Wednesday MidDay Medley Spins Records With Merritt + Katy Guillen & The Girls

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 8, 2017

Spinning Records With Marion Merritt
+ Katy Guillen and the Girls

Marion Merritt

Mark welcomes Marion Merritt, of Records With Merritt, who joins us as “Guest Producer” to share sonic discoveries and information from her musically-encyclopedic-brain. Marion will spin tracks from: Sharon Jones & The Dap-Kings, Zara McFarlane, Lizz Wright, Miguel De Deus, Pucho And The Latin Soul Brothers, ODESZA, Regina Spektor, Don Drummond\, Mista Savona, Mavis Staples, Terrence Howard & Hi Rhythm Section, Moses Sumney, Curtis Harding, Weather Station, Phoebe Bridgers, Kelly Lee Owens, Mulatu Astatke & The Heliocentrics, and The Souljazz Orchestra. Records With Merritt is located at 1614 Westport Road, KCMO. More info at: http://www.recordswithmerritt.com.

Katy Guillen and the Girls

At 11:30 Katy Guillen and the Girls joins us to share music from their new full length release, “Remember What You Knew Before.” Katy Guillen and The Girls, were formed in September of 2012 in Kansas City. The blues influenced roots rock trio is made up of Katy Guillen on guitar & vocals, Claire Adams on bass & vocals, & Stephanie Williams on drums. Katy Guillen and The Girls play a Kansas City Release Show on Saturday, November 11, at 7:00 PM, at The Foundation, 1221 Union Avenue, KCMO, with Julia Haile opening the night. More info at: http://www.kgandthegirls.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #707

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WMM Playlist from November 1, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 1, 2017

Sondra Freeman & Nathan Corsi of Apocalypse Meow 10
+ Andrew Foshee + Rebecca Liberty & Guglielmo Pieragostini

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. Jefferson Airplane – “White Rabbit”
from: Surrealistic Pillow / RCA – Victor / February, 1967
[Marty Balin – vocals, guitar, album design, Jack Casady – bass guitar, fuzz bass, rhythm guitar, Spencer Dryden – drums, percussion, Paul Kantner – rhythm guitar, vocals, Jorma Kaukonen – lead guitar, vocals, Grace Slick – vocals, piano, organ, recorder. Jefferson Airplane was an American rock band formed in San Francisco, California in 1965. A pioneer of counterculture-era psychedelic rock, the group was the first band from the San Francisco scene to achieve international mainstream success. They performed at the three most famous American rock festivals of the 1960s—Monterey (1967), Woodstock (1969) and Altamont (1969) —as well as headlining the first Isle of Wight Festival (1968). Their 1967 record Surrealistic Pillow is regarded as one of the key recordings of the “Summer of Love”. Two hits from that album, “Somebody to Love” and “White Rabbit”, are listed in Rolling Stone’s “500 Greatest Songs of All Time”.]

3. Julia Othmer -“Hungry Days (Make Me Feel)”
from: Hungry Days (Make Me Feel) – Single / Julia Othmer & James Lundie / June 30, 2016
[One several new singles released this year from Julia Othmer, as part of her 10-week new song release, leading up to the January 2018 release of “Sound,” her second full-length album, that took 3 years to complete, and was produced with James Lundie, who also married Julia in January of 2016, during the completion of the record. Julia Othmer, is a graduate of Park Hill High School. She moved to Los Angeles in 2006 to record her 1st full-length album, “Oasis Motel.” Julia has just returned from an East Coast Tour.]

4. Rachel Mallin & The Wild Type – “Teenage Bodies”
from: Teenage Bodies – Single / Independent / September 13, 2017
[Indie synthpop from Kansas City based, 5-piece band that includes: Rachel Mallin on lead vocals & guitar, Justin Walker on bass, Austin Edmisten on drums & back-up vocals, Jesse Bartmess on synthesizers & keyboards. “Teenage Bodies,” the latest single from Rachel Mallin & the Wild Type, shows a band solidifying its identity. Mallin wrote, recorded and produced her first album, The Persistence of Vision, in 2014 — a solo effort that spoke to her synthpop sensibilities and landed her on Kansas City radio. That same year, she left the University of Missouri to pursue a music career, and enlisted bassist Justin Walker and drummer Austin Edmisten to form The Wild Type. By mid-2016, the act — with keyboardist Jesse Bartmess and former guitarist Matt Kosinski — released its debut EP, Degenerate Matters, recorded, produced, and mastered by Joel Nanos at Element Recording Studios. Musical Arrangements written and performed by Rachel Mallin, Justin Walker, Austin Edmisten, Jesse Bartmess, and Matt Kosinski. Lyrics written by Rachel Mallin. That same year, The Wild Type earned support slots for acts from Cold War Kids to Metric and The Struts, and widespread recognition in its hometown at festivals such as Middle of the Map and Boulevardia.]

[Rachel Mallin & The Wild Type play Sound Machine KC w/ Yes You Are, and Y god Y, Friday, November 24, at 10:00 PM, at recordBar, 1520 Grand Blvd, KCMO.]

5. Calvin Arsenia – “Ashes”
from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
[From Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue. Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and his full length debut, Catastrophe. He has played Folk Alliance International, KC Fringe Fest, Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Calvin just finished his 3 month Outlyre Tour playing Portland, San Francisco, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, and Paris.]

[Calvin Arsenia plays Apocalypse Meow 10, Sat, Nov 4, at recordBar, at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages, and a silent auction & raffles. Apocalypse Meow is a three-day-event starts Fri, Nov 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. The weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch at noon, and at 4:00 PM Expassionates play live on stage. For more information you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

10:16 – Underwriting

6. Molly Hammer – “TV is the Thing This Year”
from: Out Of This World / Molly Hammer / September 13, 2017
[ For “Out Of This World,” Molly is backed by a terrific ensemble: arranger/producer Joe Cartwright on piano, Todd Strait on drums, Steve Rigazzi on bass, Brad Gregory on saxophone, and Jessalyn Kincaid and Molly Denninghoff on backing vocals.Molly Hammer has been performing in the Kansas City area since 2005. With an eclectic vocal background, she has found her home in the world of jazz and blues, drawing inspiration from the likes of Peggy Lee, Dinah Washington, Sarah Vaughn, and others. She has had the privilege of performing with some of the finest jazz musicians in the Kansas City area. She performs regularly at The Green Lady Lounge. Molly is a graduate of the Artist INC program and has also had the honor of singing the National Anthem for both The Royals and The Chiefs.Molly Hammer studied Theatre at Chadron State College in Chadron, Nebraska. She is originally from Excelsior Springs, Missouri. She is married to Jeremy Kruse.]

[Molly Hammer Quartet plays The Chesterfield, 1400 Main St on Fri, Nov 3, at 9:00pm – Midnight.]

7. Joesph Warren and the Wanderlust Revival – “Love The Wander”
from: The Greenwood Demos / Joseph Warren / November 4, 2017
[Based out of Kansas City, Missouri, Joseph Warren & the Wanderlust Revival is a unique caravan of midwestern roamers. Joseph Warren Wheeler on vocals, tenor guitar, guitar, & banjo; Bill Wald on bass, Jake Gronbeck on drums & percussion, Eva Louise Hall on vocals. More info at: http://www.thewanderlustrevival.com]

[Joseph Warren and the Wanderlust Revival play a Demo Release Show, Saturday, November 4 at 8:00 PM at Californos 4124 Pennsylvania Ave, KCMO with Nuthatch-47, and Instant Karma.]

8. Expassionates – “Big Blue Town”
from: Landscapes / Independent / November 22, 2008
[Scott Easterday on guitar, vocals, Marco Pascolini on guitar, Richard Burgess on bass, and Sam Platt on drums. Expassionates began as a recording project in 1998. Scott Easterday had a collection of songs to record. He hired Chad Meise as recording engineer and they set up shop in the historic El Torreon Ballroom for its unique acoustics. The large ballroom is the only surviving jazz hall of its kind from Kansas City’s jazz era. El Torreon was a concert venue, the Cowtown Ballroom, and then a skating rink. After being a recording site for Expassioantes and other bands it became an antiques market and ultimately a church. Chad Meise set up recording equipment and a control room in the historic ballroom. Easterday sang and played guitar and keyboards and hired Kansas City musicians from diverse backgrounds in rock, country and jazz. Bryan Hicks, bass; Ryan Bennett, drums; Marco Pascolini, guitar; Richard Alwyn, harmonica; Mark Southerland, saxophone; Nate Hofer, pedal steel and Jazzbo (Bill Hargrave), trumpet. The resulting album, “Verse, Chorus, Bridge,” was released in December 1998. There was a live release show December 26th at Harlings Upstairs in Kansas City. For the next several years Scott Easterday played solo shows and duo shows with Marco Pascolini, who had played guitar on Verse, Chorus, Bridge, until they decided to find a permanent rhythm section to complete a four-piece band. Bass player Richard Burgess joined Easterday and Pascolini, followed shortly by Sam Platt on drums, who is also a recording engineer. Their first gig as a four-piece was Halloween 2006. The group played hundreds of show dates in and around Kansas City plus Austin, TX for Midcoast Takeover. In addition to the live shows the band teamed up again with recording engineer Chad Meise and drummer/engineer Sam Platt for a new CD album called Landscapes, released in 2008. Rather than growing stale, the four-piece live version of Expassionates decided to call it mostly quits in September 2011, although they continue to play selected shows since then. In 2015 Scott Easterday set about to reintroduce the first album “Verse, Chorus, Bridge” after 17 years. Scott brought together a new band of Kansas City musicians from rock, country and jazz styles to rival the one that recorded the record. Bryan Hicks, bass, and Nate Hofer, pedal steel, return from the original group but this time they are joined by Matt Richey, drums, Troy van Horn, guitar, and Patrick Alonzo Conway on sax and percussion.]

[Expassionates play Apocalypse Meow 10 weekend at recordBar, Sunday, Nov. 5 at 4:00 PM after the Meow Hangover Brunch at noon. Apocalypse Meow is a three-day-event that starts Fri, Nov 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. Apocalypse Meow 10, continues Sat, Nov 4, at recordBar, at 6:00 PM with Brandon Philips and The Condition, Calvin arsenia, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages, and a silent auction & raffles. For more information you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

9. Dead Voices – “Trust A Fool”
from: Dead Voices / Independent / April 20, 2013
[Kansas City based super group, formed in September of 2010, by David Regnier, Jason Beers, Matt Richey, Michael Stover, Marco Pascolini.]

[Dead Voices recently played The Ship, with The Ants on September 23]

10:33 – Interview with Rebecca Liberty & Guglielmo Pieragostini

Guglielmo Pieragostini and Rebecca Liberty on the November 1, 2017 edition of Wednesday MidDay Medley on KKFI 90.1 FM.

Rebecca Liberty & Guglielmo Pieragostini joined us to share a story of Kansas City’s music community. This past summer, Rebecca, a longtime friend of Guglielmo’s family from Fermo, Italy, proposed a music project for Guglielmo to come to Kansas City and experience our music community as an observer, and participant in live performances. In six weeks Guglielmo was able to see and hear over 55 bands, in 25 venues, with invitations to play in live performances with David Regnier, Dead Voices, The Ants, and to jam with Kaye Johnston, Mark Lowrey and Zach Morrow. In just a few days Guglielmo will be flying back home to Fermo, Italy, but before he we want to hear about his experience in Kansas City.

Rebecca Liberty has been a family friend of Guglielmo Pieragostini for over 30 years and has visited Italy quite often.

This summer she proposed a music project for Guglielmo to come and experience Kansas City music and, hopefully, infuse him into the community that supports the variety of music and venue and the abundance of performance opportunities. While he has a band, the chance to play in public is scarce and collaboration hard to come by.

While he would not be able to earn any money during this project, the wealth of information and experience gained as well as exposure to a thriving community that works to support each other would far outweigh a lack of monetary payment.

Guglielmo Pieragostini wrote to us about his life:

I grew up in the small town of Fermo, Italy, near the coast of the Adriatic Sea.

I’ve been lucky enough to grow up in a family with a great passion for music, so I’ve been exposed to different types of music since I was born from classical to reggae to rock & folk.

I asked my parents if i could get an electric guitar, and i finally got it after a year at the age of 12. I created my first rock band,The Troubles, a year and a half later. I’ve continuously been in a band since then, composing mostly rock music and writing lyrics.

My current band is called Mojave. It’s a Stoner/Doom band that I formed two years ago with my friends Guido Andrenacci on vocals, guitar, & bass; and Lorenzo Mandolesi on drums. Our setlist is divided in two different tunings: Standard (E) and C. When we’re playing in Standard tuning I sing and play guitar and Guido Andrenacci plays the bass, while when we’re playing in C tuning i play the bass and he plays guitar and sings.

We’ve just finished recording a three songs demo before I left Italy to come to KC, and it will soon be available on our social media.

As Fermo is a very small town and has a poor music scene I haven’t been able to perform live a lot of times, also because of the nature of the music i play.

Rebecca Liberty has been a friend of my family over thirty years, and she’s been visiting us off and on over all this time.

Five years ago she visited and we had the chance to speak about music, my band and how hard it was for me to be a musician in my hometown. In that occasion she told me that Kansas City as a great music scene and that the music community is very supportive of each other.

This summer she returned to visit again and she invited me to come experience KC’s music community in real life. She proposed this to me as a music project.

She posted (without my permission) a video of me just jamming on my guitar on her Facebook, and within one or two hours the response was amazing. I rwas really surprised about it, because I didn’t expect it to be so strong and in such little time.

With a second post, she requested a loaner of an electric guitar, because i really didn’t trust to bring mine on the plane. Once again, in just half a day I not only had an electric guitar, but it was almost like the one I play. This made me feel more comfortable, and confirmed that this experience could really work.

Rebecca Liberty Responds

His English writing skills are so great because of MUSIC!!!!

Ha ha ha (without my permission) he writes because he is very shy! Something he has overcome a bit here in KC!!

Marco Pascolini loaned him the electric guitar Fender Jazzmaster

Kaye Johnston loaned him an acoustic whilst he was here.

Chad Bryan from The Ants loaned him electric guitar for rehearsal for the two shows he did with The Ants at Californo’s and Holy Cow.

Rebecca Liberty writes to us about herself:

Who am I? A lover of music and arts and supporter of the community. I am not a musician but do love to sing in the shower!

Thanks to our dear Anne Winter introducing me to many musicians here in town, my connection to the music community was enhanced. Anne also made a point to connect me to Howard Iceberg, leading to an amazing opportunity to sing a few times in public due to his kindness and encouragement. I was also fortunate enough to be recorded on one song, “It’s Not Over Yet”, from Smooth Sailing by Howard Iceberg & the Titanics.

I met with Abigail Henderson and organized a well-woman clinic for female musicians.

Overall, I invest in local music as often as possible rather than national concert tours. I invest time in supporting local musicians in as many ways as possible. Music has saved me on so many occasions. It has given me joy and celebration and solace in times of despair.

I am just trying to give back and this music project with Guglielmo was devised to expose him to the possibilities of life as a working musician as well as the realities of working a “day job” to support the passion of music.

Guglielmo Pieragostini arrived in KC in mid-September and leaves after 6 weeks of infusion into KC’s music community at over 15 venues, hearing over 55 bands and playing in live performances with 2 different bands, in 4 shows, and jamming with local musicians.

This music project provided him with a wealth of information and experiences as well as exposure to a thriving community that works to support each other often across genres.

Guglielmo Pieragostini’s performance diary:

SEPTEMBER

FRIDAY 15th
– Westport Saloon with Country Duo + Met Marco Pascolini and Kasey Rausch

– The Ship with Soul Preservers: The Dropout Boogie

SATURDAY/SUNDAY 16/17
-Fall encampment hearing Native American drumming

MONDAY 18th
-The Brick with Rural Grit +Met David Regnier who invited me to play a couple of songs with his band, The Dead Voices at the Ship on Saturday, the 23rd

TUESDAY 19th
-Waldo Bar with Country Duo

WEDNESDAY 20th
-It’s A Beautiful Day shop + Got Marco’s guitar from Kasey Rausch

THURSDAY 21st
-The Majestic with Mark Lowrey trio + Met Mark Lowrey

-The Ship with Snuff Jazzy time w? Mark Southerland on Sax, Micah Herman on bass, Arny Young on drums

FRIDAY 22nd
-The Plaza Art Fair

-Ink! Live Stage with Smokey James and the Avalanche

-90.1 KKFI Community Stage with The Matchsellers and Ernest James Zydeco Duo

SATURDAY 23rd
-The Riot Room with The Bon Ton Soul Accordion Band

-The Plaza Art Fair

-Ink! Live Stage with Barclay Martin Ensemble

-90.1 KKFI Community Stage with EEMS

-The Ship with The Ants with Dead Voices +Played with Dead Voices: David Regnier, Jason Beers, Matt Richey, Marco Pascolini, Mike Stover; +Met Chad Bryan from The Ants who invited me to sit in with his band

SUNDAY 24th
+Went to Kate Johnston’s house, jammed with her, borrowed her acoustic guitar

MONDAY 25th
-The Brick – Rural Grit +Met Brian Frame and Andrew Luker from The Blessed Broke

WEDNESDAY 27th
-Davey’s Uptown Rambler’s Club with The Irieplaceables + Djama

-The Riot Room with Castle

THURSDAY 28th
-The Blue Room with KC Latin Jazz All-Stars +Met Pablo Sanhueza

-The Ship with Pope of Dope

FRIDAY 29th
-Knuckleheads Saloon with Country Duo, Broken Arrows, Hadacol

-The Brick with Mike Dillon Band

-Green Lady Lounge with Boogaloo 7 + Met Matt Hopper, Pat Conway and Nick Howell

SATURDAY 30th
-Recordbar Outer Reaches Festival Sego, The Hearers , Dead Rider, El Ten Eleven + Met Amy Farrand; +Met Chad Bryan, agreed for band practice with The Ants on the 1st of October

-Green Lady Lounge with Matt Villinger Organ Trio

OCTOBER

SUNDAY 1st
-Chad Bryan’s house The Ants band practice +Met the Ants:, Chad Bryan, Sean McEniry, David Randall. Brad Nicols

-Recordbar with The People’s Liberation Band

MONDAY 2nd
-Pablo Sanhueza’s house with KC Latin All Star Jazz Band Practice +Met KC Latin All Star Jazz Band: Pablo Sanhueza, Evan Hoffman , Antonio Reyes, Trevor Smith, Michael Harris II, Trevor Turla, Teddy Krulewich

TUESDAY 3rd
-The Riot Room with Tokimonsta

WEDNESDAY 4th
-Chad Bryan’s house with The Ants band practice

FRIDAY 6th
-Crossroads – First Friday

-The Ship, Soul Preservers:First Friday ft. Elliot Oliver

SATURDAY 7th
-The Davidson’s Backyard Bash, Johnny Green and My Six Gun Hearts

-Californos, GAV7D with The Ants +Played with The Ants +Met Johnny Hamil and Chris Fugitt

SUNDAY 8th
-Holy Cow with The Ants part 1 with Special Guest Mike Stover +Played with The Ants and Mike Stover

TUESDAY 10th
-The Ship with Honky Tonk Tuesday with The Naughty Pines

-Mini Bar \\Prog Night, The Great Vehicle , Cortegè

WEDNESDAY 11th
-The Ship, The Creighton Organization

THURSDAY 12th
+Jam with Marco Pascolini

FRIDAY 13th
-recordBar with The Philistines, The Brannock Device

-Green Lady Lounge – Boogaloo 7 +Hang out with Amy Farrand, met Troy Van Leeuwen from Queens of the Stone Age!

SATURDAY 14th
-Mid Town KCMO \\Porchfest 2017, KC Latin All Star Jazz Band, Lauren Krum and Fritz Hutchinson

-Recordbar with The Grisly Hand, +Hang out with the band at their place after the show;, +Met Lauren Krum

SUNDAY 15th
-MO Brew \\Soulful Sundays with Dj Jocmax, Ataxic

TUESDAY 17th
-The Riot Room, \\Jonwayne “Rap Album Two”, with Scotty WuWu Wooton, Emv , Danny Watts, Jonwayne

WEDNESDAY 18th
-The Ship , The Blessed Broke

-The Riot Room, Elder

THURSDAY 19th
-The Ship, The Young Lions

FRIDAY 20th
-Recordbar, Smokey James and The Avalanche, Tree Machines

SATURDAY 21th
-The Ship, Mr Marco’s V7 (original lineup) with Hadacol

SUNDAY 22nd
-1412 W 12th Street, Apple Cider Jam Brunch Hosted by Camry Ivory and Justin Skinner +Met Kris Bruders and Havilah Bruders

TUESDAY 24th
-The Phoenix, Jazz Jam Session, +Played with Mark Lowrey and Zach Morrow

THURSDAY 25th
+Jam with David Regnier

-The Ship, Pope of Dope

MONDAY 30th
-The Brick, with Hex Robot: Halloween in Space,Dead Voices Trio & Dually Jukes +Played with Dead Voices

10:46

Guglielmo Pieragostini playing live on the November 1, 2017 edition of Wednesday Midday Medley on KKFI 90.1 FM.

10. Guglielmo Pieragostini – “No One Knows” (Live)
A cover of a song from Screaming Trees, played with an acoustic guitar from Kaye Johnston.

Guglielmo Pieragostini’s Reflections on Kansas City:

It’s not easy for me to express in words all the feelings I went through during this music project. I really had no idea what I was going to experience.

The Kansas City music scene is way different than Italy’s especially Fermo’s. Mostly that’s because Fermo is a very small town compared to Kansas City. The main difference is that back in my hometown, we only have music shows on the weekend, and it’s mostly dj sets. It’s quite rare to stumble in a good live show. Sometimes to hear an interesting band we have to go in different towns.

In the first three or four weeks of my staying here, when I was walking around (or being driven around), I still kind of couldn’t believe that I really was here, being able to experience all this live music in this great city. It really felt like a dream to me.

Here in KC I had so many choices for many different shows every night. It was almost unsettling because I was so undecided about where to go. The quality of the music is incredibly high. Maybe I was just lucky, but in the month and a half that I spent here, I never heard bad music.

The most amazing thing is the kindness of KC’S music scene. All these people helped me without asking anything in exchange, and that’s the most precious and invaluable thing about it. I don’t know how else to express this.

First of all, Marco Pascolini is one of the most talented and creative guitarists I had the honor to hear and play with. He really took care of me, loaned me all the gear I needed to play and he was just so happy to do so. He really is one of a kind. He’s the man!! I think I would let someone borrow my guitar but six weeks would be a lot of time and I would need to know the person who has my guitar. Marco showed me a lot of trust to get things started but he wasn’t the only one.

He also co-founded Mr. Marco’s V7, which happens to be one of my favorite KC bands. I got the chance to jam with part of the band! That really was different to be playing with Johnny Hamil on his upright bass along with Chris Fugitt on the drums and, of course, Marco on one of his many guitars! It was so fun to share the passion for music that we all have and it was an honor for me to play with such way more experienced people.

I went to the Brick for Rural Grit and I had never seen anything like that in my life. These people created a tradition to gather to play American Roots music and at the same time there is also space for experimental music with unusual instruments and styles of playing instruments. Kim Stanton and Mark Smeltzer obviously are relentless in the effort to keep it alive and going.

My first Monday in Kansas City and at Rural Grit, I met David Regnier and he almost immediately invited me to play with his band, Dead Voices, at the Ship five days later. It was a unique and very unexpected experience. This never happened to me in Italy and it happened so quickly I was shocked but quite happy.

At The Ship, I played two songs with no rehearsal at all so I was nervous but Marco and David made me feel more comfortable and at ease. They both were willing to take a big risk on me, a stranger… a guitar player from Italy that they barely knew. Being at The Ship for my first time playing in a show was a good start because Dead Voices had a great crowd and the vibe of The Ship is unique.

That same night, The Ants played and I loved them because they were just great. I loved their music. I met Chad Bryan, guitarist & singer of The Ants, who invited me to sit in with his band for an upcoming gig. The guys in the band, Chad, Sean, Brad, & David, really made me feel like a part of a family, practicing with them twice and playing 2 live shows!

Their music blending with lyrics is just so witty and clever and fun to hear and quite enjoyable. Playing with them was awesome because they taught me the basic foundation of their songs but they also told me to bring what I have to add to the songs. They let me loose and that made me feel free to play lead but I also did not take too much space.

I met Mark Lowrey at the Majestic the second week I was here, and I heard him playing with his outstanding jazz trio. He’s such a talented musician! He invited me to his jazz jam session that take place every Tuesday evening at the Phoenix, and finally last week I was able to go. I was very nervous about it because I never played jazz in public before, but Zach Morrow and Mark made me feel welcomed. We played a couple of funky jazz tunes including Chameleon Man by Herbie Hancock.

I was also lucky enough to meet Amy Farrand whom I had heard of and watched some of her videos back home in Italy. She made great music that was powerful and not only could she play electric guitar but she sang well, too. I really wanted to meet her when I got to Kansas City. I am actually quite shy but I introduced myself to her when I went solo to Outer Reaches music festival at The Record Bar. Even though we didn’t get the chance to jam, we hung out together a couple of times and had a great time.

In particular, Amy and I once met up at the Green Lady Lounge, another one of my favorite venues in KC, and we listened to Chris Hazelton’s Boogaloo 7, another one of my favorite bands. On that occasion, we met some of Queens of the Stone Age band members, that were just hanging out after their show in town! She was so kind to introduce me as a big fan to Troy, one of the guitarists, we got a picture together! She was very kind to me.

My experience at home is musicians normally have shows only on the weekend in Fermo but in Kansas City I saw that musicians play in a lot of different bands and genres and nearly every night there is some kind of show. Marco Pascolini was an example of this playing in so many shows. I also got to play with Mike Stover in two different shows and I saw him four different times impressively playing guitar, pedal steel, and the bass. There seem to be many musicians in KC do all this while at the same time having a day job.

When I arrived I wasn’t sure I could make it. I didn’t know if I was good enough to play here. It turned out that I could play here and along the way I learned more about myself and music. I became more encouraged to be less shy and more connected. I saw Mark Smeltzer from Freight Train Rabbit Killer play at Rural Grit three times. I told him I liked his experimental instruments and music. Our conversation turned to his philosophy of music which is to not be afraid to express yourself and put your heart out there with the music evolving. I really think this is how all musicians should make music.

I have been inspired to finally write some lyrics on a old riff of mine because of The Ants. It was great to work with David Regnier on song that we ended up playing at The Brick. I have absorbed a lot of new styles and new sounds that I can take back to my band in Italy and I can expand beyond my stoner band with this new experience.

I was very lucky to meet a lot of beautiful, talented, kind, and generous people who helped me out and made me feel welcome. It’s so satisfying to see how people of Kansas City welcomed someone, ME, that lives so far away and comes from a different culture. It was amazing that people can get together so easily and have such a great time playing music. This city really has a great music scene, and I really think that everybody should be proud of it and support it in the best way possible.

When I get back to Italy, I will try to do my best to improve the relationship between musicians in my hometown, and maybe, who knows, someday we will have a great music scene like the one in KC!

– Written by Guglielmo Pieragostini

Guglielmo Pieragostini will fly back to Fermo, Italy on Thursday, November 2, 2017.

10:56

11. The Ants – “Calling In”
from: Golden Submarine / Beyond Records / October 13, 2017
[This is The Ants 10th release and their 8th full length album. Band member Chad Bryan says that “It is safe to say they have been under the radar for the past 17 years. We’ve long been a band other bands enjoy, but haven’t really gotten past that and into a larger audience. We’ve been releasing music independently for the past ten years and were on a small label out of Chicago called Sickroom Records prior to that. We’ve been relegated to local and regional work the past several years due to real life obligations. We did quite a bit of touring 2003-2010. The nucleus of the band is a four piece that has been together since 2006. Half of the band lives in Lawrence, the other half in Kansas City.” Band members include: David Randall, Sean McEniry, Brad Nichols, Chad Bryan. More info at WWW.killtheants.com]

[The Ants play a Kansas City record Release show at Holy Cow, Sunday Nov 12, from 3:00 – 5:00 PM]

11:00 – Station ID

12. Andrew Foshee – “Thunderstorm”
from: Strange Relations / Andrew Foshee / October 31, 2017
[Andrew Foshee on acoustic guitar, vocals, sampling, keys; Jon Estes on classical guitar, electric guitar, standup bass, piano, keys, percussion, string arrangements; Jeremy Fetzer on electric guitar, acoustic guitar; Jack Lawrence on bass guitar; Dave Racine on drums, percussion; Alexis Saski on backing vocals; Jem Cohen on backing vocals; Molly Parden on backing vocals; Liz Estes on viola, violin; Amy Helman on viola, violin; Eduardo DuQuesne on words of encouragement. Produced, engineered and mixed by Andrija Tokic
At The Bomb Shelter in Nashville, TN. Mastered by John Baldwin At John Baldwin Mastering in Nashville, TN. Additional production and sequencing done by Andrew At Ye Ol’ Basement Studio in Kansas City, MO. Cover art by Mariano Peccinetti. Andrew Foshee is a songwriter from Kansas City, Missouri. His knack for cinematic home recordings has lead to several song placements in tv and new media. Earlier this year he teamed up with producer Andrija Tokic (Alabama Shakes, Benjamin Booker) and a high clergy of guest musicians at Tokic’s Nashville studio, The Bomb Shelter, to fully realize his latest project. More info at: http://www.andrewfoshee.com]

[Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen.]

11:04 – Interview with Andrew Foshee

Andrew Foshee

Strange Relations

Kansas City based musician and songwriter Andrew Foshee joins us to share music from his new record, STRANGE RELATIONS, recorded earlier this year in Nashville, at The Bomb Shelter with producer and engineer Andrija Tokic, who has worked with, Alabama Shakes, Benjamin Booker, and Hurray for the Riff Raff. Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen.

Strange Relations is “a hallucinatory song cycle from the perspective of a human being held captive by aliens in their spacecraft as they attentively study his dreams to better understand the human condition.”

“Previous to a few months ago, for the last six years I had been working as a sales rep and living a relatively comfortable but complacently unengaged lifestyle, making plenty of money but pissing it away on things like cars, going out to eat, and drinking heavily. Maybe a few things I won’t mention either. I would record demos from time to time when I felt inspired, but for some reason I always seemed to lead myself astray from my music right before something good would happen.

During this time I was also in an extremely toxic relationship where I became a jealous, insecure, piece of shit version of myself that eventually ended up going on hiatus from most of my close friends and family, usually drinking myself to sleep at night and becoming overwhelmingly depressed and anxious by the week.

This continued for quite some time until a rather surreal experience I had made me realize I was wasting my life and I needed to make some changes before it was too late. I felt like I had a lot left to experience in life and I had been sitting on a handful of songs I really wanted to share.

The whole Trump thing was also a real wake up call that this little spaceship we’re on could go down at any moment, so I guess I felt a sudden urge to produce.

I don’t want blab on, but the end result was me quitting my job, taking all of my money to Nashville last January, and making a record I always wanted to make.

Through the help of a friend I was able to connect with Andrija Tokic [who has produced records for The Alabama Shakes, Hurray For The Riff Raff, Benjamin Booker, The Deslondes, etc ] and we cut the tunes directly to tape at his sometimes creepy, always cozy, analogue home-studio, i.e. The Bomb Shelter.

Andrija ended up putting together this amazing crew of musicians, including Jack Lawrence, Jeremy Fetzer and Jon Esters, and it was a very surreal experience when everything came together in the end.

After things wrapped, I basically headed back home to Kansas City, left my sales job and started renting a room in this big, old house with four other musicians so I could save up some money and get back on my feet.

Honestly, I have never been so tired in my entire life but I have also never felt so alive.”

11:12

13. Andrew Foshee – “Honor Among Thieves”
from: Strange Relations / Andrew Foshee / October 31, 2017

[Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen.]

11:17 – Interview with Andrew Foshee (continued)

Kansas City based musician and songwriter Andrew Foshee joins us to share music from his new record, STRANGE RELATIONS, recorded earlier this year in Nashville, at The Bomb Shelter with producer and engineer Andrija Tokic, who has worked with, Alabama Shakes, Benjamin Booker, and Hurray for the Riff Raff. Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen.

Here is an excerpt from an interview Andrew Foshee did with PlaylistPlay.com:

“Ever since I was a kid I’ve struggled with reciprocation. I’ve always had this underlying tendency to try and gravitate towards things I feel connected with on somewhat of a deeper level, and when I finally find them I get really manic. I remember when I was like six or something, sitting in my parent’s bedroom in our old house and Bob Seger’s “Night Moves” came on. My eyes got really big, and my heart rate instantly doubled. I got this weird feeling I hadn’t felt before. I think I started shaking. I was like, ‘Holy shit man. This guy gets me.’ I don’t think I even paid attention to the lyrics, it was just that chord progression coupled with his voice and maybe the way the drums sounded in that bedroom. It just all made perfect sense in a very surreal way, like some sort of alien was speaking to me in this new language I’d never heard, yet I understood every word he was saying.

I think if you try hard enough you can find a common ground with most people, but really connecting is a different story. Music has always been one way for me to feel connected, even if with only myself, and I think that was the day I figured it out.

We live in a very strange world in which we constantly derive meaning and values from a completely nonsensical ethos based in fear and ego. Music helps me challenge these boundaries and make sense of the experiences I’ve had within them, with the hopes that others can relate.”

11:25

14. Andrew Foshee – “A Little Mess (Of Our Own)”
from: from the recording sessions of Strange Relations

[Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen.]

Andrew Foshee, Nathan Corsi, and Sondra Freeman on the November 1, 2017 edition of Wednesday MidDay Medley on KKFI 90.1 FM

11:29 – Underwriting

15. Nathan Corsi – “falls apart again”
from: 3-Song Demo / Nathan Corsi / October 31, 2017

[Nathan Corsi plays Apocalypse Meow 10 at recordBar, November 4n.]

11:35 – Interview with Sondra Freeman & Nathan Corsi

Sondra Freeman is Director of Promotions and Artist Relations for Midwest Music Foundation, a nonprofit created to support music and musicians in Kansas City and the surrounding areas, founded in 2008 by a collective of musicians and music lovers. The Midwest Music Foundation (MMF) unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. Sondra is instrumental in MMF’s annual events: Apocalypse Meow, MidCoast Takeover and the MidCoast Takeover fundraiser shows, as well as many other collaborative musical events and fundraisers.

We fell in love with Nathan Corsi as lead singer and songwriter for the critically acclaimed and award winning Kansas City band Not A Planet. Formed in 2010 the bnd has constantly toured and released “The NapSack” EP in 2011, “The Few, The Proud, The Strange” full length on May 10, 2013, and last year’s EP release, “Smoke Bombs & Cigarettes: The History Of Now.” An Akron, Ohio native, Corsi’s musical tastes and influences grew in the same fertile soil that reaped rock and roll innovators like the James Gang, Devo, the Pretenders and the Black Keys. Nathan Corsi moved to Kansas City, by way of New York, after a featured role in a year-long documentary about life as a busker in New York. Nathan Corsi has recently recorded a 3-song, solo EP of new material and plays Apocalypse Meow this Saturday night at recordBar.

Sondra Freeman and Nathan Corsi join us to share all the details about Apocalypse Meow 10, a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. and continuing on Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Calvin Arsenia, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, on two stages. Also featuring a silent auction and raffles with prizes donated from local businesses. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow

Abigail Henderson co-founded Midwest Music Foundation, since her death, four years ago, friends, musicians, collaborators have kept this not-for-profit alive.

Midwest Music Foundation is a part of events all year round: Midcoast Takeover, Middle of The Map Fest, Crossroads Music Fest, and more.

11:42

16. Brandon Phillips and The Condition – “Clean and Sober”
from: Apocalypse Meow 10 / Midwest Music Foundation / November 2, 2017
[Brandon Phillips on vocals, Adam Phillips on drums, Zach Phillips on bass,and Julie Berndsen (formerly of the Latenight Callers) on backup vocals.This new 34 track compilation of Kansas City Area bands and their most recent recordings, along with a few tracks that representative the 10 years of Midwest Music Foundation and Apocalypse Meow – the annual benefit for Abby’s Fund, named for Abigail Henderson, who co-founded the not-for-profit organization. Midwest Music Foundation unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. ]

11:46 – interview with Sondra Freeman & Nathan Corsi

Sondra Freeman & Nathand Corsi, Thanks for being with us on Wednesday MidDay Medley to share all the details about Apocalypse Meow 10, the annual event to benefit Midwest Music Foundation’s – Abby’s Fund.

The Midwest Music Foundation and 90.9 The Bridge are proud to present the 10th Annual Apocalypse Meow to benefit Abby’s Fund for Musicians’ Health Care.

RockDocs, a collaboration of University of Kansas and the Community Health Council of Wyandotte County will be on site Saturday and Sunday to offer health and ACA information, screenings, wellness programs, opportunities to discuss health conditions and concerns and arrange follow ups.

Special surprise presentation by Mile Deep Films & Television LLC, The Feral Few, Killer Kite Productions on Saturday and Sunday.

For more information http://www.midwestmusicfoundation.org/apocalypsemeow
*************************************************************************
Friday, November 3, 2017 – Mills Record Company – All ages – 7:00 pm

The Country Duo // Bohemian Cult Revival // Headlight Rivals
Emcee: Michael Byars of KCUR 89.3

Libations provided by our generous partners at Boulevard Brewing Company
We will have MMF free swag, merch for sale, and raffles!

*************************************************************************
Saturday, November 4, 2017 – recordBar – 6:00 pm // Tickets at http://www.therecordbar.com

Too Much Rock Main Stage: Brandon Phillips & The Condition // Chris Meck & The Guilty Birds // Sandoval (reunion) // Split Lip Rayfield
Emcee: Jason Nivens of 98.9 The Rock!

Acoustic Stage: IVØRY BLACK // Nathan Corsi // Calvin Arsenia
Emcee: Mark Manning of KKFI 90.1 FM

The main event on Saturday will also feature A silent auction and raffle will feature an assortment of fantastic items donated by many local businesses.
**************************************************************************

Sunday, November 5, 2017 – recordBar – Meow Hangover Brunch starts at noon

Expassionates at 4 pm

For more information you can visit http://www.midwestmusicfoundion.org.

11:56

17. Chris Meck & The Guilty Birds – “Destination Revolution”
from: Destination Revolution – Single / Independent / January 20, 2017
[A new Music Video from the band featuring this Song premiered January 20, 2017. Recorded by Chris Meck, down the rabbit hole at Whisker Gables, Kansas City, MO. Mastered by Chad Meise at Massive Sound Studios, Shawnee, KS. KC based trio with Chris Meck on lead guitar & vocals, Michelle Bacon on drums, and Calandra Ysquierdo on bass guitar & vocals. Chris Meck and The Guity Birds released their debut full-length, It’s 4 A.M. Somewhere, on April 8, 2016]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, November 8, Marion Merritt joins us as Guest Producer and at 11:30 Katy Guillen and the Girls joins us to share music from their new full length release, Remember What You Knew Before.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #706

Wednesday MidDay Medley with Apocalypse Meow + Andrew Foshee + Rebecca Liberty & Guglielmo Pieragostini

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, November 1, 2017

Sondra Freeman & Nathan Corsi of Apocalypse Meow 10
+ Andrew Foshee + Rebecca Liberty & Guglielmo Pieragostini

Mark spins New & MidCoastal Releases from: Andrew Foshee, Rachel Mallin and The Wild Type, Joseph Warren & the Wanderlust Revival, The Ants, Nathan Corsi, Molly Hammer, Calvin Arsenia, Julia Othmer, Brandon Phillips and The Condition, Chris Meck and The Guilty Birds, Expassionates, and Dead Voices.

Guglielmo Pieragostini

At 10:30 Rebecca Liberty & Guglielmo Pieragostini join us to share a story of Kansas City’s music community. This past summer, Rebecca, a longtime friend of Guglielmo’s family from Fermo, Italy, proposed a music project for Guglielmo to come to Kansas City and experience our music community as an observer, and participant in live performances. In six weeks Guglielmo was able to see and hear over 55 bands, in 25 venues, with invitations to play in live performances with David Regnier, Dead Voices, The Ants, and to jam with Kaye Johnston, Mark Lowrey and Zach Morrow. Guglielmo didn’t bring his guitar on the plane so Marco Pascolini loaned him his electric Fender, Kaye Johnston loaned him an acoustic guitar, and Chad Bryan, from The Ants, loaned him an electric guitar for rehearsal and for two shows with The Ants, at Californo’s and Holy Cow.

At 11:00 Kansas City based musician and songwriter Andrew Foshee joins us to share music from his new record, STRANGE RELATIONS, recorded earlier this year in Nashville, at The Bomb Shelter with producer and engineer Andrija Tokic, who has worked with, Alabama Shakes, Benjamin Booker, and Hurray for the Riff Raff. Strange Relations is “a hallucinatory song cycle from the perspective of a human being held captive by aliens in their spacecraft as they attentively study his dreams to better understand the human condition.” Andrew Foshee plays The Truman, at One East Pershing Road, KCMO, Saturday, November 18, at 8:00 PM, with Wade Bowen. More info at http://www.andrewfoshee.com

At 11:30, Sondra Freeman of Midwest Music Foundation and musician Nathan Corsi, join us to talk about Apocalypse Meow 10, a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. and continuing on Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Calvin Arsenia, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, on two stages. Also featuring a silent auction and raffles with prizes donated from local businesses. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow

Tune in on 90.1 FM KKFI
or streaming live at kkfi.org

Show #706

WMM Playlist from October 26, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 25, 2017

New & Scary Cool Songs + Michael McQuary
+ Freight Train Rabbit Killer + Calvin Arsenia

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. David Bowie – “Fashion (Single Version) [Remastered]”
from: Everything Has Changed / Parlophone / November 17, 2014
[Originally released as a single 37 years ago on October 24, 1980. 2nd single from Scary Monsters (And Super Creeps), David Bowie’s 14th studio album. It was his final studio album on RCA and his first following the Berlin Trilogy of Low, Heroes, and Lodger (1977–1979). With Scary Monsters, Bowie achieved what biographer David Buckley called “the perfect balance” of creativity and mainstream success as well as earning critical acclaim; the album peaked at No. 1 in the UK and restored Bowie’s commercial standing in the US. This song draws an implicit analogy between fashion and fascism. Goon squads – referenced in the lyric, “We are the goon squad and we’re coming to town” – are groups of thugs who are hired to perform violent acts on their boss’ behalf. In the context of this song, it is most likely that Bowie is light-heartedly comparing goon squads to the New Romantics – a late ’70s subculture, who were known for their meticulously flamboyant fashion sense. Moreover, the lyric, “Turn to the left, turn to the right,” is not only referring to the mechanical movements of fashion models, but also to the military instruction. According to the producer, Tony Visconti, this song’s bass line and melody took inspiration from Bowie’s 1975 Soul hit, “Golden Years.” King Crimson virtuoso Robert Fripp played guitar on this track. Fripp also played lead guitar on Bowie’s 1977 song, “Heroes.” Bowie had previously used that famous “beep beep” hook in a little-known song that he wrote in 1970 called “Rupert the Riley.” This single reached #5 in the UK and #70 in the US. It was Bowie’s first song to chart in America in three years (his last hit was “Sound And Vision,” which peaked at #69 in 1977). In 1997, Bowie performed this song during his 50th birthday bash at Madison Square Garden with The Pixies’ front man, Frank Black.]

3. Laurie Anderson – “Poison”
from: Bright Red / Warner Bros. / October 25, 1994
[Laurie Anderson on vocals & keyboards, Joey Baron on drums, Brian Eno on treatments & keyboards, Adrian Belew on guitar, Marc Ribot on guitar. Produced by Brian Eno (who also co-wrote several of the songs with Anderson, including “Poison.”). This was Laurie Anderson’s 6th album overall and 5th studio album, released by Warner Bros. Laura Phillips “Laurie” Anderson was born June 5, 1947. She is an American avant-garde artist, composer, musician and film director whose work spans performance art, pop music, and multimedia projects. Initially trained in violin and sculpting, Anderson pursued a variety of performance art projects in New York during the 1970s, making particular use of language, technology, and visual imagery. She became widely more known outside the art world in 1981 when her single “O Superman” reached number two on the UK pop charts. She also starred in and directed the 1986 concert film Home of the Brave. Anderson is a pioneer in electronic music and has invented several devices that she has used in her recordings and performance art shows. In 1977, she created a tape-bow violin that uses recorded magnetic tape on the bow instead of horsehair and a magnetic tape head in the bridge. In the late 1990s, she developed a talking stick, a six-foot (1.8 m) long baton-like MIDI controller that can access and replicate sounds. Anderson started dating Lou Reed in 1992, and was married to him from 2008 until his death in 2013.]

4. Michel Rubini & Denny Jaeger – “Sarah’s Panic”
from: The Hunger (Original Motion Picture Soundtrack) MGM/UA Entertainment Co./ 1983

10:09 – Show Intro & Michael McQuary

Anticipating the Halloween weekend, we played New & Scary Cool Songs from: The MGDs, Amy Farrand and The Like, Freight Train Rabbit Killer, Jametatone, Season To Risk, Looming, Arcade Fire, The Brian Jonestown Massacre, Ministry, Iggy & The Stooges, and Regina Spektor. We started with David Bowie, and Laurie Anderson.

Michael McQuary on the October 25, 2017 edition of Wednesday MidDay Medley

Michael McQuary with his Classic Monsters of Filmland shared his interpretations of Béla Lugosi, Boris Karloff, Vincent Price, Bette Davis and more. Michael is the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, My Own Space and more recently, “I’m Hollywood,” for the KC Fringe Festival. Michael McQuary is also a visual artist of personal portraits and life captures, and he creates personal art works of metal. Michael is seen in multiple films, in promotional shorts for the OM Film Festival, and recently in the Mile Deep Films short film, “Corvalo.”

10:15

5. Jametatone – “Too Late”
from: Empty Bliss / J. Ashley Miller / March 21, 2017
[New EP from Jametatone, the solo project of J. Ashley Miller who also records with his band as Metatone. J. Ashley Miller is the The 2016 Charlotte Street Generative Performing Artist Award Fellow. He is a composer, producer and multi-instrumentalist. His genre-bending trans-modern work has been performed everywhere from YJ’s to the Kauffman Performing Arts Center, to the MoMa PS1 in NYC. Ashley utilizes a diverse range of technologies, techniques, and collaborators to access obscure facets of the human emotional landscape. Jametatone opened all four shows at The Outburst KC, where Calvin Arsenia performed his 2017 Release Catastrophe Unplugged with guest musicians Beau Bledsoe, Fritz Hutchinson, Mark Southerland, and artist & vocalist Seth M. Jones. You can view more of Ashley’s work at http://www.jametatone.com.]

[Jametatone plays The Ship, 1217 Union Avenue, in the West Bottoms, on Halloween, Tuesday, Oct. 31, with Natural Man & The Gland Band, and Takin’ A Dive.]

6. The Brian Jonestown Massacre – “Charmed I’m Sure”
from: Don’t Get Lost / A Records / February 24, 2017
[Formed in San Francisco in 1990 by frontman Anton Newcombe. Their early music was in a shoegaze style. Following their debut album, Methodrone, the group’s sound transitioned to a broader style of psychedelic rock, incorporating styles such as garage rock, folk rock and, later, electronica into their sound. The act continue to experiment with musical styles. The band was the subject of the 2004 documentary film Dig!, and have gained media notoriety for their tumultuous working relationships as well as the erratic behaviour of leader Newcombe. The Brian Jonestown Massacre have released seventeen albums, five compilation albums, five live albums, thirteen EPs, sixteen singles as well as two various-artist compilation albums to date.]

6. Iggy & The Stooges – “Gimme Danger”
from: Raw Power / Columbia / February 7, 1973
[3rd studio album from Ann Arbor, Michigan band, first active from 1967 to 1974, and later reformed in 2003. The Stooges were inducted into the Rock and Roll Hall of Fame in 2010. After their first two albums, The Stooges (1969) and Fun House (1970) were released to little commercial success, The Stooges were in disarray: they had officially broken up, bassist Dave Alexander was fighting alcoholism, and singer Iggy Pop’s heroin addiction was escalating prior to the intervention of David Bowie. Pop later recalled, “Very few people recognized the quality of the Stooges’ songwriting, it was really meticulous. And to his credit, the only person I’d ever known of in print to notice it, among my peers of professional musicians, was Bowie.” Pop relocated to London, having signed on as a solo artist to MainMan Management, who also handled Bowie. Pop said that Columbia executives insisted on two ballads “Gimme Danger” and “I Need Somebody”. The album was recorded in London’s CBS Studios, from Sept. 10 to Oct. 6, 1972. Pop produced and mixed the album by himself; unfortunately, his botched first attempt mixed most of the instruments into one stereo channel and the vocals into the other, with little regard for balance or tone quality. Tony DeFries, the head of MainMan, informed Pop that the album would be remixed by Bowie. Pop agreed to this, claiming that “the other choice was I wasn’t going to get my album out. I think DeFries told me that CBS refused to release it like that, I don’t know”, but insisted that his own mix for “Search and Destroy” be retained. Due to budgetary constraints, Bowie remixed 7 songs in one day in an inexpensive LA studio, Western Sound Recorders, in October 1972.]

10:25 – More with Michael McQuary

Michael McQuary is the creator of the award winning one-man shows in New York City: Matinee Idol, Man of 1001 Faces, and My Own Space, and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael recently appeared in the Mile Deep Films short film, “Corvalo.”

10:30 – Underwriting

8. Amy Farrand and The Like – “Scared To Death of Dying”
from: Apocalypse Meow 10 Compilation / Midwest Music Foundation / November 2, 2017
[Amy Farrand and The Like are Amy Farrand on lead vocals & guitar, Steve Tubbert on bass, Felix Dukes on drums, Kyle Dahlquist on keyboards & backing vocals, Stephan Jean-Francois on trumpet, and Katie Gilchrist on backing vocals. The band is currently in the studio working on an 11-song debut full length album recorded with Duane Trower at Weights and Measures Soundlab. They are getting ready to start a Kickstarter to help fund the recording. This new 34 track compilation of features Kansas City area bands, and their most recent recordings, along with a few tracks that representative the 10 years of Midwest Music Foundation and Apocalypse Meow. Brenton Cook of Haymaker Records put this new compilation together as he has done in previous MMF compilations. Apocalypse Meow is the annual benefit for Abby’s Fund, named for Abigail Henderson, who co-founded the not-for-profit organization Midwest Music Foundation. MMF unites and empowers the greater Kansas City music community by providing programs and resources to area musicians through outreach, support, education, and health care opportunities. ]

[Amy Farrand and The Like play The Brick, 1727 McGee St, KCMO, on Saturday, November 4, at 8:00 pm, with Grand Marquis, and Kelly Hunt.]

9. The MGDs – “Snakebite”
from: Somos Como Somos / The MGDs / November 4, 2017
[From the band’s new EP, their 3rd studio release. Matt Davis on drums, percussion & vocals, Greg Bush on bass, Damon Parker on keyboards & vocals, Scott “Snoof” Middleton on guitar, Rudy Vasquez on saxophones, and Eric Martens on trumpet. This Kansas City based 6-piece band that mixes piano and brass with a dynamic rhythm section that adds a unique flavor to the iconic Kansas City music culture, blending of funk and blues with soulful stylings. In what started as a 3-piece between longtime friends in 2008, the MGDs have evolved into a potent powerhouse, high-energy ensemble with regular monthly appearances at the Phoenix, and appearances at the Sunset Music Fest, the City Market Crawfish Fest, the 6th annual Phoenix Fest, Crossroads Music Fest, Middle of The Map Fest, Boulevardia, The Plaza Art Fair, Kauffman Stadium before two Kansas City Royals games. In 2016 the band released their 2nd studio LP, “Wake Up”.]

[The MGDs play The Phoenix, 302 West 8th St. KCMO, Friday, October 27, at 9:00 PM]

[The MGDs play an EP Release show, Saturday, November 4, at 9:00 pm, at The Black Dolphin]

10. Looming – “Leaves”
from: Seed / No Sleep Records / September 29, 2017
[Springfield, Illinois based band formed in 2013. The band consists of: Jessica Knight on bass & lead vocals, Brandon Carnes on drums & backing vocals, Mitch Baker on guitar & backing vocals, Nick Demarco on guitar, Cassie Staub on guitar & synthesizer. (Original member Jordan Fein left the band after their debut release.) “The band originally came together over a shared common vision and passion for songwriting. After years performing in various Springfield bands (Mother Leopard, Lovecow, Our Lady, Big Storm) the group fell into a natural groove with one another and became known for their unique emo-pop that’s led by the inimitable vocal stylings of Knight that pair perfectly with the band’s bright, airy sound.” “Three guitars work together to perform thick, overlapping lines that lead to satisfying breakdowns. Front-woman Jessica Knight’s curious, chewy singing style and a thumping rhythm section give Looming a potent edge above their peers. ” This album is a follow up to their debut full-length album, Nailbiter that came out in August 14, 2015.]

[Looming play The Rino 314 Armour Rd, North KC, Tuesday, October 31, with Vigil & Thieves, and Riala.]

10:44 – Interview with Michael McQuary

Michael McQuary on the October 25, 2017 edition of Wednesday MidDay Medley

Joining us as our special guest is actor of stage & screen, Michael McQuary, the creator of the award winning one-man shows in New York City: Matinee Idol, Man of 1001 Faces, and My Own Space, and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael recently appeared in the Mile Deep Films short film, “Corvalo.”

10:47

11. Arcade Fire – “Cold Wind”
from: Six Feet Under, Vol. 2: Everything Ends / Astralwerks / January 1, 2002
[Montreal, Quebec, based Arcade Fire released their 5th album Everything Now on July 28, 2017. Consisting of husband and wife Win Butler and Régine Chassagne, along with Win’s younger brother William Butler, Richard Reed Parry, Tim Kingsbury and Jeremy Gara, the band’s current touring line-up also includes former core member Sarah Neufeld, frequent collaborator Owen Pallett, two additional percussionists, Diol Edmond & Tiwill Duprate, and saxophonists Matt Bauder & Stuart Bogie. Founded in 2001 by friends and classmates Win Butler and Josh Deu, the band came to prominence in 2004 with the release of their critically acclaimed debut album Funeral. Their 2nd studio album, Neon Bible, won them the 2008 Meteor Music Award for Best International Album and the 2008 Juno Award for Alternative Album of the Year. Their 3rd studio album, The Suburbs, was released in 2010 to critical acclaim and commercial success. It was the 2011 Grammy for Album of the Year, the 2011 Juno Award for Album of the Year, and the 2011 Brit Award for Best International Album. In 2013, Arcade Fire released their 4th album, Reflektor. All four of their studio albums have received nominations for the Best Alternative Music Album Grammy. The band plays guitar, drums, bass guitar, piano, violin, viola, cello, double bass, xylophone, glockenspiel, keyboard, synthesizer, French horn, accordion, harp, mandolin, hurdy-gurdy, and the multi-instrumentalist band members switch duties throughout shows.]

[Arcade Fire play Silverstein Eye Centers Arena, 19100 E Valley View Pkwy, Independence, MO. Friday, October 27 at 7 PM, in the round.]

12. Season To Risk – “Scorched”
from: Season To Risk / Columbia – Red Decible / 1993
[Members present and past include: Founding member, Steve Tulipana on vocals, guitar, synthesizer (1989-present) Bands: Roman Numerals, Pornhuskers, Unknown Pleasures, Thee Water Moccasins; Founding member, Duane Trower on main guitar, voice, synthesizer, recording engineer, (1989-present) Bands: Overstep, Quitters Club, Weights and Measures; Billy Smith on bass, voice, guitar, synthesizer, (2000-present) Bands: Dirtnap, Olympic Size, Unknown Pleasures, Roman Numerals; David Silver on drums, synthesizer, oscillator, samples, (1994-present), Bands: Iron Rite Mangle, E.A.R.S.H.O.T., Antibodies; Wade Williamson on guitar, keyboard, (2000-present), Bands: Olympic Size, The Stella Link; Josh Newton on bass, voice, synthesizer, (1995- 1999), Bands: Shiner, Reggie and the Full Effect, Glazed Baby, Iron Rite Mangle, From Autumn To Ashes, ETID; Founding member, Paul Malinowski on bass, voice, recording engineer, (1989- 1995)Bands: Fire of 1666, Shiner, Big Sky Blue Earth; Jason Gerken on drums, (1994-studio) Bands: Molly McGuire, Kingdom of Snakes, Gunfighter; Tim Dow on drums, Recurring Member-live show: (1990,1992, 1994) Bands: Shiner, Year of the Rabbit, the Joy Circuit.Season To Risk is the luckiest band alive. Shortly after getting together at school in 1989, they won a ‘Battle of the Bands’ which brought them into the studio for the first time. The only copy of the resulting demo tape that was actually mailed out ended up at Red Decibel records in Minneapolis, MN, who as luck would have it, were starting to work in conjunction with Colombia records. Before they knew what hit them, the band was signed to Columbia records, recording more demos at Sony Studios in NYC, and then living in Chicago, IL to record their self-titled first album at Soundworks Studio. The band spent years constantly touring throughout North America; returning briefly to their hometown of Kansas City, MO for a few days or weeks, sometimes on the road 8 – 10 months out of the year. They lived at Bisi Studios, NYC for the Summer of 1994 recording their second album In a Perfect World. The music was a darker, more complex collection of songs, and the album was received with rave reviews from fans, and puzzled looks from the people at Colombia records. There was no place on the radio for music like this yet, and exactly what category in the music store was this CD supposed to be displayed in? By chance, someone at Sony was looking for a band to play during a scene in the film ‘Strange Days’ and within days, the band was in Hollywood, playing the song ‘Undone’ over and over again. For the next year, the band was in a different city every night, which led to total exhaustion by the end of a summer 1995 arena tour with Corrosion of Conformity and Monster Magnet, resulting in the cancellation of their European tour scheduled with CIV for the Winter of 1996. The band was dropped from Columbia Records. And bass player Paul Malinowski quit to join the KC band Shiner. The band quickly took on bass player Josh Newton and got busy writing music. Pooling their resources, they spent most of the next 2 years building Trainwreck Sound Studios in KC. As floors, walls and ceilings were built, new Season To Risk songs were written, members worked with their other bands, and recording started at Trainwreck, including work by Casket Lottery, The Farewell Bend, Dirtnap, Iron Rite Mangle, Gunfighter and the Pornhuskers. They built their dream studio from the ground up: a 15 x 20 control room, equipped with a 1974 24-channel Auditronics (quadrophonic!) console and a 2-inch tape machine, a 30 x 50 foot tracking room with antique oak floors, and a huge apartment/rehearsal studio upstairs on the second floor. In October 1998, shortly after the studio officially opened to the public, a sudden flash flood of the Missouri river totaled everything in the neighborhood in 15 minutes, destroying the building, their tour RV in the parking lot, their bank account and almost everything else. They’re lucky no one was killed. Luck never gives, it only lends. And the river takes. And then Josh Newton was also lost to Shiner. Fortunately, the 3rd album was finished prior to the flood, and the band was able to wade through the five-foot deep, freezing, flood waters in total darkness out of the building to safety. Unfortunately, they discovered that the album Men Are Monkeys, Robots Win (Thick Records) was printed ‘out-of-phase’, making the songs sound hollowed-out. The label never re-released the printed CD, but the corrected mix is available on iTunes. Legendary punk rock drummer/producer Bill Stevenson (Black Flag, Decendents) has always been a friend to Season To Risk, and has brought the band on tour with ALL several times. This led to the recording of the album The Shattering in 2000 with Jason Livermore and Bill Stevenson at the Blasting Room in Ft. Collins, CO, and its release on Owned & Operated records in 2001. The addition of the third and final bass player of S2R, Billy Smith of the band Dirtnap, brought the band full circle. The Shattering album is more diverse than ever, fusing elements from all of the band’s previous work and some new experimentation into twelve heavy, melodic songs. Several tours followed after The Shattering CD release, and the band spent a few years resting, recouping, and regrouping – working on many other projects, musical and otherwise.]

[Season to Risk play The Uptown Theatre, Fri, Nov 3, 8:00 PM, with Descendents, and Less Than Jake.]

13. Ministry – “I Prefer”
from: The Land of Rape and Honey / Sire-Warner Bros. / October 11, 1988
[3rd studio album from the band founded in 1981 by Al Jourgensen in Chicago, Illinois. The band has recorded 16 studio albums to date. Originally a new wave synthpop outfit, Ministry changed its style to become one of the pioneers of industrial metal in the mid-1980s. The band’s lineup changed consistently throughout the band’s history, with Jourgensen remaining the only constant as the band’s main producer, singer, songwriter, and instrumentalist. Ministry found mainstream success in the late 1980s and early 1990s with the albums The Land of Rape and Honey (1988), The Mind Is a Terrible Thing to Taste (1989) and Psalm 69: The Way to Succeed and the Way to Suck Eggs (1992), with the former of the two certified gold and the latter certified platinum by the RIAA. The band has been nominated for six Grammy Awards, and performed at several notable music festivals, including participating in the second annual Lollapalooza tour in 1992 and co-headlining Big Day Out in 1995. Ministry broke up in 2008 after 27 years of recording and performing, and Jourgensen had since stated that they would never reunite. However, the band announced a reunion in August 2011, and has released two more studio albums since then: Relapse (2012) and From Beer to Eternity (2013). Their next studio album (and first in five years), titled AmeriKKKant, is expected for release in early 2018.]

[Ministry plays The Uptown Theatre, Friday, October 27, at 8:00 pm with Death Grips]

11:00 – Station ID

11:00 – Interview with Kristopher Bruders & Mark Smeltzer / Freight Train Rabbit Killer

Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer). Described as “Apocalyptic Roots” or “Doom Blues” their intense and riveting live shows are accompanied by suits and masks. Freight Train Rabbit Killer have teamed with Haymaker Records to release a 7 inch vinyl series called “Wake Snake Death Dance”. Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Genessee Street. Freight Train Rabbit Killer also play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. A benefit for MMF. More info at: http://www.freighttrainrabbitkillerband.com

11:05

14. Freight Train Rabbit Killer – “Maybe It’s You” [B-Side]
from: Maybe It’s You – 7″ Vinyl Single / Haymaker Records / October 28, 2017
[Volume 1 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Kristopher Bruders. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

11:10 – Interview with Kristopher Bruders & Mark Smeltzer / Freight Train Rabbit Killer

Many Kansas City music fans know Kristopher Bruders for his great work with band, Cadillac Flambé with vocalist and keyboardist, Havilah Bruders, who is also married to Kris.

Mark Smeltzer is a principle musician of Rural Grit and the Rural Grit Happy Hour Mondays at The Brick, one of Kansas City longest running weekly live musical shows. Mark has also been part of bands: Columbo, Trouble In Mind, E.I.O., and Dually Jukes.

11:14

15. Freight Train Rabbit Killer – “Old Man of the Mountain” [A-Side]
from: Old Man of the Mountain – 7″ Vinyl Single / Haymaker Records / October 28, 2017
[Volume 1 of a 4-part 7″ vinyl release called, Wake Snake Death Dance.This song was written by Mark Smeltzer. Recorded, mixed and mastered at Organica Studios with Andrew Crowley who also played keyboards. Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer).]

Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Genessee Street.

Freight Train Rabbit Killer play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. This is a benefit for Midwest Music Foundation.

More info at: http://www.freighttrainrabbitkillerband.com

11:28 – Underwriting

11:30 – Interview with Calvin Arsenia

Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and this year his full length debut, Catastrophe. He has played Folk Alliance International, Kansas City Fringe Fest, The Nelson Atkins Museum of Art, The Kauffman Center For The Performing Arts, The Middle of the Map Fest., The Folly Theatre. Calvin has just returned home from a three month US/European Outlyre Tour where he has played San Francisco, Portland, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, Lyon and Paris.

Calvin Arsenia played over 40 shows on tour.

Calvin is working to release new music from Calvin’s June 11th, Live Recording at Kansas City’s newly restored Greenwood Social Hall, at 1750 Bellevue Ave. in KC.

11:35

16. Calvin Arsenia – “Back To You” (LIVE)
New song by Calvin Arsenia / Calvin Arsenia on vocals & harp, Simon Huntley on percussion

Simon Huntley & Calvin Arsenia on the October 25, 2017 edition of Wednesday MidDay Medley

Calvin Arsenia plays Apocalypse Meow 10, Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. Apocalypse Meow is a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

11:48

17. Calvin Arsenia – “Poseidon” (LIVE)
New song by Calvin Arsenia / Calvin Arsenia on vocals & harp, Simon Huntley on percussion

11:56

18. Regina Spektor – “On The Radio (Live In London)”
from: Live In London / Sire Records / November 19, 2010
[The first live album by Russian-American musician and songwriter, Regina Spektor, recorded at the Hammersmith Apollo Theatre, in London, during her Far Tour. Regina Spektor was born February 18, 1980, in Moscow (former Soviet Union, now Russia), and began classical training on the piano at the age of six. When she was nine years old, her family left the Soviet Union in 1989, during the period of Perestroika, when Soviet citizens were permitted to emigrate. Regina had to leave her piano behind. The seriousness of her piano studies led her parents to consider not leaving the Soviet Union, but they finally decided to emigrate, due to the racial, ethnic, and political discrimination that Jews faced. Traveling first to Austria and then Italy, the Spektor family was admitted to the United States as refugees with the assistance of HIAS (the Hebrew Immigrant Aid Society). They settled in the Bronx, where Spektor graduated from the SAR Academy, a Jewish day middle school in the Riverdale section of the Bronx. Since the family had been unable to bring their piano from Moscow, Spektor practiced on tabletops and other hard surfaces until she found a piano on which to play in the basement of her synagogue. She began to write original songs shortly thereafter. Spektor gradually achieved recognition through performances in the anti-folk scene in downtown New York City, most prominently at the East Village’s SideWalk Cafe. She also performed at local colleges (such as Sarah Lawrence College) with other musicians, including the Trachtenburg Family Slideshow Players. She sold self-published CDs at her performances during this period: 11:11 (2001) and Songs (2002). After self-releasing her first three records and gaining popularity in New York City’s anti-folk scene, Spektor signed with Sire Records in 2004 and began achieving greater mainstream recognition. After giving her third album, Soviet Kitsch a major label re-release, Sire released her fourth album, Begin to Hope, which would go on to achieve a Gold certification by the RIAA. Her following two albums, Far and What We Saw from the Cheap Seats, each debuted at number 3 on the Billboard 200. Spektor married singer-songwriter Jack Dishel in 2011. Formerly a guitarist with the band the Moldy Peaches, Dishel is a member of the band Only Son and duets with Spektor in the song “Call Them Brothers”. On January 23, 2014, Spektor announced her pregnancy on Facebook. The couple announced the birth of a son in March 2014.]

[Regina Spektor plays A Special Solo Performance, Sun, Oct.28, at 8:00 PM, at The Uptown Theatre]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, November 1, November 1, Rebecca Liberty joins us with a young friend from Italy, who she has been hosting for the last month, helping him explore and experience the KC music scene as a participating musician and student. Both will join us to share about his time here in Kansas City. Also next week Andrew Foshee joins us to share music from his new record, STRANGE RELATIONS, recorded in Nashville at The Bomb Shelter with producer and engineer Andrija Tokic, who has worked with, Alabama Shakes, and Hurray for the Riff Raff. Also next week, Sondra Freeman of Midwest Music Foundation and musician Nathan Corsi, join us to talk about Apocalypse Meow 10. Apocalypse Meow 10, a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. and continuing on Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Calvin Arsenia, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #705

Wednesday MidDay Medley presents Michael McQuary + Freight Train Rabbit Killer + Calvin Arsenia

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 25, 2017

New & Scary Cool Songs + Michael McQuary
+ Freight Train Rabbit Killer + Calvin Arsenia

Anticipating the Halloween weekend, we play New & Scary Cool Songs from: The MGDs, Amy Farrand and The Like, Freight Train Rabbit Killer, Jametatone, Season To Risk, Looming, Arcade Fire, The Brian Jonestown Massacre, Ministry, Iggy & The Stooges, David Bowie, Laurie Anderson, and Regina Spektor.

Michael McQuary

Michael McQuary and his Classic Monsters of Filmland joins us as our special guest. Michael will share his interpretations of Béla Lugosi, Boris Karloff, Lon Chaney, Dr. Fu Manchu, Bette Davis and more. Michael is the creator of the award winning one-man shows in New York City including: Matinee Idol, Man of 1001 Faces, My Own Space and most recently, for the KC Fringe Festival “I’m Hollywood.” Michael McQuary is also a visual artist of personal portraits and life captures and he creates personal art works of metal. Michael is seen in multiple films, in promotional shorts for the OM Film Festival, and recently in the Mile Deep Films short film, “Corvalo.” More info at: YourPowerSign.com

At 11:00 we talk with Freight Train Rabbit Killer, a musical duet made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer). Described as “Apocalyptic Roots” or “Doom Blues” their intense and riveting live shows are accompanied by suits and masks. Freight Train Rabbit Killer have teamed with Haymaker Records to release a 7 inch vinyl series called “Wake Snake Death Dance”. Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. 1600 Geneses Street. Freight Train Rabbit Killer play Socialheart Rockin’ Halloween, Sunday, October 29, at 7:00 pm at recordBar, 1520 Grand, with The Haunted Creepys, Loaded Goat, and Thunderclaps. More info at: http://www.freighttrainrabbitkillerband.com

Calvin Arsenia (Photo by Jenny Wheat)

At 11:30 Calvin Arsenia joins us to play live in our 90.1 FM Studios, fresh from his 3 month US/European “Outlyre Tour” playing Portland, San Francisco, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, and Paris. Calvin Arsenia plays Apocalypse Meow 10, Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield. For more info: http://www.midwestmusicfoundation.org/apocalypsemeow or http://www.calvinarsenia.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #705

WMM Playlist from October 18, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 18, 2017

More New & MidCoastal Releases
+ Tyson Schroeder + Teri Quinn w/ Molly McLaughlin & Joe Donley
+ Julia Haile, Peregrine Honig & Ross Redmon

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
[WMM’s theme]

2. St. Vincent – “Masseduction”
from: MASSEDUCTION / Loma Vista Recordings – Concord Music Group / October 13, 2017
[5th studio album from St. Vincent is Anne Erin “Annie” Clark was born September 28, 1982. Masseduction has been described as the “culmination of years of writing, with songs crafted from voice memos, text messages, and snippets of melodies that came to Clark while traveling the globe.” Clark has stated that the album focuses on themes of power, sex, drugs, sadness, imperiled relationships and death. In a press release, she stated: “every record I make has an archetype. Strange Mercy was Housewives on Pills. St. Vincent was Near-Future Cult Leader. Masseduction is different, it’s pretty first person. You can’t fact-check it, but if you want to know about my life, listen to this record. Annie Clark was born in Tulsa, Oklahoma. Her mother is a social worker turned administrator for a non-profit organization and her stepfather works in the tax business. Clark’s parents divorced when she was three years old, and she moved to Dallas, Texas when she was seven years old with her mother and two older sisters. Her father lives in Tulsa. Clark was raised Roman Catholic and Unitarian Universalist. From her parents’ blended families, Clark has eight siblings: four brothers and four sisters. She began playing the guitar at the age of 12 and, as a teenager, worked as a roadie for her uncle and aunt, Tuck Andress and Patti Cathcart, of the guitar-vocal jazz duo Tuck & Patti. After studying at Berklee College of Music for three years, she began her music career as a member of the Polyphonic Spree. Clark was also a member of Sufjan Stevens’s touring band before forming her own band in 2006. St. Vincent’s work has received consistent praise for its distinct musical style, which blends soft rock, experimental rock, electropop, and jazz influences. Her debut album was Marry Me (2007), followed by Actor (2009) and Strange Mercy (2011). She released a collaborative album with David Byrne in 2012 titled Love This Giant. Clark also contributed backing vocals for Swans on their 2014 album, To Be Kind. Her fourth solo album, self-titled St. Vincent, was released on February 25, 2014 and was named album of the year by The Guardian, Entertainment Weekly, NME, and Slant Magazine, as well as second best album of the year by Time magazine. The album won her a Grammy for Best Alternative Album, her first Grammy award. She was the first solo female performer in 20 years to win a Grammy in that category.]

[St. Vincent plays The Uptown Theatre, Sunday, November 19, at 8:00 PM.]

3. Claire Adams – “Boom”
from: Boom – Single / Claire Adams / June 2, 2017
[1st single from upcoming 5-song EP, Waiting for The Winds to Change, to be released, October 22, featuring new recordings of original songs by Claire Adams, with Claire Adams on vocals, guitar, & bass; Katy Guillen on guitar & harmony vocals; Lennon Bone on drums. Recorded, mixed & mastered by Duane Trower at Weights + Measures Soundlab, Kansas City, MO. More info at: http://www.claireadamsmusic.com]

[Katy Guillen & the Girls play the Crossroads Beer Fest, Saturday, October 21, at CrossroadsKC with Gekko, Flannigan`s Right Hook and Dolewite.]

4. Beck – “Dear Life”
from: Colors / Fonograf – Capitol / October 13, 2017
[13th studio album from Beck Hansen, born July 8, 1970. Colors was recorded at co-executive producer Greg Kurstin’s LA studio, with Beck & Kurstin playing nearly every instrument themselves. Beck rose to fame in the early 1990s with his sonically experimental and lo-fi style, and became known for creating musical collages of wide genre styles. Today, he musically encompasses folk, funk, soul, hip hop, electronic, alternative rock, country, and psychedelia. He has released 13 studio albums (3 of which were independently released), as well as several non-album singles and a book of sheet music.]

[At the height of his “Loser” fame, on April 13, 1994, Beck played Kansas City’s Rhumba Box 1012 McGee. The Rhumba Box lasted from the summer of 1993 to the spring of 1994. Prior to The Rhumba Box, 1012 Megee was home to Human Observation Lab. In 1987 a group of UMKC students called Stimulus and Response took over the defunct gay bath house, Club Bath, at 1012 McGee and opened The Human Observation Lab. At night, this downtown neighborhood was basically deserted except for the old bus station, a few dive bars, and street prostitution. The Lab’s proprietors rehabbed the building into a two story live/work space that evolved into a legendary live performance venue. Gorilla Theatre, Eyes Wide Open, Mongol Beach Party, The Cocktails, and DJ Ray Velasquez are just a few of the off-the-wall performers that evolved out of this underground venue.]

10:14 – Underwriting

10:16 – Interview with Tyson Schroeder

Tyson Schroeder

Kansas City based Tyson Schroeder is an illustrator and fine artist. Over the last 20 years he has created images for bands, galleries, theatre companies, book illusgtrations and covers, periodicals, and Zim’s Sauces. He has had works included in group and solo shows in Kansas City, Boston, Salem, Portland, Houston and Nashville. His work has been included in two museum shows about band posters, and he has created posters for some of his favorite bands, The Dresden Dolls, Unsane, Fiona Apple, and Season to Risk. Tyson He is also a musician, who plays in the bands Abandoned Bells, and Medicine Theory. Tyson has worked with puppets, sculpture, and improv performance, spoken word, and theatre as an actor, designer, and playwright. Tyson Schroeder joins us to talk about his new play, “Bastard” currently running through October 29 at the Living Room Theatre, 1818 McGee. BASTARD explores the challenges, sacrifices, and inevitable consequences of the choices made by an artist and his family. Struggles both external and existential define this impactful and fascinating semi-autobiographical new work by Tyson Schroeder. Directed by Shawnna Journagan, with: Matt Leonard, Vanessa Davis, Daria LeGrand, and Rusty Sneary. More info at http://www.thelivingroomkc.com

Tyson Schroeder, thanks for being with us on Wednesday MidDay Medley

As an illustrator and fine artist working Tyson works in a wide range of media. From pen and ink to watercolor; hand cut prints to oils and sometimes even a bit of digital collage and editing.

Tyson focuses on painting and existential, surreal renderings of the human condition. He also applies this approach to music, writing, puppets, sculpture, and improv performance.

His editorial illustrations have appeared in The Pitch, and The Boston Globe.

There are numerous books that contain Tyson’s illustrations.

Bastard, was 7 years in the making. On Monday, February 20, 2017, Writer’s Den series at The Living Room Theatre held a special staged reading of Bastard. Earlier versions of the play were presented at Staged readings at The Fishtank.

Directed by Shawnna Journagan, with: Matt Leonard, Vanessa Davis, Daria LeGrand, and Rusty Sneary.

Tyson Schroeder’s new play, “Bastard” is currently running through October 29 at the Living Room Theatre, 1818 McGee. More info at http://www.thelivingroomkc.com

10:30

5. Abandoned Bells – “Lost Children”
from: Lost Children – Single / Independent / December 1, 2016
[Recorded at Weights and Measures. KCMO. Engineered, mixed, and mastered by Duane Trower. Krystof Nemeth on guitar, Teri Ann Quinn on vocals & banjo, Tyson Schroeder on drums.]

10:34 – Interview with Teri Ann Quinn, with Molly McLaughlin & Joe Donley

Tyson Schroeder, Teri Quinn, Molly McLaughlin, and Joe Donley on the Oct. 18, 2017 edition of WMM.

Kansas City based singer/songwriter and multi-instrumentalist Teri Quinn is originally from Grand Rapids, Michigan. Teri moved to Kansas City in 2009 to study Clarinet Performance and Music Composition at the University Of Missouri Kansas City’s Conservatory of Music where she graduated in 2013. We first met Teri playing clarinet and guitar for Claire and the Crowded Stage. Teri is also a jewelry designer and her business is calle Rattlebone Design. Teri calls herself, “A Northern girl with a Southern heart living in the Mid-West.” Teri has also contributed experimental compositions for The Black House Collective, and last year Teri Quinn released her debut EP, Moons and Meltdowns, and is a member of the Kanssa City band, Abandoned Bells with Krysztof Nemeth and Tyson Schroeder. Teri Ann Quinn is getting ready to go out on the road, and she plays The Rino, 314 Armour Rd, North Kansas City, Thursday, October 19 at 7:30 PM with Duncan Hill, and Aaron James. More information at http://www.teriquinn.com

Teri Quinn, thank you for being with us on Wednesday MidDay Medley.

Teri brought along musician friends:

Molly McLaughlin, a flute player, teacher, composer, and multi instrumentalist. She studied music at CAL Arts, and at the University of Hartford – Hartt School. She is originally from Holden, Massachusetts. Earlier this year she released her first album, A Beautiful Dying, that “explores the exquisite and inseverable dance of death and life,” is available at her website: http://www.mollymclaughlin.com

Joe Donley is a professional bassist. He currently is studing at the UMKC Conservatory of Music, and before that he was in college at Vanderbilt University, in Nashville, Tennessee. Joe is originally from Olathe, Kansas, and he has played bass with many area musicians including Calvin Arsenia. More info at: http://www.joedonleybassist.com

Teri Ann Quinn is getting ready to go out on the road, and she plays The Rino, 314 Armour Rd, North Kansas City, Thursday, Oct 19 at 7:30 PM with Duncan Hill, and Aaron James.

10:39

6. Teri Quinn – “Another Drink” (Live)
Teri Quinn on vocals & banjo, Molly McLaughlin on harmony vocals & bodhran, Joe Donley on stand up bass. Written by Teri Quinn.

Teri Ann Quinn is getting ready to go out on the road, she will be traveling to Montgomery, Athens, Atlanta, Ashville, Fort Wayne, Chicago, Minneapolis, and more.

10:50

7. Teri Quinn – “Reflecting” (Live)
Teri Quinn on vocals & banjo, Molly McLaughlin on flute, Joe Donley on stand up bass. Written by Teri Quinn.

10:56

8. Teri Quinn – “Hold Your Cards Close” (Live)
Teri Quinn on vocals & banjo, Molly McLaughlin on harmony vocals & bodhran, Joe Donley on stand up bass. Written by Teri Quinn.

Teri Quinn, Molly McLaughlin, Joe Donley, thank you for being with us on WMM.

Teri Ann Quinn plays The Rino, 314 Armour Rd, North Kansas City, Thursday, October 19 at 7:30 PM with Duncan Hill, and Aaron James. More info at: http://www.teriquinn.com

11:00 – Station ID

9. Hi-Lux – “Take Me Where You Are”
from: Take Me Where You Are – Single / Hi-Lux / August 15, 2017
[HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in Kansas City. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. This is their 3rd single release of this year. More information at: http://www.hi-lux.bandcamp.com]

11:04 – Interview with Julia Haile, Peregrine Honig, & Ross Redmon

Ross Redmon, Peregrine Honig, and Julia Haile on the October 18, 2017 edition of Wednesday MidDay Medley.

Kansas City based vocalist Julia Haile is a member of the band Hi-Lux. She has also performed and released music with bands The Buhs, and The Good Foot. This summer Julia Haile collaborated with Barclay Martin at KKFI Collaborations Live!, at The Folly Theatre. With her bands she has played in almost every venue in Kansas City, and she joins us to talk about her Live Solo Show, Julia Haile at Greenwood Social Hall, 1750 Belleview, KCMO on Friday, October 20, 6:30 to 8:30 pm with musicians: Ryan J. Lee, Ben Leifer & Peter Schlamb.

Also joining us is artist, Peregrine Honig who was born in San Francisco, and moved to Kansas City, at 17 to attend the Kansas City Art Institute. At age 22, Honig was the youngest living artist to have work acquired by the Whitney Museum of Art’s permanent collection. Peregrine appeared on season one of Bravo’s artist reality television show, Work of Art: The Next Great Artist, which aired in the summer of 2010. She owns a lingerie and swimwear boutique, Birdies, which opened in 2003, in the Crossroads, just down the sidewalk from YJ’s. Since March, Peregrine has been managing the Greenwood Social Hall, where she also lives. Originally the Greenwood Baptist Church. Peregrine earlier this year presented Calvin Arsenia in a live solo show, as well as concerts from Tango Lorca, plays from The Fishtank and Heidi Van, and other events.

Also joining us is Ross Redmon, a Kansas City based artist, originally from Greer, South Carolina after completing his studies on a full scholarship from the Kansas City Art Institute in 2015, he received a bachelors of Fine Arts with a double major in Ceramics and Art History. He has attended residencies, and worked as an artist in Denmark and Hungary. Ross Redmon’s new exhibition, “Ross Redmon: Passenger Migration,” opens Thursday, October 19 through November 30, at Greenwood Social Hall.

Julia Haile, Peregrine Honig, and Ross Redmon, thanks for being with us on WMM.

Julia has worked as a musician and vocalist in some of Kansas City’s favorite bands including The Good Foot, and The Buhs. She is also a member of Hi-Lux and this year Hi-Lux has released three original singles, compostions demonstrating the range of the band elements of soul, reggae and funk. Julia talked about the transition of moving from singing cover songs, from other bands and artists, and making them your own, and the new original music from Hi-Lux and the process of releasing these new tracks.

Greenwood Social Hall, 1750 Belleview, KCMO, is a gently renovated building in the Westside neighborhood, established in 1927. It is a private space dedicated to small public projects. It’s also Peregrine’s home.

More info about Ross Redmon’s new exhibition, “Ross Redmon: Passenger Migration,” is available at: http://rossredmon.squarespace.com/resume/

This is the first recorded solo concert for Julia Haile. Ticket includes album download.

Tickets available at http://www.eventbrite.com
https://www.eventbrite.com/e/julia-haile-tickets-38203553858?aff=eac2

Julia Haile at Greenwood Social Hall, is this Friday, October 20, 6:30 to 8:30 pm with musicians: Ryan J. Lee, Ben Leifer & Peter Schlamb, at 1750 Belleview, KCMO.

Ross Redmon’s new exhibition, “Ross Redmon: Passenger Migration,” opens Thursday, October 19 through November 30, at Greenwood Social Hall.

More info at: http://www.facebook.com/thegreenwoodsocialhall

11:27

10. Hi-Lux – “Don’t Blame Me”
from: Don’t Blame Me- Single / Hi-Lux / June 16, 2017
[HI-LÜX is Julia Haile on vocals, Nick Howell on keyboards & organ, Kian Byrne on drums and vocals, Pete Leibert on bass, Tim Braun on guitar. Hi-Lux is based in Kansas City. The band brings together elements of soul, reggae and funk for a unique and dance inspiring sound. More info at: http://www.hi-lux.bandcamp.com]

11:30 – Underwriting

11. Sound of Ceres – “Humaniora”
from: The Twin / Joyful Noise Recordings – Sound of Ceres / October 6, 2017
[Brooklyn based band made up of members of Candy Claws, Apples in Stereo, and the Drums, with: Karen Hover, Ryan Hover, Jacob Graham, Ben Phelan, and Derrick Bozich. Their live shows are an An audio / visual experience with sounds ranging from 1960’s exotica to majestic, synthesizer adorned, future horizons. Visual depictions of the greater cosmos utilizing lasers, fiber optics and other hand made mechanisms.]

[Sound of Ceres play recordBar, Monday, October 23, at 8:00 PM with Plume Varia.]

12. Making Movies – “One and the Same”
from: I Am Another You / Making Movies / May 26, 2017
[3rd full length release: from Kansas City based 4-piece band and made up of two sets of brothers: Enrique Chi on guitar and lead vocals; Diego Chi on bass & vocals; Juan-Carlos Chaurand on percussion & keyboards; and Andres Chaurand on drums. The band draws their influences from the origins of their families: Santiago, Panama, and Kansas City, Missouri, and Guadalajara, Mexico. Thia album was produced by multiple Grammy Winner Steve Berlin of Los Lobos, and features guest appearances from Asdru Sierra of Ozomatli, Alaina Moore of Tennis and Alynda Segarra of Hurray for the Riff Raff. The self-released album peaked at #3 on the Latin Billboard charts and #8 on the World Music Charts.]

[Making Movies plays CrossroadsKC, Sunday, October 22, at 7:00 PM with Los Angeles Azules.]

13. Krystle Warren – “Thanks and Praise”
from: Three the Hard Way / Parlour Door Music / August 18, 2017
[Produced by Krystle Warren and Ben Kane (D’Angelo, Emily King, PJ Morton). Recorded, engineered, and mixed by Ben Kane. Written & performed by Krystle Warre. Mixed at The Garden, Brooklyn. Mastered & cut by Alex DeTurk at Masterdisk. Last year in Krystle Warren premiered this song and her other new songs from this album at the Middle of the Map Fest in a packed room at Californos in Westport and later at The Polsky Theatre for the Performing Arts Series of Johnsons County Community College. For this record Krystle decided to play every instrument and vocals & back up vocals, “playing bass, drums, lap steel, piano, guitar, and vocals directly to analog tape. She and Ben Kane recorded in Villetaneuse, France, a small town on the outskirts of Paris in a vintage 70s era studio that offered just the right, rich sound to suggest the musical foundation for the record, and to do justice to the duo’s carefully balanced arrangements.” On the radio show last year Krystle shared inspirations for this record, early gospel recordings, that crossed over into Jazz from Pharoah Sanders, Edwin Hawkins, and The Swan Silvertones. Originally from KC, Krystle learned to play the guitar by listening to Rubber Soul & Revolver from The Beatles. Krystle graduated from Paseo Arts Academy in 2001 and began her musical career in collaborating with area jazz and pop musicians. After living in San Francisco and NYC, Krystle was signed to a French label, Because Music, and moved to Paris to release “Circles” in 2009. Krystle played French and British television programs, including Later with Jools Holland, garnering critical acclaim and traveling all over the world with Rufus Wainwright, Nick Cave, Norah Jones, and Joan As Police Woman. Krystle created, Parlour Door Music, to release “Love Songs: A Time You May Embrace” a recording from a 13-day session in Brooklyn, where she recorded 24 songs live with 28 musicians including her band, The Faculty, alongside choirs, horn and string sections.]

14. Olympic Size – “Sunshine”
from: Sunshine – Single track / Olympic Size / (Unreleased) 2017
[A track from the band’s soon to be released Soon to be released EP. Recorded by David Moore at Merriam Shores Studio. Mixed By David Gaumè. Band Members include William Smith, Wade Williamson, Kirsten Paludan, Christopher Tolle, and Mike Walker.]

[Olympic Size play recordBar, 1520 Grand, on Saturday, October 21, at 9:00 pm, with Roman Numerals, Olympic Size, Mazinaw, and DJ Just.]

15. The B-52’s – “Hero Worship”
from: The B-52’s / Warner Bros. / July 6, 1979
[The B-52s were formed in Athens, Georgia, in 1976. The original line-up consisted of Fred Schneider (vocals), Kate Pierson (vocals, keyboards), Cindy Wilson (vocals, percussion), Ricky Wilson (lead guitar), and Keith Strickland (drums, rhythm guitar, keyboards). After Ricky Wilson’s death from AIDS in 1985, Strickland switched from drums to lead guitar. The band also added touring members for albums and live performances. The band is best known for their 1978 debut single “Rock Lobster”, and their pair of 1989 hits; “Love Shack” and “Roam”. Rooted in new wave and 1960s rock and roll, the group later straddled many genres, ranging from post-punk to pop rock. The “guy vs. gals” vocals of Schneider, Pierson, and Wilson, sometimes used in call and response style, and their unique guitar and keyboard driven instrumentation compose their trademark sound. The B-52’s were formed when vocalist Cindy Wilson, her older brother and guitarist Ricky, keyboardist and vocalist Kate Pierson, original drummer and percussionist Keith Strickland and cowbell player, poet and lead vocalist Fred Schneider held an impromptu jam session after sharing a tropical Flaming volcano drink at a Chinese restaurant in Athens, Georgia. Other ideas they had to name their band were the “Tina-Trons” and “Fellini’s Children.” When they first jammed, Strickland played guitar and Ricky Wilson played congas. They later played their first concert (with Wilson playing guitar) in 1977 at a Valentine’s Day party for their friends.]

[The B-52s play The Uptown Theatre, Sunday, October 22.]

11:56

16. Schwervon! – “Blood Eagle”
from: “Blood Eagle” b/w “Wrath” – Single / Broker’s Tip / September 23, 2017
[Schwervon! is a two piece rock band. Nan plays drums and Matt plays guitar and they both sing. They lived in NYC for 15 years and relocated to Kansas City several years ago. The duo makes annual US and European tours. On tour they’ve opened for The Vaselines and Belle & Sebastian.]

[Schwervon! play a 7″ Release Show, Friday, Oct 20, 10 PM, The Brick, 1727 McGee with Emmaline Twist.]

17. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, October 25, we’ll play New Music and Scary Songs, plus we’ll welcome Michael McQuary and his Classic Monsters of Film Land. At 11:00 we talk with Freight Train Rabbit Killer, a duo made up of Kristopher Bruders (Freight Train) and Mark Smeltzer (Rabbit Killer). Freight Train Rabbit Killer have teamed with Haymaker Records to release a 7 inch series called “Wake Snake Death Dance,” It will also include riddles, codes, clues, and maps that will lead someone to a trove of artifacts. Freight Train Rabbit Killer play a Vinyl Release & Costume Party, on October 28, at 8:00 pm, at Stockyards Brewing Co. Also joining us next week is our friend Calvin Arsenia, who has just returned back to KC from a 3-month US and European tour.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #704

Wednesday MidDay Medley presents: Tyson Schroeder, Teri Ann Quinn, Julia Haile, Peregrine Honig, & Ross Redmon

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 18, 2017

More New & MidCoastal Releases
+ Tyson Schroeder + Teri Ann Quinn
+ Julia Haile, Peregrine Honig & Ross Redmon

Mark plays more New & MidCoastal Releases from: Claire Adams, Abandoned Bells, Olympic Size, Hi-Lux, Krystle Warren, Making Movies, Sound of Ceres, St. Vincent, L7, Beck, and The B-52’s.

Tyson Schroeder

At 10:15 artist and playwright Tyson Schroeder joins us to talk about his new play, “Bastard” currently running through October 29 at the Living Room Theatre, 1818 McGee. BASTARD explores the challenges, sacrifices, and inevitable consequences of the choices made by an artist and his family. Struggles both external and existential define this impactful and fascinating semi-autobiographical new work by writer, musician, and illustrator Tyson Schroeder. Directed by Shawnna Journagan, with: Matt Leonard, Vanessa Davis, Daria LeGrand, and Rusty Sneary. More info at http://www.thelivingroomkc.com

Teri Ann Quinn

At 10:30 Mark talks with Kansas City based multi-instrumentalist and songwriter, Teri Ann Quinn who will play live in our 90.1 FM Studios. Teri Ann Quinn also plays in the band Abandoned Bells with Krysztof Nemeth and Tyson Schroeder. Teri Ann Quinn plays The Rino, 314 Armour Rd, North Kansas City, Thursday, October 19 at 7:30 PM with Duncan Hill, and Aaron James.

Julia Haile

11:00 KC vocalist Julia Haile joins us to talk about her Live Solo Show, Julia Haile at Greenwood Social Hall, 1750 Belleview, KCMO on Friday, October 20, 6:30 to 8:30 pm with musicians: Ryan J. Lee, Ben Leifer & Peter Schlamb. Julia Haile is a member of Hi-Lux. She has also performed with The Buhs, and The Good Foot. Also joining us is artist, Peregrine Honig, who since March 2017 has been managing the Greenwood Social Hall, where she also lives. Originally the Greenwood Baptist Church, The hall is a private space dedicated to small public projects. Joining Peregrine, is artist Ross Redmon who’s new exhibition, “Ross Redmon: Passenger Migration,” (a large installation of porcelain migratory birds), opens Thursday, October 19 through November 30, at Greenwood Social Hall. More info at: http://www.facebook.com/thegreenwoodsocialhall

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #704

WMM Playlist from October 11, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 11, 2017

Betse Ellis + Marion Merritt
+ Kathryn Golden of PorchFest KC
+ Kent Shelton of the Arvest Bank Theatre at the Midlan
d

1. “Main Title Instrumental
from: Original Motion Picture Soundtrack to All That Jazz / 1980
[WMM’s theme song]

2. Momma’s Boy – “Don’t Talk About It”
from: Don’t Talk About It – Single / Dead Summer Single Series / Sept. 1, 2017
[1st release of Momma’s Boys’ Dead Summer Single Series. Lyrics written by Shaun Crowley & Quinn Hernandez. Produced, mixed, & mastered at Element Recording by Joel Nanos. KC Indie Surf Pop band, formed Dec 2015, by Peter Beatty on guitar & vocals, Shaun Crowley on guitar & vocals, Quinn Hernandez on drums, and Anthony Hernandez on bass. Their debut EP Liquid Courage was released Feb. 25, 2017.]

[Momma’s Boy play Californos in Westport, Friday, Oct 13 at 9:00 PM with Toughies and Hurt Russell]

3. Calvin Arsenia – “Can’t Help Lovin That Man”
from: Live at Greenwood Social Hall / Calvin Arsenia / Unreleased, 2017
[From Calvin’s June 11, 2017 live performance at Greenwood Social Hall, 1760 Bellevue. Since 2014 we have been celebrating the music of Calvin Arsenia who came home to KC after living in Edinburgh, Scotland, and has released his EPs, Moments, Prose, and his full length debut, Catastrophe. He has played Folk Alliance International, KC Fringe Fest, Nelson Atkins Museum of Art, Kauffman Center For The Performing Arts, Middle of the Map Fest., The Folly Theatre. Calvin just finished his 3 month Outlyre Tour playing Portland, San Francisco, Vancouver, NYC, Boston, Edinburgh, Sweden, Denmark, Holland, Switzerland, and Paris.]

[Calvin Arsenia plays Apocalypse Meow 10, Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. Apocalypse Meow is a three-day-event starting Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more information you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

10:08 – Pledge Break #1

Betse Ellis is originally from Fayetteville, Arkansas. She received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. She has been playing the Violin for over 40 years, with over 20 years playing fiddle and also worked as a teacher of music. Betse was one of the founding members of the critically acclaimed and internationally known band, The Wilders. Betse has released two solo records, and now is recording and performing with her partner, multi-instrumentalist Clarke Wyatt, as Betse & Clarke. Their debut album, “River Still Rise” was in our Top Ten, of The 116 Best Recordings of 2016, and they have just released a new full length recording on cassette called Tunes We Like. Betse & Clarke play the 31st annual Shawnee Indian Mission Fall Festival, Shawnee Indian Mission Museum, 3403 W 53rd St, Fairway, Kansas on Saturday, October 14, in the afternoon. Betse & Clarke also play, The Library Lets Loose, at the Johnson County Library, 9875 W 87th St, Overland Park, KS on Saturday, October 14, between 6:00 and 9:00 PM. And Betse & Clarke play the Bluegrass Brunch at Julep, 4141 Pennsylvania, Suite 104 , KCMO, on Sunday, Oct. 15, at 11:00 AM.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Marion Merritt is our most frequent contributor to WMM, She grew up in Los Angeles, and St. Louis. She went to college in Columbia, Missouri. She studied art and musical engineering, and is a avid lover of classic films and punk rock music. She saw Talking Heads on their first U.S. tour when they played One Block West, in 1978. For 13 years she has been sharing her musical discoveries and information from her musically-encyclopedic brain on Wednesday MidDay Medley. Marion has joined us for every on-air fund drive to help raise funds for the MidCoast Radio Project. Marion is also the proprietor of Records With Merritt, at 1614 Westport Rd. in Kansas City, Missouri. That features new vinyl releases, weekly in-store performances from young and upcoming bands, and most recenty was the location for a wedding. More information at: http://www.recordwithmerritt.com

Marion Merritt thank you for being with us on Wednesday MidDay Medley.

Non-Commercial, Community Radio, means that three times a year, we interrupt our regularly scheduled programming, to ask YOU, our beautiful-listeners, to help us continue 90.1 FM’s unique, 24-7 programming, that is…essentially free to you. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project.

Case #1 – 90.1 FM KKFI is “The Voice of the Community”

Along with all of the music, in the last 12 months, WMM has interviewed 200 guests: Kemet The Phantom, D Rashawn Gilmore, Steve Tullipana, Madisen Ward and the Mama Bear, Krystle Warren, Scott Hobart, Necia Gamby, Dedric Moore, Brenton Cook, Erica Joy, Wick Thomas, Kadesh Flow, Betse Ellis, Clarke Wyatt, Calvin Arsenia, Nico Gray, Ron Megee, Nan Turner, Matthew Roth, Johnny Hamil, Marco Pascolini, Ada Brumback, Shortsweather, Erin Keller, Summer Osborne, Jen Appell, Steve Gardels, Cynthia Hardeman, Fally Afani, Matt Kesler, Scott Mize, Jennie Ferguson, Doug Hitchcock, Cole Bales, Cody Calhoun, Scott Hrabko, Jonathan Brokaw, Ethan Savage, Jesslay Huh, Jamie Rich, David Weeda, Austin Williams, Philip Hooser, IVØRY BLACK, Anna Selle, Bill Dickey, Roxi Copland, Joy Baker, Kathryn Golden, Bill Sundahl, Derick Cunninhgham, Desmond Mason, Bill Svoboda, Claire Adams, Ross Brown, Jerad Tomasino, Laurel Parks, Ben Parks, Maria Cuevas, Garrett Nordstrom, Barry Lee, Noah Davis, Steven Eubank, Julie Shaw, Sarah Beth Mundy, Lovergurl (Stephanie Bankston, Brook Worlledge, Heather Andrews), Johnny Hamil, Chad Meise, Marco Pascolini, Mikal Shapiro, Chris Haghirian, Nathan Reusch, Ivory Black, Spencer Brown, Aaron Rhodes, The Sleazebeats (Charlie Colbourne, Bill Belzer), Jen Harris, Ryan Wilks, Jennifer Appell, Beth Marshall, Jon “Piggy” Cupit, Ron Megee, Calvin Arsenia, Janet Henry, Michael McQuary, Nico Gray, Red Kate (Shawn Saving, Shaun Hamontree), Raves Arey, Clint Hoffmeier, Matt Tady, Patrick Alonzo Conway, Alan Winkler, Brenton Cook, Run With It (Miguel Carabello, Ben Byard, Daniel Cole) Matthew Dunehoo, Lou Jane Temple, Dave Storms, Sondra Freeman, David George, Jade Osborne, Quinn Hernandez, Shaun Crowly, Marion Merritt, John Craige, Megan Slankard, The Jellyman’s Daughter (Graham Coe, Emily Kelly, and Paul Gilbody), Jennifer McCartney, Autumn McCartney, Amy Marcus, Susanna Lee, Michelle Bacon, Kyle Dahlquist, Vanessa Severo, Amy Farrand, Tim Finn, Fally Afani, Simone Briand, Maria Vasquez Boyd, Jenny Mendez, Chato Villalobos, Miguel Morales, Philip blue owl Hooser, Barry Lee, & Whitney Boyd, Simone Briand, Emma Carter, Mackenzie Goodwin, Vigthor Zophoniasson & Lauren Braton, Salar Rajabnick, Barbara Eubank, Samn Wright, Caitlin Jemma & Bart Budwig, Michael McQuary, David Wayne Reed, Barclay Martin, Rabbi Moti Rieber, Crystal Clayton, Howard Iceberg, Zachary Van Benthusen, Krysztof Nemeth, Britt Adair, Duncan Burnett, Promise Clutter, Chris Meck, Teri Quinn, Mirina Landry, Victor & Penny (Erin McGrane & Jeff Freling), Judy Mills, Stephonne Singleton, Jamie Searle, Patrick Alexander.

10:15

4. Big Thief – “Black Diamonds”
from: Vapacity / Saddle Creek Records / June 9, 2017
[Debut album from Brooklyn, NYC, based Big Thief is lead vocalist and songwriter Adrianne Lenker, Buck Meek on guitar, Max Oleartchik on bass, and James Krivchenia on drums.]

[Big Thief play The Bottleneck, 737 New Hampshire, Lawrence, Thur, Oct. 12 at 8:00 PM w/ Mega Bog.]

5. David George – “Won’t Let Go”
from: Won’t Let Go – EP / David George / October 13, 2017
[Written by David George. Recorded live at Weights & Measures Recorded, Mixed, and Mastered by Duane Trower. David George on vocals & guitar, Mike Stover on pedal steel, David Luther, Erik Voeks, Ben Byard & Camry Ivory on harmony vocals. Won’t Let Go” is the the 2nd EP David George has released this year, following Here I Go Again EP, released April 14, 2017. David George also released the single “Can’t Fight Love” on April 7, 2017 benefiting the ACLU. Recorded live at Weights & Measures Recorded, Mixed, & Mastered by Duane Trower, Thurs, March 2, 2017. Produced by David George. Written by David George, Jen Appell, & Nathan Corsi, w/ David George on guitar & vocals (Verse 1 & 5), David Luther on vocals (Verse 2), Jen Appell on guitar & vocals (verse 3), Nathan Corsi on guitar & vocals (Verse 4) , Erin McGrane on ukelele & vocals, Jeff Freling on guitar & vocals , Gordon gilges on dulcimer & vocals , Kristina Ning on upright bass & vocals , Matt Cathlina on upright bass & vocals, Nathan Showalter n piano & vocals, Daniel Starling on piano & vocals, Liam Summicht on cajón & vocals, Phil Jaggard on Vocals, Mark Manning on vocals, John Keck on guitar & vocals, Nate Nall on guitar & vocals, Jessica Paige on vocals, Dave Tanner on vocals.]

[David George plays EP Release, Sat, Oct. 14, 1:00 PM, at Vinyl Renaissance, 7932 Santa Fe Dr, OPKS.]

[David George plays an EP Release, Sat, Oct. 14, at 9:00 PM, at The Brick w/ Major Matt Mason USA.]

6. Betse & Clarke – “Seneca Square Dance”
from: Tunes We Like / Independent / September , 2017
[Released as a cassette of fiddle tunes featuring Betse Ellis on standard & cross-tuned fiddles, Clarke Wyatt on banjos & guitar, and some selections with the Brushy Creek String Band. Recorded by Wyatt live with no overdubs at home in KCMO. The instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley. Seneca Square Dance is from Fiddlin’ Sam Long, recorded in 1926 for Gennett Records. Long is said to have been the first Ozark fiddler recorded. Many who play the tune today use a different chord progression than was originally recorded by Long. Betse & Clarke used Long’s beautifully simple progression. With Betse on standard fiddle, Clarke on standard G banjo, Brett Hodges on guitar, Alex Mallett on bass.]

[Betse & Clarke play the 31st annual Shawnee Indian Mission Fall Festival, Shawnee Indian Mission Museum, 3403 W 53rd St, Fairway, Kansas on Saturday, October 14, in the afternoon.]

[Betse & Clarke also play, The Library Lets Loose, at the Johnson County Library, 9875 W 87th St, Overland Park, KS on Saturday, October 14, between 6:00 and 9:00 PM.]

[Betse & Clarke play Bluegrass Brunch at Julep, 4141 Pennsylvania, KCMO, Sun, Oct. 15, 11:00 AM.]

10:25 – Pledge Break #2

We heard from Betse & Clarke in that last segment. Betse has been part of the KC Music Community for nearly 25 years now, and through most of those years she has made appearances on 90.1 FM as a musician. She has been frequent guest on Wednesday Midday Medley, River Trade Radio, and Signal to Noise with Barry Lee. She has emceed special KKFI, fundraisers, and was the music director of Wednesday MidDay Medley’s LIVE stage version of A Story In A Song at the recordBar, and for the last 6 years she has been joining us during our on-air fund-drive shows to encourage our listeners to donate.

Case #2. Wednesday MidDay Medley Plays New & MidCoastal Releases.

Timothy Finn of Kansas City Star and INK named Wednesday MidDay Medley “The Best Place to Hear Local Music on the Radio.”

If you are are listening right now that means you know the benefits from the entertainment and information offered each week. Help keep this radio show alive. In the last year we played nearly 1000 songs on the show. Over half of these songs are from MidCoastal artists. We spin new vinyl and releases from hundreds of independently produced, artist released recordings.

Today’s show is our 703rd consecutive weekly show. Three weeks ago we celebrated our 700 show, representing 1406 hours of radio, 10,000 hours of preparation, nearly 2000 guests, and over 15,000 songs, from thousands of musical artists.

We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music scene, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases.

We’ve happily presented new formats in radio, with our popular, “A Story In A Song” series, and our special shows featuring: Apocalypse Meow, The MidCoast Takeover, Middle of The Map, The Crossroads Music Fest, The Outer Reaches Festival, The Lawrence Field Day Fest, and our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, Visual Art, The Spoken Word, Gay Pride, Civil Rights, and our inteviews with Tommy Ramone, Iris Dement, Laurie Anderson, Lily Tomlin. Plus, our annual 4-week special: the 100+ Best Recordings of the Year.

To say we’ve been inspired by the KC music scene, is an understatement. In just this last year, we’ve played from over 100 local releases of 2017. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists I’ve met while doing this show. I am inspired by the women who created radio on 90.1 FM long before me: my friend April Fletcher who know plays bass professionally in Los Angeles, and my friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. I’m inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the amazing stories and music and voice of our community.

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers, the lovers. Today we celebrate 703 weeks of Wednesday MidDay Medley, the show that has brought us together, at this time, on this frequency, in these community airwaves.

We take great care, each week, to create an original, multicultural, multigenerational, medley of new musical releases, and timely special guests, in a two hour sound-collage of lyrics and vibrations and informational interviews and live performances. We are more than just a radio show, we are part of the area music community. For four years we have hosted the Wednesday MidDay Medley’s – 90.1 FM Showcase at Middle of The Map Fest, we have co-emceed Apocalypse Meow, and for thee years the main stage at Crossroads Music Fest. We have documented the MidCoast Music Scene through our radio show, our extensive playlists, our event coverage, our social media sharing on Facebook, SoundCloud, Twitter, You Tube, and WordPress sites.

Where can you can find our playlists:
http://www.kkfi.org
http://www.spinitron.com
http://www.Facebook.com/wednesdaymiddaymedleyon90.1fm
http://www.Twitter.com/MarkTManning
http://www.wednesdaymiddaymedley.org with playlists from the last 9 years.

10:35 – Interview with Kathryn Golden of Porchfest KC

PorchFest KC

The 4th Annual PorchFest KC, will be happening this Saturday, October 14, from Noon to 6:00 PM, featuring 150 bands performing on 47 front porches in the neighborhoods of Valentine, Roanoke, and Volker. Music is acoustic or near-acoustic and spans six hours.! A dozen food trucks will be available throughout the festival area. This is an all-ages, alcohol free event. More information at: http://www.porchfestkc.com.

Joining us to share details of Porchfest KC is Kathryn Golden who grew up in rural north-central Missouri. After college, she worked in New York City, then moved to Kansas City, and then, St Louis, and San Francisco, where in 14 years, she worked for a number of tech startups in project management, and co-founded a non-profit, all-ages jazz performance space in Berkeley, where kids could jam with, and open for, adult acts. She also owned a neighborhood grocery market. Since returning to Kansas City, Kathryn has launched a wintertime storytelling series at the Pilgrim Chapel, and she is the founder of PorchFestKC, a community music festival that takes place on front porches, in midtown neighborhoods.

Kathryn Golden, thanks for being with us on Wednesday MidDay Medley

Kathryn Golden says, “My deal is this…. I love to CREATE things. I love community building. I love seeing people have a great time around something new. I love creating opportunities for great stuff to potentially happen, and being as creative and non-conventional as possible in doing so. I love music. So I put those together for PorchFestKC.”

After a business trip to San Francisco, she decided she needed to live there, and on her 32nd birthday she woke and drafted her resignation notice, spent two weeks selling most of what she owned, and moved — not having a job to go to was just an inconvenience. Over the next 14 years, she worked for a number of tech startups in project management and/or customer-facing roles, as well as a venture capital firm in Silicon Valley.

In addition, she co-founded a non-profit, all-ages jazz performance space in Berkeley, where kids could jam with, and open for, adult acts — mostly around “out” or avant garde jazz. She also owned a neighborhood grocery market, which seemed very logical having never even worked in retail.

Her final role before returning to Kansas City was in helping develop demonstratives (graphics) for large white-collar crime trials — many of them boring tech-related trials. However there were a few really awesome exceptions: The Deep Water Horizon oil spill in the Gulf, the overturn of California’s Prop 8 same-sex marriage case, and a trial against Tyson Foods for unfair treatment of an immigrant worker. While there, she also partnered with Oakland School District to create a dozen libraries in Oakland’s elementary schools.

This year’s PorchFest KC features 150 bands, on 47 porches, in the Valentine, Roanoke, and Volker Neighborhoods

All performances are 60 minute sets. Performances are acoustic or near-acoustic. The goal is to be heard to the sidewalk, not down the street.

This year’s PorchFest KC also features for the first time: Blues Bands, Reggae Bands, and a 14 piece Classical Ensemble

The 4th Annual PorchFest KC, October 14, from Noon to 6:00 PM, featuring 150 bands performing on 47 front porches of homes in the neighborhoods of Valentine, Roanoke, and Volker. A dozen food trucks will be available throughout the festival area. This is an all-ages, alcohol free event. More information at: http://www.porchfestkc.com

10:45

7. Violent Bear – “I Will Wait For You”
from: I Will Wait For You – Single / Violent Bear / August 18, 2017
[KC based garage folk band with hints of Southern Gothic and nods to old country roots, formed by husband and wife musicians: Stephen & Danger Herzig, who rotate on a variety of instruments. The band also includes: Noah Cassidy on lead guitar, Jonas Cassidy on bass, and Jake Rogers on synthesizers. Violent Bear also released their full length record, Post Everything, on March 24, 2017.]

[Violent Bear play PorchFest KC on Porch 13, at 3564 Pennsylvania, at 12:00, Saturday, October 14.]

8. The Country Duo – “The Wrecking Crew”
from: Live At Sun Studio / The Country Duo / September 1, 2017
[Recorded live at Sun Studio, Memphis TN on August 14, 2016 for the Sun Studio Sessions television show as seen on PBS across the United States. All songs written by Kasey Rausch on vocals & acoustic guitar, and Marco Pascolini on pedal steel & baritone guitars. Engineered by Curry Weber, assisted by Ples Hampton at Sun Studio. Mixed by Paul Malinowski, Mastered by Chad Meise – Massive Sound, KCMO]

[The Country Duo play every 1st and 3rd Tuesday at 7:00 to 9:00 Pm at Waldo Bar.]

[The Country Duo TRIO play every third Thursday at Jazz: A Louisiana Kitchen]

[The Country Duo play Apocalypse Meow 10, Friday, November 3, at 7:00 PM, at Mills Record Company, with The Country Duo, Bohemian Cult Revival, and Headlight Rivals. Apocalypse Meow is a three-day-event and continues Saturday, November 4, at recordBar, starting at 6:00 PM with Brandon Philips and The Condition, IVØRY BLACK, Nathan Corsi, Chris Meck and The Guilty Birds, Sandoval (reunion), and Split Lip Rayfield, 2 stages. Also featuring a silent auction and raffles with prizes donated from local businesses. The Apocalypse Meow weekend closes on Sunday, Nov 5, 2017, at recordBar, with the Meow Hangover Brunch starting at noon, and then at 4:00 PM Expassionates play live on stage. For more information you can visit: http://www.midwestmusicfoundation.org/apocalypsemeow%5D

10:52 – Pledge Break #3

We just heard The Country Duo which is guitar master Marco Pascolini, longtime friend of the show, and Kasey Rausch, who was one of the first musicians to play live on WMM almost 13 years ago. Kasey also co-hosts River Trade Radio with Mikal Shapiro, on Sunday Mornings at 9:00 Am on 90.1 FM KKFI. Kasey is one of many KC Professional Musicians, who take time away from their work and art to donate time to community radio as they host and produce some of KKFI’s finest radio programs, including: Jeff Hashbarger, Jason Vivone, Sam Wisman, Roger Wilder, Gerald Dunn, Ernest James, Bob & Diana Suckiel, Dwight Frizzell and Mikal Shapiro.

Case #3. KKFI is an Independent, non-commercial radio station!

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, and share your concerns, and offer resources, and commuity activities and information. Along with our stellar National Public Affairs shows like Democracy Now, and Workers Independent News we also offer more locally produced public affairs programs than anywhere else on the dial. We offer programs specifically produced for the LGBTQIA Community, Women’s Issues, Native American News and Culture, Middle Eastern Music and Information, Latino Programming, African American Public Affairs and Community News, Labor and Worker’s Unions, our prison population and justice system, environmental programming, Visual and Literary Arts, and Performing Arts.

Just remember what you don’t have to hear when you are tuned to 90.1 FM KKFI! No Commercials. No automated robot playing the same 40 to 100 songs in a “rotation” based on a formula of one person, who programs the robot. Instead you hear music programmed by over 100 people. We are The Voice of The Community

90.1 offers 98 different radio programs. 76 of those programs are locally created and produced and hosted and engineered and written by over 100 different people, who create content, and personally handcraft each show. There are 143 hours each week of locally produced handcrafted programs. You we not find this kind of representative diversity anywhere else on your radio dial. It is very special. It needs to be nourished and kept alive in a world of corporate nationally owned commercial or religious broadcasting. Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americanna, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental. With all of this you also hear the voices from the hundreds of KKFI volunteers and the hundreds of guests who share their stories, while broadcasting live from our non-commercial, midtown studios, here at 39th & Main, in the center of our metro, across two states, and many cities, and hundreds of communities, and thousands of radios. How much is this worth to you?

10:59 – Station ID

9. Khrystal. – “M e L A N i N P o P P i N”
from: Q u a r t e r C e n t u r y L i v i n g / Khrystal. / September 1, 2017
[Khrystal’s debut EP. Written and performed by Khrystal. Produced by Katheryne Johnson. Khrystal Coppage is Editor-in-Chief of Khorage Magazine. She served as Production Manager at UMKC University News from 2015 to 2016. She graduated from UMKC in 2016 where she studied Family Studies. She graduated from Kansas City Kansas Community College in 2013. She is a graduate of Sumner Academy of Arts & Science, in KCK. http://mixtapemonkey.com/2073/khrystal-q-u-a-r-t-e-r-c-e-n-t-u-r-y-l-i-v-i-n-g%5D

[Khrystal. plays Plus Vibes Only w/ Duncan Burnett x Riot at Thursday, October 12, at 7:00 PM, at recordBar, 1520 Grand, with Sauce, Mae C., Kartez Marcel, with sounds by Leonard Destroy.]

10. Sauce – “Black Power Ranger”
from: Summer Sauce / Sauce / July 28, 2017
[Kansas City based Hip-Hop artist Sauce is back with his 3rd original release, “Summer Sauce.” It features Kendrick Lamar and Tech N9NE collaborator, Gee Watts, along with producer/rapper Duncan Burnett. Duncan Burnett produced all the songs except Childhood Crush, produced by M. Fasol. This concept EP sets the tone of love and greatness via future soul, live instruments, and summer vibes. Sauce’s earlier releases charted on Billboard, iTunes and Amazon Hip-Hop charts.]

[Sauce plays Plus Vibes Only w/ Duncan Burnett x Riot at Thursday, October 12, at 7:00 PM, at recordBar, 1520 Grand, with Khrystal., Mae C., Kartez Marcel, with sounds by Leonard Destroy.]

11:05 – Pledge Break #4

Case #4. Donating to 90.1 FM KKFI is investing in your community.

(From our bylaws of The MidCoast Radio Project)

KKFI’s Mission Statement:
KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement:
KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

11:12

11. Pixies – “Monkey Gone to Heaven”
from: Doolittle / 4AD – Elektra / April 17, 1989
[1st single from the band’s 2nd studio album. Formed in 1986 in Boston, Massachusetts. Until 2013, the band comprised Black Francis (lead vocals, rhythm guitar), Joey Santiago (lead guitar), Kim Deal (bass, backing vocals) and David Lovering (drums). The band disbanded acrimoniously in 1993, but reunited in 2004. After Deal left in 2013, the Pixies hired Kim Shattuck as a touring bassist; she was replaced the same year by Paz Lenchantin, who became a permanent member in 2016. Doolittle was the Pixies’ 1st international release,. Doolittle has continued to sell well in the years since its release, in 1995 it was certified gold by the Recording Industry Association of America. The album has been cited as inspirational by many alternative artists, while numerous music publications have ranked it as one of the most influential albums ever. A 2003 poll of NME writers ranked Doolittle as the second-greatest album of all time, Rolling Stone placed the album at 226 on its list of “The 500 Greatest Albums of All Time” Pitchfork ranked it as the fourth best album of the 80s.]

[Pixies play Arvest Bank Theatre at The Midland, Sunday, October 15, at 7:00 PM w/ Mitski.]

11:15 – Interview with Kent Shelton

The Midland

The Midland Theatre at 1220 Main Street, in downtown Kansas City originally opened a a giant grand cinema, in 1927, named Loew’s Midland Theatre an opeated until 1961. Over the years, the theatre has been known by various names including: Saxon Theatre, Midland Stadium where boxing matches were held, Midland 1-2-3 Theatre, and Midland Theatre. In 2007, AMC and the Cordish Company formed a partnership to undertake a multimillion-dollar renovation of the historic venue. Since reopening in 2008 the venue was called The Midland by AMC. In 2013, AEG Live, the Cordish Company and Arvest Bank announced a multi-year naming rights partnership to the Midland Theatre. The venue’s name officially became the Arvest Bank Theatre at The Midland in September, 2013.

In March of this year Kent Shelton moved his family from the Rocky Mountains of Denver Colorado to the Missouri River Valley of Kansas City, where Kent assumed his position as General Manager of the Arvest Bank Theatre at the Midland Theatre. Before moving to Kansas City Kent was Manager at AEG Presents Rocky Mountains, The Ogden Theatre and The Bluebird Theatre in Denver, Colorado. Kent joins us to share information about upcoming shows and events at the Midland as well as The Truman, KC’s newest venue.

Kent Shelton, Thanks for being with us on Wednesday MidDay Medley.

This year The Midland is celebrating 90 years as a working venue.

Among the major changes made in the redevelopment, the main-level seating rows were removed and replaced with a tiered open floor plan that allows for cabaret-style tables and chairs, or standing room for general admission events. The Midland’s exterior marquee was restored to its original 1927 appearance.

The five level office portion of the theatre that faces Main Street was converted into a mix of bars, lounges, and administrative space. According to the Cordish Company of Baltimore, the developer of the project, all changes meet historic preservation guidelines as required by state and federal governments.

Denver to Kansas City

Ogden Theatre is where I first saw Jonathan Demme’s film Stop Making Sense a critically acclaimed 1984 concert film, documenting the Speaking in Tounges tour of Talking Heads shot over the course of three nights at Hollywood’s Pantages Theater in December 1983, as the group was touring to promote their new album Speaking in Tongues. The movie is notable for being the first made entirely using digital audio techniques. The band raised the budget of $1.2 million themselves.

Originally from Louisville, Kentucky, Kent grew up in the suburbs of Denver and studied Performing Arts at University of Northern Colorado.

Upcoming Shows at The Midland

Tonight, October 11 – Jon Bellion plays The Arvest Bank Theatre at The Midland

Thursday, October 12 – Marilyn Manson show has been postponed

Sunday, October 15 – Pixies

Friday, October 20 – Play For Peace Benefit with Little River band

Sunday, October 22 – The Beach Boys

Thursday, October 26 – Maren Morris

Upcoming Shows at The Truman

The Truman, 601 East Truman Road, Kansas City, MO. http://www.thetrumankc.com

Friday, October 13 – Krewella

Thursday, October 19 – Hoodie Allen

Sunday, October 29 – Trombone Shorty & Orleans Avenue

Friday, November 3 – Slowdive

Thursday, November 16 – Flying Lotus in 3D

Kent Shelton, Thanks for being with us on Wednesday MidDay Medley.

For events and information you can visit: http://www.midlandkc.com Or by calling 888-929-7849 Or at The Midland Box Office 10AM-5PM Monday-Friday

11:33

12. Radar State – “Double Speak”
from: “Double Speak” – 7″ Vinyl Single / Radar State / September, 2017
[Radar State features Josh Berwanger (The Anniversary, Berwanger) and Jim Suptic (The Get Up Kids, Blackpool Lights) trading off lead and rhythm guitar duties, with Matt Pryor (The Get Up Kids, The New Amsterdams) on bass, and Adam Phillips (The Architects, The Gadjits) on drums. Berwanger, Pryor, and Suptic all take turns on lead vocals, and that’s an integral part of the band’s direction, say the members.]

[Radar State Celebrate the release of their new 7″ release and member Jim Suptic’s 40th B-day at miniBar, 3810 Broadway, Saturday, October 14, at 9:00 PM, with Hipshot Killer.]

11:38 – Pledge Break #5

Case #5 We offer loads and loads of information about what is going on in the community.

Not only does this show interview nearly 200 guest each year, not only do we play nearly 1000 different songs with nearly half of thos being locally produced, but we also shone a light on area not-for-profit theatre companies, art museums & galleries, area festivals, service organizations, area record labels and record stores, the area music scene, arts scene, theatre scene, literary arts scene, political action scene.

In just this past year, we’ve featuresd segments shining a light on: Spinning Tree Theatre, Middle of The Map Fest, Shuttlecock Music Showcase, First Friday Film Fest, American Jazz Museum, KC Fringe Theatre Fest, Late Night Theatre, Crossroads Music Fest, Midwest Music Foundation and the MidCoast Takeover, Kansas City Public Library, Record Store Day, Folk Alliance International Conference, Dr. Martin Luther King Jr. , Lawrence Field Day Fest, 31st & Brklyn, Kansas City Pride Fest, Girls Rock! and the Annual Girls Rock! Camp, The Nelson Atkins Museum of Art, Apocalypse Meow, The Buffalo Room, Standing Rock, Union Station, Outer Reaches Festival, Plaza Art Fair, No Wave Fest, Haymaker Records, Johnson County Performing Arts Series, The Pop Poetry Series at Prospero’s Books, Datura Records, Center of The City Fest, Too Much Rock, Crossroads Summer Block Party, Shelf Life, Kansans Against Campus Carry, Kansas Interfaith Action, Like Me Lighthouse, The Lesbian & Gay Film Festival, The Band That Fell To Earth A Tribute To David Bowie, The Kauffman Center for The Performing Arts, Artist Inc., and more…

11:45

13. The Philistines – “A Twitch of the Death Nerve”
from: The Backbone of Night / The Record Machine / June 4, 2016
[KC based rock band with a psychedelic bent, made up of: Kimmie Queen on lead vocals; Cody Wyoming on lead guitar & vocals; Rod Peal on guitar; (Michelle Bacon on bass & vocals for this recording), Josh Mobley on keyboard, Steve Gardels on drums. Recorded & mixed with Paul Malinowski at Massive Sound Studios and mastered by Mike Nolte at Eureka Mastering.]

[The Philistines play recordBar, Fri, Oct. 13, at 10:00 PM with Universe Contest, and Brannock Device]

[The Philistines play CrossroadsKC at Grinder’s for the Fed Up Fest, October 14, with The Phantastics, Old Salt Union, Me Like Bees, Cowboy Mouth, and The Strumbellas, all to benefit Harvesters – The Community Food Network.]

11:49 – Pledge Break #6

Case #6. KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.”

I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100,000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my diverse friend, introducing me to all kinds of new & local music, as well as the news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art space, on your iPod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to kkfi.org everyday, but studies show, that less than 10 percent actually donate to keep this miracle of broadcasting alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

This is your chance to put your money where your ears are. Please help keep, at least this part of our public airwaves, alive for our public to enjoy, free from commercials, free from religious sermonizing, free from extremely conservative and slanted right wing “talk radio” and free from corporately “owned and cloned” robotic affiliates that play the same 15 songs everyday at the same time. YOU deserve better. YOU deserve radio that really reflects our great city, and tells the story of our great music scene, and performing arts scene, and labor rights, and women’s issues, and LBGT information, and programming specifically produced for Latinos and African Americans, working people, Jazz lovers. Support the free-form spirit that is 90.1 FM KKFI!

Marion Merritt, Betse Ellis, Thank You!

Thank you to everyone who called in!

11:56

14. Sampha – “(No One Knows Me) Like the Piano”
from: Process / Young Turks Recordings / February 3, 2017
[Sampha Sisay was born November 16, 1988. He performs under the mononym Sampha. He is a British singer, songwriter and record producer from Morden, South London, United Kingdom. Sampha is known widely for his collaborative work with SBTRKT, Jessie Ware, Drake, Kanye West, Solange and others. Sampha has released two solo EPs: Sundanza (2010) and Dual (2013). Sampha’s debut album, Process, won the 2017 Mercury Prize.]

15. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, October 18, artist and playwright Tyson Schroeder joins us to talk about his new play, “Bastard” with previews starting tonight at the Living Room Theatre, and running through October 29. Also joining us nest week is musician, Teri Ann Quinn who will play live in our 90.1 FM Studios. Plus, Artist Peregrine Honig, and artist Ross Redmon, along with vocalist and musician Julia Haile join us to talk about Julia Haile’s Live Solo Show, at Greenwood Social Hall, 1750 Belleview, KCMO on Friday, October 20, and Ross Redmon’s art exhibition, Passenger Migration, opening Thursday, October 19 and running through November 30.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #703

Wednesday MidDay Medley with Betse Ellis, Marion Merritt, Kathryn Golden, and Kent Shelton

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 11, 2017

Betse Ellis + Marion Merritt
+ Kathryn Golden of PorchFest KC
+ Kent Shelton of the Arvest Bank Theatre at the Midland

Mark plays more New & MidCoastal from: Radar State, Momma’s Boy, Calvin Arsenia, Violent Bear, Sauce, Khrystal., The Philistines, David George, The Country Duo, Betse & Clarke, Benjamin Booker, Big Thief, Sampha, Tash Sultana, and Pixies.

Betse Ellis, critically acclaimed fiddler, singer, and songwriter, and one half of Betse & Clarke joins us for the entire show as our special guest co-host! Marion Merritt, longtime contributor to Wednesday MidDay Medley, and owner of Records With Merritt, also joins us as co-host to encourage our diverse and loyal listeners to call 888-931-0901, to support 90.1 FM KKFI – Kansas City Community Radio.

PorchFest KC

At 10:30, Kathryn Golden joins us to talk about the 4th Annual PorchFest KC, October 14, 2017, from Noon to 6:00 PM, featuring 160 bands performing on front porches of homes in the neighborhoods of Valentine, Roanoke, and Volker. Music is acoustic or near-acoustic and spans six hours.! A dozen food trucks will be available throughout the festival area. This is an all-ages, alcohol free event. More information at: http://www.porchfestkc.com.

The Midland

At 11:15, Mark talks with Kent Shelton, General Manager of the Arvest Bank Theatre at the Midland in Kansas City. Before moving to KC Kent was Manager at AEG Presents Rocky Mountains, The Ogden Theatre and The Bluebird Theatre in Denver, Colorado. The Midland, 1220 Main Street, is located in downtown Kansas City and originally opened in 1927 and has hosted well-known artists throughout its history. For events and information you can visit: http://www.midlandkc.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #703

WMM Playlist from October 4, 2017

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, October 4, 2017

New & MidCoastal Releases + Betse & Clarke
+ Wick & the Tricks + Kemet The Phantom

1. “Main Title Instrumental – It’s Showtime Folks”
from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979 [WMM’s theme]

2. Hembree – “Had It All”
from: Had It All – EP / Ribbon Music / Expected November 3. 2017
[Formed in November of 2015, band members include: Isaac Flynn, Garrett Childers, and Eric Davis. “Had It All” the single was released July 26, 2017. Engineered by: Isaac Flynn and Hembree. Produced by: Eric Hillman and Hembree. Mixed by: Joe Visciano. Mastered by: TW Walsh. Hemmer are currently on a multiple city North American tour opening for JR JR, the band formally known as Dale Earnhart Jr. JR JR is Detroit-area natives: Josh Epstein and Daniel Zott.]

[Hembree plays recordBar, 1520 Grand, Saturday, October 7, at 8:00 pm, opening for JR JR.]

3. The Roseline – “Hurry Up and Wait”
from: Blood / King Forward Revords / September 29, 2017
[From the 5th album of the Lawrence, Kansas, based alt-country, Americana, rock band, formed by Colin Halliburton with friends in 2005. The Roseline has been through dozens of lineup changes. The current lineup includes: Colin Halliburton on guitar & vocals; Heidi Gluck on bass & vocals, Ehren Starks on keyboards, Kris Losure on guitar, Jeff Jackson on pedal steel & guitar, and Jim Piller on drums. Roseline released their last album, Townie, on June 19, 2015. More info at: http://www.roselinemusic.com]

[The Roseline play a Blood Album Release Show, Thursday, October 5, at 9:00 pm at The Brick, 1727 McGee Street, KCMO, with Chase the Horseman, and Justin Klaas.]

[The Roseline play an Album Release Show, Friday, October 6 at 10:00 PM , at Replay Lounge, 946 Massachusetts, Lawrence, Kansas, with Toughies, and Jasper.]

4. Jorge Arana Trio – “All My Friends Are Brown”
from: Mammoth / Haymaker Records / September 23, 2016
[Recorded in early 2016 by Justin Wilson at Sound 81 Productions. Jorge Arana Trio is: Jorge Arana, Josh Enyart, & Jason Nash. Formed in 2011. Mammoth is the 3rd album and 2nd full length release. Jorge Arana Trio played their first album release concert at recordBar, September 2 with 34 and Riala. The Jorge Arana Trio joined us live on WMM on August 31.]

[Jorge Arana Trio play Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, Saturday, October 7, at 8:00 pm, with War Brides, Twelves (Wisconsin) and Dicta.]

10:15 – Underwriting

5. HighWesthus – “The Original”
from: Part III. The ILLU / Independent / October 25, 2016
[Written and produced and performed by HighWesthus, and mixed and mastered by Leyone Tracks. HighWesthus was born in Chicago and is based in Kansas City. The last official album of the Trilogy Set that began with the May 2015 release, Part I. The Dead, and continued with the November 2015 release, Part II. The Wise. HighWesthus is a freelance multimedia artist living in Kansas City. He graduated from the Kansas City Art Institute in 2012 with a BFA in Animation. He is one of four owners of Strange Paper Studio, based in Kansas City. HighWesthus specializes in illistration, animation, graphic design, dideo editing, sound editing, music producing, writng and storytelling.]

[HighWesthus plays the Wrally for Wretch, TONIGHT, Wednesday, Oct 4, at 8:00 pm, at The Rino, 314 Armour Rd, North Kansas City, Missouri, with Shapiro Brothers, Pageant Boys, Drew Black. Wrally for Wretch is in support of a feature film titled “Wretch” from filmmaker Matthew Dunehoo. Wretch is scheduled to begin shooting in Kansas City in the Spring.]

6. Lincoln Marshall – “Mo Spins feat. Dominique Sanders”
from: Water / Datura Records / June 3, 2016
[Written By: Approach & MilkDrop Produced, Recorded, Mixed & Mastered By: Aikido Bray. Additional Keys & Scoring By: Etan T’loh. Bass By: Dominique Sanders. Photos By: Fally Afani fallyafaniphotography.com. Layout & Design By: MilkDrop. Lincoln Marshall played The Datura Records Showcase for Lawrence Field Day Fest, at Replay Lounge. July 16, with Kwame, Sheven, MetaWatt & TRS-One, High Westhus, Left E. Grove, Louiz Rip & Deuce, Royce Diamond, and Midnight Marauders.]

[Lincoln Marshall play The Riot Room, Saturday, October 7, for the “We Are Art Showcase” presented by IndyGroove and Intelligent Sound.]

7. Sky Smeed – “If You’re Taught You Learn to Be Mean”
from: If You’re Taught You Learn to Be Mean – Single / Sky Smeed / September 20, 2017
[Sky Smeed told us that he wrote this song while watching the horrible things that happened in Charlottesville, WV a few weeks ago. It’s influenced by a bunch of things for certain. Sky Smeed was born and raised outside of Chanute, Kansas, in an old, one-room schoolhouse his parents bought and turned into a home in the early 1970s. Last year, he sold the country home he built by hand and migrated to Lawrence, Kansas, a place that has provided a non-stop supply of creativity, community and culture, and began settling in to an old fixer-upper on the north side of the Kaw River. To date, Smeed has self-released five full-length albums: Flying High (2002), The Front Steps (2004), Mill River (2006), Sky Smeed (2012) and Drive All Night (2015). His sixth album, Lunker Bass (released February 1, 2017), was recorded and produced at The Ninth Ward Pickin’ Parlor in Lawrence by none other than award-winning folk duo Truckstop Honeymoon (Mike & Katie West).]

[Sky Smeed plays the Brick 1727 McGee Street, KCMO, Sat, Oct 7, at 7:00 pm with Shapiro Brothers.]

8. Fathers – “Take Care”
from: “Take Care” – Single / Fathers / 2017
[One of three songs recorded from Fathers is a new 8-piece band, formed this year, with Kenneth Storz on lead vocals, guitar, and keyboards; Brooke Honeycutt on vocals, bells, percussion; David Littlewood on voice, keyboards, bells; Snake Bourret on percussion, bells, keys; Matt Guilliums on bass & percussion; Bryce VZ on vibraphone, voice, and percussion; Josh Seerden on guitar, keys, bass, percussion; Celeste Tilley on trombone, vocals, and percussion.

10:30

9. Betse & Clarke – “January Waltz”
from: Tunes We Like / Independent / September , 2017
[The newest release from Betse & Clarke is a cassette of fiddle tunes. “Tunes We Like” features Betse Ellis on standard and cross-tuned fiddles, Clarke Wyatt on banjos and guitar, and some selections are played by the Brushy Creek String Band, adding Brett Hodges on guitar and Alex Mallett on bass. Recorded by Wyatt live with no overdubs at home in Kansas City, Missouri, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley.]

10:34 – Interview with Betse Ellis and Clark

Betse & Clarke are a traditional and future folk duo with Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos, guitar, cello, multi-instruments. Betse & Clarke have played and toured around the world. Individually their musical roots go deep in the KC music scene. Clarke Wyatt is a founding member of Mr. Marco’s V7, and Betse Ellis is a founding member of The Wilders. Last year Betse & Clarke released ”River Still Rise,” a collection of originals and reworked traditional compositions presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.” Betse & Clarke have brand new release called, “Tunes We Like,” that is being released on cassette. Betse & Clarke join us to play live in 90.1 FM Studios to share a few songs live from their new release.

Betse Ellis and Clarke Wyatt thanks for being with us on Wednesday MidDay Medley

We just heard “January Waltz”, (Smiling Violet Music, BMI) written by Betse Ellis around 2004. Originally recorded with her former band The Wilders, this was the first fiddle tune written by Ellis. Betse: standard fiddle / Clarke: standard banjo (aDAC#E) / Brett Hodges: guitar / Alex Mallett: bass. This tune has been performed and recorded by a number of modern old time bands, including Foghorn Stringband. This latest version brings listeners a fresh perspective on a favorite Ellis composition.

“Tunes We Like” was produced to be the first in an ongoing series of instrumental recordings. This cassette, released at the Walnut Valley Music Festival in Winfield, Kansas, September 2017, represents a returning interest in analog processes. Betse & Clarke will continue this model, with plans to record next on analog reel-to-reel tape for the next release in the series. The music may see an online release and digital distribution, but the plan is that all physical copies will be in analog format.

Recorded by Wyatt live with no overdubs at home in Kansas City, Missouri, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley.

Last year, Betse & Clarke released their full-length debut album, River Still Rise on July 1, 2017. Betse Ellis on fiddles, violins, viola & vocals and Clarke Wyatt on banjos and cello. Recorded during the Winter-Spring of 2016. Produced by Clarke Wyatt and Betse Ellis. Recorded and mixed by Clarke Wyatt/ Final mix assistance from Chad Meise at Massive Sound. Traditional & future folk inspired by explorers Lewis & Clark showing how Betse & Clarke are trailblazers of sound & vision.

“River Still Rise,” is a collection of originals and reworked traditional compositions that are presented “to be enjoyed as a musical adventure, much like the river exploration of the famous duo Lewis & Clark, an inspiration for the band’s name.”

Betse Ellis writes in the extended liner notes: “The phrase River Still Rise appears in the journals of Meriwether Lewis, and to me, most notably when the Corps of Discovery readied their boats and supplies for the beginning of their river journey. Documenting all the details of the excursion included aspects of the weather, the general demeanor or specific behavior of the crew, and most certainly the level of the river. The river needed to be high enough to be navigable, and in that way, Clarke and I have been putting together our gear and supplies, building our boat, and watching the weather signs for about a year and a half at this point. The process of recording RSR took several months, beginning in early 2016. We made this recording at home with the best gear we could acquire at this point, and with Clarke’s long-built engineering and producing knowledge.”

10:41

Betse & Clarke play live on the October 4, 2017 edition of Wednesday MidDay Medley.

10. Betse & Clarke – “White Creek” (Live)
also available on: Tunes We Like / Independent / September , 2017
[The newest release from Betse & Clarke is a cassette of fiddle tunes. “Tunes We Like” features Betse Ellis on standard and cross-tuned fiddles, Clarke Wyatt on banjos and guitar, and some selections are played by the Brushy Creek String Band, adding Brett Hodges on guitar and Alex Mallett on bass. Recorded by Wyatt live with no overdubs at home in Kansas City, Missouri, the instrumental collection highlights traditional Ozark tunes, learned from early string band recordings of the 1920s and from later Ozark heroes such as Bob Holt and soon to be 101 year old Violet Hensley.]

From http://www.BetseandClarke.com liner notes for Tunes We Like: WHITE CREEK is a wonderful hidden gem, from Red McLaren, who was an Oklahoma fiddler visited by Marion Thede, the great fiddle scholar. Thede’s “The Fiddle Book” is an outstanding body of work with beautiful attention to detail, especially regarding bowings. (Betse: AEAE / Clarke: standard banjo (capo 2)

Clarke Wyatt is a multi-instrumentalist and a former member of some of Kansas City’s most dynamic bands, including Hairy Apes BMX and Mr. Marco’s V7s.

We’ve had Johnny Hamil on the show a few times this year talking about various Mr. Marco’s V7 shows including a recent reunion of the 4 original members.

Brushy Creek String Band, adding Brett Hodges on guitar and Alex Mallett on bass.

On Tunes We Love, Betse and Clarke perform a track titled: UNCLE HENRY… GOODBYE. In their liner notes they write UNCLE HENRY… GOODBYE comes from Violet Hensley, “The Whittling Fiddler of Arkansas”. The story of the name has to do with Violet’s original source for the tune, and then a later discovery that the tune was known as “Goodbye My Lover Goodbye”. Violet has shared the story several times with Betse, who keeps getting confused and forgets the details. Stay tuned here for updates! (Also, we took a lot of liberties with the melody, allowing ourselves to go to our exploratory side with this meditative melody.) Betse: DDAD / Clarke: low banjo

10:51

11. Betse & Clarke – “I Chased Old Satan Through The Door” (Live)
[The Woodie Brothers, Ephraim, Dale, and Lawton Woodie recorded “Chased Old Satan” in 1931. Ephraim was born in 1906, achieved the rank of colonel, overcoming nearly-blinding cataracts as a child, and died in 1978. He is credited as Chased Old Satan’s author, although other performers have made this claim in order to own the song’s copyright. The song is said to have borrowed lyrics from other songs. Lawton played harmonica and Ephraim played a Gibson L-4 guitar – a present from his brother for his high school graduation the year before. They recorded for Ralph Peer, the clever, ambitious A&R (artist and repertoire) man from Okeh records, on May 29th, 1931, but only sold less than 900 records. The Woodie Brothers were from one of the “lost provinces” of North Carolina – Ashe, Alleghany, and Watauga counties – a reference to this region’s historic isolation from the rest of North Carolina caused by the steep slopes of the Blue Ridge Mountains. There’s a CD with some tracks by Ephraim Woodie and the Henpecked Husbands, as well as other groups who recorded between 1927 and 1931: Music from the Lost Provinces. Their musical heritage was rich, including the likes of G.B. Grayson, Al Hopkins, Frank Blevins, and Albert Hash. Ash cakes are made around the world, and include “foods such as potatoes, corn, onions, and nuts which can be roasted by burying them in hot ashes for insulation and placing live coals on top of the ashes. Ash cakes were also baked by wrapping dough in cloth, placing them in a cleaned out corner of the fireplace, and covering them with ashes and coals. They were supposed to have a delicious flavor when baked that way, but it was difficult to control the heat, or keep the bread clean. (From ‘Don’s Spicy Kitchen’).”]

Lyrics: ”I Chased Old Satan Through The Door”

Well, I got no skillet and I got no lid
But the ash cake tastes like shortening bread
And I’m gonna wear that starry crown over there

Chorus:
Over there, over there
I’m gonna wear that starry crown over there
For I got no skillet and I got no lid
And the ash cake tastes like shortening bread
And I’m gonna wear that starry crown over there

Now I met old Satan down the lane
And I hit him in the head with a walking cane
And I’m gonna wear that starry crown over there

Chorus

Now I chased old Satan around the stump
And I gave him a kick with every jump
And I’m gonna wear that starry crown over there

Chorus

Now I run old Satan through the door
And I hit him in the head with a two-by-four
And I’m gonna wear that starry crown over there

Chorus

Betse and Clarke Upcoming Shows:

Friday, October 6 – Great Lakes Music Camp, West Olive, MI

Saturday, October 14 – Shawnee Indian Mission Fall Festival, Fairway, KS

Saturday, October 14 – The Library Lets Loose, Overland Park, KS

Sunday, October 15 – Bluegrass Brunch at Julep, Kansas City, MO

Thursday, October 26 – watch this space! – Springfield, MO

Betse Ellis and Clarke Wyatt thanks for being with us on Wednesday MidDay Medley

Betse & Clarke have brand new release called, “Tunes We Like,” that is being released on cassette. More info at: http://www.betseandclarke.com.

11:00 – Station ID

Betse Ellis, Wick Thomas, and Clarke Wyatt on the October 4, 2017 edition of Wednesday MidDay Medley.

12. Wick & The Tricks – “Yr So Rad”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.]

[Wick & the Tricks play a Record Release Show, Saturday, October 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.]

11:02 – Interview with Wick Thomas

Wick Thomas, was voted Best Activist by The Pitch Magazine Wick has help organize LGBTQIA youth group on college campuses and in High Schools, he served as President of EQUAL and won an award from the National Gay and Lesbian Task Force. Wick spent many years working for the Kansas City Public Library and now works fpr the Nelson Atkins Museum of Art. Wick is also a gardener, a student, and a he grew up in Drexel Missouri. Wick is also lead singer of Wick & The Tricks, joins us to share information about the new Black Site Records, 7-inch vinyl, 4-song EP debut, “Not Enough,” from Wick & the Tricks a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. Wick & the Tricks play a Record Release Show, Saturday, Oct 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

The following is from their press information: The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios. More info at: http://www.wickandthetricks.com

KC’s sassiest, trashiest and glammiest lovelies, Wick and the Tricks, release their debut 7” EP, Not Enough, on Black Site Saturday, October 14, and they’re throwing a party at Davey’s Uptown to celebrate, with Red Kate, The Midnight Devils and The Quivers.

As if that weren’t enough, this glittering juggernaut of rock and roll will also premiere the video for “Tough as Nails”, the closing track on the new record. Written and directed by KC’s most-discriminating connoisseurs of cinematic eccentricity, The Cannonball Roarers, it features the inimitable Annie Thrax as a modern day Dr. Frankenstein (or would that be Herbert West?) and her re-animated monster…well, you’ll have to wait and see. It’s sure to be the weirdest, creepiest thing you’ve seen since Inauguration Day.

Recorded at Westend Studios by Justin Mantooth and mastered by Chris Muth at Taloowa Corp., Not Enough contains four tracks of deliciously salacious rock and roll that will make you hop, skip, and jump into bed with the whole band.
As with all releases from the Black Site cooperative, this record not only sounds great, it looks even better. With artwork from the band’s newest member, guitarist Chris Stallion, and packaging from the union printers at Callender Printing in Kansas City, KS, you’re going to want to hang this record on the wall…if you can get it off your turntable.

In the spirit of the New York Dolls, The Stooges, and Jim Carroll, Wick and The Tricks proudly carry the Riot Grrrl, Queercore torch for the next generation. Ever since they crawled out of the trash soaked shores of the Missouri River and slipped into the streets of Kansas City, Middle America hasn’t been the same. Nationally infamous for their lasciviously energetic performances full of political undertones, it’s likely that by the end of the show you’ll either be making out, or in a fist fight, with one of them.

Not Enough will be available October 14 at area record stores and can be ordered now at: wickandthetricks.bandcamp.com/album/not-enough

Wick & The Tricks were formed on Halloween night at a drunken basement punk show in KC.

Last year Wick & The Tricks released their EP, TRIGGER WARNING on July 27, 2016, it was their 3rd release from the KC based punk-glam-queercore-riot grrrl-trash rock, 4-member band fronted by librarian & activist Wick Thomas aka Wick Trick, with JoJo Tornado on drums, Jane Asylum on bass & vocals, and Chris Stallion on guitar. Wick & The Tricks were formed on Halloween night at a drunken basement punk show in Kansas City. from their Facebook page: “The Tricks have become infamous for their energetic live performances, combining the spirit of bands like the Cramps and the New York Dolls with a faster, harder sound. Carrying the torch of the riot grrrls and early queercore bands with some not-so-subtle nods to Joan Jett, Wick & The Tricks are a band with a mission (but hopes you’re having way too much fun to notice).”

11:13

13. Wick & The Tricks – “Drama Queen”
from: Not Enough 7″ Vinyl EP / Black Site / October 14, 2017
[Wick & the Tricks are a 4-piece band with Wick Trick on vocals & sleaze, Chris Stallion on guitar, Jane Asylum on bass & vocals, and JoJo Tornado on drums. The new EP was recorded and mixed by Justin Mantooth at Westend Recording Studios.]

Wick Thomas, Thanks for being with us on Wednesday MidDay Medley

We talked with Wick about Activism and The Rocky Horror Picture Show

This has been a big year for Wick who became a Homowner, is back in school working on his Masters Degree, and he has a new job working at The Nelson Atkins Museum of Art.

We are talking to Wick Thomas, lead singer of Wick & The Tricks, who joins us to share information about the new Black Site Records, 7-inch vinyl, 4-song EP debut, “Not Enough,” Wick & the Tricks play a Record Release Show, Saturday, Oct 14, at 8:00 pm at Davey’s Uptown Rambler’s Club, 3402 Main Street, KCMO, with Red Kate, The Quivers, and The Midnight Devils.

11:21 – Underwriting

14. Sinple – “JX7 (Digital Dream)”
from: Music For Machines / Independent / May 1, 2017
[Sinple is the electronic music project of Jesse Bartmess who plays synths, drum machine, and vocals. Jesse describes this new recording as an Ambient Album Inspired by Brian Eno’s “Music for Airports” Music for Machines was written and recorded by Sinple @ Moldy Basement. Full Length Release: TBA More info at http://sinple.bandcamp.com/ ]

[Sinple plays Riot Room, Sun. Oct 8, at 7:00 pm, opening for Zealyn along with Lovergurl, and Valise.]

15. Pink Royal – “Bring It On Back”
from: Do You Mind EP / Pink Royal / September 12, 2017
[Experimental groove pop, 5-piece band based in Lawrence, Kansas with Steven LaCour on guitar & vocals, Josh Dorrell on guitar & vocals, Alex Hartmann on drums, Nick Carswell on bass & vocals, Vik Govindarajan on Keyboards & vocals. Music and Lyrics by Pink Royal (except Tracks 3 & 6 by Pink Royal and Dylan Guthrie.) Recorded and produced by Jim Barnes. Mastered by Dalton Brand at WaveBurner Recording.]

[Pink Royal played a Do You Mind EP Release show, Fri, Sept 22, at recordBar, w/ Hi Lux, and Evolfo.]

16. Marcus Lewis – “Approaching Gangsterdom”
from: Facing East / Marcus Lewisl / April 7, 2012
[Marcus Lewis on Trombone, Logan Richardson, on Alto Sax, Adam Larson on Tenor Sax, Sam Harris on Piano, Aidan Carroll on Bass, Tommy Crane on Drums, Pablo Masis, on Trumpet, Andrea Lewis, on Vocals]

11:32 – Interview with Kemet Coleman, Ryan Davis, and Marcus Lewis

Marcus Lewis, Ryan Jamaal Davis aka Kadesh Flow, and Kemet Coleman aka Kemet The Phantom on the October 4, 2017 edition of Wednesday MidDay Medley.

The debut recording of Marcus Lewis Facing East was featured in Vogue Magazine as being one the top albums on Janelle Monae’s 2012 Summer Playlist. Marcus Lewis is currently working on music for a new recording and is the Artistic Director of Future Jazz, a nonprofit dedicated to Jazz Education. Marcus has performed at the Kennedy Center for Performing Arts, the Jimmy Carter Summer Concert Series. As a sideman, he has also performed at the 53rd Annual Grammy Awards, the 2010 New Orleans Jazz Fest, the 2011 Glastonbury Festival, the 2011 Nobel Peace Prize Concert and the 2012 North Sea Jazz Festival, the Sydney Opera House, and for President Barack Obama at the White House in 2011 and 2012. Television shows include SNL, David Letterman, The Today Show, Jools Holland, Arsenio Hall, and American Idol. Marcus was awarded the 2008 Betty Carter Jazz Residency and the 2003 Outstanding Soloist award at the Wichita Jazz Fest.

Kemet Coleman aka Kemet the Phantom is one of Kansas City most elusive yet heralded musicians. Maintaining his integrity as a rapper, the Substruct Music artist formlessly combines elements of Jazz and electronic music in his production style with Rap aesthetics to create what many have coined to be “Dapper Rap”. He is a member of the Hip-Hop duo COA (Center of Attention) and the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet the Phantom is a Kansas City enthusiast and urbanist often known for his unprecedented collaborations with KC entities and organizations such as University of Missouri-Kansas City, KC Streetcar and The Kansas City Royals. He is also highly regarded for his impresario role within the Sly James for Mayor Campaign in the 2010-2011 where he created the first ever KC mayoral candidate rap song.

Emcee and trombonist Ryan Davis aka “Kadesh Flow” is a rapper with an MBA. At age 11, he began rapping and playing trombone within two weeks of one another. His music has been featured on network television in multiple countries and territories across Southeast Asia. Locally, Kadesh can be found rocking solo hip hop sets, laying down bone bars with KC funk juggernaut The Phantastics, or jamming with various bands throughout the city.

KC emcees: Kemet The Phantom, and band mate Kadesh Flow, are joining forces with The Marcus Lewis Big Band for Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble, as well as full jazz band versions of songs such as Kendrick Lamar’s “Alright” and Bruno Mars’ “24K Magic”.

Some notable artists that Marcus has performed and/or recorded with are Aretha Franklin, Prince, Janelle Monáe, Bruno Mars, B.o.B, Jidenna, Musiqsoulchild, Avery Sunshine, The Barkays, Confunkshun, and Sugarfoot’s Ohio Players. In addition to an active touring and recording schedule, Marcus stays busy writing, arranging, teaching and leading clinics and master-classes worldwide.

Marcus Lewis has played all over the world, including The Late Show with David Letterman, Saturday Night Live, Later with Jools Holland, and currently lives in KC where he leads his own quintet, and an 18-piece Big Band, and he continues to tour with Grammy Nominated vocalist, and KCK native, Janelle Monáe.

Creating almost a formless persona as a rapper and public figure, Kemet the Phantom has graced the cover of multiple newspapers and magazine covers and won numerous awards: 2009, INK Magazine, 2011 KC Magazine, 2012 Pitch Weekly. He is a two time Pitch Music Award nominee for “Best Hip-Hop Act” in Kansas City and was the 2011 Big Brothers Big Sisters “Sexiest Single” in Kansas City.

11:41

15. Kemet the Phantom – “Suite Life (Master Clean)”
from: The Invisible Man / Center of Attention / March 9, 2017
[Kemet Coleman is Kemet the Phantom, a Kansas City based musicians who calls himself a rap Artist, actor, and Urbanist. Hemet is a member of the Hip-Hop duo COA (Center of Attention) and is the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style. Kemet the Phantom is a two time Pitch Music Award nominee for “Best Hip-Hop Act.” Kemet created the first ever Kansas City mayoral candidate rap song for the Sly James for Mayor campaign in 2010. A University of Missouri – Kansas City alumnus, Kemet, created “Gold and Blue” for UMKC’s sports teams, which has garnered thousands of plays on YouTube and has been featured on prime-time television commercials for the university. More information at: http://www.kemetthephantom.com.]

[Kemet The Phantom plays Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble]

11:45 – Interview with Kemet Coleman, Ryan Davis, and Marcus Lewis

We are talking with Kemet The Phantom, and band mate Kadesh Flow, who are joining forces with The Marcus Lewis Big Band for Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble, as well as full jazz band versions of songs such as Kendrick Lamar’s “Alright” and Bruno Mars’ “24K Magic”.

The Kansas City based band, The Phantastics are an 9 member group formed in 2010, that specialize genre-blending hip-hop, mixed with rock, rap, dance, funk, jazz and soul. Members include: Kemet “the Phantom” Coleman on lead vocals, Kim Newsome on vocals, JJ Cantrell on lead guitar & vocals, Danny Florez on electric bass & vocals, Ashley Thompson on drums, Ernest Melton on Saxophone, Ryan Davis aka Kadesh Flow on trombone and sick raps, and Austin Quick on keyboards.

Emcee and trombonist Ryan Davis aka Kadesh Flow brings realism, consciousness, and nerd life together in riveting flow format. He has composed and produced original music for Toonami Asia and shared the stage with the likes of artists like Tech N9ne, Phora, I Fight Dragons, The Revivalists, B.o.B., mc chris, and others. He has been publicly lauded by outlets such as IGN and Kotaku. More informati0n at: http://www.kadeshflow.com

The Kadesh Flow Headbuster – Single was Inspired by “Parasyte: The Maxim”, “Headbuster” finds Kadesh Flow promising that he is coming for the heads and minds of his listeners, much like the nemesis creatures in the inspiration content take over the brains of their victim.

Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble, as well as full jazz band versions of songs such as Kendrick Lamar’s “Alright” and Bruno Mars’ “24K Magic”.

11:56

18. Kadesh Flow – “Headbuster”
from: Headbuster – Single / Ryan Davis / December 9, 2016
[Inspired by “Parasyte: The Maxim”, “Headbuster” finds Kadesh Flow promising that he is coming for the heads and minds of his listeners, much like the nemesis creatures in the inspiration content take over the brains of their victim.]

[Kadesh Flow plays Brass & Boujee, Friday, October 6, at 7:00 pm, at Ruins Pub, 1715 Main St, Kansas City. Marcus Lewis will present, big band arrangements of Kemet and Kadesh’s original material for his 18-piece jazz ensemble.]

19. Noel Coward – “The Party’s Over Now”
from: Noel Coward in New York / drg / 2003 [orig. 1957]
[WMM Closing Theme]

Next week on Wednesday, October 11, Kathryn Golden returns to share details about PorchFest 2017 on Saturday, October 14 from Noon until 6:00 PM in the Valentine and Roanoke neighborhoods of Kansas City, we’ll also talk with Kent Shelton, General Manager of the Arvest Bank Theatre at The Midland in Kansas City Missouri. Plus Marion Merritt and Betse Ellis join Mark as Guest Co-Hosts for our Fall Fund Drive to encourage our wonderful listeners to donate to the Voice of The Community – 90.1 FM KKFI – Kansas City Community Radio.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

Show #702