WMM Playlist from June 19, 2019

Rod Parks

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 19, 2019

The Sound & Vision of Rod Parks

Rod Parks is owner of Retro Inferno. He serves on the board of directors for Owen Cox Dance Group and he is a long-time supporter of area artists and musicians. Rod lives in the Bruce Goff “Nicol House” commissioned by Jim & Betty Nicol in 1964, where Rod hosts fundraisers and house concerts. Rod Parks grew up in Smithville, Missouri, and started playing drums when he was 11. Rod graduated from the University of Missouri in Columbia with a bachelor’s degree in marketing education and completed master’s degrees in education in 1993. Throughout these years Rod played drums in bands, worked in the grocery store business, and taught high school for ten years. Rod was accepted into the UMKC doctoral program in counseling psychology, and finished coursework for the PhD in 1996. Rod started buying mid-century modern furniture in the mid 1990s. In 1998, Rod opened his first store at 1712 Main, and in 2004, Retro Inferno moved to its current location at 1500 Grand Boulevard.

10:00

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Julian Lage – “The Ramble”
from: Modern Lore / Mack Avenue Records / February 2, 2018
[Julian Lage (/lahj/) was born December 25, 1987 in Santa Rosa, California. He is an American guitarist and composer. A child prodigy, Lage was the subject of the 1996 short documentary film Jules at Eight. At 12, Lage performed at the 2000 Grammy Awards. At 15, Lage became a faculty member at the Stanford Jazz Workshop at Stanford University. Classically trained at the San Francisco Conservatory of Music, Lage has studied at Sonoma State University and the Ali Akbar College of Music. He graduated from the Berklee College of Music in 2008. On March 24, 2009 Lage released his debut album Sounding Point on EmArcy Records, to favorable reviews. It was nominated for the 2010 Grammy Award Best Contemporary Jazz Album. Lage’s second album, titled Gladwell was released April 26, 2011, to positive reviews. On March 2, 2015, Lage released his first solo acoustic album entitled World’s Fair, and on March 11, 2016, he released his fourth album as a leader, Arclight. As of 2018, Lage’s trio features bassist Scott Colley and drummer Kenny Wollesen. Lage also has duo projects with guitarists Chris Eldridge, Gyan Riley and Nels Cline. For the 2017 guitar duo album Mount Royal, Lage and Eldridge received a Grammy nomination for Best Contemporary Instrumental Album.]

10:10

3. John Zorn – “Merkaba (performed by Gnostic Trio (Bill Frisell on guitar, Kenny Wollesen on vibes, Carol Emanuel on harp)”
from: Masada Book Three – The Book Beri’ah CD 7 Netzach – Gnostic Trio / TZADIK / 2018
[The Book Beri’ah—the final 92 compositions that complete the 25-year Masada legacy in a beautiful limited edition box set of 11 CDs! written by John Zorn).John Zorn was born September 2, 1953, and is an American composer, arranger, record producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions, which he identifies as avant-garde or experimental. Zorn was described by Down Beat as “one of our most important composers”. Zorn established himself within the New York City downtown music movement in the mid-1970s, performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987 and Naked City in 1990. After spending almost a decade travelling between Japan and the US, he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s. Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the Jewish music-inspired jazz quartet Masada, composed 613 pieces as part of the three Masada songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.]

10:17 – Interview with Rod Parks

Rod got his first good drum kit at 12, and then another when he was 15 that he still has (and others). Rod played in bands in his teens and then not again until he was in his 30’s.

10:23

4. Brad Mehldau – “When It Rains”
from: Largo / Warner records / August 13, 2002
[Bradford Alexander Mehldau (/ˈmɛlˌdaʊ/) was born August 23, 1970 in Jacksonville, Florida. He is an American jazz pianist, composer, and arranger. Mehldau studied music at The New School, and toured and recorded while still a student. He was a member of saxophonist Joshua Redman’s Quartet with bassist Christian McBride and drummer Brian Blade in the mid-1990s, and has led his own trio since the early 1990s. His first long-term trio featured bassist Larry Grenadier and drummer Jorge Rossy; in 2005 Jeff Ballard replaced Rossy. These bands have released a dozen albums under the pianist’s name. Since the early 2000s Mehldau has experimented with other musical formats in addition to trio and solo piano. Largo, released in 2002, contains electronics and input from rock and classical musicians; later examples include touring and recording with guitarist Pat Metheny, writing and playing song cycles for classical singers Renée Fleming and Anne Sofie von Otter, composing orchestral pieces for 2009’s Highway Rider, and playing electronic keyboard instruments in a duo with drummer Mark Guiliana. Aspects of pop, rock, and classical music, including German Romanticism, have been absorbed into Mehldau’s writing and playing. Through his use of some traditional elements of jazz without being restricted by them, simultaneous playing of different melodies in separate hands, and incorporation of pop and rock pieces, Mehldau has influenced musicians in and beyond jazz in their approaches to writing, playing, and choice of repertoire. More info at: http://www.bradmehldau.com]

10:30 – Underwriting

10:32 – Interview with Rod Parks

Rod joined the family business managing grocery stores in Smithville, 1981 to 1986.

10:38

5. Ralph Towner, Jan Garbarek, Eberhard Weber & Jon Christensen – “Piscean Dance”
from: Solstice / ECM Records GmbH / January 1, 1975
[Solstice is an album by the American guitarist Ralph Towner that was released on the ECM label in 1975. It features Ralph Towner on 12-string and classical guitar & piano; Jan Garbarek on tenor and soprano saxophone & flute; Eberhard Weber on bass & cello, and Jon Christensen on drums & percussion. The 1977 album, Solstice/Sound and Shadows, was released by Towner on ECM with the same quartet. Allmusic awarded the album with 4.5 stars and its review by Michael G. Nastos states: “Of the many excellent recordings he has offered, Solstice is Towner’s crowning achievement as a leader fronting this definitive grouping of ECM stablemates who absolutely define the label’s sound for the time frame, and for all time”. All compositions by Ralph Towner except “Sand” by Eberhard Weber.]

10:43 – Interview with Rod Parks

Rod Parks Graduated High School 1975 and then went to MU in Columbia. Rod majored in Marketing Education. He coordinated a marketing education program in Versailles MO. from 1979 to 1981. After Rod worked in the Grocery business in Smithville, he taught school again from 1988 to 1998. Rod moved to Brookside in 1993 when I got into the UMKC Doctoral program in Counseling Psychology. Rod completed Masters and Ed Specialist degrees from 1990 to 1993.

10:49

6. Jakob Bro, Palle Mikkelborg, Thomas Morgan & Jon Christensen – “Lyskaster”
from: Returnings / ECM Records GmbH / March 23, 2018

Jakob Bro was born April 11, 1978. He is a Danish guitarist and composer. Bro leads a trio with Joey Baron and Thomas Morgan. In the fall of 2016 the trio released the album Streams (ECM). Bro also works with Palle Mikkelborg and Bro/Knak, a collaboration with the Danish electronica producer Thomas Knak. Bro is a former member of the Paul Motian Band (Garden of Eden, ECM, 2006) and a member of Tomasz Stanko’s Dark Eyes Quintet (Dark Eyes, ECM, 2009). Bro has worked with Paul Bley, Chris Cheek, Andrew D’Angelo, Bill Frisell, George Garzone, Lee Konitz, Thomas Morgan, Paul Motian, Oscar Noriega, Kurt Rosenwinkel, Chris Speed, Ben Street, Mark Turner, David Virelles, and Kenny Wheeler.

Palle Mikkelborg was born March 6, 1941. He is a Danish jazz trumpeter, composer, arranger and record producer. He started playing professionally in 1960, and has since been a dominant figure on the Danish and international progressive jazz scene. He has released several solo records, and recorded with various co-founded groups, as well as appearing as sideman or arranger on numerous international records. Notable international collaborations include appearances with the Gil Evans Big Band, the George Russell Big Band, Gary Peacock, Jan Garbarek, and Miles Davis, for whom he composed and produced the 1985 (released 1989) record Aura. In 2001 he was awarded the Nordic Council Music Prize.

Thomas Morgan was born August 14, 1981 in Hayward, California. He is an American jazz musician (upright bass, cello) in contemporary jazz. Morgan began playing the cello at 7, eventually switching to upright-bass at 14. In 2003 he received his bachelor’s degree in Music from the Manhattan School of Music, where he studied with Harvie Swartz and Garry Diall. He has also studied briefly with Ray Brown and Peter Herbert. Morgan has worked with David Binney, Steve Coleman, Joey Baron, Josh Roseman, Brad Shepik, Steve Cardenas, Timuçin Şahin, Kenny Wollesen, Gerald Cleaver, Adam Rogers and Kenny Werner.[2] He has also collaborated with Jakob Bro, Dan Tepfer, Jim Black, John Abercrombie, and Masabumi Kikuchi, and he has performed with the Sylvie Courvoisier-Mark Feldman Quartet. Morgan was featured prominently on the 2017 ECM album Small Town in a duet setting with guitarist Bill Frisell. The album documents a 2016 live performance at the Village Vanguard. In 2014, Morgan’s own trio, featuring a keyboardist and drummer, was reviewed by jazz critic Ben Ratliff in the New York Times.

Jon Ivar Christensen was born March 20, 1943 in Oslo, Norway. He is a Norwegian jazz drummer. He is married to actress, minister, and theater director Ellen Horn, and is the father of singer and actress Emilie Stoesen Christensen. In the late 1960s Christensen played alongside Jan Garbarek on several recordings by the composer George Russell. He also was a central participant in the Jazz band, Masqualero, with Arild Andersen, and they reappeared in 2003 for his 60th anniversary. He appears on many recordings on the ECM label with such artists as Keith Jarrett, Jan Garbarek, Terje Rypdal, Bobo Stenson, Eberhard Weber, Ralph Towner, Barre Phillips, Arild Andersen, Enrico Rava, John Abercrombie, Michael Mantler, Miroslav Vitous, Rainer Brüninghaus, Charles Lloyd, Dino Saluzzi and Tomasz Stanko. He, along with Jan Garbarek and Palle Danielsson, was a member of the legendary Keith Jarrett “European Quartet” of the 1970s which produced five excellent jazz recordings on ECM Records.

10:54 – Interview with Rod Parks

Rod Parks happened upon an estate sale while furnishing his Brookside house and started buying 50’s-60’s Mid-century modern stuff. People would come over and say it was cool, so he started trusting his eye and researching designers etc.

Rod started buying and selling furnishings. His garage and basement became full, so he started filling storage lockers, and then warehouse floors. Rod finished the coursework for the PhD in ’96. And then Rod resigned from teaching in 1998 and opened Retro Inferno in June of that year having accumulated a warehouse full of stuff.

11:00 – Station ID

7, Cymande– “Listen”
from: Renegades of Funk / Alaska Records / June 7, 2005
[Best of anthology from Cymande (See-man-day) was a British funk group that released several albums in the early 1970s and reunited in 2014 with a European tour and a new album released in 2015. The group was formed by Steve Scipio and Patrick Patterson in 1971 in London, England, along with musicians from Guyana, Jamaica and Saint Vincent. The name Cymande is derived from a calypso word for dove, symbolizing peace and love. The group developed a subtle and complex, deep funk style influenced by calypso rhythms, jazz, African music, American soul and UK rock of the time. By the mid-1970s the band members were going their separate ways, and the group disbanded in 1974. It was not until 20 years later that they reaped any financial rewards, as their music became a popular source for samplers. Cymande’s original albums are still widely sought-after by DJs and funk aficionados. Perhaps the band’s best known recording is the soulful dance floor filler called “Bra”, which was later sampled by the American hip-hop group De La Soul and used as a breakbeat record by Kool Herc and Grandmaster Flash. Cymande was accidentally discovered by English producer John Schroeder in a Soho, London club where they were rehearsing. He was there to see a rock band but the gig had been cancelled, and he stumbled upon these West Indian musicians. He soon signed the band and recorded their initial single “The Message.” The single was released by Janus Records, a division of Chess Records. The track reached #20 on the US Billboard R&B chart. This set the stage for Cymande’s self-titled release in 1972. Cymande traveled to New York after the success of the first album, and began a tour of the US with Al Green. They also shared a few bills with the Latin funk ensemble Mandrill. They played a few important venues, including The Apollo, and played a gig on Soul Train. The band released three LPs for Janus. However, their final album, Promised Heights, was not released in the US, where Cymande had achieved their initial success. Promised Heights included “Brothers on the Slide”, “The Recluse” and “Promised Heights”. The tracks “Brothers on the Slide” and “Bra” also were staples of the rare groove scene that developed in London and New York nightclubs during the 1980s.]
Cymande Discography

1972 – Cymande
1973 – Second Time Round
1974 – Promised Heights
1981 – Arrival
1999 – The Message (compilation)
2000 – The Soul of Rasta (compilation)
2003 – The Best of Cymande (compilation)
2003 – Nyah-Rock (compilation)
2004 – Renegades of Funk (best of anthology)
2007 – Promised Heights (reissue compilation)
2015 – A Simple Act of Faith

11:05 – Interview with Rod Parks (Retro Inferno)

Rod resigned from teaching in ’98 and opened Retro Inferno in June 1998 at 1712 Main.

In March 2004, Retro Inferno moved to its current location at 1500 Grand Boulevard.

11:11

8. The Jim Campilongo Trio – “Cock ‘n Bull Story (feat. Nels Cline)” [Live]
from: Live at Rockwood Music Hall Nyc / Bully Cat Music / November 13, 2017
[Jim Campilongo was born July 8, 1958. He is a New York guitarist from San Francisco and a member of The Little Willies with Norah Jones. Campilongo plays a Fender Custom Shop Campilongo Signature Fender Telecaster. He employs a hybrid right-hand technique that involves the use of both a plectrum and his fingers. He holds a mandolin pick between his thumb and forefinger while plucking with his middle and third fingers. He is a teacher and a contributing editor for Guitar Player magazine. Campilongo was born in South San Francisco, California. When he was nine, he discovered the Beatles and Jimi Hendrix. He became interested in improvisation, saying in one interview, “I knew I liked improvisation and long musical journeys…so I used to buy albums based exclusively on how long the tracks were…That’s how I discovered John Coltrane Live in Japan, John McLaughlin Devotion, a couple of different Cream albums.” Campilongo’s career began in the mid-1970s. He studied guitar in San Francisco with Bunnie Gregoire, who taught him to embrace many genres of music, including the work of jazz guitarist George Van Eps and country singer John Denver. He used green stamps to buy his first guitar. During high school, he played with his friend and drummer Ken Owen, and when he was seventeen he began performing with local bands. One of Campilongo’s biggest influences at the time was blues guitarist Roy Buchanan. His recording career started in San Francisco in 1996 when he formed Jim Campilongo and the 10 Gallon Cats. After several years, he left the group and recorded Table for One in 1998. He has played with Al Anderson, Bright Eyes, Cake, J. J. Cale, Steve Cardenas, Burning Man, Chris Cheek, Nels Cline, Patrick Stewart, Charlie Hunter, Adam Levy, Sunny Ozell, David Rawlings, Peter Rowan, Teddy Thompson, Martha Wainwright, and Gillian Welch.]

10:22 – Interview with Rod Parks

Rod Parks lives in the Bruce Goff “Nicol House”, commissioned by Jim and Betty Nicol in 1964. It’s his third house. His has moved each time within 10 blocks of each house, moving not for more space, but moving for the architecture of each place.

Bruce Alonzo Goff was born June 8, 1904 and died August 4, 1982. He was an American architect, distinguished by his organic, eclectic, and often flamboyant designs for houses and other buildings in Oklahoma and elsewhere.

A 1951 Life Magazine article stated that Goff was “one of the few US architects whom Frank Lloyd Wright considers creative…scorns houses that are ‘boxes with little holes.”

Bruce Goff’s father, Corliss, the youngest of seven children born to a builder in Cameron, Missouri, who learned to be a watch repairman at an early age, and moved to Wakeeney, Kansas, where he opened his own watch repair business. One day a young schoolteacher named *** came in to have own watch repaired. Romance blossomed quickly and the two were married in 1903 at the home of her parents in Ellis, Kansas. Soon after marriage, the couple moved to the farm town of Alton, Kansas, where their son, Bruce, was born.

Life was still very difficult for the Goffs in Alton, so they moved south to what would become Tulsa, Oklahoma, (but was then Indian Territory.) At the end of the first summer, they moved to Henrietta, where Bruce’s sister was born in 1906. Then they moved to Skiatook and Hominy, where he saw the Indians in ceremonial dress, and was very impressed with their patterns and color. He started school in Skiatook, where he was fascinated by a picture of the Mormon Temple in Salt Lake City, his first real exposure to architecture, other than frontier structures. Later, after moving to Hominy, he began drawing fanciful pictures of such buildings on wrapping paper.

Golf’s family decided in 1913 to relocate to Denver, Colorado, where the father expected that his fortunes would change for the better. First, Corliss went ahead of the mother and children who stayed with her relatives in Ellis, Kansas. He bought a watch shop and opened for business. Meanwhile Bruce, displaying the talent of an artistic prodigy, learned to paint from nature [b] At the end of the summer, 1913, Corliss sent for the family to rejoin him in Denver. The economy did not favor his efforts, and Bruce later remembered going to bed hungry many nights, because his father could not afford enough food for the family. After a year and a half of constant struggle, Corliss realized that his fortune was not going to change there.

Goff’s parents decided to move back to Tulsa in 1915. Corliss had given up on the watchmaking business and became a grocery equipment salesman. Bruce was largely self-educated and displayed a great talent for drawing. He enrolled in the 6th Grade at Lincoln Elementary School, where his first art teacher, a Miss Brown, strongly supported his individualistic artistic expression.[2], p. 18. [c] His father apprenticed him at age twelve to the Tulsa architectural firm of Rush, Endacott and Rush.[d] Goff’s employers were impressed with his talent; they soon gave him responsibility for designing houses and small commercial projects. One of his earliest designs that was actually built was a house at 1732 South Yorktown Avenue in Tulsa’s Yorktown Historical District; another was the 1920 McGregor House, at 1401 South Quaker Street in what is now known as the Cherry Street District. This house was added to the National Register of Historic Places in 2014.[2], p. 29-30. During this period, his work was heavily influenced through his correspondence with Wright and with Louis Sullivan, both of whom had encouraged him to practice architecture with Rush, Endacott and Rush instead of enrolling in Massachusetts Institute of Technology; they felt the formal education would stifle his creativity. Goff was made a firm partner in 1930.[3] He and his high-school art teacher Adah Robinson are co-credited with the design of Tulsa’s Boston Avenue Methodist Church, one of the finest examples of Art Deco architecture in the United States. Goff designed the Tulsa Club, downtown Tulsa’s historic landmark, in 1927.

Chicago period – In 1934 Goff moved to Chicago and began teaching part-time at the Academy of Fine Arts. He designed several Chicago-area residences and went to work for the manufacturer of “Vitrolite”, an architectural sheet glass introduced during the 1930s.

Military experience – In March 1942, three months after the Japanese Navy attacked Pearl Harbor. Goff enlisted in the U.S. Navy, Naval Construction Branch (“Seabees”). Called to active duty in July 1942, he underwent basic training, at first in Rhode Island and then at Gulfport, Mississippi. After graduating in September, he was promoted to Chief Petty Officer (CPO) and posted to Dutch Harbor, Alaska, where he spent 18 months. His design assignments were strictly conventional (e.g., a club house, a mess hall, an officers’ club), limited by military regulations, availability of materials, cost, schedules, etc.)

In March 1944, CPO Goff was ordered to report to Camp Parks, a naval complex in Dublin, California east of Oakland, for rehabilitation and reassignment (R & R). A senior officer, Admiral Reeves, who was familiar with Goff’s work in Alaska, had Goff assigned to the base operations staff. Goff would remain there until he was discharged from the Navy in July 1945

In 1943, the Marine command had ordered a project to enlarge some service facilities for men stationed there and their civilian visitors (families). The project included remodeling eight existing buildings and constructing the newly-approved McCann Memorial Chapel. Captain James Wilson, Chief Engineering Officer of the base, assigned CPO Goff the job of designing all of the projects. He reminded Goff that the same restrictions he had experienced in Alaska would apply here.

The chapel employed two surplus warehouse-type Quonset huts, each 40 feet (12 m) by 100 feet (30 m) and laid end-to-end, as the basic enclosure. A pylon, on which was mounted a two-sided cross, penetrated the hut wall behind the altar. Since the chapel had to be multi-denominational, one side of the cross (designated “Protestant”) was unadorned. The reverse side of the cross (“Catholic”) was adorned with a crucifix. For Jewish services, the cross could be concealed by the tablets of Moses.

According to Nicolaides, the Camp Parks chapel was purchased in 1956, as surplus military property and rebuilt in San Lorenzo, California., No more has been published about the building.

Post-war period – He also obtained a teaching position with the School of Architecture at the University of Oklahoma in 1942. Despite being largely self-taught, Goff was named chairman of the school in 1943. This was his most productive period. In his private practice, Goff built a large number of residences in the American Midwest, developing his singular style of organic architecture that was client- and site-specific.

In 1955, Goff, who was homosexual, was accused of “endangering the morals of a minor”, as homosexuality was not socially acceptable in Oklahoma in 1955. As a result of the unproven claims, he was forced to resign from his position at the University of Oklahoma. Historians and writers have expressed their belief that Goff was politically forced from his position specifically for being homosexual.

In 1955, Goff relocated his studio to the Price Tower in Bartlesville, Oklahoma, which had been designed by his mentor Frank Lloyd Wright. There he continued to produce novel designs, and also spent considerable time traveling and lecturing. Articles about his ideas and designs appeared frequently in professional magazines, such as Progressive Architecture, Art in America and Architectural Forum. In 1960–1961 he had Arthur Dyson as an apprentice in his office and from 1958-1960 Harvey Ferrero also apprenticed with him.

Bavinger House – Goff’s accumulated design portfolio of 500 projects (about one quarter of them built) demonstrates a restless, sped-up evolution through conventional styles and forms at a young age, through the Prairie Style of his heroes and correspondents Frank Lloyd Wright and Louis Sullivan, then into original design. Finding inspiration in sources as varied as Antoni Gaudi, Balinese music, Claude Debussy, Japanese ukiyo-e prints, and seashells, Goff’s mature work had no precedent and he has few heirs other than his former assistant, New Mexico architect Bart Prince, and former student, Herb Greene.[12] His contemporaries primarily followed tight functionalistic floorplans with flat roofs and no ornament. Goff’s idiosyncratic floorplans, attention to spatial effect, and use of recycled and/or unconventional materials such as gilded zebrawood, cellophane strips, cake pans, glass cullet, Quonset Hut ribs, ashtrays, and white turkey feathers, challenge conventional distinctions between order and disorder.

Many of Goff’s designs are on display at the Modern Wing at the Art Institute of Chicago.

In 2002 director Heinz Emigholz produced the documentary film Goff in the Desert which depicts 62 of Bruce Goff’s buildings. He also used imagery from this movie for the music video Celtic Ghosts of German band Kreidler.

Goff was active from 1920s til his death, with posthumous projects completed by associates. His works were considered for listing on the U.S. National Register of Historic Places.

The following are selected major works:

1926: Boston Avenue Methodist Church, Tulsa, Oklahoma
1927: Page Warehouse, Tulsa (demolished)
1928: Riverside Studio, Tulsa, Oklahoma
1938: Turzak House, Chicago, Illinois
1947: Ledbetter House, Norman, Oklahoma
1948: Bachman House, Chicago, Illinois
1950: Bavinger House, Norman, Oklahoma (demolished in 2016)
1955: John Frank House, Sapulpa, Oklahoma
1968: Glen Mitchell House, Dodge City, Kansas
1970: Glen Harder House, Mountain Lake, Minnesota
1978: Pavilion for Japanese Art at the Los Angeles County Museum of Art, LA California

Goff’s contributions to the history of 20th-century architecture are widely praised. His extant archive—including architectural drawings, paintings, musical compositions, photographs, project files, and personal and professional papers—is held by the Ryerson & Burnham Libraries at the Art Institute of Chicago.

Bruce Goff’s headstone, designed by his student Grant Gustafson. His Bavinger House was awarded the Twenty-five Year Award from the American Institute of Architects in 1987, and Boston Ave Methodist Church was designated a National Historic Landmark in 1999.

Death – Goff died in Tyler, Texas, on August 4, 1982. His cremated remains are interred in Graceland Cemetery, Chicago, Illinois, with a marker designed by Grant Gustafson (one of Goff’s students) that incorporates a glass cullet fragment salvaged from the ruins of the Joe D. Price House and Studio.

11:28

9. Ceramic Dog – “Muslim Jewish Resistance (feat. Marc Ribot)”
from: TYRU Still Here? (feat. Marc Ribot) / Northern Spy / April 27, 2018
[Allmusic awarded the album 4½ stars out of 5 with Matt Collar stating, “the pugilistic, stylistically expansive third album from Ceramic Dog, guitarist/singer Ribot’s punk-infused trio with bassist/singer Shahzad Ismaily and drummer/singer Ches Smith. Grounded by Ribot’s mutative, buzzy guitar lines and the band’s taut, often humorous lyrics piping with literate rage, YRU Still Here? has the feel of an ’80s hardcore punk 7″ recorded on a four-track over an intense few hours. While the band’s dissonant, MC5-esque brand of punk, improvisational jazz, and avant-garde rock has always evinced a kind of leftist artistic ire, it’s never been as overtly politically and socially minded as it is here”. PopMatters’ John Garratt rated the album 8 out of 10, saying, “Ceramic Dog slammed their collective hand onto a truly volatile moment to capture some appropriately volatile music. In a time when nationalism seems to be far too en vouge for comfort, you can always count on certain voices being raised (shouted?). Ribot was one of those voices before, and there’s no way he’s going to shut up now. … the album’s undercurrent muddies the water just enough to remind the listener that Marc Ribot and Ceramic Dog will never take the easy way out, even during the best of times. Sometimes, that’s how you stumble upon a future classic”. Marc Ribot was born May 21, 1954. He is an American guitarist and composer. His work has touched on many styles, including no wave, free jazz, rock, and Cuban music. Ribot is also known for collaborating with other musicians, most notably Tom Waits, Elvis Costello, Vinicio Capossela and John Zorn. Ribot was born in Newark, New Jersey. He grew up in the Montrose section of South Orange, the son of a noted physician. He has worked extensively as a session guitarist. He has performed and recorded with Tom Waits, Caetano Veloso, John Zorn, David Sylvian, Jack McDuff, Wilson Pickett, The Lounge Lizards, Arto Lindsay, T-Bone Burnett, Medeski, Martin and Wood, Cibo Matto, Sam Phillips, Elvis Costello, Tift Merritt, Allen Ginsberg, Foetus, Robert Plant & Alison Krauss, Susana Baca, The Black Keys, Vinicio Capossela, Alain Bashung, McCoy Tyner, Elton John, Madeleine Peyroux, Marianne Faithfull, Diana Krall, Mike Patton, Stormin’ Norman & Suzy Williams, Neko Case, Joe Henry, Allen Toussaint, Ikue Mori and others. IN 2018 Ribot also released Songs of Resistance 1948 – 2018, assembling a set of songs that spoke to this political moment with appropriate ambition, passion, and fury. The eleven songs on the record are drawn from the World War II anti-Fascist Italian partisans, the U.S. civil rights movement, and Mexican protest ballads, as well as original compositions, and feature a wide range of guest vocalists, including Tom Waits, Steve Earle, Meshell Ndegeocello, Justin Vivian Bond, Fay Victor, Sam Amidon, and Ohene Cornelius. Ribot began working on the project at the end of 2016, responding not just to the American elections, but to the political trends he was seeing around the world. “I am alarmed by Trump and the movement he’s part of,” he says. “I’ve spent a good chunk of my life running around the world on tour—I’m kind of an accidental internationalist—and I see that he’s not an isolated phenomenon. And if we don’t deal with what is going on, it is going to deal with us.” ]

11:33 – Underwriting

11:35 – Interview with Rod Parks

Rod is a music fan and supporter of artists. He hosts receptions and house concerts in his Bruce Goff house. He hosts Art shows at Retro Inferno.

11:41

10. John Zorn – “A Void”
from: Insurrection / Tzadik / April 20, 2018
[John Zorn was born September 2, 1953, and is an American composer, arranger, record producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions, which he identifies as avant-garde or experimental. Zorn was described by Down Beat as “one of our most important composers”. Zorn established himself within the New York City downtown music movement in the mid-1970s, performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987 and Naked City in 1990. After spending almost a decade travelling between Japan and the US, he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s. Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the Jewish music-inspired jazz quartet Masada, composed 613 pieces as part of the three Masada songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.]

11:47 – Interview with Rod Parks

Rod has an extensive art collection and music collection.

11:55

11. Gyan Riley – “Inner Smile”
from: Sprig / National Sawdust Tracks / March 39, 2018
[Gyan Riley (was born 1i 977). He is an American guitarist and composer. He is a son of minimalist composer Terry Riley. They frequently collaborate, including a tour in Europe in September 2016. Gyan Riley studied at San Francisco Conservatory of Music. He released his solo album Stream of Gratitude in 2013 on John Zorn’s Tzadik Records. He also performed with Zakir Hussain, Dawn Upshaw, San Francisco Symphony among others. In 2015, he released Nayive Eviyan, a collaboration with Czech violinist Iva Bittová..]

12. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on June 26 Bill Sundahl joins us to talk over the details about KKFI Collaborations at The Folly Theatre, Saturday, June 29. We will also talks with Dick Von Dyke who host The Dick & Dyke Show every Thursday at 10:00 PM at Missie B’s and presents Night of a Thousand Dicks, Friday, June 28, at 8:00 PM at Missie B’s. Also next week the band Belle & The Vertigo Waves join us live in our 90.1 FM Studios.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #791

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Wednesday MidDay Medley presents The Sound & Vision of Rod Parks

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, June 19, 2019

The Sound & Vision of Rod Parks

Rod Parks

Mark welcomes special guest Rod Parks who shares 10 of his favorite musical tracks from: Julian Lage; John Zorn & The Gnostic Trio (Carol Emanuel, Bill Frisell & Kenny Wollesen); Brad Mehldau; Ralph Towner & Jon Christensen; Jakob Bro, Palle Mikkelborg, Thomas Morgan & Jon Christensen; The Jim Campilongo Trio; Cymande; Gyan Riley; and Marc Ribot.

Rod Parks is owner of Retro Inferno. Rod serves on the board of directors for Owen Cox Dance Group and he is a long-time supporter of area artists and musicians. Rod lives in the Bruce Goff “Nicol House” commissioned by Jim & Betty Nicol in 1964, where Rod hosts fundraisers and house concerts. Rod Parks grew up in Smithville, Missouri, and started playing drums when he was 11. Rod graduated from the University of Missouri in Columbia with a bachelor’s degree in marketing education and completed master’s degrees in education in 1993. Throughout these years Rod played drums in bands, worked in the grocery store business, and taught high school for ten years. Rod was accepted into the UMKC doctoral program in counseling psychology, and finished coursework for the PhD in 1996. Rod started buying mid-century modern furniture in the mid 1990s. Through his research he accumulated a warehouse full of mid-century designer furnishings. In June of 1998, Rod opened his first store at 1712 Main, and in march of 2004, Retro Inferno moved to its current location at 1500 Grand Boulevard. More info at http://www.retroinferno.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #791

WMM Playlist from July 25, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 25, 2018

Shy Boys + Heidi Lynne Gluck + Keaton Conrad
+ Sid Sowder & Too Much Rock

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Soccer Mommy – “Last Girl”
from: Clean / Fat Possum Records / March 2, 2018
[Soccer Mommy is the stage name of bedroom pop and indie rock musician Sophie Allison. Allison was born in Switzerland and grew up in Nashville, TN. She attended Nashville School of the Arts, a speciality high school where she studied guitar and played in the swing band. She first picked up a guitar at age 6, which prompted her to start making music. She began posting home-recorded songs to Bandcamp as Soccer Mommy in 2015, during the summer when she was about to leave for college at New York University, where she studied music business. While in college, she played her first show as Soccer Mommy at the community art space Silent Barn in Bushwick, Brooklyn, and shortly after landed a record deal with Fat Possum.She dropped out after a year in 2017 to return to Nashville and pursue her music career. Since beginning her career as Soccer Mommy, Allison has released two full-length albums. Her first, For Young Hearts, was released in 2016 on Orchid Tapes. Her second album, Collection, was released in 2017 on Fat Possum Records. Her debut album proper, titled Clean, was released on March 2, 2018. She has toured with Mitski, Jay Som, Slowdive, Frankie Cosmos, Phoebe Bridgers and others]

[Soccer Mommy opens for Stephen Malkmus and the Jicks at recordbar, Sunday, July 29, at 8:00 PM.]

3. The Philistines – “1971”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Steve Gardels on drums, Rod Peal on guitar; Josh Mobley on keyboard, and Barry Kidd on bass. For this record Michelle Bacon played bass & backing vocals. Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play Jackpot Music Hall, 943 Massachusetts Street, in Lawrence, Kansas Friday, July 27, for the Serene Fiend Album Release Show at 9:00 PM.]

[The Philistines play The Riot Room, 4048 Broadway, Kansas City, MO., Monday, July 30, at 7:00 PM with in The Whale.]

[The Philistines play The Rino, 314 Armour Rd, North Kansas City, Sunday, August 19, at 7:00 PM, with Dream Version, and Westerners]

4. Under the Big Oak Tree – “Dear Brother”
from: The Ark / Under The Big Oak Tree / August 31, 2018
[3rd album from St. Joseph, Missouri based band made up of Kristin Hamilton on guitar & vocals; Doug Ward on bass & vocals; Simon Fink on mandolin, violin, banjo & vocals; and Jason Riley on electric & nylon string guitar. Under the Big Oak Tree’s honeyed blend of vintage folk, acoustic country, and traditional bluegrass has been described as “warm” and “picturesque” with “flawless harmonies.” (St. Joseph Newspress). The band’s 2014 debut recording stood out as “one of the most lush, beautiful records to come out of the local scene,” and made multiple year-end best lists. (St. Joe Live) The group’s second album, Local Honey was released on MudStomp Records in January, 2016 and hailed for it’s “crisp production and stellar musicianship” (The Hank Williams Reader) and christened as “sweet on the ears” (Madisen Ward- Madisen Ward and the Mama Bear).

[Under The Big Oak Tree play a CD Release! Matinee Show, Sunday, August 26 at 5:00 PM, at Replay Lounge, 946 Massachusetts St, Lawrence, KS with Signal Ridge.]

[Under The Big Oak Tree play a CD Release! in St. Joe, Wednesday, August 29 at 8:00 PM, at Unplugged, 2605 Frederick Avenue, Saint Joseph, MO]

[Under The Big Oak Tree play a CD Release! in Kansas City, Friday, August 31 at 8:00 PM, at Mike Kelly’s Westsider, 1515 Westport Rd, Kansas City, MO]

5. The Hollow Ends – “The Low”
from: Bears in Mind / Brave New Records / July 27, 2018
[Debut album from St. Louis, Missouri based singer-songwriter Zachary Schwartz who tracked the record in his bedroom. The record was mixed and mastered by Ben Majchrzak at Native Sound.]

[The Hollow Ends play The Brick, 1727 McGee, KCMO, on Saturday, July 28, at 7:00 pm with Luther Vincent, and Lily Brown.]

6. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

7. Kyle Nachtigal – “Feeling This Way”
from: High Considerations / Kyle Nachtigal / April 20, 2018
[Originally from Springfield, Missouri, this talented guitarist, singer and songwriter has lived in Nashville, Tennessee, since 2009. He studied at Belmont University in the Music City and dedicated himself to full-time music making in February of 2016 which got him out on the road. In his travels he kicks it through Kentucky, meanders to Missouri, then heads back to Tennessee before wandering up to Illinois or down to Arkansas for a few gigs. Yes, the guy stays busy playing his style of percussive, melodic rhythm guitar on a custom designed Craig Southern model backing up his smooth and appealing voice. He works off a song list ranging from unique mashups to top shelf originals, plus all kinds of styles in between since he can “jump effortlessly between folk, rock, hip hop and jazz” without breaking a cool sweat. He released the seven-track recording titled Fort Dakota in 2016 and continues on the solo music adventure as a contemporary troubadour out to make music for the people. – Tom Irwin, IllinoisTimes, 10/26/17]

[Kyle Nachtigal plays Westport Saloon, 4112 Pennsylvania Ave, KCMO, on Friday, July 27, at 8:00 PM, followed by Duncan Hill and the Electric Prairie Surfers, and The Widowmakers.]

8. The War and Treaty – “Healing Tide”
from: Healing Tide / Strong World Entertainment / Expected August 10, 2018
[Full Length album debut from Michael Trotter Jr & Tanya Blount-Trotter are from Albion, Michigan. For Michael Trotter Jr., the journey began in 2004, when he arrived in Iraq, an untested soldier stricken by fear and self-doubt. His captain made it his personal mission to see to Trotter’s survival. The unit was encamped in one of Saddam Hussein’s private palaces, and in a forgotten corner in its basement, they found a black upright piano that once belonged to the dictator himself. When Trotter shared the fact he could sing, he was encouraged to teach himself to play piano on that confiscated keyboard. “I wrote my first song after that captain was killed,” Trotter recalls. “I sang it for his memorial in Iraq.” Soon after it became his mission to sing at the memorial services for those that had fallen. For the next three years, he sang songs that brought solace and comfort to the members of his unit. His efforts eventually garnered wider recognition as well. He came in first place in “Military Idol,” the army’s version of “American Idol,” during a competition held in Baumholder, Germany. Following his discharge, he was featured on the Hope Channel program “My Story, My Song.” Then he met Tanya Blount. Blount’s musically influences include Mahalia Jackson, Sister Odette and Aretha Franklin. The two fell in love, got married and used the experiences they had gained to create a new musical collaboration. The couple then secured the services of musicians whose skills add a distinctive sound to The War and Treaty’s blend of roots music, blue grass,folk, gospel and soul. Their 2017 EP Down to the River was released July 21, 2017. Recorded in Albion, Michigan, Down to the River boasts a sound that’s both stirring and sensual, driven by joy, determination and an unceasing upward gaze. The music is visceral but never morose, flush with emotion but void of despair… a style that touches on a variety of genres, but never finds itself confined to anyone. The arrangements are uncluttered– harmonies, basslines, guitar and mandolin licks, settle drum patterns and keyboards create an immensely moving soundscape — but the sentiments and emotions are fully realized and soar with a steady, chilling assurance. “The recording process wasn’t like anything I ever experienced,” Tanya recalls. “This EP has allowed me to breathe musically. I feel like all I have wanted to express for the past ten years has come forth with what we’ve done. The combination of heart, soul and the overwhelming amount of love that Michael and I have for one another comes across in this record.“ “I was sitting on the banks of the Euphrates River in Baghdad dreaming about one day being able to play and sing professionally for people all around the world,” Michael reflects. “As we recorded our music, I constantly had flashbacks of those desert dreams. I thought to myself that this is actually the perfect ending to usher in a new beginning in my life.”]

[The War and Treaty played an Official Showcase at Folk Alliance International Conference]

10:30 – Underwriting

9. Shy Boys – “Take The Doggie”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. This was the first single from their upcoming full length release.]

10:35 – Interview with Shy Boys

Shy Boys

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys originally formed as a trio in 2012 with brothers Collin Rausch, Kyle Rausch, and roommate Konnor Ervin (of The ACB’s fame). The three shared a love for 1960s era pop rock and started writing their own music. Kyle Little and Ross Brown (of Fullbloods) joined to make Shy Boys a 5-piece. In 2014 Shy Boys released their self-titled debut on High Dive Records. Their single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles. “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that Shy Boys had signed to Polyvinyl. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being on WMM

Band member Kyle Little had to work at his job at Retro Inferno and couldn’t be with us on the radio.

We gave Ross Brown a little kidding, asking him if he should change his name to Kevin or Carl so as to fit in more phonetically with Collin, Kyle, Konnor, and Kyle.

Shy Boys – Bell House
Shy Boys album art was done by Kit Landwehr

On the Bandcamp page for Shy Boys there is an essay written by fellow Kansas City area musician Kevin Morby who now lives in Los Angeles.

Being in a band is a sacred thing.
Being in a band in 2018 is a sacred thing.
Being from the Midwest is a sacred thing.
Being in a band that is from the Midwest in 2018…

Consider Shy Boys – DIY local champions of Kansas City, MO, who if you add it all up, are something sacred. Comprised of brothers Collin and Kyle Rausch and best friends Konnor Ervin, Kyle Little and Ross Brown, Shy Boys are the heartland’s answer to The Beach Boys had Alex Chilton been on guitar.

But if a harmony falls into a microphone in the middle of America does anyone really hear it? Some do. Take for instance Shy Boys’ 2014 self-titled debut on local Kansas City label, High Dive Records – I first came across this album while living in Los Angeles and catching wind of a band from my home town that I was told could “actually sing,” and after the first spin, through the muddy fidelity, man, could they actually sing.

Shy Boys’ history isn’t too dissimilar from any other Midwestern band. Like the many Replacements or Husker Düs before them – they exist neither here nor there, but instead, somewhere anonymously in the middle. And though you may not find the same opportunity floating in the middle as one would Here or There, you are allotted a certain amount of time and space to grow both yourself and your craft into what you want it to be. Over the past four years, that is exactly what Shy Boys have done and that is what brings us here today.

On August 3, 2018, the world will see the release of their second record, Bell House, out on legendary and globally cherished record label Polyvinyl, bringing both their profile and music to the surface for the first time.

The album’s title is taken from the band’s beloved headquarters – the old house on Bell Street in Kansas City where they lived together for the better part of 5 years.

“‘Lived’ is a loose term,” says lead songwriter Collin. “It was more like a bum den than anything else. There was a giant hole in the floor of the kitchen that had a piece of plywood over it. In the backyard, weeds got like 6 feet high in the summer. It was its own thriving biome. We lived in trash.”

Musically, Collin describes the songs on Bell House taking shape through “a group of guys trying to get through some sort of mutual identity crisis. The lifestyle became overwhelming and really seeped into the music.”

In the time since the release of ST, Collin saw himself falling in love and getting married, leaving the old house on Bell Street, and moving back into his mom’s house with his wife in a suburb of the city. It’s here where the songs of Bell House were born. Being back under the same roof he had grown up in where there was “still writing on the walls from childhood,” Rausch found himself reflective and looking out at his life as a whole.

Take closing track “Champion” for instance, a song Collin says is dedicated to his and Kyle’s mother. “It’s just a note saying that she took care of us when we were young, and now it’s time for us to be there and take care of her.”

The reflective spirit sprinkled throughout the album is also evident on lead single, “Take The Doggie,” a bouncy, guitar driven track centered around wanting to secretly rescue their neighbor’s dog from an abusive owner, or on album highlight “Evil Sin,” which tackles the memory of drummer/bassist Konnor Ervin getting robbed.

But through all of this, Rausch kept his passion in his band, if even for nothing more than to – in his own words – have an excuse to keep hanging out with his brother and best friends.

“I have to keep Shy Boys alive to have a regular excuse to hang out with them,” says Collin. “To keep the band alive, I have to write songs. To be able to travel with my buddies, there has to be a new record.”

There is an old term that’s kicked around in country music called a “blood harmony” – in which two people in the same blood line, usually siblings, harmonize with one another in real time. Perhaps that is Shy Boys’ magic touch, putting them just a notch above all the other angels out there in the indie rock choir, and it makes sense, though no longer practicing evangelicals, Collin and Kyle grew up singing besides their parents in their church choir, so their keen sense of harmony is nothing new to them, but instead a life practice devoted to the voice as an instrument.

The result is Bell House, and the result is beautiful. There is something sensitive to the touch about this album, which is perhaps another way of saying that, well – Shy Boys are indeed Shy Boys. I envision the band as a solid unit, with each moving part as an equal. There is a heavy sense of family in everything they do both, literally and figuratively. Bruce Springsteen’s 1980 song “Highway Patrolman” always seems to come to mind;

“Yeah me and Franky out laughing and drinking,
Nothing feels better than blood on blood.”

-Kevin Morby

Polyvinyl Recording Company based in San Francisco is home to may bands we love and play on Wednesday MidDay Medley: Of Montreal, The Get Up Kids, Anna Burch, Jay Som, Xiu Xiu, Psychic Twin and more.

“Something Sweet: is the third single released from the band’s upcoming album. It came out today.

10:44

10. Shy Boys – “Something Sweet”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown.]

Shy Boys are on the verge of their national release, Bell House, on Polyvinyl Records. Shy Boys play a Record Release Show, August 4, at 8:00 PM at recordBar, with The Whiffs, Jametatone’s Blastocyst.

Kyle Rausch, Collin Rausch, Ross Brown, and Konnor Ervin of Shy Boys on the July 25, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Collin Rausch, Kyle Rausch, Konnor Ervin, Ross Brown, thanks for being with us on Wednesday MidDay Medley.

Konner Ervin talked about the status of The ACBs., and that there is a full length album, completely recorded, sitting in the vault waiting for the best opportunity to be released.

We talked with Ross Brown about Full Bloods and their critically acclaimed February 26, 2016 release Mild West released through High Dive Records. It was the second full length from Fullbloods. The band is made up of: Ross Brown, Jared Tomasino, David Seume, & Bill Pollock. Recorded at Westend Studios in Kansas City, Kansas by Mike Nolte. Mixed by Fullbloods. Mastered by Mike Nolte at Eureka Mastering. (Starfucker, Of Montreal).

Collin and Kyle Rausch talked about how Mike Nolte, who is a friend of the band and has worked on their recordings shared the band’s debut album with cohorts at Polyvinyl. When the band was getting ready to make a new album, Polyvinyl came calling.

Shy Boys released “Evil Sin” their 2nd single, with a video written & directed by Kyle Little

10:55

11. Shy Boys – “Evil Sin”
from: Bell House / Polyvinyl Record Co. / Expected August 3, 2018
[Shy Boys are an American indie-pop band from Kansas City, Missouri. The line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co. ]

[Shy Boys plays a Record Release Show, Sat, August 4, at 8:00 PM at recordBar, 1520 Grand, KCMO.]

11:00 – Station ID

12. Keaton Conrad – “(If I Told You to) Stay”
from: (If I Told You to) Stay – single / Keaton Conrad / July 20, 2018

11:04 – Interview with Keaton Conrad

Keaton Conrad

KC musician and recording artist Keaton Conrad joins us live in our 90.1 FM Studios. Keaton Conrad has received critical acclaim, being regarded as “exceptionally promising” by The Kansas City Star and “making things happen on stages … with an engaging voice and passion for creating good music” from Ink Magazine. In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad’s newest single “(If I Told You to) Stay” is set to be released on July 20th, 2018. A lyric video will be coming out soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of the Lenexa Outdoor Concert Series, September 16.

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

19 year old Kansas Native, Keaton Conrad records all of his own music in his home studio, mixing and mastering it all.

On “(If I Told You to) Stay” Jake Soltow plays bass, and Keaton Conrad plays everything else.

Keaton grew up in Olathe, Kansas (as did Calvin Arsenia, and Duncan Burnett). Keaton sang in High School Choir and performed in Olathe North West High School musicals.

11:12

13. Keaton Conrad – “What Am I Supposed to Do?”
from: What Am I Supposed to Do? – Single / Keaton Conrad / May 26, 2017
[19 year old Kansas native, Keaton Conrad released an original 5-song EP, Panic & Blame. In 2016 he recorded his first full-length LP entitled “Waves” released on January 27, 2017.]

We’re talking with KC musician and recording artist Keaton Conrad who joins us live in our 90.1 FM Studios. Keaton Conrad just released his new single “(If I Told You to) Stay” on Friday, July 20th. A lyric video will be coming soon. Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16.

Keaton Conrad on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Keaton Conrad is navigating the KC Music Scene while also getting ready for his second year in college at University of Missouri at Kansas City.

“Biscayne” was a single from Keaton Conrad’s 2017 album Waves

Keaton Conrad, thanks for being with us on Wednesday MidDay Medley.

Keaton Conrad is playing Sar-Ko-Par Trails Park as part of Lenexa Outdoor Concert Series, Sept 16. More information at http://www.keatonconradmusic.com

11:25

14. Keaton Conrad – “Biscayne”
from: Waves / Keaton Conrad / January 27, 2017
[Debut full length from 19 year old Kansas native]

11:28 – Underwriting

11:30 – Interview with Heidi Lynne Gluck & Sid Sowder of Too Much Rock

Heidi Lynne Gluck and Sid Sowder on the July 25, 2018 edition of Wednesday MidDay Medley on 90.1 FM KKFI.

Lawrence, Kansas based songwriter, producer, singer and multi-instrumentalist, Heidi Lynne Gluck is a originally from Manitoba, Canada. After transplanting herself from the plains of Manitoba to the midwestern plains of the United States, Heidi quickly became an in demand player, performing on stage and in the studio both as a solo artist and with renowned musicians including: The Roseline, Approach, Josh Berwanger, Juliana Hatfield & Some Girls, Margot & The Nuclear So and Sos, Lily & Madeleine, The Pieces, The Only Children, and others. In 2015 Heidi released her critically acclaimed EP, Only Girl In The Room, last year on Lotuspool Records. In 2016 Heidi Lynne Gluck released her full length album called, Pony Show, also on Lotuspool, and on vinyl. Heidi Lynne Gluck joins us to share her new 7″ vinyl 45 rpm release through Too Much Rock. Heidi Lynne Gluck plays a Too Much Rock Single release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem.

Heidi Lynne Gluck, Thanks for being with us on Wednesday MidDay Medley

Also joining us is Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, Witch Jail, and Red Kate have all recorded for the Too Much Rock Single Series.

Sid Sowder, Thanks for being with us on Wednesday MidDay Medley

More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

11:37

Too Much Rock Single Series – Heidi Lynne Gluck

15. Heidi Lynne Gluck – “Party Line” [7” Vinyl]
from: Party Line – Single b/w “Good Guys and Bad Guys” / Too Much Rock / August 3, 2018
[Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

We are talking with Heidi Lynne Gluck who plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO.

Too Much Rick – Single Series

16. Heidi Lynne Gluck – “Good Guys and Bad Guys” [7” Vinyl]
from: Good guys and Bad Guys – Single b/w “Party Line” / Too Much Rock / August 3, 2018
[Written by members of Camper Van Beethoven. Lawrence, Kansas based Heidi Lynne Gluck is a songwriter, singer and multi-instrumentalist, originally from Manitoba, Canada. Produced and engineered by Heidi Gluck at 200 Studios, Lawrence, Kansas. The tracks were co-produced, mixed and mastered by Paul Mahern at White Arc in Bloomington, Indiana.]

Heidi Lynne Gluck and Sid Sowder, Thanks for being with us on WMM

Heidi Lynne Gluck – Too Much Rock Single Series

Heidi Lynne Gluck plays a Too Much Rock Single Release Show, Saturday, August 4, at 6:00 pm, at Mills record Company, 4045 Broadway Blvd, KCMO. Heidi plays a Lawrence Single Release Show, Thursday, August 9, at 7:30 pm, at White Schoolhouse, 1510 N 3rd St, Lawrence, Kansas, with Jess Williamson, and CS Luxem. More info at: http://www.heidilynnegluck.com or http://www.toomuchrock.com

17. Heidi Lynne Gluck – “Waiting For You To Say It”
from: Pony Show / Lotuspool Records / August 26, 2016

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 1, Calvin Arsenia joins us for the entire show to play live and share tracks from his new recordings. Also joining us is writer and reporter CJ Janovy, who will talk about her new book, No Place Like Home, Lessons in Activism from LGBT Kansas, from University Press of Kansas.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #744