WMM Playlist from July 11, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 11, 2018

Music From Lawrence Field Day Fest 2018
+ Fally Afani of I Heart Local Music +
Liz Jeans of The Human Touch

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Helen Gillet – “I Live Off You”
from: Helkiase / Helen Gillet / July 6, 2018
[Cover of English punk band X-Ray Spex from Germfree Adolescents, released Nov. 10, 1978. Written by Polystyrene aka Marianne Joan Elliott-Said born July 3, 1957, a British musician, singer-songwriter, frontwoman for X-Ray Spex. She died of Metastatic Breast Cancer on April 25, 2011, at the age of 53.] [Originally from Leuven, Belgium and now based in New Orleans, Louisiana. Globe Trotting, multi-faceted, jazz-based cellist, singer, composer and improviser Helen Gillet is a “mixed bag” of musical influence. Downbeat Magazine recently nominated her a Rising Star in the 61st Annual Critic’s Poll. She believes music to be an expression of the honest human condition; performing an eclectic mix of French pop, Avant Garde Jazz, North Indian, Folk and Classical styles. Helen Gillet’s 2018 solo album is Inspired by Helkiase, a cure-all medicine invented by the nuns of Notre Dame à la Rose hospital in Lessines, Belgium. (The hospital was one of Europe’s longest continually operating hospitals founded in XIII’s century). Gillet’s latest music deals with the more recent personal layers of complicated grief and finding new strength, sense of humor and inspiration. This recording captures the current spirit of Gillet’s live performance and features her newest original songs “Slow Drag Pavageau” written about legendary dancer and New Orleans bassist Alcide Pavageau, as well as “You Found Me,” “Skin,” and “Vautour,”song inspired by Israeili composer and artist Naama Tsabar. All songs are performed by Helen Gillet using a Boss RC50 Loop station and mainly cello and voice. Tracks 7 “Tonnerre” and 4 “Helkiase” use a Moog Sub Fatty synthesizer and vinyl scratching of a famous 1940 General de Gaulle speech. Live studio sessions and evening concerts recorded by Andrew “Goat” Gilchrist at the House of 1Hz on March 8th and 9th 2018 in New Orleans, LA. Mastered by Bruce Barielle.

3. The Dear Misses – “All The Same”
from: All The Same – Single / Independent / June 19, 2018
[In early 2017 The Dear Misses releasd their first full length album, “Just Let Go,” written over the course of 4 years. TDM started as a side project for lead singer Todd Anderson and Guitarist Cody Stapleton and caught full sail upon the addition of Drummer Bret Collins in 2014 and Bassist Shane Berggren in Late 2015. This Lawrence Kansas based 4-piece band is made up of: Todd Anderson on lead vocals & rhythm guitar, Cody Stapleton on lead guitar & backing vocals, Bret Collins on drums, and Shane Berggren on bass. More information at: http://www.reverbnation.com/thedearmisses%5D

[The Dear Misses play The Granada Theatre, 1020 Massachusetts Street, Lawrence, Kansas, Friday, August 24, at 7:00 pm, for the Vigil & Thieves “Make Sure They Hear You” Album Release Party, along with the bands Mess, Life Coach, and of course Vigil & Thieves.]

4. Belle & The Vertigo Waves – “Don’t Come Back”
from: Aligned / Drop Out Records / October 6, 2017
[Debut album from Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination.”Aligned” is available on iTunes and all streaming services. The band recently played Middle of the Map Fest.]

[Belle and The Vertigo Waves play The Rino, 314 Armour Rd, North Kansas City, THursday, July 12, at 7:00 pm, with Carry Illinois, and Rachel Mallen.]

[Belle and The Vertigo Waves play Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO, on Saturday, July 14 at 8:00 PM with The Monolithic, L.A. Jones, and Mene Mene.]

5. Amy Farrand & The Like – “Junk Man”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded with Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.”]

[Amy Farrand & The Like play the I Love KC Music Birthday Show, Friday, July 13, at Californio’s with The Philistines and Temp Tats.]

6. Andrea von Kampen – “Boots of Spanish Leather (Live)”
from: Boots of Spanish Leather (Live) – Single / Andrea von Kampen / January 15, 2018
[Lincoln, Nebraska based singer songwriter with over 5 million Spotify streams Andrea von Kampen has quickly established herself in the recording studio and on the road. Her deft guitar work and intuitive song construction display striking maturity, and her effortless vocal delivery has been praised by Hear Nebraska as “soulful and worn-in.” Andrea has shared the stage with Tall Heights, Esme Patterson, Gregory Alan Isakov, Dead Man Winter, John Moreland, Dead Horses, Gaelyn Lea, and more. She was featured as a finalist in NPR’s Tiny Desk Contest, and won Eddie’s Attic Open Mic Night in Decatur, GA. Her recent midwest tour included a live session at Audiotree in Chicago. The resulting recording is now available wherever music is sold and streamed, alongside Andrea’s studio EPs “Desdemona” and “Another Day.”]

[Andrea von Kampen plays recordBar, 1520 Grand Ave, on Friday, July 13, at 7:00 PM with Calvin Arsenia and Of Tree]

7. Keaton Conrad – “(If I Told You to) Stay”
from: (If I Told You to) Stay – single / Keaton Conrad / Expected July 20, 2018
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine).I n 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad’s newest single “(If I Told You to)Stay” is set to be released on July 20th, 2018. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. In 2015 he released a 5-song EP, Panic & Blame. ]

[Keaton Conrad plays The Dubliner, 170 East 14th Street, Downtown, on Friday, July 13.]

10:30 – Interview with Liz Jeans

Liz Jeans on the July 11, 2018 edition of Wednesday MidDay Medley on KKFI.

Liz Jeans received her Masters in Dance from the University of Oregon. Liz developed dance programs for the Performing Arts in Eugene, Oregon, and co-directed Powers & Jeans Dance Ensemble. Liz has performed in Los Angeles, Baghdad, Paris, Tokyo, and East Berlin. In 1988 she returned to KC to teach dance in the Visual Performing Arts School. In 2001 she developed a dance program for St. Teresa’s Academy. In 1997 Liz received her massage training certification from Mueller College in San Diego, California. Liz founded A Healing Touch to offer Therapeutic, Deep Tissue, Zen Body Therapy, Thai massage, plus Energy work, and Dog Massage. A Healing Touch hosts an “open house” July 15, 2 to 6:00 pm, at 4050 Pennsylvania, #302, with music from: Pickett, Paull & Jeans, art & poetry from Boni Tolson, and a monologue from Glendora Davis of Potluck Productions. More info at: 816-456-3671 / http://www.ahealingtouchkc.massagetherapy.com

Liz Jeans, thanks for being with us on Wednesday MidDay Medley

Liz’s first love was movement and dance, as a choreographer, dancer and teacher. She received her MA in dance from the University of Oregon, in Eugene, Oregon where she developed a Dance Program for the Community Center for the Performing Arts and co-directed POWERS & JEANS DANCE ENSEMBLE.

After a short debut in LA, she began an international escapade starting in Baghdad, during the Iran/Iraq war. She then moved to Paris where she danced at the historic Moulin Rouge. Liz also danced with Soho Productions in Tokyo and at the Friedreichstadt Palast in East Berlin while the Wall was still a very real aspect of German life.

In 1988, she returned to the US and taught dance in the Visual Performing Arts School for 7 years and in 2001 developed a dance program at St. Teresa’s Academy.

Liz combined her arts with the healing arts in 1997 and became a licensed massage therapist. She received her massage training from Mueller College in San Diego, CA.

Liz writes, “With my background in movement and body awareness as a dance educator, I know that if my body doesn’t feel good, I don’t feel good, that listening to my body is the first step to healing, and that taking care of my body is taking care of me. I know the importance of freedom of movement. Massage is an excellent step to creating a sense of well-being.”

In 2011, Liz expanded her repertoire to include animals, as they innately exude unconditional love, the core element of healing. Because they have no filters, their feedback is informative and useful in developing a stronger practice for both people and animals. Plus…. there are the benefits of unadulterated appreciation. She received her certification and began an internship at State Line Animal Hospital, where she continues to practice animal massage. Her clients include dogs and cats.

Liz founded A Healing Touch to offer Therapeutic, Deep Tissue, Zen Body Therapy, Thai massage, plus Energy work, and Dog Massage.

A Healing Touch hosts an “open house” July 15, 2 to 6:00 pm, at 4050 Pennsylvania, #302, with music from: Pickett, Paull & Jeans, art & poetry from Boni Tolson, and a monologue from Glendora Davis of Potluck Productions. More info at: 816-456-3671 / http://www.ahealingtouchkc.massagetherapy.com

10:45 – Underwriting

8. Westerners – “Dog Years”
from: Reoccurring Dream Theme / The Record Machine / July 14, 2017
[Debut full length album from Lawrence / Kansas City based band formed in August of 2013. The band includes: Mitch Hewlett, Josh Hartranft, Matthew Pesma and Brian Robertson. Westerners signed to Kansas City independent label The Record Machine in 2015.] [Westerners played an album release at Mills Record Co, Fri, July 7, w/ Shortsweather and at Love Garden Records, Lawrence, July 8, w/ No Magic, CS Luxem.]

[The Westerners play Lawrence Field Day Fest, Thursday, Juy 19, at 11:45 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

9. Emmaline Twist – “Oblivion”
from: Dissimulation / Black Site / Expected August 24, 2018
[Debut LP from Emmaline Twist, Kansas City’s Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded, Mixed, and Produced at Massive Sound by Paul Malinowski, and Mastered by Mike Nolte at Eureka Mastering.. Matched with compelling cover-art created by Amy Abshier. Emmaline Twist joins us on WMM on August 22.]

[Emmaline Twist play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 7:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

10. Lincoln Marshall – “Brave”
from: Wake / Datura Records / October 18, 2017
[Written By: Milkdrop & Approach. Produced, Sequenced, Recorded, Mixed & Mastered By: Aikido Bray at Prosidio Gardens in Lovely Lawrence, Kansas. Artwork, Layout and Design By: The Art My Life Imitates Equipment Used: ASR-10. Approach aka Sean Hunt reports that is is a collection of songs we recorded during the creation of “Weight/Water” albums. “Milk & I revisited these songs and felt like they are strong enough to release. We are in the final stages of finishing our new album “Wisdom” and wanted to give you a little something in the meantime.”

[Lincoln Marshall play Lawrence Field Day Fest, Saturday, July 21, at 12:30 am, at Replay Lounge, 946 Massachusetts Street, Lawrence, Kansas.]

11:00 – Station ID

11:00 – Fally Afani Guest Producer

Wednesday MidDay Medley is celebrating the 7th Annual Lawrence Field Day Fest, July 19-21, in Downtown Lawrence, Kansas, featuring over 60 bands at multiple venues: The Bottleneck, Jackpot Music Hall, The Replay Lounge, The 8th Street Taproom and more, with showcases from: I Heart Local Music, and Black Site Records. http://iheartlocalmusic.com/2018/06/18/i-heart-local-music-announces-field-day-fest-lineup-2/

Fally Afani on the July 11, 2018 edition Wednesday MidDay Medley on KKFI.

Fally Afani, is Editor & Founder of I Heart Local Music and she joins us for our entire second hour as Guest Producer to play music from Lawrence Field Day Fest. Fally Afani is an award-winning journalist with a career spanning more than 15 years in media. She has worked extensively in radio, television, newspapers, magazines, and more. Fally Afani’s work has been featured in magazines, newspapers, and television stations across Kansas. She received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. I Heart Local Music is a place for music lovers in Lawrence to gather. It was started out of a deep love and appreciation for the local music scene. I Heart Local Music recently published their first print magazine edition. More information at: http://www.iheartlocalmusic.com

Fally Afani, thank you for being with us in Wednesday MidDay Medley.

11. Khrystal. – “Black Girl Magic”
from: Q u a r t e r C e n t u r y L i v i n g / Khrystal. / September 1, 2017
[Khrystal’s debut EP. Written and performed by Khrystal. Produced by Katheryne Johnson. Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g. Khrystal also released the three song EP, The Glow Up produced by Duncan Burnett on Novembr 7, 2017.

[Khrystal plays Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 8:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

12. Serene Fiend – “Just Wont Go Away”
from: Sowing Discord / DK Records / Expected July 27, 2018
[Industrial pop-rock project from Lawrence, Kansas based Joel Bonner. Vocals, guitar, bass, synthesizers, Drum Programming, Mixing, Mastering by Joel Bonner. Written by Joel Bonner. I Heart Local Music calls Sowing Discord “warm and beautiful, wrapping you up its lush sound.” You can preview the new single from Sowing Discord here: https://youtu.be/nGdafcUz3Zw%5D

[Serene Fiend plays Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 10:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

[Serene Fiend plays an ALBUM Release Friday, July 27 at 9:00 PM, at Jackpot Music Hall, 943 Massachusetts St, Lawrence, Kansas, with The Philistines]

13. The Sluts – “Only One”
from: Only One / The Sluts / May 25, 2017
[5 song EP from the Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011.]

[The Sluts play Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 11:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

14. Bruiser Queen – “Sugar High”
from: Heavy High / Bruiser Queen / November 10, 2017
[St. Louis based Garage Pop Rock N Roll duo Bruiser Queen blend 21st Century punk stomp with 60’s girl group shimmy. Morgan Nusbaum’s vocals & guitar arrive on stage like a Riot Grrrl but bop to the beat of Jason Potter’s huge, dark drumming.]

[Bruiser Queen plays Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 9:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

15. Young Mvchetes – “Maniq (Radio Edit)”
from: The Week / Young Mvchetes / April 7, 2018
[Rap duo from Topeka Kansas. All tracks were recorded in a week. A;; tracks were written by Young Mvchetes. All track were produced, mixed, and mastered by Young Mvchetes and Devon Hanna, with additional guitars by MAADCXMMANDER ON “Maniq.” 99.9% of shredding performed by Devon Hanna.]

[Young Mvchetes play Lawrence Field Day Fest, for the I Heart Local Music Showcase, Friday, July 20, at 12:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

11:27 – Underwriting

16. Duncan Burnett – “Black Boy Joy”
from: The Almighty EP / R.I.O.T LLC / May 4, 2018
[Olathe, Kansas based hip hop artist, singer, songwriter, producer, musician, drummer. From Tim Finn’s Back To Rockville(KC Star) Blog Sept. 9, 2015 – When he settled on hip-hop as his music genre, Duncan Burnett had two missions in mind. The first: Keep the messages positive. “I’m big on spirituality and being a positive influence,” he said. “When I started, my goal was to have my nieces and nephews be able to listen to their uncle’s music and love it and be able to repeat every line and lyric but also to have people my age relate to it.” His second mission was to provide live music during his performances. A trained drummer and percussionist, Burnett, 26, has been performing live since he was 7 years old. Live music, he said, is in his blood.][Duncan Burnett (Black Boy Joy, just released: http://iheartlocalmusic.com/2018/05/08/album-review-duncan-burnett-the-almighty-ep/%5D

[Duncan Burnett plays Lawrence Field Day Fest, Thursday, July 19, at 8: 00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

17. HighWesthus – “Burn (Radio Edit)”
from: HighWesthus – The Trilogy (Part I, II, III) / Datura Records / August 26, 2017
[Written and produced and performed by HighWesthus, and mixed and mastered by Leyone Tracks. HighWesthus was born Shaun Teamer, in Chicago, Illinose. He is now based in Kansas City. In October 2016 HighWesthus released Part III. The ILLU as the last official album of the Trilogy Set that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. Recently Lawrence based Datura Records in co-release with Whatever Forever, released all three parts as one 29 song collection. HighWesthus is a freelance multimedia artist living in Kansas City. He graduated from the Kansas City Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illistration, animation, graphic design, dideo editing, sound editing, music producing, writng and storytelling.][HighWesthus – http://iheartlocalmusic.com/2017/08/17/drop-everything-and-see-highwesthus/%5D

[HighWesthus plays Lawrence Field Day Fest, Thursday, July 19, at 12:00 am, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

18. Vigil and Thieves – “Ladylike”
from: Make Sure They Hear You / Vigil and Thieves / August 24, 2018
[Kansas City based 4-piece band with Sarah Storm on vocals, guitar, & keyboards; Steph Castor on guitar; Matthew Muckenthaler on bass, and Andrew Flaherty on drums.]

[Vigil and Thieves play Lawrence Field Day Fest,, Saturday, July 21, at 11:15 pm, at The Jackpot Music Hall, 943 Massachusetts Street, Lawrence, Kansas.]

[Vigil and Thieves play a “Make Sure They Hear You” Album Release Party at The Granada Theatre, 1020 Massachusetts Street, Lawrence, Kansas, Friday, August 24, at 7:00 pm, with the bands The Dear Misses, Mess, Life Coach, and of course Vigil & Thieves.]

19. Chess Club – “Thick”
from: Hit The Ball / Black Site / June 9, 2018
[Lawrence Kansas based Emo / math pop band with Griffin Nelson on guitar & vocals, Cooper Avery on drums, and David Krejci on bass.][Chess Club – http://iheartlocalmusic.com/2018/06/26/album-review-chess-club-hit-the-ball/%5D

[Chess Club play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 6:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

20. Wick & The Tricks – “Drama Queen”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece punk band from Kansas City. On this recording: Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.]

[Wick & The Tricks play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 8:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

21. Red Kate – “Iraqi Girl”
from: Iraqi Girl – Single / Too Much Rock / February 24, 2018
[L. Ron Drunkard – bass/lead vocalist, Andrew Whelan – Drums/Vocals, Desmond Poirier – guitar/vocals. Sid Sowder, founder of Too Much Rock, a music blog site he created in 1997 to share his photos, videos & comments of live music shows he attends. The Too Much Rock Singles Series is a collection of 45 rpm singles that marry great songs with great bands all for the love of vinyl. Each old-school two-song single features one unique song paired with one cover chosen by Too Much Rock who press 500 limited edition copies and then simply give them to the band. Schwervon!, Rev Gusto, Josh Berwanger Band, The Uncouth, Hipshot Killer, and Witch Jail have all recorded for the Too Much Rock Single Series. More info at: http://www.toomuchrock.com. //// Red Kate is proud to announce the release of a new single on local label, Too Much Rock. As with all records in the Singles Series, this old-school, 45 rpm ripper contains one original track and one cover selected by the label. Side A, Iraqi Girl, is a grinding statement on American foreign policy, while side B follows suit with a cover of the TSOL song, American Zone. This frank indictment of how we treat those sent off to impose that foreign policy is as relevant today as it was in 1984. American Zone marks the first recording with the band’s newest member, rhythm guitarist Shaun Hamontree, whose contribution to the effort also includes his arresting, if not disturbing, cover art invoking the devastating reality of a war widow’s scrap book. /// Both tracks were recorded at Weight and Measures Soundlab where engineer Duane Trower and producer L. Ron Drunkard have perfected Red Kate’s sonic signature. And like all 7” releases by the band, the covers were printed locally by the good folks of the Allied Printing and Trades Local 16C at Callander Printing in Kansas City, KS][http://iheartlocalmusic.com/2018/03/12/review-red-kate-iraqi-girlamerican-zone-singles/]

[Red Kate plays Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 10:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on July 18 we talk with organizers of this years Kansas City Fringe Festival, Plus Tim Finn joins us on the day before he presents, “A Look Back at Rockville: Great Moments in Kansas City Concerts” at The Kansas City Public Library – Plaza Branch, Thursday, July 19 at 6:30 PM. Plus, we’ll tlk with organizers of Mom’s Demand Action for Gun Sense benefit featuring: Howard Iceberg at Wednesday, July 25 at 7 PM , at The Uptown Arts Bar, 3611 Broadway St, Kansas City, Missouri.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #742

Lawrence Field Day Fest 2018
TENTATIVE SCHEDULE – SUBJECT TO CHANGE

THURSDAY 7/19

The Bottleneck
7:00 LK Ultra
8:00 Duncan Burnett
9:00 Hannah Norris and The Band
10:00 Deco Auto
11:00 The Dead Girls
12:00 High Westus

The 8th Street Taproom
9:15 Hot Suede
10:15 Cuee
11:15 Breakadawn
12:15 The Harrisonics

The Replay Lounge
8:30 Asterales
9:30 Second Hand King
10:30 Annalibera (Des Moines)
11:30 Stitch 81 Classic
12:30 Salty

The Jackpot
7:45 They Call Me Sauce
8:45 Cuddle Puddle
9:45 The Travel Guide
10:45 The Uncouth
11:45 Westerners
12:45 Domineko

FRIDAY 7/20

The Replay Lounge Early
5:00 Something and The Whatever’s
6:00 TBA
7:00 The Windermeres
8:00 Tire Fire

The Replay Lounge Late
9:30 Approach
10:30 Blackheart Saviors
11:30 The Architects
12:30 Headlight Rivals

The Jackpot Music Hall
I Heart Local Music Showcase (order subject to change)
8:15 Khrystal
9:15 Bruiser Queen
10:15 Serene Fiend
11:15 The Sluts
12:15 Young Mvchetes

The Bottleneck
6:15 Even The Girl
7:15 Our Lives Yesterday
8:15 Bearblood
9:15 The Soiled Doves
10:15 Sheven
11:15 Godzillionaire
12:15 Hyborian

SATURDAY 7/21

The Replay Lounge Early
5:00 The Goodbye Sort
6:00 Nick Siegel and Band
7:00 Shoebox Money
8:00 Broken Arrows

The Replay Lounge Late
9:30 Metawatt and TRS-One
10:30 Momma’s Boy
11:30 The Ghoulies
12:30 Lincoln Marshall

The Jackpot Music Hall Early
3:30 Life Coach
4:30 Baby D
5:30 TBA

The Jackpot Music Hall Late
7:15 The Blackbird Fields
8:15 Philosophy Of Lions
9:15 Feng$hui
10:15 Louiz Rip
11:15 Vigil and Thieves
12:15 Vibralux

The Bottleneck
Black Site Records Showcase
6:00 Chess Club
7:00 Emmaline Twist
8:00 Wick and The Tricks
9:00 Rich Yarges and The Pop Mechanics
10:00 Red Kate
11:00 Truck Stop Love
12:30 Stiff Middle Fingers

Wednesday MidDay Medley

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Wednesday MidDay Medley welcomes Fally Afani & Lawrence Field Day Fest

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 11, 2018

Music From Lawrence Field Day Fest 2018
+ Fally Afani of I Heart Local Music +
Liz Jeans of The Human Touch

Wednesday MidDay Medley celebrates the 7th Annual Lawrence Field Day Fest, July 19-21, in Downtown Lawrence, Kansas, featuring over 60 bands at multiple venues: The Bottleneck, Jackpot Music Hall, The Replay Lounge, The 8th Street Taproom and more, with showcases from: I Heart Local Music, and Black Site Records.

We’ll play music from: Khrystal., The Sluts, Duncan Burnett, Bruiser Queen, HighWesthus, Wick & The Tricks, Chess Club, Red Kate, Young Mvchetes, Lincoln Marshall and Westerners, plus radio premieres of tracks from Serene Fiend, Vigil And Thieves, and Emmaline Twist. We’ll also play New & MidCoastal Releases from Belle & The Vertigo Waves, Amy Farrand & The Like, The Dear Misses, Helen Gillet, Keaton Conrad, and Andrea von Kampen.

At 10:30 Mark talks with Liz Jeans who received her Bachelor’s of Science degree in Education and a Masters in Dance from the University of Oregon. Liz developed dance programs for the Performing Arts in Eugene, Oregon, and co-directed Powers & Jeans Dance Ensemble. Liz has performed in Los Angeles, Baghdad, Paris, Tokyo, and East Berlin. In 1988 she returned to KC to teach dance in the Visual Performing Arts School. In 2001 she developed a dance program for St. Teresa’s Academy. In 1997 Liz received her massage training certification from Mueller College in San Diego, California. Liz founded The Healing Touch to offer Therapeutic, Deep Tissue, Zen Body Therapy, Thai massage, plus Energy work, and Dog Massage. The Healing Touch hosts an “open house” July 15, 2 to 6:00 pm, at 4050 Pennsylvania, #302, with music from: Pickett, Paull & Jeans, art & poetry from Boni Tolson, and a monologue from Glendora Davis of Potluck Productions. More info at: 816-456-3671 / http://www.ahealingtouchkc.massagetherapy.com

At 11:00, Fally Afani, Editor & Founder of I Heart Local Music joins us for our entire second hour to play music from Lawrence Field Day Fest. Fally Afani is an award-winning journalist with a career spanning more than 15 years in media. She has worked extensively in radio, television, newspapers, magazines, and more. Fally Afani’s work has been featured in magazines, newspapers, and television stations across Kansas. She received several Kansas Association of Broadcasters awards as well as an Edward R. Murrow award for her online work in journalism. I Heart Local Music is a place for music lovers in Lawrence to gather. It was started out of a deep love and appreciation for the local music scene. I Heart Local Music recently published their first print magazine edition. More information at: http://www.iheartlocalmusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #742

Wednesday MidDay Medley

WMM Playlist from June 6, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 6, 2018

The MidCoast Sound + Second Hand King
+ Belle Plaine, Blake Berglund & Nadia Piotrowsky +
Marion Merritt & Jolle St. Pierre

10:00

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme song]

2. Jametatone – “No More Ignor”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

David Byrne at Kauffman Center For The Performing Arts (6/7/18)

David Byrne at Kauffman Center For The Performing Arts (6/7/18)

David Byrne at Kauffman Center For The Performing Arts (6/7/18)

3. David Byrne – “Gasoline and Dirty Sheets”
from: American Utopia / Todomundo – Nonesuch / March 9, 2018
[Co written with Brian Eno. David Byrne’s first solo studio album since 2004’s Grown Backwards. Even though since then he has released albums with Brian Eno, Fat Boy Slim, and St. Vincent. The album is his 11th outside of his work with Talking Heads. The new album is one part of a larger multimedia project entitled Reasons to Be Cheerful which aims to give reasons for being happy and optimistic in spite of political strife and environmental problems. The project was entitled after the Ian Dury song “Reasons to Be Cheerful (Part 3)”. David Byrne writes: “Is this meant ironically? Is it a joke? Do I mean this seriously? In what way? Am I referring to the past or the future? Is it personal or political? These songs don’t describe an imaginary or possibly impossible place but rather attempt to depict the world we live in now. Many of us, I suspect, are not satisfied with that world—the world we have made for ourselves. We look around and we ask ourselves—well, does it have to be like this? Is there another way? These songs are about that looking and that asking. This album is indirectly about those aspirational impulses. Sometimes to describe is to reveal, to see other possibilities. To ask a question is to begin the process of looking for an answer. To be descriptive is also to be prescriptive, in a way. The act of asking is a big step. The songs are sincere—the title is not ironic. The title refers not to a specific utopia, but rather to our longing, frustration, aspirations, fears, and hopes regarding what could be possible, what else is possible. The description, the discontent and the desire—I have a feeling that is what these songs touch on. I have no prescriptions or surefire answers, but I sense that I am not the only one looking and asking, wondering and still holding onto some tiny bit of hope, unwilling to succumb entirely to despair or cynicism.”]

[David Byrne plays the Muriel Kauffman Theatre at the Kauffman Center for The Performing Arts, Thursday, June 7, at 7:30 PM.]

10:07 – Pledge Break #1

Marion Merritt

But first, Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first tour when they played One Block West, in 1978. For 14 years she has been sharing her musical discoveries and information from her encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. More at: recordswithmerritt.com

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

Joelle St. Pierre

Also with us is Joelle St. Pierre, a friend of the show, a friend of mine since the early 1990s, and a huge friend to 90.1 FM KKFI. Joelle is a 90.1 FM Super Volunteer, helping with KKFI’s special events, the Crossroads Music Festival, The Spring Dance, Folk Alliance International, and answering phones for our On-Air-Fund Drives. Joelle stepped out of the crowd of our beautiful listening audience, to not only donate financially to KKFI, but also give her time and energy to help keep this rare treasure of the airwaves alive. Despite all of her hours given to community radio, like so many of our hardest working volunteers, she is not often found behind the microphone, so today is special.

Joelle St. Pierre, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt, and Joelle St. Pierre, join us for our Spring Fund Drive Show, to encourage our listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio, “The Voice of The Community.”

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming, that is…essentially free to you. this year, 90.1 FM KKFI is celebrating our 30th year on the airwaves. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We’re non-profit, but we still have to pay the electric bill, the rent on our fully accessible production studios and offices, insurance, staff, royalties, production expenses. Even though we have hundreds of committed volunteers, who donate thousands of hours every year, producing radio shows, answering phones, creating websites, producing benefits, rewiring the board, setting up our computer system, we still need YOU, our listener, to take a moment and donate to keep us alive! YOU are the reason we are able to stay alive.

10:16

Yanna the Supa Flowa at I Heart Local Music presents Pride for The Masses at Jackpot Music Hall (6/9/18)

4. Supa Flowa – “The Wu”
from: The Supa Flowa EP / R.I.O.T. LLC / May 4, 2018
[KC based Supa Flowa, aka Yanna, is a multi-media artist and rapper. The Supa Flowa Ep is a very vulnerable, yet an uplifting play on Yanna’s experience in dealing with anxiety, self doubt, and becoming comfortable with the androgynous, “sunflower dyke” that she is. Her goal is to reach out to queer & LGBTQIA youth; who have endured similar experiences to hers, in finding and cultivating self love and peace of mind.]

[Yanna the supa flowa plays the I Heart Local Music Presents: Pride for the Masses, June 8 & June 9, at Jackpot Music Hall, 943 Mass St., Lawrence, w/ Vibralux, Wick & The Tricks Calvin Arsenia, & Cuee.]

5. Mysterious Clouds – “Circles (Inner Party) featuring Your Friend”
from: My Head is Going Round EP / Haymaker Records / To Be Released in May, 2018
[Mysterious Clouds is one of the musical projects of Kansas City, Kansas based post-punk psychedelic musical artists, Dedric Moore and Delaney Moore and special guests. For this track and one other on the new EP the band collaborated with Taryn Blake Miller a Lawrence Kansas based musician and songwriter who records as Your Friend. The Delaney brothers are also founders of the band Monta At Odds. The band writes: “While crawling around in the murk of (their last release) Panic on the Noon Meridian, Delaney fed the band a healthy dose of underground West Coast psych. This helped the band see a feel good light that helped them recover from the heaviness of Panic. These songs are for spring and summer listening and are meant to add a bit of happiness to our daily struggle of keeping up the faith and fighting the good fight.]

10:21 – Underwriting

10:23 – Pledge Break #2

WMM Plays New & MidCoastal Releases. Timothy Finn of Kansas City Star named WMM “The Best Place to Hear Local Music on the Radio.”

Why do listeners need to support of this one-of-a-kind, programming?
Because 90.1 FM KKFI is “The Voice of the Community” Our Kansas City area Community Speaks Through our Airwaves and this Program

Along with all of the music, WMM interviews nearly 200 guests each year:

Michelle Bacon, Krystle Warren, Katy Guillen, Lesley Poiries, Ryan Wilks, Tim J. Harte, Julia Othmer, Victor & Penny, The Grand Mrquis, Megan Slankard, Justin Van Pelt, Amy Farrand, Jen Harris, Spencer Brown, CS Luxem, Red Kaye, Olivia Fox, Howard Iceberg, Doby Watson, Kadesh Flow, Bach Aria Soloists, Cris Williamson, David Wayne Reed, Mikal Shapiro, Calvin Arsenia, Shoun Crowley, Nick Carswell, Cody Critcheloe, Patrick Alonzo Conway, The Matchsellers, Teri Quinn, Cat Dail, Thee Devotion, Steve Tullipana, Kemet The Phantom, D Rashawn Gilmore, Madisen Ward and the Mama Bear, Scott Hobart, Necia Gamby, Dedric Moore, Brenton Cook, Erica Joy, Wick Thomas, Kadesh Flow, Betse Ellis, Clarke Wyatt, Nico Gray, Ron Megee, Nan Turner, Matthew Roth, Johnny Hamil, Marco Pascolini, Ada Brumback, Richard Alan Nichols, Erin Keller, Summer Osborne, Jen Appell, Steve Gardels, Cynthia Hardeman, Fally Afani, Matt Kesler, Scott Mize, Jennie Ferguson, Doug Hitchcock, Cole Bales, Cody Calhoun, Scott Hrabko, Jonathan Brokaw, Ethan Eckert, Jamie Rich, David Weeda, Austin Williams, Philip Hooser, IVØRY BLACK, Anna Selle, Bill Dickey, Roxi Copland, Joy Baker, Kathryn Golden, Bill Sundahl, Derick Cunninhgham, Desmond Mason, Bill Svoboda, Claire Adams, Ross Brown, Jerad Tomasino, Laurel Parks, Ben Parks, Maria Cuevas, Garrett Nordstrom, Barry Lee, Noah Davis, Steven Eubank, Julie Shaw, Sarah Beth Mundy, Lovergurl (Stephanie Bankston, Brook Worlledge, Heather Andrews), Chad Meise, Chris Haghirian, Nathan Reusch, Aaron Rhodes, Beth Marshall, Jon “Piggy” Cupit, Janet Henry, Michael McQuary, Clint Hoffmeier, Matt Tady, Patrick Alonzo Conway, Alan Winkler, Run With It (Miguel Carabello, Ben Byard, Daniel Cole) Matthew Dunehoo, Lou Jane Temple, Dave Storms, Sondra Freeman, David George, Jade Osborne, Quinn Hernandez, John Craige, Jennifer McCartney, Amy Marcus, Susanna Lee, Kyle Dahlquist, Vanessa Severo, Tim Finn, Simone Briand, Maria Vasquez Boyd, Jenny Mendez, Chato Villalobos, Miguel Morales, Salar Rajabnick, Barclay Martin, Zachary Van Benthusen, Krysztof Nemeth, Britt Adair, Duncan Burnett, Judy Mills, Stephonne Singleton, Jamie Searle, Patrick Alexander.

10:30

6. Second Hand King – “Go So Wrong”
from: Frankie / Second Hand King / June 9, 2018
[KC based Joe Stanziola records as Second Hand King, the original Doo Wop Rapper. His name was derived from a 1966 Doo Wop song known as, “The Joker Went Wild” by Brian Hyland. Second Hand King has released five previous albums: All My Fears (2012), The Lower Depths (2013), Chuck (2014), Before The Bomb Drops (2015), and Almost Blue (2016).]

[Second Hand King & The Lovers play a “FRANKIE” album release show, at recordBar, 1520 Grand, Sat, June 9 at 7:PM, w/ Black Mariah Theater, Rockababyrock & Tyler Banks, w/ Dj Peter Anthony.]

10:33 – Interview with Joe Stanziola

Joe Stanziola on the June 6, 2018 edition of Wednesday MidDay Medley on 90.1 FM.

Joe Stanziola performs and records as Second Hand King, the original Doo Wop Rapper. His name was derived from a 1966 Doo Wop song, “The Joker Went Wild” by Brian Hyland. Joe’s been exploring the connections between Doo Wop and Hip Hop since he released his The Santa Sangre EP in 2011. Joe followed that up with five more albums: All My Fears (2012), The Lower Depths (2013), Chuck (2014), Before The Bomb Drops (2015), and Almost Blue (2016). Joe is set to release his 6th full length album, Frankie when Second Hand King & The Lovers play a “FRANKIE” album release show, Saturday, June 9 at 7:00 PM, at recordBar, 1520 Grand, with Black Mariah Theater, Rockababyrock & Tyler Banks, along with Dj Peter Anthony.

Joe Stanziola thank you for being with us on WMM.

First off, a Doo-Wop Tutorial from Wikipedia.org:

Doo-Wop – origins: Rhythm and blues harmony vocal groups a cappella negro spirituals barbershop music gospel ballads blues jump blues swing

Doo Wop – Derivative forms: Beach music beat Brill Building pop rock power pop soul vocal surf

Doo-wop is a genre of rhythm and blues music that was developed in African-American communities in the East Coast of the United States in the 1940s, achieving mainstream popularity in the 1950s and early 1960s. Built upon vocal harmony, doo-wop was one of the most mainstream, pop-oriented styles of the time. Singer Bill Kenny is often called the “Godfather of Doo-wop” for his introducing the “top and bottom” format which featured a high tenor singing the lead and a bass singer reciting the lyrics in the middle of the song. Doo-wop features vocal group harmony, nonsense syllables, a simple beat, sometimes little or no instrumentation, and simple music and lyrics

From the outset, singers gathered on street corners, and in subways, generally in groups of three to six. They sang a cappella arrangements, and used wordless onomatopeia to mimic instruments since instruments were little used: the bass singing “bom-bom-bom”, a guitar rendered as “shang-a-lang” and brass riffs as “dooooo -wop-wop”. For instance, “Count Every Star” by The Ravens (1950), includes vocalizations imitating the “doomph, doomph” plucking of a double bass. This art dates to The Mills Brothers, who first came to fame in the 1930s with their mimicking of instrumental music. Radio, gramophone, and cinema inspired imitation in many U.S. cities.

The late 1940s and early 1950s brought the so-called “bird groups”; The Swallows, the Ravens, The Orioles, The Penguins, The Crows, The Flamingos, The Blue Jays, The Cardinals, and The Larks. A number of band names are also drawn from cars (The Edsels, The Cadillacs, The Fleetwoods, The Impalas, and Little Anthony and the Imperials). The Orioles helped develop the doo-wop sound with their hits “It’s Too Soon to Know” (1948) and “Crying in the Chapel” (1953). Doo-wop scored 1951 R&B chart hits such as “Sixty Minute Man” by Billy Ward and His Dominoes, “Where Are You?” by The Mello-Moods, “The Glory of Love” by The Five Keys, “Shouldn’t I Know” by The Cardinals, “I Will Wait” by the Four Buddies, and “Will You Be Mine”, by The Swallows.

The term “doo-wop” first appeared in print in 1961 in The Chicago Defender; fans of the music coined the term during the height of a vocal harmony resurgence. The phrase was attributed to radio disc jockey Gus Gossert but Gossert suggested “doo-wop(p) was already in use [before me] to categorize the music in California.”

The first record to use the syllables “doo-wop” in the refrain was the 1955 hit “When You Dance” by The Turbans (Herald Records H-458). Previously, the backing vocal “doo-wop” is heard in The Delta Rhythm Boys’ 1945 recording of “Just A-Sittin’ And A-Rockin”, The Clovers’ 1953 release “Good Lovin'” (Atlantic Records 1000) and in the chorus of Carlyle Dundee & The Dunde

1958 also saw the rise of Italian American doo-wop groups. Like African-Americans, the Italian Americans generally attended church, where they gained singing experience, and lived in urban neighborhoods, where they would sing on street corners. By the late 1950s, Italian American street corner doo-wop groups were seen in cities such as New York, especially the Bronx and Brooklyn. Some of the Italian American groups with national chart hits included: Dion and the Belmonts, in 1958, with “I Wonder Why”, and Top #5 hits “Teenager in Love” and “Where or When”; The Four Seasons; The Capris with “There’s a Moon Out Tonight”, in 1960; The Earls; The Chimes; The Demensions; The Elegants; The Mystics; The Duprees; Vito & the Salutations; The Gaylords; Johnny Maestro & the Brooklyn Bridge; The Regents; Nino and the Ebb Tides; The Del-Satins; The Videls; most of the members of The Passions; and The Chaperones. Other Italian American groups included Randy & the Rainbows, who charted with their Top #10 1963 single “Denise”.

The contribution of Hispanics is often overlooked. Early, especially in U.S. East Coast cities, Puerto Ricans were lead singers in some groups with black and white members, including The Crests, Frankie Lymon and the Teenagers, the Five Discs and the Tune Weavers. “Racially integrated” groups with both black and white performers, included The Del-Vikings, who hit big in 1957 with “Come Go With Me” and “Whispering Bells”; The Crests, whose “16 Candles” appeared in 1958, and The Impalas, whose “Sorry (I Ran All the Way Home)” was a hit in 1959. All-white doo-wop groups were also appearing: The Mello-Kings’ 1956 “Tonight, Tonight” and The Diamonds’ chart-topping “Little Darlin'” in 1957, The Skyliners’ 1959 “Since I Don’t Have You” and 1960 “This I Swear”, The Tokens’ 1961 “Tonight I Fell In Love” and “I Love My Baby”, all saw success.

Female doo wop singers were unusual in the early days. Lillian Leach, lead singer of the Mellows from 1953 to 1958, helped pave the way for women and is often cited as an influence by later performers.

The peak of doo-wop might have been in the early 1960s with the most notable hits being Dion’s “Runaround Sue”, “The Wanderer”, “Lovers Who Wander” and “Ruby Baby” and The Marcels’ “Blue Moon”. There was a revival of the nonsense-syllable form of doo-wop in the early 1960s, with popular records by The Marcels, The Rivingtons, and Vito & the Salutations. A few years later, the genre reached the self-referential stage, with songs about the singers (“Mr. Bass Man” by Johnny Cymbal) and the songwriters (“Who Put the Bomp?” by Barry Mann), in 1961. Other important groups, including The Coasters, The Drifters, The Midnighters, and The Platters, helped link the doo-wop style to the mainstream, and to the future sound of soul music. The style is heard in the music of The Miracles, particularly in their early hits such as “Got A Job” (an answer song to “Get a Job”), “Bad Girl”, “Who’s Loving You”, “(You Can) Depend on Me”, and “Ooo Baby Baby”. The style is also heard in the early days of The Famous Flames, led by James Brown; the group recorded several doo-wop hits, including “Please, Please, Please”, “Bewildered”, “I Don’t Mind”, and their hit cover of The “5” Royales’ “Think all entering the Top#10, as well as R&B Number #1 Try Me

Doo-wop’s influence continued in soul, pop, and rock groups of the 1960s, including The Four Seasons, girl groups, and vocal surf music performers such as Jan and Dean and the Beach Boys. In the Beach Boys’ case, the doo-wop influence is evident in early hits such as “Surfin'” and “Surfer Girl”, and in albums recorded within their psychedelic era, during which the group experimented and innovated with the human voice as an instrument[15] in a self-described effort to “expand modern vocal harmony”.

As with most American popular music genres of the time, doo-wop’s mainstream popularity was decimated by the British Invasion of the mid-1960s

Joe Stanziola grew up in Kansas.

At the Age of 16 he first heard Tupac, it changed his life.

Born December 19, 1989 his parents wrote him a rap upon his birth.

Joe says that “At my core, I am a rapper.”

Joe confesses to be “a little bit of a loner.”

Joe didn’t like school.

In his search to find himself Joe discovered doo-wop with the Gene Chandler song “Duke of Earl”

Joe has listened to so much doo-wop it is now just part of him, he has no choice. Doo-wop is his “guiding light.”

Joe is now working with a band.

Frankie is a “coming out” moment.

Second Hand King

10:47

7. Second Hand King – “The King of Broken Hearts”
from: Frankie / Second Hand King / June 9, 2018
[KC based Joe Stanziola records as Second Hand King. His name was derived from a 1966 Doo Wop song known as, “The Joker Went Wild” by Brian Hyland. Joe has released five previous albums: All My Fears (2012), The Lower Depths (2013), Chuck (2014), Before The Bomb Drops (2015), and Almost Blue (2016).]

[Second Hand King & The Lovers play a “FRANKIE” album release show, at recordBar, 1520 Grand, Sat, June 9 at 7:PM, w/ Black Mariah Theater, Rockababyrock & Tyler Banks, w/ Dj Peter Anthony.]

8. Joni Mitchell – “You Turn Me On I’m A Radio”
from: For The Roses / Asylum / November 1972
[Joni Mitchell originally wrote the song in response to her record label’s desire for her to write a hit song. Mitchell reveals her purpose on lines such as, “And I’m sending you out this signal here, I hope you can pick it up loud and clear”. She believed that including words in the song about radio themes would convince stations to play the recording. The song was recorded in preparation for Mitchell’s upcoming fifth studio album in Hollywood, California, United States at A&M Studios. Although Graham Nash, David Crosby, and Neil Young all contributed to the recording session for the song, only the harmonica piece performed by Graham Nash was included on the official release. “You Turn Me On, I’m a Radio” was released as a single in November 1972 via Asylum Records. The song became Mitchell’s first top-ten hit in Canada, reaching the tenth position on the RPM Top Singles chart. Additionally, the single became her first top-forty hit in the United States, reaching number twenty-five on the Billboard Hot 100. Outside North America, “You Turn Me On, I’m a Radio” peaked within the top-forty on the Australian Kent Music Report chart. The single was included on Mitchell’s fifth studio effort For the Roses, which was issued in November 1972. Released between her 2 biggest commercial and critical successes – “Blue” and “Court & Spark”. In 2007 it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. “For the Roses” was Mitchell’s farewell to the business; she took an extended break for a year after. The album was critically acclaimed with The New York Times saying “Each of Mitchell’s songs on For the Roses is a gem glistening with her elegant way with language, her pointed splashes of irony & her perfect shaping of images. Never does Mitchell voice a thought or feeling commonly. She’s a songwriter and singer of genius who can’t help but make us feel we are not alone.”]

10:53 – Pledge Break #3

KKFI is an Independent, non-commercial radio station!

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, and share your concerns, and offer resources, and community activities and information. Along with our stellar National Public Affairs shows like Democracy Now, and Workers Independent News we also offer more locally produced public affairs programs than anywhere else on the dial. We offer programs specifically produced for the LGBTQIA Community, Women’s Issues, Native American News and Culture, Middle Eastern Music and Information, Latino Programming, African American Public Affairs and Community News, Labor and Worker’s Unions, our prison population and justice system, environmental programming, Visual and lLiterary Arts, and Performing Arts.

Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI!

No Commercials. We do have brief underwriting announcements, recognizing those who financially contribute to support non-profit community radio. But No Commercials

No automated robot playing the same 40 to 100 songs in a “rotation,” based on a formula, created someone who programs the robot. We are the opposite of this.

We are The Voice of The Community

90.1 offers 104 different radio programs. 82 of these programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. It is very special. It needs to be nourished and kept alive in a world of corporate nationally owned commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this you also hear the voices from the hundreds of KKFI volunteers and the hundreds of guests who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. How much is this worth to you?
We are The Voice of The Community

At http://www.wednesdaymiddaymedley.org you can find our playlists from the last 12 years.

11:00 – Station ID

9. CS Luxem – “Let Me Go On”
from: Symptoms / Whatever Forever / February 17, 2018
[Debut length from CS Luxem who works as a solo artist as well as a collaborator. CS Luxem has released several EPs and has performed all over the United States and Europe. Info at http://www.csluxem.bandcamp.com]

[CS Luxem plays 8th Street Tap Room in Lawrence, KS. on Friday, June 8 at 6:30 with LaGuerre, Miwi La Lupa, and Nik Freitas.]

[CS Luxem plays Decade, 920 Delaware St. Lawrence, KS. Monday, June 11, at 7:PM with Curt Oren, Dan English, and Morning Ritual.]

9. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios.]

[Mikal Shapiro plays The Westport Saloon, 4112 Pennsylvania, Tonight, 9:PM, with Wonky Tonk.]

9. Howard Iceberg & The Titanics – “My Love For You Is Real”
from: Netherlands / Howard Iceberg & The Titanics / March 29, 2018
[Howard Iceberg on lead vocals & harmony vocals; Rich Hill on piano, organ & harmony vocals; Bryan Hicks on electric bass & harmony vocals; and Doug Auwarter on drums. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg & Pat Tomek.]

11:07 – Pledge Break #4

Donating to 90.1 FM KKFI is investing in your community.

(From our bylaws of The MidCoast Radio Project)

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:14

12. Belle Plaine – “Golden Ring (feat. Megan Nash) – Single”
from: Malice, Mercy, Grief and Wrath / Belle Plaine / To Be Peleased Soon
[Belle Plaine is a singer, a songwriter and an inventive musician who was raised on the Canadian prairies near the hamlet of Fosston, Saskatchewan – population: 54. Belle’s reverence for artists who defy categorization has led her to create a brand of roots music that combines vintage blues and swing tones of the 1940s with classic country styles made popular in the heyday of the Grand Ole Opry. In 2015 she appeared as a guest vocalist on Colter Wall’s breakthrough debut album, Imaginary Appalachia. In 2016 she performed her work with the Regina Symphony Orchestra. She comtributed as a songwriter and harmony-vocalist on Blake Berglund’s 2017 album, Realms.]

[American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak Street, KCMO, on Friday, June 8, at 8:00 pm.]

11:17 – Interview with Belle Plaine, Blake Berglund & Nadia Piotrowsky

Blake Berglund, Belle Plaine, and Nadia Piotrowsky on the June 6, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Kansas raised, Oklahoma based, Nadia Piotrowsky who performs as summerland, joins us today and she has brought along her singer-songwriter friends from Saskatchewan, Canada, Belle Plaine and Blake Berglund who have been embraced by the Red Dirt and Americana communities as evidenced by a slot at this year’s Tumbleweed Festival in La Cygne, KS, and an eight date tour along side summerland that includes Kansas City. American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak St, KCMO, on Friday, June 8, at 8:00 pm.

Belle Plaine, Blake Berglund & Nadia Piotrowsky, Thanks for being with us on WMM.

Belle Plaine is a singer, a songwriter and an inventive musician who was raised on the Canadian prairies near the hamlet of Fosston, Saskatchewan – population: 54.

We just heard “Golden Ring,” the first single from her upcoming LP Malice, Mercy, Grief and Wrath and is in collaboration with fellow Saskatchewanian, Megan Nash. True to Plaine’s genre-bending style, the song pairs a surf-era baritone guitar to an Everly Brothers inspired harmony.

Belle Plaine, Blake Berglund have split their time in the last year between Canada and the Appalachians promoting Berglund’s 2017 release, Realms, and have been direct support for Colter Wall, Tyler Childers, The Dead South, Jason Eady and Dwight Yoakam.

Plaine appeared on Colter Wall’s Imaginary Appalachia (2015) and serves up a hybrid of American music: her mix of folk, country, jazz and blues was showcased at Folk Alliance International in February 2017 and at Americana Fest in September 2017 to a full house at Nashville’s 12th and Porter.

Blake Berglund & Belle Plaine

TOUR DATES

Fri. June 8 – Kansas City, MO SqueezeBox Theatre^

Sat. June 9 – Ottawa, KS House Concert^

Sun. June 10 – Tulsa, OK Tulsa Tough Cry Baby Hill VIP Part presented by Vox Pop^

Mon. June 11 – Stillwater, OK Modella Art Gallery^

Tue. June 12 – Okemah, OK Rocky Road Tavern^

Wed. June 13 – Norman, OK Red Brick Bar^

Thu. June 14 – Stillwater, OK Summer on the Plaza at Oklahoma State University^

Fri. June 15 – La Cygne, KS Tumbleweed Festival

Sun. June 17 – Kansas City, MO Ollie’s Local

^with summerland

summerland

11:22

13. summerland (Nadia Piotrowsky) – “Kentucky”
from: Fourth Street Session / Nadia Piotrowsky /
[Oklahoma based singer songwriter Nadia Piotrowsky performs as summerland. Post-college adventures in Nashville, bumps and bruises from jobs and relationships, and a move to Los Angeles in the last couple of years have inspired the melodies and lyrics that now pour out of her. Her folk-rock tales are accompanied by the sounds and rhythms of the guitar that she learned to play while sitting on the porch of her college home in Manhattan, Kansas. Various music projects with friends have led to her current project “Summerland,” which is Nadia’s first official lead role in her own musical story. Standing on the stage with her own band, made up of various talented friends from L.A.]

[American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak Street, KCMO, on Friday, June 8, at 8:00 pm.]

11:24

NEWEST VIDEO,“GOLDEN RING”: https://www.youtube.com/watch?v=kwAgaqvnze0

Website:http://belleplainemusic.com/
Facebook:https://www.facebook.com/belleplaine
Twitter:https://twitter.com/Belle_Plaine
Instagram:https://www.instagram.com/blackpowderbelle/
Soundcloud:https://soundcloud.com/belleplaine
Spotify:https://open.spotify.com/artist/5bCjjNx0wXytkKko9jlaLl
YouTube:https://www.youtube.com/user/BellePlaineMusic

BLAKE BERGUND LINKS

NEWEST VIDEO, “MOOSE MOUNTAIN”: https://www.youtube.com/watch?v=PImDzid_cLE
Website:http://blakeberglund.com/
Facebook:https://www.facebook.com/blakeberglund
Twitter:https://twitter.com/blakeberglund
Instagram:https://www.instagram.com/blakeberglund/
Soundcloud:https://soundcloud.com/blakeberglund/sets/blake-berglund-realms
Spotify: https://open.spotify.com/artist/3WEBMhfeVkjS6jR0EQwVq0
YouTube:https://www.youtube.com/user/blakeberglund

Berglund’s album, Realms, has carved out its place among critics. Beatroute Magazine called it “the most ambitious Canadian country record of 2017 and should certainly be regarded as one of the best,” where popular online blog, Bandsintown says “Berglund’s psychedelic country is changing the game.” Realms applies the story arc of the hero’s journey to a good ol’ boy character – the listener follows the Everyman from ignorance to enlightenment, and eventually to reincarnation. Berglund has released four videos that compliment this storyline, the latest being the stunning “Moose Mountain” where Berglund appears amidst his homeland’s eautiful scenery on horseback enjoying a tightly rolled doobie.

11:30

15. Blake Berglund – “Crooked Old Earth”
from: Realms / Oceanman Records / September 1, 2017
[Blake Berglund’s fresh style of country music is unpredictable, intelligent, genuine, and a pleasant surprise, given his hard-rock/pseudo metal background. His grassroots approach has earned him a reputation as ‘the guy who sold 10,000 CDs door-to-door.” Raised in the Moose Mountains deep in Saskatchewan’s south east corner, Berglund took his early childhood responsibilities of tending to 200 head of horses as the education needed to base his music career around hard work and cultivating relationships. Berglund’s album was released through his independently owned and operated, Oceanman Records. Described as an allegorical concept record about the ‘breadth of the human experience’, the ten track album explores spiritual based themes, alternative beliefs, and universal truths. Inspired by the teachings, observations and research of Thomas P. Fusco, Dr. Rick Strassman, and authors Joseph Campbell and C.S. Lewis, Realms follows an ancient story-telling archetype and is riddled with patterns, puzzles and nuances. Berglund is self-managed and booked. He’s gained supporters world-wide based on his work ethic, out of the box marketing and unique musical style.]

[American Media Gig Spot presents: An Evening with summerland, Blake Berglund & Belle Plaine, at SqueezeBox Theatre, 1519 Oak Street, KCMO, on Friday, June 8, at 8:00 pm.]

11:34 – Underwriting

11:36 – Pledge Break #5

We offer loads and loads of information about what is going on in the community. We shine a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, and political action scene.

In just this past year, we’ve featured segments on: Bach Aria Soloist, KC Gamelan Genta Kasturi, The Workers Revival Festival, The Arts Asylum, KC PrideFest, Midwest Music Foundation and the MidCoast Takeover, Kansas City Public Library, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr. , Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Showcase, First Friday Film Fest, American Jazz Museum, KC Fringe Theatre Fest, Late Night Theatre, The Barn Players, Crossroads Music Fest, Lawrence Field Day Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, The Buffalo Room, Standing Rock, Union Station, Outer Reaches Festival, Plaza Art Fair, No Wave Fest, Haymaker Records, Johnson County Performing Arts Series, The Pop Poetry Series at Prospero’s Books, Datura Records, Center of The City Fest, Too Much Rock, Shelf Life, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, Artist Inc., and more…

11:43

15. Amy Farrand & The Like – “White Girl Wasted (Radio Edit)”
from: One / Amy Farrand / April 28, 2018
[Amy Farrand & The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. 11-song debut album was recorded w/ Duane Trower at Weights & Measures Soundlab. Amy Farrand plays over a dozen intruments, bass, drums, lap steel, guitar, she has hosted variety shows, and radio shows and has been a a member of the bands: American Catastrophe, Experimental Instrument Orchestra, Shotgun Idols, Sister Mary Rotten Crotch, Atlantic Fadeout, The Silver Maggies. One reviewer wrote of her, “Amy Farrand is a tough-as-nails vocalist making her an invaluable asset to any live act.” ]

16. Kadesh Flow – “FYI”
from: Room Service EP / Ryan Davis / March 30, 2018
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city. The Room Service EP was conceived between shows at MAGfest 2018, when Kadesh Flow, Atlas, and Bill Beats began creating in their hotel room. Producers/Writers include: Kadesh Flow, Atlas, Bill Beats, Shubzilla, Eye-Q, O.Super. Mixed By: Kadesh Flow. Mastered By: Out D Park Productions.]

[Kadesh Flow plays The Riot Room, 4048 Broadway, Saturday, June 30, at 2:00 to 5:00 PM with Kemet the Phantom and the Phantastics.]

11:50 – Pledge Break #6

Why listeners need to support of this one-of-a-kind, programming.

KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100, 000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my friend introducing me to all kinds of new & local music, as well as news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your artspace, on your ipod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to kkfi.org everyday, but studies show, that less than 5 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

This is your chance to put your money where your ears are. Please help keep, at least this part of our public airwaves, alive for our public to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

11:56

17. Carswell & Hope – “The Other Side”
from: Exit Plan EP / Silly Goose Records / May 22, 2018
[Music by Carswell & Hope. Lyrics by Nick Carswell. Produced & mixed by Jason Slote & Nick Carswell. Mastered by Michael Fossenkemper @ TurtleTone Studio NYC. Lawrence KS based 5-piece band formed June 25, 2012. The band is: Nick Carswell, Jason Slote, Austin Quick, Chris Handley, and Jordan Tucker. Songwriter Nick Carswell is originally from Ireland and has found a new home on the plains of Kansas.]

[Carswell & Hope play the 2018 Smoky Hill River Festival, Thursday, June 7, at 4:00 pm, in Salina Kansas in Oakdale Park.]


11:59:30

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on June 13, we present part 2 of our series of Our Favorite Releases of 2018 …So Far and 10 more bands and representative tracks to play. Also next week, we’ll talk with Joseph Warren Wheeler of the Wanderlust Revival and the guys from FaceFace return to the show.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #737

WMM Playlist from May 30, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 30, 2018

That’s So Fabulous!
+ KC Pride Fest + Pride for the Masses + Torch Song Trilogy

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Judy Garland – “Intro / Keep Your Sunny Side Up”(outtake)
from: The Judy Garland Show – the show that got away /Hip-O /2002
[orig. taped June 24, 1963]

3. Cyre – “Holiday (Circuit Mix)”
from: Gay Classics – Outrageous / Hot JWP / 2001

4. Dos Fallopia (Lisa Koch) – “Definition: Lesbian”
from: My Breasts Are Out Of Control / Tongueincheek Records / 1994

5. Bambi – “Lets Sing A Gay Little Spring Song”
from: Bambi (Original Motion Picture Soundtrack) / Buena Vista Pictures / 1996 [1942 Disney]

6. Lily Tomlin – “Obscene Phone Call”
from: This Is a Recording / Universal Records / 1971
[The album consists of comic sketches of Tomlin in her most famous character, Ernestine, the nosy, aggressive, and sharp-tongued telephone operator. The album’s tracks include monologues in which Ernestine tangles over the phone with Joan Crawford, Gore Vidal (“Mr. Veedle”), Martha Mitchell, and J. Edgar Hoover. It was recorded live at the intimate Ice House in Pasadena, California. The album, Tomlin’s first, won her a Grammy Award for Best Comedy Recording. Tomlin became the first woman to win this award for a solo recording (in 1962 Elaine May won for an album with Mike Nichols; in the years since only Whoopi Goldberg and Kathy Griffin among female comedians have won the award.) The album peaked at #15 on the Billboard Hot 200 albums list, the highest charting solo comedy album by a woman ever on the chart.]

7. Sharron Alexis – “Please Don’t Be Gay”
from: Sordid Lives (Original Motion Picture Soundtrack) / Varese Sarabande / 2001

8. RuPaul – “I Met Him on the Dance Floor (Interlude)”
from: Realness / RuCo / March 2, 2015 [RuPaul Andre Charles (born November 17, 1960), best known as simply RuPaul, is an American actor, drag queen, model, author, and recording artist, who first became widely known in the 1990s when he appeared in a wide variety of television programs, films, and musical albums. Previously, he was a fixture on the Atlanta and New York City club scenes during the 1980s and early 90s. RuPaul has on occasion performed as a man in a number of roles, usually billed as RuPaul Charles. RuPaul is noted among famous drag queens for his indifference towards the gender-specific pronouns used to address him—both “he” and “she” have been deemed acceptable. “You can call me he. You can call me she. You can call me Regis and Kathie Lee; I don’t care! Just as long as you call me.” He hosted a short-running talk show on VH1, and currently hosts reality television shows RuPaul’s Drag Race and RuPaul’s Drag U.]

9. Company – “Opening: I Hope I Get It”
from: A Chorus Line – Original Cast Recording / Columbia / 1975

10. Dos Fallopia (Lisa Koch) – “Definition: Pro Choice”
from: My Breasts Are Out Of Control / Tongueincheek Records / 1994

11. Grace Jones – “The Crossing (Ooh The Action…)”
from: Slave To The Rhythm / Island Def Jam Records / 1985

12. Al Franken and Phil Hartman – “Daily Affirmation Theme”
from: Original Soundtrack to: Stuart Saves His Family / Milan / 1995

13. Hedwig & The Angry Inch – “Tear Me Down”
from: Original Motion Picture Soundtrack to Hedwig & The Angry Inch / Hybrid / 2001

14. The BTC Orchestra – “The Liberace Fanfare”
from: Behind The Candelabra (Music from the HBO Original Film) / Elektra / May 20, 2013
[2013 American drama film directed by Steven Soderbergh about the life of pianist Liberace and the secret affair he had with young Scott Thorson, based on Thorson’s memoir, Behind the Candelabra: My Life With Liberace (1988). It premiered at the 2013 Cannes Film Festival on May 21, 2013. It aired on HBO on May 26, 2013 and won multiple Emmy and Golden Globe Awards. It was released theatrically June 7, 2013 in the United Kingdom. The film features Michael Douglas as Liberace and Matt Damon as Scott Thorsen.]

15. Liberace – “The Impossible Dream” [Vinyl]
from: Liberace Sends You Love [3 record set] / Brookville Records – ABC Records / 1974
[Born in West Allis, Wisconsin, his career spanned four decades of concerts, recordings, motion pictures, television, and endorsements, Liberace became world-famous. During the 1950s–1970s he was the highest-paid entertainer in the world and embraced a lifestyle of flamboyant excess both on and off stage. He publicly denied being gay during his lifetime, and sued those who said he was. Towards the end of his life his chauffeur, Scott Thorson, sued him for palimony. He died of an AIDS-related illness in 1987.]

16. Jim Nabors – “It Takes All Kinds To Make The World Go Round”
from: Gomer Pyle U.S.M.C. / Sony / 1965
[Jan. 29, 2013, Hawaii News Now reported that Jim Nabors married his partner of 38 years, Stan Cadwallader, at Seattle, Washington’s Fairmont Olympic Hotel, Jan. 15, a month after same-sex marriage became legal in Washington. An urban legend maintains that Nabors married Rock Hudson in the early ’70s, shortly before Nabors began his relationship with Cadwallader. At least publicly, the two were never more than friends. According to Hudson, the legend originated with a group of “middle-aged homosexuals who live in Huntington Beach” who sent out joke invitations for their annual get-together. One year, the group invited its members to witness “the marriage of Rock Hudson & Jim Nabors,” at which Hudson would take the surname of Nabors’ most famous character, Gomer Pyle, becoming “Rock Pyle.” Those who failed to get the joke spread the rumor. Hudson was also gay but closeted, and because of the fear that one or both of them might be outed, Nabors & Hudson never spoke to each other again. Jim Nabors passed away on November 30, 2017 at 87.]

10:22 – The Music for Kansas City Pride

Kansas City Pride Fest is Fri, June 1st, 6:00 PM to Midnight, Sat, June 2, 12:00 PM to Midnight, and Sun, June 3, 12 to 7:00 PM at The Richard L Berkley Riverfront Park.

Daisy Buckët photography by Vixen Pin-Up Photography

17. Daisy Buckët – “Long Long Time”
from: Pansy / Independent / July 25, 2017
[Executive Producer: Spencer Brown & Amy Hull. Co-Producer: Michael Wood. Album Concept & Design: Brandon Shelton. Photography: Vixen Pin-Up Photography. All tracks recorded at Sound 81 Productions, Kansas City, Missouri. Mixing & Engineering: Justin Wilson. Music/Lyrics: Ruth Wallis; Vocals: Daisy Buckët; Guitar: Jeff Freling; Drums: Brian Steever; Bass: Rick Willoughby; Piano: Ken Lovern; Clarinet: James Isaac.] [The abum of 10 tracks include five tracks recorded with Jeff Freling of Victor & Penny with Erin McGrane and the Loose Change Orchestra. There are also two tracks recorded with the KC psychedelic glam rock band The Philistines, and two original songs written for this album. This past year Daisy has performed with the Sacramento Gay Men’s Chorus, shows in Ohio, Connecticut, and New York at the historic Duplex Cabaret, and Puerto Vallarta, Mexico. Spencer Brown is a professional actor, singer, spokesmodel, super hero, and has appeared at The Unicorn Theatre, Late Night Theatre, The KC Fringe, Union Station, The Folly Theatre, Off Center Theatre, Just Off Broadway Theatre. Since 2008 Spencer has toured internationally and recorded several albums as a member of the acclaimed The Kinsey Sicks, America’s Favorite Dragapella Beautyshop Quartet. Most recently they were seen on Watch What Happens Live! With Andy Cohen and have been on tour with their critically-acclaimed show, Things You Shouldn’t Say.]

[Daisy Buckët plays KC Pride Fest, Sat, June 2, at 8:05 pm at The Richard L Berkley Riverfront Park.]

18. Thelma Houston – “Don’t Leave Me This Way (Single Version)”
from: Any Way You Like It / Motown / December 2, 1976
[George Benson on guitar. Produced by Hal Davis. “Don’t Leave Me This Way” was covered by Motown in 1976. Originally assigned to Diana Ross, it was intended to be the follow-up to her hit “Love Hangover” but was reassigned and given to the upcoming Motown artist Thelma Houston instead.” Written by Kenneth Gamble, Leon Huff and Cary Gilbert. First charting as a hit for Harold Melvin & the Blue Notes featuring Teddy Pendergrass, an act on Gamble & Huff’s Philadelphia International label in 1975, “Don’t Leave Me This Way” was later a huge disco hit for Motown artist Thelma Houston in 1977. The song was also a major hit for British group the Communards in 1986. Thelma Houston was born May 7, 1946. She scored a number-one hit in 1977 with her recording of “Don’t Leave Me This Way”, which won the Grammy for Best Female R&B Vocal Performance. Houston was born in Leland, Mississippi. Her mother was a cotton picker. She and her three sisters grew up primarily in Long Beach, California. After marrying and having two children, she joined the Art Reynolds Singers gospel group and was subsequently signed as a recording artist with Dunhill Records. She is not related to Whitney Houston. In 1969, Houston released her debut album, entitled Sunshower, produced, arranged and composed by Jimmy Webb except for one track. In 1971 she signed with Motown Records but her early recordings with them were largely unsuccessful. Her most notable single during that period was “You’ve Been Doing Wrong for So Long” which peaked at #64 on the U.S. Billboard R&B chart in 1974. However Houston’s vocal prowess on that track secured her a nomination for a Best Female R&B Vocal Performance. In 1973 Motown Productions announced a projected biopic of Dinah Washington which would star Houston; however the project was dropped due to difficulties in getting clearance from Washington’s relatives. In April 1974 Houston joined the cast of The Marty Feldman Comedy Machine, playing various characters during the show’s skits. The show was canceled in August and for the next several years her work was limited to demo recordings and performing at small venues. Houston took acting classes and received her first role in the 1975 made-for-television film Death Scream. In that same year Sheffield Lab released “I’ve Got the Music in Me” a Direct to disc recording by Thelma Houston and Pressure Cooker that went on to become a benchmark vinyl recording for audiophiles. The following year she recorded songs for the soundtrack of the film The Bingo Long Traveling All-Stars & Motor Kings starring Billy Dee Williams and James Earl Jones. In 1975 Houston appeared on the Golden Globe Award broadcast performing the nominated song “On & On” and also was featured in a tribute to Berry Gordy on that year’s American Music Award broadcast singing “You’ve Made Me So Very Happy”. That year Houston’s version of “Do You Know Where You’re Going To” was being set for single release when it was pulled and the song given to Diana Ross to serve as the theme song for the movie Mahogany. In 1976 Houston sang backing vocals for Motown label mate Jermaine Jackson on his album My Name Is Jermaine. Houston released her third album Any Way You Like It in 1976. The first single released was her version of Harold Melvin & the Blue Notes’ 1975 song “Don’t Leave Me This Way”. In February 1977 the track hit Number 1 in the U.S. on the R&B and Club Play Singles charts, then in April 1977 on the Billboard Hot 100. “Don’t Leave Me This Way” won Houston the Best Female R&B Vocal Performance at the Grammys for 1977. Besides its US success “Don’t Leave Me This Way” became a hit in at least twelve countries, including the UK where it reached Number 13 despite the concurrent single release of the Harold Melvin & the Blue Notes original, which reached Number 5. Also in 1977 Houston teamed up with Jerry Butler to record the album Thelma & Jerry and that November 1977 she co-starred in the film Game Show Models. It was announced in February 1977 that Houston would star as Bessie Smith in a filmation of the play Me and Bessie, to be produced by Motown; after an announcement that December that Houston was set to portray Bessie Smith in a biopic to be produced in 1978 by Columbia Pictures nothing more was heard of the project.]

[Thelma Houston plays KC Pride Fest, Sun, June 3, at 6:00 at The Richard L Berkley Riverfront Park.]

10:30 – Interview with Josh Morgan

Josh Morgan

Josh Morgan, serves as Festival Chair of The Kansas City Pride Fest, happening this weekend! June 1st, 2nd, & 3rd at Berkley Riverfront Park under the guidance of the KC Diversity Coalition, the not-for-profit service organization that presents KC Gay Pride.
Josh Morgan thanks for being with us on Wednesday MidDay Medley

Kansas City PrideFest, at Richard L Berkley Riverfront Park, 1298 Riverfront Dr. KCMO.
Friday, June 1st, Saturday, June 2nd, and Sunday, June 3rd / More Info: gaypridekc.org

Friday, June 1st 6:00 PM – Midnight
Emcee: Dirty Dorothy – 6 to 11:15 PM
6:00 Rozz Smith – National Anthem
6:01-7:45 DJ Chad Slater
7:45-8:55 Material Girl
9:15-11:15 DJ Roland Belmares

Saturday, June 2nd, 12:00 Noon – Midnight
Trans Awareness Day
Emcee: Widow Von’du – Noon to 5pm / Emcee: Flo and Melinda Ryder – 5pm to 12 AM
12:00 PM Rozz Smith – National Anthem
12:20-12:45 Tucker William
12:50-1:10 JAIE
1:15-1:20 Trans Awareness Day Committee
1:30-2:15 Radial Red
2:35-2:50 Jordan Haase
2:55-3:35 Royalty Court
3:40-3:50 Dove
4:00-4:30 Mid America Freedom Band
4:45-5:05 Sidekicks – Latinos
5:10-5:25 Buttwiser’s Bash
5:30-5:45 Black Pride
5:50-6:05 Kansas City Womens Chorus
6:20-6:50 Heartland Men’s Chorus
6:55-7:15 Presentations
7:25-7:40 KC Sunshine – The Midwest Michaeal
7:45-8:00 Widow Von’Du
8:05-8:45 Daisy Buckët
8:50-9:05 Missie B’s
9:15-9:55 David Hernandez
10:00-10:40 Frenchie Davis
10:45-11:30 Billy Gilman

Sunday, June 3rd: Noon – 7:00 PM
Emcee: Monique Heart – Emceed this stage last year and she returns after her National Television appearance on RuPaul’s Drag Race

Emcee: Sasha Blake – Noon to 4:00 pm / Emcee: Buddy & Budweiser – 4pm to 7pm
12:00 Rozz Smith Solo National Anthem
12:01-1:45 Sidekick’s Talent Show
2:00-2:25 Hamburger Mary’s
2:30-2:45 Transfinity KC
2:55-3:10 SideKicks
3:30-4:30 Mad Libby
4:50-5:05 Nikita Wood-Rowe
5:15-5:45 Monique Heart
6:00-6:45 Thelma Houston
6:50 Volunteer Thank You / Closing Speakers (Event Staff)

ONGOING WEEKEND ACTIVITIES:

The Commerce Bank Kid’s Zone: Saturday and Sunday from Noon to 6:00pm (Included with festival ticket) – All ages are welcome. Includes the Ironman obstacle course, Tinker Bell moonwalk, Dual Slide and Triple Lane Fun Run! The zone also features a face painter, balloon artist, and circus performers. Outside of the zone look for Renaissance Fair characters, the LGBTQIA Youth Hangout, and a professional kite flyer!

LGBTQIA Youth Hang Out: Saturday and Sunday from Noon to 6:00pm (Included with festival ticket) – Games, prizes, music, photo booth and goodie bags!

Food Fair: Friday, Saturday, Sunday – Food trucks and other local cuisine

Market Place: Friday, Saturday, Sunday – Vendor and Sponsor Booths

Body Shop: Friday, Saturday, Sunday – Workshops and Free Health Checkups

Animal Adoption Booths: Sat & Sun, 12 to 6:00 – Dogs, cats, birds available for adoption

KC Gay Volleyball: Sunday (Starting at 1:00pm) – Players will be participating in exhibition games on multiple courts set up on the grass on the west side of the grounds.

Volleyball Tournament: Saturday (10:30am to 5:30pm) partnership between Bistro Brigade and the Kansas City PrideFest. Proceeds benefit AIDS Walk KC. All genders, orientations, and ages 18+ are encouraged to sign up. Festival ticket included.
Register Here: https://goo.gl/o1T435 (Watchers are welcomed!)

Renaissance Festival Characters will be roaming: Friday, Saturday, Sunday

Gay Pride Kansas City is a mix of volunteers and board members who represent a wide cross section of the Kansas City LGBTQIA community. What motivates these individuals is their drive to offer the Kansas City LGBTQIA community great informational and educational events which move the community forward.

Presented by: Kansas City Divercity Coalition: PO Box 32413, KCMO 64171
Phone: (816) 960-3400 / Email: pridefestkc@gmail.com

10:43

Josh Morgan thanks for being with us on Wednesday MidDay Medley.

KC Pride Fest – June 1st, 2nd, & 3rd, at Berkley Riverfront Park, KCMO, presented by KC Diversity Coalition, a not-for-profit service oganization. For more information about tickets, vendors, directions, events, or to volunteer, visit: http://www.gaypridekc.org

10:43 – Underwriting

10:45 – “Just say the lines and don’t bump into the furniture.”

I think my parents had a tougher time hearing that I wanted to become a Theatre Major than when I told them I was Gay. Please know, that I believe the theatre is full of all sexual orientations, straight, gay, lesbian, bisexual, transgender…just like the rest of the world. The theatre, however, is Queer friendly, accepting of LGBTQIA, it has always been a place where so many gay kids found their freedom and identity. The theatre gave gay kids their first glimpse into a world not found in their sheltered, small towns. Here in this next set is a song from Noel Coward from a album I found in my college library my freshman year. The plays of Noel Coward were captivating to me, the lyrics, wit, and diction of Noel Coward in action, is a treat.

After Noel we’ll hear Paul Lynde from the Original Broadway Cast Recording of “Bye Bye Birdie,” followed by Charles Nelson Reilly talking about his experience in “Bye Bye Birdie” while auditioning for “How To Succeed in Business Without Really Trying.”
Charles Nelson Reilly was playing three parts in Bye Bye Birdie winner of The Tony Award for Best Musical of 1960. How To Succeed in Business Without Really Trying won the Tony for Best Musical in 1961 and Reilly won The Tony for his portrayal of Bud Frump.

10:47 – Songs about “Tots,” “Kids” and “Coffee”

19. Noel Coward – “What’s Going To Happen To the Tots”
from: Noel Coward in New York / drg / 2003 [orig. 1957] [Born Dec. 16, 1899 / died Mar. 26, 1973. English playwright, composer, director, actor and singer, known for his wit, flamboyance, and what Time magazine called “a sense of personal style, a combination of cheek and chic, pose and poise”. Coward did not publicly acknowledge his homosexuality, but it was discussed candidly after his death by biographers including Graham Payn, his long-time partner, and in Coward’s diaries & letters, published posthumously.]

20. Paul Lynde & Marijane Maricle -“Kids”
from: Bye Bye Birdie! (Original Broadway Cast) / / 1960
[Paul Lynde’s sexual orientation was an open secret in Hollywood, although, in keeping with the prejudices of the time, it was not acknowledged or discussed in public. In a 2013 radio interview, Dick Van Dyke recalled the wrap party for Bye Bye Birdie. A series of men gave short speeches, each one praising Ann-Margret and predicting success and stardom for the young actress. When it was Paul Lynde’s turn to speak, he began, “Well, I guess I’m the only one here who doesn’t want to fuck Ann-Margret.” In 1965, Lynde was involved in an accident in which a young actor, reputed to be his lover, fell to his death from the window of their hotel room in San Francisco’s Sir Francis Drake Hotel. The two had been drinking for hours before 24-year-old James “Bing” Davidson slipped and fell eight stories, an event witnessed by two policemen, yet the event was largely kept out of the press, thus saving Lynde’s career. Despite his campy television persona, Lynde never publicly came out as gay and the press generally refrained from commenting about it. In 1976, a People magazine article on Lynde featured him and Stan Finesmith; the latter was dubbed Lynde’s “suite mate” and “chauffeur-bodyguard.” In the 1970s, this was as close as the press would come to hinting at his sexuality.]

21. Charles Nelson Reilly – “The Audition”
from: How To Succeed in Business Without Really Trying / Victor / 1961

22. Charles Nelson Reilly, Claudette Sutherland, Company – “Coffee Break”
from: How To Succeed in Business Without Really Trying / Victor / 1961

23. Judy Garland – “Half – Time Tags” (sponsor announcement)
from: The Judy Garland Show – the show that got away /Hip-O /2002 [orig. taped June 24, 1963

11:00 – Station Identification

24. Wick & The Tricks – “Drama Queen”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.]

[Wick & The Tricks play I Heart Local Music Presents: Pride for the Masses, June 8 & 9, at Jackpot Music Hall, 943 Mass St., Lawrence, w/ Vibralux, Calvin Arsenia, Cuee, & Yanna the supa flowa.]

11:02 – Interview with Wick Thomas

Wick Thomas of Wick & The Tricks
(Photo by Dave Michael / aka Aardvark Foto)

Wick Thomas, was voted Best Activist by The Pitch Magazine. Wick has help organize LGBTQIA youth groups on college campuses and in High Schools, he served as President of EQUAL and won an award from the National Gay and Lesbian Task Force. Wick spent many years working for the Kansas City Public Library and now works for the Nelson Atkins Museum of Art. Wick is also a gardener, a student, and a he grew up in Drexel Missouri. Wick is also lead singer of Wick & The Tricks, who last fall released a, 7-inch vinyl, 4-song EP debut, “Not Enough,” on Black Site Records. Wick & The Tricks play The I Heart Local Music Presents: Pride for the Masses, June 8 and June 9, at Jackpot Music Hall, 943 Massachusetts St., Lawrence, KS with Vibralux, Calvin Arsenia, Cuee, and Yanna the supa flowa. More information at http://www.iheartlocalmusic.com

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

Wick & the Tricks a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and Andrew Perry aka Drouche Bag on drums.

I Heart Local Music Presents:
PRIDE FOR THE MASSES

Friday June 8 at 9:00 pm & Saturday June 9 at 9:00 pm

Jackpot Music Hall
943 Massachusetts St, Lawrence, KS

I heart Local Music is throwing an event during PRIDE month to celebrate the queer musicians in our community. This is open to ALL AGES.

FEATURING PERFORMANCES FROM:

Vibralux
Wick & The Tricks
Calvin Arsenia
Cuee
Yanna the supa flowa

There will be performances from drag queens (including MsAmanda Love!) & queer DJs.

I Heart Local Music notes: “As a straight entity, WE WILL NOT BE PROFITING FROM THIS EVENT. The only people who will be making money are the QUEER PERFORMERS and QUEER STAFF (The Jackpot will hire queer audio engineers and bar staff). This event is FOR queer members of our community, and they will be the only ones who turn a profit as a result. We feel this is an important aspect to maintain in Pride events, as many queer readers have messaged us and expressed concern that too many straight entities turn a profit from queer-targeted events. So we curated this festival to rectify that. Because we love you.”

Many thanks to Ladybird Diner, Salon Blush, and Jackpot Music Hall for helping sponsor this event to make sure our queer performers are paid.

Wick Thomas on the May 30, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Wick Thomas on Wednesday MidDay Medley

The Wick & The Tricks EP was recorded and mixed by Justin Mantooth at Westend Recording Studios. and mastered by Chris Muth at Taloowa Corp. More info at: http://www.wickandthetricks.com

KC’s sassiest, trashiest and glammiest lovelies, Wick and the Tricks, released their debut 7” EP, Not Enough, on Black Site Saturday, October 14, with a premiere the video for “Tough as Nails”, the closing track on the new record.

With artwork from the band’s newest member, guitarist Chris Stallion, and packaging from the union printers at Callender Printing in Kansas City, KS.

In the spirit of the New York Dolls, The Stooges, and Jim Carroll, Wick and The Tricks proudly carry the Riot Grrrl, Queercore torch for the next generation.

wickandthetricks.bandcamp.com

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

Wick & The Tricks play The I Heart Local Music Presents: Pride for the Masses, June 8 and June 9, at Jackpot Music Hall, 943 Massachusetts St., Lawrence, KS with Vibralux, Calvin Arsenia, Cuee, and Yanna the supa flowa. More information at http://www.iheartlocalmusic.com

11:14

25. Supa Flowa – “Supa Flowa”
from: The Supa Flowa EP / R.I.O.T. LLC / May 4, 2018
[Supa Flowa, also known as Yanna, is a multi-media artist and rapper currently based out of Kansas City. The Supa Flowa Ep is a very vulnerable, yet an uplifting play on Yanna’s experience in dealing with anxiety, self doubt, and becoming comfortable with the androgynous, “sunflower dyke” that she is. Her goal is to reach out to queer and LGBTQIA youth; who have endured similar experiences to hers, in finding and cultivating self love and peace of mind.]

[Yanna the supa flowa plays the I Heart Local Music Presents: Pride for the Masses, June 8 & June 9, at Jackpot Music Hall, 943 Mass St., Lawrence, w/ Vibralux, Wick & The Tricks Calvin Arsenia, & Cuee.]

26. Cuee – “Honey feat. Mich Anne (Clean)”
from: “Honey”- Single / Cuee / November 27, 2017
[Cuee is a Chicago rap artist currently in Lawrence. Fally Afani writes in I Heart Local Music: Your 2017 local queer anthem is here, and we are screaming. Cuee’s “Honey” features local trans songstress Micha Anne, and it’s blasting confidence all over our speakers. LISTEN TO US. This is the track you put on when you’re gussying up for a night of raging on the Replay dance floor. In the song, Micha encourages us to “work it out,” “get sexy now,” and just “slay.” Then, Cuee (always the charmer) pops in, proudly proclaims “I’m brown skinned, I like action” and that she could “pull your girl without askin’.” We’re already a hot mess. 2017 has been such a shit year and we need this unapologetic happiness right now. Together, Cuee and Micha Anne are looking good and slaying. They are our guiding lights in dark times, and we are going to sissy that walk when we follow them into the new frontier. If this is the future of music, sign us up. We are here for it.]

[Cuee plays I Heart Local Music’s: Pride for the Masses, June 8 & June 9, at Jackpot Music Hall, 943 Mass St., Lawrence, w/ Vibralux, Wick & The Tricks Calvin Arsenia, & Yanna the supa flowa.]

11:20 – Underwriting

27. Eve Sheldon – “Red Flowers“
from: Recorded in one-take from a facebook request / Eve Sheldon / May 20, 2018
[Originally recorded by Foolish Sad Robot, a 1990s band made up of Tom Livesay & Ike Sheldon – now Eve Sheldon. Early in the evening on May 20 Eve Sheldon asked “Facebook humans” to request a song of her’s and she would record four of them on the couch and post them. She ended up recording 10 songs in an hour or so, and she wrote to Tim Finn that it “was a fun freakin snapshot of her singing life.” friends chose songs from Foolish Sad Robot, The Wilders, a Trouble In Mind rap. Eve wrote, that the recordings represent her “mellow vocal stylings of this century, and the VERY FIRST song she ever wrote.” (She was was14.) Eve Sheldon called out other singers to ‘get down with this…imagine some 90s cats layin’ down some of their old tunes…and new cats laying down new tunes. i wanna hear!” Eve called out: Mark Smeltzer, David Regnier, Lauren Krum, Betse Ellis, Howard Iceberg, J Ashley Miller…the list is endless…sing for us, y’all!!!!. ]

[Eve Sheldon will be playing The Folly Theatre for KKFI’s 30th Anniversary Celebration, June 30]

Cody Critcheloe form the music video “Comeback.”

28. SSION – “Comeback”
from: O / Dero Arcade / May 11, 2018
[“Comeback” is the first single from SSION’s forthcoming LP, O. SSION (pronounced “shun”) is a multifaceted creative project spearheaded by Cody Critcheloe. An art-punk act fronted by flamboyant vocalist/artist Cody Critcheloe, Ssion recorded a series of underground releases during the 2000s, yet were perhaps best recognized for their extravagant live show. Ssion (pronounced “shun”) were founded in Kansas City, MO, by Critcheloe, who studied at the Kansas City Art Institute, and draw from a range of influences, including the punk spectacle of Iggy Pop and the dance-party new wave of the B-52’s as well as performance art and gay culture. Critcheloe’s artwork graces the cover of Yeah Yeah Yeahs’ Fever to Tell (2003) and the video for Liars’ “There’s Always Room on the Broom” (2004). Besides Critcheloe, Ssion’s membership includes, among others, backup vocalists Taylor Painter-Wolfe and Shannon Michaels, who respectively create costumes and stage props for the act’s live shows. Critcheloe made his recording debut as Ssion in 1999 with Fucked into Oblivion, a self-released cassette/CD-R. I Don’t Want New Wave & I Don’t Want the Truth, another self-released CD-R, followed in 2001. In 2003 Ssion made their label debut, releasing the Minor Treat EP and the Opportunity Bless My Soul album on Version City Records. Next, following a self-released album, Glory Hound (2005), and EP, Street Jizz (2006), Ssion signed to Sleazetone Records. In 2008 the label released the Fools Gold album and the accompanying Clown remix EP. ~ Jason Birchmeier]

11:30 – Interview with Philip blue owl Hooser and Chris McCoy

Chris McCoy and Philip Hooser on Wednesday MidDay Medley on May 30, 2018, talking about Torch Song Trilogy

Philip blue owl Hooser is an actor, playwright, director, teacher, and dramaturg. He has been on stage at The Rep, The Unicorn, the Coterie, Late Night Theater, Gorilla Theatre, Mystery Train Theatre, Just Off Broadway, The Fishtank, Musical Theatre Hertitage. His plays have been produced at The Unicorn, The Coterie, Gorilla Theatre, Late Night Theatre to name a few. Philip recent;ly participated in a live performance for Risk! Philip gives the preshow lectures at the Heart of America Shakespeare Festival, and is also the creative genius behind “Eat Their Words,” a live performance and reading of celebrity biographies in Kansas City. Philip is a part of the volunteer team of the Out Here Now Film Festival, and he does film pieces with Michael McQuary for KIFF and OM Film Fest. Philip Blue Owl Hooser is the co-host of The Tenth Voice on 90.1 FM – KKFI Kansas City Community Radio, broadcast Saturdys at 1:00 PM.

Chris McCoy, PH.D. is an Assistant Professor of Theatre; at William Jewell College where he teaches Acting/Directing Fundamentals, Movement and Voice, Authors and Performers, Activism and Performance Studies and serves as the stage director for Jewell Theatre Company. He has worked as an educator and arts administrator for Seattle Children’s Theatre, Atlanta’s Alliance Theatre, the Denver Center Theatre Company, OPERA America, Saint Louis Opera Theatre, San Diego Opera, Austin Lyric Opera, Boston’s Citi Performing Arts Center and Kansas City’s Theater League. Recent production experience includes assistant directing the Broadway premiere of “Soul Doctor,” a Sacramento Regional Theatre Award in choreography for “Spring Awakening,” and developing an original documentary theatre piece on hate crimes sponsored by the National Endowment for the Humanities called “(Un)Civil (Dis)Obedience

Actor Philip blue owl Hooser and director Chris McCoy join us to discuss the award winning play they are working on, that opens tomorrow night – Torch Song Trilogy, written by Harvey Fierstein, and presented by The Barn Players, at The Arts Asylum, 1000 East 9th Street, KCMO, May 31 through June 10. More info at http://www.thebarnplayers.org

Philip Blue owl Hooser and Chris McCoy Thanks for being with us on WMM.

Torch Song Trilogy — Written by Harvey Fierstein — Presented by The Barn Players,
at The Arts Asylum, 1000 East 9th Street, KCMO, May 31 through June 10.

Torch Song Trilogy is constructed of three moving plays told over three acts: International Stud, Fugue in a Nursery, and Widows and Children First! The life of Arnold Beckoff, a torch song-singing, Jewish drag queen living in New York City is dramatized over the span of the late 1970s and 1980s, through Stonewall, the AIDS crisis, and other ground-breaking milestones for the LGBT community. Told with a likable, human voice, Arnold struggles through love, disease, and the challenges of child-rearing. In the tradition of The Normal Heart and The Pride, and one of the pre-cursors for the seminal Angels in America, this award-winning and popular work broke new ground in the theatre: “At the height of the post-Stonewall clone era, Harvey challenged both gay and straight audiences to champion an effeminate gay man’s longings for love and family.”

Philip Hooser in the play TORCH SONG TRILOGY

CAST
Arnold – Philip blue own Hooser
Ed – Derrick Freeman
Laurel – Jennifer Loumiet
Alan – Brent Custer
Ma – Elle DeShon
David – Alex Leondedis
Lady Blues – Shelby Bessette & Lynn McCutchen
Ensemble – Sam Hoffman

The award-winning and popular work broke new ground in the theatre: “At the height of the post-Stonewall clone era, Harvey challenged both gay and straight audiences to champion an effeminate gay man’s longings for love and family.”

The first act derives its name (International Stud) from an actual gay bar of the same name at 117 Perry Street in Greenwich Village in the 1960s and 1970s. The bar had a backroom where men engaged in anonymous sex. The backroom plays a central role in the act.

Plot 1971: Arnold (Harvey Fierstein), a New York City female impersonator, meets Ed (Brian Kerwin), a bisexual schoolteacher, and they fall in love. Ed, however, is uncomfortable with his sexuality and he leaves Arnold for a girlfriend, Laurel.

1973-79: During Christmas, Arnold meets the love of his life, a male model named Alan. They settle down together, later spending a weekend with Ed and Laurel in the country, where their relationship is tested but endures. Eventually, they apply to foster a child together with a view to adoption, and their application is eventually successful and so they move to a bigger apartment. However, on their first night at their new home, Alan is killed in a homophobic attack.

1980: Months later, in the spring of 1980, Arnold’s mother comes to visit from Florida, but her visit leads to a long-overdue confrontation. Arnold’s mother disapproves of Arnold’s homosexuality and his planned adoption of a gay teenage son, David (Eddie Castrodad), as well as Arnold’s use of their family burial plot for Alan. They have a series of arguments where Arnold demands that she accept him for who he is, insisting that if she can’t then she has no place in his life. The following morning, before she returns to Florida, they have a conversation where, for the first time, they seem to understand each other. With both David and Ed (who is now more mature and settled) in his life, and a successful new career creating his own stage revue, Arnold’s life is finally complete.

Date premiered – January 15, 1982

1983 Drama Desk Award for Outstanding New Play
1983 Drama Desk Award for Outstanding Actor in a Play (Harvey Fierstein)
1983 Tony Award for Best Play (Harvey Fierstein)
1983 Tony Award for Best Performance by a Leading Actor in a Play (Harvey Fierstein)

The central character of this play, Arnold, is a sharp-tongued, nurturing, compassionate, vulnerable, and he is someone who is unable to act normal around his mother, his lovers, and his adopted son because he loves each so dearly. This play allows readers to look beyond the invisible cultural assumptions and make it a comfortable experience. A teacher from a high school in Texas decided to add Torch Song Trilogy in his curriculum. This play was particularly important to teach due to the comfort that society feels in being silent about subjects relating to sexuality. The teacher is convinced that silence can only hurt chances of young adults who are emerging whole during their school years. This play was chosen to educate the students that love comes in all forms. Not only did this play help expand conservative minds, but the play is magically structured so that the audience is invited to build a dialogue with the onstage characters. The writing of this play is innovative and the structure of the play itself is unique that it offers ideas for students to explore and expand their ideas on how to creatively write.

The theme of this play is love, which is a universal language. Although the teacher in Houston, thought that conventional parents would be opposed to the idea that their children are learning about homosexuality, most were open to the idea and spoke about real-life experiences their friends have lived through or they have seen. The student’s parents helped their children to try to understand a world where the heterosexuals were the ones being treated the way the homosexuals were. Some students spoke about their friend’s experiences about various sexual preferences and how this play helped them understand that homosexuality is not something to be afraid of. The risk of teaching this type of story was much less than expected. This play provides a forum to explore the differences between the taboo topics of sexual orientation and gender. The difference between sexism and homophobia is distinguished as well as identifying gender roles and the society’s preconceived notion of what a “drag”, “trans”, “gay”, “lesbian” “questioning”, “a-sexual” might be. Most of these students were a group of twenty-one-year-olds, who are politically correct, but there was concern that arose about teaching this type of literature in a public high school setting.

Fierstein adapted his play for a feature film, released in 1988. It was directed by Paul Bogart and starred Fierstein (Arnold), Anne Bancroft (Ma Beckoff), Matthew Broderick (Alan), Brian Kerwin (Ed), and Eddie Castrodad (David).

Torch Song Trilogy, written by Harvey Fierstein, and presented by The Barn Players, at The Arts Asylum, 1000 East 9th Street, KCMO, May 31 through June 10. More info at http://www.thebarnplayers.org

11:48

29. David Bowie – “Rebel Rebel”
from: A Reality Tour / ISO – Columbia – Legacy / January 25, 2010
[Recorded November 22-23, 2003, Point Theatre, Dublin, Ireland. Originally written for a mooted Ziggy Stardust musical in late 1973, “Rebel Rebel” was Bowie’s last single in the glam rock style that had been his trademark. The song is notable for its gender-bending lyrics (“You got your mother in a whirl / She’s not sure if you’re a boy or a girl”) as well as its distinctive riff, which rock journalist Kris Needs has described as “a classic stick-in-the-head like the Stones’ ‘Satisfaction'”.Transsexual rock artist and former Bowie associate Jayne County claims that “Rebel Rebel” was based in part on County’s own song “Queenage Baby”, which was recorded in January 1974 by Bowie’s Mainman Records, but not released at the time. The song later surfaced on the independent 2006 release Wayne County at the Trucks, and some critics, upon hearing the track, echoed County’s claims. The 2004, live version features David Bowie – vocals, guitars, stylophone, harmonica; Earl Slick – guitar; Gerry Leonard – guitar; Gail Ann Dorsey – bass guitar, backing vocals, lead vocals on “Under Pressure”; Sterling Campbell – drums; Mike Garson – keyboards, piano; Catherine Russell – keyboards, percussion, acoustic guitar, backing vocals. A Reality Tour was a worldwide concert tour by David Bowie in support of the Reality album. The tour commenced on 7 October 7, 2003 at the Forum, Copenhagen, Denmark continuing through Europe, North America, Asia, including a return to New Zealand and Australia for the first time since the 1987 Glass Spider Tour. The tour grossed $46,000,000, making it the ninth-highest grossing tour of 2004. At over 110 shows, the tour was the longest tour of Bowie’s career. Bowie played Kansas City, May 10, 2004, at Starlight Theatre. I was there, seven rows from the stage.]

30. Lou Reed and John Cale – “Small Town”
from: Songs For Drella / Sire – Warner Bros. / 1990
[Dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol’s crowd. The song cycle focuses on Warhol’s interpersonal relations and experiences, with songs falling roughly into three categories: Warhol’s first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.]

31. The Smiths – “These Things Take Time”
from: The Sound Of The Smiths [Disc 2] / Rhino UK / November 10, 2008
[“These Things Take Time” (12 “b-side of “What Difference Does It Make?”)Included in Hatful of Hollow. The Smiths were an English rock band formed in Manchester in 1982. The band consisted of vocalist Morrissey, guitarist Johnny Marr, bassist Andy Rourke and drummer Mike Joyce. Critics have called them one of the most important bands to emerge from the British independent music scene of the 1980s. NME named the Smiths the “most influential artist ever” in a 2002 poll. In 2003, four of the band’s albums appeared on Rolling Stone’s list of the 500 Greatest Albums of All Time. Based on the songwriting partnership of Morrissey and Marr, the group signed to the independent record label Rough Trade Records, on which they released four studio albums: The Smiths (1984), Meat Is Murder (1985), The Queen Is Dead (1986) and Strangeways, Here We Come (1987). They have also released several compilations, and numerous non-album singles. They had several singles reach the top twenty of the UK Singles Chart and all four of their studio albums reached the top five of the UK Albums Chart, including Meat Is Murder which hit number one. They won a significant following and remain cult favourites. The band broke up in 1987 due to internal tensions and have turned down several offers to reunite.The band’s focus on a guitar, bass, and drum sound, and their fusion of 1960s rock and post-punk, were a rejection of the then-popular, synthesiser-based dance-pop. Marr’s guitar work, using a Rickenbacker, had a jangle pop sound reminiscent of Roger McGuinn of the Byrds. Morrissey’s complex, literate lyrics combined themes about ordinary people with mordant humour.]

34. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on June 6, we present The Best of MidCoastal Releases of 2018 …So Far, with special co-hosts Marion Merritt & Nico Gray, plus special guests Joe Stanziola who records his music as Second Hand King, has a new album coming called FRANKIE coming on June 8. Also, Nadia Piotrowsky who records as Summerland and brings along her friend Belle Plaine, to share details about their show June 8, at SqueezeBox Theatre with Blake Berglund.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1F

Show #736

Wick Thomas photo by Dave Michael / aka Aardvark Foto

Wednesday MidDay Medley