WMM Playlist from Jan. 2, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 2, 2019

Wednesday MidDay Medley Celebrates Iris DeMent

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Greg Brown – “Let The Mystery Be”
from: Freak Flag / Yep Roc / May 10, 2011
[Iris Dement’s song “Let The Mystery Be” from her debut Infamous Angel, from 1992. This song was covered by David Bryne, 10,000 Maniacs, Bun E. Carlos, and many others, it also became the theme song for the 2nd season of The Leftovers.While Greg Brown was recording this album, lighting hit the studio where Greg Brown he was recording songs for his 24th album: Freak Flag, the title track was all that remained of the lost original album. Greg wrote ten new songs, recording them at Memphis, Tennessee’s legendary Ardent Studios. Produced by Bo Ramsey, the album also includes a cover of Pieta Brown’s song ”Remember the Sun.”]

Thanks for tuning into WMM, here on 90.1 FM KKFI – Kansas City Community Radio, 
I’m Mark Manning. Today we celebrate the birthday of Iris DeMent, born January 5, 1961, in rural Paragould, Arkansas. She was the youngest of 14 children. At the age of 3, her devoutly religious family moved to California, where she grew up singing gospel music. During her teenage years, Iris was exposed to country, folk, & R&B, drawing influence from Loretta Lynn, Johnny Cash, Bob Dylan, & Joni Mitchell.

Iris moved to the midwest, and after a series of jobs as a waitress and typist she wrote her first song at the age of 25. She moved to Kansas City and played Harling’s Upstairs and open-mic nights alongside Scott Hrabko and Howard Iceberg. Iris met producer Jim Rooney in Nashville, in 1988, who helped her land a record contract.

Iris Dement made her recording debut in 1992, with her independently produced album, “Infamous Angel.” The record won critical acclaim and John Prine mentioned Iris in his list of favorite recordings of the year published in Rolling Stone. Despite a complete lack of support from country radio, the word of mouth praise for Iris DeMent’s “Infamous Angel” earned her a deal with Warner Bros Records, which reissued “Infamous Angel” in 1993. The album also included the song, “Let The Mystery Be” a composition that has also been covered by David Bryne, 10,000 Maniacs, Bun E. Carlos of Cheap Trick, Greg Brown, and it was the theme song for the second season of HBO’s The Leftovers.

Today we feature music from Iris DeMent’s six full length albums, her vast collaborative studio work with artists such as: Greg Brown, John Prine, Nancy Griffith, Emmylou Harris, Tom Russell, Steve Earle, and Kansas City’s own, Gary Kirkland.

And we’ll also feature music from Iris DeMent’s inspirations: Loretta Lynn, Johnny Cash, Joni Mitchell, Merle Haggard and Bob Dylan.

Please stay with us.

Full disclosure, I love Iris DeMent. I’ve seen her live in concert over 8 times. I met Iris DeMent when I was working at Kinkos at 39th & Rainbow in 1992. Iris came in to copy press clippings, she was in the process of releasing her debut album. I wasn’t familiar with her music until I saw her on Late Night with Conan O’Brien in 1995, where she performed her song, “My Life.” I was blown away. I had video-taped the show, and I would replay that song for everyone that came to visit. I wanted everyone to know about Iris DeMent.

I ran into Iris at Classic Cup in Westport. By this point I had become a big fan of her music and I was sort of star stuck, but she approached me and asked, “How do I know you?” Our friendship was able to continue because we shared a mutual friend named Anne Winter, who invited me to a holiday party in Iris Dement’s River Market condo where we sang old fashioned hymns, with members of The Wilders. Anne Winter had become a close friend of Iris and even went out “on the road” with her at one point. Because of Anne, I stage managed a show at the Uptown Theatre with Michael Moore, Iris deMent and the Wilders all performing. Anne Winter also helped arranged for Iris to play one of our Big Bang Buffet shows in 1999 at The Hobbs Building. In 2002 Iris agreed to do a benefit show for Friends of Community Radio. At this point she was living in Coleman Heights in Kansas City and invited Linda Wilson and I to a home cooked meal at her house, to talk aver the details of the show. In 2004 Iris and Greg Brown performed together in a show with Amy Goodman of “Democracy Now!” to raise over $10,000.00 for KKFI. Iris never took a penny from any of these shows, and has always been such a generous supporter of 90.1 FM. She recognized as a singer songwriter how important community radio is for independent artists like herself, and she has always given back, to help keep this radio station alive. Because of Iris DeMent’s generosity, and in honor of our dear friend Anne Winter, who we lost in 2009, I vowed to pay tribute to Iris on her birthday, each year, with this radio show.

Influences of Iris DeMent

3. Loretta Lynn & Jack White – “Portland Oregon”
from: Van Lear Rose / Interscope / 2004 [produced by Jack White of The White Stripes and Racontuers. It was initially intended as a musical experiment, blending the styles of country singer-songwriter Lynn and producer White, who performs on the whole album as a musician. At the time, Lynn was 69 and White was 28. The title refers to Lynn’s origins as the daughter of a miner working the Van Lear coal mines. The album was the most successful crossover music album of Lynn’s 45-year career. At the 2005 Grammy Awards, Lynn won: Best Country Album and Best Country Collaboration with Vocals for her duet with White.]

4. Johnny Cash & Joni Mitchell – “Girl From North Country”
from: The Best of The Johnny Cash TV Show / Columbia Legacy / 2007
[a TV music variety show that ran for 58-episodes from June 7, 1969 to March 31, 1971 on ABC. It featured many folk/country musicians of the time: Joni Mitchell, Bob Dylan, Linda Ronstadt, Kris Kristofferson, Neil Young, Gordon Lightfoot, Merle Haggard, James Taylor and Tammy Wynette. It also featured other musicians such as jazz great, Louis Armstrong, who died 8 months after recording the show. Recorded at Nashville’s Ryman Auditorium, then home of the Grand Ole Opry. The first show featured Joni Mitchell, Cajun fiddler Doug Kershaw, Fannie Flagg and Bob Dylan. The show included a “Country Gold” segment that featured legends never seen on network TV such as Bill Monroe & his Blue Grass Boys. Cash refused to cut the word “stoned” from Kris Kristofferson’s “Sunday Morning Coming Down”, he stood by his Christian faith “despite network anxieties”, and persisted in bringing on Pete Seeger whose anti-Vietnam song on another network had “caused a firestorm.” He premiered his Man in Black song on an episode filmed at Nashville’s Vanderbilt University’s campus. The show was dumped in 1971 as part of ABC’s so-called “rural purge,” which also claimed that network’s The Lawrence Welk Show.]

5. John Prine w/ Iris Dement – “We’re Not The Jet Set”
from: In Spite Of Ourselves / Oh Boy / 1999
[In 1968 country superstar George Jones witnessed a fight between Tammy Wynette and her husband Don Chapel. At Jones’s urging, Wynette and her daughters drove away with him. Wynette and Jones married Feb. 16, 1969, and Wynette’s 4th daughter, Georgette, was born in 1970. Jones and Wynette, were nicknamed the “President and First Lady” of country music, and they recorded a string of hit duets that seemed drawn directly from their volatile relationship, which resulted in their divorcing in 1975. Their classic recordings included “Two Story House,” “Golden Ring,” and the humorous “(We’re Not) The Jet Set.” ]

6. Loretta Lynn – “You Ain’t Woman Enough To Take My Man”
from: Legends of Country Music / Columbis Legacy / 1997
[Live performance for Austin City Limits taped in 1983. Loretta Webb was the second of 8 children; grew up in Butcher Holler, a section of Van Lear, a mining community in Kentucky. Growing up with such humble roots had a huge effect on Lynn’s life and heavily influenced her music as an adult. Her autobiography describes how, during her childhood, the community had no motor vehicles, paved roads, or flush toilets. She married Oliver Vanetta Lynn, known as “Doo,” on Jan. 10, 1948, at age 13. In an effort to break free of the coal mining industry, at 14, Lynn moved to the logging community Custer, Washington, with her husband. The Lynns had 4 children – Betty Sue, Jack Benny, Cissy and Ernest Ray – by the time Loretta was 18, and in her early 20s she then had twin girls, Peggy & Patsy. No stranger to controversy, Loretta Lynn possibly had more banned songs than any other country music artist, prior to The Dixie Chicks, including “Rated X,” about the double standards divorced women face, “Wings Upon Your Horns,” about the loss of teenage virginity, and “The Pill,” lyrics by T. D. Bayless, about a wife and mother becoming liberated via the birth control pill. Her song “Dear Uncle Sam,” released in 1966 during the Vietnam War, describes a wife’s anguish at the loss of a husband to war. It has been included in live performances during the US – Iraq War.]

7. Merle Haggard – “Workin’ Man Blues”
from: Oh Boy Classic Presents Merle Haggard / Oh Boy Records / 2000 [Originally released in 1969, a tribute to a core group of his fans: The American blue-collared working man. Backed by an electric guitar that typified Haggard’s signature Bakersfield Sound, he fills the role of one of those workers expressing pride in values of hard work and sacrifice, despite the resulting fatigue and the stress of raising a large family. Included on Haggard’s 1969 album “A Portrait of Merle Haggard.” Included in this collection on John Prine’s Oh Boy Records.]

10:25 – Underwriting

Influences of Iris DeMent

Iris DeMent represents that place in the road, where Country and Folk music merged with honest stories, of working class people, not afraid to tell the truth about the times they are living through. Iris DeMent grew up singing gospel music. During her teenage years she was first exposed to country, folk, and R&B, drawing influence from Loretta Lynn, Johnny Cash, Bob Dylan, and Joni Mitchell.

8. Johnny Cash – “Ring of Fire”
from: 16 Biggest Hits / Columbia Legacy / 2007
[co-written by June Carter (wife of Johnny Cash) and Merle Kilgore. The song was recorded on March 25, 1963 and became the biggest hit of his career, staying at #1 on the charts for 7 weeks. “Ring of Fire” refers to falling in love – which is what June Carter was experiencing with Johnny Cash at the time. Some sources claim that June had seen the phrase, “Love is like a burning ring of fire,” underlined in one of her uncle A. P. Carter’s Elizabethan books of poetry. She worked with Kilgore on writing a song inspired by this phrase as she had seen her uncle do in the past. In the 2005 film, Walk the Line June is depicted as writing the song while agonizing over her feelings for Cash despite his drug addiction and alcoholism as she was driving home one evening. She had written: “There is no way to be in that kind of hell, no way to extinguish a flame that burns, burns, burns”. Cash claims he had a dream where he heard the song accompanied by “Mexican horns”. Four years after the song was released, Carter and Cash were married which Cash states helped to stop his alcohol and drug addictions. Cash’s daughter, Rosanne has stated, “The song is about the transformative power of love and that’s what it has always meant to me and that’s what it will always mean to the Cash children.]

9. Bob Dylan – “I Shall Be Released”
from: The Essential Bob Dylan / Columbia – Sony / 2000
[Originally recorded October, 1971. ]

10. Joni Mitchell – “For The Roses”
from: For The Roses / Asylumn / 1972
[Released between her 2 biggest commercial and critical successes – “Blue” and “Court & Spark”. In 2007 it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. The title song “For the Roses” was Mitchell’s farewell to the business; she took an extended break for a year after. The album was critically acclaimed with The New York Times saying “Each of Mitchell’s songs on For the Roses is a gem glistening with her elegant way with language, her pointed splashes of irony and her perfect shaping of images. Never does Mitchell voice a thought or feeling commonly. She’s a songwriter and singer of genius who can’t help but make us feel we are not alone.” A nude photograph of Joni Mitchell was included on the inside cover of the original LP and is included in the CD booklet. The photograph shows the singer from the rear and was taken from a considerable distance; she is shown standing on a rock and staring out at the ocean. This created some controversy at the time.]

Iris DeMent’s first three releases, all on Warner Brothers records, were critically acclaimed, and she received two Grammy nominations during this time, in the “Folk Music” category. Meanwhile country radio completely overlooked her original songs, and amazing voice that has been compared to Loretta Lynn and Tammy Wynette. For her 1992 debut record, John Prine wrote the liner notes.

[Read the liner notes from John Prine]

“One night after receiving a copy of “Let the Mystery Be,” I was listening to the tape while frying a dozen or so pork chops in a skillet. Well Iris DeMent starts singing about “Mama’s Opry,” and being the sentimental fellow I am, I got a lump in my throat and a tear fell from my eyes into the hot oil. Well the oil popped out and burnt my arm as if the pork chops were trying to say, “Shut up, or I’ll really give you something to cry about.” Of course, pork chops can’t talk. But Iris DeMent’s songs can. They talk about isolated memories of life, love and living. And Iris has a voice I like a whole lot, like one you’ve heard before— but not really. So listen to this music, this Iris DeMent. It’s good for you. And if pork chops could talk, they’d probably learn how to sing one of her songs. Then we’d all have something to cry about.”

– John Prine, Songwriter, musician & president Oh Boy! Records

11. Iris DeMent – “Infamous Angel”
from: Infamous Angel / Warner Brothers / 1992 / 1993

Iris followed up her debut record with the autobiographical, “My Life,” released in 1994 and quickly followed with her third Warner Brother’s release, “The Way I Should,” released in 1996, which contains some of Iris DeMent’s most political songs.

12. Iris DeMent – “My Life”
from: My Life / Warner Brothers / 1994

13. Iris DeMent – “The Way I Should”
from: The Way I Should / Warner Brothers / 1996
[Produced by Randy Scruggs]

Collaborations

14. Nanci Griffith w/Iris & Emmylou – “Are You Tired of Me Darling”
from: Other Voices Other Rooms / Elektra / 1993
[High Harmony – Iris / Low Harmony – Emmylou Harris]
[Nanci Griffith’s 10th album. Here she pays homage to other songwriters who have influenced her own career.]

15. Gary Kirkland w/Iris – “Just For Me”
from: Shootin’ The Works on Love / Dark Horse / 2003

11:00 – Station I.D.

16. John Prine w/ Iris – “In Spite of Ourselves”
from: In Spite of Ourselves/ Oh Boy / 1999
[written by John Prine]

17. Steve Earle & The Del McCoury Band w/Iris – “I’m Still In Love With You”
from: The Mountain / E – Squared / 1999
[Released February 23, 1999. Songs were written by Earle as a tribute to the founder of bluegrass music, Bill Monroe, who had died in 1996.]

18. Tom Russell w/Iris – “Love Abides”
from: The Man From God Knows Where / Hightone / 1999

11:13 – Underwriting

Greg Brown

In the 2002 Iris DeMent did a benefit concert for The Friends of Community Radio at Unity Temple on The Plaza. I remember when Iris asked us if it was okay that she have a musician friend open the concert for her, we agreed because Iris was donating her talent to the cause of community radio. And then she told us that this musician friend was Greg Brown, who at this point was known all over the country, but had never before played KC.

Later that year, on November 21, 2002 Greg married Iris DeMent in a private ceremony in the office of Rev. Sam Mann of St. Mark Church in East KC.

Grammy Nominated Greg Brown is one of the most repected singer songwriters working in music today. He started singing professionally at the age of 18 organizing early folk concerts in New York City, Portland, Los Angeles and Las Vegas. In the 1980s, he worked and toured extensively as musical director for Garrison Keillor’s A Prairie Home Companion radio program. He also founded his own record label, named Red House Records after a home in which he lived in Iowa.

Greg Brown has released over 30 recordings and has allowed much of his music to be used to raise funds and awareness for environmental and social causes. His songs have been performed by Willie Nelson, Jack Johnson, Carlos Santana, Michael Johnson, Ani DiFranco, Shawn Colvin, Mary Chapin Carpenter, Iris DeMent and Joan Baez.

19. Greg Brown w/Iris -“Jacob’s Ladder”
from: Honey in The Lion’s Head / Trailer / 2003

20. Greg Brown – “Wippoorwill”
from: Evening Call / Red House / 2006
[The Washington Post writes, “The singer-songwriter from Iowa has a baritone as rough and chunky as Thanksgiving gravy with the turkey bits still in, and that’s just how his words drip out on his album, “The Evening Call.” on “Whippoorwill” he sing as sweetly as his lover down in Kansas City. That’s his wife, Iris DeMent, and on “Joy Tears,” he tells her, “When you start your singing, honey, the heavens open up with grace.”]

21. Greg Brown – “Bucket”
from: Evening Call / Red House / 2006

In 2004 Iris DeMent independently released her 4th album, and her first in 8 years. It was a collection of protestant gospel hymns that she grew up hearing her mother sing. The album is called “Lifeline” and includes one original song called, “He Reached Down,” a song inspired by a sermon delivered by Rev. Sam Mann at St Mark Church in Kansas City.]

22. Iris DeMent – “He Reached Down”
from: Lifeline / Flariella / November 2, 2004
[Lifeline is the fourth album released by singer-songwriter Iris DeMent, released in 2004, eight years since her previous recording The Way I Should. Lifeline contains many traditional Protestant gospel songs DeMent describes as finding comfort in playing and singing. In her liner notes, DeMent recounts how her mother sang these songs in times of stress looking straight at the sky, “as if she were talking to someone.” DeMent’s rendition of “Leaning on the Everlasting Arms” accompanies the closing credits of the Coen brothers’ True Grit (2010). Thom Jurek of Allmusic writes: “… [DeMent] claims that for her, too, the music contained here became her lifeline through a season of hardship… While this is far from a full return to form for Dement, it is truly good to have her back.” Music critic Robert Christgau wrote “Her heart cherishes Jesus’ memory, but her mind, voice, and soul remain her own.”]

After Lifeline it would be 8 more years before Iris DeMent would release another album.

Iris gave audiences a taste of her new music during a sold out benefit concert at The Folly Theatre with Greg Brown on November 11, 2011. The benefit was organised by friend Rev. Sam Mann for the St. Mark Child and Family and Development Center. Iris and Greg helped Rev Mann raise over $50,000.00 for the center that serves children and families on the east side in Kansas City.

Iris DeMent’s 2012 album “Sing The Delta” received glowing reviews from the UK publication UNcut, The New Yorker, The Boston Globe, The Chicago Tribune, and was in many Top Ten Lists of KC music affictionados, including being #1 on our list of WMM’s The 112 Best Recordings of 2012.

23. Iris DeMent – “Livin’ On The Inside”
from: Sing The Delta / Flariella / October 2, 2012
[Her first full-length release of original songs since 1996. Iris was our special guest on our Oct 10, WMM.]

In 2015 Iris DeMent released her 6th album, with national acclaim, and a #5 spot on WMM’s 115 Best Recordings of 2015. The Trackless Woods sets 18 poems by acclaimed 20th century Russian poet Anna Akhmatova to life. Hailed as one of Russia’s finest poets, Akhmatova survived the Bolshevik Revolution, both World Wars and Stalin. When Iris randomly stumbled upon Akhmatova’s work in a book of poetry a friend sent as a gift, she was immediately taken by the sorrow and burden of the poems. Iris recorded the album with co-producer Richard Bennett in her living room over a five-day period. The project also fulfilled a long yearned-for desire to connect with her adopted daughter’s culture and history. Iris and her husband Greg Brown adopted their daughter from Siberia in 2005, when she was 6, and Iris says ”I’d never have made this record were it not for her.”

24. Iris DeMent – “Listening to Singing”
from: The Trackless Woods / FlariElla / August 7, 2015
[6th album from Grammy nominated Iris DeMent who NPR said was ”one of the great voices in contemporary popular music.” The Trackless Woods sets 18 poems by acclaimed 20th century Russian poet Anna Akhmatova to life. Hailed as one of Russia’s finest poets, Akhmatova survived the Bolshevik Revolution, both World Wars and Stalin. She lost family, friends & fellow writers to political killings and labor in the gulags. When Iris randomly stumbled upon Akhmatova’s work in a book of poetry a friend sent as a gift, she was immediately taken by the sorrow and burden of the poems, juxtaposed with Akhmatova’s lightness and transcendence in the face of inhumanity. ”Anna’s gift of song is so strong, about alI I had to do was get really quiet and listen,” says Iris. After reading that first poem the melodies began pouring out of her, and before she even fully understood what was driving her, Iris was gathering musicians & friends, including co-producer Richard Bennett (Emmylou Harris, Neil Diamond, Steve Earle), to record ‘The Trackless Woods’ in her living room over a 5-days. The result is a pairing of piano and voice in Iris’ style with timeless melodies that are rooted in the American South.]

Like Russian poet Anna Akhmatova, Iris DeMent has never shied away from lending her voice to justice and social causes. On March 2, 2017 in response to the election and policies of current President Donald Trump, Iris released her latest song “We Won’t Keep Quiet” on You Tube. Written and performed by Iris DeMent with members of the Iowa City community who sang with her, and participated in the Lift the Ban Rally in Iowa City, the Women’s March in Des Moines, and the Women’s March in Washington, D.C. The song has not been released anywhere other than You Tube.

25. Iris DeMent – “We Wont Be Quiet”
from: We Wont Be Quiet – Single / Unreleased / March 2, 2017
[Recorded and mixed by Deb Talan and Steve Tannen. The video was made by Mei-Ling Shaw with DC footage by Jordan Sellergren. RESIST!]

In his review for WHYY’s Fresh Air, Entertainment Weekly Music Editor – Ken Tucker wrote: “Iris DeMent possesses one of the great voices in contemporary popular music: powerfully, ringingly clear, capable of both heartbreaking fragility and blow-your-ears-back power. Had she been making country albums in the ’70s and ’80s and had more commercial ambition, she’d probably now be considered right up there with Loretta Lynn and Tammy Wynette. Instead, she’s lived a contemporary life, a somewhat private life. As she recently told an interviewer, “There’s a lot that goes into life besides songwriting.” And she’s taken her time in composing songs that fit into no genre easily.”

Happy Birthday Iris DeMent! Thank you for all of the great music and thank you for donating your talents to raise thousands of dollars for non-for-profit charities in Kansas City including 90.1 FM – KKFI. We love you Iris DeMent!

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

26. Iris DeMent – “That’s The Way Love Goes”
from: NPR Studio Cuts / NPR / 2000
[Written by Lefty Frizzell, recorded in NPR Studios Dec. 16, 1997. Iris DeMent learned to sing and play this song from a Merle Haggard record.]

27. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next Week on January 9, Wednesday MidDay Medley Celebrates David Bowie featuring short stories about David Bowie from nine of his biggest fans: Michelle Bacon, Barry Lee, Ben Grimes, Cody Wyoming, Krystle Warren, Jesse Bartmess, Marion Merritt, Ian Michael Flanagan Johnson, and Nico Gray. We’ll feature representative tracks from some of the 27 studio albums of Bowie’s career, including songs he wrote or produced for: Lou Reed, and Mott the Hoople, and Bowie songs performed by: Joan As Police Woman, Col. Chris Hadfield, Nile Rodgers and James Murphy and the KC bands: Soft Reeds, and The Band That Fell To Earth. ALSO, Michelle Bacon joins us to share details about The Band That Fell To Earth and the 4th annual tribute to David Bowie with TWO nights of music: Friday, January 18 and Saturday, January 19, at recordBar, 1520 Grand.

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
and http://www.kkfi.org

Show #767

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WMM Playlist from January 3, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 3, 2018

Tributes to Iris DeMent & David Bowie
+ Michelle Bacon & Katy Guillen of The Band That Fell To Earth

In our 1st hour, we celebrated the birthday of Iris DeMent, born January 5, 1961, in rural Paragould, Arkansas. She was the youngest of 14 children. At the age of 3, her devoutly religious family moved to California, where she grew up singing gospel music. During her teenage years, Iris was exposed to country, folk, & R&B, drawing influence from Loretta Lynn, Johnny Cash, Bob Dylan, & Joni Mitchell.

Iris moved to the midwest and after a series of jobs as a waitress and typist, she wrote her first song at the age of 25. She moved to Kansas City and played Harling’s Upstairs and open-mic nights alongside Scott Hrabko and Howard Iceberg. Iris met producer Jim Rooney in Nashville, in 1988, who helped her land a record contract.

Iris Dement made her recording debut in 1992, with her independently produced album, “Infamous Angel.” The record won critical acclaim and John Prine mentioned Iris in his list of favorite recordings of the year published in Rolling Stone. Despite a complete lack of support from country radio, the word of mouth praise for Iris DeMent’s “Infamous Angel” earned her a deal with Warner Bros Records, which reissued “Infamous Angel” in 1993. We started the show with a song originally from that album called, “Let The Mystery Be” that was lovingly covered by her husband, the great folk singer songwriter – Greg Brown. “Let The Mystery Be” has also been covered by David Bryne, 10,000 Maniacs, Bun E. Carlos of Cheap Trick, and it was the theme song for the second season of The Leftovers.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Greg Brown – “Let The Mystery Be”
from: Freak Flag / Yep Roc / May 10, 2011
[Iris Dement’s song “Let The Mystery Be” from her debut Infamous Angel, from 1992. This song was covered by David Bryne, 10,000 Maniacs, Bun E. Carlos, and many others, it also became the theme song for the 2nd season of The Leftovers.While Greg Brown was recording this album, lighting hit the studio where Greg Brown he was recording songs for his 24th album: Freak Flag, the title track was all that remained of the lost original album. Greg wrote ten new songs, recording them at Memphis, Tennessee’s legendary Ardent Studios. Produced by Bo Ramsey, the album also includes a cover of Pieta Brown’s song ”Remember the Sun.”]

Full disclosure, I love Iris DeMent. I’ve seen her live, in-concert, over 8 times. I met Iris DeMent when I was working at Kinkos at 39th & Rainbow in 1992. Iris came in to copy press clippings, she was in the process of releasing her debut album. I wasn’t familiar with her music until I saw her on Late Night with Conan O’Brien in 1995, where she performed her song, “My Life.” I was blown away. I had video-taped the show, and I would replay that song for everyone that came to visit. I wanted everyone to know about Iris DeMent.

I ran into Iris at Classic Cup in Westport. By this point I had become a big fan of her music and I was sort of star stuck, but she approached me and asked, “How do I know you?” Our friendship was able to continue because we shared a mutual friend named Anne Winter, who invited me to a holiday party in Iris Dement’s River Market condo where we sang old fashioned hymns, with members of The Wilders. Anne Winter had become a close friend of Iris and even went out “on the road” with her at one point. Because of Anne, I stage managed a show at the Uptown Theatre with Michael Moore, Iris deMent and the Wilders all performing. Anne Winter also helped arranged for Iris to play one of our Big Bang Buffet shows in 1999 at The Hobbs Building. In 2002 Iris agreed to do a benefit show for Friends of Community Radio. At this point she was living in Coleman Heights in Kansas City and invited Linda Wilson and I to a home-cooked meal at her house, to talk aver the details of the show. In 2004 Iris and Greg Brown performed together in a show with Amy Goodman of “Democracy Now!” to raise over $10,000.00 for KKFI. Iris never took a penny from any of these shows, and has always been such a generous supporter of 90.1 FM. She recognized as a singer songwriter how important community radio is for independent artists like herself, and she has always given back, to help keep this radio station alive. Because of Iris DeMent’s generosity, and in honor of our dear friend Anne Winter, who we lost in 2009, I vowed to pay tribute to iris on her birthday, each year, with this radio show.

3. Iris DeMent – “My Life”
from: My Life / Warner Brothers / 1994

10:12 – Influences of Iris DeMent

Iris DeMent represents that place in the road, where Country and Folk music merged with honest stories, of working class people, not afraid to tell the truth about the times they are living through. Iris DeMent grew up singing gospel music, but in her teenage years, she discovered other music through the radio: country, folk, and R&B, and the music of Loretta Lynn, Merle Haggard, Johnny Cash, Bob Dylan, and Joni Mitchell.

4. Loretta Lynn – “You Ain’t Woman Enough To Take My Man”
from: Legends of Country Music / Columbis Legacy / 1997
[Live performance for Austin City Limits taped in 1983. Loretta Webb was the second of 8 children; grew up in Butcher Holler, a section of Van Lear, a mining community in Kentucky. Growing up with such humble roots had a huge effect on Lynn’s life and heavily influenced her music as an adult. Her autobiography describes how, during her childhood, the community had no motor vehicles, paved roads, or flush toilets. She married Oliver Vanetta Lynn, known as “Doo,” on Jan. 10, 1948, at age 13. In an effort to break free of the coal mining industry, at 14, Lynn moved to the logging community Custer, Washington, with her husband. The Lynns had 4 children – Betty Sue, Jack Benny, Cissy and Ernest Ray – by the time Loretta was 18, and in her early 20s she then had twin girls, Peggy & Patsy. No stranger to controversy, Loretta Lynn possibly had more banned songs than any other country music artist, prior to The Dixie Chicks, including “Rated X,” about the double standards divorced women face, “Wings Upon Your Horns,” about the loss of teenage virginity, and “The Pill,” lyrics by T. D. Bayless, about a wife and mother becoming liberated via the birth control pill. Her song “Dear Uncle Sam,” released in 1966 during the Vietnam War, describes a wife’s anguish at the loss of a husband to war. It has been included in live performances during the US – Iraq War.]

5. Merle Haggard – “Workin’ Man Blues”
from: Oh Boy Classic Presents Merle Haggard / Oh Boy Records / 2000
[Originally released in 1969, a tribute to a core group of his fans: The American blue-collared working man. Backed by an electric guitar that typified Haggard’s signature Bakersfield Sound, he fills the role of one of those workers expressing pride in values of hard work and sacrifice, despite the resulting fatigue and the stress of raising a large family. Included on Haggard’s 1969 album “A Portrait of Merle Haggard.” Included in this collection on John Prine’s Oh Boy Records.]

6. Johnny Cash – “Ring of Fire”
from: 16 Biggets Hits / Columbia Legacy / 2007
[co-written by June Carter (wife of Johnny Cash) and Merle Kilgore. The song was recorded on March 25, 1963 and became the biggest hit of his career, staying at #1 on the charts for 7 weeks. “Ring of Fire” refers to falling in love – which is what June Carter was experiencing with Johnny Cash at the time. Some sources claim that June had seen the phrase, “Love is like a burning ring of fire,” underlined in one of her uncle A. P. Carter’s Elizabethan books of poetry. She worked with Kilgore on writing a song inspired by this phrase as she had seen her uncle do in the past. In the 2005 film, Walk the Line June is depicted as writing the song while agonizing over her feelings for Cash despite his drug addiction and alcoholism as she was driving home one evening. She had written: “There is no way to be in that kind of hell, no way to extinguish a flame that burns, burns, burns”. Cash claims he had a dream where he heard the song accompanied by “Mexican horns”. Four years after the song was released, Carter and Cash were married which Cash states helped to stop his alcohol and drug addictions. Cash’s daughter, Rosanne has stated, “The song is about the transformative power of love and that’s what it has always meant to me and that’s what it will always mean to the Cash children.]

7. Bob Dylan – “I Shall Be Released”
from: The Essential Bob Dylan / Columbia – Sony / 2000 [Originally recorded October, 1971. ]

8. Joni Mitchell – “For The Roses”
from: For The Roses / Asylumn / 1972
[Released between her 2 biggest commercial and critical successes – “Blue” and “Court & Spark”. In 2007 it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. “For the Roses” was Mitchell’s farewell to the business; she took an extended break for a year after. The album was critically acclaimed with The New York Times saying “Each of Mitchell’s songs on For the Roses is a gem glistening with her elegant way with language, her pointed splashes of irony & her perfect shaping of images. Never does Mitchell voice a thought or feeling commonly. She’s a songwriter and singer of genius who can’t help but make us feel we are not alone.” A nude photograph of Joni Mitchell was included on the inside cover of the original LP and is included in the CD booklet. The photograph shows the singer from the rear & was taken from a considerable distance; she is shown standing on a rock and staring out at the ocean. This created some controversy at the time.]

10:26 – Underwriting

10:28 – Collaborations with Iris Dement

9. Nanci Griffith w/Iris & Emmylou – “Are You Tired of Me Darling”
from: Other Voices Other Rooms / Elektra / 1993
[High Harmony – Iris / Low Harmony – Emmylou Harris] [Nanci Griffith’s 10th album. Here she pays homage to other songwriters who have influenced her own career.]

10. John Prine w/ Iris Dement – “We’re Not The Jet Set”
from: In Spite Of Ourselves / Oh Boy / 1999
[In 1968 country superstar George Jones witnessed a fight between Tammy Wynette and her husband Don Chapel. At Jones’s urging, Wynette and her daughters drove away with him. Wynette and Jones married Feb. 16, 1969, and Wynette’s 4th daughter, Georgette, was born in 1970. Jones and Wynette, were nicknamed the “President and First Lady” of country music, and they recorded a string of hit duets that seemed drawn directly from their volatile relationship, which resulted in their divorcing in 1975. Their classic recordings included “Two Story House,” “Golden Ring,” and the humorous “(We’re Not) The Jet Set.” ]

10:34

Iris DeMent’s first three releases, all on Warner Brothers records, were critically acclaimed, and she received two Grammy nominations during this time, in the “Folk Music” category. Meanwhile country radio completely overlooked her original songs, and amazing voice, that has been compared to Loretta Lynn and Tammy Wynette. For her 1992 debut record John Prine wrote the liner notes. [Read the liner notes from John Prine]

“One night after receiving a copy of “Let the Mystery Be,” I was listening to the tape while frying a dozen or so pork chops in a skillet. Well Iris DeMent starts singing about “Mama’s Opry,” and being the sentimental fellow I am, I got a lump in my throat and a tear fell from my eyes into the hot oil. Well the oil popped out and burnt my arm as if the pork chops were trying to say, “Shut up, or I’ll really give you something to cry about.” Of course, pork chops can’t talk. But Iris DeMent’s songs can. They talk about isolated memories of life, love and living. And Iris has a voice I like a whole lot, like one you’ve heard before— but not really. So listen to this music, this Iris DeMent. It’s good for you. And if pork chops could talk, they’d probably learn how to sing one of her songs. Then we’d all have something to cry about.” – John Prine, Songwriter, musician & president Oh Boy! Records”

11. Iris DeMent – “Infamous Angel”
from: Infamous Angel / Warner Brothers / 1992 / 1993
[Debut studio album. In 1995, her song “Our Town” was played in the closing moments of the last episode of CBS TV series Northern Exposure. “Let the Mystery Be” became theme for the 2nd season of The Leftovers.]

10:40 – Greg Brown

Iris followed up her debut record with the autobiographical, “My Life,” released in 1994 and quickly followed with her third Warner Brother’s release, “The Way I Should,” released in 1996, which contains some of Iris DeMent’s most political songs.

In the 2002 Iris DeMent did a benefit concert for The Friends of Community Radio at Unity Temple on The Plaza. I remember when Iris asked us if it was okay that she have a musician friend open the concert for her, we agreed because Iris was donated her talent to the cause of community radio. And then she told us that this musician friend was Greg Brown, who at this point was know all over the country, but had never before played KC.

Later that year, on November 21, 2002 Greg married Iris DeMent in a private ceremony in the office of Rev. Sam Mann of St. Mark Church in East KC.

Grammy Nominated Greg Brown is one of the most respected singer songwriters working in music today. He started singing professionally at the age of 18 organizing early folk concerts in New York City, Portland, Los Angeles and Las Vegas. In the 1980s, he worked and toured extensively as musical director for Garrison Keillor’s A Prairie Home Companion radio program. He also founded his own record label, named Red House Records after a home in which he lived in Iowa. Greg Brown has released over 30 recordings and has allowed much of his music to be used to raise funds and awareness for environmental and social causes. His songs have been performed by Willie Nelson, Jack Johnson, Carlos Santana, Michael Johnson, Ani DiFranco, Shawn Colvin, Mary Chapin Carpenter, Iris DeMent and Joan Baez.

12. Greg Brown w/Iris -“Jacob’s Ladder”
from: Honey in The Lion’s Head / Trailer / 2003

13. Greg Brown – “Bucket”
from: Evening Call / Red House / 2006
[The Washington Post writes, “The singer-songwriter from Iowa has a baritone as rough and chunky as Thanksgiving gravy with the turkey bits still in, and that’s just how his words drip out on his album, “The Evening Call.” on “Whippoorwill” he sing as sweetly as his lover down in KC. That’s his wife, Iris DeMent, and on “Joy Tears,” he tells her, “When you start your singing, honey, the heavens open up with grace.”]

10:51

In 2015 Iris DeMent released her 6th album, with national acclaim, and a #5 spot on WMM’s 115 Best Recordings of 2015. The Trackless Woods sets 18 poems by acclaimed 20th century Russian poet Anna Akhmatova to life. Hailed as one of Russia’s finest poets, Akhmatova survived the Bolshevik Revolution, both World Wars and Stalin. When Iris randomly stumbled upon Akhmatova’s work in a book of poetry a friend sent as a gift, she was immediately taken by the sorrow and burden of the poems. Iris recorded the album with co-producer Richard Bennett in her living room over a five-day period. The project also fulfilled a long yearned-for desire to connect with her adopted daughter’s culture and history. Iris and her husband Greg Brown adopted their daughter from Siberia in 2005, when she was 6, and Iris says ”I’d never have made this record were it not for her.”

14. Iris DeMent – “Listening to Singing”
from: The Trackless Woods / FlariElla / August 7, 2015 [6th album from Grammy nominated Iris DeMent who NPR said was ”one of the great voices in contemporary popular music.” The Trackless Woods sets 18 poems by acclaimed 20th century Russian poet Anna Akhmatova to life. Hailed as one of Russia’s finest poets, Akhmatova survived the Bolshevik Revolution, both World Wars and Stalin. She lost family, friends & fellow writers to political killings and labor in the gulags. When Iris randomly stumbled upon Akhmatova’s work in a book of poetry a friend sent as a gift, she was immediately taken by the sorrow and burden of the poems, juxtaposed with Akhmatova’s lightness and transcendence in the face of inhumanity. ”Anna’s gift of song is so strong, about alI I had to do was get really quiet and listen,” says Iris. After reading that first poem the melodies began pouring out of her, and before she even fully understood what was driving her, Iris was gathering musicians & friends, including co-producer Richard Bennett (Emmylou Harris, Neil Diamond, Steve Earle), to record ‘The Trackless Woods’ in her living room over a 5-days. The result is a pairing of piano and voice in Iris’ style with timeless melodies that are rooted in the American South.]

In his review for WHYY’s Fresh Air, Entertainment Weekly Music Editor – Ken Tucker wrote: “Iris DeMent possesses one of the great voices in contemporary popular music: powerfully, ringingly clear, capable of both heartbreaking fragility and blow-your-ears-back power. Had she been making country albums in the ’70s and ’80s and had more commercial ambition, she’d probably now be considered right up there with Loretta Lynn and Tammy Wynette. Instead, she’s lived a contemporary life, a somewhat private life. As she recently told an interviewer, “There’s a lot that goes into life besides songwriting.” And she’s taken her time in composing songs that fit into no genre easily.”

Iris released her 5th album, “Sing The Delta” in 2012, to glowing reviews from the UK publication UNcut, The New Yorker, The Boston Globe, The Chicago Tribune, and was #1 on WMM’s 112 Best Recordings of 2012. And Because we have lost so many great folks in 2016, I find it fitting to end this hour long tribute with “Go On Ahead and Go Home” from Iris DeMent’s album, Sing the Delta. Happy Birthday Iris DeMent. We love you!

15. Iris DeMent – “Go on Ahead and Go Home”
from: Sing The Delta / Flariella / Oct. 2, 2012
[Her first full-length release of original songs since 1996. Iris was our special guest on our Oct 10, WMM.]

11:00 – Station ID

Wednesday MidDay Medley Celebrates Bowie

16. Nico Gray’s Bowie Story – “Thank you Bowie!”
recorded by Nico Gray, Sunday, February 28, 2016

17. James Murphy – “Golden Years”
rom: While We’re Young (Original Soundtrack) / Power Elite / March 23, 2015
[Born February 4, 1970. James Murphy is a musician, producer, DJ, and co-founder of record label DFA Records. His most well-known musical project is LCD Soundsystem. James Murphy was influenced by Bowie and remixed songs for Bowie’s The Next Day Extras, and is credited as a percussionist on Bowie’s Backstar.] [“Golden Years” was written and recorded by David Bowie in 1975, and originally released in a shortened form as a single in November 1975, and in its full-length version in January the following year on, Station to Station. It was the first track completed during the Station to Station sessions, a period when Bowie’s cocaine addiction was at its peak. “Golden Years” was more similar in style to the Young Americans funk/soul material from earlier in 1975 than the rest of Station to Station, that foreshadowed the Kraftwerk-influenced Euro-centric and electronic music that Bowie would move into with his ‘Berlin Trilogy’.]

David Bowie seemed to be from another world. I thought he was immortal. His art kept coming. His influence so vast. He was a guide. So much of my journey, as a queer kid finding my way in the world, was influenced by Bowie.

David Bowie was born January 8, 1947. In school he studied art, music, and design before embarking on a music career in 1963. Over a span of 5 decades, he sold over 140 million records and released 27 studio albums, if count Tin Machine, which you should. His career is notable for his reinvention, his pushing of the boundaries of gender, art and music. He was the first to create a concert tour that was a big as a broadway touring show. He was also an actor in many influencial films including: The Man Who Fell to Earth, The Hunger, Merry Christmas Mr. Lawrence, Basquiat, and 20 other films. He also played John Merrick in The Elephant Man on Broadway. He influenced multiple generations with his music, films, music videos, and concert tours.

Bowie was a gateway to other discoveries: The Velvet Underground, Lou Reed, T-Rex, Iggy Pop, Andy Warhol, Glam Rock, Electronica, Brian Eno, William S. Burroughs, Kraftwerk, Mick Ronson, Tony Visconti, Klaus Nomi, Bauhaus, Gender Expression, and much more.

A year ago on January 10, 2016, two days after he released his 25th solo album, Blackstar, on his 69th birthday, David Robert Jones passed away at home surrounded by his wife Iman, son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman. David Bowie’s death sent shock waves of grief across the world.

For his song, “Sweet Thing,” Bowie first used the William S. Burroughs’ “cut-up style” of writing. Sweet Thing was from Diamond Dogs, Bowie’s 8th album, released May 24, 1974.

11:07

18. Joan As Police Woman – “Sweet Thing”
from: Real Life (B Sides) – EP / Cheap Lullaby Records / June 12, 2007
[Extra tracks from the solo debut recording of Joan Wasser, born July 26, 1970, known by her stage name, Joan As Police Woman. She is an American musician and singer-songwriter. She began her career playing violin with the Dambuilders. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger. Kansas City artist Krystle Warren has toured around the world with her.] [“Sweet Thing” or “Sweet Thing/Candidate/Sweet Thing (Reprise)” is a suite of songs written by David Bowie for the album Diamond Dogs. Recorded in January 1974, the piece comprises the songs “Sweet Thing” and “Candidate” and a one-verse reprise of “Sweet Thing.” In the opening line, “Sweet Thing” contains the lowest note Bowie had recorded in a studio album (C2) until “I Took a Trip on a Gemini Spacecraft” for the album “Heathen” (2002), where he growled the word “Well” (G1) towards the end of the song. Diamond Dogs was the 8th studio album from Bowie, was released May 24, 1974, after the ‘retirement’ of Bowies’s Ziggy Stardust, character. Diamond Dogs featured a new lead character named Halloween Jack, “a real cool cat,” who lives in the decaying “Hunger City”. Bowie, however, still wore the Ziggy haircut on the cover of Diamond Dogs, and the first single, “Rebel Rebel” continues his glam rock sound. However, with the rest of the album, music writers noticed a new Bowie. For his song “Sweet Thing” / “Candidate”/ “Sweet Thing (Reprise)” Bowie first used the William S. Burroughs’ cut-up style of writing. The song “1984” reflected the “plastic soul” sound of Bowie’s next release, Young Americans, from 1975. The Diamond Dogs Tour of 1974 was one of the first huge Rock and Roll, bus and truck tours. Bowie produced the show with a giant set, like a big Broadway production.]

11:10

David Bowie’s song ”Lazarus” was released on December 17, 2015, making it the second single from his twenty-fifth studio album “Blackstar”, as well as his last single released before his death on January 10, 2016. The track is used in Bowie’s off-Broadway musical of the same name. “Lazarus” was Bowie’s first top 40 hit single on the Billboard Hot 100 in more than 28 years. According to Bowie’s producer Tony Visconti, the lyrics and video of “Lazarus” were intended to be a self-epitaph, a commentary on Bowie’s own impending death. In November 2015 during the week of shooting for the Lazarus video, doctors reportedly informed Bowie the cancer was terminal and that they were ending treatment. The video features Bowie, appearing with a bandage and buttons sewn over his eyes, lying on a deathbed and finishes with Bowie retreating into a dark wardrobe. In the scenes featuring the wardrobe, Bowie is wearing a diagonally striped suit referencing the back cover of the 1991 CD reissue of the Station to Station album, where he is pictured sitting on the floor drawing the kabbalistic Tree of Life.

11:11

19. David Bowie – “Lazarus”
from: Blackstar / ISO Records – Columbia / January 8, 2016
[Lazarus features David Bowie on vocals, acoustic guitar, and Fender guitar; Donny McCaslin on saxophone, flute, and woodwind; Jason Linder on piano, Wurlitzer organ and keyboards; Tim Lefebvre on bass; Mark Guiliana on drums. McCaslin and the rest of the jazz group recorded their parts in the studio over a period of about one week a month from January to March 2015, and until later in recording were unaware of Bowie’s declining health. The song “Lazarus” is part of Bowie’s Off-Broadway musical of the same name. The album has received universal critical acclaim and commercial success, reaching the number one spot in a number of countries in the wake of Bowie’s death and becoming his first album to reach number one on the Billboard 200 album chart in the U.S. Blackstar is the twenty-fifth and final studio album by musician, writer, actor, chameleon, David Bowie. It is the 27th when you count the Tin Machine records, which you should. The album was released worldwide on January 8, 2016, on Bowie’s 69th birthday, and just two days later David Robert Jones passed away at home surrounded by his wife Iman, and his son Duncan Jones from his marriage to Angela Bowie, and daughter Alexandria from his marriage to Iman.]

[The Band Who Fell To Earth – A Tribute to David Bowie, is Saturday, January 6, at 8:00 PM, at recordBar, 1520 Main St.]

Katy Guillen & Michelle Bacon of The Band that Fell To Earth, on the January 3, 2018 edition o f Wednesday MidDay Medley on KKFI 90.1 FM.

10:18 – Interview with Michelle Bacon & Katy Guillen

Multi talented, musician and writer, Michelle Bacon, is Content Writer at 90.9 The Bridge, where she helps to shine a light on area musicians and events. Michelle Bacon works as a freelance writer and has written for The Kansas City Star, The Deli Magazine KC, and Folk Alliance International. Michelle Bacon plays drums and sings harmony vocals with Chris Meck and the Guilty Birds. She also plays with Heidi Lynne Gluck. Last year she also performed and recorded music with, Erica Joy, The Blackbird Revue, John L. Johnson, and Nathan Corsi.

Michelle Bacon is the producer and organizer of The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, 2018 at 8:00 PM, at recordBar, 1520 Grand Blvd, KCMO. A portion of ticket sales will benefit Harmony Project KC, a music education and mentorship program for children in underserved communities in KCMO

Michelle Bacon, thanks for being with us on Wednesday MidDay Medley

Katy Guillen is known as one of Kansas City premiere musicians and the lead singer and guitarist for the critically acclaimed blues influenced roots rock trio, Katy Guilen and the Girls, formed in September of 2012. On November 11 Katy Guillen and The Girls released their newest full length release, “Remember What You Knew Before.” a collection of reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls debut album, and from theoir 2016 “Heavy Days” with one new song.

Katy Guillen, thank you for being with us on Wednesday MidDay Medley.

The band was curated by musician/writer Michelle Bacon to pay homage to the groundbreaking artist while showcasing talent across Kansas City’s vast musical spectrum.
The thir annual With Bowie’s untimely passing only three weeks before the inaugural concert, the event garnered an attendance of more than 800 at the Uptown Theater, and generated press from KCPT, The Kansas City Star and various radio stations, along with high demand for an annual show.

Core members:

Alex Alexander – guitar
Michelle Bacon – bass
Nathan Corsi – vocals/guitar
Kyle Dahlquist – keys
Katy Guillen – guitar
Steve Tulipana – vocals
Stephanie Williams – drums

2017-18 auxiliary members:

Christine Broxterman – cello
Havilah Bruders – backing vocals
Betse Ellis – violin (2016-18)
Camry Ivory – backing vocals
Matt Ronan – percussion
Rich Wheeler – saxophone (2016-18)

10:26

20. David Bowie – “Boys Keep Swinging”
from: Lodger / RCA / May 18, 1979
[Written by David Bowie. It was released as a single from the album Lodger on April 27, 1979. During the Lodger recording sessions, Bowie had wanted to capture a garage band style for the track, and agreed with Brian Eno that the best way to achieve this sound was to get the band to swap instruments after this was ‘suggested’ by Eno’s deck of ‘Oblique Strategies’ cards which supplied the suggestion “Reverse Roles”. Guitarist Carlos Alomar played drums and drummer Dennis Davis played bass. RCA decided against releasing the single in the US, choosing “Look Back in Anger” instead. Bowie performed the track with a puppet body special effect on Saturday Night Live on December 15, 1979, joined by Klaus Nomi and Joey Arias as backing singers. During the broadcast NBC censors muted the lines “life’s a pop o’the cherry” and “other boys check you out”, but failed to notice the puppet’s bouncing phallus at the close of the song. It was performed only during one tour, the 1995 Outside Tour. Interviewed in 2000, Bowie said the following about the song: “I do not feel that there is anything remotely glorious about being either male or female. I was merely playing on the idea of the colonization of gender.”]

10:29

We are talking with Michelle Bacon & Katy Guillen about The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, 2018 at 8:00 PM, at recordBar, 1520 Grand Blvd, KCMO. A portion of ticket sales will benefit Harmony Project KC, a music education and mentorship program for children in underserved communities in KCMO

Michelle Bacon & Katy Guillen, thanks for being with us on Wednesday MidDay Medley

“Bowie is a reminder that art and music and life are about adaptation, change and exploration,” said Steve Tulipana, one of the group’s lead vocalists.

Production crew:
American Sign Language interpretation: E. Peige Turner
Video projections: Steve Gardels (XO Blackwater)
Sound engineer: Mark “Buzz” Collins
Lighting: Canyon McClung

Last year, on the second annual show on January 7, 2017, at recordBar, the sold-out raised nearly $1000 that was donated to the AIDS Service Foundation of Greater Kansas City.

10:35

Michelle Bacon & Katy Guillen thanks for being with us on Wednesay MidDay Medley

The Band That Fell To Earth: A Tribute to David Bowie 2017, Saturday, January 6, at doors open at 8:00, at recordBar, 1520 Grand Blvd, KCMO.

10:37

21. David Bowie – “John, I’m Only Dancing”
from: John. I’m Only Dancing – Single / RCA / April , 1973 (sax version)
[“John, I’m Only Dancing” is a single by David Bowie, released in two versions — entirely different recordings, but carrying the same catalogue number — in September 1972 and April 1973. Bowie later re-worked the song into the disco-influenced “John, I’m Only Dancing (Again),” recorded in 1974, but unreleased until 1979. The song is widely believed to be concerned with a gay relationship, the narrator informing his boyfriend not to worry about the girl he’s with because he’s “only dancing” with her. Bowie had been ‘out’ as bisexual since an interview with Melody Maker in January 1972, and the subject matter did not affect the single’s radio airplay in the UK, where it and the earlier “Starman” became his first back-to-back hits. However, the original video directed by Mick Rock, featuring androgynous dancers from Lindsay Kemp’s mime troupe, was banned by Top of the Pops. The single was not released in America, being judged too risqué by RCA and did not officially appear stateside until it was finally issued on the compilation Changesonebowie in 1976. While the hook (“John, I’m only dancing / She turns me on / But I’m only dancing”) has long been considered a gay tease, author Nicholas Pegg asserts that the song’s narrator “could just as easily be a straight man reassuring the girl’s lover”. Alternatively, it has been suggested that Bowie wrote the song in response to a derogatory comment made by John Lennon about Bowie’s cross-dressing. Musically in a light R&B style, the track was recorded on June 26, 1972, released as a single, and then re-recorded on January 20, 1973 during the Aladdin Sane sessions, in a slightly different arrangement featuring Ken Fordham on saxophone. Often called the “sax version”, the second recording was issued as a single in April 1973 with exactly the same catalogue number as the first release, causing difficulties for collectors. Generally held to be superior to the original cut, the sax reworking also appeared on early pressings of Changesonebowie before it was replaced with the original single version. In 1974, a completely reworked funk-influenced version was recorded as “John, I’m Only Dancing (Again)”, made during the sessions for the album Young Americans. Released in December 1979, the re-recording featured a much more funk-influenced take on the track, and has some similarities with the song “Stay” recorded for the Station to Station album in 1976. Originally running at 6:57, the track was cut for a 7″ single release, but the full version was issued on 12″ vinyl – the first Bowie single to have a regular 12″ release in the UK. For the B-side, the original version of “John, I’m Only Dancing” was remixed. After the relative disappointment of the singles from Lodger on the charts, the single gave Bowie some greater degree of mainstream exposure during a period when his work was increasingly being perceived as esoteric and experimental. The long 12″ version was included as a bonus track on the 1991 Rykodisk/EMI remaster CD of Young Americans, on the 2007 collectors edition of the album, and on The Best of David Bowie 1974/1979. The 7″ single version was not released on CD until 2016’s Who Can I Be Now? (1974-1976).]

10:40

You are listening to Wednesday MidDay Medley’s Tribute to David Bowie on 90.1 FM. Our next story comes from our talented friend, singer, songwriter, Krystle Warren, who has worked with some of the musical artists we’ve played today, including Joan As Police Woman. Krystle sent us her story from France, where she now lives.

22. Krystle Warren’s Bowie Story – “Always be genuine in your expression”
recorded by Krystle Warren in Paris, February 2016

10:42

Our next story, about Bowie, comes from one of his biggest fans, Ben Grimes, founder of two influential KC bands: Soft Reeds and The Golden Republic. Ben Grimes now lives with his family in Los Angeles, where he recorded this story for us, along with sharing a special track, written by Bowie, from the 1977 album Low, of the Berlin Trilogy, and recorded by Ben’s band Soft Reeds.

23. Ben Grimes Bowie Story – “You are Never Stuck In One Thing”
recorded by Ben Grimes, Sunday, February 28, 2016

10:47

24. Soft Reeds – “Sound and Vision”
from: unreleased track recorded during the sessions for Soft Reeds album ‘Blank City’
[Blank City was Soft Reeds second album, released by The Record Machine on April 23, 2013. Produced at Element Recording with Joel Nanos. Soft Reeds is the brainchild of Ben Grimes (formerly of Astralwerks’ The Golden Republic), a Chicago native whose roots grip firmly in the ’77 Berlin sounds of Brian Eno, David Bowie and Iggy Pop, with Austin, TX native Josh Wiedenfeld on drums, Beckie Trost, a fellow Chicagoan and childhood friend of Grimes on bass, and KC native John Mitchell on guitar, saxophone, keys.]

10:52 – Underwriting

We end the show with one of my favorite Bowie songs, from one of my favorite Bowie albums, from 1971’s, Hunky Dory, here’s “Kooks.”

The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, at 8:00, at recordBar, 1520 Grand Blvd, KCMO.

For Wednesday MidDay Medley I’m Mark Manning. Thanks for listening!

25. David Bowie – “Kooks”
from: Hunky Dory / RCA / June 11, 2002
[“Kooks” is a song written by David Bowie, which appears on his 1971 album Hunky Dory. Bowie wrote this song to his newborn son Duncan Jones. The song was a pastiche of early 1970s Neil Young because Bowie was listening to a Neil Young record at home on 30 May 1971 when he got the news of the arrival of his son. British indie band The Kooks named themselves after the song. Hunky Dory is the fourth studio album by the English musician David Bowie, released on 17 December 1971 by RCA Records. It was his first release through RCA, which would be his label for the next decade. Hunky Dory has been described by AllMusic’s Stephen Thomas Erlewine as having “a kaleidoscopic array of pop styles, tied together only by Bowie’s sense of vision: a sweeping, cinematic mélange of high and low art, ambiguous sexuality, kitsch, and class”. The album has received critical acclaim since its release, and is regarded as one of Bowie’s best works. Time chose it as part of their “100 best albums of all time” list in January 2010, with journalist Josh Tyrangiel praising Bowie’s “earthbound ambition to be a boho poet with prodigal style”. The style of the album cover, designed by George Underwood, was influenced by a Marlene Dietrich photo book that Bowie took with him to the photo shoot. With new bass player Trevor Bolder replacing Tony Visconti, Hunky Dory was the first production featuring all the members of the band that would become known the following year as Ziggy Stardust’s Spiders From Mars. Also debuting with Bowie, in Visconti’s place as producer, was another key contributor to the Ziggy phase, Ken Scott. The album’s sleeve would bear the credit “Produced by Ken Scott (assisted by the actor)”. The “actor” was Bowie himself, whose “pet conceit”, in the words of NME critics Roy Carr and Charles Shaar Murray, was “to think of himself as an actor”.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next Week on Wednesday, Jan 10, we present: “Remembering MLK” to celebrate Dr. Martin Luther King, Jr., born January 15, 1929. We’ll play music from: The Isley Brothers, Curtis Mayfield, Mahalia Jackson, Sweet Honey in The Rock, Tramaine Hawkins, Ella Mitchell, Billy Porter, Solomon Burke, Nina Simone, Pops Staples, Mavis Staples, The Staple Singers, Thelonius Monk Septet, Pete Seeger, Sarah Lee Guthrie & Johnny Irion, Sharon Jones & The Dap-Kings, Labelle, Darwin Hobbs & Karen Clark-Sheard, Bobby Watson & The I Have a Dream Project.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #715

WMM Playlist from May 29, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 29, 2013

That’s Soooo Gay! (Our Annual Gay Pride Show)
+ Jamie Rich & Kansas City LGBT Film Festival – Out Here Now
+ Kristie Stremel & Girls With Guitars

1. Judy Garland – “Intro / Keep Your Sunny Side Up”(outtake)
from: The Judy Garland Show – the show that got away /Hip-O/2002 [orig. taped June 24, 1963]

2. RuPaul – “The Beginning”
from: Glamazon / RuCo / April 25, 2011
[RuPaul Andre Charles (born November 17, 1960), best known as simply RuPaul, is an American actor, drag queen, model, author, andrecording artist, who first became widely known in the 1990s when he appeared in a wide variety of television programs, films, and musical albums. Previously, he was a fixture on the Atlanta and New York City club scenes during the 1980s and early 90s. RuPaul has on occasion performed as a man in a number of roles, usually billed as RuPaul Charles. RuPaul is noted among famous drag queens for his indifference towards the gender-specific pronouns used to address him—both “he” and “she” have been deemed acceptable. “You can call me he. You can call me she. You can call me Regis and Kathie Lee; I don’t care! Just as long as you call me.” He hosted a short-running talk show on VH1, and currently hosts reality television shows RuPaul’s Drag Race and RuPaul’s Drag U.]

3. Bronski Beat – “Small Town Boy”
from: Age of Consent / London / 1984
[Debut single of English synth-pop group. The song is apopular gay anthem and reached number 3 in the UK, number one in Holland, Italy, top 10 in Australia, Canada, France, Switzerland, and number 48 in the U.S.]

4. Dos Fallopia (Lisa Koch) – “Definition: Lesbian”
from: My Breasts Are Out Of Control / Tongueincheek Records/ 1994

5. Company – “Opening: I Hope I Get It”
from: A Chorus Line – Original Cast Recording / Columbia /1975

6. Dos Fallopia (Lisa Koch) – “Definition: Equal Rights”
from: My Breasts Are Out Of Control / Tongueincheek Records/ 1994

7. Divine – “You Think You’re A Man (7″ Mix)”
from: Essential Divine / RTR / 2006

8. Dos Fallopia (Lisa Koch) – “Definition: ProChoice”
from: My Breasts Are Out Of Control / Tongueincheek Records/ 1994

9. Al Franken and Phil Hartman – “Daily Affirmation Theme”
from: Original Soundtrack to: Stuart Saves His Family /Milan / 1995

10. Hedwig & The Angry Inch – “Tear Me Down”
from: Original Motion Picture Soundtrack to Hedwig & The Angry Inch / Hybrid / 2001

10:13 – That’s Sooo Gay

11. The BTC Orchestra – “The Liberace Fanfare”
from: Behind The Candelabra (Music from the HBO Original Film) / Elektra / May 20, 2013
[2013 American drama film directed by Steven Soderbergh about the life of pianist Liberace and the secret affair he had with young Scott Thorson, based on Thorson’s memoir, Behind the Candelabra: My Life With Liberace (1988). It premiered at the 2013 Cannes Film Festival on May 21, 2013. It aired on HBO on May 26, 2013. It will not be released theatrically in the United States. It will be released theatrically June 7, 2013 in the United Kingdom. The film features Michael Douglas as Liberace and Matt Damon as Scott Thorsen.]

Liberace

Liberace

12. Liberace – “The Impossible Dream” [Vinyl]
from: Liberace Sends You Love [3 record set] / Brookville Records – ABC Records / 1974
[Born in West Allis, Wisconsin, his career spanned four decades of concerts, recordings, motion pictures, television, and endorsements, Liberace became world-famous. During the 1950s–1970s he was the highest-paid entertainer in the world and embraced a lifestyle of flamboyant excess both on and off stage. He publicly denied being gay during his lifetime, and sued those who said he was. Towards the end of his life his chauffeur, Scott Thorson, sued him for palimony. He died of an AIDS-related illness in 1987.]

13. Jim Nabors -“It Takes All Kinds To Make The World Go Round”
from: Gomer Pyle U.S.M.C. / Sony / 1965
[Jan. 29, 2013, Hawaii News Now reported that Jim Nabors married his partner of 38 years, Stan Cadwallader, at Seattle, Washington’s Fairmont Olympic Hotel, Jan. 15, a month after same-sex marriage became legal in Washington. An urban legend maintains that Nabors married Rock Hudson in the early ’70s, shortly before Nabors began his relationship with Cadwallader. At least publicly, the two were never more than friends. According to Hudson, the legend originated with a group of “middle-aged homosexuals who live in Huntington Beach” who sent out joke invitations for their annual get-together. One year, the group invited its members to witness “the marriage of Rock Hudson & Jim Nabors,” at which Hudson would take the surname of Nabors’ most famous character, Gomer Pyle, becoming “Rock Pyle.”Those who failed to get the joke spread the rumor. Hudson was also gay but closeted, and because of the fear that one or both of them might be outed, Nabors & Hudson never spoke to each other again.]

14. Paul Lynde, Maureen Stapleton, Dick Van Dyke, Bryan Russell – “Kids”
from: Original Motion Picture Soundtrack to Bye Bye Birdy / RCA – BMG / 1960
[Paul Lynde’s sexual orientation was an open secret in Hollywood, although, in keeping with the prejudices of the time, it was not acknowledged or discussed in public. In a 2013 radio interview, Dick Van Dyke recalled the wrap party for Bye Bye Birdie. A series of men gave short speeches, each one praising Ann-Margret and predicting success and stardom for the young actress. When it was Paul Lynde’s turn to speak, he began, “Well, I guess I’m the only one here who doesn’t want to fuck Ann-Margret.” In 1965, Lynde was involved in an accident in which a young actor, reputed to be his lover, fell to his death from the window of their hotel room in San Francisco’s Sir Francis Drake Hotel. The two had been drinking for hours before 24-year-old James “Bing” Davidson slipped and fell eight stories, an event witnessed by two policemen, yet the event was largely kept out of the press, thus saving Lynde’s career. Despite his campy television persona, Lynde never publicly came out as gay and the press generally refrained from commenting about it. In 1976, a People magazine article on Lynde featured him and Stan Finesmith; the latter was dubbed Lynde’s “suite mate” and “chauffeur-bodyguard.” In the 1970s, this was as close as the press would come to hinting at his sexuality.]

15. Noel Coward – “What’s Going To Happen To theTots”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[Born Dec. 16, 1899 / died Mar. 26, 1973. English playwright, composer,director, actor and singer, known for his wit, flamboyance, and what Time magazine called “a sense of personal style, a combination of cheek and chic, pose and poise”. Coward did not publicly acknowledge hishomosexuality, but it was discussed candidly after his death by biographers including Graham Payn, his long-time partner, and in Coward’s diaries &letters, published posthumously.]

16. Charles Nelson Reilly, Claudette Sutherland, Company -“Coffee Break”
from: How To Succeed in Business Without Really Trying /Victor / 1961

10:27 – Underwriting

10:28 – Interview with Jamie Rich

One of the area’s longest-running and best-attended community film events, The Kansas City LGBT Film Festival – Out Here Now, is expanding to eight days for its 14th Annual showcase, held June 20-27, at The Tivoli Cinema in Westport. For more information, or to watch trailers & previews, you can visit: OutHereNow.com.

10:49

18. Lou Reed and John Cale – “Small Town”
from: Songs For Drella / Sire – Warner Bros. / 1990
[Dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol’s crowd. The song cycle focuses on Warhol’s interpersonal relations and experiences, with songs falling roughly into three categories: Warhol’s first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.]

19. David Bowie -“Kooks”
from: Hunky Dory / RCA – (Rycodisk – Virgin – Sony) / 1971
[David Bowie wrote this song to his newborn son Duncan Jones. The song was a pastiche of early 1970s Neil Young. Bowie was listening to a Neil Young record at home as he got the news of the arrival of his son. British indie band The Kooks named themselves after the song. Duncan Jones was born May 30, 1971. Tomorrow is his birthday! Duncan Jones has become a successful film director best known for directing the award-winning science fiction films Moon (2009) and Source Code (2011).]

20. Klaus Nomi – “Ding Dong”
from: Simple Man / RCA – BMG / November 1982
[Klaus Sperber in Immenstadt, Bavaria, Germany on Jan 24,1944. In the 1960s, he worked as an usher at the Deutsche Oper in West Berlin where he sang for the other ushers and maintenance crew on stage in front of the fire curtain after performances. Nomi moved to NYC in 1972. In the late 1970s while performing at Club 57, The Mudd Club, The Pyramid Club, and other venues, Nomi assembled a group of up-and-coming models, singers, artists, and musicians to perform live with him, which at times included Joey Arias, Jean-Michel Basquiat, Keith Haring, John Sex and Kenny Scharf. He also appeared on Manhattan Cable’s TV Party. David Bowie heard about Nomi’s performances in New York and soon met him and Joey Arias at the Mudd Club. Bowie hired them as performers and backup singers for his appearance on Saturday Night Live which aired on December 15, 1979. The band performed “TVC 15”, “The Man Who Sold the World”, and “Boys Keep Swinging”. During the performance of “TVC 15”, Nomi and Arias dragged around a large prop pink poodle with a television screen in its mouth. Nomi was so impressed with the plastic quasi-tuxedo suit that Bowie wore during “The Man Who Sold the World” that he commissioned one to be made for himself. Nomi can be seen wearing the suit on the cover of his self-titled album, as well as during anumber of his music videos. Nomi wore his variant of the outfit, in monochromatic black-and-white with spandex and makeup to match, until the last few months of his life. Klaus Nomi released his second album, Simple Man, in November 1982.]

21. Judy Garland – “Half – Time Tags”(sponsor announcement)
from: The Judy Garland Show – the show that got away / Hip-O / 2002 [orig. taped June 24, 1963]

11:00 – Station ID

21. Judy Garland – “Half – Time Tags” (sponsor announcement)
from: The Judy Garland Show – the show that got away / Hip-O / 2002 [orig. taped June 24, 1963]

22. Sharon Needles – “Call Me On The Ouija Board”
from: PG-13 / Sharon Needles / January 29, 2013
[Sharon Needles was born Aaron Coady on November 28, 1981 in Newton, Iowa. He has been candid in discussing his childhood years growing up in Iowa as a difficult time when he faced anti-gay and anti-“outsider” harassment, which prompted him to drop out of school before he could complete his high school education. In 2004, Needles moved to Pittsburgh, Pennsylvania, where he began working as a professional drag performer in nightclubs and various other venues. Needles rose to prominence on the 4th season of the Logo TV reality competition series, RuPaul’s Drag Race where he was crowned “America’s Next Drag Superstar” in April 2012.]

23. The Kinsey Sicks – “Toucha Touch Me – Tsa Security”
from: Electile Dysfunction / The Kinsey Sicks / May 8, 2012
[Based on their hit musical, “ELECTILE DYSFUNCTION: THE KINSEY SICKS FOR PRESIDENT,” The Kinsey Sicks were formed in 1993, by original members: Ben Schatz (“Rachel”) is a Harvard-trained civil rights lawyer, former Director of the national Gay and Lesbian Medical Association, and one-time presidential advisor on HIV issues, who created the first national AIDS legal project and authored Clinton’s HIV policy during the 1992 presidential campaign, and Irwin Keller (“Winnie”) is a University of Chicago-trained lawyer and linguist and former director of the AIDS Legal Referral Panel of the San Francisco Bay Area, who authored Chicago’s gay rights ordinance, passed into law in 1989. In 2004, the Kinsey Sicks were joined by actor/singer/designer Jeff Manabat, who is responsible for Trixie’s inordinate glamour and soaring counter-tenor, as well as the entire group’s hot couture. Beginning in October of 2008, the Kinsey Sicks are joined by the hilarious and talented Spencer Brown (“Trampolina”), a Kansas City-based actor and singer, already known for his drag character Daisy Buckët (pronounced, of course, “bouquet”).]

24. The Sleazebeats – “Goosesteppin’ Nazis”
from: The Sleazebeats / Independent / Jan. 1, 2012
[Charlie Colborne – keyboards, guitar, vocals; Bill Belzer -drums; Jeff Harshbarger – bass; Recorded at More Famouser Studios w/ Mike Nolte engineer, mixing, mastering the recordings. The Sleazebeats have played Live on the show on several occassions.]

For many Queer Kids growing up in small towns, in rural areas, during the 1970s and 1980s and 1990s, The CBS broadcast of the annual Tony Awards was the biggest night of LGBT programming. One of this year’s most nominated shows, “Kinky Boots” is the recipient of 13 Nominations, including: Best Musical, Best Book of a Musical – Harvey Fierstein, Best Original Score (Music and/or Lyrics) Written for the Theatre – Cyndi Lauper, Best Performance by an Actor in a Leading Role in a Musical – Billy Porter, Best Direction of a Musical – Jerry Mitchell, Best Choreography – Jerry Mitchell. The Tony Awards, hosted by Neil Patrick Harris, Sunday, June 9, at 7:00 on CBS Television!

25. Billy Porter & Stark Sands – “Everybody Say Yeah!”
from: Kinky Boots (Soundtrack) / Sony – Kinky Boots LLC /May 28, 2013

11:15 – Interview with Kristie Stremel and Chynsia Hinesley

26. Kristie Stremel& The 159ers – “Clementine”
from: Color of Stars / Stremeltone Records / August 21,2010
[Rob VanBiber drums, Scott Cameron guitar, James Wheeler bass, Kristie Stremel lead vocals. Produced by Lou Whitney in Springfield, MO. All Songs Written By Kristie Stremel & The 159ers. Kristie Stremel & The 159ers played live on our show on October 13, 2010.]

11:20

Kristie Stremel and Chynsia Hinesley joined us to talk about Kristie’s new recordings, and also to give us all the details about: Girls With Guitars – Acoustic Vibrations, June 15, 7:00 pm, at Uptown Theatre, 3700 Broadway, featuring: Kristie Stremel from KC/Lawrence, Jen Foster from Nashville, Summer Osborne from St. Louis, and Corday from Los Angeles. Dirty Dorothy will serve as emcee. The show is produced by DYCON Productions, LLC.

11:23

27. Kristie Stremel & James Johann – “Don’t Do Crazy Anymore”
from: Don’t Do Crazy Anymore – Single / Stremeltone Records/ April, 2013

11:26

Girls With Guitars, June 15, 7:00 pm, at Uptown Theatre, 3700 Broadway, The performers include both local and national artists who are iconic in the lesbian scene and in the independent music industry. Dirty Dorothy will serve as emcee.

Girls With Guitars features: KC & Lawrence based Kristie Stremel. Described as “Joan Jett & Tom Petty’s lovechild,” armed with her guitar, fueled by coffee, and over 70 published songs, Stremel continues to tour with a band and as a solo acoustic. Stremel is described as “Aggressive and provocative, the singer/guitarist leans into her material with the passion of a true believer” by Jim Musser of Harp Magazine.

With her band the 159ers she received the Pitch newspaper’s prestigious Kansas City/Lawrence Area Music Award for both Best New Band and Band of the Year. She has also won the “Best Female Vocalist” in Kansas City awarded by The Pitch Weekly.

After a decade of playing music, singer/songwriter Kristie Stremel and her former band mates from Exit 159 (drummer Rob VanBiber and bassist Jamey Wheeler), along with lead guitarist Scott Cameron, reunited to form Kristie Stremel & The 159ers. After a year of writing new material, “Color Of Stars” (Stremeltone Records) was released Aug. 31, 2010. This 12 song offering, recorded in Springfield, MO and Produced by Lou Whitney.”

Recently Stremel has released several singles including “Don’t’ Do Crazy Anymore” a duet with James Johan and “Ten Little Hens” a song she wrote for kids. She is currently working on a new project and “Getting fired up to record a new album! New songs with some old pals!” So far only her dogs have had the privilege of hearing her new songs.

Jen Foster, from Nashville, TN, an award-winning singer/songwriter who regularly sells out shows across the country. Her video for “Closer To Nowhere” went to #1 on the LOGO Channel and stayed in their Top 10 list for 6 months as well as being a featured song on MTV’s “The Hills.” Her voice has been compared to Sheryl Crow, Tracy Chapman and the Cranberries’ Dolores O’Riordan, just released “You Stayed”, an EP recording that is atribute to her loving and loyal fans.

Corday will be flying in from Long Beach, CA. Corday has performed at events including Dinah Shore in Palm Springs, Womenfest in Key West, L.A., Sweet Lesbian Cruises, and numerous Gay Pride Festivals. Corday’s latest full-length studio album, Weekend Warrior, is available now on iTunes. The title track snagged Best DIY Video at the RightOutTV Awards. The new album includes the song “Coming Undone,” as heard in the lesbian film “Elena Undone”. Recently Corday just penned “Second Shot” for placement as the theme song in the new lesbian series Second Shot, starring Jill Bennett. Corday is the rock and roll front-woman of her all girl band Kiss Me Deadly, but also has a softer side, as winner of Best Female Acoustic Act and Best Live Band at the Orange County Music Awards.

St. Louis based singer songwriter Summer Osborne has been performing on stage since the age of four. She has been performing her original music since 2005, releasing 7 full-length albums and an EP. Since 2009, Summer has been constantly on tour playing Pridefests in St. Louis, Vancouver, Columbia, Memphis, Springfield, Lexington, Belleville. Summer is a champion of the KC HRC Battle of The Babes – Acoustic Stage. Summer has shared the stage with The Indigo Girls, God-Des and She, Tiffany, Jen Foster, Sugarbeach, The Cliks, Crystal Waters, Betty, Martha Wash, RJ Helton, Jennifer Holliday, Kimberley Locke, Tret Fure, and Shannon Curtis. Her new album “As I Am” will be out soon.

Girls With Guitars, is Saturday, June 15, 7:00 pm, at Uptown Theatre, 3700 Broadway, featuring: Kristie Stremel from KC/Lawrence, Jen Foster from Nashville, Summer Osborne from St. Louis, and Corday from Los Angeles. Dirty Dorothy will emcee. The show is produced by DYCON Productions, LLC.Tickets available through Ticketmaster, Uptown Theatre. Info at: dyconproductions.com, or uptowntheatre.com

11:30

28. Summer Osborne –“I Love Your Shine”
from: The Scenic Route / Summer Osborne / June 23, 2012

11:35 – Underwriting

10:36 – Tribute to Larry Kramer

The day Larry Kramer hugged me. The day before the National March on Washington, 1993. It was outside the Capitol Building where Larry Kramer had just passionately delivered a speech to a crowd of LGBT Activists. ACT UP had just organized us in wrapping a giant red ribbon around the Capitol Building. After the building was wrapped, the ribbon broke into hundreds of little pieces. I attached my piece to my ACT UP KC button.

The day Larry Kramer hugged me. The day before the National March on Washington, 1993. It was outside the Capitol Building where Larry Kramer had just passionately delivered a speech to a crowd of LGBT Activists. ACT UP had just organized us in wrapping a giant red ribbon around the Capitol Building. After the building was wrapped, the ribbon broke into hundreds of little pieces. I attached my piece to my ACT UP KC button.

The 67th Annual Tony Awards, will present the Isabelle Stevenson Award to Larry Kramer.

If you believe theatre can change the world, it may be because you know of Larry Kramer.

American playwright, author, public health advocate, and LGBT rights activist, Larry Kramer was born June 25, 1935. He began his career rewriting scripts for Columbia Pictures, which led him to London where he worked with United Artists and earned an Academy Award nomination for the screenplay of “Women in Love” in 1969.

In 1980 and 1981 Larry Kramer began to witness many his friends becoming sick and dying from the spread of an unknown disease, that became known as Acquired Immune Deficiency Syndrome (AIDS). He co-founded the Gay Men’s Health Crisis, which has become the largest private organization to assist people living with AIDS in the world.

Larry Kramer co-founded the AIDS Coalition to Unleash Power (ACT UP) in 1987, a direct action, multi-faceted, protest organization credited with changing public health policy and perception of people living with AIDS, HIV and AIDS-related diseases.

Based on his own struggles, in the early years of the AIDS crisis, Larry Kramer wrote about his frustrations with our government’s lethargic response, to do anything to help. Larry Kramer was also frustrated by the gay community itself, criticizing gay men who he felt were in denial of what was killing them. From all of this came Larry Kramer’s nearly auto-biographical play, “The Normal Heart” that focused on the rise of the HIV-AIDS crisis in New York City between 1981 and 1984, as seen through the eyes of writer/activist Ned Weeks, a gay Jewish-American founder of a prominent HIV advocacy group. Ned was known and disliked for his loud, angry, public confrontations, in contrast to the calmer, more private strategies favored by his associates, friends, and closeted lover Felix Turner.

The Normal Heart was produced by Joesph Papp at The PublicTheater in NYC in 1985, in a critically acclaimed Off-Broadway run that starred Brad Davis in the role of Ned Weeks.

In Kansas City, no professional theatre would do this show. The Normal Heart was produced independently in the Summer of 1991, as the very first production of Actors & Artists Against AIDS, Directed by John McCrite, staged with a cast of professional actors, in the basement of Unity Temple on The Plaza, the production earned critical acclaim and $10,000.00 in ticket sales from 8 performances, all to benefit The Good Samaritan Project.

Later, the play was revived in Los Angeles and London and again Off-Broadway in 2004. The Normal Heart made it’s Broadway debut, in April 2011, winning the Tony Award for Best Revival of a Play. This year The Normal Heart will launch a national tour. Julia Roberts, Jim Parsons, Matt Bomer and Alec Baldwin are joining Mark Ruffalo in the upcoming film of THE NORMAL HEART. Larry Kramer will adapt his script for the movie, and Ryan Murphy, best known for creating GLEE, is set to direct the film.

10:39

29. The Cast – “Scene 16: Felix’s Hospital Room”
from: The Normal Heart a play by Larry Kramer – The Broadway Benefit Reading / Broadway Cares – Equity Fights AIDS / 1994
[The Cast is: Jonathan Hadary reading stage directions, Eric Bogosian as Ned Weeks, D.W. Moffett as Felix Turner, Stockard Channing as Dr. Emma Brookner, and Tony Roberts as Ben Weeks. The Broadway Benefit Reading was directed by Jerry Zaks with an inroduction by Barbara Striesand. Performed live, as a staged reading on April 18, 1993.]

30. Michael Callen – “Love Don’t Need a Reason”
from: Purple Heart / Significant Other / 1988
[In partnership with Oscar winner Peter Allen and Marsha Melamet, Michael Callen wrote his most famous song, “Love Don’t Need a Reason”, which he sang frequently at gay pride and AIDS-related events around the country. Michael Callen (b. April 11, 1955) was a singer, songwriter, composer, author, and AIDS activist. He was a significant architect of the response to the AIDS crisis in the United States. First diagnosed with “Gay related immune deficiency” (GRID) in 1982, Callen quickly became a leader in the response to the epidemic. He was a founding member of the People With AIDS Self-Empowerment Movement among other organizations, and he testified before the President’s Commission on AIDS and both houses of the United States Congress. He was a founding member of the gay male a cappella singing group The Flirtations, with whom he recorded two albums. He also had a solo album, Purple Heart, which a review in The Advocate called “the most remarkable gay independent release of the past decade.” During the last year of his life, Callen recorded over 40 songs. On December 27, 1993, Michael Callen died of AIDS-related complications in Los Angeles, California, at the age of 38.]

31. The Magnetic Fields – “I Think I Need A New Heart”
from: 69 Love Songs / Merge Records / June 8, 1999

32. Harvey Fierstein – “I Am What I Am”
from: Being Out Rocks / Centaur Entertainment /Oct. 9, 2007
[La Cage Aux Folles music & lyrics by Jerry Herman]

33. Patti LaBelle – “Somewhere Over The Rainbow”
from: Live: One Night Only / Columbia / 1996

11:59:30

34. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Sources for notes on tracks: artist’s websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #475