Wednesday MidDay Medley’s The 118 Best Recordings of 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

The 118 Best Recordings of 2018

The 118 Best Recordings of 2018 are based on the playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, please accept our list as a celebration of the year in music. In 2018 we’ve played nearly 1000 different songs on the show, and we’ve played from over 400 New Releases. More than 250 of these were New MidCoastal Releases. We also conducted over 117 interviews with over 150 different guests. 75 of the representative recordings in our “Best of” list were MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us as guests on Wednesday MidDay Medley on 90.1 FM. It’s all good!

#1. Calvin Arsenia – Cantaloupe / Bullseye Records / September 15, 2018
[The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

#2. Bob & Una Walkenhorst – For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

#3. Mikal Shapiro – The Musical II / Mikal Shapiro / May 26, 2018
[The Musical II is the sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

#4. Madisen Ward and the Mama Bear – Radio Winners / Glassnote / July 27, 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

#5. Amy Farrand & The Like – One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded with Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”]

#6. Emmaline Twist – Dissimulation / Black Site / August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

#7. Janelle Monáe – Dirty Computer / Wondaland Arts Sociaety – Bad Boy / April 27, 2018
[Nominated for a Grammy Award for Album of The Year, and Best Music Video for “Pynk.” Janelle Monáe moved from Kansas City, Kansas to New York to study theatre at the American Musical and Dramatic Academy. Her original plan was to pursue a career on Broadway, but she soon changed her mind and returned to music. After moving to Atlanta, GA, where she met OutKast’s Big Boi, Monáe founded the Wondaland Arts Society with like-minded young artists and made appearances on Outcast’s Idlewild, where Janelle is featured on the songs “Call The Law” and “In Your Dreams”. In 2007, Monáe released her first solo work, titled Metropolis. A few months later she was signed to Sean “Diddy” Combs’ label, Bad Boy Records. Dirty Computer is the third studio album by Janelle Monáe. In October 2016, Monáe made her big screen acting debut in the critically acclaimed film Moonlight. Monáe also starred in the film Hidden Figures. While filming her two movie roles, Monáe remained active in music with features on Grimes’ “Venus Fly” from her Art Angels album and also the soundtrack for the Netflix series The Get Down with a song titled, “Hum Along and Dance (Gotta Get Down)”. She was also on the tracks “Isn’t This the World” and “Jalapeño” for the Hidden Figures soundtrack. In an interview with People, Monáe revealed that she was already working on her third studio album when she received the scripts for her two first acting roles; therefore, she put the album on hold. It was confirmed by Monae after “Make Me Feel” was released that Prince, with whom she collaborated on her preceding album, The Electric Lady, had worked on the single, as well as the entire album, before he passed away. This was confirmed after listeners noticed similarities between the single’s sound and the late musician’s work. Monae stated in an interview with BBC Radio 1: “Prince was actually working on the album with me before he passed on to another frequency, and helped me come up with some sounds. And I really miss him, you know, it’s hard for me to talk about him. But I do miss him, and his spirit will never leave me.”

#8. Shy Boys – Bell House / Polyvinyl Record Co. / August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

#9. CS Luxem – Symptoms / Whatever Forever / February 17, 2018
[Debut full-length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. Info at http://www.csluxem.bandcamp.com]

#10. Monta At Odds – Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from the psychedelic, experimental indie/space rock/electronic collective based in KCK formed by brothers Dedric and Delaney Moore. The band describes their music as: Mutant Disco, minimal synthwave, post-punk dance, Electronica, Indie, Space Rock, Ambient. Current members include: Dedric Moore, Delaney Moore, Alexander Thomas, Adam Davies, Zach Bozich, Aaron Osborne, Matthew Hayden. For this new EP the band collaborated with Taryn Blake Miller who records as Your Friend. Past supporting members of Monta At Odds include: Mika Tanaya, Sterling Holman, Bree Plaster; Eric Bessenbacher, Ryan Shank, Jeremiah James, Samer Saba, Doug Hutchinson, Erin O’Neill, Sam Behrens, Luke Behrens, Sam Hughes, Tom Romero, Caleb Aldrich, John Aldrich.]

#11. Mysterious Clouds – My Head is Going Round EP / Haymaker Records / May 25, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

#12. Jametatone – Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

#13. SSION – O / Dero Arcade / May 11, 2018
[SSION is a multifaceted creative project spearheaded by Cody Critcheloe. An art-punk act fronted by flamboyant vocalist/artist Cody Critcheloe, Ssion recorded a series of underground releases during the 2000s, yet were perhaps best recognized for their extravagant live show. Ssion (pronounced “shun”) were founded in Kansas City, MO, by Critcheloe, who studied at the Kansas City Art Institute, and draw from a range of influences, including the punk spectacle of Iggy Pop and the dance-party new wave of the B-52’s as well as performance art and gay culture. Critcheloe’s artwork graces the cover of Yeah Yeah Yeahs’ Fever to Tell (2003) and the video for Liars’ “There’s Always Room on the Broom” (2004). Besides Critcheloe, Ssion’s membership includes, among others, backup vocalists Taylor Painter-Wolfe and Shannon Michaels, who respectively create costumes and stage props for the act’s live shows. Critcheloe made his recording debut as Ssion in 1999 with Fucked into Oblivion, a self-released cassette/CD-R. I Don’t Want New Wave & I Don’t Want the Truth, another self-released CD-R, followed in 2001. In 2003 Ssion made their label debut, releasing the Minor Treat EP and the Opportunity Bless My Soul album on Version City Records. Next, following a self-released album, Glory Hound (2005), and EP, Street Jizz (2006), Ssion signed to Sleazetone Records. In 2008 the label released the Fools Gold album and the accompanying Clown remix EP. ~ Jason Birchmeier]

#14. Under the Big Oak Tree – The Ark / DashGo / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).]

#15. Howard Iceberg & The Titanics – Netherlands / Howard Iceberg / March 29, 2018
[Howard Iceberg on lead vocals & harmony vocals; Rich Hill on piano, organ & harmony vocals; Bryan Hicks on bass, electric bass & harmony vocals; and Doug Auwarter on drums. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg & Pat Tomek. Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Haoward iceberg. Heis one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.”]

#16. The War and Treaty – Healing Tide / Strong World Entertainment / Aug. 10, 2018
[Full length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass, folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ] [First Played February 7, 2018]

#17. Other Americans – Other Americans EP / AWAL Records / June 29, 2018
[Debut self-titled EP from Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Zachary Phillips on bass. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, Radar State and Brandon Phillips and The Condition, Other Americans is a virtual Midwestern supergroup of sorts. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.” With first date jitters behind them, the duo enlisted drummer Adam Phillips, bassist Zachary Phillips and late keyboardist Ehren Starks, who passed away suddenly in March 2018, and began writing the material that would become the EP. The band premiered the late night public access by-way-of 120 Minutes-inspired video for lead single, “Murdering Crows,” directed by artist Adrian Halperin, via The Spill Magazine in May 2018, exposing the band’s brand of kickass dance rock to a broad and international audience. Superlatively catchy and conjuring up well-intentioned comparisons to Yeah Yeah Yeahs, Fiery Furnaces, and even a jauntier and more aggressive Passion Pit, the new EP captures the excitement and spontaneity that punctuates coastal indie rock while embracing elements of the electronic dance rock that populates midnight warehouse parties. “All the basic tracking [for the EP] was done at Element Recording and was mastered by Nanos,” he recalls. “Then I took it to my spot and worked and reworked it all for a year until it sounded like something none of us had heard before.” Prior to the EP’s release the band makes their hard fought and won live debut on June 11, 2018, at Kansas City’s Riot Room, an already sold-out performance supporting singer songwriter Meg Myers. The band will also release their video for “Make Me Afraid,” directed by Todd Norris and Mitch Brian, in coming weeks. Illuminated with the knowledge that the journey is as important as the destination, Phillips admits to looking forward to the period of dues paying that their debut brings. “I’m looking forward to all the firsts;. first show. first record. first tour. Magical thinking could have me pining for a post-Grammys Maserati coke party by the sea, but if I’m all wrapped up in making that fantasy come true, I’ll miss the fun of being present for the firsts and the fifths and the tenths.” From there the plan becomes a bit more complicated, “ The ‘Plan” as I see it is to con some major label artist into taking us out as support, steal their identities on laundry day, have reconstructive surgery, then only tour in countries without U.S. extradition treaties,” Brandon jokes.]

#18. Cat Power – Wanderer / Domino Recording Co / October 5, 2018
[10th studio album by Cat Power The album was produced entirely by Marshall herself and was written and recorded in Miami and Los Angeles over the past few years, she stated: “The course my life has taken in this journey—going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. Folk singers, blues singers, and everything in between. They were all wanderers, and I am lucky to be among them.” The album includes a collaboration with Lana Del Rey, whom Marshall opened for on the European leg of her LA to the Moon Tour. It is her first album to not be released on Matador since 1996. In support of the release, Marshall has embarked a world tour, that began in September. Charlyn Marie “Chan” Marshall was born January 21, 1972, She is better known by her stage name Cat Power. She is a singer-songwriter, musician, occasional actress, and model. Cat Power was originally the name of Marshall’s first band, but has become her stage name as a solo artist. Born in Atlanta, Marshall was raised throughout the southern United States, and began performing in local bands in Atlanta in the early 1990s. She was discovered opening for Liz Phair in 1994 by Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, with whom she recorded her first two albums, Dear Sir (1995) and Myra Lee (1996), on the same day in 1994. In 1996 she signed with Matador Records, and released a third album of new material with Shelley and Foljahn, What Would the Community Think. Following this she released the critically acclaimed Moon Pix (1998), recorded with members of Dirty Three, and The Covers Record (2000), a collection of sparsely-arranged cover songs. After a brief hiatus she released You Are Free (2003), featuring guest musicians Dave Grohl and Eddie Vedder, followed by the soul-influenced The Greatest (2006), recorded with numerous Memphis studio musicians. A second album of cover tracks, Jukebox, was released in 2008. In 2012 she released the self-produced Sun, which debuted at number 10 on the Billboard 200, the highest charting album of her career to date. Critics have noted the constant evolution of Cat Power’s sound, with a “mix of punk, folk and blues” on her earliest albums, and elements of soul and other genres more prevalent in her later material.]

#19. U.S. Girls – In a Poem Unlimited / 4AD / February 16, 2018
[6th studio album from U.S. Girls, the recording moniker of American-Canadian musician Meghan Remy. Formed in the United States in 2007 as a noise-pop project, Remy later moved the band to Toronto after marrying Canadian musician Max “Slim Twig” Turnbull. She released music on a variety of independent labels in both the United States and Canada before signing to 4AD in 2015. Her first record for that label, Half Free, was released the same year. Half Free garnered a Juno Award nomination for Alternative Album of the Year at the Juno Awards of 2016, and was a shortlisted finalist for the 2016 Polaris Music Prize. In a Poem Unlimited is her follow up and second release on 4AD.] [First play February 28, 2018]

#20. Meshell Ndegeocello – Ventriloquism / Naive / March 16, 2018
[Singer-songwriter, rapper, bassist, and vocalist. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, and has had ten career Grammy Award nominations. She has been credited for having “sparked the neo-soul movement.”Ventriloquism is the 12th studio album from Meshell Ndegeocello. The album covers eleven R&B and pop tracks originally recorded in the 1980s and 1990s. A portion of the profits of the album will go to the ACLU. This album follows “Comet, Come to Me”, her 11th studio album.]

#21. Marcus Lewis Big Band – Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

#22. Cowboy Junkies – All That Reckoning / Latent Records / July 13, 2018
[The Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985. The group was formed in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timmins are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was initially a member of the band but left the group before the recording of their first album. The band line-up has never changed since, although they use several guest musicians on many of their albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first. The Junkies’ 1986 debut album, produced by Canadian producer Peter Moore, was the blues-inspired Whites Off Earth Now!!, recorded in the family garage using a single ambisonic microphone. The Junkies gained worldwide fame and recognition with their second album, The Trinity Session, recorded in 1987 at Toronto’s Church of the Holy Trinity. Their sound, again using the ambisonic microphone, and their mix of blues, country, folk, rock and jazz earned them both critical attention and a strong fan base. The Los Angeles Times named the recording as one of the ten best albums of 1988. The Cowboy Junkies have gone on to record a total of sixteen studio albums and five live albums, and remain an active band for over thirty years.]

#23. Broken Arrows – Street Flowers / Intelligent Design / Aug. 3, 2018
[Guest Howard Iceberg sings lead and backing vocals on “Recognize My Heart.” Drums & percussion tracks recorded at Roll Away The Stone Studio. Album notes from Barry Lee: Broken Arrows started recording Street Flowers during the last months of 2017 and into the first of the year 2018. The band had road tested about half the songs in concert during the year, so they had a good starting point. Broken Arrows have four songwriters in the band, and they all wrote material for the record. Sessions for the basic tracks were done at Dave Storms’ studio, The Storms Cellar and the vocals and guitar tracks were finished at Cricket Palace, Mike Penner’s studio. Mike Mixed & Mastered and produced the album. About a third of the way through the sessions band member Barry Lee’s wife Caroline took a turn for the worse and his involvement lessened as he stayed with her to take care of her in her final days. The band recorded a couple of tracks, “Not Coming Back” and “Put Me Down” without Barry but refused to do any more recording until he was able to return. The first song Barry did after Carolyn died was “Recognize My Heart.” Barry was still in shock and you can hear it in his voice on that song. The album has gotten airplay on 102.7, Little Steven’s Underground Garage on Sirius XM and extensively on 90.1 FM KKFI. It was also favorably reviewed in Tuning Fork and in a national publication, Blurt. Early next year Broken Arrows will have a single release on Big Stir Records in L.A.. The photos on the album cover were taken by Barry Lee in and around Lawrence, Kansas. For some reason, there are lots of street flowers there. Broken Arrows are: Barry Lee on vocals, acoustic & electric guitars; Mike Penner on lead guitar & vocals; Bill Ryan on lead guitar & vocals, John Chevalier on bass, acoustic guitar & vocals; and Dave Storms on drums, percussion & vocals.]

#24. Slights – Flow State / Slights / November 30, 2018
[Slights is a collaboration band between Ben Parks & Matthew Dunehoo. In late January, 2017 they recorded an album at Ghost Cat Studios in San Francisco w/ Ryan Kleeman and their friend Andrew Skikne on bass. Ben Parks is also visual artist & painter as well as part of the band, Of Tree. Matthew Dunehoo is also a filmmaker & actor, and has been a member of the bands: Loose Park, Baby Teardrops, Doris Henson. On Nov, 7, we interviewed Ben Parks & Matthew Dunehoo who joined us to talk about the debut release of their new band Slights. The new 11-song album was created over the past year. Matt is also the founder of Elk’s Pride Pictures, based in KCMO. More information at http://www.slightsband.com]

#25. Superchunk – What a Time to Be Alive / Merge / February 16, 2018
[11th album release from band formed in 1989 in Chapel Hill, North Carolina, Superchunk is Mac McCaughan (guitar, vocals), Jim Wilbur (guitar, backing vocals), Jon Wurster (drums, backing vocals), and Laura Ballance (bass, backing vocals). Since releasing their first 7-inch in 1989, Superchunk has run the gamut of milestone albums: early punk rock stompers, polished mid-career masterpieces, and lush, adventurous curveballs. Recorded by Beau Sorenson at Manifold Recording, Pittsboro, NC., except “Break the Glass” and “I Got Cut” at Overdub Lane. Mastered by Matthew Barnhart at Chicago Masterin.]

#26. Amen Dunes – Freedom / Sacred Bones Records / March 30, 2018
[The 5th studio album from Amen Dunes the musical project formed by American singer-songwriter and musician Damon McMahon in 2006 in New York. In addition to his regular collaborators Parker Kindred and Jordi Wheeler, Freedom features Delicate Steve and underground Roman musician Panoram. Chris Coady  (Beach House) produced. The record was recorded at Electric Lady Studios in NYC and Sunset Sound in LA.]

#27. Blood Orange – Negro Swan / Domino Recording Co / August 24, 2018
[Devonté Hynes aka David Joseph Michael Hynes was born December 23, 1985, better known as Blood Orange and formerly Lightspeed Champion, is a British singer, songwriter, composer, producer, dancer and director. From 2004 to 2006, Hynes was a member of the band Test Icicles, playing guitar, synth, and occasionally performing vocals. They released one full-length album in 2005. Hynes went on to release two solo studio albums as Lightspeed Champion and subsequently four more as Blood Orange, between 2008 and 2018. He has written, played or produced for artists such as Tinashe, Solange Knowles, Sky Ferreira, FKA twigs, Haim, Florence and the Machine, Carly Rae Jepsen, Diana Vickers, The Chemical Brothers, Kylie Minogue, A$AP Rocky and Blondie. Hynes was voted the 49th ‘coolest person in rock’ in NME’s 2007 Cool List, jumping to position 20 in the following year’s list.]

#28. Dirty Projectors – Lamp Lit Prose / Domino Recording Co / July 13, 2018
[8th studio album from Brooklyn based band, formed in 2002. The band currently consists of primary recording artist and core member David Longstreth (vocals, guitar), alongside longtime bass guitarist Nat Baldwin, Mike Daniel Johnson (drums), Maia Friedman (guitar, keyboards, backing vocals), Felicia Douglass (percussion, keyboards, backing vocals) and Kristin Slipp (keyboards, backing vocals). Since its formation the band has released eight full-length studio albums, and has had numerous lineup changes, with major contributions from guitarist and vocalist Amber Coffman from 2006 to 2013. “If 2017’s Dirty Projectors was the band’s dark night of the soul, Lamp Lit Prose marks a vibrant rebirth. Bright, colorful, and bursting with hope, the music here splits the difference between pop instinct and avant-garde ambition, live-band rigor and super-synthetic production—think Talking Heads for the 2000s. And where lead Projector Dave Longstreth’s songs have, in the past, tended toward high concepts, here he dwells on the rush of simple things: optimism (“Right Now”), romance (“Break-Thru”), and pure, unfiltered excitement (“I Feel Energy”). It features assists from Rostam, Amber Mark, Fleet Foxes’ Robin Pecknold, and HAIM.”]

#29. Parquet Courts – Wide Awake / Rough Trade / May 18, 2018
[6th studio album from Parquet Courts, of Denton, Texas, currently residing in New York City, New York. The band consists of Andrew Savage on vocals & guitar, Austin Brown on vocals & guitar, Sean Yeaton on bass, and Max Savage on drums. The band released their debut album, American Specialties, as a limited cassette release, in 2011. The band’s second studio album, Light Up Gold (2012), was initially released on Savage’s Dull Tools label and later reissued on What’s Your Rupture? in 2013.[1] Light Up Gold received widespread critical acclaim in both the DIY underground and mainstream rock press. In 2014, the band reached #55 on the Billboard albums chart with its third studio album, Sunbathing Animal. Later in 2014, the band released “Uncast Shadow of a Southern Myth” as a single under an alternative name, Parkay Quarts. Soon after they released their fourth studio album, Content Nausea, on which Sean and Max were absent, due to other commitments.The following year, the band released a mostly instrumental, experimental EP, entitled Monastic Living. On February 4, 2016, the band announced their fifth studio album, entitled Human Performance. The album was released on April 8 through Rough Trade. On October 13, 2017, the band’s co-frontman A. Savage released his first solo album, Thawing Dawn, through Dull Tools.]

#30. Danielle Nicole – Cry No More / Concord Records / February 23, 2018
[Nominated for a Grammy Award for Best Contemporary Blues Album. Danielle Nicole sings and plays bass on all tracks, with special guest musicians like Sonny Landreth on slide guitar, Walter Trout on guitar, Kenny Wayne Shepherd on guitar, Johnny Lee Schell on guitar, Monster Mike Welsh on guitar, Brandon Miller on guitar, Luther Dickinson on guitar. Danielle Nicole was born Danielle Nicole Schnebelen. Her self-titled solo debut EP was released March 10, 2015 on Concord Records. The self-titled EP features Grammy Award-winning producer-guitarist Anders Osborne, Galactic’s co-founding drummer Stanton Moore and keyboardist Mike Sedovic. On February 25, 2015, American Blues Scene premiered the track “Didn’t Do You No Good” off the new EP. Danielle Nicole was previously in the band Trampled Under Foot with her brothers Kris and Nick Schnebelen. At the 2014 Blues Music Awards, Trampled Under Foot’s album, Badlands, won the ‘Contemporary Blues Album of the Year’ category. At the same ceremony, Danielle Nicole, under the name of Danielle Schnebelen, triumphed in the ‘Best Instrumentalist – Bass’ category. The band was also nominated in the ‘Band of the Year’ category. In September 2015, her debut album, Wolf Den, was released on Concord Records. It reached number 2 in the Billboard Top Blues Albums chart in October that year. Danielle Nicole’s second solo album, Cry No More, peaked at # 1 in the Billboard Top Blues Albums chart. Bill Withers wrote one of the teacks on the new album.]

#31. Grand Marquis – Brighter Days / King Forward Records / April 28, 2018
[KC based American Roots, Blues, & Prohibition Jazz band, formed in 1998 have released 7 albums, including a 7” 45 rpm vinyl recorded at legendary Sun Studio in Memphis, TN. The band is: Ben Ruth on upright bass, sousaphone, backing vocals; Chad Boydston on trumpet, backing vocals; Ryan Wurtz on electric and acoustic guitars; Trevor Turla on trombone, backing vocals; Fritz Hutchison on drums, backing vocals; Bryan Redmond on lead vocals, soprano, alto, tenor & baritone saxophones.]

#32. Carswell & Hope – Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

#33. Kadesh Flow – Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

#34. The Phantastics – Life of the Party EP / Kemet Creative / Aug. 24, 2018
[Eight member band from Kansas City formed in December 0f 2010 made up of: Kemet the Phantom -lead vocals; Kim “Phirst Lady” Newsome on lead vocals; JJ Cantrell on lead guitar & vocals; Danny Florez on electric bass; Ashley Thompson on drums, Ernest Melton on saxophone; Ryan Davis on Trombone and rap vocals; Austin Quick on keyboards. The Phantastics specialize in genre-blending dance floor activators. In 2015, the music group was crowned “Kansas City’s best party band” by the Kansas City Star. Musicianship and diversity are at the core of their success. Rock, Rap, Dance, Funk, Jazz and Soul are all incorporated into their music. “The band that can do it all”, according to I Heart Local Music, has shared the stage with some of music’s most legendary acts including George Clinton and the Parliament Funkadelic.]

#35. David Byrne – American Utopia / Todomundo – Nonesuch / March 9, 2018
[David Byrne’s first solo studio album since 2004’s Grown Backwards. Even though since then he has released albums with Brian Eno, Fat Boy Slim, and St. Vincent. The album is his 11th outside of his work with talking Heads. The new album is one part of a larger multimedia project entitled Reasons to Be Cheerful which aims to give reasons for being happy and optimistic in spite of political strife and environmental problems. The project was entitled after the Ian Dury song “Reasons to Be Cheerful (Part 3)”. David Byrne writes: “Is this meant ironically? Is it a joke? Do I mean this seriously? In what way? Am I referring to the past or the future? Is it personal or political? These songs don’t describe an imaginary or possibly impossible place but rather attempt to depict the world we live in now. Many of us, I suspect, are not satisfied with that world—the world we have made for ourselves. We look around and we ask ourselves—well, does it have to be like this? Is there another way? These songs are about that looking and that asking. This album is indirectly about those aspirational impulses. Sometimes to describe is to reveal, to see other possibilities. To ask a question is to begin the process of looking for an answer. To be descriptive is also to be prescriptive, in a way. The act of asking is a big step. The songs are sincere—the title is not ironic. The title refers not to a specific utopia, but rather to our longing, frustration, aspirations, fears, and hopes regarding what could be possible, what else is possible. The description, the discontent and the desire—I have a feeling that is what these songs touch on. I have no prescriptions or surefire answers, but I sense that I am not the only one looking and asking, wondering and still holding onto some tiny bit of hope, unwilling to succumb entirely to despair or cynicism.”]

#36. Chris Hazelton’s Boogaloo 7 – The Basement Beat / Sunflower Soul / July 20, 2018
[Hammond organist Chris Hazelton and his large-group Boogaloo 7 pay homage to greats such as Lonnie Smith, Jimmy McGriff, Grant Green, and Lou Donaldson with their groove-centered brand of jazz, all the while pushing the genre forward with exciting new and original music. More info at: http://www.chrishazelton.com. Chris Hazelton on Hammond B-3 organ; Nick Howell on trumpet & tamborine; Nick Rowland on alto & tenor sax (tracks 1, 2, & 4); Zak Pischnotte on alto & tenor sax (tracks 3, 5, & 6); Brett Jackson on baritone sax; Matt Hopper on guitar; Danny Rojas on drums; and Pat Conway on congas (tracks 1-4, 6), bongos & cowbell (Track 5); Juan-Carlos Chaurand on congas (Track 5); John Kizilarmut on timbales & güiro (Track 5). Recorded live to 8-track analog tape, mixed, and produced by Chris Hazelton at the FORTRESS OF SOULITUDE. Mastered by Adam Boose at Cauliflower Audio. Pressed by Gotta Groove Records. Chris Hazelton’s Boogaloo 7 will be releasing a single 7″ called “100 Days, 100 Nights” also on July 20, but released on Lugnut Records as part of a tribute to Sharon Jones and The Dap Kings.]

#37. My Oh My! – The War Outside / My Oh My! / May 19, 2018
[My Oh My! is: Stephen Berry on guitars; Grant Buell on pianos, Organ, & Wurlitzer; Sarah Dolt, Stephanie Gaumé & Melissa Geffert on vocals; Jason Harper on bass guitar & tenor saxophone; Jacob Horpinjuk on drums & percussion; and A.M. Merker on lead vocals, guitar, and songwriting. Produced by My Oh My! and Joel Nanos, and recorded, engineered, and mixed by Joel Nanos at Element Recording Studios, and mastered by David Gaumé at Forest Sounds, North Hollywood, CA. More info at: http://www.myohmykc.com]

#38. Hi-Lux – Hi-Lux EP / Hi-Lux / February 1, 2018
[HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in KC. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.hi-lux.bandcamp.com]

#39. Eems – Dreems / Phillip Jackson / June 26, 2018
[Eems is Phillip Jackson, a KC based ukulele loop artist, singer songwriter, rapper, pianist, drummer, The resonance of his bright musical sounds, and lyrical calls, are woven through genres of folk, hip hop, pop, and dance influences. He has shared the stage with notable hop hop artists, and KC Folk Music Fest, Middle of The Map Fest.]

#40. Of Tree – How Does It Feel / Of Tree / October 12, 2018
[Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on percussion & sub-bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.” Of Tree began in 2009 and has taken many forms as it has evolved over time, including a full 5 piece folk band and, at one time, a classical trio backing Parks’ voice and guitar. Of Tree launched a Kickstarter Campaign to help record their new album and release their music on vinyl. Of Tree have been actively writing music for this project since the summer of 2016. Laurel writes “As a married couple its been quite a road for us to be able work through music together without taking things too personally (as people in relationships tend to do), but the magic happened last summer when music started pouring out of us and we were able just allow it to happen. Both of us come from fairly strict religious backgrounds and a lot of our lyrics have to do with healing from those experiences. We also deal with themes of finding new footing in life, moving beyond the past and letting go. Really this album is all about healing on a very personal level.” Laurel writes that she is, “very interested in pushing the boundaries of what instrumentation I can marry to my classical violin training. I have been cross pollinating between electronic music I write on the computer using midi inputs with melodies I write on my violin. I enjoy putting a techno beat behind a folk instrument such as the Kalimba or chime and then morphing that into a journey of layered strings and melodic hooks. I am always interested in melody over lyrics. A lot of the music I wrote for this album is inspired from studying folk traditions such as Celtic fiddling, thematic movie music and Peruvian icaros. ” John Bersuch, has been playing with Of Tree since November of 2016. He adds tasteful beats and enjoys thinking outside the box. He once brought a tree to an “Of Tree” show and played it as a percussive instrument. Ben Parks is a visual artist who also plays in the band Slights with Matthew Dunehoo. Laurel Parks also plays in The Wires, John Bersuch is in Bacon Shoe, RLT, and many others.]

#41. Sara Morgan – Average Jane / River Delta Records / January 26, 2018
[KC based Singer/Songwriter, originally from McGehee, Arkansas. Sara Morgan plays saxophone, guitar, banjo, ukulele, and piano. Sara has opened for BJ Thomas, John Michael Montgomery, John Corbett, Sean Rowe, Chuck Mead, Ben Taylor, and was the preshow before Loretta Lynn at The Uptown, November 2014. Ms. Lynn hosted Sara on her tour bus after Sara’s set and prior to Ms. Lynn’s performance.]

#42. Dragon Inn 3 – Double Line / American Laundromat Records / Aug. 17, 2018
[Kansas City based nad formed in 2012 with Grace Bentley, Sharon Bowie, Philip K. Dickey, E.P. Marcus. Dragon Inn 3’s debut LP clocks in at 28 minutes, but the band spent six years whittling away on the songs that would eventually become Double Line. Combining sugary pop hooks, hypnotic beats, and huge MOOG synths, Dragon Inn 3’s playful take on 80s pop could double as the soundtrack to a John Hughes movie (if John Hughes directed Blade Runner). The cinematic origins of Dragon Inn 3 can be traced back to 2012, when Philip Dickey (leader of the indie-pop group Someone Still Loves You Boris Yeltsin) wrote a theme song for the award-winning short film Ghoul School. “If you watch the trailer you can tell it’s the same premise and look as Stranger Things–we just accidentally made it three years before them,” Dickey says. “I had so much fun making the soundtrack with the director (E.P. Marcus) that we decided to start a band.” Dickey recruited his sister, Sharon Bowie, an occupational therapist, and his wife, children’s librarian Grace Bentley, to help with songwriting and vocal duties. The group self-released the Ghoul School Soundtrack EP in late 2012, receiving high praise from Consequence of Sound, Philadelphia’s WXPN, and The Riverfront Times, before climbing to #1 on Bandcamp’s cassette charts. Then it was back to the studio (i.e. the bedrooms, kitchens, garages, and hotel rooms that doubled as makeshift recording studios). In between full-time jobs, parenthood, graduate school classes, and cross country moves, the members of Dragon Inn 3 put Double Line to tape. “I’m a stay-at-home dad now, so I would work on song arrangements and rough mixes when our toddler was taking his naps,” explains Dickey. “Grace would come home from work and record all her parts after his bedtime. We recorded all the breathy vocals in the living room and all the yelly parts in the garage so we wouldn’t wake him up.” The result is a highly addictive album that creates “a soundtrack for the more introspective moments on and off the dance floor,” according to critic David Greenwald. Opening track “What Kind Of World Are You Living In” plays like Blondie if the band hired Hall and Oates to record guitars. The album takes an intimate turn with “Bad Boy,” Bowie’s dreamy “Rocket Launcher,” and Bentley’s introspective cover of Robin Gibb’s “Juliet.” “3 Minute Mile” swoons with arpeggios and a hypnotic MOOG bass, while Bentley softly repeats the phrase “desperation/bad desire.” Then there are Italo-disco tinged tracks “Backstabber” and “Club Sauce,” with sing-songy pop hooks that harken back to Madonna and Whitney Houston’s greatest hits. “Double Line Theme” and “Murder In The Third” show off DI3’s soundtrack aspirations, and sound like lost Tangerine Dream and Giorgio Moroder B-sides. “Up In The Business” provides indelible synth hooks and a triumphant ending to Double Line. With members spread out over the country (KC, LA, and Springfield, MO), the group signed to American Laundromat Records in early 2018. A demo of “Bad Boy” (co-written with Free Energy’s Paul Sprangers) landed in a commercial for Ryan Adams’ Beats 1 Radio show before the song was even completed.]

#43. Lucy Dacus – Historian / Matador / March 2, 2018
[Lucy Dacus was born 1995 and grew up in Richmond, Virginia . She is an indie rock singer-songwriter who has has released two albums, both on Matador Records: 2016’s No Burden and 2018’s Historian. She started studying film at Virginia Commonwealth University but left to pursue her music career. She first performed in New York in March 2015. Sasha Gessen in Pitchfork wrote about Historian: ” It’s not an easy album to wear out. It lasts, and it should, given that so many of its lyrics pick at time, and the way time condenses around deep emotional attachments to other people.”

#44. FACEFACE – MMmm / FACEFACE / February 15, 2018
[KC based experimental electronic hiphop musical collaboration with.Ryan Lee Toms is a Kansas City based multi-instumentalist, composer and artist who has recorded original experimental dance electronic music as RLT with John Bersuch. Ryan also plays guitar with the math rock band HMPH! and he plays drums for the Kansas City based, 5-piece post-punk deathrock band Beelzebabes. All the while Ryan has also been nurturing a fourth collaboration called FACEFACE, an experimental electronic hiphop musical collaboration with Paul S. Nyakatura, is a Kansas City based award winning voiceover artist, stand up comedian, commercial producer, and rapper and hip hop artist. Paul is the voice of FACEFACE and featured in the FACEFACE video for their new song, “We Awesome,” all shot in one take from Celestial Pictures.]

#45. Soccer Mommy – Clean / Fat Possum Records / March 2, 2018
[Soccer Mommy is the stage name of bedroom pop and indie rock musician Sophie Allison. Allison was born in Switzerland and grew up in Nashville, TN. She attended Nashville School of the Arts, a speciality high school where she studied guitar and played in the swing band. She first picked up a guitar at age 6, which prompted her to start making music. She began posting home-recorded songs to Bandcamp as Soccer Mommy in 2015, during the summer when she was about to leave for college at New York University, where she studied music business. While in college, she played her first show as Soccer Mommy at the community art space Silent Barn in Bushwick, Brooklyn, and shortly after landed a record deal with Fat Possum.She dropped out after a year in 2017 to return to Nashville and pursue her music career. Since beginning her career as Soccer Mommy, Allison has released two full-length albums. Her first, For Young Hearts, was released in 2016 on Orchid Tapes. Her second album, Collection, was released in 2017 on Fat Possum Records. Her debut album proper, titled Clean, was released on March 2, 2018. She has toured with Mitski, Jay Som, Slowdive, Frankie Cosmos, Phoebe Bridgers and others]

#46. Vigil & Thieves – Make Sure They Hear You / Vigil & Thieves / August 24, 2018
[Kansas City based 4-piece band with Sarah Storm on vocals, guitar, & keyboards; Steph Castor on guitar; Matthew Muckenthaler on bass, and Andrew Flaherty on drums.]

#47. The Get Up Kids – Kicker EP / Polyvinyl Record Co / June 8, 2018
[Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. On March 29, 2018, Polyvinyl Records announced on their Instagram account that they had signed the band and that new music will be coming soon. The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records. While the imprint was started to release albums by The Get Up Kids, it served as a launching pad for several side-projects such as The New Amsterdams and Reggie and the Full Effect. The Get Up Kids were viewed throughout their existence as a prototypical emo band, having been major players in the Midwest emo movement of the mid-1990s. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. However, like many early emo bands, The Get Up Kids sought to dissociate themselves with the term, as it was considered dismissive to be seen as an “emo band.”[8] The band departed heavily from their established style with the release of their 2002 album On a Wire, which saw the band take on a much more layered, alternative rock sound. Years later, guitarist Jim Suptic even apologized for having the influence they did on many of the modern third-wave emo bands, commenting that “[t]he punk scene we came out of and the punk scene now are completely different. It’s like glam rock now … If this is the world we helped create, then I apologize.” Due to internal conflicts, the band broke up in 2005. Three years later, the band reunited to support the tenth anniversary re-release of Something to Write Home About, and soon afterward entered the studio to write new material. In early 2010, the band released Simple Science, their first release in six years, followed in 2011 by the full-length There Are Rules. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams.]

#48. Amanda Fish – Free / VizzTone / September 14, 2018
[Amanda Fish began as a singer songwriter in late 2012, refining her original material as a solo act for 2 years before she formed her band in early 2014, a Roots Rock and Soul project featuring Amanda’s signature ‘from-the-gut’ vocals locked into a sturdy groove. In 2015, she released her first LP, “Down In The Dirt”, on VizzTone Label Group, for which she was awarded the 2016 “Sean Costello Rising Star” Blues Blast Music Award. Amanda and her band set Beale Street on fire in the 2017 International Blues Challenge Semi Finals, playing new material slated for her next release.]

#49. First Aid Kit – Ruins / Columbia / January 19, 2018
[4th full length album from Swedish folk duo of sisters: Klara (vocals/guitar) and Johanna Söderberg (vocals/keyboards/Autoharp/bass guitar). When performing live, the duo are accompanied by a drummer, a pedal steel guitarist and recently a keyboard player. They have now released four albums, two EPs and a handful of singles. In 2015 they were nominated for a Brit Award as one of the 5 best international groups. Sisters Johanna & Klara Söderberg are from Enskede, in the outskirts of Stockholm. Johanna was born Oct 31, 1990 and Klara on Jan 8, 1993. Their father was a member of the Swedish rock band Lolita Pop but he quit before Johanna was born and later became a teacher of history & religion. Their mother is a teacher of cinematography. From childhood, Klara & Johanna were eager singers by giving concerts using a jump rope as a pretend microphone. Klara’s first favorite songs were Judy Garland’s songs from The Wizard of Oz and Billie Holiday’s version of Gloomy Sunday, that she sang without much understanding of the English lyrics. Klara wrote her first song “Femton mil i min Barbiebil” when she was six. They both attended the International English school of Enskede. Klara applied for admission to a music school but she was not accepted. In 2005 when Klara was 12, a friend introduced her to the band Bright Eyes. This led her to country music stars such as Johnny Cash, Bob Dylan, Leonard Cohen, Carter family, Louvin Brothers, Townes Van Zandt, Gram Parsons and Emmylou Harris. The same year she received a guitar as a Christmas present and quickly learned to play it. Johanna enjoyed a wide range of music from Britney Spears to German Techno. However, it wasn’t until watching the film O Brother, Where Art Thou? and listening to the film’s soundtrack that she was inspired to sing “Down to the River to Pray” with sister, Klara. Fascinated by the result they started to sing together at home and then as street singers, in the Stockholm metro and in front of liquor stores. They came up with the name for their band simply by randomly opening a dictionary.Klara and Johanna also started to write and compose their own country-folk songs inspired by Devendra Banhart and CocoRosie, among others, without much influence from their parents who were more fond of Patti Smith, Velvet Underground and Pixies. Their father confessed later in a Swedish radio program that he was astonished and actually a little jealous of the ease his daughters had in producing top-notch music. The most important advice their father gave to them was to sing so loud that even somebody behind the wall could hear it.]

#50. Fantastic Negrito – Please Don’t Be Dead / Cooking Vinyl / June 15, 2018
[Nominated for a Grammy Award for Best Contemporary Blues Album. Fantastic Negrito was raised in an orthodox Muslim household. His father was a Somali-Caribbean immigrant who mostly played traditional African music. When, at the age of 12, Negrito’s family moved from Massachusetts to Oakland, California. Oakland in 1970s was a million miles from Negrito’s conservative childhood. He went from Arab chants to Funkadelic in one day. By the time he was 20, Negrito had taught himself to play every instrument he could get his hands on. He was recording music, and after some difficulties on the streets he packed his bags and headed to LA, armed with a demo on cassette. Negrito signed with a million dollar deal at Interscope. The record deal was a disaster. Gangsta rap was ruling the airwaves and Negrito was in the wrong place at the wrong era. Negrito came out of the deal with a failed album and his confidence gutted. In 2000, Negrito was in a near fatal car accident that put him in a coma. For four weeks it was touch and go. Because his muscles atrophied while bedridden, he had to go through months of frustrating physical therapy to regain use of his legs. Rods were placed throughout his body. And worst of all, his playing hand was mutilated. Back in Oakland, Negrito forgot about life as a musician. He got married, he planted vegetables, raised his own chickens, and made money growing weed. He also settled into being a man, on his own, clear of the distractions of wanting to be a star. And then his son Kyu was born. He began recording without the hindrances that come with chasing trends. Negrito turned to the original DNA of all American music, the Blues. The beating life had given him primed him to channel his literal and musical forefathers: the Blues musicians of the Delta]

#51. Scruffy & the Janitors – Modeling Is Hard / This Tall Records / March 2, 2018
[Saint Joseph, MO based trio formed by Steven Foster on vocals & bass, Teriq Newton on guitar & vocals, and Trevin Newton on drums. Scruffy & The Janitors have been described as creating working-class punk and catchy alt-rock. Scruffy & The Janitors have played at: SXSW, Middle Of the Map Fest, NXNE, and Lawrence Field Day Fest. They have also opened for:KONGOS, Kitten, J. Roddy Walston & the Business, Brick + Mortar, Radkey, Cheap Girls, Skaters, Bass Drum Of Death, Your Friend, Rev Gusto, and Dreamgirl.]

#52. Second Hand King – Frankie / Second Hand King / June 9, 2018
[KC based Joe Stanziola records as Second Hand King. His name was derived from a 1966 Doo Wop song known as, “The Joker Went Wild” by Brian Hyland. Joe has released five previous albums: All My Fears (2012), The Lower Depths (2013), Chuck (2014), Before The Bomb Drops (2015), and Almost Blue (2016).]

#53. Angélique Kidjo – Remain In Light / Kravenworks / June 8, 2018
[Angélique Kidjo has partnered with producer Jeff Bhasker (Rihanna, Kanye West, Harry Styles, Bruno Mars, Drake, Jay-Z) to create Remain In Light – a new project that finds the Benin-born artist reclaiming rock for Africa, bringing Talking Heads’ landmark 1980 album full circle. The record is a track-by-track re-imagination of the original, considered to be one of the greatest albums of the ’80s and deeply influenced by music from West Africa, notably Fela Kuti’s afrobeat. With her version of Remain In Light, Angélique celebrates the genius of Talking Heads, Brian Eno and the touchstones that made the original so revered and injects it with her euphoric singing, explosive percussion, horn orchestrations, and select lyrics performed in languages from her home country. Remain In Light features appearances by Ezra Koenig of Vampire Weekend, Blood Orange, Tony Allen, Antibalas Horns, Angélique’s longtime guitarist Dominic James, and Magatte Sow (percussionist for the ‘Black Panther’ film score). On May 5, 2017, Kidjo presented her “Remain In Light” concert at Carnegie Hall. Her sold out performance was a reinvention of the iconic album by the rock band Talking Heads. The concert included special guest Nona Hendryx, Lionel Loueke, Antibalas, Jason Lindner and an unplanned duet with David Byrne on the song “Once In A Lifetime”. Angélique Kpasseloko Hinto Hounsinou Kandjo Manta Zogbin Kidjo, known as Angélique Kidjo (born July 14, 1960), is a Grammy Award-winning Beninese singer-songwriter, actress and activist, noted for her diverse musical influences and creative music videos. Time magazine has called her “Africa’s premier diva”. The BBC included Kidjo in its list of the African continent’s 50 most iconic figures. The Guardian has listed her as one of its Top 100 Most Inspiring Women in the World and Kidjo is the first woman to be listed among “The 40 Most Powerful Celebrities In Africa” by Forbes magazine. The Daily Telegraph in London described her as “The undisputed queen of African music” during the 2012 Olympic Games River of Music Festival. In March 2013, NPR, National Public Radio in America, called her “Africa’s greatest living diva”. Kidjo is listed among the “2014 Most Influential Africans” by New African magazine and Jeune Afrique. Forbes Afrique put Kidjo on the cover of their “100 most influential women” issue in 2015. On June 6, 2013, Kidjo was elected vice-president of the Confédération Internationale des Sociétés d´Auteurs et Compositeurs (CISAC). She now resides in New York City, where she is an occasional contributor to the New York Times. Kidjo has received Honorary Doctorates from Yale University, Berklee College of Music and Middlebury College. She is the 2018 Harvard University Jazz Master In Residence. Her musical influences include the Afropop, Caribbean zouk, Congolese rumba, jazz, gospel, and Latin styles; as well as her childhood idols Bella Bellow, James Brown, Nina Simone, Aretha Franklin, Miriam Makeba and Carlos Santana. She has recorded George Gershwin’s “Summertime”, Ravel’s Boléro, Jimi Hendrix’s “Voodoo Child” and the Rolling Stones’ “Gimme Shelter”, and has collaborated with Dave Matthews and the Dave Matthews Band, Kelly Price, Alicia Keys, Branford Marsalis, Ziggy Marley, Philip Glass, Peter Gabriel, Bono, Carlos Santana, John Legend, Herbie Hancock, Josh Groban, Dr John, the Kronos Quartet and Cassandra Wilson. Kidjo’s hit songs include “Agolo”, “We We”, “Adouma”, “Wombo Lombo”, “Afirika”, “Batonga”, and her version of “Malaika”. Her album Logozo is ranked number 37 in the Greatest Dance Albums of All Time list compiled by Vice Magazine’s Thump web site. Kidjo is fluent in 5 languages: Fon, French, Yorùbá, Gen (Mina), and English. She sings in all of them, and she also has her own personal language, which includes words that serve as song titles such as “Batonga.” “Malaika” is a song sung in the Swahili language. Kidjo often utilizes Benin’s traditional Zilin vocal technique and jazz vocalese. Kidjo is the recipient of the 2015 Crystal Award given by the World Economic Forum of Davos in Switzerland and has received the Ambassador Of Conscience Award from Amnesty International in 2016 She also is included in the exhibits at the National Museum of African American History that officially opened on Sept. 24, 2016 on the National Mall.]

#54. Mary Gauthier – Rifles and Rosary Beads / In The Black / Jan. 26, 2018
[Nominated for a Grammy Award for Best Folk Album. Brand new collection of songs by Mary Gauthier, co-written with U.S. veterans and their families, through Songwriting With Soldiers, a non-profit organization that pairs US veterans with professional songwriters. These songs are a glimpse inside the hearts and souls of both male and female soldiers, and their spouses. From Pop Matters: “SongwritingWith:Soldiers is an organization founded by songwriter Darden Smith that holds retreats pairing wounded veterans with established songwriters to help them to find a voice to express their experiences and through their sharing work towards emotional and spiritual healing. Songwriters who have participated in the program include Beth Nielsen Chapman, Marshall Crenshaw, Radney Foster, and Amy Speace, and some of the songs produced have been recorded by major country artists including Willie Nelson, Trisha Yearwood, Luke Bryan, and Garth Brooks. Mary Gauthier is a natural to serve as a contributor to this cause, her powerful autobiographical songwriting on past records addressing such topics as addiction, abandonment, and the search for meaning amidst pain. Turning her empathetic ear to the plights of others, she guides a group of veterans and their families through the composition of 11 highly effective and affecting songs. Of the experience, Gauthier writes “None of the veterans are artists. They don’t write songs; they don’t know that songs can be used to move trauma. Their understanding of song doesn’t include that. For me, it’s been the whole damn deal. Songwriting saved me. It’s what I think the best songs do, help articulate the ineffable, make the invisible visible, creating resonance, so that people (including the songwriter) don’t feel alone.” Gauthier was born in New Orleans, Louisiana. Born to a mother she never knew and left in St Vincent’s Women and Infants Asylum, Gauthier was adopted when she was a year old by an Italian Catholic couple from Thibodaux, Louisiana. At age 15, she ran away from home, and spent the next several years in drug rehabilitation, halfway houses, and living with friends; she spent her 18th birthday in a jail cell. Struggling to deal with being adopted, she used drugs and alcohol. These experiences provided fodder for her songwriting later on. Spurred on by friends, she enrolled at Louisiana State University as a philosophy major, dropping out during her senior year. After attending the Cambridge School of Culinary Arts, she opened a Cajun restaurant in Boston’s Back Bay neighborhood, Dixie Kitchen (also the title of her first album). Mary ran, and cooked at, the restaurant for eleven years. She was arrested for drunk driving opening night, July 12, 1990, and has been sober ever since. After achieving sobriety, she was driven to dedicate herself full-time to songwriting, and embarked upon a career in music. She wrote her first song at age 35. She sold her share in the restaurant to finance her second album, Drag Queens in Limousines, in 1998. The summer of the release of this album, she was invited to play 11 major folk festivals, including the Newport Folk Festival. Drag Queens in Limousines won in The 1st Annual Independent Music Awards for Folk/Singer-Songwriter Song, and she was nominated for Best New Artist of the year by the Boston Music Awards. She was nominated for three Gay and Lesbian American Music Awards (GLAMA) and won best country artist of the year. In 2002 her third album, Filth and Fire, was named “Best Indy CD of the year” by Jon Pareles of The New York Times. She moved to Nashville, Tennessee in 2001 and secured a publishing deal with Harlan Howard Songs, then secured a record deal with Lost Highway, a division of Universal Music, in 2003. Her first major label release, in 2005, Mercy Now was on the top 10 list for the year in dozens of publications, including NY Times, LA Times, Daily News, and Billboard Magazine.]

#55. Kian Byrne – Up & Down / Kian Bryne / July 11, 2018
[Kian Byrne is a Kansas City based multi-instrumentalist. He plays drums in The Elders, and drums for Hi-Lüx, and bass for The New Riddim, and for YUM. You can learn more at: kianbyrnemusic.com]

#56. Yo La Tengo – There’s a Riot Going On / Matador Records / March 16, 2018
[15th album from band formed in Hoboken, New Jersey in 1984. Since 1992, the lineup has consisted of Ira Kaplan (guitars, piano, vocals), Georgia Hubley (drums, piano, vocals), and James McNew (bass, vocals). In 2015, original guitarist Dave Schramm rejoined the band and appears on their f14th album, Stuff Like That There. Despite achieving limited mainstream success, Yo La Tengo has been called “the quintessential critics’ band” and maintains a strong cult following. They chose the name “Yo La Tengo” (Spanish for “I have it”; or referring to a female-gender object or person, also “I’ve Got Her”) in an effort to avoid any connotations in English. The name came from a baseball anecdote. During the 1962 season, New York Mets center fielder Richie Ashburn and Venezuelan shortstop Elio Chacón found themselves colliding in the outfield. When Ashburn went for a catch, he would scream, “I got it! I got it!” only to run into Chacón, who spoke only Spanish. Ashburn learned to yell, “¡Yo la tengo! ¡Yo la tengo!” instead. In a later game, Ashburn happily saw Chacón backing off. He relaxed, positioned himself to catch the ball, and was instead run over by left fielder Frank Thomas, who understood no Spanish and had missed a team meeting that proposed using the words “¡Yo la tengo!” as a way to avoid outfield collisions. After getting up, Thomas asked Ashburn, “What the hell is a Yellow Tango?”]

#57. Kississippi – Sunset Blush / Bug Crusher Records / April 6, 2018
[Debut full length album from Philadelphia based indie folk band fronted by Zoe Allaire Reynolds (with Adam DaSilva, Jeremy Probst, Allegra Eidinger (They/Them), and Kaylen Alan Krebsbach.]

#58. Gully Boys – Not So Brave / Gully Boys / August 12, 2018
[Minneapolis, Minnesota based three piece all female band, with Kaytee Callahan on vocals & guitar, Natalie Klemond on bass/ & vocals, and Jazmyne McGill ~on drums & vocals. All songs written and performed by Kathy Callahan, Nadirah McGill, and Natalie Klemond. Recorded and mixed by Nick Tveitbakk at Pachyderm Studio. Mastered by Bruce Templeton. More info at http://www..gullyboys.bandcamp.com]

#59. The Big Iron – The Big Iron / The Big Iron / April 27, 2018
[The band’s 4th full-length was produced, mixed and mastered by Duane Trower at Weights and Measures Soundlab. http://www.wmsoundlab.com Album cover and photos by Todd Zimmer. All songs by The Big Iron. It’s the band’s follow-up to 2014’s “We Will Fall”, 2008’s “Thanks for the Therapy,” and their 2001 debut recording, “Bury My Mistakes.” Ricky Reyes on guitar; Jon Paul on drums; Jeff Pendergraft on vocals, and Mike Farren on bass. More info at: thebigiron.bandcamp.com/]

#60. Serene Fiend – Sowing Discord / DK Records / July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.”]

#61. Khrystal. – The Awkward Muva / Khrystal. / July 13, 2018
[Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. You can hear her debut album at; http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017.]

#62. Salty – Dry Rub / Independent / November 21, 2018
[Salty was formerly know as Lil Toughies. Formed in early 2016. The current lineup includes: Jonathan Brokaw (JB) on guitar and vocals, Zach Turner on synthesizers, Ethan Eckert on drums, and Jesslay Huh on bass. More info at http://www.saltykcmo.bandcamp.com or http://www.saltyisthebest.com]

#63. Blue False Indigo – More Light / Blue False Indigo / September 7, 2018
[They call their music “Spooky-Folk.” Makayla Scott on vocals & guitar; A.J Reynolds on vocals & keys; and Kara LePage on vocals & bass started the band in October 2013, in Springfield, Missouri.]

#64. Thee Devotion – Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

#65. Christine and The Queens – Chris / Because Music / September 21, 2018
[Chris is the second studio album by French singer Christine and the Queens, released in both English and French versions through Because Music. It was preceded by the release of two singles, each of which were released in both English and French versions: “Girlfriend” / “Damn, dis-moi”, featuring Dâm-Funk, and “Doesn’t Matter” / “Doesn’t Matter (Voleur de soleil)”. An English-language single, “5 Dollars”, was also released alongside an S&M-inspired video, followed by the French version of “La Marcheuse”. Héloïse Letissier (born 1 June 1988), known professionally as Christine and the Queens (or, as of 2017, simply Chris), is a French singer, songwriter and producer. Born in Nantes, France, Letissier studied theatre before forming her solo musical group Christine and the Queens. Letissier has been signed to the independent record label Because Music since 2012. Her work combines music, performance, art videos, drawings and photography.]

#66. The Project H – Everyday, Forever/ The Project H / March 23, 2018
[This is the fourth album from the collective that includes: Clint Ashlock – trumpet, Ryan Heinlein – trombone, Brett Jackson – woodwinds, Matt Leifer – drums, Andrew Ouellette – keys, Dominique Sanders – bass, Jeff Stocks- guitars. The Project H were winners of the 2014 Pitch Music Award for Best Jazz Ensemble.]

#67. No Magic – In Cocoon / French Exit Records / November 9, 2018
[All songs written by Ben Sauder. Produced by Joel Martin. Mixed by Joel Martin and Ben Sauder. Mastered by Steve Squire. No Magic is Ben Sauder on guitars, keys, stairs, vocals, & auxiliary; Joel Martin on guitars, basses, keys, drums, vocals, patience; Heidi Gluck on bass, acoustic guitars, piano, slide guitar, vocals; and Jeff Stolz on drums and modelos. With: Leslie Butsch – Saxophone on “Backspin” and “San Francisco”. Kyle “Strings” Stringer – Bass on “While I Got You” and “Apart”. Brother Bobby Sauder – Bass on “Firefly”. Nicholas Stahl – Drums on “While I Got You”. Chris Luxem – Chorus Chant Vocals on “Smoke”. Garrett Marsh – Acoustic riff on “San Francisco”. Design and layout – Carl Smith. Cover photo – Ga Ji Ashlin Wang. Inside photo – Austin Pulliam.]

#68. They Call Me Sauce – Soul Food 4 / Sauce / November 21, 2018
[Kansas City based Hip-Hop artist Sauce is back with his 4th original release. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts. Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur. Sauce has collaborated with visual artists, the hip hop community and with the collective NUBLVCKCITY. Last year Sauce released his EP Summer Sauce which was part of WMM’s 117 Best Recordings of 2017. Throughout November and December he will be touring midwestern and southern cities with Mae C., Kartez Marcel, VP3, and Kadesh Flow. More info at: http://www.soundcloud.com/theycallmesauce%5D

#69. Heidi Phillips & Danny Krause – Honest I’m Fine / Heidi Phillips / June 23, 2018
[Heidi Phillips on vocals, guitar, mandolin, & drums; Danny Krause on vocals, guitar, mandolin, & bass; Zeke Krause on percussion; and Linn Buck on piano. Heidi and Danny played together in the short lived band Abileen who released a great album and broke up just as the album was being released. Before that Heidi was the co-songwriter for the alternative rock band Frogpond that she formed in 1994. Frogpond achieved considerable success and was signed to Tristar Music and Columbia Records. Through a few line up changes the band included Heidi Phillips, Justine Volpe, Krisite Stremel, Megan Hamilton, Tawni Freeland and Billy Johnson who played drums on all of their recordings and who passed away on Feb 14, 2018 at the age of 42.]

#70. The Matchsellers – BLUEGRASTRONAUTS / The Matchsellers / March 16, 2018
[3rd full length release from classically trained violinist Julie Bates from Kansas City, and a Chicago blues guitarist from Warsaw, Indiana, Andrew Morris. The Matchsellers have traveled the US and Europe developing their brand of off the wall bluegrass & old-time music. In 2017 they began collaborating with two of the Midwest’s finest musicians, Chad Graves a dobro player that has been featured in Rolling Stone and The Bluegrass Situation, and Betsey Beymer a much sought after bassist from Lakin, KS.]

#71. HighWesthus – TAKOTSUBO: a love story / Datura Records / Oct. 24, 2018
[Written and produced and performed by HighWesthuss. HighWesthus was born in Chicago and is based in Kansas City. Last year Datura Records released The Trilogy. A set pf three releases that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. HighWesthus is a freelance multimedia artist living in Kansas City. He graduated from the Kansas City Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illistration, animation, graphic design, dideo editing, sound editing, music producing, writng anf storytelling.]

#72. St. Vincent – MassEducation / Loma Vist-Concord Music / October 12, 2018
[“MassEducation” a brand new acoustic rendition of her previous album Masseduction, Clark’s fifth studio album, was released in October 2017. Pitchfork writes: “Recorded over two days at Manhattan’s Reservoir Studios studios, MassEducation strips its hypersexual, neon-clad predecessor for parts, exposing its songs as tales of longing and nostalgia. Clark seemed to always know that her record contained two lives: “This needs to be something people can really dance to,” she said of a song on her last album, “until they listen to the words and then they’re crying.” Hiding melancholy behind pop production is nothing new, but on an album so saturated with sadness, these pared-down renderings give Clark a chance to indulge in their underlying sentiments.” Anne Erin Clark was born September 28, 1982, in Tulsa Oklahoma. She is known professionally as St. Vincent, a musician, singer-songwriter, multi-instrumentalist and record producer. After studying at Berklee College of Music for three years, she began her music career as a member of The Polyphonic Spree. Clark was also a member of Sufjan Stevens’s touring band before forming her own band in 2006. St. Vincent’s work has received consistent praise for its distinct musical style, which blends soft rock, experimental rock, electropop, and jazz influences. Her debut album was Marry Me (2007), followed by Actor (2009), Strange Mercy (2011), St. Vincent (2014), and Masseduction (2017). She released a collaborative album with David Byrne in 2012 titled Love This Giant. Clark also contributed backing vocals for Swans on their 2014 album, To Be Kind. Her fourth solo album, the eponymous St. Vincent, was named album of the year by The Guardian, Entertainment Weekly, NME, and Slant Magazine, as well as second best album of the year by Time magazine. The album won her a Grammy for Best Alternative Album, her first Grammy award. She was the first solo female performer in 20 years to win a Grammy in that category.]

#73. The Beths – Future Me Hates Me / Carpark Records / August 10, 2018
[The Beths are from Auckland, New Zealand. Elizabeth Stokes on lead vocals & guitar, Jonathan Pearce on guitar & vocals, Benjamin Sinclair on bass & vocals, Ivan Luketina-Johnston on drums & vocals. Their debut album on Carpark Records. Elizabeth Stokes previously worked in a folk band. “Fronting this kind of band was a new experience for me,” says Stokes. “I never thought I had the right voice for it.” All four members of The Beths studied jazz at university, resulting in a toolkit of deft instrumental chops and tricked-out arrangements that operate on a level rarely found in guitar-pop. Beths guitarist and studio guru Jonathan Pearce (whose other acts as producer include recent Captured Tracks signing Wax Chattels) brings it all home with an approach that’s equal parts seasoned perfectionist and D.I.Y. Channeling their stew of personal-canon heroes while drawing inspiration from contemporaries like Alvvays and Courtney Barnett, The Beths serve up deeply emotional lyrics packaged within heavenly sounds that delight in probing the limits of the pop form. “That’s another New Zealand thing,” Stokes concludes with a laugh. “We’re putting our hearts on our sleeves—and then apologizing for it.”]

#74. Stephonne – Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Benedictine College and his Masters in Entertainment Business from Full Sail University.]

#75. The Fey – Strawberry Lemonade EP / The Record Machine / July 13, 2018
[The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, “Don’t let The Fey’s new EP title Strawberry Lemonade fool you; this record is no light beach drink. Rather, it’s a cocktail of the molotov variety, the kind you’ll want to toss into the middle of your ‘songs that rock’ summer playlist. From the opening salvos of ‘Contender’, to the slow burn of ‘Bones Underwater’, to the final soothing swells of ‘The Cool’, Strawberry Lemonade is a masterclass in modern songwriting, arrangement, instrumentation, and production.” Music arranged and composed by Zach Watkins. Lyrics written by Zach Watkins and Ishma Valenti. The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

#76. Dreamgirl – Dreamgirl / Dreamgirl /January 1, 2018
[Originally formed in 2013, in St. Joe Missouri by members who play with ‘60s-inspired psychedelic & surf rock.The band’s 2015 EP Illuminaughty was self-produced, and recorded over two days, at the home of Austin Marks. The band released their full length album, Dreamgirl on January 1, 2018 Engineered by Sam Stephan and Co-Engineered by Ian Dobyns and Mastered by David Gaumé at Forest Sounds, North Hollywood, CA. The current line-up includes: Lacey Hopkins on lead vocals, Austin Marks on guitar & backing vocals, Sam Stephen on keyboards, Ian Dobyns on drums, Chase Horseman on bass.]

#77. Jake Wells – Orange and Blue – EP / Sound 81 Productions / May 17, 2018
[Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 22 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations.]

#78. Daisy Buckët – Pansy / Independent / July 25, 2017
[Executive Producer: Spencer Brown & Amy Hull. Co-Producer: Michael Wood. Album Concept & Design: Brandon Shelton. Photography: Vixen Pin-Up Photography. All tracks recorded at Sound 81 Productions, Kansas City, Missouri. Mixing & Engineering: Justin Wilson. The album of 10 tracks include five tracks recorded with Jeff Freling of Victor & Penny with Erin McGrane and the Loose Change Orchestra. There are also two tracks recorded with the KC psychedelic glam rock band The Philistines, with Kimmie Queen, Cody Wyoming on backing vocals, Cody Wyoming on guitar, Steve Gardels on drums, Rod Peal on guitar, Josh Mobley on piano, Barry Kidd on bass. There are two original songs written for this album. This past year Daisy has performed with the Sacramento Gay Men’s Chorus, shows in Ohio, Connecticut, and New York at the historic Duplex Cabaret, and Puerto Vallarta, Mexico. Spencer Brown is a professional actor, singer, spokesmodel, super hero, and has appeared at The Unicorn Theatre, Late Night Theatre, The KC Fringe, Union Station, The Folly Theatre, Off Center Theatre, Just Off Broadway Theatre. Since 2008 Spencer has toured internationally and recorded several albums as a member of the acclaimed The Kinsey Sicks, America’s Favorite Dragapella Beautyshop Quartet. Most recently they were seen on Watch What Happens Live! With Andy Cohen.]

#79. Yanna the Supa Flowa – The Supa Flowa EP / R.I.O.T. LLC / May 4, 2018
[Formerly KC based Supa Flowa, aka Yanna, is a multi-media artist and rapper. The Supa Flowa Ep is a very vulnerable, yet an uplifting play on Yanna’s experience in dealing with anxiety, self doubt, and becoming comfortable with the androgynous, “sunflower dyke” that she is. Her goal is to reach out to queer & LGBTQIA youth; who have endured similar experiences to hers, in finding and cultivating self love and peace of mind.]

#80. Duncan Burnett – The Almighty EP / R.I.O.T LLC / May 4, 2018
[Olathe, Kansas based hip hop artist, singer, songwriter, producer, musician, drummer. From Tim Finn’s Back To Rockville(KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind. The first: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. A trained drummer and percussionist, Burnett, 26, has been performing live since he was 7 years old. Live music, he said, is in his blood.]

#81. Doby Watson – Family Mattress Deluxe / Error Records / February 23, 2018
[Family Mattress Deluxe, a collection of songs written by Doby and co-produced with Zack Hames. Songs written by Doby Watson featuring Adamah, Hanna Maria Albina, Austin Swearengin and AKADUNGEONMASTER. With artwork by Ada Brumback and Nathan Landolt. Doby Watson was born in 1986. Instead of attending college, as Richard Gintowt wrote for The Pitch in 2009, “Watson spent his young-adult years touring the country with a guitar and a box of Clif Bars, one for lunch, then a real meal for dinner, and a bunch of sad and beautiful homespun songs that are as sparse and haunting as those of Leonard Cohen or Jason Molina.” In 2009 Doby released Twenty Two. In 2013 He released Watson & May an EP in collaboration with Margo May that was produced & engineered by Lennon Bone. Double Shift Music released Doby’s album Live-In Son in 2014, and the EP collaborative: Swearengin, Watson & May in 2016. More info at: http://www.dobywatson.bandcamp.com.]

#82. tUnE-yArDs – I can feel you creep into my private life / 4AD / January 19, 2018
[4th album from the music project of New England native Merrill Garbus (born March 4, 1979). Garbus’s music draws from an eclectic variety of sources and utilizes elements such as loop pedals, ukulele, vocals, and lo-fi percussion, in addition to electric bass played by Nate Brenner. Tune-Yards’ 2011 album Whokill was ranked the number one album of that year in The Village Voice’s annual Pazz and Jop critic’s poll. Garbus was raised in New York City and in New Canaan, Connecticut. She attended Smith College. She was a puppeteer for the Sandglass Theater in Vermont and lived in Montreal where she played ukulele in the band Sister Suvi with guitarist Patrick Gregoire & drummer Nico Dann. Merrill’s sister Ruth Garbus is also a musician who has played solo and in the band Happy Birthday. After releasing her first Tune-Yards album in 2006, she moved to Oakland, California, where her partner in Tune-Yards, Nate Brenner, also lives. The first Tune-Yards album, BiRd-BrAiNs was originally self-released by Garbus on recycled cassette tape. It was recorded using only a handheld voice recorder. A limited edition vinyl was released in June 2009, via the Portland-based imprint Marriage Records. In July 2009, it was announced that Tune-Yards had signed to 4AD, and a limited edition pressing of Bird-Brains was released on August 17, 2009. A full worldwide release followed on November 16, 2009 (and November 17 in North America). The autumn 2009 pressing was remastered at Abbey Road Studios by Christian Wright, and includes two new bonus tracks: “Want Me To” and “Real Live Flesh.”]

#83. John Keck – Out In The Cold – 12th Street Singles / John Keck / May 1, 2018
[Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals. This EP represents the first studio release in 5 years and is the first of 3 songs in a planned series of work. “Out in the Cold” a reflection on our society. These 3 songs were written while living on historic 12th Street in downtown Kansas City, Missouri. This is John’s first release since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. About “Missouri Queen” John Keck wrote: “This is an ode to my single mother and the advice she’s given me. I wanted a short biographical song that allows me to give a frame of reference for where all of my songs come from and this was born. My Grandfather flew a B-29 in WWII called the “Missouri Queen”. There were Japanese fighters with floodlights on their noses that would chase the B-29s and light them up so they could be shot down. She told me that he would say “Don’t get caught in the light”, which is advice that she passed down for me to interrupt My Dad was a pilot and always gone when i was growing up, I would look up at the stars and confuse them with taillights of airplanes. Hence the shooting stars. When my parents separated, my mom returned to the farm where my grandparents lived and it became an integral part of my life. When I pushed my mom for more advice for the song she repeated what she has always told me, which is this story. “A Persian king asked the wisest man of his country for advice that would always be true, and he replied ‘This too shall pass.’”More at: http://www.johnlkeck.com]

#84. Joan Baez – Whistle Down the Wind / Razor & Tie Recordings / March 2, 2018
[Whitsle Down The Wind is the 31st album release from Joan Chandos Baez born January 9, 1941, her first studio album in almost a decade. The album features songs written by such composers as Tom Waits, Josh Ritter and Mary Chapin Carpenter. Joe Henry produced the album. Joan Baez is a singer, songwriter, musician, and activist whose contemporary folk music often includes songs of protest or social justice. Baez has performed publicly for over 60 years,is fluent in Spanish and English, and has recorded songs in at least six other languages. Although regarded as a folk singer, her music has diversified since the counterculture era of the 1960s, and encompasses genres such as folk rock, pop, country and gospel music. She was one of the first major artists to record the songs of Bob Dylan in the early 1960s; Baez was already an internationally celebrated artist and did much to popularize his early songwriting efforts. Baez also performed fourteen songs at the 1969 Woodstock Festival and has displayed a lifelong commitment to political and social activism in the fields of nonviolence, civil rights, human rights and the environment. Baez was inducted into the Rock and Roll Hall of Fame on April 7, 2017.]

#85. Chess Club – Hit The Ball / Black Site / June 9, 2018
[Lawrence Kansas based Emo / math pop band with Griffin Nelson on guitar & vocals, Cooper Avery on drums, and David Krejci on bass.]

#86. Warm Bodies – Warm Bodies / Lumpy Records / February 27, 2018
[Pitchfork’s April 8, 2018 review: Olivia Gibb’s messy, experimental garage rock sounds unhinged and strangely human on Warm Bodies’ debut. Come for the unnerving body horror, stay for the fiery guitar solos. // While some wonder who’s going to make rock’n’roll wild again, Warm Bodies’ Olivia Gibb is barking like a dog out here. The Kansas City, Missouri artist is effortlessly wild. When she sings, she jumps in and out of cartoonish shrieks. Her bug-eyed and immensely expressive live performances would make John Waters proud. If you visit her website, you can buy some ceramic clown nightmares. Punk’s underground has always been flush with fringe characters—Warm Bodies share a label with noxious weirdos Lumpy and the Dumpers, for example—but Gibb stands out from the heap. On Warm Bodies’ messy and muscular debut album, you can find her screaming about her eyes which have fallen out of their sockets. // “My Face Fell Off” is a minute-long blast of surrealist speed punk, so while Gibb screams for help in locating her face, her bandmates come in frenzied. Drummer Gabe Coppage crashes forward at a turbulent clip while Ian Teeple keeps pace, rattling out power chords and guitar solos. This exact sort of noisy punk maelstrom has been the band’s calling card for a couple years now. The song originally appeared on Warm Bodies’ 2016 demo, and while the two versions are similar, you can hear just how much they’ve leveled up. On Warm Bodies, they’re faster, the recording quality is less scuzzy, and most pressingly, Gibb sounds far more unhinged than she did on her relatively more reserved early recordings. // Take “Something Weird Is Eating Me,” a song that addresses the more uncomfortable truths of the human body. After alluding broadly to a “mess” under her clothes, she gets extremely specific: “A burning lump full of yellow gunk/And I’m itchy itchy itchy itchy,” her voice oozing the discomfort that the song’s lyrics so directly imply. Later, when Gibb shouts about her sexual encounter with real-life plane hijacker D.B. Cooper, Teeple sets the stage with a clattering, rapid-fire hook. This is the band’s secret formula: Gibb whips up fever dreams with her singular voice and Teeple grounds everything with earworms and sick guitar solos. // Across its 20 minutes, Warm Bodies isn’t strictly a wall-to-wall shredfest. It’s an album bookended by electronics, opening with the tense swell of warped synths and finishing with the pulse of crackling, ethereal noise. Then there’s “Stinky dUMBOMix,” a song that’s all synthesizers, drum machines, whistles, and handclaps. It’s only a minute long, but it’s a crucial moment that places the music beyond garage punk and into the context of low-key experimentation. // With that handful of left-field sonic tics, Warm Bodies lean fully into the psychedelia that powers Gibb’s lyrics: melted faces, gnarly rashes, dog cosplay, and fucking a never-been-caught skydiving thief. Chaos is an intrinsic part of their DNA, which means more relatable, day-to-day subjects adopt a funhouse-mirror approach. “Psychic Connection” is a love song that’s both surreal and knowable—Gibb breaks down the unspoken “mind control” shorthand you have with the person you love. Then there’s “I Need a Doctor,” where Teeple’s woozy guitar and the call-and-response of “I need a doctor! (She needs a doctor!)” invoke sick-day queasiness. On an album of hysterical vocals and high-speed guitar work, Warm Bodies is riveting because of how human it is—its joy, rage, infatuations, and yes, literal boils.]

#87. Anna Calvi – Hunter / Domino Recording Co / August 31, 2018
[3rd album from London singer. Produced by Nick Launay (Nick Cave) at Konk Studios in London with some further production in LA, the album was recorded with Anna’s band – Mally Harpaz on various instruments and Alex Thomas on drums – with the addition of Adrian Utley from Portishead on keys and Martyn Casey from The Bad Seeds on bass. It has a new rawness, a primal energy into which Calvi pushes the limits of her guitar and voice beyond anything she’s recorded before. Hunter is the embodiment of the feeling of truly letting go. For the songwriter and virtuosic guitarist, it was a catharsis, an opportunity to be more truthful than ever. The first new music since 2014’s collaborative release with David Byrne, Strange Weather EP, her self-titled debut album and the 2013 follow-up One Breath, Hunter is a visceral album exploring sexuality and breaking the laws of gender conformity. A queer and a feminist record, it is galvanising in its hunt for freedom. It was important to Calvi that it was as vulnerable as it is strong; as beautiful as it is harsh; as much about the hunted as it is about the hunter. But she’s careful not to characterise any of these traits as “masculine” or “feminine” – the whole point is that one person, of any gender, can be both. The power is in the contrast itself; in the way she oscillates between extremes, sounding freer than ever before. She wanted to express herself while being “free from the story that either gender is given, free from worrying how people would judge me on what I want to do with my body & myself. For me, that’s quite a utopian vision.”]

#88. The Internet – Hive Mind / Sony / July 20, 2018
[Los Angeles based band with: Syd Bennett, Matthew Martin, Patrick Paige II, Christopher Allan Smith and Steve Lacy. THE INTERNET began as two people – Syd and Matt. Syd taught herself how to record, engineer, and produce at age 15. She also sings, imbuing every song with a sultry, mellifluous, quiet power. Matt produces and plays synths. She’s now 23; he’s now 26. Like all post-modern relationships, the duo initially met on Myspace in 2008, only to meet in-person three years later. THE INTERNET have released two albums previously – 2011’s Purple Naked Ladies, and 2012’s Feel Good. THE INTERNET branched off from the Odd Future collective and started their own band in 2011. Syd had been writing music since she was small; she put this on hold to become OF’s DJ and producer, and picked her songs back up in 2011 to make her first full-length album with Matt. When they play live, THE INTERNET is a band – a six-person outfit whose youngest member is 17. They began playing as a full-band in order to tour behind Feel Good, and the band members all contributed their talents to THE INTERNET’s 2015 album EGO DEATH.]

#89. The Breeders – All Nerve / 4AD / March 2, 2018
[The band’s 5th full-length studio album, released 10 years after their previous album Mountain Battles (2008). The album also marks the band’s first in 25 years with their “Last Splash” lineup. Kim Deal on lead vocals, guitar, moog, casiotone; Kelley Deal on guitar, Kenmore 12-stitch, vocals; Jim MacPherson on drums, Josephine Wiggs on bass guitar, double bass, vocals, cello; (Tanya Donelly on vocals and guitar was also on Last Splash, but left the band to form Belly.) The Breeders were last in Kansas Ciyy on September 3, 2014, at recordBar, with a reunion tour of The Last Slash line-up.]

#90. Sona – Sona EP 2 / Something Sounds Weird / September 14, 2018
[Sona began as the love child of husband and wife Brian and Jenna Goodman. Add Bobby Reeves on drums makes this alternative indie rock shoegaze post-punkLawrence Kansas based band a “power trio.” The EP was recorded at Fire & Ice Studios Baldwin, KS and was engineered/mixed by Steve Squire and mastered by Duane Trower with all songs written by SONA.]

#91. Miki P – Dome of Swallows / Miki P/ September 1, 2018
[Debut full length album from Miki P containing 10 original songs. Kansas City, Missouri Miki P. She started playing guitar in middle school,. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their first full-length album Irreplaceable in the Spring of 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She has played Middle of the Map Fest, Royal’s Kaufman Stadium, the Record Bar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Festival. More info at: http://www.mikipmusic.com]

#92. Noname – Room 25 / Noname / September 14, 2018
[Debut album from Fatimah Nyeema Warner who was born September 18, 1991, and is better known by her stage name Noname. She is an American rapper and poet. Warner is from the Bronzeville neighborhood of Chicago, Illinois, where she began rapping and performing slam poetry in 2010. In 2013, she gained wider recognition following her appearance on the track “Lost” from Chance the Rapper’s popular mixtape Acid Rap. Noname released her debut mixtape, Telefone, on July 31, 2016, to widespread critical acclaim. Noname grew up in the Bronzeville neighborhood of Chicago. She was raised by her grandparents; as a teenager, she listened to blues musicians Buddy Guy and Howlin’ Wolf, and spent time in her mother’s bookstore. She first started writing poetry after taking a creative writing class in high school. As a teen, she spent time in the YOUMedia project—a space for young artists to create and network—then based in the Harold Washington Library. There, she befriended many local talents, including Chance the Rapper. Noname’s interest in poetry led her to compete in local open mics and slam poetry competitions; she placed third in Chicago’s annual Louder than a Bomb competition. Noname gradually turned her talents to freestyle rapping with friends, collaborating with many local Chicago artists including Chance the Rapper, Saba, Mick Jenkins, and Ramaj Eroc. Recorded in about a month’s time, the album chronicles the two years since the release of Telefone, most notably her move from Chicago to Los Angeles and an intense, short-lived relationship. On the experience, she compared her maturity on Room 25 to Telefone, saying “Telefone was a very PG record because I was very PG. I just hadn’t had sex.” Unlike Telefone, Room 25 was created due to a financial obligation. Noname said in an interview, “It came to a point where it was, like, I needed to make an album because I need to pay my rent. I could’ve done another Telefone tour, but I can’t play those songs anymore. Like, I could, but I physically hate it because I’ve just been playing them for so long.” Noname paid for the entire album herself using money from touring and guest appearances on Chance the Rapper projects.]

#93. The UK’s – American Way of Death – EP / The UK’s / November 17, 2018
[Kansas City based band formed in July 2010 with Noah Bartelt on lead vocals & guitar, Scott Combs on guitar & vocals, Katelyn Miles on bass, Tarquin Eugene Kellough on drums. This EP is their follow up release to their 2016 debut album “Bad Seed”, featuring their single “The Poison Squad” released in March of 2018 and four more tracks. More info at: http://www.theuksband.com]

#94. Sunny War – With the Sun / Org Music – Hen House Studios / Feb. 2, 2018
[“Los Angeles-based singer, songwriter and guitarist Sunny War (née Sydney Lyndella Ward) was born to a single mom in Nashville. She had what’s she’s described as a nomadic childhood, moving around from Michigan, Colorado, and living on the streets of San Francisco. Now in her mid-20s, War settled down in Los Angeles as a teenager, and became known for her street playing in Venice Beach. War is a fantastic guitar player. She learned her plucking style by playing “Blackbird” by The Beatles, and by falling in love with the blues. “I feel like I am a blues guitarist, but I don’t think I’m a blues artist,” she says. “I only use the scales and techniques that I know, and the only time I was trained in music was on blues guitar. I really love Elizabeth Cotten and Mississippi John Hurt,” says War.” – from NPR Music]

#95. Cris Williamson – Motherland / Wolf Moon Records / November 14, 2017
[Produced by Julie Wolf. Legendary singer songwriter Cris Williamson recently released her 32nd album, Motherland. Cris Williamson is a brilliant songwriter, poet, pioneer, and renegade who recorded her first album in the 1964 when she was sixteen. Cris Williamson’s groundbreaking album, The Changer and the Changed, was released in 1975, and became one of the best-selling independent releases of all time, selling over 500,000 copies. The sales of these records allowed the independent label Olivia Records to release music from a whole new movement of diverse female artists, all overlooked by mainstream music. Cris Williamson helped to forge a historic movement in the male dominated music industry, fostering the creation of completely female owned record labels, touring companies, and music festivals. The movement, (often misclassified as a genre) was about opening the doors, and smashing glass ceilings, for so many women to follow, who had been shut-out of the game, simply because of their gender. Cris seemed to shrug all of that off with an earthy sexy confidence that makes audiences swoon for her. She wrote music for people desiring to find their own identities in modern folk and pop music. No one had ever courageously written and performed so many brilliant full length albums of songs by women, about women, for women. At the same time, these songs are universal to us all. These songs were all impeccably and professionally produced and have stood the test of time and could go up against any of the songs by Jackson Browne, Bonnie Raitt, or James Taylor. Only difference is mainstream radio and television has almost completely ignored Cris Williamson. Despite this injustice, through her amazing voice, and spirit, and open heart, Cris has helped make the world a better place for all female and LGBTQIA artists who follow the path she cleared. We owe her for that. Cris Williamson was part of NPR Music’s 2017 feature on The 150 Greatest Albums Made By Women with The Changer and the Changed: A Record of the Times (Olivia Records, 1975) Ann Powere of NPR Music writes: “Produced by Williamson and featuring dozens of the era’s finest women musicians — including guitarists Meg Christian and June Millington, bass virtuoso Jacqueline Robbins and vocalists Holly Near and Margie Adam — Changer blended pop, country and folk elements in songs that were both cuttingly intimate and generously communal. (A few featured large choruses inspired by the sing-alongs women’s music artists inspired in concert.) Williamson’s own keyboard playing ranged from contemplative to dance-floor funky. The clear and confident lesbian desire behind love songs like “Sweet Woman” and “Dream Child” made Williamson a sex symbol; her philosophical side made Changer a record of spiritual growth, too. Speaking what at the time remained mostly unspoken in pop, this album truly changed lives. ” The Cris piece from NPR Music’s The 150 Greatest Albums Made By Women (7/24/2017): “I’m kind of hand-carried, person to person,” Cris Williamson told the journalist Ben Fong-Torres in 1981, when asked how people discovered her music. “There are secretaries who’ve told me they can’t get through the day without running home during lunch hour and playing it.” Such was the impact of the Wyoming native’s voice, clear as a mountain stream, and her empathetic songwriting, which made this album one of the best-selling independent releases of all time and the cornerstone of the feminist “women’s music” movement. Produced by Williamson and featuring dozens of the era’s finest women musicians — including guitarists Meg Christian and June Millington, bass virtuoso Jacqueline Robbins and vocalists Holly Near and Margie Adam — Changer blended pop, country and folk elements in songs that were both cuttingly intimate and generously communal. (A few featured large choruses inspired by the sing-alongs women’s music artists inspired in concert.) Williamson’s own keyboard playing ranged from contemplative to dance-floor funky. The clear and confident lesbian desire behind love songs like “Sweet Woman” and “Dream Child” made Williamson a sex symbol; her philosophical side made Changer a record of spiritual growth, too. Speaking what at the time remained mostly unspoken in pop, this album truly changed lives. —Ann Powers (NPR Music) From http://www.smithsonianmag.com – Ginny Berson belonged to the Furies collective, a radical, separatist household that published journals, taught classes, and advocated communal living apart from men. Judy Dlugacz, 20, had postponed law school to pursue lesbian activism and was interested in finding an economically workable means of serving the women’s community. Performing as a folk musician at area clubs and coffeehouses, Meg Christian was eager to meet other women songwriters like Cris Williamson—who had released her first album in 1964 at age 16. When Williamson came on tour to D.C., Christian and Berson not only arranged to bring other women’s music fans to the concert; in a gesture that changed history, they also scheduled a follow-up interview on Georgetown University’s “Radio Free Women” program. On the show, Berson spoke about how she and other members of the Furies collective were searching for a bigger project to invest in— “something that’s for women, by women, and supported by women’s money”—and Williamson responded with a simple yet provocative suggestion, “Why don’t you start a women’s record company?”]

#96. Adrianne Lenker – abysskiss / Saddle Creek / October 5, 2018
[Adrianne Lenker has been writing songs since she was 10 years old. Her “back story” has been well documented in various interviews and profiles for Big Thief over the last 3 years. Despite, or more likely because of, the constant touring and studio work, the last few years have been some of the most prolific for Lenker as a writer. Songs pop out at soundcheck. They pop out on late night drives between cities. They pop out in green rooms, hotel stairwells, gardens, and kitchens around the world. In the hands of Lenker, songwriting is not an old dead craft. It is alive. It is vital. With little regard for standard album cycle practice or the idea of resting at all, Lenker set out to make a document. Songs can be slippery and following 2+ years on the road with Big Thief, Lenker felt a growing need to document this particular time in her life in an intimate, immediate way. The result is her new album, abysskiss, out October 5th via Saddle Creek. “I want to archive the songs in their original forms every few years,” explains Lenker. “My first solo record I made was Hours Were the Birds. I had just turned 21 and moved to New York City where I was sleeping in a warehouse, working in a restaurant and photographing pigeons. Now five years later, another skin is being shed.” Following a two week road trip through the southwestern United States, Lenker headed into the studio with longtime friend Luke Temple. Temple put on his loosely fitting, bright orange, 100% wool producer hat and for one week they made music. The songs chosen for this collection were the songs that felt the most alive in the room. These are not castaways or B-sides. Some of these songs have been alive for years while some were written just days before the session. Some will appear in different future forms, some will not. The thread that connects these songs is not something that can easily be put down in words. Intuition connects these songs. They are a record of a time. With this collection, Lenker further illuminates to the listening public what those close to her already know; here we have a songwriter of the highest order, following her voice and the greater Voices that pass through her with an unflinching openness and clarity of translation.]

#97. Those Far Out Arrows – Part Time Lizards / High Dive Records / Nov. 2, 2018
[Omaha, Nebraska band formed in 2013, by brothers Ben Keelan-White & Evan Keelan-White wbo perform with Derek Levasseur & Tanner Rogerson. Recorded & mixed by Those Far Out Arrows in Fall of 2016. Mastered by Jon Ochsner at ARC Studios in Omaha, Nebraska music writer Tim McMahan said, “They (Those Far Out Arrows) unapologetically cross ’60s British psychedelic with Bowery proto-punk a la Velvet Underground.” Those Far Out Arrows were recently signed to KC record label, High Dive Records.]

#98. Cat Dail – Fight For Love / Lucky Magnet Records / April 6, 2018
[Singer-songwriter, multi-instrumentalist, & producer Cat Dail, lives some of the time in NYC and some of the time in Chesterfield, NH. She’s released 5 albums on her label Lucky Magnet Records. Cat has been active in the Indie rock scene since the 1990s, leading her NYC band, Cat played a residency at the Bitter End, and most colleges and clubs from Vermont to Virginia, Colorado to California. More info at: http://www.catdail.com]

#99. Superorganism – Superorganism / Domino Records / March 2, 2018
[Superorganism is an indie pop band that formed in early 2017. The group is made up of 8 members, one of which is a 17-year-old Japanese girl only known as Orono. The 7 other members go by the names of Harry, Emily, Ruby, B, Tucan, Soul, and Robert. The group, started with members from all over the world including The United States, Japan, South Korea, London, Australia, and New Zealand, makes original internet-age electronically-tinged indie pop music. Bandmembers Harry, Emily, Ruby, B, Tucan, Soul, and Robert were all longtime friends who decided it was finally time to work together. Harry and Emily met Orono during one of their old band’s Japan shows (she attended as a fan), and they struck up a Facebook friendship with their future bandmate. After discovering she could sing, they invited her to add lyrics and vocals to a demo they’d been working on for a new project at the beginning of 2017.]

#100. Car Seat Headrest – Twin Fantasy / Matador / February 16, 2018
[Twin Fantasy (Face to Face) is the eleventh studio album by indie rock band Car Seat Headrest, released on February 16, 2018. It is a complete re-recording and reworking of the band’s sixth studio album, Twin Fantasy, released in 2011. Originally a started as a solo recording project by 26 year old, Will Toledo, in Leesburg, Virginia. Toledo chose the name “Car Seat Headrest” after recording the vocals of his first albums in the back seat of his car, for privacy. Car Seat Headrest released 12 albums on Bandcamp. Toledo’s production has gradually grown less lo-fi, but he still remains an effective example of the DIY ethic. Toledo saw a large influx of new fans with his 2011 release Twin Fantasy, which has become the most popular of his self-released albums. In September 2015, Car Seat Headrest announced on his Facebook page that he had signed an album deal with Matador Records. In October 2015, Car Seat Headrest released the compilation album, Teens of Style under the label. This was his first album that was not self-released via Bandcamp. The new album, Teens of Denial, was created with traditional studio processes. Car Seat Headrest is currently on tour in the Northwest, and after a May 8 show in Brooklyn, the band travels to Europe for dates in May and then will be back touring the state through June and July.]

#101. Joan As Policewoman – Damned Devotion / Play It Again Sam / Feb. 9, 2018
[Joan As Police Woman, is Joan Wasser, born July 26, 1970), she is an American musician, singer-songwriter and producer. She began her career playing violin with the Dambuilders and played with Black Beetle, Antony and the Johnsons, and Those Bastard Souls. Since 2004 she has released her solo material as Joan As Police Woman. She has released five regular studio albums, one EP, a number of singles and a collection of covers. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. “Tell Me,” is the first single from the new album. Joan Wasser talked about its plea for openness and intimacy, “I am always wanting more intimate dialogue,” she says. “Fear of being vulnerable, future tripping and feelings of shame, paranoia and jealousy get in the way. You got to separate now what’s real, what’s not real – stop using jealousy (not real) as a way to avoid having to clarify and tell me what you really want (real). Why don’t we try trusting each other enough to be fully transparent? What is there to lose?”]

#102. The Sexy Accident – Chamcakes Babypagne / Jesse kates / Sept. 8, 2018
[Chamcakes Babypagne is a selection of songs from The Sexy Accident’s sixth full-length album, Champagne Babycakes, re-imagined and reconstructed by Steve Fisk, namelessnumberheadman, Akkilles and many talented guest musicians. All songs written by Jesse Kates / Halaster Music [ASCAP] except You’ve Got To Ride Your Bicycle Ha Ha Ha by Jonas Kates. Mastering by Mike Nolte at Eureka.The Sexy Accident is a pop band from Kansas City. They’ve released over 70 songs on six albums and four EPs. Their September 23, 2016 album, Chanpagne Babycakes included 12 songs produced by Seattle legend Steve Fisk, and a game deck of 45 cards designed by Gavin Snider. The current line up consist of: Jesse Kates on guitar & vocals, Ramone Hall on drums, Jamie Lin on vocals, Pete Marten on bass, and Ryan Leip on keys.]

#103. Oh Dear Oh My – ASHDLA’ / Oh Dear Oh My / July 11, 2018
[KC synth/drum duo, is made up of Rani & Curt. This is their 2nd release. They’ve been playing locally for 3 years. This EP Ashdla’ is named for the Navajo word for Five. There are five tracks on their EP, as Curt is himself Navajo. Oh Dear Oh My tend toward dark & dancy but can’t seem to commit to a single rock genre.]

#104. Wade D. Brown – From A Child / Wade D. Brown / May 25, 2018
[Debut album from Wade D. Brown on vocal, guitar & harmonica; Colby Earleywine on percussion, Katie West on bass; Mike West on banjo & mandolin. Produced, recorded, mixed, and mastered by Mike West at 9th Ward Pickin’ Parlor in Lawrence, KS February 2018. All words and music Copyright 2018 Wade D. Brown. Wade D. Brown grew up in small town rural Kansas and describes having a “dreamers disease” from a very young age. He quotes Kerouac, Woody Guthrie, and Waldo Emerson for developing his curiosity about being a “life long freedom seeker.” The notion of “self obtained freedom” is the central issue at the heart of Wade D. Brown’s music. With primary influences from pre-war delta and ragtime blues, medicine show music, bluegrass, vaudeville, and country folk, Wade D. Brown’s music is a contrast of light and dark themes. Songs like Home Country Pie and Summer Bliss paint pictures of simple happiness, while songs such as Old Habits and Paper Cups evoke a sense of complex loneliness. Wade D. Brown says that his goal as a songwriter is to “use music rooted in traditional forms with a poetic lyric to create an original sound that challenges the listener emotionally and conceptually.”]

#105. Foxing – Nearer My God / Triple Crown Records / August 10, 2018
[Third album from the critically acclaimed St. Louis based band formed September 2, 2011 with: Conor Murphy, E.M. Hudson, Enrique Sampson, Jon Hellwig. Pitchfork writes: “The band’s previous albums, The Albatross and Dealer, were bookended by muted introductions and finales, hand-crafted keepsakes meant to be dog-eared and footnoted. Nearer My God is likewise a closed system bound with melodic and lyrical leitmotifs, but designed more like a multimedia extravaganza. About two minutes into the opener “Grand Paradise,” Murphy is “shock-collared at the gates of heaven” when the drums finally come in and it’s a legit drop for light shows they’ll never afford at festivals that have never considered booking them. Nearly an hour later, he cries, “Heaven won’t take me in”.” Produced and Engineered by Chris Walla and E.M. Hudson. Additional production by Mike V. Davis. Additional Engineering by Conor Murphy, Enrique Sampson, Joe Reinhart, Mike V. Davis. Editing by Ryan Wasoba, Mike V. Davis. Mastered by Joe Lambert. Arrangements by E.M. Hudson. Lyrics by Conor Murphy.]

#106. Erin Eades – Diary / Erin Eades / October 19, 2018
[Debut EP from Erin Eades on acoustic guitar, cigar box guitar, vocals; Lucas Parker on electric guitar, bass (tracks 1, 2, 4, 5); Kenny Carter on bass (track 3); Colby Earlywine on drums; Jamie Malone on background vocals; Jay Vern on piano, B3 organ. Erin Eades is a singer-songwriter in Kansas City, MO. Originally from the mountain state of West Virginia, Eades began making music at the age of 12, when out of boredom her father handed her a 1950’s Gibson that had been stored away, waiting for someone to play. It wasn’t long before she began writing songs, recording her first album at age 17 as part of the duo Special Guest. After a more than decade-long hiatus from music, Eades began playing music again after moving to Kansas City and began her solo career in 2015. She has since played dozens of venues in the Kansas City area, won the 2016 HRC Kansas City Battle of the Bands Acoustic Stage, and has started to play more regionally, sharing her heartfelt lyrics, classic melodies, and percussive guitar style with audiences in the Midwest. Her music is genuine, and shares bits of her story, drawing from experiences that many find relatable. Influenced by the strong female singer-songwriters she listened to growing up, including Joni Mitchell, Carole King, and Jewel, she followed their lead and added her own tinges of twang, angst, and blues. Eades released her debut single, “Looking From the Bottom” in 2017.]

#107. Timbers – Timbers / Timbers / March 1, 2018
[Timbers first professionally recorded, mixed and mastered release. Recorded in the basement of Jacob’s Well Church in Kansas City, Missouri. Tracked, mixed and mastered by Mike Crawford. Timbers includes: Aaron Mitchum on guitar & lead vocals; Abigail Jones on banjo, guitar & vocals; Devon Teran on guitar, lap and pedal steel guitar, & dobro; Riley Taylor on upright bass & electric bass; and Nate Lewis on drums.]

#108. Bernice – Puff: In the Air Without a Shape / Arts & Crafts / May 25, 2018
[Toronto-based experimental soul-pop group includes; robin dann, thom gill, dan fortin, felicity williams, and phil melanson. “Puff: In the air without a shape,” is that band’s airy, minimalist follow up to their 2017 kaleidoscopic maximalist EP. Puff was produced by Grammy Award-winner Shawn Everett). Reminiscent of recent records by Feist and Frank Ocean where soulful vocal melodies take the lead over sparse, airy arrangements, Bernice’s new album attempts to reproduce the playful intimacy of the band’s live show.]

#109. Femi Kuti – One People One World / Knitting Factory Records / February 23, 2018
[Olufela Olufemi Anikulapo Kuti was born June 16, 1962 and is popularly known as Femi Kuti, a Nigerian musician born in London and raised in Lagos. He is the eldest son of afrobeat pioneer Fela Kuti, and a grandchild of a political campaigner, women’s rights activist and traditional aristocrat Funmilayo Ransome Kuti. Femi’s musical career started when he began playing in his father’s band, Egypt 80. In 1986, Femi started his own band, Positive Force, and began establishing himself as an artist independent of his father’s massive legacy. His first record was released in 1995 by Tabu/Motown, followed four years later by Shoki Shoki (MCA), which garnered widespread critical acclaim. In 2001 he collaborated with Common, Mos Def and Jaguar Wright on Fight to Win, an effort to cross over to a mainstream audience, and started touring the United States with Jane’s Addiction. In 2004 he opened The Shrine, his club, where he recorded the live album Africa Shrine. After a 4-year absence due to personal setbacks, he re-emerged in 2008 with Day by Day and Africa for Africa in 2010, for which he received two Grammy nominations. In 2012 he was both inducted into the Headies Hall of Fame (the most prestigious music awards in Nigeria), was the opening act on the Red Hot Chili Peppers’ European arena tour and became an Ambassador for Amnesty International.]

#110. Melody’s Echo Chamber – Bon Voyage / Fat Possum Records / June 16, 2018
[Melody’s Echo Chamber is the main project of French musician Melody Prochet. When Prochet’s previous project My Bee’s Garden supported Tame Impala on their European tour in 2010, Prochet collaborated with Kevin Parker to produce her new solo material as Melody’s Echo Chamber. The material was recorded in Parker’s makeshift studio in Perth, Australia and Prochet’s grandmother’s seaside home in the south of France. The self-titled debut album was released on Fat Possum Records in the Fall of 2012.]

#111. Noah Davis – Magic – EP / Noah Davis / April 7, 2018
[For Noah, the love of music began at a young age while his father played old gospel and blues albums. Noah recalls his late father explaining the meanings of songs by bands such as Cream, CCR, Curtis Mayfield, The Beatles, Bob Dylan and Neil Young. A multiracial kid whose parents both loved rock and soul. Noah’s parents introduced him to the Ed Sullivan Show. Noah came to realize early in his life that music is NOT about color, but about the heart and soul. Jimi Hendrix’s concept of the musical church made a lasting impression on Noah who took it to heart and fully embraced these ideals, demonstrating that music should not just entertain but speak to and heal, hearts, minds, and souls. Noah Davis released his debut full length album “100%” on March 4, 2016. Noah Davis is releasing a new EP called “A Simple Gospel” on December 8, 2018. More information at http://www.noahdavidmusic.com]

#112. Helen Gillet – Helkiase / Helen Gillet / July 6, 2018
[Cover of English punk band X-Ray Spex from Germfree Adolescents, released Nov. 10, 1978. Written by Polystyrene aka Marianne Joan Elliott-Said born July 3, 1957, a British musician, singer-songwriter, frontwoman for X-Ray Spex. She died of Metastatic Breast Cancer on April 25, 2011, at the age of 53.] [Originally from Leuven, Belgium and now based in New Orleans, Louisiana. Globe Trotting, multi-faceted, jazz-based cellist, singer, composer and improviser Helen Gillet is a “mixed bag” of musical influence. Downbeat Magazine recently nominated her a Rising Star in the 61st Annual Critic’s Poll. She believes music to be an expression of the honest human condition; performing an eclectic mix of French pop, Avant Garde Jazz, North Indian, Folk and Classical styles. Helen Gillet’s 2018 solo album is Inspired by Helkiase, a cure-all medicine invented by the nuns of Notre Dame à la Rose hospital in Lessines, Belgium. (The hospital was one of Europe’s longest continually operating hospitals founded in XIII’s century). Gillet’s latest music deals with the more recent personal layers of complicated grief and finding new strength, sense of humor and inspiration. This recording captures the current spirit of Gillet’s live performance and features her newest original songs “Slow Drag Pavageau” written about legendary dancer and New Orleans bassist Alcide Pavageau, as well as “You Found Me,” “Skin,” and “Vautour,”song inspired by Israeili composer and artist Naama Tsabar. All songs are performed by Helen Gillet using a Boss RC50 Loop station and mainly cello and voice. Tracks 7 “Tonnerre” and 4 “Helkiase” use a Moog Sub Fatty synthesizer and vinyl scratching of a famous 1940 General de Gaulle speech. Live studio sessions and evening concerts recorded by Andrew “Goat” Gilchrist at the House of 1Hz on March 8th and 9th 2018 in New Orleans, LA. Mastered by Bruce Barielle.]

#113. Stacy Busch – 3-Song EP / Stacy Busch / July, 2018
[Stacy says these songs “were written for the Outskrts LBTQ Festival and performed live with live dancers. They are meant to be anthem-like in their themes of coming together as a community.” 28 year old Stacy Busch is originally from Bloomfield Hills, Michigan. She is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-Kansas City and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.]

#114. Eggs on Mars – Mama Pancake / Eggs On Mars / November 9, 2018
[KC based 3-piece, lo-fi, psych-surf-garage rock band with Brad Smith on guitars, vocals & keyboards; Justin Longmeyer on bass; and Mason Potter on drums & percussion. Mama Pancake was recorded May through September of 2018. Recorded, mixed, and mastered by Rodd Fenton. All songs by Eggs on Mars.]

#115. Digital Leather – Headache Heaven / Digital Leather / January 23, 2018
[14th album and 21 song digital release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink.]

#116. Tunde Olaniran – Stranger / Magic Wheel / October 5, 2018
[Second full length album from Flint Michigan based Tunde Olaniran. In 2014, Olaniran released his first EP titled Yung Archetype (see: Jungian archetypes). Olaniran released his first full-length album in 2015 titled Transgressor. NPR’s Stephen Thompson notes, Olaniran, “presides over a bighearted sound and style that revolve around spirited statements of affirmation, a sprawling artistic palette and the pursuit of boldness in every sense of the word… It all adds up to a finely calibrated mix of purpose and playfulness, executed to stylish perfection.”]

#117. Tash Sultana – Flow State / Lonely Lands Records – Mom + Pop / August 31, 2018
[Natasha “Tash” Sultana was born June 15, 1995. She is an Australian singer-songwriter and multi-instrumentalist. Described as a “one-woman band who brings new meaning to the concept of multi-tasking”. Half Australian and half Maltese, Sultana was born and grew up in Melbourne. She received a guitar from her grandfather when she was three, and has played ever since. She now can play over 10 instruments including guitar, bass, trumpet, flute, percussion and saxophone. Sultana’s teenage years were troubled. A self-described drug addict, she developed drug-induced psychosis when she was 17, and had to undergo several months of therapy to recover. Unable to find regular work, she turned to busking on the streets of Melbourne to get by.]

#118. Marc Ribot – Songs of Resistance 1942-2018 / -Anti Records / Sept. 14, 2018
[Written & Arranged by Marc Ribot (Knockwurst Music). Background Vocals: Rea Dubach & Lukas Rutzen, Sax: James Brandon Lewis, Trombone: Curtis Fowlkes, Bass: Tony Garnier , Percussion: Reinaldo de Jesus , Drums: Chad Taylor. With his new album Songs of Resistance 1948 – 2018, Ribot—one of the world’s most accomplished and acclaimed guitar players—set out to assemble a set of songs that spoke to this political moment with appropriate ambition, passion, and fury. The eleven songs on the record are drawn from the World War II anti-Fascist Italian partisans, the U.S. civil rights movement, and Mexican protest ballads, as well as original compositions, and feature a wide range of guest vocalists, including Tom Waits, Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, Fay Victor, Sam Amidon, and Ohene Cornelius. Ribot began working on the project at the end of 2016, responding not just to the American elections, but to the political trends he was seeing around the world. “I am alarmed by Trump and the movement he’s part of,” he says. “I’ve spent a good chunk of my life running around the world on tour—I’m kind of an accidental internationalist—and I see that he’s not an isolated phenomenon. And if we don’t deal with what is going on, it is going to deal with us.” Ribot was born in Newark,NJ in 1954. As a teen, he played guitar in garage bands while studying with his mentor, Haitian classical guitarist and composer Frantz Casseus. He moved to New York City in 1978. He was a member of the soul/punk Realtones, and John Lurie’s Lounge Lizards. Ribot also worked with Brother Jack McDuff, Wilson Pickett, Carla Thomas, Rufus Thomas, Chuck Berry, and many others. Fay Victor was born July 26, 1965. She is an American musician, composer, lyricist and educator. Originally a singer in the traditional jazz field, she has been working in jazz, blues, opera, free improvising, avant-garde, modern classical music, and occasional acting since re-settling in New York in 2003. PROCEEDS TO BENEFIT: THE INDIVISIBLE PROJECT (501c4) http://www.indivisible.org ]

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

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WMM Playlist from Dec. 26, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 26, 2018

The 118 Best Recordings of 2018
(Part 4 of 4)

Wednesday MidDay Medley presents part-four, of our four-week special: The 118 Best Recordings of 2018. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, please accept our list as a celebration of the year in music.

In 2018 we’ve played nearly 1000 different songs on the show, and we’ve played from over 400 New Releases. More than 250 of these were New MidCoastal Releases. We also conducted over 117 interviews with over 150 different guests. 75 of the representative recordings in our “Best of” list were MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us as guests on Wednesday MidDay Medley on 90.1 FM. It’s all good!

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. (#29) Parquet Courts – “Almost Had to Start a Fight / In and Out of Patience
from: Wide Awake / Rough Trade / May 18, 2018
[6th studio album from Parquet Courts, of Denton, Texas, currently residing in New York City, New York. The band consists of Andrew Savage on vocals & guitar, Austin Brown on vocals & guitar, Sean Yeaton on bass, and Max Savage on drums. The band released their debut album, American Specialties, as a limited cassette release, in 2011. The band’s second studio album, Light Up Gold (2012), was initially released on Savage’s Dull Tools label and later reissued on What’s Your Rupture? in 2013. Light Up Gold received widespread critical acclaim in both the DIY underground and mainstream rock press. In 2014, the band reached #55 on the Billboard albums chart with its third studio album, Sunbathing Animal. Later in 2014, the band released “Uncast Shadow of a Southern Myth” as a single under an alternative name, Parkay Quarts. Soon after they released their fourth studio album, Content Nausea, on which Sean and Max were absent, due to other commitments.The following year, the band released a mostly instrumental, experimental EP, entitled Monastic Living. On February 4, 2016, the band announced their fifth studio album, entitled Human Performance. The album was released on April 8 through Rough Trade. On October 13, 2017, the band’s co-frontman A. Savage released his first solo album, Thawing Dawn, through Dull Tools.]

3. (#28) Dirty Projectors – “Break-Thru”
from: Lamp Lit Prose / Domino Recording Co / July 13, 2018
[8th studio album from Brooklyn based band, formed in 2002. The band currently consists of primary recording artist and core member David Longstreth (vocals, guitar), alongside longtime bass guitarist Nat Baldwin, Mike Daniel Johnson (drums), Maia Friedman (guitar, keyboards, backing vocals), Felicia Douglass (percussion, keyboards, backing vocals) and Kristin Slipp (keyboards, backing vocals). Since its formation the band has released eight full-length studio albums, and has had numerous lineup changes, with major contributions from guitarist and vocalist Amber Coffman from 2006 to 2013. “If 2017’s Dirty Projectors was the band’s dark night of the soul, Lamp Lit Prose marks a vibrant rebirth. Bright, colorful, and bursting with hope, the music here splits the difference between pop instinct and avant-garde ambition, live-band rigor and super-synthetic production—think Talking Heads for the 2000s. And where lead Projector Dave Longstreth’s songs have, in the past, tended toward high concepts, here he dwells on the rush of simple things: optimism (“Right Now”), romance (“Break-Thru”), and pure, unfiltered excitement (“I Feel Energy”). It features assists from Rostam, Amber Mark, Fleet Foxes’ Robin Pecknold, and HAIM.”]

4. (#27) Blood Orange – “Orlando”
from: Negro Swan / Domino Recording Co / August 24, 2018
[Devonté Hynes aka David Joseph Michael Hynes,was born December 23, 1985, better known as Blood Orange and formerly Lightspeed Champion, is a British singer, songwriter, composer, producer, dancer and director. From 2004 to 2006, Hynes was a member of the band Test Icicles, playing guitar, synth, and occasionally performing vocals. They released one full-length album in 2005. Hynes went on to release two solo studio albums as Lightspeed Champion and subsequently four more as Blood Orange, between 2008 and 2018. He has written, played or produced for artists such as Tinashe, Solange Knowles, Sky Ferreira, FKA twigs, Haim, Florence and the Machine, Carly Rae Jepsen, Diana Vickers, The Chemical Brothers, Kylie Minogue, A$AP Rocky and Blondie. Hynes was voted the 49th ‘coolest person in rock’ in NME’s 2007 Cool List, jumping to position 20 in the following year’s list.]

5. (#26) Amen Dunes – “Blue Rose”
from: Freedom / Sacred Bones Records / March 30, 2018
[The fifth studio album from Amen Dunes the musical project formed by American singer-songwriter and musician Damon McMahon in 2006 in New York. In addition to his regular collaborators Parker Kindred and Jordi Wheeler, Freedom features Delicate Steve and underground Roman musician Panoram. Chris Coady  (Beach House) produced. The record was recorded at Electric Lady Studios in NYC and Sunset Sound in LA.]

6. (#25) Superchunk – “Erasure (feat. Waxahatchee & Stephin Merritt)”
from: What a Time to Be Alive / Merge / Expected: February 16, 2018
[11th album release from band formed in 1989 in Chapel Hill, North Carolina, Superchunk is Mac McCaughan (guitar, vocals), Jim Wilbur (guitar, backing vocals), Jon Wurster (drums, backing vocals), and Laura Ballance (bass, backing vocals). Since releasing their first 7-inch in 1989, Superchunk has run the gamut of milestone albums: early punk rock stompers, polished mid-career masterpieces, and lush, adventurous curveballs. Recorded by Beau Sorenson at Manifold Recording, Pittsboro, NC., except “Break the Glass” and “I Got Cut” at Overdub Lane. Mastered by Matthew Barnhart at Chicago Mastering .]

7. (#24) Slights – “Higher Than Stoned”
from: Flow State / Slights / November 30, 2018
[Slights is a collaboration band between Ben Parks & Matthew Dunehoo. In late January, 2017 they recorded an album at Ghost Cat Studios in San Francisco w/ Ryan Kleeman and their friend Andrew Skikne on bass. Ben Parks is also visual artist & painter as well as part of the band, Of Tree. Matthew Dunehoo is also a filmmaker & actor, and has been a member of the bands: Loose Park, Baby Teardrops, Doris Henson. On Nov, 7, we interviewed Ben Parks & Matthew Dunehoo who joined us to talk about the debut release of their new band Slights. The new 11-song album was created over the past year. Matt is the founder of Elk’s Pride Pictures, based in KCMO More information at http://www.slightsband.com]

8. (#23) Broken Arrows – “Not Coming Back”
from: Street Flowers / Intelligent Design Records / August 3, 2018
[Guest Howard Iceberg sings lead and backing vocals on “Recognize My Heart.” Drums & percussion tracks recorded at Roll Away The Stone Studio. Album notes from Barry Lee: Broken Arrows started recording Street Flowers during the last months of 2017 and into the first of the year 2018. The band had road tested about half the songs in concert during the year, so they had a good starting point. Broken Arrows have four songwriters in the band, and they all wrote material for the record. Sessions for the basic tracks were done at Dave Storms’ studio, The Storms Cellar and the vocals and guitar tracks were finished at Cricket Palace, Mike Penner’s studio. Mike Mixed & Mastered and produced the album. About a third of the way through the sessions band member Barry Lee’s wife Caroline took a turn for the worse and his involvement lessened as he stayed with her to take care of her in her final days. The band recorded a couple of tracks, “Not Coming Back” and “Put Me Down” without Barry but refused to do any more recording until he was able to return. The first song Barry did after Carolyn died was “Recognize My Heart.” Barry was still in shock and you can hear it in his voice on that song. The album has gotten airplay on 102.7, Little Steven’s Underground Garage on Sirius XM and extensively on 90.1 FM KKFI. It was also favorably reviewed in Tuning Fork and in a national publication, Blurt. Early next year Broken Arrows will have a single release on Big Stir Records in L.A.. The photos on the album cover were taken by Barry Lee in and around Lawrence, Kansas. For some reason, there are lots of street flowers there. Broken Arrows are: Barry Lee on vocals, acoustic & electric guitars; Mike Penner on lead guitar & vocals; Bill Ryan on lead guitar & vocals, John Chevalier on bass, acoustic guitar & vocals; and Dave Storms on drums, percussion & vocals.]

10:29 – Underwriting

9. (#22) Cowboy Junkies – “The Things We Do To Each Other”
from: All That Reckoning / Latent Records / July 13, 2018
[The Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985. The group was formed in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timmins are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was initially a member of the band but left the group before the recording of their first album. The band line-up has never changed since, although they use several guest musicians on many of their albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first. The Junkies’ 1986 debut album, produced by Canadian producer Peter Moore, was the blues-inspired Whites Off Earth Now!!, recorded in the family garage using a single ambisonic microphone. The Junkies gained worldwide fame and recognition with their second album, The Trinity Session, recorded in 1987 at Toronto’s Church of the Holy Trinity. Their sound, again using the ambisonic microphone, and their mix of blues, country, folk, rock and jazz earned them both critical attention and a strong fan base. The Los Angeles Times named the recording as one of the ten best albums of 1988. The Cowboy Junkies have gone on to record a total of sixteen studio albums and five live albums, and remain an active band for over thirty years.]

10. (#21) Marcus Lewis Big Band – “Post Racial (feat. Kadesh Flow)”
from: Brass and Boujee / Independent / August 24, 2018
[Brass & Boujee, the dynamic collaboration between The Marcus Lewis Big Band, Kemet the Phantom, and Kadesh Flow. Marcus has performed at the Grammy Awards, the New Orleans Jazz Fest, the Glastonbury Fest, Nobel Peace Prize Concert and the North Sea Jazz Fest, Sydney Opera House, and the White House. TV shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus has performed with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, and Jidenna.]

11. (#20) Meshell Ndegeocello – “Tender Love”
from: Ventriloquism / Naive / March 16, 2018
[Singer-songwriter, rapper, bassist, and vocalist. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, and has had ten career Grammy Award nominations. She has been credited for having “sparked the neo-soul movement.”Ventriloquism is the 12th studio album from Meshell Ndegeocello. The album covers eleven R&B and pop tracks originally recorded in the 1980s and 1990s. A portion of the profits of the album will go to the ACLU. This album follows “Comet, Come to Me”, her 11th studio album. “Tender Love” is a song by Force MDs from their second album Chillin’ (1985). Written and produced by Jimmy Jam and Terry Lewis, the tune appeared in the film Krush Groove (1985), and was featured on the film’s soundtrack. Although primarily known as a pre-new jack swing/old school hip hop band, the Force MDs introduced themselves to a whole new audience with this song. Not only did the song reach number 4 on the R&B charts (where the group had already amassed a steady string of minor hits), but it also became a crossover hit, cracking the top ten on the Billboard Hot 100 in the spring of 1986, becoming the group’s only single to date to break the Pop top 40. On the Adult Contemporary chart, the song peaked at number 2. The song was also a hit in the United Kingdom, reaching number 23 in the UK Singles Chart. The tune was a major contributing factor to Jam & Lewis’ winning a Grammy Award for Producer of the Year in 1986.]

12. (#19) U.S. Girls – “Velvet 4 Sale”
from: In a Poem Unlimited / 4AD / February 16, 2018
[6th studio album from U.S. Girls, the recording moniker of American-Canadian musician Meghan Remy. Formed in the United States in 2007 as a noise-pop project, Remy later moved the band to Toronto after marrying Canadian musician Max “Slim Twig” Turnbull. She released music on a variety of independent labels in both the United States and Canada before signing to 4AD in 2015. Her first record for that label, Half Free, was released the same year. Half Free garnered a Juno Award nomination for Alternative Album of the Year at the Juno Awards of 2016, and was a shortlisted finalist for the 2016 Polaris Music Prize. In a Poem Unlimited is her follow up and second release on 4AD.] [First play February 28, 2018]

13. (#18) Cat Power – “You Get”
from: Wanderer / Domino Recording Co / October 5, 2018
[10th studio album by Cat Power The album was produced entirely by Marshall herself and was written and recorded in Miami and Los Angeles over the past few years, she stated: “The course my life has taken in this journey—going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. Folk singers, blues singers, and everything in between. They were all wanderers, and I am lucky to be among them.” The album includes a collaboration with Lana Del Rey, whom Marshall opened for on the European leg of her LA to the Moon Tour. It is her first album to not be released on Matador since 1996. In support of the release, Marshall has embarked a world tour, that began in September. Charlyn Marie “Chan” Marshall was born January 21, 1972, She is better known by her stage name Cat Power. She is a singer-songwriter, musician, occasional actress, and model. Cat Power was originally the name of Marshall’s first band, but has become her stage name as a solo artist. Born in Atlanta, Marshall was raised throughout the southern United States, and began performing in local bands in Atlanta in the early 1990s. She was discovered opening for Liz Phair in 1994 by Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, with whom she recorded her first two albums, Dear Sir (1995) and Myra Lee (1996), on the same day in 1994. In 1996 she signed with Matador Records, and released a third album of new material with Shelley and Foljahn, What Would the Community Think. Following this she released the critically acclaimed Moon Pix (1998), recorded with members of Dirty Three, and The Covers Record (2000), a collection of sparsely-arranged cover songs. After a brief hiatus she released You Are Free (2003), featuring guest musicians Dave Grohl and Eddie Vedder, followed by the soul-influenced The Greatest (2006), recorded with numerous Memphis studio musicians. A second album of cover tracks, Jukebox, was released in 2008. In 2012 she released the self-produced Sun, which debuted at number 10 on the Billboard 200, the highest charting album of her career to date. Critics have noted the constant evolution of Cat Power’s sound, with a “mix of punk, folk and blues” on her earliest albums, and elements of soul and other genres more prevalent in her later material.]

14. (#17) Other Americans – “Curtis Mayfield”
from: Other Americans EP / AWAL Records / June 29, 2018
[Debut self-titled EP from Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Zachary Phillips on bass. Hailing from the musical hotbeds of Kansas City, MO, and Lawrence, KS, the electro-alternative OTHER AMERICANS are comprised of members of such regional luminaries as The Architects, Latenight Callers, Radar State and Brandon Phillips and The Condition, Other Americans is a virtual Midwestern supergroup of sorts. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.” With first date jitters behind them, the duo enlisted drummer Adam Phillips, bassist Zachary Phillips and late keyboardist Ehren Starks, who passed away suddenly in March 2018, and began writing the material that would become the EP. The band premiered the late night public access by-way-of 120 Minutes-inspired video for lead single, “Murdering Crows,” directed by artist Adrian Halperin, via The Spill Magazine in May 2018, exposing the band’s brand of kickass dance rock to a broad and international audience. Superlatively catchy and conjuring up well-intentioned comparisons to Yeah Yeah Yeahs, Fiery Furnaces, and even a jauntier and more aggressive Passion Pit, the new EP captures the excitement and spontaneity that punctuates coastal indie rock while embracing elements of the electronic dance rock that populates midnight warehouse parties. “All the basic tracking [for the EP] was done at Element Recording and was mastered by Nanos,” he recalls. “Then I took it to my spot and worked and reworked it all for a year until it sounded like something none of us had heard before.” Prior to the EP’s release the band makes their hard fought and won live debut on June 11, 2018, at Kansas City’s Riot Room, an already sold-out performance supporting singer songwriter Meg Myers. The band will also release their video for “Make Me Afraid,” directed by Todd Norris and Mitch Brian, in coming weeks. Illuminated with the knowledge that the journey is as important as the destination, Phillips admits to looking forward to the period of dues paying that their debut brings. “I’m looking forward to all the firsts;. first show. first record. first tour. Magical thinking could have me pining for a post-Grammys Maserati coke party by the sea, but if I’m all wrapped up in making that fantasy come true, I’ll miss the fun of being present for the firsts and the fifths and the tenths.” From there the plan becomes a bit more complicated, “ The ‘Plan” as I see it is to con some major label artist into taking us out as support, steal their identities on laundry day, have reconstructive surgery, then only tour in countries without U.S. extradition treaties,” Brandon jokes.]

11:00 – Station ID

15. (#16) The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / August 10, 2018
[Full Length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass, folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ] [First Played February 7, 2018]

[The War and Treaty played an Official Showcase at Folk Alliance International Conference]

16. (#15) Howard Iceberg & The Titanics – “With Or Without You”
from: Netherlands / Howard Iceberg & The Titanics / March 29, 2018
[Howard Iceberg on lead vocals & harmony vocals; Rich Hill on piano, organ & harmony vocals; Bryan Hicks on electric bass & harmony vocals; and Doug Auwarter on drums. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg & Pat Tomek. Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Haoward iceberg. Heis one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs.”]

17. (#14) Under the Big Oak Tree – “Dear Brother”
from: The Ark / DashGo / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).

18. (#13) SSION – “Comeback”
from: O / Dero Arcade / May 11, 2018
[“Comeback” was the first single from SSION’s LP, O. SSION (pronounced “shun”) is a multifaceted creative project spearheaded by Cody Critcheloe. An art-punk act fronted by flamboyant vocalist/artist Cody Critcheloe, Ssion recorded a series of underground releases during the 2000s, yet were perhaps best recognized for their extravagant live show. Ssion (pronounced “shun”) were founded in Kansas City, MO, by Critcheloe, who studied at the Kansas City Art Institute, and draw from a range of influences, including the punk spectacle of Iggy Pop and the dance-party new wave of the B-52’s as well as performance art and gay culture. Critcheloe’s artwork graces the cover of Yeah Yeah Yeahs’ Fever to Tell (2003) and the video for Liars’ “There’s Always Room on the Broom” (2004). Besides Critcheloe, Ssion’s membership includes, among others, backup vocalists Taylor Painter-Wolfe and Shannon Michaels, who respectively create costumes and stage props for the act’s live shows. Critcheloe made his recording debut as Ssion in 1999 with Fucked into Oblivion, a self-released cassette/CD-R. I Don’t Want New Wave & I Don’t Want the Truth, another self-released CD-R, followed in 2001. In 2003 Ssion made their label debut, releasing the Minor Treat EP and the Opportunity Bless My Soul album on Version City Records. Next, following a self-released album, Glory Hound (2005), and EP, Street Jizz (2006), Ssion signed to Sleazetone Records. In 2008 the label released the Fools Gold album and the accompanying Clown remix EP. ~ Jason Birchmeier]

19. (#12) Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

20. (#11) Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / May 25, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

21. (#10) Monta At Odds – “Chromosphere”
from: Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from the psychedelic, experimental indie/space rock/electronic collective based in KCK formed by brothers Dedric and Delaney Moore. The band describes their music as: Mutant Disco, minimal synthwave, post-punk dance, Electronica, Indie, Space Rock, Ambient. Current members include: Dedric Moore, Delaney Moore, Alexander Thomas, Adam Davies, Zach Bozich, Aaron Osborne, Matthew Hayden. For this new EP the band collaborated with Taryn Blake Miller who records as Your Friend. Past supporting members of Monta At Odds include: Mika Tanaya, Sterling Holman, Bree Plaster; Eric Bessenbacher, Ryan Shank, Jeremiah James, Samer Saba, Doug Hutchinson, Erin O’Neill, Sam Behrens, Luke Behrens, Sam Hughes, Tom Romero, Caleb Aldrich, John Aldrich.]

22. (#9) CS Luxem – “Let Me Go On”
from: Symptoms / Whatever Forever / February 17, 2018
[Debut full-length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. Info at http://www.csluxe

11:27 – Underwriting

23. (#8) Shy Boys – “Something Sweet”
from: Bell House / Polyvinyl Record Co. / August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

24. (#7) Janelle Monáe — “Make Me Feel”
from: Dirty Computer / Wondaland Arts Sociaety – Bad Boy – Epic / April 27, 2018
[Nominated for a Grammy Award for Album of The Year, and Best Music Video for “Pynk.” Janelle Monáe moved from Kansas City, Kansas to New York to study theatre at the American Musical and Dramatic Academy. Her original plan was to pursue a career on Broadway, but she soon changed her mind and returned to music. After moving to Atlanta, GA, where she met OutKast’s Big Boi, Monáe founded the Wondaland Arts Society with like-minded young artists and made appearances on Outcast’s Idlewild, where Janelle is featured on the songs “Call The Law” and “In Your Dreams”. In 2007, Monáe released her first solo work, titled Metropolis. A few months later she was signed to Sean “Diddy” Combs’ label, Bad Boy Records. Dirty Computer is the third studio album by Janelle Monáe. In October 2016, Monáe made her big screen acting debut in the critically acclaimed film Moonlight. Monáe also starred in the film Hidden Figures. While filming her two movie roles, Monáe remained active in music with features on Grimes’ “Venus Fly” from her Art Angels album and also the soundtrack for the Netflix series The Get Down with a song titled, “Hum Along and Dance (Gotta Get Down)”. She was also on the tracks “Isn’t This the World” and “Jalapeño” for the Hidden Figures soundtrack. In an interview with People, Monáe revealed that she was already working on her third studio album when she received the scripts for her two first acting roles; therefore, she put the album on hold. It was confirmed by Monae after “Make Me Feel” was released that Prince, with whom she collaborated on her preceding album, The Electric Lady, had worked on the single, as well as the entire album, before he passed away. This was confirmed after listeners noticed similarities between the single’s sound and the late musician’s work. Monae stated in an interview with BBC Radio 1: “Prince was actually working on the album with me before he passed on to another frequency, and helped me come up with some sounds. And I really miss him, you know, it’s hard for me to talk about him. But I do miss him, and his spirit will never leave me.”

[Janelle Monáe played Starlight Theatre, Saturday, October 13 as part of Open Spaces KC, with The Marcus Lewis Big Band with Kemet The Phantom and Kadesh Flow.]

25. (#6) Emmaline Twist – “Starcrossed”
from: Dissimulation / Black Site / August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

26. (#5) Amy Farrand & The Like – “Scared to Death of Dying (Radio Edit)”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded with Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”]

27. (#4) Madisen Ward and the Mama Bear – “Walk in The Park”
from: Radio Winners – EP / Glassnote Records / July 27. 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear play The Truman, 601 E. Truman Rd, KCMO, Saturday, January 26, at 7:30, with support from Me Like Bees.]

28. (#3) Mikal Shapiro – “Little Black Ant”
from: The Musical II / Mikal Shapiro / May 26, 2018
[“Everybody’s Baby” is her pop song she wrote, but all the songs on The Musical 11 are great. The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

29. (#2) Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst play The Gospel Lounge at Knuckleheads, Thursday, Dec 27, at 8:00 PM]

30. (#1) Calvin Arsenia – “Tip Toe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays a special New Year’s Eve Show at The Truman, 601 E. Truman Rd, KCMO, Monday, December 31 with Making Movies performing the entire talking Heads album Remain In Light after midnight.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, January 2, 2019, Wednesday MidDay Medley celebrates Iris DeMent, born January 5, 1961, in rural Paragould, Arkansas. She was the youngest of 14 children. We’ll feature music from all six of Iris DeMent’s full length recordings, plus her additional work with artists such as her husband – Greg Brown, and also: John Prine, John Emmylou Harris, and others.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #766

Wednesday MidDay Medley presents The 118 Best Recordings of 2018 (Part 4 of 4)

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 26, 2018

The 118 Best Recordings of 2018
(Part 4 of 4)

Wednesday MidDay Medley presents part-four, of our four-week special: The 118 Best Recordings of 2018. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, please accept our list as a celebration of the year in music.

In 2018 we’ve played nearly 1000 different songs on the show, and we’ve played from over 400 New Releases. More than 250 of these were New MidCoastal Releases. We also conducted over 117 interviews with over 150 different guests. 75 of the representative recordings in our “Best of” list were MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us as guests on Wednesday MidDay Medley on 90.1 FM. It’s all good!

Tune into 90.1 FM, Wednesdays in December, as we present our 4-week series: The 118 Best Recordings of 2018 packing 8-hours of radio with music that represent: The 118 of Best Recordings of 2018!

This Wednesday, we’ll count down #29 to #1 with representative tracks from: Emmaline Twist, Bob & Una Walkenhorst, Slights, Calvin Arsenia, Shy Boys, Madisen Ward and the Mama Bear, Mikal Shapiro, Amy Farrand and The Like, Janelle Monae, Monta At Odds, Howard Iceberg & The Titanics, Ssion, Jametatone, Mysterious Clouds, CS Luxem, Marcus Lewis Big Band, Under The Big Oak Tree, Other Americans, Broken Arrows, The War and Treaty, Cowboy Junkies, Meshell Ndegeocello, Blood Orange, U.S. Girls, Cat Power, Superchunk, Amen Dunes, Dirty Projectors, and Parquet Courts.

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #766

WMM Playlist from October 17, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 17, 2017

Betse Ellis + Marion Merritt
+ Jennifer Owen of Owen Cox Dance Group
+ Jake Wells

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Cuee – “Honey feat. Micha Anne [radio edit]”
from: “Honey”- Single / Cuee / November 27, 2017
[Cuee is a Chicago rap artist currently in Lawrence. Fally Afani writes in I Heart Local Music: Your 2017 local queer anthem is here, and we are screaming. Cuee’s “Honey” features local trans songstress Micha Anne, and it’s blasting confidence all over our speakers. LISTEN TO US. This is the track you put on when you’re gussying up for a night of raging on the Replay dance floor. In the song, Micha encourages us to “work it out,” “get sexy now,” and just “slay.” Then, Cuee (always the charmer) pops in, proudly proclaims “I’m brown skinned, I like action” and that she could “pull your girl without askin’.” We’re already a hot mess. 2017 has been such a shit year and we need this unapologetic happiness right now. Together, Cuee and Micha Anne are looking good and slaying. They are our guiding lights in dark times, and we are going to sissy that walk when we follow them into the new frontier. If this is the future of music, sign us up. We are here for it.]

[Cuee plays Replay Lounge, 946 Mass. St, LFK, on Saturday, October 20 with Khrystal., Mae C, and DJ Kate Furst.]

3. Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

10:08 – Pledge Break #1

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016. Last year their special analog recorded collection of tunes released on cassette called, Tunes We Like, was in our 117 Best Recordings of 2017. Betse & Clarke play Ollie’s Local, 3044 Gillham Rd., KCMO, tomorrow night, 7:00 to 10:00 PM.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features new vinyl releases, weekly in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming, that is…essentially free to you. this year, 90.1 FM KKFI is celebrating our 30th year on the airwaves. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We’re nonprofit, but we still have to pay the electric bill, the rent on our fully accessible production studios and offices, insurance, staff, royalties, production expenses. Even though we have hundreds of committed volunteers, who donate thousands of hours every year, producing radio shows, answering phones, creating websites, producing benefits, rewiring the board, setting up our computer system, we still need YOU, our listener, to take a moment and call 888-931-0901 and donate to keep us alive!

YOU are the reason we are able to stay alive.

90.1 FM KKFI is “The Voice of the Community” Our Kansas City area Community Speaks Through our Airwaves and this Program

Along with all of the music, in the last year, Wednesday MidDay Medley has interviewed 200 guests:

Radkey, Ted Riederer, Shy Boys, Emmaline Twist, Howard Iceberg, Cody Critcheloe, Bach Aria Soloists, Calvin Arsenia, Tim Finn, Stephonne Singletone, Prisca Jebet Kendagor, Nathan Bowman, Holly Near, Of Tree, Michelle Bacon, Krystle Warren, Cris Williamson, Ivory Blue, Jesse Kates, Sterling Witt, Kristy Stremel, Summer Osborne, Sarah McCracken, Una Walkenhorst, Thee Devotion, Abandoned Bells, Amy Farrand, Barry Lee, Lisa McKenzie, Chase The Horseman, Keaton Conrad, Sid Sowder, Heidi Lynne Gluck, CJ Janovy, Aaron Rhodes, Fally Afani, Liz Jeans, Pranav Nanda, Cat Dail, Savannah Rodgers, Stuart Hinds, Lea Hopkins, Austin Williams, Jamie Rich, Philip Hooser, Lesley Poiries, Ryan Wilks, Tim J. Harte, Julia Othmer, Victor & Penny, The Grand Marquis, Nico Gray, Cheryl Kimmi, Chris Haghirian, Nathan Ruesch, Megan Slankard, Justin Van Pelt, Elizabeth Suh Lane, Beau Bledsoe, Jeff Harshbarger, Jen Harris, Laurel Parks, Ben Parks, Spencer Brown, CS Luxem, Red Kate, Olivia Fox, Doby Watson, Kadesh Flow, David Wayne Reed, Shaun Crowley, Nick Carswell, Patrick Alonzo Conway, The Matchsellers, Teri Quinn, Steve Tulipana, Kemet The Phantom, D Rashawn Gilmore, Madisen Ward and the Mama Bear, Ryan Lee Toms, Paul S. Nyakatura, Joesph Warren Wheeler, Summerland, Blake Berglund, Belle Plaine, Joe Stanziola, Chris McCoy, Wick Thomas, Josh Morgan, Simon Huntley, Mike Dillon, Ethan Eckert, Cody Calhoun, Cole Bales, AM Merker, Stephen Berry, Sarah Dolt, L. Ron Drunkard, Natalie Patrick-Knox, Theresa Scott, Johnny Hamil, Chris Tady, John Keck, Chris Teasley, Davin Watne, Ten Thousand One, Scott Hobart, Necia Gamby, Dedric Moore, Brenton Cook, Erica Joy, Betse Ellis, Clarke Wyatt, Ron Megee, Joelle St.Pierre, Nan Turner, Matthew Roth, Marco Pascolini, Ada Brumback, Richard Alan Nichols, Erin Keller, Jen Appell, Steve Gardels, Cynthia Hardeman, Matt Kesler, Scott Mize, Jennie Ferguson, Doug Hitchcock, Scott Hrabko, Jonathan Brokaw, David Weeda, Anna Selle, Bill Dickey, Roxi Copland, Joy Baker, Kathryn Golden, Bill Sundahl, Derick Cunninhgham, Desmond Mason, Bill Svoboda, Claire Adams, Ross Brown, Jerad Tomasino, Maria Cuevas, Garrett Nordstrom, Noah Davis, Steven Eubank, Julie Shaw, Sarah Beth Mundy, Lovergurl, Stephanie Bankston, Brook Worlledge, Heather Andrews, Chad Meise, Beth Marshall, Jon “Piggy” Cupit, Janet Henry, Michael McQuary, Clint Hoffmeier, Matt Tady, Alan Winkler, Matthew Dunehoo, Lou Jane Temple, Dave Storms, Sondra Freeman, David George, Jade Osborne, Quinn Hernandez, John Craige, Jennifer McCartney, Amy Marcus, Susanna Lee, Kyle Dahlquist, Vanessa Severo, Simone Briand, Maria Vasquez Boyd, Jenny Mendez, Chato Villalobos, Miguel Morales, Salar Rajabnick, Barclay Martin, Zachary Van Benthusen, Krysztof Nemeth, Britt Adair, Duncan Burnett, Judy Mills, Jamie Searle, Patrick Alexander, and more.

10:15 – DNA Harmonies

4. Shy Boys – “Something Sweet”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play the Forever Fest, Friday, October 19, at 5:00 PM, at The Yard in North Lawrence, 512 Locust Street, with CS Luxem, and Mourning Ritual.]

5. Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst play Vinyl Renaissance, at 7932 Sante Fe Drive, Overland Park, KS., Thursday, October 18, over the lunch hour at from 12:00 Noon to 1:00 PM.]

6. Madisen Ward and the Mama Bear – “Walk in The Park”
from: The Radio Winners – EP / Glassnote Records / July 27, 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occasional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear are currently out on the road with The Record Company with shows tomorrow in NYC, Friday in Boston, Saturday in Phiadelphia, Monday in Portland Maine, and continuing to Charlotte, Atlanta, Birmingham, Austin, Dallas, Albuquerque, Phoenix, Tucson, San Diego, Los Angeles, Las Vegas, and Denver through November 13.]

7. Mikal Shapiro – “Little Black Ant”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios.]

[Mikal Shapiro and the band that made The Musical II plays a Fundraiser for Sharice Davids for United States Congress, Thursday, October 25, at 8:00 pm, at recordBar, 1520 Grand, with Amy Farrand & The Like, Emmaline Twist, and Teri Quinn.]

10:25 – Pledge Break #2

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

We just heard from Mikal Shapiro, Madisen Ward and The Mama Bear, Bob & Una Walkenhorst, and Shy Boys. We not only play their latest music but we let you know where you can see and hear these artists live in Kansas City and around the country. We also offer information about when the music was released, who contributed to the recordings and information about these artists. Our detailed playlists are posted on our Wednesday MidDay Medley Facebook page, on our Twitter page, and our playlists dating back for the last 8 years are available at http://www.wednesdaymiddaymedley.org. Wednesday MidDay Medley was the very first radio show to play Shy Boys and Madisen Ward and The Mama Bear, Mikal Shapiro, and the new Bob & Una Walkenhorst record. Long before they were played on other stations, we were the very first to let people know about their music, right here on this little ole radio show.

WMM Plays New & MidCoastal Releases. Timothy Finn former music writer for the Kansas City Star named WMM “The Best Place to Hear Local Music on the Radio.”

10:32 – Underwriting

Betse Ellis and Jennifer Owen on the October 17, 2018 edition of Wednesday MidDay Medley.

10:34 – Interview with Jennifer Owen

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group, including two commissions by the Nelson-Atkins Museum of Art, and works commissioned by Island Moving Co. of Newport, RI, Kansas City Dance Festival, Kansas City Baroque Consortium, and Kansas City Chamber Orchestra. She has also created nine new works for Kansas City Ballet’s In the Wings choreographic workshop, and a winning entry for the 2006 Columbus Choreography Project. Owen is the recipient of a 2000 Princess Grace Honorarium. Prior to founding Owen/Cox Dance Group, Owen enjoyed a 13-year international ballet career. After training with Pacific Northwest Ballet School, San Francisco Ballet School, School of American Ballet, and the Bolshoi Ballet Academy, she went on to dance with the Russian State Ballet, Moscow Renaissance Ballet, Kansas City Ballet, Hong Kong Ballet, BalletMet, and was a guest artist with the National Ballet of Turkmenistan. She has performed principal roles in Giselle, Don Quixote, George Balanchine’s Tchaikovsky Pas de Deux and Donizetti Variations, and the central pas de deux in Todd Bolender’s Arena.

“Morena” a collaboration between Owen/Cox Dance Group and soprano Victoria Botero with ensemble, presenting contemporary choreography danced to music traditionally sung by Jewish, Muslim and Christian women. The show explores themes of love, family and loss in secular music from the Sephardic, Arabic and Armenian traditions. There are only two performance on Saturday, October 20 at 8:00 PM, and Sunday, October 21 at 2:00 PM, at The Polsky Theatre

Jennifer Owen joins us to share details about, “Morena” a collaboration between Owen/Cox Dance Group and soprano Victoria Botero with performance on Saturday, October 20, at 8:00 PM, and Sunday, October 21, at 2:00 PM, at The Polsky Theatre in the Carlsen Center for the Performing Arts at Johnson County Community College, 12345 College Blvd., Overland Park, Kansas.

Jennifer Owen, thanks for being with us on Wednesday MidDay Medley

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs.

Owen/Cox Dance Group’s mission is to bring exciting new music and dance collaborations to Kansas City, partners with soprano Victoria Bo-ero on Morena, a world premiere music and dance work. Featuring the secular music traditionally sung by Jewish, Muslim, and Christian women. These songs from the Sephardic, Arabic, and Armenian cultures have a rich history of being passed from one woman to another since the medieval era. Curated by Victoria Botero and choreographed by Jennifer Owen, this program connects across time and faith, exploring themes of love, family, and loss.

“I am thrilled to present this collaborative performance with Victoria Botero,” said Jennifer Owen, Owen/Cox Dance Group Artistic Director. “It’s a re-markable gift for a choreographer to be able to create new dance works to music with such a rich tradition. Don’t miss this powerful event paring live music and dance!”

Musicians:
Victoria Botero, Soprano, Kristee Haney, Mezzo-Soprano, Trilla Ray Carter, Cello

And featuring the Sharq Ensemble: Karim Nagi, Percussion and Aboud Agha, Oud

Dancers:
Yazzmeen Ladler (Ailey II), Christopher Page-Sanders (Cleo Parker Robinson Dance)
Demetrius McClendon (Deeply Rooted), Terra Liu (State Street Ballet)
Marlayna Locklear (Ailey II), Megan Buckley (Verb Ballets), and Martell Ruffin (Ailey II)

There are only two performance on Sat., Oct. 20 at 8:00 PM, and Sun, Oct. 21 at 2:00 PM, at The Polsky Theatre in the Carlsen Center for the Performing Arts at Johnson County Community College, 12345 College Blvd., OPKS. For info: http://www.owencoxdance.org

Owen/Cox Dance Group 2018 – 2019 Season

New Dance Partners – 4 world premieres commissioned by JCCC – Sept. 21-22, at Yardley Hall, JCCC

Morena with soprano Victoria Botero – October 20-21, 2018 at Polsky Theatre, JCCC

For the Love of Dance – Annual Fundraiser – November 18, 2018

What Keeps Mankind Alive – music by Kurt Weill and Bertolt Brecht
February 1-3, 2019 – MTH Theatre, Crown Center

Strung Through Time w/ violinist Elizabeth Suh Lane – June 8-9, 2019, at White Recital Hall, UMKC

10:44

Jennifer Owen, thanks for being with us on Wednesday MidDay Medley

Owen/Cox Dance Group presents, “Morena” a collaboration with soprano Victoria Botero and ensemble, presenting contemporary choreography danced to music traditionally sung by Jewish, Muslim and Christian women. The show explores themes of love, family and loss in secular music from the Sephardic, Arabic and Armenian traditions. There are only two performance on Sat, Oct. 20 at 8:00 PM, and Sun,, Oct. 21 at 2:00 PM, at The Polsky Theatre in the Carlsen Center for the Performing Arts ,at Johnson County Community College, 12345 College Blvd. Overland Park, Kansas

10:45

8. Stephonne Singleton – “You Are Fire”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Benedictine College and his Masters in Entertainment Business from Full Sail University.]

[Stephonne Singleton plays Pianos, 158 Ludlow Street, in NYC, on Sunday, October 28, at 7:00 PM with Tales of Joy, New Alone, Ava Sophia and Paola Bennet.]

9. Krystle Warren & The Faculty – “Born In The Fall”
from: A Time To Keep Love Songs EP / Parlour Door Music / August 12, 2011 [UK]
[This EP came out before Krystle Warren’s 2012 European release, double album: Love Songs – A Time You May Embrace & Love Songs – A Time to Refrain from Embracing came from a 13 day recording session in Brooklyn, where she recorded the 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle wrote the songs, and produced the vinyl release. This EP contained three songs from the Love Songs set, plus two other tracks “Sunbeams” which a different version of this song was part of Nezbeat’s collaborative release “From The Huge Silence” from 2005, and “Born in The Fall” of which a different more acoustic version can be found as a bonus track on the Japanese CD release of “Three The Hard Way.” Originally from Kansas City, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs.” Krystle release her last album, Three The Hard Way on Parlour Door Music on August 18, 2017. Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.]

10:52 – Pledge Break #3

We just heard Krystle Warren. Mark Manning was the very first to play Krystle’s music on the radio and on KKFI. He first interviewed Krystle Warren for The Tenth Voice, back 2002. Mark wanted recorded music of Krystle’s that could be played on the radio. Solomon Dorsey, Krystle’s Paseo Academy classmate and longtime friend and collaborator, invited Mark to a party where Krystle and her band were playing with Solomon on bass, in a very smoke filled apartment packed with area college students, at a huge party during a winter snow storm, in a building near Community Christian Church where Solomon lived. There had been a power outage because of the snowstorm, except Solomon’s apartment still had power. Mark waited over 2 hours, to be given a 2 song demo CD that contained Krystle’s first recorded music. The CD including a song called “Chanel #5.” Krystle has since gone on to be known all over the world, but maintains contact with her hometown of Kansas City. In the last year Krystle released her critically acclaimed album, “Three The Hard Way” which was #1 on WMM’s 117 Best Recordings of 2017. Wednesday MidDay Medley was the first to play tracks from Krystle’s album, long before it was released. Krystle even came on the show months before the release, to share music that was the inspiration for the recording.

YOU are the reason we are able to stay alive. Volunteers are waiting to hear from YOU right now. Call 888-931-0901. You can also visit us at http://www.kkfi.org

KKFI is an Independent, non-commercial radio station!

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, and share your concerns, and offer resources, and community activities and information. Along with our stellar National Public Affairs shows like Democracy Now, and Workers Independent News we also offer more locally produced public affairs programs than anywhere else on the dial. We offer programs specifically produced for the LGBTQIA Community, Women’s Issues, Native American News and Culture, Middle Eastern Music and Information, Latino Programming, African American Public Affairs and Community News, Labor and Worker’s Unions, our prison population and justice system, environmental programming, Visual and Literary Arts, and Performing Arts.

Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI – Commercials. We are non-commercial! We do not clutter the airwaves with commercials trying to sell you something. We do have brief underwriting announcements, recognizing those who financially contribute to support non-profit community radio, but No Commercials!

KKFI has no automated robot playing the same 40 to 100 songs in a “rotation,” based on a formula, created by someone who programs the robot. We are the opposite of this. There is a human being on the other end of the phone line anytime you call.

We are The Voice of The Community

90.1 offers 104 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are very deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Time, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this, you also hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. How much is this worth to you?

We are The Voice of The Community

At http://www.wednesdaymiddaymedley.org you can find our playlists from the last 8 years.

Call: 888-931-0901 or visit: http://www.kkfi.org — Become a sustaining member!

10:59 – Station ID

10. Emmaline Twist – “Starcrossed”
from: Dissimulation / Black Site / August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering. Matched with compelling cover-art created by Amy Abshier. Alex Alexander recently joined the band on synthesizers & guitar.]

[Emmaline Twist plays a Fundraiser for Sharice Davids for United States Congress, Thursday, October 25, at 8:00 pm, at recordBar, 1520 Grand, with Amy Farrand & The Like, Mikal Shapiro and the band that made The Musical II and Teri Quinn.]

11. Amy Farrand & The Like – “Junk Man”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen instruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.” ]

[Amy Farrand & The Like play the Brick Saturday, October 20, at 8:00 pm, with Molly Gene]

[Amy Farrand & The Like play Replay in Lawrence on Sunday, Oct. 21, at 5:00 pm, with the Vedettes]

[Amy Farrand & The Like play a Fundraiser for Sharice Davids for US Congress, Thursday, Oct. 25, at 8:00 pm, at recordBar, with Emmaline Twist, Mikal Shapiro and band, and Teri Quinn.]

[Sister Mary Rotten Crotch plays recordBar Wed, Oct 31, 9:00 pm with Bob Log III, Molly Gene.]

11:05 – Pledge Break #4

Our WMM Fall Fund Drive Team: Marion Merritt and Betse Ellis

What does 90.1 FM KKFI Kansas City Community Radio means to YOU?

Where can you find out about what is happening in your community? Where can you find weekly locally focused specific information and news about the following collective communities or issues: LGBTQIA, Urban Affairs, Worker’s Rights, The Environment, The Kansas City Visual and Literary Arts, The Performing Arts, Women’s Issues, Native American Issues, Jazz, Blues, Reggae, Classical, Hip Hop, Folk, Women’s Music, Indie Rock, Pop, Electronica, Punk? The answer is KKFI 90.1 FM Kansas City Community Radio. The Voice of The Community

Donating to 90.1 FM KKFI is investing in your community.

(From our bylaws of The MidCoast Radio Project)

KKFI’s Mission Statement:
KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement:
KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:12

12. Jake Wells – “Water, Pt. 2”
from: Orange and Blue – EP / Sound 81 Productions / May 17, 2018
[Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 22 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations.]

[Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with special guests: Calvin Arsenia, and Duncan Burnett x RIOT.]

Jake Wells photo by Alec Matlock. Jake Wells plays recordBar, Monday October 22, at 7:00 PM, with special guests: Calvin Arsenia, and Duncan Burnett x RIOT

11:15 – Interview with Jake Wells

Last week the whole world saw KC based singer songwriter – Jake Wells perform on NBC television’s musical competition show The Voice, where he sang in the blind audition and ended up being chosen to be a part of the team coached by Adam Levine of Maroon 5. Jake Wells spent his childhood singing and playing gospel music throughout the country, all the while developing his own talent and style. He studied musical composition in Colorado and performed music while hitchhiking the States before moving to Kansas City. We first played Jake Wells on Wednesday MidDay Medley when Jake released his first self-produced single, “Roll Like Thunder”. This year Jake released his debut EP Orange and Blue. Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with Calvin Arsenia, and Duncan Burnett x RIOT.

Jake Wells, Thanks for being with us on Wednesday MidDay Medley.

Last Tuesday night, October 9, we saw Jake sing on NBC’s The Voice, in the blind audition for celebrity musicians: Adam Levine, Jennifer Hudson, Blake Shelton and Kelly Clarkson. We watched Jake’s family backstage waiting with anticipation for one of the “coaches” to turn around. At the last moment of his song, Adam Levine turned his chair, making Jake a member of his team, and moving him to the next stage of the competition – The battle rounds.

Jake Wells was born in Niceville, Florida and spent his childhood singing and playing gospel music throughout the country with his family, all the while developing his own talent and style. Jake is one of five childen, He has two sisters and two brothers and he is the middle child.

He studied musical composition at University of Northern Colorado in Colorado and performed music while hitchhiking the States before moving to Kansas City.

We first played Jake Wells on Wednesday MidDay Medley when Jake released his first self-produced single, “Roll Like Thunder”. Jake has release other singles and this year Jake released his debut EP, Orange and Blue.

Jake Wells with Dorothy Hawkins on the October 17, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with Calvin Arsenia, and Duncan Burnett x RIOT.

Jake’s band includes: Tyler Beyer, Jordan Thompson, and Elliott Holt

11:26

Jake Wells, thanks for being with us on Wednesday MidDay Medley.

Jake Wells plays recordBar, 1520 Grand, on Monday October 22, at 7:00 PM, with Calvin Arsenia, and Duncan Burnett x RIOT. More information at http://www.jakewellsmusic.com

11:27

12. Calvin Arsenia – “Tip Toe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[The first release on Bullseye Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays recordBar, Mon. Oct 22, at 7:00 PM, w/ Jake Wells and Duncan Burnett x RIOT.]

[Calvin Arsenia plays Making Movies: Once In A Lifetime at The Truman, on Mon, Dec 31, 9:00 PM.]

16. Duncan Burnett – “Black Boy Joy”
from: The Almighty EP / R.I.O.T LLC / May 4, 2018
[Olathe, Kansas based hip hop artist, singer, songwriter, producer, musician, drummer. From Tim Finn’s Back To Rockville(KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind. The first: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. A trained drummer and percussionist, Burnett, 26, has been performing live since he was 7 years old. Live music, he said, is in his blood.]

[Duncan Burnett X RIOT plays recordBar, Mon. Oct. 22, at 7:00 PM, w/ Jake Wells, Calvin Arsenia.]

11:32 – Underwriting

11:34 – Pledge Break #5

This is WMM’s Fall Fund Drive Show with Marion Merritt, & Betse Ellis.

90.1 FM KKFI – Kansas City Community Radio offers loads and loads of information about what is going on in the community. Not only does this show interview nearly 200 guest each year, not only do we play nearly 1000 different songs with nearly half of those being locally produced, but we also shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

In just this past year, we’ve featured segments shining a light on: Bach Aria Soloist, KC Gamelan Genta Kasturi, The Workers Revival Festival, Open Spaces Kansas City, The Arts Asylum, KC PrideFest, Midwest Music Foundation, The MidCoast Takeover, Kansas City Public Library, The Midwest Innocence Project, InterUrban ArtHouse, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr., Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Events, Clay Platte Montessori, American Jazz Museum, Never Records, KC Fringe Fest, Late Night Theatre, The Barn Players, Crossroads Music Fest, Lawrence Field Day Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Outer Reaches Festival, Plaza Art Fair, Bullseye Records, Black Site Records, Haymaker Records, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Voltaire, Datura Records, Too Much Rock, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music, and more…

11:41

15. Remy Styrk – “In Too Deep”
from: In Too Deep – Single / Remy Sryrk / June 13, 2018
[20 year old Remy Stryk lives in Leawood Kansas. Originally for Newark, New Jersey. This multi instrumentalist has been writing and recording music for several years. “In Too Deep” is one of four singles Remy has released in the last two years. Written by Remy Styrk. Mixed and Mastered by Joel Nanos at Element Recording. Remy Styrk released the EP Sunday, on January 25, 2018 a follow up to the August 12, 2015 full length album, Telling Stories Through The Basement Door.]

12. Serene Fiend – “Just Wont Go Away”
from: Sowing Discord / DK Records / July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.”]

11:49 – Pledge Break #6

This is WMM’s Fall Fund Drive Show with Marion Merritt, & Betse Ellis.

KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100, 000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my diverse friend, introducing me to all kinds of new & local music, as well as the news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art space, on your ipod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to kkfi.org everyday, but studies show, that less than 1 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

This is your chance to put your money where your ears are. Please help keep this part of our public airwaves alive for our community to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio,” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

Call 888-931-0901 // Visit: http://www.kkfi.org // Become a Sustaining Member!

Donations of $5.00 per month or moe enable you to attend the 2018 Sustainer Concert (for New & Existing Sustainers) with Cubanisms & The Sextet, Thursday, November 29, 5:00 to 9:00 PM, at recordBar, 1520 Grand, KCMO

11:56

17. FACEFACE – “We Awesome (radio edit)”
from: MMmm / FACEFACE / Digital release Feb. 15, 2018 / Physical release June 15, 2018
[KC based experimental electronic hiphop musical collaboration with Ryan Lee Toms & Paul S. Nyakatura.]

[FACEFACE play a Spooktacular house warming, 2103 Central Avenue, Kansas City, KS, on Saturday, October 27, at 9:00 pm, with It’s Me Ross, Dead Vinyl, and Momma’s Boy.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on October 24, it will be a full moon and we will be welcoming Brenton Cook, Dedric Moore and Steve Tulipana who join us to share details about The Outer Reaches Festival, Friday, October 26 and Saturday, October 27, at recordBar with: Freight Train Rabbit Killer; Heaven’s Gateway Drugs (Fort Wayne, IN); Mysterious Clouds; Abandoned Bells; The Guillotine Choir; JC & the Nuns (Lawrence, KS); Lesser Pleasures (Lawrence, KS); New Obsessions; Lava Dreams, Cave (Chicago, IL); Sound of Ceres (Brooklyn, NY); J Fernandez (Chicago, IL); Death Bells (Sydney, Australia); Lace (Houston, TX); Black Givre (Montréal, Québec); and Kee Avil (Montréal, Québec).

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #756

Wednesday MidDay Medley presents Amy Farrand + Lisa Mckenzie + Ivory Blue + Barry Lee

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 29, 2018

Amy Farrand + Ivory Blue
+ Lisa Mckenzie + Barry Lee

Mark plays New & MidCoastal Releases from: Shy Boys, Amy Farrand & The Like, Broken Arrows, Under The Big Oak Tree, Marcus Lewis Big Band with Kadesh Flow, Kian Byrne, Ivory Blue, Howard Iceberg & Chad Brothers, Y god Y, and Fullbloods.

Amy Farrand

At 10:15 Musician Amy Farrand joins us on the day she opens for Melissa Etheridge at Crossroads KC, August 29 at 7:00 pm. Amy Farrand has been a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.” Amy’s new band Amy Farrand & The Like released an 11-song debut album in April and are also nominated for a Pitch “Best of Kansas City” Award.

Lisa Mckenzie

At 10:35 Mark talks with Kansas City based drummer Lisa Mckenzie, who has played in the bands, Cher UK, Grand Marquis, and Alex Abramovitz and His Swing’n Kansas City Jazz Band. Lisa Mckenzie is also a gardener, educator, and mom, and she joins us to talk about an adolescent program she coordinates at Clay Platte Montessori, a farm based school. The students have been selling their produce at the KCK Farmers Market.

Ivory Blue

At 11:00 Ivory Blue, joins us in our 90.1 FM Studios. Ivory Blue started writing music at the age of 14. An Indiana native, Ivory was given up for adoption at the age of 4, into a family that later caused them to run away at the age of 15. IVORY played coffee houses and small venues before landing in Kansas City in 2010. Ivory was one of the first artists to come-out as Non Binary Transgender, and gained respect from radio, television, and international magazines. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records, released June 15, 2018. More info at: http://www.ivorybluemusic.com

Barry Lee

At 11:30, Barry Lee joins us to share details about Concert for Caroline, featuring Kansas City and Lawrence artists gathering together to remember the life of Caroline Lee, on Thursday, August 30, at 7:30 PM, at Knuckleheads Saloon, 2715 Rochester St, KCMO, with: Maria Anthony, Megan Hurt & Darrell Lea; Howard Iceberg & Chad Brothers; Betse & Clarke; Jason Vivone & Sam Platt; The Starhaven Rounders, and Broken Arrows with special guest, D. Clinton Thompson. This is a benefit for KKFI.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #749

WMM Playlist from July 25, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 25, 2018

Shy Boys + Heidi Lynne Gluck + Keaton Conrad
+ Sid Sowder & Too Much Rock

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Soccer Mommy – “Last Girl”
from: Clean / Fat Possum Records / March 2, 2018
[Soccer Mommy is the stage name of bedroom pop and indie rock musician Sophie Allison. Allison was born in Switzerland and grew up in Nashville, TN. She attended Nashville School of the Arts, a speciality high school where she studied guitar and played in the swing band. She first picked up a guitar at age 6, which prompted her to start making music. She began posting home-recorded songs to Bandcamp as Soccer Mommy in 2015, during the summer when she was about to leave for college at New York University, where she studied music business. While in college, she played her first show as Soccer Mommy at the community art space Silent Barn in Bushwick, Brooklyn, and shortly after landed a record deal with Fat Possum.She dropped out after a year in 2017 to return to Nashville and pursue her music career. Since beginning her career as Soccer Mommy, Allison has released two full-length albums. Her first, For Young Hearts, was released in 2016 on Orchid Tapes. Her second album, Collection, was released in 2017 on Fat Possum Records. Her debut album proper, titled Clean, was released on March 2, 2018. She has toured with Mitski, Jay Som, Slowdive, Frankie Cosmos, Phoebe Bridgers and others]

[Soccer Mommy opens for Stephen Malkmus and the Jicks at recordbar, Sunday, July 29, at 8:00 PM.]

3. The Philistines – “1971”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Steve Gardels on drums, Rod Peal on guitar; Josh Mobley on keyboard, and Barry Kidd on bass. For this record Michelle Bacon played bass & backing vocals. Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play Jackpot Music Hall, 943 Massachusetts Street, in Lawrence, Kansas Friday, July 27, for the Serene Fiend Album Release Show at 9:00 PM.]

[The Philistines play The Riot Room, 4048 Broadway, Kansas City, MO., Monday, July 30, at 7:00 PM with in The Whale.]

[The Philistines play The Rino, 314 Armour Rd, North Kansas City, Sunday, August 19, at 7:00 PM, with Dream Version, and Westerners]

4. Under the Big Oak Tree – “Dear Brother”
from: The Ark / Under The Big Oak Tree / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).

[Under The Big Oak Tree play a CD Release! Matinee Show, Sunday, August 26 at 5:00 PM, at Replay Lounge, 946 Massachusetts St, Lawrence, KS with Signal Ridge.]

[Under The Big Oak Tree play a CD Release! in St. Joe, Wednesday, August 29 at 8:00 PM, at Unplugged, 2605 Frederick Avenue, Saint Joseph, MO]

[Under The Big Oak Tree play a CD Release! in Kansas City, Friday, August 31 at 8:00 PM, at Mike Kelly’s Westsider, 1515 Westport Rd, Kansas City, MO]

5. The Hollow Ends – “The Low”
from: Bears in Mind / Brave New Records / July 27, 2018
[Debut album from St. Louis, Missouri based singer-songwriter Zachary Schwartz who tracked the record in his bedroom. The record was mixed and mastered by Ben Majchrzak at Native Sound.]

[The Hollow Ends play The Brick, 1727 McGee, KCMO, on Saturday, July 28, at 7:00 pm with Luther Vincent, and Lily Brown.]

6. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

7. Kyle Nachtigal – “Feeling This Way”
from: High Considerations / Kyle Nachtigal / April 20, 2018
[Originally from Springfield, Missouri, this talented guitarist, singer and songwriter has lived in Nashville, Tennessee, since 2009. He studied at Belmont University in the Music City and dedicated himself to full-time music making in February of 2016 which got him out on the road. In his travels he kicks it through Kentucky, meanders to Missouri, then heads back to Tennessee before wandering up to Illinois or down to Arkansas for a few gigs. Yes, the guy stays busy playing his style of percussive, melodic rhythm guitar on a custom designed Craig Southern model backing up his smooth and appealing voice. He works off a song list ranging from unique mashups to top shelf originals, plus all kinds of styles in between since he can “jump effortlessly between folk, rock, hip hop and jazz” without breaking a cool sweat. He released the seven-track recording titled Fort Dakota in 2016 and continues on the solo music adventure as a contemporary troubadour out to make music for the people. – Tom Irwin, IllinoisTimes, 10/26/17]

[Kyle Nachtigal plays Westport Saloon, 4112 Pennsylvania Ave, KCMO, on Friday, July 27, at 8:00 PM, followed by Duncan Hill and the Electric Prairie Surfers, and The Widowmakers.]

8. The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / Expected August 10, 2018
[Full Length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass,folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.”]

[The War and Treaty played an Official Showcase at Folk Alliance International Conference]

10:30 – Underwriting

9. Shy Boys – “Take The Doggie”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. This was the first single from their upcoming full length release.]

10:35 – Interview with Shy Boys

Shy Boys

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys originally formed as a trio in 2012 with brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin (of The ACB’s fame). The three shared a love for 1960s era pop rock and started writing their own music. Kyle Little and Ross Brown (of Fullbloods) joined to make Shy Boys a 5-piece. In 2014 Shy Boys released their self-titled debut on High Dive Records. Their single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles. “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that Shy Boys had signed to Polyvinyl. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being on WMM

Band member Kyle Little had to work at his job at Retro Inferno and couldn’t be with us on the radio.

We gave Ross Brown a little kidding, asking him if he should change his name to Kevin or Carl so as to fit in more phonetically with Collin, Kyle, Konnor, and Kyle.

Shy Boys – Bell House
Shy Boys album art was done by Kit Landwehr

On the Bandcamp page for Shy Boys there is an essay written by fellow Kansas City area musician Kevin Morby who now lives in Los Angeles.

Being in a band is a sacred thing.
Being in a band in 2018 is a sacred thing.
Being from the Midwest is a sacred thing.
Being in a band that is from the Midwest in 2018…

Consider Shy Boys – DIY local champions of Kansas City, MO, who if you add it all up, are something sacred. Comprised of brothers Collin and Kyle Rausch and best friends Konnor Ervin, Kyle Little and Ross Brown, Shy Boys are the heartland’s answer to The Beach Boys had Alex Chilton been on guitar.

But if a harmony falls into a microphone in the middle of America does anyone really hear it? Some do. Take for instance Shy Boys’ 2014 self-titled debut on local Kansas City label, High Dive Records – I first came across this album while living in Los Angeles and catching wind of a band from my home town that I was told could “actually sing,” and after the first spin, through the muddy fidelity, man, could they actually sing.

Shy Boys’ history isn’t too dissimilar from any other Midwestern band. Like the many Replacements or Husker Düs before them – they exist neither here nor there, but instead, somewhere anonymously in the middle. And though you may not find the same opportunity floating in the middle as one would Here or There, you are allotted a certain amount of time and space to grow both yourself and your craft into what you want it to be. Over the past four years, that is exactly what Shy Boys have done and that is what brings us here today.

On August 3, 2018, the world will see the release of their second record, Bell House, out on legendary and globally cherished record label Polyvinyl, bringing both their profile and music to the surface for the first time.

The album’s title is taken from the band’s beloved headquarters – the old house on Bell Street in Kansas City where they lived together for the better part of 5 years.

“‘Lived’ is a loose term,” says lead songwriter Collin. “It was more like a bum den than anything else. There was a giant hole in the floor of the kitchen that had a piece of plywood over it. In the backyard, weeds got like 6 feet high in the summer. It was its own thriving biome. We lived in trash.”

Musically, Collin describes the songs on Bell House taking shape through “a group of guys trying to get through some sort of mutual identity crisis. The lifestyle became overwhelming and really seeped into the music.”

In the time since the release of ST, Collin saw himself falling in love and getting married, leaving the old house on Bell Street, and moving back into his mom’s house with his wife in a suburb of the city. It’s here where the songs of Bell House were born. Being back under the same roof he had grown up in where there was “still writing on the walls from childhood,” Rausch found himself reflective and looking out at his life as a whole.

Take closing track “Champion” for instance, a song Collin says is dedicated to his and Kyle’s mother. “It’s just a note saying that she took care of us when we were young, and now it’s time for us to be there and take care of her.”

The reflective spirit sprinkled throughout the album is also evident on lead single, “Take The Doggie,” a bouncy, guitar driven track centered around wanting to secretly rescue their neighbor’s dog from an abusive owner, or on album highlight “Evil Sin,” which tackles the memory of drummer/bassist Konnor Ervin getting robbed.

But through all of this, Rausch kept his passion in his band, if even for nothing more than to – in his own words – have an excuse to keep hanging out with his brother and best friends.

“I have to keep Shy Boys alive to have a regular excuse to hang out with them,” says Collin. “To keep the band alive, I have to write songs. To be able to travel with my buddies, there has to be a new record.”

There is an old term that’s kicked around in country music called a “blood harmony” – in which two people in the same blood line, usually siblings, harmonize with one another in real time. Perhaps that is Shy Boys’ magic touch, putting them just a notch above all the other angels out there in the indie rock choir, and it makes sense, though no longer practicing evangelicals, Collin and Kyle grew up singing besides their parents in their church choir, so their keen sense of harmony is nothing new to them, but instead a life practice devoted to the voice as an instrument.

The result is Bell House, and the result is beautiful. There is something sensitive to the touch about this album, which is perhaps another way of saying that, well – Shy Boys are indeed Shy Boys. I envision the band as a solid unit, with each moving part as an equal. There is a heavy sense of family in everything they do both, literally and figuratively. Bruce Springsteen’s 1980 song “Highway Patrolman” always seems to come to mind;

“Yeah me and Franky out laughing and drinking,
Nothing feels better than blood on blood.”

-Kevin Morby

Polyvinyl Recording Company based in San Francisco is home to may bands we love and play on Wednesday MidDay Medley: Of Montreal, The Get Up Kids, Anna Burch, Jay Som, Xiu Xiu, Psychic Twin and more.

“Something Sweet: is the third single released from the band’s upcoming album. It came out today.

10:44

10. Shy Boys – “Something Sweet”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown.]

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Kyle Rausch, Collin Rausch, Ross Brown, and Konnor Ervin of Shy Boys on the July 25, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being with us on Wednesday MidDay Medley.

Konner Ervin talked about the status of The ACBs., and that there is a full length album, completely recorded, sitting in the vault waiting for the best opportunity to be released.

We talked with Ross Brown about Full Bloods and their critically acclaimed February 26, 2016 release Mild West released through High Dive Records. It was the second full length from Fullbloods. The band is made up of: Ross Brown, Jared Tomasino, David Seume, & Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).

Collin and Kyle Rausch talked about how Mike Nolte, who is a friend of the band and has worked on their recordings shared the band’s debut album with cohorts at Polyvinyl. When the band was getting ready to make a new album, Polyvinyl came calling.

Shy Boys released “Evil Sin” their 2nd single, with a video written & directed by Kyle Little

10:55

11. Shy Boys – “Evil Sin”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co. ]

[Shy Boys plays a Record Release Show, Sat, August 4, at 8:00 PM at recordBar, 1520 Grand, KCMO.]

11:00 – Station ID

12. Keaton Conrad – “(If I Told You to) Stay”
from: (If I Told You to) Stay – single / Keaton Conrad / July 20, 2018

11:04 – Interview with Keaton Conrad

Keaton Conrad

KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, being regarded as “exceptionally promising” by The Kansas City Star and “making things happen on stages … with an engaging voice and passion for creating good music” from Ink Magazine. In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad’s newest single “(If I Told You to) Stay” is set to be released on July 20th, 2018. A lyric video will be coming out soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of the Lenexa Outdoor Concert Series, September 16.

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

19 year old Kansas Native, Keaton Conrad records all of his own music in his home studio, mixing and mastering it all.

On “(If I Told You to) Stay” Jake Soltow plays bass, and Keaton Conrad plays everything else.

Keaton grew up in Olathe, Kansas (as did Calvin Arsenia, and Duncan Burnett). Keaton sang in High School Choir and performed in Olathe North West High School musicals.

11:12

13. Keaton Conrad – “What Am I Supposed to Do?”
from: What Am I Supposed to Do? – Single / Keaton Conrad / May 26, 2017
[19 year old Kansas native, Keaton Conrad released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on January 27, 2017.]

We’re talking with KC musician and recording artist Keaton Conrad who joins us live in our 90.1 FM Studios. Keaton Conrad just released his new single “(If I Told You to) Stay” on Friday, July 20th. A lyric video will be coming soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16.

Keaton Conrad on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Keaton Conrad is navigating the KC Music Scene while also getting ready for his second year in college at University of Missouri at Kansas City.

“Biscayne” was a single from Keaton Conrad’s 2017 album Waves

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16. More information at http://www.keatonconradmusic.com

11:25

14. Keaton Conrad – “Biscayne”
from: Waves / Keaton Conrad / January 27, 2017
[Debut full length from 19 year old Kansas native]

11:28 – Underwriting

11:30 – Interview with Heidi Lynne Gluck & Sid Sowder of Too Much Rock

Heidi Lynne Gluck and Sid Sowder on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Lawrence, Kansas based songwriter, producer, singer and multi-instrumentalist, Heidi Lynne Gluck is a originally from Manitoba, Canada. After transplanting herself from the plains of Manitoba to the midwestern plains of the United States, Heidi quickly became an in demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including: The Roseline, Approach, Josh Berwanger, Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. In 2015 Heidi released her critically acclaimed EP, Only Girl In The Room, last year on Lotuspool Records. In 2016 Heidi Lynne Gluck released her full length album called, Pony Show, also on Lotuspool, and on vinyl. Heidi Lynne Gluck joins us to share her new 7″ vinyl 45 rpm release through Too Much Rock. Heidi Lynne Gluck plays a Too Much Rock Single release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem.

Heidi Lynne Gluck, Thanks for being with us on Wednesday MidDay Medley

Also joining us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, and Red Kate have all recorded for the Too Much Rock Single Series.

Sid Sowder, Thanks for being with us on Wednesday MidDay Medley

More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

11:37

Too Much Rock Single Series – Heidi Lynne Gluck

15. Heidi Lynne Gluck – “Party Line” [7” Vinyl]
from: Party Line – Single b/w “Good Guys and Bad Guys” / Too Much Rock / August 3, 2018
[Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

We are talking with Heidi Lynne Gluck who plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO.

Too Much Rick – Single Series

16. Heidi Lynne Gluck – “Good Guys and Bad Guys” [7” Vinyl]
from: Good guys and Bad Guys – Single b/w “Party Line” / Too Much Rock / August 3, 2018
[Written by members of Camper Van Beethoven. Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

Heidi Lynne Gluck and Sid Sowder, Thanks for being with us on WMM

Heidi Lynne Gluck – Too Much Rock Single Series

Heidi Lynne Gluck plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem. More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

17. Heidi Lynne Gluck – “Waiting For You To Say It”
from: Pony Show / Lotuspool Records / August 26, 2016

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 1, Calvin Arsenia joins us for the entire show to play live and share tracks from his new recordings. Also joining us is writer and reporter CJ Janovy, who will talk about her new book, No Place Like Home, Lessons in Activism from LGBT Kansas, from University Press of Kansas.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #744

Wednesday MidDay Medley presents Shy Boys + Heidi Lynne Gluck + Keaton Conrad + Too Much Rock

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 25, 2018

Shy Boys + Heidi Lynne Gluck + Keaton Conrad
+ Sid Sowder & Too Much Rock

Mark plays New & MidCoastal Releases from: Shy Boys, Heidi Lynne Gluck, Keaton Conrad, Under the Big Oak Tree, Mikal Shapiro, The Philistines, The Hollow Ends, The War and Treaty, Kyle Nachtigal, and Soccer Mommy.

Shy Boys – Bell House
Shy Boys album art was done by Kit Landwehr

At 10:30 we talk with Shy Boys on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys originally formed as a trio in 2012 with brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin (of The ACB’s fame). The three shared a love for 1960s era pop rock and started writing their own music. Kyle Little and Ross Brown (of Fullbloods) joined to make Shy Boys a 5-piece. In 2014 Shy Boys released their self-titled debut on High Dive Records. Their single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles. “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that Shy Boys had signed to Polyvinyl. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone (J Ashley Miller), and Blastocyst. More info at: http://www.shyboys.website

Keaton Conrad

At 11:00, KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, being regarded as “exceptionally promising” by The Kansas City Star and “making things happen on stages … with an engaging voice and passion for creating good music” from Ink Magazine. Keaton Conrad has just released his new single “(If I Told You to) Stay” on Friday, July 20th. A lyric video will be coming out soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of the Lenexa Outdoor Concert Series, September 16. More information at http://www.keatonconradmusic.com

Heidi Lynne Gluck

At 11:30, Lawrence based musician Heidi Lynne Gluck shares her new Too Much Rock – Singles Series, 7” vinyl 45 rpm release. Heidi’s original song, “Party Line,” is on side A, with a side B cover of Camper Van Beethoven’s, ”Good Guys and Bad Guys.” Both tracks were produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas.The racks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana. Heidi Gluck plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 PM, at Mills Record Company, 4045 Broadway Blvd, KCMO. Heidi plays Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas with Jess Williamson, and CS Luxem. More info at http://www.heidilynnegluck.com

Too Much Rick – Single Series

Also joining us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, Red Kate have all recorded for the Too Much Rock Single Series. More info at: http://www.toomuchrock.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #744

Wednesday MidDay Medley

WMM Playlist from July 18, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 18, 2018

Tim Finn + Howard Iceberg & Pranav Nanda & Mom’s Demand Action
+ Cheryl Kimmi & Kansas City Fringe Festival 2018

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Courtney Barnett – “Nameless, Faceless”
from: Tell Me How You Really Feel / Mom+Pop / May 18, 2018
[Lead single from Tell Me How You Really Feel is the second studio album by Australian singer-songwriter Courtney Barnett. It was released on 18 May 2018 by Barnett’s Milk! Records, Mom + Pop Music, and Marathon Artists. The album was recorded in Melbourne with producer Burke Reid, who also worked on Barnett’s previous solo album, Sometimes I Sit and Think, and Sometimes I Just Sit. Barnett was joined on the album by her live rhythm section of Bones Sloane (bass, backing vocals) and Dave Mudie (drums, backing vocals), as well as guitarist Dan Luscombe of The Drones. The album also features guest appearances from the Deal sisters, Kim and Kelley. In 2012 Barnett started her own label, Milk! Records, and released her first EP I’ve Got A Friend Called Emily Ferris to glowing reviews around Australia. From 2011 – 2013 Barnett was a member of Australian psych/country band Immigrant Union, a musical project founded by Brent DeBoer of The Dandy Warhols and Bob Harrow. Along with sharing vocal duties Barnett predominantly played slide guitar and features on their second studio album ‘Anyway’. DeBoer also played drums on her first EP ‘I’ve Got A Friend Called Emily Ferris’. Barnett received international critical acclaim in 2013 with her second EP How To Carve A Carrot Into A Rose. Barnett combined the 2 releases into The Double EP: A Sea of Split Peas.]

[Courtney Barnett plays The Truman, 601 E. Truman Road, KCMO, TONIGHT, July 18, at 8:00 pm.]

3. Vacationer – “Being Here”
from: Mindset / Downtown Records / June 22, 2018
[The third full-length from Vacationer, Mindset is built on delicate melodies and crystalline rhythms that seem to alter the very texture of the world around you. Ornately composed but breezy in energy, Vacationer’s warm-hearted dream-pop perfectly mirrors frontman Ken Vasoli’s intentions in making the album. “The objective was to write songs that remind me how my brain needs to operate for my own wellbeing and happiness,” Vasoli says. “That’s where the title comes from—the record’s filled with all these reminders that put me in a good mindset for the day.” Despite its often-euphoric effect, Mindset began in frustration for Vasoli. After countless false starts on the follow-up to 2014’s Relief, the Philadelphia-based musician decided to completely upend his creative approach. While Vacationer’s previous albums came to life in close collaboration with fellow members Matthew Young and Grant Wheeler, Vasoli shifted his focus from songwriting to production and worked entirely on his own for months on end. During that time, he immersed himself in exploring the nuances of Ableton and analyzing the construction of beloved albums by artists like the Beach Boys, Barry White, and Curtis Mayfield.]

[Vacationer plays recordbar, 1520 Grand, KCMO, Sunday, July 22, at 7:00 pm with guests Sego.]

4. Payge Turner – “But For Now”
from: Acoustic Vibes – Single / Middleman / February 25, 2018
[3rd Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays The Rino’s 1st Anniversary, Saturday, July 21, at 8:00 pm, with The UKs, Late Nite Cavalry. The Rino is located at 314 Armour Rd, North Kansas City.]

[Payge Turner plays Voltaire, Tuesday, July 24, at 9:00 pm, with Rhe Black Creatures.]

5. Miles Bonny – “It’s Your World”
from: It’s Your World / INnatesounds / April 21, 2018
[“It’s Your World” with lyrics & music by Brian Jackson is the title track of the double album by soul artist Gil Scott-Heron and Brian Jackson, released in November 1976 on Arista Records. Recording sessions for the album took place in studio and live in July 1976 at St. Paul’s Mall in Boston, Massachusetts, Electric Lady Studios in New York City, and American Star Studios in Merrifield, Virginia. Scott-Heron and Jackson recorded the album with the former’s backing ensemble, The Midnight Band. It’s Your World was originally released on vinyl. Already a fan of Gil Scott and Brian Jackson, Miles was asked to learn “It’s your world” so he may cover it live at a Gil Scott-Heron tribute party in Cologne, Germany. The party never happened, but the song’s lyrics deeply impacted Miles. Upon moving to New Mexico shortly after, Miles recorded the lead vocal live alongside the cajon played by fellow explorer and off-grider Trance Conductor. The additional vocals, horns, percussion, and piano were recorded elsewhere in the neighborhood at Miles’ Mud Cabin Studio. Bass was layed by friend and fellow INnatesounds representative Dominique Sanders in Kansas City. Mixed and mastered by Miles Bonny in Northern New Mexico. Miles Bonny on vocals, horns, piano, claps; Sam Burke-Favaro (inductions.bandcamp.com) on cajon, triangle, claps; Dominique Sanders (dominiquesanders.bandcamp.com) on bass. Mixing and Mastering – Miles Bonny. Everything recorded off grid with solar power in Northern New Mexico with the exception of bass recorded in KCMO. Miles writes “I want this to be out and make you feel good. It’s been in my vault for a lil while. I love the vibes, hope you do too. peace.” http://www.milesbonny.com]

[Miles Bonny plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, & Brandon Draper on Fri, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

[Miles Bonny plays Melovated with the Innate Sounds Crew featuring: Eddie Moore, Dominique Sanders, Miles Bonny, Leonard Dstroy, Abnorm, Kemet The Phantom, Kadesh Flow, Saturday, July 21, at 9:00pm, at The 10 spot, 1000 Broadway Blvd.. Kansas City, MO, US]

6. Brandon Draper – “Calm Inward Drive”
from: Meditation Music Vol. 1 / Brandon Draper / April 20, 2018
[Brandon Draper on tabla, metal tongue drums, Cooperman frame drums. Produced by Looking Up Productions Inc. Recorded Live at Tone Dimension Studio. Engineered by Bryan Nicholas. Mixed and Mastered Bryan Nicholas.]

[Brandon Draper plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, Miles Bonny on Friday, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

7. Benjamin Clementine – “Jupiter”
from: I Tell A Fly / Virgin Records / October 2, 2017
[English artist, poet, vocalist, composer, and musician, Benjamin Sainte-Clémentine was born December 7, 1988, n London, England,. Clementine later moved to Paris, France becoming homeless as a teenager. There, his performances helped him to become a cult figure in the music and art scene. Moving back to London, he made his TV debut on the BBC programme Later With Jools Holland in 2013. A number of critics described him as becoming one of the great singer-songwriters of his generation and the future sound of London, whilst struggling to place his music in any one genre. Considered by The New York Times as one of the 28 geniuses who defined culture in 2016, Clementine’s compositions are musically incisive and attuned to the issues of life but also poetic, mixing revolt with love and melancholy, sophisticated lyricism with slang and shouts, and rhyming verse with prose monologues. He moved to popular art music, breaking free from traditional song structure, inventing his own dramatic and innovative musical territory. He is noticeably seen topless and barefoot onstage, dressed entirely in black or dark grey, with a long, wool trench coat. Clementine debut album At Least for Now won the 2015 Mercury Prize but fared better across mainland Europe. At the end of 2015, Clementine was included in The Guardian’s New Year’s honours list to celebrate heroes of 2015. Debrett’s and the London Evening Standard named him one of the most influential people in Britain. ]

[Benjamin Clementine opened for David Byrne at Kauffman Center for the Performing Arts, June 7.]

Playing Chris Hazelton’s Boogaloo 7 on vinyl on the KKFI 90.1 FM Studios on Wednesday MidDay Medley.

8. Chris Hazelton’s Boogaloo 7 – “Turnin’ Up the Burner” (Vinyl)
from: The Basement Beat / Sunflower Soul / July 20, 2018
[Hammond organist Chris Hazelton and his large-group Boogaloo 7 pay homage to greats such as Lonnie Smith, Jimmy McGriff, Grant Green, and Lou Donaldson with their groove-centered brand of jazz, all the while pushing the genre forward with exciting new and original music. More information at: http://www.chrishazelton.com. Chris Hazelton on Hammond B-3 organ; Nick Howell on trumpet & tamborine; Nick Rowland on alto & tenor sax (tracks 1, 2, & 4); Zak Pischnotte on alto & tenor sax (tracks 3, 5, & 6); Brett Jackson on baritone sax; Matt Hopper on guitar; Danny Rojas on drums; and Pat Conway on congas (tracks 1-4, 6), bongos & cowbell (Track 5); Juan-Carlos Chaurand on congas (Track 5); John Kizilarmut on timbales & güiro (Track 5). Recorded live to 8-track analog tape, mixed, and produced by Chris Hazelton at the FORTRESS OF SOULITUDE. Mastered by Adam Boose at Cauliflower Audio. Pressed by Gotta Groove Records. Chris Hazelton’s Boogaloo 7 will be releasing a single 7″ called “100 Days, 100 Nights” also on July 20, but released on Lugnut Records as part of a tribute to Sharon Jones and The Dap Kings.]

[Chris Hazelton’s Boogaloo 7 play a Record Release Show for The Basement Beat, Sunday, July 22, at 8:00 pm, at Black Dolphin, 1813 Grand Boulevard.]

10:30 – Interview with Cheryl Kimmi

Nico Gray and Cheryl Kimmi on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Cheryl Kimmi, is Executive Producer of KC Creates, and the founder of the Kansas City Fringe Festival. She joins us on WMM to share details about the 14 Annual KC Fringe Festival, starting tomorrow, July 19 running through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. The 14 Annual KC Fringe Fest features 76 different producers, over 650 participating artists, galleries showcasing 35 visual artists, with more than 400 opportunities to find Fringe this year. For info: http://www.KCFringe.org

Cheryl Kimmi, thanks for being with us on Wednesday MidDay Medley

Congratulations on 14 years.

Fringe Festival KC is committed to accepting artists without jury or censorship. We accept artists on a first come, first serve basis. Our five mile footprint spans through the cultural corridors of KC from River North to Old Westport. We feature visual, film, and performing artists in venues ranging in size from small to large.

KC Fringe festival opens with a large Opening Night Party where artists preview their shows in rapid-fire succession and our fringe loyalists mark their programs for the can’t-miss shows. Throughout the festival, you can count on Late Night on the Fringe events to meet, connect, and engage with participating artists and excited audiences. We culminate the festival with a celebratory Closing Night Party. We eat, we dance, we celebrate the wonderful success of our Fringe participants.

All audience members must have a button to access shows and galleries. The button is a one time, five-dollar purchase that allows Fringe Festival KC to adequately pay our artists and venue owners from ticket revenue.

Over 100 Local, Regional, and International Performing Artists throughout a 5-mile footprint of Kansas Cit’s cultural cooridors. Music-dance-theatre- music-dance- visual arts – Touth & Teen Fringe – There’s is something for everyone! THERE’S SOMETHING FOR EVERYONE! SUPPORT THE ARTS AND BUY TICKETS AT KCFRINGE.ORG

Showcases local, national and international artists in a diverse melting pot of performing and visual arts. All are welcome; whether you’re a first-timer or a veteran Fringer!

The KC Fringe stage is for the diversity, innovation & creativity that can be found through out our community. An example of how the arts bring people from all walks of life together, inspiring participants & attendees to embrace creativity and dare to be different.

The KC Fringe has something for everyone.
The youngest members of your family can find their Fringe during our opening weekend.

Youth Fringe program takes place at The Plaza Library, and teens will produce and perform with KC Fringe at Kansas City Young Audiences and access workshops at The Nelson Atkins Museum.

KC Fringe Staff:

Cheryl Kimmi – Executive Producer
Tiffany Chappell – Director of Operations
Skip Gordon – Technical Director
Ashley Dover – Assistant Technical Director
Barbara Dooley Editor-Review Team
Sandy Woodson – Teen Coordinator
Sheri Hall – Youth Coordinator
Sarah Slaughter – Visual Arts Coordinator
Bryan Colley – Program Design and Technology Guru
Trenna Keltner – 411 Manager
Natalie Leslie – Fringe Intern
Katie Sheiferecke – Fringe Intern

The 14 Annual KC Fringe Festival, starts tomorrow, July 19 and runs through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. For more information you can visit: http://www.KCFringe.org

10:44 – Underwriting

9. The Fey – “Contender” (Radio Edit)
from: Strawberry Lemonade EP / The Record Machine / July 13, 2018
[The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, “Don’t let The Fey’s new EP title Strawberry Lemonade fool you; this record is no light beach drink. Rather, it’s a cocktail of the molotov variety, the kind you’ll want to toss into the middle of your ‘songs that rock’ summer playlist. From the opening salvos of ‘Contender’, to the slow burn of ‘Bones Underwater’, to the final soothing swells of ‘The Cool’, Strawberry Lemonade is a masterclass in modern songwriting, arrangement, instrumentation, and production.” Music arranged and composed by Zach Watkins. Lyrics written by Zach Watkins and Ishma Valenti. The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play The Record Machine’s – What’s Next KC, Friday, July 27, at 7:00 pm, at recordBar, 1520 Grand, with Y God Y, Instant Karma, and Pageant Boy.]

Playing Emmaline Twist on vinyl on Wednesday MidDay Medley on KKFI 90.1 FM.

10. Emmaline Twist – “Vega” (Vinyl)
from: “Vega” – Single b/w “Moon Eyes” / Eat.Hear.Records / July 16, 2018
[New 7″ vinyl release, and 2nd in a series from Eat.Hear.Records, a project of the folks at recordBar and Steve Tulipana. Emmaline Twist is KCs Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s digital single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded & Mixed by Lin Buck at Temple Sound, KCMO. Mastered by Duane Trower at Weights + Measures, KCMO. The band’s debut LP Dissimulation will be released on vinyl, August 24, 2018 on Black Site Records.]

[Emmaline Twist play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 7:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

[Emmaline Twist play a KC Album Release Show for “Dissimulation” on Black Site Records, Friday, August 24, at 9:00 pm, at recordBar, 1520 Grand with Ghost Bones and Sona]

[Emmaline Twist joins us on WMM on Aug. 22.]

11. Belle & The Vertigo Waves – “What You Wanted”
from: What You Wanted – Single / Drop Out Records / August 19, 2017
[Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. The band’s debut album “Aligned” was released October 6, 2017 and is available on iTunes and all streaming services. The band recently played Middle of the Map Fest.]

[Belle and The Vertigo Waves play recordbar, 1520 Grand Ave, Thursday, July 19, at 7:00 pm, with Tandem, and Faintheart.]

11:00 – Station ID

12. Patsy Cline – “Sweet Dreams”
from: The Patsy Cline Story / Decca / June 10, 1963
[Patsy Cline was born Virginia Patterson Hensley on September 8, 1932. She died in a plane crash on March 5, 1963. She was an American country music singer and part of the Nashville sound during the late 1950s and early 1960s. She successfully “crossed over” to pop music and was one of the most influential, successful, and acclaimed vocalists of the 20th century. She died at age 30 in the crash of a private airplane. Cline was known for her rich tone, emotionally expressive and bold contralto voice, and her role as a country music pioneer. She helped to pave the way for women as headline performers in the genre, along with Kitty Wells. She overcame poverty, a devastating automobile accident, and significant professional obstacles, and she has been cited as an inspiration by Reba McEntire, LeAnn Rimes, and other singers in diverse styles. Books, movies, documentaries, and stage plays document her life and career. Her hits began in 1957 with Donn Hecht’s and Alan Block’s “Walkin’ After Midnight,” Hank Cochran’s and Harlan Howard’s “I Fall to Pieces,” Hank Cochran’s “She’s Got You,” and Willie Nelson’s “Crazy,” and ended in 1963 with Don Gibson’s “Sweet Dreams.” Millions of her records have sold since her death. She won awards and accolades, causing many to view her as an icon at the level of Jim Reeves, Johnny Cash, and Elvis Presley. She became the first female solo artist inducted into the Country Music Hall of Fame in 1973, ten years after her death. In 1999, she was voted number 11 on VH1’s special The 100 Greatest Women in Rock and Roll. In 2002, she was voted Number One on Country Music Television’s The 40 Greatest Women of Country Music, and she was ranked 46th in the “100 Greatest Singers of All Time” issue of Rolling Stone magazine. Her 1973 Country Music Hall of Fame plaque reads: “Her heritage of timeless recordings is testimony to her artistic capacity.”]

[In early 1963, Patsy Cline was recording songs for her next album, Faded Love, which was set for release in late March, 1963. She recorded “Sweet Dreams” for the album on February 5. However, on March 5, Cline died in a plane crash on the way home from a benefit in Kansas City, Kansas for the family of Cactus Jack Call, a disc jockey who was killed in an automobile accident so, therefore, the album was never released. The songs were later compiled for the release Patsy Cline the Last Sessions in 1988. Instead, Decca Records issued a double album, entitled The Patsy Cline Story, in the summer of 1963.]

[In 1963, “Sweet Dreams” was released to the public and became a big Crossover hit, making it to #5 on the Country charts and to #44 on the pop music charts. It also peaked on the U.S. Adult Contemporary charts at #15. This song was followed by two other songs that were planned for release on Cline’s upcoming album: “Leavin’ on Your Mind” and “Faded Love”, which both became hits. It was said that Cline did not like the use of the violins that producer Owen Bradley was bringing into the song, because she feared she was becoming too “pop” for her Country audience (All references in this section are either from Patsy by Margaret Jones or Honky Tonk Angel by Ellis Nassour). But upon hearing the song after the playbacks the night she recorded it, she supposedly held a record up of her first record and “Sweet Dreams” and proclaimed “Well, here it is: The first and the last.” (Source: Loretta Lynn: Coal Miner’s Daughter (1976) This quote came from the video called Remembering Patsy, and was quoted by Jan Howard whose husband at the time was Harlan Howard. In 1985, the song became the title tune of a Patsy Cline biopic starring Jessica Lange as Cline. Cline’s hit version of “Sweet Dreams” was included on the film’s soundtrack, along with “Crazy,” “She’s Got You,” and many of her other songs.]

11:03 – Interview with Tim Finn

Timothy Finn

Local music writer Tim Finn is originally from Youngstown, New York. He studied at University of Missouri in Columbia and received his Masters of Arts, in Journalism from the University of Kansas. Tim served as Music Writer of the KC Star, where he worked for 29 years. You can hear Tim Finn Thursday afternoons between 4 and 6 on 90.9 The Bridge with Jon Hart.

Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. Tim Finn highlights concerts, shows, and encounters from our city’s music scene. From Patsy Cline’s final performance and the Beatles’ one and only local appearance to the three-day world premiere of The Jacksons Victory Tour. To RSVP visit: http://www.kclibrary.org

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

Since we last talked with Tim on the radio he has gone through several big life events.

Timothy Finn recently sold his house in Liberty, where he lived for 25 years.

Timothy Finn recently ended his time at The Kansas City Star, after 29 years.

Timothy Finn recently got married to Michelle Gaumé Finn.

Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, as part of the 2018 Adult Summer Reading Program Rock & Read. One of the concerts he will discuss is patsy Cline’s last performance of her career in Kansas City, Kansas.

Patsy Cline at Memorial Hall – March 3, 1963

We just heard Patsy Cline singing a song she record on February 5, 1963. Nearly one month later, on March 3, 1963, Cline performed a benefit at the Soldiers and Sailors Memorial Hall, Kansas City, Kansas, for the family of disc jockey “Cactus” Jack Call. He had died in an automobile crash a little over a month earlier. Call was a longtime DJ for KCKN, but had switched to KCMK a week before his death on January 25, 1963, at the age of 39. Also performing in the show were George Jones, George Riddle and The Jones Boys, Billy Walker, Dottie West, Wilma Lee and Stoney Cooper, George McCormick, the Clinch Mountain Boys as well as Cowboy Copas and Hawkshaw Hawkins.

Cline, ill with the flu, gave three performances, at 2 p.m. and 5:15 p.m., with an 8 p.m. show added due to popular demand. All the shows were standing-room only. For the 2 p.m. show, she wore a sky-blue tulle-laden dress; for the 5:15 show a red shocker; and for the closing show at 8 p.m., Cline wore white chiffon, closing the evening to a thunderous ovation. Her final song was the last she had recorded the previous month, “I’ll Sail My Ship Alone.”

Cline, who had spent the night at the Town House Motor Hotel, was unable to fly out the day after the concert because Fairfax Airport was fogged in. West asked Patsy to ride in the car with her and husband, Bill, back to Nashville, a 16-hour drive, but Cline refused, saying, “Don’t worry about me, Hoss. When it’s my time to go, it’s my time.” On March 5, she called her mother from the motel and checked out at 12:30 p.m., going the short distance to the airport and boarding a Piper PA-24 Comanche plane, aircraft registration number N-7000P. The plane stopped once in Missouri to refuel and subsequently landed at Dyersburg Municipal Airport in Dyersburg, Tennessee at 5 p.m.

Hughes was the pilot, but was not trained in instrument flying. Hawkins had accepted Billy Walker’s place after Walker left on a commercial flight to take care of a stricken family member. The Dyersburg, Tennessee, airfield manager suggested that they stay the night because of high winds and inclement weather, offering them free rooms and meals. But Hughes responded, “I’ve already come this far. We’ll be there before you know it.” The plane took off at 6:07 p.m. Hughes’ flight instructor, Elmo Merriwether, had also trained Jim Reeves, whose plane crashed the following year. Neither pilot was instrument-rated, and both attempted to navigate by visual flight rules (VFR), which proved impossible in the driving rain faced by both flights.

Cline’s flight crashed in heavy weather on the evening of March 5, 1963. Her recovered wristwatch had stopped at 6:20 p.m. The plane was found some 90 miles from its Nashville destination, in a forest outside Camden, Tennessee. Forensic examination concluded that everyone aboard had been killed instantly. Until the wreckage was discovered the following dawn and reported on the radio, friends and family had not given up hope. Endless calls tied up the local telephone exchanges to such a degree that other emergency calls had trouble getting through. The lights at the destination Cornelia Fort Airpark were kept on throughout the night, as reports of the missing plane were broadcast on radio and TV.

Early in the morning, Roger Miller and a friend went searching for survivors: “As fast as I could, I ran through the woods screaming their names–through the brush and the trees–and I came up over this little rise, oh, my God, there they were. It was ghastly. The plane had crashed nose down.” Shortly after the bodies were removed, looters scavenged the area. Some of the items which were recovered were eventually donated to The Country Music Hall of Fame. Among them were Cline’s wristwatch, Confederate flag cigarette lighter, studded belt and three pairs of gold lamé slippers. Cline’s fee and her attire from the last performance were never recovered.

Per her wishes, Cline’s body was brought home for her memorial service, which thousands attended. She was buried at Shenandoah Memorial Park in her hometown of Winchester, Virginia. Her grave is marked with a bronze plaque, which reads: “Virginia H. Dick (Patsy Cline) is noted under her name. ‘Death Cannot Kill What Never Dies: Love’.” With the help of Loretta Lynn and Dottie West, a bell tower was erected at the cemetery in her memory, which plays hymns daily at 6:00 p.m., the hour of her death. Another memorial marks the exact place off Fire Tower Road in Fatty Bottom, Tennessee, where the plane crashed in the still-remote forest.
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Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, at 6:30 pm, at 4801 Main Street, Kansas City.

Tim will have some tales to tell about Elvis, and James Brown, and Garth Brooks.

Tim mentioned that his favorite concerts were seeing Prince live. He mentioned the Musicology tour.

Tim talked about the numerous interviews with artists prior to their concerts. He talked about his interview with David Bowie before the 2004 show at Starlight Theatre.

11:11

13. Michael Jackson – “Wanna Be Startin’ Somethin'”
from: Thriller / Epic/ November 30, 1982
[6th studio album by American singer Michael Jackson, released on November 30, 1982, in the United States by Epic Records and internationally by CBS Records. It explores genres similar to Jackson’s previous album, Off the Wall, including pop, post-disco, rock and funk. Recording sessions took place from April to November 1982 at Westlake Recording Studios in Los Angeles, with a production budget of $750,000. Quincy Jones produced the album and Jackson wrote four of its nine songs. In just over a year, Thriller became—and currently remains—the world’s best-selling album, with estimated sales of 66 million copies. It is the best-selling album in the United States and as of 2017 is the only album to reach 30x multi-platinum, with U.S. shipments of 33 million album-equivalent units certified. The album won a record-breaking eight Grammy Awards in 1984, including Album of the Year. It produced seven singles—”The Girl Is Mine”, “Billie Jean”, “Beat It”, “Wanna Be Startin’ Somethin'”, “Human Nature”, “P.Y.T. (Pretty Young Thing)”, and “Thriller”—all of which reached the top 10 on the US Billboard Hot 100 chart. Thriller broke racial barriers in pop music, enabling Jackson’s appearances on MTV and meeting with President Ronald Reagan at the White House. The album was one of the first to use music videos as successful promotional tools, and the videos for the songs “Thriller”, “Billie Jean”, and “Beat It” all received regular rotation on MTV. In 2001, a special edition reissue was released, which contains additional audio interviews, demo recordings and the song “Someone in the Dark”, a Grammy-winning track from the E.T. the Extra-Terrestrial storybook. In 2008, Thriller was reissued again as Thriller 25, containing remixes with contemporary artists, previously unreleased songs, and a DVD with three music videos and Jackson’s performance of “Billie Jean” from the 1983 television special Motown 25. In the same year, the album was inducted into the Grammy Hall of Fame along with Off the Wall. In 2012, Slant Magazine named Thriller the best album of the 1980s”. In 2003, Rolling Stone placed the album at number 20 on their list of “The 500 Greatest Albums of All Time”. The album was listed by the National Association of Recording Merchandisers at number three on its “Definitive 200” album list. Thriller was also included in the Library of Congress’ National Recording Registry of culturally significant recordings, and the Thriller music video was included in the National Film Preservation Board’s National Film Registry of “culturally, historically, or aesthetically significant films”.]

Tim Finn former music writer for KC Star, Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, at the Kansas City Public Library, Plaza Branch. Tim Finn highlights concerts, including the three-day world premiere of The Jacksons Victory Tour.

The Jacksons at Arrowhead Stadium – July 6, 7, and 8, 1984

The Victory Tour traveled the United States and Canada with Michael Jackson and The Jacksons between July and December 1984. It was the only tour with all six Jackson brothers (even though Jackie was injured for most of the tour). The group performed 55 concerts to an audience of approximately 2 million. Most came to see Michael, whose album Thriller had been dominating the popular music world at the time. Many consider it to be his Thriller tour, with most of the songs on the set list coming off of his Off the Wall album and from the Thriller album. The tour reportedly grossed approximately $75 million (US $181,608,277.19 in 2018 dollars) and set a new record for the highest grossing tour. It showcased Michael’s single glove, black sequined jacket and moonwalk.

Despite its focus on Michael, it was named after the newly released Jacksons’ album Victory although none of the album’s songs were performed. Marlon confirmed[citation needed] this was because Michael refused to rehearse or perform them; in fact, he had only reluctantly joined his brothers, who needed the income while he himself did not. On the tour, tensions between Michael and his brothers increased to the point that he announced at the final show that it would be the last time they would perform together, ending plans for a European and Australian leg of the tour in the spring and summer of 1985.

The Jacksons did make money from the tour, along with promoter Don King. Michael donated his share to several charities as he had promised before it, but the rancor between Michael and his brothers had a deep and lasting effect on the Jacksons as a family, alienating him from them for most of his later life and it effectively ended the Jacksons as a performing group. They made one more album (2300 Jackson Street which was released in 1989) but aside from the concert celebrating Michael’s 30 years as a solo artist in 2001, they never toured again during Michael’s lifetime.

The tour was a financial disaster for promoter Chuck Sullivan, who along with his father Billy was eventually forced to sell the New England Patriots football team they owned, along with Foxboro Stadium, the team’s home field, as a result of the losses he incurred.

A bowl-shaped concrete structure. In the middle is an oval sign with “Arrowhead” written on it in red letters. Arrowhead Stadium, where the tour opened, as it appeared at the time
The tour sold what was then a record number of tickets despite the high price. The opening shows were widely covered in the national media and sold out. “Anybody who sees this show will be a better person for years to come”, King told the media before the first date in Kansas City. “Michael Jackson has transcended all earthly bounds. Every race, color and creed is waiting for this tour.”

The Jacksons and Don King had made money even though Sullivan had not, and near the end of the tour they began making plans for a European leg. When word reached Michael, he let them know through his representatives that he would not be taking part. At the rain-soaked tour finale in Los Angeles’ Dodger Stadium, after six sold-out shows, Michael announced at the end of the show, to his brothers’ shocked expressions, that this would be the last time they all performed together. The plans to go to Europe were ended.

The set list included songs from the Jackson’s albums Destiny and Triumph. Despite the name of the tour, the Victory album was not represented. There were also songs on the list from Jermaine’s and Michael’s solo careers. Songs from Michael’s albums Off the Wall and Thriller were both represented. The set list did not include “Thriller” itself because Michael did not like the way the song sounded live (it was later performed regularly during Michael’s solo tours).
________________________________________________________________________

Tim Finn former music writer for KC Star, Tim joined us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch. Tim Finn discusses some of KC’s best and most significant music moments including the Beatles’ one and only local appearance.

The Beatles at Kansas City Municipal Stadium – September 17, 1964

The Beatles played for 31 minutes in Kansas City. The 20,280 tickets sold here tied Vancouver, British Columbia, for the second highest attendance for a single performance on the tour.

Charles O. Finley, owner of the Kansas City Athletics baseball team convinced The Beatles to add Kansas City to their tour, flying here on what was suppose to be their day off.

The Beatles spoke at a pre-concert news conference at the Hotel Muehlebach.

There were two Beatles visits to the U.S. in 1964. The first began with their famous Feb. 9 – “Ed Sullivan Show” appearance, watched by 73 million. They also played concerts in Washington, D.C., and New York, then did another Sullivan show from Miami Beach, Fla. By the time the third Sullivan bit, this one taped, ran Feb. 23, Thea Beatles were back in England. When The Beatles came back to the U.S. on Aug. 19 that year, their film “A Hard Day’s Night” had just been released theaters, and the title song went gold.

The 2nd tour was 33 days in 24 U.S. & Canadian cities.

The Kansas City Star reported that The Beatles “had not even left its first venue, San Francisco, before Charlie O. Finley contacted band manager Brian Epstein to see if a KC stop could be carved out of one of the eight off days. He offered $50,000. To put that in perspective, Frank Sinatra and Judy Garland were drawing $10,000 to $15,000 for a show, and a ’64 Beatles concert was running from $20,000 to $40,000.”

The band wasn’t excited about it. In “The Beatles Anthology, ” McCartney recalled: “Our days off were sacred. If you look at our 1964 timetable you can see why. I didn’t realise until recently that we used to have a whole year of work, and then get something like 23rd November off – and then have to judge a beauty competition that day. So, by the time we got to Kansas City, we probably needed a day off. I can’t actually remember falling out with Brian about him wanting us to work on a day off, we’d talk to each other rather than fall out.”

Then Finley wired Los Angeles, where the group played at the Hollywood Bowl, to double his bid. No, thanks, he was told again.

Charles O. Finley made a third offer: $150,000, at the time it was the all-time record cost for a single performance. In today’s dollars it would be $1.1 million.

The large photo in the Kansas City Times captured girls and boys excitedly waving their arms on the field, under a headline that continued the sense of a natural disaster averted: Police Hold Tide of Beatlemania.

The opening number was added as a concession to Finley: The Beatles’ version of “Kansas City/Hey-Hey-Hey.” It was included the next month when they cut their next album, “Beatles for Sale.” The Beatles played “Twist and Shout.”

The set list included: “You Can’t Do That”; “All My Loving”; “She Loves You, Yeah, Yeah! Yeah!”; “Things We Said Today”; “Roll Over Beethoven”; “Can’t Buy Me Love”; “If I Fell”; “I Wanna Hold Your Hand”; “Boys”; “A Hard Day’s Night” and “Long Tall Sally.”
_____________________________________________________________________________

Tim Finn former music writer for KC Star, will soon be writing for a new Kansas City monthly periodical called “In Kansas City.” Tim Finn presents: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. To RSVP visit: http://www.kclibrary.org

You can hear Tim Finn Thursday afternoons between 4:00 and 6:00 pm on 90.9 The Bridge with Jon Hart.

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

11:27

14. The Beatles – “You Can’t Do That”
from: A Hard Days Night / Parlophone / July 10, 1964
[A Hard Day’s Night is the third studio album by the English rock band the Beatles, released on 10 July 1964, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. In contrast to their first two albums, all 13 tracks on A Hard Day’s Night were written by John Lennon and Paul McCartney showcasing the development of their songwriting talents. The album includes the title track, with its distinct opening chord, and the previously released “Can’t Buy Me Love”, both transatlantic number-one singles for the band. The title of the album was the accidental creation of drummer Ringo Starr. According to Lennon in a 1980 interview with Playboy magazine: “I was going home in the car and Dick Lester [director of the movie] suggested the title, ‘Hard Day’s Night’ from something Ringo had said. I had used it in In His Own Write, but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it not to be funny … just said it. So Dick Lester said, ‘We are going to use that title.’]

11:30 – Underwriting

15. The Hermanos Brothers – “All My Loving (The Beatles)”
from: The Hermanos Brothers – Covers / Howard Iceberg / March 20, 2018
[The Hermanos Brothers are Howard Iceberg on vocals, rhythm guitar, & harp; and Chad Brothers on lead guitar & harmony vocals. These songs, all covers, were recorded in one day, between the hours of 9:00 am to 5:00 pm. The songs were recorded and mixed and mastered by Phil Wade who added dobro, mandolin and guitar.]

11:33 – Interview with Howard Iceberg and Pranav Nanda.

Tim Finn, Howard iceberg, and Pranav Nanda on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard Iceberg. He is one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs. Ear;lier this year Howard released Netherlands his collaboration with Rich Hill and other area Jazz musicians.

Howard Iceberg, thanks for being with us on Wednesday MidDay Medley

Pranav Nanda is a 2017 Teach for America Corps Member, serving as a teacher and leader in Kansas City. In his first year at Teach For America, he taught Humanities at DeLaSalle Charter School, an alternative high school serving the Kansas City Urban Corps. This summer, Pranav has had the opportunity to work in the Kansas City’s Mayor’s office through the Urban Leaders Fellowship. Pranav is currently pursuing his Master’s in Education at the University of Missouri in St. Louis & plans on going to Law School after his Teach For America service. Prior to joining Teach For America, Pranav attending George Washington University in Washington DC, receiving a Bachelor’s in Art in International Affairs and minored in Sociocultural Anthropology. While attending GW, Pranav had the opportunity to intern in the White House in the Office of Presidential Correspondence, at the Department of Education in the Office of Post-Secondary Education, and in many leadership positions on campus.

Pranav Nanda thanks for being with us on Wednesday MidDay Medley

Howard Iceberg and Pranav Nanda are here to share information about the Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more info: http://www.momsdemandaction.org,

Moms Demand Action have chapters in many cities.

About Moms Demand Action For Gun Sense In America / media@momsdemandaction.org
Press Contact: Moms Demand Action For Gun Sense In America; E-mail:

ABOUT US

Like Mothers Against Drunk Driving, created to reduce drunk driving, Moms Demand Action for Gun Sense in America was created to demand action from legislators, state & federal; companies; & educational institutions to establish common-sense gun reforms.

WHO WE ARE

Moms Demand Action was founded by stay-at-home mom Shannon Watts on December 15, 2012, in response to the devastating shooting at Sandy Hook Elementary School. The organization quickly flourished into a leading force for gun violence prevention, with chapters in all 50 states and a powerful grassroots network of moms that has successfully effected change at the local, state and national level. In December 2013, Moms Demand Action partnered with Mayors Against Illegal Guns to unite a nationwide movement of millions of Americans working together to change the game and end the epidemic of gun violence that affects every community.

WHAT WE STAND FOR

Moms Demand Action supports the 2nd Amendment, but we believe common-sense solutions can help decrease the escalating epidemic of gun violence that kills too many of our children and loved ones every day. Whether the gun violence happens in urban Chicago, suburban Virginia, or rural Texas, we must act now on new and stronger gun laws and policies to protect our children.

Moms Demand Action envisions a country where all children and families are safe from gun violence. Our nonpartisan grassroots movement has grown to include a chapter in every state across the country. We are educating, motivating, and mobilizing supporters to take action that will result in stronger laws and policies to save lives.

We are facing a public health crisis: seven American children or teens are shot and killed every day.

For too long, the gun lobby has dominated the conversation about gun violence. American families are being destroyed and we have had enough; we will no longer stand by and let elected officials, corporate leaders and other influential voices turn their back on sensible gun laws and policies. We are organizing to apply pressure that will result in stronger, sensible gun laws and policies that will protect our children and families. The momentum is with us, and we are winning.

Shapiro Brothers

Chad Brothers is a Kansas City based singer-songwriter and guitarist who has played music for over 25 years. His dynamic approach to guitar sets him among the best this town has to offer. He’s actively involved in several projects around town including Old Sound, Shapiro Brothers, Supermassive Black Holes, The Butter Band, and he is Mikal Shapiro’s lead guitarist in her band The Musical. In addition, he and Howard Iceberg have now formed a duo called The Hermanos Brothers. Chad was born and raised in Winfield, KS, home of the Walnut Valley Festival and National Flatpicking Championships, and finds himself comfortably at home among a wide range of musical genres including bluegrass, folk, blues, country and rock.

Mikal Shapiro is a Kansas City songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the United States and has recorded five critically acclaimed albums. Kansas City Star critic Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union. Mikal Shapiro released her latest solo album, The Musical II, on May 26.

11:41

16. Shapiro Brothers – “The Other Night”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. All songs written by Mikal Shapiro, except “Almost Ready” was written by Mikal Shapiro and Chad Brothers. Shapiro Brothers played a special EP Release show, November 3, at The Brick, with Grady Keller from Old Sound and Spectator from St. Louis.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

11:44 – More Interview with Howard Iceberg and Pranav Nanda

Uptown Arts Bar and Greg Patterson hosts a night of action, awareness and stellar music as we raise funds to benefit Moms Demand Action for Gun Sense in America, featuring the music of Howard Iceberg and Shapiro Brothers!

More information at: http://www.howardicebergandthetitanics.bandcamp.com and
http://www.shapirobrothersmusic.com

The benefit is Wednesday, July 25. The 25th of every month is “Orange Day” declared by the UN: “The 25th of every month has been designated “Orange Day” by the United Nations Secretary-General’s Campaign UNiTE to End Violence Against Women, to raise awareness and take action to end violence against women and girls. As a bright and optimistic colour, orange represents a future free from violence against women and girls. Orange Day calls upon civil society, governments, and UN partners to mobilize people and highlight issues relevant to preventing and ending violence against women and girls, not only once a year on the International Day for the Elimination of Violence against Women (25 November), but every month.”

More information at: http://www.un.org/en/women/endviolence/orangeday.shtml

Howard Iceberg has been writing songs, recording and performing in the K.C. area for more than 40 years. His songs have been performed by many other local musicians through the years. He is looking forward to playing the Uptown Arts Bar in support of Mothers Demand Action for Gun Sense, and wishes to state that he is pro-mother and anti-gun.

More information at: http://www.oldsoundmusic.com and http://www.shapirobrothersmusic.com and http://www.facebook.com/thesupermassiveblackholes

Howard Iceberg, and Pranav Nanda, thanks for being with us on WMM

The Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more information: http://www.momsdemandaction.org,

11:57

17. Howard Iceberg & The Titanics – “The Times of Our Lives”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Bryan Hicks on electric bass, Doug Auwarter on drums, Marco Pascolini on baritone guitar , Chad Rex on guitar. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on July 25 Shy Boys join us LIVE in our 90.1 FM Studios to talk about their new release Bell House on Polyvinyl Record Co. to be released August 3, 2018. Also next week we welcome Keaton Conrad, and Heidi Lynne Gluck and Sid Sowder of Too Much Rock premieres the newest Too Much Rock 7″ single release right here on Wednesday MidDay Medley.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #743

Wednesday MidDay Medley

WMM Playlist from June 20, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 20, 2018

Bill Sundahl & KKFI’s 30th Anniversary! + Out Here Now – Kansas City LGBT Film Festival
with: Jamie Rich, Austin Williams, Lea Hopkins, Stuart Hinds, Savannah Rodgers, & Philip blue owl Hooser
.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Sunflower Bean – “I Was a Fool”
from: Twentytwo in Blue / Mom + Pop / March 23, 2018
[3-piece rock band from Glen Head, New York and Brooklyn founded in 2013. The band consists of Nick Kivlen (lead guitar and vocals), Jacob Faber (drums), and Julia Cumming (bass and lead vocals). The group has released two albums, Human Ceremony (Fat Possum Records, 2016) and Twentytwo in Blue (Mom + Pop Music, 2018). The band’s appearance at the 2014 CMJ Music Marathon received good notices from All Songs Considered’s Bob Boilen and from The New York Times’s Jon Pareles, who wrote “New York is still home to bands as varied as Sunflower Bean, whose music suggests what might have happened if psychedelia had emerged after punk and the Police rather than before.” They released their first EP, ‘’Show Me Your Seven Secrets’’, initially through their Bandcamp page on January 5, 2015, and later via Fat Possum Records. The EP, which features the singles “Tame Impala” and “2013”, was called “astonishingly good” by the NME. (The band, fans of Tame Impala, had named a song after the Australian combo, noting that Tame Impala itself had named a song “Led Zeppelin”.) Cumming provided a good description of the band’s sound at the time to i-D: “We used to call it ‘neo-psychedelia for the digital age’, and now we’ve just been calling it ‘night music’, however someone may take that. It’s like if Black Sabbath mixed with The Smiths, maybe?” The band – then as now – toured relentlessly, gaining themselves the title of New York City’s “hardest-working band” in 2014); they still tour extensively today, both as headliners and as openers for bands like Pixies, Wolf Alice, DIIV, Foxygen, Best Coast, Cherry Glazerr and Sleigh Bells.]

[Sunflower Bean plays recordBar, Tuesday, June 26, with Public Access T.V., and Instant Karma.]

3. Shy Boys – “Take The Doggie”
from: Bell House / Polyvinyl Record Co. / August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co. They will be releasing their sophomore album, Bell House on August 3rd, 2018. The first single from the album, “Take the Doggie” and an accompanying lyric video were released on June 5, 2018. In 2011 we started playing songs from The I’ms, a duo made of up Collin and Kyle, who posted 6 of their self recorded songs on their Facebook page. We included this informal release in our Top Ten of The 111 Best Recordings of 2011.]

[Shy Boys plays a Record Release Show, Sat, August 4, at 8:00 PM at recordBar, 1520 Grand, KCMO.]

4. Approach – “The Luv (Clean Edit)”
from: Elegant Knock / Datura Records / January 20, 2017
[Lawrence based Sean Hunt is Approach. Sequenced, Produced, Recorded, Mixed & Mastered By: Aikido Bray at Prosidio Gardens in Lawrence. Sean Hunt writes: “Elegant Knock” started out as a beat album named after a production night I throw in Lawrence. It turned into a 10 track album that pays respect to a sound & vibe that I loved in High School. It isn’t a throwback project, it’s a “why aren’t we still freaking these sounds now” thang. My original concept was flipped when I dug out my old Ensoniq EPS 16+ and started funking around. The next thing I knew I was making an album I wanted to rap on. I did all of the production on the EPS (everything and it’s was headache) and made a few mixing edits on the Ensoniq ASR-10 (mainly stereo pans). I pushed myself to use the tools of yesteryear to capture the feeling I was seeking out (it was a pain in the ass and I lost a ton of beats in the process). I loved every second of it though. I feel like it’s the perfect bridge between my Lincoln Marshall project with Milkdrop and my album “Antique Mall” (coming soon).]

[Approach plays the I Heart Local Music – The Magazine Launch Party, Friday, June 22 at 7:00 PM at Jackpot Music Hall, with The Bad Ideas and CS Luxem.]

5. Melody’s Echo Chamber – “Breathe in, Breathe Out”
from: Bon Voyage / Fat Possum Records / June 15, 2018
[Melody’s Echo Chamber is the main project of French musician Melody Prochet. When Prochet’s previous project My Bee’s Garden supported Tame Impala on their European tour in 2010, Prochet collaborated with Kevin Parker to produce her new solo material as Melody’s Echo Chamber. The material was recorded in Parker’s makeshift studio in Perth, Australia and Prochet’s grandmother’s seaside home in the south of France. The self-titled debut album was released on Fat Possum Records in the Fall of 2012. In 2013, the debut album peaked at 61 on the US Billboard Heatseekers Album Chart. Q Magazine gave the album 8/10 calling it an “intoxicating listen that’s well worth experiencing for yourself.” Drowned in Sound’s Dom Gourlay awarded the album 9/10 and stated: “Whatever happens next, she can rest assured safe in the knowledge that together with her beau they’ve conjured up one of 2012’s–or any other year in recent memory–finest debuts.” In October 2014, Melody’s Echo Chamber released “Shirim”, the first single from her upcoming second album. In December 2014, it was announced that Melody’s Echo Chamber would play at Levitation, the 2015 Austin Psych Fest in Austin, Texas but her appearance was later cancelled due to visa issues. In April 2017 Melody Prochet released a new track on YouTube called Cross My Heart and announced a new album called Bon Voyage which she is producing independently. Bon Voyage was set to release in spring of 2017. On Tuesday 27 June 2017, in a statement released by the family of Melody Prochet, it was revealed that Melody had suffered a “serious accident” earlier in June, adding that her upcoming tour would be cancelled. On 3 April 2018, Prochet released the single “Breathe in, Breathe out” accompanied by a music video. She announced via Instagram that Bon Voyage was scheduled to release on June 15, 2018.]

6. Madisen Ward and the Mama Bear – “Everybody’s Got Problems”
from: The Radio Winners – EP / Glassnote Records / July 27, 2018
[Second single from their upcoming EP. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occasional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear play Royal Oak Music Theatre in Detroit, Michigan opening for Lake Street Dive, Tuesday June 26, at 7:00 PM.]

7. Jessica Paige – “Night Train”
from: Night Train – Single / Independent / June 1, 2018
[29 year old Jessica Paige moved to Kansas City from Manhattan, Kansas, after caring for her ailing grandmother for several years. She told CJ Janovy of KCUR News. “After she passed away, I started doing music full time, recorded my album and started touring.” Jessica self-produced my first album “Sweet Nothings” with Nashville-based artists and producers. The album is a reflection of the life-cycle of a relationship; the exciting and insecure beginnings to the lamenting demise of something that was once beautiful. The single released from the album, “Beautiful Life,” is a soul-pop reflection of someone trying to reconcile the conflicting emotions of trying to rescue or walk away from a relationship, while still appreciating how beautiful it is to love, regardless of how things turnout. While working on “Sweet Nothings,” Jessica settled in to Kansas City to start working with a full band and laying the groundwork for her next album.]

[Jessica Paige plays a matinee show at Replay Lounge in Lawrence, Sunday, June 24, at 5:00 pm with Carswell and Hope.]

8. Dicta – “Ice Cream and Muscle Relaxers”
from: Lucrative Talent Showcase / Dicta / February 14, 2018
[Kyle Anthony on bass, Neil Hebrank on drums, Mark Lewis on guitar, Joel Shields on guitar & vocals. All music by Dicta. All words by Dicta, except “Damn You Jim, You Woke Me Up,” adapted from John Berryman’s poem of the same name. Recorded, engineered, and mixed by Nick Freeman in Leavenworth, KS at various points between April and December 2017. Mastered by Doug Van Sloun at Focus Mastering in Omaha, NE. Cover photo by Hillary Watts. Band photo by Rachel Monahan. ]

[Dicta plays The Hillary Watts Riot Album Release at The Rino, Friday, June 22, at 7:00 PM with The Black Creatures.]

10:26 – Underwriting

9. The Elders – “Show Me a Soul”
from: True / The Elders / November 23, 2017
[The 8th studio album from the KC based band formed in 1998 who’ve won acclaim from PASTE Magazine, Folk & Acoustic Music Exchange, Music Row Magazine, Goldmine Magazine, TRAD Magazine (France), Chicago Sun-Times, Kansas City Star and more. The Elders have headlined major Celtic Festivals in North America and Europe. For the past 14 years they have sponsored a tour of Ireland in which fans are invited to join in on an extraordinary 12 day excursion visiting historical and geographical sights during the day and gathering at a local pub or ballroom at night for pints and performances by the band. The Elders are: Ian Byrne on vocals, drums, percussion, whistle; Steve Phillips on vocals, guitar, mandolin; Diana Ladio on fiddle; Brent Hoad on vocals, keyboards, fiddle, guitar; Norm Dahlor on vocals, bass, guitar, banjo; and Kian Byrne on vocals, drums, bass, mandolin.]

10:32 – Interview with Bill Sundahl

Bill Sundahl, KKFI’s Development Director joins us to talk about 90.1 FM’s 30th Anniversary Celebration at The Folly Theatre, June 30, at 7:00 pm. The show will demonstrate KKFI’s diverse programming with two all-star bands led by Clint Ashlock, and Michelle Bacon, with songs performed by The Elders, Julia Othmer, Sara Morgan, Kemet the Phantom, Kadesh Flow, Una Walkenhorst, Cubanisms, Bob & Diana Suckiel, Jason Vivone, Robert Rodriguez, Rosie’s Bar & Grill, and more. The onstage presentation begins at 7:15 with a KKFI History Presentation and Panel of Founders, followed at 8:00 pm with a showcase of musical artists. More info at: http://www.follytheatre.org

Bill Sundahl thanks for being with us on WMM.

KKFI 30th Anniversary at Folly Theater – Saturday, June 30 at 7 PM – 10:30 PM
The Folly Theater, 300 W 12th St, Kansas City, Missouri 64105
Tickets: http://www.follytheater.org

6:00 VIP Reception at Folly Theater.
Mingle with KKFI DJs & Hosts, enjoy complementary cuisine & libations. Please join in KKFI’s History.

7:00 Doors

7:15 History Presentation & Founders Panel

8:00 Musical Show
This show will demonstrate KKFI’s diverse programming with 2 all-star bands led by Clint Ashlock, Director of KC Jazz Orchestra, & Michelle Bacon, The Band Who Fell to Earth.
Backing over 20 other Artists Single Performances by:
The Elders
Julia Othmer
Sara Morgan
Ernie Lock of Sopchoppy
Eve Sheldon
Kemet the Phantom
Una Walkenhorst
Cubanisms
Kadesh Flow
Pablo Sanhueza
Ernest James Zydeco
Jo Music
Junebug and The Porch Lights
Jason Vivone
Gerald Trimble & Jambaroque
Robert Rodriguez & Greg Conchola
Robert Suckiel & Diana Suckiel
Rosie’s Bar & Grill
& Many More

KKFI Hosts will be side stage in an old-school radio show format

kkfi.org/events for deeper dive into artists performing

Tickets – Availability info at: http://www.follytheatre.org

Hotel Rooms- Kansas City Marriott Downtown
Reserve your room $149 per night (Normally $299)
MUST Present tickets at check in / Available while they last / Rate for June 30th Only

Bill Sundahl thanks for being with us on WMM.

KKFI – 90.1 FM’s 30th Anniversary Celebration at The Folly Theatre, June 30, VIP Reception at 6:00 PM. KKFI History Presentation and Panel of Founders, at 7:15 pm. The musical show at 8:00 with two all-star bands led by Clint Ashlock, and Michelle Bacon, with songs performed by The Elders, Julia Othmer, Sara Morgan, Kemet the Phantom, Kadesh Flow, Una Walkenhorst, Cubanisms, Bob & Diana Suckiel, Jason Vivone, Robert Rodriguez, Rosie’s Bar & Grill, and more. More info at: http://www.follytheatre.org

10:42

10. Parquet Courts – “Almost Had to Start a Fight / In and Out of Patience”
from: Wide Awake / Rough Trade / May 18, 2018
[6th studio album from Parquet Courts, of Denton, Texas, currently residing in New York City, New York. The band consists of Andrew Savage on vocals & guitar, Austin Brown on vocals & guitar, Sean Yeaton on bass, and Max Savage on drums. The band released their debut album, American Specialties, as a limited cassette release, in 2011. The band’s second studio album, Light Up Gold (2012), was initially released on Savage’s Dull Tools label and later reissued on What’s Your Rupture? in 2013.[1] Light Up Gold received widespread critical acclaim in both the DIY underground and mainstream rock press. In 2014, the band reached #55 on the Billboard albums chart with its third studio album, Sunbathing Animal. Later in 2014, the band released “Uncast Shadow of a Southern Myth” as a single under an alternative name, Parkay Quarts. Soon after they released their fourth studio album, Content Nausea, on which Sean and Max were absent, due to other commitments.The following year, the band released a mostly instrumental, experimental EP, entitled Monastic Living. On February 4, 2016, the band announced their fifth studio album, entitled Human Performance. The album was released on April 8 through Rough Trade. On October 13, 2017, the band’s co-frontman A. Savage released his first solo album, Thawing Dawn, through Dull Tools.]

11. Rolling Blackouts Coastal Fever – “Talking Straight”
from: Hope Downs / Sub Pop / June 15, 2018
[Debut full-length album from Rolling Blackouts Coastal Fever, an Australian indie rock band formed in Melbourne in 2013 by singer-guitarists Fran Keaney, Tom Russo & Joe White. The band’s five members are Keaney, his cousin Joe White, Tom Russo, his brother Joe Russo on bass guitar, and Marcel Tussie on drums. Their debut EP, Talk Tight, was released in 2016 on Ivy League Records. It was followed by their second EP, the French Press, which was mixed by Doug Boehm and released in 2017 on Sub Pop Records. Robert Christgau gave Talk Tight an A grade, writing that “If you like the [guitar] effect—and why not, it’s beautiful—you’ll gravitate to it on sound alone. But what I’m loving at least as much is lyrics that suit the bright white male culture the sound implies.” He also compared the band’s sound to that of the Go-Betweens, a comparison that has also been made by critics like Stephen Deusner.]

12. Laura Veirs – “Seven Falls”
from: The Lookout / Raven Marching Band / April 13, 2018
[Laura Pauline Veirs was born October 24, 1973. She was raised in Colorado. She studied geology and Mandarin Chinese at Carleton College, and worked as a translator for a geological expedition in China. While growing up, she heard folk-country, classical, and pop music at home. However, she didn’t “listen seriously,” she says, until her 20s. At Carleton, she joined an all-girl punk band called Rair Kx!. After graduation, her taste moved to older country and folk, and during her time in China she began writing lyrics. In 1999, Veirs released a self-titled album, which was recorded live and featuring just herself and guitar. 2003 saw the release of Troubled by the Fire, accompanied by veteran musicians such as Bill Frisell. She then signed to Nonesuch and released Carbon Glacier. She also signed to Bella Union for European distribution. Year of Meteors followed in August 2005, and was selected by the New York Times as a “critic’s choice”. Veirs released her last full-length for Nonesuch, Saltbreakers, in 2007. July Flame appeared in January 2010 on her own Raven Marching Band Records. The Washington Post praised it. In November 2011, Veirs released the album Tumble Bee: Laura Veirs Sings Folk Songs for Children. The album presents mostly traditional songs, and features an array of guest musicians, including Colin Meloy, Jim James and Bela Fleck. Tumble Bee won a Parents’ Choice Award in 2012. In September 2012, her first feature film soundtrack was released: Hello I Must Be Going. The exclusive soundtrack features eight instrumental versions of previously released songs, five catalog favorites and one new vocal track, “Spring Song”. In August 2013, she released Warp and Weft. In 2015, she worked on the album Carrie and Lowell by Sufjan Stevens. Veirs husband and long term collaborator Tucker Martine engineered some of the album. Veirs was lead songwriter for the 2016 album case/lang/veirs, a collaborative project between Veirs, k.d. lang and Neko Case. The album received positive reviews. Veirs currently lives in Portland, Oregon. Her husband, Portland-based producer Tucker Martine, has produced her last nine albums, and plays many instruments on the records as well. Their first son, Tennessee Veirs Martine, was born in April 2010. In May 2013 they had a second son, Oz Rhodes Martine. Veirs runs a record label, Raven Marching Band Records, that has released her own and other artists’ music. In 2016, the label released Introducing Karl Blau, which was crowdfunded. In 2007, Veirs said about her lyrics, “I like to be personal in my writing, but not overly confessional.”]

13. The Hillary Watts Riot – “Disco Love Ball Heart”
from: Freakout / Money Wolf Music / June 22, 2018
[Follow up to their June 22, 2012 debut EP release: A/S/L from Money Wolf Music . THWR include: Hillary Watts Bird om vocals, Christian Hankel on bass, Tommy Donoho on guitar, and Logan Compton on drums. They describe their music as “freak pop.” This band is so fun to see live.]

[The Hillary Watts Riot play an Album Release Show for Freakout, at The Rino, 314 Armour Rd., North Kansas City, on Friday, June 22, at 7:00 PM with Dicta, and The Black Creatures.]

11:00 – Station Identification

11:00 – Interview with Jamie Rich, Austin Williams, Lea Hopkins, Stuart Hinds

Jamie Rich, Philip Hooser, Lea Hopkins, Austin Williams, and Stuart Hinds on the June 20, 2018 edition of Wednesday MidDay Medley on KKFI/

The annual Out Here Now: Kansas City LGBT Film Festival, begins tomorrow June 21 and runs through June 28 at Tivoli Cinemas in Westport.

For the past nineteen years, Jamie Rich has served as the festival director for the Kansas City LGBT Film Festival, the city’s oldest and best-attended community film program. He coordinates the marketing and special screenings at the Tivoli Cinema in Westport, including the popular Open Circle Spiritual Cinema Series. Jamie Rich, joins us as guest co-host for our second hour.

Jamie Rich, thanks for being with us today on Wednesday MidDay Medley

Our very special guests include: Austin Williams, UMKC doctoral candidate, seeking an Interdisciplinary Ph.D. in American History and Educational Leadership, Policy, and Foundations. Austin has been collaborating with UMKC’s Gay and Lesbian Archive of Mid America (GLAMA) and the Kansas City LGBT Film Festival, to create his first documentary feature, THE ORDINANCE PROJECT making it’s world premiere at the OUT HERE NOW KC LGBT Film Fest, Thursday, June 21, at 7:00 PM.

Austin Williams, thanks for being with us on Wednesday MidDay Medley

Also joining us is Stuart Hinds, Curator of the Gay & Lesbian Archive of Mid-America (GLAMA) of UMKC shares how GLAMA offered source material and collaborated with Austin Williams on The Ordinance Project.

Stuart Hinds, thanks for being with us on Wednesday MidDay Medley

We also welcome Lea Hopkins who is featured in The Ordinance Project and is one of Kansas City’s earliest LGBT Activists forming Christopher Street Association helping to organize Kansas City’s first Gay Pride Parade and a protest of Anita Bryant’s Save Our Children campaign, when Anita made a stop in Kansas City.

Hello Lea Hopkins!

We also welcome, Philip blue owl Hooser, actor, playwright, director, teacher, and dramaturg. He has been on stage at The Rep, The Unicorn, the Coterie, Late Night Theater, Gorilla Theatre, Mystery Train Theatre, Just Off Broadway, The Fishtank, Musical Theatre Hertitage. His plays have been produced at The Unicorn, The Coterie, Gorilla Theatre, Late Night Theatre to name a few. Philip recent;ly participated in a live performance for Risk! Philip gives the preshow lectures at the Heart of America Shakespeare Festival, and is also the creative genius behind “Eat Their Words,” a live performance and reading of celebrity biographies in Kansas City. Philip does film pieces with Michael McQuary for KIFF and OM Film Fest. Philip Blue Owl Hooser is the co-host of The Tenth Voice on 90.1 FM – KKFI. Philip is also part of the team that produces the Out Here Now Film Festival.

Hello Philip blue owl Hooser

And later we will talk with Savannah Rodgers, KC based filmmaker and artist-in-residence at the Charlotte Street Foundation. Savannah’s short documentary debut DRAGTIVISTS will screen Out Here Now, on Saturday, June 23, at 1:30 PM. More info on all the films in the festival at: http://www.outherenow.com.

Jamie Rich this is the 19th year of the Festival

2018 Celebration of Courage Award – Documentary
THE ORDINANCE PROJECT
WORLD PREMIERE SCREENING THUR JUNE 21 | 7:00PM

Be here for the world premiere of a powerful, locally-produced new documentary about the most contested piece of legislation in Kansas City history.

Directed by historian and UMKC Doctoral Candidate, Austin Williams, THE ORDINANCE PROJECT commemorates the 25th anniversary of this landmark event through the voices and personal stories of those who were there. With insightful perspectives on the root of the local gay and lesbian civil rights movement, the film transports you back to the front lines of a life or death struggle within the context of the AIDS epidemic which fanned the flames of homophobia and forced issues of LGBT discrimination to the forefront.

On June 3, 1993, the City Council of Kansas City, Missouri added “sexual orientation” to its civil rights ordinance, capping an epic, three-year civic and political battle. While activists, organizers, politicians, and opponents spent years debating this particular issue, the fight for LGBT civil rights has a much deeper past in KC which continues today.

Austin Williams will offer an Audience Q&A following the screening. Keith Spare, one of the founding members of the KC Human Rights Commission, will also be honored with a Celebration of Courage Award for his many years of service to the LGBT community.

As Austin writes, “it was one of the most highly contested pieces of legislation in Kansas City history. It marked a turning point, after which discrimination against gays and lesbians could no longer be ignored, and it demonstrated how homophobia and the fear of AIDS were not only intertwined — they were inseparable.” More information at http://www.theordinanceproject.com

Austin Williams has been working on an oral history project, Responding to AIDS: Kansas City (1981-1995), and a documentary film, The Ordinance Project. His research focuses on the Kansas City activists and politicians who supported and opposed a series of ordinances introduced in the early 1990s designed to protect gays, lesbians, and people with HIV/AIDS from experiencing discrimination in housing, employment, and public accommodations.

Austin has spent the last two and a half years studying Kansas City’s efforts to pass anti-discrimination legislation for members of the LGBT community. With the help of Stuart Hinds and the staff at The Gay and Lesbian Archive of Mid-America (GLAMA), Austin has pored through thousands of primary sources and digitized dozens of hours of VHS footage.

Austin writes, “I have been blessed to meet many of the activists and politicians directly involved in Kansas City’s fight for civil rights. People have invited me into their homes and shared their stories over cups of coffee. THE ORDINANCE PROJECT is our collective effort to capture their memories on film.”

Austin collaborated with UMKC’s Gay & Lesbian Archive of Mid America (GLAMA) and the Kansas City LGBT Film Festival, he is currently working on an oral history project, Responding to AIDS: Kansas City (1981-1995), along with The Ordinance Project.

Austin’s research focuses on the Kansas City activists and politicians who supported and opposed a series of ordinances introduced in the early 1990s designed to protect gays, lesbians, and people with HIV/AIDS from experiencing discrimination in housing, employment, and public accommodations.

At the height of the AIDS crisis, the City Council of Kansas City, Missouri debated whether or not to amend its Civil Rights Ordinance to prevent discrimination against lesbians, gays, bisexuals, and people with HIV/AIDS.

It quickly became the most highly contested piece of legislation in KC’s history, galvanizing both supporters and opponents while exposing a social divide that is still felt today.

The Ordinance Project features interviews with civic leaders such as:

Emanuel Cleaver: US Congressman, former Mayor, former Council Member

Katheryn Shields: City Council Member

Joanne Collins: Former Kansas City Council Member

Dan Cofran: Former Kansas City Council Member

Michael Bates: Former Director of the Kansas City Human Relations Department

As well as community activists:

Keith Spare: Longtime LGBT Community Activist

Lea Hopkins: Christopher Street Association

David Weeda: Co-founder of the Human Rights Ordinance Project (HROP).

Linda May: Co-Chair of Mayor Cleaver’s Commission on Lesbian and Gay Concerns

Jon D. Barnett: Co-founder of ACT UP/KC & Human Rights Ordinance Project

Steve Pierce: Gay Talk & Committee Member of The Greater Kansas City AIDS Council

Kay Madden: Co-founder of Pink Triangle Political Coalition

Mark Manning: Co-founder of the Big Bang Buffet

Randy Hite of Heartland Men’s Chorus

Stuart Hinds: Curator of the Gay and Lesbian Archive of Mid-America

Carl Hippensteel: Member of Pink Triangle Political Coalition and ACT UP/KC

Jim Hull: Co-Founder of ACT UP/KC

More info on all the films in the festival at: http://www.outherenow.com.

11:23

14. Romanovsky & Phillips – “Homophobia”
from: Trouble In Paradise / Fresh Fruit Records / 1986
[Romanovsky & Phillips is a gay singing duo named after its members, Ron Romanovsky and Paul Phillips. They are best known for their original recordings and live performances featuring songs combining humor with poignant observations about the lives of gay men (and to a lesser extent, lesbian women) in contemporary American society. Romanovsky & Phillips began their career at San Francisco’s Valencia Rose Cafe in 1982, as the musical break for Gay Comedy Open Mike Night. They mounted their first national tour in the fall of 1983. They toured extensively in the United States, Canada and Australia. Over the years the duo released seven albums under the “Fresh Fruit” label. Sydney Daily Mirror described them as “delightful and entertaining Ambassadors of Homosexuality.” Originally a romantic couple, the two ended that aspect of their relationship in the early 1990s, but continued to record and perform together, describing themselves as “a gay Sonny and Cher” (who had also briefly continued their professional collaboration following their divorce). In 1998 they presented their full-length musical, Jayson, at the 45th Street theatre in New York. A year later the duo decided to take some time off the road. While Phillips put music on hold to pursue other interests, Romanovsky took up a new instrument: the accordion. In 2002 he released a solo album in French, Je m’appelle Dadou. In 2004, Ron was commissioned to write a “circus opera” for Nurses for the Rights of the Child, a group of labor and delivery nurses who are conscientious objectors to male circumcision. After two years of writing and several workshop performances, It’s A Boy! was premiered in August, 2006 at the 9th International Symposium on Circumcision, Genital Integrity and Human Rights at the University of Washington in Seattle. The opera featured music written for accordion, violin and five vocalists. A recording was released concurrently. Immediately following up It’s A Boy! came the release of Pittsburgh to Paris, marking Ron’s return to song writing. In December, 2006, Fresh Fruit Records re-released all of R&P’s recordings. In 2007 Ron returned to the concert stage, this time fronting a four-piece band and performing his newest material along with several updated R&P chestnuts. The year culminated in a sold-out show in Taos, New Mexico, where Ron shared the bill with comic Vicki Shaw. His newest recording, Turn Up the Fun!, released in January 2008, is a return to his queer music roots, offering 14 original tracks featuring the characteristic satire, off-beat observations and poignancy that fans have come to expect. Currently, Romanovsky performs frequently in and around his adopted hometown of Santa Fe with his quartet, “Welcome to Bohemia”.]

Romanovsky & Phillips – Discography

I Thought You’d Be Taller – 1984
Trouble In Paradise – 1986
Emotional Rollercoaster – 1988
Be Political, Not Polite – 1991
Hopeful Romantic – (Ron Romanovsky, solo) 1992
Brave Boys – (“best of” collection) 1994
Let’s Flaunt It – (live) 1995
Je m’appelle Dadou – (Ron Romanovsky, solo) 2002
It’s A Boy! – (a circus opera by Ron Romanovsky) 2006
Pittsburgh to Paris – (Ron Romanovsky, solo) 2006
Turn Up the Fun! – (Ron Romanovsky, solo) 2008]

[From the soundtrack of the film The Ordinance Project playing the OUT HERE NOW KC LGBT Film Fest, Thursday, June 21, at 7:00 PM.]

11:27 – More of our Interview with Jamie Rich, Philip blue owl Hooser, Stuart Hinds, and Savannah Rodgers

Schedule – Out Here Now: KC LGBT Film Festival, June 21 – 28

2018 Celebration of Courage Award – Documentary
THE ORDINANCE PROJECT
WORLD PREMIERE SCREENING THUR JUNE 21 | 7:00PM
Be here for the world premiere of a powerful, locally-produced new documentary about the most contested piece of legislation in Kansas City history. Directed by historian and UMKC Doctoral Candidate, Austin Williams, THE ORDINANCE PROJECT commemorates the 25th anniversary of this landmark event through the voices and personal stories of those who were there. With insightful perspectives on the root of the local gay and lesbian civil rights movement, the film transports you back to the front lines of a life or death struggle within the context of the AIDS epidemic which fanned the flames of homophobia and forced issues of LGBT discrimination to the forefront.

On June 3, 1993, the City Council of Kansas City, Missouri added “sexual orientation” to its civil rights ordinance, capping an epic, three-year civic and political battle. While activists, organizers, politicians, and opponents spent years debating this particular issue, the fight for LGBT civil rights has a much deeper past in KC which continues today.

Featuring interviews with civic leaders such as Emanuel Cleaver, Katheryn Shields, Joanne Collins, and Dan Cofran as well as community activists Keith Spare, Lea Hopkins, David Weeda, Linda May, Jon Barnett, Steve Pierce, Kay Madden, Mark Manning, Randy Hite, Stuart Hinds, Carl Hippensteel, and Jim Hull.

Austin Williams will offer an Audience Q&A following the screening. Keith Spare, one of the founding members of the KC Human Rights Commission, will also be honored with a Celebration of Courage Award for his many years of service to the LGBT community
_____________________________________________________________________________

2018 Celebration of Courage Award – Short Film
NORTHERN COURAGE
FRI JUNE 22 | 1:30PM
You’re invited to open your mind (and your heart) and help select the winner from this year’s honored finalists. Remarkably, these five powerful and resonant stories from emerging filmmakers all have a Canadian connection. DUST chronicles a young boy’s difficulty accepting his older brother’s transformation, when she returns from university. In PRE-DRINK, an evening spent together destabilizes best friends since forever when both decide to have sex together for the first time. A black male burn-survivor and amputee, on a date with a regularly-abled man, faces his demons as he attempts to experience intimacy for the first time since his accident in THE THINGS YOU THINK I’M THINKING. A son struggles to honor the identity of his recently deceased parent while his mother tries to uphold the appearance of a conventional family in SILVIA IN THE WAVES. When MARGUERITE, a diabetic woman in her seventies, discovers that her faithful caretaker is a lesbian, she is moved to open her heart and attempts to make peace with her past.

BRIEF ENCOUNTERS
FRI JUNE 22 | 3:30PM
Make it a truly Fabulous Friday with a sextet of films about love, lust and relationships. Short on time? We have just the solution. Go to OutHereNow.com for a revealing preview.

DYKES, CAMERA, ACTION
FRI JUNE 22 | 5:45PM
Lesbians didn’t always get to see themselves on screen
but between Stonewall, the feminist movement, and the experimental cinema of the 1970s, a once invisible population became seen and heard, and transformed the social imagination about queerness. Filmmakers Barbara Hammer, Su Friedrich, Rose Troche, Yoruba Richen, Desiree Akhavan, Vicky Du, critic B. Ruby Rich and others share moving and often hilarious stories from their lives and discuss how they’ve expressed female identity through film. MIDWEST PREMIERE

IDEAL HOME
FRI JUNE 22 | 7:45PM
Our Opening Weekend kicks off with Kansas City’s own Paul Rudd (totally rockin’ his dad beard) paired with British comedian Steve Coogan in a delightful rom-com with sardonic wit! They co-star as Erasmus and Paul, a bickering gay couple whose life is turned inside out when a ten-year old boy shows up at their door claiming to be Erasmus’ grandson. Neither Paul, nor Erasmus, are ready to give up their extravagant lifestyles to be parents, but maybe this little kid has a thing or two to teach them about the value of family. With Jack Gore, Alison Pill and Jake McDoran.
_____________________________________________________________________________

ORDINANCE PROJECT
Screening & Community Response
SAT JUNE 23 | 10:30AM
Stuart Hinds, the director of the Gay & Lesbian Archives of Mid-America, leads a community talkback and discussion following this encore screening of THE ORDINANCE PROJECT. Invited guests and some of those featured in the film will share their responses and participate in an Q&A with the audience. As the fight for LGBT civil rights continues today, hear from local activists and community organizers offering their perspectives and plans as well. Please join us for this timely gathering.

LATINX VOICES
SAT JUNE 23 | 10:45AM
Five vibrant and emerging voices of LGBTQ cinema with illuminating and revealing Latinx stories of diverse sexual and gender experiences. Hosted by poet and community organizer Alex Martinez and co-presented by Brown Pulse/ Brown Voices. 3 SIBLINGS with different gender identities and sexual orientations bring us into their world during São Paulo’s Pride Celebration. On the day famous Mexican singer JUAN GABRIEL dies, best friends Beto and Daniel will redefine their friendship. Manuel is a gay Latino teen searching for a GUARDIAN. In the midst of her family’s rejection, ELENA wants to experience her own sexuality. And, two men fall in love exploring the TOP 10 PLACES TO VISIT IN SAO PAOLO.

(At both of these Saturday morning Coffeehouse Matinee Screenings there will be fresh-brewed coffee from the Broadway Cafe as well as sweet and savory treats to enjoy.)

KC-Q
Hometown Creativity on Film SAT JUNE 23 | 1:30 PM
Enjoy five new films brimming with local ingenuity. The stories, the themes and even the directors themselves have their filmmaking origins from the Kansas City area. David Wayne Reed’s ETERNAL HARVEST follows the cycle of life as depicted by the growing season on a rural Kansas farm. Award-winning director Savannah Rodgers’ DRAGTIVISTS finds the intersection of activism and drag performance in Lawrence, KS. Filmmaker Joshua Steven Allred based his film SINNER on his teenage years in Kansas City. In KU grad Hunter Harding’s TAYLOR SWIFT: LOOK WHAT YOU MADE ME DO a homophobic father learns his teenage son is gay, and responds by committing him to a psychotic, gay-conversion surgery. KC native filmmaker/photographer Keegun Selley profiles a local college student who is transitioning from female to male in HUMAN IS HUMAN.

MAN MADE
SAT JUNE 23 | 3:30PM
MAN MADE takes us into the heart of transgender male (FTM) culture, revealing unexpected truths about gender, masculinity, humanity and love. Four trans men (who like the film’s director were born and raised female), take a variety of life paths toward stepping on stage at Trans FitCon, the only all-transgender bodybuilding competition in the world (held in Atlanta, GA). MAN MADE is a character-driven, intimate, and riveting verité-style competition film, but also a unique social justice narrative. It speaks to the ways in which we all choose to define and reshape ourselves, both figuratively and literally. We follow thier emotional and physical journeys as they navigate lives as the men they are, despite very real risks inherent in the current social and political climate. The strength on display in this deeply personal film transcends the physical. For the men of MAN MADE, it’s not about winning—it’s about being seen.

WOMENS COMEDY SHOWCASE with Special Guests
SAT JUNE 23 | 5:45PM
It’s a guaranteed good time as the spotlight shines on comedies by, for and about women. Each of these films is vying for your vote for Best Comedy, so come out and enjoy some on-screen love and laughter. In GETTING STARTED, chemistry ensues immediately on a first date, but will their mutual attraction be enough to overcome some of the challenges presented in their budding relationship. FOXY TROT is a whimsical, romantic comedy about a married lesbian couple who unexpectedly face their relationship issues in a hetero-normative ballroom dance class. HEATHER HAS FOUR MOMS who all weigh in when 14 year old Heather’s plan to lose her virginity is discovered. After seeing a dreadful statue dedicated to her comedic idol, Lucille Ball, a risk averse comedienne battling a recent breast cancer diagnosis makes it her mission to destroy SCARY LUCY.

BOYS LIFE
SAT JUNE 23 | 7:45PM
Young gay men on the threshold of adulthood. From first crush to first encounters. From one night stands to what happens next. It’s all here. Including the Midwest Premiere of a film that picks up from where a young man’s gay classic left off. Spanning across 14 years and capturing two turning points in the lives of Ben and Johnny, THE DARE PROJECT is an enticing two part film about sexual attraction and an enduring connection. After a break up, a young man (played by OUT HERE NOW favorite Ben Baur) struggles to open up to a new relationship with awkward/hilarious/ disastrous results in SOMETHING NEW. After being shamed by an online hookup for being too FEMME, Carson must confront his own notions of masculinity and gender roles within the LGBTQ community. When a game of spin the bottle starts, 15 year old Bram decides to twist the fate of the evening, and maybe his whole life in TURN IT AROUND.
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EVERY ACT OF LIFE
SUN JUNE 24 | 1:30PM
The groundbreaking life and work of Tony-winning playwright Terrence McNally is profiled in this uniquely entertaining and moving tribute. You are guided through his over 5-decade career in the American theatre, the struggle for LGBT rights, his triumph over addiction, finding true love, and the need (now more than ever) for writers and artists to shape society’s value. EVERY ACT OF LIFE is the first cinematic portrait of one of the world’s most honored and risk-taking playwrights. The film weaves together immersive storytelling, rare footage and photos, new performances, film of classic plays, and intimate access to Terrence’s personal life. Featuring Angela Lansbury, F. Murray Abraham, Larry Kramer, Nathan Lane, Christine Baranski, Matthew Broderick, Audra McDonald, Stanley Tucci, and many more luminaries plus the voices of Dan Bucatinsky, Bryan Cranston, and Meryl Streep.

SAY YES
SUN JUNE 24 | 3:30PM
This year’s Centerpiece Sunday includes the Midwest Premiere of a compelling, new film about the too-often overlooked “B” in LGBT cinema. From the writer/director of OUT HERE NOW favorites COFFEE DATE and TRU LOVED comes a touching and tender look at marriage, commitment and the boundaries of love. A young woman (Leah McKendrick) diagnosed with cancer tries to play matchmaker between her soon-to-be widowed husband (Patrick Zeller) and her bisexual twin brother (Matt Pascua). This tender meditation on love, loss, and connections reaches far beyond the traditional confines of sexual orientation. The conflict/resolve with terminal illness, mortality, compassion and sexual fluidity are all touched upon in this poignant and heartfelt film. With Shari Belafonte, Alberto Manquero, Stefanie Estes & Alexandra Paul and featuring music by OUT HERE NOW alum and Warrensburg native Tom Goss.

PORCUPINE LAKE
SUN JUNE 24 | 5:45PM
Two girls dangling on the brink of adulthood enjoy a summertime of fleeting childhood adventures, in this courageous and touching new film by Slovakian- Canadian director Ingrid Veninger. During a hot and hazy summertime in northern Ontario, 13-year-old Bea (Charlotte Salisbury) wants a best friend more than anything else, but when she meets boisterous Kate (Lucinda Armstrong Hall), she gets more than she imagined. How will their lives be changed by this daring, new relationship? And, can the bond they forge in the summer sun endure? This beautifully made and remarkably timeless coming of age story features luminous performances by the two talented young lead actresses. Equally funny, real and poignant PORCUPINE LAKE is a story of bravery, small-town summer love, and the secret world of girls.

A MOMENT IN THE REEDS
SUN JUNE 24 | 7:45PM
This year’s final Centerpiece Screening is an intimate and sexually-charged drama about a chance encounter between two men by the Finnish lakeside. Leevi, who has left Finland behind to study abroad, returns for the summer to help his father renovate the family lake house. Tareq, a Syrian asylum seeker, has also been hired to help, and when Leevi’s father returns to town on business, the two young men give into their mutual attraction, spending a few midsummer days discovering one another. Among the first queer-themed feature films made in Finland, this tender and sensual film casts the long-marginalized voices of sexual and ethnic minorities center-stage in a story about the search for freedom, acceptance and a place to call home. With stirring and compelling performances by the two lead actors, A MOMENT IN THE REEDS is one of the most moving gay romance stories of recent years.
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FEARS FOR QUEERS
MON JUNE 25 | 5:45PM
It’s baaaack…. Our frightfully popular horror/thriller showcase returns with a new set of chillingly fine offerings designed to keep you on the edge of your seat. In THE QUIET ROOM, Michael’s attempt at suicide awakens a psych ward demon. He must stop her before she kills everyone in the hospital he connects with. In HIPPOPOTAMUS, when left alone to caretake a gay nude resort closed for the season, a man finds himself confronted by what he can see and by what he can’t. When nothing is hidden, it’s also about what sees you. In MEET UP with the promise of weed and a “good time,” an emotionally starved gay man decides to give an enigmatic stranger a ride home, completely unaware what the night will unfold. And, in HORROR, SEX AND HAIR CURLERS, a salon owner suspects her husband is cheating on her. And, he is. With a young man as handsome as he is mysterious. She is furious but she has no idea how weird and horrific this day is about to get!

STILL WAITING IN THE WINGS
MON JUNE 25 | 7:45PM
OUT HERE NOW favorite Jeffrey Johns is back with a new musical adventure featuring some very familiar faces including Kansas City’s beloved own, Ed Asner. This tune- filled fable follows the trials and triumphs of actors waiting tables in Times Square. While dreaming of the Broadway stage, the reality of slinging hash under florescent lights mixes sweet aspirations with bitter drama. There’s no people like show people and there’s no telling what can happen when they’re pitted against each other. Nick Adams, Ed Asner, Carole Cook, Lee Meriwether, Patricia Richardson, Chita Rivera, Seth Rudetsky, Sally Struthers, Bruce Vilanch, and Cindy Williams round out this heartwarming homage to Broadway with some delightful cameos. Star and writer Jeffrey Johns will introduce his film and offer a Q&A following.
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TRUTH UNFOLDING
TUES JUNE 26 | 5:45PM
Compelling and revealing stories from near and far delve into nuances of LGBTQ experiences through memorable and moving performances. The five honored finalists for Best Dramatic Short are presented in this twilight Audience Choice Showcase.

VENUS
TUES JUNE 26 | 7:45PM
At once hilarious and serious, smart and sassy, this articulate, absorbing, and lively gender shifting comedy, is the witty tale of Sid (featuring Debargo Sanyal in a remarkable performance), a transitioning woman whose life takes a surprising turn when a 14-year-old boy arrives at her door with the announcing that he is her son. What follows is a laugh-out-loud slice of life as Sid is forced to entertain the curious and very persistent teen while navigating fraught relationships with her traditional Punjabi parents and her closeted on-again, off-again boyfriend. Heartwarming and an absolute delight to watch—with an infectious bilingual soundtrack, to boot—VENUS presents us with a trans woman seeking to overcome societal, familial, and personal odds to simply assert her freedom and live in her own skin. As genders, generations and cultures collide, this award- winning film proves finding yourself is truly a family affair!
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TRANS YOUTH
WED JUNE 27 | 5:30PM
Young People 21 & Under Admitted Free
This brave new film follows a handful of young trans in Austin, Texas as they forge and fortify their adult identities. In an early scene, Elliot, a youth with choppy green hair, recounts how their father says trans people are ‘destroying the fabric of America.’ In the next scene, holding their phone in a shaking hand, they tell their mother, their father’s voice in the background, that they’re transgender. While trans identity is more visible than ever — the subject of television shows, talked about in the media, and tied up in controversial legislation — films that take us directly into the lives of trans youth are rare. TRANS YOUTH, by closely following seven different subjects as they navigate both the tumult and the ecstasy of growing up, lets us get to know them as individuals rather than stereotypes. Director Rebecca Adler will attend and offer a Q&A following.

WILD NIGHTS WITH EMILY
WED JUNE 27 | 7:45PM
Hermit or sexpot? SNL great Molly Shannon stars as poet and fully lesbian Emily Dickinson in a brilliantly quirky comedy that challenges how history gets recorded. Writer/Director Madeline Olnek restores Dickinson’s true nature as an LGBTQ hero and model for new wave feminism. With the title taken from her raciest poem, WILD NIGHTS WITH EMILY sheds new light on the life of famously reclusive poet, revealing her hidden romance with her brother’s wife, and the irreverent side of Dickinson that the world at large never saw. Exploring the fierce rivalry between her brother’s wife and his mistress—who published Dickinson’s poems after her death—the film is also about the struggle to bring to life the work of one of history’s most gifted poets.
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SHORTS COMPETITION
THUR JUNE 28 | 5:45PM
Join us for this popular closing night Audience Choice Showcase where your vote helps determine which of the top 11 short films (less than 10 minutes each) will earn this year’s cash prize. Preview the finalists at our website now.

MY BIG GAY ITALIAN WEDDING
THUR JUNE 28 | 7:45PM
In this merry movie of matrimony, happily engaged Antonio brings his fiancé Paulo to the exquisite old Italian village of his birth to meet his headstrong parents and reveal his sexuality, setting out on a quest to make a city founded on religious tradition understand that love is love. It was love at first sight for our happy couple who now live peacefully in a Berlin apartment with their quirky and musical landlord, Benedetta. On the day of their engagement, their new roommate arrives, the depressed cross-dressing Donato and they all embark on a journey to finally reveal their relationship to their families. Their first stop is the exquisite old Italian village where Antonio’s father is the mayor and his mother is the headstrong matriarch. In a whirl of surreal yet sentimental chaos, Antonio & Paulo are met with stringent conditions related to their wedding ceremony. Can a city founded on religious tradition embrace the new, modern family? Let’s just say…you’ll be delighted to see what enfolds in our closing night romantic comedy.

11:39 – Underwriting

11:41 – More of our Interview with Jamie Rich, Philip blue owl Hooser, Savannah Rodgers, and Stuart Hinds.

Out Here Now: KC LGBT Film Festival, June 21 – 28 at Tivoli Cinemas in Westport. http://www.outherenow.com

Savannah Rodgers and Stuart Hinds on the June 20, 2018 edition of Wednesday MidDay Medley on KKFI.

Savannah Rodgers, KC based filmmaker and artist-in-residence at the Charlotte Street Foundation. Savannah’s short documentary debut DRAGTIVISTS won awards at the Tallgrass Film Festival and Twister Alley International Film Festival and will screen as part of Out Here Now, on Saturday, June 23, at 1:30 PM.

Savannah Rodgers thanks for being with us on WMM.

Savannah is a Board Member for Film Society KC, and a Programmer at the Slamdance Film Festival.

In 2018, she was recognized with the Dandelion Award for Women in Film at the First City Film Festival and the Indie Spirit Award at the Bare Bones International Film Festival.

More info on all the films in the festival at: http://www.outherenow.com.

We end the show with the classic: DON’T LEAVE ME THIS WAY sung by Thelma Houston. This huge disco hit for becomes a pivotal part of the new comedy, MY BIG GAY ITALIAN WEDDING which is the official closing night selection in this year’s OUT HERE NOW Film Festival on Thursday, June 28th at the Tivoli. More info on all the films in the festival at: http://www.outherenow.com.

Savannah Rodgers, Stuart Hinds, Lea Hopkins, Austin Williams, and Jamie Rich on the June 20, 2018 edition of Wednesday MidDay Medley on KKFI.

For Wednesday MidDay Medley, Savannah Rodgers, Jamie Rich, Austin Williams, Lea Hopkins, and Stuart Hinds, I’m Mark Manning. Thanks for listening!

11:56

15. Thelma Houston – “Don’t Leave Me This Way (Single Version)”
from: Any Way You Like It / Motown / December 2, 1976
[George Benson on guitar. Produced by Hal Davis. “Don’t Leave Me This Way” was covered by Motown in 1976. Originally assigned to Diana Ross, it was intended to be the follow-up to her hit “Love Hangover” but was reassigned and given to the upcoming Motown artist Thelma Houston instead.” Written by Kenneth Gamble, Leon Huff and Cary Gilbert. First charting as a hit for Harold Melvin & the Blue Notes featuring Teddy Pendergrass, an act on Gamble & Huff’s Philadelphia International label in 1975, “Don’t Leave Me This Way” was later a huge disco hit for Motown artist Thelma Houston in 1977. The song was also a major hit for British group the Communards in 1986. Thelma Houston was born May 7, 1946. She scored a number-one hit in 1977 with her recording of “Don’t Leave Me This Way”, which won the Grammy for Best Female R&B Vocal Performance. Houston was born in Leland, Mississippi. Her mother was a cotton picker. She and her three sisters grew up primarily in Long Beach, California. After marrying and having two children, she joined the Art Reynolds Singers gospel group and was subsequently signed as a recording artist with Dunhill Records. She is not related to Whitney Houston. In 1969, Houston released her debut album, entitled Sunshower, produced, arranged and composed by Jimmy Webb except for one track. In 1971 she signed with Motown Records but her early recordings with them were largely unsuccessful. Her most notable single during that period was “You’ve Been Doing Wrong for So Long” which peaked at #64 on the U.S. Billboard R&B chart in 1974. However Houston’s vocal prowess on that track secured her a nomination for a Best Female R&B Vocal Performance. In 1973 Motown Productions announced a projected biopic of Dinah Washington which would star Houston; however the project was dropped due to difficulties in getting clearance from Washington’s relatives. In April 1974 Houston joined the cast of The Marty Feldman Comedy Machine, playing various characters during the show’s skits. The show was canceled in August and for the next several years her work was limited to demo recordings and performing at small venues. Houston took acting classes and received her first role in the 1975 made-for-television film Death Scream. In that same year Sheffield Lab released “I’ve Got the Music in Me” a Direct to disc recording by Thelma Houston and Pressure Cooker that went on to become a benchmark vinyl recording for audiophiles. The following year she recorded songs for the soundtrack of the film The Bingo Long Traveling All-Stars & Motor Kings starring Billy Dee Williams and James Earl Jones. In 1975 Houston appeared on the Golden Globe Award broadcast performing the nominated song “On & On” and also was featured in a tribute to Berry Gordy on that year’s American Music Award broadcast singing “You’ve Made Me So Very Happy”. That year Houston’s version of “Do You Know Where You’re Going To” was being set for single release when it was pulled and the song given to Diana Ross to serve as the theme song for the movie Mahogany. In 1976 Houston sang backing vocals for Motown label mate Jermaine Jackson on his album My Name Is Jermaine. Houston released her third album Any Way You Like It in 1976. The first single released was her version of Harold Melvin & the Blue Notes’ 1975 song “Don’t Leave Me This Way”. In February 1977 the track hit Number 1 in the U.S. on the R&B and Club Play Singles charts, then in April 1977 on the Billboard Hot 100. “Don’t Leave Me This Way” won Houston the Best Female R&B Vocal Performance at the Grammys for 1977. Besides its US success “Don’t Leave Me This Way” became a hit in at least twelve countries, including the UK where it reached Number 13 despite the concurrent single release of the Harold Melvin & the Blue Notes original, which reached Number 5. Also in 1977 Houston teamed up with Jerry Butler to record the album Thelma & Jerry and that November 1977 she co-starred in the film Game Show Models. It was announced in February 1977 that Houston would star as Bessie Smith in a filmation of the play Me and Bessie, to be produced by Motown; after an announcement that December that Houston was set to portray Bessie Smith in a biopic to be produced in 1978 by Columbia Pictures nothing more was heard of the project.]

[Thelma Houston played KC Pride Fest, Sun, June 3, at 6:00 at The Richard L Berkley Riverfront Park.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on June 27 Chris Haghirian and Nathan Reusch join us to share music and information about this year’s Middle of The Map Fest.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1F

Show #739

Wednesday MidDay Medley

WMM Playlist from April 11, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 11, 2018

New & MidCoastal Releases + Doby Watson
+ Witch Jail + Kadesh Flow

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Beach House – “Dark Spring”
from: 7 / Sub Pop Records / Expected May 11, 2018
[th studio album from American dream pop band from Baltimore, Maryland, formed in 2004. The band consists of vocalist and keyboardist Victoria Legrand and guitarist, keyboardist, and backup vocalist Alex Scally. Unlike with previous records, Beach House took their time with the recording process of this album. Instead of one long studio session, they recorded when inspired by batches of songs, which resulted in five mini-sessions over the course of eleven months. All of the songs on the album began in the duo’s home studio in Baltimore, and were finished at Carriage House in Stamford, CT and Palmetto Studio in Los Angeles. The band stated that their goal throughout the recording process of the album was “rebirth and rejuvenation,” continuing: “We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel.” The band also stated that 7 didn’t have a producer in the traditional sense, which let the ideas drive the creativity and not any one person’s process. The band’s touring drummer since 2016, James Barone, plays on the entire record. They also worked with Peter Kember, known by the stage name Sonic Boom, who helped “in the shedding of conventions and in helping to keep the songs alive, fresh and protected from the destructive forces of recording studio over-production/over-perfection. Thematically, 7 often deals with “the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny.” The album’s title itself simply represents it being the duo’s seventh studio album, saying they “hoped its simplicity would encourage people to look inside. No title using words that we could find felt like an appropriate summation of the album,” although they later mentioned that the number 7 represents some interesting connections in numerology, which further inspired them in naming the album as such. The band cited the “societal insanity” during 2016 and 2017 as a deep influence on the creation of the record, elaborating: “there is quite a bit of chaos happening in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source.”]

3. The Get Up Kids – “Maybe”
from: Kicker EP / Polyvinyl Record Co / To Be Released June 8, 2018
[Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. On March 29, 2018, Polyvinyl Records announced on their Instagram account that they had signed the band and that new music will be coming soon. The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records. While the imprint was started to release albums by The Get Up Kids, it served as a launching pad for several side-projects such as The New Amsterdams and Reggie and the Full Effect. The Get Up Kids were viewed throughout their existence as a prototypical emo band, having been major players in the Midwest emo movement of the mid-1990s. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. However, like many early emo bands, The Get Up Kids sought to dissociate themselves with the term, as it was considered dismissive to be seen as an “emo band.” The band departed heavily from their established style with the release of their 2002 album On a Wire, which saw the band take on a much more layered, alternative rock sound. Years later, guitarist Jim Suptic even apologized for having the influence they did on many of the modern third-wave emo bands, commenting that “[t]he punk scene we came out of and the punk scene now are completely different. It’s like glam rock now … If this is the world we helped create, then I apologize.” Due to internal conflicts, the band broke up in 2005. Three years later, the band reunited to support the tenth anniversary re-release of Something to Write Home About, and soon afterward entered the studio to write new material. In early 2010, the band released Simple Science, their first release in six years, followed in 2011 by the full-length There Are Rules. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams.]

[On June 14 The Get Up Kids will launch a 20 city month long US Tour]

4. Shy Boys – “Keeps Me On My Toes”
from: Shy Boys / High Dive Records / January 17, 2014
[On April 3, 2018 it was announced that Shy Boys had been signed to San Francisco based, national label, Polyvinyl Records. Hailed as “The Beach Boys on Robitussin”, Shy Boys (brothers Collin & Kyle Rausch, Konnor Ervin, Kyle Little & Ross Brown) were bred in the dankest basements of Kansas City, MO as a group of ill-fitting squares in a scene of punks and weirdos. We find these great friends now, still living & loving in KC, trading instruments while creating melodic, happy-sad tunes to make your heart swell. Shy Boys’ sophomore album will arrive later this year on Polyvinyl Record Co., bringing with it big, melancholic vocal harmonies of a past’s present, amidst these strange and bittersweet future daze. This was the bands debut release. Brothers Collin Rausch, Kyle Rausch, and friend and roommate at the time Konnor Ervin, created this record. Collin and Kyle’s father was a High School band director and music teacher. Konnor Ervin was the lead singer and songwriter of The ACBs, where Kyle also played drums. The 10 song release had two singles premiered by Stereogum. “Keeps Me On My Toes” was a song Collin wrote in 15 minutes while his girlfriend was in the shower. Wednesday MidDay Medley has been a big fan of The Shy Boys and all of the ACBs recordings. In 2011 we started playing songs from The I’ms, a duo made of up Collin and Kyle, who posted 6 of their self recorded songs on their facebook page. We included this informal release in our Top Ten of The 111 Best Recordings of 2011. 3 of the songs from The I’ms recordings ended up being re-recorded for Shy Boys. The album was recorded at West End Studio, over two-weekends.]

[On Saturday, April 14 Shy Boys launch their 15 city US tour at Replay Lounge, in Lawrence Kansas, with Cocordion, Fraydee Cat, and Fullbloods.]

5. Mac Lethal – “Backward”
from: 11:11/ Rhymesayers Entertainment / April 8, 2008
[David McCleary Sheldon was born July 25, 1981. Known by his stage name Mac Lethal, he released his debut album, Men Are from Mars, Pornstars Are from Earth, on HHI Recordings in 2002. Sage Francis took him on the Fuck Clear Channel Tour in 2004. In 2006, Mac Lethal founded Black Clover Records with longtime friend Jeremy Willis, who had been running the Datura Label. In 2007, he released the album entitled 11:11 on Rhymesayers Entertainment. In November 2011, Mac Lethal released a video on YouTube of him rapping over the beat to “Look at Me Now” while he prepares a dish of pancakes in his kitchen. The video became a viral hit and got millions of views in a matter of days and led to interviews on websites like CNN and The Washington Post. In 2011, he was offered a contract from Sony which he rejected, referring to the $250,000, 5 album, 2 option and one milestone option deal as “insane.” Mac Lethal has also managed a Tumblr feed called “Texts from Bennett”, in which he posts text message conversations between himself and his cousin Bennett. Although some have questioned whether or not Bennett is a real person, he insists that the conversations are genuine. He released the novel of the same name on Simon & Schuster in 2013. On Sept. 13, 2016, he released the album, Congratulations, which featured a guest appearance from Tech N9ne.]

[Mac Lethal plays recordBar Sunday, April 15, with Wax, the 21st date, on his 45-city US Tour.]

6. Kississippi – “Rinse, Repeat”
from: Sunset Blush / Bug Crusher Records / April 6, 2018
[Debut full length album from Philadephia based indie folk band fronted by Zoe Allaire Reynolds (with Adam DaSilva, Jeremy Probst, Allegra Eidinger, and Kaylen Alan Krebsbach.]

7. Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe Unplugged with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. You can view more of Ashley’s work at http://www.jametatone.com.]

[Jametatone plays The Ship, 1217 Union Avenue, in the West Bottoms, Saturday, April 14, with Calvin Arsenia, and Tegu-Tegu Pro Fusion.]

8. Calvin Arsenia – “Experience”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Recently Calvin Arsenia was signed to a new record label in Kansas City called Bull’s Eye Records founded by Jim Andrews and Patrick Sprehe. Calvin Arsenia originally premiered the songs from Catstrophe in a live show at recordBar in November 2016, in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp Calvin has also worked as a teacher of music to elementary students. Calvin is a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia on WMM. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin played at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC on June 11, 2017 in a show that was recorded live. In the Fall of 2017 Calvin embarked on a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Sweden, Edinburgh, Denmark, Holland, Switzerland, Lyon and Paris. Calvin played over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. On December 5, 2017 Calvin released his EP Caviar, produced for attendees at Calvin’s “Secret Show,” Tuesday, December 5, at Wickstock West, 1324 West 12th Street, in The West Bottoms, and for supporters of his Outlyre Tour. Words & Music by Calvin Arsenia. Caviar was produced by Jametatone, Simon Huntley and Calvin Arsenia. Recorded at The Infoaming Vertex.]

[Calvin Arsenia plays The Ship, 1217 Union Avenue, in the West Bottoms, Saturday, April 14, with Jametatone, and Tegu-Tegu Pro Fusion.]

9. Bobby Watson & The I Have a Dream Project–”My Song” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / August 28, 2013
[Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas. Glenn North is a nationally recognized performance poet who has shared the stage with such noted poets as Nikki Giovanni, Sonia Sanchez, and Amiri Baraka. He served as Poet-In-Residence and Education Specialist at The American Jazz Museum from 2004 to 2014. He was a 2009 Charlotte Street Foundation Generative Performing Awards Fellow. North’s work has been commissioned by entities including Points of Light Foundation, the Norman Lear Center, the Nelson Atkins Museum of Art, and Kansas City Public Library. He has been a featured poet at events hosted by MTV Rock the Vote, NAACP Black History Month, and KC Repertory Theatre in conjunction with the world premiere of Clay. He was accepted into the Cave Canem program. He has worked as director of the Urban Transcendence Poetry Project. His original spoken word tracks are featured on recordings including: Out of the Comfort Zone by the Jazz Disciples, Release by the Phantom, The Experience by Tru Sol, and Check Cashing Day from Bobby Watson & The I Have a Dream Project. He studied English at Lincoln University in Jefferson City, earned his BLS from Rockhurst University, and is currently pursuing his MFA in Creative Writing at UMKC.]

[On Friday, April 13, at 6:00 pm, Celebrating National Poetry Month, the Nelson-Atkins Museum of Art presents the debut screening of director Harold Smith’s documentary, The Gospel According to Glenn North. The film explores 18th & Vine Poet Laureate Glenn North’s unique poetic blend of jazz, blues, religion, black history, and social commentary. the screening will be followed by a Q&A with Kansas City native Glenn North. The Nelson-Atkins Museum of Art is located at 4525 Oak St, Kansas City, MO. Tickets Available at http://www.nelson-atkins.org]

10:31 – Underwriting

10:33 – Interview with Doby Watson

Doby Watson

Singer-Songwriter Doby Watson has just released his new EP, Family Mattress Deluxe, a collection of songs written by Doby and co-produced with Zack Hames. Doby Watson was born in 1986. Instead of attending college, as Richard Gintowt wrote for The Pitch in 2009, “Watson spent his young-adult years touring the country with a guitar and a box of Clif Bars, one for lunch, then a real meal for dinner, and a bunch of sad and beautiful homespun songs that are as sparse and haunting as those of Leonard Cohen or Jason Molina.” In 2009 Doby released Twenty Two. In 2013 He released Watson & May an EP in collaboration with Margo May that was produced & engineered by Lennon Bone. Double Shift Music released Doby’s album Live-In Son in 2014, and the EP collaborative: Swearengin, Watson & May in 2016. More info at: http://www.dobywatson.bandcamp.com

Doby Watson, Thanks for being with us on WMM.

Midwestern DIY folk veteran, Doby Watson, returns from a break in his ceaseless tour schedule, with a new EP, titled “Family Mattress Deluxe’ available on limited cassette via eclectic hardcore label Error Records and across all streaming platforms.

Congratulations on the new EP Family Mattress Deluxe.

For nearly 15 years Doby has been traveling all over the country playing shows. While in KC he is often helping to put together shows for fellow traveling musician friends.

Family Mattress Deluxe EP

Side A (Family Mattress EP)
Miami Vomit II
Starve
Family Mattress III

Side B (bonus tracks)
Natural Ice (Early Morning version)
Family Mattress (AKADUNGEONMASTER remix)
Beer For Dinner II (with Austin Swearengin)
[a moody collaboration with New York based sculptor / songwriter Austin Swearengin. The warbly, lo-fi duet finds itself evolving into a slow burning, industrial-tinged jam that fizzles into feedback.]

10:40

Doby Watson playing live on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

10. Doby Watson – “In Rows” (Live)
This song was on Doby’s album: Live-In Son / Double Shift Music / October 17, 2014
[For the record: Watson performed the songs live, while being recorded, in Ross Brown’s basement in KCMO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings & auxiliary percussion while he mixed the songs in Champaign, IL. Mastered by Cory Schulz in Milwaukee, WI.]

We are talking with Singer-Songwriter Doby Watson who has just released his new EP, Family Mattress Deluxe, on February 23, 2018, on Error Records.

From Doby’s own words: “When I was a kid I played guitar in some hardcore bands. When I found myself without a band, at the end of high school, I started trying to sing and write songs. Falling on the moniker “Boo Hiss” (something a class mate of mine said in place of swear words). I put some songs online and got asked to be on a small DIY label from Ohio called Tract Records. Around that time, I befriended touring DIY artists’ such as Viking Moses, Real Live Tigers, Manipulator Alligator and a young man named Joseph Murphy (who was in tons of bands), as well. Through these connections I was encouraged to tour and became involved in the Midwest’s various DIY communities, making countless friends.”

“Rather than go to college, I chose to focus solely on DIY touring and releasing music (for much of it taking my good friend, then KC native, and amazing songwriter, Austin Swearengin with me for most of these tours). ”

“Around that same time, I made an attempt to be taken more “seriously”, dropped my moniker and unsuccessfully released a mini-album under my own name. After some rather chaotic and unorganized tours for the album, I became depressed and disillusioned with music. I set music aside as a priority, moved to Lawrence, KS and tried to assimilate to what I thought was a ‘normal’ life. ”

“I went to college, got a day job, and wound up generally hating life. This new ‘normal’ path inevitably didn’t work out for me – I moved back in with my parents and held various dead end jobs and sank deeper into a depression, completely ceasing to make any music.”

“I (Doby) performed the songs live, while being recorded, in Ross Brown’s basement in Kansas City, MO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings and auxiliary percussion while he mixed the songs in Champaign, IL. The results were mastered by Cory Schulz in MIlwaukee, WI. ”

10:47

11. Doby Watson – “Pick Up” (Live)
[Doby Watson recorded this song for a Daytrotter Session, August 11, 2016, in Horseshack, Davenport, Iowa. It was also featured in Paste Magazine, September 16, 2016, and American Songwriter on September 9, 2015, from his SoundCloud page.]

Doby Watson calls his music, “Experimental Americana from Missouri.”

Doby Watson on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

10:54

12. Doby Watson – “I Wish That Everything” (Live)
This song was also on Doby’s album: Live-In Son / Double Shift Music / October 17, 2014
[This song was written by Doby’s friend Matthew Hoppock. For the record: Watson performed the songs live, while being recorded, in Ross Brown’s basement in KCMO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings & auxiliary percussion while he mixed the songs in Champaign, IL. Mastered by Cory Schulz in Milwaukee, WI.]

Doby Watson recently wrote: “if I could make a deal with the devil I would trade voices with contemporary R&B singer Tank.”

Doby Watson, Thanks for being with us on WMM.

Doby Watson has just released his new EP, Family Mattress Deluxe, a collection of songs written by Doby and co-produced with Zack Hames. More info at: http://www.dobywatson.bandcamp.com

11:00 – Station ID

13. Witch Jail – “Saucer Season Revisited”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

11:04 – Interview with Guy Slimey, Eddie Morphine, and A. Ghost of Witch Jail

Witch Jail

The Kansas City based post-exotic, death-pop band, Witch Jail was formed in 2013. The band writes that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven. Witch Jail have a new album: Music For Magic Moments, that will be released Friday, April 13.

Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, Bad Girls, and Neptune. More info at: http://www.witchjail.bandcamp.com

Guy Slimey, Eddie Morphine, & A. Ghost of Witch Jail thanks for being with us on WMM.

Witch Jail were on our radio show last February 8, 2017 with Sid Sowder talking about the Too Much Rock Single Series release of ”Slimewave USA”

Witch Jail are having a busy week:

Wednesday: on WMM talking about the new Witch Jail album

Thursday: Release show at The Brick with Jorge Arana Trio, Bird Girls, and Neptune

Friday: In Madison, playing at Mickey’s Tavern with Solid Freex and No Question

Saturday: In Cedar Rapids at The Hive Collective with Tu’mera Divine

Sunday: In Des Moines at Vaudeville Mews with Odd Pets, The Vahnevants, and Greg Wheeler and the Poly Mall Cops

Monday: Back at work!

Then in a month Witch Jail heads down south: Nashville, Memphis, NOLA, Austin, Ft. Worth, OKC, and Wichita. No rest for the wicked!

Witch Jail

11:13

14. Witch Jail – “Under The Volcano”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

11:25

15. Witch Jail – “Snake Church”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

[Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, Bad Girls, and Neptune. More info at: http://www.witchjail.bandcamp.com]

16. Kadesh Flow – “Room Service”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

11:34 – Interview with Kadesh Flow

Kadesh Flow

Kadesh Flow aka Ryan Davis joins us to share music from his new EP, Room Service. Kadesh Flow is a rapper, trombonist, and producer. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. The Phantastics play Record Store Day at Josey Records, Saturday, April 21, at 8:00 PM. More info at: http://www.kadeshflow.com

Kadesh Flow aka Ryan Davis, thanks for being with us again on WMM

The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Earlier in the year Kadesh found out he would be playing a showcase a South By Southwest, and he though it might be good to have new music to offer, and that’s when it sort of fell into place to record this new EP.

11:42

17. Kadesh Flow – “Glassy Eyes feat. Eye-Q”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

Kadesh Flow has also played with Hearts of Darkness, and is a part of The Nerdy People Of Color Collective.

Kadesh Flow on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

11:56

18. Kadesh Flow – “FYI feat. Atlas & O.Super”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on April 18, Bach Aria Soloists including Elizabeth Suh Lane, Beau Bledsoe, and Jeff Harshbarger play live Tango music in our 90.1 FM Studios. Plus Amy Farrand joins us to share music from the debut release of her band, Amy Farrand & The Like. Plus, Brenton Cook joins us to share music and information about Outer Reaches Explores The World – Friday, April 20 at recordBar with SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. Plus, the band, Thee Devotion joins us to share tracks from their new album, Chapel.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #729