WMM Playlist from April 18, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 18, 2018

Bach Aria Soloists + Amy Farrand
+ Outer Reaches Explores The World + Thee Devotion

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Hi-Lux – “Dance With My Baby”
from: Hi-Lux – EP / Hi-Lux / Februay 1, 2018
[Originally released as a digital single on June 16, 2017. Then released as a 7 inch Vinyl 45 rpm single with b/w “Don’t Blame Me” on Sunflower Soul Records on January 5, 2018. Now included in this 6 song EP released February 1, 2018. This was part of a series of Single releases from the band. Julia Haile told us that each single demonstrates the different influences of individual members of the band, showing their range from reggae, funk, pop, R&B, and dance. HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in KC. More info at: http://www.hi-lux.bandcamp.com]

[Hi-Lux plays Third Thursday at The Nelson Atkins Musieum of Art, 4525 Oak, KCMO, Thursday, April 19, 6:00 to 9:00 PM.]

[Hi-Lux plays Day-2 of Mills Record Company’s Record Store Day Celebration, on Sunday, April 22, w/ Instant Karma, & Bad Dreamer, 4:30-6:00 PM. Mills Record Company is at 4045 Broadway.]

[Record Store Day is Saturday, April 21, starting in most stores at 7:00 AM – Mills Record Company, Records With Merritt, Josey Records, and Revolution Records in the East Crossroads, Brothers Music in Mission Kansas, Vinyl Renaissance in Overland Park Kansas, Love Records in Lawrence]

3. Yo La Tengo – “Esportes Casual”
from: There’s a Riot Going On / Matador Records / March 16, 2018
[15th album from band formed in Hoboken, New Jersey in 1984. Since 1992, the lineup has consisted of Ira Kaplan (guitars, piano, vocals), Georgia Hubley (drums, piano, vocals), and James McNew (bass, vocals). In 2015, original guitarist Dave Schramm rejoined the band and appears on their f14th album, Stuff Like That There. Despite achieving limited mainstream success, Yo La Tengo has been called “the quintessential critics’ band” and maintains a strong cult following. They chose the name “Yo La Tengo” (Spanish for “I have it”; or referring to a female-gender object or person, also “I’ve Got Her”) in an effort to avoid any connotations in English. The name came from a baseball anecdote. During the 1962 season, New York Mets center fielder Richie Ashburn and Venezuelan shortstop Elio Chacón found themselves colliding in the outfield. When Ashburn went for a catch, he would scream, “I got it! I got it!” only to run into Chacón, who spoke only Spanish. Ashburn learned to yell, “¡Yo la tengo! ¡Yo la tengo!” instead. In a later game, Ashburn happily saw Chacón backing off. He relaxed, positioned himself to catch the ball, and was instead run over by left fielder Frank Thomas, who understood no Spanish and had missed a team meeting that proposed using the words “¡Yo la tengo!” as a way to avoid outfield collisions. After getting up, Thomas asked Ashburn, “What the hell is a Yellow Tango?”]

[On April 28 the band embarks on month-long European Tour, followed by dates in the states, then back to Europe.]

4. Keaton Conrad – “Cinnamon”
from: Waves / Keaton Conrad / January 27, 2017
[Debut full length from 18 year old Kansas native, Keaton Conrad mixes indie rock, house, jazz, and hip-hop. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. In 2015 he released a 5-song EP, Panic & Blame.]

[Keaton Conrad plays The Rino, 314 Amour Rd, North Kansas City, Thursday, April 19, at 7:00 PM, with Thames and Luther Vincent Orchestra on April 19th.]

10:11 – Bach Aria Soloists

Bach Aria Soloists – Elizabeth Suh Lane, Beau Bledsoe, and Jeff Harshbarger playing the Tango music of Astor Piazolla on the April 18, 2018 editon of Wednesday MidDay Medley on KKFI 90.1 FM.

Live in our 90.1 FM Studios – performing Astor Piazzolla’s “Bordel from Histoire du Tango” it is the Bach Aria Soloists

5. Bach Aria Soloists – “Bordel from Histoire du Tango” (LIVE)
Elizabeth Suh Lane on violin, Beau Bledsoe on guitar, written by Astor Piazzolla

10:17 – Interview with Bach Aria Soloists

Elizabeth Suh Lane on violin, is Artistic Director of Bach Aria Soloists, Beau Bledsoe on guitar, and Jeff Harshbarger on bass. These three amazing musicians will be joined by Héctor Del Curto, bandoneónist, 2018 Grammy winner for Best Latin Jazz Album; Gustavo Casenave, Latin Grammy-nominated pianist; when Bach Aria Soloists present their critically acclaimed, Night of Tango, this Saturday, April 21, 7:30 pm, at The Folly Theater, 300 W. 12th St, KCMO, featuring the quintet classics by Astor Piazzolla, Argentina’s most famous composer and bandoneónist (ban-doe-neo-nist).

It has been five years since Bach Aria Soloists last performed their celebrated Night of Tango, named “Best concert of 2013” and “A concert for the ages” by KCMetropolis. Night of Tango will feature the beloved quintet classics by Astor Piazzolla, Argentina’s most famous composer and virtuoso bandoneónist who revolutionized Tango and remains a towering figure more than 25 years after his death.

The evening’s ensemble will consist of:
Elizabeth Suh Lane, violin, Artistic Director Bach Aria Soloists
Beau Bledsoe, guitar Bach Aria Soloists
Kansas City bassist Jeff Harshbarger
Héctor Del Curto, bandoneón
Gustavo Casenave, piano

Bach Aria Soloists on stage at The Folly Theater for a Night of Tango with Gustavo Casenave on piano, Jeff Harshbarger on bass, Elizabeth S Lane on violin, Hector Del Curto on bandoneón, and Beau Bledsoe on guitar, Saturday, April 21, 2018.

Bach Aria Soloists will return to one of its most critically acclaimed programs when it presents – Night of Tango with two world-class masters of the genre, bandoneónist Héctor Del Curto — 2018 Grammy winner for Best Latin Jazz Album — and Latin Grammy-nominated pianist Gustavo Casenave.

7:30 p.m., Saturday, April 21, at The Folly Theater, 300 W. 12th St., KCMO 64105
Ticket and information available at: http://www.follytheater.org

About Bach Aria Soloists – Midway through its 18th season, the critically acclaimed Bach Aria Soloists has already launched four sold-out, artistically vital concerts. Dedicated to presenting the genius and relevance of Johann Sebastian Bach, his contemporaries and those he inspired, the adventurous ensemble explores chamber music repertoire from Baroque to Contemporary in new ways through innovative, multi-genre collaborations, introducing new audiences to their scintillating vocal and instrumental artistry.

10:23 – Bach Aria Soloists

6. Bach Aria Soloists – “Piazzolla’s Oblivion” (LIVE)
Elizabeth Suh Lane on violin, Beau Bledsoe on guitar, Jeff Harshbarger on bass
Written by Astor Piazzolla

10:27 – Interview with Bach Aria Soloists

Bach Aria Soloists present their critically acclaimed, Night of Tango, this Saturday, April 21, 7:30 pm, at The Folly Theater, 300 W. 12th St, KCMO, featuring the quintet classics by Astor Piazzolla, Argentina’s most famous composer and bandoneónist.

Bach Aria Soloists brings Piazzolla back to KC with Two World-Class Tango Masters

Héctor Del Curto – hectordelcurto.com
Praised by the New York Times as a “splendid player,” Argentinean bandoneónist Héctor Del Curto’s career has spanned more than 25 years and has encompassed traditional Tango, New Tango, Jazz, Classical and World music.

On Jan. 28, Del Curto just won the Grammy for Best Latin Jazz Album as a member of the Pablo Ziegler Trio, for the album Jazz Tango.

As one of the world’s most sought-after bandoneónists, he has performed with luminaries across many musical genres, including the Tango legends Astor Piazzolla and Osvaldo Pugliese; Latin jazz giant Paquito D’Rivera; jazz violinist Regina Carter; saxophonist Joe Lovano; and violinist Cho-Liang Lin. He has appeared with such prestigious orchestras as the Metropolitan Opera Orchestra, St. Louis Symphony Orchestra, National Symphony Orchestra, Orpheus Chamber Orchestra, Rochester Philharmonic Orchestra, Mobile Symphony and Buenos Aires Symphony Orchestra.

Gustavo Casenave – gustavocasenave.com
Originally from Montevideo, Uruguay, Gustavo Casenave is a pianist, composer, producer & educator. He has been called “one of the best pianists our country has” by Uruguayan newspaper Diario El Pais. He was a Latin Grammy nominee in 2012 and 2014.

He has toured throughout Europe, Asia, South America, Central America and United States, performing in the prestigious festivals and concert halls throughout the world. As a composer, Casenave has composed and arranged more than 200 works, including original music for movies. He received the prestigious Organization of American States scholarship to study at the Berklee College of Music in Boston, where he received the Professional Music Achievement award. His composition Fragiltimer for the Past Future was named one of 10 best original compositions from Berklee in the last 30 years.

“KC has proven that they love Jazz and Tango. We believe our community will relish in this concert of Piazzolla’s passionate music expertly combining his singular language of Tango with jazz and classical influences,” says Elizabeth Suh Lane, Artistic Director-Founder-violinist. “We are extremely fortunate to be sharing the stage with Hector and Gustavo. The virtuosity of our musicians and the searing music will sweep our listeners away to Buenos Aires for an experience that will last for much longer than one night!”

BAS is led by Artistic Director-Founder-violinist Elizabeth Suh Lane. The ensemble also includes Sarah Tannehill Anderson, soprano; Elisa Williams Bickers, harpsichord, organ and piano; and Beau Bledsoe, guitar.

2018 Concert Calendar
Feb. 10: Opus 22 the Organ and BAS
April 21: Night of Tango
June 16: Bach Aria Soloists and the Kansas City Chorale, St. Paul’s Episcopal Church

Funded in part by a donation from the Estelle S and Robert A Long Ellis Foundation.

Financial assistance provided by the Missouri Arts Council, a state agency.

Jeff Harshbarger has a show Thursday night, April 19, with his Trio, at American Jazz Museum.

Bach Aria Soloists present their critically acclaimed, Night of Tango, this Saturday, April 21, 7:30 pm, at The Folly Theater, 300 W. 12th St, KCMO, featuring the quintet classics by Astor Piazzolla, Argentina’s most famous composer and bandoneónist.

http://www.follytheatre.org / http://www.bachariasoloists.com

10:32 – Bach Aria Soloists

7. Bach Aria Soloists – “Libertango (Brief version)” (LIVE)
Elizabeth Suh Lane on violin, Beau Bledsoe on guitar, Jeff Harshbarger on bass
Written by Astor Piazzolla

10:35 – Underwriting

8. Amy Farrand & The Like – “Scared To Death of Dying (Radio Edit)”
from: One / Amy Farrand / April 28, 2018

10:41 – Interview with Amy Farrand

Amy Farrand sharing new music from her band Amy Farrand and The Like, on the April 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Amy Farrand plays over a dozen instruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”

Amy Farrand joins us to share music from One, the new 11-song debut full length album from her new band, Amy Farrand & The Like.

Amy Farrand & The Like play a special Album Release Show at Davey’s Uptown Rambler’s Club, 3402 Main St., Saturday, April 28 at 9:00 pm, with Pamper The Madman with GAV7D.

Amy Farrand, thanks for being with us on Wednesday MidDay Medley

Congratulations on the new record.

The Like includes: Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals.

One was recorded with Duane Trower at Weights and Measures Soundlab.

10:48

9. Amy Farrand & The Like – “White Girl Wasted (Radio Edit)”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab.]

Amy Farrand & The Like play a special Album Release Show at Davey’s Uptown Rambler’s Club, 3402 Main St., Saturday, April 28 at 9:00 pm, with Pamper The Madman with GAV7D.

10:58

10. Amy Farrand & The Like – “Dragon Woman”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab.]

11:01 – Station ID

11. SUNU – “Liberation” (on 7” Vinyl)
from: Food, Inc. – Single b/w “Liberation” / Sunflower Soul Records / December 11, 2015
[Rev. Aaron Morris – Trumpet & Lead Vocals; Dan Pem – Tenor Sax; Chris Leopold – Trombone; Mike Hamm – Guitar; Chris Shaw – Bass; Dylan Bassett – Drums & Percussion; Alex Thiessen – Drums & Percussion; Taylor Babb – Drums & Percussion. Recorded, mixed, & produced by Chris Hazelton. Mastered by Adam Boose at Cauliflower Audio.]

[SUNU plays Outer Reaches Explores The World, at recordBar, 4/20]

11:04 – Interview with Brenton Cook & Dedric Moore

Dedric Moore and Brenton Cook share information about Outer Reaches Explores the World on the April 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1FM.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, from Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others. For the last 5 years, Brenton & Haymaker Records has co-sponsored & co-curated of the Outer Reaches Music Fest with Dedric Moore.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Brenton Cook and Dedric Moore join us to share information about, Outer Reaches Explores the World, this Friday, 4/20, at recordBar, 1520 Grand Blvd, KCMO. The night includes: SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. More info at: http://www.outerreachesfest.com/

Brenton Cook & Dedric Moore thanks for being with us on Wednesday MidDay Medley

Outer Reaches showcases the left-of-center, under-the-radar artists experimenting and pushing boundaries within their respective genres. Regional, national, and international touring acts comprise the annual fest, with previous appearances from Deerhoof, El Ten Eleven, and Magic Castles.

The show celebrates boundary-pushing music while emphasizing a broader geographic appeal, giving prominence to artists inspired by rhythms & traditional world instruments.

The show begins with a lecture and workshop on world percussion from Brandon Draper’s Drum Safari.

Other performers include Smoky Mountain banjo folk artist Teri Quinn;

Harptasia, a multi-harp project featuring Calvin Arsenia;

a solo set from Making Movies’ frontman Enrique Javier Chi;

and Afrobeat, funk, jazz, and soul group SUNU.

Live video projection will be provided by XO Blackwater;

DJ Memo will be play dance-friendly vinyl from around the globe between sets.

Outer Reaches Explores the World is a partnership between the festival and Midwest Music Foundation and has been made possible through a grant from the Kansas City Neighborhood Tourist Development Fund.

Midwest Music Foundation (MMF), a nonprofit organization founded in 2008, provides health care assistance, education, and resources to the Kansas City music community, and receive proceeds from ticket sales for the April 20 event.

The event is 18 and older, or all ages when accompanied by a parent.

11:11

8. Making Movies – “Brave Enough (feat. Hurray for the Riff Raff & Alaina Moore)”
from: I Am Another You / Making Movies / May 26, 2017
[Enrique Chi on lead vocals, electric guitar, el piano; Alynda Segarra on lead vocal, Alaina Moore on background vocals, Steve Berlin of Los Lobos synth organ; Juan-Carlos Chaurand on congas, timbales, percussion, Diego Chi on bass, d-synth, b3 organ; and Brendan Culp on drums. 3rd full length release: from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. Upon their release of this album Making Movies kicked off a 22-date Immigrants Are Beautiful Tour, a celebration of solidarity in the face of fear-mongering and hate. Frontman Enrique Chi shared, “It’s time to realize we are all part of this continuum, this beautifully flawed human race that has migrated from every continent to bring us all the beauty we enjoy today.” The band’s social statement is straightforward enough that they can express it in four words: “We Are All Immigrants.” In supporting that cause, a portion of all proceeds from the album and tour go to the National Immigration Law Center. Enrique Chi, describes, “since making the album, the tides have shifted and the underbelly of systematic racism has reared its ugly head. It is no longer time to be silent is time for us to raise our voices.” The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Enrique Chi plays Outer Reaches Explores The World, at recordBar, 4/20]

11:15 – More Interview with Brenton Cook & Dedric Moore

Brenton Cook and Dedric Moore organizers of the Outer Reaches Music Festival join us to share information and Music about the night.

Brenton Cook & Dedric Moore thanks for being with us on Wednesday MidDay Medley

Funding is from the KC Neighborhood Tourist Development Fund. Special promotions provided by KKFI 90.1 FM.

Outer Reaches Festival was held during the last weekend of September in 2017. Have you set dates for this year’s fest? Will it be at recordBar again?

Dedric Moore, tell us about the upcoming Mysterious Clouds EP My Head is Going Round. You sent us the EP prior to it’s release and we’ve been playing tracks from it, in fact the two we’ve played have featured the band collaborating with Your Friend. Lawrence musician,Taryn Blake Miller.

Brenton, Haymaker just recently release a new full length from Be/Non and two 7′ singles for Frieght Train Rabbit Killer, what else is happening at Haymaker?

Brenton Cook & Dedric Moore thanks for being with us on Wednesday MidDay Medley

Outer Reaches Explores the World, is this Friday, 4/20, at recordBar, 1520 Grand Blvd, KCMO. Proceeds benefit the Midwest Music Foundation. The night includes: SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. More info at: http://www.outerreachesfest.com/

10. Teri Quinn – “Moons and Meltdowns”
from: Moons and Meltdowns / Teri Quinn / April 17, 2016
[KC based singer/songwriter and multi-instrumentalist Teri Quinn. Originally from Grand Rapids, Michigan, Teri Quinn moved to Kansas City in 2009 to study Clarinet Performance and Music Composition at the University Of Missouri Kansas City’s Conservatory of Music where Teri graduated in 2013. Teri Ann Quinn plays banjo & sings with Abandoned Bells with Tyson Schroeder on drums & vocals, and Krysztof Nemeth on baritone guitar. Teri plays clarinet and guitar for Claire and the Crowded Stage and has also contributed experimental compositions for The Black House Collective.]

[Teri Quinn plays Outer Reaches Explores The World, at recordBar, 4/20]

11:28 – Underwriting

11. Thee Devotion – “Shake It Up”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

11:34 – Interview with Davin Watne & Chris Teasley


Wednesday MidDay Medley
Page Liked · August 13, 2011 · ·
Chris Teasley and Davin Watne share new music from their band Thee Devotion on the April 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Chris Teasley is an artist and musician. Chris is currently in several bands: The New Lost Souls, Heavy Figgs, Dynamite Defense and Thee Devotion and lends his musical skills to several other bands as well. He is also a painter. He studied at School of the Museum of Fine Arts in Boston

Davin Watne is also an artist and musician as well as an educator. He is a professor at UMKC where I teaches Painting and Drawing. He is a practicing artist that exhibits nationally, internationally and locally. He studied The Kansas City Art Institute.

Davin Watne plays guitar, keyboards, harmonica & sings in the KC based 4-piece band, Thee Devotions with Chris Teasely who plays keyboards, organ, harmonica, flute, trumpet, and sings. Thee Devotion’s released their new album Chapel on vinyl, on April 7, 2018

Davin Watne & Chris Teasley, thanks for being with us on Wednesday MidDay Medley.

The two other members of Thee Devotion, Bruce Eddy who plays bass and sings; and Keith Patterson who plays drums and sings.

Davin told us the band first started in January 1, 2008, with Davin ad our drummer Keith Patterson. They formed Thee Devotion out of the ashes of our first band together called Emma Feel.

We both love Funk and Soul music and wanted to explore it more. So we brought on some other musicians to help fill out the sound and expand our vision.

The Devotion call their music: “chickenshack” & “garage soul”

Chapel is the band’s second record and was produced by Bill Honan who also played piano and moog.

Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record.

All songs written by Thee Devotion. We have two records out on vinyl and on many digital platforms like Spotify, iTunes, Pandora and YouTube.

11:41

12. Thee Devotion – “Ooooo Weeeee”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

11:46 – More Interview with Davin Watne & Chris Teasley

We are talking with Davin Watne & Chris Teasley of the band Thee Devotion their new album Chapel was released on vinyl, on April 7, 2018

Davin Watne & Chris Teasley, thanks for being with us on Wednesday MidDay Medley

Chris’s wife Sara Teasley plays with him in The Heavy Figs, and The New Lost Souls, and also plays in The Cave Girls.

Chapel is the band’s 2nd record and was produced by Bill Honan who also played piano and moog.

Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record.

All songs written by Thee Devotion. Thee Devotion have two records out on vinyl and on many digital platforms like Spotify, iTunes, Paradora and YouTube.

11:55

13. Thee Devotion – “Slinky Tight”
from: Chapel / Woundup Records / April 7, 2018
[Thee Devotion is a KC based, “chickenshack” & “garage soul” band formed on January 1, 2008 with Davin Watne on guitar, keyboards, harmonica & vocal; Chris Teasely on keyboards, organ, harmonica, flute, trumpet, & vocals; Bruce Eddy on bass and vocals; and Keith Patterson on drums and vocals. Chapel is their second record and was produced by Bill Honan who also played piano and moog. Jesus Negron and Sean Branagan played percussion and David Williams played pedal steel on the record. All songs written by Thee Devotion.]

14. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on April 25, John Keck joins us to share music from his new EP, Out In The Cold – 12th Street Singles, and his show with John Statz Friday, April 27 at Replay Lounge in Lawrence. Also next week, Patrick Alonzo Conway joins us to share music and information about Kansas City’s Gamelan Genta Kasturi and their 15th Anniversary performance at The Nelson Atkins Museum of Art, Sunday, April 29 at 2:00 PM. Also next week, Joe Athon and friends, drop in to share stories about their 1990’s group, the Purple Skunk Funk Band, and their special reunion show Saturday, April 28, at Knuckleheads. Also next week, members of Grand Marquis join us to share music from their new album, Brighter Days, and share info about their Brighter Days CD Release Party at Knuckleheads, Saturday, April 28, at 8:30 with Victor & Penny, and Brandon Phillips & The Condition. And if that isn’t enough, we will talk with legendary singer-songwriter, Cris Williamson who has just released her 29th album, Motherland, and will be in Kansas City, in concert, for the first time in over 10 years, at All Souls Unitarian Universalist Church, Saturday, April 27, at 7:00 pm.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #730

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WMM Playlist from April 11, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 11, 2018

New & MidCoastal Releases + Doby Watson
+ Witch Jail + Kadesh Flow

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Beach House – “Dark Spring”
from: 7 / Sub Pop Records / Expected May 11, 2018
[th studio album from American dream pop band from Baltimore, Maryland, formed in 2004. The band consists of vocalist and keyboardist Victoria Legrand and guitarist, keyboardist, and backup vocalist Alex Scally. Unlike with previous records, Beach House took their time with the recording process of this album. Instead of one long studio session, they recorded when inspired by batches of songs, which resulted in five mini-sessions over the course of eleven months. All of the songs on the album began in the duo’s home studio in Baltimore, and were finished at Carriage House in Stamford, CT and Palmetto Studio in Los Angeles. The band stated that their goal throughout the recording process of the album was “rebirth and rejuvenation,” continuing: “We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel.” The band also stated that 7 didn’t have a producer in the traditional sense, which let the ideas drive the creativity and not any one person’s process. The band’s touring drummer since 2016, James Barone, plays on the entire record. They also worked with Peter Kember, known by the stage name Sonic Boom, who helped “in the shedding of conventions and in helping to keep the songs alive, fresh and protected from the destructive forces of recording studio over-production/over-perfection. Thematically, 7 often deals with “the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny.” The album’s title itself simply represents it being the duo’s seventh studio album, saying they “hoped its simplicity would encourage people to look inside. No title using words that we could find felt like an appropriate summation of the album,” although they later mentioned that the number 7 represents some interesting connections in numerology, which further inspired them in naming the album as such. The band cited the “societal insanity” during 2016 and 2017 as a deep influence on the creation of the record, elaborating: “there is quite a bit of chaos happening in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source.”]

3. The Get Up Kids – “Maybe”
from: Kicker EP / Polyvinyl Record Co / To Be Released June 8, 2018
[Matt Pryor on vocals & guitars, Jim Suptic on guitar, Rob Pope on bass, James Dewees on keyboards, Ryan Pope on drums. On March 29, 2018, Polyvinyl Records announced on their Instagram account that they had signed the band and that new music will be coming soon. The Get Up Kids are an American rock band from Kansas City, Missouri. Formed in 1995, the band was a major player in the mid-1990s emo scene, otherwise known as the “second wave” of emo music. As they gained prominence, they began touring with bands such as Green Day and Weezer before becoming headliners themselves, eventually embarking on international tours of Japan and Europe. They founded Heroes & Villains Records, an imprint of the successful indie rock label Vagrant Records. While the imprint was started to release albums by The Get Up Kids, it served as a launching pad for several side-projects such as The New Amsterdams and Reggie and the Full Effect. The Get Up Kids were viewed throughout their existence as a prototypical emo band, having been major players in the Midwest emo movement of the mid-1990s. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the quintessential albums of the second-wave emo movement. However, like many early emo bands, The Get Up Kids sought to dissociate themselves with the term, as it was considered dismissive to be seen as an “emo band.” The band departed heavily from their established style with the release of their 2002 album On a Wire, which saw the band take on a much more layered, alternative rock sound. Years later, guitarist Jim Suptic even apologized for having the influence they did on many of the modern third-wave emo bands, commenting that “[t]he punk scene we came out of and the punk scene now are completely different. It’s like glam rock now … If this is the world we helped create, then I apologize.” Due to internal conflicts, the band broke up in 2005. Three years later, the band reunited to support the tenth anniversary re-release of Something to Write Home About, and soon afterward entered the studio to write new material. In early 2010, the band released Simple Science, their first release in six years, followed in 2011 by the full-length There Are Rules. The Get Up Kids Members Rob Pope is also in the band Spoon; Jim Suptic is in the bands: Blackpool Lights, and Radar State; James Dewees is in the band Reggie and the Full Effect; and Matt Pryor performs often as a solo artists, and in the bands: Radar State, and The New Amsterdams.]

[On June 14 The Get Up Kids will launch a 20 city month long US Tour]

4. Shy Boys – “Keeps Me On My Toes”
from: Shy Boys / High Dive Records / January 17, 2014
[On April 3, 2018 it was announced that Shy Boys had been signed to San Francisco based, national label, Polyvinyl Records. Hailed as “The Beach Boys on Robitussin”, Shy Boys (brothers Collin & Kyle Rausch, Konnor Ervin, Kyle Little & Ross Brown) were bred in the dankest basements of Kansas City, MO as a group of ill-fitting squares in a scene of punks and weirdos. We find these great friends now, still living & loving in KC, trading instruments while creating melodic, happy-sad tunes to make your heart swell. Shy Boys’ sophomore album will arrive later this year on Polyvinyl Record Co., bringing with it big, melancholic vocal harmonies of a past’s present, amidst these strange and bittersweet future daze. This was the bands debut release. Brothers Collin Rausch, Kyle Rausch, and friend and roommate at the time Konnor Ervin, created this record. Collin and Kyle’s father was a High School band director and music teacher. Konnor Ervin was the lead singer and songwriter of The ACBs, where Kyle also played drums. The 10 song release had two singles premiered by Stereogum. “Keeps Me On My Toes” was a song Collin wrote in 15 minutes while his girlfriend was in the shower. Wednesday MidDay Medley has been a big fan of The Shy Boys and all of the ACBs recordings. In 2011 we started playing songs from The I’ms, a duo made of up Collin and Kyle, who posted 6 of their self recorded songs on their facebook page. We included this informal release in our Top Ten of The 111 Best Recordings of 2011. 3 of the songs from The I’ms recordings ended up being re-recorded for Shy Boys. The album was recorded at West End Studio, over two-weekends.]

[On Saturday, April 14 Shy Boys launch their 15 city US tour at Replay Lounge, in Lawrence Kansas, with Cocordion, Fraydee Cat, and Fullbloods.]

5. Mac Lethal – “Backward”
from: 11:11/ Rhymesayers Entertainment / April 8, 2008
[David McCleary Sheldon was born July 25, 1981. Known by his stage name Mac Lethal, he released his debut album, Men Are from Mars, Pornstars Are from Earth, on HHI Recordings in 2002. Sage Francis took him on the Fuck Clear Channel Tour in 2004. In 2006, Mac Lethal founded Black Clover Records with longtime friend Jeremy Willis, who had been running the Datura Label. In 2007, he released the album entitled 11:11 on Rhymesayers Entertainment. In November 2011, Mac Lethal released a video on YouTube of him rapping over the beat to “Look at Me Now” while he prepares a dish of pancakes in his kitchen. The video became a viral hit and got millions of views in a matter of days and led to interviews on websites like CNN and The Washington Post. In 2011, he was offered a contract from Sony which he rejected, referring to the $250,000, 5 album, 2 option and one milestone option deal as “insane.” Mac Lethal has also managed a Tumblr feed called “Texts from Bennett”, in which he posts text message conversations between himself and his cousin Bennett. Although some have questioned whether or not Bennett is a real person, he insists that the conversations are genuine. He released the novel of the same name on Simon & Schuster in 2013. On Sept. 13, 2016, he released the album, Congratulations, which featured a guest appearance from Tech N9ne.]

[Mac Lethal plays recordBar Sunday, April 15, with Wax, the 21st date, on his 45-city US Tour.]

6. Kississippi – “Rinse, Repeat”
from: Sunset Blush / Bug Crusher Records / April 6, 2018
[Debut full length album from Philadephia based indie folk band fronted by Zoe Allaire Reynolds (with Adam DaSilva, Jeremy Probst, Allegra Eidinger, and Kaylen Alan Krebsbach.]

7. Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe Unplugged with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. You can view more of Ashley’s work at http://www.jametatone.com.]

[Jametatone plays The Ship, 1217 Union Avenue, in the West Bottoms, Saturday, April 14, with Calvin Arsenia, and Tegu-Tegu Pro Fusion.]

8. Calvin Arsenia – “Experience”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Recently Calvin Arsenia was signed to a new record label in Kansas City called Bull’s Eye Records founded by Jim Andrews and Patrick Sprehe. Calvin Arsenia originally premiered the songs from Catstrophe in a live show at recordBar in November 2016, in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp Calvin has also worked as a teacher of music to elementary students. Calvin is a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia on WMM. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin played at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC on June 11, 2017 in a show that was recorded live. In the Fall of 2017 Calvin embarked on a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Sweden, Edinburgh, Denmark, Holland, Switzerland, Lyon and Paris. Calvin played over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. On December 5, 2017 Calvin released his EP Caviar, produced for attendees at Calvin’s “Secret Show,” Tuesday, December 5, at Wickstock West, 1324 West 12th Street, in The West Bottoms, and for supporters of his Outlyre Tour. Words & Music by Calvin Arsenia. Caviar was produced by Jametatone, Simon Huntley and Calvin Arsenia. Recorded at The Infoaming Vertex.]

[Calvin Arsenia plays The Ship, 1217 Union Avenue, in the West Bottoms, Saturday, April 14, with Jametatone, and Tegu-Tegu Pro Fusion.]

9. Bobby Watson & The I Have a Dream Project–”My Song” [feat. Glenn North]
from: Check Cashing Day / Lafiya Music / August 28, 2013
[Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas. Glenn North is a nationally recognized performance poet who has shared the stage with such noted poets as Nikki Giovanni, Sonia Sanchez, and Amiri Baraka. He served as Poet-In-Residence and Education Specialist at The American Jazz Museum from 2004 to 2014. He was a 2009 Charlotte Street Foundation Generative Performing Awards Fellow. North’s work has been commissioned by entities including Points of Light Foundation, the Norman Lear Center, the Nelson Atkins Museum of Art, and Kansas City Public Library. He has been a featured poet at events hosted by MTV Rock the Vote, NAACP Black History Month, and KC Repertory Theatre in conjunction with the world premiere of Clay. He was accepted into the Cave Canem program. He has worked as director of the Urban Transcendence Poetry Project. His original spoken word tracks are featured on recordings including: Out of the Comfort Zone by the Jazz Disciples, Release by the Phantom, The Experience by Tru Sol, and Check Cashing Day from Bobby Watson & The I Have a Dream Project. He studied English at Lincoln University in Jefferson City, earned his BLS from Rockhurst University, and is currently pursuing his MFA in Creative Writing at UMKC.]

[On Friday, April 13, at 6:00 pm, Celebrating National Poetry Month, the Nelson-Atkins Museum of Art presents the debut screening of director Harold Smith’s documentary, The Gospel According to Glenn North. The film explores 18th & Vine Poet Laureate Glenn North’s unique poetic blend of jazz, blues, religion, black history, and social commentary. the screening will be followed by a Q&A with Kansas City native Glenn North. The Nelson-Atkins Museum of Art is located at 4525 Oak St, Kansas City, MO. Tickets Available at http://www.nelson-atkins.org]

10:31 – Underwriting

10:33 – Interview with Doby Watson

Doby Watson

Singer-Songwriter Doby Watson has just released his new EP, Family Mattress Deluxe, a collection of songs written by Doby and co-produced with Zack Hames. Doby Watson was born in 1986. Instead of attending college, as Richard Gintowt wrote for The Pitch in 2009, “Watson spent his young-adult years touring the country with a guitar and a box of Clif Bars, one for lunch, then a real meal for dinner, and a bunch of sad and beautiful homespun songs that are as sparse and haunting as those of Leonard Cohen or Jason Molina.” In 2009 Doby released Twenty Two. In 2013 He released Watson & May an EP in collaboration with Margo May that was produced & engineered by Lennon Bone. Double Shift Music released Doby’s album Live-In Son in 2014, and the EP collaborative: Swearengin, Watson & May in 2016. More info at: http://www.dobywatson.bandcamp.com

Doby Watson, Thanks for being with us on WMM.

Midwestern DIY folk veteran, Doby Watson, returns from a break in his ceaseless tour schedule, with a new EP, titled “Family Mattress Deluxe’ available on limited cassette via eclectic hardcore label Error Records and across all streaming platforms.

Congratulations on the new EP Family Mattress Deluxe.

For nearly 15 years Doby has been traveling all over the country playing shows. While in KC he is often helping to put together shows for fellow traveling musician friends.

Family Mattress Deluxe EP

Side A (Family Mattress EP)
Miami Vomit II
Starve
Family Mattress III

Side B (bonus tracks)
Natural Ice (Early Morning version)
Family Mattress (AKADUNGEONMASTER remix)
Beer For Dinner II (with Austin Swearengin)
[a moody collaboration with New York based sculptor / songwriter Austin Swearengin. The warbly, lo-fi duet finds itself evolving into a slow burning, industrial-tinged jam that fizzles into feedback.]

10:40

Doby Watson playing live on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

10. Doby Watson – “In Rows” (Live)
This song was on Doby’s album: Live-In Son / Double Shift Music / October 17, 2014
[For the record: Watson performed the songs live, while being recorded, in Ross Brown’s basement in KCMO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings & auxiliary percussion while he mixed the songs in Champaign, IL. Mastered by Cory Schulz in Milwaukee, WI.]

We are talking with Singer-Songwriter Doby Watson who has just released his new EP, Family Mattress Deluxe, on February 23, 2018, on Error Records.

From Doby’s own words: “When I was a kid I played guitar in some hardcore bands. When I found myself without a band, at the end of high school, I started trying to sing and write songs. Falling on the moniker “Boo Hiss” (something a class mate of mine said in place of swear words). I put some songs online and got asked to be on a small DIY label from Ohio called Tract Records. Around that time, I befriended touring DIY artists’ such as Viking Moses, Real Live Tigers, Manipulator Alligator and a young man named Joseph Murphy (who was in tons of bands), as well. Through these connections I was encouraged to tour and became involved in the Midwest’s various DIY communities, making countless friends.”

“Rather than go to college, I chose to focus solely on DIY touring and releasing music (for much of it taking my good friend, then KC native, and amazing songwriter, Austin Swearengin with me for most of these tours). ”

“Around that same time, I made an attempt to be taken more “seriously”, dropped my moniker and unsuccessfully released a mini-album under my own name. After some rather chaotic and unorganized tours for the album, I became depressed and disillusioned with music. I set music aside as a priority, moved to Lawrence, KS and tried to assimilate to what I thought was a ‘normal’ life. ”

“I went to college, got a day job, and wound up generally hating life. This new ‘normal’ path inevitably didn’t work out for me – I moved back in with my parents and held various dead end jobs and sank deeper into a depression, completely ceasing to make any music.”

“I (Doby) performed the songs live, while being recorded, in Ross Brown’s basement in Kansas City, MO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings and auxiliary percussion while he mixed the songs in Champaign, IL. The results were mastered by Cory Schulz in MIlwaukee, WI. ”

10:47

11. Doby Watson – “Pick Up” (Live)
[Doby Watson recorded this song for a Daytrotter Session, August 11, 2016, in Horseshack, Davenport, Iowa. It was also featured in Paste Magazine, September 16, 2016, and American Songwriter on September 9, 2015, from his SoundCloud page.]

Doby Watson calls his music, “Experimental Americana from Missouri.”

Doby Watson on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

10:54

12. Doby Watson – “I Wish That Everything” (Live)
This song was also on Doby’s album: Live-In Son / Double Shift Music / October 17, 2014
[This song was written by Doby’s friend Matthew Hoppock. For the record: Watson performed the songs live, while being recorded, in Ross Brown’s basement in KCMO. The next day, also in Brown’s basement, Grant Buell (Rhodes), Jerad Tomasino (vocals) and Hannah Jensen (viola), having never practiced with each other or Watson, improvised their parts over the live recordings of Watson. Richard Gintowt added additional vocals at his home in San Francisco, CA. The songs sat for some time until they were picked up by Ryan Brewer, who added electric guitar, field recordings & auxiliary percussion while he mixed the songs in Champaign, IL. Mastered by Cory Schulz in Milwaukee, WI.]

Doby Watson recently wrote: “if I could make a deal with the devil I would trade voices with contemporary R&B singer Tank.”

Doby Watson, Thanks for being with us on WMM.

Doby Watson has just released his new EP, Family Mattress Deluxe, a collection of songs written by Doby and co-produced with Zack Hames. More info at: http://www.dobywatson.bandcamp.com

11:00 – Station ID

13. Witch Jail – “Saucer Season Revisited”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

11:04 – Interview with Guy Slimey, Eddie Morphine, and A. Ghost of Witch Jail

Witch Jail

The Kansas City based post-exotic, death-pop band, Witch Jail was formed in 2013. The band writes that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven. Witch Jail have a new album: Music For Magic Moments, that will be released Friday, April 13.

Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, Bad Girls, and Neptune. More info at: http://www.witchjail.bandcamp.com

Guy Slimey, Eddie Morphine, & A. Ghost of Witch Jail thanks for being with us on WMM.

Witch Jail were on our radio show last February 8, 2017 with Sid Sowder talking about the Too Much Rock Single Series release of ”Slimewave USA”

Witch Jail are having a busy week:

Wednesday: on WMM talking about the new Witch Jail album

Thursday: Release show at The Brick with Jorge Arana Trio, Bird Girls, and Neptune

Friday: In Madison, playing at Mickey’s Tavern with Solid Freex and No Question

Saturday: In Cedar Rapids at The Hive Collective with Tu’mera Divine

Sunday: In Des Moines at Vaudeville Mews with Odd Pets, The Vahnevants, and Greg Wheeler and the Poly Mall Cops

Monday: Back at work!

Then in a month Witch Jail heads down south: Nashville, Memphis, NOLA, Austin, Ft. Worth, OKC, and Wichita. No rest for the wicked!

Witch Jail

11:13

14. Witch Jail – “Under The Volcano”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

11:25

15. Witch Jail – “Snake Church”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on bass, and A. Ghost on drums. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven.]

[Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, Bad Girls, and Neptune. More info at: http://www.witchjail.bandcamp.com]

16. Kadesh Flow – “Room Service”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

11:34 – Interview with Kadesh Flow

Kadesh Flow

Kadesh Flow aka Ryan Davis joins us to share music from his new EP, Room Service. Kadesh Flow is a rapper, trombonist, and producer. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. The Phantastics play Record Store Day at Josey Records, Saturday, April 21, at 8:00 PM. More info at: http://www.kadeshflow.com

Kadesh Flow aka Ryan Davis, thanks for being with us again on WMM

The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Earlier in the year Kadesh found out he would be playing a showcase a South By Southwest, and he though it might be good to have new music to offer, and that’s when it sort of fell into place to record this new EP.

11:42

17. Kadesh Flow – “Glassy Eyes feat. Eye-Q”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

Kadesh Flow has also played with Hearts of Darkness, and is a part of The Nerdy People Of Color Collective.

Kadesh Flow on the April 11, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

11:56

18. Kadesh Flow – “FYI feat. Atlas & O.Super”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[The Phantastics play Record Store Day at Josey Record, Saturday, April 21, at 8:00 PM.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on April 18, Bach Aria Soloists including Elizabeth Suh Lane, Beau Bledsoe, and Jeff Harshbarger play live Tango music in our 90.1 FM Studios. Plus Amy Farrand joins us to share music from the debut release of her band, Amy Farrand & The Like. Plus, Brenton Cook joins us to share music and information about Outer Reaches Explores The World – Friday, April 20 at recordBar with SUNU, Enrique Javier Chi, Harptasia feat. Calvin Arsenia, Teri Quinn, Brandon Draper’s Drum Safari, and DJ Memo. Plus, the band, Thee Devotion joins us to share tracks from their new album, Chapel.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #729

Wednesday MidDay Medley presents CS Luxem + Brenton Cook

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 21, 2018

New & MidCoastal Releases + CS Luxem
+ Guest Producer Brenton Cook

Mark plays more New & MidCoastal Releases from: CS Luxem, The Black Lips, The Black Angels, Y god Y, Jim Button & the Beholders, and Timbers.

CS Luxem

CS Luxem – SYMPTOMS

At 10:11 CS Luxem plays live in our 90.1 FM Studios. CS Luxem’s debut album SYMPTOMS was just released from Whatever Forever and was recorded over a span of three months above a garage full of Model T’s in northwest Lawrence, KS. The songs were written between 2005-2017 and have been revised throughout these years with different collaborators. Engineer Joel Martin “sculpted” the sounds as CS Luxem has always heard them in his head. The album is about traveling, first loves, Chicago, New York City, dogs, feet, hands, the Oracle of Delphi, letting go, and getting out of your own way. SYMPTOMS is the very first vinyl release for Whatever Forever and is their 40th release. CS Luxem plays The Brick, 1727 McGee Street KCMO, Friday, March 30, at 10:00 pm with Fullbloods, and Jim Button & The Beholders. More info at: http://www.whateverforevertapes.com

Brenton Cook

At 11:00 Mark welcomes Brenton Cook who joins us as a Guest Producer for our second hour, playing music from artists he witnessed at SXSW 2018 in Austin, Texas, this past week and weekend. Some of the bands Brenton will be featuring are: The Urban Renewal Project, Post Animal, Durand Jones and The Indications, The Rotten Mangos, Samantha Glass, Essaie Pas, Lou Rebecca, and Anna Burch. Brenton Cook is the curator at Outer Reaches, and owner of Haymaker Records a Kansas City based independent label he formed in 2014. Brenton Cook has also produced three extensive compilations of area music for the Midwest Music Foundation. More info at: http://www.haymakerrecords.net

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #726

WMM Playlist from December 27, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 27, 2017

The 117 Best Recordings of 2017
(Part 4 of 4)

Wednesday MidDay Medley presents part-four, of our four-week special: The 117 Best Recordings of 2017. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, however we ask that you please accept our list as a celebration of the year of music.

In 2017 we’ve played nearly 1000 different songs on the show, and from nearly 375 New & MidCoastal Releases. More than 200 of these releases were New MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us live in our 90.1 FM studios. This past year we’ve interviewed nearly 200 guests. 70 of the representative recordings in our “Best of” list were MidCoastal Releases, produced by artists from here. It’s all good!

Please note: We are celebrating the entire full length album or EP, the songs played are representative of the entire release.

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (29.) Jason Isbell and the 400 Unit – “Hope the High Road”
from: The Nashville Sound / Southestern Records / June 16, 2017
[Michael Jason Isbell was born February 1, 1979 and is a singer-songwriter & guitarist from Green Hill, Alabama, two miles from the Alabama/Tennessee state line. He is best known for his solo career, his work with the band The 400 Unit, and as a former member of Drive-By Truckers, from 2001 to 2007. He has won two Grammy Awards. This is the 6th studio album by Jason Isbell, credited with the 400 Unit. It was produced by Dave Cobb, who also produced Isbell’s previous two records: 2013’s Southeastern and 2015’s Something More Than Free. The Nashville Sound was nominated for Best Americana Album in the 2018 Grammy Awards. The 400 Unit, is primarily made up of musicians from the Muscle Shoals, Alabama, area: Sadler Vaden on guitar, backup vocals; Jimbo Hart on bass, backup vocals; Derry DeBorja on keyboard, accordion, backup vocals; Chad Gamble on drums, backup vocals; Amanda Shires on fiddle, backup vocals. “The 400 Unit” is a colloquial name for the psychiatric ward of Florence, Alabama’s Eliza Coffee Memorial Hospital, which is now named the Behavioral Health Center, and is located on the hospital’s first floor. It was originally called the 400 unit because it was in a separate building from the main building’s 3-story hospital. After renovation in the 1980s, the name was changed. Isbell married singer-songwriter and violinist Amanda Shires, with whom he’d worked on and off for a decade, in February 2013, two days after they finished Southeastern. Musician Todd Snider married them. The couple had a baby girl, Mercy Rose, on September 1, 2015. Isbell has lived in Nashville, Tennessee, since 2011. He is an Atlanta Braves fan and a Democrat. In November of 2017 Isbell was asked on Twitter “Why do we have to inject politics in every aspect of our life can’t we just enjoy the music and the football games?” He responded “Until you are the one being treated unfairly, that’s easy to say.”]

3. (28.) The Magnetic Fields – “’69: Judy Garland”
from: 50 Song Memoir / Nonesuch Records / March 10, 2017
[50 Song Memoir is the eleventh studio album by American indie pop band The Magnetic Fields. 50 Song Memoir is an autobiographical concept album that chronicles the first 50 years of songwriter Stephin Merritt’s life, with one song for each year that he has lived. Stephin Merritt began recording on his 50th birthday on February 9, 2015. The album was produced by Merritt with additional production by Thomas Bartlett and Charles Newman. Merritt sings on all fifty tracks and plays more than one hundred instruments throughout. 50 Song Memoir is available in five-LP and five-CD editions that include an interview by Daniel Handler and facsimile handwritten lyrics by Stephin Merritt, and as a bound book. The fully staged live shows in support of 50 Song Memoir are directed by José Zayas. The Magnetic Fields have been expanded to include an additional three musicians for the tour, with each of the seven playing seven different instruments. On the tour the band play the entirety of 50 Song Memoir in two halves across two nights at each venue.]

4. (27.) Broken Social Scene – “Protest Song”
from: Hug of Thunder / Arts & Crafts Productions / July 7, 2017
[Hug of Thunder is the 5th studio album by Toronto, Ontario based, indie rock musical collective Broken Social Scene that was formed in 1999 and continues 15 members. Most of its members play in various other groups and solo projects, mainly in the city of Toronto. These associated acts include Metric, Feist, Stars, Apostle of Hustle, Do Make Say Think, KC Accidental, Emily Haines & The Soft Skeleton, Amy Millan, and Jason Collett. The group’s sound combines elements of all of its members’ respective musical projects, and is occasionally considered baroque pop. It includes grand orchestrations featuring guitars, horns, woodwinds, and violins, unusual song structures, and an experimental, and sometimes chaotic production style from David Newfeld, who produced the second and third albums.After declaring a hiatus in September 2011, Broken Social Scene performed at the Field Trip Arts & Crafts Music Festival in 2013 and a couple of festivals in 2015, the latter of which prompted band members Kevin Drew, Brendan Canning, Charles Spearin, Justin Peroff, and Andrew Whiteman to discuss recording new material. “When we’re working, we understand that there will be a lot more input, so we leave space in the music as we’re writing it,” Spearin said. “We would send out invitations for all the usual crew, and say, ‘Hey, we’re doing this again. Would you be interested in being part of this?'” In the end, 18 musicians were credited on Hug of Thunder. During sessions for the album, Leslie Feist conceived the idea for the title track, her first lead vocal on a Broken Social Scene song since 2006. Drew explained that the title represents “exactly who we are. That is our show. We’re trying to create that hug of thunder. That sound. That embrace amongst the chaos.”]

5. (26.) Betse & Clarke – “Seneca Square Dance”
from: Tunes We Like / Betse & Clarke / September 13, 2017
[Released only in analog on cassette featuring Betse Ellis on standard & cross-tuned fiddles, Clarke Wyatt on banjos & guitar, and some selections played by the Brushy Creek String Band, with Brett Hodges on guitar and Alex Mallett on bass. Seneca Square Dance is from Fiddlin’ Sam Long, recorded in 1926 for Gennett Records. Long is said to have been the first Ozark fiddler recorded. Many who play the tune today use a different chord progression than was originally recorded by Long. Betse & Clarke used Long’s beautifully simple progression. With Betse on standard fiddle, Clarke on standard G banjo, Brett Hodges on guitar, Alex Mallett on bass. “Tunes We Like” was produced as the first in a series of instrumental recordings. Released at the Walnut Valley Music Festival in Winfield, Kansas, Sept 2017, and represents a returning interest in analog processes. Betse & Clarke will continue this model, with plans to record next on analog reel-to-reel tape for the next release in the series. The music may see an online release and digital distribution, but the plan is that all physical copies will be in analog format. Recorded by Wyatt live with no overdubs at home in KCMO, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley. Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.”]

[Betse & Clarke play at: Oh Me, Oh My, How The Times Does Fly: An 80th Birthday Tribute to John Hartford, Sat., Dec. 30. at 8 PM, The Stage at KDHX, 3524 Washington Ave, St. Louis, MO]

[Betse Ellis is also part of The Band That Fell To Earth – A Tribute to David Bowie, The Third Annual, on Saturday, January 6, at recordBar, 1520 Grand, Ave, KCMO]

6. (25.) The Country Duo – “Picking Up The Pieces”
from: Live At Sun Studio / The Country Duo / September 1, 2017
[Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise at Massive Sound, KCMO. Kasey Rausch is one of the first musicians to play live on WMM. She is a 5th generation musician, songwriter and co-producer of River Trade Radio on KKFI 90.1FM. Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas, and deep Southeast Texas. Her third album, Guitar in Hand debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch. She was named 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM. Marco Pascolini grew up in a family of artists. His parents were both artists at Hallmark. For more than twenty years Marco Pascolini has built a musical reputation as one of the most well-respected musicians in Kansas City playing in the bands Scott Hrabko and the Rabbits, Folkicide, Dead Voices, Mr. Marco’s V7, Expassionates, the Brannock Device, Snakebite Orphans, the Fred Wickham band, with Kasey Rausch in The Naughty Pines. Marco is also a graphic artist and has desonged multiple album covers and sleve designs including the new Victor & Penny 7″ Single.] [The Country Duo joined us on WMM on November 15.]

7. (24.) Mess – “soak”
from: heartswithholes / Mess / August 12, 2017
[KC based band formed by: Allison Gliesman, Kevin Briody, Tanner Pinkerton & Evan Velasquez. Recorded in Edwardsville, Illinois at Bird Cloud Recording. Production & recording by Ryan Wasoba. Mastering by Joel Hatstat in Athens, GA.] [Mess played Crossroads Music Fest, Sept. 9 on KCPT Stage at The Living Room.]

10:27 – Underwriting

8. (23.) Julien Baker – “Turn Out The Lights”
from: Turn Out The Lights / Matador / October 27, 2017
[2nd solo release from Julien Rose Baker, born Sept 29, 1995. She is a singer & guitarist from Memphis, TN. She released her debut studio album, Sprained Ankle, in 2015. In 2010, Baker cofounded a band called The Star Killers, which renamed itself Forrister in 2015. During her freshman year at MTSU, Baker began writing songs on her own, often in the university practice rooms late at night. With a friend, Michael Hegner, she recorded an EP at Spacebomb Studios, self-released in the winter of 2014 on Bandcamp which became the studio album Sprained Ankle, in October 2015. Sprained Ankle topped many 2015 end-of-the-year lists and its success led to features in The New Yorker and The New York Times. On March 7, 2016 she performed on an NPR Music Tiny Desk Concert where she referenced a new song called Sad Song #11, later released as “Funeral Pyre” with “Distant Solar Systems” as the b-side. Baker has opened for Death Cab for Cutie, Conor Oberst, The Decemberists, Belle & Sebastian, and Paramore. In 2017 she signed to Matador Records. Turn Out the Lights, was recorded at TN’s Ardent Studios with help from Sorority Noise’s Cameron Boucher.]

9. (22.) Valerie June – “Shakedown”
from: The Order of Time / June Time – Concord Music / March 10, 2017
[Valerie June Hockett (born January 10, 1982), known as Valerie June, is an Americana singer, songwriter, and multi-instrumentalist from Memphis, Tennessee, United States. Her sound encompasses a mixture of folk, blues, gospel, soul, country, Appalachian and bluegrass. June was the oldest of five children. As a child growing up in Humboldt, June was exposed to gospel music at her local church and R&B and soul music via her father. As a teenager, her first job was with her father – a promoter for gospel singers and Prince, K-Ci & JoJo, and Bobby Womack – helping him hang posters in town. June relocated to Memphis in 2000 and began recording and performing at the age of 19, initially with her then-husband Michael Joyner, in the duo Bella Sun. After her marriage ended she began working as a solo artist, combining blues, gospel and Appalachian folk, in a style that she describes as “organic moonshine roots music”, and learning guitar, banjo, and lap-steel guitar. She became associated with the Memphis-based Broken String Collective. After self-releasing three albums, her debut album as a signed artist, Pushin’ Against a Stone, was released in the UK and Europe through Sunday Best Recordings on May 6, 2013, and through Concord Music Group in August 2013. The album includes several songs co-written with Dan Auerbach of The Black Keys, who co-produced it with Kevin Augunas. The album was so titled to commemorate the story of her life. June said “I feel I’ve spent my life pushing against a stone. And the jobs I’ve had have been fitting for getting a true feel for how the traditional artists I loved came home after a hard day to sit on the porch and play tunes until bedtime.” The record includes performances by Booker T. Jones, who co-wrote one of the songs contained on the album.]

10. (21.) Perfume Genius – “Slip Away”
from: No Shape / Matador / May 5, 2017
[1st single from 4th album . Perfume Genius, is the stage name for Seattle-based solo artist Mike Hadreas who was born in the suburbs of Seattle, Washington. Hadreas studied painting in school and took piano lessons as a child. His mother was a special education teacher,and is now an assistant principal at a middle school. His parents divorced when he was a teenager. Growing up, Hadreas was the only openly gay student at his school, and he received death threats which were not addressed by the administration. He dropped out of high school during his senior year. Two years after dropping out, he was attacked by several young men in his neighborhood. He moved to Williamsburg, Brooklyn and worked as a doorman for a club in the East Village. In 2005, Hadreas returned home to Seattle and began recording music. In 2008, Hadreas set up a MySpace page under the name Perfume Genius, and thus began his music career. Hadreas’s music explores topics including sexuality, his personal struggle with Crohn’s disease, domestic abuse, and the dangers faced by gay men in contemporary society. No Shape was produced by Blake Mills (Fiona Apple. John Legend, Alabama Shakes). The album was praised by critics. Pitchfork awarded it an 8.8 and named it “Best New Album”, deeming it “his most realized album yet, a tender and transcendental protest record of love and devotion.” The Guardian commented that “No Shape sounds like a unique talent coming into full bloom.”] [Perfume Genius played Starlight Theatre, October 10, opening for The xx]

11. (20.) Jay Som – “The Bus Song”
from: Everybody Works / Polyvinyl Records / March 10, 2017
[from http://www.jaysom.bandcamp.com: The proper album as Jay Som, Melina Duterte, 22. If last year’s aptly named, Turn Into Compilation showcased a fuzz-loving artist in flux, chronicling her mission to master bedroom recording, then the rising Oakland star’s latest, Everybody Works, is the LP equivalent of mission accomplished. Duterte is as DIY as ever, writing, recording, playing, & producing every sound beyond a few backing vocal, but she takes us places we never could have imagined, wedding lo-fi rock to hi-fi home orchestration, & weaving evocative autobiographical poetry into energetic punk, electrified folk, and dreamy alt-funk. And while Duterte’s early stuff found her bucking against life’s lows, Everybody Works is about turning that angst into fuel for forging ahead. “Last time I was angry at the world,” she says. “This is a note to myself: everybody’s trying their best on their own set of problems & goals. We’re all working for something.” Everybody Works was made in three furious, caffeinated weeks in October. She came home from the road, moved into a new apartment, set up her bedroom studio (with room for a bed this time) and dove in. Duterte even ditched most of her demos, writing half the LP on the spot and making lushly composed pieces like “Lipstick Stains” all the more impressive. While the guitar-grinding Jay Som we first fell in love with still reigns on shoegazey shredders like “1 Billion Dogs” and in the melodic distortions of “Take It,” we also get the sublimely spacious synth-pop beauty of “Remain,” and the luxe, proggy funk of “One More Time, Please.” Duterte’s production approach was inspired by the complexity of Tame Impala, the simplicity of Yo La Tengo, and the messiness of Pixies. “Also, I was listening to a lot of Carly Rae Jepsen to be quite honest,” she says. “Her E•MO•TION album actually inspired a lot of the sounds on Everybody Works.” There’s story in the sounds—even in the fact that Duterte’s voice is more present than before. As for the lyrics, our host leaves the meaning to us. So if we can interpret, there’s a bit about the aspirational and fleeting nature of love in the opener, and the oddity of turning your art into job on the titular track. There’s even one tune, “The Bus Song,” that seems to be written as a dialog between two kids, although it plays like vintage Broken Social Scene and likely has more to do with yearning for things out of reach. While there’s no obvious politics here, Duterte says witnessing the challenges facing women, people of color, and the queer community lit a fire. And when you reach the end of Everybody Works, “For Light,” you’ll find a mantra suitable for anyone trying, as Duterte says, “to find your peace even if it’s not perfect.” As her trusty trumpet blows, she sings: “I’ll be right on time, open blinds for light, won’t forget to climb.”]

12. (19.) Momma’s Boy – “Sleepin'”
from: Liquid Courage / Independent / February 25, 2017
[Momma’s Boy, an Indie Surf Pop 4-piece band from KCMO, formed December 2015, and made up of former members of Rev Gusto: Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Jared Bajkowski on bass. Recorded at Element Recording Studios with Joel Nanos. First known for throwing house shows at The Shawnee Manor with local and national acts including Hinds and Glass Animals, Momma’s Boy is leaving the basement to spread their tunes across the Midwest.] [Momma’s Boy released their debut EP, February 25, at 7:00 PM at The Tank Room, with Rachel Mallin and The Wild Type, and Scruffy & the Janitors.] [Momma’s Boy joined us on WMM on February 22.]

13. (18.) The xx – “On Hold”
from: I See You / Young Turks Recordings / January 13, 2017
[3rd studio album by indie pop band The xx, formed in 2005 in Wandsworth, London. Members met whilst studying at Elliott School, the same school that produced Hot Chip, Burial, Four Tet, and Pierce Brosnan. Oliver Sim and Romy Madley Croft started the band as a duo when they were 15 with Jamie Smith joining in 2006. I See You is the follow-up to their sophomore album Coexist, and is their first release in more than four years. Produced by Rodaidh McDonald and Jamie xx, who released his solo debut In Colour, May 2015. The band has stated that the record has a more distinctive sound and a more positive, open and “expansive” concept than the previous two albums.][The xx played Starlight Theatre Oct 3, with Perfume Genius.]

14. (17.) Hermon Mehari– “Cold (Feat. Kevin Johnson”
from: Bleu / Unlabeled Publishing / March 17, 2017
[Debut solo release from Kansas City based jazz trumpeter. Hermon Mehari featuring
Logan Richardson on saxophone, Aaron Parks on piano, Peter Schlamb on vibraphone, Rick Rosato on bass, Ryan J. Lee on drums, and a guest appearance by Kevin M. Johnson on vocals. Hermon Mehari grew up in Jefferson City, Missouri, home of Lincoln University. He is a 2010 graduate of the University of Missouri – Kansas City Music Conservatory. In 2015 he finished first, at the prestigious Carmine Carusa International Jazz Trumpet Competition at Sam Houston State University in Huntsville Texas. Hermon was a semifinalist in the 2014 Thelonious Monk Jazz Competition. In 2014 he released the CD “Our Journey” with Diverse, which was recorded in Paris featuring Logan Richardson on alto saxophone. Hermon was also the winner of the 2008 National Trumpet Competiton and placed second in the International Trumpet Guild competition in Sydney, Australia. He splits his time between touring and playing all over the world and creative projects in Kansas City. Hermon has collaborated with Cat Mahari on BAM! the Workshop, he is also a founding member of Diverse Jazz, Diverse Trio, and The Buhs. He also plays with Peter Schlamb, Making Movies, John Velghe & the Prodigal Sons. Hermon was featured on the world-renowned saxophonist Bobby Watson’s 2013 release, “Check Cashing Day”. More information at: http://www.hermonmehari.com] [Hermon Mehari featuring Peter Schlamb played the 1900 Building, at 1900 Shawnee Mission Parkway, April 19.]

[Hermon Mehari plays CA VA, 4149 Pennsylvania Ave, KCMO at 9:00pm, Thursday, December 28.]

15. (16.) Moses Sumney – “Make Out In My Car”
from: Aromanticism / Jagjaguwar / September 22, 2017
[Debut studio full length album by American singer-songwriter Moses Sumney. It is a concept album about “lovelessness as a sonic dreamscape” that “seeks to interrogate the idea that romance is normative and necessary.” The record was written and produced by Sumney, with assistance from numerous musicians. Moses Frimpong Sumney was born May 19, 1990 in San Bernardino, California to Ghanaian parents. He moved with his family back to Ghana at the age of 10. Sumney described his childhood as “Americanized” by this age and had difficulty adjusting to the culture of Ghana. He did not learn to play any instruments until he was older, writing a cappella music for years instead. Sumney did not perform his musical compositions publicly until he was 20.[1] He attended the University of California, Los Angeles. He is based in Los Angeles, California. His self recorded debut EP, Mid-City Island, was released in 2014 and self recorded onto a 4-track recorder given to him by TV on the Radio’s Dave Sitek. The EP was described by Pitchfork as “primarily composed of first-takes and improvisation; the music is stirring but purposefully incomplete”. Sumney has performed as an opening act for Solange, Sufjan Stevens, and Erykah Badu. Sumney released another 5-song EP in 2016, titled Lamentations which featured a guest appearance from Thundercat.]

10:58 – Station ID

16. (15.) The Roseline – “How To Be Kind”
from: Blood / King Forward Revords / September 29, 2017
[From the 5th album of the Lawrence, Kansas, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005. The Roseline has been through dozens of lineup changes. The current lineup includes: Colin Halliburton on guitar & vocals; Heidi Gluck on bass & vocals, Ehren Starks on keyboards, Kris Losure on guitar, Jeff Jackson on pedal steel & guitar, and Jim Piller on drums. Roseline released their last album, Townie, on June 19, 2015. More info at: http://www.roselinemusic.com] [The Roseline played an Album Release Show, October 5, at The Brick, with Chase the Horseman, and Justin Klaas.]

17. (14.) Emmaline Twist – “Desperate Measures”
from: Dissimulation 1 EP / Emmaline Twist / October 23, 2017
[Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project have released “Dissimulation 1” : four songs in digital format, their first since last year’s release of “Vega” b/w “Moon Eyes”. Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone Guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering, these four songs showcase the dark and driving nature of the Emmaline Twist sound, complete with all the mood and texture that the band has crafted through their live performances. Matched with compelling cover-art created by Amy Abshier, “Dissimulation 1” is perfect for nighttime drives, cloudy skies, and battle cries. More info at: https://emmalinetwist.bandcamp.com/%5D

[Members of Emmaline Twist, and Black Water join together as FAC 816 to play the Sonic Spectrum TributeSeries to New Order, Thursday, December 28, at recordbar 1520 Grand, with Calvin Arsenia, Mysterious Clouds, Pageant Boys, Sinple, and Vacay Vay.]

18. (13.) LCD Soundsystem – “change yr mind”
from: american dream / DFA – Columbia / September 1, 2017
[4th studio album by American rock band LCD Soundsystem, released on September 1, 2017 through DFA and Columbia. It was first announced on January 5, 2016, the day after it was revealed that the band was reuniting after a disbandment lasting nearly five years. It is the band’s first album in seven years, following This Is Happening (2010). Prior to release, LCD Soundsystem performed at large music festivals as well as smaller shows to promote their reunion. “Call the Police” and “American Dream” were released together as the album’s lead single on May 5, 2017, and “Tonite” was released as the second single on August 16, 2017. The album received widespread acclaim from music critics. The album performed well commercially and became the band’s first number-one album in the United States.]

19. (12.) Truckstop Honeymoon – “L.P.”
from: Big Things and Little Things / S. West & M. West / January 6, 2017
[Katie West & Mike West are based in Lawrence, KS, and were relocated here after Hurricane Katrina and the devastation of their home. Hollering with all their hearts over a five string banjo and a doghouse bass, Truckstop Honeymoon live the life they sing about. Touring across three continents with four kids and a truck load of songs, Katie and Mike West tell stories about the strangeness of everyday life. Their music combines elements of bluegrass, music hall jazz and straight up rock’n’roll. Vaudevillian wit and showmanship spike their energetic live shows, while the fearless honesty of their songs touches the hearts of listners around the world. In eleven years Truckstop Honeymoon have released eight CDs and a full length documentary film on Baton Rouge label, Squirrel Records. They perform at International folk festivals, rock clubs, neighborhood bars, house concerts and hay barns from Nebraska to Tasmania. Truckstop Honeymoon’s story begins in New Orleans, where Katie played wash-tub bass and blues piano in the streets of the French Quarter. There she met Mike, who slung a banjo and sold his CDs to tourists as a curative for hangovers and small mindedness. After a court house wedding, they hit the road together. They spent their wedding night in a truckstop somewhere between Lafayette and the Atchafalaya Swamp, where Truckstop Honeymoon was born. More info at: http://www.truckstophoneymoon.com.]

20. (11.) Sharon Jones & The Dap-Kings – “Matter of Time”
from: Soul of a Woman / Daptone Records / November 17, 2017
[6th and last studio album. In November 2016, Sharon Jones suffered a stroke while watching the 2016 United States presidential election results and another the following day. Jones remained alert and lucid during the initial period of her hospital stay, jokingly claiming that the news of Donald Trump’s victory was responsible for her stroke. She died on November 18, 2016, in Cooperstown, New York, aged 60. Sharon Lafaye Jones was born May 4, 1956 and died this year on November 18, 2016. She was an American soul and funk singer. Although she collaborated with Lou Reed, David Byrne and others, she is best known as lead singer of Sharon Jones & The Dap-Kings, a soul and funk band based in Brooklyn, New York. Jones experienced breakthrough success relatively late in life, releasing her first record when she was 40 years old. In 2014, Jones was nominated for her first Grammy, in the category Best R&B Album, for Give the People What They Want. Jones was born in Augusta, Georgia, the daughter of Ella Mae Price Jones and Charlie Jones, living in adjacent North Augusta, South Carolina. Jones was the youngest of six children; her siblings are Dora, Charles, Ike, Willa and Henry. Jones’s mother raised her deceased sister’s four children as well as her own. She moved the family to New York City when Sharon was a young child. As children, she and her brothers would often imitate the singing and dancing of James Brown. Her mother happened to know Brown, who was also from Augusta.Jones grew up in the Bedford Stuyvesant neighborhood of Brooklyn, New York. In 1975, she graduated from Thomas Jefferson High School in Brooklyn. She attended Brooklyn College. A regular gospel singer in church, Jones often entered talent shows backed by local funk bands in the early 1970s. Session work then continued with backing vocals, often credited to Lafaye Jones, but in the absence of any recording contract as a solo singer, she spent many years working as a corrections officer at Rikers Island and as an armored car guard for Wells Fargo, until receiving a mid-life career break in 1996 after she appeared on a session backing the soul and deep funk legend Lee Fields. Sharon Jones was part of the very beginning of Daptone Records Daptone Records’ first release was a full-length album by Sharon Jones. A new band, the Dap-Kings, was formed from the former members of the Soul Providers and the Mighty Imperials. Some of the musicians went on to record for Lehman’s Soul Fire label, while some formed the Budos Band, an Afro-beat band. From the original Soul Providers, Roth (also known as Bosco Mann) on bass, guitarist and emcee Binky Griptite, percussionist Fernando Velez, trumpet player Anda Szilagyi and organist Earl Maxton were joined by original Mighty Imperials saxophonist Leon Michels and drummer Homer Steinweiss, plus Neal Sugarman from Sugarman 3, to form The Dap-Kings. Sharon Jones & The Dap-Kings, then released the album Dap Dippin’ with Sharon Jones and the Dap-Kings in May of 2002, for which they received immediate attention and acclaim from enthusiasts, DJs and collectors. Next they released, Naturally (2005), 100 Days, 100 Nights (2007), I Learned the Hard Way (2010), and Give the People What They Want (2014). They are seen by many as the spearhead of a revival of soul and funk.]

21. (10.) Scott Hrabko & The Rabbits – “A Thrill of My Own”
from: Summer / Scott Hrabko / June 23, 2017
[3rd full length album release and follow up to his 2015 release Biscuits and Gravity. Scott Hrabko on vocals & guitar; Marco Pascolini on pedal steel, lap steel, and baritone guitar; Fred Wickham on lead guitar; Josh Arnold on bass & vocals; and Tim Higgins on drums, with guest artists: Brett Hodges on fiddle, Havilah Bruders on vocals, Dan Bliss on guitar, Mikal Shapiro on vocals, Chad Brothers on guitar & vocals, Bart Colliver on piano and accordian, and Kevin Dolan on mandolin. Recorded in part and mixed in full by Paul Malinowski at Massive Sound. Singer-songwriter Scott Hrabko has played with Kansas City’s oldest garage band, The Original Sinners, as well as various incarnations of the 1980s bands: The Splinters, and The Andersons. In the 1990s he performed as a solo artist in coffee houses with Iris Dement and Howard Eisberg. Scott Hrabko’s 2014 critically acclaimed solo release, “Gone Places” was said to be 30 years in the making.]
[Scott Hrabko & The Rabbits played a CD Release Show, Friday, June 23 at 7:00 PM at The Brick.] [Scott Hrabko joined us on WMM on June 14.]

22. (9.) Samantha Fish – “Belle of The West”
from: Belle of The West / Ruf Records / November 3, 2017
[Samantha Fish’s second full-length release within eight months, and her sixth since debuting in 2009. Produced by Luther Dickinson. Growing up in Kansas City, Samantha Fish switched from drums to guitar at the tender age of 15. She spent much of her time in local watering holes listening to visiting blues bands. Samantha caught the attention of Ruf Records who released her album, Girls with Guitars, which found her co-billed with Cassie Taylor and Dani Wilde. That led to her forming her own trio and recording three more albums, Runaway (2011), Black Wind Howlin’ (2013) and Wild Heart (2015). She was awarded, Best Artist Debut at the 2012 Blues Music Awards in Memphis. In March of 2017 Fish released: Chills & Fever, where she traveled to Detroit to collaborate with members of the Detroit Cobras, a band popular in the Midwest punk/blues scene. The collaboration included Joe Mazzola on guitar, Steve Nawara on bass, Kenny Tudrick with Bob Mervak on keys, and Mark Levron and Travis Blotsky on trumpet and saxophone. The band covers songs from Jackie DeShannon, Jerry Ragavoy, Bert Berns and Allen Toussaint while also revisiting some earlier demos she cut along with producer Bobby Harlow.]

[Samantha Fish plays Knuckleheads Saloon, Sunday, December 31, at 9:00 PM]

11:27 – Underwriting

23. (8.) Berwanger – “The Star Invaders”
from: Berwanger and The Star Invaders / Berwanger / October 28, 2017
[Recorded in Norman, OK at Blackwatch Studios. This record features musicians from The Anniversary, Pink, Cher, Limbeck, the Flaming Lips, & Broncho. Josh wrote the songs for this record after witnessing UFO’s on family vacation 2 years ago. The songs for this record can almost make a trilogy collection including his 2 previous records, and bridge the gap nicely between his earlier bands, The Anniversary and The Only Children. Josh Berwanger on guitar & vocals, Ricky Salthouse on guitar & vocals, Eva Gardner on bass, Jonny Phillip on drums & cymbals & percussion, Matt Duckworth on percussion, and Penny Pitchlynn on backing vocals. Josh Berwanger was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released the EP Demonios November 11, 2016.]

24. (7.) Andrew Foshee – “Thunderstorm”
from: Strange Relations / Andrew Foshee / October 31, 2017
[Andrew Foshee on acoustic guitar, vocals, sampling, keys; Jon Estes on classical guitar, electric guitar, standup bass, piano, keys, percussion, string arrangements; Jeremy Fetzer on electric guitar, acoustic guitar; Jack Lawrence on bass guitar; Dave Racine on drums, percussion; Alexis Saski on backing vocals; Jem Cohen on backing vocals; Molly Parden on backing vocals; Liz Estes on viola, violin; Amy Helman on viola, violin; Eduardo DuQuesne on words of encouragement. Produced, engineered and mixed by Andrija Tokic
At The Bomb Shelter in Nashville, TN. Mastered by John Baldwin At John Baldwin Mastering in Nashville, TN. Additional production and sequencing done by Andrew At Ye Ol’ Basement Studio in Kansas City, MO. Cover art by Mariano Peccinetti. Andrew Foshee is a songwriter from Kansas City, Missouri. His knack for cinematic home recordings has lead to several song placements in tv and new media. Earlier this year he teamed up with producer Andrija Tokic (Alabama Shakes, Benjamin Booker) and a high clergy of guest musicians at Tokic’s Nashville studio, The Bomb Shelter, to fully realize his latest project. More info at: http://www.andrewfoshee.com] [Andrew Foshee joined us on WMM on November 1.]

25. (6.) Kemet the Phantom – “Suite Life (Master Clean)”
from: The Invisible Man / Center of Attention / March 9, 2017
[Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Kemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More information at: http://www.kemetthephantom.com.] [Kemet The Phantom played Brass & Boujee, October 6, at Ruins Pub, with Marcus Lewis presenting, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble] [Kemet joined us on WMM on October 4.]

26. (5.) Mysterious Clouds – “Schrif moves slowly at 8”
from: Panic on the Non Meridian / Haymaker Records / May 26, 2017
[For this release the band writes: “Crazy times call for crazy music. Panic is a reflection of the turmoil in our hearts, minds, and country. Sometimes you have to embrace the wild times to get a clear mental picture of how to make thing better.” Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. The brothers are also founders of the critically acclaimed band Monta At Odds. Mysterious Clouds also released the EP, Clear Reflection, February 3, 2017. Their song “Clear Reflection” was also include ion the Haymakers records compilation, Fairgounds Vol. 2 Released March 24, 2017.] [Mysterious Clouds played Outer Reaches Fest, Friday Sept. 29, at recordBar.] [Dedric Moore joined us on WMM on September 27.]

[Mysterious Clouds play the Sonic Spectrum Tribute Series to New Order, Thursday, December 28, at recordBar 1520 Grand, with Calvin Arsenia, Pageant Boys, Sinple, and Vacay Vay, and FAC 816 featuring members of Emmaline Twist, and Black Water.]

27. (4.) Katy Guillen and The Girls – “Humbucker”
from: Remember What You Knew Before / KG & The Girls / November 11, 2017
[For this new album the band worked with producer Lennon Bone. The band reworked songs from the 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums.] [Katy Guillen & The Girls joined us on WMM on November 8.]

[Katy Guillen and Stephanie Williams are part of The Band That Fell To Earth – A Tribute to David Bowie, The Third Annual, on Saturday, January 6, at recordBar, 1520 Grand, Ave, KCMO]

28. (3.) Calvin Arsenia – “Experience”
from: Catastrophe / Calvin Arsenia / February 14, 2017
[Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a cpmpany of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp Calvin teaches music to elementary students. Calvin is also a graduate of Artist INC. Since 2014 we have been celebrating the music of Calvin Arsenia. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin recently returned home from a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerlnd, Lyon and Paris. in over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. Calvin is working to release new music from Calvin’s June 11th, Live Recording at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC. ] [Calvin Arsenia played Big Bang Buffet’s “Black Sheep Rising,” Tuesday, April 11, at 8:00 at The Buffalo Room. A benefit for 90.1 FM KKFI featuring Ron Megee, Lisa Cordes, Jon “Piggy” Cupit, The Sleazebeats, Kristie Stremel, Jen Harris, Maria Vasquez Boyd, Jen Appell, Bill Belzer, Charlie Colborne, Mark Manning, Susan Cedarquis-Brewington, BJ McBride, Michael McQuary, Janet Henry, Ryan Wilks, and Nico Gray.] [Calvin Arsenia was on WMM on Feb. 15, April 12, Sept. 20, and Oct. 25 and we’ve played his music on 17 shows this year.]

[Calvin Arsenia plays the Sonic Spectrum Tribute Series to New Order, Thursday, December 28, at recordbar 1520 Grand, with Mysterious Clouds, Pageant Boys, Sinple, and Vacay Vay, and FAC 816 featuring members of Emmaline Twist, and Black Water.]

29. (2.) Making Movies – “Spinning Out”
from: I Am Another You / Making Movies / May 26, 2017
[3rd full length release: from Kansas City based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. Making Movies is kicking off their 22-date Immigrants Are Beautiful Tour, a celebration of solidarity in the face of fear-mongering and hate. Frontman Enrique Chi shared, “It’s time to realize we are all part of this continuum, this beautifully flawed human race that has migrated from every continent to bring us all the beauty we enjoy today.” The band’s social statement is straightforward enough that they can express it in four words: “We Are All Immigrants.” In supporting that cause, a portion of all proceeds from the album and tour go to the National Immigration Law Center. Enrique Chi, singer-songwriter in Making Movies describes, “since making the album, the tides have shifted and the underbelly of systematic racism has reared its ugly head. It is no longer time to be silent is time for us to raise our voices.” The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.] [Making Movies played I Am Another You Experience at Knuckleheads, Saturday, December 2, at 8 PM at Knuckleheads Saloon, 2715 Rochester St, KCMO, with: Making Movies, The Elders, Jim Suptic (of the Get Up Kids), Bob Walkenhorst (of The Rainmakers), The Nace Brothers, Anthony Ladesich (The Hardship Letters), Hi-Lux, Wick (of Wick and the Tricks), Rory Cameron (of the Whiffs), and Quixotic.]

30.(1.) Krystle Warren – “Get A Load”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. In 2016 Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnson County Community College. For this record Krystle decided to play every instrument and perform all vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage ’70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.] [Krystle Warren was on WMM on September 20. We played her music on 12 different shows this year.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on January 3, Wednesday MidDay Medley celebrates Iris DeMent, born January 5, 1961, in rural Paragould, Arkansas. She was the youngest of 14 children. We’ll feature music from all six of Iris DeMent’s full length recordings, plus her additional work with artists such as her husband, Greg Brown, and also: John Prine, John Emmylou Harris, and others.

Also next week, in our second hour, we celebrate David Bowie with special guest Michelle Bacon producer of The Band That Fell To Earth: A Tribute to David Bowie, Saturday, January 6, at the recordBar

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #714

WMM Playlist from December 6, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, December 6, 2017

The 117 Best Recordings of 2017
(Part 1 of 4)

Wednesday MidDay Medley presents part-one, of our four-week special: The 117 Best Recordings of 2017. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length and EP recordings of the year. We realize that these “Best of” lists can seem very subjective, however we ask that you please accept our list as a celebration of the year of music.

In 2017 we’ve played nearly 1000 different songs on the show, and from over 360 New & MidCoastal Releases. More than 200 of these releases were New MidCoastal Releases. Over 35 of the bands and artists in our “Best of” list have joined us live in our 90.1 FM studios. This past year we’ve interviewed nearly 200 guests. 70 of the representative recordings in our “Best of” list were MidCoastal Releases, produced by artists from here. It’s all good!

Tune into 90.1 FM, Wednesdays in December, on the 6th, 13th, 20th, and 27th. We’ll be packing 8-hours of radio with music that represent: The 117 of Best Recordings of 2017!

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (117.) The Coathangers – “Wipe Out”
from: Parasite – EP / Suicide Squeeze Records / May 5, 20172011
[All female punk quartet from Atlanta, Georgia, includes: lead vocalist – Julia Kugel, drummer – Stephanie Luke, keyboardist – Candice Jones and bassist – Meredith Franco. The band formed in 2006 as a joke. After playing a house show, they were asked to open for The Hiss on the strength of their performance. The name “Coathangers” refers to a method of self-induced abortion and was chosen for its irreverent vulgarity; all of the band’s members are pro-choice]

3. (116.) Ani DiFranco – “Deferred Gratification”
from: Binary / Righteous Babe / June 9, 2017
[20th studio album from Ani DiFranco, who was born Angela Maria DiFranco on September 23, 1970. She is a singer, multi-instrumentalist, poet, songwriter and businesswoman. She is a feminist icon. Although DiFranco’s music has been classified as folk rock and alternative rock she has added punk, funk, hip hop and jazz influences. DiFranco created her own record label, Righteous Babe, giving her significant creative freedom. DiFranco supports many social and political movements by performing benefit concerts, appearing on benefit albums and speaking at rallies. Through the Righteous Babe Foundation DiFranco has backed grassroots cultural and political organizations supporting causes including abortion rights to gay visibility. She counts famed American folk singer and songwriter Pete Seeger among her mentors.] [Ani DiFranco attended Folk Alliance International’s 2017 conference to deliver a special presentation on Friday, February 17.]

[Ani DiFranco plays The Madrid Theatre, Tues, Feb 20, 2018 at 8:00 PM, at The Madrid Theatre, 3810 Main St, Kansas City, Missouri 64111]

4. (115.) Ramy Essam – “El Gahsh Wel Homar (The Donkey Song)”
from: Letter to the Unsecurity Council / Ramy Essam / 2016
[Ramy Essam was born in 1987, in Mansoura, Egypt. He is an Egyptian musician, best known for his appearances in Tahrir Square in Cairo during the Egyptian Revolution of 2011. His song Irhal, in which then Egyptian president Hosni Mubarak was urged to resign, gained great popularity among the demonstrators. It became internationally known through YouTube, and is referred to as the anthem of the revolution. In 2011, it was selected by Time Out as the third-most world-changing song of all time. He currently sings hard rock songs, one of the few singers in Egypt to sing rock. Ramy also expressed his mourning of the revolution’s martyrs on Facebook. On 9 March 2011, when the Egyptian Army forcibly cleared the square, he was arrested and tortured. In October 2014, Essam was offered safe city residence for two years by the Malmö Municipality of Sweden. He is the first musician who has been offered this by Malmö but two writers have been offered it before. In addition to the residence permit, he also gets accommodation. He describes his situation as an artist in Egypt as “terrible” and is happy he can come to Sweden to study. Essam says it will be the first time he has the chance to study music, that he will keep make music and be an ambassador of the Egyptian revolution. Essam was featured on the 2014 compilation Songs from a Stolen Spring that paired Western musicians with artists from the Arab Spring, Essam’s “Bread, Freedom” was meshed with Mighty Sam McClain’s performance of “If I Can Dream”. This year Ramy Essam released the single “The Camp” with PJ Harvey.][Ramy Essam played Folk Alliance International conference where he received the 2017 Spirt of Folk Award.]

5. (114.) The Ovaries-eez – “Sand”
from: Moon Birth / Whatever Forever / January 6, 2017
[Lawrence band’s 2nd full length. Recorded, mixed, & mastered by Dual Diamonds on Whatever Forever. Guitar & vocals by Monica George & Johni Lacore & Amber Hansen on vocals, Jim Martin on Instrumentation, Brett Grady on viola. Songs by The Ovaries-eez: Johni Lacore, Amber Hansen, Monica George.]

[The Ovaries-eez play Forever Fest! with CS Luxem, HighWesthus, Wendy Moira, Mazfield, and Invisible Public Library, Sat, Dec 9 at 10 PM at Replay Lounge, 946 Massachusetts St, Lawrence, KS.]

6. (113.) Combo Los Yogas – “Que No Muera el Son”
from: Cañabrava Música / Vampisoul – Discos Fuentes / February 10, 2017 Reissue
[Vampi Soul re-issue of an obscure 1968 Discos Fuentes gem Cañabrava by Combo Los Yogas, a short-lived early Colombian salsa band from Medellín directed and arranged by Aníbal José Ángel Echeverri, the famous antioqueño keyboardist known as Aníbal Ángel or simply Anán. Employing Barranquilla native Johnny Moré as his lead vocalist and a full combo with trumpet, trombone, congas and timbales, Los Yogas recorded a fantastic collection of cover tunes in the guaguancó, son, guajira, descarga, and cha-cha-chá rhythms. The sound is very raw and hard, something that makes this obscure 1968 Discos Fuentes record a sought-after collector’s item. Thanks to the inherent quality and execution of its repertoire, “Cañabrava” provides a wonderful snapshot of the influences and early development of the genre of salsa in 1960s Colombia.]

7. (112.) JohnnySuperColossal – “She Culture”
from: Doors in the Wall / HearYou Music / October 27, 2017
[JohnnySuperColossal is the musical project of KC based Shawn Stewart who is originally from Chicago.]

8. (111.) Golden Groves – “Dinosaurs”
from: Recess [EP] / Golden Groves / July 7, 2017
[Second EP from KC based 4-piece band: Isaac Hodges on vocals & guitar, Dylan Nelson on lead guitar, Max Kmeck on bass, Andrew Lewis on drums. All songs written & recorded by Golden Groves, Produced & mixed by Jim Barnes. Mastering by PNW Mastering. More info at: http://www.goldengrovesmusic.com][Golden Groves played an EP Release show on Friday, July 7, at 8:00 PM, at The Riot Room, 4048 Broadway St, KCMO, with Westside Royal, Shadow Rabbits, and Sleeptalk from L.A.]

9. (110.) Bobby Sauder – “If Only In My Dreams”
from: Dark Empire Fairgrounds / Whatever Forever / February 24, 2017
[Debut solo release from Bobby Sauder of the Lawrence Kansas based band Karma Vision and cofounder of Whatever Forever Records. After the birth of his first child, Sauder found himself putting on a lot of folk and country records to help keep the volume down around the house. The influence of musicians like Townes Van Zant, Emmylou Harris, and The Band influenced his songwriting. All the songs were written on a guitar that only had 5 strings. Music and lyrics by Bobby Sauder (except “Josie Darner” written by Carey Scott and “Will You Bury Me?” written by Jamie Lacore). Produced by Bobby Sauder and Ross Williams. Engineered by Ross Williams. Mixed by Ross Williams and Bobby Sauder. Mastered by Brian Miller. Drums on tracks 1,3,5,6 played by Mark Osman Organ on track 7 played by Ben Sauder. Lyrics Collaborator on tracks 3 and 4 is Carey Scott. Track 2 co-engineered by Brad Girard. Recorded in Lawrence, Kansas.]

10:29 – Underwriting

10. (109.) Westerners – “Wasn’t In My Right Mind”
from: Reoccurring Dream Theme / The Record Machine / July 14, 2017
[Debut full length album from Lawrence / Kansas City based band formed in August of 2013. The band includes: Mitch Hewlett, Josh Hartranft, Matthew Pesma and Gerardo Rojas. Westerners signed to Kansas City independent label The Record Machine in 2015.] [Westerners played an album release at Mills Record Co, Fri, July 7, w/ Shortsweather and at Love Garden Records, Lawrence, July 8, w/ No Magic, and CS Luxem.]

11. (108.) Violent Bear – “Bayou Love”
from: Post Everything / Violent Bear / March 24, 2017
[KC based garage folk band with hints of Southern Gothic and nods to old country roots, formed by husband and wife musicians: Stephen & Danger Herzig, who rotate on a variety of instruments. The band also includes: Noah Cassidy on lead guitar, Jonas Cassidy on bass, and Jake Rogers on synthesizers. Violent Bear also released multiple single tracks this year.] [Violent Bear played PorchFest KC on Saturday, October 14.]

12. (107.) The Dear Misses – “Let Go”
from: Just Let Go / The Dear Misses / February 28, 2017
[This is The Dear Misses first full length album. “Just Let Go” was written over the course of 4 years. TDM started as a side project for lead singer Todd Anderson and Guitarist Cody Stapleton and caught full sail upon the addition of Drummer Bret Collins in 2014 and Bassist Shane Berggren in Late 2015. This Lawrence Kansas based 4-piece band made up of: Todd Anderson on lead vocals & rhythm guitar, Cody Stapleton on lead guitar & backing vocals, Bret Collins on drums, and Shane Berggren on bass. The band is currently in the studio recording songs for their upcoming release. More info at: http://www.reverbnation.com/thedearmisses%5D

13. (106.) Ivy – “All The Above”
from: Bad Intuition / Ivy / April 14, 2016
[Debut recording from Kansas City native singer songwriter, who plays piano and guitar, and produces beats. Her style ranges from R & B, Neo Soul, Hip Hop, Acoustic, and Pop. She has performed on stage at Lincoln Center in NYC, regional Festivals, Los Angeles, and collaborates with film and performance. Written and produced by Ivy. More info at http://www.itsjustivy.com] [Ivy played Crossroads Music Fest, Sat, Sept 9.]

14. (105.) Looming – “Leaves (Radio Edit)“
from: Seed / No Sleep Records / September 29, 2017
[Springfield, Illinois based band formed in 2013. The band consists of: Jessica Knight on bass & lead vocals, Brandon Carnes on drums & backing vocals, Mitch Baker on guitar & backing vocals, Nick Demarco on guitar, Cassie Staub on guitar & synthesizer. (Original member Jordan Fein left the band after their debut release.) “The band originally came together over a shared common vision and passion for songwriting. After years performing in various Springfield bands (Mother Leopard, Lovecow, Our Lady, Big Storm) the group fell into a natural groove with one another and became known for their unique emo-pop that’s led by the inimitable vocal stylings of Knight that pair perfectly with the band’s bright, airy sound.” “Three guitars work together to perform thick, overlapping lines that lead to satisfying breakdowns. Front-woman Jessica Knight’s curious, chewy singing style and a thumping rhythm section give Looming a potent edge above their peers. ” This album is a follow up to their debut full-length album, Nailbiter that came out in August 14, 2015.]

15. (104.) Mene Mene – “Stone Steel, and Spark”
from: Stone, Steel, and Spark – EP / Mene Mene / September 9, 2017
[Their Bandcamp page described the band as: “Kansas City based Indie Alt Rock with some piano, some drums, and a whole lot of repressed feelings.” Written & performed by Brad Feagen & Alec Stockman.]

[Mene Mene plays The Rino, Sat, Dec 9, at 7:00 PM with Nick Siegel and Instant Karma.]

16. (103.) Cindy Wilson – “Brother”
from: Change / Kill Rock Stars / December 1, 2017
[Cindy Wilson’s solo debut arrives in time to celebrate the singer’s 40th anniversary in the musical spotlight. CHANGE began for Wilson nearly a decade ago upon her part-time return to her hometown of Athens, GA. She first encountered local musician Ryan Monahan when his Beatles tribute band was hired to play her son’s birthday party – “One of the best parties ever,” says Wilson. The veteran vocalist and talented young musician began teaming up for gigs, beginning with R.E.M.’s star-studded 30th anniversary event. “Ryan and drummer Lemuel Hayes and I put together a few songs and it was fantastic,” Wilson says. “That started our own musical relationship.” Wilson and her new bandmates continued performing together, first playing classic garage and psychedelic covers but ultimately deciding to create new music all their own. They hit the studio in 2014, with local producer-musician Suny Lyons manning the board. The songs and sonic concepts flowed like the Broad River, leading Wilson to invite Lyons to join her fast developing combo. “We went to Suny’s studio to kick around ideas and see if we can do anything interesting,” Wilson says. “We wanted to see how our styles would blend. He comes from a totally different place than I do but I was great. It also became immediately clear we had to bring Suny in to be part of the band, he also had wonderful ideas. I had a really great team.” Backed by her gifted collaborators, Wilson developed a distinctive sound rooted in her long history of kaleidoscopic pop reinvention. Earlier this year Cindy released a pair of EPs, SUNRISE and SUPERNATURAL with both acclaimed by PopMatters for possessing “an undeniable sense of adventure.” Produced by Lyons at The Space Station in Athens, melding future pop, disco drama, American standards, electronica, and more into her own distinctive creative vision. “Our sound is both consistent and still evolving,” Wilson says. “These ingredients come together from left field to create something really interesting.” Further album highlights include a pair of unexpected covers: a widescreen orchestral rendition of New Colony Six’s soft rock classic, “Things I’d Like to Say,” and “Brother,” written and originally performed by Athens’ own beloved Oh-OK. “We played a show, Athens musicians playing songs by other Athens bands,” Wilson says. “We did an R.E.M. song, a Pylon song, and ‘Brother’ by Oh-OK, which turned out so great we decided it had to be on record. It hits you over the head; it’s an interesting texture. It brings the album home I think.A veteran of one of pop’s most consistently entertaining live acts, Wilson is heralding CHANGE with an unprecedented multimedia concert tour. Merging conceptual structure, unique visuals, and kicked off in March with SXSW, Wilson and her bandmates are touring the US (in a van, it should be mentioned). “The show is totally different from anything I’ve done before,” Wilson says. “It has an incredible flow, from beginning to end. The great thing about touring a show like this is you can solve problems and tweak things as you go along.” “Everyone has other bands, other jobs,” Wilson says. “I’ve got the B-52s’ fortieth anniversary, there’s a lot going on with that. At the same time, I’m very committed to this record and continuing to perform with these guys. We’re trying to go into the studio at least once a month, to continue working creatively and keep the songs coming. We’re still experimenting, still growing, but it retains a certain sound. I feel very comfortable in this band. I’m loving it.” Cynthia “Cindy” Leigh Wilson was born February 28, 1957. She is a singer, and is one of the lead vocalists, songwriter and a founding member of new wave rock band The B-52s. The B-52’s were formed when Wilson (who was born in Athens, Georgia), alongside her older brother and guitarist Ricky, organist and vocalist Kate Pierson, drummer and percussionist Keith Strickland, and vocalist Fred Schneider played an impromptu musical jam session after sharing a tropical Flaming Volcano drink at a local Chinese restaurant. They later played their first concert in 1977 at a Valentine’s Day party for their friends. Wilson and the others broke into the music world with their campy, ’60s retro band. Their 1979 debut album The B-52’s, yielded the hit singles “Rock Lobster” and “Planet Claire” and launched the band into stardom. On April 21, 1985, Wilson married Keith Bennett, a successful advertiser who was a longtime friend of the band and Ricky’s guitar tech on tour. Ricky died later that year, leaving her devastated. Wilson took a sabbatical from the band in 1990 to concentrate on raising a family, during which time The B-52’s recorded and released the album Good Stuff as a trio of Pierson, Schneider and Strickland. During the live tour to promote the Good Stuff album in 1992 and 1993, Julee Cruise sang as a replacement for Wilson. Wilson rejoined The B-52’s in 1994. In 1998 she took part in recordings from which two new songs were selected to be included along with the band’s hit singles on the album Time Capsule: Songs for a Future Generation. Wilson then took maternity leave in 1999 (being replaced on tour by Gail Ann Dorsey), later rejoining the band in 2001 for regular touring of their greatest hits. The B-52’s completed the album Funplex in 2007 and it was released in March 2008. Wilson co-wrote every song on the album with the three other band members. In all, she has co-written much of the band’s back catalogue, including “Dance This Mess Around”, “Private Idaho” and all of the Cosmic Thing album including hit singles “Love Shack” and “Roam”. Wilson’s vocal efforts include the typical B-52’s “call-and-response” vocals with Schneider and/or Pierson, as well as her harmonies with Pierson on the band’s all-female songs such as “Roam”, “52 Girls”, “Cake”, “Legal Tender”, “Summer of Love” and “Juliet of the Spirits”. One of the band’s signature elements is the setup between the three vocalists. However, Wilson sings the greatest number of solo performances in the band, especially on their earlier albums. Examples of Cindy’s solo vocal performances in The B-52’s include “Hero Worship”, “Loveland”, “Nip It in the Bud”, “Girl from Ipanema Goes to Greenland”, “Ain’t It a Shame”, “She Brakes for Rainbows” and the live favorite “Give Me Back My Man”. Wilson is the band’s bongosero, playing the bongos in regular live favorites “Planet Claire”, “Mesopotamia”, “Pump” and “Party Out of Bounds” as well as other songs such as “6060-842” and “Big Bird”.] [The B-52s played The Uptown, Oct 22. Cindy Wilson played Riot Room, Nov. 17.]

17. (102.) Nancy and Beth – “Please Mr Jailer”
from: Nancy and Beth / Herpursef / April 7, 2017
[“Please Mr, Jailer’ was written by Wynona Carr (August 23, 1923 – May 11, 1976) an African-American gospel, R&B and rock and roll singer-songwriter, who recorded as Sister Wynona Carr when performing gospel material. Carr’s contralto vocals have a sensual, husky quality which made her eventual switch to R&B and rock & roll seem a logical choice in retrospect. Carr’s gospel recordings are very much influenced by Sister Rosetta Tharpe, incorporating blues and jazz stylings and R&.B. Her early R&B material (for which she is probably best remembered now) was often uptempo, rock & roll-styled and similar in sound to fellow R&B/rock & roll artists on the Specialty roster like Little Richard, Lloyd Price and Larry Williams, with a strong New Orleans-style backbeat and a rich, warm production. Her final Specialty sessions, conducted by Sonny Bono in 1959, cut down on the rock & roll influences. Both Carr’s gospel and R&B recordings went largely unappreciated during the time they were released, but found a new audience when Specialty Records released two CDs, covering Carr’s entire output on the label.Megan Mullally and Stephanie Hunt met in Austin Texas while filming the independent movie Somebody Up There Likes Me. The minute the two started singing together they realized they had something special. They formed the band Nancy and Beth in 2012. formed the band Nancy and Beth in 2012. They went on tour in March 2013. They are set to release their debut album just before a North American tour. Actress, singer, Emmy and Golden Globe Awards winner, MEGAN MULLALLY (Karen on NBC’s Will & Grace, Children’s Hospital, Party Down) . STEPHANIE HUNT (Friday Night Lights, Californication and How To Live With Your Parents For the Rest of Your Life). [Nancy and Beth played an Official Showcase at tFolk Alliance International Conference, February 15.] [Megan Mullally presented awards for the Best of 2016 Album, Song, and Artist of the Year, at the International Folk Music Awards, February 15, 2017 at the Westin Hotel in KC.]

11:00 – Station ID

18. (101.) Sudan Archives – “Oatmeal”
from: Sudan Archives / Stones Throw Records / July 14, 2017
[Self titled debut EP from LA based violinist Sudan Archives, combines elements of the modern and ancient. The 23 year-old self-taught violinist draws inspiration from Sudanese fiddlers, R&B, West African rhythms, and experimental electronic music. Building records around rhythms and melodies from the strings of her violin and raw vocals, Sudan effortlessly draws the link between traditional African music and contemporary electronic production.]

19. (100.) HighWesthus – “Burn (Radio Edit)”
from: HighWesthus – The Trilogy (Part I, II, III) / Datura Records / August 26, 2017
[Written, produced, performed by HighWesthus, and mixed & mastered by Leyone Tracks. HighWesthus was born Shaun Teamer, in Chicago, Illinose. Now based in Kansas City, in October 2016 HighWesthus released Part III. The ILLU as the last official album of the Trilogy Set that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. Recently Lawrence based Datura Records in co-release with Whatever Forever, released all 3 parts as one 29 song collection. HighWesthus is a freelance multimedia artist. He graduated from the KC Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illistration, animation, graphic design, dideo editing, sound editing, music producing, writng and storytelling.]

[HighWesthus plays Forever Fest! with CS Luxem, Wendy Moira, Mazfield, Ovaries-eez, and Invisible Public Library, Saturday, Dec 9 at 10:00 PM at Replay Lounge, 946 Massachusetts St, Lawrence, KS.]

20. (99.) Judith Owen – “Somebody’s Child”
from: Somebody’s Child / Twanky Records / March 3, 2017
[11th studio album from Welsh born singer songwriter and co-founder of Twanky Records with her husband, Harry Shearer. This albums follows her 10th release “Ebb & Flow.” It features three of the four members of “The Section”: Leland Sklar on bass, Russell Kunkel on drums and Waddy Wachtel on guitar.] [Judith Owen played The Uptown Theatre, Friday, March 24, at 8:00 PM with legendary bassist Leland Sklar, in her band, opening for Bryan Ferry.]

21. (98.) Ariel Pink – “Feels Like Heaven”
from: Dedicated To Bobby Jameson / Kemado Records / September 15, 2017
[11th studio album LA’s prodigal songwriting son Ariel Pink. The album’s title makes a direct and heartfelt reference to a real-life L.A. musician, long presumed dead, who resurfaced online in 2007 after 35 reclusive years to pen his autobiography and tragic life story in a series of blogs and YouTube tirades. “His book and life resonated with me to such a degree,” Pink states, “that I felt a need to dedicate my latest record to him.” Dedicated to Bobby Jameson begins at the end and ends at the beginning. “We follow the protagonist through a battery of tests and milestones, the first of which sees him reborn into life out of death,” Pink explains, referencing the opening track “Time To Meet Your God.” “From there, he seesaws his way between the innocent love and the rock-solid edifice of childhood-worn trauma that together constitute his lifelong initiation into the realm of artifice and theatrical disposability.” Ariel Pink started as a visual artist before becoming a recording artist in the late ‘90s while attending Cal Arts. Drawing on iconoclasts and trailblazers like the Shaggs, the Cure, the Velvet Underground, Destroy All Monsters, Cabaret Voltaire, and R. Stevie Moore, Pink set himself to redefining the musical lexicon for himself and others. “This mission,” he says, “remains mine to this day.” More info at: http://www.ariel-pink.com.]

22. (97.) Aimee Mann – “Patient Zero”
from: Mental Illness / Aimee Mann – SuperEgo Records / March 31, 2017
[9th solo studio release from Aimee Mann who was born September 8, 1960 and is a rock singer, singer-songwriter, bassist & guitarist. She was the bassist and a vocalist for the band ‘Til Tuesday during the 1980s and since then has primarily performed as a solo musician. She is married to Michael Penn. In 1999, Mann recorded original material for the soundtrack to the Paul Thomas Anderson film Magnolia, which earned both Academy Award and Grammy Award nominations for the song “Save Me”. She negotiated a contract release from David Geffen and founded her own label, SuperEgo Records.]

23. (96.) The Life and Times – “dark mavis”
from: The Life and Times / Slimstyle Records / April 28, 2017
[5th full length studio album, and 10th release from Chicago based indie band formed in 2002. Current members include: Allen Epley, Eric Abert, and Chris Metcalf. Past members include: Rob Smith, John Meredith, and Mike Meyers. Band has toured with: The Appleseed Cast, Murder by Death, Pelican, Mono, Sparta, Pinback, Engine Down, and William Elliott Whitmore.]

24. (95.) The Hearers – “Five Seasons”
from: Five Seasons / The Hearers / September 6, 2017
[Third full length release from KC/Seattle/San Diego/Lawrence based band, made up of Darren Welch on bass, vocals, 12-string, keys; Marc Tweed on guitar, vocals, synth; David Moore on guitar, vocals, Hammond; Chris Braun on piano, cello, Hammond, ukulele, flute, vocals; Jay Kakert on harmonica, glockenspiel; Jeff Doom on electric guitar; Eric Mardis on pedal steel, banjo; Rob Veitch on drums, percussion, concert bass drum; Michael Walker on trombone, monotron, horn arrangements. With Additional horns from: Rich Wheeler on tenor sax, C melody sax; Brett Jackson on baritone sax; Nick Howell on trumpet. Recorded, mixed and mastered by David Moore at Merriam Shoals. Additional recording by Marc Tweed at SexDungeon Studio.][The Hearers played Outer Reaches Fest, at recordBar, Sat, September 30]

25. (94.) The Ants – “Calling In”
from: Golden Submarine / Beyond Records / October 13, 2017
[The Ants 10th release and their 8th full length album. Band member Chad Bryan says that “It is safe to say they have been under the radar for the past 17 years. We’ve long been a band other bands enjoy, but haven’t really gotten past that and into a larger audience. We’ve been releasing music independently for the past ten years and were on a small label out of Chicago called Sickroom Records prior to that. We’ve been relegated to local and regional work the past several years due to real life obligations. We did quite a bit of touring 2003-2010. The nucleus of the band is a four piece that has been together since 2006. Half of the band lives in Lawrence, the other half in Kansas City.” Band members include: David Randall, Sean McEniry, Brad Nichols, Chad Bryan. http://www.killtheants.com] [The Ants played a KC Release show at Holy Cow, Nov 12.]

26. (93.) Approach – “The Luv (Radio Edit)”
from: Elegant Knock / Datura Records / January 20, 2017
[Lawrence based Sean Hunt is Approach. Sequenced, Produced, Recorded, Mixed & Mastered By: Aikido Bray at Prosidio Gardens in Lawrence. Sean Hunt writes: “Elegant Knock” started out as a beat album named after a production night I throw in Lawrence. It turned into a 10 track album that pays respect to a sound and vibe that I loved in High School. It isn’t a throwback project on some I wish it was 96′ ish, it’s a “why aren’t we still freaking these sounds now” thang. My original concept was flipped when I dug out my old Ensoniq EPS 16+ and started funking around. The next thing I knew I was making an album I wanted to rap on. I did all of the production on the EPS (everything and it’s was headache) and made a few mixing edits on the Ensoniq ASR-10 (mainly stereo pans). I pushed myself to use the tools of yesteryear to capture the feeling I was seeking out (it was a pain in the ass and I lost a ton of beats in the process). I loved every second of it though. I feel like it’s the perfect bridge between my Lincoln Marshall project with Milkdrop and my album “Antique Mall” (coming out soon).]

[Approach plays The Night Punk Stole Xmas the 3rd annual Hope House Toy Drive, Saturday December 9, at 7:00 PM at Revolution Records Kansas City 1830 Locust St, KCMO, with Hipshot Killer, Red Kate, Black Market Translation (Denver), Warm Bodies, and Nature Boys.]

27. (92.) Arc Flash – “Divination”
from: Carbon Copy/ High Dive Records / March 31, 2017
[Debut full length from Arc Flash. James Thomblison on lead vocals & guitar, and Mark Osman on drums & percussion. Music by Arc Flash. Mixed by Joel Martin & Arc Flash. Mastered by Mike Nolte. Album art by Tanner Spreer. Carbon Copy on CD & vinyl on High Dive Records and cassette on Whatever Forever. http://www.highdiverecords.com]

[Arc Flash play Replay Lounge, 946 Massachusetts, Lawrence, KS, Friday, December 15, at 10:00 PM]

28. (91.) Sauce – “Venus & Serena feat. Gee Watts”
from: Summer Sauce / Sauce / July 28, 2017
[Kansas City native Hip-Hop artist Sauce is also known as Royce Handy. “Summer Sauce” is his 3rd original release, it features Kendrick Lamar and Tech N9NE collaborator, Gee Watts, along with producer/rapper Duncan Burnett. Duncan Burnett produced all the songs except Childhood Crush, produced by M. Fasol. This concept EP sets the tone of love and greatness via future soul, live instruments, and summer vibes. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts. He has released over 9 professional projects including a collaboration EP. He sold out his 2013 release party at 7th Heaven, landed on a billboard chart, has featured on various hip-hop blogs, and his anti- violence hit “Gunshots” has been featured on Hot 103 Jamz, 95.3 FM, 90.1 FM. Recently, he organized his first regional tour that included St. Louis, Tulsa, Oklahoma, Salina, Kansas and many other Kansas City metro venues.]

[Sauce plays live at the KC Streetcar Holiday Jam w/Sauce, Friday December 8, at 6:00 PM to 8:00 PM, at KC Power & Light District KC Streetcar Stop (14th & Main). It’s Downtown Dazzle time and the KC Streetcar is a great way to enjoy all things festive in downtown Kansas City.]

[Sauce and Gee Watts play THE GIVE BACK: A Harvesters FOOD drive at miniBar Saturday, December 9, at 8 PM, at miniBar, 3810 Broadway Rd, Free Entry with Three Non Perishible Food Items, Hosted by Reach, with LIVE performances by: Heartfelt Anarchy, Terence Tyrone, Shawn Majors, and Clark Roosevellte.]

29. (90.) Deerhoof – “I Will Spite Survive (ft. Jenn Wasner)”
from: Mountain Moves / Joyful Noise / September 8, 2017
[itchfork went so far as to label Deerhoof as “the best band in the world.” From their humble beginnings as an obscure San Francisco noise act, they’ve become one of indie music’s most influential bands with their ecstatic and unruly take on pop. Formed in San Francisco in 1994. Deerhoof currently consists of founding drummer Greg Saunier, bassist and singer Satomi Matsuzaki, and guitarists John Dieterich and Ed Rodriguez. Initially performing improvised noise punk, Deerhoof became widely renowned and influential in the 2000s through prodigious and self-produced creative output combining “noise, sugary [pop] melodies, and an experimental spirit into utterly distinctive music”. They have released 14 studio albums since 1997. Their live shows are characterized by minimal gear, maximal volume, and surrealist banter.][Deerhoof played Outer Reaches Fest, at recordBar, Friday, September 29.]

30. (89.) The War On Drugs – “Knocked Down”
from: A Deeper Understanding / Atlantic Recording / August 25, 2017
[The 4th studio album from Philadelphia, Pennsylvania, band formed in 2005. The band consists of Adam Granduciel (vocals, guitar), David Hartley (bass), Robbie Bennett (keyboards), Charlie Hall (drums), Jon Natchez (saxophone, keyboards) and Anthony LaMarca (guitar). Founded by close collaborators Granduciel and Kurt Vile, The War on Drugs released their debut studio album, Wagonwheel Blues, in 2008. Vile departed shortly after its release to focus on his solo career. The band’s second studio album Slave Ambient was released in 2011 to favorable reviews and extensive touring. Written and recorded following extensive touring and a period of loneliness and depression for primary songwriter Granduciel, the band’s third album, Lost in the Dream, was released in 2014 to widespread critical acclaim and increased exposure. Previous collaborator Charlie Hall joined the band as its full-time drummer during the recording process, with saxophonist Jon Natchez and additional guitarist Anthony LaMarca accompanying the band for its world tour.]

31. (88.) Salty – “Hello Paradise”
from: Preservation Blues / Independent / February 8, 2017
[Salty is formerly know as Lil Toughies. Formed in early 2016 with Jonathan “JB” Brokaw on guitar & vocals, Zach Turner on synthesizers & sound terror, Andy Erdrich on bass, Ethan “macho man” Savage on drums. Recorded by Jonathan Brokaw. Mixed by Tim Harte and Jonathan Brokaw. Mastered by Tim Harte. all lyrics by Jonathan Brokaw. The current line up includes: Jonathan “JB” Brokaw on guitar & vocals, Zach Turner on synth & sound terror, Ethan “macho man” Savage on drums, Jesslay Huh on bass & texture. More info at http://www.saltykcmo.bandcamp.com ] [Salty played two Preservation Blues, Album Release Shows: Friday, April 28, at Mills Record Company, and Saturday, April 29, at Blind Tiger]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Please tune into Wednesday MidDay Medley throughout December as we present our 4-week special: The 117 Best Recordings of 2017 on December 6th, 13th, 20th, and 27th. Next week, we continue with part 2 of our 4 week series, we’ll hear representative tracks from: Hembree, Black Stacey, Claire Adams, Via Luna, Salar Rajabnik, Sky Smeed, The MGDs, Pink Royal, Soul Revival, Nick Siegel, Wick & The Tricks, Pageant Boys, Keaton Conrad, Truck Stop Love, The Good Hearts, Pieta Brown, Joon Moon, Mount Eerie, The Souljazz Orchestra, This Is the Kit, Mavis Staples, The Safes, The Weather Station, Dirty Projectors, The Como Mamas, Las Cafeteras, Laura Marling, Big Thief, and Adult Mom.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #711

WMM Playlist from Sept. 27, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 27, 2017

Music From 2017 Outer Reaches Festival
with Brenton Cook, Dedric Moore & Steve Tulipan
a

10:00 – New & MidCoastal Releases

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Hi-Lux – “Take Me Where You Are”
from: Take Me Where You Are – Single / Hi-Lux / August 15, 2017
[HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in Kansas City. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. This is their 3rd single release of this year. More information at: http://www.hi-lux.bandcamp.com]

[Julia Haile collaborated w/ Barclay Martin at KKFI Collaborations Live!, June 30, The Folly Theatre]

[Hi-Lux recently played the Pink Royal – Do You Mind – EP release show at recordBar.]

3. Morrissey – “Spent the Day in Bed”
from: Low In High School / BMG / November 17, 2017
[11th solo studio album of Morrissey was produced by Joe Chiccarelli, and recorded at La Fabrique Studios in France and at Ennio Morricone’s Forum Studios in Italy. Steven Patrick Morrissey was born May 22, 1959, and is professionally known as Morrissey, is an English singer, songwriter and author. He rose to prominence as the lead singer of the indie rock band the Smiths, which was active from 1982 to 1987. Since then, Morrissey has had a solo career, making the top ten of the UK Singles Chart on ten occasions. Born in Davyhulme, Lancashire, to a working-class Irish family, Morrissey grew up in Manchester. As a child he developed a love of literature, kitchen sink realism and popular music. Involved in Manchester’s punk rock scene during the late 1970s, he fronted the Nosebleeds, with little success. Beginning a career in music journalism, he authored a number of books on music and film in the early 1980s. With Johnny Marr he established the Smiths in 1982, soon attracting national recognition for their self-titled debut album. As the band’s frontman, Morrissey attracted attention both for his witty and sardonic lyrics and his idiosyncratic appearance; deliberately avoiding rock machismo, he cultivated the aesthetic of a social outsider who eschewed drugs and embraced celibacy. He was also noted for his unusual baritone vocal style (though he sometimes uses falsetto). The Smiths released five further albums – including the critically acclaimed Meat is Murder and The Queen is Dead – and had a string of hit singles. Personal differences between Morrissey and Marr resulted in the Smiths’ separation in 1987. Since The Smiths disbanded in 1987 he has released ten studio albums, two live albums, eleven compilation albums, one extended play (EP), forty-six singles and seven video albums on HMV, Sire Records, Parlophone, Polydor, RCA Victor, Island, Mercury, Sanctuary Records, EMI, Reprise Records, Rhino, Decca Records, Harvest Records, Capitol Music Group and BMG..]

[Morrissey is on tour and will be in Denver on Nov. 20, and St. Louis on Nov. 22 but not KC, sad.]

4. Jay Som – “The Bus Song”
from: Everybody Works / Polyvinyl Records / March 10, 2017
[from http://www.jaysom.bandcamp.com: On her first proper album as Jay Som, Melina Duterte, 22, solidifies her rep as a self-made force of sonic splendor and emotional might. If last year’s aptly named Turn Into compilation showcased a fuzz-loving artist in flux—chronicling her mission to master bedroom recording—then the rising Oakland star’s latest, Everybody Works, is the LP equivalent of mission accomplished. Duterte is as DIY as ever—writing, recording, playing, and producing every sound beyond a few backing vocals—but she takes us places we never could have imagined, wedding lo-fi rock to hi-fi home orchestration, and weaving evocative autobiographical poetry into energetic punk, electrified folk, and dreamy alt-funk. And while Duterte’s early stuff found her bucking against life’s lows, Everybody Works is about turning that angst into fuel for forging ahead. “Last time I was angry at the world,” she says. “This is a note to myself: everybody’s trying their best on their own set of problems and goals. We’re all working for something.” Everybody Works was made in three furious, caffeinated weeks in October. She came home from the road, moved into a new apartment, set up her bedroom studio (with room for a bed this time) and dove in. Duterte even ditched most of her demos, writing half the LP on the spot and making lushly composed pieces like “Lipstick Stains” all the more impressive. While the guitar-grinding Jay Som we first fell in love with still reigns on shoegazey shredders like “1 Billion Dogs” and in the melodic distortions of “Take It,” we also get the sublimely spacious synth-pop beauty of “Remain,” and the luxe, proggy funk of “One More Time, Please.” Duterte’s production approach was inspired by the complexity of Tame Impala, the simplicity of Yo La Tengo, and the messiness of Pixies. “Also, I was listening to a lot of Carly Rae Jepsen to be quite honest,” she says. “Her E•MO•TION album actually inspired a lot of the sounds on Everybody Works.” There’s story in the sounds—even in the fact that Duterte’s voice is more present than before. As for the lyrics, our host leaves the meaning to us. So if we can interpret, there’s a bit about the aspirational and fleeting nature of love in the opener, and the oddity of turning your art into job on the titular track. There’s even one tune, “The Bus Song,” that seems to be written as a dialog between two kids, although it plays like vintage Broken Social Scene and likely has more to do with yearning for things out of reach. While there’s no obvious politics here, Duterte says witnessing the challenges facing women, people of color, and the queer community lit a fire. And when you reach the end of Everybody Works, “For Light,” you’ll find a mantra suitable for anyone trying, as Duterte says, “to find your peace even if it’s not perfect.” As her trusty trumpet blows, she sings: “I’ll be right on time, open blinds for light, won’t forget to climb.”]

5. Mene Mene – “Stone Steel, and Spark”
from: Stone, Steel, and Spark – EP / Mene Mene / September 9, 2017
[Their bandcamp page described the band as: “Kansas City based Indie Alt Rock with some piano, some drums, and a whole lot of repressed feelings.” Written and performed by Brad Feagen and Alec Stockman.]

[Mene Mene play an EP Release Show Saturday, September 30, at The Brick with Scruffy and the Janitors, and The UK’s.]

6. John Moreland – “Lies I Chose To Believe”
from: Big Bad Luv / 4AD / May 5, 2017
[Tulsa, Oklahoma based singer-songwriter John Moreland was born June 22, 1985 in Longview, Texas. The son of Robert Lloyd Moreland and Connie May, Moreland’s father worked for Sunoco as an electrical engineer, and because of this job the family moved a lot. When he was a baby they moved to Northern Kentucky, across the river from Cincinnati, Ohio. Moreland credits his love for Cincinnati Reds to this time in Kentucky. When Moreland was 10 years old Moreland’s family moved from Boone County, Kentucky to Tulsa, Oklahoma and with the help of his father, started playing the guitar. When he was 12 he played with a kid he went to church with who wrote songs and inspired him to start writing songs “that made sense.” John grew up in a conservative Southern Baptist family. “From the time I was born up until about age 16, my entire worldview and all my opinions were pretty much solely influenced by the evangelical church. All the years since then have sort of been this slow process of figuring out where I stand now that I’m not an impressionable kid anymore. I feel like I’m done with that at this point, but it keeps showing up in songs. I guess that stuff stays in your psyche forever.” His “High on Tulsa Heat” was in our 115 Best Recordings of 2015.]

[John Moreland plays Tito’s Sound Machine Series Mon, Oct. 2, ar recordBar w/ The Hardship Letters.]

7. Pink Royal – “Bring It On Back”
from: Do You Mind EP / Pink Royal / September 12, 2017
[Experimental groove pop, 5-piece band based in Lawrence, Kansas with Steven LaCour on guitar & vocals, Josh Dorrell on guitar & vocals, Alex Hartmann on drums, Nick Carswell on bass & vocals, Vik Govindarajan on Keyboards & vocals. Music and Lyrics by Pink Royal (except Tracks 3 & 6 by Pink Royal and Dylan Guthrie.) Recorded and produced by Jim Barnes. Mastered by Dalton Brand at WaveBurner Recording.]

[Pink Royal played a Do You Mind EP Release show, Fri, Sept 22, at recordBar, w/ Hi Lux, and Evolfo.]

8. Diet Cig – “Leo”
from: Swear I’m Good At This / Father Daughter Records / April 7, 2017
[Pop-punk duo Alex Luciano on vocals & guitar, Noah Bowman on drums met at a house show in New Paltz, New York, in the summer of 2014. Bowman’s old band, Earl Boykins, was playing at the house show, where Luciano needed a cigarette lighter. She interrupted the band’s set to ask Bowman for one, but he gave her a bottle of wine instead. Afterwards, Luciano got his number and told him she’d make a music video for him. The next day, Bowman tattooed a daisy on Luciano’s foot and by August 2014, the pair were making music together. They officially named their act Diet Cig in September 2014. Luciano and Bowman confirmed. Swear I’m Good At This was produced, engineered and mixed by Christopher Daly at Salvation Recording Co. in New Paltz, NY with additional recording at Atomic Sound in New York City, and additional engineering by Travis DeJong and Dakota Bowman. It was mastered by Jamal Ruhe at West West Side.]

10:28 – Underwriting

10:30 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

Steve Tulipana, Brenton Cook, and Dedric Moore on the Sept. 27, 2017 edition of Wednesday MidDay Medley on 90.1 FM KKFI

9. Sego – “Whatever Forever”
from: Whatever Forever” – Single / Dine Alone Records / September 14, 2017
[Los Angeles based Sego is Spencer Petersen and Thomas Carroll. Both were birthed in the burgeoning Provo, Utah music scene. However, finding inspiration in the dissonance that the towering structures and bustling city offers over the mountains and relative quiet of Provo, both relocated to an old pasta factory in downtown LA. Through various projects together, both founding members uncovered their distinct sound: lazy, grungy guitars with digital overlays and refreshingly honest lyrics. The band’s debut album, Once Was Lost Now Just hanging Around, came out March 4, 2016 and surprises with angular guitars, complex arrangements and musings from an 80’s kid contemplating the void left from the misguided hope of our youth.]

[Sego plays the Lincoln Calling Festival, in Lincoln Nebraska, on Friday, September 29]

[Sego plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Saturday, September 30]

Outer Reaches was formerly called KC Psych Fest started in 2012 as a way to bring together outsider musical acts and celebrate the variety of experimental music within Kansas City, particularly genres that ventured into the psychedelic realm. The goal of Outer Reaches is to promote music that is adventurous and mind expanding.

The 2017 Outer Reaches Fest, is this Friday, September 29 and Saturday, September 30, at recordBar, 1520 Grand Ave, KCMO. On Friday features: Deerhoof of San Francisco, CA, Lily and Horn Horse from New York City, NY, Matchess out of Chicago, IL, Various Blonde from KCMO, and Mysterious Clouds from KCK. Saturday, September 30, the fest features: El Ten Eleven from Los Angeles, CA, Dead Rider from Chicago, IL, The Hearers of Kansas City, MO, Sego from Los Angeles, CA, and Pageant Boys of Kansas City, KS.

Joining us to share music and information about Outer Reaches 2017 are three guys who together make Outer Reaches happen each year: Brenton Cook, Dedric Moore, and Steve Tulipana who join us for the remaining 85 minutes of the show.

Dedric Moore launched this festival in 2012. The idea grew out of the music he was creating with his Brother Delaney Moore at the HQ Artspace in KCK. Dedric is a member of the bands Monta At Odds, Mysterious Clouds, and Gemini Revolution. He has also produced recordings for the Philistines and HMPH, and others.

Dedric Moore, thanks for being with us on Wednesday MidDay Medley

The Festival seems to have grown organically, growing too big for FOKL, the arts/performance space in Kansas City, Kan., that hosted the first two KC Psych Fests.

Dedric and Delaney are part of the KCK Music Scene.

In 2014 the festival moved to recordBar.

Steve Tulipana is the co-owner of recordBar. Steve studied video, fine arts & painting at UMKC, where he graduated in 1991. A constant collaborator, Steve is a founding member of influential KC bands: Season To Risk, Pornhuskers, Unknown Pleasures, Sie Lieben Maschinen, Roman Numerals, and Thee Water MoccaSins. With Shawn Sherrill, he is co-owner of recordBar and miniBar. After 10 years at 1020 Westport Rd. recordBar reopened at 1520 Grand, and recently started serving food from their kitchen and full menu. Along with Outer reaches, and a full calendar of shows, Steve’s band Roman Numerals are reuniting to play live at recordBar, Saturday, October 21 with Olympic Size, Mazinaw, and DJ Just. Steve’s band, Season to Risk will open for Descendents, Friday, Niovember 3, at 8:00 PM, with Less Than Jake. Also look for recordBar’s upcoming 7″ Single Series.

Steve Tulipana, welcome back to Wednesday MidDay Medley.

The new recordBar, 1520 Grand, in the Crossroads feels like a really great fit for Outer Reaches.

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton produced three extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 5 years, Haymaker Records has been a co-sponsor & co-curator of the Outer reaches with Dedric Moore.

Brenton Cook, Thanks for being with us on Wednesday MidDay Medley

In six years this festival has changed cities, venues, names, but the spirit of the festival continues. The festival aims to be genre-spanning and showcase young and established local, national, and international acts.

More information can be found at: http://www.outerreachesfest.com and http://www.therecordbar.com.

10:45

10. Deerhoof – “Con Sordino”
from: Mountain Moves / Joyful Noise / September 8, 2017
[Satomi Matsuzaki plays bass and sings, Greg Saunier plays drums, John Dieterich and Ed Rodriguez play guitars. Pitchfork went so far as to label Deerhoof as “the best band in the world.” From their humble beginnings as an obscure San Francisco noise act, they’ve become one of indie music’s most influential bands with their ecstatic and unruly take on pop.]

[Deerhoof plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Friday, September 29.]

11. El Ten Eleven – “Battle Axes”
from: Fast Forward / Fake Record Label / August 21, 2015
[El Ten Eleven is a Los Angeles post-rock duo known for combining guitar/bass doubleneck or fretless bass, with heavy looping, or vamping, and the utility of an effects pedal, over acoustic or electric drumming. They have released six full-length albums, 2 EPs and a remix album, earning generally positive reviews. The band has earned some attention due to many of their songs being featured in the soundtracks of Gary Hustwit’s design documentaries Helvetica, Objectified, and Urbanized. The name El Ten Eleven is derived from the name of an airliner, the Lockheed L-1011 TriStar. Bassist and composer Kristian Dunn and drummer Tim Fogarty formed El Ten Eleven in 2002 while living in the Silver Lake community of Los Angeles. They released their eponymous debut album, El Ten Eleven in 2004 on Fake Record Label, and through Bar/None Records on September 20, 2005. Many reviews of the album garnished the band with positive acclaim. Comparisons have been drawn to Sigur Rós and The Mercury Program, though reviews have heavily emphasized the duo’s utilization of a limited number of musicians to create complex instrumental works. The Dallas Observer called them the fourth best instrumental band in the last twenty years. Spin, which awarded them the title ‘Band of the Day’, September 29, 2005, describes their work as “experimental instrumental music that’s both highly skilled and deeply felt.”]

[El Ten Eleven play Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, September 30]

10:52 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2017 Outer Reaches Festival this Friday and Saturday night at recordBar, 1520 Grand Avenue, in the Crossroads. More information can be found at: http://www.outerreachesfest.com and http://www.therecordbar.com.

We just heard one of the headliner bands playing Saturday Night at Outer Reaches, the Los Angeles band, El Ten Eleven.

Dedric Moore, you told The Star in 2014, “We’ve always taken the idea of psychedelic music as being something mind-expanding…” “Anybody that’s pushing the boundaries, creating something unique.”

10:57 – Station ID

12. Dead Rider – “Ramble on Rose”
from: Crew Licks / Drag City Records / September 22, 2017
[4th studio album from Dead Rider, formerly known as D. Rider, is an American experimental rock band from Chicago, Illinois, United States. Assembled by former U.S. Maple guitar player Todd Rittmann, the current lineup features Rittmann on guitar and lead vocals, Andrea Faught on trumpet and keyboards, Thymme Jones on keyboards, and Matt Espy on drums. Dead Rider formed in 2009. Their third album, Chills on Glass, was released by independent record label Drag City in 2014. It premiered on the website for High Times magazine.]

[Dead Rider play Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, September 30]

13. Matchess – “Mortification of the Flesh”
from: Somnaphoria / Trouble In Mind / June 23, 2015
[From Trouble in Maind Records: Whitney Johnson’s Matchess project took flight in 2013, with the super limited cassette release “Seraphastra” on Digitalis Industries, a bewitching miasma of synth & organ drones, prepared tape loops, & viola scree. Trouble In Mind re- released “Seraphastra” in 2014 on vinyl, giving it a much-needed wider release, and since then, Johnson has been working diligently, crafting her next installment in a proposed trilogy, entitled “Somnaphoria”. Johnson’s solo work has always toed the line between the corporeal vs. metaphysical – the juxtaposition of the physical interaction of viola strings & the electronic pulses of circuits & oscillators. Recorded by Johnson in her home studio & mixed by Cooper Crain (Bitchin’ Bajas/Cave), & inspired by the writings of Rimbaud, Baudelaire & Verlaine, “Somnaphoria” is a dazzling leap forward. With a cohesive vision both thematically & sonically, the album fuses elements of contemporary classical music & modern experimental electronic music with a neo-new age mysticism. Johnson isn’t the first electronic musician to find inspiration in the French poets – pioneering musician Ruth White also found Baudelaire’s “Flowers of Evil” to be a guiding force & titled her 1969 album after the writer’s collected poetry works & White’s seminal work seems to be a touchstone for “Somnaphoria”. Much like Rimbaud’s symbolist poems, the underlying themes of the album’s eleven compositions play out like the fever-dream of a sleeper refusing to wake up, drifting in & out of focus, but seeing all. Indeed Rimbaud’s quest to become a “seer” thru his poetry is analagous to Johnson’s quest for a shamanic connection to the listener through her music. Matchess continues to evolve, both recorded & in a live setting & Johnson has only begun to allow us, the listener to hear her potential. Fans who order “Somnaphoria” direct from Trouble In Mind will receive a copy on GOLD VINYL – limited to 300 copies! The stunning album artwork is by Chicago illustrator Carrie Vinarsky!Mixed by Cooper Crain, Mastered by Shelly Steffens]

[Matchess plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Friday, September 29.]

11:04 – Interview with Brenton Cook, Dedric Moore & Steve Tulipana

We’re talking with Brenton Cook, Dedric Moore & Steve Tulipana about the 2017 Outer Reaches Fest, Friday and Saturday at recordBar, 1520 Grand Avenue, in the Crossroads.

Friday, September 29
Deerhoof (San Francisco, CA)
Lily and Horn Horse (New York City, NY)
Matchess (Chicago, IL)
Various Blonde (Kansas City, MO)
Mysterious Clouds (Kansas City, KS)

Saturday, September 30
El Ten Eleven (Los Angeles, CA)
Dead Rider (Chicago, IL)
The Hearers (Kansas City, MO)
Sego (Los Angeles, CA)
Pageant Boys (Kansas City, KS)

Outer Reaches Sponsors:
recordBar
Records with Merritt
Josey Records Kansas City
7th Heaven
It’s a Beautiful Day
Haymaker Records
The Record Machine
Sound 81 Productions
Seen Merch
Midwest Music Foundation
XO Blackwater

More information can be found at: http://www.outerreachesfest.com and http://www.therecordbar.com.

11:09

14. The Hearers – “Five Seasons”
from: Five Seasons / The Hearers / September 6, 2017
[Third full length release from KC/Seattle/San Diego/Lawrence based band, made up of Darren Welch on bass, vocals, 12-string, keys; Marc Tweed on guitar, vocals, synth; David Moore on guitar, vocals, Hammond; Chris Braun on piano, cello, Hammond, ukulele, flute, vocals; Jay Kakert on harmonica, glockenspiel; Jeff Doom on electric guitar; Eric Mardis on pedal steel, banjo; Rob Veitch on drums, percussion, concert bass drum; Michael Walker on trombone, monotron, horn arrangements. With Additional horns from: Rich Wheeler on tenor sax, C melody sax; Brett Jackson on baritone sax; Nick Howell on trumpet. Recorded, mixed and mastered by David Moore at Merriam Shoals. Additional recording by Marc Tweed at SexDungeon Studio.]

[The Hearers play Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, September 30]

15. Lily and Horn Horse – “Next To Me”
from: Next To Me / Independent / September 22, 2017
[From http://www.lilyandhornhorse.bandcamp.com: Imagine if …”Baby One More Time”-era Britney Spears and Bill Callahan holed away to make a record. That’s the fantasy Lily Konigsberg and Matt Norman bring to life as Lily and Horn Horse. Though the two barely crossed paths during their overlapping time at Bard College in New York’s Hudson Valley, a seemingly predestined encounter brought Lily and Matt together. While on a quest for a lost blanket, Matt ended up at his old house, in which Lily was now residing. The pair eventually began working on recordings together, with Matt adding baritone horn to Lily’s songs, and Lily adding vocals to Matt’s recordings. Many of those tracks found their way onto March 2017’s compilation Lily on Horn Horse; the 28 track tape flits from drum-machine dances to abstract frenzies but sounds remarkably cohesive all things considered.” The 19 tracks that fill their debut LP, Next to Me, paint a picture of pessimism, love, despair, and perseverance. “Our working relationship is sustained by criticism and love. While performing we usually don’t directly interact, but when we have to share a microphone we accidentally perform intimacy,” the two musicians explain. “Also, we have learned dance techniques from each other and sometimes synchronize them in performances.” Unlike her frenzied work in the experimental punk trio Palberta, here Lily luxuriates in softness. Her voice is helium-spiked cotton candy while Matt’s baritone provides robotic sharpness. Lily finds inspiration in the works of Arthur Russell and Guided by Voices while Matt cites “young Ry Cooder, old George Jones, and 4th dimensional Donald Fagen.” While they may pull influence from these sources, Lily and Horn Horse sound wholly unique. The pair typically begin building songs individually and then collaborate in later stages of production. As such, the tracklist alternates between each performer and is filled with brief instrumental interludes. “Do you see what I see/Listen to me beforehand baby/If you want to get next to me,” Lily chirps over careening blips on the opener “Next to Me 1.” On “Scumbag’s Apprentice,” squawking samples give way to Matt experiencing a crisis of character that could soundtrack an 8-bit video game. When Lily and Matt appear together later on “I’m 25,” their voices meld together so hypnotically that their crooning sounds like a message from another planet. “Staring at Plants” transforms a sample of Lily and Matt playing a casio keyboard together into a whirling, sensuous dreamscape. To say the least, Next to Me is a reverie of ideas and melodies that sweep the listener away into the world of Lily and Horn Horse. Recorded and Mixed by Lily Konigsberg and Matt Norman. Mastered by Damon Karr.]

[Lily and Horn Horse plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Fri, Sept 29.]

16. Lily and Horn Horse – “Horn Horse – Brother and Grandma”
from: Lily on Horn Horse / Independent / March 3, 2017
[From http://www.lilyandhornhorse.bandcamp.com: With Lily on Horn Horse, Lily Konigsberg (of Palberta) and Horn Horse (Matt Norman) deliver a 28-track collaboration that synthesizes the eclectic musical talents of both multi-instrumentalists. Originally presented as a CD, the compilation was sold and packaged in origami during an August 2016 tour of the north-east. The album is more a snapshot of a creative time and place than concept-album. As Lily and Matt say “The release of Matt’s Horn Horse album featured Lily on most songs, most of which are included in [the] tape. Around the same time Lily was developing a mega set of karaoke music and instructed Matt to blow down some car horn charts which were eventually replaced by baritone horn parts and inserted into the recordings…inside thine tape.” The record ends up a coherent pastiche of diverse tracks full of free jazz-inspired brass freak-outs, ethereal piano ballads, and synth arrangements skewed toward electronic composition. Lily’s siren-like voice calls from a perfume-cloud of disco-inspired grooves while Horn Horse’s vocals hit robotic and angular production. Tracks like “Today” and “She Doesn’t Have A Good Brain” bring to mind an Arthur Russell-like elevation of pop-music experimentation. In short, the record is a curated-tour through the frontiers of Lily and Horn Horse’s creative landscape.]

[Lily and Horn Horse plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Fri, Sept 29.]

11:22 – Underwriting

17. Mysterious Clouds – “Clear Reflection”
from: Panic on the Non Meridian / Haymaker Records / May 26, 2017
[For this release the band writes: “Crazy times call for crazy music. Panic is a reflection of the turmoil in our hearts, minds, and country. Sometimes you have to embrace the wild times to get a clear mental picture of how to make thing better.” Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. The brothers are also founders of the critically acclaimed band Monta At Odds. Mysterious Clouds also released the EP, Clear Reflection, February 3, 2017. “Clear Reflection” was also include on the Haymaker Records compilation, Fairgrounds Vol. 2, Released March 24, 2017.]

[Mysterious Clouds plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Friday, Sept 29.]

18. Various Blond – “Indigo Children”
from: All Bases Covered / The Record Machine / September 16, 2016
[Alternative experimental progressive rock funk pop progressive psychedelic from KC based band. Produced by Adam McGill, written by Joshua Allen. Various Blonde was conceived by Joshua Allen in 2008 and has opened for numerous national acts, Russian Circles, Free Moral Agents, Zechs Marquise, Dead Meadow, Imaad Wasif, Jucifer,The Memorials, Thursday, Fang Island, Murder By Death, Matt Pryor, Wannabe Jalva, and Electric Sixx. Current members Include: Joshua Allen on guitar & vocals, Adam Mcgill on guitar, Evanjohn Mcintosh on bass, Mark Lomas on drums.]

[Various Blonde plays Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Friday, Sept 29.]

19. Pageant Boys – “Last Rites”
from: Shadowboxing EP / The Record Machine / May 19, 2017
[On what was originally slated to be a short trip to Istanbul, Alex Sheppard started recording music with his girlfriend’s laptop and a bluetooth headphone mic. None of Sheppard’s previous musical efforts incorporated electronics in a major way; “It was born of necessity,” says Sheppard. The songs on his new EP, Shadowboxing, came out of those original sessions. The songs are a sensual and almost effervescent approach that combine R&B elements with electronic and processed instrumentation. While in Istanbul, Sheppard established a routine in collaborating with a close friend and poet. He said they developed a fairly specific daily routine for working on music, with the intent of finishing songs, regardless of their quality. “I would wake up at 8 in the morning and start the song and get the chord structure. And then at 10, he would wake up and I would show him what I had. I’d make breakfast, and then I’d show him the melody I wanted for the vocal line. He’d go down and start writing the lyrics, we’d eat breakfast, and he’d have the lyrics written after we got done with breakfast. At 1, I’d start recording the vocals. It was a good schedule.” Sheppard has been writing and recording for the last decade even though he is just in 20’s. Before Sheppard started performing and recording as Pageant Boys he released several albums as Alexandre. Shadowboxing is the maturation of Sheppard’s artistic vision and introduction to a larger audience.]

[Pageant Boys play Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, September 30]

20. El Ten Eleven – “I’m Right Here (feat. Emile Mosseri)”
from: Unusable Love – EP / El Ten Eleven / August 18, 2017
[Newest release and El Ten Eleven’s first ever vocal collaboration, featuring Emile Mosseri (of The Dig). Produced by El Ten Eleven. Recorded by Kristian Dunn and Tom Biller. Mixed by Justin Gerrish. Mastered by Kevin Bartley at Capitol Records. There are no keyboards on this recording. El Ten Eleven is a Los Angeles post-rock duo known for combining guitar/bass doubleneck or fretless bass, with heavy looping, or vamping, and the utility of an effects pedal, over acoustic or electric drumming. They have released six full-length albums, 2 EPs and a remix album, earning generally positive reviews. The band has earned some attention due to many of their songs being featured in the soundtracks of Gary Hustwit’s design documentaries Helvetica, Objectified, and Urbanized. The name El Ten Eleven is derived from the name of an airliner, the Lockheed L-1011 TriStar. Bassist and composer Kristian Dunn and drummer Tim Fogarty formed El Ten Eleven in 2002 while living in the Silver Lake community of Los Angeles. They released their eponymous debut album, El Ten Eleven in 2004 on Fake Record Label, and through Bar/None Records on September 20, 2005. Many reviews of the album garnished the band with positive acclaim. Comparisons have been drawn to Sigur Rós and The Mercury Program, though reviews have heavily emphasized the duo’s utilization of a limited number of musicians to create complex instrumental works. The Dallas Observer called them the fourth best instrumental band in the last twenty years. Spin, which awarded them the title ‘Band of the Day’, September 29, 2005, describes their work as “experimental instrumental music that’s both highly skilled and deeply felt.”]

[El Ten Eleven play Outer Reaches Fest, at recordBar, 1520 Grand Blvd, KCMO, Sat, September 30]

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, on October 4, we’ll talk with Betse & Clarke who have a new musical release and will play live on the show. Plus, Wick Thomas, lead singer of Wick and The Tricks joins us to share information about their new 7-inch record release on Black Site Records, Saturday October 14 at 8:00 pm at Davey’s Uptown with Red Kate, The Quivers, and The Midnight Devils. Also next week, Kemet Coleman aka Kemet The Phantom joins us to share details about a First Friday show, October 6, at Ruin’s Pub, with trombonist and composer, Marcus Lewis and Kadesh Flow (rapper and Trumbonist in the Phantastics). Marcus Lewis has created big band arrangements for Kemet and Kadesh’s original hip-hop lyrics. The three will perform with a 17 member big band show.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #701

Wednesday MidDay Medley Spins Music from Outer Reaches 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 27, 2017

Music From 2017 Outer Reaches Festival
with Brenton Cook, Dedric Moore & Steve Tulipana

Mark plays more New & MidCoastal Releases from: The Hearers, Mene Mene, Pink Royal, Hi-Lux, Mysterious Clouds, Pageant Boys, Various Blonde, Morrissey, Diet Cig, Jay Som, Deerhoof, El Ten Eleven, Sego, Dead Rider, Matchess, and Lily and Horn Horse.

At 10:30 Brenton Cook, Dedric Moore, and Steve Tulipana join us for 90 minutes, to share information and music from the 2017 Outer Reaches Fest, Friday, Sept. 29 and Saturday, Sept 30, at recordBar, 1520 Grand Ave, KCMO. Friday, September 29, features: Deerhoof (San Francisco, CA), Lily and Horn Horse (New York City, NY), Matchess (Chicago, IL), Various Blonde (Kansas City, MO), Mysterious Clouds (Kansas City, KS). Saturday, September 30, features: El Ten Eleven (Los Angeles, CA), Dead Rider (Chicago, IL), The Hearers (Kansas City, MO), Sego (Los Angeles, CA), Pageant Boys (Kansas City, KS). Tickets are $20 each day of show. $15 advanced single-day tickets are available from recordBar and http://www.therecordbar.com.

Outer Reaches (formerly KC Psych Fest) started in 2012 as a way to bring together outsider musical acts and celebrate the variety of experimental music within Kansas City, particularly genres that ventured into the psychedelic realm. The goal of Outer Reaches is to promote music that is adventurous and mind expanding. The festival aims to be genre-spanning and showcase young and established local, national, and international acts. This marks the sixth anniversary of the festival. More info at: http://www.outerreachesfest.com

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #701

Wednesday MidDay Medley Celebrates our 700th Show!

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 20, 2017

Our 700th Show! with Madisen Ward and the Mama Bear, Krystle Warren, Calvin Arsenia, Ron Megee, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Scott Hobart, and Nico Gray.

On September 20, 2017, Wednesday MidDay Medley celebrates our 700th Show! with LIVE performances in our 90.1 FM Studios from: Madisen Ward and the Mama Bear, who will play Yardley Hall, 12345 College Blvd, Overland Park, Kansas, on Saturday, December 2 at 8:00 PM. Krystle Warren also joins us live to chat about her new album, Three the Hard Way. Calvin Arsenia will call in from “the road” in Paris France, from his “Out Lyre” European tour. Also joining us to share original stories and a favorite song will be: Maria Vasquez Boyd, Nico Gray, Ron Megee, Necia Gamby and Scott Hobart. In addition, Marion Merritt who for the last 13 years, has been joining Mark on a quarterly basis as Guest Producer, will play one of her favorite tracks of the past 700 weeks.

During the past 700 weeks, Wednesday MidDay Medley has welcomed over 2000 guests, and we have featured 15,000 songs from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music scene, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases. We have happily presented new formats in radio, with our popular, “A Story In A Song” series, and our specials featuring: The MidCoast Takeover, Middle of The Map, The Crossroads Music Fest, The Outer Reaches Festival, The Lawrence Field Day Fest, Dr. Martin Luther King Jr., a Tribute to David Bowie, The Pioneers of Punk, LGBT themes, Performance Art, Theatre, “The He Touched Me Gospel Hour,” our interviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin and our annual 4-week special: the 100+ Best Recordings of the Year.

Join us in our radio celebration!
Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #700