Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning
Wednesday, January 24, 2018
New & MidCoastal Releases
+ Spinning Tree Theatre’s FULL GALLOP +
Ryan Lee Toms & Paul S. Nyakatura of FACEFACE
1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
2. The Go! Team – “Semicircle Song”
from: SEMICIRCLE / Memphis Industries / January 19, 2018
[5th studio album from the six-piece band from Brighton, England. They combine indie rock and garage rock with a mixture of blaxploitation and Bollywood soundtracks, double Dutch chants, old school hip hop and distorted guitars. Their songs are a mix of live instrumentation and samples from various sources. The band’s vocals vary between performances: while live vocals are handled mostly by Ninja (with Angela Won-Yin Mak also singing some solos), vocals on record also feature sampled and guest voices. Ian Parton conceived the project after wanting to create music incorporating Sonic Youth-style guitars, double Dutch chants, Bollywood soundtracks, old school hip hop and electro. These ideas led towards the recording of Thunder, Lightning, Strike in his parents’ kitchen. Their debut album was released September 13, 2004.]
3. Yo La Tengo – “Shades of Blue”
from: There’s a Riot Going On / Matador Records / Expected March 16, 2018
[15th album from band formed in Hoboken, New Jersey in 1984. Since 1992, the lineup has consisted of Ira Kaplan (guitars, piano, vocals), Georgia Hubley (drums, piano, vocals), and James McNew (bass, vocals). In 2015, original guitarist Dave Schramm rejoined the band and appears on their f14th album, Stuff Like That There. Despite achieving limited mainstream success, Yo La Tengo has been called “the quintessential critics’ band” and maintains a strong cult following. They chose the name “Yo La Tengo” (Spanish for “I have it”; or referring to a female-gender object or person, also “I’ve Got Her”) in an effort to avoid any connotations in English. The name came from a baseball anecdote. During the 1962 season, New York Mets center fielder Richie Ashburn and Venezuelan shortstop Elio Chacón found themselves colliding in the outfield. When Ashburn went for a catch, he would scream, “I got it! I got it!” only to run into Chacón, who spoke only Spanish. Ashburn learned to yell, “¡Yo la tengo! ¡Yo la tengo!” instead. In a later game, Ashburn happily saw Chacón backing off. He relaxed, positioned himself to catch the ball, and was instead run over by left fielder Frank Thomas, who understood no Spanish and had missed a team meeting that proposed using the words “¡Yo la tengo!” as a way to avoid outfield collisions. After getting up, Thomas asked Ashburn, “What the hell is a Yellow Tango?”]
4. They Might Be Giants – “Last Wave”
from: I Like Fun / Idlewild Recordings / January 19, 2018
[20th studio album from band formed in 1982 by John Flansburgh & John Linnell. During TMBG’s early years, Flansburgh & Linnell frequently performed as a duo, often accompanied by a drum machine. In the early 1990s, TMBG expanded to include a backing band. The duo’s current backing band consists of Marty Beller, Dan Miller, and Danny Weinkauf. The group is best known for an unconventional and experimental style of alternative music. Over their career, they have found success on the modern rock and CMJ charts. More recently they have also found success in children’s music, and in theme music for several television programs and films. TMBG have released 19 studio albums. Flood has been certified platinum and their children’s music albums Here Come the ABCs, Here Come the 123s, and Here Comes Science have all been certified gold. The band has won two Grammy Awards, one in 2002 for their song “Boss of Me”, which is most known as the theme song of the television series Malcolm in the Middle. They won their second in 2009 for Here Come the 123s. The band has sold over 4 million records. Linnell and Flansburgh first met as teenagers growing up in Lincoln, Massachusetts. They began writing songs together while attending Lincoln-Sudbury Regional High School but did not form a band at that time. The two attended separate colleges after high school and Linnell joined The Mundanes, a new wave group from Rhode Island. The two reunited in 1981 after moving to Brooklyn (to the same apartment building on the same day) to continue their career.]
[They Might Be Giants play The Truman, 601 E. Truman Rd, KC, on Tues, Mar 13, at 8:00 PM.]
5.tUnE-yArDs – “ABC 123”
from: I can feel you creep into my private life / 4AD / January 19, 2018
[4th album from the music project of New England native Merrill Garbus (born March 4, 1979). Garbus’s music draws from an eclectic variety of sources and utilizes elements such as loop pedals, ukulele, vocals, and lo-fi percussion, in addition to electric bass played by Nate Brenner. Tune-Yards’ 2011 album Whokill was ranked the number one album of that year in The Village Voice’s annual Pazz and Jop critic’s poll. Garbus was raised in New York City and in New Canaan, Connecticut. She attended Smith College. She was a puppeteer for the Sandglass Theater in Vermont and lived in Montreal where she played ukulele in the band Sister Suvi with guitarist Patrick Gregoire & drummer Nico Dann. Merrill’s sister Ruth Garbus is also a musician who has played solo and in the band Happy Birthday. After releasing her first Tune-Yards album in 2006, she moved to Oakland, California, where her partner in Tune-Yards, Nate Brenner, also lives. The first Tune-Yards album, BiRd-BrAiNs was originally self-released by Garbus on recycled cassette tape. It was recorded using only a handheld voice recorder. A limited edition vinyl was released in June 2009, via the Portland-based imprint Marriage Records. In July 2009, it was announced that Tune-Yards had signed to 4AD, and a limited edition pressing of Bird-Brains was released on August 17, 2009. A full worldwide release followed on November 16, 2009 (and November 17 in North America). The autumn 2009 pressing was remastered at Abbey Road Studios by Christian Wright, and includes two new bonus tracks: “Want Me To” and “Real Live Flesh.”]
6. Betty Davis – “Nasty Gal”
from: Nasty Gal / Independent / Originally released 1975 – Reissued 2009 by Light In The Attic
[3rd studio album from Betty Davis (born Betty Mabry, July 26, 1945) who also produced this record. Betty davis is an American funk and soul singer. She is known as one of the most influential voices of the funk era and a performer who was known for her memorable live shows. Betty Mabry grew up in Durham, North Carolina, and just outside Pittsburgh. On her grandmother’s farm in Reidsville, North Carolina, she listened to B.B. King, Jimmy Reed, and Elmore James and other blues musicians. One of the first songs she wrote, at the age of twelve, was called “I’m Going to Bake That Cake of Love.” Aged 16, she left Pittsburgh for New York City, enrolling at the Fashion Institute of Technology while living with her aunt. She soaked up the Greenwich Village culture and folk music of the early 1960s. She associated herself with frequenters of the Cellar, a hip uptown club where young and stylish people congregated. It was a multiracial, artsy crowd of models, design students, actors, and singers. At the Cellar she played records and chatted people up. She also worked as a model, appearing in photo spreads in Seventeen, Ebony and Glamour. In her time in New York, she met several musicians including Jimi Hendrix and Sly Stone. The seeds of her musical career were planted through her friendship with soul singer Lou Courtney, who produced her first single, “The Cellar” with simple, catchy lyrics like, “Where you going fellas, so fly? / I’m going to the Cellar, my oh my / What you going to do there / We’re going to boogaloo there.” The single was a local jam for the Cellar. Yet her first professional gig was not until she wrote “Uptown (to Harlem)” for the Chambers Brothers. Their 1967 album was a major success, but Betty Mabry was focusing on her modeling career. She was successful as a model but felt bored by the work. According to Oliver Wang’s They Say I’m Different liner notes, she said, “I didn’t like modeling because you didn’t need brains to do it. It’s only going to last as long as you look good.” She met Miles Davis in 1967 and married him in September 1968. In just one year of marriage, she influenced him greatly by introducing him to the fashions and the new popular music trends of the era. In his autobiography, Miles credited Betty with helping to plant the seeds of his future musical explorations by introducing the trumpeter to psychedelic rock guitarist Jimi Hendrix and funk innovator Sly Stone. The Miles Davis album Filles de Kilimanjaro (1968) includes a song named after her and her photo on the front cover. Miles believed that Hendrix and Betty had an affair which supposedly hastened the end of their marriage, but Betty denies this. Hendrix and Miles stayed close after the divorce, planning to record, until Hendrix’s death. The influence of Hendrix and especially Sly Stone on Miles Davis was obvious on the album Bitches Brew (1970), which ushered in the era of jazz fusion. The origin of the album’s title is unknown, but some believe Miles was subtly paying tribute to Betty and her girlfriends. In fact, it is said that he originally wanted to call the album Witches Brew—it was Betty who convinced him to change it. After the end of her marriage with Davis, Betty moved to London, probably around 1971, to pursue her modeling career. She wrote music while in the UK and returned to the US around 1972 with the intention of recording songs with Santana. Instead, she recorded her own songs with a group of West Coast funk musicians. Her first record, Betty Davis, was released in 1973. She had two minor hits on the Billboard R&B chart: “If I’m in Luck I Might Get Picked Up”, which reached no. 66 in 1973, and “Shut Off the Lights”, which reached no. 97 in 1975. Davis released two more studio albums, They Say I’m Different (1974) and her major label debut on Island Records Nasty Gal (1975). None of the three albums was a commercial success. Davis remained a cult figure as a singer, due in part to her open sexual attitude, which was controversial for the time. Some of her shows were boycotted, and her songs were not played on the radio due to pressure by religious groups and the NAACP. Both Betty Davis (1973) and They Say I’m Different (1974) were re-released by Light in the Attic Records on May 1, 2007. In September 2009, Light in the Attic Records reissued Nasty Gal and her unreleased fourth studio album recorded in 1976, re-titled as Is It Love or Desire?. Both reissues contained extensive liner notes and shed some light on the mystery of why her fourth album, considered possibly to be her best work by many members of her last band (Herbie Hancock, Chuck Rainey, Alphonse Mouzon), was shelved by the record label and remained unreleased for 33 years. After some final recording sessions in 1979 (Crashin’ from Passion), Davis eventually stopped making music and returned to Pennsylvania. Material from the 1979 recording sessions was eventually used for two bootleg albums, Hangin’ Out in Hollywood (1995) and Crashin’ from Passion (1996). A greatest hits album, Anti Love: The Best of Betty Davis, was released in 2000.]
7. The MGDs – “North Park”
from: Somos Como Somos / The MGDs / November 4, 2017
[From the band’s new EP, their 3rd studio release. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.] [The MGDs played an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin.]
[The MGDs play The Phoenix, 302 West 8th St., Friday, January 26, at 7:00 pm.]
10:30 – Underwriting
10:32 – Interview with Andrew Grayman Parkhurst
Andrew Grayman-Parkhurst, is Managing Director of Spinning Tree Theatre, and a co-founder of the theatre with partner Michael Grayman-Parkhurst. Andrew grew up in Kansas City and received his Bachelors in Fine Arts from Texas Christian University. He has been a member of Actor Equity Association since 1996. As a dancer he has worked with Roman Polanski, he was chosen and directed by Alvin Ailey at age 16 to dance Memoria. Andrew sang and danced on 2009 Tony Awards at Radio City Music Hall. He has been a part of five international productions of West Side Story. He has worked all over the world as an actor and dancer in shows such as: Call Me Madam, La Cage aux Folles, and Evita. He was an original cast member and dance captain of the Broadway touring production of Mamma Mia! for over 2,000 performances. He was in the touring company of Chicago. He has worked as a choreographer on Broadway, and in New York City, across the country, and in Kansas City for The Coterie, Starlight Theatre, New Theatre, and The Midland. Andrew joins us today to share information about Spinning Tree Theatre‘s new show FULL GALLOP, running January 26 through February 11 at Just Off Broadway Theatre, 3051 Central in KCMO. Tickets available at Central Ticket Office at (816) 235-6222. More information at http://www.spinningtreetheatre.com.
Andrew Grayman-Parkhurst Thanks for being with us on Wednesday MidDay Medley.
Full Gallop – Kansas City premiere! – 13 Dates – Jan 26 – Feb 11
FULL GALLOP is based on the life of fashion doyenne Diana Vreeland, who stood at the center of American style for five decades. As editor of Harper’s Bazaar and Vogue magazines, and as a member of the International Café Society, she chronicled the extraordinary people and events of her time.
FULL GALLOP is a portrait of this remarkable woman at a turning point in her life. Vreeland has just returned home to New York after four months in Europe—a trip she took after being fired from Vogue magazine. She throws an impromptu dinner party in the hope that a wealthy friend who is invited will bankroll her in starting a magazine of her own. Other friends, however, attempt to persuade her to take a job at the famed Metropolitan Museum of Art. In her distinctive style, once she decides in which direction her life will move, she goes at it “full gallop.”
Spinning Tree Theatre at Just off Broadway Theatre, 3051 Central St., KCMO
Central Ticket Office at (816) 235-6222 //// tickets.cto.umkc.edu
Full Gallop by Mark Hampton and Mary Louise Wilson
starring Cheryl Weaver as Diana Vreeland /// directed by Doug Weaver
Stage Manager: Taylorrae Burton
Scenic and Properties Design: De De DeVille
Lighting Design: Nicole Jaja
Sound Design: Jeff Eubank
Hair Design: Russell Bagwell-Shein
Assistant Stage Manager: Victoria Barbee
FULL GALLOP previews Fri, Jan 26 at 7:30pm and Sat, Jan 27 at 2:00pm.
Official Opening Night is Saturday, January 27 at 7:30pm.
Cast & artistic team will hold a talkback following the Thursday, February 1 performance.
Performances are Wed-Sat at 7:30pm / Sundays at 2:00pm thru Feb 11 at JOB Theatre.
FULL GALLOP runs approx 90 minutes, including one 15-minute intermission.
FULL GALLOP is recommended for ages 14 and up.
Spinning Tree Theatre’s new show FULL GALLOP, is running January 26 through February 11 at Just Off Broadway Theatre, 3051 Central in KCMO. Tickets available at Central Ticket Office at (816) 235-6222. More info at http://www.spinningtreetheatre.com.
8. The Sea and Cake – “Any Day”
from: Any Day / Thrill Jockey Records / Expecting May 11, 2018
[11th album and first new album in 6 years from indie rock band with a jazz influence, based in Chicago. The group formed in the mid-1990s from members of The Coctails (Archer Prewitt), Shrimp Boat (Sam Prekop and Eric Claridge), and Tortoise (John McEntire); the group’s name came from a willful reinterpretation (as the result of an accidental miscomprehension) of “The C in Cake”, a song by Gastr del Sol. Starting with 1997’s The Fawn, the group has relied on electronic sound sources, such as drum machines and synthesizers, to color its music, but has retained its distinctive post-jazz combo style. The band has shied away from releasing singles, preferring the album format. Contrary to his multi-instrumentalist role in Tortoise, John McEntire almost exclusively plays drums in The Sea and Cake. Members Sam Prekop, Archer Prewitt, and John McEntire each have released solo albums. The cover art of The Sea And Cake’s releases are largely paintings by member Eric Claridge and photographs by Prekop. (Postcards of some of the One Bedroom-era photos were sold on the band’s 2003 tour.) Prewitt has been involved in publishing his own comic books and doing graphic design. The band was on hiatus from 2004 to 2007, returning with Everybody. Their eighth studio album, Car Alarm, was released in October 2008. Their album, “Runner” was released in 2012.]
9. The Grisly Hand – “Municipal Farm Blues’
from: Country Singles / Independent / April 26, 2013
[Formed in 2009. For this recording: Jimmy Fitzner (Guitar and Vocals), Lauren Krum (Vocals and Percussion), Johnny Nichols (Bass and Vocals), Matt Richey (Drums), Mike Stover (Steel Guitar), and Ben Summers (Guitar and Mandolin).]
[The Grisly Hand play recordBar, 1520 Grand, Friday, January 26, with Andrew Foshee.]
10. Andrew Foshee – “Honor Among Thieves”
from: Strange Relations / Andrew Foshee / October 31, 2017
[Andrew Foshee on acoustic guitar, vocals, sampling, keys; Jon Estes on classical guitar, electric guitar, standup bass, piano, keys, percussion, string arrangements; Jeremy Fetzer on electric guitar, acoustic guitar; Jack Lawrence on bass guitar; Dave Racine on drums, percussion; Alexis Saski on backing vocals; Jem Cohen on backing vocals; Molly Parden on backing vocals; Liz Estes on viola, violin; Amy Helman on viola, violin; Eduardo DuQuesne on words of encouragement. Produced, engineered and mixed by Andrija Tokic
At The Bomb Shelter in Nashville, TN. Mastered by John Baldwin At John Baldwin Mastering in Nashville, TN. Additional production and sequencing done by Andrew At Ye Ol’ Basement Studio in Kansas City, MO. Cover art by Mariano Peccinetti. Andrew Foshee is a songwriter from Kansas City, Missouri. His knack for cinematic home recordings has lead to several song placements in tv and new media. Earlier this year he teamed up with producer Andrija Tokic (Alabama Shakes, Benjamin Booker) and a high clergy of guest musicians at Tokic’s Nashville studio, The Bomb Shelter, to fully realize his latest project. More info at: http://www.andrewfoshee.com] [Andrew Foshee joined us on WMM on November 1.]
[Andrew Foshee plays an album release at recordBar, 1520 Grand, Fri, Jan 26, w/ The Grisly Hand]
11:00 – Station ID
11. Matt Otto & Andy Ehling – “Eleven Thirty”
from: Reunion / Jazz Collective Records / February 2, 2017
[Matt Otto (tenor sax), Andy Ehling (alto sax), Leonard Thompson (rhodes), Brad Williams (drums), and Ben Leifer (bass). Andy Ehling, who spearheaded the project, flew from the Bay Area to KC in summer of 2015. After rehearsing and performing the music live, the band went into the studio for 2 days to record the material. Leonard Thompson flew in from NYC, while Brad, Matt & Ben are local to the KC area. The music is a nice reflection of both Matt & Andy’s compositions and improvisation. The two have played together for over 30 years. Audio engineer – Nate Espy of Rooftop Media KC. Mixed & Mastered by Matt Otto.]
[Matt Otto plays The Blue Room, Sat, Jan 27]
12. Minnie Riperton & Stevie Wonder – “Take a Little Trip”
from: Perfect Angel (Deluxe Edition) / Capitol / orig. Aug. 9, 1974 — Reissued Dec. 5, 2017
[Produced by Stevie Wonder under the name “El Toro Negro” to circumvent Motown’s refusal to allow him to produce the record for Epic. Minnie Julia Riperton-Rudolph (November 8, 1947 – July 12, 1979), known professionally as Minnie Riperton, was an American singer-songwriter best known for her 1975 single “Lovin’ You” and her five-octave coloratura soprano. She is also widely known for her use of the whistle register and has been referred to by the media as the “Queen of the whistle register”. Born in 1947, Riperton grew up in Chicago’s Bronzeville neighborhood on the South Side. As a child, she studied music, drama, and dance at Chicago’s Lincoln Center. In her teen years, she sang lead vocals for the Chicago-based girl group, The Gems. Her early affiliation with the legendary Chicago-based Chess Records afforded her the opportunity to sing backup for various established artists such as Etta James, Fontella Bass, Ramsey Lewis, Bo Diddley, Chuck Berry, and Muddy Waters. While at Chess, Riperton also sang lead for the experimental rock/soul group Rotary Connection, from 1967 to 1971. On April 5, 1975, Riperton reached the apex of her career with her no. 1 single, “Lovin’ You”. The single was the last release from her 1974 gold album entitled Perfect Angel. In January 1976, Riperton was diagnosed with breast cancer and underwent a radical mastectomy. By the time of diagnosis, the cancer had metastasized and she was given about six months to live. Despite the grim prognosis, she continued recording and touring. She was one of the first celebrities to go public with her breast cancer diagnosis, but did not disclose she was terminally ill. In 1977, she became a spokesperson for the American Cancer Society. In 1978, she received the American Cancer Society’s Courage Award which was presented to her at the White House by President Jimmy Carter. Riperton died of cancer on July 12, 1979 at age 31.]
13. Stevie Wonder – “You Haven’t Done Nothing”
from: Fullfillingness First Finale / Motown / 1974
[Stevie Wonder; widely considered one of the albums from his “classic period”. Released on July 22, 1974 on the Tamla label, it is Wonder’s nineteenth album overall, and seventeenth studio album. According to Billboard magazine, it was Wonder’s first studio album to top the Pop Albums chart where it remained for two weeks, while it was his third album to top the R&B/Black Albums chart where it spent nine non-consecutive weeks. Subsequent to the epic sweep and social consciousness of Innervisions, this set projected a reflective, decidedly somber tone. The musical arrangements used in several songs while masterly could be considered sparse in comparison to others among his 1970s masterworks, especially in the bleak “They Won’t Go When I Go” and understated “Creepin'”. While largely a stripped down, more personal sounding record, Wonder had not completely foregone social commentary on the world around him. The No. 1 hit “You Haven’t Done Nothin'” launched a pointed criticism of the Nixon administration bolstered by clavinet, drum machine, and a Jackson 5 cameo. The album received three Grammy Awards, including Album of the Year, in 1974.]
14. FACEFACE – “We Awesome (radio edit)”
from: MMMM / FACEFACE / Expected Late Winter 2018
[KC based experimental electronic hiphop musical collaboration with Ryan Lee Toms & Paul S. Nyakatura.]
11:17 – Interview with Ryan Lee Toms & Paul Nyakatura of FACEFACE
Ryan Lee Toms and Paul S. Nyakatura of FACEFACE on the January 24, 2018 edition of Wednesday MidDay Medley.
Ryan Lee Toms is a Kansas City based multi-instumentalist, composer and artist who has recorded original experimental dance electronic music as RLT with John Besuch. Ryan also plays guitar with the math rock band HMPH! and he plays drums for the Kansas City based, 5-piece post-punk deathrock band Beelzebabes. All the while Ryan has also been nurturing a fourth collaboration called FACEFACE, an experimental electronic hiphop musical collaboration with Paul S Nyakatura.
Ryan Lee Toms, thanks for being with us again on Wednesday MidDay Medley
Paul S. Nyakatura, is a Kansas City based award winning voiceover artist, stand up comedian, commercial producer, and rapper and hip hop artist. Paul is the voice of FACEFACE and featured in the FACEFACE video for their new song, “We Awesome,” all shot in one take from Celestial Pictures.
Paul S. Nyakatura, thanks for being with us on Wednesday MidDay Medley
Paul grew up in Kansas City Kansas and attended F L Schlagle High and Sumner Academy of Arts & Sciences. Paul studied Social Sciences at Kansas State University.
Ryan grew up in Wamego, Kansas, about 15 miles east of Manhattan, Kansas.
Ryan plays keyboards with RLT and FACEFACE, drums with Beelzebabes, guitar with HMPH! with Jonathan Thatch, and their new bass player, Kitten Adventure Bogs (his legal name).
FACEFACE released a video for their new song, “We Awesome,” all shot in one-take from Celestial Pictures.
15. FACEFACE – “Gun Control (radio edit)”
from: MMMM / FACEFACE / Expected Late Winter 2018
[KC based experimental electronic hiphop musical collaboration with Ryan Lee Toms & Paul S. Nyakatura.]
We’re talking with Ryan Lee Toms and Paul S Nyakatura about FACEFACE, an experimental electronic hiphop musical collaboration. Ryan and Paul have brought in music from the new FACEFACE release MMMMM.
MMMM stands for: Mutant Midwestern Musical Millennials
Paul is a former Hot 103 DJ
Paul Nyakatura has voiced over 1000 commercials in the past 5 years.
Paul Nyakatura has been doing Stand up comedy for the past 8 years. He has performed at The Improv, Stanford & Sons, and clibs and colleges across the midwest.
Paul Nyakatura released A Mixed Tape, January 17, 2013 More info at: http://www.paulnyakatura.bandcamp.com
FaceFace released “You Make The Party” through Mother Russia Industries, July 4, 2014
Ryan Lee Toms and Paul Nyakatura, thanks for being with us on WMM.
More information at: http://www.paulnyakatura.com rltlives.bandcamp.com
16. FACEFACE – “ISM’s (radio edit)”
from: MMMM / FACEFACE / Expected Late Winter 2018
[KC based experimental electronic hiphop musical collaboration with Ryan Lee Toms & Paul S. Nyakatura.]
17. First Aid Kit – “Ruins”
from: Ruins / Columbia / January 19, 2018
[4th full length album from Swedish folk duo of sisters: Klara (vocals/guitar) and Johanna Söderberg (vocals/keyboards/Autoharp/bass guitar). When performing live, the duo are accompanied by a drummer, a pedal steel guitarist and recently a keyboard player. They have now released four albums, two EPs and a handful of singles. In 2015 they were nominated for a Brit Award as one of the 5 best international groups. Sisters Johanna & Klara Söderberg are from Enskede, in the outskirts of Stockholm. Johanna was born Oct 31, 1990 and Klara on Jan 8, 1993. Their father was a member of the Swedish rock band Lolita Pop but he quit before Johanna was born and later became a teacher of history & religion. Their mother is a teacher of cinematography. From childhood, Klara & Johanna were eager singers by giving concerts using a jump rope as a pretend microphone. Klara’s first favorite songs were Judy Garland’s songs from The Wizard of Oz and Billie Holiday’s version of Gloomy Sunday, that she sang without much understanding of the English lyrics. Klara wrote her first song “Femton mil i min Barbiebil” when she was six. They both attended the International English school of Enskede. Klara applied for admission to a music school but she was not accepted. In 2005 when Klara was 12, a friend introduced her to the band Bright Eyes. This led her to country music stars such as Johnny Cash, Bob Dylan, Leonard Cohen, Carter family, Louvin Brothers, Townes Van Zandt, Gram Parsons and Emmylou Harris. The same year she received a guitar as a Christmas present and quickly learned to play it. Johanna enjoyed a wide range of music from Britney Spears to German Techno. However, it wasn’t until watching the film O Brother, Where Art Thou? and listening to the film’s soundtrack that she was inspired to sing “Down to the River to Pray” with sister, Klara. Fascinated by the result they started to sing together at home and then as street singers, in the Stockholm metro and in front of liquor stores. They came up with the name for their band simply by randomly opening a dictionary.Klara and Johanna also started to write and compose their own country-folk songs inspired by Devendra Banhart and CocoRosie, among others, without much influence from their parents who were more fond of Patti Smith, Velvet Underground and Pixies. Their father confessed later in a Swedish radio program that he was astonished and actually a little jealous of the ease his daughters had in producing top-notch music. The most important advice their father gave to them was to sing so loud that even somebody behind the wall could hear it.]
11:44 – Underwriting
18. Katy Guillen and The Girls – “Can’t Live Here Anymore”
from: Remember What You Knew Before / KG & The Girls / November 11, 2017
[For this new album the band worked with producer Lennon Bone. The band reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.] [Katy Guillen & The Girls joined us on WMM on November 8, 2017.]
[Katy Guillen and The Girls play the Bottleneck in Lawrence, KS, Fri, Jan 26, with Heidi Lynne Gluck]
[Katy Guillen & Claire Adams play Ca Va, 4149 Pennsylvania, Thurs. Jan. 25, at 9:00 PM.]
19. Heidi Lynne Gluck – “Better Homes & Gardens”
from: Pony Show / Lotuspool Records / August 26, 2016
[Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist originally from the middle of Canada. After transplanting herself from the plains of Manitoba to the midwestern United States, Heidi quickly became an in-demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. Heidi Lynne Gluck played 90.1 FM’s Crossroads Music Fest, September 10. Heidi Lynne Gluck joined us live on WMM on June 8, and August 24, 2016.]
[Heidi Lynne Gluck play the Bottleneck in Lawrence, KS, Friday, Jan 26, with Katy Guillen and The Girls.]
20. Dylan Guthrie & The Good Time Guys – “Dreaming of Love”
from: Dreaming of Love – Single / Dylan Guthrie & The Good Time Guys / January 2, 2018
[Dylan Guthrie & The Good Time Guys released their debut EP, Live at The Indiana House, on December 19, 2016. Dylan Guthrie was formerly the lead singer for Pink Royal who left to travel and work in China and is back and has now formed a new six piece band with several of the members of Pink Royal. The band is made up of Dylan Guthrie, Olie Bowden, Alexander Hartmann, Vik Govindarajan, Lucas Parker, and Cody Stuber. Mixed by Jim Barnes. Mastered by Steve Hall at Future Disc.]
[Dylan Guthrie & The Good Time Guys play Lucia Beer Garden & Grill, 1016 Massachusetts Street, in Lawrence Kansas, Friday, February 9, at 9:00 pm, with North Folk, and Lucas Parker.]
20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]
Next week on Wednesday, January 31 we present “The MidCoast Sound” with music from: Bobby Watson, Akkilles, Rubeo, Victor & Penny, Chris Meck and The Guilty Birds, Betse & Clarke, Fathers, KD Kuro, Chase The Horseman, Calvin Arsenia, Howard Iceberg, Rachel Mallin & The Wild Type, Sara Swenson, Truckstop Honeymoon, Khrystal, and more! Also next week, Marion Merritt and Betse Ellis join me for the entire show as our special Guest Co-Hosts for our Winter On-Air Fund Drive Show to encourage YOU, our wonderful and beautiful listeners, to pick up the phone and call in to 888-931-0901 to donate to the Voice of The Community – 90.1 FM KKFI – Kansas City Community Radio. We will have some special WMM “Thank You Gifts.”
Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org
Wednesday MidDay Medley in on the web: