WMM Playlist from August 8, 2018

Una Walkenhorst photo by Mike Schwabauer

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 8, 2018

Spinning Records With Marion Merritt
+ Una Walkenhorst

Marion Merritt

Today, we welcome back to the show, Marion Merritt as our special “Guest Producer.” For 14 years now she has been sharing her sonic discoveries and information from her musically encyclopedic brain. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri.

Marion Merritt, Thanks for being with us on Wednesday MidDay Medley

1. “Main Title Instrumental – It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Dimitri From Paris – “Prologue”
from: Sacrebleu / Atlantic / 2001

3. R+R=NOW – “The Night In Question (feat. Terry Crews)”
from: Collagically Speaking (feat. Robert Glasper, Terrace Martin, Christian Scott aTunde Adjuah, Derrick Hodge, Taylor McFerrin & Justin Tyson) Blue Note / June 15, 2018
[Reflect+Respond=Now, a supergroup featuring Robert Glasper on keybords, Christian Scott aTunde Adjuah on trumpet, Derrick Hodge on bass, Taylor McFerrin on synthesizer, Justin Tyson on drums, and Terrace Martin on synth and vocoder. Motivated by their ethos to “reflect and respond,” forward-thinking jazz supergroup R+R=Now makes an ambitious, socially conscious blend of post-bop jazz, electronic-tinged fusion, avant-garde improvisational music, and hip-hop-influenced funk. Led by acclaimed pianist Robert Glasper, the group came together while he was working on Nina Revisited, a companion album released in conjunction with the 2015 Nina Simone documentary What Happened, Miss Simone?]

4. Kamasi Washington – “Street Fighter Mas”
from: Heaven and Earth / Young Turks / June 22, 2018
[Kamasi Washington was born in Los Angeles, California, on February 2, 1981 to musical parents and educators, and was raised in Inglewood, California. He is an American jazz saxophonist, composer, producer, and bandleader. Washington is known mainly for playing tenor saxophone. He is a graduate of the Academy of Music of Alexander Hamilton High School in Beverlywood, Los Angeles. Washington next enrolled in UCLA’s Department of Ethnomusicology, where he began playing with faculty members such as Kenny Burrell, Billy Higgins and band leader/trumpeter Gerald Wilson. Washington features in the album Young Jazz Giants in 2004. He has played along with a diverse group of musicians including Wayne Shorter, Herbie Hancock, Horace Tapscott, Gerald Wilson, Lauryn Hill, Nas, Snoop Dogg, George Duke, Chaka Khan, Flying Lotus, Thundercat, Mike Muir, Francisco Aguabella, the Pan Afrikaan People’s Orchestra and Raphael Saadiq. Washington ventured into big band music when he joined the Gerald Wilson Orchestra for their 2006 album In My Time. Washington played saxophone on Kendrick Lamar’s To Pimp a Butterfly. His debut solo recording, The Epic, was released in May 2015 to critical acclaim. His second studio album, Heaven and Earth, was released in June 2018, with a companion EP titled The Choice released a week later.]

5. Bernice – “Glue”
from: Puff: In the Air Without a Shape / Arts & Crafts / May 25, 2018
[Toronto-based experimental soul-pop group includes; robin dann, thom gill, dan fortin, felicity williams, and phil melanson. “Puff: In the air without a shape,” is that band’s airy, minimalist follow up to their 2017 kaleidoscopic maximalist EP. Puff was produced by Grammy Award-winner Shawn Everett). Reminiscent of recent records by Feist and Frank Ocean where soulful vocal melodies take the lead over sparse, airy arrangements, Bernice’s new album attempts to reproduce the playful intimacy of the band’s live show.]

6. Belle and Sebastian – “Fickle Season”
from: How To Solve Our Human Problems (Parts 1-3) / Merge / February 16, 2018
[A new Belle and Sebastian release is always something to cheer. So three new releases leads to the inevitable conclusion: three cheers! Here is the latest installment in a career that has always pursued a singular and delightful vision of what pop represents and what it can achieve, a career that has seen them triumph against the odds to win a Brit award, be one of the first bands to curate their own festival, and play at the official London residence of the US ambassador (the last president’s ambassador, not the current one’s). Murdoch, as ever, is not the only writer. Sarah Martin (violin/vocals) brought in the delicious ‘The Same Star’, which marries Belle and Sebastian’s melodiousness to a pounding Motown backbeat, and was produced by Leo Abrahams (Ghostpoet, Wild Beasts, Regina Spektor). “We’d met Leo in February of 2016, and I’d say that meeting and the recording of ‘I’ll Be Your Pilot’ were the first tangible steps of this EP project,” Martin says. “We didn’t have a stack of songs to play him, but we liked him and he became a part of the plan from that point – and when I’d got to a point with ‘The Same Star’ where it just needed to be recorded, I thought it could benefit from having a producer to steer things, and fortunately we had a slot in the diary marked ‘Leo’ coming up. It’s not a song we’d labored over playing for months – it fell together quite quickly thanks in large part to Bob’s [Bobby Kildea, guitarist] enthusiasm and Stuart’s willingness to dismember an old song and repurpose the break, so that it wasn’t just the same three chords over and over and over.” There’s one big reason why 15 songs are coming out on three EPs, rather than one album. “We’d made a couple of LPs, Tigermilk and If You’re Feeling Sinister, within the space of six months,” Murdoch says, remembering the early days of the band’s career, and how that fed into their decision-making this time.- from amazon.com]

10:28 – Underwriting

7. The Internet – “Roll (Burbank Funk)”
from: Hive Mind / Sony / July 20, 2018
[Los Angeles based band with: Syd Bennett, Matthew Martin, Patrick Paige II, Christopher Allan Smith and Steve Lacy. THE INTERNET began as two people – Syd and Matt. Syd taught herself how to record, engineer, and produce at age 15. She also sings, imbuing every song with a sultry, mellifluous, quiet power. Matt produces and plays synths. She’s now 23; he’s now 26. Like all post-modern relationships, the duo initially met on Myspace in 2008, only to meet in-person three years later. THE INTERNET have released two albums previously – 2011’s Purple Naked Ladies, and 2012’s Feel Good. THE INTERNET branched off from the Odd Future collective and started their own band in 2011. Syd had been writing music since she was small; she put this on hold to become OF’s DJ and producer, and picked her songs back up in 2011 to make her first full-length album with Matt. When they play live, THE INTERNET is a band – a six-person outfit whose youngest member is 17. They began playing as a full-band in order to tour behind Feel Good, and the band members all contributed their talents to THE INTERNET’s 2015 album EGO DEATH.]

8. Fantastic Negrito – “A Letter To Fear”
from: Please Don’t Be Dead / Blackball Universe – Cooking Vinyl / June 15, 2018
[Fantastic Negrito was raised in an orthodox Muslim household. His father was a Somali-Caribbean immigrant who mostly played traditional African music. When, at the age of 12, Negrito’s family moved from Massachusetts to Oakland, California. Oakland in 1970s was a million miles from Negrito’s conservative childhood. He went from Arab chants to Funkadelic in one day. By the time he was 20, Negrito had taught himself to play every instrument he could get his hands on. He was recording music, and after some difficulties on the streets he packed his bags and headed to LA, armed with a demo on cassette. Negrito signed with a million dollar deal at Interscope. The record deal was a disaster. Gangsta rap was ruling the airwaves and Negrito was in the wrong place at the wrong era. Negrito came out of the deal with a failed album and his confidence gutted. In 2000, Negrito was in a near fatal car accident that put him in a coma. For four weeks it was touch and go. Because his muscles atrophied while bedridden, he had to go through months of frustrating physical therapy to regain use of his legs. Rods were placed throughout his body. And worst of all, his playing hand was mutilated. Back in Oakland, Negrito forgot about life as a musician. He got married, he planted vegetables, raised his own chickens, and made money growing weed. He also settled into being a man, on his own, clear of the distractions of wanting to be a star. And then his son Kyu was born. He began recording without the hindrances that come with chasing trends. Negrito turned to the original DNA of all American music, the Blues. The beating life had given him primed him to channel his literal and musical forefathers: the Blues musicians of the Delta]

9. Black Rebel Motorcycle Club – “Haunt”
from: Wrong Creatures / Abstrat Dragon – Cobraside – BMG – Vagrant / January 12, 2018
[Rock band from San Francisco, California with: Peter Hayes (on vocals, guitar, harmonica; Robert Levon Been on vocals, bass, guitar; and Leah Shapiro on drums. Former drummer Nick Jago left the band in 2008 to focus on his solo project. They have released eight studio albums: B.R.M.C. (2001), Take Them On, On Your Own (2003), Howl (2005), Baby 81 (2007), The Effects of 333 (2008), Beat the Devil’s Tattoo (2010), Specter at the Feast (2013) and Wrong Creatures (2018), as well as several EPs, and live albums. The band was formed in 1998, originally called The Elements. After discovering that another band had the same name, the members changed the name to Black Rebel Motorcycle Club, after Marlon Brando’s motorcycle gang in the 1953 film The Wild One.]

10. Emily Otis – “drunk and anxious”
from: Poor Traits / Self Released / February 12, 2017
[Singer songriter Emily Otis is originally from Cedar Falls, Iowa who is now based in Kansas City. She calls herself. “mildly abrasive, musically eclectic and wistfully sarcastic.” “Poor Traits” is a audio-biographical work about my loveless experiences. The album is a collection of actual songs and found recordings. “Poor Traits” features the talents of Amy Wonderlin, Graham Howland, Michael Bowman, and George Patti. Recorded at Rama Studios Waterloo IA & “The White House” Cedar Falls IA. Mixed by Emily Otis. All songs written by Emily Otis except “Bad Romance”]

11. Super Elcados – “Tambourine Party”
from: Togetherness Is Always a Good Venture (Tambourine Party, Vol. 2) / EMI / July 6, 1976 Reissued on Mr. Bongo / 2018
[Official Mr Bongo reissue of the ultra-rare album by ‘Super Elcados’. A fusion of heavyweight Nigerian funk, soul & disco, originally released by EMI Nigeria in 1976. The ‘Super Elcados’ (and ’Elcados’ on other recordings) recorded three albums in the mid and late-70’s, this is their first. It was followed by ‘This World Is Full Of Injustice’ and ‘What Ever You Need’.]

12. The Souljazz Orchestra – “Lufunki”
from: Under Burning Skies / Strut Records / September 22, 2017
[The Souljazz Orchestra is a Canadian musical group based in Ottawa that has toured Canada, the United States and Europe. Their music is a fusion of soul, jazz, funk, Afrobeat and Latin styles. The band has six members: Pierre Chrétien on electric piano, clavinet, organ, guitar, bass, percussion, vocals; Marielle Rivard on percussion, vocals; Steve Patterson on tenor sax, percussion, vocals; Ray Murray on baritone sax, percussion, vocals; Zakari Frantz on alto sax, flute, percussion, vocals; Philippe Lafrenière on drums, percussion, vocals. The band signed to London-based Strut Records, a UK record label that focuses on dance music and afrobeat. Other musicians signed to Strut include “Ethio-Jazz pioneer Mulatu Astatke, Motown guitarist Dennis Coffey and Ghanaian highlife singer Ebo Taylor, to name a few.” According to AllMusic, the band’s “overtly political 2006 single “Mista President,” off second album Freedom No Go Die (Do Right!), really increased their audience, [as it was] voted to the number nine spot in the 2006 Top 30 of BBC DJ Gilles Peterson’s Worldwide programme. In 2012, the band completed two US tours that included stops in cities such as Boston, New York City, Philadelphia, Washington DC, and Chicago. Their Resistance album release tour of Europe, all October/November 2015, sees them among others in London, Liverpool, Zurich, Paris, Lyon, Milan, Barcelona, Madrid, Berlin, Cologne, Vienna, Prague, Athens, Marseille.]

11:00 – Station I.D.

13. Hand Habits – “Actress”
from: Wildly Idle (Humble Before the Void) / Woodsist / February 10, 2017
[“Meg Duffy, aka Hand Habits, is a singer, songwriter and guitarist from Upstate New York. She has been putting her time in on the road and in the studio over the past two years with pacific northwest band Mega Bog, and the Kevin Morby Band, making an impression on everyone she comes across with her natural charisma and uncharted talent as a multi-instrumentalist. But let Wildly Idle (Humble Before The Void) be her open invitation to the world to step inside and take a much deeper look into who Duffy actually is. Tracked in an Upstate New York living room, then finished in her current home in Los Angeles – it is appropriate that this album was recorded by Meg herself – for Meg, who has an acute ear for detail, has touched every corner, has seen every vision ’til its end. Because of this, Wildly Idle feels incredibly intimate, like a secret between her and the listener. It hits soft, like warm water, and before you know it it is all around you – a bath, and Meg’s whisper has made its way inside you. Like many bedroom-debuts before it (Microphones, Jessica Pratt, Little Wings, Grouper) let this be the first of many to come, for Meg has music in her touch – and this is only the beginning. But let us not look to the future now, but instead stand alongside her, our trust in her will, both humble before the void, with her first chorus as the mission statement; ‘hold you like a flower, hold you like an hour glass’.”- Kevin Morby”]

14. Vive la Void – “Red Rider”
from: Vive la Void / Sacred Bones / May 4, 2018
[Vive la Void is the new solo project of Sanae Yamada, co-founder and keyboard player of Moon Duo. Yamada wrote and recorded the self-titled debut album over roughly a two-year period, during windows of downtime in Moon Duo’s substantial touring and recording schedule. The dense, shape-shifting atmospheres of the seven songs grew out of late-night basement experiments in the layering of synthesizer tracks, a process that also led to meditations on the changeable nature of memory and perception. The result is an undulating blend of ethereal swirl, low end thrumming, and electric crackle, buoyed by Yamada’s understated but captivating vocal melodies and her striking lyrics. “The lyrics were a way of reckoning with my own memories and also of trying to process my reactions to the human situation,” Yamada explains. “I wanted the voice to have a kind of ghostly quality, to emerge from and recede back into the song, or to pass over it like weather. It’s one of many layers of sound, which are meant to blend together in such a way that on one listen you might hear one thing, and on another listen you might hear something else, so the music seems to change even as it stays the same.” Yamada has spent the last decade as a working musician, moving between semi-permanent home bases whenever she isn’t living in a tour van. In some ways, then, it feels inevitable that Vive la Void became a meditation on the strange rhythms of long-term touring, constant relocation, and the accompanying stream of brief but compelling encounters. It’s a testament to her empathy and creativity that these songs feel both specific and universal, familiar yet tantalizingly unknowable. “I feel like the movement of life in the sphere of consciousness is this process of trace-leaving,” Yamada reflects. “Wherever we go, whomever we interact with, whatever we touch, we leave and absorb these invisible traces, this residue of memory that lingers. I wanted the sonic textures of this record to explore that state of being there and not there, of something being with you but not tangible.”]

15. Ty Segall & White Fence – “Room Connector”
from: Joy / Drag City / July 20, 2018
[From Paste Magazine (July 18, 2018): Another month, another Ty Segall album. As noted in Paste earlier this year, the king of California psych/garage/punk-rock is arguably THEE most prolific major musician working right now, and the level of quality he achieves across his releases is incredibly high. The guy is quickly putting together an all-timer of a catalog. The newest entry in said catalog is Segall’s second collaborative album with veteran Los Angeles psych-pop experimenter White Fence, aka Tim Presley, formerly of The Nerve Agents and Darker My Love, and more recently Cate Le Bon’s partner in DRINKS. The two men joined forces in 2012 to produce a fun and fuzzed-out collection of songs called Hair, a “glorious mess of an album” we said way back when. Joy is a little more messy but almost as glorious. With track times mostly clocking in under 120 seconds, it’s a series of quick hits that are warped but relentlessly tuneful, like a Beatles LP that’s spent a blazing hot afternoon lying on a busy freeway. As songwriters, Segall and Presley complement each other nicely: Segall certainly knows his way around a catchy tune, but Presley’s a more natural melodicist, and while Presley definitely has his own rough edge, Segall’s a prodigious shredder. Wonder Twin Powers, activate! Form of…a fucked-up pop song! Highlights on Joy include “Body Behavior,” a pulsing acoustic rocker that snakes in the verses and sparkles in the chorus; “Other Way,” a dead-eyed noise excavation that feels like it fell off the Incesticide tree of influence; and “A Nod,” another rhythmic strummer that may just boast the prettiest melody on the album. There are other great songs here: the occasionally jazzy “Good Boy,” the beautiful and Neil Young-ish “My Friend,” and the propulsive “Do Your Hair,” which is powered by a bouncy bass line and uses its 95 seconds with impressive efficiency. The opposite is true for a couple of tracks that show up near the end of the album, “She Is Gold” and “Tommy’s Place,” two silly and/or stoney studio experiments that go nowhere, really. Joy would’ve been a tighter overall package if they’d been cut. With Segall, though, it’s worth hearing a couple of clunkers if it means he’ll keep making music at his preferred dizzying pace, because his hit-to-miss ratio is so high. And collaborating with Presley doesn’t dent that ratio. In fact, it brings out good things in both men. Here’s hoping their next album isn’t another six years away.

16. Ty Segall & White Fence – “Body Behavior”
from: Joy / Drag City / July 20, 2018

17. J.M. Black – “Lipstick (Shout)”
from: France chébran: French Boogie (1982 – 1989), Vol. 2 / Serendip Lab / May 25, 2018
[For fans of boogie in its Stateside form—think Kashif, Mtume, and the sprawling SOLAR Records oeuvre of producer Leon Sylvers III–Chébran Volume 2 offers both the comfort of the familiar and the thrill of the exotic. The brassy synthesizer tone on songs like “Heidi Bled Noum,” originally released by Shams Dinn in 1987, could just as easily have come out of Minneapolis circa 1983; and the Francophone flows on rap tracks like Phil Barney’s “Funk Rap,” JM Black’s “Lipstick,” and Alfio Scandurra’s “Qu’est Ce Qui Ne Va Pas?” demonstrate that even if the South Bronx was far away, the fruits of its culture had reached as far as Paris and Marseilles. But the songs collected here are more than just novel variations on American sounds; at their most intriguing, they reflect the unique cultural makeup of post-colonial France. Boogie, of course, grew out of the cross-pollinations between African American funk and European synthpop; the Gallic variety, with its roots in French immigrant communities, incorporated even further-flung influences from Africa and the Middle East. The aforementioned Dinn, born Mohammed Ben Bouchta, performs in Arabic, as do many of the other artists on the compilation; “Propriété Privée” singer Sammy Massamba hails from the Congo; the proto-electro “Ettika” was recorded by a group of Franco-Arab women of the same name. Chébran is rife with such intercontinental couplings and fascinating stylistic mutations, and the later chronological focus of this second volume opens up even more possibilities, with frequent forays into hip-hop and pure electronic music. It’s easy to picture Afro-French B-boys popping and locking to “Porquoi Tant de Haine,” the 1988 closing track by MC Joel Ferrati; or to Ethnie’s 1986 “De Chagrin en Chagrin,” which pairs a funky live hip-hop arrangement with an Arabic call-and-response chorus. Like most compilations of its ilk, Chébran’s sampling of international dance obscurities holds immediate appeal for DJs and other crate-digging connoisseurs of rare grooves. But there’s also an intrinsic value to hearing post-disco sounds defamiliarized and recontextualized in this way. A nebulous, short-lived genre even in its American form, boogie is often overlooked as a stopgap between disco proper and its sleeker, more mechanized offshoots, such as electro, house and techno. The hybrid formulations on Chébran Volume 2 offer a glimpse of the style’s unexploited possibilities, its adaptability into alternative cultures and contexts. More prosaically, but just as importantly, they also offer 17 monster grooves for lovers of synth-driven funk. – Zachary Hoskins Spectrum Culture, (June 20, 2018)]

Marion Merritt thanks for being with us on Wednesday MidDay Medley. Marion is the creator of Records With Merritt, a small, independent, minority owned business, at 1614 Westport Rd. in Kansas City, Missouri. More info at: http://www.recordswithmerritt.com

Marion and Una

11:30 – Underwriting

11:32 – Interview with Una Walkenhorst

Una Walkenhorst photo by Mike Schwabauer

Following the release of her debut album “Scars” in 2014, Una Walkenhorst immediately had “new fans . . . coming out of the proverbial woodwork” (AXS). Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. Gilded Palace Radio wrote that Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling)”. Una Walkenhorst has a new album, recorded with her father, (Bob Walkenhorst of The Rainmakers) called, For Tomorrow, that will be released on October 12. Bob & Una Walkenhorst play Rural Grit Happy Hour at The Brick, this coming Monday, August 13.

25 year old, Kansas City based singer/songwriter Una Walkenhorst joins us on Wednesday MidDay Medley to play a few songs live in our 90.1 FM Studios and talk with us about Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20, at 7:00 PM at recordBar, 1520 Grand, KCMO, with Instant Karma, and Blue False Indigo.

Una Walkenhorst Thanks for being with us on WMM

Una Walkenhorst recently played The Folly Theatre for 90.1 FM KKFI’s 30th Anniversary

Una Walkenhorst has lived in New Orleans, and Brooklyn, New York

After her 2014 debut release “Scars” Una Walkenhorst quit her job, got in her two-door Honda Civic and traveled across North America for a year and a half.

Una wanted to make it as a musician, on her own terms without help from her father.

Una Walkenhorst is the youngest daughter to dad Bob Walkenhorst, a founding member of The Rainmakers, which had a string of national and international hits in the 1980s and 90s.

Una told KCUR FM that her father was one of the people who made her love music. But having a famous father was sometimes challenging: “I knew that if I started my music career here I would have a lot of opportunities, but not all of them would be because of my music. They would be because I am someone’s daughter,” Walkenhorst says.

Una has a new album, recorded with her father, (Bob Walkenhorst of The Rainmakers) called, For Tomorrow, that will be released on October 12.

Bob & Una Walkenhorst play Rural Grit Happy Hour at The Brick, this coming Monday, August 13.

More information at: https://unawalkenhorst.bandcamp.com

10:39

18. Una Walkenhorst – “Pretty Face” (LIVE) 

Una says that this is a love song to Eugene Oregon. This song may end up being on Una’s second solo record that will be released in 2019.

Una Walkenhorst plays Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20, at 7:00 PM at recordBar.

The Midwest Innocence Project (MIP) is a not-for-profit corporation dedicated to the investigation, litigation, and exoneration of wrongfully convicted men and women in our five-state region. Recent studies conservatively estimate that between 2% and 5% of all inmates in America are innocent of the crimes for which they were convicted, with some estimates reaching up to 7%. This means that somewhere between 2,000 and 7,000 moms, dads, sons, and daughters in Missouri, Kansas, Iowa, Nebraska, and Arkansas are locked behind bars this very moment for crimes they did not commit.

After a conviction, it takes roughly seven to ten years for an innocent person to be exonerated, and the process is very expensive. As of May 2017, the 349 men and women across the country who have been exonerated through DNA served an average of 14 years in prison. The MIP staff, along with our Board of Directors, Advisory Board, Next Gen Board, and volunteers, works diligently to give freedom back to those whom the legal system has failed. Thanks to our partnerships with law schools at the University of Missouri in Kansas City and Columbia and the University of Kansas, our presence in the classroom gives us the opportunity to teach the next generation of lawyers and investigators how to identify and prevent these injustices.

The Midwest Innocence Project was founded in 2001 through the UMKC School of Law and is part of the national Innocence Network. In addition to our university partnerships, we also work in conjunction with the Nebraska Innocence Project, and Iowa Public Defender’s Wrongful Conviction Division. Read more about our partners here. We are based in Kansas City, Missouri.

More information at: http://www.mip.org

Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20, at 7:00 PM at recordBar, 1520 Grand, KCMO, with Instant Karma, and Blue False Indigo.

Una tells us the Blue False Indigo will have their own Album Release Show on September 8.

Una Walkenhorst is working on her second solo album to follow up on Scars (released in 2014). She says that her previous album was lighter, but for her second album she is older, and in a different place, and plans to focus on heavier topics including mental illness and depression.

Una told KCUR FM, “It can be very stigmatizing and people don’t want to talk about it a lot, but I feel that it’s very important thing to talk about. So quite few songs in my next album will touch upon mental illness, and what it’s like to live with anxiety and depression.”

10:49

19. Una Walkenhorst – “Middle Man” (LIVE) 

This song may end up being on Una’s second solo record that will be released in 2019.

Una Walkenhorst has a new album, recorded with her father, (Bob Walkenhorst of The Rainmakers) called, For Tomorrow, that will be released on October 12. Bob & Una Walkenhorst play Rural Grit Happy Hour at The Brick, this coming Monday, August 13.

Una Walkenhorst plays Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20, at 7:00 PM at recordBar, 1520 Grand, KCMO, with Instant Karma, and Blue False Indigo.

11:57

20. Una Walkenhorst – “What You Left Behind”
from: SCARS / Una Walkenhorst / July 1, 2014
[Una Walkenhorst is a singer/songwriter from Kansas City, Missouri. Following the release of her debut album “Scars” in 2014, Una immediately had “new fans . . . coming out of the proverbial woodwork” (AXS). Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. Paired with refreshingly raw vocals, Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling)” (Gilded Palace Radio) as she weaves stories of genuine human experience. More information at: https://unawalkenhorst.bandcamp.com/%5D

21. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 15, Chase The Horseman joins us in our first hour and in our second hour Kristie Stremel & Summer Osborne will play live in our 90.1 FM Studios

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #746

Una Walkenhorst photo by Mike Schwabauer

Advertisements

Wednesday MidDay Medley Spins Records With Marion Merritt + Una Walkenhorst

Una Walkenhorst photo by Mike Schwabauer

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 8, 2018

Spinning Records With Marion Merritt
+ Una Walkenhorst

Marion Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Marion will spin tracks from: Robert Glasper & Friends, Kamasi Washington, Bernice, Belle and Sebastian, The Internet, Fantastic Negrito, Black Rebel Motorcycle Club, Emily Otis, Super Elcados, The Souljazz Orchestra, Hand Habits, Vive la Void, Ty Segall & White Fence, J.M. Black, Tunde Mabadu, Mulatu Astatke, ODESZA, and more. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Una Walkenhorst photo by Mike Schwabauer

At 11:30 Kansas City based singer/songwriter Una Walkenhorst joins us to play a few songs live in our 90.1 FM Studios and talk with us about Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20, at 7:00 PM at recordBar, 1520 Grand, KCMO, with Instant Karma, and Blue False Indigo. Following the release of her debut album “Scars” in 2014, Una Walkenhorst immediately had “new fans . . . coming out of the proverbial woodwork” (AXS). Loading up her 97 Honda Civic, Una then spent a year traveling across North America promoting her music and connecting with listeners one-on-one. Gilded Palace Radio wrote that Una’s heartfelt lyrics “will stop you in your tracks (at once beautiful and chilling)”. Una has a new album, recorded with her father, (Bob Walkenhorst of The Rainmakers) called, For Tomorrow, that will be released on October 12. Bob & Una Walkenhorst play Rural Grit Happy Hour on August 13, at The Brick. More information at: https://unawalkenhorst.bandcamp.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #746

Wednesday MidDay Medley

WMM Playlist from August 1, 2018

C.J. Janovy photo by: John Janovy, Jr.

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 1, 2018

Calvin Arsenia in Concert on the Radio!
+ Writer & Journalist C.J. Janovy

C.J. Janovy and Calvin Arsenia on the August 1, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

10:00 – Station ID

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Jefferson Airplane – “White Rabbit”
from: Surrealistic Pillow / RCA – Victor / February, 1967
[Marty Balin – vocals, guitar, album design, Jack Casady – bass guitar, fuzz bass, rhythm guitar, Spencer Dryden – drums, percussion, Paul Kantner – rhythm guitar, vocals, Jorma Kaukonen – lead guitar, vocals, Grace Slick – vocals, piano, organ, recorder. Jefferson Airplane was an American rock band formed in San Francisco, California in 1965. A pioneer of counterculture-era psychedelic rock, the group was the first band from the San Francisco scene to achieve international mainstream success. They performed at the three most famous American rock festivals of the 1960s—Monterey (1967), Woodstock (1969) and Altamont (1969) —as well as headlining the first Isle of Wight Festival (1968). Their 1967 record Surrealistic Pillow is regarded as one of the key recordings of the “Summer of Love”. Two hits from that album, “Somebody to Love” and “White Rabbit”, are listed in Rolling Stone’s “500 Greatest Songs of All Time”.

10:05 – Interview with Bill Sundahl

14th Annual Crossroads Music Fest is September 8, 2018

Bill Sundahl is founder of Crossroads Music Festival and has been coming on this radio program for the last 14 years to share information about the music and venues and collaborations associated with Crossroads Music Festival – one of the longest running music festivals in Kansas City. Bill is also 90.1 FM KKFI’s Development Director, where he is constantly in motion, working to keep Community Radio alive! Bill joins us as to share details about participating artists, and special features, of this year’s CMF, on Saturday, September 8.

Bill Sundahl thanks for being with us on Wednesday MidDay Medley

Since it’s inception in 2005, CMF has featured over hundreds of bands and attracted thousands of people to the Crossroads Arts District in Kansas City.

THE 2018 CMF LINEUP INCLUDES:

RADKEY & QUIXOTIC PERFORMERS – HEMBREE – HI LUX – BRANDON PHILLIPS & THE CONDITION – CUBANISMS – EEMS – GAMELAN GENTA KASTURI – GRAND MARQUIS – TAYLOR SMITH BAND – BCR – MY OH MY! – VOGTS SISTERS – VOLKER BROTHERS – FOUR SCORE – SUMMER OSBOURNE – COWTOWN COUNTRY CLUB – SUPERMASSIVE BLACK HOLES – CADILLAC FLAMBE – VI TRAN BAND – CHAD ELLIOTT !!! MORE TO BE ADDED SOON !!!

The 14th annual Crossroads Music Fest is Saturday, September 8.

For more information you can go to: http://www.cmfkc.com or http://www.kkfi.org

10:10 – Underwriting

10:12 – Interview with Calvin Arsenia

Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and released the EPs, Moments, Prose. Last year Calvin released his full length debut, Catastrophe, and a LIVE recording from Greenwood Social Hall. This year he released the EP Caviar to special guests who attended his show at Wickstock West in West Bottoms. Standing at 6 foot 6 inches, Arsenia’s powerful vocals span a 3.5 octave range, while playing piano, banjo, guitar and harp. Calvin has played Folk Alliance International, Kansas City Fringe Fest, Apocalypse Meow, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Last year he undertook a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris. Calvin Arsenia plays plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.

Calvin Arsenia, thanks for being with us on WMM.

Calvin was our most played artist of 2017, and his release Castastrophe was in our Top Three of WMM’s The 117 Best Recordings of 2017.

Calvin has been traveling a lot this year. He participated in Escape to Create in Seaside Florida during the month of January. He has traveled to Australia, Gothenburg Sweden, Edinburgh Scotland. Calvin has spent time in Los Angeles recording songs for a new vinyl EP called “The L.A. Sessions,” that will be coming out on Bullseye Records sometime next year.

Calvin has also been working on his new full length album, Cantaloupe, and a special KC Release on September 15.

And Calvin And Simon Huntley are getting ready to go back on tour to Edinburgh, to Fringe By the Sea.

This year Calvin Arsenia was signed to the new Kansas City based music label, Bullseye Records started by Jim Andrews and Patrick Sprehe.

10:16

3. Calvin Arsenia – “Bleu” (LIVE)
also available on Calvin Arsenia’s EP Moments, released April 9, 2014

[Calvin Arsenia plays plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

10:22

4. Calvin Arsenia – “Dance in The Rain”
from: “Dance in The Rain” – Single / (Unreleased Track) / from 2007
[Self recorded by 17 year old Calvin Arsenia who got his start making worship music for his church in Olathe, Kansas.]

5. Calvin Arsenia – “Jesus Loves Me”
from: “Jesus Loves Me” – Single / (Unreleased Track) / from 2007
[Self recorded by 17 year old Calvin Arsenia who got his start making worship music for his church in Olathe, Kansas.]

10:33

6. Calvin Arsenia – “Lullaby” w/ Sara Morgan
from: “Lullaby – Single / (Unreleased Track) / from February 22, 2006
[16 year old Calvin Arsenia & 17 year old Sara Morgan collaborated on music in the same church.]

10:37

7. Calvin Arsenia – “86”
from: Moments [EP] / Independent / April 9, 2014
[Calvin Arsenia was 24 when he released this EP after returning home to Kansas City after living and performing in Edinburgh, Scotland. Calvin works as a songwriter, composer, lyricist, producer, and engineer. Calvin Arsenia played live on Wednesday MidDay Medley on October 22. 2014.]

[Calvin Arsenia plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

10:46

8. Calvin Arsenia – “Reflection #3” (LIVE)
Calvin Arsenia performing a harp instrumental of a piece that was originally improvised from a show in Edinburg that Calvin recorded o his cell phone and later transposed for a friend this year who asked him to recreate the piece for a performance.

Calvin Arsenia recently performed in a staged musical called “After Persephone” that was part of the KC Fringe Festival and was performed at Arts Asylum. All of the performances were sold out.

10:56

One of Calvin’s influences is Bjork

9. Bjork – “Generous Palmstroke”
from: Vespertine Live / One Little Indian / June 1, 2004

11:00 – Station ID

11:00 – Interview with C.J. Janovy

C.J. Janovy photo by: John Janovy, Jr.

Writer and journalist C.J. Janovy joins us to discuss her new book, No Place Like Home – Lessons in Activism from LGBT Kansas, from University Press of Kansas. C.J. Janovy currently oversees digital content for 89.3 FM KCUR, Kansas City’s NPR affiliate, where C.J, has also reported on arts and culture. C.J. Janovy also served as Editor of The Pitch Weekly for over a decade. C.J. Janovy received her English Degree from the University of California at Berkeley, and her Masters Degree in creative writing from Boston University.

C.J. Janovy shares her new book in a discussion that examines the evolution of LGBTQIA equality in Kansas on Wednesday, August 8, at 6:30 pm, at the Kansas City Public Library – Central Library, 14 West 10th Street, Kansas City Missouri. You can RSVP at http://www.kclibrary.org

C.J. Janovy thanks for being with us on WMM.

Full disclosure: I’ve known C.J, Janovy since 1990 when she wrote a piece about Big Bang Buffet and The Spoken Word at Cafe Lulu for The New Times, one of Kansas City’s weekly newspapers of the 1990s. Many of the writers of The New Times migrated to The Pitch Weekly where C.J. served as Editor for over a decade. At one point The Pitch was owned by The Village Voice Media, and specialized in advocacy journalism.

C.J. transitioned from print media to radio when she began reporting for KCUR 89.3 FM. C.J. reported on arts and now oversees digital content at http://www.kcur.org

No Place Like Home – Lessons in Activism from LGBT Kansas

This book, No Place Like Home – Lessons in Activism from LGBT Kansas, is a gift. A gift to all of the people who have fought for equality in Kansas.

C.J. Janovy writes that this project began on June 26, 2013. The day of the U.S. Supreme Court ruled by a 5-to-4 vote that the U.S. Constitution guarantees a right to same-sex marriage.

C.J. Janovy spent over 3 years doing research for this book.

In her forward, C.J. mentions other books written about struggles for LGBTQIA Equality, in other states, realizing that the story of Kansas LGBTQIA activists needed to be told.

C.J. also refers to Frank L. Baum’s the Wonderful Wizard of Oz, published in 1900. The 1939 film version, starring Judy Garland has become a huge metaphor and symbolic piece for Gay folk everywhere.

Traveling through the story of LGBTQIA Equality in Kansas, C.J. shares the story of how Kansas has become more socially conservative from the mid 1970s to today.

This book comes out the same year as the Austin Williams documentary film, The Ordinance Project, which tells the story of how, “at the height of the AIDS crisis, the City Council of Kansas City, Missouri debated whether or not to amend its Civil Rights Ordinance to prevent discrimination against lesbians, gays, bisexuals, and people with HIV/AIDS. It quickly became the most highly contested piece of legislation in Kansas City’s history, galvanizing both supporters and opponents while exposing a social divide that is still felt today.” It eventually passed in 1993, after a three year struggle. That story parallels the stories in No Place Like Home, with similar ordinances eventually passing in Manhattan, Salina and Hutchinson, Kansas.

You can find more information at: http://www.cjjanovy.com where C.J. has posted a piece about Lea Hopkins, who is featured in The Ordinance Project.

No Place Like Home – Lessons in Activism from LGBT Kansas deals with Marriage Equality, housing and employment discrimination, Transgender rights, The Christian Right.

No Place Like Home – Lessons in Activism from LGBT Kansas features profiles of: Tiffany Muller, Sandra Stenzel, Diane Silver, Bruce Ney, Christopher Renner, Tom Witt, Bruce McKinney, Pat Munz, Kristi Parker, Stephanie Mott, LuAnn Kahl, Anne Mitchell, Lindy Duree, Tanya Jantz, Kristie Stremel, Isaac Unruh, Charlie Snook, Alley Stoughton, Cora Holt, Jonathan Mertz, Lukus Ebert, Sandra Meade, Kevin Stilley, and many others. These profiles are part of the action of this book, these activists all continually standing up for a more equal and fair world in which to live.

In her book, No Place Like Home – Lessons in Activism from LGBT Kansas, author C.J. Janovy gives special thanks to librarians: Tami Albin of The University of Kansas’s Under the Rainbow: Oral Histories of Gay, Lesbian, Transgender, Intersex and Queer People in Kansas, and Stuart Hinds of GLAMA The Gay and Lesbian Archives of Mid-America at The University of Missouri-Kansas City

C.J. Janovy shares her new book in a discussion that examines the evolution of LGBTQIA equality in Kansas on Wednesday, August 8, at 6:30 pm at the Kansas City Public Library – Central Library, 14 West 10th Street, Kansas City Missouri. You can RSVP at http://www.kclibrary.org

C.J. Janovy and Calvin Arsenia on the August 1, 2018 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:24 – Underwriting

11:26 – Interview with Calvin Arsenia & Simon Huntley

Calvin Arsenia plays an album release show at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with Krystle Warren and others, presented by Bullseye Records. More information at: http://www.calvinarsenia.com

Also with us is: Simon Huntley who is a lighting designer, drummer, percussionist, engineer. He works as head percussionist with Quixotic. He serves as head lighting technician at The Folly Theatre. Simon will be traveling again with Calvin throughout Europe on an upcoming tour, starting tomorrow.

Calvin Arsenia, Simon Huntley, thanks for being with us on WMM.

11:28

J. Ashley Miller and Simon Huntley are the producers of Calvin’s new album, Cantaloupe, recorded at various recording studios around Kansas City

10. Jametatone – “Shadow Projecting”
from: Frog In The Pot / J. Ashley Miller / December 21, 2017
[New 10-song album from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. You can view more of Ashley’s work at http://www.jametatone.com.]

11:32

11. Calvin Arsenia – ” Poseidon” (Live)
Calvin Arsenia on harp and vocals, Simon Huntey on percussion
also available on Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)

11:40

Calvin was recently signed by Bullseye Records a new record label formed in Kansas City by Jim Andrews and Patrick Sprehe.

12. Calvin Arsenia – “Don’t Explain”
from: L.A. Sessions / Bullseye Records / expected Spring 2019
[Written by jazz singer Billie Holiday & Arthur Herzog Jr. Billie wrote “Don’t Explain” after her husband, Jimmy Monroe, came home one night with lipstick traces on his collar. Recorded by Holiday in 1944.]

11:45

13. Calvin Arsenia – “Equally”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)

[Calvin Arsenia plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

Calvin Arsenia also plays The Mark Music Show 2.6 An Evening With Calvin Arsenia, hosted by The MARK and St. Mark Hope and Peace Lutheran, Saturday, September 29 at 7:30 PM at St. Mark Hope and Peace Lutheran, 3800 Troost Ave, KCMO

11:48

14. Calvin Arsenia – “Headlights”
from: Cantaloupe / Bullseye Records / September 15, 2018 (KC Release)
[First single from Cantaloupe]

More information at http://www.calvinarsenia.com

11:56:30

15. Calvin Arsenia – “Tip Toe (Radio Edit)”
from: Caviar EP/ Calvin Arsenia / December 5, 2017
[Produced for attendees at Calvin’s “Secret Show,” Tuesday, December 5, at Wickstock West, 1324 West 12th Street, in The West Bottoms, and for supporters of his Outlyre Tour. Words and Music by Calvin Arsenia. Produced by Jametatone, Simon Huntley and Calvin Arsenia. Recorded at The Infoaming Vertex. Since Calvin Arsenia came home to KC after living in Edinburgh, Scotland, he has released his EP, Moments, in 2014, and his EP Prose in 2015, and his Folk Alliance exclusive EP Catastrophe in 2016. On February 14, 2017 Calvin released his critically acclaimed full length debut, Catastrophe. Calvin Arsenia premiered these songs in a live show at recordBar in November 2016 in a stage show that involved a company of 50 people, dancers, stilt walkers, special lighting, back up singers, guest artists. Calvin released Live at Greenwood Social Hall from his June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue. In the late Summer and Fall Calvin went on a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris, in over 40 shows, with musician and friend Simon Huntley who plays with Quixotic. Since 2014 we have been celebrating the music of Calvin Arsenia. Calvin is a graduate of Artist INC.]

[Calvin Arsenia plays plays a special Album Release Show for his new album Cantaloupe, at The Gem Theatre, 1615 East 18th Street, KCMO, on Saturday, September 15 with special guest Krystle Warren and others, presented by Bullseye Records.]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week, on August 8, Marion Merritt returns as our Special Guest Producer. Marion will share tracks from: R+R Now, Kamasi Washington, Bernice, Black Rebel Motorcycle Club, Super Elcados, Ty Segall and White Fence, J.M. Black and more. Also next week, we’ll talk with Kansas City based singer songwriter, Una Walkenhorst who plays Songs For Justice: A Benefit for the Midwest Innocence Project, Monday, August 20 at 7:00 PM, at recordBar, 1520 Grand Boulevard, KCMO with Instant Karma, and Blue False Indigo.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #745

C.J. Janovy photo by: John Janovy, Jr.

Wednesday MidDay Medley

WMM Playlist from August 7, 2013

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, August 7, 2013

Marion Merritt’s Musical Discoveries + Carsie Blanton

Guest producer Marion Merritt joined us to share information from her musically-encyclopedic-brain. Marion Merritt is the co-creator of the blog: a2-m3.com providing info about: Music, Film, Art, Books, TV, Technology, with links, downloads, and articles.

1. Dimitri From Paris – “Prologue”

2. Matias Aguayo – “Una Fiesta Diferente”
from: The Visitor / Comeme Records / June 24, 2013
[3rd album from DJ Matias Aguayo is inspired from his years of touring and creates internationally flavored sounds, implementing his voice and using percussion, performing live with “the district union” a band that provides a powerful rhythm section.]

3. Matias Aguayo – “Rollerskate”
from: Rollerskate – Single / Kompakt Records / October 5, 2009

10:16

4. T-Model Ford – “Ask Her for Water”
from: Bad Man / Big Legal Mess Publishing / September 10, 2010

5. T-Model Ford – “Bad Man”
from: Bad Man / Big Legal Mess Publishing / September 10, 2010
[James Lewis Carter Ford (c.early 1920s – July 16, 2013). An American blues musician, using the name T-Model Ford, he was nable to remember his exact date of birth, he began his musical career in his early 70s, and recorded for the Fat Possum label, then switched to Alive Naturalsound Records. His musical style combined the rawness of Delta blues with Chicago blues & juke joint blues styles. According to records, Ford’s year of birth was between 1921 – 1925, though his record company gave his age as 94, suggesting a birth in 1918 – 1919. Starting with an abusive father who had permanently injured him at eleven, Ford lived his entire life in a distressed and violent environment, towards which he was quite indifferent. Ford, an illiterate, worked in various blue collar jobs as early as his preteen years, such as plowing fields, working at a sawmill, and later in life becoming a lumber company foreman and then a truck driver. At this time, Ford was sentenced to ten years on a chain gang for murder. Allegedly, Ford was able to reduce his sentence to two years. He spent many of his years following his release in conflicts with law enforcement. Ford lived in Greenville, Mississippi and for a time wrote an advice column for Arthur magazine. Reportedly, he had twenty six children. According to music writer Will Hodgkinson, who met and interviewed Ford for his book Guitar Man, Ford took up the guitar when his fifth wife left him and gave him a guitar as a leaving present. Ford trained himself without being able to read music or guitar tabs. Hodgkinson observed that Ford could not explain his technique. He simply worked out a way of playing that sounded like the guitarists he admired — Muddy Waters and Howlin’ Wolf. Ford toured juke joints and other venues, for a while opening for Buddy Guy. In 1995, he was discovered by Matthew Johnson of Fat Possum Records, under which he released five albums from 1997 to 2008

10:22 – Underwriting

10:24

6. Anna von Hausswolff – “Mountains Crave”
from: Ceremony / Other Music Recording / July 9, 2013
[2nd album from Gothenburg, Sweden, based musician Anna Michaela Ebba Electra von Hausswolff (born Sept. 6, 1986). A singer, pianist, songwriter. She released her debut single, “Track of Time”, Feb. 5, 2010, followed by her critically acclaimed debut album Singing from the Grave. In March 2010 she toured Brazil with Taken by Trees. In 2011 she opened for Lykke Li and also for M.Ward. Hausswolff is noted for her expressive voice and her live performances, and is sometimes compared to Kate Bush. Hausswolff used to be a student of architecture at Chalmers University of Technology. She is the daughter of sound artist Carl Michael von Hausswolff.]

7. David Lynch & Lykke Li – “I’m Waiting Here (Bonus Track)”
from: The Big Dream / Sacred Bones / July 2, 2013
[2nd album from David Keith Lynch (born January 20, 1946). An American filmmaker, television director, visual artist, musician and occasional actor, Lynch is known for his surrealist films, he has developed his own unique cinematic style, which has been dubbed “Lynchian”, a style characterized by its dream imagery and meticulous sound design. Born to a middle-class family in Missoula, Montana, Lynch spent his childhood traveling around the United States, before going on to study painting at the Pennsylvania Academy of Fine Arts in Philadelphia, where he first made the transition to producing short films. Deciding to devote himself more fully to this medium, he moved to Los Angeles, where he produced his first motion picture, the surrealist horror Eraserhead (1977). After Eraserhead became a cult classic on the midnight movie circuit, Lynch was employed to direct The Elephant Man (1980), from which he gained mainstream success. Then being employed by the De Laurentiis Entertainment Group, he proceeded to make two films: the science-fiction epic Dune (1984), which proved to be a critical and commercial failure, and then a neo-noir crime film, Blue Velvet (1986), which was critically acclaimed. Next, Lynch created his own television series with Mark Frost, the highly popular murder mystery Twin Peaks (1990–1991); he also created a cinematic prequel, Twin Peaks: Fire Walk with Me (1992), a road movie, Wild at Heart (1990), and a family film, The Straight Story (1999), in the same period. Turning further towards surrealist filmmaking, three of his subsequent films operated on “dream logic”, non-linear narrative structures: Lost Highway (1997), Mulholland Drive (2001) and Inland Empire (2006). Meanwhile, Lynch embraced the internet as a medium, producing several web-based shows, such as the animation Dumbland (2002) and the surreal sitcom Rabbits (2002). Allmovie called him “the Renaissance man of modern American filmmaking”, while the success of his films has led to him being labelled “the first popular Surrealist.]

10:40

8. The Three O’Clock – “Jet Fighter”
from: The Hidden World Revealed / Omnivore Records / June 25, 2013
[Alternative rock group associated with the Los Angeles 1980s Paisley Underground scene. Lead singer and bassist Michael Quercio is credited with coining the term “Paisley Underground” to describe a subset of the 1980s L.A. music scene which included bands such as Dream Syndicate, Rain Parade, Green on Red, and the Bangles. After 25 years of turning down reunion offers, The Three O’Clock finally reformed after being presented with a chance to play at the 2013 Coachella festival. Three quarters of the “Classic” line-up, Michael Quercio (vocals/bass), Louis Gutierrez (guitars) & Danny Benair (drums) – were joined by new recruit Adam Merrin (keyboards). The group played both weekends of the Coachella festival, and also played on Conan on April 10, 2013. They later embarked on a mini-tour, and released several archival recordings that same year. The final show was at Fingerprints record store in Long Beach California on June 24, 2013.]

9. The Three O’Clock – “In My Own Time (Alternate Version)”
from: The Hidden World Revealed / Omnivore Records / June 25, 2013

10:47

10. Charlie Boyer and the Voyeurs – “I Watch You”
from: I Watch You – Single / Heavenly Records / October 15, 2012
[The Voyeurs are led by Charlie Boyer with Sam Davies, Samir Eskanda, Danny Stead and Ross Kristian completing the line-up. Produced and engineered by Edwyn Collins & Sebastian Lewsley. Recorded at West Heath Studios, London on the 12th and 13th of September 2012. charlieboyerandthevoyeurs.bandcamp.com]

11. Irma Thomas – “We Wont Be In Your Way Anymore”
from: In Between Tears (Remastered) / Alive Natural Sounds / 2013
[Original 1973] [born February 18, 1941, Ponchatoula, Louisiana, United States) is an American singer from New Orleans. She is known as the “Soul Queen of New Orleans”. Thomas is a contemporary of Aretha Franklin and Etta James, but never experienced their level of commercial success. In 2007, she won the Grammy Award for Best Contemporary Blues Album for After the Rain, her first Grammy in a career spanning over 50 years. Born Irma Lee, as a teen she sang with a Baptist church choir, auditioning for Specialty Records as a 13-year old. By the age of 19 she had been married twice and had four children. Keeping her second ex-husband’s surname, she worked as a waitress in New Orleans, occasionally singing with bandleader Tommy Ridgley, who helped her land a record deal with the local Ron label. Her first single, “(You Can Have My Husband but) Don’t Mess with My Man,” was released in spring 1960, and reached number 22 on the Billboard R&B chart.]

12. Irma Thomas – “In Between Tears”
from: In Between Tears (Remastered) / Alive Natural Sounds / 2013
[Original 1973]

11:00 – Station ID

13. Miles Davis – “Mademoiselle Mabry”
from: The Complete In A Silent Way Sessions / Sony / September 11, 2001

11:18 – Underwriting

14. Carsie Blanton – “Smoke Alarm”
from: Idiot Heart / Self Released / 2012

11:16 – Interview with Carsie Blanton

Kasey Rausch, Carsie Blanton, Mikal Shapiro, and Kaya Rausch-Santee

Kasey Rausch, Carsie Blanton, Mikal Shapiro, and Kaya Rausch-Santee

Carsie Blanton is a singer/songwriter based in New Orleans and Philadelphia. She plays classic American pop music. She’s toured with Paul Simon, the Wood Brothers, the Weepies, Shawn Colvin, Joan Osbourne, and Loudon Wainright III. Carsie Blanton plays Kansas City for the Mama Ra Haus Concert, hosted Mikal Shapiro and Kasey Rausch, TONIGHT, Wednesday, August 7, 6:00 pm – 10:00 pm, at 632 W. 39th Terrace, KCMO 64111. Alexandra Fetterman kicks off the music with a short opening set at 7:00 pm. Also joining us was the amazing Kasey Rausch and Mikal Shapiro.

Carsie’s song “Smoke Alarm” features the festive and rich musical culture of New Orleans. Carsie is originally from the Shenandoah Valley of Virginia, but New Orleans is a big influence on her music.

Carsie’s writes in her bio… “I didn’t go to school when I was a kid. Instead I ran around the farm and hunted salamanders and read books. I was raised on folk music by a house full of crazy people. When I was a teenager, I discovered Billie Holiday and Nina Simone, and I learned all of their songs. At sixteen, I moved away from home to join an artist colony in Oregon, where I learned to hitchhike and dumpster dive, and sang backups in a funk band. Then I moved to San Francisco, and then Philadelphia, and now I live in New Orleans, which is the most magical city in the world.”

Besides her music, Carsie also write a blog about sex: brighterthanabuoy.blogspot.com

Carsie writes: “Love is hard. Sex is fun. Life is messy. We’re all going to die. Our hearts are idiots, our wills are weak, we’re bumbling around fucking the wrong people and falling in love for the wrong reasons and pretending like we have all the time in the world to figure it out. My aim is to write songs that make you stop pretending, even if only for an instant. I want to wake you up to your brief, idiotic, miraculous life.”

Along with just releasing a new music video for her song “Smoke Alarm” and embarking on a new solo tour across the country, Carsie has also just launched a new Kickstarter campaign to raise funds to produce her new project: ‘Jazz Is for Everybody.’

You can learn more about Carsie Blanton at: carsieblanton.com.

15. Carsie Blanton – “Crazy He Calls Me” (LIVE)
a song Carsie is developing for her new “Jazz is For Everybody” project.

Carsie released Rude Remarks & Dirty Jokes, a 3-song EP, April 23, produced by Oliver Wood (The Wood Brothers). Carsie writes, “The 1st song is about a girl who killed her ex because he was an ass. The 2nd song is about somebody who accidentally falls in love with everyone she sleeps with. The 3rd song is about how people oughtta have a little backbone and say what they mean. The songs are about me, minus some details.”

Kasey Rausch and Mikal Shapiro are two KC based singer, songwriters, who perform together as Partners in Glory. Their longtime friendship also includes presenting House Concerts in Midtown backyards.

Mikal Shapiro

Mikal Shapiro

David Regnier

David Regnier

Mikal Shapiro is one of Kansas City’s true renaissance women, successfully working in film, music, performance, journalism, art, curating, puppetry, songwriting.

Carsie is playing a lot of House Concerts on this current tour, she spoke to our radio audience about playing a club, or hall, in comparison to playing a “House Concert.”

16. Carsie Blanton – “Chicken” (LIVE)
also available on: Idiot Heart / Self Released / 2012

Kasey Rausch & Friends play the Winfield Warm Up! Sunday, August 18, 2013
at 2:00pm to 10:00pm ay IBEW Local 124, 301 E 103rd Terr, KCMO a benefit for KKFI

Carsie Blanton plays Kansas City for the Mama Ra Haus Concert, hosted Mikal Shapiro and Kasey Rausch, Wednesday, August 7, 6:00 pm – 10:00 pm, at 632 W. 39th Terrace, KCMO 64111. Alexandra Fetterman kicks off the music w/ a short opening set at 7:00 pm. You can learn more about Carsie Blanton at: carsieblanton.com.

11:42

17. Carsie Blanton – “Together Too Long”
from: Idiot Heart / Self Released / 2012

11:45

18. Devo – “Auto Modown”
from: Hardcore, Vol. 1 / Devo Inc. / June 25, 2013

19. Devo – “Space Girl Blues”
from: Hardcore, Vol. 1 / Devo Inc. / June 25, 2013
[Hardcore documents DEVO’s beginning as pre-punk outcasts in the fertile Akron, Ohio underground rock scene. Spawned at the nearby college of Kent State, site of the infamous May 4 Massacre, DEVO formed as a conceptual art project armed with a radical philosophy of de-evolution. Brothers Mothersbaugh (Mark and Bob) and Brothers Casale (Jerry and Bob) along with drummer Alan Myers soon whipped-up an otherworldly brand of “devolved blues” that could hold its own alongside the beatnik groove of 15-60-75 (aka The Numbers Band) or the primal rock poetry of the Bizarros. Recorded on various 4-track machines and in tiny studios, basements, and garages between 1974-1977, Hardcore reveals their strikingly clear vision: rock n’ roll stripped bare of its collective cool and jerked back into propaganda fit for post-modern man. Threaded beneath it all are lyrical themes of post-McCarthy paranoia, middle-class ephemera, and DEVO’s long-running topic of choice: sex, or lack thereof.]

11:52

20. White Fence – “Chairs in The Dark”
from: Cyclops Reap / Castle Face Records / April 9, 2013

21. White Fence – “Mr. Adams”
from: White Fence / Woodsist / March 16, 2019

11:59:30

22. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Sources for notes on tracks: artist’s websites and wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #485