WMM Playlist from Oct. 7, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 7, 2020

Ebony Tusks + Maya Coppola of Ondist
+ Joe Sears of Page 7

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM theme]

2. The Freedom Affair – “Move On”
from: Freedom is Love / Sunflower Soul Records / September 25, 2020
[“Freedom Is Love” is the debut album from Kansas City’s newest soul juggernaut, The Freedom Affair. The album explores themes of love, heartache, empowerment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The Freedom Affair is a unique collective featuring 3 powerhouse female vocalists in front of a dynamic 6-piece band. On “Freedom Is Love”, each of the ladies get their time to shine individually, but the magic is on full display when all 3 come together in unison and harmony, symbolically embodying the messages that they sing about. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. The Freedom Affair is: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson. “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

3. True Lions – “Origins (Tennis cover)”
from: Like A Lamb (Covers) / True Lions / April 20, 2020
[Multi-instrumentalist femme DIY super collective from Kansas City. Like A Lamb (Covers) is an EP collection of 4 songs: “Pressure To Party” (Julia Jacklin cover), “I’d Rather Dance With You” (Kings of Convenience cover), Archie, Marry Me” (Alvvays cover), and “Origins” (Tennis cover). Recorded in Strawberry Hill, Kansas City, KS., during mandatory self-quarantine. All songs performed by True Lions. Produced and recorded by Alison Hawkins and Fritz Hutchison. Mixing/Mastering by Fritz Hutchison. Album Artwork by Alison Hawkins. Alison Hawkins: piano, guitar, violin, synth, percussion, vocals. Fritz Hutchison: drums/percussion, guitar, bass, synth, vocals. Featuring “Falcon” the chicken. Along with Like A Lamb, True Lions also released Thermal in June (demos) on February 29, 2020. Also recorded in Strawberry Hill, Kansas City, KS. All songs written by True Lions. truelionsmusic@gmail.com. Tracking Engineering by Fritz Hutchison. Album Artwork by Alison Hawkins. Alison Hawkins on lead vocals, guitar, piano, synth, percussion. Fritz Hutchison on vocals, guitar, bass, synth, drums/percussion. Daniel Cox on vocals, saxophone, percussion. Late last year on November 29, 2019 True Lions released their Second EP You’re Not Invited with: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison. The band released their debut EP “Cute At Best” Feb. 5, 2019 with Alison Hawkins on guitar, piano, synth, vocals; Mikala Petillo on percussion, bass, guitar, vocals; and with Ross Brown serving as producer & engineer; and Nika Winn providing artwork. This EP began as an unrelated, musical dispute between lovers, but triumphantly became the spunky collaboration of two midwestern “woms” whose passion for playing music nearly exceeds their desire to create it.]

[True Lions play Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, October 9, at 7:00 PM with Fritz Hutchison, and Cadillac Flambé. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming.]

4. Fritz Hutchison – “Fortunate Flaws”
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[1st single released February 21, 2020, from the debut album of Fritz Hutchison. Wild Wild Acres was written and performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Mastered by Collin Jordan at The Boiler Room in Chicago. Multi-instrumentalist Fritz Hutchison was born May 27, 1991. A life-long resident of Kansas City. Since 2008 he’s been part of multiple bands playing drums with: She’s a Keeper, Freight Train Rabbit Killer, and Grand Marquis. As a guitarist he has played along side J Ashley Miller, Lauren Krum, Miki P and Calvin Arsenia. A decade of lending an ear and a hand to the likes of fellow shredders has left Fritz poised to launch his own solo career as a singer-songwriter.“Fortunate Flaws” features Ian Teeple on bass, and Coleen Dieker on strings. All other instruments: drums, guitar, piano and vocals are performed by Fritz Hutchison.]

[Fritz Hutchison plays Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, October 9, at 7:00 PM with True Lions, and Cadillac Flambé. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming.]

5. Krystle Warren & The Crew – “Bein’ Green”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP will be donated to the various causes and organizations. From Billboard.com: Singer-songwriter Krystle Warren has made a powerful statement about the struggle for Black equality with the help of Kermit the Frog’s iconic song “Bein’ Green” (written by Joe Raposo). // The moving five-minute clip, over which Warren sings her rendition of the 1970 song — since recorded by Ray Charles, Frank Sinatra and others — sprang from a covers EP she recorded during the pandemic with a group of musicians known as The Crew. Warren embarked on the project after her forthcoming album with her regular group, The Faculty, was put on hold due to COVID-19. The EP, which tackles themes of racial injustice in the wake of nationwide Black Lives Matter protests this summer, also includes a cover of John Lennon’s “Gimme Some Truth.” // The “Bein’ Green” video weaves in footage of this year’s Black Lives Matter protests, and also includes a heartbreaking montage of young Black children choosing white dolls over dark-skinned ones. It additionally features archival footage of such transformative Black figures as James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson and Al Sharpton, as well as victims of police brutality including Sandra Bland, George Floyd and Eric Garner. It ends with a clip from a speech by civil rights activist Ella Baker. // “‘Bein’ Green,’ it’s such a gorgeous song, and it says so, so much,” says Warren. “I began thinking about what I wanted it to express visually before we started [recording the song]. Essentially — it’s not easy being Black. That’s what Ray Charles was saying, and we felt it needed to be said again.” // Warren, who now resides in Paris, began performing in her native Kansas City at the age of 16 before moving to New York City, where she started busking on the streets and later formed her regular band, The Faculty. She and the group have recorded several full-length albums, including 2009’s Circles, 2012’s Love Songs and 2017’s Three the Hard Way. Her next album is slated for release this winter. // A large percentage of proceeds from sales of the EP — which is available for digital downloads via Warren’s website now and released on all streaming platforms next Friday — will be donated to the ACLU.]

6. Beverly Glenn-Copeland – “La Vita”
from: Transmissions: The Music of Beverly Glenn-Copeland / Transgressive Records / Sept. 25, 2020 [“There are three challenges in my life. The first is being black in a white culture. The second is being transgendered in a hetero-normative culture. The third is being an artist in a business culture” – Glenn-Copeland // Transmissions: The Music of Beverly Glenn-Copeland – A career retrospective release featuring music released over the last 50 years. “La Vita” was first released on Primal Prayer album under the moniker Phynix in 2004. Produced by John Herberman. Mixed by Composers Music Production. Additional vocals on La Vita by Maggie Dace Hollis. Electric Bass on This Side of Grace by Scott Alexander. Recorded at Composers Music Production studio in Toronto, ON. All tracks re-mastered by Guy Davie at Electric Mastering. Artwork of The Raven by Evelyn Wolff. Graphic design and layout by Traianos Pakioufakis. // Born into a family all of whom were very musical, essentially studied the classical piano repertoire from ‘cradlehood,’ listening to his father playing the piano four to five hours a day. He went on to study classical music and then after a few years of concertizing he suddenly felt called to write music that would weave all the different musical cultures he had come to love. // Beverly Glenn-Copeland is a singer and songwriter who was born in Philadelphia, but has spent most of his life and career in Canada. He is a trans man. Glenn-Copeland began publicly identifying as trans in 2002. // In 1961, Glenn-Copeland became one of the first black students to study at McGill University in Montreal. // Glenn-Copeland started his career as a folk singer incorporating jazz, classical, and blues elements. He also performed on albums by Ken Friesen, Bruce Cockburn, Gene Murtynec, Bob Disalle, and Kathryn Moses, and was a writer on Sesame Street. He spent twenty-five years entertaining children as a regular actor on Canadian children’s television show Mr. Dressup. // His 1986 electronic album, Keyboard Fantasies, recorded using equipment including a Yamaha DX7 and a Roland TR-707, was rediscovered and given further attention in the 2010s. Before his gender transition was made public, the album was selected as one of the 70 greatest recordings by women by The Stranger. Keyboard Fantasies: The Beverly Glenn-Copeland Story, a documentary directed by Posy Dixon, was released in 2019. // Planned 2020 international tours to Australia, the United Kingdom, and other European destinations were re-scheduled to 2021 due to the COVID-19 pandemic. A fundraising campaign was then started to help Glenn-Copeland and his wife after the loss of their house that resulted from these changes; the campaign raised over $90,000.00.]

10:25 – Underwriting

7. Ondist – “Die A Little”
from: “Die A Little” – Single / Bikiniwax Records / October 2, 2020
[Latest musical release from the band Ondist. This song will be on their upcoming full length album. So far, this year, Ondist has released two full length albums, No Coincidence on June 12, and Electricity on August 14, and their third full length release is coming in November. Ondist is Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and NYC, the trio connected in Los Angeles. Recording in Malibu, Dallas, KC, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Several tracks for all three albums were recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, and Jillian Riscoe on vocals. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.]

8. Ondist – “Gather Up The World”
from: No Coincidence / Bikiniwax Records / June 12, 2020
[So far, this year, Ondist has released two full length albums, No Coincidence on June 12, and Electricity on August 14, and their third full length release is coming in November. Ondist is Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. Recording in Malibu, Dallas, Kansas City, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Several of the tracks for all three albums were recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, and Jillian Riscoe on vocals. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.]

Maya Coppola of Ondist

10:33 – Interview with Maya Coppola

Maya Coppola is a singer, songwriter, musician and producer with the band Ondist. We just heard her singing lead on “Gather Up The World” and the new single “Die a Little” So far, Ondist has released two full length albums, No Coincidence on June 12, and Electricity on August 14, and “Die a Little” will be part of their third album release in November. Ondist is Corbin Dooley, Nick Poortman, and Maya Coppola. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. Recording in Malibu, Dallas, KC, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Several of the tracks for all three albums were recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, and Jillian Riscoe on vocals.

Maya Coppola, Thank you for being with us on Wednesday MidDay Medley.

The members of Ondist Corbin Dooley, Nick Poortman, and Maya Coppola originate from Arkansas, New Zealand, and New York, but you all got together in Los Angeles. How did the band form?

The album, No Coincidence was released on June 12, and Electricity on August 14, and with a third album release in November. Most bands put out a new album once a yar or once every two years, was it the pandemic of COVID-19 and the closing of music venues that had anyting to do with releasing so many new recordings in one year?

Ondist recorded music in sessions in Malibu, Dallas, Kansas City, and Las Vegas, as the band writes to bring “environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope.”

Kansas City based drummer, producer and engineer Sam Platt told us about how he grew up in Carthage Missouri where Corbin Dooley would visit during summers, staying with is grandparents. Sam explained that recently Corbin with Ondist has been traveling around the country, recording songs.

Corbin asked Sam to put a band together for some Kansas City sessions. It was such a success that Corbin has been back twice to record. Corbin flew in producer Nadir Omawale from Detroit and Luke John from Memphis. Recordings took place at Weights and Measures with Duane Trower. For this track: Claire Adams on lead vocals, Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar. Sam Platt told us that over 20 songs were recorded, 14 originals, 6 covers. Corbin Dooley narrowed down a few for Claire Adams to sing. And with vocalist Jillian Riscoe.

From these recordings and others 14 songs ended up on No Coincidence. Sam Platt flew to LA to record and played on tracks with Nick Gaffeney a drummer from New Zealand. Sam said the rest of the albums sounds like it mostly features the Kansas City musicians, or played/programmed by Corbin, Nick and Maya.

Maya Coppola grew up as one of five children in Long Island, New York. Coppola’s family was headed by her African-American mother and Italian father, did not fit in, and she and her family were picked on. Her mother, a teacher, was the primary income earner, while her carpenter father was often out of work and refused to earn an income from his art.

Coppola grew up surrounded by music, as her father is a jazz musician, her mother plays bass, and all of her siblings are musicians as well. Including hwer sister recording artist and actress Imani Coppola.

Maya Love Coppola released her soulful solo debut album, How Coyote Stole Fire, on September 18, 2012. It was produced by fellow multi-instrumentalist Robert “Chicken” Burke (The Duke & the King). On this debut album she mixes classic pop melodicism, slippery funk, and edgy rock, weaving tales borne of hard-won experience, as a lover, a beloved, and citizen of a world given to both beauty and chaos. Coppola’s remarkably versatile voice is whisper-soft one moment, confiding and tender, then brazen and dizzyingly powerful the next, elemental like the “Summer Wind” she sings of in the first track, carrying listeners to a distant shore, a boudoir, or the dance floor. Through it all, she and Burke wrap everything in uncommonly lush harmony, part Beach Boys, part P-Funk All Stars.

Although this was her solo debut, Maya Love Coppola had been working toward “How Coyote Stole Fire” for quite some time.

Born into a hyper-musical family of six kids, all whom play at least one instrument (Maya plays guitar, piano, and cello), she grew up biracial (black mom, Italian dad) and poor in a Long Island town with its own KKK chapter. As her middle name suggests, when faced with cruelty, she says she learned to “kill ‘em with kindness.”

Before long she made her way to NYC clubs The Village Gate, Tatou, and many others, singing everything from jazz standards to Abba, fronting bands Wish and Elemental, making ends meet by waitressing and modeling.

Marriage and motherhood took her to Woodstock, NY, where Coppola divorced and devoted time to raising a daughter and designing jewelry, recording songs along the way.

Nothing clicked musically until she aligned with producer Robert “Chicken” Burke, of The Duke & The King, Toshi Reagon, and many others. After producing The Duke & The King’s 2009 CD Nothing Gold Can Stay (“the most tasteful record of the year,” The Guardian) Chicken’s skills were ripe for the picking and he and Coppola, with a little help from P-Funk’s Michael “Clip” Payne, crafted a sonic adventure packed into eight cuts,
an old-school album with an arc, but grounded in radio-ready songs rife with fun, celebration, experience, and most of all, love.

Maya Coppola is also the owner of Jewels By Maya.

Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.

Maya Coppola, Thank you for being with us on Wednesday MidDay Medley.

The newest Ondist release, their single, “Die a Little” will be part of their third album release in November. Ondist released the album, No Coincidence on June 12, and Electricity. Ondist is Corbin Dooley, Nick Poortman, and Maya Coppola. More info at http://www.ondistmusic.com

10:50

9. Ondist – “So Fragile”
from: Electricity / Bikiniwax Records / June 12, 2020
[This year, Ondist has released two albums, No Coincidence on June 12, and Electricity on Aug. 14, and their third album is coming in November. Ondist is Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. Recording in Malibu, Dallas, Kansas City, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Several of the tracks for all three albums were recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, Jillian Riscoe on vocals. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.]

10. The Greeting Committee – “This is It”
from: Greenline Grows KC-Benefit for The Greenline Initiative / Una Walkenhorst / 10-2-2020
[On Friday, August 28, 2020 The Greeting Committee played live for the Greenline Grows KC – A Benefit for The Greenline Initiative, that streamed LIVE on Facebook & YouTube with: Radkey Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro. This was rom that night. The Greeting Committee released their critically acclaimed EP, I’m Afraid I’m Not Angry on Harvest Records on October 17, 2019. Formed in KC in 2015 with Addie Sartino, Brandon Yangmi, Austin Fraser, & Pierce Turcotte. I’m Afraid I’m Not Angry was a follow up to their Oct. 26, 2018 full length release “This Is It.” The band released the EP “Meeting People is Easy” in 2017, and “It’s Not All That Bad” in 2015.]

11. The Get Up Kids – “Brakelines”
from: Problems / Polyvinyl Record Co / May 10, 2019
[KC / Lawrence KS based band with Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams. On their new album Problems—their first full-length in eight years—The Get Up Kids examine everything from life-changing loss to loneliness to the inevitable anxiety of existing in 2019. But by sustaining the essence of their sound—anthemic choruses with sing-along-ready melodies—the band highlights those troubles as a shared experience, giving way to an unbreakable solidarity. And at the heart of Problems is an invaluable element the band’s embodied since their 1997 debut Four Minute Mile: a penetrating lyricism that’s both acutely introspective and indelibly resonant. // The follow-up to 2018’s Kicker EP, Problems came to life in Bridgeport, Connecticut, with the band holing up together for a three-week span. Working with Grammy Award-winning producer Peter Katis, The Get Up Kids took a characteristically riff-driven yet decidedly pop-minded approach to song structure, while also allowing themselves a new sense of creative freedom. “At one point with this band, if we came up with something that felt too much like when we first started out, we would’ve said, ‘No, we can’t do that anymore,’” says Pryor. “These days we’ve learned how to write without roadblocking the ideas that come naturally to us.” // Kicking off with lead single “Satellite,” Problems opens on a stark arrangement of acoustic guitar and stripped-bare vocals, then bursts into brightly crashing rhythms and lyrics revealing the time-bending quality of The Get Up Kids’ songwriting. “I started writing ‘Satellite’ about my son who’s 14 and a total introvert—not antisocial, he just genuinely likes to keep to himself,” says Pryor. “But then somewhere down the line I started singing about myself—about how even when you’re playing a show to a room full of people, I can still feel anxious and isolated.” // Throughout Problems, The Get Up Kids again prove themselves attuned to the nuance of highly specific emotions, and ultimately validate the messiest and most nebulous of feelings. On the joyfully swinging, piano-heavy “The Problem Is Me,” for instance, the band explores the notion of embracing your own romantic dysfunction, while “Salina” captures a small moment of melancholy with sweeping intensity and sprawling guitar work. Later, on “Your Ghost Is Gone,” The Get Up Kids deliver a gently devastating piano ballad sparked from an instrumental piece Dewees wrote soon after his mother’s death. // Through the years, The Get Up Kids have purposely pushed themselves toward previously unexplored songwriting material. “I’m 41 now, I could never write a song like when I was 19—all those ‘I miss my girlfriend’ kind of songs,” Suptic says. “It’s always important to us to write about wherever we are right now.” As shown on Problems, the resulting output both preserves the beloved spirit of The Get Up Kids and creates an entirely new context for their music.]

[The Get Up Kids play Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Fri, Oct. 10, at 7:00 PM for a recordBar fundraiser. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership w/ recordBar, Voltaire, and Moxie Catering.]

11:00 – Station ID

Martinez Hillard, Daniel Miller, and Nathan “Geese” Giesecke of EBONY TUSKS on the February 19, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

12. Ebony Tusks – “Bloodletting”
from: Heal Thyself / High Dive Records / November 6, 2020
[All songs written and performed by Ebony Tusks unless otherwise noted. // All Songs engineered and mixed by George Henry Valyer IV at Rundown Studios in Topeka, Kansas and MalaMUTE Studios in East Lawrence, Kansas. Assistance provided by Nico Williams and Claire Kuner. // Conny Franko’s vocals on “You Runner” engineered by Keith Rodger and Rick Carson at Make Believe Studios in Omaha, Nebraska. // IK’s vocals on “Gang Signs” engineered by Derek Montgomery. // Stik Figa’s vocals on “Hell Above Or Here Below” engineered by Sean Patrick at Twelves Studios in Forth Worth, Texas. // Cello on “Heir Apparent” written and performed by Brail Watson. Rhodes and Moog on “Heir Apparent” written and performed by Daniel Bowersox. // All Songs mastered by Mike Nolte at Eureka Mastering in Portland, Oregon. // Album cover art by Justin Bergin. Album cover photography by Rachel Lock. Album layout by Martinez Hillard. // Album insert photography by Ailecia Ruscin and LeRoy Pristach. // Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, and Marty are three people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

Martinez Hillard and Daniel B Smith of Ebony Tusks on the October 7, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:04 – Interview with Martinez Hillard and Daniel Smith

Martinez Hillard and Daniel Smith two of the members of the Lawrence/Topeka, Kansas based hip hop trio, EBONY TUSKS, join us live in our 90.1 FM studios to share details about their debut full length album, Heal Thyself to be released on High Dive Records on November 6, 2020. The album will be available on limited edition oxblood and bone vinyl as well as standard black vinyl in an amazing gatefold jacket with a full color insert. Intelligent Sound will also be offering the album on cassette. Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. More info at: ww.highdiverecords.com

Martinez Hillard and Daniel Smith, thanks for being with us on WMM.

You all were last on the show back on February 19, 2020 when we featured the releaseof your single HDF released February 7, 2020. That seems like a lifetime ago.

Originally the album was going to follow the single, with a Spring release, but it is now Fall, can you share some of the challenges of releasing a new album during a pandemic?

Their upcoming album, Heal Thyself will be released soon on High Dive Records on vinyl and Intelligent Sound on cassette.

From Live From The Underground / Vivid Seats recently wrote in a piece published February 7, 2020, saying: “EBONY TUSKS is dynamic underground hip-hop trio focused on the conscious, lyric-heavy side of the genre, EBONY TUSKS appeared with dozens of leading underground acts throughout the 2010s. Now, they’re ready to take the next step. With newly released music hitting the web just minutes ago, EBONY TUSKS spoke with Vivid Seats about “HDF,” the state of hip-hop and their plans to conquer the new decade.

Martinez Hillard told Vivid Seats: “ I began EBONY TUSKS in 2009 after a difficult period that summer. I was living in the student ghetto near the University of Kansas in Lawrence. It was an eerily calm Friday night and I didn’t have any plans after work so I crashed. I woke up shortly after 9:00 pm because my door was being kicked in. I was beaten and robbed at gunpoint. Thankfully, two of my neighbors were close friends and called the police immediately. I had nightmares for years afterward that included many symbols I’ve come to associate with various religious practices. I also began writing raps for the first time in over a decade. I was working with a couple producers and we had our first show at a house venue called Pizza Power in October 2010. Both Daniel and Geese came into the fold within a couple years of that show.”

Daniel Smith lives in Lawrence, Kansas. He was born in Berkeley California. He moved to Lawrence when he was a child. Hs father is a Professor at The University of Kansas. Daniel works the United Way of Douglass County. He helps to provide after school job-training programs for under-served youth.

Nathan “Geese” Giesecke grew up in Olathe but now lives and works in Kansas City, MO. He was friends with Calvin Arsenia in High School. Geese works as a producer as GEESACE. He makes beats and you can find his music at http://soundcloud.com/geesace Nathan is also a lighting designer who jumped on stage to do back up vocals for Marty and ended up being in the band.

Martinez Hillard is the main vocalist and lyricist for EBONY TUSKS. He raps under the moniker Bodye, (pronounced “body”). He also produces beats. Martinez lives in the Old Town neighborhood in downtown Topeka with wife and 5 year old daughter. Martinez was part of the super group Cowboy Indian Bear. Martinez was recently elected to serve as a board member for Friends of the Library for Topeka & Shawnee County Public Library

At Marty told Johnson County Library, in a piece published April 27, 2018: “ It was a project I started with other producers back in 2010. I asked Daniel to DJ for me sometime in 2011-2012 and Geese joined not too far behind him. Daniel and I had become fast friends when I lived in Lawrence and he was the nicest, most easygoing DJ of the handful I knew. He made our shows a lot less stressful. Geese was and is a lighting technician for a number of our friends’ projects and that was how I made acquaintance with him, seeing him work for a band and asking if he’d do lights for an EBONY TUSKS concert. He eventually asked if he could be hypeman for us and he brought an new intensity.”

EBONY TUSKS have been a band for over 11 years making hip hop in the Lawrence scene that includes Approach, Stik Figa, Heartfelt Anarchy, and Archetype are just a small fraction. With that said, the three of us are always having conversations about how other genres influence us personally. Post-rock, post-hardcore, industrial, indie rock, and electronic all factor in. Our tastes evolve naturally and we follow accordingly.

Since the three members of EBONY TUSKS live in three separate cities: Kansas City, Lawrence and Topeka early on, they created a Dropbox folder to share demos with one another. And as they told Vivid Seat: “It also gave us a bit of language to use in building sounds independent of one another.”

Heal Thyself on High Dive Records will be released on Nov. 6, 2020. All songs written and performed by Ebony Tusks unless otherwise noted. // All Songs engineered and mixed by George Henry Valyer IV at Rundown Studios in Topeka, Kansas and MalaMUTE Studios in East Lawrence, Kansas. Assistance provided by Nico Williams and Claire Kuner.

Conny Franko’s vocals on “You Runner” engineered by Keith Rodger and Rick Carson at Make Believe Studios in Omaha, Nebraska.

IK’s vocals on “Gang Signs” engineered by Derek Montgomery.

Stik Figa’s vocals on “Hell Above Or Here Below” engineered by Sean Patrick at Twelves Studios in Forth Worth, Texas.
Cello on “Heir Apparent” written and performed by Brail Watson. Rhodes and Moog on “Heir Apparent” written and performed by Daniel Bowersox.

All Songs mastered by Mike Nolte at Eureka Mastering in Portland, Oregon. Album cover art by Justin Bergin. Album cover photography by Rachel Lock. Album layout by Martinez Hillard. Album insert photography by Ailecia Ruscin and LeRoy Pristach.

EBONY TUSKS, are getting set to release their debut full length album, Heal Thyself on High Dive Records on November 6, 2020. The album will be available on limited edition oxblood and bone vinyl as well as standard black vinyl in an amazing gatefold jacket with a full color insert. Intelligent Sound will also be offering the album on cassette. Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. More info at: ww.highdiverecords.com

11:15

13. Ebony Tusks – “Schuyler”
from: Heal Thyself / High Dive Records / November 6, 2020
[All songs written and performed by Ebony Tusks unless otherwise noted. // All Songs engineered and mixed by George Henry Valyer IV at Rundown Studios in Topeka, Kansas and MalaMUTE Studios in East Lawrence, Kansas. Assistance provided by Nico Williams and Claire Kuner. // Conny Franko’s vocals on “You Runner” engineered by Keith Rodger and Rick Carson at Make Believe Studios in Omaha, Nebraska. // IK’s vocals on “Gang Signs” engineered by Derek Montgomery. // Stik Figa’s vocals on “Hell Above Or Here Below” engineered by Sean Patrick at Twelves Studios in Forth Worth, Texas. // Cello on “Heir Apparent” written and performed by Brail Watson. Rhodes and Moog on “Heir Apparent” written and performed by Daniel Bowersox. // All Songs mastered by Mike Nolte at Eureka Mastering in Portland, Oregon. // Album cover art by Justin Bergin. Album cover photography by Rachel Lock. Album layout by Martinez Hillard. // Album insert photography by Ailecia Ruscin and LeRoy Pristach. // Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production.]

11:18 – Interview with Martinez Hillard and Daniel Smith

Martinez Hillard and Daniel Smith two of the members of the Lawrence/Topeka, Kansas based hip hop trio, EBONY TUSKS, who join us live in our 90.1 FM studios to share details about their debut full length album, Heal Thyself to be released on High Dive Records on November 6, 2020. The album will be available on limited edition oxblood and bone vinyl as well as standard black vinyl in an amazing gatefold jacket with a full color insert. Intelligent Sound will also be offering the album on cassette. More info at: ww.highdiverecords.com

Martinez Hillard and Daniel Smith, thanks for being with us on WMM.
Martinez Hillard was part of the popular band Cowboy Indian Bear (2008-2014). Cowboy Indian Bear was formed as a trio in 2008 with Beau Bruns, Martinez Hilliard and CJ Calhoun. They started practicing in Joshua Browning’s church/studio in Williamstown, KS. They were three dudes who had just moved from their hometown of Topeka to, what in our eyes, was our very own local music mecca: Lawrence, KS. We were flush with plans and ideas for our music. Over the course of almost six years, the three of us, along with Katlyn Conroy who joined the band in 2010, and Danny Bowersox, who came in to the band in 2013 worked hard and were able to accomplish so much.

Martinez Hillard started Ebony Tusks. Danny Bowersox helped form the band Spirit is the Spirit. Katlyn Conroy has released multiple EPs and Album releases as La Guerre. CJ Calhoun created the musical project Bonzo Madrid.

Fally Afani wrote in the October 14, 2014 edition of I heart Local Music: “Watching CJ Calhoun, Marty Hillard, Katlyn Conroy, and Beau Bruns single-handedly transform the attitude in the scene may have been the biggest gift the (mostly) Topeka transplants brought to Lawrence. At a time when the scene was hostile, frigid, and cliquey, Cowboy Indian Bear put on their best manners and welcomed everyone with open arms. Often times at shows early in their careers, they greeted every single patron who walked through their door. // That attitude was infectious, and you can bet it spread across the Lawrence music scene. // One by one, we saw more bands associated with this act change their behavior. This allowed more music fans to feel at ease, and actually feel drawn to live shows. Once audiences felt a welcoming atmosphere at Cowboy Indian Bear’s shows, they eventually shared the sentiment with other bands.”

Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others.

Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, and Marty are three people from the Midwest who take pleasure in the mutations of sound available in the least expected places

Heal Thyself was tracked and mixed from January 2016 – May 2019 by George Henry Valyer IV at Rundown Studios in Topeka, KS and MalaMUTE Studios in East Lawrence, KS. It was mastered in July 2019 by Mike Nolte at Eureka Mastering in Portland, OR.

The album cover was created by Justin Bergin and shot by Rachel Lock. The layout was created by Marty Hillard with assistance from Tanner Spreer. Insert photos were shot by LeRoy Pristach and Ailecia Ruscin.

The official video for “Bloodletting” released October 2, 2020 is now available on Instagram, YouTube, Facebook, and Twitter courtesy of Austin Glassco.

Bloodletting written and performed by EBONY TUSKS. Video created by Austin Glassco.

Engineered and mixed by George Henry Valyer IV at Rundown Studios in Topeka, Kansas.
Mastered by Mike Nolte at Eureka Mastering, Portland, Oregon.
High Dive Records / Intelligent Sound©️. All rights reserved.

“Bloodletting” lyrics:

I’m well acquainted with harbored resentment / the bitter feelings inaudibly rendered / through gritted teeth we’ve been volatile, indiscreet in our comments / is this release or an audit of weapons? / mother in heaven knows I once kept an arsenal in me / cannon fixed and aimed at those who so often would tempt me / best believe I was a beast with it, awful and petty / bleed for an audience just to feed all this bottomless envy / and I felt it in my core from rock bottom to ceiling / knew when to quit but didn’t know just what stopping would mean / a light I withheld when I was supposed to be conscious, a beacon / I was supposed to have conquered these demons / you were supposed to see G-d in this heathen / most days I can’t even argue with reason / but a part of me has flown away in departure for kingdom

head down to the feet, right? / head down to the feet, right?
around here, that’s what you call that / around here, that’s what you call that (repeat)

am I to be a vessel? Am I to lead discussion? / am I to cauterize the wound? am I to leave it ruptured? / am I considered damaged goods not having been discovered / at the bottom of a dream deferred and cavernous in hunger? / am I to plummet farther? am I my father’s witness? / am I the courage in his blood, a prophecy delivered? / am I believed to be an author if the script was written / long before the moment I felt chosen for the mission given?

head down to the feet, right? / head down to the feet, right?
around here, that’s what you call that / around here, that’s what you call that (repeat)

Chris Hagirian of Eight On Sixty on 90.1 The Bridge wrote:

“I’ve never heard music that has made me feel so many contrasting things at the same time. The music and the sound beneath it are overwhelming on an all-new level. It’s like audio vertigo, in the best of ways, with blasts of sound flying at you from every angle. The loudness of the music and resonance of the lyrics truthfully replicates their powerful live performance in a way I could have never predicted. The message in the songs fills you with rage and at the same time overwhelms you nearly to tears.

This is hard-listening music with no apology and like so much great art, Heal Thyself is hard to digest. Ebony Tusks has given us a piece of transposing art, music that we need right now, as hard-working people struggle and fight for what’s right and elected officials sit back and let the country burn.

Listen to Bloodletting. In one breath you’ll want to burn something down and in another, you’ll want to hug everyone you’ve ever met. Thank you to Martinez, Geese and Daniel for this gift, and cheers to High Dive Records for putting it out. “

Martinez Hillard and Daniel Smith, thanks for being with us on WMM.

EBONY TUSKS, are getting set to release their debut full length album, Heal Thyself on High Dive Records on November 6, 2020. The album will be available on limited edition oxblood and bone vinyl as well as standard black vinyl in an amazing gatefold jacket with a full color insert. Intelligent Sound will also be offering the album on cassette. Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. More info at: ww.highdiverecords.com

11:25

14. Ebony Tusks – “Chuck Ds”
from: Heal Thyself / High Dive Records / November 6, 2020
[All songs written and performed by Ebony Tusks unless otherwise noted. // All Songs engineered and mixed by George Henry Valyer IV at Rundown Studios in Topeka, Kansas and MalaMUTE Studios in East Lawrence, Kansas. Assistance provided by Nico Williams and Claire Kuner. // Conny Franko’s vocals on “You Runner” engineered by Keith Rodger and Rick Carson at Make Believe Studios in Omaha, Nebraska. // IK’s vocals on “Gang Signs” engineered by Derek Montgomery. // Stik Figa’s vocals on “Hell Above Or Here Below” engineered by Sean Patrick at Twelves Studios in Forth Worth, Texas. // Cello on “Heir Apparent” written and performed by Brail Watson. Rhodes and Moog on “Heir Apparent” written and performed by Daniel Bowersox. // All Songs mastered by Mike Nolte at Eureka Mastering in Portland, Oregon. // Album cover art by Justin Bergin. Album cover photography by Rachel Lock. Album layout by Martinez Hillard. // Album insert photography by Ailecia Ruscin and LeRoy Pristach. // Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production.]

11:28 – Underwriting

15. Page 7 – “Not A Free Country”
from: Rise Up – EP / Page 7 / October 6, 2020
[Page 7. The band was formed in 2014. They are a Lawrence, Kansas based reggae, ska, soul rocksteady band with Joe Sears on lead vocals; Ryan “Rhyno” Hensley on drums; Anthony Case on bass, and backing vocals; Mike MacFarland on guitar & backing vocals; Brad Eldridge on keyboards; Chris Leopold on trumpet, and backing vocals; Dan Pem on saxophone, and backing vocals; and Mike Walker on trombone, and backing vocals. Earlier this year the band released their 7-song EP The Call, on May 26, and the single “Connectivity,” on April 10. More info at: https://page7reggae.wixsite.com%5D

Joe Sears of Page 7

11:34 – Interview with Joe Sears

Joe Sears is lead singer of the Lawrence, Kansas reggae, ska, soul rocksteady band, Page 7. The band was formed in 2014 and also includes: Ryan Hensley, Mike McFarland, Mike Walker, Brad Eldridge, Dan Pem Chris Leopold and Anthony Case. Page 7 just released their new 3-song EP Rise Up, on October 6, 2020. Earlier this year the band released their 7-song EP The Call, on May 26, and the single “Connectivity,” on April 10. More info at: https://page7reggae.wixsite.com

Joe Sears Thank you for being with us on Wednesday MidDay Medley

“Not A Free Country”
“Rise Up”
“Right Side”

Page 7 was formed in Lawrence, Kansas in 2014

Joe Sears on lead vocals
Ryan “Rhyno” Hensley on drums;
Anthony Case on bass, and backing vocals;
Mike MacFarland on guitar & backing vocals;
Brad Eldridge on keyboards; Chris Leopold on trumpet, and backing vocals;
Dan Pem on saxophone, and backing vocals;
Mike Walker on trombone, and backing vocals.

Earlier this year the band released their 7-song EP The Call, on May 26, and the single “Connectivity,” on April 10.

Joe Sears is a Montessori Guide at Raintree Montessori School in Lawrence, Kansas

Joe Sears was a Substitute Teacher at Maplewood Richmond Heights School District in St. Louis, starting in August 6, 1996 until Present

Joe Sears was a Therapist Aide at St. Louis Children’s Hospital, starting in August 6, 1995

In reporting about Page 7 performing at Live on Mass for I Heart Local Music, Fally Afani wrote: “Page 7, however, ultimately brought the party thanks to their infectious energy and genre-spanning sound. With Page 7, you get a little soul, a little funk, and everything in between. Though they touch on several genres, it’s when they dive into ska that they’re at their best, likely because this is one of the finest horn sections in the area. They’re subtle, smooth, and simply sublime (a perfect blend for any mid-Summer street party).”

In a few minutes we are gong to play: “Rise Up” and “Right Side”

Joe Sears Thank you for being with us on Wednesday MidDay Medley

The Lawrence, Kansas reggae, ska, soul rocksteady band, Page 7 have just released their new 3-song EP Rise Up, on October 6, 2020. More info at: https://page7reggae.wixsite.com

11:47

16. Page 7 – “Rise Up”
from: Rise Up – EP / Page 7 / October 6, 2020
[Page 7. The band was formed in 2014. They are a Lawrence, Kansas based reggae, ska, soul rocksteady band with Joe Sears on lead vocals; Ryan “Rhyno” Hensley on drums; Anthony Case on bass, and backing vocals; Mike MacFarland on guitar & backing vocals; Brad Eldridge on keyboards; Chris Leopold on trumpet, and backing vocals; Dan Pem on saxophone, and backing vocals; and Mike Walker on trombone, and backing vocals. Earlier this year the band released their 7-song EP The Call, on May 26, and the single “Connectivity,” on April 10. More info at: https://page7reggae.wixsite.com%5D

17. Page 7 – “The Right Side”
from: Rise Up – EP / Page 7 / October 6, 2020
[Page 7. The band was formed in 2014. They are a Lawrence, Kansas based reggae, ska, soul rocksteady band with Joe Sears on lead vocals; Ryan “Rhyno” Hensley on drums; Anthony Case on bass, and backing vocals; Mike MacFarland on guitar & backing vocals; Brad Eldridge on keyboards; Chris Leopold on trumpet, and backing vocals; Dan Pem on saxophone, and backing vocals; and Mike Walker on trombone, and backing vocals. Earlier this year the band released their 7-song EP The Call, on May 26, and the single “Connectivity,” on April 10. More info at: https://page7reggae.wixsite.com%5D.%5D

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, Oct. 14, we talk with Mike McCoy of Cher UK and Mike McCoy’s Trompe-l’œil . Mike McCoy will be performing live for a Cher UK 30th Anniversary Show with Dan Jones and the Squids and Schwervon. Friday, October 16 at Lemonade Park. Also next week we welcome Calvin Arsenia who joins us to talk about “Summer in Hindsight” The West 18th Street Fashion Show Film premiering Friday, October 16 at the BLVD Drive In.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #858

WMM presents Kianna & Jared White + Jocelyn Nixin + Jenna Rae + Max James

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 30, 2020

Kianna White, Jared White & Jocelyn Olivia Nixin
+ Max James & The Sound of Kansas City +
Jenna Rae & Unfit Wives

Mark plays New & MidCoastal Releases from: The Freedom Affair, Shy Boys, Heart Machine, Kianna White, Berwanger, Flutienastiness, Unfit Wives, Lee Walter Redding, The Creepy Jingles, Yes You Are, Calvin Arsenia, Quite Frankly, Tilly and The Wall, Anjimile, and The Shins.

Kianna White

At 10:30 Kianna White, Jared White and Jocelyn Olivia Nixin join us to share details about their upcoming concert, Friday, October 2, at 7:00 PM with Nathan Corsi Band and DJ Stevie Cruz, at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. We’ll talk with Jocelyn Olivia Nixin about her band The Creepy Jingles and we’ll talk with Kianna & Jared White about their band Yes You Are and Kianna’s new solo single, “Homecoming Queen,” released last Friday, with a new video that she filmed, edited and conceived and created on iPhone 7, iMovie on MacBook Air with a little help from Snapchat, an oscillating fan and a flashlight.

Unfit Wives: Kahlen Mitchell on upright bass & vocals, Monica Greenwood on mandolin & vocals, Shannon O’Shea on fiddle & vocals, and Jenna Rae on guitar & vocals

At 11:00 Jenna Rae joins us to share details about Unfit Wives who play a Parking Lot Show with Ryan Manuel, and Tyler Gregory, Saturday, October 10, at 7:00 PM, at Theatre Lawrence, 4660 Bauer Farm Drive, Lawrence Kansas, presented by I Heart Local Music and Theatre Lawrence for a socially distanced drive-in concert at the Theatre Lawrence parking lot where Unfit Wives will bring their hard-driving bluegrass originals with hot licks, lyrics, and feisty four-part harmonies. Unfit Wives are: Jenna Rae on guitar & vocals, Shannon O’Shea on fiddle & vocals, Monica Greenwood on mandolin & vocals, and Kahlen Mitchell on upright bass & vocals. More info at http://www.unfitwives.com and http://www.thelostcowgirl.com

At 11:30 Max James talks about The Sound of Kansas City, Sunday, October 18, Noon to 10:00 PM, A Socially Distant Concert, on the SE Lawn of the National WWI Museum and Memorial, 2 Memorial Drive, KCMO, featuring: Calvin Arsenia, Back Alley Brass Band, Larsen, The Way Way Back, What A Wreck, Flutienastiness, Attic Light, and Emma Jo. DJs Ashton Martin, Maxx Grüv, Nick Davis, Danny Maloney, Dawna K, DJ Alex Reed, and DJ Stoww will be spinning tracks between each band set. Sound of KC is a socially-distanced festival, where your ticket gives you and three friends a 10’x10′ space to relax and listen to some of Kansas City’s finest performers. More information at: https://www.eventbrite.com/e/the-sound-of-kansas-city-tickets-119337159657?aff=ebdssbeac&fbclid=IwAR3vrv-ad1cu77plLb1aTNhPGHkXlWaqgSSLlGZwpR1WwaDOVYEyd1sWCo8

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #857

WMM Playlist from Sept. 23, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 23, 2020

Krystle Warren and The Crew
+ Eddie Moore and We The People

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM theme]

2. Grand Marquis – “I Can’t Put You Down” [Vinyl]
from: “I Can’t Put You Down” – Single (Side A) / Teenage Heart Records / 2019
[Producer: Johnny Starke. From Teenage Heart Records: The story of Antwaine Ashcraft, better known as the singer Tony Ashley, is one full of heartbreak and sadness. A Kansas City musician who was on the verge of real success and then shot dead in his prime. Tony’s legacy has been kept alive through the very few records he released in his lifetime, one of them being the highly sought after deep soul heavy “I’ll Go Crazy” Decca # 732520, and another which was comped by Chicago’s Numero Group on their Forte Records retrospective. His talent is undeniable and his songs are unforgettable, how much music would he have brought into this world had he lived… we can only imagine. // The Grand Marquis have been a band for more than twenty years, which at this point makes them a Kansas City institution. With a history of creating some of the regions best Jazz, Blues, and Roots music… it only makes sense that they dip their musical toe into the deep waters of Soul music. Once discovering Tony Ashley and his story, they jumped at the chance to honor his memory by recording a few of his songs and breathing new life into a forgotten time in Kansas City’s rich history. // This release pays tribute to the sweet Soul ballad “I Can’t Put You Down” on the A side, and the Funk banger “I’ll Never Be Satisfied” on the B side. Both songs are beautiful and do Mr. Ashley justice while keeping that Grand Marquis Kansas City Roots vibe in full swing! // To kick this whole project off Teenage Heart Records reached out to Tony Ashley’s family and asked if we could raise money to continue his legacy. When the family thought about how they would like to honor Tony they asked if we could raise funds and awareness for the school that Tony and his brother Bernard went to as youths, we were honored to be able to help. // Lincoln Public School was founded in 1871 and had 130 black students in attendance at the time. Over the years it grew to be one of the largest all black schools in the region operating during segregation. The school itself was integrated in 1955 and then slowly fell into disrepair and eventually closed in 1966… the building was unfortunately torn down shortly after. Lincoln Public School Committee is attempting to raise funds so they may build a memorial to the school, the incredible faculty, and all of the students who attended. // All profits from this release will go to the Lincoln Public School Committee.]

[Grand Marquis play live on Saturday, Sept. 26, 2020, 7:00 PM with Victor & Penny and Their Loose Change Orchestra at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. ]

3. Anjimile – “In Your Eyes”
from: Giver Taker / Father/Daughter Records / September 18, 2020
[Queer & trans songmaker / boy king // On Giver Taker, the gorgeous debut album by Anjimile, death and life are always entwined, wrapping around each other in a dance of reverence, reciprocity, and, ultimately, rebirth. // Giver Taker is confident, intentional and introspective. Anjimile Chithambo (they/them, he/him) wrote much of the album while in treatment for drug and alcohol abuse, as well as while in the process of living more fully as a nonbinary trans person. Loss hovers over the album, whose songs grieve for lost friends (“Giver Taker”) and family members (“1978”) along with lost selves (“Maker,” “Baby No More,” “In Your Eyes.”) But here, grief yields an opening: a chance for new growth. “A lot of the album was written when I was literally in the process of improving my mental health, so there’s a lot of hopefulness and wonder at the fact that I was able to survive,” says Chithambo. “Not only survive but restart my life and work towards becoming the person I was meant to be.” // Each song on the album is its own micro-journey, adding up to a transformative epic cycle created in collaboration with bandmate Justine Bowe of Photocomfort and New-York based artist/producer Gabe Goodman. “1978” and “Maker” both begin as Sufjan Stevens-esque pastoral ballads with Chithambo’s mesmerizing voice. foregrounded against minimal instrumentation and swell into the realm of the majestic through the addition of warm, steady instrumentation (informed by the mix of 80’s pop and African music Chithambo’s Malawi-born parents played around the house) and harmonies by Bowe. “In Your Eyes” starts out hushed and builds to a crescendo via a mighty chorus inspired by none other than The Lion King. The allusion is fitting: each song encapsulates a heroic voyage, walked alone until accompanied by kindred souls. The choirs present throughout are equally deliberate. Chithambo grew up as a choir boy himself, and several songs (notably “Maker”) grasp not only towards reconciliation between his trans identity and his parents’ strong religious beliefs, but towards reclaiming his trans identity as an essential part of his own spirituality. (“[Less] Judeo-Christian, more ‘Colors of the Wind.’”) There is a boldness to this borrowing and shaping, a resoluteness that results from passing through hardship and emerging brighter, steadier. As a closing refrain on “To Meet You There” might sum it up: “Catalyst light of mine / now is your time.” // Giver Taker was recorded in Brooklyn, Boston, and New Hampshire by Goodman, thanks in part to the Live Arts Boston Grant by the Boston Foundation. All songs written by Anjimile Chithambo. Produced by Gabe Goodman & Justine BoweEngineered by Gabe Goodman. Additional engineering by Will G. Radin . Mixed by Will G. Radin
Mastered by Joe Lambert]

4. New Order – “Be A Rebel”
from: Be A Rebel – Single / Mute / September 8, 2020
[First new music in 5 years. New Order are an English rock band formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook, and drummer Stephen Morris. The band formed after the demise of Joy Division, following the suicide of lead singer Ian Curtis; they were joined by Gillian Gilbert on keyboards later that year. New Order’s integration of post-punk with electronic and dance music made them one of the most acclaimed and influential bands of the 1980s. They were the flagship band for Manchester-based independent record label Factory Records and its nightclub The Haçienda, and worked in long-term collaboration with graphic designer Peter Saville. While the band’s early years were overshadowed by the legacy of Joy Division, their experience of the early 1980s New York club scene saw them increasingly incorporate dance rhythms and electronic instrumentation into their work. Their 1983 hit “Blue Monday” became the best-selling 12-inch single of all time and a popular club track. In the 1980s, they released successful albums such as Power, Corruption & Lies (1983), Technique (1989), and the singles compilation Substance (1987). They disbanded in 1993 to work on individual projects before reuniting in 1998. In the years since, New Order has gone through various hiatuses and personnel changes, most prominently the departure of Hook in 2007. They released their tenth studio album, Music Complete, in 2015.]

5. Cut Copy – “Like Breaking Glass”
from: Freeze, Melt / Cutter Records / August 21, 2020
[Sixth full-length album from Cut Copy an Australian synth-pop band formed in 2001 by Dan Whitford on vocals, keyboards and guitar. Originally a home-recording project, the band now includes Tim Hoey on guitars, Ben Browning on bass guitar, and Mitchell Scott on drums. The band achieved breakthrough success in 2008 with their second album, In Ghost Colours, which included well-known singles “Lights & Music” and “Hearts on Fire”. Cut Copy was established in 2001 in Melbourne, Australia as the solo project of Dan Whitford, a DJ and graphic designer. Whitford was educated at Scotch College and studied graphic design at Monash University. During his studies he became interested in dance music and began DJing while hosting a radio show. Around this time he bought a sampler and keyboards to experiment with. Musically he was “inspired by indie low-fi stuff as much as dance”. Upon graduating Whitford co-founded the design agency Alter, who continue to produce all of the graphical material for the band.]

6. Shy Boys – “Talk Loud”
from: Talk Loud / Polyvinyl Record Co. / September 25, 2020
[From the upcoming third album from Kansas City’s Shy Boys. The follow up to single, “Trash” released August 3, 2020, and after Dim The Light / Brick By Brick, released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” (originally released by The I’ms) was featured on Spin.com. In June 2014, the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Company.]

7. Bob Dylan – “I Contain Multitudes”
from: Rough and Rowdy Ways / Columbia / June 19. 2020
[Rough and Rowdy Ways is the 39th studio album by American singer-songwriter Bob Dylan (born Robert Allen Zimmerman; May 24, 1941) is an American singer-songwriter, author, and visual artist. Widely regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture for more than 50 years. Much of his most celebrated work dates from the 1960s, when songs such as “Blowin’ in the Wind” (1963) and “The Times They Are a-Changin'” (1964) became anthems for the civil rights and anti-war movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defied pop music conventions and appealed to the burgeoning counterculture. Following his self-titled debut album in 1962, which mainly comprised traditional folk songs, Dylan made his breakthrough as a songwriter with the release of The Freewheelin’ Bob Dylan the following year. The album features “Blowin’ in the Wind” and the thematically complex “A Hard Rain’s a-Gonna Fall”. For many of these songs, he adapted the tunes and phraseology of older folk songs. He went on to release the politically charged The Times They Are a-Changin’ and the more lyrically abstract and introspective Another Side of Bob Dylan in 1964. In 1965 and 1966, Dylan drew controversy when he adopted electrically amplified rock instrumentation, and in the space of 15 months recorded three of the most important and influential rock albums of the 1960s: Bringing It All Back Home (1965), Highway 61 Revisited (1965) and Blonde on Blonde (1966). Commenting on the six-minute single “Like a Rolling Stone” (1965), Rolling Stone wrote: “No other pop song has so thoroughly challenged and transformed the commercial laws and artistic conventions of its time, for all time.” In July 1966, Dylan withdrew from touring after a motorcycle accident. During this period, he recorded a large body of songs with members of the Band, who had previously backed him on tour. These recordings were released as the collaborative album The Basement Tapes in 1975. In the late 1960s and early 1970s, Dylan explored country music and rural themes in John Wesley Harding (1967), Nashville Skyline (1969), and New Morning (1970). In 1975, he released Blood on the Tracks, which many saw as a return to form. In the late 1970s, he became a born-again Christian and released a series of albums of contemporary gospel music before returning to his more familiar rock-based idiom in the early 1980s. Dylan’s 1997 album Time Out of Mind marked the beginning of a renaissance for his career. He has released five critically acclaimed albums of original material since then, the most recent being Rough and Rowdy Ways (2020). He also recorded a series of three albums in the 2010s comprising versions of traditional American standards, especially songs recorded by Frank Sinatra. Backed by a changing lineup of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. Since 1994, Dylan has published eight books of drawings and paintings, and his work has been exhibited in major art galleries. He has sold more than 100 million records, making him one of the best-selling music artists of all time. He has received numerous awards, including the Presidential Medal of Freedom, ten Grammy Awards, a Golden Globe Award and an Academy Award. Dylan has been inducted into the Rock and Roll Hall of Fame, Nashville Songwriters Hall of Fame and the Songwriters Hall of Fame. The Pulitzer Prize Board in 2008 awarded him a special citation for “his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power”. In 2016, Dylan was awarded the Nobel Prize in Literature “for having created new poetic expressions within the great American song tradition”]

8. John Prine – “Summer’s End”
from: The Tree of Forgiveness / Oh Boy Records / April 13, 2018
[The Tree of Forgiveness is the eighteenth and final studio album by American country folk singer John Prine born October 10, 1946. John Prine died April 7, 2020 due to COVID-19. He was an American country folk singer-songwriter. He was active as a composer, recording artist, and live performer from the early 1970s until his death, and was known for an often humorous style of original music that has elements of protest and social commentary. Born and raised in Maywood, Illinois, Prine learned to play the guitar at the age of 14. He attended classes at Chicago’s Old Town School of Folk Music. After serving in West Germany with the U.S. Army, he returned to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs first as a hobby, and then becoming a club performer. A member of Chicago’s folk revival, Prine credited film critic Roger Ebert and singer-songwriter Kris Kristofferson with discovering him, resulting in the production of Prine’s eponymous debut album with Atlantic Records in 1971. The acclaim earned by this LP led Prine to focus on his musical career, and he recorded three more albums for Atlantic. He then signed with Asylum Records, where he recorded an additional three albums. In 1981, he co-founded Oh Boy Records, an independent record label with which he would release most of his subsequent albums. Widely cited as one of the most influential songwriters of his generation, Prine was known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary and songs that recollect melancholy tales from his life. In 2020, he received the Grammy Lifetime Achievement Award..]

10:33 – Underwriting

9. BLACKSTARKIDS – “Whatever!”
from: Surf Basement Demos / Dirty Hit Records / March 5, 2020
[Blackstarkids released their second album SURF through their own label Bedroon Records on Februart 28, 2020. BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019. Blackstarkids,recently caught the attention of The 1975’s frontman Matty Healy and now they’re signed to The 1975’s management company, Dirty Hit Records,]

10. Sharon Jones & The Dap-Kings – “Signed, Sealed, Delivered I’m Yours”
from: Just Dropped In To See What Condition My Rendition Was In / Daptone / Oct. 23, 2020
[Often, in an effort to save the expense of licensing an original master from a major label, a music supervisor may request a song be re-created as closely as possible. Such was the case when a well-known bank asked the band to cut Stevie Wonder’s classic, “Signed, Sealed, Delivered I’m Yours” for a TV commercial, or when Hank Shockley asked for a perfect replay of Bad Medicine’s funky instrumental, “Trespasser” for the American Gangster soundtrack. // Both “Rescue Me” and “In the Bush” were among the outtakes on the cutting room floor of The Wolf of Wall Street motion picture soundtrack, for which the band recorded several unused sides. “Just Dropped In (To See What Condition My Condition Was In)” was not just a remake of the Kenny Rogers’ First Edition hit, but more specifically a near re-play of Bettye Lavette’s 1968 version, and was notably the very first recording done at the Daptone House of Soul studio in 2002. Likewise, the band’s replay of Gladys Knight’s “Giving Up” was specifically requested but unused by a producer who was confident he needed it to sample for a beat on a Dr. Dre album. // “Little by Little,” “Inspiration Information,” “Here I Am Baby,” and “Take Me with U” were cut for tribute projects to Dusty Springfield, Shuggie Otis, The Marvelettes, and Prince, respectively. The latter of which is a perfect example of the way the band was able to take a familiar tune and completely flip it on it’s head. // Of course, there were also many non-contracted covers over the years that the band cut of their own volition, starting with the complete re-invention of Janet Jackson’s “What Have You Done for Me Lately” on the their 2001 debut LP, Dap-Dippin’ with…, which convinced more than a few fans that Sharon’s version was in fact the original after a counterfeit news article surfaced claiming that Jones was suing Jackson for copyright infringement. Sharon’s heart-wrenching take on Bob Marley’s early Wailers ballad “It Hurts to be Alone” is a tender nod to the soul that Jamaica borrowed from the States in the early sixties. // Though the band has mostly built their career on a prolific catalog of originals, these forays into other artists’ compositions lay bare their gift for arrangement and the unmatched studio prowess that earned them their reputation as The Baddest Band in the Land. // In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, the released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, , for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007) and I Learned the Hard Way (2010). They are seen by many as the spearhead of a revival of soul and funk.]

11. The Black Creatures – “The Fall and Winter(radio edit)”
from: Wild Echoes / Center Cut Records / August 28, 2020 [remastered]
[Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality is improved. Center Cut Records plan to release the full remastered album on August 28 2020. The Black Creatures are Jade Green & Xavier Martin. The band joined us on the radio on the August 26 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their bandcamp page. The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. They released the album, See No Evil, December 6, 2017. The duo released the singles, “Elements” February 14, 2018; “Silver Tears” June 19. 2018; “Dare” a Gorillaz cover August 8, 2019. They released the album “Wild Echoes” September 30, 2019. The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” February 19, 2020.]

12. Tracy Chapman – “Subcity”
from: Crossroads / Elektra / October 3, 1989
[Crossroads is the second album by singer-songwriter Tracy Chapman. Chapman was also a producer on this album, the first time she had taken on such a role. The song “Freedom Now” is dedicated to Nelson Mandela. racy Chapman (born March 30, 1964) is an American singer-songwriter, known for her hits “Fast Car” and “Give Me One Reason”, along with other singles “Talkin’ ’bout a Revolution”, “Baby Can I Hold You”, “Crossroads”, “New Beginning”, and “Telling Stories”. She is a multi-platinum and four-time Grammy Award–winning artist. // Chapman was signed to Elektra Records by Bob Krasnow in 1987. The following year she released her critically acclaimed debut album Tracy Chapman, which became a multi-platinum worldwide hit. The album earned Chapman six Grammy Award nominations, including Album of the Year, three of which she won, including Best Female Pop Vocal Performance for her single “Fast Car”, and Best New Artist. Chapman released her second album Crossroads the following year, which garnered her an additional Grammy nomination. Since then, Chapman has experienced further success with six more studio albums, which include her multi-platinum fourth album New Beginning, for which she won a fourth Grammy Award, for Best Rock Song, for its lead single “Give Me One Reason”. Chapman’s most recent album is Our Bright Future, released in 2008. // Chapman was born in Cleveland, Ohio. Her parents divorced when she was four years of age. She was raised by her mother, who bought her music-loving three-year-old daughter a ukulele despite having little money. Chapman began playing the guitar and writing songs at age eight. She says that she may have been first inspired to play the guitar by the television show Hee Haw.[4] Chapman’s family received welfare. In her native Cleveland, school desegregation efforts led to racial unrest and riots; Chapman experienced frequent bullying and racially motivated assaults as a child. // Raised as a Baptist, Chapman attended an Episcopal high school and was accepted into the program A Better Chance, which sponsors students at college preparatory high schools away from their home community. She graduated from Wooster School in Connecticut, then attended Tufts University, graduating with a B.A. degree in Anthropology and African studies.]

13. Talking Heads – “Who Is It?”
from: The Name of This Band is Talking Heads / Sire / March 24, 1982
[he Name of This Band Is Talking Heads is a double live album by American new wave band Talking Heads, originally released in 1982. The first LP featured the original quartet in recordings from 1977 and 1979, and the second LP featured the expanded ten-piece lineup that toured in 1980 and 1981. The album contains live versions of songs that appear on their first four studio albums: Talking Heads: 77, More Songs About Buildings and Food, Fear of Music, and Remain in Light. The cassette edition of the album included “Cities”, a bonus track not included on the vinyl edition, which also appeared on the subsequent CD release. // The title of the album is a reference both to the group’s preference for having no expressed definite article within the band name (as opposed to “The Talking Heads”) and to David Byrne’s minimalist introductions to songs. The album opens with one such introduction: “The name of this song is ‘New Feeling’. That’s what it’s about.” // Talking Heads were an American rock band formed in 1975 in New York City and active until 1991. The band was composed of David Byrne (lead vocals, guitar), Chris Frantz (drums), Tina Weymouth (bass), and Jerry Harrison (keyboards, guitar). Described by the critic Stephen Thomas Erlewine as “one of the most critically acclaimed bands of the ’80s,” the group helped to pioneer new wave music by integrating elements of punk, art rock, funk, and world music with avant-garde sensibilities and an anxious, clean-cut image. Former art school students who became involved in the 1970s New York punk scene, Talking Heads released their 1977 debut album, Talking Heads: 77, to positive reviews. They collaborated with producer Brian Eno on a trio of experimental and critically acclaimed releases: More Songs About Buildings and Food (1978), Fear of Music (1979), and Remain in Light (1980). After a hiatus, Talking Heads hit their commercial peak in 1983 with the U.S. Top 10 hit “Burning Down the House” from the album Speaking in Tongues and released the concert film Stop Making Sense, directed by Jonathan Demme. They released several more albums, including their best-selling LP Little Creatures (1985), before disbanding in 1991. Without Byrne, the other band members performed under the name Shrunken Heads, and released an album, No Talking, Just Head, as the Heads in 1996. // In 2002, Talking Heads were inducted into the Rock and Roll Hall of Fame. Four of their albums appear in Rolling Stone’s list of the 500 Greatest Albums of All Time, and three of their songs (“Psycho Killer”, “Life During Wartime”, and “Once in a Lifetime”) were included among the Rock and Roll Hall of Fame’s 500 Songs That Shaped Rock and Roll. Talking Heads were also number 64 on VH1’s list of the “100 Greatest Artists of All Time”. In the 2011 update of Rolling Stone’s “100 Greatest Artists of All Time”, they were ranked number 100.]

14. Bulgarian Television & Radio Folklore Ensemble & Krassimir Kyurkchiiski– “Kalimankou Denkou”
from: Krassimir Kyurkchiiski: Bulgarian Folklore Masterpieces / Balkanton / January 18, 2012

11:00 – Station ID

15. Krystle Warren & The Crew – “Bein’ Green”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP will be donated to the various causes and organizations. From Billboard.com: Singer-songwriter Krystle Warren has made a powerful statement about the struggle for Black equality with the help of Kermit the Frog’s iconic song “Bein’ Green” (written by Joe Raposo). // The moving five-minute clip, over which Warren sings her rendition of the 1970 song — since recorded by Ray Charles, Frank Sinatra and others — sprang from a covers EP she recorded during the pandemic with a group of musicians known as The Crew. Warren embarked on the project after her forthcoming album with her regular group, The Faculty, was put on hold due to COVID-19. The EP, which tackles themes of racial injustice in the wake of nationwide Black Lives Matter protests this summer, also includes a cover of John Lennon’s “Gimme Some Truth.” // The “Bein’ Green” video weaves in footage of this year’s Black Lives Matter protests, and also includes a heartbreaking montage of young Black children choosing white dolls over dark-skinned ones. It additionally features archival footage of such transformative Black figures as James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson and Al Sharpton, as well as victims of police brutality including Sandra Bland, George Floyd and Eric Garner. It ends with a clip from a speech by civil rights activist Ella Baker. // “‘Bein’ Green,’ it’s such a gorgeous song, and it says so, so much,” says Warren. “I began thinking about what I wanted it to express visually before we started [recording the song]. Essentially — it’s not easy being Black. That’s what Ray Charles was saying, and we felt it needed to be said again.” // Warren, who now resides in Paris, began performing in her native Kansas City at the age of 16 before moving to New York City, where she started busking on the streets and later formed her regular band, The Faculty. She and the group have recorded several full-length albums, including 2009’s Circles, 2012’s Love Songs and 2017’s Three the Hard Way. Her next album is slated for release this winter. // A large percentage of proceeds from sales of the EP — which is available for digital downloads via Warren’s website now and released on all streaming platforms next Friday — will be donated to the ACLU.]

11:04 – Underwriting

16. Krystle Warren & The Crew – “Rhythm Of Life”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Originally on Oleta Adams 3rd album “Circle of One.” Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams).]

17. Krystle Warren & The Crew – “Dear Landlord”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Written by Bob Dylan. Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP will be donated to the various causes and organizations.]

Krystle Warren photo by Matthew Placek

11:15 – Interview with Krystle Warren

KC born and internationally known singer songwriter Krystle Warren joins us from France to share details about an incredible new EP released last week from the collective call themselves The Crew. They have recorded unique versions of four classic songs with the hope of encouraging the rallying cries of the moment: the movement of the people. Warren embarked on the project after her newest album, with her band The Faculty, was stalled due to COVID-19. With the EP The Crew released a video of their interpretation of “Bein’ Green” an emotionally stirring five minute montage of footage of Black Lives Matter protests, young Black children choosing white dolls over dark-skinned ones, archival footage of James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson Al Sharpton, Ella Baker, as well as Sandra Bland, George Floyd and Eric Garner. Proceeds from the EP will be donated to the ACLU. More info at: http://www.krysltewarren.com

Krystle Warren, thanks for being with us on Wednesday MidDay Medley

Bein’ Green – Kermit the Frog’s iconic song “Bein’ Green” (written by Joe Raposo). // The moving five-minute clip, over which Warren sings her rendition of the 1970 song — since recorded by Ray Charles, Frank Sinatra and others — sprang from a covers EP she recorded during the pandemic with a group of musicians known as The Crew.

‘Bein’ Green,’ it’s such a gorgeous song, and it says so, so much,” says Warren. “I began thinking about what I wanted it to express visually before we started [recording the song]. Essentially — it’s not easy being Black. That’s what Ray Charles was saying, and we felt it needed to be said again.”

Warren embarked on the project after her forthcoming album with her regular group, The Faculty, was put on hold due to COVID-19. The EP, which tackles themes of racial injustice in the wake of nationwide Black Lives Matter protests this summer, also includes a cover of John Lennon’s “Gimme Some Truth.”

The Crew: Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane.

This Year Krystle virtually performed in the KC Bands Together and Greenline Grows KC

Last time you were on the show was a year ago on October 16 with Brad Coc when you ere here in KC to present LoveSongs with Owen/Cox Dance Group at October 19 and 20, 2019 at Polsky Theatre at JCCC.

Warren, who now resides in Paris, began performing in her native Kansas City at the age of 16 before moving to New York City, where she started busking on the streets and later formed her regular band, The Faculty. She and the group have recorded several full-length albums, including 2009’s Circles, 2012’s Love Songs and 2017’s Three the Hard Way. Her next album is slated for release this winter. // A large percentage of proceeds from sales of the EP — which is available for digital downloads via Warren’s website now and released on all streaming platforms next Friday — will be donated to the ACLU

Originally from KC, Krystle Warren learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, who gave her a one way ticket to France. Krystle moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world on tours with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle left Because Music and created her own recording label, Parlour Door Music, to release “Love Songs: A Time You May Embrace / A Time to Refrain from Embracing” a double album recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. In 2019 The Kansas City based Owen/Cox Dance Group premiered a new dance piece titled “Love Songs” with choreography by Jennifer Owen, set to all 24 songs, in the order they appear in the recording,. Krystle Warren has collaborated with Erykah Badu, Keziah Jones, Zap Mama, Rufus Wainwright and Martha Wainwright, Brad Cox Amadou & Mariam, Lakecia Benjamin, Guarco, Teddy Thompson, Gwyneth Herbert, Hercules & Love Affair, and Joon Moon. Along with being included in the compilation “NYC Subway – Songs from the Underground,” and tribute recordings for Kate McGarrigle, and Nick Drake, Warren has released the EP “Diary” on May 1, 2007; “The Up Series – EP” on November 10, 2008; “Circles” her 13-song full length on March 13, 2009; “A Time To Keep – Love Songs EP”, on August 12, 2011, The double album 24-song “Love Songs” released on vinyl in Europe on April 9, 2012 and as separate digital and CD albums in the U.S. as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015; Krystle released “Three the Hard Way” on August 18, 2017.

Rhythm of Life”, (a timeless statement originally performed by Oleta Adams from her 3rd album, Circle of One from 1990. After a successful collaboration with Tears for Fears on their 1989 album The Seeds of Love, Adams was offered a record deal of her own with Tears for Fears then-label Fontana Records. Produced by Tears for Fears’ Roland Orzabal with Dave Bascombe, the album was initially unsuccessful as were the first two singles “Rhythm of Life” and “Circle of One”. However, Adams had a hit in early 1991 with the third single from the album, her cover of Brenda Russell’s “Get Here,” which peaked at #4 in the UK Singles Chart and #5 on the US Billboard Hot 100. The album, which had received considerable critical acclaim, was re-released with two additional tracks and peaked at #1 in the UK Albums Chart and made the Top 20 of the US Billboard 200. It was certified Gold in both the UK and the US[3] and received two Grammy nominations.

Krystle Warren, thanks for being with us on Wednesday MidDay Medley

Krystle Warren & The Faculty are working on a new album, the first single “Rising” was included in the official soundtrack to the Ana DuVernay television series soundtrack for “When They See Us.” The single was released May 31, 2019. More info at http://www.krystlewarren.com

11:31

18. We The People – “Misunderstood”
from: Misunderstood – Single / Eddie Moore Music / June 26, 2020
[First single from the up-coming debut record of Eddie Moore’s group We The People. We The People is a power trio and sometimes 4-piece stemming from the roots of Black American Music, Hip-hip, Psych-Rock, and Classical. Crafted with raw passion, and unflinching groove this “Urban Gumbo” shares the pain, joy, fear, and dreams that inspire, and celebrate our unity. Eddie Moore on Rhodes & synthesizers, Jason Emmond on bass, Zach Morrow on drums & samples, and Jamie Anderson on guitar & vocoder.]

[We The People play an Album Release Show, Friday, September 25, at 7:00 PM at Plexpod, 300 East 39th Street, KCMO. (formerly Westport Junior High School.) The venue will maintain safe social distancing guidelines. General admission tickets are $25 or $30 with a We The People debut album download. For tickets visit: http://www.kcdriveinconcerts.com]

11:34 – Interview with Eddie Moore

Eddie Moore is the recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. Eddie relocated to Kansas City to study under Bobby Watson at the University of Missouri-Kansas City where he received a M.A in Jazz Studies. Eddie Moore joins us to talks with us about “Misunderstood,” the debut album from his band, We The People, to be released September 25. We the People is a genre-defying quartet comprised of keyboardist Eddie Moore, bassist/producer Jason Emmond, drummer Zach Morrow, and turntablist/producer Kethro.

We The People play an Album Release Show, Friday, September 25, at 7:00 PM at Plexpod, 300 East 39th Street, KCMO. (formerly Westport Junior High School.) The venue will maintain safe social distancing guidelines. General admission tickets are $25 or $30 with a We The People debut album download. For tickets visit: http://www.kcdriveinconcerts.com

Eddie Moore Thank you for being with us on Wednesday Midday Medley

It was great to hear and see We The People play for the virtual Crossroads Music Festival, You performed live from Tribe Studio.

When you speak to Eddie Moore you find an ocean of calm, and when you listen to Eddie Moore you find the depth of that ocean. Eddie reaches from the soul with every note, in a deep way, with a tension just below the surface. His yearning for exploration and curiosity in music contribute to an ebb and flow freedom of expression.

Jazz runs deep in pianist and bandleader Eddie Moore’s veins. Raised in Houston Texas, he began his musical journey at Texas Southern University where he later earned a Bachelors in Arts and immersed himself in the Houston music scene. As a lifelong musician traversing a number of bands and styles he relocated to Kansas City to study under Bobby Watson at the University of Missouri-Kansas City where he received a M.A in Jazz Studies.

After forming Jazz/Fusion group Eddie Moore & The Outer Circle in 2012, diversity and inclusiveness have become to define Moore as an artist. His debut album,”The Freedom of Expression”, was given 3.5 stars from Downbeat jazz magazine who has stated “Moore’s compositions exude a sophisticated soulful elegance that create a tastefully fulfilling venture into a range of dynamic pieces, with the musicianship to match.”

Moore’s third album as a leader “Kings & Queens” incorporates elements of soul, r&b, rock and hip-hop into his take on contemporary jazz. Released with Ropeadope Records, Moore’s forward-thinking sounds are part of the rich continuum of African-American music that continues to be imbued with indigenous African elements. The Outer Circle’s remarkable sensitivity and cohesive interplay reflect an unflinching groove. Featured in Jazziz Magazine, The Jazz Ambassadors Magazine, Nextbop, and The Pitch KC which describe the album as “Pulling the Kansas City Jazz scene into the 21st century” – Bill Brownlee

Moore is also recipient of the 2016 Charlotte Street Generative Performance Award for his genre bending collaborations. 2017’s Kemper Museum of Contemporary Art “Artist in Residence” in collaboration with Rashid Johnson. In 2018 his work with The Outer Circle was nominated for an Indie Music Award for “007”. His music has also been featured commercially for Sprint, Netflix’s “Queer Eye”, and Morgan Cooper’s short film “Room Tone”

Moore’s expansive sensibilities have allowed him to share the stage and record with distinctive artist such as Bobby Watson, Pam, Watson, Logan Richardson, Maurice Brown, Boys II Men, Brian Blade and the Fellowship, John Baptiste, Erykah Badu, Mosdef, Bilal, Ledisi, Chantae Cann, Krystal Warren, Matt Otto, Brandon Draper, Andre Hayward, Tivon Pennicott, Various Blonde, Dominique Sanders, 77 Jefferson, and the Marcus Lewis Big Band.

While maintaining a busy tour schedule Moore resides in Kansas City where he is an integral part of the music community creating opportunities for up and coming jazz artist through his incubator Tribe Studios. As a Charlotte Street Fellow and member of the African America Arts Collective; He stays busy teaching several aspects of music through University of Kansas, Metropolitan Community College, Future Jazz, Midwest Jazz Camp, and privately at The Culture House.

We the People is a genre-defying quartet comprised of keyboardist Eddie Moore, bassist/producer Jason Emmond, drummer Zach Morrow, and turntablist/producer Kethro. Together, they sift through American music of the last 20th century and gather all of their influences into incredible masterpieces.

Eddie Moore Thank you for being with us on Wednesday Midday Medley

11:49

19. We The People – “Enough”
from: Misunderstood / Eddie Moore Music / September 25, 2020
[Eddie Moore on piano, Rhodes, synth, keyboards, & bass; Jason Emmond – on bass; Zach Morrow on drums; Andrew Baile on guitar; Keith Rodgers; Angle Gibson on vocals “Enough”; Rane Raps- “The Truth”; Lucero on vocals “The Truth”; Andrew McGhie on tenor sax “Round Up”. “Worst Nights” Produced by Jason Emmond/ Eddie Moore. Recorded at Make Believe Studios by Keith Rodgers. Mix & Mastered by Rick Carson. Executive Producers: Eddie Moore and Amilcar “PRO” Welton. Album Art by Adrian Truth. This is for all the times we are misunderstood and mean the best for people. This is for times pain and fear were swallowed and a unique beauty emerged. The times that struggle became a culture, a new identity for the land of the free. The idea of Freedom and the celebration of individuality. ]

[We The People play an Album Release Show, Friday, September 25, at 7:00 PM at Plexpod, 300 East 39th Street, KCMO. (formerly Westport Junior High School.) The venue will maintain safe social distancing guidelines. General admission tickets are $25 or $30 with a We The People debut album download. For tickets visit: http://www.kcdriveinconcerts.com]

20. We The People – “Moon”
from: Misunderstood / Eddie Moore Music / September 25, 2020
[Eddie Moore on piano, Rhodes, synth, keyboards, & bass; Jason Emmond – on bass; Zach Morrow on drums; Andrew Baile on guitar; Keith Rodgers; Angle Gibson on vocals “Enough”; Rane Raps- “The Truth”; Lucero on vocals “The Truth”; Andrew McGhie on tenor sax “Round Up”. “Worst Nights” Produced by Jason Emmond/ Eddie Moore. Recorded at Make Believe Studios by Keith Rodgers. Mix & Mastered by Rick Carson. Executive Producers: Eddie Moore and Amilcar “PRO” Welton. Album Art by Adrian Truth. This is for all the times we are misunderstood and mean the best for people. This is for times pain and fear were swallowed and a unique beauty emerged. The times that struggle became a culture, a new identity for the land of the free. The idea of Freedom and the celebration of individuality.]

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, Sept. 30, we play more New & MidCoastal Releases. Plus we talk with Jocelyn Olivia Nixin of The Creepy Jingles and Kianna White and Jared White of Yes You Are who are playing a live at Lemonade Park, February, October 2, with the Nathan Corsi band & DJ Stevie Cruz. Also next week Jenna Rae returns to share new music from Unfit Wives.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #856

WMM Playlist from Sept. 16, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 16, 2020

Chris Hazelton & The Freedom Affair
+ Blair Schulman talks about Brigid Berlin

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM theme]

2. The Jayhawks – “Living in a Bubble”
from: Xoxo / SHAM – Thirty Tigers / July 10, 2020
[11th studio album from alternative country and country rock band that emerged from the Twin Cities music scene during the mid-1980s. Since the departure of John Jackson as a full-time member, the current lineup of the Jayhawks consists of: Gary Louris on guitar, lead vocals, backing vocals; Tim O’Reagan on drums, backing vocals, lead vocals; Karen Grotberg on keyboards, backing vocals; Marc Perlman on bass, backing vocals, lead vocals. Originally led by vocalists, guitarists and songwriters Gary Louris and Mark Olson, its country rock sound was influential on many bands who played the Twin Cities circuit during the 1980s and 1990s like Uncle Tupelo, the Gear Daddies and the Honeydogs. They have released eleven studio albums with and without Olson who left the band in 1995, including five on the American Recordings label. On hiatus from 2005 to 2009, the 1994–1995 lineup of the band reunited, releasing the album, Mockingbird Time, in September 2011. After the tour, Mark Olson again left the band. After another hiatus in 2013, the 1997 lineup led by Louris reunited to play shows in 2014 to support the reissue of three albums released between 1997 and 2003. The band has remained active touring and recording since, including the release of the albums Live at The Belly Up in 2015, Paging Mr. Proust, produced by Peter Buck in 2016, Back Roads and Abandoned Motels in 2018 and XOXO in 2020.]

3. Jake Wells – “Habit”
from: Sunday Morning – EP / Jake Wells Music / February 29, 2020
[Second EP from Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 22 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations. In 2018 he was featured on the nationally televised NBC reality – competition program The Voice.]

[Jake Wells plays live on Sunday, Sept. 20, 2020, 7:00 PM with Noah Davis & Heavy Electric at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire.]

4. Crystal Rose – “Renegade”
from: Arena EP / Crystal Rose / September 18, 2020
[Crystal Rose is a singer song-writer based in heart of Kansas City. Last year she was featured on the nationally televised NBC reality – competition program The Voice. At a young age she was Influenced by powerhouse vocals like Whitney Houston, Celine Dion and Christina Aguilera. She has since drawn much inspiration from blusey and folk centered artist like James Bay, James Vincent Mcmorrow and Johnnyswim. Crystal Rose released her debut single “Come Alive” on May 6, 2016. Earlier this year Crystal released the single “Not Leaving (Stripped)” on January 30, 2020.Crystal is a Kansas City based singer songwriter and UMKC journalism student who has played solo and also with Paige Turner on guitar. To listen to more Crystal Rose please visit: http://www.crystalro.se]

5. Suzzy Roche & Lucy Wainwright Roche – “I Can Still Hear You”
from: I Can Still Hear You / StorySound records / August 23, 2020
[Suzzy Roche and her daughter Lucy Wainwright Roche shed some light on our troubled times on their third collaboration, I Can Still Hear You. Recorded from their New York City homes during the quarantine, this 11-track album showcases soul-searching, thought-provoking originals and perfectly chosen covers, along with guest appearances by Amy Ray and Emily Saliers of the Indigo Girls. The 11 tracks, 8 original and 3 covers, explore themes of good and evil, youth and mortality, the absurd and the serious, the real and the imagined, and the connection between what is present and what is gone. Each of their albums together have documented a specific time and this one, according to Suzzy, “probably is the darkest, but at the same time, it’s the most fanciful too. This time, there seemed an extra urgency about it.” Lucy Wainwright Roche is the daughter of singer-songwriters Loudon Wainwright III, a Grammy Award winner, and Suzzy Roche, who, along with her sisters (Lucy’s aunts) Maggie and Terre Roche, made up the vocal group The Roches, known for their original harmonies. The couple split when Lucy was two years old and her father spent much of his time in the UK, so Lucy did not often see her father during her childhood. The Loudon Wainwright song “Screaming Issue” is written about Lucy. Lucy is also the half-sister of singer-songwriters Rufus Wainwright and Martha Wainwright (whose mother Kate was half of the Canadian folk duo Kate & Anna McGarrigle). She has toured with Rufus throughout the years. Through her father, she is a niece of singer-songwriter Sloan Wainwright. Suzzy Roche was born September 29, 1956), originally from Park Ridge, New Jersey, is best known for her work with the vocal group The Roches, alongside sisters Maggie and Terre. Suzzy is the youngest of the three, and joined the act in 1977. She is the author of the novel Wayward Saints and the children’s book Want To Be in a Band? Roche is also an active associate member of The Wooster Group and has appeared in a number of the group’s productions as well as composing original music for the group’s performances.[6] She was briefly a member of Four Bitchin’ Babes, appearing on their album Some Assembly Required. In 2004 Roche appeared on Crash Test Dummies album Songs of the Unforgiven. In addition to singing, she is an actress, having appeared in the 1988 romantic comedy Crossing Delancey, as well as a 1982 film, Soup for One. Roche also appeared with her siblings (playing themselves) in the 1996 comedy A Weekend in the Country.]

6. Krystle Warren & The Crew – “Gimme Some Truth”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP will be donated to the various causes and organizations The Crew. support. From Billboard.com: Singer-songwriter Krystle Warren has made a powerful statement about the struggle for Black equality with the help of Kermit the Frog’s iconic song “Bein’ Green” (written by Joe Raposo). // The moving five-minute clip, over which Warren sings her rendition of the 1970 song — since recorded by Ray Charles, Frank Sinatra and others — sprang from a covers EP she recorded during the pandemic with a group of musicians known as The Crew. Warren embarked on the project after her forthcoming album with her regular group, The Faculty, was put on hold due to COVID-19. The EP, which tackles themes of racial injustice in the wake of nationwide Black Lives Matter protests this summer, also includes a cover of John Lennon’s “Gimme Some Truth.” // The “Bein’ Green” video weaves in footage of this year’s Black Lives Matter protests, and also includes a heartbreaking montage of young Black children choosing white dolls over dark-skinned ones. It additionally features archival footage of such transformative Black figures as James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson and Al Sharpton, as well as victims of police brutality including Sandra Bland, George Floyd and Eric Garner. It ends with a clip from a speech by civil rights activist Ella Baker. // “‘Bein’ Green,’ it’s such a gorgeous song, and it says so, so much,” says Warren. “I began thinking about what I wanted it to express visually before we started [recording the song]. Essentially — it’s not easy being Black. That’s what Ray Charles was saying, and we felt it needed to be said again.” // Warren, who now resides in Paris, began performing in her native Kansas City at the age of 16 before moving to New York City, where she started busking on the streets and later formed her regular band, The Faculty. She and the group have recorded several full-length albums, including 2009’s Circles, 2012’s Love Songs and 2017’s Three the Hard Way. Her next album is slated for release this winter. // A large percentage of proceeds from sales of the EP — which is available for digital downloads via Warren’s website now and released on all streaming platforms next Friday — will be donated to the ACLU.]

7. Joel Kraft – “Breathe”
from: Gold In The Bargain Bin / Honeyjar / 2003
[Joel Kraft is a curious animal that grew up among the rolling hills of Missouri. Climbing trees and walking through tunnels of Brush Creek, his head swam with all kinds of notions he could only just pin down and understand by singing them out loud over and over again. At first he sang them to himself, then into microphones he found at coffee shops and bars around the US. There were other people then, who would listen while sitting, or dance or sometimes sing along. What were those songs about? I don’t think Joel himself knew all the way. Were they about someone in particular? About an event? His songs are built with impressions, one stacked upon another to arrive at something new, perhaps the same way each letter in our alphabet was once a symbol for a thing or action, but now can be arranged in strings to mean all kinds of different things. This fascination with language and experience begins every moment of Joel’s performance, which often feels like more like a series of discoveries than a broadcast. He likes people very much (especially singing people), and his favorite part of performing is discovering new moments with them. Joel followed “Gold in the Garbage Bin” with the album “Big Ideas” (May 9, 2006) and then “Computer Geniuses”(June 20, 2008).]

8. Khruangbin – “Pelota”
from: Moredechai / Dead Oceans / June 26, 2020
[Khruangbin is a trio from Houston, Texas, with Laura Lee on bass, Mark Speer on guitar, and Donald Ray “DJ” Johnson Jr. on drums. The band has also released 3 albums. The band is known for blending global music influences, classic soul, dub and psychedelia. Their debut studio album, The Universe Smiles Upon You (2015), draws from the history of Thai music in the 1960s, while their 2nd album, Con Todo El Mundo (2018), has influences from Spain and the Middle East. Follow up to their 4th EP release Texas Sun with Leon Bridges. Speer and Johnson met in 2004 while playing in Rudy Rasmus’ St. John’s Methodist Church gospel band in Houston, Texas. The church employed Speer as the guitarist and Johnson as the organist. “When we first started the band, we wanted to have a formula,” he says. “It’s like, ‘This is what we do, and we’re not gonna try and go outside the box too much. We’re gonna explore the box we’re in. I’ve always been a big fan of that. I used to be in bands where was like, ‘Man, we’ve gotta think outside the box!’ And all I’m thinking is: ‘You guys don’t even know.’ Music should never be just for the sake of being experimental. Before you even start, you have to know what you’re experimenting with first.” Speer said. In 2007, Speer met Lee through friends, where they initially connected over a shared love of Afghan music and Middle Eastern architecture[disambiguation needed]. In 2009, Lee started to learn the bass with guidance from Speer. After playing for six months, she auditioned and got the gig to be the bassist for Yppah on his upcoming tour. Speer already had the gig as guitarist for Yppah and had encouraged Lee to audition. In 2010, both Lee and Speer went on tour with Yppah who opened for Bonobo. The tour motivated the two of them to make music together more seriously, leading them to form Khruangbin. Speer and Lee went to a barn where they developed the bass-heavy, psychedelic sound that became the basis of the band’s aesthetic. Upon their return, they asked Johnson to join the band as drummer, to play simple break-beats under the guitar and bass. The barn, located in the 300-person town of Burton, Texas, would become the site of all future Khruangbin recording sessions. The band has a longterm working relationship with Houston-based engineer Steve Christensen. When asked to play their first gig, Lee, who was learning to speak Thai at the time, decided they should use her favorite Thai word “khruangbin”, which means “flying engine”, literally, or “aeroplane,” as their name. Speer said that, had they had the foresight to predict the band’s success, they might not have chosen a name that was so difficult to pronounce. The band’s name symbolizes the international set of influences that shaped the band’s formation. A notable part of the band’s visual style is the black wigs that Lee and Speer wear on stage, and during promotional interviews and photoshoots. Originally this was to help them move from the stage to the merchandise stand without being recognized during early tours]

10:28 – Underwriting

9. The Freedom Affair – “Rise Up”
from: “Rise Up” – Single / Colemine Records / June 21, 2019 [7″ Vinyl Release]
[The Freedom Affair is a project of Chris Hazelton of Sunflower Soul Records and Chris Hazelton’s Boogaloo 7. The band includes members of the Boogaloo 7 with members of Instant Karma and three of the KC area’s leading vocalists. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone. The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of Kansas City soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

10:33 – Interview with Chris Hazelton

Chris Hazelton is with us to share the details about KC’s soul supergroup, The Freedom Affair and their debut album, Freedom is Love, to be released September 25, 2020 on Sunflower Soul Records. The album explores themes of love, heartache, empowerment, and togetherness. The Freedom Affair features three powerhouse female vocalists: Misha Roberts, Paula Saunders, and Seyko Groves in front of a dynamic six-piece band: Cole Bales on guitar; Branden Moser on guitar; Chris Hazelton on bass guitar & organ; Dave Brick on drums; Pete Carroll on trumpet; and Brett Jackson on tenor sax & baritone sax. The album was recorded and produced by Chris Hazelton.

Chris Hazelton, Thanks for being with us on WMM.

“Rise Up” (1 of 10 songs on the new album) was selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, & Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”

Earlier this year The Freedom Affair released their version of John Lennon’s Imagine as a single on March 20, 2020, Arranged, produced, recorded & mixed by Chris Hazelton

“Freedom Is Love” to be released September 25, 2020 is the debut album from KC’s newest soul supergroup, The Freedom Affair. The album explores themes of love, heartache, empowerment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The Freedom Affair is a unique collective featuring 3 powerhouse female vocalists in front of a dynamic 6-piece band. On “Freedom Is Love”, each of the ladies get their time to shine individually, but the magic is on full display when all 3 come together in unison and harmony, symbolically embodying the messages that they sing about. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now.

The Freedom Affair:
Misha Roberts – Vocals
Paula Saunders – Vocals
Seyko Groves – Vocals
Cole Bales – Guitar, Sitar (Track 3)
Branden Moser – Guitar
Chris Hazelton – Bass Guitar, Organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4)
Dave Brick – Drums
Pete Carroll – Trumpet
Brett Jackson – Tenor Sax, Baritone Sax (Tracks 1 & 5), & Tambourine (Tracks 5, 6, & 8)

Additional Musicians:
Pat Conway – Congas (Tracks 1, 3, & 6)
Alyssa Bell – Viola (Tracks 3, 4, & 7)
Elizabeth Codd – Violin (Tracks 3 & 4)
Matt Bennett – Violin (Tracks 3 & 7)
John Wickersham – Timpani (Track 4)
Pamela Baskin-Watson – Piano (Track 10)
Nick Howell – Tambourine (Track 10)
The Freedom Family Choir (Track 10) – Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, Chris Hazelton

All Horn & String Arrangements by Chris Hazelton except:
“Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson
“Don’t Shoot” by Chris Hazelton & Allyssa Bell

Produced, Recorded, & Mixed by Chris Hazelton
Assistant Produced by Dave Brick

Rhythm Section on Track 10 recorded by Chad Meise // Mastered by JJ Golden

Cover Artwork by Matthew “Mo” Manley

Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968) provided courtesy of LaBudde Special Collections, UMKC University Libraries.

1. Heartaches Don’t Come Easy
2. Make Me Surrender
3. Outta My Mind
4. I Know Better
5. Move On
6. Rise Up 02:59
7. Don’t Shoot
8. Give A Little Love 03:45
9. One Nation
10. Love Liberates (Featuring Dr. Maya Angelou)

Chris Hazelton oj the Sept. 16, 2020 editions Wednesday MidDay Medley on KKFI.

The new album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now.

Sunflower Soul Records

Chris Hazelton’s Boogaloo 7
Singles for Los Santos Caballeros, Hi-Lux, SUNU, and The 238s.

Chris Hazelton Thanks for being with us on WMM.

“Freedom Is Love” to be released September 25, 2020 is the debut album from KC’s newest soul supergroup, The Freedom Affair. https://sunflowersoulrecords.bandcamp.com or https://thefreedomaffair.bandcamp.com/album/freedom-is-love

10. The Freedom Affair – “Give A Little Love”
from: Freedom is Love / Sunflower Soul Records / September 25, 2020
[“Freedom Is Love” is the debut album from Kansas City’s newest soul juggernaut, The Freedom Affair. The album explores themes of love, heartache, empowerment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The Freedom Affair is a unique collective featuring 3 powerhouse female vocalists in front of a dynamic 6-piece band. On “Freedom Is Love”, each of the ladies get their time to shine individually, but the magic is on full display when all 3 come together in unison and harmony, symbolically embodying the messages that they sing about. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. The Freedom Affair is: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8).]

11. Fantastic Negrito – “Chocolate Samurai”
from: Have You Lost Your Mind Yet? / Fantastic Negrito – Cooking Vinyl / August 14, 2020
[Follow up to his June 15, 2018 release, Please Don’t Be Dead on Blackball Universe – Cooking Vinyl Records that was nominated for a Grammy Award for Best Contemporary Blues Album. His 2016 album The Last Days of Oakland won a Grammy award for Best Contemporary Blues Album at the 59th Grammy Awards. In 2019, his album Please Don’t Be Dead won the same category for the 61st Grammy Awards.Fantastic Negrito was raised in an orthodox Muslim household. His father was a Somali-Caribbean immigrant who mostly played traditional African music. He was the eight of 15 children. When, at the age of 12, Negrito’s family moved from Massachusetts to Oakland, California. Oakland in 1970s was a million miles from Negrito’s conservative childhood. He went from Arab chants to Funkadelic in one day. By the time he was 20, Negrito had taught himself to play every instrument he could get his hands on. He was recording music, and after some difficulties on the streets he packed his bags and headed to LA, armed with a demo on cassette. Negrito signed with a million dollar deal at Interscope. The record deal was a disaster. Gangsta rap was ruling the airwaves and Negrito was in the wrong place at the wrong era. Negrito came out of the deal with a failed album and his confidence gutted. In 2000, Negrito was in a near fatal car accident that put him in a coma. For four weeks it was touch and go. Because his muscles atrophied while bedridden, he had to go through months of frustrating physical therapy to regain use of his legs. Rods were placed throughout his body. And worst of all, his playing hand was mutilated. Back in Oakland, Negrito forgot about life as a musician. He got married, he planted vegetables, raised his own chickens, and made money growing weed. He also settled into being a man, on his own, clear of the distractions of wanting to be a star. And then his son Kyu was born. He began recording without the hindrances that come with chasing trends. Negrito turned to the original DNA of all American music, the Blues. The beating life had given him primed him to channel his literal and musical forefathers: the Blues musicians of the Delta]

11:00 – Station ID

12. Bedouine, Waxahatchee & Hurray for the Riff Raff – “Thirteen”
from: Thirteen – Single / Spacebomb Records / September 9, 2020
[From Variety.com: It feels like ages ago that Bedouine, Waxahatchee and Hurray for the Riff Raff toured together on a sort of monsters-of-indie triple bill (it was actually 2018). While the three acts make dramatically different music, they complemented each other well on this tour and share some influences as well — as evidenced by this belated cover of Big Star’s classic “Thirteen” (which is often more readily recognized by its opening lyric, “Can I walk you home from school?”) that found its origins during the tour, when Bedouine (above, right), Waxahatchee singer Katie Crutchfield (left) and Riff Raff singer Alynda Segarra (center) would sing it together onstage. // Big Star, of course, is arguably the greatest power-pop group of all time. Led by singer-songwriter Alex Chilton, they released just three albums in the early ‘70s, which were barely noticed at the time but their legend grew over the years — they were covered and feted by the Replacements, the Bangles, R.E.M., Teenage Fanclub and many more — until the group reformed in 1993. // Bedouine explains how their cover came together. “This all started in 2018 when I opened a three-bill tour for co-headliners Waxahatchee and Hurray for the Riff Raff,” she wrote. “We threw the idea around of doing a song together but weren’t sure what. I was backstage in Columbia, Missouri, when I realized it was the anniversary of Big Star’s ‘93 reunion show that had also taken place in Columbia. // “I was fiddling around with the song in my dressing room when Katie and Alynda walked in. Suddenly, I remembered there were three verses to split up. We played it as an homage that night and every night after. After the tour wrapped up, I think it was Kevin Morby that insisted we track and share it. Down the road, Katie wrote me that she would be in L.A., so I tracked the guitar and she came by to visit and put down her part. Down the road some more Alynda put down her part from New Orleans and sent it over the ether. Now, two years later, we’re finally getting to share it.”] [Katie Crutchfield who recently relocated to Kansas City to live with her boyfriend Kevin Morby released one og our favorite albums of 2020 so far. Saint Cloud was released on Merge Records on March 27, 2020. All songs written by Katie Crutchfield. Recorded & mixed at Sonic Ranch in Tornillo, TX & Long Pond in Stuyvesant, NY. Produced by Brad Cook. Engineered by Jerry Ordonez. Additional engineering by Jon Low. Mixed by Jon Low. Mastered by Brent Lambert at The Kitchen. KATIE CRUTCHFIELD on vocals, acoustic guitar, piano, keys; BRAD COOK on bass, acoustic guitar, piano, keys, synth; BOBBY COLOMBO on electric guitar, acoustic guitar, keys; BILL LENNOX on electric guitar, acoustic guitar, keys, percussion; NICK KINSEY on drums, percussion; JOSH KAUFMAN on electric guitars, piano, organ, percussion. Katie Crutchfield’s southern roots are undeniable. The name of her solo musical project Waxahatchee comes from a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. More info at: http://www.waxahatchee.com.]

13. Katy Guillen & The Drive – “Back To Normal”
from: Dream Girl [EP] / Katy Guillen / March 20, 2020
[New 7 song EP from Katy Guillen & The Drive, the latest project dedicated to Guillen’s songwriting that is founded on the creative spark and chemistry between Katy Guillen & Stephanie Williams. With Guillen on guitar & vocals and Williams on drums, the two sculpt a sound that recalls bands like Led Zeppelin, The Bangles, and Band of Skulls. In 2012, Guillen & Williams formed Katy Guillen and The Girls, and began to build a foundation of touring and recording that carried them through six years and produced three full-length albums: Katy Guillen & the Girls, Heavy Days, and Remember What You Knew Before. Between 2012 and 2018, they traveled the United States extensively, performed at the International Montreal Jazz Festival, toured Sweden, and supported major acts like The Doobie Brothers, Robin Trower, and Heartless Bastards. In these 6 years playing together, Guillen & Williams created a dynamic, sound informed by Guillen’s mesmerizing, emotive guitar style and poignant arrangements, and an equally captivating live show that showcased Williams’ technical, melodic style, resulting in a powerful on-stage chemistry. In addition to the compelling synergy formed by years of playing together, the two developed a method of working together on Guillen’s songs that only deepened their artistic connection, propelling them to forge a path to a new plateau in their music. KG & The Drive push ahead with a melodic, heavy, and soulful sound while maintaining the edge of the artist’s rock ‘n’ roll and blues roots. Guillen calls their genre-bending style “indie soul-rock.”]

[Katy Guillen and the Drive play live on Saturday, Sept. 19, 2020, 7:00 PM with Men of Men, and Women of Women opening, at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. ]

14. Fred Wickham Caravan– “Town Without Soul”
from: Town Without Soul / Black Site Records / August 27, 2020
[The first single from the Fred Wickham Caravan’s upcoming debut LP tells of a place we all know, that city where something just ain’t right Fred Wickham on vocals & guitar, Marco Pascolini on pedal steel, Bart Colliver on piano & accordion & vocals, Richard Burgess on upright bass & vocals, Fred Wickham, Jr. on mandolin, Matt Brahl on drums & percussion. Music and lyrics by Fred Wickham. Produced by Fred Wickham Caravan. Recorded at The Nutthouse Recording Studio in Muscle Shoals, Alabama. Engineered by Jimmy Nutt. Mastered by Chad Meise at Massive Sound Studios in Kansas City, MO. Fred Wickham is best known for his work with Hadacol, the Kansas City based quartet that released two critically acclaimed records and gained a national reputation for ferocious live shows across the country. The Caravan, formed to support the solo album, Mariosa Delta, blends country, soul and rock & roll into a sound that can only be called pure Americana. More info at: http://www.fredwickhamband.com]

[The Fred Wickham Caravan play an outdoor Picnic Party, Tuesday, September 22, from 7:00 PM to 10:00 PM in the alley way of The Ship, 1217 Union Avenue, Kansas City, Mo in the West Bottoms. Bring your own chairs or blankets and set up where you like, keeping a considerate distance from others and masked as appropriate. Please respect your neighbors, be cool to each other, and let’s all stay safe. This is a FREE SHOW – no fence, no tickets, no admission ~ we just want you to have a good time and enjoy some good music, food, and drinks. Donations are very much appreciated and will help us pay for the incredible talent playing for you. Food and drinks may be purchased directly from The Ship at our walkup service counter or by using our online ordering at http://www.theshipkc.com. We’ll bring your order out to the pickup counter when ready – keep an eye on the chalkboard for your name. Clean outdoor restrooms with hand washing provisions will be provided. Online Donations may be made at https://theshipkc.square.site%5D

15. The Jubilee Mystics – “Jesus Take The Wheel”
from: In This World / The Jubilee Mystics / April 3, 2019
[The group was formed about four years ago by Alan Murphy, who’s been nominated for the Kansas Music Hall of Fame for his work in the legendary Lawrence band Ricky Dean Sinatra. The Mystics are a folk/country/skiffle/blues orchestra based in Lawrence, Kansas. The current members are Alan Murphy, lead vocals and rhythm guitar, Doug Byers, bass, mandolin, and vocals, Matt Falkenstien, lead guitar and vocals, Sue Ashline, accordion, Cotter Mitchell, electric washboard, Barry Lee, rhythm guitar and vocals. There are two albums, “The Jubilee Mystics” and “In This World,” the current release. It was recorded at Roll Away The Stone studios in Independence and produced by Dave Storms, who also plays drums on a few tracks and adds percussion and vocals to others. Most of the songs are composed by Alan Murphy but there are a few traditional tunes and covers. Special audio guests on the latest album are Robert Frost, Dwight D. Eisenhower and The Three Stooges]

16. Bill Callahan – “Breakfast”
from: Gold Record / Drag City Records / September 4, 2020
[22nd album release from Bill Callahan or Smog. Follow up to he 2019 released Shepherd in a Sheepskin Vest. Bill Callahan (born June 3, 1966) is an American singer-songwriter and guitarist who has also recorded and performed under the band name Smog. Callahan began working in the lo-fi genre of underground rock, with home-made tape-albums recorded on four track tape recorders. Later he began releasing albums with the label Drag City, to which he remains signed today. Callahan started out as a highly experimental artist, using substandard instruments and recording equipment. His early songs often nearly lacked melodic structure and were clumsily played on poorly tuned guitars, resulting in the dissonant sounds on his self-released cassettes and debut album Sewn to the Sky. Much of his early output was instrumental, a stark contrast to the lyrical focus of his later work. Apparently, he used lo-fi techniques not primarily because of an aesthetic preference but because he didn’t have any other possibility to make music. Once he signed a contract with Drag City, he started to use recording studios and a greater variety of instruments for his records. From 1993 to 2000, Callahan’s recordings grew more and more “professional” sounding, with more instruments, and a higher sound quality. In this period he recorded two albums with the influential producer Jim O’Rourke and Tortoise’s John McEntire, and collaborated with Neil Hagerty. Callahan also worked closely with his then-girlfriend Cynthia Dall in his early career, and they contributed vocals to each other’s albums. After 2000’s Dongs of Sevotion, Callahan began moving back to a slightly simpler instrumentation and recording style, while retaining the more consistent songwriting style he had developed over the years. This shift is apparent in albums such as Rain on Lens, Supper, and A River Ain’t Too Much to Love. Smog’s songs are often based on simple, repetitive structures, consisting of a simple chord progression repeated for the duration of the entire song. His singing is characterized by his baritone voice. Melodically and lyrically he tends to eschew the verse-chorus approach favoured by many contemporary songwriters, preferring instead a more free-form approach relying less on melodic and lyrical repetition. Themes in Callahan’s lyrics include relationships, animals, relocation, nature, and more recently, politics. On the subject of voice in his albums, Callahan has said, “It’s usually one character per record. So, the character appears in all or most of the songs on one record and then is gone. Though it makes me feel weird to talk about. Because I don’t really think in clear terms of characters. My albums as a whole could be seen as one character with many voices.” His generally dispassionate delivery of lyrics and dark irony often obfuscate complex emotional and lyrical twists and turns. Critics have generally characterized his music as depressing and intensely introverted, with one critic describing it as “a peep-show view into an insular world of alienation.” Cat Power (Chan Marshall) recorded Callahan’s song “Bathysphere” on her 1996 album What Would the Community Think and also covered another Callahan song, “Red Apples”, on her Covers Record, released in 2000. In 2007, Callahan released Woke on a Whaleheart, his first solo album released under his own name, Sometimes I Wish We Were an Eagle followed in April, 2009. Both recordings were released through Drag City, worldwide. In 2009, Callahan contributed cover songs on four separate tribute albums to Judee Sill, Kath Bloom, Chris Knox, and Merge Records. In 2010, he released his first live album Rough Travel for a Rare Thing, which was recorded in 2007 at The Toff in Melbourne, Australia. Apocalypse, was released in April 2011 to favorable reviews. Critic Sasha Frere-Jones called it “my favorite of Callahan’s albums, not because it has better songs—those are scattered among at least five others — but because it does exactly what he wants it to do: it conveys an album’s coherence.” A tour film chronicling Callahan’s 2011 Apocalypse tour was released in 2012.][Bill Callahan plays the Lawrence Public Library Lawn, Friday, July 5, at 7:00 PM at the Lawrence Public Library, 707 Vermont St, Lawrence, KS with special guest Heidi Lynne Gluck.]

17. Fiona Apple – “Fetch The Bolt Cutters”
from: Fetch The Bolt Cutters / Epic – Sony / April 17, 2019
[The fifth studio album by American singer-songwriter Fiona Apple. It is Apple’s first release since The Idler Wheel… in 2012. The album was recorded from 2015 to 2020, largely at Apple’s home in Venice Beach. It was produced and performed by Apple alongside Amy Aileen Wood, Sebastian Steinberg and Davíd Garza; recording consisted of long, often-improvised takes with unconventional percussive sounds. GarageBand was used for much of this recording, and Apple credited the album’s unedited vocals and long takes to her lack of expertise with the program. Rooted in experimentation, the highly percussive album resists genre categorization. While conventional instruments, such as pianos and drum sets, do appear, the album also features prominent use of non-musical found objects as percussion. Apple described the result as “percussion orchestras”. These industrial-like rhythms are contrasted against traditional melodies, and the upbeat songs often subvert traditional pop structures. The album explores freedom from oppression; Apple identified its core message as: “Fetch the fucking bolt cutters and get yourself out of the situation you’re in”. The title, a quote from TV series The Fall, reflects this idea. The album also discusses Apple’s complex relationships with other women and other personal experiences, including bullying and sexual assault. It has nevertheless been referred to as Apple’s most humorous album. Fetch the Bolt Cutters was released during the COVID-19 pandemic, and many critics found its exploration of confinement pertinent. Fiona Apple McAfee-Maggart (born September 13, 1977) is an American singer-songwriter, pianist and poet. Her accolades include one Grammy Award, and an additional seven Grammy Award nominations in various categories. The daughter of actor Brandon Maggart, Apple was born in New York City but was raised alternating between New York and her father’s home in Los Angeles. Classically trained on piano as a child, she began composing her own songs when she was eight years old. Her debut album, Tidal, containing songs written when she was 17, was released in 1996 and received a Grammy Award for Best Female Vocal Rock Performance for the single “Criminal”. She followed with When the Pawn… (1999), produced by Jon Brion, which was also critically and commercially successful and was certified platinum. For her third album, Extraordinary Machine (2005), Apple again collaborated with Brion, and began recording the album in 2002. However, Apple was reportedly unhappy with the production and opted not to release the record, leading fans to protest Epic Records, erroneously believing that the label was withholding its release. The album was eventually re-produced without Brion and released in October 2005. The album was certified gold, and nominated for a Grammy Award for Best Pop Vocal Album. In 2012, she released her fourth studio album, The Idler Wheel…, which received critical praise and was followed by a tour of the United States and was nominated for the Grammy Award for Best Alternative Music Album in 2013. Apple’s fifth studio album, Fetch the Bolt Cutters, was released in 2020 to widespread acclaim. She has sold over 10 million albums worldwide and has received numerous awards and nominations, including a Grammy Award, 2 MTV Video Music Awards and a Billboard Music Award.]

18. Sam Prekop – “Comma”
from: Comma / Thrill Jockey Records / September 11, 2020
[From his Bandcamp page: Sam Prekop’s boundless imagination is guided by his strong sense of melody. For more than 25 years, as a solo artist or as part of The Sea and Cake, Prekop creates a singular sound inventive and warm. His distinctive vocals, guitar playing and work on modular analog synthesizers are inventive, delicate, and always bear his signature sense of melody. Comma finds Sam Prekop for the first time working extensively with beat programming, focusing his enveloping synthesizer pieces around a newfound rhythmic pulse. // Prekop’s creative process is a combination of preparation and improvisation. Writing sessions for Comma began with an open-ended exploration of sounds and textures from which the first fragments of songs would reveal themselves. The introduction of drum machines and additional synthesizer units to his modular setup shifted things in surprising new directions as he worked to bend them into more traditional pop song structures. Drum tracks and emergent rhythms provided the frameworks and narrative sketches to be fleshed out with lustrous widescreen synth pads and ribboning melodies. In approaching his writing with a completely open mind and letting himself be guided by the music, Prekop maintains a delicate balance between composition and chance, control and spontaneity. Comma embraces the analogue synthesizer’s often unpredictable nature, imbuing the record with a decidedly organic feel even while working within the relative rigidity of beat architectures. // Prekop’s wide-eyed sense of discovery guides his exploration of beat-driven music, pushing him to use rhythm as a narrative tool and to embrace electronic music’s romantic and emotional qualities. “Park Line” and “Circle Line” evoke the relentless forward motion of public transit and commuter routine, one propelled by juddering machine-drums, the other illuminated in glistening neon. “Summer Places” and title track “Comma” are utterly transportive in their intoxicating tropical futurism, aqueous electronic loops cascading over melodic percussion. “September Remember” is notable precisely for its lack of drum track, opening up the field of sound and obliterating all but the faintest after-echoes of skittering percussion in its astral melancholy. “Approaching” achieves an incredible depth of sound and feeling using minimal constituent parts, interlocking synth-lines revealing surprising new sonorities with every repetition. With Comma, Prekop compiles an incredible breadth of ideas into a surprisingly coherent sound-world. // Comma is Prekop’s modern minimal pop album that taps into the experimental heritage of the synthesizer. The album places Sam Prekop’s work squarely in the tradition of electronic music pioneers like Brian Eno and Yellow Magic Orchestra who brought together the unrestrained ambition of the avant-garde with the immediacy and accessibility of pop music. ]

11:28 – Underwriting

19. The Velvet Underground – “Atlantic Release Promo”
from: Live At Max’s Kansas City / Atlantic Recording Group / 2005 Reissue (orig. 1972)
[Recorded on a tape recorder by Andy Warhol protege Briget Berlin.]

20. The Velvet Underground – “Who Loves The Sun”
from: Live At Max’s Kansas City / Atlantic Recording Group / 2005 Reissue (orig. 1972)
[Recorded on a tape recorder by Andy Warhol protege Briget Berlin. Live at Max’s Kansas City is a live album by the Velvet Underground recorded at the famous nightclub and restaurant at 213 Park Avenue South in New York City. It was originally released on May 30, 1972, by Cotillion, a subsidiary label of Atlantic Records. The Velvet Underground signed a two-album deal with Atlantic in early 1970 and released their fourth studio album, Loaded, in November 1970. By the time of its release, singer/guitarist/main songwriter Lou Reed had left. The rest of the band stayed together, with bassist Doug Yule moving to vocals and guitar and Walter Powers being drafted in to play bass. This line-up did a tour of the United States and Canada promoting Loaded. As the band still had a contract for another album, they wrote and played new songs eventually to be included on it. Atlantic had lost faith in the band’s commercial prospects and, wanting to cut their losses after the disappointing chart showings of Loaded, decided to release an archive live recording instead. The tapes that would later become Live at Max’s Kansas City were recorded on August 23, 1970, by Andy Warhol associate Brigid Polk on a portable cassette recorder. While they were recording Loaded, the Velvet Underground held a nine-week engagement (June 24 – August 28, 1970) at New York City nightclub Max’s Kansas City, playing two sets a night. Polk recorded almost everything happening around her at the time, and this happened to include her attendance of the last concert that Lou Reed played with the Velvet Underground. She recorded both the early and the late set. Later that year, Atlantic A&R employee Danny Fields heard the tapes and submitted them to his superiors, who accepted the recordings and in 1972 decided to make an album out of them. The line-up at the concerts consisted of Reed, Yule, lead guitarist Sterling Morrison and drummer Billy Yule, the younger brother of Doug Yule; regular drummer Maureen Tucker temporarily left the group several months earlier when she became pregnant with her first child, Kerry “Trucker” Tucker. Originally, Live at Max’s Kansas City was a single album distillation of both sets re-sequenced and edited by Lou Reed and Atlantic staff producer Geoff Haslam to reflect the band’s loud and quiet sides, respectively. On August 3, 2004, Warner Music re-issue label Rhino Records released a two-CD Deluxe Edition that contains both sets in their entirety in their original running order. The songs were recorded on a mono recorder using a simple ferro musicassette in a small venue, resulting in tape hiss and an audience often drowning out the quieter bits of music. Author Jim Carroll can be heard speaking on the album, ordering drinks and inquiring about drugs between songs as he was the one holding the microphone.]

Blair Schulman

11:33 – Interview with Blair Schulman

Art Writer Blair Schulman talks about Brigid Berlin aka Brigid Polk who passed away this year on July 12, 2020. She was the eldest daughter of Richard E. Berlin, chairman of the Hearst media empire for 32 years. Brigid was a prolific artist and Warhol Superstar who appeared in Chelsea Girls in 1966 and many other Warhol films. She also appeared in Serial Mom and Pecker for John Waters, and in the 1999 documentary film, Pie in the Sky: The Brigid Berlin Story. Blair Schulman is an art writer/critic, sometime curator and occasional artist. He is Senior Editor of Informality, an online arts platform in Kansas City, Missouri. His writing is found in Art in America, Cupcakes in Regalia, Huffington Post, Vice, Kansas City Star, Hyperallergic, Juxtapoz, Temporary Art Review, Whitehot, and was a longtime contributor to Review magazine. More info at: http://www.blairschulman.com

Blair Schulman, thank you for being with us one Wednesday MIdDay Medley

From wikipedia:

Brigid Emmett Berlin was born September 6, 1939, and died July 17, 2020. She was an American artist and Warhol Superstar.

Early years – Berlin was in Manhattan in New York City. She was the eldest of three daughters born to socialite parents, Muriel (Johnson) “Honey” Berlin and Richard E. Berlin. Her father was chairman of the Hearst media empire for 32 years.[3][4]

As a child, Berlin regularly mixed with celebrities and the powerful: I would pick up the phone and it would be Richard Nixon. My parents entertained Lyndon Johnson, J. Edgar Hoover, and there were lots of Hollywood people because of San Simeon – Clark Gable, Joan Crawford, Dorothy Kilgallen… I have a box of letters, written to my parents in the late 1940s and 1950s from the Duke and Duchess of Windsor.

Her socialite mother frequently worried about Brigid’s weight and constantly attempted to get her to lose it through any means, from giving her cash for every pound she lost at age 11 to having the family doctor prescribe amphetamines and dexedrine. Berlin recalled, “My mother wanted me to be a slim, respectable socialite. Instead I became an overweight troublemaker.”

She was briefly married to John Parker, a window dresser. They married in 1960 and later divorced. As Andy Warhol observed in his book Popism: “When Brigid brought her window dresser fiancé home to meet the family, her mother told the doorman to tell him to wait on a bench across the street in Central Park. Then she handed Brigid her wedding present – a hundred dollar bill – and told her to go to Bergdorf’s and buy herself some new underwear with it. Then she added, ‘Good luck with that fairy.'”

She had three siblings, all younger: sister Richie, who was, for a time, the roommate of Warhol Films’ “It Girl” and superstar Edie Sedgwick; youngest sister Christina “Chrissy” Berlin, who was instrumental in engineering the defection of Russian ballet star Mikhail Baryshnikov; and the youngest sibling, brother Richard Berlin Jr.[

Association with Andy Warhol – After years as a reluctant debutante and a failed marriage, Brigid Berlin met Andy Warhol in 1964 and quickly became a central member of his entourage. After moving to Hotel Chelsea, she took on the nickname Brigid Polk because of her habit of giving out ‘pokes’, injections of Vitamin B and amphetamines. These injections were available through ‘Doctor Feelgoods’ in NYC and perfectly legal.

Berlin appeared in several of Warhol’s films, including Chelsea Girls (1966), in which she is seen injecting herself while performing a monologue, and Ciao! Manhattan (1972), which starred Edie Sedgwick. Decades later, she appeared in minor parts in two John Waters’ films: Serial Mom (1994) and Pecker (1998). Pie in the Sky: The Brigid Berlin Story (2000) is a documentary in which she tells her life story in intimate detail and breaks her diet by consuming an entire meal of key lime pies. In its review, Variety suggests “Berlin comes across as a rather sad character despite her colorful and provocative life.”

Brigid Berlin and Andy Warhol

She was known for her obsessive taping and photographing of everyday life. Selections from these tapes were later compiled by Anthony Ingrassia to form the play Andy Warhol’s Pork. Other tapes made by her were the basis for Live at Max’s Kansas City (recorded 1970, released 1972), The Velvet Underground’s first live album.

Berlin was complicit in one of Warhol’s more infamous pranks when, in 1969, Warhol announced that all of his paintings were the work of Berlin. Brigid enthusiastically followed this line when interviewed by Time. The prank led to a drop in the value of Warhol’s work, and both parties eventually retracted their statements. The question of authorship looms large in valuing Warhol’s paintings to this day.

In 1975, Berlin began work as a permanent employee for Andy Warhol’s Interview magazine, a position that she held until well after Warhol’s death. Berlin transcribed interviews as well as knitted under the desk. Patricia Hearst (a close friend of Berlin who began work at Interview in 1988) observed “On my first day at work, I noticed two small pugs who seemed to have the run of the castle. They belonged to a woman who sat behind the front desk every day from 9:00 to 5:00, but who never seemed to answer the phone. Instead, she compulsively knitted, ate bags of candy and tended lovingly to the dogs.”

Artwork – Berlin was also a prolific artist. Therein it has been argued by some that her artwork was both influential to Andy Warhol’s and simultaneously overshadowed by Warhol’s celebrity and output. Berlin’s “Tit Prints” were artworks created using her bare breasts. Berlin would dip her breasts into multiple colored paints and then create a print by pressing them down onto canvas/paper. The Tit Prints are arguably Berlin’s most infamous work and were exhibited by Jane Stubbs at a gallery on Madison Avenue in 1996. On occasion, Berlin would publicly create Tit Prints, integrating visual art and performance art that “is totally not about nudity, this is about, you know, art.” She performed this act live at the Gramercy International Art Fair. After experiencing the performance, filmmaker John Waters later said “I think that she’s the most unselfconscious nude person…[She has] great confidence for a fat girl.”

Berlin also compiled and maintained scrapbooks that she referred to as “trip books.”[15] Volumes of these scrapbooks collecting cartoons and sketches of male genitalia were known as “The Cock Book” and included the genitalia of artists such as Jasper Johns, Robert Rauschenberg, and Warhol. Three volumes of “The Cock Book” sold for $175,000 at auction to artist Richard Prince.

Both Berlin and Warhol used the medium of Polaroid photography obsessively, and are said to have been very competitive in the Polaroid film department, whether over the best equipment or the best film. In 1969–1970 German art dealer Heiner Friedrich did a small showing of Berlin’s work called Polaroids and Tapes and created a catalogue for the work of the same name. The experimental nature of Berlin’s double-exposed Polaroids transcend the static, emotionless “icon” Polaroids of Warhol’s, clearly showing the power of her personal vision and photographic style. Common subject matter of Berlin’s Polaroids are self-portraits, Warhol Superstars, other artists and celebrities, and Off-Broadway one-woman shows. A one-woman show of her Polaroid self-portraits titled “It’s All About Me” showed in 2015 at the Invisible-Exports Gallery in New York City. The New York Times review stated “Ms. Berlin’s prints seem less of a lark and more like a strident, celebratory statement by an artist who was never shy about exposing…well, anything.”

Berlin’s digital archives were published in 2015 as Brigid Berlin Polaroids with a foreword by John Waters. In the Wall Street Journal review it was noted that Berlin was the first person Andy Warhol allowed to photograph his body after the 1968 assassination attempt.

Brigid Berlin Filmography

Chelsea Girls (1966)
Tub Girls (1967)
Bike Boy (1967)
The Nude Restaurant (1967)
Imitation of Christ (1967)
Four Stars**** (1967) aka 24 Hour Movie
Lonesome Cowboys (1967) (originally Berlin was to play a leader of a rival gang)
The Loves of Ondine (1967)
Women in Revolt (1971)
Ciao! Manhattan (1972)
Phoney (1973)
Fight (1975)
Andy Warhol’s Bad (1977)
The Critical Years (1987)
Serial Mom (1994)
Pecker (1998)
Pie in the Sky: The Brigid Berlin Story (1999)
Danny Williams and the Dream Factory (documentary, 2007)

Brigid Berlin aka Brigid Polk who passed away this year on July 12, 2020. She was the eldest daughter of Richard E. Berlin, chairman of the Hearst media empire for 32 years. Brigid was a prolific artist and Warhol Superstar who appeared in Chelsea Girls in 1966 and many other Warhol films. She also appeared in Serial Mom and Pecker for John Waters, and in the 1999 documentary film, Pie in the Sky: The Brigid Berlin Story.

Blair Schulman, thank you for being with us one Wednesday MIdDay Medley

Blair Schulman is an art writer/critic, sometime curator and occasional artist. He is Senior Editor of Informality, an online arts platform in Kansas City, Missouri. His writing is found in Art in America, Cupcakes in Regalia, Huffington Post, Vice, Kansas City Star, Hyperallergic, Juxtapoz, Temporary Art Review, Whitehot, and was a longtime contributor to Review magazine. More info at: http://www.blairschulman.com

11:48

21. Nico – “Chelsea Girls”
from: Chelsea Girl / Verve / October 1967
[Chelsea Girl is the debut solo album and second studio album by Nico. It was released in October 1967 by Verve Records and was recorded following Nico’s collaboration with the Velvet Underground on their 1967 debut. It was produced by Tom Wilson, who added string and flute arrangements against the wishes of Nico. The title is a reference to Andy Warhol’s 1966 film Chelsea Girls, in which Nico starred. Much of the album features instrumental work and songwriting credits from Velvet Underground members Lou Reed, Sterling Morrison, and John Cale. The song “I’ll Keep It with Mine” was written by Bob Dylan, while three songs are by Jackson Browne, who contributes guitar. After collaborating as a singer with the Velvet Underground on their debut The Velvet Underground & Nico (recorded during 1966, released in March 1967), Warhol superstar Nico toured with the band in Andy Warhol’s Exploding Plastic Inevitable (EPI) multimedia roadshow. Before the EPI came to an end in 1967, Nico took up residence in a New York City coffeehouse as a solo folk chanteuse; accompanied in turn by guitarists, such as Tim Hardin, Jackson Browne, and also her Velvet Underground bandmates Lou Reed, Sterling Morrison and John Cale. Christa Päffgen was born October 16, 1938 and died July 18, 1988, known by her stage name Nico, was a German singer, songwriter, musician, model, and actress. She had roles in several films, including Federico Fellini’s La Dolce Vita (1960) and Andy Warhol’s Chelsea Girls (1966). At the insistence of Warhol, she sang on three songs of the Velvet Underground’s debut album The Velvet Underground & Nico (1967). At the same time, she started a solo career and released Chelsea Girl. Nico’s friend Jim Morrison suggested that she start writing her own material. She then composed songs on a harmonium, not traditionally a rock instrument; John Cale became her musical arranger and produced The Marble Index, Desertshore, The End… and other subsequent albums. In the 1980s, she toured extensively in Europe, United States, Australia and Japan. After a concert in Berlin in June 1988, she went on holiday in Ibiza to rest and died as the result of a cycling accident.]

22. Leland Palmer – “After You’ve Gone”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[Leland Palmer (born June 16, 1945 in Port Washington, New York) is an American actress, dancer, and singer who has appeared on stage, in motion pictures, and on television. She appeared on Broadway in Bajour (1964), A Joyful Noise (1966) Hello, Dolly! (1967 replacement Minnie Fay), Applause (1970 replacement), and Pippin (1972). Palmer received two Tony Award nominations: in 1967 for featured actress in a musical (Miss Jimmie in A Joyful Noise), and in 1973 for actress in a musical (Fastrada in Pippin). Palmer appeared as Viola in the rock musical Your Own Thing during a highly regarded run at the Huntington Hartford Theater in Los Angeles in August 1968, in the role that she originated in the original Off-Broadway production in 1968. She appeared in Dames at Sea which opened in September 1970 at the theater at Plaza 9 in New York City. She played the role of Ruby, with The New York Times reviewer writing: “Ruby… is played like a virtuous, squeaking mouse by a girl named Leland Palmer, who is delicious in a mildly frightening way.” She appeared in the musical Double Feature at the Long Wharf Theatre, New Haven, Connecticut, which opened in November 1979. The show had music by Jeff Moss and was directed by Mike Nichols. Her U.S. television appearances include guest roles on Love, American Style; Laverne & Shirley; and Rhoda. She was also a regular on Dinah Shore’s summer variety television show, Dinah and Her New Best Friends in 1976. She played Aŕlene in the 1976 NBC television movie James Dean. Palmer is known for Bob Fosse’s All That Jazz (1979), in which she played Audrey Paris, a character believed to be modeled on Fosse’s wife, Gwen Verdon. Palmer is known now as Linda Posner. She was born Linda Palmer, and discovered many years later that the family name was really “Posner.” Although she no longer performs, she works with theaters in California. She taught acting classes at Mendocino Community College and was the Artistic Director, Director, Teacher, and Consultant for the Willits Community Theater (Willits, California). Pearl Marill, Posner’s daughter who heads a dance company, presented a one-time event “My Mother on Broadway” in October 2014 in San Francisco. She served as choreographer of the 42nd Street Moon, San Francisco production of Irma La Douce in 2008. The 1990-1991 U.S. television series Twin Peaks and its 2017 continuation featured a fictional, male character named Leland Palmer who was played by Ray Wise.

23. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, Sept. 23, we play more New & MidCoastal Releases. Plus Krystle Warren calls in from the south of France to talk about the new 4 song EP she just released from The Crew containing unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. We will also talk with Kansas City jazz musician and band leader Eddie Moore about his band We The People‘s new album, Misunderstood.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

The Freedom Affair album cover is a photograph of civil rights protesters in Kansas City, MO (April 9th, 1968) provided courtesy of LaBudde Special Collections, UMKC University Libraries.

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #855

WMM Playlist from Sept. 2, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 2, 2020

Ivory Blue + Nick Carswell & Mix Master 2020
+ David Shaughnessey & KC Irish Fest Where You Are

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

2. Shiner – “In The End”
from: Schadenfreude / Two Black Eyes / May 8, 2020
[Shiner is Allen Epley on voice, guitar, Rhodes; Josh Newton on guitar, Jason Gerken on drums, Cymbals; Paul Malinowski on bass. produced by Shiner. Recorded and mixed by Paul Malinowski at Massive Sound, Shawnee, Kansas. Additional recording by Allen Epley. Additional mixing by Josh Newton. Mastered by Mike Nolte at Eureka Mastering, Portland, OR. Art by Mike McKenney (@the_real_theory). Layout by Josh Newton Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude.” The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7” single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times.]

[SHINER plays a 15 Year Anniversary – Kickstarter Kick-Off Party with Heels and DJ Stevie Cruz on Friday September 4, 2020, 7:00 PM to 11:00 PM at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. recordBar is launching a Kickstarter campaign through their Lights On program, which is designed specially to help businesses find funding to weather the pandemic. This campaign will celebrate recordBar’s 15th year by offering rewards of limited edition merchandise, items from recordBar’s vast collection of memorabilia, future tickets and much more. To launch the campaign, an all-time favorite band, Shiner will perform. Tickets can be purchased through the Lemonade Park or recordBar website. This show will also be available via live-stream from the Kickstarter page. Tickets are limited to 75 and are available for $75 a piece, with assigned seating. Donations for the Day of Show Auction include prizes from: KC Royals, Midwest Music Foundation, Jack Daniels, Tito’s, Drunken Fiddles, The Record Machine, Ragazza, The Midland Theater, Josey Records, The Pairing, Boulevard Brewery, Manor Records, Jaykco Guitar Straps, Weights & Measures Recording Studio, Massive Sound Recording Studio, Records With Merritt, Messenger Coffee, Ibis Bakery. More info at: http://www.shiner.net / http://www.kickstarter.com/projects/recordbar/15-year-anniversary-recordbar-will-return%5D

[SHINER plays Night 2 of recordBar 15 Year Anniversary Party with The Whiffs and DJ Thundercutz on Sunday September 6, 2020, 7:00 PM to 11:00 PM at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire.]

3. Daniel Gum – “Ruin Your Life”
from: Ruin Your Life – Single / Manor Records / September 4, 2020
[First single from Daniel Gum’s new album, Thirteen to be released later this fall on Manor Records. Daniel Gum is a 23 year old singer-songwriter from Kansas City. Since the age of 12, he has spent the majority of his time writing and recording songs by himself in his room. His most recent project, Moon, on the other hand was recorded by someone else in another room while Daniel was by himself in yet another room. The Moon EP was released December 7, 2019. It was engineered by Mike Crawford and Daniel Gum and mixed by Daniel Gum with piano and accordion by Cole Crawford. Daniel Gun released his EP i’m not dead October 25, 2017, and his 10-song album Reorient on July 31, 2015, with all songs written, recorded and mixed by Daniel Gum who also performed all vocals guitars, drums, piano, bass. harmonica, and programming.] [On our July 22, 2020, WMM show we played Daniel Gum’s track, “Tired Saint” from French Exit Records – Black Lives Matter Compilation, released July 6, 2020. French Exit Records was launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

4. Sam Prekop – “Summer Places”
from: Comma / Thrill Jockey Records / September 11, 2020
[From his Bandcamp page: Sam Prekop’s boundless imagination is guided by his strong sense of melody. For more than 25 years, as a solo artist or as part of The Sea and Cake, Prekop creates a singular sound inventive and warm. His distinctive vocals, guitar playing and work on modular analog synthesizers are inventive, delicate, and always bear his signature sense of melody. Comma finds Sam Prekop for the first time working extensively with beat programming, focusing his enveloping synthesizer pieces around a newfound rhythmic pulse. // Prekop’s creative process is a combination of preparation and improvisation. Writing sessions for Comma began with an open-ended exploration of sounds and textures from which the first fragments of songs would reveal themselves. The introduction of drum machines and additional synthesizer units to his modular setup shifted things in surprising new directions as he worked to bend them into more traditional pop song structures. Drum tracks and emergent rhythms provided the frameworks and narrative sketches to be fleshed out with lustrous widescreen synth pads and ribboning melodies. In approaching his writing with a completely open mind and letting himself be guided by the music, Prekop maintains a delicate balance between composition and chance, control and spontaneity. Comma embraces the analogue synthesizer’s often unpredictable nature, imbuing the record with a decidedly organic feel even while working within the relative rigidity of beat architectures. // Prekop’s wide-eyed sense of discovery guides his exploration of beat-driven music, pushing him to use rhythm as a narrative tool and to embrace electronic music’s romantic and emotional qualities. “Park Line” and “Circle Line” evoke the relentless forward motion of public transit and commuter routine, one propelled by juddering machine-drums, the other illuminated in glistening neon. “Summer Places” and title track “Comma” are utterly transportive in their intoxicating tropical futurism, aqueous electronic loops cascading over melodic percussion. “September Remember” is notable precisely for its lack of drum track, opening up the field of sound and obliterating all but the faintest after-echoes of skittering percussion in its astral melancholy. “Approaching” achieves an incredible depth of sound and feeling using minimal constituent parts, interlocking synth-lines revealing surprising new sonorities with every repetition. With Comma, Prekop compiles an incredible breadth of ideas into a surprisingly coherent sound-world. // Comma is Prekop’s modern minimal pop album that taps into the experimental heritage of the synthesizer. The album places Sam Prekop’s work squarely in the tradition of electronic music pioneers like Brian Eno and Yellow Magic Orchestra who brought together the unrestrained ambition of the avant-garde with the immediacy and accessibility of pop music. ]

5. Miki P and The Swallowtails – “Imperfect”
from: Right Where We Are / Miki P / August 21, 2020
[Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, and Miki P on guitar & lead Vocals. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P (Mikala Petillo) started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fell to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest More info at: http://www.mikipmusic.com .]

6. Paper Tongues – “Just Do It”
from: Just Do It – Single / Soundview Projects / August 5, 2020
[Paper Tongues are a musical hailing from Charlotte North Carolina. Aswan North grew up in Jacksonville, North Carolina and Danny Santell is originally from the Bronx, New York City, NY. The two combine forces to deliver an eclectic Rock & Hip Hop Sounds. Danny Santell now resides in Kansas City. Paper Tongues was once signed to AM Octone Records and was managed by Randy Jackson (American Idol/Journey). They left the label and got their masters back and are now truly independent recording artists!.]

7. Madisen Ward and the Mama Bear – “Started With a Family”
from: Started With a Family / Starts With Music, LLC / September 6. 2019
[Produced with Grammy-winner Nathan Chapman at iconic Blackbird Studios in Nashville. Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015. Their follow up EP Radio Winners was released July 27, 2018 and recieved critical acclaim.] [Madisen Ward and The Mama Bear played Crossroads Music Fest, Sat., Sept 7,, Crossroads KC, with Shy Boys, Split Lip Rayfield, The Freedom Affair.]

[Madisen Ward plays Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

10:30 – Underwriting

8. Sean Muldoon & Ashley Davis – “Perfectly Beautiful”
from: LightSongs / Dead Rabbit Records / January 14, 2020
[Think Joni Mitchell meets contemporary Celtic and you’ll get something like the creative force of Ashley Davis, an American singer-songwriter whose musical imagination invites the world into her eclectic sphere. Good Morning America, describes the Ashley Davis Band as “new music springing from ancient roots.” A culmination of the many influences that have inspired her over the years, Davis’s songwriting has captivated audiences on either side of the Atlantic. She has excelled in Celtic folk, Americana, and even electronic, proving she can turn any musical style into a spellbinding story. In the words of Academy Award winning composer Philip Glass, Ashley Davis has “as much musicality as anyone could wish for.” A native of Kansas and graduate of the University of Limerick’s World Music Centre, Ashley Davis writes music that lives between continents and speaks to two national traditions. Between her background in American roots and love of Celtic folk, Davis possesses a unique talent for conjoining ancient history with modern, intercultural interpretation. As a performer moving between Nashville, New York, the west of Ireland, and even the Isle of Man, where she served as Artist in Residence in 2006, Ashley has always applied her distinct Great Plains perspective to a range of genres and cultures, forging songs out of the moment when different minds and backgrounds meet. Given all the time she has spent traversing the Atlantic, it is unsurprising that Davis’s music exhibits an inherently ethereal and aqueous quality. Her songs seem to exist air bound above the ocean, merely waiting for the current to direct them toward shore..]

[Ashley Davis plays Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

10:34 – Interview with David Shaughnessy

What happens when you are in the middle of a pandemic and your annual celebrated and incredibly popular annual KC Irish Fest is scheduled for Labor Day Weekend. The result is: KC Irish Fest Where You Are – Benefit Concert, Saturday, September 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating, and also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen.

David Shaughnessy works at Uptown Artist Group, an artist booking and management agency specializing in contemporary Celtic, World and Mainstream music. Their roster consists of Byrne and Kelly, Mundy, Ashley Davis, Runa, Red Hot Chilli Pipers, Dylan Walshe, Shane Hennessy, and Oscar Blue. David is also the founder of Shaughnessy & Associates Photography and he serves as Entertainment Director at Kansas City Irish Fest.

David Shaughnessy, Thanks for being with us on WMM.

Check out http://www.kcirishfest.com for a full listing of Fest Where You Are

Saturday, September 5, at 7:00 PM, a two-hour broadcast of the benefit concert, featuring all the live performances from Crown Center and other surprises, Fest Where You Are will benefit the KC Irish Fest Grant Fund. The broadcast will be available at KCIrishFest.com!

Classic Irish hits & covers from house band Carswell & Hope with guest performances.

PERFORMING LIVE AT CROWN CENTER: Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen

VIRTUAL PERFORMANCES & INTERVIEWS: Aoife Scott, Byrne and Kelly, Corner Boy, Gaelic Storm, Oscar Blue, Shane Hennessy, We Banjo 3.

FEST WHERE YOU ARE BENEFIT CONCERT

Audiences can enjoy the benefit concert live, in-person at Crown Center, with physically distanced tables that seat up to six guests of your choice (and include a beverage package featuring Guinness, Boulevard Products, Miller Lite, wine and water.) Each table also receives a swag bag with gifts from all our Fest Where You Are partners including koozies, bandanas, glassware, and a KC Irish Fest branded mask! All tables are outside under the Crown Center Pavilion tent and spaced a minimum of 8-feet apart. Limited tables available. Tickets must be purchased by table and cannot be purchased individually. Must be 21+ to attend, and agree to these terms and conditions. All proceeds from this concert will be donated to the Kansas City Irish Fest Grant Fund and other non-profit organizations. info@kcirishfest.com
Purchase tickets for the in-person event at Crown Center here: https://bit.ly/3gT2dtu

FEST WHERE YOU ARE CONCERT LIVE FROM CROWN CENTER
WATCH VIRTUALLY VIA LIVESTREAM on KCIrishFest.com
SATURDAY, SEPTEMBER 5TH, 7-9PM

OTHER WAYS TO WATCH

KANSAS CITY IRISH CENTER
Kansas City Irish Center will have a limited number of tickets available for purchase, for a seat on their patio to watch a livestream broadcast of the concert outdoors on a large LED screen. Tickets are $25 and food and beverages will be available for purchase.Enjoy a pre-show with Ian & Kian Byrne.

KELLY’S WESTPORT INN
Kelly’s Westport Inn will be featuring the concert on their TV sets and will have reserved tables available for purchase. Tickets are $15 per person and you must reserve your table by August 20th. Tickets must be purchased by table and cannot be purchased individually. To reserve your table, email info@kellyswestportinn.com

Reservations begin at 7pm but you can stay as long as you like
Table sizes range from 2-20 people, but are limited
All tables are located in the back two rooms of Kelly’s
Ticket includes two drink tickets for Boulevard Wheat, Pale Ale or a Jameson cocktail

BROWNE’S IRISH MARKET
Browne’s Irish Marketplace will be streaming “KC Irish Fest Where you Are” on an LED screen in their large outdoor venue South of Brownes. It is perfect for your small group to be distanced from other small groups. Tickets are $20 and include one drink token. Enjoy a pre-show from the Jump 2-3’s beginning at 6 p.m. Additional food and beverages will be available for purchase.

CONROY’S PUBLIC HOUSE
Conroy’s will be streaming the concert live at their 47th street location. Reservations are required, please call (913) 296-7901 to make your reservation

THE DUBLINER
The Dubliner in the Power & Light District will be streaming the Fest Where You Are Concert at their restaurant. Food & Drink specials available. Reservations are recommended, but not required. Call (816) 268-4700 to make your reservation

Check out 2020.kcirishfest.com for a full listing of Fest Where You Are activities including Whiskey Tastings, Virtual Workshops, Kids Activities and more.

SATURDAY, SEPT. 5.

10:00 am – MR. STINKY FEET VIRTUAL CONCERT & STORYTELLING
11:00 am – COOK IRISH BREAKFAST WITH KYLE FROM BOULEVARD
3:00 pm – SCONES WITH SHAUN BRADY
6:00 pm – JAMESON WHISKEY TASTING
4:00 pm- STONE LION PUPPETS LEPRECHAUN PUPPET WORKSHOP
8:00 pm – LIVE CONCERT AT CROWN CENTER

David Shaughnessy, Thanks for being with us on WMM.

Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen

David Shaughnessy, Thanks for being with us on WMM.

Check out 2020.kcirishfest.com for a full listing of Fest Where You Are

10:52

9. Calvin Arsenia – “Kansas City Baby”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artistsBorn in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Calvin released his full length Christmas album “all is calm.” Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist. Calvin Arsenia will be participating in The West 18th Street Fashion Show’s 20th year as a feature-length film. “We are moving it from the street to the screen,” says Peregrine Honig to inkansascitymagazine.com “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The evening of October 16th at The Boulevard Drive-In will be the debut of the director’s cut of “Summer in Hindsight,” which Peregrine is currently working on with Justin Gardner,” Honig says. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.”

[Calvin Arsenia will be a panelist for MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest, TODAY, Wednesdays, September 2, from 4 to 5:30 PM, focused on COVID Check-in: Staying Well & Staying Creative with panelist s Krystle Warren, Erin McGrane and Nick Carswell, and moderated by Mark Manning.]

[Calvin Arsenia plays Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

10. Black Pumas – “Fast Car”
from: Black Pumas (Deluxe) / ATO / August 28, 2020
[From Rolling Stone: Black Pumas have released a new double album deluxe edition of the band’s debut album, out August 28th via ATO Records. This deluxe edition features live-in-studio version of their song “Confines” where Black Pumas are tapering back the quick soul skip of the original into a groove that still moves at a steady pace, but now boasts additional space for a cadre of background singers and a string quartet. This new arrangement suits Black Pumas, as both Eric Burton’s raw vocals and Adrian Quesada’s spitfire guitar still sound right at home amid the swelling strings. This version of “Confines” is one of three live-in-studio cuts on the deluxe edition, along with renditions of “Colors” and “Oct 33.” The record also features three previously unreleased originals, “I’m Ready,” “Red Rover” and “Black Cat,” plus a live version of “Know You Better,” recorded at the Austin club, C-Boys Heart and Soul. The deluxe edition, Black Pumas also feature four cover songs: their take on Tracy Chapman’s “Fast Car,” plus renditions of the Beatles’ “Eleanor Rigby,” Death’s “Politicians in My Eyes” and Bobby “Blue” Bland’s “Ain’t No Love in the Heart of the City.” // Black Pumas are a funk and soul duo based in Austin, Texas, consisting of singer Eric Burton and guitarist/producer Adrian Quesada. Their work also has strong Latin music influences. The duo received their first Grammy nomination ever for Best New Artist at the 62nd Annual Grammy Awards. The duo formed in 2017 and released their debut album, Black Pumas, on June 21, 2019 which was part of WMM’s 119 Best Recordings of 2019. Black Pumas performed at South by Southwest in 2019 and won a best new band trophy at the 2019 Austin Music Awards. On November 20, 2019, they were nominated for a Grammy Award for Best New Artist. Quesada was a member of Latin funk band Grupo Fantasma when it won the Grammy Award for Best Latin Rock, Urban or Alternative Album for the 2010 album El Existential, and when it was previously nominated for the same award in 2008 for Sonidos Gold.]

11:00 – Station ID

11. Ivory Blue – “Elite Dreamland”
from: “Elite Dreamland” – Single / Devin Robert Kesler / February 17, 2020
[KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivøry Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, Kauffman Stadium, the KCPT Screening of “Real Boy” at The Kansas City Public Library. Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivory moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family.]

Ivory Blue

11:04 – Interview with Ivory Blue

KC based singer songwriter and rock & roller, Ivory Blue caught our attention with the debut EP, Ready Get Set, released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivory Blue joins us on the phone to share the new single “Half a Life” to be released September 20, 2020. Earlier this year Ivory released the single “Elite Dreamland” on February 17. Ivory Blue has been in the studio working on a new 10-song album called, “Compound Love.” Ivory has played Crossroads Music Fest, Middle of the Map Fest, The Westport Roots Festival, Kauffman Stadium, and the KCPT Screening of “Real Boy” at KC Public Library. More info at: http://www.ivorybluemusic.com

Ivory Blue thanks for being with us on Wednesday MidDay Medley.

Creating music in pandemic times.

Ivory Blue has been in the studio working on a new 10-song album, “Compound Love.”

Ivory Blue was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records.

Ivory Blue’s debut EP, Ready Get Set was released in June 2015, recorded and mastered by Larry Gann of Awestruck studios. Micah Burdick on guitar, Craig Kew on bass, and Lester Estelle, drummer for Kelly Clarkson, on drums for Ivory ‘s EP.

More info at: http://www.ivorybluemusic.com

Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, the KCPT Screening of “Real Boy” at The Kansas City Public Library, and The Kauffman Stadium, July 1, Royals home game.

Klaartje Van Lue is Ivory’s manager and she was the one who helped Ivory find their way to KC. Ivory has said that Klaartje saved their life.

Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivory moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and was welcomed into a new family. On June 23, 2015, Ivory released the debut EP, “Ready Get Set.” Ivory is now currently in the process of writing and recording a debut full-length album.

Ivory has talked with us about how in their life they have turned to music to express pain. Ivory spent most of their childhood looking for a family. In 2010 Klaartje Van Lue saw Ivory performing in a YouTube video and contacted them, flying Ivory to Kansas City, and adopting Ivory into the Van Lue family. During the past 10 years Ivory came out as “Non-Binary Transgender.”

Ivory is one of our most frequent guests and sang “Elite Dreamland” live on our November 6, 2019 edition.

“Half A Life” was composed, arranged, and produced solely by Ivory Blue, with every instrument, every sound effect, thinkle or loop, with the exception of drums by Lennon Bone recorded at Element Studios, (Joel Nanos), and bass by Craig Kew recorded in Ivory’s home studio.

Ivory Blue thanks for being with us on Wednesday MidDay Medley.

Ivory Blue’s new song “Half A Life” will be released September 20. Ivory’s full length 10-song album called “Compound Love” will be released later in 2020. More info at: http://www.ivorybluemusic.com

11:20

12. Ivory Blue – “Half A Life”
from: “Half A Life” – Single / Devin Robert Kesler / September 20, 2020
[“Half A Life” was composed, arranged, and produced solely by Ivory Blue, with every instrument, every sound effect, thinkle or loop, with the exception of drums by Lennon Bone recorded at Element Studios, (Joel Nanos), and bass by Craig Kew recorded in Ivory’s home studio. KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. KC based singer songwriter and rock & roller, Ivory Blue is currently in the studio putting together a new full length 10-song album called “Compound Love” for release in 2020. Ivory Blue’s debut EP, Ready Get Set was released in June 2015 and had wide radio airplay on this show and multiple radio and television stations in Kansas City and across the country. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local & regional challenges and advanced to nationals in Los Angeles to win the top prize. Ivory Blue has played Crossroads Music festival, The Middle of the Map Festival, The Westport Roots Festival, Kauffman Stadium, the KCPT Screening of “Real Boy” at The Kansas City Public Library. Born in 1986 in Peoria Illinois, and given up for adoption at the age of four, it was difficult to find trust in people after living with eight different foster families. Running away at 15, Ivory moved from Indiana to Oklahoma and eventually ended up in Seattle. In 2011 Ivory moved to Kansas City, and has became a part of new family]

13. Lava Dreams – “See It Through”
from: “Good Energy + Focus / Lava Dreams / June 13, 2020
[Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila Unversity. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com ]

[Lava Dreams plays Saturday Storytellers, Saturday, September 5, at 5:00 PM with Jessica Paige, at Ollie’s Local, 3044 Gillham Rd., in KCMO hosted by Don Simon on the first Saturday of each month.]

14. Shy Boys – “View From The Sky”
from: Talk Loud / Polyvinyl Record Co. / Expected September 25, 2020
[From the upcoming third album from Kansas City’s Shy Boys. The follow up to single, “Trash” released August 3, 2020. and after Dim The Light / Brick By Brick, released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” (originally released by The I’ms) was featured on Spin.com. In June 2014, the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Company.]

11:29 – Underwriting

15. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

[Carswell & Hope will be the house band for KC Irish Fest Where You Are – Benefit Concert, Sat, Sept. 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen]

[Nick Carswell is presenting MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest, TODAY, Wednesdays, September 2, from 4 to 5:30 PM, focused on COVID Check-in: Staying Well & Staying Creative with panelist s Krystle Warren, Erin McGrane and Nick Carswell, and moderated by Mark Manning.]

Nick Carswell

10:34 – Interview with Nick Carswell

Songwriter Nick Carswell is originally from Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011. He formed Carswell & Hope in late 2012. The band released their debut album in 2014, coinciding with a two week Irish tour. Nick has also played bass in the electro-pop band Pink Royal and is the force behind Silly Goose Records and the annual MixMaster music conference, now part of the Crossroads Music Festival. Nick Carswell joins us to shares details on MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest. Now in its 7th year, MXM 2020 is offering a 3-week series of online panel discussions, starting this week, on Wednesdays, from 4 to 5:30 PM, focused on empowering artists, connecting creators with the wider industry, and sharing best practices to advancing your music. In context of the COVID-19 pandemic, topics cover how artists are coping, what opportunities are available, and how to remain positive, creative and connected. The virtual series begins this afternoon, September 2, at 4;00 to 5:30 PM offering COVID Check-in: Staying Well & Staying Creative with panelist Krystle Warren, Calvin Arsenia, Erin McGrane, Nick Carswell, and moderated by Mark Manning. More info at: http://www.kkfi.org

Nick Carswell thanks for being with us on WMM.

Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011.

Last time Nick was on the show was over a year ago when he shared music and information about Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance of 10 songs, accompanied by lighting, projection and stage design, creating a unique visual canvas to the music.: Friday, May 10, at The Irish Center of KC, 19 West Linwood Blvd. AND Saturday, May 11, at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS. The project was supported by an ArtsKC Inspiration Grant.

Carswell & Hope will be the house band for KC Irish Fest Where You Are – Benefit Concert, Saturday, September 5, 7 to 9:00 PM at Crown Center Pavilion, with social distanced-limited seating also broadcast live at: 2020.kcirishfest.com with Classic Irish hits & covers from house band Carswell & Hope with guest performances from: Calvin Arsenia, Carswell & Hope, Ashley Davis, Eddie Delahunt. Maria the Mexican, Enrique Chi of Making Moves, Ian Byrne of The Elders, Madisen Ward, Victor and Penny, and Katy Guillen.With virtual performances and presentations from: Aoife Scott, Byrne and Kelly, Corner Boy, Gaelic Storm, Oscar Blue, Shane Hennessy, We Banjo 3.

Saturday, September 5, at 7:00 PM, a two-hour broadcast of the benefit concert, featuring all the live performances from Crown Center and other surprises, Fest Where You Are will benefit the KC Irish Fest Grant Fund. The broadcast will be available at KCIrishFest.com!

MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest.

Now in its 7th year, MXM 2020 is offering a 3-week series of online panel discussions, starting this week, on Wednesdays, from 4 to 5:30 PM, focused on empowering artists, connecting creators with the wider industry, and sharing best practices to advancing your music. In context of the COVID-19 pandemic, topics cover how artists are coping, what opportunities are available, and how to remain positive, creative and connected.

September 2, offers COVID Check-in: Staying Well & Staying Creative with panelist Calvin Arsenia, Nick Carswell, and Krystle Warren moderated by Mark Manning.

September 9, offers Connecting with Audiences in COVID times: Livestreams, Patreon and more.

September 16, offers, Keeping the Lights On: Venues, events & the wider industry. The series is hosted by Silly Goose Records, CMFKC and KKFI 90.1 FM. More info at: http://www.kkfi.org

Nick Carswell thanks for being with us on WMM.

11:49

16. Krystle Warren – “Born In The Fall”
from: A Time to Keep Love Songs EP / Parlour Door Music / August 12, 2011
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystle Warren will be a panelist for MixMaster2020: Virtual Panels & Workshops in partnership with KKFI 90.1 FM’s Crossroads Music Fest, TODAY, Wednesdays, September 2, from 4 to 5:30 PM, focused on COVID Check-in: Staying Well & Staying Creative with panelist s Krystle Warren, Erin McGrane and Nick Carswell, and moderated by Mark Manning.]

17. Angel Olsen – “Whole New Mess”
from: Whole New Mess / Jagjaguwar / August 28, 2020
[5th studio album from Angel Olsen. Recorded by Olsen and engineer Michael Harris in a converted church, the album features tracks from her 2019 album, All Mirrors, arranged in a more intimate style. Whole New Mess was recorded over ten days in October 2018 with engineer Michael Harris. The pair worked in isolation in the town of Anacortes, Washington, recording in a converted Catholic church.[2] Olsen would use the church’s corridors to create a natural echo effect on her vocals. The album was recorded prior to Olsen’s 2019 studio album, All Mirrors, which features many of the same compositions in a different form: “When we made [Whole New Mess], I was still processing a lot of the songs, so for me, it’s harder to listen to this record than it is for me to listen to All Mirrors. When I recorded All Mirrors, other people had their hands in the pot, which separated me from the songs. I could get into them in a distant way. On Whole New Mess I’m feeling every feeling that they evoke.” The album was written following the collapse of a romantic relationship, with Olsen noting: “I was really depressed. I had no idea whether the songs were good. They were just about my life. I could have recorded them at home and kept them as demos, but I knew Michael [Harris] was someone I could be depressed in front of, who would help me to explore it in different ways. It was such an emotional process.” Angel Olsen was born January 22, 1987. She is an American singer-songwriter and musician from St. Louis, Missouri who currently lives in Asheville, North Carolina. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center and the Creepy Crawl as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago.After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on February 17, 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016. In addition to her work with Bonnie “Prince” Billy and The Cairo Gang, Olsen has collaborated with a number of other notable figures of American indie rock, including Tim Kinsella of Cap’n Jazz, LeRoy Bach of Wilco and Cass McCombs. Her collaboration with Kinsella and Bach, as well as with Chicago poet Marvin Tate, resulted in the album Tim Kinsella Sings the Songs of Marvin Tate by Leroy Bach Featuring Angel Olsen which the group released on Indianapolis label Joyful Noise Recordings on December 3, 2013.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – ArtsKC – Arts Calendar

Next week on Wednesday, September 9, Bill Sundahl joins us to share details the Crossroads Music Fest presented virtually and over the radio on Saturday, September 9, with Calvin Arsenia, Laura Noble, We the People (feat. Eddie Moore), Julia Othmer, Ezgi Karakus & John Livingston, Soul Servers, and The Royal Chief. More info at: http://www.CMF.com

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Nick Carswell photo by John Knepper

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #853

WMM Playlist from August 26, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 26, 2020

Eliza Gilkyson + The Black Creatures + Kemet Coleman

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

Calvin Arsenia

2. Calvin Arsenia – “Revelation”
from: “Revelation” – Single / Calvin Arsenia / August 12, 2020 (Un-released) New Song
[Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Clvin released his full length Christmas album “all is calm.” Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist. Calvin Arsenia will be participating in The West 18th Street Fashion Show’s 20th year as a feature-length film. “We are moving it from the street to the screen,” says Peregrin Honig to inkansascitymagazine. “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The evening of October 16th at The Boulevard Drive-In will be the debut of the director’s cut of “Summer in Hindsight,” which Peregrine is currently working on with Justin Gardner,” Honig says. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.”

[Calvin Arsenia plays a Center Cut Records Showcase at Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, August 29, at 7:00 PM, with The Black Creatures. More info at: http://www.centercutrecords.com]

3. Nubya Garcia – “Stand With Each Other”
from: SOURCE / Concord Jazz / August 21, 2020
[Nubya Nyasha Garcia was born in 1991. She is a British jazz musician, saxophonist, flautist, composer and bandleader. Garcia is the youngest of four siblings born in Camden Town, London to a Guyanese mother, a former civil servant, and a British Trinidadian film maker father. Garcia followed her older siblings to the local Saturday music centre at the age of 5, where she first learned the violin and later played the viola in the London Schools Symphony Orchestra (LSSO). Garcia has said her home life with her stepdad, a brass player with a vast collection of instruments, and her mother a keen collector of all genres of music from reggae and Latin to classical and soul, coupled with the music activities at school, Camden School for Girls, meant she was saturated with music of all genres. Garcia began learning the saxophone at the age of 10, with Vicky Wright until attaining ABRSM G8 distinction. She very early became a member of the Camden Jazz Band, directed by jazz pianist Nikki Yeoh, before joining the junior jazz program at the Royal Academy of Music. She also attended the workshops of Tomorrow’s Warriors under the direction of Gary Crosby. While still in High School, she received a scholarship for a five-week summer program at the Berklee College of Music in Boston. During her Gap Year she studied with former Jazz Messengers member, Jean Toussaint. In 2016 she graduated with Honours from the Trinity Laban Conservatoire of Music and Dance, in Jazz Performance. In 2017, Garcia released her debut album Nubya’s 5ive via the label Jazz re:freshed. That year, her Nubya Garcia Band was an opening act at Gilles Peterson’s Worldwide Festival in Sète; the following year she played at the NYC Winter Jazz Festival and the Jazzfest Berlin.In her 2018 EP When We Are, Garcia explored how electronics can be used in a live jazz environment; the EP was created as a result of the Steve Reid Innovation Award. She is also a member of the Nérija, a collective, and the band Maisha led by drummer Jake Long. In addition, she is a collaborator on albums by Makaya McCraven, Theon Cross, Moses Boyd, the Toshio Matsuura Group and Sons of Kemet to Shabaka Hutchings; contributions from her can be found on five tracks of Brownswoods We Out Here, a sampler album from the modern London jazz scene. Garcia tours internationally, in Europe, India, Australia, and North America. She regularly performs at Greenfield festivals in the UK including Love Supreme Jazz Festival. She has headlined sell-out shows at Ronnie Scott’s Jazz Club London. Garcia also has a burgeoning reputation as a DJ, with a hit monthly radio residency on NTS Radio since November 2017. Garcia was supposed to perform at the Glastonbury Festival, but the festival had to be cancelled due to the increasing concerns over the 2019–20 coronavirus pandemic.]

4. Bully – “You”
from: SUGAREGG / Sub Pop / Augut 21, 2020
[Bully is the solo project of guitarist and singer Alicia Bognanno. The American rock band formed in 2013 in Nashville. They signed to Columbia Records label Startime International and released their first album Feels Like in 2015, then moved to Sub Pop to release Losing in 2017. Their third album Sugaregg was released on August 21, 2020. What initially began as a three-piece band is now a solo project with accompanying members. Bully was founded by Rosemount, Minnesota native Alicia Bognanno, who earned a degree from Middle Tennessee State University in audio recording before getting an internship at Steve Albini’s Electrical Audio studios in Chicago. She started recording demos of her own material before relocating to Nashville, Tennessee, where she worked as an engineer at Battle Tapes Recording and The Stone Fox venue. She formed the band with Stewart Copeland on drums (not to be confused with the drummer for The Police). After self-releasing a limited cassette, the band’s first single proper, “Milkman”, was released in April 2014. They signed with Columbia Records label Startime International and released their debut album Feels Like in June 2015. Feels Like received generally positive reviews from critics. Laura Snapes of Pitchfork wrote, “The coarse Cobain head-scream of Bully singer, songwriter, and guitarist Alicia Bognanno is its own resuscitating jolt of protest… she spends much of Feels Like tearing down the house with her howl.” Losing, Bully’s second studio album, was released by Sub Pop on October 20, 2017. The album was recorded at Electrical Audio in Chicago. It was called less “grimier and sugar-slick” than Feels Like. On May 1, 2020, Bully released covers of Nirvana’s “About a Girl” and Orville Peck’s “Turn to Hate”. Of the “About a Girl” cover, Rolling Stone stated “Hearing the Nashville band cover Nirvana is almost too obvious—but, good God, is it glorious. Their spin on 1989’s ‘About a Girl’ strikes a perfect balance of raw and melodic, without ever sounding like the output of a cover band…Still, it’s not just a skilled copy of a classic.” As for her take on “Turn to Hate”, Stereogum wrote “A song that sounds incredible in Bully’s rocket-fueled garage rock style.” Paste concurred that “Bully’s rendition is possibly even better than the original with its incredibly anthemic chorus.” On June 11, 2020, Bully announced their third record Sugaregg, which was released by Sub Pop on August 21, 2020. Bognanno paid homage to Chumbawamba’s 1997 song “Tubthumping” when writing the single “Where to Start”, which was met with positive reception. On the album’s second single “Every Tradition”, Bognanno addresses society’s expectations for women, while also targeting a specific unnamed individual.]

5. The Moose – “Ultraviolet”
from: “Ultraviolet” – Single / The Moose / August 3, 2020
[The Moose is a psychedelic rock/pop alternative band from Lee’s Summit / Kansas City, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on Dec. 21, 2018. The Moose released the two song single “Through The Rainbow”/”Bell-Bottom Trees” on November10, 2019. The Moose joined us LIVE on WMM on July 10, 2019.]

6. Bright Eyes – “Marianna Trench”
from: Down in the Weeds, Where the World Once Was / Dead Oceans / August 21, 2020
[After being on a hiatus since their last performance on November 21, 2011 in Honolulu, Hawaii, Bright Eyes is back! Bright Eyes is an American indie rock band founded by singer-songwriter and guitarist Conor Oberst. It consists of Oberst, multi-instrumentalist and producer Mike Mogis, arranger, composer and trumpet and piano player Nate Walcott, and a rotating line-up of collaborators drawn primarily from Omaha’s indie music scene. Between 1998 and 2011, the band’s albums were released through Saddle Creek Records, a Nebraska-based label founded by Justin Oberst (Conor’s brother) and Mogis. In January 2020, the band announced their return, having signed with Dead Oceans. In January 2020, Bright Eyes launched an Instagram page and teased a 2020 return. As of January 21, 2020 Bright Eyes have signed with Dead Oceans and are working on a new studio album. They released their first new song in 9 years – “Persona Non Grata” – on March 24. NME’s Luke Morgan Britton wrote of the track: “[A] dual sense of societal dystopia and inner turmoil collide and intertwine on the quietly poignant ‘Persona Non Grata’… [It] sees the band maintain the sage-like, cryptic feel of their latter-day records. Yet it also returns to the intimacy and immediacy of their early material.]

7. CHICKA – “U Should”
from: “U Should” – Single / Warner Records / August 7, 2020
[Chika was born, Jane Chika Oranika, on March 9, 1997 (age 23), on Montgomery, Alabama,. Known professionally as Chika (often stylized CHIKA), is an American rapper, model, and actress. She was featured in JoJo’s song “Sabotage” which reached number 18 on the Billboard US R&B Digital Downloads. In 2020, she was included on XXL’s 2020 Freshman Class. Because of her interest in music and slam poetry, she attended Booker T. Washington Magnet High School. She received an acceptance to Berklee College of Music, but due to tuition costs, she enrolled at the University of South Alabama instead. She dropped out after her first year to focus on a music career. Chika first gained widespread attention following an Instagram post from November 9, 2016, the day after the 2016 United States presidential election. In the video, she covers herself in pale foundation, saying “African-American? Never felt that, never heard of that, never tasted that, never smelled that”. Early in 2017, she created the #EgoChallenge, using the Beyoncé song of that title to promote body positivity and self-love. That year she also released a Pride-themed remix of Ed Sheeran’s “Shape of You” as well as a poetry EP. In 2018, Chika went viral for a freestyle addressed at Kanye West over West’s own “Jesus Walks” beat. The freestyle concerned West’s support for Donald Trump and caught the attention of Jada Pinkett Smith, Sean “Diddy” Combs, and Erykah Badu. She later released a freestyle dedicated to Nia Wilson. In August 2018, she featured on Rachel Crow’s single “Coulda Told Me”. Chika released her debut single, “No Squares”, in April 2019. The following month, at the invitation of guest host Lena Waithe, she performed the track and “Richey v. Alabama”, another of her songs, on Jimmy Kimmel Live!. The song dealt with the state of Alabama’s 2019 abortion bill and was named for a friend of Chika’s. That summer, she signed a deal with Warner Records. Chika released two more singles as a lead artist in 2019: “High Rises” and “Can’t Explain It” featuring Charlie Wilson. That year, she also featured on JoJo’s “Sabotage”, which reached number 18 on the Billboard US R&B Digital Downloads. In December 2019, Chika announced that she was working on an EP titled Industry Games. On January 23, 2020, Chika confirmed the title and posted snippets of music from the EP, telling followers the release was two months away. She released On August 11, 2020, Chika was included on XXL’s 2020 Freshman Class. Chika had a small role in the 2020 Netflix Original film called Project Power. In May 2019, Chika featured in a Calvin Klein #MyCalvins advertisement, also writing poetry for the brand’s S/S 2019 campaign. That same year, she participated in a Business of Fashion panel at Paris Fashion Week and posed for the December cover of Teen Vogue. She was recognized by Business of Fashion as one of the top 500 people shaping the fashion industry in 2019. Chika is the youngest of her Nigerian-American parents’ three daughters. She is of Igbo descent and was raised in the Pentecostal faith. Chika identifies as bisexual and addresses her sexuality in her music and videos. In her video for “Can’t Explain It”, she put a queer spin on A Different World, her favorite sitcom.]

10:29 – Underwriting

8. Eliza Gilkyson – “Peace In Our Hearts”
from: 2020 / Red House Records / April 3, 2020
[Eliza Gilkyson (born August 24, 1950, Hollywood, California) is an Austin, Texas-based folk musician. She is the daughter of songwriter and folk musician Terry Gilkyson and his wife, Jane. Her brother is guitarist Tony Gilkyson, who played with the Los Angeles-based bands Lone Justice and X. She is married to scholar and author Robert Jensen. Gilkyson is a two-time Grammy Award nominee, receiving a nomination for Best Contemporary Folk Album in 2004 and Best Folk Album in 2014.]

Eliza Gilkyson

10:35 – Interview with Eliza Gilkyson

Grammy Nominated and critically acclaimed folk singer Eliza Gilkyson joins us to discuss her new album 2020, released April 10, 2020 on Red House Records. Eliza Gilkyson is a politically minded, poetically gifted singer-songwriter who has become one of the most respected musicians in folk and Americana music circles. The daughter of legendary songwriter Terry Gilkyson, Eliza entered the music world as a teenager, recording demos for her father. Since then she has released 20 recordings of her own, and her songs have been covered by such notables as Joan Baez, Bob Geldof, Tom Rush and Rosanne Cash.

Eliza Gilkyson, Thanks for being with us on WMM.

Congratulations on 2020. Eliza’s 20th solo album.

2020 was produced by Cisco Ryder Gilliland (Eliza’s son)

Eliza Gilkyson on acoustic guitar, national steel guitar, electric guitar, harmonica
Cisco Ryder Gilliand on drums, ,percussion, harmony vocals
Mike Hardwick on electric & acoustic guitars, slice guitar, pedal steel, dobro, 12-string
Chris Maresh on bass
Bukka Allen on Wurlitzer, Hammond Organ, Nord, Piano
Warren Hood on mandolin
Betty Soo on harmony vocals
Jaimee Harris vocal on “A Hard Rain’s A-Gonna Fall”
Wewim Choir of Austin

Recorded in Austin, TX

Dedicated to Eliza’s grandkids: Riley, Bellarosa, Santi, Rex, Benito

Eliza Gilkyson (born August 24, 1950, Hollywood, California) is an Austin, Texas-based folk musician. She is the daughter of songwriter and folk musician Terry Gilkyson and his wife, Jane. Her brother is guitarist Tony Gilkyson, who played with the Los Angeles-based bands Lone Justice and X. She is married to scholar and author Robert Jensen. Gilkyson is a two-time Grammy Award nominee, receiving a nomination for Best Contemporary Folk Album in 2004 and Best Folk Album in 2014.

Gilkyson first recorded as a vocalist on demos and soundtracks produced by her father, who wrote several hits in the 1950s and early 1960s and is also known as a singer-composer for 1960s Disney films and an Academy Award nominee for “The Bare Necessities” from the 1967 animated film The Jungle Book.

She released Eliza ’69, her first album, in 1969 while raising a family in Santa Fe, New Mexico, and did not come out with her second, Love from the Heart, until ten years later. She moved to Austin, Texas in 1981 and released the commercial album Pilgrims before moving to Los Angeles in 1987.

After a brief stint in Los Angeles, she returned to New Mexico in the early 1990s, releasing several albums of original material. In 1993 she collaborated with New Age artist Andreas Vollenweider on his recording, Eolian Minstrel.

She has been with Red House Records since 2000, although she also worked on three albums independently, recording on her own label, Realiza Records.

In 2003 she was inducted into the Texas Music Hall of Fame.

Land of Milk and Honey, 2004 release on Red House Records, was Grammy nominated.

In 2005, she released Paradise Hotel with the song “Requiem” about the 2004 Indian Ocean earthquake and tsunami in December 2004. Coinciding with Hurricane Katrina’s devastation of the Gulf Coast region in August 2005, this song found its way to listeners as a song of prayer and comfort.

The same year she was recognized with 3 Austin Music Awards and 4 Folk Alliance Music Awards, one of which was for her song “Man of God” about the Bush administration.

In 2008, her album Beautiful World came out, again on Red House Records. The songs vary from pop to folk and points in-between, with songs ranging from intimate ballads to rallying cries against the imperialist machine.

She recently collaborated on a new album entitled Red Horse with two of her Red House Records label-mates John Gorka and Lucy Kaplansky.

In 2011, she came out with Roses at the End of Time, and in 2014 released The Nocturne Diaries which was Grammy nominated for best Folk Album. Both CDs were recorded at her home with the help of her son and co-producer Cisco Ryder.

She continues to tour about 150 dates per year in the United States and overseas, as well as hosting annual songwriting workshops near Taos, New Mexico.

Discography – Albums

1969 – Eliza ’69, Mont Clare Records (out of print)
1979 – Love from the Heart, as Lisa Gilkyson, Helios Records (out of print)
1982 – No Commercial Potential, as Lisa Gilkyson, Wind River Prod. (cassette/out of print)
1984 – Eliza Gilkyson / Mark Hallman, SouthCoast Records (EP – out of print)
1987 – Pilgrims, Gold Castle Records
1988 – Legends of Rainmaker, Gold Castle Records (out of print)
1992 – Through the Looking Glass, Private Music (out of print might be reissued in future)
1993 – Eolian Minstrel by Andreas Vollenweider, vocals, acoustic guitar, and lyrical co-author, although Gilkyson’s credit only appears in the liner notes, Capitol Records
1994 – Undressed, Realiza Records (out of print)
1997 – Redemption Road, Silverwave Records
1999 – Misfits, Realiza Records
2000 – Hard Times in Babylon, Red House Records
2001 – More Than a Song, w/ Ad Vanderveen & Iain Matthews, Perfect Pitch Productions
2002 – Lost and Found, Red House Records
2004 – Land of Milk and Honey, Red House Records
2005 – RetroSpecto, Realiza Records
2005 – Paradise Hotel, Red House Records
2007 – Your Town Tonight, Red House Records
2008 – Beautiful World, Red House Records
2010 – Red Horse with John Gorka and Lucy Kaplansky, Red House Records
2011 – Roses At The End Of Time, Red House Records
2014 – The Nocturne Diaries, Red House Records
2018 – Secularia, Red House Records
2020 – 2020, Red House Records

Many of us in Kansas City had the opportunity to see Eliza Gilkyson live at Folk Alliance International a few years back here in Kansas City.

Mark shares mutual friends with Eliza in Judy Werle and Cris Williamson

Eliza Gilkyson, Thanks for being with us on WMM.

Grammy Nominated and critically acclaimed folk singer Eliza Gilkyson relesed her 20th solo album this year called 2020, released April 10, 2020 on Red House Records.
More info at: http://www.elizagilkyson.com

10:52

9. Eliza Gilkyson – “One More Day”
from: 2020 / Red House Records / April 3, 2020
[Eliza Gilkyson (born August 24, 1950, Hollywood, California) is an Austin, Texas-based folk musician. She is the daughter of songwriter and folk musician Terry Gilkyson and his wife, Jane. Her brother is guitarist Tony Gilkyson, who played with the Los Angeles-based bands Lone Justice and X. She is married to scholar and author Robert Jensen. Gilkyson is a two-time Grammy Award nominee, receiving a nomination for Best Contemporary Folk Album in 2004 and Best Folk Album in 2014.]

10. Nick Siegel – “New York Course Corrected”
from: “New York Course Corrected” – Single / Nick Siegel / September 4, 2020
[Nick Siegel, is a KC piano rocker with influences such as Ben Folds, Death Cab for Cutie and the Mars Volta. Nick writes aggressive piano rock music. He grew up playing music in Chicago and moved to Kansas City in 2010 when he joined The Casket Lottery. Now on his own as solo artist, Nick released his debut solo album, “Awake from the Golden State,” on Aug. 25, 2017. His new EP, “For You Dear, Anything,” was released April 10, 2020. This EP was the first act, of three-act series, he plans to release in 2020. Act One, is a modern take on the vibe of the 1920s. “For You Dear, Anything: Act Two” comes out Halloween and this song is the first single from it. The project is a total of 3 EPs. It’s really just a record split in 3 parts.]

11:00 – Station ID

11. The Black Creatures – “wretched (it goes)”
from: “wretched (it goes)” – Single / Center Cut Records / July 17, 2020 [remastered]
[“wretched (it goes)” was originally released on The Black Creatures 2019 album Wild Echoes. Recently released as a single in collaboration with Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality is improved. Center Cut Records plan to release the full remastered album on August 28 2020. The Black Creatures are Jade Green & Xavier Martin. The band joined us on the radio on the August 26 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their Bandcamp page. The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. They released the album, See No Evil, December 6, 2017. The duo released the singles, “Elements” February 14, 2018; “Silver Tears” June 19. 2018; “Dare” a Gorillaz cover August 8, 2019. They released the album “Wild Echoes” September 30, 2019. The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” Feb. 19, 2020.]

[The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. Info at: http://www.centercutrecords.com]

11:04 – Interview with Jade Green & Xavier Martin

Jade Green & Xavier Martin of The Black Creatures join us to talk about their recent album Wild Echoes originally released September 30, 2019. This album landed at #2 on WMM’s 119 Best Recordings of 2019. Recently Center Cut Records signed The Black Creatures to their label and are re-releasing a newly remixed and remastered Wild Echoes on Friday August 28, 2020. The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. More info at: http://www.centercutrecords.com

Jade Green & Xavier Martin, Thanks for being with us on Wednesday MidDay Medley

Congratulations on being signed to Center Cut Records

“wretched (it goes)” was originally released on The Black Creatures 2019 album Wild Echoes. Recently released as a single in collaboration with Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality is improved. Center Cut Records plan to release the full remastered album on August 28.

Jade Green & Xavier Martin who were our guests on the September 25, 2019 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs).

Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their bandcamp page.

The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” February 19, 2020.

The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals.

Xavier Martin is DJ/Writer/Producer/Rapper/Singer at The Black Creatures
Jade Green performs with: Arquesta Del SolSoul. a Kansas City-based music collective featuring 3 musicians who worked together in Hearts of Darkness. They call themselves: African Futurist Genre Killerz from the Middle of the Map bringing an innovative multidimensional sound inspired by our founding musical ancestors to decolonize and time bend indigenous sounds of the Caribbean, Latin America, West, Central, and Southern Africa.” Members include Les Izmore, Jessica Ayala, Brad Williams, Jade Green, Chalis O’Neal, Irving Graham, Ernest Melton, Andres Ramirez, Fabian Prado.

The Black Creatures Discography

The Black Creatures “Mouth 2 Mouth” – Single, June 5, 2016.
The Black Creatures released their debut album, See No Evil, Dec. 6, 2017.
The Black Creatures “Elements” – Single, February 14, 2018
The Black Creatures “Silver Tears” – Single, June 19, 2018
(with additional voices provided by AniMal (Ana Marcela Maldonado Morales), Barbara Solomon, Kassidee, Quaranta, Adres Va Cortas)
The Black Creatures “Dare” (Gorillaz Cover)” – Single, August 8, 2019
The Black Creature – Wild Echoes – September 30, 2019
The Black Creatures – “Turn” – Single, October 30, 2019
The Black Creatures – “Quartz (Twilight)” – Single, November 13, 2019
The Black Creatures – “SHINE” – Single, December 11, 2019
The Black Creatures- “Ghost Bustin’ Dead Prezidentz” – Single, January 8, 2020
The Black Creatures – “To Whom It May Concern” – Single, January 22, 2020
The Black Creatures – “Arcade Love” – Single, February 5, 2020
The Black Creatures – “Run Up” – Single, February 19, 2020.
The Black Creature – Wild Echoes – September 30, 2019
The Black Creatures – “wretched (it goes)”- single Center Cut, July 17, 2020 [remastered]
The Black Creature – Wild Echoes – Album (Remastered] August 28, 2020 [Center Cut]

The Black Creatures at Lemonade Park in August 29, 2020

The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. More info at: http://www.centercutrecords.com

Xavier Martin and Jade Green performed with Calvin Arsenia for his album release show Thursday, September 19, 2019 at recordBar.

Jade Green & Xavier Martin, Thanks for being with us on Wednesday MidDay Medley

The newly remastered album Wild Echoes is being released on Friday August 28, 2020. The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. More info at: http://www.centercutrecords.com

11:21

12. The Black Creatures – “Dumm”
from: Wild Echoes / Center Cut Records / August 28, 2020 [remastered]
[Center Cut Records who remixed a few of the songs, and added some new vocals, and remastered the album. Although it is basically the same record, the sound quality is improved. Center Cut Records plan to release the full remastered album on August 28 2020. The Black Creatures are Jade Green & Xavier Martin. The band joined us on the radio on the August 26 edition of WMM. “Wild Echoes” was #2 in WMM’s 119 Favorite Releases of 2019 (Albums & EPs). Since the release of ”Wild Echoes” the band has released seven entirely new songs, nearly one per month, all posted to their Bandcamp page. The Black Creatures fuse dark-pop hip-hop, soul, jazz, and electronic music with elements from science fiction to tell inter-dimensional stories of love, community, life, culture, history. Xavier & Jade have made an impression in the KC music community with their live shows in clubs, galleries, record stores, and area music festivals. The Black Creatures released their debut single “Mouth 2 Mouth” June 5, 2016. They released the album, See No Evil, December 6, 2017. The duo released the singles, “Elements” February 14, 2018; “Silver Tears” June 19. 2018; “Dare” a Gorillaz cover August 8, 2019. They released the album “Wild Echoes” September 30, 2019. The Black Creatures released the singles “Turn” October 30, 2019; “Quartz (Twilight)” November 13, 2019; “SHINE” December 11, 2019; Ghost Bustin’ Dead Prezidentz” January 8, 2020; “To Whom It May Concern” January 22, 2020; “Arcade Love” February 5, 2020; and “Run Up” February 19, 2020.]

[The Black Creatures play a Center Cut Records Showcase on Friday, August 28 at 7:00 PM with Kadesh Flow, and Saturday, August 29 at 7:00 PM with Calvin Arsenia, at Lemonaid(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. More info at: http://www.centercutrecords.com]

13. Eems – “Middle”
from: Middle – Single / Eems / May 4, 2020
[Eems is Phillip Jackson, a KC based ukulele loop artist, singer songwriter, rapper, pianist, drummer, The resonance of his bright musical sounds, and lyrical calls, are woven through genres of folk, hip hop, pop, and dance influences. He has shared the stage with notable hop hop artists, and KC Folk Music Fest, Middle of The Map Fest. Eems released his EP Dreems on June 26, 2018. For Eems, a ukulele is a jumping off point that leads to an uncharted and often unpredictable world of sound and inspiration. Blending it with loops and effects to achieve a captivating blend of R&B and pop music, Eems has used his unique sounds, voice and sense of humor to reach crowds across the country. Eems has opened up for” Slick Rick The Ruler and GLC form Kanye West’s G.O.O.D music labe.]

[Eems plays the Crown Crated Music Series Saturday, August 29, 7:00 PM to 1 online on Facebook Live Hosted by One Kansas City Radio and Mid-Continent Public Library.]

11:29 – Underwriting

14. Kemet Coleman – “Black Is Beautiful”
from: Black Is Beautiful / Kemet Creative / August 1, 2020
[Crane Brewing, partnered with rap artist, urbanist and beer lover, Kemet Coleman for their latest brew, Black is Beautiful, highlighted by a musical release, also called Black is Beautiful, written and performed by Coleman. The new Imperial Stout, part of the Black Is Beautiful initiative created by Weathered Soul’s Brewing, will be released in cans and sold at liquor stores in Missouri, Kansas, Iowa and Nebraska starting August 1, 2020. All proceeds will be donated to G.I.F.T (Generating Income for Tomorrow), a Kansas City-based non-profit with a goal to provide grants to Black owned businesses in Kansas City, with a specific interest in businesses that operate in low income areas. Music written, composed and produced by Kemet Coleman. Kemet Coleman is a Kansas City based musicians and is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet is known for his unprecedented collaborations with UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. Earlier this year Coleman contributed his song, “The Virus” to the compilation, Kansas City Syzygy, music created by over 25 Kansas City-based musicians in the middle of the map of a pandemic. “The Virus” is his comment on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone has a safe, accessible, affordable home.]

[The Phantastics play Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube w/ Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, and more!]

Kemet Coleman

11:35 – Interview with Kemet Coleman

Hip hop MC extraordinaire, Kemet Coleman joins us to share music and information about his new EP, Black is Beautiful and talk about his band The Phantastics who will play, Greenline Grows KC-Benefit for The Greenline Initiative, Friday, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube. Kemet Coleman is a Kansas City based musicians who calls himself an Urbanist. Kemet is lead singer of the Funk/Rap/Soul band The Phantastics. Kemet is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university.

Kemet Coleman Thanks for being with us on Wednesday MidDay Medley

The Phantastics play, Greenline Grows KC – Benefit for The Greenline Initiative, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altor, Stephonne Singleton, Krystle Warren, They Call Me Sauce, and The Phantastics. The evening will be centered around Black stories & voices, highlighting Black excellence in KC, and will also include non-Black performers & leaders who will speak on privilege, solidarity, and the importance of our black community members. The Greenline Initiative is a Black family-owned organization that uses crowdsourcing to help historically marginalized and low income populations buy and renovate the houses they rent. Based in KC’s 3rd District, the initiative builds permanent community. http://www.thegreenlineinitiative.com

Crane Brewing, partnered with rap artist, urbanist and beer lover, Kemet Coleman for their latest brew, Black is Beautiful, highlighted by a musical release, also called Black is Beautiful, written and performed by Coleman. The new Imperial Stout, part of the Black Is Beautiful initiative created by Weathered Soul’s Brewing, will be released in cans and sold at liquor stores in Missouri, Kansas, Iowa and Nebraska starting August 1, 2020.

Although made to coincide with a beer release by Crane Brewing, it also cast a clear and honest trajectory for the musical identity of Kemet Coleman. On BLACK IS BEAUTIFUL, Kemet challenges racial injustice and bias as it relates to beauty, as the title suggests, but also socio-economic themes such as wealth creation from the perspective of a Black male during the most challenging times in modern history. Evoking the spirit of poetry, BLACK IS BEAUTIFUL’s soulful, electronic, kaleidoscope provides an experiential moment for the listener as Kemet’s cool yet energetic vocal delivery drives home a message of Black Power.

All proceeds will be donated to G.I.F.T (Generating Income for Tomorrow), a Kansas City-based non-profit with a goal to provide grants to Black owned businesses in Kansas City, with a specific interest in businesses that operate in low income areas.

Last year Kemet the Phantom released Electric Park on August 16, 2019. Through the lens of the 32-year-old rap artists’ upbringing from birth to present day in Kansas City, each song represents eight topics: SEDUCTION, POWER, VICE, DEATH, EUPHORIA, LUST, PRIDE, CHANGE. With songs like “Rollin’ Down Paseo”, Kemet explores the nostalgia and confusion of emotions that fester as the future of Martin Luther King Jr. Boulevard, formally known as The Paseo, is determined by a vote. Electric Park was co-produced by Kemet and the legendary producer and sound designer, Leonard Dstroy. Executive Produced by Kyle Dykes. Written by Kemet Coleman. Artwork by Kemet Coleman, Michael Picman and Jon Conway.

Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Kemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university.

Kemet plays with Marcus Lewis Big Band presenting his hip hop poetry with, 18-piece jazz ensemble called Brass and Bougee.

Kemet Coleman, Thanks for being with us on Wednesday MidDay Medley

Kemet Coleman’s band The Phantastic plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce,The Phantastics and more!

More info at http://www.kemetcoleman.com

11:49

15. Kemet Coleman – “The Virus”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Hemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet the Phantom is a Kansas City enthusiast and urbanist often known for his unprecedented collaborations with KC entities and organizations such as UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More information at: http://www.kemetthephantom.com // COVID-19 may have shut down innumerable business and altered our lives forever, but one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

16. Loren North – “Wake Me Up”
from: Wake Me Up – Single / Loren North / August 15, 2020
[As a little girl growing up in Cincinnati, Loren North couldnt get to sleep at night without her cassette player tucked in beside her. Now based in Los Angeles, the 22 year old singer/songwriter has channeled that lifelong love of music into a lushly textured and sweetly soulful breed of pop. With their indelible melodies and elegant electronic edge, Norths forthcoming music delves into delicate emotional terrain but radiates an irresistible bright energy. North grew up singing in the church and began playing piano at age six. At 14, after her family moved to LA for her and her brother, Austin, to pursue a career in acting, she soon realized her ultimate passion had always been and always will be to create music. While her brother has become a successful actor, Loren has focused solely on her music career while continuing to sing in church. From the beginning stages of her music career, simply posting covers on YouTube to developing her own music, Loren has enjoyed being involved in every element of production from arranging and recording to shooting and editing videos]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – ArtsKC – Arts Calendar

Next week on Wednesday, September 2 , David Shaughnessy joins us to share details about KC Irish Fest. ALSO Ivory Blue joins us to premiere the new single “Half A Life.”

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Eliza Gilkyson photo bt Todd V Wolfson

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #852

WMM Playlist from August 12, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 12, 2020

Calvin Arsenia + Cuee + Greenline Grows KC
+ Nathan Reusch + New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

2. Scott Hrabko & The Rabbits – “Last Dance”
from: Last Dance EP / Scott Hrabko / August 7, 2020
[Scott Hrabko calls this new EP release a “bit of a departure …” Scott writes on his bandcamp page: “For some time now, ideas for dance/experimental rhythms have been knocking (in syncopation!) on the doors of my dreams, with a growing sense of urgency. Eventually I had no choice but to heed the call, so I got busy and recorded this EP. In this time of social distancing I played all of the Rabbit parts except as noted below, with my friends, Chris Tady (in person, pre-pandemic) and Jason Beers (via remote). My son, Sam Hrabko created the beautiful image on the cover. Chris Tady on lead guitar on “45 Spiders,” Jason Beers on slide guitar on “Last Dance,” all other sounds and utterances by Scott Hrabko. Produced by Scott Hrabko. Mastered by Mike Nolte at Eureka Mastering – Portland, OR. Earlier this year Scott Hrabko released the singles “Free” on August 7, and “Dog In The Backyard” on April 3, 2020. These singles followed the single “Pretty Good Day,” released November 2, 2019. Scott Hrabko released the EP Smash Hits From A Parallel Universe, on February 14, 2019, with Scott Hrabko on lead vocals, backing vocals, acoustic 6 and 12 string guitar, electric guitar, keyboards, & percussion; Jason Beers on bass guitar; Tim Higgins on drums, Marco Pascolini on junior electric guitar. Scott called this release: 4 songs for the new age of anxiety. Scott Hrabko & The Rabbits released the albums: “Summer,” in 2017, and “Biscuits and Gravity” in 2015. Scott Hrabko’s 2013 critically acclaimed solo release, “Gone Places” was said to be 30 years in the making. Singer-songwriter Scott Hrabko has played with KC’s oldest garage band The Original Sinners, as well as various incarnations of the 1980s bands: The Splinters, and The Andersons. In the early 1990s Scott performed as a solo artist in coffee houses with Iris Dement and Howard Eisberg. More info at: http://www.scotthrabko.com]

3. Kemet Coleman – “Black Is Beautiful”
from: Black Is Beautiful / Kemet Coleman / August 1, 2020
[Crane Brewing, partnered with rap artist, urbanist and beer lover, Kemet Coleman for their latest brew, Black is Beautiful, highlighted by a musical release, also called Black is Beautiful, written and performed by Coleman. The new Imperial Stout, part of the Black Is Beautiful initiative created by Weathered Soul’s Brewing, will be released in cans and sold at liquor stores in Missouri, Kansas, Iowa and Nebraska starting August 1, 2020. All proceeds will be donated to G.I.F.T (Generating Income for Tomorrow), a Kansas City-based non-profit with a goal to provide grants to Black owned businesses in Kansas City, with a specific interest in businesses that operate in low income areas. Music written, composed and produced by Kemet Coleman except for COLLECTION PLATE which is produced by Sharif Thomas. Kemet Coleman is a Kansas City based musicians and is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet is known for his unprecedented collaborations with UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. Earlier this year Coleman contributed his song, “The Virus” to the compilation, Kansas City Syzygy, music created by over 25 Kansas City-based musicians in the middle of the map of a pandemic. “The Virus” is his comment on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home came together. More info at: http://www.kemetcoleman.com]

[Kemet Coleman and his band The Phantastics play Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, and more!]

4. Krystle Warren & The Faculty – “Climbing Out (feat. Teddy Thompson)”
from: Love Songs – A Time to Refrain from Embracing / Parlour Door Music / April 9, 2012 UK]
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, who gave her a one way ticket to France. Krystle moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world on tours with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle left Because Music and created, Parlour Door Music, to release “Love Songs: A Time You May Embrace / A Time to Refrain from Embracing” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. In 2019 The Kansas City based Owen/Cox Dance Group premiered a new dance piece titled “Love Songs” with choreography by Jennifer Owen, set to all 24 songs, in the order they appear in the double album recording, that Brad Cox originally worked on as an arranger and keyboardist. Krystle Warren has collaborated with Erykah Badu, Keziah Jones, Zap Mama, Rufus Wainwright and Martha Wainwright, Brad Cox Amadou & Mariam, Lakecia Benjamin, Guarco, Teddy Thompson, Gwyneth Herbert, Hercules & Love Affair, and Joon Moon. Along with being included in the compilation “NYC Subway – Songs from the Underground,” and tribute recordings for Kate McGarrigle, and Nick Drake, Warren has released the EP “Diary” on May 1, 2007; “The Up Series – EP” on November 10, 2008; “Circles” her 13-song full length on March 13, 2009; “A Time To Keep – Love Songs EP”, on August 12, 2011, The double album 24-song “Love Songs” released on vinyl in Europe on April 9, 2012 and as separate digital and CD albums in the U.S. as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015; Krystle released “Three the Hard Way” on August 18, 2017; and the new single “Rising”was released May 31, 2019.]

[Krystle Warren plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

5. Kris Delmhorst – “The Horses”
from: Long Day In The Milky Way / Kris Delmhorst / August 14, 2020
[Kris Delmhorst is an American singer-songwriter and musician. Originally from Brooklyn, New York, United States, she now lives in Western Massachusetts, is an active member of the Boston folk scene, and tours internationally. She has released nine full-length solo albums and two EPs on Signature Sounds Recordings. Delmhorst released Appetite, her first album, in 1998, the same year she was involved in producing the Respond compilation, a fundraiser for domestic violence groups. It included her song Weatherman. In 1999, she released a live album with The Vinal Avenue String Band, consisting of herself, Sean Staples, and Ry Cavanaugh. Her second solo album, Five Stories, was released in 2001 and was well received. In 2005, Delmhorst, Jeffrey Foucault, and Peter Mulvey released an album entitled Redbird. The trio released a live album in 2011. In 2006, Delmhorst took the words of poems by writers such as Lord Byron, George Eliot and Edna St. Vincent Millay, and set them to original music.[4] Delmhorst released Shotgun Singer in 2008, a collection of original recordings noted for its artistic vibe, instrumentation and alternative aesthetic, compared to previous recordings that focused more heavily on vocals and lyrics. In 2011, Delmhorst gathered instrumentalists and singers from across the Boston/Cambridge music scene, including The Cars’ keyboardist Greg Hawkes, to record a covers album dedicated to music by the new wave band The Cars. Delmhorst’s seventh album, Blood Test was released on Signature Sounds on May 13, 2014. It is her first of original music since her 2008 album Shotgun Singer. Delmhorst has recorded vocals, fiddle and cello on over 50 albums from artists such as Peter Wolf, Mary Gauthier, Chris Smither and Lori McKenna. Delmhorst is married to fellow singer/songwriter Jeffrey Foucault, with whom she had a daughter in 2008.[9] She occasionally performs as part of the collective Redbird with Foucault and Mulvey.]

6. Indigo Girls – “K.C. Girl”
from: Look Long / Rounder Records – Concord / April 24, 2020
[15th studio album by American folk rock duo Indigo Girls. The Indigo Girls recorded the album with previous collaborator John Reynolds. Tour dates were postponed due to the COVID-19 pandemic in the United States but the duo performed a series of weekly live-streamed concerts online to raise money for charity as well as promote this release. These events were accompanied by a question and answer session and audience requests for performances. They also performed at a virtual festival of musicians raising money for the United Nations Foundation on Mother’s Day, 2020. Indigo Girls are an American folk rock music duo from Atlanta, Georgia, consisting of Amy Ray and Emily Saliers. The two met in elementary school and began performing together as high school students in Decatur, Georgia, part of the Atlanta metropolitan area. They started performing with the name Indigo Girls as students at Emory University, performing weekly at The Dugout, a bar in Emory Village. They released a self-produced, full-length record album entitled Strange Fire in 1987, and contracted with a major record company in 1988. After releasing nine albums with major record labels from 1987 through 2007, they have now resumed self-producing albums with their own IG Recordings company. Outside of working on Indigo Girls–related projects, Ray has released solo albums and founded a non-profit organization that promotes independent musicians, while Saliers is an entrepreneur in the restaurant industry as well as a professional author; she also collaborates with her father, Don Saliers, in performing for special groups and causes. Saliers & Ray are both lesbians and active in political and environmental causes.]

7. Gemini Revolution – “Pure Air”
from: Supernova Remnant / Kosmic City Records / August 6, 2020
[Dedric Moore on synthesizer, bass, drum programming, dub guitar; Delaney Moore on synthesizer, Krystof Nemeth on baritone guitar on 4, 5, and 6; Mikal Shapiro on lead vocal on 6; Teri Quinn on backing vocal on 6; Alexander Thomas on drums on 6. An alternate timeline side of Monta at Odds. Gemini Revolution explores the dark ambient side of sonic space exploration digging deep into sounds from beyond slowly enveloping everything it comes into contact. Set your controls to the heart of the supernova. Gemini Revolution finds brothers Dedric and Delaney veering from their duties in Monta At Odds and into the uncharted star-field. Their album Supernova Remnant yields expansive results — kosmiche tones and analog textures blending into an intense brand of ambient extraction. Throughout Supernova Remnant, Gemini Revolution masterfully execute a push/pull effect with layers of sound, planting a feeling of time’s motion stuck in place. The opening “Slow Stars” sets up the project, inspired by a challenge from fellow 8Di’er San Mateo and morphing into a blossoming 17 minutes that surround in a sonically colorful haze. From there, Supernova Remnant tours the sizzling remains of celestial objects, with Dedric and Delaney’s intertwined instrumentation guiding the way. Krystof Nemeth, of darkwave band Emmaline Twist, supplies his remote ‘baritone guitar’ on a few key tracks. And drummer Alexander Thomas and vocalists Mikal Shapiro and Teri Quinn appear for the epic finale, “Children of Collisions.” Together the six tracks complete Gemini Revolution’s orbit, floating through the darkness as a cosmic whole. Listen as Supernova Remnant traces the distance of imagination. More info at http://www.kosmiccity.com]

8. Mikal Shapiro & The Musical – “The Distance of Elements”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[The Musical is Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Recorded separately and with social distancing. Mikal Shapiro released her critically acclaimed album The Musical II on May 26, 2018 which included “Everybody’s Baby” her pop song she wrote that got a lot of radio play, but all the songs on The Musical 11 are great. The Musical II is the sequel to Shapiro’s 2015 concept album, “The Musical.” Along with Mikal Shapiro, Chad Brothers, Johnny Hamil and Matt Richey, special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union // Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastered by J Ashley Miller, designed by JC Franco, with compilation direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in April of 2020. The album can be purchased from Bandcamp. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

10:29 – Underwriting

9. Soultru – “We”
from: “We” – Single / The Record Machine / January 31, 2020
[One of several singles Soultru has released this year incuding “Come & Gone” released April 10, 2020. Vocals by Terrance Banks. Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little. Soultru released the single “Must Be” on August 24, 2019. More info at: http://www.soultrumusic.com]

Nathan Reusch

10:36 – Interview with Nathan Reusch

Nathan Reusch is founder of The Record Machine, a homegrown record label started in 2003. Originally created to promote music from Kansas City & Lawrence, TRM has grown to turnout records from bands all across the country. Nathan is also co-founder & curator of the Middle of The Map Fest, and Sound Machine KC. You can learn about all of their bands and more details at http://www.therecordmachine.co

Nathan Reusch joins us to share the new single from The Fey. The Fey play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 14, at 7:00 PM, with Black Light Animals, and The Freedom Affair.

Nathan Reusch, Thanks for being with us on WMM.

Current Record Machine Releases:

Soultru

Soultru – “Must Be” – single, released August 24, 2019. Soultru is Terrance Banks, a singer, songwriter, poet and emcee, and native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little. Soultru released the single “Must Be” on August 24, 2019.

The Noise FM

The Noise FM – “Cooler Heads Prevail” / “Who’s Watching Who?” – single, released July 24, 2020. The Noise FM play melodic, beat-driven indie-rock. Sometimes the tunes get really loud with fuzzed out synthesizers and gnarly riffs. Other times, it gets quieter — all grooves and sexy vibes. Regardless of the volume, people tend to dance. Brothers Alex & Austin Ward formed The Noise FM in Lawrence, Kansas. After 9 years in Chicago, the band relocated to Los Angeles in 2019. The band released their 10 song album Attraction on January 28, 2014. The band released Hot Sauce: The Noise FM Live from recordBar on December 9, 2016. They released their 6-song EP Enclave on May 14, 2010. The band released Dream of the Attack on October 1, 2008. They released their 16 track Night of the Sentinels on January 1, 2007. Alex & Austin Ward are also members of the band Hembree.]

The Republic Tigers – Mind Over Matter, album, released June 5, 2020. Hailing from Kansas City, MO, The Republic Tigers spike their lushly orchestrated indie rock with organic and synthetic elements. Founder Kenn Jankowski originally moved to Kansas City in 1999 and began playing guitar for The People, a band that later changed its name to The Golden Republic (Astralwerks Records). He also made fast friends with local musicians Ryan Pinkston and Adam McGill; and when The Golden Republic disbanded seven years later, he opted to launch his pop-based project with the other two multi-instrumentalists. Taking their name from Jankowski’s high school mascot, The Republic Tigers expanded their lineup with bassist Marc Pepperman and drummer Justin Tricomi. Electronic structures remained to play an important role in their music (via convenience/sensible creation-farming/forming), and the band issued a self-titled EP in late 2007 before putting the finishing touches on Keep Color, which arrived in 2008. Then there was a cool EP in 2011 titled “No Land’s Man” which featured the emo smash hit “The Infidel” and the extremely fun “Merrymake It With Me”. And then a second concept LP was concocted, “Mind Over Matter” – written from the year 2008 to the year 2011. Mixed and mastered in the year 2012. But then it was sadly shelved by the original labels until finally being released on hometown indie label The Record Machine in 2020.

Sally Haze

Sally Haze – “All That Matters” – single, released May 15, 2020. You might think this Chicago act was a solo artist, but it’s actually the project of trans-continental couple, Jess and Will Wright; the name is a sly literary reference. Jess, born and raised in Chicago, and Will, born in Leeds, England began writing and recording as Sally Haze in their home studio in 2019. Their goal is to create music that blurs the lines between Dream Pop, Shoegaze, and Neo-Psychedelia while maintaining pop sensibilities with a heavy focus on rhythm and melody. Their DIY attitude leads them to make music they enjoy listening to as much as it was fun to play. Their new EP, Wet Dream not only picks up where the couple left off, but shows growth too. The five tracks on Wet Dream are dream-pop songs that make you want to dance. They are bombastic, yet still find a way to be ethereal. Most of the songs on the EP were written drums and bass first, with guitars and vocal melodies fleshed out afterwards. Their debut EP, Dining Room, was praised by critics. It was included in the Uproxx ‘Best of Bandcamp November 2019′ list, and the duo was named Chicago Artist of the Month by the Deli. Wet Dream will be released in the summer of 2020.

Pala Zolo

Pala Zolo – “You Can’t” – single, released April 17, 2020. Pala Zolo is the instrumental electronic project of Lawrence, KS musician Eric Davis. In Pala Zolo, Davis blends synthesizers and drum machines with live instruments to create his blend of cinematic pop music. He chose the name to pay homage to his Sicilian heritage by naming the project after a small Sicilian village he spent time in while studying abroad in Italy. Pala Zolo allows Davis the full freedom to experiment in ways that are a departure from his main gig as the keyboard player in buzzy up-and-coming rock band Hembree (Thirty Tigers, Oread Records). // The inspiration for Pala Zolo came from a chance meeting with fellow electronic musician, Tycho’s Scott Hansen. One day while working at The Granada Theater in Lawrence, Davis was given the job of being Hansen’s driver. For years Davis had been writing and recording his own demos and was completely unsure of what to do with them. After spending the entire day with Hansen and seeing him perform, Davis realized he could bring his incomplete ideas to life in his own unique way. Seeing an instrumental band perform such an emotionally charged set inspired Davis to finish his songs without traditional vocals and to begin creating his own sound in that genre. // Soon after, Davis set forth to finalize the recordings with his good friend and producer Joel Martin (Y god Y). The two of them spent countless hours experimenting with synthetic and acoustic textures to create perfect soundscapes to compliment Davis’ intricately arranged compositions. In 2018, Davis self-released singles House Plant & 40K, and continued to take Pala Zolo to another level by performing live with drummer Gerardo Rojas.

The Fey

The Fey – “Tear It Off” – single, released August 7, 2020. The Fey is an Alternative R&B band, was formed by singer, songwriter, and producer Zach Watkins. While the infrastructure of the group’s style and sound is developed by Watkins, it is made complete by instrumentalists Michael Rogers (lead guitar), Ludwing Siebenhor (rhythm guitar), and John Fucinaro (bass). Evolved from the rock-soul project formally known as, AZP, and after years of arranging, composing, and performing under the former brand, Watkins felt destined to shape things back to his original design to produce modern music with a retro vibe. Since his jazz percussion studies at Berklee College of Music, Watkins has created music for and with artists of various genres, while crafting what he considers the ideal blend of sound and style that is now The Fey. This style holds true to the genres of pop and hip-hop with head-nodding breakbeats and hypnotizing bass lines that are the foundation of The Fey’s records. “Growing up, my father loaded the house with gospel and soul albums,” says Watkins, “but it was the culture of hip-hop that pulled me under its wing outside of the home. It was the best of both worlds.” Those classic soul and gospel tunes are where Watkins gives vocal credit. The Fey’s gripping connection between soulful-bluesy vox and modern-vintage instrumental continues to entice music enthusiasts of all sorts. With singles like “Contender” and “Tear It Off”, the band fervidly builds the strong rhythm section and surrounds Watkins’ expressive melodies with classic tones of guitar and synth, giving The Fey an edgy “rock star” aura. These anthem-esque vibes are funky, moody, and heavy, all under one roof. Lyrically, Watkins describes The Fey message as the voice of the underdogs, like “a stray wolf drifted away from the pack, embracing his own path through peaks and valleys.” Though the sensible ebb and flow of Zach’s personal life may set the band’s lyrical tone, The Fey is no underdog to a live performance. Rooted from numerous awards and achievements – six regionally recognized tours, including more than ten unofficial showcases at SXSW, as well as various performances for blog, radio, and television – The Fey has a reputation for rocking the stage. Since the release of their 2018 EP, Strawberry Lemonade, The Fey continues to make strides alongside their Kansas City-based indie record label, The Fey’s debut full-length LP, Palm Tree Shade, is to be released.

Nathan Reusch, Thanks for being with us on WMM.

10:45

10. The Fey – “Tear It Off (Radio Edit)”
from: Tear It Off- Single / The Record Machine / August 7, 2020
[New single that follows their last single, “Lost In My Head” released August 2, 2019, that followed the band’s July 13, 2018 EP Strawberry Lemonade. The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 14, at 7:00 PM, with Black Light Animals, and The Freedom Affair. More info at http://www.therecordmachine.co]

Betse & Clarke

11. Betse & Clarke – “Who By Fire”
from: Winter / Betse & Clarke / June 4, 2020
[A collection of songs and tunes, original, traditional, fiddle, and modern songs re-envisioned. This recording was compiled during winter 2020, with a feeling of introspection. Songs under copyright were properly licensed for this digital release. Regular folks, exceptional music: This duo from the heartland (Kansas City, Missouri) has its roots in Ozark old time music, honoring traditional songs and tunes that resonate with human experience. New compositions add compelling elements to their musical tapestry. Follow up to the duo’s 2017 release, Tunes We Like released only in analog on cassette. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” http://www.betseandclarke.com]

12. Jamila Woods – “SULA (Paperback)”
from: SULA (Paperback) – Single! / Jagjaguwar / August 6, 2020
[Woods has released a new song written under the premise of her 2019 album Legacy Legacy, this time inspired by the late Toni Morrison. “SULA (Paperback)” is based on Morrison’s 1974 novel of the same name, and honors both the author and her literary characters. Listen to it below. In a press release, Jamila Woods stated: “Sula was the first Toni Morisson novel I ever read and it inspired the first chapbook of poems I ever wrote. The novel shows the evolution of a friendship between two Black women and how they choose to navigate society’s strict gender roles and rules of respectability. On Sula, Toni Morrison wrote, “Living totally by the law and surrendering totally to it without questioning anything sometimes makes it impossible to know anything about yourself.” Last year Jamila Woods released her second album Legacy Legacy on May 10, 2019. and it was part of WMM 119 Best Recordings of 2019. From Pitchfork: “On LEGACY! LEGACY!, Woods celebrates 12 of her heroes, along with the cultural lineage they have created for her. Each track is named after a forebear, like a single lit candle to their altar. Several are immediately recognizable in their pop-culture ubiquity, including “EARTHA,” “BASQUIAT,” and “MILES.” Others are less known: “GIOVANNI” and “SONIA” nod to the poets Nikki Giovanni and Sonia Sanchez, who’ve written grandly and compassionately about women of color. For many tracks, Woods pored over past interviews with her subjects to further get into their minds; in some cases, they were artists she’s taught to her mentees at the literacy nonprofit Young Chicago Authors, where she is the Associate Artistic Director. (Ever the teacher, she is including a bibliography of her research in the album’s liner notes.)” from Jamila Woods who was born October 6, 1989, and is a Chicago-based American singer, songwriter and poet. Woods is a graduate of St. Ignatius College Prep and Brown University, where she received a BA in Africana Studies and Theater & Performance Studies. Her work focuses on themes of Black ancestry, Black feminism, and Black identity, with recurring emphases on self-love and the City of Chicago. In 2012, Jamila Woods published her first chapbook, entitled The Truth About Dolls. Her work can be found in the anthologies The Breakbeat Poets: New American Poetry in the Age of Hip-Hop (2015), Courage: Daring Poems for Gutsy Girls (2014), and The UnCommon Core: Contemporary Poems for Learning & Living (2013). Her influences include Lucille Clifton, Gwendolyn Brooks, Toni Morrison, and Frida Kahlo. Woods was also one of three editors of The Breakbeat Poets Volume II, entitled Black Girl Magic. The 2018 publication is an anthology of poetry by contemporary Black women, “exploring themes of beauty, unapologetic blackness, intersectionality, self-definition, and more.” Woods is the Associate Artistic Director of Young Chicago Authors (YCA), an organization in the Chicago dedicated to uplifting youth voices through arts education and mentorship. Through YCA, Woods helps to organize Louder Than a Bomb, the world’s largest youth poetry slam festival. She also facilitates poetry workshops and creates curriculum for Chicago Public Schools. She is widely known for her collaborative works with Chance the Rapper on the hit song “Sunday Candy” from the album Surf as well as “Blessings” from Coloring Book. Woods is also featured on the Macklemore & Ryan Lewis song “White Privilege II”. In January 2016, Woods signed to Chicago’s independent hip-hop label, Closed Sessions. Jamila released her debut album HEAVN on July 11, 2016 to critical acclaim. The album features collaborations with Chance the Rapper, Noname, Saba, Lorine Chia, Kweku Collins and Donnie Trumpet.]

13. Duncan Burnett – “You Agree?”
from: One of Those Days – EP / R.I.O.T LLC / April 10, 2020
[Olathe, KS based hip hop artist, singer, songwriter, producer, musician, drummer. From Tim Finn’s Back To Rockville(KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. Burnett has been performing live since he was 7. Live music, he said, is in his blood. Follow up to his 2018 EP The Almighty.]

11:00 – Station ID

Calvin Arsenia

14. Calvin Arsenia – “Dying”
from: L.A. Sessions / Center Cut Records / September 20, 2019
[Produced by Tony Braunagel with Paul Brown on guitar, Mike Finnigan on keyboards, Freddie Washington on bass, and David Garfield on piano. Between them, the five musicians have worked with some of music’s most iconic names: Jimi Hendrix, George Benson, Michael Jackson, Stevie Wonder, Leonard Cohen, Bonnie Raitt, Chuck Loeb, Rickie Lee Jones, Buddy Guy, The Neville Brothers. “It was a thrill for me to work with such legendary players,” says Calvin. “Not only were they incredibly talented, but I got off a plane straight from Australia, hit the studio, and they were more than ready to get to that place where you honor the songs, leaving their egos at the door and honoring what the muses tell them. It was one of the best recording experiences I ever had.” Calvin’s production M.O. on previous recordings was to piece together songs “like pieces of a puzzle” and “layer them over several sessions.” Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in KC and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter / performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Calvin’s 2018 national debut, Cantaloupe, September 15, 2018 on Center Cut Records, has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On December 13, 2019 Clvin released his full length Christmas album “all is calm.”]

[Calvin Arsenia who plays a Live Stream Event, Friday, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.]

Calvin Arsenia

11:04 – Interview with Calvin Arsenia

Since 2014 WMM has celebrated Calvin Arsenia who came home to KC after living in Edinburgh, Scotland. His EPs: Moments, Prose, Catastrophe, Caviar, and full length, Catastrophe led to his signing with Center Cut Records where he released the album Cantaloupe in 2018, and L.A. Sessions in 2019. Calvin released an EP of remixes, Honey Dew, an EP with Quixotic, and the holiday album, All Is Calm, also in 2019. Voted KC’s Best Musician in 2018 and 2019 in The Pitch, and featured on Billboard, NPR.org, NEWNOWNEXT, Pride.com, and GRAMMY.com, Arsenia’s classically trained voice, visually striking 6-foot-6 presence, and deft harp playing have built his reputation as a live performer. Arsenia believes the art comes from crafting the perfect moment, organically unfolding with beauty, surprise, and something for all of the senses. More info at http://www.calvinarsenia.com

Calvin Arsenia plays a Live Stream Event, Fri, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.

Calvin Arsenia plays a Center Cut Records Showcase at Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, August 29, at 7:00 PM, with The Black Creatures. More info at: http://www.centercutrecords.com

Calvin Arsenia, Thanks for being with us on Wednesday MidDay Medley

Born in Orlando, Florida, his creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond.

His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life.

Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-7-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’

Calvin’s 2018 national debut, Cantaloupe (Center Cut Records), has been acclaimed for melding diverse textures into an alluring signature sound for the adventurous artist. Calvin performed live at L.A.’s The Mint, showcasing the songs on LA Sessions with the musicians who collaborated with him on the album. Says Calvin: “It’s such a special experience to play with them. To be able to perform these songs in front of an audience and do this for a living – to have made a career out of something I love is so amazing – it is an honor that I never take for granted.”

On September 15, 2018 Calvin released Cantaloupe on Center Cut Records.

Calvin released L.A. Sessions September 20, 2019 on Center Cut Records

Calvin Arsenia – Honeydew / Center Cut Records / June 28, 2019
[On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. This new EP is a remix of three of the songs from Cantaloupe, plus a Talking Heads cover that was performed live in this style at a New Year’s Eve show at The Truman opening for Making Movies who performed the entire Talking Heads album, Remain in Light. The last three songs on Honeydew were from performed in this style at The Nelson Atkins 2019 event “Party Arty.” Honeydew was produced by Jametatone, Simon Huntley, Calvin Arsenia.

Quixotic & Calvin Arsenia – “Goddess – EP / Quixotic / May 17, 2019
[An innovative performance art collective that fuses imagination with technology, dance, projection, mapping and live music to create fully-immersive, multi-sensory experiences. Quixotic harnesses light, rhythm and expressive emotion. Quixotic was given Silicon Valley’s unofficial stamp of genius when they were invited to perform at the global TED Conference in 2012. A unique blend of performance art, technology and emotion. Quixotic fuses all these elements in to what the New York Times branded an “innovative circus performance,” and Men’s Journal declared “one of the best contemporary [cirque] acts.” They have performed for audiences worldwide and have helped launch brand products for companies such as BVLGARI, Faena Hotels, Garmin, HP, Smithsonian and Toyota. Quixotic harnesses light, rhythm and expressive emotion.] [Quixotic presents Sensatia, Cirque Cabaret, through Dec. 28 at 2450 Grand Blvd, 301 Kansas City

Calvin Arsenia – all is calm / Calvin Arsenia. / December 13, 2019
[Arsenia’s dreamlike whimsy shimmering through your favorite Christmas Classics. All proceeds for this album go towards the purchase of Calvin’s first harp. Featuring: Ben Muñoz on Cello, Shane Borth on Violin and Voila, and Luke “Skippy” Harbur on Beatbox. Mastered by Jametatone at the Infoaming Vertex and special thanks to Simon Huntley. Calvin wrote: “I recorded the majority of this album in my bedroom in between flights to and from KC and SF. I had my nephews and friend’s kids in mind and wanted an album of Christmas lullabys. I think it became just a little more sassy than anticipated, but I think you’ll enjoy it regardless.

Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.

A slice of Calvin’s Shows from 2019 to 2020…

[Calvin Arsenia played Tristian Griffin’s Palimpsest, Thur, June 13 at 7:00 PM & Fri, June 14 at 11:00 PM at Capsule, Charlotte Street Foundation’s new multi-room installation event space, 1664 Broadway Blvd, KCMO. the collaborative multi-media interactive art performance, features award-winning poet Glenn North, and original music by Calvin Arsenia and Pheenix Leeor]

[Calvin Arsenia appeared with The Mike Dillon Band opening for Rickie Lee Jones, Sun, June 16, at Crossroads KC, 417 E. 18th St, KCMO, 8:00 PM. Mike Dillon co-produced R.L.J. new KICKS.]

[Calvin Arsenia played INTER Relation>ship w/ Jade Osborne, Wed, June 19, 7:00 PM at Washington Square Park, 100 E. Pershing Rd, KCMO.]

[Calvin Arsenia played Briarfest, June 21, at Briar Cliff, 4100 N Mulberry Dr, KCMO.]

[Calvin played Crossroads Fashion Show]

[Calvin Arsenia played Bad in Bed LIVE Aug 22 – Aug 24, 8:00 PM at recordBar]

[Calvin Arsenia played The Sextet Album Release for Among Friends, Sept 15, at recordBar]

[Calvin Arsenia played Home for the Holidays with Calvin Arsenia & Friends Friday, December 13, at 7:00 PM, at Second Presbyterian, 318 E 55th St]

[Calvin Arsenia played Center Cut Records Holiday Party, Wednesday, December 18, at 7:00 recordBar with Fritz Hutchison, and The Black Creatures.]

[Calvin Arsenia played a New Year’s Eve show at Crossroads Hotel 2101 Central St., KCMO., Tuesday, December 31, at 9:00 PM with Quixotic, and DJ Marvin Gardens & DJ House of Dante.]

[Calvin Arsenia played Olathe Indian Creek Library, Olathe, KS, on Sunday, January 5.]

[Calvin Arsenia opened for Krystle Warren & The Faculty LIVE at Rough Trade NYC, 64 N 9th St, New York, New York, Saturday, Jan 10, 2020 at 8:00 PM.]

[Calvin Arsenia played Woody Guthrie Center, Oklahoma, February 21, 2020]

[Calvin Arsenia played Carpenter Square Theater, on Oklahoma City, February 23, 2020]

All of these shows ended in March at COVID-19 Quarantine began and music venues closed down. Calvin spent the first 2 months of Quarantine doing banjo and ukulele classes, live streaming shows, visual zoom gatherings.

Calvin Arsenia

We are talking with Calvin Arsenia who plays a Live Stream Event, Friday, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.

Calvin Arsenia plays a Center Cut Records Showcase at Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, August 29, at 7:00 PM, with The Black Creatures. More info at: http://www.centercutrecords.com

The Black Lives Matter Movement has had a great effect on Calvin Arsenia.

Calvin’s great, great, great grandmother Alice Gilliam Scott, was former slave who observed her 100th birthday.

11:14

15. Calvin Arsenia – “Revelation”
from: “Revelation” – Single / Calvin Arsenia / August 12, 2020 (Un-released) New Song

Congratulations to Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist.

In 2020 Calvin was able to purchase a new harp

Calvin Arsenia will be participating in The West 18th Street Fashion Show’s 20th year as i a feature-length film. “We are moving it from the street to the screen,” says Peregrin Honig to inkansascitymagazine. “Mike Dillon and Calvin Arsenia will be scoring and performing in the film.” The evening of October 16th at The Boulevard Drive-In will be the debut of the director’s cut of “Summer in Hindsight,” which Peregrine is currently working on with Justin Gardner,” Honig says. “We did this during a pandemic and a cultural revolution. I am not sure where else or how else this could happen at this moment in history.”

Calvin Arsenia, Thanks for being with us on Wednesday MidDay Medley

11:25

16. Calvin Arsenia – “River”
from: all is calm / Calvin Arsenia. / December 13, 2019
[Step into Arsenia’s dreamlike whimsy shimmering through your favorite Christmas Classics. All proceeds for this album go towards the purchase of Calvin’s first harp. Featuring: Ben Muñoz on Cello, Shane Borth on Violin and Voila, and Luke “Skippy” Harbur on Beatbox. Mastered by Jametatone at the Infoaming Vertex and special thanks to Simon Huntley. Calvin wrote: “I recorded the majority of this album in my bedroom in between flights to and from Kansas City and SF. I had my nephews and friend’s kids in mind and wanted an album of Christmas lullabys. I think it became just a little more sassy than i had anticipated but I think you’ll enjoy it regardless. Most of you may not know that I actually do not own a harp. 😮The ones you’ve seen me play over the past ten years have all been on loan. Donations for this album will go towards the purchase of my very own orchestral harp.”

[Calvin Arsenia plays a Live Stream Event, Friday, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art.]

[Calvin Arsenia plays a Center Cut Records Showcase at Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Saturday, August 29, at 7:00 PM, with The Black Creatures. More info at: http://www.centercutrecords.com]

11:30 – Underwriting

17. Cuee – “Shook (2020 Remix)”
from: Shameless / Cuee / November 23, 2018
[Originally from Chicago, Illinois, Cuee is a 27 year old Lawrence based hip-hop artist emcee, and educator. In the last 5 years Cuee has wowed audiences for his critically acclaimed releases and live performances. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release an new album titled, “Gospel.” Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a recently graduate of Artist Inc. ]

[Cuee plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

Cuee

11:36 – Interview with Cuee

Originally from Chicago, Illinois, in the last five years 27 year old Lawrence based hip-hop artist Cuee has wowed audiences in Lawrence and KC with his critically acclaimed musical releases and live performances. Cuee exhibits an energetic and fun, yet smooth and motivational edge to his style of music. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper, one could see why his storytelling essence fuses with harmonic flows. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release a new album titled, “Gospel.” Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a graduate of Artist Inc.

Cuee Thanks for being with us on Wednesday MidDay Medley

Cuee plays, Greenline Grows KC – Benefit for The Greenline Initiative, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altor, Stephonne Singleton, Krystle Warren, They Call Me Sauce, and The Phantastics. The evening will be centered around Black stories & voices, highlighting Black excellence in KC, and will also include non-Black performers & leaders who will speak on privilege, solidarity, and the importance of our black community members. The Greenline Initiative is a Black family-owned organization that uses crowdsourcing to help historically marginalized and low income populations buy and renovate the houses they rent. Based in KC’s 3rd District, the initiative builds permanent community. http://www.thegreenlineinitiative.com

Cuee is Mar’quis Wright

On August 4 Cuee announced on Facebook that “the judge approved (his) name change order…It’s official y’all…Mar‘Quis or ‘Quis for short (Kiese)”

27 year old Lawrence based hip-hop artist emcee, and educator. Cuee has gained fans over the last five years in Lawrence and Kansas City for his critically acclaimed musical releases and live performances.

On November 28, 2018 Cuee released the 10-track album Shameless.

Originally from Chicago, Illinois, where Cuee’s father still lives.

Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas where Cuee worked as a graduate assistant.

Cuee is also a recently graduate of Artist Inc.

Cuee has a passionate drive for everything hip-hop. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper,

Cuee is currently working to release a new album titled, “Gospel.”

Follow Cuee @cueemusic everywhere | http://www.officialcuee.com .
IG: @cueemusic
Twitter: @cueemusic
SoundCloud: https://soundcloud.com/cueemusic

CUEE Thanks for being with us on Wednesday MidDay Medley

11:48

18. Cuee – “Who’s Back”
from: Who’s Back – Single / Cuee / August 12, 2020
[Originally from Chicago, Illinois, Cuee is a 27 year old Lawrence based hip-hop artist emcee, and educator. In the last 5 years Cuee has wowed audiences in Lawrence and KC for his critically acclaimed musical releases and live performances. Cuee exhibits an energetic and fun, yet smooth and motivational edge to his style of music. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper, one could see why his storytelling essence fuses with harmonic flows. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release an new album titled, “Gospel.”Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a recently graduate of Artist Inc. ]

[Cuee plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

Black Light Animals “Playboys of The Western World”

19. Black Light Animals – “Halo”
from: Playboys of The Western World / Groove King Records / July 3, 2020
[Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night. Members include: Cole Bales on vocals & guitar, Cody Calhoun on guitar, Branden Moser on bass, and Zach Harris on drums. More info at: http://www.blacklightanimalsband.bandcamp.com]

[Black Light Animals play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 14, at 7:00 PM, with The Fey, and The Freedom Affair. More info at http://www.therecordmachine.co]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – ArtsKCGo – Arts Calendar

Next week on Wednesday, August 19, Nico Gray joins us as Guest Producer.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #850

WMM presents: Calvin Arsenia + Cuee + Nathan Reusch

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 12, 2020

Calvin Arsenia + Cuee + Greenline Grows KC
+ Nathan Reusch + New & MidCoastal Releases

Mark plays New & MidCoastal Releases from: Kemet Coleman, Calvin Arsenia, Scott Hrabko & The Rabbits, Cuee, The Fey, Black Light Animals, Mikal Shapiro & The Musical, Gemini Revolution, Krystle Warren and The Faculty, Betse & Clarke, Soultru, Kris Delmhorst, The Indigo Girls, and Jamila Woods.

Nathan Reusch

At 10:30 Nathan Reusch shares the new single from The Fey. The Fey play Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 14, at 7:00 PM, with Black Light Animals, and The Freedom Affair. Nathan Reusch is founder of The Record Machine, a homegrown record label started in 2003. Originally created to promote music from Kansas City & Lawrence, TRM has grown to turnout records from bands all across the country. Nathan is also co-founder & curator of the Middle of The Map Fest, and Sound Machine KC. More info at http://www.therecordmachine.co

Calvin Arsenia

At 11:00 Mark talks with Calvin Arsenia who plays a Live Stream Event, Friday, August 14, 2020 at 8:30 PM, presented in partnership with Carlsen Center Presents and the Nerman Museum of Contemporary Art. Since 2014 WMM has celebrated Calvin Arsenia who came home to KC after living in Edinburgh, Scotland. His EPs: Moments, Prose, Catastrophe, Caviar, and full length, Catastrophe led to his signing with Center Cut Records where he released the album Cantaloupe in 2018, and L.A. Sessions in 2019. Calvin released an EP of remixes, Honey Dew, an EP with Quixotic, and the holiday album, All Is Calm, also in 2019. Voted KC’s Best Musician in 2018 and 2019 in The Pitch, and featured on Billboard, NPR.org, NEWNOWNEXT, Pride.com, and GRAMMY.com, Arsenia’s classically trained voice, visually striking 6-foot-6 presence, and deft harp playing have built his reputation as a live performer. Arsenia believes the art comes from crafting the perfect moment, organically unfolding with beauty, surprise, and something for all of the senses. More info at http://www.calvinarsenia.com

Cuee

At 11:30 Mark talks with Cuee, 27 year old Lawrence based hip-hop artist emcee, originally from Chicago, Illinois. In the last five years Cuee has wowed audiences in Lawrence and KC with his critically acclaimed musical releases and live performances. Cuee exhibits an energetic and fun, yet smooth and motivational edge to his style of music. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper, one could see why his storytelling essence fuses with harmonic flows. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release a new album titled, “Gospel.” Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a graduate of Artist Inc.

Cuee plays, Greenline Grows KC – Benefit for The Greenline Initiative, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altor, Stephonne Singleton, Krystle Warren, They Call Me Sauce, and The Phantastics. The evening will be centered around Black stories & voices, highlighting Black excellence in KC, and will also include non-Black performers & leaders who will speak on privilege, solidarity, and the importance of our black community members. The Greenline Initiative is a Black family-owned organization that uses crowdsourcing to help historically marginalized and low income populations buy and renovate the houses they rent. Based in KC’s 3rd District, the initiative builds permanent community. http://www.thegreenlineinitiative.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #850

WMM Playlist from August 5, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 5, 2020

Khrystal. & Greenline Grows KC
+ New & MidCoastal Release
s

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
[WMM’s theme]

2. Lava Dreams – “Good Energy”
from: “Good Energy + Focus / Lava Dreams / June 13, 2020
[Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila Unversity. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com ]

[Lava Dreams plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Stephonne Singleton, and Dustin Rapier. More info at: http://www.stephonne.com]

3. jordana – “Forgetter”
from: Something To Say EP / Grand Jury Music / July 31, 2020
[Jordana is a girl who makes music in her living room in Kansas. Produced by MELVV & Jordana. Mixed by James Dring and mastered by Dave Trumfio. Follow up to her recent single “I’ll Take It Boring” released May 12, 2020 and her full length album release, Classical Notions of Happiness, March 27, 2020 with all songs written and produced by Jordan except “Crunch” was co written and produced by Jordana and Jeff Melvin aka “Melvv” and “Sway” was written by Jordana and co produced by Jordana and Sage Baptiste.]

4. Major Matt Mason USA – “Victims Of The Storm”
from: Victims Of The Storm – Single / Olive Juice Music / July 20, 2020
[Major Matt Mason USA is the the recording project of Matt Roth who also plays in the bands Schwervon! and Broken Heart Syndrome. The song was self produced with Brian Hurtgen on Drums and Dane Bridges on Bass at Olive Juice Music, Matt’s home studio in Shawnee Kansas. Victims of the Storm is meant to convey the collateral damage that can occur from difficult relationships while at the same time expressing the universal connection that we all have through suffering that occurs beyond our control. Matt Roth on guitar & vocals, Brian Hurtgen on drums, and Dane Bridges on bass. https://majormattmasonusa.com%5D

5. The Republic Tigers – “Falco Peregrinus”
from: Mind Over Matter / The Record Machine / June 5, 2020
[Hailing from Kansas City, MO, The Republic Tigers spike their lushly orchestrated indie rock with organic and synthetic elements. Founder Kenn Jankowski originally moved to Kansas City in 1999 and began playing guitar for The People, a band that later changed its name to The Golden Republic (Astralwerks Records). He also made fast friends with local musicians Ryan Pinkston and Adam McGill; and when The Golden Republic disbanded seven years later, he opted to launch his pop-based project with the other two multi-instrumentalists. Taking their name from Jankowski’s high school mascot, The Republic Tigers expanded their lineup with bassist Marc Pepperman and drummer Justin Tricomi. Electronic structures remained to play an important role in their music (via convenience/sensible creation-farming/forming), and the band issued a self-titled EP in late 2007 before putting the finishing touches on Keep Color, which arrived in 2008. Then there was a cool EP in 2011 titled “No Land’s Man” which featured the emo smash hit “The Infidel” and the extremely fun “Merrymake It With Me”. And then a second concept LP was concocted, “Mind Over Matter” – written from the year 2008 to the year 2011. Mixed and mastered in the year 2012. But then it was sadly shelved by the original labels until finally being released on hometown indie label The Record Machine in 2020.]

6. Krystle Warren & The Faculty – “Somebody Made For Me”
from: Love Songs – A Time to Refrain from Embracing (Love Songs: A Time You May Embrace) / Parlour Door Music / April 9, 2012 UK]
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, who gave her a one way ticket to France. Krystle moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world on tours with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle left Because Music and created, Parlour Door Music, to release “Love Songs: A Time You May Embrace / A Time to Refrain from Embracing” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. In 2019 The Kansas City based Owen/Cox Dance Group premiered a new dance piece titled “Love Songs” with choreography by Jennifer Owen, set to all 24 songs, in the order they appear in the double album recording, that Brad Cox originally worked on as an arranger and keyboardist. Krystle Warren has collaborated with Erykah Badu, Keziah Jones, Zap Mama, Rufus Wainwright and Martha Wainwright, Brad Cox Amadou & Mariam, Lakecia Benjamin, Guarco, Teddy Thompson, Gwyneth Herbert, Hercules & Love Affair, and Joon Moon. Along with being included in the compilation “NYC Subway – Songs from the Underground,” and tribute recordings for Kate McGarrigle, and Nick Drake, Warren has released the EP “Diary” on May 1, 2007; “The Up Series – EP” on November 10, 2008; “Circles” her 13-song full length on March 13, 2009; “A Time To Keep – Love Songs EP”, on August 12, 2011, The double album 24-song “Love Songs” released on vinyl in Europe on April 9, 2012 and as separate digital and CD albums in the U.S. as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015; Krystle released “Three the Hard Way” on August 18, 2017; and the new single “Rising”was released May 31, 2019.]

[Krystle Warren plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

7. Thanya Iyer-“Please Don’t Hold Me Hostage for Who I Am, for Who I Was”
from: Kind / Topshelf Records / July 31, 2020
[KIND explores an expansive universe where Iyer and her band examine interpersonal relationships, ideas of home and destination, and our collective responsibilities to one another. To aid in this journey of big, difficult questions, Iyer enlists the help of a huge cast of musicians, with guest features ranging from brass trios, vocal sextets, flautists, and harpists. Underscoring its explorative nature, the constant movement of KIND melds the sounds of experimental pop and improv into a magical amalgam that teems with flashes of jazz and nuanced electronics. Iyer’s rhythm section pulsates with genre-defying palettes of blips and skitters that twist elegantly into the melodic voices of interlocking synth, strings, and piano, all led by Iyer’s enrapturing lilt. The rhythmic direction of bassist Alexander Kasirer-Smibert and percussionist Daniel Gélinas clears a navigable path in an otherwise unnavigable setting, built on the pair’s understated yet intriguing expertise. The most succinct distillation of the album’s themes is perhaps found in KIND’s tracklist. “Please Don’t Hold Me Hostage for Who I Am, Who I Was” and “Bring Back That Which is Kind to You” inspire philosophies of self-care and emergent reconfigurations of justice, calling on listeners to self-reflect and detach from our preconceptions of ourselves and our identity. At the end of its course, KIND arrives at the conclusion of acceptance and resolve: acceptance of our collective circumstance, and the resolve to make the choice to do better. Thanya Iyer on voice, synth, violin, piano; Alex Kasirer-Smibert on Bass, percussion, synth, voice; Daniel Gélinas on Drums, Drum machine, percussion, voice; Shaina Hayes on vocals (tracks 4,5; Simon Millerd on Trumpet; Mawmz Plus Choir [Shelby Cohen, Corey Gulkin, Emilie Kahn, Brigitte Naggar, Sarah Rossy, Tamara Sandor] (tracks 7,9); Emilie Kahn on Harp, Frédérique Roy on Accordion; Devin Brahja Waldman on Saxophone; Felix Del Tredici on Trombone; Anh Phung: on Flute; Scott Bevins on Trumpet + electronics. All songs by Thanya Iyer. Produced by Daniel Gélinas, Alexander Kasirer-Smibert & Thanya Iyer. Recorded and Mixed by Daniel Gélinas at Studio Chocolat Chaud (Ogden, QC), St George’s Anglican Church (Montréal, QC) and Resonance Café (Montréal, QC). Mastered by Elton Chueng at Classick Studios (Chicago, IL) ]

10:29 – Underwriting

8. Bahroot (Eric Fain) – “Psilocybin Tea”
from: The Last Man on Earth / BLKC Records / July 20, 2020
[Eric Fain is the proprietor of BLKC Records. BLKC (Be Loyal/Kansas City) is an independent record label, management and promotion company with the goal to garner mainstream attention to Midwestern bands with no limit on genre. Bahroot is the music side project of Eric Fain. All songs written and recorded by Eric Fain. For a while Eric kept pretty quiet about it, but recently he released 9 songs written during this pandemic and now available on Bandcamp, Spotify and other places. The Last Man on Earth is a four song EP that followed the release of three singles in May, 2020. Bahroot is instrumental / Lofi / Hip Hop / Beats / Background / Relaxation / Music. ] [Psilocybin[a] (/ˌsaɪləˈsaɪbɪn/ sy-lə-SY-bin) is a naturally occurring psychedelic prodrug compound produced by more than 200 species of mushrooms, collectively known as psilocybin mushrooms. As a prodrug, psilocybin is quickly converted by the body to psilocin, which has mind-altering effects similar, in some aspects, to those of LSD, mescaline, and DMT. In general, the effects include euphoria, visual and mental hallucinations, changes in perception, a distorted sense of time, and spiritual experiences, and can also include possible adverse reactions such as nausea and panic attacks.]

9. Durand Jones & The Indications – “Young Americans”
from: Young Americans – Single / Dead Oceans / January 20, 2020
[One of two singles the band has released in 2020. Initially recorded for Howard Stern’s SiriusXFM radio show, the band have now decided to share the track with their fans. Featured on Bowie’s 1975 album of the same name, which saw him move away from the glam of earlier recordings towards a more soulful sound, Blake Rhein from The Indications said: “The entire Young Americans album is an incredible piece of soul music history with brilliant flares gospel, funk, and disco. The way Bowie is able to use these ingredients and apply them to his own brand of weird-o pop is just amazing.” The track was recorded in August of 2017 at Russian Recording in Bloomington, Indiana after the Stern show reached out as they were putting together a compilation featuring various artists covering different Bowie songs. Having seen no one was covering Young Americans, the decision to record the track was relatively straight forward as the soul-stylings of the original perfectly suited Durand Jones & The Indications. The band were joined during recordings by Alonza Lawrence, Saren Oseitoto and GeDeane Graham on backing vocals, Ana Nelson on saxophone and Jesse Klirsfeld on trumpet.The band who last year appeared at both the Meltdown Festival, curated by Nile Rodgers, at London’s South Bank and the Green Man Festival in August and more recently played their biggest sold-out London headline show at the Islington Assembly Hall, head out for an extensive run of U.S. dates starting in January. // Durand Jones & The Indications released their debut self titled album on May 16, 2018. The band released their second album, American Love Call, on March 7, 2019. Bayou-born soul sensation, Durand Jones got his start in the church, after being forced to sing in the choir of his rural hometown Hillaryville, Louisiana because his Grandmother thought he sang too much at home. When his music career took him to Bloomington, Indiana, he was selected to join the legendary Indiana University Soul Revue, and it was through his involvement that he met writer/producer duo Aaron Frazer and Blake Rhein. The three began writing original soul music, recording themselves straight to tape in the basements of Bloomington – and their debut album is now available on Colemine Records. The Indications conjure the dynamism of Jackie Wilson, Curtis Mayfield, AND the Impressions. This young band of twenty-somethings are students of soul, including guitarist Blake Rhein, who moonlights doing research for The Numero Group.]

10. David Bowie – “Under Pressure” with Gail Ann Dorsey
from: A Reality Tour (Bonus Track Version) [Live] / Sony Music Entertainment / Jan. 22, 2010
[“Under Pressure” is a song by the British rock band Queen and singer David Bowie. Originally released as a single in October 1981, it was later included on Queen’s 1982 album Hot Space. The song reached number one on the UK Singles Chart, becoming Queen’s second number-one hit in their home country (after 1975’s “Bohemian Rhapsody”, which topped the chart for nine weeks) and Bowie’s third (after the 1975 reissue of “Space Oddity” and “Ashes to Ashes” in 1980). The song charted in the top 10 in more than ten countries around the world, and peaked at No. 29 on the US Billboard Hot 100 in January 1982. // A Reality Tour is a live album by David Bowie that was released on 25 January 2010. The album features November 22, and 23, 2003 performances in Dublin during his concert tour A Reality Tour. The 2004, live version features David Bowie – vocals, guitars, stylophone, harmonica; Earl Slick – guitar; Gerry Leonard – guitar; Gail Ann Dorsey – bass guitar, backing vocals, lead vocals on “Under Pressure”; Sterling Campbell – drums; Mike Garson – keyboards, piano; Catherine Russell – keyboards, percussion, acoustic guitar, backing vocals. A Reality Tour was a worldwide concert tour by David Bowie in support of the Reality album. The tour commenced on 7 October 7, 2003 at the Forum, Copenhagen, Denmark continuing through Europe, North America, Asia, including a return to New Zealand and Australia for the first time since the 1987 Glass Spider Tour. The tour grossed $46,000,000, making it the ninth-highest grossing tour of 2004. At over 110 shows, the tour was the longest tour of Bowie’s career. Bowie played Kansas City, May 10, 2004, at Starlight Theatre. I was there, seven rows from the stage.]

11. Koney – “Glue Diet”
from: Koney / High Dive Records / June 26, 2020
[High Dive Records announced on their website http://www.highdivekc.com “We are excited to announce that Konnor Ervin from The ACBs and Shy Boys has a new project called Koney. We will be releasing his new self titled album digitally on June 26, 2020 followed by a vinyl release later this summer. Thanks to New Commute you can check out the lead single and corresponding video at the below link. https://www.newcommute.net/feed/2020/5/19/koney-sue-2 Konnor Ervin is part of the Shy Boys who’ve released two full-length albums and multiple singles. Before Shy Boys, Konnor was the founder of the critically acclaimed band The ACBs who released their self titled debut album in 2007, followed by Stona Rosa in 2011, and Little Leaves in 2013. Konnor’s work on what might have been The ACBs fourth full-length album, got held up, but now seven years later it’s seeing the light of day under the name Koney, Konnor’s nickname from Shy Boy’s band mates.]

12. Cat Dail – “Red Pill”
from: Fred pill – Single / Lucky Magnet Records / July 30, 2020
[Recorded entirely remotely, during Covid-19, May 2020. CAT DAIL Vocals, SHAWN PELTON Drums, ANDY HESS Bass, SCOTT SHARRARD Guitar, BEN STIVERS Rhodes Piano, BARRY DANIELIAN Trumpet, CRAIG DREYER Sax, CLARK GAYTON Trombone. Produced by CLARK GAYTON, Mixed by MARC URSELLI, Mastered by JOE LaPORTA, Sterling Sound Originally from Kansas City, Singer-songwriter, multi-instrumentalist, & producer Cat Dail, lives some of the time in NYC and some of the time in Chesterfield, NH. She’s released 5 albums on her label Lucky Magnet Records . Cat has been active in the Indie rock scene since the 1990s, leading her NYC band, Cat played a residency at the Bitter End, and most colleges and clubs from Vermont to Virginia, Colorado to California. Her EP Fight For Love was part of WMM’s 118 Best recordings of 2018. More info at: http://www.catdail.com]

13. UMI – “Sukidakara”
from: Love Language – EP / Loud Robot / October 30, 2020
[Tierra Umi Wilson was born February 9, 1999. She is a singer and songwriter, born in Seattle, Washington. Wilson attended the University of Southern California, but dropped out in 2019 to pursue music. While she’s only just entered adulthood, she released singles “Remember Me” and the EP “Interlude.” On May 17, 2019, UMI released a mini EP “Balance” containing 2 songs, “Ordinary” and “Down to Earth.” UMI is an R&B artist who was raised by a pianist mother, and drummer father. UMI started writing music when she was 4 or 5, with a songwriting journal. In high school, she discovered YouTube beats and started writing to tracks. She would record the songs with a USB mic and upload them to SoundCloud and YouTube. She soon started to get copyrighted on SoundCloud from posting covers of other songs. This made her start writing and posting her own original. Her father is African American and her mother is Japanese.]

14. Cuee – “Shook (2020 Remix)”
from: Shameless / Cuee / November 23, 2018
[Originally from Chicago, Illinois, Cuee is a 27 year old Lawrence based hip-hop artist emcee, and educator. In the last 5 years Cuee has wowed audiences in Lawrence and KC for his critically acclaimed musical releases and live performances. Cuee exhibits an energetic and fun, yet smooth and motivational edge to his style of music. Drawing major influence from hip-hop artists such as Jay Z, Kanye West and Chance The Rapper, one could see why his storytelling essence fuses with harmonic flows. His fan favorites include Shook, Blessed, and Feeling Lucky from Cuee’s 2018 album, Shameless. Cuee is currently working to release an new album titled, “Gospel.”Cuee received his Master’s Degree in Higher Education Administration from the University of Kansas. Cuee is also a recently graduate of Artist Inc.]

[Cuee plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

11:00 – Station ID

Last week on the show we played Khrystal.’s 2020 single, “You Again” that was released on February 21, 2020. This week we are thrilled to premiere Khrystal.’s newest single “Magic” to be released by Manor Records on August 8, 2020

15. Khrystal. – “Magic”
from: Magic – Single / Manor Records / August 8, 2020
[Manor Records announced a new single from newly signed KCK musical artist Khrystal. Her new single “Magic” will be available on August 8, 2020 and will be released on limited edition cassette singles with her most recent single “You Again” as a B-Side. On September 1, 2017 Khrystal. Released The Glow Up EP, Produced & Written by Khrystal Coppage and Duncan Burnett. This was follow up to Khrystal’s Debut EP, Quarter Century Living. Executive Produced By Duncan Burnett. Written By Khrystal Coppage & Duncan Burnett. Kansas City based Khrystal Coppage served as Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK.]

[Khrystal. plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!]

1:03 – Interview with Khrystal

Singer songwriter Khrystal. will be releasing her new single “Magic” on August 8, 2020 through Manor Records. “Magic” will be released on limited edition cassette singles. announced a new single from newly signed KCK musical artist Khrystal. Her new single “Magic” will be available on August 8, 2020 and will be released on limited edition cassette singles with her most recent single “You Again” as a B-Side. Khrystal. plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!

Khrystal., thanks for being with us on Wednesday MidDay Medley

Manor Records will be releasing Khrystal’s new single “Magic” digitally & on limited edition cassette – both available this Friday, August 7, 2020 on her Bandcamp page – https://khrystalwithakh.bandcamp.com/releases. The B-side will be her most recently released single “You, Again”. Production on both tracks by Duncan Barnett.

Alishia Maxwell – Photography
Christopher Robertson – Graphic Design

On July 13, 2018 Khrystal. released The Awkward Muva, an 8-song release produced with Duncan Burnett and Desmond Mason.

On September 1, 2017 Khrystal. released The Glow Up EP, Produced & Written by Khrystal Coppage and Duncan Burnett.

On September 1, 2017 Khrystal. released the EP, Quarter Century Living. Executive Produced By Duncan Burnett. Written By Khrystal Coppage & Duncan Burnett.

Khrystal. also works as an actress in theatre and film she can be seen in Morgan Cooper’s award winning film U Shoot Videos?

Kansas City based Khrystal Coppage served as Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016.

Khrystal graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK.

Khrystal. plays Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!


GREENLINE GROWS KC: A LIVESTREAM BENEFIT CONCERT FOR THE GREENLINE INITIATIVE on FRIDAY, AUGUST 28TH, 7:00 PM CST – STREAMING ON FACEBOOK & YOUTUBE

On August 28th, local artists and leaders will partner with 90.9 The Bridge, Midwest Music Foundation, Records with Merritt, Manor Records, Folk Alliance International, KKFI 90.1 FM, Butler C&D & Center Cut Records to help bring you a live-stream event, benefitting The Greenline Initiative.

The Greenline Initiative is a Black family-owned organization in Kansas City that uses crowdsourced funding to help historically marginalized and low income populations in our city buy and renovate the houses they rent. Operating out of Kansas City’s 3rd District, the initiative works to build permanent community and generational wealth in formerly redlined neighborhoods

The evening will be centered around Black stories & voices, and will highlight Black excellence throughout Kansas City. It will also include non-Black performers and local leaders who will speak on privilege, solidarity, and the importance of consistently lifting up our black community members.

Performances by: Radkey /// The Greeting Committee /// Khrystal. /// Cuee /// Danny Cox + Bob Walkenhorst /// Enrique Javier Chi of Making Movies + Las Hermanas Altoro // Stephonne // Krystle Warren // They Call Me Sauce // The Phantastics and more!

Appearances by: Ajia Morris + Chris Morris of The Greenline Initiative
Deanna Munoz of Latino Foundation for the Arts/Midwest Chicana
Starzette Palmer – Executive Director of Our Spot KC
G.S. Griffin – Author of Racism in Kansas City
Mayor Quinton Lucas

The evening will be centered around Black stories & voices, highlighting Black excellence in KC, and will also include non-Black performers & leaders who will speak on privilege, solidarity, and the importance of our black community members. The Greenline Initiative is a Black family-owned organization that uses crowdsourcing to help historically marginalized and low income populations buy and renovate the houses they rent. Based in KC’s 3rd District, the initiative builds permanent community and generational wealth in formerly redlined neighborhoods. More info at: http://www.thegreenlineinitiative.com

Info link: bit.ly/greenlinegrowskc
Facebook event: https://www.facebook.com/events/803423657131263/
Greenline website: https://www.thegreenlineinitiative.com/

Khrystal., thanks for being with us on Wednesday MidDay Medley.

Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, The Phantastics and more!

11:16

Khrystal.

16. Khrystal. – “M e L A N i N P o P P i N”
from: Q u a r t e r C e n t u r y L i v i n g / Khrystal. / September 1, 2017
[Written and performed by Khrystal. Produced by Katheryne Johnson. Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on November 7, 2017.

[Khrystal. plays Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, and The Phantastics]

17. Khrystal. – “Her Eyes”
from: Her Eyes – Single / Khrystal. /June 7, 2019
[On September 1, 2017 Khrystal. Released The Glow Up EP, Produced & Written by Khrystal Coppage and Duncan Burnett. This was follow up to Khrystal’s Debut EP, Quarter Century Living. Executive Produced By Duncan Burnett. Written By Khrystal Coppage & Duncan Burnett. Kansas City based Khrystal Coppage served as Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. ]

[Khrystal. plays Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro, Stephonne, Krystle Warren, They Call Me Sauce, and The Phantastics]

18. Kadesh Flow – “I’m A Hero”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Kadesh Flow released his latest EOP Motivated on January 31, 2020. Mixed by Kadesh Flow. Mastered by Bill Beats. Kadesh calls this EP a “collection of tracks that I made to motivate myself. Hopefully they get you fired up as well.” Kadesh Flow is Ryan Davis is a rapper with an MBA. He is an emcee, producer, & trombonist. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Kadesh performs as a solo hip hop artist. He also plays with KC funk juggernaut The Phantastics, and Marcus Lewis Big Band. // COVID-19 may have shut down innumerable business and altered our lives forever, but one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

19. Dirty Projectors – “Lose Your Love”
from: Flight Tower – EP / Domino Recording Co / June 25, 2020
[Scarcely 18 months after the release of their album, “Lamp Lit Prose,” from July 13, 2018, and three months after their live-in-studio album “Sing The Melody” from December 10, 2019, Dirty Projectors released the single ‘Overlord.’ Then several month later the band released their new 4-song EP Flight Tower. Lead Projector Dave Longstreth put together the new band around the Lamp Lit Prose touring in 2018/19. Guitarist Maia Friedman handles lead vocals and co-wrote the lyrics with Dave, who wrote and produced the music. Felicia Douglass and Kristin Slipp contribute additional vocals. Nat Baldwin plays upright bass; Mike Johnson is behind the kit. Mauro Refosco plays congas.]

11:29 – Underwriting

20. Teyana Taylor – “Let’s Build (feat. Quavo)”
from: The Album (Deluxe) / Getting Out Our Dreams – Def Jam / June 19, 2020
[Teyana Meshay Jacqueli Shumpert (née Taylor; was born December 10, 1990. She is an American singer, songwriter, actress, dancer, choreographer, director, and model. In 2005, Taylor signed a record deal with American musician Pharrell Williams’ Star Trak Entertainment imprint, before making her first national appearance on MTV’s My Super Sweet 16. In 2012, she signed to Kanye West’s GOOD Music label through Def Jam, after asking for her release from Star Trak. As an aspiring songwriter, Taylor has worked with and written records for artists such as Usher, Chris Brown, and Omarion. Taylor has appeared on runways during Fashion Week and has also landed high-profile features, such as on Kanye West’s My Beautiful Dark Twisted Fantasy. She stars in the VH1 reality television show Teyana and Iman, alongside her husband, NBA player Iman Shumpert. Taylor was born on December 10, 1990, while she was raised in Harlem, New York City; she is of Afro-Trinidadian descent. Taylor is her mother’s only child while her father has two sons and another daughter from a different relationship. Her mother raised her with her family and is currently her manager. At age nine, she began performing. Taylor was enrolled in many different talent competitions, including the Apollo Theater National All-Stars talent search, although she never won. Growing up, Taylor had strong influences from Brandy, Lauryn Hill, Stevie Wonder, Janet Jackson, and Michael Jackson. On December 6, 2019, Taylor released the single “We Got Love”. On May 7, 2020, Taylor announced that her third studio album is titled The Album and would be released sometime in June 2020.[46] It was released on June 19, with the 23-track album featuring guest appearances by Erykah Badu, Kehlani, Lauryn Hill, Future, Rick Ross, Quavo, and Missy Elliot. The album was awarded 3.5/5 stars by The Forty-Five, saying The Album “finds the veteran performer firmly reclaiming her own narrative”. It debuted at number 8 on the Billboard 200.]

21. Bahroot (Eric Fain) – “Quarantine Morning”
from: The Last Man on Earth / BLKC Records / July 20, 2020
[Eric Fain is the proprietor of BLKC Records. BLKC (Be Loyal/Kansas City) is an independent record label, management and promotion company with the goal to garner mainstream attention to Midwestern bands with no limit on genre. Bahroot is the music side project of Eric Fain. All songs written and recorded by Eric Fain. For a while Eric kept pretty quiet about it, but recently he released 9 songs written during this pandemic and now available on Bandcamp, Spotify and other places. The Last Man on Earth is a four song EP that followed the release of three singles in May, 2020. Bahroot is instrumental / Lofi / Hip Hop / Beats / Background / Relaxation / Music. ] [Psilocybin[a] (/ˌsaɪləˈsaɪbɪn/ sy-lə-SY-bin) is a naturally occurring psychedelic prodrug compound produced by more than 200 species of mushrooms, collectively known as psilocybin mushrooms. As a prodrug, psilocybin is quickly converted by the body to psilocin, which has mind-altering effects similar, in some aspects, to those of LSD, mescaline, and DMT. In general, the effects include euphoria, visual and mental hallucinations, changes in perception, a distorted sense of time, and spiritual experiences, and can also include possible adverse reactions such as nausea and panic attacks.]

22. Cut Worms – “Baby Come On”
from: Nobody Lives Here Anymore / Jagjaguar / October 9, 2020
[Cut Worms is the music project of Ohio-born, Brooklyn-based singer, songwriter, and musician Max Clarke. Max Clarke, known by his stage name Cut Worms, is a singer, songwriter, and musician hailing from Ohio who is currently based in Brooklyn, New York. Cut Worms has opened for bands such as Jenny Lewis, Kevin Morby, The Lemon Twigs and Michael Rault. Cut Worms released the EP Alien Sunset in 2017. In 2018, Cut Worms released the debut full-length album Hollow Ground on Jagjaguwar. Hollow Ground received a rating of 7.2 on Pitchfork.]

23. Heavy Surface – “Didn’t it Rain”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[French Exit Records launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

24. Bream – “No Beginnings/No End”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Bream is the musical project of Justin Beamer. All instruments, sounds, and lyrics written by Justin Beamer.][French Exit Records launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

25. Beach Bunny – “Dream Boy”
from: Honeymoon / Mom+Pop / February 14, 2020
[Beach Bunny is an American indie pop band, founded in 2015 in Chicago, Illinois. The group released its debut studio album, Honeymoon, in February 2020 on Mom + Pop Music. Beach Bunny began as a bedroom-based solo project in 2015 when Lili Trifilio recorded a song titled “6 Weeks”. The same year, Trifilio released her first EP, titled Animalism. She released her second EP titled Pool Party in 2016. In 2017, Beach Bunny expanded to a full four-piece lineup and released a third EP, titled Crybaby. In 2018, Beach Bunny released their fourth EP, titled Prom Queen. On October 31, 2019, the band announced that they had signed to Mom + Pop Music and released their first full-length album, Honeymoon, on February 14, 2020. Band members are: Lili Trifilio on vocals & guitar, Matt Henkels on guitar, Anthony Vaccaro on bass, Jon Alvarado on drums. http://www.beachbunnymusic.com]

26. The Noise FM – “Who’s Watching Who?”
from: Cooler Heads Prevail /Who’s Watching Who? – Single / The Noise FM / July 24, 2020
[The Noise FM plays melodic, beat-driven indie-rock. Sometimes the tunes get really loud with fuzzed out synthesizers and gnarly riffs. Other times, it gets quieter — all grooves and sexy vibes. Regardless of the volume, people tend to dance. Brothers Alex & Austin Ward formed The Noise FM in Lawrence, Kansas. After 9 years in Chicago, the band relocated to Los Angeles in 2019. The band released their 10 song album Attraction on January 28, 2014. The band released Hot Sauce: The Noise FM Live from recordBar on December 9, 2016. They released their 6-song EP Enclave on May 14, 2010. The band released Dream of the Attack on October 1, 2008. They released their 16 track Night of the Sentinels on January 1, 2007. Alex & Austin Ward are also members of the band Hembre]

27. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – ArtsKC – Arts Calendar

Next week on Wednesday, August 12, Nathan Reusch of The Record Machine shars new music from The Fey. Calvin Arsenia talks about life during the quarantine of COVID-19 coupled with the nationwide Black Lives Matter movements. And Hip Hop MC and Producer Cuee shares new music from his upcoming album Gospel.
Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #849

WMM Playlist from July 15, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 15, 2020

Stephonne Singleton + Heath Church
+ New & MidCoastal Releases

Today’s show features tracks from French Exit Records – Black Lives Matter Compilation, of 22 acts from the area, with proceeds donated to One Struggle KC‘s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.

And from: Kansas City Syzygy, a compilation of 19 songs created during the quarantine of 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home.

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

2. UpKeep – “Burnt Hands”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Electronic dream pop band from Springfield, Missouri formed in January 2017 by Spencer Pearson and Anna Redmond. “Burnt Hands” was mastered by Jordan Bleau. “Burnt Hands” was originally released as a single on March 1, 2019. Spencer Pearson also performs and records ambient music under the name, faulter. (https://faulter.bandcamp.com/album/regain). Anna also releases music as a solo artist and has played keyboards with Buckle Up Baby (https://anna-music.bandcamp.com/track/reason).French Exit Records launched two years ago and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. The Black Lives Matter Compilation is available on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. Black Lives Matter Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

3. Sam Wells – “Dear Black People” (Radio Edit)
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Earlier this year on April 21, 2020, Sam Wells released her single “Sugar” produced at the Lawrence Kansas Public Library recording studio. It was only a decade ago, Sam Wells sat in her bedroom learning the Corrine Bailey Ray classic “Put Your Records On”. This was all it took to ignite a lifetime love affair with music. Now based in Lawrence KS, the singer-songwriter brings her Folk-Americana sound to the greater Kansas City area. With her smooth and sultry voice and the warm tones of a baritone ukulele, she shares stories of love, loss and everything in between. Originally from Phoenix, Arizona, Sam Wells is now based in Lawrence, Kansas where she is bringing her music to the greater Kansas City area, in many venues, and now in live stream shows. Folk Americana singer and songwriter Sam Wells joins us to talk about her first two singles, “Lesson Learned” (her debut) and “Sugar” (her latest) that is “full of energy and funk.” These two tracks are leading up to the release of Sam’s first EP, “Not Too Broken,” be released in August, 2020. More info at: http://www.whoissamwells.com. French Exit Records launched two years ago and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. The Black Lives Matter Compilation is available on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. Black Lives Matter Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

4. Crystal Rose – “Not Leaving (Stripped)”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Earlier this year Crystal Rose released, “Not Leaving (Stripped)” on January 30, 2020. Crystal Rose released her debut single “Come Alive” on May 6, 2016. Crystal is a Kansas City based singer songwriter and UMKC journalism student who has played solo and also with Paige Turner on guitar, Peter Marten on guitar, and Robert Castillo on bass. Crystal Rose is a singer song-writer based in heart of Kansas City. At a young age she was influenced by powerhouse vocals like Whitney Houston, Celine Dion and Christina Aguilera. She has since drawn much inspiration from blues and folk centered artist like James Bay, James Vincent McMorrow and Johnny Swim. To listen to more Crystal Rose please visit: http://www.crystalro.se. French Exit Records launched two years ago and is an independent music label based out of Kansas City, Missouri founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond, and has organized live events. The Black Lives Matter Compilation is available on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. Black Lives Matter Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

5. The Mammals – “If You Could Hear Me Now”
from: Nonet / Humble Abode Music / May 22, 2020
[Nonet may refer to a composition which requires nine musicians for a performance. The Mammals “Nonet” band is nine musicians: Ruth Ungar on fiddle, guitar, ukulele, vocals; Mike Merenda on guitar, banjo, vocals; Konrad Meissner on drums; Lee Falco on drums; Jacob Silver on upright & electric bass; Brandon Morrison on electric bass, baritone guitar, high-strung guitar, vocals; Ken Maiuri on piano, Wurlitzer, high-strung guitar, vocals; Will Bryant on Hammond organ, clavinet, vocals; and Charlie Rose om pedal steel, banjo, vocals. Special guests included: Lindsay Lou, Kate Pierson, Connor Kennedy, Jayla Kai Smith, Gail Ann Dorsey, Zach Djanikian, Joan Henry, and Will Puck Merenda on handclaps. All songs © 2020 M. Merenda / R. Ungar, Shake Sugaree Music, ASCAP. Recorded by Adam Armstrong at The Clubhouse, Rhinebeck, NY and Humble Abode Music, West Hurley, NY. Mixed by Adam Armstrong except “Coming Down Off Summer,” “Radio Signal,” and “Someone’s Hurtin” mixed by Paul Antonell & Shubham Mondal; “Beyond Civilization” and “You Gotta Believe” mixed by Mike Merenda. Mastered by Greg Calbi at Sterling Sound. Indie-roots trailblazers, The Mammals, bring politically-infused string-band fervor to their re-emergent new album and US tour in 2018. In an era of disconnect, The Mammals enjoy re-connecting generations thru their truth-telling lyrics, off-the-cuff storytelling and euphoric instrumentals, and by organizing a hometown community folk festival (The Hoot) near Woodstock, NY. Founded in 2001 by Seeger’s grandson, Tao, second generation fiddler/singer, Ruth Ungar, and multi-instrumental wordsmith, Mike Merenda, the original trio enjoyed a remarkable 7 year run that brought them to the largest folk festivals across North America, Australia and Denmark, Nashville’s Ryman Auditorium New York’s Carnegie Hall as the special guest of folk legend Arlo Guthrie, and to the pages of numerous publications lauding their unique “traditional-music-in-combat-boots-sound” including a feature in The New York Times handpicking them as a leader in a pack of new-wave stringbands “updating that old-time sound.” After a considerable break from the project during which time Merenda and Ungar married and started a family, a bi-annual folk festival, and a musical duo aptly called, Mike + Ruthy, and Seeger pursuing a solo career before retiring from music all together to start a family of his own, The Mammals returned fronted by Merenda and Ungar in 2017 “stronger than ever” (Folk Alley) with a pair of politically charged singles, “Culture War” and “My Baby Drinks Water,” and the The lineup includes some former Mammal members including Jacob Silver and Ken Maiuri when they are not touring with Lee Fields and the B-52’s respectively. “It’s a blessing to have a connection to the past and such great new players too,” says Mike. “The alchemy of fiddle, banjo, guitar, bass and drums is magic… and when keys, pedal steel, and horns are in the mix we leap to the next level.”] [The Mammals played Folk Alliance International Conference February 17, 2018 .]

6. Curtis Mayfield – “Superfly”
from: Superfly (Soundtrack from the Motion Picture) / Curtom Records / July 1972
[[We hear in the bridge Curtis singing, “Trying to get over” the theme we hear in so many of Curtis Mayfield’s incredible recordings. Super Fly is the third studio album by American soul musician Curtis Mayfield. It was released as the soundtrack for the Blaxploitation film of the same name. Widely considered a classic of 1970s soul and funk music, Super Fly was a nearly immediate hit. Its sales were bolstered by two million-selling singles, “Freddie’s Dead” (#2 R&B, #4 Pop) and the title track (#5 R&B, #8 Pop). Super Fly is one of the few soundtracks to out-gross the film it accompanied. Super Fly, along with Marvin Gaye’s What’s Going On, was one of the pioneering soul concept albums, with its then-unique socially aware lyrics about poverty and drug abuse making the album stand out. The film and the soundtrack may be perceived as dissonant, since the film holds rather ambiguous views on drug dealers, whereas Curtis Mayfield’s position is far more critical. Like What’s Going On, the album was a surprise hit that record executives felt had little chance at significant sales. Due to its success, Mayfield was tapped for several film soundtracks over the course of the decade. Curtis Lee Mayfield was born in Chicago on June 3, 1942, He died on December 26, 1999. An American singer-songwriter, guitarist, and record producer, and one of the most influential musicians behind soul and politically conscious African-American music, he first achieved success and recognition with The Impressions during the civil rights movement of the late 1950s and 1960s, and later worked as a solo artist. Mayfield started his musical career in a gospel choir. Moving to the North Side, he met Jerry Butler in 1956 at the age of 14, and joined the vocal group The Impressions. As a songwriter, Mayfield became noted as one of the first musicians to bring more prevalent themes of social awareness into soul music. In 1965, he wrote “People Get Ready” for the Impressions, which displayed his more politically charged songwriting. Ranked at no. 24 on Rolling Stone’s list of the 500 Greatest Songs of All Time, the song received numerous other awards, and was included in the Rock and Roll Hall of Fame 500 Songs that Shaped Rock and Roll, as well as being inducted into the Grammy Hall of Fame in 1998. After leaving the Impressions in 1970 in the pursuit of a solo career, Mayfield released several albums, including the soundtrack for the blaxploitation film Super Fly in 1972. The soundtrack was noted for its socially conscious themes, mostly addressing problems surrounding inner city minorities such as crime, poverty and drug abuse. The album was ranked at no. 72 on Rolling Stone’s list of 500 Greatest Albums of All Time. Mayfield was paralyzed from the neck down after lighting equipment fell on him during a live performance at Wingate Field in Flatbush, Brooklyn, New York, on August 13, 1990. Despite this, he continued his career as a recording artist, releasing his final album New World Order in 1996. Mayfield won a Grammy Legend Award in 1994 and a Grammy Lifetime Achievement Award in 1995, and was a double inductee into the Rock and Roll Hall of Fame, as a member of the Impressions in 1991, and again in 1999 as a solo artist. He was also a two-time Grammy Hall of Fame inductee. He died from complications of type 2 diabetes in 1999 at the age of 57. In my tween years my mother’s record collection was changing, her second husband Al drove a van, and listened to 8-track tapes. My mom was in the RCA Music Club where they would automatically send you the new release, that’s how she ended up with the soundtrack to the film “Superfly” from Curtis Mayfield. The movie never played our town. But the soundtrack tells the story, of “Trying to get over.”]

10:28 – Underwriting

7. Stephonne Singleton – “Want Me”
from: SIS: Side A / Stephonne Singleton / August 7, 2020
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018. Stephonne was born and raised in Wyandotte County, Kansas. He has performed in multiple shows for Late Night Theatre. Stephonne told John Long of Camp Magazine “I was surrounded by records, and my parents always had music on.” A video for “Want Me” was just released. “Want Me” is part of a new 4-song EP.]

[Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com]

Stephonne Singleton on the July 15, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:33 – Interview with Stephonne Singleton

Singer songwriter, & actor, Stephonne Singleton talks about his new EP, SIS: Side A, to be released August 7, and the single “Deep,” released July 14, 2020. Stephonne co-produced his EP with Justin Mantooth who also engineered & mixed, at Westend Studios. Joining Stephonne was Johnny Hamil on bass, Ben Byard on guitar, & Adam McKee on drums. Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. His debut album, “Caged Bird Sings Songs About Red Beard” was one of WMM’s 118 Best Recordings of 2018.

Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com

Stephonne Singleton, Thank you for being with us on Wednesday MidDay Medley

After 2018’s Caged Bird Sings Songs About Red Beard and the release of two singles, ‘Want Me’ and ‘Dominate’, we finally get our hands on Stephonne’s SIS: Side A EP. “With ‘Want Me’, I finally found a full confidence and strength in myself again. There were a lot of years that passed, where I really felt that I couldn’t do this independently. I stopped listening to the music and instead listened to rejection, doubt and a lot of self-sabotage.” After a 2018 New York showcase, Singleton laid in A friend’s Philadelphia bed and thought about what was next. He had taken a step he hadn’t before and it was that precise step that woke up a sleeping giant. “It all hit me at once! I got so much closer to my dream than ever before and a dream with steps and goals that I’d written down and prayed aloud for since I was 7.” ‘Want Me’ would spawn a very successful Kickstarter for its major music video and an EP that Stephonne had no idea he’d end up writing.

Stephonne Singleton photo by Paul Andrews Photograph

“‘Want Me’ had been written before my debut was released but was just sitting and, honestly, after I decided I needed to go about this alone I remembered that I was broke,” laughs the singer-songwriter. From jobs in corporate America, local theatre and drag Stephonne put his money where his dreams were. After crowdfunding success, the songs just showed up and demanded attention. SIS, in the case of this EP, actually means Summoning Insatiable Spirits.

“That is what I do every time I write a song. The spirits are my emotions, thoughts, traumas, fears and joys.” On Side A and, an upcoming, B we find those spirits. “All of these songs came to me in an instant. They are really from some relationship that I have with the ether that I can’t explain. Whole songs in 10-15 minutes that I hear over and over until I get in with the band (Johnny Hamil, Ben Byard and Adam McKee) finish writing with everyone and then record them. They are literal sprits or ghosts that demand to be heard.”

Stephonne Singleton photo by Paul Andrews Photograph

Side A’s first single, ‘Deep’, came to Stephonne on a return to MCI from SEA. “There I was… crying on the plane like a big ass baby because of some dude I fell in love with and knew it wouldn’t work out with. The melody and lyrics hit me like a brick and after trying to hide my weeping face from the two passengers next to me, I went to that tiny bathroom and got everything on my phone.” Like ‘Want Me’, the pop gem would sit and scream at Stephonne until late 2019. The influence of 90’s and early 00’s radio rock reigns supreme on ‘Deep’ and we find Stephonne in his greatest melodic and lyrical territory yet. “I feel like you are always trying, unsuccessfully, to write a hit and with every single one of these songs there was no trying. I listened to life, wrote it down and got out of my own way.” Each song holds its ground without overproduction and a desperation for chart placement that holds back many industry hopefuls. What is delivered is sincere, raw but refined, pure and honest music that is accessible no matter your love of genre. With that being said, that this is a rock record is undeniable. “The frustrating thing for me about it, is that radio and audiences look at my skin color and automatically label everything as Hip-Hop and R&B. I’d say I did music as a kid and people would ask me if I was a rapper without even a second passing… Music of every genre has BLACK origin and yet where are we on the radio? We continue to carry the industry on our backs and are still having to use the back door!”

The genre jumper doesn’t deny his R&B, Soul and Jazz influences on SIS. It’s quite the opposite. Rock and R&B collide with the sultry, silky and vocal grit of Stephonne. He is an artist who conjures up the spirits of Prince and Billie Holiday (his biggest influences) but that delivers something inimitable, visceral, strange and beautiful. Even on the sugary and hyper sexuality of ‘Sweet Tooth’ and the dark but hopeful beauty of ‘Middle Man’, there is a triumphant transcendence that was a staple of yesteryears Popular music. A time when saturation wasn’t heavy and when artist development was embraced over carbon copying. “I only have interest in being me. Sis, I’m Black, unapologetically Queer, and very sex positive. I’m at a point in my life where I embrace every single part and won’t spend energy on anything but self-love, my music and the things that I can help with to change this world for the better.” SIS: Side A reflects all of the above exclamations of Stephonne but it also puts him in position to step into the world’s radar and officially begins his legacy as one music’s greatest treasures.

Stephonne Singleton photo by Paul Andrews Photograph

SIS: Side A will soon be up for pr-order on all music/streaming platforms, worldwide with ‘Deep’ arriving on July 14th and the full EP on August 7th! SIS: Side B will arrive late this year and SIS, the full album, is slated for Spring 2021! Production comes solely from Stephonne with co-production, engineering and mixing by Westend Studio’s, Justin Mantooth. For more visit www.stephonne.com!

Stephonne Singleton slinks and slides into ears with ‘Want Me’. The dark and slickly polished track oozes of sex, confusion and tension. “Those things describe my coming of age as a black gay man. I’ve put my heart and mental health through a lot, trying to find love.” With Stephonne you find a painfully personal style of writing. Here, he delves into the point of view of an ex-lover. “I kept trying to make it work and the outcome was always the same. It was so confusing, that it haunted me. I was with a person who loved me but that didn’t want anything to do with love. I was just a body for sex and a cheerleader when he decided it was game on.” The song was his final straw and a way to make sense of what he’d been through. It also examines the hookup culture of apps like Grindr and Scruff. “The app culture feels like shopping at a butcher shop for meat. It’s a bunch of ghosts, most of the time, who appear and disappear as soon as they cum. Sex can be utility but I suddenly don’t exist after that?!” Being black, becoming fetishized and turned away from members of queer communities has been an often occurrence for the singer-songwriter.

Stephonne Singleton photo by Paul Andrews Photograph

The writing and production comes solely from the Kansas City native, with a huge helping hand from co-producer, Justin Mantooth. Recorded at Westend Recording Studios the track features Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Singleton continues to defy genre, but instead of dipping his toe into his alternative rock roots he takes a deep dive in. Still marked by breathy vocals, buttery falsetto, gospel rasp and innate jazz sensibilities, the track and brand new music video lift Stephonne to new heights. 

The “Want Me” video transports us into the center of a horror movie. Surrounded by candles and ancient vigil work, Stephonne is painted in a nod to Grace Jones and Kieth Haring. Artist, Ryan Wilks makes Stephonne and the set a canvas, where he resurrects someone he probably shouldn’t. From a mere snap, we travel through a film noire that is equal parts Nosferatu, The Craft and an inescapable heat and sexuality that emit from both the songwriter and featured dancer, Courtney Germany. “I needed black girl magic in this video and what was most important to me was to have someone who could express every bit of agony and yearning in the song with their body.” Courtney is breathtaking. Choreographed by Ashley Personett of Empire Dance Academy and That’s Entertainment KC, Germany turns into a lovelorn golem who will do anything for the attention of its maker. “There is a magic that BIPOC hold within us that comes from a 24/7, 365 day struggle just to survive. On top of that, we also have to live, love and try to find time to heal. We are worthy of so much more than this world gives us.” In this way, Stephonne becomes a symbol for what’s not given and for what doesn’t wish to be given in the video.

The multi-layered and cinematic masterpiece was helmed and directed by Method Media. You may know them from the critically acclaimed and TIME magazine reviewed/featured videos by Kansas City natives, SSION (Inherit, At least The Sky is Blue and Comeback). Every detail is given the utmost attention by director and editor, Jordon Rioux. Every tone, shot and transition contains an edge and sophistication that only heightens this supernatural affair. The video production is an affair of its own. A Kansas City love affair that showcases the talents, locations (filmed at Heidi Van’s Black Box) and savvy of a slept on city that has recently gained new notoriety due to shows like Queer Eye. “We are a city full of so much treasure and promise! Every part of this video was responsible because of Kansas City businesses, costume/jewelry makers, artists and more. I will always rep my city.” Over half of the funding for the musical thriller was given by KC locals through a very successful Kickstarter last year!

Stephonne Singleton photo by Paul Andrews Photograph

‘Want Me’ is currently available on all digital/streaming platforms but will also appear on the upcoming EP, SIS: Side A. SIS means Summoning Insatiable Spirits. “That is what I do every time I write a song. The spirits are my emotions, thoughts, traumas, fears and joys. It is like the ritual in the video but without blood and body paint,” laughs Stephonne. The ‘Want Me’ video ushers us into a slew of Alternative Rock tracks that are witchy, infectious, ready for radio and that bring R&B and Pop in the mix to create something inimitable but richly accessible. “I just want to make my city proud but I’ve got a lot in store for the entire world. It’s time to enter that stage.”

Stephonne Singleton, Thank you for being with us on Wednesday MidDay Medley

Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com

10:49

8. Stephone Singleton – “Deep”
from: SIS: Side A / Stephonne Singleton / August 7, 2020
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018. Stephonnewas born and raised in Wyandotte County, Kansas. He has performed in mutiple shows for Late Night Theatre. Stephonne told John Long of Camp Magazine “I was surrounded by records, and my parents always had music on.” A special video for “Want Me” was just released. “Want Me” is part of a new 4-song EP to be released laterthis month]

[Stephonne plays Lemonad(e) Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, August 7, at 7:00 PM, with Dustin Rapier, and Lava Dreams. More info at: http://www.stephonne.com]

9. Eydie Gorme & Los Panchos -“Piel Canela”
from: Amour / CBS – Columbia / June, 1964
[Recorded In New York February 14, 18 and 19, 1964. Hecho en México ℗1964. Guitar – Alfredo Gil, Chucho Navarro, Johnny Albino The trio became one of the leading exponents of the bolero and the romantic ballad in Latin America. Its current members are Chucho Navarro Jr., Eduardo Beristian and Misael Reyes. A characteristic instrument of Los Panchos and other Mexican tríos románticos since the 1950s is the requinto guitar, which is smaller and tuned higher than a standard guitar and was popularized by Alfredo Gil. Requinto solos found in many bolero recordings by Los Panchos. Los Panchos first met in 1944 in New York City.[1] The three original members were Chucho Navarro, and Alfredo Gil, both from Mexico, and Hernando Avilés from Puerto Rico. All three played guitar and contributed vocally. Los Panchos reached fame with their romantic songs, especially in Latin America where they are still regarded as one of the top trios of all time. They sold millions of records in Latin America and other countries. In the 1940s they collaborated with Alfredo Antonini’s Viva America Orchestra with the orchestral accordionist John Serry Sr. in a recording of “La palma” (a cueca) and “Rosa negra” (a conga) for Pilotone Records (#45 5067, #45 5069). They also appeared in around 50 movies, mostly during the Golden Age of Mexican cinema. Los Panchos began touring internationally in 1946 and would relocate later that same year to Mexico City. They were welcomed with open arms and XEW-AM, the most popular radio station in Mexico City, reserved a time slot for their music. In 1951, Los Panchos launched another international tour across Latin America. Julito Rodríguez joined the group in 1952; he was replaced by Johnny Albino in 1958. Johnny Albino and Chucho Navarro—Miguel Poventud and Yomo Toro were studio musicians for CBS—famously worked with singer Eydie Gorme on a series of bestselling albums in the 1960s. The Albino era was one of the most prosperous ones for Los Panchos whose classic albums are very popular among Los Panchos fans still. His departure in 1968 was a tumultuous one, as he did not leave on good terms with the group’s management. In 1971, Ovidio Hernández joined the band as lead vocalist, a part he would fulfill until his untimely passing of complications of meningitis in 1976. Following him, Rafael Basurto Lara joined as lead singer. A very interesting note, and one that not everyone knows about, is that during the illness of Ovidio Hernández and the integration of Rafael Basurto to the trio, Alfredo Gil (the trio’s director) met the Puerto Rican singer, David Ortiz, in New York City, and amazed by the quality of his voice and style, asked him to come to Mexico and sing with Los Panchos. David Ortiz accepted the invitation and was with the Trio Los Panchos for several months. However, after fulfilling several commitments with the trio, David Ortiz returned to New York. Alfredo Gil played with Los Panchos until his retirement in 1981; he died in 1999. Chucho Navarro played with the group until his death in 1993. Currently the trio using the Los Panchos name is the Trio Los Panchos de Chucho Navarro Fundador (“Trio Los Panchos of Founder Chucho Navarro”) under the direction of Chucho Navarro Jr., the son of original Los Panchos member Chucho Navarro.][Eydie Gormé died in 2013 at age 84. Her groundbreaking career in Latin music, highlighted by the 1964 album “Amor” recorded with Trio Los Panchos. When it comes to Latin-music icons, Las Vegas veteran Eydie Gormé isn’t exactly the first name that leaps to mind. But to generations of Hispanics, Gormé is eternally linked with nostalgic sounds in Spanish. The primary reason is “Amor,” her luminous 1964 collaboration with Mexican vocal group Trio Los Panchos. “Most artists have an album or two that define them,” says Texas journalist Ramiro Burr, author of “The Billboard Guide to Tejano and Regional Mexican Music.” “The Beatles have ‘Sgt. Pepper.’ Nirvana has ‘Nevermind.’ For Eydie Gormé, that timeless album is ‘Amor.'” Since its release more than 40 years ago, the disc has never gone out of print. It’s the biggest-selling album in Gormé’s long career. In the ’90s, Sony repackaged the album along with its 1965 sequel, “More Amor,” and the disc made the Latin charts all over again. Gormé’s career in Spanish may seem surprising until one looks at her background. The New York-born singer is the daughter of Sephardic Jews and grew up speaking mainly Spanish at home. Columbia Records President Goddard Lieberson came up with the concept of recording one of his top female vocalists with Los Panchos, a big-selling trio a few years past their prime.
“He was a really sophisticated, international man,” Lawrence recalls. “He knew of Eydie’s Spanish background. He thought of Los Panchos, and they were aware of Eydie. They all met in the studio, and it was like they were old friends.” Los Panchos chose the songs. Most of them were established tunes, such as “Piel Canela,” “Amor” and “Cuando Vuelva a Tu Lado,” that had been recorded by scores of artists. “They were drinking a lot of wine on those sessions,” she says with a laugh. “They were lovely people. Drunk, but lovely.” Whatever the reason, the artists had a once-in-a-lifetime chemistry.]]

10. Prince – “Gotta Broken Heart Again”
from: Dirty Mind / Warner Bros. / October 8, 1980
[Dirty Mind is the third album by American recording artist Prince. It was released on October 8, 1980, by Warner Bros. Records as the follow-up to his self-titled second album, Prince, (1979). It was produced, arranged, and composed entirely by Prince in his home studio in Minneapolis, Minnesota during May to June of 1980. Dirty Mind has been considered by critics as Prince’s most creative and boldest album, setting the baseline for his artistic direction in the following years. During the spring of 1980, Prince and his backing band members Dez Dickerson, André Cymone, drummer Bobby Z, and keyboardists Doctor Fink and Gayle Chapman spent nine weeks on the road opening for Rick James, a musical rival of Prince. Following the end of James’ tour, Prince returned to Minnesota and rented a house in Wayzata where he set up a 16-track studio. During the recording of the album, Doctor Fink’s jam-out during a rehearsal provided the basis for the album’s title track. A fusion of post-disco, new wave, funk and dance, Dirty Mind is more prevalent in punk sounds than Prince’s previous albums. Prince’s high and feminine vocals, along with his androgynous image during the Dirty Mind era, has been recognized for bringing attention to gaydar. Controversially, the album’s theme is fueled by explicit topics including oral sex, threesome and ejaculation, which has been credited for opening the doors for sexually explicit albums in the coming years. The first single of Dirty Mind, “Uptown” reached number five on both the Billboard Hot Soul Singles and the Billboard National Disco Action Top 30 charts. Though the album only reached number 45 on the Billboard 200, it earned widespread acclaim from music critics and crossover success. Due to its fusion of genres, critics have hailed it for setting the sound for urban black music of the early 1980s. The album has been ranked by several publications as one of the greatest albums of all time. // Prince Rogers Nelson (June 7, 1958 – April 21, 2016) was an American singer-songwriter, musician, record producer, dancer, actor, and filmmaker. He is widely regarded as one of the greatest musicians of his generation. A multi-instrumentalist who was considered a guitar virtuoso, he was well known for his eclectic work across multiple genres, flamboyant and androgynous persona, and wide vocal range which included a far-reaching falsetto and high-pitched screams. Prince’s innovative music integrated a wide variety of styles, including funk, R&B, rock, new wave, soul, synth-pop, psychedelia, pop, industrial, and hip hop. He pioneered the Minneapolis sound, a funk rock subgenre that emerged in the late 1970s. He was also known for his prolific output, releasing 39 albums during his life, with a vast array of unreleased projects left in a vault at his home after his death; it is believed that the vault contains dozens of fully produced albums and over 50 music videos that have never been released, along with various other media. He released hundreds of songs both under his own name and multiple pseudonyms during his life, as well as writing songs that were made famous by other musicians, such as “Nothing Compares 2 U” and “Manic Monday”. Estimates of the complete number of songs written by Prince range anywhere from 500 to well over 1,000. Born and raised in Minneapolis, Minnesota, Prince signed a recording contract with Warner Bros. Records at the age of 19. In 1984, he and his backup band, The Revolution, released his sixth album Purple Rain, which was also the soundtrack to his hugely successful film acting debut of the same name. It quickly became his most commercially successful record, spending 24 consecutive weeks atop the Billboard 200.[5] The film also won the Academy Award for Best Original Song Score, the final film to receive the award. After disbanding The Revolution, Prince released the critically acclaimed double album Sign o’ the Times (1987). In the midst of a contractual dispute with Warner Bros. in 1993, he changed his stage name to the unpronounceable symbol Logo. Hollow circle above downward arrow crossed with a curlicued horn-shaped symbol and then a short bar (known to fans as the “Love Symbol”), and was sometimes referred to as “The Artist Formerly Known as Prince” or simply “The Artist”. He signed with Arista Records in 1998 and began referring to himself by his own name again in 2000. On April 2016, at the age of 57, Prince died of an accidental fentanyl overdose at his Paisley Park home and recording studio in Chanhassen, Minnesota. He sold over 130 million records worldwide, ranking him among the best-selling music artists of all time. He was honored with special awards including the Grammy President’s Merit Award, the American Music Awards for Achievement and of Merit, and the Billboard Icon Award. He was inducted into the Rock and Roll Hall of Fame in 2004, the UK Music Hall of Fame in 2006, and the Rhythm and Blues Music Hall of Fame in 2016. Rolling Stone placed Prince among its list of both the 100 Greatest Artists of All Time and 100 Greatest Songwriters of All Time. He is also ranked on the Top 100 Artists of All Time list by Billboard.]

11:00 – Station ID

11. Heath Church – “Extra Pain”
from: “Extra Pain” – Single / Heath Church / November 18, 2019
[Heath Church is an American singer-songwriter from KC who primarily plays indie-folk music. His style is inspired by Elliott Smith, John Prine, Rivers Cuomo, and The Smiths. Featuring melodies that are often melancholy but yet catchy, many of his songs include intimate vocals, poetic lyrics, and warm acoustic guitar tracks. Heath enjoys performing at many types of venues all over the Midwest and connecting with the locals at his shows. Heath enjoys playing music in smaller, intimate venues and interacting with his faudiences. Heath released his debut, The Things I’ve Tried on Dec. 23, 2017. More info at: http://www.heathchurchmusic.com]

Heath Church on the July 15, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Heath Church

Heath Church joins us on the phone to talk about his music and play his new single “The Stranger.” KC based singer-songwriter Heath Church grew up in Blue Springs, Missouri and performs all over the metropolitan area. Heath plays indie-folk music. His lyrics speak poetically about his own life, losses, struggles and intimate moments. His music is full of melancholy, catchy hooks, and sweet vocals. His style is inspired by artists such as Elliott Smith, John Prine, Rivers Cuomo, and The Smiths. In the last two years Heath has released two 5-song EPs and four singles. Heath is getting ready to release a new EP Cosmic Love this year. More info at http://www.heathchurchmusic.com

Heath Church, Thank you for being with us on Wednesday MidDay Medley.

“Extra Pain” is the first of three new singles you have released in the last 9 months.

Heath has released two 5-song EPs and four singles.

Heath Church photo by Sean Stratton⁣

Heath Church Discography

The Stranger – Single – July 10, 2020
Echoes of You – Single – May 8, 2020
Extra Pain – Single – November 18, 2019
Chemical Optometry – 5-song EP – June 14, 2019
All Messed Up – Single – December 7, 2018
Breaking Even – Single – April 6, 2018
The Things I’ve Tried – 5-song EP – December 23, 2017

Notes from Heath Church’s debut EP The Things I’ve Learned: THEMES & CONCEPTS DISCUSSED Coping with Life in Less Than Ideal Ways And Failing Miserably

The EPs main theme is sort of a tragicomic story of trying to find ways to cope with day to day life struggles but feeling trapped by the resulting disappointment that often comes from temporary solutions such as alcoholism and materialism. Below is part of a verse from the title track “The Things I’ve Tried” that reflects this theme.

“I tried drinkin’ alcohol to forget the things I saw, but every drink just brought back memories”

Running to a Place of Comfort

In “Kansas City Train”, I used my hometown to speak to the desire that most people have to leave their regular life behind for a new and brighter future. This track is more than just the desire to jump on the train out of town – It’s about wanting a new life that is free from the stressors we encounter everyday. I have always loved my hometown of Kansas City, Missouri and remember plenty of times when I was away at college longing to return to it and start a new life. The song isn’t just about Kansas City though. It’s really about the hope of a more promising future full of new friends and people who care about you. Below is a line from “Kansas City Train”.

“If your mind keeps yellin’ and you’re all stressed out -If your eyes keep cryin’ and they won’t slow down. You can pack your bags – you can leave right now. I hope you find yourself in my favorite town”

Heath Church photo by Sean Stratton

Heath Church has upcoming shows:

Jul 16 – Captain’s Sports Lounge – Lees Summit, MO
Jul 18 – The Corner Boutique – Belton, MO
Aug 20 – Captain’s Sports Lounge – Lees Summit, MO
Aug 29 – Tipsy Taco – Lees Summit, MO
Sep 19 – Tipsy Taco – Lees Summit, MO
Oct 08 – Captain’s Sports Lounge – Lees Summit, MO
Oct 16 – Tipsy Taco – Lees Summit, MO

Heath is getting ready to release a new EP Cosmic Love this year.

Heath Church – “The Stranger” Just released July 10

Heath Church, Thank you for being with us on Wednesday MidDay Medley.

Heath is getting ready to release a new EP Cosmic Love this year. More info at http://www.heathchurchmusic.com

Heath Church photo by Sean Stratton

11:17

12. Heath Church – “The Stranger”
from: “The Stranger” – Single / Heath Church / July 10, 2020
[Heath Church is a singer-songwriter from KC who plays indie-folk. His style is inspired by Elliott Smith, John Prine, Rivers Cuomo, and The Smiths, featuring melodies that are often melancholy but yet catchy, many of his songs include intimate vocals, poetic lyrics, and warm acoustic guitar tracks. Heath enjoys performing at many types of venues all over the Midwest and connecting with the locals at his shows. Heath enjoys playing music in smaller, intimate venue.. More info at: http://www.heathchurchmusic.com]

13. Brandon Phillips & The Condition – “Sunrise”
from: “Sunrise” – Single / Brandon Phillips & The Condition / July 13, 2020
[Another installment of the band’s Summer Singles 2020 Series. Brandon Phillips, Adam Phillips, Brent Kastler, Mike Alexander, Nathan Showalter, Julie Berndsen, Julia Haile, and featuring Eric Bikales on flute. Recorded and Mastered at Element Recording and Mastering with Joel Nanos. Produced and mixed by Brandon Phillips. Artwork by Jud Kite. Follow up to their June 16, 2020 single release “Contrition” and their May 28 double single: ‘C.A.R.D.I.A.C. A.R.R.E.S.T.” and “Whatever.” On April 13, 2019 Brandon Phillips and The Condition with Too Much Rock released the, “Angel Say No” / “People Talk” 7” single release. On November 14, 2017 the group rebased “Heartsick” and “Clean and Sober” as a double A-side single. The group is inspired by Elvis Costello and the “girl groups” of Motown Records. This is a project of Brandon Phillips (The Architects, The Gadjits, Other Americans) and features an ensemble cast with musicians from other bands.]

14. The Nicole Springer Band – “Birthday”
from: Birthday – Single / Nicole Springer / July 10, 2020
[Recorded, produced, mixed, & mastered by Joel Nanos of Element Recording Studios. The Nicole Springer Band’s follow-up to their debut EP, “Willing.” Nicole Springer on vocals & guitar, Mike Harper on bass, George Biggs on electric guitar, and Dane Walters on drums. Birthday is Nicole’s response to acknowledging the birthday of a family member removed from her life, is a nuanced recognition of both sorrow & joy, grief & peace, and a sincere hope that happiness rests in the heart of a loved one long gone. Last year The Nicole Springer Band released the EP Willing. On the April 10, 2019 WMM Nicole shared the radio debut of her single, “Hell.” Nicole Springer was the founder and songwriter of: The Clementines, The Good Hearts, Heart Machine, Nikki and the Rooftop Punch, and her solo projects. Nicole has performed at numerous festivals . Nicole Springer has a big amazing voice; once you hear it, you cannot ignore this voice. She defies categories because her voice sounds like so many things; Rock, Pop, Folk, Gospel, Broadway, and Blues. Nicole sings from the heart, writing every song to be a reflective piece of her life story and as a means to evolve and grow as a human. We first met Nicole as part of The Clementines, originally a duo with Tim Jenkins who played LIVE on our April 25, 2012 edition of WMM. In the true courageous spirit of DIY, she started her first band by putting an advertisement on Craigslist for a guitarist. The band added Stephanie Williams on drums, and Travis Earndshaw on bass. In 2014 she was the recipient of both a Pitch Music Award and Project Backstage Award. Nicole Springer grew up in Oak Grove, MO, and graduated high school in 2004. She studied Music-Vocal/Choral at Missouri State University, in Springfield, MO, and Special Education with Music at Metropolitan Community College, in KC. Nicole told The Pitch (Jan. 10, 2012 article): “I grew up singing in gospel choirs. I still love gospel music, though I’m not religious or anything. I did musicals throughout high school.” When she was 19, Nicole was disowned and made homeless by her family because of her sexual orientation. 15 years later she released her music video “Come Clean” dedicated to her wife Bethany Cain and the LGBTQIA Community. Nicole has recently found new confidence in her music and in telling her own story of her life. Last November Nicole was on the cover of Camp Kansas City Magazine in a feature written by John Long, where Nicole talks about being homeless, being rejected by her family for being lesbian, and overcoming her own fears while pursuing a career as a musician. More info at http://www.nicolespringersings.com]

11:29 – Underwriting

15. Rufus Wainwright – “Damsel In Distress”
from: Unfollow the Rules / BMG / July 24, 2020
[New York-born, Montreal-raised singer songwriter praised by the New York Times for his “genuine originality.” Unfollow the Rules is Wainwright’s ninth release of original material, his first since Out of the Game (2012), and his first under BMG. The album was produced by Mitchell Froom, and other contributors include Matt Chamberlain, Jim Keltner, and Blake Mills. “Trouble in Paradise”, released in October 2019, served as the album’s lead single. “Damsel in Distress”, “Peaceful Afternoon”, and “Alone Time” were released in February, March, and April 2020, respectively. Originally scheduled to be available on April 24, the album’s release date was pushed back to July 24 because of the ongoing coronavirus pandemic. Rufus McGarrigle Wainwright was born July 22, 1973, He is an American-Canadian singer, songwriter, and composer. He has recorded nine albums of original music and numerous tracks on compilations and film soundtracks. He has also written two classical operas and set Shakespeare sonnets to music for a theater piece by Robert Wilson. Wainwright’s self-titled debut album was released through DreamWorks Records in May 1998. His second album, Poses, was released in June 2001. Wainwright’s third and fourth studio albums, Want One (2003) and Want Two (2004), were repackaged as the double album Want in 2005. In 2007, Wainwright released his fifth studio album Release the Stars and his first live album Rufus Does Judy at Carnegie Hall. His second live album Milwaukee at Last!!! was released in 2009, followed by the studio albums All Days Are Nights: Songs for Lulu (2010) and Out of the Game (2012). The double album Prima Donna (2015), was a recording of his opera of the same name. His ninth studio album Take All My Loves: 9 Shakespeare Sonnets (2016), featured nine adaptions of Shakespeare’s sonnets. Wainwright is the son of musicians Loudon Wainwright III and Kate McGarrigle, and the older brother of singer Martha Wainwright.]

16. Krystle Warren – “I Don’t Know”
from: Sing Me The Songs Celebrating The Works of Kate McGarrigle / Nonesuch / June 21, 13
[Features highlights from three concerts in honor of the late Kate McGarrigle. Proceeds from the concerts provided seed money for the Kate McGarrigle Foundation a non-profit organization dedicated to raising money in the fight against sarcoma and also to preserving her legacy through the arts. Net proceeds from the sale of Sing Me the Songs also will be donated to the Foundation. The double-disc set was produced by Joe Boyd, who curated the concerts, and features performances by Rufus and Martha Wainwright, Anna McGarrigle, Emmylou Harris, Antony, Norah Jones, and Teddy Thompson, among others. The New York concerts were filmed for a feature documentary entitled Sing Me the Songs That Say I Love You: A Concert for Kate McGarrigle, directed by Lian Lunson and produced by Luson and Teddy Wainwright. Candid interviews with McGarrigle’s family and friends are paired with rousing performances of her music.] [Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle followed up Love Songs with her 2017 album Three The Hard Way, Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones.]

17. Sly & The Family Stone – “Poet”
from: There’s A Riot Goin’ On / Epic / November 20, 1971
[There’s a Riot Goin’ On is the fifth studio album by American funk and psychedelic soul band Sly and the Family Stone. It was recorded from 1970 to 1971 at Record Plant Studios in Sausalito, California and released later that year on November 20 by Epic Records. The album’s recording was dominated by band frontman Sly Stone during a period of drug use and intra-group tension. Its music embraced a darker and more challenging sound than the optimistic style of the band’s previous releases, making use of hard funk rhythms, primitive drum machines, extensive overdubbing, and a dense mix. The album’s planned title was Africa Talks to You, but it was retitled in response to Marvin Gaye’s album What’s Going On, released six months before. There’s a Riot Goin’ On reached the Billboard Pop Album and Soul Album charts at number one upon its release, while its lead single “Family Affair” topped the Pop Singles chart. By 2001, it had sold one million copies and been certified platinum by the Recording Industry Association of America (RIAA).[8] Received with ambivalence upon its release, the album is now praised as one of the greatest and most influential recordings of all time, and ranked at or near the top of many publications’ best album lists. In 2003, it was ranked number 99 on Rolling Stone’s list of 500 Greatest Albums of All Time. // Sly and the Family Stone was an American band from San Francisco. Active from 1966 to 1983, it was pivotal in the development of funk, soul, rock, and psychedelic music. Its core line-up was led by singer-songwriter, record producer, and multi-instrumentalist Sly Stone, and included Stone’s brother and singer/guitarist Freddie Stone, sister and singer/keyboardist Rose Stone, trumpeter Cynthia Robinson, drummer Greg Errico, saxophonist Jerry Martini, and bassist Larry Graham. It was the first major American rock group to have a racially integrated, male and female lineup. // Formed in 1966, the group’s music synthesized a variety of disparate musical genres to help pioneer the emerging “psychedelic soul” sound. They released a series of Top 10 Billboard Hot 100 hits such as “Dance to the Music” (1968), “Everyday People” (1968), and “Thank You (Falettinme Be Mice Elf Agin)” (1969), as well as critically acclaimed albums such as Stand! (1969), which combined pop sensibility with social commentary. In the 1970s, it transitioned into a darker and less commercial funk sound on releases such as There’s a Riot Goin’ On (1971) and Fresh (1973), proving as influential as their early work. By 1975, drug problems and interpersonal clashes led to dissolution, though Sly continued to record and tour with a new rotating lineup under the name “Sly and the Family Stone” until drug problems forced his effective retirement in 1987. The work of Sly and the Family Stone greatly influenced the sound of subsequent American funk, pop, soul, R&B, and hip hop music. Music critic Joel Selvin wrote, “there are two types of black music: black music before Sly Stone, and black music after Sly Stone”. In 2010, they were ranked 43rd in Rolling Stone’s 100 Greatest Artists of All Time, and three of their albums are included on Rolling Stone’s 500 Greatest Albums of All

11:45 – Kansas City Syzygy

We started the show with three tracks from the new French Exit Records – Black Lives Matter Compilation of 22 acts from the area, with proceeds donated to One Struggle KC‘s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.

We are ending the show with three tracks from another new compilation called Kansas City Syzygy, 19 musical tracks created during the quarantine in April, 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home. Robert Castillo, of The Sextet, who organized this compilation will be with us next week on WMM to share more tracks and information.

18. We The People – “Don’t Get Wrapped Up”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[On June 26, 2020 Eddie Moore’s We The People released “Misunderstood” with a music video. This was the first single from the up-coming debut record of Eddie Moore’s group We The People. We The People is a power trio stemming from the roots of Black American Music, Hip-hip, Psych-Rock, and Classical. Crafted with raw passion, and unflinching groove this “Urban Gumbo” shares the pain, joy, fear, and dreams that inspire, and celebrate our unity. Eddie Moore on Rhodes & synthesizers, Jason Emmond on bass, Zach Morrow on drums & samples. /// Though COVID-19 may have shut down innumerable business and altered our lives forever, one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastering by J Ashley Miller. Design by JC Franco. Direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Local electronic musician Chris Crabtree and Robert Castillo, bandleader of the groove jazz ensemble The Sextet, worked together with vocalist Audrey Chopin to create an experimental piece of EDM-adjacent music. Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. The album can be purchased from Bandcamp beginning July 17, 2020. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

19. Calvin Arsenia – “Painted Ladies”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’ Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released the EP, Moments, in 2014, the EP Prose in 2015, the Folk Alliance exclusive EP Catastrophe in 2016, the full length album Catastrophe on February 14, 2017, the EP Caviar in November 2017, the 2018 national debut, Cantaloupe, released September 15, 2018 on Center Cut Records. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On September 20, 2019 Calvin released LA Sessions. On December 13, 2019 Calvin released his full length Christmas album “all is calm.” Calvin is also a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, KC Fringe, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. // Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastered by J Ashley Miller, designed by JC Franco, with compilation direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in April of 2020. The album can be purchased from Bandcamp All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

[Congratulations go out to: Calvin and his fantastic team of co-conspirators and creators: Khitam Jabr, John P. Beatty, Ignacio Galarza III, Ashlee Fairchild Jones, production assistants, and crew. And Center Cut Records with Patrick Sprehe and James Andrews. The Toxic music video earned its sixth set of laurels as an official selection of the L.A. Music Video Awards, where they were nominated for Best Music Video, Best Cover Song and Best Male Vocalist.]

20. Mikal Shapiro & The Musical – “The Distance of Elements”
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[The Musical is Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Recorded separately and with social distancing. Mikal Shapiro released her critically acclaimed album The Musical II on May 26, 2018 which included “Everybody’s Baby” her pop song she wrote that got a lot of radio play, but all the songs on The Musical 11 are great. The Musical II is the sequel to Shapiro’s 2015 concept album, “The Musical.” Along with Mikal Shapiro, Chad Brothers, Johnny Hamil and Matt Richey, special guests included: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union. Mikal Shapiro and her husband Chad Brothers also record and perform as Shapiro Brothers. Mikal is also part of the band Monta At Odds. // Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Mastered by J Ashley Miller, designed by JC Franco, with compilation direction by Robert Castillo. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in April of 2020. The album can be purchased from Bandcamp. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Community Voices

Next week on Wednesday, July 22, musician and artist and band leader, Robert Castillo, of The Sextet, joins us to share three more tracks from the new compilation called Kansas City Syzygy, 19 songs tracks created in April 22 during the quarantine of 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Stephonne Singleton photo by Paul Andrews Photograph
BLM cover art by Chicago-based Nigerian American illustrator, Unimuke Agada / Courtesy French Exit Records
Heath Church photo by Sean Stratton

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #846