WMM Playlist from Sept. 16, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 16, 2020

Chris Hazelton & The Freedom Affair
+ Blair Schulman talks about Brigid Berlin

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM theme]

2. The Jayhawks – “Living in a Bubble”
from: Xoxo / SHAM – Thirty Tigers / July 10, 2020
[11th studio album from alternative country and country rock band that emerged from the Twin Cities music scene during the mid-1980s. Since the departure of John Jackson as a full-time member, the current lineup of the Jayhawks consists of: Gary Louris on guitar, lead vocals, backing vocals; Tim O’Reagan on drums, backing vocals, lead vocals; Karen Grotberg on keyboards, backing vocals; Marc Perlman on bass, backing vocals, lead vocals. Originally led by vocalists, guitarists and songwriters Gary Louris and Mark Olson, its country rock sound was influential on many bands who played the Twin Cities circuit during the 1980s and 1990s like Uncle Tupelo, the Gear Daddies and the Honeydogs. They have released eleven studio albums with and without Olson who left the band in 1995, including five on the American Recordings label. On hiatus from 2005 to 2009, the 1994–1995 lineup of the band reunited, releasing the album, Mockingbird Time, in September 2011. After the tour, Mark Olson again left the band. After another hiatus in 2013, the 1997 lineup led by Louris reunited to play shows in 2014 to support the reissue of three albums released between 1997 and 2003. The band has remained active touring and recording since, including the release of the albums Live at The Belly Up in 2015, Paging Mr. Proust, produced by Peter Buck in 2016, Back Roads and Abandoned Motels in 2018 and XOXO in 2020.]

3. Jake Wells – “Habit”
from: Sunday Morning – EP / Jake Wells Music / February 29, 2020
[Second EP from Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 22 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations. In 2018 he was featured on the nationally televised NBC reality – competition program The Voice.]

[Jake Wells plays live on Sunday, Sept. 20, 2020, 7:00 PM with Noah Davis & Heavy Electric at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire.]

4. Crystal Rose – “Renegade”
from: Arena EP / Crystal Rose / September 18, 2020
[Crystal Rose is a singer song-writer based in heart of Kansas City. Last year she was featured on the nationally televised NBC reality – competition program The Voice. At a young age she was Influenced by powerhouse vocals like Whitney Houston, Celine Dion and Christina Aguilera. She has since drawn much inspiration from blusey and folk centered artist like James Bay, James Vincent Mcmorrow and Johnnyswim. Crystal Rose released her debut single “Come Alive” on May 6, 2016. Earlier this year Crystal released the single “Not Leaving (Stripped)” on January 30, 2020.Crystal is a Kansas City based singer songwriter and UMKC journalism student who has played solo and also with Paige Turner on guitar. To listen to more Crystal Rose please visit: http://www.crystalro.se]

5. Suzzy Roche & Lucy Wainwright Roche – “I Can Still Hear You”
from: I Can Still Hear You / StorySound records / August 23, 2020
[Suzzy Roche and her daughter Lucy Wainwright Roche shed some light on our troubled times on their third collaboration, I Can Still Hear You. Recorded from their New York City homes during the quarantine, this 11-track album showcases soul-searching, thought-provoking originals and perfectly chosen covers, along with guest appearances by Amy Ray and Emily Saliers of the Indigo Girls. The 11 tracks, 8 original and 3 covers, explore themes of good and evil, youth and mortality, the absurd and the serious, the real and the imagined, and the connection between what is present and what is gone. Each of their albums together have documented a specific time and this one, according to Suzzy, “probably is the darkest, but at the same time, it’s the most fanciful too. This time, there seemed an extra urgency about it.” Lucy Wainwright Roche is the daughter of singer-songwriters Loudon Wainwright III, a Grammy Award winner, and Suzzy Roche, who, along with her sisters (Lucy’s aunts) Maggie and Terre Roche, made up the vocal group The Roches, known for their original harmonies. The couple split when Lucy was two years old and her father spent much of his time in the UK, so Lucy did not often see her father during her childhood. The Loudon Wainwright song “Screaming Issue” is written about Lucy. Lucy is also the half-sister of singer-songwriters Rufus Wainwright and Martha Wainwright (whose mother Kate was half of the Canadian folk duo Kate & Anna McGarrigle). She has toured with Rufus throughout the years. Through her father, she is a niece of singer-songwriter Sloan Wainwright. Suzzy Roche was born September 29, 1956), originally from Park Ridge, New Jersey, is best known for her work with the vocal group The Roches, alongside sisters Maggie and Terre. Suzzy is the youngest of the three, and joined the act in 1977. She is the author of the novel Wayward Saints and the children’s book Want To Be in a Band? Roche is also an active associate member of The Wooster Group and has appeared in a number of the group’s productions as well as composing original music for the group’s performances.[6] She was briefly a member of Four Bitchin’ Babes, appearing on their album Some Assembly Required. In 2004 Roche appeared on Crash Test Dummies album Songs of the Unforgiven. In addition to singing, she is an actress, having appeared in the 1988 romantic comedy Crossing Delancey, as well as a 1982 film, Soup for One. Roche also appeared with her siblings (playing themselves) in the 1996 comedy A Weekend in the Country.]

6. Krystle Warren & The Crew – “Gimme Some Truth”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP will be donated to the various causes and organizations The Crew. support. From Billboard.com: Singer-songwriter Krystle Warren has made a powerful statement about the struggle for Black equality with the help of Kermit the Frog’s iconic song “Bein’ Green” (written by Joe Raposo). // The moving five-minute clip, over which Warren sings her rendition of the 1970 song — since recorded by Ray Charles, Frank Sinatra and others — sprang from a covers EP she recorded during the pandemic with a group of musicians known as The Crew. Warren embarked on the project after her forthcoming album with her regular group, The Faculty, was put on hold due to COVID-19. The EP, which tackles themes of racial injustice in the wake of nationwide Black Lives Matter protests this summer, also includes a cover of John Lennon’s “Gimme Some Truth.” // The “Bein’ Green” video weaves in footage of this year’s Black Lives Matter protests, and also includes a heartbreaking montage of young Black children choosing white dolls over dark-skinned ones. It additionally features archival footage of such transformative Black figures as James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson and Al Sharpton, as well as victims of police brutality including Sandra Bland, George Floyd and Eric Garner. It ends with a clip from a speech by civil rights activist Ella Baker. // “‘Bein’ Green,’ it’s such a gorgeous song, and it says so, so much,” says Warren. “I began thinking about what I wanted it to express visually before we started [recording the song]. Essentially — it’s not easy being Black. That’s what Ray Charles was saying, and we felt it needed to be said again.” // Warren, who now resides in Paris, began performing in her native Kansas City at the age of 16 before moving to New York City, where she started busking on the streets and later formed her regular band, The Faculty. She and the group have recorded several full-length albums, including 2009’s Circles, 2012’s Love Songs and 2017’s Three the Hard Way. Her next album is slated for release this winter. // A large percentage of proceeds from sales of the EP — which is available for digital downloads via Warren’s website now and released on all streaming platforms next Friday — will be donated to the ACLU.]

7. Joel Kraft – “Breathe”
from: Gold In The Bargain Bin / Honeyjar / 2003
[Joel Kraft is a curious animal that grew up among the rolling hills of Missouri. Climbing trees and walking through tunnels of Brush Creek, his head swam with all kinds of notions he could only just pin down and understand by singing them out loud over and over again. At first he sang them to himself, then into microphones he found at coffee shops and bars around the US. There were other people then, who would listen while sitting, or dance or sometimes sing along. What were those songs about? I don’t think Joel himself knew all the way. Were they about someone in particular? About an event? His songs are built with impressions, one stacked upon another to arrive at something new, perhaps the same way each letter in our alphabet was once a symbol for a thing or action, but now can be arranged in strings to mean all kinds of different things. This fascination with language and experience begins every moment of Joel’s performance, which often feels like more like a series of discoveries than a broadcast. He likes people very much (especially singing people), and his favorite part of performing is discovering new moments with them. Joel followed “Gold in the Garbage Bin” with the album “Big Ideas” (May 9, 2006) and then “Computer Geniuses”(June 20, 2008).]

8. Khruangbin – “Pelota”
from: Moredechai / Dead Oceans / June 26, 2020
[Khruangbin is a trio from Houston, Texas, with Laura Lee on bass, Mark Speer on guitar, and Donald Ray “DJ” Johnson Jr. on drums. The band has also released 3 albums. The band is known for blending global music influences, classic soul, dub and psychedelia. Their debut studio album, The Universe Smiles Upon You (2015), draws from the history of Thai music in the 1960s, while their 2nd album, Con Todo El Mundo (2018), has influences from Spain and the Middle East. Follow up to their 4th EP release Texas Sun with Leon Bridges. Speer and Johnson met in 2004 while playing in Rudy Rasmus’ St. John’s Methodist Church gospel band in Houston, Texas. The church employed Speer as the guitarist and Johnson as the organist. “When we first started the band, we wanted to have a formula,” he says. “It’s like, ‘This is what we do, and we’re not gonna try and go outside the box too much. We’re gonna explore the box we’re in. I’ve always been a big fan of that. I used to be in bands where was like, ‘Man, we’ve gotta think outside the box!’ And all I’m thinking is: ‘You guys don’t even know.’ Music should never be just for the sake of being experimental. Before you even start, you have to know what you’re experimenting with first.” Speer said. In 2007, Speer met Lee through friends, where they initially connected over a shared love of Afghan music and Middle Eastern architecture[disambiguation needed]. In 2009, Lee started to learn the bass with guidance from Speer. After playing for six months, she auditioned and got the gig to be the bassist for Yppah on his upcoming tour. Speer already had the gig as guitarist for Yppah and had encouraged Lee to audition. In 2010, both Lee and Speer went on tour with Yppah who opened for Bonobo. The tour motivated the two of them to make music together more seriously, leading them to form Khruangbin. Speer and Lee went to a barn where they developed the bass-heavy, psychedelic sound that became the basis of the band’s aesthetic. Upon their return, they asked Johnson to join the band as drummer, to play simple break-beats under the guitar and bass. The barn, located in the 300-person town of Burton, Texas, would become the site of all future Khruangbin recording sessions. The band has a longterm working relationship with Houston-based engineer Steve Christensen. When asked to play their first gig, Lee, who was learning to speak Thai at the time, decided they should use her favorite Thai word “khruangbin”, which means “flying engine”, literally, or “aeroplane,” as their name. Speer said that, had they had the foresight to predict the band’s success, they might not have chosen a name that was so difficult to pronounce. The band’s name symbolizes the international set of influences that shaped the band’s formation. A notable part of the band’s visual style is the black wigs that Lee and Speer wear on stage, and during promotional interviews and photoshoots. Originally this was to help them move from the stage to the merchandise stand without being recognized during early tours]

10:28 – Underwriting

9. The Freedom Affair – “Rise Up”
from: “Rise Up” – Single / Colemine Records / June 21, 2019 [7″ Vinyl Release]
[The Freedom Affair is a project of Chris Hazelton of Sunflower Soul Records and Chris Hazelton’s Boogaloo 7. The band includes members of the Boogaloo 7 with members of Instant Karma and three of the KC area’s leading vocalists. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone. The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of Kansas City soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

10:33 – Interview with Chris Hazelton

Chris Hazelton is with us to share the details about KC’s soul supergroup, The Freedom Affair and their debut album, Freedom is Love, to be released September 25, 2020 on Sunflower Soul Records. The album explores themes of love, heartache, empowerment, and togetherness. The Freedom Affair features three powerhouse female vocalists: Misha Roberts, Paula Saunders, and Seyko Groves in front of a dynamic six-piece band: Cole Bales on guitar; Branden Moser on guitar; Chris Hazelton on bass guitar & organ; Dave Brick on drums; Pete Carroll on trumpet; and Brett Jackson on tenor sax & baritone sax. The album was recorded and produced by Chris Hazelton.

Chris Hazelton, Thanks for being with us on WMM.

“Rise Up” (1 of 10 songs on the new album) was selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, & Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”

Earlier this year The Freedom Affair released their version of John Lennon’s Imagine as a single on March 20, 2020, Arranged, produced, recorded & mixed by Chris Hazelton

“Freedom Is Love” to be released September 25, 2020 is the debut album from KC’s newest soul supergroup, The Freedom Affair. The album explores themes of love, heartache, empowerment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The Freedom Affair is a unique collective featuring 3 powerhouse female vocalists in front of a dynamic 6-piece band. On “Freedom Is Love”, each of the ladies get their time to shine individually, but the magic is on full display when all 3 come together in unison and harmony, symbolically embodying the messages that they sing about. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now.

The Freedom Affair:
Misha Roberts – Vocals
Paula Saunders – Vocals
Seyko Groves – Vocals
Cole Bales – Guitar, Sitar (Track 3)
Branden Moser – Guitar
Chris Hazelton – Bass Guitar, Organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4)
Dave Brick – Drums
Pete Carroll – Trumpet
Brett Jackson – Tenor Sax, Baritone Sax (Tracks 1 & 5), & Tambourine (Tracks 5, 6, & 8)

Additional Musicians:
Pat Conway – Congas (Tracks 1, 3, & 6)
Alyssa Bell – Viola (Tracks 3, 4, & 7)
Elizabeth Codd – Violin (Tracks 3 & 4)
Matt Bennett – Violin (Tracks 3 & 7)
John Wickersham – Timpani (Track 4)
Pamela Baskin-Watson – Piano (Track 10)
Nick Howell – Tambourine (Track 10)
The Freedom Family Choir (Track 10) – Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, Chris Hazelton

All Horn & String Arrangements by Chris Hazelton except:
“Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson
“Don’t Shoot” by Chris Hazelton & Allyssa Bell

Produced, Recorded, & Mixed by Chris Hazelton
Assistant Produced by Dave Brick

Rhythm Section on Track 10 recorded by Chad Meise // Mastered by JJ Golden

Cover Artwork by Matthew “Mo” Manley

Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968) provided courtesy of LaBudde Special Collections, UMKC University Libraries.

1. Heartaches Don’t Come Easy
2. Make Me Surrender
3. Outta My Mind
4. I Know Better
5. Move On
6. Rise Up 02:59
7. Don’t Shoot
8. Give A Little Love 03:45
9. One Nation
10. Love Liberates (Featuring Dr. Maya Angelou)

Chris Hazelton oj the Sept. 16, 2020 editions Wednesday MidDay Medley on KKFI.

The new album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now.

Sunflower Soul Records

Chris Hazelton’s Boogaloo 7
Singles for Los Santos Caballeros, Hi-Lux, SUNU, and The 238s.

Chris Hazelton Thanks for being with us on WMM.

“Freedom Is Love” to be released September 25, 2020 is the debut album from KC’s newest soul supergroup, The Freedom Affair. https://sunflowersoulrecords.bandcamp.com or https://thefreedomaffair.bandcamp.com/album/freedom-is-love

10. The Freedom Affair – “Give A Little Love”
from: Freedom is Love / Sunflower Soul Records / September 25, 2020
[“Freedom Is Love” is the debut album from Kansas City’s newest soul juggernaut, The Freedom Affair. The album explores themes of love, heartache, empowerment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The Freedom Affair is a unique collective featuring 3 powerhouse female vocalists in front of a dynamic 6-piece band. On “Freedom Is Love”, each of the ladies get their time to shine individually, but the magic is on full display when all 3 come together in unison and harmony, symbolically embodying the messages that they sing about. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. The Freedom Affair is: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8).]

11. Fantastic Negrito – “Chocolate Samurai”
from: Have You Lost Your Mind Yet? / Fantastic Negrito – Cooking Vinyl / August 14, 2020
[Follow up to his June 15, 2018 release, Please Don’t Be Dead on Blackball Universe – Cooking Vinyl Records that was nominated for a Grammy Award for Best Contemporary Blues Album. His 2016 album The Last Days of Oakland won a Grammy award for Best Contemporary Blues Album at the 59th Grammy Awards. In 2019, his album Please Don’t Be Dead won the same category for the 61st Grammy Awards.Fantastic Negrito was raised in an orthodox Muslim household. His father was a Somali-Caribbean immigrant who mostly played traditional African music. He was the eight of 15 children. When, at the age of 12, Negrito’s family moved from Massachusetts to Oakland, California. Oakland in 1970s was a million miles from Negrito’s conservative childhood. He went from Arab chants to Funkadelic in one day. By the time he was 20, Negrito had taught himself to play every instrument he could get his hands on. He was recording music, and after some difficulties on the streets he packed his bags and headed to LA, armed with a demo on cassette. Negrito signed with a million dollar deal at Interscope. The record deal was a disaster. Gangsta rap was ruling the airwaves and Negrito was in the wrong place at the wrong era. Negrito came out of the deal with a failed album and his confidence gutted. In 2000, Negrito was in a near fatal car accident that put him in a coma. For four weeks it was touch and go. Because his muscles atrophied while bedridden, he had to go through months of frustrating physical therapy to regain use of his legs. Rods were placed throughout his body. And worst of all, his playing hand was mutilated. Back in Oakland, Negrito forgot about life as a musician. He got married, he planted vegetables, raised his own chickens, and made money growing weed. He also settled into being a man, on his own, clear of the distractions of wanting to be a star. And then his son Kyu was born. He began recording without the hindrances that come with chasing trends. Negrito turned to the original DNA of all American music, the Blues. The beating life had given him primed him to channel his literal and musical forefathers: the Blues musicians of the Delta]

11:00 – Station ID

12. Bedouine, Waxahatchee & Hurray for the Riff Raff – “Thirteen”
from: Thirteen – Single / Spacebomb Records / September 9, 2020
[From Variety.com: It feels like ages ago that Bedouine, Waxahatchee and Hurray for the Riff Raff toured together on a sort of monsters-of-indie triple bill (it was actually 2018). While the three acts make dramatically different music, they complemented each other well on this tour and share some influences as well — as evidenced by this belated cover of Big Star’s classic “Thirteen” (which is often more readily recognized by its opening lyric, “Can I walk you home from school?”) that found its origins during the tour, when Bedouine (above, right), Waxahatchee singer Katie Crutchfield (left) and Riff Raff singer Alynda Segarra (center) would sing it together onstage. // Big Star, of course, is arguably the greatest power-pop group of all time. Led by singer-songwriter Alex Chilton, they released just three albums in the early ‘70s, which were barely noticed at the time but their legend grew over the years — they were covered and feted by the Replacements, the Bangles, R.E.M., Teenage Fanclub and many more — until the group reformed in 1993. // Bedouine explains how their cover came together. “This all started in 2018 when I opened a three-bill tour for co-headliners Waxahatchee and Hurray for the Riff Raff,” she wrote. “We threw the idea around of doing a song together but weren’t sure what. I was backstage in Columbia, Missouri, when I realized it was the anniversary of Big Star’s ‘93 reunion show that had also taken place in Columbia. // “I was fiddling around with the song in my dressing room when Katie and Alynda walked in. Suddenly, I remembered there were three verses to split up. We played it as an homage that night and every night after. After the tour wrapped up, I think it was Kevin Morby that insisted we track and share it. Down the road, Katie wrote me that she would be in L.A., so I tracked the guitar and she came by to visit and put down her part. Down the road some more Alynda put down her part from New Orleans and sent it over the ether. Now, two years later, we’re finally getting to share it.”] [Katie Crutchfield who recently relocated to Kansas City to live with her boyfriend Kevin Morby released one og our favorite albums of 2020 so far. Saint Cloud was released on Merge Records on March 27, 2020. All songs written by Katie Crutchfield. Recorded & mixed at Sonic Ranch in Tornillo, TX & Long Pond in Stuyvesant, NY. Produced by Brad Cook. Engineered by Jerry Ordonez. Additional engineering by Jon Low. Mixed by Jon Low. Mastered by Brent Lambert at The Kitchen. KATIE CRUTCHFIELD on vocals, acoustic guitar, piano, keys; BRAD COOK on bass, acoustic guitar, piano, keys, synth; BOBBY COLOMBO on electric guitar, acoustic guitar, keys; BILL LENNOX on electric guitar, acoustic guitar, keys, percussion; NICK KINSEY on drums, percussion; JOSH KAUFMAN on electric guitars, piano, organ, percussion. Katie Crutchfield’s southern roots are undeniable. The name of her solo musical project Waxahatchee comes from a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. More info at: http://www.waxahatchee.com.]

13. Katy Guillen & The Drive – “Back To Normal”
from: Dream Girl [EP] / Katy Guillen / March 20, 2020
[New 7 song EP from Katy Guillen & The Drive, the latest project dedicated to Guillen’s songwriting that is founded on the creative spark and chemistry between Katy Guillen & Stephanie Williams. With Guillen on guitar & vocals and Williams on drums, the two sculpt a sound that recalls bands like Led Zeppelin, The Bangles, and Band of Skulls. In 2012, Guillen & Williams formed Katy Guillen and The Girls, and began to build a foundation of touring and recording that carried them through six years and produced three full-length albums: Katy Guillen & the Girls, Heavy Days, and Remember What You Knew Before. Between 2012 and 2018, they traveled the United States extensively, performed at the International Montreal Jazz Festival, toured Sweden, and supported major acts like The Doobie Brothers, Robin Trower, and Heartless Bastards. In these 6 years playing together, Guillen & Williams created a dynamic, sound informed by Guillen’s mesmerizing, emotive guitar style and poignant arrangements, and an equally captivating live show that showcased Williams’ technical, melodic style, resulting in a powerful on-stage chemistry. In addition to the compelling synergy formed by years of playing together, the two developed a method of working together on Guillen’s songs that only deepened their artistic connection, propelling them to forge a path to a new plateau in their music. KG & The Drive push ahead with a melodic, heavy, and soulful sound while maintaining the edge of the artist’s rock ‘n’ roll and blues roots. Guillen calls their genre-bending style “indie soul-rock.”]

[Katy Guillen and the Drive play live on Saturday, Sept. 19, 2020, 7:00 PM with Men of Men, and Women of Women opening, at Lemonade Park, a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire. ]

14. Fred Wickham Caravan– “Town Without Soul”
from: Town Without Soul / Black Site Records / August 27, 2020
[The first single from the Fred Wickham Caravan’s upcoming debut LP tells of a place we all know, that city where something just ain’t right Fred Wickham on vocals & guitar, Marco Pascolini on pedal steel, Bart Colliver on piano & accordion & vocals, Richard Burgess on upright bass & vocals, Fred Wickham, Jr. on mandolin, Matt Brahl on drums & percussion. Music and lyrics by Fred Wickham. Produced by Fred Wickham Caravan. Recorded at The Nutthouse Recording Studio in Muscle Shoals, Alabama. Engineered by Jimmy Nutt. Mastered by Chad Meise at Massive Sound Studios in Kansas City, MO. Fred Wickham is best known for his work with Hadacol, the Kansas City based quartet that released two critically acclaimed records and gained a national reputation for ferocious live shows across the country. The Caravan, formed to support the solo album, Mariosa Delta, blends country, soul and rock & roll into a sound that can only be called pure Americana. More info at: http://www.fredwickhamband.com]

[The Fred Wickham Caravan play an outdoor Picnic Party, Tuesday, September 22, from 7:00 PM to 10:00 PM in the alley way of The Ship, 1217 Union Avenue, Kansas City, Mo in the West Bottoms. Bring your own chairs or blankets and set up where you like, keeping a considerate distance from others and masked as appropriate. Please respect your neighbors, be cool to each other, and let’s all stay safe. This is a FREE SHOW – no fence, no tickets, no admission ~ we just want you to have a good time and enjoy some good music, food, and drinks. Donations are very much appreciated and will help us pay for the incredible talent playing for you. Food and drinks may be purchased directly from The Ship at our walkup service counter or by using our online ordering at http://www.theshipkc.com. We’ll bring your order out to the pickup counter when ready – keep an eye on the chalkboard for your name. Clean outdoor restrooms with hand washing provisions will be provided. Online Donations may be made at https://theshipkc.square.site%5D

15. The Jubilee Mystics – “Jesus Take The Wheel”
from: In This World / The Jubilee Mystics / April 3, 2019
[The group was formed about four years ago by Alan Murphy, who’s been nominated for the Kansas Music Hall of Fame for his work in the legendary Lawrence band Ricky Dean Sinatra. The Mystics are a folk/country/skiffle/blues orchestra based in Lawrence, Kansas. The current members are Alan Murphy, lead vocals and rhythm guitar, Doug Byers, bass, mandolin, and vocals, Matt Falkenstien, lead guitar and vocals, Sue Ashline, accordion, Cotter Mitchell, electric washboard, Barry Lee, rhythm guitar and vocals. There are two albums, “The Jubilee Mystics” and “In This World,” the current release. It was recorded at Roll Away The Stone studios in Independence and produced by Dave Storms, who also plays drums on a few tracks and adds percussion and vocals to others. Most of the songs are composed by Alan Murphy but there are a few traditional tunes and covers. Special audio guests on the latest album are Robert Frost, Dwight D. Eisenhower and The Three Stooges]

16. Bill Callahan – “Breakfast”
from: Gold Record / Drag City Records / September 4, 2020
[22nd album release from Bill Callahan or Smog. Follow up to he 2019 released Shepherd in a Sheepskin Vest. Bill Callahan (born June 3, 1966) is an American singer-songwriter and guitarist who has also recorded and performed under the band name Smog. Callahan began working in the lo-fi genre of underground rock, with home-made tape-albums recorded on four track tape recorders. Later he began releasing albums with the label Drag City, to which he remains signed today. Callahan started out as a highly experimental artist, using substandard instruments and recording equipment. His early songs often nearly lacked melodic structure and were clumsily played on poorly tuned guitars, resulting in the dissonant sounds on his self-released cassettes and debut album Sewn to the Sky. Much of his early output was instrumental, a stark contrast to the lyrical focus of his later work. Apparently, he used lo-fi techniques not primarily because of an aesthetic preference but because he didn’t have any other possibility to make music. Once he signed a contract with Drag City, he started to use recording studios and a greater variety of instruments for his records. From 1993 to 2000, Callahan’s recordings grew more and more “professional” sounding, with more instruments, and a higher sound quality. In this period he recorded two albums with the influential producer Jim O’Rourke and Tortoise’s John McEntire, and collaborated with Neil Hagerty. Callahan also worked closely with his then-girlfriend Cynthia Dall in his early career, and they contributed vocals to each other’s albums. After 2000’s Dongs of Sevotion, Callahan began moving back to a slightly simpler instrumentation and recording style, while retaining the more consistent songwriting style he had developed over the years. This shift is apparent in albums such as Rain on Lens, Supper, and A River Ain’t Too Much to Love. Smog’s songs are often based on simple, repetitive structures, consisting of a simple chord progression repeated for the duration of the entire song. His singing is characterized by his baritone voice. Melodically and lyrically he tends to eschew the verse-chorus approach favoured by many contemporary songwriters, preferring instead a more free-form approach relying less on melodic and lyrical repetition. Themes in Callahan’s lyrics include relationships, animals, relocation, nature, and more recently, politics. On the subject of voice in his albums, Callahan has said, “It’s usually one character per record. So, the character appears in all or most of the songs on one record and then is gone. Though it makes me feel weird to talk about. Because I don’t really think in clear terms of characters. My albums as a whole could be seen as one character with many voices.” His generally dispassionate delivery of lyrics and dark irony often obfuscate complex emotional and lyrical twists and turns. Critics have generally characterized his music as depressing and intensely introverted, with one critic describing it as “a peep-show view into an insular world of alienation.” Cat Power (Chan Marshall) recorded Callahan’s song “Bathysphere” on her 1996 album What Would the Community Think and also covered another Callahan song, “Red Apples”, on her Covers Record, released in 2000. In 2007, Callahan released Woke on a Whaleheart, his first solo album released under his own name, Sometimes I Wish We Were an Eagle followed in April, 2009. Both recordings were released through Drag City, worldwide. In 2009, Callahan contributed cover songs on four separate tribute albums to Judee Sill, Kath Bloom, Chris Knox, and Merge Records. In 2010, he released his first live album Rough Travel for a Rare Thing, which was recorded in 2007 at The Toff in Melbourne, Australia. Apocalypse, was released in April 2011 to favorable reviews. Critic Sasha Frere-Jones called it “my favorite of Callahan’s albums, not because it has better songs—those are scattered among at least five others — but because it does exactly what he wants it to do: it conveys an album’s coherence.” A tour film chronicling Callahan’s 2011 Apocalypse tour was released in 2012.][Bill Callahan plays the Lawrence Public Library Lawn, Friday, July 5, at 7:00 PM at the Lawrence Public Library, 707 Vermont St, Lawrence, KS with special guest Heidi Lynne Gluck.]

17. Fiona Apple – “Fetch The Bolt Cutters”
from: Fetch The Bolt Cutters / Epic – Sony / April 17, 2019
[The fifth studio album by American singer-songwriter Fiona Apple. It is Apple’s first release since The Idler Wheel… in 2012. The album was recorded from 2015 to 2020, largely at Apple’s home in Venice Beach. It was produced and performed by Apple alongside Amy Aileen Wood, Sebastian Steinberg and Davíd Garza; recording consisted of long, often-improvised takes with unconventional percussive sounds. GarageBand was used for much of this recording, and Apple credited the album’s unedited vocals and long takes to her lack of expertise with the program. Rooted in experimentation, the highly percussive album resists genre categorization. While conventional instruments, such as pianos and drum sets, do appear, the album also features prominent use of non-musical found objects as percussion. Apple described the result as “percussion orchestras”. These industrial-like rhythms are contrasted against traditional melodies, and the upbeat songs often subvert traditional pop structures. The album explores freedom from oppression; Apple identified its core message as: “Fetch the fucking bolt cutters and get yourself out of the situation you’re in”. The title, a quote from TV series The Fall, reflects this idea. The album also discusses Apple’s complex relationships with other women and other personal experiences, including bullying and sexual assault. It has nevertheless been referred to as Apple’s most humorous album. Fetch the Bolt Cutters was released during the COVID-19 pandemic, and many critics found its exploration of confinement pertinent. Fiona Apple McAfee-Maggart (born September 13, 1977) is an American singer-songwriter, pianist and poet. Her accolades include one Grammy Award, and an additional seven Grammy Award nominations in various categories. The daughter of actor Brandon Maggart, Apple was born in New York City but was raised alternating between New York and her father’s home in Los Angeles. Classically trained on piano as a child, she began composing her own songs when she was eight years old. Her debut album, Tidal, containing songs written when she was 17, was released in 1996 and received a Grammy Award for Best Female Vocal Rock Performance for the single “Criminal”. She followed with When the Pawn… (1999), produced by Jon Brion, which was also critically and commercially successful and was certified platinum. For her third album, Extraordinary Machine (2005), Apple again collaborated with Brion, and began recording the album in 2002. However, Apple was reportedly unhappy with the production and opted not to release the record, leading fans to protest Epic Records, erroneously believing that the label was withholding its release. The album was eventually re-produced without Brion and released in October 2005. The album was certified gold, and nominated for a Grammy Award for Best Pop Vocal Album. In 2012, she released her fourth studio album, The Idler Wheel…, which received critical praise and was followed by a tour of the United States and was nominated for the Grammy Award for Best Alternative Music Album in 2013. Apple’s fifth studio album, Fetch the Bolt Cutters, was released in 2020 to widespread acclaim. She has sold over 10 million albums worldwide and has received numerous awards and nominations, including a Grammy Award, 2 MTV Video Music Awards and a Billboard Music Award.]

18. Sam Prekop – “Comma”
from: Comma / Thrill Jockey Records / September 11, 2020
[From his Bandcamp page: Sam Prekop’s boundless imagination is guided by his strong sense of melody. For more than 25 years, as a solo artist or as part of The Sea and Cake, Prekop creates a singular sound inventive and warm. His distinctive vocals, guitar playing and work on modular analog synthesizers are inventive, delicate, and always bear his signature sense of melody. Comma finds Sam Prekop for the first time working extensively with beat programming, focusing his enveloping synthesizer pieces around a newfound rhythmic pulse. // Prekop’s creative process is a combination of preparation and improvisation. Writing sessions for Comma began with an open-ended exploration of sounds and textures from which the first fragments of songs would reveal themselves. The introduction of drum machines and additional synthesizer units to his modular setup shifted things in surprising new directions as he worked to bend them into more traditional pop song structures. Drum tracks and emergent rhythms provided the frameworks and narrative sketches to be fleshed out with lustrous widescreen synth pads and ribboning melodies. In approaching his writing with a completely open mind and letting himself be guided by the music, Prekop maintains a delicate balance between composition and chance, control and spontaneity. Comma embraces the analogue synthesizer’s often unpredictable nature, imbuing the record with a decidedly organic feel even while working within the relative rigidity of beat architectures. // Prekop’s wide-eyed sense of discovery guides his exploration of beat-driven music, pushing him to use rhythm as a narrative tool and to embrace electronic music’s romantic and emotional qualities. “Park Line” and “Circle Line” evoke the relentless forward motion of public transit and commuter routine, one propelled by juddering machine-drums, the other illuminated in glistening neon. “Summer Places” and title track “Comma” are utterly transportive in their intoxicating tropical futurism, aqueous electronic loops cascading over melodic percussion. “September Remember” is notable precisely for its lack of drum track, opening up the field of sound and obliterating all but the faintest after-echoes of skittering percussion in its astral melancholy. “Approaching” achieves an incredible depth of sound and feeling using minimal constituent parts, interlocking synth-lines revealing surprising new sonorities with every repetition. With Comma, Prekop compiles an incredible breadth of ideas into a surprisingly coherent sound-world. // Comma is Prekop’s modern minimal pop album that taps into the experimental heritage of the synthesizer. The album places Sam Prekop’s work squarely in the tradition of electronic music pioneers like Brian Eno and Yellow Magic Orchestra who brought together the unrestrained ambition of the avant-garde with the immediacy and accessibility of pop music. ]

11:28 – Underwriting

19. The Velvet Underground – “Atlantic Release Promo”
from: Live At Max’s Kansas City / Atlantic Recording Group / 2005 Reissue (orig. 1972)
[Recorded on a tape recorder by Andy Warhol protege Briget Berlin.]

20. The Velvet Underground – “Who Loves The Sun”
from: Live At Max’s Kansas City / Atlantic Recording Group / 2005 Reissue (orig. 1972)
[Recorded on a tape recorder by Andy Warhol protege Briget Berlin. Live at Max’s Kansas City is a live album by the Velvet Underground recorded at the famous nightclub and restaurant at 213 Park Avenue South in New York City. It was originally released on May 30, 1972, by Cotillion, a subsidiary label of Atlantic Records. The Velvet Underground signed a two-album deal with Atlantic in early 1970 and released their fourth studio album, Loaded, in November 1970. By the time of its release, singer/guitarist/main songwriter Lou Reed had left. The rest of the band stayed together, with bassist Doug Yule moving to vocals and guitar and Walter Powers being drafted in to play bass. This line-up did a tour of the United States and Canada promoting Loaded. As the band still had a contract for another album, they wrote and played new songs eventually to be included on it. Atlantic had lost faith in the band’s commercial prospects and, wanting to cut their losses after the disappointing chart showings of Loaded, decided to release an archive live recording instead. The tapes that would later become Live at Max’s Kansas City were recorded on August 23, 1970, by Andy Warhol associate Brigid Polk on a portable cassette recorder. While they were recording Loaded, the Velvet Underground held a nine-week engagement (June 24 – August 28, 1970) at New York City nightclub Max’s Kansas City, playing two sets a night. Polk recorded almost everything happening around her at the time, and this happened to include her attendance of the last concert that Lou Reed played with the Velvet Underground. She recorded both the early and the late set. Later that year, Atlantic A&R employee Danny Fields heard the tapes and submitted them to his superiors, who accepted the recordings and in 1972 decided to make an album out of them. The line-up at the concerts consisted of Reed, Yule, lead guitarist Sterling Morrison and drummer Billy Yule, the younger brother of Doug Yule; regular drummer Maureen Tucker temporarily left the group several months earlier when she became pregnant with her first child, Kerry “Trucker” Tucker. Originally, Live at Max’s Kansas City was a single album distillation of both sets re-sequenced and edited by Lou Reed and Atlantic staff producer Geoff Haslam to reflect the band’s loud and quiet sides, respectively. On August 3, 2004, Warner Music re-issue label Rhino Records released a two-CD Deluxe Edition that contains both sets in their entirety in their original running order. The songs were recorded on a mono recorder using a simple ferro musicassette in a small venue, resulting in tape hiss and an audience often drowning out the quieter bits of music. Author Jim Carroll can be heard speaking on the album, ordering drinks and inquiring about drugs between songs as he was the one holding the microphone.]

Blair Schulman

11:33 – Interview with Blair Schulman

Art Writer Blair Schulman talks about Brigid Berlin aka Brigid Polk who passed away this year on July 12, 2020. She was the eldest daughter of Richard E. Berlin, chairman of the Hearst media empire for 32 years. Brigid was a prolific artist and Warhol Superstar who appeared in Chelsea Girls in 1966 and many other Warhol films. She also appeared in Serial Mom and Pecker for John Waters, and in the 1999 documentary film, Pie in the Sky: The Brigid Berlin Story. Blair Schulman is an art writer/critic, sometime curator and occasional artist. He is Senior Editor of Informality, an online arts platform in Kansas City, Missouri. His writing is found in Art in America, Cupcakes in Regalia, Huffington Post, Vice, Kansas City Star, Hyperallergic, Juxtapoz, Temporary Art Review, Whitehot, and was a longtime contributor to Review magazine. More info at: http://www.blairschulman.com

Blair Schulman, thank you for being with us one Wednesday MIdDay Medley

From wikipedia:

Brigid Emmett Berlin was born September 6, 1939, and died July 17, 2020. She was an American artist and Warhol Superstar.

Early years – Berlin was in Manhattan in New York City. She was the eldest of three daughters born to socialite parents, Muriel (Johnson) “Honey” Berlin and Richard E. Berlin. Her father was chairman of the Hearst media empire for 32 years.[3][4]

As a child, Berlin regularly mixed with celebrities and the powerful: I would pick up the phone and it would be Richard Nixon. My parents entertained Lyndon Johnson, J. Edgar Hoover, and there were lots of Hollywood people because of San Simeon – Clark Gable, Joan Crawford, Dorothy Kilgallen… I have a box of letters, written to my parents in the late 1940s and 1950s from the Duke and Duchess of Windsor.

Her socialite mother frequently worried about Brigid’s weight and constantly attempted to get her to lose it through any means, from giving her cash for every pound she lost at age 11 to having the family doctor prescribe amphetamines and dexedrine. Berlin recalled, “My mother wanted me to be a slim, respectable socialite. Instead I became an overweight troublemaker.”

She was briefly married to John Parker, a window dresser. They married in 1960 and later divorced. As Andy Warhol observed in his book Popism: “When Brigid brought her window dresser fiancé home to meet the family, her mother told the doorman to tell him to wait on a bench across the street in Central Park. Then she handed Brigid her wedding present – a hundred dollar bill – and told her to go to Bergdorf’s and buy herself some new underwear with it. Then she added, ‘Good luck with that fairy.'”

She had three siblings, all younger: sister Richie, who was, for a time, the roommate of Warhol Films’ “It Girl” and superstar Edie Sedgwick; youngest sister Christina “Chrissy” Berlin, who was instrumental in engineering the defection of Russian ballet star Mikhail Baryshnikov; and the youngest sibling, brother Richard Berlin Jr.[

Association with Andy Warhol – After years as a reluctant debutante and a failed marriage, Brigid Berlin met Andy Warhol in 1964 and quickly became a central member of his entourage. After moving to Hotel Chelsea, she took on the nickname Brigid Polk because of her habit of giving out ‘pokes’, injections of Vitamin B and amphetamines. These injections were available through ‘Doctor Feelgoods’ in NYC and perfectly legal.

Berlin appeared in several of Warhol’s films, including Chelsea Girls (1966), in which she is seen injecting herself while performing a monologue, and Ciao! Manhattan (1972), which starred Edie Sedgwick. Decades later, she appeared in minor parts in two John Waters’ films: Serial Mom (1994) and Pecker (1998). Pie in the Sky: The Brigid Berlin Story (2000) is a documentary in which she tells her life story in intimate detail and breaks her diet by consuming an entire meal of key lime pies. In its review, Variety suggests “Berlin comes across as a rather sad character despite her colorful and provocative life.”

Brigid Berlin and Andy Warhol

She was known for her obsessive taping and photographing of everyday life. Selections from these tapes were later compiled by Anthony Ingrassia to form the play Andy Warhol’s Pork. Other tapes made by her were the basis for Live at Max’s Kansas City (recorded 1970, released 1972), The Velvet Underground’s first live album.

Berlin was complicit in one of Warhol’s more infamous pranks when, in 1969, Warhol announced that all of his paintings were the work of Berlin. Brigid enthusiastically followed this line when interviewed by Time. The prank led to a drop in the value of Warhol’s work, and both parties eventually retracted their statements. The question of authorship looms large in valuing Warhol’s paintings to this day.

In 1975, Berlin began work as a permanent employee for Andy Warhol’s Interview magazine, a position that she held until well after Warhol’s death. Berlin transcribed interviews as well as knitted under the desk. Patricia Hearst (a close friend of Berlin who began work at Interview in 1988) observed “On my first day at work, I noticed two small pugs who seemed to have the run of the castle. They belonged to a woman who sat behind the front desk every day from 9:00 to 5:00, but who never seemed to answer the phone. Instead, she compulsively knitted, ate bags of candy and tended lovingly to the dogs.”

Artwork – Berlin was also a prolific artist. Therein it has been argued by some that her artwork was both influential to Andy Warhol’s and simultaneously overshadowed by Warhol’s celebrity and output. Berlin’s “Tit Prints” were artworks created using her bare breasts. Berlin would dip her breasts into multiple colored paints and then create a print by pressing them down onto canvas/paper. The Tit Prints are arguably Berlin’s most infamous work and were exhibited by Jane Stubbs at a gallery on Madison Avenue in 1996. On occasion, Berlin would publicly create Tit Prints, integrating visual art and performance art that “is totally not about nudity, this is about, you know, art.” She performed this act live at the Gramercy International Art Fair. After experiencing the performance, filmmaker John Waters later said “I think that she’s the most unselfconscious nude person…[She has] great confidence for a fat girl.”

Berlin also compiled and maintained scrapbooks that she referred to as “trip books.”[15] Volumes of these scrapbooks collecting cartoons and sketches of male genitalia were known as “The Cock Book” and included the genitalia of artists such as Jasper Johns, Robert Rauschenberg, and Warhol. Three volumes of “The Cock Book” sold for $175,000 at auction to artist Richard Prince.

Both Berlin and Warhol used the medium of Polaroid photography obsessively, and are said to have been very competitive in the Polaroid film department, whether over the best equipment or the best film. In 1969–1970 German art dealer Heiner Friedrich did a small showing of Berlin’s work called Polaroids and Tapes and created a catalogue for the work of the same name. The experimental nature of Berlin’s double-exposed Polaroids transcend the static, emotionless “icon” Polaroids of Warhol’s, clearly showing the power of her personal vision and photographic style. Common subject matter of Berlin’s Polaroids are self-portraits, Warhol Superstars, other artists and celebrities, and Off-Broadway one-woman shows. A one-woman show of her Polaroid self-portraits titled “It’s All About Me” showed in 2015 at the Invisible-Exports Gallery in New York City. The New York Times review stated “Ms. Berlin’s prints seem less of a lark and more like a strident, celebratory statement by an artist who was never shy about exposing…well, anything.”

Berlin’s digital archives were published in 2015 as Brigid Berlin Polaroids with a foreword by John Waters. In the Wall Street Journal review it was noted that Berlin was the first person Andy Warhol allowed to photograph his body after the 1968 assassination attempt.

Brigid Berlin Filmography

Chelsea Girls (1966)
Tub Girls (1967)
Bike Boy (1967)
The Nude Restaurant (1967)
Imitation of Christ (1967)
Four Stars**** (1967) aka 24 Hour Movie
Lonesome Cowboys (1967) (originally Berlin was to play a leader of a rival gang)
The Loves of Ondine (1967)
Women in Revolt (1971)
Ciao! Manhattan (1972)
Phoney (1973)
Fight (1975)
Andy Warhol’s Bad (1977)
The Critical Years (1987)
Serial Mom (1994)
Pecker (1998)
Pie in the Sky: The Brigid Berlin Story (1999)
Danny Williams and the Dream Factory (documentary, 2007)

Brigid Berlin aka Brigid Polk who passed away this year on July 12, 2020. She was the eldest daughter of Richard E. Berlin, chairman of the Hearst media empire for 32 years. Brigid was a prolific artist and Warhol Superstar who appeared in Chelsea Girls in 1966 and many other Warhol films. She also appeared in Serial Mom and Pecker for John Waters, and in the 1999 documentary film, Pie in the Sky: The Brigid Berlin Story.

Blair Schulman, thank you for being with us one Wednesday MIdDay Medley

Blair Schulman is an art writer/critic, sometime curator and occasional artist. He is Senior Editor of Informality, an online arts platform in Kansas City, Missouri. His writing is found in Art in America, Cupcakes in Regalia, Huffington Post, Vice, Kansas City Star, Hyperallergic, Juxtapoz, Temporary Art Review, Whitehot, and was a longtime contributor to Review magazine. More info at: http://www.blairschulman.com

11:48

21. Nico – “Chelsea Girls”
from: Chelsea Girl / Verve / October 1967
[Chelsea Girl is the debut solo album and second studio album by Nico. It was released in October 1967 by Verve Records and was recorded following Nico’s collaboration with the Velvet Underground on their 1967 debut. It was produced by Tom Wilson, who added string and flute arrangements against the wishes of Nico. The title is a reference to Andy Warhol’s 1966 film Chelsea Girls, in which Nico starred. Much of the album features instrumental work and songwriting credits from Velvet Underground members Lou Reed, Sterling Morrison, and John Cale. The song “I’ll Keep It with Mine” was written by Bob Dylan, while three songs are by Jackson Browne, who contributes guitar. After collaborating as a singer with the Velvet Underground on their debut The Velvet Underground & Nico (recorded during 1966, released in March 1967), Warhol superstar Nico toured with the band in Andy Warhol’s Exploding Plastic Inevitable (EPI) multimedia roadshow. Before the EPI came to an end in 1967, Nico took up residence in a New York City coffeehouse as a solo folk chanteuse; accompanied in turn by guitarists, such as Tim Hardin, Jackson Browne, and also her Velvet Underground bandmates Lou Reed, Sterling Morrison and John Cale. Christa Päffgen was born October 16, 1938 and died July 18, 1988, known by her stage name Nico, was a German singer, songwriter, musician, model, and actress. She had roles in several films, including Federico Fellini’s La Dolce Vita (1960) and Andy Warhol’s Chelsea Girls (1966). At the insistence of Warhol, she sang on three songs of the Velvet Underground’s debut album The Velvet Underground & Nico (1967). At the same time, she started a solo career and released Chelsea Girl. Nico’s friend Jim Morrison suggested that she start writing her own material. She then composed songs on a harmonium, not traditionally a rock instrument; John Cale became her musical arranger and produced The Marble Index, Desertshore, The End… and other subsequent albums. In the 1980s, she toured extensively in Europe, United States, Australia and Japan. After a concert in Berlin in June 1988, she went on holiday in Ibiza to rest and died as the result of a cycling accident.]

22. Leland Palmer – “After You’ve Gone”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[Leland Palmer (born June 16, 1945 in Port Washington, New York) is an American actress, dancer, and singer who has appeared on stage, in motion pictures, and on television. She appeared on Broadway in Bajour (1964), A Joyful Noise (1966) Hello, Dolly! (1967 replacement Minnie Fay), Applause (1970 replacement), and Pippin (1972). Palmer received two Tony Award nominations: in 1967 for featured actress in a musical (Miss Jimmie in A Joyful Noise), and in 1973 for actress in a musical (Fastrada in Pippin). Palmer appeared as Viola in the rock musical Your Own Thing during a highly regarded run at the Huntington Hartford Theater in Los Angeles in August 1968, in the role that she originated in the original Off-Broadway production in 1968. She appeared in Dames at Sea which opened in September 1970 at the theater at Plaza 9 in New York City. She played the role of Ruby, with The New York Times reviewer writing: “Ruby… is played like a virtuous, squeaking mouse by a girl named Leland Palmer, who is delicious in a mildly frightening way.” She appeared in the musical Double Feature at the Long Wharf Theatre, New Haven, Connecticut, which opened in November 1979. The show had music by Jeff Moss and was directed by Mike Nichols. Her U.S. television appearances include guest roles on Love, American Style; Laverne & Shirley; and Rhoda. She was also a regular on Dinah Shore’s summer variety television show, Dinah and Her New Best Friends in 1976. She played Aŕlene in the 1976 NBC television movie James Dean. Palmer is known for Bob Fosse’s All That Jazz (1979), in which she played Audrey Paris, a character believed to be modeled on Fosse’s wife, Gwen Verdon. Palmer is known now as Linda Posner. She was born Linda Palmer, and discovered many years later that the family name was really “Posner.” Although she no longer performs, she works with theaters in California. She taught acting classes at Mendocino Community College and was the Artistic Director, Director, Teacher, and Consultant for the Willits Community Theater (Willits, California). Pearl Marill, Posner’s daughter who heads a dance company, presented a one-time event “My Mother on Broadway” in October 2014 in San Francisco. She served as choreographer of the 42nd Street Moon, San Francisco production of Irma La Douce in 2008. The 1990-1991 U.S. television series Twin Peaks and its 2017 continuation featured a fictional, male character named Leland Palmer who was played by Ray Wise.

23. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, Sept. 23, we play more New & MidCoastal Releases. Plus Krystle Warren calls in from the south of France to talk about the new 4 song EP she just released from The Crew containing unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. We will also talk with Kansas City jazz musician and band leader Eddie Moore about his band We The People‘s new album, Misunderstood.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

The Freedom Affair album cover is a photograph of civil rights protesters in Kansas City, MO (April 9th, 1968) provided courtesy of LaBudde Special Collections, UMKC University Libraries.

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #855

WMM talks with Chris Hazelton of The Freedom Affair + Blair Schulman on Brigid Berlin

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, September 16, 2020

Chris Hazelton & The Freedom Affair
+ Blair Schulman talks about Brigid Berlin

Mark plays New & MidCoastal Releases from: Crystal Rose, The Freedom Affair, Jake Wells, Katy Guillen & The Drive, The Jubilee Mystics, Fred Wickham, Krystle Warren and The Faculty, Joel Kraft, Suzzy Roche & Lucy Wainwright Roche, Fantastic Negrito, Khruangbin, Bedouine, Waxahatchee & Hurray For The Riff Raff, Bill Callahan, The Jayhawks, Fiona Apple, Leland Palmer, The Velvet Underground, and Nico.

At 10:30 Chris Hazelton talks about KC’s soul supergroup, The Freedom Affair and their debut album, Freedom is Love, to be released September 25, 2020 on Sunflower Soul Records. The album explores themes of love, heartache, empowerment, and togetherness. The Freedom Affair features three powerhouse female vocalists: Misha Roberts, Paula Saunders, and Seyko Groves in front of a dynamic six-piece band: Cole Bales on guitar; Branden Moser on guitar; Chris Hazelton on bass guitar & organ; Dave Brick on drums; Pete Carroll on trumpet; and Brett Jackson on tenor sax & baritone sax. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now.

Blair Schulman

At 11:30 Art Writer Blair Schulman talks about Brigid Berlin aka Brigid Polk who passed away this year on July 12, 2020. She was the eldest daughter of Richard E. Berlin, chairman of the Hearst media empire for 32 years. Brigid was a prolific artist and Warhol Superstar who appeared in Chelsea Girls in 1966 and many other Warhol films. She also appeared in Serial Mom and Pecker for John Waters, and in the 1999 documentary film, Pie in the Sky: The Brigid Berlin Story. Blair Schulman is an art writer/critic, sometime curator and occasional artist. He is Senior Editor of Informality, an online arts platform in Kansas City, Missouri. His writing is found in Art in America, Cupcakes in Regalia, Huffington Post, Vice, Kansas City Star, Hyperallergic, Juxtapoz, Temporary Art Review, Whitehot, and was a longtime contributor to the former Review magazine. More info at: http://www.blairschulman.com

The Freedom Affair album cover is a photograph of civil rights protesters in Kansas City, MO (April 9th, 1968) provided courtesy of LaBudde Special Collections, UMKC University Libraries.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #855

WMM Playlist from July 29, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 29, 2020

Una Walkenhorst & Greenline Grows KC
+ New & MidCoastal Releases

The production of “Kansas City Syzygy” was directed by Robert Castillo with J Ashley Miller mastering the raw audio files. JC Franco created the album design, utilizing a painting by KC native Madeline Gallucci.

BLM cover art by Chicago-based Nigerian American illustrator, Unimuke Agada / Courtesy French Exit Records

We continue to feature tracks from: Kansas City Syzygy, 19 songs created during the quarantine of 2020 with proceeds donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, & truly affordable home. And… from French Exit Records – Black Lives Matter Compilation of 22 acts from the area, with proceeds donated to One Struggle KC‘s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally. http://www.frenchexitrecords.bandcamp.com

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme]

2. Joy Division – “Transmission”
from: Permanent / London / June 1995
[Originally released on Factory Records in November 1979 on 7″ and re-released as a 12″ single with a different sleeve in December 1980. Joy Division were an English rock band formed in Salford in 1976. The group consisted of vocalist Ian Curtis, guitarist/keyboardist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris. Sumner and Hook formed the band after attending a Sex Pistols concert. While Joy Division’s first recordings were heavily influenced by early punk, they soon developed a sound and style that made them one of the pioneers of the post-punk movement. Their self-released 1978 debut EP An Ideal for Living drew the attention of the Manchester television personality Tony Wilson, who signed them to his independent label Factory Records. Their debut album Unknown Pleasures, recorded with producer Martin Hannett, was released in 1979. Curtis suffered from personal problems including a failing marriage, depression, and epilepsy. As the band’s popularity grew, Curtis’s condition made it increasingly difficult for him to perform; he occasionally experienced seizures on stage. He killed himself on the eve of the band’s first US/Canada tour in May 1980, aged 23. Joy Division’s second and final album, Closer, was released two months later; it and the single “Love Will Tear Us Apart” became their highest charting releases. The remaining members regrouped as New Order. They were successful throughout the next decade, blending post-punk with electronic and dance music influences. Peter Hook & The Light tour and perform both Joy Division albums and their singles in lice concerts. On Saturday, April 25, 2015, Peter Hook & The Light played Middle of The Map Fest.]

3. Supreme Jubilees – “It’ll All Be Over”
from: It’ll All Be Over / Light in the Attic / Feb. 12, 2015 Reissue / Originally released in 1980
[If God had a disco, the DJ would be playing California gospel-soul group The Supreme Jubilees. “We won’t have to cry no more,” the tuxedo-clad group would sing, in high, angelic vocals over smooth grooves. “It’ll all be over.” Prepare to dance and contemplate death all at the same time. A band of brothers and cousins, the group was founded from two families: brothers Joe and Dave Kingsby plus Dave’s son David Kingsby Jr., and keyboardist Leonard Sanders plus his brothers Phillips (drummer), Tim (bassist), and Melvin (tenor). The Sanders clan grew up singing together in the Witness of Jesus Christ church in Fresno CA, where dad Marion was pastor. Guitarist Larry Price–who belonged to neither family–completed the line-up that recorded the group’s first–and, prophetically, only–album, It’ll All Be Over. Released in 1980 on the group’s own S&K (Sanders & Kingsby) label, It’ll All Be Over pinpoints a fatalistic mood exemplified by the title. Its lyrics drawn from the Old Testament, its sound from the church by way of the disco, and it’s a feel captured by the album cover–a low, orange sun setting over the Pacific ocean. It is, as Jessica Hundley observes in the brand new liner notes, “both apocalyptic and seductive.” Making the album was not easy. Sessions began in Trac Record Co, a country and western studio in Fresno, CA, where the engineer was so put out by the group’s requests for heavier bass in the mix, he stopped the session and kicked them out. They left with four songs–one side of the album–and the record was completed at Sierra Recording Studio in Visalia, CA. Leonard Sanders reported having a spiritual encounter in his sleep while in Visalia; the next day he recorded his part of the album’s title track in a single take. After the LP was pressed, the group took their music on tour, first in California, where they played with acts including the Gospel Keynotes, The Jackson Southernaires, and the Mighty Clouds of Joy, and then on an ill-fated trip to Texas. A follow-up album was planned for 1981, but it never materialized; having slept sometimes a dozen to a room in Texas, the men in the band were reluctant to leave jobs, wives, and kids for the hardship of the road. The group simply fizzled out, even if the friendships never did. A copy of the album sold to a fan on that Texan tour made its way to a San Antonio record store, where it was discovered nearly three decades later by collector David Haffner (Friends of Sound). He managed to track down the Kingsby-Sanders clan at a Fourth Of July barbecue in Fresno in 2004. And he eventually introduced the group to Light In The Attic Records, which now presents the album, restored, remastered, and available to the public for the first time.]

4. Shy Boys – “Trash”
from: Trash – Single / Polyvinyl Record Co. / August 3, 2018
[Follow up to last year’s single, Dim The Light / Brick By Brick, released February 15, 2019. Shy Boys released their 2nd album and Polyvinyl debut, Bell House on August 3, 2018. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands including The Abracadabras, and The I’ms with brother Kyle. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” (originally released by The I’ms) was featured on Spin.com. In June 2014, the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Company.]

5. Trevor Turla – “Busted” [Featuring: Reginald Chapman]
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Originally from Wichita, Kansas, Trevor Turla is now lives in Kansas City. Trevor defines himself as a musician. He started playing his first instrument, the bagpipes, at the age of 8 and hasn’t stopped the pursuit of music since. He received his Bachelor’s in Jazz Studies for trombone from the UMKC Conservatory of Music. Trevor now creates music full time by playing, recording, and holding clinics around the United States. Trevor plays and sings in numerous bands, including Jake Wells, Grand Marquis, Miki P, Fritz Hutchison, and LA Jones. He is the founder, lead singer and trombonist for the band Sulu Moon. More info at http://www.trevorturla.com // COVID-19 may have shut down innumerable business and altered our lives forever, but one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

6. Lianne La Havas – “Paper Thin”
from: Lianne La Havas / Warner Records UK / July 17, 2020
[Third studio album from Lianne La Hava born Lianne Charlotte Barnes (born 23 August 23, 1989). Lianne La Havas is a British singer and songwriter. Her career began after being introduced to various musicians, including singer Paloma Faith, for whom she sang backing vocals. In 2010, La Havas signed to Warner Bros. Records, spending two years developing her songwriting, before releasing any music. La Havas’ debut studio album, Is Your Love Big Enough? (2012), was released to positive reviews from critics and earned her a nomination for the BBC’s Sound of 2012 poll and awards for the iTunes Album of The Year 2012. La Havas was born and raised in London, England, to a Greek father and Jamaican mother. She was raised in Tooting and Streatham, spending the majority of her time with her grandparents after her parents separated. La Havas began singing at seven, and cites her parents’ diverse musical tastes as having the biggest influence on her music. Her father, an accomplished multi-instrumentalist, taught her the basics of guitar and piano. Lianne wrote her first song at the age of 11, but did not learn to play the guitar until she was 18 years old. Lianne sang in her school choir. She attended Norbury Manor Business and Enterprise College for Girls in Thornton Heath where she studied art A-level, and had planned to take an art foundation course before she decided to leave college to pursue a career in music full-time. Her birth name is Lianne Barnes, and her stage name is an adaptation of her Greek father Henry Vlahavas’ surname. She lives in London.]

Blackstarkids

7. BLACKSTARKIDS – “Urf Day”
from: Black Lives Matter Compilation / French Exit Records / July 6, 2020
[Blackstarkids released their second album SURF through their own label Bedroon Records on Februart 28, 2020. BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019. Blackstarkids,recently caught the attention of The 1975’s frontman Matty Healy and now they’re signed to The 1975’s management company, Dirty Hit Records and they were just featured in Clash Magazine,][French Exit Records launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. The BLM Comp is on French Exit Record’s Bandcamp page: https://frenchexitrecords.bandcamp.com/album/black-lives-matter-compilation. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally.]

10:29 – Underwriting

8. Durand Jones & The Indications – “Never Heard ‘Em Say”
from: Never Hear ‘Em Say – Single / Dead Oceans / July 24, 2020
[Durand Jones & The Indications released their debut self titled album on May 16, 2018. The band released their second album, American Love Call, on March 7, 2019. Bayou-born soul sensation, Durand Jones got his start in the church, after being forced to sing in the choir of his rural hometown Hillaryville, Louisiana because his Grandmother thought he sang too much at home. When his music career took him to Bloomington, Indiana, he was selected to join the legendary Indiana University Soul Revue, and it was through his involvement that he met writer/producer duo Aaron Frazer and Blake Rhein. The three began writing original soul music, recording themselves straight to tape in the basements of Bloomington – and their debut album is now available on Colemine Records. The Indications conjure the dynamism of Jackie Wilson, Curtis Mayfield, AND the Impressions. This young band of twenty-somethings are students of soul, including guitarist Blake Rhein, who moonlights doing research for The Numero Group.]

9. Patti Smith Group – “Ask The Angels”
[Dedicated to Tim Miller & Alistair McCartney on their Anniversary]
from: Radio Ethiopia / Arista / October, 1976
[“Ask the Angels” was written by Patti Smith and Ivan Král, and released as a third single from Patti Smith Group 1976 album Radio Ethiopia, the band’s second album. Radio Ethiopia was the follow-up record to Smith’s widely acclaimed debut Horses. In interviews surrounding the album’s release, Smith explained that she chose producer Jack Douglas in hopes of making the album a commercial success. The album was negatively received when it was released and Smith was attacked by critics for what they perceived to be laziness, self-indulgence and selling out. The title track of the album is one of Smith’s most notorious songs, almost legendary for appearing to be “10 minutes of noise”. Critics often described live renditions of the song as negative moments of Smith’s concerts. Patti herself spoke highly of the track and of how the lyrics refer to Arthur Rimbaud’s dying wishes. Arguments both for and against the song have been advanced by critics, fans and music listeners over whether the song truly is an example of the Patti Smith Group’s boundary-pushing or merely self-indulgence. Critics in negative reviews cited that Douglas’ production placed more emphasis on creating a heavy sound through numerous guitar parts which smothered Smith’s vocals and, at times, lamented that all of the album’s songs were originals of the group (Smith co-wrote much of the album with bassist Ivan Kral, the band member keenest for commercial success). “Ain’t It Strange” and “Distant Fingers”, the latter co-written with Smith’s long-time boyfriend Allen Lanier, had both been staples of the Group’s concerts long before the recording of Horses. The album’s cover photograph is by Judy Linn, the back of the album features a photo by Lynn Goldsmith. The album was dedicated to Arthur Rimbaud and Constantin Brâncuși. The back cover of the album bears the legend: “Free Wayne Kramer”, who at the time was incarcerated in Kentucky following his conviction for dealing cocaine. “Pissing in a River” was released as a single the same year. It was also featured in the 1980 movie Times Square. // Patricia Lee Smith was born December 30, 1946 at Grant Hospital of Chicago in Chicago to Beverly Smith, a jazz singer turned waitress, and Grant Smith, who worked as a machinist at a Honeywell plant. The family was of part Irish ancestry and Patti was the eldest of four children, with siblings Linda, Kimberly, and Todd. At the age of 4, Smith’s family moved from Chicago to Germantown, Philadelphia, before heading to Pitman, New Jersey and later to The Woodbury Gardens section of Deptford Township, New Jersey. At this early age Smith was exposed to her first records, including Shrimp Boats by Harry Belafonte, Patience and Prudence’s The Money Tree, and Another Side of Bob Dylan, which her mother gave to her. Smith graduated from Deptford Township High School in 1964 and went to work in a factory. She gave birth to her first child, a daughter, on April 26, 1967, and chose to place her for adoption. She is an American singer-songwriter, musician, author, and poet who became an influential component of the New York City punk rock movement with her 1975 debut album Horses. By 1974, Patti Smith was performing rock music, initially with guitarist, bassist and rock archivist Lenny Kaye, and later with a full band comprising Kaye, Ivan Kral on guitar and bass, Jay Dee Daugherty on drums and Richard Sohl on piano. Kral was a refugee from Czechoslovakia who had moved to the United States in 1966 with his parents, who were diplomats. After the Warsaw Pact invasion of Czechoslovakia in 1968, he decided not to return. Financed by Sam Wagstaff, the band recorded a first single, “Hey Joe / Piss Factory”, in 1974. The A-side was a version of the rock standard with the addition of a spoken word piece about fugitive heiress Patty Hearst (“Patty Hearst, you’re standing there in front of the Symbionese Liberation Army flag with your legs spread, I was wondering were you gettin’ it every night from a black revolutionary man and his women …”). A court later heard that Hearst had been confined against her will, and had been repeatedly threatened with execution and raped. The B-side describes the helpless anger Smith had felt while working on a factory assembly line and the salvation she discovered in the form of a shoplifted book, the 19th century French poet Arthur Rimbaud’s Illuminations. In a 1996 interview which discusses artistic influences during her younger years, Smith said, “I had devoted so much of my girlish daydreams to Rimbaud. Rimbaud was like my boyfriend.” The Patti Smith Group was signed by Clive Davis of Arista Records, and in 1975 recorded their first album, Horses, produced by John Cale amid some tension. The album fused punk rock and spoken poetry and begins with a cover of Van Morrison’s “Gloria”, and Smith’s opening words: “Jesus died for somebody’s sins but not mine” (an excerpt from “Oath”, one of her early poems). The austere cover photograph by Mapplethorpe has become one of rock’s classic images. As the popularity of punk rock grew, Patti Smith Group toured the United States and Europe. The rawer sound of the group’s second album, Radio Ethiopia, reflected this. Considerably less accessible than Horses, Radio Ethiopia initially received poor reviews. However, several of its songs have stood the test of time, and Smith still performs them regularly in concert. She has said that Radio Ethiopia was influenced by the band MC5. On January 23, 1977, while touring in support of Radio Ethiopia, Smith accidentally danced off a high stage in Tampa, Florida, and fell 15 feet into a concrete orchestra pit, breaking several neck vertebrae.The injury required a period of rest and an intensive round of physical therapy, during which time she was able to reassess, re-energize and reorganize her life. Patti Smith Group produced two further albums before the end of the 1970s. Easter (1978) was her most commercially successful record, containing the single “Because the Night” co-written with Bruce Springsteen. Wave (1979) was less successful, although the songs “Frederick” and “Dancing Barefoot” both received commercial airplay. Called the “punk poet laureate”, Smith fused rock and poetry in her work. Her most widely known song is “Because the Night”, which was co-written with Bruce Springsteen. It reached number 13 on the Billboard Hot 100 chart in 1978 and number five in the U.K. In 2005, Smith was named a Commander of the Ordre des Arts et des Lettres by the French Ministry of Culture. In 2007, she was inducted into the Rock and Roll Hall of Fame. On November 17, 2010, Smith won the National Book Award for her memoir Just Kids. The book fulfilled a promise she had made to her former long-time roommate and partner, Robert Mapplethorpe. She placed 47th in Rolling Stone magazine’s list of 100 Greatest Artists published in December 2010 and was also a recipient of the 2011 Polar Music Prize.]

10. Like A Tiger – “Firmament”
from: Music For Plants & Animals / Like A Tiger / May 15, 2020
[All songs written by Like A Tiger. Pete Marten on guitar & loops, Nik Douglas. on drums, John O’Keefe on bass. Recording Engineer: Ross Brown. Mastered by Mike Nolte.Like A Tiger released their debut Home Movies on January 18, 2019, with Pete Marten on guitar & loops, KR Azad on drums, John O’Keefe on bass. Recording Engineer: Ross Brown. Mastered by Mike Nolte. Like A Tiger began playing together in early 2018 and draws on influences of rock, jazz, and electronic music. The band presents a refreshing take on instrumental rock, using live looping and exploring effects, textures, and timbres.]

10:44 – Artists for Greenline Grows KC

11. Making Movies – “Everybody Wants To Rule The World”
from: “Everybody Wants To Rule The World”-Single/ 3/2 Recordings/ Mar. 20, 2020
[New Single from KC based 4-piece band and made up of : Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and on drums. The band draws their influences from the origins of their families: Santiago, Panama, and KC Missouri, and Guadalajara, Mexico.

[Radkey plays Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, at 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro, and more!]

12. The Greeting Committee – “What If Tomorrow Never Comes?”
from: I’m Afraid I’m Not Angry – EP / Harvest Records / October 17, 2019
[Formed in Kansas City in 2015 with Addie Sartino, Brandon Yangmi, Austin Fraser, and Pierce Turcotte. This new EP is a follow up to their October 26, 2018 full length vinyl release “This Is It.” The band has previously released the EP “Meeting People is Easy” in 2017, and “It’s Not All That Bad” in 2015.]

[The Greeting Committee play Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro.]

13. Khrystal. – “You Again”
from: You Again – Single / Khrystal. / February 21, 2020
[Manor Records has announced a new single from newly signed KCK musical artist Khrystal. Her new single “Magic” will be available on August 8, 2020 and will be released on limited edition cassette singles. On September 1m 2017 Khrystal. Released The Glow Up EP, Produced & Written by Khrystal Coppage and Duncan Burnett. This was follow up to Khrystal’s Debut EP, Quarter Century Living. Executive Produced By Duncan Burnett. Written By Khrystal Coppage & Duncan Burnett. Kansas City based Khrystal Coppage served as Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. Khrystal. Will be our guest on WMM on August 5!!!

[Khrystal. plays Greenline Grows KC-Benefit for The Greenline Initiative, Fri, Aug. 28, 7:00 PM, streams LIVE on Facebook & YouTube with: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro, and more!]

14. Remy Styrk – “A Green World”
from: Of My Own Design / Remy Sryrk / May 2, 2020
[21-year old musician and film composer Remy Styrk joined us on WMM on May 27, 2020. On the radio Mark talked about when he first heard of Remy Styrk when he was 13 years old and was part of a songwriting workshop / contest with Money Wolf Music (Kansas City record label) and Christian Hankel. Remy Styrk’s musical songs and compositions speak to his life, his birth, his adoption, a national tragedy that moved his family to the Kansas City area, and the loss of his mother. Remy Styrk talked with us about being born in Newark, New Jersey. His birth mother was a homeless heroin addict. He spent three weeks in the hospital as a new born baby fighting to stay alive. Remy was adopted by Tom and Deborah Styrkowicz in a semi-closed adoption. With his adopted family Remy lived outside New York City in Newark. When Remy was a toddler 9/11 happened and the Styrkowicz family moved away from the New York City area and Remy’s adopted father Tom got a job at Hallmark in Kansas City, Missouri. Tragedy struck again, after Remy’s family moved to the area and settled in Leawood, Kansas, Remy’s adopted mom Deborah suffered a sudden brain aneurysm and died. Tom Styrkowicz was forced to leave his job at Hallmark to take care of Remy and his older brother, and comfort them in this difficult time for their family. Tom Styrkowicz began to go back to one of his earlier passions of photography and found work as a photographer. Remy told Brock Wilbur at The Pitch Kansas City that Tom’s endeavors “set the tone for his kids. Push through everything. Never give up. Dedicate yourself to what you love and work towards it each and every day.” When Remy was six, he shared with his parents his desire to play music. His family supported him entirely. Remy talked about “being spoiled” by parents that gave him the equipment and instruments he needed to make his original music. Remy talked with us about his discovery of folk music and the ability to tell stories with music. Remy talked about music allowed him to express his feelings and write about his mother Deborah, and how much of his music deals with her and the loss of her in his life. Remy told Brock Wilbur of The Pitch Kansas City, “I grew up black in a predominately white school system,” Styrk says. “I felt like an outcast but it didn’t make me want to give up on who I was. It pushed me to work harder on being who I want to be. I won’t change for anyone.” Remy Styrk has played in a variety of genres of music learning about Kansas City Blues, playing in indie and rock groups, and composing for film. “Of My Own Design” is Remy Stork’s 9-minute interactive album structured like an “Original Motion Picture Soundtrack.” Remy wants to create pieces of music that all fit together to tell a story both musically and visually. He is asking listeners, to imagine and create the visual story. Scene descriptions can be between 2 sentences and 2 paragraphs. All will be posted on his website: http://www.remystyrk.com/interactive.

Remy Styrk Discography
“Of My Own Design” 9-Minute Interactive Album – May 2, 2020
CHIOU – Opening & Closing Tracks from documentary film – March 15, 2020
Particle Evolutions GTRS – 40 ONE SHOT custom royalty free sound samples – March 24, 2020
Pads and Drones – 40 ONE-SHOTS custom royalty free sound samples – January 3, 2020
“Over It” – Single – April 17, 2020
“Winter/Summer” – Single – February 27, 2019
“In Too Deep” – Single – June 13, 2018
Sunday – 5-song EP – January 25, 2018
“Feel So Old” – Single – November 10, 2017
“October” – Single – October 17, 2017
“17” – Single – September 1, 2017
Telling Stories Through The Basement Door – 11- song Album – August 12, 2015
(All music is available at http://www.remystyrk.bandcamp.com)

11:00 – Station ID

15. Una Walkenhorst – “Pretty Face”
from: Woman of The Year / Una Walkenhorst / April 16, 2020
[2nd single from the Woman of The Year EP. 26 year old Una Walkenhorst is a singer/songwriter from Kansas City. Recorded at Shadow Scape Records. All songs written & sung by Una Walkenhorst, who also played acoustic guitar. Production/piano/album photography/environmental sounds by Corey Martin. Engineering, mixing, and electric guitar by, Sean Lea, Mixing by Bob Walkenhorst. Mastering by Greg Beery at Merx Mastering. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging, “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to KC from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. In 2018 the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, with beautiful harmonies.]

11:04 – Interview with Una Walkenhorst

Una Walkenhorst shares details about, Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro. We will also talk with Una about her 2020 EP release Woman of The Year.

Una Walkenhorst thanks for being with us on Wednesday MidDay Medley

GREENLINE GROWS KC: A LIVESTREAM BENEFIT CONCERT FOR THE GREENLINE INITIATIVE on FRIDAY, AUGUST 28TH, 7:00 PM CST – STREAMING ON FACEBOOK & YOUTUBE

Info link: bit.ly/greenlinegrowskc
Facebook event: https://www.facebook.com/events/803423657131263/
Greenline website: https://www.thegreenlineinitiative.com/

On August 28th – a date of significance throughout Black history

On August 28th, local artists and leaders will partner with 90.9 The Bridge, Midwest Music Foundation, Records with Merritt, Manor Records, Folk Alliance International, KKFI 90.1 FM, Butler C&D & Center Cut Records to help bring you a live-stream event, benefitting The Greenline Initiative.

The Greenline Initiative is a Black family-owned organization in Kansas City that uses crowdsourced funding to help historically marginalized and low income populations in our city buy and renovate the houses they rent. Operating out of Kansas City’s 3rd District, the initiative works to build permanent community and generational wealth in formerly redlined neighborhoods

The evening will be centered around Black stories & voices, and will highlight Black excellence throughout Kansas City. It will also include non-Black performers and local leaders who will speak on privilege, solidarity, and the importance of consistently lifting up our black community members.

Performances by: Radkey, The Greeting Committee, Khrystal., Cuee, Danny Cox + Bob Walkenhorst, Enrique Javier Chi of Making Movies + Las Hermanas Altoro

Appearances by: Ajia Morris + Chris Morris of The Greenline Initiative
Deanna Munoz of Latino Foundation for the Arts/Midwest Chicana
11:12

16. Radkey – “Ain’t No Sunshine”
from: “Ain’t No Sunshine” – Single / Radkey / April 7, 2020
[Written by Bill Withers. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the 2018 Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. In 2018 the band went back on the road with The Damned throughout the United States. In December they went back into the studio to record with producer Bill Stevenson of the California punk rock group Descendents. In early 2019 they played shows in Amsterdam and Stockholm. In 2018 the band released “Basement,” “St. Elwood,” “Rock & Roll Homeschool,” as well as several other singles. On February 22, 2019, Radkey released “No Strange Cats…P.A.W.” a 7-song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018.]

[Radkey plays Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, at 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro, and more!]

Una Walkenhorst on the July 29, 2020 edition pf Wednesday MidDay on KKFI 90.1 FM

11:14 – Interview with Una Walkenhorst

Una Walkenhorst is with us sharing details about, Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro. We will also talk with Una about her 2020 EP release Woman of The Year.

Una Walkenhorst thanks for being with us on Wednesday MidDay Medley

The evening will be centered around Black stories & voices, highlighting Black excellence in KC, and will also include non-Black performers & leaders who will speak on privilege, solidarity, and the importance of our black community members. The Greenline Initiative is a Black family-owned organization that uses crowdsourcing to help historically marginalized and low income populations buy and renovate the houses they rent. Based in KC’s 3rd District, the initiative builds permanent community and generational wealth in formerly redlined neighborhoods. More info at: http://www.thegreenlineinitiative.com

Performances by: Radkey, The Greeting Committee, Khrystal., Cuee, Danny Cox + Bob Walkenhorst, Enrique Javier Chi of Making Movies + Las Hermanas Altoro

Appearances by: Ajia Morris + Chris Morris of The Greenline Initiative
Deanna Munoz of Latino Foundation for the Arts/Midwest Chicana

Following the release of her debut album “Scars” in 2014, Una Walkenhorst loaded up her 97 Honda Civic and spent a year traveling across North America playing bars and open mics, and booking her own gigs. Una Walkenhorst has lived in New Orleans, and Brooklyn, New York. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. In the last 2 and a half years, 26 year old, Una has played played The Folly Theatre for 90.1 FM KKFI’s 30th Anniversary, Boulevardia, Crossroads Music Fest, Middle of The Map Fest, opened for Soccer Mommy, The Wild Reeds, Bela Fleck; played NPR’s “Best of Kansas City” concert for her 2018 Tiny Desk Contest, and produced benefits for The Innocence Project, and MOCSA. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In 2018 Una released the album “For Tomorrow” with her father Bob Walkenhorst, taking turns as songwriters with 5 from Una, interwoven with 5 from Bob, written individually, and recorded together, in shared DNA harmonies, that heard in family bands like The Carter Family, Madisen Ward and the Mama Bear, Shy Boys. Una toured Norway promoting her critically acclaimed album with Bob & Una Walkenhorst “For Tomorrow.” More info at: http://www.unawalkenhorst.bandcamp.com

Una Walkenhorst, thanks for being with us on Wednesday MidDay Medley.

Greenline Grows KC – Benefit for The Greenline Initiative, Friday, August 28, 7:00 PM, streaming LIVE on Facebook & YouTube with performances by: Radkey, The Greeting Committee, Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies with Las Hermanas Altoro.

Info link: bit.ly/greenlinegrowskc
Facebook event: https://www.facebook.com/events/803423657131263/
Greenline website: https://www.thegreenlineinitiative.com/

Una Walkenhorst: she/her // http://www.unawalkenhorst.com // http://www.patreon.com/unawalkenhorst

11:24

17. Una Walkenhorst – “The Woman Who Owned Herself”
from: Woman of The Year / Una Walkenhorst / April 16, 2020
[3rd single from the Woman of The Year EP. 25 year old Una Walkenhorst is a singer/songwriter from Kansas City. Recorded at Shadow Scape Records. All songs written & sung by Una Walkenhorst, who also played acoustic guitar. Production/piano/album photography/environmental sounds by Corey Martin. Engineering, mixing, and electric guitar by, Sean Lea, Mixing by Bob Walkenhorst. Mastering by Greg Beery at Merx Mastering. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging, “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to KC from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. In 2018 the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, with beautiful harmonies.]

11:29 – Underwriting

18. Krystle Warren – “Circles” [dedicated to Necia Gamby on her Birthday]
from: Circles / Because Music / March 13, 2009
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. Krystle followed up Love Songs with her 2017 album Three The Hard Way, Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones.]

19. Joan As Policewoman – “Out Of Time”
from: Cover Two / PIAS / May 1, 2020
[“Out of Time” is a song by Blur and was released as the lead single from their seventh album Think Tank in 2003 (see 2003 in British music). The song is a bass-driven track with minimal drums and acoustic guitar accompanied by eastern and orchestral flourishes. The faint gargling noises in the intro is part of a scene from Doctor Who. It reached number five in the UK Singles Chart. “Out of Time” was Blur’s first release in three years and also the band’s first release without guitarist Graham Coxon. Covers Two is a studio album of cover versions by American musician Joan As Police Woman. It was released on May 1, 2020 under PIAS Recordings. The album is the second cover version, with her release of “Cover” in 2009 being the first. Joan As Police Woman, is Joan Wasser, born July 26, 1970), she is an American musician, singer-songwriter and producer. She began her career playing violin with the Dambuilders and played with Black Beetle, Antony and the Johnsons, and Those Bastard Souls. Since 2004 she has released her solo material as Joan As Police Woman. She has released five regular studio albums, one EP, a number of singles and a collection of covers. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. Joan’s last akbum, Damed Devotion, released Feb. 9, 2018, was part of WMM’s 118 Best Recordings of 2018.]

20. Skullcrusher – “Places/Plans”
from: Skullcrusher / Secretly Canadian / July 24, 2020
[Skullcrusher is the stage name of American musician Helen Ballentine. Ballentine was born and raised in upstate New York. Ballentine attended the Hackley School, graduating in 2013. Ballantine moved to Los Angeles to attend college, graduating from the University of Southern California with a degree in graphic design in 2017. Having played piano for most of her life, Ballentine decided to quit her job working at a gallery to pursue music full time. Upon the release of the single, Ballentine announced her debut self-titled EP, to be released on June 26. In 2019, Ballentine wrote her first song, Places/Plans, which was later released on April 21, 2020. Ballentine’s second song from the EP was released on May 27, 2020. Mark Beaumont in The Guardian described Skullcrusher’s sound as “Gorgeously gauzy alt-folk paeans haunted by the pale ghosts of pianos and acoustic guitars that drowned many years ago in a Laurel Canyon lagoon”, commenting that the band’s name suggests something altogether more violent.]

21. Pip Millett – “June”
from: Lost In June – EP / FOURS / April 10, 2020
[Manchester, England based musical artist. Calmness is the key to Pip’s music; a blissful fusion of R&B and soul that’s always full of feeling. Pip is determined to make music she insists will always be “chilled but emotional.” Whatever comes next, a generation caught in its feelings might just have a new soundtrack.]

22. Nico – “These Days”
from: Chelsea Girl / Verve / October 1967
[“These Days” is a song written by Jackson Browne and recorded by numerous artists. Browne wrote the song at age 16; its lyrics deal with loss and regret. It was first recorded by Nico in 1967 for her album Chelsea Girl and in 1970 by Tom Rush. Gregg Allman recorded a new arrangement of the song in 1973 on Laid Back, and Browne recorded the Allman arrangement on For Everyman the same year. “These Days” has also been recorded by Paul Westerberg, St. Vincent, Fountains of Wayne, Mates of State, David Allan Coe, Glen Campbell, and Drake. Chelsea Girl is the debut solo album and second studio album by Nico. It was released in October 1967 by Verve Records and was recorded following Nico’s collaboration with the Velvet Underground on their 1967 debut. It was produced by Tom Wilson, who added string and flute arrangements against the wishes of Nico. The title is a reference to Andy Warhol’s 1966 film Chelsea Girls, in which Nico starred. Much of the album features instrumental work and songwriting credits from Velvet Underground members Lou Reed, Sterling Morrison, and John Cale. The song “I’ll Keep It with Mine” was written by Bob Dylan, while three songs are by Jackson Browne, who contributes guitar. After collaborating as a singer with the Velvet Underground on their debut The Velvet Underground & Nico (recorded during 1966, released in March 1967), Warhol superstar Nico toured with the band in Andy Warhol’s Exploding Plastic Inevitable (EPI) multimedia roadshow. Before the EPI came to an end in 1967, Nico took up residence in a New York City coffeehouse as a solo folk chanteuse; accompanied in turn by guitarists, such as Tim Hardin, Jackson Browne, and also her Velvet Underground bandmates Lou Reed, Sterling Morrison and John Cale. Christa Päffgen was born October 16, 1938 and died July 18, 1988, known by her stage name Nico, was a German singer, songwriter, musician, model, and actress. She had roles in several films, including Federico Fellini’s La Dolce Vita (1960) and Andy Warhol’s Chelsea Girls (1966). At the insistence of Warhol, she sang on three songs of the Velvet Underground’s debut album The Velvet Underground & Nico (1967). At the same time, she started a solo career and released Chelsea Girl. Nico’s friend Jim Morrison suggested that she start writing her own material. She then composed songs on a harmonium, not traditionally a rock instrument; John Cale became her musical arranger and produced The Marble Index, Desertshore, The End… and other subsequent albums. In the 1980s, she toured extensively in Europe, United States, Australia and Japan. After a concert in Berlin in June 1988, she went on holiday in Ibiza to rest and died as the result of a cycling accident.]

23. Kemet Coleman – “The Virus” (Radio Edit)
from: Kansas City Syzygy / Kansas City Syzygy / July 17, 2020
[Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Hemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet is also a core element of The Marcus Lewis Big Band for Brass & Boujee. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet the Phantom is a Kansas City enthusiast and urbanist often known for his unprecedented collaborations with KC entities and organizations such as UMKC, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More information at: http://www.kemetthephantom.com // COVID-19 may have shut down innumerable business and altered our lives forever, but one thing it couldn’t stop is the creative drive and spirit in the world’s artists. Kansas City Syzygy is a glimpse into the music created in the middle of the map in the middle of a pandemic. Over 25 Kansas City-based musicians came together to create “Kansas City Syzygy,” a compilation of music created during the shutdown of the world in the Spring of 2020. “Syzygy” is a term most commonly used in astronomy and is defined as “connected or corresponding events.” Album designer JC Franco states “like planets or stars aligning, so did our lives.” The nineteen songs on the album span the entire spectrum of music. Calvin Arsenia’s “Painted Ladies” is a dreamscape sung form his voice and harp, while Seth Andrew Davis’ “No Place But Home” invokes scenes of an underground dance club. Some musicians are collaborating for the first time on this album, as demonstrated on “Abyss.” Songs like “The Virus” by KC hip-hop artist Kemet Coleman comments on the impact of the coronavirus, as well as the virus that is racial injustice in America that has received global attention during the past months. All proceeds will be donated to KC Tenants, a local nonprofit organized to ensure that everyone in KC has a safe, accessible, and truly affordable home.]

24. Joy Division – “Love Will Tear Us Apart”
from: Permanent / London / June 1995
[“Love Will Tear Us Apart” is a song by English rock band Joy Division, released in June 1980. Its lyrics were inspired by lead singer Ian Curtis’ marriage problems and frame of mind before his suicide in May 1980.. Joy Division were an English rock band formed in Salford in 1976. The group consisted of vocalist Ian Curtis, guitarist/keyboardist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris. Sumner and Hook formed the band after attending a Sex Pistols concert. While Joy Division’s first recordings were heavily influenced by early punk, they soon developed a sound and style that made them one of the pioneers of the post-punk movement. Their self-released 1978 debut EP An Ideal for Living drew the attention of the Manchester television personality Tony Wilson, who signed them to his independent label Factory Records. Their debut album Unknown Pleasures, recorded with producer Martin Hannett, was released in 1979. Curtis suffered from personal problems including a failing marriage, depression, and epilepsy. As the band’s popularity grew, Curtis’s condition made it increasingly difficult for him to perform; he occasionally experienced seizures on stage. He killed himself on the eve of the band’s first US/Canada tour in May 1980, aged 23. Joy Division’s second and final album, Closer, was released two months later; it and the single “Love Will Tear Us Apart” became their highest charting releases. The remaining members regrouped as New Order. They were successful throughout the next decade, blending post-punk with electronic and dance music influences. Peter Hook & The Light tour and perform both Joy Division albums and their singles in lice concerts. On Saturday, April 25, 2015, Peter Hook & The Light played Middle of The Map Fest.]

25. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

11:58 – Community Voices

Next week on Wednesday, August 5, singer songwriter actress activist Khrystal. joins us to talk about her new single, “Magic” to be released August 7, 2020 through Manor Records.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #848