WMM Playlist from Jan. 30, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 30, 2019

Brad Cox, Jennifer Owen & Krystle Warren
+ Kim Stanton & Betse Ellis & 20 Years Rural Grit
+ Drew Black & Killer City

Kim Stanton, Betse Ellis, Krystle Warren, Brad Cox, and Jennifer Owen on the January 30, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Ex Hex – “Cosmic Cave”
from: It’s Real / Merge Records / Expected March 22, 2019
[Second album from three piece band formed in Washington DC in 2013. The band consists of Mary Timony lead vocals & guitar & songwriting, Betsy Wright on bass & songwriting, and Laura Harris on drums. Ex Hex released its first album, Rips, on October 7, 2014 on Merge Records. The band opened for Speedy Ortiz in Montreal in 2014. Ex Hex performed at Coachella 2016. The band takes its name from one of Timony’s solo albums. Mary Timony has been an important member of the bands: Helium, Wild Flag, Autoclave, and Mary Timony Band. She writes most of Ex Hex’s songs.]

3. Radar State – “Strays”
from: Strays / Wiretap Records / January 11, 2019
[Radar State features Josh Berwanger (The Anniversary, Berwanger) and Jim Suptic (The Get Up Kids, Blackpool Lights) trading off lead and rhythm guitar duties, with Matt Pryor (The Get Up Kids, The New Amsterdams) on bass, and Adam Phillips (The Architects, The Gadjits) on drums. Berwanger, Pryor, and Suptic all take turns on lead vocals.]

[Radar State play a Record Release Show at recordBar, 1520 Grand, KCMO, Friday, February 1, doors at 7:30 with The Whiffs, and Hip Shot Killer.]

4. Jeff Tweedy – “I Know What It’s Like”
from: WARM / dBpm Records / November 30, 2018
[Solo debut of Wilco frontman and producer of recent Mavis Staples albums. This new record was released just weeks after Jeff Tweedy’s memoir, “Let’s Go (So We Can Get Back)” was released.]

5. Sharon Van Etten – “Seventeen”
from: Remind Me Tomorrow / Jagjaguary / January 18, 2019
[5th studio album from Sharon Van Etten (born February 26, 1981 in Belleville, New Jersey and lived in Nutley, NJ before moving to Clinton as a pre-teen. Later, she moved to Tennessee to attend Middle Tennessee State University and studied recording, but dropped out of college after a year. Van Etten ended up working at the Red Rose, a coffee and record shop and music venue in Murfreesboro, for about five years. In 2004, she moved back to New Jersey, where she worked at Perryville Wine and Spirits. Van Etten moved to New York City in 2005. Van Etten self-released handmade CDs until 2009, when her debut studio recording was released. Before her studio debut, she worked at Astor Wines and as a publicist at Ba Da Bing Records. Van Etten’s debut, Because I Was in Love, was released on May 26, 2009, on Language of Stone, and was manufactured and distributed by Drag City. This is her third album from Jagjaguar]

6. Keaton Conrad – “I Think I Fell in Love with You”
from: I Think I Fell in Love with You – Single / Keaton Conrad / Jan. 11, 2019
[Keaton Conrad is a recording artist from Kansas City. He has been regarded as “exceptionally promising” (The Kansas City Star) and “making things happen on stages …with an engaging voice and passion for creating good music” (Ink Magazine). In 2015, Keaton Conrad released his debut EP, Panic & Blame, which contained five original songs that were heavily inspired by the pop rock sound he grew up on. His first full-length album, Waves, followed in January 2017 which ranged in style from pop rock to hip-hop to ambient. Conrad spent 2 years as the lead singer & keyboardist in the cover band ChangeUp, performing around KC. ]

[Keaton Conrad plays an Album Release show for his new record Nova, Friday, February 1, at 7:00 at the Rino, 314 Armour Road, North Kansas City with The Moose, and Eems.]

7. Miki P – “Home”
from: Dome of Swallows / Miki P/ September 1, 2018
[Debut full length album from Miki P containing 10 original songs. Kansas City, Missouri Miki P. She started playing guitar in middle school,. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. As a teen she played drums for various groups including the band American Slim. She wrote songs for their first full-length album Irreplaceable in the Spring of 2017, followed by a single “Queen of Hearts” released April 11, 2018. She also plays ukulele & piano, teaching herself how to play both the instruments and using them frequently in all projects she is involved in. She has played Middle of the Map Fest, Royal’s Kaufman Stadium, the Record Bar, Uptown Theater, Arrowhead Stadium, Nelson Atkins Museum, the Crossroads Music Festival and the SXSW Music Fest.]

[Miki P plays Voltaire, 1617 Genessee, Tonight, Wed, Jan 30, at 10 w/ Jackson Grimm, & Dylan Moses]

10:29 – Underwriting

8. Killer City – “Summer Drug”
from: Summer Drug / Killer City / November 16, 2018
[Kansas City based musician Drew Black joins us to share music from his new band creation, Killer City a Goth-glam, stoner rock band, with dense atmosphere, pulsed with a dance beat.]

[Killer City plays Fat Tuesday, Mar 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.]

9. Killer City – “Invisible Ship”
from: Summer Drug / Killer City / November 16, 2018
[Kansas City based musician Drew Black joins us to share music from his new band creation, Killer City a Goth-glam, stoner rock band, with dense atmosphere, pulsed with a dance beat.]

[Killer City plays Fat Tuesday, Mar 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.]

10. Mikal Shapiro – “Everybody’s Baby”
from: The Musical II / Mikal Shapiro / May 26, 2018
[“Everybody’s Baby” is her pop song she wrote, but all the songs on The Musical 11 are great. The sequel to Shapiro’s 2015 concept album “The Musical.” Mikal Shapiro, on vocals & guitar, Chad Brothers on vocals & guitar, Johnny Hamil on bass, and Matt Richey on drums. Special guests include: Hermon Mehari on trumpet, Tina Bilberry on viola & violin, Damon Parker on keyboards, and Lauren Hughes on vocals. Engineered and co-produced by Joel Nanos at Element Recording & Mastering Studios. Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. She has toured extensively across the U.S. and has recorded five critically acclaimed albums. KC Star and Tim Finn declared her album “The Musical” to be one of his top five releases of 2015. A third generation storyteller, she draws inspiration from her travels, love life, and the state of the Union.]

[Mikal Shapiro plays with Claire Adams and Betse Ellis at Ca Va, 4149 Pennsylvania Ave, Thurs. January 31, at 9:00 PM.]

[Mikal Shapiro & Musical Band play Californos, Sat, Feb 2, 9PM w/ Under The Big Oak Tree, Gullywasher.]

11:42 – Interview with Drew Black

Drew Black

We just heard new music from Kansas City based musician Drew Black who joins us to share music from his new band creation, Killer City a Goth-glam, stoner rock band, with dense atmosphere, pulsed with a dance beat. Killer City will be playing Fat Tuesday, March 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.

Drew Black, thanks for being with us on Wednesday MidDay Medley

Killer City formed in late 2017 as Drew Black and Dirty Electric dissolved.

Drew just felt it was time to move on from that band and force himself to write new songs. It was either going to be artistic suicide or a rebirth. Luckily, it was a rebirth.

Band members include:

Zach Hodson who played guitar in Drew Black and Dirty Electric now plays drums in Killer City.

Byron Humann, who also plays in Knife Crime and the Cure tribute band Magnificent, plays bass.

Alex Yoffie from Martian Martian Martian and Appropriate Grammar plays lead guitar.

Drew Black describes Killer City as goth stoner rock with a dance beat. He says “We sound rootsy and furious… and we’re loud.”

Drew Black, thanks for being with us on WMM.

Killer City will be playing Fat Tuesday, March 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.

10:55

11. Krystle Warren – “I Don’t Know”
from: Sing Me The Songs Celebrating The Works of Kate McGarrigle / Nonesuch / June 21, 13
[Features highlights from three concerts in honor of the late Kate McGarrigle. Proceeds from the concerts provided seed money for the Kate McGarrigle Foundation a non-profit organization dedicated to raising money in the fight against sarcoma and also to preserving her legacy through the arts. Net proceeds from the sale of Sing Me the Songs also will be donated to the Foundation. The double-disc set was produced by Joe Boyd, who curated the concerts, and features performances by Rufus and Martha Wainwright, Anna McGarrigle, Emmylou Harris, Antony, Norah Jones, and Teddy Thompson, among others. The New York concerts were filmed for a feature documentary entitled Sing Me the Songs That Say I Love You: A Concert for Kate McGarrigle, directed by Lian Lunson (Leonard Cohen: I’m Your Man) and produced by Luson and Teddy Wainwright. Candid interviews with McGarrigle’s family and friends are paired with rousing performances of her music.]

11:00 – Station ID

12. Krystle Warren – “Station ID”

11:00 – Interview with Krystle Warren, Brad Cox and Jennifer Owen

Krystle Warren, Brad Cox, and Jennifer Owen on the January 30, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM

Krystle Warren, Brad Cox & Jennifer Owen join us to talk about Owen/Cox Dance Group’s, “What Keeps Mankind Alive” from the darkly comic world of Kurt Weill and Bertolt Brecht brought to life with dance, music and vocalists Krystle Warren, Shay Estes, and Leigh Adams. The program also features the Owen/Cox’s piece, Letterbox, described as “a beguiling union of music and dance.” All performances are on the main stage of the MTH Theater at Crown Center, 2450 Grand Blvd., Kansas City, MO. Performances are: Friday, February 1 at 8:00pm, Saturday, February 2 at 8:00pm, and Sunday, February 3 at 2:00pm. For Tickets or information: http://www.owencoxdance.org

Krystle Warren, Brad Cox & Jennifer Owen thanks for being with us on WMM

Krystle Warren began her musical career in KC in 2001 collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label – Because Music, and moved to Paris to release “Circles” in 2009. Krystle played “Later with Jools Holland,” garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music to release her double album: “Love Songs,” from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty. Krystle released, Three The Hard Way last year, co-producing by Ben Kane (D’Angelo). Three The Hard Way was #1 on WMM’s 117 Best Recordings of 2017.

Composer and arranger Brad Cox is co-founder of Owen/Cox Dance Group and founder and director of The People’s Liberation Big Band of Greater Kansas City, a musicians’ collective dedicated to the performance of new large ensemble jazz music. Cox’s musical influences range from liturgical chant and traditional folkloric music to popular music and free jazz, with a particular interest in the communal aspects of music making. A composer in the uniquely American Ellington tradition, he has dedicated his work to forming creative collaborative relationships with musicians and to writing music for those musicians. Cox studied composition at UMKC Conservatory of Music and Dance under James Mobberley and Gerald Kemner and is a recipient of the 2010 Charlotte Street Foundation Generative Performing Artist Award and the 2009 Tanne Foundation Award.

Brad Cox is currently active with the following ensembles: The People’s Liberation Big Band of Greater Kansas City–a musicians’ collective dedicated to the creation and performance of new large ensemble jazz. //// Owen/Cox Dance Group–a contemporary dance ensemble lead by Jennifer Owen focussed on creative collaborations among dancers, musicians, composers and visual artists. //// Brad Cox Octet–an eight-piece ensemble made up of two saxophonists, two bass players, two drummers, and two keyboardists

Jennifer Owen is Artistic Director of Owen/Cox Dance Group, an ensemble she co-founded with composer Brad Cox in 2007. She has choreographed over fifty new works for Owen/Cox Dance Group, including two commissions by the Nelson-Atkins Museum of Art, and works commissioned by Island Moving Co. of Newport, RI, Kansas City Dance Festival, Kansas City Baroque Consortium, and Kansas City Chamber Orchestra. She has also created nine new works for Kansas City Ballet’s In the Wings choreographic workshop, and a winning entry for the 2006 Columbus Choreography Project. Owen is the recipient of a 2000 Princess Grace Honorarium. Prior to founding Owen/Cox Dance Group, Owen enjoyed a 13-year international ballet career. After training with Pacific Northwest Ballet School, San Francisco Ballet School, School of American Ballet, and the Bolshoi Ballet Academy, she went on to dance with the Russian State Ballet, Moscow Renaissance Ballet, Kansas City Ballet, Hong Kong Ballet, BalletMet, and was a guest artist with the National Ballet of Turkmenistan. She has performed principal roles in Giselle, Don Quixote, George Balanchine’s Tchaikovsky Pas de Deux and Donizetti Variations, and the central pas de deux in Todd Bolender’s Arena.

Owen/Cox Dance Group is a 501 (c) 3 not for profit corporation with a mission is to create new music and dance collaborations, to present high-quality contemporary dance performances with live music, and to engage as wide an audience as possible through affordable live performance, education and outreach programs

11:14

13. Barclay Martin, Krystle Warren, Lauren Krum – “An Old Letter”
from: unreleased recordings of songs from the show / written by Brad Cox

We are talking with Krystle Warren, Brad Cox & Jennifer Owen join us to talk about Owen/Cox Dance Group’s, “What Keeps Mankind Alive” at the MTH Theater at Crown Center, Feb 1-3.

“What Keeps Mankind Alive?” is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their music drama The Threepenny Opera (Die Dreigroschenoper) which premiered in Berlin in 1928 at the Theater am Schiffbauerdamm. The title refers to the central line from the finale of act 2, “Denn wovon lebt der Mensch?”. In the opera, the two stanzas of the strophic piece are sung by Macheath and Mrs Peachum and the final line is sung in fortissimo by the chorus. It is an agitprop socialist anthem expressing that the comfortable lifestyle enjoyed by the rich is paid for by the suffering of the masses. The lyrics begin: “You gentlemen who think you have a mission / To purge us from the seven deadly sins / Should first sort out the basic food position / Then start your preaching, that’s where it begins.” The song ends with the conclusion, “For once you must not try to shirk the facts / Mankind is kept alive by bestial acts.”

The song has been covered by Tom Waits (on the 1985 album Lost in the Stars: The Music of Kurt Weill, and again on the 2006 album Orphans: Brawlers, Bawlers & Bastards), the Pet Shop Boys (as a B-side on the single “Can You Forgive Her?” and on the 1995 compilation album Alternative), William S. Burroughs (in the 1994 documentary September Songs – The Music of Kurt Weill), and others. The opening chapter in The League of Extraordinary Gentlemen, Volume III: Century is named “What Keeps Mankind Alive?”.

Owen/Cox Dance Group’s, “What Keeps Mankind Alive” from Kurt Weill and Bertolt Brecht is brought to life with dance, music and vocalists: Krystle Warren, Shay Estes, and Leigh Adams. The program also features the Owen/Cox’s piece, Letterbox, described as “a beguiling union of music and dance.” All performances at the MTH Theater at Crown Center, 2450 Grand Blvd., KCMO. Friday, Feb 1 and Saturday, Feb 2 at 8:00pm, and Sunday, Feb 3 at 2:00pm. For info: http://www.owencoxdance.org

11:29 – Underwriting

11:31 – Interview with Betse Ellis and Kim Stanton

Betse Ellis

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also working as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and for the last several years is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016. In 2017 they released a special analog recorded collection of tunes released on cassette called, Tunes We Like, was in our 117 Best Recordings of 2017. Betse & Clarke play Westport Saloon TONIGHT, January 30 at 8:00 PM with the Urban Pioneers

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

KIm Stanton

Kim Stanton is Executive Director of Rural Grit who with Mark Smeltzer, Principle Musician of Rural Grit is the mom of Noah. Kim is also a teacher in Kansas City with over 25 years of experience in classrooms. Kim received her Bachelor in Science from Northwest Missouri State University in 1987. Kim is also an angel, who volunteers herself for many non-profit community organizations, and who helps so many of her friends, is a huge supporter of the area music community.

Kim Stanton, thanks for being with us on Wednesday MidDay Medley

Kim Stanton & Betse Ellis are with us to share details on The Rural Grit Happy Hour 20th Anniversary Opry Show is Monday, February 4, at 6:00 at the Brick 1727 McGee, KCMO.

Trouble in Mind, formed in Maryville, MO in 1990 created Rural Grit Records and produced shows at The Grand Emporium that led to the creation of “Brother Ike’s Rural Grit Happy Hour” starting Feb 1, 1999, until 2004 when the show moved to Mike’s Tavern, and then to The Brick where “Rural Grit Happy Hour” has been ever since.

Rural Grit is dedicated to the promotion, performance, and preservation of roots music.

For today’s show Betse & Kim have chosen 3 songs that represent the idea of collaboration or using the music that came before.

11:39

16. Betse Ellis – “Question to Lay Your Burden Down”
from: High Moon Order / Free Dirt Records / June 14, 2013
[2nd solo release from renowned fiddler, Betse Ellis, known by many as a founding member of The Wilders. This recording was number 3 on WMM’s list of The 113 Best Recordings of 2013.]

[Betse & Clarke play Westport Saloon TONIGHT, January 30 at 8:00 PM with the Urban Pioneers]

[Mikal Shapiro plays with Claire Adams and Betse Ellis at Ca Va, 4149 Pennsylvania Ave, Thurs. January 31, at 9:00 PM.]

11:42 – More Interview with Betse Ellis and Kim Stanton

Betse Ellis and Kim Stanton have a busy week

The Bridge 90.9 Tim Finn Thursdays – Thursday, January 31 from 4-5pm

Winter Potluck Gathering – Saturday, February 2 from 6-9pm @ First Lutheran Church (basement) 6400 Stateline Road, Mission, Kansas – Potluck. BYOB. Space for instruments. Stage for inpromptu performances. It’s a lowkey, winter Tick Fest.

Westport Saloon- Saturday, February 2 from 12-2am – Rural Grit All-Stars

Rural Grit Happy Hour 20th Anniversary Opry Show – Monday, February 4 from 6-9:30pm @ the Brick – Leo & Roger Eilts will host this Opry style evening. Wear your fancy duds, finery or superduper stage clothes. 20 slots available if you’d like to participate. Kim will finalize the playlist on Sunday, February 3. No guarantees for drop-ins. If you want to participate, let me know via email: kimruralgrit@gmail.com.

List of interested participants

Jason Beers // Betse & Clarke // Brett & Susan // David Regnier // Dually Jukes // Paul & Nancy // Val & Tim // Kasey Rausch // Mikal Shapiro // Sean Ewbank // Kelly Hunt // Howard Iceberg // John Greiner // Barry Lee // Scott Stanton // Bob & Diana // High & Dry // Grassfed

For today’s show Betse & Kim have chosen 3 songs that represent the idea of collaboration or using the music that came before.

11:50

14. Howard Iceberg & The Titanics – “Flowers in May”
from: Kansas City Songs / Independent / September 25, 2016
[26 new songs written by Howard Iceberg and Recorded by Phil Wade at Alluvial Fan Studio; and Pat Tomek at Largely Studios. Mixed by Pat Tomek at Largely Studios. Howard Iceberg on vocals, harmony vocals, guitar & harmonica; Chad Rex on guitar & vocals; Betse Ellis on violin, viola, cello, vocal, mandolin & tenor guitar; Clarke Wyatt on banjo, piano & organ; Chad Brothers on guitar & vocals; Brett Hodges on bass, vocals & mandolin; Phil Wade on dobro, guitar, mandolin, & lap steel, Johnny Hamil on bass; Mike Ireland on vocal & bass, Dan Mesh on guitar; Kasey Rausch on guitar & vocal; Mikal Shapiro on guitar & vocal; Josh Mobley on keyboards; Grisha Sandomirsky on violin; Erin Corriveau on vocals; Mary Pickert on vocals; Brendon Moreland on keyboards. Howard Iceberg writes in the liner notes to this collection: “You can hear a lot of these cats play most Monday nights at The Brick.”All songs written, performed, and recorded in Kansas City.]

We are talking with Betse Ellis and Kim Stanton about The Rural Grit Happy Hour 20th Anniversary Opry Show is Monday, February 4, at 6:00 at the Brick 1727 McGee, KCMO.

Betse Ellis and Kim Stanton thanks for being with us again on WMM

For today’s show Betse & Kim have chosen 3 songs that represent the idea of collaboration or using the music that came before.

11:55

15. Freight Train Rabbit Killer -“The Tree of the Knowledge of Good + Evil”
from: Old Man of the Mountain – 7″ Single / Haymaker Records / 2018
[Side A of Volume 2 of a 4-part 7″ vinyl release called, Wake Snake Death Dance. Written by Eve Sheldon. Arranged by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

16. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003
[orig. 1957]

Next week on Feb 6 Betse Ellis will be back with us for the entire show with our other special co-host Marion Merritt of our Winter Fund Drive Show with guests Keaton Conrad, and Todd Albright.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #771

History of Rural Grit Happy Hour

Rural Grit Happy Hour History- Rural Grit Happy Hour–What it started as…what it is today. – On August 23, 1998, the band Trouble In Mind was scheduled to play a Sunday night gig at the Grand Emporium. Three weeks before the gig, the other two scheduled bands cancelled and we were asked if we wanted to try and fill the night. What an exciting prospect…one whole night, designed by us, we couldn’t resist the lure. For a number of years, we had been putting on the legendary 15 hour Tick Festival out in the middle of nowhere, so we knew we could round up musicians and put on a show. In addition, we had also recorded the Tick Fest that summer and wanted to release the music. So, we moved into high gear, rounding up the musicians who had played at the Tick Fest, mastered a 90 minute cassette for release and advertised.

R.G. Records presented the 49th Annual Santa Rosa Tick Fest Tape Release Party, with Trouble In Mind, The Wilders, The Kemps, Sandoval, Rex Hobart & the Misery Boys, The Santa Rosa Stringband. It turned into a 5 1/2 hour show with main acts- acoustic & electric, in-between acts, to acts standing on chairs in the audience to battery powered amp wielding musicians mingling with the crowd.

Roger Naber, owner of the GE, asked us for a monthly show. After discussion, we decided that we could do it every 4 months. The next show was scheduled for Sunday, January 1, 1999. It was crazy to take on the odds of having a successful show on the day after New Year’s Eve but we decided to try. We even ended up competing with a snowstorm, but the musicians and audience still showed up to participate.

Not long after the success of the January 1st show, Roger, who had just returned from Austin where he had attended a variety of Happy Hour shows at clubs, like the Continental Club, contacted Kc, who had lived in Austin and was familiar with how the Happy Hour shows ran. They discussed Rural Grit putting on a weekly Happy Hour Show. We decided to do it—we’d have a weekly event at the GE, a reputable club; we would have a regular venue for our artists to perform; we could meet more musicians. After some discussion and sweet persuasion, Ike Sheldon (The Wilders and Trouble In Mind) agreed to host the weekly Happy Hour. ..Brother Ike’s Rural Grit Happy Hour at the Grand Emporium.. began on the first Monday of February in 1999.

..Brother Ike’s Rural Grit Happy Hour (RGHH) every Monday 6:00-8:00.. –In the beginning, we featured local bands–artists that were part of Rural Grit or networked with Rural Grit artists. Attendance was sparse during the first several months–what in the hell did we think we’re doing? We realized that what we were offering was too much like every other show offered in Kansas City. We decided to make the Happy Hour more like our big shows–constant music of a wide variety with some element of the unorthodox each night. We wanted to create a situation where musicians and music lovers were the regulars.

Our mission statement (Rural Grit is dedicated to the promotion, performance, and preservation of roots music and strives to provide opportunities for like-minded individuals to further their artistic causes.) provided the road map for the RGHH. We decided to keep the RGHH acoustic in nature and the focus on what we called Roots Music. The stage plot designed was a single mic set up, a large single diaphragm microphone. This eliminated the need for the full-time sound engineer (Randy, Little John, Jenna, Conrad, Mark) to take music time away using multiple mic set ups. We noticed that with the single mic, artists were placed in a situation where they had to listen to each other with out monitors and they were able to quickly get on and off the stage. There was usually a bass mic and an extra 57 as a spot for quiet instruments, however, these were seldom used.

To create a music, party-like atmosphere and check out booking prospects, the “Inbetweens” were created to allow artists who were not featured that evening to participate. “Duets & Trios” night (every 3rd Monday) was an opportunity for beginners to interface with skilled amateurs to professional road-dogs and for all artists to test new material/instruments. “Theme Nights” (to name a few popular ones were: Murder Ballads; Singer/Songwriter, Food; Death, Disaster and Destruction; Trainwrecks and Catastrophes; Outlaws and the Women Who Loved Them, Guilty Pleasures) and “VS” nights (as in Hank Williams Sr. VS Robert Johnson or Johnny Cash VS Muddy Waters) were created to add variety and encourage learning new material. “Electric Freakout” (every 5th Monday) was a night for our musicians who also played electrically to rock out. Occasionally we had touring bands featured, which opened the need for opening acts, in response the “Rural Grit All-Stars” were created. This is a changing group of artists who frequent the RGHH and can be tailored to compliment the touring band. We also put on two 6 hour shows a year–The Winter Tick Fest and The Anniversary Show.

By the end of 2002, the consistent touring of The Wilders kept Ike and company at the Happy Hour less, but by that time, we had met another wave of crazy, musician types who sure did like getting together and exploring musical roots firsthand. All the time The Wilders were beginning to trek across the country, spreading Rural Grit recordings far and wide. At this time we changed the name officially to the Rural Grit Happy Hour.

At the beginning of 2003, the Rural Grit Happy Hour was still in full swing, providing musicians with a unique networking opportunity and the audience with variety each week. Roger extended our hours and the RGHH was the only gig of our format offered on Monday nights. The RGHH had become a place where musicians connected and created new bands, where young bands came to spread their wings, and old timers came back to reconnect with the young. In addition, there was a core loyal following among musicians, patrons and staff. Amazing Grace was there each Mondays feedin’ us soul food; it went well with the soul of the music. It was real, honest, it was music from the heart for the heart. We felt like we had actually done something good, something to be proud of and something that was continuing to grow.

In May of 2004 a series of unforeseen events took place: Roger had cut a deal to sell the Grand Emporium. The new owners planned to rip out everything, down to the studs–nothing would remain the same except the stage. We did not want the RGHH to end but where to go after 5 years and 3 months. Memorial Day- a day we usually take off-would be the last day the GE’s doors would open and the RGHH would be the final event at the GE. We decided to put on a Big Show–Memoriam at The Grand Emporium–everyone was coming together for the last show, flyers were posted, radio and print interviews. Everything was high energy, people were exited. Musicians and fans alike had begged, pleaded, demanded that the RGHH go on somewhere else. We thought , “o.k. but where?” Where indeed. Venues from across the city were courting us. We didn’t want to make a decision in such a short period of time, so it was decided that we would “take a summer vacation” at Mike’s Tavern playing theme shows and scout out a permanent venue.

The Saturday night before the last show at the GE was when the second of a series of unforeseen events took place. A F4 tornado cut a deadly path through Daviess County MO, home of the Santa Rosa Tick Festival and the magical Tick Ranch studio. Dale, Mary and cousin Jeff made it out alive, but some folks just down the road did not. As for the studio, (really an old farm house) the main record room was amazingly just fine but the roof above the engineer’s room was ripped off and 7 inches of rain was dumped inside. It would rain 5 more inches that week and another funnel cloud would threaten two weeks later. However, 40 yards away an earth contact home was destroyed. Now not only were we looking for a new venue, but we had less than 2 months to repair the studio and clean up the debris to get ready for Tick Fest. Ever cleaned up after a F4 tornado–it’s one hell of a job! The final RGHH at the GE was a huge success–over 150 patrons and 50 musicians closed the GE in Rural Grit style.

At the end of our summer vacation at Mike’s Tavern, we decided to move to The Brick. So the RGHH continues on Monday nights from 6-9 p.m. at The Brick. We keep to the same format that we used in the past. There are featured bands/artists with “Inbetweens”. Every third Monday of the month is Duets & Trios night. Every fifth Monday is the Electric Freakout. We still have theme nights or vs nights. We still use a single mic. We still encourage the networking between musicians.

The Rural Grit All-Stars are regular participants of the Rural Grit Happy Hour. Their consistent attendance and participation at the Rural Grit Happy Hour has honed their ability to easily connect musically with each other. At the RGHH we use a single mic and no monitors—artists need to listen to each other to connect. Quite often I witness a combination of artists that hit a musical “zone”. Magical-beautiful-inspiring. These moments create a bond that musicians crave to create again and again. It draws them together. It draws their music together. It strengthens their sense of a musical community, parlaying into an extended family that provides support in a multitude of ways for each artist’s existence.

As time has gone on our core group of participants has decreased then altered due to touring, raising families, moving and various other life crop ups. However, we still have a small group of folks that show up every week to create a bit of magic. Old-timers drop in occasionally and newbies give it a whirl. Over the last few years there have been numerous happy hour shows started throughout the city. It’s quite a different story now then when we began this adventure. It has been exciting to see artists who started at the RGHH, networked with the musicians there and went on to create their own band/scene. Most of them are still playing out today. The goal of the RGHH is to continue to network like-minded musicians together and provide opportunities for a little musical magic to occur.

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WMM presents: Krystle Warren & Owen/Cox Dance Group + 20 Years of Rural Grit + Killer City

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 30, 2019

Drew Black & Killer City
+ Brad Cox, Jennifer Owen & Krystle Warren
+ Kim Stanton & Betse Ellis & 20 Years Rural Grit

Mark plays New & MidCoastal Releases from: Radar State, Killer City, Krystle Warren, Mikal Shapiro, Freight Train Rabbit Killer, Miki P, Keaton Conrad, Ex Hex, Sharon Van Etten, Jeff Tweedy, and more.

Drew Black

At 10:30 Kansas City based musician Drew Black joins us to share music from his new band creation, Killer City a Goth-glam, stoner rock band, with dense atmosphere, pulsed with a dance beat. Killer City will be playing Fat Tuesday, March 5, at 8:00 pm at Knuckleheads Saloon with Black Mariah Theatre.

Krystle Warren

At 11:00 Krystle Warren, Brad Cox & Jennifer Owen join us to talk about Owen/Cox Dance Group‘s, “What Keeps Mankind Alive” from the darkly comic world of Kurt Weill and Bertolt Brecht brought to life with dance, music and vocalists Krystle Warren, Shay Estes, and Leigh Adams. The program also features the Owen/Cox’s piece, Letterbox, described as “a beguiling union of music and dance.” All performances are on the main stage of the MTH Theater at Crown Center, 2450 Grand Blvd., Kansas City, MO. Performances are: Friday, February 1 at 8:00pm, Saturday, February 2 at 8:00pm, and Sunday, February 3 at 2:00pm. For Tickets or information: http://www.owencoxdance.org

KIm Stanton

Betse Ellis

At 11:30 Kim Stanton & Betse Ellis share details on Rural Grit’s 20th Anniversary. We’ll play music from Freight Train Rabbit Killer, and Trouble in Mind, formed in Maryville, MO in 1990 the band that created Rural Grit Records and produced shows at The Grand Emporium that led to the creation of “Brother Ike’s Rural Grit Happy Hour” starting February 1, 1999, until 2004 when the show moved to Mike’s Tavern, and then to The Brick where “Rural Grit Happy Hour” has been ever since. Rural Grit is dedicated to the promotion, performance, and preservation of roots music. The Rural Grit Happy Hour 20th Anniversary Opry Show is Monday, February 4, at 6:00 at the Brick 1727 McGee, KCMO.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #771

WMM Playlist from Jan. 23, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 23, 2019

Chloe Jacobson + Kadesh Flow
+ Eric Kleiner of Headlight Rivals
+ Logan Glasgow of Verbose

1. “It’s Showtime Folks”
from: Original Motion Picture Soundtrack to All That Jazz / Casablanca / December 20, 1979
[WMM’s theme song]

2. Thin Lips – “Gaslight Anthem (The Song Not The Band)”
from: Chosen Family / Lame-O Records / July 27, 2018
[Philadelphia, Pennsylvania based indie rock and roll band who place a whole lot of value on humility, kindness, and erudite riffage. Their EP, Divorce Year, from 2015, was followed by the release of their first full-length record, Riff Hard on May 2016. In early 2017 they released a split single with Modern Baseball and The Superweaks. In early 2018 they released the single “So Stoned” from their second full length album Chosen Family. Chrissy Tashjian steers Thin Lips down the middle lane of pop sensibility, while simultaneously testing the boundaries of some pretty wild licks, backed by Chrissy’s younger brother Michael Tashjian on drums and Kyle Pulley on bass, and the band’s audio engineer, along with auxiliary guitar player, Christopher M. Diehm rounding out the band for live shows.]

3. Madisen Ward and the Mama Bear – “Family Treason”
from: Radio Winners – EP / Glassnote Records / July 27. 2018
[Madisen Ward and the Mama Bear have garnered international acclaim, and new fans from all over the world. They signed with Glassnote Records and recorded their debut full length album in Nashville with acclaimed producer Jim Abiss. They performed their debut single “Silent Movies” on The Late Show with David Letterman, they’ve toured across the United States, and Europe, more than once. They were featured on CBS Sunday Morning, NBC’s The Today Show, and “Later With Jools Holland and played Bonnaroo, Pilgramage, and the Newport Folk Festival, and the Ryman Theatre, in Nashville. Ruth Ward has continually performed throughout her life, mostly in coffee shops and open mics, for over 30 years, even recording a solo record. In the midst of this she got married and became a mom, and was busy raising a family. Madisen Ward was born in Oklahoma, and grew up in the outskirts of Kansas City, Missouri. He graduated from William Chrisman High School in 2007. Madisen’s journey to become a musician, was “melodically passed down” through the songs of his mother, where Madisen grew up watching his mom perform at local coffee shops. Eventually he began to learn to play the guitar, and poured his talent for writing into the music to create original songs. They began playing Madisen’s original songs along with the occassional cover reinterpreted in their own unique style with two voices and two guitars in harmony. Their debut album, The Skeleton Crew, was released May 9, 2015 and was our most played record that year and was #1 on WMM’s The 115 Best Recordings of 2015.]

[Madisen Ward and The Mama Bear play The Truman, 601 E. Truman Rd, KCMO, Saturday, January 26, at 7:30, with support from Me Like Bees.]

4. Appropriate Grammar – “King Of Silent Sounds”
from: King Of Silent Sounds – Single / Never Records / January 7, 2019
[Music and lyrics by Nick McKenna. Arranged by Appropriate Grammar. Engineered, mixed and mastered by Ted Riederer of Never Records – Kansas City, MO. Photo by Anna Selle. Cover design by Claire Adams and Steve Gardels. Appropriate Grammar is a Kansas City based band formed in July 2010 with Nick McKenna on guitar & vocals, Alex Dunsford on lead guitar, Claire Adams on bass & vocals, and Steve Gardels on drums. This recording was a collaboration between Appropriate Grammar, Never Records and Open Spaces KC. Never Records is a mobile record-making lab, using recording equipment and a vinyl record lathe to cut 2, four-minute records on the spot. New York artist and musician Ted Riederer launched Never Records in 2010 as part of a collaborative project with curators No Longer Empty in the former sales floor of Tower Records’ fabled East Village flagship store. One year later, Never Records had expanded to become a mobile record-making lab, using recording equipment and a vinyl record lathe to cut two, four-minute records on the spot for whoever walks in the door (one copy stays behind in the fast-growing library). Never Records opened August 25, 2018 as part of Open Spaces Kansas City, and runs through October 28th, 2018, in a storefront space in the Crossroads district of Kansas City. The space is located at 1611 Oak St., KCMO. The exhibition was open Wednesday – Sunday, with workshops and special events. http://www.neverrecords.net Never Records is a combination recording studio and record shop, all operating in one building. The sole proprietor, interior decorator, and engineer is New York-based artist Ted Riederer. Inspired by his own redemptive education at a young age inside the walls of a local record store in Rockville, Maryland as well as the field recording projects of Alan Lomax, Riederer devised his unique community art installation in the early part of this century and has been replicating it with regional variations throughout the world since 2010. Performers from a locale sign up for recording sessions ahead of time, with no auditions necessary. Riederer usually offers three hour sessions, during which he mixes on the fly and cuts vinyl right in front of the artist’s eyes once both are satisfied with a particular take. The recordings are free to the artist, the sessions are open to the public, and you can’t buy anything you see. Ted hasn’t lowered prices by cutting out the middleman. He is the middleman. He is not a vertical operation; he is an elliptical one, a constant feedback loop supplying its own demand. Still, everyone takes something home, even if it’s the barest speck of record shop camaraderie inadvertently inhaled. Within the walls of the Never Records shop, visitors can view a gallery of photographs and artwork from previous temporary establishments in the US and UK, as well as flip through stacks of vinyl representing the hundreds of solo folk artists, punk bands, storytellers, jazz groups, and noisicians who jumped at the chance for a free recording session. Black wooden bins hold a curated selection of records from the growing collection, but these aren’t for sale or even trade. The artist or band is allowed to take their own copy home, and another is added to Riederer’s archives, as well as a digital copy. Riederer encourages bands to use the recording any way they want. There are no fees, royalties, or ownership issues. Find out more about Never Records: neverrecords.samexhibit.com/pages/about ]

[Appropriate Grammar play the 2019 Winter Classic w/ Emmaline Twist and special guests Tim Braun and Julia Haile, on Sat. Jan. 26, 9:00 PM, at Union Library, 1317 Union Ave, 2nd Floor, West Bottoms]

5. Katy Guillen and The Girls – “Back To Normal”
from: Four Walls / KG & The Girls / December 23, 2018
[This new EP is a collection of 4 tracks from the band and serves as their final release. Katy Guillen on guitar, & vocals, Claire Adams on bass & vocals, and Stephanie Williams on drums. Produced by Katy Guillen & The Girls. Recording Engineer: Claire Adams, Mixing & Mastering Engineer: Duane Trower. Album Artwork: Mary Pat Losey. This new EP follows the critically acclaimed 2017-2018 album, Remember What You Knew Before, where the band collaborated with producer Lennon Bone to rework songs from their 2012 album Katy & Go-Go, the 2014 Katy & The Girls eponymous debut album, and from 2016’s “Heavy Days” with one new song. Katy Guillen and The Girls, were formed in September of 2012 in Kansas City..]

6. Jessica Paige – “Night Train”
from: “Night Train” – Single / Jessica Paige / June 1, 2018
[29 year old Jessica Paige moved to Kansas City from Manhattan, Kansas, after caring for her ailing grandmother for several years. She told CJ Janovy of KCUR News. “After she passed away, I started doing music full time, recorded my album and started touring.” Jessica self-produced my first album “Sweet Nothings” with Nashville-based artists and producers. The album is a reflection of the life-cycle of a relationship; the exciting and insecure beginnings to the lamenting demise of something that was once beautiful. The single released from the album, “Beautiful Life,” is a soul-pop reflection of someone trying to reconcile the conflicting emotions of trying to rescue or walk away from a relationship, while still appreciating how beautiful it is to love, regardless of how things turnout. While working on “Sweet Nothings,” Jessica settled in to Kansas City to start working with a full band and laying the groundwork for her next album.]

[Voltaire Presents: A Night with Jessica Paige, Friday, January 25, at 10:30 PM, at Voltaire, 1617 Genessee Street, KCMO.]

7. Bauhaus – “Stigmata Martyr”
from: Bauhaus (1979 -1983), Vol. 1 / Beggars Banquet / November 1, 1985
[Originally released on In the Flat Field, the debut studio album by English post-punk band Bauhaus. It was recorded between December 1979 and July 1980, and was released on 3 November 3, 1980 by 4AD, the first full-length release on that label. The album is considered one of the first gothic rock records. Bauhaus were an English post-punk band, formed in Northampton, England in 1978. The group consisted of Peter Murphy on vocals, occasional instruments, Daniel Ash on guitar & saxophone, Kevin Haskins on drums, and David J on bass. The band was originally named Bauhaus 1919 in reference to the first operating year of the German art school Bauhaus, although they shortened the name within a year of formation. One of the first gothic rock groups, Bauhaus were known for their dark image and gloomy sound, although they mixed many genres, including dub, glam rock, psychedelia and funk. Bauhaus broke up in 1983. Peter Murphy began a solo career while Ash and Haskins continued as Tones on Tail and, later, reunited with David J to form Love and Rockets. Both enjoyed greater commercial success in the United States than Bauhaus had, but disappeared from the charts in their homeland. Bauhaus eventually reunited for a 1998 tour and again from 2005 to 2008.]

[Peter Murphy performs 40 Years of Bauhaus – a Ruby Celebration featuring David J performing “In the Flat Field” in its entirety plus an extended encore of Bauhaus classics Monday, January 28, Doors at 7:00 PM at The Truman, 601 E. Truman Road, KCMO.]

10:29 – Underwriting

8. Verbose – “Irony”
from: Irony – Single / Verbose / January 25, 2019
[Verbose is a four piece alternative blues rock band from Joplin, Missouri. The band is made up of Logan Glasgow on vocals & drums, Cody Morris on guitar, Tim Cote on bass & vocals, and Zach Martin on Guitar.]

[Verbose plays The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO. with The U.K.’s and Headlight Rivals]

9. Headlight Rivals – “Comeback”
from: Rickshaw – EP / Headlight Rivals / January 24, 2019
[Manhattan, Kansas based three piece band formed by Eric Kleiner on guitar & vocals, Seven Black on bass, and Kris Kleiner on drums. They previously released the EP Juliette on June 29, 2017.]

[Headlight Rivals play The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO. with The U.K.’s and Verbose.]

11:38 – Interview with Eric Kleiner, and Logan Glasgow

We just heard new music from Verbose and Headlight Rivals two of the bands playing The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO.

The MidCoast Takeover is an annual event produced by Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities.

Headlight Rivals

With us on the phone is Eric Kleiner guitarist & lead singer for the Manhattan based three piece band Headlight Rivals who are getting ready to release their new EP Rickshaw.

Eric Kleiner, thanks for being with us on Wednesday MidDay Medley

Verbose

And on the other line, we have Logan Glasgow lead vocalist & drummer for the Joplin, Missouri / Pittsburg, Kansas based band Verbose who are getting ready to release their new single “Irony”.

Logan Glasgow thanks for being with us on Wednesday MidDay Medley

MidCoast Takeover Fundraiser #1 – January 25, recordBar

8:00 Doors / 9:00 Verbose / 10:00 The UK’s / 11:00 Headlight Rivals

The Midwest Music Foundation is proud to present the 10th annual MidCoast Takeover. The event began in 2010 as a group of musicians and music lovers gathering for a KC – focused showcase at the nation’s largest music festival in Austin, Texas. The showcase has grown into a four-day, two-stage event at Shangri La. Taking musicians to Austin reflects attention back on the vibrant music scenes in Kansas City and throughout the Midwest.

These fundraiser shows help Midwest Music Foundation raise funds to pay for the production costs of hosting this showcase. MidCoast Takeover is funded through these fundraiser shows and sponsors, separate from our other programs and services.

MidCoast Takeover sponsors! include: Boulevard Brewing Company, 90.9 The Bridge, Seen Merch , Tito’s Handmade Vodka, Sound Machine KC, KZUM, EasternAfternoon, recordBar, The Brick, Shangri La, City Rent A Truck, XO Blackwater, Rad’s FX LLC,CM2 Audio, and Do816

MIdCoast Takeover is March 15, 16, 17, Austin Texas at Shangri La

Headlight Rivals are a Manhattan, Kansas based three piece band formed by Eric Kleiner on guitar & vocals, Seven Black on bass, and Kris Kleiner on drums. They previously released the EP Juliette on June 29, 2017.

Verbose is a four piece alternative blues rock band from Joplin, Missouri and Pittsburg, Kansas. The band is made up of Logan Glasgow on vocals & drums, Cody Morris on guitar, Tim Cote on bass & vocals, and Zach Martin on Guitar

Headlight Rivals have a new EP called Rickshaw to be released, January 24, 2019

Headlight Rivals Recorded and mastered their last EP Juliette at Element Recording Studios by Joel Nanos in Kansas City, MO. Produced by Joel Nanos and Headlight Rivals. All songs written and performed by Eric Kleiner, Seven Arizona Black, and Kris Kleiner. Additional piano by Joel Nanos. Artwork by Carlos Salazar. Where did you record Rickshaw?

Verbose has the new single “Irony” to be released January 25. Their new album will be out this year.

Tim Cote who plays bass & sings in Verbose was a member of the band Me Like Bees.

Both bands will be playing Austin during SXSW, for the MidCoast Takeover.

Abigail Henderson co-founded Midwest Music Foundation, since her death, four years ago, friends, musicians, collaborators have kept this not-for-profit alive.

Logan Glasgow, and Eric Kleiner, thanks for being with us on WMM.

Verbose and Headlight Rivals two of the bands playing The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO.

For more info: http://midwestmusicfoundation.org/midcoasttakeover/

10:54

10. Headlight Rivals – “Bloodshot”
from: Rickshaw – EP / Headlight Rivals / January 24, 2019
[Manhattan, Kansas based three piece band formed by Eric Kleiner on guitar & vocals, Seven Black on bass, and Kris Kleiner on drums. They previously released the EP Juliette on June 29, 2017. ]

[Headlight Rivals play The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO. with The U.K.’s and Verbose.]

11. Verbose – “Underwater”
from: Underwater – Single / Verbose / May 9, 2016
[Verbose is a four piece alternative blues rock band from joplin, Missouri. The band is made up of Logan Glasgow on vocals & drums, Cody Morris on guitar, Tim Cote on bass & vocals, and Zach Martin on Guitar.]

[Verbose plays The MidCoast Takeover Fundraiser #1 Friday, January 25, at recordBar, 1520 Grand Avenue, KCMO. with The U.K.’s and Headlight Rivals]

11:00 – Station ID

12. Chloe Jacobson – “National News”
from: Frozen Fruit / Chloe Jacobson / November 14, 2018
[It has been written that Chloe Jacobson’s “soulful, bluesy vocals are colored with the pop cadence of aughts-era emo.” Chloe’s debut album, “Frozen Fruit” was just released in a show at Mills Record Company.]

[Chloe Jacobson plays a Lawrence release Show for Frozen Fruit, Friday, January 25, at 6:00 PM, at Decade, 920 Delaware Street, Lawrence KS.]

Shaun Crowley and Chloe Jacobson on the Jan. 23, 2019 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

11:05 – Interview with Chloe Jacobson & Shaun Crowley

Chloe Jacobson is a Kansas City based singer songwriter. Chloe Jacobson’s voice has been described as “soulful, bluesy and colored with the pop cadence of aughts-era emo.” Her debut album, “Frozen Fruit” was just released. Chloe played a January 19 release show at Mills Record Company. Chloe Jacobson will play a Lawrence release Show, Friday, January 25, at 6:00 PM, at Decade, 920 Delaware Street, Lawrence KS. Chloe joins us to play live in our 90.1 FM Studios.

Chloe Jacobson thanks for being with us on WMM.

Shaun Crowley is a classically trained guitarist, and has studied at the University of Missouri-Kansas City Conservatory. Shaun is part of the band Momma’s Boy and is a co-founder of Manor Records, a music label that grew out of Manor Fest, the first festival sized “house show” Shaun and friends produced in their basement featuring 12 bands. Shaun is also organizing the live music at Voltaire, 1617 Genessee, in the West Bottoms.

Shaun Crowley thanks for being with us on WMM.

“National News” Chloe’s first single released in January of 2017.

Manor Records is helping to present Chloe’s new album.

More info at: http://www.chloejacobson.online

11:13

Chloe Jacobson playing live on Wednesday MidDay Medley on KKFI 90.1 FM.

13. Chloe Jacobson – “Spain” (LIVE) also available on: Frozen Fruit / Chloe Jacobson / November 14, 2018

Chloe Jacobson is playing a Lawrence release Show, Friday, January 25, at 6:00 PM, at Decade, 920 Delaware Street, Lawrence KS.

Chloe Jacobson moved to Kansas City with her family from San Jose, California 10 years ago. She started playing guitar in Middle School. She began writing poetry first and then transitioned into using some of those poems to become songs.

Chloe Jacobson

Chloe started off playing in open mic nights, and eventually met Steven Ervay who introduced her to Do816, PlaylistPlay, SoFar Sounds, and The Rino

Shaun Crowley of Manor Records met Chloe through Steven Ervay.

Chloe Jacobson Frozen Fruit

The Frozen Fruit cover art work was created by Chloe’s friend Natalie Clinton who also created the mural that is outside of Oddly Correct.

Shaun is currently organizing several events including: Voltaire Presents: A Night with Jessica Paige, Friday, January 25, at 10:30 PM, at Voltaire, 1617 Genessee Street, KCMO.

11:25

14. Chloe Jacobson – “Midas”
from: Frozen Fruit / Chloe Jacobson / November 14, 2018

[Chloe Jacobson plays a Lawrence release Show for Frozen Fruit, Friday, January 25, at 6:00 PM, at Decade, 920 Delaware Street, Lawrence KS.]

11:28 – Underwriting

16. Kadesh Flow – “Picking Up (Radio Edit) (feat. Atlas)”
from: Otaku Moods EP / Ryan Davis / January 25, 2019
[Kadesh Flow is Ryan Davis is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with Marcus Lewis Big Band.]

[Kadesh Flow plays a special Release Show, Friday, January 25, at 8:00 PM, at Mod, 1809 McGee Street, KCMO. with EyeQ & Tyler Sanford Coalition presented by Take 5 Productions.]

11:34 – Interview with Kadesh Flow

Kadesh Flow on the January 23, 2019 edition of Wednesday MidDay Medley

Kadesh Flow joins us to share music from his new EP, Otaku Moods to be released in a special show, Friday, January 25, at 8:00 PM, at Mod, 1809 McGee Street, KCMO, with EyeQ & Tyler Sanford Coalition presented by Take 5 Productions. Kadesh Flow is 29 year old Ryan Jamaal Davis. He is a rapper, trombonist, and producer. At age 11 he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found playing solo hip hop sets, playing trombone with The Phantastics, or jamming with Marcus Lewis Big Band for “Brass and Boujee”.

Kadesh Flow thanks for being with us again on WMM

2018 Was a big year for Kadesh Flow. He was part of three separate albums that were in the top 50 of Wednesday MidDay Medley’s 118 Best Recordings of 2018 with his work with Marcus Lewis Big Band “Brass and Boujee,” The Phantastics “Life of the Party” EP, and his solo EP release “Room Service.”

16. Kadesh Flow – “Pavement (Radio Edit) (feat. Anna Challacombe)”
from: Otaku Moods EP / Ryan Davis / January 25, 2019

11:45 – More Interview with Kadesh Flow

Kadesh Flow

His music has been featured on network television in multiple countries and territories across Southeast Asia.

Kadesh Flow is originally from Alabama. He moved to Kansas City to work with Cerner

17. Kadesh Flow – “Party Thoughts (Radio Edit) (feat. Jessica Paige)”
from: Otaku Moods EP / Ryan Davis / January 25, 2019

[Kadesh Flow plays a special Release Show, Friday, January 25, at 8:00 PM, at Mod, 1809 McGee Street, KCMO. with EyeQ & Tyler Sanford Coalition presented by Take 5 Productions.]

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week on January 30, Drew Black joins us to share new music from his band Killer City. Brad Cox and Jennifer Owen along with Krystle Warren join us to talk about the new production from Owen Cox Dance Group, “What Keeps Mankind Alive,” with music by Kurt Weill and Bertold Brecht, February 1-3 at MTH Theatre in Crown Center. Also next week Kim Stanton and Betse Ellis join us to share music and details about The Rural Grit Happy Hour’s 20th Anniversary Celebrations February 4 at The Brick.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #770

WMM Playlist from: Jan. 23, 2019

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, January 23, 2013

Mat Shoare + Spencer Ward
+ Michelle Bacon & Terra Peal & SXSW MidCoast Takeover
+ Local & New Releases

1. Yo La Tengo – “Well You Better”
from: Fade / Matador Records / January 15, 2013
[Indie rock band formed in Hoboken, New Jersey in 1984 by husband and wife: Ira Kaplan (guitars, piano, vocals), and Georgia Hubley (drums, piano, vocals). Since 1992, the lineup has included James McNew (bass, vocals). This is their 13th full-length album. It was produced by John McEntire, instead of Roger Moutenot, who had produced all their albums since 1993’s “Painful.” Yo La Tengo has been called “the quintessential critics’ band” and maintains a strong cult following. The band is renowned for its encyclopedic repertoire of cover songs both in live performance and on record.]

2. David Bowie – “Where Are We Now?”
from: The Next Day / ISO – Columbia / Expected March 12, 2013
[We were all surprised to hear the single Bowie released on his birthday, Jan. 8. His 1st new music in 10 years. In the works for over 2 years, Bowie is collaborating w/ longtime producer Tony Visconti who told the BBC that they worked on the new album at a very slow pace. “We never spent more than two to three weeks at a time recording,” Visconti said. “And then we’d take off as much as two months. We’d usually work on one or two songs in an afternoon and we’d whip them up to shape where they’d sound like great rock tracks. At that point there wouldn’t be any final vocals or lyrics. This is the same way I’d been working with him since The Man Who Sold the World. He hasn’t really changed in his approach.” Toward the end of Bowie’s 2004 tour in Europe the singer underwent emergency heart surgery for a blocked artery. There were rumors about Bowie’s health. Visconti told the BBC “He’s a very healthy man… I couldn’t explain how I know that, but I worked with a very healthy David Bowie in the studio and a very happy David Bowie in the studio.”]

3. Drew Black and Dirty Electric – “Curio Doll”
from: Single Track from upcoming release / Independent / , 2013
[Joining Drew Black on Guitar & Vocals are members of bands: The Quivers, Deco Auto, & Dolls On Fire, w/ Terra Peal on Bass & Vocals, Michelle Bacon on Drums, Zach Hodson on Guitar & Percussion & Vocals.]

[Drew Black and Dirty Electric play the recordBar, Saturday, January 26, with She’s A Keeper, Molly Picture Club, and Antennas Up.]

10:15 – Interview with Michelle Bacon & Terra Peal

Drew Black and Dirty Electric is a four-piece group that is the brainchild of Drew Black (formerly of The Belated), who wrote and released his solo album “Wanderlust” in early 2012. Soon after, Black enlisted bassist Terra Peal (of The Quivers), drummer Michelle Bacon (of Deco Auto, and Dolls on Fire) and multi-instrumentalist Zach Hodson (of Dolls on Fire) to bring Drew’s recorded songs to life on stage, as a full throttle rock and roll machine. The band will play the recordBar, Saturday, January 26, with She’s A Keeper, Molly Picture Club, and Antennas Up for the first of 5 MidCoast Takeover Fundraisers.

In the coming weeks Wednesday MidDay Medley will feature the music from KC area bands participating in The MidCoast Takeover fundraiser shows. Proceeds from these shows benefit the Midwest Music Foundation’s SXSW MidCoast Takeover, the annual showcase, that this year will showcase over 40 bands from the KC area, over 4 days, March 13 – 16, at the Shangri-La, on East 6th Street, in Austin, Texas.

The Deli KC Editor, Michelle Bacon, who is also a dedicated Midwest Music Foundation volunteer, and member of the bands: Deco Auto, Dolls on Fire, along with Terra Peal who is part of the band The Quivers joined us to give us the details on this year’s MidCoast Takeover.

Drew Black and Dirty Electric will be playing the MidCoast Takeover Fundraiser on Saturday night at the recordBar with: She’s A Keeper, Molly Picture Club, and Antennas Up.

Drew Black and Dirty Electric also in concert: Saturday, Feb. 9, at the recordBar, and Saturday, March 9, at The Brick.

MidCoast Takeover Fundraisers

Saturday, January 26 – recordBar
9:45 She’s A Keeper
10:30 Drew Black and Dirty Electric
11:15 Molly Picture Club
12:15 Antennas Up

Friday, February 1 – Czar
9:45 Jorge Arana Trio
10:30 Eyelit
11:15 Tiny Horse
12:00 The Latenight Callers

Saturday, February 2 – Riot Room
9:45 Various Blonde
10:30 Drop A Grand
11:15 Maps for Travelers
12:15 Six Percent

Saturday, February 16 – The Brick
10:00 Rev Gusto
10:45 Cherokee Rock Rifle
11:30 David Hasselhoff on Acid
12:30 Not A Planet

Friday, March 8 – Uptown Arts Bar (acoustic show)
8:00 Cadillac Flambe
9:00 Sons of Great Dane
10:00 Clairaudients
11:00 Heroes & Villains

The MidCoast Takeover fundraiser shows will benefit the Midwest Music Foundation’s SXSW MidCoast Takeover, the annual showcase, featuring 40 bands from the KC area, over 4 days, March 13 – 16, at the Shangri-La, on East 6th Street, in Austin, Texas. For more information you can visit: midcoasttakeover.com or midwestmusicfound.org.

10:30 – Underwriting

10:31 – Interview with Mat Shoare

4. Mat Shoare – “Evolution”
from: Domestic Partnership / Golden Sound Records / December 11, 2013
[All songs by Mat Shoare. Made by Mat Shoare and Ross Brown. Most parts of this album were recorded by Mat Shoare in multiple bedrooms, basements, and offices from winter 2011 till fall 2012. It was finally focused into something cohesive by Ross Brown at The Reservation in Kansas City, MO.]

Mat Shoare is a Kansas City based singer, guitarist, songwriter, record label founder. His brand new solo record,”Domestic Partnership” was officially released December 11, 2012, on Golden Sound Records. This is Mat’s second full length solo release. He also released a solo EP. Mat has released two EPs with his band The Empty Spaces, and was a member of the band Everyday/Everynight. All of the music is available at Golden Sound Records, and independent, Kansas City based record label Mat founded with his friends Jerad Tomasino and Ross Brown.

Mat prefers the homemade sound and feel in his recordings. The Golden Sound Records website reports that most parts of his album were recorded in multiple bedrooms, basements, and offices from winter 2011 through the fall of 2012.

The Golden Sound Records website describes “Domestic Partnership” as a recollection of love, loss, and love again. Then loss…and so forth.”

10:39

5. Mat Shoare – “Keeping Everyone Happy”
from: Domestic Partnership / Golden Sound Records / December 11, 2013

10:42

On Domestic Partnership, all of the songs were written and performed by Mat Shoare. Made by Mat Shoare and Ross Brown. It was finally focused into something cohesive by Ross Brown at The Reservation in Kansas City, MO.

Ross plays drums on Domestic Partnership and also with Mat’s band The Empty Spaces. The band has released two EPs including 2012’s “Party Line” which was part of Wednesday MidDay Medley’s 112 Best Recordings of 2012. Mat’s solo work is very different for his work with the band, even though his band evolved out of the recording of your first full length solo recording.

10:46

6. Mat Shoare – “Boots of Spanish Leather” (LIVE)
Written & Recorded by Bob Dylan for his 3rd album “These Times They Are a-Changin’ “/ 1964

10:50

The Empty Spaces will participate with Midwest Music Foundation’s MidCoast Takeover for the SXSW Music Festival in Austin, Texas in March.

10:54

7. Mat Shoare – “Put That in Your Pipe and Smoke It” (LIVE)
also available on: Domestic Partnership / Golden Sound Records / December 11, 2013

More information at GoldenSoundRecords.com

11:00

8. David Seume– “All I Have To Give”
from: Single Track Release / Independent / January 5, 2013
[Last month, Arthur Jack Seume, the son of local singer-songwriter David Seume and his wife, Kelly, died, just five weeks shy of his due date. An unknown knot in the umbilical cord had tightened its grip. David Seume wrote about this tragic loss on his blog davidsueme.com where he very eloquently expressed his despair, and his questions, and his attempt, through ART, to “making sense of the senseless.” With his wife Kelly they are starting a memorial fund in Arthur’s name. David has recorded a new song, “All I Have to Give,” which can be downloaded, in support of Arthur. All proceeds go to the Arthur Jack Seume Memorial Fund. David’s friends Konnor Ervin and Kyle Rausch of The ACB’s sang backing vocals, and Mike Nolte of Ghosty, mixed and mastered the track. The link is: davidseume.com.]

9. Claire and the Crowded Stage – “Tower of Babel”
from: Technicolor / Golden Sound Records / January 5, 2013
[All songs by Claire Adams. All arrangements by The Crowded Stage: Katy Guillen, Katelyn Boone,, Brent Jamison, Peter Lawless, Stephanie Williams, Jerod Rivers and Teri Quinn. Recorded in Kansas City by Jerod Rivers, Peter Lawless, Claire Adams and Brent Jamison, mixed by Claire Adams
mastered by Duane Trower at Weights+Measures soundlab.]

10. The Dead Girls – “Never Erased”
from: Fade In/Fade Out / Independent / 2013
[The Dead Girls (formerly Dead Girls Ruin Everything) was formed in 2004 from the ashes of Ultimate Fakebook and Podstar, two bands that were staples of the Lawrence and KC power-pop sound. Guitarists / singers JoJo Longbottom and Cameron Hawk, of Podstar, combine their dual-guitar attack and vocal harmonies with the rhythmic assault of drummer Eric Melin and bassist Nick Colby, of Ultimate Fakebook. The band’s new record was Produced by Chris Cosgrove who produced their 2010 album “Out Of Earshot.”]

[The Dead Girls play 2 Release Shows: Friday, Feb. 1 at the Replay Lounge in Lawrence, w/ The Depth and The Whisper, and Saturday, Feb 2, at the recordBar, with Casket Lottery and Gentleman Savage. ]

11:14 – Underwriting

11:15 – Interview with Spencer Ward

11. Spencer Ward – “One Life”
from: Single Track Release / Independent / 013

11:19

The Broadcast premiere of Spencer Ward’s new song “One Life.” Spencer Ward grew up in the KC Area. He graduated from Shawnee Mission South High School, and received his Bachelor’s of Arts degree in Science and Holistic Health. In 2011 he released 4 song EP and is currently working on a new recording. Spencer is also an actor, and he recently worked in two new local films the will be making their premieres this year. Spencer also spent 13 years as an amatuer and professional boxer, where he had over 30 fights. We talked with Spencer about performing in Nashville, and his life growing up in a boxing and theatre family, and his new music.

“One Life” is one Spencer’s new songs that was just recently recorded and produced by David Lichtenauer.

Spencer grew up taking piano lessons, but didn’t really find his passion for music until he was taking audio and engineering and recording classes at Johnson County Community College.

One of his teachers, Mike Moreland, helped to encourage him to record and create new songs.

Spencer grew up in and musical family. His parents met while studying Theatre at Tarkio and performed in Plays and Musical and worked as commercial actors in print and television. Spencer’s sister is a performer too.

Spencer also grew up in the world of boxing. His father was an undefeated boxer, who and is now a trainer, and manager of The Underground Boxing Company in Overland Park, Kansas. Spencer’s brother Keaton is also a boxer.

11:27

12. Spencer Ward – “The Bridge” (LIVE)

11:31

Spencer has recently worked as an actor in two new short films produced here in the KC area.

A short student film called “Infected,” written and directed by Taylre Jones.

Spencer also appears in and the new short film “Martini Lunch,” written and directed by Nathan Kincaid, a Kansas City native who studied film in San Francisco and England. Nathan was recently selected as a Robert Altman Emerging Filmmaker in KC. This film will be shown in film festivals in Kansas City and all around the world. Spencer plays the main character of Charlie, a young busboy working in one of Kansas City’s most upscale restaurants in the 1950’s. Charlie serves the many wealthy and influential patrons, and overhears brief snippets of their conversations. Much of the film was shot in Kansas City’d Savoy Restaurant and also features former Mayor of Kansas City, and State Senator, Dr. Charles B. Wheeler, in a key role.

Spencer also works in the world of healthy food and healthy living. Spencer works at Whole Foods and talked about how Whole foods has opened the doors for him to do shows in Las Vegas, and Nashville.

Spencer also has performed Gavin DeGraw’s club in Nashville and at famous Bluebird Cafe.

Spencer considers Brett Dennen to be one of his biggest inspirations.

More information at spencerward.com.

13. Spencer Ward – “Tell Me”
from: Spencer Ward / Independent / 2011

11:42

14. Mark Lowrey – “Que Nada Sapa Mi Suftir”
from: Tangos For 18th Street / Independent / December, 2012
[Mark Lowrey is one of KC’s most versatile performers, playing solo, in a Jazz Trio, with The Barclay Martin Ensemble. Mark credits the local KC Band Tango Lorca for bringing the Argentine Tango to his ears.]

[Mark Lowrey & friends play The Majestic, January 20 and 21.]

15. Making Movies – “Ego Trip”
from: A La Deriva / Independent / KC Pre-release: December 21, 2012
[Enrique Chi (guitar/lead vox), Brendan Culp (drums), Diego Chi (bass), Juan-Carlos Chaurand (percussion /keyboard). Their new full length was produced with Steve Berlin of Los Lobos.]

16. The PedalJets – “Riverview”
from: 7″ Single b/w “Terra Nova” / Independent / December 15, 2012
[The Pedaljets first new material in 23 years. The sound of “Riverview,” has been described as “possible love child of Iggy Pop & Bob Dylan.” A full length to be released Feb. 13. More info: thepedaljets.com]

17. Fleetwood Mac – “That’s Enough For Me”
From: Tusk / Warner Bros. / 1979

11:59:30

18. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]

sources for notes: artists websites and wikipedia

Wednesday MidDay Medley in on the web:
http://www.WednesdayMidDayMedley.org
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM
http://www.kkfi.org

Show #457