WMM Playlist from April 22, 2020

Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, April 22, 2020

New & MidCoastal Releases + R.I.Peter
+ Matt Kesler of The Pedaljets +
Lava Dreams aka Julia Hamilton

1. “Main Title Instrumental – It’s Showtime Folks”
from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / Dec 20, 1979
[WMM’s theme]

2. The Freedom Affair – “Imagine”
from: “Imagine” – Single / Sunflower Soul Records / March 20, 2020
[Music & Lyrics by John Lennon. The Freedom Affair is a project of Chris Hazelton of Sunflower Soul Records and Chris Hazelton’s Boogaloo 7. The Freedom Affair is: Misha Roberts on vocals, Seyko Groves on vocals, Paula Saunders on vocals, Cole Bales on guitar, Branden Moser on guitar, Chris Hazelton on bass, Dave Brick on drums, Pete Carroll on trumpet, and Brett Jackson on saxophone. Additional musicians include: Matt Bennett on violin, and Alyssa Bell in viola. Arranged, Produced, Recorded, & Mixed by Chris Hazelton. Mastered by Adam Boose at Cauliflower Audio. The Freedom Affair and their track “Rise Up” were selected to be part of Colemine Records 3xLP box set, “Soul Slabs Vol. 2” a Record Store Day Exclusive, released April 13, 2019. Colemine Records writes: “The Freedom Affair is a freight train of Kansas City soul! Dirty, funky drums, gritty horns, and the combined vocals of Misha Roberts, Seyko Groves, and Paula Saunders to put this band over the top. Politically charged soul music for the dancefloor!”]

3.Mavis Staples – “All In It Together”
from: All In It Together / Anti / April 2, 2019
[New single written by Mavis Staples and Jeff Tweedy. Produced by Jeff Tweedy. Mixed by Tom Schick. All proceeds from the song will be donated to My Block, My Hood, My City – a Chicago organization ensuring seniors have access to the essentials needed to fight COVID-19. More info here: http://www.formyblock.org. Mavis Staples on vocals; Jeff Tweedy on guitar, bass & vocals; Stephen Hodges on drums; Scott Ligon on piano; Glenn Kotche on percussion; Donny Gerrard on backing vocals; Vicki Randle on backing vocals; Kelly Hogan on backing vocals; and Akenya Seymour on backing vocals. Last year on May 10, 2019, Mavis Staples released “We Get By” her 14th studio solo album. Mavis Staples is an iconic rhythm & blues and gospel singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. The album’s cover features the photograph “Outside Looking In” by Gordon Parks from his 1956 photo essay The Restraints: Open and Hidden. The album was produced and written by Ben Harper. Staples & Harper had previously collaborated on “Love and Trust”, a song from Staples’ 2016 album, Livin’ on a High Note. In a statement, Staples said, “These songs are delivering such a strong message. We truly need to make a change if we want this world to be better.” Mavis Staples has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth.” Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down.]

4. David Bowie – “Sunday”
from: Heathen / ISO – Columbia Records / June 11, 2002
[Heathen is the 22nd studio album by David Bowie. It was considered a comeback for him in the US market by becoming his highest charting album (number 14) since Tonight (1984). It also earned strong reviews. The BBC said the album’s title track “shows that Bowie could still pen disarmingly direct, affecting pop of a very individual inclination 30-plus years after he started”. World-wide, it sold one million copies and experienced a four-month run on the UK charts. Although its production had started before the September 11 attacks in 2001, the album was finished after that date, which resulted in the influencing of its concept. He supported the album on the Heathen Tour throughout 2002. Heathen marked the return of record producer Tony Visconti, who co-produced (with David Bowie himself) several of Bowie’s classic albums. The last album Visconti had co-produced was Scary Monsters in 1980. This was Bowie’s first album in over a decade to not include guitarist Reeves Gabrels, who debuted with the singer on Tin Machine (1989). Originally, Bowie had recorded the album Toy for release in 2001. This album was meant to feature some new songs and remakes of some of his lesser-known songs from the 1960s. Although Toy remains officially unreleased, re-recordings of the tracks “Afraid” and “Slip Away” (then titled “Uncle Floyd”), appear on Heathen. Some other re-recordings of songs from the Toy sessions were included as B-sides to the singles from Heathen. The album was recorded at the mountain-top Allaire Studios in Shokan. Early recording sessions for Heathen were by Bowie on guitars and keyboards, Visconti on bass, and Matt Chamberlain on drums. The trio recorded about forty songs, ranging from brief sketches to nearly-complete compositions. Additional recording sessions took place at several studios, and featured performances from newcomers and previous Bowie collaborators. Bowie regulars Carlos Alomar (guitar) and Sterling Campbell (drums) returned, as did The Who guitarist Pete Townshend, who played the solo on “Slow Burn” and had earlier played guitar on “Because You’re Young” from Scary Monsters (And Super Creeps). Newcomers included Foo Fighters frontman and former Nirvana drummer Dave Grohl, Dream Theater keyboardist Jordan Rudess, pianist Kristeen Young, and prolific bassist Tony Levin of King Crimson. The song “I Took a Trip on a Gemini Spaceship” contains the lowest note Bowie has ever sung on an album (G1). Although many of its songs were written for Toy, and some are cover versions, biographers and critics of the time claimed that Heathen deals with Bowie’s impressions of the September 11 attacks. The lyrics of songs such as “Slow Burn”, “Afraid”, “A Better Future” and “Heathen (The Rays)” focus on the degradation of mankind and the world in general, recalling his earlier album The Rise and Fall of Ziggy Stardust and the Spiders from Mars and the song “Five Years”. Bowie denied that any of the album’s songs were written after September 2001, though he admitted that the songs deal with the general feeling of anxiety that he’d had in America for a number of years, adding “it’s not unlikely that you’re going to have a sense of angst in anything that’s recorded in New York or by New Yorkers.” He also said in a 2003 interview: “It was written as a deeply questioning album. Of course, it had one foot astride that awful event in September. So that was quite a traumatic album to finish. This one hints at that, but it’s not really trying to resolve any trauma. [September 11] did affect me and my family very much. We live down here.” The album contains cover versions of three songs: “Cactus” by Pixies, which features Bowie on all instruments except for bass and is his only recorded drum performance, “I’ve Been Waiting for You” by Neil Young (which had also been recorded by Pixies as a B-side for 1990’s “Velouria” single), and “I Took a Trip on a Gemini Spaceship” by Norman Odam, aka the Legendary Stardust Cowboy, from whom Bowie lifted part of his “Ziggy Stardust” moniker in 1972. The latter two songs were taken from a list of songs that Bowie compiled in the 1970s for his never-recorded Pin Ups 2 album. Bowie, who was 55 at the time of the record’s release, said, “I’m pretty much a realist. There’s a certain age you get to when you’re not really going to be shown [on TV] anymore. The young have to kill the old. … That’s how life works. … It’s how culture works.” For this reason there were no music videos released for any of the songs from this album. The song “Sunday” was played live at the Heathen Tour and A Reality Tour concerts. A live version recorded at The Point, Dublin in November 2003 was included on the A Reality Tour DVD. A Moby remix is available on the bonus disc of the 2-CD version of Heathen, and a Tony Visconti remix was released on the European version of the single “Everyone Says ‘Hi'” and the single “I’ve Been Waiting for You”.]

5. The MGDs – “Time For Love [feat. Danielle Nicole]”
from: Midtown / The MGDs / March 26, 2020
[Midtown is the MGDs fourth full length release following, Somos Como Somos, from November 4, 2017. The band includes: Matt Davis on drums, percussion & vocals; Greg Bush on bass; Damon Parker on keyboards & vocals; Scott “Snoof” Middleton on guitar; Rudy Vasquez on saxophones; and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends Matt, Greg and Damon in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released, “Wake Up” their 2nd full length studio album.]

6. Jenny Lewis – “Wasted Youth”
from: On The Line / Warner Records / March 22, 2019
[On the Line is the fourth studio album by Jenny Lewis. Recorded at Capitol Records’ Studio B, the album has contributions from Beck, Ringo Starr, Ryan Adams, Don Was, Benmont Tench, Jason Falkner, and Jim Keltner. A month prior to the album’s release, Ryan Adams, who helped produce the record, was accused by several women of sexual misconduct. After the album was released, Lewis told Pitchfork: “The allegations are so serious and shocking and really fucked up, and I was so sad on so many levels when I heard, I hate that he’s on this album, but you can’t rewrite how things went. We started the record together two years ago, and he worked on it — we were in the studio for five days. Then he pretty much bounced, and I had to finish the album by myself. Jennifer Diane Lewis was born January 8, 1976, in Las Vega. She was the lead singer and rhythm guitarist for the indie rock band Rilo Kiley. Lewis gained prominence in the 1980s as a child actress, appearing in the films Troop Beverly Hills (1989) and The Wizard (1989) and the television series Brooklyn Bridge (1991–93). In the mid-1990s, Lewis semi-retired from acting to focus on her musical career, and formed Rilo Kiley in 1998 with fellow former child actor Blake Sennett. Rilo Kiley released four albums before they disbanded in 2014.Lewis has released four solo albums: Rabbit Fur Coat (2006), Acid Tongue (2008), The Voyager (2014) and On the Line (2019). In addition to Rilo Kiley and her solo career, Lewis has been a member of the Postal Service, Jenny & Johnny and Nice As Fuck.]

10:29 – Underwriting

7. R.I.Peter – “Rising Sun”
from: Cruis’n / Rising Sun – Single / Manor Records / April 10, 2020
[New singles from Kansas City based musician and songwriter Peter Beatty who plays in the band Momma’s Boy, and who have been playing together since they were in the band Rev Gusto that was formed with Quinn Hernandez and friends, while they were in high school at Saint James Academy. Peter studied at University of Kansas. Peter released the debut EP solo project R.I.Peter on July 5, 2019. Manor Records described R.I.Peter’s music saying, “It’s like if you took video game music and mashed it with Fleet Foxes or something. electronic pop ambient america folk mystic Both of the songs were written by Peter Beatty.]

R.I.Peter aka Peter Beatty on the April 22, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

10:35 – Interview with Peter Beatty

R.I.Peter joins us (on the phone) to share music and information about his new cassette-single release, “Cruis’n” and “Rising Sun” from Manor Records. R.I.Peter is the new musical project from Peter Beatty who also plays lead guitar and sings in the band Momma’s Boy. Members of Momma’s Boy have been playing together since the band Rev Gusto with Quinn Hernandez and Jerry & Sam Frederick formed when they were in high school at Saint James Academy. Peter studied at University of Kansas.

Peter Beatty, Thanks for being with us on Wednesday MidDay Medley

Peter Beatty released “Cruis’n” / “Rising Sun” – as a Cassingle Release – Streaming Live Concert, April 10, at 7:00 PM on Manor Records Social Media Platforms on Facebook, Instagram.

“Rising Sun” written by Peter Beatty

in the morning
the fun is gone
there’s nothing for me now
but the rising sun

9 in the morning
my joe is warm
there’s nothing to do now
but weather the storm

and I’ll do it tomorrow, how about you?
as if we have anything to lose
everything will still be here when we’re done
till we meet again, rising sun.

the room is still spinning
I’m feeling like I’ve died
but there’s no need to worry
with you by my side

We meet again, my only friend
we know this story from beginning to end
so stop the nonsense and quit playing pretend

dancing shadows fill the room
and ill sing that familiar tune
we all know that we’re going to soon
but it the end I know love will bloom

and I’ll do it tomorrow, how about you?
as if we have anything to lose
everything will still be here when we’re done
till we meet again, rising sun.

Peter Beatty

The new singles follow R.I.Peter’s self titled 5-song EP debut, that was released July 5, 2019. On last year’s EP Jerad Bajkowski helped with the songwriting and production.

R.I.Peter is also part of a new compilation benefit release from Manor Records. On April 13th, 2020 Manor Records released, “Keep the Change :: A Fundraiser for KC Service Industry” a compilation of Kansas City’s finest local musicians performaning of some of their favorite cover songs, with all proceeds going to the staff of local business that have hosted our events. (Fox & Pearl, Stray Cat Film Center, Blip Roasters, Voltaire, & The Mockingbird Lounge). The compilation includes: Pale Tongue, Chloe Jacobson, R.I.Peter, The Wild Type, True Lions, Momma’s Boy, Dylan Pyles, Blanky, Daniel Gum, Khrystal., Jairy, Feeble Hiss, & Vague Days. More info at: http://www.manorrecords.com

R.I.Peter performs “Swim and Sleep (Like a Shark)” (An Unknown Mortal Orchestra cover)

Cruis’n written by Peter Beatty

Ridin’ down the avenue
start to think about something new
have a heart to heart, me and you
figure out if our love is true

is he the one you want
is she the one you want
are they the one you want
am I the one you want

cruis’n down the boulevard
babe I know that your life’s been hard
I think its time that I pull your card
and figure out who you really are

is he the one you want
is she the one you want
are they the one you want
am I the one you want

Peter Beatty, Thanks for being with us on Wednesday MidDay Medley

The Cruis’n / Rising Sun – Cassingle were released through Manor Records on April 10, 2020 http://www.ripeter.bandcamp.com

10:48

8. R.I.Peter – “Cruis’n”
from: Cruis’n / Rising Sun – Single / Manor Records / April 10, 2020
[New singles from Kansas City based musician and songwriter Peter Beatty who plays in the band Momma’s Boy, and who have been playing together since they were in the band Rev Gusto that was formed with Quinn Hernandez and friends, while they were in high school at Saint James Academy. Peter studied at University of Kansas. Peter released the debut EP solo project R.I.Peter on July 5, 2019. Manor Records described R.I.Peter’s music saying, “It’s like if you took video game music and mashed it with Fleet Foxes or something. electronic pop ambient america folk mystic Both of the songs were written by Peter Beatty.]

9. Chloe Jacobson – “Secret Heart” (a Ron Sexsmith cover)
from: Keep the Change – A Fundraiser for KC Service Industry / Manor Records / April 10, 2020
[“Keep the Change – A Fundraiser for KC Service Industry” a compilation of Kansas City’s finest local musicians performaning of some of their favorite cover songs, with all proceeds going to the staff of local business that have hosted our events. (Fox & Pearl, Stray Cat Film Center, Blip Roasters, Voltaire, & The Mockingbird Lounge). The compilation includes: Pale Tongue, Chloe Jacobson, R.I.Peter, The Wild Type, True Lions, Momma’s Boy, Dylan Pyles, Blanky, Daniel Gum, Khrystal., Jairy, Feeble Hiss, & Vague Days. All rights to songs go to original artists. all funds received go to donation to local kc service staffs mentioned. More info at: http://www.manorrecords.com ]

10. The Nicole Springer Band – “Come Clean”
from: Willing / Nicole Springer / November 10, 2019
[Nicole Springer is a singer-songwriter + multi-instrumentalist out of the Kansas City Metro. She was the founder of critically acclaimed + award wining local groups, The Clementines, and The Good Hearts. She’s written original music for her bands The Good Hearts, Heart Machine, and her solo projects. Nicole Springer is a 2019 Pitch KC nominee for Best Vocalist, multi-award winning and critically acclaimed singer-songwriter. Nicole has performed at numerous festivals and venues. In 2014 she was the recipient of both a Pitch Music Award and Project Backstage Award. More info at http://www.nicolespringersings.com .]

[Nicole Springer presents a “Come Clean” Music Video Virtual Release Party! Hosted by Nicole Springer and Outskrts, Thursday, April 23 at 7 PM on Nicole Springers and Outskrts Facebook pages.]

[Nicole Springer joins us LIVE on next week WMM on April 29]

11:00 – Station ID

11. Pedaljets – “Disassociation Blues”
from: Twist The Lens / Electric Moth Records / February 14, 2020
[Twist The Lens was recorded in three main sessions, produced by the Pedaljets alongside their former lead guitarist Paul Malinowski (Shiner, Season To Risk). Though the Pedaljets core trio of Allmayer, bassist Matt Kesler, and drummer Rob Morrow has remained a constant throughout their tenure as a band, they’ve worked with multiple lead guitarists throughout the years, with Twist The Lens being the first record to showcase their newest addition, Cody Wyoming. Bringing in Wyoming, and working alongside Malinowski, allowed the new songs to benefit from a fresh and outside perspective, while still keeping the album within the Pedaljets family. It also lent itself to a more utilitarian process where, as Allmayer describes, “We would constantly listen back and ask ourselves, ‘Are you hearing something this song needs?’ We were really focused on pushing ourselves to make the best music we can and being extra critical.” To round out the team, the band brought in veteran producer John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile) to mix the record and reunited with Archer Prewitt (The Sea and Cake) whose artwork has adorned the last three Pedaljets album covers.]

Matt kesler of The Pedaljets, The Doo Dads, The Midtown Quartet, and SHE SAID, on the April 22, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:04 – Interview with Matt Kesler

Matt Kesler plays bass and sings with the band Pedaljets who earlier this year released “Twist The Lens,” on Electric Moth Records. Formed in 1984, Pedaljets made a name for themselves playing alongside Hüsker Dü, The Replacements and Flaming Lips. In 1989 the band broke up just after the release of their second album, “The Pedaljets.” However, 20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the band’s reunion led to “What’s In Between” in 2013, their first album of new material in 23 years. Now, six years later, “Twist The Lens” their fourth full-length, is the first to feature new guitarist Cody Wyoming (of The Philistines), while previous guitarist Paul Malinowski served as producer. Matt Kesler was also the proprietor of Midwestern Musical Company a music store that sold musical equipment, amps, instruments and served as a venue for years of live performances and Midwest Music Foundation Benefit shows. Matt Kesler was the original bass player for The Wilders and he also plays with the bands, SHE SAID, The Doo Dads and Midtown Quartet.

Matt Kesler Thanks for being with on Wednesday MidDay Medley

Because The Pedaljets broke up for 20 years, all of the members started their own families and other bands. Coming back together as a band, after all of those years, all of you were in different places and touring and live performances now were navigated in new ways. The Pedaljets were originally going to be on tour right now, coming back to Kansas City to play Record Store day at Mills Record Company. All of that has been postponed.

The Pedaljets, played an Album Release Party, Saturday, February 15, at 8:00 PM at miniBar, 3810 Broadway Rd, KCMO with Dan Jones and The Squids.

Pedaljets

Pedaljets are: Mike Allmayer, Matt Kesler, Rob Morrow, & Cody Wyoming

Studio legend John Agnello (Sonic Youth, Dinosaur Jr, Kurt Vile) mixed the new album, and Archer Prewitt (The Sea And Cake and The Cocktails) provided the artwork.

Formed in 1984, The Pedaljets made their name playing alongside Hüsker Dü, The Replacements and Flaming Lips. In 1989 the band broke up just after the release of their second album, “The Pedaljets.” 20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the band’s reunion led to “What’s In Between” in 2013, the band’s first album of new material in 23 years. Now six years later, “Twist The Lens” their fourth full-length, is the first to feature new guitarist Cody Wyoming (The Philistines), while previous guitarist Paul Malinowski served as producer.

Matt Kesler

Matt Kesler was also the original bass player for The Wilders

Matt also plays with the bands:

Doo Dads
Doo-Dad Mike: Guitar and Vocals
Doo-Dad Joe: Drums and Vocals
Doo-Dad Matt Kesler: Bass Guitar and Vocals
Doo-Dad Ken: Keyboard and Vocals

The Doo-Dads, are a kid-cool rock ‘n’ roll band, was founded in 2002 by four friends and dads, all veterans of the Kansas City music scene. The band puts on a high-energy show that has every hallmark of a real rock concert – fun, excitement and . . . BUBBLES!

Midtown Quartet
Dwayne Mitchell on guitars
Dan Christensen on drums
Carl J Bender on sax
Matt Kesler on bass

Midtown Quartet played at Mstt’s wedding before he was a member of the band

SHE SAID
Jennie Ferguson – Vocals & Guitar
Scott Mize – Guitar
Doug Hitchcock – Drums
Matt Kesler – Bass & Vocals

11:13

12. SHE SAID – “These Are The Days”
from: “These Are The Days” – Single / SHE SAID / unreleased demo
[KC based, 4-piece, SHE SAID, is Jennie Ferguson on vocals & guitar, Scott Mize on guitar, Doug Hitchcock on drums, and Matt Kesler on bass & vocals. SHE SAID played live on the Juoy 12, 2017 edition or WMM. Matt Kesler and Scott Mize used to be in a band called Sylvan Grove. Jennie Ferguson and Scott Mize used to play in a band called Shotgun Solution. This was after the time of Jennie’s all-girl psych/pop band PMS. Doug Hitchcock has played with Matt Kesler in the Midtown Jazz Quartet. Doug has played with Freedie Johnston, and the band Near Death Experience. Matt Kesler also plays in The Pedajets and The Doo Dads.]

11:17 – More Interview with Matt Kesler

We are talking with Matt Kesler plays bass and sings with the bands SHE SAID, and the Pedaljets who earlier this year released “Twist The Lens,” on Electric Moth Records. Matt Kesler was also the proprietor of Midwestern Musical Company a music store that sold musical equipment, amps, instruments and served as a venue for years of live performances and Midwest Music Foundation Benefit shows. Matt Kesler was the original bass player for The Wilders and he also plays with the bands, Doo Dads and Midtown Quartet.

Mat Kesler, Thank you for being with us on Wednesday MidDay Medley

Once hailed as “Kansas City’s answer to The Replacements,” the Pedaljets formed in the mid-80s and immediately began touring the United States nonstop, gaining critical acclaim and support slots with some of the decade’s biggest acts, but never becoming a household name on their own.

After releasing two LPs, 1988’s “Today Today” and 1989’s “Pedaljets,” the band split up.

After laying low for a few years, Allmayer and Morrow formed the band Grither and signed with MCA before Morrow decided to go back to school and relocate to Scotland.

Kesler owned and operated the KC vintage music shop Midwestern Musical Company, selling gear to artists including St. Vincent, The Arcade Fire, Jason Isbell and more.

The Pedaljets couldn’t stay apart forever though, and returned in 2008 with a re-recorded version of their self-titled album and a rekindled hunger to perform.

20 years later, the band came back together in 2008, to give that album a proper, remastered release. Working with producer Paul Malinowski playing lead guitar, the reunion led to “What’s In Between” in 2013, the band’s first new material in 23 years.

6 years later, “Twist The Lens” their 4th full-length, is the first to feature new guitarist Cody Wyoming while previous guitarist Paul Malinowski served as producer.

More info at: http://www.thepedaljets.com

Matt Kesler, thanks for being with us on Wednesday MidDay Medley

The Pedaljets released their new album, “Twist The Lens,” Feb. 14, on Electric Moth Records. More info at: http://www.thepedaljets.com

11:25

12. Pedaljets – “Today Today”
from: Today Today / Newly remastered / Original: Twilight Records / 1988
[Newly remastered from the debut album from The Pedaljets, with Mike Allmayer on vocals & guitar, Matt Kesler on bass & vocals, Rob Morrow on drums & vocals, and John Harper on guitar. Produced by J.J. Johnson, and The Pedaljets at Holly Hill Recorders. Artwork by Richard Hoefle, photography by Mike Soden. Manufactured and marketed by Fundamental Music.]

11:29 – Underwriting

14. Lava Dreams – “Good Energy”
from: “Good Energy” – Single / Lava Dreams / April 22, 2020
[From the upcoming release Good Energy + Focus to be released soon. Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila Unversity. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com ]

Lava Dreams aka Julia Hamilton on the April 22, 2020 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:36 – Interview with Julia Hamilton aka Lava Dreams

Solo artist Lava Dreams is the electronic music project of Julia Hamilton who writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila University. Lava Dreams releases her new single “Good Energy” produced by Duncan Burnett TODAY, April 22, 2020 on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com

Julia Hamilton thanks for being with us on WMM.

Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child.

Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars.

After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018.

Lava Dreams will be releasing the EP “Good Energy + Focus” sometime in May or June. The new EP was produced by Duncan Burnett.

Lava Dreams met Duncan Burnett after a show in Lawrence, Kansas when she shared the stage with Khrystal. Duncan was playing drums for Khrystal. and he approached Julia and asked if they wanted to collaborate.

Lava Dreams writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music.

Last year in 2019 Lava Dreams released the 12 song full length album, Meditation.

Prior to “Meditation” Lava Dreams released the song, “Sweet Sweet.”

Julia Hamilton is also a filmmaker who received her Bachelor’s of Arts Degree in Film from Avila University.

Lava Dreams Influences are: Sade, Billie Holiday, Solange, Frank Ocean, Daniel Ceasar, The Internet, Washed Out, The Cranberries, Tame Impala, Heart, Prince, Steve Lacy, Janelle Monae, Tracy Chapman, Fleetwood Mac, Mereba, and Nao.

Lava Dreams conveys optimism and vulnerability with lyrics that drive home personal truths. Lava’s second album will be released Summer 2020.

Julia Hamilton, thanks for being with us on WMM.

Lava Dreams aka Julia Hamilton

Lava Dreams release the new single Good Energy produced by Duncan Burnett TODAY, April 22, 2020 on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com

11:48

15. Lava Dreams – “The Heat”
from: The Heat / Lava Dreams / April 11, 2020
[From the upcoming release Good Energy + Focus to be released soon. Written by Lava Dreams and produced by Duncan Burnett. Solo artist Lava Dreams aka Julia Hamilton writes songs influenced by pop, soul, RnB, jazz, trap, house, funk, reggae, rock, and world music. Hailing from Kansas City, MO, her guitar-based music is both dreamy & electric. Lava Dreams began writing lyrics and melodies as a young child. Growing up, she learned to play her first guitar chords from her father – who played around the house and in local bars. After playing guitar and singing in several Kansas City bands as a teenager, she set out to become a solo artist in 2018. Julia Hamilton is also a film maker who received her Bachelor’s of Arts degree in Film from Avila Unversity. You can listen to Lava Dreams on Spotify, iTunes, Tidal, Deezer, Google Play, YouTube Music, SoundCloud, Bandcamp, or at LavaDreamsMusic.com]

16. John Lennon – “Nobody Told Me”
from: Milk and Honey / Polydor-Geffen / January 27, 1984
[“Nobody Told Me” was a song that John Lennon had intended for Ringo Starr’s 1981 album “Stop and Smell the Roses.” It was released as a single and became a worldwide Top 10 hit. Other singles from Milk and Honey were “I’m Stepping Out” and “Borrowed Time”. The songs “Let Me Count the Ways” and “Grow Old with Me” were written by Lennon and Ono to each other using inspiration from poems by Elizabeth Barrett Browning and Robert Browning. They are presented in their demo form. Milk and Honey is the sixth and final album by John Lennon and Yoko Ono, released in 1984. Following the compilation The John Lennon Collection, it is Lennon’s eighth and final studio album, and the first posthumous release of new Lennon music, having been recorded in the last months of his life during and following the sessions for his 1980 album Double Fantasy. It was assembled by Yoko Ono in association with the Geffen label. Milk and Honey was the duo’s projected follow-up to Double Fantasy, though Lennon’s death caused a temporary shelving of the project. It took Ono three years to be able to resume work to complete it. Ono’s material largely comprises new recordings, which she undertook during the album’s preparation in 1983, which give her songs a more commercial and contemporary edge. Conversely, Lennon’s material, being rough takes and rehearsal recordings, has a more casual feeling. The album title came from Ono, who explained that it referred to their journey to the US, “the land of milk and honey”. “But also, in the Scripture, the land of milk and honey is where you go after you die, as a promised land”, Ono went on to say. “So it’s very strange that I thought of that title. Almost scary – like someone up there told me to call the next album Milk and Honey.” The cover is an alternative take from the same photo session that produced the front cover of Double Fantasy, though this time it appears in colour. After a falling out with David Geffen, whose Geffen Records had initially released Double Fantasy, Ono moved future projects to Polydor Records, which initially released Milk and Honey. EMI, home of Lennon’s entire recorded output—including that with the Beatles—acquired this and all Lennon releases in the late 1990s. Predictably, the reaction to Milk and Honey was less fanatical than the one that afforded Double Fantasy in the wake of Lennon’s death, but it was still well received, peaking at No. 3 in the UK and No. 11 in the US, where it went gold. Jack Douglas, who had co-produced Double Fantasy with Lennon and Ono, also had input into the initial sessions for Milk and Honey, though Ono declined to credit him after their professional relationship soured following Lennon’s death. In 2001, Ono supervised the remastering of Milk and Honey for its CD reissue, adding three bonus tracks and a 22-minute excerpt from Lennon’s last interview in the late afternoon of 8 December 1980, hours before his death. The bonus tracks include home demo recordings of “I’m Stepping Out” and “I’m Moving On” (from Double Fantasy) along with a version of “Every Man Has a Woman Who Loves Him” featuring Lennon’s vocals only, which was planned to be included on the Ono tribute album Every Man Has a Woman (released 1984).]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, April 29 we’ll play more New & MidCoastal Releases. We’ll also talk with: Kimmie Queen and Cody Wyoming, They Call Me Sauce, Nicole Springer, and Ivory Blue.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #834

WMM Playlist from Feb. 20, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 20, 2019

New & MidCoastal Releases
+ Claire Adams + Frank Alvarez + Wick Thomas

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Mavis Staples – “Can You Get to That (Live)”
from: Live in London / Anti / February 8, 2019
[New Live album released just prior to her 80th birthday, and 10 years after her last live album, Mavis Staples Live: Hope at the Hideout, from 2008. A follow up to her 16th studio solo album, “If All I Was Was Black, from 2017. For Live in London, Mavis recorded with her touring band: Rick Holmstrom on guitar, music direction & backing vocals; Jeff Turmes on bass & backing vocals; Stephen Hodges on drums; Vicki Randle on backing vocals; and Donny Gerrard on backing vocals. This live album celebrates music from her last 5 studio albums, released in the last nine years, with songs written by Jeff Tweedy, M. Ward, Benjamin Booker, Ben Harper, Curtis Mayfield, Talking Heads, Roebuck “Pops” Staples, Justin Vernon. This track was written by George Clinton & Ernie Harris and recorded for “Maggot Brain,” the third studio album by the Funkadelic, released in 1971. Mavis Staples is a legend. She is a gospel R&B singer, actress and civil rights activist, born in Chicago, Illinois on July 10, 1939. She has recorded and performed with her family’s band The Staple Singers. She began her career with her family group in 1950. Initially singing locally at churches, appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Purvis, the Staples were called “God’s Greatest Hitmakers.” With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King, Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. Mavis!, the first feature documentary about Staples and the Staple Singers, directed by Jessica Edwards, had its world premiere at the South by Southwest Film Festival in March 2015. Mavis! was screened in theaters and on HBO in February 2016. Staples was briefly married to Spencer Leak in 1964; they divorced when Staples would not end her music career to stay home. She has no children. In the 2015 documentary Mavis! she reveals that Bob Dylan once proposed to her, and she turned him down. This song was oroginally included on Mavis Staples’ 2013 release One True Vine, her 13th studio album, and the second on which she collaborated with record producer and Wilco frontman Jeff Tweedy. Tweedy also played most of the instruments on the album, with the exception of the drums, which were played by his son, Spencer Tweedy. The album was recorded at the Wilco Loft in Chicago, and while working on it, Staples commuted back and forth between the Loft (on Chicago’s North Side) and her home on Chicago’s South Side.]

3. Shy Boys – “Dim The Light”
from: Dim The Light / Brick By Brick – Single / Polyvinyl Record Co. / February 15, 2019
[New single release and follow up to the band’s second album and Polyvinyl debut, Bell House. Shy Boys line-up consists of brothers Collin Rausch and Kyle Rausch, Konnor Ervin, Kyle Little and Ross Brown. The group formed shortly after the trio became roommates in 2012. Kyle Rausch and Konnor Ervin were already band mates in the indie-pop band The ACBs and Collin had been playing for years in the Kansas City area in various bands. The three shared a love for 1960s era pop rock and soon started writing their own music. In 2014 they released the self-titled Shy Boys on High Dive Records. The album received generally positive reviews and the single “Bully Fight” was featured on Spin.com. In June 2014 the band recorded and released two more singles and one of them, “Life Is Peachy,” was featured on Stereogum. On April 4th, 2018, it was announced that the band had signed to Polyvinyl Record Co.]

[Shy Boys play recordBar, 1520 Grand Ave, KCMO, Friday, February 22, at 8:00 PM, with Natural Man, and The Creepy Jingles.]

4. Kasey Rausch – “City Strangers”
from: Born Near The Waters / Independent / November 24, 2004
[From http://www.kaseyrausch.com: Released on the night of her 30th birthday, “Born Near the Waters…” is the first full album released by Kasey Rausch. It was recorded by Mike West at the 9th Ward Pickin’ Parlor in New Orleans, Louisiana over three hot muggy days – July 3, 4 & 5 2004. Breaks from the studio were spent on top of the now infamous levy broken by the forces of Hurricane Katrina. Kasey’s husband, Travis Huffhines (mandolin) and two of her dear friends, Mikal Shapiro (harmonies, percussion, clarinet) and Joel Kraft (vocals), recorded by day and gigged by night. The result is a raw, un-mastered recording that reflects the once youthful songwriting and vocal styles of Rausch. Guest musicians include Grammy nominee Gina Forsyth on fiddle, Mike West on banjo, mandolin, acoustic guitar and Katie West on upright bass (Truckstop Honeymoon). // Kasey Rausch is a 5th generation songwriter & musician, co-producer/host of roots music radio show River Trade Radio on KKFI 90.1FM Kansas City Community Radio and former host of Campfire on DittyTV (Memphis, TN). Her family and musical roots can be found in Parkville, Kansas City, the Missouri Ozarks, Winfield, Kansas (home of the legendary Walnut Valley Festival) and deep Southeast Texas. She tours nationally with pedal steel and guitar master Marco Pascolini as The Country Duo and plays locally with classic country honky tonkers The Naughty Pines and songwriter Scott Stanton. Rausch’s third album, Guitar in Hand (originally released on MudStomp Records 2014), debuted at #3 on the Roots Music Reporting charts and was voted one of the top three albums of the year by readers of The Pitch, KC’s weekly entertainment guide. She was named 2016 Best of the Northland Artist, 2013’s Female Performer of the Year by The Farmer’s Turnpike on KMXN 92.9 FM and is a four-time Pitch Music Award Nominee.]

[Kasey Rausch plays a Songwriters Serenade with Rex Pryor and John Keck, Thursday, February 21, at 7:00 PM at Madrigall, 1627 Oak St, KCMO. Hosted by John L. Keck, “Songwriters Serenade” is an evening of performance in a listening environment with original music in the round.]

5. Laura Spiegel – “Strand of Life (“Viroid”)”
from: Unseen Worlds / Unseen Worlds / January 18, 2019 Reissue
[Laurie Spiegel’s second full-length album, Unseen Worlds, arrived just over ten years after her debut album. Having realized the pieces found on The Expanding Universe (1980) on an instrument no longer available to her, the GROOVE System at Bell Laboratories, Spiegel moved on to composing and developing for the Alles Machine, alphaSyntauri, McLeyvier and various other instruments before creating an instrument entirely her own. Spiegel created “Music Mouse – An Intelligent Instrument” on a Macintosh 512k so that she could have an instrument that was not general purpose but a small, specialized, and well defined musical instrument for and by her that she did not have to compromise on or risk losing access to it. While it was a very personal instrument for Spiegel, demand among friends and colleagues nevertheless grew until “Music Mouse – An Intelligent Instrument” became a commercial product for the Macintosh, Amiga, and Atari personal computers with a devoted popular following that continues to this day, despite the obsoletion of those platforms. At the time of her Unseen Worlds album’s original release in 1991, the issuing record label turned out to be going out of business, dissolved and disappeared, sending the album immediately into obscurity. Outside of a private CD edition issued by Spiegel on her own Aesthetic Engineering label in 1994, this new edition represents the first proper commercial release of Unseen Worlds. “Unseen Worlds is not so much based on melody and rhythm as it is on textures, pulses, and sonic environments. Sometimes dark, sometimes light, its drama pulls in the adventurous listener who wants to take a musical journey. Using computer software she wrote in order to implement a unique musical vision, Unseen Worlds blends the artistic and the technical, the cerebral and the sensual, and revives the virtually abandoned tradition of electronic music. Unseen Worlds is the work of a sonic explorer whose music can both challenge and caress. Those looking for other worlds of sound can put on headphones and find them here.” – Craig Anderton // All compositions composed, produced, mixed, and coded by Laurie Spiegel. Mastered by Paul Zinman]

6. Mess – “Cave”
from: “Cave” – Single/ Mess / August 27, 2018
[First single from band’s upcoming debut full length album, ‘Learning How To Talk.’ This Kansas City based band was formed by: Allison Gliesman, Kevin Briody, Tanner Pinkerton & Evan Velasquez. This track was produced by Patrick Robinson, mixed by Braxton Matlock,and mastered by Troy Glessner (spectre).]

[Mess play recordBar, 1520 Grand Blvd, KCMO, Tuesday, February 26, at 8:00 PM, opening for Soccer Mommy with Hovvdy.]

[Mess play a ‘Learning How To Talk’ Record Release Show, Saturday, March 30, at 7:00 PM, at The Rino, 314 Armour Rd, North Kansas City, MO. with Weathered, LK Ultra, and witchhazel]

7. Mae C – “Anxious”
from: “Anxious” – Single / Mae C / April 10, 2017
[Follow up to her 2016 EP Warning Sign of True Love. Influenced by Hip Hop, Rock, Jazz, Soul & R&B, Mae C is making her mark as an independent artist in the Kansas City music scene. A self-acclaimed black girl nerd, she originally planned on becoming an engineer and studied computer design at Lincoln University of Missouri. After leaving Lincoln to pursue her true passion of singing and songwriting, she finds that her techy side impacts how she writes music. “As a kid, I was always picking things apart and figuring out how to put them back together,” she said. “As an artist, I do the same thing – I pick apart my favorite singers to discover what made them great so I can walk in their footsteps.” With Kansas City becoming a place of movement for arts and entertainment, Mae C says now is the time to reinvent the wheel, break barriers, build bridges, but most of all support each other. “Supporting each other is the secret to rising to the top and putting the town on the map”, says Mae C. She aspires to inspire other artists to capitalize in their craft by not putting themselves in a box. “I’m an African American woman, but I refuse to allow anyone to use that against me. I’m an artist & proud black girl and I deserve a chance at every opportunity just as anyone else,” she said..]

[Mae C. plays The Riot Room, 4048 Broadway, KCMO, Saturday, February 23, at 8:00 PM. with Trxz Jones, They Call Me Sauce, JaySol Music, Guest DJ: DJ G3wizz, and Special Guest: Jo Blaq.]

8. Mercury Rev – “Reunion feat. Rachel Goswell”
from Bobbie Gentry’s the Delta Sweete Revisited / Partisan Records / February 8, 2019
[Rachel Ann Goswell was born May 16, 1971. She is an English singer-songwriter and musician who rose to prominence as vocalist and guitarist of the shoegaze band Slowdive, which formed in 1989. Goswell, along with Neil Halstead, Ian McCutcheon and former Chapterhouse member Simon Rowe became Mojave 3 when Slowdive transitioned to a more country/folk rock style. She released a solo album in 2004, titled Waves Are Universal on 4AD Records. // It slipped out of a Mississippi of hot biscuits, genteel table manners and working-class sense, suddenly overturned by a grave sinning and suicide. Carried on an evening breeze of strings and a supple, foreboding voice like sensually charged breath, “Ode to Bilie Joe”—Bobbie Gentry’s 1967 debut as a singer-songwriter and a Number One single for three weeks in the late Summer of Love—was the most psychedelic record of that year not from San Francisco or London, as if Bob Dylan, Neil Young and Brian Wilson had conspired to make a country-rock Pet Sounds. Except Gentry, just 23 when she wrote the song, got there first, in miniature. // Gentry’s hit was a revolutionary act, a quietly thorough feminism in vision, deed and success amid the strict, paternal order of the country-music industry. And it was her license to thrill again. In October, 1967, while “Billie Joe” was still in the Top Five, Gentry began recording The Delta Sweete, a connected set of a dozen songs that extended the narrative dynamics of that single with personal reflection and set her folk-siren charisma in a richer frame of dream-state orchestration, swamp-rock guitars and big-city-R&B horns. // In her eight original songs for the album, Gentry drew from her childhood and church life on her grandparents’ farm in Chickasaw County, Mississippi: the girl-ish craving for a beautiful dress in “Reunion”; the rise-and-shine of “Mornin’ Glory”; the stern Sunday lessons in “Sermon,” based on a traditional hymn also known as “Run On.” The covers were boldly chosen: Mose Allison’s chain-gang blues “Parchman Farm”; “Tobacco Road”’s litany of trial; the Cajun pride in Doug Kershaw’s “Louisiana Man”. Gentry also turned them to new purpose and even gender. “Gonna get myself a man, one gonna treat me right,” she sang in Jimmy Reed’s “Big Boss Man” with heated assurance. // But The Delta Sweete—released in March, 1968, only three months after Dylan’s John Wesley Harding and right as the Byrds came to Nashville to cut Sweetheart of the Rodeo—was too soon in its precedence. Gentry’s LP, the first country-rock opera, was ignored on arrival, not even cracking Billboard’s Top 100. It was as if Billie Joe had risen out of the Tallahatchie River and thrown that record off the bridge instead. // This Delta Sweete is her long-delayed justice—Mercury Rev’s committed and an affectionate resurrection of an album that anticipated by three decades their own pivotal expedition through transcendental America, 1998’s Deserter’s Songs. From their recording lair in New York’s Catskill Mountains, the founding core of Jonathan Donahue and Grasshopper with Jesse Chandler (previously in the Texas group Midlake) honor Gentry’s foresight and creative triumph with spacious invention and hallucinatory air. And they are not alone. Gentry’s stories and original resolve are brought to new vocal life and empowerment by a vocal cast of women from across modern rock and its alternative paths: among them, Mazzy Star’s Hope Sandoval; Laetitia Sadier, formerly of Stereolab; Marissa Nadler; Margo Price, the fiery new country star with a punk-rock heart; and Norway’s Susanne Sundfør, who cuts through “Tobacco Road” with arctic-Nico poise. Phoebe Bridgers, whose first record was a softly stunning 2015 single for Ryan Adams’ PAX AM label, hovers through the acid- western suspense of Gentry’s “Jessye’ Lisabeth” with floating calm, like a comforting angel. // On the 1968 LP, Gentry opened with a call to jubilant order, “Okolona River Bottom Band,” like she was leading a barn-dance union of the early Rolling Stones and Louis Armstrong’s Hot Five. Norah Jones takes that entrance here with her own sultry command, like Sarah Vaughan at the head of a slow-blooming choir. In “Sermon,” Price—who has known real struggle up close—sings like a survivor through Mercury Rev’s explosion of color and groove: a specialty throughout the band’s history as recently as 2015’s The Light in You, going back through All Is Dream in 2001, the whirling iridescent soul of 1995’s See You on the Other Side and the sumptuous turbulence of the 1992 single “Car Wash Hair.” // Gentry is still very present in the changes. Her seesaw of pride and hurt in the melancholy blur of “Penduli Pendulum” (“When goodbye serves as/My one amusement”) is even more explicit with the seasoned intimacy of Vashti Bunyan—a once-elusive voice from Britain’s psychedelic-folk boom—set against the younger, brighter arc of Kaela Sinclair, now in the electronic project M83. And in “Courtyard,” a despairing finale of strings and guitar arpeggios on Gentry’s LP, Mercury Rev build a striking Delta Krautrock in which the English singer Beth Orton wanders, like Gentry, through a ruin of profound loss and treasured memory. // “Ode to Billie Joe” was not on the ‘68 Delta Sweete. But Mercury Rev go back to that dinner table with Lucinda Williams of Lake Charles, Louisiana, and it is an inspired bond, calling up the ghosts and questions of a South still very much with us. Indeed, Gentry—who retired from recording and performing in the Seventies—reportedly lives only a couple hours’ drive from the bridge that made her famous, while the spirits she set loose in The Delta Sweete are as restless and compelling as they were 50 years ago. This album is a loving tribute to that achievement, one of the greatest albums you have never heard. It is also a dozen new ways to walk that land. -David Fricke]

9. Calvin Arsenia – “Tip Toe”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[Calvin’s first release on Bullseye Records. Calvin Arsenia came home to KC in 2014 after living in Edinburgh, Scotland, and has released the EPs, Moments, Prose, 2017’s Catastrophe. He released the EP Caviar to special guests who attended his Wickstock West show in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar & harp. Calvin has played Folk Alliance International, KC Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. He undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.]

[Calvin Arsenia plays the Crossroads Hotel, 2101 Central Street, KCMO, Thurs, Feb 21, at 7:00 PM.]

[Calvin Arsenia plays a special A Fundraising Concert. Saturday, February 23, at 7:00 PM, for The Open Table KC, 318 E 55th St, KCMO. Part of the proceeds will go towards expanding programming and anti-racism trainings at The Open Table KC.]

[Calvin Arsenia plays Mark Music 3.1: A Sunday Evening Of Music With Calvin Arsenia, Sunday, March 24, at 7:30 PM, at Marshall Hall at St. Mark Hope and Peace Lutheran 3800 Troost Avenue.]

[Calvin Arsenia plays Kemper Museum of Contemporary Art, 4420 Warwick Boulevard, KCMO, Thursday, February 28, 2019 at 6:00 PM.]

10:29 – Underwriting

Claire Adams (Photo by Anna Selle)

10. Claire Adams – “Enough”
from: Into The Blue / Independent / December 12, 2015
[Claire Adams on voice & guitar, Nick Bell Conductor, Christina Wince on flute, Teri Quinn on clarinet, Brandon Crawford on bass clarinet, Mark Lauer on bassoon, Jen Oliverio on trumpet, Austin Pfeiffer on trombone, Joseph Felton on tuba, Erik Hassell pn violin, Alyssa Bell on viola, Eman Chalshotori on cello, Sarah Lahasky on double bass, and Stephanie Williams on drum set. Songs composed by Claire Adams “In the Blue” arrangement by Peter Lawless; “Enough” arrangement by Teri Quinn. Recorded by Duane Trower at Weights and Measures Soundlab in Kansas City, MO. Artwork by Katelyn Boone.] [ Aside from her work with Katy Guilllen & The Girls, Claire also released the 5-song EP Waiting for The Winds to Change / on October 24, 2017 featuring new recordings of original songs by Claire Adams on vocals, guitar, & bass; Katy Guillen on guitar & harmony vocals; Lennon Bone on drums. Recorded, mixed & mastered by Duane Trower at Weights + Measures Soundlab, Kansas City, MO. More info at: http://www.claireadamsmusic.com]

[Claire Adams performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City. Alyssa Murray opens the evening.]

Alyssa Bell and Claire Adams on the February 20, 2019 edition of Wednesday MidDay Medley.

11:35 – Interview with Claire Adams & Alyssa Bell

Claire Adams is a critically acclaimed bassist, guitarist, singer, and songwriter. In the last year we have played musical tracks from Appropriate Grammar, Claire Adams and the Crowded Stage, The Classical Revolution, and Katy Guillen & The Girls all recordings and performing projects where Claire was essential, as a singer, songwriter and musician. Claire Adams has released multiple EPs and albums with each of these musical entities, while also releasing her very own solo EPs and solo albums too. Over the last 10 years Claire has traveled all around the world performing music, and “honing her melodic instincts and vision” in multiple genres of rock, blues, folk, americana, pop, jazz, and big band. At the center of all of this work is Claire’s beautiful and expressive voice, and her generous spirit and openness to collaborate, allowing oportunites for new younger musicians and producers to gain experience. Claire Studied Music Business at Belmont University and grew up in Topeka, Kansas.

Kansas City based Alyssa Bell is part if the string quartet Rewound. She is the Founder and Executive Director for Classical Revolution KC. Alyssa also serves as Adjunct Professor of High Strings at Northwest Missouri State University. Alyssa received her Master of Music in Performance/ Viola at Peabody Conservatory in Baltimore, Maryland and her undergraduate degree in Music education at the UMKC Conservatory of Music and Dance.

Claire Adams and Alyssa Bell join us to share information about their new show, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, where she plays with the Kansas City based string quartet, Rewound, performing her original songs as arranged by Peter Lawless. Special guest Alyssa Murray opens the show.

Claire Adams and Alyssa Bell, thanks for being with us on Wednesday MidDay Medley

We just heard Enough from the vinyl release Into The Blue, which was Claire’s last 2015 collaboration with Peter Lawless and The Classical Revolution.

The Classical Revolution was a natural out-growth of your recordings as Claire and The Crowded Stage.

Claire and The Crowded Stage was where you first collaborated with Katy Guillen and Stephanie Williams your co-horts from Katy Guillen & The Girls.

For Claire’s new show on Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, she will perform with the Kansas City based string quartet, Rewound,

Rewound is Carmen Dieker on violin, Alyssa Bell on viola, and Ezgi Karakus on cello.

Claire is performing her original songs as arranged by Peter Lawless.

Peter Lawless is one of the founding members of The B’Dina’s, a band that included Katy Guillen on guitar & vocals, Peter Lawless on bass, saxophone, & vocals. Katelyn Jamison on keyboard & vocals, and Tess Jehle on drums & vocals, and released 3 EPs and one full length album between 2010 and 2014. Meredith McGrade was part of the original line up for their debut EP release. Peter Lawless and Katelyn Jamison play with Found A Job. Katelyn Jamison and Tess Jehle were part of the band Dream Wolf from 2010 to 2014. Tess Jehle is drummer for the band Dynamite Defense

On Friday night at The Rino – Special guest Alyssa Murray opens the show.

10:53

Claire Adams and Alyssa Bell thank you for being with us on WMM.

Claire Adams performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City. Alyssa Murray opens the evening. More information at: http://www.claireadamsmusic.com

10:55

11. The AM Trio – “Fall Awake”
from: As of Now / Independent / June 30, 2015
[Alyssa Murray (Vocalist/Pianist/Songwriter), Joel Stratton (bass), and Josh Blythe (drums/vocals) have crossed paths and joined forces to create unique, multi-dimensional songs. Murray’s writing style has drawn comparison to Joni Mitchell as well as Fiona Apple.]

[Alyssa Murray opens for Claire Adams when she performs with KC based string quartet, Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City.]

11:00 – Station ID

Alyssa Bell, Wick Thomas, and Claire Adams on the February 20, 2019 edition of Wednesday MidDay Medley.

12. Vedettes – “Train”
from: EPHEMERAL / Vedettes / March 1, 2019
[First single from the band upcoming EP Release Ephemeral, which contains five studio-recorded and mastered tunes, recorded and mixed by Paul Malinowski from May to December 2018 at Massive Sound in Shawnee, Kansas. This Lawrence, Kansas based 4-piece band was formed in 2015 with Heather Lofflin on lead vocals & guitar; Lizz Weiler on bass, & backup vocals; Ben White on lead guitar & backup vocals. More information at: http://www.vedettes.com]

[Vedettes play A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, KS on Friday, February 22 at 7:00 PM, with PartyParty, Katlyn Conroy, Nick Carswell, Wick & The Tricks, Vibralux, Dick Von Dyke, Mean Melin and CindAIRella.]

11:06 – Interview with Wick Thomas

Wick Thomas

Wick Thomas grew up in Drexel Missouri and graduated from UMKC. Wick is an urban pioneer who is also a gardener, a student, a teacher, a librarian and an activist. Wick was voted Best Activist by The Pitch Magazine. Wick has help organize LGBTQIA youth groups on college campuses and in High Schools, he served as President of EQUAL and won an award from the National Gay and Lesbian Task Force. Wick spent many years working for the Kansas City Public Library and then the Nelson Atkins Museum of Art. Recently Wick was a guest artist for The Band That Fell To Earth – A Tribute To David Bowie at recordBar. Appropriately Wick interpreted the Bowie classic, “Rebel Rebel.” Wick Thomas, is lead singer for the punk rock band Wick and The Tricks. In late 2017, Wick & The Tricks, released a 7-inch vinyl, 4-song EP debut called “Not Enough,” on Black Site Records.

Wick Thomas joins us to share details about A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

It was great seeing Wick performing on night one of The Band That Fell To Earth Tribute to David Bowie, Friday, January 19th, at recordBar, 1520 Grand Ave, KCMO. Wick performed “Rebel Rebel” which has become an anthem of gender bending and non-binary identification, can you tell us about your experience interpreting that song?

Now Wick is jumping from David Bowie to Freddie Mercury playing A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Friday, Feb 22 at 7:00 PM.

Presented by I Heart Local Music. More information at: http://www.iheartlocalmusic.com

Wick & the Tricks is now a 5-piece w/ Wick Trick on vocals, Chris (Bardell) Stallion on guitar, Noah Cassity on guitar, Promise Clutter on bass, George Henry Valyer IV on drums.

11:14

13. Wick & The Tricks – “KCBB”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.] [Wick & the Tricks played a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

[Wick & The Tricks play A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, KS on Friday, February 22 at 7:00 PM, with PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, Vibralux, Dick Von Dyke, Mean Melin and CindAIRella.]

11:15

In 2006, the National Gay and Lesbian Task Force gave Thomas a Creating Change Award for establishing a chapter of the Gay-Straight Alliance in 2004 while he was a student at Paola High School. He’s also been involved in bike activism, has volunteered for the ACLU and Greenpeace, and founded the local environmental group TWIG (Think Work Inspire Grow).

Wick Thomas is also involved in Shadow-casting for The Rocky Horror Picture Show.

Wick and The Tricks are playing Unholy Masquerade, Saturday, March 2, at 8:30 PM at Davey’s Uptown Rambler’s Club, 3402 Main St, KCMO

Fally Afani is the founder of I Heart Local Music

I Heart Local Music presents A Tribute to Queen at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

11:23

14. Queen – “Another One Bites The Dust”
from: Bohemian Rhapsody (The Original Soundtrack) / Hollywood Records / Oct. 19, 2018
[The Soundtrack to the Queen biopic contains several greatest hits plus 5 songs from the band’s dramatic Live Aid performance now available for the first time. The film includes a faithful recreation of the Live Aid performance. Bohemian Rhapsody was nominated for Best Film, Best Actor for Rami Malek, and Best Sound Editing, Best Sound Mixing, and Best Editing categories. // “Another One Bites the Dust” is a 1980 song by British rock band Queen. Written by bass guitarist John Deacon, the song featured on the group’s eighth studio album The Game (1980). The song was a worldwide hit, charting number one on the US Billboard Hot 100 for three weeks, from 4 October to 18 October (their second number-one single in the country). The song spent fifteen weeks in the Billboard top ten (the longest running top ten song of 1980), including thirteen weeks in the top five, and 31 weeks total on the chart (more than any other song in 1980). It reached number two on the Hot Soul Singles chart and the Disco Top 100 chart, and number seven on the UK Singles Chart. The song is credited as Queen’s best-selling single, with sales of over 7 million copies. This version was ranked at number 34 on Billboard’s All-Time Top Songs. The song won an American Music Award for Favorite Rock Single and also garnered a Grammy Award nomination for Best Rock Performance by a Duo or Group with Vocal.]

11:27 – Underwriting

15. Lenny Lashley’s Gang Of One – “All Are Welcome”
from: All Are Welcome / Pirates Press Records / February 15, 2019
[Lenny Lashley is a household name in New England. Whether it’s performing on stage or slinging drinks at The Midway Cafe in Jamaica Plains, Massachusettes, Lenny is a star – regaling the world with Boston history and decades of tour stories like no one else can. His voice is as Boston as it gets – and as identifiable as any other frontman out there. Lenny’s even narrated movies and done voiceover gigs to help him sustain being a diehard rock and roller. A longtime fixture in the Boston punk scene, Lenny has been playing and touring for 20 years. After a traumatic run of Europe in ’08 (resulting in a mental breakdown) and a few years of reflection, Lenny has re-emerged onto the scene with more energy and clarity than ever before, playing solo acoustic shows, making cameos with Mighty Mighty Bosstones, and even joining the Boston powerhouse Street Dogs. Lenny Lashley’s Gang Of One and the new album, All Are Welcome is aimed to take Lenny’s prowess and message to a larger audience. The underlying message that this release conveys could not be better timed, as the world is desperately in need of a voice of reason.]

[Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with The Uncouth and Red Kate, hosted by Teenage Heart Records.]

11:33 – Interview with Frank Alvarez

Frank Alvarez on the February 20, 2019 edition of Wednesday MidDay Medley.

I first met Frank Alvarez in the mid 1990s. Frank was working as a manager and music buyer for Recycled Sounds at Westport Road & Main Street. Before that Frank ran his own record store, Abba Zappa. When Recycled Sounds closed in 2006, Frank was part of a special radio show we produced on Wednesday MidDay Medley, featuring testimonials from past and present Recycled Sounds employees, and playlist created by Recycled Sounds Staff reflecting stories of the time Prince came into the store, or the multiple bus trips the store organized to see The Pixies, or the many cultural events that were connected to this special place. The Radio show also included live interviews with Frank, Kasey Rausch, Kurt von Schlemmer, Iris DeMent and Anne Winter herself, who helped to produced and coordinate the show.

It seemed like the end of an era for music. The end of vinyl. The end of brick and morter music stores. Frank went on to work for Vinyl Renaissance, one of the only record stores left in the metro, besides Zebedee’s on 39th, It’s A Beautiful Day, and Vinyl Underground at Seventh Heaven. Seven years passed, and then something happened, vinyl made a comeback. Mills Records Company opened in 2013, Records With Merritt opened in 2014, Zebedee’s closed and reopened as Revolution Records in the Crossroads, Josey Records opened at 19th & Oak St.; FM Music opened on East 18th St; Brothers Records & Music opened on Johnson Drive in Mission; and Gotwhatulike at 11601 Hickman Mills Drive opened in July 2014. Record Stores were opening and thriving again, creating that needed community space for music lovers, bands, and vinyl collectors.

Last Fall, Frank Alvarez and longtime friend James Oshel opened Sister Anne’s – Records and Coffee, at 901 East 31st Street, in Kansas City. Sister Anne’s sells used records, new local releases, posters, stereos, and coffee, and was named after Anne Winter who owned Recycled Sounds, one of Kansas City’s most treasured record stores, where both Frank and James worked. Since then their business is growing. They have welcomed many in-store concerts, and this weekend are presenting, Lenny Lashley’s Gang Of One, on Friday, Feb. 22, at 6:30 PM, with The Uncouth and Red Kate, hosted by Teenage Heart Records.

Frank Alvarez thanks for being with us again on WMM

Frank Alvarez & James Oshel of Sister Anne’s – Records and Coffee, 901 East 31st Street, in KCMO. (Photo by Aaron Rhodes)

Sister Anne’s – Records and Coffee is two blocks west of Troost, at 901 East 31st Street.

James Oshel and Frank Alvarez had talked about starting a record store when they were roommates and working together at Recycled Sounds. When Recycled Sounds closed, in 2006, Frank Alvarez went to work at Vinyl Renaissance, and Jim Oshel at Broadway Cafe.

10 years passed by, and then the owner of Windhorse Tattoo, Mark Galloway, who had worked with Jim Oshel at Mercy Seat Tattoo, let his friend know he was moving and there would be extra space in the building. This was the spark that ignited Oshel and Alvarez moving into action to open their own place.

Frank Alvarez and Jim Oshel decided to open a record store and a coffee house and were motivated to name after Anne Winter, owner of Recycled Sounds, who died in 2009.

Recycled Sounds operated from 1988 to 2006. Anne Winter and husband Kurt Von Schlemmer, were integral to the Kansas City Music scene. Anne Winter was a co-founder of the Kansas City Free Speech Coalition, and the brain child behind the annual Culture Under Fire, a week and sometimes two week festival of music, art, performance, guest speakers and writing and publishing events centered around the 1st Amendment and freedom of speech. Recycled Sounds was home to many bands and a meeting place.

Frank told Aaron Rhodes in a Pitch Kansas City article published on December 26, 2018, “I want to do what Anne taught us to do,” Alvarez says. “She taught us to just be good people, help people find the music they’re looking for, provide a space in Kansas City where they can find out about music, come in and talk about music, and just do what we can for the whole scene.”

Frank ran his own record store, Abba Zappa, three blocks away from Recycled Sounds. As is usually the case record stores are generally friendly with each other, as studies prove that the more record stores in a community the more business for all. Frank and Anne were friends. Frank had been second guessing his decision to run his own store when at one point Anne Winter visited Anna Zappa and offered to buy him out, bringing his inventory , and he himself into Recycled Sounds. Alvarez accepted the offer.

Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with The Uncouth and Red Kate hosted by Teenage Heart Records.

11:42

16. Red Kate – “Urban Church”
from: Red Kate – Stiff Middle Fingers split 7″ / Black Site Records / April 8, 2017
[L. Ron Drunkard on bass & lead vocals, Andrew Whelan on drums & vocals, Brad Huhmann on guitar, Desmond Poirier on guitar & vocals. Recorded at Weights & Measures Soundlab, with engineer Duane Trower. 2nd release on KC’s coop record label, Black Site after the release of Red Kate’s 2nd LP, unamerican activities. Cover art designed by Shaun Hamontree, who is also Red Kate’s new rhythm guitarist.]

11:44 – More Interview with Frank Alvarez

Frank told Aaron Rhodes of The Pitch Kansas City, (When Anne hired me), “At that point, I was about 10 years in the game already, and I thought, ‘I know everything,’” Alvarez says. “I went to work for her and learned so much more.”

Anne Winter was one of the people who helped start 90.1 FM KKFI. She served on the Board of Directors and hosted Kansas City first ever Punk Rock show on the radio called Little “Orphan Annie.” Alvarez told Aaron Rhodes about the wide variety of music that could be found at Recycled Sounds. “There was someone there that specialized in every kind of music,” he says. “There was the hip-hop person, the punk rock person, there was a person that knew classic rock. Every base was covered.”

Frank Alvarez and Jim Oshel have been working diligently, building up the physical space and inventory, installing turn tables with coffee and espresso machines for their new business of Sister Anne’s – Records and Coffee. They are open from 7:00 AM to 7:00 PM.The shop is hosting in-stores. Their opening featured Hipshot Killer and Emmaline Twist. Sister Anne’s – Records and Coffee has a big back room that serves as an all-ages venue.

Aaron Rhodes in his Pitchweekly feature called the Sister Anne’s “Winterlike — warm, friendly, knowledgeable.” “This is the only thing I’ve done since 1985,” Alvarez says. “I get up and come to a record store. That’s what I do.”

Sister Anne’s hosts the SPINE WEST COAST TOUR KICK OFF, presented by Kansas City Hardcore, in an ALL AGES show tonight, Wednesday, February 20 at 6:30 with Spine, Devils Den, Constraint (from Kentucky), Brute Force (from St. Louis), and Crisis Actor.

Lenny Lashley’s Gang Of One plays Sister Anne’s – Records & Coffee, 901 East 31st St, Fri, Feb 22, at 6:30 PM, w/ The Uncouth and Red Kate hosted by Teenage Heart Records. More information at: http://www.sisterannes.com

17. The Uncouth – “Matter of Time (Radio Edit)”
from: “Matter of Time” – Single b/w “All You Fascists” / Teenage Heart Records / Aug, 2018
[Hard hitting Oi! band from KCMO, with CJ Wilson on lead guitar & vocals, Cody Blanchard on lead vocals & guitar, Steve Gardels on bass, and Todd Rainey on drums. “Just A Matter Of Time” written by The Uncouth, “All You Fascists” written by Woody Guthrie. Recorded at Element Recording. Pressed by Gotta Groove Records. Copyright by Know Your Roots Publishing. Producer Johnny Starke. Recorded and mastered by Joel Nanos. Kansas City’s The Uncouth are back again with their third release. Manufactured in the USA on high quality vinyl in Clear, White, and Black wax. Test Pressing four packs include all three limited colors and one of our super limited test pressings straight from the pressing plant.]

[The Uncouth plays Sister Anne’s – Records & Coffee, at 901 East 31st St, in KCMO, Friday, February 22, at 6:30 PM, with Lenny Lashley’s Gang Of One, and Red Kate, hosted by Teenage Heart Records.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on February 27, Nico Gray joins us in our second hour at Guest Producer. In our first hour at 10:30 we will be joined by singer songwriter Julia Othmer, who plays Knuckleheads in the Garage, Thursday, February 28, at 8:30 pm.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #774

WMM presents Claire Adams + Frank Alvarez + Wick Thomas

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, February 20, 2019

New & MidCoastal Releases
+ Claire Adams + Frank Alvarez + Wick Thomas

Mark plays more New & MidCoastal Releases from: Shy Boys, Vedettes, Mess, Calvin Arsenia, Mae C, Kasey Rausch, Claire Adams & The Classical Revolution, Wick & The Tricks, The Uncouth, Red Kate, Lenny Lashley’s Gang Of One, Mavis Staples, Laurie Spiegel, Mercury Rev featuring Rachell Goswell, and Queen.

At 10:30 Claire Adams joins us to talk about her new show on Friday, February 22, at 8:00 PM at The Rino, 314 Armour Rd, North Kansas City, where she will perform with the Kansas City based string quartet, Rewound, performing her original songs as arranged by Peter Lawless. Rewound is Carmen Dieker violin, Alyssa Bell viola, and Ezgi Karakus cello. Claire Adams is a critically acclaimed bassist, guitarist, singer, and songwriter. Special guest Alyssa Murray opens the show. More information at: http://www.claireadamsmusic.com

Frank Alvarez & James Oshel of Sister Anne’s – Records and Coffee, 901 East 31st Street, in KCMO. (Photo by Aaron Rhodes)

At 11:00 Frank Alvarez joins us to talk about Sister Anne’s – Records and Coffee, the new record store Frank opened with business partner and friend James Oshel at 901 East 31st Street, in Kansas City. Sister Anne’s sells used records, new local releases, posters, stereos, and coffee and was named after Anne Winter who owned Recycled Sounds, one of Kansas City’s most treasured record stores, where both Frank and James worked. More information at: http://www.sisterannes.com

At 11:30 Wick Thomas joins us to share details about A Tribute to Queen presented by I Heart Local Music at The Granada Theatre, 1020 Massachusetts St. in Lawrence, Kansas, on Friday, February 22 at 7:00 PM. The special evening will feature performances by: Wick & The Tricks, PartyParty, Katlyn Conroy, Nick Carswell, Vedettes, and Vibralux. There will also be a drag performance by: Dick Von Dyke, and a special air guitar tribute to Queen by: Mean Melin and CindAIRella, also known as Eric Melin and Beth Melin. More information at: http://www.iheartlocalmusic.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #774