedelic, prog-pop band. In 1996, Be/Non recorded two sets of songs in a small home studio in Lawrence, Kansas, that would become their first two EPs released on cassette. Be/Non, The band has had more members than Spinal Tap, but Brodie has remained the only consistent member, songwriter and producer. Be/Non personnel: 2007, Brodie Rush – Vocals, Guitar, Keyboards, Bass, Percussion, Drums; Ben Ruth – Bass, Upright Bass, Vocals; Adam Stotts – Guitar, Vocals; John Huff – Keyboards, Synths, Vocals; Adam Phillips – Drums (although Ryan Shank – played Drums on this track.) All songs written by: Brodie Rush, except Freedom Palace with music: John Huff & lyrics: Brodie Rush. Produced by Brodie Rush. Recorded at Westend Recording (Kansas City, Kansas) 2007 (Basic tracks, some overdubs); The Gold Room (Kansas City, Missouri) 2007 (Overdubs); Studio G (Brooklyn New York) 2007 (Mixing, Overdubs); The Map Room (Lawrence, Kansas) 2003 (Overdubs). Engineeres: Paul Malinowski Recorded at Westend Recording (Kansas City, Kansas) 2007 ; Brodie Rush The Gold Room (Kansas City, Missouri) 2007; Joel Hamilton Studio G (Brooklyn New York) 2007 ; Peter Buxton The Map Room (Lawrence, Kansas) 2003, (Saxophone overdubs imported from “Do The Heat” off the record, “Esperanto At The Pantheon, Incognito”). Mixed by Joel Hamilton at Studio G (Brooklyn New York) 2007. Mastered by Brodie Rush. Thanks John Hulston, Anodyne Records, Brenton Cook, Haymaker Records, Paul Malinowski, Tony Maimone, Justin Warring, Adam Phillips, Brandon Phillips, Steve Neuenburg, Mike Miller, Shawna Sowersby-Booth, David Hanson, Billy Brimblecom, Steve Tulipana, Jason Cantu, David Gaume, Robert Moczydlowsky, Laurel Birdsong Sears, Kid Millions, Cypher Sound, The Record Bar. Dedicated to: Failed marriages throughout time and space. The troubled “Freedom Palace” LP was recorded over 10 years ago in the summer of 2007 by Paul Malinowski and Brodie Rush in Kansas City, Missouri. Anodyne Records had commissioned Be/Non to re-record songs from, “RAN” and “Esperanto At The Pantheon, Incognito” along with other unreleased material. The music from the title track “Freedom Palace” was written by John Huff and had the album been released, would have been the first Be/Non composition not penned by Brodie Rush. Be/Non was a 5 piece before recording negotiations began in 2007. Directly before preproduction, the band had lost its drummer of 3 years and Be/Non was actively searching for a replacement. Between Brodie filling in on drums for two songs and Billy Brimblecom playing drums on another track, Be/Non asked Adam Phillips of The Architects to drum on the album’s remaining songs. The album was mostly recorded at Westend Studios in Kansas City and at Brodie’s home studio The Gold Room. After tracking 97% of the album, the project was taken to Studio G in Brooklyn New York for mixing by Joel Hamilton. 10 days later, the album was mixed and ready for duplication. No formal album covers had been decided on. John Huff had an idea of a Unipegadong by a nebula in space, while Brodie was thinking a castle floating in mid air. The first cover idea was mostly just pointing arrows going in all directions. Emotionally that was probably the closest to the mindset of that recording. The album “Freedom Palace” was never pressed or released. Because a contractual arrangement could not be agreed upon between Anodyne Records and Be/Non, the band would not see an album released until 2009, “A Mountain Of Yeses”, 11 years after it’s last release in 1998. “Freedom Palace” is dismissed by the band as a complete failure. Ultimately not having rights to the recordings, the inability to reach a contractual agreement with Anodyne Records and unhappiness with the final mix led to the disbanding of the “Freedom Palace” line up in early 2008. Reclusive, secluded and freshly divorced, a depressed Brodie Rush stopped all live performances for the next two years. Spending time to construct the concept record “A Mountain Of Yeses” as a solo endeavor under the Be/Non band moniker. Then, six years later in 2014, John Hulston of Anodyne Records graciously gave Brodie Rush full rights to the “Freedom Palace” recordings and masters. Be/Non has since tried numerous times to re-record the material for a proper release, but never could fully accomplish this task. Finally, for the entire world, for better or for worse, Be/Non and Haymaker Records would like to present the final mix of “Freedom Palace” the way it was originally intended. Be/Non adamantly renounces the production, mix and performances on these recordings, with few exceptions. The album was mixed and recorded during a dizzying haze of drug and alcohol abuse. The lyrics, the tone and the feel of the record is very unfocused, angry and misguided. This record does not reflect the proper sonic soundscape or performances Brodie Rush and Be/Non had intended whatsoever. “Freedom Palace” was full of rehashed versions of songs better left to their previous incarnations. “Moi Ou Toi” from the 7″ is a remake from “Freedom Palace” but the “FP” version is a remake of the original “Ran” version. Complicated. In fact ALL of the recordings on “FP” are remakes from “Ran” and “Esperanto.” “Do the Heat” and “Lucy” are again remakes of the “Ran” and “Esperanto” versions. The version of “Ice Fight” on “FP” I think… is different than the B-Side to “Moi Ou Toi”. A different remix with other instruments. We had two different versions from 2015. The Kraftwerk reference was unintentional. John Huff started playing that back in 2006 but hadn’t heard the Kraftwerk song until I played it for him in 2015. He just did that and thought he was cool. I hadn’t heard that tune until 2010 or so. It was an accident. There is an unreleased, unfinished song called “No God Of Mine” I recorded in 2002 on my 8 track that when I tried to remake it in 2007 with Mike Cochran on drums, John heard it and played me a song from the band YWKMBT Trail Of Dead from 2005 that was almost identical even the timing on the changes. The vocal melody was different tho. I got so disturbed by it that I stop working on the song altogether. “Garlic”, “In The Nighttime” “More Than Enough” and “Current And The Rind” were all part of an unreleased collection called “Enhance The Smoky” from 2000. Same year “Tenderfoot” was written.]

4. Momma’s Boy – “Want Me Back”
from: Don’t Talk About It – Single / Dead Summer Single Series / November 3, 2017
[2nd release of Momma’s Boys’ Dead Summer Single Series. Written by Peter Beatty. Lead vocals by Jared Bajkowski. Momma’s Boy, an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass & vocals. Recorded at Element Recording Studios with Joel Nanos.Their debut EP Liquid Courage was released Feb. 25, 2017.]

[Momma’s Boy play Riot Room, 4048 Broadway, Friday, January 19, at 9:00 with Rachel Mallin & The wild Type, and Dreamgirl.]

5. Superorganism – “Everybody Wants To Be Famous”
from: Superorganism / Domino Records / Expected: March 2, 2018
[Superorganism is an indie pop band that formed in early 2017. The group is made up of 8 members, one of which is a 17-year-old Japanese girl only known as Orono. The 7 other members go by the names of Harry, Emily, Ruby, B, Tucan, Soul, and Robert. The group, started with members from all over the world including The United States, Japan, South Korea, London, Australia, and New Zealand, makes original internet-age electronically-tinged indie pop music. Bandmembers Harry, Emily, Ruby, B, Tucan, Soul, and Robert were all longtime friends who decided it was finally time to work together. Harry and Emily met Orono during one of their old band’s Japan shows (she attended as a fan), and they struck up a Facebook friendship with their future bandmate. After discovering she could sing, they invited her to add lyrics and vocals to a demo they’d been working on for a new project at the beginning of 2017.]

6. Dead Voices – “Trust A Fool”
from: Dead Voices / Independent / April 20, 2013
[Formed in Sept 2010, by David Regnier, Jason Beers, Matt Richey, Michael Stover, Marco Pascolini.]

[Dead Voices play recordBar, 1520 Grand, Sat., Jan. 20, at 9:00 with Slights, and The Old Chelsea]

7. Sara Morgan – “Never Been to Nashville”
from: Average Jane / River Delta Records / Expected January 26, 2018
[KC based Singer/Songwriter, originally from McGehee, Arkansas. Sara Morgan plays saxophone, guitar, banjo, ukulele, and piano. Sara has opened for BJ Thomas, John Michael Montgomery, John Corbett, Sean Rowe, Chuck Mead, Ben Taylor, and was the preshow before Loretta Lynn at The Uptown, November 2014. Ms. Lynn hosted Sara on her tour bus after Sara’s set and prior to Ms. Lynn’s performance.]

[Sara Morgan plays a CD Preview, Fri, Jan. 19, at 8:30 PM, at Gospel Lounge at Knuckleheads Saloon.]

10:30 – Underwriting

10:32 – Interview with Lesley Pories

MidCoast Radio Project Board Member and 90.1 FM Membership Committee Chair – Lesley Pories joins to talk about 90.1 FM KKFI, and how listeners can become more involved. Lesley moved to KC four years ago and has been volunteering at 90.1 FM for most of that time, and has served on the Board of Directors for two of those years. A DC native, Lesley has a Masters in Urban Planning from UNC Chapel Hill and a Masters in International Relations from the Fletcher School at Tufts University. Aside from the East Coast, she’s lived and worked in Uzbekistan, India and Guinea. Here in KC, she also serves on the Board of BikeWalkKC. During the day, Lesley works as a Senior Sector Analyst at water and sanitation non-profit, Water.org.

Lesley Pories, Thanks for being with us on Wednesday MidDay Medley

Lesley grew up in Vienna (Virginia).

Two Masters Degrees

Lesley volunteered in Peace Corps for two years in Uzbekistan.

Lesley worked for The Carter Center and spent three months observing political elections in Guinea

Water.org – Kansas City – Senior Sector Analyst – traveling India

Volunteering at KKFI for more information: Volunteer@kkfi.org

10:44

8. Marideth Sisco & Accomplices – “Been Here Before”
from: Empty Doors / Juneapple Records / November 23, 2017
[Written by Marideth Sisco and songwriting partner Robin Frederick. Performed by Sisco with members of The Blackberry Winter Band: Linda Stoffel – Vocals, Dennis Crider – Guitar, Van Colbert – Banjo, Tedi May – Upright Bass, Bo Brown – Mandolin & Dobro. Marideth Sisco is a journalist, teacher, author, musician, student of folklore, and creator of Elder Mountain Press, a venue for publishing stories relevant to Ozarks culture and history. You can hear her essays “These Ozarks Hills” on public radio, ksmu.org. Discovered by producers of the independent film Winter’s Bone who asked her to be a part of the film and to serve as music consultant. “Winter’s Bone,” ended up winning best picture and best screenplay at Sundance Film Festival, it was honored at the Berlin Film Festival and was nominated for four Academy Awards. The band that created the music for the film is has made several tours, and recordings. More information at http://www.maridethsisco.com]

9. David Byrne – “Everybody’s Coming To My House”
from: American Utopia / Todomundo – Nonesuch / March 9, 2018
[Co written with Brian Eno. David Byrne’s first solo studio album since 2004’s Grown Backwards. Even though since then he has released albums with Brian Eno, Fat Boy Slim, and St. Vincent. The album is his 11th outside of his work with talking Heads. The new album is one part of a larger multimedia project entitled Reasons to Be Cheerful which aims to give reasons for being happy and optimistic in spite of political strife and environmental problems. The project was entitled after the Ian Dury song “Reasons to Be Cheerful (Part 3)”. David Byrne writes: “Is this meant ironically? Is it a joke? Do I mean this seriously? In what way? Am I referring to the past or the future? Is it personal or political? These songs don’t describe an imaginary or possibly impossible place but rather attempt to depict the world we live in now. Many of us, I suspect, are not satisfied with that world—the world we have made for ourselves. We look around and we ask ourselves—well, does it have to be like this? Is there another way? These songs are about that looking and that asking. This album is indirectly about those aspirational impulses. Sometimes to describe is to reveal, to see other possibilities. To ask a question is to begin the process of looking for an answer. To be descriptive is also to be prescriptive, in a way. The act of asking is a big step. The songs are sincere—the title is not ironic. The title refers not to a specific utopia, but rather to our longing, frustration, aspirations, fears, and hopes regarding what could be possible, what else is possible. The description, the discontent and the desire—I have a feeling that is what these songs touch on. I have no prescriptions or surefire answers, but I sense that I am not the only one looking and asking, wondering and still holding onto some tiny bit of hope, unwilling to succumb entirely to despair or cynicism.”]

[David Byrne plays the Muriel Kauffman Theatre at the Kauffman Center for he Performing Arts, Thursday, June 7, at 7:30 PM. Tickets go on sale Tuesday, Jan 23.]

10. Old Sound – “The Ocean”
from: Rain Follows The Plow / Independent / February 2014
[Greg Herrenbruck on bass & vocals; Grady Keller on mandolin, acoustic guitar & vocals; Chad Brothers on acoustic guitar & vocals. Recorded and produced by Phil Wade at his studio: Alluvial Fan Studios.]

[Old Sound plays The Phoenix, 302 West 8th St., Thursday, January 18, at 7:00 pm.]

11. Hipshot Killer – “They Will Try To Kill Us All”
from: They Will Try To Kill Us All / Throwing Things / January 16, 2016
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) For the recording: Mike Alexander on guitar & vocals, Chris Wagner on bass & vocals, Thomas Becker (Beautiful Bodies), on drums. The band released their debut record Hipshot Killer, April 29, 2011, and a single on Too Much Rock on October 21. Mike Alexander joined us live on WMM on October 19.]

[Hipshot Killer plays miniBar, 3810 Broadway, Saturday, January 20, with various Blonde, North By North, and Witch Jail.]

11:00 – Station ID

12. Sufjan Stevens – “Tonya Harding (In Eb major)”
from: Tonya Harding – Single / Asthmatic Kitty Records / December 8, 2017
[Sufjan Stevens (SOOF-yan) was born July 1, 1975, and is an American singer-songwriter and multi-instrumentalist. His debut album A Sun Came was released in 2000 on the Asthmatic Kitty label which he cofounded with his stepfather. He is perhaps best known for his 2005 album Illinois, which hit number one on the Billboard Top Heatseekers chart, and for the single “Chicago” from that album. Stevens was born in Detroit, Michigan, and lived there until the age of nine, when his family moved to Petoskey, in the northern part of the Lower Peninsula of Michigan. He was raised by his father Rasjid and his stepmother Pat, only occasionally visiting his mother, Carrie, in Oregon after she married her second husband Lowell Brams. (Brams later became the head of Stevens’ record label Asthmatic Kitty).He attended the Detroit Waldorf School, Petoskey High School and Interlochen Arts Academy, and graduated from Harbor Light Christian School. He then attended Hope College in Holland, Michigan, and earned a Masters of Fine Arts from The New School in New York City. Sufjan is a Persian name meaning “comes with a sword”. It predates Islam and most famously belonged to Abu Sufyan, a figure from early Islamic history. The name was given to Stevens by the founder of Subud, an inter-faith spiritual community to which his parents belonged when he was born. A multi-instrumentalist, Stevens is known for his use of the banjo, but also plays guitar, piano, drums, xylophone, and several other instruments, often playing all of these on his albums through the use of multitrack recording. While in school, he studied the oboe and English horn, which he also plays on his albums. Stevens did not learn to play the guitar until his time at Hope College. Stevens lives in Kensington, Brooklyn, in New York City, where he makes up the Brooklyn staff of Asthmatic Kitty Records.]

13. Payge Turner – “Only One”
from: Only One – Single / Justin’s Place / September 1, 2017
[Second Single from Kansas City based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. she writes that, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays “An Acoustic Evening” with Pink Royal and Instant Karma, Thursday, January 25, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City.]

14. Jake Wells – “Circle of Life”
from: “Circle of Life” – Single / Beach Boy Music / February 21, 2017
[Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 21 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations.]

[Jake Wells plays SoundMachine KC with Belle Game, and Spirit is The Spirit, Mlnday, January 29, at 7:00 PM, at recordBar, 1520 Grand Blvd.]

11:15 – Interview with Ryan Wilks & Tim J. Harte

Ryan Wilks is a Kansas City based artist who’s work has explored gender issues, queer erotica, femininity and sexuality. His new exhibit, Here Where You Wish, is an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018. Wilks is constructing a large public altar in the Central Library with a transformative temple-like labyrinth entry-way being crafted by renowned artist Ari Fish. Tim J Harte is composing ritual based sounds/music for the event. The 40 square feet altar is being constructed by Sean Prudden and Ryan Wilks, to house the objects that people bring to the piece.

Ryan Wilks, thanks for being with us again on Wednesday MidDay Medley

Also with us is musician, composer, co-founder of the Kansas City record label, Mother Russia Industries, Tim J.Harte makes music using Sega Genesis, Dungeons and Dragons, math and several hard working laptop computers. Tim J. Harte is currently studying composition at UMKC’s Conservatory of Music. He just recently composed music and conducted a 7 piece ensemble for Trench Warfare, a theatrical performance presented last Saturday evening, January 13, at the National World War I Museum and Memorial J.C. Nichols Auditorium.

Tim J. Harte, thanks for being with us again on t90.1 FM.

To support this project you can visit: https://www.kickstarter.com/projects/1840510472/here-where-you-wish/description

Here Where You Wish is an immersive public installation coming to the Kansas City Public Library, Central Library location at 14 W. 10th St. on April 6, 2018.

From Ryan’s press materials: Kansas City-based visual artist Ryan Wilks is constructing a large public altar in the KCPL Central Library with a transformative temple-like labyrinth entry way that encourages the public to consciously and methodically enter. The elaborate and flowing entrance is meticulously crafted by renowned artist Ari Fish.

Tim J Harte akadungionmaster is composing ritual based sounds/music to softly play through the installation. The altar itself will be 40 square feet and constructed by Sean Prudden and Ryan Wilks, and will beautifully house the objects that people leave behind.

11:25

15. AKADungeonMaster – “B LUCE DELL-ALBA”
from: MOTHER RUSSIA INDUSTRIES DOT COM VOL. THREE / M. R. I. / June 24, 2016
[Mother Russia Industries is a Kansas City based music label formed in 2008 by Tim J Harte and Rita Brinkerhoff supporting the music of AKA DJ DUNGEONMASTER, Blondie Brunetti, and others.]

We are talking with Ryan Wilks & Tim J. Harte about the new exhibit, Here Where You Wish

From Ryan’s press materials: Altars are typically resurrected to pay homage to a historical event or to worship deities. This altar is intended to serve as a nondenominational safe-space for personal expression and reflection. Created for everyone, by everyone. People from all walks of life are encouraged to write down a wish and leave it on the altar. A wish, a non-religious prayer, opens us up to a child-like connection to the invisible and allows us to gently believe even if just for a second that what we most desire can and will come true if we are bold enough to speak its name.

2017 was a hard year for all of us. No matter what side of the protest lines we stand, we do so because we are uneasy, angry, afraid, and unwilling to compromise what we think is right. There is a need to create a safe and sacred space for all of us to feel hope in. To believe in the power of the individual and of a wish.

The altar will be up for 3 months and will grow substantially in its aesthetic as people leave behind a wish on paper and/or an object. Wilks will be rolling up the paper wishes and tying them to hundreds of feather sculptures rotating above the altar, stirring the energy of the wishes. Here Where You Wish will provide a space for internal dialogue and reflection. As the installation is in a heavily-trafficked public library, attending participants will contribute to the interactive aspects of the installation. Additionally, Wilks has plans to utilize and honor the objects others leave in the space by publishing a book, which will be a literary and visual documentation of what Kansas City is wishing for in 2018.

Risks and challenges

Every project comes with its own unique risks and challenges:

Foreseeably people will want to know where their objects that they have left at the altar will end up. We are open to suggestions! Obviously since Here Where You Wish is in a public space, leaving behind your grandmothers broach is not encouraged if your heart is intent on getting it back once the installation is complete. People may feel connected to certain objects and take them with them. This is not necessarily the goal here, but it may happen, and the Library nor anyone involved in the project can be held responsible for missing objects. Items left should hold some emotional weight with the individual but not to the degree that letting it go with a wish would cause regret.

The objects at the end of the project will be repurposed respectfully, and possibly a part of a more permanent installation in a public space.

There is also the vulnerability of writing down a wish, and people may not want their wish shared in a book; there will be verbiage at the installation that lets people know these are anonymous wishes and to not add information that you would not feel comfortable being published, such as a name. There is something beautiful though, in letting such a vulnerable thing as a wish, be shared with the world, because for every wish there are thousands of people wishing the same wish.

There will be verbiage explaining that objects such as weapons, alcohol, drugs, and food are not welcomed to be placed upon the altar.
Ryan Wilks will be coming in twice weekly to ensure that these requests are fulfilled as will library staff.

Ryan Wilks and Tim J. Harte, thanks for being with us again on WMM

His new exhibit, Here Where You Wish, is an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018.

More info at: http://www.wilkspainting.com
http://www.motherrussiaindustries.bandcamp.com

11:37

16. Superchunk – “Erasure (feat. Waxahatchee & Stephin Merritt)”
from: What a Time to Be Alive / Merge / Expected: February 16, 2018
[11th album release from band formed in 1989 in Chapel Hill, North Carolina, Superchunk is Mac McCaughan (guitar, vocals), Jim Wilbur (guitar, backing vocals), Jon Wurster (drums, backing vocals), and Laura Ballance (bass, backing vocals). Since releasing their first 7-inch in 1989, Superchunk has run the gamut of milestone albums: early punk rock stompers, polished mid-career masterpieces, and lush, adventurous curveballs. Recorded by Beau Sorenson at Manifold Recording, Pittsboro, NC., except “Break the Glass” and “I Got Cut” at Overdub Lane. Mastered by Matthew Barnhart at Chicago Mastering .]

11:41 – Underwriting

17. Minnie Riperton – “Lovin’ You (Single Version With Countdown)”
from: Perfect Angel (Deluxe Edition) / Capitol / orig. Aug. 9, 1974 -Reissued Dec. 5, 2017
[Produced by Stevie Wonder under the name “El Toro Negro” to circumvent Motown’s refusal to allow him to produce the record for Epic. Minnie Julia Riperton-Rudolph (November 8, 1947 – July 12, 1979), known professionally as Minnie Riperton, was an American singer-songwriter best known for her 1975 single “Lovin’ You” and her five-octave coloratura soprano. She is also widely known for her use of the whistle register and has been referred to by the media as the “Queen of the whistle register”. Born in 1947, Riperton grew up in Chicago’s Bronzeville neighborhood on the South Side. As a child, she studied music, drama, and dance at Chicago’s Lincoln Center. In her teen years, she sang lead vocals for the Chicago-based girl group, The Gems. Her early affiliation with the legendary Chicago-based Chess Records afforded her the opportunity to sing backup for various established artists such as Etta James, Fontella Bass, Ramsey Lewis, Bo Diddley, Chuck Berry, and Muddy Waters. While at Chess, Riperton also sang lead for the experimental rock/soul group Rotary Connection, from 1967 to 1971. On April 5, 1975, Riperton reached the apex of her career with her no. 1 single, “Lovin’ You”. The single was the last release from her 1974 gold album entitled Perfect Angel. In January 1976, Riperton was diagnosed with breast cancer and underwent a radical mastectomy. By the time of diagnosis, the cancer had metastasized and she was given about six months to live. Despite the grim prognosis, she continued recording and touring. She was one of the first celebrities to go public with her breast cancer diagnosis, but did not disclose she was terminally ill. In 1977, she became a spokesperson for the American Cancer Society. In 1978, she received the American Cancer Society’s Courage Award which was presented to her at the White House by President Jimmy Carter. Riperton died of cancer on July 12, 1979 at age 31.]

18. The Hillary Watts Riot – “Killer Kind”
from: A/S/L / Money Wolf Music / April 20, 2012
[Debut album. THWR include: Hillary Watts Bird, Christian Hankel, Tommy Donoho, Sergio Moreno, Justin Penney. They describe their music as “freak pop.” This band is so fun to see live.]

[The Hillary Watts Riot play Bottleneck, LFK Sat, Jan 20 w/Alice Sweet Alice, Benevox, People Watching]

19. Westerners – “Tetris”
from: Reoccurring Dream Theme / The Record Machine / July 14, 2017
[Debut full length album from Lawrence / Kansas City based band formed in August of 2013. The band includes: Mitch Hewlett, Josh Hartranft, Matthew Pesma and Gerardo Rojas. Westerners signed to Kansas City independent label The Record Machine in 2015.] [Westerners played an album release at Mills Record Co, Fri, July 7, w/ Shortsweather and at Love Garden Records, Lawrence, July 8, w/ No Magic, and CS Luxem.]

[The Westerners play recordBar, 1520 Grand, Sun, Jan 21, ay 8:00 PM, with Motherfolk and Toughies.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next Week on Wednesday, January 24 we’ll talk with company members of Spinning Tree Theatre about FULL GALLOP their newest show running January 26 through February 11 at Just Off Broadway Theatre, 3051 Central in KCMO. Tickets available at Central Ticket Office at (816) 235-6222. More information at http://www.spinningtreetheatre.com. Cheryl Weaver stars as fashion doyenne Diana Vreeland in this one-woman play. The Kansas City premiere is directed by Doug Weaver.

Also next week we’ll talk with Ryan Lee Toms about his newest musical collaboration, FaceFace and their latest release MMMMM.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #717

WMM talks with Ryan Wilks of Here Where You Wish + Lesley Pories

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 17, 2018

New & MidCoastal Releases + Lesley Pories +
+ Ryan Wilks & Here Where You Wish

Mark plays New & MidCoastal Releases from: Momma’s Boy, Sara Morgan, Nathan Corsi, Be/Non, Payge Turner, Dead Voices, Marideth Sisco & Accomplices, Westerners, Jake Wells, Mother Russia Industries, The Hillary Watts Riot, Hipshot Killer, Old Sound, Destroyer, Superorganism, Minnie Riperton, Sufjan Stevens, and Superchunk with Waxahatchee & Stephin Merritt.

At 10:30, MidCoast Radio Project Board Member and 90.1 FM Membership Committee Chair – Lesley Pories joins us to talk about 90.1 FM KKFI, and how listeners can become more involved. Lesley has been volunteering at 90.1 FM for nearly three years, and has served on the Board of Directors for two of those years. She is originally from Vienna, Virgina has worked in Washington DC, and Atlanta. Lesley spent two years teaching English as a Peace Corp Volunteer in Uzbekistan, worked on small water conservation in Hubli, India, observed presidential elections in Guinea, and obtained two Masters Degrees from the University of North Carolina and the Fletcher School (Tufts). Lesley currently works as a Senior Sector Analyst at Water.org based here in Kansas City.

At 11:15, Mark talks with artist Ryan Wilks about his new exhibit, Here Where You Wish, an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018. Wilks is constructing a large public altar in the Central Library with a transformative temple-like labyrinth entry-way being crafted by renowned artist Ari Fish. Tim J Harte is composing ritual based sounds/music for the event. The 40 square feet altar is being constructed by Sean Prudden and Ryan Wilks, to house the objects that people bring to the piece. To support this project you can visit: https://www.kickstarter.com/projects/1840510472/here-where-you-wish/description

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #717