WMM Playlist from September 4, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 4, 2019

Madisen Ward and the Mama Bear
+ Music from the 15th Annual Crossroads Music Fest
with Guest Co-Host Bill Sundah
l

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Arquesta Del SolSoul – “SOL SOL SIX”
from: SOL SOL SIX – Single / Never Records / Recorded October 27, 2017
[Recorded by Ted Rieder for Never Records during Open Spaces Kansas City. Featuring Les Izmore, Jessica Ayala on vocals. Arquesta Del SolSoul is a Kansas City-based music collective featuring 3 musicians who worked together in Hearts of Darkness. They call themselves “African Futurist Genre Killerz from the Middle of the Map bringing an innovative multidimensional sound inspired by our founding musical ancestors to decolonize and time bend indigenous sounds of the Caribbean, Latin America, West, Central, and Southern Africa.” Members include (but not limited to) Les Izmore, Jessica Ayala, Brad Williams, Jade Green, Chalis O’Neal, Irving Graham, Ernest Melton, Andres Ramirez, Fabian Prado.]

[Arquesta Del SolSoul plays Crossroads Music Fest, Sat., Sept 7, 10:30 – 11:30, at Boulevard Brewing Co., 18th Street Union, w/ Luther Vincentm, Gravelord US, Bleed the Victim, and Withermoth.]

10:05

Thanks for tuning into Wednesday MidDay Medley, on 90.1 FM KKFI. I’m Mark Manning. Today we’ll feature music from 15 bands participating in the 15th annual Crossroads Music Fest, Saturday, September 7th, 11:00 am to 3:00 am, featuring over 35 bands, on 7 stages, within 3 blocks in KC’s Crossroads Arts & Music District. Weare spinning tracks from: Madisen Ward and the Mama Bear, Shy Boys, Split Lip Rayfield, The Freedom Affair,, Amy Farrand & the Like, The Creepy Jingles, Violet & the Undercurrents, Miki P & The Swallowtails, The Fey, Shapiro Brothers, Hadiza., Kirsten Paludan, Crystal Rose, and Gullywasher. We started the show with Arquesta Del SolSoul

At 11:00 we welcome back to the show Madisen Ward and Ruth Ward of Madisen Ward and the Mama Bear who headline the 15th Annual Crossroads Music Fest, on the KC Crossroads Stage. Madisen Ward and the Mama Bear recorded their debut album, The Skeleton Crew in Nashville, on Glassnote Records, with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman. Madisen Ward and the Mama Bear have toured across the U.S., and Europe and were featured on CBS Sunday Morning, The Today Show, “Later With Jools Holland and have played Bonnaroo, Pilgramage, Newport Folk Festival, and Ryman Theatre. Their EP Radio Winners was released in 2018.

And with us for the entire show is our co-host Bill Sundahl, the founder of Crossroads Music Festival who has been coming on this radio program for 15 years now sharing information about the music and venues and collaborations associated with CMF. Bill is 90.1 FM KKFI’s Development Director.

Bill Sundahl thanks for being with us on Wednesday MidDay Medley
CMF IS A FUNDRAISER FOR 90.1FM KKFI – KANSAS CITY COMMUNITY RADIO

Presented by Community Lending of America, Inc. The 15th Annual KKFI Crossroads Music Fest showcases Diverse Music on 7 Stages, with 35+ Bands, in 3 Blocks, with drum lines & day parties. More info or for advance tickets: http://www.cmfkc.com

Midwest Music Foundation Free Musicians’ Health Care Clinic – 11:00 – 5:00 PM
at Blue Cross and Blue Shield of Kansas Cit, 2301 Main, KCMO 64108.

Midwest Music Foundation along with The RockDocs, a collaboration of University of Kansas and the Community Health Council of Wyandotte County, present a Free Musicians’ Health Care Clinic that will offer information, screenings, wellness programs, opportunities to discuss health conditions and concerns and arrange follow-up opportunities. Stop by and ‘take a minute for yourself.’
________________________________________________________________

MixMaster Music Conference at CMF – 12:00 – 5:00 PM
at Blue Cross and Blue Shield of Kansas City, 2301 Main, KCMO 64108.
MixMaster Music Conference produced by Silly Goose Records
Musicians Professional Development Seminar – Panels/Workshops/Performance

MixMaster Music Conference is a music community event that brings local artists and music industry professionals together to share information, connect, collaborate, and showcase some of the best local Lawrence and Kansas City region talent. _________________________________________________________________

CMF Free – Day Parties – Noon to 5:00 PM

Brewery Imperial – Noon to 5 (Free Day Party) ALL AGES
1829 Oak St, Kansas City – Hosted by Kansas City Area Development Council
Gullywasher 4:00 – 5:00
Hadiza. 2:30 – 3:30
Shapiro Bros. 1:00 – 2:00
True Lions 12:00 – 12:45

Josey Records – Noon to 5p (Free Day Party) & 7p to Midnight ALL AGES
1814 Oak St, Kansas City
Hosted by KKFI 90.1 FM
Timbers 4:15 – 5:00
Lauren Krum & Fritz Hutchinson 3:00 – 3:45
Kirsten Paludan 1:45 – 2:30
Future Jazz KC 12:30 – 1:15
________________________________________________________________

City of Drums – CMF Kick off Party 6:00 – 7:00 PM ALL AGES
Josey Records Parking Lot, 1814 Oak St, Kansas City – Hosted by KKFI 90.1 FM
Willie Arthur Smith’s Marching Cobras & Pythons Drill Team
________________________________________________________________

CMF Night Stages 7:00 PM to 2:00 AM

Boulevard Brewing Co. at 18th Street Union – 7:00 PM to 1:00 PM 21+
512 E 18th St, Kansas City – Hosted by Central States Beverage Co.
Luther Vincent 12:00 – 1:00
ARQuesta Del SolSoul 10:30 – 11:30
Gravelord US 9:20 – 10:00
Bleed the Victim 8:20 – 9:00
Withermoth 7:20 – 8:00

CrossroadsKC (2 Stages) – 7:00 PM to Midnight
Community Lending of America Stage at Crossroads KC ALL AGES
417 E 18th St, Kansas City – Hosted by Step Up for Down Syndrome
Madisen Ward and the Mama Bear 11:00 – 12:00
Shy Boys 9:40 – 10:40
Split Lip Rayfield 8:20 – 9:20
Freedom Affair 7:00 – 8:00

Community Lending Acoustic Stage at Crossroads KC ALL AGES
417 E 18th St, Kansas City – Hosted by It’s A Beautiful Day
Rural Grit 10:40 – 11:00
Rural Grit 9:20 – 9:40
Rural Grit 8:00 – 8:20

10:13 – Community Lending of America Stage at Crossroads KC ALL AGES

Shy Boys live on stage at KC Crossroads for Crossroads Music Fest September 7, 2019 (photo by Mark Manning)

3. Shy Boys – “Dim The Light”
from: Dim The Light / Brick By Brick – Single / Polyvinyl Record Co. / February 15, 2019
[Single release follow up to band’s 2nd album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed with the Polyvinyl Record Co.]

[Shy Boys play Crossroads Music Fest, Sat., Sept 7, 9:40-10:40, Community Lending of America Stage, Crossroads KC, 417 E 18th, w/ Madisen Ward and the Mama Bear, Split Lip Rayfield, Freedom Affair]

The Freedom Affair live on stage at KC Crossroads for Crossroads Music Fest September 7, 2019 (photo by Mark Manning)

4. The Freedom Affair – “Rise Up”
from: Soul Slabs Vol. 2 / Colemine Records / April 13, 2019
[The Freedom Affair has been selected to be part of Colemine Records new 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive Release. The Freedom Affair is a new project of Chris Hazelton of SunFlower Soul Records and Chris Hazelton’s Boogaloo 7. The new band includes member of the Boogaloo 7 with members of Instant Karma and three of the KC area’s leading vocalists. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone.]

[The Freedom Affair play CMF, Sat., Sept 7, 7:00 – 8:00, Community Lending of America Stage, Crossroads KC, 417 E 18th, w/ Madisen Ward and the Mama Bear, Split Lip Rayfield, Shy Boys]

Split Lip Rayfield live on stage at KC Crossroads for Crossroads Music Fest September 7, 2019 (photo by Mark Manning)

5. Split Lip Rayfield – “On My Way”
from: On My Way / Wayne Gottstine / January 7, 2017
[Formed in September 1995 by Wayne Gottstine, Eric Mardis, Jeff Eaton, and the late Kirk Rundstrom. The fire rages on as the band became a powerhouse trio showcasing the songwriting talents of mandolin player Wayne Gottstine and banjo player Eric Mardis, tied together by the harmony and deep-bass licks of Jeff Eaton. Often described as a mix of bluegrass and country with an accent of metal, no other band delivers the experience of the homemade gas-tank bass played by Jeff Eaton, sets the mandolin strings on fire like Wayne Gottstine, or makes the banjo sing like Eric Mardis. Together, they burn up speakers and stages alike providing an unforgettable experience. This is one trio not to miss! For more information about the new Split Lip Rayfield album, “I’ll Be Around,” or live shows, please visit their website at http://www.splitliprayfield.com.]

[Split Lip Rayfield play CMF, Sat., Sept 7, 8:20 – 9:20, Community Lending of America Stage, Crossroads KC, 417 E 18th, w/ Madisen Ward and the Mama Bear,The Freedom Affair, Shy Boys]

10:23 – Interview with Bill Sundahl

Today we’re featuring music from 15 bands participating in the 15th annual Crossroads Music Fest, on Saturday, September 7, featuring over 35 bands,, on 7 stages all within 3 blocks, in Kansas City’s Crossroads Arts & Music District.

For more information, or to get advance tickets, visit: http://www.cmfkc.com.

And with us for the entire show is our co-host Bill Sundahl, the founder of Crossroads Music Festival and 90.1 FM KKFI’s Development Director.

Bill Sundahl thanks for being with us on Wednesday MidDay Medley

CMF IS A FUNDRAISER FOR 90.1FM KKFI – KANSAS CITY COMMUNITY RADIO

Presented by Community Lending of America, Inc. The 15th Annual KKFI Crossroads Music Fest showcases Diverse Music on 7 Stages, with 35+ Bands, in 3 Blocks, with drum lines & day parties. More info or for advance tickets: http://www.cmfkc.com

CMF Night Stages 7:00 PM to 2:00 AM

Kissick Construction Stage at The Brick – 7:00 PM to 2:00 AM 21+
1727 McGee St, Kansas City – Hosted by Chromatic Contact
The Creepy Jingles 1:00 – 2:00
Amy Farrand & The Like 11:30 – 12:30
My Brothers & Sisters 10:00 – 11:00
Nathan Corsi Band 8:30 – 9:30
Molly Gene & The Gasoline 7:15 – 8:00

10:28 – Kissick Construction Stage at The Brick – 7:00 PM to 2:00 AM 21+

The Creepy Jingles live on stage at The Brick for Crossroads Music Fest September 7, 2019 (photo by Mark Manning)

6. The Creepy Jingles – “Microchip On Your Shoulder”
from: The Creepy Jingles EP / High Dive Records / May 3, 2019
[Debut EP Release from The Creepy Jingles: Jocelyn Olivia Nixon on lead vocals, Rhythm Guitar, & Keyboards; Travis McKenzie on lead guitars, Nick Robertson on drums; and Adam York on bass. From His Dive Records website: “The brainchild of singer/ songwriter, Jocelyn Olivia Nixon acts to guide the listener thru a self-actualized Mono-myth of forging identity thru Bizarre arcane cosmic poetry coupled with the wordplay of a wry smile and eccentric wit. Drummer Nick Robertson charges the group forward with a fiery fueled obsidian backbeat. Adam York delivers pulsing Bass lines that the compliment the songs and his partner in the rhythm section. Rounding out the band is Guitarist Travis McKenzie who generously spins a holographic spectrum of color that lift the catchy Brit pop melodies that effortlessly dance about the rapidly changing landscapes of New York Garage Rock and 60s/70s folk music. Beware The Creepy Jingles, their siren call is coming from inside the house.”]

[The Creepy Jingles play Crossroads Music Fest, Sat., Sept 7, 1:00 – 2:00, Kissick Construction Stage at The Brick 1727 McGee St, Kansas City, w/ Amy Farrand & The Like, My Brothers & Sisters, Nathan Corsi Band, Molly Gene & The Gasoline.]

7. Amy Farrand & The Like – “Sweet Thing”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded with Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”]

[Amy Farrand & The Like play Crossroads Music Fest, Sat., Sept 7, 11:30 – 12:30, Kissick Construction Stage at The Brick 1727 McGee St, Kansas City, w/ The Creepy Jingles, My Brothers & Sisters, Nathan Corsi Band, Molly Gene & The Gasoline.]

10:33 – Underwriting

Today we’re featuring music from 15 bands participating in the 15th annual Crossroads Music Fest, on Saturday, September 7, featuring over 35 bands,, on 7 stages all within 3 blocks, in Kansas City’s Crossroads Arts & Music District.

For more information, or to get advance tickets, visit: http://www.cmfkc.com.

And with us for the entire show is our co-host Bill Sundahl, the founder of Crossroads Music Festival and 90.1 FM KKFI’s Development Director.

Bill Sundahl thanks for being with us on Wednesday MidDay Medley

CMF IS A FUNDRAISER FOR 90.1FM KKFI – KANSAS CITY COMMUNITY RADIO

CMF Night Stages 7:00 PM to 2:00 AM

Josey Records Stage at Josey Records – 7:00 PM to Midnight ALL AGES
1814 Oak St, Kansas City – Hosted by Community Radio KZUM, KKFI, KJHK, KOPN
Hannah Norris & The Band 11:00 – 12:00
The Fey 9:40 – 10:40
Violet & The Undercurrents 8:20 – 9:20
Fred Wickham & the Hadacol Caravan 7:00 – 8:00

10:41 – Josey Records Stage at Josey Records – 7:00 PM to Midnight ALL AGES

8. Violet and The Undercurrents – “Never Meant To Let You Down”
from: “The Captain / Violet Vonder Haar Music / March 1, 2019
[Columbia, Missouri based 4-piece band made up of Violet Vonder Haar on lead vocals & guitar; Linda Bott on bass guitar; Phylshawn Johnson on drums, and Lizzy Weiland on lead guitar. The quartet is anchored by the intrepid songwriting of Violet Vonder Haar and enriched by the creative energy of her musical counterparts. Raised in a small town at the edge of the Missouri River and nurtured by a thriving folk music-centered community, Vonder Haar started honing her craft as a songwriter, performer and vocalist at an early age. She was inspired by her father, a riverboat captain who introduced her to the music of folk legends and encouraged her journey as an artist. More information at: http://www.violetandtheundercurrents.com]

[Violet and the Undercurrents play Crossroads Music Fest, Sat., Sept 7, 8:20 – 9:20, Josey Records Stage, 1814 Oak St, w/ Hannah Norris & The Band, The Fey, Fred Wickham & the Hadacol Caravan]

9. The Fey – “Lost in My Head (Radio Edit)”
from: Lost in My Head – Single / The Record Machine / August 2, 2019
[New single and follow to the band’s July 13, 2018 EP Strawberry Lemonade. The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play Crossroads Music Fest, Sat., Sept 7, 9:40 – 10:40, Josey Records Stage, 1814 Oak St, w/ Hannah Norris & The Band, Violet and the Undercurrents , Fred Wickham & the Hadacol Caravan]

10:49 – Interview with Bill Sundahl

Today we’re featuring music from 15 bands participating in the 15th annual Crossroads Music Fest, on Saturday, September 7, featuring over 35 bands,, on 7 stages all within 3 blocks, in Kansas City’s Crossroads Arts & Music District.

For more information, or to get advance tickets, visit: http://www.cmfkc.com.

And with us for the entire show is our co-host Bill Sundahl, the founder of Crossroads Music Festival and 90.1 FM KKFI’s Development Director.

Bill Sundahl thanks for being with us on Wednesday MidDay Medley

CMF IS A FUNDRAISER FOR 90.1FM KKFI – KANSAS CITY COMMUNITY RADIO

CMF Night Stages 7:00 PM to 2:00 AM

Missouri Bank Stage at The Parlor – 7:00 PM to Midnight 18+
1707 Locust Street, Kansas City – Hosted by Found Sound KC
Miki P & The Swallowtails 11:00 – 12:00
Una Walkenhorst 9:30 – 10:30
Crystal Rose 8:00 – 8:45
Ensemble Iberica 7:00 – 7:45

10:54 – Missouri Bank Stage at The Parlor – 7:00 PM to Midnight 18+

10. Miki P – “I Get Lost”
from: Swallowtail – EP / Miki P/ September 1, 2018
[1st single of new EP from Miki P, with The swallowtails, a follow up to her debut full length album Dome of Swallows from last year. Labeled: “Introspective pop music with lyric-driven folk influences, mixed with collaborative energy & an odd pairing of instruments, Miki P locked in with the Swallowtails create a moment with music written and arranged from the heart.” Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She was a featured vocalist with The Band That Fel to Earth – Bowie Tribute in January. She has played Boulevardia, Middle of the Map Fest, Royal’s Kaufman Stadium, recordBar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

[Miki P & The Swallowtails play Crossroads Music Fest, Sat., Sept 7, 11:00 – 12:00 Missouri Bank Stage at The Parlor , 1707 Locust Street, Kansas City, w/Una Walkenhorst, Crystal Rose, Ensemble Iberica]

11. Crystal Rose – “Come Alive”
from: Come Alive – Single / Crystal Rose / May 6, 2016
[Debut single release from Kansas City based singer songwriter and UMKC journalism student Crystal Rose who plays live with Paige Turner on guitar, Peter Marten on guitar, and Robert Castillo on bass. ]

[Crystal Rose plays Crossroads Music Fest, Sat., Sept 7, 8:00 – 8:45 Missouri Bank Stage at The Parlor , 1707 Locust Street, Kansas City, w/Una Walkenhorst, Miki P & The Swallowtails, Ensemble Iberica.]

11:00 – Station ID

Madisen Ward and the Mama Bear live on stage at KC Crossroads for Crossroads Music Fest September 7, 2019 (photo by Mark Manning)

12. Madisen Ward and the Mama Bear – “Childhood Goodbye”
from: Radio Winners – EP / Glassnote Records / July 27. 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover of a classic track, reinterpreted in their own incredibly beautiful performace of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear CMF, Sat., Sept 7, 11:00 – 12:00 Community Lending of America Stage, Crossroads KC, 417 E 18th, w/ Shy Boys, Split Lip Rayfield, Freedom Affair.]

Madisen Ward and the Mama Bear on the September 4m 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Madisen Ward and Ruth Whitlock Ward

Madisen Ward and the Mama Bear headline the 15th Annual Crossroads Music Fest, on the KC Crossroads Stage. Madisen Ward and the Mama Bear recorded their debut album, The Skeleton Crew in Nashville, on Glassnote Records, with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman. Madisen Ward and the Mama Bear have toured across the U.S., and Europe and were featured on CBS Sunday Morning, The Today Show, “Later With Jools Holland and have played Bonnaroo, Pilgramage, Newport Folk Festival, and Ryman Theatre.

Madisen Ward and Ruth Whitlock Ward thanks for being with us on WMM.
More info at: http://www.madisenwardandthemamabear.com

Madisen Ward and the Mama Bear consists of singer-songwriter and guitarist Madisen Ward and Guitarist and vocalist Ruth Ward. They are a modern soulful/folk music duo from Independence, Mo. The band’s debut album Skeleton Crew, produced by Jim Abbiss, known for his award-winning work with Arctic Monkeys and Adele, captures Madisen Ward and the Mama Bear in their most natural setting. The two tracked most of the tracks live, sitting across from one another in the recording studio. They didn’t use a click track. With help from a handful of session musicians, the two Wards captured the sound they’d been making since those coffeeshop days. The album was recorded in Nashville, Tennessee. The album reached number 50 on the UK Albums Chart on June 14, 2015.

The Skeleton Crew, was released May 19, 2015 and was our most played record on WMM that year and was #1 on WMM’s The 115 Best Recordings of 2015.

In 2015, The duo appeared on Late Show with David Letterman, Later… with Jools Holland, BBC Breakfast News, CBS News Sunday Morning, and Today (U.S. TV program). That same year, the band performed in the USA, Canada and Europe, including Bonnaroo Music Festival, Newport Folk Festival, Americana Music Festival & Conference.
They also supported The Tallest Man on Earth, Sufjan Stevens, Pixies, Rodrigo y Gabriela, and Old Crow Medicine Show.

On tour, their backing band consists of Brent Kastler (Bass), Tom Hudson (drums) and Bryce Veazey (Guitar).

Upcoming Shows

Sat, Oct 12,- Madisen Ward and the Mama Bear, Live at The High Watt, Nashville, TN

Sun, Oct 13, – Madisen Ward and the Mama Bear, Live at Levitt Shell, Memphis, TN

The duo released The Radio Winners (EP) in July 2018. They worked with Grammy-winner Nathan Chapman — a producer on Taylor Swift’s first five albums — and Ryan Hadlock, best known for his work with the Lumineers.

Madisen Ward and the Mama Bear have a New Song and New Video: “Started With a Family” – Published on Aug 6, 2019 – Shot at iconic Blackbird Studios in Nashville. Produced by Nathan Chapman.

This is the seventh time Madisen Ward and the Mama Bear have joined us live on WMM.

We first played Madisen Ward and the Mama Bear’s “Whole Lotta Problems” on May 8, 2013 from their self produced We Burned The Cane Field Down / Independent / October 6, 2012. Their debut EP was recorded in Kansas city’s Element Studios with recording by Joel Nanos who passed this release on to me back then and said he hadn’t ever heard anything quite like it.

Madisen Ward and the Mama Bear played live on our shows on July 10, 2013, November 20, 2013, July 9, 2014, September 24, 2014, and came back to see us on November 18, 2015, and September 20, 2017.

Ruth Ward said it was her brother who turned her onto Folk Music. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record.

In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007.

Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs

In 2015 Madisen Ward and the Mama Bear signed to Glassnote Entertainment Group
_________________________________________________________________________

Mesfin Fekadu Review of “Radio Winners”

Mother-and-son duo Madisen Ward & the Mama Bear could have the album of the year

By Mesfin Fekadu | AP Music Writer Jul 31, 2018, 12:20pm CDT

Ruth Ward (left) and her son Madisen Ward of Madisen Ward & the Mama Bear performing at the Forecastle Music Festival in Louisville, Ky., in 2016. | AP
The idea of a mother-and-son musical duo is adorable enough. What’s even better with Madisen Ward & the Mama Bear’s “The Radio Winners” is that the music is good.

Really good. As in a contender for album of the year.

The new EP from the Kansas City duo of Ruth Ward and her son Madisen Ward is an exceptional six-song set of beautiful storytelling and piercing lyrics woven into folk, rock, roots and acoustic sounds.

They have been building buzz by performing at coffee shops, music festivals and concerts promoting their excellent 2015 debut album “Skeleton Crew.”

They’ve mastered harmonization, and the tunes are rich and relatable.

Madisen Ward’s vocals are striking and intense, with Ruth Ward coming in with ease and at the perfect moments, especially on “Hell and Back” and “Family Treason.”

They co-wrote each song, also working with Grammy-winner Nathan Chapman — a producer on Taylor Swift’s first five albums — and Ryan Hadlock, best known for his work with the Lumineers.

“The Radio Winners” by Madisen Ward and the Mama Bear. | Glassnote
_________________________________________________________________________

11:13

13. Madisen Ward and the Mama Bear – “Walk In the Park”
from: Radio Winners – EP / Glassnote Records / July 27. 2018

[Madisen Ward and The Mama Bear CMF, Sat., Sept 7, 11:00 – 12:00 Community Lending of America Stage, Crossroads KC, 417 E 18th, w/ Shy Boys, Split Lip Rayfield, Freedom Affair.]

11:17 – Interview with Madisen Ward and Ruth Whitlock Ward

Madisen Ward and the Mama Bear who headline the 15th Annual Crossroads Music Fest, on the KC Crossroads Stage. Madisen Ward and the Mama Bear recorded their debut album, The Skeleton Crew in Nashville, on Glassnote Records, with acclaimed producer Jim Abiss. Their EP Radio Winners was released in 2018.

Madisen Ward and Ruth Whitlock Ward thanks for being with us on WMM.

More info at: http://www.madisenwardandthemamabear.com

On tour, their backing band consists of Brent Kastler (Bass), Tom Hudson (drums) and Bryce Veazey (Guitar).

The duo released The Radio Winners (EP) in July 2018. They worked with Grammy-winner Nathan Chapman — a producer on Taylor Swift’s first five albums — and Ryan Hadlock, best known for his work with the Lumineers.

Madisen Ward ‘s Birthday is August 23.

Dad: Kenneth Ward

Madisen Ward wanted to follow in his uncle’s footsteps, Vincent Ward. He was on The Wire and has been in many other TV shows and films.

Madisen at one time tried doing stand up comedy, which may explain his funny facebook posts which we want to call:

Madisenisms:

“Sometimes instead of typing “Thanks”, I’ll mistakenly type “Tusks”; thank God I haven’t done this while chatting with a Walrus.”

“People are outraged at the Jimmy Johns owner for shooting and killing a beautiful elephant; witnesses say it all happened so freaky fast.”

“A waitress called me sweetie, but moments later she called somebody else sweetie; which showed me she wasn’t ready to commit.”

Madisen Ward and the Mama Bear have a YouTube Channel: “Saturday Morning Cartoons”

Bill Sundahl, Madisen Ward, Ruth Ward, and Mark Manning on the September 4, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:26

14. Madisen Ward and the Mama Bear – “Everybody’s Got Problems”
from: Radio Winners – EP / Glassnote Records / July 27. 2018

[Madisen Ward and The Mama Bear CMF, Sat., Sept 7, 11:00 – 12:00 Community Lending of America Stage, Crossroads KC, 417 E 18th, w/ Shy Boys, Split Lip Rayfield, Freedom Affair.]

11:30 – Underwriting

11:32 – Interview with Bill Sundahl

Today we’re featuring music from 15 bands participating in the 15th annual Crossroads Music Fest, on Saturday, September 7, featuring over 35 bands,, on 7 stages all within 3 blocks, in Kansas City’s Crossroads Arts & Music District.

For more information, or to get advance tickets, visit: http://www.cmfkc.com.

And with us for the entire show is our co-host Bill Sundahl, the founder of Crossroads Music Festival and 90.1 FM KKFI’s Development Director.

Bill Sundahl thanks for being with us on Wednesday MidDay Medley

CMF IS A FUNDRAISER FOR 90.1FM KKFI – KANSAS CITY COMMUNITY RADIO

CMF Free Day Parties – Noon to 5:00 PM

Josey Records – Noon to 5p (Free DayParty) & 7p to Midnight ALL AGES
1814 Oak St, Kansas City
Hosted by KKFI 90.1 FM
Timbers 4:15 – 5:00
Lauren Krum & Fritz Hutchinson 3:00 – 3:45
Kirsten Paludan 1:45 – 2:30
Future Jazz KC 12:30 – 1:15

Brewery Imperial – Noon to 5 (Free Day Party) ALL AGES
1829 Oak St, Kansas City – Hosted by Kansas City Area Development Council
Gullywasher 4:00 – 5:00
Hadiza. 2:30 – 3:30
Shapiro Bros. 1:00 – 2:00
True Lions 12:00 – 12:45

11:39 – CMF Free Day Parties – Noon to 5:00 PM

15. Kirsten Paludan & The Key Party – “Up All Night”
from: Up All Night / Independent / December 21, 2013
[Recorded at Element Studios, KCMO, February – November 2012. Produced by Kirsten Paludan and David Gaume. Engineered and mixed by David Gaume. Additional tracking on ‘Siberia’ by Joel Nanos. Cover artwork: ‘Moon’ by Jeremy Rockwell. Design: Studio Ike. Photo: Jeffrey McKee. Kirsten Paludan sings with the popular Kansas City super group: Starhaven Rounders playing Classic Country & Western with: Mike Alexander, Katie Benyo, Colm Chomicky, Adam Stafford, Bill Sundahl, and Wade Williamson.]

[Kirsten Paludan plays Crossroads Music Fest, Sat., Sept 7, 1:45 – 2:30 Josey Records 1814 Oak St w/ Timbers, Lauren Krum & Fritz Hutchinson, Future Jazz KC]

16. Gullywasher – “Sunshine Steam”
from: Gullywasher / Independent / July 27, 2018
[Kansas City based band formed in April 2017 with Chris Hudson on guitar & vocals, Susan Cedarquist Brewington on fiddle & vocals, Sam Wright on banjo & vocals, and Matt Cathlina on bass.]

[Gullywasher plays Crossroads Music Fest, Sat., Sept 7, 4:00 – 5:00 at Brewery Imperial , 1829 Oak St, Kansas City w. Hadiza., Shapiro Bros., True Lions.]

17. Hadiza. – “God is 7”
from: Gone – EP / Hadiza./ December 29, 2018
[Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin. Hadiza. is a singer-songwriter who wants you to know SHE IS NOW BASED IN KANSAS CITY. Previously based in her hometown of Iowa City, she has spent the past year slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano. Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy. If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform]

[Hadiza. plays The 15th annual Crossroads Muic Fest, Saturday, September 7, 2:30 – 3:30 at Brewery Imperial , 1829 Oak St, Kansas City w/ Gullywasher, Shapiro Bros, True Lions.]

11:50 – Interview with Bill Sundahl

Today we’re featuring music from 15 bands participating in the 15th annual Crossroads Music Fest, on Saturday, September 7, featuring over 35 bands,, on 7 stages all within 3 blocks, in Kansas City’s Crossroads Arts & Music District.

And with us for the entire show is our co-host Bill Sundahl, the founder of Crossroads Music Festival and 90.1 FM KKFI’s Development Director.

Bill Sundahl thanks for being with us on Wednesday MidDay Medley

Presented by Community Lending of America, Inc. The 15th Annual KKFI Crossroads Music Fest showcases Diverse Music on 7 Stages, with 35+ Bands, in 3 Blocks, with drum lines & day parties. More info or for advance tickets: http://www.cmfkc.com

Midwest Music Foundation Free Musicians’ Health Care Clinic – 11:00 – 5:00 PM
at Blue Cross and Blue Shield of Kansas Cit, 2301 Main, KCMO 64108.

Midwest Music Foundation along with The RockDocs, a collaboration of University of Kansas and the Community Health Council of Wyandotte County, present a Free Musicians’ Health Care Clinic that will offer information, screenings, wellness programs, opportunities to discuss health conditions and concerns and arrange follow-up opportunities. Stop by and ‘take a minute for yourself.’
________________________________________________________________

MixMaster Music Conference at CMF – 12:00 – 5:00 PM
at Blue Cross and Blue Shield of Kansas City, 2301 Main, KCMO 64108.
MixMaster Music Conference produced by Silly Goose Records
Musicians Professional Development Seminar – Panels/Workshops/Performance

MixMaster Music Conference is a music community event that brings local artists and music industry professionals together to share information, connect, collaborate, and showcase some of the best local Lawrence and Kansas City region talent. _________________________________________________________________

We’ve been having so much fun with Bill Sundahl talking about the 15th annual Crossroads Music Fest, on Saturday, September 7, featuring over 35 bands, on 7 stages, all within 3 blocks, in Kansas City’s Crossroads Arts & Music District. For more information, or to get advance tickets, visit: http://www.cmfkc.com

Bill Sundahl thanks for being with us on Wednesday MidDay Medley

11:57

18. Shapiro Brothers – “So Lonesome I Could Cry”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. All songs written by Mikal Shapiro, except “Almost Ready” was written by Mikal Shapiro and Chad Brothers. Shapiro Brothers played a special EP Release show, November 3, at The Brick, with Grady Keller from Old Sound and Spectator from St. Louis. Shapiro Brothers also played Apocalypse Meow 9, on November 5, at recordBar, with Madisen Ward and the Mama Bear, Rachel Mallin and The Wild Type, Emmaline Twist, The Invisible World, Nicholas St. James, Crystal Clayton, and Jake Wells.]

[Shapiro Brothers play The 15th annual Crossroads Muic Fest, Saturday, September 7, 1:00 – 2:00 at Brewery Imperial , 1829 Oak St, Kansas City w/ Gullywasher, Shapiro Bros., True Lions.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, September 11, Leo Wetherwill and The Rev. Dwight Frizzell talk about Dwight playing the bridge, The band Fathers joins us live in our 90.1 FM Studios. And Poet Jen Harris stops by the show.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #801

Wednesday MidDay Medley presents Madisen Ward + 15th Annual Crossroads Music Fest

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 4, 2019

Madisen Ward and the Mama Bear
+ Music from the 15th Annual Crossroads Music Fest
with Guest Co-Host Bill Sundahl

Wednesday MidDay Medley features music from 15 bands participating in KKFI’s 15th annual Crossroads Music Fest, Saturday, September 7th, 11:00 am to 3:00 am, featuring over 35 bands, on 7 stages, within 3 blocks in KC’s Crossroads Arts & Music District. Mark spins tracks from: Madisen Ward and the Mama Bear, Shy Boys, Split Lip Rayfield, The Freedom Affair, Arquesta Del SolSoul, Amy Farrand & the Like, The Creepy Jingles, Violet & the Undercurrents, Miki P & The Swallowtails, The Fey, Shapiro Brothers, Hadiza., Kirsten Paludan, Crystal Rose, and Gullywasher.

At 11:00 We welcome Madisen Ward and Ruth Ward of Madisen Ward and the Mama Bear who headline the 15th Annual Crossroads Music Fest, on the KC Crossroads Stage. Madisen Ward and the Mama Bear recorded their debut album, The Skeleton Crew in Nashville, on Glassnote Records, with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman. Madisen Ward and the Mama Bear have toured across the U.S., and Europe and were featured on CBS Sunday Morning, The Today Show, “Later With Jools Holland and have played Bonnaroo, Pilgramage, Newport Folk Festival, and Ryman Theatre. Their EP Radio Winners was released in 2018. More info at: http://www.madisenwardandthemamabear.com

Bill Sundahl, 90.1 FM KKFI’s Development Director joins WMM as co-host to share details about the 15th Annual Crossroads Music Fest including Midwest Music Foundation’s Free Musicians’ Health Care Clinic, 11:00 AM to 5:00 PM at Blue Cross & Blue Shield of Kansas City, 2301 Main. CMF also presents MixMaster Music Conference, 11:00 AM to 5:00 PM at Blue Cross & Blue Shield of Kansas City, 2301 Main, produced by Silly Goose Records bringing together local artists and music industry professionals to share information, collaborate, and showcase some of the best musical artists from Lawrence and Kansas City. More info or for advance tickets: http://www.cmfkc.com

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #801

WMM Playlist from July 10, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, July 10, 2019

Nan Turner & Chase Horseman + Jade Osborne
+ Chris Hudson & Chad Brothers + Serene Fiend +
The Moose & Nathan Reusch of The Record Machine

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

Chase The Horseman

2. Chase The Horseman – “Disinformation Blues (Radio Edit)”
from: Disinformation Blues EP / Chase The Horseman / July 12, 2019
[music and lyrics by Chase Horseman. Recorded and Mixed by Joel Nanos and Chase Horseman at Element Recording. Mastered by Joel Nanos. Drums by Ian Dobyns, bass by Skylar Cowdry, guitar/vocals/synthesizers by Chase Horseman. Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, & producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, and many more. Chase The Horseman released the single “U Martyr U” June 19, 2018, and the single “Modern Ruins” on Oct 4, 2018.]

[Chase Horseman plays a Double EP Release Party at miniBar, Fri, July 12, 9:00 PM w/Nan Turner]

Chase Horseman & Nan Turner on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:04 – Interview with Nan Turner and Chase Horseman

Nan Turner is one half of the critically acclaimed band Schwervon! Nan has been called the “Lucy Ricardo of Indie Rock.” She also performs as Nan & The One Night Stands. Her new EP is called For Champs and Losers, Version 2 and was Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman.

Chase The Horseman

Chase the Horseman is a band, film composer, multi-instrumentalist, audio engineer, and producer. He has composed music for over 36 films and as musician has collaborated with Clairaudients, Teri Quinn, Heidi Lynne Gluck, KD Kuro, and many more.

Nan Turner and Chase Horseman are playing a Double EP Release Party at miniBar, 3810 Broadway, KCMO, Friday, July 12, at 9:00 PM with Breaka Dawn & LosCauz.

Nan Turner and Chase Horseman thanks for being with us on WMM.

Chase the Horseman’s new EP is called Disinformation Blues.

Nan Turner’s new EP is called For Champs and Losers, Version 2. Chase Horseman helped produce and record and played on Nan’s new EP.

Nan Turner

Nan wrote on facebook about her new EP: “This whole thing started out as an experiment, but I have to say I’m proud as hell with how it turned out. I was just going to record one or maybe two songs. HA HA Welcome to my FIVE SONGER!!! Some songs were written out of heartbreak and some just made me laugh. Just doing this was transformative…stuff was moving around, it was cathartic. I allowed myself to “write bad songs”. I highly recommend doing that because there’s bound to be a gold nugget somewhere in the bunch if you give yourself permission. Me and my guitar got reacquainted. We were “dancing in the dark.” I’ve never quoted Bruce Springsteen before,. but also I didn’t know I was going to record this EP, so you know. I’m rolling with shit. I had the luxury of working with Chase Horseman every week or two…giving myself ample time to add/rework stuff. I took the slow road and enjoyed the process. Chase has great ears and is uber-talented in his own right and he’s releasing an EP called Disinformation Blues on July 12, as well. He and Ian Dobyns (Dreamgirl, Chase The Horseman) were my rhythm section on a few of these tracks and brought the songs to life in the way they needed but I didn’t know they needed (just MORE one nite stands I’m adding to the crew ha ha)!”

Chase has been out of town premiering new music he created for film.

Frida the dog help in the production.

http://chasethehorseman.bandcamp.com

http://nanturner.bandcamp.com

10:15

Nan Turner

3. Nan Turner – “Strong”
from: For Champs and Losers, Version 2 / Nan Turner / July 12, 2019
[All songs by Nan Turner. Recorded, Mixed, and Co-Produced at Winky World in Kansas City, by Chase Horseman. Mastered by Alan Douches at West West Side Music, New Windsor, NY. Ian Dobyns plays drums on tracks 1, 2, and 4. Chase Horseman plays bass on tracks 1, 2, and 4.]

[Nan Turner plays a Double EP Release Party at miniBar, Fri, July 12, 9:00 PM with Chase Horseman]

John Mark Aladeen & Jade Osborne on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:19 – Interview with Jade Osborne & John Mark Aladeen

Jade Osborne has performed nationally and internationally as a solo artist and with Voler – Thieves of Flight Performance Ensemble. She is a Non-Profit Arts Facilitator; International Performance Artist & Workshop Leader; Capoeira Beribazu Professora; AcroYoga Montreal & AcroFitness Instructor; Voler Aerial Acrobatics Instructor; Shamanic Yoga Instructor; and NEA & U.S. Dept. of Ed Grant Recipient.

John Mark Aladeen Studied at Stratford Career Institute for relaxation therapies, the School of Metaphysics in Springfield, Missouri, and The International Center for Reiki Training in Southfield, Michigan. He is a multi-instrumentals who has played with the critically acclaimed Dub Sutra. He has also performs at Kansas City Renaissance Festival.

Jade Osborne and John Mark Aladeen join us to share details about “The Shift Show” running July 19 through July 27 for the 15th annual KC Fringe Festival at Union Station in the H&R Block City Stage, at 30 W. Pershing Road, KCMO.

Jade Osborne, John Mark Aladeen, thanks for being with us again on WMM.

Both Mark and Jade work at Aquarius.

Jade recently preformed in a special outdoor event INTER RELATION >SHIP at Washington Square Park with Calvin Arsenia and John Baker as part of her “Fifty Shows of Jade.”

Jade was the person that introduced Calvin to WMM listeners on the radio on July 20, 2011 when she brought Calvin with her as one of the composers for her Voler Theives of Flight show for KC Fringe that was produced in the Kansas City Ballet Todd Bolender Dance Space.

There was an altar constructed during INTER RELATION >SHIP with Calvin Arsenia and John Baker a few weeks ago. Jade is recreating and extending the voices and memories into the next performance, The SHIFT SHOW.

Jade writes: “Rituals breathe life into my story. Constructing an altar…The deliberate placement of meaningful items is meditative and brings my mind peace and purpose.”

Jade Osborne from her KC Fringe production “The Shift Show” July 19 – July 27 at Union Station in the H&R Block City Stage

Five performances! At Union Station City Stage.
7/19 @ 7:30p
7/21 @ 3:00p
7/23 @ 6:00p
7/26 @ 9:00p
7/27 @ 4:30p

Tickets with Fringe button.
http://kc-fringe.ticketleap.com/the-shift-show

Jade Osborne, John Mark Aladeen, thanks for being with us again on WMM.

Jade Osborne’s KC Fringe production “The Shift Show” is running July 19 through July 27 at Union Station in the H&R Block City Stage, at 30 W. Pershing Road, KCMO. http://www.kcfringe.org

10:33 – Underwriting

Chris Hudson & Chad Brothers

10:35 – Interview with Chris Hudson & Chad Brothers

Chris Hudson & Chad Brothers are here in our 90.1 FM Studios to perform a couple songs from their 2019 album, “Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. Chad Brothers plays in the bands Old Sound, Shapiro Brothers, and Super Massive Blackholes. Guitarist, singer songwriter, musician and visual artist, Chris Hudson is also a teacher through Kansas City Young Audiences.

Chris Hudson & Chad Brothers thanks for being with us on WMM.

Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. They decided to combine forces with their dual guitar work around Chris’s vocals. released April 23, 2019

from: https://chrishudson.bandcamp.com

“Premonition Scenes” is a great duo collaboration of two of Kansas City’s finest musicians.. Chris Hudson(Gullywasher) and Chad Brothers(Old Sound, Shapiro Brothers, Super Massive Blackholes) came together in the spring 2018 and started recording Chris’s EMO Americana original solo songs when they decided to combine forces and put some excellent guitar work around Chris’s lyrics, music and vocals, the trade off guitar work between them is unbelievable interwoven stuff, capturing a one of kind performance, All recorded live in Chad’s home studio.

Chris Hudson: Guitar, Vocal’s and SongWriting Chad Brothers: Guitar, Engineering, Mixing and Production.

Chris Hudson’s band Gullywasher includes Susan Cedarquist Brewington on fiddle & vocals, Sam Wright on banjo & vocals, & Matt Cathlina on bass.

http://www.gullywasher.com

10:41

4. Chris Hudson and Chad Brothers– “No Getting Over” (LIVE)
also available on: Premonition Scenes / Gullywasher-Chud / April 23 2019
[Chris Hudson on guitar & vocals and song writing. Chad Brothers on guitar. Produced, Engineered, and mixing by Chad Brothers]

Chris Hudson & Chad Brothers are here in our 90.1 FM Studios to perform a couple songs from their 2019 album, “Premonition Scenes” that came together a year ago when the two were recording Chris’s original solo songs in Chad’s home studio. Chad Brothers plays in the bands Old Sound, Shapiro Brothers, and Super Massive Blackholes. Guitarist, singer songwriter, musician and visual artist, Chris Hudson is also a teacher through Kansas City Young Audiences.

Chris Hudson & Chad Brothers thanks for being with us on WMM.

Chris Hudson on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Chris Hudson a Kansas City Native. He is a classical guitarist, guitarist, musician, composer, multi-instrumentalist, singer songwriter, teacher and visual artist. Chris is a member of the band Gullywasher.

Chad Brothers on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Chad Brothers is a native of Winfield Kansas. He is a veteran of the Kansas City and Lawrence music scene, and a frequent collaborator with Mikal Shapiro (his wife), Scotty Stanton, Alexis Barclay, and many others.

Upcoming Shows:

Chad Brothers plays Mike Kelly’s Westsider, 1515 Westport Rd, KCMO, Thursday, July 11, at 9:00 PM.

Chris Hudson & Friends play Mike Kelly’s Westsider, 1515 Westport Rd, KCMO, Thursday, July 18, at 9:00 PM.

Chris Hudson’s band Gullywasher plays Madrigall, 1627 Oak St, KCMO, Saturday, July 20, at 8:00 PM with Of Tree, Super Massive Black Holes, and Ben Hoppes.

Chris Hudson with the Gullywasher Duo plays Hook Gallery on Friday, July 19 at 8:00PM.

Chris Hudson plays Ollie’s Local, 3044 Gillham Rd., for Saturday Storytellers, on August 3, at 5:00 PM with Melissa Weinman.

Chris Hudson plays Songbird Sundays with John Keck at The Mockingbird Lounge, 204 Orchard St. KCK, Sunday August 11, at 8:00 PM.

Gullywasher plays The Westport Saloon, 4112 Pennsylvania Ave, KCMO on Friday August 1, at 8:00 PM with Calamity Cubes! and Big Cedar Fever.

10:54

5. Chris Hudson and Chad Brothers– “We Wake” (LIVE)
also available on: Premonition Scenes / Gullywasher-Chud / April 23 2019
[Chris Hudson on guitar & vocals and song writing. Chad Brothers on guitar. Produced, Engineered, and mixing by Chad Brothers]

Chris Hudson & Chad Brothers thanks for being with us on WMM.

11:00 – Station ID

6. Blue False Indigo – “Letter”
from: More Light / Blue False Indigo / September 7, 2018
[They call their music “Spooky-Folk.” Makayla Scott on vocals & guitar; A.J Reynolds on vocals & keys; and Kara LePage on vocals & bass started the band in October 2013, in Springfield, Missouri.]

[Blue False Indigo play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with NuBlvckCity and The Moose. Sponsored by Mid-Continent Public Library and The Record Machine.]

7. The Moose – “Everyday Low Price”
from: Live Sessions Single / The Record Machine / July 13, 2019
This song is also available on: The First Real Encounter / The Moose / December 21, 2018
[The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein joining in 2016. The Moose released their debut full length album, The First Real Encounter, on December 21, 2018.]

[The Moose play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with NuBlvckCity, and Blue False Indigo. sponsored by Mid-Continent Public Library and The Record Machine.]

The Moose

11:06 – Interview with The Moose and Nathan Reusch of TRM

Nathan Reusch is founder of The Record Machine, a homegrown record label started in 2003. Originally created to promote music from Kansas City & Lawrence, TRM has grown to turnout records from bands all across the country. Nathan is also co-founder & curator of the Middle of The Map Fest.

Jake Hilger, Alex Huffman, Emma Klein and Tyler Frey, are members of the band The Moose an alternative band from Lee’s Summit, formed in 2016.

The Moose and Nathan Reusch are to share details about What’s Next KC, Sat, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO. This is an all ages, family friendly event featuring: NublvckCity, The Moose, and Blue False Indigo. There will be concessions available and a BBQ Food Truck. Sponsored by Mid-Continent Public Library and The Record Machine.

The Moose is an alternative band from Lee’s Summit, Missouri: a suburb of Kansas City.

Originally formed by Jake Hilger, Alex Huffman, and Tyler Frey in the summer of 2016, they were later completed with the additions of Emma Klein in August 2016.

The Moose began as a psychedelic, neo-rock band in the summer of 2016.

Jake Hilger, Alex Huffman, Emma Klein and Tyler Frey on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Jake Hilger on keyboard, synths, guitar and vocals
Alex Huffman on bass and vocals
Tyler Frey on guitar and vocals
Emma Klein on percussion & vocals

Tyler, humored the idea after a choir show at their high school just outside of Kansas City, Missouri. Their plan went into full effect after the addition of Emma Klein (percussion and vocals). The group built their headquarters in Klein’s basement, hiding the cement walls with posters of their influencers: The Beatles, Tame Impala, and Electric Light Orchestra; and textile sheets separating their studio from their main base.

After many rumors of The Moose becoming an official band, the members spontaneously decided to have a Halloween Bash— costumes required— and unwarrantedly advertised so with posters all over their high school. Completely filling the backyard of Tozier’s house, fans all dressed up and singing classic rock covers with their new favorite band.

Because of the positive feedback from the Halloween bash, The Moose released their first single in February 2017, “New Kind Of Love,” which brought the band 15,000 listens and multiple bar shows with their name as the headliner.

The Moose’s success heightened after their performance at Battle of the Bands in Kansas City— winning first place and a cash prize. And once Frey— the oldest in the group— graduated from high school, summer kicked off, the band started taking their careers more officially.

In August of that year, The Moose released their first self-titled EP overflowing with classic psychedelic rock, and alternative sounds. The band did not receive as much support they originally began with but still sustained their local fan base, enabling them to continue bar shows and other small events.

After Middle of the Map Fest, and a concert at the recordBar in Kansas City, senior year was winding down for the rest of the band members. Parker Tozier who had joined the with Emma Klein in 2016, decided to pursue his aspirations at an out-of-state college, dropping the band from five to four.

The Moose released their debut album “The First Real Encounter” in December of 2018 on the winter solstice of 2018. They now prepare for a tour of the Midwest in the springtim

http://www.musicofthemoose.com

With backgrounds in choir, jazz band, and years of playing, each member implements their own unique touch to each track. The Moose’s “sound” includes ingredients of a funky alternative- pop/synth-rock genre, with heavy influences from neo-psychedelic bands k.

The Moose has played numerous shows and locations, such as: the recordBar, Llywelyn’s Pub, The Roxy, Aftershock, 825 Studios, and The Nelson-Atkins Museum,

The Moose won 2017 Shuttlerock: Teen Battle of the Bands at The Nelson-Atkins Museum. Winning the Battle of the Bands later gained them a spot on the Middle of the Map Festival Lineup, where artists such as Lewis Delmar, Jason Isbell, and De La Soul headlined.

Nathan Reusch, Jake Hilger, Alex Huffman, Emma Klein and Tyler Frey, thanks for being with us on WMM.

11:23

8. The Moose – “Exclusive”
from: Live Sessions Single / The Record Machine / July 13, 2019
also available on: The First Real Encounter / The Moose / December 21, 2018
[The Moose is an alternative band from Lee’s Summit, formed in 2016 by Jake Hilger, Alex Huffman, and Tyler Frey with Emma Klein and Parker Tozier joining in 2016. The Moose released their debut full length album, The First Real Encounter, on December 21, 2018.]

[The Moose play What’s Next KC, Saturday, July 13, at 6:00 PM at Legacy Park Amphitheater, 901 NE Bluestem Dr, Lees Summit, MO., with NuBlvckCity, and Blue False Indigo. sponsored by Mid-Continent Public Library and The Record Machine.]

11:28 – Underwriting

Daniel Glascock and Joel Bonner of Serene Fiend on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:30 – Interview with Joel Bonner & Daniel Glascock of Serene Fiend

Joel Bonner and his Serene Fiend live bandmate Daniel Glascock join us to share the radio broadcast debut of Serene Fiend’s flagship single, “Unto Myself” from the upcoming Serene Fiend album “Elegies and Effigies.” Serene Fiend is an industrial rock artist from Lawrence, KS that blends pop and glam sensibility with nuances of the various movements within the industrial subgenre. All of Serene Fiend’s music is composed, produced, and recorded by Joel Bonner. When Serene Fiend plays live Sam Piper & Daniel Glascock are part of the band. Sam Piper & Daniel Glascock play in the band Hyper Mortal.

Serene Fiend plays Lawrence Field Day Fest 2019, hosted by I Heart Local Music, on Friday, July 19, at The Granada Theater, Lucia Beer Garden + Grill, The Bottleneck, and White Schoolhouse with “all ages” shows for the entire festival. Info at http://www.lfkfielddayfest.com

Joel Bonner & Daniel Glascock thanks for being on WMM.

I Heart Local Music writes: “In the ever-evolving attempt to bring electronic music back into Lawrence’s scene, another musician has switched gears– this time leaning towards a more industrial sound.”

I Heart Local Music continues “It comes from an unlikely source. Serene Fiend is the latest project from Joel Bonner, the man who’s been bringing animated live shows and rockabilly licks to Lawrence over the past year with his band The Boot Stompers. It’s unsurprising that his buzzing and provocative guitar style carries over to this project, though he’s piled it on with a lot more synths and electronic beats.”

11:37

Serene Fiend

9. Serene Fiend – “Unto Myself”
from: Unto Myself – Single / Vitality Records / July 10, 2019
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. All instruments programmed and performed by Joel Bonner. Synth solo programmed and performed by Daniel Glascock. Written, recorded, mixed, and mastered by Joel BonnerI Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.” ]

[Serene Fiend plays Lawrence Field Day Fest, sponsored by I Heart Local Music, Friday, July 19, at 7:30 at The Granada Theatre, Lawrence, Kansas.]

Chase Horseman, Nan Turner, Daniel Glascock and Joel Bonner on the July 10, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:41 – Interview with Joel Bonner & Daniel Glascock of Serene Fiend

Joel Bonner and his Serene Fiend live bandmate Daniel Glascock join us to share the radio broadcast debut of Serene Fiend’s flagship single, “Unto Myself” from the upcoming Serene Fiend album “Elegies and Effigies.”

Joel Bonner, & Daniel Glascock of Serene Fiend thanks for being on WMM.

Unto Myself lyrics:

I’m not afraid to die, I’m just afraid of loss
My strength means nothing if I’m not tough enough
I am an effigy – new possibility
I must be decimated to be built back up

And I will die unto myself
And I will try to heal myself
All for you

Sacrosanct as our romance, I will keep what I am
But the bee hive swarming in my head will be calm instead
I’ll come as you want me, I’ll be everything
The heart wants what it wants and I want to make me better
(to make us better)

And I will die unto myself
And I will try to heal myself
And I will live all for you
I will die unto myself
All for you

And when it all comes crashing down
I just want to lose myself in you

And I will die unto myself
And I will try to heal myself
And I will live all for you
I will die unto myself
All for you

The heart wants what it wants and I want to make me better

Earlier this year Joel Bonner released “Environ” by Serene Fiend, released May 14, 2019 – an ambient project written and recorded in one day across three three-hour blocks of time, hence the track titles.

1. Morning 15:08
2. Afternoon 08:48
3. Evening 08:12

Joel Bonner & Daniel Glascock of Serene Fiend, please stand by.

11:55

10. Serene Fiend – “Just Wont Go Away”
from: Sowing Discord / Vitality Records / July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.”]

[Serene Fiend plays Lawrence Field Day Fest, sponsored by I Heart Local Music, Friday, July 19, at 7:30 at The Granada Theatre, Lawrence, Kansas.]

11. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, July 17, we talk with the band L A Jones. Enrique Javier Chi of Making Movies drops by for a chat about his show at Knuckleheads, Betse Ellis and Clarke Wyatt and members of Short Round Stringband join us live in our 90.1 FM Studios, and Fally Afani shares music from Lawrence Field Day Fest 2019, hosted by I Heart Local Music, on Thursday, July 18 through Saturday, July 20, at The Granada Theater, Lucia Beer Garden + Grill, The Bottleneck, and White Schoolhouse with “all ages” shows for the entire festival.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #794

WMM Playlist from March 20, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 20, 2019

Mike Alexander & Hipshot Killer
+ Patrick Alonzo Conway & Gamelan Genta Kasturi
+ New & MidCoastal Releases

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

Radkey

2. Radkey – “Spiders”
from: No Strange Cats…P.A.W. / The Century Family / February 22, 2019
[This new 7 song EP is essentially a collection of the band’s most recent singles. It comes after the January 11, 2019 release of No Strange cats…Spiders – EP a 6 song EP of several new songs mixed with several singles from late 2018. Isaiah, Dee, and Solomon Radke of the critically acclaimed rock trio Radkey joined us live in our 90.1 FM studios on September 5, 2018 to talk about their performance at recordBar with Quixotic Performers, as headliners for the 14th Annual Crossroads Music Fest. Radkey was formed in 2010 in St. Joseph, where the brothers were raised. The family moved to Kansas City several years ago. The band has released two full-length recordings — “Dark Black Makeup” in 2015 and “Delicious Rock Noise” in 2016 — plus multiple EPs and singles, and recently were part of a MasterCard advertising campaign on digital billboards in NYC along with a national television commercial that aired during the Grammy Awards that brought the band to the attention of Jack White who asked the band to tour with him. After Crossroads Music Fest the band went back on the road playing shows with The Damned throughout the United States. In December they went back into the studio to record songs for this release with producer Bill Stevenson of the California punk rock group Descendants. In early 2019 they played shows in Amsterdam and Stockholm. Last year the and released “Basement” , “St. Elwood” “Rock & Roll Homeschool” as well as several other singles.]

[Radkey plays The Bottleneck, 737 New Hampshire St, Lawrence, KS, Friday, March 22, at at 7:00 PM with special guests: Drop A Grand, The Bad Ideas, and Wick & The Tricks.]

3. Metric – “Now or Never Now (Radio Edit)”
from: Art of Doubt / MMI-Crystal Math Music-BMG / September 11, 2018
[7th full-length record, from Canadian band Metric founded in 1998 in Toronto, Ontario. Emily Haines on lead vocals, synthesizers, guitar, tambourine, harmonica, piano; James Shaw on guitar, synthesizers, theremin, backing vocals; Joshua Winstead on bass, synthesizers, backing vocals; and Joules Scott-Key on drums & percussion. Although the band is Canadian, Haines was born in India to American parents, and Winstead and Scott-Key are American. The band started in 1998 as a duo formed by Haines and Shaw with the name “Mainstream”. After releasing an EP titled Mainstream EP, they changed the band’s name to Metric. The band’s first studio album, Old World Underground, Where Are You Now?, was released in 2003. Live It Out, released in 2005, was nominated for the 2006 Polaris Music Prize for the “Canadian Album of the Year” and for the 2006 Juno Awards for “Best Alternative Album”. Their third studio album, Grow Up and Blow Away, was recorded in 2001; it was initially planned as their debut album, but was delayed for many years and finally released, with some changes, in 2007. Metric’s fourth album Fantasies was released in 2009. It was shortlisted for the 2009 Polaris Music Prize for “Canadian Album of the Year”, and won the “Alternative Album of the Year” at the 2010 Juno Awards. Metric also won the 2010 “Group of the Year”. The fifth Metric studio album, Synthetica, was released in 2012. The band won two awards at 2013 Juno Awards: “Alternative Album of the Year” for Synthetica & “Producer of the Year” for Shaw. The art director/designer/photographer Justin Broadbent also won an award for “Recording Package of the Year” for Synthetica. Metric’s sixth album, Pagans in Vegas, was released in 2015. Art of Doubt, was produced by Justin Meldal-Johnson.]

[Metric plays The Truman, 601 E. Truman Road, KCMO, Thursday, March 21, at 8:00 PM]

Yola

4. Yola – “Faraway Look”
from: Walk Through Fire / Easy Eye Soud – Nonesuch Records / February 22, 2019
[Yolanda Quartey was born 1984. Known professionally as Yola. She is an English singer-songwriter, from Bristol, England. She became the lead singer of the band Phantom Limb, who released their first album in 2010. She also sang backing vocals for Massive Attack. Yola released her first EP, Orphan Offering, in 2016. In February 2019, she released her debut album Walk Through the Fire on Dan Auerbach’s Easy Eye Sound label, to much acclaim. AllMusic called it “an extraordinary record, one designed to be part of a grand musical tradition, and it contains enough emotion and imagination to earn its place within that lineage.”]

5. Soultru – “Can You Keep A Secret”
from: Soultru & Progeny / Fake Four Inc. / December 25, 2018
[ Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little. Soultru is the latest signing to Kansas City label The Record Machine.]

[Soultru plays SoundMachineKC on Saturday, May 4, at 8:00 PM, with The Freedom Affair, and Duncan Burnett.]

6. Rina Mushonga – “In a Galaxy”
from: In a Galaxy / Rina Mushonga / February 15, 2019
[Rina Mushonga was born in India and raised in Harare, Zimbabwe. She attended college in the Netherlands and eventually moved to Peckham, in London, where her music career ignited. As a child she learned to play guitar and piano and began writing her own songs. She names her influences as Paul Simon, Oliver Mtukudzi, Nina Simone, and Fleetwood Mac. She started out by playing at open-mike nights in Harare. Her 2014 debut, The Wild, The Wilderness, was recorded while she was living in the Netherlands and released on Sony Music. The album contained a folk/rock-influenced sound in the vein of her early influences, but Mushonga was unsatisfied, feeling she was unable to express her authentic self. It was only after she moved to Peckham, a multiculturally rich neighborhood of London, that she felt more at home and able to explore her African heritage in music. The resulting album took five years, as she juggled making music with working and caring for her young daughter. She made a demo with Frans Verburg in Rotterdam, recorded with Brett Shaw at his studio in Peckham, and eventually released “In a Galaxy” on PIAS in 2019. The album has a rich, kaleidoscopic sound incorporating elements of Afro-pop, indie, and electro into a catchy yet experimental whole. ~ John D. Buchanan, Rovi]

7. Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / May 25, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

[Mysterious Clouds play recordBar 1520 Grand Blvd, KCMO, TONIGHT, March 20, at 8:00 pm, opening for The Bright Light Social Hour with Sea Moya.]

8. Rufus Wainwright – “Blue (Live)”
from: Joni 75: A Joni Mitchell Birthday Celebration (Live) / Decca / March 8, 2019
[A Joni Mitchell tribute album, celebrating her 75th birthday, features live renditions of the singer’s songs by Brandi Carlile, Norah Jones, Chaka Khan, James Taylor and many others. The record contains a recording of a tribute concert that was held in her honor in Los Angeles last November. The concert was additionally broadcast in movie theaters on February 7th. Percussionist Brian Blade, who made three studio albums and toured with Mitchell, served as the evening’s co-musical director alongside producer and arranger Jon Cowherd. The evening was presented by the Music Center, a non-profit organization that tries to bring artists and communities together with an eye toward enriching the lives of people living in Los Angeles County. “By honoring Joni Mitchell, an amazing iconic artist, the Music Center had an incredible opportunity to bring her music to Los Angeles audiences,” the organization’s president and CEO, Rachel Moore, said in a statement. “Now that experience can be enjoyed by many more Joni Mitchell fans with an album that allows other music legends to shine a light on her artistry.” Rolling Stone reviewed the concert and called it a “moving tribute show.” “The unifying effect of Mitchell’s music rang out with a closing group singalong to ‘Big Yellow Taxi,’ one of the more ebullient standouts from her oeuvre,” the review reads. “The billed artists stood side by side … and belted the number, a bright rumination on the harrowing effects that man has on society. They each delivered solos, then bowed in unison, as a portrait of Mitchell loomed in the background, a fitting homage to an icon whose presence is still felt, even in her absence.”Mitchell herself, who has been battling health issues, did not take the stage at the event. Joni 75: A Birthday Celebration track list: “Dreamland” – Los Lobos with La Marisoul, Xochi Flores and Cesar Castro “Help Me” – Chaka Khan “Amelia” – Diana Krall “All I Want” – Rufus Wainwright “Coyote” – Glen Hansard. “River” – James Taylor “Both Sides Now” – Seal “Our House” – Graham Nash “A Case of You” – Kris Kristofferson and Brandi Carlile “Down to You” – Brandi Carlile “Blue” – Rufus Wainwright “Court And Spark” – Norah Jones “Nothing Can Be Done” – Los Lobos with La Marisoul, Xochi Flores and Cesar Castro “The Magdalene Laundries” – Emmylou Harris “Woodstock” – James Taylor “Big Yellow Taxi” – La Marisoul, James Taylor, Chaka Khan and Brandi Carlile.]

10:29 – Underwriting

Patrick Alonzo Conway on the March 20, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:31 – Interview with Patrick Alonzo Conway

Patrick Alonzo Conway is a Kansas City based composer, performer, educator, and independent musician. He holds a Masters in Music Composition from the UMKC Conservatory of Music. He was a founding member of newEar, and he works with Terrestrial Consort, People’s Liberation Big Band of Greater Kansas City, Chris Hazelton’s Boogaloo 7, and BCR. He is a 2012 recipient of the Charlotte Street Foundation Generative Performing Artist Fellow Award. Patrick Alonzo Conway is also the Director of Gamelan Genta Kasturi.

Patrick joins us to share details about Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO.

Patrick Alonzo Conway thanks for being with us again on WMM.

Gamelan Genta Kasturi – Spring Concert w/ guest Balinese artists: I Ketút Gedé Asnawa, Putu Oka Mardiani, Ni Made Nias Yunirika & Ni Nyoman Nias Yonitika

Sunday March 24, 2019 – 1:00 pm – Nelson Atkins Museum – Atkins Auditorium
FREE and open to the public ticket required at the info desk or http://www.nelson-atkins.org

Funds provided through a grant from the Leo Gilbert Wetherill Foundation

For over 16 years KC’s community Balinese gamelan orchestra, Gamelan Genta Kasturi, has been presenting community concerts.

The group’s founder and family return in a special concert of Balinese Music & Dance featuring original compositions by Mr. Asnawa and traditional classics.

Gamelan Genta Kasturi with Balinese Guest Artists, under the direction of I Ketút Gedé Asnawa, featuring his wife Putu Oka Mardiani Asnawa, and two daughters Yunirika Asnawa & Yonitika Asnawa performing several dances with the music.

Mr. Asnawa has been faculty at the University of Illinois, Urbana-Champaign in conjunction with the Robert E. Brown Center For World Music since leaving KaC in 2006. He & his family maintain an active schedule performing, teaching & promoting Balinese Cultural Arts.

Gamelan Genta Kasturi players:

Patrick Alonzo Conway – director, ugal, trompong, kendang; Sam Hughes – assistant director, pemade, kantilan, ceng ceng kopyak; Roy Alanis – jegogan, ceng ceng kopyak; Matt Brahl – kajar, jublag, pemade, ceng ceng kopyak; Malcolm Cook – pemade, ceng ceng kopyak; David Bennett Freeling – jublag, ponggang; Wesley Isaac – pemade, kantilan, ceng ceng kopyak; Sara Koron – gongs; Sean Mawhirter – jegogan, kajar; Lauren Mola – jublag, pemade, kantilan, ponggang; Julian Schempf – pemade, kantilan, ceng ceng kopyak; Wayne Yockey – suling, pemade; Allan Winkler – ceng ceng, kempur

One of the pieces from the program is Kebyar Ding – I Wayan Regog

This composition is credited with being the first Gamelan work that began the wave of “Kebyar” style that swept the entire island of Bali after it’s introduction in 1915. Kebyar has been interpreted as “lightning”, “the bursting open of a flower” and “explosive”. This style is highlighted by abrupt bursts of sound, shifts in tempo, rapid stops and a style of fast succession of themes within a single piece, in contrast with the more evenly colotomic and structured traditional repertoire of Balinese Gamelan.

10:39

9. Gamelan Genta Kasturi – “Keybar Ding”
from: unreleased track / Gamelan Genta Kasturi / Feb, 2011
[This performance taken from 10th Anniversary Concert.]

Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO.

Patrick Alonzo Conway joins us to share details about Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO. Event is open to the public, more info at: http://www.nelson-atkins.org.

Another piece from the program is Sekar Gadung arranged by I Ketút Gedé Asnawa

This composition is an influential resetting of a traditional sacred gamelan selonding work into gamelan semar pegulingan style.

10:45

7. Field recording of I Ketút Gedé Asnawa neighboring Gamelan group – “Sekar Gadung (Semar Pegulingan style)”

Gamelan Genta Special Thanks: Catherina Mueller – Nelson-Atkins Museum; Laura Isaac – Arts Dojo; Leo Wetherill – Leo Gilbert Wetherill Foundation; Karen Williams – Kindness, Inc.; Wayne Yockey; Thaylia Smith

A gamelan is a traditional musical ensemble from Indonesia, typically from the islands of Java and Bali, featuring a variety of instruments such as metallophones, xylophones, kendang (drums) & gongs; bamboo flutes, bowed & plucked strings. Vocalists may also be included. For most Indonesians, gamelan music is an integral part of Indonesian culture.

The term refers more to the set of instruments than to the players of those instruments. A gamelan is a set of instruments as a distinct entity, built and tuned to stay together – instruments from different gamelan are generally not interchangeable.

Patrick Alonzo Conway thanks for being with us again on WMM.

Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO. Event is open to the public, more info at: http://www.nelson-atkins.org.

10:53

11. Shapiro Brothers – “Almost Ready”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. All songs written by Mikal Shapiro, except “Almost Ready” was written by Mikal Shapiro and Chad Brothers.]

[Shapiro Brothers play The Westport Saloon, 4112 Pennsylvania Ave, KCMO, Saturday, March 23, at 8:00 PM with Grant Sabin and the Juke Joint Highball, and Outside Voices.]

12. Sky Smeed – “If You’re Taught You Learn to Be Mean”
from: Leaving Again / Sky Smeed / February 9, 2019
[Sky Smeed told us that he wrote this song while watching the horrible things that happened in Charlottesville, WV a few weeks ago. It’s influenced by a bunch of things for certain. Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays recordBar, 1520 Grand, on Friday, March 22, at 7:00 PM, with Kelly Hunt.]

11:00 – Station ID

13. Hipshot Killer – “New Gillham Park”
from: All This Time is Ours / Throwing Things / January 16, 2016
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016. Hipshot Killer also released a single on Too Much Rock on October 21, 2016 .]

[Hipshot Killer, play an “All This Time is Ours” LP release show, Saturday, March 30, 2019 at 9:00 PM at miniBar 3810 Broadway Rd, KCMO with Midlife from Springfield MO and KC’s own Arson Class.]

Mike Alexander on the March 20, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:03 – Interview with Mike Alexander

Mike Alexander is lead vocalist & guitarist of Hipshot Killer with Chris Wagner on bass & vocals, and Jon “Buddy” Paul on drums. Hipshot Killer released their debut album Hipshot Killer, on April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016. Hipshot Killer also released a single on Too Much Rock on October 21, 2016. Mike Alexander has been a tireless organizer of the KC area punk scene and has helped to produce multiple years of the Center of the City Fest. Mike also helped to create the 8-song tribute recording, I’ll Repay You: A Benefit for John Fackler – featuring the songs of John Fackler and Jettison . Mike Alexander joins us to share information about Hipshot Killer’s new album All This Time is Ours, and the band’s special – LP Release Show, Saturday, March 30, at 9:00 PM, at miniBar, 3810 Broadway Rd, KCMO, with the Midlife from Springfield MO and KC’s own Arson Class.

Mike Alexander thanks for being with us on WMM.

Drum tracks for All This Time is Ours were recorded at Weights and Measures studio by Duane Trower.

Music tracks were recorded in the bands rehearsal space and then taken back to Weights and Measures to be mastered.

All songs written by Mike Alexander

More information at http://www.hipshotkiller.com

11:12

14. Hipshot Killer – “Breaking the Lease”
from: All This Time is Ours / Throwing Things / January 16, 2016
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016. Hipshot Killer also released a single on Too Much Rock on October 21, 2016 .]

Hipshot Killer

We are talking with Mike Alexander lead vocalist & guitarist of Hipshot Killer with Chris Wagner on bass & vocals, and Jon “Buddy” Paul on drums. Mike Alexander joins us to share information about Hipshot Killer’s new album All This Time is Ours

Mike is also a much sought after guitar player and he regularly performs live and records with John Velghe & The Prodigal Sons, The Starhaven Rounders, and The Architects.

Mike Alexander wrote all the songs on “All This Time is Ours” and then the band further developed them in the recording process.

Hipshot Killer play an All This Time is Ours – LP Release Show, Saturday, March 30, at 9:00 PM, at miniBar, 3810 Broadway Rd, KCMO, with the Midlife from Springfield MO and KC’s own Arson Class. More information at http://www.hipshotkiller.com

11:25

15. Hipshot Killer – “Perfect Midnight Sky”
from: All This Time is Ours / Throwing Things / January 16, 2016
[KC based 3-piece power punk band formed in the fall of 2008. The current line up consists of: Mike Alexander (Revolvers, Architects, John Velge and The Prodigal Sons, The Starhaven Rounders), on guitar & vocals, Chris Wagner (100 Years War, Jackie Carrol, John Velge and The Prodigal Sons) on bass & vocals, legendary drummer Jon “Buddy” Paul, who plays in (The Big Iron, The Revolvers.) The band released their debut record Hipshot Killer, April 29, 2011. The band released their second album They Will Try To Kill Us All on January 16, 2016. It was number 7 in Wednesday MidDay Medley’s 116 Best Recordings of 2016.]

11:31 – Underwriting

16. Durand Jones and The Indications– “Don’t You Know”
from: American Love Call / Dead Oceans / March 1, 2019
[Bayou-born soul sensation, Durand Jones got his start in the church, after being forced to sing in the choir of his rural hometown Hillaryville, Louisiana because his Grandmother thought he sang too much at home. When his music career took him to Bloomington, Indiana, he was selected to join the legendary Indiana University Soul Revue, and it was through his involvement that he met writer/producer duo Aaron Frazer and Blake Rhein. The three began writing original soul music, recording themselves straight to tape in the basements of Bloomington – and their debut album is now available on Colemine Records.]

[Durand Jones & The Indications play recordBar, 1520 Grand, Sat. April 6, at 7:00 with Ginger Root]

17. Payge Turner – “Wyld (feat. The Authors)”
from: Wyld – Single / Payge Turner / September 21, 2018
[4th Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays The Rino, 314 Armour Rd, North Kansas City, Tomorrow, March 21, at 7:00 PM, with Tom West, Chase The Horseman and Erica Joy.]

[Payge Turner plays Voltaire 1617 Genessee St, KCMO, Sat, March 23, at 10:30 PM with Jessica Paige.]

18. Sugarpulp – “Open Yr Mouth”
from: Teeth / Sugarpulp Records / February 22, 2019
[Chicago based rock dance rock glam psych band with Deb Chesterman on keyboards & vocals; Sam Allyn on guitar, synthesizers, & programming; Patrick Riley on drums; and Patrick Foley on bass. All songs written and produced by Sugarpulp. Recorded and Mastered by Mike Hagler.]

[Sugarpulp plays miniBar 3810 Broadway Rd, KCMO, TONIGHT, Wednesday,march 20, at 9:00 PM with Golden Groves, Salty, and Ethan Eckert.]

19. Kill Vargas – “What We Don’t Know”
from: Laugh It Off / Kill Vargas / April 2, 2019
[Wichita, Kansas based band with Logan Bush on drums, Austin Engler on bass, Griffin Bush on guitar & vocals, and Trent Gaddie on guitar]

[Kill Vargas plays Sister Anne’s – Records and Coffee, 901 E 31st St, KCMO Saturday, March 30, 2019 at 5:00 PM with Red Kate, Busey, Ultrasounds, VidCo Kult.]

20. VidCo Kult – “Tim Allen’s Demolition Kitchen”
from:Enrollment Opportunities : Tangential Life Trajectories Ensuring Physical and Spiritual Greatness Through the Power of Devotional Subjugation / Double Double Whammy / March 1, 2019
[VidCo Kult is a musical trio involving Bob Lyons, Tripp Kirby and Keith. They are based in Kansas City, Missouri. Aside from live performances of original material, they mostly argue about comic books and science fiction.]

[VidCo Kult plays Sister Anne’s – Records and Coffee, 901 E 31st St, KCMO Saturday, March 30, 2019 at 5:00 PM with Red Kate, Busey, Ultrasounds, and Kill Vargas.]

21. Adia Victoria – “Different Kind of Love”
from: Silences / Atlantic Recording Corporation / February 22, 2019
[Adia Victoria was born July 22, 1986. She is an American singer and songwriter, known for her “gothic blues” musical style. In addition to playing and writing music, she also writes poetry. She is currently based in Nashville. Adia Victoria was born in Spartanburg, South Carolina and is one of six siblings. Her father is Trinidadian. She was raised as a Seventh-day Adventist and she attended church schools until in the 6th grade, her mother enrolled her in public school. Shortly after, her parents divorced and Victoria began to write poetry and short stories as a means of coping. Being moved from the world of Seventh-day Adventists to a public school was difficult for Victoria, who didn’t feel like she fit in. Victoria and her siblings often spent time with her maternal grandparents who lived near Campobello. She attended Landrum Junior High School in Campobello. Her family also left the Adventist church before Victoria attended high school, which allowed her to explore music she hadn’t been exposed to before, like Kurt Cobain, Miles Davis and Fiona Apple.After high school, she went to New York for a time, in an attempt to “strike it big in a new city.” In 2007, she left New York for Atlanta. On her 21st birthday, a friend gave her a guitar and she began to work with blues music. Victoria moved to Nashville in 2010. She chose Nashville as a place where she could live anonymously. In Nashville, she earned her GED and then took French in college. She began to perform around Nashville. In 2016, she performed at South by Southwest. Her personal “look” was noticed by Vogue for its “Afropop” roots. However, Victoria states that she doesn’t like to be “fetishized” for her looks, saying, “People think that because you are attractive, you owe the world something, to let them consume you.” Victoria began her career with a backing band consisting of Ruby Rogers, Tiffany Minton, and Mason Hickman. Later, she began working with a different group, and they debuted together in January 2016.Victoria’s first single release was “Stuck In the South”, which was described on All Things Considered as a “very swampy mysterious kind of slow-burning song.” Rolling Stone describes her as “PJ Harvey covering Loretta Lynn at a haunted debutante ball.” Her live performances are described by Wondering Sound as angry and “furious and feral.” American Songwriter calls her stage presence “commanding.” Victoria’s full-length debut, Beyond the Bloodhounds, was produced by Roger Moutenot, The name of the album is a reference to Incidents in the Life of a Slave Girl by Harriet Jacobs. The predominant theme of her first album is dealing with life in her twenties. Moutenot has previously collaborated with Yo La Tengo and also produced her first single. Canvasback is her current record label]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on March 27 we welcome Steven Ervay and Savanna Howland of Playlistplay

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #778

Wednesday MidDay Medley presents Hipshot Killer + Gamelan Genta Kasturi

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 20, 2019

Mike Alexander & Hipshot Killer
+ Patrick Alonzo Conway & Gamelan Genta Kasturi
+ New & MidCoastal Releases

Mark spins New & MidCoastal Releases from: VidCo Kult, Kill Vargas, Payge Turner, Radkey, Hipshot Killer, Sky Smeed, Mysterious Clouds, Soultru, Shapiro Brothers, Yola, Metric, Durand Jones & The Indications, Sugarpulp, Rina Mushonga, Adia Victoria, and Rufus Wainwright.

Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO.

At 10:30 Patrick Alonzo Conway shares music and details about Gamelan Genta Kasturi Spring Concert with Asnawa Family, on Sunday, March 24, at 1:00 PM, at The Nelson-Atkins Museum of Art, 4525 Oak St, KCMO. The Spring Concert features guest Balinese artists: I Ketút Gedé Asnawa, Putu Oka Mardiani, Ni Made Nias Yunirika and Ni Nyoman Nias Yonitika. The show features original music composed by I Ketút Gedé Asnawa with choreography and costumes by Putu Oka Mardiani and by I Nyoman Kaler. ​Funds were provided through a grant from the Leo Gilbert Wetherill Foundation. This event is FREE and open to the public, however tickets are required and can be obtained at the Nelson info desk or http://www.nelson-atkins.org.

Hipshot Killer

At 11:00 Mark talks with Mike Alexander of Hipshot Killer about the band’s new album, All This Time Is Ours. Hipshot Killer is a Kansas City power-punk three piece band made up of Mike Alexander on lead vocals & lead guitar, Chris Wagner on bass & vocals, and Jon “Buddy” Paul on drums. Hipshot Killer play an All This Time is Ours – LP Release Show, Saturday, March 30, at 9:00 PM, at miniBar, 3810 Broadway Rd, KCMO, with the Midlife from Springfield MO and KC’s own Arson Class. More information at http://www.hipshotkiller.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #778

WMM Playlist from Sept. 19, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, September 19, 2018

Stephonne Singleton
+ Ted Riederer of Never Records

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Marc Ribot & Fay Victor – “John Brown”
from: Songs of Resistance 1942 – 2018 / Noise Inc. – Anti Record / September 14, 2018
[Written & Arranged by Marc Ribot (Knockwurst Music). Background Vocals: Rea Dubach & Lukas Rutzen, Sax: James Brandon Lewis, Trombone: Curtis Fowlkes, Bass: Tony Garnier , Percussion: Reinaldo de Jesus , Drums: Chad Taylor. With his new album Songs of Resistance 1948 – 2018, Ribot—one of the world’s most accomplished and acclaimed guitar players—set out to assemble a set of songs that spoke to this political moment with appropriate ambition, passion, and fury. The eleven songs on the record are drawn from the World War II anti-Fascist Italian partisans, the U.S. civil rights movement, and Mexican protest ballads, as well as original compositions, and feature a wide range of guest vocalists, including Tom Waits, Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, Fay Victor, Sam Amidon, and Ohene Cornelius. Ribot began working on the project at the end of 2016, responding not just to the American elections, but to the political trends he was seeing around the world. “I am alarmed by Trump and the movement he’s part of,” he says. “I’ve spent a good chunk of my life running around the world on tour—I’m kind of an accidental internationalist—and I see that he’s not an isolated phenomenon. And if we don’t deal with what is going on, it is going to deal with us.” Ribot was born in Newark,NJ in 1954. As a teen, he played guitar in garage bands while studying with his mentor, Haitian classical guitarist and composer Frantz Casseus. He moved to New York City in 1978. He was a member of the soul/punk Realtones, and John Lurie’s Lounge Lizards. Ribot also worked with Brother Jack McDuff, Wilson Pickett, Carla Thomas, Rufus Thomas, Chuck Berry, and many others. Fay Victor was born July 26, 1965. She is an American musician, composer, lyricist and educator. Originally a singer in the traditional jazz field, she has been working in jazz, blues, opera, free improvising, avant-garde, modern classical music, and occasional acting since re-settling in New York in 2003. PROCEEDS TO BENEFIT: THE INDIVISIBLE PROJECT (501c4) http://www.indivisible.org ]

3. Dirty Projectors – “Break-Thru”
from: Lamp Lit Prose / Domino Recording Co / July 13, 2018
[8th studio album from Brooklyn based band, formed in 2002. The band currently consists of primary recording artist and core member David Longstreth (vocals, guitar), alongside longtime bass guitarist Nat Baldwin, Mike Daniel Johnson (drums), Maia Friedman (guitar, keyboards, backing vocals), Felicia Douglass (percussion, keyboards, backing vocals) and Kristin Slipp (keyboards, backing vocals). Since its formation the band has released eight full-length studio albums, and has had numerous lineup changes, with major contributions from guitarist and vocalist Amber Coffman from 2006 to 2013. “If 2017’s Dirty Projectors was the band’s dark night of the soul, Lamp Lit Prose marks a vibrant rebirth. Bright, colorful, and bursting with hope, the music here splits the difference between pop instinct and avant-garde ambition, live-band rigor and super-synthetic production—think Talking Heads for the 2000s. And where lead Projector Dave Longstreth’s songs have, in the past, tended toward high concepts, here he dwells on the rush of simple things: optimism (“Right Now”), romance (“Break-Thru”), and pure, unfiltered excitement (“I Feel Energy”). It features assists from Rostam, Amber Mark, Fleet Foxes’ Robin Pecknold, and HAIM.”]

10:14 – Underwriting

4. Seasaw – “God(zilla)”
from: Big Dogs / Seasaw / September 7, 2018
[4th full-length album from Indie rock band duo from Madison, Wisconsin consisting of: Eve Wilczewski and Meg Golz who met while working in an Italian restaurant in Freeport, Illinois. They realized they had similar taste in music, and began playing together, at first as “BoboMosie,” a CocoRosie cover band and eventually composing originals as Seasaw. Seasaw’s album “Too Much Of A Good Thing” was selected as one of the top five underground albums of the month by The Nerdist in July 2016. The same month, they were named Top Emerging Artist at Wisconsin Summerfest. Their song “Into the White” was one of Daytrotter’s Best Songs of 2016.Seasaw has performed with Lucius, Thao and the Get Down Stay Down, SOAK, Lissie, Mason Jennings, Har Mar Superstar and Shakey Graves.Golz holds a degree in audio engineering from the Madison Media Institute and Wilczewski was a painting major at University of Illinois.]

[Seasaw plays The Rino at 314 Armour Rd, North Kansas City, on Saturday, September 22 at 7:00 pm, with Other Americans And Pink Royal]

5. Other Americans – “Curtis Mayfield”
from: Other Americans EP / AWAL Records / June 29, 2018
[Debut self-titled EP from Julie Berndsen on lead vocals, Adam Phillips on drums, Brandon Phillips on guitar, Zachary Phillips on bass. Hailing from the musical hotbeds of KCMO, and Lawrence, KS, and comprised of members of The Architects, Latenight Callers, Radar State and Brandon Phillips and The Condition, Other Americans is a virtual Midwestern supergroup of sorts. The cohorts first crossed paths in when a mutual friend and matchmaker introduced Brandon Phillips to vocalist Julie Berndsen “We were all looking for something new to do musically, recalls Brandon. “The way I remember it, a mutual friend (KC music producer Joel Nanos) told me that Julie was looking to start something new and I sent her a note about it. We had tacos to see if we liked each other.” The duo enlisted drummer Adam Phillips, bassist Zachary Phillips and late keyboardist Ehren Starks, who passed away suddenly in March 2018, and began writing the material that would become the EP. The band premiered their video for lead single, “Murdering Crows,” directed by artist Adrian Halperin, via The Spill Magazine in May 2018 Superlatively catchy and conjuring up well-intentioned comparisons to Yeah Yeah Yeahs, Fiery Furnaces, and even a jauntier and more aggressive Passion Pit, the new EP captures the excitement and spontaneity that punctuates coastal indie rock while embracing elements of the electronic dance rock that populates midnight warehouse parties. “All the basic tracking [for the EP] was done at Element Recording and was mastered by Joel Nanos,” Brandon Phillips reported. “Then I took it to my spot and worked and reworked it all for a year until it sounded like something none of us had heard before.”. The band’s video for their song, “Make Me Afraid,” was directed by Todd Norris & Mitch Brian./. Illuminated with the knowledge that the journey is as important as the destination, Phillips admits to looking forward to the period of dues paying that their debut brings. “I’m looking forward to all the firsts;. first show. first record. first tour. Magical thinking could have me pining for a post-Grammys Maserati coke party by the sea, but if I’m all wrapped up in making that fantasy come true, I’ll miss the fun of being present for the firsts and the fifths and the tenths.” From there the plan becomes a bit more complicated, “ The ‘Plan” as I see it is to con some major label artist into taking us out as support, steal their identities on laundry day, have reconstructive surgery, then only tour in countries without U.S. extradition treaties,” Brandon jokes. ]

[Other Americans play Plaze Art FAir, Friday, Sept. 21, at 8:00 on Ink! Live Stage]

[Other Americans play The Rino, 314 Armour Rd, NKC, Sat, Sept 22, 7:pm, w/ Seasaw & Pink Royal]

6. Danny McGaw – “You an Me”
from: “You an Me” – Single / Miki P/ September 1, 2018
[Manchester, England born Danny McGaw was a footballer, then a street musician, then a bar music, and then a husband and father living in Lawrence, Kansas, where he released one of our favorite recordings of 2012 – “Eccles Road.” After that he formed the band, Welles The Traveler with Jason Jones, Dan Hines, Chad Brothers, and Mike West, who produced the group’s debut recording. Eventually Danny and family relocated to California. He has made 10 records in 14 years and records his songs in his home studio. Danny is back in KC this week for multiple gigs and to be part of the 87th Annual Plaza Art Fair, Sept. 21-23.]

[Danny McGaw & Friends play Mike Kelly’s Westsider, TONIGHT, Wednesday, Sept. 19]

[Danny McGaw plays recordBar, 1520 Grand Thursday, Sept. 20, at 7:00 pm with 40 Watt Dreams, Supermassive Black Holes, Shapiro Brothers, and The MGDs.]

Danny McGaw & Chad Brothers play The Spikes 10408 Wenonga Ln, Leawood. Sat. Sept. 22, 6:pm]

[Danny McGaw plays Plaza Art Fair, Sunday, Sept. 23, at 3:00 PM.]

Ted Riederer of Never Records

10:30 – Interview with Ted Reiderer

New York artist & musician Ted Riederer joins us to talk about Never Records a collaborative project exploring the potential of a record store and record label to unite, educate, and uplift a community through recorded sound. Never Records began in January 2010, in an abandoned Tower Records near Union Square in New York City. Soon the project expanded to become a mobile record-making lab with Riederer traveling from city to city, opening a vinyl record shop with recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for people who visit the store. Never Records has traveled to: Liverpool, Derry, Ireland, London, Lisbon, New Orleans, Victoria Texas, Amman Jordan, and now Kansas City. Never Records opened in KC on August 25, as part of Open Spaces Kansas City, and runs through October 28, in the Crossroads, at 1611 Oak, KCMO, Wed thru Sunday, 10:00 am to 6:00 pm. More info at: http://www.neverrecords.net.

Ted Reiderer, thanks for being with us today on Wednesday MidDay Medley.

A “one-time refugee from punk and sometime band member,” Ted Riederer has armed himself with painting supplies, electric guitars, amplifiers, old LPs, record players, drum kits, hard disk recorders, photography equipment, a vinyl record lathe, and long-stemmed roses as he’s ambled artistically from the Americas to the Antipodes. His work has been shown nationally and internationally including exhibitions at PS1, Prospect 1.5, Goff and Rosenthal Berlin, Nicole Klagsbrun Gallery, Jack Hanley Gallery (San Francisco), Marianne Boesky Gallery, Context Gallery (Derry, Ireland), David Winton Bell Gallery (Brown University), The University of South Florida Contemporary Art Museum, the Liverpool Biennial, and the Dhaka Arts Center, Bangladesh. His “Never Records” project has traveled from New York, to Liverpool, to Derry, to New Orleans, to Texas, and to London, which was sponsored by the Tate Modern.

Ted Riederer is the Founding Artistic Director of Howl! Happening: An Arturo Vega Project, non-profit gallery/performance space in the East Village. The New York Times has described Howl! Happening as, “Instrumental to the history of the area.” Howl! Happening’s thriving publishing imprint A/P/E has included essays by: Ai Wei Wei, Dan Cameron, Anthony Haden-Guest, Robert Nickas, Michelle Grabner, Michael Musto, C. Carr, Nicole Rudick, John Lyons, and James Wolcott.

Never Records is a mobile record-making lab, using recording equipment and a vinyl record lathe to cut 2, four-minute records on the spot.

New York artist and musician Ted Riederer launched Never Records in 2010 as part of a collaborative project with curators No Longer Empty in the former sales floor of Tower Records’ fabled East Village flagship store. One year later, Never Records had expanded to become a mobile record-making lab, using recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for whoever walks in the door (one copy stays behind in the fast-growing library).
Never Records opened August 25, 2018 as part of Open Spaces Kansas City, and runs through October 28th, 2018, in a storefront space in the Crossroads district of Kansas City. The space is located at 1611 Oak St., Kansas City, MO 64108.

The exhibition will be open from Wednesday – Sunday from 10am-6pm. There will be a series of workshops and special events. A calendar of events will be posted on the Never Records website http://www.neverrecords.net.

from: http://www.neverrecords.sameexhibit.com

Never Records is a combination recording studio and record shop, all operating in one building. The sole proprietor, interior decorator, and engineer is New York-based artist Ted Riederer. Inspired by his own redemptive education at a young age inside the walls of a local record store in Rockville, Maryland as well as the field recording projects of Alan Lomax, Riederer devised his unique community art installation in the early part of this century and has been replicating it with regional variations throughout the world since 2010.

Performers from a locale sign up for recording sessions ahead of time, with no auditions necessary. Riederer usually offers three hour sessions, during which he mixes on the fly and cuts vinyl right in front of the artist’s eyes once both are satisfied with a particular take. The recordings are free to the artist, the sessions are open to the public, and you can’t buy anything you see. Ted hasn’t lowered prices by cutting out the middleman. He is the middleman. He is not a vertical operation; he is an elliptical one, a constant feedback loop supplying its own demand. Still, everyone takes something home, even if it’s the barest speck of record shop camaraderie inadvertently inhaled.

Within the walls of the Never Records shop, visitors can view a gallery of photographs and artwork from previous temporary establishments in the US and UK, as well as flip through stacks of vinyl representing the hundreds of solo folk artists, punk bands, storytellers, jazz groups, and noisicians who jumped at the chance for a free recording session. Black wooden bins hold a curated selection of records from the growing collection, but these aren’t for sale or even trade.

The artist or band is allowed to take their own copy home, and another is added to Riederer’s archives, as well as a digital copy. Riederer encourages bands to use the recording any way they want. There are no fees, royalties, or ownership issues.

“I walk them through the cutting process and show them their sound waves on a microscope. I consider this interaction the real performance of Never Records. The alchemy of cutting never fails to put a smile on participants’ faces. The machine is a new one made by these crazy but wonderful dudes in southern Germany. It is called a Vinyl Recorder and while it may not be able to compete with a $50,000 Neumann cabinet lathe, I can get pure, beautiful, hiss free recordings.”

Beyond the technical aspect of recording, his main job is to maintain the right conditions inside the shop for insecurity-free performances. The right conditions go beyond the gear and the Persian rugs covering the floors. The right conditions exist separately from the poster-covered walls or the fact that the distribution chain from studio to factory to anti-commercial outlet runs about twelve feet. The right conditions include Riederer’s ability to quickly ascertain a band’s influences and capabilities and the vast cross-genre knowledge that allows him to alter his recording methods for each artist. The right conditions have everything to do with musicians in eyesight of each other, no one isolated in a booth. Everyone experimenting without worry because the meter isn’t running on dead air, eating up the credit limit.

Never Records has a slogan. It is YOU ARE NOT LISTENING. Riederer explains, “A lot of people say that certain movements just need a voice. But it doesn’t matter if you have a voice if no one is fucking listening! You can have the most articulate voice, but if no one’s listening, it’s like the voice doesn’t matter. You gotta listen. Someone has to listen, and this process I take very seriously.”

In a world where bands are judged on 30 second samples and MP3s are collected and traded like baseball cards with no thought to the hard work and personalities behind their creation, Never Records creates a physical reminder of what a virtual platform can never truly duplicate.

– Ryan Sparks, New Orleans 2013

Ted writes:

“Practically every week during my adolescence, with the regularity of a parishioner, I visited Yesterday and Today Records in Rockville, Maryland. It was there where I communed with the spirit of Punk, Ska, Mod, and Rock and Roll. It was there where I learned about politics, sex, existentialism, style, and fashion. Yesterday and Today was more like a social library, a meeting place for musicians and artists, than a retail space. Never Records is my love letter to the record store. In the ruins of the one of the great retail giants of the end of the last century, a casualty of modernity and the Great Recession, we will reclaim the spirit of music and commune amongst the wreckage.

Never Records is an ever evolving project. As it continues, I will endeavor to make al of the archive available with links contacts to all the performers and participants. A huge heartfelt thanks to my family and friends and to everyone who has made Never Records such a thriving community.”

10:40 – Samples of recent Never Records recordings here in Kansas City

7. Kelly Hunt – “Dear Sara”
Recorded by Never Records September 14, 2018
[Kelly Hunt performs her adaptation of the Sullivan Ballou Civil War love letter:. Sullivan wrote this letter to his wife one week before he was killed at the Battle of Bull Run.]

8. Kerexu – “Kerexu”

9. Shapiro Brothers – “Hot Cool”

10. SJ Downes (SJ played live in our 90.1 FM Studios)

SJ Downes and Ted Riederer on the September 19, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Ted Riederer, thanks for being with us today on Wednesday MidDay Medley.

Never Records opened in KC on August 25, as part of Open Spaces Kansas City, and runs through October 28, in the Crossroads, at 1611 Oak, KCMO, Wednesday thru Sunday, 10:00 am to 6:00 pm. More info at: http://www.neverrecords.net.

10:50

11. Lovergurl – “Rebel”
from: “Rebel” – Single / Lovergurl / September 14, 2018
[Recorded and mastered with RLT at Audibly Recording. KC based 4-piece band, Lovergurl caught our ear with their synth pop sound and lyrics reflecting social and political messages with hip hop and punk elements. The trio released their EP, The President is a Sex Offender on May 19, 2017. Keyboardist and vocalist, Stephanie Bankston was born and raised in Kansas City, Missouri. She is a graduate of The University of Missouri. She moved abroad in her 20s, and lived in Seoul, Korea, where she played in a mostly female band called BaekMa (“White Horse”). Stephanie returned to Kansas City in the Fall 2015. Brook Worlledge, is 26 years old and is a Kansas City native. She is the band’s drummer and she sings and writes songs for the band. Brook is a defender of the proletariat. Brook’s influences range from The B-52s, The Velvet Underground, and The Brian Jonestown Massacre. Lovergurl guitarist and vocalist, Heather Andrews is also 26. She was born and raised in Rhode Island, and moved to Kansas City in 2011 and fell in love with the city.]

[Lovergurl plays Davey’s Uptown Rambler’s Club Friday, Sept. 21, at 9:00 pm with Jupiter and the Moons, and sMallWaves.]

12. Anna Calvi – “Don’t Beat the Girl Out of My Boy”
from: Hunter / Domino Recording Co / August 31, 2018
[3rd album from London singer. Produced by Nick Launay (Nick Cave) at Konk Studios in London with some further production in LA, the album was recorded with Anna’s band – Mally Harpaz on various instruments and Alex Thomas on drums – with the addition of Adrian Utley from Portishead on keys and Martyn Casey from The Bad Seeds on bass. It has a new rawness, a primal energy into which Calvi pushes the limits of her guitar and voice beyond anything she’s recorded before. Hunter is the embodiment of the feeling of truly letting go. For the songwriter and virtuosic guitarist, it was a catharsis, an opportunity to be more truthful than ever. The first new music since 2014’s collaborative release with David Byrne, Strange Weather EP, her self-titled debut album and the 2013 follow-up One Breath, Hunter is a visceral album exploring sexuality and breaking the laws of gender conformity. A queer and a feminist record, it is galvanizing in its hunt for freedom. It was important to Calvi that it was as vulnerable as it is strong; as beautiful as it is harsh; as much about the hunted as it is about the hunter. But she’s careful not to characterize any of these traits as “masculine” or “feminine” – the whole point is that one person, of any gender, can be both. The power is in the contrast itself; in the way she oscillates between extremes, sounding freer than ever before. She wanted to express herself while being “free from the story that either gender is given, free from worrying how people would judge me on what I want to do with my body & myself. For me, that’s quite a utopian

11:00 – Station ID

13. Stephonne Singleton – “You Are Fire”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University.]

[Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org]

11:05 – Interview with Stephonne Singleton

We have the pleasure of welcoming back to the show singer, songwriter and actor, Stephonne Singleton, who shares music from his album, “Caged Bird Sings Songs About Red Beard” released July 27, 2018 by Glory Blue Music. Stephonne and producer Jamie Searle have created a sound that supports Stephonne’s wide ranging and soulful vocals, and vulnerable lyrics. Searle’s orchestrations and arrangements defy category by infusing rock, jazz, r&b, folk and neo-soul into a sound that is timeless and brand new. Stephonne’s press materials report, “It is the voyage of a red state born gay black man that turned the bitter cold and pain of love lost, love mistaken and love unreturned into a body of work that demands to be heard and never forgotten.” Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org

Stephonne Singleton, Thanks for being with us on Wednesday MidDay Medley

Stephonne released an EP of Caged Bird Sings Songs About Red Beard on April 22, 2016

Calling himself the lovechild of Prince and Billie Holiday, 31 year old singer-songwriter Stephonne Singleton received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University. He works as a musician and actor in Kansas City.

Glory Blue Music is the LLC Stephonne created to support his music, named after a band he was in.

11:15

SJ Downes, Ted Riederer and Stephonne Singleton on the September 19, 2018 edition of Wednesday MidDay Medley o KKFI 90.1 FM.

14. Stephonne Singleton – “Fine Feelin Blue”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University.]

11:19 – Interview with Stephonne Singleton

Stephonne and producer Jamie Searle have created a sound that supports Stephonne’s wide ranging and soulful vocals, and vulnerable lyrics. Searle’s orchestrations and arrangements defy category by infusing rock, jazz, r&b, folk and neo-soul into a sound that is timeless and brand new.

For more information visit: http://www.stephonne.com

Stephonne Singleton, Thanks for being with us on Wednesday MidDay Medley

Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org

11:29

SJ Downes, Ted Riederer and Stephonne Singleton on the September 19, 2018 edition of Wednesday MidDay Medley o KKFI 90.1 FM.

15. Stephonne Singleton – “How I Feel”
from: Caged Bird Sings Songs About Red Beard / Glory Blue Music / July 27, 2018
[Full length debut from Kansas City based singer songwriter and actor, who calls himself the lovechild of Prince and Billie Holiday. 31 year old Stephonne Singleton was born in Kansas City and grew up in the inner-city, of Wyandotte County going to High School at Bishop Ward. He received his Bachelor of Arts degree in Music from Bendictine College and his Masters in Entertainment Business from Full Sail University.]

[Stephonne Singleton will be performing at The Folly Theatre, Friday, September 21, at 8:00 pm, as part of Late Night Theatre’s Las Vegas Legends Show. More info at http://www.follytheatre.org]

11:33 – Underwriting

16. Ivory Blue – “Midas Touch
from: Ready Get Set [EP] / Ivory Blue / June 23, 2015
[Ivory Blue started writing music at the age of 14. An Indiana native, Ivory was given up for adoption at the age of 4, into a family that later caused them to run away at the age of 15. IVORY played coffee houses and small venues before landing in Kansas City in 2010. Ivory was one of the first artists to come-out as Non Binary Transgender, and gained respect from radio, television, and international magazines. In 2017 Ivory was among 1800 bands that competed in neXt2Rock. Ivory won local and regional challenges and advanced to the nationals in Los Angeles, where the top five bands played The Viper Room before judges that included: Scott Borchetta President & CEO of Big Machine Label Records; fashion designer John Varvatos; songwriter & producer Desmond Child; engineer Chris Lord-Alge; Steve Jones of the Sex Pistols; and Gavin Rossdale of Bush. Ivory won the entire competition and the opportunity to record “Ready Get Set” for Big Machine Records / John Varvatos Records. The single was released this summer on June 15, 2018.]

[Ivory Blue plays Behind The Gate With Ivory Blue, Friday, September 21, at 7:00 at 11100 E Winner Rd. Independence MO. 64052 a kick off for the “Behind the Gate” patio concert series to benefit “WestiNd Connection.” private, invite / limited seating. More info at: http://www.ivorybluemusic.com]

17. Amanda Fish – “Free”
from: Free / VizzTone / September 14, 2018
[Amanda Fish began as a singer songwriter in late 2012, refining her original material as a solo act for 2 years before she formed her band in early 2014, a Roots Rock and Soul project featuring Amanda’s signature ‘from-the-gut’ vocals locked into a sturdy groove. In 2015, she released her first LP, “Down In The Dirt”, on VizzTone Label Group, for which she was awarded the 2016 “Sean Costello Rising Star” Blues Blast Music Award. Amanda and her band set Beale Street on fire in the 2017 International Blues Challenge Semi Finals, playing new material slated for her next release.]

[Lakeside Live Series presents: Amanda Fish Band, Friday, September 29, at 6:00 PM at Arcadian Moon in Higginsville, Missouri]

18. Madisen Ward and the Mama Bear – “Everybody’s Got Problems”
from: The Radio Winners / Glassnote Records / July 27, 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occasional cover of a classic track, reinterpreted in their own incredibly beautiful performance of two voices and two guitars in harmony and orchestration. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear play The Madrid, Monday, September 25, at 8:30 pm, opening for The Record Company]

19. Iron & Wine – “What Hurts Worse”
from: Weed Garden – EP / Sub Pop Records / August 31, 2018
[This EP collects extra Iron & Wine tracks written for 2017’s Beast Epic release. Samuel “Sam” Ervin Beam was born July 26, 1974. He is better known by his stage and recording name Iron & Wine, is an American singer-songwriter. He has released six studio albums, several EPs and singles, as well as a few download-only releases, which include a live album (a recording of his 2005 Bonnaroo performance). He occasionally tours with a full band. Beam was raised in South Carolina before moving to Virginia and then Florida to attend school. He now resides in Durham, North Carolina.[ The name Iron & Wine is taken from a dietary supplement named “Beef, Iron & Wine” that he found in a general store while shooting a film.]

[Iron & Wine play The Midland Theatre on Friday, September 21, at 7:00 PM.]

20. Shiner – “Sleep It Off”
from: Lula Divinia / Castle Face / March 11, 1997 / Reissued by Desoto in 2001
[The group formed in 1992, and quickly found wide exposure, releasing a vinyl EP in 1993 and touring with acts such as Sunny Day Real Estate, Chore, Jawbox, Season to Risk, The Jesus Lizard, and Girls Against Boys. The group released their first LP, Splay (recorded at Steve Albini’s Chicago studio) in 1996, and a second album, Lula Divinia the next year. Sub Pop took notice, and released a 7″ single of the group’s songs “Sleep it Off” and “Half Empty”. Following this the band toured with Hum in 1998. A third full-length, Starless, was released on a label run by members of Descendents, Owned and Operated, in 2000. A fourth LP, The Egg, would follow before the group broke up in 2002. This was recorded and produced at Matt Talbott’s recording studio, Great Western Record Recorders in Tolono IL. Allen Epley is in The Life and Times. Shiner’s 3rd studio album, Starless, from 2000, is now available on vinyl.]

[Shiner plays recordbar on Saturday, September 22, at 7:00 pm with The Whiffs and Bummer]

21. Todd Rundgren – “A Dream Goes On Forever”
from: Todd / Bearsville Records / February 1974
[The 5th album and 2nd double album was an expansion of Rundgren’s experimentation on his previous album, A Wizard, a True Star. It showed his growing interest in the synthesizer, and its ability to expand the textures of rock music. Much of the album is intensely experimental. However, it is not without its share of pop songs. Todd also tinkers with the synth-heavy progressive sound he would take further with his later band Utopia. First issues of this LP included a large wall poster; all the lyrics appeared on one side, while the other was Todd’s cover portrait in shades of fine print, consisting of the names of 10,000 fans who had sent in the postcard included with A Wizard, a True Star. Todd Harry Rundgren (born June 22, 1948) is an American multi-instrumentalist, singer, songwriter, and record producer who has performed a diverse range of styles as a solo artist and as a member of the band Utopia. He is characterized for his sophisticated and often-unorthodox music, flamboyant stage outfits, and his later experiments with interactive entertainment. He also produced innovative music videos, pioneered forms of multimedia, and was an early adopter and promoter of various computer technologies, such as using the Internet as a means of music distribution in the late 1990s. A native of Philadelphia, Rundgren began his professional career in the mid 1960s, forming the psychedelic band Nazz in 1967. Two years later, he left Nazz to pursue a solo career and immediately scored his first US top 40 hit with “We Gotta Get You a Woman” (1970). His best-known songs include “Hello It’s Me” and “I Saw the Light” from Something/Anything? (1972), which have heavy rotation on classic rock radio stations, and the 1983 single “Bang the Drum All Day”, which is featured in many sports arenas, commercials and movie trailers. Although lesser known, “Couldn’t I Just Tell You” (1972) was influential to many artists in the power pop genre. His 1973 album A Wizard, a True Star remains an influence on later generations of “bedroom” musicians. Rundgren organized the first interactive television concert in 1978, designed the first color graphics tablet in 1980, and created the first interactive album, No World Order, in 1994. Additionally, he was one of the first acts to be prominent both as an artist and as a producer. His notable production credits include Badfinger’s Straight Up (1971), Grand Funk Railroad’s We’re an American Band (1973), the New York Dolls’ New York Dolls (1973), Meat Loaf’s Bat Out of Hell (1977) and XTC’s Skylarking (1986).]

[Todd Rundgren plays the Crossroads KC on Saturday, September 22, at 8:00 PM.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday September 26, we’ll play more New & Local Releases. Plus Nathan Bowman and members of the Kansas City Public Theatre joins us in the studio.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #752

WMM Playlist from July 25, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 25, 2018

Shy Boys + Heidi Lynne Gluck + Keaton Conrad
+ Sid Sowder & Too Much Rock

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Soccer Mommy – “Last Girl”
from: Clean / Fat Possum Records / March 2, 2018
[Soccer Mommy is the stage name of bedroom pop and indie rock musician Sophie Allison. Allison was born in Switzerland and grew up in Nashville, TN. She attended Nashville School of the Arts, a speciality high school where she studied guitar and played in the swing band. She first picked up a guitar at age 6, which prompted her to start making music. She began posting home-recorded songs to Bandcamp as Soccer Mommy in 2015, during the summer when she was about to leave for college at New York University, where she studied music business. While in college, she played her first show as Soccer Mommy at the community art space Silent Barn in Bushwick, Brooklyn, and shortly after landed a record deal with Fat Possum.She dropped out after a year in 2017 to return to Nashville and pursue her music career. Since beginning her career as Soccer Mommy, Allison has released two full-length albums. Her first, For Young Hearts, was released in 2016 on Orchid Tapes. Her second album, Collection, was released in 2017 on Fat Possum Records. Her debut album proper, titled Clean, was released on March 2, 2018. She has toured with Mitski, Jay Som, Slowdive, Frankie Cosmos, Phoebe Bridgers and others]

[Soccer Mommy opens for Stephen Malkmus and the Jicks at recordbar, Sunday, July 29, at 8:00 PM.]

3. The Philistines – “1971”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Steve Gardels on drums, Rod Peal on guitar; Josh Mobley on keyboard, and Barry Kidd on bass. For this record Michelle Bacon played bass & backing vocals. Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play Jackpot Music Hall, 943 Massachusetts Street, in Lawrence, Kansas Friday, July 27, for the Serene Fiend Album Release Show at 9:00 PM.]

[The Philistines play The Riot Room, 4048 Broadway, Kansas City, MO., Monday, July 30, at 7:00 PM with in The Whale.]

[The Philistines play The Rino, 314 Armour Rd, North Kansas City, Sunday, August 19, at 7:00 PM, with Dream Version, and Westerners]

4. Under the Big Oak Tree – “Dear Brother”
from: The Ark / Under The Big Oak Tree / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).

[Under The Big Oak Tree play a CD Release! Matinee Show, Sunday, August 26 at 5:00 PM, at Replay Lounge, 946 Massachusetts St, Lawrence, KS with Signal Ridge.]

[Under The Big Oak Tree play a CD Release! in St. Joe, Wednesday, August 29 at 8:00 PM, at Unplugged, 2605 Frederick Avenue, Saint Joseph, MO]

[Under The Big Oak Tree play a CD Release! in Kansas City, Friday, August 31 at 8:00 PM, at Mike Kelly’s Westsider, 1515 Westport Rd, Kansas City, MO]

5. The Hollow Ends – “The Low”
from: Bears in Mind / Brave New Records / July 27, 2018
[Debut album from St. Louis, Missouri based singer-songwriter Zachary Schwartz who tracked the record in his bedroom. The record was mixed and mastered by Ben Majchrzak at Native Sound.]

[The Hollow Ends play The Brick, 1727 McGee, KCMO, on Saturday, July 28, at 7:00 pm with Luther Vincent, and Lily Brown.]

6. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

7. Kyle Nachtigal – “Feeling This Way”
from: High Considerations / Kyle Nachtigal / April 20, 2018
[Originally from Springfield, Missouri, this talented guitarist, singer and songwriter has lived in Nashville, Tennessee, since 2009. He studied at Belmont University in the Music City and dedicated himself to full-time music making in February of 2016 which got him out on the road. In his travels he kicks it through Kentucky, meanders to Missouri, then heads back to Tennessee before wandering up to Illinois or down to Arkansas for a few gigs. Yes, the guy stays busy playing his style of percussive, melodic rhythm guitar on a custom designed Craig Southern model backing up his smooth and appealing voice. He works off a song list ranging from unique mashups to top shelf originals, plus all kinds of styles in between since he can “jump effortlessly between folk, rock, hip hop and jazz” without breaking a cool sweat. He released the seven-track recording titled Fort Dakota in 2016 and continues on the solo music adventure as a contemporary troubadour out to make music for the people. – Tom Irwin, IllinoisTimes, 10/26/17]

[Kyle Nachtigal plays Westport Saloon, 4112 Pennsylvania Ave, KCMO, on Friday, July 27, at 8:00 PM, followed by Duncan Hill and the Electric Prairie Surfers, and The Widowmakers.]

8. The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / Expected August 10, 2018
[Full Length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass,folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.”]

[The War and Treaty played an Official Showcase at Folk Alliance International Conference]

10:30 – Underwriting

9. Shy Boys – “Take The Doggie”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. This was the first single from their upcoming full length release.]

10:35 – Interview with Shy Boys

Shy Boys

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys originally formed as a trio in 2012 with brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin (of The ACB’s fame). The three shared a love for 1960s era pop rock and started writing their own music. Kyle Little and Ross Brown (of Fullbloods) joined to make Shy Boys a 5-piece. In 2014 Shy Boys released their self-titled debut on High Dive Records. Their single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles. “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that Shy Boys had signed to Polyvinyl. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being on WMM

Band member Kyle Little had to work at his job at Retro Inferno and couldn’t be with us on the radio.

We gave Ross Brown a little kidding, asking him if he should change his name to Kevin or Carl so as to fit in more phonetically with Collin, Kyle, Konnor, and Kyle.

Shy Boys – Bell House
Shy Boys album art was done by Kit Landwehr

On the Bandcamp page for Shy Boys there is an essay written by fellow Kansas City area musician Kevin Morby who now lives in Los Angeles.

Being in a band is a sacred thing.
Being in a band in 2018 is a sacred thing.
Being from the Midwest is a sacred thing.
Being in a band that is from the Midwest in 2018…

Consider Shy Boys – DIY local champions of Kansas City, MO, who if you add it all up, are something sacred. Comprised of brothers Collin and Kyle Rausch and best friends Konnor Ervin, Kyle Little and Ross Brown, Shy Boys are the heartland’s answer to The Beach Boys had Alex Chilton been on guitar.

But if a harmony falls into a microphone in the middle of America does anyone really hear it? Some do. Take for instance Shy Boys’ 2014 self-titled debut on local Kansas City label, High Dive Records – I first came across this album while living in Los Angeles and catching wind of a band from my home town that I was told could “actually sing,” and after the first spin, through the muddy fidelity, man, could they actually sing.

Shy Boys’ history isn’t too dissimilar from any other Midwestern band. Like the many Replacements or Husker Düs before them – they exist neither here nor there, but instead, somewhere anonymously in the middle. And though you may not find the same opportunity floating in the middle as one would Here or There, you are allotted a certain amount of time and space to grow both yourself and your craft into what you want it to be. Over the past four years, that is exactly what Shy Boys have done and that is what brings us here today.

On August 3, 2018, the world will see the release of their second record, Bell House, out on legendary and globally cherished record label Polyvinyl, bringing both their profile and music to the surface for the first time.

The album’s title is taken from the band’s beloved headquarters – the old house on Bell Street in Kansas City where they lived together for the better part of 5 years.

“‘Lived’ is a loose term,” says lead songwriter Collin. “It was more like a bum den than anything else. There was a giant hole in the floor of the kitchen that had a piece of plywood over it. In the backyard, weeds got like 6 feet high in the summer. It was its own thriving biome. We lived in trash.”

Musically, Collin describes the songs on Bell House taking shape through “a group of guys trying to get through some sort of mutual identity crisis. The lifestyle became overwhelming and really seeped into the music.”

In the time since the release of ST, Collin saw himself falling in love and getting married, leaving the old house on Bell Street, and moving back into his mom’s house with his wife in a suburb of the city. It’s here where the songs of Bell House were born. Being back under the same roof he had grown up in where there was “still writing on the walls from childhood,” Rausch found himself reflective and looking out at his life as a whole.

Take closing track “Champion” for instance, a song Collin says is dedicated to his and Kyle’s mother. “It’s just a note saying that she took care of us when we were young, and now it’s time for us to be there and take care of her.”

The reflective spirit sprinkled throughout the album is also evident on lead single, “Take The Doggie,” a bouncy, guitar driven track centered around wanting to secretly rescue their neighbor’s dog from an abusive owner, or on album highlight “Evil Sin,” which tackles the memory of drummer/bassist Konnor Ervin getting robbed.

But through all of this, Rausch kept his passion in his band, if even for nothing more than to – in his own words – have an excuse to keep hanging out with his brother and best friends.

“I have to keep Shy Boys alive to have a regular excuse to hang out with them,” says Collin. “To keep the band alive, I have to write songs. To be able to travel with my buddies, there has to be a new record.”

There is an old term that’s kicked around in country music called a “blood harmony” – in which two people in the same blood line, usually siblings, harmonize with one another in real time. Perhaps that is Shy Boys’ magic touch, putting them just a notch above all the other angels out there in the indie rock choir, and it makes sense, though no longer practicing evangelicals, Collin and Kyle grew up singing besides their parents in their church choir, so their keen sense of harmony is nothing new to them, but instead a life practice devoted to the voice as an instrument.

The result is Bell House, and the result is beautiful. There is something sensitive to the touch about this album, which is perhaps another way of saying that, well – Shy Boys are indeed Shy Boys. I envision the band as a solid unit, with each moving part as an equal. There is a heavy sense of family in everything they do both, literally and figuratively. Bruce Springsteen’s 1980 song “Highway Patrolman” always seems to come to mind;

“Yeah me and Franky out laughing and drinking,
Nothing feels better than blood on blood.”

-Kevin Morby

Polyvinyl Recording Company based in San Francisco is home to may bands we love and play on Wednesday MidDay Medley: Of Montreal, The Get Up Kids, Anna Burch, Jay Som, Xiu Xiu, Psychic Twin and more.

“Something Sweet: is the third single released from the band’s upcoming album. It came out today.

10:44

10. Shy Boys – “Something Sweet”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown.]

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Kyle Rausch, Collin Rausch, Ross Brown, and Konnor Ervin of Shy Boys on the July 25, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being with us on Wednesday MidDay Medley.

Konner Ervin talked about the status of The ACBs., and that there is a full length album, completely recorded, sitting in the vault waiting for the best opportunity to be released.

We talked with Ross Brown about Full Bloods and their critically acclaimed February 26, 2016 release Mild West released through High Dive Records. It was the second full length from Fullbloods. The band is made up of: Ross Brown, Jared Tomasino, David Seume, & Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).

Collin and Kyle Rausch talked about how Mike Nolte, who is a friend of the band and has worked on their recordings shared the band’s debut album with cohorts at Polyvinyl. When the band was getting ready to make a new album, Polyvinyl came calling.

Shy Boys released “Evil Sin” their 2nd single, with a video written & directed by Kyle Little

10:55

11. Shy Boys – “Evil Sin”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co. ]

[Shy Boys plays a Record Release Show, Sat, August 4, at 8:00 PM at recordBar, 1520 Grand, KCMO.]

11:00 – Station ID

12. Keaton Conrad – “(If I Told You to) Stay”
from: (If I Told You to) Stay – single / Keaton Conrad / July 20, 2018

11:04 – Interview with Keaton Conrad

Keaton Conrad

KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, being regarded as “exceptionally promising” by The Kansas City Star and “making things happen on stages … with an engaging voice and passion for creating good music” from Ink Magazine. In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad’s newest single “(If I Told You to) Stay” is set to be released on July 20th, 2018. A lyric video will be coming out soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of the Lenexa Outdoor Concert Series, September 16.

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

19 year old Kansas Native, Keaton Conrad records all of his own music in his home studio, mixing and mastering it all.

On “(If I Told You to) Stay” Jake Soltow plays bass, and Keaton Conrad plays everything else.

Keaton grew up in Olathe, Kansas (as did Calvin Arsenia, and Duncan Burnett). Keaton sang in High School Choir and performed in Olathe North West High School musicals.

11:12

13. Keaton Conrad – “What Am I Supposed to Do?”
from: What Am I Supposed to Do? – Single / Keaton Conrad / May 26, 2017
[19 year old Kansas native, Keaton Conrad released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on January 27, 2017.]

We’re talking with KC musician and recording artist Keaton Conrad who joins us live in our 90.1 FM Studios. Keaton Conrad just released his new single “(If I Told You to) Stay” on Friday, July 20th. A lyric video will be coming soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16.

Keaton Conrad on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Keaton Conrad is navigating the KC Music Scene while also getting ready for his second year in college at University of Missouri at Kansas City.

“Biscayne” was a single from Keaton Conrad’s 2017 album Waves

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16. More information at http://www.keatonconradmusic.com

11:25

14. Keaton Conrad – “Biscayne”
from: Waves / Keaton Conrad / January 27, 2017
[Debut full length from 19 year old Kansas native]

11:28 – Underwriting

11:30 – Interview with Heidi Lynne Gluck & Sid Sowder of Too Much Rock

Heidi Lynne Gluck and Sid Sowder on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Lawrence, Kansas based songwriter, producer, singer and multi-instrumentalist, Heidi Lynne Gluck is a originally from Manitoba, Canada. After transplanting herself from the plains of Manitoba to the midwestern plains of the United States, Heidi quickly became an in demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including: The Roseline, Approach, Josh Berwanger, Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. In 2015 Heidi released her critically acclaimed EP, Only Girl In The Room, last year on Lotuspool Records. In 2016 Heidi Lynne Gluck released her full length album called, Pony Show, also on Lotuspool, and on vinyl. Heidi Lynne Gluck joins us to share her new 7″ vinyl 45 rpm release through Too Much Rock. Heidi Lynne Gluck plays a Too Much Rock Single release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem.

Heidi Lynne Gluck, Thanks for being with us on Wednesday MidDay Medley

Also joining us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, and Red Kate have all recorded for the Too Much Rock Single Series.

Sid Sowder, Thanks for being with us on Wednesday MidDay Medley

More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

11:37

Too Much Rock Single Series – Heidi Lynne Gluck

15. Heidi Lynne Gluck – “Party Line” [7” Vinyl]
from: Party Line – Single b/w “Good Guys and Bad Guys” / Too Much Rock / August 3, 2018
[Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

We are talking with Heidi Lynne Gluck who plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO.

Too Much Rick – Single Series

16. Heidi Lynne Gluck – “Good Guys and Bad Guys” [7” Vinyl]
from: Good guys and Bad Guys – Single b/w “Party Line” / Too Much Rock / August 3, 2018
[Written by members of Camper Van Beethoven. Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

Heidi Lynne Gluck and Sid Sowder, Thanks for being with us on WMM

Heidi Lynne Gluck – Too Much Rock Single Series

Heidi Lynne Gluck plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem. More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

17. Heidi Lynne Gluck – “Waiting For You To Say It”
from: Pony Show / Lotuspool Records / August 26, 2016

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 1, Calvin Arsenia joins us for the entire show to play live and share tracks from his new recordings. Also joining us is writer and reporter CJ Janovy, who will talk about her new book, No Place Like Home, Lessons in Activism from LGBT Kansas, from University Press of Kansas.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #744

WMM Playlist from July 18, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 18, 2018

Tim Finn + Howard Iceberg & Pranav Nanda & Mom’s Demand Action
+ Cheryl Kimmi & Kansas City Fringe Festival 2018

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Courtney Barnett – “Nameless, Faceless”
from: Tell Me How You Really Feel / Mom+Pop / May 18, 2018
[Lead single from Tell Me How You Really Feel is the second studio album by Australian singer-songwriter Courtney Barnett. It was released on 18 May 2018 by Barnett’s Milk! Records, Mom + Pop Music, and Marathon Artists. The album was recorded in Melbourne with producer Burke Reid, who also worked on Barnett’s previous solo album, Sometimes I Sit and Think, and Sometimes I Just Sit. Barnett was joined on the album by her live rhythm section of Bones Sloane (bass, backing vocals) and Dave Mudie (drums, backing vocals), as well as guitarist Dan Luscombe of The Drones. The album also features guest appearances from the Deal sisters, Kim and Kelley. In 2012 Barnett started her own label, Milk! Records, and released her first EP I’ve Got A Friend Called Emily Ferris to glowing reviews around Australia. From 2011 – 2013 Barnett was a member of Australian psych/country band Immigrant Union, a musical project founded by Brent DeBoer of The Dandy Warhols and Bob Harrow. Along with sharing vocal duties Barnett predominantly played slide guitar and features on their second studio album ‘Anyway’. DeBoer also played drums on her first EP ‘I’ve Got A Friend Called Emily Ferris’. Barnett received international critical acclaim in 2013 with her second EP How To Carve A Carrot Into A Rose. Barnett combined the 2 releases into The Double EP: A Sea of Split Peas.]

[Courtney Barnett plays The Truman, 601 E. Truman Road, KCMO, TONIGHT, July 18, at 8:00 pm.]

3. Vacationer – “Being Here”
from: Mindset / Downtown Records / June 22, 2018
[The third full-length from Vacationer, Mindset is built on delicate melodies and crystalline rhythms that seem to alter the very texture of the world around you. Ornately composed but breezy in energy, Vacationer’s warm-hearted dream-pop perfectly mirrors frontman Ken Vasoli’s intentions in making the album. “The objective was to write songs that remind me how my brain needs to operate for my own wellbeing and happiness,” Vasoli says. “That’s where the title comes from—the record’s filled with all these reminders that put me in a good mindset for the day.” Despite its often-euphoric effect, Mindset began in frustration for Vasoli. After countless false starts on the follow-up to 2014’s Relief, the Philadelphia-based musician decided to completely upend his creative approach. While Vacationer’s previous albums came to life in close collaboration with fellow members Matthew Young and Grant Wheeler, Vasoli shifted his focus from songwriting to production and worked entirely on his own for months on end. During that time, he immersed himself in exploring the nuances of Ableton and analyzing the construction of beloved albums by artists like the Beach Boys, Barry White, and Curtis Mayfield.]

[Vacationer plays recordbar, 1520 Grand, KCMO, Sunday, July 22, at 7:00 pm with guests Sego.]

4. Payge Turner – “But For Now”
from: Acoustic Vibes – Single / Middleman / February 25, 2018
[3rd Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays The Rino’s 1st Anniversary, Saturday, July 21, at 8:00 pm, with The UKs, Late Nite Cavalry. The Rino is located at 314 Armour Rd, North Kansas City.]

[Payge Turner plays Voltaire, Tuesday, July 24, at 9:00 pm, with Rhe Black Creatures.]

5. Miles Bonny – “It’s Your World”
from: It’s Your World / INnatesounds / April 21, 2018
[“It’s Your World” with lyrics & music by Brian Jackson is the title track of the double album by soul artist Gil Scott-Heron and Brian Jackson, released in November 1976 on Arista Records. Recording sessions for the album took place in studio and live in July 1976 at St. Paul’s Mall in Boston, Massachusetts, Electric Lady Studios in New York City, and American Star Studios in Merrifield, Virginia. Scott-Heron and Jackson recorded the album with the former’s backing ensemble, The Midnight Band. It’s Your World was originally released on vinyl. Already a fan of Gil Scott and Brian Jackson, Miles was asked to learn “It’s your world” so he may cover it live at a Gil Scott-Heron tribute party in Cologne, Germany. The party never happened, but the song’s lyrics deeply impacted Miles. Upon moving to New Mexico shortly after, Miles recorded the lead vocal live alongside the cajon played by fellow explorer and off-grider Trance Conductor. The additional vocals, horns, percussion, and piano were recorded elsewhere in the neighborhood at Miles’ Mud Cabin Studio. Bass was layed by friend and fellow INnatesounds representative Dominique Sanders in Kansas City. Mixed and mastered by Miles Bonny in Northern New Mexico. Miles Bonny on vocals, horns, piano, claps; Sam Burke-Favaro (inductions.bandcamp.com) on cajon, triangle, claps; Dominique Sanders (dominiquesanders.bandcamp.com) on bass. Mixing and Mastering – Miles Bonny. Everything recorded off grid with solar power in Northern New Mexico with the exception of bass recorded in KCMO. Miles writes “I want this to be out and make you feel good. It’s been in my vault for a lil while. I love the vibes, hope you do too. peace.” http://www.milesbonny.com]

[Miles Bonny plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, & Brandon Draper on Fri, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

[Miles Bonny plays Melovated with the Innate Sounds Crew featuring: Eddie Moore, Dominique Sanders, Miles Bonny, Leonard Dstroy, Abnorm, Kemet The Phantom, Kadesh Flow, Saturday, July 21, at 9:00pm, at The 10 spot, 1000 Broadway Blvd.. Kansas City, MO, US]

6. Brandon Draper – “Calm Inward Drive”
from: Meditation Music Vol. 1 / Brandon Draper / April 20, 2018
[Brandon Draper on tabla, metal tongue drums, Cooperman frame drums. Produced by Looking Up Productions Inc. Recorded Live at Tone Dimension Studio. Engineered by Bryan Nicholas. Mixed and Mastered Bryan Nicholas.]

[Brandon Draper plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, Miles Bonny on Friday, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

7. Benjamin Clementine – “Jupiter”
from: I Tell A Fly / Virgin Records / October 2, 2017
[English artist, poet, vocalist, composer, and musician, Benjamin Sainte-Clémentine was born December 7, 1988, n London, England,. Clementine later moved to Paris, France becoming homeless as a teenager. There, his performances helped him to become a cult figure in the music and art scene. Moving back to London, he made his TV debut on the BBC programme Later With Jools Holland in 2013. A number of critics described him as becoming one of the great singer-songwriters of his generation and the future sound of London, whilst struggling to place his music in any one genre. Considered by The New York Times as one of the 28 geniuses who defined culture in 2016, Clementine’s compositions are musically incisive and attuned to the issues of life but also poetic, mixing revolt with love and melancholy, sophisticated lyricism with slang and shouts, and rhyming verse with prose monologues. He moved to popular art music, breaking free from traditional song structure, inventing his own dramatic and innovative musical territory. He is noticeably seen topless and barefoot onstage, dressed entirely in black or dark grey, with a long, wool trench coat. Clementine debut album At Least for Now won the 2015 Mercury Prize but fared better across mainland Europe. At the end of 2015, Clementine was included in The Guardian’s New Year’s honours list to celebrate heroes of 2015. Debrett’s and the London Evening Standard named him one of the most influential people in Britain. ]

[Benjamin Clementine opened for David Byrne at Kauffman Center for the Performing Arts, June 7.]

Playing Chris Hazelton’s Boogaloo 7 on vinyl on the KKFI 90.1 FM Studios on Wednesday MidDay Medley.

8. Chris Hazelton’s Boogaloo 7 – “Turnin’ Up the Burner” (Vinyl)
from: The Basement Beat / Sunflower Soul / July 20, 2018
[Hammond organist Chris Hazelton and his large-group Boogaloo 7 pay homage to greats such as Lonnie Smith, Jimmy McGriff, Grant Green, and Lou Donaldson with their groove-centered brand of jazz, all the while pushing the genre forward with exciting new and original music. More information at: http://www.chrishazelton.com. Chris Hazelton on Hammond B-3 organ; Nick Howell on trumpet & tamborine; Nick Rowland on alto & tenor sax (tracks 1, 2, & 4); Zak Pischnotte on alto & tenor sax (tracks 3, 5, & 6); Brett Jackson on baritone sax; Matt Hopper on guitar; Danny Rojas on drums; and Pat Conway on congas (tracks 1-4, 6), bongos & cowbell (Track 5); Juan-Carlos Chaurand on congas (Track 5); John Kizilarmut on timbales & güiro (Track 5). Recorded live to 8-track analog tape, mixed, and produced by Chris Hazelton at the FORTRESS OF SOULITUDE. Mastered by Adam Boose at Cauliflower Audio. Pressed by Gotta Groove Records. Chris Hazelton’s Boogaloo 7 will be releasing a single 7″ called “100 Days, 100 Nights” also on July 20, but released on Lugnut Records as part of a tribute to Sharon Jones and The Dap Kings.]

[Chris Hazelton’s Boogaloo 7 play a Record Release Show for The Basement Beat, Sunday, July 22, at 8:00 pm, at Black Dolphin, 1813 Grand Boulevard.]

10:30 – Interview with Cheryl Kimmi

Nico Gray and Cheryl Kimmi on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Cheryl Kimmi, is Executive Producer of KC Creates, and the founder of the Kansas City Fringe Festival. She joins us on WMM to share details about the 14 Annual KC Fringe Festival, starting tomorrow, July 19 running through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. The 14 Annual KC Fringe Fest features 76 different producers, over 650 participating artists, galleries showcasing 35 visual artists, with more than 400 opportunities to find Fringe this year. For info: http://www.KCFringe.org

Cheryl Kimmi, thanks for being with us on Wednesday MidDay Medley

Congratulations on 14 years.

Fringe Festival KC is committed to accepting artists without jury or censorship. We accept artists on a first come, first serve basis. Our five mile footprint spans through the cultural corridors of KC from River North to Old Westport. We feature visual, film, and performing artists in venues ranging in size from small to large.

KC Fringe festival opens with a large Opening Night Party where artists preview their shows in rapid-fire succession and our fringe loyalists mark their programs for the can’t-miss shows. Throughout the festival, you can count on Late Night on the Fringe events to meet, connect, and engage with participating artists and excited audiences. We culminate the festival with a celebratory Closing Night Party. We eat, we dance, we celebrate the wonderful success of our Fringe participants.

All audience members must have a button to access shows and galleries. The button is a one time, five-dollar purchase that allows Fringe Festival KC to adequately pay our artists and venue owners from ticket revenue.

Over 100 Local, Regional, and International Performing Artists throughout a 5-mile footprint of Kansas Cit’s cultural cooridors. Music-dance-theatre- music-dance- visual arts – Touth & Teen Fringe – There’s is something for everyone! THERE’S SOMETHING FOR EVERYONE! SUPPORT THE ARTS AND BUY TICKETS AT KCFRINGE.ORG

Showcases local, national and international artists in a diverse melting pot of performing and visual arts. All are welcome; whether you’re a first-timer or a veteran Fringer!

The KC Fringe stage is for the diversity, innovation & creativity that can be found through out our community. An example of how the arts bring people from all walks of life together, inspiring participants & attendees to embrace creativity and dare to be different.

The KC Fringe has something for everyone.
The youngest members of your family can find their Fringe during our opening weekend.

Youth Fringe program takes place at The Plaza Library, and teens will produce and perform with KC Fringe at Kansas City Young Audiences and access workshops at The Nelson Atkins Museum.

KC Fringe Staff:

Cheryl Kimmi – Executive Producer
Tiffany Chappell – Director of Operations
Skip Gordon – Technical Director
Ashley Dover – Assistant Technical Director
Barbara Dooley Editor-Review Team
Sandy Woodson – Teen Coordinator
Sheri Hall – Youth Coordinator
Sarah Slaughter – Visual Arts Coordinator
Bryan Colley – Program Design and Technology Guru
Trenna Keltner – 411 Manager
Natalie Leslie – Fringe Intern
Katie Sheiferecke – Fringe Intern

The 14 Annual KC Fringe Festival, starts tomorrow, July 19 and runs through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. For more information you can visit: http://www.KCFringe.org

10:44 – Underwriting

9. The Fey – “Contender” (Radio Edit)
from: Strawberry Lemonade EP / The Record Machine / July 13, 2018
[The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, “Don’t let The Fey’s new EP title Strawberry Lemonade fool you; this record is no light beach drink. Rather, it’s a cocktail of the molotov variety, the kind you’ll want to toss into the middle of your ‘songs that rock’ summer playlist. From the opening salvos of ‘Contender’, to the slow burn of ‘Bones Underwater’, to the final soothing swells of ‘The Cool’, Strawberry Lemonade is a masterclass in modern songwriting, arrangement, instrumentation, and production.” Music arranged and composed by Zach Watkins. Lyrics written by Zach Watkins and Ishma Valenti. The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play The Record Machine’s – What’s Next KC, Friday, July 27, at 7:00 pm, at recordBar, 1520 Grand, with Y God Y, Instant Karma, and Pageant Boy.]

Playing Emmaline Twist on vinyl on Wednesday MidDay Medley on KKFI 90.1 FM.

10. Emmaline Twist – “Vega” (Vinyl)
from: “Vega” – Single b/w “Moon Eyes” / Eat.Hear.Records / July 16, 2018
[New 7″ vinyl release, and 2nd in a series from Eat.Hear.Records, a project of the folks at recordBar and Steve Tulipana. Emmaline Twist is KCs Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s digital single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded & Mixed by Lin Buck at Temple Sound, KCMO. Mastered by Duane Trower at Weights + Measures, KCMO. The band’s debut LP Dissimulation will be released on vinyl, August 24, 2018 on Black Site Records.]

[Emmaline Twist play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 7:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

[Emmaline Twist play a KC Album Release Show for “Dissimulation” on Black Site Records, Friday, August 24, at 9:00 pm, at recordBar, 1520 Grand with Ghost Bones and Sona]

[Emmaline Twist joins us on WMM on Aug. 22.]

11. Belle & The Vertigo Waves – “What You Wanted”
from: What You Wanted – Single / Drop Out Records / August 19, 2017
[Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. The band’s debut album “Aligned” was released October 6, 2017 and is available on iTunes and all streaming services. The band recently played Middle of the Map Fest.]

[Belle and The Vertigo Waves play recordbar, 1520 Grand Ave, Thursday, July 19, at 7:00 pm, with Tandem, and Faintheart.]

11:00 – Station ID

12. Patsy Cline – “Sweet Dreams”
from: The Patsy Cline Story / Decca / June 10, 1963
[Patsy Cline was born Virginia Patterson Hensley on September 8, 1932. She died in a plane crash on March 5, 1963. She was an American country music singer and part of the Nashville sound during the late 1950s and early 1960s. She successfully “crossed over” to pop music and was one of the most influential, successful, and acclaimed vocalists of the 20th century. She died at age 30 in the crash of a private airplane. Cline was known for her rich tone, emotionally expressive and bold contralto voice, and her role as a country music pioneer. She helped to pave the way for women as headline performers in the genre, along with Kitty Wells. She overcame poverty, a devastating automobile accident, and significant professional obstacles, and she has been cited as an inspiration by Reba McEntire, LeAnn Rimes, and other singers in diverse styles. Books, movies, documentaries, and stage plays document her life and career. Her hits began in 1957 with Donn Hecht’s and Alan Block’s “Walkin’ After Midnight,” Hank Cochran’s and Harlan Howard’s “I Fall to Pieces,” Hank Cochran’s “She’s Got You,” and Willie Nelson’s “Crazy,” and ended in 1963 with Don Gibson’s “Sweet Dreams.” Millions of her records have sold since her death. She won awards and accolades, causing many to view her as an icon at the level of Jim Reeves, Johnny Cash, and Elvis Presley. She became the first female solo artist inducted into the Country Music Hall of Fame in 1973, ten years after her death. In 1999, she was voted number 11 on VH1’s special The 100 Greatest Women in Rock and Roll. In 2002, she was voted Number One on Country Music Television’s The 40 Greatest Women of Country Music, and she was ranked 46th in the “100 Greatest Singers of All Time” issue of Rolling Stone magazine. Her 1973 Country Music Hall of Fame plaque reads: “Her heritage of timeless recordings is testimony to her artistic capacity.”]

[In early 1963, Patsy Cline was recording songs for her next album, Faded Love, which was set for release in late March, 1963. She recorded “Sweet Dreams” for the album on February 5. However, on March 5, Cline died in a plane crash on the way home from a benefit in Kansas City, Kansas for the family of Cactus Jack Call, a disc jockey who was killed in an automobile accident so, therefore, the album was never released. The songs were later compiled for the release Patsy Cline the Last Sessions in 1988. Instead, Decca Records issued a double album, entitled The Patsy Cline Story, in the summer of 1963.]

[In 1963, “Sweet Dreams” was released to the public and became a big Crossover hit, making it to #5 on the Country charts and to #44 on the pop music charts. It also peaked on the U.S. Adult Contemporary charts at #15. This song was followed by two other songs that were planned for release on Cline’s upcoming album: “Leavin’ on Your Mind” and “Faded Love”, which both became hits. It was said that Cline did not like the use of the violins that producer Owen Bradley was bringing into the song, because she feared she was becoming too “pop” for her Country audience (All references in this section are either from Patsy by Margaret Jones or Honky Tonk Angel by Ellis Nassour). But upon hearing the song after the playbacks the night she recorded it, she supposedly held a record up of her first record and “Sweet Dreams” and proclaimed “Well, here it is: The first and the last.” (Source: Loretta Lynn: Coal Miner’s Daughter (1976) This quote came from the video called Remembering Patsy, and was quoted by Jan Howard whose husband at the time was Harlan Howard. In 1985, the song became the title tune of a Patsy Cline biopic starring Jessica Lange as Cline. Cline’s hit version of “Sweet Dreams” was included on the film’s soundtrack, along with “Crazy,” “She’s Got You,” and many of her other songs.]

11:03 – Interview with Tim Finn

Timothy Finn

Local music writer Tim Finn is originally from Youngstown, New York. He studied at University of Missouri in Columbia and received his Masters of Arts, in Journalism from the University of Kansas. Tim served as Music Writer of the KC Star, where he worked for 29 years. You can hear Tim Finn Thursday afternoons between 4 and 6 on 90.9 The Bridge with Jon Hart.

Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. Tim Finn highlights concerts, shows, and encounters from our city’s music scene. From Patsy Cline’s final performance and the Beatles’ one and only local appearance to the three-day world premiere of The Jacksons Victory Tour. To RSVP visit: http://www.kclibrary.org

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

Since we last talked with Tim on the radio he has gone through several big life events.

Timothy Finn recently sold his house in Liberty, where he lived for 25 years.

Timothy Finn recently ended his time at The Kansas City Star, after 29 years.

Timothy Finn recently got married to Michelle Gaumé Finn.

Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, as part of the 2018 Adult Summer Reading Program Rock & Read. One of the concerts he will discuss is patsy Cline’s last performance of her career in Kansas City, Kansas.

Patsy Cline at Memorial Hall – March 3, 1963

We just heard Patsy Cline singing a song she record on February 5, 1963. Nearly one month later, on March 3, 1963, Cline performed a benefit at the Soldiers and Sailors Memorial Hall, Kansas City, Kansas, for the family of disc jockey “Cactus” Jack Call. He had died in an automobile crash a little over a month earlier. Call was a longtime DJ for KCKN, but had switched to KCMK a week before his death on January 25, 1963, at the age of 39. Also performing in the show were George Jones, George Riddle and The Jones Boys, Billy Walker, Dottie West, Wilma Lee and Stoney Cooper, George McCormick, the Clinch Mountain Boys as well as Cowboy Copas and Hawkshaw Hawkins.

Cline, ill with the flu, gave three performances, at 2 p.m. and 5:15 p.m., with an 8 p.m. show added due to popular demand. All the shows were standing-room only. For the 2 p.m. show, she wore a sky-blue tulle-laden dress; for the 5:15 show a red shocker; and for the closing show at 8 p.m., Cline wore white chiffon, closing the evening to a thunderous ovation. Her final song was the last she had recorded the previous month, “I’ll Sail My Ship Alone.”

Cline, who had spent the night at the Town House Motor Hotel, was unable to fly out the day after the concert because Fairfax Airport was fogged in. West asked Patsy to ride in the car with her and husband, Bill, back to Nashville, a 16-hour drive, but Cline refused, saying, “Don’t worry about me, Hoss. When it’s my time to go, it’s my time.” On March 5, she called her mother from the motel and checked out at 12:30 p.m., going the short distance to the airport and boarding a Piper PA-24 Comanche plane, aircraft registration number N-7000P. The plane stopped once in Missouri to refuel and subsequently landed at Dyersburg Municipal Airport in Dyersburg, Tennessee at 5 p.m.

Hughes was the pilot, but was not trained in instrument flying. Hawkins had accepted Billy Walker’s place after Walker left on a commercial flight to take care of a stricken family member. The Dyersburg, Tennessee, airfield manager suggested that they stay the night because of high winds and inclement weather, offering them free rooms and meals. But Hughes responded, “I’ve already come this far. We’ll be there before you know it.” The plane took off at 6:07 p.m. Hughes’ flight instructor, Elmo Merriwether, had also trained Jim Reeves, whose plane crashed the following year. Neither pilot was instrument-rated, and both attempted to navigate by visual flight rules (VFR), which proved impossible in the driving rain faced by both flights.

Cline’s flight crashed in heavy weather on the evening of March 5, 1963. Her recovered wristwatch had stopped at 6:20 p.m. The plane was found some 90 miles from its Nashville destination, in a forest outside Camden, Tennessee. Forensic examination concluded that everyone aboard had been killed instantly. Until the wreckage was discovered the following dawn and reported on the radio, friends and family had not given up hope. Endless calls tied up the local telephone exchanges to such a degree that other emergency calls had trouble getting through. The lights at the destination Cornelia Fort Airpark were kept on throughout the night, as reports of the missing plane were broadcast on radio and TV.

Early in the morning, Roger Miller and a friend went searching for survivors: “As fast as I could, I ran through the woods screaming their names–through the brush and the trees–and I came up over this little rise, oh, my God, there they were. It was ghastly. The plane had crashed nose down.” Shortly after the bodies were removed, looters scavenged the area. Some of the items which were recovered were eventually donated to The Country Music Hall of Fame. Among them were Cline’s wristwatch, Confederate flag cigarette lighter, studded belt and three pairs of gold lamé slippers. Cline’s fee and her attire from the last performance were never recovered.

Per her wishes, Cline’s body was brought home for her memorial service, which thousands attended. She was buried at Shenandoah Memorial Park in her hometown of Winchester, Virginia. Her grave is marked with a bronze plaque, which reads: “Virginia H. Dick (Patsy Cline) is noted under her name. ‘Death Cannot Kill What Never Dies: Love’.” With the help of Loretta Lynn and Dottie West, a bell tower was erected at the cemetery in her memory, which plays hymns daily at 6:00 p.m., the hour of her death. Another memorial marks the exact place off Fire Tower Road in Fatty Bottom, Tennessee, where the plane crashed in the still-remote forest.
____________________________________________________________________________

Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, at 6:30 pm, at 4801 Main Street, Kansas City.

Tim will have some tales to tell about Elvis, and James Brown, and Garth Brooks.

Tim mentioned that his favorite concerts were seeing Prince live. He mentioned the Musicology tour.

Tim talked about the numerous interviews with artists prior to their concerts. He talked about his interview with David Bowie before the 2004 show at Starlight Theatre.

11:11

13. Michael Jackson – “Wanna Be Startin’ Somethin'”
from: Thriller / Epic/ November 30, 1982
[6th studio album by American singer Michael Jackson, released on November 30, 1982, in the United States by Epic Records and internationally by CBS Records. It explores genres similar to Jackson’s previous album, Off the Wall, including pop, post-disco, rock and funk. Recording sessions took place from April to November 1982 at Westlake Recording Studios in Los Angeles, with a production budget of $750,000. Quincy Jones produced the album and Jackson wrote four of its nine songs. In just over a year, Thriller became—and currently remains—the world’s best-selling album, with estimated sales of 66 million copies. It is the best-selling album in the United States and as of 2017 is the only album to reach 30x multi-platinum, with U.S. shipments of 33 million album-equivalent units certified. The album won a record-breaking eight Grammy Awards in 1984, including Album of the Year. It produced seven singles—”The Girl Is Mine”, “Billie Jean”, “Beat It”, “Wanna Be Startin’ Somethin'”, “Human Nature”, “P.Y.T. (Pretty Young Thing)”, and “Thriller”—all of which reached the top 10 on the US Billboard Hot 100 chart. Thriller broke racial barriers in pop music, enabling Jackson’s appearances on MTV and meeting with President Ronald Reagan at the White House. The album was one of the first to use music videos as successful promotional tools, and the videos for the songs “Thriller”, “Billie Jean”, and “Beat It” all received regular rotation on MTV. In 2001, a special edition reissue was released, which contains additional audio interviews, demo recordings and the song “Someone in the Dark”, a Grammy-winning track from the E.T. the Extra-Terrestrial storybook. In 2008, Thriller was reissued again as Thriller 25, containing remixes with contemporary artists, previously unreleased songs, and a DVD with three music videos and Jackson’s performance of “Billie Jean” from the 1983 television special Motown 25. In the same year, the album was inducted into the Grammy Hall of Fame along with Off the Wall. In 2012, Slant Magazine named Thriller the best album of the 1980s”. In 2003, Rolling Stone placed the album at number 20 on their list of “The 500 Greatest Albums of All Time”. The album was listed by the National Association of Recording Merchandisers at number three on its “Definitive 200” album list. Thriller was also included in the Library of Congress’ National Recording Registry of culturally significant recordings, and the Thriller music video was included in the National Film Preservation Board’s National Film Registry of “culturally, historically, or aesthetically significant films”.]

Tim Finn former music writer for KC Star, Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, at the Kansas City Public Library, Plaza Branch. Tim Finn highlights concerts, including the three-day world premiere of The Jacksons Victory Tour.

The Jacksons at Arrowhead Stadium – July 6, 7, and 8, 1984

The Victory Tour traveled the United States and Canada with Michael Jackson and The Jacksons between July and December 1984. It was the only tour with all six Jackson brothers (even though Jackie was injured for most of the tour). The group performed 55 concerts to an audience of approximately 2 million. Most came to see Michael, whose album Thriller had been dominating the popular music world at the time. Many consider it to be his Thriller tour, with most of the songs on the set list coming off of his Off the Wall album and from the Thriller album. The tour reportedly grossed approximately $75 million (US $181,608,277.19 in 2018 dollars) and set a new record for the highest grossing tour. It showcased Michael’s single glove, black sequined jacket and moonwalk.

Despite its focus on Michael, it was named after the newly released Jacksons’ album Victory although none of the album’s songs were performed. Marlon confirmed[citation needed] this was because Michael refused to rehearse or perform them; in fact, he had only reluctantly joined his brothers, who needed the income while he himself did not. On the tour, tensions between Michael and his brothers increased to the point that he announced at the final show that it would be the last time they would perform together, ending plans for a European and Australian leg of the tour in the spring and summer of 1985.

The Jacksons did make money from the tour, along with promoter Don King. Michael donated his share to several charities as he had promised before it, but the rancor between Michael and his brothers had a deep and lasting effect on the Jacksons as a family, alienating him from them for most of his later life and it effectively ended the Jacksons as a performing group. They made one more album (2300 Jackson Street which was released in 1989) but aside from the concert celebrating Michael’s 30 years as a solo artist in 2001, they never toured again during Michael’s lifetime.

The tour was a financial disaster for promoter Chuck Sullivan, who along with his father Billy was eventually forced to sell the New England Patriots football team they owned, along with Foxboro Stadium, the team’s home field, as a result of the losses he incurred.

A bowl-shaped concrete structure. In the middle is an oval sign with “Arrowhead” written on it in red letters. Arrowhead Stadium, where the tour opened, as it appeared at the time
The tour sold what was then a record number of tickets despite the high price. The opening shows were widely covered in the national media and sold out. “Anybody who sees this show will be a better person for years to come”, King told the media before the first date in Kansas City. “Michael Jackson has transcended all earthly bounds. Every race, color and creed is waiting for this tour.”

The Jacksons and Don King had made money even though Sullivan had not, and near the end of the tour they began making plans for a European leg. When word reached Michael, he let them know through his representatives that he would not be taking part. At the rain-soaked tour finale in Los Angeles’ Dodger Stadium, after six sold-out shows, Michael announced at the end of the show, to his brothers’ shocked expressions, that this would be the last time they all performed together. The plans to go to Europe were ended.

The set list included songs from the Jackson’s albums Destiny and Triumph. Despite the name of the tour, the Victory album was not represented. There were also songs on the list from Jermaine’s and Michael’s solo careers. Songs from Michael’s albums Off the Wall and Thriller were both represented. The set list did not include “Thriller” itself because Michael did not like the way the song sounded live (it was later performed regularly during Michael’s solo tours).
________________________________________________________________________

Tim Finn former music writer for KC Star, Tim joined us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch. Tim Finn discusses some of KC’s best and most significant music moments including the Beatles’ one and only local appearance.

The Beatles at Kansas City Municipal Stadium – September 17, 1964

The Beatles played for 31 minutes in Kansas City. The 20,280 tickets sold here tied Vancouver, British Columbia, for the second highest attendance for a single performance on the tour.

Charles O. Finley, owner of the Kansas City Athletics baseball team convinced The Beatles to add Kansas City to their tour, flying here on what was suppose to be their day off.

The Beatles spoke at a pre-concert news conference at the Hotel Muehlebach.

There were two Beatles visits to the U.S. in 1964. The first began with their famous Feb. 9 – “Ed Sullivan Show” appearance, watched by 73 million. They also played concerts in Washington, D.C., and New York, then did another Sullivan show from Miami Beach, Fla. By the time the third Sullivan bit, this one taped, ran Feb. 23, Thea Beatles were back in England. When The Beatles came back to the U.S. on Aug. 19 that year, their film “A Hard Day’s Night” had just been released theaters, and the title song went gold.

The 2nd tour was 33 days in 24 U.S. & Canadian cities.

The Kansas City Star reported that The Beatles “had not even left its first venue, San Francisco, before Charlie O. Finley contacted band manager Brian Epstein to see if a KC stop could be carved out of one of the eight off days. He offered $50,000. To put that in perspective, Frank Sinatra and Judy Garland were drawing $10,000 to $15,000 for a show, and a ’64 Beatles concert was running from $20,000 to $40,000.”

The band wasn’t excited about it. In “The Beatles Anthology, ” McCartney recalled: “Our days off were sacred. If you look at our 1964 timetable you can see why. I didn’t realise until recently that we used to have a whole year of work, and then get something like 23rd November off – and then have to judge a beauty competition that day. So, by the time we got to Kansas City, we probably needed a day off. I can’t actually remember falling out with Brian about him wanting us to work on a day off, we’d talk to each other rather than fall out.”

Then Finley wired Los Angeles, where the group played at the Hollywood Bowl, to double his bid. No, thanks, he was told again.

Charles O. Finley made a third offer: $150,000, at the time it was the all-time record cost for a single performance. In today’s dollars it would be $1.1 million.

The large photo in the Kansas City Times captured girls and boys excitedly waving their arms on the field, under a headline that continued the sense of a natural disaster averted: Police Hold Tide of Beatlemania.

The opening number was added as a concession to Finley: The Beatles’ version of “Kansas City/Hey-Hey-Hey.” It was included the next month when they cut their next album, “Beatles for Sale.” The Beatles played “Twist and Shout.”

The set list included: “You Can’t Do That”; “All My Loving”; “She Loves You, Yeah, Yeah! Yeah!”; “Things We Said Today”; “Roll Over Beethoven”; “Can’t Buy Me Love”; “If I Fell”; “I Wanna Hold Your Hand”; “Boys”; “A Hard Day’s Night” and “Long Tall Sally.”
_____________________________________________________________________________

Tim Finn former music writer for KC Star, will soon be writing for a new Kansas City monthly periodical called “In Kansas City.” Tim Finn presents: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. To RSVP visit: http://www.kclibrary.org

You can hear Tim Finn Thursday afternoons between 4:00 and 6:00 pm on 90.9 The Bridge with Jon Hart.

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

11:27

14. The Beatles – “You Can’t Do That”
from: A Hard Days Night / Parlophone / July 10, 1964
[A Hard Day’s Night is the third studio album by the English rock band the Beatles, released on 10 July 1964, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. In contrast to their first two albums, all 13 tracks on A Hard Day’s Night were written by John Lennon and Paul McCartney showcasing the development of their songwriting talents. The album includes the title track, with its distinct opening chord, and the previously released “Can’t Buy Me Love”, both transatlantic number-one singles for the band. The title of the album was the accidental creation of drummer Ringo Starr. According to Lennon in a 1980 interview with Playboy magazine: “I was going home in the car and Dick Lester [director of the movie] suggested the title, ‘Hard Day’s Night’ from something Ringo had said. I had used it in In His Own Write, but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it not to be funny … just said it. So Dick Lester said, ‘We are going to use that title.’]

11:30 – Underwriting

15. The Hermanos Brothers – “All My Loving (The Beatles)”
from: The Hermanos Brothers – Covers / Howard Iceberg / March 20, 2018
[The Hermanos Brothers are Howard Iceberg on vocals, rhythm guitar, & harp; and Chad Brothers on lead guitar & harmony vocals. These songs, all covers, were recorded in one day, between the hours of 9:00 am to 5:00 pm. The songs were recorded and mixed and mastered by Phil Wade who added dobro, mandolin and guitar.]

11:33 – Interview with Howard Iceberg and Pranav Nanda.

Tim Finn, Howard iceberg, and Pranav Nanda on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard Iceberg. He is one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs. Ear;lier this year Howard released Netherlands his collaboration with Rich Hill and other area Jazz musicians.

Howard Iceberg, thanks for being with us on Wednesday MidDay Medley

Pranav Nanda is a 2017 Teach for America Corps Member, serving as a teacher and leader in Kansas City. In his first year at Teach For America, he taught Humanities at DeLaSalle Charter School, an alternative high school serving the Kansas City Urban Corps. This summer, Pranav has had the opportunity to work in the Kansas City’s Mayor’s office through the Urban Leaders Fellowship. Pranav is currently pursuing his Master’s in Education at the University of Missouri in St. Louis & plans on going to Law School after his Teach For America service. Prior to joining Teach For America, Pranav attending George Washington University in Washington DC, receiving a Bachelor’s in Art in International Affairs and minored in Sociocultural Anthropology. While attending GW, Pranav had the opportunity to intern in the White House in the Office of Presidential Correspondence, at the Department of Education in the Office of Post-Secondary Education, and in many leadership positions on campus.

Pranav Nanda thanks for being with us on Wednesday MidDay Medley

Howard Iceberg and Pranav Nanda are here to share information about the Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more info: http://www.momsdemandaction.org,

Moms Demand Action have chapters in many cities.

About Moms Demand Action For Gun Sense In America / media@momsdemandaction.org
Press Contact: Moms Demand Action For Gun Sense In America; E-mail:

ABOUT US

Like Mothers Against Drunk Driving, created to reduce drunk driving, Moms Demand Action for Gun Sense in America was created to demand action from legislators, state & federal; companies; & educational institutions to establish common-sense gun reforms.

WHO WE ARE

Moms Demand Action was founded by stay-at-home mom Shannon Watts on December 15, 2012, in response to the devastating shooting at Sandy Hook Elementary School. The organization quickly flourished into a leading force for gun violence prevention, with chapters in all 50 states and a powerful grassroots network of moms that has successfully effected change at the local, state and national level. In December 2013, Moms Demand Action partnered with Mayors Against Illegal Guns to unite a nationwide movement of millions of Americans working together to change the game and end the epidemic of gun violence that affects every community.

WHAT WE STAND FOR

Moms Demand Action supports the 2nd Amendment, but we believe common-sense solutions can help decrease the escalating epidemic of gun violence that kills too many of our children and loved ones every day. Whether the gun violence happens in urban Chicago, suburban Virginia, or rural Texas, we must act now on new and stronger gun laws and policies to protect our children.

Moms Demand Action envisions a country where all children and families are safe from gun violence. Our nonpartisan grassroots movement has grown to include a chapter in every state across the country. We are educating, motivating, and mobilizing supporters to take action that will result in stronger laws and policies to save lives.

We are facing a public health crisis: seven American children or teens are shot and killed every day.

For too long, the gun lobby has dominated the conversation about gun violence. American families are being destroyed and we have had enough; we will no longer stand by and let elected officials, corporate leaders and other influential voices turn their back on sensible gun laws and policies. We are organizing to apply pressure that will result in stronger, sensible gun laws and policies that will protect our children and families. The momentum is with us, and we are winning.

Shapiro Brothers

Chad Brothers is a Kansas City based singer-songwriter and guitarist who has played music for over 25 years. His dynamic approach to guitar sets him among the best this town has to offer. He’s actively involved in several projects around town including Old Sound, Shapiro Brothers, Supermassive Black Holes, The Butter Band, and he is Mikal Shapiro’s lead guitarist in her band The Musical. In addition, he and Howard Iceberg have now formed a duo called The Hermanos Brothers. Chad was born and raised in Winfield, KS, home of the Walnut Valley Festival and National Flatpicking Championships, and finds himself comfortably at home among a wide range of musical genres including bluegrass, folk, blues, country and rock.

Mikal Shapiro is a Kansas City songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the United States and has recorded five critically acclaimed albums. Kansas City Star critic Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union. Mikal Shapiro released her latest solo album, The Musical II, on May 26.

11:41

16. Shapiro Brothers – “The Other Night”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. All songs written by Mikal Shapiro, except “Almost Ready” was written by Mikal Shapiro and Chad Brothers. Shapiro Brothers played a special EP Release show, November 3, at The Brick, with Grady Keller from Old Sound and Spectator from St. Louis.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

11:44 – More Interview with Howard Iceberg and Pranav Nanda

Uptown Arts Bar and Greg Patterson hosts a night of action, awareness and stellar music as we raise funds to benefit Moms Demand Action for Gun Sense in America, featuring the music of Howard Iceberg and Shapiro Brothers!

More information at: http://www.howardicebergandthetitanics.bandcamp.com and
http://www.shapirobrothersmusic.com

The benefit is Wednesday, July 25. The 25th of every month is “Orange Day” declared by the UN: “The 25th of every month has been designated “Orange Day” by the United Nations Secretary-General’s Campaign UNiTE to End Violence Against Women, to raise awareness and take action to end violence against women and girls. As a bright and optimistic colour, orange represents a future free from violence against women and girls. Orange Day calls upon civil society, governments, and UN partners to mobilize people and highlight issues relevant to preventing and ending violence against women and girls, not only once a year on the International Day for the Elimination of Violence against Women (25 November), but every month.”

More information at: http://www.un.org/en/women/endviolence/orangeday.shtml

Howard Iceberg has been writing songs, recording and performing in the K.C. area for more than 40 years. His songs have been performed by many other local musicians through the years. He is looking forward to playing the Uptown Arts Bar in support of Mothers Demand Action for Gun Sense, and wishes to state that he is pro-mother and anti-gun.

More information at: http://www.oldsoundmusic.com and http://www.shapirobrothersmusic.com and http://www.facebook.com/thesupermassiveblackholes

Howard Iceberg, and Pranav Nanda, thanks for being with us on WMM

The Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more information: http://www.momsdemandaction.org,

11:57

17. Howard Iceberg & The Titanics – “The Times of Our Lives”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Bryan Hicks on electric bass, Doug Auwarter on drums, Marco Pascolini on baritone guitar , Chad Rex on guitar. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on July 25 Shy Boys join us LIVE in our 90.1 FM Studios to talk about their new release Bell House on Polyvinyl Record Co. to be released August 3, 2018. Also next week we welcome Keaton Conrad, and Heidi Lynne Gluck and Sid Sowder of Too Much Rock premieres the newest Too Much Rock 7″ single release right here on Wednesday MidDay Medley.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #743

Wednesday MidDay Medley

Wednesday MidDay Medley presents Tim Finn + KC Fringe + Moms Demand Action

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 18, 2018

Tim Finn + Howard Iceberg & Mom’s Demand Action
+ Cheryl Kimmi & Kansas City Fringe Festival 2018

Mark plays New & MidCoastal Releases from: Miles Bonny, Payge Turner, The Fey, Brandon Draper, Emmaline Twist, Belle & The Vertigo Waves, Howard Iceberg & The Titanics, Shapiro Brothers, The Hermanos Brothers, Benjamin Clementine, Courtney Barnett, Vacationer, and The War and Treaty. We’ll also play: Patsy Cline, Michael Jackson, and The Beatles.

At 10:30 Mark talks with Cheryl Kimmi, Executive Producer of KC Creates about the 14 Annual KC Fringe Festival, July 19 through 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. The 14 Annual KC Fringe Fest features 76 different producers, over 650 participating artists, galleries showcasing 35 visual artists, with more than 400 opportunities to find Fringe this year. For more information you can visit: http://www.KCFringe.org

At 11:00, Local music critic Tim Finn, formerly with The Kansas City Star, joins us to share details about A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. Finn highlights concerts, shows, and encounters from our city’s music scene. From Patsy Cline’s final performance and the Beatles’ one and only local appearance to the three-day world premiere of The Jacksons Victory Tour. To RSVP visit: http://www.kclibrary.org/node/24299/register

Howard Iceberg

At 11:30, Mark talks with Kansas City musician Howard Iceberg, and Pranav Nanda, High School Social Studies Teacher at Teach For America and Education Outreach Lead for Moms Demand Action for Gun Senses in America. Howard and Pranav will share information about the Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more information: http://www.momsdemandaction.org, http://www.howardicebergandthetitanics.bandcamp.com, http://www.shapirobrothersmusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #743

Wednesday MidDay Medley

WMM Playlist from March 7, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 7, 2018

More New & MidCoastal Releases
+ Guest Producer – DJ Timmy

10:00 – New & MidCoastal Releases

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. The Breeders – “Wait in the Car”
from: All Nerve / 4AD / March 2, 2018
[1st single from the band’s 5th full-length studio album, released 10 years after their previous album Mountain Battles (2008). The album also marks the band’s first in 25 years with their “Last Splash” lineup. Kim Deal on lead vocals, guitar, moog, casiotone; Kelley Deal on guitar, Kenmore 12-stitch, vocals; Jim MacPherson on drums, Josephine Wiggs on bass guitar, double bass, vocals, cello; (Tanya Donelly on vocals and guitar was also on Last Splash, but left the band to form Belly.) The Breeders were last in Kansas Ciyy on September 3, 2014, at recordBar, with a reunion tour of The Last Slash line-up.]

[The Breeders play The Truman, 601 E. Truman Road, KCMO, Friday, May 11, at 8:00 pm]

3. Soccer Mommy – “Last Girl”
from: Clean / Fat Possum Records / March 2, 2018
[Soccer Mommy is the stage name of bedroom pop and indie rock musician Sophie Allison. Allison was born in Switzerland and grew up in Nashville, TN. She attended Nashville School of the Arts, a speciality high school where she studied guitar and played in the swing band. She first picked up a guitar at age 6, which prompted her to start making music. She began posting home-recorded songs to Bandcamp as Soccer Mommy in 2015, during the summer when she was about to leave for college at New York University, where she studied music business. While in college, she played her first show as Soccer Mommy at the community art space Silent Barn in Bushwick, Brooklyn, and shortly after landed a record deal with Fat Possum.She dropped out after a year in 2017 to return to Nashville and pursue her music career. Since beginning her career as Soccer Mommy, Allison has released two full-length albums. Her first, For Young Hearts, was released in 2016 on Orchid Tapes. Her second album, Collection, was released in 2017 on Fat Possum Records. Her debut album proper, titled Clean, was released on March 2, 2018. She has toured with Mitski, Jay Som, Slowdive, Frankie Cosmos, Phoebe Bridgers and others]

4. Tracey Thorn – “Queen”
from: Record / Merge Records / March 2, 2018
[Debut single from the 5th solo studio album from Tracey Thorn. The album was produced by Ewan Pearson, and features contributions from Corinne Bailey Rae, Shura, Jona Ma and Stella and Jenny from Warpaint. Tracey Thorn was born September 26, 1962, and is an English singer, songwriter and writer. She is best known as being one half of the duo Everything but the Girl. The youngest of three children, Thorn was born in Brookmans Park, Hatfield, Hertfordshire. She grew up in Hatfield and studied English at the University of Hull, where she graduated in 1984 with First Class Honours. She later took an MA degree at Birkbeck College, University of London. After 27 years as a couple, Thorn and the other half of Everything But The Girl, Ben Watt, married in 2008 at Chelsea Register Office. They live in Hampstead, North London. The couple have twin girls, Jean and Alfie, born in 1998, and a son, Blake, born in 2001.]

5. Shapiro Brothers – “Mockingbird”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. Written by Mikal Shapiro.]

[Shapiro Brothers play Davey’s Uptown Rambler’s Club, Monday, March 12 with Jack Topht, Major Matt Mason, Nan + The One Nite Stands]

6. Scuffy & the Janitors – “The Spins”
from: Modeling Is Hard / This Tall Records / March 2, 2018
[Saint Joseph, MO based trio formed by Steven Foster on vocals & bass, Teriq Newton on guitar & vocals, and Trevin Newton on drums. Scruffy & The Janitors have been described as creating working-class punk and catchy alt-rock. Scruffy & The Janitors have played at: SXSW, Middle Of the Map Fest, NXNE, and Lawrence Field Day Fest. They have also opened for:KONGOS, Kitten, J. Roddy Walston & the Business, Brick + Mortar, Radkey, Cheap Girls, Skaters, Bass Drum Of Death, Your Friend, Rev Gusto, and Dreamgirl. ]

[Scruffy & the Janitors play a KC release show at Riot Room, Sat, April 6 with Momma’s Boy, Toughies.]

7. Witch Jail – “Saucer Season Revisited”
from: Music For Magic Moments / Witch Jail / April 13, 2017
[Kansas City based Post-exotic American death-pop band formed in 2013. The band explains that they are, “Too weird for the punks, too punk for the weirdos.” Current band members include: Guy Slimey on vocals, Eddie Morphine on guitar, Jack Suede on drums, and A. Ghost. The band has recorded with Woody Records, Too Much Rock, and This Ain’t Heaven]

[Witch Jail play an Album Release Show, Thursday, April 12, at 9:00 pm, at The Brick, 1727 McGee St., KCMO with Jorge Arana Trio, and Bad Girls.]

8. Of Tree – “Feel It”
from: Sorry We’re Chosen [EP] / Of Tree / June 1, 2017
[Of Tree is Benjamin Parks on guitar & vocals, Laurel Morgan Parks on violin & fiddle & vocals and John Bersuch on percussion & sub-bass. The band explains “we like to build layers, loop strings, bow guitars and mix sampled beats with real ones as a backdrop for melodies on voice and traditional instruments. Emotional and expressive, our music draws inspiration from loss and triumph, failure and hope.” Of Tree began in 2009 and has taken many forms as it has evolved over time, including a full 5 piece folk band and, at one time, a classical trio backing Parks’ voice and guitar. Of Tree launched a Kickstarter Campaign to help record their new album and release their music on vinyl. Of Tree have been actively writing music for this project since the summer of 2016. Laurel writes “As a married couple its been quite a road for us to be able work through music together without taking things too personally (as people in relationships tend to do), but the magic happened last summer when music started pouring out of us and we were able just allow it to happen. Both of us come from fairly strict religious backgrounds and a lot of our lyrics have to do with healing from those experiences. We also deal with themes of finding new footing in life, moving beyond the past and letting go. Really this album is all about healing on a very personal level.” Laurel writes that she is, “very interested in pushing the boundaries of what instrumentation I can marry to my classical violin training. I have been cross pollinating between electronic music I write on the computer using midi inputs with melodies I write on my violin. I enjoy putting a techno beat behind a folk instrument such as the Kalimba or chime and then morphing that into a journey of layered strings and melodic hooks. I am always interested in melody over lyrics. A lot of the music I wrote for this album is inspired from studying folk traditions such as Celtic fiddling, thematic movie music and Peruvian icaros. ” John Bersuch, has been playing with Of Tree since November of 2016. He adds tasteful beats and enjoys thinking outside the box. He once brought a tree to an “Of Tree” show and played it as a percussive instrument. Ben Parks is a visual artist who also plays in the band Slights with Matthew Dunehoo. Laurel Parks also plays in The Wires, John Bersuch is in Bacon Shoe, RLT, and many others.]

[Of Tree play The Brick, 1727 McGee, Sat, Mar 10, at 9:00 pm with The Blessed Broke, & Aaron James.]

10:29 – Underwriting

9. Salty – “Perfect Angels”
from: Dry Rub / Independent / to be released late Summer or Fall, 2018
[Salty is formerly know as Lil Toughies. Formed in early 2016. The current lineup includes: Salty is Jonathan Brokaw (JB) on guitar and vocals, Zach Turner on synthesizers, Ethan Eckert on drums, and Jesslay Huh on bass. More info at http://www.saltykcmo.bandcamp.com or http://www.saltyisthebest.com]

10. La Guerre – “Lake Ontario”
from: The Three [EP] / The Record Machine / May 7, 2013
[Katlyn Conroy is a singer songwriter who is based in Lawrence, KS and is a member of, Cowboy Indian Bear. La Guerre is the French for “war.” In 2013 La Guerre also relased: Violent (7-song EP) on The Record Machine on Aug. 20, 2013. On Feb. 2, 2018 La Guerre released, Discord: recordings from the House of Leaves a 4-song EP.]

[La Guerre plays The Rino, 314 Armour Road, North Kansas City, on Saturday, March 24, at 7:00 pm with Fathers, and Pageant Boys.]

11. Digital Leather – “Same Time Tomorrow”
from: Headache Heaven / Digital Leather / January 23, 2018
[14th album and 21 song digital release from Omaha, Nebraska based Synth punk, New Wave, pop, lo-fi, and psychedelic musical project led by multi-instrumentalist Shawn Foree. Originally from Yuma, Arizona, Foree began calling his project Digital Leather when he moved to Tucson, where he studied American Literature at University of Arizona. He used student loan money to buy equipment. He managed to release his first three albums after recording them in his bedroom on labels such as Tic Tac Totally, Jay Reatard’s Shattered Records imprint, and FDH Records. He supported this “bedroom project” with several nationwide and European tours. Sorcerer, released on Goner Records in 2008, is a half-live, half-studio record. In 2009, Foree began working on a collection of songs in a fully operational studio. Released in September 2009 by Fat Possum Records, Warm Brother garnered positive reviews. After relocating to Omaha, Nebraska, a 5-piece band formed. They toured around and as a band with synth-leads courtesy of The Faint’s Todd Fink.]

12. Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / Spring 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the critically acclaimed band Monta At Odds. The Mysterious Clouds “Clear Reflection” was also included on the Haymakers Records compilation, Fairgounds Vol. 2 Released March 24, 2017.]

[Mysterious Clouds play a benefit show for MAPS at The Rino, 314 Armour Road, North Kansas City, on Friday, March 9, at 7:00 pm with Myco, and FRB. This show is a benefit concert for Multidisciplinary Association for Psychedelic Studies (MAPS) All proceeds will be donated to MAPS. Founded in 1986, the Multidisciplinary Association for Psychedelic Studies (MAPS) is a 501(c)(3) non-profit research and educational organization that develops medical, legal, and cultural contexts for people to benefit from the careful uses of psychedelics and cannabis. https://www.maps.org/%5D

13. They Might Be Giants – “Photosynthesis”
from: Here Comes Science / Walt Disney Records / January 1, 2009
[4th children’s album (and 14th studio album overall) from Brooklyn-based band They Might Be Giants, packaged as a CD/DVD set. The album is (as the title suggests) science-themed, and is the third in their line of educational albums, following 2005’s Here Come the ABCs and 2008’s Here Come the 123s. It was nominated for the “Best Musical Album For Children” Grammy.This year the band released their 20th studio album I Like Fun on Idlewild Recordings on January 19, 2018 from band formed in 1982 by John Flansburgh & John Linnell. During TMBG’s early years, Flansburgh & Linnell frequently performed as a duo, often accompanied by a drum machine. In the early 1990s, TMBG expanded to include a backing band. The duo’s current backing band consists of Marty Beller, Dan Miller, and Danny Weinkauf. The group is best known for an unconventional and experimental style of alternative music. Over their career, they have found success on the modern rock and CMJ charts. More recently they have also found success in children’s music, and in theme music for several television programs and films. TMBG have released 19 studio albums. Flood has been certified platinum and their children’s music albums Here Come the ABCs, Here Come the 123s, and Here Comes Science have all been certified gold. The band has won two Grammy Awards, one in 2002 for their song “Boss of Me”, which is most known as the theme song of the television series Malcolm in the Middle. They won their second in 2009 for Here Come the 123s. The band has sold over 4 million records. Linnell and Flansburgh first met as teenagers growing up in Lincoln, Massachusetts. They began writing songs together while attending Lincoln-Sudbury Regional High School but did not form a band at that time. The two attended separate colleges after high school and Linnell joined The Mundanes, a new wave group from Rhode Island. The two reunited in 1981 after moving to Brooklyn (to the same apartment building on the same day) to continue their career.]

[They Might Be Giants play The Truman, 601 E. Truman Rd, KC, on Tues, Mar 13, at 8:00 PM.]

14. Hello BiPlane – “Hide and Go Seek”
from: Hello BiPlane [EP] / Independent / Dec. 17, 2010
[Originally formed in Lawrence, Kansas by Braden Young and Spencer Goertz-Giffen who write songs and play them with their friends, and record infrequently, and play shows for fun. Jordan Geiger and Jeff Jackson joined the duo for this EP. Spencer Goertz-Giffen and Braden Young now both live in Oakland, California.]

[Hello BiPlane play Replay Lounge in Lawrence Friday, March 9, at 6;00 PM for the matinee, with Suzannah Johannes.]

15. The Project H – “NaCl”
from: Everyday, Forever/ The Project H / March 23, 2018
[This is the fourth album from the collective that includes: Clint Ashlock – trumpet, Ryan Heinlein – trombone, Brett Jackson – woodwinds, Matt Leifer – drums, Andrew Ouellette – keys, Dominique Sanders – bass, Jeff Stocks- guitars. The Project H were winners of the 2014 Pitch Music Award for Best Jazz Ensemble.]

[The Project H play The Black Dolphin, Saturday, March 10.]

[The Project H play am Album Release show will be Wednesday, April 4th at the Westport Coffee House Theater with special guests, the Mark Lettieri Trio from Dallas, Texas.]

11:00 – Station ID – Guest Producer DJ Timmy

For our second hour we welcomes Guest Producer DJ Timmy, who won the Wednesday MidDay prize package at the Silent Auction for last November’s Apocalypse Meow 10, a fundraiser for Abby’s Fund of the Midwest Music Foundation.

DJ Timmy grew up in Kansas City and graduated from Southwest High School. He hates winter so he moved to California, and then to Austin, Texas where had many opportunities to see and hear great music. DJ Timmy moved back to KC last year to be closer to family. His first concert was The Moody Blues with Trapeze at Municipal Auditorium. DJ Timmy has spent many hours behind the board at student radio station, KCOU, in Columbia, MO.

11:03 – Texas Oriented Music

16. Cornell Hurd Band – “I Cry, Then I Drink, Then I Cry”
from: Honky Tonk Mayhem / Behemoth Records / 1991
[In 1968 guitarist Hurd and bass player Frank Roeber formed a four-piece band to play for fellow high school students in Cupertino, California. After one public performance, the band folded but reappeared a little later, now named the Ragg Brothers, with Hurd, Roeber, Cornell’s brother Drew Hurd (harmonica), Joel Crawford (vocals), and Kim Muscatel (lead guitar). The group worked sporadically, playing some original material amid covers of western swing music. By 1971 Hurd and Roeber had moved to Berkeley, California, where they formed the El Rancho Cowboys. With them in this band were Gary Dulleck (piano), Lyle Pratt (lead guitar), and Kim Winn (drums). With some personnel additions and changes, the band played on into 1973, working all manner of one-night stands, including opening shows for big name artists. For a short while, Hurd worked at an electronics plant but was inspired by music he heard in Texas to form a new band, again with Roeber and Crawford, which he named the Original Mondo Hotpants Orchestra. This band survived long enough to make a couple of EPs, the eight tracks being mainly original songs. There followed in swift succession personnel changes and name changes as the band played club and concert dates on tours mainly in the Midwest and in Texas. By the end of 1976 Hurd had a band that was approaching his ideal and shortly thereafter dropped the Mondo Hotpants title to become the Cornell Hurd Band, a name that was taken much more seriously. Over the next few years there were constant changes in personnel although Hurd and his brother, Roeber, Patrick Hennessey and Dave Clemes were consistent members into the early 80s, while guitarist Paul Skelton was in and out all the time. Their tours took them steadily further afield and their recording sessions became more frequent. Still active in the early 00s, the band played in France in mid-summer 2005, at which time the personnel included Skelton (guitar), Howard Kalish (fiddle), Blackie White (guitar), Scott Walls (steel guitar), Del Puschert (tenor saxophone), T. Jarrod Bonta (piano), Randy ‘The Badger’ Glines (bass), Lisa Pankratz (drums), and Danny Roy Young (rub board).]

17. Bob Wills – “So Let’s Rock”
from: Country Music Hall of Fame Series / MCA / 1992
[James Robert Wills (March 6, 1905 – May 13, 1975) was an American Western swing musician, songwriter, and bandleader. Considered by music authorities as the co-founder of Western swing, he was universally known as the King of Western Swing (although Spade Cooley self-promoted the moniker “King Of Western Swing” from 1942 to 1969). Wills formed several bands and played radio stations around the South and West until he formed the Texas Playboys in 1934 with Wills on fiddle, Tommy Duncan on piano and vocals, rhythm guitarist June Whalin, tenor banjoist Johnnie Lee Wills, and Kermit Whalin, who played steel guitar and bass. The band played regularly on a Tulsa, Oklahoma radio station and added Leon McAuliffe on steel guitar, pianist Al Stricklin, drummer Smokey Dacus, and a horn section that expanded the band’s sound. Wills favored jazz-like arrangements and the band found national popularity into the 1940s with such hits as “Steel Guitar Rag”, “New San Antonio Rose”, “Smoke On The Water”, “Stars And Stripes On Iwo Jima”, and “New Spanish Two Step”. Wills and the Texas Playboys recorded with several publishers and companies, including Vocalion, Okeh, Columbia, and MGM, frequently moving. In 1950, he had two Top 10 hits, “Ida Red Likes The Boogie” and “Faded Love”, which were his last hits for a decade. Throughout the 1950s, he struggled with poor health and tenuous finances, but continued to perform frequently despite the decline in popularity of his earlier music as rock and roll took over. Wills had a heart attack in 1962 and a second one the next year, which forced him to disband the Playboys although Wills continued to perform solo.The Country Music Hall of Fame inducted Wills in 1968 and the Texas State Legislature honored him for his contribution to American music. In 1972, Wills accepted a citation from the American Society of Composers, Authors and Publishers in Nashville. He was recording an album with fan Merle Haggard in 1973 when a stroke left him comatose until his death in 1975. The Rock and Roll Hall of Fame inducted Wills and the Texas Playboys in 1999.]

18. Roger Miller – “Squares Make the World Go Around” (Vinyl LP)
from: Dang Me / Smash Records / 1964
[Roger Dean Miller, Sr. (January 2, 1936 – October 25, 1992) was an American singer-songwriter, musician, and actor, best known for his honky-tonk-influenced novelty songs. His most recognized tunes included the chart-topping country and pop hits “King of the Road”, “Dang Me”, and “England Swings”, all from the mid-1960s Nashville sound era. After growing up in Oklahoma and serving in the United States Army, Miller began his musical career as a songwriter in the late 1950s, writing such hits as “Billy Bayou” and “Home” for Jim Reeves and “Invitation to the Blues” for Ray Price. He later began a recording career and reached the peak of his fame in the mid-1960s, continuing to record and tour into the 1990s, charting his final top 20 country hit “Old Friends” with Willie Nelson in 1982. He also wrote and performed several of the songs for the 1973 Disney animated film Robin Hood. Later in his life, he wrote the music and lyrics for the 1985 Tony-award winning Broadway musical Big River, in which he acted. Miller died from lung cancer in 1992 and was inducted into the Country Music Hall of Fame three years later. His songs continued to be recorded by other singers, with covers of “Tall, Tall Trees” by Alan Jackson and “Husbands and Wives” by Brooks & Dunn; both reached the number one spot on country charts in the 1990s. The Roger Miller Museum in his home town of Erick, Oklahoma, was a tribute to Miller.]

19. John Prine – “Your Flag Decal Won’t Get You Into Heaven Anymore”
from: The Singing Mailman Delivers / Oh Boy Records / 2011
[John Prine (born October 10, 1946) is an American country folk singer-songwriter. He has been active as a composer, recording artist, and live performer since the early 1970s, and is known for an often humorous style of country music that has elements of protest and social commentary. Born and raised in Maywood, Illinois, Prine learned to play the guitar at the age of 14. After serving in West Germany with the U.S. armed forces, he moved to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs as a hobby. Becoming a part of the city’s folk revival, he was discovered by Kris Kristofferson, resulting in the production of Prine’s self-titled debut album with Atlantic Records in 1971. After receiving critical acclaim, Prine focused on his musical career, recording three more albums for Atlantic. He then signed to Asylum Records, where he recorded an additional three albums. In 1984 he co-founded Oh Boy Records, an independent record label with which he would release most of his subsequent albums. After his battle with squamous cell cancer in 1998, Prine’s vocals deepened into a gravelly voice, resulting in the award-winning album Fair & Square (2005). Widely cited as one of the most influential songwriters of his generation, Prine is known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary, or which recollect melancholy tales from his life. His 24th album, The Tree of Forgiveness, is coming out April 13.]

20. Jaye P. Morgan – “Pagan Love Song” (Vinyl 45)
from: DJ promotional 45 / RCA Victor / 1955
[Jaye P. Morgan (born Mary Margaret Morgan; December 3, 1931) is a retired popular music American singer, actress and game show panelist. Morgan was born in Mancos[1][2] in Montezuma County in far southwestern Colorado. Her family moved to California by the time she was in high school. Morgan had six siblings; five brothers and one sister.[1] In the late 1940s, at Verdugo Hills High School in the Tujunga neighborhood of Los Angeles, she served as class treasurer (and got the nickname “Jaye P.” after the banker J. Pierpont Morgan) and sang at school assemblies, accompanied by her brother on guitar. Morgan was not the only vocalist in her family. Three of her brothers were also singers. From top: Dick, Duke and Charlie with Jaye P., for a 1959 appearance on The Jimmy Dean Show. In 1950, a year after her graduation from high school, Morgan made a recording of “Life Is Just a Bowl of Cherries” issued by Derby Records, which made it to #26 in the U.S. Billboard record chart . Soon after, she received an RCA Victor recording contract, and she had five hits in one year, including “That’s All I Want from You,” her biggest hit, which reached #3 on the chart. Other notable hits included “The Longest Walk” and “Pepper Hot Baby”. In 1954, she married Michael Baiano. She joined MGM Records in 1959 after spending the previous six years with RCA Victor. From 1954 to 1955, Morgan was a vocalist on the ABC television series show Stop the Music. In November 1955, the British music magazine, NME, reported that Morgan was the top female vocalist in the U.S. Cash Box poll.In 1956, she had her own show, The Jaye P. Morgan Show, and made guest appearances on a number of other variety shows. She was a charter member of the Robert Q. Lewis “gang” on Lewis’s weekday program on CBS, and was featured on a special episode of The Jackie Gleason Show in which Lewis’s entire company substituted for the vacationing Gleason. In 1958, Morgan appeared on ABC’s The Pat Boone Chevy Showroom. On October 6, 1960, she guest starred on NBC’s The Ford Show, Starring Tennessee Ernie Ford. In 1961, Morgan was cast as Sally Dwight in the episode “Money and the Minister” of the CBS anthology series, General Electric Theater, hosted by Ronald Reagan. In 1962, she played Patty Maxwell in “Patti’s Tune” of the CBS military sitcom/drama Hennesey, starring Jackie Cooper. That same year, she was cast as Kitty Flanders in “That’s Showbiz” on NBC’s The Joey Bishop Show. In 1964, Morgan was cast as Ruth Evans in the episode “Sunday Father” of the NBC medical drama, The Eleventh Hour. She spent considerable time in the 1960s making nightclub appearances. In 1966, she guest starred on CBS’s My Three Sons as fading singer Claudia Farrell in the episode entitled “A Falling Star”. In 1973, Morgan played herself in the episode “The Songwriter” of the sitcom, The Odd Couple. She appeared as Magda Valentine in the film The All-American Boy, and continued to play small roles in films such as Loose Shoes (1980), Night Patrol (1984) and Home Alone 2: Lost in New York (1992). Morgan guest starred on The Muppet Show (episode 2.18)[7] in which she and Dr. Teeth sang “That Old Black Magic.” From 1976 to 1978, Morgan was a regular panelist on the popular game/variety show The Gong Show, from which she was fired for flashing her breasts. She also appeared on Rhyme and Reason and Match Game and in the 1980 “behind-the-scenes” movie version of The Gong Show. She also appeared on the Playboy Channel game show Everything Goes, and with her former Gong partner Jamie Farr on Hollywood Squares Game Show Week II in 2004. Morgan appeared in the 2002 George Clooney–directed film Confessions of a Dangerous Mind, a fictionalized version of the life of Chuck Barris, creator of TV game shows The Gong Show, The Dating Game, and The Newlywed Game.]

21. Louis Prima – “Oh Marie”
from: Capitol Collector Series / Capitol / May 13, 1991
[Louis Prima (December 7, 1910 – August 24, 1978) was an American singer, songwriter, and trumpeter. He rode the musical trends of his time, starting with his 7-piece New Orleans style jazz band in the 1920s, a swing combo in the 1930s, a big band in the 1940s, a Vegas lounge act in the 1950s, and a pop-rock band in the 1960s. Keely Smith was 17 when Louis Prima met her. Her hometown was Norfolk, Virginia. In August 1948, she made a point to stop by the Surf Club in Virginia Beach to visit one of her favorite artists, Louis Prima. To her surprise, he was looking for a new female vocalist to replace Lily Ann Carol. Keely had a bathing suit on and was not allowed into the club until she had proper attire on. Luckily, someone was able to lend her some acceptable clothing and she auditioned. She landed the part and travelled with the band. Louis signed with Columbia records in the fall of 1951 to keep up with the rapid changes in the marketing industry.Throughout the sixteen-month contract his top hits consisted of “Chop Suey, Chow Mein,” “Ooh-Dahdily-Dah,” and “Chili Sauce”. To manage his expenses, he had to drop his big band and play in low-grade clubs to support his horses. On top of it all, he divorced his third wife Tracelene on June 18, 1953. Less than a month later he married Keely, who was half his age. She was open to criticism and he wanted to make her a star. He had to find the style that fit her correctly, especially since rock and roll was emerging. Prima was not against rock’n’roll like some other artists, such as Frank Sinatra and Jackie Gleason. He accepted that the kids had “an instinct for the kind of music that’s fun to listen to and dance to.”

22. Xavier Cugat – “Sibony” (Vinyl LP)
from: Viva Cugat / Mercury / 1961
[Xavier Cugat was born January 1, 1900 and died on October 27, 1990. He was a Spanish-American bandleader and native of Spain who spent his formative years in Havana, Cuba. A trained violinist and arranger, he was a leading figure in the spread of Latin music in United States popular music. In New York, he was the leader of the resident orchestra at the Waldorf-Astoria before and after World War II. He was also a cartoonist and a restaurateur. The personal papers of Xavier Cugat are preserved in the Biblioteca de Catalunya. Cugat was born as Francisco de Asís Javier Cugat Mingall de Bru y Deulofeu in Girona, Catalonia, Spain. His family immigrated to Cuba when Xavier was five. He was trained as a classical violinist and played with the Orchestra of the Teatro Nacional in Havana. On 6 July 1915, he and his family arrived in New York City as immigrant passengers on board the SS Havana. Cugat appeared in recitals with Enrico Caruso, playing violin solos. Cugat was married five times. His first marriage was to Rita Montaner (1918–1920); his second was to Carmen Castillo (1929–1944); his third to Lorraine Allen (1947–52); his fourth to singer Abbe Lane (1952–64); and his fifth to Spanish guitarist and comic actress Charo Baeza (1966–78). Entering the world of show business, he played with a band called The Gigolos during the tango craze. Later, he went to work for the Los Angeles Times as a cartoonist. Cugat’s caricatures were later nationally syndicated. His older brother, Francis, was an artist of some note, having painted the famous cover art for F. Scott Fitzgerald’s novel, The Great Gatsby. In the late 1920s, as sound began to be used in films, Cugat put together another tango band that had some success in early short musical films. And by the early 1930s, he began appearing with his group in feature films. His first notable appearance occurred in 1942, in the Columbia production You Were Never Lovelier with Rita Hayworth, Fred Astaire, and Adolphe Menjou. Most of his subsequent movies were made at Metro-Goldwyn-Mayer studios, including Week-End at the Waldorf (1945), Holiday in Mexico (1948), A Date with Judy (1948), Luxury Liner (1948), and the Esther Williams musicals Bathing Beauty (1944), This Time for Keeps (1947), On an Island with You (1948), and Neptune’s Daughter (1949). In 1931, Cugat had taken his band to New York for the 1931 opening of the Waldorf Astoria Hotel, and he eventually replaced Jack Denny as the leader of the hotel’s resident band. For 16 years, Cugat helmed the Waldorf-Astoria Hotel’s orchestra ( the Waldorf-Astoria Orchestra), shuttling between New York and Los Angeles for most of the next 30 years. One of his trademark gestures was to hold a chihuahua while he waved his baton with the other arm.]

11:24 – Underwriting

23. Spook School – “I Only Dance When I Want To”
from: Could it be Different? / Alcopop – Slumberland Records / (2017) January 26, 2018
[The Spook School are a four-piece indie pop band from Edinburgh, Scotland.[3] The name is a reference to the Glasgow School. The band’s lyrics explore “gender, sexuality and queer issues” with themes such as “fluidity and the lack of a binary in gender”. Their music often gets compared to bands off the C86 compilation, such as The Shop Assistants, as well as The Buzzcocks; the band also lists David Bowie as an influence. They met and formed in 2012 whilst attending the University of Edinburgh. Brothers Nye and Adam Todd met AC Cory and Niall McCamley through the university’s comedy society. Most of the band have previously been involved in live comedy shows, some of which were performed at the Edinburgh Festival Fringe. Fortuna Pop! label owner Sean Price signed the band after seeing them play at Indietracks Festival in 2012. They released music on the label until its dissolution in 2017, shortly after which they signed to Alcopop! Records. Their debut album, released in 2013, is entitled Dress Up because it “relates to the idea of gender being a social construction, something that can be artificially appropriated”. The record received positive reviews from Loud and Quiet, Under the Radar, and The Skinny. Their second album, Try To Be Hopeful, released in 2015, has also received favourable coverage from music journalists. Often with emphasis that their world-view encompasses the fluidity of both gender and sexuality and that this gives their output “urgency and cheering freshness”. The band’s third album, Could It Be Different? was released January 2018 – just before embarking on a US tour supporting New York state pop-punk duo Diet Cig. It has been described as a “defining statement”, and a “a life-affirming return” which finds them “on the cusp of greatness”]

24. David Bowie – “Hang on to Yourself”
from: Bowie At the Beeb / Virgin / September 26, 2000
[Bowie at the Beeb is a compilation album by David Bowie, first released in 2000. Originally, it came in a three-CD set, the third, bonus CD being a live recording made on 27 June 2000 at the Portland BBC Radio Theatre. Later editions contain only the first two CDs. The first pressing mistakenly included the second (disc 2, track 12) version of the song “Ziggy Stardust” twice on disc two, missing the first (disc 2, track 4) version. EMI declined to issue corrected replacement discs to customers, instead mailing out one-song CDRs of the first version. This compilation also features a previously unreleased song, “Looking for a Friend” (disc 1, track 15), which John Peel said would be released as a single by Arnold Corns as a follow-up to the Arnold Corns versions of “Moonage Daydream” and “Hang On to Yourself”, but it was never released, thus making this the only performance of “Looking for a Friend”.]

25. Sweet Spirit – “Let Me Be on Top” (Vinyl 10” EP)
from: Sweet Spirit (eponymous debut Ep) / Nine Mile Records / May 11, 2015
[Formed in 2014 the Austin Texas nine-piece band Sweet Spirit started as a solo project. Austin singer Sabrina Ellis was going through some distressing times: the band that she fronted for several years, Bobby Jealousy, with her then husband was disintegrating along with their relationship. Everything Ellis was working toward was suddenly in free-fall. She started Sweet Spirit to hone her ability to write and perform on her own. “It was supposed to be focused on me writing solo, and performing with the guitar,” she says. But it didn’t stay that way for long. When Ellis started Sweet Spirit, she was still writing and performing with her longstanding garage punk band A Giant Dog. AGD Co-founder Andrew Cashen was intrigued by Ellis’ new emphasis on soul and country and pop music as touchstones for Sweet Spirit and quickly climbed on board the project. “I’m very comfortable doing loud and fast,” Cashen says, “so this is uncharted territory for me.” Together Ellis and Cashen began turning out songs at a breakneck pace. They assembled a core band of four more members, rehearsed religiously, and started playing gigs around town. Immediately they began turning heads and packing clubs. Within six months they had gotten noticed by one of Austin’s most famous musical residents, Britt Daniel of Spoon. In October of 2014, Daniel asked the band to perform at Spoon’s “secret” tour kick off show at the cramped rock club Hotel Vegas for their latest record They Want My Soul, and Sweet Spirit was quickly thrown into the local buzzmill. Ex-Spoon producer and friend Mike McCarthy was also an early devotee. He met with the band and invited them to record demos at his studio to shop around. Those early demos were so strong, that with minimal mixing, they became the band’s eponymous 10″ EP. Meanwhile, the band released their full-length debut Cokomo, as well as a two song collaboration with Daniel, receiving praise from Stereogum, Consequence Of Sound, SPIN, and other outlets, and leading to two more national tours. In between shows, the band found time to work with producer Steve Berlin (Los Lobos, Deer Tick) on their sophomore full-length St. Mojo. The new record comes out on April 7, 2017 on Austin label Nine Mile Records and features a bigger, more dynamic set of songs. Lead single “The Power” has already become a fan favorite at live shows, while the Queen-esque track “The Mighty” and Prince dance funk of “I Wanna Have You” take the band is exciting, unexpected new directions. Guest contributions from members of Grupo Fantasma, Mother Falcon and A Giant Dog.]

26. Nic Armstrong & The Thieves – “I Can’t Stand It”
from: The Greatest White Liar / New West / March 8, 2005
[Nic Armstrong & The Thieves are an English rock band founded by Nic Armstrong, and perceived to be inspired by the blues and the rock music of the 1960s, particularly bands such as the Beatles, the Rolling Stones, and the Kinks. Nic Armstrong’s The Greatest White Liar was released in April 2004 by One Little Indian Records and subsequently re-released in 2005 under the moniker Nic Armstrong & The Thieves to illustrate that his live show featured a full band. The US version was released on March 8, 2005 by New West Records and included a cover of “I Want to Be Your Driver,” originally by Chuck Berry. The album was produced at Toe Rag Studios by Grammy Award-winning British record producer Liam Watson, who has also worked on albums for the White Stripes, the Zutons, and the Kills. All tracks on The Greatest White Liar were written and composed by Nic Armstrong, with the exception of “Down Home Girl” and “I Want to Be Your Driver”. Armstrong played the majority of the instruments and all vocals found on the recordings, with the exception of one backing vocal overdub. Jonny Aitken performed on drums. “She Changes Like The Weather” & “Back In That Room” was selected by THQ and (the now defunct Pandemic Studios) to feature in the soundtrack of Destroy All Humans! The song was also featured in the film, Moving McAllister. “Down Home Girl” was featured in a Honda Ridgeline commercial during Super Bowl XL. The music video for “Broken Mouth Blues” was directed by Duncan Jones. In 2004, Paul Weller invited Armstrong to open solo for him on his European tour, shortly after this Nic Armstrong & The Thieves joined Weller on a full UK tour. The band made its US debut at SXSW and US network television debut on The Late Late Show with Craig Ferguson in 2005, followed by performances at the Coachella Festival and Austin City Limits Music Festival. Oasis invited the band on a North American tour during the summer of 2005, which led Noel Gallagher to comment on the band’s live show, “if they get their hair cut, they’ll be one of the biggest bands in Britain. They’re pretty special, man…” In 2006, under the band name, IV Thieves, New West Records released the album, If We Can’t Escape My Pretty (titled after a limited edition Nic Armstrong song that was featured on a limited edition Dazen and Confused flexi-disk). Armstrong is currently working on new material for both projects; Nic Armstrong and Nic Armstrong & The Thieves. There are no plans for any further IV Thieves release. he six-track Pocketless Shirt EP was released in November 2013. The six-track album was recorded at Cacophony Recorders in Austin, TX with Grammy Award winner, Erik Wofford. Negative Slant EP was released in November 2015.]

27. Wreckless Eric – “Take The Cash (K.A.S.H.)” (Vinyl LP)
from: The Whole Wide World / Stiff / 1979
[Eric Goulden was born May 18, 1954, in Newhaven, East Sussex. He is known as Wreckless Eric, is an English rock/new wave singer-songwriter, best known for his 1977 single “Whole Wide World” on Stiff Records. More than two decades after its release, the song was included in Mojo magazine’s list of the best punk rock singles of all time. It was also acclaimed as one of the “top 40 singles of the alternative era 1975–2000”. In 1973 he began attending Art School in Hull, where he joined bands such as Dirty Henry that played local clubs. On a break after his first year at school he saw Kilburn and the High Roads in Oldham. Struck by their honest approach to music, Eric decided to employ the same to his composing and performing. His next band, Addis and the Flip Tops, were the first incarnation of what would later be known as the DIY style. He first became known as one of the original members of the late 1970s Stiff Records artist roster, along with Ian Dury, Elvis Costello and Nick Lowe. Eric’s first appearance on record was “Whole Wide World” on the Stiff label sampler A Bunch of Stiff Records in April 1977. The single version of that song was finally released in August. The song was produced by, and featured bass and guitar by Nick Lowe, with Steve Goulding on drums. The following month, the song was one of five tracks broadcast for the first of two sessions Eric recorded for DJ John Peel at BBC Radio 1. The song went on to make number 47 in John Peel’s ‘Festive Fifty’, the so-called ‘lost list’ of 1977; it was number 8 in the Sounds critics’ singles of the year; and it received an ‘honourable mention’ in the NME critics’ chart. The song’s reputation has grown over the years and numerous bands have covered “Whole Wide World”, such as the Lightning Seeds, Mental As Anything, The Monkees (who covered the song on their Pool It! album in 1987), The Proclaimers (who covered it on their 2007 album Life With You), Paul Westerberg, and Cage The Elephant (who covered it in their 2017 album Unpeeled). His debut album Wreckless Eric was a Top 50 hit in the UK Albums Chart. His 2nd album with Stiff Records was The Wonderful World of Wreckless Eric.]

28. Amy Rigby – “The Trouble With Jeanie”
from: Little Fugitive / Signature Sounds Records / 2005
[Amy Rigby (born Amelia McMahon, 1959) is an American singer-songwriter.[1] After playing with several New York bands she began a solo career, recording several albums which had only modest sales despite enthusiastic reviews. She settled into a career of touring while raising a daughter, then formed a duo with Wreckless Eric whom she also married. As of November 2011 they continue to tour from a base in upstate New York. Rigby was born in Pittsburgh and moved to New York City in 1976. She married dB’s drummer Will Rigby in the 1980s, and during the late 1980s and early 1990s recorded with New York bands such as The Shams and Last Roundup. Her solo career began in 1996. In 1999 Rigby moved to Nashville to pursue a publishing deal, and continued to record and tour. She later relocated to Cleveland, and in late 2006 moved to France with her second husband, Wreckless Eric. In the fall of 2011 they relocated to the USA, moving to a town in upstate New York. Rigby released her first full-length recording under her own name, Diary of a Mod Housewife, in 1996. Village Voice critic Robert Christgau praised the album, calling it “concept album of the year”.[2] Spin voted Rigby “Songwriter of the Year” for 1996. Middlescence and The Sugar Tree (like Mod Housewife, recorded for Koch Records), also were well received by critics and listeners. Koch also released Rigby’s compilation album, 18 Again. After leaving Koch, she recorded for the Signature Sounds label, and also sold live CD and DVD material through her website. Til The Wheels Fall Off, with its opening track, “Why Do I,” produced by Richard Barone, was released on Signature in 2003, and Little Fugitive in 2005. The weekly newspaper The Nashville Scene said that Little Fugitive “finds Rigby as sharp as ever, even as many of the songs evince the fuzz of dislocation…or the exasperation of a survivor who hasn’t lost her sense of humor but knows that jokes have their limits.” She writes lyrics about the trials of a cash-strapped single mother in an uncaring world. “The Good Girls” is a song about consumerism and under-employment, for example. Asked by her manager if she would not be able to write the same kind of songs after starting a happy relationship, she responded “No problem. I’m still poor”, before cranking out a lyric about her beau’s ex-wife. Another trademark is outrageous sexual humor, as in the songs “I Hate Every Bone in Her Body” and “Are We Ever Going to Have Sex Again?” Rigby uses basic chord structures derived from ’60s rock and pop music. Her records are as notable for their musical sophistication as for their lyrical directness. Her influences also include New York City punk rock, especially as played at the famous CBGB club, as well as the Beatles and other mid-1960s pop. One of her recent songs is entitled “Dancing With Joey Ramone.” Ronnie Spector, Sara Hickman, and Laura Cantrell have recorded compositions by Rigby. In 2008 Wreckless Eric & Amy Rigby was released. The album is described as combining various influences.]

29. Wussy – “Acetylene” (Vinyl LP)
from: Attica / Shake It Records / 2014
[Fifth studio album from Cincinnati, Ohio, indie rock band formed in 2001. The 11 songs on Attica! were recorded at Ultrasuede Studios in Cincinnati, which is owned by former Afghan Whigs bassist John Curley. The album also saw the return of a member of one of Wussy frontman Chuck Cleaver’s former bands–Ass Ponys guitarist John Erhardt performed on Attica! as Wussy’s fifth member. Attica!’s opening track, “Teenage Wasteland”, describes singer Lisa Walker’s memories of listening to the Who, especially the song “Baba O’Riley”, and includes shoutouts to several of its members. The song also contains a guitar part that closely resembles that on Baba O’Riley. The album’s title track also references Dog Day Afternoon, portraying it as a tale of romantic desperation.]

30. Flamin’ Groovies – “Shake Some Action”
from: Groovies Greatest Grooves / Sire / 1989
[Flamin’ Groovies is an American rock music band whose peak was in the 1960s and 1970s. The band began as a “throwback”-influenced group in San Francisco in 1965, led by Roy Loney and Cyril Jordan. After the Groovies released three albums on major labels without much success, Loney left the band in 1971. He was replaced as co-leader by Chris Wilson, and the band’s emphasis shifted more toward British Invasion power pop. The reconstituted band signed to United Artists Records in 1972 but only released three more singles until 1976. The Groovies then signed to Sire Records and released three albums between 1976-79, also with limited success, before Wilson left the band in 1981. After that, Jordan and original bassist George Alexander continued on as the Groovies until the group finally disbanded in 1991. After a couple of limited reunions with different lineups, the 1970s nucleus of Jordan, Wilson, and Alexander reformed the group in 2013, and the band’s first post-reunion album was released in 2017. In addition to the band’s role in the advancement of power pop, the Flamin’ Groovies have also been called one of the forerunners of punk rock.]

31. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on March 14, professional actor and teacher Richard Alan Nichols joins us to talk about his new book, TO ACT IS TO DO. Also next week, the multi-talented actor-singer-comedian Spencer Brown aka Daisy Buckët joins us to talk about Daisy’s full length solo album debut, Pansy

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

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Show #724