WMM Playlist from May 15, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 15, 2019

Wednesday MidDay Medley Celebrates 15

WMM Celebrates our 15th Anniversary with 15 Special Guests: Iris DeMent, Krystle Warren, Calvin Arsenia, Betse Ellis, Kasey Rausch, Mikal Shapiro, Jake Wells, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Jen Harris, Nico Gray, Fran Stanton, Barry Lee, and Brenton Cook.

Today’s show is a celebration of 786 weeks, 1572 hours of radio, 15,720 hours of preparation, over 2000 guests, and over 15,000 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, and free speech. We seek to connect listeners with artists and venues and studios and community gathering spaces. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City/Lawrence area music communities, “The Midcoast Sound,” as we like to call it.

To say I’ve been inspired by the KC music scene, is an understatement. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists I’ve met while doing this show. I am inspired by the women who created radio on 90.1 FM long before me: my friend April Fletcher who now plays bass professionally in Los Angeles, and my friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. I’m inspired by the diverse , intelligent, motivated, listeners, looking for a place where we can connect to the amazing stories and music of our community.

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers. Today we celebrate 15 years of Wednesday MidDay Medley, the show that has brought us together, at this time, on this frequency, on these community airwaves. Thanks for listening.

10:00

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Dimitri From Paris – “Prologue,”
from: Sacreblu / Atlantic Records / June 11, 1996

Marion Merritt

10:04 – Introduction of Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 15 years she has been sharing her sonic discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every WMM on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri, that feature in-store performances from young and upcoming bands.

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

We always wanted someone from a record store to have a regular presence on WMM.

When Mark first met Marion she walked up to him and handed him the Philip Glass recordings of the Low Symphony with David Bowie and Brian Eno, saying, “I think you may be interested in this.”

Mark and Marion really didn’t know each other in the beginning, but throughout these 15 years they’ve become very close friends. Mark has watched Marion’s life transition from corporate retail to owning her own record store in the neighborhood where Mark lives.

For 15 years Marion has had a huge influence on our WMM playlists.

Marion Merritt, Kasey Rausch, Barry Lee, Betse Ellis, Fran Stanton

10:07 – Marion’s pick

3. Billy Preston – “That’s the Way God Planned It (Live)”
from: The Concert for Bangladesh / Apple Records / December 20, 1971
[The Concert for Bangladesh is a live triple album credited to “George Harrison & Friends” and released on Apple Records in December 1971 in America and January 1972 in Britain. The album followed the two concerts of the same name, held on August 1, 1971 at New York’s Madison Square Garden, featuring Harrison, Bob Dylan, Ravi Shankar, Ali Akbar Khan, Ringo Starr, Billy Preston, Leon Russell and Eric Clapton. The shows were a pioneering charity event, in aid of the homeless Bengali refugees of the Bangladesh Liberation War, and set the model for future multi-artist rock benefits such as Live Aid (1985) and the Concert for New York City (2001). The event brought Harrison and Starr together on a concert stage for the first time since 1966, when the Beatles retired from live performance, and represented Dylan’s first major concert appearance in the US in five years. Co-produced by Phil Spector, The Concert for Bangladesh features his Wall of Sound approach in a live setting. Besides the main performers, the musicians and singers include Badfinger, Jim Horn, Klaus Voormann, Alla Rakha, Jim Keltner, Jesse Ed Davis and Claudia Linnear. Minimal post-production was carried out on the recordings, ensuring that the album was a faithful document of the event. The box set’s packaging included a 64-page book containing photos from the concerts; the album cover, designed by Tom Wilkes, consisted of an image of a malnourished child sitting beside an empty food bowl. The album was delayed for three months due to protracted negotiations between Harrison and two record companies keen to protect their business interests, Capitol and Columbia/CBS. On release, The Concert for Bangladesh was a major critical and commercial success. It topped albums charts in several countries and went on to win the Grammy Award for Album of the Year in March 1973. Together with the 1972 Apple concert film directed by Saul Swimmer, the album gained Indian classical music its largest Western audience up until that time. It was reissued in 2005, four years after Harrison’s death, with revised artwork. As of 2011, sales of the album continue to benefit the George Harrison Fund for UNICEF, which raised $1.2 million for children in the Horn of Africa, in a campaign marking the album’s 40th anniversary.] [William Everett Preston (September 2, 1946 – June 6, 2006) was an American musician whose work encompassed R&B, rock, soul, funk, and gospel. Preston was a top session keyboardist in the 1960s, during which he backed artists such as Little Richard, Sam Cooke, Ray Charles, Rev. James Cleveland and the Beatles. He went on to achieve fame as a solo artist, with hit singles such as “That’s the Way God Planned It”, “Outa-Space”, “Will It Go Round in Circles”, “Space Race”, “Nothing from Nothing” and “With You I’m Born Again”. Additionally, Preston co-wrote “You Are So Beautiful”, which became a number 5 hit for Joe Cocker. Preston was one of five musicians credited on a Beatles recording other than the group’s four members. Preston continued to record and perform with other artists, notably George Harrison after the Beatles’ breakup, and Eric Clapton, and he played keyboards for the Rolling Stones on many of the group’s albums and tours during the 1970s.]

Maria Vasquez Boyd

10:11 – Introduction of Maria Vasquez Boyd

Maria Vasquez Boyd is an artist, poet, educator, and radio show host & producer. She has been a regular contributor to Wednesday MidDay Medley where she has produced shows about Ukuleles, The Day of The Dead, and The Artist’s Studio. She has been a regular cast member in our “He Touched Me Gospel Hour” programs, and has contributed original material for almost all of our “A Story In A Song” shows, including our live show at recordBar, and Big Bang Buffet Black Sheep Rising at The Buffalo Room. Maria is graduate of the Kansas City Art Institute, where she has taught in the Design/Illustration Department, as well as, the Nelson Atkins Museum of Art. An artiost and a poet, Maria is a founding member of the Latino Writers Collective. Maria uses all of her experience as the host and producer of ARTSPEAK Radio which airs Wednesdays at Noon, following Wednesday Midday Medley on 90.1 FM KKFI. Soon ARTSPEAK Radio will be celebrating 7 years on the air!

Maria Vasquez Boyd, thanks for being with us on Wednesday MidDay Medley

Maria Vasquez Boyd

Mark met Maria at The Writer’s Place. Mark was on the Board of KKFI’s MidCoast Radio Project, Maria was on the board of Latino Writer’s Collective. They would both go in early to set up for their meetings. Maria was a guest on WMM and we welcomed her back to produce & host several shows and it became clear that she should create Artspeak Radio. Mark and Maria became great friends, and she calls him her “Radio Husband.”

11:14 – Maria’s Story

Maria Vasquez Boyd

Necia Gamby and Nico Gray

10:18

4. Wagon Christ – “Rennie Codgers”
from: Tomorrow / Ninja Records / March 29, 2011)

Necia Gamby

10:18 – Introduction of Necia Gamby

Necia Gamby is Licensed Massage Practitioner at her own practice, NRGinMOTION. She also serves as a licensed Massage Therapist at Spa on Penn. Necia has been in practice for 38 years. She uses Swedish (classical) massage technique. Over the years she has studied and practiced Hatha Yoga and is currently studying TaiChi. She founded and directed the Heartland School of Massage from 1988-1996. She has studied and incorporated Shiatsu, trigger point technique, lomi-lomi and a host of other philosophies and techniques into her massage style. She was an instructor for Johnson County Community College’s Certified Massage Program for 6 years where she taught Basic Swedish technique and Business Practices. She is an avid reader and especially loves science fiction and Korean dramas. Necia is the daughter of a KC Jazz pianist, and the mother of a graphic artist and MC from the acclaimed KC based hiphop duo SoundsGood and her other son is an engineer and producer with the 64111 Clinic.

Necia Gamby, thanks for being us on Wednesday MidDay Medley

Mark used to live across the street from Necia.

Necia and Mark used to walk their dogs late at night and talk on the side walks about community radio.

Together, Necia and Mark became friends with Sharon Jones on March 8, 2014

11:22 – Necia’s Pick

5. Bill Withers – “I Love You Dawn”
from: Making Music / Sony / January 1, 1975
[4th studio album by American R&B singer Bill Withers. It was also released in the UK as Making Friends. William Harrison Withers Jr. (born on July 4, 1938) is an American singer-songwriter and musician who performed and recorded from 1970 until 1985. He recorded several major hits, including “Lean on Me”, “Ain’t No Sunshine”, “Use Me”, “Just the Two of Us”, “Lovely Day”, and “Grandma’s Hands”. Withers won three Grammy Awards and was nominated for four more. His life was the subject of the 2009 documentary film Still Bill. He was inducted into the Rock and Roll Hall of Fame in 2015]

Nico Gray

11:25 – Introduction of Nico Gray

Nico Gray has worked as a writer, performance artist, and as an actor with The Kansas City Rep, Gorilla Theatre, the 8th Street Cafe Theatre, Actor’s Craft, and was recently a featured performer in Big Bang Buffet’s Black Sheep Rising. Nico has also worked for Theatre League, The Midland Theatre and is currently a marketing and advertising consultant who does work with Union Station. Rooted in KC, Nico grew up with radio. Nico writes that, “Music has always served as the ‘passport’ through spiritual journeys that have transplanted him to the brownstones of Chicago, the rooftops of Paris, the sea-side of Marseille and the balconies of NYC. ”

Nico Gray welcome back to Wednesday MidDay Medley.

Mark and Nico have been friends since around 1990.

Mark and Nico marched on Washington DC together with their partners in 1993.

11:28 – Nico’s Pick

6. The Limiñanas – “The Gift (Anton mix)”
from: I’ve Got Trouble In Mind Vol. 2 (Rare Stuff 2015/2018) / Because Music / Nov. 16, 2018
[Garage pop and psyche. Getting their start in October of 2009, The Limiñanas are the brainchild of Lio and Marie Limiñana.]

10:32- Underwriting

Betse Ellis

10:34 – Introduction of Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Betse Ellis is also involved with The Short Round Stringband! The 5-piece band is in the process of releasing a new 14-track Tribute To Bill Monroe record.

Betse Ellis thanks for being with us on Wednesday MidDay Medley.

Betse Ellis

Mark has known Betse since the late 1980s when she was going to school at UMKC and they did performance art together at Cafe Lulu and Whistler’s Mother.

For more than five years now Betse has been volunteering for KKFI during our Fund Drive Shows to help raise money to keep community radio alive.

Betse & Clarke play The Robert Johnson Birthday Tribute hosted by KKFI’s Boogie Bridge, Sunday, May 19, 2:00 PM to 5:00 PM, at B.B.’s Lawnside BarB-Q, 1205 East 85th Street, Kansas City.

Betse & Clarke play The Ship on Wednesday, May 22 with Bob & Diana Suckiel.

10:38

7. Betse Ellis – “Heaven Bells Are Ringing/Gone to View that Land” (LIVE)

10:42

8. The Magnetic Fields – BBC Radiophonic Workshop
from: Holiday / Merge / 1994

Kasey Rausch

11:42 – Introduction of Kasey Rausch

Kasey Rausch is a 5th generation songwriter & musician. She is co-producer and co-host of River Trade Radio on 90.1FM KKFI Kansas City Community Radio on Sunday Mornings 9:00 to 11:00. With pedal steel & guitar master Marco Pascolini, Kasey performs as The Country Duo. Kasey plays locally with classic country honky tonk band The Naughty Pines. And Kasey plays bass in songwriter Scott Stanton’s The Butter Band. Rausch’s third album, Guitar in Hand was released on MudStomp Records in 2014, and debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch. She was named 2016 Best of the Northland Artist, 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM and is a four-time Pitch Music Award Nominee. She has shared the stage with Joe Ely, Dale Watson, Peter Rowan, Roland White, Kris Delmhorst, Jack Williams and many more.

Kasey Rausch thanks for being with us on Wednesday MidDay Medley

Kasey was one of the very first live musical guests on WMM. If you look at our very first playlist from May 14, 2004 you’ll see a diverse mix, and equality between women and men, however there was hardly any “local” music. Mark was learning how to do this radio show, and it was the Kansas City and Lawrence area musicians who came on the show and taught him about the music community. Robert Moore’s Oxblood Records compilation “First Blood” became an early road map to the bands Ghosty, The Architects, Olympic Size, Softee, Roman Numerals, Ssion, The Republic Tiger, Be/Non, American Catastrophe, and others. Midwest Music Foundation and Abigail Henderson helped to shine the light. After the death of Anne Winter, Kasey and mark and Betse Ellis made a pact to be there for each other as friends and to attempt to continue some of of Anne’s work. Mark redirected his focus on the radio show to include even more area releases, and to document the growth of the music in Kansas City. Social media and Facebook became the inter-office memo of the are music community. The birth of festivals: Crossroads Music Fest, Middle of the Map Fest, and Folk Alliance International Conference, the development of more studios and record labels, and the re-birth of record stores.

Mikal Shapiro, Kasey Rausch, and Barry Lee

10:47

9. Mark Mothersbaugh – “Look at That Old Grizzly Bear”
from: The Royal Tenenbaums / UMG / May 12, 2015

Kasey Rausch

10:47 – Introduction of Mikal Shapiro

Mikal Shapiro is a singer, songwriter, artist, filmmaker, puppeteer, ring-leader. Mikal Shapiro is the founder of State City Films – a new media house based in KCMO that she founded to create content that amplifies independent voices and tells stories that ache to be told through documentary and experimental filmmaking practices. Mikal Shapiro has worked on commercial, non-profit and independent productions since 2008. She was Director of Photography for the regional Emmy award-winning film “Tipping Point.” She studied Film History, Film, & Writing at Sarah Lawrence College in Bronxville, New York. She received her MFA in Film/Video/New Media/Animation from The School of the Art Institute of Chicago in 2012. She has been involved in music and the arts for over two decades. Mikal’s full length solo releases “The Crow The Lark And The Loon” from 2008, and “For Good” from 2010 and “The Musical” from 2017 and “The Musical II” from 2018 have been acclaimed by local music writers, and have been in the top tens of WMM’s Best of lists.

Mikal Shapiro thanks for being with us on Wednesday MidDay Medley

Mikal Shapiro

Mikal Shapiro just recently finished 10 days of filming, with an female majority crew, inside the Topeka Correctional Facility for Women documenting Rita Chiarelli facilitating a music program that culminated with a concert on May 4, with an all female band presented to their fellow inmates, families, victims, and the community. Authorities from the Department of Corrections were invited to attend including the Kansas Governor Laura Kelly.

Mikal Shapiro plays with Monta At Odds at recordBar, 1520 Grand, KCMO, on Friday, May 17, at 8:00 with Redder Moon, and Namelessnumberheadman.

Mikal Shapiro plays in the Jane Doe Revue: Female Rock Orchestra – A Benefit for Abby’s Fund, Saturday, June 8, at 7:30 PM at recordBar, 1520 Grand Boulevard, KCMO with an all female ensemble comprised of members from local bands, Violet and the Undercurrents, Teri Quinn, Amy Farrand and MORE!

10:50

10. Mikal Shapiro – “Lazy Dazy” (LIVE)
(new original song from Mikal)

11. Quiet Corral – Intro
from: Quiet Corral [EP] / Quiet Corral / 2010
[Quiet Corral was an indie folk band from Lawrence, KS. Most of the group went on to form Hembree. Members: Isaac Flynn, Jim Barnes, Matt Green, Jesse Roberts, Garrett Childers, Zach Mehl.]

Fran Stanton

10:53 – Introduction of Fran Stanton

Fran Stanton is the co-owner of It’s A Beautiful Day. She is also a mom to Hayley and Peter. She is part of the team that produces River Trade Radio every Sunday morning on 90.1 FM KKFI – Kansas City Community Radio. Fran also celebrated her birthday on Mother’s Day – May 12. Fran is a huge music supporter and traveler and gardener. She is also a dear friend to so many people. Fran has been a frequent contributor to WMM for our “Story In A Song” shows, and as part of the ensemble of “The He Touched Me Gospel Hour” co-written and starring Jim “The Blind Guy” Hoschek.

Fran Stanton, thanks for being with us on Wednesday MidDay Medley.

It’s A Beautiful Day at 3918 Broadway, KCMO – Customer Appreciation Day is Sunday, May 19, at 12:00 PM – 5:00 PM. Emceed by Leigh Liles & Miss Conception. Show: 12:15 -12:45 Miss Conception // 1:00-2:00 Original Culture // 2:30-4:00 Better Off Dead – KC // 4:15-5:00 Kan Eyed

10:57 – Station ID

Iris DeMent

10:57 – Intro for Iris DeMent

In his review for WHYY’s Fresh Air, Entertainment Weekly Music Editor – Ken Tucker wrote: “Iris DeMent possesses one of the great voices in contemporary popular music: powerfully, ringingly clear, capable of both heartbreaking fragility and blow-your-ears-back power. Had she been making country albums in the ’70s and ’80s and had more commercial ambition, she’d probably now be considered right up there with Loretta Lynn and Tammy Wynette. Instead, she’s lived a contemporary life, a somewhat private life. As she recently told an interviewer, “There’s a lot that goes into life besides songwriting.”

Iris DeMent released her debut album “Infamous Angel” in 1992, on Warner Brothers records, a collection of instant classic songs including “Let The Mystery Be.” These were songs she first wrote and performed in coffeehouses and small clubs here in Kansas City, along with other “up and coming” singer songwriters: Howard Iceberg and Scott Hrabko. Since then Iris has released six full length recordings, was nominated for a Grammy twice, has had her songs used in multiple films and television shows, appeared as an actress in the film, Song Catcher, appeared on the Late Show with David Letterman, Latenight with Conan OBrien, toured all over the world, was a frequent contributor to Prairie Home Companion, collaborated on recordings with John Prine, Emmylou Harris, Nancy Griffith, Steve Earle, and so many others.

On November 21, 2002 Iris married acclaimed singer-songwriter Greg Brown, in a private ceremony in the office of Rev. Sam Mann of St. Mark Church in Kansas City.

After trying to live in both Iowa and Kansas City, Iris ended up moving to Iowa but she still holds on to her love of the 816.

10:58

12. Iris DeMent – Mark Interviews Iris
from: KKFI Production Studio / Recorded Saturday, May 11, 2019

11:05

13. Iris DeMent – “Let The Mystery Be”
from: Infamous Angel / Warner Brothers / 1992 / 1993
[Iris DeMent’s first three releases, all on Warner Brothers records, were critically acclaimed, and she received two Grammy nominations during this time, in the “Folk Music” category. Meanwhile country radio completely overlooked her original songs, and amazing voice that has been compared to Loretta Lynn and Tammy Wynette. For her 1992 debut record, John Prine wrote the liner notes. “One night after receiving a copy of “Let the Mystery Be,” I was listening to the tape while frying a dozen or so pork chops in a skillet. Well Iris DeMent starts singing about “Mama’s Opry,” and being the sentimental fellow I am, I got a lump in my throat and a tear fell from my eyes into the hot oil. Well the oil popped out and burnt my arm as if the pork chops were trying to say, “Shut up, or I’ll really give you something to cry about.” Of course, pork chops can’t talk. But Iris DeMent’s songs can. They talk about isolated memories of life, love and living. And Iris has a voice I like a whole lot, like one you’ve heard before— but not really. So listen to this music, this Iris DeMent. It’s good for you. And if pork chops could talk, they’d probably learn how to sing one of her songs. Then we’d all have something to cry about.” – John Prine, Songwriter, musician & president Oh Boy! Records.]

Krystle Warren

11:08 – Introduction of Krystle Warren

Krystle Warren began her musical career in KC in 2001 collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label – Because Music, and moved to Paris to release “Circles” in 2009. Krystle played “Later with Jools Holland,” garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music to release her double album: “Love Songs,” from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty. Most recently Krystle released, Three The Hard Way that she co-produced with Ben Kane (D’Angelo). Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.

Krystle Warren thanks for being with us on Wednesday MidDay Medley

We last talked with Krystle on Wednesday MidDay Medley on January 30, 2019 with Brad Cox and Jen Owen just prior to the Owen Cox Dance Group’s show “What Keeps Mankind Alive.”
In late 2018 you were in KC to participate in Calvin Arsenia’s Cantaloupe Premiere at The Gem Theatre, and that same weekend you sand at Mutual Musicians Foundation and did surprise show at The Ship.

Krystle has travelled all over the world and has musical ties in Paris, London, San Francisco, and New York City, but K\C will always hold a special place in her heart.

Krystle was brought to Paris by a record label that sent her a one way ticket. Because Music put our her record “Circles.” Krystle performed on multiple European television shows and then ended up leaving the label.

Krystle’s independently produced, “Love Songs” features 24 songs, on two albums, recorded in New York City, with a 27-piece orchestra. You followed up this double album extravaganza with Three The Hard Way, where you played almost every single instrument and sang lead and harmonized with your own voice in a critically acclaimed work of musical art.

In between all of these projects Krystle has recored with Hercules and The Love Affair, Joon Moon, and tribute concerts and recordings for Kate McGarrigle and Nick Drake.

Krystle has toured extensively with Rufus Wainwright, Joan as Police Woman, Nick Cave, and Norah Jones.

Krystle Warren thanks for being with us on Wednesday MidDay Medley

11:17

14. Krystle Warren – “Get A Load”
from: Three The Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warren. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.] [Krystle Warren was on WMM on September 20. We played her music on 12 different shows.]

Barry Lee

11:19 – Introduction of Barry Lee

Barry Lee is host of Signal to Noise heard Friday nights at 9:00 here on KKFI 90.1 FM. Barry has been a longtime programmer at KKFI. Barry Lee has organized multiple benefit concerts for KKFI including his annual Beatles Tribute shows, A Tribute to Pete Seeger, and special “Collaborations” recordings. It was while playing in a tribute to Neil Young that Barry and friends formed Broken Arrows, a 5-piece band that has released their second record, “Street Flowers” in August of 2018 to critical acclaim. [Broken Arrows play Knuckleheads, Thursday, May 16 with the Kaw Tikis & Berwanger.] [Broken Arrows play Jazzhaus, Friday, May 17 with the Kaw Tikis ]Broken Arrows play The Bottleneck in Lawrence, Saturday, May 18 in support of The Jubilee Mystics cd release party.

Barry Lee thank you for being with us on WMM

Barry Lee

11:20

15. Barry Lee – “Pale Blue Eyes” (Live)
Written by Lou Reed

11:26

16. Anne Winter – “Flying the Staff to The Pixies in Chicago”
from: Wednesday MidDay Medley’s Tribute to Recycled Sounds / WMM / March 22, 2006

11:27 – Underwriting

Brenton Cook

11:29 – Intro of Brenton Cook

Brenton Cook studied Computer Science at Missouri University of Science and Technology, in Rolla, Missouri, where he also had his own college radio show. Brenton has produced extensive compilations of area music for the Midwest Music Foundation. He formed the Kansas City independent music label, Haymaker Records in January 2014. The label has released multiple full length albums, for Monta At Odds, HMPH!, Be/Non, Jorge Arana Trio, Riala, Mysterious Clouds, Sie Lieben Maschinen, Schwervon!, and others on vinyl, cassette, CD, and 7 “. He has also produced two Haymaker compilation releases, called Fairgrounds. For the last 6 years, Haymaker Records has been a co-sponsor & co-curator of the Outer Reaches Fest.

Brenton Cook thanks for being with us on Wednesday MidDay Medley

11:32 – Brenton’s Pick

17. HMPH! – “Three Chords”
from: Three Chords – Single / Haymaker Records / To be released
[Ryan Lee Toms on guitar, Jonathan Thatch on drums, and Kitten Adventure Boggs on bass.]

Calvin Arsenia

11:36 – Intro of Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and his full length debut, Catastrophe. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. In 2018 Calvin launched a three month Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris. That same year he was signed to Center Cut Records and released his latest full length album Cantaloupe with a giant show at The Gem Theatre. This year Calvin played Folk Alliance in Montreal and has been traveling all over the world.

Calvin Arsenia thanks for being with us on Wednesday MidDay Medley

Calvin Arsenia just returned from shows on the West and East Coasts.

Calvin Arsenia has a show this Saturday night a The Rino in North Kansas City with Teri Quinn and Aaron James from Memphis.

Calvin Arsenia

11:40

18. Calvin Arsenia – “Cantaloupe” (Live)
from: Cantaloupe / Center Cut Records / September 15, 2018 (KC Release)
[The first release on Center Cut Records. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, and last year’s full length debut, Catastrophe. This year he released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

11:45

19. Eulogies – “Inward”
from: Eulogies / Dangerbird Records / September 11, 2007

Jen Harris

11:45 – Intro of Jen Harris

Poet Jen Harris is the founder of Kansas City Poetry Slam, she is a TEDx fellow, She has been nationally recognized for her writing and advocacy. She was recently seen in the 3rd season of Queer Eye on Netflix. She graduated from the University of Missouri-Kansas City with a Bachelor of Liberal Arts. She is the recipient of the 2015 Jim Wanser Pride Award for outstanding LGBT community activism. She is the recipient of The Pitch Magazine’s 2017 Poet of the Year award, and was nominated as the 2017 Spoken Word Host of the Year by the National Spoken Word Awards. She was the 2009 ACP Kansas Journalist of the Year. She has two published books of poetry titled: Slammed and Lust & Disdain. Her spoken word record, Flaunting Her Mediocrity was released Oct 9, 2016.

Jen Harris thanks for being with us on Wednesday MidDay Medley

Mark met Jen Harris at The Tivoli Theatre, since then he has watched her build her spoken word / poetry career in Kansas City, Denver, and across the midwest.

Jen just recently graduated from Artist Inc.

Jen Harris

11:48 – Jen Harris Poem

20. Jen Harris – ” ” (LIVE)

Jake Wells

11:51 – Intro of Jake Wells

Last fall the whole world saw KC based singer songwriter – Jake Wells perform on NBC television’s musical competition show The Voice, where he sang in the blind audition and ended up being chosen to be a part of the team coached by Adam Levine of Maroon 5. Jake Wells spent his childhood singing and playing gospel music throughout the country, all the while developing his own talent and style. He studied musical composition in Colorado and performed music while hitchhiking the States before moving to Kansas City. We first played Jake Wells on Wednesday MidDay Medley when Jake released his first self-produced single, “Roll Like Thunder.” Last year Jake released his debut EP Orange and Blue. Jake Wells joins us today to share his brand new single.

Jake Wells, Thanks for being with us on Wednesday MidDay Medley.

Jake Wells was born in Niceville, Florida and spent his childhood singing and playing gospel music throughout the country with his family, all the while developing his own talent and style.

Jake studied musical composition at University of Northern Colorado in Colorado and performed music while hitchhiking the States before moving to Kansas City.

We first played Jake Wells on Wednesday MidDay Medley when Jake released his first self-produced single, “Roll Like Thunder”.

More information at http://www.jakewellsmusic.com

11:54

For Wednesday MidDay Medley, I’m Mark Manning, Thanks for listening

17. Jake Wells – “Wanted To Love You (Master)”
from: Wanted To Love You – Single / Sound 81 Productions / May 18, 2019
[Kansas City based indie folk singer songwriter. Jake Wells was born in Florida grew up in Colorado. Jake studied Music Composition at University of Northern Colorado. “Jake’s sound evokes an emotionality and maturity much deeper than his age of 22 would imply.” He was named one of Spotify’s top 20. He has performed on stages since he was a teenager. His single releases are currently gaining radio play in the Midwest on several FM stations.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on May 22Jason Buice joins us to share music from his debut EP Other / Side and David George who produced the new recordings will also join us with new music. At 11:00 Helen Proctor share new music from her band HelKat and Shawn Stewart share music from his new album, “Poppies and Puppies.” And at 11:30 Mark talks with music icon Cris Williamson who returns to Kansas City for a special show on Thursday, May 30 at 7:00 at Center For Spiritual Living with Teresa Trull and Barbara Higbie.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #786

Notes on WMM’s 15th Anniversary:

During the past 15 years, Wednesday MidDay Medley has welcomed over 2000 guests, and we have featured 15,000 songs from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, and free speech. We seek to connect listeners with artists and venues and studios and community gathering places. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City / Lawrence area music communities, “The Midcoast Sound,” as we like to call it.

We have dedicated the majority of our programming to New & MidCoastal Releases and have been the first to broadcast the music of Madisen Ward and The Mama Bear, Calvin Arsenia, Ivory Blue, Krystle Warren, Rev. Gusto, Shy Boys, and so many others. We’ve created new formats in radio, with our popular, “A Story In A Song” series, and our specials featuring: The MidCoast Takeover, Middle of The Map, The Crossroads Music Fest, The Outer Reaches Festival, The Lawrence Field Day Fest, Dr. Martin Luther King Jr., a Tribute to David Bowie, The Pioneers of Punk, LGBT themes, Performance Art, Theatre, “The He Touched Me Gospel Hour,” our interviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin, Sam Harris, Holly Near, Cris Williamson, and our annual 4-week special: the 100+ Best Recordings of the Year.

Wednesday MidDay Medley has been a platform for others too, including Marion Merritt who for 15 years has joined us to share sonic discoveries and information from her musically encyclopedic brain. Maria Vasquez Boyd, host and creator of Artspeak Radio, who first started producing and hosting entire shows for Wednesday MidDay Medley. Other contributing “Guest Producers” include: Nico Gray, Brenton Cook, Simone Briand, Chris Haghirian & Nathan Reusch, Necia Gamby, Michelle Bacon, Aaron Rhodes, Steve Gardels, Fally Afani, Judy Mills, Mikal Shapiro, Sherman Breneman, DJ Fat Sal, Betse Ellis, Anne Winter, Jesse Bartmess, Krystle Warren, Christian LaBeau, Britt Adair, Katlyn Conroy, Kasey & Kim Rausch, Rolf Peterman, Mark Titus, Natalie Gallager, Jamie Rich, Shaun Crowley, Jim “The Blind Guy” Hoschek, Tim Kearns, and more.

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Wednesday MidDay Medley Celebrates 15!

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 15, 2019

Wednesday MidDay Medley Celebrates 15!

WMM Celebrates our 15th Anniversary with 15 Special Guests: Iris DeMent, Krystle Warren, Calvin Arsenia, Betse Ellis, Kasey Rausch, Mikal Shapiro, Jake Wells, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Jen Harris, Nico Gray, Fran Stanton, Barry Lee, and Brenton Cook.

In honor of our 15th Anniversary we welcome to the airwaves live performances from: Calvin Arsenia, Betse Ellis, Jen Harris, Mikal Shapiro, Barry Lee and Maria Vasquez Boyd. Plus, Mark interviews Iris DeMent, Krystle Warren, Kasey Rausch, and Fran Stanton. We will also have musical premieres and special musical tracks brought to us by Brenton Cook, Jake Wells, Marion Merritt, Nico Gray, and Necia Gamby.

During the past 15 years, Wednesday MidDay Medley has welcomed over 2000 guests, and we have featured 15,000 songs from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, and free speech. We seek to connect listeners with artists and venues and studios and community gathering places. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City/Lawrence area music communities, “The Midcoast Sound,” as we like to call it.

We have dedicated the majority of our programming to New & MidCoastal Releases and have been the first to broadcast the music of Madisen Ward and The Mama Bear, Calvin Arsenia, Ivory Blue, Krystle Warren, Rev. Gusto, Shy Boys, and so many others. We’ve created new formats in radio, with our popular, “A Story In A Song” series, and our specials featuring: The MidCoast Takeover, Middle of The Map, The Crossroads Music Fest, The Outer Reaches Festival, The Lawrence Field Day Fest, Dr. Martin Luther King Jr., a Tribute to David Bowie, The Pioneers of Punk, LGBT themes, Performance Art, Theatre, “The He Touched Me Gospel Hour,” our interviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin, Sam Harris, Holly Near, Cris Williamson, and our annual 4-week special: the 100+ Best Recordings of the Year.

Wednesday MidDay Medley has been a platform for others too, including Marion Merritt who for 15 years has joined us to share sonic discoveries and information from her musically encyclopedic brain. Maria Vasquez Boyd, host and creator of Artspeak Radio, who first started producing and hosting entire shows for Wednesday MidDay Medley. Other contributing “Guest Producers” include: Nico Gray, Brenton Cook, Simone Briand, Chris Haghirian & Nathan Reusch, Necia Gamby, Michelle Bacon, Aaron Rhodes, Steve Gardels, Fally Afani, Judy Mills, Mikal Shapiro, Sherman Breneman, DJ Fat Sal, Betse Ellis, Anne Winter, Jesse Bartmess, Krystle Warren, Christian LaBeau, Britt Adair, Katlyn Conroy, Kasey & Kim Rausch, Rolf Peterman, Mark Titus, Natalie Gallager, Jamie Rich, Shaun Crowley, Jim “The Blind Guy” Hoschek, Tim Kearns, and more.

Join us in our radio celebration!

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #786

WMM Playlist from May 8, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 8, 2019

Nick Carswell “Changing Shades” +
Laurel Morgan Parks & Sascha Groschang of The Wires
+ Molly McLaughlin & Turlach Boylan

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Marvin Gaye – “Where Are We Going? (Alternate Mix 2)”
from: You’re the Man / Motown – Universal Music / March 29, 2019
[You’re the Man is a posthumous studio album by American singer Marvin Gaye, originally intended to be released in 1972 as the follow-up to What’s Going On. It was released on March 29, 2019 to celebrate what would have been Gaye’s 80th birthday on April 2, 2019. The album includes the single of the same name, as well as the intended original album in full and other songs Gaye recorded at the time. Salaam Remi’s remix of “My Last Chance” was released in promotion of the album on February 8, 2019.You’re the Man was intended as another socially conscious record like What’s Going On (1971), but following the release of its lead single, the title track “You’re the Man”, Gaye cancelled its release. This was in part due to the reception of the song, as well as the fact that Gaye’s political views were different from those of Motown founder Berry Gordy. For these reasons, You’re the Man was long considered a “lost” album. 15 of the 17 songs have not previously been released on vinyl, but most were made available on CD compilations over the years. The album includes a longer take of “I Want to Come Home for Christmas”, which was first made available in 1990 after being recorded in 1972. The physical release of the album includes liner notes written by David Ritz. “Where Are We Going?” was written by Larry Mizell and Larry Gordon.]

3. Mattiel – “Keep The Change”
from: Satis Factory / ATO Records / June 14, 2019
[Bringing a whole new meaning to the term one-(wo)man band, Atlanta-based Mattiel Brown writes her own music, directs her own visuals and even designs her own sets. Oh, and when she’s not busy with her music career you can find her at her side-hustling as a set designer, illustrator and designer. Having grown up in quiet rurality in Georgia working on her mother’s farm, these creative sensibilities offered a young Mattiel endless escapist opportunities. Dreaming of far away lands and wild worlds, it was upon stumbling across her mum’s record collection (the likes of Donovan, Peter Paul and Mary, and The Monkees) that things really began to click and she discovered the transportive power of music.]

4. The Sextet – “Colors of the Wind (feat. Calvin Arsenia)”
from: Blob Castle / The Sextet / October 7, 2017
[After the release of The Sextet’s debut album, In a Natural State from July 2016, bassist and bandleader Robert Castillo moved from the Pacific Northwest back home to Kansas City. Castillo reconnected with high school friends and other musicians to reform the group and continue performing his compositions and arrangements. Blob Castle showcases not only the talent of musicians bred in a jazz city, but also the diversity and growth of Castillo’s writing. From the Latin groove tune “La Mona,” written for Robert’s mother to the somber ballad “Maggie” written in memory of a friend, this album goes beyond genre barriers to explore the paths of improvisational music. The former album was funded through a Kickstarter campaign in which a reward for donating was a Castillo original composition. On this album you’ll hear these commissioned pieces which include “TC,” “be,” and “#notmypresident.” The album flows from one mood/emotion to the next, taking the audience through a journey through Robert’s imagination. Facilitating the flow are band members Teddy Krulewich on trumpet, Max Levy on tenor sax, Trevor Turla on trombone, Peter Marten on guitar, and Fritz Hutchison on drums. Mixed and mastered by Duane Trower at Weights & Measures in KCMO. The current line up includes: Joe Tesoro on soprano sax, Max Levy on tenor sax, Aryana Nemati on baritone sax, Pete Marten on guitar, Nik Douglas on drums, and Robert Castillo on bass, and composer. The Sextet is getting set to release their third album “Among Friends” in the Fall of 2019]

[The Sextet play Jazz Night at The Ship, 1217 Union Ave, West Bottoms, on Sat, May 11, at 10:00 PM]

5. Danielle Nicole – “How Come U Don’t Call Me Anymore”
from: Cry No More / Concord Records / February 23, 2018
[Nominated for a Grammy Award for Best Contemporary Blues Album. Danielle Nicole lends her incredible voice to this Prince classic in honor of his recent passing. Danielle Nicole wrote or co-wrote 9 of the songs on this album. She sings and plays bass on all tracks, with special guest musicians like Sonny Landreth on slide guitar, Walter Trout on guitar, Kenny Wayne Shepherd on guitar, Johnny Lee Schell on guitar, Monster Mike Welsh on guitar, Brandon Miller on guitar, Luther Dickinson on guitar. Danielle Nicole was born Danielle Nicole Schnebelen. Her self-titled solo debut EP was released March 10, 2015 on Concord Records. The self-titled EP features Grammy Award-winning producer-guitarist Anders Osborne, Galactic’s co-founding drummer Stanton Moore and keyboardist Mike Sedovic. On February 25, 2015, American Blues Scene premiered the track “Didn’t Do You No Good” off the new EP. Danielle Nicole was previously in the band Trampled Under Foot with her brothers Kris and Nick Schnebelen. At the 2014 Blues Music Awards, Trampled Under Foot’s album, Badlands, won the ‘Contemporary Blues Album of the Year’ category. At the same ceremony, Danielle Nicole, under the name of Danielle Schnebelen, triumphed in the ‘Best Instrumentalist – Bass’ category. The band was also nominated in the ‘Band of the Year’ category. In September 2015, her debut album, Wolf Den, was released on Concord Records. It reached number 2 in the Billboard Top Blues Albums chart in October that year. Danielle Nicole’s second solo album, Cry No More, peaked at # 1 in the Billboard Top Blues Albums chart. Bill Withers wrote one of the teacks on the new album.]

[Danielle Nicole Band with special guests The MGDs play Knuckleheads Saloon at 2715 Rochester St, KCMO, Saturday, May 11 at 8:30 PM]

6. Pamper the Madman – “Spinning”
from: Spinning – Single (unmastered) mixes from unreleased new recordings (May 1, 2018)
[Current members of the reformed Kansas City band Pamper The Madman include: Johnny Hamil, Theresa Scott, Chris Fugitt & Chris Tady. Theresa Scott is formerly known Theresa Schloegel. She is one of the original members of Pamper the Madman. Tim Finn in the KC Star wrote: “Clever songs made Pamper the Madman one of the area’s biggest bands 20 years ago.” The band released their self titled debut on Stress Records in 1995. The band stopped playing in 1998 but after a handful of reunion shows between 2014-2016, the band decided to get back together and is recording new material. Theresa Schloegel was born in Kansas City on November 07, 1970. A while back with her husband and family she left town on a boat going south on the river. She also lives in Santa Cruz. Theresa Scott’s family has owned and operated Woodyard BBQue for generations. Members of Pamper the Madman have included Theresa Scott, Chris Fugitt, Robbie Wagner, Marshall Strong, Johnny Hamil and Chris Tady.]

[Pamper the Madman & The Bad Ideas play The Brick 1727 McGee St, KCMO, Saturday, May 18, at 9:00 PM]

7. Stereolab – “International Colouring Contest”
from: Mars Audiac Quintet / Elektra / August 8, 1994
[Expanded Edition Reissued May 3, 2019]
[One of several new reissues remastered from original tapes, with a bonus disk of unreleased demos, outtakes and alternate mixes. Co-released by band’s own label Duophonic UHF Disks and Warp Records. In February 2019, the group announced a tour of Europe and North America to coincide with expanded, remastered reissues of several of the albums. Stereolab were an English-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group’s music combined influences from krautrock, lounge and 1960s pop music, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French. On stage, they played in a more feedback-driven and guitar-oriented style. The band also drew from funk, jazz and Brazilian music, and were one of the first artists to be dubbed “post-rock”. They are regarded among the most innovative and influential groups of the 1990s. Mars Audiac Quintet is the third studio album by English-French rock band Stereolab. It was released on August 8, 1994 in the United Kingdom by Duophonic Records and in the United States by Elektra Records. During the recording of the album, guitarist Sean O’Hagan left as a full-time member to tour with the High Llamas, while keyboardist Katharine Gifford was added.The song “International Colouring Contest” is a tribute to Lucia Pamela, and samples her voice in the intro. Stereolab: Lætitia Sadier on vocals & guitar, Mint’s organs, & tambourine; Tim Gane on guitar, bass, Vox, Farfisa organs, & Moog synthesiser; Duncan Brown on bass; Katharine Gifford on Vox, Farfisa organs, & Moog synthesiser; Mary Hansen on vocals, guitar, tambourine, & egg shaker; Sean O’Hagan on slide guitar, marimba, & brass arrangements; and Andy Ramsay on drums, percussion.] [The last Stereolab release we remember was 2010’s Not Music on Drag City Records. It was their 12th album, released during the band’s self – imposed hiatus from recording and touring. The tracks were recorded in early 2007. Half of the recordings were released in 2008 on their release “Chemical Chords.” It was reported that the recordings began when band member Tim Gane started messing with ‘a series of about seventy tiny drum loops’ on top of improvised chord sequences using piano and vibraphone. “building them up from there – later slowing the tracks down or speeding them up – it was a totally new way of doing songs for us”. The band createdm all the tracks in their studio, Instant Zero, in Bordeaux, France.]

10:30 – Underwriting

8. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

10:35 – Interview with Nick Carswell

Songwriter Nick Carswell is originally from Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011. He formed Carswell & Hope in late 2012. The band released their debut album in 2014, coinciding with a two week Irish tour. Nick also plays bass in the electro-pop band Pink Royal and is the force behind Silly Goose Records and the annual MixMaster music conference, now part of the Crossroads Music Festival. Nick Carswell joins us to share details about Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song in a solo performance of 10 songs, accompanied by lighting, projection and stage design, Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Nick Carswell thanks for being with us on WMM.

Limerick, Ireland, Nick Carswell has been living in Lawrence, KS since 2011.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance of 10 songs, accompanied by lighting, projection and stage design, creating a unique visual canvas to the music.

Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. AND

Saturday, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS.

Each night features guest performances by Amado Espinoza (in KC) and María Elena Cuevas (in Lawrence).

The project was supported by an ArtsKC Inspiration Grant.

More info at: http://www.changingshadesproject.com

10:44

9. Nick Carswell – “The Wave (A Reckoning) ”
from: The Wave (A Reckoning) – Single / Silly Goose / May 7, 2019
[The featured single from “Changing Shades”, a solo project by Nick Carswell.
All music & lyrics by Nick Carswell. Produced by Nick Carswell. Additional mixing by Jason Slote. More info at http://www.changingshades.com.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.]

[Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence with guest performance by María Elena Cuevas.]

10:48 – More Interview with Nick Carswell

Laurel Morgan Parks and Sascha Groschang with Nick Carswell on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

We are talking with Nick Carswell about Changing Shades – Stories of Migration, Confusion & Belonging a solo performance of 10 songs,, Friday, May 10, at 7:00 PM, at The Irish Center of KC, AND Saturday, May 11, at 7:00 at Lawrence Arts Center,.

Nick Carswell thanks for being with us on WMM.

The Wave (A Reckoning) written by Nick Carswell

Where to start? Where do I begin?
I’ve played my part for all the good it’s been
And the stars grow dim
High above me

We all laughed, what a joke it’s been
I’ve sold my lot, all but given in
But still the din
Is rising
above me
All at once
It overcomes me

But here I am at the end
On the outside looking in
I see a friend
I watch the pendulum swing

My body’s bruised
The air is thin
On my back
I’ve been carrying
the greed and sin
of those before me
But now a reckoning
A wave is forming

So here I am at the end
On the outside looking in
I feel the weight
I watch the world caving in

Here am I, All I’ve lost is what I’ve given in
I feel the end
I’m ready to begin

PRESS RELEASE: Lawrence-based Musician Launches New Multimedia Performance Inspired by his Immigrant Experience. “Changing Shades” is a new electro-acoustic project from Irish immigrant and musician Nick Carswell

LAWRENCE, KS MARCH 20, 2019:
Lawrence-based musician Nick Carswell will debut a new multimedia work inspired by his experience as an immigrant in the United States, with concerts at the Kansas City Irish Center (May 10th) and the Lawrence Arts Center (May 11th). The new project is a departure from the usual genres Carswell has previously released work in and combines his recent experience with multimedia public art and a new body of electro-acoustic music. The Lawrence and Kansas City concerts will be accompanied by guests Maria Cuevas (formerly Maria The Mexican) and Bolivian multi-instrumentalist, Amado Espinoza, respectively. Tickets for both concerts are $10 and performances begin at 7pm.

Changing Shades: An Immigrant’s Story of Confusion & Belonging will consist of 10 songs, each accompanied by lighting, projection and stage design, creating a unique visual canvas to accompany the music. The projected was supported by an ArtsKC Inspiration Grant which funded the purchase of electronic music and lighting equipment to expand the music performance into an immersive multimedia presentation.

“This is definitely new ground for me,” Carswell explains. “The project combines some new tools I’ve been quietly working with over the last several years, with themes that have been kind of weighing heavy recently. This combination called for a different kind of presentation.”

The new works focus on the theme of “belonging” and draw upon Carswell’s experience living as an Irish immigrant for 8 years in the U.S. Songs deal with his own sense of shifting cultural life.

Contact: Nick Carswell Phone: (785) 424-5236|Email: nickcarswellmusic@gmail.com

Nick Carswell thanks for being with us on WMM.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance Friday, May 10, at 7:00 PM, at The Irish Center of KC, 19 West Linwood Blvd. with guest performance by Amado Espinoza.

Changing Shades – Stories of Migration, Confusion & Belonging told in Image & Song from Nick Carswell in a solo performance on Sat, May 11, at 7:00 at Lawrence Arts Center, 940 New Hampshire St., Lawrence, with guest performance by María Elena Cuevas. More info at: http://www.changingshadesproject.com

10:57

10. MorMor – “Some Place Else”
from: Some Place Else – EP / Don’t Guess – AWAL Records / May 3, 2019
[Artist, Singer-Producer, multi-instrumentalist, born and raised in Toronto. MorMor writes, records, produces most of his own work. He tells pigeons and planes, “A lot of my inspiration stems from wanting to share a perspective of Toronto that I feel hasn’t been represented,” he says. “I’m glad Toronto is getting a lot of attention right now, but my experience of the city that has shaped me isn’t really part of the story yet.” he goes on to say, “I always felt different from the other kids at school. I went through a really hard time because I was the kid who always hung out with a wide variety of people. I kept searching for kids like me, but it never happened. In the end it gave me some good perspective. I was a pretty rebellious person when I was young. I had a problem with authority. I was reluctant to take orders if I didn’t believe in the cause. I might be the only kid who got suspended in the first grade. Music was something that I could escape through.]

11:00 – Station ID

13. The Wires – “Wilder”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]

[The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

11:04 – Interview with Laurel Morgan & Sascha Groschang of The Wires

Sascha Groschang and Laurel Morgan Parks of The Wires, on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI

Laurel Morgan grew up in Lincoln, Nebraska. A classically trained musician, she has been playing the violin for 30 years. Laurel graduated from the UMKC Conservatory of Music in 2005. She has also performed with the Des Moines Symphony, Quixotic Fusion, Musical Theatre Heritage at the Off-Center Theatre, the folk-rock band, ‘In the Pines” that won several Pitch Music Awards. And with her husband artist Ben Parks she is ia founder of the band Of Tree As a composer, arranger, and musician Laurel Morgan has traveled to Germany, Austria, and throughout the United States, but is based here in Kansas City.

Sascha Groschang graduated from Paseo Academy of Performing Arts in 2000, UMKC Conservatory of Music in 2004, and Mannes College – The New School For Music in 2008. She had her solo recital debut at Carnegie Hall’s recital hall, Weill Hall in February 2009. Sascha has recorded or performed with Peter Gabriel, Joanna Newsom, Ashanti, Adina Menzel, Clay Walker, the Trans-Siberian Orchestra. She has also worked for NBC, Rhino Records, Juniper String Ensemble, Saint Joesph Symphony, and is part of the faculty at Missouri Western State University. She also teaches out of her Midtown KC home studio. You can learn more at: cellolady.com

Together, Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

More info at: http://www.thewires.info

The Wires debut CD titled: “The Wires Alternative Strings” was originally released through i-tunes, Sept. 25, 2012

Sascha moved back to Kansas City in 2010, after living in NYC for 3 years. She and her husband were married in Brooklyn. They now have wo children age 3 and 1.

Laurel worked in the acclaimed band, In The Pines.

11:13

12. The Wires – “Uncaged”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC bsed duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello).]
cond album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.]

We’re talking with Laurel Morgan & Sascha Groschang are The Wires, who compose and perform original music and will play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

Laurel was most recently on Wednesday MidDay Medley sharing music from her band Of Tree

Of Tree’s release, How Does It Feel (October 12, 2018) was one of WMM’s 118 Best Recordings of 2018

Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.”

Laurel Morgan & Sascha Groschang, thanks for being with us on WMM.

The Wires play an Album Release show for their second album, “Wilder” Saturday, May 18, at 7:00 PM at recordBar, 1520 Grand BLVD. KCMO.

More info at: http://www.thewires.info

Molly McLaughlin, Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

11:24

13. Jean Claude and the Eclairs – “Glasgow.”
from: Glasgow. – Single / Jean Claude and the Eclairs / April 4, 2019
[Alternative Pop/Rock trio based in Lawrence, KS formed by Cooper Scott, Garrison Krotz and Quinn Maetzold in June of 2016.]

[Jean Claude and the Eclairs play The Bottleneck, 737 New hampshire St. Lawrence, KS. Thursday, May 9, at 8:00 PM in an all ages show with Shoebox Money, Cavves, and The Arsonist .]

11:29 – Underwriting

11:31 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan and Molly McLaughlin on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

Turlach Boylan learned to play Irish music as a teenager, studying with John Kennedy in Culleybackey, County Antrim. In 1986, he won an Irish national contest for flute slow airs. Turlach comes from a musical family, he has four sisters and one brother that also play music. Since emigrating to America, he has continued to perform, playing in over 30 states with the band Glen Road and, more recently, in a duet with guitarist Davey Mathias. He has produced three recordings, available on CD. In addition to flute and tin whistle, he also plays banjo and mandolin

Molly McLaughlin studied music at the California Institute of the Arts and the Hartt School, specializing in contemporary, Classical, and traditional Irish flute. Molly has toured with Jethro Tull, recorded at Capitol Records, and performed at the Folk Alliance International Conference. Molly is a core member of Kansas City’s Ensemble Ibérica and performs regularly with her Irish band, Into The Sun. She released her first album in 2017. In August, she’s moving to Ireland to study Traditional Irish Flute for the next several years.

Molly McLaughlin and Turlach Boylan will play live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program and we have our final concert coming up on May 18.

11:38

14. Molly McLaughlin & Turlach Boylan – Jigs: “Whistler at the Wake / Battering Ram”

11:42 – Interview with Molly McLaughlin & Turlach Boylan

Turlach Boylan & Molly McLaughlin with Sascha Groschang & Laurel Morgan of The Wires on the May 8, 2019 Edition of Wednesday MidDay Medley on KKFI.

We’re talking with Molly McLaughlin and Turlach Boylan who are playing live in our 90.1 FM Studios sharing music that they will perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin & Turlach Boylan and I have been working together for the past six months through the Missouri Folk Arts Apprenticeship Program

The Missouri Folk Arts Program identifies, documents, and promotes the folk and traditional arts in our state. Missouri hosts one of the oldest, continuous statewide folk arts apprenticeship programs in the United States, established in 1984. The Traditional Arts Apprenticeship Program funds master artist and apprentice teams who are committed to sustaining their artistic traditions and cultural heritage over an eight month period. This year, Irish flutists Turlach Boylan and Molly McLaughlin were selected to work together.

Harmony Project KC is an intensive, arts-based, youth intervention and mentoring program for under-served children in KC’s urban core. Their mission is to promote the healthy growth and development of children through the study, practice and performance of music; to build healthier communities by investing in the positive development of children through music; to develop children as musical ambassadors of peace, hope and understanding among people of diverse cultures, background and beliefs.

11:49

15. Molly McLaughlin & Turlach Boylan – Reels: “Humours of Ballymac / Devanny’s Goat”

Molly McLaughlin & Turlach Boylan, thanks for being with us on WMM.

Molly McLaughlin and Turlach Boylan perform in concert on Saturday, May 18, at 4:00 pm at Diastole Scholars’ Center, 2501 Holmes, KCMO. This is the culmination of their work together though the Missouri Folk Arts Apprenticeship Program, a grant they received last year.

11:56

16. Le Grand – “Button Mashing”
from: Plastic Jazz / Le Grand / May 10, 2019
[Kansas City based instrumental rock band with Josh Snow on guitar, Sam Sartorius on drums, Sterling Dorrell on guitar, and Chelby Hanks on bass]

[Le Grand play and EP Release at The Rino, 314 Armour Rd, North Kansas City, MO., Friday at 7:00 PM, with Via Luna, Oxford Remedy, and Aage Birch.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on May 15, Wednesday MidDay Medley Celebrates our 15th Anniversary with 15 Special Guests: Iris DeMent, Krystle Warren, Calvin Arsenia, Betse Ellis, Kasey Rausch, Mikal Shapiro, Jake Wells, Marion Merritt, Maria Vasquez Boyd, Necia Gamby, Jen Harris, Nico Gray, Fran Stanton, Barry Lee, and Brenton Cook.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #785

WMM Playlist from April 10, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 10, 2019

Nicole Springer + Stephonne Singleton
+ Jen Harris, Teri Quinn & Joy Baker of Curses & Charms +
Promise Clutter from Revolution Records + Record Store Day!

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979 [WMM’s theme]

2. Hembree – “Heart”
from: House on Fire / OREAD Records / Expected April 26, 2019
[Newest single from band’s upcoming full length album debut. This Kansas City based band was formed in November of 2015. Band members include: Isaac Flynn, Garrett Childers, Eric Davis, Alex Ward and Austin Ward. This new single was written by Isaac Flynn and Eric Davis and performed by Hembree. The track was produced by Eric Hillman and Isaac Flynn and engineered by Joel Martin, Isaac Flynn, and Eric Hillman. The track was mixed by Joe Visciano at Studio 112 in Brooklyn, NY, and mastered by Greg Calbi at Sterling Sound. Hemree release their debut EP “Had It All” in Nov. 2017.]

[Hembree play Record Store Day – April 13, 1:30 pm, at Vinyl Renaissance, 7932 Santa Fe Dr, OPKS.]

[Hembree play The Bottleneck, 737 New Hampshire, Lawrence, Sat. April 27, w/ Cowboy Indian Bear]

The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone.

3. The Freedom Affair – “Rise Up”
from: Soul Slabs Vol. 2 / Colemine Records / April 13, 2019
[The Freedom Affair has been selected to be part of Colemine Records new 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive Release. The Freedom Affair is a new project of Chris Hazelton of SunFlower Soul Records and Chris Hazelton’s Boogaloo 7. The new band includes member of the Boogaloo 7 with members of Instant Karma and three of the KC area’s leading vocalists. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone.]

[The Freedom Affair play Record Store Day – April 13, 5pm, Mills Record Co, 4045 Broadway, KCMO]

[The Freedom Affair plays SoundMachineKC, Sat, May 4, at 8:00 PM, w/ Soultru, & Duncan Burnett.]

Brandon Phillips and The Condition “People Talk” Too Much Rock Single Series 009

4. Brandon Phillips & The Condition – “People Talk” [Vinyl]
from: People Talk- Single b/w “Angel Say No” / Too Much Rock / April 13, 2019
[The group which is the Costello + Motown Girl Group project of Brandon Phillips (The Architects, The Gadjits, Other Americans) features an ensemble cast drawing talent from such notable KC bands as Madisen Ward and The Mama Bear, Hi Lux and Hipshot Killer has mobbed up with venerable Kansas City website Too Much Rock to fashion this special, vinyl-only release – Limited to 500 Copies – for Record Store Day 2019. ]

[Brandon Phillips & The Condition play Record Store Day on Saturday, April 13, at 5:00 PM at Mills Record Company, 4045 Broadway Blvd, KCMO. ]

5. Schwervon! – “Truth Teller”
from: Courage / Olive Juice Records / September 28, 2012
[Schwervon! is a two piece rock band. Nan plays drums, Matt plays guitar, they both sing. They lived in NYC for 15 years and several years ago relocated to KC. Schwervon were part of the anti-folk music community in NYC. They’ve opened for The Vaselines and Belle & Sebastian. They recorded Courage with Memphis-based engineer Doug Easley who worked with Pavement, Sonic Youth, Cat Power. Nan performs in Nan & The One Nite Stands. Matt performs as Major Matt Mason USA.]

[Major Matt Mason USA plays Record Store Day- April 13, 8:30 pm, Revolution Records, 1830 Locust]

[Schwervon! plays Santa Fe Train Depot, 413 East 7th, Lawrence, KS. with Jeffery Lewis & Los Bolts, and google, on Sunday, April 14, at 7:00 PM.]

10:18 – Underwriting

Promise Clutter

10:19 – Interview with Promise Clutter

Promise Clutter is the manager of Revolution Records. She has worked at several diffeent indie record stores in KC. She’s also a musician and plays bass with Wick & The Tricks. Promise joins us to talk about Record Store Day at Revolution Records, 1830 Locust, on Saturday, April 13, with AKAMFDM, Wick & The Tricks, Joseph Warren Wheeler & The Wanderlust Revival, Lovergurl, Major Matt Mason USA, and Instant Karma!

Promise Clutter thank you for being with us on WMM.

Record Store Day 2019 is Saturday, April 13, 2019 at 7 AM – 9 PM

Revolution Records Kansas City – 1830 Locust St, KCMO – http://www.revolutionrecordskc.com

Revolution Records was formerly named Zebedee’s RPM on West 39th street but changed their name when they moved to 1830 Locust Street, in the Crossroads, in 2016, in the space formerly known as Midwestern Musical Company.

Record Store as community center. Revolution Records is a pledged RSD retailer and will have many of the exclusive releases that are available only at independent record shops.

Revolution Records will open at 7:AM and live “In-Store” performances start at 6:30 PM

6:30 – AKAMFDM
7:00 – Joseph Warren Wheeler and The Wanderlust Revival
7:30 – Lovergurl
8:00 – Wick & The Tricks
8:30 – Major Matt Mason USA
9:00- Instant Karma!

Back on March 8, Revolution Records had a “Wage Gap Sale” for International Women’s Day where women were allowed to pay $.76 on the dollar on anything in the store to adjust our prices according to the average pay discrepancy in honor of International Women’s Day. All men who complain/whine/get angry/throw tantrums will pay double.

Promise Clutter, born August 17, 1994 is also a bass player for Wick & The Tricks.

Promise Clutter thank you for being with us on WMM.

Record Store Day 2019 is Saturday, April 13, 7 AM – 9 PM. Revolution Records is located at 1830 Locust St, KCMO. More information at: http://www.revolutionrecordskc.com
_________________________________________________________________________________

Record Store Day

Record Store Day – Saturday, April 13, 2019 at 7 AM – 9 PM

Here’s a list of Record Stores & Bands playing in-stores

Revolution Records Kansas City – 1830 Locust St, KCMO
http://www.revolutionrecordskc.com
6:30 – AKAMFDM
7:00 – Joseph Warren & the Wanderlust Revival
7:30 – Lovergurl
8:00 – Wick & The Tricks
8:30 – Major Matt Mason USA
9:00- Instant Karma

Mills Record Company – 4045 Broadway Blvd, KCMO
http://www.millsrecordcompany.com
Courtyard Stage
2 PM – Iris Elke
4 PM – sex ed
6 PM – Addie Sartino
Mills Stage
3 PM – The Freedom Affair
5 PM – Brandon Phillips and The Condition
7 PM – Bill MacKay

Josey Records

Josey Records Kansas City – 1814 Oak St, KCMO
http://www.joseyrecords.com
DJ Thundercutz
Da Hill Da DJ
Kiko de gallo
False Brother
The Black Creatures
and more TBA!!

Records with Merritt – 1614 Westport Rd, KCMO
http://www.recordswithmerritt.com
12:00 – OH DEAR OH MY
12:45 – Iain P. Blair
1:30 – Jake Extra Pull Destrian
2:15 – DisTanT From The Kansas City Beatbox Crew,
3:00 – Les Izmore & The GOATS
3:45 – The Black Creatures

Vinyl Renaissance & Audio – 7932 Santa Fe Drive, OPKS.
http://www.vinylren.com
1:30 – Hembree

Other stores participating in Record Store Day include:

The Vinyl Underground at 7th Heaven – 7621 Troost

Brothers Music KC – 5921 Johnson Dr., Shawnee Mission

Gotwhatulike Records – 11601 Hickman Mills Drive

FM Music Vintage Sounds – 206 E. 18th Ave NKC

Other great area indie record stores include:

Boss Vintage shop Records – 1214 McGee

Frank Alvarez & James Oshel of Sister Anne’s – Records and Coffee, 901 East 31st Street, in KCMO. (Photo by Aaron Rhodes)

Sister Anne’s – Records and Coffee – 901 E 31st

It’s a Beautiful Day – 3918 Broadway, Blvd, KCMO

For Information on special RSD releases: http://www.recordstoreday.com/SpecialReleases
________________________________________________________________________________

10:30

6. Lovergurl – “Rebel”
from: “Rebel” – Single / Lovergurl / September 14, 2018
[Recorded and mastered with RLT at Audibly Recording. KC based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. The trio released their EP, The President is a Sex Offender on May 19, 2017. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is 26 years old and is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from The B-52s, The Velvet Underground, and The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews is also 26. She was born and raised in Rhode Island, and moved to Kansas City in 2011 and fell in love with the city.]

[Lovergurl plays Record Store Day – April 13, 7:30 pm, Revolution Records, 1830 Locust, St. KCMO.]

7. Wick & The Tricks – “Drama Queen (Radio Edit)”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.] [Wick & the Tricks played a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

[Wick & The Tricks play Record Store Day- April 13, 8:00 pm, Revolution Records, 1830 Locust]

Promise Clutter and Nicole Springer

10:37 – Interview with Nicole Springer

Nicole Springer is a critically acclaimed singer, songwriter, and instrumentalist who lives in KC. Nicole Springer has a big amazing voice; once your hear it, you cannot ignor it. In the true courageous spirit of DIY, she started her first band by putting an advertisement on Craigslist for a guitarist. She is founder of the bands, The Clementines, and The Good Hearts. She defies categories because her voice sounds like so many things; Rock, Pop, Folk, Gospel, Broadway, and Blues. Nicole Springer is with us to debut her new single, “Hell.” Nicole will also play a few songs live in our 90.1 FM Studios.

Nicole Springer

Nicole Springer plays Davey’s Uptown Rambler’s Club, 3402 Main St, Thursday, April 25, at 7:00 PM with Dawson Hollow, and Joy Camp. Nicole Springer plays Records With Merritt on Sat, May 11, at 7:00 PM with The Summer Storms, and Amanda Hughey.

Nicole Springer thanks for being with us on Wednesday MidDay Medley.

We first met you as part of The Clementines as a duo Tim Jenkins & Nicole Springer when they played LIVE on our April 25, 2012 show. At one point the band had Stephanie Williams on Drums, and Travis Earndshaw on Bass.

Nicole Springer grew up in Oak Grove, MO, and graduated H.S. in 2004. She studied Music-Vocal/Choral at Missouri State University, in Springfield, MO, and studied Special Education with Music at Metropolitan MO CC, in KCMO.

Nicole told The Pitch (Jan. 10, 2012 article): “I grew up singing in gospel choirs,” she says. “And I still love gospel music, though I’m not religious or anything. I did musicals throughout high school, and I went to school for a year at Missouri State for music education. But I’ve never been in a committed band before this one.”

Nicole Springer was navigated the continuing evolution of a music career through the band The Good Hearts and into her solo work.

Nicole Springer is with us to debut her new single, “Hell.”

10:40

8. Nicole Springer – “Hell”
from: “Hell” – Single / Nicole Springer / April 10, 2019
[Nicole Springer is a singer-songwriter + multi-instrumentalist out of the Kansas City Metro. She was the founder of critically acclaimed + award wining local groups, The Clementines, and The Good Hearts. She’s written original music for her bands The Good Hearts, Heart Machine, and her solo projects. More info at http://www.nicolespringersings.com .]

Nicole recorded her new single with the help of musician friend Aaron Derrington, who used his basement recording studio to capture Nicole’s songs. Nicole helped produce her own record and sang harmony to her lead vocals, and played guitar.

Nicole Springer is parent to a cat and pup. She is also proud wife, sister, & aunt.

Nicole Springer loves singing covers from the 1980’s – 1990’s. More info at http://www.nicolespringersings.com where you can hear her originals and covers

Nicole Springer manages The Arcade Decades

Artists Nicole Springer likes; Janis Joplin / Judy Garland / Beach Boys / Beatles / Broadway / The Supremes / Dixie Chicks / Haim / Tegan and Sara

10:48

9. Nicole Springer – “Willing” (Live)
Nicole told us that she wrote this song only a few weeks ago.

Nicole Springer plays live on Wednesday MidDay Medley April 10, 2019

Nicole sings from the heart, writing every song to be a reflective piece of her life story and as a means to evolve and grow as a human. She describes her sound as pop-folk but additional influences such as gospel, soul, and Motown find their way into the mix. With her sometimes big, always emotional vocals, Nicole performs each heartfelt song with a raw emotionality that aims to move people and free herself.

Awards: 2014 Pitch Music Award Winner: Folk Ensemble with The Clementines as lead singer, songwriter, and rhythm guitarist

2014 Project Backstage Award: Best Americana Group with The Clementines as lead singer, songwriter, and rhythm guitarist

10:55

10. Nicole Springer – ” Echo” (Live)

Nicole Springer thanks for being with us on Wednesday MidDay Medley

Nicole Springer plays Davey’s Uptown Rambler’s Club, 3402 Main St, Thursday, April 25, at 7:PM with Dawson Hollow, and Joy Camp.

Nicole Springer plays Records With Merritt on Sat, May 11, at 7PM w/ The Summer Storms, and Amanda Hughey.

More info at: http://www.nicolespringersings.com / http://www.facebook.com/nicolespringersings

11:00 – Station ID

11. The Black Creatures – “Element”
from: “Elements” – Single / The Black Creatures / February 14, 2018
[Dark pop hip-hop duo from Kansas City, Missouri pulling elements from sci-fi to tell an inter-dimensional story. Xavier Martin and Jade Beomh released their debut album, See No Evil, on December 6, 2017.]

[The Black Creatures play R.S.D. April 13, 3:30 pm, at Records With Merritt, 1614 Westport Rd.]

[The Black Creatures play Record Store Day April 13 at Josey Records,1814 Oak St, KCMO]

Bethany Cain, Nicole Springer, Teri Quinn, Jen Harris, Joy Baker on the April 10, 2019 edition of Wednesday MidDay Medley on KKFI.

11:04 – Interview with Jen Harris, Teri Quinn & Joy Baker

Poet Jen Harris is the founder of Kansas City Poetry Slam, she is a TEDx fellow, She has been nationally recognized for her writing and advocacy. She was recently seen in the 3rd season of Queer Eye on Netflix. She graduated from the University of Missouri-Kansas City with a Bachelor of Liberal Arts. She is the recipient of the 2015 Jim Wanser Pride Award for outstanding LGBT community activism. She is the recipient of The Pitch Magazine’s 2017 Poet of the Year award, and was nominated as the 2017 Spoken Word Host of the Year by the National Spoken Word Awards. She was the 2009 ACP Kansas Journalist of the Year. She has two published books of poetry titled: Slammed and Lust & Disdain. Her spoken word record, Flaunting Her Mediocrity was released Oct 9, 2016.

Teri Quinn is a Kansas City based singer/songwriter and multi-instrumentalist, originally from Grand Rapids, Michigan. Teri moved to Kansas City in 2009 to study Clarinet Performance and Music Composition at the University Of Missouri Kansas City’s Conservatory of Music where she graduated in 2013. We first met Teri playing clarinet and guitar for Claire and the Crowded Stage. Teri is also a jewelry designer and her business is called Rattlebone Design. Teri calls herself, “A Northern girl with a Southern heart living in the Mid-West.” Teri released her debut EP, Moons and Meltdowns in 2017 and she is also part of the band Abandoned Bells.

Joy Baker is a multimedia artist and owner of Createful Studios, LLC. She works as a full-time studio artist and art instructor at InterUrban ArtHouse in downtown Overland Park, Kansas. Joy describes her art as “Working from the inside out to create beauty in my life and through my art.” Joy Baker is also a former musician and her passion for music has led her to produced multiple house concerts and now music and multi media live performances at InterUrban ArtHouse. you can see her art at: http://www.createfuljoy.art

Jen Harris, Teri Quinn, and Joy Baker join us to share details about Curses & Charms on Sunday, April 14, at 4:30 PM at InterUrban ArtHouse, 8001 Newton St, Overland Park, featuring spoken word artist Emery Diercks, musician-singer-songwriter Teri Quinn, and Poet Jen Harris. More info at: http://www.interurbanarthouse.org

Jen Harris, Teri Quinn & Joy Baker thanks for being with us on WMM.

Curses & Charms: A Further Account of the Trials of Womyn with wild tales told through poetry & music.

Emery Diercks, musician-singer-songwriter couldn’t be with us.

Jen Harris you are participating in the current class of Artist Inc.

Joy Baker welcome back to the show. Tell us about InterUrban ArtHouse and your work.

Teri Quinn last time you were on the show was when we had Abandoned Bells on the show

Jen Harris performed a piece from the show live in our 90.1 FM Studios.

11:18

Jen Harris

12. Jen Harris – “Mr. P” (LIVE)
original piece written and performed by Jen Harris from Curses & Charms

Curses & Charms on Sunday, April 14, at 4:30 PM at InterUrban ArtHouse, 8001 Newton St, Overland Park, KS. Curses & Charms: A Further Account of the Trials of Womyn with wild tales told through poetry & music featuring spoken word artist Emery Diercks, musician-singer-songwriter Teri Quinn, and Poet Jen Harris.

11:24

Teri Quinn plays live on the April 10, 2019 edition of Wednesday MidDay Medley on KKFI

13. Teri Quinn – “Baptising My Beast” (LIVE)
a new song that is a “reflection on loneliness”

Jen Harris, Teri Quinn & Joy Baker thanks for being with us on WMM

Curses & Charms on Sunday, April 14, at 4:30 PM at InterUrban ArtHouse, 8001 Newton St, Overland Park, KS. More info at: http://www.interurbanarthouse.org

11:29

14. Lazy Projector – “Disco”
from: Evoco / Aaron Michael Shinn / April 5, 2019
[Debut album from Kansas City based 4-piece band with Aaron Shinn, Tell Pryor, Matt Schorr, and Sam Marconett. More info at: http://www.lazyprojector.com]

[Lazy Projector play and Evoco Album Release Show, Saturday, April 13, at 8:00 at The Brick, 1727 McGee Street, KCMO with La Guerre, and Mr. Golden Sun]

11:34 – Underwriting

Stephonne Singleton Photography by Paul Andrews Photography // Makeup by Janette RiiRii Noriega // Styling by Alex Nivens and Stephonne Singleton.

11:35 – Interview with Stephonne Singleton

We have the pleasure of welcoming back to Wednesday MidDay Medley singer, songwriter and actor, Stephonne Singleton who joins us to premiere his new single “Want Me.” Last year Stephonne released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018. Natalie Gallagher wrote in The Pitch, “If you’re looking for a good soul-stirring, acquaint yourself with Stephonne. The KC-born artist evokes the sultry sashay of Prince — one of his primary inspirations — and the omniscient wisdom of great jazz singers from bygone eras. He recombines the best elements of soul, R&B and funk, informing the resulting sound with some kind of magical instinct for the irresistible.”

Stephonne Singleton, Thanks for being with us on Wednesday MidDay Medley

Stephonne calls himself the lovechild of Prince and Billie Holiday, grew up in KCK and received a Bachelor of Arts degree in Music from Bendictine College and Masters in Entertainment Business from Full Sail University.

More info at: http://www.stephonne.com

Stephonne Singleton’s new release was co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. The track features Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums.

Stephonne Singleton was born and raised in Wyandotte County, Kansas. He is 32 years old and has performed in multiple shows for Late Night Theatre. He also performs as Kita Rose.

He told John Long of Camp Magazine that, “Late Night Theatre is my favorite place in the whole wide world,” he says, “and the support and opportunity Ron [Megee], Jessica [Dressler] and Chadwick [Brooks] give me has fed me so much as an artist and has nurtured me to be able to fully express myself on a stage.”

Stephonne told John Long of Camp Magazine “I was surrounded by records, and my parents always had music on.” His mother would, “turn on Luther Vandross, or Anita Baker, or all of these artists. We had Barbra Streisand records, Beatles records, the Isley Brothers. I remember watching Lady Sings the Blues [a film about jazz singer Billie Holliday] and I was, like, 7. I lived in a super musical world.”

He expects to move more toward releasing singles rather than entire albums.

11:40

15. Stephonne Singleton – “Want Me”
from: “Want Me” – Single / Glory Blue Music / April 26, 2019
[Co-produced by, Justin Mantooth, and recorded at Westend Recording Studios. Johnny Hamil on bass, Ben Byard on guitar and Adam McKee on drums. Stephonne grew up in KCK. He released his debut album, “Caged Bird Sings Songs About Red Beard.” The album was one of WMM’s 118 Best Recordings of 2018.]

11:43 – Interview with Stephonne Singleton

We are talking with singer, songwriter and actor, Stephonne Singleton who joins us to premiere his new single “Want Me.”

Stephonne Singleton, Thanks for being with us on Wednesday MidDay Medley

Stephonne is currently on the cover of Camp Kansas City Magazine

Stephonne on the cover of Camp – Kansas City, April 2019

Photography by Paul Andrews Photography // Makeup by Janette RiiRii Noriega // Styling by Alex Nivens and Stephonne Singleton.

Want Me hits Apple Music, Spotify, Tidal and EVERYWHERE on Friday 4/26!

Stephonne Singleton’s debut album Caged Bird Sings Songs About Red Beard was released on Glory Blue Music on July 27, 2018.

Stephonne told John Long of Camp Magazine, “I’ve never felt this confident in myself or my music before,” Singleton says. “My first album is my baby, but I haven’t felt anything as visceral, connected and urgent as this music feels. I’m ready to truly show who I am.”

Singleton’s fans can support his recordings, tours, at http://www.gofundme.com/Stephonne.

“Every bit helps,” he says, “because as an independent artist, I don’t have Adele’s resources. It’s all me, without any label backing. Me and my listeners are my label right now, and I’m so excited to make them proud with this new material.”

“Want Me” will be released worldwide in late April on Apple Music, Spotify, Tidal and all digital/streaming platforms. For updates, shows, and more, visit http://www.stephonne.com!

To read about Stephonne in Camp Kansas City Magazine visit: Cover Story: https://camp.lgbt/2019/03/30/stephonne-strikes-again/

For the Camp Kansas City Magazine Single Review of “Want Me” visit: https://camp.lgbt/…/musicality-stephonne-vassy-sigrid-lauv…/

Stephonne Singleton, Thanks for being with us on Wednesday MidDay Medley

11:50

16. Deco Auto – “Stay Away”
from: Another Great Decision / Deco Auto / April 5, 2019
[Newest EP from Kansas City based alternative pop-punk / power-pop trio. Guitar/vocals: Steven Garcia on guitar and lead vocals, Tracy Flowers on bass & vocals, and Pat Tomek on drums. Written by Steven Garcia, $tudent Loans For Life Music (ASCAP). Recorded, and mixed and by Pat Tomek at Largely Studios, Kansas City, MO. Mastered by Gabe Fry at Kimura Studios. Produced by Steven Garcia and Pat Tomek. “Deco Auto is the perpetual opener, the also-rans, the nice-guys-finish-last band in the KC rock scene. Songwriter Steve Garcia is to blame, and he knows it. His songs straddle the line between power pop and pop punk — never casual enough for the former, nor saccharine enough for the latter.” ~ Too Much Rock]

[Deco Auto plays The Rino, 314 Armour Rd, North Kansas City, Saturday, April 20, at 7:00 PM with The Bad Ideas, Hipshot Killer, and Old News (from Wichita).]

11:56

17. Madisen Ward and the Mama Bear – “Walk in The Park”
from: Radio Winners – EP / Glassnote Records / July 27. 2018
[Madisen Ward and the Mama Bear have garnered international acclaim,. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of KCMO. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occasional cover, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear play a Members-Only Concert & Reception at The Kauffman Center For The Performing Arts in Helzberg Hall, Tuesday, April 16, at 7:00 PM.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on April 17 Canadian musician & filmmaker Rita Chiarelli and KC based cinematographer Mikal Shapiro of State City Films join us to talk about their work inside the Topeka Correctional Facility for Women. This work will culminate in a concert for fellow inmates, families, victims and the greater community. Rita and Mikal have planned 10 days of filming with an all-female crew inside the facility. There is currently a Kickstarter Campaign to help fund this amazing project: Topeka Freedom Singers.

Also Sean Mawhirter share music & information about the Kansas City Salsa Orchestra Mundo Nouvo and the release of their debut full length “Mejor Tarde Que Terrada” and their Album Release Show, Friday, April 19, at 8:00 PM at The 10 Spot, 1000 Broadway.

Also next week members of the band Emmaline Twist join us to share information about thir upcoming show Friday, April 19, at 8:00 PM at recordBar, 1520 Grand Blvd. with The Foreign Resort, Nite, and Monta At Odds

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #781

Wednesday MidDay Medley presents: Nicole Springer + Stephonne Singleton + Jen Harris, Teri Quinn & Joy Baker + Promise Clutter

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 10, 2019

Nicole Springer + Stephonne Singleton
+ Jen Harris, Teri Quinn & Joy Baker of Curses & Charms +
Promise Clutter from Revolution Records + Record Store Day!

Mark spins New & MidCoastal Releases from: Stephonne, Nicole Springer, The Freedom Affair, Brandon Phillips & The Condition, Hembree, Deco Auto, Lazy Projector, Madisen Ward and The Mama Bear, Schwervon!, The Black Creatures, Lovergurl, and Wick & The Tricks.

Record Store Day

At 10:15 Promise Clutter talks about Record Store Day at Revolution Records, 1830 Locust, on Saturday, April 13, with AKAMFDM, Joseph Warren Wheeler & The Wanderlust Revival, Lovergurl, Wick & The Tricks, Major Matt Mason USA, and Instant Karma! Record Store Day in-stores are happening at: Mills Record Company, 4045 Broadway; Records With Merritt 1614 Westport Rd; Josey Records 1814 Oak; and Vinyl Renaissance & Audio at 7932 Santa Fe Drive, OPKS. Other stores participating include: The Vinyl Underground at 7th Heaven, 7621 Troost; Brothers Music at 5921 Johnson Drive, Shawnee Mission; Got What U Like Records at 11601 Hickman Mills Drive; and FM Music Vintage Sounds at 206 E. 18th Ave NKC. Other stores include: Boss Vintage Records at 1214 McGee; Sister Anne’s – Records and Coffee at 901 E 31st. For Info on RSD: http://www.recordstoreday.com/SpecialReleases

Nicole Springer

At 10:35 Nicole Springer debuts her new single “Hell.” Nicole will also play a few songs live in our 90.1 FM Studios. Nicole Springer is a KC based singer-songwriter and multi-instrumentalist. She was the founder of the critically acclaimed bands, The Clementines, and The Good Hearts. Nicole Springer plays Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, on Thursday, April 25, at 7:00 PM with Dawson Hollow, and Joy Camp. Nicole Springer plays Records With Merritt on Saturday, May 11, at 7:00 PM with The Summer Storms, and Amanda Hughey. More info at: http://www.facebook.com/nicolespringersings

Jen Harris

At 11:00 Jen Harris, Teri Quinn, and Joy Baker join us to share details about Curses & Charms on Sunday, April 14, at 4:30 PM at InterUrban ArtHouse, 8001 Newton St, Overland Park, KS. Curses & Charms: A Further Account of the Trials of Womyn with wild tales told through poetry & music featuring spoken word artist Emery Diercks, musician-singer-songwriter Teri Quinn, and Poet Jen Harris. More info at: http://www.interurbanarthouse.org

Stephonne Singleton

At 11:30 Singer songwriter and actor, Stephonne Singleton premieres his new single “Want Me.” Stephonne calls himself the lovechild of Prince and Billie Holiday, grew up in KCK and received a Bachelor of Arts degree in Music from Bendictine College and Masters in Entertainment Business from Full Sail University. His debut album, “Caged Bird Sings Songs About Red Beard” was one of WMM’s 118 Best Recordings of 2018. Natalie Gallagher wrote in The Pitch, “If you’re looking for a good soul-stirring, acquaint yourself with Stephonne. The KC-born artist evokes the sultry sashay of Prince — one of his primary inspirations — and the omniscient wisdom of great jazz singers from bygone eras. He recombines the best elements of soul, R&B and funk, informing the resulting sound with some kind of magical instinct for the irresistible.” More info at: http://www.stephonne.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #781

WMM Playlist from April 3, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, April 3, 2019

Brandon Phillips and The Condition & Too Much Rock
+ Victor & Penny + Aaron Rhodes & Shuttlecock Music
+ Sondra Freeman & Midwest Music Foundation

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack to All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme song]

2. Black Moth Super Rainbow – “Baby’s In The Void”
from: Panic Bloom / Rad Cult Records / May 4, 2018
[American experimental electronic band from Pittsburgh, Pennsylvania. They have released 6 albums, 7 EPs, and 4 singles. The project is currently composed of frontman, singer, and songwriter Tobacco whose vocals are altered via a vocoder; keyboardist The Seven Fields of Aphelion, who often performs with a classic monosynth; drummer Iffernaut; guitarist Ryan Graveface; and bassist Pony Driver. Former members include keyboardist Father Hummingbird, who typically recorded with a polysynth, and Power Pill Fist on bass. Black Moth Super Rainbow’s music contains elements of psychedelia, folk, electronica, pop, and rock. Their sound is characterized by analog electronic instruments including the vocoder, Rhodes piano and Novatron.]

[Black Moth Super Rainbow play The Granada Theater, 1020 Massachusetts St, Lawrence, on Friday April 5, at 7:00 with with special guests: Steve Hauschildt, and High Tides]

3. Durand Jones and The Indications– “Too Many Tears”
from: American Love Call / Dead Oceans / March 1, 2019
[Bayou-born soul sensation, Durand Jones got his start in the church, after being forced to sing in the choir of his rural hometown Hillaryville, Louisiana because his Grandmother thought he sang too much at home. When his music career took him to Bloomington, Indiana, he was selected to join the legendary Indiana University Soul Revue, and it was through his involvement that he met writer/producer duo Aaron Frazer and Blake Rhein. The three began writing original soul music, recording themselves straight to tape in the basements of Bloomington – and their debut album is now available on Colemine Records.]

[Durand Jones & The Indications play recordBar, 1520 Grand, Sat. April 6, at 7:00 with Ginger Root]

4. Kyle Reid & the Low Swinging Chariots – “Shot of Whiskey”
from: Alright, Here We Go… / Kyle Reid & the Low Swinging Chariots / September 9, 2014
[Debut recording from the 6-piece band from Norman, Oklahoma who play swing, gypsy jazz, and jazz. The band includes: Kyle Reid on guitar and vocals; John Calvin III on guitar, David Leach on trombone; Kevin Stringfellow on trumpet; Johnny Carlton on bass; Steve Boaz on drums.]

[Kyle Reid and The Low Swingin’ Chariots with Victor & Penny and The Loose Change Orchestra play Californos, 4124 Pennsylvania Ave, KCMO, on Saturday, April 6, at 7:00 PM]

Victor & Penny

5. Victor & Penny – “She Say She Knows”
from: She Says She Knows – Single / EAT.HEAR.RECORDS / November 15, 2017
[Erin McGrane, Jeff Freling formed Victor & Penny in 2010. Vinyl-only label EAT.HEAR.RECORDS was started by Steve Tulipana & team at recordBar. Recorded by Duane Trower at Weights & Measures Soundlab.]

[Victor & Penny and The Loose Change Orchestra with Kyle Reid and The Low Swingin’ Chariots play Californos, 4124 Pennsylvania Ave, KCMO, on Saturday, April 6, at 7:00 PM]

Jeff Freling on the April 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

10:18 – Interview with Jeff Freling

Formed in 2010, Victor & Penny are Erin McGrane on ukulele & vocals and Jeff Freling on guitar, & vocals. Victor & Penny have toured all over country and have performed at the Kauffman Center for the Performing Arts Inaugural New Year’s, the Missouri Governor’s Awards Luncheon, KC Union Station’s Centennial Celebration, KC Mayor, Sly James’ 2015 State of the City Address, representing Kansas City at a New York City press event for America’s Creative Crossroads campaign, “Paris of the Plains Goes to NY.”

Victor & Penny were named “Best Folk Ensemble 2015” by the PITCH; “Standout Concert of the Year” by the Joplin Globe; and are a four-time Official Showcase Artist for Folk Alliance International Conference, and have made over 1,000 personal appearances and traveled more than 200,000 miles in the last seven years. In 2016 Victor & Penny released their 4th album, ‘Electricity.’

Guitar virtuoso and one half of Victor & Penny, Jeff Freling is here in the studio to share details about the upcoming concert on Saturday, April 6, at 7:00 PM, at Californos, 4124 Pennsylvania Ave, KCMO when Victor & Penny with their full band The Loose Change Orchestra join forces with Oklahoma favorite Kyle Reid and The Low Swingin’ Chariots, for an night of high-energy swing, jazz, gypsy, original tunes, lots of laughs, and room for dancing.

Jeff Freling thank you for being with us on WMM.

Formally trained at Berklee School of Music (Boston) and the Conservatory of Music (Kansas City), Mr. Freling participated in the international program, The Acoustic Guitar Project in 2014 and is an accomplished composer, arranger, and outstanding instrumentalist.

Jeff Freling was one of the members of Mongol Beach Party

After Kansas City Jeff moved to Chicago and lived there for 17 years where he played in multiple bands and was part of the critically acclaimed Blue Man Group band.

In 2017 Victor & Penny got married.

On Daisy Buckët/Spencer Brown’s 2018 debut record “Pansy” Jeff Freling not only oversaw making half of the album’s songs happen, {“Stars are Blind,” “Long, Long Time,” “What Makes a Man,” “I’ll Be With You in Apple Blossom Time,” “Hot Nuts”) but was also integral in the mixing process and lending his extra ears. Song credits include V&P band members: Jeff Freling on guitar; Brian Steever on drums; Rick Willoughby on bass; Ken Lovern on organ; James Isaac on tenor saxophone, and Erin McGrand on ukulele and background vocals.

Oklahoma favorite Kyle Reid and The Low Swingin’ Chariots have been friends with Victor & Penny and have met up on the road and at multiple Folk Alliance International events

Victor & Penny’s last full length album was the acclaimed, “Electricity” released in March 2016. “Electricity” debuted on the Folk Radio DJ charts at #12 with the #3 song. “Electricity” crackles and sparks with joy and regret; truths and dares; love and love gone wrong all set to a score of vibrant, rhythmic swing and virtuosic musicianship. Electricity is the culmination of 160,000 miles, 5 years and nearly 1,000 performances and is a testament to the incomparable vivacity of Victor & Penny’s live show, with newly added sophistication and rich instrumentation.

“Electricity” was Produced by Grammy Award winning Producer/Engineer Mitch Dane, and recorded at Sputnik Sound in Nashville, TN.

Electricity features Victor and Penny’s find band, The Loose Change Orchestra (LCO). The LCO’s rich, resonate sound is created by virtuoso reeds player James Isaac on clarinet, soprano saxophone, and melodica; Rick Willoughby on upright bass; and trombonist Kyle Dahlquist. Supplemental instrumentation includes accordion, violin, saw, mandolin, piano, and Hammond B3.

Jeff Freling thank you for being with us on WMM.

Victor & Penny with their full band The Loose Change Orchestra join forces with Oklahoma favorite Kyle Reid and The Low Swingin’ Chariots on Saturday, April 6, at 7:00 PM, at Californos, 4124 Pennsylvania Ave, KCMO, for an night of high-energy swing, jazz, gypsy, original tunes, lots of laughs, and room for dancing.

More information at: http://www.victorandpenny.com or http://www.kylereidmusic.com

10:31

6. Victor & Penny – “Moon Over Bourbon Street”
from: Electricity / Victor & Penny / November 16, 2016
[Written by Sting, inspired by the Anne Rice novel Interview With The Vampire.]

10:36 – Underwriting

7. The Coathangers – “Step Back”
from: The Devil You Know / Suicide Squeeze Records / March 8, 2019
[All female punk group quartet from Atlanta, Georgia, includes: lead vocalist – Julia Kugel, drummer – Stephanie Luke, keyboardist – Candice Jones and bassist – Meredith Franco.]

[The Coathangers play recordBar, 1520 Grand Boulevard, KCMO, on Sunday, April 7, at 8:00 PM, with Big Bite and Wet Tropics.]

Jeff Freling and Sondra Freeman on the April 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:41 – Interview with Sondra Freeman

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

Sondra Freeman joins us right now to talk about Midwest Music Foundation’s inaugural Strike A Match Donation Drive, that started om Monday, April 1 and runs through Saturday, April 6, helping culminating with a Free Musicians’ Health Care Clinic at The Buffalo Room, 817 Westport Road, from noon to 5:00 pm.

Sondra Freeman thanks for being with us on Wednesday MidDay Medley

Midwest Music Foundation is in the midst of its inaugural Donation Drive, that started on Monday, April 1. The Strike A Match Donation Drive commences with a goal of $6000 to help local working musicians gain access to health care and valuable career resources.

How To Donate: Venmo: https://venmo.com/midwestmusicfoundation

On Saturday, April 6, the donation drive culminates with a Free Musicians’ Health Care Clinic at The Buffalo Room (817 Westport Road, behind Westport Flea Market), Saturday, April 6, from 12:00pm to 5:00 pm.

The Midwest Music Foundation along with the RockDocs, a collaboration of University of Kansas and the Community Health Council of Wyandotte County, present a Free Musicians’ Health Care Clinic that will offer information, screenings, wellness/smoking cessation programs, opportunities to discuss heath conditions/concerns and arrange follow up visits.

Colon Cancer screening FIT test kits will be provided to those that qualify (anyone 50-75 years old who are not up to date with colon screening) through a generous grant from the Colon Cancer Coalition. Get Your Rear in Gear – Kansas City will be on site with more information and the infamous #stolencolon will be there!

Truman Medical Center (www.trumed.org) will also be at the clinic from 12-3. Truman Medical Centers is an academic health center providing accessible, state-of-the-art quality healthcare to our community regardless of the ability to pay. They will supply information on health coverage for uninsured patients.

Bill Rogers, Physical Therapist, Orthopedic and Geriatric Clinical Specialist will be available to consult and help triage musculoskeletal problems.

There will also be representatives from Narcotics Anonymous (http://www.kansascityna.org/) on hand with information.

Priority will be given to musicians/music industry personnel, but the clinic is open to anyone.

In addition, the Midwest Music Foundation is providing custom earplugs to the first 20 qualified musicians/music industry personnel to apply. Impressions will be done by AudioGirl Consulting. (These slots are currently filled, but sign up for our waiting list or info on future opportunities).

Contact rhonda@midwestmusicfound.org for more information and to schedule an appointment. Appointments are highly recommended, but walk-ins will be accepted as time permits. Or, just stop by to check out the event and have lunch with us.

Clinic made possible by funding from Jackson County Outside Agencies. With additional support from KKFI 90.1 FM , 90.9 The Bridge , and Folk Alliance International (all will have free promo materials at the event).

Donations will be accepted and MMF merchandise will be available for sale, as this is our final day of our #strikeamatch Donation Drive.
https://www.facebook.com/events/253964785510021/

Sondra Freeman thanks for being with us on Wednesday MidDay Medley

More info and full list of sponsors at: https://midwestmusicfoundation.org/donationdrive/

10:54

8. Hadiza. – “God is 7”
from: Gone – EP / Hadiza./ December 29, 2018
[Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin ]

[Hadiza plays: Experiments in Afrofuturism, at miniBar, 810 Broadway, KCMO, on Fri, April 5 at 9:00 PM with Eems at 10:30 PM, Reverend Doctor at 11:30 PM, and The Black Creatures at 12:30 AM.]

11:00 – Station ID

Sid Sowder and Brandon Phillips on the April 3, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:00 – Interview with Brandon Phillips and Sid Sowder

Brandon, Zach, & Adam Phillips come from an artistic family. Their father was a jazz musician, playwright, and actor and their mother an art teacher. The brothers started by playing AC/DC covers, but moved on to original songs and a broader range of influences. In 1991 they formed their first band and a 14-year-old Brandon led his younger brothers Zach & Adam into a seedy bar in KC to play their first gig to the small crowd of locals. In 1997 the brother’s a ska and rock & roll band, The Gadjits, released their debut album, Da Gravy on Yo’ Grits, on their own JoCo Ska label. They went on record five full length albums on Hellcat Records, Thick Records and an unreleased album for RCA Records. They appeared on The Vans Warped Tour, and supported the Skatallites, Rancid, and Let’s Go Bowling on the road.

In 2004 The Gadjits ended and the brothers formed a new band called The Architects who have released six full length albums and two EPs, including The Border Wars graphic novel/EP series, on which they worked with illustrator Mallory Dorn.

In the past three years the brothers have branched of into multiple musical and recording projects including Other Americans with Julie Berndsen (formerly of the Latenight Callers) on lead vocals, Radar State where Adam plays drums, and Brandon Phillips and The Condition with Brandon on vocals, Adam on drums, Zach on bass, former Gadjit member Ehren Starks on keyboard, Rachel Mallin (of Rachel Mallin & the Wild Type) on guitar, and Julie Berndsen on backup vocals. This ensemble changes based on availability of all involved.

Brandon Phillips thanks for being with us on Wednesday MidDay Medley to share the newest Too Much Rock single from Brandon Phillips & The Condition.

Also joining us is Sid Sowder, founder of the Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, Red Kate, Heidi Lynne Gluck, have all recorded for the Too Much Rock Single Series. More info at: http://www.toomuchrock.com

Sid Sowder, thanks for being with us on Wednesday MidDay Medley

Brandon Phillips & The Condition

Kansas City, Missouri bubblegum-soul champions Brandon Phillips and The Condition emerge from a long winters hibernation with a platinum –wrapped pouch of big league power pop that swings for the fences.

The group which is the Costello + Motown Girl Group project of Brandon Phillips (The Architects, The Gadjits, Other Americans) features an ensemble cast drawing talent from such notable KC bands as Madisen Ward and The Mama Bear, Hi Lux and Hipshot Killer has mobbed up with venerable Kansas City website Too Much Rock to fashion this special, vinyl-only release – LIMITED TO 500 COPIES FOREVER – for Record Store Day 2019.

Brandon Phillips and The Condition “People Talk” Too Much Rock Single Series 009

On the A-side, “People Talk”– Brandon Phillips and the Condition simply do what they do with understated flex. Take a melody reminiscent of a sixties girl-group, bolt it to a boppy, eighties backbeat and then get to hanging all the accouterments and accessories of power-pop-soul on it like aftermarket chrome on a Lambretta scooter.

11:10

9. Brandon Phillips & The Condition – “People Talk” [Vinyl]
from: People Talk- Single b/w “Angel Say No” / Too Much Rock / April 13, 2019
[The group which is the Costello + Motown Girl Group project of Brandon Phillips (The Architects, The Gadjits, Other Americans) features an ensemble cast drawing talent from such notable KC bands as Madisen Ward and The Mama Bear, Hi Lux and Hipshot Killer has mobbed up with venerable Kansas City website Too Much Rock to fashion this special, vinyl-only release – LIMITED TO 500 COPIES FOREVER – for Record Store Day 2019. ]

[Brandon Phillips & The Condition play recordBar at 1520 Grand Boulevard, KCMO, on Friday, April 5, at 9:30 PM with The Sluts, and Dead Voices.]

[Brandon Phillips & The Condition also play Record Store Day at Mills Record Company, Saturday, April 13, at 3:00 PM at Mills Record Company, 4045 Broadway Blvd, KCMO. ]

Sid Sowder, Sondra freeman, and Brandon Phillips on the April 3, 2019 edition Wednesday MidDay Medley on KKFI 90.1 FM.

11:14 – Interview with Brandon Phillips and Sid Sowder

We are talking with Brandon Phillips and Sid Sowder about the newest Too Much Rock single from Brandon Phillips & The Condition.

OFFICIAL RELEASE PARTY: Record Store Day, Saturday 4/13 at Mills Records, KCMO

Kansas City, Missouri bubblegum-soul champions Brandon Phillips and The Condition emerge from a long winters hibernation with a platinum –wrapped pouch of big league power pop that swings for the fences.

Power pop is like a secret religion” says Brandon Phillips.

“Once you’ve been indoctrinated, you can see its themes and values bubbling up through the best rock and roll of every era.” …Get saved.

Sid’s outlook on upcoming shows:
4/3 Laura Jane Grace @ Riot Room
4/5 BP+TC @ recordBar
4/6 Durand Jones @ recordBar
4/7 Coathangers @ recordBar
4/12 Swervedriver @ Liberty Hall
5/1 Pedro The Lion @ recordBar
5/2 Interpol @ Midland
5/6 Pup @ Granada
5/9 Deertick @ Knuckleheads
5/10 Neko Case @ Uptown
5/10 Psychedelic Furs @ Truman
5/15 Johnny Marr @ Voodoo Lounge
5/25 Taco Cat @ recordBar 6/1 Lion’s Law @ Brick
7/5 Bill Callahan @ LFK Library
7/6 Head and the Heart @ Starlight

Visit Too Much Rock Here: https://toomuchrock.com

Catch BP+C live and follow them here:
FB: @BrandonPhillipsandtheCondition
TW: @brandonpandthec
IG: @brandonphillipsandthecondition
Spotify: https://open.spotify.com/artist/4A3oyiayWBVo2782jX2VvB

The B-side of this vinyl-only, limited-run record is a hand selected cover of Tommy Tutone’s “Angel Say No”– as near a perfect power-pop deep-cut as one is likely to find in even the dustiest record bin in it’s original version, here re-amplified by a crack rhythm section and wedded to the Ronettes-worshiping vocal style for which BP+C are known.

Brandon Phillips & Sid Sowder thanks for being with us on WMM

11:23

10. Brandon Phillips & The Condition – “Angel Say No” [Vinyl]
from: “Angel Say No” B Side Single of “People Talk” / Too Much Rock / April 13, 2019
[The group which is the Costello + Motown Girl Group project of Brandon Phillips (The Architects, The Gadjits, Other Americans) features an ensemble cast drawing talent from such notable KC bands as Madisen Ward and The Mama Bear, Hi Lux and Hipshot Killer has mobbed up with venerable Kansas City website Too Much Rock to fashion this special, vinyl-only release – LIMITED TO 500 COPIES FOREVER – for Record Store Day 2019. ]

[Brandon Phillips & The Condition play recordBar at 1520 Grand Boulevard, KCMO, on Friday, April 5, at 9:30 PM with The Sluts, and Dead Voices.]

[Brandon Phillips & The Condition also play Record Store Day at Mills Record Company, Saturday, April 13, at 3:00 PM at 4045 Broadway Blvd, KCMO. ]

11. Dead Voices – “Some Kind Of Fame”
from: Commoners / Dead Voices / February 4, 2019
[The follow up to their 2013 Debut EP. Kansas City Super-Group, formed in September of 2010, by David Regnier on lead vocals, Jason Beers on bass, Matt Richey on drums, Michael Stover on lap steel and other instruments, and Marco Pascolini on guitar.]

[Dead Voices play Westport Saloon, Saturday March 2 from midnight to 2:00 AM]

11:29 – Underwriting

12. DJ Lucas – “Scared The Cook (Radio Edit)”
from: Big Bleep Music Vol. 3 / Dark World Records / February 28, 2019
[DJ Lucas is a rapper from Amherst, Massachusetts. He grew up in a converted mill from the 1700s, where he and his friends – some of whom would later become a part of his Dark World collective – took breaks from practicing in emo bands to play basketball. Even before the time Minor Threat’s frontman (Ian MacKaye) told Lucas what to name his band, Lucas seemed to have a sense that music had a future for him.]

[DJ Lucas plays White Schoolhouse 1510 N. 3rd Street, Lawrence, KS., Friday, April 26 at 7:00 PM, with Ricky Roosevelt & Alccalh, Speed, and Whorxata.]

Aaron Rhodes on the April 3, 2019 edition Wednesday MidDay Medley on KKFI 990.1 FM.

11:33 – Interview with Aaron Rhodes

Aaron Rhodes is a Kansas City music journalist and the owner/editor-in-chief of Shuttlecock Music Magazine. In addition to writing about concerts and local releases, Rhodes also hosts the blog’s flagship podcast. Rhodes is also a frequent contributor to The Pitch, and http://www.Bridge909.org Aaron Rhodes joins us to share music and details for several upcoming Shuttlecock Music Shows.

Aaron Rhodes thanks for being with us on WMM.

Shuttlecock Music Magazine was launched in 2015, and is dedicated to featuring in-depth coverage of new and exciting music emerging from Kansas City and the surrounding areas. In our three years online, they’ve conducted several artists’ first interviews, hosted shows with lineups nobody else can pull off, and posted more concert reviews, photo galleries, videos, and new music write-ups than we can count. They’ve also co-hosted a Middle Of The Map Fest showcase, printed two year-in-review photo zines, and been shit-talked by bar punks, music elitists, and other dorks all across this beautiful town. They’re proud to be the blog where punk rock, hip-hop, and everything in-between lives in Kansas City.

Shuttlecock MusicMagazine and UN/TUCK present:

UN/TUCK is a Queer/ Trans electronic collective. Curators and Founders include: Mazzy Mann, Zoey Shopmaker, and Lorelei Dav

Friday, April 19, at 10:00 PM. at 1819 Vine Street, KCMO featuring Amira Wang, Vice Grip, MX.MRS, Close Qrtrs, and Sister Zo…. Late Nite In The Jazz District – featuring:

Amira Wang (Urging you to use ya back – hip-hop)

Vice Grip (Doing the lord’s work – hardcore punk)
https://vicegrip444.bandcamp.com/album/the-lords-work

MX.MRS (Clowning just for you – electronic/experimental)
https://untuckcollective.bandcamp.com/album/pagliacci

Close Qrtrs (What online presence – electronic)

Sister Zo (Out the cocoon – electronic/hip-hop)

Aaron Rhodes interviewed Amira Wang for Shuttlecock Podcast.

11:40

13. Amira Wang- “Use Ya Back (Clean)”
from: Rap Game Ragu / Amira Wang / October 28, 2018
[Amira Wang is a Kansas City rapper/videographer/podcaster and a self-proclaimed “culture chemist.” After years of rapping in her car and for her friends in private, she’s released her first EP, “Rap Game Ragu.”.]

[Amira Wang plays at 1819 Vine Street, KCMO, Friday, April 19, at 10:00 PM. with Vice Grip, MX.MRS, Close Qrtrs, and Sister Zo.s.]

Aaron Rhodes

11:43 – Interview with Aaron Rhodes

We’re talking with Aaron Rhodes a Kansas City music journalist and the owner/editor-in-chief of Shuttlecock Music Magazine. In addition to writing about concerts and local releases, Rhodes also hosts the blog’s flagship podcast. Rhodes is also a frequent contributor to The Pitch, and http://www.Bridge909.org Aaron Rhodes joins us to share music and details for several upcoming Shuttlecock Music Shows.

Monday, April 15, at 8:00 PM at Farewell Transmission, 6515 Stadium Drive, KCMO featuring Show Me The Body (from New York), Spine, Bath Consolidated, and Killus.

Friday, April 19, at 10:00 PM. at 1819 Vine Street, KCMO featuring Amira Wang, Vice Grip, MX.MRS, Close Qrtrs, and Sister Zo.

Friday, April 26 at White Schoolhouse in Lawrence, KS. featuring DJ Lucas with Ricky Roosevelt & Alccalh and Whorxata.

Aaron Rhodes thanks for being with us on WMM.

11:50

14. Show Me the Body – “Madonna Rocket”
from: Dog Whistle / Loma Vista Recordings – Concord Music / March 29, 2019
[Show Me the Body is an American hardcore punk band formed in New York City in 2009. They released “Yellow Kidney” independently in 2015 followed by the “SMTB” EP released via the Letter Racer Collective that same year. After signing with Loma Vista and releasing their debut album “Body War” in 2016, SMTB began touring the US and Europe. Upon returning home the band began a collaborative mixtape project called “Corpus 1” released in 2017. The mixtape featured a broad range of artists and friends who SMTB felt were comrades and innovators, marking the beginning of a community effort spearheaded by SMTB known as Corpus. In the same year, SMTB released a two song Ep called “Challenge Coin”, recorded at Electric Lady Land not far from where the band originated. Between the fall of 2018 and the beginning of 2019 SMTB produced and recorded three projects. All projects; “Grudge 2” by Dreamcrusher, “Machines Smoke” by Tripp Jones, and “Enemy” by Dog Breath, were released via Corpus. In 2019 SMTB presents their sophomore album, “Dog Whistle,” produced by Chris Coady, Show Me The Body, and Gabriel Millman (original drummer and in-house producer). Dog Whistle was written in Long Island City, Queens and recorded in Los Angeles California in the summer of 2018.]

[Show Me the Body plays Farewell Transmission, 6515 Stadium Drive, KCMO, Monday, April 15, at 8:00 PM with Spine, Bath Consolidated, and Killus.]

15. The Wild Reeds – “Telepathic Mail”
from: Cheers / Dualtone Music Group / March 8, 2019
[The Wild Reeds are a 5-piece American indie folk band formed in 2009 in Los Angeles, California by Kinsey Lee, Mackenzie Howe, Sharon Silva, Nick Jones, and Nick Phapiseth. The Wild Reeds released their first full-length album in 2014 titled Blind and Brave. In 2017, The Wild Reeds released their second full-length album titled The World We Built via Dualtone Records. The band released their third album, Cheers, in 2019.]

[The Wild Reeds and Una Walkenhorst play recordBar, 1520 Broadway, TONIGHT, April 3, at 8 PM.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on April 10 we have another Action Packed show with Promise Clutter from Revolution Records talking about Record Store Day, + Nicole Springer debuts her brand new single, Jen Harris, with Teri Quinn and Joy Baker, talk about Curses & Charms at InterUrban ArtHouse on April 14, AND Stephonne Singleton joins us to share his new single release!

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #780

WMM Playlist from February 27, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 27, 2019

New & MidCoastal Releases
+ Julia Othmer + Guest Producer Nico Gray

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Violet and The Undercurrents – “Still Here”
from: “Still Here” – Single / Violet Vonder Haar Music / November 1, 2018
[The first single released from the band’s new 10-song album called, The Captain, to be released March 1. This Columbia, Missouri based 4-piece band is anchored by the intrepid songwriting of Violet Vonder Haar on lead vocals & guitar; with Linda Bott on bass guitar; Phylshawn Johnson on drums, and Lizzy Weiland on lead guitar. Violet Vonder Haar was raised in a small town at the edge of the Missouri River and nurtured by a thriving folk music-centered community. Vonder Haar started honing her craft as a songwriter, performer and vocalist at an early age. She was inspired by her father, a riverboat captain who introduced her to the music of folk legends and encouraged her journey as an artist. More information at: http://www.violetandtheundercurrents.com]

[Violet and the Undercurrents play an In-Store Album Release show Saturday, March 2, at 6:00 PM, at Mills Record Company, 4045 Broadway Blvd, KCMO.]

3. Dead Voices – “Passing Through”
from: Commoners / Dead Voices / February 4, 2019
[The follow up to their 2013 Debut EP. Kansas City Super-Group, formed in September of 2010, by David Regnier on lead vocals, Jason Beers on bass, Matt Richey on drums, Michael Stover on lap steel and other instruments, and Marco Pascolini on guitar.]

[Dead Voices play Westport Saloon, Saturday March 2 from midnight to 2:00 AM]

4. Slights – “Higher Than Stoned”
from: Flow State / Slights / November 30, 2018
[Slights is a collaboration band between Ben Parks & Matthew Dunehoo. In late January, 2017 they recorded an album at Ghost Cat Studios in San Francisco w/ Ryan Kleeman and their friend Andrew Skikne on bass. Ben Parks is also visual artist & painter as well as part of the band, Of Tree. Matthew Dunehoo is also a filmmaker & actor, and has been a member of the bands: Loose Park, Baby Teardrops, Doris Henson. On Nov, 7, we interviewed Ben Parks & Matthew Dunehoo who joined us to talk about the debut release of their new band Slights. The new 11-song album was created over the past year. Matt is the founder of Elk’s Pride Pictures, based in KCMO More information at http://www.slightsband.com]

[Slights play MidCoast Takeover Fundraiser #3 with Dan Jones and The Squids, and (the)medicine theory, Saturday, March 2, at 9:00 PM, at The Brick, 1727 McGee St, KCMO]

10:15 – Survivors’ Stories: Stand Against Sexual Violence

In this next set we feature three artists who are participating in a special show tomorrow night, on Thursday, February 28, at 7:00 PM at The Rino, 314 Armour Road, North Kansas City. The show is called: Survivors’ Stories: Stand Against Sexual Violence. Proceeds will benefit MOCSA, The Metropolitan Organization to Counter Sexual Assault.

The evening will consist of a curated lineup of performers sharing songs, poetry, and other performance art pieces that touch on their experience with sexual violence or harassment. Along with providing a safe space where survivors can connect and access services they may need, this is a chance for those who have not dealt with sexual violence to further understand what it means to be a survivor.

Performers include: Una Walkenhorst, Erin McGrane, Poet Jen Harris, Madison Mae Parker, Kat King, Maggie Cargill, Hannah Norris, Olivia Sloan, and Taylor Scholle. Organizer Una Walkenhorst shared with us a few pieces that will be performed live. We’ll hear the song “2017” from Lawrence based singer songwriter Kat King, a spoken word piece from Poet Jen Harris, and “On The Outside” written by Una Walkenhorst from the album, For Tomorrow, from Bob & Una Walkenhorst.

5. Kat King – “2017”
from: 2017 – Single / Kat King / November 18, 2018
[Lawrence Kansas based singer songwriter Kat King released her 5-song EP “Falling Up” on December 1, 2017. Kat King has been creating music since the 2nd grade. She’s produced one 13-song album and three EP’s, the first one released at the age of 14. About this song Kat wrote: “It’s been over a year since I’ve released new music. This past year + has been a whirlwind of self-reflection, anger, and change. Sometimes I get really sick of writing heart break songs (because how many of us can keep writing the same feelings, just in different words?). I had the honor of playing a New Years Eve show to welcome in 2018 and in the midst of the political chaos I thought, why not challenge myself to write about something bigger than being sad. Music has always been a device of encouraging change. I don’t want to spend the time or energy giving more attention to the leaders who I find incredibly disappointing, but rather to those who’ve been passionate and brave enough to speak out. I’m so tired of looking past inhumane actions in the name of being loyal to a side. I wrote this song because I needed to reflect about my own shame but I also needed to remind myself that there are lights of hope, people brave enough to address the bullshit and put their livelihood at stake in the name of change. I wish I were that brave but instead I’m releasing this song as a first step, inspired by 2017 which unfortunately is still relevant on our way into 2019, in honor of those who are. And it still feels scary. Enjoy and stay tuned for more songs to be released in the near future – heartbreak songs, of course. “]

[Kat King plays Survivors’ Stories: Stand Against Sexual Violence, February 28, at 7:00 PM at The Rino, 314 Armour Road, North Kansas City. Proceeds will go to MOCSA, The Metropolitan Organization to Counter Sexual Assault.]

6. Jen Harris – “When You Die (feat. Eman Chalshotori)”
from: Flaunting Her Mediocrity / Jen Harris / October 9, 2016
[Poet Jen Harris is a professional public speaker, spoken word poet, activist, published author, founder and former host of Kansas City Poetry Slam. Harris graduated Cum Laude from the University of Missouri-Kansas City in May 2015 with a Bachelor of Liberal Arts, emphases in Communication Studies, English Language and Literature. She is the recipient of the 2015 UMKC Jim Wanser Pride Award for outstanding LGBT community activism in Kansas City. Additionally, she was nominated as the 2017 Spoken Word Host of the Year by the National Spoken Word Awards, is the recipient of The Pitch Magazine’s Top 3 Poets in Kansas City award 2014-2016, winning the coveted title in 2017, the same week that she gave her TED Talk at the University of Kansas, “Spoken Word Poetry Saved My Life,” Spoken Word Poetry as a form of mental health advocacy, and is the 2009 ACP Kansas Journalist of the Year. Her first book of poetry, Slammed, released via Spartan Press Feb. 27, 2016 to a sold out audience.]

[Jen Harris plays Survivors’ Stories: Stand Against Sexual Violence, February 28, at 7:00 PM at The Rino, 314 Armour Road, North Kansas City. Proceeds will go to MOCSA, The Metropolitan Organization to Counter Sexual Assault.]

7. Bob & Una Walkenhorst – “On The Outside”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Una Walkenhorst plays Survivors’ Stories: Stand Against Sexual Violence, February 28, at 7:00 PM at The Rino, 314 Armour Road, North Kansas City. Proceeds will go to MOCSA, The Metropolitan Organization to Counter Sexual Assault.]

10:30 – Underwriting

Julia Othmer

8. Julia Othmer -“Hungry Days (Make Me Feel)”
from: Hungry Days (Make Me Feel) – Single / Julia Othmer & James Lundie / February 2019
[One of several new singles released from Julia Othmer leading up to the release of “Sound,” her second full-length album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.” Julia has just returned from a US and UK tour opening for The Alarm.]

[Julia Othmer plays Knuckleheads, at 2715 Rochester Street, Thursday, February 28, at 8:30 pm.]

11:36 – Interview with Julia Othmer

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

We are happy to welcome back to the radio show our friend, singer songwriter Julia Othmer. who went to Park Hill High and studied at Columbia University in New York City. Julia now lives in Los Angeles, California and she is back in her hometown to play Knuckleheads, at 2715 Rochester Street, tomorrow night, Thursday, February 28, at 8:30 pm.

Julia Othmer, thanks for being with us on WMM

Julia Othmer was born August 13, 1975. She is from Kansas City, Missouri. She went to Park Hill High and studied at Columbia University in New York City. Julia Othmer lives in Los Angeles, California.

Julia has lived in New York, Boston, Philadelphia, sand in Colorado

Julia moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.”

Julia’s mother Sieglinde Othmer is from Hamburg, Germany, and is an artist who studied at Sorbonne in Paris. She is the author of sevrl award winning books. Julia’s father is Arthur Othmer

Julia first started playing piano in first grade.

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Julia Othmer on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Julia is getting ready to release “Sound,” her second full-length album, produced with James Lundie, who married Julia in January of 2016 during the completion of the record.

James Lundie from London, United Kingdon

Julia Othmer just recently finished touring and opening for The Alarm in US show and shows in the United Kingdom.

Out of Print Magazine says: “This Thursday evening in the quaint little village of NYC, Julia Othmer, the mesmerizingly sultry singer/songwriter will be riding into town tucked under the wings of a Southwest jet. She will be performing at Rockwood Music Hall (196 Allen St. New York, NY) at 7PM sharp. If you haven’t heard of her, it may be because she has been diligently working on her new album for the last few years on the sunny and less immediate coast. Formerly a Kansas City native, Julia has put her pillow in New York, Boston, Philadelphia, some gondola in Colorado and finally Los Angeles, the city of lights and traffic, where she currently lives with her little white piano, her rock star and her cat Cosmo. Julia’s musical musings are so diverse that they become quite elusive to the simple description. Perhaps the best way to explain it would be if Nora Jones, Tom Waits, Billy Holiday and Lyle Lovett had a musical orgy and let you watch behind a curtain of burning lace and a whiskey waterfall. I’ll bring the unfiltered cigarettes, you bring your soul.”

Julia Othmer, thanks for being with us on WMM

Julia Othmer plays Knuckleheads, at 2715 Rochester Street, Thursday, February 28, at 8:30 pm. With with Johnny Hamil on bass, Chris Tady on guitar, and John Floyd Whitaker on drums! with special guests: Coleen Dieker on violin and Calvin Arsenia on electric harp.

11:52

9. Julia Othmer – “Frickin Awesome”
from: Sound / Julia Othmer & James Lundie / June 30, 2016
[From Julia Othmer’s upcoming full length release “Sound,” her second album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.”]

10. Remy Styrk – “Winter/Summer”
from: “Winter/Summer” – Single / Remy Sryrk / February 28, 2019
[20 year old Remy Stryk lives in Leawood Kansas. Originally from Newark, New Jersey. This multi instrumentalist has been writing & recording music for several years. About this new single Remy tells us “It represents the two major seasons and personifies them to create a feeling of trust, anger, love, uncertainty, inspiration and comfort. I wanted them to be applicable to many people’s situations in life, no matter who they are or what they believe in. This song is about universal feelings that connect us as one and value our ability to feel and express.” Last year Remy released “In Too Deep” one of 5 singles Remy has released in the last 2 years. Remy Styrk released the EP Sunday, on Jan 25, 2018 a follow up to the Aug 12, 2015 full length album, Telling Stories Through The Basement Door.]

Julia Othmer and Nico Gray on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:00 – Station ID

Nico Gray on the February 27, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

We welcome back to the show, our friend Nico Gray, joins us as “Guest Producer” for our second hour. Nico has worked as a professional actor, a performance artist, a writer, and is currently a marketing and advertising consultant for several not-for-profit companies in Kansas City. Nico grew up in Kansas City but has lived in Chicago, New York and Marseille. For WMM Nico Gray has co-hosted several of our on-air fund drive shows. He participated in our special Glam Rock show, our special 700th show, and his writing and voice has been featured in our Bowie Tribute Shows. Today is his 7th appearance as Guest Producer from over the past four years.

Nico Gray welcome back to Wednesday MidDay Medley.

11. Baby Huey & The Baby Sitters – “California Dreamin'”
from: The Baby Huey Story – The Living Legend / Water Music / 1971 [City Hall 2013]
[Baby Huey & the Babysitters was a soul band hailing from Gary, Indiana. The band, founded in 1963, was the idea of organist / trumpeter Melvyn Jones and guitarist Johnny Ross. James Ramey was their front man, and he adopted the stage name of “Baby Huey” (after the cartoon/comic book character Baby Huey). They were well known on the club scene in Chicago. By 1970, most of the original Babysitter members had left and had been replaced by new personnel. Melvyn Jones was one of the last original founding members to leave. Ramey died on October 28, 1970. He was in the midst of recording the band’s debut album for the Curtom label. The album that was released posthumously only featured some songs by the Babysitters. The rest were with Curtom session musicians. The Babysitters re-formed, briefly, to play at Ramey’s funeral. Manager Marv Stuart would later take some former members, including Dave Cook, to form Goliath with Chaka Khan.]

12. Paul McCartney – “Get Enough”
from: Get Enough- Single / Capitol / January 1, 2019
[A surprise release with no promotion from McCartney or his label prior to its release. The song is a non-album track and does not appear on his Egypt Station studio album standard (or Target) version but will appear (only) on the “Traveller’s Edition” box set version of the album (a strictly limited Deluxe edition of 3,000 copies to be released on May 10, 2019. The song was co-written and produced with McCartney by Ryan Tedder and Zach Skelton and was one of three songs McCartney produced with Tedder during the recording of his album Egypt Station including “Fuh You” and “Nothing for Free”. “Get Enough” is a piano ballad that features heavy use of Auto-Tune to alter McCartney’s voice. McCartney was originally concerned about the possible backlash of using Auto-Tune, but decided to use it based on The Beatles willingness to embrace new production techniques. The release of the song marked 2019 as the 59th consecutive year (since 1961) either The Beatles, or a member of that group, has released a single or an album during the calendar year.]

13. Yma Sumac — “Medicine Man”`
from: Miracles / London / January 1, 1972
[Sept .10, 1923 – Nov. 1, 2008. She was a Peruvian–American coloratura soprano. In the 1950s, she was one of the most famous exponents of exotica music. Sumac became an international success based on her extreme vocal range. She had six-and-a-half octaves according to some reports, but other reports (and recordings) document four-and-a-half at the peak of her singing career. In one live recording of “Chuncho”, she sings a range of over four and a half octaves, from B2 to G♯7. She was able to sing notes in the low baritone register as well as notes above the range of an ordinary soprano and notes in the whistle register. Both low and high extremes can be heard in the song “Chuncho (The Forest Creatures)” (1953). She was also apparently able to sing in a remarkable “double voice”. In 1954, classical composer Virgil Thomson described Sumac’s voice as “very low and warm, very high and birdlike”, noting that her range “is very close to five octaves, but is in no way inhuman or outlandish in sound.” In 2012, audio recording restoration expert John H. Haley favorably compared Sumac’s tone to opera singers Isabella Colbran, Maria Malibran, and Pauline Viardot. He described Sumac’s voice as not having the “bright penetrating peal of a true coloratura soprano”, but having in its place “an alluring sweet darkness … virtually unique in our time.]

14. Art d’Ecco — “Dark Days (Revisited)”
from: Trespasser / Paper Bag / October 12, 2018
[Based in British Columbia, “There’s more than a little David Bowie in both the sonic and fashion leanings of Art d’Ecco, a performer who fluidly crosses musical and gender lines, creating highly memorable tracks — and sporting an unforgettable look. Often labelled “neo glam,” the music boasts hints of everything from ’50s pop to psychedelics, from Velvet Underground-era art rock to Grimes-inspired electronics.” – CBC Music]

15. Jackie Shane – “Any Other Way”
from: Jackie Shane: Any Other Way / Numero Group / October 20, 2017
[Jackie Shane was born May 15, 1940. She is an American former soul and rhythm and blues singer, who was most prominent in the local music scene of Toronto, Ontario, Canada in the 1960s. She is originally from Nashville, Tennessee. In 1960, Shane moved to Montreal, Quebec, where saxophonist King Herbert Whitaker invited a young Shane along to watch the popular band Frank Motley and his Motley Crew at the Esquire Show Bar. Shane, who showed up in a bright red dress and her hair done up, sat down near the front. When Motley said, “Get that kid up here and let’s see what they can do,” pianist Curley Bridges invited her up onstage for the next set, where she performed songs by Ray Charles and Bobby “Blue” Bland. She was soon the band’s lead vocalist, and relocated to Toronto with them in late 1961. She sometimes returned to the United States to perform shows in Nashville, Boston, and Los Angeles. A fan mythology linked her to Little Richard, including claims that she had been Richard’s backing vocalist before moving to Canada or even that she was Richard’s cousin, although no verification of either claim has ever been found and no evidence exists that Shane ever made either claim herself. Music critic Carl Wilson has concluded that, while in reality Shane had deep and identifiable roots in the traditions of the Southern US Chitlin’ Circuit, the mythology emerged because that scene’s traditions were not known to Torontonians in the 1960s, and thus Little Richard was the only antecedent for Shane’s style that most of her local fan base could identify. Throughout her active musical career and for many years thereafter, Shane was written about by nearly all sources as a man who performed in drag. The few sources that actually sought out her own words on the matter of her own gender identification were more ambiguous, however; she identified herself as male in two early quotes to the Toronto Star, but more often appeared to simply dodge questions about her gender altogether. Her identity as a trans woman was not confirmed on the record by a media outlet until 2017. CBC Radio’s Inside the Music aired a documentary feature, “I Got Mine: The Story of Jackie Shane”, in 2010. At the time, nobody involved in the documentary had been able to determine whether Shane was still living; she was subsequently found still alive in Nashville.Footage of Shane in performance also appeared in Bruce McDonald’s 2011 documentary television series Yonge Street: Toronto Rock & Roll Stories. Jackie Shane Live was reissued in 2011 on Vintage Music as Live at the Sapphire Tavern, although the reissue was labelled as being from 1963 (the date of the original live performance) instead of 1967 (the release date of the album). The reissue also included Shane’s performances from Honkin’ at Midnight as bonus tracks. A compilation album of the studio singles and rarities, Soul Singles Classics, was released the same year. In 2015, the Polaris Music Prize committee shortlisted Jackie Shane Live as one of the nominees for the 1960s-1970s component of its inaugural Heritage Award to honor classic Canadian albums. It was shortlisted for the prize again in 2016 and 2017. In 2017, a group of Toronto writers published the essay anthology Any Other Way: How Toronto Got Queer, a history of LGBT culture in Toronto; in addition to taking its title from Shane’s 1962 single, the book includes an essay devoted specifically to Shane. In the summer of 2017, the reissue label Numero Group announced that they would be releasing a double-LP/CD compilation of Shane’s music, Any Other Way, on October 20, 2017. The album marks the first time since her final single in 1969 that Shane has been directly involved in the production and release of a reissue of her music.]

16. Super Borgou de Parakou — “Baba L’oke Ba’wagbe”
from: African Scream Contest 2 – Benin 1963 – 1980/ Analog Africa / May 18, 2018
[A great compilation can open the gate to another world. Who knew that some of the most exciting Afro-funk records of all time were actually made in the small West African country of Benin? Once Analog Africa released the first African Scream Contest in 2008, the proof was there for all to hear, gut-busting yelps, lethally well drilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space with the same electrifying sureness as any favorite blues or soul or funk or punk sampler you might care to mention. // Ten years on, intrepid crate-digger Samy Ben Redjeb unveils a new treasure trove of Vodoun-inspired Afrobeat heavy funk crossover greatness. Right from the laceratingly raw guitar fanfare which kicks off Les Sympathics’ pile-driving opener, it’s clear that African Scream Contest II is going to be every bit as joyous a voyage of discovery as its predecessor. And just as you’re trying to get off the canvas after this one-punch knock out, an irresistible Afro-ska romp with a more than subliminal echo of the Batman theme puts you right back there. Ignace De Souza and the Melody Aces’ “Asaw Fofor” would’ve been a killer instrumental but once you’ve factored in the improbably-rich-to-the-point-of-being-Nat-King-Cole-influenced lead vocal, it’s a total revelation. // The screaming does not stop there, in fact it’s only just beginning. But the strange thing about African Scream Contest II’s celebration of unfettered Beninese creativity is that it would not have been possible without the assistance of a musician who had been trained by the Russian secret services to “search and destroy” enemies of the country’s (then) Marxist-Leninist president Mathieu Kerekou. // Already familiar to fans of the first African Scream Contest as a mainstay of ruthlessly disciplined military band Les Volcans de la Capitale, Lokonon André vanished in a cloud of dust at Ben Redjeb’s behest with a list of names and some petrol money, only to return a few days later having miraculously tracked down every single name he’d been given. The source of this Afrobeat bounty-hunter’s impressive people-finding skills – his training with the KGB – highlights the tension between encroaching authoritarian politics and fearless expressions of personal creative freedom which is the back-story of so much great African music of the 60s and 70s. Happily, in this instance, Lokonon was tracking the artists down to offer them licensing deals, rather than to arrest them. // Where some purveyors of vintage African sounds seem to be strip-mining the continent’s musical heritage with no less rapacious intent than the mining companies and colonial authorities who previously extracted its mineral wealth, Samy Ben Redjeb’s determination to track this amazing music to its human sources pays huge karmic dividends. // Like every other Analog Africa release, African Scream Contest II is illuminated by meticulously researched text and effortlessly fashion-forward photography supplied by the artists themselves. Looming large – alongside Lokonon André – in the cast of biopic-worthy characters to emerge from this seductive tropical miasma is visionary space-nerd Bernard Dohounso, who laid the foundations for Benin’s vinyl predominance by importing and assembling the turntables that would play the products of his Bond villain-acronymed pressing plant SATEL, a factory that would revolutionise the music industry in the whole region. // The scene documented here couldn’t have been born anywhere else but in the Benin Republic , and the prime reason for that is Vodoun. It’s one of the world’s most complex religions, involving the worship of some 250 divinities, where each divinity has its own specific set of rhythms, and the bands introduced on the African Scream Contest series and other compilations from that country were no less diverse than that army of different Gods. At once restless pioneers and masters of the art of modernising their own folklore, the mystic sound of Vodoun was their prime source of inspiration. // One especially irascible Vodoun-adept was Antoine Dougbe, who styled himself “The devil’s prime minister” while turning ancestral rhythms into satanically alluring modern beats. As Orchestre Poly-Rythmo songwriter Pynasco has observed sagely, “Evil is not elsewhere, evil extends into the house”. And African Scream Contest II is a gloriously cinematic road-trip through an undiscovered realm of music lore whose familiarity is every bit as thrilling as its otherness. – Written by Ben Thomson, March 2018]

11:34 – Underwriting

17. Shad – “The Fool Pt. 1 (Get It Got It Good)”
from: A Short Story About A War / Secret City / October 26, 2018
[Shad is a Juno Award winning rapper and 3-time Polaris Music Prize shortlist nominee from London, Ontario. His 4 full-length albums have been recognized for their sharp lyrics and soulful arrangements.]

18. Jeen – “Shallow”
from: Gift Shop / Red Brick Songs / 2018
[Jeen Obrien is from Canada. Her self produced songs have been sought after for use in commercials (Google, Panasonic, Estée Lauder, Kraft, BlackBerry, KIA, Rogers, MasterCard) as well as movies and television programs (Cook Off, Republic of Doyle, Instant Star, Ruby Gloom, Degrassi, Killjoys, Hockey Wives, Workin’ Moms, MTV Catfish, MTV Are You the One). In addition to her solo work Jeen has written songs for many recording artists and is a member of Cookie Duster with Brendan Canning of Broken Social Scene.]

19. Emma Louise – “Wish You Well”
from: Lilac Everything / Henry’s Castle Pty / September 14, 2018
[3rd studio album from Emma Louise Lobb, who was born in July 1991, she grew up in Cairns, from Queensland Australia. Louise issued a five-track extended play, Autumn Tongues, in 2008. It was recorded with Mark Myers at Pegasus Studios, Cairns. She moved from Cairns to Brisbane in early 2010 where she initially worked as an events manager. In the following year described her influences, “My biggest musical role models are Missy Higgins, Josh Pyke, Sarah Blasko and Lior. Missy Higgins really inspired me to start writing music.” Louise released another EP, Full Hearts and Empty Rooms, in April 2011 and one of its four tracks, “Jungle”, received high rotation on the national youth radio, Triple J. The EP reached the ARIA Singles Chart top 100. During that year she toured in support of Boy & Bear. She was nominated for the 2011 J Award in the Unearthed talent contest for artist of the year. On the Triple J Hottest 100, 2011, “Jungle” was listed at No. 23 by the station’s listeners in its on line poll. American DJ and producer MK remixed Wankelmut’s version as “My Head Is a Jungle [MK Remix]”, in 2014, which reached No. 1 in the iTunes Electronic Charts and No. 2 in the United Kingdom. Also in that year, international fashion house Yves Saint Laurent used Louise’s “Jungle” in their worldwide advertising campaign for Black Opium perfume. She appeared in an advertising campaign for South Australian Tourism Commission. The ad has her singing a version of the INXS song, “Never Tear Us Apart”. She collaborated with Australian electronic duo, Flight Facilities, featuring on their single, “Two Bodies” (September 2014), which reached the ARIA top 100 and was placed at No. 39 on Triple J Hottest 100, 2014. In 2015 Louise was the opening act for English singer, Sam Smith, on the Oceania leg of his In the Lonely Hour Tour. She was also the main support on Smith’s second Australian tour, during November–December of that year. She issued her second solo album, Supercry, on 11 July 2016, which reached No. 14. She was featured on another single by Flight Facilities, “Arty Boy” (2017).]

20. Emma Louise – “Falling Apart”
from: Lilac Everything / Henry’s Castle Pty / September 14, 2018

21. Art d’Ecco — “Nobody’s Home”
from: Trespasser / Paper Bag / October 12, 2018
[Based in British Columbia, “There’s more than a little David Bowie in both the sonic and fashion leanings of Art d’Ecco, a performer who fluidly crosses musical and gender lines, creating highly memorable tracks — and sporting an unforgettable look. Often labelled “neo glam,” the music boasts hints of everything from ’50s pop to psychedelics, from Velvet Underground-era art rock to Grimes-inspired electronics.” – CBC Music]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on March 6 Mark welcomes special guests Cody Wyoming & Rod Peal of The Philistines who share two new singles the band is getting ready to release! Plus Kenneth Storz and members of Fathers share tracks from their upcoming debut EP High Horses and play live in our 90.1 FM Studios! And Britt Adair of Josey Records Kansas City and The Bad Ideas joins us to talk about music, records, in-stores, and Record Store Day! PLUS, we play new music from The Freedom Affair, Mene Mene, Songs of Our Native Daughters with Rhiannon Giddens, Leyla McCalla, Amythyst Kiah, and Aspasia Allison Russell (of Birds of Chicago), Scott Hrabko & The Rabbits, The Black Creatures, Emmaline Twist, and more.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #775

Wednesday MidDay Medley presents Julia Othmer + Guest Producer Nico Gray

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 27, 2019

New & MidCoastal Releases
+ Julia Othmer + Guest Producer Nico Gray

Mark plays more New & MidCoastal Releases from: Violet and the Undercurrents, Remy Styrk, Dead Voices, Julia Othmer, and Slights. Plus, we’ll feature artists participating in Survivors’ Stories: Stand Against Sexual Violence at The Rino and tracks from: Kat King, Bob & Una Walkenhorst, and a spoken word piece from Poet Jen Harris.

Julia Othmer

At 10:30 Julia Othmer shares stories, and her new single, “Hungry Days (Make Me Feel)” produced with James Lundie, who married Julia in 2016 after the completion of the recording of Julia’s new record. Julia Othmer is a graduate of Park Hill High School and moved to Los Angeles in 2006 to record her first full-length album, “Oasis Motel.” Julia Othmer plays Knuckleheads, at 2715 Rochester Street, Thursday, February 28, at 8:30 pm. More info at http://www.juliaothmer.com.

At 11:00 Mark welcomes Nico Gray who joins us as a Guest Producer for our second hour. Nico Gray is a frequent contributor to Wednesday MidDay Medley. Nico will play tracks from: Baby Huey & The Baby Sitters, Paul McCartney, Yma Sumac, Art d’Ecco, Jackie Shane, Super Borgou de Parakou, Shad, Jeen, Sly Stone, and Emma Louise.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #775

WMM Playlist from October 31, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 31, 2017

Happy Halloween with Béla, Boris, & Bette
+ Man of 1001 Faces – Michael McQuary
+ Sondra Freeman & Apocalypse Meow 11

10:00 – Haunted Recordings

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. William Stromberg & Moscow Symphony Orch. – “Universal Signature”
from: Salter – Skinner: Monster Music / Marco-Polo / 1995
[Frank Skinner was a composer & arranger born in Meredosia, Illinois on Dec. 31, 1897. He died in Beverly Hills, California, Oct. 9, 1968. A graduate of the Chicago Musical College (now the Chicago Conservatory of Music), 16-year-old Frank found employment in vaudeville and began playing in local areas with his brother Carl on drums billed as the Skinner Brothers dance band. He began writing and arranging music for dance bands in New York, from 1925 to 1935, arranging 2000 popular songs for Robbins Publishing. After a short period at MGM, working on musical settings for The Great Ziegfeld (1936), Skinner was hired by Universal Studios. Over the course of his 30 years there, he composed music for more than 200 films earning five Academy Award nominations (1938–43). His distinctive approach to scoring horror films, such as Son of Frankenstein (1939) and The Wolf Man (1941), has been characterized as a ‘passion for chromatic lines … mirrored contours … [and] restrained, yet ominously mythical orchestrations’ (Marcello). He gained new recognition in the 1950s for his lush romantic scores, including those for such Douglas Sirk films as Magnificent Obsession (1954) and Written on the Wind (1956). Despite many changes in the film industry, his book Underscore (1950) has survived as an excellent introduction to film music composition. The Wolf Man is a 1941 American drama horror film written by Curt Siodmak and produced and directed by George Waggner. The film stars Lon Chaney, Jr. as a werewolf named “The Wolf Man” and features Claude Rains, Evelyn Ankers, Ralph Bellamy, Patric Knowles, Béla Lugosi, and Maria Ouspenskaya in supporting roles. The title character has had a great deal of influence on Hollywood’s depictions of the legend of the werewolf. The film is the second Universal Pictures werewolf film, preceded six years earlier by the less commercially successful Werewolf of London (1935). Lon Chaney, Jr. would reprise his classic role as “The Wolf Man” in four sequels, beginning with Frankenstein Meets the Wolf Man in 1943.]

3. Anderson Cooper / Donald Trump – “Trump Video Tape”
from: Presidential Debate 2016 #2 – October 9, 2016) / SoundWerks USA / Oct 11, 2016
[Hillary Clinton and Donald J. Trump square off for the second time during a debate held at Washington University in St. Louis. Sunday, October 9, 2016. Moderated by Martha Raddatz and Anderson Cooper.]

4. Sonic Youth – “Youth Against Facism”
from: Dirty (Deluxe Edition) [Remastered] / Interscope – Geffen / July 21, 1992
[Sonic Youth was based in New York City, formed in 1981. Founding members Thurston Moore (guitar, vocals), Kim Gordon (bass, vocals, guitar) and Lee Ranaldo (guitar, vocals) remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, and rounded out the core line-up. Sonic Youth emerged from the experimental no wave art and music scene in New York before evolving into a more conventional rock band and becoming the most prominent of the American noise rock groups. Sonic Youth have been praised for having “redefined what rock guitar could do” using a wide variety of unorthodox guitar tunings and preparing guitars with objects like drum sticks and screwdrivers to alter the instruments’ timbre. The band is considered to be a pivotal influence on the alternative and indie rock movements. After gaining a large underground following and critical praise through releases with SST Records in the late 1980s, the band experienced mainstream success throughout the 1990s and 2000s after signing to major label DGC in 1990 and headlining the 1995 Lollapalooza festival. In 2011, Ranaldo announced that the band was “ending for a while” following the separation of married couple Gordon and Moore. Thurston Moore updated and clarified the position in May 2014: “Sonic Youth is on hiatus. The band is a democracy of sorts, and as long as Kim and I are working out our situation, the band can’t really function reasonably.” Gordon refers several times in her 2015 autobiography Girl in a Band to the band having “split up”. Dirty is the seventh studio album by American alternative rock band Sonic Youth. It was released on July 21, 1992 by record label DGC. The band recorded and produced the album with Butch Vig in early 1992 at the Magic Shop studios. The sound on Dirty was inspired by the grunge scene of the time, and was described as avant-rock. Some songs on the album mark the first appearance of three guitars in Sonic Youth songs. The album was remastered and released on quadruple vinyl and double CD in 2003. The album spawned four singles. The first single was “100%”; it charted well, but was not the crossover hit the label anticipated. The next was “Youth Against Fascism”, which did not chart well. The last two were “Sugar Kane” and “Drunken Butterfly”, released in 1993. “Sugar Kane” did better commercially than “Youth Against Fascism”. The album sold exceptionally well, reaching No. 6 in the UK Albums Chart (their highest charting album in the UK) and No. 83 in the US. In support of the album, the band embarked on the “Pretty Fucking Dirty” tour of 1992 and 1993, where most of Dirty was played. In late 1992, they toured North America, and in early 1993, they toured New Zealand and Australia.]

5. St. Vincent – “Fear The Future (Piano Version)”
from: MassEducation / Loma Vista – Concord Music / October 12, 2018
[“MassEducation” a brand new acoustic rendition of her previous album Masseduction, Clark’s fifth studio album, was released in October 2017. Pitchfork writes: “Recorded over two days at Manhattan’s Reservoir Studios studios, MassEducation strips its hypersexual, neon-clad predecessor for parts, exposing its songs as tales of longing and nostalgia. Clark seemed to always know that her record contained two lives: “This needs to be something people can really dance to,” she said of a song on her last album, “until they listen to the words and then they’re crying.” Hiding melancholy behind pop production is nothing new, but on an album so saturated with sadness, these pared-down renderings give Clark a chance to indulge in their underlying sentiments.” Anne Erin Clark was born September 28, 1982, in Tulsa Oklahoma. She is known professionally as St. Vincent, a musician, singer-songwriter, multi-instrumentalist and record producer. After studying at Berklee College of Music for three years, she began her music career as a member of The Polyphonic Spree. Clark was also a member of Sufjan Stevens’s touring band before forming her own band in 2006. St. Vincent’s work has received consistent praise for its distinct musical style, which blends soft rock, experimental rock, electropop, and jazz influences. Her debut album was Marry Me (2007), followed by Actor (2009), Strange Mercy (2011), St. Vincent (2014), and Masseduction (2017). She released a collaborative album with David Byrne in 2012 titled Love This Giant. Clark also contributed backing vocals for Swans on their 2014 album, To Be Kind. Her fourth solo album, the eponymous St. Vincent, was named album of the year by The Guardian, Entertainment Weekly, NME, and Slant Magazine, as well as second best album of the year by Time magazine. The album won her a Grammy for Best Alternative Album, her first Grammy award. She was the first solo female performer in 20 years to win a Grammy in that category.]

3. Ed Wood – “Plan 9 From Outer Space (Trailer)”
from: Halloween Nuggets: Monster Sixties A Go-Go / Rock Beat / 2014
[Plan 9 from Outer Space (originally titled Grave Robbers from Outer Space) is a 1959 American B & W science fiction horror film. The film was written, produced, directed and edited by Ed Wood, and stars Gregory Walcott, Mona McKinnon, Tor Johnson, Vampira and posthumously bills Bela Lugosi. Shortly after Lugosi’s death the story and screenplay for Grave Robbers from Outer Space were written and finalized, with Wood planning to use the unconnected, unrelated footage of Lugosi as a means of putting a credit for him on the picture. Wood used the Lugosi footage as a means of attracting actors to the picture, by saying to them that he was making “Bela Lugosi’s last movie.” Though Wood’s actions were driven in part by the desire to give his film a ‘star name’ and attract horror fans, the Lugosi cameo was also meant as a loving tribute and farewell to the actor, who had become fast friends with Wood in the last three years of Lugosi’s life. Wood hired his wife’s chiropractor, Tom Mason, as a stand-in for Lugosi, even though Mason was taller than Lugosi and bore no resemblance to him, making him one of the earliest “fake Shemps”. Narration from Criswell was also employed in an attempt to better link Lugosi’s footage with the rest of Plan 9. Every last scrap of material Wood had of Lugosi was utilized in the theatrical cut of the film, including what are minor sprocket discolorations, film trims that would in a normal film be discarded as unusable. Cuts of the film on VHS during the 80s and 90s, the vast majority unauthorized bootleg dupes, varied drastically not only in quality but also in the amount of Lugosi material retained.]

Michael McQuary as Béla Lugosi on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:10 – Interview with Béla Lugosi

We have the grand pleasure of welcoming back to our radio show the star of “Plan 9 From Outer Space” his last film and his 108th film, from his 5 decades as an actor.

Béla Lugosi – Thanks for being with us again on Wednesday MidDay Medley!

Béla Ferenc Dezső Blaskó (Oct. 20, 1882 – Aug 16, 1956), known as Bela Lugosi, a Hungarian-American actor. He’d been playing small parts in his native Hungary before making his first film in 1917, but left after the failed Hungarian Revolution. In 1927, he appeared as Count Dracula in a Broadway adaptation of Bram Stoker’s novel. He later appeared in the classic 1931 film Dracula by Universal Pictures. He was often paired with Boris Karloff, who was able to demand top billing. To his frustration, Lugosi was increasingly restricted to minor parts, kept employed by the studio principally for the sake of his name on the posters. Among his pairings with Karloff, only in The Black Cat (1934), The Raven (1935), and Son of Frankenstein (1939) did he perform major roles again. Lugosi had been receiving regular medication for sciatic neuritis, and he became addicted to morphine and methadone. This drug dependence was noted by producers, and the offers eventually dwindled down to a few parts in Ed Wood’s low-budget movies, most notably Plan 9 from Outer Space. Lugosi was married five times, and had one son, Bela George Lugosi. Lugosi was buried in the Holy Cross Cemetery in Culver City, California.

Lugosi was also the subject of “Bela Lugosi’s Dead”, the first single by the English band Bauhaus. Released in August 1979, it is often considered to be the first gothic rock record.

Andy Warhol’s 1963 silkscreen The Kiss depicts Lugosi from Dracula about to bite into the neck of co-star Helen Chandler, who played Mina Harker. A copy sold for $798,000 at Christie’s in May 2000.

10:12 – Haunted Recordings

7. The Velvet Underground– “Black Angel’s Death Song (Album Version-Stereo)”
from: The Velvet Underground & Nico (45th Anniversary Super Deluxe Edition) / Universal Records / 2012 [Orig. March 12, 1967]
[The Velvet Underground & Nico is the debut album by American rock band the Velvet Underground and vocal collaborator Nico, released in March 1967 by Verve Records. Recorded in 1966 during Andy Warhol’s Exploding Plastic Inevitable multimedia event tour, The Velvet Underground & Nico would gain attention for its experimental performance sensibilities, as well as the focus on controversial subject matter expressed in many of its songs including drug abuse, prostitution, sadism and masochism and sexual deviancy. In 1982, musician Brian Eno famously stated that while The Velvet Underground & Nico initially only sold 30,000 copies, “everyone who bought one of those 30,000 copies started a band.” Though it was a commercial failure upon release and was almost completely ignored by critics at the time, the record has since become one of the most influential and critically acclaimed rock albums in history, appearing at number thirteen on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time as well as being added to the 2006 National Recording Registry by the Library of Congress. “I’ll Be Your Mirror” is a song by The Velvet Underground. It appeared on their 1967 debut album The Velvet Underground & Nico. It also surfaced as a single a year earlier with “All Tomorrow’s Parties” in 1966. Lou Reed wrote the song for Nico, who provides lead vocals. Inspiration for the song apparently came about after Nico approached Reed after a show in 1965 saying, “Oh Lou, I’ll be your mirror.” The song was a favorite of Reed’s and The Velvet Underground & Nico engineer, Norman Dolph.]

8. Laurie Anderson – “Three Ghosts”
from: Heart of a Dog / Nonesuch / October 23, 2015
[The complete soundtrack recording of Laurie Anderson’s film, Heart of a Dog. Anderson was commissioned by the European TV network Arte to create a feature film — her first in 30 years. Her response was a personal essay entitled Heart of a Dog, a work encompassing joy and heartbreak and remembering and forgetting, at the heart of which is a lament for her late beloved piano-playing and finger-painting dog Lolabelle. Scenes range from realistic footage from the animal’s life to imagined scenes of Lolabelle’s passage through the bardo. It also includes other reflections on life and death including Anderson’s experiences in life in downtown New York after 9/11. The Nonesuch album is the full audio recording of the film, including all music and spoken text. Heart of a Dog has been shown at the Telluride, Venice, and Toronto Film Festivals to critical praise, with the New York Times calling it a “philosophically astute, emotionally charged meditation on death, love, art and dogs.” The movie was screened at the New York Film Festival on October 8, 2015, before opening theatrically at New York’s Film Forum October 21, 2015. It was also shown on HBO. ]

9. Nina Simone -“Save Me”
from: Silk and Soul / RCA / 1967
[Born Eunice Kathleen Waymon on February 21, 1933. She died on April 21, 2003. Nina Simone was a singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Simone aspired to be a concert pianist. With the help of the few supporters in her hometown of Tryon, North Carolina, she enrolled in the Juilliard School of Music in NYC. Simone recorded more than 40 albums.”]

Michael McQuary as Béla Lugosi on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:24 – More Interview with Béla Lugosi.

We have the pleasure of welcoming back to our radio show the star of over 100 films, from his 5 decades as an actor. Bela Lugosi (1882–1956), best known for the original screen portrayal of Bram Stoker’s Dracula in 1931.

Béla Lugosi Thanks for being with us again on Wednesday MidDay Medley!

Béla Lugosi’s last film, “Plan 9 From Outer Space” featured Maila Nurmi (Dec. 11, 1922 – Jan. 10, 2008) a Finnish-American actress born in Petsamo, Finland, who created the campy character Vampira. She portrayed Vampira as TV’s first horror host. She is also billed as Vampira in the 1959 movie The Beat Generation where she plays a beatnik poet.

Bela Lugosi also starred in, Abbott and Costello Meet Frankenstein, a 1948 American horror comedy film directed by Charles Barton starring the comedy team of Abbott and Costello. The picture is the first of several films where the comedy duo meets classic characters from Universal’s horror film stable. In this film, they encounter Count Dracula (Bela Lugosi), Frankenstein’s monster (Glenn Strange), and the Wolf Man (Lon Chaney, Jr.), while subsequent films pair the duo with the Mummy, Dr. Jekyll and Mr. Hyde, and the Invisible Man. On a TV special in the early 1950s, the two did a sketch where they interacted with the latest original Universal Studios monster being promoted at the time, the Creature from the Black Lagoon (1954). The film is considered the swan song for the “Big Three” Universal horror monsters – Count Dracula, the Wolf Man and Frankenstein’s monster, none of whom had appeared in a Universal film since 1945’s House of Dracula.

Bela Lugosi (1882–1956), best known for the original screen portrayal of Bram Stoker’s Dracula in 1931, was in a large number of movies during the course of his career.

In Tim Burton’s Ed Wood, Lugosi is portrayed by Martin Landau, who received the 1994 Academy Award for Best Supporting Actor for the performance. According to Bela G. Lugosi (his son), Forrest Ackerman, Dolores Fuller and Richard Sheffield, the film’s portrayal of Lugosi is inaccurate: In real life, he never used profanity, owned small dogs, or slept in coffins. And contrary to this film, Bela did not struggle performing on The Red Skelton Show.

Lugosi was married five times, and had one son, Bela George Lugosi.
The Ellis Island Immigration Museum in NYC features a live 30-minute play that focuses on Lugosi’s illegal entry into the USA and then his arrival at Ellis Island to enter legally.
Béla Lugosi Thanks for being with us again on Wednesday MidDay Medley!

10:29

10. Michel Rubini & Denny Jaeger – “Sarah’s Panic”
from: The Hunger (Original Motion Picture Soundtrack) MGM/UA Entertainment Co./ 1983

10:30 – Underwriting

10:32 – Haunted Recordings

11. Kenneth Alwyn — “The Bride of Frankenstein (Main Title)”
from: The Bride of Frankenstein (Soundtrack from the Motion Picture) / Silva America / 1993
[The Westminster Philharmonic Orchestra conducted by Kenneth Alwyn. The Bride of Frankenstein is a 1935 horror film, sequel to Universal Pictures’ 1931 hit Frankenstein directed by James Whale with Boris Karloff as The Monster, Elsa Lanchester in the dual role of his mate and Mary Shelley, Colin Clive as Henry Frankenstein, and Ernest Thesiger as Doctor Septimus Pretorius. The film is rooted in a subplot of the original Mary Shelley novel, Frankenstein (1818). In the film, a chastened Henry Frankenstein abandons his plans to create life, only to be tempted and finally coerced by the Monster, encouraged by Henry’s old mentor Dr. Pretorius, into constructing a mate for him. Bride of Frankenstein was released to critical and popular acclaim, although it encountered difficulties with some state and national censorship boards. Since its release the film’s reputation has grown, and it has been hailed as Whale’s masterpiece. Director James Whale met Franz Waxman at a party and asked him to score the picture. “Nothing will be resolved in this picture except the end destruction scene. Would you write an unresolved score for it?” asked Whale. Waxman created three distinctive themes: one for the Monster; one for the Bride; and one for Pretorius. The score closes, at Whale’s suggestion, with a powerful dissonant chord, intended to convey the idea that the on-screen explosion was so powerful that the theater where the film was being screened was affected by it. Constantin Bakaleinikoff conducted 22 musicians to record the score in a single nine-hour session.]

12. Bobby “Boris” Pickett & The Crypt-Kickers — “Monster Mash”
from: The Original Monster Mash / Decca / August 1, 1962
[“Monster Mash” is a 1962 novelty song and the best-known song by Bobby “Boris” Pickett. The song was released as a single on Gary S. Paxton’s Garpax Records label in August 1962 along with a full-length LP called The Original Monster Mash, which contained several other monster-themed tunes. The “Monster Mash” single was #1 on the Billboard Hot 100 chart on October 20–27 of that year, just before Halloween. It has been a perennial holiday favorite ever since. Pickett was an aspiring actor who sang with a band called the Cordials at night while going to auditions during the day. One night, while performing with his band, Pickett did a monologue in imitation of horror movie actor Boris Karloff while performing the Diamonds’ “Little Darlin'”. The audience loved it, and fellow band member Lenny Capizzi encouraged Pickett to do more with the Karloff imitation. Pickett and Capizzi composed “Monster Mash” and recorded it with Gary S. Paxton, pianist Leon Russell, Johnny MacRae, Rickie Page, and Terry Berg, credited as “The Crypt-Kickers”. (Mel Taylor, drummer for the Ventures, is sometimes credited with playing on the record as well, while Russell, who arrived late for the session, appears on the single’s B-side, “Monster Mash Party”.) The song was partially inspired by Paxton’s earlier novelty hit “Alley Oop”, as well as by the Mashed Potato dance craze of the era. A variation on the Mashed Potato was danced to “Monster Mash”, in which the footwork was the same but Frankenstein-style monster gestures were made with the arms and hands. The song is narrated by a mad scientist whose monster, late one evening, rises from his slab to perform a new dance. The dance becomes “the hit of the land” when the scientist throws a party for other monsters. The producers came up with several low-budget but effective sound effects for the recording. For example, the sound of a coffin opening was imitated by a rusty nail being pulled out of a board. The sound of a cauldron bubbling was actually water being bubbled through a straw, and the chains rattling were simply chains being dropped on a tile floor. In addition to narrating the song in the Karloff voice, Pickett also impersonated fellow horror film actor Bela Lugosi as Count Dracula with the line, “Whatever happened to my Transylvania Twist?” The song was re-released several times and appeared in the U.S. Billboard charts on two occasions after the original release: August 1970 and May 1973. The BBC had banned the record from airplay in 1962 on the grounds that the song was “too morbid”. It was re-released in the United Kingdom in 1973, where it peaked at #3 in early October. In the U.S. the record re-entered the Hot 100 on May 5, 1973, peaking at #10 on August 11. On the September 15, 1973 edition of American Top 40, Casey Kasem mistakenly said that the record had accumulated 40 weeks on the Hot 100, which then would have been the all-time record, only for a listener to inform Kasem later that the record’s three weeks on the Hot 100 in 1970 had been included in the 1973 run, thus reducing the total to 37 weeks. The record has not charted on the Hot 100 since then. To celebrate the 1973 release, Bobby and the Crypt-Kickers toured Dallas and St. Louis around the 1973 Halloween holiday. On this tour, the Crypt-Kickers were composed of Brian Ray (now guitarist with Paul McCartney), drummer Brian Englund, keyboardist Don Chambers, singer Jean Ray, and others. “Monster Mash” re-entered the British charts again on November 2, 2008 at #60. “Monsters’ Holiday”, a Christmas-themed follow up, was recorded by Pickett and released in December 1962, peaking at #30 on the Billboard chart. The tune was penned by the renowned novelty song composer Paul Harrison. In 1985, with American culture experiencing a growing awareness of rap music, Pickett released “Monster Rap”, which describes the mad scientist’s frustration at being unable to teach the dancing monster from “Monster Mash” how to talk. The problem is solved when he teaches the monster to rap. A movie musical based on the song starring Pickett was released in 1995. During the 2004 presidential election, Pickett turned the song into a campaign video and retitled it “Monster Slash,” with lyrics by environmental campaigner Peter Altman, which critiqued President George W. Bush’s environmental policies. The “Transylvania Twist,” mentioned in the lyrics of “Monster Mash,” was written into a full song for the film Spookley the Square Pumpkin (Pickett narrated) and performed by The Honeydoos, a Pointer Sisters-like girl group of singing melons. The backing singers for the record were The Blossoms, led by Darlene Love.]

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:36 – Interview with Boris Karloff

Joining us now, in our 90.1 FM Radio studios is a giant star of stage & screen, an english actor who had already acted in eighty films before being found by director James Whale and cast in his 81st role as Frankenstein’s monster in the classic 1931 film Frankenstein. The role propelled him to stardom. Boris Karloff went on star in Bride of Frankenstein in 1935, and Son of Frankenstein in 1939. He also appeared as Imhotep in The Mummy in 1932.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

Boris Karloff was born William Henry Pratt on November 23, 1887, at 36 Forest Hill Road, Camberwell, Surrey (now London), England, but Pratt stated that he was born in nearby Dulwich. His parents were Edward John Pratt, Jr. and Eliza Sarah Millard. His brother, Sir John Thomas Pratt, was a British diplomat. His mother’s maternal aunt was Anna Leonowens, whose tales about life in the royal court of Siam (now Thailand) were the basis of the musical The King and I. Pratt was bow-legged, had a lisp, and stuttered as a young boy. He conquered his stutter, but not his lisp, which was noticeable throughout his career in the film industry.

Pratt spent his childhood years in Enfield, in the County of Middlesex. He was the youngest of nine children, and following his mother’s death was brought up by his elder siblings. He received his early education at Enfield Grammar School, and later at the private schools of Uppingham School and Merchant Taylors’ School. After this, he attended King’s College London where he took studies aimed at a career with the British Government’s Consular Service. However, in 1909, he left university without graduating and drifted, departing England for Canada, where he worked as a farm labourer and did various odd itinerant jobs until happening upon acting.

Karloff acted in eighty movies before being found by James Whale and cast in his eighty-first movie, Frankenstein. Karloff’s role as Frankenstein’s monster in Frankenstein propelled him to stardom. The bulky costume with four-inch platform boots made it an arduous role but the costume and extensive makeup produced the classic image.
The costume was a job in itself for Karloff with the shoes weighing 11 pounds each. Universal Studios was quick to acquire ownership of the copyright to the makeup format for the Frankenstein monster that Jack P. Pierce had designed. Karloff was soon cast as Imhotep who is revived in The Mummy, a mute butler in The Old Dark House (with Charles Laughton) and the starring role in The Mask of Fu Manchu, which were all released within a few months of each other in late 1932. These films confirmed Karloff’s stardom. 5′ 11″, brown-eyed Karloff still played roles in other genres besides horror, such as a religious World War I soldier in the John Ford epic The Lost Patrol (1934).

Horror, however, had now become Karloff’s primary genre, and he gave a string of lauded performances in Universal’s horror films, including several with Bela Lugosi, his main rival as heir to Lon Chaney’s status as the leading horror film star. While the long-standing, creative partnership between Karloff and Lugosi never led to a close friendship, it produced some of the actors’ most revered and enduring productions, beginning with The Black Cat (1934) and continuing with Gift of Gab (1934), The Raven (1935) and The Invisible Ray (1936). Karloff reprised the role of Frankenstein’s monster in two further films, Bride of Frankenstein (1935) and Son of Frankenstein (1939), the latter also featuring Lugosi, with Basil Rathbone replacing Colin Clive as the scientist playing god. Rathbone appeared with Karloff again in Tower of London (1939) as the murderous henchman of King Richard III. Karloff revisited the Frankenstein mythos in several later films as well, taking the starring role of the villainous Dr. Niemann in House of Frankenstein (1944), in which the monster was played by Glenn Strange. He reprised the role of the “mad scientist” in 1958’s Frankenstein 1970 as Baron Victor von Frankenstein II, the grandson of the original creator. The finale reveals that the crippled Baron has given his own face (i.e., Karloff’s) to the monster.

10:41 – Haunted Recordings

13. Jason Beers – “Release the Mice!”
from: Ghoulish Songs for Cretins / Jason Beers / August 20, 2018
[Multi-instrumentalist and songwriter Jason Beers is a founding member of The Brannock Device, Dead Voices, and WYCO Lowriders with Johnny Hamil. Jason is known for his bass playing, and his work with Clawhammer banjo, organ/piano/keyboards, trumpet, musical saw, spoons, harmonica, and guitar. Jason has also released multiple recordings with the bands he is associated with through the years. As a solo artist, this year alone, Jason has released 10 full length albums, all available, with 9 previously released albums on his BandCamp page: http://www.jasonbeers.bandcamp.com]

14. Siouxsie & The Banshees – ” Halloween”
from: Juju / Polydor / June 6, 1981
[4th studio album from British post-punk band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. Initially associated with the English punk rock scene, the band rapidly evolved to create “a form of post-punk discord full of daring rhythmic and sonic experimentation”. The Times cited Siouxsie and the Banshees as “one of the most audacious and uncompromising musical adventurers of the post-punk era.” With the release of Juju the group became an important influence on the emerging gothic rock scene. They disbanded in 1996, with Siouxsie and drummer Budgie continuing to record music as The Creatures, a 2nd band they’d formed in the early 1980s. In 2004, Siouxsie began a solo career.]

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

10:48 – More with Boris Karloff

In non-horror roles, he is best-known for narrating and as the voice of Grinch in the animated television special of Dr. Seuss’ How the Grinch Stole Christmas! from 1966. For his contribution to film and television, Boris Karloff was awarded two stars on the Hollywood Walk of Fame.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

The 1940s and 1950s – An enthusiastic performer, he returned to the Broadway stage in the original production of Arsenic and Old Lace in 1941, in which he played a homicidal gangster enraged to be frequently mistaken for Karloff. Frank Capra cast Raymond Massey in the 1944 film, which was shot in 1941, while Karloff was still appearing in the role on Broadway (the play’s producers allowed the film to be made under the condition that it not be released until the play closed). He reprised the role on television in the anthology series The Best of Broadway (1955), and with Tony Randall and Tom Bosley in a 1962 production on the Hallmark Hall of Fame.
In 1944, he underwent a spinal operation to relieve his chronic arthritic condition.

His connection with Bela Lugosi continued with Black Friday (1940), You’ll Find Out (also 1940) and The Body Snatcher (1945), the first of three films with RKO produced by Val Lewton. Isle of the Dead (also 1945) and Bedlam (1946) completed the trio.

He married 5 times and had 1 daughter Sara Karloff, by his 4th wife. One marriage was in 1946 right after his divorce. At the time of his daughter’s birth, he was filming Son of Frankenstein and reportedly rushed from the film set to the hospital while still in makeup.

For his contribution to film and television, Boris Karloff was awarded two stars on the Hollywood Walk of Fame, at 1737 Vine Street for motion pictures, and 6664 Hollywood Boulevard for television. Karloff was featured by the U.S. Postal Service as Frankenstein’s Monster and the Mummy in its series “Classic Monster Movie Stamps” issued in September 1997. In 1998, an English Heritage blue plaque was unveiled in his hometown in London. The British film magazine Empire in 2016 ranked Karloff’s portrayal as Frankenstein’s monster the sixth-greatest horror movie character of all time.

Boris Karloff Thanks for being with us again on Wednesday MidDay Medley

10:53 – Haunted Recordings

15. Thom Yorke – “Voiceless Terror”
from: Suspiria (Music for the Luca Guadagnino Film) / XL Recordings / October 26, 2018
[Suspiria is a 2018 supernatural horror film directed by Luca Guadagnino and written by David Kajganich, based on the 1977 film directed by Dario Argento. Radiohead singer Thom Yorke composed the score, his first feature film soundtrack. It features the London Contemporary Orchestra and Choir and Yorke’s son Noah on drums. He initially refused the offer, but accepted after months of requests from Guadagnino. Much of the score was completed prior to the film shoot, which afforded Guadagnino the opportunity to play the musical score on set during filming. Yorke cited inspiration from the 1982 Blade Runner soundtrack, musique concrète artists such as Pierre Henry, modern electronic artists such as James Holden, and music from the film’s 1977 Berlin setting, such as krautrock. He said: “There’s a way of repeating in music that can hypnotise. I kept thinking to myself that it’s a form of making spells. So when I was working in my studio I was making spells. I know it sounds really stupid, but that’s how I was thinking about it.” Suspiria stars Dakota Johnson, Tilda Swinton in a triple role, Mia Goth, Angela Winkler, Ingrid Caven, Elena Fokina, Sylvie Testud, Renée Soutendijk, Christine LeBoutte, Fabrizia Sacchi, Małgosia Bela, Jessica Harper, and Chloë Grace Moretz. Harper, the lead in the original film, appears in a different role. Set in 1977 Berlin, the plot follows a young American dancer who enrolls at a prestigious dance academy controlled by a coven of witches. Unlike in Argento’s original film which utilized exaggerated color, Guadagnino conceived Suspiria as visually “winter-ish” and bleak, absent of any primary colors. The film also incorporates stylized dance sequences choreographed by Damien Jalet, which factor significantly in its representation of witchcraft. Concurrent to its plot surrounding the coven is a secondary plot involving a psychotherapist who lost his wife under the Nazi regime. Principal photography for Suspiria took place in late 2016 and early 2017 in Varese and Berlin. The score was composed by Radiohead singer Thom Yorke, who completed much of the arrangements prior to and during filming. Suspiria premiered at the 75th Venice International Film Festival on September 1, 2018. In the United States, it was released in a limited release by Amazon Studios in Los Angeles and New York on October 26, 2018, followed by Halloween screenings in select cities before opening wide on November 2, 2018. It will be released in the United Kingdom by Mubi on November 16, 2018.]

16. Jametatone – “Too Late”
from: Empty Bliss / J. Ashley Miller / March 21, 2017
[3-song rare EP from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the The 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe “Unplugged” with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. On December 21, 2017 Jametatone released anew 10-song album “Frog In The Pot”, the solo project of J. Ashley Miller who also records with his band as Metatone You can view more of Ashley’s work at http://www.jametatone.com.]

17. The Misfits – “Halloween”
from: Halloween – Single / Plan 9 Records / October 31, 1981
[Also available on Just Can’t Get Enough: New Wave Halloween. “Halloween” is the 5th single by the horror punk band the Misfits. It was released on singer Glenn Danzig’s label Plan 9 Records. 5,000 copies of the single were pressed on black 7″ vinyl, some of which included a lyrics sheet. This was the first Misfits release to use their Famous Monsters of Filmland-inspired logo, as well as the first to refer to the band as simply “Misfits”. American punk rock band recognized as the progenitors of the horror punk subgenre, blending punk and other musical influences with horror film themes. Founded in 1977 in Lodi, New Jersey by singer & songwriter Glenn Danzig, the group had a fluctuating lineup during its first six years, with Danzig and bassist Jerry Only as the only consistent members. During this time they released several EPs and singles, and with Only’s brother Doyle as guitarist, the albums Walk Among Us (1982) and Earth A.D./Wolfs Blood (1983), both considered touchstones of the early-1980s hardcore punk movement. Misfits disbanded in 1983 and Danzig went on to form Samhain and then the eponymous Danzig. Several albums of reissued and previously unreleased material were issued after the group’s dissolution, and their music became influential to punk rock, heavy metal, and alternative rock music.]

11:01 – Station ID

11:00 – Haunted Recordings

18. Bette Davis – “Kaleidoscope, Broadcast on BBC Radio (Sept. 11, 1974)”
from: Bette Davis In Her Own Words / AudioGO Ltd / September 26, 2011
[In a selection of interviews ranging from 1958 to 1987, Bette Davis talks about visiting England; her career as a star; the film studio’s attempts to change her name and image, and the Hollywood film system. Interviews include: Profile, BBC TV (first broadcast 12 September 1958); Bette Davis at the NFT, BBC TV (first broadcast 17 December 1972); Kaleidoscope, BBC Radio (first broadcast 11 September 1974); Parkinson, BBC TV (18 October 1975); Nine Five, BBC TV (first broadcast 31 October 1975); Woman’s Hour, BBC Radio (first broadcast 12 September 1979); Arena, BBC TV (first broadcast 2 November 1983). Due to the age and nature of this archive material, the sound quality may vary.]

19. Bette Davis – “Whatever Happened to Baby Jane”
from: The Andy Williams Show / Unreleased / December 20, 1962
[Shortly after filming What Ever Happened To Baby Jane? On December 20, 1962, Bette Davis was a guest on The Andy Williams Show to promote the film and upcoming record. When Williams asked Davis what her new record sounded like, she used her fabulous sense of humor to compare it to Chubby Checker. Things really got good when Williams announced that Davis would be performing a little tune for the audience. Davis brought the awesome in a sparkly blue dress, with some sassy dance moves and a set of raspy vocal pipes that were clearly touched by years of constant chain-smoking. The best part is that Davis was happily aware of the camp and the silliness of her performance but she let it rip, regardless. What Ever Happened To Baby Jane? / was released on 7″ Vinyl, in 1962 credited to Bette Davis and Debbie Burton (who on the record does most of the singing) The B-side is: “I’ve Written A Letter To Daddy” on MGM Records.]

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

11:03 – Interview with Bette Davis

Ruth Elizabeth “Bette” Davis was born April 5, 1908 in Lowell, Massachusetts (She died on October 6, 1989). She was an American actress of film, television, and theater. With a career spanning 60 years, she is regarded as one of the greatest actresses in Hollywood history. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute.

Bette Davis Thanks for being with us again on Wednesday MidDay Medley

“Bette” Davis was noted for playing unsympathetic, sardonic characters, and was famous for her performances in a range of film genres, from contemporary crime melodramas to historical and period films, suspense horror, and occasional comedies, although her greatest successes were her roles in romantic dramas.

After appearing in Broadway plays, Davis moved to Hollywood in the summer of 1930. However, her early films for Universal Studios (and as a loanout to other studios) were unsuccessful. She joined Warner Bros. in 1932, and established her career with several critically acclaimed performances. In 1937, she attempted to free herself from her contract. Although she lost the well-publicized legal case against the studio, it marked the beginning of the most successful period of her career. Until the late 1940s, she was one of American cinema’s most celebrated leading ladies, known for her forceful and intense style. Davis gained a reputation as a perfectionist who could be highly combative and confrontational. She clashed with studio executives and film directors, as well as many of her co-stars. Her forthright manner, idiosyncratic speech, and ubiquitous cigarette contributed to a public persona, which has often been imitated.

Davis was the co-founder of the Hollywood Canteen, and was the first female president of the Academy of Motion Picture Arts & Sciences. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute. Her career went through several periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships. Married four times, she was once widowed and three times divorced, and raised her children as a single parent. Her final years were marred by a long period of ill health, but she continued acting until shortly before her death from breast cancer, with more than 100 film, television, and theater roles to her credit during her six-decade-long career. In 1999, Davis was placed second behind Katharine Hepburn on the American Film Institute’s list of the greatest female stars of classic Hollywood cinema.

11:08 – Haunted Recordings

20. Madonna – “Frozen”
from: Ray Of Light / Maverick – Warner Bros. / February 22, 1998
[7th studio album by Madonna. After giving birth to her first child, Madonna started working on the album with producers Babyface & Patrick Leonard. Following failed sessions, Madonna pursued a new musical direction with English producer William Orbit. The recording process was the longest of Madonna’s career and experienced problems with Orbit’s hardware arrangement, which would break down, and recording would be delayed until they could be repaired. A departure, Ray of Light is an electronica and dance album which incorporates multiple genres, including ambient, trip hop, and Middle Eastern music. Vocally, the album saw Madonna sing with greater breadth and a fuller tone. Mystical themes are also strongly present in both the music & lyrics, as a result of Madonna embracing Kabbalah, her study of Hinduism & Buddhism, as well as her daily practice of Ashtanga Yoga. The album received universal acclaim, with reviews commending the singer’s new musical direction. Called her “most adventurous” record, Ray of Light has been noted for its introspective, spiritual nature, with Madonna’s vocals also being praised. Ray of Light won four Grammy Awards from a total of six nominations. The album peaked at #1 in several countries including Australia, Canada, Germany, Poland, and the UK. The album debuted at #2 on the US Billboard 200, with the biggest first-week sales by a female artist at the time, and has sold over 16 million copies worldwide. Five singles were released from the album, including the international hits “Frozen” and “Ray of Light”. The album’s promotion was later supported by the Drowned World Tour in 2001. Academics have noted the album’s influence on popular music, and how it introduced electronica into mainstream pop culture. They also noted Madonna’s musical re-invention which helped her remain contemporary among the teen-marketed artists of the period. Ray of Light is frequently cited by critics as one of the greatest albums of all time.]

21. Cesar Davila-Irizarry & Charlie Clouser – “American Horror Story Theme”
from: American Horror Story Theme – Single / 20th Century Fox TV Records / Oct 17, 2012
[The song was composed in 1998 by César Dávila-Irizarry. Today he’s a television sound editor in Los Angeles, but back then he was just a sophomore at the University of Puerto Rico, living at his mother’s house, futzing around with digital remixes on Windows ’95. “I started playing around with the software that other people were using then, which was Cool Edit 96,” he recalls. “I was just getting some demons out.” He grew attached to a particular sparse, haunting melody and added sounds of clattering metal hangers, dripping water and white noise—all distorted beyond recognition. To some ears, the hangers might sound like an electric guitar. He gave the song to his friend Gabriel Diaz and didn’t think much about it until Diaz—now an editor at Prologue Pictures—dusted off the track a decade later and slotted it in as a temp track for the American Horror Story title sequence. (A temp track is placeholder music that editors use while working on rough cuts.) Everyone at FX and Prologue grew so accustomed to Dávila-Irizarry’s song, they decided to keep it—even after hiring composer Charlie Clouser (formerly of Nine Inch Nails) to write entirely new music. Clouser submitted four of his own demos, but each time was told to make the music sound more like the temp track.

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

11:15 – More with Bette Davis

We’re with legendary star of film Bette Davis was born April 5, 1908 in Lowell, Massachusetts (She died on October 6, 1989). She was, regarded as one of the greatest actresses in Hollywood history. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute.

Bette Davis – Thanks for being with on Wednesday MidDay Medley

In 1930, 22-year-old Davis moved to Hollywood to screen test for Universal Studios. Davis and her mother traveled by train to Hollywood. She later recounted her surprise that nobody from the studio was there to meet her. In fact, a studio employee had waited for her, but left because he saw nobody who “looked like an actress”. She failed her first screen test, but was used in several screen tests for other actors. In a 1971 interview with Dick Cavett, she related the experience with the observation, “I was the most Yankee-est, most modest virgin who ever walked the earth. They laid me on a couch, and I tested fifteen men … They all had to lie on top of me and give me a passionate kiss. Oh, I thought I would die. Just thought I would die.” A second test was arranged for Davis, for the 1931 film A House Divided. Hastily dressed in an ill-fitting costume with a low neckline, she was rebuffed by the film director William Wyler, who loudly commented to the assembled crew, “What do you think of these dames who show their chests and think they can get jobs?”. Carl Laemmle, the head of Universal Studios, considered terminating Davis’ employment, but cinematographer Karl Freund told him she had “lovely eyes” and would be suitable for Bad Sister (1931), in which she subsequently made her film debut. Her nervousness was compounded when she overheard the chief of production, Carl Laemmle, Jr., comment to another executive that she had “about as much sex appeal as Slim Summerville”, one of the film’s co-stars. The film was not a success, and her next role in Seed (1931) was too brief to attract attention.

Universal Studios renewed her contract for three months, and she appeared in a small role in Waterloo Bridge (1931), before being lent to Columbia Pictures for The Menace, and to Capital Films for Hell’s House (all 1932). After one year, and six unsuccessful films, Laemmle elected not to renew her contract. Davis was preparing to return to New York when actor George Arliss chose Davis for the lead female role in the Warner Bros. picture The Man Who Played God (1932), and for the rest of her life, Davis credited him with helping her achieve her “break” in Hollywood. The Saturday Evening Post wrote, “She is not only beautiful, but she bubbles with charm”, and compared her to Constance Bennett and Olive Borden.

Warner Bros. signed her to a 5-year contract, and she remained with the studio for the next 18 years. Davis married Harmon Oscar Nelson on August 18, 1932, in Yuma, Arizona. Their marriage was scrutinized by the press; his $100 a week earnings compared unfavorably with Davis’ reported $1,000 a week income. Davis addressed the issue in an interview, pointing out that many Hollywood wives earned more than their husbands, but the situation proved difficult for Nelson, who refused to allow Davis to purchase a house until he could afford to pay for it himself. Davis had several abortions during the marriage. After more than 20 film roles, the role of the vicious and slatternly Mildred Rogers in the RKO Radio production of Of Human Bondage (1934), a film adaptation of W. Somerset Maugham’s novel, earned Davis her first major critical acclaim. Many actresses feared playing unsympathetic characters, and several had refused the role, but Davis viewed it as an opportunity to show the range of her acting skills. Her co-star, Leslie Howard, was initially dismissive of her, but as filming progressed, his attitude changed, and he subsequently spoke highly of her abilities. The director John Cromwell allowed her relative freedom: “I let Bette have her head. I trusted her instincts.” She insisted that she be portrayed realistically in her death scene, and said: “The last stages of consumption, poverty, and neglect are not pretty, and I intended to be convincing-looking.” The film was a success, and Davis’ characterization won praise from critics, with Life writing that she gave “probably the best performance ever recorded on the screen by a U.S. actress”. Davis anticipated that her reception would encourage Warner Bros. to cast her in more important roles, and was disappointed when Jack L. Warner refused to lend her to Columbia Studios to appear in It Happened One Night, and instead cast her in the melodrama Housewife. When Davis was not nominated for an Academy Award for Of Human Bondage, The Hollywood Citizen News questioned the omission, and Norma Shearer, herself a nominee, joined a campaign to have Davis nominated. This prompted an announcement from the Academy president, Howard Estabrook, who said that under the circumstances, “any voter … may write on the ballot his or her personal choice for the winners”, thus allowing, for the only time in the Academy’s history, the consideration of a candidate not officially nominated for an award. The uproar led, however, to a change in academy voting procedures the following year, wherein nominations were determined by votes from all eligible members of a particular branch, rather than by a smaller committee, with results independently tabulated by the accounting firm Price Waterhouse. Davis appeared in Dangerous (1935) as a troubled actress, and received very good reviews.

Following the attack on Pearl Harbor, Davis spent the early months of 1942 selling war bonds. After Jack Warner criticized her tendency to cajole crowds into buying, she reminded him that her audiences responded most strongly to her “bitch” performances. She sold $2 million worth of bonds in two days, as well as a picture of herself in Jezebel for $250,000. She also performed for black regiments as the only white member of an acting troupe formed by Hattie McDaniel, which included Lena Horne and Ethel Waters.

In 1960, Davis, a registered Democrat, appeared at the 1960 Democratic National Convention in Los Angeles, where she met future President John F. Kennedy, whom she greatly admired. Outside of acting and politics, Davis was an active and practicing Episcopalian.

1961-1970: Renewed success – Davis received her final Academy Award nomination for her role as demented Baby Jane Hudson in What Ever Happened to Baby Jane? (1962) Davis and Joan Crawford played two aging sisters, former actresses forced by circumstance to share a decaying Hollywood mansion. The director, Robert Aldrich, explained that Davis and Crawford were each aware of how important the film was to their respective careers, and commented: “It’s proper to say that they really detested each other, but they behaved absolutely perfectly.” After filming was completed, their public comments against each other allowed the tension to develop into a life-long feud. When Davis was nominated for an Academy Award, Crawford contacted the other Best Actress nominees (who were unable to attend the ceremonies) and offered to accept the award on their behalf, should they win. When Anne Bancroft was announced as winner, Crawford accepted the award on Bancroft’s behalf.

Hush… Hush, Sweet Charlotte (1964) was Robert Aldrich’s follow-up to What Ever Happened to Baby Jane?. Aldrich planned to reunite Davis and Crawford, but Crawford withdrew allegedly due to illness soon after filming began. She was replaced by Olivia de Havilland. The film was a considerable success, and brought renewed attention to its veteran cast, which also included Joseph Cotten, Mary Astor, Agnes Moorehead, and Cecil Kellaway.

Davis’ name became well known to a younger audience when Kim Carnes’ song “Bette Davis Eyes” (written by Jackie DeShannon) became a worldwide hit and the best-selling record of 1981 in the U.S., where it stayed at #1 on the music charts for more than two months. Davis’ grandson was impressed that she was the subject of a hit song and Davis considered it a compliment, writing to both Carnes and the songwriters, and accepting the gift of gold and platinum records from Carnes, and hanging them on her wall.

Bette Davis – Thanks for being with on Wednesday MidDay Medley

11:20 – Haunted Recordings

22. Screaming Jay Hawkins – “I Put a Spell on You”
from: Single – (Jeremy Sole’s Zombie Stomp Remix) / self released / 2011
[Jeremy Sole is a critically acclaimed DJ, he is also a radio show host at KCRW in Santa Monica, California (www.kcrw.com) and is Co-Founder and resident deejay of “AFRO FUNKÉ.” Sole has drawn a loyal crowd every week for the past 7 years. This is his arena for Afrobeat, Latin, Brazilian and other authentic and remixed world rhythms. Hundreds of international guests have joined him, from deejays Rich Medina and Cut Chemist to impromptu jam sessions with Zap Mama and Stevie Wonder. “Jeremy is a great DJ, presenter, producer and knower-of-music …an extremely cool dude. I cannot stop listening to his remix of ‘I Put A Spell On You’ …it’s irresistible.” – Henry Rollins]

23. Snoop Dogg–”Murder Was the Case (Death After Visualizing Eternity)[feat. Dat Nigga Daz]”
from: Doggystyle / Death Row Records / November 23, 1993
[Debut studio album by American rapper Snoop Doggy Dogg. IThe album was recorded and produced following Snoop’s appearances on Dr. Dre’s debut solo album The Chronic (1992), to which Snoop contributed significantly. The West Coast style in hip-hop that he developed from Dre’s first album continued on Doggystyle. Critics have praised Snoop Doggy Dogg for the lyrical “realism” that he delivers on the album and for his distinctive vocal flow. Despite some mixed criticism of the album initially upon its release, Doggystyle earned recognition from many music critics as one of the most significant albums of the 1990s, as well as one of the most important hip-hop albums ever released. Much like The Chronic, the distinctive sounds of Doggystyle helped introduce the hip-hop subgenre of g-funk to a mainstream audience, bringing forward West Coast hip hop as a dominant force in the early-1990s. Doggystyle debuted at No. 1 on the Billboard 200, selling 806,858 copies in its first week alone in the United States, which was the record for a debuting artist and the fastest-selling hip-hop album ever. Doggystyle was included on The Source magazine’s list of the 100 Best Rap Albums; as well as Rolling Stone magazine’s list of Essential Recordings of the ’90s.[3] About.com placed the album in No. 17 of the greatest hip hop/rap albums of all time.The album was certified quadruple platinum by the Recording Industry Association of America (RIAA). By November 2015, the album had sold 7 million copies in the United States, and over 11 million copies worldwide.]

24. AKADUNGEONMASTER –”SOF TRAP INTERLUDE”
from: SWINE FLU INSTRUMETALS VERSION ONE / Mother Russia Industries / July 13, 2013
[The experimental project of Tim J. Harte. musician, composer, co-founder of the Kansas City record label, Mother Russia Industries, Tim J.Harte makes music using Sega Genesis, Dungeons and Dragons, math and several hard working laptop computers. Tim J. Harte is currently studiing composition at UMKC’s Conservatory of Music. He just recently composed music and conducted a 7 piece ensemble for Trench Warfare, a theatrical performance presented last Saturday evening, January 13, at the National World War I Museum and Memorial J.C. Nichols Auditorium. Tim also composed original music for Ryan Wilks art exhibit, Here Where You Wish, is an immersive public installation at the Kansas City Public Library.]

Cristine McCurdy, Michael McQuary , Rebecca Monroe, and Mark Manning on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

11:28 – Underwriting

11:30 – Haunted Recordings

25. Kraftwerk – “Intermission (2009 Remaster)”
from: Radio-Activity (2009 Remaster) / Parlophone Records / October 6, 2009
[Origianally released in October 1975. The fifth studio album by German electronic band Kraftwerk. It is a concept album organized around the theme of radio communication. To cater to the band’s international audience, all releases of the album were bilingual with lyrics in both English and German, the only localised difference being the album and track titles. being about radioactivity and the other half about activity on the radio. More word plays are evident in the track listing: “Radio Stars”, which as a title could refer to pop stars, but upon listening is revealed to be about quasars and pulsars. This was the first Kraftwerk album to be entirely self-produced by Ralf Hütter and Schneider in their Kling Klang studio, and the first one to be performed by the “classic” Hütter, Florian Schneider, Karl Bartos and Wolfgang Flür line-up. All the music was written by Hütter and Schneider, with Emil Schult collaborating on lyrics. Schult also designed the artwork – a modified illustration of a late-1930s ‘Deutscher Kleinempfänger’ radio. It was the first Kraftwerk album to feature use of the distinctive Vako Orchestron keyboard (choir, string and organ sounds), which the group had purchased on their recent US Autobahn tour and the Moog Micromoog which was used extensively on this album. Notably, it provided the harsh sounds on the track “Antenna”. The band’s custom-built electronic percussion also featured heavily in the sound, and extensive use was made of the vocoder. The usual synthesizers were present (including Minimoog and ARP Odyssey), and Hütter’s Farfisa electronic piano made a return on “Transistor”. For the first time the group did not use flute, violin or guitars. By 1975, Hütter and Schneider’s previous publishing deals with Capriccio Music and Star Musik Studio of Hamburg had expired. The compositions on Radio-Activity were published by their own newly set up Kling Klang Verlag music publishing company, giving them greater financial control over the use of songwriting output. Also, the album was the first to bear the fruit of Kling Klang as an established vanity label under the group’s new licensing deal with EMI. The album reached #59 in Canada, in February 1976. The title track “Radioactivity” was released as a single, and became a hit in France after it was used as the theme to a popular music show. The song was later re-recorded by Kraftwerk for their 1991 album The Mix. It was further remixed, for subsequent single release, by William Orbit and François Kevorkian.]

26. Jimi Shawndi – “Creatures Of The Night ( Michael Mixxxx)”
from: Creatures of The Night – Single / Jimi Shwndi / 2018
[This recording features the vocal talents of Michael McQuary]

11:33 – Interview with Michael McQuary

Michael McQuary as Bette Davis on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

Michael McQuary as Boris Karloff on the October 31, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI. (Photo by Mark Manning)

“Michael McQuary is more than a pretty face, and he’s got a thousand, anyway. His is a talent today’s entertainment world needs more of. From Fu Manchu to Phantoms to Dietrich, Michael carries them all off to perfection, and I knew the originals. This talented entertainer perfects his transformations while allowing the audience a glimpse of the artist beneath the mask.” – Rex Reed

Michael McQuary – Thanks for being with on Wednesday MidDay Medley

Stage & screen actor, Michael McQuary was born and raised in Portland, Oregon in the 1960s. Michael tells us that he learned about the world “sideways,” and that as a child, “the movies took care of him.”

Michael remembers, at the age of 6, pointing to the television, spellbound by Bela Lugosi as Count Dracula, he said to his mother, “Look how he holds his cape!” From then on Michael’s childhood was focused on his own creative world.

Michael is a master impressionist, with a unique take on the legendary “Monsters of Filmland” and the brightest stars of Hollywood’s golden age. Michael is also a character actor and can be seen in multiple films and shorts.

Michael was the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, Crystal Allan Strikes Back, Back Then They Had Faces, My Own Space and most recently, for KC Fringe Festival “I’m Hollywood.”

He is also a visual stylist and original “Party Monster – Club Kid” from downtown NYC.
Along with performing, Michael McQuary works as a visual artist, making a name for himself at celebrated events where he wows spectators with #youressenceinseconds.

Michael also designs very special works that are forged into art and jewelry based on a one-of-a-kind symbols he creates individually for clients through his company: http://www.YourPowerSign.com.

Michael McQuary – Thanks for being with on Wednesday MidDay Medley

11:40 – Apocalypse Meow 11

27. Hot Suede – “Forget About You”
from: Forget About You – Single / Hot Suede / August 16, 2018
[Formed October 4, 2017, Hot Suede is a new original rock and roll band from Kansas City, Missouri showcasing fiery guitar riffs, an equally groovy and thunderous rhythm section, soaring vocals, and unparalleled swagger. Rising from the ashes of juggernaut Cherokee Rock Rifle, guitarists Doug Nelson, Scott Reed, and drummer Brett Southard joined forces with bassist Chad Toney and vocalist Wayne Hutcherson aka Bobby W. Topaz to form an unpretentious rock band with classic undertones and guitar-driven songwriting. On October 12, 2017 Hot Suede released the single “Get What You Came For.” On December 20, 2017 Hot Suede released the single, “Make It Harder.” More info at: http://www.hotsuede.com]

[Hot Suede play Mills Record Company, Fri, Nov 2, at 7:00 PM for Apocalypse Meow 11, Night One.]

11:43 – Interview with Sondra Freeman

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

Abigail Henderson co-founded Midwest Music Foundation, since her death, five years ago, friends, musicians, collaborators have kept this not-for-profit alive.

Midwest Music Foundation is a part of events all year round: Midcoast Takeover, Middle of The Map Fest, Crossroads Music Fest, and more.

The Midwest Music Foundation and 90.9 The Bridge are proud to present the 11th Annual Apocalypse Meow to benefit Abby’s Fund for Musicians’ Health Care on Friday, Nov. 2 and Saturday, Nov. 3.

For more information http://www.midwestmusicfoundation.org/apocalypsemeow

It kicks off with a free, all-ages concert at Mills Record Company (4045 Broadway Blvd) on Friday, Nov. 2, with Hot Suede and The Whiffs. Doors open at 7 p.m., and Barry Lee (KKFI 90.1 FM) will emcee.

The main event is held on Saturday, Nov. 3, at recordBar (1520 Grand Blvd), with doors opening at 6 p.m. The Too Much Rock Main Stage will showcase performances by Bacon Shoe, The Almighty Trouble Brothers, Chris Meck and The Second Sons, and Chase The Horseman. Jen Harris, Kelly Hunt and Eems will perform on the acoustic stage. Jonathan Wier (The Jonathan Wier Show, KMBZ-FM 98.1) and Paul Chandler (X105.1KC and 105.9 KISS FM) will emcee. Tickets for Saturday are available for $10 at this link or $15 at the door.

RockDocs, a collaboration of University of Kansas and the Community Health Council of Wyandotte County will be on site Saturday to offer health care and ACA information, screenings, wellness programs, opportunities to discuss health conditions and concerns, and arrange follow ups.

A silent auction and raffles will feature an assortment of items donated by local businesses. This event is supported by the Kansas City Neighborhood Tourist Development Fund. More information and a full list of sponsors can be found here. To view a promotional video about Apocalypse Meow with support from Mayor Sly James, visit this link.

In 2008, Apocalypse Meow was established to raise medical funds for local musician Abigail Henderson, who had been diagnosed with cancer. Compelled to give back to the community, she co-founded MMF to provide musicians with health care assistance. Though she passed away in 2013, Abigail’s mission continues — MMF provides financial resources, educational programs, health clinics and events throughout the year. Abby’s Fund dispenses emergency health care grants to KC-area musicians, having contributed more than $130,000 since its inception.

For more information you can visit http://www.midwestmusicfoundion.org.

11:55

28. Chase The Horseman – “RIPchord”
from: RIPchord – Single / Chase the Horseman / eOctober 24, 2017
[Recorded at Element Recording with Engineering, Mixing, Mastering, Coiling, Tutelage nu Joel Nanos , and Fritz Hutchison on C&C Drums, Kustom K Cymbals, Heidi Lynne Gluck on Fender Jazz Bass, Grounding, and Chase Horseman on Prophet 600, Wurlitzer 206, Drumbrute, Arp Explorer, Hagstrom 12-String, Framus 12 String, vox. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more.]

[Chase The Horseman plays Apocalypse Meow 11, Saturday, November 3 at recordBar, 1520 Grand with Chris Meck and the Second Sons, Bacon Shoe, The Almighty Trouble Brothers, Jen Harris, Kelly Hunt and Eems.]

29. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on November 7 we play more of New & MidCoastal Releases. Plus we’ll be joined by company members of Spinning Tree Theatre’s production of “The Nance” running through November 18 at Just Off Broadway Theatre, 3051 Central, KCMO. We’ll also talk with Ben Parks and Matthew Dunehoo about the debut recording of their band SLIGHTS and their album release show, November 30, at recordBar.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #758

Wednesday MidDay Medley’s Halloween with Béla, Boris, & Bette + Apocalypse Meow 11

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 31, 2017

Happy Halloween with Béla, Boris, & Bette
+ Man of 1001 Faces – Michael McQuary
+ Sondra Freeman & Apocalypse Meow 11

On Halloween Mark plays New & MidCoastal & “Haunted Recordings” from: Hot Suede, Chase The Horseman, Jametatone, Jason Beers, AKA Dundeon Master, St. Vincent, Thom Yorke, Snoop Dogg, Kraftwerk, Laurie Anderson, Nina Simone, Sonic Youth, Madonna, Siouxsie & The Banshees, The Misfits, The Velvet Underground, Screaming Jay Hawkins, Michel Rubini & Denny Jaeger, William Stromberg & Moscow Symphony Orchestra, Kenneth Alwyn, Bette Davis, Cesar Davila-Irizarry & Charlie Clouser, Bobby “Boris” Pickett & The Crypt-Kickers, Donald Trump, and The Jimi Shawndi Band.

Portions of our show will co-hosted by Béla Lugosi, Boris Karloff, and Bette Davis as played by our special guest star, Michael McQuary.

“Michael McQuary is more than a pretty face, and he’s got a thousand, anyway. His is a talent today’s entertainment world needs more of. From Fu Manchu to Phantoms to Dietrich, Michael carries them all off to perfection, and I knew the originals. This talented entertainer perfects his transformations while allowing the audience a glimpse of the artist beneath the mask.” – Rex Reed

Stage & screen actor, Michael McQuary was born and raised in Portland, Oregon in the 1960s. Michael tells us that he learned about the world “sideways,” and that as a child, “the movies took care of him.” Michael remembers, at the age of 6, pointing to the television, spellbound by Bela Lugosi as Count Dracula, he said to his mother, “Look how he holds his cape!” From then on Michael’s childhood was focused on his own creative world. Michael is a master impressionist, with a unique take on the legendary “Monsters of Filmland” and the brightest stars of Hollywood’s golden age. Michael is also a character actor and can be seen in multiple films and shorts. Michael was the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, Crystal Allan Strikes Back, Back Then They Had Faces, My Own Space and most recently, for KC Fringe Festival “I’m Hollywood.” He is also a visual stylist and original “Party Monster – Club Kid” from downtown NYC. Along with performing, Michael McQuary works as a visual artist, making a name for himself at celebrated events where he wows spectators with #youressenceinseconds. Michael also designs very special works that are forged into art and jewelry based on a one-of-a-kind symbols he creates individually for clients through his company: http://www.YourPowerSign.com.

At 11:40 we talk with Sondra Freeman of Midwest Music Foundation about the 11th annual Apocalypse Meow benefit concert on Friday, Nov. 2 and Saturday, Nov. 3. The annual concert is MMF’s primary fundraiser for Abby’s Fund For Musicians’ Health Care. It kicks off with a free, all-ages concert at Mills Record Company (4045 Broadway Blvd) on Friday, Nov. 2, with Hot Suede and The Whiffs. Doors open at 7 p.m., and Barry Lee (KKFI 90.1 FM) will emcee. The main event is held on Saturday, Nov. 3, at recordBar (1520 Grand Blvd), with doors opening at 6 p.m. The Too Much Rock Main Stage will showcase performances by Bacon Shoe, The Almighty Trouble Brothers, Chris Meck and The Second Sons, and Chase The Horseman. Jen Harris, Kelly Hunt and Eems will perform on the acoustic stage. Jonathan Wier (The Jonathan Wier Show, KMBZ-FM 98.1) and Paul Chandler (X105.1KC and 105.9 KISS FM) will emcee. Tickets for Saturday are available for $10 at this link or $15 at the door. More information about Apocalypse Meow 11 and MMF can be found at midwestmusicfoundation.org.

Michael McQuary as Bette Davis by Paul Andrews Photography
Michael McQuary as Boris Karloff by M.R. King Images

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #758