WMM Playlist from Oct. 7, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 7, 2020

Ebony Tusks + Maya Coppola of Ondist
+ Joe Sears of Page 7

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec. 20, 1979
[WMM theme]

2. The Freedom Affair – “Move On”
from: Freedom is Love / Sunflower Soul Records / September 25, 2020
[“Freedom Is Love” is the debut album from Kansas City’s newest soul juggernaut, The Freedom Affair. The album explores themes of love, heartache, empowerment, and togetherness through a varying landscape of hard-hitting funk, luscious soul, and everything in between. The Freedom Affair is a unique collective featuring 3 powerhouse female vocalists in front of a dynamic 6-piece band. On “Freedom Is Love”, each of the ladies get their time to shine individually, but the magic is on full display when all 3 come together in unison and harmony, symbolically embodying the messages that they sing about. The album was recorded and produced by Chris Hazelton, utilizing the best of vintage and new recording technologies to create an authentic experience, befitting of a soul record that would have been relevant 50 years ago as much as it will be 50 years from now. The Freedom Affair is: Misha Roberts on vocals; Paula Saunders on vocals; Seyko Groves on vocals; Cole Bales on guitar, sitar (Track 3); Branden Moser on guitar; Chris Hazelton on bass guitar, organ (Tracks 1, 2, 9, & 10), Tambourine (Track 1), Glockenspiel (Track 3), & Chimes (Track 4); Dave Brick on drums; Pete Carroll on trumpet; Brett Jackson on tenor sax, baritone sax (Tracks 1 & 5), & tambourine (Tracks 5, 6, & 8). Additional Musicians: Pat Conway on Congas (Tracks 1, 3, & 6), Alyssa Bell on viola (Tracks 3, 4, & 7), Elizabeth Codd on violin (Tracks 3 & 4), Matt Bennett on violin (Tracks 3 & 7), John Wickersham on timpani (Track 4), Pamela Baskin-Watson on piano (Track 10), Nick Howell on tambourine (Track 10), The Freedom Family Choir (Track 10): Misha Roberts, Erica Hazelton, Seyko Groves, Paula Saunders, Jordyn Saunders, Cole Bales, and Chris Hazelton. All Horn & String Arrangements by Chris Hazelton except: “Heartaches Don’t Come Easy” and “Give A Little Love” by Pete Carroll & Brett Jackson. “Don’t Shoot” by Chris Hazelton & Allyssa Bell. Produced, Recorded, & Mixed by Chris Hazelton. Assistant Produced by Dave Brick. Rhythm Section on Track 10 recorded by Chad Meise. Mastered by JJ Golden. Cover Artwork by Matthew “Mo” Manley. Front cover photograph of civil rights protesters in Kansas City, MO (April 9th, 1968). The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine writes: “The Freedom Affair is a freight train of KC soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

3. True Lions – “Origins (Tennis cover)”
from: Like A Lamb (Covers) / True Lions / April 20, 2020
[Multi-instrumentalist femme DIY super collective from Kansas City. Like A Lamb (Covers) is an EP collection of 4 songs: “Pressure To Party” (Julia Jacklin cover), “I’d Rather Dance With You” (Kings of Convenience cover), Archie, Marry Me” (Alvvays cover), and “Origins” (Tennis cover). Recorded in Strawberry Hill, Kansas City, KS., during mandatory self-quarantine. All songs performed by True Lions. Produced and recorded by Alison Hawkins and Fritz Hutchison. Mixing/Mastering by Fritz Hutchison. Album Artwork by Alison Hawkins. Alison Hawkins: piano, guitar, violin, synth, percussion, vocals. Fritz Hutchison: drums/percussion, guitar, bass, synth, vocals. Featuring “Falcon” the chicken. Along with Like A Lamb, True Lions also released Thermal in June (demos) on February 29, 2020. Also recorded in Strawberry Hill, Kansas City, KS. All songs written by True Lions. truelionsmusic@gmail.com. Tracking Engineering by Fritz Hutchison. Album Artwork by Alison Hawkins. Alison Hawkins on lead vocals, guitar, piano, synth, percussion. Fritz Hutchison on vocals, guitar, bass, synth, drums/percussion. Daniel Cox on vocals, saxophone, percussion. Late last year on November 29, 2019 True Lions released their Second EP You’re Not Invited with: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison. The band released their debut EP “Cute At Best” Feb. 5, 2019 with Alison Hawkins on guitar, piano, synth, vocals; Mikala Petillo on percussion, bass, guitar, vocals; and with Ross Brown serving as producer & engineer; and Nika Winn providing artwork. This EP began as an unrelated, musical dispute between lovers, but triumphantly became the spunky collaboration of two midwestern “woms” whose passion for playing music nearly exceeds their desire to create it.]

[True Lions play Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, October 9, at 7:00 PM with Fritz Hutchison, and Cadillac Flambé. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming.]

4. Fritz Hutchison – “Fortunate Flaws”
from: Wide Wild Acres / Center Cut Records / March 27, 2020
[1st single released February 21, 2020, from the debut album of Fritz Hutchison. Wild Wild Acres was written and performed by Fritz Hutchison. Produced by Fritz Hutchison and Joel Nanos. Recorded and mixed in Kansas City by Joel Nanos at Element Recording Studio. Mastered by Collin Jordan at The Boiler Room in Chicago. Multi-instrumentalist Fritz Hutchison was born May 27, 1991. A life-long resident of Kansas City. Since 2008 he’s been part of multiple bands playing drums with: She’s a Keeper, Freight Train Rabbit Killer, and Grand Marquis. As a guitarist he has played along side J Ashley Miller, Lauren Krum, Miki P and Calvin Arsenia. A decade of lending an ear and a hand to the likes of fellow shredders has left Fritz poised to launch his own solo career as a singer-songwriter.“Fortunate Flaws” features Ian Teeple on bass, and Coleen Dieker on strings. All other instruments: drums, guitar, piano and vocals are performed by Fritz Hutchison.]

[Fritz Hutchison plays Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Friday, October 9, at 7:00 PM with True Lions, and Cadillac Flambé. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership between recordBar, Voltaire, and Moxie Catering, 1628 Wyoming.]

5. Krystle Warren & The Crew – “Bein’ Green”
from: The Crew EP / Parlour Door Music / September 15, 2020
[Through isolation came unity. The Crew is Lakecia Benjamin, Matthew Silberman, Jacob Snider, Joe Blaxx, Solomon Dorsey, Zach Djanikian, Cassorla, Krystle Warren, and Ben Kane. They have recorded unique versions of classic songs with the hope of encouraging the rallying cries of The Moment: the movement of the people. // In the lockdown of their homes, they sewed together their interpretations of “Bein’ Green” (based upon Ray Charles’ rendition); “Gimme Some Truth” (a mighty John Lennon composition); “Dear Landlord” (a scathing indictment from the blistering pen of Bob Dylan); and “Rhythm of Life”, (a timeless statement originally performed by Oleta Adams). // A portion of the proceeds from The Crew. EP will be donated to the various causes and organizations. From Billboard.com: Singer-songwriter Krystle Warren has made a powerful statement about the struggle for Black equality with the help of Kermit the Frog’s iconic song “Bein’ Green” (written by Joe Raposo). // The moving five-minute clip, over which Warren sings her rendition of the 1970 song — since recorded by Ray Charles, Frank Sinatra and others — sprang from a covers EP she recorded during the pandemic with a group of musicians known as The Crew. Warren embarked on the project after her forthcoming album with her regular group, The Faculty, was put on hold due to COVID-19. The EP, which tackles themes of racial injustice in the wake of nationwide Black Lives Matter protests this summer, also includes a cover of John Lennon’s “Gimme Some Truth.” // The “Bein’ Green” video weaves in footage of this year’s Black Lives Matter protests, and also includes a heartbreaking montage of young Black children choosing white dolls over dark-skinned ones. It additionally features archival footage of such transformative Black figures as James Baldwin, Angela Davis, Malcom X, Nina Simone, Marsha P. Johnson and Al Sharpton, as well as victims of police brutality including Sandra Bland, George Floyd and Eric Garner. It ends with a clip from a speech by civil rights activist Ella Baker. // “‘Bein’ Green,’ it’s such a gorgeous song, and it says so, so much,” says Warren. “I began thinking about what I wanted it to express visually before we started [recording the song]. Essentially — it’s not easy being Black. That’s what Ray Charles was saying, and we felt it needed to be said again.” // Warren, who now resides in Paris, began performing in her native Kansas City at the age of 16 before moving to New York City, where she started busking on the streets and later formed her regular band, The Faculty. She and the group have recorded several full-length albums, including 2009’s Circles, 2012’s Love Songs and 2017’s Three the Hard Way. Her next album is slated for release this winter. // A large percentage of proceeds from sales of the EP — which is available for digital downloads via Warren’s website now and released on all streaming platforms next Friday — will be donated to the ACLU.]

6. Beverly Glenn-Copeland – “La Vita”
from: Transmissions: The Music of Beverly Glenn-Copeland / Transgressive Records / Sept. 25, 2020 [“There are three challenges in my life. The first is being black in a white culture. The second is being transgendered in a hetero-normative culture. The third is being an artist in a business culture” – Glenn-Copeland // Transmissions: The Music of Beverly Glenn-Copeland – A career retrospective release featuring music released over the last 50 years. “La Vita” was first released on Primal Prayer album under the moniker Phynix in 2004. Produced by John Herberman. Mixed by Composers Music Production. Additional vocals on La Vita by Maggie Dace Hollis. Electric Bass on This Side of Grace by Scott Alexander. Recorded at Composers Music Production studio in Toronto, ON. All tracks re-mastered by Guy Davie at Electric Mastering. Artwork of The Raven by Evelyn Wolff. Graphic design and layout by Traianos Pakioufakis. // Born into a family all of whom were very musical, essentially studied the classical piano repertoire from ‘cradlehood,’ listening to his father playing the piano four to five hours a day. He went on to study classical music and then after a few years of concertizing he suddenly felt called to write music that would weave all the different musical cultures he had come to love. // Beverly Glenn-Copeland is a singer and songwriter who was born in Philadelphia, but has spent most of his life and career in Canada. He is a trans man. Glenn-Copeland began publicly identifying as trans in 2002. // In 1961, Glenn-Copeland became one of the first black students to study at McGill University in Montreal. // Glenn-Copeland started his career as a folk singer incorporating jazz, classical, and blues elements. He also performed on albums by Ken Friesen, Bruce Cockburn, Gene Murtynec, Bob Disalle, and Kathryn Moses, and was a writer on Sesame Street. He spent twenty-five years entertaining children as a regular actor on Canadian children’s television show Mr. Dressup. // His 1986 electronic album, Keyboard Fantasies, recorded using equipment including a Yamaha DX7 and a Roland TR-707, was rediscovered and given further attention in the 2010s. Before his gender transition was made public, the album was selected as one of the 70 greatest recordings by women by The Stranger. Keyboard Fantasies: The Beverly Glenn-Copeland Story, a documentary directed by Posy Dixon, was released in 2019. // Planned 2020 international tours to Australia, the United Kingdom, and other European destinations were re-scheduled to 2021 due to the COVID-19 pandemic. A fundraising campaign was then started to help Glenn-Copeland and his wife after the loss of their house that resulted from these changes; the campaign raised over $90,000.00.]

10:25 – Underwriting

7. Ondist – “Die A Little”
from: “Die A Little” – Single / Bikiniwax Records / October 2, 2020
[Latest musical release from the band Ondist. This song will be on their upcoming full length album. So far, this year, Ondist has released two full length albums, No Coincidence on June 12, and Electricity on August 14, and their third full length release is coming in November. Ondist is Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and NYC, the trio connected in Los Angeles. Recording in Malibu, Dallas, KC, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Several tracks for all three albums were recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, and Jillian Riscoe on vocals. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.]

8. Ondist – “Gather Up The World”
from: No Coincidence / Bikiniwax Records / June 12, 2020
[So far, this year, Ondist has released two full length albums, No Coincidence on June 12, and Electricity on August 14, and their third full length release is coming in November. Ondist is Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. Recording in Malibu, Dallas, Kansas City, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Several of the tracks for all three albums were recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, and Jillian Riscoe on vocals. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.]

Maya Coppola of Ondist

10:33 – Interview with Maya Coppola

Maya Coppola is a singer, songwriter, musician and producer with the band Ondist. We just heard her singing lead on “Gather Up The World” and the new single “Die a Little” So far, Ondist has released two full length albums, No Coincidence on June 12, and Electricity on August 14, and “Die a Little” will be part of their third album release in November. Ondist is Corbin Dooley, Nick Poortman, and Maya Coppola. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. Recording in Malibu, Dallas, KC, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Several of the tracks for all three albums were recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, and Jillian Riscoe on vocals.

Maya Coppola, Thank you for being with us on Wednesday MidDay Medley.

The members of Ondist Corbin Dooley, Nick Poortman, and Maya Coppola originate from Arkansas, New Zealand, and New York, but you all got together in Los Angeles. How did the band form?

The album, No Coincidence was released on June 12, and Electricity on August 14, and with a third album release in November. Most bands put out a new album once a yar or once every two years, was it the pandemic of COVID-19 and the closing of music venues that had anyting to do with releasing so many new recordings in one year?

Ondist recorded music in sessions in Malibu, Dallas, Kansas City, and Las Vegas, as the band writes to bring “environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope.”

Kansas City based drummer, producer and engineer Sam Platt told us about how he grew up in Carthage Missouri where Corbin Dooley would visit during summers, staying with is grandparents. Sam explained that recently Corbin with Ondist has been traveling around the country, recording songs.

Corbin asked Sam to put a band together for some Kansas City sessions. It was such a success that Corbin has been back twice to record. Corbin flew in producer Nadir Omawale from Detroit and Luke John from Memphis. Recordings took place at Weights and Measures with Duane Trower. For this track: Claire Adams on lead vocals, Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar. Sam Platt told us that over 20 songs were recorded, 14 originals, 6 covers. Corbin Dooley narrowed down a few for Claire Adams to sing. And with vocalist Jillian Riscoe.

From these recordings and others 14 songs ended up on No Coincidence. Sam Platt flew to LA to record and played on tracks with Nick Gaffeney a drummer from New Zealand. Sam said the rest of the albums sounds like it mostly features the Kansas City musicians, or played/programmed by Corbin, Nick and Maya.

Maya Coppola grew up as one of five children in Long Island, New York. Coppola’s family was headed by her African-American mother and Italian father, did not fit in, and she and her family were picked on. Her mother, a teacher, was the primary income earner, while her carpenter father was often out of work and refused to earn an income from his art.

Coppola grew up surrounded by music, as her father is a jazz musician, her mother plays bass, and all of her siblings are musicians as well. Including hwer sister recording artist and actress Imani Coppola.

Maya Love Coppola released her soulful solo debut album, How Coyote Stole Fire, on September 18, 2012. It was produced by fellow multi-instrumentalist Robert “Chicken” Burke (The Duke & the King). On this debut album she mixes classic pop melodicism, slippery funk, and edgy rock, weaving tales borne of hard-won experience, as a lover, a beloved, and citizen of a world given to both beauty and chaos. Coppola’s remarkably versatile voice is whisper-soft one moment, confiding and tender, then brazen and dizzyingly powerful the next, elemental like the “Summer Wind” she sings of in the first track, carrying listeners to a distant shore, a boudoir, or the dance floor. Through it all, she and Burke wrap everything in uncommonly lush harmony, part Beach Boys, part P-Funk All Stars.

Although this was her solo debut, Maya Love Coppola had been working toward “How Coyote Stole Fire” for quite some time.

Born into a hyper-musical family of six kids, all whom play at least one instrument (Maya plays guitar, piano, and cello), she grew up biracial (black mom, Italian dad) and poor in a Long Island town with its own KKK chapter. As her middle name suggests, when faced with cruelty, she says she learned to “kill ‘em with kindness.”

Before long she made her way to NYC clubs The Village Gate, Tatou, and many others, singing everything from jazz standards to Abba, fronting bands Wish and Elemental, making ends meet by waitressing and modeling.

Marriage and motherhood took her to Woodstock, NY, where Coppola divorced and devoted time to raising a daughter and designing jewelry, recording songs along the way.

Nothing clicked musically until she aligned with producer Robert “Chicken” Burke, of The Duke & The King, Toshi Reagon, and many others. After producing The Duke & The King’s 2009 CD Nothing Gold Can Stay (“the most tasteful record of the year,” The Guardian) Chicken’s skills were ripe for the picking and he and Coppola, with a little help from P-Funk’s Michael “Clip” Payne, crafted a sonic adventure packed into eight cuts,
an old-school album with an arc, but grounded in radio-ready songs rife with fun, celebration, experience, and most of all, love.

Maya Coppola is also the owner of Jewels By Maya.

Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.

Maya Coppola, Thank you for being with us on Wednesday MidDay Medley.

The newest Ondist release, their single, “Die a Little” will be part of their third album release in November. Ondist released the album, No Coincidence on June 12, and Electricity. Ondist is Corbin Dooley, Nick Poortman, and Maya Coppola. More info at http://www.ondistmusic.com

10:50

9. Ondist – “So Fragile”
from: Electricity / Bikiniwax Records / June 12, 2020
[This year, Ondist has released two albums, No Coincidence on June 12, and Electricity on Aug. 14, and their third album is coming in November. Ondist is Corbin Dooley, Nick Poortman, and Maya Coppola are Ondist. With divergent backgrounds rooted in Arkansas, New Zealand, and New York, the trio connected in Los Angeles. Recording in Malibu, Dallas, Kansas City, and Las Vegas brought environmental influences to the center of the Ondist sound, which is united by its cinematic vision of hope. Several of the tracks for all three albums were recorded at Weights & Measures with Duane Trower with Sam Platt on drums, Eddie Moore on keyboards, DeAndre Manning on bass, Jamie Anderson on guitar, Claire Adams on vocals, Jillian Riscoe on vocals. Corbin Dooley signed Nine Inch nails to TVT Records in 1990. He managed Blur, and Tekronic.]

10. The Greeting Committee – “This is It”
from: Greenline Grows KC-Benefit for The Greenline Initiative / Una Walkenhorst / 10-2-2020
[On Friday, August 28, 2020 The Greeting Committee played live for the Greenline Grows KC – A Benefit for The Greenline Initiative, that streamed LIVE on Facebook & YouTube with: Radkey Khrystal., Danny Cox & Bob Walkenhorst, Cuee, Enrique Javier Chi of Making Movies w/ Las Hermanas Altoro. This was rom that night. The Greeting Committee released their critically acclaimed EP, I’m Afraid I’m Not Angry on Harvest Records on October 17, 2019. Formed in KC in 2015 with Addie Sartino, Brandon Yangmi, Austin Fraser, & Pierce Turcotte. I’m Afraid I’m Not Angry was a follow up to their Oct. 26, 2018 full length release “This Is It.” The band released the EP “Meeting People is Easy” in 2017, and “It’s Not All That Bad” in 2015.]

11. The Get Up Kids – “Brakelines”
from: Problems / Polyvinyl Record Co / May 10, 2019
[KC / Lawrence KS based band with Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams. On their new album Problems—their first full-length in eight years—The Get Up Kids examine everything from life-changing loss to loneliness to the inevitable anxiety of existing in 2019. But by sustaining the essence of their sound—anthemic choruses with sing-along-ready melodies—the band highlights those troubles as a shared experience, giving way to an unbreakable solidarity. And at the heart of Problems is an invaluable element the band’s embodied since their 1997 debut Four Minute Mile: a penetrating lyricism that’s both acutely introspective and indelibly resonant. // The follow-up to 2018’s Kicker EP, Problems came to life in Bridgeport, Connecticut, with the band holing up together for a three-week span. Working with Grammy Award-winning producer Peter Katis, The Get Up Kids took a characteristically riff-driven yet decidedly pop-minded approach to song structure, while also allowing themselves a new sense of creative freedom. “At one point with this band, if we came up with something that felt too much like when we first started out, we would’ve said, ‘No, we can’t do that anymore,’” says Pryor. “These days we’ve learned how to write without roadblocking the ideas that come naturally to us.” // Kicking off with lead single “Satellite,” Problems opens on a stark arrangement of acoustic guitar and stripped-bare vocals, then bursts into brightly crashing rhythms and lyrics revealing the time-bending quality of The Get Up Kids’ songwriting. “I started writing ‘Satellite’ about my son who’s 14 and a total introvert—not antisocial, he just genuinely likes to keep to himself,” says Pryor. “But then somewhere down the line I started singing about myself—about how even when you’re playing a show to a room full of people, I can still feel anxious and isolated.” // Throughout Problems, The Get Up Kids again prove themselves attuned to the nuance of highly specific emotions, and ultimately validate the messiest and most nebulous of feelings. On the joyfully swinging, piano-heavy “The Problem Is Me,” for instance, the band explores the notion of embracing your own romantic dysfunction, while “Salina” captures a small moment of melancholy with sweeping intensity and sprawling guitar work. Later, on “Your Ghost Is Gone,” The Get Up Kids deliver a gently devastating piano ballad sparked from an instrumental piece Dewees wrote soon after his mother’s death. // Through the years, The Get Up Kids have purposely pushed themselves toward previously unexplored songwriting material. “I’m 41 now, I could never write a song like when I was 19—all those ‘I miss my girlfriend’ kind of songs,” Suptic says. “It’s always important to us to write about wherever we are right now.” As shown on Problems, the resulting output both preserves the beloved spirit of The Get Up Kids and creates an entirely new context for their music.]

[The Get Up Kids play Lemonade Park, 1628 Wyoming (NW corner of Wyoming & 17th St.), behind Voltaire, on Fri, Oct. 10, at 7:00 PM for a recordBar fundraiser. Lemonade Park is a limited capacity socially distanced outdoor venue created in partnership w/ recordBar, Voltaire, and Moxie Catering.]

11:00 – Station ID

Martinez Hillard, Daniel Miller, and Nathan “Geese” Giesecke of EBONY TUSKS on the February 19, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

12. Ebony Tusks – “Bloodletting”
from: Heal Thyself / High Dive Records / November 6, 2020
[All songs written and performed by Ebony Tusks unless otherwise noted. // All Songs engineered and mixed by George Henry Valyer IV at Rundown Studios in Topeka, Kansas and MalaMUTE Studios in East Lawrence, Kansas. Assistance provided by Nico Williams and Claire Kuner. // Conny Franko’s vocals on “You Runner” engineered by Keith Rodger and Rick Carson at Make Believe Studios in Omaha, Nebraska. // IK’s vocals on “Gang Signs” engineered by Derek Montgomery. // Stik Figa’s vocals on “Hell Above Or Here Below” engineered by Sean Patrick at Twelves Studios in Forth Worth, Texas. // Cello on “Heir Apparent” written and performed by Brail Watson. Rhodes and Moog on “Heir Apparent” written and performed by Daniel Bowersox. // All Songs mastered by Mike Nolte at Eureka Mastering in Portland, Oregon. // Album cover art by Justin Bergin. Album cover photography by Rachel Lock. Album layout by Martinez Hillard. // Album insert photography by Ailecia Ruscin and LeRoy Pristach. // Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others. Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, and Marty are three people from the Midwest who take pleasure in the mutations of sound available in the least expected places.]

Martinez Hillard and Daniel B Smith of Ebony Tusks on the October 7, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:04 – Interview with Martinez Hillard and Daniel Smith

Martinez Hillard and Daniel Smith two of the members of the Lawrence/Topeka, Kansas based hip hop trio, EBONY TUSKS, join us live in our 90.1 FM studios to share details about their debut full length album, Heal Thyself to be released on High Dive Records on November 6, 2020. The album will be available on limited edition oxblood and bone vinyl as well as standard black vinyl in an amazing gatefold jacket with a full color insert. Intelligent Sound will also be offering the album on cassette. Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. More info at: ww.highdiverecords.com

Martinez Hillard and Daniel Smith, thanks for being with us on WMM.

You all were last on the show back on February 19, 2020 when we featured the releaseof your single HDF released February 7, 2020. That seems like a lifetime ago.

Originally the album was going to follow the single, with a Spring release, but it is now Fall, can you share some of the challenges of releasing a new album during a pandemic?

Their upcoming album, Heal Thyself will be released soon on High Dive Records on vinyl and Intelligent Sound on cassette.

From Live From The Underground / Vivid Seats recently wrote in a piece published February 7, 2020, saying: “EBONY TUSKS is dynamic underground hip-hop trio focused on the conscious, lyric-heavy side of the genre, EBONY TUSKS appeared with dozens of leading underground acts throughout the 2010s. Now, they’re ready to take the next step. With newly released music hitting the web just minutes ago, EBONY TUSKS spoke with Vivid Seats about “HDF,” the state of hip-hop and their plans to conquer the new decade.

Martinez Hillard told Vivid Seats: “ I began EBONY TUSKS in 2009 after a difficult period that summer. I was living in the student ghetto near the University of Kansas in Lawrence. It was an eerily calm Friday night and I didn’t have any plans after work so I crashed. I woke up shortly after 9:00 pm because my door was being kicked in. I was beaten and robbed at gunpoint. Thankfully, two of my neighbors were close friends and called the police immediately. I had nightmares for years afterward that included many symbols I’ve come to associate with various religious practices. I also began writing raps for the first time in over a decade. I was working with a couple producers and we had our first show at a house venue called Pizza Power in October 2010. Both Daniel and Geese came into the fold within a couple years of that show.”

Daniel Smith lives in Lawrence, Kansas. He was born in Berkeley California. He moved to Lawrence when he was a child. Hs father is a Professor at The University of Kansas. Daniel works the United Way of Douglass County. He helps to provide after school job-training programs for under-served youth.

Nathan “Geese” Giesecke grew up in Olathe but now lives and works in Kansas City, MO. He was friends with Calvin Arsenia in High School. Geese works as a producer as GEESACE. He makes beats and you can find his music at http://soundcloud.com/geesace Nathan is also a lighting designer who jumped on stage to do back up vocals for Marty and ended up being in the band.

Martinez Hillard is the main vocalist and lyricist for EBONY TUSKS. He raps under the moniker Bodye, (pronounced “body”). He also produces beats. Martinez lives in the Old Town neighborhood in downtown Topeka with wife and 5 year old daughter. Martinez was part of the super group Cowboy Indian Bear. Martinez was recently elected to serve as a board member for Friends of the Library for Topeka & Shawnee County Public Library

At Marty told Johnson County Library, in a piece published April 27, 2018: “ It was a project I started with other producers back in 2010. I asked Daniel to DJ for me sometime in 2011-2012 and Geese joined not too far behind him. Daniel and I had become fast friends when I lived in Lawrence and he was the nicest, most easygoing DJ of the handful I knew. He made our shows a lot less stressful. Geese was and is a lighting technician for a number of our friends’ projects and that was how I made acquaintance with him, seeing him work for a band and asking if he’d do lights for an EBONY TUSKS concert. He eventually asked if he could be hypeman for us and he brought an new intensity.”

EBONY TUSKS have been a band for over 11 years making hip hop in the Lawrence scene that includes Approach, Stik Figa, Heartfelt Anarchy, and Archetype are just a small fraction. With that said, the three of us are always having conversations about how other genres influence us personally. Post-rock, post-hardcore, industrial, indie rock, and electronic all factor in. Our tastes evolve naturally and we follow accordingly.

Since the three members of EBONY TUSKS live in three separate cities: Kansas City, Lawrence and Topeka early on, they created a Dropbox folder to share demos with one another. And as they told Vivid Seat: “It also gave us a bit of language to use in building sounds independent of one another.”

Heal Thyself on High Dive Records will be released on Nov. 6, 2020. All songs written and performed by Ebony Tusks unless otherwise noted. // All Songs engineered and mixed by George Henry Valyer IV at Rundown Studios in Topeka, Kansas and MalaMUTE Studios in East Lawrence, Kansas. Assistance provided by Nico Williams and Claire Kuner.

Conny Franko’s vocals on “You Runner” engineered by Keith Rodger and Rick Carson at Make Believe Studios in Omaha, Nebraska.

IK’s vocals on “Gang Signs” engineered by Derek Montgomery.

Stik Figa’s vocals on “Hell Above Or Here Below” engineered by Sean Patrick at Twelves Studios in Forth Worth, Texas.
Cello on “Heir Apparent” written and performed by Brail Watson. Rhodes and Moog on “Heir Apparent” written and performed by Daniel Bowersox.

All Songs mastered by Mike Nolte at Eureka Mastering in Portland, Oregon. Album cover art by Justin Bergin. Album cover photography by Rachel Lock. Album layout by Martinez Hillard. Album insert photography by Ailecia Ruscin and LeRoy Pristach.

EBONY TUSKS, are getting set to release their debut full length album, Heal Thyself on High Dive Records on November 6, 2020. The album will be available on limited edition oxblood and bone vinyl as well as standard black vinyl in an amazing gatefold jacket with a full color insert. Intelligent Sound will also be offering the album on cassette. Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. More info at: ww.highdiverecords.com

11:15

13. Ebony Tusks – “Schuyler”
from: Heal Thyself / High Dive Records / November 6, 2020
[All songs written and performed by Ebony Tusks unless otherwise noted. // All Songs engineered and mixed by George Henry Valyer IV at Rundown Studios in Topeka, Kansas and MalaMUTE Studios in East Lawrence, Kansas. Assistance provided by Nico Williams and Claire Kuner. // Conny Franko’s vocals on “You Runner” engineered by Keith Rodger and Rick Carson at Make Believe Studios in Omaha, Nebraska. // IK’s vocals on “Gang Signs” engineered by Derek Montgomery. // Stik Figa’s vocals on “Hell Above Or Here Below” engineered by Sean Patrick at Twelves Studios in Forth Worth, Texas. // Cello on “Heir Apparent” written and performed by Brail Watson. Rhodes and Moog on “Heir Apparent” written and performed by Daniel Bowersox. // All Songs mastered by Mike Nolte at Eureka Mastering in Portland, Oregon. // Album cover art by Justin Bergin. Album cover photography by Rachel Lock. Album layout by Martinez Hillard. // Album insert photography by Ailecia Ruscin and LeRoy Pristach. // Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production.]

11:18 – Interview with Martinez Hillard and Daniel Smith

Martinez Hillard and Daniel Smith two of the members of the Lawrence/Topeka, Kansas based hip hop trio, EBONY TUSKS, who join us live in our 90.1 FM studios to share details about their debut full length album, Heal Thyself to be released on High Dive Records on November 6, 2020. The album will be available on limited edition oxblood and bone vinyl as well as standard black vinyl in an amazing gatefold jacket with a full color insert. Intelligent Sound will also be offering the album on cassette. More info at: ww.highdiverecords.com

Martinez Hillard and Daniel Smith, thanks for being with us on WMM.
Martinez Hillard was part of the popular band Cowboy Indian Bear (2008-2014). Cowboy Indian Bear was formed as a trio in 2008 with Beau Bruns, Martinez Hilliard and CJ Calhoun. They started practicing in Joshua Browning’s church/studio in Williamstown, KS. They were three dudes who had just moved from their hometown of Topeka to, what in our eyes, was our very own local music mecca: Lawrence, KS. We were flush with plans and ideas for our music. Over the course of almost six years, the three of us, along with Katlyn Conroy who joined the band in 2010, and Danny Bowersox, who came in to the band in 2013 worked hard and were able to accomplish so much.

Martinez Hillard started Ebony Tusks. Danny Bowersox helped form the band Spirit is the Spirit. Katlyn Conroy has released multiple EPs and Album releases as La Guerre. CJ Calhoun created the musical project Bonzo Madrid.

Fally Afani wrote in the October 14, 2014 edition of I heart Local Music: “Watching CJ Calhoun, Marty Hillard, Katlyn Conroy, and Beau Bruns single-handedly transform the attitude in the scene may have been the biggest gift the (mostly) Topeka transplants brought to Lawrence. At a time when the scene was hostile, frigid, and cliquey, Cowboy Indian Bear put on their best manners and welcomed everyone with open arms. Often times at shows early in their careers, they greeted every single patron who walked through their door. // That attitude was infectious, and you can bet it spread across the Lawrence music scene. // One by one, we saw more bands associated with this act change their behavior. This allowed more music fans to feel at ease, and actually feel drawn to live shows. Once audiences felt a welcoming atmosphere at Cowboy Indian Bear’s shows, they eventually shared the sentiment with other bands.”

Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. A rattling subwoofer is a sonic aberration, a byproduct of high volume that often results in a speaker system’s long-term damage. It takes the listening experience from exclusively aural to physical, evoking a range of reactions from listeners. This experience is bonded inextricably with rap music for both its fans and dissenters, a familiar beacon for some and an unwelcome nuisance for others.

Marty was a cashier at Burger King while in high school, spending every Saturday morning working the drive-thru window. One of his best friends pulled up to the menu and filled the speaker with sounds from his 1972 Volkswagen Beetle’s cassette adapter. Marty’s headset was filled with hot, white noise. He knew it was a rap song but it was mutated to scorched earth. It also happened to come through the main speaker right inside the drive-thru window. His manager was not at all pleased, rushing quickly to turn it off. Marty and his friend laughed it off at the time. EBONY TUSKS is a compilation of moments like these. Daniel, Geese, and Marty are three people from the Midwest who take pleasure in the mutations of sound available in the least expected places

Heal Thyself was tracked and mixed from January 2016 – May 2019 by George Henry Valyer IV at Rundown Studios in Topeka, KS and MalaMUTE Studios in East Lawrence, KS. It was mastered in July 2019 by Mike Nolte at Eureka Mastering in Portland, OR.

The album cover was created by Justin Bergin and shot by Rachel Lock. The layout was created by Marty Hillard with assistance from Tanner Spreer. Insert photos were shot by LeRoy Pristach and Ailecia Ruscin.

The official video for “Bloodletting” released October 2, 2020 is now available on Instagram, YouTube, Facebook, and Twitter courtesy of Austin Glassco.

Bloodletting written and performed by EBONY TUSKS. Video created by Austin Glassco.

Engineered and mixed by George Henry Valyer IV at Rundown Studios in Topeka, Kansas.
Mastered by Mike Nolte at Eureka Mastering, Portland, Oregon.
High Dive Records / Intelligent Sound©️. All rights reserved.

“Bloodletting” lyrics:

I’m well acquainted with harbored resentment / the bitter feelings inaudibly rendered / through gritted teeth we’ve been volatile, indiscreet in our comments / is this release or an audit of weapons? / mother in heaven knows I once kept an arsenal in me / cannon fixed and aimed at those who so often would tempt me / best believe I was a beast with it, awful and petty / bleed for an audience just to feed all this bottomless envy / and I felt it in my core from rock bottom to ceiling / knew when to quit but didn’t know just what stopping would mean / a light I withheld when I was supposed to be conscious, a beacon / I was supposed to have conquered these demons / you were supposed to see G-d in this heathen / most days I can’t even argue with reason / but a part of me has flown away in departure for kingdom

head down to the feet, right? / head down to the feet, right?
around here, that’s what you call that / around here, that’s what you call that (repeat)

am I to be a vessel? Am I to lead discussion? / am I to cauterize the wound? am I to leave it ruptured? / am I considered damaged goods not having been discovered / at the bottom of a dream deferred and cavernous in hunger? / am I to plummet farther? am I my father’s witness? / am I the courage in his blood, a prophecy delivered? / am I believed to be an author if the script was written / long before the moment I felt chosen for the mission given?

head down to the feet, right? / head down to the feet, right?
around here, that’s what you call that / around here, that’s what you call that (repeat)

Chris Hagirian of Eight On Sixty on 90.1 The Bridge wrote:

“I’ve never heard music that has made me feel so many contrasting things at the same time. The music and the sound beneath it are overwhelming on an all-new level. It’s like audio vertigo, in the best of ways, with blasts of sound flying at you from every angle. The loudness of the music and resonance of the lyrics truthfully replicates their powerful live performance in a way I could have never predicted. The message in the songs fills you with rage and at the same time overwhelms you nearly to tears.

This is hard-listening music with no apology and like so much great art, Heal Thyself is hard to digest. Ebony Tusks has given us a piece of transposing art, music that we need right now, as hard-working people struggle and fight for what’s right and elected officials sit back and let the country burn.

Listen to Bloodletting. In one breath you’ll want to burn something down and in another, you’ll want to hug everyone you’ve ever met. Thank you to Martinez, Geese and Daniel for this gift, and cheers to High Dive Records for putting it out. “

Martinez Hillard and Daniel Smith, thanks for being with us on WMM.

EBONY TUSKS, are getting set to release their debut full length album, Heal Thyself on High Dive Records on November 6, 2020. The album will be available on limited edition oxblood and bone vinyl as well as standard black vinyl in an amazing gatefold jacket with a full color insert. Intelligent Sound will also be offering the album on cassette. Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production. More info at: ww.highdiverecords.com

11:25

14. Ebony Tusks – “Chuck Ds”
from: Heal Thyself / High Dive Records / November 6, 2020
[All songs written and performed by Ebony Tusks unless otherwise noted. // All Songs engineered and mixed by George Henry Valyer IV at Rundown Studios in Topeka, Kansas and MalaMUTE Studios in East Lawrence, Kansas. Assistance provided by Nico Williams and Claire Kuner. // Conny Franko’s vocals on “You Runner” engineered by Keith Rodger and Rick Carson at Make Believe Studios in Omaha, Nebraska. // IK’s vocals on “Gang Signs” engineered by Derek Montgomery. // Stik Figa’s vocals on “Hell Above Or Here Below” engineered by Sean Patrick at Twelves Studios in Forth Worth, Texas. // Cello on “Heir Apparent” written and performed by Brail Watson. Rhodes and Moog on “Heir Apparent” written and performed by Daniel Bowersox. // All Songs mastered by Mike Nolte at Eureka Mastering in Portland, Oregon. // Album cover art by Justin Bergin. Album cover photography by Rachel Lock. Album layout by Martinez Hillard. // Album insert photography by Ailecia Ruscin and LeRoy Pristach. // Ebony Tusks is Daniel Smith on DJ & Production, Geese Giesecke on vocals & Production, and Marty Hillard on vocals & Production.]

11:28 – Underwriting

15. Page 7 – “Not A Free Country”
from: Rise Up – EP / Page 7 / October 6, 2020
[Page 7. The band was formed in 2014. They are a Lawrence, Kansas based reggae, ska, soul rocksteady band with Joe Sears on lead vocals; Ryan “Rhyno” Hensley on drums; Anthony Case on bass, and backing vocals; Mike MacFarland on guitar & backing vocals; Brad Eldridge on keyboards; Chris Leopold on trumpet, and backing vocals; Dan Pem on saxophone, and backing vocals; and Mike Walker on trombone, and backing vocals. Earlier this year the band released their 7-song EP The Call, on May 26, and the single “Connectivity,” on April 10. More info at: https://page7reggae.wixsite.com%5D

Joe Sears of Page 7

11:34 – Interview with Joe Sears

Joe Sears is lead singer of the Lawrence, Kansas reggae, ska, soul rocksteady band, Page 7. The band was formed in 2014 and also includes: Ryan Hensley, Mike McFarland, Mike Walker, Brad Eldridge, Dan Pem Chris Leopold and Anthony Case. Page 7 just released their new 3-song EP Rise Up, on October 6, 2020. Earlier this year the band released their 7-song EP The Call, on May 26, and the single “Connectivity,” on April 10. More info at: https://page7reggae.wixsite.com

Joe Sears Thank you for being with us on Wednesday MidDay Medley

“Not A Free Country”
“Rise Up”
“Right Side”

Page 7 was formed in Lawrence, Kansas in 2014

Joe Sears on lead vocals
Ryan “Rhyno” Hensley on drums;
Anthony Case on bass, and backing vocals;
Mike MacFarland on guitar & backing vocals;
Brad Eldridge on keyboards; Chris Leopold on trumpet, and backing vocals;
Dan Pem on saxophone, and backing vocals;
Mike Walker on trombone, and backing vocals.

Earlier this year the band released their 7-song EP The Call, on May 26, and the single “Connectivity,” on April 10.

Joe Sears is a Montessori Guide at Raintree Montessori School in Lawrence, Kansas

Joe Sears was a Substitute Teacher at Maplewood Richmond Heights School District in St. Louis, starting in August 6, 1996 until Present

Joe Sears was a Therapist Aide at St. Louis Children’s Hospital, starting in August 6, 1995

In reporting about Page 7 performing at Live on Mass for I Heart Local Music, Fally Afani wrote: “Page 7, however, ultimately brought the party thanks to their infectious energy and genre-spanning sound. With Page 7, you get a little soul, a little funk, and everything in between. Though they touch on several genres, it’s when they dive into ska that they’re at their best, likely because this is one of the finest horn sections in the area. They’re subtle, smooth, and simply sublime (a perfect blend for any mid-Summer street party).”

In a few minutes we are gong to play: “Rise Up” and “Right Side”

Joe Sears Thank you for being with us on Wednesday MidDay Medley

The Lawrence, Kansas reggae, ska, soul rocksteady band, Page 7 have just released their new 3-song EP Rise Up, on October 6, 2020. More info at: https://page7reggae.wixsite.com

11:47

16. Page 7 – “Rise Up”
from: Rise Up – EP / Page 7 / October 6, 2020
[Page 7. The band was formed in 2014. They are a Lawrence, Kansas based reggae, ska, soul rocksteady band with Joe Sears on lead vocals; Ryan “Rhyno” Hensley on drums; Anthony Case on bass, and backing vocals; Mike MacFarland on guitar & backing vocals; Brad Eldridge on keyboards; Chris Leopold on trumpet, and backing vocals; Dan Pem on saxophone, and backing vocals; and Mike Walker on trombone, and backing vocals. Earlier this year the band released their 7-song EP The Call, on May 26, and the single “Connectivity,” on April 10. More info at: https://page7reggae.wixsite.com%5D

17. Page 7 – “The Right Side”
from: Rise Up – EP / Page 7 / October 6, 2020
[Page 7. The band was formed in 2014. They are a Lawrence, Kansas based reggae, ska, soul rocksteady band with Joe Sears on lead vocals; Ryan “Rhyno” Hensley on drums; Anthony Case on bass, and backing vocals; Mike MacFarland on guitar & backing vocals; Brad Eldridge on keyboards; Chris Leopold on trumpet, and backing vocals; Dan Pem on saxophone, and backing vocals; and Mike Walker on trombone, and backing vocals. Earlier this year the band released their 7-song EP The Call, on May 26, and the single “Connectivity,” on April 10. More info at: https://page7reggae.wixsite.com%5D.%5D

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, Oct. 14, we talk with Mike McCoy of Cher UK and Mike McCoy’s Trompe-l’œil . Mike McCoy will be performing live for a Cher UK 30th Anniversary Show with Dan Jones and the Squids and Schwervon. Friday, October 16 at Lemonade Park. Also next week we welcome Calvin Arsenia who joins us to talk about “Summer in Hindsight” The West 18th Street Fashion Show Film premiering Friday, October 16 at the BLVD Drive In.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Black Lives Matter

Show #858

WMM Playlist from April 8, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 8, 2020

New & MidCoastal Releases + Rosé Perez
+ Danielle Jones & Tim O’Connor of L A Jones +
Brenton Cook & Brodie Rush of Be/Non

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. R.I.Peter – “Rising Sun”
from: Cruis’n / Rising Sun – Single / Manor Records / April 10, 2020
[New Singles from musician and songwriter Peter Beatty plays in the band Momma’s Boy, who have been playing together since they were in the band Rev Gusto that was formed with Quinn Hernandez and friends, while they were in high school at Saint James Academy. Peter studied at University of Kansas. Peter released the debut EP solo project R.I.Peter on July 5, 2019. Manor Records described R.I.Peter’s music saying, “It’s like if you took video game music and mashed it with fleet foxes or something. All songs written by Peter Beatty . Additional songwriting and production by Jared Bajkowski. Mastered by Ross Brown. electronic pop ambient america folk mystic Kansas City.]

[R.I.Peter plays a “Cruis’n” / “Rising Sun” – Cassingle Release – Streaming Live Concert, Friday, April 10, at 7:00 PM on Manor Records Social Media Platforms on Facebook, Instagram, etc.]

3 Fullbloods – “Soft and Virtual Touch”
from: Soft and Virtual Touch / High Dive Records / April 3, 2020
[3rd full-length album from, Fullbloods, a Kansas City based band with: Ross Brown; Jared Tomasino; David Seume; & Bill Pollock. Follow up to their February 26, 2016 release, Mild West. All songs written, performed, recorded, and mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork created by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More information at: http://www.fullbloods.com.]

4. Nick Siegel – “Let’s Blouse”
from: For You, Dear, Anything [EP] / Nick Siegel / April 10, 2020
[Nick Siegel, is a KC piano rocker with influences such as Ben Folds, Death Cab for Cutie and the Mars Volta. Nick writes aggressive piano rock music. He grew up playing music in Chicago and moved to Kansas City in 2010 when he joined The Casket Lottery. Now on my own as solo artist, Nick has released his debut solo album, “Awake from the Golden State,” on Aug. 25, 2017. His new EP, “For You Dear, Anything,” is the first act, of three-act series, he plans to release in 2020. Act One, is a modern take on the vibe of the 1920s.]

[Nick Siegel plays a “For You, Dear, Anything” EP Release – Streaming Live Performance on Friday, April 10 at 7:00 PM on Facebook Live.]

5. Lyra Pramuk – “Mirror”
from: Fountain / Bedroom Community / March 20, 2020
[Lyra Pramuk’s debut explores a post-human, non-binary understanding of life. Lyra fuses classical training, pop sensibilities, performance practices and contemporary club culture in what may best be described as futurist folk music. The American opera-trained vocalist and electronic musician releases her album via Iceland’s Bedroom Community label. Created entirely from her own voice, although often shaped and structured by electronics, Fountain is an emotional, sensual, and devotional journey. The title is derived from her family name, Pramuk, which translates from Czech as ‘well spring’ or ‘fountain.’ Often wordless, these songs evoke a new wholeness sustained by the ritual force of drowning, immersion, cleansing, and bathing – also referred to in the album artwork by acclaimed visual artist Donna Huanca. Fountain plays with the perception of music, rhythms, speech, body, and the relation between technology and humanity, exploring a post-human, non-binary understanding of life and the fragile ecosystems it depends on. The work documents a healing that is still in process, and a full circle-moment that reunited Lyra with her sound engineer twin brother, Ben, for the final mix, which they completed in tandem. As a vocal activist and member of the queer community, Lyra moved to Berlin in 2013, following her degree at the Eastman School of Music in New York. Since then, she has also been awarded residencies at Elektronmusikstudion EMS Stockholm, Open Port Club Residency in Tokyo and Sapporo, and Future Music Lab of the Atlantic Music Festival in Maine. Her interests also encompass writing, poetry, and fashion, where she is sometimes called upon as a model. As a performance artist, she has collaborated extensively with Donna Huanca and at events such as Glasgow International and the Rochester Fringe Festival. Music composed and produced by Lyra Pramuk. Vocals recorded by Lyra Pramuk and Ben Pramuk in Berlin and at EMS Elektronmusikstudion in Stockholm. Mixed by Ben Pramuk in Berlin. Mastered by Valgeir Sigurðsson and Francesco Fabris at Greenhouse Studios.]

6. The Abracadabras – “Give Me Your Name”
from: Be Still, Be Cool / The Abracadabras / January 1, 2008
[5-piece KC band formed in the spring of 2007, with John Nixon on keyboards & vocals, Travis Mckenzie on lead guitar, Bobby (Wayne Hutcherson) Topaz on guitar & vocals, Collin Rausch on bass & vocals, and Kyle Rausch on drums & vocals. Richard Gintowt wrote about The Abracadabras for the October 9, 2008 edition of The Pitch: Be Still, Be Cool is …an avalanche of tunes inspired by alternative rock, Britpop, ’60s psychedelia, hippie folk, and swampy Southern blues. Regardless of what labels or managers get behind it (or not), Be Still, Be Cool sounds like a big-time record — not the annoying Fall Out Boy sort but rather the well-rounded Supergrass variety. Recorded with producer Mike Crawford at his upstart studio, The Impossible Box, the album showcases a breadth of recording techniques from one-take numbers to the sort of trickery that has informed albums since Sgt. Pepper’s. Each track is stacked with harmonies, guitar overdubs and vintage keyboards. “We threw the whole kitchen sink into it,” lead singer John Nixon says. “Mike added a lot of great X factors to tracks. He’d dial up perfect guitar and keyboard tones.” Nixon says the group intended to stack the front of the record with pop songs and then let it “slowly unveil itself as something else.” The song “Deep” is a mellow acoustic number in the vein of CSN&Y, while “Show Me the Sunrise, Callie Anne” summons the campfire country-rock of the Rolling Stones’ Sticky Fingers. Such detours complement infectious two-minute singles like “C’mon and Get It!” and “An Argument.” “We’re enthusiasts of the art of order and timing,” Collin Rausch says. “One of my favorite things to do is take classic rock records and rearrange them to see if I can make them better.” This Friday’s album-release party at the Riot Room should offer a sense of vindication after a long summer. The frustrating events unfolded in July, when a prospective label fell out of the loop and manager Harley Sears also exited the picture. Sears, who also worked with KC bands Lovers in Transit and the Rich Boys, relocated to New York City in May. He says the decision to part ways with the Abracadabras was “amicable and necessary” due to other commitments. “I enjoyed the time we spent together,” Sears says. “Their new album was a labor of love, and the end result was a true work of art.” However amicable the split was, the Abracadabras couldn’t help but feel a bit bummed. “We went from almost being signed and having a manager and possibly moving to nothing,” Rausch says. “No matter how hard you try to stay grounded, you get your hopes up.” Adds guitarist Bobby Topaz (real name: Wayne Hutcherson): “It was like the rug was pulled out from under us. There was a week where we all sitting around scratching our heads like, ‘What’s next?’” The events motivated the group to self-release Be Still, Be Cool. They began unveiling tracks on their MySpace page a couple of months ago, leading up to a free release of the album this week. Rather than invest in hard copies, the band is handing out cards with free download codes. They also plan to make the entire album available for download via MySpace. “I think in the long term it’ll be better to give it away,” Nixon says. “The point is that we’re not big, and we’re not making money now anyways, so we may as well try to get people to come to shows.” Nixon is also adamant about downsizing the group’s reputation for dressing up at shows, preferring to redirect the focus toward the music. “It became more of a thing to talk about what we were wearing than what we were doing,” he says. “[Making the record] was a long and frustrating journey, so we had to do things to entertain ourselves and the audience in the meantime. I think we all like making music more than putting on shiny jackets and making sure our hair is pretty. We like that, too, obviously”.]

10:25 – Underwriting

7. L A Jones – “Blonde”
from: Blonde – Single / L A Jones / March 1, 2020
[New single from LA Jones, from Kansas City. Formed in 2016 by Danielle Jones and Tim O’Connor, the band has now grown to feature a three piece horn section, keys, bass, & drums. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

Tim O’Connor & Danielle Jones of L A Jones on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Danielle Jones & Tim O’Connor

Danielle Jones and Tim O’Connor formed the KC based soul-pop band LA Jones in 2016. After a string of singles they released their debut EP Bring Me Back Down last year. L A Jones includes: Danielle Jones on vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on sax, and Cade Pool on drums. Danielle and Tim joined us last fall to premiere their single, “Behind The Times”. Danielle and Tim are back today to talk about the newest L A Jones single, “Blonde.”

Danielle Jones & Tim O’Connor, Thanks for being with us on Wednesday MidDay Medley

Danielle Jones I Tim O’Connor of L A Jones

L A Jones includes:

Danielle Jones on vocals
Tim O’Connor on guitar & vocals
Marcus Grimes on keyboards
Jeramy Johnston on bass
Daniel Dissmore on trumpet,
Trevor Turla on trombone
Matt Cook on sax
Cade Pool on drums

Last year L A Jones played the Plaza Art Fair, on September 20, on the INK Live Stage, and they played Camp Leavenworth Festival, September 21.

Danielle Jones currently works for The Pet Project. She has previously worked as a Substitute teacher at Blue Springs School District she has also worked in the Independence School District and Liberty Public Schools.

Danielle Jones Studied Music theatre at Kansas State University from 2011 to 2015

She is originally from Dodge City, Kansas and currently lives in Independence, Missouri

Tim O’Connor & Danielle Jones of L A Jones on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Last year Danielle Jones married Tim O’Connor

Tim O’Connor has previously worked as a Percussion Instructor at Liberty North High School, Percussion Instructor at Blue Springs High School and Percussion Instructor at William Chrisman High School

Tim O’Connor studied at Kansas State University from 2011 to 2016

Tim is originally from from Louisburg, KS and currently lives in Independence, Missouri.

Danielle Jones & Tim O’Connor, Thanks for being with us on Wednesday MidDay Medley

For info about the new L A Jones single, “Blonde.” you can visit: http://www.officiallajones.com

10:42

8. L A Jones – “Addicted”
from: Bring Me Back Down EP / L A Jones / April 12, 2019
[LA Jones were formed in 2016 by partners Danielle Jones and Tim O’Connor, the band has now grown to feature a wide variety of instruments and members including a three piece horn section, keys, bass, and drums. They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

9. Parade – “North/South”
from: Mend Melodies / Parade / March 1, 2020
[Parade calls their music “genre fluid.” The band is based in KC, with Seth Props on guitar, Claire Monroe on guitar, and Patrick Sanders on bass guitar. Seth who writes and produces most of their music also plays in the band Stary with Adam Stary and Marisa Tejeda. Parade released (Solo Demos) on August 20, 2019. Parade released the 13-song, self titled Parade on, September 2, 2019. Parade released the 13-track Mend Melodies on March 1, 2020, and recently the 13-track, Quarantine Demos on March 31, 2020]

10. Yves Tumor – “Identity Trade”
from: Heaven To a Tortured Mind / Warp Records / April 2, 2020
[4th album from Sean Bowie, best known by the recording alias Yves Tumor, is an American producer of experimental electronic music, born in Miami, Florida and currently based in Turin, Italy. Raised in Knoxville, Tennessee, Tumor started making music at age 17 as an outlet away from “dull, conservative surroundings.” They taught themself to play drums, bass, guitar, and keyboards. Describing their experience growing up in Tennessee as unpleasant, they moved at age 20 to San Diego, and after college to Los Angeles, where they met Mykki Blanco in 2012, with whom they later toured for two and a half years throughout Europe and Asia.In the early 2010s, Tumor recorded as Teams, and made music which AllMusic described as “post-chillwave”. They debuted their Yves Tumor project in 2015 with an EP for Berlin’s experimental club label Janus, and another one for Blanco’s label, Dogfood MG. That same year, they self-released their first album, When Man Fails You (which would later be re-released by Apothecary Compositions on April 29, 2016). In September 2016, Tumor signed with PAN Records and released its label debut, Serpent Music. They had worked on the album for three years after moving to Leipzig, Germany. The album was recorded between Miami, Leipzig, Los Angeles and Berlin. In Pitchfork’s review of the album, critic Andy Beta compared Tumor’s musical style to James Ferraro and Dean Blunt, and noted their use of “unsettling percussive loops and field recordings to create a mood as if lost in a strange urban landscape”. In September 2017, Tumor released a compilation album titled Experiencing the Deposit of Faith for free. Later that week, it was revealed through a tour announcement that Tumor had signed to Warp Records. Following the announcement, they embarked on a tour with a new audiovisual show. In September 2018, Tumor released their Warp debut, Safe in the Hands of Love, with no prior announcement. It was preceded by the singles “Noid” on July 24, “Licking an Orchid” featuring James K on August 29, and “Lifetime” on September 3. The album received universal acclaim from music critics. Pitchfork’s Jayson Greene stated in their review that the album “dwarfs everything the artist has released by several orders of magnitude. The leap is so audacious it’s disorienting.” Tumor’s fourth album, Heaven to a Tortured Mind, was released on April 3, 2020, preceded on March 3 by the single “Kerosene” featuring Diana Gordon. Alexis Petridis, reviewing the album for The Guardian, awarded it Album of the Week, describing it as “extraordinary: experimental, capable of any genre, with an internal logic powering its shifts in mood. Tumor has cited Throbbing Gristle as a major influence, saying: “There’s something about their music, like the hypnotic trance vibes, that really influenced me.]

11. The Black Creatures – “Elements”
from: “Wild Echoes” / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

12. Sudan Archives – “Confessions”
from: Athena / Stones Throw Records / November 1, 2019
[LA based violinist Sudan Archives, combines elements of the modern and ancient. The 23 year-old self-taught violinist draws inspiration from Sudanese fiddlers, R&B, West African rhythms, and experimental electronic music. Building records around rhythms and melodies from the strings of her violin and raw vocals, Sudan effortlessly draws the link between traditional African music and contemporary electronic production.]

11:00 – Station ID

13. Be/Non – “Over The Moon”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

11:04 – Interview with Brenton Cook & Brodie Rush

Brenton Cook of Haymaker Records on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 7 years, Brenton has been a co-curator of the Outer Reaches Fest.

Brenton Cook , thanks or being with us on Wednesday MidDay Medley

Brodie Rush of Be/Non on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Brodie Rush is a musician, songwriter, band leader, graphic artist, actor, father and survivor. He is the Director of Animation & Motion Graphics at Crush Media. He is also the creative genius behind Be/Non, a Kansas City band that has been making music for over 20 years and released their critically acclaimed 6th album, Mystic Sunrise / Sunset Magic, on Haymaker Records on February 29, 2016, followed by Freedom Palace in 2018 that had been stuck in the studio for 12 years due to disputes with the original record label and personnel changes in the band until Brodie rescued the tapes and remastered the album for Haymaker Records. Now Brodie is back with a new release containing alternate mixes, isolated tracks and demo versions of Be/Non’s 2009 release, A Mountain of Yeses. The new release is called, A Valley of No: The Alternative A Mountain of Yeses. And it is being released today, through Haymaker Records.

Brodie Rush, thanks or being with us on Wednesday MidDay Medley

Brenton Cook of Haymaker Records & Brodie Rush of Be/Non join us (on the phone), to share tracks from, A Valley of No: The Alternative A Mountain of Yeses which is being made available TODAY

Be/Non circa 2008-2009

Originally released May 12, 2009, “A Mountain of Yeses” was made by:
Brodie Rush on everything, vocals, guitar, bass, drums, keyboards;
Ben Ruth on bass guitar;
Ryan Shank on drums & percussion,
Jeremiah James on guitar, Moog & Vocals.

Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. “

11:14

14. Be/Non – “Travel”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

11:17 – More Interview with Brenton Cook & Brodie Rush

We are talking with Brenton Cook & Brodie Rush about Be/Non’s A Valley of No: The Alternative A Mountain of Yeses., an album that contains track for track alternate mixes, isolated tracks and demos of A Mountain of Yeses, Originally released May 12, 2009. More info at http://www.haymakerrecords.net

Director of Animation & Motion Graphics at Crush Media

A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”

Brenton Cook & Brodie Rush, thanks or being with us on Wednesday MidDay Medley

Haymaker Records is releasing Be/Non’s A Valley of No: The Alternative A Mountain of Yeses., an album that contains track for track alternate mixes, isolated tracks and demos of A Mountain of Yeses, Originally released May 12, 2009. More info at http://www.haymakerrecords.net http://www.crushmediakc.com http://www.brodierush.com

11:27

15. Be/Non – “Assention”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

11:29 – Underwriting

Rosé Perez

16. Rosé Perez – “Megan’s Wedding”
from: Born in A Bag (Split EP with Period BOMB) / Rosé Perez / October 23, 2019
[Rosé Perez is Carrie Wallen on guitar & keyboards, 2007 Balquier on bass & drums, and Lina Žemaitė on drums & bass. Rosé Perez recently released a new video for their song “Placenta Agenda” from their EP split with the band Period BOMB. The Rosé Perez tracks for this split were recorded, mixed, and mastered by Jametatone at The Infoaming Vortex.]

11:35 – Interview with Carrie Wallen, 2007 Balquier, & Lina Žemaitė

Carrie Anne Wallen of Rosé Perez on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Carrie Anne Wallen is a multi media performance artist, She plays guitar and keyboards, and writes music. Carrie is currently a Charlotte Street Studio Resident working in illustration, 90’s glitch art inspired collage, audio/visual performance art, installations and musical satirization of the toxicities of contemporary culture. Carrie Anne writes irreverent songs that are based on factual information mixed with dark humor. Her performance art uses theater, digital data corruption, interactive video and costumes in a musical satirization of social injustice, gender roles and the prescriptive capitalist agenda. The majority of her work is collaborative. Carrie Anne’s focus is to inspire cheerfulness, inclusivity and resistance.Carrie was previously in pop-goth band, Ricki Wallen. In 2017 she received a bachelor’s degree in urban planning from Missouri State University.

Carrie Wallen, thanks for being with us on WMM.

2007 Balquier of Rosé Perez on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

2007 Balquier, is also known as Whorxata. They are a multi-disciplined artist creating works in converging media, music production, and video work. Their work as Dj Whorxata (hor-chata) involves blending and mixing varieties of dance and club music to create a queer-inclusive, body positive, sex positive space. 2007 plays bass and drums in Rosé Perez.

2007 Balquier, thanks for being with us on WMM.

Lina Žemaitė of Rosé Perez on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Lina Zemaite is a Kansas City based multi instrumentalist, performance artist, and composer. Lina is the drummer for acclaimed girl pop group Rosé Perez. She is also the saxophonist and clarinetist for experimental jazz group HANNAH, as well as a vocalist for industrial act Killus.

Lina Žemaitė, thanks for being with us on WMM.

Rosé Perez join us to talk about their debut release, Born in A Bag, the band’s Split EP with post punk band / multi media project, Period BOMB, released on October 23, 2019.

Rosé Perez

Rosé Perez is:
Carrie Wallen on guitar & keyboards,
2007 Balquier on bass & drums,
Lina Žemaitė on drums & bass.

Rosé Perez recently released a new video for their song “Placenta Agenda.”

The Rosé Perez tracks were recorded, mixed, and mastered by Jametatone J. Ashley Miller at The Infoaming Vortex.

Rosé Perez recently released a new video for their song “Placenta Agenda.”

11:49

17. Rosé Perez – “Placenta Agenda”
from: Born in A Bag (Split EP with Period BOMB) / Rosé Perez / October 23, 2019
[Rosé Perez is Carrie Wallen on guitar & keyboards, 2007 Balquier on bass & drums, and Lina Žemaitė on drums & bass. Rosé Perez recently released a new video for their song “Placenta Agenda” from their EP split with the band Period BOMB. The Rosé Perez tracks for this split were recorded, mixed, and mastered by Jametatone at The Infoaming Vortex..]

18. John Prine – “Illegal Smile”
from: John Prine / Atlantic / 1971
[John Prine (October 10, 1946 – April 7, 2020) was an American country folk singer-songwriter. He was active as a composer, recording artist, and live performer from the early 1970s until his death, and was known for an often humorous style of country music that has elements of protest and social commentary. Born and raised in Maywood, Illinois, Prine learned to play the guitar at the age of 14. He attended classes at Chicago’s Old Town School of Folk Music. After serving in West Germany with the U.S. Army, he moved to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs as a hobby. A member of Chicago’s folk revival, he was discovered by Kris Kristofferson (although Prine himself credited film critic Roger Ebert[2]), resulting in the production of Prine’s self-titled debut album with Atlantic Records in 1971. After receiving critical acclaim, Prine focused on his musical career, recording three more albums for Atlantic. He then signed to Asylum Records, where he recorded an additional three albums. In 1984 he co-founded Oh Boy Records, an independent record label with which he would release most of his subsequent albums. After his battle with squamous cell cancer in 1998, Prine’s vocals deepened into a gravelly voice.Widely cited as one of the most influential songwriters of his generation, Prine was known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary, and songs which recollect melancholy tales from his life. // John Prine is the début album by American country/folk singer-songwriter John Prine, issued by Atlantic Records in 1971. In 2012, the album was ranked number 452 on Rolling Stone magazine’s list of the 500 greatest albums of all time. Prine was offered a recording contract by Jerry Wexler of Atlantic Records after the record executive saw the singer perform several of his own songs at a Kris Kristofferson show at the Bitter End. The song “Paradise” was recorded at A&R Studios in New York (with Prine’s brother Dave and good friend Steve Goodman as sidemen) but the remaining cuts were recorded at American Sound Studios in Memphis. Produced by Arif Mardin, who had previously collaborated with the likes of Aretha Franklin and King Curtis, Prine found his new studio surroundings intimidating. In the Great Days: The John Prine Anthology liner notes he admits, “I was terrified. I went straight from playing by myself, still learning how to sing, to playing with Elvis Presley’s rhythm section.” Initially, the musicians at American, accustomed to playing heavily rhythmic material and funky grooves, were thrown by Prine and his songs. As recounted in Eddie Huffman’s biography John Prine: In Spite of Himself, percussionist Hayward Bishop later recalled, “There was no evidence of groove whatever, and I was hungry for groove. Prine came off like a folk poet. This guy was really nasally, he didn’t have any tone to his voice, and all his songs were in the same key! I thought, ‘This is gonna be like milking a dag-blasted dog!’”]

19. True Lions – “Life is Gold”
from: You’re Not Invited / True Lions / November 9, 2019
[Second EP released in 2019 from True Lions with: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison. The band released their debut EP”Cute At Best” Feb. 5, 2019 with Alison Hawkins on guitar, piano, synth, vocals; Mikala Petillo on percussion, bass, guitar, vocals; and with Ross Brown serving as producer & engineer; and Nika Winn providing artwork. This EP began as an unrelated, musical dispute between lovers, but triumphantly became the spunky collaboration of two midwestern “woms” whose passion for playing music nearly exceeds their desire to create it.]

[True Lions play a Live Stream Concert on Saturday, April 11, at 7:00 PM.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, April 15 we will be presenting more New & MidCoastal Releases. We will also talk with Jesse Kates of The Sexy Accident, Mikala Petillo of Miki P and the Swallowtails, and Jenna Rae of Lost Cowgirl Records

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #832

WMM presents L A Jones, Be/Non, and Rosé Perez

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 8, 2020

New & MidCoastal Releases + Rosé Perez
+ Danielle Jones & Tim O’Connor of L A Jones +
Brenton Cook & Brodie Rush of Be/Non

Mark plays New & MidCostal Releases from: R.I.Peter, Nick Siegel, L A Jones, Rosé Perez, Fullbloods, True Lions, Parade, The Black Creatures, Be/Non, The Abracadabras, Lyra Pramuk, Yves Tumor, Sudan Archives, and Patti Smith Group.

Danielle Jones and Tim O’Connor of L A Jones

At 10:30 Danielle Jones & Tim O’Connor of the Kansas City based band L A Jones join us (on the phone). The soul-pop band was formed in 2016 and includes: Danielle Jones on vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on sax, and Cade Pool on drums. Mark will play the new L A Jones single “Blonde.” More information at http://www.officiallajones.com

Be/Non circa 2008-09

At 11:00 Brenton Cook of Haymaker Records & Brodie Rush of Be/Non join us (on the phone), to share tracks from, A Valley of No: The Alternative A Mountain of Yeses. Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”

Rosé Perez

At 11:30 members of the Kansas City based art rock band, Rosé Perez join us (on the phone) to share music from their debut release, Born in A Bag, the band’s Split EP with Miami, Florida post punk band / multi media project, Period BOMB, released on October 23, 2019. Rosé Perez include: Carrie Wallen on guitar & keyboards, 2007 Balquier on bass & drums, and Lina Žemaitė on drums & bass. Rosé Perez recently released a new video for their song “Placenta Agenda.” The Rosé Perez tracks were recorded, mixed, and mastered by Jametatone at The Infoaming Vortex.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #832

WMM Playlist from March 11, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, March 11, 2019

New & MidCoastal Releases + Teri Quinn
+ Dan Jones & The Squids + Kadesh Flow

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dirty Projectors – “Overlord”
from: “Overlord” – Single / Domino Recording Co / February 26, 2020
[Scarcely 18 months after the release of their album, “Lamp Lit Prose,” from July 13, 2018, and three months after their live-in-studio album “Sing The Melody” from December 10, 2019, Dirty Projectors return with the new single ‘Overlord.’ It has been called a “Tongue-in-cheek ode to surveillance capitalism? Critique of our primal confusion of charisma for actual leadership? Cautionary tale about blind faith in technology? Anti-fascist manifesto? Who knows, but ’Overlord’ feels like a ‘Both Sides Now’ for our brave new Amazon Prime world. The lyrics are belied by a rootsy, organic arrangement — capo’ed acoustics, upright bass, congas, drum kit & three-part harmony — that must be Dirty Projectors’ loosest and warmest production since Swing Lo Magellan.” ‘Overlord’ is the first Dirty Projectors song to feature the new lineup that lead Projector Dave Longstreth put together around the Lamp Lit Prose touring in 2018/19. Guitarist Maia Friedman handles lead vocals and co-wrote the lyrics with Dave, who wrote and produced the music. Felicia Douglass and Kristin Slipp contribute additional vocals. Nat Baldwin plays upright bass; Mike Johnson is behind the kit. Mauro Refosco plays congas.]

3. Best Coast – “Everything Has Changed”
from: Always Tomorrow / Bethany Cosentino – Concord Records / February 21, 2020
[Best Coast is an American rock duo formed in Los Angeles, California in 2009. The band consists of songwriter, guitarist and vocalist Bethany Cosentino (born November 3, 1986) and guitarist and multi-instrumentalist Bobb Bruno. Cosentino, a former child actress, began writing music as a teenager and was formerly a member of the experimentalist drone group Pocahaunted. After a brief tenure at college in New York City, Cosentino returned to the West Coast and began recording lo-fi demos with Bruno, whom she met in the Los Angeles music scene. After a string of 7-inch and cassette-only singles, the band signed to Mexican Summer, who issued the band’s debut, Crazy for You, in 2010. Crazy for You became an unexpected commercial success following Internet buzz surrounding the duo. Lewis Pesacov of Fool’s Gold and Foreign Born produced, engineered and mixed the album. Best Coast added a touring drummer, Ali Koehler of Vivian Girls, and spent much of 2011 on the road for festival appearances and tour dates. Best Coast’s sophomore effort, The Only Place, was released in 2012 and featured a cleaner sound than their previous releases. In 2013, the duo released an EP, Fade Away, and their third studio album, California Nights, was released in May 2015. More recently, Best Coast released their fourth studio album, Always Tomorrow, in February 2020.]

4. Miki P and The Swallowtails – “I”
from: I – Single / Miki P / February 13, 2020
[Meeting in the vast network of Kansas City’s rich music scene, in October of 2018 Miki P and the Swallowtails was created, and by the fall of 2019 they released their first EP Swallowtail independently. With half of the band’s members having Classical music degrees, and the other half with Jazz degrees, Miki P is a self-taught musician/multi-instrumentalist & songwriter driving the Swallowtails into a creative collaboration like any other. The group includes Miki P on guitar & vocals, Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, Robert Castillo on bass, and Cade Pool on drums. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro. “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including tAmerican Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments, using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fel to Earth Bowie Tribute. She’s played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest. Miki P will be on WMM on April 15.]

[Miki P & The Swallowtails play a pre-album release show at ULAH Live Sessions, at ULAH, 4707 Rainbow Blvd., Westwood, Kansas on Thursday March 12, at 7:00 PM ]

5. Krystle Warren & The Faculty – “Tuesday Mornings”
from: Love Songs – A Time to Refrain from Embracing (Love Songs: A Time You May Embrace) / Parlour Door Music / April 9, 2012 UK]
[Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, who gave her a one way ticket to France. Krystle moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world on tours with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle left Because Music and created, Parlour Door Music, to release “Love Songs: A Time You May Embrace / A Time to Refrain from Embracing” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. In 2019 The Kansas City based Owen/Cox Dance Group premiered a new dance piece titled “Love Songs” with choreography by Jennifer Owen, set to all 24 songs, in the order they appear in the double album recording, that Brad Cox originally worked on as an arranger and keyboardist. Krystle Warren has collaborated with Erykah Badu, Keziah Jones, Zap Mama, Rufus Wainwright and Martha Wainwright, Brad Cox Amadou & Mariam, Lakecia Benjamin, Guarco, Teddy Thompson, Gwyneth Herbert, Hercules & Love Affair, and Joon Moon. Along with being included in the compilation “NYC Subway – Songs from the Underground,” and tribute recordings for Kate McGarrigle, and Nick Drake, Warren has released the EP “Diary” on May 1, 2007; “The Up Series – EP” on November 10, 2008; “Circles” her 13-song full length on March 13, 2009; “A Time To Keep – Love Songs EP”, on August 12, 2011, The double album 24-song “Love Songs” released on vinyl in Europe on April 9, 2012 and as separate digital and CD albums in the U.S. as: “Love Songs: A Time to Embrace,” on March 13, 2012 and “Love Songs: A Time to Refrain from Embracing” on February 27, 2015; Krystle released “Three the Hard Way” on August 18, 2017; and the new single “Rising”was released May 31, 2019.]

[Krystle Warren & The Faculty play Greenwood Social Hall, 1750 Belleview Avenue, KCMO, on Sunday, March 15, at 8:00 PM in an incredibly rare appearance and intimate evening of music with members from The Faculty who have been working & playing together for more than 17 years. This event will mark the first time all members of The Faculty will be on stage together in Kansas City. Including: Micheal Riddleberger on drums, Solomon Dorsey on bass, Zach Djanikian on guitar, Jonathan Anderson on piano & keyboards, and Krystle Warren on vocals & guitar.] [Event Cancelled]

6. The Buhs – “All Night Remix (Feat. Lee Langston and Les Izmore)”
from: All Night (Remix) – Single / The Buhs / February 24, 2016
[“All Night” was originally written by Matt Villinger for his album “All Night.” This remix captures a new vibe for the song and pays tribute to The Buhs and their late nights creating music in the Crossroads of Kansas City. The track was written by Matt Villinger and Les Izmore. Arranged by Ryan J. Lee, Brad Williams, Hermon Mehari, Tim Braun, Lee Langston, and Les Izmore. The Buhs features singers Julia Haile, Lee Langston, and Anthony Saunders along with emcees Reach and Les Izmore. More info: http://www.thebuhs.com.]

[Lee Langston plays The Phoenix, 302 West 8th Street, KCMO, Friday, March 13, at 9:00 PM]

7. Til Willis & Erratic Cowboy – “It’s A War”
from: Dirtflowers / Til Willis / December 6, 2019
[Til Willis on guitars, vocals, percussion, Rhodes, Bass, and more; Eric Binkley on bass, Austin Sinkler on drums. With Troy Thill on saxophone, Dave Flomberg on trombone, and Paul Maley on trumpet. Plus, Jeff Jackson on pedal steel for “Blood Moon Song” and Jake Staab on keyboards for “Outlast The Moon” Til Willis was born in the heat of 1980, and has been making music for a long time. Currently, when not performing solo, he makes noise with Erratic Cowboy. The style of music is lyric driven rock, that draws influence from many sources. Some have described it as Tin-Roof-Rain-Water-Bop. In his years of touring the country, Til has had the pleasure to perform with such notable talents as Pete Seeger, The Subdudes, Ronny Elliott, Fainting Goats etc.. In 2012 he formed Til Willis & Erratic Cowboy..]

[Til Willis plays Gaslight Gardens, 317 N 2nd St, Lawrence, KS, Saturday, March 14, at 9:00 Pm with Reagan Zagan, and Salvador Francisco]

8. Joseph Warren & the Wanderlust Revival – “Love the Wander”
from: The Greenwood Demos / Joseph Warren / November 4, 2017
[Based out of Kansas City, Missouri, Joseph Warren & the Wanderlust Revival is a unique caravan of midwestern roamers. Joseph Warren Wheeler on vocals, tenor guitar, guitar, & banjo; Bill Wald on bass, Jake Gronbeck on drums & percussion, Eva Louise Hall on vocals. More info at: http://www.thewanderlustrevival.com]

[Joseph Warren and the Wanderlust Revival play The Brick, 1727 McGee St, KCMO, on Friday, March 13, at 8:30 PM with Missouri Loves Company , and Black Stacey.]

10:29 – Underwriting

Teri Quinn Photographed by Kelly Powell of Elements Studio Photography. Styling by Taylor Rivera

9. Teri Quinn – “Sweet Savannah”
from: “Sweet Savannah” – Single / Teri Quinn / February 26, 2020
[Produced and engineered by Chase Horseman at Element Recording Studios. Mastered by Joel Nanos at Element Recording Studios. For this recording: Landon Hambright on guitar, Matt Richey on drums, Joel Stratton on Wurlitzer, Molly Mclaughlin on alto flute, Chase Horseman on synth bass, and Teri Quinn on banjo and vocals. About this song Teri wrote, “While on tour, I had a rough time in Atlanta, Georgia and decided to rest and take a moment in Savannah, Georgia. The sea salt sunshine immediately revived me. The universe showed me grace and I fell in love with myself all over again. This is a love song to Savannah, Georgia.”]

[Monta At Odds play Replay Lounge, 946 Massachusetts, Lawrence, KS., Saturday, March 14, at 10:00 PM, with Other Americans, and Lesser Pleasures]

[Teri Quinn with Landon Hambright play Concerts in the ‘Burg, at 4500 County Road 351, Fulton, MO, on Saturday, April 25, at 5:00 PM. For more info you can visit: http://www.ConcertsInTheBurg.com]

Teri Quinn & Landon Hambright on the March 11, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:36 – Interview with Teri Quinn & Landon Hambright

Teri Quinn is a KC based singer/songwriter and multi-instrumentalist, originally from Grand Rapids, Michigan. Teri moved to Kansas City in 2009 to study clarinet performance and Music Composition at the UMKC’s Conservatory of Music where she graduated in 2013. Teri released her debut EP, Moons and Meltdowns in 2017. Along with being a touring solo artists Teri has also played with Claire and the Crowded Stage, and Abandoned Bells. She currently plays with True Lions and Monta At Odds. We just heard Teri’s brand new single, “Sweet Savannah,” released February 26, 2020.

Teri Quinn, Thanks for being with us on Wednesday MidDay Medley

Joining Teri here in our 90.1 FM Studios is Landon Hambright who plays guitar on Sweet Savannah, and in live concerts with Teri Quinn. Landon Hambright is from Arlington, Texas. He studied Psychology at Texas State University in San Marcos, Texas where he graduated in 2010. He has played with Calvin Arsenia and other musicians in the Kansas City area.

Landon Hambright, Thanks for being with us on Wednesday MidDay Medley

About this song Teri wrote, “While on tour, I had a rough time in Atlanta, Georgia and decided to rest and take a moment in Savannah, Georgia. The sea salt sunshine immediately revived me. The universe showed me grace and I fell in love with myself all over again. This is a love song to Savannah, Georgia.”

“Sweet Savannah” was produced and engineered by Chase Horseman at Element Recording Studios. Teri had previously worked with Chase for her debut EP, Moons and Meltdowns from 2017.

“Sweet Savannah” was mastered by Joel Nanos at Element Recording Studios.

For this recording:
Landon Hambright on guitar,
Matt Richey on drums,
Joel Stratton on Wurlitzer,
Molly Mclaughlin on alto flute,
Chase Horseman on synth bass,
and Teri Quinn on banjo and vocals.

10:44

Teri Quinn & Landon Hambright on the March 11, 2020 edition of WMM on KKFI.

10. Teri Quinn & Landon Hambright – “Deafening Silence” (Live)
Live in our 90.1 FM Studios

[Monta At Odds play Replay Lounge, 946 Massachusetts, Lawrence, KS., Saturday, March 14, at 10:00 PM, with Other Americans, and Lesser Pleasures]

[Teri Quinn with Landon Hambright play Concerts in the ‘Burg, at 4500 County Road 351, Fulton, MO, on Saturday, April 25, at 5:00 PM. For more info you can visit: http://www.ConcertsInTheBurg.com]

We’re talking with Teri Quinn & Landon Hambright.

Teri and Landon met through their mutual friends Calvin Arsenia and Chris Dong.

Landon’s partner Chris Dong is an amazing artist who has created art work for several of Calvin Arsenia’s special EP releases and shows.

Teri has been a frequent guest on our show. We first met her when she was playing clarinet with Claire Adams and the Crowded Stage. She has also arranged music for Claire Adams and the Classical Revolution.

Teri is a natural collaborator who has worked with Calvin Arsenia, Poet Jen Harris, Abandoned Bells, Monta At Odds and True Lions.

10:53

Teri Quinn & Landon Hambright on the March 11, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11. Teri Quinn & Landon Hambright – “When I’m Gone” (Live)
Live in our 90.1 FM Studios

Teri Quinn & Landon Hambright, Thanks for being with us on WMM

Teri Quinn’s brand new single, “Sweet Savannah,” was released February 26, 2020.

Monta At Odds play Replay Lounge, 946 Massachusetts, Lawrence, KS., Saturday, March 14, at 10:00 PM, with Other Americans, and Lesser Pleasures.

Teri Quinn with Landon Hambright play Concerts in the ‘Burg, at 4500 County Road 351, Fulton, MO, on Saturday, April 25, at 5:00 PM. For more info you can visit: http://www.ConcertsInTheBurg.com

11:00 – Station ID

12. Dan Jones and The Squids – “I’ve Got Time For You”
from: We Live In A World That Is Out Of This World / DJ&tS / December 6, 2019
[Recorded at Temple Sounds in KCMO, 2018-2019. Engineered. by JB Moreland. Produced by Dan Jones and The Squids and JB Moreland. Mastered by Tom Nunes at Atomic Disc. With Dan Jones on acoustic & electric guitars, keyboard, lead vocals + drums/bass on “Love/Life”; Matt Ronan on drums, percussion, vocals; Alex Alexander on electric guitar, vocals; Steve Tulipana on bass, vocals; Joey Slab on poem and spiel on “Beach, Please”; Scot Sperry on electric slide guitar on “Love/Life”; Donna Jones on lyrics to “The Violet Man.”]

[Dan Jones and the Squids play The Brick, 1727 McGee St, KCMO, on Saturday, March 14, at 10:00 PM, with Red Kate, and The Grave Escpape.]

[Dan Jones & The Squids play recordBar, 1520 Grand, on Saturday,April 11 with Danny & Heidi, and MSSV (Mike Bagetta, Mike Watt, & Stephen Hodges).]

[Dan Jones & The Squids play recordBar, 1520 Grand, on Saturday, May 9, at 7:00 PM, with Cher UK, Nuthatch-47, and Larry Seaman.]

Matt Ronan, Dan Jones and Kadesh Flow on the March 11, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:03 – Interview with Dan Jones and Matt Ronan

KC based musicians Dan Jones and Matt Ronan of the band join us to share music and information about Dan Jones & The Squids who released their newest album “We Live In A World That Is Out Of This World” on December 21, 2019. Dan Jones & The Squids includes Dan Jones on acoustic & electric guitars, keyboard, lead vocals; Matt Ronan on drums, percussion & vocals; Alex Alexander on electric guitar & vocals; and Steve Tulipana on bass & vocals.

Dan Jones and the Squids play The Brick, 1727 McGee St, KCMO, on Saturday, March 14, at 10:00 PM, with Red Kate, and The Grave Escape. Dan Jones & The Squids play recordBar, 1520 Grand, on Saturday,April 11 with Danny & Heidi, and MSSV (Mike Bagetta, Mike Watt, & Stephen Hodges). Dan Jones & The Squids play recordBar, 1520 Grand, on Saturday, May 9, at 7:00 PM, with Cher UK, Nuthatch-47, and Larry Seaman. More info at http://www.danjonesmusic.com.

Dan Jones and Matt Ronan thanks or being with us on Wednesday MidDay Medley

Dan Jones & The Squids includes:
Dan Jones on acoustic & electric guitars, keyboard, lead vocals;
Matt Ronan on drums, percussion & vocals;
Alex Alexander on electric guitar & vocals;
Steve Tulipana on bass & vocals.

Mat Ronan plays drums with Dan Jones & The Squids. He is also second grade teacher. He also plays drums with John Stuerke’s band, Junebug and The Porchlights.

Matt Ronan is also part of The Band That Fell To Earth and is a big part of their David Bowie Tribute Shows. Matt os also part of the band that performs at ThunderGong!

More info at http://www.danjonesmusic.com.

Dan Jones was born and raised in Liberty, MO. Dan went to The University of Iowa with a trombone scholarship and earned a degree in literature, while dabbling with creative writing and guitar.

Dan migrated to Eugene, Oregon, where he lived for 21 years and recorded a coffee shop story-song cassette with Derek Trost called “For Your Radio.” Dan played hundreds of acoustic shows in the americana and folk circuit. Eventually he transitioned to his passion of playing punk and indie-influenced rock bands followed.

Dan Jones and The Squids is a collective that over the years has had lots of members. Initially the band recorded three albums: “One Man Submarine,” “Get Sounds Now,” and “Totally Human.” Later Dan formed The Golden Motors with Dan Schmid, Jivan Valpey Scott K, and Mike Last and released one self-titled record, and one that Dan released after the band ended in 2018, “Golden Motors II.” Dan also made an EP with his friend Peter Wilde called, “My Name Is John Smith.”

As a kid Dan Jones loved classic 70’s singer-songwriters like Jackson Browne and Billy Joel, then got into into new wave and punk and all the great 80’s underground bands (SST stuff especially). Dan bought every 80’s Lou Reed tape I could at the Liberty Wal-Mart. In Iowa City, Dan discovered Neil Young, americana, college rock, and great Iowa bands like House of Large Sizes and The Hollowmen.

Dan Jones has played gigs with Mike Watt, fIREHOSE, John Doe, Curt Kirkwood, Calvin Johnson, Dinosaur Jr, Steve Wynn, The Decemberists, The Minus 5, Roy Harper, Peter Case, Stew, James McMurtry, Arthur Lee, and of course umpteen hundred local and touring bands who, on any given night, could be the greatest band on earth.

Dan Jones moved back to Kansas City in 2013 and started up The Squids again and contacted his longtime friend from his youth Steve Tulipana> Steve Tulipana called up his college friends Alex Alexander, and Matt Ronan, playing songs from my Northwest years and developing new material as well.

In Kansas City, I make my living at a gonzo hive of creatives and craftspeople called Dimensional Innovations.

11:12

13. Dan Jones and The Squids – “My Favorite Lounge”
from: We Live In A World That Is Out Of This World / DJ&tS / December 6, 2019
[Recorded at Temple Sounds in KCMO, 2018-2019. Engineered. by JB Moreland. Produced by Dan Jones and The Squids and JB Moreland. Mastered by Tom Nunes at Atomic Disc. With Dan Jones on acoustic & electric guitars, keyboard, lead vocals + drums/bass on “Love/Life”; Matt Ronan on drums, percussion, vocals; Alex Alexander on electric guitar, vocals; Steve Tulipana on bass, vocals; Joey Slab on poem and spiel on “Beach, Please”; Scot Sperry on electric slide guitar on “Love/Life”; Donna Jones on lyrics to “The Violet Man.”]

[Dan Jones and the Squids play The Brick, 1727 McGee St, KCMO, on Saturday, March 14, at 10:00 PM, with Red Kate, and The Grave Escape.]

[Dan Jones & The Squids play recordBar, 1520 Grand, on Saturday,April 11 with Danny & Heidi, and MSSV (Mike Bagetta, Mike Watt, & Stephen Hodges).]

[Dan Jones & The Squids play recordBar, 1520 Grand, on Saturday, May 9, at 7:00 PM, with Cher UK, Nuthatch-47, and Larry Seaman.]

11:16 – More Interview with Dan Jones and Matt Ronan

KC based musicians Dan Jones and Matt Ronan of the band join us to share music and information about Dan Jones & The Squids who released their newest album “We Live In A World That Is Out Of This World” on December 21, 2019. Dan Jones & The Squids includes Dan Jones on acoustic & electric guitars, keyboard, lead vocals; Matt Ronan on drums, percussion & vocals; Alex Alexander on electric guitar & vocals; and Steve Tulipana on bass & vocals.

Dan Jones and Matt Ronan thanks or being with us on Wednesday MidDay Medley

Dan Jones & The Squids spent a year and a half recording “We Live In A World That Is Out Of This World” at Temple Sound (located across the street from recordBar) with JB Moreland.

Dan Jones is also a visual artist who created the artwork for the band’s new album.

11:25

14. Dan Jones and The Squids – “The Violet Man”
from: We Live In A World That Is Out Of This World / DJ&tS / December 6, 2019
[Recorded at Temple Sounds in KCMO, 2018-2019. Engineered. by JB Moreland. Produced by Dan Jones and The Squids and JB Moreland. Mastered by Tom Nunes at Atomic Disc. With Dan Jones on acoustic & electric guitars, keyboard, lead vocals + drums/bass on “Love/Life”; Matt Ronan on drums, percussion, vocals; Alex Alexander on electric guitar, vocals; Steve Tulipana on bass, vocals; Joey Slab on poem and spiel on “Beach, Please”; Scot Sperry on electric slide guitar on “Love/Life”; Donna Jones on lyrics to “The Violet Man.”]

[Dan Jones and the Squids play The Brick, 1727 McGee St, KCMO, on Saturday, March 14, at 10:00 PM, with Red Kate, and The Grave Escape.]

[Dan Jones & The Squids play recordBar, 1520 Grand, on Saturday,April 11 with Danny & Heidi, and MSSV (Mike Bagetta, Mike Watt, & Stephen Hodges).]

[Dan Jones & The Squids play recordBar, 1520 Grand, on Saturday, May 9, at 7:00 PM, with Cher UK, Nuthatch-47, and Larry Seaman.]

11:28 – Underwriting

15. Kadesh Flow – “Accolades”
from: Motivated / Ryan Davis / January 31, 2020
[Executive Produced by Kadesh Flow. Mixed by Kadesh Flow. Mastered by Bill Beats. Kadesh calls this EP a “collection of tracks that I made to motivate myself. Hopefully they get you fired up as well.” Kadesh Flow is Ryan Davis is a rapper with an MBA. He is an emcee, producer, & trombonist. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Kadesh performs as a solo hip hop artist. He also plays with KC funk juggernaut The Phantastics, and Marcus Lewis Big Band.]

Kadesh Flow

11:34 – Interview with Kadesh Flow

Kadesh Flow joins us to share music from his new EP, Motivated that was released January 31, 2020. Kadesh Flow is 30 year old Ryan Jamaal Davis, a rapper, trombonist, and producer. At age 11 he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found playing solo hip hop sets, playing with his Deshtet, playing trombone with The Phantastics, Playing with Jessica Paige, playing with Tiki Brawlers, or jamming with Marcus Lewis Big Band for “Brass and Boujee”. More info at http://www.kadeshflow.com

Kadesh Flow, thanks for being with us on Wednesday MidDay Medley

Kadesh Flow is everywhere. Opening for Janelle Monae, performing on stages at The Folly Theatre, Starlight Theatre, performing in the band with Krystle Warren, for Owen/Cox Dance Group’s “Love Songs” last fall at Polsky Theatre. Kadesh can be found playing solo hip hop sets, playing with his Deshtet, playing trombone with The Phantastics, playing with Jessica Paige, playing with Tiki Brawlers, or jamming with Marcus Lewis Big Band.

Kadesh is always working on new music. He put a version of is new song “Now” on his Patreon page and Sauce messaged him and asked to be on the track.

11:41

16. Kadesh Flow – “Now (feat. They Call Me Sauce)”
from: Motivated / Ryan Davis / January 31, 2020
[Executive Produced by Kadesh Flow. Mixed by Kadesh Flow. Mastered by Bill Beats. Kadesh calls this EP a “collection of tracks that I made to motivate myself. Hopefully they get you fired up as well.” Kadesh Flow is Ryan Davis is a rapper with an MBA. He is an emcee, producer, & trombonist. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Kadesh performs as a solo hip hop artist. He also plays with KC funk juggernaut The Phantastics, and Marcus Lewis Big Band.]

11:45 – More Interview with Kadesh Flow

Kadesh Flow joins us to share music from his new EP, Motivated that was released January 31, 2020. Kadesh Flow is 30 year old Ryan Jamaal Davis, a rapper, trombonist, and producer.

Kadesh is currently working writing grants for Kansas City Community Gardens.

He is also working with Jessica Paige on her new recordings.

Kadesh Flow, thanks for being with us on Wednesday MidDay Medley

More info at http://www.kadeshflow.com

11:56

17. Kadesh Flow – “Do What I Said”
from: Motivated / Ryan Davis / January 31, 2020
[Executive Produced by Kadesh Flow. Mixed by Kadesh Flow. Mastered by Bill Beats. Kadesh calls this EP a “collection of tracks that I made to motivate myself. Hopefully they get you fired up as well.” Kadesh Flow is Ryan Davis is a rapper with an MBA. He is an emcee, producer, & trombonist. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Kadesh performs as a solo hip hop artist. He also plays with KC funk juggernaut The Phantastics, and Marcus Lewis Big Band.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on March 18 we talk with Ingrid Ingrams who shares new music. We welcome KC based musician and band leader Katy Guillen. AND, Dylan Pyles joins us live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #828

Teri Quinn Photographed by Kelly Powell of Elements Studio Photography. Styling by Taylor Rivera

WMM presents Teri Quinn + Kadesh Flow + Dan Jones & The Squids

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, March 4, 2019

New & MidCoastal Releases + Teri Quinn
+ Dan Jones & The Squids + Kadesh Flow

Mark plays New & MidCostal Releases from: Krystle Warren & The Faculty, Til Willis & Erratic Cowboy, Miki P & The Swallowtails, Dan Jones and The Squids, Joseph Warren & The Wanderlust Revival, Teri Quinn, Kadesh Flow with NublvckCity, The Buhs featuring Lee Langston & Les Izmore, Best Coast, and Dirty Projectors.

Teri Quinn Photographed by Kelly Powell of Elements Studio Photography. Styling by Taylor Rivera

At 10:30 Teri Quinn plays LIVE in our 90.1 FM studios with Landon Hambright on guitar. Teri will share her new single “Sweet Savannah,” released February 26, 2020. Teri Quinn is a KC based singer/songwriter and multi-instrumentalist, originally from Grand Rapids, Michigan. Teri moved to Kansas City in 2009 to study clarinet performance and Music Composition at the UMKC’s Conservatory of Music where she graduated in 2013. Teri released her debut EP, Moons and Meltdowns in 2017. Along with being a touring solo artists Teri has also played with Claire and the Crowded Stage, Abandoned Bells and True Lions.

At 11:00 we welcome KC based musicians Dan Jones and Matt Ronan of the band, Dan Jones & The Squids who released their newest album “We Live In A World That Is Out Of This World” on December 21, 2019. Dan Jones & The Squids includes Dan Jones on acoustic & electric guitars, keyboard, lead vocals; Matt Ronan on drums, percussion & vocals; Alex Alexander on electric guitar & vocals; and Steve Tulipana on bass & vocals. Dan Jones and the Squids play The Brick, 1727 McGee St, KCMO, on Saturday, March 14, at 10:00 PM, with Red Kate, and The Grave Escape. Dan Jones & The Squids play recordBar, 1520 Grand, on Saturday, May 9, at 7:00 PM, with Cher UK, Nuthatch-47, and Larry Seaman. More info at http://www.danjonesmusic.com.

Kadesh Flow

At 11:30 Kadesh Flow joins us to share music from his new EP, Motivated that was released January 31, 2020. Kadesh Flow is 30 year old Ryan Jamaal Davis, a rapper, trombonist, and producer. At age 11 he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found playing solo hip hop sets, playing with his Deshtet, playing trombone with The Phantastics, Playing with Jessica Paige, playing with Tiki Brawlers, or jamming with Marcus Lewis Big Band for “Brass and Boujee”. More info at http://www.kadeshflow.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #828

Teri Quinn Photographed by Kelly Powell of Elements Studio Photography. Styling by Taylor Rivera

WMM Playlist from: Feb. 5, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 5, 2020

Belle and The Vertigo Waves + Marty Thomas
+ Sondra Freeman of Midwest Music Foundation +
New & MidCoastal Releases

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Jametatone – “Is That What You Like? (feat. Calvin Arsenia)”
from: A Bird In The Hand / Jametatone / December 8, 2019
[Jametatone, is the solo project of J. Ashley Miller who has recorded with his band as Metatone. Jametatone collaborates with an esemble of musicians under the moniker Blastocyst. The recording of A Bird In The Hand was Engineered, Mixed and Mastered by Jametatone at The Infoaming Vertex Studio. Assistant Engineering by Simon Huntley. Dedicated to Love. bLASTOCYST is: Jon Kizilarmut on drums & percussion; Jeff Harshbarger on bass; Eddie Moore on Rhodes, Wurlitzer & Piano; Fritz Hutchison on guitar, percussion, & piano; Billy Winston on saxophone; Simon Huntley on drums & percussion; Allison Hawkins on piano; and Jametatone on vocals & guitar. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com]

[Jametatone plays recordBar, 1520 Grand, KCMO, Wednesday, Feb. 12, at 7:00 PM w/ ARQuesta Del SolSoul and Collidescope.]

3. True Lions – “Life is Gold”
from: You’re Not Invited / True Lions / November 9, 2019
[Second EP released in 2019 from True Lions with: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison. The band released their debut EP”Cute At Best” Feb. 5, 2019 with Alison Hawkins on guitar, piano, synth, vocals; Mikala Petillo on percussion, bass, guitar, vocals; and with Ross Brown serving as producer & engineer; and Nika Winn providing artwork. This EP began as an unrelated, musical dispute between lovers, but triumphantly became the spunky collaboration of two midwestern “woms” whose passion for playing music nearly exceeds their desire to create it.]

[True Lions play Wise Blood KC, at 300 Westport Rd, KCMO, on Friday, February 7 at 6:00 PM, with Charlotte B, and Ramona & The Phantoms.]

[True Lions play Stockyard Sounds with SoulTru, Monday, February 10, at 6:30 PM at Stockyards Brewing Co., 1600 Genessee St, KCMO.]

[True Lions play The Disaster Room at Minibar, 3810 Broadway Blvd, KCMO, on Tuesday, February 11, at 9:00 PM with Frankie Valet (STL), Chloe Jacobson, and Tellum.]

4. Vincent Herring, Bobby Watson & Gary Bartz – “These Foolish Things”
from: Bird at 100 / Smoke Session Records / November 29, 2019
[August 29, 2020 will mark the 100th anniversary of the birth of Charlie Parker. Alto saxophonists and three of modern jazz’s most acclaimed voices: Vincent Herring, Bobby Watson, and Gary Bartz backed by a rhythm section that includes: pianist David Kikoski, bassist Yasushi Nakamura, and drummer Carl Allen shared the stage at Smoke Jazz Club in New York in August 2019, for shows celebrating what would have been the honoree’s 99th birthday. On Bird at 100, Herring, Watson, and Bartz revisit standards Bird transformed to blazing bebop numbers and also sharing new compositions written with Charlie Parker’s legacy in mind. Watson’s ballad-turn on “These Foolish Things” offers a master class in phrasing and articulation, and Kikoski is given plenty of room to stretch out a big, warm blanket of a solo. Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas]

[Bobby Watson plays Searching for Charlie Parker w/ Logan Richardson & Bobby Watson on Thursday, February 6, at 9:00 PM, at The Ship, 1217 Union Avenue during Black History Month, At 9:00 PM: Music is Your Own Experience – Featuring Polish Jazz Artists., At 10:00 PM: Sanctified Rhythm – Featuring Bobby Watson. At 11:00 PM: No Boundaries to Art – Featuring Logan Richardson’s blues PEOPLE. At 12:00 AM: Just Play the Music – Featuring Five Saxophonists.]

10:20 – Underwriting

5. The Creepy Jingles – “Prodigal Sun Tzu”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

[The Creepy Jingles play miniBar, 3810 Broadway, Wed, Feb 5, at 9:00 PM with Momma’s Boy, Stary, and Shady Bug.]

[The Creepy Jingles play Replay Lounge, 946 Massachusetts, Lawrence, KS. on Saturday, Feb. 8, at 10:00 PM with Serene Fiend, and JC & The Nuns.]

6. Belle & The Vertigo Waves – “Fear or Faith”
from: Fear or Faith – Single / Drop Out Records / June 7, 2019
[New single from Belle & The Vertigo Waves, the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. Members include Belle Loux on lead vocals, John Loux on guitar. The band’s debut full length album”Aligned” was released on October 6, 2017.]

[Belle & The Vertigo Waves play “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.]

Belle Loux and John Loux on the February 5, 2020, edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:30 – Interview with Belle & The Vertigo Waves

Belle & The Vertigo Waves joined us last summer to share their single “Fear Or Faith.” Belle & The Vertigo Waves are back on the show to share details about their show “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata. More information at: http://www.thevertigowaves.com

Belle Loux and John Loux, thanks for being on WMM.

Belle Loux is lead singer for Belle & The Vertigo Waves. John Loux is lead guitarist

Belle Loux is 22 years old. She has been writing music and fronting this band since she was 18 years old.

Early influences were: The Cure, The Smiths, Psychedelic Furs, Amy Mann

Belle & The Vertigo Waves have played Middle of The Map Fest, Plaza Art Fair, Boulevardia and most venues across the KC metro.

The band’s debut full length album “Aligned” was released on October 6, 2017. About the album, Belle told Michelle Bacon at The Bridge that, “Many of the tunes had been written around five years prior, when I was just 15 or 16.” Belle had only played them as a solo artist with occasional accompaniment from her dad, guitarist John Loux, and keyboardist Charlie Hibberd. In 2017, she hired the two musicians and a couple other friends to track “Aligned,” dubbing the project Belle and the Vertigo Waves, in the hopes that she’d eventually assemble a live band. “Recording was a surreal and emotional experience. Playing the songs with a band was like seeing them come to life,” she said. “I knew there was no way I could be a solo artist anymore, because I fell in love with the full band sound so much.”

The music of Belle & The Vertigo Waves have been described as having an “1980s pop-laden sound.” which drew local attention in 2018. After “Aligned” that band has gone through an evolution of sound and players. Belle Loux and John Loux have continued as founding members.

At various times, the group has included two of the “Aligned” musicians, including bassist Jeremiah Scott, plus the more recent additions of Elliott Holt on drums and Zach Nielsen on guitar.

Belle has said that in the past 4 years the band has grown to have more of a darker, glam rock sound, grittier and grungier. Their sound is influenced by three generations of musicians in the band, Belle’s growth as a songwriter and singer, and through the band’s work with engineer and producer Paul Malinowski. Belle & The Vertigo Waves are currently recording new music at Massive Sound Studios. Belle & The Vertigo Waves hope to release a new EP, and a new video later this year.

Belle Loux, & John Loux, thanks for being on WMM.

Belle & The Vertigo Waves play “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.

More information at: http://www.thevertigowaves.com

10:46

7. Belle & The Vertigo Waves – “What You Wanted”
from: What You Wanted – Single / Drop Out Records / August 19, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in KCMO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services.]

[Belle & The Vertigo Waves play “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.]

8. Misha Roberts – “Exposed”
from: Exposed – EP / Misha Roberts / January 2020 (Unreleased)
[Originally from San Antonio, Texas, Misha Roberts has worked extensively in Kansas City as a vocalist for over 10 years. Misha is currently in the studio working on her solo album. She recently released this song as a you Tube Video. Misha plays with the band The Freedom Affair.]

[The Freedom Affair play The Ship, 1217 Union Avenue, KCMO (West Bottoms) TONIGHT Wednesday, February 5, at 9:00 PM]

9. Betse Ellis – “Another Night Gone”
from: Don’t You Want To Go / Free Dirt / April 21, 2009
[Originally from Fayetteville, Arkansas, Betse Ellis is one of the founding members of one of Kansas City’s treasured bands The Wilders, an acoustic honky-tonk band, that toured nationally and internationally for 15 years, and released 10 albums. In 2011 the band ended. One if the side projects of The Wilders was a band called The Whittlers, made of up of Phil Wade and Tom Livesay who recorded 4 full-length albums from 2000 to 2004 while they worked together at the Kansas City Art Institute. The Whitlers were the first to record this song written by Betse Ellis, and released on their final album, “Nobody’s Happy” from 2004, with Tom on vocals, Ike Sheldon on piano, Phil Wade on guitar. The track was recorded as a surprise for Betse.]

[Betse Ellis plays Sunday Service at Stockyards Brewing Co. on Sunday, February 9, at 2:00 PM at Stockyards Brewing Co. 1600 Gennessee St. KCMO with 3 Trails West and Bill Dye.]

11:00 – Station ID

Marty Thomas

10. Marty Thomas – “We Belong”
from: Slow Dancing With A Boy / Broadway Records / December 6, 2019
[Originally from Trenton, Missouri where he graduted from Trenton High School in 1997.As a child he famously won Ed McMahon’s Junior Star Search over then-unknown Britney Spears. As an adult, Marty Thomas created a name for himself on Broadway in Xanadu, Wicked and The Secret Garden, on television’s Grace & Frankie, and has been a staple of the New York City nightlife for well over a decade. With his sophomore album “Slow Dancing With a Boy”, Marty takes his rightful place among the vocal icons that have long inspired him. Produced by Jamey Ray, this album explores the music of a young closeted mans coming of age memories, and dares to question the possibility of having lived those memories honestly and openly. Fusing pop and musical theatre music with a song stack that runs the gamut of Vanessa Williams to Les Miserables, this album features collaborations with The X Factor’s Rachel Potter, Voctave’s Jamey Ray and viral sensation Mykal Kilgore. “We Belong” is a song written by Eric Lowen and Dan Navarro. It was made popular by American rock singer Pat Benatar after being released as the lead single from her sixth studio album, Tropico (1984). It matched the success of “Love Is a Battlefield” on the Billboard Hot 100 singles chart in the United States, peaking at #5. It reached #3 on Billboard’s Top Rock Tracks chart and #34 on the Adult Contemporary.]

[Marty Thomas will bring his “Slow Dancing with a boy” tour, to Kansas City, Friday, February 7, at 8:00 PM at Music Theatre Kansas City 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com]

Marty Thomas

11:05 – Interview with Marty Thomas

Originally from Trenton, Missouri, where he graduated from Trenton High School in 1997. While in middle school, in 1992, Marty Thomas beat out a then-unknown Britney Spears to win Ed McMahon’s “Junior Star Search” competition. At that time Marty Thomas was already a veteran of Broadway, as a cast member of “The Secret Garden” in 1991. As an adult, Marty Thomas created a name for himself on Broadway in the musicals “Xanadu,” and “Wicked,” and Off Broadway in “Pageant – The Musical.” He has appeared on television’s Grace & Frankie, and in several films. Marty Thomas has been nominated for a Grammy Award, and has appeared on MTV, VH1, 20/20. and The Tony Awards. Marty Thomas released his second solo album, “Slow Dancing With A Boy,” on Broadway Records, on December 6, 2019. The new album “explores the music of a young closeted man’s coming-of-age memories, and dares to question the possibility of having lived those memories honestly and openly.”

Marty Thomas will bring his “Slow Dancing with a Boy” tour, to Kansas City, Friday, February 7, at 8:00 PM at Music Theatre Kansas City 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com

Marty Thomas, thanks for being with us on Wednesday MidDay Medley

Trenton, Missouri is a town of about 6,000 people about an hour and a half north of Kansas City. It is near the halfway point between Kansas City and Des Moines, Iowa in Interstate 35 North.

Slow Dancing With A Boy explores the music of a young closeted man’s coming of age memories. What was your “Coming Out” process like? And how did your childhood experiences of being on Broadway and on television affect your ‘coming out”?

Of the 12 album tracks on the new album, you recommended that we play “We Belong.”

Album Tracks:

1. Slow Dance
2. As (written by Stevie Wonder)
3. Dancing On My Own All By Myself
4. Dreamlover (featuring Jamey Ray and Rachel Potter)
5. Crazy For You (written by John Bettis and Jon Lind for Madonna)
6. Remember Me This Way
7. Show Me Heaven (written by Maria McKee, Eric Rackin, Jay Rifkin)
8. Seventh Grade [Save the Best For Last / Everything I Do] (featuring Mykal Kilgore)
9. I Want You to Need Me (written by Diane Warren for Celine Dion)
10. Someone to Fall Back On
11. We Belong (written by Eric Lowen and Dan Navarro for Pat Benatar)
12. Somewhere (composed by Leonard Bernstein / lyrics by Stephen Sondheim)

“We Belong” is a song written by Eric Lowen and Dan Navarro. It was made popular by American rock singer Pat Benatar after being released as the lead single from her sixth studio album, Tropico (1984). It matched the success of “Love Is a Battlefield” on the Billboard Hot 100 singles chart in the United States, peaking at #5. It reached #3 on Billboard’s Top Rock Tracks chart and #34 on the Adult Contemporary.

This album was born of the epiphany that the artists coming of age years were not his own. He traded them to his church, his family and the deeply troubling belief that he wasn’t worthy of honest love. Convinced if he told enough lies and believed them that he could fit in and have a happy life by pleasing everyone around him but himself. Obviously, the truth is always king and will always find the light eventually.

‘Slow Dancing With A Boy’, is a collection of music from Thomas’ middle school, high school and college years rearranged, reclaimed and placed firmly in the light. It’s a second chance to live truthfully and make music honestly.

Slow Dancing With A Boy was officially released on Broadway Records on December 6, 2019 and is available on all digital and streaming platforms.

Marty takes his rightful place among the vocal icons that have long inspired him.
Produced by Jamey Ray.

This album features collaborations with The X Factor’s Rachel Potter, Voctave’s Jamey Ray and viral sensation Mykal Kilgore.

The album reached #19 on the iTunes pop charts and has received rave critical reviews. Physical copies will be available for sale the night of the concert.

Xanadu – for this musical your work as a skater was put to great use. Can you talk about this musical? Ventriloquism and 30 minute lips in 18 minutes

11:19

Marty Thomas, thanks for being with us on Wednesday MidDay Medley

Marty Thomas brings his “Slow Dancing with a Boy” tour, to Kansas City, this Friday, February 7, at 8:00 PM at Music Theatre Kansas City, 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com

11:19- Underwriting

11. Suzannah Johannes – “Hanging On”
from: Suzannah Johannes EP / Range Life Records / September 2, 2008
[Recorded by Steve Squire, with additional recording by Mike Nolte. Mixed by Mike Nolte at More Famouser. Mastered by Roger Seibel at SAE. Artwork by Pre Sense Form. Released by Range Life Records. For this track: Josh Adams on drums & percussion , Dave Wetzel on guitar, Steve Swyers on guitar, Mike Nolte on bass, and Suzannah Johannes on vocals. Suzannah Johannes is a singer and songwriter living in Lawrence, KS. She has performed with David Wetzel (Ghosty), Steve Swyers (Say My Name), Jeff Stoltz (Drakkar Sauna), and Dustin Kinsey (New Amsterdams).]

[Suzannah Johannes plays the Myers Hotel Bar, 220 South Main, Tonganoxie, KS. on Friday, February 7, at 8:00 PM with the band Sidehug.]

12. Kadesh Flow – “Accolades”
from: Motivated / Ryan Davis / January 31, 2020
[Executive Produced by Kadesh Flow. Mixed by Kadesh Flow. Mastered by Bill Beats. Kadesh calls this EP a “collection of tracks that I made to motivate myself. Hopefully they get you fired up as well.” Kadesh Flow is Ryan Davis is a rapper with an MBA. He is an emcee, producer, & trombonist. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Kadesh performs as a solo hip hop artist. He also plays with KC funk juggernaut The Phantastics, and Marcus Lewis Big Band.]

[Kadesh Flow plays Kansas Cith Bier Company, 310 West 79th St., KCMO, on Fri., Feb. 7, at 7:00 PM]

13. The MGDs – “Let Me In”
from: Let Me In – Single / The MGDs / Feb. 5, 2020 (Unreleased)
[Damon Parker sent me this new song from the MGDs which will be on their upcoming album “Midtown” to be released later this spring. Midtown will be the follow-up to the band’s 3rd studio release, their November 4, 2017 release, Somos Como Somos. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.] [The MGDs played an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin.]

[The MGDs play MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand Blvd., KCMO with Verbose, and Jesus Loves The Atom Bomb.]

11:30 – Interview with Sondra Freeman

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

Sondra Freeman joins us to share details about Midwest Music Foundation’s Annual MidCoast Takeover. The event began in 2010 as a group of musicians and music lovers gathering for a Kansas City-focused showcase at the nation’s largest music festival in Austin, Texas. Midwest Music Foundation presents the 11th annual MidCoast Takeover, a 4-day, 2-stage KC-focused showcase, March 18 through 21, at Shangri La, hosting over 40 bands at the nation’s largest music festival in Austin, Texas.

Sondra Freeman joins us to share info about MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand, KCMO with Verbose, Jesus Loves The Atom Bomb, and The MGDs.

Sondra Freeman thanks for being with us again on WMM.

MidCoast Takeover Fundraiser #1, Friday, February 7, at recordBar, 1

7:00 pm – Doors open
8:00 pm – Verbose
9:00 pm – Jesus Loves the Atom Bomb
10:00 pm – The MGDs

The Midwest Music Foundation is proud to present the 11th annual MidCoast Takeover. The event began in 2010 as a group of musicians and music lovers gathering for a Kansas City-focused showcase at the nation’s largest music festival in Austin, Texas. The showcase has grown into a four-day, two-stage event at Shangri La. Taking musicians to Austin reflects attention back on the vibrant music scenes in KC and throughout the Midwest.

These fundraiser shows help us raise funds to pay for the production costs of hosting this showcase. MidCoast Takeover is funded through these fundraiser shows and sponsors, separate from our other programs and services.

Huge thanks to our sponsors: Boulevard Brewing Company, Seen Merch, Nebraska Exposed, Eastern Afternoon, recordBar, The Brick, Shangri La, City Rent A Truck,
XO Blackwater, Rad’s FX LLC, and CM2 Audio.

Abby’s Fund for Musicians’ Health Care was named for Abigail Henderson (1977-2013).

Death notice from St. Louis Post Dispatch: Abigail Hope Henderson the Kansas City vocalist who started a nonprofit organization to help musicians pay health-care costs, died on Tuesday, August 27, 2013 of cancer at her home. She was 35. For more than a decade, Abigail was the lead singler of several area bands: Trouble Junction, The Gaslights, Atlantic Fadeout, and Tiny Horse. In 2008 she was diagnosed with breast cancer. She had health insurance, but the cost of the treatments prompted her and her husband Christopher Meck, to start the Midwest Music Foundation which raised funds to help area musicians pau health care costs. “Medical bills can throw you into poverty in a week – in one day,” she said. “There’s nothing like standing in your kitchen opeing a j]hospital bill for $63,000.00 in one day and $47,000.00 the next. After a while you don’t want to open them anymore. Who can pay that?”

Midwest Music Foundation – http://www.midwestmusicfoundation.org

Midwest Music Foundation Staff

Rhonda Lyne, Executive Director rhonda@midwestmusicfound.org
Sondra Freeman, Director of Promotions and Artist Relations
Michelle Bacon, Editor
Canyon McClung, Production Specialist
Brenton Cook, Promotions Specialist
Christopher Tate, Technical Officer, Website Specialist

Midwest Music Foundation Board

Scott Easterday, President, Website, Musician
Chris Meck, Vice President, Musician and CM2 Audio
Garrett Nordstrom, Treasurer, Musician and Birdsway Productions
Ellen Sherman, Secretary, Chair of Marketing
Eric Barton, General Counsel
Dr. K. Allen Greiner, MD, MPH, Chair of Health + Wellness, University of KS Med Center
Erin Corriveau, MD, MPH, Public Health Officer, University of Kansas Medical Center
Bryant Miller, JD, Chair of Development
Vi Tran, Musician and The Buffalo Room
Camry Ivory, Musician
Amber Hulet, Volunteer Coordinator, Social Media

Other Midwest Music Foundation Events:

MidCoast Takeover #2 is March 7

JayRock 15, on Friday, February 28, at 6:00 PM at Uptown Theater, 3700 Broadway Rd, KCMO. Hosted by JayDoc Free Clinic, featuring Yes You Are, Third Degree of Kansas City, and Everett the Grey!

The headliner of JayRock 15 is Yes You Are. They are a local pop band whose first single debuted on Pepsi’s Superbowl 51 commercial as well as being featured in Bad Moms amongst other FX and MTV shows. Vocalist Kiarra Alarid has been a guest at Coachella amongst other musical festivals and have appeared on Sesame Street and Sesame Street.

JayRock 15 will be opened by Everett the Grey, a band including a fellow second year medical student Alex Hill. The second opener of the night will be Third Degree of Kansas City, a group who describes their sound as classic and eclectic rock ‘n’ roll. Third Degree is made up of some of KUMC’s finest faculty members: Pete DiPasco, Dianne Durham, Beth Levant, Ken McCarson, and Peter Smith.

10:44

Sondra Freeman thanks for being with us again on WMM.

MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand, KCMO with Verbose, Jesus Loves The Atom Bomb, and The MGDs.

More info at: http://www.midwestmusicfoundation.org

11:45

14. Verbose – “The Victim”
from: Idle Hour at Barto’s / Verbose / November 8, 2019
[Verbose is a four piece alternative blues rock band from Joplin, Missouri. The band is made up of Logan Glasgow on vocals & drums, Cody Morris on guitar, Tim Cote on bass & vocals, and Zach Martin on Guitar.]

[Verbose plays MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand, KCMO with Jesus Loves The Atom Bomb, and The MGDs. ]

15. Trixie Mattel – “Malibu”
from: Barbara / PEG Records / February 7, 2020
[Trixie Mattel is the stage name of Brian Michael Firkus, an American singer, actor, drag queen and recognized “Skinny Legend.” Trixie is the winner of “RuPaul’s Drag Race All Stars” season 3 (originally competing on season 7). He is also a Billboard Heatseekers #1 charting recording artist (One Stone, 2018), a wildly successful theater touring act, and one half of a comic duo on Viceland (“The Trixie and Katya Show”) and on YouTube (“UNHhhh”). In 2019, Trixie worked the festival circuit as the subject of a bio documentary, “Trixie Mattel: Moving Parts.” Trixie Mattel is managed by Producer Entertainment Group and online at twww.rixiemattel.com or @trixiemattel.]

[Trixie Mattel plays The Truman, 601 East Truman Rd, KCMO, Tuesday, Feb. 11, At 8:00 PM.]

16. Soultru – “Must Be”
from: “Must Be” – Single / The Record Machine / August 24, 2019
[Drums and Piano by Kierstyn Graham, Vocals by Terrance Banks. Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little.]

[Soultru plays play Stockyard Sounds with True Lions, Monday, February 10, at 6:30 PM at Stockyards Brewing Co., 1600 Genessee St, KCMO.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on February 12The Pedaljets join us live in our 90.1 FM Studios to share music from their new album, “Twist The Lens.”

Also next week, special co-hosts Betse Ellis and Marion Merritt join us for our Winter Fund Drive Show encouraging YOU, our beautiful listeners to call us and show your support for the most original radio station you’ve ever listened to, 90.1 FM KKFI where over 85 locally produced radio shows air each week.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #823

WMM presents: Belle & The Vertigo Waves + Marty Thomas + Sondra Freeman

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 5, 2020

Belle and The Vertigo Waves + Marty Thomas
+ Sondra Freeman of Midwest Music Foundation +
New & MidCoastal Releases

Mark plays more New & MidCoastal Releases from: The MGDs, Jametatone and Calvin Arsenia, Kadesh Flow, The Creepy Jingles, Misha Roberts, Soultru, Belle & The Vertigo Waves, Betse Ellis, Marty Thomas, Verbose, True Lions, Suzannah Johannes, Trixie Mattel, and Vincent Herring, Bobby Watson & Gary Bartz.

Jeremiah Scott, Belle Loux, and John Loux, of belle & The Vertigo Waves.

At 10:30 members of the Kansas City based glam rock band, Belle and The Vertigo Waves join us live in our 90.1 FM studios, to share details about their upcoming show, “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.

Marty Thomas

At 11:00 Mark talks with Broadway, film and television actor Marty Thomas who has appeared in Xanadu, Wicked, and The Secret Garden, and on television’s “Grace & Frankie.” Marty Thomas will bring his “Slow Dancing with a boy” tour, to Kansas City, Friday, February 7, at 8:00 PM at Music Theatre Kansas City 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com

At 11:30 Sondra Freeman of Midwest Music Foundation joins us to share information about MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1020 Grand Blvd., KCMO with Verbose, Jesus Loves The Atom Bomb, and The MGDs. Midwest Music Foundation presents the 11th annual MidCoast Takeover. The event began in 2010 as a group of musicians and music lovers gathering for a Kansas City-focused showcase at the nation’s largest music festival in Austin, Texas. The showcase has grown into a four-day, two-stage event at Shangri La. Taking musicians to Austin reflects attention back on the vibrant music scenes in Kansas City and throughout the Midwest. http://www.midwestmusicfoundation.org

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #823

WMM Playlist from Jan. 29, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 29, 2020

Jairy + New & MidCoastal Releases
+ Spinning Tree Theatre’s “Girlfriend”

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
WMM’s theme song]

2. Yes You Are – “Comet Bicycle”
from: Here’s To The Great Unknowns / Yes You Are / November 15, 2019
[Kianna Alarid on vocals, Jared White on rhythm guitar, Jacob Temeyer on guitars & keyboards, and Willie Jordan on bass. “We play black pop.” says Kianna Alarid, Yes You Are’s intense front woman, “It implies that there might be shadows lurking, even in the shiny places.” Listening to their upcoming album, it IS essentially pop, but they redefine the genre with each and every song. From gospel choirs to guitar-heavy rock to synth-covered dance rhythms, the mainstay (and mainstream friendly) sing-along hooks are what binds all of their work together. Alarid cut her teeth in the critically-acclaimed indie band Tilly and the Wall, touring through the mid to late aughts with bands such as She and Him, Bright Eyes, Rilo Kiley, Of Montreal and CSS, playing venues around the world and hitting major festivals like Coachella, Japan’s Summersonic, Iceland Airwaves, Reading, Leeds, Scotland’s T In The Park and Australia’s Splendor In The Grass as well as performing on Late Night with David Letterman and Sesame Street. You’ve probably already heard Yes You Are, as their first single debuted on Pepsi’s Superbowl 51 commercial, as has played over 15,000 times since, all over the world. The song was also featured in the hit movie Bad Moms, as well as FX’s Tyrant and MTV’s Scream. Yes You Are has shared the stage with the likes of K. Flay, Moon Taxi, Marion Hill, Lucius and Neon Trees.]

3. Art d’Ecco – “This Flight Tonight”
from: This Flight Tonight – Single / Paper Bag / July 23, 2019
[Written by Joni Mitchell and originally recorded for her 1971 album “Blue.” Special thanks to our friend Nico Gray for turning us onto Art D’Ecco. Based in British Columbia, “There’s more than a little David Bowie in both the sonic and fashion leanings of Art d’Ecco, a performer who fluidly crosses musical and gender lines, creating highly memorable tracks — and sporting an unforgettable look. Often labelled “neo glam,” the music boasts hints of everything from ’50s pop to psychedelics, from Velvet Underground-era art rock to Grimes-inspired electronics.” – CBC Music Art d’Ecco released the album Trespasser on Paper Bag Records on October 12, 2018. When d’Ecco moved into his grandmother’s cottage on one of the islands, he hadn’t planned on creating a new project. But, as it often does, circumstance charted his course. His grandmother, living with Alzheimer’s, suffered a related phenomenon called ‘sundowning,’ which triggers increased agitation and anxiety around sunset. “The only way to calm this lady down was to sit down at the piano,” says d’Ecco. He would play “Bohemian Rhapsody,” passing it off as Beethoven. After she was relocated, d’Ecco remained in the empty house where he had played as a child. Draped in memory, he gravitated toward the piano, spending the long, lonesome, quiet nights on the bench before the instrument. This is where Art d’Ecco was created. He relocated to a new cottage, built a studio and barricaded himself with copies of Deerhunter’s Cryptograms, Bowie’s Low, and choice krautrock records. In this solitude, d’Ecco would chase tones for hours. The result is a richly-realized confluence of the ferocious spark of those trailblazers and a distinct sadness, with d’Ecco as mad scientist, stitching together these delicious fragments and animating them.]

4. M. Ward – “Unreal City”
from: Migration Stories / Anti / April 3, 2020
[Matthew Stephen Ward was born October 4, 1973) is an American singer-songwriter and guitarist from Portland, Oregon. Ward’s solo work is a mixture of folk and blues-inspired Americana analog recordings; he has released eleven albums since 1999, his first nine through independent label Merge Records, and his last two on Anti Records. In addition to his solo work, he is a member of indie pop duo She & Him and folk-rock supergroup Monsters of Folk, and also participates in recording, producing, and playing with multiple other artists. Ward recorded Migration Stories with Arcade Fire’s Tim Kingsbury, Richard Reed Parry, producer/mixer Craig Silvey (Arcade Fire, Arctic Monkeys etc.), and Teddy Impakt. Of the new album, Ward said in a press release: “Some time went by, the stories wove together and I remember them now closer to characters in a dream of how people could treat each other than any kind of front-page news realism. I think music subconsciously—whether writing or listening—is a filter for me. Helping to process all the bad news into something new to build from. Some records to me are like self-fulfilling prophecies—visualizing change to wish something into being. Those records inspired this one.”]

5. Mackenzie Nicole – “Heart of Darkness”
from: Mystic / Strange Music / February 14, 2020
[A rafter-reaching voice, classically trained chops, literate lyricism, and a sassy spark enable Mackenzie Nicole to quietly rewrite the rulebook for pop. Equally inspired by Rihanna, Halsey, Johnny Cash, and The Doors, the 18-year-old impresario who can readily quote The Shining or Wuthering Heights honed her immense vocal talents via singing operas in several different languages since the age of six. Now, she embarks on a mission with focused, albeit far-reaching intentions… “I want to trojan horse some substance and variety into pop,” she exclaims. “I’d like to join a tide of valuable artists changing what happens in mainstream culture, art, and writing. That’s really important to me.” If anybody can do it, it’s Mackenzie. She spent her formative years studying piano and voice under the rigorous instruction of a strict and seasoned professional teacher. Between sharpening those abilities, she devoured art of all forms—from reading Heart of Darkness as a high school sophomore to obsessing over the Insidious film series as a teen (and to this day!) “I was formally trained on how to do everything ‘right’,” she admits. “From a very young age, I knew what was technically correct given theory and according to these rules that I’d learned over and over again. However, I had this realization where I thought, ‘Music doesn’t have to be proper.’ It doesn’t need to pass the litmus test of being technically accurate in order to be good or enjoyable. So, I started experimenting at that point.” That experimentation led to her debut single “Actin Like You Know.” Co-written by the budding artist, she caught the attention of her father Travis O’Guin cofounder and C.E.O. of independent juggernaut Strange Music Inc., proving herself by obsessively nailing the vocal take. Her recording history predates the single as she made her debut on platinum-certified rap icon Tech N9ne’s 2009 K.O.D. before lending her voice to tracks on All 6’s and 7’s [2011] and Something Else [2013]—which both bowed at #4 on the Billboard Top 200. Signing to Strange Music in 2015, she formally unveiled “Actin Like You Know” boasting a cameo from Tech. Early acclaim came as the track racked up over 3.9 million YouTube views and 1.9 million Spotify streams, while the song served as a centerpiece on the Tech N9ne Collabos album Strangeulation Vol. II. 2017 saw her feature on two songs from Strange Reign in addition to guesting at various tour stops. “Deleted” turned up as her next solo hit with over 978K Spotify streams and 599K YouTube views to date. Simultaneously, the songstress assembled what would become her full-length debut and the first release for the Strange Main imprint, The Edge, co-written with and produced by Los Angeles duo The Jam (Lady Gaga, Santana, Jojo). In many ways, that title sums up the expanse of her nuanced and intricate personality. “Personally, and professionally, I’m a very intense and extreme person,” she admits. “I take everything as far as possible before breaking. Sometimes, I take things a little too far to the edge and almost fall off. This is an introduction to me and who I am. It talks about a lot of different subjects that are relevant to me. I can be very serious. I tend to gravitate towards the darker and grimier side of things. The Edge is a glimpse into that. This is me in every way on the record.” She paved the way for the album with the single “Preview,” which begins with orchestral flourishes before building towards a climactic and catchy chorus. “For two years, I was off and on with this guy,” she sighs. “‘Preview’ takes place when we were on again. Even when things are terrible and going horribly, we still end up back with each other. We had to cut things off, dive in, and finally see it through though. ‘Preview’ was the choice to dive in. This relationship was good for the art, but bad for my mental health,” she adds with a laugh. The follow-up “Back to You” illuminates her staggering range over a cinematic musical backdrop. Elsewhere, “Anxious” touts an infectious refrain. “Fix Me” unearths raw emotion in each verse and she admits, “That one is the most authentic to me.” Everything culminates on the expansive and entrancing title track. Over a shimmer of piano keys, she delivers the admission, “Sometimes you need to walk to the edge and just let it take over…” In the end, this trojan horse unlocks a big surprise for pop by channeling a timeless sentiment like only Mackenzie can. “I love it when I listen to a track and completely get chills, because the artist said something that speaks directly to me,” she leaves off. “In this moment, you now have an anthem for your thought or emotion. It’s very individual and intimate. We all go through happiness, love, and anger. I hope listeners can connect on a deeper level. We’re experiencing this art together. I’m sharing it; you’re hopefully feeling it.”]

6. The Anniversary – “The Heart Is a Lonely Hunter”
from: Designing a Nervous Breakdown / Vagrant Records – BMG / January 25, 2000
[The Anniversary were formed in Lawrence, Kansas in 1997 by Josh Berwanger, James David, Christian Jankowski, Adrianne Verhoeven and Justin Roelofs. The Anniversary was the solidification of a line-up that had been in flux for a year. After two years of playing shows across with the Midwest with bands that included The Get Up Kids, Braid and Superchunk, The Anniversary signed to Vagrant Records. Originally perceived as a poppy, keyboard-driven emo band with the release of their debut album Designing a Nervous Breakdown in 2000, they developed a stronger, classic rock-influenced sound with the release of a split CD with Superdrag in 2001 and their second full length, 2002’s Your Majesty. After touring heavily throughout 2002 and 2003, The Anniversary began demoing tracks for what would be their third full length. But four years of constant touring and personal strains within the group led to the band’s demise in early 2004. Four and a half years after their breakup, Devil on Our Side, a compilation of b-sides and unreleased tracks, was released by Vagrant Records. On March 28, 2016, it was announced that The Anniversary would join headliners Dashboard Confessional and Taking Back Sunday at the Taste of Chaos Festival on July 16, 2016, in San Bernardino, CA. On September 8, 2016, the band kicked off its reunion tour in Boston, at The Brighton Music Hall.]

[The Anniversary celebrate the 20th Anniversary of their debut album playing The Bottleneck, 737 New Hampshire, Lawrence, KS, Saturday, February 1, with Matt Pryor (acoustic) and other Americans.]

10:23 – Underwriting

7. Free Nationals – “Shibuya (feat. Syd)”
from: Free Nationals / OBE, LLC – Empire / December 13, 2019
[Free Nationals are best known as Anderson . Paak’s live band, until now. Band members include: Kelsey Gonzalez on bass, Ron “Tnava” Avant on keyboards & vocoder, Callum Connor on drums, and José Rios on guitar. Free Nationals have graced the stage at Coachella, opened for Beyoncé and completed World Tours alongside J. For this track Free Nationals ecorded with Sydney Loren Bennett was born April 23, 1992. Known professionally as Syd (formerly Syd tha Kyd), Syd is an American singer and songwriter from Los Angeles, California. She is a founding member of the band The Internet, and was a member of the alternative hip hop collective Odd Future.]

Jairy photo by Coal Simmons ⁠

8. Jairy – “Into The Morning”
from: Into The Morning / Manor Records / January 27, 2020
[Jairy is the pop-focused solo project of Jared Bajkowski, bass player of KC indie outfit Momma’s Boy. The music of Jairy explores dissociation, romance, hallucinations, sexuality and the despair of living in a capital-driven world via smooth, sassy and theatrical 70s- and 80s-inspired pop sounds.]

Jared Bajkowski on the January 29, 2020 edition of Wednesday MidDay Medley on KKFI.

10:32 – Interview with Jared Bajkowski

KC based musician & singer songwriter, Jared Bajkowski joins us live in our 90.1 FM Studios to share details about his new project Jairy, and his new single “Into The Morning” released through Manor Records. Jared is a Manor Records team member and also plays bass and sings in the KC based band, Momma’s Boy. More info at http://www.manorrecords.com

Jared Bajkowski thanks for being with us on WMM.

Jared Bajkowski’s new project Jairy, and his new single “Into The Morning” that is being released through Manor Records.

“Into The Morning” was produced by Ross Brown.

Jairy is a nickname. Jared’s mom doesn’t like it, she says that she “named him Jared, his name is Jared.”

The music of Jairy explores dissociation, romance, hallucinations, sexuality and the despair of living in a capital-driven world via smooth, sassy and theatrical 70s- and 80s-inspired pop sounds.

For the past 4 years Jared has played bass and sand lead on a few songs in the Kansas City based band, Momma’s Boy.

Manor Records and Jairy presented an “Into The Morning” Listening Party at Thou Mayest Coffee Roasters, 519 E 18th Street, KCMO on Sunday, January 26, 2020 at 7:00 PM.

More information at http://www.manorrecords.com

Jared Bajkowski is Senior UX Designer at H&R Block

Jared Bajkowski Studied Entrepreneurship at Missouri State University

Jared Bajkowski lives in Kansas City, Missouri

Jared Bajkowski is from Lee’s Summit, Missouri

Jared Bajkowski thanks for being with us on WMM.

Momma’s Boy plays recordBar, 1520 Grand Blvd, KCMO, Thurs, Jan 30, at 8:00 PM w/ Surf Curse.

Momma’s Boy plays miniBar, 3810 Broadway, Wed, Feb 5, at 9:00 PM w/ Stary, The Creepy Jingles, and Shady Bug.

10:47

9. Momma’s Boy – “Want Me Back”
from: Want Me Back – Single / Dead Summer Single Series / January 19, 2018
[3rd release of Momma’s Boys’ Dead Summer Single Series. Written by Jared bajkowski. Lead vocals by Jared Bajkowski. Momma’s Boy is an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass & vocals. Mixed, mastered and recorded by Joel Nanos at Element Recording Studios.Their debut EP Liquid Courage was released Feb. 25, 2017.]

[Momma’s Boy plays recordBar, 1520 Grand Blvd, KCMO, Thurs, Jan 30, at 8:00 PM w/ Surf Curse.]

[Momma’s Boy plays miniBar, 3810 Broadway, Wed, Feb 5, at 9:00 PM w/ Stary, The Creepy Jingles, and Shady Bug.]

10. The War and Treaty – “Hustlin'”
from: Jealousy / Hustlin’ – Single / Rounder Records / January 24, 2020
[New music on a new label from The War and Treaty who released their full length debut album, “Healing Tide” on August 10, 2018. Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass, folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.” ] [First Played February 7, 2018]

11. Various Blonde – “Dirty Martini”
from: 3s 1 / The Record Machine / January 10, 2020
[New three song release from Various Blonde. Kansas City based experimental, rock, pop, and funk band originally formed in 2008 and currently served by founder Joshua Allen on guitar, synthesizers, and vocals; and Mark Lomas on drums. The band has been described by Mills Record Company as, “Having all the sex appeal of The Weeknd and all the grit of Rage Against the Machine–the combination makes for a performance that is explosive.”]

[Various Blonde play The Brick 1727 Mcgee Street, KCMO on Friday, January 31, at 10:00 PM with Knife Crime, and The Beholders.]

[Various Blonde play Replay Lounge 946 Massachusetts, Lawrence, KS, on Saturday, February 1, at 10:00 PM with Not A Planet, and The Black Mariah Theatre.]

11:00 – Station ID

12. Matthew Sweet – “Girlfriend”
from: Girlfriend / Volcano Entertainment / October 22, 1991
[Sidney Matthew Sweet was born October 6, 1964 in Lincoln, Nebraska. He graduated from Southeast High School in Lincoln, in 1983. Upon graduation he moved to Athens, Georgia to attend college and join the burgeoning music scene in Athens, Georgia, during the 1980s before gaining commercial success in the 1990s. His latest albums, Tomorrow Forever and Tomorrow’s Daughter, were followed by 2018’s Wicked System of Things. As a high school student in 1980, Sweet wrote songs and recorded them on four-track cassettes. He joined the band The Specs and released his first recording on a battle of bands LP produced by a local radio station, and fronted his own local band called The Dialtones. After graduating, Sweet traveled to Athens, Georgia, to attend college during the vibrant Athens music scene. That same year, Sweet, who had met the band R.E.M. when they played a show in his hometown the previous year, collaborated with frontman Michael Stipe in a duo group under the name Community Trolls, as well as played guitar in Stipe’s sister Lynda Stipe’s band, Oh-OK. In addition, he formed another duo, The Buzz of Delight, with Oh-OK drummer David Pierce, releasing an EP, Sound Castles, in 1984 on DB Records. On the strength of this 12″ vinyl, Sweet was signed to a solo recording contract with Columbia Records. In 1986, he released Inside, his debut album, to good reviews but little commercial success. In 1989, he released Earth after signing with A&M Records; likewise, it was well-received critically, yet not commercially. This marked a personal and professional low period as his record company lost interest and his marriage failed. In 1990, A&M released Sweet from his contract, and he signed with rival Zoo Entertainment, which evolved into Volcano Entertainment. Sweet formed a new band (which included Richard Lloyd, Robert Quine, Greg Leisz, Lloyd Cole, and Fred Maher), and together they spent that year assembling his next work, originally titled Nothing Lasts. In 1991, Sweet released Girlfriend, the re-titled pop-rock album which was widely considered an artistic breakthrough. It quickly garnered impressive U.S. sales, spawning a Top 10 single with the title track. The music video for “Girlfriend” (heavily aired on MTV, MuchMusic and Night Tracks) featured clips from the anime film, Space Adventure Cobra, while the video for “I’ve Been Waiting” used clips of the Urusei Yatsura character, Lum Invader.]

Michael Grayman Parkhurst, Dakotta Hagar, and Jeremy Ragland on the January 29, 2020 edition of Wednesday MidDay Medley on KKFI

11:04 – Interview with Michael Grayman-Parkhurst, Jeremy Ragland, and Dakotta Hagar

Spinning Tree Artistic Director Michael Grayman-Parkhurst and actors: Jeremy Ragland and Dakotta Hagar join us to share details about Spinning Tree Theatre’s KC premiere of “Girlfriend” based on Matthew Sweet’s 1991 album “Girlfriend. Set in 1993 small-town Nebraska during the summer between high school and whatever comes next, college-bound jock Mike and self-assured but aimless Will are romantically brought together. Their rush of first-time love, confusion and passion, is captured by the power-pop precision and frayed guitar emotion of Sweet’s alternative rock album performed with an all femme band backing up actors: Jeremy Ragland and Dakotta Hagar, who sing the songs and are both making company debuts.

“Girlfriend” runs January 24 through February 9 at Johnson County Arts & Heritage Center, 8788 Metcalf, Overland Park, KS. More information at http://www.spinningtreetheatre.com

Michael Grayman Parkhurst, Jeremy Ragland, and Dakotta Hagar thanks for being with us on Wednesday MidDay Medley

Jeremy Ragland plays college-bound jock Mike
Dakotta Hagar plays self-assured but aimless Will

This musical is similar instill to “Jagged Little Pill” the Alanis Morissette Musical on Broadway where a creative writer takes a preexisiting music album and puts the songs into characters and story lines invented around the music. Not an easy task.

Casting, making the a love story between two young men, have an all femme band.

“Girlfriend,” is based on Matthew Sweet’s 1991 rock album of the same name, is set in 1993 small-town Nebraska during the summer between high school and whatever comes next. College-bound jock Mike and self-assured but aimless Will find themselves drawn to each other. Their rush of first-time love, full of excitement, confusion and passion, is captured by the power-pop precision and frayed guitar emotion of Sweet’s alternative rock album.

Spinning Tree Theatre photo by Richard Fabac

Jeremy Ragland plays Mike and Dakotta Hagar plays Will, both making company debuts. Spinning Tree Artistic Director Michael Grayman-Parkhurst directs, with music direction by Pamela Baskin-Watson (Billy Elliot, Once on this Island). The Girlfriend band is Baskin-Watson (keyboard), Kelly Crane (bass), Caitlyn Henson (drums) and Darcie Hingula (guitar).

The creative and design team also includes Conor Tierney (projections), Eric Palmquist (props), Jeff Eubank (sound), Rachael Carney (lights) and Lydia Krause (stage management).

ASL Shadow Interpreted performances of Girlfriend will be offered January 29 – February 2. Certified interpreters Lisa Lehnen and Juliana Ladd will perform all five performances that week. Shadow interpreting, in which interpreters “shadow” the actors, allows D/deaf and hard-of-hearing patrons the ability to take in both the sign language and the action simultaneously and offers a more seamless experience for the entire audience.

Managing Director Andrew Grayman-Parkhurst: “We’re honored to produce the area premiere of Matthew Sweet and Todd Almond’s Girlfriend, which offers a relatable love story that happens to be between two young men. Hopefully our production will not only rock the house, but also allow our city’s LGBTQ-identifying youth the opportunity to see themselves reflected onstage honestly and tenderly.”

Michael Grayman Parkhurst, Jeremy Ragland, and Dakotta Hagar thanks for being with us on Wednesday MidDay Medley

Dakotta Hagar and Jeremy Ragland of Spinning Tree Theatre’s “Girlfriend.” Photo by Richard Fabac

“Girlfriend” runs through February 9 at Johnson County Arts & Heritage Center, 8788 Metcalf, Overland Park, KS. More information at http://www.spinningtreetheatre.com

11:20

13. Matthew Sweet – “I’ve Been Waiting”
from: Girlfriend / Volcano Entertaiment / October 22, 1991

14. SUNU – “Liberation” (on 7” Vinyl)
from: Food, Inc. – Single b/w “Liberation” / Sunflower Soul Records / December 11, 2015
[Rev. Aaron Morris – Trumpet & Lead Vocals; Dan Pem – Tenor Sax; Chris Leopold – Trombone; Mike Hamm – Guitar; Chris Shaw – Bass; Dylan Bassett – Drums & Percussion; Alex Thiessen – Drums & Percussion; Taylor Babb – Drums & Percussion. Recorded, mixed, & produced by Chris Hazelton. Mastered by Adam Boose at Cauliflower Audio.]

[SUNU plays The Ship, Friday, January 31, at 10:00 PM.]

11:28 – Underwriting

15. Sudan Archives – “Glorious”
from: Athena / Stones Throw Records / November 1, 2019
[LA based violinist Sudan Archives, combines elements of the modern and ancient. The 23 year-old self-taught violinist draws inspiration from Sudanese fiddlers, R&B, West African rhythms, and experimental electronic music. Building records around rhythms and melodies from the strings of her violin and raw vocals, Sudan effortlessly draws the link between traditional African music and contemporary electronic production.]

16. The Phantastics – “Heartbreaker”
from: Life of the Party – EP / Kemet Creative / August 24, 2018
[Eight member band from Kansas City formed in December 0f 2010 made up of: Kemet the Phantom -lead vocals; Kim “Phirst Lady” Newsome on lead vocals; JJ Cantrell on lead guitar & vocals; Danny Florez on electric bass; Ashley Thompson on drums, Ernest Melton on saxophone; Ryan Davis on Trombone and rap vocals; Austin Quick on keyboards. The Phantastics specialize in genre-blending dance floor activators. In 2015, the music group was crowned “Kansas City’s best party band” by the Kansas City Star. Musicianship and diversity are at the core of their success. Rock, Rap, Dance, Funk, Jazz and Soul are all incorporated into their music. “The band that can do it all”, according to I Heart Local Music, has shared the stage with some of music’s most legendary acts including George Clinton and the Parliament Funkadelic.]

[The Phantistics play the HEMP HOP: The Future of Missouri Hemp and Hip-Hop, Saturday, February 1, at 7:00 PM at The Riot Room, 4048 Broadway, KCMO with NuBlvckCity.]

[The Phantastics play the I Heart Local Music Presents: Black Prom with The Phantastics! Saturday, February 8, at 7:00 PM at The Granada Theater, 1020 Massachusetts St, Lawrence, KS]

17. Misha Roberts – “Glass”
from: Exposed – EP / Misha Roberts / January 2020 (Unreleased)
[Originally from San Antonio, Texas, Misha Roberts has worked extensively in Kansas City as a vocalist for over 10 years. Misha is currently in the studio working on her solo album. She recently released this song as a You Tube video. Misha plays with the band The Freedom Affair.]

18. True Lions – “No Thanks”
from: Cute At Best / True Lions / February 5, 2019
[This is the band’s EP debut. It features an early configuration of the band with Alison Hawkins on guitar, piano, synth, vocals; Mikala Petillo on percussion, bass, guitar, vocals; and with Ross Brown serving as producer & engineer; and Nika Winn providing artwork. This EP began as an unrelated, musical dispute between lovers, but triumphantly became the spunky collaboration of two midwestern “woms” whose passion for playing music nearly exceeds their desire to create it. The band released a second EP titled “You’re Not Invited” on November 9, 2019 with: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison .]

[True Lions play a Birthday House Show with Oh Nelly, Saturday, February 1 at 8:00 PM at 1020 W 24th St, KCMO]

19. U.S. Girls – “Overtime”
from: Heavy Light / 4AD / March 6, 2020
[7th studio album from U.S. Girls, the recording moniker of American-Canadian musician Meghan Remy. Formed in the United States in 2007 as a noise-pop project, Remy later moved the band to Toronto after marrying Canadian musician Max “Slim Twig” Turnbull. She released music on a variety of independent labels in both the United States and Canada before signing to 4AD in 2015. Her first record for that label, Half Free, was released the same year. Half Free garnered a Juno Award nomination for Alternative Album of the Year at the Juno Awards of 2016, and was a shortlisted finalist for the 2016 Polaris Music Prize. Heavy Light is a follow up to 2018 “In a Poem Unlimited” and is her third release on 4AD.] [First played on February 28, 2018]

20. Stary – “Rainy”
from: Stary / Stary / June 5, 2019
[Debut EP from alternative, lo-fi, indie rock band formed in Kansas City with Adam Stary on guitar & vocals; Marisa Bee on bass & vocals, and Seth Props on drums. Production by Sean Obrecht and Wallace McCanless.]

[Stary play miniBar, 3810 Broadway, Wed, Feb 5, at 9:00 PM w/ Momma’s Boys, The Creepy Jingles, and Shady Bug.]

21. Amy Marcus – “Sweater”
from: Sweater – Single / Independent / January 28, 2019
[Singer songwriter Amy Marcus was born and raised in Kansas City. She has been writing song since she was a child and in May 2016 she released her debut 5-song EP Brave with Kansas City based Serve Productions. In January 2017 she released ” I Want More For My Daughters” that was produced by musician Zach Balch at his studios in Dallas. Amy writes music to bring her honest lyrics to life. Amy Marcus studied photography at the Kansas City Art Institute. She is a mother of three and works as a professional photographer and personal chef. Amy is currently working on a new EP and will be our guest on WMM on March 4.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on February 5, Belle & The Vertigo Waves share their new single with us. We talk with broadway actor Marty Thomas, and Sondra Freeman of Midwest Music Foundation joins us to shre details about MidCoast Takeover.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Spinning Tree Theatre photo by Richard Fabac
Jairy photo by Coal Simmons

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #822

⁠WMM presents Jairy + Spinning Tree Theatre’s “Girlfriend”

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 29, 2020

Jairy + New & MidCoastal Releases
+ Spinning Tree Theatre’s “Girlfriend”

Mark plays more New & MidCoastal Releases from: Jairy, Misha Roberts, Various Blonde, Yes You Are, True Lions, Mackenzie Nicole, The Phantastics, Stary, Amy Marcus, SUNU, Momma’s Boy, The Anniversary, The War and Treaty, Sudan Archives, Free Nationals, U.S. Girls, Art d’Ecco, M. Ward and Matthew Sweet.

Jairy photo by Coal Simmons ⁠

At 10:30 we’ll talk with Jared Bajkowski about his new project Jairy, and his new single “Into The Morning” that is being released through Manor Records on January 27. Jared Bajkowski also plays bass and sings in the Kansas City based band, Momma’s Boy. Jared is a Manor Records team member. Manor Records and Jairy present an “Into The Morning” Listening Party at Thou Mayest Coffee Roasters, 519 E 18th Street, KCMO on Sunday, January 26, 2020 at 7:00 PM. More information at http://www.manorrecords.com

Spinning Tree Theatre photo by Richard Fabac

At 11:00 Mark welcomes company members of Spinning Tree Theatre‘s KC premiere of “Girlfriend,” based on Matthew Sweet‘s 1991 album “Girlfriend. Set in 1993 small-town Nebraska during the summer between high school and whatever comes next, college-bound jock Mike and self-assured but aimless Will are romantically brought together. Their rush of first-time love, confusion and passion, is captured by the power-pop precision and frayed guitar emotion of Sweet’s alternative rock album performed with an all femme band backing up actors: Jeremy Ragland and Dakotta Hagar, both making company debuts. “Girlfriend” runs January 24 through February 9 at Johnson County Arts & Heritage Center, 8788 Metcalf, Overland Park, KS. More information at http://www.spinningtreetheatre.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #822

WMM Playlist from Jan. 8, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 8, 2020

Wednesday MidDay Medley Celebrates David Bowie!

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980 [WMM’s theme song]

2. David Bowie – “Intro [Live]” [ :08 Intro only]
from: Live Santa Monica ’72 / Parlophone / June 30, 2008
[Santa Monica ’72 is a live album by David Bowie, recorded at Santa Monica Civic Auditorium on 20 October 1972 during the Ziggy Stardust Tour. Taken from KMET FM’s radio broadcast, it was available only as a bootleg for more than 20 years; according to author David Buckley, possessing a copy was the test of a “proper Bowie fan”. The recording was issued semi-legally/officially and without Bowie’s approval by the Golden Years label in 1994, with Griffin Music handling the American release in 1995. This live album features a quite different setlist to the one found on Ziggy Stardust – The Motion Picture (1983) (namely that, with the exception of The Jean Genie, the setlist contains no songs from Aladdin Sane, which were very present by the end of the tour), which was recorded nine months afterwards and similarly bootlegged prior to its belated official release. The Santa Monica recording is generally considered a superior representation of the Ziggy Stardust concerts in terms of both sound quality and standard of playing.]

3. David Bowie – “Rebel Rebel (Live)”
from: A Reality Tour (Bonus Track Version) [Live] / Sony Music / Jan. 22, 2010
[“Rebel Rebel”by David Bowie was released as a single by RCA Victor on February 15, 1974 from the album Diamond Dogs the B-side was “Queen Bitch” (a song from Hunky Dory). “Rebel Rebel” is Cited as Bowie’s most covered track, it has been described as being effectively Bowie’s farewell to the glam rock movement that he had helped pioneer, as well as being a proto-punk track. A Reality Tour is a live album by David Bowie that was released on 25 January 2010. The album features November 22, and 23, 2003 performances in Dublin during his concert tour A Reality Tour. Eventually this world tour made it’s way to Kansas City, where Bowie played Starlight Theatre, on Sunday, May 10, 2004.]

10:04 – WMM Celebrates David Bowie

David Bowie seemed to be from another world. He seemed to have multiple lives, he seemed immortal. His art kept coming. His influence vast. He was a guide. Much of my journey as an outsider queer kid finding a light in the darkness, was influenced by Bowie.

Bowie’s death, four years ago, in NYC, on January 10, 2016 sent shock waves of grief across the world. Bowie made over 50 years of music, continually reinventing his image, his sound, his bands. Bowie’s lyrics and music touched the lives of us who felt like, outsiders.

Bowie was a “gateway drug” to other important influences: The Velvet Underground, Lou Reed, Andy Warhol, Iggy Pop, Glam Rock, Electronica, Brian Eno, William S. Burroughs, Beat Poetry, Mick Ronson, Tony Visconti, T-Rex, Kraftwerk, Klaus Nomi, Nicolas Roeg, Bauhaus, Gender Expression, and more. Bowie was a synthesizer weaving them together.

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI – Kansas City Community Radio. 


I’m Mark Manning. Today we Celebrate David Bowie on his actual Birthday, with selected songs from some of his 27 studio albums, and recordings that Bowie wrote and produced for Lou Reed, and Mott the Hoople.

Plus, we’ll play some of our favorite Bowie songs performed by musicians he influenced: Joan As Police Woman, Nile Rodgers, OK Go & Bonerama, including two Kansas City bands: Soft Reeds, and The Band That Fell To Earth.

At 10:30 Jocelyn Olivia Nixon of The Creepy Jingles, Alisön Hawkins of True Lions, and Mazzy Mann of UN/TUCK join us to share details about The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM,

And at 11:15, we welcome musician and writer, Michelle Bacon and musician Kyle Dahlquist join us to share details about The Band That Fell To Earth and the 5th annual tribute to David Bowie with TWO nights of music: Friday, January 24 and Saturday, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. A portion of ticket sales will benefit Kansas City Anti-Violence Project, an organization that provides advocacy, support and education to the LGBTQ+ community, including survivors of domestic violence, sexual assault and hate crimes. More info at: http://www.therecordbar.com

And into this mix of interviews, original songs and covers, we’ll feature short stories about David Bowie, from a few of his biggest fans: Michelle Bacon, Ben Grimes, Cody Wyoming, Krystle Warren, and Nico Gray.

Our first story comes from our talented friend, singer, songwriter, Krystle Warren, who has worked with some of the musical artists we’re played today, including Joan As Police Woman. Krystle sent us her story from France, where she now lives.

10:08

4. Krystle Warren’s Bowie Story –”Always be genuine in your expression”

5. Mott The Hoople – “All The Young Dudes”
from: All The Young Dudes / Columbia / September 8, 1972
[The album was written and produced by David Bowie, during the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Regarded as one of glam rock’s anthems, the song originated after Bowie came into contact with Mott the Hoople’s bassist Peter Watts and learned that the band was ready to split due to continued lack of commercial success. When Mott rejected his first offer of a composition, “Suffragette City” (from The Rise and Fall of Ziggy Stardust and the Spiders from Mars), Bowie wrote “All the Young Dudes” specially for them, allegedly sitting cross-legged on the floor of a room in Regent Street, London, in front of the band’s lead singer, Ian Hunter. With its dirge-like music, youth suicide references and calls to an imaginary audience, the song bore similarities to Bowie’s own “Rock ‘n’ Roll Suicide”, the final track from Ziggy Stardust. Described as being to glam rock what “All You Need Is Love” was to the hippie era, the lyrics name-checked contemporary star T. Rex and contained references to The Beatles and The Rolling Stones. Bowie himself once claimed that the song was not intended to be an anthem for glam, that it actually carried a darker message of apocalypse. According to an interview Bowie gave to Rolling Stone magazine in 1973, the boys are carrying the same news that the newscaster was carrying in the song “Five Years” from Ziggy Stardust; the news being the fact that the Earth had only five years left to live. Bowie explains: “All the Young Dudes’ is a song about this news. It’s no hymn to the youth, as people thought. It is completely the opposite.” “All the Young Dudes” is also thought of as a gay anthem. Lou Reed said “It’s a Gay Anthem! A rallying call to the young dudes to come out in the streets and show that they were beautiful and gay and proud of it.”

10:14 – 1972 was an amazing year for the 25 year old David Bowie

Starting with Bowie’s third album, The Man Who Sold The World, in 1970, through Hunky Dory in ’71, The Rise and Fall of Ziggy Stardust and The Spiders From Mars in ’72, Alladdin Sane and Pin Ups in ’73, Bowie records were built around a 4-piece band that included the great Mick Ronson on lead guitar, backing vocals, piano, and arrangements.

Mott The Hoople’s “All The Young Dudes” was written and produced by Bowie, in 1972, the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders From Mars. “All the Young Dudes” was written specifically for Mott The Hoople to keep them from breaking up, with Bowie allegedly sitting cross-legged on the floor of a room in Regent Street Hotel in London, in front of the band’s lead singer, Ian Hunter.

During this same year, David Bowie and Mick Ronson also served as producers on Lou Reed’s second solo album, the classic, Transformer, released on Bowie’s label RCA, in November of 1972.

In many ways Bowie was giving back to one of his biggest influences. Six years earlier, David Bowie’s manager Ken Pitt, returned from a trip to New York City, where he had met with artist Andy Warhol about the possibilities of representing a new, unknown group called The Velvet Underground. Ken Pitt didn’t much care for their music, so he gave the Andy Warhol signed acetate of The Velvet Underground & Nico, the band’s unreleased debut, to the 19-year old Bowie. Bowie said that receiving this acetate was “life changing.” He immediately learned the songs, and encouraged his band to perform, “I’m Waiting for the Man” in live shows, long before the album had been officially released. The Velvet Underground would mark the start of Bowie’s love affair with New York City.

I was able to view up close, this holy grail of rock music, the very special acetate, from Bowie’s own personal collection, as part of the internationally touring exhibition, David Bowie Is, at the The Museum of Contemporary Art Chicago, in September 2014.

Next we play a rare, track from the recording sessions of Lou Reed’s, Transformer” produced by David Bowie & Mick Ronson, from the incredible year of 1972.

10:17

6. Lou Reed – “Walk on The Wild Side” (rare unreleased track)
from: Monitor This / Monitor This / June-July 2003 (Transformer / RCA / Nov. 8, 1972)
[Produced by David Bowie and Mick Ronson. A previously unreleased version found during remastering sessions for Transformer release – different from version found on the BMG album NYC Man: The Collection. A Lou Reed song from his 1972 second solo album Transformer. It was produced by David Bowie. The song received wide radio coverage, despite its touching on taboo topics such as transsexuality, drugs, male prostitution and oral sex. In the United States, RCA released the single using an edited version of the song without the reference to oral sex. The lyrics, describing a series of individuals and their journeys to NYC, refer to several of the regular “superstars” at Andy Warhol’s New York studio, The Factory, namely Holly Woodlawn, Candy Darling, Joe Dallesandro, Jackie Curtis and Joe Campbell (referred to in the song by his nickname Sugar Plum Fairy). Candy Darling was also the subject of Reed’s earlier song for The Velvet Underground, “Candy Says”. Mick Ronson (who was at the time the lead guitarist with Bowie’s band, the Spiders from Mars) played a major role in the recording of the album at Trident Studios, serving as the co-producer and primary session musician (contributing guitar, piano, recorder and backing vocals), as well as arranger, notably contributing the lush string arrangement for “Perfect Day”. Reed lauded Ronson’s contribution in the Transformer episode of the documentary series Classic Albums, praising the beauty of his work and keeping down the vocal to highlight the strings. The songs on the LP are now among Reed’s best-known works, including “Walk on the Wild Side”, “Perfect Day” and “Satellite of Love”, and the album’s commercial success elevated him from cult status to become an international star.]

10:20

You are listening to WMM’s Tribute to David Bowie on 90.1 FM Our next story comes from band leader, musicain, actor and director, Cody Wyoming, lead guitarist, singer, and founder of the KC band, The Philistines, and member of the Pedaljets.

7. Cody Wyoming’s Bowie Story – “You’re Wonderful”
recorded by Mark Manning, Saturday, February 7, 2016

8. OK Go & Bonerama – “Rock ‘N’ Roll Suicide”
from: You’re Not Alone – EP / Capital / November 7, 2006
[Collaboration by rock band OK Go and brass funk rock band Bonerama, recorded to raise money for New Orleans musicians displaced in 2005 by Hurricane Katrina. The EP was recorded in August 2007 in New Orleans, Bonerama’s home city.] [“Rock ‘n’ Roll Suicide” by David Bowie, was originally released as the closing track on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in June 1972. Critic Stephen Thomas Erlewine found it to have “a grand sense of staged drama previously unheard of in rock & roll”. The exhortation “Oh no, love, you’re not alone” references the Jacques Brel song “You’re Not Alone” (“Jef”) that appeared in the musical Jacques Brel is Alive and Well and Living in Paris. Bowie covered Brel’s “My Death” during some Ziggy Stardust live shows. Rock ‘n’ Roll Suicide”, recorded on February 4, 1972, was one of the last songs recorded for Ziggy Stardust, along with “Suffragette City”, which would immediately precede it in the album track list. As the final song on the album and climax to the Ziggy Stardust live shows throughout 1972-73, it soon became a slogan, appearing on many fans’ jackets.]

Jocelyn Olivia Nixin, Alison Hawkins, and Mazzy Mann on the January 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:30 – Interview with Jocelyn Olivia Nixin, Alisön Hawkins, & Mazzy Mann

Alisön Hawkins is a co-founder/organizer for BANDWAGGN KC, a music camp for girls/trans/gender expansive youth. They are a nonbinary songwriter, multi-instrumentalist, full-time piano teacher, and musician in multiple local acts including Chase the Horseman, Calvin Arsenia, Empty Moon, and Una Walkenhorst, among others. Alison dropped out of music school and dedicated their life to smashing the patriarchy. Realizing music was a fun way to accomplish this, they created the all-femme twee pop band True Lions a year ago, and released two EPs in 2019.

Mazzy Mann is co-founder of UN/TUCK KCMO Queer/Trans/Femme collective, band leader of the subversive jazz big band HANNAH, electronic producer MX.MRS, and curator of dozens of pop-up events across Kansas City’s underground network, inflitrating rave culture, jazz culture, and alternative indie culture. In creating safer spaces for queer, trans, and under-represented voices in KC’s music scene, she has become a force in a community that often goes unnoticed. Mazzy’s approach to music and curation is unapologetic, fierce, and powerful: A dominant force of new era awakening.

After returning back to Kansas City for a Austin, Texas, Jocelyn Olivia Nixin, formed the band The Creepy Jingles where she is lead singer, songwriter, keyboardist & guitar player with Travis McKenzie on guitar, Nick Robertson on drums. The Creepy Jingles were signed to High Dive Records and released their self titled debut EP on May 3, 2019 to critically acclaim and landing in the Top Ten ow WMM’s 119 Best recordings of 2019.

Alison, Mazzy and Jocelyn are here to share details about The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM.

Jocelyn Olivia Nixin, Mazzy Mann and Alison Hawkins thank you for being with us on Wednesday MidDay Medley

Mazzy Mann, I first met you around 5 years ago at Mills Record Company. Like you record stores have been one of the community spaces where I hang out and where I felt safe and accepted. I remember you hanging out looking through records and talking about “crucial” recordings.

Since then you have been the recipient of a Rocket Grant, started a residency with Charlotte Street Foundation and come out as a multi – media musical performance artist, co-founder of the UN/TUCK Collective with Intelligent Sound, released multiple recordings from several musical and performance identities, became the band leader of the subversive jazz big band HANNAH, and electronic producer MX.MRS, and curator of dozens of pop-up events across Kansas City’s underground network, infiltrating rave culture, jazz culture, and alternative indie culture.

HANNAH is a child pop star turned ambient catharsis apparition appearing in shapes outside physical realms. On December 8 HANNAH released the double album: Trans/Portal and Trans/Human

In creating safer spaces for queer, trans, and under-represented voices in KC’s music scene, she has become a force in a community that often goes unnoticed.

Mazzy Mann is a Kansas City-based performance artist and co-founder of UN/TUCK Queer and Trans Electronic Collective, whose work explores the loss of identity through themes of existential horror, film noir, vaudeville, old soul, jazz, and folklore. Through combining archetypes of 1950s and 60s American horror genres and existential ideologies with the modern transgender experience, Mazzy aims to address the trans perspectives of dysphoria, dysmorphia, isolation, trauma, and abuse. In doing so, they work to build a platform for queer voices, and normalize queer peoples into a broader culture.

In contrast to the colorful and celebratory approach of queer pop culture, Mazzy takes a back swing on the pendulum to the sheer horror of waking up and no longer knowing who you are. Using visceral film, music, and stage performance, Mazzy conveys a message that is truly hypnotic, horrifying, and eye-opening.

Alison Hawkins created the all-femme twee pop band True Lions who released two great EPs in 2019. Congratulations.

Alison Hawkins plays with Chase the Horseman, Calvin Arsenia, Empty Moon, and Una Walkenhorst, among others. They are a nonbinary songwriter, multi-instrumentalist, full-time piano teacher.

This event is presented by Bandwaggn Kansas City and UN/TUCK

Bandwaggn’s mission is to empower girls and trans youth to build community through authentic relationships and lead a movement toward collective liberation. Music is our chosen tool for teaching, learning and building into our future. Bandwaggn is entirely volunteer-led.

Bandwaggn’s goal is to create a youth-centered arts and social justice organization. We’d like to be the Kansas City chapter of a 6-day summer music program under the national umbrella “Girls Rock Camp Alliance.” The camp will serve kids who identify as girls, gender nonconforming, and trans, ages 8-17. Our goal is to host at least 20 kids at the camp June 2020. We strive to be inclusive and reach as many deserving young folks who want to participate as possible. Outcomes we hope to see include community building and empowerment among our youth participants. We see a need for this in Kansas City because most extracurricular opportunities often exclude the most marginalized children and most music camps require previous musical skill and experience.

UN/TUCK is part of Intelligent Sound, it is a Queer/ Trans electronic collective
CURATORS/ FOUNDERS: Mazzy Mann, Zoey Shopmaker, Lorelei Davis

The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101

Will Feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata.

Doors at 8:00 PM.

Related Shows:

The Creepy Jingles play Community Empowered, A Benefit 4 KC Passages, tomorrow Thursday, January 9, at 7:00 PM at The Rino, 314 Armour Rd, NKC with Rachel Mallin, and Havanna Affair.

True Lions, Helkat, and Mild Cats, play Stray Cat Film Center, 1662 Broadway Blvd, KCMO, Friday, January 10, at 8:00 PM to benefit local animal rescues.

From In Kansas City Magazine – Tim Finn interviews Michele Bacon and asks: What are the best things about the Kansas City music community?

Michelle answers: “There are a lot of dedicated, talented artists in Kansas City, but I think that the inclusivity is unparalleled. I entered the music scene while going through a major life change and found sanctuary in it. I also learned so much about being a musician and a music professional through the mentorship of others. I often return to that spirit of community, but it seems crucial to have a system of support and connectivity to share with one another. It drives us to create and instills the confidence to put our passions out to the rest of the world.”

From UN/TUCK Facebook page: “Come out and reclaim queer prom for those of us who never got the opportunity to dress and be ourselves at the high school formal. In affiliation with @bandwaggnkc , we are excited to announce a Winter Formal fundraising event that will help provide summer camp for femme, queer and trans youth.”

Alison Hawkins, Mazzy Mann, Jocelyn Olivia Nixin, thanks you for being on WMM

The Bandwaggn Winter Formal, Saturday, January 11, at 8:00 PM at The Crane Building at 1107 Hickory Street, KCMO 64101 in the West Bottoms. This event is presented by Bandwaggn Kansas City and UN/TUCK and will feature the music of Hadiza., Hannah, Dr. Violet Dream, and Whorxata. Doors at 8:00 PM.

10:50

9. Joan As Police Woman – “Sweet Thing”
from: Real Life (B Sides) – EP / Cheap Lullaby Records / June 12, 2007
[Extra tracks from the solo debut recording of Joan Wasser, born July 26, 1970, known by her stage name, Joan As Police Woman. She is an American musician and singer-songwriter. She began her career playing violin with the Dambuilders. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. KC artist Krystle Warren has toured around the world with her.] [“Sweet Thing” or “Sweet Thing/Candidate/Sweet Thing (Reprise)” is a suite of songs written by David Bowie for the album Diamond Dogs. Recorded in January 1974, the piece comprises the songs “Sweet Thing” and “Candidate” and a one-verse reprise of “Sweet Thing.” In the opening line, “Sweet Thing” contains the lowest note Bowie had recorded in a studio album (C2) until “I Took a Trip on a Gemini Spacecraft” for the album “Heathen” (2002), where he growled the word “Well” (G1) towards the end of the song. Diamond Dogs was the 8th studio album from Bowie, was released May 24, 1974, after the ‘retirement’ of Bowies’s Ziggy Stardust, character. Diamond Dogs featured a new lead character named Halloween Jack, “a real cool cat,” who lives in the decaying “Hunger City”. Bowie, however, still wore the Ziggy haircut on the cover of Diamond Dogs, and the first single, “Rebel Rebel” continues his glam rock sound. However, with the rest of the album, music writers noticed a new Bowie. For his song “Sweet Thing” / “Candidate”/ “Sweet Thing (Reprise)” Bowie first used the William S. Burroughs’ cut-up style of writing. The song “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. The Diamond Dogs Tour of 1974 was one of the first huge Rock and Roll, bus and truck tours, like a big Broadway production.]

10:53

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM

For his song “Sweet Thing” Bowie first used the William S. Burroughs’ cut-up style of writing. Sweet Thing was from Diamond Dogs, Bowie’s 8th studio album, released May 24, 1974. The first single from Diamond Dogs was “Rebel Rebel” which continued Bowie’s glam rock sound, but the rest of Diamond Dogs was different, Mick Ronson was gone, Bowie was on lead guitar, music writers noticed a new Bowie, and songs like “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. Bowie released his 10th album, Station to Station in 1976. It’s first single “Golden Years” was completed during a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to his previous album Young Americans, but the rest of the songs on Station to Station were all foreshadowing of the Kraftwerk-influenced and electronic music of Bowie’s Berlin Trilogy of 1977’s Low, Heroes, and 1979’s Lodger.

Our next Bowie story comes from Ben Grimes, founder of two influential KC bands: Soft Reeds and The Golden Republic. Ben recorded this story for us when he was living in Los Angeles working on the TV show “Baskets.” Following Ben’s story is a special track, written by Bowie, during that Berlin Trilogy, and recorded by Ben’s band Soft Reeds.

10. Ben Grimes Bowie Story – “You are Never Stuck In One Thing”
recorded by Ben Grimes, Sunday, February 28, 2016

11. Soft Reeds – “Sound and Vision”
from: unreleased track recorded during the sessions for Soft Reeds album ‘Blank City’
[Blank City was Soft Reeds second album, released by The Record Machine on April 23, 2013. Produced at Element Recording with Joel Nanos. Soft Reeds is the brainchild of Ben Grimes (formerly of Astralwerks’ The Golden Republic), a Chicago native whose roots grip firmly in the ’77 Berlin sounds of Brian Eno, David Bowie and Iggy Pop, with Austin, TX native Josh Wiedenfeld on drums, Beckie Trost, a fellow Chicagoan and childhood friend of Grimes on bass, and KC native John Mitchell on guitar, saxophone, keys.]

11:03 – Station ID

Our next Bowie story comes from Nico Gray, a writer, and actor who has worked with The Kansas City Rep, Gorilla Theatre, Actor’s Craft, and Big Bang Buffet. Nico is also a marketing and advertising consultant with Union Station and KC Fringe Festival.

12. Nico Gray’s Bowie Story – “Thank you Bowie!”
recorded by Nico Gray, Sunday, February 28, 2016

13. David Bowie – “Changes”
from: Hunky Dory / RCA – (Rykodisk – Virgin – Sony – EMI – Columbia ISO) / Dec. 17, 1971
[Written by David Bowie, originally released on Hunky Dory and as a single in January 1972. “Changes” became one of Bowie’s best-known songs. The lyrics are often seen as a manifesto for his chameleonic personality, the frequent change of the world today, and frequent reinventions of his musical style throughout the 1970s. This single is cited as David Bowie’s official North American debut, despite the fact that the song “The Man Who Sold the World” was released in North America two years prior. This was the last song Bowie performed live on stage before his retirement from live performances at the end of 2006.]

11:11

Our next story about Bowie comes from another one of Bowie’s biggest fans, musician and writer, Michelle Bacon who talks about The Band That Fell To Earth and band she put together for a Tribute to David Bowie that has now become an annual event.

14. Michelle Bacon’s Bowie Story – “Putting together a perfect band”
recorded by Mark Manning, Saturday, February 27, 2016

15. The Band That Fell To Earth – “Boys Keep Swinging”
from: Recorded Live at recordBar for A Tribute To David Bowie / January 2018

Kyle Dahlquist and Michelle Bacon January 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:20 – Interview with Michelle Bacon & Kyle Dahlquist

You are listening to WMM’s Tribute to David Bowie on 90.1 FM KKFI

Multi talented, musician and writer, Michelle Bacon is the Content and Database Manager at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle plays bass with Other Americans, and Nathan Corsi Band. Over the last several years she performed and recorded music with, The Band That Fell To Earth, Heidi Lynne Gluck, Erica Joy, Chris Meck and the Guilty Birds, The Blackbird Revue, John L. Johnson, The Philistines, Deco Auto, and many others.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

Also with us is musician Kyle Dahlquist who plays with The Band That Fell to Earth, Victor & Penny’s Loose Change Orchestra, Men of Men, Johnny Hamil’s GAV7D, Amy Farrand and The Like, and other groups. Kyle has also previously played with The Hardship Letters, alacartoona, Mr. Marco’s V-7, and Mongol Beach Party.

Kyle Dalquist, thanks for being with us on Wednesday MidDay Medley

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Friday, January 24 and Saturday, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO.

The band was curated by musician/writer Michelle Bacon to pay homage to the groundbreaking artist while showcasing talent across Kansas City’s vast musical spectrum.

Michelle Bacon on bass,
Alex Alexander on guitar,
Nathan Corsi on vocals/guitar,
Kyle Dahlquist on keys/brass,
Katy Guillen on guitar,
Steve Tulipana on vocals,
Stephanie Williams on drums,
Havilah Bruders on backing vocals,
Camry Ivory on backing vocals,
Matt Ronan on percussion,
Christine Broxterman on cello,
Betse Ellis on violin,
Rich Wheeler on saxophone,

American Sign Language interpretation from Peige Turner and video projections from XO Blackwater.

Each night will contain a unique set list and different special guests. Special guests include: Julia Haile, Danielle Nicole, Kianna Alarid, Heidi Phillips, and Chase The Horseman.

A portion of ticket sales will benefit Kansas City Anti-Violence Project, an organization that provides advocacy, support and education to the LGBTQ+ community, including survivors of domestic violence, sexual assault and hate crimes.

More info at: http://www.therecordbar.com

Commemorative David Bowie prayer candles & pillows will be sold by Kitschup Creations.

Michelle Bacon and Kyle Dahlquist, thanks for being with us on WMM.

The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Fri, January 24 and Sat, January 25, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO.

11:35

16. Katy Guillen & The Drive – “Other Side”
from: Dream Girl [EP] / Katy Guillen / January 11, 2020
[New 7 song EP from Katy Gullien and Stephanie Williams]

[Katy Guillen & The Drive plays Knuckleheads, Saturday, Janury 11, at 8:00 PM]

11:39 – Underwriting

11:41

To study Bowie’s albums is to learn about the many great guitarists and producers who have collaborated with Bowie including on of the most influencial guitarists and producers of modern music…Nile Rodgers.

17. Nile Rodgers talks about making “Lets Dance”

11:45

18. David Bowie – “Let’s Dance” (Single Version)
from: Let’s Dance / EMI / April 14, 1983
[Let’s Dance was co-produced by Chic’s Nile Rodgers, the album contained three of his most successful singles; the title track, “Let’s Dance”, reached No. 1 in the US, “Modern Love” and “China Girl” both reached No. 2 in the UK. “China Girl” was a new version of a song which Bowie had co-written with Iggy Pop for the 1977 album The Idiot. The album also contains a re-recorded version of the song “Cat People (Putting Out Fire)” which had been a minor hit for Bowie a year earlier. Let’s Dance was a stepping stone for the career of the Texas blues guitarist Stevie Ray Vaughan, who played on it. Let’s Dance has sold over 10.7 million copies worldwide, making it Bowie’s best-selling album. Let’s Dance is Bowie’s 18th official album release since his debut in 1967, including two live albums, one covers album (Pin Ups, 1973), and a collaboration with the Philadelphia Orchestra (1977). The success of the album surprised Bowie, who felt he had to continue to pander to the new pop audience he acquired with the album. This led to Bowie releasing two further solo albums in 1984 and 1987 that, despite their relative commercial success, did not sell as well as Let’s Dance, were poorly received by critics at the time and subsequently dismissed by Bowie himself as his “Phil Collins years”. Bowie would form the hard rock and grunge-predecessor band Tin Machine in 1989 in an effort to rejuvenate himself artistically. David Bowie had planned to use producer Tony Visconti on the album, as the two had worked together on Bowie’s previous four studio albums. However, he chose Nile Rodgers for the project, a move that came as a surprise to Visconti, who had set time aside to work on Let’s Dance. Visconti called [Bowie’s personal assistant] Coco and she said: “Well, you might as well know – he’s been in the studio for the past two weeks with someone else. It’s working out well and we won’t be needing you. He’s very sorry.” The move damaged the two men’s relationship and Visconti did not work with Bowie again for nearly 20 years (until 2002’s Heathen). Rodgers later recalled that Bowie approached him to produce his album so that Bowie could have hit singles. Rodgers reported that Bowie came into his apartment one day and showed him a photograph of Little Richard in a red suit getting into a bright red Cadillac, saying “Nile, darling, that’s what I want my album to sound like.”]

11:52

27 studio albums, 8 live albums, over 50 compilation albums, 119 singles, 58 music videos, over 25 films. Bowie was a working artist. He was always working, always creating, always studying, always interested in how it could be put together. Bowie inspired multiple generations of people with his beautiful catalog of music, demonstrating one of the most creative arcs of any artistic career.

I would like to thank all of our contributors for sharing their stories: Cody Wyoming, Nico Gray, Ben Grimes, Michelle Bacon, and Krystle Warren.

And we’ll close with “Lazarus” the final single from David Bowie, released on his 27th and final studio album, Blackstar, on 4 years ago on January 8, 2016, on Bowie’s 69th birthday. Bowie died two days later. Co-producer Tony Visconti described the album as Bowie’s intended swan song and a “parting gift” for his fans before his death.

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

11:53

19. David Bowie – “Lazarus”
from: Blackstar / ISO Records – Columbia / January 8, 2016
[Lazarus features David Bowie on vocals, acoustic guitar, and Fender guitar; Donny McCaslin on saxophone, flute, and woodwind; Jason Linder on piano, Wurlitzer organ and keyboards; Tim Lefebvre on bass; Mark Guiliana on drums. McCaslin and the rest of the jazz group recorded their parts in the studio over a period of about one week a month from January to March 2015, and until later in recording were unaware of Bowie’s declining health. The song “Lazarus” is part of Bowie’s Off-Broadway musical of the same name. The album has received universal critical acclaim and commercial success, reaching the number one spot in a number of countries in the wake of Bowie’s death and becoming his first album to reach number one on the Billboard 200 album chart in the U.S. Blackstar is the twenty-fifth and final studio album by musician, writer, actor, chameleon, David Bowie. It is the 27th when you count the Tin Machine records, which you should. The album was released worldwide on January 8, 2016, on Bowie’s 69th birthday, and just two days later David Robert Jones passed away at home surrounded by his wife Iman, and his son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next Week on January 15, WMM celebrates Dr. Martin Luther King, Jr., born January 15, 1929 music of the movement from: Mavis Staples, Pops Staples, The Staple Singers, Krystle Warren, Bobby Watson & The I Have A Dream Project featuring Glenn North, Bob & Una Walkenhorst, Kelly Hunt, Sharon Jones & The Dap-Kings, Labelle, Curtis Mayfield, Maceo & The Macks, Mahalia Jackson, Marian Anderson, The Swan Silvertones, Sweet Honey in The Rock, Aaron Neville, Soweto Gospel Choir, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pete Seeger, and Sarah Lee Guthrie & Johnny Irion.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #819