WMM Playlist from April 8, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 8, 2020

New & MidCoastal Releases + Rosé Perez
+ Danielle Jones & Tim O’Connor of L A Jones +
Brenton Cook & Brodie Rush of Be/Non

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. R.I.Peter – “Rising Sun”
from: Cruis’n / Rising Sun – Single / Manor Records / April 10, 2020
[New Singles from musician and songwriter Peter Beatty plays in the band Momma’s Boy, who have been playing together since they were in the band Rev Gusto that was formed with Quinn Hernandez and friends, while they were in high school at Saint James Academy. Peter studied at University of Kansas. Peter released the debut EP solo project R.I.Peter on July 5, 2019. Manor Records described R.I.Peter’s music saying, “It’s like if you took video game music and mashed it with fleet foxes or something. All songs written by Peter Beatty . Additional songwriting and production by Jared Bajkowski. Mastered by Ross Brown. electronic pop ambient america folk mystic Kansas City.]

[R.I.Peter plays a “Cruis’n” / “Rising Sun” – Cassingle Release – Streaming Live Concert, Friday, April 10, at 7:00 PM on Manor Records Social Media Platforms on Facebook, Instagram, etc.]

3 Fullbloods – “Soft and Virtual Touch”
from: Soft and Virtual Touch / High Dive Records / April 3, 2020
[3rd full-length album from, Fullbloods, a Kansas City based band with: Ross Brown; Jared Tomasino; David Seume; & Bill Pollock. Follow up to their February 26, 2016 release, Mild West. All songs written, performed, recorded, and mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork created by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More information at: http://www.fullbloods.com.]

4. Nick Siegel – “Let’s Blouse”
from: For You, Dear, Anything [EP] / Nick Siegel / April 10, 2020
[Nick Siegel, is a KC piano rocker with influences such as Ben Folds, Death Cab for Cutie and the Mars Volta. Nick writes aggressive piano rock music. He grew up playing music in Chicago and moved to Kansas City in 2010 when he joined The Casket Lottery. Now on my own as solo artist, Nick has released his debut solo album, “Awake from the Golden State,” on Aug. 25, 2017. His new EP, “For You Dear, Anything,” is the first act, of three-act series, he plans to release in 2020. Act One, is a modern take on the vibe of the 1920s.]

[Nick Siegel plays a “For You, Dear, Anything” EP Release – Streaming Live Performance on Friday, April 10 at 7:00 PM on Facebook Live.]

5. Lyra Pramuk – “Mirror”
from: Fountain / Bedroom Community / March 20, 2020
[Lyra Pramuk’s debut explores a post-human, non-binary understanding of life. Lyra fuses classical training, pop sensibilities, performance practices and contemporary club culture in what may best be described as futurist folk music. The American opera-trained vocalist and electronic musician releases her album via Iceland’s Bedroom Community label. Created entirely from her own voice, although often shaped and structured by electronics, Fountain is an emotional, sensual, and devotional journey. The title is derived from her family name, Pramuk, which translates from Czech as ‘well spring’ or ‘fountain.’ Often wordless, these songs evoke a new wholeness sustained by the ritual force of drowning, immersion, cleansing, and bathing – also referred to in the album artwork by acclaimed visual artist Donna Huanca. Fountain plays with the perception of music, rhythms, speech, body, and the relation between technology and humanity, exploring a post-human, non-binary understanding of life and the fragile ecosystems it depends on. The work documents a healing that is still in process, and a full circle-moment that reunited Lyra with her sound engineer twin brother, Ben, for the final mix, which they completed in tandem. As a vocal activist and member of the queer community, Lyra moved to Berlin in 2013, following her degree at the Eastman School of Music in New York. Since then, she has also been awarded residencies at Elektronmusikstudion EMS Stockholm, Open Port Club Residency in Tokyo and Sapporo, and Future Music Lab of the Atlantic Music Festival in Maine. Her interests also encompass writing, poetry, and fashion, where she is sometimes called upon as a model. As a performance artist, she has collaborated extensively with Donna Huanca and at events such as Glasgow International and the Rochester Fringe Festival. Music composed and produced by Lyra Pramuk. Vocals recorded by Lyra Pramuk and Ben Pramuk in Berlin and at EMS Elektronmusikstudion in Stockholm. Mixed by Ben Pramuk in Berlin. Mastered by Valgeir Sigurðsson and Francesco Fabris at Greenhouse Studios.]

6. The Abracadabras – “Give Me Your Name”
from: Be Still, Be Cool / The Abracadabras / January 1, 2008
[5-piece KC band formed in the spring of 2007, with John Nixon on keyboards & vocals, Travis Mckenzie on lead guitar, Bobby (Wayne Hutcherson) Topaz on guitar & vocals, Collin Rausch on bass & vocals, and Kyle Rausch on drums & vocals. Richard Gintowt wrote about The Abracadabras for the October 9, 2008 edition of The Pitch: Be Still, Be Cool is …an avalanche of tunes inspired by alternative rock, Britpop, ’60s psychedelia, hippie folk, and swampy Southern blues. Regardless of what labels or managers get behind it (or not), Be Still, Be Cool sounds like a big-time record — not the annoying Fall Out Boy sort but rather the well-rounded Supergrass variety. Recorded with producer Mike Crawford at his upstart studio, The Impossible Box, the album showcases a breadth of recording techniques from one-take numbers to the sort of trickery that has informed albums since Sgt. Pepper’s. Each track is stacked with harmonies, guitar overdubs and vintage keyboards. “We threw the whole kitchen sink into it,” lead singer John Nixon says. “Mike added a lot of great X factors to tracks. He’d dial up perfect guitar and keyboard tones.” Nixon says the group intended to stack the front of the record with pop songs and then let it “slowly unveil itself as something else.” The song “Deep” is a mellow acoustic number in the vein of CSN&Y, while “Show Me the Sunrise, Callie Anne” summons the campfire country-rock of the Rolling Stones’ Sticky Fingers. Such detours complement infectious two-minute singles like “C’mon and Get It!” and “An Argument.” “We’re enthusiasts of the art of order and timing,” Collin Rausch says. “One of my favorite things to do is take classic rock records and rearrange them to see if I can make them better.” This Friday’s album-release party at the Riot Room should offer a sense of vindication after a long summer. The frustrating events unfolded in July, when a prospective label fell out of the loop and manager Harley Sears also exited the picture. Sears, who also worked with KC bands Lovers in Transit and the Rich Boys, relocated to New York City in May. He says the decision to part ways with the Abracadabras was “amicable and necessary” due to other commitments. “I enjoyed the time we spent together,” Sears says. “Their new album was a labor of love, and the end result was a true work of art.” However amicable the split was, the Abracadabras couldn’t help but feel a bit bummed. “We went from almost being signed and having a manager and possibly moving to nothing,” Rausch says. “No matter how hard you try to stay grounded, you get your hopes up.” Adds guitarist Bobby Topaz (real name: Wayne Hutcherson): “It was like the rug was pulled out from under us. There was a week where we all sitting around scratching our heads like, ‘What’s next?’” The events motivated the group to self-release Be Still, Be Cool. They began unveiling tracks on their MySpace page a couple of months ago, leading up to a free release of the album this week. Rather than invest in hard copies, the band is handing out cards with free download codes. They also plan to make the entire album available for download via MySpace. “I think in the long term it’ll be better to give it away,” Nixon says. “The point is that we’re not big, and we’re not making money now anyways, so we may as well try to get people to come to shows.” Nixon is also adamant about downsizing the group’s reputation for dressing up at shows, preferring to redirect the focus toward the music. “It became more of a thing to talk about what we were wearing than what we were doing,” he says. “[Making the record] was a long and frustrating journey, so we had to do things to entertain ourselves and the audience in the meantime. I think we all like making music more than putting on shiny jackets and making sure our hair is pretty. We like that, too, obviously”.]

10:25 – Underwriting

7. L A Jones – “Blonde”
from: Blonde – Single / L A Jones / March 1, 2020
[New single from LA Jones, from Kansas City. Formed in 2016 by Danielle Jones and Tim O’Connor, the band has now grown to feature a three piece horn section, keys, bass, & drums. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

Tim O’Connor & Danielle Jones of L A Jones on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Danielle Jones & Tim O’Connor

Danielle Jones and Tim O’Connor formed the KC based soul-pop band LA Jones in 2016. After a string of singles they released their debut EP Bring Me Back Down last year. L A Jones includes: Danielle Jones on vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on sax, and Cade Pool on drums. Danielle and Tim joined us last fall to premiere their single, “Behind The Times”. Danielle and Tim are back today to talk about the newest L A Jones single, “Blonde.”

Danielle Jones & Tim O’Connor, Thanks for being with us on Wednesday MidDay Medley

Danielle Jones I Tim O’Connor of L A Jones

L A Jones includes:

Danielle Jones on vocals
Tim O’Connor on guitar & vocals
Marcus Grimes on keyboards
Jeramy Johnston on bass
Daniel Dissmore on trumpet,
Trevor Turla on trombone
Matt Cook on sax
Cade Pool on drums

Last year L A Jones played the Plaza Art Fair, on September 20, on the INK Live Stage, and they played Camp Leavenworth Festival, September 21.

Danielle Jones currently works for The Pet Project. She has previously worked as a Substitute teacher at Blue Springs School District she has also worked in the Independence School District and Liberty Public Schools.

Danielle Jones Studied Music theatre at Kansas State University from 2011 to 2015

She is originally from Dodge City, Kansas and currently lives in Independence, Missouri

Tim O’Connor & Danielle Jones of L A Jones on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Last year Danielle Jones married Tim O’Connor

Tim O’Connor has previously worked as a Percussion Instructor at Liberty North High School, Percussion Instructor at Blue Springs High School and Percussion Instructor at William Chrisman High School

Tim O’Connor studied at Kansas State University from 2011 to 2016

Tim is originally from from Louisburg, KS and currently lives in Independence, Missouri.

Danielle Jones & Tim O’Connor, Thanks for being with us on Wednesday MidDay Medley

For info about the new L A Jones single, “Blonde.” you can visit: http://www.officiallajones.com

10:42

8. L A Jones – “Addicted”
from: Bring Me Back Down EP / L A Jones / April 12, 2019
[LA Jones were formed in 2016 by partners Danielle Jones and Tim O’Connor, the band has now grown to feature a wide variety of instruments and members including a three piece horn section, keys, bass, and drums. They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

9. Parade – “North/South”
from: Mend Melodies / Parade / March 1, 2020
[Parade calls their music “genre fluid.” The band is based in KC, with Seth Props on guitar, Claire Monroe on guitar, and Patrick Sanders on bass guitar. Seth who writes and produces most of their music also plays in the band Stary with Adam Stary and Marisa Tejeda. Parade released (Solo Demos) on August 20, 2019. Parade released the 13-song, self titled Parade on, September 2, 2019. Parade released the 13-track Mend Melodies on March 1, 2020, and recently the 13-track, Quarantine Demos on March 31, 2020]

10. Yves Tumor – “Identity Trade”
from: Heaven To a Tortured Mind / Warp Records / April 2, 2020
[4th album from Sean Bowie, best known by the recording alias Yves Tumor, is an American producer of experimental electronic music, born in Miami, Florida and currently based in Turin, Italy. Raised in Knoxville, Tennessee, Tumor started making music at age 17 as an outlet away from “dull, conservative surroundings.” They taught themself to play drums, bass, guitar, and keyboards. Describing their experience growing up in Tennessee as unpleasant, they moved at age 20 to San Diego, and after college to Los Angeles, where they met Mykki Blanco in 2012, with whom they later toured for two and a half years throughout Europe and Asia.In the early 2010s, Tumor recorded as Teams, and made music which AllMusic described as “post-chillwave”. They debuted their Yves Tumor project in 2015 with an EP for Berlin’s experimental club label Janus, and another one for Blanco’s label, Dogfood MG. That same year, they self-released their first album, When Man Fails You (which would later be re-released by Apothecary Compositions on April 29, 2016). In September 2016, Tumor signed with PAN Records and released its label debut, Serpent Music. They had worked on the album for three years after moving to Leipzig, Germany. The album was recorded between Miami, Leipzig, Los Angeles and Berlin. In Pitchfork’s review of the album, critic Andy Beta compared Tumor’s musical style to James Ferraro and Dean Blunt, and noted their use of “unsettling percussive loops and field recordings to create a mood as if lost in a strange urban landscape”. In September 2017, Tumor released a compilation album titled Experiencing the Deposit of Faith for free. Later that week, it was revealed through a tour announcement that Tumor had signed to Warp Records. Following the announcement, they embarked on a tour with a new audiovisual show. In September 2018, Tumor released their Warp debut, Safe in the Hands of Love, with no prior announcement. It was preceded by the singles “Noid” on July 24, “Licking an Orchid” featuring James K on August 29, and “Lifetime” on September 3. The album received universal acclaim from music critics. Pitchfork’s Jayson Greene stated in their review that the album “dwarfs everything the artist has released by several orders of magnitude. The leap is so audacious it’s disorienting.” Tumor’s fourth album, Heaven to a Tortured Mind, was released on April 3, 2020, preceded on March 3 by the single “Kerosene” featuring Diana Gordon. Alexis Petridis, reviewing the album for The Guardian, awarded it Album of the Week, describing it as “extraordinary: experimental, capable of any genre, with an internal logic powering its shifts in mood. Tumor has cited Throbbing Gristle as a major influence, saying: “There’s something about their music, like the hypnotic trance vibes, that really influenced me.]

11. The Black Creatures – “Elements”
from: “Wild Echoes” / The Black Creatures / September 30, 2019
[Darkpop hip-hop musical pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Green have made an impression of the KC music community with their videos and songs, live shows in clubs, art galleries, record stores, area music festivals and shows in surrounding areas. They’ve released an EP, an album, several singles.]

12. Sudan Archives – “Confessions”
from: Athena / Stones Throw Records / November 1, 2019
[LA based violinist Sudan Archives, combines elements of the modern and ancient. The 23 year-old self-taught violinist draws inspiration from Sudanese fiddlers, R&B, West African rhythms, and experimental electronic music. Building records around rhythms and melodies from the strings of her violin and raw vocals, Sudan effortlessly draws the link between traditional African music and contemporary electronic production.]

11:00 – Station ID

13. Be/Non – “Over The Moon”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

11:04 – Interview with Brenton Cook & Brodie Rush

Brenton Cook of Haymaker Records on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 7 years, Brenton has been a co-curator of the Outer Reaches Fest.

Brenton Cook , thanks or being with us on Wednesday MidDay Medley

Brodie Rush of Be/Non on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Brodie Rush is a musician, songwriter, band leader, graphic artist, actor, father and survivor. He is the Director of Animation & Motion Graphics at Crush Media. He is also the creative genius behind Be/Non, a Kansas City band that has been making music for over 20 years and released their critically acclaimed 6th album, Mystic Sunrise / Sunset Magic, on Haymaker Records on February 29, 2016, followed by Freedom Palace in 2018 that had been stuck in the studio for 12 years due to disputes with the original record label and personnel changes in the band until Brodie rescued the tapes and remastered the album for Haymaker Records. Now Brodie is back with a new release containing alternate mixes, isolated tracks and demo versions of Be/Non’s 2009 release, A Mountain of Yeses. The new release is called, A Valley of No: The Alternative A Mountain of Yeses. And it is being released today, through Haymaker Records.

Brodie Rush, thanks or being with us on Wednesday MidDay Medley

Brenton Cook of Haymaker Records & Brodie Rush of Be/Non join us (on the phone), to share tracks from, A Valley of No: The Alternative A Mountain of Yeses which is being made available TODAY

Be/Non circa 2008-2009

Originally released May 12, 2009, “A Mountain of Yeses” was made by:
Brodie Rush on everything, vocals, guitar, bass, drums, keyboards;
Ben Ruth on bass guitar;
Ryan Shank on drums & percussion,
Jeremiah James on guitar, Moog & Vocals.

Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. “

11:14

14. Be/Non – “Travel”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

11:17 – More Interview with Brenton Cook & Brodie Rush

We are talking with Brenton Cook & Brodie Rush about Be/Non’s A Valley of No: The Alternative A Mountain of Yeses., an album that contains track for track alternate mixes, isolated tracks and demos of A Mountain of Yeses, Originally released May 12, 2009. More info at http://www.haymakerrecords.net

Director of Animation & Motion Graphics at Crush Media

A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”

Brenton Cook & Brodie Rush, thanks or being with us on Wednesday MidDay Medley

Haymaker Records is releasing Be/Non’s A Valley of No: The Alternative A Mountain of Yeses., an album that contains track for track alternate mixes, isolated tracks and demos of A Mountain of Yeses, Originally released May 12, 2009. More info at http://www.haymakerrecords.net http://www.crushmediakc.com http://www.brodierush.com

11:27

15. Be/Non – “Assention”
from: A Valley of No: The Alternative A Mountain of Yeses / Haymaker Records / Apr. 8, 2020
[Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”]

11:29 – Underwriting

Rosé Perez

16. Rosé Perez – “Megan’s Wedding”
from: Born in A Bag (Split EP with Period BOMB) / Rosé Perez / October 23, 2019
[Rosé Perez is Carrie Wallen on guitar & keyboards, 2007 Balquier on bass & drums, and Lina Žemaitė on drums & bass. Rosé Perez recently released a new video for their song “Placenta Agenda” from their EP split with the band Period BOMB. The Rosé Perez tracks for this split were recorded, mixed, and mastered by Jametatone at The Infoaming Vortex.]

11:35 – Interview with Carrie Wallen, 2007 Balquier, & Lina Žemaitė

Carrie Anne Wallen of Rosé Perez on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Carrie Anne Wallen is a multi media performance artist, She plays guitar and keyboards, and writes music. Carrie is currently a Charlotte Street Studio Resident working in illustration, 90’s glitch art inspired collage, audio/visual performance art, installations and musical satirization of the toxicities of contemporary culture. Carrie Anne writes irreverent songs that are based on factual information mixed with dark humor. Her performance art uses theater, digital data corruption, interactive video and costumes in a musical satirization of social injustice, gender roles and the prescriptive capitalist agenda. The majority of her work is collaborative. Carrie Anne’s focus is to inspire cheerfulness, inclusivity and resistance.Carrie was previously in pop-goth band, Ricki Wallen. In 2017 she received a bachelor’s degree in urban planning from Missouri State University.

Carrie Wallen, thanks for being with us on WMM.

2007 Balquier of Rosé Perez on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

2007 Balquier, is also known as Whorxata. They are a multi-disciplined artist creating works in converging media, music production, and video work. Their work as Dj Whorxata (hor-chata) involves blending and mixing varieties of dance and club music to create a queer-inclusive, body positive, sex positive space. 2007 plays bass and drums in Rosé Perez.

2007 Balquier, thanks for being with us on WMM.

Lina Žemaitė of Rosé Perez on the April 8, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Lina Zemaite is a Kansas City based multi instrumentalist, performance artist, and composer. Lina is the drummer for acclaimed girl pop group Rosé Perez. She is also the saxophonist and clarinetist for experimental jazz group HANNAH, as well as a vocalist for industrial act Killus.

Lina Žemaitė, thanks for being with us on WMM.

Rosé Perez join us to talk about their debut release, Born in A Bag, the band’s Split EP with post punk band / multi media project, Period BOMB, released on October 23, 2019.

Rosé Perez

Rosé Perez is:
Carrie Wallen on guitar & keyboards,
2007 Balquier on bass & drums,
Lina Žemaitė on drums & bass.

Rosé Perez recently released a new video for their song “Placenta Agenda.”

The Rosé Perez tracks were recorded, mixed, and mastered by Jametatone J. Ashley Miller at The Infoaming Vortex.

Rosé Perez recently released a new video for their song “Placenta Agenda.”

11:49

17. Rosé Perez – “Placenta Agenda”
from: Born in A Bag (Split EP with Period BOMB) / Rosé Perez / October 23, 2019
[Rosé Perez is Carrie Wallen on guitar & keyboards, 2007 Balquier on bass & drums, and Lina Žemaitė on drums & bass. Rosé Perez recently released a new video for their song “Placenta Agenda” from their EP split with the band Period BOMB. The Rosé Perez tracks for this split were recorded, mixed, and mastered by Jametatone at The Infoaming Vortex..]

18. John Prine – “Illegal Smile”
from: John Prine / Atlantic / 1971
[John Prine (October 10, 1946 – April 7, 2020) was an American country folk singer-songwriter. He was active as a composer, recording artist, and live performer from the early 1970s until his death, and was known for an often humorous style of country music that has elements of protest and social commentary. Born and raised in Maywood, Illinois, Prine learned to play the guitar at the age of 14. He attended classes at Chicago’s Old Town School of Folk Music. After serving in West Germany with the U.S. Army, he moved to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs as a hobby. A member of Chicago’s folk revival, he was discovered by Kris Kristofferson (although Prine himself credited film critic Roger Ebert[2]), resulting in the production of Prine’s self-titled debut album with Atlantic Records in 1971. After receiving critical acclaim, Prine focused on his musical career, recording three more albums for Atlantic. He then signed to Asylum Records, where he recorded an additional three albums. In 1984 he co-founded Oh Boy Records, an independent record label with which he would release most of his subsequent albums. After his battle with squamous cell cancer in 1998, Prine’s vocals deepened into a gravelly voice.Widely cited as one of the most influential songwriters of his generation, Prine was known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary, and songs which recollect melancholy tales from his life. // John Prine is the début album by American country/folk singer-songwriter John Prine, issued by Atlantic Records in 1971. In 2012, the album was ranked number 452 on Rolling Stone magazine’s list of the 500 greatest albums of all time. Prine was offered a recording contract by Jerry Wexler of Atlantic Records after the record executive saw the singer perform several of his own songs at a Kris Kristofferson show at the Bitter End. The song “Paradise” was recorded at A&R Studios in New York (with Prine’s brother Dave and good friend Steve Goodman as sidemen) but the remaining cuts were recorded at American Sound Studios in Memphis. Produced by Arif Mardin, who had previously collaborated with the likes of Aretha Franklin and King Curtis, Prine found his new studio surroundings intimidating. In the Great Days: The John Prine Anthology liner notes he admits, “I was terrified. I went straight from playing by myself, still learning how to sing, to playing with Elvis Presley’s rhythm section.” Initially, the musicians at American, accustomed to playing heavily rhythmic material and funky grooves, were thrown by Prine and his songs. As recounted in Eddie Huffman’s biography John Prine: In Spite of Himself, percussionist Hayward Bishop later recalled, “There was no evidence of groove whatever, and I was hungry for groove. Prine came off like a folk poet. This guy was really nasally, he didn’t have any tone to his voice, and all his songs were in the same key! I thought, ‘This is gonna be like milking a dag-blasted dog!’”]

19. True Lions – “Life is Gold”
from: You’re Not Invited / True Lions / November 9, 2019
[Second EP released in 2019 from True Lions with: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison. The band released their debut EP”Cute At Best” Feb. 5, 2019 with Alison Hawkins on guitar, piano, synth, vocals; Mikala Petillo on percussion, bass, guitar, vocals; and with Ross Brown serving as producer & engineer; and Nika Winn providing artwork. This EP began as an unrelated, musical dispute between lovers, but triumphantly became the spunky collaboration of two midwestern “woms” whose passion for playing music nearly exceeds their desire to create it.]

[True Lions play a Live Stream Concert on Saturday, April 11, at 7:00 PM.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, April 15 we will be presenting more New & MidCoastal Releases. We will also talk with Jesse Kates of The Sexy Accident, Mikala Petillo of Miki P and the Swallowtails, and Jenna Rae of Lost Cowgirl Records

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #832

WMM presents L A Jones, Be/Non, and Rosé Perez

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 8, 2020

New & MidCoastal Releases + Rosé Perez
+ Danielle Jones & Tim O’Connor of L A Jones +
Brenton Cook & Brodie Rush of Be/Non

Mark plays New & MidCostal Releases from: R.I.Peter, Nick Siegel, L A Jones, Rosé Perez, Fullbloods, True Lions, Parade, The Black Creatures, Be/Non, The Abracadabras, Lyra Pramuk, Yves Tumor, Sudan Archives, and Patti Smith Group.

Danielle Jones and Tim O’Connor of L A Jones

At 10:30 Danielle Jones & Tim O’Connor of the Kansas City based band L A Jones join us (on the phone). The soul-pop band was formed in 2016 and includes: Danielle Jones on vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on sax, and Cade Pool on drums. Mark will play the new L A Jones single “Blonde.” More information at http://www.officiallajones.com

Be/Non circa 2008-09

At 11:00 Brenton Cook of Haymaker Records & Brodie Rush of Be/Non join us (on the phone), to share tracks from, A Valley of No: The Alternative A Mountain of Yeses. Originally released May 12, 2009, A Mountain of Yeses was made by: Brodie Rush on vocals, guitar, bass, drums, keyboards; Ben Ruth on bass guitar; Ryan Shank on drums & percussion, and Jeremiah James on guitar, Moog & Vocals. Brodie writes: “This album is a journey into the sculpting process of creating “A Mountain of Yeses”. In contrast to the original release, this compilation contains alternate mixes, isolated tracks and demo versions. Be/Non presents a bizarro-like version of the AMOY album, showing an alternate universe what could have been if the creation of the album went on a divergent path. Behold the paradoxical serendipity of Be/Non’s unique take on constructing a space-themed story/album. A visual accompaniment to the album has been in production since 2008 and now has a 2021 release date.”

Rosé Perez

At 11:30 members of the Kansas City based art rock band, Rosé Perez join us (on the phone) to share music from their debut release, Born in A Bag, the band’s Split EP with Miami, Florida post punk band / multi media project, Period BOMB, released on October 23, 2019. Rosé Perez include: Carrie Wallen on guitar & keyboards, 2007 Balquier on bass & drums, and Lina Žemaitė on drums & bass. Rosé Perez recently released a new video for their song “Placenta Agenda.” The Rosé Perez tracks were recorded, mixed, and mastered by Jametatone at The Infoaming Vortex.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #832

WMM Playlist from April 1, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 1, 2020

“The He Touched Me Gospel Hour”
+ Charlie Colborne & Bill Belzer of Miss Boating

10:00 – “The He Touched Me Gospel Hour”
A Pre-Easter Family Reunion

Written by: Jim “The Blind Guy” Hoschek and Mark Manning
Original Music by: Bj McArthur & Tod Davis – Two Headed Cow
(This was an April Fool’s Day Rebroadcast from April 1, 2015)

The Cast of The He Touched Me Gospel Hour (April 1, 2015)

Our Cast:
Brother James White Sr. (Church leader) – Jim “The Blind Guy” Hoschek
Brother Wendell Larry Straight Bachmann (Assistant in Ministry) – Mark Manning
Edith Maxine (Mrs. James White Sr.) – Philip Hooser
Mother Blanche (Edith’s Mom) – Sherry Diggs
Bertha and Beulah (Edith’s twin sisters) – Fran Stanton
Ms. Kiki Jackson, (the Bail-Bonds Woman from Raytown) – Bj McArthur
Bess (White) Blanc (James & Edith’s long lost daughter) – Bess Wallerstein
Prudence Chastity (Director of MO/KAN Exodus) – Maria Vasquez Boyd
Billy Ricky Martin (recent graduate of MO/KAN Exodus) – Ryan Wilks
Jimmy Bobby Jr. (James & Edith’s youngest son) – Tod Davis

1. DJ Spooky – “Interlude: Journey Into Sound”
from: Adbusters Live Witout Dead Time / Adbuster / 2004

2. Tomita – “Snowflakes Are Dancing”
from: Snoflakes Are Dancing / BMG RCA / 2000 [orig. 1974]

3. Dave Boyer – “He Touched Me”
from: It’s A New World / Reverence / 1968 [Vinyl]

4. Porter Wagoner & Dolly Parton – “Satan’s River”
from: We Found It / RCA / February 12, 1972 [Vinyl]

5. The Girls of The Golden West – “Will There Be Any Yodelers in Heaven”
from: American Yodeling / Goldenlane / 2009

6. Roberta Crane – “Everyday With Jesus” [Vinyl]
from: And His Word Became a Song / Global Outreach Publishers / Date unknown (1972?)

7. Holly Day Singers – “He Touched Me”
from: Switched on Gospel 30 Non-Stop Favorites / K-tel / February 14, 2008

8. Jim Nabors – “My Cup Runneth Over”
from: A Big Voice! A Big Heart! / Sony / 1991 [orig. 1972]

9. Jimmy Bobby & Kiki – “Eden Alley” (LIVE)
(Bj McArthur & Tod Davis are Two Headed Cow)

10. Jimmy Bobby & Kiki & Cast – “Leaning On The Everlasting Arms” (LIVE)

We’re all just April Fools!

11:00 – WMM with Charlie Colborne & Bill Belzer

Transition Music:

11. The Phenomenal Handclap Band – “I’ve Been Born Again”
from: The Phenomenal Handclap Band / Tummy Touch Records / June 23, 2009
[from the debut album of The Phenomenal Handclap Band a psychedelic soul band from New York City. Their first full-length record, Phenomenal Handclap Band, was released in 2009 on Friendly Fire Recordings in the US and in 2010 on Tummy Touch Records. The album was also released world wide by KSR in Japan, Inertia in Australia, GOMMA in Germany, and Universal Records in the Philippines. The band was started by Daniel Collás and Sean Marquand. Both Collás and Marquand were DJs and production partners working around the New York City area producing records for other artists. The two soon starting writing and producing their own music. While recording original material, Collás and Marquand had help from various local artists to help record their music such as Aurelio Valle, Carol C, Jaleel Bunton, Jon Spencer, and Lady Tigra. In 2011, Phenomenal Handclap Band toured the US and UK with Bryan Ferry. Their second full-length album, Form and Control, was released February 13th, 2012.]

12. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

13. Jefferson Airplane – “White Rabbit”
from: Surrealistic Pillow / RCA – Victor / February, 1967
[Marty Balin – vocals, guitar, album design, Jack Casady – bass guitar, fuzz bass, rhythm guitar, Spencer Dryden – drums, percussion, Paul Kantner – rhythm guitar, vocals, Jorma Kaukonen – lead guitar, vocals, Grace Slick – vocals, piano, organ, recorder. Jefferson Airplane was an American rock band formed in San Francisco, California in 1965. A pioneer of counterculture-era psychedelic rock, the group was the first band from the San Francisco scene to achieve international mainstream success. They performed at the three most famous American rock festivals of the 1960s—Monterey (1967), Woodstock (1969) and Altamont (1969) —as well as headlining the first Isle of Wight Festival (1968). Their 1967 record Surrealistic Pillow is regarded as one of the key recordings of the “Summer of Love”. Two hits from that album, “Somebody to Love” and “White Rabbit”, are listed in Rolling Stone’s “500 Greatest Songs of All Time”.]

White Rabbit!

14. Psychic TV – “Godstar”
from: Godstar – Single / Temple Records / 1985
[Godstar feature the band The Angels of Light. The song was about the life of Rolling Stones founder Brian Jones, with whom Genesis P-Orridge had a peculiar fascination. The song was covered by Television Personalities on their album Don’t Cry Baby, It’s Only A Movie. Psychic TV (also referred to as PTV, Psychick TV, as well as several other aliases) were an English experimental video art and music group, formed by performance artist Genesis P-Orridge and Scottish musician Alex Fergusson in 1981 after the break-up of Throbbing Gristle. Contributors to Psychic TV have included artists such as Coil, Current 93, Monte Cazazza, Larry Thrasher, Soft Cell, The Cult, Master Musicians of Jajouka, William Breeze, Derek Jarman, John Gosling, Timothy Leary, Rose McDowall, Andrew Weatherall, and Z’EV. Thee Temple ov Psychick Youth formed as an organisation at the inception of the band, who conceived it as a magical order and the philosophical wing of Psychic TV. T.O.P.Y. also functions as a cult-like fan-club for the group. Psychic TV have released over one hundred full-length albums to date, and earned an entry in the Guinness Book of World Records for most records released in one year (1986). This occurred after the band attempted to release 23 live albums on the 23rd day of 23 consecutive months. Psychic TV was influential in pioneering the acid house genre, releasing several fake compilations in an effort to popularize the sound, such as Jack the Tab and Tekno Acid Beat. According to some, acid house was actually given its name by Genesis Breyer P-Orridge. After breaking up in 1999, Psychic TV reformed as PTV3 with a completely new line-up in 2003, and continued to perform and release music.] [Genesis Breyer P-Orridge was born February 22, 1950 and died this year on March 14, 2020. Genesis P-Orridge was an English singer-songwriter, musician, poet, performance artist, and occultist. They rose to notability as the founder of the COUM Transmissions artistic collective and lead vocalist of seminal industrial band Throbbing Gristle. P-Orridge was also a founding member of Thee Temple ov Psychick Youth occult group, and fronted the experimental band Psychic TV. P-Orridge preferred gender-neutral pronouns when being described. Born in Manchester as Neil Andrew Megson, P-Orridge developed an early interest in art, occultism, and the avant-garde while at Solihull School. After dropping out of studies at the University of Hull, P-Orridge moved into a counter-cultural commune in London and adopted Genesis P-Orridge as a nom-de-guerre. On returning to Hull, P-Orridge founded COUM Transmissions with Cosey Fanni Tutti, and in 1973 P-Orridge relocated to London. COUM’s confrontational performance work, dealing with such subjects as sex work, pornography, serial killers, and occultism, represented a concerted attempt to challenge societal norms and attracted the attention of the national press. COUM’s 1976 Prostitution show at London’s Institute of Contemporary Arts was particularly vilified by tabloids, gaining them the moniker of the “wreckers of civilisation.” P-Orridge’s band, Throbbing Gristle, grew out of COUM, and were active from 1975 to 1981 as pioneers in the industrial music genre. In 1981, P-Orridge co-founded Psychic TV, an experimental band that from 1988 onward came under the increasing influence of acid house. A controversial figure with an anti-establishment stance, P-Orridge was heavily criticised by the British press and politicians. P-Orridge was cited as an icon within the avant-garde art scene, accrued a cult following, and has been given the moniker of the “Godparent of Industrial Music”. When Genesis was 45 years old, they met their second wife-to-be, Lady Jaye (née Jacqueline Breyer) in a BDSM dungeon in New York City. Lady Jaye, 26 years old at the time, worked as a nurse during the daytime, providing care for children with terminal illnesses and disabilities. In the evenings, Lady Jaye working as a dominatrix at the dungeon, and Genesis was a visiting customer. As Genesis explained, ..this girl walked by with a beautiful Brian Jones blonde bob and all ’60s clothes. And she was walking backwards and forwards with a cigarette in her hand, talking to somebody. And as she carried on walking back and forth, she gradually started to throw off those clothes and change into a really amazing leather fetish outfit. My goodness, who is that? She’s so beautiful. We found ourselves saying out loud, dear universe, if we can be with that person for the rest of our life, that’s all we want. In January 1993, Genesis and Lady Jaye moved to Ridgewood, Queens, in New York City. Here, they embarked on the “Pandrogeny Project”; influenced by the cut-up technique, the duo underwent body modification to resemble one another, thus coming to identify themselves as a single pandrogynous being named “Breyer P-Orridge”. In doing so, the pair spent $200,000 on surgical alteration, receiving breast implants, cheek and chin implants, lip plumping, eye and nose jobs, tattooing, and hormone therapy, while also adopting gender neutral and alternating pronouns. With this project, P-Orridge’s intent was to express a belief that the self is pure consciousness trapped within the DNA-governed body. The couple adopted the term “pandrogyne” because, in their words, “we wanted a word without any history or any connections with things, a word with its own story and its own information”. They also stated that: We started out, because we were so crazy in love, just wanting to eat each other up, to become each other and become one. And as we did that, we started to see that it was affecting us in ways that we didn’t expect. Really, we were just two parts of one whole; the pandrogyne was the whole and we were each other’s other half. During this era, a book was published of Breyer P-Orridge’s writings, poems, and observations, called Ooh, You Are Awful … But I Like You!. In June 1998, Breyer P-Orridge won a $1.5 million lawsuit against producer Rick Rubin and his American Recordings label for injuries sustained while trying to escape a fire at Rubin’s home in April 1995. According to Breyer P-Orridge’s attorney, David D. Stein, Breyer P-Orridge was staying at Rubin’s home, as a guest of Love and Rockets, when the fire broke out. Breyer P-Orridge tried to escape the house by crawling through a second-storey window and fell onto concrete stairs. Between them, Breyer P-Orridge suffered a broken wrist, broken ribs, and a pulmonary embolism, as well as a shattered left elbow that, according to Stein, prevented P-Orridge from playing bass or keyboards. They remained in hospital for 10 days. The jury found that the liability for the fire rested with Rubin and American Recordings, and awarded Breyer P-Orridge $1,572,000 in compensation. Breyer P-Orridge appeared in the 1998 film and 2000 book versions of Modulations. As well as appearing in the 1999 film, Better Living Through Circuitry, in the 2004 film DiG!, Bruce LaBruce’s 2004 film The Raspberry Reich, the 2006 documentary Monks: The Transatlantic Feedback, in Nik Sheehan’s 2007 feature documentary on the Dreamachine entitled ‘FLicKeR’, and the 2010 documentary “William S. Burroughs: A Man Within”. On October 9, 2007, Lady Jaye Breyer P-Orridge died. The cause of death was heart arrhythmia, a heart condition that was possibly related to stomach cancer. Psychic TV cancelled its North American tour dates in the aftermath of Lady Jaye’s death. A memorial was held at the Participant Inc. Gallery in New York City on March 8, 2008. As of January 2013, P-Orridge’s official website said: Since that time Genesis continues to represent the amalgam Breyer P-Orridge in the material ‘world’ and Lady Jaye represents the amalgam Breyer P-Orridge in the immaterial ‘world’ creating an ongoing interdimensional collaboration. Thus, P-Orridge continued the Pandrogyne Project, having further surgical operations to alter their body and using “we” when in reference to themselves. In June 2010, P-Orridge sold the Ridgewood property, holding a garage sale in the basement of a local art gallery to sell off a range of personal items, in addition to an array of dildos. This accomplished, P-Orridge moved to a one-bedroom apartment in New York’s Lower East Side, and continued producing art in this home. P-Orridge returned to touring with Psychic TV in 2016 with the release of their album Alienist. The tour lasted from mid-September to early December, with concerts in Greece, Israel, Poland, Russia, Ukraine, the United Kingdom and the U.S. In mid-2016, P-Orridge’s artwork was the subject of an exhibition, “Try to Altar Everything”, at the Rubin Museum of Art in New York City. The exhibition contained paintings, sculptures, and installations inspired by the Hindu mythology that P-Orridge had encountered in Kathmandu. In June 2016, P-Orridge featured as a model in a campaign by the designer Marc Jacobs, who described P-Orridge as “a sort of come-to-life definition of realness and authenticity”. P-Orridge was diagnosed with chronic myelomonocytic leukaemia in October 2017, and died in NYC on March 14, 2020, aged 70. More info at: http://www.genesisporridge.com]

15. Miss Boating – “Junk Food”
from: The Vhargon Sidestep / Miss Boating / January 1, 2020
[From the ashes of their former band The Sleazebeats, Charles Colborne and Bill Belzer faced a difficult 2019 when combined with the death of Charlie’s own beloved mother, their friend and bassist Evan Vhargon died. The band wrote that they “were lost when Evan passed.” Through the tough times Bill and Charlie kept playing and wrote that they “were blown away when Phil Dickey wanted to jam with us… the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.” Phil is part of the bands Dragon Inn 3, and Someone Still Loves You Boris Yeltsin. Miss Boating is: Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]

Charlie Colborne of Miss Boating

Bill Belzer of Miss Boating

11:15 – Interview with Charlie Colborne & Bill Belzer

Charlie Colborne is Senior Editor & Editorial Manager for Greeting Cards at Andrews McMeel Publishing. Prior to this position Charlie worked as an Attorney for many years as a Public Defender. Charlie Colborne is from KC, and literally lives 3 blocks from where he was born. As he writes, “…basically, he’s gone nowhere.’ Charlie came from a musical family, his mother Kathleen passed down to him her love of playing the piano. Charlie has been playing in bands since the late 1980s including The Larvae, The Post-Executives, Crackpot Idealists, Borax Babies, Faun, The Sympathetic Fringe, The Escapegoats, The Sleazebeats and Miss Boating. Charlie also has collaborated with theatre performances.

Charlie Colborne, Thanks for being with us on Wednesday MidDay Medley

Bill Belzer was born on the day Nixon was elected to his only full term (November 5, 1968 ) at the now demolished St. Mary’s Hospital, in a room over-looking the Liberty Memorial. He played bass guitar and drums in high school, first at Catholic Savior of the World High School Seminary in Kansas City, Kansas and then Rockhurst High School, in Kansas City, Missouri, from which he graduated in 1987. While at Rockhurst High School he joined the band Mongol Beach Party as drummer. The band’s breakup coincided with Bill leaving to join Uncle Tupelo as drummer for a stint on their European-American Tour with Michelle Shocked, The Band and Taj Mahal in the early 1990s. Like Charlie he has stuck close to home. His beloved boyfriend Aaron plays trombone in Miss Boating and they are both very much looking forward to having band practice again. Bill has been a part of the bands: Mongol Beach Party, Grumpy, Uncle Tupelo, The Grant Hart Band, The Sleazebeats, The Patio Set, The Terrible Twos, Ghosty, Lazy, The New Amsterdams, and Miss Boating.

Bill Belzer Thanks for being with us on Wednesday MidDay Medley

Charlie Colborne & Bill Belzer join us to talk about their new band, Miss Boating and their EP, The Vhargon Sidestep released January 1, 2020.

Congratulations on the new band Miss Boating, and the new EP The Vhargon Sidestep.

Miss Boating rose from the ashes of your former band The Sleazebeats, who played live in various incarnations for 20 years, always with Bill and Charlie. Releasing a full length album with Jeff Harshbarger on bass on January 1, 2012

Charlie and Bill faced a difficult 2019 when combined with the death of their friend and Sleazebeats bassist, Evan Jolly who took his own life on November 8, 2018, Charlie’s mother passed away on March 1, 2019.

You band wrote that they “were lost when Evan passed.”

Through the difficult times Bill and Charlie kept playing music together as friends. The bad wrote “we were blown away when Phil Dickey wanted to jam with us…”

Phil Dickey is part of the bands: Dragon Inn 3, and Someone Still Loves You Boris Yeltsin.

“…the jamming turned into something more and we were going again. We couldn’t be more thankful and humbled.”

A midtown staple, Charlie has been in a bunch of bands, as he humbly writes, “most of which seldom ventured out of the basement.” Here’s the list: The Larvae, The Post-Executives, Crackpot Idealists, Borax Babies, Faun, Sympathetic Fringe, The Sleazebeats, The Escapegoats, Miss Boating

“Jewel In The Trash” was the first single from the new EP

11:24

16. Miss Boating – “Jewel In The Trash”
from: The Vhargon Sidestep / Miss Boating / January 1, 2020
[Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]

11:27 – More Interview with Charlie Colborne & Bill Belzer

Charlie Colborne & Bill Belzer join us to talk about their new band, Miss Boating and their EP, The Vhargon Sidestep released January 1, 2020.

Charlie Colborne & Bill Belzer, thanks or being with us on Wednesday MidDay Medley

How the band took on the name “Miss Boating,” is inspired by, Charlie’s mom, Kathleen Rita Colborne, who in January 1956, was crowned “Miss Boating” at the Kansas City Sports Show. A photo of Kathleen as Miss Boating went up at the bar in the Twin Oaks apartment complex where she lived. The photo caught the eye of John H. (Jack) Colborne, from Wausau, Wisconsin. They met, and after a brief courtship they married in August 1956.

Miss Boating:
Charlie Colborne on keyboards, guitar, vocals;
Bill Belzer: drums, vocals;
Phil Dickey on bass;
Aaron Jones on trombone;
Tim Gillespie on saxophone.

Charlie Colborne & Bill Belzer, thanks or being with us on Wednesday MidDay Medley

Miss Boating released the debut EP, The Vhargon Sidestep on January 1, 2020.

11:36

17. Miss Boating – “Old Sad Darling”
from: The Vhargon Sidestep / Miss Boating / January 1, 2020
[Charlie Colborne on keyboards, guitar, vocals; Bill Belzer: drums, vocals; Phil Dickey on bass; Aaron Jones on trombone; Tim Gillespie on saxophone. Ross Brown served as engineering, did all of the mixing for The Vhargon Sidestep and Mike Nolte handled all of the mastering.]

11:39 – Other bands with Phil Dickey

18. Someone Still Loves You Boris Yeltsin – “Harrison Ford”
from: Fly By Wire / Polyvinyl Records / September 17, 2013
[Someone Still Loves You Boris Yeltsin has been playing music in Springfield, Missouri since 1999, when Will Knauer and Philip Dickey met at a Super Bowl party. Where pop perfectionism meets studio experimentation, SSLYBY’s endearing music composes quirky chord changes amid massive hooks and addictive melodies. SSLYBY have become experts in crafting indie pop through a string of 7″s, full-length albums and a rarities collection. SPIN once declared that the Missouri band “could succeed The Shins as the band that will change your life.” Met at a Super Bowl party in 1999. Broncos vs. Falcons. Came up with the band name in 2000. Dorm roommates in 2001. Not really sure about 2002. Recorded a short EP in 2003. Three or four people started going to our shows in 2004.First album. Broom. 2005. First tour. Signed to Polyvinyl Records in 2006. Our song “Oregon Girl” is on The OC. The OC gets canceled a few weeks later. Boris Yeltsin dies 2007. We played in Moscow a couple months later. Also in 2007: First Europe tour. Toured with Mute Math. Second Album. Pershing. 2008. Jonathan briefly quits the band. 2009. Most of our songs are used in an episode of 16 and Pregnant. Start recording LP3 with Chris Walla. Third album. Let It Sway. August 17, 2010. Toured with Tokyo Police Club and Two Door Cinema Club in 2011. SSLYBY in Shark Night 3D September 2011. B-sides/Rarities album. It’s called Tape Club. September 2011. First Japanese tour. Summer 2012. Named U.S. State Department Cultural Ambassadors. Return to Mother Russia January 2013. Made our fourth album back in Will’s attic. It’s called Fly By Wire. Released in August 2013. Realized we’ve played over 600 shows. Recorded a new album at Chris Walla’s Hall of Justice studio in Seattle. Produced by Beau Sorenson. 2015 New album “The High Country” out now on Polyvinyl (US/Europe) and Moorworks (Japan).]

19. Dragon Inn 3 – “Club Sauce”
from: Double Line / American Laundromat Records / August 17, 2018
[Kansas City based band formed in 2012 with Grace Bentley, Sharon Bowie, Philip K. Dickey, E.P. Marcus. Dragon Inn 3’s debut LP clocks in at 28 minutes, but the band spent six years whittling away on the songs that would eventually become Double Line. Combining sugary pop hooks, hypnotic beats, and huge MOOG synths, Dragon Inn 3’s playful take on 80s pop could double as the soundtrack to a John Hughes movie (if John Hughes directed Blade Runner). The cinematic origins of Dragon Inn 3 can be traced back to 2012, when Philip Dickey (leader of the indie-pop group Someone Still Loves You Boris Yeltsin) wrote a theme song for the award-winning short film Ghoul School. “If you watch the trailer you can tell it’s the same premise and look as Stranger Things–we just accidentally made it three years before them,” Dickey says. “I had so much fun making the soundtrack with the director (E.P. Marcus) that we decided to start a band.” Dickey recruited his sister, Sharon Bowie, an occupational therapist, and his wife, children’s librarian Grace Bentley, to help with songwriting and vocal duties. The group self-released the Ghoul School Soundtrack EP in late 2012, receiving high praise from Consequence of Sound, Philadelphia’s WXPN, and The Riverfront Times, before climbing to #1 on Bandcamp’s cassette charts. Then it was back to the studio (i.e. the bedrooms, kitchens, garages, and hotel rooms that doubled as makeshift recording studios). In between full-time jobs, parenthood, graduate school classes, and cross country moves, the members of Dragon Inn 3 put Double Line to tape. “I’m a stay-at-home dad now, so I would work on song arrangements and rough mixes when our toddler was taking his naps,” explains Dickey. “Grace would come home from work and record all her parts after his bedtime. We recorded all the breathy vocals in the living room and all the yelly parts in the garage so we wouldn’t wake him up.” The result is a highly addictive album that creates “a soundtrack for the more introspective moments on and off the dance floor,” according to critic David Greenwald. Opening track “What Kind Of World Are You Living In” plays like Blondie if the band hired Hall and Oates to record guitars. The album takes an intimate turn with “Bad Boy,” Bowie’s dreamy “Rocket Launcher,” and Bentley’s introspective cover of Robin Gibb’s “Juliet.” “3 Minute Mile” swoons with arpeggios and a hypnotic MOOG bass, while Bentley softly repeats the phrase “desperation/bad desire.” Then there are Italo-disco tinged tracks “Backstabber” and “Club Sauce,” with sing-songy pop hooks that harken back to Madonna and Whitney Houston’s greatest hits. “Double Line Theme” and “Murder In The Third” show off DI3’s soundtrack aspirations, and sound like lost Tangerine Dream and Giorgio Moroder B-sides. “Up In The Business” provides indelible synth hooks and a triumphant ending to Double Line. With members spread out over the country (KC, LA, and Springfield, MO), the group signed to American Laundromat Records in early 2018. A demo of “Bad Boy” (co-written with Free Energy’s Paul Sprangers) landed in a commercial for Ryan Adams’ Beats 1 Radio show before the song was even completed.]

11:46 – Underwriting

20. Calvin Arsenia – “Experience”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Born in Orlando, Florida, Calvin’s creative journey really began when he moved to the KC suburb of Olathe, teaching himself the guitar, and eventually the harp. He learned his signature instrument at the age of 20 after he couldn’t find a harpist as determined as him to meld folk, rock, classical, rap and R&B into the irresistible fusion which has become his calling card in the Kansas City music scene and beyond. His passion for stretching the boundaries of musical expression saw him transform a trip to Edinburgh, Scotland’s Fringe Festival early in his career into a life-changing music mission, with an Edinburgh church offering him a role as musical liaison between the church and the city that would change his life. Two years and 300 shows later, Calvin returned to Kansas City reborn as a humanistic songwriter/performer whose impassioned and conceptual stage shows (regularly sold-out in Kansas City, currently catching fire on the West Coast with a diverse following across Europe), are collaborative, costumed-culture-bridging spectacles which In KC Magazine has hailed as ‘equal parts opera, symphony, musical theatre, rock show, all built around its creator: a charismatic 6-foot-6-inch harpist with a natural stage command and knack for gilding gold and painting lilies.’
Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. His full length album Catastrophe on February 14, 2017, His EP Caviar in November 2017. Calvin’s 2018 national debut, Cantaloupe, was released on September 15, 2018 on Center Cut Records. On June 28, 2019 Calvin released Honeydew, an EP including a remix of three songs from Cantaloupe. On September 20, 2019 Calvin released LA Sessions. On December 13, 2019 Calvin released his full length Christmas album “all is calm.” Calvin is also a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre.]

21. Waxahatchee – “Lilacs”
from: Saint Cloud / Merge Records / March 27, 2020
[All songs written by Katie Crutchfield. Recorded & mixed at Sonic Ranch in Tornillo, TX & Long Pond in Stuyvesant, NY. Produced by Brad Cook. Engineered by Jerry Ordonez. Additional engineering by Jon Low. Mixed by Jon Low. Mastered by Brent Lambert at The Kitchen. KATIE CRUTCHFIELD on vocals, acoustic guitar, piano, keys; BRAD COOK on bass, acoustic guitar, piano, keys, synth; BOBBY COLOMBO on electric guitar, acoustic guitar, keys; BILL LENNOX on electric guitar, acoustic guitar, keys, percussion; NICK KINSEY on drums, percussion; JOSH KAUFMAN on electric guitars, piano, organ, percussion. Katie Crutchfield’s southern roots are undeniable. The name of her solo musical project Waxahatchee comes from a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going. More info at: http://www.waxahatchee.com.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, April 8 we will present more New & Midcoastal Releases. We will talk with members of L A Jones. We ALSO talk with Brenton Cook of Haymaker Records and Brodie Rush of Be/Non about a new Be/Non release. AND, we also talk with members of Rosé Perez.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #831

WMM Playlist from October 9, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 9, 2019

Julia Othmer + Jocelyn Olivia Nixin of The Creepy Jingles
+ Music from Outer Reaches with Brenton Cook & Steve Tulipana

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Angel Olsen – “All Mirrors”
from: All Mirrors / Jagjaguwar / October 4, 2019
[4th album from Angel Olsen who was born January 22, 1987. She is an American singer-songwriter and musician from St. Louis, Missouri who currently lives in Asheville, North Carolina. At age three, Olsen was adopted by a foster family that had cared for her since shortly after her birth. The difference in years between her and her parents left an impression. “Because there are so many decades of difference between us, I became more interested in what their childhood was like,” she says of her parents, both of whom still live in St. Louis. “I fantasized about what it was like to be young in the ’30s and ’50s, more so than other kids my age.” Olsen explained that “my mother just has this capacity for children.” Despite early adolescent aspirations to be a “pop star”, her interests later shifted in high school. Olsen became more introverted, regularly attending punk rock and noise music shows at the Lemp Neighborhood Arts Center and the Creepy Crawl as well as Christian rock shows throughout the city. She began learning the piano and guitar and writing her own music. Two years after graduating from Tower Grove Christian High School, Olsen moved to Chicago.After releasing her first EP, Strange Cacti, and a debut album, Half Way Home, on Bathetic Records, Olsen signed with Jagjaguwar, ahead of her first full-band record, Burn Your Fire for No Witness, which was released on February 17, 2014. Olsen’s third full-length album, My Woman, was released on September 2, 2016. In addition to her work with Bonnie “Prince” Billy and The Cairo Gang, Olsen has collaborated with a number of other notable figures of American indie rock, including Tim Kinsella of Cap’n Jazz, LeRoy Bach of Wilco and Cass McCombs. Her collaboration with Kinsella and Bach, as well as with Chicago poet Marvin Tate, resulted in the album Tim Kinsella Sings the Songs of Marvin Tate by Leroy Bach Featuring Angel Olsen which the group released on Indianapolis label Joyful Noise Recordings on December 3, 2013. Her song “Windows” was featured in the final episode of the Netflix original series 13 Reasons Why.]

3. Pretend Friend – “I Do”
from: Unnatural Currents / Pretend Friend / May 17, 2019
[Pretend Friend is a string-band dynamo out of Wichita, Kansas. Their songs meld traditional bluegrass and folk with fiery rock and roll zest, and their performances are distinguished by high-energy picking and three-part vocal harmonies. Pretend Friend is: Grant Boesen as songwriter, and on guitar & lead vocals; Jason Snavely on drums & vocals; Brody Wellman on bass & vocals; and Evan Ogborn on mandolin & vocals. Unnatural Currents” is Pretend Friend’s second full-length LP. This album is the first to be acoustically arranged and foreshadows Pretend Friend’s stylistic direction since Brody Wellman and Evan Ogborn have joined the ranks as upright bassist and mandolinist, respectively. “The writing of this album acknowledges the futility in pursuing supernatural absolutes, but it also validates respect of the unknown. It relishes the uncertainty of existence, spirituality, and morality, and it celebrates expressions of enthusiasm, infatuation and skepticism.” More info at http://www.pretendfriendmusic.com]

[Pretend Friend play Porch Fest KC Saturday, October 12, at 12:00 Noon, at 3022 Oak Street during The Original PorchFestKC, this Saturday, October 12, 12 Noon to 6:00 PM in Roanoke, Union Hill and Longfellow Neighborhoods, now in its 5th year this music celebration brings music from 152 local & regional bands on 68 porch stages including music in Union Hill Cemetary. The map (and parking suggestions) are available at: PorchFestKC.com ]

10:11

4. Julia Othmer – “Frickin Awesome”
from: Sound / Julia Othmer & James Lundie / June 30, 2016
[One several new songs from Julia Othmer’s upcoming full length release of “Sound,” her second album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.”.]

[Julia Othmer plays recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.]

Julia Othmer

10:14 – Interview with Julia Othmer

We are happy to welcome back to the radio show our friend, singer songwriter Julia Othmer. Julia Othmer joins us to talk about her newest album “Sound,” released on April 12, 2019 on Frikin’ Awesome Records. who went to Park Hill High and studied at Columbia University in New York City. Julia now lives in Los Angeles, California and she is back in her hometown to play recordBar, 1520 Grand, KCMO Sat, Oct. 12, at 8:00 PM, with Amado Espinoza.

Julia Othmer, thanks for being with us on WMM

Julia Othmer was born August 13, 1975. She is from Kansas City, Missouri. She went to Park Hill High and studied at Columbia University in New York City. Julia Othmer lives in Los Angeles, California.

Julia has lived in New York, Boston, Philadelphia, and in Colorado

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Julia moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.”

Julia’s mother Sieglinde Othmer is from Hamburg, Germany, and is an artist who studied at Sorbonne in Paris. She is the author of several award winning books. Julia recently lost her father Arthur Othmer

Julia first started playing piano in first grade.

This year Julia released “Sound,” her second full-length album, produced with James Lundie, who married Julia in January of 2016 during the completion of the record.

James Lundie is from London, United Kingdom.

Last year Julia Othmer toured with and opened for The Alarm in US show and shows in the United Kingdom.

Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Out of Print Magazine says: “This Thursday evening in the quaint little village of NYC, Julia Othmer, the mesmerizingly sultry singer/songwriter will be riding into town tucked under the wings of a Southwest jet. She will be performing at Rockwood Music Hall (196 Allen St. New York, NY) at 7PM sharp. If you haven’t heard of her, it may be because she has been diligently working on her new album for the last few years on the sunny and less immediate coast. Formerly a Kansas City native, Julia has put her pillow in New York, Boston, Philadelphia, some gondola in Colorado and finally Los Angeles, the city of lights and traffic, where she currently lives with her little white piano, her rock star and her cat Cosmo. Julia’s musical musings are so diverse that they become quite elusive to the simple description. Perhaps the best way to explain it would be if Nora Jones, Tom Waits, Billy Holiday and Lyle Lovett had a musical orgy and let you watch behind a curtain of burning lace and a whiskey waterfall. I’ll bring the unfiltered cigarettes, you bring your soul.”

Last time Julia Othmer was in Kansas City she played Knuckleheads, on February 28, with Johnny Hamil on bass, Chris Tady on guitar, John Floyd Whitaker on drums. All three will join Julia on stage at recordBar. Julia will welcome special guest: Julia Reynolds.

Who will be on stage with her on Saturday?

Julia Othmer plays recordBar, 1520 Grand, Sat. Oct. 12, at 8PM, w/ Amado Espinoza.

Julia ‘s newest album “Sound,” was released on April 12, 2019 on Frikin’ Awesome Records. Produced with James Lundie.

Tim Finn describes “Sound” as a “self-made record with a big-label sound… rich in space and soaring dynamics and rife with layers and textures and melodies and grooves.”

Julia Othmer is a graduate of Park Hill High School and moved to Los Angeles in 2006. While she lives in LA, she will always call KC her hometown.

Julia Othmer, thanks for being with us on WMM

Julia Othmer plays recordBar, 1520 Grand Blvd, KCMO Saturday, October 12, at 8:00 PM, with Amado Espinoza. More info at http://www.juliaothmer.com.

10:30 – Underwriting

10:32

5. The Creepy Jingles – “Atom & Evolution”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

Jocelyn Olivia Nixin and Julia Othmer on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

10:33 – Interview with Jocelyn Olivia Nixin of The Creepy Jingles

Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

Congratulations on the new EP Release on High Dive Records.

Ross Brown of (Shy Boys and Full Bloods) recorded and mixed the EP at escape Pod Audio.

Mike Nolte Mastered the recordings at Eureka Mastering.

EP credits give special thanks to: Collin Rausch and Kyle Rausch of Shy Boys

The Creepy Jingles photo by: Orange Blossom Photography

From High Dive Records http://www.highdivekc.com:

“The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit.”

“Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing Bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. ”

From FALLY AFANI, I Heart Local Music.com (JUNE 22, 2019):

“The Creepy Jingles are really throwing us for a loop. Like, we know garage rock is supposed to sound raw and a little loose. But The Creepy Jingles are so on point with their craft, we’re not entirely comfortable with picturing them as some laid back group of rockers. Every. Single. Note. Is. Perfect. When The Creepy Jingles play, it sounds like they practice every single day. They don’t miss a single thing! Every note in every song is spot on, we haven’t heard a group of rockers this tight with their performance in ages. When they hit the Replay for their album release show Thursday night, it was hard to look away. Jocelyn Olivia Nixon runs a tight ship with this group. They began the set with her pounding away at the keys, leaving a throbbing urge for more of their exciting rock noise. Then, when they fully dove into their impeccable guitar work, the audience was also treated to her gnarly-as-hell vocals. The growls, the screams, the RAWNESS of it all brings out our most primal emotions.”

Jocelyn Olivia Nixin on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI

Jocelyn Olivia Nixin is Community Organizer at Bandwaggn Kansas City

Jocelyn Olivia Nixin is Singer/ Songwriter/ Guitar/ Keys at The Creepy Jingles

Jocelyn Olivia Nixin is Singer-songwriter at English Major

Jocelyn Nixin Studied Filming/Directing/Acting/writing at The Art Institute of Austin

Jocelyn Nixin Studied Studied Broadcasting & Film at University of Central Missouri

Jocelyn Nixin Studied Studied Creative Writing in English at Missouri State University

Jocelyn Nixin went to Blue Springs South High School and Jocelyn Nixin lives in Overland Park, Kansas

From The Pitch KC June 19, 2019 Nick Spacek:

Jocelyn Olivia Nixin was part of the band Abracadabras, that was active around Kansas City from 2006 to 2009 or so. Nixon fronted the band, which also included brothers Collin and Kyle Rausch, who now play in the pop act Shy Boys.

Jocelyn Olivia Nixin told Nick Spacek i nan article published in The Pitch KC on June 19, 2019, “That was, like, the first band,” Nixon says. “I’d been writing songs since I was probably about 22, and that was our first band together. So it was like we all grew up together … Once I went to Austin, I felt like it was time for me to stand on my own.”

“I’d left [Kansas City] to work on my marriage,” Nixon continues. “My wife at the time was offered a job and I figured, Yeah, Austin, great music city. I should see what happens. A music city like Austin was the silver lining in moving away from my band.”

The marriage hit the skids a few years in, but Nixon continued writing music. She released a solo project called English Major, a divorce record of sorts. Five years in, though, everything finally seemed to come to a head.

“The traffic, the cost of living — our rent went up $750,” Nixon says. “It was almost impossible to stay. I was like, Why am I killing myself to do this? I was also starting to come to terms with my own personal identity, and it blew into this existential crisis, where I was like, I can’t keep this bottled up anymore.”

Being “bottled up” was Nixon acknowledging her recent transition into life as a woman, a process she’d started early during her time in Austin.

“Tweezing my eyebrows, laser hair removal, therapy, going out more in femme,” she says — but largely abandoned after her marriage fell apart and she stepped into a new relationship. But the desire to transition hadn’t gone away; Nixon was just burying it.
“I was depressed to the point where I kind of — there’s that line in ‘Yer Blues,’ where John Lennon’s like, Feel so suicidal/ Even hate my rock and roll.’ I was like, ‘Oh, I get that line,’”

Nixon says. “I didn’t ever feel like I was going to commit suicide, but I had this fantasy of faking my death and becoming a new person, which was all sort of leading me to transition, but I was just miserable and I just didn’t want to be around it.”

She decided to leave Austin and return to KC, though moving back home as she transitioned wasn’t something Nixon was initially eager to do. “I thought it was scarier to move back,” she says. But then she realized that, as she says, “I needed to do this in front of the people I grew up with, and have those tough conversations, and tell them who I really am and how I really feel. It felt like the most honest way to do things, and it felt like the most authentic way to bridge my past to my present.”

Nixon started hormones and came out as a woman after she moved back home to KC. She says everyone’s been cool about it — tons of support.

“When I came out, I felt stupid, because I was like, ‘I should’ve done this sooner,’” she says. “An immediate weight lifted off of me, just from carrying the weight of that consuming all my mental faculties at all times. It just shot my nervous system.”

Nixon had quit playing music toward the end of her time in Austin, and she gave herself a few years during her transition to “get my head right and heal from a breakup, and also, approaching this new phase in my life,” as she puts it. But she kept writing songs.

She started jamming with Nick Robertson, a drummer. Then they brought in Travis McKenzie, a former Abracadabras guitarist, and the Creepy Jingles were born. They played around for a few years and then, last year, began recording what would become their debut self-titled EP.

“We took it slow, doing it like, once a week, and then once fall rolled around, we were like, ‘Let’s record some things,’” Nixon says. They took the music to Ross Brown, another Shy Boy, who recorded and mixed the EP in his basement. Collin Rausch ended up playing bass on it (Adam York has since joined the group as the full-time bass player).

“It was kind of like a little family reunion,” Nixon says of reuniting with old bandmates.

Nick Spacek wrote: The EP was released on High Dive Records at the beginning of May. It’s confident and exuberant, a Kinksy mishmash of Britpop garage rock”.

She says. I felt like I had to adopt a mask or a character to protect myself a little bit onstage. Now it feels very me, and I’m very comfortable.”

The Creepy Jingles
photo by: Orange Blossom Photography

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:44

6. The Creepy Jingles – “Prodigal Sun Tzu”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

The Creepy Jingles
photo by: Orange Blossom Photography

10:47 – More Interview with Jocelyn Olivia Nixin of The Creepy Jingles

We are talking with Jocelyn Olivia Nixin, is lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records.

Jocelyn Olivia Nixin, thank you for being with us on Wednesday MidDay Medley

This has been a very busy year for you and for the band. You just finished playing Middle of The Map Festival. Before that you played Crossroads Music Festival.

The Creepy Jingles have played all over Kansas City, Lawrence and surrounding areas.

Abracadabras laid the ground work for the path Jocelyn is following for The Creepy Jingles.

The songs on the EP are incredibly poetic, and you are having somuch fun with word and wordplay. The lyrics fly by so fast while making all kinds of modern references to microchips, memes, Reddit, Twitter, Fake News, Samsung, Big Brother while also seeming to be auto biographical and personal first person narratives and calls to action about Coming Out, leaving your past behind, “turning straight people bi-focal”, our currently political reality, and personal break ups and break outs.

Collin & Kyle Rausch and Ross Brown of Shy Boys are suppoters of The Creepy Jingles.

Mark: “One of my favorite aspects of the KC music community is the mix of genre and culture. Musical artists in Kansas City have felt comfortable to come out as Gay Lesbianm non-binary, transgender, ad the music community’s response seems to be okay, that’s great, what do you sound like? I don’t see transgender artist being shoved into a separate sub category where they only play gay bars.” “As an openly gay man I have often felt more accepted in the KC Music Community than in the Kansas City LGBTQIA Community.”

High Dive Records has released some of our most played music on WMM. The ACBs, Shy Boys, Fullbloods, The Conquerors, Psychic Heat, The Whiffs, The Fog, Y God Y have been some of our most played bands on the show. More info at: http://www.highdiverecords.bandcamp.com

The Creepy Jingles play Josey Records, 1814 Oak , KCMO, Saturday, October 12, for the Eggs On Mars Album Release Show.

The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes.

The Creepy Jingles play ArtsTech, 1522 Holmes, KCMO, on Halloween, Thursday, October 31

The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat.

The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky.

10:58

7. The Creepy Jingles – “Circadian Rhythm Guitar”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. Ross Bown recorded and mixed the EP at escape Pod Audio. Mike Nolte Mastered the recordings at Eureka Mastering.]

11:00 – Station ID

Jocelyn Olivia Nixin and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:00 – Music from Outer Reaches Fest at recordBar Saturday October, 19

8. Lumerians – “Silver Trash”
from: Call Of The Void / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland. They have their own recording studio in a converted church in Oakland, California. The band’s sound was influenced by groups such as Sonic Youth, Krautrock groups such as Can and Neu!, and African and South American Psych music from the 1960s and 1970s. In mid-2011 Vasquez left the group to focus on his project The Soft Moon The Lumerians have worked with vocalist Rebecca Coseboom. Coseboom and the Lumerians did the track Separate Half on the EP entitled The Answer EP by Unkle. They performed in 2010 in Brooklyn with the Butthole Surfers. Lumerians released their first full length LP, Transmalinnia in March 2011. In July 2012, Lumerians released their second LP, a collection of instrumental spontaneous compositions titled “Transmissions from Telos Vol. IV.” “Transmissions” was released as a limited 300 edition transparent vinyl by French label Hands in the Dark in Europe and an edition of 500 (150 transparent sea blue and 350 Bone) on Permanent Records in the US. In late November and early December 2012, Lumerians completed their first European tour, ending the year with the release of the Horizon Structures EP on Knitting Factory Records. A limited 500 edition vinyl of Horizon Structures is packaged with “4D Trans-dimensional portal viewing glasses” for viewing the video for “The Bloom,” shot in ChromaDepth. Lumerians released LP The High Frontier in May 2013 in the UK and Europe, supported by performances in UK, France, Netherlands and Belgium. The album was released August 2013 in the US, coinciding with a series of dates supporting My Bloody Valentine on the second half of their US tour, followed by a series of UK and European dates in 2014, culminating with them closing out the Roadburn Festival’s Afterburner in Tilburg, Netherlands. ]

Steve Tulipana and Brenton Cook on the October 9, 2019 edition of Wednesday MidDay Medley on KKFI.

11:06 – Interview with Brenton Cook & Steve Tulipana

Originally called KC Psych Fest, Outer Reaches started in 2012 to bring together outsider musical acts and celebrate experimental music in Kansas City. While still very psychedelic, the Outer Reaches Fest has grown to emphasize musical acts pushing boundaries.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 7 years, Brenton has been a co-curator of the Outer Reaches Fest.

Steve Tulipana is the co-owner of recordBar. Steve studied video, fine arts & painting at UMKC, where he graduated in 1991. Steve is a founding member of influential KC bands: Season To Risk, Roman Numerals, Thee Water MoccaSins, Sie Lieben Maschinen, and Unknown Pleasures. With Shawn Sherrill, he is co-owner of recordBar and miniBar. Along with Outer Reaches, and a full calendar of shows, Steve Tulipana also performs with The Band That Fell To Earth – in Tribute to David Bowie.

Brenton Cook & Steve Tulipana share music & news about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO. This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering). Accompanying the music will be live video projections provided by XO Blackwater. Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com. or http://www.outerreachesfest.com

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

Congratulations on 8 years.

Bands playing Out Reaches Fest 2019:

Lumerians (from Oakland, California),
Thunder Jackson (from Oklahoma and Wales),
KC based bands:
Be/Non,
BCR (Black Crack Revue),
Monta At Odds,
FACEFACE, and
Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.
Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian)

Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

From http://www.unicornsinthesnow.com:
Julia Vering (Unicorns in the Snow) is a performance artist, musician, animator and licensed clinical social worker. She began her involvement with the Kansas City DIY/punk scene as a teenager taking photographs and creating zines about obsolete local amusement parks and punk bands. She attended Evergreen State College where she earned a B.A. in liberal arts studying electronic music, experimental animation and social work. While in Washington state, she formed and toured with the all female conceptual art band Muñeca Chueca, volunteered at a senior center, recorded oral histories, and facilitated music recording workshops for incarcerated youth. After graduation, she moved back to Kansas City and began working at a nursing home where she facilitated art and music therapy and began an experimental drama program. She studied electro-acoustical composition and gerontology at the University of Missouri Kansas City. In 2008, she earned a Masters degree in Social Work from the University of Kansas. She designed a recreational therapy program for the inpatient geriatric psychiatric unit at the Kansas City Veterans Affairs Medical Center and worked as a licensed social worker at Kansas City Presbyterian Manor facilitating a drama club, harmonica band and talent shows. She currently works as a hospice social worker and leads an experimental therapeutic drama group for people with dementia.

Vering balances her client-centered social work with the need to create intensely personal, introspective performances to share with the public. Her work explores mortality, loneliness, absurdity and empathy, seeking to monumentalize the mundane and forgotten through sound, performance and visual art. Vering received a Rocket Grant in 2011 to produce You Live Here Too, a multimedia performance utilizing video, stop-motion animation, an original score, and local senior citizens as actors and oral historians. After a hiatus from taking work after having children she created Motherhood, a psychedelic multimedia performance piece about perception, which utilizes processed accordion, field recordings of her children, stop motion animation of mink stoles and cameos from her own mother. She toured this project in June 2018 with former collaborator Angela Saylor of Mint Hill. Her current project, The Understudy, is an evolving multimedia performance piece featuring cameos from participants of the drama she leads for people with Alzheimer’s disease and other dementias. The piece was inspired by a delusion a nursing home resident shared with her 17 years ago that “every rock in here is from a different place, and if you pick it up, you can see where it’s from.” Vering continues to work within the DIY ethos recording her own music, filming, editing her own videos and writing her own scripts at her home studio in Overland Park, Kansas.

11:13 – Music from Outer Reaches

9. Unicorns in the Snow – “We Started a Rock Company”
rom: The Understudy / Julia Vering / May 9, 2019
[Julia Vering (unicorns in the snow) is a Kansas City-based performance artist, musician, animator and licensed clinical social worker. She earned a BA from The Evergreen State College studying electronic music, experimental animation and social work, and a Masters degree in Social Work from the University of Kansas. She currently works as a licensed hospice social worker, and conducts bi-monthly experimental video-based drama therapy with individuals with Alzheimer’s disease and related dementias at Jeanne’s Place day program. Her solo multimedia performance work has continued to evolve, utilizing large format interactive projections, processed accordion, field recordings of her children and cameos from her mother, culminating in 2018’s Motherhood. She is currently creating and performing, The Understudy, a multi-part performance series featuring adults with dementia.]

[Unicorns in the Snow play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

10. Be/Non – “Aahs Come From The Skies-Oohs Come From The Ground”
from: Mystic Sunrise / Sunset Magic / Haymaker Records / February 25, 2016
[Brodie Rush is a songwriter, musician, singer, organizer, artist, film maker, music video creator. Over 20 years ago KC native, Brodie Rush formed the experimental, psychedelic, prog-pop band. In 1996, Be/Non recorded two sets of songs in a small home studio in Lawrence, Kansas, that would become their first two EPs released on cassette. Be/Non, The band has had more members than Spinal Tap, but Brodie has remained the only consistent member, songwriter and producer. Be/Non personnel: 2007, Brodie Rush – Vocals, Guitar, Keyboards, Bass, Percussion, Drums; Ben Ruth – Bass, Upright Bass, Vocals; Adam Stotts – Guitar, Vocals; John Huff – Keyboards, Synths, Vocals; Adam Phillips – Drums (although Ryan Shank – played Drums on this track.) All songs written by: Brodie Rush, except Freedom Palace with music: John Huff & lyrics: Brodie Rush. Produced by Brodie Rush. Recorded at Westend Recording (Kansas City, Kansas) 2007 (Basic tracks, some overdubs); The Gold Room (Kansas City, Missouri) 2007 (Overdubs); Studio G (Brooklyn New York) 2007 (Mixing, Overdubs); The Map Room (Lawrence, Kansas) 2003 (Overdubs). Engineeres: Paul Malinowski Recorded at Westend Recording (Kansas City, Kansas) 2007 ; Brodie Rush The Gold Room (Kansas City, Missouri) 2007; Joel Hamilton Studio G (Brooklyn New York) 2007 ; Peter Buxton The Map Room (Lawrence, Kansas) 2003, (Saxophone overdubs imported from “Do The Heat” off the record, “Esperanto At The Pantheon, Incognito”). Mixed by Joel Hamilton at Studio G (Brooklyn New York) 2007. Mastered by Brodie Rush. Thanks John Hulston, Anodyne Records, Brenton Cook, Haymaker Records, Paul Malinowski, Tony Maimone, Justin Warring, Adam Phillips, Brandon Phillips, Steve Neuenburg, Mike Miller, Shawna Sowersby-Booth, David Hanson, Billy Brimblecom, Steve Tulipana, Jason Cantu, David Gaume, Robert Moczydlowsky, Laurel Birdsong Sears, Kid Millions, Cypher Sound, The Record Bar. Dedicated to: Failed marriages throughout time and space. The troubled “Freedom Palace” LP was recorded over 10 years ago in the summer of 2007 by Paul Malinowski and Brodie Rush in Kansas City, Missouri. Anodyne Records had commissioned Be/Non to re-record songs from, “RAN” and “Esperanto At The Pantheon, Incognito” along with other unreleased material. The music from the title track “Freedom Palace” was written by John Huff and had the album been released, would have been the first Be/Non composition not penned by Brodie Rush. Be/Non was a 5 piece before recording negotiations began in 2007. Directly before preproduction, the band had lost its drummer of 3 years and Be/Non was actively searching for a replacement. Between Brodie filling in on drums for two songs and Billy Brimblecom playing drums on another track, Be/Non asked Adam Phillips of The Architects to drum on the album’s remaining songs. The album was mostly recorded at Westend Studios in Kansas City and at Brodie’s home studio The Gold Room. After tracking 97% of the album, the project was taken to Studio G in Brooklyn New York for mixing by Joel Hamilton. 10 days later, the album was mixed and ready for duplication. No formal album covers had been decided on. John Huff had an idea of a Unipegadong by a nebula in space, while Brodie was thinking a castle floating in mid air. The first cover idea was mostly just pointing arrows going in all directions. Emotionally that was probably the closest to the mindset of that recording. The album “Freedom Palace” was never pressed or released. Because a contractual arrangement could not be agreed upon between Anodyne Records and Be/Non, the band would not see an album released until 2009, “A Mountain Of Yeses”, 11 years after it’s last release in 1998. “Freedom Palace” is dismissed by the band as a complete failure. Ultimately not having rights to the recordings, the inability to reach a contractual agreement with Anodyne Records and unhappiness with the final mix led to the disbanding of the “Freedom Palace” line up in early 2008. Reclusive, secluded and freshly divorced, a depressed Brodie Rush stopped all live performances for the next two years. Spending time to construct the concept record “A Mountain Of Yeses” as a solo endeavor under the Be/Non band moniker. Then, six years later in 2014, John Hulston of Anodyne Records graciously gave Brodie Rush full rights to the “Freedom Palace” recordings and masters. Be/Non has since tried numerous times to re-record the material for a proper release, but never could fully accomplish this task. Finally, for the entire world, for better or for worse, Be/Non and Haymaker Records would like to present the final mix of “Freedom Palace” the way it was originally intended. Be/Non adamantly renounces the production, mix and performances on these recordings, with few exceptions. The album was mixed and recorded during a dizzying haze of drug and alcohol abuse. The lyrics, the tone and the feel of the record is very unfocused, angry and misguided. This record does not reflect the proper sonic soundscape or performances Brodie Rush and Be/Non had intended whatsoever. “Freedom Palace” was full of rehashed versions of songs better left to their previous incarnations. “Moi Ou Toi” from the 7″ is a remake from “Freedom Palace” but the “FP” version is a remake of the original “Ran” version. Complicated. In fact ALL of the recordings on “FP” are remakes from “Ran” and “Esperanto.” “Do the Heat” and “Lucy” are again remakes of the “Ran” and “Esperanto” versions. The version of “Ice Fight” on “FP” I think… is different than the B-Side to “Moi Ou Toi”. A different remix with other instruments. We had two different versions from 2015. The Kraftwerk reference was unintentional. John Huff started playing that back in 2006 but hadn’t heard the Kraftwerk song until I played it for him in 2015. He just did that and thought he was cool. I hadn’t heard that tune until 2010 or so. It was an accident. There is an unreleased, unfinished song called “No God Of Mine” I recorded in 2002 on my 8 track that when I tried to remake it in 2007 with Mike Cochran on drums, John heard it and played me a song from the band YWKMBT Trail Of Dead from 2005 that was almost identical even the timing on the changes. The vocal melody was different tho. I got so disturbed by it that I stop working on the song altogether. “Garlic”, “In The Nighttime” “More Than Enough” and “Current And The Rind” were all part of an unreleased collection called “Enhance The Smoky” from 2000. Same year “Tenderfoot” was written.]

[Be/Non play Outer Reaches, Saturday, October 19 at recordBar, 1520 Grand, KCMO]

11:18 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook & Steve Tulipana about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO.

Brenton Cook and Steve Tulipana thanks for being with us on Wednesday MidDay Medley.

This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering).

Accompanying the music will be live video projections provided by XO Blackwater.

The show is 18+ (Under 18 with a guardian) More information at: http://www.therecordbar.com.

We just heard Be/Non from: Mystic Sunrise | Sunset Magic / Haymaker Records / 2/25/16

Be/Non will be joining Outer Reaches this year to perform a special set of music with video accompaniment. This will be their first live appearance in 3 years.

Last year Outer Reaches is part of Open Spaces KC. This year Outer Reaches is again collaborating with Midwest Music Foundation. Outer Reaches 2019 is made possible from the help of a grant through the KC Neighborhood Tourist Development Fund.

Sponsors for this year’s fest include Records with Merritt, 7th Heaven, It’s a Beautiful Day, recordBar, Seen Merch, XO Blackwater, Haymaker Records, Kosmic City, Crush Media, Boulevard Brewing Co., and Print Time. Info: http://www.outerreachesfest.com

11:24 – Music from Outer Reaches

11. Thunder Jackson – “Colours”
from: Colours – Single / Thunder Jackson / March 7, 2018
[Thunder Jackson is the meeting of an Oklahoma’s singer-songwriter and a British producer. After meeting in a taxi cab in Los Angeles, the freshly born duo started to work in basement studio on the west side of the city.Nov 26, 2017.]

[Thunder Jackson play Outer Reaches Fest, Saturday, October 19 at recordbar.]

12. BCR – “Love In Outer Space”
from: Speck of Dust / Sparkling Beatnik / December 31, 2004
[BCR is Black Crack Revue, formed 37 years ago in KC. Called “groovy polyphonic jazz/dance” band.]

[BCR play Outer Reaches Fest, Saturday, October 19 at recordbar.]

11:32 – Underwriting

11:35 – Interview with Brenton Cook & Steve Tulipana

We’re talking with Brenton Cook, and Steve Tulipana about OUTER REACHES VIII on two stages on Saturday, Oct. 19th at recordBar.

Brenton Cook and Steve Tulipana thanks for being with us on WMM.

More info: http://www.outerreachesfest.com/

The music festival Outer Reaches, in its eighth year, emphasizes musical acts experimenting and pushing boundaries. The fest aims to showcase the ‘out there,’ left-of-center, under-the-radar musical acts performing captivating live music. The shows are 18+ and feature acts from a variety of musical genres with accompanying video projection.

11:42 – Music from Outer Reaches

13. FACEFACE – “Meat Me”
from: MMmm / FACEFACE / February 15, 2018
[KC based experimental electronic hiphop musical collaboration with Paul S. Nyakatura, is a Kansas City based award winning voiceover artist, stand up comedian, commercial producer, and rapper and hip hop artist.and Ryan Lee Toms is a Kansas City based multi-instumentalist, composer and artist who has recorded original experimental dance electronic music as RLT with John Bersuch. Ryan also plays guitar with the math rock band HMPH! and he plays drums for the KC based, 5-piece post-punk deathrock band Beelzebabes..]

[FACEFACE plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

14. Monta At Odds – “Perimeter Dancer”
from: New Unreleased track from band with Mikal Shapiro on vocals
[KCK based band formed by brothers Dedric and Delaney Moore. ]

[Monta At Odds plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, October 19]

11:48 – Underwriting

11:56 – Music from Outer Reaches

15. Lumerians – “C – Rock”
from: Yellowcake – Single / Fuzz Club Records / June 22, 2018
[Lumerians is a San Francisco Bay Area-based quartet which has a psychedelic “mindbender” space rock sound. The group is notable for performances characterized by “transcendent live video projections” and having “incredible visuals”, according to one music critic. One critic described the band as “Oakland’s prize pony in the Bay Area gloom-folk horse race”. The sound has been compared to Krautrock with overtones of 1960s music. The band was founded by Tyler Green, Marc Melzer, Jason Miller and Chris Musgrave in 2006. Multi-instrumentalist Luis Vasquez joined in 2008. Early rehearsals and recordings were produced in San Francisco, but the group has since relocated to Oakland.

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on October 16 – we welcome Krystle Warren with Brad Cox and Jen Owen of Owen/Cox Dance Group who present “Love Songs” at Polsky Theatre Saturday, October 19 at 8:00 pm, and Sunday, October 20 at 3:30 PM. We’ll feature music from Krystle Warren’s critically acclaimed 2012 double album release of 24 original songs, recorded in Brooklyn with a 27-piece band. Also next week special co-hosts Betse Ellis and Marion Merritt join us for our Fall Fund Drive Show encouraging you our beautiful listeners to call us and show your support for the most original radio station you’ve ever listened to, 90.1 FM KKFI where over 85 locally produced radio shows air each week.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #806

Wednesday MidDay Medley presents Julia Other + Jocelyn Olivia Nixon + Brenton Cook & Steve Tulipana of Outer Reaches Fest

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, October 9, 2019

Julia Othmer + Jocelyn Olivia Nixin of The Creepy Jingles
+ Music from Outer Reaches with Brenton Cook & Steve Tulipana

Mark plays music from the 8th annual Outer Reaches Fest, with tracks from: Lumerians, Unicorns in the Snow, Be/Non, Thunder Jackson, BCR, FaceFace, and Monta At Odds. We’ll also play new music from Pretend Friend who play the 5th annual PorchFest KC. And we’ll spin music from Julia Othmer, The Creepy Jingles, and Angel Olsen.

Julia Othmer

At 10:15 Julia Othmer joins us to talk about her newest album “Sound,” released on April 12, 2019 on Frikin’ Awesome Records. Produced with James Lundie, a UK musician and producer who married Julia after the completion of “Sound.” Music writer Tim Finn describes “Sound” as a “self-made record with a big-label sound… rich in space and soaring dynamics and rife with layers and textures and melodies and grooves.” Julia Othmer is a graduate of Park Hill High School and moved to Los Angeles in 2006. While she lives in LA, she will always call KC her hometown. Julia Othmer plays recordBar, 1520 Grand Blvd, KCMO Saturday, October 12, at 8:00 PM, with Amado Espinoza. More info at http://www.juliaothmer.com.

The Creepy Jingles

At 10:33 Mark talks with Jocelyn Olivia Nixin, lead singer, songwriter, keyboardist & guitar player for the KC based band, The Creepy Jingles which include: Travis McKenzie on guitar, Nick Robertson on drums, and Adam York on bass. The Creepy Jingles released their self titled debut EP on May 3, 2019 on High Dive Records. The Creepy Jingles play Kirby’s Beer Store, 3227 E 17th St N, Wichita, KS, on Sunday, October 13, at 9:00 PM, with Shivery Shakes. The Creepy Jingles play First Friday at Revolution Records, 1830 Locust St, KCMO, Friday November 1, at 6:30 PM with Videodisk, Xmas Anhedonia, and Fox Hat. The Creepy Jingles play Colonial Club, 322 6th Street, KCK, on Friday, November 29, at 10:00 PM, with Thighmaster, and Blanky. More info at: http://www.highdiverecords.bandcamp.com

At 11:00 Brenton Cook & Steve Tulipana share music & news about OUTER REACHES, Saturday, October 19, at 7:00 PM, at recordBar, 1520 Grand Blvd, KCMO. This boundary-pushing music festival returns for it’s 8th year with seven amazing bands: Lumerians (from Oakland, California), Thunder Jackson (from Oklahoma and Wales), and KC based bands: Be/Non, BCR (Black Crack Revue), Monta At Odds, FACEFACE, and Unicorns in the Snow (the project of multimedia performance artist Julia Vering). Accompanying the music will be live video projections provided by XO Blackwater. Outer Reaches 2019 is a partnership between Outer Reaches and Midwest Music Foundation. The show is 18+ (Under 18 with a guardian) and has a ticket price of $15. Advanced ticket options are available at http://www.therecordbar.com. More Info: http://www.outerreachesfest.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #806

WMM Playlist from January 17, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 17, 2018

Maria Vasquez Boyd, Tim J. Harte, Ryan Wilks, and Lesley Pories on the January 17, 2018 edition of Wednesday MidDay Medley

New & MidCoastal Releases + Lesley Pories
+ Ryan Wilks & Here Where You Wish

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Destroyer – “Tinseltown Swimming in Blood”
from: Ken / Merge Records / October 20, 2017
[11th studio album from Destroyer from Vancouver, British Columbia fronted by singer-songwriter Dan Bejar and formed in 1995. Destroyer songs are characterized by abstract, poetic lyrics and idiosyncratic vocals. The band’s discography draws on a variety of musical influences, resulting in albums that can sound markedly distinct from one another; in Bejar’s words, “That’s kind of my goal: to start from scratch every time.” Daniel Bejar was born October 4, 1972. Bejar has gained widespread popularity through his musical collaborations with Vancouver indie-rock band The New Pornographers, but has released far more material as the frontman of his band Destroyer. He is renowned for his poetic and often cryptic lyrics as well as his unorthodox vocals. Bejar’s father was a Spanish physicist and his mother was a Spanish teacher. Growing up, Bejar moved frequently, and as an adult he has resided in Canada and Spain. Bejar attended University of British Columbia for three years: “To my credit, I eventually dropped out; to my discredit, I waited three years to do it. I was taking mostly English and Philosophy classes, fooling myself into thinking I might be an academic.”]

[Destroyer plays recordbar, 1520 Grand, TONIGHT, January 17, at 9:00 PM with Mega Bog]

3. Be/Non – “Freedom Palace” [2015 new version, John Huff on lead vocals]
from: Freedom Palace / Haymaker Records / February 17, 2018
[Brodie Rush is a songwriter, musician, singer, organizer, artist, film maker, music video creator. Over 20 years ago KC native, Brodie Rush formed the experimental, psychedelic, prog-pop band. In 1996, Be/Non recorded two sets of songs in a small home studio in Lawrence, Kansas, that would become their first two EPs released on cassette. Be/Non, The band has had more members than Spinal Tap, but Brodie has remained the only consistent member, songwriter and producer. Be/Non personnel: 2007, Brodie Rush – Vocals, Guitar, Keyboards, Bass, Percussion, Drums; Ben Ruth – Bass, Upright Bass, Vocals; Adam Stotts – Guitar, Vocals; John Huff – Keyboards, Synths, Vocals; Adam Phillips – Drums (although Ryan Shank – played Drums on this track.) All songs written by: Brodie Rush, except Freedom Palace with music: John Huff & lyrics: Brodie Rush. Produced by Brodie Rush. Recorded at Westend Recording (Kansas City, Kansas) 2007 (Basic tracks, some overdubs); The Gold Room (Kansas City, Missouri) 2007 (Overdubs); Studio G (Brooklyn New York) 2007 (Mixing, Overdubs); The Map Room (Lawrence, Kansas) 2003 (Overdubs). Engineeres: Paul Malinowski Recorded at Westend Recording (Kansas City, Kansas) 2007 ; Brodie Rush The Gold Room (Kansas City, Missouri) 2007; Joel Hamilton Studio G (Brooklyn New York) 2007 ; Peter Buxton The Map Room (Lawrence, Kansas) 2003, (Saxophone overdubs imported from “Do The Heat” off the record, “Esperanto At The Pantheon, Incognito”). Mixed by Joel Hamilton at Studio G (Brooklyn New York) 2007. Mastered by Brodie Rush. Thanks John Hulston, Anodyne Records, Brenton Cook, Haymaker Records, Paul Malinowski, Tony Maimone, Justin Warring, Adam Phillips, Brandon Phillips, Steve Neuenburg, Mike Miller, Shawna Sowersby-Booth, David Hanson, Billy Brimblecom, Steve Tulipana, Jason Cantu, David Gaume, Robert Moczydlowsky, Laurel Birdsong Sears, Kid Millions, Cypher Sound, The Record Bar. Dedicated to: Failed marriages throughout time and space. The troubled “Freedom Palace” LP was recorded over 10 years ago in the summer of 2007 by Paul Malinowski and Brodie Rush in Kansas City, Missouri. Anodyne Records had commissioned Be/Non to re-record songs from, “RAN” and “Esperanto At The Pantheon, Incognito” along with other unreleased material. The music from the title track “Freedom Palace” was written by John Huff and had the album been released, would have been the first Be/Non composition not penned by Brodie Rush. Be/Non was a 5 piece before recording negotiations began in 2007. Directly before preproduction, the band had lost its drummer of 3 years and Be/Non was actively searching for a replacement. Between Brodie filling in on drums for two songs and Billy Brimblecom playing drums on another track, Be/Non asked Adam Phillips of The Architects to drum on the album’s remaining songs. The album was mostly recorded at Westend Studios in Kansas City and at Brodie’s home studio The Gold Room. After tracking 97% of the album, the project was taken to Studio G in Brooklyn New York for mixing by Joel Hamilton. 10 days later, the album was mixed and ready for duplication. No formal album covers had been decided on. John Huff had an idea of a Unipegadong by a nebula in space, while Brodie was thinking a castle floating in mid air. The first cover idea was mostly just pointing arrows going in all directions. Emotionally that was probably the closest to the mindset of that recording. The album “Freedom Palace” was never pressed or released. Because a contractual arrangement could not be agreed upon between Anodyne Records and Be/Non, the band would not see an album released until 2009, “A Mountain Of Yeses”, 11 years after it’s last release in 1998. “Freedom Palace” is dismissed by the band as a complete failure. Ultimately not having rights to the recordings, the inability to reach a contractual agreement with Anodyne Records and unhappiness with the final mix led to the disbanding of the “Freedom Palace” line up in early 2008. Reclusive, secluded and freshly divorced, a depressed Brodie Rush stopped all live performances for the next two years. Spending time to construct the concept record “A Mountain Of Yeses” as a solo endeavor under the Be/Non band moniker. Then, six years later in 2014, John Hulston of Anodyne Records graciously gave Brodie Rush full rights to the “Freedom Palace” recordings and masters. Be/Non has since tried numerous times to re-record the material for a proper release, but never could fully accomplish this task. Finally, for the entire world, for better or for worse, Be/Non and Haymaker Records would like to present the final mix of “Freedom Palace” the way it was originally intended. Be/Non adamantly renounces the production, mix and performances on these recordings, with few exceptions. The album was mixed and recorded during a dizzying haze of drug and alcohol abuse. The lyrics, the tone and the feel of the record is very unfocused, angry and misguided. This record does not reflect the proper sonic soundscape or performances Brodie Rush and Be/Non had intended whatsoever. “Freedom Palace” was full of rehashed versions of songs better left to their previous incarnations. “Moi Ou Toi” from the 7″ is a remake from “Freedom Palace” but the “FP” version is a remake of the original “Ran” version. Complicated. In fact ALL of the recordings on “FP” are remakes from “Ran” and “Esperanto.” “Do the Heat” and “Lucy” are again remakes of the “Ran” and “Esperanto” versions. The version of “Ice Fight” on “FP” I think… is different than the B-Side to “Moi Ou Toi”. A different remix with other instruments. We had two different versions from 2015. The Kraftwerk reference was unintentional. John Huff started playing that back in 2006 but hadn’t heard the Kraftwerk song until I played it for him in 2015. He just did that and thought he was cool. I hadn’t heard that tune until 2010 or so. It was an accident. There is an unreleased, unfinished song called “No God Of Mine” I recorded in 2002 on my 8 track that when I tried to remake it in 2007 with Mike Cochran on drums, John heard it and played me a song from the band YWKMBT Trail Of Dead from 2005 that was almost identical even the timing on the changes. The vocal melody was different tho. I got so disturbed by it that I stop working on the song altogether. “Garlic”, “In The Nighttime” “More Than Enough” and “Current And The Rind” were all part of an unreleased collection called “Enhance The Smoky” from 2000. Same year “Tenderfoot” was written.]

4. Momma’s Boy – “Want Me Back”
from: Don’t Talk About It – Single / Dead Summer Single Series / November 3, 2017
[2nd release of Momma’s Boys’ Dead Summer Single Series. Written by Peter Beatty. Lead vocals by Jared Bajkowski. Momma’s Boy, an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass & vocals. Recorded at Element Recording Studios with Joel Nanos.Their debut EP Liquid Courage was released Feb. 25, 2017.]

[Momma’s Boy play Riot Room, 4048 Broadway, Friday, January 19, at 9:00 with Rachel Mallin & The wild Type, and Dreamgirl.]

5. Superorganism – “Everybody Wants To Be Famous”
from: Superorganism / Domino Records / Expected: March 2, 2018
[Superorganism is an indie pop band that formed in early 2017. The group is made up of 8 members, one of which is a 17-year-old Japanese girl only known as Orono. The 7 other members go by the names of Harry, Emily, Ruby, B, Tucan, Soul, and Robert. The group, started with members from all over the world including The United States, Japan, South Korea, London, Australia, and New Zealand, makes original internet-age electronically-tinged indie pop music. Bandmembers Harry, Emily, Ruby, B, Tucan, Soul, and Robert were all longtime friends who decided it was finally time to work together. Harry and Emily met Orono during one of their old band’s Japan shows (she attended as a fan), and they struck up a Facebook friendship with their future bandmate. After discovering she could sing, they invited her to add lyrics and vocals to a demo they’d been working on for a new project at the beginning of 2017.]

6. Dead Voices – “Trust A Fool”
from: Dead Voices / Independent / April 20, 2013
[Formed in Sept 2010, by David Regnier, Jason Beers, Matt Richey, Michael Stover, Marco Pascolini.]

[Dead Voices play recordBar, 1520 Grand, Sat., Jan. 20, at 9:00 with Slights, and The Old Chelsea]

7. Sara Morgan – “Never Been to Nashville”
from: Average Jane / River Delta Records / Expected January 26, 2018
[KC based Singer/Songwriter, originally from McGehee, Arkansas. Sara Morgan plays saxophone, guitar, banjo, ukulele, and piano. Sara has opened for BJ Thomas, John Michael Montgomery, John Corbett, Sean Rowe, Chuck Mead, Ben Taylor, and was the preshow before Loretta Lynn at The Uptown, November 2014. Ms. Lynn hosted Sara on her tour bus after Sara’s set and prior to Ms. Lynn’s performance.]

[Sara Morgan plays a CD Preview, Fri, Jan. 19, at 8:30 PM, at Gospel Lounge at Knuckleheads Saloon.]

10:30 – Underwriting

10:32 – Interview with Lesley Pories

MidCoast Radio Project Board Member and 90.1 FM Membership Committee Chair – Lesley Pories joins to talk about 90.1 FM KKFI, and how listeners can become more involved. Lesley moved to KC four years ago and has been volunteering at 90.1 FM for most of that time, and has served on the Board of Directors for two of those years. A DC native, Lesley has a Masters in Urban Planning from UNC Chapel Hill and a Masters in International Relations from the Fletcher School at Tufts University. Aside from the East Coast, she’s lived and worked in Uzbekistan, India and Guinea. Here in KC, she also serves on the Board of BikeWalkKC. During the day, Lesley works as a Senior Sector Analyst at water and sanitation non-profit, Water.org.

Lesley Pories, Thanks for being with us on Wednesday MidDay Medley

Lesley grew up in Vienna (Virginia).

Two Masters Degrees

Lesley volunteered in Peace Corps for two years in Uzbekistan.

Lesley worked for The Carter Center and spent three months observing political elections in Guinea

Water.org – Kansas City – Senior Sector Analyst – traveling India

Volunteering at KKFI for more information: Volunteer@kkfi.org

10:44

8. Marideth Sisco & Accomplices – “Been Here Before”
from: Empty Doors / Juneapple Records / November 23, 2017
[Written by Marideth Sisco and songwriting partner Robin Frederick. Performed by Sisco with members of The Blackberry Winter Band: Linda Stoffel – Vocals, Dennis Crider – Guitar, Van Colbert – Banjo, Tedi May – Upright Bass, Bo Brown – Mandolin & Dobro. Marideth Sisco is a journalist, teacher, author, musician, student of folklore, and creator of Elder Mountain Press, a venue for publishing stories relevant to Ozarks culture and history. You can hear her essays “These Ozarks Hills” on public radio, ksmu.org. Discovered by producers of the independent film Winter’s Bone who asked her to be a part of the film and to serve as music consultant. “Winter’s Bone,” ended up winning best picture and best screenplay at Sundance Film Festival, it was honored at the Berlin Film Festival and was nominated for four Academy Awards. The band that created the music for the film is has made several tours, and recordings. More information at http://www.maridethsisco.com]

9. David Byrne – “Everybody’s Coming To My House”
from: American Utopia / Todomundo – Nonesuch / March 9, 2018
[Co written with Brian Eno. David Byrne’s first solo studio album since 2004’s Grown Backwards. Even though since then he has released albums with Brian Eno, Fat Boy Slim, and St. Vincent. The album is his 11th outside of his work with talking Heads. The new album is one part of a larger multimedia project entitled Reasons to Be Cheerful which aims to give reasons for being happy and optimistic in spite of political strife and environmental problems. The project was entitled after the Ian Dury song “Reasons to Be Cheerful (Part 3)”. David Byrne writes: “Is this meant ironically? Is it a joke? Do I mean this seriously? In what way? Am I referring to the past or the future? Is it personal or political? These songs don’t describe an imaginary or possibly impossible place but rather attempt to depict the world we live in now. Many of us, I suspect, are not satisfied with that world—the world we have made for ourselves. We look around and we ask ourselves—well, does it have to be like this? Is there another way? These songs are about that looking and that asking. This album is indirectly about those aspirational impulses. Sometimes to describe is to reveal, to see other possibilities. To ask a question is to begin the process of looking for an answer. To be descriptive is also to be prescriptive, in a way. The act of asking is a big step. The songs are sincere—the title is not ironic. The title refers not to a specific utopia, but rather to our longing, frustration, aspirations, fears, and hopes regarding what could be possible, what else is possible. The description, the discontent and the desire—I have a feeling that is what these songs touch on. I have no prescriptions or surefire answers, but I sense that I am not the only one looking and asking, wondering and still holding onto some tiny bit of hope, unwilling to succumb entirely to despair or cynicism.”]

[David Byrne plays the Muriel Kauffman Theatre at the Kauffman Center for he Performing Arts, Thursday, June 7, at 7:30 PM. Tickets go on sale Tuesday, Jan 23.]

10. Old Sound – “The Ocean”
from: Rain Follows The Plow / Independent / February 2014
[Greg Herrenbruck on bass & vocals; Grady Keller on mandolin, acoustic guitar & vocals; Chad Brothers on acoustic guitar & vocals. Recorded and produced by Phil Wade at his studio: Alluvial Fan Studios.]

[Old Sound plays The Phoenix, 302 West 8th St., Thursday, January 18, at 7:00 pm.]

11. Hipshot Killer – “They Will Try To Kill Us All”
from: They Will Try To Kill Us All / Throwing Things / January 16, 2016
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) For the recording: Mike Alexander on guitar & vocals, Chris Wagner on bass & vocals, Thomas Becker (Beautiful Bodies), on drums. The band released their debut record Hipshot Killer, April 29, 2011, and a single on Too Much Rock on October 21. Mike Alexander joined us live on WMM on October 19.]

[Hipshot Killer plays miniBar, 3810 Broadway, Saturday, January 20, with various Blonde, North By North, and Witch Jail.]

11:00 – Station ID

12. Sufjan Stevens – “Tonya Harding (In Eb major)”
from: Tonya Harding – Single / Asthmatic Kitty Records / December 8, 2017
[Sufjan Stevens (SOOF-yan) was born July 1, 1975, and is an American singer-songwriter and multi-instrumentalist. His debut album A Sun Came was released in 2000 on the Asthmatic Kitty label which he cofounded with his stepfather. He is perhaps best known for his 2005 album Illinois, which hit number one on the Billboard Top Heatseekers chart, and for the single “Chicago” from that album. Stevens was born in Detroit, Michigan, and lived there until the age of nine, when his family moved to Petoskey, in the northern part of the Lower Peninsula of Michigan. He was raised by his father Rasjid and his stepmother Pat, only occasionally visiting his mother, Carrie, in Oregon after she married her second husband Lowell Brams. (Brams later became the head of Stevens’ record label Asthmatic Kitty).He attended the Detroit Waldorf School, Petoskey High School and Interlochen Arts Academy, and graduated from Harbor Light Christian School. He then attended Hope College in Holland, Michigan, and earned a Masters of Fine Arts from The New School in New York City. Sufjan is a Persian name meaning “comes with a sword”. It predates Islam and most famously belonged to Abu Sufyan, a figure from early Islamic history. The name was given to Stevens by the founder of Subud, an inter-faith spiritual community to which his parents belonged when he was born. A multi-instrumentalist, Stevens is known for his use of the banjo, but also plays guitar, piano, drums, xylophone, and several other instruments, often playing all of these on his albums through the use of multitrack recording. While in school, he studied the oboe and English horn, which he also plays on his albums. Stevens did not learn to play the guitar until his time at Hope College. Stevens lives in Kensington, Brooklyn, in New York City, where he makes up the Brooklyn staff of Asthmatic Kitty Records.]

13. Payge Turner – “Only One”
from: Only One – Single / Justin’s Place / September 1, 2017
[Second Single from Kansas City based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. she writes that, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays “An Acoustic Evening” with Pink Royal and Instant Karma, Thursday, January 25, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City.]

14. Jake Wells – “Circle of Life”
from: “Circle of Life” – Single / Beach Boy Music / February 21, 2017
[Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 21 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations.]

[Jake Wells plays SoundMachine KC with Belle Game, and Spirit is The Spirit, Mlnday, January 29, at 7:00 PM, at recordBar, 1520 Grand Blvd.]

11:15 – Interview with Ryan Wilks & Tim J. Harte

Ryan Wilks is a Kansas City based artist who’s work has explored gender issues, queer erotica, femininity and sexuality. His new exhibit, Here Where You Wish, is an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018. Wilks is constructing a large public altar in the Central Library with a transformative temple-like labyrinth entry-way being crafted by renowned artist Ari Fish. Tim J Harte is composing ritual based sounds/music for the event. The 40 square feet altar is being constructed by Sean Prudden and Ryan Wilks, to house the objects that people bring to the piece.

Ryan Wilks, thanks for being with us again on Wednesday MidDay Medley

Also with us is musician, composer, co-founder of the Kansas City record label, Mother Russia Industries, Tim J.Harte makes music using Sega Genesis, Dungeons and Dragons, math and several hard working laptop computers. Tim J. Harte is currently studying composition at UMKC’s Conservatory of Music. He just recently composed music and conducted a 7 piece ensemble for Trench Warfare, a theatrical performance presented last Saturday evening, January 13, at the National World War I Museum and Memorial J.C. Nichols Auditorium.

Tim J. Harte, thanks for being with us again on t90.1 FM.

To support this project you can visit: https://www.kickstarter.com/projects/1840510472/here-where-you-wish/description

Here Where You Wish is an immersive public installation coming to the Kansas City Public Library, Central Library location at 14 W. 10th St. on April 6, 2018.

From Ryan’s press materials: Kansas City-based visual artist Ryan Wilks is constructing a large public altar in the KCPL Central Library with a transformative temple-like labyrinth entry way that encourages the public to consciously and methodically enter. The elaborate and flowing entrance is meticulously crafted by renowned artist Ari Fish.

Tim J Harte akadungionmaster is composing ritual based sounds/music to softly play through the installation. The altar itself will be 40 square feet and constructed by Sean Prudden and Ryan Wilks, and will beautifully house the objects that people leave behind.

11:25

15. AKADungeonMaster – “B LUCE DELL-ALBA”
from: MOTHER RUSSIA INDUSTRIES DOT COM VOL. THREE / M. R. I. / June 24, 2016
[Mother Russia Industries is a Kansas City based music label formed in 2008 by Tim J Harte and Rita Brinkerhoff supporting the music of AKA DJ DUNGEONMASTER, Blondie Brunetti, and others.]

We are talking with Ryan Wilks & Tim J. Harte about the new exhibit, Here Where You Wish

From Ryan’s press materials: Altars are typically resurrected to pay homage to a historical event or to worship deities. This altar is intended to serve as a nondenominational safe-space for personal expression and reflection. Created for everyone, by everyone. People from all walks of life are encouraged to write down a wish and leave it on the altar. A wish, a non-religious prayer, opens us up to a child-like connection to the invisible and allows us to gently believe even if just for a second that what we most desire can and will come true if we are bold enough to speak its name.

2017 was a hard year for all of us. No matter what side of the protest lines we stand, we do so because we are uneasy, angry, afraid, and unwilling to compromise what we think is right. There is a need to create a safe and sacred space for all of us to feel hope in. To believe in the power of the individual and of a wish.

The altar will be up for 3 months and will grow substantially in its aesthetic as people leave behind a wish on paper and/or an object. Wilks will be rolling up the paper wishes and tying them to hundreds of feather sculptures rotating above the altar, stirring the energy of the wishes. Here Where You Wish will provide a space for internal dialogue and reflection. As the installation is in a heavily-trafficked public library, attending participants will contribute to the interactive aspects of the installation. Additionally, Wilks has plans to utilize and honor the objects others leave in the space by publishing a book, which will be a literary and visual documentation of what Kansas City is wishing for in 2018.

Risks and challenges

Every project comes with its own unique risks and challenges:

Foreseeably people will want to know where their objects that they have left at the altar will end up. We are open to suggestions! Obviously since Here Where You Wish is in a public space, leaving behind your grandmothers broach is not encouraged if your heart is intent on getting it back once the installation is complete. People may feel connected to certain objects and take them with them. This is not necessarily the goal here, but it may happen, and the Library nor anyone involved in the project can be held responsible for missing objects. Items left should hold some emotional weight with the individual but not to the degree that letting it go with a wish would cause regret.

The objects at the end of the project will be repurposed respectfully, and possibly a part of a more permanent installation in a public space.

There is also the vulnerability of writing down a wish, and people may not want their wish shared in a book; there will be verbiage at the installation that lets people know these are anonymous wishes and to not add information that you would not feel comfortable being published, such as a name. There is something beautiful though, in letting such a vulnerable thing as a wish, be shared with the world, because for every wish there are thousands of people wishing the same wish.

There will be verbiage explaining that objects such as weapons, alcohol, drugs, and food are not welcomed to be placed upon the altar.
Ryan Wilks will be coming in twice weekly to ensure that these requests are fulfilled as will library staff.

Ryan Wilks and Tim J. Harte, thanks for being with us again on WMM

His new exhibit, Here Where You Wish, is an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018.

More info at: http://www.wilkspainting.com
http://www.motherrussiaindustries.bandcamp.com

11:37

16. Superchunk – “Erasure (feat. Waxahatchee & Stephin Merritt)”
from: What a Time to Be Alive / Merge / Expected: February 16, 2018
[11th album release from band formed in 1989 in Chapel Hill, North Carolina, Superchunk is Mac McCaughan (guitar, vocals), Jim Wilbur (guitar, backing vocals), Jon Wurster (drums, backing vocals), and Laura Ballance (bass, backing vocals). Since releasing their first 7-inch in 1989, Superchunk has run the gamut of milestone albums: early punk rock stompers, polished mid-career masterpieces, and lush, adventurous curveballs. Recorded by Beau Sorenson at Manifold Recording, Pittsboro, NC., except “Break the Glass” and “I Got Cut” at Overdub Lane. Mastered by Matthew Barnhart at Chicago Mastering .]

11:41 – Underwriting

17. Minnie Riperton – “Lovin’ You (Single Version With Countdown)”
from: Perfect Angel (Deluxe Edition) / Capitol / orig. Aug. 9, 1974 -Reissued Dec. 5, 2017
[Produced by Stevie Wonder under the name “El Toro Negro” to circumvent Motown’s refusal to allow him to produce the record for Epic. Minnie Julia Riperton-Rudolph (November 8, 1947 – July 12, 1979), known professionally as Minnie Riperton, was an American singer-songwriter best known for her 1975 single “Lovin’ You” and her five-octave coloratura soprano. She is also widely known for her use of the whistle register and has been referred to by the media as the “Queen of the whistle register”. Born in 1947, Riperton grew up in Chicago’s Bronzeville neighborhood on the South Side. As a child, she studied music, drama, and dance at Chicago’s Lincoln Center. In her teen years, she sang lead vocals for the Chicago-based girl group, The Gems. Her early affiliation with the legendary Chicago-based Chess Records afforded her the opportunity to sing backup for various established artists such as Etta James, Fontella Bass, Ramsey Lewis, Bo Diddley, Chuck Berry, and Muddy Waters. While at Chess, Riperton also sang lead for the experimental rock/soul group Rotary Connection, from 1967 to 1971. On April 5, 1975, Riperton reached the apex of her career with her no. 1 single, “Lovin’ You”. The single was the last release from her 1974 gold album entitled Perfect Angel. In January 1976, Riperton was diagnosed with breast cancer and underwent a radical mastectomy. By the time of diagnosis, the cancer had metastasized and she was given about six months to live. Despite the grim prognosis, she continued recording and touring. She was one of the first celebrities to go public with her breast cancer diagnosis, but did not disclose she was terminally ill. In 1977, she became a spokesperson for the American Cancer Society. In 1978, she received the American Cancer Society’s Courage Award which was presented to her at the White House by President Jimmy Carter. Riperton died of cancer on July 12, 1979 at age 31.]

18. The Hillary Watts Riot – “Killer Kind”
from: A/S/L / Money Wolf Music / April 20, 2012
[Debut album. THWR include: Hillary Watts Bird, Christian Hankel, Tommy Donoho, Sergio Moreno, Justin Penney. They describe their music as “freak pop.” This band is so fun to see live.]

[The Hillary Watts Riot play Bottleneck, LFK Sat, Jan 20 w/Alice Sweet Alice, Benevox, People Watching]

19. Westerners – “Tetris”
from: Reoccurring Dream Theme / The Record Machine / July 14, 2017
[Debut full length album from Lawrence / Kansas City based band formed in August of 2013. The band includes: Mitch Hewlett, Josh Hartranft, Matthew Pesma and Gerardo Rojas. Westerners signed to Kansas City independent label The Record Machine in 2015.] [Westerners played an album release at Mills Record Co, Fri, July 7, w/ Shortsweather and at Love Garden Records, Lawrence, July 8, w/ No Magic, and CS Luxem.]

[The Westerners play recordBar, 1520 Grand, Sun, Jan 21, ay 8:00 PM, with Motherfolk and Toughies.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next Week on Wednesday, January 24 we’ll talk with company members of Spinning Tree Theatre about FULL GALLOP their newest show running January 26 through February 11 at Just Off Broadway Theatre, 3051 Central in KCMO. Tickets available at Central Ticket Office at (816) 235-6222. More information at http://www.spinningtreetheatre.com. Cheryl Weaver stars as fashion doyenne Diana Vreeland in this one-woman play. The Kansas City premiere is directed by Doug Weaver.

Also next week we’ll talk with Ryan Lee Toms about his newest musical collaboration, FaceFace and their latest release MMMMM.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #717

WMM talks with Ryan Wilks of Here Where You Wish + Lesley Pories

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 17, 2018

New & MidCoastal Releases + Lesley Pories +
+ Ryan Wilks & Here Where You Wish

Mark plays New & MidCoastal Releases from: Momma’s Boy, Sara Morgan, Nathan Corsi, Be/Non, Payge Turner, Dead Voices, Marideth Sisco & Accomplices, Westerners, Jake Wells, Mother Russia Industries, The Hillary Watts Riot, Hipshot Killer, Old Sound, Destroyer, Superorganism, Minnie Riperton, Sufjan Stevens, and Superchunk with Waxahatchee & Stephin Merritt.

At 10:30, MidCoast Radio Project Board Member and 90.1 FM Membership Committee Chair – Lesley Pories joins us to talk about 90.1 FM KKFI, and how listeners can become more involved. Lesley has been volunteering at 90.1 FM for nearly three years, and has served on the Board of Directors for two of those years. She is originally from Vienna, Virgina has worked in Washington DC, and Atlanta. Lesley spent two years teaching English as a Peace Corp Volunteer in Uzbekistan, worked on small water conservation in Hubli, India, observed presidential elections in Guinea, and obtained two Masters Degrees from the University of North Carolina and the Fletcher School (Tufts). Lesley currently works as a Senior Sector Analyst at Water.org based here in Kansas City.

At 11:15, Mark talks with artist Ryan Wilks about his new exhibit, Here Where You Wish, an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018. Wilks is constructing a large public altar in the Central Library with a transformative temple-like labyrinth entry-way being crafted by renowned artist Ari Fish. Tim J Harte is composing ritual based sounds/music for the event. The 40 square feet altar is being constructed by Sean Prudden and Ryan Wilks, to house the objects that people bring to the piece. To support this project you can visit: https://www.kickstarter.com/projects/1840510472/here-where-you-wish/description

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #717

WMM Playlist from September 20, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 20, 2017

Our 700th Show! with Madisen Ward and the Mama Bear, Krystle Warren, Calvin Arsenia, Ron Megee, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Scott Hobart, and Nico Gray.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Dimitri From Paris – “Prologue”
from: Sacreblu / Atlantic Records / June 11, 1996

3. Sufjan Stevens – “Inaugural Pop Music For Jane Margaret Byrne”
from: The Avalanche: Outtakes And Extras From The Illinois Album / Asthmatic Kitty / July 11, 2006
[A press release on the Asthmatic Kitty website reported that the Illinois album was supposed to be a double record (with somewhere near 50 songs), but the idea was eventually scrapped. After the success of the album, Stevens returned to his analog 8-track recorder in late 2005 and began the process of finishing 21 of the previously abandoned songs, which would eventually become The Avalanche. Stevens has stated during interviews that although he doesn’t like The Avalanche as much as Illinois, he felt it was important to release the songs in light of the success of his most recent album. He has also said that he decided to release the album in order to buy time until his next “The 50 States” project,” release.]

Thanks for tuning into Wednesday MidDay Medley. I’m Mark Manning. Today’s show is a celebration of 700 weeks, 1400 hours of radio, 10,000 hours of preparation, nearly 2000 guests, and over 15,000 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music scene, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases.

We’ve happily presented new formats in radio, with our popular, “A Story In A Song” series, and our special shows featuring: Apocalypse Meow, The MidCoast Takeover, Middle of The Map, The Crossroads Music Fest, The Outer Reaches Festival, The Lawrence Field Day Fest, and our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, Visual Art, The Spoken Word, Gay Pride, Civil Rights, and our interviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin. Plus, our annual 4-week special: the 100+ Best Recordings of the Year.

To say I’ve been inspired by the KC music scene, is an understatement. In just this last year, we’ve played from over 100 local releases of 2017. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists I’ve met while doing this show. I am inspired by the women who created radio on 90.1 FM long before me: my friend April Fletcher who know plays bass professionally in Los Angeles, and my friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. I’m inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the amazing stories and music and voice of our community.

Ruth Ward, Maria Vasquez Boyd, Marion Merritt, Ron Megee, Necia Gamby, Krystle Warren, and Madisen Ward

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers, the lovers. Today we celebrate 700 weeks of Wednesday MidDay Medley, the show that has brought us together, at this time, on this frequency, in these community airwaves. Thanks for listening.

10:05 – Marion Merritt Interview/Story

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. That features new vinyl releases, weekly in-store performances from young and upcoming bands, and most recenty was the location for a wedding.

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

We always wanted someone from a record store to have a regular presence on WMM.

When I first met Marion, she walked up to me with a recording in hand and suggested I might like the Philip Glass recordings of the Low Symphony with David Bowie and Brian Eno.

Marion and I really didn’t know each other in the beginning, but throughout these 700 shows we’ve become very close friends, I’ve watched her life transition from corporate retail to owning her own record store in the neighborhood where I live.

For 13 years Marion Merritt haa had a huge influence on our playlists. It was during our first year that she interviewed Regina Spektor.

10:10

4. Regina Spektor – “Braile”
from: 11:11 / Regina Spektor / July 9, 2001
[Debut album by singer-songwriter Regina Spektor. It was self-released on CD and sold at Spektor’s early shows. The album is now out of print on CD and much sought-after by collectors, it is available as a download from online music outlets. Regina Spektor was born February 18, 1980, in Moscow (former Soviet Union, now Russia), and began classical training on the piano at the age of six. When she was nine years old, her family left the Soviet Union in 1989, during the period of Perestroika, when Soviet citizens were permitted to emigrate. Regina had to leave her piano behind. The seriousness of her piano studies led her parents to consider not leaving the Soviet Union, but they finally decided to emigrate, due to the racial, ethnic, and political discrimination that Jews faced. Traveling first to Austria and then Italy, the Spektor family was admitted to the United States as refugees with the assistance of HIAS (the Hebrew Immigrant Aid Society). They settled in the Bronx, where Spektor graduated from the SAR Academy, a Jewish day middle school in the Riverdale section of the Bronx. Since the family had been unable to bring their piano from Moscow, Spektor practiced on tabletops and other hard surfaces until she found a piano on which to play in the basement of her synagogue. She began to write original songs shortly thereafter. Spektor gradually achieved recognition through performances in the anti-folk scene in downtown New York City, most prominently at the East Village’s SideWalk Cafe. She also performed at local colleges (such as Sarah Lawrence College) with other musicians, including the Trachtenburg Family Slideshow Players. She sold self-published CDs at her performances during this period: 11:11 (2001) and Songs (2002). After self-releasing her first three records and gaining popularity in New York City’s anti-folk scene, Spektor signed with Sire Records in 2004 and began achieving greater mainstream recognition. After giving her third album, Soviet Kitsch a major label re-release, Sire released her fourth album, Begin to Hope, which would go on to achieve a Gold certification by the RIAA. Her following two albums, Far and What We Saw from the Cheap Seats, each debuted at number 3 on the Billboard 200. Spektor married singer-songwriter Jack Dishel in 2011. Formerly a guitarist with the band the Moldy Peaches, Dishel is a member of the band Only Son and duets with Spektor in the song “Call Them Brothers”. On January 23, 2014, Spektor announced her pregnancy on Facebook. The couple announced the birth of a son in March 2014.]

[Regina Spektor plays A Special Solo Performance, Sun, Oct.28, at 8:00 PM, at The Uptown Theatre]

10:15 – Interview with Calvin Arsenia live from Paris!

Calvin Arsenia (Photo by Jenny Wheat)

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and this year his full length debut, Catastrophe. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin is currently in the third month of his Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and is currently in Paris where he joins us on the phone.

Calvin Arsenia thanks for being with us on Wednesday MidDay Medley

Krystle Warren joined us in our brief phone conversation with Calvin in Paris.

Calvin has already played over 30 shows so far on this tour.

Calvin is on tour with musician and friend Simon Huntley who plays with Quixotic

Calvin wrote on Facebook:
“If you’ve been touring over a month you’ll probably want…
1) fingernail clippers
2) extra airplane sized toothpastes
3) back up phone case
4) hair brush (for I rarely brush this mop but when I do I use)
5) single use deep conditioner packets
6) black skinny jeans
7) better shoes
8) ear plugs (I’m sorry for snoring so much, Simon)
9) (to be continued….)”

Calvin is coming homing home to Kansas City on October 18.

Calvin is working to release new music from his June 11th, live recording at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in Kansas City.

He shared with us one of the tracks to play as a radio premiere.

11:20

5. Calvin Arsenia – “Nature Boy”
from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
[from Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue. Written by Eden Ahbez, first recorded by Nat King Cole in 1948, and 2001 by David Bowie for Moulin Rouge Soundtrack]

11:24 – Interview/Story with Maria Vasquez Boyd

Maria Vasquez Boyd

Maria Vasquez Boyd is an artist, poet, educator, and radio show host & producer. She has been a regular contributor to Wednesday MidDay Medley where she has produced shows about Ukuleles, Teachers, The Day of The Dead, and The Artist’s Studio. She has been a regular cast member in our “He Touched Me Gospel Hour” programs, and has contributed original material for almost all of our “A Story In A Song” shows, including our live show at recordBar, and this past Spring, for Big Bang Buffet Black Sheep Rising at The Buffalo Room. Maria is graduate of the Kansas City Art Institute, where she has taught in the Design/Illustration Department, as well as, the Nelson Atkins Museum. Maria is also a founding member of the Latino Writers Collective. Maria is also the host and producer of 90.1 FM’s ARTSPEAK Radio which airs Wednesdays at Noon, following Wednesday Midday Medley. ARTSPEAK Radio will be celebrating 5 years on the air!

Maria Vasquez Boyd, thanks for being with us on Wednesday MidDay Medley

Congratulations on ARTSPEAK Radio!

When did Maria start calling Mark her “Radio Husband”?

We met at The Writer’s Place. I was serving on the Board of KKFI’s MidCoast Radio Project, you were serving on the board of the Latino Writer’s Collective. We would both go in early to set up for our meetings. You were a guest on the show and we welcomed you back to produce and host the show and eventually it became clear that you should host you own show. Through radio we became friends.

11:27 – Maria’s Story 10:32

6. Les Petits Minous – “À la claire fontaine”
from: À la claire fontaine – Single / Musicreche / September 25, 2008

10:34 – Underwriting

11:36 – Interview/Story Ron Megee

Ron Megee

Originally from Anaheim, California, Ron Megee has worked at every theater in Kansas City including The Kansas City Rep, The Coterie Theatre, New Theatre, The Unicorn Theatre, The Folly Theatre. I first met Ron Megee through The Unicorn Theatre. He was running the spotlight for The Rocky Horror Show. We became friends while working together with Lou Jane Temple at Cafe Lulu. This summer Ron starred in the Unicorn Theatre’s production of Priscilla Queen of the Dessert The Musical. Laughter is healing and Ron Megee is a comic genius. He has created one of Kansas City’s most enduring and successful theatre companies, Late Night Theatre that began in 1997, and after a hiatus, was reborn several years ago at Missie B’s, on West 39th Street. In the last 20 years Late Night Theatre has produced over 100 shows, including their most recent one-night-only performance of Valley of The Dolls at the Folly Theatre.

Ron Megee, Thanks for being with us on Wednesday MidDay Medley.

Will & Grace Watch Party Benefit for AIDS Walk Memorial Team, Thursday, September 28 at 6 PM at Missie B’s, 805 W 39th St, Kansas City. All money raised stays right here in Kansas City to help those living with HIV/AIDS.

Missie B’s presents “Hocus! Poke Us!: The Staged Reading” October 5 – October 19, Missie B’s, 805 W 39th St, Kansas City, ONLY 6 SHOWS! Featuring Daisy Buckët, Genewa Stanwyck, Chadwick Brooks, Matt Anderson, Brian Cross, Dirty Dorothy, & Ron Megee, Written & adapted for the stage by Daisy Buckët

11:39 – Ron Megee’s story

11:44

7. Portugal.The Man – “Feel It Still”
from: Woodstock / Atlantic Recording / June 16, 2017
[8th studio album release from the Portland Oregon based band that was originally formed in Wasilla, Alaska in 2004. The new album was produced by Mike D of The Beasty Boys. The group consists of John Gourley, Zach Carothers, Kyle O’Quin, Jason Sechrist and Eric Howk. Gourley and Carothers met and began playing music together at Wasilla High School.]

10:47 – Interview with Krystle Warren

Krystle Warren

Krystle Warren is originally from Kansas City, Missouri, although she now lives outside of Paris. She learned to play the guitar by listening to The Beatles albums: Rubber Soul and Revolver. Krystle Warren graduated from Paseo Arts Academy in 2001 and began her musical career performing to Kansas City audiences and collaborating with local jazz and pop musicians. After living in San Francisco and New York City, Krystle was signed to a French recording label, Because Music, and moved to Paris and released her album “Circles” in 2009. Krystle played numerous French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world, touring with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created her own record label, Parlour Door Music, to release her, 2012 record: “Love Songs: A Time you May Embrace” a recording from a 13 day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections. For her most recent release, Krystle decided to go in a new direction, playing every instrument and singing all vocals & back up vocals herself, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. Three the Hard Way was Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton).

Krystle Warren, thanks for being with us on Wednesday MidDay Medley

We’ve been playing various tracks from the album on the radio show, and Krystle shared music from the album last year on the show.

Some of the reviews:

OKAY Player wrote:
It was only a few months back that Krystle Warren, a midwestern musician with a taste for brawny, soul-rattling blues and gospel, graced us with gratitude on the singer’s first single off today’s offering, Three The Hard Way.

On “Thanks and Praise,” Warren’s sound is indebted to (and a lush extension of) spirited, slow-churn church grooves that have spent the last century empowering and emboldening protest and activism. Her new album, out today with production and engineering from Ben Kane (D’Angelo’s Black Messiah, Emily King’s The Switch) and Warren herself, cuts with encouraging wit against a sparse backdrop of country twang and handclap punctuation, a big, boisterous voice doing the heavy-lifting and heart-swelling.”

Impose Magazine wrote:
The devastating & mournful “Red Clay” recalls the horrific 1921 massacre of African Americans in Tulsa by the hands of the KKK that is painful reminder of an evil that persists in America, as evident by the last week’s tragic events at a neo-Nazi/KKK rally in Charlottesville, VA. Warren’s reiterations of “in the wet red clay” & pondering how evil can kill innocence are underlined with rhythm strums of sorrow that reiterates the concept that there is no place for hate in the world.

And through the entire album cycle, Krystle’s harmonies are a constant that keeps everything fluttering between the lessons of earth’s humble ground & inspirations & mythologies brought about by skies’ heavens. The art & act of waking up to the world & beyond is heard in the steps that follow “Get a Load”, to the psych-swimming “Learn to Bend”, right before you are taken to the tambourine shaking chapel of “Move” that closes out Three the Hard Way with something to wake up anyone may have fallen asleep in the back pews. Krystle leaves the audience with a message to get pro-active in your communities, to take a stand socially, politically, in any way you can make a difference to make our world a more loving place.

Krystle’s own notes on Three the Hard Way:

Three the Hard Way wasn’t supposed to be a political album. It was never my intention to delve into religion, socio-economics, depression…In fact, when Kane first suggested we work together, after I answered defensively that, yes, I had been writing new stuff, long story, and that the songs were all in my head, I said, Let’s make a happy record. And yet, and yet. Heading into the studio a year and a half ago, driving over an hour from my home in Yvelines to Villetaneuse in the early thaw of winter, our recording began as the world’s papers with any common sense at all published a steady stream of, What the FUCK Has The U.S. Done NOW! We couldn’t help but be affected by the uncertainty. It was all around us—still is.

I believe the first session started with “Get a Load”, or at least, attempted to. I had just completed “So We Say” the night before/that very morning, and was eager to lay it. “So We Say” took shape after everyone else went to bed, and I sat alone in the kitchen, plucking away at my guitar, swigging off a bottle of red, thinking about the The Challenger explosion. It was all over the news that day. I was a youngster when it happened, but I remember the image well. The thirtieth anniversary’s coverage provided deeper insight into the whys and hows. I felt disgusted by it all. People rise and fall in pieces, but that’s the price for being free… So began the first tune of the album.

It’s an odd feeling being of the time, artistically—that is to say, one who is reflecting the world around them, by accident, with purpose. Countless quotes exist attributed to various famous folk saying things to the effect of, If you’re not doing this, then you’re doing that, and that’s shitty. I don’t agree with that sentiment as it pertains to artistic expression. Not everyone should hold a megaphone. Pete Seeger, early Dylan, Woody Guthrie, Neil Young—hey, that’s all well and good. The general message is also extremely self-righteous. I don’t like being told what to do, do you?

Likewise, I feel that it’s best to be informed before throwing in your two cents, otherwise, you’re just feeding into the cacophony of yells and screams that currently passes for debate. The world has always been an awful place. Some of us are waking up to that reality now. I couldn’t have written Three the Hard Way five years ago, because I wouldn’t have known what to say, let alone how to say it. I’m here now, taking it all in, and weeping, and writing, and singing, listening, learning, getting through.

10:57

8. Krystle Warren – “Learn To Bend”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warre. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnson County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

11:00 – Krystle Warren – “Station I.D.”

11:00 – Interview with Madisen Ward and the Mama Bear

Madisen Ward and the Mama Bear

We’re thrilled to welcome back to the show, for their 6th appearance on Wednesday MidDay Medley, Madisen Ward and the Mama Bear. Madisen Ward and Ruth Ward were with us for our 500th show, so we feel incredibly blessed to have them back for our 700th show. Between these two shows, they have skyrocketed out of Kansas City, garnering international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing shows together, playing Madisen’s original songs along with the occasional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released by Glassnote Records, May 9, 2015 and was our most played record that year and was #1 on our 115 Best Recordings of 2015. Madisen Ward and the Mama Bear are currently working on their 2nd album.

Madisen Ward and the Mama Bear, will play Yardley Hall, 12345 College Blvd, Overland Park, Kansas, on Saturday, December 2 at 8:00 PM.

Madisen Ward and the Mama Bear thanks for being with us on WMM.

We first played music from Madisen Ward and the Mama Bear on this radio show in early May of 2013 after our mutual friend Joel Nanos of Element Recording sent us a copy of their independent EP, “We Burned The Cane Field” where they first recorded Madisen’s original songs.

When Madisen Ward and the Mama Bear opened for BB King at The Midland, 96.5’s The Buzz’s Lazlo Geiger saw them and he was blown away. He contacted his friend, Daniel Glass, founder of Glassnote Records who traveled to Kansas City to meet the band.

11:08

9. Madisen Ward and the Mama Bear – “Cannibal” (Live)

11:20

10. Madisen Ward and the Mama Bear – “How It Goes” (Live)

Madisen Ward and the Mama Bear, will play Yardley Hall, 12345 College Blvd, Overland Park, Kansas, on Saturday, December 2 at 8:00 PM.

11:25

11. Be / Non – “Journey”
from: A Mountain of Yeses / Unipegadong / 2009

12. The Magnetic Fields – BBC Radiophonic Workshop
from: Holiday / Merge / 1994

11:26 – Interview/Story – Scott Hobart

Scott Hobart

Singer-songwriter and guitarist Scott Hobart is a multi-talented artist. Known for his acclaimed honky-tonk country band, Rex Hobart & The Misery Boys (Bloodshot Records). Scott also works as the Coterie Theatre’s Resident Technical Director. He has also composed music and performed in the Coterie’s “Night of The Living Dead.” Scott met his friend Byron Collum at the Kansas City Art Institute in 1989. Eventually, they moved to Collum’s hometown of Green Bay, WI and formed the ‘post-hardcore power-trio’ GIANTS CHAIR in 1993. The band moved back to Kansas City became part of the burgeoning, mid-90’s KC rock scene – sharing bills with Germbox, Season To Risk, Molly McGuire and Shiner. After being signed to Caulfield Records out of Lincoln NE. on the strength of their debut 7″ single, GIANTS CHAIR recorded 2 critically-acclaimed full-length albums and toured the U.S. twice. GIANTS CHAIR sorted ended things in 1997 but have gotten back together here and there.

Recently the band released two new songs and are working on material for their 3rd studio album. Giants Chair play miniBar, Thursday, Sept. 21,at 8:00 PM with ExAcrobat and SWEATS from Lincoln.

Scott Hobart thanks for being with us on Wednesday MidDay Medley

13. Giants Chair – “Featureless Horizon”
from: The Streets – Single / Giants Chair / June 15, 2017
[Recorded May 2017 at Weights & Measures Soundlab, Kansas City, Missouri. Engineered and produced by Duane Trower. Kansas City based. Giant’s Chair was a band from fall of 1993 to the summer of 1997.]

[Giants Chair play miniBar, Thursday, Sept. 21, at 8:00 PM with ExAcrobat and SWEATS from Lincoln.]

11:36 – Underwriting

11:38 – Interview/Story – Necia Gamby

Necia Gamby

Necia Gamby is Licensed Massage Practitioner at own practice, NRGinMOTION. Shoe also serves as a licensed Massage Therapist at Alpha Chiropractic Center Inc. and at at Spa On Penn. She has been in practice 36 years. She uses Swedish (classical) massage technique. Over the years she has studied and practiced Hatha Yoga and is currently studying TaiChi. She founded and directed the Heartland School of Massage from 1988-1996. She has studied and incorporated Shiatsu, trigger point technique, lomi-lomi and a host of other philosophies and techniques into her massage style. She was an instructor for Johnson County Community College’s Certified Massage Program for 6 years. She taught Basic Swedish technique and Business Practices. She is an avid reader and especially loves science fiction and Korean dramas. Necia is the daughter of a KC Jazz pianist, and the mother of a graphic artist and MC for the acclaimed KC based hiphop duo SoundsGood and engineer with the 64111 Clinic.

Necia Gamby, thanks for being us on Wednesday MidDay Medley

11:39 – Necia’s Story

11:44

14. SoundsGood – “Best Song Ever (featuring iD)”
from: Goodbye / Innate Sounds / March 1, 2012
[The 3rd SoundsGood and final album. A collection of tracks that finalize the SoundsGood sound. Vocals – Joe Good, Beats – Miles Bonny.]

11:49 – Interview/story – Nico Gray

Nico Gray (Photo by Mark Manning)

We welcome back to the show, our friend Nico Gray, who joins us as “Guest Producer” for our second hour. Nico has worked as a writer, performance artistm and as an actor with The Kansas City Rep, Gorilla Theatre, the 8th Street Cafe Thetre, Actor’s Craft, and was recently a featured performer in Big Bang Buffet’s Black Sheep Rising. Nico has also worked for Theatre League, The Midland Theatre and is currently a marketing and advertising consultant who does work with Union Station. Rooted in KC, Nico grew up with radio. Nico writes that, “Music has always served as the ‘passport’ through spiritual journeys that have transplanted him to the brownstones of Chicago, the rooftops of Paris, the sea-side of Marseille and the balconies of NYC. ”

Nico Gray welcome back to Wednesday MidDay Medley.

11:50 – Nico’s Story

11:52

15. The Velvet Underground – “Heroin”
from: The Velvet Underground & Nico / Verve / March 12, 1967
[The Velvet Underground & Nico is the debut album by The Velvet Underground, with the first professional line-up of the Velvet Underground: Lou Reed, John Cale, Sterling Morrison and Maureen Tucker. German singer Nico was also featured, having occasionally performed lead vocals for the band. This resulted of the instigation of their mentor and manager, Andy Warhol, and his collaborator, Paul Morrissey. Nico sang lead on three of the album’s tracks—”Femme Fatale”, “All Tomorrow’s Parties” and “I’ll Be Your Mirror”—and back-up on “Sunday Morning”. In 1966, as the album was being recorded, this was also the line-up for their live performances as a part of Warhol’s Exploding Plastic Inevitable. Though the record was a commercial failure upon release and was almost entirely ignored by contemporary critics, The Velvet Underground & Nico is now widely recognized as one of the greatest and most influential albums in the history of popular music. In 1982, musician Brian Eno famously stated that while the album initially only sold approximately 30,000 copies, “everyone who bought one of those 30,000 copies started a band.” In 2003, it ranked 13th on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time. It was added to the 2006 National Recording Registry by the Library of Congress. Many sub-genres of rock music and forms of alternative music were significantly informed by the album.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, September 27, Brenton Cook, Dedric Moore and Steve Tulipana join us to share music and information about the Outer Reaches Festival, Friday and Saturday, September 29th and 30th, at recordBar, 1520 Grand Blvd.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #700

WMM Playlist from July 22, 2015

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 22, 2015

The Matchsellers +
Brenton Cook of Haymaker Records
& Dedric Moore of KC Psych Fest


1. Main Title Instrumental – “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]      

2. Cayucas – “Moony Eyed Walrus”
from: Dancing at the Blue Lagoon / Secretly Canadian Records / June 23, 2015
[Pronounced “Ky-yook-us.” A seaside town in San Luuis Obispo County, California. Cayucas is Zach Yudin and his twin brother Ben Yudin on bass.]

[Cayucas play the Riot Room, Wednesday, July 22.]

10:07

3. Tall Tales – “Checkers”
from: It’s Just A Game [EP] / Independent / May 19, 2014    
[Kansas City band formed in 2014 with Jack Ingram, Andrew Hosler, Rylan Fisher, and Tommy O’Halloran]

[Tall Tales play the pre-game concert at The K at 6:00 pm, Wednesday, July 22, before the Kansas City Royals game against the Pittsburgh Pirates. The very next night, Thursday, July 23, the band plays “Light The Night” at Johnson County Community College.]

4. Tanlines – “Slipping Away”
from: Highlights / True Panther Sounds / May 18, 2015
[Electronic, Indie rock duo from Brooklyn, NYC made up of: Jesse Cohen, percussionist, and Eric Emm on guitar and vocals. This is their 2nd full-length studio album.]

10:15

5. Weed – “Stay in The Summer”
from: Running Back / Lefse Records / April 7, 2015    
[Vancouver, British Columbia band who make music that has been labeled dream-grunge, formed by Will Anderson, first as a solo project and then with Kevin Doherty, Bobby Siadat, and Hugo Noriega, making the band a 4-piece. The band doesn’t inhale and have banned interviewers from asking about their name. They only play all ages venues.]

6. Oscar – “Daffodil Days’”
from: Beautiful Words – EP / Wichita Recordings / June 23, 2015
[24 year old British musician Oscar Scheller recorded an EP on his MacBook in his London bedroom and attracted the attention of indie label Wichita Records. Daffodil Days was the result of a text message sent to a friend. The autocorrect on his iPhone turned the word “difficult” into “daffodil” which inspired him to write the song.]

7. Eleni Mandell – “What Love Can Do”
from: Dark Lights Up / Yep Roc / July 24, 2015
[10th studio album from L.A. based singer/songwriter.]

[Eleni Mandell plays Davey’s Uptown Rambler’s Club, Thurs, July 23, with Courtney Marie Andrews.]

8. Alejandro Escovedo – “Castanets”
from: A Man Under The Influence / Bloodshot Records / April 21, 2001
[5th studio album and his only release on Bloodshot. Considered one of Escovedo’s best recordings.]

[Alejandro Escovedo plays “A Man Under The Influence” LIVE, Thursday, July 23, at 8:00 pm at Knuckleheads Garage, 2715 Rochester St. backed by the all KC band, The Cody Wyoming Deal, followed by a second knockout set by the surprise band “Escovedo’d.”]

10:30 – Underwriting

10:32 – Interview with The Matchsellers

The Matchsellers on Wednesday MidDay Medley

The Matchsellers on Wednesday MidDay Medley

9. The Matchsellers – “Wake Me, Oh Wake Me” (LIVE)
also available on: Kosciusko County / Independent / December 27, 2014
[First full-length original album from The Matchsellers. Classically trained violinist Julie Bates from Kansas City, and a Chicago blues guitarist from Warsaw, Indiana, Andrew Morris. Kosciusko County is a county in Indiana with a town called Warsaw as it’s county seat. Formed in 1836. It was named after the Polish general Tadeusz KoÅ›ciuszko who served in the American Revolutionary War and then returned to Poland.]

[The Matchsellers play The KC Fringe Fest at Uptown Arts Bar, Thursday, July 23, at 7:00pm.]

10:36

Julie Bates is a classically trained violinist from Kansas City. Andrew Morris is a Chicago blues guitarist from Warsaw, Indiana. They met in Leipzig, Germany. During their year of living in the former East Germany, the pair began reanalyzing the songs of their homeland, and developed a tight yet gritty bluegrass style. In the summer of 2013 they left their jobs to hit the road and haven’t looked back.

The Matchsellers on Wednesday MidDay Medley

The Matchsellers on Wednesday MidDay Medley

10:44

10. The Matchsellers – “Beaver Dam Blues” (LIVE)
also available on: Kosciusko County / Independent / December 27, 2014
[First full-length original album from The Matchsellers. Classically trained violinist Julie Bates from Kansas City, and a Chicago blues guitarist from Warsaw, Indiana, Andrew Morris. Kosciusko County is a county in Indiana with a town called Warsaw as it’s county seat. Formed in 1836. It was named after the Polish general Tadeusz Koaciuszko who served in the American Revolutionary War and then returned to Poland.]

[The Matchsellers play The KC Fringe Fest at Uptown Arts Bar, Thursday, July 23, at 7:00pm.]

They’ve toured Germany, the UK, the Czech Republic, and 21 United States, averaging 170 shows a year.

More info at http://thematchsellers.com

Julie Bates and Andrew Morris thanks for being with us on Wednesday MidDay Medley.

10:56

11. The Matchsellers – “Meet Me in The City” (LIVE)
also available on: Kosciusko County / Independent / December 27, 2014
[First full-length original album from The Matchsellers. Classically trained violinist Julie Bates from Kansas City, and a Chicago blues guitarist from Warsaw, Indiana, Andrew Morris. Kosciusko County is a county in Indiana with a town called Warsaw as it’s county seat. Formed in 1836. It was named after the Polish general Tadeusz Koaciuszko who served in the American Revolutionary War and then returned to Poland.]

[The Matchsellers play The KC Fringe Fest at Uptown Arts Bar, Thursday, July 23, at 7:00pm.]

11:00 – Station ID

12. Schwervon! – “The Devil’s Inside Me”
from: Broken Teeth / Haymaker Records / Sept. 30, 2014
[Cover of Vaselines song. 2 piece rock band. Nan plays drums and Matt plays guitar and they both sing. They lived in NYC for 15 years and have just relocated to KC.]

[Schwervon! play Haymaker Records Summer Showcase, Friday, July 24, at recordbar, 1020 Westport Road, featuring Riala, Be/Non. HMPH!, Jorge Arana Trio, and Schwervon!]

11:03 – Interview with Brenton Cook

Brenton Cook formed Kansas City independent record label Haymaker Records in January 2014. Brenton also works as a computer programmer and volunteers as web administrator for the Midwest Music Foundation where is the curator of the Midwestern Audio local compilation CD series, volumes 1 through 3. Brenton joined us to talk about Haymaker Records Summer Showcase, Friday, July 24, at recordbar, 1020 Westport Road, featuring Riala, Be/Non. HMPH!, Jorge Arana Trio, and Schwervon! Brenton working with Dedric Moore organizing KC Psych Fest show, August 1, at the Riot Room, with Ancient River, Psychotic Reaction, Mysterious Clouds, HMPH!, and Drugs & Attics. More info at http://www.haymakerrecords.net

Brenton Cook, Thank You for being with us on Wednesday MidDay Medley.

Indie pop duo Schwervon! was one of the first 3 bands signed to Haymaker Records. The duo relocated to Kansas City in 2013 after a decade as a band in New York City. Having recently completed a month-long tour of the Midwest and east coast, Schwervon! is happy to be back in Kansas City playing in the Haymaker Records Showcase.

Math rock duo HMPH! will showcase their technical guitar and drum wizardry in preparation for the release of their first album Headrush due out this summer on Haymaker Records

11:08

13. HMPH! – “Headrush”
from: Headrush / Haymaker Records / To be released on vinyl in August, 2015
[Ryan Lee Toms on guitar, Jonathan Thatch on drums. Recorded by Dedric Moore]

[HMPH! play Haymaker Records Summer Showcase, Friday, July 24, at recordbar, 1020 Westport Road, with Riala, Be/Non, Jorge Arana Trio, and Schwervon!]

The Haymaker Records Summer Showcase opens with the three acts with upcoming album releases. Label newcomer and shoegaze indie rock band Riala will see the release of their first album Be Here | Be There in early fall.

11:16

14. Riala – “The Diving Bell”  
from: Be Here | Be There / Haymaker Records / To be released on vinyl in September, 2015
[Nick Turner on Voice & Guitar, Kalo Hoyle on bass, Morgan Greenwood on drums. Recorded, mixed.and mastered by Joel Nanos at Element Recording Studios.]

[Riala play Haymaker Records Summer Showcase, Friday, July 24, at recordbar, 1020 Westport Road, with HMPH!, Be/Non, Jorge Arana Trio, and Schwervon!]

Twenty-year Kansas City rock legend Brodie Rush and his band Be/Non will entertain with the spaced-out rock sounds of their upcoming fall release Mystic Sunrise / Sunset Magic.

The night ends with the Jorge Arana Trio. The Jorge Arana Trio are a three-piece instrumental jazz-fusion math rock hybrid that were the first band to be featured on Haymaker Records. The Oso EP, released on vinyl exactly a year ago, was met with high praises from local and national media and the band recently completed a three-week tour of south and west coast in May. Brodie Rush created a new music video for Jorge Arana Trio’s song “Crime of Passion Fruit.”

11:24

15. Be / Non – “Orbit”
from: Mystic Sunrise / Sunset Magic / Haymaker Records / To be released this Fall
[Brodie Rush is a Rock & Roll God, a songwriter, musician, singer, organizer, artist, film maker, music video creator.]

16. Jorge Arana Trio – “Crime of Passion Fruit” (Vinyl)
from: Oso / Haymaker Records / July 19, 2014  
[Jorge Arana on Guitar & Keyboard, Josh Enyart on drums & Percussion, and Jason Nash on bass. Tracked at Element Recording Studios February 25th 2014, Engineering – Joel Nanos, Vincent Lawhon, Mixing, Mastering – Joel Nanos.  Oso is the name of Jorge’s childhood family dog. Winner of the 2013 Pitch Music Award for Best Avant-Garde group. Nominated in 2014 year for Best Live Act.]

[Be/Non and Jorge Arana Trio plays the Haymaker Records, Summer Showcase Party, Friday, July 24, at 9:00 pm, at recordBar, 1020 Westport Rd. with Riala, HMPH, and Schwervon!]

11:30 – Underwriting

11:32 – Interview with Brenton Cook and Dedric Moore

Brenton Cook and Dedric Moore on Wednesday MidDay Medley

Brenton Cook and Dedric Moore on Wednesday MidDay Medley

Dedric Moore is a musician, songwriter, producer, organizer, member of the bands Monta At Odds, and Mysterious Clouds. Dedric Moore is also the founder KC Psych Fest.

KC Psych Fest kicks off its fourth year with a night of adventurous music on Aug. 1 at The Riot Room in Kansas City, MO. Co-sponsored by Haymaker Records, Mills Record Company, It’s a Beautiful Day, and Summer Moon Promotions, the show will feature performances by Ancient River, Mysterious Clouds, HMPH!, Psychotic Reaction, Drugs & Attics, and have a special DJ set by Mod Professor.

The 2015 KC Psych Fest will be spread across multiple dates in Kansas City in the late summer and fall with an emphasis on acts that excitingly venture outside of conventional music. More dates and appearances will be announced later. The mission of the festival is to present mind-expanding music from different music genres and provide a platform for Kansas City artists pushing the boundaries of music. This year’s festival continues to build on the positive experiences of the previous three years.

The August 1 show is headlined by psychedelic rock band Ancient River. Based out of the UK and Austin, TX, their wall-of-sound barrage has been honed by extensive touring across the United States and beyond – including appearances at Austin Psych Fest (2010-2012), Los Angeles’ Psycho De Mayo (2014), Liverpool International Festival of Psychedelia (2012) and Milwaukee Psych Festival (2015).

Psychotic Reaction joins the show from rural Oklahoma. Showcasing high energy rock & roll, they draw comparisons to The MC5, Stooges, Roky Erickson, and Skip James.

11:39

17. Ancient River – “This Is The Time”
from: Keeper of The Dawn / Ancient River / April 14, 2015
[Reverb soaked noir-psychedelic band formed by James Barreto. The band is now based in London and Austin.]

18. Psychotic Reaction – “Chumbscrubber Blues”
from: The Sound Out of Space / Psychotic Reaction / April 26, 2015
[from rural Oklahoma.]

[Ancient River and Psychotic Reaction play KC Psych Fest August 1 at The Riot Room in Kansas City, MO. with Mysterious Clouds, HMPH!, Drugs & Attics, and have a special DJ set by Mod Professor.]

Three Kansas City acts are featured at the event too. Mysterious Clouds is a new band that explores aspects of cosmic space music and is comprised of members of Monta at Odds, Expo ’70, and HMPH! Their first release, Vibrations Shake the Path on Haymaker Records, explores the classic 60’s mono mix approach. HMPH! is the two-piece math-rock outfit of Ryan Lee Toms (RLT) and Jonathan Thatch. With just drums, guitar, looping pedal, and effects, the concept is simple but the music is not. Their debut full-length vinyl release comes out in August on Haymaker Records. Drugs & Attics are a garage punk trio and have been quickly building a name in the Kansas City music scene. The night closes with the psych / mod / garage groove stylings of DJ act Mod Professor, the alias of legendary Kansas City / New York DJ Ray Velasquez. The event starts at 8:30PM and is a full night of entertainment.

Haymaker Records Summer Showcase, Friday, July 24, at recordbar, 1020 Westport Road, featuring Riala, Be/Non. HMPH!, Jorga Arana Trio, and Schwervon!

KC Psych Fest, August 1, at the Riot Room, with Ancient River, Psychotic Reaction, Mysterious Clouds, HMPH!, and Drugs & Attics.

More info at http://www.haymakerrecords.net

10:56

19. Mysterious Clouds – “Other Side of Yesterday”
from: Vibrations: Shake the Path / Haymaker Records / May 12, 2015
[Project of Monta At Odds members Dedric and Delany Moore with Aaron Osborne of Expo 70, and Jonathan Thatch of HMPH!]

[Mysterious Clouds play KC Psych Fest on August 1 at The Riot Room in Kansas City, MO. with Ancient River, Psychotic Reaction , HMPH!, Drugs & Attics, and have a special DJ set by Mod Professor.]

11:59:30

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on July 29, we’ll talk with: Man of a 1001 Faces, actor Michael McQuary, and Kansas City band, Riala.

Sources for notes: artist’s websites, bios, wikipedia.org, Haymaker Record’s press release

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #587

WMM Playlist from July 15, 2015

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 15, 2015

Rev Gusto + BUMMER

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dusty Rust – “Happy Father’s Day”
from: Kansas City Cowboy / Little Class Records / July 14, 2015
[Labeled “Neo Honky Tonk.” 2nd album from Portland, Oregon transplant. Since moving to Kansas City, Dusty Rust has played Middle of The Map Fest, The Westport Roots Festival, multiple live shows, while also writing, recording and mixing, a new full length album. Dusty also hosts the weekly Dusty Rust’s Honky Tonk Jam at The Westport Saloon, each Thursday.

[Dusty Rust plays a CD Release show at The Westport Saloon, Saturday, July 18.]

10:05

3. KVÖL – “Nothing To Say”
from: KVÖL EP / Independent / July 12, 2014
[Debut EP from the experimental goth post-punk band from Reykjavik, Iceland.]

[Kvöl play Records with Merritt, this Saturday, July 18, at 8:00 pm, with estates (from Millwaukee, Wisconsin), Churchkey (from Chicago), and KC’s Jorge Arana Trio, and Redder Moon.]

4. SOAK – “Sea Creatures”
from: Before We Forgot How To Dream / Rough Trade Records / May 29, 2015
[Debut recording from Bridie Monds-Watson, aka SOAK, an Irish singer-songwriter born in Derry, Northern Ireland, in 1997.]

10:15

5. LaBelle – “You’ve Got A Friend”
from: LaBelle / Warner Bros. / September 8, 1971
[Debut album from the funk/soul trio of: Patti LaBelle, Nona Hendryx and Sarah Dash, formerly of the four-girl group known as Patti LaBelle & The Bluebelles.]

[Patti LaBelle plays at Kauffman Center for The Performing Arts, Friday, July 17.]

6. enebade – “Happy Robots”
from: Enebade – EP / Independent / May 2, 2015
[Enebade is a studio project by Joshua Wiedenfeld and Beckie Trost. Recorded, mixed, and produced by Joshua Wiedenfeld, Beckie Trost, and Joel Nanos. Enebade was founded by Joshua Wiedenfeld. It is a collection of songs written over a span of over 5 years. This is the first installment of a series of EP’s to come. It was made possible through collaboration of many studio artist, and one of the most supportive music scenes in the United States. Special thanks to Joel Nanos (Element Studios) Beckie Trost (Soft Reeds) Adam McGill, Ben Grimes (Soft Reeds) Dave Gaume (Local Natives, Failure.]

7. Madisen Ward & the Mama Bear – “Daisy Jane”
from: Skeleton Crew / Glassnote Entertainment Group / May 19, 2015
[Singer songwriter, Madisen Ward graduated from William Chrisman High School in Independence, Missouri in 2007. He plays live and records with his mother, Ruth Ward, who has been playing guitar and singing for over 309 years. The duo both play guitar, with Mama Bear harmonizing with her son. Their debut EP was recorded in Kansas City’s Element Recording by Joel Nanos. Wednesday MidDay Medley was the first radio show to play Madisen Ward and the Mama Bear. They have played live on our show in 2013 and 2014, and were featured in 90.1 FM’s Tribute to Pete Seeger at Unity Temple, and The Crossroads Music Fest. They played the Americana Music Fest in Nashville, in the fall of 2014, where the national music press fell in love with their music. They were signed to Glassnote Records and after spending several months recording their new album in Nashville, they made their network television debut, Feb. 11, 2015 on The Late Show With David Letterman. They have embarked on huge tours, both in Europe and accross the United States. They played Bonaroo where they met Robert Plant. At one point during their tour the opened for the Pixies.]

[Madisen Ward and the Mama Bear will do a “Meet and Greet” at the Barnes & Noble in Independence, tomorrow, Thursday, July 16, at 7:00 pm. Madisen Ward and the Mama Bear play The Midland Theatre, August 20, with Luluc.]

10:30 – Underwriting

10:32 – Interview with members of Rev Gusto: Shaun Crowley and Quinn Hernandez

8. Rev Gusto – “Shoot The Messenger”
from: Burnt Out Friends / High Dive Records / July 28, 2015
[1st single from debut full length album, to be released on vinyl. Jerry Frederick on Vocals & Guitar, Sam Frederick on bass, Shaun Crowley on lead guitar and keys; Peter Beatty on guitar & back-up vocals; Quinn Hernandez on drums.]

[Rev Gusto play the Replay Lounge, in Lawrence, Fri, July 17 w/ Other Colors, & CS Luxem]
[Rev Gusto play Harlings Saturday, July 25 with Toughies, and Dream Girl]
[Rev Gusto play Mills Record Co. Aug 15, with Scruffy & The Janitors]

10:35

Rev Gusto, is a Kansas City based, 5-piece garage pop band made up of: Jerry Frederick on vocals & guitar, Shaun Crowley on guitar & trumpet, Sam Frederick on bass and vocals, Peter Beatty on guitar & keyboard, and Quinn Hernandez on drums. Their songs are written by lead singer Jerry Frederick who studied songwriting techniques in England with the Kinks’ Ray Davies. In May 2014 the band was signed to High Dive Records. Their debut full length release, “Burnt Out Friends” was recorded at Element Recording with Joel Nanos, and will be released, July 28, 2015.

Shaun Crowley and Quinn Hernandez joined us to talk.The band has been making music for 5 years now. Last week they hosted a house concert / festival at the Shawnee Manor where all of the band have lived together. Manor Fest featured 12 bands.

Rev Gusto have opened and shared the stage with: Matt & Kim, The Mowgli’s, and The Colourists. Rev Gusto played Sony and Midcoast Takeover showcases at SXSW in 2014.

Jerry Frederick graduated from St. James Academy in Lenexa in 2010, started Rev Gusto in 2010 with brother, Sam, who plays bass, and drummer Quinn Hernandez, a fellow St. James alum. The band regrouped in early 2012, with a different lineup. They added two more St. James alums: Shaun Crowley and Peter Beatty, who play guitar, keyboards and the occasional trumpet.

On the band’s name, Rev Gusto Jerry Frederick explained in an interview, “I used to know a priest who used to encourage people to sing with ‘reverent gusto.’ Eventually it got shortened to ‘rev,’”

The band released a self-titled EP in November 2012

In April of 2014 Rev Gusto put out their first physical release, a 7’ inch single, as part of The Too Much Rock Single Series.

Too Much Rock is a music blog site created by Sid Sowder in 1997, as a place where he could document his life as it relates to music. Sid posts his photos and videos and comments of the live music shows he attends. The site is not created as a for profit venture.

The Too Much Rock Single Series is a collection of 45 RPM singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song pared with one cover chosen by Too Much Rock. 500 limited edition copies are pressed and given to the band, to sell as merchandise at shows and at local record stores.

Rev Gusto were nominated for a 2014 Pitch Music Award for Best Pop/Rock Band

In 2014 Rev Gusto was signed to High Dive Records, the label of: Ghosty, The ACB’s, Fourth of July, Shy Boys, The Gog, Arc Flash, Bummer, and others.

10:43

9. Rev Gusto – “Surf City – Mind In A Cage”
from: Burnt Out Friends / High Dive Records / July 28, 2015
[Debut full length album, released on vinyl. Jerry Frederick on Vocals & Guitar, Sam Frederick on bass, Shaun Crowley on lead guitar and keys; Peter Beatty on guitar & back-up vocals; Quinn Hernandez on drums.]

Full disclosure. Mark first met Rev Gusto at the Youth Volunteer Corps 4th Annual KC Metro Youth Battle of the Bands on March 27, 2010. Jerry, Sam and Quinn were in the band with, at that time, Mitch Hecht and Taylor Mc Henry. All of the members of Rev Gusto were in high school at the time. There were 13 bands in the competition. Mark was a judge with Skid Roadie from the 101 The Fox. Rev Gusto won first place! Mark invited Rev Gusto to opportunity to play on the radio. The band came on as guests of Wednesday MidDay Medley later that summer and played live on the show.

There have been a lot of comparisons of Rev Gusto’s sound to that of the sounds of mid to late sixties British invasion bands, including The Kinks. In a Sept. 4, 2013 Interview for Ink KC, Jerry Frederick told music writer Tim Finn, “Ray Davies does this songwriting class every couple of years over in England,” he said “He picks 12 people from all over the world, and for two weeks he teaches you about songwriting. I’m a big Kinks fan, so I entered some of my songs and got accepted.” “He was really encouraging,” Frederick said. “He said he really liked my songs and told me to keep working at it. So I was like, ‘OK, if you say so, Ray Davies.’”

Jerry Frederick also told music writer Tim Finn, “Instead of going out on weekends, I like to sit in my room and listen to all kinds of music,” he said. “I really like that era of music, sunshine pop and old soul.” He was also influenced, he said, by a grandmother who wrote musicals, performed on Broadway and toured Europe. “She loved Cole Porter, so I heard a lot of that growing up, too,” he said.

Rev Gusto play Replay Lounge, in Lawrence, Fri, July 17 w/ Other Colors, & CS Luxem

Rev Gusto plays Harlings Saturday, July 25 with Toughies, and Dream Girl

Rev Gusto play Mills Record Co. Aug 15, with Scruffy & The Janitors

10:57

10. Rev Gusto – “Suburb of Hoboken”
from: Burnt Out Friends / High Dive Records / July 28, 2015
[Debut full length album, released on vinyl. Jerry Frederick on Vocals & Guitar, Sam Frederick on bass, Shaun Crowley on lead guitar and keys; Peter Beatty on guitar & back-up vocals; Quinn Hernandez on drums.]

11:00 – Station ID

11. Jamaican Queens – “You Can Fall in Love With Anyone”
from: Downers / Magic Death Sounds / June 17, 2015
[2nd full length release from Detroit trop-goth, 4-piece band signed to Philadelphia label. The band includes: Ryan Clancy, Adam Pressley, Ryan Spencer, Charles Trees, currently on a big US Tour thru July & August.]

[Jamaican Queens play FOKL, 556 Central, KCK, Sat, July 18, with Organized Crimes and Rhunes.]

12. Horace GRANT – “Creeps Pretending Not To Be Creeps”
from: Only Our Cats Would Notice / Independent / July 8, 2015
[Chicago based duo. LB on drums & voice, GIB on guitar, bass, and voice. LB Briggs is also a visual artist amazing zines have been gathered into 2 compilations: It’s Alright: A Truckstop Anthology, Volume 1 and 2. available on AMAZON. More info at http://Horacegrant.bandcamp.com%5D

[Horace Grant play FOKL, 556 Central, KCK, Friday, July 17, at 9:00 pm, with Nervosas, Polish Gifts, The Nature Boys, and Red Kate.]

13. Polish Gifts – “we can’t stand still”
from: there is nothing good left to steal / Independent / July 8, 2015
[The Chicago 3-piece band’s 2nd album, originally released on cassette two years ago, now available for digital download.]

[Polish Gifts play FOKL, 556 Central, KCK, Friday, July 17, at 9:00 pm, with Nervosas, Horace Grant, The Nature Boys, and Red Kate.]

14. Be / Non – “A Mountain of Yeses”
from: A Mountain of Yeses / Unipegadong / 2009
[Released on vinyl May 15. Features Brodie Rush – VOX, GUITAR, SYNTH, Ben Ruth – BASS, VOX, SYNTH, Jeremiah James – GUITAR, VOX, PERCUSSION, SYNTH, Ryan Shank – DRUMS, IPOD, SEX APPEAL, “yeahs” and “bom-bom-boms” ]

[Be/Non plays The late Show at Daveys Uptown Rambler’s Club, Saturday, July 18, with The Lucky Graves, and Bone Spur, for The Pit M.O.S.H. Benefit.]

[Be/Non also plays the Haymaker Records, Summer Showcase Party, Friday, July 24, at 9:00 pm, at recordBar, 1020 Westport Rd. with Riala, HMPH, Schwervon!, and Jorge Arana Trio.]

11:15

15. Bummer – “Dude Baby”
from: Spank / High Dive Records / July 14, 2015
[Neanderthal music from Olathe Kansas. Bummer is Matt Perrin, vocals and guitar, Mike Gustafson bass and Sam Hutchinson, drums. Recorded at Westend Recording Studios by Justin Mantooth, who also mixed and co-produced the recordings with the band.]

[Bummer plays a series of record release shows Thursday, July 16, at recordBar, w/ Sharp Weapons; Sat, July 18, Love Garden, in Lawrence, w/ Gnarly Davidson; and Aug 8 at Mills Record Company.]

11:18 – Interview with Matt Perrin, Mike Gustafson, and Sam Hutchinson of Bummer

Bummer on Wednesday MidDay Medley

Bummer on Wednesday MidDay Medley

Bummer is a 3-piece band is made up of: Matt Perrin on vocals & guitar; Mike Gustafson on bass; and Sam Hutchinson on drums. The band is based in Kansas City and members grew up in Olathe, KS. Bummer likes loud rock n’ roll music and that is how they play. Formed in July 2012, Bummer has previously released two EP’s: “Young Ben Franklin” and “Milk.” Their new release, “Spank” was recorded at Westend Recording Studios by Justin Mantooth, who also mixed and co-produced the recordings with the band. “Spank” is being released digitally and on cassette, and also 10″ vinyl from High Dive Records.

Bummer plays a series of record release shows: Thursday, July 16, at recordBar, with Sharp Weapons. Saturday, July 18, Love Garden, in Lawrence, with Gnarly Davidson, and
August 8 at Mills Record Company w/ CHASM. Bummer also plays The Riot Room, July 24, with Coliseum, and Valkyrie.

Bummer’s influences are in hard rock. Heavy. Raw.

We like to keep it primitive,” guitarist/singer Matt Perrin told The Pitch. “It’s all 4/4 (time), sometimes 3/4, maybe some 7/4. But it’s all boneheaded.”

“Spank” was recorded at Westend Recording Studios by Justin Mantooth, who also mixed and co-produced the recordings with the band.

Jeff McCoy signed the band to High Dive Records

“Spank” is being released digitally and on cassette, and 10″ vinyl from High Dive Records.

Bummer has had a couple years, releasing two EPs, In 2014 the band opened for Yuck at The Riot Room, recorded their own version of Gary Numan’s “Cars” playing Middle of The Map Fest and The Center of The City Fest, playing Record Store Day at Mills Record Company, as well as in stores and touring.

Origins of Bummer: The trio of Perrin, bassist Mike Gustafson and drummer Thomas Williams first came together under the name Vestibule. When Williams left the band in summer 2012, Gustafson and Perrin found another drummer, Sam Hunter, and changed the band’s name to Bummer. In April, they released “Young Ben Franklin,” a three-song EP. In July, Hunter left the band and Williams rejoined it. In October, 2012 they released “Milk,” a four-song EP. These were only averrable on digital download. In 2014 the released Milk EP on CD.

Members of Bummer told Tim Finn in an Ink Magazine article from February 18, 2014, about their influences. Mike Gustafson, 21, likes Queens of the Stone Age. “I love stuff that’s heavy & dark,” he said. “I like pop-song structures, stuff that gets stuck in your head. But it has to be heavy.” Matt Perrin, 19, admits he had a Nirvana/Kurt Cobain dependency as a young teen but has since moved on to bands like the Melvins, Unsane, Young Widows and Pissed Jeans. “Those were all turning points,” he said. “It’s all really raw, aggressive stuff.”

11:28

16. Bummer – “Dorm Water”
from: Spank / High Dive Records / July 14, 2015
[Neanderthal music from Olathe Kansas. Bummer is Matt Perrin, vocals and guitar, Mike Gustafson bass and Sam Hutchinson, drums. Recorded at Westend Recording Studios by Justin Mantooth, who also mixed and co-produced the recordings with the band. ]

Bummer plays a series of record release shows:
Thursday, July 16, at recordBar, with Sharp Weapons.
Saturday, July 18, Love Garden, in Lawrence, with Gnarls Davidson, and
August 8, at Mills Record Company w/ CHASM.

Bummer also plays The Riot Room, July 24, with Coliseum, and Valkyrie.

More info at https://bummerkc.bandcamp.com

11:40

17. Bummer – “Double Stairway to Heaven”
from: Spank / High Dive Records / July 14, 2015
[Neanderthal music from Olathe Kansas. Bummer is Matt Perrin, vocals and guitar, Mike Gustafson bass and Sam Hutchinson, drums. Recorded at Westend Recording Studios by Justin Mantooth, who also mixed and co-produced the recordings with the band. ]

11:43 – Underwriting

11:45

18. estates – “Looking”
from: It’s Great to Be Alone / Flannel Gurl Records / May 26, 2015
[Milwaukee, Wisconsin trio, formed in 2012, with Mike Carini on guitar & voice, Charlie Markowiak on bass & voice, and Matt Tomashek on drums/ & voice.]

[estates play Records with Merritt, this Saturday, July 18, at 8:00 pm, with Kvöl (from Iceland), Churchkey (from Chicago), and KC’s Jorge Arana Trio, and Redder Moon.]

19. Shiner – “Sleep It Off”
from: Lula Divinia / Castle Face / March 11, 1997 / Reissued by Desoto in 2001
[The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7″ single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Allen Epley is in The Life and Times.]

[Shiner’s 3rd studio album, Starless, from 2000, is now available on vinyl. Shiner is on a 4-city tour playong Austin, Texas, tonight, recordBar, Friday, July 17 with The String & Return, and then on to Minneapolis and Chicago.]

10:56

20. Christian Hankel – “Sun Up Sun Down”
from: Silver: Music From The Noir Ballet / July 17, 2015 / Money Wolf Music
[Shay Estes on vocals, Desmond Mason on keys, Johnny Hamil on upright bass, Timm Gillespie on tenor sax, Rich Wheeler on tenor sax, Brenna Hayes on bari sax, Kyle Dahlquist on trombone, Jerod Rivers on drums and percussion. Additional keys from Richard Walker, and additional drums from Terre Norton. Written and arranged by Christian Hankel. Produced by Christian Hankel and Jerod Rivers. Engineered and mixed by Jerod Rivers at Sangha Studios, KCMO, Mastered by Patrick Meagher at Fuzz Bomb, KCMO.]

[“Silver: A Noir Ballet,” features an 8-piece jazz ensemble playing 11 original compositions, with score and libretto by Christian Hankel, directed by Tara Varney, with choreography by Evan Lovelace, July 17 through 25, at the H&R Bloch City Stage in Union Station, as part of the 2015 KC Fringe Fest. More info at: http://www.silveranoirballet.com or http://www.kcfringe.org]

11:59:30

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on July 22, Brenton Cook joins us to share music and information about Haymaker Records, Summer Showcase Party, Friday, July 24, at 9:00 pm, at recordBar, 1020 Westport Rd. with Riala, HMPH, Be/Non, Schwervon!, and Jorge Arana Trio, We’ll also welcome the band The Matchsellers, who will play live in our studios. Plus our friend Jamie Rich joins us to talk about a film showing at The Tivoli Theatre.

Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #586