WMM Playlist from August 28, 2019

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community RadioWMM
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, August 28, 2019

Enrique Chi & Making Movies’ Carnival
+ Danielle Jones & Tim O’Connor of LA Jones

1. “It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. Soultru – “Must Be”
from: Must Be – Single / The Record Machine / August 24, 2019
[Drums and Piano by Kierstyn Graham, Vocals by Terrance Banks. Singer, songwriter, poet and emcee Terrance A Banks aka Soultru is a native of Davenport, Iowa and is currently based out of the Quad Cities area of NW Illinois/NE Iowa. Combining his poetic and lyrical talents with a soulful voice, Soultru has forged his own unique sound. Soultru credits a wide range of influences, including Gavin Degraw, John Legend, Yelawolf and Son Little.]

[Soultru plays the MOTM Film Presents: with NuBlvckCity, and Duncan Burnett at The Rino, 314 Armour Rd, NKC, Saturday, August 31 at 7:00 PM as part of Middle of the Map Film Festival that start TONIGHT August 28, and runs through September 4 at Screenland Armour, 408 Armour Rd, NKC. More info at: http://www.middleofthemapfest.com]

3. Seratones – “Gotta Get to Know Ya”
from: Power / New West Records / August 23, 2019
[Seratones are from Shreveport, Louisiana and include: AJ Haynes on vocals & guitar; Adam Davis on bass & backup vocals; Jesse Gabriel on drums, percussion, vibraphone & backup vocals; Tyran Coker on keyboards, piano, synth, guitar & backup vocals; Travis Stewart on guitar & backup vocals, and Matt Combs on strings. Produced by Bradley Shultz – A Small House Production. Additional Production on “Crossfire” by Chris Sunday. Recorded by Jeremy Ferguson at Battle Tapes Recording, Nashville, TN. Mixed by Claudius Mittendorfer. Mastered by Adam Grover at Sterling, Nashville, TN]

4. Purple Mountains – “My Happiness is Gone”
from: Purple Mountains / Drag City Records / July 12, 2019
[Purple Mountains was an American indie rock project formed by musician and poet David Berman. The project debuted in May 2019, over a decade after the dissolution of Berman’s previous group Silver Jews. An eponymous album was released in July 2019. The album was recorded primarily in Chicago and produced by Jarvis Taveniere and Jeremy Earl of the band Woods. The project’s name is a mondegreen of the lyric “Purple mountain majesties” from “America the Beautiful”. The project was presumably dissolved upon Berman’s death on August 7, 2019. Berman returned to music in 2018, co-producing Yonatan Gat’s critically acclaimed album Universalists. On December 12, 2018, former Pavement and Silver Jews member Bob Nastanovich revealed on his podcast Three Songs that David Berman would release new music in 2019 under the name Purple Mountains, which was also the name of Berman’s blog. Although, his blog was also titled Menthol Mountains at times. On May 10, 2019, Berman released his first music in over a decade, a single entitled “All My Happiness Is Gone” on vinyl by Drag City, using the moniker Purple Mountains. The single included two remixes of the song, “All My Happiness Is Wrong” by Noah Count and “All My Happiness Is Long” by Mark Nevers featuring clipped recordings of Dave Cloud, and also indicated that a full-length album was a “couple months away.” It also credited Berman, Jeremy Earl and Jarvis Taveniere of Woods, Aaron Neveu and songwriter Anna St. Louis. The single was released digitally on May 17, 2019 with the announcement of a full-length album. The eponymous debut album, accompanied by a US tour, was released on July 12, 2019. “Darkness and Cold” was released as the album’s second single on June 11, 2019. “Margaritas at the Mall” was released as the album’s third and final single on June 28, 2019. A remix of “All My Happiness Is Gone” by Australian electronic music group The Avalanches, who Berman has collaborated with in the past, was commissioned by him, but a licensing issue prevented their version from being released. A few reviews: David Berman is back from his post-Silver Jews void and moving Purple Mountains onto our fruited cultural plain. His iconic literary lyrics sit astride immaculate country-rock tunes, evoking jukebox-ready disaffection with twists of pathos, comedy and tragedy – an indie poet laureate at false dusk! Stop the world! Purple Mountains’ inaugural voyage launches with a five-alarm weep-rocker – and total self-destruction never sounded so good. Amid sumptuous mellotron strings n’ galloping tom-toms, David Berman’s stone-cold account of middle age’s wild unkindnesses takes on a positively heroic glow.]

4. Hannah Norris & the Band – “Ego Death”
from: Ego Death – Single / Hannah Norris & the Band / October 30, 2018
[Lawrence / Hays Kansas based Hannah Norris, on lead vocals & guitar, Kenny Singleton on drums and Matt Mozier on bass. Recorded in September 2018 at Fire & Ice Studios, and engineered by Steve Squire.]

[Hannah Norris & the Band play The Bottleneck, 737 New Hampshire St., Lawrence, KS. Saturday, August 31, at 8:00 PM with The Una Walkenhorst Trio, & Teri Quinn – This show will also be celebrating the 6th month anniversary of our Survivors’ Stories: Stand Against Sexual Violence event, which all three acts were involved in. “Stand Against Sexual Violence” will be available wot proceeds benefiting MOCSA, the Metropolitan Organization to Counter Sexual Assault.]

[Hannah Norris & the Band play the 15th Annual Crossroads Music Fest, Saturday, September 7, 2019]

5. The Nude Party – “Water On Mars”
from: The Nude Party / New West Records / July 6, 2018
[All songs written and composed by The Nude Party. Lyrics by Christopher Patton Magee. Produced by Oakley Munson. Recorded by Matthew Cullen at Dreamland Recording Studios in Woodstock, NY. Mastered by Scott Craggs at Old Colony Mastering in Boston, MA. The members came together in the freshman dormitories of Appalachian State University in Boone, North Carolina in 2012. Patton Magee (lead vocals, guitar), and later Austin Brose (percussion, vocals), linked up with childhood friends Connor Mikita (drums) and Alec Castillo (bass guitar, vocals), and stepbrothers Shaun Couture (lead guitar, vocals) and Don Merrill (organ/piano, vocals). The following summer, with the shimmer of The Kinks, Velvet Underground, and other still-unsurpassed classic rock masterpieces as their soundtrack, the young men moved into a lake house outside of town, began acquiring and learning to play instruments, and jamming on rudimentary riffs. Friends came by the lake house to swim and canoe and party and soon ritual nudity was a part of the festivities. When the fall semester came around the friends moved into a house in Boone and the jamming continued in the basement on a nightly basis. During this time the Dionysian Adamite sextet began developing a following as the house band at a notorious Boone party palace referred to as the 505 House. The bare honesty of their performances was contagious and their audience also started partying au naturel. While these traditions may appear risqué to the casual observer, the band explains, “These weren’t orgies, they weren’t sexual even. It was just kind of a wild exhibitionism that we felt gave us freedom.” ]

[The Nude Party play Knuckleheads Saloon, 2715 Rochester St, KCMO on Sunday, September 1, at 8:00 PM, with Pinky Pinky.]

6. Ceremony – “In the Spirit World Now”
from: In the Spirit World Now / Relapse Records / August 23, 2019
[Rohnert Park, California based band, CEREMONY were formed in 2005. They make their Relapse Records debut with their highly ambitious new album, ‘In the Spirit World Now’! The album sees CEREMONY at the height of their creative output, as the always-evolving Rohnert Park quintet take various influences from post punk and rock to create one of the summer’s most compelling and infectious records. “In the Spirit World Now” is full of layered sonic fury and anxiety, each song building up to a point and then descending down through a militant, catchy hook. “Turn Away the Bad Thing” sets the tone, guitars climbing around the driving bass line, as Ross Farrar sings, “It’s getting harder for me to be alright/Eyes adjusting to the dark/The momentum of all these last resorts built inside of me.” Songs like “Presaging the End” and “Calming Water” feel romantic and distressed, while “Further I Was” and “Years of Love” are driven by Farrar’s rebellious energy as he repeats the hook with a deadpan realness. “Years of love can be forgotten/In the hatred of a day.” But the true stand-out is the title track, “In the Spirit World Now”, a haunting pop gem with a sticky chorus and lead synth riff that plants itself in your head as Farrar chants the track’s name over and over like a mantra. “In the Spirit World Now” is a sort of nebulous and ectoplasmic place where things may not be quite what they seem,” he says. “It means sh*t is about to get weird.” The album marks a milestone for this Northern California punk outfit who have stayed true to themselves as songwriters throughout massive sonic growth throughout their storied career.]

7. The Sluts – “Break Their Heart”
from: Break Their Heart / The Sluts / February 12, 2019
[New 6 song EP from the Lawrence based band The Sluts formed by Ryan Wise & Kristoffer Dover in 2011. Produced recorded, mixed, and mastered by Joel Nanos at Element Recording and Mastering Studios, KCMO]

[The Sluts play Riot Room, at 4048 Broadway, on Friday, August 30, at 8:00 PM with Mild Cats and The Typing Pool.]

10:30 – Underwriting

9. L A Jones – “Addicted”
from: Bring Me Back Down EP / L A Jones / April 12, 2019
[LA Jones is a soul-pop band from KCMO. Formed in 2016 by partners Danielle Jones & Tim O’Connor, They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

[L A Jones plays Plaza Art Fair, Friday, September 20, at 7:40 PM on the INK Live Stage.]

[L A Jones play Camp Leavenworth Festival, Saturday, September 21.]

Danielle Jones and Tom O’Connor on the August 28, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:34 – Interview with Danielle Jones & Tim O’Connor

Danielle Jones and Tim O’Connor formed the KC based soul-pop band formed in 2016. LA Jones in 2016. after a string of singles they released their debut EP Bring Me Back Down this past Spring, and played an EP Release Show, at The Rino. L A Jones includes: Danielle Jones on vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on sax, and Cade Pool on drums. Danielle and Tim are back on WMM to premiere their new single, “Behind The Times” to be released next week on September 4, 2019.

Danielle Jones & Tim O’Connor thanks for being with us on WMM.

L A Jones plays Plaza Art Fair, Friday, September 20, at 7:40 PM on the INK Live Stage.

L A Jones play Camp Leavenworth Festival, Saturday, September 21.

Danielle Jones has worked as a Substitute teacher at Blue Springs School District she has also worked in the Independence School District and Liberty Public Schools. Danielle Jones Studied Music theatre at Kansas State University from 2011 to 2015. She is originally from Dodge City, Kansas and currently lives in Independence, Missouri

Danielle Jones is engaged to Tim O’Connor

Tim O’Connor has worked as a Percussion Instructor at Liberty North High School, Percussion Instructor at Blue Springs High School and Percussion Instructor at William Chrisman High School. Tim O’Connor studied at Kansas State University from 2011 to 2016. Tim is originally from from Louisburg, KS and currently lives in Independence, Missouri.
Bring Me Back Down was engineered at Soundworks Recording Studio.

Last time Danielle and Tim were here was just before LA Jones played recordBar, 1520 Grand Boulevard, KCMO on Thursday, July 25, at 7:00 PM with Sulu Moon, and Belle & the Vertigo Waves.

New Single: “Behind The Times”

10:41

10. L A Jones – “Behind The Times”
from: Behind The Times – Single / L A Jones / September 4, 2019
[LA Jones is a soul-pop band from KCMO. Formed in 2016 by partners Danielle Jones & Tim O’Connor, the band has now grown to feature a three-piece horn section, keys, bass, and drums. They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists. Band Members include: Danielle Jones on lead vocals, Tim O’Connor on guitar & vocals, Marcus Grimes on keyboards, Jeramy Johnston on bass, Daniel Dissmore on trumpet, Trevor Turla on trombone, Matt Cook on saxophone, and Cade Pool on drums.]

[L A Jones plays Plaza Art Fair, Friday, September 20, at 7:40 PM on the INK Live Stage.]

[L A Jones play Camp Leavenworth Festival, Saturday, September 21.]

L A Jones

10:46 – Interview with Danielle Jones & Tim O’Connor

LA Jones is a soul-pop band from Kansas City, Missouri. Formed in 2016 by partners Danielle Jones and Tim O’Connor, the band includes a three-piece horn section, keys, bass, and drums. They blend a style of funk and soul with contemporary pop/rock music drawing comparisons to Amy Winehouse, Stevie Wonder, and The Revivalists.

Danielle and Tim are back on WMM to premiere their new single, “Behind The Times” to be released next week on September 4, 2019.

Danielle Jones & Tim O’Connor thanks for being with us on WMM.

L A Jones includes:
Danielle Jones on vocals
Tim O’Connor on guitar & vocals
Marcus Grimes on keyboards
Jeramy Johnston on bass
Daniel Dissmore on trumpet,
Trevor Turla on trombone
Matt Cook on sax
Cade Pool on drums

Danielle Jones & Tim O’Connor thanks for being with us on WMM.

More information at http://www.officiallajones.com

10:53

11. L A Jones – “Switch”
from: Bring Me Back Down EP / L A Jones / April 12, 2019
[LA Jones is a soul-pop band from KCMO. Formed in 2016.]

[L A Jones plays Plaza Art Fair, Friday, September 20, at 7:40 PM on the INK Live Stage.]

[L A Jones play Camp Leavenworth Festival, Saturday, September 21.]

12. The Milk Carton Kids – “Younger Years”
from: All the Things That I Did and All the Things That I Didn’t Do / Anti / JUne 29, 2018
[The Milk Carton Kids are an American indie folk duo from Eagle Rock, California, United States, consisting of singers and guitarists Kenneth Pattengale and Joey Ryan, who began making music together in early 2011. The band has recorded and released five albums: Retrospect, Prologue, The Ash & Clay, Monterey, and All the Things That I Did and All the Things That I Didn’t Do. They are noted for releasing their first two albums for free. Pitchfork writes about their new album: “Pattengale and Ryan have loosened their restrictions, inviting a cast of session pros that includes Wilco’s Pat Sansone to add splashes of piano, strings, and thumping drums to their songs. The additions are often subtle—conceptually, they have more in common with Beach House’s quiet amalgamation of synth tones than with Bob Dylan going electric—but they have an outsized impact on the group’s dynamics. These songs continue the world-weary narratives of earlier tracks like “Michigan” and “Years Gone By,” albeit with heightened urgency: Pattengale overcame a cancer diagnosis and the dissolution of a long-term relationship before recording got underway. Paradoxically, though, the album crackles with newfound levity and muscle.”]

[The Milk Carton Kids play Knuckleheads Saloon 2715 Rochester, TONIGHT, Aug 28, 8:00 PM]

11:00 – Station ID

13. Bob & Una Walkenhorst – “For Tomorrow”
from: For Tomorrow / BAT Records / October 12, 2018
[25 year old Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans. . . coming out of the proverbial woodwork” (AXS). Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling),” wrote Gilded Palace Radio, as she weaves stories of genuine human experience. Una told KCUR FM that her father was one of the people who made her love music. But having a famous father can be challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says. Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. She ended up living in New Orleans. Una Walkenhorst is the youngest daughter of Bob Walkenhorst, a founding member of The Rainmakers, which had national and international hits in the 1980s and 90s, and continue to this day touring and recording new music. In January of 2018 Una Walkenhorst returned home to Kansas City from New Orleans. Over the past several years, Una and Bob had performed together at selected events, including Folk Alliance International. This year the father and daughter duo decided to record an album together, where they split the difference, taking turns as songwriters for the album’s songs, written individually, and recorded together, in clear beautiful harmonies, with that extra special shared musical DNA, that can be heard in the harmonies of The Carter Family, Madisen Ward and the Mama Bear, or Shy Boys.]

[Bob and Una Walkenhorst at Light Up The Lawn, Hosted by Carlsen Center at Johnson County Community College and Nerman Museum of Contemporary Art on Friday, August 30, at 8:30 PM at Nerman Museum of Contemporary Art 12345 College Blvd, Overland Park, KS.]

14. Hadiza. – “God is 7”
from: Gone – EP / Hadiza./ December 29, 2018
[Madi Mclaughlin on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin. Hadiza. is a singer-songwriter who wants you to know SHE IS NOW BASED IN KANSAS CITY. Previously based in her hometown of Iowa City, she has spent the past year slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano. Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy. If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform]

[Hadiza plays An Evening with Hadiza. Friday, August 30, at 7 PM at Gaslight Gardens, 317 N 2nd St, Lawrence, Ks]

[Hadiza. plays The 15th annual Crossroads Muic Fest, Saturday, September 7, 2019]

15. Timbers – “I Could Be The One”
from: Timbers / Timbers / March 1, 2018
[Timbers first professionally recorded, mixed and mastered release. Recorded in the basement of Jacob’s Well Church in Kansas City, Missouri. Tracked, mixed and mastered by Mike Crawford. Timbers includes: Aaron Mitchum on guitar & lead vocals; Abigail Jones on banjo, guitar & vocals; Devon Teran on guitar, lap and pedal steel guitar, & dobro; Riley Taylor on upright bass & electric bass; and Nate Lewis on drums.]

[Timbers play The Stockyards Brewing Company, on Sunday, September 1, at 3:00 PM]

16. Erin Keller – “Moonlight in Vermont”
from: Distracted / Erin Keller / May 9, 2016
[KC based vocalist Erin Keller is originally from Waukee, Iowa. She was born in August, in 1980. Erin has been singing on a professional level for 25 years. Erin sang with the internationally competitive Des Moines Children’s Choir for 5 years, and 3 years in All-State choir in high school, which helped her earn a voice performance degree from the Conservatory of Music at the University of Missouri in Kansas City, in 2002. Erin peforms with the Grammy-Award winning Kansas City Chorale. Erin has also worked as a featured soloist with Owen Cox Dance Ensemble, New Ear, KC jazz musicians, the big band at University of Colorado, a West African Highlife Ensemble, the Balkan brass band Gora Gora Orkestar. Erin also has experience writing her own music, singing in rock, folk, and free improv settings and she more recently earned a Master’s in Music Education from the University of Colorado at Boulder. In Colorado she worked for two years in public schools teaching music and moved back to KC to continue her career as musician and educator. In April Erin released her new album, “Distracted,” and has been playing live shows while also being upfront and honest about her recent cancer diagnosis where she has received multiple rounds of chemo treatments. Erin Keller wrote the song “Distracted” and recorded her songs with Chad Meise. Immediatedly after the album was released Erin diagnosed with liver cancer and began treatments, while also going through a divorce, and moving to a new home. During her chemo treatments Erin continued performing and producing shows, keeping an incredible sense of humor and strenght through such a difficult period. She has successfully completed multiple round of chemo.]

[Erin Keller & the Love Basement play The Ship, 1217 Union, KCMO, tomorrow August 29, 9:00 PM. It’s Charlie Parker’s Birthday and also Erin Keller’s Birthday! Steve Lambert on saxophones & flute, Nick Howell on trumpet & tambourine, Arnold Young on drums & percussion, Brian Steever on drums & percussion, Jason Emmond on bass, Andrew Ouellette on keyboards.]

17. Like A Tiger – “Home Movies”
from: Home Movies / Like A Tiger / January 18, 2019
[Pete Marten on guitar & loops, KR Azad on drums, John O’Keefe on bass. Recording Engineer: Ross Brown. Mastered by Mike Nolte. Like A Tiger began playing together in early 2018 and draws on influences of rock, jazz, and electronic music. The band presents a refreshing take on instrumental rock, using live looping and exploring effects, textures, and timbres. Members Pete Marten, John O’Keefe, and Krishnaswami Ramachandran Azad recorded their debut album Home Movies in September of 2018.]

[Like A Tiger play miniBar, 3810 Broadway, Sat, August 31, 9:00 PM w/The Sexy Accident and Miki P.]

18. Barnaby Bright – “Just The Same”
from: Barnaby Bright / Shortest Night Music / June 21 , 2019
[Brooklyn-based indie folk rock duo Barnaby Bright, have garnered high accolades for their lyrically captivating and impeccably balanced songwriting and sound. Finalists in the New York Song Circle Contest for two years in a row, Barnaby Bright was awarded the Grand Prize, winners in November 2010 for their song, “Don’t Look Down.” Formed in 2009, Barnaby Bright is Becky Bliss on lead vocals, harmonium, Keyboards, & Ukulele ; and Nathan Bliss on guitar, vocals, loops, and banjo. Both classically-trained, the duo has made some cool Americana records, lived in Brooklyn, Nashville and Kansas, toured coast to coast, run out of money, toured Europe, run out of money again, won high-falutin’ prizes for songwriting in New York, generally not argued, done benefit shows for prestigious US AAA radio stations, given away 200k+ tracks on Amazon, played Lincoln Center & NPR’s Mountain Stage, eaten copious amounts of vegetarian food, attracted 19k+ listeners a month on Spotify and opened for Norah Jones & the Lumineers. “This is Life,” was co-produced with Cason Cooley (Ingrid Michaelson, Matt Kearney) and speaks to where they’ve been, who they are, what they want and where they’re going. It’s smart pop with an authentic Americana stamp, not the other way round. Somewhere in there they got married, but they’d rather not talk about that.]

[Barnaby Bright play the Kansas City Songwriter Series, at Kemper Museum of Contemporary Art, Thursday, August 29, 5:00 PM to 7:00 PM, curated by KC Trumpeter Hermon Mehari. More info at: http://www.kemperart.org]

11:30 – Underwriting

19. Making Movies – “Delilah (ft. Rubén Blades)”
from: ameri’kana / 3/2 Recordings / May 24, 2019
[Produced by Steve Berlin and Ben Yonas. 3rd full length release from KC based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. The notes for this album read: “ameri’kana is a canary in a coal mine, the watchman at the tower. It is a desire to remember where we come from and assure that we better ourselves in every step along our journey. Every chapter is an example, a reason to not be silent and not accept corrupt leaders as something inevitable. ameri’kana is based on faith, faith that every person on this continent carries within themselves the ability to grow, to awaken their consciousness and merits the the same rights. We were accomplices to get ourselves to this point so we will have to be accomplices in the solutions.” This was their follow up released to their critically acclaimed I Am Another You, released May 26, 2017. The quartet has toured with Arcade Fire, Thievery Corporation, Cold War Kids, Los Lobos, Ozomatli, Tennis, Sergio Mendoza of Calexico, Rodrigo y Gabriela, and Hurray for the Riff Raff.]

[Making Movies play the 5th annual Making Movies Carnaval, Saturday, September 7, at 8:00 PM at Knuckleheads, 2715 Rochester Ave, KCMO featuring Las Cafeteras from Los Angeles, ÉSSO funk from Chicago, Grand Marquis, youth performers from The Rebel Song Academy, and folkloric dances from Mexico and Panama – the heritage of the band’s members. There will also be live art, street vendors, food trucks and more. The festival serves as benefit fundraiser for the band’s music education non-profit, Art As Mentorship. Tickets at: http://www.knuckleheadskc.com. More info at: http://www.mkngmvs.com]

11:34 – Interview with Enrique Chi

Enrique Chi is lead singer & co-founder of the KC based and internationally known band Making Movies. Enrique joins us to talk about Making Movies critically acclaimed new album, ameri’kana. Enrique is also here to share details about the 5th annual Making Movies Carnaval, Saturday, September 7, at 8:00 PM at Knuckleheads, 2715 Rochester Ave, KCMO, featuring Las Cafeteras from Los Angeles, ÉSSO funk from Chicago, Grand Marquis, youth performers from The Rebel Song Academy, and folkloric dances from Mexico and Panama – the heritage of the band’s members. There will also be live art, street vendors, food trucks and more. The festival serves as benefit fundraiser for the band’s music education non-profit, Art As Mentorship. Tickets at: http://www.knuckleheadskc.com. More info at: http://www.mkngmvs.com

Enrique Chi, thanks for being with us again on WMM.

Last time Enrique here was just before your intimate solo show “From the River to the Delta” on July 18, in Carl Butler’s Gospel Lounge a Knuckleheads. Accompanied by special guests the Altoro Sisters, and John Kizlarmut. Malek Looney, Rebel Song Academy Alumni opened the show with a mini set.

Making Movies Carnaval, will be Saturday, Sept 7, at 8:00 PM at Knucklehead’s Saloon.

ameri’kana, the highly anticipated album from Making Movies and Rubén Blades, is out today. It’s an album that is as striking musically as it is narratively. It’s the power of collaboration across generations/languages/borders- it’s a call to action.

The album is a collaboration with none other than Rubén Blades. The collaboration began at the 2017 Latin Grammys, when Blades said he wanted to work with Making Movies, setting into motion their first collaboration, No Te Calles, a calling to all artists and the general public to speak out against corruption. Inspired by the poetry of Blades on “No Te Calles” Making Movies entered the studio and dreamed up ameri’kana, an “oldies” station from the future, where the injustices sung about are long gone. The album features artists that align with speaking out against divisions, corruption, and injustices, with the hope that in the future those ills will be a memory. Steve Berlin of Los Lobos signed on to produce the album, his third time working with the group, along with co-producer Ben Yonas and together helmed the sessions that brought the featured cast of ameri’kana: Flor De Toloache, David Hidalgo of Los Lobos, Asdru Sierrra of Ozomatli, Frankie Negrón, and Las Cafeteras. Blades offered himself as a guide and resource to the band during the process, and appears on three tracks of the record, including one co-penned by Lou Reed.

“For the first time in our journey we have aimed at a focused message to stand up against the political corruption and injustices that are plaguing our beautiful continent, Abya Yala.” said Enrique Chi, guitarist & frontman of Making Movies. “We are all accomplices in it and we must be accomplices in the solution which begins with raising our voices.”

The album’s genre-breaking sound pulls from Latin music as well as rock’n’roll, which Making Movies attests are one and the same: without the influence of Latin music in North America, jazz and blues would have never been born, nor would its successor rock’n’roll. ameri’kana marks the band’s sound and mantra: “ROCK’N’ROLL IS LATIN MUSIC,” they are as inseparable as the continent itself.

Making Movies is currently celebrating the release on a tour across the U.S. and Panama. Rubén Blades and Making Movies will share the stage for the first time at the Auditorio Nacional in Mexico City on November 20th.

Upon the release of this album I Am Another You, (May 26, 2017). Making Movies kicked off a 22-date Immigrants Are Beautiful Tour, a celebration of solidarity in the face of fear-mongering and hate. Frontman Enrique Chi shared, “It’s time to realize we are all part of this continuum, this beautifully flawed human race that has migrated from every continent to bring us all the beauty we enjoy today.” The band’s social statement is straightforward enough that they can express it in four words: “We Are All Immigrants.” In supporting that cause, a portion of all proceeds from the album and tour go to the National Immigration Law Center. Enrique Chi, describes, “since making the album, the tides have shifted and the underbelly of systematic racism has reared its ugly head. It is no longer time to be silent is time for us to raise our voices.”

Making Movies play the 5th annual Making Movies Carnaval, Saturday, September 7, at 8:00 PM at Knuckleheads, 2715 Rochester Ave, KCMO featuring Las Cafeteras from Los Angeles, ÉSSO funk from Chicago, Grand Marquis, youth performers from The Rebel Song Academy, and folkloric dances from Mexico and Panama – the heritage of the band’s members. There will also be live art, street vendors, food trucks and more. The festival serves as benefit fundraiser for the band’s music education non-profit, Art As Mentorship. Tickets at: http://www.knuckleheadskc.com. More info at: http://www.mkngmvs.com

11:42

20. Making Movies & Las Cafeteras – “Montańa”
from: Montańa – Single. / 3/2 Records / June 8, 2018
[Las Cafeteras’ album “Tastes Like L.A.” (released April 14, 2017) was part of WMM’s 117 Best Recordings of 2017. They call themselves a Chicano band from East Los Angeles, California. Their music fuses spoken word, folk music, with traditional Son Jarocho, Afro-Mexican music and zapateado dancing. The band started out as students of the Eastside Café, a community space in El Sereno, LA, where they took Son Jarocho classes. Influenced by music from Veracruz, Mexico and eager to teach others about it, they started formally playing in 2005. Since forming, they have shared the stage with artists such as, Caifanes, Lila Downs, Juanes, Ozomatli, Edward Sharpe and the Magnetic Zeroes and the Los Angeles Philharmonic. Their namesake derives from the organization where they took classes. To honor women, they feminized their group name by naming themselves Las Cafeteras, rather than Los Cafeteros. Las Cafeteras’ songs have themes and references that range from the Civil Rights Movement, United Farm Workers, DREAM Act, immigration reform to female homicides in Ciudad Juárez. Their song, “La Bamba Rebelde”, a remake of The traditional Mexican song from the state of Veracruz “La Bamba”, denotes their Chicano pride. They say that they construct their music as a tool for creating positive change and inspiring others to do so. Band Members include: Daniel French on vocals, jarana, MC; David Flores on requinto jarocho; Denise Carlos on vocals, jarana, zapateado, glockenspiel; Jose Cano on cajón, Native American flute, harmonica; Hector Flores on vocals, zapateado; Leah Gallegos on vocals, quijada, zapateado.] [Las Cafeteras played Folk Alliance International 2017 Conference.]

Enrique Chi

11:44 – Interview with Enrique Chi

Enrique Chi, lead singer & co-founder of the KC based and internationally known band Making Movies is here with us in our 90.1 FM Studios to share details about the 5th annual Making Movies Carnaval, Saturday, September 7, at 8:00 PM at Knuckleheads, 2715 Rochester Ave, KCM, featuring Las Cafeteras from Los Angeles, who we just heard in a collaboration with Making Movies.

Enrique Chi, thanks for being with us again on WMM.

Making Movies play the 5th annual Making Movies Carnaval, Saturday, September 7, at 8:00 PM at Knuckleheads, 2715 Rochester Ave, KCMO featuring Las Cafeteras from Los Angeles, ÉSSO funk from Chicago, Grand Marquis, youth performers from The Rebel Song Academy, and folkloric dances from Mexico and Panama – the heritage of the band’s members.

Tickets at: http://www.knuckleheadskc.com. More info at: http://www.mkngmvs.com

Enrique Chi thanks for being on WMM.

21. ÉSSO – “La Calle”
from: Juntos / Esso Afrojam Funkbeat / September 8, 2017
[ESSO’s second full length album on their own “Sonic Octopus Records” brings a more concise and focused approach for the diverse multi-faceted band. “Juntos” is a step forward in the arrangement and definition of this Chicago based collective. “ESSO might just be the band the country needs in these dark days of the Trump presidency.” -Agúzate.org (Sept 2017) Esso Afrojam Funkbeat is a large conglomeration with a rich guest list, mixing upbeat salsa on pieces like “Baila” and “Mariposa Negra” to hip hop tunes such as “Mi Gente” and the electric grooved “Cumbia Del Encanto.” Some folk guitar and lovely voice by Diana Mosquera create a rich atmosphere on “Cumbia Triste” and folk driven flute from Matthew Davis teams with indie moods on “Stone Eagle.” Traditional sounds with Millennial hearts – JazzWeekly (November 2017) “Music is an amazing thing. You don’t have to understand any of the lyrics of a song to be moved by the melody and the rhythm. Juntos, the latest album from Esso Afrojam Funkbeat is a great testament to this phenomenon. Even if you don’t understand a word of Spanish, you’re likely to find yourself moving when you listen to it.” – AXS (Sept 2017) All songs performed by ¡ESSO! Afrojam Funkbeat. Armando Pérez recorded + mixed = produced at Belmont Electric Studios, Chicago IL. Rollin Weary mastered at IV Labs, Chicago IL. Mark Ettinger, piano recorded at the Lethe Lounge, NYC. AfroQbano beats, Patrick’s piano, and Jess’ batá drums recorded at Ekibo’s, Chicago IL. Aaron Feder, guitar recorded at Alma Studios, Barcelona, Spain. Music and lyrics by Armando Pérez except for: additional music and lyrics on “Mariposa Negra, Cumbia Triste, Sangre” by Diana Mosquera. “Mi Gente” music and verse by Kevin Miller. “Homenaje” lyrics are traditional Yoruban Chants. Programmed beats on “Meet Me Out, Piramides, Stone Eagle” by AfroQbano. Rhymes and spoken word poems written by all emcees respectively Poetas mexicanos invitados por Syncretik Productions. Sonic Octopus Recordings Copyright 2017 Fantasy Bunker Publications ASCAP.]

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on Wednesday, September 4, Madisen Ward, of Madisen Ward and the Mama Bear join us with KKFI Development Director Bill Sundahl to share all the details and play music from the 15th annual Crossroads Music Festival, featuring 30 bands in 6 venues with Day parties and Drumlines More information at CMFKC.COM

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #800

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WMM Playlist from Oct. 10, 2018

Holly Near photo by Irene Young

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 10, 2018

Spinning Records With Marion Merritt
+ Holly Near

10:00

Marion Merritt

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For 14 years now she has been sharing her sonic discoveries and information from her musically encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / Dec. 20, 1979
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. Tunde Mabadu – “Amupara Ko Ma Dara”
from: Viva Disco / Mr. Bongo / July 27, 2018 [Reissue]
[Viva Disco one was of two albums that Mabadu recorded as Tunde Mabadu & His Sunrise during the 1970s, the second of which was called Bisu. By this time, Mabadu was “already a fanciful and continental saxophonist of any language,” shares Femi Ewetade in Viva Disco‘s liner notes. Originally released on Afrodisia – and fetching upwards of £500+ – Viva Disco’s euphorically funky, horn-filled six tracks have been remastered for this new reissue.]

4. Femi Kuti – “One People One World”
from: One People One World / Knitting Factory Records / February 23, 2018
[Olufela Olufemi Anikulapo Kuti was born June 16, 1962 and is popularly known as Femi Kuti, a Nigerian musician born in London and raised in Lagos. He is the eldest son of afrobeat pioneer Fela Kuti, and a grandchild of a political campaigner, women’s rights activist and traditional aristocrat Funmilayo Ransome Kuti. Femi’s musical career started when he began playing in his father’s band, Egypt 80. In 1986, Femi started his own band, Positive Force, and began establishing himself as an artist independent of his father’s massive legacy. His first record was released in 1995 by Tabu/Motown, followed four years later by Shoki Shoki (MCA), which garnered widespread critical acclaim. In 2001 he collaborated with Common, Mos Def and Jaguar Wright on Fight to Win, an effort to cross over to a mainstream audience, and started touring the United States with Jane’s Addiction. In 2004 he opened The Shrine, his club, where he recorded the live album Africa Shrine. After a 4-year absence due to personal setbacks, he re-emerged in 2008 with Day by Day and Africa for Africa in 2010, for which he received two Grammy nominations. In 2012 he was both inducted into the Headies Hall of Fame (the most prestigious music awards in Nigeria), was the opening act on the Red Hot Chili Peppers’ European arena tour and became an Ambassador for Amnesty International.]

5. Still Corners – “In the Middle of the Night”
from: Slow Air / Wrecking Light / August 17, 2018
[Still Corners are a London-based dream pop/synthpop musical project consisting of songwriter/producer Greg Hughes and vocalist Tessa Murray. Still Corners self-released their debut EP, Remember Pepper?, on 13 June 2008, followed by a 7″ single, “Don’t Fall in Love”, released by UK label The Great Pop Supplement on 30 August 2010. The duo signed with record label Sub Pop in 2011 and issued their first full-length debut, Creatures of an Hour, to favourable reviews. In October 2012, the band released a new single, “Fireflies”, which was named “Best New Track” by Pitchfork. In February 2013, Still Corners announced that their second album, Strange Pleasures, would be released on Sub Pop in May 2013. The second single, “Berlin Lovers”, received widespread coverage.[6]On 29 June 2016, the band announced the 16 September release of their third album, Dead Blue, on their own Wrecking Light Records label; Still Corners also shared the video for the album’s first single, “Lost Boys.]

6. Cowboy Junkies – “All That Reckoning, Pt. 1”
from: All That Reckoning / Latent Records / July 13, 2018
[The Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985. The group was formed in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timmins are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was initially a member of the band but left the group before the recording of their first album. The band line-up has never changed since, although they use several guest musicians on many of their albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first. The Junkies’ 1986 debut album, produced by Canadian producer Peter Moore, was the blues-inspired Whites Off Earth Now!!, recorded in the family garage using a single ambisonic microphone. The Junkies gained worldwide fame and recognition with their second album, The Trinity Session, recorded in 1987 at Toronto’s Church of the Holy Trinity. Their sound, again using the ambisonic microphone, and their mix of blues, country, folk, rock and jazz earned them both critical attention and a strong fan base. The Los Angeles Times named the recording as one of the ten best albums of 1988. The Cowboy Junkies have gone on to record a total of sixteen studio albums and five live albums, and remain an active band for over thirty years.]

7. Cowboy Junkies – “All That Reckoning, Pt. 2”
from: All That Reckoning / Latent Records / July 13, 2018

10:32 – Underwriting

8. Blood Orange – “Orlando”
from: Negro Swan / Domino Recording Co / August 24, 2018
[Devonté Hynes aka David Joseph Michael Hynes,was born December 23, 1985, better known as Blood Orange and formerly Lightspeed Champion, is a British singer, songwriter, composer, producer, dancer and director. From 2004 to 2006, Hynes was a member of the band Test Icicles, playing guitar, synth, and occasionally performing vocals. They released one full-length album in 2005. Hynes went on to release two solo studio albums as Lightspeed Champion and subsequently four more as Blood Orange, between 2008 and 2018. He has written, played or produced for artists such as Tinashe, Solange Knowles, Sky Ferreira, FKA twigs, Haim, Florence and the Machine, Carly Rae Jepsen, Diana Vickers, The Chemical Brothers, Kylie Minogue, A$AP Rocky and Blondie. Hynes was voted the 49th ‘coolest person in rock’ in NME’s 2007 Cool List, jumping to position 20 in the following year’s list]

9. Bosley – “I Just Can’t Stand It”
from: Unreal Fire / Bosley Music / June 15, 2018
[Bosley Brown is the soulful alter-ego of American singer, songwriter and producer Thomas Mayer. Bosley has performed alongside Sharon Jones and the Dapkings, Galactic, Dr. Dog, and many other contemporary rock/soul acts. His music has been featured in series on HBO, Comedy Central and in several feature films. With the release of his debut album Honey Pig in 2011, Bosley was born. Honey Pig showcased a talent for pop songwriting and a stylistic range from early James Brown to Waits-ian jazz ballads, all channeled through Mayer’s dynamic and powerful voice. Adopting a 70’s Soul Review format, Bosley began touring and performing with an immaculately dressed 9-10 piece band complete with a horn section and choreographed back up singers. The music and band were gaining popularity, but as the party raged on, behind the scene things for Mayer were on a personal decline. In 2012, Thomas came clean about a decade long struggle with Alcohol and drug addiction. After taking time off to seek treatment, he reassembled a new band and began writing and performing again. Seeing a second chance for a life beyond the grip of addiction, Mayer embraced sobriety and dedicated himself back to his music career. The result of these struggles was 2015’s deeply personal and hysterically fun follow up album, The Dirty Dogs Radio Show. TDDRS serves as a personal testament to loving the party and knowing it can’t last. Bosley’s 3rd album, Unreal Fire dances between the old and the new taking the vintage sounds of Stax and Motown and combining it with contemporary Pop appeal. UF is at once an tribute to the bygone days of analog recording and a retrospection of the music of that era. Recorded meticulously live in analog, Bosley delivers the best synthesis to date of his unique knack for danceable, melodic pop and heartfelt human experience. \]

10. Ural Thomas & the Pain – “Slow Down”
from: The Right Time / Tender Loving / September 26, 2018
[If life was at all fair Ural Thomas would be a household name, his music slotted into countless sweet, seductive mixtapes between James Brown, Otis Redding, and Stevie Wonder (all of whom Thomas has performed with.) Straddling the line between hot soul shouter and velvety-smooth crooner, Thomas released a few singles in the late 60’s and early 70’s; most notably “Can You Dig It”, which featured backing vocals from soul luminaries Merry Clayton, Mary Wells and Brenda Holloway. Thomas played over forty shows at the legendary Apollo Theater before turning his back on an unkind business and heading home to Portland, OR. It goes without saying that a man practically built out of rhythm would never stop playing music. Thomas began hosting a regular Sunday night jam session at his home that ran for nearly twenty years. A de facto mentor to many of the younger players, Thomas reminds us all that “If you care about what you’re doing, you need to build those muscles and do the work. Don’t get discouraged, do it for love. Even if you’re digging ditches, do it with passion.” In 2014, local soul DJ Scott Magee sat in on drums. The two became fast friends and at Magee’s urging Thomas decided to give his musical career another shot. Magee became the musical director, they put together a band, and in 2016 released a self-titled album on Mississippi Records. In 2017 Thomas signed with Tender Loving Empire and began work on what, in many respects, will be his debut full length. Diving deep into lifetime of melodic creativity, Thomas and his band got to work. Recorded in Magee’s studio Arthur’s Attic, The Right Time features the air-tight work of Magee on drums, percussion, and backing vocals, Bruce Withycombe (The Decemberists) on baritone sax, Portland jazz scene fixture Brent Martens on guitars and vibraphone, Arcellus Sykes on bass, Steve Aman (Lady Rizo) on piano and organ, Dave Monnie on trumpet, Willie Matheis (Cherry Poppin’ Daddies) on tenor sax, and Jasine Rimmel, Joy Pearson, Sarah King, Rebecca Marie Miller on backing vocals. The Arco Quartet performed the strings, and the record was engineered and mixed by Jeff Stuart Saltzman (Blitzen Trapper) and mastered by JJ Golden (Sharon Jones, Ty Segall). One might think after a sizeable taste of early success Thomas would be more than a touch bitter – yet the opposite is true. “We have to be positive if we want the world to get better” Thomas advises. “We’ve come a long way, but if you carry a grudge with the whole world you’ll stop your growth. We’re a family, all just brothers and sisters, descendants of Adam. You can’t get anywhere without an open heart.” A developing artist at nearly eighty years old, for Thomas music has always been about bringing people together. “If we play for twenty people we cook it like it’s twenty thousand” says Thomas. “If we make someone smile we’re satisfied. They’re ain’t no difference between us. It’s all love and brotherhood. If folks listen to my record and feel that I’ll feel very blessed.” Standing in bold defiance of the idea that aging is a reason to slow down and stop living, for Thomas the right time to get down is the next time someone plugs in a guitar or puts on a record. Ural is ready – are you?]

11. Spiritualized – “The Morning After”
from: And Nothing Hurt / Fat Possum Records / September 7, 2018
[Spiritualized are an English space rock band formed in 1990 in Rugby, Warwickshire by Jason Pierce (often known as J. Spaceman), formerly of Spacemen 3. The membership of Spiritualized has changed from album to album, with Pierce—who writes, composes and sings all of the band’s material—being the only constant member. Spiritualized have released eight studio albums. The best known and most critically acclaimed of these is 1997’s Ladies and Gentlemen We Are Floating in Space, which NME magazine named as their Album of the Year, beating other critically acclaimed albums such as Radiohead’s OK Computer and The Verve’s Urban Hymns.]

12. Spiritualized – “The Prize”
from: And Nothing Hurt / Fat Possum Records / September 7, 2018

11:01- Station ID

13. Cat Power – “Stay”
from: Wanderer / Domino Recording Co / October 5, 2018
[10th studio album by Cat Power. The album was produced entirely by Marshall herself and was written and recorded in Miami and Los Angeles over the past few years, she stated: “The course my life has taken in this journey—going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. Folk singers, blues singers, and everything in between. They were all wanderers, and I am lucky to be among them.” The album includes a collaboration with Lana Del Rey, whom Marshall opened for on the European leg of her LA to the Moon Tour. It is her first album to not be released on Matador since 1996. In support of the release, Marshall has embarked a world tour, that began in September. Charlyn Marie “Chan” Marshall was born January 21, 1972, She is better known by her stage name Cat Power. She is a singer-songwriter, musician, occasional actress, and model. Cat Power was originally the name of Marshall’s first band, but has become her stage name as a solo artist. Born in Atlanta, Marshall was raised throughout the southern United States, and began performing in local bands in Atlanta in the early 1990s. She was discovered opening for Liz Phair in 1994 by Steve Shelley of Sonic Youth and Tim Foljahn of Two Dollar Guitar, with whom she recorded her first two albums, Dear Sir (1995) and Myra Lee (1996), on the same day in 1994. In 1996 she signed with Matador Records, and released a third album of new material with Shelley and Foljahn, What Would the Community Think. Following this she released the critically acclaimed Moon Pix (1998), recorded with members of Dirty Three, and The Covers Record (2000), a collection of sparsely-arranged cover songs. After a brief hiatus she released You Are Free (2003), featuring guest musicians Dave Grohl and Eddie Vedder, followed by the soul-influenced The Greatest (2006), recorded with numerous Memphis studio musicians. A second album of cover tracks, Jukebox, was released in 2008. In 2012 she released the self-produced Sun, which debuted at number 10 on the Billboard 200, the highest charting album of her career to date. Critics have noted the constant evolution of Cat Power’s sound, with a “mix of punk, folk and blues” on her earliest albums, and elements of soul and other genres more prevalent in her later material. Her 2012 album Sun incorporated electronica, in a self-proclaimed move from the “slower” guitar-based songs she initially wrote for the album.]

14. Adrianne Lenker – “symbol”
from: abysskiss / Saddle Creek / October 5, 2018
[Adrianne Lenker has been writing songs since she was 10 years old. Her “back story” has been well documented in various interviews and profiles for Big Thief over the last 3 years. Despite, or more likely because of, the constant touring and studio work, the last few years have been some of the most prolific for Lenker as a writer. Songs pop out at soundcheck. They pop out on late night drives between cities. They pop out in green rooms, hotel stairwells, gardens, and kitchens around the world. In the hands of Lenker, songwriting is not an old dead craft. It is alive. It is vital. With little regard for standard album cycle practice or the idea of resting at all, Lenker set out to make a document. Songs can be slippery and following 2+ years on the road with Big Thief, Lenker felt a growing need to document this particular time in her life in an intimate, immediate way. The result is her new album, abysskiss, out October 5th via Saddle Creek. “I want to archive the songs in their original forms every few years,” explains Lenker. “My first solo record I made was Hours Were the Birds. I had just turned 21 and moved to New York City where I was sleeping in a warehouse, working in a restaurant and photographing pigeons. Now five years later, another skin is being shed.” Following a two week road trip through the southwestern United States, Lenker headed into the studio with longtime friend Luke Temple. Temple put on his loosely fitting, bright orange, 100% wool producer hat and for one week they made music. The songs chosen for this collection were the songs that felt the most alive in the room. These are not castaways or B-sides. Some of these songs have been alive for years while some were written just days before the session. Some will appear in different future forms, some will not. The thread that connects these songs is not something that can easily be put down in words. Intuition connects these songs. They are a record of a time. With this collection, Lenker further illuminates to the listening public what those close to her already know; here we have a songwriter of the highest order, following her voice and the greater Voices that pass through her with an unflinching openness and clarity of translation.]

15. The Holydrug Couple – “I’ll Only Say This”
from: Hyper Super Mega / Sacred Bones / September 14, 2018
[The Holydrug Couple is a psychedelic rock duo from Santiago, Chile. The Holydrug Couple began in 2008. They released their first album in 2011 titled Awe via BYM Records. Shortly after the release, the band caught the attention of Sacred Bones Records, who signed the band to their label. Later that year, the band released an EP titled Ancient Land. In 2013, the band released their second full-length album and major label debut, Noctuary via Sacred Bones. In 2014, the band released a 7″, with Everyone Knows All on the A side and Quetzal on the B side. In 2015, The Holydrug Couple released their third full-length album (second on their label) titled Moonlust on May 12. In 2016, the band released their fourth full-length album (second on their chilean label BYM Records) titled Soundtrack for Pantanal. Band members include: Ives Sepúlveda (Vocals, Guitar, Bass, Keys) and Manuel Parra (Drums) In the studio: Ives Sepúlveda (Vocals, Guitar, Bass, Keys, Drums, Production, Engineering) Manuel Parra (Drums). Studio albums include: Awe (2011, BYM); Noctuary (2013, Sacred Bones); Noctuary Demos (2013, BYM); Moonlust (2015, Sacred Bones); Moonlust Demos (2016, BYM); Soundtrack for Pantanal (2016, BYM); and Hyper Super Mega (2018, Sacred Bones).]

16. Anemone – “Why Do I Worry”
from: Silver Star / Music On Vinyl / August 31, 2018
[Debut album. Raw and psychedelic soundscapes, Madchester grooves and nineties Pop songs, Anemone started combining these elements in the spring of 2017. The band from Rotterdam played dozens of shows in their first year and recorded their debut album ‘Silver Star’ in August with Patrick Delabie, who also recorded the first The Afterveins LP of frontman Xander van Dijck. Beside the Afterveins, band members also played in The Medics and Moon Tapes. In the record collections of the band members, you’ll find some nice albums of The Brian Jones Town Massacre/Oasis and during live shows you can hear people whisper about the Smiths.]

17. Waxahatchee – “Singer’s No Star”
from: Great Thunder – EP / Merge / September 7, 2018
[Waxahatchee is an American indie music project, formed in 2010 by American singer-songwriter Katie Crutchfield, previously a member of P.S. Eliot. The band is named after Waxahatchee Creek, in Alabama. Originally an acoustic solo project, her recordings tend to now involve a backing band and the music has increasingly more often been performed in this way. Crutchfield, as Waxahatchee, has released 4 albums to date; American Weekend (2012), Cerulean Salt (2013), Ivy Tripp (2015), and Out in the Storm (2017).]

Marion Merritt thanks for being with us on Wednesday MidDay Medley. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri. More info at: http://www.recordswithmerritt.com

11:29 – Underwriting

18. Holly Near – “Are You Kidding Me”
from: 2018 / Calico Tracks Music / June 29, 2018

Holly Near photo by Irene Young

11:34 – Interview with Holly Near

Earlier this month a new documentary film about Holly Near‘s life called “Holly Near Singing For Our Lives” from award winning director Jim Brown premiered at the Mill Valley Film Festival. On June 29th, legendary singer songwriter, actress, teacher and activist – Holly Near released her 31st album, titled “2018.” Born in Ukiah, CA in 1949, Holly started performing at the age of 8, then acting and soing in school plays and musicals and studiing theatre at UCLA. She built her performing career with acting parts on 1970s television shows like Mod Squad, Room 222, All in The Family, and The Partridge Family as well as work in motion pictures. In 1970 she was a cast member of the Broadway musical Hair. Following the Kent State shootings in May of that year, the entire cast staged a silent vigil in protest.

In 1971, Holly Near joined the Free The Army tour, an anti-Vietnam War road show organized by antiwar activist Fred Gardner, Jane Fonda and Donald Sutherland. In 1972, Holly was one of the first women to create an independent record company Redwood Records. Often cited as one of the founders of the Women’s Music movement, Holly led the way for outspoken women in the music world, and worked for peace and multicultural consciousness. Throughout her long career Holly has continued working in film, stage, and music where she has collaborated with: Pete Seeger, Ronnie Gilbert, Arlo Guthrie, Mercedes Sosa, Bernice Johnson Reason, Bonnie Raitt, Jackson Browne, Joan Baez, Phil Ochs, Harry Belafonte, Cris Williamson, and many others. This Sunday, October 14, 7:00 PM, Willow Productions presents Holly Near w/ Jan Martinelli & Tammy Hall at All Souls Unitarian Universalist Church, 4501 Walnut, KCMO.

Holly Near Thanks for being with us on WMM

Holly Near’s new record “2018” is a direct response to the times we are currently living through: including environment, aging, domestic violence and the unresolved storm damage in Puerto Rico. Her career as a musician has been intrinsically woven into the fabric of our times, the Vietnam War, Kent State, Women’s Equality, Safe Energy, the rights of LGBTQ people.

On Sunday night at All Souls Unitarian Universalist Church She will be performing with Jan Martinelli on electric and acoustic bass and Tammy Hall on keyboards. Both of these musicians play with her on “2018,” and have collaborated with her on past projects.

Holly Near’s professional career began in 1969 with a part on the television show The Mod Squad, followed by appearances in other shows, such as Room 222, All in the Family, and The Partridge Family. She also appeared in films such as Kurt Vonnegut’s Slaughterhouse-Five, Minnie and Moskowitz, and had a prominent role in the 1991 film Dogfight.

In 1970, Near was a cast member of the Broadway musical Hair. On May 4, Ohio National Guard opened fire on unarmed Kent State students protesting the bombing of Cambodia by the United States Military forces. The 28 guardsmen fired over 67 rounds, killing four and injuring nine. Following the Kent State shootings, the entire cast of Hair staged a silent vigil in protest. Holly wrote the song, “It Could Have Been Me” (released on A Live Album, in 1974), was her heartfelt response to the shootings.

In 1971, Holly Near joined the FTA (Free The Army) Tour, an anti-Vietnam War road show of music, comedy, and plays that performed for soldiers, many of whom were resisting war and racism from within the military. The tour was organized by antiwar activist Fred Gardner and actors Jane Fonda and Donald Sutherland. Near was only 21 and the youngest member of the troupe.

In 1972, Near founded an independent record label called Redwood Records to produce and promote music by “politically conscious artists from around the world”. She was one of the first women to found an independent record company. Near’s record company went out of business in the mid-1990s due to financial difficulties.

In 1978 Holly Near wrote, “Singing For Our Lives” in the immediate wake of the assignation of openly gay San Francisco Board of Supervisors Member Harvey Milk, and Mayor George Moscone on November 27, 1978. “Singing For Our Lives” appears in Singing the Living Tradition, the official hymnal of the Unitarian Universalist Association, under the title “We Are A Gentle, Angry People” (Hymn #170). The hymn was also performed by Quaker Friends in an episode of the TV series Six Feet Under.

Elizabeth Anderson wrote: It urges us to follow Harvey’s imploring words: “Gay brothers and sisters, you must come out.” Kansas City’s Heartland Men’s Chorus sang this song two years ago.

Lee Hartman wrote: “Singing for Our Lives, written by Holly Near as she attended Harvey Milk’s memorial, was the most moving moment of the evening and even more so in retrospect. Audience members, at least those from my vantage point in the balcony, stood and joined in the singing of this unofficial anthem of the LGBTQ movement. Many held their loved ones closer and most were teary eyed. Rightfully, HMC reportedly repeated this piece at the (Pulse Orlando shootings) vigil following its Sunday performance.”

During her long career in folk and protest music, Holly Near has worked with a wide array of musicians, including Ronnie Gilbert, Pete Seeger, Arlo Guthrie, Mercedes Sosa, Bernice Johnson Reagon, Bonnie Raitt, Jackson Browne, Meg (Shambhavi) Christian, Cris Williamson, Linda Tillery, Joan Baez, Phil Ochs, Harry Belafonte, and many others, as well as the Chilean exile group Inti-Illimani.

Near has been recognized for her work for social change, including honors from the ACLU, the National Lawyers Guild, the National Organization for Women, NARAS, Ms. Magazine (Woman of the Year), and the Legends of Women’s Music Award. In 1989 Holly Near received a Dr of Humane Letters at World College West in California.

Holly Near (born June 6, 1949 in Ukiah, California) is an American singer-songwriter, actress, teacher, and activist. Holly Near was raised on a ranch in Potter Valley, California. She was eight years old when she first performed publicly, and she auditioned for Columbia Records when she was ten. She sang in all the high school musicals, talent shows and often was invited by local service groups to sing at their gatherings. Groups like the Soroptimist Club, Lions Club, and Garden Club. Her senior year she played Eliza Doolittle in Ukiah High School production of My Fair Lady. In the summer Holly attended performing arts camps such as Perry-Mansfield in Colorado and Ramblerny Performing Arts where she studied with jazz musicians Phil and Chan Woods and modern dancer/choreographer Joyce Trisler.

After starting high school in 1963, Holly Near began singing with three boys who called themselves the Freedom Singers, a folk group modeled after the Kingston Trio. When Holly joined, they began to sound more like The Weavers, three male voices and one female. Near learned later of the original Freedom Singers who sang as part of the Civil Rights Movement. Unbeknownst to her, Holly would soon meet one of the founding members of that group, Dr. Bernice Johnson Reagon, an artist who would be a great influence for the next 40 + years. She would also meet and work with the female singer in The Weavers, Ronnie Gilbert.

After high school, Near enrolled in the Theatre Arts program at UCLA; her freshman year she got the lead in the UCLA production of Guys and Dolls playing soprano Sarah Brown. Because Near was trained in a lower range she got nodules on her vocal chords and had to leave the show. She entered in to a long period of silence until her voice healed. After one year, she left UCLA and began to work in film and television as well as with anti war groups such as Another Mother for Peace.

She was briefly a member of the musical comedy troupe, “First National Nothing”, and appeared on the troupe’s only album, If You Sit Real Still and Hold My Hand, You Will Hear Absolutely Nothing (Columbia Records – LP C 30006).

Near wrote an autobiography in the early nineties called Fire in the Rain, Singer in the Storm. Later, with her sister Timothy, Near co-wrote a one-woman show based on the stories in the book. The show was presented at The San Jose Rep and in Los Angeles at The Mark Taper Forum, as well as productions in San Francisco and off Broadway in NYC. In April 2004, Holly performed at the March for Women’s Lives in Washington, DC where she sang “We Are Gentle Angry People” and “Fired Up” a capella.

The following year, Near was named among the “1000 Women for the Nobel Peace Prize”. Near continues an active tour schedule and as of 2012 had a discography of 29 albums. She is still active as a performer and composer, and she has begun issuing CDs available through her website that include tracks from her out-of-print albums.

Holly Near was named an Honoree for National Women’s History Month for 2015. She continues performing concerts, music festivals & rallies. Near hosted many of the tributes to both Pete Seeger & Ronnie Gilbert, members of the seminal folk group The Weavers.

Holly has been an honored guest at several of the GALA Gatherings, a conference of GLBTQ choirs and choruses. In her work with the choruses she focuses on diction, drama, and understanding the intention of the lyric. She also appears as a soloist with several of the choruses and many of her songs have been arranged for choral singing.

In 2018, Holly released a new recording called, 2018 reflecting some of the issues of the day including environment, aging, domestic violence and the unresolved storm damage in Puerto Rico. In October of 2018, a documentary film about Near’s life and work made by award winning director Jim Brown premiered at the Mill Valley Film Festival and received standing ovations and high acclaim.

As a result of her travels in the Pacific with the FTA show, Near became a feminist, linking international feminism and anti-war activism. In 1976, Near came out as a lesbian and began a 3-year relationship with musician Meg Christian. Near was probably the first out lesbian to be interviewed in People Magazine. She added LGBT issues to her international peace work as she continued to present social change music around the world and at home. Although Holly was one of the most visible artists in the lesbian community, she was also becoming aware that “monogamous” defined her sexuality more than any other title.

Near is dedicated to the rights of LGBTQ+ communities and works to create a cultural forum for diversity. Near writes, “For many, sexual identity and/or gender identity is the primary door through which they walk. It is what politicized them. It is what feeds their emotional and spiritual perspectives. I totally honor this. Even though sexual preference is maybe 5th or 10th on my personal list of priorities now, I will always work for all of us to have self determination over our bodies, our identities, our relationship choices.”

Near spent a year traveling across the US camping out of her car and staying with friends. She went to Argentina and Chile to study & write. She currently rents a 1 bedroom apartment in Sonoma County, Ca. and she spends time in NYC. She drives a 2003 VW. “auntie” & “grandma” to several young people even though Near never had children.

Holly Near Discography

Hang in There, Redwood Records (1973) (support of the people of Vietnam)
A Live Album, Redwood Records (1975)
You Can Know All I AM, Redwood Records (1976)
Imagine My Surprise, Redwood Records (1978) (with Meg Christian)
Fire in the Rain, Redwood Records (1981) produced by June Millington
Speed of Light, Redwood Records (1982)
Journeys, Redwood Records (1983)
Lifeline, Redwood Records (1983) (with Ronnie Gilbert)
Watch Out!, Redwood Records (1984) (with John McCutcheon and Trapezoid)
Sing to Me the Dream, Redwood Records (1984) (with Inti Illimani)
HARP, Redwood Records (1985) (w/ Pete Seeger, Ronnie Gilbert & Arlo Guthrie)
Singing With You, Redwood Records (1987) (with Ronnie Gilbert)
Don’t Hold Back, Redwood Records (1987)
Sky Dances, Redwood Records (1989)
Singer in the Storm, Chameleon Music Group (1990) (with Ronnie Gilbert)
Musical Highlights, Redwood Records/Calico tracks (1993) (Fire in the Rain written by Holly Near & Timothy Near)
This Train Still Runs, Abbe Alice Music (1996) (with Ronnie Gilbert)
With a Song in My Heart, Calico Tracks Music (1997) (songs of 30s & 40s)
Edge, Calico Tracks Music (2000)
Cris & Holly, HC Recordings (2003) (w/Cris Williamson, pianist John Bucchino)
Show Up, Calico Tracks Music (2006)
Sing to Me the Dream, Calico Tracks Music (2008) (historic live recording of 1984 Peace in the Americas Tour w/ Inti Illimani)
We Came to Sing, Calico Tracks Music (2009) (with emma’s revolution)
Peace Becomes You, Calico Tracks Music (2012)
2018, Calico Tracks Music (2018)

Holly Near Filmography

Angel, Angel, Down We Go (1969), Tara Nicole Steele
The Magic Garden of Stanley Sweetheart (1970), Fran
The Todd Killings (1971), Norma
Minnie and Moskowitz (1971), Irish
F.T.A. (1972), Herself
Slaughterhouse-Five (1972), Barbara Pilgrim
The Weavers: Wasn’t That a Time! (1982), Herself (documentary interview)
Women of Summer (1985), Herself (documentary; performance at reunion)
Dogfight (1991), Rose Sr.
Heartwood (1998), Lucille Burris
Holly Near Singing For Our Lives (2018) Herself (documentary by Jim Brown)
Television movies[edit]
Mr. and Mrs. Cop (1974), Mrs. Salmon

Holly Near TV appearances

The Bold Ones: The Senator, Sylvia – in the episode “Power Play” (1970)
Room 222, Esther – in the episode “The Lincoln Story” (1970)
All in the Family, Mona – in the episode “Gloria Has a Belly Full” (1971)
The Partridge Family, Phyllis – in the episode “The Selling of the Partridges” (1973)
L.A. Law, Lucille Skerritt – in the episode “Spleen It to Me, Lucy” (1991)

Earlier this month a new documentary film about Holly Near’s life called “Holly Near Singing For Our Lives” from award winning director Jim Brown premiered at the Mill Valley Film Festival.

Holly Near, Thanks for being with us on WMM

Holly Near with Jan Martinelli & Tammy Hall / photo by Irene Young

Willow Productions presents Holly Near with Jan Martinelli & Tammy Hall at All Souls Unitarian Universalist Church, 4501 Walnut, KCMO, on Sunday, October 14, at 7:00 PM. Tickets at http://www.brownpapertickets.com

19. Holly Near – “Singing For Our Lives”
from And Still We Sing: The Outspoken Collection / Calico Tracks Music / Sept 17, 2002
[Written in the immediate wake of Harvey Milk’s assassination in 1978. “Singing For Our Lives” appears in Singing the Living Tradition, the official hymnal of the Unitarian Universalist Association, under the title “We Are A Gentle, Angry People” (Hymn #170). It was also performed by Quaker Friends in an episode of the TV series Six Feet Under.]

20. Leela James – “A Change Is Gonna Come”
from: A Change Is Gonna Come / Warner Brothers – WEA / 2005
[Ms. James first burst onto the scene with her 2006 debut album A Change is Gonna Come, introducing audiences to her considerable vocal chops and garnering nominations for Outstanding New Artist at the NAACP Image Awards and Best R&B/Soul or Rap New Artist of 2008 at the Soul Train Music Awards. James has gone on to record three subsequent albums including My Soul, which reached #7 on the Billboard Hot R&B/Hip Hop Albums Chart and #37 on the Billboard 200 chart, and earned acclaim from critics for her songwriting skills. Fall For You has similarly climbed the charts, its single by the same name reaching the top 15 on the Urban AC charts in 2014/15.]

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on October 17, Jennifer Owen of Owen Cox Dance Ensemble joins us to share information about their latest production, “Morena” with soprano Victoria Botero October 20 – 21 at Polsky Theatre at Johnson County Community College. Also Jake Wells joins us to share information about his show at recordBar, Monday October 22 with Calvin Arsenia & Duncan Burnett. Plus Marion Merritt and Betse Ellis join me as Guest Co-Hosts for our Fall Fund Drive to encourage you our wonderful listeners to donate to the Voice of The Community – 90.1 FM KKFI – Kansas City Community Radio.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #755

WMM Playlist from May 23, 2012

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, May 23, 2012

“Small but perfectly formed…My Ukulele”

Maria Vasquez Boyd returned as Guest Producer and Guest Co-Host for a special program that celebrates the culture, music, and the popularity of the small but perfectly formed ukulele. Ukulele roughly translates as “jumping flea” and originated in the 19th century as an Hawaiian interpretation of a small guitar.

1. Ralph Shaw – “Welcome To Our Musical World”
from: King Of The Ukulele / Indie Pool / 2006

2. George Formby – “I’m The Ukulele Man”
from: With My Little Ukulele In My Hand / Proper Records Ltd. / 2008

3. Gabby La La – “Halloween”
from: I Know You Know I Know / Gabby LaLa / 2011

10:06

4. Cliff “Ukulele Ike” Edwards – “Somebody Loves Me”
from: With My Little Ukulele In My Hand / Proper Records Ltd. / 2008

5. Hellogoodbye – “Betrayed By Bones”
from: Ukulele Recordings [EP] / Drive Thru Records, Inc. / 2008

10:15 – Underwriting

10:16 – Interview & Live Performance w/ Ukulele Fight Club

The Ukulele Fight Club

Ukulele Fight Club

Ukulele Fight Club

Ukulele Fight Club

Ukulele Fight Club includes: Joe Frogge, Susan Fiorello, Patrick Fedo, Kim Rausch McLaws, Kent Turpin, Ruth Noland, and Diane Bulan.

6. Ukulele Fight Club – “We’re Going To Be Friends” (LIVE Performance)
cover of the White Stripes song.

Joe Frogge talked about the formation of Ukulele Fight Club and helped to teach Mark how to play the Ukulele. Mark could play a C and a G chord, but his fingers were sore rom pulling weeds and he has never played a string instrument before in his life.

7. Ukulele Fight Club – “Blister in The Sun” (LIVE)
cover of Violent Femmes song.

Kim Rausch McLaws talked about working on Beatles tunes with her sister, Kasey Rausch and Elaine McMilian for the a Beatles tribute/ fund raiser for KKFI on June 9 at All Souls.

8. Ukulele Fight Club – “Love Potion #9” (LIVE)

For more info about Ukulele Fight Club you can visit: ukulelefightclub.org

11:30

9. Victor & Penny – “Exactly Like You”
from: Antique Pop / V & P Productions / December 9, 2011 [Victor & Penny performed LIVE on our Sept. 7 Wednesday MidDay Medley. This Chicago / KC based duo is Jeff Freling of the Chicago Blue Man Group; and Erin McGrane of the cabaret group Alacartoona. Antique Pop which contains 8 vintage songs plus 2 original songs written by Jeff Freling and a song written by Barclay Martin.]

10. The Ukulele Orchestra Of Great Britain – “Theme From Shaft”
from: Live In London #2 / The Ukulele Orchestra of Great Britain / 2009

10:45

11. Flare Acoustic Arts League – “Love Finds Andy Warhol”
from: Cut / Affairs Of The Heart / 2009

12. Ozzy Wright – “Vampirates”
from: Ozzy Wrongs Ukulele Songs / Volcom Entertainment / 2011

13. Kate Miccuci -“Dear Deer”
from: Songs [EP] / Kate Miccuci / 2008

11:00

14. Jake Shimabukuro – “Bohemian Rhapsody”
from: Peace, Love, Ukulele / Hitchhike Records / 2011

15. The Wiggles – “You Can Play Ukulele”
from: Ukulele Baby / Razor & Tie / 2011

11:10 – Interview with Emily Fowler Behrman

Emily Fowler Behrman, is General Manager of Johnson County Community College Performing Arts, who tells us Johnson County Community College 2012-2013 arts calendar.

Maria Vasquez Boyd interviews Emily Fowler Behrman

Emily Fowler Behrman

More info at: jccc.edu/performing-arts-series/

11:25

16. Isreal Kamakawiwo ‘Ole – “Sea Of Love”
from Unforgettable / Tropical Music, Inc. / 2008

17. Amanda Palmer – “Ukulele Anthem”
from: Ukulele Anthem Single / 8ft. Records / 2011

18. Elsa Rae – “Flowerman”
from: Plays Tiny Instruments / Independent / August 16, 2011
[Recorded at Cathouse Studios in August, 2011. All songs recorded and mixed by Mike Dresch. All songs written and performed by Elsa Rae. ]

11:40 – Interview with Chuck Wilson

Chuck Wilson, of KC Ukesters, performed LIVE in our 90.1 FM Studios and gave us all the details on KC Ukesters and their upcoming performances.

For more information about KC Ukesters you can visit: kcuke.com

19. Chuck Wilson (LIVE Performance)

11:52

20. Ukulele Rebels- “Boob Job”
from: Boob Job / LongMan Records Ltd. / 2006

21. Bright Little Field- “We’re Coming Out”
from: Treatment Bound– A Ukulele Tribute To The Replacements / Paul Westerberg -Nah Music / 2010

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

After the show, in 90.1 FM’s Green Room, Jazz Afternoon host Jeff Harshbarger gave us a little tiny concert.

Jeff Harshbarger also plays the ukulele

Jeff Harshbarger

The Ukulele Fight Club watches along with Don Simon and Philip Hooser

Wednesday MidDay Medley in on the web:
WednesdayMidDayMedley.org
facebook.com/WednesdayMidDayMedleyon90.1FM and
kkfi.org

Show #422