WMM Playlist from January 9, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 9, 2019

Wednesday MidDay Medley Celebrates David Bowie

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980 [WMM’s theme song]

2. James Murphy – “Golden Years”
from: While We’re Young (Original Soundtrack) / Power Elite / March 23, 2015
[Born February 4, 1970. James Murphy is a musician, producer, DJ, and co-founder of record label DFA Records. His most well-known musical project is LCD Soundsystem. James Murphy was influenced by Bowie and remixed songs for Bowie’s The Next Day Extras, and is credited as a percussionist on Bowie’s Backstar.][“Golden Years” was written and recorded by David Bowie in 1975, and originally released in a shortened form as a single in November 1975, and in its full-length version in January the following year on, Station to Station. It was the first track completed during the Station to Station sessions, a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to the Young Americans funk/soul material from earlier in 1975 than the rest of Station to Station, that foreshadowed the Kraftwerk-influenced Euro-centric and electronic music that Bowie would move into with his ‘Berlin Trilogy’.]

3. Col. Chris Hadfield – “Space Oddity”
from: Space Sessions: Songs From a Tin Can / Chris Hadfield / October 9, 2015
[The video has had over 27,000,000 views on YouTube. The performance was the subject of a piece by Glenn Fleishman in The Economist on 22 May 2013 analyzing the legal implications of publicly performing a copyrighted work of music while in earth orbit. The song is the only one of Bowie’s for which Bowie did not own the copyright. Bowie’s publisher granted Hadfield a license to the song for only one year. Due to the expiry of the one year license, the official video was taken offline on May 13, 2014, despite Bowie’s explicit wishes that the publisher grant Hadfield a license at no charge to record the song and produce the video. Following a period of negotiations, the video was restored to YouTube on November 2, 2014 with a two-year license agreement in place.]

In May of 2013, Canadian astronaut Chris Hadfield, commander of Expedition 35 to the International Space Station, recorded a video of “Space Oddity” while on board the space station. This was the first music video ever shot in space. The lyrics were slightly changed to reflect Hadfield’s imminent return from his final mission. Hadfield announced the video on Twitter, writing, “With deference to the genius of David Bowie, here’s Space Oddity, recorded on board the Station. A last glimpse of the World.” Bowie responded to the video, tweeting back to Hadfield, “Hallo Spaceboy”.

David Bowie seemed to be from another world. He seemed to have multiple lives, he seemed immortal. His art kept coming. His influence vast. He was a guide. Much of my journey as an outsider queer kid finding a way through, was influenced by Bowie.

Bowie’s death, three years ago, in New York City, on January 10, 2016 sent shock waves of grief across the world. Bowie made over 50 years of music, for those of us who felt left out.

Bowie was a “gateway drug” to other important influences: The Velvet Underground, Lou Reed, Andy Warhol, Iggy Pop, Glam Rock, Electronica, Brian Eno, William S. Burroughs, Beat Poetry, Mick Ronson, Tony Visconti, T-Rex, Kraftwerk, Klaus Nomi, Nicolas Roeg, Bauhaus, Gender Expression, and more. Bowie was a synthesizer weaving them together.

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI – Kansas City Community Radio. I’m Mark Manning. Today we Celebrate David Bowie with selected songs from some of his 27 studio albums, and recordings that Bowie wrote and produced for Lou Reed, and Mott the Hoople.

Plus, we’ll play some of our favorite Bowie songs performed by musicians he influenced: Joan As Police Woman, Nile Rodgers, OK Go & Bonerama, including two Kansas City bands: Soft Reeds, and The Band That Fell To Earth. We started with James Murphy and Chris Hadfield

And into this mix of original songs and covers, we’ll feature short stories about David Bowie, from nine of his biggest fans: Michelle Bacon, Barry Lee, Ben Grimes, Cody Wyoming, Krystle Warren, Jesse Bartmess, Marion Merritt, Ian Michael Flanagan Johnson, and Nico Gray.

Our first story comes from band leader, musician, and director, Cody Wyoming, lead guitarist, singer, and founder of the Kansas City band, The Philistines, who released their debut full length album, “The Backbone of Night” on May 27, 2016 and was #1 on WMM’s 116 Best Recordings of 2016.

4. Cody Wyoming’s Bowie Story – “You’re Wonderful”
recorded by Mark Manning, Saturday, February 7, 2016

5. OK Go & Bonerama – “Rock ‘N’ Roll Suicide”
from: You’re Not Alone – EP / Capital / November 7, 2006
[Collaboration by rock band OK Go and brass funk rock band Bonerama, recorded to raise money for New Orleans musicians displaced in 2005 by Hurricane Katrina. The EP was recorded in August 2007 in New Orleans, Bonerama’s home city.] [“Rock ‘n’ Roll Suicide” by David Bowie, was originally released as the closing track on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars in June 1972. Critic Stephen Thomas Erlewine found it to have “a grand sense of staged drama previously unheard of in rock & roll”. The exhortation “Oh no, love, you’re not alone” references the Jacques Brel song “You’re Not Alone” (“Jef”) that appeared in the musical Jacques Brel is Alive and Well and Living in Paris. Bowie covered Brel’s “My Death” during some Ziggy Stardust live shows. Rock ‘n’ Roll Suicide”, recorded on February 4, 1972, was one of the last songs recorded for Ziggy Stardust, along with “Suffragette City”, which would immediately precede it in the album track list. As the final song on the album and climax to the Ziggy Stardust live shows throughout 1972-73, it soon became a slogan, appearing on many fans’ jackets.]

6. Jesse Bartmess’ Bowie Story – “Changes in my 4-year old ears”
recorded by Mark Manning, Saturday, February 27, 2016

7. David Bowie – “Changes”
from: Hunky Dory / RCA – (Rykodisk – Virgin – Sony – EMI – Columbia ISO) / Dec. 17, 1971
[Written by David Bowie, originally released on Hunky Dory and as a single in January 1972. “Changes” became one of Bowie’s best-known songs. The lyrics are often seen as a manifesto for his chameleonic personality, the frequent change of the world today, and frequent reinventions of his musical style throughout the 1970s. This single is cited as David Bowie’s official North American debut, despite the fact that the song “The Man Who Sold the World” was released in North America two years prior. This was the last song Bowie performed live on stage before his retirement from live performances at the end of 2006.]

8. Nico Gray’s Bowie Story – “Thank you Bowie!”
recorded by Nico Gray, Sunday, February 28, 2016

9. Mott The Hoople – “All The Young Dudes”
from: All The Young Dudes / Columbia / September 8, 1972
[The album was written and produced by David Bowie, during the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Regarded as one of glam rock’s anthems, the song originated after Bowie came into contact with Mott the Hoople’s bassist Peter Watts and learned that the band was ready to split due to continued lack of commercial success. When Mott rejected his first offer of a composition, “Suffragette City” (from The Rise and Fall of Ziggy Stardust and the Spiders from Mars), Bowie wrote “All the Young Dudes” specially for them, allegedly sitting cross-legged on the floor of a room in Regent Street, London, in front of the band’s lead singer, Ian Hunter. With its dirge-like music, youth suicide references and calls to an imaginary audience, the song bore similarities to Bowie’s own “Rock ‘n’ Roll Suicide”, the final track from Ziggy Stardust. Described as being to glam rock what “All You Need Is Love” was to the hippie era, the lyrics name-checked contemporary star T. Rex and contained references to The Beatles and The Rolling Stones. Bowie himself once claimed that the song was not intended to be an anthem for glam, that it actually carried a darker message of apocalypse. According to an interview Bowie gave to Rolling Stone magazine in 1973, the boys are carrying the same news that the newscaster was carrying in the song “Five Years” from Ziggy Stardust; the news being the fact that the Earth had only five years left to live. Bowie explains: “All the Young Dudes’ is a song about this news. It’s no hymn to the youth, as people thought. It is completely the opposite.” “All the Young Dudes” is also thought of as a gay anthem. Lou Reed said “It’s a Gay Anthem! A rallying call to the young dudes to come out in the streets and show that they were beautiful and gay and proud of it.

10:30 – Underwriting

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM

1972 was an amazing year for the 25 year old David Bowie

Starting with Bowie’s third album, The Man Who Sold The World, in 1970, through Hunky Dory in ’71, The Rise and Fall of Ziggy Stardust and The Spiders From Mars in ’72, Alladdin Sane and Pin Ups in ’73, Bowie records were built around a 4-piece band that included the great Mick Ronson on lead guitar, backing vocals, piano, and arrangements.

Mott The Hoople’s “All The Young Dudes” was written and produced by Bowie, in 1972, the same year he recorded and released The Rise and Fall of Ziggy Stardust and the Spiders From Mars. “All the Young Dudes” was written specially for the band to keep them from breaking up, with Bowie allegedly sitting cross-legged on the floor of a room in Regent Street Hotel, in London, in front of the band’s lead singer, Ian Hunter.

During the year that saw the recording, and release, of two of rock music’s most important albums, David Bowie and Mick Ronson also served as producers on Lou Reed’s second solo album, the classic, Transformer, released on Bowie’s label RCA, in November of 1972.

In many ways Bowie was giving back to one of his biggest influences. Six years earlier, David Bowie’s manager Ken Pitt, returned from a trip to New York City, where he had met with artist Andy Warhol about the possibilities of representing a new, unknown group called The Velvet Underground. Ken Pitt didn’t much care for their music, so he gave the Andy Warhol signed acetate of The Velvet Underground & Nico, the band’s unreleased debut, to the 19-year old Bowie. Bowie said that receiving this acetate was “life changing.” He immedately learned the songs, and encouraged his band to perform, “I’m Waiting for the Man” in live shows, long before the album had been officially released. The Velvet Underground would mark the start of Bowie’s love affair with New York City.

I was able to view up close, this holy grail of glam rock music, the very special acetate, from Bowie’s own personal collection, as part of the internationally touring exhibition, David Bowie Is, at the The Museum of Contemporary Art Chicago, in September 2014.

Next we play the rare, previously unreleased track from the recording sessions of Lou Reed’s, Transformer” produced by David Bowie and Mick Ronson, from the incredible year of 1972.

10. Lou Reed – “Take A Walk on The Wild Side”
from: Monitor This / Monitor This / June-July 2003 (Transformer / RCA / Nov. 8, 1972)
[Produced by David Bowie and Mick Ronson. A previously unreleased version found during remastering sessions for Transformer release – different from version found on the BMG album NYC Man: The Collection. A Lou Reed song from his 1972 second solo album Transformer. It was produced by David Bowie. The song received wide radio coverage, despite its touching on taboo topics such as transsexuality, drugs, male prostitution and oral sex. In the United States, RCA released the single using an edited version of the song without the reference to oral sex. The lyrics, describing a series of individuals and their journeys to NYC, refer to several of the regular “superstars” at Andy Warhol’s New York studio, The Factory, namely Holly Woodlawn, Candy Darling, Joe Dallesandro, Jackie Curtis and Joe Campbell (referred to in the song by his nickname Sugar Plum Fairy). Candy Darling was also the subject of Reed’s earlier song for The Velvet Underground, “Candy Says”. Mick Ronson (who was at the time the lead guitarist with Bowie’s band, the Spiders from Mars) played a major role in the recording of the album at Trident Studios, serving as the co-producer and primary session musician (contributing guitar, piano, recorder and backing vocals), as well as arranger, notably contributing the lush string arrangement for “Perfect Day”. Reed lauded Ronson’s contribution in the Transformer episode of the documentary series Classic Albums, praising the beauty of his work and keeping down the vocal to highlight the strings. The songs on the LP are now among Reed’s best-known works, including “Walk on the Wild Side”, “Perfect Day” and “Satellite of Love”, and the album’s commercial success elevated him from cult status to become an international star.]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

Marion Merritt grew up in Los Angeles and St. Louis and used to sing the lyrics to David Bowie’s “We Are The Dead,” at her family reunions, when she was just a kid. Marion is creator of Records With Merritt, a small, independent, minority owned business. Marion is keeping the tradition of, female-owned, independent record stores, on Westport Rd., alive. Here is Marion’s story…

11. Marion Merritt’s Bowie Story – “Strange Scary Bowie”
recorded by Mark Manning, Monday, February 22, 2016

12. Joan As Police Woman – “Sweet Thing”
from: Real Life (B Sides) – EP / Cheap Lullaby Records / June 12, 2007
[Extra tracks from the solo debut recording of Joan Wasser, born July 26, 1970, known by her stage name, Joan As Police Woman. She is an American musician and singer-songwriter. She began her career playing violin with the Dambuilders. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. Kansas City artist Krystle Warren has toured around the world with her.] [“Sweet Thing” or “Sweet Thing/Candidate/Sweet Thing (Reprise)” is a suite of songs written by David Bowie for the album Diamond Dogs. Recorded in January 1974, the piece comprises the songs “Sweet Thing” and “Candidate” and a one-verse reprise of “Sweet Thing.” In the opening line, “Sweet Thing” contains the lowest note Bowie had recorded in a studio album (C2) until “I Took a Trip on a Gemini Spacecraft” for the album “Heathen” (2002), where he growled the word “Well” (G1) towards the end of the song. Diamond Dogs was the 8th studio album from Bowie, was released May 24, 1974, after the ‘retirement’ of Bowies’s Ziggy Stardust, character. Diamond Dogs featured a new lead character named Halloween Jack, “a real cool cat,” who lives in the decaying “Hunger City”. Bowie, however, still wore the Ziggy haircut on the cover of Diamond Dogs, and the first single, “Rebel Rebel” continues his glam rock sound. However, with the rest of the album, music writers noticed a new Bowie. For his song “Sweet Thing” / “Candidate”/ “Sweet Thing (Reprise)” Bowie first used the William S. Burroughs’ cut-up style of writing. The song “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. The Diamond Dogs Tour of 1974 was one of the first huge Rock and Roll, bus and truck tours. Bowie produced the show with a giant set, like a big Broadway production.]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM

For his song “Sweet Thing” Bowie first used the William S. Burroughs’ cut-up style of writing. Sweet Thing was from Diamond Dogs, Bowie’s 8th studio album, released May 24, 1974. The first single from Diamond Dogs was “Rebel Rebel” which continued Bowie’s glam rock sound, but the rest of Diamond Dogs was different, Mick Ronson was gone, Bowie was on lead guitar, music writers noticed a new Bowie, and songs like “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. Bowie released his 10th album, Station to Station in 1976. It’s first single “Golden Years” was completed during a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to his previous album Young Americans, but the rest of the songs on Station to Station were all foreshadowing of the Kraftwerk-influenced and electronic music of Bowie’s Berlin Trilogy of 1977’s Low, Heroes, and 1979’s Lodger.

Our next story, about Bowie, comes from one of Bowie’s biggest fans, Ben Grimes, founder of two influential KC bands: Soft Reeds and The Golden Republic. Ben Grimes now lives with his family in Los Angeles, where he recorded this story for us, along with sharing a special track, written by Bowie, during that Berlin Trilogy, and recorded by Ben’s band Soft Reeds. Ben will also be performing with The Band That Fell To Earth, Saturday, January19 as a special guest.

13. Ben Grimes Bowie Story – “You are Never Stuck In One Thing”
recorded by Ben Grimes, Sunday, February 28, 2016

14. Soft Reeds – “Sound and Vision”
from: unreleased track recorded during the sessions for Soft Reeds album ‘Blank City’
[Blank City was Soft Reeds second album, released by The Record Machine on April 23, 2013. Produced at Element Recording with Joel Nanos. Soft Reeds is the brainchild of Ben Grimes (formerly of Astralwerks’ The Golden Republic), a Chicago native whose roots grip firmly in the ’77 Berlin sounds of Brian Eno, David Bowie and Iggy Pop, with Austin, TX native Josh Wiedenfeld on drums, Beckie Trost, a fellow Chicagoan and childhood friend of Grimes on bass, and KC native John Mitchell on guitar, saxophone, keys.]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

1977 was another big year for the 30 year old David Bowie. He released the first two albums of his “Berlin Trilogy” Low and Heroes, recording with longtime friend and producer Tony Visconti, and collaborating with musician Brian Eno.

Low came from the creative energy of Bowie’s previous album Station to Station, and music he had intended for the soundtrack to he film The Man Who Fell to Earth. When Bowie presented his material to Nicolas Roeg, the director decided that it wasn’t suitable. Elements from these pieces were incorporated into Low instead. The album’s cover, like Station to Station, is a photographic still from “The Man Who Fell To Earth.”

As a recovering cocaine addict, Bowie’s songwriting on Low dealt with difficult issues. Visconti contended that the title was partly a reference to Bowie’s “low” moods during the album’s writing and recording. Bowie said, “There’s oodles of pain in the Low album. That was my first attempt to kick cocaine, so that was an awful lot of pain.” Bowie and Iggy Pop went to Berlin together to try to kick their drug habit. Bowie said “And I moved to Berlin to do it. I moved out of the coke center of the world, Los Angeles, where Station to Station was recorded, into the smack center of the world, Berlin”.

Heroes was Bowie’s 12th studio album also released in 1977. The second installment of his Berlin Trilogy with Brian Eno .”Heroes” developed the sound of Low and featured the contributions of guitarist Robert Fripp, who flew in from the US to record his parts in one day. Of the Berlin Trilogy, it was the only one wholly recorded in Berlin. The title track remains one of Bowie’s best known. Recorded at Hansa Tonstudio in what was then West Berlin, “Heroes” reflected the zeitgeist of the Cold War, symbolized by the divided city. Co-producer Tony Visconti considered it “one of my last great adventures in making albums. The studio was about 500 yards from the Berlin Wall. Red Guards would look into our control-room window with powerful binoculars.”

11:00 – Station ID

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM KKFI – Kansas City Community Radio,

15. Ian Johnson’s Bowie Story – “My Dad Tim”
recorded by Mark Manning Sunday, February 13, 2016

16. David Bowie – “Heroes” (Single Version)
from: Heroes / RCA / October 14, 1977
[Twelfth studio album by David Bowie, released in 1977. The second installment of his Berlin Trilogy with Brian Eno – the other releases being Low and Lodger – “Heroes” developed the sound of Low and featured the contributions of guitarist Robert Fripp, who flew in from the US to record his parts in one day. Of the three albums, it was the only one wholly recorded in Berlin. The title track remains one of Bowie’s best known, and the song has received lasting critical acclaim and is continually mentioned as one of the greatest songs of all time. Recorded at Hansa Tonstudio in what was then West Berlin, “Heroes” reflected the zeitgeist of the Cold War, symbolised by the divided city. Co-producer Tony Visconti considered it “one of my last great adventures in making albums. The studio was about 500 yards from the Berlin Wall. Red Guards would look into our control-room window with powerful binoculars.” Earlier in 1977, Kraftwerk had name-checked Bowie on the title track of Trans-Europe Express, and he again paid tribute to his Krautrock influences: the title is a nod to the track “Hero” on the album Neu! ’75 by the German band Neu! – whose guitarist Michael Rother had originally been approached to play on the album – while “V-2 Schneider” is inspired by and named after Kraftwerk’s Florian Schneider.]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

Our next story about Bowie comes from another one of Bowie’s biggest fans, musician and writer, Michelle Bacon who talks about The Band That Fell To Earth and band she put together for a Tribute to David Bowie that has now become an annual event.

19. Michelle Bacon’s Bowie Story – “Putting together a perfect band”
recorded by Mark Manning, Saturday, February 27, 2016

19. The Band That Fell To Earth – “Boys Keep Swinging”
from: Recorded Live at recordBar for A Tribute To David Bowie / January 2018

11:15 – Interview with Michelle Bacon

Multi talented, musician and writer, Michelle Bacon, is Content Writer at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle Bacon works as a freelance writer and has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle Bacon plays drums, bass, and sings harmony vocals. Over the last several years she performed and recorded music with, Other Americans, The Band That Fell To Earth, Heidi Lynne Gluck, Erica Joy, Chris Meck and the Guilty Birds, The Blackbird Revue, John L. Johnson, The Philistines, and Nathan Corsi.

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Friday, January 18 and Saturday, January 19, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater Kansas City area.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

The band was curated by musician/writer Michelle Bacon to pay homage to the groundbreaking artist while showcasing talent across Kansas City’s vast musical spectrum. Their annual With Bowie’s untimely passing only three weeks before the inaugural concert, the event garnered an attendance of more than 800 at the Uptown Theater, and generated press from KCPT, The Kansas City Star and various radio stations, along with high demand for an annual show.

Michelle Bacon on bass,
Alex Alexander on guitar,
Nathan Corsi on vocals/guitar,
Kyle Dahlquist on keys/brass,
Katy Guillen on guitar,
Steve Tulipana on vocals,
Stephanie Williams on drums,
Havilah Bruders on backing vocals,
Camry Ivory on backing vocals,
Matt Ronan on percussion,
Christine Broxterman on cello,
Betse Ellis on violin,
Rich Wheeler on saxophone,

American Sign Language interpretation from Peige Turner and video projections from XO Blackwater.

Each night will contain a unique set list and different special guests.

Guest vocalists for Friday, Jan. 18:

Julia Haile who performs solo and with neo-soul/funk group Hi-Lux.

Rachel Mallin songwriter, multi-instrumentalist, leader of Rachel Mallin & The Wild Type.

Michael Tipton who fronts the Talking Heads tribute band, Found A Job!

Wick Thomas activist and educator who leads the glam punk band Wick & The Tricks.

Guest vocalists for Saturday, Jan. 19

Ben Grimes – musician, writer, filmmaker, leader of Soft Reeds and The Golden Republic. He works in TV production on It’s Always Sunny in Philadelphia and Baskets.

Madisen Ward of Madisen Ward and the Mama Bear, “The Radio Winners” received accolades from NPR, the AP and was in the Top 5 of WMM’s 118 Best Recordings of 2018

Slim Hanson singer/songwriter, founding member of the Hellcat Trio and Grand Marquis. He now leads the honky tonk country band Slim Hanson and the Poor Choices.

Miki P is a songwriter and multi-instrumentalist, she was in American Slim, and recently released her debut solo album, “Dome of Swallows.”

Jeff Harshbarger is a bassist, composer, teacher, radio show host on KKFU, and has performed with jazz, rock, tango and avant-garde collectives including Bach Aria Soloists, Krystle Warren, and The People’s Liberation Big Band of Greater Kansas City.

A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater KC area.

Commemorative David Bowie prayer candles & pillows will be sold by Kitschup Creations.

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

The Band That Fell To Earth: A Tribute to David Bowie, with TWO nights of music: Friday, January 18 and Saturday, January 19, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO. A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater Kansas City area. More info at: http://www.therecordbar.com

11:32 – Underwriting

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

To study Bowies albums to to learn about the many guitarists and producers who worked with Bowie including on of the most influential guitarist of modern music…Nile Rodgers.

19. Nile Rodgers talks about making “Lets Dance”

20. David Bowie – “Let’s Dance” (Single Version)
from: Let’s Dance / EMI / April 14, 1983
[Let’s Dance was co-produced by Chic’s Nile Rodgers, the album contained three of his most successful singles; the title track, “Let’s Dance”, reached No. 1 in the US, “Modern Love” and “China Girl” both reached No. 2 in the UK. “China Girl” was a new version of a song which Bowie had co-written with Iggy Pop for the 1977 album The Idiot. The album also contains a re-recorded version of the song “Cat People (Putting Out Fire)” which had been a minor hit for Bowie a year earlier. Let’s Dance was a stepping stone for the career of the Texas blues guitarist Stevie Ray Vaughan, who played on it. Let’s Dance has sold over 10.7 million copies worldwide, making it Bowie’s best-selling album. Let’s Dance is Bowie’s 18th official album release since his debut in 1967, including two live albums, one covers album (Pin Ups, 1973), and a collaboration with the Philadelphia Orchestra (1977). The success of the album surprised Bowie, who felt he had to continue to pander to the new pop audience he acquired with the album. This led to Bowie releasing two further solo albums in 1984 and 1987 that, despite their relative commercial success, did not sell as well as Let’s Dance, were poorly received by critics at the time and subsequently dismissed by Bowie himself as his “Phil Collins years”. Bowie would form the hard rock and grunge-predecessor band Tin Machine in 1989 in an effort to rejuvenate himself artistically. David Bowie had planned to use producer Tony Visconti on the album, as the two had worked together on Bowie’s previous four studio albums. However, he chose Nile Rodgers for the project, a move that came as a surprise to Visconti, who had set time aside to work on Let’s Dance. Visconti called [Bowie’s personal assistant] Coco and she said: “Well, you might as well know – he’s been in the studio for the past two weeks with someone else. It’s working out well and we won’t be needing you. He’s very sorry.” The move damaged the two men’s relationship and Visconti did not work with Bowie again for nearly 20 years (until 2002’s Heathen). Rodgers later recalled that Bowie approached him to produce his album so that Bowie could have hit singles. Rodgers reported that Bowie came into his apartment one day and showed him a photograph of Little Richard in a red suit getting into a bright red Cadillac, saying “Nile, darling, that’s what I want my album to sound like.”]

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM. Our next story comes from our talented friend, singer, songwriter, Krystle Warren, who has worked with some of the musical artists we’ve played today, including Joan As Police Woman. Krystle sent us her story from France, where she now lives.

21. Krystle Warren’s Bowie Story – “Always be genuine in your expression”

22. David Bowie – “Without You” (Single Version)
from: Let’s Dance / EMI / April 14, 1983

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM.

27 studio albums, 8 live albums, over 50 compilation albums, 119 singles, 58 music videos, over 25 films. He was a working artist. He was always working, always creating, always studying, always interested in how it could be put together.. Bowie inspired multiple generations of people with his beautiful catalog of song.

I would like to thank all of our contributors for sharing their stories: Cody Wyoming, Jesse Bartmess, Nico Gray, Marion Merritt, Ben Grimes, Ian Johnson, Michelle Bacon, Krystle Warren, and Barry Lee, who we will hear from in just a few moments.

And we’ll close with “Lazarus” the final single from David Bowie, released on his 27th and final studio album, on January 8, 2016, Bowie’s 69th birthday. Bowie died two days later. Co-producer Tony Visconti described the album as Bowie’s intended swan song and a “parting gift” for his fans before his death.

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

23. Barry Lee’s Bowie Story –”i wasn’t always a fan”

24. David Bowie – “Lazarus”
from: Blackstar / ISO Records – Columbia / January 8, 2016
[Lazarus features David Bowie on vocals, acoustic guitar, and Fender guitar; Donny McCaslin on saxophone, flute, and woodwind; Jason Linder on piano, Wurlitzer organ and keyboards; Tim Lefebvre on bass; Mark Guiliana on drums. McCaslin and the rest of the jazz group recorded their parts in the studio over a period of about one week a month from January to March 2015, and until later in recording were unaware of Bowie’s declining health. The song “Lazarus” is part of Bowie’s Off-Broadway musical of the same name. The album has received universal critical acclaim and commercial success, reaching the number one spot in a number of countries in the wake of Bowie’s death and becoming his first album to reach number one on the Billboard 200 album chart in the U.S. Blackstar is the twenty-fifth and final studio album by musician, writer, actor, chameleon, David Bowie. It is the 27th when you count the Tin Machine records, which you should. The album was released worldwide on January 8, 2016, on Bowie’s 69th birthday, and just two days later David Robert Jones passed away at home surrounded by his wife Iman, and his son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman.]

25. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next Week on Wednesday, Jan 16, we present: “Remembering MLK” to celebrate Dr. Martin Luther King, Jr., born January 15, 1929. We’ll play music from: The Isley Brothers, Curtis Mayfield, Mahalia Jackson, Sweet Honey in The Rock, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pops Staples, Mavis Staples, The Staple Singers, Thelonius Monk Septet, Pete Seeger, Sarah Lee Guthrie & Johnny Irion, Sharon Jones & The Dap-Kings, Labelle, Darwin Hobbs & Karen Clark-Sheard, Bobby Watson & The I Have a Dream Project.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #768

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Wednesday MidDay Medley Celebrates David Bowie

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, Jan 9, 2019

Wednesday MidDay Medley Celebrates David Bowie

David Bowie’s death in New York City, on January 10, 2016 sent shock waves of grief across the world. Bowie made music for those of us who felt left out. Bowie taught us how to be ourselves, to celebrate being different. Bowie understood the theatre of rock and roll. Bowie was a gateway for his fans to other important discoveries like: The Velvet Underground, Lou Reed, John Cale, Andy Warhol and The Factory, Iggy Pop, Glam Rock, New Wave, Electronica, Brian Eno, Roxy Music, William S. Burroughs, Beat Poetry, Mick Ronson, Luther Vandross, Tony Visconti, Carlos Alomar, Robert Fripp, T-Rex, Kraftwerk, Klaus Nomi, Bauhaus, Gender Expression, Independent film, Arcade Fire, TV on The Radio, and so much more.

Wednesday MidDay Medley presents our Tribute to David Bowie, featuring short stories about David Bowie from nine of his biggest fans: Michelle Bacon, Barry Lee, Ben Grimes, Cody Wyoming, Krystle Warren, Jesse Bartmess, Marion Merritt, Ian Michael Flanagan Johnson, and Nico Gray.

We’ll feature selected songs from, and representing, some of David Bowie’s 27 studio albums, and recordings David Bowie wrote and produced for other artists, including: Lou Reed, Mott the Hoople, and Bowie songs performed by: Joan As Police Woman, OK Go, Bonerama Col. Chris Hadfield, Nile Rodgers and James Murphy and two bands with Kansas City connections: Soft Reeds, and The Band That Fell To Earth.

At 11:15, we welcome musician and writer, Michelle Bacon who joins us to share details about The Band That Fell To Earth and the 4th annual tribute to David Bowie with TWO nights of music: Friday, January 18 and Saturday, January 19, doors at 8:00 PM, show at 9:00 PM, at recordBar, 1520 Grand Ave, KCMO, featuring: Michelle Bacon on bass, Alex Alexander on guitar, Nathan Corsi on vocals/guitar, Kyle Dahlquist on keys/brass, Katy Guillen on guitar, Steve Tulipana on vocals, Stephanie Williams on drums, Havilah Bruders on backing vocals, Camry Ivory on backing vocals, Matt Ronan on percussion, Christine Broxterman on cello, Betse Ellis on violin, Rich Wheeler on saxophone, with American Sign Language interpretation from Peige Turner and video projections from XO Blackwater. Each night will contain a unique set list and different special guests, to be announced! A portion of ticket sales will benefit KC for Refugees, an organization that creates a welcoming environment for refugees moving to and living in the greater Kansas City area. More info at: http://www.therecordbar.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #768

WMM talks with Ryan Wilks of Here Where You Wish + Lesley Pories

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 17, 2018

New & MidCoastal Releases + Lesley Pories +
+ Ryan Wilks & Here Where You Wish

Mark plays New & MidCoastal Releases from: Momma’s Boy, Sara Morgan, Nathan Corsi, Be/Non, Payge Turner, Dead Voices, Marideth Sisco & Accomplices, Westerners, Jake Wells, Mother Russia Industries, The Hillary Watts Riot, Hipshot Killer, Old Sound, Destroyer, Superorganism, Minnie Riperton, Sufjan Stevens, and Superchunk with Waxahatchee & Stephin Merritt.

At 10:30, MidCoast Radio Project Board Member and 90.1 FM Membership Committee Chair – Lesley Pories joins us to talk about 90.1 FM KKFI, and how listeners can become more involved. Lesley has been volunteering at 90.1 FM for nearly three years, and has served on the Board of Directors for two of those years. She is originally from Vienna, Virgina has worked in Washington DC, and Atlanta. Lesley spent two years teaching English as a Peace Corp Volunteer in Uzbekistan, worked on small water conservation in Hubli, India, observed presidential elections in Guinea, and obtained two Masters Degrees from the University of North Carolina and the Fletcher School (Tufts). Lesley currently works as a Senior Sector Analyst at Water.org based here in Kansas City.

At 11:15, Mark talks with artist Ryan Wilks about his new exhibit, Here Where You Wish, an immersive public installation coming to the Kansas City Public Library, at 14 West 10th Street, First Friday, April 6, 2018. Wilks is constructing a large public altar in the Central Library with a transformative temple-like labyrinth entry-way being crafted by renowned artist Ari Fish. Tim J Harte is composing ritual based sounds/music for the event. The 40 square feet altar is being constructed by Sean Prudden and Ryan Wilks, to house the objects that people bring to the piece. To support this project you can visit: https://www.kickstarter.com/projects/1840510472/here-where-you-wish/description

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #717

WMM Playlist from January 3, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 3, 2018

Tributes to Iris DeMent & David Bowie
+ Michelle Bacon & Katy Guillen of The Band That Fell To Earth

In our 1st hour, we celebrated the birthday of Iris DeMent, born January 5, 1961, in rural Paragould, Arkansas. She was the youngest of 14 children. At the age of 3, her devoutly religious family moved to California, where she grew up singing gospel music. During her teenage years, Iris was exposed to country, folk, & R&B, drawing influence from Loretta Lynn, Johnny Cash, Bob Dylan, & Joni Mitchell.

Iris moved to the midwest and after a series of jobs as a waitress and typist, she wrote her first song at the age of 25. She moved to Kansas City and played Harling’s Upstairs and open-mic nights alongside Scott Hrabko and Howard Iceberg. Iris met producer Jim Rooney in Nashville, in 1988, who helped her land a record contract.

Iris Dement made her recording debut in 1992, with her independently produced album, “Infamous Angel.” The record won critical acclaim and John Prine mentioned Iris in his list of favorite recordings of the year published in Rolling Stone. Despite a complete lack of support from country radio, the word of mouth praise for Iris DeMent’s “Infamous Angel” earned her a deal with Warner Bros Records, which reissued “Infamous Angel” in 1993. We started the show with a song originally from that album called, “Let The Mystery Be” that was lovingly covered by her husband, the great folk singer songwriter – Greg Brown. “Let The Mystery Be” has also been covered by David Bryne, 10,000 Maniacs, Bun E. Carlos of Cheap Trick, and it was the theme song for the second season of The Leftovers.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Greg Brown – “Let The Mystery Be”
from: Freak Flag / Yep Roc / May 10, 2011
[Iris Dement’s song “Let The Mystery Be” from her debut Infamous Angel, from 1992. This song was covered by David Bryne, 10,000 Maniacs, Bun E. Carlos, and many others, it also became the theme song for the 2nd season of The Leftovers.While Greg Brown was recording this album, lighting hit the studio where Greg Brown he was recording songs for his 24th album: Freak Flag, the title track was all that remained of the lost original album. Greg wrote ten new songs, recording them at Memphis, Tennessee’s legendary Ardent Studios. Produced by Bo Ramsey, the album also includes a cover of Pieta Brown’s song ”Remember the Sun.”]

Full disclosure, I love Iris DeMent. I’ve seen her live, in-concert, over 8 times. I met Iris DeMent when I was working at Kinkos at 39th & Rainbow in 1992. Iris came in to copy press clippings, she was in the process of releasing her debut album. I wasn’t familiar with her music until I saw her on Late Night with Conan O’Brien in 1995, where she performed her song, “My Life.” I was blown away. I had video-taped the show, and I would replay that song for everyone that came to visit. I wanted everyone to know about Iris DeMent.

I ran into Iris at Classic Cup in Westport. By this point I had become a big fan of her music and I was sort of star stuck, but she approached me and asked, “How do I know you?” Our friendship was able to continue because we shared a mutual friend named Anne Winter, who invited me to a holiday party in Iris Dement’s River Market condo where we sang old fashioned hymns, with members of The Wilders. Anne Winter had become a close friend of Iris and even went out “on the road” with her at one point. Because of Anne, I stage managed a show at the Uptown Theatre with Michael Moore, Iris deMent and the Wilders all performing. Anne Winter also helped arranged for Iris to play one of our Big Bang Buffet shows in 1999 at The Hobbs Building. In 2002 Iris agreed to do a benefit show for Friends of Community Radio. At this point she was living in Coleman Heights in Kansas City and invited Linda Wilson and I to a home-cooked meal at her house, to talk aver the details of the show. In 2004 Iris and Greg Brown performed together in a show with Amy Goodman of “Democracy Now!” to raise over $10,000.00 for KKFI. Iris never took a penny from any of these shows, and has always been such a generous supporter of 90.1 FM. She recognized as a singer songwriter how important community radio is for independent artists like herself, and she has always given back, to help keep this radio station alive. Because of Iris DeMent’s generosity, and in honor of our dear friend Anne Winter, who we lost in 2009, I vowed to pay tribute to iris on her birthday, each year, with this radio show.

3. Iris DeMent – “My Life”
from: My Life / Warner Brothers / 1994

10:12 – Influences of Iris DeMent

Iris DeMent represents that place in the road, where Country and Folk music merged with honest stories, of working class people, not afraid to tell the truth about the times they are living through. Iris DeMent grew up singing gospel music, but in her teenage years, she discovered other music through the radio: country, folk, and R&B, and the music of Loretta Lynn, Merle Haggard, Johnny Cash, Bob Dylan, and Joni Mitchell.

4. Loretta Lynn – “You Ain’t Woman Enough To Take My Man”
from: Legends of Country Music / Columbis Legacy / 1997
[Live performance for Austin City Limits taped in 1983. Loretta Webb was the second of 8 children; grew up in Butcher Holler, a section of Van Lear, a mining community in Kentucky. Growing up with such humble roots had a huge effect on Lynn’s life and heavily influenced her music as an adult. Her autobiography describes how, during her childhood, the community had no motor vehicles, paved roads, or flush toilets. She married Oliver Vanetta Lynn, known as “Doo,” on Jan. 10, 1948, at age 13. In an effort to break free of the coal mining industry, at 14, Lynn moved to the logging community Custer, Washington, with her husband. The Lynns had 4 children – Betty Sue, Jack Benny, Cissy and Ernest Ray – by the time Loretta was 18, and in her early 20s she then had twin girls, Peggy & Patsy. No stranger to controversy, Loretta Lynn possibly had more banned songs than any other country music artist, prior to The Dixie Chicks, including “Rated X,” about the double standards divorced women face, “Wings Upon Your Horns,” about the loss of teenage virginity, and “The Pill,” lyrics by T. D. Bayless, about a wife and mother becoming liberated via the birth control pill. Her song “Dear Uncle Sam,” released in 1966 during the Vietnam War, describes a wife’s anguish at the loss of a husband to war. It has been included in live performances during the US – Iraq War.]

5. Merle Haggard – “Workin’ Man Blues”
from: Oh Boy Classic Presents Merle Haggard / Oh Boy Records / 2000
[Originally released in 1969, a tribute to a core group of his fans: The American blue-collared working man. Backed by an electric guitar that typified Haggard’s signature Bakersfield Sound, he fills the role of one of those workers expressing pride in values of hard work and sacrifice, despite the resulting fatigue and the stress of raising a large family. Included on Haggard’s 1969 album “A Portrait of Merle Haggard.” Included in this collection on John Prine’s Oh Boy Records.]

6. Johnny Cash – “Ring of Fire”
from: 16 Biggets Hits / Columbia Legacy / 2007
[co-written by June Carter (wife of Johnny Cash) and Merle Kilgore. The song was recorded on March 25, 1963 and became the biggest hit of his career, staying at #1 on the charts for 7 weeks. “Ring of Fire” refers to falling in love – which is what June Carter was experiencing with Johnny Cash at the time. Some sources claim that June had seen the phrase, “Love is like a burning ring of fire,” underlined in one of her uncle A. P. Carter’s Elizabethan books of poetry. She worked with Kilgore on writing a song inspired by this phrase as she had seen her uncle do in the past. In the 2005 film, Walk the Line June is depicted as writing the song while agonizing over her feelings for Cash despite his drug addiction and alcoholism as she was driving home one evening. She had written: “There is no way to be in that kind of hell, no way to extinguish a flame that burns, burns, burns”. Cash claims he had a dream where he heard the song accompanied by “Mexican horns”. Four years after the song was released, Carter and Cash were married which Cash states helped to stop his alcohol and drug addictions. Cash’s daughter, Rosanne has stated, “The song is about the transformative power of love and that’s what it has always meant to me and that’s what it will always mean to the Cash children.]

7. Bob Dylan – “I Shall Be Released”
from: The Essential Bob Dylan / Columbia – Sony / 2000 [Originally recorded October, 1971. ]

8. Joni Mitchell – “For The Roses”
from: For The Roses / Asylumn / 1972
[Released between her 2 biggest commercial and critical successes – “Blue” and “Court & Spark”. In 2007 it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. “For the Roses” was Mitchell’s farewell to the business; she took an extended break for a year after. The album was critically acclaimed with The New York Times saying “Each of Mitchell’s songs on For the Roses is a gem glistening with her elegant way with language, her pointed splashes of irony & her perfect shaping of images. Never does Mitchell voice a thought or feeling commonly. She’s a songwriter and singer of genius who can’t help but make us feel we are not alone.” A nude photograph of Joni Mitchell was included on the inside cover of the original LP and is included in the CD booklet. The photograph shows the singer from the rear & was taken from a considerable distance; she is shown standing on a rock and staring out at the ocean. This created some controversy at the time.]

10:26 – Underwriting

10:28 – Collaborations with Iris Dement

9. Nanci Griffith w/Iris & Emmylou – “Are You Tired of Me Darling”
from: Other Voices Other Rooms / Elektra / 1993
[High Harmony – Iris / Low Harmony – Emmylou Harris] [Nanci Griffith’s 10th album. Here she pays homage to other songwriters who have influenced her own career.]

10. John Prine w/ Iris Dement – “We’re Not The Jet Set”
from: In Spite Of Ourselves / Oh Boy / 1999
[In 1968 country superstar George Jones witnessed a fight between Tammy Wynette and her husband Don Chapel. At Jones’s urging, Wynette and her daughters drove away with him. Wynette and Jones married Feb. 16, 1969, and Wynette’s 4th daughter, Georgette, was born in 1970. Jones and Wynette, were nicknamed the “President and First Lady” of country music, and they recorded a string of hit duets that seemed drawn directly from their volatile relationship, which resulted in their divorcing in 1975. Their classic recordings included “Two Story House,” “Golden Ring,” and the humorous “(We’re Not) The Jet Set.” ]

10:34

Iris DeMent’s first three releases, all on Warner Brothers records, were critically acclaimed, and she received two Grammy nominations during this time, in the “Folk Music” category. Meanwhile country radio completely overlooked her original songs, and amazing voice, that has been compared to Loretta Lynn and Tammy Wynette. For her 1992 debut record John Prine wrote the liner notes. [Read the liner notes from John Prine]

“One night after receiving a copy of “Let the Mystery Be,” I was listening to the tape while frying a dozen or so pork chops in a skillet. Well Iris DeMent starts singing about “Mama’s Opry,” and being the sentimental fellow I am, I got a lump in my throat and a tear fell from my eyes into the hot oil. Well the oil popped out and burnt my arm as if the pork chops were trying to say, “Shut up, or I’ll really give you something to cry about.” Of course, pork chops can’t talk. But Iris DeMent’s songs can. They talk about isolated memories of life, love and living. And Iris has a voice I like a whole lot, like one you’ve heard before— but not really. So listen to this music, this Iris DeMent. It’s good for you. And if pork chops could talk, they’d probably learn how to sing one of her songs. Then we’d all have something to cry about.” – John Prine, Songwriter, musician & president Oh Boy! Records”

11. Iris DeMent – “Infamous Angel”
from: Infamous Angel / Warner Brothers / 1992 / 1993
[Debut studio album. In 1995, her song “Our Town” was played in the closing moments of the last episode of CBS TV series Northern Exposure. “Let the Mystery Be” became theme for the 2nd season of The Leftovers.]

10:40 – Greg Brown

Iris followed up her debut record with the autobiographical, “My Life,” released in 1994 and quickly followed with her third Warner Brother’s release, “The Way I Should,” released in 1996, which contains some of Iris DeMent’s most political songs.

In the 2002 Iris DeMent did a benefit concert for The Friends of Community Radio at Unity Temple on The Plaza. I remember when Iris asked us if it was okay that she have a musician friend open the concert for her, we agreed because Iris was donated her talent to the cause of community radio. And then she told us that this musician friend was Greg Brown, who at this point was know all over the country, but had never before played KC.

Later that year, on November 21, 2002 Greg married Iris DeMent in a private ceremony in the office of Rev. Sam Mann of St. Mark Church in East KC.

Grammy Nominated Greg Brown is one of the most respected singer songwriters working in music today. He started singing professionally at the age of 18 organizing early folk concerts in New York City, Portland, Los Angeles and Las Vegas. In the 1980s, he worked and toured extensively as musical director for Garrison Keillor’s A Prairie Home Companion radio program. He also founded his own record label, named Red House Records after a home in which he lived in Iowa. Greg Brown has released over 30 recordings and has allowed much of his music to be used to raise funds and awareness for environmental and social causes. His songs have been performed by Willie Nelson, Jack Johnson, Carlos Santana, Michael Johnson, Ani DiFranco, Shawn Colvin, Mary Chapin Carpenter, Iris DeMent and Joan Baez.

12. Greg Brown w/Iris -“Jacob’s Ladder”
from: Honey in The Lion’s Head / Trailer / 2003

13. Greg Brown – “Bucket”
from: Evening Call / Red House / 2006
[The Washington Post writes, “The singer-songwriter from Iowa has a baritone as rough and chunky as Thanksgiving gravy with the turkey bits still in, and that’s just how his words drip out on his album, “The Evening Call.” on “Whippoorwill” he sing as sweetly as his lover down in KC. That’s his wife, Iris DeMent, and on “Joy Tears,” he tells her, “When you start your singing, honey, the heavens open up with grace.”]

10:51

In 2015 Iris DeMent released her 6th album, with national acclaim, and a #5 spot on WMM’s 115 Best Recordings of 2015. The Trackless Woods sets 18 poems by acclaimed 20th century Russian poet Anna Akhmatova to life. Hailed as one of Russia’s finest poets, Akhmatova survived the Bolshevik Revolution, both World Wars and Stalin. When Iris randomly stumbled upon Akhmatova’s work in a book of poetry a friend sent as a gift, she was immediately taken by the sorrow and burden of the poems. Iris recorded the album with co-producer Richard Bennett in her living room over a five-day period. The project also fulfilled a long yearned-for desire to connect with her adopted daughter’s culture and history. Iris and her husband Greg Brown adopted their daughter from Siberia in 2005, when she was 6, and Iris says ”I’d never have made this record were it not for her.”

14. Iris DeMent – “Listening to Singing”
from: The Trackless Woods / FlariElla / August 7, 2015 [6th album from Grammy nominated Iris DeMent who NPR said was ”one of the great voices in contemporary popular music.” The Trackless Woods sets 18 poems by acclaimed 20th century Russian poet Anna Akhmatova to life. Hailed as one of Russia’s finest poets, Akhmatova survived the Bolshevik Revolution, both World Wars and Stalin. She lost family, friends & fellow writers to political killings and labor in the gulags. When Iris randomly stumbled upon Akhmatova’s work in a book of poetry a friend sent as a gift, she was immediately taken by the sorrow and burden of the poems, juxtaposed with Akhmatova’s lightness and transcendence in the face of inhumanity. ”Anna’s gift of song is so strong, about alI I had to do was get really quiet and listen,” says Iris. After reading that first poem the melodies began pouring out of her, and before she even fully understood what was driving her, Iris was gathering musicians & friends, including co-producer Richard Bennett (Emmylou Harris, Neil Diamond, Steve Earle), to record ‘The Trackless Woods’ in her living room over a 5-days. The result is a pairing of piano and voice in Iris’ style with timeless melodies that are rooted in the American South.]

In his review for WHYY’s Fresh Air, Entertainment Weekly Music Editor – Ken Tucker wrote: “Iris DeMent possesses one of the great voices in contemporary popular music: powerfully, ringingly clear, capable of both heartbreaking fragility and blow-your-ears-back power. Had she been making country albums in the ’70s and ’80s and had more commercial ambition, she’d probably now be considered right up there with Loretta Lynn and Tammy Wynette. Instead, she’s lived a contemporary life, a somewhat private life. As she recently told an interviewer, “There’s a lot that goes into life besides songwriting.” And she’s taken her time in composing songs that fit into no genre easily.”

Iris released her 5th album, “Sing The Delta” in 2012, to glowing reviews from the UK publication UNcut, The New Yorker, The Boston Globe, The Chicago Tribune, and was #1 on WMM’s 112 Best Recordings of 2012. And Because we have lost so many great folks in 2016, I find it fitting to end this hour long tribute with “Go On Ahead and Go Home” from Iris DeMent’s album, Sing the Delta. Happy Birthday Iris DeMent. We love you!

15. Iris DeMent – “Go on Ahead and Go Home”
from: Sing The Delta / Flariella / Oct. 2, 2012
[Her first full-length release of original songs since 1996. Iris was our special guest on our Oct 10, WMM.]

11:00 – Station ID

Wednesday MidDay Medley Celebrates Bowie

16. Nico Gray’s Bowie Story – “Thank you Bowie!”
recorded by Nico Gray, Sunday, February 28, 2016

17. James Murphy – “Golden Years”
rom: While We’re Young (Original Soundtrack) / Power Elite / March 23, 2015
[Born February 4, 1970. James Murphy is a musician, producer, DJ, and co-founder of record label DFA Records. His most well-known musical project is LCD Soundsystem. James Murphy was influenced by Bowie and remixed songs for Bowie’s The Next Day Extras, and is credited as a percussionist on Bowie’s Backstar.] [“Golden Years” was written and recorded by David Bowie in 1975, and originally released in a shortened form as a single in November 1975, and in its full-length version in January the following year on, Station to Station. It was the first track completed during the Station to Station sessions, a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to the Young Americans funk/soul material from earlier in 1975 than the rest of Station to Station, that foreshadowed the Kraftwerk-influenced Euro-centric and electronic music that Bowie would move into with his ‘Berlin Trilogy’.]

David Bowie seemed to be from another world. I thought he was immortal. His art kept coming. His influence so vast. He was a guide. So much of my journey, as a queer kid finding my way in the world, was influenced by Bowie.

David Bowie was born January 8, 1947. In school he studied art, music, and design before embarking on a music career in 1963. Over a span of 5 decades, he sold over 140 million records and released 27 studio albums, if count Tin Machine, which you should. His career is notable for his reinvention, his pushing of the boundaries of gender, art and music. He was the first to create a concert tour that was a big as a broadway touring show. He was also an actor in many influencial films including: The Man Who Fell to Earth, The Hunger, Merry Christmas Mr. Lawrence, Basquiat, and 20 other films. He also played John Merrick in The Elephant Man on Broadway. He influenced multiple generations with his music, films, music videos, and concert tours.

Bowie was a gateway to other discoveries: The Velvet Underground, Lou Reed, T-Rex, Iggy Pop, Andy Warhol, Glam Rock, Electronica, Brian Eno, William S. Burroughs, Kraftwerk, Mick Ronson, Tony Visconti, Klaus Nomi, Bauhaus, Gender Expression, and much more.

A year ago on January 10, 2016, two days after he released his 25th solo album, Blackstar, on his 69th birthday, David Robert Jones passed away at home surrounded by his wife Iman, son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman. David Bowie’s death sent shock waves of grief across the world.

For his song, “Sweet Thing,” Bowie first used the William S. Burroughs’ “cut-up style” of writing. Sweet Thing was from Diamond Dogs, Bowie’s 8th album, released May 24, 1974.

11:07

18. Joan As Police Woman – “Sweet Thing”
from: Real Life (B Sides) – EP / Cheap Lullaby Records / June 12, 2007
[Extra tracks from the solo debut recording of Joan Wasser, born July 26, 1970, known by her stage name, Joan As Police Woman. She is an American musician and singer-songwriter. She began her career playing violin with the Dambuilders. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. Kansas City artist Krystle Warren has toured around the world with her.] [“Sweet Thing” or “Sweet Thing/Candidate/Sweet Thing (Reprise)” is a suite of songs written by David Bowie for the album Diamond Dogs. Recorded in January 1974, the piece comprises the songs “Sweet Thing” and “Candidate” and a one-verse reprise of “Sweet Thing.” In the opening line, “Sweet Thing” contains the lowest note Bowie had recorded in a studio album (C2) until “I Took a Trip on a Gemini Spacecraft” for the album “Heathen” (2002), where he growled the word “Well” (G1) towards the end of the song. Diamond Dogs was the 8th studio album from Bowie, was released May 24, 1974, after the ‘retirement’ of Bowies’s Ziggy Stardust, character. Diamond Dogs featured a new lead character named Halloween Jack, “a real cool cat,” who lives in the decaying “Hunger City”. Bowie, however, still wore the Ziggy haircut on the cover of Diamond Dogs, and the first single, “Rebel Rebel” continues his glam rock sound. However, with the rest of the album, music writers noticed a new Bowie. For his song “Sweet Thing” / “Candidate”/ “Sweet Thing (Reprise)” Bowie first used the William S. Burroughs’ cut-up style of writing. The song “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. The Diamond Dogs Tour of 1974 was one of the first huge Rock and Roll, bus and truck tours. Bowie produced the show with a giant set, like a big Broadway production.]

11:10

David Bowie’s song ”Lazarus” was released on December 17, 2015, making it the second single from his twenty-fifth studio album “Blackstar”, as well as his last single released before his death on January 10, 2016. The track is used in Bowie’s off-Broadway musical of the same name. “Lazarus” was Bowie’s first top 40 hit single on the Billboard Hot 100 in more than 28 years. According to Bowie’s producer Tony Visconti, the lyrics and video of “Lazarus” were intended to be a self-epitaph, a commentary on Bowie’s own impending death. In November 2015 during the week of shooting for the Lazarus video, doctors reportedly informed Bowie the cancer was terminal and that they were ending treatment. The video features Bowie, appearing with a bandage and buttons sewn over his eyes, lying on a deathbed and finishes with Bowie retreating into a dark wardrobe. In the scenes featuring the wardrobe, Bowie is wearing a diagonally striped suit referencing the back cover of the 1991 CD reissue of the Station to Station album, where he is pictured sitting on the floor drawing the kabbalistic Tree of Life.

11:11

19. David Bowie – “Lazarus”
from: Blackstar / ISO Records – Columbia / January 8, 2016
[Lazarus features David Bowie on vocals, acoustic guitar, and Fender guitar; Donny McCaslin on saxophone, flute, and woodwind; Jason Linder on piano, Wurlitzer organ and keyboards; Tim Lefebvre on bass; Mark Guiliana on drums. McCaslin and the rest of the jazz group recorded their parts in the studio over a period of about one week a month from January to March 2015, and until later in recording were unaware of Bowie’s declining health. The song “Lazarus” is part of Bowie’s Off-Broadway musical of the same name. The album has received universal critical acclaim and commercial success, reaching the number one spot in a number of countries in the wake of Bowie’s death and becoming his first album to reach number one on the Billboard 200 album chart in the U.S. Blackstar is the twenty-fifth and final studio album by musician, writer, actor, chameleon, David Bowie. It is the 27th when you count the Tin Machine records, which you should. The album was released worldwide on January 8, 2016, on Bowie’s 69th birthday, and just two days later David Robert Jones passed away at home surrounded by his wife Iman, and his son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman.]

[The Band Who Fell To Earth – A Tribute to David Bowie, is Saturday, January 6, at 8:00 PM, at recordBar, 1520 Main St.]

Katy Guillen & Michelle Bacon of The Band that Fell To Earth, on the January 3, 2018 edition o f Wednesday MidDay Medley on KKFI 90.1 FM.

10:18 – Interview with Michelle Bacon & Katy Guillen

Multi talented, musician and writer, Michelle Bacon, is Content Writer at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle Bacon works as a freelance writer and has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle Bacon plays drums and sings harmony vocals with Chris Meck and the Guilty Birds. She also plays with Heidi Lynne Gluck. Last year she also performed and recorded music with, Erica Joy, The Blackbird Revue, John L. Johnson, and Nathan Corsi.

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, 2018 at 8:00 PM, at recordBar, 1520 Grand Blvd, KCMO. A portion of ticket sales will benefit Harmony Project KC, a music education and mentorship program for children in underserved communities in KCMO

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

Katy Guillen is known as one of Kansas City premiere musicians and the lead singer and guitarist for the critically acclaimed blues influenced roots rock trio, Katy Guilen and the Girls, formed in September of 2012. On November 11 Katy Guillen and The Girls released their newest full length release, “Remember What You Knew Before.” a collection of reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls debut album, and from theoir 2016 “Heavy Days” with one new song.

Katy Guillen, thank you for being with us on Wednesday MidDay Medley.

The band was curated by musician/writer Michelle Bacon to pay homage to the groundbreaking artist while showcasing talent across Kansas City’s vast musical spectrum.
The thir annual With Bowie’s untimely passing only three weeks before the inaugural concert, the event garnered an attendance of more than 800 at the Uptown Theater, and generated press from KCPT, The Kansas City Star and various radio stations, along with high demand for an annual show.

Core members:

Alex Alexander – guitar
Michelle Bacon – bass
Nathan Corsi – vocals/guitar
Kyle Dahlquist – keys
Katy Guillen – guitar
Steve Tulipana – vocals
Stephanie Williams – drums

2017-18 auxiliary members:

Christine Broxterman – cello
Havilah Bruders – backing vocals
Betse Ellis – violin (2016-18)
Camry Ivory – backing vocals
Matt Ronan – percussion
Rich Wheeler – saxophone (2016-18)

10:26

20. David Bowie – “Boys Keep Swinging”
from: Lodger / RCA / May 18, 1979
[Written by David Bowie. It was released as a single from the album Lodger on April 27, 1979. During the Lodger recording sessions, Bowie had wanted to capture a garage band style for the track, and agreed with Brian Eno that the best way to achieve this sound was to get the band to swap instruments after this was ‘suggested’ by Eno’s deck of ‘Oblique Strategies’ cards which supplied the suggestion “Reverse Roles”. Guitarist Carlos Alomar played drums and drummer Dennis Davis played bass. RCA decided against releasing the single in the US, choosing “Look Back in Anger” instead. Bowie performed the track with a puppet body special effect on Saturday Night Live on December 15, 1979, joined by Klaus Nomi and Joey Arias as backing singers. During the broadcast NBC censors muted the lines “life’s a pop o’the cherry” and “other boys check you out”, but failed to notice the puppet’s bouncing phallus at the close of the song. It was performed only during one tour, the 1995 Outside Tour. Interviewed in 2000, Bowie said the following about the song: “I do not feel that there is anything remotely glorious about being either male or female. I was merely playing on the idea of the colonization of gender.”]

10:29

We are talking with Michelle Bacon & Katy Guillen about The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, 2018 at 8:00 PM, at recordBar, 1520 Grand Blvd, KCMO. A portion of ticket sales will benefit Harmony Project KC, a music education and mentorship program for children in underserved communities in KCMO

Michelle Bacon & Katy Guillen, thanks for being with us on Wednesday MidDay Medley

“Bowie is a reminder that art and music and life are about adaptation, change and exploration,” said Steve Tulipana, one of the group’s lead vocalists.

Production crew:
American Sign Language interpretation: E. Peige Turner
Video projections: Steve Gardels (XO Blackwater)
Sound engineer: Mark “Buzz” Collins
Lighting: Canyon McClung

Last year, on the second annual show on January 7, 2017, at recordBar, the sold-out raised nearly $1000 that was donated to the AIDS Service Foundation of Greater Kansas City.

10:35

Michelle Bacon & Katy Guillen thanks for being with us on Wednesay MidDay Medley

The Band That Fell To Earth: A Tribute to David Bowie 2017, Saturday, January 6, at doors open at 8:00, at recordBar, 1520 Grand Blvd, KCMO.

10:37

21. David Bowie – “John, I’m Only Dancing”
from: John. I’m Only Dancing – Single / RCA / April , 1973 (sax version)
[“John, I’m Only Dancing” is a single by David Bowie, released in two versions — entirely different recordings, but carrying the same catalogue number — in September 1972 and April 1973. Bowie later re-worked the song into the disco-influenced “John, I’m Only Dancing (Again),” recorded in 1974, but unreleased until 1979. The song is widely believed to be concerned with a gay relationship, the narrator informing his boyfriend not to worry about the girl he’s with because he’s “only dancing” with her. Bowie had been ‘out’ as bisexual since an interview with Melody Maker in January 1972, and the subject matter did not affect the single’s radio airplay in the UK, where it and the earlier “Starman” became his first back-to-back hits. However, the original video directed by Mick Rock, featuring androgynous dancers from Lindsay Kemp’s mime troupe, was banned by Top of the Pops. The single was not released in America, being judged too risqué by RCA and did not officially appear stateside until it was finally issued on the compilation Changesonebowie in 1976. While the hook (“John, I’m only dancing / She turns me on / But I’m only dancing”) has long been considered a gay tease, author Nicholas Pegg asserts that the song’s narrator “could just as easily be a straight man reassuring the girl’s lover”. Alternatively, it has been suggested that Bowie wrote the song in response to a derogatory comment made by John Lennon about Bowie’s cross-dressing. Musically in a light R&B style, the track was recorded on June 26, 1972, released as a single, and then re-recorded on January 20, 1973 during the Aladdin Sane sessions, in a slightly different arrangement featuring Ken Fordham on saxophone. Often called the “sax version”, the second recording was issued as a single in April 1973 with exactly the same catalogue number as the first release, causing difficulties for collectors. Generally held to be superior to the original cut, the sax reworking also appeared on early pressings of Changesonebowie before it was replaced with the original single version. In 1974, a completely reworked funk-influenced version was recorded as “John, I’m Only Dancing (Again)”, made during the sessions for the album Young Americans. Released in December 1979, the re-recording featured a much more funk-influenced take on the track, and has some similarities with the song “Stay” recorded for the Station to Station album in 1976. Originally running at 6:57, the track was cut for a 7″ single release, but the full version was issued on 12″ vinyl – the first Bowie single to have a regular 12″ release in the UK. For the B-side, the original version of “John, I’m Only Dancing” was remixed. After the relative disappointment of the singles from Lodger on the charts, the single gave Bowie some greater degree of mainstream exposure during a period when his work was increasingly being perceived as esoteric and experimental. The long 12″ version was included as a bonus track on the 1991 Rykodisk/EMI remaster CD of Young Americans, on the 2007 collectors edition of the album, and on The Best of David Bowie 1974/1979. The 7″ single version was not released on CD until 2016’s Who Can I Be Now? (1974-1976).]

10:40

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM. Our next story comes from our talented friend, singer, songwriter, Krystle Warren, who has worked with some of the musical artists we’ve played today, including Joan As Police Woman. Krystle sent us her story from France, where she now lives.

22. Krystle Warren’s Bowie Story – “Always be genuine in your expression”
recorded by Krystle Warren in Paris, February 2016

10:42

Our next story, about Bowie, comes from one of his biggest fans, Ben Grimes, founder of two influential KC bands: Soft Reeds and The Golden Republic. Ben Grimes now lives with his family in Los Angeles, where he recorded this story for us, along with sharing a special track, written by Bowie, from the 1977 album Low, of the Berlin Trilogy, and recorded by Ben’s band Soft Reeds.

23. Ben Grimes Bowie Story – “You are Never Stuck In One Thing”
recorded by Ben Grimes, Sunday, February 28, 2016

10:47

24. Soft Reeds – “Sound and Vision”
from: unreleased track recorded during the sessions for Soft Reeds album ‘Blank City’
[Blank City was Soft Reeds second album, released by The Record Machine on April 23, 2013. Produced at Element Recording with Joel Nanos. Soft Reeds is the brainchild of Ben Grimes (formerly of Astralwerks’ The Golden Republic), a Chicago native whose roots grip firmly in the ’77 Berlin sounds of Brian Eno, David Bowie and Iggy Pop, with Austin, TX native Josh Wiedenfeld on drums, Beckie Trost, a fellow Chicagoan and childhood friend of Grimes on bass, and KC native John Mitchell on guitar, saxophone, keys.]

10:52 – Underwriting

We end the show with one of my favorite Bowie songs, from one of my favorite Bowie albums, from 1971’s, Hunky Dory, here’s “Kooks.”

The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, at 8:00, at recordBar, 1520 Grand Blvd, KCMO.

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

25. David Bowie – “Kooks”
from: Hunky Dory / RCA / June 11, 2002
[“Kooks” is a song written by David Bowie, which appears on his 1971 album Hunky Dory. Bowie wrote this song to his newborn son Duncan Jones. The song was a pastiche of early 1970s Neil Young because Bowie was listening to a Neil Young record at home on 30 May 1971 when he got the news of the arrival of his son. British indie band The Kooks named themselves after the song. Hunky Dory is the fourth studio album by the English musician David Bowie, released on 17 December 1971 by RCA Records. It was his first release through RCA, which would be his label for the next decade. Hunky Dory has been described by AllMusic’s Stephen Thomas Erlewine as having “a kaleidoscopic array of pop styles, tied together only by Bowie’s sense of vision: a sweeping, cinematic mélange of high and low art, ambiguous sexuality, kitsch, and class”. The album has received critical acclaim since its release, and is regarded as one of Bowie’s best works. Time chose it as part of their “100 best albums of all time” list in January 2010, with journalist Josh Tyrangiel praising Bowie’s “earthbound ambition to be a boho poet with prodigal style”. The style of the album cover, designed by George Underwood, was influenced by a Marlene Dietrich photo book that Bowie took with him to the photo shoot. With new bass player Trevor Bolder replacing Tony Visconti, Hunky Dory was the first production featuring all the members of the band that would become known the following year as Ziggy Stardust’s Spiders From Mars. Also debuting with Bowie, in Visconti’s place as producer, was another key contributor to the Ziggy phase, Ken Scott. The album’s sleeve would bear the credit “Produced by Ken Scott (assisted by the actor)”. The “actor” was Bowie himself, whose “pet conceit”, in the words of NME critics Roy Carr and Charles Shaar Murray, was “to think of himself as an actor”.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next Week on Wednesday, Jan 10, we present: “Remembering MLK” to celebrate Dr. Martin Luther King, Jr., born January 15, 1929. We’ll play music from: The Isley Brothers, Curtis Mayfield, Mahalia Jackson, Sweet Honey in The Rock, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pops Staples, Mavis Staples, The Staple Singers, Thelonius Monk Septet, Pete Seeger, Sarah Lee Guthrie & Johnny Irion, Sharon Jones & The Dap-Kings, Labelle, Darwin Hobbs & Karen Clark-Sheard, Bobby Watson & The I Have a Dream Project.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #715

WMM Playlist from November 22, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 22, 2017

Michelle Bacon’s Favorite Releases of 2017 +
Wednesday MidDay Medley’s Favorite Singles of 2017

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

In our first hour we featured tracks from 14 of Wednesday MidDay Medley’s 17 Favorite Singles of 2017. These releases were separate, individual single tracks, some with an a-side & b-side, and some just single, that are not part of an EP or full length release. These tracks represent multiple genres and the diverse talent present in our MidCoastal Music Community. This little ole radio show has played from over 50 MidCoastal Single Releases that came out between December 1, 2016 through December 2017.

14 of Wednesday MidDay Medley’s 17 Favorite Singles of 2017

2. (14.) Smokey James & The Avalanche – “Down Like Fire”
from: Down Like Fire – Single / Smokey James & The Avalanche / March 1, 2017
[KC based Smokey James & the Avalanche is comprised of producers Justin Huey (Steel Train) & David Simmons Jr., mixing elements of pop, r&b, funk & rock for songs about love, loss, and faith.]

3. (13.) Arc Flash – “Fault/Bone” (Vinyl)
from: Recto Verso 7″ / Replay Records / October 30, 2017
[Arc Flash is James Thomblison on lead vocals & guitar, and Mark Osman on drums & percussion. Recto Verso is a 7″ record. It is about love, loss, and time travel. Written by Arc Flash. Recorded and mixed by Joel Martin and mastered by Mike Nolte. Artwork by Tanner Spreer. More info at: http://www.replayrecordsusa.com. Earlier this year Arc Flash released their debut full length album Carbon Copy March 31, 2017, on CD & vinyl on High Dive Records and cassette on Whatever Forever. http://www.highdiverecords.com]

[Arc Flash play Replay Lounge, 946 Massachusetts, Lawrence, KS, Friday, December 15, at 10:00 PM]

4. (12.) Witch Jail – “Slimewave USA!” (Vinyl)
from: Slimewave USA! – Single / Too Much Rock / February 10, 2017
[Formed in 2013, Witch Jail recommends their music for fans of: Space transmissions, psychedelic hypnosis, surf punks, rockabilly madmen, garage sleaze, exotica, trash digging, pill popping, low budget movies, and high fashion crime. SUZY BONES on surf-n- turf, EDDIE MORPHINE on fuzz-n-slide, MATTY RAT on bangs-n-clangs, and GUY SLIMEY on moans-n-wails. Witch Jail released their 8-song album, Desperation Beach on October 26, 2016, produced by Ben Hughes for Woody Records. More info at: http://www.witchjail.com

Too Much Rock, is a music site created by Sid Sowder in 1997, to share his original photographs, video, and commentary, of the live music shows he attends. Too Much Rock also hosts a musical podcast. Several years ago Sid Sowder created the Too Much Rock – Singles Series, a collection of 45 rpm 7″ singles, featuring an original song from a band, with a cover song, chosen by Too Much Rock. 500 limited edition copies are pressed by Too Much Rock and given to the band. Kansas City based bands, Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, and Hipshot Killer have all recorded for the Too Much Rock Single Series. http://www.TooMuchRock.com

5. (11.) Abandoned Bells – “Lost Children”
rom: Lost Children – Single / Independent / December 1, 2016
[Recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower.
Krystof Nemeth on guitar, Terri Ann Quinn on vocals & banjo, Tyson Schroeder on drums.]

6. (10.) Amy Marcus – “I Want More For My Daughters”
from: I Want More For My Daughters – Single / Independent / January 24, 2017
[Singer songwriter Amy Marcus was born and raised in Kansas City. She has been writing song since she was a child and last May 2016 she released her debut 5-song EP Brave with Kansas City based Serve Productions. Yesterday she released a new single that was produced by musician Zach Balch at his studios in Dallas. The new song is called here in KC and is hoping to get started on recording a full length album this Spring with Zach Balch, who recorded and produced “I Want More For My Daughters.” Amy writes music to bring her honest lyrics to life. Amy Marcus studied photography at the Kansas City Art Institute. She is a mother of three and works as a professional photographer and personal chef. Amy is currently making preparations to start recording a full length album this Spring with musical friend, Zach Balch.]

7. (9.) The 238s – “The Itch” (Vinyl)
from: The Itch – Single b/w “The Scratch” / Sunflower Soul / March 3, 2017
[Conceived out of a mutual love for the Tascam 238 multitrack cassette machine, The 238s come hard on their debut 45. The group is a collaboration between members of the bay area’s M-Tet and Kansas City groups Hi-Lux and Boogaloo 7. Chris Hazelton on Hammond Organ & Guitar, Chris Lujan on Bass, Michael Reed on Drums, Clint Ashlock on Trumpet, Nick Howell on Trumpet & Tambourine, Nick Rowland on Tenor Sax, Brett Jackson on Baritone Sax, Julia Haile – Vocals (A-Side only), Composed by Chris Lujan, Michael Reed, & Chris Hazelton, Lyrics on “The Itch” written by Julia Haile. Recorded by Chris Lujan & Chris Hazelton. Mixed by Chris Hazelton. Mastered by Adam Boose. Pressed by Gotta Groove Records.]

8. (8.) Radar State – “Double Speak”
from: “Double Speak” – 7″ Vinyl Single / Radar State / September, 2017
[Radar State features Josh Berwanger (The Anniversary, Berwanger) and Jim Suptic (The Get Up Kids, Blackpool Lights) trading off lead and rhythm guitar duties, with Matt Pryor (The Get Up Kids, The New Amsterdams) on bass, and Adam Phillips (The Architects, The Gadjits) on drums. Berwanger, Pryor, and Suptic all take turns on lead vocals, and that’s an integral part of the band’s direction, say the members.]

[Radar State played a 7″ release show on Jim Suptic’s 40th B-day at miniBar, Oct 14, w/ Hipshot Killer.]

10:30 – Underwriting

9. (7.) Freight Train Rabbit Killer – “Old Man of the Mountain” (Vinyl)
from: Old Man of the Mountain – 7″ Single / Haymaker Records / October 28, 2017
[Volume 1 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

[Freight Train Rabbit Killer play Westport Saloon, Thursday, Nov 30 with Smokestack Relics, Ghosts of Grandad’s Past, Erik Arvoy.]

10. (6.) Victor & Penny – “Wake Up Early” (Vinyl)
from: Wake Up Early – Single / EAT.HEAR.RECORDS / November 15, 2017
[Erin McGrane, Jeff Freling formed Victor & Penny in 2010. The vinyl-only label was started by Steve Tulipana and the team at recordBar. Written by Erin McGrane and Jeff Freling. Recorded mixed and mastered by Duane Trower at Weights & Measures Soundlab. Erin McGrane on ukulele & vocals, Jeff Freling guitar & vocals, featuring James Issac on clarinet & soprano sax, Kyle Dahlquist on trombone, glokenspiel & vocals, Jeff harshbarger on upright bass, and Brian Steever on drums. Sleve design by Marco Pascolini. EAT.HEAR.RECORDS. 1520 Grand Ave. KCMO 64108 http://www.therecordbar.com]

11. (5.) Momma’s Boy – “Don’t Talk About It”
from: Don’t Talk About It – Single / Dead Summer Single Series / September 1, 2017
[1st release of Momma’s Boys’ Dead Summer Single Series. Lyrics written by Shaun Crowley & Quinn Hernandez. Produced, mixed, & mastered at Element Recording by Joel Nanos. KC Indie Surf Pop band, formed Dec 2015, by Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Anthony Hernandez on bass. Their debut EP Liquid Courage was released Feb. 25, 2017.]

[Momma’s Boy play Voltaire at 1617 Genessee St, KCMO for the Dreamgirl Tour Kickoff w/ Drugs & Attics and Dreamgirl, Wednesday, November 29 at 9:00 PM.]

[Momma’s Boy play White Schoolhouse, 1510 N 3rd St, Lawrence, KS, with Toughies, Dreamgirl, Lion, on Friday, December 15 at 7:00 PM.]

12. (4.) Red Kate – “Urban Church” (Vinyl)
from: Red Kate – Stiff Middle Fingers split 7″ / Black Site Records / April 8, 2017
[L. Ron Drunkard on bass & lead vocals, Andrew Whelan on drums & vocals, Brad Huhmann on guitar, Desmond Poirier on guitar & vocals. Recorded at Weights & Measures Soundlab, with engineer Duane Trower. 2nd release on KC’s coop record label, Black Site after the release of Red Kate’s 2nd LP, unamerican activities. Cover art designed by Shaun Hamontree, who is also Red Kate’s new rhythm guitarist.]

13. (3.) Hi-Lux – “Dance With My Baby”
from: Dance With My Baby – Single / Hi-Lux / June 16, 2017
[1 of 3 singles released by the band this year including “Don’t Blame Me” 6/16, and “Take Me Where You Are” on 8/15. HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in KC. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.hi-lux.bandcamp.com]

[Hi-Lux plays Knuckleheads TONIGHT, November 22, opening with Danielle Nicole Band]

14. (2.) David George – “Can’t Fight Love”
from: “Can’t Fight Love” – Single / David George / April 7 2017
[ALL PROCEEDS WILL GO TO BENEFIT THE ACLU. Can’t Fight Love was written & recorded live at Weights & Measures Recorded, Mixed, & Mastered by Duane Trower, featuring KC Singer Songwriters & Musicians on Thursday, March 2, 2017. Produced by David George. Written by David George, Jen Appell, & Nathan Corsi ©2017 Moozer Music, Featuring: David George on guitar & vocals (Verse 1 & 5), David Luther on vocals (Verse 2), Jen Appell on guitar & vocals (verse 3), Nathan Corsi on guitar & vocals (Verse 4), Erin McGrane on ukelele & vocals, Jeff Freling on guitar & vocals, Gordon gilges on dulcimer & vocals, Kristina Ning on upright bass & vocals, Matt Cathlina on upright bass & vocals, Nathan Showalter n piano & vocals, Daniel Starling on piano & vocals, Liam Summicht on cajón & vocals, Phil Jaggard on Vocals, Mark Manning on vocals, John Keck on guitar & vocals, Nate Nall on guitar & vocals, Jessica Paige on vocals Dave Tanner on vocals. David George also has a new EP release called Here I Go Again, released April 14.]

[David George plays Low Dow Evening Show with KC Bankroll Wed, Dec13 at 7:00 PM, at recordBar]

15. (1.) Chris Meck & The Guilty Birds – “Destination Revolution”
from: Destination Revolution – Single / Independent / January 20, 2017
[A new Music Video from the band featuring this Song premiered January 20, 2017. Recorded by Chris Meck, down the rabbit hole at Whisker Gables, Kansas City, MO. Mastered by Chad Meise at Massive Sound Studios, Shawnee, KS. KC based trio with Chris Meck on lead guitar & vocals, Michelle Bacon on drums, and Calandra Ysquierdo on bass guitar & vocals. Chris Meck and The Guilty Birds released their debut full-length, It’s 4 A.M. Somewhere, on April 8, 2016]

[Chris Meck & The Guilty Birds play Knuckleheads Saloon, 2715 Rochester, Saturday, December 30, at 8:30 opening for The Rainmakers.]

11:00 – Station ID

Michelle Bacon’s Favorite Releases of 2017

In our second hour, we welcomed musician and writer, Michelle Bacon, Content Writer at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle joins us to play from her Top Ten Favorite Musical Recordings of 2017. Michelle Bacon works as a freelance writer and has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle Bacon plays drums and sings harmony vocals with Chris Meck and the Guilty Birds. She also plays with Heidi Lynne Gluck. In 2017 she has also performed and recorded music with, Erica Joy, The Blackbird Revue, John L. Johnson, and Nathan Corsi.

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, 2018 at 8:00 PM, at recordBar, 1520 Grand Blvd, KCMO. The Band That Fell To Earth is: Michelle Bacon on bass, Alex Alexander on guitar, Nathan Corsi on vocals/guitar, Kyle Dahlquist on keys/brass, Katy Guillen on guitar, Steve Tulipana on vocals, Stephanie Williams on drums, Havilah Bruders on backing vocals, Camry Ivory on backing vocals, Matt Ronan on percussion, Christine Broxterman on cello, Betse Ellis on violin, Rich Wheeler on saxophone…and special guests to be announced. A portion of ticket sales will benefit Harmony Project KC, a music education and mentorship program for children in underserved communities in KCMO

Michelle Bacon’s Favorite Releases of 2017

16. The Atlantic – “Fever Dream”
from: Desert EP / BLKC Records / November 3, 2017
[first release in 6 years from the KC based band that changed their name to Clairaudients, disbanded, and now have gotten back together with their original name. Patrick Robinson on vocals & guitars, Brandon Gardner on guitar & vocals, Blaire Geenens on drums, Eric Fain on bass. Written by The Atlantic. Produced, Engineered, and Mixed by Patrick Robinson. Patrick Robinson and Blaire Geenens are also in the band Novellesgue, who released a single “Speak” on July 15, 2017.]

17. Mess – “soak”
from: heartswithholes / Mess / August , 2017
[Mess is a Kansas City based band formed by: Allison Gliesman, Kevin Briody, Tanner Pinkerton and Evan Velasquez. Recorded in Edwardsville, Illinois at Bird Cloud Recording. Production and recording by Ryan Wasoba. Mastering by Joel Hatstat in Athens, Georgia.]

18. The Life and Times – “Group Think”
from: The Life and Times / Slimstyle Records / April 28, 2017
[5th full length studio album, and 10th release from Kansas City based indie rock band formed in 2002. current members include: Allen Epley, Eric Abert, and Chris Metcalf. Past members include: Rob Smith, John Meredith, and Mike Meyers. The band has toured with bands like The Appleseed Cast, Murder by Death, Pelican, Mono, Sparta, Pinback, Engine Down, and William Elliott Whitmore.]

[The Life and Times play recordBar, Wednesday, November 29, awith Giant’s Chair, and Ex Acrobat]

19. Joon Moon – “Tiger (Radio Edit)”
from: Moonshine Corner / Kwaiden Records / September 29, 2017
[First full length album from band formed in 2014 in Montmartre area of Paris. This follows the June 2017 release of their EP Tiger, their April 2016 EP, Call Me, and their October 2015 EP Chess. Joon Moon is the meeting of House producer Julien Decoret, drummer Raphael Chassin and American expat and singer/song writer extraordinaire Krystle Warren. After ten years of touring the world playing double bass with Marc Collin’s Nouvelle Vague ensemble, alongside excursions into house music on the Yellow Productions Art of Disco compilations, not to mention co-producing Florent Marchet’s Bamby Galaxy album, it was time for songwriter/producer/renaissance man Julien Decoret to dedicate his heart and soul to a new challenge. With Raphaël Chassin, (Hugh Coltman, Vanessa Paradis, Pauline Croze) on drums, helping out with the production and arrangements, and Sébastien Trouvé as sound engineer, Decoret set out on his retro-modern Joon Moon mission, laying out the contours of a world where trip-hop, jazz, soul and electronic music live side by side, sharing their joys and sorrows. The only missing element was that one last bit of magic, a voice that could take the project to ever-loftier heights. Enter Krystle Warren. She had worked with Rufus Wainwright, and Scritti Politti’s Green Gartside, and had made forays into house music herself by providing vocals to two cuts off Hercules and Love Affair’s, The Feast of the Broken Heart. That’s not even mentioning her own band, Krystle Warren and The Faculty – and its three albums – which display her impressive grasp of soul music, folk, blues…With Tiger, the band’s social concerns are brought to the forefront. A timely piece from a Franco-American band about the need to question authority and the power structure of society. Tiger sees its tension build up like an onimous populist, and turns into defiance. Art and love in a movement towards emancipation.]

20. Emmaline Twist – “Desperate Measures”
from: Dissimulation 1 EP / Emmaline Twist / October 23, 2017
[Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project have released “Dissimulation 1”, four songs in digital format, their first since last year’s release of “Vega” b/w “Moon Eyes”. Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone Guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering, these four songs showcase the dark and driving nature of the Emmaline Twist sound, complete with all the mood and texture that the band has crafted through their live performances. Matched with compelling cover-art created by Amy Abshier, “Dissimulation 1” is perfect for nighttime drives, cloudy skies, and battle cries. More info at: https://emmalinetwist.bandcamp.com/%5D

11:28 – Underwriting

21. Schwervon! – “Blood Eagle”
from: “Blood Eagle” b/w “Wrath” – Single / Broker’s Tip / September 23, 2017
[Schwervon! is a two piece rock band. Nan plays drums and Matt plays guitar and they both sing. They lived in NYC for 15 years and relocated to Kansas City several years ago. The duo makes annual US and European tours. On tour they’ve opened for The Vaselines and Belle & Sebastian.]

22. Katy Guillen and The Girls – “Can’t Live Here Anymore”
from: Remember What You Knew Before / KG & The Girls / November 11, 2017
[For this new album the band worked with producer Lennon Bone. The band reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.]

23. Hembree – “Had It All”
from: Had It All – EP / Ribbon Music / Expected November 3. 2017
[Formed in November of 2015, band members include: Isaac Flynn, Garrett Childers, and Eric Davis. “Had It All” the single was released July 26, 2017. Engineered by: Isaac Flynn and Hembree. Produced by: Eric Hillman and Hembree. Mixed by: Joe Visciano. Mastered by: TW Walsh. Hembree played several North American cities opening for JR JR, the band formally known as Dale Earnhart Jr. JR JR is Detroit-area natives: Josh Epstein and Daniel Zott.]

[Hembree plays The Truman Saturday, November 25, with Joywave, The Aces, and Maybird.]

24. Rachel Mallin & The Wild Type – “Teenage Bodies”
from: Teenage Bodies – Single / Independent / September 13, 2017
[Indie synthpop from Kansas City based, 5-piece band that includes: Rachel Mallin on lead vocals & guitar, Justin Walker on bass, Austin Edmisten on drums & back-up vocals, Jesse Bartmess on synthesizers & keyboards. “Teenage Bodies,” the latest single from Rachel Mallin & the Wild Type, shows a band solidifying its identity. Mallin wrote, recorded and produced her first album, The Persistence of Vision, in 2014 — a solo effort that spoke to her synthpop sensibilities and landed her on Kansas City radio. That same year, she left the University of Missouri to pursue a music career, and enlisted bassist Justin Walker and drummer Austin Edmisten to form The Wild Type. By mid-2016, the act — with keyboardist Jesse Bartmess and former guitarist Matt Kosinski — released its debut EP, Degenerate Matters, recorded, produced, and mastered by Joel Nanos at Element Recording Studios. Musical Arrangements written and performed by Rachel Mallin, Justin Walker, Austin Edmisten, Jesse Bartmess, and Matt Kosinski. Lyrics written by Rachel Mallin. That same year, The Wild Type earned support slots for acts from Cold War Kids to Metric and The Struts, and widespread recognition in its hometown at festivals such as Middle of the Map and Boulevardia.]

[Rachel Mallin & The Wild Type play Sound Machine KC w/ Yes You Are, and Y god Y, Friday, November 24, at 10:00 PM, at recordBar, 1520 Grand Blvd, KCMO.]

25. Approach – “The Luv (Clean Edit)”
from: Elegant Knock / Datura Records / January 20, 2017
[Lawrence, Kansas based Sean Hunt is Approach. Sequenced, Produced, Recorded, Mixed & Mastered By: Aikido Bray at Prosidio Gardens in Lovely Lawrence, Ks. Sean Hunt writes: “Elegant Knock” started out as a beat album named after a production night I throw in Lawrence. It turned into a 10 track album that pays respect to a sound and vibe I loved in High School. It isn’t a throwback project on some I wish it was 96′ ish, it’s a “why aren’t we still freaking these sounds now” thang. My original concept was flipped when I dug out my old Ensoniq EPS 16+ and started funking around. The next thing I knew I was making a album I wanted to rap on. I did all of the production on the EPS (everything and it’s was headache) and made a few mixing edits on the Ensoniq ASR-10 (mainly stereo pans). I pushed myself to use the tools of yesteryear to capture the feeling I was seeking out (it was a pain in the ass and I lost a ton of beats in the process). I loved every second of it though. I feel like it’s the perfect bridge between my Lincoln Marshall project with Milkdrop and my album “Antique Mall” (coming out this year I promise).]

[Lincoln Marshall plays recordBar, 1520 Grand, Thursday, November 23, with Steddy P and DJ Mahf, Nakama Music Group, and Scotty Wu]

26. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, Nov 29, we welcome back to the show: Tim Finn, Music Writer of the Kansas City Star; Fally Afani, of I Heart Local Music; Chris Haghirian of Ink and the Star and Middle of The Map Fest and Eight One Sixty on 90.9 The Bridge, and Marion Merritt of Records With Merritt. We’ll hear from their favorite musical releases of 2017. And… in two weeks we present our annual 4-week celebration of the year in music: The 117 Best Recordings of 2017, on December 6, 15, 22, and 27th.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #709

WMM Playlist from November 1, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 1, 2017

Sondra Freeman & Nathan Corsi of Apocalypse Meow 10
+ Andrew Foshee + Rebecca Liberty & Guglielmo Pieragostini

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Jefferson Airplane – “White Rabbit”
from: Surrealistic Pillow / RCA – Victor / February, 1967
[Marty Balin – vocals, guitar, album design, Jack Casady – bass guitar, fuzz bass, rhythm guitar, Spencer Dryden – drums, percussion, Paul Kantner – rhythm guitar, vocals, Jorma Kaukonen – lead guitar, vocals, Grace Slick – vocals, piano, organ, recorder. Jefferson Airplane was an American rock band formed in San Francisco, California in 1965. A pioneer of counterculture-era psychedelic rock, the group was the first band from the San Francisco scene to achieve international mainstream success. They performed at the three most famous American rock festivals of the 1960s—Monterey (1967), Woodstock (1969) and Altamont (1969) —as well as headlining the first Isle of Wight Festival (1968). Their 1967 record Surrealistic Pillow is regarded as one of the key recordings of the “Summer of Love”. Two hits from that album, “Somebody to Love” and “White Rabbit”, are listed in Rolling Stone’s “500 Greatest Songs of All Time”.]

3. Julia Othmer -“Hungry Days (Make Me Feel)”
from: Hungry Days (Make Me Feel) – Single / Julia Othmer & James Lundie / June 30, 2016
[One several new singles released this year from Julia Othmer, as part of her 10-week new song release, leading up to the January 2018 release of “Sound,” her second full-length album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.” Julia has just returned from an East Coast Tour.]

4. Rachel Mallin & The Wild Type – “Teenage Bodies”
from: Teenage Bodies – Single / Independent / September 13, 2017
[Indie synthpop from Kansas City based, 5-piece band that includes: Rachel Mallin on lead vocals & guitar, Justin Walker on bass, Austin Edmisten on drums & back-up vocals, Jesse Bartmess on synthesizers & keyboards. “Teenage Bodies,” the latest single from Rachel Mallin & the Wild Type, shows a band solidifying its identity. Mallin wrote, recorded and produced her first album, The Persistence of Vision, in 2014 — a solo effort that spoke to her synthpop sensibilities and landed her on Kansas City radio. That same year, she left the University of Missouri to pursue a music career, and enlisted bassist Justin Walker and drummer Austin Edmisten to form The Wild Type. By mid-2016, the act — with keyboardist Jesse Bartmess and former guitarist Matt Kosinski — released its debut EP, Degenerate Matters, recorded, produced, and mastered by Joel Nanos at Element Recording Studios. Musical Arrangements written and performed by Rachel Mallin, Justin Walker, Austin Edmisten, Jesse Bartmess, and Matt Kosinski. Lyrics written by Rachel Mallin. That same year, The Wild Type earned support slots for acts from Cold War Kids to Metric and The Struts, and widespread recognition in its hometown at festivals such as Middle of the Map and Boulevardia.]

[Rachel Mallin & The Wild Type play Sound Machine KC w/ Yes You Are, and Y god Y, Friday, November 24, at 10:00 PM, at recordBar, 1520 Grand Blvd, KCMO.]

5. Calvin Arsenia – “Ashes”
from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
[From Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue. Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and his full length debut, Catastrophe. He has played Folk Alliance International, KC Fringe Fest, Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Calvin just finished his 3 month Outlyre Tour playing Portland, San Francisco, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, and Paris.]

[Calvin Arsenia plays Apocalypse Meow 10, Sat, Nov 4, at recordBar, at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages, and a silent auction & raffles. Apocalypse Meow is a three-day-event starts Fri, Nov 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. The weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch at noon, and at 4:00 PM Expassionates play live on stage. For more information you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

10:16 – Underwriting

6. Molly Hammer – “TV is the Thing This Year”
from: Out Of This World / Molly Hammer / September 13, 2017
[ For “Out Of This World,” Molly is backed by a terrific ensemble: arranger/producer Joe Cartwright on piano, Todd Strait on drums, Steve Rigazzi on bass, Brad Gregory on saxophone, and Jessalyn Kincaid and Molly Denninghoff on backing vocals.Molly Hammer has been performing in the Kansas City area since 2005. With an eclectic vocal background, she has found her home in the world of jazz and blues, drawing inspiration from the likes of Peggy Lee, Dinah Washington, Sarah Vaughn, and others. She has had the privilege of performing with some of the finest jazz musicians in the Kansas City area. She performs regularly at The Green Lady Lounge. Molly is a graduate of the Artist INC program and has also had the honor of singing the National Anthem for both The Royals and The Chiefs.Molly Hammer studied Theatre at Chadron State College in Chadron, Nebraska. She is originally from Excelsior Springs, Missouri. She is married to Jeremy Kruse.]

[Molly Hammer Quartet plays The Chesterfield, 1400 Main St on Fri, Nov 3, at 9:00pm – Midnight.]

7. Joesph Warren and the Wanderlust Revival – “Love The Wander”
from: The Greenwood Demos / Joseph Warren / November 4, 2017
[Based out of Kansas City, Missouri, Joseph Warren & the Wanderlust Revival is a unique caravan of midwestern roamers. Joseph Warren Wheeler on vocals, tenor guitar, guitar, & banjo; Bill Wald on bass, Jake Gronbeck on drums & percussion, Eva Louise Hall on vocals. More info at: http://www.thewanderlustrevival.com]

[Joseph Warren and the Wanderlust Revival play a Demo Release Show, Saturday, November 4 at 8:00 PM at Californos 4124 Pennsylvania Ave, KCMO with Nuthatch-47, and Instant Karma.]

8. Expassionates – “Big Blue Town”
from: Landscapes / Independent / November 22, 2008
[Scott Easterday on guitar, vocals, Marco Pascolini on guitar, Richard Burgess on bass, and Sam Platt on drums. Expassionates began as a recording project in 1998. Scott Easterday had a collection of songs to record. He hired Chad Meise as recording engineer and they set up shop in the historic El Torreon Ballroom for its unique acoustics. The large ballroom is the only surviving jazz hall of its kind from Kansas City’s jazz era. El Torreon was a concert venue, the Cowtown Ballroom, and then a skating rink. After being a recording site for Expassioantes and other bands it became an antiques market and ultimately a church. Chad Meise set up recording equipment and a control room in the historic ballroom. Easterday sang and played guitar and keyboards and hired Kansas City musicians from diverse backgrounds in rock, country and jazz. Bryan Hicks, bass; Ryan Bennett, drums; Marco Pascolini, guitar; Richard Alwyn, harmonica; Mark Southerland, saxophone; Nate Hofer, pedal steel and Jazzbo (Bill Hargrave), trumpet. The resulting album, “Verse, Chorus, Bridge,” was released in December 1998. There was a live release show December 26th at Harlings Upstairs in Kansas City. For the next several years Scott Easterday played solo shows and duo shows with Marco Pascolini, who had played guitar on Verse, Chorus, Bridge, until they decided to find a permanent rhythm section to complete a four-piece band. Bass player Richard Burgess joined Easterday and Pascolini, followed shortly by Sam Platt on drums, who is also a recording engineer. Their first gig as a four-piece was Halloween 2006. The group played hundreds of show dates in and around Kansas City plus Austin, TX for Midcoast Takeover. In addition to the live shows the band teamed up again with recording engineer Chad Meise and drummer/engineer Sam Platt for a new CD album called Landscapes, released in 2008. Rather than growing stale, the four-piece live version of Expassionates decided to call it mostly quits in September 2011, although they continue to play selected shows since then. In 2015 Scott Easterday set about to reintroduce the first album “Verse, Chorus, Bridge” after 17 years. Scott brought together a new band of Kansas City musicians from rock, country and jazz styles to rival the one that recorded the record. Bryan Hicks, bass, and Nate Hofer, pedal steel, return from the original group but this time they are joined by Matt Richey, drums, Troy van Horn, guitar, and Patrick Alonzo Conway on sax and percussion.]

[Expassionates play Apocalypse Meow 10 weekend at recordBar, Sunday, Nov. 5 at 4:00 PM after the Meow Hangover Brunch at noon. Apocalypse Meow is a three-day-event that starts Fri, Nov 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. Apocalypse Meow 10, continues Sat, Nov 4, at recordBar, at 6:00 PM with Brandon Philips and The Condition, Calvin arsenia, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages, and a silent auction & raffles. For more information you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

9. Dead Voices – “Trust A Fool”
from: Dead Voices / Independent / April 20, 2013
[Kansas City based super group, formed in September of 2010, by David Regnier, Jason Beers, Matt Richey, Michael Stover, Marco Pascolini.]

[Dead Voices recently played The Ship, with The Ants on September 23]

10:33 – Interview with Rebecca Liberty & Guglielmo Pieragostini

Guglielmo Pieragostini and Rebecca Liberty on the November 1, 2017 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Rebecca Liberty & Guglielmo Pieragostini joined us to share a story of Kansas City’s music community. This past summer, Rebecca, a longtime friend of Guglielmo’s family from Fermo, Italy, proposed a music project for Guglielmo to come to Kansas City and experience our music community as an observer, and participant in live performances. In six weeks Guglielmo was able to see and hear over 55 bands, in 25 venues, with invitations to play in live performances with David Regnier, Dead Voices, The Ants, and to jam with Kaye Johnston, Mark Lowrey and Zach Morrow. In just a few days Guglielmo will be flying back home to Fermo, Italy, but before he we want to hear about his experience in Kansas City.

Rebecca Liberty has been a family friend of Guglielmo Pieragostini for over 30 years and has visited Italy quite often.

This summer she proposed a music project for Guglielmo to come and experience Kansas City music and, hopefully, infuse him into the community that supports the variety of music and venue and the abundance of performance opportunities. While he has a band, the chance to play in public is scarce and collaboration hard to come by.

While he would not be able to earn any money during this project, the wealth of information and experience gained as well as exposure to a thriving community that works to support each other would far outweigh a lack of monetary payment.

Guglielmo Pieragostini wrote to us about his life:

I grew up in the small town of Fermo, Italy, near the coast of the Adriatic Sea.

I’ve been lucky enough to grow up in a family with a great passion for music, so I’ve been exposed to different types of music since I was born from classical to reggae to rock & folk.

I asked my parents if i could get an electric guitar, and i finally got it after a year at the age of 12. I created my first rock band,The Troubles, a year and a half later. I’ve continuously been in a band since then, composing mostly rock music and writing lyrics.

My current band is called Mojave. It’s a Stoner/Doom band that I formed two years ago with my friends Guido Andrenacci on vocals, guitar, & bass; and Lorenzo Mandolesi on drums. Our setlist is divided in two different tunings: Standard (E) and C. When we’re playing in Standard tuning I sing and play guitar and Guido Andrenacci plays the bass, while when we’re playing in C tuning i play the bass and he plays guitar and sings.

We’ve just finished recording a three songs demo before I left Italy to come to KC, and it will soon be available on our social media.

As Fermo is a very small town and has a poor music scene I haven’t been able to perform live a lot of times, also because of the nature of the music i play.

Rebecca Liberty has been a friend of my family over thirty years, and she’s been visiting us off and on over all this time.

Five years ago she visited and we had the chance to speak about music, my band and how hard it was for me to be a musician in my hometown. In that occasion she told me that Kansas City as a great music scene and that the music community is very supportive of each other.

This summer she returned to visit again and she invited me to come experience KC’s music community in real life. She proposed this to me as a music project.

She posted (without my permission) a video of me just jamming on my guitar on her Facebook, and within one or two hours the response was amazing. I rwas really surprised about it, because I didn’t expect it to be so strong and in such little time.

With a second post, she requested a loaner of an electric guitar, because i really didn’t trust to bring mine on the plane. Once again, in just half a day I not only had an electric guitar, but it was almost like the one I play. This made me feel more comfortable, and confirmed that this experience could really work.

Rebecca Liberty Responds

His English writing skills are so great because of MUSIC!!!!

Ha ha ha (without my permission) he writes because he is very shy! Something he has overcome a bit here in KC!!

Marco Pascolini loaned him the electric guitar Fender Jazzmaster

Kaye Johnston loaned him an acoustic whilst he was here.

Chad Bryan from The Ants loaned him electric guitar for rehearsal for the two shows he did with The Ants at Californo’s and Holy Cow.

Rebecca Liberty writes to us about herself:

Who am I? A lover of music and arts and supporter of the community. I am not a musician but do love to sing in the shower!

Thanks to our dear Anne Winter introducing me to many musicians here in town, my connection to the music community was enhanced. Anne also made a point to connect me to Howard Iceberg, leading to an amazing opportunity to sing a few times in public due to his kindness and encouragement. I was also fortunate enough to be recorded on one song, “It’s Not Over Yet”, from Smooth Sailing by Howard Iceberg & the Titanics.

I met with Abigail Henderson and organized a well-woman clinic for female musicians.

Overall, I invest in local music as often as possible rather than national concert tours. I invest time in supporting local musicians in as many ways as possible. Music has saved me on so many occasions. It has given me joy and celebration and solace in times of despair.

I am just trying to give back and this music project with Guglielmo was devised to expose him to the possibilities of life as a working musician as well as the realities of working a “day job” to support the passion of music.

Guglielmo Pieragostini arrived in KC in mid-September and leaves after 6 weeks of infusion into KC’s music community at over 15 venues, hearing over 55 bands and playing in live performances with 2 different bands, in 4 shows, and jamming with local musicians.

This music project provided him with a wealth of information and experiences as well as exposure to a thriving community that works to support each other often across genres.

Guglielmo Pieragostini’s performance diary:

SEPTEMBER

FRIDAY 15th
– Westport Saloon with Country Duo + Met Marco Pascolini and Kasey Rausch

– The Ship with Soul Preservers: The Dropout Boogie

SATURDAY/SUNDAY 16/17
-Fall encampment hearing Native American drumming

MONDAY 18th
-The Brick with Rural Grit +Met David Regnier who invited me to play a couple of songs with his band, The Dead Voices at the Ship on Saturday, the 23rd

TUESDAY 19th
-Waldo Bar with Country Duo

WEDNESDAY 20th
-It’s A Beautiful Day shop + Got Marco’s guitar from Kasey Rausch

THURSDAY 21st
-The Majestic with Mark Lowrey trio + Met Mark Lowrey

-The Ship with Snuff Jazzy time w? Mark Southerland on Sax, Micah Herman on bass, Arny Young on drums

FRIDAY 22nd
-The Plaza Art Fair

-Ink! Live Stage with Smokey James and the Avalanche

-90.1 KKFI Community Stage with The Matchsellers and Ernest James Zydeco Duo

SATURDAY 23rd
-The Riot Room with The Bon Ton Soul Accordion Band

-The Plaza Art Fair

-Ink! Live Stage with Barclay Martin Ensemble

-90.1 KKFI Community Stage with EEMS

-The Ship with The Ants with Dead Voices +Played with Dead Voices: David Regnier, Jason Beers, Matt Richey, Marco Pascolini, Mike Stover; +Met Chad Bryan from The Ants who invited me to sit in with his band

SUNDAY 24th
+Went to Kate Johnston’s house, jammed with her, borrowed her acoustic guitar

MONDAY 25th
-The Brick – Rural Grit +Met Brian Frame and Andrew Luker from The Blessed Broke

WEDNESDAY 27th
-Davey’s Uptown Rambler’s Club with The Irieplaceables + Djama

-The Riot Room with Castle

THURSDAY 28th
-The Blue Room with KC Latin Jazz All-Stars +Met Pablo Sanhueza

-The Ship with Pope of Dope

FRIDAY 29th
-Knuckleheads Saloon with Country Duo, Broken Arrows, Hadacol

-The Brick with Mike Dillon Band

-Green Lady Lounge with Boogaloo 7 + Met Matt Hopper, Pat Conway and Nick Howell

SATURDAY 30th
-Recordbar Outer Reaches Festival Sego, The Hearers , Dead Rider, El Ten Eleven + Met Amy Farrand; +Met Chad Bryan, agreed for band practice with The Ants on the 1st of October

-Green Lady Lounge with Matt Villinger Organ Trio

OCTOBER

SUNDAY 1st
-Chad Bryan’s house The Ants band practice +Met the Ants:, Chad Bryan, Sean McEniry, David Randall. Brad Nicols

-Recordbar with The People’s Liberation Band

MONDAY 2nd
-Pablo Sanhueza’s house with KC Latin All Star Jazz Band Practice +Met KC Latin All Star Jazz Band: Pablo Sanhueza, Evan Hoffman , Antonio Reyes, Trevor Smith, Michael Harris II, Trevor Turla, Teddy Krulewich

TUESDAY 3rd
-The Riot Room with Tokimonsta

WEDNESDAY 4th
-Chad Bryan’s house with The Ants band practice

FRIDAY 6th
-Crossroads – First Friday

-The Ship, Soul Preservers:First Friday ft. Elliot Oliver

SATURDAY 7th
-The Davidson’s Backyard Bash, Johnny Green and My Six Gun Hearts

-Californos, GAV7D with The Ants +Played with The Ants +Met Johnny Hamil and Chris Fugitt

SUNDAY 8th
-Holy Cow with The Ants part 1 with Special Guest Mike Stover +Played with The Ants and Mike Stover

TUESDAY 10th
-The Ship with Honky Tonk Tuesday with The Naughty Pines

-Mini Bar \\Prog Night, The Great Vehicle , Cortegè

WEDNESDAY 11th
-The Ship, The Creighton Organization

THURSDAY 12th
+Jam with Marco Pascolini

FRIDAY 13th
-recordBar with The Philistines, The Brannock Device

-Green Lady Lounge – Boogaloo 7 +Hang out with Amy Farrand, met Troy Van Leeuwen from Queens of the Stone Age!

SATURDAY 14th
-Mid Town KCMO \\Porchfest 2017, KC Latin All Star Jazz Band, Lauren Krum and Fritz Hutchinson

-Recordbar with The Grisly Hand, +Hang out with the band at their place after the show;, +Met Lauren Krum

SUNDAY 15th
-MO Brew \\Soulful Sundays with Dj Jocmax, Ataxic

TUESDAY 17th
-The Riot Room, \\Jonwayne “Rap Album Two”, with Scotty WuWu Wooton, Emv , Danny Watts, Jonwayne

WEDNESDAY 18th
-The Ship , The Blessed Broke

-The Riot Room, Elder

THURSDAY 19th
-The Ship, The Young Lions

FRIDAY 20th
-Recordbar, Smokey James and The Avalanche, Tree Machines

SATURDAY 21th
-The Ship, Mr Marco’s V7 (original lineup) with Hadacol

SUNDAY 22nd
-1412 W 12th Street, Apple Cider Jam Brunch Hosted by Camry Ivory and Justin Skinner +Met Kris Bruders and Havilah Bruders

TUESDAY 24th
-The Phoenix, Jazz Jam Session, +Played with Mark Lowrey and Zach Morrow

THURSDAY 25th
+Jam with David Regnier

-The Ship, Pope of Dope

MONDAY 30th
-The Brick, with Hex Robot: Halloween in Space,Dead Voices Trio & Dually Jukes +Played with Dead Voices

10:46

Guglielmo Pieragostini playing live on the November 1, 2017 edition of Wednesday Midday Medley on KKFI 90.1 FM.

10. Guglielmo Pieragostini – “No One Knows” (Live)
A cover of a song from Screaming Trees, played with an acoustic guitar from Kaye Johnston.

Guglielmo Pieragostini’s Reflections on Kansas City:

It’s not easy for me to express in words all the feelings I went through during this music project. I really had no idea what I was going to experience.

The Kansas City music scene is way different than Italy’s especially Fermo’s. Mostly that’s because Fermo is a very small town compared to Kansas City. The main difference is that back in my hometown, we only have music shows on the weekend, and it’s mostly dj sets. It’s quite rare to stumble in a good live show. Sometimes to hear an interesting band we have to go in different towns.

In the first three or four weeks of my staying here, when I was walking around (or being driven around), I still kind of couldn’t believe that I really was here, being able to experience all this live music in this great city. It really felt like a dream to me.

Here in KC I had so many choices for many different shows every night. It was almost unsettling because I was so undecided about where to go. The quality of the music is incredibly high. Maybe I was just lucky, but in the month and a half that I spent here, I never heard bad music.

The most amazing thing is the kindness of KC’S music scene. All these people helped me without asking anything in exchange, and that’s the most precious and invaluable thing about it. I don’t know how else to express this.

First of all, Marco Pascolini is one of the most talented and creative guitarists I had the honor to hear and play with. He really took care of me, loaned me all the gear I needed to play and he was just so happy to do so. He really is one of a kind. He’s the man!! I think I would let someone borrow my guitar but six weeks would be a lot of time and I would need to know the person who has my guitar. Marco showed me a lot of trust to get things started but he wasn’t the only one.

He also co-founded Mr. Marco’s V7, which happens to be one of my favorite KC bands. I got the chance to jam with part of the band! That really was different to be playing with Johnny Hamil on his upright bass along with Chris Fugitt on the drums and, of course, Marco on one of his many guitars! It was so fun to share the passion for music that we all have and it was an honor for me to play with such way more experienced people.

I went to the Brick for Rural Grit and I had never seen anything like that in my life. These people created a tradition to gather to play American Roots music and at the same time there is also space for experimental music with unusual instruments and styles of playing instruments. Kim Stanton and Mark Smeltzer obviously are relentless in the effort to keep it alive and going.

My first Monday in Kansas City and at Rural Grit, I met David Regnier and he almost immediately invited me to play with his band, Dead Voices, at the Ship five days later. It was a unique and very unexpected experience. This never happened to me in Italy and it happened so quickly I was shocked but quite happy.

At The Ship, I played two songs with no rehearsal at all so I was nervous but Marco and David made me feel more comfortable and at ease. They both were willing to take a big risk on me, a stranger… a guitar player from Italy that they barely knew. Being at The Ship for my first time playing in a show was a good start because Dead Voices had a great crowd and the vibe of The Ship is unique.

That same night, The Ants played and I loved them because they were just great. I loved their music. I met Chad Bryan, guitarist & singer of The Ants, who invited me to sit in with his band for an upcoming gig. The guys in the band, Chad, Sean, Brad, & David, really made me feel like a part of a family, practicing with them twice and playing 2 live shows!

Their music blending with lyrics is just so witty and clever and fun to hear and quite enjoyable. Playing with them was awesome because they taught me the basic foundation of their songs but they also told me to bring what I have to add to the songs. They let me loose and that made me feel free to play lead but I also did not take too much space.

I met Mark Lowrey at the Majestic the second week I was here, and I heard him playing with his outstanding jazz trio. He’s such a talented musician! He invited me to his jazz jam session that take place every Tuesday evening at the Phoenix, and finally last week I was able to go. I was very nervous about it because I never played jazz in public before, but Zach Morrow and Mark made me feel welcomed. We played a couple of funky jazz tunes including Chameleon Man by Herbie Hancock.

I was also lucky enough to meet Amy Farrand whom I had heard of and watched some of her videos back home in Italy. She made great music that was powerful and not only could she play electric guitar but she sang well, too. I really wanted to meet her when I got to Kansas City. I am actually quite shy but I introduced myself to her when I went solo to Outer Reaches music festival at The Record Bar. Even though we didn’t get the chance to jam, we hung out together a couple of times and had a great time.

In particular, Amy and I once met up at the Green Lady Lounge, another one of my favorite venues in KC, and we listened to Chris Hazelton’s Boogaloo 7, another one of my favorite bands. On that occasion, we met some of Queens of the Stone Age band members, that were just hanging out after their show in town! She was so kind to introduce me as a big fan to Troy, one of the guitarists, we got a picture together! She was very kind to me.

My experience at home is musicians normally have shows only on the weekend in Fermo but in Kansas City I saw that musicians play in a lot of different bands and genres and nearly every night there is some kind of show. Marco Pascolini was an example of this playing in so many shows. I also got to play with Mike Stover in two different shows and I saw him four different times impressively playing guitar, pedal steel, and the bass. There seem to be many musicians in KC do all this while at the same time having a day job.

When I arrived I wasn’t sure I could make it. I didn’t know if I was good enough to play here. It turned out that I could play here and along the way I learned more about myself and music. I became more encouraged to be less shy and more connected. I saw Mark Smeltzer from Freight Train Rabbit Killer play at Rural Grit three times. I told him I liked his experimental instruments and music. Our conversation turned to his philosophy of music which is to not be afraid to express yourself and put your heart out there with the music evolving. I really think this is how all musicians should make music.

I have been inspired to finally write some lyrics on a old riff of mine because of The Ants. It was great to work with David Regnier on song that we ended up playing at The Brick. I have absorbed a lot of new styles and new sounds that I can take back to my band in Italy and I can expand beyond my stoner band with this new experience.

I was very lucky to meet a lot of beautiful, talented, kind, and generous people who helped me out and made me feel welcome. It’s so satisfying to see how people of Kansas City welcomed someone, ME, that lives so far away and comes from a different culture. It was amazing that people can get together so easily and have such a great time playing music. This city really has a great music scene, and I really think that everybody should be proud of it and support it in the best way possible.

When I get back to Italy, I will try to do my best to improve the relationship between musicians in my hometown, and maybe, who knows, someday we will have a great music scene like the one in KC!

– Written by Guglielmo Pieragostini

Guglielmo Pieragostini will fly back to Fermo, Italy on Thursday, November 2, 2017.

10:56

11. The Ants – “Calling In”
from: Golden Submarine / Beyond Records / October 13, 2017
[This is The Ants 10th release and their 8th full length album. Band member Chad Bryan says that “It is safe to say they have been under the radar for the past 17 years. We’ve long been a band other bands enjoy, but haven’t really gotten past that and into a larger audience. We’ve been releasing music independently for the past ten years and were on a small label out of Chicago called Sickroom Records prior to that. We’ve been relegated to local and regional work the past several years due to real life obligations. We did quite a bit of touring 2003-2010. The nucleus of the band is a four piece that has been together since 2006. Half of the band lives in Lawrence, the other half in Kansas City.” Band members include: David Randall, Sean McEniry, Brad Nichols, Chad Bryan. More info at WWW.killtheants.com]

[The Ants play a Kansas City record Release show at Holy Cow, Sunday Nov 12, from 3:00 – 5:00 PM]

11:00 – Station ID

12. Andrew Foshee – “Thunderstorm”
from: Strange Relations / Andrew Foshee / October 31, 2017
[Andrew Foshee on acoustic guitar, vocals, sampling, keys; Jon Estes on classical guitar, electric guitar, standup bass, piano, keys, percussion, string arrangements; Jeremy Fetzer on electric guitar, acoustic guitar; Jack Lawrence on bass guitar; Dave Racine on drums, percussion; Alexis Saski on backing vocals; Jem Cohen on backing vocals; Molly Parden on backing vocals; Liz Estes on viola, violin; Amy Helman on viola, violin; Eduardo DuQuesne on words of encouragement. Produced, engineered and mixed by Andrija Tokic
At The Bomb Shelter in Nashville, TN. Mastered by John Baldwin At John Baldwin Mastering in Nashville, TN. Additional production and sequencing done by Andrew At Ye Ol’ Basement Studio in Kansas City, MO. Cover art by Mariano Peccinetti. Andrew Foshee is a songwriter from Kansas City, Missouri. His knack for cinematic home recordings has lead to several song placements in tv and new media. Earlier this year he teamed up with producer Andrija Tokic (Alabama Shakes, Benjamin Booker) and a high clergy of guest musicians at Tokic’s Nashville studio, The Bomb Shelter, to fully realize his latest project. More info at: http://www.andrewfoshee.com]

[Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen.]

11:04 – Interview with Andrew Foshee

Andrew Foshee

Strange Relations

Kansas City based musician and songwriter Andrew Foshee joins us to share music from his new record, STRANGE RELATIONS, recorded earlier this year in Nashville, at The Bomb Shelter with producer and engineer Andrija Tokic, who has worked with, Alabama Shakes, Benjamin Booker, and Hurray for the Riff Raff. Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen.

Strange Relations is “a hallucinatory song cycle from the perspective of a human being held captive by aliens in their spacecraft as they attentively study his dreams to better understand the human condition.”

“Previous to a few months ago, for the last six years I had been working as a sales rep and living a relatively comfortable but complacently unengaged lifestyle, making plenty of money but pissing it away on things like cars, going out to eat, and drinking heavily. Maybe a few things I won’t mention either. I would record demos from time to time when I felt inspired, but for some reason I always seemed to lead myself astray from my music right before something good would happen.

During this time I was also in an extremely toxic relationship where I became a jealous, insecure, piece of shit version of myself that eventually ended up going on hiatus from most of my close friends and family, usually drinking myself to sleep at night and becoming overwhelmingly depressed and anxious by the week.

This continued for quite some time until a rather surreal experience I had made me realize I was wasting my life and I needed to make some changes before it was too late. I felt like I had a lot left to experience in life and I had been sitting on a handful of songs I really wanted to share.

The whole Trump thing was also a real wake up call that this little spaceship we’re on could go down at any moment, so I guess I felt a sudden urge to produce.

I don’t want blab on, but the end result was me quitting my job, taking all of my money to Nashville last January, and making a record I always wanted to make.

Through the help of a friend I was able to connect with Andrija Tokic [who has produced records for The Alabama Shakes, Hurray For The Riff Raff, Benjamin Booker, The Deslondes, etc ] and we cut the tunes directly to tape at his sometimes creepy, always cozy, analogue home-studio, i.e. The Bomb Shelter.

Andrija ended up putting together this amazing crew of musicians, including Jack Lawrence, Jeremy Fetzer and Jon Esters, and it was a very surreal experience when everything came together in the end.

After things wrapped, I basically headed back home to Kansas City, left my sales job and started renting a room in this big, old house with four other musicians so I could save up some money and get back on my feet.

Honestly, I have never been so tired in my entire life but I have also never felt so alive.”

11:12

13. Andrew Foshee – “Honor Among Thieves”
from: Strange Relations / Andrew Foshee / October 31, 2017

[Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen.]

11:17 – Interview with Andrew Foshee (continued)

Kansas City based musician and songwriter Andrew Foshee joins us to share music from his new record, STRANGE RELATIONS, recorded earlier this year in Nashville, at The Bomb Shelter with producer and engineer Andrija Tokic, who has worked with, Alabama Shakes, Benjamin Booker, and Hurray for the Riff Raff. Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen.

Here is an excerpt from an interview Andrew Foshee did with PlaylistPlay.com:

“Ever since I was a kid I’ve struggled with reciprocation. I’ve always had this underlying tendency to try and gravitate towards things I feel connected with on somewhat of a deeper level, and when I finally find them I get really manic. I remember when I was like six or something, sitting in my parent’s bedroom in our old house and Bob Seger’s “Night Moves” came on. My eyes got really big, and my heart rate instantly doubled. I got this weird feeling I hadn’t felt before. I think I started shaking. I was like, ‘Holy shit man. This guy gets me.’ I don’t think I even paid attention to the lyrics, it was just that chord progression coupled with his voice and maybe the way the drums sounded in that bedroom. It just all made perfect sense in a very surreal way, like some sort of alien was speaking to me in this new language I’d never heard, yet I understood every word he was saying.

I think if you try hard enough you can find a common ground with most people, but really connecting is a different story. Music has always been one way for me to feel connected, even if with only myself, and I think that was the day I figured it out.

We live in a very strange world in which we constantly derive meaning and values from a completely nonsensical ethos based in fear and ego. Music helps me challenge these boundaries and make sense of the experiences I’ve had within them, with the hopes that others can relate.”

11:25

14. Andrew Foshee – “A Little Mess (Of Our Own)”
from: from the recording sessions of Strange Relations

[Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen.]

Andrew Foshee, Nathan Corsi, and Sondra Freeman on the November 1, 2017 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:29 – Underwriting

15. Nathan Corsi – “falls apart again”
from: 3-Song Demo / Nathan Corsi / October 31, 2017

[Nathan Corsi plays Apocalypse Meow 10 at recordBar, November 4n.]

11:35 – Interview with Sondra Freeman & Nathan Corsi

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

We fell in love with Nathan Corsi as lead singer and songwriter for the critically acclaimed and award winning Kansas City band Not A Planet. Formed in 2010 the bnd has constantly toured and released “The NapSack” EP in 2011, “The Few, The Proud, The Strange” full length on May 10, 2013, and last year’s EP release, “Smoke Bombs & Cigarettes: The History Of Now.” An Akron, Ohio native, Corsi’s musical tastes and influences grew in the same fertile soil that reaped rock and roll innovators like the James Gang, Devo, the Pretenders and the Black Keys. Nathan Corsi moved to Kansas City, by way of New York, after a featured role in a year-long documentary about life as a busker in New York. Nathan Corsi has recently recorded a 3-song, solo EP of new material and plays Apocalypse Meow this Saturday night at recordBar.

Sondra Freeman and Nathan Corsi join us to share all the details about Apocalypse Meow 10, a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. and continuing on Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Calvin Arsenia, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, on two stages. Also featuring a silent auction and raffles with prizes donated from local businesses. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow

Abigail Henderson co-founded Midwest Music Foundation, since her death, four years ago, friends, musicians, collaborators have kept this not-for-profit alive.

Midwest Music Foundation is a part of events all year round: Midcoast Takeover, Middle of The Map Fest, Crossroads Music Fest, and more.

11:42

16. Brandon Phillips and The Condition – “Clean and Sober”
from: Apocalypse Meow 10 / Midwest Music Foundation / November 2, 2017
[Brandon Phillips on vocals, Adam Phillips on drums, Zach Phillips on bass,and Julie Berndsen (formerly of the Latenight Callers) on backup vocals.This new 34 track compilation of Kansas City Area bands and their most recent recordings, along with a few tracks that representative the 10 years of Midwest Music Foundation and Apocalypse Meow – the annual benefit for Abby’s Fund, named for Abigail Henderson, who co-founded the not-for-profit organization. Midwest Music Foundation unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. ]

11:46 – interview with Sondra Freeman & Nathan Corsi

Sondra Freeman & Nathand Corsi, Thanks for being with us on Wednesday MidDay Medley to share all the details about Apocalypse Meow 10, the annual event to benefit Midwest Music Foundation’s – Abby’s Fund.

The Midwest Music Foundation and 90.9 The Bridge are proud to present the 10th Annual Apocalypse Meow to benefit Abby’s Fund for Musicians’ Health Care.

RockDocs, a collaboration of University of Kansas and the Community Health Council of Wyandotte County will be on site Saturday and Sunday to offer health and ACA information, screenings, wellness programs, opportunities to discuss health conditions and concerns and arrange follow ups.

Special surprise presentation by Mile Deep Films & Television LLC, The Feral Few, Killer Kite Productions on Saturday and Sunday.

For more information http://www.midwestmusicfoundation.org/apocalypsemeow
*************************************************************************
Friday, November 3, 2017 – Mills Record Company – All ages – 7:00 pm

The Country Duo // Bohemian Cult Revival // Headlight Rivals
Emcee: Michael Byars of KCUR 89.3

Libations provided by our generous partners at Boulevard Brewing Company
We will have MMF free swag, merch for sale, and raffles!

*************************************************************************
Saturday, November 4, 2017 – recordBar – 6:00 pm // Tickets at http://www.therecordbar.com

Too Much Rock Main Stage: Brandon Phillips & The Condition // Chris Meck & The Guilty Birds // Sandoval (reunion) // Split Lip Rayfield
Emcee: Jason Nivens of 98.9 The Rock!

Acoustic Stage: IVØRY BLACK // Nathan Corsi // Calvin Arsenia
Emcee: Mark Manning of KKFI 90.1 FM

The main event on Saturday will also feature A silent auction and raffle will feature an assortment of fantastic items donated by many local businesses.
**************************************************************************

Sunday, November 5, 2017 – recordBar – Meow Hangover Brunch starts at noon

Expassionates at 4 pm

For more information you can visit http://www.midwestmusicfoundion.org.

11:56

17. Chris Meck & The Guilty Birds – “Destination Revolution”
from: Destination Revolution – Single / Independent / January 20, 2017
[A new Music Video from the band featuring this Song premiered January 20, 2017. Recorded by Chris Meck, down the rabbit hole at Whisker Gables, Kansas City, MO. Mastered by Chad Meise at Massive Sound Studios, Shawnee, KS. KC based trio with Chris Meck on lead guitar & vocals, Michelle Bacon on drums, and Calandra Ysquierdo on bass guitar & vocals. Chris Meck and The Guity Birds released their debut full-length, It’s 4 A.M. Somewhere, on April 8, 2016]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, November 8, Marion Merritt joins us as Guest Producer and at 11:30 Katy Guillen and the Girls joins us to share music from their new full length release, Remember What You Knew Before.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #706

Wednesday MidDay Medley with Apocalypse Meow + Andrew Foshee + Rebecca Liberty & Guglielmo Pieragostini

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 1, 2017

Sondra Freeman & Nathan Corsi of Apocalypse Meow 10
+ Andrew Foshee + Rebecca Liberty & Guglielmo Pieragostini

Mark spins New & MidCoastal Releases from: Andrew Foshee, Rachel Mallin and The Wild Type, Joseph Warren & the Wanderlust Revival, The Ants, Nathan Corsi, Molly Hammer, Calvin Arsenia, Julia Othmer, Brandon Phillips and The Condition, Chris Meck and The Guilty Birds, Expassionates, and Dead Voices.

Guglielmo Pieragostini

At 10:30 Rebecca Liberty & Guglielmo Pieragostini join us to share a story of Kansas City’s music community. This past summer, Rebecca, a longtime friend of Guglielmo’s family from Fermo, Italy, proposed a music project for Guglielmo to come to Kansas City and experience our music community as an observer, and participant in live performances. In six weeks Guglielmo was able to see and hear over 55 bands, in 25 venues, with invitations to play in live performances with David Regnier, Dead Voices, The Ants, and to jam with Kaye Johnston, Mark Lowrey and Zach Morrow. Guglielmo didn’t bring his guitar on the plane so Marco Pascolini loaned him his electric Fender, Kaye Johnston loaned him an acoustic guitar, and Chad Bryan, from The Ants, loaned him an electric guitar for rehearsal and for two shows with The Ants, at Californo’s and Holy Cow.

At 11:00 Kansas City based musician and songwriter Andrew Foshee joins us to share music from his new record, STRANGE RELATIONS, recorded earlier this year in Nashville, at The Bomb Shelter with producer and engineer Andrija Tokic, who has worked with, Alabama Shakes, Benjamin Booker, and Hurray for the Riff Raff. Strange Relations is “a hallucinatory song cycle from the perspective of a human being held captive by aliens in their spacecraft as they attentively study his dreams to better understand the human condition.” Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen. More info at http://www.andrewfoshee.com

At 11:30, Sondra Freeman of Midwest Music Foundation and musician Nathan Corsi, join us to talk about Apocalypse Meow 10, a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. and continuing on Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Calvin Arsenia, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, on two stages. Also featuring a silent auction and raffles with prizes donated from local businesses. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #706