WMM Playlist from: Feb. 5, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 5, 2020

Belle and The Vertigo Waves + Marty Thomas
+ Sondra Freeman of Midwest Music Foundation +
New & MidCoastal Releases

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Jametatone – “Is That What You Like? (feat. Calvin Arsenia)”
from: A Bird In The Hand / Jametatone / December 8, 2019
[Jametatone, is the solo project of J. Ashley Miller who has recorded with his band as Metatone. Jametatone collaborates with an esemble of musicians under the moniker Blastocyst. The recording of A Bird In The Hand was Engineered, Mixed and Mastered by Jametatone at The Infoaming Vertex Studio. Assistant Engineering by Simon Huntley. Dedicated to Love. bLASTOCYST is: Jon Kizilarmut on drums & percussion; Jeff Harshbarger on bass; Eddie Moore on Rhodes, Wurlitzer & Piano; Fritz Hutchison on guitar, percussion, & piano; Billy Winston on saxophone; Simon Huntley on drums & percussion; Allison Hawkins on piano; and Jametatone on vocals & guitar. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com]

[Jametatone plays recordBar, 1520 Grand, KCMO, Wednesday, Feb. 12, at 7:00 PM w/ ARQuesta Del SolSoul and Collidescope.]

3. True Lions – “Life is Gold”
from: You’re Not Invited / True Lions / November 9, 2019
[Second EP released in 2019 from True Lions with: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison. The band released their debut EP”Cute At Best” Feb. 5, 2019 with Alison Hawkins on guitar, piano, synth, vocals; Mikala Petillo on percussion, bass, guitar, vocals; and with Ross Brown serving as producer & engineer; and Nika Winn providing artwork. This EP began as an unrelated, musical dispute between lovers, but triumphantly became the spunky collaboration of two midwestern “woms” whose passion for playing music nearly exceeds their desire to create it.]

[True Lions play Wise Blood KC, at 300 Westport Rd, KCMO, on Friday, February 7 at 6:00 PM, with Charlotte B, and Ramona & The Phantoms.]

[True Lions play Stockyard Sounds with SoulTru, Monday, February 10, at 6:30 PM at Stockyards Brewing Co., 1600 Genessee St, KCMO.]

[True Lions play The Disaster Room at Minibar, 3810 Broadway Blvd, KCMO, on Tuesday, February 11, at 9:00 PM with Frankie Valet (STL), Chloe Jacobson, and Tellum.]

4. Vincent Herring, Bobby Watson & Gary Bartz – “These Foolish Things”
from: Bird at 100 / Smoke Session Records / November 29, 2019
[August 29, 2020 will mark the 100th anniversary of the birth of Charlie Parker. Alto saxophonists and three of modern jazz’s most acclaimed voices: Vincent Herring, Bobby Watson, and Gary Bartz backed by a rhythm section that includes: pianist David Kikoski, bassist Yasushi Nakamura, and drummer Carl Allen shared the stage at Smoke Jazz Club in New York in August 2019, for shows celebrating what would have been the honoree’s 99th birthday. On Bird at 100, Herring, Watson, and Bartz revisit standards Bird transformed to blazing bebop numbers and also sharing new compositions written with Charlie Parker’s legacy in mind. Watson’s ballad-turn on “These Foolish Things” offers a master class in phrasing and articulation, and Kikoski is given plenty of room to stretch out a big, warm blanket of a solo. Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas]

[Bobby Watson plays Searching for Charlie Parker w/ Logan Richardson & Bobby Watson on Thursday, February 6, at 9:00 PM, at The Ship, 1217 Union Avenue during Black History Month, At 9:00 PM: Music is Your Own Experience – Featuring Polish Jazz Artists., At 10:00 PM: Sanctified Rhythm – Featuring Bobby Watson. At 11:00 PM: No Boundaries to Art – Featuring Logan Richardson’s blues PEOPLE. At 12:00 AM: Just Play the Music – Featuring Five Saxophonists.]

10:20 – Underwriting

5. The Creepy Jingles – “Prodigal Sun Tzu”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

[The Creepy Jingles play miniBar, 3810 Broadway, Wed, Feb 5, at 9:00 PM with Momma’s Boy, Stary, and Shady Bug.]

[The Creepy Jingles play Replay Lounge, 946 Massachusetts, Lawrence, KS. on Saturday, Feb. 8, at 10:00 PM with Serene Fiend, and JC & The Nuns.]

6. Belle & The Vertigo Waves – “Fear or Faith”
from: Fear or Faith – Single / Drop Out Records / June 7, 2019
[New single from Belle & The Vertigo Waves, the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. Members include Belle Loux on lead vocals, John Loux on guitar. The band’s debut full length album”Aligned” was released on October 6, 2017.]

[Belle & The Vertigo Waves play “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.]

Belle Loux and John Loux on the February 5, 2020, edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:30 – Interview with Belle & The Vertigo Waves

Belle & The Vertigo Waves joined us last summer to share their single “Fear Or Faith.” Belle & The Vertigo Waves are back on the show to share details about their show “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata. More information at: http://www.thevertigowaves.com

Belle Loux and John Loux, thanks for being on WMM.

Belle Loux is lead singer for Belle & The Vertigo Waves. John Loux is lead guitarist

Belle Loux is 22 years old. She has been writing music and fronting this band since she was 18 years old.

Early influences were: The Cure, The Smiths, Psychedelic Furs, Amy Mann

Belle & The Vertigo Waves have played Middle of The Map Fest, Plaza Art Fair, Boulevardia and most venues across the KC metro.

The band’s debut full length album “Aligned” was released on October 6, 2017. About the album, Belle told Michelle Bacon at The Bridge that, “Many of the tunes had been written around five years prior, when I was just 15 or 16.” Belle had only played them as a solo artist with occasional accompaniment from her dad, guitarist John Loux, and keyboardist Charlie Hibberd. In 2017, she hired the two musicians and a couple other friends to track “Aligned,” dubbing the project Belle and the Vertigo Waves, in the hopes that she’d eventually assemble a live band. “Recording was a surreal and emotional experience. Playing the songs with a band was like seeing them come to life,” she said. “I knew there was no way I could be a solo artist anymore, because I fell in love with the full band sound so much.”

The music of Belle & The Vertigo Waves have been described as having an “1980s pop-laden sound.” which drew local attention in 2018. After “Aligned” that band has gone through an evolution of sound and players. Belle Loux and John Loux have continued as founding members.

At various times, the group has included two of the “Aligned” musicians, including bassist Jeremiah Scott, plus the more recent additions of Elliott Holt on drums and Zach Nielsen on guitar.

Belle has said that in the past 4 years the band has grown to have more of a darker, glam rock sound, grittier and grungier. Their sound is influenced by three generations of musicians in the band, Belle’s growth as a songwriter and singer, and through the band’s work with engineer and producer Paul Malinowski. Belle & The Vertigo Waves are currently recording new music at Massive Sound Studios. Belle & The Vertigo Waves hope to release a new EP, and a new video later this year.

Belle Loux, & John Loux, thanks for being on WMM.

Belle & The Vertigo Waves play “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.

More information at: http://www.thevertigowaves.com

10:46

7. Belle & The Vertigo Waves – “What You Wanted”
from: What You Wanted – Single / Drop Out Records / August 19, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in KCMO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services.]

[Belle & The Vertigo Waves play “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.]

8. Misha Roberts – “Exposed”
from: Exposed – EP / Misha Roberts / January 2020 (Unreleased)
[Originally from San Antonio, Texas, Misha Roberts has worked extensively in Kansas City as a vocalist for over 10 years. Misha is currently in the studio working on her solo album. She recently released this song as a you Tube Video. Misha plays with the band The Freedom Affair.]

[The Freedom Affair play The Ship, 1217 Union Avenue, KCMO (West Bottoms) TONIGHT Wednesday, February 5, at 9:00 PM]

9. Betse Ellis – “Another Night Gone”
from: Don’t You Want To Go / Free Dirt / April 21, 2009
[Originally from Fayetteville, Arkansas, Betse Ellis is one of the founding members of one of Kansas City’s treasured bands The Wilders, an acoustic honky-tonk band, that toured nationally and internationally for 15 years, and released 10 albums. In 2011 the band ended. One if the side projects of The Wilders was a band called The Whittlers, made of up of Phil Wade and Tom Livesay who recorded 4 full-length albums from 2000 to 2004 while they worked together at the Kansas City Art Institute. The Whitlers were the first to record this song written by Betse Ellis, and released on their final album, “Nobody’s Happy” from 2004, with Tom on vocals, Ike Sheldon on piano, Phil Wade on guitar. The track was recorded as a surprise for Betse.]

[Betse Ellis plays Sunday Service at Stockyards Brewing Co. on Sunday, February 9, at 2:00 PM at Stockyards Brewing Co. 1600 Gennessee St. KCMO with 3 Trails West and Bill Dye.]

11:00 – Station ID

Marty Thomas

10. Marty Thomas – “We Belong”
from: Slow Dancing With A Boy / Broadway Records / December 6, 2019
[Originally from Trenton, Missouri where he graduted from Trenton High School in 1997.As a child he famously won Ed McMahon’s Junior Star Search over then-unknown Britney Spears. As an adult, Marty Thomas created a name for himself on Broadway in Xanadu, Wicked and The Secret Garden, on television’s Grace & Frankie, and has been a staple of the New York City nightlife for well over a decade. With his sophomore album “Slow Dancing With a Boy”, Marty takes his rightful place among the vocal icons that have long inspired him. Produced by Jamey Ray, this album explores the music of a young closeted mans coming of age memories, and dares to question the possibility of having lived those memories honestly and openly. Fusing pop and musical theatre music with a song stack that runs the gamut of Vanessa Williams to Les Miserables, this album features collaborations with The X Factor’s Rachel Potter, Voctave’s Jamey Ray and viral sensation Mykal Kilgore. “We Belong” is a song written by Eric Lowen and Dan Navarro. It was made popular by American rock singer Pat Benatar after being released as the lead single from her sixth studio album, Tropico (1984). It matched the success of “Love Is a Battlefield” on the Billboard Hot 100 singles chart in the United States, peaking at #5. It reached #3 on Billboard’s Top Rock Tracks chart and #34 on the Adult Contemporary.]

[Marty Thomas will bring his “Slow Dancing with a boy” tour, to Kansas City, Friday, February 7, at 8:00 PM at Music Theatre Kansas City 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com]

Marty Thomas

11:05 – Interview with Marty Thomas

Originally from Trenton, Missouri, where he graduated from Trenton High School in 1997. While in middle school, in 1992, Marty Thomas beat out a then-unknown Britney Spears to win Ed McMahon’s “Junior Star Search” competition. At that time Marty Thomas was already a veteran of Broadway, as a cast member of “The Secret Garden” in 1991. As an adult, Marty Thomas created a name for himself on Broadway in the musicals “Xanadu,” and “Wicked,” and Off Broadway in “Pageant – The Musical.” He has appeared on television’s Grace & Frankie, and in several films. Marty Thomas has been nominated for a Grammy Award, and has appeared on MTV, VH1, 20/20. and The Tony Awards. Marty Thomas released his second solo album, “Slow Dancing With A Boy,” on Broadway Records, on December 6, 2019. The new album “explores the music of a young closeted man’s coming-of-age memories, and dares to question the possibility of having lived those memories honestly and openly.”

Marty Thomas will bring his “Slow Dancing with a Boy” tour, to Kansas City, Friday, February 7, at 8:00 PM at Music Theatre Kansas City 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com

Marty Thomas, thanks for being with us on Wednesday MidDay Medley

Trenton, Missouri is a town of about 6,000 people about an hour and a half north of Kansas City. It is near the halfway point between Kansas City and Des Moines, Iowa in Interstate 35 North.

Slow Dancing With A Boy explores the music of a young closeted man’s coming of age memories. What was your “Coming Out” process like? And how did your childhood experiences of being on Broadway and on television affect your ‘coming out”?

Of the 12 album tracks on the new album, you recommended that we play “We Belong.”

Album Tracks:

1. Slow Dance
2. As (written by Stevie Wonder)
3. Dancing On My Own All By Myself
4. Dreamlover (featuring Jamey Ray and Rachel Potter)
5. Crazy For You (written by John Bettis and Jon Lind for Madonna)
6. Remember Me This Way
7. Show Me Heaven (written by Maria McKee, Eric Rackin, Jay Rifkin)
8. Seventh Grade [Save the Best For Last / Everything I Do] (featuring Mykal Kilgore)
9. I Want You to Need Me (written by Diane Warren for Celine Dion)
10. Someone to Fall Back On
11. We Belong (written by Eric Lowen and Dan Navarro for Pat Benatar)
12. Somewhere (composed by Leonard Bernstein / lyrics by Stephen Sondheim)

“We Belong” is a song written by Eric Lowen and Dan Navarro. It was made popular by American rock singer Pat Benatar after being released as the lead single from her sixth studio album, Tropico (1984). It matched the success of “Love Is a Battlefield” on the Billboard Hot 100 singles chart in the United States, peaking at #5. It reached #3 on Billboard’s Top Rock Tracks chart and #34 on the Adult Contemporary.

This album was born of the epiphany that the artists coming of age years were not his own. He traded them to his church, his family and the deeply troubling belief that he wasn’t worthy of honest love. Convinced if he told enough lies and believed them that he could fit in and have a happy life by pleasing everyone around him but himself. Obviously, the truth is always king and will always find the light eventually.

‘Slow Dancing With A Boy’, is a collection of music from Thomas’ middle school, high school and college years rearranged, reclaimed and placed firmly in the light. It’s a second chance to live truthfully and make music honestly.

Slow Dancing With A Boy was officially released on Broadway Records on December 6, 2019 and is available on all digital and streaming platforms.

Marty takes his rightful place among the vocal icons that have long inspired him.
Produced by Jamey Ray.

This album features collaborations with The X Factor’s Rachel Potter, Voctave’s Jamey Ray and viral sensation Mykal Kilgore.

The album reached #19 on the iTunes pop charts and has received rave critical reviews. Physical copies will be available for sale the night of the concert.

Xanadu – for this musical your work as a skater was put to great use. Can you talk about this musical? Ventriloquism and 30 minute lips in 18 minutes

11:19

Marty Thomas, thanks for being with us on Wednesday MidDay Medley

Marty Thomas brings his “Slow Dancing with a Boy” tour, to Kansas City, this Friday, February 7, at 8:00 PM at Music Theatre Kansas City, 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com

11:19- Underwriting

11. Suzannah Johannes – “Hanging On”
from: Suzannah Johannes EP / Range Life Records / September 2, 2008
[Recorded by Steve Squire, with additional recording by Mike Nolte. Mixed by Mike Nolte at More Famouser. Mastered by Roger Seibel at SAE. Artwork by Pre Sense Form. Released by Range Life Records. For this track: Josh Adams on drums & percussion , Dave Wetzel on guitar, Steve Swyers on guitar, Mike Nolte on bass, and Suzannah Johannes on vocals. Suzannah Johannes is a singer and songwriter living in Lawrence, KS. She has performed with David Wetzel (Ghosty), Steve Swyers (Say My Name), Jeff Stoltz (Drakkar Sauna), and Dustin Kinsey (New Amsterdams).]

[Suzannah Johannes plays the Myers Hotel Bar, 220 South Main, Tonganoxie, KS. on Friday, February 7, at 8:00 PM with the band Sidehug.]

12. Kadesh Flow – “Accolades”
from: Motivated / Ryan Davis / January 31, 2020
[Executive Produced by Kadesh Flow. Mixed by Kadesh Flow. Mastered by Bill Beats. Kadesh calls this EP a “collection of tracks that I made to motivate myself. Hopefully they get you fired up as well.” Kadesh Flow is Ryan Davis is a rapper with an MBA. He is an emcee, producer, & trombonist. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Kadesh performs as a solo hip hop artist. He also plays with KC funk juggernaut The Phantastics, and Marcus Lewis Big Band.]

[Kadesh Flow plays Kansas Cith Bier Company, 310 West 79th St., KCMO, on Fri., Feb. 7, at 7:00 PM]

13. The MGDs – “Let Me In”
from: Let Me In – Single / The MGDs / Feb. 5, 2020 (Unreleased)
[Damon Parker sent me this new song from the MGDs which will be on their upcoming album “Midtown” to be released later this spring. Midtown will be the follow-up to the band’s 3rd studio release, their November 4, 2017 release, Somos Como Somos. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.] [The MGDs played an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin.]

[The MGDs play MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand Blvd., KCMO with Verbose, and Jesus Loves The Atom Bomb.]

11:30 – Interview with Sondra Freeman

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

Sondra Freeman joins us to share details about Midwest Music Foundation’s Annual MidCoast Takeover. The event began in 2010 as a group of musicians and music lovers gathering for a Kansas City-focused showcase at the nation’s largest music festival in Austin, Texas. Midwest Music Foundation presents the 11th annual MidCoast Takeover, a 4-day, 2-stage KC-focused showcase, March 18 through 21, at Shangri La, hosting over 40 bands at the nation’s largest music festival in Austin, Texas.

Sondra Freeman joins us to share info about MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand, KCMO with Verbose, Jesus Loves The Atom Bomb, and The MGDs.

Sondra Freeman thanks for being with us again on WMM.

MidCoast Takeover Fundraiser #1, Friday, February 7, at recordBar, 1

7:00 pm – Doors open
8:00 pm – Verbose
9:00 pm – Jesus Loves the Atom Bomb
10:00 pm – The MGDs

The Midwest Music Foundation is proud to present the 11th annual MidCoast Takeover. The event began in 2010 as a group of musicians and music lovers gathering for a Kansas City-focused showcase at the nation’s largest music festival in Austin, Texas. The showcase has grown into a four-day, two-stage event at Shangri La. Taking musicians to Austin reflects attention back on the vibrant music scenes in KC and throughout the Midwest.

These fundraiser shows help us raise funds to pay for the production costs of hosting this showcase. MidCoast Takeover is funded through these fundraiser shows and sponsors, separate from our other programs and services.

Huge thanks to our sponsors: Boulevard Brewing Company, Seen Merch, Nebraska Exposed, Eastern Afternoon, recordBar, The Brick, Shangri La, City Rent A Truck,
XO Blackwater, Rad’s FX LLC, and CM2 Audio.

Abby’s Fund for Musicians’ Health Care was named for Abigail Henderson (1977-2013).

Death notice from St. Louis Post Dispatch: Abigail Hope Henderson the Kansas City vocalist who started a nonprofit organization to help musicians pay health-care costs, died on Tuesday, August 27, 2013 of cancer at her home. She was 35. For more than a decade, Abigail was the lead singler of several area bands: Trouble Junction, The Gaslights, Atlantic Fadeout, and Tiny Horse. In 2008 she was diagnosed with breast cancer. She had health insurance, but the cost of the treatments prompted her and her husband Christopher Meck, to start the Midwest Music Foundation which raised funds to help area musicians pau health care costs. “Medical bills can throw you into poverty in a week – in one day,” she said. “There’s nothing like standing in your kitchen opeing a j]hospital bill for $63,000.00 in one day and $47,000.00 the next. After a while you don’t want to open them anymore. Who can pay that?”

Midwest Music Foundation – http://www.midwestmusicfoundation.org

Midwest Music Foundation Staff

Rhonda Lyne, Executive Director rhonda@midwestmusicfound.org
Sondra Freeman, Director of Promotions and Artist Relations
Michelle Bacon, Editor
Canyon McClung, Production Specialist
Brenton Cook, Promotions Specialist
Christopher Tate, Technical Officer, Website Specialist

Midwest Music Foundation Board

Scott Easterday, President, Website, Musician
Chris Meck, Vice President, Musician and CM2 Audio
Garrett Nordstrom, Treasurer, Musician and Birdsway Productions
Ellen Sherman, Secretary, Chair of Marketing
Eric Barton, General Counsel
Dr. K. Allen Greiner, MD, MPH, Chair of Health + Wellness, University of KS Med Center
Erin Corriveau, MD, MPH, Public Health Officer, University of Kansas Medical Center
Bryant Miller, JD, Chair of Development
Vi Tran, Musician and The Buffalo Room
Camry Ivory, Musician
Amber Hulet, Volunteer Coordinator, Social Media

Other Midwest Music Foundation Events:

MidCoast Takeover #2 is March 7

JayRock 15, on Friday, February 28, at 6:00 PM at Uptown Theater, 3700 Broadway Rd, KCMO. Hosted by JayDoc Free Clinic, featuring Yes You Are, Third Degree of Kansas City, and Everett the Grey!

The headliner of JayRock 15 is Yes You Are. They are a local pop band whose first single debuted on Pepsi’s Superbowl 51 commercial as well as being featured in Bad Moms amongst other FX and MTV shows. Vocalist Kiarra Alarid has been a guest at Coachella amongst other musical festivals and have appeared on Sesame Street and Sesame Street.

JayRock 15 will be opened by Everett the Grey, a band including a fellow second year medical student Alex Hill. The second opener of the night will be Third Degree of Kansas City, a group who describes their sound as classic and eclectic rock ‘n’ roll. Third Degree is made up of some of KUMC’s finest faculty members: Pete DiPasco, Dianne Durham, Beth Levant, Ken McCarson, and Peter Smith.

10:44

Sondra Freeman thanks for being with us again on WMM.

MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand, KCMO with Verbose, Jesus Loves The Atom Bomb, and The MGDs.

More info at: http://www.midwestmusicfoundation.org

11:45

14. Verbose – “The Victim”
from: Idle Hour at Barto’s / Verbose / November 8, 2019
[Verbose is a four piece alternative blues rock band from Joplin, Missouri. The band is made up of Logan Glasgow on vocals & drums, Cody Morris on guitar, Tim Cote on bass & vocals, and Zach Martin on Guitar.]

[Verbose plays MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand, KCMO with Jesus Loves The Atom Bomb, and The MGDs. ]

15. Trixie Mattel – “Malibu”
from: Barbara / PEG Records / February 7, 2020
[Trixie Mattel is the stage name of Brian Michael Firkus, an American singer, actor, drag queen and recognized “Skinny Legend.” Trixie is the winner of “RuPaul’s Drag Race All Stars” season 3 (originally competing on season 7). He is also a Billboard Heatseekers #1 charting recording artist (One Stone, 2018), a wildly successful theater touring act, and one half of a comic duo on Viceland (“The Trixie and Katya Show”) and on YouTube (“UNHhhh”). In 2019, Trixie worked the festival circuit as the subject of a bio documentary, “Trixie Mattel: Moving Parts.” Trixie Mattel is managed by Producer Entertainment Group and online at twww.rixiemattel.com or @trixiemattel.]

[Trixie Mattel plays The Truman, 601 East Truman Rd, KCMO, Tuesday, Feb. 11, At 8:00 PM.]

16. Soultru – “Must Be”
from: “Must Be” – Single / The Record Machine / August 24, 2019
[Drums and Piano by Kierstyn Graham, Vocals by Terrance Banks. Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little.]

[Soultru plays play Stockyard Sounds with True Lions, Monday, February 10, at 6:30 PM at Stockyards Brewing Co., 1600 Genessee St, KCMO.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on February 12The Pedaljets join us live in our 90.1 FM Studios to share music from their new album, “Twist The Lens.”

Also next week, special co-hosts Betse Ellis and Marion Merritt join us for our Winter Fund Drive Show encouraging YOU, our beautiful listeners to call us and show your support for the most original radio station you’ve ever listened to, 90.1 FM KKFI where over 85 locally produced radio shows air each week.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #823

WMM Playlist from Dec. 11, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, December 11, 2019

The 119 Best Recordings of 2019
(Part 2 of 4)

The 119 Best Recordings of 2019 are based on playlists of Wednesday MidDay Medley. We’ve compiled representative tracks from our favorite full-length and EP recordings of 2019 (and a few that came out late in 2018). We realize these “Best of” lists can seem subjective, so we ask that you please accept our list as a celebration of the year in music.

In 2019 we have broadcast nearly 800 musical recordings through our 90.1 FM Community Radio Airwaves, powered by our 100,000 watt transmitter. Over 400 of these tracks were from New & MidCoastal Releases. We played tracks from 145 National Releases, and 183 MidCoastal Releases. 75 of the representative tracks in our “Best of” list are from MidCoastal Releases. In 2019 we conducted 127 interviews, with 209 special guests. 43 of the bands and artists in our “Best of” list have joined us as guests on WMM.

Tune into Wednesday MidDay Medley throughout December for our 4-week series: The 119 Best Recordings of 2019, on December 4th, 11th, 18th, and 25th. We are packing 8-hours of radio with music that represent: The 119 of Best Recordings of 2019!

We count down #90 through #61 on our list with representative tracks from: Kemet The Phantom, Calvin Arsenia, The Nicole Springer Band, The Depth and The Whisper, The Wires, Approach, True Lions, The Butter Band, Sky Smeed, Miki P, Y god Y, Cuee, Chase The Horseman, Deco Auto, Lovergurl, Digital Leather, Blue False Indigo, Wonderfuzz, Billie Eilish, Rina Mushonga, Bill Callahan, Black Pumas, Better Oblivion Community Center, Ibibio Sound Machine, The National, Lambchop, Lee Fields and The Expressions, Amyl and The Sniffers, Lana Del Rey, and Jamila Woods.

10:00 AM

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. (90.) Billie Eilish – “bad guy”
from: When We All Fall Asleep, Where Do We Go? / Darkroom – Interscope / March 29, 2019
[17 year old singer songwriter Billie Eilish Pirate Baird O’Connell was born December 18, 2001, and is known professionally as Billie Eilish. She was raised in Highland Park, Los Angeles to actress-musician-screenwriter Maggie Baird & Patrick O’Connell. Billie joined the Los Angeles Children’s Chorus at 8. At age 11, she began writing and singing her own songs, following her brother Finneas O’Connell, known as Finneas, an actor, musician, & producer, known for his role as Alistair in the Fox TV series Glee. Finneas was already performing his own songs with his band. In October 2015, when she was 13, Billie recorded the song “Ocean Eyes”, initially written by Finneas for his band, and sent it to her dance teacher, who hoped to choreograph a dance to it. Billie Eilish released “Ocean Eyes” on SoundCloud in 2016. A music video was released on (4/24/16), and a video of Eilish performing a dance to the song was released (11/22/16). “Ocean Eyes”, racked up over 35 million streams on Spotify. It was rereleased worldwide through Darkroom-Interscope (11/18/16). She released the singles: “Six Feet Under” (2/3/17), “Bellyache” (5/5/17) followed by her debut EP, Don’t Smile at Me (8/11/17) followed by more singles and remixes: “Bored,” “Watch,” “Copycat,” “Idontwannabeyouanymore,” “My Boy,” and “Don’t Smile at Me” (8/12/17). Billie collaborated with American rapper Vince Staples for a remix of “Watch” titled “&Burn.” For 2018 Record Store Day, Billie will release a 7″ vinyl acoustic version of “Party Favor” & acoustic version of “Hotline Bling” by Drake.]

3. (89.) Rina Mushonga – “In a Galaxy”
from: In a Galaxy / Rina Mushonga / February 15, 2019
[Rina Mushonga was born in India and raised in Harare, Zimbabwe. She attended college in the Netherlands and eventually moved to Peckham, in London, where her music career ignited. As a child she learned to play guitar and piano and began writing her own songs. She names her influences as Paul Simon, Oliver Mtukudzi, Nina Simone, and Fleetwood Mac. She started out by playing at open-mike nights in Harare. Her 2014 debut, The Wild, The Wilderness, was recorded while she was living in the Netherlands and released on Sony Music. The album contained a folk/rock-influenced sound in the vein of her early influences, but Mushonga was unsatisfied, feeling she was unable to express her authentic self. It was only after she moved to Peckham, a multiculturally rich neighborhood of London, that she felt more at home and able to explore her African heritage in music. The resulting album took five years, as she juggled making music with working and caring for her young daughter. She made a demo with Frans Verburg in Rotterdam, recorded with Brett Shaw at his studio in Peckham, and eventually released “In a Galaxy” on PIAS in 2019. The album has a rich, kaleidoscopic sound incorporating elements of Afro-pop, indie, and electro into a catchy yet experimental whole. ~ John D. Buchanan, Rovi]

4. (88.) Bill Callahan – “747”
from: Shepherd in a Sheepskin Vest / Drag City Records / June 14, 2019
[21st release as Bill Callahan or Smog. Bill Callahan (born June 3, 1966) is an American singer-songwriter and guitarist who has also recorded and performed under the band name Smog. Callahan began working in the lo-fi genre of underground rock, with home-made tape-albums recorded on four track tape recorders. Later he began releasing albums with the label Drag City, to which he remains signed today. Callahan started out as a highly experimental artist, using substandard instruments and recording equipment. His early songs often nearly lacked melodic structure and were clumsily played on poorly tuned guitars, resulting in the dissonant sounds on his self-released cassettes and debut album Sewn to the Sky. Much of his early output was instrumental, a stark contrast to the lyrical focus of his later work. Apparently, he used lo-fi techniques not primarily because of an aesthetic preference but because he didn’t have any other possibility to make music. Once he signed a contract with Drag City, he started to use recording studios and a greater variety of instruments for his records. From 1993 to 2000, Callahan’s recordings grew more and more “professional” sounding, with more instruments, and a higher sound quality. In this period he recorded two albums with the influential producer Jim O’Rourke and Tortoise’s John McEntire, and collaborated with Neil Hagerty. Callahan also worked closely with his then-girlfriend Cynthia Dall in his early career, and they contributed vocals to each other’s albums. After 2000’s Dongs of Sevotion, Callahan began moving back to a slightly simpler instrumentation and recording style, while retaining the more consistent songwriting style he had developed over the years. This shift is apparent in albums such as Rain on Lens, Supper, and A River Ain’t Too Much to Love. Smog’s songs are often based on simple, repetitive structures, consisting of a simple chord progression repeated for the duration of the entire song. His singing is characterized by his baritone voice. Melodically and lyrically he tends to eschew the verse-chorus approach favoured by many contemporary songwriters, preferring instead a more free-form approach relying less on melodic and lyrical repetition. Themes in Callahan’s lyrics include relationships, animals, relocation, nature, and more recently, politics. On the subject of voice in his albums, Callahan has said, “It’s usually one character per record. So, the character appears in all or most of the songs on one record and then is gone. Though it makes me feel weird to talk about. Because I don’t really think in clear terms of characters. My albums as a whole could be seen as one character with many voices.” His generally dispassionate delivery of lyrics and dark irony often obfuscate complex emotional and lyrical twists and turns. Critics have generally characterized his music as depressing and intensely introverted, with one critic describing it as “a peep-show view into an insular world of alienation.” Cat Power (Chan Marshall) recorded Callahan’s song “Bathysphere” on her 1996 album What Would the Community Think and also covered another Callahan song, “Red Apples”, on her Covers Record, released in 2000. In 2007, Callahan released Woke on a Whaleheart, his first solo album released under his own name, Sometimes I Wish We Were an Eagle followed in April, 2009. Both recordings were released through Drag City, worldwide. In 2009, Callahan contributed cover songs on four separate tribute albums to Judee Sill, Kath Bloom, Chris Knox, and Merge Records. In 2010, he released his first live album Rough Travel for a Rare Thing, which was recorded in 2007 at The Toff in Melbourne, Australia. Apocalypse, was released in April 2011 to favorable reviews. Critic Sasha Frere-Jones called it “my favorite of Callahan’s albums, not because it has better songs—those are scattered among at least five others — but because it does exactly what he wants it to do: it conveys an album’s coherence.” A tour film chronicling Callahan’s 2011 Apocalypse tour was released in 2012.][Bill Callahan plays the Lawrence Public Library Lawn, Friday, July 5, at 7:00 PM at the Lawrence Public Library, 707 Vermont St, Lawrence, KS with special guest Heidi Lynne Gluck.]

5. (87.) Black Pumas – “Old Man”
from: Black Pumas / ATO / 2019
[Black Pumas are a funk and soul duo based in Austin, Texas, consisting of singer Eric Burton and guitarist/producer Adrian Quesada. Their work also has strong Latin music influences. The duo received their first Grammy nomination ever for Best New Artist at the 62nd Annual Grammy Awards. The duo formed in 2017 and released their debut album, Black Pumas, on June 21, 2019. They performed at South by Southwest in 2019 and won a best new band trophy at the 2019 Austin Music Awards. On November 20, 2019, they were nominated for a Grammy Award for Best New Artist. Quesada was a member of Latin funk band Grupo Fantasma when it won the Grammy Award for Best Latin Rock, Urban or Alternative Album for the 2010 album El Existential, and when it was previously nominated for the same award in 2008 for Sonidos Gold.]

6. (86.) Lovergurl – “The One About Moms”
from: Buzzkill – EP / Lovergurl / September 7, 2019
[Last release from Lovergurl who disbanded in September 2019 after the trio announced that their guitarist and vocalist, Heather Andrews was moving out of Kansas City to pursue her career in animation. KC based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. The trio released their EP, The President is a Sex Offender on May 19, 2017. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from The B-52s, The Velvet Underground, and The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews was born and raised in Rhode Island. The band released multiple singles and two EPs.]

7. (85.) Deco Auto – “Turnaround”
from: Another Great Decision / Deco Auto / April 5, 2019
[Newest EP from Kansas City based alternative pop-punk / power-pop trio. Guitar/vocals: Steven Garcia on guitar and lead vocals, Tracy Flowers on bass & vocals, and Pat Tomek on drums. Written by Steven Garcia, $tudent Loans For Life Music (ASCAP). Recorded, and mixed and by Pat Tomek at Largely Studios, Kansas City, MO. Mastered by Gabe Fry at Kimura Studios. Produced by Steven Garcia and Pat Tomek. “Deco Auto is the perpetual opener, the also-rans, the nice-guys-finish-last band in the KC rock scene. Songwriter Steve Garcia is to blame, and he knows it. His songs straddle the line between power pop and pop punk — never casual enough for the former, nor saccharine enough for the latter.” ~ Too Much Rock]

8. (84.) Blue False Indigo – “Don’t Dream It’s Over”
from: Around The Fire / Blue False Indigo / October 31, 2019
[This is the follw up recording to their September 7, 2018 release More Light. They call their music “Spooky-Folk.” Formed in October 2013, in Springfield, Missouri, by Makayla Scott on vocals & guitar; A.J. Valle on vocals & keys; and Kara LePage on vocals & bass. With Michael Schley on electric guitar. and McQuiston Bowes on drums. “Don’t Dream It’s Over” is a song by the Australian rock band Crowded House, recorded for their 1986 self-titled debut studio album. The song was written by band frontman Neil Finn, and released in October 1986 as the fourth single from the album.]

[Blue False Indigo play Cover Me, Kansas City, Tuesday, Dec. 17, at 6:00 PM at recordBar, 1520 Grand, KCMO. This is a benefit for Midwest Music Foundation.]

10:29 – Underwriting

9. (83.) Better Oblivion Community Center – “Dylan Thomas”
from: Better Oblivion Community Center / Dead Oceans / January 23, 2019
[Better Oblivion Community Center is an American indie rock duo composed of musicians Conor Oberst and Phoebe Bridgers. Oberst and Bridgers first met in 2016 when Bridgers performed at a secret showcase Oberst hosted at the Bootleg Theater in Los Angeles. They collaborated on the duet “Would You Rather” from Bridgers’ 2017 debut album Stranger in the Alps. The duo’s album received critical acclaim upon release.They performed “Dylan Thomas” on The Late Show with Stephen Colbert the day before it’s release. On January 29, 2019, the band announced their initial concert tour of the United States and Europe along with releasing a music video for their initial single, “Dylan Thomas”, directed by Michelle Zauner a.k.a. Japanese Breakfast.]

10. (82.) Lana Del Rey – “Doin’ Time”
from: Norman Fucking Rockwell! / Polydor Records – Interscope Records / August 30, 2019
[Elizabeth Woolridge Grant was born June 21, 1985, and she is known professionally as Lana Del Rey, an American singer and songwriter. Her music has been noted by critics for its stylized cinematic quality; its themes of tragic romance, glamour, and melancholia; and it’s references to pop culture, particularly 1950s and 1960s Americana. Born in New York City and raised in Upstate New York, Del Rey returned to New York City in 2005 to begin her music career. Following numerous projects including her debut studio album and the unreleased Sirens, Del Rey’s breakthrough came after the viral success of her debut single “Video Games” in 2011. She signed with Interscope and Polydor later that year. Her major label debut Born to Die (2012) proved an international success and spawned her only top-ten single on the Billboard Hot 100 with the Cedric Gervais remix of “Summertime Sadness”, as well as the internationally successful singles “Blue Jeans”, “Born to Die”, and “National Anthem”. Del Rey released the Grammy-nominated EP, Paradise in 2012. The next year, Del Rey ventured into film as she wrote, directed and starred in the short music film, Tropico, and released “Young and Beautiful” for the film The Great Gatsby (2013). Del Rey subsequently issued her sophomore major label effort, Ultra violence (2014), to critical success, topping the charts and spawning the single, “West Coast”. That same year, Del Rey recorded the eponymous theme for Big Eyes, which garnered her both Grammy and Golden Globe nominations. Shortly afterwards, Del Rey released the critically acclaimed Honeymoon (2015) and Lust for Life (2017), the latter of which topped the charts in the U.S. and was nominated for the Grammy Award for Best Pop Vocal Album. Del Rey’s sixth studio album, Norman Fucking Rockwell, was released on August 30, 2019, to widespread acclaim. In 2019, Del Rey also released the commercially successful singles “Doin’ Time” and “Don’t Call Me Angel”, the latter being a trio with Ariana Grande and Miley Cyrus. As of 2019, Del Rey has sold over 5 million singles in the UK and has sold 5.5 million units in the US. Her YouTube and Vevo pages have combined lifetime views of 3.5 billion.]

11. (81.) Digital Leather – “White Man”
from: FEEET / Digital Leather / January 13, 2018
[“Feeet” is an eclectic compilation of mainly tape-only released songs written and recorded between 2008 and 2018. Ranging from catchy synth-pop to colder dark-wave tunes, these tracks represent a dark journey, where sometimes, despair reigns freely. Sometimes hatred is the only food there is. Sometimes love is an extended nightmare. But it goes further than that. This is the 15th album release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink. Digital Leather writes: “We design our shifting realities. One minute, things make sense. The next minute, we are unraveled. We must fight to create ourselves or die.” Fueled on desert energy, cheap synthesizers, and 4-track home recorders, Digital Leather began as Shawn Foree’s one-man bedroom project in Tucson, Arizona. The music was intended to be shared with a small circle of friends only. Without warning, that circle grew. Digital Leather has since moved in several stylistic directions, but has always adhered to one law: nothing lasts. Shawn Foree writes: “I just keep writing. Usually I feel like my life is passing me by while I’m holed up in my apartment hunched over a synthesizer. It’s hard to maintain relationships when you live in your head all the time. Some people will treat you like you’re crazy for having an imagination. That’s bullshit on their part, but it still sucks to be chastised for having a brain, especially when it’s from someone you care about. The payoff is worth it, though, even if you lose that someone in the process. The raw energy of honest art, to express yourself in a real way, connects you to something higher than love. Creation is a unique high and I’m addicted to it. This album spans a long period of time and represents these kind of lows and highs well. The tracks have appeared on various small run releases, but now I understand that they belong together. It feels worth it.” The band writes: “We sincerely hope this exceptional collection of dark, outsider pop music feels fresh and alive to you. At least for the time being, before the world blows up.” All music invented by Shawn Foree. Human drum sounds provided by Jeff Lambelet, Sean Ruse, and Gregory Elsasser.

12. (80.) Y god Y – “Say”
from: Y god Y – EP / High Dive Records / April 5, 2019
[Y god Y is an electronic duo from Lawrence Kansas that formed in the summer of 2017. The project consists of producer Joel Martin and singer / multi-instrumentalist, Garrett Marsh. The two write, record and produce their music entirely on their own. With only a handful of singles released, they have quickly garnered attention in the Midwest by performing with the likes of Phoenix, and at several Midwest Festivals alongside Grizzly Bear, Spoon, Lion Babe, and Leikeli47. This was also their 4th single and part of their debut 5-song EP released on High Dive Records. Garrett Marsh on vocals & Joel Martin on music, making “experimental R & B” with influences of 80’s electro-pop.]

13. (79.) Calvin Arsenia – “Oh Marie [feat. J. Ashley Miller]”
from: Honeydew / Center Cut Records / June 28, 2019
[On September 15, 2018 Calvin released Cantaloupe on Center Cut Records. This new EP is a remix of three of the songs from Cantaloupe, plus a Talking Heads cover that was performed live in this style at a New Year’s Eve show at The Truman opening for Making Movies who performed the entire Talking Heads album, Remain in Light. The last three songs on Honeydew were from performed in this style at The Nelson Atkins 2019 event “Party Arty.” Honeydew was produced by Jametatone, Simon Huntley, and Calvin Arsenia. Calvin Arsenia who came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, Caviar, and the full length debut, Catastrophe. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, playing piano, banjo, guitar & harp. Calvin has played Folk Alliance Int., KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour playing San Francisco,Vancouver, NYC, Boston, Sweden, Denmark, Holland, Switzerland and Paris.]

[Calvin Arsenia plays Home for the Holidays with Calvin Arsenia & Friends Friday, December 13, at 7:00 PM, at Second Presbyterian, 318 E 55th St]

[Calvin Arsenia plays Center Cut Records Holiday Party, Wednesday, December 18, at 7:00 recordBar, 1520 Grand Blvd, KCMO with Fritz Hutchison, and The Black Creatures.]

14. (78.) Ibibio Sound Machine – “I Will Run”
from: Doko Mien / Merge Records / March 22, 2019
[Ibibio Sound Machine is an English electronic afro-funk band from London. Formed in 2013, the band currently consists of vocalist Eno Williams, guitarist Alfred Kari Bannerman, percussionist Anselmo Netto, drummer Jose Joyette, bassist John McKenzie, trombonist/keyboardist Tony Hayden, trumpeter/keyboardist Scott Baylis and saxophonist/keyboardist Max Grunhard. The band was formed in London 2010 by producers Max Grunhard, Leon Brichard, and Benji Bouton. The trio were interested in producing music fusing elements from 1980s afrobeat and 90s drum-and-bass. They approached singer Eno Williams to create vocals for the project. After the first sessions had been successfully finished, live musicians were added to create a full band. These included the Ghanaian guitarist Alfred Bannerman from the band KonKoma and Afro-rock band Osibisa, Brazilian percussionist Anselmo Netto, and multi-instrumentalists Tony Hayden and Scott Baylis. The band released their first single in January 2014 on Soundway, entitled Let’s Dance. Their self-titled debut album followed in March the same year. In 2016, the band signed to Merge Records to create their follow-up record. Their second album, Uyai, was released in 2017. Ibibio Sound Machine is a clash of African and electronic elements. The band claims their sound is inspired in equal measure by the golden era of West African funk and disco, modern post-punk, and electro. The name of the band itself finds influence from Eno Williams’ mother, whose native tongue was Ibibio. While Williams was born in London, she spent most of her childhood in Nigeria with the rest of her family. Her mother often recounted numerous folk and children’s stories from her own heritage and passed them on to her daughter. Williams took this inspiration and crafted lyrics from these sources and married them to modern themes.]

15. (77.) Sky Smeed – “If You’re Taught You Learn to Be Mean”
from: Leaving Again / Sky Smeed / February 9, 2019
[Sky Smeed told us that he wrote this song while watching the horrible things that happened in Charlottesville, WV a few weeks ago. It’s influenced by a bunch of things for certain. Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays The Bottleneck in Lawrence, Friday, December 13 with Opal Agafia.]

16. (76.) Lee Fields & The Expressions – “A Promise is a Promise”
from: It Rains Love / Big Crown Records / April 5, 2019
[With a career spanning 43 years, releases on twelve different record labels, and having toured the world over with his raucous-yet- tender voice, itʼs mind-blowing that the music heʼs making today. Elmer Lee Fields was born in 1951 in Wilson, North Carolina, the son of Emma Jean Fields and John Fields. He was the second child of six children. Fields had an interest in music from an early age. He decided to go to New York, at the age of 17 to pursue a music career. Although his mother (whom he later named an album in honor of) tried to convince him not to go, she ended up giving him her last 20 dollars. With moves and style inspired by James Brown, Fields soon had the nickname “Little JB” because of his physical and vocal resemblance with James Brown. He has worked with Kool and the Gang, Hip Huggers, O.V. Wright, Darrell Banks, and Little Royal. Fields has also worked with such legends such as B.B. King, Clarence Carter, Dr. John, Tyrone Davis, Johnny Taylor, Denise LaSalle, Bobby Blue Bland, Betty Wright, The Manhattans, Little Milton and Bobby Womack. He recorded his first single in 1969 on the Bedford label, “Bewildered” b/w “Tell Her I Love Her.” He recorded “Gonna Make Love” on London Records in 1973. That same year, Fields released the popular 45, “Let’s Talk It Over” b/w “She’s a Love Maker”. Fields dropped “Everybody Gonna Give Their Thing Away to Somebody (Sometime)” b/w “East Coast Rapper,” on SoundPlus in 1975. Most of the second half of the 70’s Fields spent cutting singles for Angle 3 Records, including “The Bull Is Coming” b/w “Funky Screw”. In 1980 he released a full-length album with Angle 3 called Let’s Talk It Over. In the 1980s, disco became increasingly popular, at the expense of soul. Venues that had previously booked Fields now booked DJs. Fields moved into real estate in Newark, New Jersey, in order to provide for his family. In the 1990s, Fields returned singing soul-blues on the Southern circuit. He signed with Mississippi-based Ace Records and debuted Enough Is Enough. On Ace, Fields released Coming to Tear the Roof Down in 1995 and Dreaming Big Time in 1996 in which he played keyboards and synthesizers. Later that year Fields signed to Desco Records founded by Gabriel Roth and Phillip Lehman. Sharon Jones, who was signed to Desco also at that time, sang backup for Fields on an early 45. Fields was featured on the debut album Gimmie the Paw by the label’s band The Soul Providers in 1997. He released several singles with in Desco and in 1999, dropped a full-length album Let’s Get a Groove On. Desco later split into, Daptone Records and Soul Fire, and Fields eventually recorded for them both. “Give Me a Chance” and “Shot Down” were two 7″ singles he released on Daptone over 2001-2002 and in late 2002, the album Problems, on Soul Fire. In early 2005 he performed on “Stranded In Your Love” included on Sharon Jones and The Dap-Kings’ Naturally LP. In 2006 French House DJ Martin Solveig approached him to do a dance track. They toured in France and recorded the songs “Jealousy”, “Everybody”, “I’m a Good Man”, and “I Want You”. Truth and Soul Records recorded a single with Fields that later became “Honey Dove”. Lee Fields & The Expressions released “My World” for Truth and Soul in 2009. In 2011 he followed up with the album titled Treacherous. After releasing Faithful Man in 2012 with Truth and Soul, the singer toured globally. He then released two albums Emma Jean in 2014 and Special Night in 2017 (on Big Crown Records by former Truth and Soul co founder Leon Michels).][Lee Fields & The Expressions play Knuckleheads Saloon, 2715 Rochester KCMO, Friday, September 20, at 7:00 PM, with Neal Francis.]

11:00 – Station ID

17. (75.) Amyl and The Sniffers – “Got You”
from: Amyl and The Sniffers / ATO Records / May 24, 2019
[Debut album from Melbourne, Australia based, 4-piece punk band fronted by singer Amy Taylor who explains of the song, “‘Got You’ is about that feeling you get when you first start seeing someone and you’re excited to see them, no matter what shit they got. You just see them at the pub and it feels like the most exciting thing in the world, like you’re so lucky they’re even there. It’s definitely one of the “sweetest” songs on the album, and less punky. It was kind of inspired by Split Enz.”]

18. (74.) Lambchop – “Everything for You”
from: This (Is What I Wanted to Tell You) / Merge Records / March 22, 2019
[Lambchop, originally from Nashville, was ever a band with a “core” lineup, Lambchop has consisted of a large and fluid collective of musicians focused around its creative centre, frontman Kurt Wagner. AllMusic referred to Lambchop as “arguably the most consistently brilliant and unique American group to emerge during the 1990s”. Initially indebted to traditional country, the music has subsequently moved through a range of influences including post-rock, soul and lounge music. Whatever the style, the characteristic mood of Lambchop’s music is evoked by Wagner’s distinctive songwriting: lyrically subtle and ambiguous, the vocals melodic but understated. Not so long ago, Lambchop had a famously sprawling line-up, toting a dozen or so members around the world and into the studio to document elliptical country-soul mutations. But in recent years, the band has become a more personal vehicle for Kurt Wagner. Anchored by him and framed by bassist Matt Swanson and Wagner’s incorrigibly grinning foil, the pianist Tony Crow, the Lambchop of this decade has become more pliant and adaptable, opening itself to unexpected collaborators that give Wagner’s thoughts and feelings the shape they need for each new album.]

19. (73.) Approach / “Rapper’s Delight”
from: Merely Minutes, In A Day / Datura Records / February 4, 2019
[Produced, Sequenced, Recorded, Photography, Mixed & Mastered By: Aikido Bray. Artwork & Design By: The Art My Life Imitates. Sean Hunt aka Approach is a Kansas emcee/producer who’s been in the game for almost 20 years. He’s released almost a dozen records and traveled the world over the span of his career. He’s also the cofounder of Datura Records, a hip hop label started in 2000 that he helps curate the roster for. ]

[Lincoln Marshall play The Riot Room, 4048 Broadway, KCMO, Thursday, January 2, at 10:00 PM with Domineko, NuBlvckCity, and Black Radio.]

20. (72.) Cuee – “Broken Memories”
from: Shameless / Cuee / November 23, 2018
[Originating from Chicago, Illinois, Cuee is a 27 year old Lawrence based hip-hop artist emcee, and educator. Cuee who has gained fans over the last three years in Lawrence and Kansas City for their critically acclaimed musical releases and live performances. Cuee recently received their Master’s Degree in Higher Education Administration from the University of Kansas where Cuee also worked as a graduate assistant. Cuee is also a recently graduate of Artist Inc. and has a passionate drive for everything hip-hop. Drawing major influence from hip-hop artists such as Missy Elliot, J. Cole, and Chance The Rapper.]

21. (71.) The Depth and The Whisper – “Break Me”
from: The Waiting is the Hardest Part / The Depth and The Whisper / January 18, 2019
[Dave Tanner on bass, guitar & vocals; Albert Bickley on guitar & vocals. Albert Bickley, a Kansas City native, who now lives in New York has been writing, recording and performing original music for years. Everything, including other bands he’s been in, have led to this moment and this project. Dave Tanner, a Canadian who calls Parkville, MO, home, has played bass in numerous bands through the years from rock and heavy metal to folk and punk. Albert Bickley and Dave Tanner do not believe the world owes them anything, but they know that they have something to give her. The two songwriters and musicians met in 2010 in the music scene of Kansas City, where they both had been active for several years. “When my last band broke up and I wrote new songs again, I immediately thought of Dave,” Albert remembers “I wanted his bass. I just told him to come over when you have time. He played the demos, we listened to it and just said, ‘That’s it! Perfect! ‘”This feeling is very rare.” Dave confirms:” We immediately had great respect and reverence for each other. We are both at the moment. And our music satisfies a deep need in us. We complement each other, we get better. And by that I do not just mean the music. “Because since then an extraordinary friendship has grown between them. “Albert and I started a conversation back then,” Dave explains, “and it never ended.”]

22. (70.) The Wires – “Uncaged”
from: Wilder / The Wires / May 11, 2019
[2nd album from KC based duo, The Wires who compose and perform original music for violin and cello. Inspired by a myriad of genres and eclectic sounds, The Wires are not your typical strings group. The project encompasses a blend of wide-ranging styles, from tango to gypsy, jazz to rock and infused with the precision of classical form. Created, composed & performed by Laurel Morgan (violin) and Sascha Groschang (cello). Laurel Morgan grew up in Lincoln, Nebraska. A classically trained musician, she has been playing the violin for 30 years. Laurel graduated from the UMKC Conservatory of Music in 2005. She has also performed with the Des Moines Symphony, Quixotic Fusion, Musical Theatre Heritage at the Off-Center Theatre, the folk-rock band, ‘In the Pines” that won several Pitch Music Awards. And with her husband artist Ben Parks she is ia founder of the band Of Tree As a composer, arranger, and musician Laurel Morgan has traveled to Germany, Austria, and throughout the United States, but is based here in Kansas City. Sascha Groschang graduated from Paseo Academy of Performing Arts in 2000, UMKC Conservatory of Music in 2004, and Mannes College – The New School For Music in 2008. She had her solo recital debut at Carnegie Hall’s recital hall, Weill Hall in February 2009. Sascha has recorded or performed with Peter Gabriel, Joanna Newsom, Ashanti, Adina Menzel, Clay Walker, the Trans-Siberian Orchestra. She has also worked for NBC, Rhino Records, Juniper String Ensemble, Saint Joesph Symphony, and is part of the faculty at Missouri Western State University. She also teaches out of her Midtown KC home studio. You can learn more at: cellolady.com The Wires joined us live on WMM on May 8, 2019.]

[The Wires are playing a series of Solstice concerts at various Mid-Continent Libraries around KC starting Monday, Dec. 16, at 6:30 PM at Mid-Continent Public Library (Riverside Branch), 2700 N.W. Vivion Rd, Riverside, MO. And continuing Thursday, Dec. 19, at 2:00 PM at Mid-Continent Public Library (Boardwalk Branch), 8656 N. Ambassador Drive, KCMO. and Friday, Dec. 20, at 3:30 PM at Mid-Continent Public Library (Parkville Branch), 8815 Tom Watson Pkwy, Parkville, MO.]

23. (69.) Jamila Woods – “FRIDA”
from: LEGACY! LEGACY! / Jagjaguwar / May 10, 2019
[Second album from Jamila Woods who was born October 6, 1989, and is a Chicago-based American singer, songwriter and poet. Woods is a graduate of St. Ignatius College Prep and Brown University, where she received a BA in Africana Studies and Theater & Performance Studies. Her work focuses on themes of Black ancestry, Black feminism, and Black identity, with recurring emphases on self-love and the City of Chicago. In 2012, Jamila Woods published her first chapbook, entitled The Truth About Dolls. Her work can be found in the anthologies The Breakbeat Poets: New American Poetry in the Age of Hip-Hop (2015), Courage: Daring Poems for Gutsy Girls (2014), and The UnCommon Core: Contemporary Poems for Learning & Living (2013). Her influences include Lucille Clifton, Gwendolyn Brooks, Toni Morrison, and Frida Kahlo. Woods was also one of three editors of The Breakbeat Poets Volume II, entitled Black Girl Magic. The 2018 publication is an anthology of poetry by contemporary Black women, “exploring themes of beauty, unapologetic blackness, intersectionality, self-definition, and more.” Woods is the Associate Artistic Director of Young Chicago Authors (YCA), an organization in the Chicago dedicated to uplifting youth voices through arts education and mentorship. Through YCA, Woods helps to organize Louder Than a Bomb, the world’s largest youth poetry slam festival. She also facilitates poetry workshops and creates curriculum for Chicago Public Schools. She is widely known for her collaborative works with Chance the Rapper on the hit song “Sunday Candy” from the album Surf as well as “Blessings” from Coloring Book. Woods is also featured on the Macklemore & Ryan Lewis song “White Privilege II”. In January 2016, Woods signed to Chicago’s independent hip-hop label, Closed Sessions. Jamila released her debut album HEAVN on her SoundCloud page on July 11, 2016 to critical acclaim. The album features collaborations with Chance the Rapper, Noname, Saba, Lorine Chia, Kweku Collins and Donnie Trumpet.]

24. (68.) Wonderfuzz – “Get There”
from: Get There / MASKT / April 19, 2019
[Wonderfuzz is a Kansas City based band formed on May 11, 2012 with Natalie Norman on vocals, Jordan Smith on bass & vocals, Sam Hoskins on drums & vocals, Josh Johnson on guitar & vocals, and EvanJohn McIntosh on guitar. The 5-piece band started out working for several years as a cover band, studying multiple styles of rock & roll and rhythm & blues. In 2018 Wonderfuzz began to write and record original material releasing a few singles in 2018. In April of 2019 the band released their debut full length album “Get There” and their first music video, for the title track. On November 7, 2019, Wonderfuzz releases their second full length album this year. Wonderfuzz released a second full length live album “Live With It” Nov. 8, 2019]

11:30 – Underwriting

25. (67.) Scott Stanton & The Butter Band – “Bicycle”
from: Crag-o-lea / Scott Stanton / February 25, 2019
[Three years in the making, the newest album from Scott Stanton & The Butter Band features the songs of Scott Stanton one of KC’s finest songwriters of original, down-to-earth songs weaved with inspiration from songwriters Bob Dylan & John Prine. Recorded at Rob Nold Studio. Mixed & mastered by James Albright. Scott Stanton (songwriter) on vocals & acoustic guitar; Chad Brothers on acoustic guitar & harmonies; Kasey Rausch on upright bass & harmonies & fiddle; Marco Pascolini on pedal steel guitar; Grady Keller on banjo. Scott Stanton is also a host & Producer for River Trade Radio airing Sundays from 9:00 AM to 11:00 AM.]

[Scott Stanton & The Butter Band play Cover Me, Kansas City, Tuesday, December 17, at 6:00 PM at recordBar, 1520 Grand, KCMO. This is a benefit for Midwest Music Foundation.]

26. (66.) Chase The Horseman – “Disinformation Blues (Radio Edit)”
from: Disinformation Blues EP / Chase The Horseman / July 12, 2019
[Music & lyrics by Chase Horseman. Recorded & Mixed by Joel Nanos & Chase Horseman at Element Recording. Mastered by Joel Nanos. Drums by Ian Dobyns, bass by Skylar Cowdry, guitar/vocals/synthesizers by Chase Horseman. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and more. Chase The Horseman released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

[Chase the Horseman plays Stockyard Sounds at Stockyards Brewing Co.. 1600 Genessee, KCMO, on Monday, December 16, at 7:00 PM with Lava Dreams.]

[Chase the Horseman plays Replay Lounge, 946 Massachusetts St, Lawrence, KS. Saturday, January 4, 2020 at 10:00 PM with True Lions and Pala Zolo.]

27. (65.) The Nicole Springer Band – “Willing”
from: Willing / Nicole Springer / November 10, 2019
[Nicole Springer is a singer-songwriter + multi-instrumentalist out of the Kansas City Metro. She was the founder of critically acclaimed + award wining local groups, The Clementines, and The Good Hearts. She’s written original music for her bands The Good Hearts, Heart Machine, and her solo projects. Nicole Springer is a 2019 Pitch KC nominee for Best Vocalist, multi-award winning and critically acclaimed singer-songwriter. Nicole has performed at numerous festivals and venues. In 2014 she was the recipient of both a Pitch Music Award and Project Backstage Award. More info at http://www.nicolespringersings.com]

[Nicole Springer plays The Brick, on Saturday, December 14 with True Lions and Teri Quinn.]

28. (64.) Kemet the Phantom – “Electric (feat. Kadesh Flow)”
from: Electric Park / Kemet Creative / August 16, 2019
[Through the lens of the 32-year-old rap artists’ upbringing from birth to present day in Kansas City, each song represents eight topics: SEDUCTION, POWER, VICE, DEATH, EUPHORIA, LUST, PRIDE, CHANGE. With songs like “Rollin’ Down Paseo”, Kemet explores the nostalgia and confusion of emotions that fester as the future of Martin Luther King Jr. Boulevard, formally known as The Paseo, is determined by a vote. Electric Park was co-produced by Kemet and the legendary producer and sound designer, Leonard Dstroy.
Executive Produced by Kyle Dykes. Written by Kemet Coleman. Artwork by Kemet Coleman, Michael Picman and Jon Conway. Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Kemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More info at: http://www.kemetthephantom.com.] [Kemet The Phantom plays with Marcus Lewis Big Band presenting his hip hop poetry with, 18-piece jazz ensemble called Brass and Bougee.]

29. (63.) The National – “You Had Your Soul with You [feat. Gail Ann Dorsey]”
from: I Am Easy to Find / 4AD / May 17, 2019
[The National is an American rock band from Cincinnati, Ohio, formed in 1999. The band consists of Matt Berninger (vocals), Aaron Dessner (guitar, piano, keyboards), Bryce Dessner (guitar), Scott Devendorf (bass) and Bryan Devendorf (drums). Founded by Berninger, Aaron Dessner, and Scott and Bryan Devendorf, The National released their self-titled debut album, The National (2001), on Brassland Records, an independent record label founded by Dessner and his twin brother, Bryce Dessner. Bryce, who had assisted in recording the album, soon joined the band, participating as a full member in the recording of its follow-up, Sad Songs for Dirty Lovers (2003). Leaving behind their day jobs, the National signed with Beggars Banquet Records and released their third studio album, Alligator (2005), to widespread critical acclaim. The band’s fourth and fifth studio albums, Boxer (2007) and High Violet (2010), increased their exposure significantly. In 2013, the band released its sixth studio album, Trouble Will Find Me, which was nominated for Best Alternative Music Album at the 56th Annual Grammy Awards. In 2017 the band released the album Sleep Well Beast, which won the Grammy award for Best Alternative Music Album at the 60th Annual Grammy Awards. Their eighth studio album, I Am Easy to Find, was released on May 17, 2019. Four of the band’s albums were included on NME’s 2013 list of the 500 greatest albums of all time. Pitchfork writes: “On nearly every song Berninger is accompanied and sometimes silenced by a rotation of featured female vocalists who step in to offer perspective, commentary, and dissent. The National have recruited some of the best singers out, among them Lisa Hannigan, Mina Tindle, Kate Stables, Sharon Van Etten, and the Brooklyn Youth Chorus, whose spotlight “Dust Swirls in Strange Light” benches Berninger all together. Most revelatory of all is Gail Ann Dorsey, David Bowie’s longtime bassist and backing singer, who heralds the album’s new direction midway through opener “You Had Your Soul With You.” Her extraordinary voice of saffron arrives like a divine intervention, instantly parting a track that had previously been National-by-numbers.]

30. (62.) Miki P – “I Get Lost [Feat. The Swallowtails]”
from: Swallowtail – EP / Miki P/ September 1, 2018
[1st single of new EP from Miki P, with The swallowtails, a follow up to her debut full length album Dome of Swallows from last year. Labeled: “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fel to Earth – Bowie Tribute in January. She has played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

31. (61.) True Lions – “Birthday Party”
from: You’re Not Invited / True Lions / November 9, 2019
[This is the band’s second EP release of this year. They released their EP debut, “Cute at Best,” on February 5, 2019. True Lions is: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison.]

[True Lions plays The Brick, on Sat., Dec. 14 with Nicole Springer and Teri Quinn.]

[True Lions plays The RINO, on Sun., Dec. 29 with Chloe Jacobson, Other Suns, and Pealds.]

[True Lions play Replay Lounge, 946 Massachusetts St, Lawrence, KS. Sat., Jan. 4, 2020 at 10:00 PM with Chase The Horseman and Pala Zolo]

32. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on December 18, we bring you part 3 of our 4-week special, the 119 Best Recordings of 2019. We will count down #60 to #31 with representative tracks from: The Sextet, Violet and the Undercurrents, Other Americans, Yes You Are, Fathers, Akkilles, Volker Brothers, Ensemble Iberica, Simon Fink & The Wires, The Greeting Committee, The UK’s, Radar State, Headlight Rivals, OLIVIA FOX, Berwanger, Radkey, Hipshot Killer, Nan Turner, LK Ultra!, Florist, Hadiza., Our Native Daughters (feat. Rhiannon Giddens, Leyla McCalla, Amythyst Kiah & Allison Russell), Brittany Howard, Durand Jones & The Indications, Big Thief, Hand Habits, Cass McCombs, Michael Kiwanuka, Christone “Kingfish” Ingram, and Yola.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #815

WMM Playlist from November 14, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 14, 2018

Royce “Sauce” Handy
+ Shaun Crowley & Mason Blaize +
Dr. Michael J C Taylor + New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. The Depth and The Whisper – “Souvenir”
from: “Souvenir” – Single / The Depth and The Whisper / October 26, 2018
[Dave Tanner on bass, guitar & vocals; Albert Bickley on guitar & vocals. Albert Bickley, a Kansas City native, has been writing, recording and performing original music for years. Everything, including other bands he’s been in, have led to this moment and this project. Dave Tanner, a Canadian who calls Parkville, MO, home, has played bass in numerous bands through the years from rock and heavy metal to folk and punk. Albert Bickley and Dave Tanner do not believe the world owes them anything, but they know that they have something to give her. The two songwriters and musicians met in 2010 in the music scene of Kansas City, where they both had been active for several years. “When my last band broke up and I wrote new songs again, I immediately thought of Dave,” Albert remembers “I wanted his bass. I just told him to come over when you have time. He played the demos, we listened to it and just said, ‘That’s it! Perfect! ‘”This feeling is very rare.” Dave confirms:” We immediately had great respect and reverence for each other. We are both at the moment. And our music satisfies a deep need in us. We complement each other, we get better. And by that I do not just mean the music. “Because since then an extraordinary friendship has grown between them. “Albert and I started a conversation back then,” Dave explains, “and it never ended.”]

3. Monta At Odds – “Chromosphere”
from: Argentum Dreams / Haymaker Records / October 19, 2018
[6th full length release from the psychedelic, experimental indie/space rock/electronic collective based in KCK formed by brothers Dedric and Delaney Moore. The band describes their music as: Mutant Disco, minimal synthwave, post-punk dance, Electronica, Indie, Space Rock, Ambient. Current members include: Dedric Moore, Delaney Moore, Alexander Thomas, Adam Davies, Zach Bozich, Aaron Osborne, Matthew Hayden, past supporting members: Mika Tanaya, Sterling Holman, Bree Plaster; Eric Bessenbacher, Ryan Shank, Jeremiah James, Samer Saba, Doug Hutchinson, Erin O’Neill, Sam Behrens, Luke Behrens, Sam Hughes, Tom Romero, Caleb Aldrich, John Aldrich.]

[MONTA AT ODDS plays an Argentum Dreams RECORD RELEASE with Mikal Shapiro performing vocals in a special ‘One Performance Only’ show on Saturday, December 1, at 8:00 PM, at recordBar, 1520 Grand Boulevard, with SHANA FALANA (NYC), MIKAL SHAPIRO & “The Musical” Band / with live video projections from VJDN8]

4. The UK’s – “AWOD”
from: American Way of Death – EP / The UK’s / November 17, 2018
[Kansas City based band formed in July 2010 with Noah Bartelt on lead vocals & guitar, Scott Combs on guitar & vocals, Katelyn Miles on bass, Tarquin Eugene Kellough on drums. This EP is their follow up release to their 2016 debut album “Bad Seed”, featuring their single “The Poison Squad” released in March of 2018 and four more tracks. More info at: http://www.theuksband.com]

[The UK’s play an EP Release Bonanza Show with Shoebox Money who are also releasing a new EP, Saturday, November 17, at 8:00 PM, at The Rino, 314 Armour Rd., North Kansas City, with The Way Way Back, and Kid Computer.]

5. Shoebox Money – “Lifeline”
from: Reason and Rhyme Side B / Avenue Records / November 17, 2018
[Lawrence, Kansas based band that has recently had some line up changes. The current band includes: Hannah Norris on guitar & vocals , Ben Wellwood on guitar & harmonica & vocals, Patrick Spanier on bass, John Feess on slide guitar, and Nico Williams on percussion. This new EP is a follow up to the band’s September 1, 2018 EP release, Reason & Rhyme – Side A. After winning the Farmer’s Ball 2018 Battle of the Bands in Lawrence, Kansas the band finally had the funds to record their first ever professional EP. Filled with tales of frustration, heartbreak, longing, and good times, they are incredibly proud of the music they have worked so hard to create.]

[Shoebox Money play an EP Release Bonanza Show with The UK’s who are also releasing a new EP, Saturday, November 17, at 8:00 PM, at The Rino, 314 Armour Rd., North Kansas City, with The Way Way Back, and Kid Computer.]

6. Heidi Phillips and Danny Krause – “Be Good”
from: Honest I’m Fine / Heidi Phillips and Danny Krause / June 23, 2018
[Heidi Phillips on vocals, guitar, mandolin, & drums; Danny Krause on vocals, guitar, mandolin, & bass; Zeke Krause on percussion; and Linn Buck on piano. Heidi and Danny played together in the short lived band Abileen who released a great album and broke up just as the album was being released. Before that Heidi was the co-songwriter for the alternative rock band Frogpond that she formed in 1994. Frogpond achieved considerable success and was signed to Tristar Music and Columbia Records. Through a few line up changes the band included Heidi Phillips, Justine Volpe, Krisite Stremel, Megan Hamilton, Tawni Freeland and the late Billy Johnson who played drums on all of their recordings and who passed away on February 14, 2018 at the age of 42.]

7. Eggs on Mars – “Sod is Good”
from: Mama Pancake / Eggs On Mars / November 9, 2018
[KC based 3-piece, lo-fi, psych-surf-garage rock band with Brad Smith on guitars, vocals & keyboards; Justin Longmeyer on bass; and Mason Potter on drums & percussion. Mama Pancake was recorded May through September of 2018. Recorded, mixed, and mastered by Rodd Fenton. All songs by Eggs on Mars.]

8. BRONCHO – “Boys Got To Go”
from: Bad Behavior / Park The Van Records / October 12, 2018
[4th album from indie rock band formed in Norman, Oklahoma in 2010. The current lineup consists of Ryan Lindsey on guitar and vocals, Ben King and Mandii Larsen on guitars, Penny Pitchlynn on bass and Nathan Price on drums.Their debut album Can’t Get Past the Lips originally came out in 2011 and was rereleased by Fairfax Recordings in 2013. Broncho released their second album Just Enough Hip to Be Woman on September 16, 2014 on Dine Alone Records. The album received generally favorable reviews from the music press.The band’s song “It’s On” was played over the closing credits of “Females Only,” the first episode of the third season of the HBO series Girls. “Try Me Out Sometime” was used in an advertisement for HBO Now and Movie 43. “Try Me Out Sometime” was also featured in the documentary, Valley Uprising. The track “Class Historian” was used in a commercial featuring Kate Hudson for her Fabletics brand of women’s athletic clothing as well as Cartoon Network’s bearstack campaign. “Class Historian” also appears on the soundtrack for Vacation, as well as the second episode of the second season of Santa Clarita Diet.]

[BRONCHO plays The Riot Room, 4048 Broadway, on Saturday, November 17, at 8:00 PM with Valen, and Momma’s Boy.]

10:28 – Underwriting

Michael J C Taylor on the November 14, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:32 – Interview with Michael J C Taylor

Constitutional Historian, Dr. Michael J C Taylor joins us to talk about his new book, The Preamble and Mission of the Constitution, to be released December 9, 2018 from Peter Lang Publishing of New York. Michael J C Taylor earned his bachelor of arts from Rockhurst College and obtained his doctorate in history and political science from the University of Missouri Kansas City. He served as Professor of American History and Politics at Dickinson State University, Bemidji State University and Paine College.

Michael J C Taylor, thanks for being with us today on WMM.

From the book cover: “The Preamble and Mission of the Constitution is an intellectual history of the six essential phrases of the Preamble of the U.S. Constitution. These phrases convey what the essential goals and purposes of the Constitution are, and this book’s essential mission is to discern both the original intent they left to us. The Book examines the writing of the Framers, as well as the various works that inspire their ideas and the abstract concepts they studied.”

The Preamble to the United States Constitution is a brief introductory statement of the Constitution’s fundamental purposes and guiding principles. It states in general terms, and courts have referred to it as reliable evidence of the Founding Fathers’ intentions regarding the Constitution’s meaning and what they hoped the Constitution would achieve.

We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.”

From wikipedia: The phrase “People of the United States” has sometimes been understood to mean “citizens.” This approach reasons that, if the political community speaking for itself in the Preamble (“We the People”) includes only citizens, by negative implication it specifically excludes non-citizens in some fashion. It has also been construed to mean something like “all under the sovereign jurisdiction and authority of the United States.”[49] The phrase has been construed as affirming that the national government created by the Constitution derives its sovereignty from the people, (whereas “United Colonies” had identified external monarchical sovereignty) as well as confirming that the government under the Constitution was intended to govern and protect “the people” directly, as one society, instead of governing only the states as political units. The Court has also understood this language to mean that the sovereignty of the government under the U.S. Constitution is superior to that of the States. Stated in negative terms, the Preamble has been interpreted as meaning that the Constitution was not the act of sovereign and independent states.

From wikipedia.org: The phrase “to form a more perfect Union” has been construed as referring to the shift to the Constitution from the Articles of Confederation. The contemporary meaning of the word “perfect” was complete, finished, fully informed, confident, or certain. The phrase has been interpreted in various ways throughout history based on the context of the times. For example, shortly after the Civil War and the ratification of the Fourteenth Amendment, the Supreme Court said that the “Union” was made “more perfect” by the creation of a federal government with enough power to act directly upon citizens, rather than a government with narrowly limited power that could act on citizens only indirectly through the states, e.g., by imposing taxes. Also, the institution was created as a government over the States and people, not an agreement (union) between the States. Later, the phrase came to mean the continual process of improvement of the country.

Jon Meacham wrote in 2018: “To know what has come before is to be armed against despair. If the men and women of the past, with all their flaws and limitations and ambitions and appetites, could press on through ignorance and superstition, racism and sexism, selfishness and greed, to create a freer, stronger nation, then perhaps we, too, can right wrongs and take another step toward that most enchanting and elusive destinations: a more perfect Union.”

Michael J C Taylor’s tie on the November 14, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Michael J C Taylor wrote on his Facebook page: ““We, the people …” is the phrase the opens the U.S. Constitution. It is an inspiration to all of those who live or wish to live within the American republic. These words convey the vital foundation of this country and who is at the center of its governmental polices, its beneficence, and its aspirations.

Yet throughout it’s his history the people have been excluded from the choice of their representatives. When the republic was founded with the adoption of the Constitution only white land-owning males were allowed the voting franchise. It was argued by John Dickinson of Delaware and Gouveneur Morris of Pennsylvania that if all were allowed the right to vote the have-nots would take from the haves—an argument which appealed to the majority of the delegates for they were all men of position and wealth.

It was not until the opening of the West in the 1820s and 1830s the franchise was broadened to include all White males. Inspired by Mary Wollstonecraft’s “A Vindication of the Rights of Women”, published in 1798, the push for women to vote began in the early 1840s. The movement’s public launch came with the Seneca Falls Convention held on 19 July 1848. However when the movement became affiliated with abolitionist causes it became a popular pariah in both the North and the South during the 1850s, while gaining ascendency in the West.

The voting franchise expanded with the 1870 ratification of the Fifteenth Amendment to the Constitution when all males regardless of color were provided the right to vote, but women were not included. Individual western states began allowing the votes of women in local and state election in the late 1870s. Victoria Woodhull offered herself as a presidential candidate in 1880, and Belva Lockwood actually ran for president in 1884, and was arrested when she attempted to vote for herself. The Nineteenth Amendment to the Constitution was ratified in 1920 and allowed women the right to vote, although state laws barred Asian and Hispanic women that right until 1954, and women of color until the passage of the Voting Rights Act in 1965.

In short, the right to vote in a free and fair election for most Americans was long and hard-fought-for process. Those who benefitted from the casting of fewer votes, and who also already held the franchise, saw fit to block every action taken on behalf of “We, the people”. And they are engaged once again in this practice under the guise of “voter fraud”.

They have made laws in which some legitimate voters are barred from casting their ballots, or if they cast their ballots they are not counted. Then there are other laws which bar those with rural addresses lacking specific streets as locations which further contracts the voting populace. Then there are the political candidates who seek to stop recounting votes in fear of losing their provisional victory in the initial count which, of course, has the real effect of not counting every vote.

For a republic to function properly all who cast their ballots must be heard, and their votes tallied to determine the true victor in a popular election. To hinder this goal is the win by fraud, and to make public policy through malice and thievery. As the right to vote has been a hard-won process it does not benefit a country based upon the will of “We, the people” to exclude them from the choice of who is to represent them in a representative republic. And those who seek to gain from it have too much to gain from restricting the voice of American citizens.”

http://www.peterlang.com // Author Photo by Bill Pryor // Cover Image by Michael McQuary

Dr. Michael J C Taylor
Photo by Bill Pryor

Michael J C Taylor is not only a Scholar of U.S. Constitutional History he is also the co-founder and vocalist and 12-string acoustic guitarist and Composer with his band Hejira.

Side note: Hejira is the 8th studio album by Joni Mitchell, released in 1976. The songs on the album were largely written by Mitchell on a trip by car from Maine back to LA, with prominent imagery including highways, small towns and snow. The photographs of Mitchell on the front and back cover were taken by Norman Seeff and appear against a backdrop of Lake Mendota, in Madison, Wisconsin, after an ice storm. Characterized by lyrically dense, sprawling songs, and the distinctive fretless bass playing of Jaco Pastorius, Hejira marked Mitchell’s turn towards the jazz-based music she would implement on later recordings. The album did not sell as well as its predecessors, peaking at #22 in Mitchell’s native Canada. It also reached #13 on the Billboard 200 pop album chart in the U.S. (where it was certified gold by RIAA), and #11 in the UK, where it attained a silver certification. Critically, the album was generally well received, and in the years since its release, Hejira has been recognized as one of the high-water marks in Mitchell’s career.

The album title is a transliteration of the Arabic word “hijra”, which means “journey”, usually referring to the migration of the Islamic prophet Muhammad (and his companions) from Mecca to Medina in 622. She later stated that when she chose the title, she was looking for a word that meant “running away with honor.” She found the word “hejira” while reading the dictionary, and was drawn to the “dangling j, like in Aja… it’s leaving the dream, no blame”.

Michael J C Taylor is also the cofounder writer producer for ‘Greenwich Mean Time’ a satirical comedy radio sho produced for KKFI between 1988 and 1989 with Pete Bakely, Harris Deutch, and Sheila Gerber with episodes that were nominated for both a George Foster Peabody Broadcast Award and the Playboy Free Speech Awards.

Michael J C Taylor, thanks for being with us today on WMM.

Dr. Michael J C Taylor’s new book, The Preamble and Mission of the Constitution, will be released December 9, 2018 from Peter Lang Publishing of New York. His book will be available through amazon and where ever books are sold.

10:48

9. Ex Acrobat – “Let’s Get Lost”
from: Let’s Get Lost – EP / Ex Acrobat / October 10, 2018
[Ex Acrobat is a Kansas City based 4-piece rock band with Justin Warring on guitar & vocals, Duane Trower on guitar, Chuck Irons on bass, John Cruz on drums.]

[Ex Acrobat play miniBar, 3810 Broadway, Thur, Dec. 6, at 9:00 PM, with Dead Soft, and Man Bear.]

10. Dragon Inn 3 – “What Kind Of World Are You Living In”
from: Double Line / American Laundromat Records / August 17, 2018
[Kansas City based and formed in 2012 with Grace Bentley, Sharon Bowie, Philip K. Dickey, E.P. Marcus. Dragon Inn 3’s debut LP clocks in at 28 minutes, but the band spent six years whittling away on the songs that would eventually become Double Line. Combining sugary pop hooks, hypnotic beats, and huge MOOG synths, Dragon Inn 3’s playful take on 80s pop could double as the soundtrack to a John Hughes movie (if John Hughes directed Blade Runner). The cinematic origins of Dragon Inn 3 can be traced back to 2012, when Philip Dickey (leader of the indie-pop group Someone Still Loves You Boris Yeltsin) wrote a theme song for the award-winning short film Ghoul School. “If you watch the trailer you can tell it’s the same premise and look as Stranger Things–we just accidentally made it three years before them,” Dickey says. “I had so much fun making the soundtrack with the director (E.P. Marcus) that we decided to start a band.” Dickey recruited his sister, Sharon Bowie, an occupational therapist, and his wife, children’s librarian Grace Bentley, to help with songwriting and vocal duties. The group self-released the Ghoul School Soundtrack EP in late 2012, receiving high praise from Consequence of Sound, Philadelphia’s WXPN, and The Riverfront Times, before climbing to #1 on Bandcamp’s cassette charts. Then it was back to the studio (i.e. the bedrooms, kitchens, garages, and hotel rooms that doubled as makeshift recording studios). In between full-time jobs, parenthood, graduate school classes, and cross country moves, the members of Dragon Inn 3 put Double Line to tape. “I’m a stay-at-home dad now, so I would work on song arrangements and rough mixes when our toddler was taking his naps,” explains Dickey. “Grace would come home from work and record all her parts after his bedtime. We recorded all the breathy vocals in the living room and all the yelly parts in the garage so we wouldn’t wake him up.” The result is a highly addictive album that creates “a soundtrack for the more introspective moments on and off the dance floor,” according to critic David Greenwald. Opening track “What Kind Of World Are You Living In” plays like Blondie if the band hired Hall and Oates to record guitars. The album takes an intimate turn with “Bad Boy,” Bowie’s dreamy “Rocket Launcher,” and Bentley’s introspective cover of Robin Gibb’s “Juliet.” “3 Minute Mile” swoons with arpeggios and a hypnotic MOOG bass, while Bentley softly repeats the phrase “desperation/bad desire.” Then there are Italo-disco tinged tracks “Backstabber” and “Club Sauce,” with sing-songy pop hooks that harken back to Madonna and Whitney Houston’s greatest hits. “Double Line Theme” and “Murder In The Third” show off DI3’s soundtrack aspirations, and sound like lost Tangerine Dream and Giorgio Moroder B-sides. “Up In The Business” provides indelible synth hooks and a triumphant ending to Double Line. With members spread out over the country (KC, LA, and Springfield, MO), the group signed to American Laundromat Records in early 2018. A demo of “Bad Boy” (co-written with Free Energy’s Paul Sprangers) landed in a commercial for Ryan Adams’ Beats 1 Radio show before the song was even completed.]

11. Oh Dear Oh My – “Bon Appetit”
from: ASHDLA’ / Oh Dear Oh My / July 11, 2018
[KC synth/drum duo, is made up of Rani & Curt. This is their 2nd release. They’ve been playing locally for 3 years. This EP Ashdla’ is named for the Navajo word for Five. There are five tracks on their EP, as Curt is himself Navajo. Oh Dear Oh My tend toward dark & dancy but can’t seem to commit to a single rock genre.]

12. Meshell Ndegeocello – “Waterfalls”
from: Ventriloquism / Naive / March 16, 2018
[Singer-songwriter, rapper, bassist, and vocalist. Her music incorporates a wide variety of influences, including funk, soul, jazz, hip hop, reggae and rock. She has received significant critical acclaim throughout her career, and has had ten career Grammy Award nominations. She has been credited for having “sparked the neo-soul movement.”Ventriloquism is the 12th studio album from Meshell Ndegeocello. The album covers eleven R&B and pop tracks originally recorded in the 1980s and 1990s. A portion of the profits of the album will go to the ACLU. Tis album follows “Comet, Come to Me”, her 11th studio album. “Waterfalls” is a song by American recording group TLC. It was written by band member Lisa “Left Eye” Lopes with Marqueze Etheridge and Organized Noize for TLC’s second album, CrazySexyCool (1994), featuring production by the latter. The song was released as the third single from the album on May 29, 1995 in the United States, followed by a United Kingdom release on August 5, 1995. Often considered the group’s signature song, “Waterfalls” was an international hit, topping the charts in many different territories. The song spent seven weeks at No. 1 on the Billboard Hot 100, giving the group their second US No. 1. The song was the No. 2 song of the year on the Billboard 1995 year-end chart. “Waterfalls” also peaked at No. 1 in New Zealand, Switzerland, and Germany, while reaching the top 10 in many other countries. “Waterfalls” received critical acclaim, earning 2 Grammy nominations at the 38th Annual Grammy Awards in 1996 for Record of the Year and Best Pop Performance by a Duo or Group with Vocal. The song tackled issues of the illegal drug trade, promiscuity and HIV/AIDS. Jarett E. Nolan of BMG noted that “Waterfalls” was the first #1 song ever to reference AIDS in one of its verses. The accompanying music video for the song reflected its socially conscious lyrics. With a million-dollar budget, the video was an MTV staple credited for giving the single much of its success. It stayed atop the MTV Video Monitor chart for over a month, making TLC the first act to ever achieve this feat. The video won 4 MTV Video Music Awards in 1995, including top honors for Video of the Year. TLC was the first African-American act to ever receive the trophy.]

[TLC plays Ameristar Casino, Saturday, November 17, at 8:30 PM]

11:00 – Station ID

13. Sauce – “Apologize”
from: Soul Food 4 / Sauce / November 21, 2018
[Kansas City based Hip-Hop artist Sauce is back with his 4th original release. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts. More info at: http://www.soundcloud.com/theycallmesauce%5D

[Sauce plays the Stockyard Sounds Concert Series with LUCUS, Monday, November 19, at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee, KCMO in the West Bottoms.]

[Sauce plays the SoulFood4 Release Show, A Concert to Celebrate Black Men, Health, Family and Purpose on Wed, Nov 21, at 6:00 PM at Ruby Jean’s Kitchen & Juicery, 3000 Troost Ave., KCMO.]

Royce “Sauce” Handy

11:04 – Interview with Royce “Sauce” Handy

Royce “Sauce” Handy is a rapper, a songwriter, a beat maker, a designer, a teacher, an MC, a business owner, a social media manager, a husband, a father., a community organizer. He has worked with the AdHoc Group Against Crime, Teens in Transition, Storytellers Inc., Arts Tech, Mid-America Regional Council, UMKC, Representative Brandon Ellington, Mayor Sly James. He is co-owner of The Rap Asylum, We are RAP, and owner of Melanin Connoisseur. Sauce has collaborated with visual artists, the hip hop community and with the collective NUBLVCKCITY. Last year Sauce released his EP Summer Sauce which was part of WMM’s 117 Best Recordings of 2017. Throughout November and December he will be touring midwestern and southern cities with Mae C., Kartez Marcel, VP3, and Kadesh Flow. Sauce joins us to share new music and information about the Stockyard Sounds Concert Series with LUCUS, Monday, November 19, at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee, KCMO in the West Bottoms. Sauce is on the verge of sending out his newest release Soul Food 4, with a special SoulFood4 Release show – A Concert to Celebrate Black Men, Health, Family and Purpose on Wednesday, November 21, at 6:00 PM at Ruby Jean’s Kitchen & Juicery, 3000 Troost Ave., KCMO.

Royce “Sauce” Handy, Thanks for being with us on WMM

Royce “Sauce” Handy grew up in Kansas City, Kansas. His father ran a small business Quindaro Boulevard. His mother grounded her son when he got into trouble. While being grounded he spent the days reading books. He had a large collection of Goosebumps books. He wrote, too, finding his way with words and language and rhthym. In 5th grade at Fairfax Elementary school he became known as a human jukebox. He memorized songs from Master P, Naz, Biggie and others that he heard on the radio.

He told Pitchweekly: “I think that kind of helped when I first heard hip-hop,” he says. “I was always into the lyrics.”

From Pitch KC: “By the time he attended Wyandotte High School, he and his friends would pound out beats on lunchroom tables and battle whenever they could. Everyone in the group had a rap name except Handy. At the time, the And1 Mixtape Tour filled ESPN airwaves with cartoon crossovers and impossible dunks; the king of the dribble back then was a scrawny kid named Philip Champion — Hot Sauce. Handy considered himself the king of his crew, so he cribbed the name. People called him Sauce.”

He got married at 22, and becoming a father transformed his perspective

In 2012 one of his best friends was injured seriously in a drive-by shooting. Multiple bullets struck the chest of Handy’s friend, who was hospitalized and fell into a coma for months.

When Handy returned to the recording studio he wanted his music to carry a message about the tragedy of his friend. His “Stop the violence,” music became a bridge for his involvement with began working with the AdHoc Group Against Crime, KC Mothers in Charge and other anti-violence groups around the city.

Handy’s track “Gunshots” was released in 2013 and spoke out against hip hop’s obsession with guns and violence. Handy performed his music in Boys & Girls Clubs, and after school programs and churches throughout the metro. “Gunshots” was played on Hot 103 Jamz and became a hit for Sauce.

Handy’s choice to use hip hop music to promote positive themes, and the celebration of women and men in our community started to grow from this experience and has formed Handy’s music in his last three professionally produced EPs, and continues into his new upcoming 4th EP Soul Food 4.

11:15

14. Sauce – “Cultivating Manhood feat. Ryan S. Harvey”
from: Soul Food 4 / Sauce / November 21, 2018
[Kansas City based Hip-Hop artist Sauce is back with his 4th original release. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts. More info at: http://www.soundcloud.com/theycallmesauce%5D

11:17 – Interview with Royce “Sauce” Handy

Royce “Sauce’ Handy on the November 14, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Royce “Sauce” Handy joins us to share new music and information about several shows he plays in the next week. Sauce plays the Stockyard Sounds Concert Series with LUCUS, Monday, November 19, at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee, KCMO in the West Bottoms. Sauce plays the SoulFood4 Release Show, A Concert to Celebrate Black Men, Health, Family and Purpose on Wednesday, November 21, at 6:00 PM at Ruby Jean’s Kitchen & Juicery, 3000 Troost Ave., KCMO.

Royce “Sauce” Handy, Thanks for being with us on WMM

Royce “Sauce” Handy and his musical partner, rapper and producer Kartez Marcel have worked with young people through the Teens in Transition program at ArtsTech. Michael Toombs, the director of Storytellers Inc, who coordinates the program told Pitchweekly, “He really added another dimension.”

NUBLVCKCITY is a group Hip Hop artists who collaborate as a collective musical entity. The group includes Sauce, Mae C., Kartez Marcel, and others.

Royce “Sauce” Handy is a Hip-Hop entrepreneur, creative, urban leader, and more. He has worked as an Air Quality/Public Affairs Intern at Mid-America Regional Council. He serves as Social Media Manager at Big Mommas Bakery-Cafe. Handy is Co-Owner/Talent Buyer at The Rap Asylum and Co-owner/Teacher at We Are RAP. He is owner/Designer at Melanin Connoisseur

Providing soulful & empowering tunes, Kansas City native, Sauce, guarantees a live performance that will inspire any & everyone. On top of being a go-to voice for the region, and having music that has peaked on iTunes, Amazon, and Billboard charts, he works with youth through Hip-Hop based initiatives. He is available for performing, speaking, teaching (Hip-Hop education), and more.

Royce “Sauce” Handy, Thanks for being with us on WMM

Sauce plays the Stockyard Sounds Concert Series with LUCUS, Monday, November 19, at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee, KCMO in the West Bottoms.

Sauce plays the SoulFood4 Release Show, A Concert to Celebrate Black Men, Health, Family and Purpose on Wednesday, November 21, at 6:00 PM at Ruby Jean’s Kitchen & Juicery, 3000 Troost Ave., KCMO.

11:25

15. Sauce – “Black Power Ranger”
from: Summer Sauce / Sauce / July 28, 2017
[3rd original release from Kansas City based Hip-Hop artist Sauce. It features Kendrick Lamar and Tech N9NE collaborator, Gee Watts, along with producer/rapper Duncan Burnett. Duncan Burnett produced all the songs except Childhood Crush, produced by M. Fasol. This concept EP sets the tone of love and greatness via future soul, live instruments, and summer vibes. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts.]

11:28 – Underwriting

16. Rachel Cion – “One More Time 35mm”
from: One More Time 35mm – Single / Rachel Cion / November 9, 2018
[Rachel Cion is Rachel Cionitti an Olathe, Kansas based singer-songwriter who has posted multiple songs on her SoundCloud page.]

[Rachel Cion plays Manor Records for MOCSA, on Friday, November 16, at 5:00 PM, at Blip Roasters, 1101 Mulberry, KCMO in The Bottoms with Chloe Jacobsen, and Mason Blaize.]

11:33 – Interview with Shaun Crowley and Mason Blaize

Royce “Sauce” Handy, Shaun Crowley, and Mason Blaize on the November 14, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

We first met Shaun Crowley in the band Rev Gusto. He is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is part of the band Momma’s Boy and is a co-founder of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. Shaun is also organizing the live music at Voltaire, 1617 Genessee, in the West Bottoms.

Kansas City based singer songwriter Mason Blaize who is a classically trained vocalist who has performed with The Lyric Opera of Kansas City. Mason plays piano, bass, ukulele and has played guitar snce she was 8 years old. Mason has gain fans through her shows at The Rino, Ollie’s Local and Californos. Mason Blaize will play live in our 90.1 FM Studios.

Shaun Crowley & Mason Blaize join us to share details about Manor Records for MOCSA, on Friday, November 16, at 5:00 PM, at Blip Roasters, 1101 Mulberry, KCMO in The Bottoms. This is a benefit for the Metropolitan Organization to Counter Sexual Assault. MOCSA’s mission is to improve lives of those impacted by sexual abuse and assault and prevent sexual violence in our community. The show features musical sets from three of KC’s upcoming singer songwriters: Chloe Jacobsen, Rachel Cion, and Mason Blaize.
Shaun Crowley and Rachel Mallin thanks for being with us on WMM.

Shaun Crowley & Mason Blaize thanks for being with us on WMM.

Manor Records for MOCSA, on Friday, November 16, at 5:00 PM,
Blip Roasters, 1101 Mulberry, KCMO in The Bottoms.

This is a benefit for the Metropolitan Organization to Counter Sexual Assault. MOCSA’s mission is to improve lives of those impacted by sexual abuse and assault and prevent sexual violence in our community. More info at: http://www.mocsa.org.

The show features musical sets from three of KC’s upcoming singer songwriters: Chloe Jacobsen, Rachel Cion, and Mason Blaize.

11:42

Mason Blaize

17. Mason Blaize – “Time” (LIVE)

[Mason Blaize plays Manor Records for MOCSA, on Friday, November 16, at 5:00 PM, at Blip Roasters, 1101 Mulberry, KCMO in The Bottoms with Rachel Cion, and Chloe Jacbson.]

We’re talking with Shaun Crowley & Mason Blaize about Manor Records for MOCSA, on Friday, November 16, at 5:00 PM, at Blip Roasters, 1101 Mulberry, KCMO in The Bottoms. The show features musical sets from three of KC’s upcoming singer songwriters: Chloe Jacobsen, Rachel Cion, and Mason Blaize.

This is a benefit for the Metropolitan Organization to Counter Sexual Assault. MOSCA’s mission is to improve lives of those impacted by sexual abuse and assault and prevent sexual violence in our community.

Momma’s Boy opens for BRONCHO atThe Riot Room, 4048 Broadway, on Saturday, November 17, at 8:00 PM with Valen.

Shaun Crowley and Mason Blaize thanks for being with us on WMM.

11:54

18. Chloe Jacobson – “True Blue”
from: Frozen Fruit / Chloe Jacobson / to be released soon
[Kansas City, Missouri based singer songwriter. Her soulful, bluesy vocals are colored with the pop cadence of aughts-era emo. Her first album release, titled “Frozen Fruit” is expected to drop in late 2018 or early 2019 following with a midwest tour soon to be announced. More info at: http://www.chloejacobson.online]

[Chloe Jacobson plays Manor Records for MOCSA, on Friday, November 16, at 5:00 PM, at Blip Roasters, 1101 Mulberry, KCMO in The Bottoms with Rachel Cion, and Mason Blaize.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday November 21, Tim Finn – Music writer for IN Kansas City, Marion Merritt – owner of Records With Merritt, Chris Haghirian – from Ink and KC Star and host of Eight One Sixty on 90.9 The Bridge, and Fally Afani – founder of I Heart Local Music who all join us to share their favorite releases of 2018.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #760

WMM Playlist from July 18, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 18, 2018

Tim Finn + Howard Iceberg & Pranav Nanda & Mom’s Demand Action
+ Cheryl Kimmi & Kansas City Fringe Festival 2018

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Courtney Barnett – “Nameless, Faceless”
from: Tell Me How You Really Feel / Mom+Pop / May 18, 2018
[Lead single from Tell Me How You Really Feel is the second studio album by Australian singer-songwriter Courtney Barnett. It was released on 18 May 2018 by Barnett’s Milk! Records, Mom + Pop Music, and Marathon Artists. The album was recorded in Melbourne with producer Burke Reid, who also worked on Barnett’s previous solo album, Sometimes I Sit and Think, and Sometimes I Just Sit. Barnett was joined on the album by her live rhythm section of Bones Sloane (bass, backing vocals) and Dave Mudie (drums, backing vocals), as well as guitarist Dan Luscombe of The Drones. The album also features guest appearances from the Deal sisters, Kim and Kelley. In 2012 Barnett started her own label, Milk! Records, and released her first EP I’ve Got A Friend Called Emily Ferris to glowing reviews around Australia. From 2011 – 2013 Barnett was a member of Australian psych/country band Immigrant Union, a musical project founded by Brent DeBoer of The Dandy Warhols and Bob Harrow. Along with sharing vocal duties Barnett predominantly played slide guitar and features on their second studio album ‘Anyway’. DeBoer also played drums on her first EP ‘I’ve Got A Friend Called Emily Ferris’. Barnett received international critical acclaim in 2013 with her second EP How To Carve A Carrot Into A Rose. Barnett combined the 2 releases into The Double EP: A Sea of Split Peas.]

[Courtney Barnett plays The Truman, 601 E. Truman Road, KCMO, TONIGHT, July 18, at 8:00 pm.]

3. Vacationer – “Being Here”
from: Mindset / Downtown Records / June 22, 2018
[The third full-length from Vacationer, Mindset is built on delicate melodies and crystalline rhythms that seem to alter the very texture of the world around you. Ornately composed but breezy in energy, Vacationer’s warm-hearted dream-pop perfectly mirrors frontman Ken Vasoli’s intentions in making the album. “The objective was to write songs that remind me how my brain needs to operate for my own wellbeing and happiness,” Vasoli says. “That’s where the title comes from—the record’s filled with all these reminders that put me in a good mindset for the day.” Despite its often-euphoric effect, Mindset began in frustration for Vasoli. After countless false starts on the follow-up to 2014’s Relief, the Philadelphia-based musician decided to completely upend his creative approach. While Vacationer’s previous albums came to life in close collaboration with fellow members Matthew Young and Grant Wheeler, Vasoli shifted his focus from songwriting to production and worked entirely on his own for months on end. During that time, he immersed himself in exploring the nuances of Ableton and analyzing the construction of beloved albums by artists like the Beach Boys, Barry White, and Curtis Mayfield.]

[Vacationer plays recordbar, 1520 Grand, KCMO, Sunday, July 22, at 7:00 pm with guests Sego.]

4. Payge Turner – “But For Now”
from: Acoustic Vibes – Single / Middleman / February 25, 2018
[3rd Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays The Rino’s 1st Anniversary, Saturday, July 21, at 8:00 pm, with The UKs, Late Nite Cavalry. The Rino is located at 314 Armour Rd, North Kansas City.]

[Payge Turner plays Voltaire, Tuesday, July 24, at 9:00 pm, with Rhe Black Creatures.]

5. Miles Bonny – “It’s Your World”
from: It’s Your World / INnatesounds / April 21, 2018
[“It’s Your World” with lyrics & music by Brian Jackson is the title track of the double album by soul artist Gil Scott-Heron and Brian Jackson, released in November 1976 on Arista Records. Recording sessions for the album took place in studio and live in July 1976 at St. Paul’s Mall in Boston, Massachusetts, Electric Lady Studios in New York City, and American Star Studios in Merrifield, Virginia. Scott-Heron and Jackson recorded the album with the former’s backing ensemble, The Midnight Band. It’s Your World was originally released on vinyl. Already a fan of Gil Scott and Brian Jackson, Miles was asked to learn “It’s your world” so he may cover it live at a Gil Scott-Heron tribute party in Cologne, Germany. The party never happened, but the song’s lyrics deeply impacted Miles. Upon moving to New Mexico shortly after, Miles recorded the lead vocal live alongside the cajon played by fellow explorer and off-grider Trance Conductor. The additional vocals, horns, percussion, and piano were recorded elsewhere in the neighborhood at Miles’ Mud Cabin Studio. Bass was layed by friend and fellow INnatesounds representative Dominique Sanders in Kansas City. Mixed and mastered by Miles Bonny in Northern New Mexico. Miles Bonny on vocals, horns, piano, claps; Sam Burke-Favaro (inductions.bandcamp.com) on cajon, triangle, claps; Dominique Sanders (dominiquesanders.bandcamp.com) on bass. Mixing and Mastering – Miles Bonny. Everything recorded off grid with solar power in Northern New Mexico with the exception of bass recorded in KCMO. Miles writes “I want this to be out and make you feel good. It’s been in my vault for a lil while. I love the vibes, hope you do too. peace.” http://www.milesbonny.com]

[Miles Bonny plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, & Brandon Draper on Fri, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

[Miles Bonny plays Melovated with the Innate Sounds Crew featuring: Eddie Moore, Dominique Sanders, Miles Bonny, Leonard Dstroy, Abnorm, Kemet The Phantom, Kadesh Flow, Saturday, July 21, at 9:00pm, at The 10 spot, 1000 Broadway Blvd.. Kansas City, MO, US]

6. Brandon Draper – “Calm Inward Drive”
from: Meditation Music Vol. 1 / Brandon Draper / April 20, 2018
[Brandon Draper on tabla, metal tongue drums, Cooperman frame drums. Produced by Looking Up Productions Inc. Recorded Live at Tone Dimension Studio. Engineered by Bryan Nicholas. Mixed and Mastered Bryan Nicholas.]

[Brandon Draper plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, Miles Bonny on Friday, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

7. Benjamin Clementine – “Jupiter”
from: I Tell A Fly / Virgin Records / October 2, 2017
[English artist, poet, vocalist, composer, and musician, Benjamin Sainte-Clémentine was born December 7, 1988, n London, England,. Clementine later moved to Paris, France becoming homeless as a teenager. There, his performances helped him to become a cult figure in the music and art scene. Moving back to London, he made his TV debut on the BBC programme Later With Jools Holland in 2013. A number of critics described him as becoming one of the great singer-songwriters of his generation and the future sound of London, whilst struggling to place his music in any one genre. Considered by The New York Times as one of the 28 geniuses who defined culture in 2016, Clementine’s compositions are musically incisive and attuned to the issues of life but also poetic, mixing revolt with love and melancholy, sophisticated lyricism with slang and shouts, and rhyming verse with prose monologues. He moved to popular art music, breaking free from traditional song structure, inventing his own dramatic and innovative musical territory. He is noticeably seen topless and barefoot onstage, dressed entirely in black or dark grey, with a long, wool trench coat. Clementine debut album At Least for Now won the 2015 Mercury Prize but fared better across mainland Europe. At the end of 2015, Clementine was included in The Guardian’s New Year’s honours list to celebrate heroes of 2015. Debrett’s and the London Evening Standard named him one of the most influential people in Britain. ]

[Benjamin Clementine opened for David Byrne at Kauffman Center for the Performing Arts, June 7.]

Playing Chris Hazelton’s Boogaloo 7 on vinyl on the KKFI 90.1 FM Studios on Wednesday MidDay Medley.

8. Chris Hazelton’s Boogaloo 7 – “Turnin’ Up the Burner” (Vinyl)
from: The Basement Beat / Sunflower Soul / July 20, 2018
[Hammond organist Chris Hazelton and his large-group Boogaloo 7 pay homage to greats such as Lonnie Smith, Jimmy McGriff, Grant Green, and Lou Donaldson with their groove-centered brand of jazz, all the while pushing the genre forward with exciting new and original music. More information at: http://www.chrishazelton.com. Chris Hazelton on Hammond B-3 organ; Nick Howell on trumpet & tamborine; Nick Rowland on alto & tenor sax (tracks 1, 2, & 4); Zak Pischnotte on alto & tenor sax (tracks 3, 5, & 6); Brett Jackson on baritone sax; Matt Hopper on guitar; Danny Rojas on drums; and Pat Conway on congas (tracks 1-4, 6), bongos & cowbell (Track 5); Juan-Carlos Chaurand on congas (Track 5); John Kizilarmut on timbales & güiro (Track 5). Recorded live to 8-track analog tape, mixed, and produced by Chris Hazelton at the FORTRESS OF SOULITUDE. Mastered by Adam Boose at Cauliflower Audio. Pressed by Gotta Groove Records. Chris Hazelton’s Boogaloo 7 will be releasing a single 7″ called “100 Days, 100 Nights” also on July 20, but released on Lugnut Records as part of a tribute to Sharon Jones and The Dap Kings.]

[Chris Hazelton’s Boogaloo 7 play a Record Release Show for The Basement Beat, Sunday, July 22, at 8:00 pm, at Black Dolphin, 1813 Grand Boulevard.]

10:30 – Interview with Cheryl Kimmi

Nico Gray and Cheryl Kimmi on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Cheryl Kimmi, is Executive Producer of KC Creates, and the founder of the Kansas City Fringe Festival. She joins us on WMM to share details about the 14 Annual KC Fringe Festival, starting tomorrow, July 19 running through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. The 14 Annual KC Fringe Fest features 76 different producers, over 650 participating artists, galleries showcasing 35 visual artists, with more than 400 opportunities to find Fringe this year. For info: http://www.KCFringe.org

Cheryl Kimmi, thanks for being with us on Wednesday MidDay Medley

Congratulations on 14 years.

Fringe Festival KC is committed to accepting artists without jury or censorship. We accept artists on a first come, first serve basis. Our five mile footprint spans through the cultural corridors of KC from River North to Old Westport. We feature visual, film, and performing artists in venues ranging in size from small to large.

KC Fringe festival opens with a large Opening Night Party where artists preview their shows in rapid-fire succession and our fringe loyalists mark their programs for the can’t-miss shows. Throughout the festival, you can count on Late Night on the Fringe events to meet, connect, and engage with participating artists and excited audiences. We culminate the festival with a celebratory Closing Night Party. We eat, we dance, we celebrate the wonderful success of our Fringe participants.

All audience members must have a button to access shows and galleries. The button is a one time, five-dollar purchase that allows Fringe Festival KC to adequately pay our artists and venue owners from ticket revenue.

Over 100 Local, Regional, and International Performing Artists throughout a 5-mile footprint of Kansas Cit’s cultural cooridors. Music-dance-theatre- music-dance- visual arts – Touth & Teen Fringe – There’s is something for everyone! THERE’S SOMETHING FOR EVERYONE! SUPPORT THE ARTS AND BUY TICKETS AT KCFRINGE.ORG

Showcases local, national and international artists in a diverse melting pot of performing and visual arts. All are welcome; whether you’re a first-timer or a veteran Fringer!

The KC Fringe stage is for the diversity, innovation & creativity that can be found through out our community. An example of how the arts bring people from all walks of life together, inspiring participants & attendees to embrace creativity and dare to be different.

The KC Fringe has something for everyone.
The youngest members of your family can find their Fringe during our opening weekend.

Youth Fringe program takes place at The Plaza Library, and teens will produce and perform with KC Fringe at Kansas City Young Audiences and access workshops at The Nelson Atkins Museum.

KC Fringe Staff:

Cheryl Kimmi – Executive Producer
Tiffany Chappell – Director of Operations
Skip Gordon – Technical Director
Ashley Dover – Assistant Technical Director
Barbara Dooley Editor-Review Team
Sandy Woodson – Teen Coordinator
Sheri Hall – Youth Coordinator
Sarah Slaughter – Visual Arts Coordinator
Bryan Colley – Program Design and Technology Guru
Trenna Keltner – 411 Manager
Natalie Leslie – Fringe Intern
Katie Sheiferecke – Fringe Intern

The 14 Annual KC Fringe Festival, starts tomorrow, July 19 and runs through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. For more information you can visit: http://www.KCFringe.org

10:44 – Underwriting

9. The Fey – “Contender” (Radio Edit)
from: Strawberry Lemonade EP / The Record Machine / July 13, 2018
[The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, “Don’t let The Fey’s new EP title Strawberry Lemonade fool you; this record is no light beach drink. Rather, it’s a cocktail of the molotov variety, the kind you’ll want to toss into the middle of your ‘songs that rock’ summer playlist. From the opening salvos of ‘Contender’, to the slow burn of ‘Bones Underwater’, to the final soothing swells of ‘The Cool’, Strawberry Lemonade is a masterclass in modern songwriting, arrangement, instrumentation, and production.” Music arranged and composed by Zach Watkins. Lyrics written by Zach Watkins and Ishma Valenti. The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play The Record Machine’s – What’s Next KC, Friday, July 27, at 7:00 pm, at recordBar, 1520 Grand, with Y God Y, Instant Karma, and Pageant Boy.]

Playing Emmaline Twist on vinyl on Wednesday MidDay Medley on KKFI 90.1 FM.

10. Emmaline Twist – “Vega” (Vinyl)
from: “Vega” – Single b/w “Moon Eyes” / Eat.Hear.Records / July 16, 2018
[New 7″ vinyl release, and 2nd in a series from Eat.Hear.Records, a project of the folks at recordBar and Steve Tulipana. Emmaline Twist is KCs Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s digital single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded & Mixed by Lin Buck at Temple Sound, KCMO. Mastered by Duane Trower at Weights + Measures, KCMO. The band’s debut LP Dissimulation will be released on vinyl, August 24, 2018 on Black Site Records.]

[Emmaline Twist play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 7:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

[Emmaline Twist play a KC Album Release Show for “Dissimulation” on Black Site Records, Friday, August 24, at 9:00 pm, at recordBar, 1520 Grand with Ghost Bones and Sona]

[Emmaline Twist joins us on WMM on Aug. 22.]

11. Belle & The Vertigo Waves – “What You Wanted”
from: What You Wanted – Single / Drop Out Records / August 19, 2017
[Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. The band’s debut album “Aligned” was released October 6, 2017 and is available on iTunes and all streaming services. The band recently played Middle of the Map Fest.]

[Belle and The Vertigo Waves play recordbar, 1520 Grand Ave, Thursday, July 19, at 7:00 pm, with Tandem, and Faintheart.]

11:00 – Station ID

12. Patsy Cline – “Sweet Dreams”
from: The Patsy Cline Story / Decca / June 10, 1963
[Patsy Cline was born Virginia Patterson Hensley on September 8, 1932. She died in a plane crash on March 5, 1963. She was an American country music singer and part of the Nashville sound during the late 1950s and early 1960s. She successfully “crossed over” to pop music and was one of the most influential, successful, and acclaimed vocalists of the 20th century. She died at age 30 in the crash of a private airplane. Cline was known for her rich tone, emotionally expressive and bold contralto voice, and her role as a country music pioneer. She helped to pave the way for women as headline performers in the genre, along with Kitty Wells. She overcame poverty, a devastating automobile accident, and significant professional obstacles, and she has been cited as an inspiration by Reba McEntire, LeAnn Rimes, and other singers in diverse styles. Books, movies, documentaries, and stage plays document her life and career. Her hits began in 1957 with Donn Hecht’s and Alan Block’s “Walkin’ After Midnight,” Hank Cochran’s and Harlan Howard’s “I Fall to Pieces,” Hank Cochran’s “She’s Got You,” and Willie Nelson’s “Crazy,” and ended in 1963 with Don Gibson’s “Sweet Dreams.” Millions of her records have sold since her death. She won awards and accolades, causing many to view her as an icon at the level of Jim Reeves, Johnny Cash, and Elvis Presley. She became the first female solo artist inducted into the Country Music Hall of Fame in 1973, ten years after her death. In 1999, she was voted number 11 on VH1’s special The 100 Greatest Women in Rock and Roll. In 2002, she was voted Number One on Country Music Television’s The 40 Greatest Women of Country Music, and she was ranked 46th in the “100 Greatest Singers of All Time” issue of Rolling Stone magazine. Her 1973 Country Music Hall of Fame plaque reads: “Her heritage of timeless recordings is testimony to her artistic capacity.”]

[In early 1963, Patsy Cline was recording songs for her next album, Faded Love, which was set for release in late March, 1963. She recorded “Sweet Dreams” for the album on February 5. However, on March 5, Cline died in a plane crash on the way home from a benefit in Kansas City, Kansas for the family of Cactus Jack Call, a disc jockey who was killed in an automobile accident so, therefore, the album was never released. The songs were later compiled for the release Patsy Cline the Last Sessions in 1988. Instead, Decca Records issued a double album, entitled The Patsy Cline Story, in the summer of 1963.]

[In 1963, “Sweet Dreams” was released to the public and became a big Crossover hit, making it to #5 on the Country charts and to #44 on the pop music charts. It also peaked on the U.S. Adult Contemporary charts at #15. This song was followed by two other songs that were planned for release on Cline’s upcoming album: “Leavin’ on Your Mind” and “Faded Love”, which both became hits. It was said that Cline did not like the use of the violins that producer Owen Bradley was bringing into the song, because she feared she was becoming too “pop” for her Country audience (All references in this section are either from Patsy by Margaret Jones or Honky Tonk Angel by Ellis Nassour). But upon hearing the song after the playbacks the night she recorded it, she supposedly held a record up of her first record and “Sweet Dreams” and proclaimed “Well, here it is: The first and the last.” (Source: Loretta Lynn: Coal Miner’s Daughter (1976) This quote came from the video called Remembering Patsy, and was quoted by Jan Howard whose husband at the time was Harlan Howard. In 1985, the song became the title tune of a Patsy Cline biopic starring Jessica Lange as Cline. Cline’s hit version of “Sweet Dreams” was included on the film’s soundtrack, along with “Crazy,” “She’s Got You,” and many of her other songs.]

11:03 – Interview with Tim Finn

Timothy Finn

Local music writer Tim Finn is originally from Youngstown, New York. He studied at University of Missouri in Columbia and received his Masters of Arts, in Journalism from the University of Kansas. Tim served as Music Writer of the KC Star, where he worked for 29 years. You can hear Tim Finn Thursday afternoons between 4 and 6 on 90.9 The Bridge with Jon Hart.

Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. Tim Finn highlights concerts, shows, and encounters from our city’s music scene. From Patsy Cline’s final performance and the Beatles’ one and only local appearance to the three-day world premiere of The Jacksons Victory Tour. To RSVP visit: http://www.kclibrary.org

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

Since we last talked with Tim on the radio he has gone through several big life events.

Timothy Finn recently sold his house in Liberty, where he lived for 25 years.

Timothy Finn recently ended his time at The Kansas City Star, after 29 years.

Timothy Finn recently got married to Michelle Gaumé Finn.

Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, as part of the 2018 Adult Summer Reading Program Rock & Read. One of the concerts he will discuss is patsy Cline’s last performance of her career in Kansas City, Kansas.

Patsy Cline at Memorial Hall – March 3, 1963

We just heard Patsy Cline singing a song she record on February 5, 1963. Nearly one month later, on March 3, 1963, Cline performed a benefit at the Soldiers and Sailors Memorial Hall, Kansas City, Kansas, for the family of disc jockey “Cactus” Jack Call. He had died in an automobile crash a little over a month earlier. Call was a longtime DJ for KCKN, but had switched to KCMK a week before his death on January 25, 1963, at the age of 39. Also performing in the show were George Jones, George Riddle and The Jones Boys, Billy Walker, Dottie West, Wilma Lee and Stoney Cooper, George McCormick, the Clinch Mountain Boys as well as Cowboy Copas and Hawkshaw Hawkins.

Cline, ill with the flu, gave three performances, at 2 p.m. and 5:15 p.m., with an 8 p.m. show added due to popular demand. All the shows were standing-room only. For the 2 p.m. show, she wore a sky-blue tulle-laden dress; for the 5:15 show a red shocker; and for the closing show at 8 p.m., Cline wore white chiffon, closing the evening to a thunderous ovation. Her final song was the last she had recorded the previous month, “I’ll Sail My Ship Alone.”

Cline, who had spent the night at the Town House Motor Hotel, was unable to fly out the day after the concert because Fairfax Airport was fogged in. West asked Patsy to ride in the car with her and husband, Bill, back to Nashville, a 16-hour drive, but Cline refused, saying, “Don’t worry about me, Hoss. When it’s my time to go, it’s my time.” On March 5, she called her mother from the motel and checked out at 12:30 p.m., going the short distance to the airport and boarding a Piper PA-24 Comanche plane, aircraft registration number N-7000P. The plane stopped once in Missouri to refuel and subsequently landed at Dyersburg Municipal Airport in Dyersburg, Tennessee at 5 p.m.

Hughes was the pilot, but was not trained in instrument flying. Hawkins had accepted Billy Walker’s place after Walker left on a commercial flight to take care of a stricken family member. The Dyersburg, Tennessee, airfield manager suggested that they stay the night because of high winds and inclement weather, offering them free rooms and meals. But Hughes responded, “I’ve already come this far. We’ll be there before you know it.” The plane took off at 6:07 p.m. Hughes’ flight instructor, Elmo Merriwether, had also trained Jim Reeves, whose plane crashed the following year. Neither pilot was instrument-rated, and both attempted to navigate by visual flight rules (VFR), which proved impossible in the driving rain faced by both flights.

Cline’s flight crashed in heavy weather on the evening of March 5, 1963. Her recovered wristwatch had stopped at 6:20 p.m. The plane was found some 90 miles from its Nashville destination, in a forest outside Camden, Tennessee. Forensic examination concluded that everyone aboard had been killed instantly. Until the wreckage was discovered the following dawn and reported on the radio, friends and family had not given up hope. Endless calls tied up the local telephone exchanges to such a degree that other emergency calls had trouble getting through. The lights at the destination Cornelia Fort Airpark were kept on throughout the night, as reports of the missing plane were broadcast on radio and TV.

Early in the morning, Roger Miller and a friend went searching for survivors: “As fast as I could, I ran through the woods screaming their names–through the brush and the trees–and I came up over this little rise, oh, my God, there they were. It was ghastly. The plane had crashed nose down.” Shortly after the bodies were removed, looters scavenged the area. Some of the items which were recovered were eventually donated to The Country Music Hall of Fame. Among them were Cline’s wristwatch, Confederate flag cigarette lighter, studded belt and three pairs of gold lamé slippers. Cline’s fee and her attire from the last performance were never recovered.

Per her wishes, Cline’s body was brought home for her memorial service, which thousands attended. She was buried at Shenandoah Memorial Park in her hometown of Winchester, Virginia. Her grave is marked with a bronze plaque, which reads: “Virginia H. Dick (Patsy Cline) is noted under her name. ‘Death Cannot Kill What Never Dies: Love’.” With the help of Loretta Lynn and Dottie West, a bell tower was erected at the cemetery in her memory, which plays hymns daily at 6:00 p.m., the hour of her death. Another memorial marks the exact place off Fire Tower Road in Fatty Bottom, Tennessee, where the plane crashed in the still-remote forest.
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Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, at 6:30 pm, at 4801 Main Street, Kansas City.

Tim will have some tales to tell about Elvis, and James Brown, and Garth Brooks.

Tim mentioned that his favorite concerts were seeing Prince live. He mentioned the Musicology tour.

Tim talked about the numerous interviews with artists prior to their concerts. He talked about his interview with David Bowie before the 2004 show at Starlight Theatre.

11:11

13. Michael Jackson – “Wanna Be Startin’ Somethin'”
from: Thriller / Epic/ November 30, 1982
[6th studio album by American singer Michael Jackson, released on November 30, 1982, in the United States by Epic Records and internationally by CBS Records. It explores genres similar to Jackson’s previous album, Off the Wall, including pop, post-disco, rock and funk. Recording sessions took place from April to November 1982 at Westlake Recording Studios in Los Angeles, with a production budget of $750,000. Quincy Jones produced the album and Jackson wrote four of its nine songs. In just over a year, Thriller became—and currently remains—the world’s best-selling album, with estimated sales of 66 million copies. It is the best-selling album in the United States and as of 2017 is the only album to reach 30x multi-platinum, with U.S. shipments of 33 million album-equivalent units certified. The album won a record-breaking eight Grammy Awards in 1984, including Album of the Year. It produced seven singles—”The Girl Is Mine”, “Billie Jean”, “Beat It”, “Wanna Be Startin’ Somethin'”, “Human Nature”, “P.Y.T. (Pretty Young Thing)”, and “Thriller”—all of which reached the top 10 on the US Billboard Hot 100 chart. Thriller broke racial barriers in pop music, enabling Jackson’s appearances on MTV and meeting with President Ronald Reagan at the White House. The album was one of the first to use music videos as successful promotional tools, and the videos for the songs “Thriller”, “Billie Jean”, and “Beat It” all received regular rotation on MTV. In 2001, a special edition reissue was released, which contains additional audio interviews, demo recordings and the song “Someone in the Dark”, a Grammy-winning track from the E.T. the Extra-Terrestrial storybook. In 2008, Thriller was reissued again as Thriller 25, containing remixes with contemporary artists, previously unreleased songs, and a DVD with three music videos and Jackson’s performance of “Billie Jean” from the 1983 television special Motown 25. In the same year, the album was inducted into the Grammy Hall of Fame along with Off the Wall. In 2012, Slant Magazine named Thriller the best album of the 1980s”. In 2003, Rolling Stone placed the album at number 20 on their list of “The 500 Greatest Albums of All Time”. The album was listed by the National Association of Recording Merchandisers at number three on its “Definitive 200” album list. Thriller was also included in the Library of Congress’ National Recording Registry of culturally significant recordings, and the Thriller music video was included in the National Film Preservation Board’s National Film Registry of “culturally, historically, or aesthetically significant films”.]

Tim Finn former music writer for KC Star, Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, at the Kansas City Public Library, Plaza Branch. Tim Finn highlights concerts, including the three-day world premiere of The Jacksons Victory Tour.

The Jacksons at Arrowhead Stadium – July 6, 7, and 8, 1984

The Victory Tour traveled the United States and Canada with Michael Jackson and The Jacksons between July and December 1984. It was the only tour with all six Jackson brothers (even though Jackie was injured for most of the tour). The group performed 55 concerts to an audience of approximately 2 million. Most came to see Michael, whose album Thriller had been dominating the popular music world at the time. Many consider it to be his Thriller tour, with most of the songs on the set list coming off of his Off the Wall album and from the Thriller album. The tour reportedly grossed approximately $75 million (US $181,608,277.19 in 2018 dollars) and set a new record for the highest grossing tour. It showcased Michael’s single glove, black sequined jacket and moonwalk.

Despite its focus on Michael, it was named after the newly released Jacksons’ album Victory although none of the album’s songs were performed. Marlon confirmed[citation needed] this was because Michael refused to rehearse or perform them; in fact, he had only reluctantly joined his brothers, who needed the income while he himself did not. On the tour, tensions between Michael and his brothers increased to the point that he announced at the final show that it would be the last time they would perform together, ending plans for a European and Australian leg of the tour in the spring and summer of 1985.

The Jacksons did make money from the tour, along with promoter Don King. Michael donated his share to several charities as he had promised before it, but the rancor between Michael and his brothers had a deep and lasting effect on the Jacksons as a family, alienating him from them for most of his later life and it effectively ended the Jacksons as a performing group. They made one more album (2300 Jackson Street which was released in 1989) but aside from the concert celebrating Michael’s 30 years as a solo artist in 2001, they never toured again during Michael’s lifetime.

The tour was a financial disaster for promoter Chuck Sullivan, who along with his father Billy was eventually forced to sell the New England Patriots football team they owned, along with Foxboro Stadium, the team’s home field, as a result of the losses he incurred.

A bowl-shaped concrete structure. In the middle is an oval sign with “Arrowhead” written on it in red letters. Arrowhead Stadium, where the tour opened, as it appeared at the time
The tour sold what was then a record number of tickets despite the high price. The opening shows were widely covered in the national media and sold out. “Anybody who sees this show will be a better person for years to come”, King told the media before the first date in Kansas City. “Michael Jackson has transcended all earthly bounds. Every race, color and creed is waiting for this tour.”

The Jacksons and Don King had made money even though Sullivan had not, and near the end of the tour they began making plans for a European leg. When word reached Michael, he let them know through his representatives that he would not be taking part. At the rain-soaked tour finale in Los Angeles’ Dodger Stadium, after six sold-out shows, Michael announced at the end of the show, to his brothers’ shocked expressions, that this would be the last time they all performed together. The plans to go to Europe were ended.

The set list included songs from the Jackson’s albums Destiny and Triumph. Despite the name of the tour, the Victory album was not represented. There were also songs on the list from Jermaine’s and Michael’s solo careers. Songs from Michael’s albums Off the Wall and Thriller were both represented. The set list did not include “Thriller” itself because Michael did not like the way the song sounded live (it was later performed regularly during Michael’s solo tours).
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Tim Finn former music writer for KC Star, Tim joined us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch. Tim Finn discusses some of KC’s best and most significant music moments including the Beatles’ one and only local appearance.

The Beatles at Kansas City Municipal Stadium – September 17, 1964

The Beatles played for 31 minutes in Kansas City. The 20,280 tickets sold here tied Vancouver, British Columbia, for the second highest attendance for a single performance on the tour.

Charles O. Finley, owner of the Kansas City Athletics baseball team convinced The Beatles to add Kansas City to their tour, flying here on what was suppose to be their day off.

The Beatles spoke at a pre-concert news conference at the Hotel Muehlebach.

There were two Beatles visits to the U.S. in 1964. The first began with their famous Feb. 9 – “Ed Sullivan Show” appearance, watched by 73 million. They also played concerts in Washington, D.C., and New York, then did another Sullivan show from Miami Beach, Fla. By the time the third Sullivan bit, this one taped, ran Feb. 23, Thea Beatles were back in England. When The Beatles came back to the U.S. on Aug. 19 that year, their film “A Hard Day’s Night” had just been released theaters, and the title song went gold.

The 2nd tour was 33 days in 24 U.S. & Canadian cities.

The Kansas City Star reported that The Beatles “had not even left its first venue, San Francisco, before Charlie O. Finley contacted band manager Brian Epstein to see if a KC stop could be carved out of one of the eight off days. He offered $50,000. To put that in perspective, Frank Sinatra and Judy Garland were drawing $10,000 to $15,000 for a show, and a ’64 Beatles concert was running from $20,000 to $40,000.”

The band wasn’t excited about it. In “The Beatles Anthology, ” McCartney recalled: “Our days off were sacred. If you look at our 1964 timetable you can see why. I didn’t realise until recently that we used to have a whole year of work, and then get something like 23rd November off – and then have to judge a beauty competition that day. So, by the time we got to Kansas City, we probably needed a day off. I can’t actually remember falling out with Brian about him wanting us to work on a day off, we’d talk to each other rather than fall out.”

Then Finley wired Los Angeles, where the group played at the Hollywood Bowl, to double his bid. No, thanks, he was told again.

Charles O. Finley made a third offer: $150,000, at the time it was the all-time record cost for a single performance. In today’s dollars it would be $1.1 million.

The large photo in the Kansas City Times captured girls and boys excitedly waving their arms on the field, under a headline that continued the sense of a natural disaster averted: Police Hold Tide of Beatlemania.

The opening number was added as a concession to Finley: The Beatles’ version of “Kansas City/Hey-Hey-Hey.” It was included the next month when they cut their next album, “Beatles for Sale.” The Beatles played “Twist and Shout.”

The set list included: “You Can’t Do That”; “All My Loving”; “She Loves You, Yeah, Yeah! Yeah!”; “Things We Said Today”; “Roll Over Beethoven”; “Can’t Buy Me Love”; “If I Fell”; “I Wanna Hold Your Hand”; “Boys”; “A Hard Day’s Night” and “Long Tall Sally.”
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Tim Finn former music writer for KC Star, will soon be writing for a new Kansas City monthly periodical called “In Kansas City.” Tim Finn presents: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. To RSVP visit: http://www.kclibrary.org

You can hear Tim Finn Thursday afternoons between 4:00 and 6:00 pm on 90.9 The Bridge with Jon Hart.

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

11:27

14. The Beatles – “You Can’t Do That”
from: A Hard Days Night / Parlophone / July 10, 1964
[A Hard Day’s Night is the third studio album by the English rock band the Beatles, released on 10 July 1964, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. In contrast to their first two albums, all 13 tracks on A Hard Day’s Night were written by John Lennon and Paul McCartney showcasing the development of their songwriting talents. The album includes the title track, with its distinct opening chord, and the previously released “Can’t Buy Me Love”, both transatlantic number-one singles for the band. The title of the album was the accidental creation of drummer Ringo Starr. According to Lennon in a 1980 interview with Playboy magazine: “I was going home in the car and Dick Lester [director of the movie] suggested the title, ‘Hard Day’s Night’ from something Ringo had said. I had used it in In His Own Write, but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it not to be funny … just said it. So Dick Lester said, ‘We are going to use that title.’]

11:30 – Underwriting

15. The Hermanos Brothers – “All My Loving (The Beatles)”
from: The Hermanos Brothers – Covers / Howard Iceberg / March 20, 2018
[The Hermanos Brothers are Howard Iceberg on vocals, rhythm guitar, & harp; and Chad Brothers on lead guitar & harmony vocals. These songs, all covers, were recorded in one day, between the hours of 9:00 am to 5:00 pm. The songs were recorded and mixed and mastered by Phil Wade who added dobro, mandolin and guitar.]

11:33 – Interview with Howard Iceberg and Pranav Nanda.

Tim Finn, Howard iceberg, and Pranav Nanda on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard Iceberg. He is one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs. Ear;lier this year Howard released Netherlands his collaboration with Rich Hill and other area Jazz musicians.

Howard Iceberg, thanks for being with us on Wednesday MidDay Medley

Pranav Nanda is a 2017 Teach for America Corps Member, serving as a teacher and leader in Kansas City. In his first year at Teach For America, he taught Humanities at DeLaSalle Charter School, an alternative high school serving the Kansas City Urban Corps. This summer, Pranav has had the opportunity to work in the Kansas City’s Mayor’s office through the Urban Leaders Fellowship. Pranav is currently pursuing his Master’s in Education at the University of Missouri in St. Louis & plans on going to Law School after his Teach For America service. Prior to joining Teach For America, Pranav attending George Washington University in Washington DC, receiving a Bachelor’s in Art in International Affairs and minored in Sociocultural Anthropology. While attending GW, Pranav had the opportunity to intern in the White House in the Office of Presidential Correspondence, at the Department of Education in the Office of Post-Secondary Education, and in many leadership positions on campus.

Pranav Nanda thanks for being with us on Wednesday MidDay Medley

Howard Iceberg and Pranav Nanda are here to share information about the Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more info: http://www.momsdemandaction.org,

Moms Demand Action have chapters in many cities.

About Moms Demand Action For Gun Sense In America / media@momsdemandaction.org
Press Contact: Moms Demand Action For Gun Sense In America; E-mail:

ABOUT US

Like Mothers Against Drunk Driving, created to reduce drunk driving, Moms Demand Action for Gun Sense in America was created to demand action from legislators, state & federal; companies; & educational institutions to establish common-sense gun reforms.

WHO WE ARE

Moms Demand Action was founded by stay-at-home mom Shannon Watts on December 15, 2012, in response to the devastating shooting at Sandy Hook Elementary School. The organization quickly flourished into a leading force for gun violence prevention, with chapters in all 50 states and a powerful grassroots network of moms that has successfully effected change at the local, state and national level. In December 2013, Moms Demand Action partnered with Mayors Against Illegal Guns to unite a nationwide movement of millions of Americans working together to change the game and end the epidemic of gun violence that affects every community.

WHAT WE STAND FOR

Moms Demand Action supports the 2nd Amendment, but we believe common-sense solutions can help decrease the escalating epidemic of gun violence that kills too many of our children and loved ones every day. Whether the gun violence happens in urban Chicago, suburban Virginia, or rural Texas, we must act now on new and stronger gun laws and policies to protect our children.

Moms Demand Action envisions a country where all children and families are safe from gun violence. Our nonpartisan grassroots movement has grown to include a chapter in every state across the country. We are educating, motivating, and mobilizing supporters to take action that will result in stronger laws and policies to save lives.

We are facing a public health crisis: seven American children or teens are shot and killed every day.

For too long, the gun lobby has dominated the conversation about gun violence. American families are being destroyed and we have had enough; we will no longer stand by and let elected officials, corporate leaders and other influential voices turn their back on sensible gun laws and policies. We are organizing to apply pressure that will result in stronger, sensible gun laws and policies that will protect our children and families. The momentum is with us, and we are winning.

Shapiro Brothers

Chad Brothers is a Kansas City based singer-songwriter and guitarist who has played music for over 25 years. His dynamic approach to guitar sets him among the best this town has to offer. He’s actively involved in several projects around town including Old Sound, Shapiro Brothers, Supermassive Black Holes, The Butter Band, and he is Mikal Shapiro’s lead guitarist in her band The Musical. In addition, he and Howard Iceberg have now formed a duo called The Hermanos Brothers. Chad was born and raised in Winfield, KS, home of the Walnut Valley Festival and National Flatpicking Championships, and finds himself comfortably at home among a wide range of musical genres including bluegrass, folk, blues, country and rock.

Mikal Shapiro is a Kansas City songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the United States and has recorded five critically acclaimed albums. Kansas City Star critic Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union. Mikal Shapiro released her latest solo album, The Musical II, on May 26.

11:41

16. Shapiro Brothers – “The Other Night”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. All songs written by Mikal Shapiro, except “Almost Ready” was written by Mikal Shapiro and Chad Brothers. Shapiro Brothers played a special EP Release show, November 3, at The Brick, with Grady Keller from Old Sound and Spectator from St. Louis.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

11:44 – More Interview with Howard Iceberg and Pranav Nanda

Uptown Arts Bar and Greg Patterson hosts a night of action, awareness and stellar music as we raise funds to benefit Moms Demand Action for Gun Sense in America, featuring the music of Howard Iceberg and Shapiro Brothers!

More information at: http://www.howardicebergandthetitanics.bandcamp.com and
http://www.shapirobrothersmusic.com

The benefit is Wednesday, July 25. The 25th of every month is “Orange Day” declared by the UN: “The 25th of every month has been designated “Orange Day” by the United Nations Secretary-General’s Campaign UNiTE to End Violence Against Women, to raise awareness and take action to end violence against women and girls. As a bright and optimistic colour, orange represents a future free from violence against women and girls. Orange Day calls upon civil society, governments, and UN partners to mobilize people and highlight issues relevant to preventing and ending violence against women and girls, not only once a year on the International Day for the Elimination of Violence against Women (25 November), but every month.”

More information at: http://www.un.org/en/women/endviolence/orangeday.shtml

Howard Iceberg has been writing songs, recording and performing in the K.C. area for more than 40 years. His songs have been performed by many other local musicians through the years. He is looking forward to playing the Uptown Arts Bar in support of Mothers Demand Action for Gun Sense, and wishes to state that he is pro-mother and anti-gun.

More information at: http://www.oldsoundmusic.com and http://www.shapirobrothersmusic.com and http://www.facebook.com/thesupermassiveblackholes

Howard Iceberg, and Pranav Nanda, thanks for being with us on WMM

The Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more information: http://www.momsdemandaction.org,

11:57

17. Howard Iceberg & The Titanics – “The Times of Our Lives”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Bryan Hicks on electric bass, Doug Auwarter on drums, Marco Pascolini on baritone guitar , Chad Rex on guitar. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on July 25 Shy Boys join us LIVE in our 90.1 FM Studios to talk about their new release Bell House on Polyvinyl Record Co. to be released August 3, 2018. Also next week we welcome Keaton Conrad, and Heidi Lynne Gluck and Sid Sowder of Too Much Rock premieres the newest Too Much Rock 7″ single release right here on Wednesday MidDay Medley.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #743

Wednesday MidDay Medley