WMM Playlist from July 18, 2018

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 18, 2018

Tim Finn + Howard Iceberg & Pranav Nanda & Mom’s Demand Action
+ Cheryl Kimmi & Kansas City Fringe Festival 2018

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Courtney Barnett – “Nameless, Faceless”
from: Tell Me How You Really Feel / Mom+Pop / May 18, 2018
[Lead single from Tell Me How You Really Feel is the second studio album by Australian singer-songwriter Courtney Barnett. It was released on 18 May 2018 by Barnett’s Milk! Records, Mom + Pop Music, and Marathon Artists. The album was recorded in Melbourne with producer Burke Reid, who also worked on Barnett’s previous solo album, Sometimes I Sit and Think, and Sometimes I Just Sit. Barnett was joined on the album by her live rhythm section of Bones Sloane (bass, backing vocals) and Dave Mudie (drums, backing vocals), as well as guitarist Dan Luscombe of The Drones. The album also features guest appearances from the Deal sisters, Kim and Kelley. In 2012 Barnett started her own label, Milk! Records, and released her first EP I’ve Got A Friend Called Emily Ferris to glowing reviews around Australia. From 2011 – 2013 Barnett was a member of Australian psych/country band Immigrant Union, a musical project founded by Brent DeBoer of The Dandy Warhols and Bob Harrow. Along with sharing vocal duties Barnett predominantly played slide guitar and features on their second studio album ‘Anyway’. DeBoer also played drums on her first EP ‘I’ve Got A Friend Called Emily Ferris’. Barnett received international critical acclaim in 2013 with her second EP How To Carve A Carrot Into A Rose. Barnett combined the 2 releases into The Double EP: A Sea of Split Peas.]

[Courtney Barnett plays The Truman, 601 E. Truman Road, KCMO, TONIGHT, July 18, at 8:00 pm.]

3. Vacationer – “Being Here”
from: Mindset / Downtown Records / June 22, 2018
[The third full-length from Vacationer, Mindset is built on delicate melodies and crystalline rhythms that seem to alter the very texture of the world around you. Ornately composed but breezy in energy, Vacationer’s warm-hearted dream-pop perfectly mirrors frontman Ken Vasoli’s intentions in making the album. “The objective was to write songs that remind me how my brain needs to operate for my own wellbeing and happiness,” Vasoli says. “That’s where the title comes from—the record’s filled with all these reminders that put me in a good mindset for the day.” Despite its often-euphoric effect, Mindset began in frustration for Vasoli. After countless false starts on the follow-up to 2014’s Relief, the Philadelphia-based musician decided to completely upend his creative approach. While Vacationer’s previous albums came to life in close collaboration with fellow members Matthew Young and Grant Wheeler, Vasoli shifted his focus from songwriting to production and worked entirely on his own for months on end. During that time, he immersed himself in exploring the nuances of Ableton and analyzing the construction of beloved albums by artists like the Beach Boys, Barry White, and Curtis Mayfield.]

[Vacationer plays recordbar, 1520 Grand, KCMO, Sunday, July 22, at 7:00 pm with guests Sego.]

4. Payge Turner – “But For Now”
from: Acoustic Vibes – Single / Middleman / February 25, 2018
[3rd Single from KC based singer songwriter originally born in the Caribbean. Payge moved to Colby, Kansas when she was in the 6th grade. She writes, “Ever since I was able to talk, all I ever wanted to do was sing!”]

[Payge Turner plays The Rino’s 1st Anniversary, Saturday, July 21, at 8:00 pm, with The UKs, Late Nite Cavalry. The Rino is located at 314 Armour Rd, North Kansas City.]

[Payge Turner plays Voltaire, Tuesday, July 24, at 9:00 pm, with Rhe Black Creatures.]

5. Miles Bonny – “It’s Your World”
from: It’s Your World / INnatesounds / April 21, 2018
[“It’s Your World” with lyrics & music by Brian Jackson is the title track of the double album by soul artist Gil Scott-Heron and Brian Jackson, released in November 1976 on Arista Records. Recording sessions for the album took place in studio and live in July 1976 at St. Paul’s Mall in Boston, Massachusetts, Electric Lady Studios in New York City, and American Star Studios in Merrifield, Virginia. Scott-Heron and Jackson recorded the album with the former’s backing ensemble, The Midnight Band. It’s Your World was originally released on vinyl. Already a fan of Gil Scott and Brian Jackson, Miles was asked to learn “It’s your world” so he may cover it live at a Gil Scott-Heron tribute party in Cologne, Germany. The party never happened, but the song’s lyrics deeply impacted Miles. Upon moving to New Mexico shortly after, Miles recorded the lead vocal live alongside the cajon played by fellow explorer and off-grider Trance Conductor. The additional vocals, horns, percussion, and piano were recorded elsewhere in the neighborhood at Miles’ Mud Cabin Studio. Bass was layed by friend and fellow INnatesounds representative Dominique Sanders in Kansas City. Mixed and mastered by Miles Bonny in Northern New Mexico. Miles Bonny on vocals, horns, piano, claps; Sam Burke-Favaro (inductions.bandcamp.com) on cajon, triangle, claps; Dominique Sanders (dominiquesanders.bandcamp.com) on bass. Mixing and Mastering – Miles Bonny. Everything recorded off grid with solar power in Northern New Mexico with the exception of bass recorded in KCMO. Miles writes “I want this to be out and make you feel good. It’s been in my vault for a lil while. I love the vibes, hope you do too. peace.” http://www.milesbonny.com]

[Miles Bonny plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, & Brandon Draper on Fri, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

[Miles Bonny plays Melovated with the Innate Sounds Crew featuring: Eddie Moore, Dominique Sanders, Miles Bonny, Leonard Dstroy, Abnorm, Kemet The Phantom, Kadesh Flow, Saturday, July 21, at 9:00pm, at The 10 spot, 1000 Broadway Blvd.. Kansas City, MO, US]

6. Brandon Draper – “Calm Inward Drive”
from: Meditation Music Vol. 1 / Brandon Draper / April 20, 2018
[Brandon Draper on tabla, metal tongue drums, Cooperman frame drums. Produced by Looking Up Productions Inc. Recorded Live at Tone Dimension Studio. Engineered by Bryan Nicholas. Mixed and Mastered Bryan Nicholas.]

[Brandon Draper plays 2nd Annual CMH Art Therapy Fundraiser w/ Joc Max, Miles Bonny on Friday, July 20 at 7:00 PM, at Stockyards Brewing Co., 1600 Genessee St, Suite 100, KCMO]

7. Benjamin Clementine – “Jupiter”
from: I Tell A Fly / Virgin Records / October 2, 2017
[English artist, poet, vocalist, composer, and musician, Benjamin Sainte-Clémentine was born December 7, 1988, n London, England,. Clementine later moved to Paris, France becoming homeless as a teenager. There, his performances helped him to become a cult figure in the music and art scene. Moving back to London, he made his TV debut on the BBC programme Later With Jools Holland in 2013. A number of critics described him as becoming one of the great singer-songwriters of his generation and the future sound of London, whilst struggling to place his music in any one genre. Considered by The New York Times as one of the 28 geniuses who defined culture in 2016, Clementine’s compositions are musically incisive and attuned to the issues of life but also poetic, mixing revolt with love and melancholy, sophisticated lyricism with slang and shouts, and rhyming verse with prose monologues. He moved to popular art music, breaking free from traditional song structure, inventing his own dramatic and innovative musical territory. He is noticeably seen topless and barefoot onstage, dressed entirely in black or dark grey, with a long, wool trench coat. Clementine debut album At Least for Now won the 2015 Mercury Prize but fared better across mainland Europe. At the end of 2015, Clementine was included in The Guardian’s New Year’s honours list to celebrate heroes of 2015. Debrett’s and the London Evening Standard named him one of the most influential people in Britain. ]

[Benjamin Clementine opened for David Byrne at Kauffman Center for the Performing Arts, June 7.]

Playing Chris Hazelton’s Boogaloo 7 on vinyl on the KKFI 90.1 FM Studios on Wednesday MidDay Medley.

8. Chris Hazelton’s Boogaloo 7 – “Turnin’ Up the Burner” (Vinyl)
from: The Basement Beat / Sunflower Soul / July 20, 2018
[Hammond organist Chris Hazelton and his large-group Boogaloo 7 pay homage to greats such as Lonnie Smith, Jimmy McGriff, Grant Green, and Lou Donaldson with their groove-centered brand of jazz, all the while pushing the genre forward with exciting new and original music. More information at: http://www.chrishazelton.com. Chris Hazelton on Hammond B-3 organ; Nick Howell on trumpet & tamborine; Nick Rowland on alto & tenor sax (tracks 1, 2, & 4); Zak Pischnotte on alto & tenor sax (tracks 3, 5, & 6); Brett Jackson on baritone sax; Matt Hopper on guitar; Danny Rojas on drums; and Pat Conway on congas (tracks 1-4, 6), bongos & cowbell (Track 5); Juan-Carlos Chaurand on congas (Track 5); John Kizilarmut on timbales & güiro (Track 5). Recorded live to 8-track analog tape, mixed, and produced by Chris Hazelton at the FORTRESS OF SOULITUDE. Mastered by Adam Boose at Cauliflower Audio. Pressed by Gotta Groove Records. Chris Hazelton’s Boogaloo 7 will be releasing a single 7″ called “100 Days, 100 Nights” also on July 20, but released on Lugnut Records as part of a tribute to Sharon Jones and The Dap Kings.]

[Chris Hazelton’s Boogaloo 7 play a Record Release Show for The Basement Beat, Sunday, July 22, at 8:00 pm, at Black Dolphin, 1813 Grand Boulevard.]

10:30 – Interview with Cheryl Kimmi

Nico Gray and Cheryl Kimmi on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Cheryl Kimmi, is Executive Producer of KC Creates, and the founder of the Kansas City Fringe Festival. She joins us on WMM to share details about the 14 Annual KC Fringe Festival, starting tomorrow, July 19 running through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. The 14 Annual KC Fringe Fest features 76 different producers, over 650 participating artists, galleries showcasing 35 visual artists, with more than 400 opportunities to find Fringe this year. For info: http://www.KCFringe.org

Cheryl Kimmi, thanks for being with us on Wednesday MidDay Medley

Congratulations on 14 years.

Fringe Festival KC is committed to accepting artists without jury or censorship. We accept artists on a first come, first serve basis. Our five mile footprint spans through the cultural corridors of KC from River North to Old Westport. We feature visual, film, and performing artists in venues ranging in size from small to large.

KC Fringe festival opens with a large Opening Night Party where artists preview their shows in rapid-fire succession and our fringe loyalists mark their programs for the can’t-miss shows. Throughout the festival, you can count on Late Night on the Fringe events to meet, connect, and engage with participating artists and excited audiences. We culminate the festival with a celebratory Closing Night Party. We eat, we dance, we celebrate the wonderful success of our Fringe participants.

All audience members must have a button to access shows and galleries. The button is a one time, five-dollar purchase that allows Fringe Festival KC to adequately pay our artists and venue owners from ticket revenue.

Over 100 Local, Regional, and International Performing Artists throughout a 5-mile footprint of Kansas Cit’s cultural cooridors. Music-dance-theatre- music-dance- visual arts – Touth & Teen Fringe – There’s is something for everyone! THERE’S SOMETHING FOR EVERYONE! SUPPORT THE ARTS AND BUY TICKETS AT KCFRINGE.ORG

Showcases local, national and international artists in a diverse melting pot of performing and visual arts. All are welcome; whether you’re a first-timer or a veteran Fringer!

The KC Fringe stage is for the diversity, innovation & creativity that can be found through out our community. An example of how the arts bring people from all walks of life together, inspiring participants & attendees to embrace creativity and dare to be different.

The KC Fringe has something for everyone.
The youngest members of your family can find their Fringe during our opening weekend.

Youth Fringe program takes place at The Plaza Library, and teens will produce and perform with KC Fringe at Kansas City Young Audiences and access workshops at The Nelson Atkins Museum.

KC Fringe Staff:

Cheryl Kimmi – Executive Producer
Tiffany Chappell – Director of Operations
Skip Gordon – Technical Director
Ashley Dover – Assistant Technical Director
Barbara Dooley Editor-Review Team
Sandy Woodson – Teen Coordinator
Sheri Hall – Youth Coordinator
Sarah Slaughter – Visual Arts Coordinator
Bryan Colley – Program Design and Technology Guru
Trenna Keltner – 411 Manager
Natalie Leslie – Fringe Intern
Katie Sheiferecke – Fringe Intern

The 14 Annual KC Fringe Festival, starts tomorrow, July 19 and runs through July 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. For more information you can visit: http://www.KCFringe.org

10:44 – Underwriting

9. The Fey – “Contender” (Radio Edit)
from: Strawberry Lemonade EP / The Record Machine / July 13, 2018
[The Fey is a Rock/Soul sextet based in Lincoln, Nebraska. The band has created 3 EP’s under the alias “AZP”, but have recently made a name change to, The Fey. Charles Hull, Founder and Managing Director, Silver Street Records writes, “Don’t let The Fey’s new EP title Strawberry Lemonade fool you; this record is no light beach drink. Rather, it’s a cocktail of the molotov variety, the kind you’ll want to toss into the middle of your ‘songs that rock’ summer playlist. From the opening salvos of ‘Contender’, to the slow burn of ‘Bones Underwater’, to the final soothing swells of ‘The Cool’, Strawberry Lemonade is a masterclass in modern songwriting, arrangement, instrumentation, and production.” Music arranged and composed by Zach Watkins. Lyrics written by Zach Watkins and Ishma Valenti. The Fey is: Zach Watkins on lead/backup vocals, keys, percussion; Ishma Valenti on rap vocals; Trey Shotkoske on drums; Michael Rogers on guitars; John Fucinaro on bass, and Ludwing Siebenhor. Additional Backup vocals by Jasmin Ondap and Aly Millanes. Engineered and mixed by James Fleege at Silver Street. Mastered by Doug Van Sloun at Focus Mastering. Produced by Zach Watkins and James Fleege at Silver Street. Album art by Zach Watkins]

[The Fey play The Record Machine’s – What’s Next KC, Friday, July 27, at 7:00 pm, at recordBar, 1520 Grand, with Y God Y, Instant Karma, and Pageant Boy.]

Playing Emmaline Twist on vinyl on Wednesday MidDay Medley on KKFI 90.1 FM.

10. Emmaline Twist – “Vega” (Vinyl)
from: “Vega” – Single b/w “Moon Eyes” / Eat.Hear.Records / July 16, 2018
[New 7″ vinyl release, and 2nd in a series from Eat.Hear.Records, a project of the folks at recordBar and Steve Tulipana. Emmaline Twist is KCs Darkwave / Post-Punk / Shoegaze project. In 2017 the band released “Dissimulation 1,” four songs in digital format, their first since 2016’s digital single release of “Vega” b/w “Moon Eyes.” The band is Meredith McGrade on vocals & guitar, Kristin Conkright on bass, Jonathan Knecht on drums, and Krysztof Nemeth on baritone guitar. Recorded & Mixed by Lin Buck at Temple Sound, KCMO. Mastered by Duane Trower at Weights + Measures, KCMO. The band’s debut LP Dissimulation will be released on vinyl, August 24, 2018 on Black Site Records.]

[Emmaline Twist play Lawrence Field Day Fest, for the Black Site Records Showcase, Saturday, July 21, at 7:00 pm, at The Bottleneck, 737 New Hampshire Street, Lawrence, Kansas.]

[Emmaline Twist play a KC Album Release Show for “Dissimulation” on Black Site Records, Friday, August 24, at 9:00 pm, at recordBar, 1520 Grand with Ghost Bones and Sona]

[Emmaline Twist joins us on WMM on Aug. 22.]

11. Belle & The Vertigo Waves – “What You Wanted”
from: What You Wanted – Single / Drop Out Records / August 19, 2017
[Belle & The Vertigo Waves is the sonic brainchild of Belle Loux. She resides in Kansas City, MO, and is slowly attempting world domination. The band’s debut album “Aligned” was released October 6, 2017 and is available on iTunes and all streaming services. The band recently played Middle of the Map Fest.]

[Belle and The Vertigo Waves play recordbar, 1520 Grand Ave, Thursday, July 19, at 7:00 pm, with Tandem, and Faintheart.]

11:00 – Station ID

12. Patsy Cline – “Sweet Dreams”
from: The Patsy Cline Story / Decca / June 10, 1963
[Patsy Cline was born Virginia Patterson Hensley on September 8, 1932. She died in a plane crash on March 5, 1963. She was an American country music singer and part of the Nashville sound during the late 1950s and early 1960s. She successfully “crossed over” to pop music and was one of the most influential, successful, and acclaimed vocalists of the 20th century. She died at age 30 in the crash of a private airplane. Cline was known for her rich tone, emotionally expressive and bold contralto voice, and her role as a country music pioneer. She helped to pave the way for women as headline performers in the genre, along with Kitty Wells. She overcame poverty, a devastating automobile accident, and significant professional obstacles, and she has been cited as an inspiration by Reba McEntire, LeAnn Rimes, and other singers in diverse styles. Books, movies, documentaries, and stage plays document her life and career. Her hits began in 1957 with Donn Hecht’s and Alan Block’s “Walkin’ After Midnight,” Hank Cochran’s and Harlan Howard’s “I Fall to Pieces,” Hank Cochran’s “She’s Got You,” and Willie Nelson’s “Crazy,” and ended in 1963 with Don Gibson’s “Sweet Dreams.” Millions of her records have sold since her death. She won awards and accolades, causing many to view her as an icon at the level of Jim Reeves, Johnny Cash, and Elvis Presley. She became the first female solo artist inducted into the Country Music Hall of Fame in 1973, ten years after her death. In 1999, she was voted number 11 on VH1’s special The 100 Greatest Women in Rock and Roll. In 2002, she was voted Number One on Country Music Television’s The 40 Greatest Women of Country Music, and she was ranked 46th in the “100 Greatest Singers of All Time” issue of Rolling Stone magazine. Her 1973 Country Music Hall of Fame plaque reads: “Her heritage of timeless recordings is testimony to her artistic capacity.”]

[In early 1963, Patsy Cline was recording songs for her next album, Faded Love, which was set for release in late March, 1963. She recorded “Sweet Dreams” for the album on February 5. However, on March 5, Cline died in a plane crash on the way home from a benefit in Kansas City, Kansas for the family of Cactus Jack Call, a disc jockey who was killed in an automobile accident so, therefore, the album was never released. The songs were later compiled for the release Patsy Cline the Last Sessions in 1988. Instead, Decca Records issued a double album, entitled The Patsy Cline Story, in the summer of 1963.]

[In 1963, “Sweet Dreams” was released to the public and became a big Crossover hit, making it to #5 on the Country charts and to #44 on the pop music charts. It also peaked on the U.S. Adult Contemporary charts at #15. This song was followed by two other songs that were planned for release on Cline’s upcoming album: “Leavin’ on Your Mind” and “Faded Love”, which both became hits. It was said that Cline did not like the use of the violins that producer Owen Bradley was bringing into the song, because she feared she was becoming too “pop” for her Country audience (All references in this section are either from Patsy by Margaret Jones or Honky Tonk Angel by Ellis Nassour). But upon hearing the song after the playbacks the night she recorded it, she supposedly held a record up of her first record and “Sweet Dreams” and proclaimed “Well, here it is: The first and the last.” (Source: Loretta Lynn: Coal Miner’s Daughter (1976) This quote came from the video called Remembering Patsy, and was quoted by Jan Howard whose husband at the time was Harlan Howard. In 1985, the song became the title tune of a Patsy Cline biopic starring Jessica Lange as Cline. Cline’s hit version of “Sweet Dreams” was included on the film’s soundtrack, along with “Crazy,” “She’s Got You,” and many of her other songs.]

11:03 – Interview with Tim Finn

Timothy Finn

Local music writer Tim Finn is originally from Youngstown, New York. He studied at University of Missouri in Columbia and received his Masters of Arts, in Journalism from the University of Kansas. Tim served as Music Writer of the KC Star, where he worked for 29 years. You can hear Tim Finn Thursday afternoons between 4 and 6 on 90.9 The Bridge with Jon Hart.

Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. Tim Finn highlights concerts, shows, and encounters from our city’s music scene. From Patsy Cline’s final performance and the Beatles’ one and only local appearance to the three-day world premiere of The Jacksons Victory Tour. To RSVP visit: http://www.kclibrary.org

Tim Finn, thank you for being with us in Wednesday MidDay Medley.

Since we last talked with Tim on the radio he has gone through several big life events.

Timothy Finn recently sold his house in Liberty, where he lived for 25 years.

Timothy Finn recently ended his time at The Kansas City Star, after 29 years.

Timothy Finn recently got married to Michelle Gaumé Finn.

Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, as part of the 2018 Adult Summer Reading Program Rock & Read. One of the concerts he will discuss is patsy Cline’s last performance of her career in Kansas City, Kansas.

Patsy Cline at Memorial Hall – March 3, 1963

We just heard Patsy Cline singing a song she record on February 5, 1963. Nearly one month later, on March 3, 1963, Cline performed a benefit at the Soldiers and Sailors Memorial Hall, Kansas City, Kansas, for the family of disc jockey “Cactus” Jack Call. He had died in an automobile crash a little over a month earlier. Call was a longtime DJ for KCKN, but had switched to KCMK a week before his death on January 25, 1963, at the age of 39. Also performing in the show were George Jones, George Riddle and The Jones Boys, Billy Walker, Dottie West, Wilma Lee and Stoney Cooper, George McCormick, the Clinch Mountain Boys as well as Cowboy Copas and Hawkshaw Hawkins.

Cline, ill with the flu, gave three performances, at 2 p.m. and 5:15 p.m., with an 8 p.m. show added due to popular demand. All the shows were standing-room only. For the 2 p.m. show, she wore a sky-blue tulle-laden dress; for the 5:15 show a red shocker; and for the closing show at 8 p.m., Cline wore white chiffon, closing the evening to a thunderous ovation. Her final song was the last she had recorded the previous month, “I’ll Sail My Ship Alone.”

Cline, who had spent the night at the Town House Motor Hotel, was unable to fly out the day after the concert because Fairfax Airport was fogged in. West asked Patsy to ride in the car with her and husband, Bill, back to Nashville, a 16-hour drive, but Cline refused, saying, “Don’t worry about me, Hoss. When it’s my time to go, it’s my time.” On March 5, she called her mother from the motel and checked out at 12:30 p.m., going the short distance to the airport and boarding a Piper PA-24 Comanche plane, aircraft registration number N-7000P. The plane stopped once in Missouri to refuel and subsequently landed at Dyersburg Municipal Airport in Dyersburg, Tennessee at 5 p.m.

Hughes was the pilot, but was not trained in instrument flying. Hawkins had accepted Billy Walker’s place after Walker left on a commercial flight to take care of a stricken family member. The Dyersburg, Tennessee, airfield manager suggested that they stay the night because of high winds and inclement weather, offering them free rooms and meals. But Hughes responded, “I’ve already come this far. We’ll be there before you know it.” The plane took off at 6:07 p.m. Hughes’ flight instructor, Elmo Merriwether, had also trained Jim Reeves, whose plane crashed the following year. Neither pilot was instrument-rated, and both attempted to navigate by visual flight rules (VFR), which proved impossible in the driving rain faced by both flights.

Cline’s flight crashed in heavy weather on the evening of March 5, 1963. Her recovered wristwatch had stopped at 6:20 p.m. The plane was found some 90 miles from its Nashville destination, in a forest outside Camden, Tennessee. Forensic examination concluded that everyone aboard had been killed instantly. Until the wreckage was discovered the following dawn and reported on the radio, friends and family had not given up hope. Endless calls tied up the local telephone exchanges to such a degree that other emergency calls had trouble getting through. The lights at the destination Cornelia Fort Airpark were kept on throughout the night, as reports of the missing plane were broadcast on radio and TV.

Early in the morning, Roger Miller and a friend went searching for survivors: “As fast as I could, I ran through the woods screaming their names–through the brush and the trees–and I came up over this little rise, oh, my God, there they were. It was ghastly. The plane had crashed nose down.” Shortly after the bodies were removed, looters scavenged the area. Some of the items which were recovered were eventually donated to The Country Music Hall of Fame. Among them were Cline’s wristwatch, Confederate flag cigarette lighter, studded belt and three pairs of gold lamé slippers. Cline’s fee and her attire from the last performance were never recovered.

Per her wishes, Cline’s body was brought home for her memorial service, which thousands attended. She was buried at Shenandoah Memorial Park in her hometown of Winchester, Virginia. Her grave is marked with a bronze plaque, which reads: “Virginia H. Dick (Patsy Cline) is noted under her name. ‘Death Cannot Kill What Never Dies: Love’.” With the help of Loretta Lynn and Dottie West, a bell tower was erected at the cemetery in her memory, which plays hymns daily at 6:00 p.m., the hour of her death. Another memorial marks the exact place off Fire Tower Road in Fatty Bottom, Tennessee, where the plane crashed in the still-remote forest.

Tomorrow night at at the Kansas City Library The Plaza Branch Tim will present: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, at 6:30 pm, at 4801 Main Street, Kansas City.

Tim will have some tales to tell about Elvis, and James Brown, and Garth Brooks.

Tim mentioned that his favorite concerts were seeing Prince live. He mentioned the Musicology tour.

Tim talked about the numerous interviews with artists prior to their concerts. He talked about his interview with David Bowie before the 2004 show at Starlight Theatre.


13. Michael Jackson – “Wanna Be Startin’ Somethin'”
from: Thriller / Epic/ November 30, 1982
[6th studio album by American singer Michael Jackson, released on November 30, 1982, in the United States by Epic Records and internationally by CBS Records. It explores genres similar to Jackson’s previous album, Off the Wall, including pop, post-disco, rock and funk. Recording sessions took place from April to November 1982 at Westlake Recording Studios in Los Angeles, with a production budget of $750,000. Quincy Jones produced the album and Jackson wrote four of its nine songs. In just over a year, Thriller became—and currently remains—the world’s best-selling album, with estimated sales of 66 million copies. It is the best-selling album in the United States and as of 2017 is the only album to reach 30x multi-platinum, with U.S. shipments of 33 million album-equivalent units certified. The album won a record-breaking eight Grammy Awards in 1984, including Album of the Year. It produced seven singles—”The Girl Is Mine”, “Billie Jean”, “Beat It”, “Wanna Be Startin’ Somethin'”, “Human Nature”, “P.Y.T. (Pretty Young Thing)”, and “Thriller”—all of which reached the top 10 on the US Billboard Hot 100 chart. Thriller broke racial barriers in pop music, enabling Jackson’s appearances on MTV and meeting with President Ronald Reagan at the White House. The album was one of the first to use music videos as successful promotional tools, and the videos for the songs “Thriller”, “Billie Jean”, and “Beat It” all received regular rotation on MTV. In 2001, a special edition reissue was released, which contains additional audio interviews, demo recordings and the song “Someone in the Dark”, a Grammy-winning track from the E.T. the Extra-Terrestrial storybook. In 2008, Thriller was reissued again as Thriller 25, containing remixes with contemporary artists, previously unreleased songs, and a DVD with three music videos and Jackson’s performance of “Billie Jean” from the 1983 television special Motown 25. In the same year, the album was inducted into the Grammy Hall of Fame along with Off the Wall. In 2012, Slant Magazine named Thriller the best album of the 1980s”. In 2003, Rolling Stone placed the album at number 20 on their list of “The 500 Greatest Albums of All Time”. The album was listed by the National Association of Recording Merchandisers at number three on its “Definitive 200” album list. Thriller was also included in the Library of Congress’ National Recording Registry of culturally significant recordings, and the Thriller music video was included in the National Film Preservation Board’s National Film Registry of “culturally, historically, or aesthetically significant films”.]

Tim Finn former music writer for KC Star, Tim joins us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, at the Kansas City Public Library, Plaza Branch. Tim Finn highlights concerts, including the three-day world premiere of The Jacksons Victory Tour.

The Jacksons at Arrowhead Stadium – July 6, 7, and 8, 1984

The Victory Tour traveled the United States and Canada with Michael Jackson and The Jacksons between July and December 1984. It was the only tour with all six Jackson brothers (even though Jackie was injured for most of the tour). The group performed 55 concerts to an audience of approximately 2 million. Most came to see Michael, whose album Thriller had been dominating the popular music world at the time. Many consider it to be his Thriller tour, with most of the songs on the set list coming off of his Off the Wall album and from the Thriller album. The tour reportedly grossed approximately $75 million (US $181,608,277.19 in 2018 dollars) and set a new record for the highest grossing tour. It showcased Michael’s single glove, black sequined jacket and moonwalk.

Despite its focus on Michael, it was named after the newly released Jacksons’ album Victory although none of the album’s songs were performed. Marlon confirmed[citation needed] this was because Michael refused to rehearse or perform them; in fact, he had only reluctantly joined his brothers, who needed the income while he himself did not. On the tour, tensions between Michael and his brothers increased to the point that he announced at the final show that it would be the last time they would perform together, ending plans for a European and Australian leg of the tour in the spring and summer of 1985.

The Jacksons did make money from the tour, along with promoter Don King. Michael donated his share to several charities as he had promised before it, but the rancor between Michael and his brothers had a deep and lasting effect on the Jacksons as a family, alienating him from them for most of his later life and it effectively ended the Jacksons as a performing group. They made one more album (2300 Jackson Street which was released in 1989) but aside from the concert celebrating Michael’s 30 years as a solo artist in 2001, they never toured again during Michael’s lifetime.

The tour was a financial disaster for promoter Chuck Sullivan, who along with his father Billy was eventually forced to sell the New England Patriots football team they owned, along with Foxboro Stadium, the team’s home field, as a result of the losses he incurred.

A bowl-shaped concrete structure. In the middle is an oval sign with “Arrowhead” written on it in red letters. Arrowhead Stadium, where the tour opened, as it appeared at the time
The tour sold what was then a record number of tickets despite the high price. The opening shows were widely covered in the national media and sold out. “Anybody who sees this show will be a better person for years to come”, King told the media before the first date in Kansas City. “Michael Jackson has transcended all earthly bounds. Every race, color and creed is waiting for this tour.”

The Jacksons and Don King had made money even though Sullivan had not, and near the end of the tour they began making plans for a European leg. When word reached Michael, he let them know through his representatives that he would not be taking part. At the rain-soaked tour finale in Los Angeles’ Dodger Stadium, after six sold-out shows, Michael announced at the end of the show, to his brothers’ shocked expressions, that this would be the last time they all performed together. The plans to go to Europe were ended.

The set list included songs from the Jackson’s albums Destiny and Triumph. Despite the name of the tour, the Victory album was not represented. There were also songs on the list from Jermaine’s and Michael’s solo careers. Songs from Michael’s albums Off the Wall and Thriller were both represented. The set list did not include “Thriller” itself because Michael did not like the way the song sounded live (it was later performed regularly during Michael’s solo tours).

Tim Finn former music writer for KC Star, Tim joined us to share details about, A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch. Tim Finn discusses some of KC’s best and most significant music moments including the Beatles’ one and only local appearance.

The Beatles at Kansas City Municipal Stadium – September 17, 1964

The Beatles played for 31 minutes in Kansas City. The 20,280 tickets sold here tied Vancouver, British Columbia, for the second highest attendance for a single performance on the tour.

Charles O. Finley, owner of the Kansas City Athletics baseball team convinced The Beatles to add Kansas City to their tour, flying here on what was suppose to be their day off.

The Beatles spoke at a pre-concert news conference at the Hotel Muehlebach.

There were two Beatles visits to the U.S. in 1964. The first began with their famous Feb. 9 – “Ed Sullivan Show” appearance, watched by 73 million. They also played concerts in Washington, D.C., and New York, then did another Sullivan show from Miami Beach, Fla. By the time the third Sullivan bit, this one taped, ran Feb. 23, Thea Beatles were back in England. When The Beatles came back to the U.S. on Aug. 19 that year, their film “A Hard Day’s Night” had just been released theaters, and the title song went gold.

The 2nd tour was 33 days in 24 U.S. & Canadian cities.

The Kansas City Star reported that The Beatles “had not even left its first venue, San Francisco, before Charlie O. Finley contacted band manager Brian Epstein to see if a KC stop could be carved out of one of the eight off days. He offered $50,000. To put that in perspective, Frank Sinatra and Judy Garland were drawing $10,000 to $15,000 for a show, and a ’64 Beatles concert was running from $20,000 to $40,000.”

The band wasn’t excited about it. In “The Beatles Anthology, ” McCartney recalled: “Our days off were sacred. If you look at our 1964 timetable you can see why. I didn’t realise until recently that we used to have a whole year of work, and then get something like 23rd November off – and then have to judge a beauty competition that day. So, by the time we got to Kansas City, we probably needed a day off. I can’t actually remember falling out with Brian about him wanting us to work on a day off, we’d talk to each other rather than fall out.”

Then Finley wired Los Angeles, where the group played at the Hollywood Bowl, to double his bid. No, thanks, he was told again.

Charles O. Finley made a third offer: $150,000, at the time it was the all-time record cost for a single performance. In today’s dollars it would be $1.1 million.

The large photo in the Kansas City Times captured girls and boys excitedly waving their arms on the field, under a headline that continued the sense of a natural disaster averted: Police Hold Tide of Beatlemania.

The opening number was added as a concession to Finley: The Beatles’ version of “Kansas City/Hey-Hey-Hey.” It was included the next month when they cut their next album, “Beatles for Sale.” The Beatles played “Twist and Shout.”

The set list included: “You Can’t Do That”; “All My Loving”; “She Loves You, Yeah, Yeah! Yeah!”; “Things We Said Today”; “Roll Over Beethoven”; “Can’t Buy Me Love”; “If I Fell”; “I Wanna Hold Your Hand”; “Boys”; “A Hard Day’s Night” and “Long Tall Sally.”

Tim Finn former music writer for KC Star, will soon be writing for a new Kansas City monthly periodical called “In Kansas City.” Tim Finn presents: A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. To RSVP visit: http://www.kclibrary.org

You can hear Tim Finn Thursday afternoons between 4:00 and 6:00 pm on 90.9 The Bridge with Jon Hart.

Tim Finn, thank you for being with us in Wednesday MidDay Medley.


14. The Beatles – “You Can’t Do That”
from: A Hard Days Night / Parlophone / July 10, 1964
[A Hard Day’s Night is the third studio album by the English rock band the Beatles, released on 10 July 1964, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. In contrast to their first two albums, all 13 tracks on A Hard Day’s Night were written by John Lennon and Paul McCartney showcasing the development of their songwriting talents. The album includes the title track, with its distinct opening chord, and the previously released “Can’t Buy Me Love”, both transatlantic number-one singles for the band. The title of the album was the accidental creation of drummer Ringo Starr. According to Lennon in a 1980 interview with Playboy magazine: “I was going home in the car and Dick Lester [director of the movie] suggested the title, ‘Hard Day’s Night’ from something Ringo had said. I had used it in In His Own Write, but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it not to be funny … just said it. So Dick Lester said, ‘We are going to use that title.’]

11:30 – Underwriting

15. The Hermanos Brothers – “All My Loving (The Beatles)”
from: The Hermanos Brothers – Covers / Howard Iceberg / March 20, 2018
[The Hermanos Brothers are Howard Iceberg on vocals, rhythm guitar, & harp; and Chad Brothers on lead guitar & harmony vocals. These songs, all covers, were recorded in one day, between the hours of 9:00 am to 5:00 pm. The songs were recorded and mixed and mastered by Phil Wade who added dobro, mandolin and guitar.]

11:33 – Interview with Howard Iceberg and Pranav Nanda.

Tim Finn, Howard iceberg, and Pranav Nanda on the July 18, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Legendary Kansas City Singer Songwriter – Howard Eisberg records and performs under the name Howard Iceberg. He is one of the most prolific and poetic songwriters of the Kansas City music scene. He has written hundreds, possibly thousands of songs. Howard has done all of this while also leading a distinguished career as an immigration attorney, and he has donated much of his time and music to valuable projects that serve our community. Howard Iceberg began performing in coffeehouses in the late 1980s with fellow area independent songwriters Scott Hrabko and Iris DeMent. Over the past three decades he has released countless CDs, and recorded multiple collections of songs. In 2011, Howard Iceberg & The Titanics released a seven CD, box set, of 106 new songs, all instant classics. In 2014 he released a collection called Spring 2014, on his birthday May 9, 2015 he released, Smooth Sailing which included 13 new songs. In September 2016 Howard released a 2 CD set of 26 new tracks called, “Kansas City Songs. Ear;lier this year Howard released Netherlands his collaboration with Rich Hill and other area Jazz musicians.

Howard Iceberg, thanks for being with us on Wednesday MidDay Medley

Pranav Nanda is a 2017 Teach for America Corps Member, serving as a teacher and leader in Kansas City. In his first year at Teach For America, he taught Humanities at DeLaSalle Charter School, an alternative high school serving the Kansas City Urban Corps. This summer, Pranav has had the opportunity to work in the Kansas City’s Mayor’s office through the Urban Leaders Fellowship. Pranav is currently pursuing his Master’s in Education at the University of Missouri in St. Louis & plans on going to Law School after his Teach For America service. Prior to joining Teach For America, Pranav attending George Washington University in Washington DC, receiving a Bachelor’s in Art in International Affairs and minored in Sociocultural Anthropology. While attending GW, Pranav had the opportunity to intern in the White House in the Office of Presidential Correspondence, at the Department of Education in the Office of Post-Secondary Education, and in many leadership positions on campus.

Pranav Nanda thanks for being with us on Wednesday MidDay Medley

Howard Iceberg and Pranav Nanda are here to share information about the Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more info: http://www.momsdemandaction.org,

Moms Demand Action have chapters in many cities.

About Moms Demand Action For Gun Sense In America / media@momsdemandaction.org
Press Contact: Moms Demand Action For Gun Sense In America; E-mail:


Like Mothers Against Drunk Driving, created to reduce drunk driving, Moms Demand Action for Gun Sense in America was created to demand action from legislators, state & federal; companies; & educational institutions to establish common-sense gun reforms.


Moms Demand Action was founded by stay-at-home mom Shannon Watts on December 15, 2012, in response to the devastating shooting at Sandy Hook Elementary School. The organization quickly flourished into a leading force for gun violence prevention, with chapters in all 50 states and a powerful grassroots network of moms that has successfully effected change at the local, state and national level. In December 2013, Moms Demand Action partnered with Mayors Against Illegal Guns to unite a nationwide movement of millions of Americans working together to change the game and end the epidemic of gun violence that affects every community.


Moms Demand Action supports the 2nd Amendment, but we believe common-sense solutions can help decrease the escalating epidemic of gun violence that kills too many of our children and loved ones every day. Whether the gun violence happens in urban Chicago, suburban Virginia, or rural Texas, we must act now on new and stronger gun laws and policies to protect our children.

Moms Demand Action envisions a country where all children and families are safe from gun violence. Our nonpartisan grassroots movement has grown to include a chapter in every state across the country. We are educating, motivating, and mobilizing supporters to take action that will result in stronger laws and policies to save lives.

We are facing a public health crisis: seven American children or teens are shot and killed every day.

For too long, the gun lobby has dominated the conversation about gun violence. American families are being destroyed and we have had enough; we will no longer stand by and let elected officials, corporate leaders and other influential voices turn their back on sensible gun laws and policies. We are organizing to apply pressure that will result in stronger, sensible gun laws and policies that will protect our children and families. The momentum is with us, and we are winning.

Shapiro Brothers

Chad Brothers is a Kansas City based singer-songwriter and guitarist who has played music for over 25 years. His dynamic approach to guitar sets him among the best this town has to offer. He’s actively involved in several projects around town including Old Sound, Shapiro Brothers, Supermassive Black Holes, The Butter Band, and he is Mikal Shapiro’s lead guitarist in her band The Musical. In addition, he and Howard Iceberg have now formed a duo called The Hermanos Brothers. Chad was born and raised in Winfield, KS, home of the Walnut Valley Festival and National Flatpicking Championships, and finds himself comfortably at home among a wide range of musical genres including bluegrass, folk, blues, country and rock.

Mikal Shapiro is a Kansas City songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the United States and has recorded five critically acclaimed albums. Kansas City Star critic Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union. Mikal Shapiro released her latest solo album, The Musical II, on May 26.


16. Shapiro Brothers – “The Other Night”
from: Shapiro Brothers [EP] / Shapiro Brothers / November 3, 2016
[Kansas City based Americana duo, formed by Mikal Shapiro and Chad Brothers who interpret classic country and folk music alongside critically acclaimed originals. Strengthened by Shapiro’s lyrical prowess and Brothers world-class flat picking, the couple showcases their harmonies, stellar guitar interplay and a magnetic onstage chemistry. All songs written by Mikal Shapiro, except “Almost Ready” was written by Mikal Shapiro and Chad Brothers. Shapiro Brothers played a special EP Release show, November 3, at The Brick, with Grady Keller from Old Sound and Spectator from St. Louis.]

[Shapiro Brothers play Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, with Howard Iceberg.]

11:44 – More Interview with Howard Iceberg and Pranav Nanda

Uptown Arts Bar and Greg Patterson hosts a night of action, awareness and stellar music as we raise funds to benefit Moms Demand Action for Gun Sense in America, featuring the music of Howard Iceberg and Shapiro Brothers!

More information at: http://www.howardicebergandthetitanics.bandcamp.com and

The benefit is Wednesday, July 25. The 25th of every month is “Orange Day” declared by the UN: “The 25th of every month has been designated “Orange Day” by the United Nations Secretary-General’s Campaign UNiTE to End Violence Against Women, to raise awareness and take action to end violence against women and girls. As a bright and optimistic colour, orange represents a future free from violence against women and girls. Orange Day calls upon civil society, governments, and UN partners to mobilize people and highlight issues relevant to preventing and ending violence against women and girls, not only once a year on the International Day for the Elimination of Violence against Women (25 November), but every month.”

More information at: http://www.un.org/en/women/endviolence/orangeday.shtml

Howard Iceberg has been writing songs, recording and performing in the K.C. area for more than 40 years. His songs have been performed by many other local musicians through the years. He is looking forward to playing the Uptown Arts Bar in support of Mothers Demand Action for Gun Sense, and wishes to state that he is pro-mother and anti-gun.

More information at: http://www.oldsoundmusic.com and http://www.shapirobrothersmusic.com and http://www.facebook.com/thesupermassiveblackholes

Howard Iceberg, and Pranav Nanda, thanks for being with us on WMM

The Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more information: http://www.momsdemandaction.org,


17. Howard Iceberg & The Titanics – “The Times of Our Lives”
from: Netherlands / Howard Iceberg & The Titanics / December 20, 2017
[On this track: Howard Iceberg on lead vocals, Bryan Hicks on electric bass, Doug Auwarter on drums, Marco Pascolini on baritone guitar , Chad Rex on guitar. Words and music by Howard Iceberg © 2017 Howard Iceberg. All rights reserved. Produced by Howard Iceberg and Rich Hill. Recorded by Pat Tomek at Largely Studios and Rich Hill at The Hilltop. Mixed by Howard Iceberg and Pat Tomek.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on July 25 Shy Boys join us LIVE in our 90.1 FM Studios to talk about their new release Bell House on Polyvinyl Record Co. to be released August 3, 2018. Also next week we welcome Keaton Conrad, and Heidi Lynne Gluck and Sid Sowder of Too Much Rock premieres the newest Too Much Rock 7″ single release right here on Wednesday MidDay Medley.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:

Show #743

Wednesday MidDay Medley

Wednesday MidDay Medley presents Tim Finn + KC Fringe + Moms Demand Action

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 18, 2018

Tim Finn + Howard Iceberg & Mom’s Demand Action
+ Cheryl Kimmi & Kansas City Fringe Festival 2018

Mark plays New & MidCoastal Releases from: Miles Bonny, Payge Turner, The Fey, Brandon Draper, Emmaline Twist, Belle & The Vertigo Waves, Howard Iceberg & The Titanics, Shapiro Brothers, The Hermanos Brothers, Benjamin Clementine, Courtney Barnett, Vacationer, and The War and Treaty. We’ll also play: Patsy Cline, Michael Jackson, and The Beatles.

At 10:30 Mark talks with Cheryl Kimmi, Executive Producer of KC Creates about the 14 Annual KC Fringe Festival, July 19 through 29, featuring work from over 100 local, regional, and international performing artists, across 14 venues throughout a 5-mile footprint of Kansas City’s cultural corridors. The 14 Annual KC Fringe Fest features 76 different producers, over 650 participating artists, galleries showcasing 35 visual artists, with more than 400 opportunities to find Fringe this year. For more information you can visit: http://www.KCFringe.org

At 11:00, Local music critic Tim Finn, formerly with The Kansas City Star, joins us to share details about A Look Back at Rockville: Great Moments in Kansas City Concerts, Thursday, July 19, 2018, at 6:30 pm, at the Kansas City Public Library, Plaza Branch, 4801 Main Street, Kansas City, MO, as part of the 2018 Adult Summer Reading Program Rock & Read. Tim Finn discusses some of KC’s best and most significant music moments. From national touring acts to homegrown musicians. Finn highlights concerts, shows, and encounters from our city’s music scene. From Patsy Cline’s final performance and the Beatles’ one and only local appearance to the three-day world premiere of The Jacksons Victory Tour. To RSVP visit: http://www.kclibrary.org/node/24299/register

Howard Iceberg

At 11:30, Mark talks with Kansas City musician Howard Iceberg, and Pranav Nanda, High School Social Studies Teacher at Teach For America and Education Outreach Lead for Moms Demand Action for Gun Senses in America. Howard and Pranav will share information about the Moms Demand Action for Gun Sense Benefit, Wednesday, July 25, at 7:00 pm, at Uptown Arts Bar, 3611 Broadway, KCMO, featuring the music of Howard Iceberg and Shapiro Brothers. The event is designed to benefit Moms Demand Action. For more information: http://www.momsdemandaction.org, http://www.howardicebergandthetitanics.bandcamp.com, http://www.shapirobrothersmusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #743

Wednesday MidDay Medley

WMM Playlist from July 10, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 10, 2013

Local & New Releases + Madisen Ward and the Mama Bear
+ Philip Bauer’s Summer Top 40 Favorites!

1. Sonny & The Sunsets – “dark corners”
from: Antenna To the Afterworld / Polyvinyl Records / June 11, 2013
[San Francisco based 5-piece band that list The Clash and Amy Goodman as influences. Helmed by the acclaimed singer / songwriter, playwright, author & onetime troubadour piano man Sonny Smith, The Sunsets have featured a revolving door lineup that became permanent with Kelley Stoltz, Tahlia Harbour, Ryan Browne and Zack Ehrlich.]

2. California Wives – “Purple”
from: Art History / Vagrant Records / Sept. 4, 2012
[Debut full-length from Chicago based 4-piece band, formed in 2009.]

[California Wives play the recordBar, tonight, July 10, with My Gold Mask, and Field Day Dreams]

11:10 – Underwriting

3. Mavis Staples – “Can You Get to That”
from: One True Vine / Anti Records / June 21, 2013
[Mavis Staple’s 13th studio album, and the second on which she collaborated with record producer and Wilco frontman Jeff Tweedy. Their 2010 collaboration, “You Are Not Alone” won a Grammy in the category of Best Americana Album. Tweedy also played most of the instruments on the album, with the exception of the drums, which were played by his son, Spencer Tweedy. The album was recorded at the Wilco Loft in Chicago, and while working on it, Staples commuted back and forth between the Loft (on Chicago’s North Side) and her home on Chicago’s South Side.]

[“Can You Get to That” was originally written by George Clinton and Ernie Harris and recorded for “Maggot Brain,” the third studio album by the American funk band Funkadelic, released in 1971.]

10:15 – Interview with Madisen Ward & Ruth Ward

4. Madisen Ward and the Mama Bear – “Runaways” (LIVE)

Madisen Ward and the Mama Bear, performed LIVE in our 90.1 FM studios. Madisen Ward & the Mama Bear are Madisen Ward and Ruth Ward. They are a modern soulful/folk music duo. Performing mostly all original music.

Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother. Last year Madisen Ward and “The Mama Bear” (his mom) – Ruth Ward recorded and released their EP, “We Burned The Cane Field.”

Madisen Ward and the Mama Bear - We Burned the Cane Field

Madisen Ward and the Mama Bear – We Burned the Cane Field

Madisen wrote about the release “We Burned the Cabe Field” saying, “My Mother and I play music together; not because of the relation, but because it’s what works best. This is the sound that naturally emerges when we play together, so we went with it.”

Ruth and Madisen talked about how they ended up recording with Joel Nanos at Element Recording Studios.

The cover of “We Burned The Cane Field,” is a black and white photograph of a woman and three small children, each holding a box of cracker jacks, in the narrow street of an Japanese neighborhood market area. The photo is of Madisen’s paternal grandmother, his father, aunt and uncle.


5. Madisen Ward and the Mama Bear – “Down in Mississippi” (LIVE)
also available on: We Burned The Cane Field / Independent / October 6, 2012

Madisen is also involved with HitRECord.org

Ruth Ward and Madisen Ward in the 90.1 FM Studios

Ruth Ward and Madisen Ward in the 90.1 FM Studios

Madisen Ward and the Mama Bear – Upcoming Live Performances at:

Davey’s Uptown Ramblers Club on Monday, July 15, 2013, at 7:15pm.

Madisen Ward and the Mama Bear play the Main Street Coffee House, 107 S Main, Independence, Missouri on Saturday, August 3, 2013 at 7:00pm

Madisen Ward and the Mama Bear play the Great Day Cafe, 7921 Santa Fe Dr Overland Park, KS on August 10.

The new recording from Madisen Ward & The Mama Bear, “We Burned The Cane Field” is available through i-Tunes, CD Baby, Amazon, and other musical outlets.


6. Madisen Ward and the Mama Bear – “Whole Lotta Problems”
from: We Burned The Cane Field / Independent / October 6, 2012
[Singer songwriter, Madisen Ward graduated from William Chrisman High School in Independence, Missouri in 2007. He plays live and records with his Mother, Mama Bear, both on guitar, with Mama Bear harmonizing with her son. Their debut EP was recorded in Kansas city’s Element Recording by Joel Nanos.]

7. David Bryne & St. Vincent – “I Should Watch TV (M. Stine remix)”
from: Brass Tactics EP / Self Released / May 28, 2012
[Companion EP to their collaborative 2012 record, Love This Giant. The EP collects a previously unreleased Giant bonus track, two remixes, and two live tracks: versions of St. Vincent’s “Marrow” and Talking Heads’ “Road to Nowhere”.) The pair are on tour across North America, before heading to Europe in August.]

[David Byrne & St. Vincent play Kansas City, – FRIDAY NIGHT! – July 12 at Crossroads KC]

8. Gentleman Savage – “Today I Realized”
from: Demo Recordings / Independent / 2012
[The band’s EP debut: Gentleman Savage was released Oct. 12, 2012. Psychedelic-pop band from Kansas City with: Holden Simpson on Vocals/Guitar/Keys, Kyle Anthony on Bass, and Nick Talley on Drums/Percussion.]

[Gentleman Savage play The Kansas City Museum, 3218 Gladstone Blvd, Friday, July 12, at 7:00 pm]

[Gentleman Savage play Lawrence Field Day Fest, Sat, July 13, at Bottleneck w/ Y[our] Fri[end], Cloud Dog, Pale Hearts, Scruffy & the Janitors, Millions of Boys, Monsoon Lazer, Something & the Whatevers]

9. Sneaky Creeps – “Tired”
from: Bell St. Radio / Independent / January 5, 2013
[3rd release from Sneaky Creeps. Recorded in the Sneaky Creeps living room/practice space (A.K.A. Bell St. Radio) with a single AKG 414. It was later overdubbed with vocals and professionally mastered by Joel Nanos of Element Recording Studios. Max – Drums & Yell/Talk, Isaac – Bass, Andy – Guitar & Yell/Talk.]

10. The Bad Ideas – “Dead in My Head”
from: Lesson #1 / Independent / March 8, 2013
[Full length debut recording from the Kansas City based punk band, formed in October 2011. They’ve written all original songs and are influenced by post-hardcore, punk, and early pop punk. Their EP, Worse Thoughts, was one of our favorite recordings of 2012. Breaka Dawn on lead vocals; Britt Adair on Guitar, Back Up Vocals, Caitlin on Bass, back up vocals. The Bad ideas joined s last year on July 11.]

[The Bad Ideas play Czar, Friday, July 12, with Snake island, The Lucky, and The Pale Hearts.]

11. Schwervon! – “Cougar Pride”
from: Courage / Olive Juice Records / September 28, 2012
[Schwervon! is Nan who plays drums and Matt who plays guitar and they both sing. They lived in NYC for 15 years and have just relocated to KC. Last year they opened for both The Vaselines and Belle & Sebastian. They recorded Courage with Memphis-based engineer Doug Easley who has worked with Pavement, Sonic Youth, Cat Power.]

[Schwervon! play Lawrence Field Day Fest, Friday, July 12, at The Bottleneck w/: Radkey, Bloodbirds, Nature Boys, Many Moods of Dad, JOCKS, Going to Hell in a Leather Jacket, Bad, Kids To The Front.]

[Schwervon! play Czar on Tuesday, July 16, with Speedy Ortiz, and Lazy.]

11:00 – Philip Bauer’s Summer Top 40 Favorites!

KKFGI Volunteer - Philip Bauer

KKFI Volunteer – Philip Bauer

Philip Bauer, is one of KKFI’s incredible volunteers, who donates hundreds of hours each year helping 90.1 FM Community Radio. Philip brought his rich, deep voice to our airwaves to play his Summer Top 40 Favorites!

12. Rush – “Finding My Way”
from: Rush / Mercury Records / 1974
[Debut album by Canadian band. Original drummer John Rutsey performed all drum parts on the album, but was unable to go on extended tours because of diabetes and left the band after the album was released. Rutsey wrote some lyrics for the debut, but never submitted them to the band and some new lyrics had to be thrown together. He was soon replaced by Neil Peart. Rush was inducted into the rock and roll Hall of fame this year.]

13. Stevie Ray Vaughan & Double Trouble – “The Sky is Crying”
from: The Sky is Crying / Epic / November 5, 1991
[Released about one year after Vaughan’s death in 1990, the album features ten previously unreleased tracks, originally recorded between 1984 and 1989. Only one title, “Empty Arms” (complete reprisal), appeared on any of the group’s previous albums. The tracks were compiled by Vaughan’s brother, Jimmie Vaughan, in an effort to release the title track. The Sky Is Crying illustrates many of Vaughan’s musical influences, including songs in the style of traditional Delta blues, Chicago blues, jump blues, jazz blues, and Jimi Hendrix. The album’s tone alternates primarily between uptempo pieces and gritty, slow blues. The album includes a Grammy-winning extended instrumental cover version of Jimi Hendrix’s “Little Wing.”]

14. Santana featuring Rob Thomas – “Smooth”
from: Supernatural / Arista Records / June 15, 1999
[17th album by Santana. It went 15 times platinum in the US and won nine Grammy Awards, including Album of the Year as well as three Latin Grammy Awards including Record of the Year. Conceived by Clive Davis it was a big global hit, eventually selling more than 30 million copies. It is the most successful album by Santana, charting in ten countries, including in the United States, at number one. Supernatural debuted at number nineteen on the Billboard 200 on July 3, 1999 but topped (after 18 weeks) the chart on October 30, 1999 and stayed there for 12 non-consecutive weeks. It included the hit single “Smooth”, which featured Matchbox Twenty singer Rob Thomas on vocals, and was number one on the Billboard Hot 100 for 12 weeks.]

15. The Rolling Stones – “Far Away Eyes”
from: Some Girls / Rolling Stones / June 9, 1978
[14th British and 16th American studio album, peaked at #1 on the Billboard 200, and became one of the band’s biggest-selling albums in the US, and has been certified as having six million copies sold as of 2000. Many reviewers called it a classic return to form, and their best album since 1972’s Exile on Main St. With the advent of punk rock, The Rolling Stones were targeted by some in the movement as cultural dinosaurs. Mick Jagger felt invigorated by the provocations and was determined to answer them lyrically. It helped, however, that almost all the punks had, openly or not, idolized the Stones in the 1960s and were heavily influenced by the band’s rebellious records from that era. At least as important was the addition of Ronnie Wood to the line-up, as Some Girls was the first album recorded with him as a full member.]

11:26 – Underwriting


16. Michael Jackson – “Black or White”
from: Dangerous / Epic / November 26, 1991
[1st single from Jackson’s 8th studio album. Dangerous sold over 35 million albums worldwide, and has been cited as one of the best-selling albums of all time that produced 4 top ten singles on the Billboard Hot 100. To prepare the audience for the TV premiere of the “Black or White” video, Epic records released the song (without the accompanying images) to radio stations just two days in advance. In a period of 24 hours, “Black or White”, described by the record company as “a rock ‘n’ roll dance song about racial harmony”, had been added to the playlists of 96 percent of 237 of the USA’s top 40 radio stations the first day of release. “Black or White” entered the Billboard Hot 100 at number 35. A week later it shot up to number three and in its third week, December 7, 1991, it ascended to #1, making it the fastest chart topper since The Beatles’ “Get Back” also won the Hot 100 in just three weeks in 1969. It remained at the top of the singles chart into 1992 for a total of seven weeks, making Michael Jackson the first artist to have #1 popular hits in the 1970s, 1980s and 1990s. In the UK, the single became the first single by an American to go into the singles chart at #1 since 1960, when “It’s Now or Never” by Elvis Presley did in the same manner. “Black or White” hit #1 in 19 countries, including the US, the UK, Canada, Mexico, Cuba, Zimbabwe, Australia, New Zealand, Austria, Belgium, Denmark, Finland, France, Israel, Italy, Norway, Spain, Sweden, and Switzerland. The single was certified platinum in the US, selling over one million copies and became the second best selling single of the year. Reviews of the song varied. Rolling Stone’s Allan Light in his Dangerous review, compares the song unfavorably to “Beat It”: “Neither this slow-burn solo nor the Stones-derived riff on ‘Black or White’ offers the catharsis of Eddie Van Halen’s blazing break on ‘Beat It'”.]

17. The Prodigy – “Firestarter”
from: The Fat of the Land / XL Recordings / July 1, 1997
[1st single from their 3rd album The Fat of the Land, and their 10th single. It featured Kieth Flint’s punky vocals which showcased him as the group’s frontman. Band members Liam Howlett & Keith Flint share songwriting credits with Kim Deal of The Breeders. The looped wah-wah guitar riff in “Firestarter” was sampled from The Breeders’ track “S.O.S.” from Last Splash. Because of the use of a sample from the 1984 single “Close (to the Edit)” songwriting credits also list Art of Noise’s then-members: Anne Dudley, Trevor Horn, J.J. Jeczalik, Gary Langan & Paul Morley. The album title comes from the old English phrase ‘living off the fat of the land.’ The album has sold over 10 million copies worldwide as of 2012. The album debuted at #1 on the U.S. Billboard 200 chart. The album has since gone double platinum, selling over 2 million copies.]

18. The Red Elvises – “Closet Disco Dancer”
from: Your Favorite Band – Live / Shoobah Doobah / May 1, 1999
[Russian-American band that performs rock & roll, surf, rockabilly, reggae, lounge and traditional Russian styles of music. They were founded in California in the mid-1990s and are based in Venice Beach.]

19. Ugly Kid Joe – “Everything About You”
from: As Ugly As They Wanna Be / Island Def Jam Records / August 31, 1992
[American rock band from Isla Vista, California, formed in 1990. The band’s name spoofs that of another band, Pretty Boy Floyd. Ugly Kid Joe’s sound includes a range of styles, including rock, hard rock, funk metal and heavy metal. To date, Ugly Kid Joe have released three full-length albums, two compilation albums and two EPs. Their best selling records are As Ugly as They Wanna Be and America’s Least Wanted, were both certified double platinum by the RIAA. The band broke up in 1997, but announced a reunion in 2010.]

20. No Doubt – “Different People”
from: Tragic Kingdom / Interscope / October 10, 1995
[3rd studio album from Anaheim, California, band that formed in 1986. Between 1995 and 1998, seven singles were released from it, including “Just a Girl” and “Don’t Speak”, which reached number one on the Billboard Hot 100 . The album has sold over 16 million copies worldwide; and was certified diamond by the Recording Industry Association of America (RIAA) in the United States and Canada, platinum in the United Kingdom, and triple platinum in Australia. It helped to initiate the ska revival of the 1990s, persuading record labels to sign more ska bands and helping them to attract more mainstream attention. No Doubt embarked on a tour to promote the album. The tourlasted two and a half years.]

21. Red Hot Chili Peppers – “Higher Ground”
from: Mother’s Milk / EMI America Records / August 16, 1989
[“Higher Ground” was written by Stevie Wonder for his 1973 album Innervisions. The Red Hot Chili Peppers released a cover as the second single from their fourth studio album Mother’s Milk.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Wednesday MidDay Medley in on the web:
and kkfi.org

Show #481

WMM Playlist from March 6, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, March 6, 2013

Guest Producer & Co-Host: Bill Belzer

Bill Belzer has been playing music in Kansas City since the late 1980s. Early bands include: Mongol Beach Party and Grumpy. Bill toured with Uncle Tupelo, Michelle Shocked, and many others. Bill has played drums with many of Matt Pryor’s projects including, The New Amsterdams. Bill also performs as a solo singer songwriter and recently released a solo EP of his own songs. Bill currently records and performs with the bands: LAZY, The Sleazebeats, and Ghosty.

1. Woods – “Pushing Onlys”
from: Sun and Shade / Woodsist / May 17, 2011
[American folk rock band from Brooklyn, which formed in 2005. The band’s membership now includes singer-guitarist Jeremy Earl, tape-effects technician G. Lucas Crane, bassist Kevin Morby, and multi-instrumentalist Jarvis Taveniere. Woods have released five albums, the latest being Bend Beyond.Pitchfork Media reviewed one of their previous albums, Songs of Shame, giving the band its “Best New Music” designation and described the sound as “a distinctive blend of spooky campfire folk, lo-fi rock, homemade tape collages, and other noisy interludes, all anchored by deceptively sturdy melodies.”Singer-guitarist and founder Jeremy Earl also runs the rising Brooklyn label Woodsist, for whom the band releases their work.]

2. Parquet Courts – “Borrowed Time”
from: Light Up Gold / What’s Your Rupture? / Jan. 14, 2013
[American punk rock band based in Brooklyn, New York, that formed in late 2010. The band consists of Andrew Savage (lead vocals, guitar), Austin Brown (guitar), Sean Yeaton (bass), and Andrew’s brother Max Savage (drums). The band released their debut album, American Specialties, on a limited cassette release (later released on LP by Play Pinball! Records). This was followed by the full length album, Light Up Gold, which was initially released on Savage’s Dull Tools label and later reissued on What’s Your Rupture? in 2013. Light Up Gold received acclaim in both the DIY underground and mainstream rock press.]

3. AM & Shawn Lee – “City Boy”
from: Celestial Electric / ESL Music / September 6, 2011
[Shawn Lee is an musician and multi-instrumentalist from Wichita, KS. AM is a songwriter, musician, composer and producer born in Tulsa, OK, raised in New Orleans, and currently residing in the LA’s Echo Park neighborhood in California. AM has had over 100 songs featured in TV shows and movies. AM & Shawn Lee’s debut album Celestial Electric was released to the world in 2012. Their 2nd album La Musique Numerique will be released in 2013.]


4. Ify Jerry Crusade – “Everybody Like Something Good”
from: Nigeria 70 – Lagos Jump / Strut / May 13, 2008
[Originally released riding a wave of global interest in Afrobeat at the turn of the decade, Strut’s original Nigeria 70 set broke the mould for African compilations when it first surfaced in September 2001. Digging deep into Nigeria’s archives, the collection showcased for the first time on CD the stunning variety of fusions recorded across the country during the ‘70s, from national icons like Fela Kuti and Sunny Ade to lesser known young bands like Monomono and Ofo The Black Company. Across 2CDs, the compilation touches on the many subtle regional variations of the time – from the East, the Igbo groove of The Funkees, from the Hausa North, the Arabic flow of Bala Miller and, from Lagos, the hard-hitting Yoruba soul of Segun Bucknor. The set also made available many rare cuts on CD for the first time including obscure soundtrack ‘The Quest’ by Afro Cult Foundation and one of the most requested DJ tracks on the album, Shina Williams’ hypnotic Afro disco classic, ‘Agboju Logun’.]

5. Graham Central Station – “Happ-E-2-C-U-A-Ginn”
from: Now Do U Wanta Dance / Warner Bros. – Rhino / 1977

6. Graham Central Station – “Now Do U Wanta Dance”
from: Now Do U Wanta Dance / Warner Bros. – Rhino / 1977
[5th album by Graham Central Station, a funk band named after founder Larry Graham (formerly of Sly & the Family Stone). The band’s origins date from when Santana guitarist Neal Schon formed the band Azteca along with Larry Graham (bass guitar) and Gregg Errico (drums), both from Sly & the Family Stone, and Pete Sears (keyboards), from Hot Tuna and Jefferson Starship. Santana bass guitar player Tom Rutley would move into the bass spot with Azteca. That band, like Santana with heavy Latin influences, would eventually morph into Graham Central Station, while Schon would form Journey. The invention of electric slap bass is attributed by many (including Victor Wooten) to Graham, which influenced many musical genres, such as funk, R&B and disco. GCS’s biggest hit was “Your Love”, which charted at number 9 in 1975. The group also integrated gospel music into their repertoire, and played with the dichotomy between the funk/rock star image and the “sanctified” gospel group image. Some of their recordings feature the Tower of Power horn section. In 2011, Graham Central Station opened for Prince on Prince’s “Welcome 2 America” tour.]

10:23 – Underwriting


7. Chris Cohen – “Moned”
from: Overgrown Path / Captured Tracks / Sept. 25, 2012
[Originally from LA he is the child of a former music business executive and a former Broadway actress. In 1991, he appeared in the Sonic Youth video “Cinderella’s Big Score” by Dave Markey. Cohen has been a contributing member of The Curtains, Cryptacize, Deerhoof, Natural Dreamers, and Park Detail’s Band. He has also toured as a member of White Magic, Cass McCombs, Haunted Graffiti and Danielson.]

8. The New Amsterdams – “Without a Second (Eleanor)”
from: At The Foot of My Rival / Jagjaguar / January 18, 2013
[Lawrence based musician Matt Pryor is the singer songwriter for The Get Up Kids, formed in 1995, and The New Amsterdams formed in 2000. The band’s current lineup, includes: Bill Belzer on drums, Eric McCann on upright bass, and Dustin Kinsey on guitar. Matt’s “alter-ego” band The Terrible Twos, released the children’s album “If You Ever See an Owl” in 2006. Matt also releases music as a solo artist. His second solo full-length, “May Day” was released January 2012. Matt is also the host of the popular podcast program: Nothing To Write Home About, where Matt interviews his musician friends from around the world. More information at: ntwha.com.]

9. The Mills Brothers – “How’m I Doin? Hey, Hey!”
from: The Very Best of The Mills Brothers / Xelon / Oct. 31, 1997
[American jazz and pop vocal quartet of the 20th century who made more than 2,000 recordings that combined sold more than 50 million copies, and garnered at least three dozen gold records. The Mills Brothers were inducted into The Vocal Group Hall of Fame in 1998. The group was originally composed of four brothers born in Piqua, Ohio, 25 miles (40 km) north of Dayton: John Jr. (October 19, 1910[1] – January 23, 1936) bass vocalist and guitarist, Herbert (April 2, 1912 – April 12, 1989) tenor, Harry (August 9, 1913 – June 28, 1982) baritone, and Donald (April 29, 1915 – November 13, 1999) lead tenor. Their parents were John Hutchinson (February 11, 1882 – December 8, 1967) and Eathel Mills.]

10. METZ – “Knife in the Water”
from: METZ / SubPop / Oct. 9, 2012
[Toronto based punk band made up of: Alex Edkins, Hayden Menzies and Chris Slorach, currently on tour in Sweden, They’ll be at the SXSW MUsic Festival next week, St. Louis on March 30th, with 53 more dates between now and September on a never ending tour taking them everywhere, and back again.]


11. Laura Nyro – “Sweet Blindness”
from: Eli And The Thirteen Confessions / Columbia / 1968
[Follow up to her 1967 debut More Than a New Discovery. Three Dog Night took “Eli’s Comin'” to No. 10, while The 5th Dimension went to No. 3 with “Stoned Soul Picnic” and No. 13 with “Sweet Blindness”. Six songs from Eli and the Thirteenth Confession are included in the ballet Quintet performed by the Alvin Ailey American Dance Theater. Laura Nyro was born Oct. 18, 1947 – and died April 8, 1997. A songwriter, singer, and pianist, her style was a hybrid of Brill Building-style NYC pop, jazz, gospel, R&B, show tunes, rock and soul. In 2012, Laura Nyro was inducted into the Rock and Roll Hall of Fame.]

12. Michael Jackson – “Workin’ Day and Night (Original Demo)”
from: Off The Wall (Special Edition) / MJJ Productions / 2001 [orig. August 10, 1979 – Epic]
[5th studio album, released on Epic Records, after Jackson’s critically well-received film performance in The Wiz Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. Three of the singles had music videos released. Jackson wrote three of the songs himself, including the Platinum-certified lead single, “Don’t Stop ’til You Get Enough”. It was his first solo release under Epic Records, the label he would record on until his death in 2009. Several critics observed that Off the Wall was crafted from funk, disco-pop, soft rock, jazz and pop ballads. The record won the singer his first Grammy Award since the early 1970s. With Off the Wall, Jackson became the first solo artist to have four singles from the same album peak inside the top 10 of the Billboard Hot 100. The album was a commercial success; to date it is certified for 8× Multi-Platinum in the US and has sold more than 20 million copies worldwide, making it one of the best selling albums of all time.]

13. Bobby Charles – “Grow Too Old”
from: Bobby Charles (Bonus Track Version) / Bearsville / 1972
[Born as Robert Charles Guidry in Abbeville, Louisiana and grew up listening to Cajun music. At the age of 15, he heard Fats Domino, and that “changed (his) life forever.” Charles helped to pioneer the south Louisiana musical genre known as swamp pop. His compositions include the hits “See You Later, Alligator”, which he initially recorded himself as “Later Alligator”, and “Walking to New Orleans”, written for Fats Domino. Because of his south Louisiana-influenced R&B vocal style, Charles has often been thought to be black, when in fact he is white. On November 26, 1976, Charles was invited to play with The Band at their farewell concert, The Last Waltz. Charles played “Down South in New Orleans”, with the help of Dr. John and The Band. He co-wrote the song “Small Town Talk” with Rick Danko of The Band. “Promises, Promises (The Truth Will Set You Free)” was co-written with Willie Nelson. Charles died on January 14, 2010.]

11:00 – Station I.D.

14. China Crisis – “King in a Catholic Style”
from: Flaunt the Imperfection / Virgin / 1985
[English pop/rock band, formed in 1979 in Kirkby, near Liverpool, with a core of vocalist/keyboardist Gary Daly and guitarist Eddie Lundon. Their output was pop music similar in style to that of New Wave but with strong similarities to the post-punk movement of the early 1980s, namely inclusion of a broader range of musical influences and occasional flirtation with political commentary. Throughout their career, China Crisis had ten hit singles between August 1982 and January 1987 and six albums, as well as commercial success in Western Europe, Australia and the Americas.]

15. The Berg Sans Nipple – “Convert The Measurement”
from: Build With Erosion / Team Love / March 14, 2011
[The franco-american duo The BERG SANS NIPPLE consists of (but is not limited to) Lori Sean Berg and Shane Aspegren. The former is a suave Frenchman from the dirty rues of gay Parieee and the latter is a lanky Scandinavian-looking fellow who actually hails from the dusty plains of Nebraska. Once rumored to have been Siamese twins separated at birth, the reality is two kids (both best known as drummers) trapped in a tangled mess of cables, keyboards, samplers, horns, bells, machines and drums.]

16. The Sahara All Stars – “Take Your Soul”
from: Nigeria Disco Funk Special: The Sound of the Underground Lagos Dancefloor 1974-1979 / Soundway Records / Dec. 5, 2008
[Nigeria Disco Funk Special is an amazing collection of heavy dancefloor grooves from urban Lagos in the ‘70s – hot and driving slices of Funk, Disco and Boogie that show just how vibrant the music scene was in one of West Africa’s most populous and culturally diverse cities. In the ‘70s, it wasn’t just James Brown who influenced the musicians playing in the nightspots of Lagos – the loose-structured and elongated jams that he was pioneering in America had been a part of Nigerian music much longer than that. This album is the sound of Cuban-heeled and Micro-minied Lagos youth soaking up the sound of the American discotheque and putting their own inimitable twist on the proceedings.]

11:19 – Underwriting

11:20 – Interview with Philip Hooser & Gail Bronfman Bunch

Kansas City based Actor, Playwright, Director, Philip Hooser joined us to discuss his new show, THE OWL KNOWS — A spoken word performance by PHILIP blue owl HOOSER, Saturday, March 9, at 7:00 PM, Prospero’s Uptown Books, 3600 Broadway, with special guests Gail Bronfman Bunch & Dr. Felicia Hardison Londré.


17. Roger Miller – “Do Wacka Do (Single Version)”
from: King of The Road – The Genius of Roger Miller / Mercury Records / Aug. 22, 1995

18. Melody’s Echo Chamber – “I Follow You”
from: Melody’s Echo Chamber / Fat Possum / 2012
[In 2012, Kevin Parker, lead singer of Tame Impala. teamed up with French singer Melody Prochet for her dream pop project, Melody’s Echo Chamber. The two met after Prochet gave Parker a CD with songs from her other band, My Bee’s Garden. This led to a support slot for My Bee’s Garden, opening for Tame Impala. Their collaborative self-titled album was released on October 2, 2012. Allmusic’s Tim Sendra called it “a rather stunning debut”. Parker played guitar, featuring his distinctive spacey, phased guitar sound with Prochet’s dreamy vocals, and also produced the album.]

19. Rhye – “Last Dance”
from: Woman / Polydor Records / March 5, 2013
[Debut release from Rhye, a musical duo based in Los Angeles, California, made up of: Mike Milosh, from Canada, and Robin Hannibal, from Denmark. Milosh had previously released albums as Milosh, and Hannibal had previously recorded as Quadron. Recorded in Copenhagen and Los Angeles, their sound brings together elements of their modern cultural aesthetics mixed with an homage to classic sensibilities; lush strings and melodies intertwined with simple electronic production and soft and sultry vocals – a marriage between refined decadence and modern elegance.

20. Hauschka – “TaxiTaxi”
from: Salon des Amateurs / Hauschka / April 12, 2011
[7th release from German musician Hauschka (born 1966) the alias of Düsseldorf-based pianist/composer Volker Bertelmann, known for his “prepared” piano arrangements; this time incorporating avant-classical, electronic manipulation, jazz & post-techno elements. These are deep, but happy, experiments in the art of exploratory rhythmic composition that are simultaneously busy and ultimately calming. Includes contributions from members of Mum & Calexico. Reminiscent of Phillip Glass, Max Richter, Harry Partch, Steve Reich, Bibio, Brad Mehldau, Aphex Twin.]

21. Vic Chesnutt – “Flirted With You All My Life”
from: At The Cut / Constellation / Sept. 21, 2009
[James Victor “Vic” Chesnutt (Nov. 12, 1964 – Dec. 25, 2009) a singer-songwriter from Athens, Georgia. His first album, Little, was released in 1990, but his breakthrough to commercial success didn’t come until 1996 with the release of Sweet Relief II: Gravity of the Situation, a tribute album of mainstream artists covering his songs. Chesnutt released 17 albums during his career, including two produced by Michael Stipe, and a 1996 release on Capitol Records, About to Choke. His musical style has been described as a “skewed, refracted version of Americana that is haunting, funny, poignant, and occasionally mystical, usually all at once”. Injuries from a 1983 car accident left him partially paralyzed; he used a wheelchair and had limited use of his hands.]


22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

sources for notes: artists websites and wikipedia.org

Wednesday MidDay Medley in on the web:

Show #463