WMM Playlist from Sept. 30, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 30, 2020

Kianna White, Jared White & Jocelyn Olivia Nixin
+ Max James & The Sound of Kansas City +
Jenna Rae & Unfit Wives


1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM theme]

2. The Shins – “The Great Divide”
from: “The Great Divide” – Single / Aural Apothecary-Monotone Records / Sept. 24, 2020
[The Shins is an American indie rock band formed in Albuquerque, New Mexico in 1996. Its current lineup is James Mercer (vocals, guitar, bass, keyboards, songwriter), Jon Sortland (drums), Mark Watrous (guitar, keyboards), Casey Foubert (guitar), Yuuki Matthews (bass, keyboards), and Patti King (keyboards).[1] It is based in Portland, Oregon. The band was formed by Mercer as a side project to Flake Music, who were active from 1992 to 1999. Flake Music released two 7″ singles and a full-length album When You Land Here It’s Time to Return on Omnibus Records and were touring with Modest Mouse when they were signed to Sub Pop Records. The band’s first two records, Oh, Inverted World (2001) and Chutes Too Narrow (2003) performed well commercially and received critical acclaim. The single “New Slang” brought the band mainstream attention when it was featured in the 2004 film Garden State. Consequently, the band’s third album, Wincing the Night Away (2007), was a major success for the group, peaking at number two on the Billboard 200 and earning a Grammy Award nomination. Following this, the Shins signed to Columbia Records and Mercer parted ways with the entire original lineup, deeming it “an aesthetic decision.” Following a near five-year hiatus, Port of Morrow, the band’s fourth studio album, was released in 2012. Their fifth album, Heartworms, was released in March 2017.]

3. The Freedom Affair – “Outta My Mind”
from: Freedom is Love / Sunflower Soul Records / September 25, 2020
[“Freedom Is Love” is the debut album from Kansas City’s newest soul juggernaut, The Freedom Affair. The album explores themes of love, heartache, empowerment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The Freedom Affair is a unique collective featuring 3 powerhouse female vocalists in front of a dynamic 6-piece band. On “Freedom Is Love”, each of the ladies get their time to shine individually, but the magic is on full display when all 3 come together in unison and harmony, symbolically embodying the messages that they sing about. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. The Freedom Affair is: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson. “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

4. Shy Boys – “Fraid I Might Die”
from: Talk Loud / Polyvinyl Record Co. / September 25, 2020
[From the upcoming third album from Kansas City’s Shy Boys. The follow up to single, “Trash” released August 3, 2020. and after Dim The Light / Brick By Brick, released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” (originally released by The I’ms) was featured on Spin.com. In June 2014, the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to the Polyvinyl Record Company.]

Anjimile



5. Anjimile – “Giver Taker”
from: Giver Taker / Father/Daughter Records / September 18, 2020
[Queer & trans songmaker / boy king / On Giver Taker, the gorgeous debut album by Anjimile, death and life are always entwined, wrapping around each other in a dance of reverence, reciprocity, and, ultimately, rebirth. // Giver Taker is confident, intentional and introspective. Anjimile Chithambo (they/them, he/him) wrote much of the album while in treatment for drug and alcohol abuse, as well as while in the process of living more fully as a nonbinary trans person. Loss hovers over the album, whose songs grieve for lost friends (“Giver Taker”) and family members (“1978”) along with lost selves (“Maker,” “Baby No More,” “In Your Eyes.”) But here, grief yields an opening: a chance for new growth. “A lot of the album was written when I was literally in the process of improving my mental health, so there’s a lot of hopefulness and wonder at the fact that I was able to survive,” says Chithambo. “Not only survive but restart my life and work towards becoming the person I was meant to be.” // Each song on the album is its own micro-journey, adding up to a transformative epic cycle created in collaboration with bandmate Justine Bowe of Photocomfort and New-York based artist/producer Gabe Goodman. “1978” and “Maker” both begin as Sufjan Stevens-esque pastoral ballads with Chithambo’s mesmerizing voice. foregrounded against minimal instrumentation and swell into the realm of the majestic through the addition of warm, steady instrumentation (informed by the mix of 80’s pop and African music Chithambo’s Malawi-born parents played around the house) and harmonies by Bowe. “In Your Eyes” starts out hushed and builds to a crescendo via a mighty chorus inspired by none other than The Lion King. The allusion is fitting: each song encapsulates a heroic voyage, walked alone until accompanied by kindred souls. The choirs present throughout are equally deliberate. Chithambo grew up as a choir boy himself, and several songs (notably “Maker”) grasp not only towards reconciliation between his trans identity and his parents’ strong religious beliefs, but towards reclaiming his trans identity as an essential part of his own spirituality. (“[Less] Judeo-Christian, more ‘Colors of the Wind.’”) There is a boldness to this borrowing and shaping, a resoluteness that results from passing through hardship and emerging brighter, steadier. As a closing refrain on “To Meet You There” might sum it up: “Catalyst light of mine / now is your time.” // Giver Taker was recorded in Brooklyn, Boston, and New Hampshire by Goodman, thanks in part to the Live Arts Boston Grant by the Boston Foundation. All songs written by Anjimile Chithambo. Produced by Gabe Goodman & Justine BoweEngineered by Gabe Goodman. Additional engineering by Will G. Radin. Mixed by Will G. Radin. Mastered by Joe Lambert.]

6. Heart Machine – “The Lonely One”
from: “The Lonely One” – Single / Heart Machine / September 15, 2020
[Heart Machine is one of several “side projects” of Kansas City powerhouse vocalist Nicole Springer who last year released the critical acclaimed EP Willing from The Nicole Springer Band. For many years, award winning singer-songwriter Nicole Springer longed to write and arrange 80’s inspired pop songs. In 2015, she put that dream to work and started writing and arranging music on her iPad. The songs ranged from epic gospel ballads to spooky synth jams, all made with love and heartfelt purpose, with a sound unlike anything she had ever made before. She then formed a collaboration with her longtime bandmate and stellar musician/producer, Aaron Derington. Aaron began to take the songs Nicole sent him and re-record them in his studio using a variety of real sounds, keyboards, and samples from classic 80’s pop hits. Moving at their own organic pace, Nicole and Aaron have put in countless hours and energy into fully realizing the potential of every song, knowing that it would be worth the wait to give every song it’s due diligence and love. Now, five years later, Heart Machine has just officially released their first single, “The Lonely One.”]

[Nicole Springer plays Peculiar Winery, 20709 Harper Dr. Peculiar, MO. On Friday, Oct. 2, 5:00 PM]

10:22 – Underwriting

7. The Creepy Jingles – “Atom & Evolution”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, rhythm guitar, & keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

[The Creepy Jingles play at Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, October 2, at 7:00 PM with Kianna White, Nathan Corsi Band and DJ Stevie Cruz. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming.]



8. Kianna White – “Homecoming Queen”
from: “Homecoming Queen” – Single / Team Love / September 25, 2020
[Kianna cut her teeth in the critically-acclaimed indie band Tilly and the Wall, touring through the mid to late aughts with bands such as She and Him, Bright Eyes, Rilo Kiley and Of Montreal, playing venues around the world and major festivals like Coachella, Japan’s Summersonic, Iceland Airwaves, Reading and Leeds among others, as well as performing on Late Night with David Letterman and Sesame Street before going on hiatus in 2013. During this era, she also performed guest vocals on Rilo Kiley’s “The Absence of God”, “In the Sun” by She & Him and co-wrote and sang on Tiësto’s song “You Are My Diamond”. // Since 2017, her band Yes You Are, with now husband and co-writer Jared White, has had many song placements in movies, television and commercials, most notably in the Pepsi Super Bowl 51 commercial. When Forbes Magazine asked Lyle Hysen, the founder of Bank Robber Music, about the biggest licensing hits over the years, he spotlit Kianna and Jared’s work alongside artists like Spoon and Phantogram saying “Kianna Alarid from Tilly and the Wall has been working on new music with her band Yes You Are. They’re giving us two songs at a time, and they get placements all the time.” // Known for their electrifying live performances, Yes You Are shared the stage with the likes of K. Flay, Young the Giant and Fitz and the Tantrums, and toured the US with Neon Trees. Even though Yes You Are had proven to be successful in many ways, Kianna and Jared felt like the band hadn’t yet accessed their full artistic potential. In mid 2020 they announced the band’s break up when unexpected and major changes in the lineup served as a clear sign it was time to move on. They also decided that Kianna’s ability to hold the spotlight shouldn’t be ignored and set to work on new songs with a solo career for her in mind. The idea proved to be immediately inspiring to the writing duo, and they quickly assembled a collection of impressive new music that feels artistically fresh and full of potential. // Going now by her married name, and having found the support of Team Love Records, Homecoming Queen is Kianna White’s first solo release. The song’s hazy mood and hypnotic guitar lines take indie pop through the looking glass. What emerges on the other side is not flower child psychedelia, but a modern, luscious, psyche-pop, where lyrics of stoned introspection and longing float around on haunted, seductive melodies. Kianna’s voice keeps the trip from spinning off into a hall of funhouse mirrors, becoming a trusted and sober co-pilot, allowing you to surrender, close your eyes, and dance. // High on the freedom to control her individual narrative for the first time Kianna filmed, starred in and edited Homecoming Queen’s innovative and spellbinding music video. All alone in her bedroom and encumbered with the limitations of self-isolation (she used only an iPhone, a Snapchat filter, a flashlight and iMovie) she managed to create something that feels new, slightly unsettling and entirely captivating. The spooky, trance-inducing visual effects over the song’s eerily inviting hooks, present us with a poignant reflection of our strange and anxious times.]

[Kianna White plays Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, October 2, at 7:00 PM with The Creepy Jingles, Nathan Corsi Band and DJ Stevie Cruz. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming.]

Jared White, Kianna White and Jocelyn Olivia Nixin on the September 30, 2020 edition of Wednesday MidDay Medley on 90.1 FM KKFI



10:30 – Interview with Kianna White Jared White, and Jocelyn Olivia Nixin


Many of us were first introduced to Kianna White as part of the critically-acclaimed indie band Tilly and the Wall, touring through the mid to late aughts with bands such as She and Him, Bright Eyes, Rilo Kiley and Of Montreal, playing venues around the world and major festivals like Coachella, Japan’s Summersonic, Reading, as well as performing on Late Night with David Letterman and Sesame Street before going on hiatus in 2013. She has also performed guest vocals on Rilo Kiley’s “The Absence of God”, “In the Sun” by She & Him and co-wrote and sang on Tiësto’s song “You Are My Diamond”. Since 2017, her band Yes You Are, with now husband and co-writer Jared White, has had many song placements in movies, television and commercials, most notably in the Pepsi Super Bowl 51 commercial. Known for their electrifying live performances, Yes You Are shared the stage with the likes of K. Flay, Young the Giant and Fitz and the Tantrums, and toured the US with Neon Trees. Last November 15, 2019 they released one of our favorite albums of the year “Here’s To The Great Unknowns.” Even though Yes You Are had proven to be successful in many ways, Kianna and Jared felt like the band hadn’t yet accessed their full artistic potential. In mid 2020 they announced the band’s break up when unexpected and major changes in the lineup served as a clear sign it was time to move on. Kianna and Jared decided to start a new band write new music behind Kianna as a solo artist going now by her married name, and having found the support of Team Love Records, last Friday Kianna released her first solo single, “Homecoming Queen” along with a fabulous new video that Kianna herself filmed, starred in, and edited it, alone in her bedroom and encumbered with the limitations of self-isolation (she used only an iPhone, a Snapchat filter, a flashlight and iMovie). The new video is great.

Kianna White & Jared White Thank you for being with us on Wednesday MidDay Medley.

Jocelyn Olivia Nixin was part of the band Abracadabras, active around Kansas City from 2006 to 2009 and released one of the best albums of 2008 called, “Be Still, Be Cool,” that not a lot of people got to hear after a promoter dropped out and the band broke up. Nixon fronted the band, which also included brothers Collin and Kyle Rausch, who now play in the band Shy Boys. Jocelyn got married, left KC and moved to Austin, Texas, got divorced, transitioned, recorded music with a band called, English Major. After returning back to Kansas City from Austin, Jocelyn Olivia Nixin, formed the band The Creepy Jingles where she is lead singer, songwriter, keyboardist & guitar player with Travis McKenzie on guitar, Nick Robertson on drums, their new bass player Andrew Witte. The Creepy Jingles were signed to High Dive Records and released their self titled debut EP on May 3, 2019 to critically acclaim and landing in the Top Ten ow WMM’s 119 Best Recordings of 2019. Recently The Creepy Jingles track “Circadian Rhythm Guitar: was included in the British music e-zine and record label Alldora Britain Records 19-track compilation of authentic, independent underplayed music from around the globe called Adventurers. Jocelyn is a rock and roll poet with a maternal streak as she is a community organizer with Bandwaggn Kansas City.

Jocelyn Olivia Nixin, welcome back to Wednesday MidDay Medley

Kianna White, The Creepy Jingles with Nathan Corsi Band and DJ Stevie Cruz, play Lemonade Park on Friday, October 2, at 7:00 PM. Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.) is a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering.

Kianna and Jared contributed to the KC Bands Together virtual streaming 2-night benefit concert for MidWest Music Foundation.

The last time Kiana was on the show was January 20, 2016. Just after the Yes You Are tour with Neon Trees and the release of Yes You Are’s first music video. Yes You Are was: Jared White – songwriter, rhythm guitar, backup vocals; Kianna Alarid – songwriter, lead vocals; Jacob Temeyer – lead guitar, keyboards, backup vocals; Joseph Wilner – drums ; and Willie Jordan – bass guitar, back up vocals. Yes You Are lead singer

Jared White and Kianna White



Kianna Alarid White was lead singer and bassist for the critical acclaimed band, Tilly and the Wall, who released 4 albums on Team Love Records (founded by Conor Oberst & Nate Krenkel in 2003). Tilly and the Wall was an indie pop group from Omaha, Nebraska. Their name originated from a children’s book called Tillie and the Wall, written by Leo Lionni. They are particularly noted for having a tap dancer, Jamie Pressnall, instead of a drummer. // The group formed in 2001 after the demise of several Omaha groups, including Conor Oberst’s Park Ave., of which Neely Jenkins and Jamie Pressnall (then Jamie Williams) were members. Jamie brought along Kianna Alarid from another band that broke up called Magic Kiss. Derek Pressnall and Nick White, natives of Dunwoody, Georgia were drawn to the music scene in Omaha, Nebraska and moved. Nick White was also one of the few constants for Bright Eyes in 2005, appearing on I’m Wide Awake, It’s Morning and Digital Ash in a Digital Urn, as well as touring worldwide with the band. // Their first show was an open-mic night at the now defunct Ranch Bowl. Their first release, Woo!, was recorded in Conor Oberst’s garage, self-published, and distributed at shows around the Omaha area. The group released a limited-pressing eponymous 7″ on Rue Royale Records, followed by their debut LP, Wild Like Children in 2004. It was the flagship release on Oberst’s Team Love label and made with the help of Presto studios. Wild Like Children garnered the band a substantial amount of critical acclaim and propelled them to national tours with Bright Eyes, Rilo Kiley, and Of Montreal. In early 2005, Tilly and the Wall became the first “band in residence” at Omaha’s Bemis Center for Contemporary Arts, using the Bemis Underground’s Studio T to develop their follow-up album to Wild Like Children. // In September of that year, they released “You and I Misbehaving” as a limited-pressing 7″ in the UK through indie label Trash Aesthetics. This release picked up further critical acclaim as well as support from BBC radio broadcaster Steve Lamacq. They played their first show outside of the US at the Freebutt in Brighton on February 14, 2006. // Bottoms of Barrels, the band’s follow-up to Wild Like Children, was released on May 23, 2006. Tilly and the Wall appeared on the Late Show with David Letterman on October 27, 2006, to perform “Bad Education”. The song was not played in full due to time constraints. A number of live dates were played to support the album. The band toured with Jenny Lewis in support of her album featuring The Watson Twins, Rabbit Fur Coat. They then went on their first headlining tour to promote Bottoms of Barrels, with acts such as David Dondero, Now It’s Overhead, and Wolf Colonel supporting them. They played the Coachella Valley Music and Arts Festival on April 27, 2007. In addition to performing at 2007’s Splendour in the Grass festival, Tilly and the Wall toured Australia. Band members Jamie Williams and Derek Pressnall were married shortly after the album’s release, on August 12, 2006. // On February 25, Tilly and the Wall released a video for a new song entitled “Beat Control”. The digital release of the song was on March 4, with a new album track “Cacophony” appearing as a b-side. “Beat Control” was released only as a single and was not included on the album released later in 2008. // Tilly and the Wall’s third album, o, was released on June 17, 2008. Two songs they performed on their 2007 tour, “Too Excited” and “Chandelier Lake”, appear on the album. // Tilly have recorded their own version of the ABC song for the new season of Sesame Street. // The first single from the album is “Pot Kettle Black”. It was featured in the pilot episode of 90210, TV spots for the Seth Rogen film Observe and Report, the film Whip It and its soundtrack album, and in the video game Midnight Club: Los Angeles. // Tilly and the Wall released a new album entitled Heavy Mood on October 2, 2012, available in CD and vinyl formats.

Team Love just released a 16-track retro of Tilly and The Wall’s music from 2002 -2013. With the new single, “Homecoming Queen” Kianna is back with Team Love.

Jocelyn Olivia Nixin



Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Andrew Witte on bass.

The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records. Ross Brown of (Shy Boys and Full Bloods) recorded and mixed the EP at escape Pod Audio. Mike Nolte Mastered the recordings at Eureka Mastering. EP credits give special thanks to: Collin Rausch and Kyle Rausch of Shy Boys.

From High Dive Records http://www.highdivekc.com: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit.”

“Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing Bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. “

From FALLY AFANI, I Heart Local Music.com (JUNE 22, 2019):

“The Creepy Jingles are really throwing us for a loop. Like, we know garage rock is supposed to sound raw and a little loose. But The Creepy Jingles are so on point with their craft, we’re not entirely comfortable with picturing them as some laid back group of rockers. Every. Single. Note. Is. Perfect. When The Creepy Jingles play, it sounds like they practice every single day. They don’t miss a single thing! Every note in every song is spot on, we haven’t heard a group of rockers this tight with their performance in ages. When they hit the Replay for their album release show Thursday night, it was hard to look away. Jocelyn Olivia Nixon runs a tight ship with this group. They began the set with her pounding away at the keys, leaving a throbbing urge for more of their exciting rock noise. Then, when they fully dove into their impeccable guitar work, the audience was also treated to her gnarly-as-hell vocals. The growls, the screams, the RAWNESS of it all brings out our most primal emotions.”

Jocelyn Nixin Studied Filming/Directing/Acting/writing at The Art Institute of Austin
Jocelyn Nixin Studied Studied Broadcasting & Film at University of Central Missouri
Jocelyn Nixin Studied Studied Creative Writing in English at Missouri State University
Jocelyn Nixin went to Blue Springs South High School and Jocelyn Nixin lives in OP, KS

From Nick Spacek of The Pitch KC (June 19, 2019):

Jocelyn Olivia Nixin was part of the band Abracadabras, that was active around Kansas City from 2006 to 2009 or so. Nixon fronted the band, which also included brothers Collin and Kyle Rausch, who now play in the pop act Shy Boys.

Jocelyn Olivia Nixin told Nick Spacek i nan article published in The Pitch KC on June 19, 2019, “That was, like, the first band,” Nixon says. “I’d been writing songs since I was probably about 22, and that was our first band together. So it was like we all grew up together … Once I went to Austin, I felt like it was time for me to stand on my own.”

“I’d left [Kansas City] to work on my marriage,” Nixon continues. “My wife at the time was offered a job and I figured, Yeah, Austin, great music city. I should see what happens. A music city like Austin was the silver lining in moving away from my band.”

The marriage hit the skids a few years in, but Nixon continued writing music. She released a solo project called English Major, a divorce record of sorts. Five years in, though, everything finally seemed to come to a head.

“The traffic, the cost of living — our rent went up $750,” Nixon says. “It was almost impossible to stay. I was like, Why am I killing myself to do this? I was also starting to come to terms with my own personal identity, and it blew into this existential crisis, where I was like, I can’t keep this bottled up anymore.”

Being “bottled up” was Nixon acknowledging her recent transition into life as a woman, a process she’d started early during her time in Austin.

“Tweezing eyebrows, laser hair removal, therapy, going out more in femme,” she says – but largely abandoned after her marriage fell apart and she stepped into a new relationship. But the desire to transition hadn’t gone away; Nixon was just burying it. “I was depressed to the point where I kind of – there’s that line in ‘Yer Blues,’ where John Lennon’s like, Feel so suicidal/ Even hate my rock and roll.’ I was like, ‘Oh, I get that line,’”

Nixon says. “I didn’t ever feel like I was going to commit suicide, but I had this fantasy of faking my death and becoming a new person, which was all sort of leading me to transition, but I was just miserable and I just didn’t want to be around it.”

She decided to leave Austin and return to KC, though moving back home as she transitioned wasn’t something Nixon was initially eager to do. “I thought it was scarier to move back,” she says. But then she realized that, as she says, “I needed to do this in front of the people I grew up with, and have those tough conversations, and tell them who I really am and how I really feel. It felt like the most honest way to do things, and it felt like the most authentic way to bridge my past to my present.”

Nixon started hormones and came out as a woman after she moved back home to KC. She says everyone’s been cool about it — tons of support.

“When I came out, I felt stupid, because I was like, ‘I should’ve done this sooner,’” she says. “An immediate weight lifted off of me, just from carrying the weight of that consuming all my mental faculties at all times. It just shot my nervous system.”

Nixon had quit playing music toward the end of her time in Austin, and she gave herself a few years during her transition to “get my head right and heal from a breakup, and also, approaching this new phase in my life,” as she puts it. But she kept writing songs.

She started jamming with Nick Robertson, a drummer. Then they brought in Travis McKenzie, a former Abracadabras guitarist, and The Creepy Jingles were born. They played around for a few years and then, began recording their debut self-titled EP.

“We took it slow, doing it once a week, and then once fall rolled around, we were like, ‘Let’s record some things,’” Nixon says. They took the music to Ross Brown, of Shy Boys, who recorded and mixed the EP in his basement. Collin Rausch ended up playing bass.

“It was kind of like a little family reunion,” Nixon says of reuniting with old bandmates.

Nick Spacek wrote: The EP was released on High Dive Records at the beginning of May. It’s confident and exuberant, a Kinksy mishmash of Britpop garage rock”.

She says. I felt like I had to adopt a mask or a character to protect myself a little bit onstage. Now it feels very me, and I’m very comfortable.”
Kianna White, The Creepy Jingles with Nathan Corsi Band and DJ Stevie Cruz, play Lemonade Park on Friday, October 2, at 7:00 PM. Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.) is a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering.

10:43

9. Yes You Are – “Alien Dream”
from: Here’s To The Great Unknowns / Yes You Are / November 15, 2019
[Kianna Alarid on vocals, Jared White on rhythm guitar, Jacob Temeyer on guitars & keyboards, and Willie Jordan on bass. “We play black pop.” says Kianna Alarid, Yes You Are’s intense front woman, “It implies that there might be shadows lurking, even in the shiny places.” Listening to their upcoming album, it IS essentially pop, but they redefine the genre with each and every song. From gospel choirs to guitar-heavy rock to synth-covered dance rhythms, the mainstay (and mainstream friendly) sing-along hooks are what binds all of their work together. Alarid cut her teeth in the critically-acclaimed indie band Tilly and the Wall, touring through the mid to late aughts with bands such as She and Him, Bright Eyes, Rilo Kiley, Of Montreal and CSS, playing venues around the world and hitting major festivals like Coachella, Japan’s Summersonic, Iceland Airwaves, Reading, Leeds, Scotland’s T In The Park and Australia’s Splendor In The Grass as well as performing on Late Night with David Letterman and Sesame Street. You’ve probably already heard Yes You Are, as their first single debuted on Pepsi’s Superbowl 51 commercial, as has played over 15,000 times since, all over the world. The song was also featured in the hit movie Bad Moms, as well as FX’s Tyrant and MTV’s Scream. Yes You Are has shared the stage with the likes of K. Flay, Moon Taxi, Marion Hill, Lucius and Neon Trees.]

[Kianna White plays Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, October 2, at 7:00 PM with The Creepy Jingles, Nathan Corsi Band and DJ Stevie Cruz. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming.]

11:45 – Interview with Kianna White Jared White, and Jocelyn Olivia Nixin


We are talking with Jocelyn Olivia Nixin, lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Andrew Witte on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

Also with us is Kianna & Jared White who are here to talk about the ending of their band Yes You Are and the transition into Kianna’s new work and her new solo single, “Homecoming Queen,” released last Friday,

Kianna & Jared White, thank you for being with us on Wednesday MidDay Medley

Kianna White plays Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, October 2, at 7:00 PM with The Creepy Jingles, Nathan Corsi Band and DJ Stevie Cruz. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming.

2019 was an incredibly busy year for The Creepy Jingles, playing Middle of The Map Festival, Crossroads Music Festival, and playing all over Kansas City, Lawrence and surrounding areas.

Abracadabras laid the ground work for the path Jocelyn is following for The Creepy Jingles. The songs on the debut EP are incredibly poetic, and Jocelyn is having so much fun with word and wordplay. The lyrics fly by so fast while making all kinds of modern references to microchips, memes, Reddit, Twitter, Fake News, Samsung, Big Brother while also seeming to be auto biographical and personal first person narratives and calls to action about Coming Out, leaving your past behind, “turning straight people bi-focal”, our currently political reality, and personal break ups and break outs. Collin & Kyle Rausch and Ross Brown of Shy Boys are supporters of The Creepy Jingles.

Mark: “One of my favorite aspects of the KC music community is the mix of genre and culture. Musical artists in Kansas City have felt comfortable to come out as Gay Lesbian, non-binary, transgender, and the music community’s response seems to be okay, that’s great, what do you sound like? I don’t see transgender artist being shoved into a separate sub category where they only play gay bars.” “As an openly gay man I have often felt more accepted in the KC Music Community than in the Kansas City LGBTQIA Community.”

High Dive Records has released some of our most played music on WMM. The ACBs, Shy Boys, Fullbloods, The Conquerors, Psychic Heat, The Whiffs, The Fog, Y God Y have been some of our most played bands on the show. More info at: http://www.highdiverecords.bandcamp.com

Kianna & Jared White, and Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

10:55

10. The Creepy Jingles – “Microchip on My Shoulder”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, rhythm guitar, & keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

11. Tilly and The Wall – “Beat Control”
from: Beat Control – EP / Team Love / March 4, 2008
[The digital release of the song was on March 4, 2008, with a new album track “Cacophony” appearing as a b-side. “Beat Control” was released only as a single and was not included on the album released later in 2008.]

[Kianna White and The Creepy Jingles play Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, October 2, at 7:00 PM with Nathan Corsi Band and DJ Stevie Cruz. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming.]

11:00 – Station ID

12. Unfit Wives – “Pill Poppin’ Mama”
from: “Pill Poppin’ Mama” – Single / Lost Cowgirl Records / June 19, 2020
[Unfit Wives bring their hard-driving bluegrass originals to Kansas City and surrounding areas with hot licks, lyrics, and feisty four-part harmonies. Unfit Wives are: Jenna Rae on guitar & vocals, Shannon O’Shea on fiddle & vocals, Monica Greenwood on mandolin & vocals, and Kahlen Mitchell on upright bass & vocals. More info at http://www.unfitwives.com and http://www.thelostcowgirl.com]

[Unfit Wives who play a Parking Lot Show with Ryan Manuel, and Tyler Gregory, Saturday, October 10, at 7:00 PM, at Theatre Lawrence, 4660 Bauer Farm Drive, Lawrence Kansas, presented by I Heart Local Music and Theatre Lawrence for a socially distanced drive-in concert at the Theatre Lawrence parking lot.]



11:04 – Interview with Jenna Rae of Lost Cowgirl Records

Jenna Rae is the cofounder of Lost Cowgirl Records. Jenna’s began playing tenor saxophone in the Pittsburg State University marching band. In between studying for nursing she started playing banjo and formed the folk band “Deadeye”. After four years of nursing, Jenna cut back on her hours to pursue music. In 2018 she founded Lost Cowgirl Records with partner Martin Farrell Jr., to provide a platform for female fronted Americana. With Lost Cowgirl she released her debut solo album “Workin’ Woman,” in 2018, and Julie Bennett Hume‘s album, “Vinegar,” and Elexa Dawson‘s album, “Music is Medicine.” In 2019, Jenna Rae formed the bluegrass quartet, Unfit Wives with, Kahlen Mitchell on upright bass, Shannon O’Shea on fiddle, and Monica Greenwood on Mandolin formed the bluegrass group Unfit Wives and this summer released three new singles from the band. More info at: http://www.thelostcowgirl.com

Jenna Rae, thanks for being with us on WMM.

We just heard Unfit Wives doing “Pill Poppin’ Mama.” Unfit Wives play a Parking Lot Show with Ryan Manuel, and Tyler Gregory, Saturday, October 10, at 7:00 PM, at Theatre Lawrence, 4660 Bauer Farm Drive, Lawrence Kansas, presented by I Heart Local Music and Theatre Lawrence for a socially distanced drive-in concert at the Theatre Lawrence parking lot.

In 2019, Jenna Rae formed the bluegrass band, Unfit Wives with Jenna on acoustic guitar, Kahlen Mitchell on upright bass, Shannon O’Shea on fiddle, and Monica Greenwood on Mandolin.

In 2018 Jenna Rae founded Lost Cowgirl Records with partner Martin Farrell Jr., to provide a platform for female fronted Americana. With Lost Cowgirl she released her debut solo album “Workin’ Woman,” in 2018, and Julie Bennett Hume’s album, “Vinegar,” and Elexa Dawson’s album, “Music is Medicine.”

Earlier this Year On January 3, 2020, Lost Cowgirl Records released “Cosmic Western Duets” from Jenna & Martin. Jenna Rae and Martin Farrell Jr. met in Winfield, Kansas at Walnut Valley Bluegrass Music Festival. Both were playing banjo in separate bands at the time and bonded through their love of classic country music.

They started learning Gram Parsons and Emmylou Harris duets and quickly realized their voices nested well together. Determined to recreate classic country sounding music in a new way they started collaborating on a genre they call “Cosmic Western”. This music incorporates bluegrass techniques, gospel harmonies, rock rhythms and experimental classic country sounds. The duo performs as “Jenna & Martin” wearing coordinated outfits and often times sharing the stage with their standard poodle, Roy Rogers.

Past WMM plays:

We played Deadeye on WMM on August 2, 2017 and the song “Nothin’ At All” released on July 31, 2016. Produced by Deadeye. Live take studio sessions from Pittsburg, Kansas based band formed by: Meg McCoy on vocals, guitar & violin; Jenna McCarty on vocals & banjo; Jennifer Murphy on saxophone & vocals; and Taylor Rea on percussion, with A. Sheppard on bass. Recorded and mixed by Rob Nold of Rob Nold Audio in Raytown, MO. Deadeye crafts their love of folk, bluegrass, rock, and country into a homemade, heel-stomping musical blend. The group builds their songs with reverence to the Americana music that rings memories of times long-passed in the Midwest. More information at: http://www.deadeyeband.com. Deadeye play the KC Zine Con at Josey Records, Saturday, August 5, 2017 with The New Baboons, Black Market Translation, Gay Girl Cowboy, and Black Creatures.

On September 6, 2017 we played Jenna McCarty and the single, “Love Havin’ Company” an Unreleased track. Kansas City based singer-songwriter who is a guitarist and songwriter for Jenna & Martin with musician Martin Farrell Jr.. Jenna also plays banjo in the band Deadeye.. She is also a guitarist and songwriter for the 6-piece Lawrence based western band Playing For Horses. That year, Jenna & Martin play Crossroads Music Fest, Saturday, September 9, at 6:45 at The Living Room Theatre Downstairs, for the Lost Cowgirl Records Showcase.

Jenna Rae, thanks for being with us on WMM.

11:19

13. Unfit Wives – “Please Don’t Let Me Go”
from: “Please Don’t Let Me Go” – Single / Lost Cowgirl Records / May 22, 2020
[Unfit Wives bring their hard-driving bluegrass originals to Kansas City and surrounding areas with hot licks, lyrics, and feisty four-part harmonies. Unfit Wives are: Jenna Rae on guitar & vocals, Shannon O’Shea on fiddle & vocals, Monica Greenwood on mandolin & vocals, and Kahlen Mitchell on upright bass & vocals. More info at http://www.unfitwives.com and http://www.thelostcowgirl.com]

[Unfit Wives who play a Parking Lot Show with Ryan Manuel, and Tyler Gregory, Saturday, October 10, at 7:00 PM, at Theatre Lawrence, 4660 Bauer Farm Drive, Lawrence Kansas, presented by I Heart Local Music and Theatre Lawrence for a socially distanced drive-in concert at the Theatre Lawrence parking lot.]

14. Quite Frankly – “Tear It Up”
from: “Tear It Up” – Single / Quite Frankly / April 9, 2019
[Quite Frankly began when four middle schoolers decided to turn their musical ambition into reality and create a band to take them beyond their education at School of Rock. Formed in 2017 by bassist, Scout Matthews and Nate Gregory, who are of 14 and 15. In just two years they’ve built an impressive resume. The band is best known in the Kansas City area for providing high energy, crazy-fun performances, gaining attention by being the youngest winners of the Nelson Atkins Teen Battle of The Bands 2018. and playing shows at multiple local venues on First Fridays in the Crossroads Arts District, Starlight Theater, the Rino, KU Football, Josey’s Records & many more. The band has also performed at Kauffman Stadium, appeared at Sprint Center with Big Slick and the Nashville Country Music Hall of Fame. They’ve enjoyed opening for national touring acts such as The Greeting Committee, The Darbies and even LA Guns! These go-getters have played over 100 professional shows! More info at: http://www.quitefranklytheband.com.]

[Quite Frankly play at Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, October 3, at 7:00 PM with My Oh My and Walter Lee Redding. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming.]

15. Lee Walter Redding – “attaloss”
from: Maintenance Sex & White Doves – EP / Lee Walter Redding / August 30, 2020
[Lee Walter Redding is a Kansas City based band with: Josh Davison on vocals & guitar, Justin Rogers on bass & noise, Andy Kirk on guitar & organ & chaos, and Justin Skinner on drums. This is a new musical project from Josh Davison who previously played in a band called Orthon Anderthon. All songs copyright Lee Walter Redding 2020. Arranged and produced by Lee Walter Redding. Recorded, mixed, and mastered by Justin Skinner at Stockyard Sound (Kansas City, Missouri). Raised on 60s rock, steeped in 90s Britpop ennui, and guided by contemporary neo-soul, Lee Walter Redding weaves dry humor into vibrant sonic textures that sway from wistful to chaotic. Think 2010s Nick Lowe fronting The Velvet Underground. On warped vinyl.]

[Lee Walter Redding play at Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, October 3, at 7:00 PM with My Oh My and Quite Frankly. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming.]

11:30 – Underwriting

16. Calvin Arsenia – “Smoke and Mirrors”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[Produced by Tony Braunagel with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names: Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers. “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Calvin released his full length Christmas album “all is calm.”]

[Calvin Arsenia plays The Sound of Kansas City, Sunday, October 18, Noon to 10:00 PM, A Socially Distant Concert, on the SE Lawn of the National WWI Museum and Memorial, 2 Memorial Drive, KCMO, with Back Alley Brass Band, Larsen, The Way Way Back, What A Wreck, Attic Light, Flutienastiness, and Emma Jo.]



11:35 – Interview with Max James

We have Max James on the phone to tell us more about The Sound of Kansas City, Sunday, October 18, Noon to 10:00 PM, A Socially Distant Concert, on the SE Lawn of the National WWI Museum and Memorial, 2 Memorial Drive, KCMO, featuring: Calvin Arsenia, Back Alley Brass Band, Larsen, The Way Way Back, What A Wreck, Flutienastiness, Attic Light, and Emma Jo. DJs Ashton Martin, Maxx Grüv, Nick Davis, Danny Maloney, Dawna K, DJ Alex Reed, and DJ Stoww will be spinning tracks between each band set.

Max James is a Kansas City musician, primarily working as a DJ for weddings and nightlife around the KC area. For the past 7 years, Max has brought his passion for music to dance floors across the Midwest, but in recent months, he’s been focused to providing support for musicians who’ve struggled due to COVID-19.

Max James, thanks for being with us on Wednesday MidDay Medley

The Sound of Kansas City, Sunday, October 18, 12:00 to 10:00 PM, A Socially Distant Concert, on the SE Lawn of the National WWI Museum and Memorial, 2 Memorial Drive, KCMO, 64108. Join Fermata KC and the National WWI Museum and Memorial, and celebrate local musicians at The Sound of Kansas City! One ticket gives you and up to three friends a 10’x10′ space to relax and listen to some of Kansas City’s finest performers. Set up a picnic blanket, lawn chairs or an inflatable couch. Feeling extra cautious? Pull up your vehicles and set up a pillow fort, we’re going to the drive-in!

90.9 The Bridge will send the tunes straight to your speakers, so you can enjoy the sounds of these acts: Calvin Arsenia, Back Alley Brass Band, Larsen, The Way Way Back, What A Wreck, Flutienastiness, Attic Light, Emma Jo.

DJs will be playing between each live musical set set: Ashton Martin, Maxx Grüv, Nick Davis, Danny Maloney, Dawna K * DJ Alex Reed * DJ Stoww *

Refreshments available from local vendors; like beer straight from the City Barrel, Cheesy Street KC’s mouth-watering grilled cheeses, and more.

Feel safe in knowing this event is designed with your safety in mind! As such, all guests, staff and performers will be following CDC guidelines, and will be wearing masks whenever they’re around others! (In other and more direct words, we’re wearing masks, and so should you.)

In addition to our live acts, we’re glad to partner with 90.9 The Bridge, KC Parks, CB Productions, City Barrel, and Magnolia Events.

Tickets are in limited supply, so act fast! We’ll see you on the SE Lawn of the National WWI Museum and Memorial, on October 18th, 2020!

Max James, thanks for being with us on Wednesday MidDay Medley

The Sound of Kansas City, Sunday, October 18, 12:00 to 10:00 PM, A Socially Distant Concert, on the SE Lawn of the National WWI Museum and Memorial, 2 Memorial Drive, KCMO, 64108, Featuring: Calvin Arsenia, Back Alley Brass Band, Larsen, The Way Way Back, What A Wreck, Attic Light, and Emma Jo.

11:48

17. Flutienastiness – “StrobeLight”
from: “StrobeLight” – Single / Flutienastiness Entertainment / April 9, 2020
[Flutienastiness is the music and educational project of Amber Underwood who works as a band director in KC Public Schools and is a private flute instructor at REW Band & Instruments. Her style falls on the R&B, Pop, and Soul side of jazz, Amber Underwood is a vivid performer. Amber studied Education at Pittsburgh State University from 2010 to 2012. Amber lives in Shawnee, KS. More info at:www.flutienastiness.com.]

[Flutienastiness plays The Sound of Kansas City, Sun, Oct 18, Noon-10:00 PM, A Socially Distant Concert, on the SE Lawn of Liberty Memorial, 2 Memorial Drive, KCMO, with: Calvin Arsenia, Back Alley Brass Band, Larsen, The Way Way Back, What A Wreck, Attic Light, and Emma Jo.]

18. Berwanger – “Change The Season”
from: “Change the Season” – Single / Wiretap Records / September 18, 2020
[Last year Josh Berwanger released his 4th full length album “Watching A Garden Die” on Wiretap Records, from Berwanger. Josh was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released Dtrange Stains in April 2014, the EP Demonios November 11, 2016, Exorcism Rock in Oct. 2017, and The Star Invaders October 2017. Josh Berwanger also plays in Radar State.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, Oct. 7, we talk with Maya Coppola of the band Ondist. We also talk with members of the band Ebony Tusks. And we interview Joe Sears of the Lawrence band Page 7.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #857

WMM presents Kianna & Jared White + Jocelyn Nixin + Jenna Rae + Max James

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 30, 2020

Kianna White, Jared White & Jocelyn Olivia Nixin
+ Max James & The Sound of Kansas City +
Jenna Rae & Unfit Wives

Mark plays New & MidCoastal Releases from: The Freedom Affair, Shy Boys, Heart Machine, Kianna White, Berwanger, Flutienastiness, Unfit Wives, Lee Walter Redding, The Creepy Jingles, Yes You Are, Calvin Arsenia, Quite Frankly, Tilly and The Wall, Anjimile, and The Shins.

Kianna White

At 10:30 Kianna White, Jared White and Jocelyn Olivia Nixin join us to share details about their upcoming concert, Friday, October 2, at 7:00 PM with Nathan Corsi Band and DJ Stevie Cruz, at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. We’ll talk with Jocelyn Olivia Nixin about her band The Creepy Jingles and we’ll talk with Kianna & Jared White about their band Yes You Are and Kianna’s new solo single, “Homecoming Queen,” released last Friday, with a new video that she filmed, edited and conceived and created on iPhone 7, iMovie on MacBook Air with a little help from Snapchat, an oscillating fan and a flashlight.

Unfit Wives: Kahlen Mitchell on upright bass & vocals, Monica Greenwood on mandolin & vocals, Shannon O’Shea on fiddle & vocals, and Jenna Rae on guitar & vocals

At 11:00 Jenna Rae joins us to share details about Unfit Wives who play a Parking Lot Show with Ryan Manuel, and Tyler Gregory, Saturday, October 10, at 7:00 PM, at Theatre Lawrence, 4660 Bauer Farm Drive, Lawrence Kansas, presented by I Heart Local Music and Theatre Lawrence for a socially distanced drive-in concert at the Theatre Lawrence parking lot where Unfit Wives will bring their hard-driving bluegrass originals with hot licks, lyrics, and feisty four-part harmonies. Unfit Wives are: Jenna Rae on guitar & vocals, Shannon O’Shea on fiddle & vocals, Monica Greenwood on mandolin & vocals, and Kahlen Mitchell on upright bass & vocals. More info at http://www.unfitwives.com and http://www.thelostcowgirl.com

At 11:30 Max James talks about The Sound of Kansas City, Sunday, October 18, Noon to 10:00 PM, A Socially Distant Concert, on the SE Lawn of the National WWI Museum and Memorial, 2 Memorial Drive, KCMO, featuring: Calvin Arsenia, Back Alley Brass Band, Larsen, The Way Way Back, What A Wreck, Flutienastiness, Attic Light, and Emma Jo. DJs Ashton Martin, Maxx Grüv, Nick Davis, Danny Maloney, Dawna K, DJ Alex Reed, and DJ Stoww will be spinning tracks between each band set. Sound of KC is a socially-distanced festival, where your ticket gives you and three friends a 10’x10′ space to relax and listen to some of Kansas City’s finest performers. More information at: https://www.eventbrite.com/e/the-sound-of-kansas-city-tickets-119337159657?aff=ebdssbeac&fbclid=IwAR3vrv-ad1cu77plLb1aTNhPGHkXlWaqgSSLlGZwpR1WwaDOVYEyd1sWCo8

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #857

WMM Playlist from Sept. 23, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 23, 2020

Krystle Warren and The Crew
+ Eddie Moore and We The People

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM theme]

2. Grand Marquis – “I Can’t Put You Down” [Vinyl]
from: “I Can’t Put You Down” – Single (Side A) / Teenage Heart Records / 2019
[Producer: Johnny Starke. From Teenage Heart Records: The story of Antwaine Ashcraft, better known as the singer Tony Ashley, is one full of heartbreak and sadness. A Kansas City musician who was on the verge of real success and then shot dead in his prime. Tony’s legacy has been kept alive through the very few records he released in his lifetime, one of them being the highly sought after deep soul heavy “I’ll Go Crazy” Decca # 732520, and another which was comped by Chicago’s Numero Group on their Forte Records retrospective. His talent is undeniable and his songs are unforgettable, how much music would he have brought into this world had he lived… we can only imagine. // The Grand Marquis have been a band for more than twenty years, which at this point makes them a Kansas City institution. With a history of creating some of the regions best Jazz, Blues, and Roots music… it only makes sense that they dip their musical toe into the deep waters of Soul music. Once discovering Tony Ashley and his story, they jumped at the chance to honor his memory by recording a few of his songs and breathing new life into a forgotten time in Kansas City’s rich history. // This release pays tribute to the sweet Soul ballad “I Can’t Put You Down” on the A side, and the Funk banger “I’ll Never Be Satisfied” on the B side. Both songs are beautiful and do Mr. Ashley justice while keeping that Grand Marquis Kansas City Roots vibe in full swing! // To kick this whole project off Teenage Heart Records reached out to Tony Ashley’s family and asked if we could raise money to continue his legacy. When the family thought about how they would like to honor Tony they asked if we could raise funds and awareness for the school that Tony and his brother Bernard went to as youths, we were honored to be able to help. // Lincoln Public School was founded in 1871 and had 130 black students in attendance at the time. Over the years it grew to be one of the largest all black schools in the region operating during segregation. The school itself was integrated in 1955 and then slowly fell into disrepair and eventually closed in 1966… the building was unfortunately torn down shortly after. Lincoln Public School Committee is attempting to raise funds so they may build a memorial to the school, the incredible faculty, and all of the students who attended. // All profits from this release will go to the Lincoln Public School Committee.]

[Grand Marquis play live on Saturday, Sept. 26, 2020, 7:00 PM with Victor & Penny and Their Loose Change Orchestra at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. ]

3. Anjimile – “In Your Eyes”
from: Giver Taker / Father/Daughter Records / September 18, 2020
[Queer & trans songmaker / boy king // On Giver Taker, the gorgeous debut album by Anjimile, death and life are always entwined, wrapping around each other in a dance of reverence, reciprocity, and, ultimately, rebirth. // Giver Taker is confident, intentional and introspective. Anjimile Chithambo (they/them, he/him) wrote much of the album while in treatment for drug and alcohol abuse, as well as while in the process of living more fully as a nonbinary trans person. Loss hovers over the album, whose songs grieve for lost friends (“Giver Taker”) and family members (“1978”) along with lost selves (“Maker,” “Baby No More,” “In Your Eyes.”) But here, grief yields an opening: a chance for new growth. “A lot of the album was written when I was literally in the process of improving my mental health, so there’s a lot of hopefulness and wonder at the fact that I was able to survive,” says Chithambo. “Not only survive but restart my life and work towards becoming the person I was meant to be.” // Each song on the album is its own micro-journey, adding up to a transformative epic cycle created in collaboration with bandmate Justine Bowe of Photocomfort and New-York based artist/producer Gabe Goodman. “1978” and “Maker” both begin as Sufjan Stevens-esque pastoral ballads with Chithambo’s mesmerizing voice. foregrounded against minimal instrumentation and swell into the realm of the majestic through the addition of warm, steady instrumentation (informed by the mix of 80’s pop and African music Chithambo’s Malawi-born parents played around the house) and harmonies by Bowe. “In Your Eyes” starts out hushed and builds to a crescendo via a mighty chorus inspired by none other than The Lion King. The allusion is fitting: each song encapsulates a heroic voyage, walked alone until accompanied by kindred souls. The choirs present throughout are equally deliberate. Chithambo grew up as a choir boy himself, and several songs (notably “Maker”) grasp not only towards reconciliation between his trans identity and his parents’ strong religious beliefs, but towards reclaiming his trans identity as an essential part of his own spirituality. (“[Less] Judeo-Christian, more ‘Colors of the Wind.’”) There is a boldness to this borrowing and shaping, a resoluteness that results from passing through hardship and emerging brighter, steadier. As a closing refrain on “To Meet You There” might sum it up: “Catalyst light of mine / now is your time.” // Giver Taker was recorded in Brooklyn, Boston, and New Hampshire by Goodman, thanks in part to the Live Arts Boston Grant by the Boston Foundation. All songs written by Anjimile Chithambo. Produced by Gabe Goodman & Justine BoweEngineered by Gabe Goodman. Additional engineering by Will G. Radin . Mixed by Will G. Radin
Mastered by Joe Lambert]

4. New Order – “Be A Rebel”
from: Be A Rebel – Single / Mute / September 8, 2020
[First new music in 5 years. New Order are an English rock band formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook, and drummer Stephen Morris. The band formed after the demise of Joy Division, following the suicide of lead singer Ian Curtis; they were joined by Gillian Gilbert on keyboards later that year. New Order’s integration of post-punk with electronic and dance music made them one of the most acclaimed and influential bands of the 1980s. They were the flagship band for Manchester-based independent record label Factory Records and its nightclub The Haçienda, and worked in long-term collaboration with graphic designer Peter Saville. While the band’s early years were overshadowed by the legacy of Joy Division, their experience of the early 1980s New York club scene saw them increasingly incorporate dance rhythms and electronic instrumentation into their work. Their 1983 hit “Blue Monday” became the best-selling 12-inch single of all time and a popular club track. In the 1980s, they released successful albums such as Power, Corruption & Lies (1983), Technique (1989), and the singles compilation Substance (1987). They disbanded in 1993 to work on individual projects before reuniting in 1998. In the years since, New Order has gone through various hiatuses and personnel changes, most prominently the departure of Hook in 2007. They released their tenth studio album, Music Complete, in 2015.]

5. Cut Copy – “Like Breaking Glass”
from: Freeze, Melt / Cutter Records / August 21, 2020
[Sixth full-length album from Cut Copy an Australian synth-pop band formed in 2001 by Dan Whitford on vocals, keyboards and guitar. Originally a home-recording project, the band now includes Tim Hoey on guitars, Ben Browning on bass guitar, and Mitchell Scott on drums. The band achieved breakthrough success in 2008 with their second album, In Ghost Colours, which included well-known singles “Lights & Music” and “Hearts on Fire”. Cut Copy was established in 2001 in Melbourne, Australia as the solo project of Dan Whitford, a DJ and graphic designer. Whitford was educated at Scotch College and studied graphic design at Monash University. During his studies he became interested in dance music and began DJing while hosting a radio show. Around this time he bought a sampler and keyboards to experiment with. Musically he was “inspired by indie low-fi stuff as much as dance”. Upon graduating Whitford co-founded the design agency Alter, who continue to produce all of the graphical material for the band.]

6. Shy Boys – “Talk Loud”
from: Talk Loud / Polyvinyl Record Co. / September 25, 2020
[From the upcoming third album from Kansas City’s Shy Boys. The follow up to single, “Trash” released August 3, 2020, and after Dim The Light / Brick By Brick, released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” (originally released by The I’ms) was featured on Spin.com. In June 2014, the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Company.]

7. Bob Dylan – “I Contain Multitudes”
from: Rough and Rowdy Ways / Columbia / June 19. 2020
[Rough and Rowdy Ways is the 39th studio album by American singer-songwriter Bob Dylan (born Robert Allen Zimmerman; May 24, 1941) is an American singer-songwriter, author, and visual artist. Widely regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture for more than 50 years. Much of his most celebrated work dates from the 1960s, when songs such as “Blowin’ in the Wind” (1963) and “The Times They Are a-Changin'” (1964) became anthems for the civil rights and anti-war movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defied pop music conventions and appealed to the burgeoning counterculture. Following his self-titled debut album in 1962, which mainly comprised traditional folk songs, Dylan made his breakthrough as a songwriter with the release of The Freewheelin’ Bob Dylan the following year. The album features “Blowin’ in the Wind” and the thematically complex “A Hard Rain’s a-Gonna Fall”. For many of these songs, he adapted the tunes and phraseology of older folk songs. He went on to release the politically charged The Times They Are a-Changin’ and the more lyrically abstract and introspective Another Side of Bob Dylan in 1964. In 1965 and 1966, Dylan drew controversy when he adopted electrically amplified rock instrumentation, and in the space of 15 months recorded three of the most important and influential rock albums of the 1960s: Bringing It All Back Home (1965), Highway 61 Revisited (1965) and Blonde on Blonde (1966). Commenting on the six-minute single “Like a Rolling Stone” (1965), Rolling Stone wrote: “No other pop song has so thoroughly challenged and transformed the commercial laws and artistic conventions of its time, for all time.” In July 1966, Dylan withdrew from touring after a motorcycle accident. During this period, he recorded a large body of songs with members of the Band, who had previously backed him on tour. These recordings were released as the collaborative album The Basement Tapes in 1975. In the late 1960s and early 1970s, Dylan explored country music and rural themes in John Wesley Harding (1967), Nashville Skyline (1969), and New Morning (1970). In 1975, he released Blood on the Tracks, which many saw as a return to form. In the late 1970s, he became a born-again Christian and released a series of albums of contemporary gospel music before returning to his more familiar rock-based idiom in the early 1980s. Dylan’s 1997 album Time Out of Mind marked the beginning of a renaissance for his career. He has released five critically acclaimed albums of original material since then, the most recent being Rough and Rowdy Ways (2020). He also recorded a series of three albums in the 2010s comprising versions of traditional American standards, especially songs recorded by Frank Sinatra. Backed by a changing lineup of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. Since 1994, Dylan has published eight books of drawings and paintings, and his work has been exhibited in major art galleries. He has sold more than 100 million records, making him one of the best-selling music artists of all time. He has received numerous awards, including the Presidential Medal of Freedom, ten Grammy Awards, a Golden Globe Award and an Academy Award. Dylan has been inducted into the Rock and Roll Hall of Fame, Nashville Songwriters Hall of Fame and the Songwriters Hall of Fame. The Pulitzer Prize Board in 2008 awarded him a special citation for “his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power”. In 2016, Dylan was awarded the Nobel Prize in Literature “for having created new poetic expressions within the great American song tradition”]

8. John Prine – “Summer’s End”
from: The Tree of Forgiveness / Oh Boy Records / April 13, 2018
[The Tree of Forgiveness is the eighteenth and final studio album by American country folk singer John Prine born October 10, 1946. John Prine died April 7, 2020 due to COVID-19. He was an American country folk singer-songwriter. He was active as a composer, recording artist, and live performer from the early 1970s until his death, and was known for an often humorous style of original music that has elements of protest and social commentary. Born and raised in Maywood, Illinois, Prine learned to play the guitar at the age of 14. He attended classes at Chicago’s Old Town School of Folk Music. After serving in West Germany with the U.S. Army, he returned to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs first as a hobby, and then becoming a club performer. A member of Chicago’s folk revival, Prine credited film critic Roger Ebert and singer-songwriter Kris Kristofferson with discovering him, resulting in the production of Prine’s eponymous debut album with Atlantic Records in 1971. The acclaim earned by this LP led Prine to focus on his musical career, and he recorded three more albums for Atlantic. He then signed with Asylum Records, where he recorded an additional three albums. In 1981, he co-founded Oh Boy Records, an independent record label with which he would release most of his subsequent albums. Widely cited as one of the most influential songwriters of his generation, Prine was known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary and songs that recollect melancholy tales from his life. In 2020, he received the Grammy Lifetime Achievement Award..]

10:33 – Underwriting

9. BLACKSTARKIDS – “Whatever!”
from: Surf Basement Demos / Dirty Hit Records / March 5, 2020
[Blackstarkids released their second album SURF through their own label Bedroon Records on Februart 28, 2020. BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019. Blackstarkids,recently caught the attention of The 1975’s frontman Matty Healy and now they’re signed to The 1975’s management company, Dirty Hit Records,]

10. Sharon Jones & The Dap-Kings – “Signed, Sealed, Delivered I’m Yours”
from: Just Dropped In To See What Condition My Rendition Was In / Daptone / Oct. 23, 2020
[Often, in an effort to save the expense of licensing an original master from a major label, a music supervisor may request a song be re-created as closely as possible. Such was the case when a well-known bank asked the band to cut Stevie Wonder’s classic, “Signed, Sealed, Delivered I’m Yours” for a TV commercial, or when Hank Shockley asked for a perfect replay of Bad Medicine’s funky instrumental, “Trespasser” for the American Gangster soundtrack. // Both “Rescue Me” and “In the Bush” were among the outtakes on the cutting room floor of The Wolf of Wall Street motion picture soundtrack, for which the band recorded several unused sides. “Just Dropped In (To See What Condition My Condition Was In)” was not just a remake of the Kenny Rogers’ First Edition hit, but more specifically a near re-play of Bettye Lavette’s 1968 version, and was notably the very first recording done at the Daptone House of Soul studio in 2002. Likewise, the band’s replay of Gladys Knight’s “Giving Up” was specifically requested but unused by a producer who was confident he needed it to sample for a beat on a Dr. Dre album. // “Little by Little,” “Inspiration Information,” “Here I Am Baby,” and “Take Me with U” were cut for tribute projects to Dusty Springfield, Shuggie Otis, The Marvelettes, and Prince, respectively. The latter of which is a perfect example of the way the band was able to take a familiar tune and completely flip it on it’s head. // Of course, there were also many non-contracted covers over the years that the band cut of their own volition, starting with the complete re-invention of Janet Jackson’s “What Have You Done for Me Lately” on the their 2001 debut LP, Dap-Dippin’ with…, which convinced more than a few fans that Sharon’s version was in fact the original after a counterfeit news article surfaced claiming that Jones was suing Jackson for copyright infringement. Sharon’s heart-wrenching take on Bob Marley’s early Wailers ballad “It Hurts to be Alone” is a tender nod to the soul that Jamaica borrowed from the States in the early sixties. // Though the band has mostly built their career on a prolific catalog of originals, these forays into other artists’ compositions lay bare their gift for arrangement and the unmatched studio prowess that earned them their reputation as The Baddest Band in the Land. // In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, the released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, , for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007) and I Learned the Hard Way (2010). They are seen by many as the spearhead of a revival of soul and funk.]

11. The Black Creatures – “The Fall and Winter(radio edit)”
from: Wild Echoes / Center Cut Records / August 28, 2020 [remastered]
[Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality is improved. Center Cut Records plan to release the full remastered album on August 28 2020. The Black Creatures are Jade Green & Xavier Martin. The band joined us on the radio on the August 26 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their bandcamp page. The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. They released the album, See No Evil, December 6, 2017. The duo released the singles, “Elements” February 14, 2018; “Silver Tears” June 19. 2018; “Dare” a Gorillaz cover August 8, 2019. They released the album “Wild Echoes” September 30, 2019. The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” February 19, 2020.]

12. Tracy Chapman – “Subcity”
from: Crossroads / Elektra / October 3, 1989
[Crossroads is the second album by singer-songwriter Tracy Chapman. Chapman was also a producer on this album, the first time she had taken on such a role. The song “Freedom Now” is dedicated to Nelson Mandela. racy Chapman (born March 30, 1964) is an American singer-songwriter, known for her hits “Fast Car” and “Give Me One Reason”, along with other singles “Talkin’ ’bout a Revolution”, “Baby Can I Hold You”, “Crossroads”, “New Beginning”, and “Telling Stories”. She is a multi-platinum and four-time Grammy Award–winning artist. // Chapman was signed to Elektra Records by Bob Krasnow in 1987. The following year she released her critically acclaimed debut album Tracy Chapman, which became a multi-platinum worldwide hit. The album earned Chapman six Grammy Award nominations, including Album of the Year, three of which she won, including Best Female Pop Vocal Performance for her single “Fast Car”, and Best New Artist. Chapman released her second album Crossroads the following year, which garnered her an additional Grammy nomination. Since then, Chapman has experienced further success with six more studio albums, which include her multi-platinum fourth album New Beginning, for which she won a fourth Grammy Award, for Best Rock Song, for its lead single “Give Me One Reason”. Chapman’s most recent album is Our Bright Future, released in 2008. // Chapman was born in Cleveland, Ohio. Her parents divorced when she was four years of age. She was raised by her mother, who bought her music-loving three-year-old daughter a ukulele despite having little money. Chapman began playing the guitar and writing songs at age eight. She says that she may have been first inspired to play the guitar by the television show Hee Haw.[4] Chapman’s family received welfare. In her native Cleveland, school desegregation efforts led to racial unrest and riots; Chapman experienced frequent bullying and racially motivated assaults as a child. // Raised as a Baptist, Chapman attended an Episcopal high school and was accepted into the program A Better Chance, which sponsors students at college preparatory high schools away from their home community. She graduated from Wooster School in Connecticut, then attended Tufts University, graduating with a B.A. degree in Anthropology and African studies.]

13. Talking Heads – “Who Is It?”
from: The Name of This Band is Talking Heads / Sire / March 24, 1982
[he Name of This Band Is Talking Heads is a double live album by American new wave band Talking Heads, originally released in 1982. The first LP featured the original quartet in recordings from 1977 and 1979, and the second LP featured the expanded ten-piece lineup that toured in 1980 and 1981. The album contains live versions of songs that appear on their first four studio albums: Talking Heads: 77, More Songs About Buildings and Food, Fear of Music, and Remain in Light. The cassette edition of the album included “Cities”, a bonus track not included on the vinyl edition, which also appeared on the subsequent CD release. // The title of the album is a reference both to the group’s preference for having no expressed definite article within the band name (as opposed to “The Talking Heads”) and to David Byrne’s minimalist introductions to songs. The album opens with one such introduction: “The name of this song is ‘New Feeling’. That’s what it’s about.” // Talking Heads were an American rock band formed in 1975 in New York City and active until 1991. The band was composed of David Byrne (lead vocals, guitar), Chris Frantz (drums), Tina Weymouth (bass), and Jerry Harrison (keyboards, guitar). Described by the critic Stephen Thomas Erlewine as “one of the most critically acclaimed bands of the ’80s,” the group helped to pioneer new wave music by integrating elements of punk, art rock, funk, and world music with avant-garde sensibilities and an anxious, clean-cut image. Former art school students who became involved in the 1970s New York punk scene, Talking Heads released their 1977 debut album, Talking Heads: 77, to positive reviews. They collaborated with producer Brian Eno on a trio of experimental and critically acclaimed releases: More Songs About Buildings and Food (1978), Fear of Music (1979), and Remain in Light (1980). After a hiatus, Talking Heads hit their commercial peak in 1983 with the U.S. Top 10 hit “Burning Down the House” from the album Speaking in Tongues and released the concert film Stop Making Sense, directed by Jonathan Demme. They released several more albums, including their best-selling LP Little Creatures (1985), before disbanding in 1991. Without Byrne, the other band members performed under the name Shrunken Heads, and released an album, No Talking, Just Head, as the Heads in 1996. // In 2002, Talking Heads were inducted into the Rock and Roll Hall of Fame. Four of their albums appear in Rolling Stone’s list of the 500 Greatest Albums of All Time, and three of their songs (“Psycho Killer”, “Life During Wartime”, and “Once in a Lifetime”) were included among the Rock and Roll Hall of Fame’s 500 Songs That Shaped Rock and Roll. Talking Heads were also number 64 on VH1’s list of the “100 Greatest Artists of All Time”. In the 2011 update of Rolling Stone’s “100 Greatest Artists of All Time”, they were ranked number 100.]

14. Bulgarian Television & Radio Folklore Ensemble & Krassimir Kyurkchiiski– “Kalimankou Denkou”
from: Krassimir Kyurkchiiski: Bulgarian Folklore Masterpieces / Balkanton / January 18, 2012

11:00 – Station ID

15. Krystle Warren & The Crew – “Bein’ Green”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP will be donated to the various causes and organizations. From Billboard.com: Singer-songwriter Krystle Warren has made a powerful statement about the struggle for Black equality with the help of Kermit the Frog’s iconic song “Bein’ Green” (written by Joe Raposo). // The moving five-minute clip, over which Warren sings her rendition of the 1970 song — since recorded by Ray Charles, Frank Sinatra and others — sprang from a covers EP she recorded during the pandemic with a group of musicians known as The Crew. Warren embarked on the project after her forthcoming album with her regular group, The Faculty, was put on hold due to COVID-19. The EP, which tackles themes of racial injustice in the wake of nationwide Black Lives Matter protests this summer, also includes a cover of John Lennon’s “Gimme Some Truth.” // The “Bein’ Green” video weaves in footage of this year’s Black Lives Matter protests, and also includes a heartbreaking montage of young Black children choosing white dolls over dark-skinned ones. It additionally features archival footage of such transformative Black figures as James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson and Al Sharpton, as well as victims of police brutality including Sandra Bland, George Floyd and Eric Garner. It ends with a clip from a speech by civil rights activist Ella Baker. // “‘Bein’ Green,’ it’s such a gorgeous song, and it says so, so much,” says Warren. “I began thinking about what I wanted it to express visually before we started [recording the song]. Essentially — it’s not easy being Black. That’s what Ray Charles was saying, and we felt it needed to be said again.” // Warren, who now resides in Paris, began performing in her native Kansas City at the age of 16 before moving to New York City, where she started busking on the streets and later formed her regular band, The Faculty. She and the group have recorded several full-length albums, including 2009’s Circles, 2012’s Love Songs and 2017’s Three the Hard Way. Her next album is slated for release this winter. // A large percentage of proceeds from sales of the EP — which is available for digital downloads via Warren’s website now and released on all streaming platforms next Friday — will be donated to the ACLU.]

11:04 – Underwriting

16. Krystle Warren & The Crew – “Rhythm Of Life”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Originally on Oleta Adams 3rd album “Circle of One.” Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams).]

17. Krystle Warren & The Crew – “Dear Landlord”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Written by Bob Dylan. Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP will be donated to the various causes and organizations.]

Krystle Warren photo by Matthew Placek

11:15 – Interview with Krystle Warren

KC born and internationally known singer songwriter Krystle Warren joins us from France to share details about an incredible new EP released last week from the collective call themselves The Crew. They have recorded unique versions of four classic songs with the hope of encouraging the rallying cries of the moment: the movement of the people. Warren embarked on the project after her newest album, with her band The Faculty, was stalled due to COVID-19. With the EP The Crew released a video of their interpretation of “Bein’ Green” an emotionally stirring five minute montage of footage of Black Lives Matter protests, young Black children choosing white dolls over dark-skinned ones, archival footage of James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson Al Sharpton, Ella Baker, as well as Sandra Bland, George Floyd and Eric Garner. Proceeds from the EP will be donated to the ACLU. More info at: http://www.krysltewarren.com

Krystle Warren, thanks for being with us on Wednesday MidDay Medley

Bein’ Green – Kermit the Frog’s iconic song “Bein’ Green” (written by Joe Raposo). // The moving five-minute clip, over which Warren sings her rendition of the 1970 song — since recorded by Ray Charles, Frank Sinatra and others — sprang from a covers EP she recorded during the pandemic with a group of musicians known as The Crew.

‘Bein’ Green,’ it’s such a gorgeous song, and it says so, so much,” says Warren. “I began thinking about what I wanted it to express visually before we started [recording the song]. Essentially — it’s not easy being Black. That’s what Ray Charles was saying, and we felt it needed to be said again.”

Warren embarked on the project after her forthcoming album with her regular group, The Faculty, was put on hold due to COVID-19. The EP, which tackles themes of racial injustice in the wake of nationwide Black Lives Matter protests this summer, also includes a cover of John Lennon’s “Gimme Some Truth.”

The Crew: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane.

This Year Krystle virtually performed in the KC Bands Together and Greenline Grows KC

Last time you were on the show was a year ago on October 16 with Brad Coc when you ere here in KC to present LoveSongs with Owen/Cox Dance Group at October 19 and 20, 2019 at Polsky Theatre at JCCC.

Warren, who now resides in Paris, began performing in her native Kansas City at the age of 16 before moving to New York City, where she started busking on the streets and later formed her regular band, The Faculty. She and the group have recorded several full-length albums, including 2009’s Circles, 2012’s Love Songs and 2017’s Three the Hard Way. Her next album is slated for release this winter. // A large percentage of proceeds from sales of the EP — which is available for digital downloads via Warren’s website now and released on all streaming platforms next Friday — will be donated to the ACLU

Originally from KC, Krystle Warren learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, who gave her a one way ticket to France. Krystle moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world on tours with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle left Because Music and created her own recording label, Parlour Door Music, to release “Love Songs: A Time You May Embrace / A Time to Refrain from Embracing” a double album recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. In 2019 The Kansas City based Owen/Cox Dance Group premiered a new dance piece titled “Love Songs” with choreography by Jennifer Owen, set to all 24 songs, in the order they appear in the recording,. Krystle Warren has collaborated with Erykah Badu, Keziah Jones, Zap Mama, Rufus Wainwright and Martha Wainwright, Brad Cox Amadou & Mariam, Lakecia Benjamin, Guarco, Teddy Thompson, Gwyneth Herbert, Hercules & Love Affair, and Joon Moon. Along with being included in the compilation “NYC Subway – Songs from the Underground,” and tribute recordings for Kate McGarrigle, and Nick Drake, Warren has released the EP “Diary” on May 1, 2007; “The Up Series – EP” on November 10, 2008; “Circles” her 13-song full length on March 13, 2009; “A Time To Keep – Love Songs EP”, on August 12, 2011, The double album 24-song “Love Songs” released on vinyl in Europe on April 9, 2012 and as separate digital and CD albums in the U.S. as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015; Krystle released “Three the Hard Way” on August 18, 2017.

Rhythm of Life”, (a timeless statement originally performed by Oleta Adams from her 3rd album, Circle of One from 1990. After a successful collaboration with Tears for Fears on their 1989 album The Seeds of Love, Adams was offered a record deal of her own with Tears for Fears then-label Fontana Records. Produced by Tears for Fears’ Roland Orzabal with Dave Bascombe, the album was initially unsuccessful as were the first two singles “Rhythm of Life” and “Circle of One”. However, Adams had a hit in early 1991 with the third single from the album, her cover of Brenda Russell’s “Get Here,” which peaked at #4 in the UK Singles Chart and #5 on the US Billboard Hot 100. The album, which had received considerable critical acclaim, was re-released with two additional tracks and peaked at #1 in the UK Albums Chart and made the Top 20 of the US Billboard 200. It was certified Gold in both the UK and the US[3] and received two Grammy nominations.

Krystle Warren, thanks for being with us on Wednesday MidDay Medley

Krystle Warren & The Faculty are working on a new album, the first single “Rising” was included in the official soundtrack to the Ana DuVernay television series soundtrack for “When They See Us.” The single was released May 31, 2019. More info at http://www.krystlewarren.com

11:31

18. We The People – “Misunderstood”
from: Misunderstood – Single / Eddie Moore Music / June 26, 2020
[First single from the up-coming debut record of Eddie Moore’s group We The People. We The People is a power trio and sometimes 4-piece stemming from the roots of Black American Music, Hip-hip, Psych-Rock, and Classical. Crafted with raw passion, and unflinching groove this “Urban Gumbo” shares the pain, joy, fear, and dreams that inspire, and celebrate our unity. Eddie Moore on Rhodes & synthesizers, Jason Emmond on bass, Zach Morrow on drums & samples, and Jamie Anderson on guitar & vocoder.]

[We The People play an Album Release Show, Friday, September 25, at 7:00 PM at Plexpod, 300 East 39th Street, KCMO. (formerly Westport Junior High School.) The venue will maintain safe social distancing guidelines. General admission tickets are $25 or $30 with a We The People debut album download. For tickets visit: http://www.kcdriveinconcerts.com]

11:34 – Interview with Eddie Moore

Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to Kansas City to study under Bobby Watson at the University of Missouri-Kansas City where he received a M.A in Jazz Studies. Eddie Moore joins us to talks with us about “Misunderstood,” the debut album from his band, We The People, to be released September 25. We the People is a genre-defying quartet comprised of keyboardist Eddie Moore, bassist/producer Jason Emmond, drummer Zach Morrow, and turntablist/producer Kethro.

We The People play an Album Release Show, Friday, September 25, at 7:00 PM at Plexpod, 300 East 39th Street, KCMO. (formerly Westport Junior High School.) The venue will maintain safe social distancing guidelines. General admission tickets are $25 or $30 with a We The People debut album download. For tickets visit: http://www.kcdriveinconcerts.com

Eddie Moore Thank you for being with us on Wednesday Midday Medley

It was great to hear and see We The People play for the virtual Crossroads Music Festival, You performed live from Tribe Studio.

When you speak to Eddie Moore you find an ocean of calm, and when you listen to Eddie Moore you find the depth of that ocean. Eddie reaches from the soul with every note, in a deep way, with a tension just below the surface. His yearning for exploration and curiosity in music contribute to an ebb and flow freedom of expression.

Jazz runs deep in pianist and bandleader Eddie Moore’s veins. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. As a lifelong musician traversing a number of bands and styles he relocated to Kansas City to study under Bobby Watson at the University of Missouri-Kansas City where he received a M.A in Jazz Studies.

After forming Jazz/Fusion group Eddie Moore & The Outer Circle in 2012, diversity and inclusiveness have become to define Moore as an artist. His debut album,”The Freedom of Expression”, was given 3.5 stars from Downbeat jazz magazine who has stated “Moore’s compositions exude a sophisticated soulful elegance that create a tastefully fulfilling venture into a range of dynamic pieces, with the musicianship to match.”

Moore’s third album as a leader “Kings & Queens” incorporates elements of soul, r&b, rock and hip-hop into his take on contemporary jazz. Released with Ropeadope Records, Moore’s forward-thinking sounds are part of the rich continuum of African-American music that continues to be imbued with indigenous African elements. The Outer Circle’s remarkable sensitivity and cohesive interplay reflect an unflinching groove. Featured in Jazziz Magazine, The Jazz Ambassadors Magazine, Nextbop, and The Pitch KC which describe the album as “Pulling the Kansas City Jazz scene into the 21st century” – Bill Brownlee

Moore is also recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has also been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”

Moore’s expansive sensibilities have allowed him to share the stage and record with distinctive artist such as Bobby Watson, Pam, Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, and the Marcus Lewis Big Band.

While maintaining a busy tour schedule Moore resides in Kansas City where he is an integral part of the music community creating opportunities for up and coming jazz artist through his incubator Tribe Studios. As a Charlotte Street Fellow and member of the African America Arts Collective; He stays busy teaching several aspects of music through University of Kansas, Metropolitan Community College, Future Jazz, Midwest Jazz Camp, and privately at The Culture House.

We the People is a genre-defying quartet comprised of keyboardist Eddie Moore, bassist/producer Jason Emmond, drummer Zach Morrow, and turntablist/producer Kethro. Together, they sift through American music of the last 20th century and gather all of their influences into incredible masterpieces.

Eddie Moore Thank you for being with us on Wednesday Midday Medley

11:49

19. We The People – “Enough”
from: Misunderstood / Eddie Moore Music / September 25, 2020
[Eddie Moore on piano, Rhodes, synth, keyboards, & bass; Jason Emmond – on bass; Zach Morrow on drums; Andrew Baile on guitar; Keith Rodgers; Angle Gibson on vocals “Enough”; Rane Raps- “The Truth”; Lucero on vocals “The Truth”; Andrew McGhie on tenor sax “Round Up”. “Worst Nights” Produced by Jason Emmond/ Eddie Moore. Recorded at Make Believe Studios by Keith Rodgers. Mix & Mastered by Rick Carson. Executive Producers: Eddie Moore and Amilcar “PRO” Welton. Album Art by Adrian Truth. This is for all the times we are misunderstood and mean the best for people. This is for times pain and fear were swallowed and a unique beauty emerged. The times that struggle became a culture, a new identity for the land of the free. The idea of Freedom and the celebration of individuality. ]

[We The People play an Album Release Show, Friday, September 25, at 7:00 PM at Plexpod, 300 East 39th Street, KCMO. (formerly Westport Junior High School.) The venue will maintain safe social distancing guidelines. General admission tickets are $25 or $30 with a We The People debut album download. For tickets visit: http://www.kcdriveinconcerts.com]

20. We The People – “Moon”
from: Misunderstood / Eddie Moore Music / September 25, 2020
[Eddie Moore on piano, Rhodes, synth, keyboards, & bass; Jason Emmond – on bass; Zach Morrow on drums; Andrew Baile on guitar; Keith Rodgers; Angle Gibson on vocals “Enough”; Rane Raps- “The Truth”; Lucero on vocals “The Truth”; Andrew McGhie on tenor sax “Round Up”. “Worst Nights” Produced by Jason Emmond/ Eddie Moore. Recorded at Make Believe Studios by Keith Rodgers. Mix & Mastered by Rick Carson. Executive Producers: Eddie Moore and Amilcar “PRO” Welton. Album Art by Adrian Truth. This is for all the times we are misunderstood and mean the best for people. This is for times pain and fear were swallowed and a unique beauty emerged. The times that struggle became a culture, a new identity for the land of the free. The idea of Freedom and the celebration of individuality.]

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, Sept. 30, we play more New & MidCoastal Releases. Plus we talk with Jocelyn Olivia Nixin of The Creepy Jingles and Kianna White and Jared White of Yes You Are who are playing a live at Lemonade Park, February, October 2, with the Nathan Corsi band & DJ Stevie Cruz. Also next week Jenna Rae returns to share new music from Unfit Wives.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #856