WMM Playlist May 20, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, May 20, 2020

New & MidCoastal Releases + SHINER
+ Anson The Ornery + Andrew R Morris

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s Adopted Theme Song]

2. Perfume Genius – “On The Floor (Edit)”
from: Set My Heart on Fire Immediately / Matador / May 15, 2020
[Second single from the fifth album from Perfume Genius, the stage name for Seattle-based solo artist Mike Hadreas who was born in Des Moines, Iowa, moving to the suburbs of Seattle, Washington at the age of 7.. Hadreas studied painting in school and took piano lessons as a child. His mother was a special education teacher, and is now an assistant principal at a middle school. His parents divorced when he was a teenager. Growing up, Hadreas was the only openly gay student at his school, and he received death threats which were not addressed by the administration. He dropped out of high school during his senior year. Two years after dropping out, he was attacked by several young men in his neighborhood. He moved to Williamsburg, Brooklyn and worked as a doorman for a club in the East Village. In 2005, Hadreas returned home to Seattle and began recording music. In 2008, Hadreas set up a MySpace page under the name Perfume Genius, and thus began his music career. Hadreas’s music explores topics including sexuality, his personal struggle with Crohn’s disease, domestic abuse, and the dangers faced by gay men in contemporary society. In an interview with Jia Tolentino, Mike Hadreas described the album as influenced by his work with choreographer Kate Wallich on a 2019 dance piece titled “The Sun Still Burns Here”. Hadreas composed numerous songs for the performance, with two singles, “Eye in the Wall” and “Pop Song” resulting, though neither was included on Set My Heart on Fire Immediately. Of the experience, Hadreas explained that the themes of embodiment in his prior music were complicated as dance felt “rebellious against [his] body.” He explained that dancing “blew up this separation between [his] work and the world,” resulting in changes to his songwriting, with songs now telling stories grounded in real-life settings and about real people. He cited Townes Van Zandt, Enya, and Cocteau Twins as influences on the new album]

3. Moses Sumney – “Cut Me”
from: grae / Jagjaguwar / September 22, 2017
[“Cut Me” was released as the fourth single on February 7, 2020. Sumney made his US television debut with a performance of “Cut Me” on The Late Show with Stephen Colbert on February 11, 2020. Græ (stylized in all lowercase) is a double album composed of Part 1 and Part 2. The first part was released digitally on February 21, 2020. The second part and the full album was released on May 15, 2020. Græ features a diverse arrangement of musical and technical contributions from Daniel Lopatin, Thundercat, James Blake, Taiye Selasi, John Congleton, Rob Moose, Ezra Miller, Michael Chabon, Adult Jazz, Matthew Otto, Ian Chang, FKJ, Nubya Garcia, Shahzad Ismaily, Jill Scott, Tom Gallo, Shabaka Hutchings, Tunde Jegede, Brandee Younger, Jamie Stewart, and Mac DeMarco. The album was preceded by the singles “Virile”, “Polly”, “Me in 20 Years”, “Cut Me”, and “Bless Me”.Second album and follow up to his debut studio full length album Aromanticism released September 22, 2017 from American singer-songwriter Moses Frimpong Sumney, born May 19, 1990 in San Bernardino, California to Ghanaian parents. He moved with his family back to Ghana at the age of 10. Sumney described his childhood as “Americanized” by this age and had difficulty adjusting to the culture of Ghana. He did not learn to play any instruments until he was older, writing a cappella music for years instead. Sumney did not perform his musical compositions publicly until he was 20. He attended the University of California, Los Angeles. He is based in Los Angeles, California. His self recorded debut EP, Mid-City Island, was released in 2014 and self recorded onto a 4-track recorder given to him by TV on the Radio’s Dave Sitek. The EP was described by Pitchfork as “primarily composed of first-takes and improvisation; the music is stirring but purposefully incomplete”. Sumney has performed as an opening act for Solange, Sufjan Stevens, and Erykah Badu. Sumney released another 5-song EP in 2016, titled Lamentations which featured a guest appearance from Thundercat.]

4. Samantha Fish – “Love Letters”
from: Kill or Be Kind / Rounder Records – Concord Music / September 20, 2019
[Samantha Fish, born January 30, 1989, is an American blues singer-songwriter and guitarist. Samantha Fish grew up in Kansas City, Missouri. Fish started out playing drums, but when she was 15 she switched to the guitar. Fish frequently went to the Knuckleheads Saloon to hear touring Blues artists. After turning 18, she often joined in with the singers and bands who were performing at Knuckleheads. In 2009, Fish recorded and produced Live Bait. The live album attracted the attention of a talent company, who recommended her to Ruf Records. Ruf Records put together a record with Fish and two other female blues artists, Cassie Taylor and Dani Wilde, titled Girls with Guitars. The three guitarists then toured on the Ruf Records 2011 Blues Caravan in the U.S. and Europe. Fish continued touring with the Samantha Fish Band, featuring “Go-Go Ray” Pollard on drums and Chris Alexander on bass, playing in Europe and the United States. In 2011, Fish recorded Runaway with the help of her mentor Mike Zito. The album won the 2012 Blues Music Award for Best New Artist. Fish appeared on Devon Allman’s 2013 album Turquoise in a duet covering the Tom Petty/Stevie Nicks’ song “Stop Draggin’ My Heart Around”. During the summer of 2013, Fish was called up on stage to play with a skeptical Buddy Guy who was so impressed with her playing on the guitar, he declared with a beaming smile to his audience, “When this kind of shit happens, I’ll play all night!” In 2013, Fish released her second major studio album, Black Wind Howlin’, featuring Mike Zito on guitar, Yonrico Scott on drums, Johnny Sansome on harmonica, and Paul Thorn, vocal duet on one track. The album was recorded in Dockside Studios, in Maurice, Louisiana. Mike Zito’s bandmates from his group Royal Southern Brotherhood, Yonrico Scott and Charlie Wooton, were brought in to assist in the session recordings. Also in 2013, Fish appeared on The Healers Live at Knuckleheads Saloon, producing a CD/DVD collaboration with Jimmy Hall, Reese Wynans, Kate Moss, and Danielle and Kris Schnebelen (sister and brother, formerly of the band Trampled Under Foot). Proceeds benefit the Blue Star Connection. The Healers occasionally perform together as their schedule permits. Fish’s third studio album, Wild Heart was released on July 10, 2015. The new album is more roots rock than her earlier blues rock. Fish wrote five songs on the record. She co-wrote five other songs with Jim McCormick in Nashville, Tennessee. Luther Dickinson produced the album, as well as played various stringed instruments (guitar, bass, mandolin, lap steel) to flesh out the sound. The album was recorded in four studios, Royal Studios and Ardent Studios in Memphis, Tennessee, Zebra Ranch in Coldwater, Mississippi, and Blade Studios in Shreveport, Louisiana. Other musicians on the record are Brady Blade (drums), Lightnin’ Malcolm (guitar), Shardé Thomas (drums), Dominic Davis (bass), Shontelle Norman-Beatty (background vocals), and Risse Norman (background vocals). Fish released her fourth solo album, Chills & Fever on March 17, 2017. The album was recorded in Detroit and was recorded with members of the band The Detroit Cobras. Bobby Harlow produced the album. Belle of the West followed in December 2017. Fish released her sixth solo album, Kill or Be Kind, on September 20, 2019, on her new label, Rounder Records. In December Samantha Fish is on a Holiday Tour promoting her new Christmas Album.]

[Samantha Fish plays live on American Routes tonight at 7:00 PM here on 90.1 FM KKFI.]

10:16

5. BLACKSTARKIDS – “Too Depresssed for Sex”
from: SURF / Bedroom Records / February 28, 2020
[Second album from, BlackStarKids, a pop/R&B/hip-hop group based in Kansas City, Missouri. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The group released its first album, Let’s Play Sports, in 2019.]

6. Thao & The Get Down Stay Down – “Nobody Dies”
from: Temple / Ribbon Music / May 15, 2020
[Temple is the fifth full-length album from Thao & The Get Down Stay Down. Produced by Thao and bandmate Adam Thompson, it is also their first self-produced album. Kaleidoscopic and danceable, grounded by Thao’s singular voice, Temple feels boldly dissonant while still highly accessible. A temple is a place of worship and sanctuary. We spend our lives searching for temples where we can belong and be loved, but those spaces can also be a kind of confinement. Temple is an album that pushes open boundaries for a different kind of sanctuary, where you don’t have to whisper. Temple is the follow up to their 4th studio album A Man Alive from 2016. Thao & The Get Down Stay Down are a San Francisco, California-based (formerly Falls Church, Virginia) alternative folk rock music group. The band consists of Thao Nguyen on vocals & guitar and Adam Thompson on vocals, bass guitar & keyboards.. Thao Nguyen was born in Virginia in 1984, and raised in Falls Church, Nguyen began playing guitar and writing songs at the age of twelve while helping out at her mother’s laundromat. She began performing in high school as part of a pop-country duo with friend Brenna Clerkin. She attended Thomas Jefferson High School for Science and Technology in Fairfax County and studied at the College of William & Mary, where she double majored in Sociology and Women’s studies. After recording an EP that differed from her initial style, she began performing as a soloist with her acoustic guitar. With her fellow college students Adam and Willis Thompson she formed Thao Nguyen and the Get Down Stay Down. After graduating she toured extensively, both with the band and as a solo artist. She moved to San Francisco around 2009, and has been based there since.] [We’ve been playing this band on the radio show since 2008!]

Krystle Warren

7. Krystle Warren & The Faculty – “Rising”
from: Rising – Single / Parlour Door Music / May 31, 2019
[This single was produced by co-founding member of The Faculty, bassist Solomon Dorsey. I was texting with Krystle over the weekend after the KC Bands Together weekend 6-hour streaming concert where Krystle shared three songs including a cover of Gerry Raferty’s “The Ark” from his 1978 album, City to City. Krystle was currently doing over dubs on “Rising” that will be included on the new Krystle Warren & The Faculty album called, “Extended Play.” Krystle told me that they had wanted to do album cover photos during a concert that was scheduled in Kansas City in March, but was cancelled due to COVID-19. Getting everyone together has not been possible. Krystle was hoping for a late 2020 release. Krystle Warren learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

[Krystle Warren played KC Bands Together – A Livestream Concert Saturday, May 16]

10:30 – Underwriting

8. Shiner – “Genuflect”
from: Schadenfreude / Two Black Eyes / May 8, 2020
[Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude.”The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7” single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times. -0=Shiner’s newest record, “Schadenfreude”, will be released May, 08, 2020. A single, “Life as a Mannequin” was released February 28, 2020.]

Jason Gerken of Shiner on the May 20, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:36 – Interview with Jason Gerken

SHINER is Allen Epley on guitar & lead vocals, Paul Malinowski on bass, Josh Newton on guitar, and Jason Gerken on drums.

Jason Gerken joined us on the phone to talk about the band SHINER and the new album, “Schadenfreude,” released on May 8, 2020. With Allen Epley on guitar & lead vocals, Josh Newton on guitar, Paul Malinowski on bass, and Jason on drums, Shiner is back with their first album of new material in 19 years. Formed in 1992, Shiner quickly found exposure, More info at: http://www.shiner.net

Jason Gerken Thanks for being with us on WMM

Jason Gerken (drums) Member: 1994 (studio) (In a Perfect World)
Bands: Molly McGuire, Kingdom of Snakes, Gunfighter

Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude” will be released May 08, 2020.

The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7″ single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times.

Shiner’s newest record, “Schadenfreude”, will be released May, 08, 2020. A single, “Life as a Mannequin” was released February 28, 2020.

The band also has the song “Third Gear Scratch” included on the soundtrack of the video game Saints Row 2.

After announcing that the band was breaking up, Shiner scheduled a final performance. The final show was held at The Madrid Theater in Kansas City on January 25, 2003. Houston, Dirtnap, and Elevator Division opened.

Final show
After announcing that the band was breaking up, Shiner scheduled a final performance. The final show was held at The Madrid Theater in Kansas City on January 25, 2003. Houston, Dirtnap, and Elevator Division opened.

Discography:
1996 Splay / DeSoto Records / January 1, 1996
1997 Lula Divinia / Hit It! Recordings / March 11, 1997
2000 Starless / Owned & Operated / April 18, 2000
2001 The Egg / DeSoto Records / October 23, 2001
2020 Schadenfreude / Two Black Eyes / May 8, 2020

Reunions (2012–present)
Nearly ten years after its final show, Shiner announced a quintet of reunion shows in the US to celebrate the reissue of The Egg on vinyl on August 7, 2012. The dates include stops in NYC, LA, Lawrence, Kansas and Chicago:

8.11 New York, NY – Gramercy
8.18 Los Angeles, CA – Echoplex
8.24 Lawrence, KS – The Granada
8.25 & 26 Chicago, IL – Bottom Lounge

In 2015, the band played a second series of reunion shows in conjunction with a vinyl reissue of Starless:

7.15 Austin, TX – Red 7
7.17 Kansas City, MO – Record Bar
7.18 Minneapolis, MN – Triple Rock
7.19 Chicago, IL – Empty Bottle

In 2016, they played a few shows:
1.14 Pittsburgh, PA – Club Cafe
1.15 New York, NY – St. Vitus
1.16 New York, NY – St. Vitus

2017 saw a similar short US tour in conjunction with the vinyl re-release of Lula Divinia.

2.22 Champaign, IL – Accord
2.24 Kansas City, MO – Record Bar
2.25 Chicago, IL – Thalia Hall
3.03 San Francisco, CA – Bottom Of The Hill
3.04 Los Angeles, CA – The Echo
3.05 San Diego, CA – The Casbah
9.08 Milwaukee, WI – Shank Hall
9.09 Chicago, IL – Wurst Fest

2018
9.21 Rock Island, IL – RIBCO
9.22 Kansas City, MO – Record bar
9.23 Chicago, IL – Empty Bottle

Members Current:
Allen Epley (guitar, vocals)
Paul Malinowski (bass, formerly of Season to Risk)
Josh Newton (guitar, formerly of Season to Risk)
Jason Gerken (drums, formerly of Molly McGuire)

Previous members:
Jeff Brown (drums)
Tim Dow (drums)
Joel Hamilton (guitar)
Shawn Sherrill (bass)
______________________________________________________

Schadenfreude (/ˈʃɑːdənfrɔɪdə/; German: [ˈʃaːdn̩ˌfʁɔʏ̯də] (About this soundlisten); lit. ‘harm-joy’) is the experience of pleasure, joy, or self-satisfaction that comes from learning of or witnessing the troubles, failures, or humiliation of another.

Schadenfreude is a complex emotion, where rather than feeling sympathy towards someone’s misfortune, schadenfreude evokes joyful feelings that take pleasure from watching someone fail. This emotion is displayed more in children than adults. However, adults also experience schadenfreude, though generally concealed.

Etymology – Schadenfreude is borrowed from German; it is a compound of Schaden, “damage, harm”, and Freude, “joy”. The German word was first mentioned in English texts in 1852 and 1867, and first used in English running text in 1895. In German, it was first attested in the 1740s.

The new SHINER album, “Schadenfreude,” was released May 8. Info at: http://www.shiner.net

10:48

9. Shiner – “Life as a Mannequin”
from: Schadenfreude / Two Black Eyes / May 8, 2020
[Shiner is an American post-hardcore band from Kansas City, Missouri that was active from 1992 to 2003. Since 2012 Shiner has been playing several shows a year. The band’s new record “Schadenfreude.”The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7” single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Josh Newton is the guitar/synth player/mastermind for Sie Lieben Maschinen with Jason Gerken on drums. Allen Epley is in The Life and Times. “Life as a Mannequin” was released February 28, 2020.]

10. The Sluts – “King Kong”
from: Enjoy The Show / The Sluts / May 7, 2020
[Second single from The Sluts upcoming 2020 release, Enjoy The Show and follow up to last year’s 6 song EP Break Their Heart. The Lawrence based band The Sluts were formed by Ryan Wise & Kristoffer Dover in 2011. Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios, KCMO. The Sluts released their debut EP Virile on November 14, 2013. The Sluts released The Loser EP on July 8, 2014. They released their 11-song full length album The Sluts on June 17, 2015. The Sluts released their EP Only One on May 25, 2017. Info at http://www.thesluts.bandcamp.com]

11. Berwanger – “Say To Me”
from: “Say To Me” B-Side Single to Watching A Garden Die / Berwanger / May 1, 2020
Josh Berwanger on vocals & guitars, Ricky Salthouse on backing vocals, Brian Klein on bass, Christian Jankowski on drums, and Carly Gwin on backing vocals. Watching A Garden Die was released June 28, 2019 on Wiretap Records. It was 4th full length album from Berwanger the band fronted by rock & roll singer songwriter Josh Berwanger. Josh Berwanger was in The Anniversary, a Kansas band that released, 2000’s Designing a Nervous Breakdown & 2002’s Your Majesty and sold over 100,000 records before breaking up on tour in Japan. The band recently reunited for new shows and a tour this year. Berwanger was also in the band, The Only Children, and released, 2004’s Change of Living & 2007’s Keeper of Youth. When Keeper of Touth ended Josh Berwanger took a break and became a high school basketball coach. In the 2012 Josh formed the Josh Berwanger band. Berwanger released Dtrange Stains in April 2014, the EP Demonios November 11, 2016, Exorcism Rock in October 2017, and The Star Invaders October 2017. Josh Berwanger also plays in the band Radar State.]

11:00 – Station ID

12. Anson The Ornery – “Drawing People I Don’t Really Like”
from: DJ Daniel The Cat / Anson The Ornery / May 6, 2020
[Daniel used small electronic toy synthesizers to accommodate the size of his paws to create his self titled album synth-pop DJ Daniel the Cat containing six upbeat dance songs with lyrics chronicling Daniel’s crippling social anxiety. After Daniel’s disappearance the DJ Daniel the Cat album was believed to be lost over. Over the last decade the notoriety of DJ Daniel the Cat has grown due to the popularity of the internet and the demand for the lost album was never greater when it was recently rediscovered.]

[Anson will be premiering DJ Daniel the Cat live on YouTube on Friday, May 22 at 7:00 PM with a special surprise at the end for longtime fans.]

Anson The Ornery on the May 20, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Anson The Ornery

Anson the Ornery, a multimedia artist who uses the latest technology to create conceptual artwork. He is currently working on The Great Tempest in a Bottle a website gallery that will exhibit a series of sculptures, paintings, short stories and songs inspired by internet culture. DJ Daniel the Cat is just one part of a larger work of art. Anson will be premiering DJ Daniel the Cat live on YouTube on Friday, May 22 at 7:00 PM with a special surprise at the end for longtime fans. More information at: http://www.ansontheornery.com

Anson The Ornery, Thanks for being with us on Wednesday MidDay Medley
Anson the Ornery,is currently working on The Great Tempest in a Bottle a website gallery that will exhibit a series of sculptures, paintings, short stories and songs inspired by internet culture.

DJ Daniel the Cat is just one part of a larger work of art. Anson will be premiering DJ Daniel the Cat live on Youtube May 22nd at 7:00 PM.

Anson The Ornery

Daniel used small electronic toy synthesizers to accommodate the size of his paws to create his self titled album synthpop DJ Daniel the Cat containing six upbeat dance songs with lyrics chronicling Daniel’s crippling social anxiety. After Daniel’s disappearance the DJ Daniel the Cat album was believed to be lost over. Over the last decade the notoriety of DJ Daniel the Cat has grown due to the popularity of the internet and the demand for the lost album was never greater when it was recently rediscovered.

For over a decade it was believed that the ground-breaking 2009 self-titled album DJ Daniel the Cat had been lost after the disappearance of Daniel the Cat in 2010. Recently Anson the Ornery, the producer and singer of DJ Daniel the Cat, rediscovered the album’s masters. The interest in DJ Daniel the Cat has only grown over the years despite the fact that few have ever heard the legendary album outside Daniel’s inner group of friends. That is soon to change, for Anson has announced that on May 22nd 2020 he will be live streaming DJ Daniel the Cat via Facebook and Youtube Live at 7 pm CST in its entirety along with his own personal commentary about the making of the album.

The breakout success of Piano Cat inspired Daniel to become a DJ himself but, due to bigotry in the music industry towards cats, Daniel was worried that his music would not be taken seriously. Anson then became the voice of DJ Daniel the Cat in order for the public to accept Daniel’s music. The two labored on the album for months only using small electronic toy synthesizers to accommodate the size of Daniel’s paws. The result was a masterful collection of six electronic dance music tracks with lyrics chronicling Daniel’s crippling social anxiety. After the news of Daniel’s disappearance Anson was disheartened and DJ Daniel the Cat was lost in the confusion. Over the last decade the notoriety of DJ Daniel the Cat has grown due to the popularity of the internet and the demand for the lost album has never been greater.

The world premiere of DJ Daniel the Cat will be on Facebook and Youtube live on Friday, May 22, 2020 at 7:00 pm CST. There has never been an album better suited for the internet and our current times. This one-time event is in loving memory of Daniel the Cat.

The release contains six tracks:

1. “The Call of the Void / L’appel du Vide”
2. “I’m Going to Turn My Bed Into a Car”
3. “I’m Going Out and Being Nice for Once”
4. “Give a Cat a Sunbeam”
5. “Drawing People I Don’t Really Like”
6. “I’m Antisocial and I’m Loving It”

Anson The Ornery, Thanks for being with us on Wednesday MidDay Medley

Anson will be premiering DJ Daniel the Cat live on YouTube on Friday, May 22 at 7:00 PM with a special surprise at the end for longtime fans. More information at: http://www.ansontheornery.com

11:15

13. Anson The Ornery – “I’m Antisocial and I’m Loving It”
from: DJ Daniel The Cat / Anson The Ornery / May 6, 2020
[Daniel used small electronic toy synthesizers to accommodate the size of his paws to create his self titled album synthpop DJ Daniel the Cat containing six upbeat dance songs with lyrics chronicling Daniel’s crippling social anxiety. After Daniel’s disappearance the DJ Daniel the Cat album was believed to be lost over. Over the last decade the notoriety of DJ Daniel the Cat has grown due to the popularity of the internet and the demand for the lost album was never greater when it was recently rediscovered.]

[Anson will be premiering DJ Daniel the Cat live on YouTube on Friday, May 22 at 7:00 PM with a special surprise at the end for longtime fans.]

14. Monta At Odds – “Two Lanes Two Paths”
from: Zen Diagram EP / Cosmic City / May 1, 2020
[Conceptual Kansas City art-rock combo Monta At Odds continue their experimentation in sound with an expanded line-up and a new EP, Zen Diagram. Led by Dedric Moore and fueled from 2020’s angst and uncertainty, the band adopts a darker, grittier direction that coincides with a post-punk indulgence. The result is an evocative four-song tableau, showcasing the veteran project’s drive to explore sonic territory as they lay down some mesmerizing jams. The title track opens the EP as a voyage into soundtrack dreams and sonic imagery. It’s a fully-packed production, featuring twin vocals from Mikal Shapiro and Teri Quinn, Krystof Nemeth of Emmaline Twist on epic baritone guitar, Lucas Behrens on Moog, and Delaney Moore on slide guitar. The song builds and builds over 10 minutes, introducing a bevy of interplaying elements and melodies. There’s a complexity that grooves. Monta At Odds embraces the grayer shades of these sessions with a faithful but otherworldly cover of “Movement of Fear,” the classic cut from Tones On Tail. Mikal leans into the vocals with gentle whispers as Lucas plucks the atmosphere. Meanwhile, Matthew Heinrich merges live drums with the programmed ones until he is one with the machines. The result is multi-textured and dubbed-out, exposing the bloodline of Monta’s aesthetic. “Two Lanes Two Paths” is frenetically powered by the jazzy drum drive of Alexander Thomas. Dedric’s relentless bassline, Delaney’s freeform synthesizer soloing, and Krystof’s expressive guitar tones conspire to form a congealed essence. It’s a spaced-out instrumental that could be from another time, floating defiantly into the present. Zen Diagram ends with “I Count The Steps To A New Sunrise.” The previous cut’s path takes us to a crest on a hill with a view of the damage below. The combo is locked-in, as skittering drums, cosmic synths, spacious noise guitars, and a pensive bass riff promise a way out. Dedric’s vocals are pure 2020, overcome with the zeitgeist of isolation and yearning to reach for something, anything. The diagram becomes a map, and this is how we find an escape.]

[Dedric Moore will be our guest next week on WMM]

14. Kawehi – “Mad World/Radioactive”
from: Kawehi Covers / Kawehi / January 3, 2019
[Hawaiian singer-songwriter, and one-woman band, known for her live looping sets that draw you in with her melody and lyrics. While based in Lawrence, Kansas, she gained national attention for her YouTube cover of Nirvana’s “Heart-Shaped Box” and gained a new fan in Courtney Love.]

[Kawehi played KC Bands Together – A Livestream Concert Saturday, May 16]

11:30 – Underwriting

16. Andrew R Morris – “One Fine, Sweet & Sunny Day”
from: One Fine, Sweet & Sunny Day / Andrew Morris / May 15, 2020
[This is a new electronic solo project by Andrew. “Here is a collection of tunes I worked up with electronic beats. I sent the rough beats over to Burke Sullivan in Fairmount, IN. He spiffed em up. Then we met up and recorded some in his studio and some at a church in Fairmount, Indiana. There is an accompanying radio drama to go along with the music. You’ll get an email with a link shortly after purchase. Huge thanks to Burke Sullivan for undertaking this project with me. I’m forever indebted to the tremendous amount of effort you put into this project. Big thanks to Julie Bates for encouraging me to make this project a reality and helping so much.” – Andrew. All songs written by Andrew Morris. Andrew Morris on vocals, guitar, mandolin, banjo, beats, bass; Burke Sullivan on drums, beats, bass, guitar; Julie Bates on violins. All tracks, except 1 & 11, recorded & mixed by Burke Sullivan. Tracks 1 & 11 recorded and mixed by Andrew Morris. Mastered by Johnny Kenepaske at Dead Horse Sound, Independence MO. Andrew plays a John Boyd Mandolin. Album art by Andrew Morris] [Andrew Morris is one half of The Matchsellers. a Folk-American duo who have released to EP and three full length albums. The Matchsellers is the unlikely result of a classically trained violinist from Kansas City, MO, (Julie Bates) and a Chicago blues guitarist from Warsaw, Indiana, (Andrew Morris) meeting in Leipzig, Germany, and forming a bluegrass duo.]

Andrew Morris on the May 20, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:35 – Interview with Andrew Morris

Kansas City based Chicago blues guitarist from Warsaw, Indiana, Andrew Morris joins us to share music and details about his new electronic solo project release, “One Fine, Sweet & Sunny Day” a 12-track album that came out May 15, 2020. Andrew Morris is one half of the critically acclaimed Bluegrass, Folk, Americana duo The Matchsellers with his wife, classically trained violinist Julie Bates. Andrew writes, “Here is a collection of tunes I worked up with electronic beats. I sent the rough beats over to Burke Sullivan in Fairmount, IN. He spiffed em up. Then we met up and recorded some in his studio and some at a church in Fairmount, Indiana.” More info at http://www.thematchsellers.com

Andrew Morris thanks for being with us on Wednesday MidDay Medley.
Andrew Morris is one half of The Matchsellers. a Folk-American duo who have released to EP and three full length albums. The Matchsellers is the unlikely result of a classically trained violinist from Kansas City, MO, (Julie Bates) and a Chicago blues guitarist from Warsaw, Indiana, (Andrew Morris) meeting in Leipzig, Germany, and forming a bluegrass duo.

One Fine, Sweet & Sunny Day is a new electronic solo project by Andrew Morris.

“Here is a collection of tunes I worked up with electronic beats. I sent the rough beats over to Burke Sullivan in Fairmount, IN. He spiffed em up. Then we met up and recorded some in his studio and some at a church in Fairmount, Indiana.

There is an accompanying radio drama to go along with the music.

Huge thanks to Burke Sullivan for undertaking this project with me. I’m forever indebted to the tremendous amount of effort you put into this project.

Big thanks to Julie Bates for encouraging me to make this project a reality and helping so much.” – Andrew. All songs written by Andrew Morris.

Andrew Morris on vocals, guitar, mandolin, banjo, beats, bass; Burke Sullivan on drums, beats, bass, guitar; Julie Bates on violins.

All tracks, except 1 & 11, recorded & mixed by Burke Sullivan. Tracks 1 & 11 recorded and mixed by Andrew Morris. Mastered by Johnny Kenepaske at Dead Horse Sound, Independence MO. Andrew plays a John Boyd Mandolin.

Album art by Andrew Morris

Andrew Morris thanks for being with us on Wednesday MidDay Medley.

Andrew’s new electronic solo project release, “One Fine, Sweet & Sunny Day” a 12-track album that came out May 15, 2020. More info at http://www.thematchsellers.com

Andrew R Morris

11:47

17. Andrew R Morris – “I Remember the Stars”
from: One Fine, Sweet & Sunny Day / Andrew Morris / May 15, 2020
[This is a new electronic solo project by Andrew. “Here is a collection of tunes I worked up with electronic beats. I sent the rough beats over to Burke Sullivan in Fairmount, IN. He spiffed em up. Then we met up and recorded some in his studio and some at a church in Fairmount, Indiana. There is an accompanying radio drama to go along with the music. You’ll get an email with a link shortly after purchase. Huge thanks to Burke Sullivan for undertaking this project with me. I’m forever indebted to the tremendous amount of effort you put into this project. Big thanks to Julie Bates for encouraging me to make this project a reality and helping so much.” – Andrew. All songs written by Andrew Morris. Andrew Morris on vocals, guitar, mandolin, banjo, beats, bass; Burke Sullivan on drums, beats, bass, guitar; Julie Bates on violins. All tracks, except 1 & 11, recorded & mixed by Burke Sullivan. Tracks 1 & 11 recorded and mixed by Andrew Morris. Mastered by Johnny Kenepaske at Dead Horse Sound, Independence MO. Andrew plays a John Boyd Mandolin. Album art by Andrew Morris] [Andrew Morris is one half of The Matchsellers. a Folk-American duo who have released to EP and three full length albums. The Matchsellers is the unlikely result of a classically trained violinist from Kansas City, MO, (Julie Bates) and a Chicago blues guitarist from Warsaw, Indiana, (Andrew Morris) meeting in Leipzig, Germany, and forming a bluegrass duo.]

18. Foolish Sad Robot – “Postpone”
from: The Complete Foolish Sad Robot / Independent / 1995-96
[One of 23 songs written & recorded with Tom Livesay and Ike Sheldon (of The Wilders) Foolish Sad Robot was a band that existed somewhere between The Young Johnny Carson Story and The Wilders. The band played in many venues & developed a following.]

19. Jess Williamson – “Wind on Tin”
from: Sorceress / Mexican Summer / May 15, 2020
[The Texas-born, L.A.-based singer and songwriter Jess Williamson makes deeply felt songs that orbit around her powerful voice, a voice that’s strong and vulnerable, big room flawless, quietly ecstatic, and next-to-you intimate. In her most recent work, Sorceress, that voice is surrounded by a deep-hued kaleidoscope of dusty ‘70s cinema, ‘90s country music, and breezy West Coast psychedelia. // Williamson grew up in the suburbs of Dallas. An only child, she was raised by music-loving parents on a healthy diet of Bonnie Raitt, Van Morrison, and K.T. Oslin. A lifelong singer and performer, her earliest memories are of putting on concerts for the other kids on the playground during recess. // While attending the University of Texas, Williamson began to find her footing as an artist in the DIY and student-run art and music spaces of Austin. A photojournalism major, she interviewed and photographed bands for the school newspaper and hosted a radio show on KVRX, the student-run radio station. But quietly, she had an insistent pull to pursue music herself. In her last year of school, following an impulse after seeing Austin’s Ralph White play the banjo at a house show in her friends’ basement, Williamson took up banjo lessons at South Austin Music, and soon after was writing songs and making home recordings. After graduating, she moved to NYC to attend an MFA Photography program at Parsons. But after a couple semesters, she realized the call to pursue a career in music was too big to ignore, and she dropped out. // She started a band in NYC called Rattlesnake with another friend from Texas: Williamson played banjo, her friend played electric guitar, and they both sang. They played their first show at the now defunct venue, Death by Audio, in March of 2010. A few months later, drawn to her larger hometown community, she moved back to Austin to focus on her solo project. // For the next couple years, she was actively playing and booking shows in the Austin music scene, and self-released records on her own Brutal Honest imprint: her debut EP, 2011’s Medicine Wheel/Death Songs, 2014’s Native State, and 2016’s Heart Song. Along the way, she also incorporated guitar and piano into her songwriting and live shows. // In 2016, she relocated to Los Angeles, a move that proved life-changing. Inspired by the new environment and the deep introspection that can come from being alone in a foreign land, she wrote the album Cosmic Wink, which was recorded the following year in Dripping Springs, Texas, and became her first release with a record label—Mexican Summer—in 2018. // Her fourth album, Sorceress, also with Mexican Summer, arrives Spring 2020. It was written in Los Angeles, recorded at Gary’s Electric in Brooklyn, and finished at Dandy Sounds in Dripping Springs, where she recorded Cosmic Wink. While she’s stayed true to her deep country roots, the music has grown in its ambitions. It’s her biggest, most assured collection to date, and a true document of the hard work paying off.]

20. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, May 27 we will play more New & MidCoastal Releases. PLUS, at 10:30 we’ll talk with musician and composer Remy Stryck about his newest compositions. At 11:00 we’ll talk with Dedric Moore about Kosmic City Records and the new Monta At Odds release. And at 11:30 AM Paul Malinowski joins us to talk about the new release from Shiner.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #838

WMM Playlist from: Feb. 5, 2020

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 5, 2020

Belle and The Vertigo Waves + Marty Thomas
+ Sondra Freeman of Midwest Music Foundation +
New & MidCoastal Releases

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Jametatone – “Is That What You Like? (feat. Calvin Arsenia)”
from: A Bird In The Hand / Jametatone / December 8, 2019
[Jametatone, is the solo project of J. Ashley Miller who has recorded with his band as Metatone. Jametatone collaborates with an esemble of musicians under the moniker Blastocyst. The recording of A Bird In The Hand was Engineered, Mixed and Mastered by Jametatone at The Infoaming Vertex Studio. Assistant Engineering by Simon Huntley. Dedicated to Love. bLASTOCYST is: Jon Kizilarmut on drums & percussion; Jeff Harshbarger on bass; Eddie Moore on Rhodes, Wurlitzer & Piano; Fritz Hutchison on guitar, percussion, & piano; Billy Winston on saxophone; Simon Huntley on drums & percussion; Allison Hawkins on piano; and Jametatone on vocals & guitar. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com]

[Jametatone plays recordBar, 1520 Grand, KCMO, Wednesday, Feb. 12, at 7:00 PM w/ ARQuesta Del SolSoul and Collidescope.]

3. True Lions – “Life is Gold”
from: You’re Not Invited / True Lions / November 9, 2019
[Second EP released in 2019 from True Lions with: Alison Hawkins on guitar, synth, and vocals; Elizabeth Kosko on percussion, vocals; Mikala Petillo on bass, vocals; Claire Adams on guitar, vocals; Leslie Butsch on saxophone, Ezgi Karakus on cello; and Teri Quinn on vocals. All songs written by True Lions and produced by Claire Adams and Alison Hawkins. Tracking Engineering by Claire Adams. Mixing and Mastering by Ian Dobyns and Chase Horseman. Album Artwork by Genevieve Sloan. Special thanks to Calvin Arsenia and Fritz Hutchison. The band released their debut EP”Cute At Best” Feb. 5, 2019 with Alison Hawkins on guitar, piano, synth, vocals; Mikala Petillo on percussion, bass, guitar, vocals; and with Ross Brown serving as producer & engineer; and Nika Winn providing artwork. This EP began as an unrelated, musical dispute between lovers, but triumphantly became the spunky collaboration of two midwestern “woms” whose passion for playing music nearly exceeds their desire to create it.]

[True Lions play Wise Blood KC, at 300 Westport Rd, KCMO, on Friday, February 7 at 6:00 PM, with Charlotte B, and Ramona & The Phantoms.]

[True Lions play Stockyard Sounds with SoulTru, Monday, February 10, at 6:30 PM at Stockyards Brewing Co., 1600 Genessee St, KCMO.]

[True Lions play The Disaster Room at Minibar, 3810 Broadway Blvd, KCMO, on Tuesday, February 11, at 9:00 PM with Frankie Valet (STL), Chloe Jacobson, and Tellum.]

4. Vincent Herring, Bobby Watson & Gary Bartz – “These Foolish Things”
from: Bird at 100 / Smoke Session Records / November 29, 2019
[August 29, 2020 will mark the 100th anniversary of the birth of Charlie Parker. Alto saxophonists and three of modern jazz’s most acclaimed voices: Vincent Herring, Bobby Watson, and Gary Bartz backed by a rhythm section that includes: pianist David Kikoski, bassist Yasushi Nakamura, and drummer Carl Allen shared the stage at Smoke Jazz Club in New York in August 2019, for shows celebrating what would have been the honoree’s 99th birthday. On Bird at 100, Herring, Watson, and Bartz revisit standards Bird transformed to blazing bebop numbers and also sharing new compositions written with Charlie Parker’s legacy in mind. Watson’s ballad-turn on “These Foolish Things” offers a master class in phrasing and articulation, and Kikoski is given plenty of room to stretch out a big, warm blanket of a solo. Bobby Watson was born in Lawrence, Kansas, August 23, 1953. he is an American post-bop jazz alto saxophonist, composer, producer, and educator. Watson now has 27 recordings as a leader. He appears on nearly 100 other recordings as either co-leader or in a supporting role. Watson has recorded more than 100 original compositions. Watson grew up in Bonner Springs and Kansas City, Kansas]

[Bobby Watson plays Searching for Charlie Parker w/ Logan Richardson & Bobby Watson on Thursday, February 6, at 9:00 PM, at The Ship, 1217 Union Avenue during Black History Month, At 9:00 PM: Music is Your Own Experience – Featuring Polish Jazz Artists., At 10:00 PM: Sanctified Rhythm – Featuring Bobby Watson. At 11:00 PM: No Boundaries to Art – Featuring Logan Richardson’s blues PEOPLE. At 12:00 AM: Just Play the Music – Featuring Five Saxophonists.]

10:20 – Underwriting

5. The Creepy Jingles – “Prodigal Sun Tzu”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From High Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

[The Creepy Jingles play miniBar, 3810 Broadway, Wed, Feb 5, at 9:00 PM with Momma’s Boy, Stary, and Shady Bug.]

[The Creepy Jingles play Replay Lounge, 946 Massachusetts, Lawrence, KS. on Saturday, Feb. 8, at 10:00 PM with Serene Fiend, and JC & The Nuns.]

6. Belle & The Vertigo Waves – “Fear or Faith”
from: Fear or Faith – Single / Drop Out Records / June 7, 2019
[New single from Belle & The Vertigo Waves, the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. Members include Belle Loux on lead vocals, John Loux on guitar. The band’s debut full length album”Aligned” was released on October 6, 2017.]

[Belle & The Vertigo Waves play “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.]

Belle Loux and John Loux on the February 5, 2020, edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:30 – Interview with Belle & The Vertigo Waves

Belle & The Vertigo Waves joined us last summer to share their single “Fear Or Faith.” Belle & The Vertigo Waves are back on the show to share details about their show “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata. More information at: http://www.thevertigowaves.com

Belle Loux and John Loux, thanks for being on WMM.

Belle Loux is lead singer for Belle & The Vertigo Waves. John Loux is lead guitarist

Belle Loux is 22 years old. She has been writing music and fronting this band since she was 18 years old.

Early influences were: The Cure, The Smiths, Psychedelic Furs, Amy Mann

Belle & The Vertigo Waves have played Middle of The Map Fest, Plaza Art Fair, Boulevardia and most venues across the KC metro.

The band’s debut full length album “Aligned” was released on October 6, 2017. About the album, Belle told Michelle Bacon at The Bridge that, “Many of the tunes had been written around five years prior, when I was just 15 or 16.” Belle had only played them as a solo artist with occasional accompaniment from her dad, guitarist John Loux, and keyboardist Charlie Hibberd. In 2017, she hired the two musicians and a couple other friends to track “Aligned,” dubbing the project Belle and the Vertigo Waves, in the hopes that she’d eventually assemble a live band. “Recording was a surreal and emotional experience. Playing the songs with a band was like seeing them come to life,” she said. “I knew there was no way I could be a solo artist anymore, because I fell in love with the full band sound so much.”

The music of Belle & The Vertigo Waves have been described as having an “1980s pop-laden sound.” which drew local attention in 2018. After “Aligned” that band has gone through an evolution of sound and players. Belle Loux and John Loux have continued as founding members.

At various times, the group has included two of the “Aligned” musicians, including bassist Jeremiah Scott, plus the more recent additions of Elliott Holt on drums and Zach Nielsen on guitar.

Belle has said that in the past 4 years the band has grown to have more of a darker, glam rock sound, grittier and grungier. Their sound is influenced by three generations of musicians in the band, Belle’s growth as a songwriter and singer, and through the band’s work with engineer and producer Paul Malinowski. Belle & The Vertigo Waves are currently recording new music at Massive Sound Studios. Belle & The Vertigo Waves hope to release a new EP, and a new video later this year.

Belle Loux, & John Loux, thanks for being on WMM.

Belle & The Vertigo Waves play “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.

More information at: http://www.thevertigowaves.com

10:46

7. Belle & The Vertigo Waves – “What You Wanted”
from: What You Wanted – Single / Drop Out Records / August 19, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in KCMO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services.]

[Belle & The Vertigo Waves play “Night of the Loving Dead” Saturday, February 15, at 8:00 PM at Davey’s Uptown Ramblers Club, 3402 Main St., KCMO with Wick & The Tricks, Annie Cherry, Freddye Dalma Starr, and Whorxata.]

8. Misha Roberts – “Exposed”
from: Exposed – EP / Misha Roberts / January 2020 (Unreleased)
[Originally from San Antonio, Texas, Misha Roberts has worked extensively in Kansas City as a vocalist for over 10 years. Misha is currently in the studio working on her solo album. She recently released this song as a you Tube Video. Misha plays with the band The Freedom Affair.]

[The Freedom Affair play The Ship, 1217 Union Avenue, KCMO (West Bottoms) TONIGHT Wednesday, February 5, at 9:00 PM]

9. Betse Ellis – “Another Night Gone”
from: Don’t You Want To Go / Free Dirt / April 21, 2009
[Originally from Fayetteville, Arkansas, Betse Ellis is one of the founding members of one of Kansas City’s treasured bands The Wilders, an acoustic honky-tonk band, that toured nationally and internationally for 15 years, and released 10 albums. In 2011 the band ended. One if the side projects of The Wilders was a band called The Whittlers, made of up of Phil Wade and Tom Livesay who recorded 4 full-length albums from 2000 to 2004 while they worked together at the Kansas City Art Institute. The Whitlers were the first to record this song written by Betse Ellis, and released on their final album, “Nobody’s Happy” from 2004, with Tom on vocals, Ike Sheldon on piano, Phil Wade on guitar. The track was recorded as a surprise for Betse.]

[Betse Ellis plays Sunday Service at Stockyards Brewing Co. on Sunday, February 9, at 2:00 PM at Stockyards Brewing Co. 1600 Gennessee St. KCMO with 3 Trails West and Bill Dye.]

11:00 – Station ID

Marty Thomas

10. Marty Thomas – “We Belong”
from: Slow Dancing With A Boy / Broadway Records / December 6, 2019
[Originally from Trenton, Missouri where he graduted from Trenton High School in 1997.As a child he famously won Ed McMahon’s Junior Star Search over then-unknown Britney Spears. As an adult, Marty Thomas created a name for himself on Broadway in Xanadu, Wicked and The Secret Garden, on television’s Grace & Frankie, and has been a staple of the New York City nightlife for well over a decade. With his sophomore album “Slow Dancing With a Boy”, Marty takes his rightful place among the vocal icons that have long inspired him. Produced by Jamey Ray, this album explores the music of a young closeted mans coming of age memories, and dares to question the possibility of having lived those memories honestly and openly. Fusing pop and musical theatre music with a song stack that runs the gamut of Vanessa Williams to Les Miserables, this album features collaborations with The X Factor’s Rachel Potter, Voctave’s Jamey Ray and viral sensation Mykal Kilgore. “We Belong” is a song written by Eric Lowen and Dan Navarro. It was made popular by American rock singer Pat Benatar after being released as the lead single from her sixth studio album, Tropico (1984). It matched the success of “Love Is a Battlefield” on the Billboard Hot 100 singles chart in the United States, peaking at #5. It reached #3 on Billboard’s Top Rock Tracks chart and #34 on the Adult Contemporary.]

[Marty Thomas will bring his “Slow Dancing with a boy” tour, to Kansas City, Friday, February 7, at 8:00 PM at Music Theatre Kansas City 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com]

Marty Thomas

11:05 – Interview with Marty Thomas

Originally from Trenton, Missouri, where he graduated from Trenton High School in 1997. While in middle school, in 1992, Marty Thomas beat out a then-unknown Britney Spears to win Ed McMahon’s “Junior Star Search” competition. At that time Marty Thomas was already a veteran of Broadway, as a cast member of “The Secret Garden” in 1991. As an adult, Marty Thomas created a name for himself on Broadway in the musicals “Xanadu,” and “Wicked,” and Off Broadway in “Pageant – The Musical.” He has appeared on television’s Grace & Frankie, and in several films. Marty Thomas has been nominated for a Grammy Award, and has appeared on MTV, VH1, 20/20. and The Tony Awards. Marty Thomas released his second solo album, “Slow Dancing With A Boy,” on Broadway Records, on December 6, 2019. The new album “explores the music of a young closeted man’s coming-of-age memories, and dares to question the possibility of having lived those memories honestly and openly.”

Marty Thomas will bring his “Slow Dancing with a Boy” tour, to Kansas City, Friday, February 7, at 8:00 PM at Music Theatre Kansas City 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com

Marty Thomas, thanks for being with us on Wednesday MidDay Medley

Trenton, Missouri is a town of about 6,000 people about an hour and a half north of Kansas City. It is near the halfway point between Kansas City and Des Moines, Iowa in Interstate 35 North.

Slow Dancing With A Boy explores the music of a young closeted man’s coming of age memories. What was your “Coming Out” process like? And how did your childhood experiences of being on Broadway and on television affect your ‘coming out”?

Of the 12 album tracks on the new album, you recommended that we play “We Belong.”

Album Tracks:

1. Slow Dance
2. As (written by Stevie Wonder)
3. Dancing On My Own All By Myself
4. Dreamlover (featuring Jamey Ray and Rachel Potter)
5. Crazy For You (written by John Bettis and Jon Lind for Madonna)
6. Remember Me This Way
7. Show Me Heaven (written by Maria McKee, Eric Rackin, Jay Rifkin)
8. Seventh Grade [Save the Best For Last / Everything I Do] (featuring Mykal Kilgore)
9. I Want You to Need Me (written by Diane Warren for Celine Dion)
10. Someone to Fall Back On
11. We Belong (written by Eric Lowen and Dan Navarro for Pat Benatar)
12. Somewhere (composed by Leonard Bernstein / lyrics by Stephen Sondheim)

“We Belong” is a song written by Eric Lowen and Dan Navarro. It was made popular by American rock singer Pat Benatar after being released as the lead single from her sixth studio album, Tropico (1984). It matched the success of “Love Is a Battlefield” on the Billboard Hot 100 singles chart in the United States, peaking at #5. It reached #3 on Billboard’s Top Rock Tracks chart and #34 on the Adult Contemporary.

This album was born of the epiphany that the artists coming of age years were not his own. He traded them to his church, his family and the deeply troubling belief that he wasn’t worthy of honest love. Convinced if he told enough lies and believed them that he could fit in and have a happy life by pleasing everyone around him but himself. Obviously, the truth is always king and will always find the light eventually.

‘Slow Dancing With A Boy’, is a collection of music from Thomas’ middle school, high school and college years rearranged, reclaimed and placed firmly in the light. It’s a second chance to live truthfully and make music honestly.

Slow Dancing With A Boy was officially released on Broadway Records on December 6, 2019 and is available on all digital and streaming platforms.

Marty takes his rightful place among the vocal icons that have long inspired him.
Produced by Jamey Ray.

This album features collaborations with The X Factor’s Rachel Potter, Voctave’s Jamey Ray and viral sensation Mykal Kilgore.

The album reached #19 on the iTunes pop charts and has received rave critical reviews. Physical copies will be available for sale the night of the concert.

Xanadu – for this musical your work as a skater was put to great use. Can you talk about this musical? Ventriloquism and 30 minute lips in 18 minutes

11:19

Marty Thomas, thanks for being with us on Wednesday MidDay Medley

Marty Thomas brings his “Slow Dancing with a Boy” tour, to Kansas City, this Friday, February 7, at 8:00 PM at Music Theatre Kansas City, 16301 Midland Drive (inside B&B Theatres), Shawnee, Kansas. Presented by Music Theatre Kansas City. More information at http://www.martythomas.com

11:19- Underwriting

11. Suzannah Johannes – “Hanging On”
from: Suzannah Johannes EP / Range Life Records / September 2, 2008
[Recorded by Steve Squire, with additional recording by Mike Nolte. Mixed by Mike Nolte at More Famouser. Mastered by Roger Seibel at SAE. Artwork by Pre Sense Form. Released by Range Life Records. For this track: Josh Adams on drums & percussion , Dave Wetzel on guitar, Steve Swyers on guitar, Mike Nolte on bass, and Suzannah Johannes on vocals. Suzannah Johannes is a singer and songwriter living in Lawrence, KS. She has performed with David Wetzel (Ghosty), Steve Swyers (Say My Name), Jeff Stoltz (Drakkar Sauna), and Dustin Kinsey (New Amsterdams).]

[Suzannah Johannes plays the Myers Hotel Bar, 220 South Main, Tonganoxie, KS. on Friday, February 7, at 8:00 PM with the band Sidehug.]

12. Kadesh Flow – “Accolades”
from: Motivated / Ryan Davis / January 31, 2020
[Executive Produced by Kadesh Flow. Mixed by Kadesh Flow. Mastered by Bill Beats. Kadesh calls this EP a “collection of tracks that I made to motivate myself. Hopefully they get you fired up as well.” Kadesh Flow is Ryan Davis is a rapper with an MBA. He is an emcee, producer, & trombonist. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Kadesh performs as a solo hip hop artist. He also plays with KC funk juggernaut The Phantastics, and Marcus Lewis Big Band.]

[Kadesh Flow plays Kansas Cith Bier Company, 310 West 79th St., KCMO, on Fri., Feb. 7, at 7:00 PM]

13. The MGDs – “Let Me In”
from: Let Me In – Single / The MGDs / Feb. 5, 2020 (Unreleased)
[Damon Parker sent me this new song from the MGDs which will be on their upcoming album “Midtown” to be released later this spring. Midtown will be the follow-up to the band’s 3rd studio release, their November 4, 2017 release, Somos Como Somos. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.] [The MGDs played an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin.]

[The MGDs play MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand Blvd., KCMO with Verbose, and Jesus Loves The Atom Bomb.]

11:30 – Interview with Sondra Freeman

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

Sondra Freeman joins us to share details about Midwest Music Foundation’s Annual MidCoast Takeover. The event began in 2010 as a group of musicians and music lovers gathering for a Kansas City-focused showcase at the nation’s largest music festival in Austin, Texas. Midwest Music Foundation presents the 11th annual MidCoast Takeover, a 4-day, 2-stage KC-focused showcase, March 18 through 21, at Shangri La, hosting over 40 bands at the nation’s largest music festival in Austin, Texas.

Sondra Freeman joins us to share info about MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand, KCMO with Verbose, Jesus Loves The Atom Bomb, and The MGDs.

Sondra Freeman thanks for being with us again on WMM.

MidCoast Takeover Fundraiser #1, Friday, February 7, at recordBar, 1

7:00 pm – Doors open
8:00 pm – Verbose
9:00 pm – Jesus Loves the Atom Bomb
10:00 pm – The MGDs

The Midwest Music Foundation is proud to present the 11th annual MidCoast Takeover. The event began in 2010 as a group of musicians and music lovers gathering for a Kansas City-focused showcase at the nation’s largest music festival in Austin, Texas. The showcase has grown into a four-day, two-stage event at Shangri La. Taking musicians to Austin reflects attention back on the vibrant music scenes in KC and throughout the Midwest.

These fundraiser shows help us raise funds to pay for the production costs of hosting this showcase. MidCoast Takeover is funded through these fundraiser shows and sponsors, separate from our other programs and services.

Huge thanks to our sponsors: Boulevard Brewing Company, Seen Merch, Nebraska Exposed, Eastern Afternoon, recordBar, The Brick, Shangri La, City Rent A Truck,
XO Blackwater, Rad’s FX LLC, and CM2 Audio.

Abby’s Fund for Musicians’ Health Care was named for Abigail Henderson (1977-2013).

Death notice from St. Louis Post Dispatch: Abigail Hope Henderson the Kansas City vocalist who started a nonprofit organization to help musicians pay health-care costs, died on Tuesday, August 27, 2013 of cancer at her home. She was 35. For more than a decade, Abigail was the lead singler of several area bands: Trouble Junction, The Gaslights, Atlantic Fadeout, and Tiny Horse. In 2008 she was diagnosed with breast cancer. She had health insurance, but the cost of the treatments prompted her and her husband Christopher Meck, to start the Midwest Music Foundation which raised funds to help area musicians pau health care costs. “Medical bills can throw you into poverty in a week – in one day,” she said. “There’s nothing like standing in your kitchen opeing a j]hospital bill for $63,000.00 in one day and $47,000.00 the next. After a while you don’t want to open them anymore. Who can pay that?”

Midwest Music Foundation – http://www.midwestmusicfoundation.org

Midwest Music Foundation Staff

Rhonda Lyne, Executive Director rhonda@midwestmusicfound.org
Sondra Freeman, Director of Promotions and Artist Relations
Michelle Bacon, Editor
Canyon McClung, Production Specialist
Brenton Cook, Promotions Specialist
Christopher Tate, Technical Officer, Website Specialist

Midwest Music Foundation Board

Scott Easterday, President, Website, Musician
Chris Meck, Vice President, Musician and CM2 Audio
Garrett Nordstrom, Treasurer, Musician and Birdsway Productions
Ellen Sherman, Secretary, Chair of Marketing
Eric Barton, General Counsel
Dr. K. Allen Greiner, MD, MPH, Chair of Health + Wellness, University of KS Med Center
Erin Corriveau, MD, MPH, Public Health Officer, University of Kansas Medical Center
Bryant Miller, JD, Chair of Development
Vi Tran, Musician and The Buffalo Room
Camry Ivory, Musician
Amber Hulet, Volunteer Coordinator, Social Media

Other Midwest Music Foundation Events:

MidCoast Takeover #2 is March 7

JayRock 15, on Friday, February 28, at 6:00 PM at Uptown Theater, 3700 Broadway Rd, KCMO. Hosted by JayDoc Free Clinic, featuring Yes You Are, Third Degree of Kansas City, and Everett the Grey!

The headliner of JayRock 15 is Yes You Are. They are a local pop band whose first single debuted on Pepsi’s Superbowl 51 commercial as well as being featured in Bad Moms amongst other FX and MTV shows. Vocalist Kiarra Alarid has been a guest at Coachella amongst other musical festivals and have appeared on Sesame Street and Sesame Street.

JayRock 15 will be opened by Everett the Grey, a band including a fellow second year medical student Alex Hill. The second opener of the night will be Third Degree of Kansas City, a group who describes their sound as classic and eclectic rock ‘n’ roll. Third Degree is made up of some of KUMC’s finest faculty members: Pete DiPasco, Dianne Durham, Beth Levant, Ken McCarson, and Peter Smith.

10:44

Sondra Freeman thanks for being with us again on WMM.

MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand, KCMO with Verbose, Jesus Loves The Atom Bomb, and The MGDs.

More info at: http://www.midwestmusicfoundation.org

11:45

14. Verbose – “The Victim”
from: Idle Hour at Barto’s / Verbose / November 8, 2019
[Verbose is a four piece alternative blues rock band from Joplin, Missouri. The band is made up of Logan Glasgow on vocals & drums, Cody Morris on guitar, Tim Cote on bass & vocals, and Zach Martin on Guitar.]

[Verbose plays MidCoast Takeover Fundraiser #1, Friday, February 7, at 7:00 PM at recordBar, 1520 Grand, KCMO with Jesus Loves The Atom Bomb, and The MGDs. ]

15. Trixie Mattel – “Malibu”
from: Barbara / PEG Records / February 7, 2020
[Trixie Mattel is the stage name of Brian Michael Firkus, an American singer, actor, drag queen and recognized “Skinny Legend.” Trixie is the winner of “RuPaul’s Drag Race All Stars” season 3 (originally competing on season 7). He is also a Billboard Heatseekers #1 charting recording artist (One Stone, 2018), a wildly successful theater touring act, and one half of a comic duo on Viceland (“The Trixie and Katya Show”) and on YouTube (“UNHhhh”). In 2019, Trixie worked the festival circuit as the subject of a bio documentary, “Trixie Mattel: Moving Parts.” Trixie Mattel is managed by Producer Entertainment Group and online at twww.rixiemattel.com or @trixiemattel.]

[Trixie Mattel plays The Truman, 601 East Truman Rd, KCMO, Tuesday, Feb. 11, At 8:00 PM.]

16. Soultru – “Must Be”
from: “Must Be” – Single / The Record Machine / August 24, 2019
[Drums and Piano by Kierstyn Graham, Vocals by Terrance Banks. Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little.]

[Soultru plays play Stockyard Sounds with True Lions, Monday, February 10, at 6:30 PM at Stockyards Brewing Co., 1600 Genessee St, KCMO.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on February 12The Pedaljets join us live in our 90.1 FM Studios to share music from their new album, “Twist The Lens.”

Also next week, special co-hosts Betse Ellis and Marion Merritt join us for our Winter Fund Drive Show encouraging YOU, our beautiful listeners to call us and show your support for the most original radio station you’ve ever listened to, 90.1 FM KKFI where over 85 locally produced radio shows air each week.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #823

WMM Playlist from Feb. 6, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 6, 2019

Betse Ellis + Marion Merritt
+ Todd Albright + Keaton Conrad

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. The Buhs – “Can’t Let Go”
From: Can’t Let Go – Single / The Buhs / February 14, 2016
[The Buhs is a super band collective with singers Julia Haile, Lee Langston, and Anthony Saunders along with emcees Reach and Les Izmore., and Ryan J. Lee, Hermon Mehari, Ben Leifer, Tim Braun, Brad Williams and Kinyon Price. IThe band shot a beutiful music video for this song on location in Paris. More info at: http://www.thebuhs.com. Singer Julia Haile is the lead singer for the band Hi-Lux. She also performs with the Julia Haile Trio and The Julia Haile band with guitarist Tim Braun and drummer Brendan Culp.]

[Julia Haile Band plays The Phoenix, 302 West 8th Street, KCMO, on Saturday, Feb 9, at 5:00 PM.]

[Julia Haile plays A Valentine’s Day Show at Y.J.s, February 14, at 7:00 with Port Jen Harris.]

3. Betse Ellis – “Another Night Gone”
from: Don’t You Want To Go / Free Dirt / April 21, 2009
[Originally from Fayetteville, Arkansas, Betse Ellis is one of the founding members of one of Kansas City’s treasured bands The Wilders, an acoustic honky-tonk band, that toured nationally and internationally for 15 years, and released 10 albums. In 2011 the band ended. One if the side projects of The Wilders was a band called The Whittlers, made of up of Phil Wade and Tom Livesay who recorded 4 full length albums from 2000 to 2004 while they worked together at the Kansas City Art Institute. The Whitlers were the first to record this song written by Betse Ellis, and released on the finally album, Nobody’s Happy, from 2004, with Tom on Vocals, Ike Sheldon on Piano, Phil Wade on Guitar. The track was recorded as a surprise for Betse.]

10:08 – Winter Fund Drive Co-Hosts: Betse Ellis and Marion Merritt

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016. In 2017 their special analog recorded collection of tunes released on cassette called, Tunes We Like, was in our 117 Best Recordings of 2017.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is founder of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. Records With Merritt features, weekly in-store performances from young and upcoming bands, holds meetings for a vinyl listening club, and was once the location for a wedding. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming. The spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. YOU are the reason we are able to stay alive.

10:15

4. Calvin Arsenia – “Ain’t Gonna Let Nobody Turn Me Around”
from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
[From Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue, KCMO. The first known recording of this song was by the Dixie Jubilee Singers, May 30, 1924. The first known printing of the song was by Clarence Cameron White, 1927, Forty Negro Spirituals, Theodore Presser Co. Philadelphia. “Ain’t Gonna Let Nobody Turn Me Around” is an old spiritual song that was introduced in Albany, Georgia, by Reverend Ralph Abernathy during the summer of 1962 when mass arrests and demonstrations erupted for the second time during the Civil Rights Movement. Dr. Abernathy taught the song to a mass meeting of the Negro community at Mount Zion Baptist Church, in one night. It immediately caught on and became widely used in the demonstrations. Sources: Sing for Freedom: The Story of the Civil Rights Movement through its songs, edited and compiled by Guy and Candie Carawan.]

[Calvin Arsenia performs in Songs of Freedom: Honoring Black America History & Music, Sunday, February 10, at 7:00 PM, at Community Christian Church, 4601 Main St, KCMO. This special one-night event celebrates the legacy and resilience of Black People of Kansas City and America. The show includes: spirituals, anthems, songs from the civil rights movement, and classics featuring the voices of Calvin Arsenia & Misha Roberts, with Everett Freeman on piano, Brad Williams on drums, Reggie Watkins on organ, James Ward on bass. Also featuring special guest vocalists: Christopher Barksdale-Burns, Hope McIntosh, and poets: Glenn North and John Baker.]

5. Bob & Una Walkenhorst – “Get On The Bus”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob & Una Walkenhorst open for Brewer & Shipley, Saturday, February 9, at 8:00 PM – Liberty Hall, Lawrence, KS]

6. Hembree – “Culture”
from: House on Fire / OREAD Records / Expected April 26, 2019
[First single from band’s upcoming full length album debut. This Kansas City based band was formed in November of 2015. Band members include: Isaac Flynn, Garrett Childers, Eric Davis, Alex Ward and Austin Ward. This new single was written by Isaac Flynn and Eric Davis and performed by Hembree. The track was produced by Eric Hillman and Isaac Flynn and engineered by Joel Martin, Isaac Flynn, and Eric Hillman. The track was mixed by Joe Visciano at Studio 112 in Brooklyn, NY, and mastered by Greg Calbi at Sterling Sound. Hemree release their debut EP “Had It All” in Nov. 2017.]

10:32 – Underwriting

7. Keaton Conrad – “What Am I Supposed to Do?”
from: Nova / Keaton Conrad / February 1, 2019
[The 2nd full length album from 19 year old Kansas native, Keaton Conrad who released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on Jan. 27, 2017.]

10:38 – Interview with Keaton Conrad

Keaton Conrad

KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, regarded as “exceptionally promising” by The Kansas City Star, and “making things happen on stages …with an engaging voice and passion for creating good music” by Ink Magazine. Conrad spent two years as the lead singer & keyboardist in the band ChangeUp, performing all around Kansas City. In 2015,

Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Keaton Conrad has just released his second full length album Nova, on Feb 1.

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

19 year old Kansas Native, Keaton Conrad records all of his own music in his home studio, mixing and mastering it all..

Keaton Conrad recently played an Album Release show for his new record Nova, Friday, February 1, at 7:00 at the Rino, 314 Armour Road, North Kansas City with The Moose, and Eems.

Keaton grew up in Olathe, Kansas (as did Calvin Arsenia, and Duncan Burnett). Keaton sang in High School Choir and performed in Olathe North West High School musicals.

Keaton Conrad is navigating the KC Music Scene while also working through his second year in college at University of Missouri at Kansas City.

More information at http://www.keatonconradmusic.com

10:49

8. Keaton Conrad – “I Think I Fell in Love with You”
from: Nova / Keaton Conrad / February 1, 2019
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC.]

We are The Voice of The Community – 90.1 KKFI offers 104 different radio programs. 84 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are very deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this, you also hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. At http://www.wednesdaymiddaymedley.org you can find our playlists from the last 8 years.

10:59 – Station ID

9. The Philistines – “1971”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Steve Gardels on drums, Rod Peal on guitar; Josh Mobley on keyboard, and Barry Kidd on bass. (For this record Michelle Bacon played bass & backing vocals.) Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play the MidCoast Takeover Fundraiser #2, Friday, February 8, at 8:00 PM, at recordBar, 1520 Grand Boulevard, KCMO with Cadillac Flambé, and Momma’s Boy.]

[The Philistines play Replay Lounge, 946 Massachusetts St, Lawrence, KS, Saturday, February 9, at 10 PM with Stone Grower, and Sona.]

10. Stacy Busch – “End in Flames”
from: Music from “Mass” / Stacy Busch / Unreleased February, 2018
[28 year old Stacy Busch is Operations Manager for Owen/Cox Dance Group. Stacy is originally from Bloomfield Hills, Michigan. She is a multimedia artist & performer. Her collaborative concert experiences are designed to be provocative and accessible to cultivate broader artistic interest and, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for various social causes. Stacy’s work has been performed nationally as well as in France and Iceland. She recently partnered with Gilda’s Club KC, Owen/Cox Dance and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer.” In 2018, her service with No Divide KC will include partnerships with the Kansas City Ballet School and the Johnson County Library. Stacy’s work has been performed at: the Kansas City Fringe Festival, Art in the Loop Kansas City, the experimental concert series ArtSounds, the Lyric Opera of Kansas City and UMKC Composer’s Guild Concerts. She has partnered with the Kansas City Streetcar, the UMKC dance program, Charlotte Street Foundation and the electronic music non-profit KcEMA. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, the University of Michigan, Western Michigan University, Central Michigan University. It has also been performed by ensembles including: Bent Frequency, the Beo String Quartet and the Zodiac Trio. She is a two-time ArtSounds Grant recipient, a UMKC Women’s Council Grant recipient and was a CITS Scholar at the University of Missouri-Kansas City. Stacy received her Masters in Music in composition from the University of Missouri-Kansas City and her Bachelors in Music in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy and James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs and Lisa Coons. Prior to studying music, Stacy studied print journalism at Boston University.]

[Stacy Busch presents, Mass: Live Performance and Art Gallery, Saturday, February 9, 6:00pm Cocktail hour and Art Gallery / 7:00pm Live Performance, at Musical Theater Heritage, in Crown Center, 1800 Central St, KCMO. Multimedia artist and performer Stacy Busch is collaborating with Australian experimental artist Jade Suine and choreographer/dancer Tianna Morton to create Mass, a new music concert and exhibition. The project is born out of Busch’s month long journey at the Listhus Artist Residency in Northern Iceland, in which she experienced silence, isolation and extreme natural landscapes, which allowed Busch to uncover a more honest connection with her artistic voice and connect it to her spiritual practice. The full live performance is an evening length concert of new music largely conceived during her time in Iceland. Suine is providing a series of visual pieces and Morton brings all new choreography to the live performance. This concert event transports viewers to an environment that is unlike any other: the harsh yet breathtaking northern Icelandic landscape, which is meant to stir an ancient connection to the divine within each person and to transport the viewer someplace otherworldly. In this distinct atmosphere, the live performance will push the audience to explore themselves, and foster acceptance and empathy towards others.]

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

11:13

11. Todd Albright – “My Money Never Runs Out”
from: Detroit Twelve String Blues & Rags / Third Man Records / March 10, 2017
[Todd Albright is a Country Blues, finger-style guitar player and singer living in Detroit, Michigan. Playing on 6 and 12 string guitars, Todd brings to life an era composed of, among others—Blind Lemon Jefferson, Sylvester Weaver, Blind Blake, and Big Bill Broonzy, throwing in the occasional John Fahey number for good measure. Todd’s history playing the Blues reaches 23 years, though he does not remember a time that a guitar wasn’t in his hands. He first heard the Country Blues at the age of thirteen, thanks to a gifted John Lee Hooker record from his sister. The experience was a profound one—the Blues felt right, and he immediately became a self-taught student of the genre aiming solely to interpret the sounds of the masters.]

[Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.]

11:16 – Interview with Todd Albright

Todd Albright

Todd Albright is a Country Blues, finger-style guitar player and singer living in Detroit, Michigan. Playing on 6 and 12 string guitars, Todd brings to life an era composed of, among others—Blind Lemon Jefferson, Sylvester Weaver, Blind Blake, and Big Bill Broonzy, throwing in the occasional John Fahey number for good measure.

Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.

Todd Albright, Thanks for being with us on Wednesday MidDay Medley.

Todd’s history playing the Blues reaches 25 years, though he does not remember a time that a guitar wasn’t in his hands.

Todd first heard the Country Blues at the age of thirteen, thanks to a gifted John Lee Hooker record from his sister. The experience was a profound one—the Blues felt right, and he immediately became a self-taught student of the genre interpreting the masters.

Todd was playing music in a book store in Detroit, playing transition music between poets. Jack White was in the audience and heard Todd playing and offered him an opportunity to record with Third Man Records.

Todd has performed across the Midwest both as a solo musician and alongside his band of 20 years, The Staving Chain, which specializes in the Delta Blues.

Compelled by the golden age of the blues, Todd upholds the traditions of the masters such as Blind Willie McTell, George Carter, Blind Lemon Jefferson, and Leadbelly.

Throughout the years, Todd has enjoyed sharing the stage with notable musicians and friends such as Dakota Dave Hull, Roy Book Binder, Charlie Parr, and Paul Geremia. .

11:26

12. Todd Albright – “O Mary Don’t You Weep”
from: Todd Albright Folk Blues Night No. 9 / Todd Albright / February 18, 2014
[“O Mary Don’t You Weep” is a Negro spiritual that originates from before the American Civil War –scholars call a “slave song,” “a label that describes their origins among the enslaved,” and it contains “coded messages of hope and resistance.” It is one of the most important of Negro spirituals. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead.With liberation thus one of its themes, the song again become popular during the Civil Rights Movement.]

[Todd Albright plays Records With Merritt, 1614 Westport Rd, Friday, February 8, at 7:00 PM with special guest Mikal Shapiro.]

13. Digital Leather – “White Man”
from: FEEET / Digital Leather / January 13, 2018
[“Feeet” is an eclectic compilation of mainly tape-only released songs written and recorded between 2008 and 2018. Ranging from catchy synth-pop to colder dark-wave tunes, these tracks represent a dark journey, where sometimes, despair reigns freely. Sometimes hatred is the only food there is. Sometimes love is an extended nightmare. But it goes further than that. This is the 15th album release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink. Digital Leather writes: “We design our shifting realities. One minute, things make sense. The next minute, we are unraveled. We must fight to create ourselves or die.” Fueled on desert energy, cheap synthesizers, and 4-track home recorders, Digital Leather began as Shawn Foree’s one-man bedroom project in Tucson, Arizona. The music was intended to be shared with a small circle of friends only. Without warning, that circle grew. Digital Leather has since moved in several stylistic directions, but has always adhered to one law: nothing lasts. Shawn Foree writes: “I just keep writing. Usually I feel like my life is passing me by while I’m holed up in my apartment hunched over a synthesizer. It’s hard to maintain relationships when you live in your head all the time. Some people will treat you like you’re crazy for having an imagination. That’s bullshit on their part, but it still sucks to be chastised for having a brain, especially when it’s from someone you care about. The payoff is worth it, though, even if you lose that someone in the process. The raw energy of honest art, to express yourself in a real way, connects you to something higher than love. Creation is a unique high and I’m addicted to it. This album spans a long period of time and represents these kind of lows and highs well. The tracks have appeared on various small run releases, but now I understand that they belong together. It feels worth it.” The band writes: “We sincerely hope this exceptional collection of dark, outsider pop music feels fresh and alive to you. At least for the time being, before the world blows up.” All music invented by Shawn Foree. Human drum sounds provided by Jeff Lambelet, Sean Ruse, and Gregory Elsasser.

11:32 – Underwriting

In this past year, we’ve featured segments shining a light on: Bach Aria Soloist, KC Gamelan Genta Kasturi, The Workers Revival Festival, Open Spaces Kansas City, The Arts Asylum, KC PrideFest, Midwest Music Foundation and the MidCoast Takeover, Kansas City Public Library, The Midwest Innocence Project, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr. , Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Events, Clay Platte Montessori, a farm based School, American Jazz Museum, Never Records, KC Fringe Theatre Fest, Late Night Theatre, The Barn Players, Crossroads Music Fest, Lawrence Field Day Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, Union Station, Outer Reaches Festival, Plaza Art Fair, Bullseye Records, Black Site Records, Haymaker Records, Squeezebox Theatre, Crossroads KC, The Midland Theatre, Johnson County Performing Arts Series, Voltaire, Datura Records, Too Much Rock, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, UMKC Conservatory of Music, and more…

11:41

14. Kat King – “Song From Spain”
from: Song From Spain – Single / Kat King / February 9, 2019
[Lawrence Kansas based singer songwriter Kat King released her last single “2017” October 18, 2018. She released her 5-song EP “Falling Up” on December 1, 2017. Kat King has been creating music since the 2nd grade. She’s produced one 13-song album and three EP’s, the first one released at the age of 14. ]

[Kat King is playing a Single Release Show, Saturday, February 9, at 9:00 PM, at The Brick, 1727 McGee St, KCMO with Blue False Indigo, and Chase The Horseman.]

15. Motherfolk – “Die a Little More”
from: Die a Little More – Single / Motherfolk / January 31, 2019
[Motherfolk began as a collaborative effort between Nathan Dickerson and Bobby Paver, two college friends with a penchant for writing songs with one another. In the first year of the project, the two songwriters made frequent trips to Nashville to record their first endeavor. In 2014, their eponymous debut album showcased the duo’s musical prowess through a genre-bending collection of elegantly crafted songs. Since then, Karlie Dickerson, Clayton Allender, Joel Call, and Ethan Wescott have joined Motherfolk’s ranks, and the band has made a name for themselves touring all across the nation. The outfit’s high-energy live performances have won over audiences from coast to coast, and their infectious musical persona has become one of the most exciting rising success stories in the indie scene. In 2016, Motherfolk released their 2nd album, ‘Fold’.]

[SoundMachineKC presents Motherfolk, Stay Outside, Faintheart, Thursday, February 7, at 9:00 PM, at miniBar, 3810 Broadway Rd, KCMO.]

11:56

16. Akkilles – “Feelin’ My Self”
from: Feelin’ My Self – Single / Akkilles / February 1, 2019
[Kansas City based Akkilles is the recording project of musician and composer David Bennett. Written by Akkilles. Made at Aorist Studios. Mastered By: Duane Trower of Weights & Measures SoundLab. Artwork: Original Photo & Photo Direction by Bryan Koehler (El Rey-Tones). Design: Jim Button (The Beholders). More info at http://www.akkilles.bandcamp.com.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 13 Marion Merritt is back as out Guest Producer, playing her latest sonic discoveries and sharing information for her musically encyclopedic brain.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #772

WMM Playlist from January 25, 2012

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 25, 2012

I Formed a Band – The Tom Livesay Story

1. Foolish Sad Robot – “I Recorded It”
from: The Complete Foolish Sad Robot / Independent / 1995-96

2. Foolish Sad Robot – “Personal Rock Song”
from: The Complete Foolish Sad Robot / Independent / 1995-96
[One of 23 songs recorded with Ike Sheldon and Tom Livesay. Performed at The Rhumba Box.]

3. The Whittlers – “Vans”
from: Reduced Bit By Bit / Independent / Summer 2000
[One of four full length albums created by Tom Livesay and Phil Wade between 2000 – 2004]

“I Formed A Band – The Tom Livesay Story” chronicles the musical history of Tom Livesay‘s life, through every band he has played in, starting with The William Jewel Orchestra and Jazz band and following through 24 years of Tom’s life, playing in 12 bands, where Tom played bass, sang lead vocals, played synthesizers & casios, wrote or co-wrote (probably) over 150 songs, recorded (probably) over 200 songs, and engineered or produced just as many tracks, if not more. Tom Livesay has collaborated with a very long list of KC’s best musicians including: Ike Sheldon, Phil Wade, Beste Ellis & Nate Gawron (who became The Wilders) Amy Farrand, Jeff Brown, Tony Zager, Matt Brahl, Patrick Frazier, Mark Smeltzer, Randy Wolf, Mark Stevenson, Mike McCoy, Jeff Nichols, Mark Reynolds, Stephen DiFranco, Marco Pascolini, Paul Guinto, Wm. Howell, Jennifer Appell, and many others…

Tom grew up in Independence, and graduated from Chrisman High School in 1984.

WJC Jazz Band, February 12, 1988, Kansas State Jazz Festival

After High School Tom was accepted into William Jewell College in Liberty, MO where her played saxophone in the William Jewell Orchestra & Jazz Band. It was in this band where he met future longtime collaborators: Jeff Brown (trumpet) & Ike Sheldon (trombone).

1987 – 88 Tom formed The Freshman Senators with 3 friends who needed a bass player. Tom sold his saxophone, and bought a bass.

4. The Freshman Senators – “Butterfly Fan”
from: The Freshman Senators / Independent / 1988
[Originally released on cassette. Re-released as a single w/ 2 other songs on cassette in 1990. Winner of local radio station call in contest. William Jewell Band w/ Tony Zager – Guitar, David King – Drums, Brian Meredith – Guitar & Saxophone, Tom Livesay – Bass. Friend Jeff Brown formed rival band: The Industry.]

1988 after William Jewell College Tom moved to Midtown, near KCAI, and continued with The Freshman Senators.

1989 Tom formed Wig Newton with Ike Sheldon after Ike graduated and moved to midtown. Wig Newton was influenced by bands of the day: Jane’s Addiction, Faith No More.

1990 – 91 Tom formed Knotty Pines with Tony Zager (of Freshman Senators)

5. Knotty Pines – “Zuleika”
from: Geek Mythology / Independent / 1991
[Antony Zager – Guitars, Tom Livesay – Vocals & Bass. Released on Cassette. Recorded at Westend Studios. Dedicated to The Freshman Senators & Wig Newton.]

1989 to 1991 there was some overlapping between The Freshman Senators, Wig Newton and Knotty Pines. At William Jewel Ike Sheldon had been a vocal music major, in Wig Newton, Ike used his operatic tenor, as well as rapped. We do not have any Wig Newton recordings, but Ike did contribute guest vocals for the Knotty Pines, “Geek Mythology” release, which gives us an example of Ike’s pre-The Wilders vocals.

6. Knotty Pines – “Planet Janet”
from: Geek Mythology / Independent / 1991
[Special lead vocals by Ike O. Sheldon. co-written by Livesay/Zager/Sheldon. Antony Zager – Guitars, Tom Livesay – Vocals & Bass. Released on Cassette. Recorded at Westend Studios. Dedicated to The Freshman Senators & Wig Newton.]

1991 Tom formed The Young Johnny Carson Story with William Jewel Orchestra Members Jeff Brown, Ike Sheldon. The Band’s name came from Ike Sheldon’s dream where he was in a made-for-TV movie, playing the part of a young Johnny Carson.

1992 The Young Johnny Carson Story released “Nerd”

7. The Young Johnny Carson Story – “You’re Too Beautiful”
an unreleased track / Independent / 1992
[Jeff Brown – Guitar & Vox, Tom Livesay – Bass & Vox, Ike Sheldon – Guitar, Bass & Vox]

What happened when Tom Livesay asked Johnny Carson permission to use his name for their “musical project”?

A letter dated March 14, 1994, from Carson Productions read:

Mr. Livesay,

“Thank you for your recent inquiry regarding the use of mr. Carson’s name in your musical project. However, I must inform you that it is in the best interests of Carson Productions to unconditionally refuse permission for the use of the name in any form. To persist in doing so will result in immediate litigation. We wish you luck in the persuit of your project, but must insist in your finding a new name.”

– Carson Productiona

1994 the band changed their name to My Childhood Hero and added drummer Amy Farrand to the group.

In the notes, on the cassette release, it reads “We support, Rhumba Box, Gee Coffee, The Dhurries, Shallow, Trouble in Mind, Secular Theme, Danger Bob, Frogpond, and Shiner.”

8. My Childhood Hero – “fiesta ware”
from: The Young Johnny Carson Story Is Now My Childhood Hero / Whiney Piney / 1994 [Jeff Brown – Guitar, Tom Livesay – Bass, Ike Sheldon – Guitar & Bass, Amy Farrand – Drums. Guest artists: Betse Ellis – Violin & Angel, Mark Smelzer – feedback, Phil Wade – Angel. Recorded live to 2-track ny randy Wolf in Mark & Leslie’s attic, February, 1994.]

1991 (while playing with Young Johnny Carson Story, and My Childhood Hero) Tom also started playing bass with the band Cher fronted by Mike McCoy. Tom played with the band on two cassette releases: “By Named Sue” (1991) and “The Gambler” (1992).

9. Cher – “Chop-Chop Life”
from: Boy Named Sue / Independent / 1991
[Released on Cassette. Mike McCoy Guitar & Vox, Jeff Nichols – Drums, Tom Livesay – Bass, Mark Reynolds – Free Bass]

Raucous life shows, sometimes hostile audiences, it was during a Halloween show when 3 of the 4 members quit and walked off stage, in the middle of the set, leaving Mike McCoy alone on stage. Mike eventually reformed the group with Lisa McKenzie on Drums, and Heather Grehan on Bass, and renamed the band Cher UK and rerecorded many of the songs from the two cassette releases, in Minneapolis, for the 1993 release on Red Decibel Records, “She’s A Weird Little Snack.”

1995 – 96 Tom formed, Foolish Sad Robot with Ike Sheldon, Tom’s 8th band in 8 years. With Ike, at least 23 songs were recorded. The band played in many venues & developed a following.

10. Foolish Sad Robot – “Postpone”
from: The Complete Foolish Sad Robot / Independent / 1995-96
[One of 23 songs written & recorded with Ike Sheldon and Tom Livesay.]

1993-95 The Dhurries, formed with Betse Ellis on Violin, and Phil Wade on sitar, drums, & guitar. Phil was into East Indian ragas. The Dhurries played local coffeehouses including Whistler’s Mother in Westport where they became fans of the Young Johnny Carson Story and Foolish Sad Robot. Tom Livesay, Ike Sheldon, Jeff Brown, Betse Ellis and Phil Wade played together a lot in those days.

11. The Dhurries – “Red Ribbon”
from: Yeppers / Barry Lee Compilation for KKFI / 1995
[Betse Ellis & Phil Wade. Originally recorded on Barry Lee‘s radio program, “Signal To Noise,” in 1995. On a Signal To Noise radio show Ike Sheldon joined Betse & Phil to play a “string tune” they’d been experimenting with after Ike started playing his father’s old country records. Some say this was the beginning of The Wilders. A You Tube video of Ike, Betse & Phil on Signal to Noise is on our Wednesday MidDay Medley Facebook Page.]

1996-97 William Jewell Orchestra members: Tom Livesay, Jeff Brown & Ike Sheldon teamed up with Phil Wade (formerly of the Dhurries and The Pedaljets) and Stephen DiFranco (formerly of Bad Manners) to form a new band: Day Sleeper

12. Day Sleeper – “Meteor (Reprise)”
from: When The Meteor Comes / Independent / 1997
[Tom Livesay (lead vox on this song) – Bass & Vox, Phil Wade – Lead Electric Guitar & Lap Steel Guitar & Vox, Ike Sheldon – Fender Rhoades & Electric Piano, Jeff Brown – Vox & Electric Guitar & Acoustic Guitar, Stephen DiFranco – Drums. Recorded at The Tic Ranch, Frazier Farm, mixed at band’s house, 3605 Jefferson. Songs written by Jeff Brown & Day Sleeper.]

“I Formed A Band – The Tom Livesay Story.” continues…
A chronicle of the musical history of Tom’s life, through every band he has played in, over the past 24 years.

1995, Phil Wade started listening to bluegrass music.

1996 Ike Sheldon, Betse Ellis and Phil Wade formed The Wilders with Matt Kesler (Phil’s band mate from The Pedaljets) sometimes on Bass.

1997 -1998 Tom moved to Arizona with a friend. While in Arizona Tom recorded some solo recordings using casio keyboards.

13. Tom Livesay – “Jumbo Jet Beat”
from: Tom Livesay’s Greatest Hits / Independent / 1998 [Tom’s solo work.]

1998 The Wilders released the first recording: “Cornbread, Molasses and Sassafras Tea” on Rural Grit Records. Ike started hosting The Rural Grit Hour at The Grand Emporium.

1999 Tom Livesay moved back to KC from Arizona and joined: Snakebite Orphans with Mark Stevenson, Marco Pascolini (of Mr. Marco’s V-7), and Matt Brawl (of Sandoval).

1999 Tom Livesay engineered the recording of The Wilders 2000 release: “The Wilders.”

The Wilders

(Note: In 2011 After 15 years, 10 albums, and constant touring, The Wilders announced last month that they would be taking an extended “hiatus.”)

14. The Wilders – “Righten That Wrong”
from: The Wilders / Rural Grit Records / 2000
[Ike Sheldon – Lead Guitar & Vox, Betse Ellis – Fiddle & Vox, Phil Wade – Mandolin & Dobro & Banjo & Vox, Nate Gawron – String Bass. Rec. Live Dec, 1999, at Randy Wolf’s house. Engineered by Tom Livesay & Randy Wolf. Jeff Brown plays Bass on this song.]

2000 – 2004 Tom formed The Whittlers with Phil Wade

15. The Whittlers – “They Wanted Songs”
from: Reduced Bit By Bit / Independent / Summer 2000
[One of four full length albums created by Tom Livesay and Phil Wade between 2000 – 2004]

2000-2004 Tom & Phil Wade recorded 4 albums, while working together at The KC Art Intitute.

16. The Whittlers – “Dressed Up and It’s Hot”
from: Sci Fi Runaway / Independent / January – February 2001
[Song includes a guest rap from Ike Sheldon. Album included guests: Betse ellis, Ike Sheldon, Nate & Mary Gawron, Wm. Howell and others.]

17. The Whittlers – “Stuck in Missouri With You”
from: Touch The Artist / Independent / Summer 2002
[Album was made up entirely of covers. This song was made famous by Stealer’s Wheel. Jeff Brown played drums on several tracks. Ike Sheldon played piano and keyboards on several tracks.]

18. The Whittlers – “Another Night Gone”
from: Nobody’s Happy / Independent / Summer 2004
[written by Betse Ellis. Tom on Vocals, Ike on Piano, Phil on Guitar. Recorded as a surprise for Betse.]

2001 Tom Produced albums for: Wm. Howell & played bass for Paul Guinto aka Redbirds

19. Wm. Howell – “Born Again”
from: Sweet Boy / Independent / 2001

2001 Tom released his first solo release with guest appearances from Ike Sheldon, Phil Wade, Beste Ellis, Tony Zager, Matt Brahl, Patrick Fraizer, Mark Smeltzer, Kim Stanton, Mark Stevenson, Paul Guinto, Wm. Howell,

20. Tom Livesay – “Kids Feel Stifled!”
from: Gazer / Independent / 2001
[co-written with student in Beijing, Tony Zager & Tom Livesay, Guitar by Tony Zager, cyborg vocal by Wm. Howell. Bass, Vocals & Synthesizers by Tom. Drums by Matt Brawl.]

21. Tom Livesay – “Lover Slash Friend”
from: Gazer / Independent / 2001 [co-written by Ike & Tom. Guitar & Tamborine by Ike Sheldon.]

22. Tom Livesay – “Stripmall Opens”
from: Gazer / Independent / 2001 [cello by Betse Ellis.]

23. Tom Livesay – “ReRelease”
from: Gazer / Independent / 2001 [Guitar by Patrick Frazier]

Present day – Tom is raising his 8 year old daughter Hirut, adopted from Ethiopia.

Recently Tom has been working on new songs.

24. Foolish Sad Robot – “Sad Hour”
from: The Complete Foolish Sad Robot / Independent / 1995-96

Wednesday MidDay Medley in on the web:
WednesdayMidDayMedley.org
facebook.com/WednesdayMidDayMedleyon90.1FM
and kkfi.org

Sources for Notes: Artist’s websites noted above and wikipedia.org

Show #405