Wednesday MidDay Medley
Produced and Hosted by Mark Manning
90.1 FM KKFI – Kansas City Community Radio
TEN to NOON Wednesdays – Streaming at KKFI.org

Wednesday, December 7, 2022

The 120 Best Recordings of 2022
(Part 1 of 4)

1. “Main Title Instrumental – It’s Showtime Folks”
   from: Motion Picture Soundtrack to All That Jazz / Universal / Dec. 20, 1979
   [WMM’s adopted theme song in honor of Bob Fossee]

WMM presents part-one, of our four-week special: The 120 Best Recordings of 2022. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length albums and EP recordings of 2022. We realize these “Best of” lists can seem subjective, so we ask that you please accept our list as a celebration of the year in music.

In 2022 we’ve broadcast nearly 900 different tracks on WMM over our 100,000 watts of 90.1 FM Community Radio Airwaves. Over 500 of these tracks were from New & MidCoastal Releases. 80 of the representative tracks in our “Best of” list are from MidCoastal Releases. We conducted over 120 interviews with 120 special guests. 50 of the bands and artists in our “Best of” list have joined us as guests on WMM. We’ve also incorporated the lists of our Guest Producers in 2022: Marion Merritt, Matthew Roth, Nico Gray, Nick Spacek, Chris Haghirian, and Fally Afani.

Tune into Wednesday MidDay Medley throughout December for our 4-week series: The 120 Best Recordings of 2022, on December 7th, 14th, 21st, and 29th. This is our celebration of the year when we were able to survey over 600 area musical releases.

2. (#120.) The Blast Monkeys — “Blastoff”
   from: Summer Camp / The Blast Monkeys / July 18, 2022
   [The Blast Monkeys are two dudes making music out of Tonganoxie, Kansas. Formed in 2017 by high school best friends, Scott Vick & Kyle Chambers, they plan to make music their career by any means. Their songs fuse high-energy drums and catchy guitar riffs with goofy jokes and a “passionate” stage presence that is sure to win over any crowd. For more info: http://www.theblastmonkeys.com. and http://www.theblastmonkeys.bandcamp.com

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The Blast Monkeys – Discography
Summer Camp (9-track Album) / July 18. 2022
“Capo 2.0” (Single) / February 16, 2022
Big Things, Small Places (4-track EP) / August 21, 2021
Washed Out (3-track EP) / December 16, 2019
Moon Juice (5-track EP) / March 25, 2019

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3. (#119.) Lucinda Williams – “Doo Doo Doo Doo (Heartbreaker”
   from: You Are Cordially Invited…A Tribute to the Rolling Stones / Highway 20 Records /2022
   [Lu’s Jukebox is a six-volume series of mostly full-band performances recorded live at Ray Kennedy’s Room & Board Studio in Nashville, TN. Each volume features a themed set of songs by other artists curated by the multi-Grammy award winner, Lucinda Williams. // Lucinda Gayle Williams was born January 26, 1953. She is an American rock, folk and country music singer, songwriter and musician. She recorded her first albums, Ramblin’ on My Mind (1979) and Happy Woman Blues (1980), in a traditional country and blues style and received little public or radio attention. In 1988, she released her eponymous third album, Lucinda Williams, to critical raves. Widely regarded as “an Americana classic”, the album also features “Passionate Kisses”, a song later recorded by Mary Chapin Carpenter, which garnered Williams her first Grammy Award for Best Country Song in 1994. Known for working slowly, Williams’ fourth album, Sweet Old World, appeared four years later in 1992. Sweet Old World was met with further critical acclaim, and was voted the 11th best album of 1992 in The Village Voice’s Pazz & Jop, an annual poll of prominent music critics. // Williams’ commercial breakthrough came in 1998 with Car Wheels on a Gravel Road, an album presenting a broader scope of songs that fused rock, blues, country and Americana into a distinctive style that remained consistent and commercial in sound. Car Wheels on a Gravel Road, which includes the singles “Right in Time” and the Grammy nominated “Can’t Let Go”, became Williams’ greatest commercial success to date. The album was certified Gold by the RIAA the following year, and earned her a Grammy Award for Best Contemporary Folk Album, while being universally acclaimed by critics. Williams’ follow up album, Essence, appeared three years later in 2001, to further critical acclaim and commercial success, becoming her first Top 40 album on the Billboard 200, peaking at No. 28. Featuring a more downbeat musical tone, with spare, intimate arrangements, the album earned Williams three Grammy nominations in 2002, including Best Contemporary Folk Album, while the single “Get Right with God” won her the Grammy Award for Best Female Rock Vocal Performance. // One of the most celebrated singer/songwriters of her generation, Williams has released a string of albums since that have earned her further critical acclaim and commercial success, including World Without Tears (2003), West (2007), Little Honey (2008), Blessed (2011), and Good Souls Better Angels (2020). Among her various accolades, she has won three Grammy Awards, from 17 nominations, and has received two Americana Awards (one competitive, one honorary), from 11 nominations. Williams ranked No. 97 on VH1’s 100 Greatest Women in Rock & Roll in 1999, and was named “America’s best songwriter” by Time magazine in 2002. In 2015, Rolling Stone ranked her as the 79th greatest songwriter of all time. In 2017, she received the Berklee College of Music Honorary Doctor of Music Degree, and ranked No. 91 on Rolling Stone’s 100 Greatest Country Artists of All Time. In 2020, Car Wheels on a Gravel Road ranked No. 97, and Lucinda Williams ranked No. 426, on Rolling Stone’s 500 Greatest Albums of All Time.]

4. (#118.) Barbara Stant – “Unsatisfied Woman” (CD #4) (4:17)
   from: Eccentric Soul: The Shiptown Label / Numero Group / 2022
   [Before she was the Queen of the Norfolk Sound, Barbara Holmes was a teenage hopeful auditioning with a few friends inside Noah Biggs’ Nimrod record shop. Upstairs was the office for Norfolk, Virginia’s Shiptown Records, Biggs’ upstart soul label, and the place she’d call home for the next decade under the name Barbara Stant. She started out on backing vocals in the in-house Idets beehive trio, but Biggs knew that talent of Stant’s caliber demanded a spotlight all her own. A dozen sides were tracked over the next decade, producing a body of work that stretched from deep soul to crossover, northern to sister funk. By 1978 disco was in overdrive, Noah Biggs was in the ground, and Stant’s career on hold. My Mind Holds Onto Yesterday compiles here complete Shiptown Recordings, cementing her “Queen” status for the digital age..]

5. (#117.) Bootkrieg – “Trial & Tribulations”
   from: The Power Storm EP / Bootkrieg / June 17, 2022
   [Bootkrieg & The Krieg Street Band: N. Krieg on vocals; N. Krieg on guitars; N. Krieg on bass; N. Krieg on bass. ‘Recording Engineer’ / ‘Mix’ / ‘Master’: N. Krieg]

6. (#116.) Siilk – “Stagnant”
   from: Siilk [EP] / Siilk / July 1, 2022
   [Produced by Justin Mantooth and Siilk. Recorded and mixed by Justin Mantooth at Westend Recording Studios in Kansas City.]

10:23 – Underwriting

7. (#115.) LOQSA – “Green Lady”
   from: the future was better – version 1 / LOQSA / April 1, 2022
   [Kansas City, Kansas based LOQSA offers atmospheric synths and music that will stick in your head for days with a unique blend of pop-laden hooks and sleek and chilled out charm. About “the future was better – version 1” LOQSA writes, “This is the first version of the album that I’ve yet to figure out what to do with. I would eventually love to put lyrics on it but I don’t think my vocals fit. Until then, it’s purely instrumental.]

8. (#114.) Luke Petet – “dogme95”
   from: Seventh Spell / Luke Petet / May 20, 2022
   [SEVENTH SPELL was recorded 2018-2022 in Kansas City, Denver, Boulder, Lawrence, Black, Rolla, and Springfield, in houses and basements and during the day and night and sometimes cars or in the woods on various tape or digital recorders assembled from the various tapes and fragments in 2022. Luke Petit was born in Blue Springs, Missouri but calls Kansas City his home. SEVENTH SPELL is his first big solo project. Luke also plays Pedal Steel for the Kansas City baed band, Hellfire Club. Luke released 4-track EP, DOGME95, on April 8, 2022. Luke Petet released the single, “Bleach+Hands” on April 15, 2022. More info at: http://www.lukepetet.bandcamp.com]

9. (#113.) Tucker Slough – “I Already Know…”
   from: Lx Obvix / Tucker Slough / January 15, 2022
   [Kansas City based MC, drummer, and actor. Tucker Slough is a husband and father. Tucker Slough is a veteran of the Kansas City Music Community. Tucker is an MC who has been compared to Eminem, though he doesn’t like the comparison. Tucker’s music is incredibly original, theatrical, hilarious, political, making social commentary with song, and the poetry of hipHis father is Fred Slough a well know Kansas City Attorney, and part of the progressive law firm Slough Conneally Irwin and Madden who had offices above The Corner Restaurant in Westport, back when Westport was progressive and cool. The late Kathleen Conneally was an Attorney for KKFI in our early years. Kay Madden was a regular contributor to KKFI’s The Tenth Voice for over a decade. // Tucker was part of the band ShinyJets an experimental rock band formed in Chicago in 2004 when drummer Tucker Slough encountered Singer/Guitarist Shanté Clair performing at a party thrown by a mutual friend in the Rogers Park area. The two struck up a friendship and began trying to incorporate Tucker’s drumming into Shanté’s existing solo project, The Maybe. Soon they began writing new songs and pushing their musical ideas further, incorporating looping pedals and other electronics until they had compiled a number of songs. Some time afterwards, Tucker moved back to his hometown of Kansas City and Shanté left Chicago to live in New York for a number of years. Around 2014, the two began working on new songs together, with Shanté writing songs that Tucker would then add drums parts to and send back via Dropbox. Within a short time the material they were creating began to take shape and discussions began about re-establishing the band. In March of 2015 Shanté packed up and moved to Kansas City to begin work on the project that would assume the moniker Shiny Jets. Incorporating songs written back in Chicago and those songs written long distance between New York and Kansas City, the two began adding layers of sampling and further experimentation with even more complex looping and arrangements. Shiny Jets are no longer a band. Info at: http://www.shinyjetsmusic.com or Info at: http://www.tuckerslough.bandcamp.com

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Tucker Slough Discography

Sloughterhouse V, released in 2007
23-track album, Produced by Tucker Slough in Chicago and Kansas City. Featuring the cartoon bear. http://www.neonderthalkcmo.bandcamp.com

Tucker Slough: The Sloughvinci Code, released 2007-2008
15-track album, recorded in KCMO 2007, 2008 in a house near Topp Boom’s crib. All production by Tucker Slough. Rhymes by Tucker Slough.

Sloughchwitz. released in 2009-ish
Sloughschwitz is a concept album recorded in and around Kansas City in 2009-ish, at a time when Tucker Slough was obsessively studying the bizarre and fascinating, crypto-right wing extremist Lyndon Larouche cult, and observing in horror the growth of the right-wing extremism in the United States and around the world. All music and rhymes by Tucker Slough except Negro Sco verse on his cameo song. This album has a conspicuous absence of the cartoon bear.

Neonderthal released in 2014
28-track album, Produced by Luke Rocha and Tucker Slough, compact disc and digital download available at- http://www.neonderthalkcmo.bandcamp.com. Recorded in KC, 2014. Symbol Heavy Recordings

Lx Obvix, was released January 15, 2022.

Tucker Slough has also released two vinyl albums:
EPs 1 & 2, and EPs 3 & 4, with Shante’ Clair for their band, ShinyJets.

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10. (#112.) Stacy Busch – “Moscow”
    from: Finder / Stacy Busch / October 5, 2022
    [FINDER was written during the 8 week international and virtual residency OneBeat Virtual 3. Each piece was created using home audio and visual recordings from the musicians in the residency program. The majority of the tracks in the pieces are, in fact, samples from these recordings that have been manipulated in various ways. Stacy writes, “Thank you to OneBeat, Found Sound Nation and the U.S. Department of State Cultural Affairs for the opportunity to participate in OneBeat Virtual 3. Additionally, thank you to the entire cohort of OneBeat Virtual 3 fellows for their artistry and inspiration and to Anton Maskeliade for facilitating this process.” // Featuring: Goodluck Babatunde, Eduardo Pininga, Lucy Little, A.yoni Jeffries, Kateyrna Kostrova, Ivona Eterović, Takahara Suiko, Sokhibjon Kurbanov, Anton Maskeliade, Tewdros Fantahun Ejigu, Bawari Basanti, Sruti Sarathy, J.J. Pearse // Thank you to Gorbi for all album artwork and Vaughan Harrison for photography. // Earlier this year Stacy Busch released music from ghe production of:“When/Time” originally presented in Charlotte Street Foundation’s Black Box Theater, 3333 Wyoming St., KCMO, on June 25 & 26, 2021. Busch was named a 2020 Charlotte Street Foundation Generative Performing Artist. This project, intended for 2020, was delayed due to the pandemic. “When/Time,” will now go on tours to health centers, behavioral health/addiction centers, and schools.. “What is certain is that Busch is an important emerging compositional voice, fearless in its vulnerability, and able to pull disparate musical genres into a cohesive whole without artifice.” -KC METROPOLIS. Stacy Busch is a composer and performer. Her concerts and productions are designed to be provocative yet accessible in order to cultivate broader artistic interest and, in particular, reach under-served and/or misrepresented communities. Stacy is the founder and president of No Divide KC, an arts and social justice non-profit that creates artistic events for social causes. Artistically, her work deals with internal conflicts that are often taken abstractly from her personal experiences with addiction and bipolar disorder. These experiences of duality both in the mind and body are universal and her work expresses this underlying human vulnerability. Stacy’s work has been performed nationally as well as in France and Iceland. In 2020, Stacy’s non-profit No Divide KC is producd the 1st Annual Queer Narratives Festival. Also in 2020 Stacy worked on composing the new music and theater production, When/Time in partnership with Charlotte Street Foundation. COVID-19 has changed the dated of this performance. Stacy also has collaborative projects in the works with The Mid America Freedom Band. Recently, Stacy released a new project and subsequent album, titled Mass, which she premiered at MTH Theater. Stacy has performed at Splice Electroacoustic Music Festival, she scored the documentary “The Ordinance Project” which premiered at the Kansas City LGBTQ Film festival, she partnered with Gilda’s Club KC, Owen/Cox Dance Group and Charlotte Street Foundation to compose and perform the music for “Collective: Our Stories of Cancer,” other service with No Divide KC includes partnerships with the Kansas City Ballet School and the Johnson County Library. In addition to Kansas City, Stacy’s work has been featured at the University of Colorado-Boulder, UMKC Conservatory of Music a& Dance, Western Michigan University & Central Michigan University. It has also been performed by ensembles including: loadbang, Bent Frequency and the Beo String Quartet. She is a 2020 Charlotte Street Foundation Generative Performing Artist Fellow. Stacy has received grants from ArtsKC, ArtSounds, Charlotte Street Foundation and the UMKC Women’s Council. Stacy received her MM In composition from the University of Missouri-Kansas City and her BM in composition from Western Michigan University. Her teachers include Rome Prize winners Paul Rudy & James Mobberley as well as Pulitzer Prize winners Zhou Long and Chen Yi. Other influential teachers include Guggenheim Fellow Curtis Curtis-Smith, Christopher Biggs & Lisa Coons. Prior to studying music, Stacy studied journalism at Boston University.]

11. (#111.) Kokoroko – “Ewà Inú”
    from: Could We Be More / Brownswood / August 2022
    [.Kokoroko is a London-based eight-piece musical group led by Sheila Maurice-Grey, playing a fusion of jazz and Afrobeat. In February 2019 they were named “ones to watch” by the Guardian, after their track “Abusey Junction” garnered 23 million views on YouTube. In February 2020 they won Best Group at the Urban Music Awards. In September 2020 they played BBC Proms at the Royal Albert Hall. // They released their debut album COULD WE BE MORE, in August 2022.]

12. (#110.) The Bump Band – “You and Yours”
    from: Our Music / Lotuspool Records / March 4, 2022
    [Jerald Scott (known as Bump Funk) and his bands were a legend in the Kansas City soul music scene from the late 60’s to the early 80’s electrifying crowds across the country with live performances that rivaled the largest names of the era. From his bands “Bump and the Soul Stompers” to “Unnatural Funk” to “The Bump Band” to the “Bad News Band,” there was one constant…they were bringing the FUNK! When his early bands broke up, it left Bump with a longing to get back on the stage. He loved performing live and energizing crowds so he decided to assemble a new band made of musicians that had his same talents and passions…”The Bump Band.” // The band was comprised of some of the greatest musicians ever assembled. On guitar was Robert “Snookie” Clarkson and Robert Kelly (bass). Herman “Hammer” Lacy was on drums with Terry “Grim” Grimmett on sax and Bump on Keyboards. All of the members provided vocals along with vocalist Wanda Byrd. During their time together, each of the band members put together their song ideas to come up with the album which is why it is titled “Our Music.” // This album was originally recorded in 1983 at Bump Funk Studios but was never released due to various circumstances. The original recordings were lost over time (like most of his music) and recently discovered in Bump’s attic. Bump’s son, Jeremy Scott, let the executives at Lotuspool Records listen to the music and it was undeniable that it had to be shared with the world. Although the original analog recordings were damaged, the music has been digitally remastered. // This album being released is a dream come true for Bump and the band and a loving tribute to the band members no longer with us (Herman, Terry and Wanda). We hope you enjoy the vibes of an amazing era of soul! “We are The Bump Band…and we’re coming to your town. // Everybody get ready, cause we’re gonna get down!”]

13. (#109.) Lee Walter Redding – “We Could Be Warlords”
    from: Live From The Argyle Wallpaper [EP] / Lee Walter Redding / July 15, 2022
    [This is the second single from the 5-track EP LIVE FROM THE ARGYLE WALLPAPER. Lee Walter Redding on vocals, guitar; Justin Rogers on bass; Andy Kirk on guitar/synth and Justin Skinner on drums. Lee writes: We Could be Warlords is a story of two twisted, go-getters finding love through a mutual goal of taking over the world. They’re both so consumed with the day-to-day job of developing and controlling a police state that the only way they can get off is by manipulating and hurting the poor citizens of their respective countries.”We could be Warlords drumming up suspicion / Giving the finger to UN resolutions / We could wind em up to lull them down / We could be warlords in love”Lee Walter Redding released “Elephant Man (feat. Stephonne)” om April 9, 2021. Lee told us that he learned about Stephonne Singleton from listening to Wednesday MidDay Medley and hearing Stephonne for the first time. WMM bringing musical collaborations together since 2004. // Kansas City based Lee Walter Redding was raised on 60s rock, steeped in 90s Britpop ennui, and guided by contemporary neo-soul, Lee Walter Redding weaves dry humor into vibrant sonic textures that sway from wistful to chaotic. Think 2010s Nick Lowe fronting The Velvet Underground. On warped vinyl. More info at: http://www.leewalterredding.bandcamp.com] [Lee Walter Redding was our guest on WMM on July 13, 2022]

14. (#108.) Anson The Ornery – “Burn It Down”
    from: Simply Sad Songs / Anson The Ornery / February 1, 2022
    [Simply Sad Songs is just that, a collection of six original folk songs stripped down to Anson’s woeful voice singing over the lonesome strumming of his acoustic guitar. In the album Anson sings of hating love songs, his inability to care about anyone including himself, and being sorry for everything he’s ever done. This short listen is the ideal album for those dreary nights spent alone in the dark wallowing in your own sorrows. So next time you’re feeling down, lean into it and pop on Simply Sad Songs for the perfect listening experience. Anson is a multimedia artist combining his backgrounds in music, visual arts, writing and acting to create interactive installations and performances that make the viewer a part of the art rather than apart from the art. He has worked on The Great Tempest in a Bottle a website gallery exhibiting a series of sculptures, paintings, short stories and songs inspired by internet culture. Prior to this release Anson The Ornery released DJ Daniel The Cat on May 6, 2020, where Anson created small electronic toy synthesizers to accommodate the size of Daniel The Cat’s paws to create his self titled album synthpop DJ Daniel the Cat containing six upbeat dance songs with lyrics chronicling Daniel’s crippling social anxiety. After Daniel’s disappearance the DJ Daniel the Cat album was believed to be lost over. Over the last decade the notoriety of DJ Daniel the Cat has grown due to the popularity of the internet and the demand for the lost album was never greater when it was recently rediscovered.More info at http://www.ansontheornery.com] [Anson the Ornery played a “Simply Sad Songs” EP Release Show, Fri, April 29, 7:00 PM to 10:45 PM, at Manor Records, 401 N 6th St, Kansas City, KS. with opening performances from Fatih Maddox & Sam Wells]

15. (#107.) Cleveland Francis – “Hot Sun”
    from: Beyond the Willow Tree / Forager Records / June 15, 2022 
    [Beyond The Willow Tree is a hauntingly beautiful anthology of folk songs chronicling the experience of a young black man growing up in the segregated south. A balanced mix of covers and originals, Cleveland Francis’ body of work seamlessly blends deep, soulful vocals with the stripped down acoustic instrumentation of folk. In the late 60’s Francis coined the term “soulfolk”, playing his genre bending music across college campuses and coffee shops while earning a medical degree at William & Mary. // These songs serve as a missing link between soul and folk music, suppressed by the harsh political landscape of a music industry heavily influenced by racial stereotypes. “If you were black, you played blues or soul music … I wanted to play folk music,” Cleveland professed. // Included in this double LP set is Cleveland Francis’ entire 1970 self released album Follow Me, featuring the original artwork and liner notes printed inside the gatefold. The second LP takes you Beyond The Willow Tree with unreleased demos recorded in 1968 along with one 45 only single recorded in 1970. // “These recordings are a look into my soul through a long and lonely journey to understand feelings of my childhood, poverty, racial segregation, bigotry, war, love and hope. It represents my attempt to express and come to terms with all that I have seen and felt as a Black man growing up in America.” – Cleveland Francis.]

11:00 – Station ID

WMM presents part-one, of our four-week special: The 120 Best Recordings of 2022. Based on playlists of this little ole radio show, we’ve compiled representative tracks from our favorite full-length albums and EP recordings of 2020. We ask that you please accept our list as a celebration of the year in music.

16. (#106.) Prairie Brigade – “Is This How The World Ends?”
    from: Failsafe / Stemeltone / April 12, 2022
    [Debut single from Prairie Brigade a KC band born in late 2021 with Kristie Stremel on vocals & guitar, Chris Meck on guitar & vocals, John Hobson on guitar & bass & vocals, Ryan McCall on electric piano & vocals, and Tom Hudson on drums. Chris Meck from Chris Meck and the Guilty Birds, Tiny Horse, The Gaslights played on Kristie’s early Slewfoot solo records produced by Lou Whitney. John Hobson & Ryan McCall played on Kristie’s 2020 solo album, SKY CREW. Kristie Stremel has been described as “Joan Jett & Tom Petty’s love child,” and armed with her guitar, fueled by coffee, and over 100 published songs, a few books, multiple videos, singer, songwriter, producer, and rock & roll mom, Kristie Stremel has toured all over the world and shared the stages with so many bands, comedians, performance artists, and rock and rollers. Kristie Stremel grew up in a western Kansas off the beaten track for most. She learned to play her father’s guitar with Johnny Cash and Waylon Jennings songs that he taught her. In 1986, at age 12, she entertained her family with her first electric guitar. At 15, she caught Joan Jett at the county fair and decided to put together a band; it performed at the local skating rink and school dances. Transplanted to Kansas City the summer before high school, she got serious about writing songs. By 21, Stremel was a crowd favorite in one of KC’s most promising bands, Frogpond, which released a 1996 album produced by Everclear’s Art Alexakis. The next year, her growing stockpile of songs led her to form her own band. She named it after the Interstate 70 off-ramp that led to her hometown, Exit 159. The band release one EP and one full length and toured the West Coast twice and received the Pitch newspaper’s prestigious Kansas City/Lawrence Area Music Award for both Best New Band and Band of the Year. After the band broke up Kristie embarked on her solo career. She won another Pitch Music Award for Best Female Vocalist, and signed with a Springfield, Missouri label Slewfoot Records and released three albums and an EP, produced by the late great Springfield, Missouri legend Lou Whitney. After Lou’s passing Kristie created her own recording studio and her own label Stremeltone Records, created in her home in Lawrence. In October, 2013 Kristie and her partner, Lori Isabell, welcomed their adopted baby son, Charlie, into their family. In 2015 Kristie released, Wildflowers, a children’s book of songs & poems with an accompanying CD recording inspired by her son Charlie. In 2016 Kristie released the single “Orlando (Keep Dancing).” in response to the mass shooting at Pulse, a gay nightcub in Orlando Fl. Info at: http://www.kristiestremel.com or http://www.prairiebrigade.bandcamp.com or http://www.prairiebrigademusic.com

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Kristie Stremel’s Discography (on Stremeltone Records unless otherwise noted)

FAILSAFE / Album – Praire Brigade / April 12, 2022
(Kristie Stremel on vocals & guitar, Chris Meck on guitar & vocals, John Hobson on guitar & bass & vocals, Ryan McCall on electric piano & vocals, and Tom Hudson on drums.)

“Fool’s Gold” / Single / November 23, 2020

“Nighty Night Song” / Single / November 23, 2020

“Hey” / Single – (Kristie Stremel & The 159ers ) / November 23, 2020

SKY CREW / Album – Solo / November 13, 2020
(Recorded at Stremeltone Studio, Kansas. Mixed by John Hobson. Mastered by Paul Malinowski. Kristie Stremel on vocals & guitar, Lance Gilchrist on drums, Jason Hammond on bass, Ryan McCall on keyboards, and John Hobson on guitar & vocals.)

“I Love You” / Single / March 1, 2018

“Follow Your Freaking Heart.” / Single / February 14, 2018

“Orlando (Keep Dancing).” / Single / June 16, 2016
(The song was written by Kristie Stremel in response to the Pulse Nightclub massacre on June 12, 2016, when Omar Mateen, a 29-year-old security guard, killed 49 people and wounded 53 others in a hate crime inside Pulse, a gay nightclub in Orlando, Florida. Pulse was hosting Latin Night and most of the victims were Latino. About 320 people were inside the club, which was serving last call drinks at around 2:00 a.m. After arriving at the club by van, Omar Mateen approached the building on foot, armed with a SIG Sauer MCX semi-automatic rifle and a 9mm Glock 17 semi-automatic pistol and bypassed security and began shooting and taking hostages. After a three-hour standoff, he was shot and killed by Orlando Police Department officers. It was both the deadliest mass shooting by a single shooter and the deadliest incident of violence against LGBT people in United States history. It was also the deadliest terrorist attack in the US since the 9 /11 attacks in 2001. “Keep Dancing” was later included in the album SKY CREW. More info at: http://www.kristiestremel.com)

“Lost In You” / Single / November 28, 2015

”Lover Be Cool” / Single / November 24, 2015

“Kansas 1861” / Single / November 3, 2015

“The Shipwreck” / Single / February 14, 2015

WILDFLOWERS / Book & CD Album – Multiple Artists / November 4, 2014
(WILDFLOWERS, is Kristie’s children’s book of song and poems with accompanying CD recording with contributions from Victor & Penny, Kelley Hunt, Ron Megee, Kasey Rausch and more.)

“Love Makes A Family” / Book & Single / September 6, 2014

SONGWRITER / Album – Solo / In April 2014
{Kristie released SONGWRITER her 6th solo record, and the 9th full-length release of her musical career of over 20 years. SONGWRITER was released on her own label, Stremeltone, it was Kristie’s first self-produced album. The last track, “It’s Enough” was released early, as a video, featuring photos of couples in partnerships, relationships, marriages, unions, families. The video was Kristie’s response the the KS House of Representatives passing HD 2453 allowing businesses the right to refuse service to LGBT customers.)

“Ten Little Hens” / Single & Book / Nov. 22, 2012

“Don’t Do Crazy Anymore” / Single with James Johan / May 30, 2012

COLOR OF STARS / Album – Kristie Stremel & The 159ers / August 31, 2010,
(Kristie she received the Pitch newspaper’s prestigious Kansas City/Lawrence Area Music Award for both Best New Band and Band of the Year. She has also won the “Best Female Vocalist” in Kansas City awarded by The Pitch Weekly. After a decade of playing music, singer/songwriter Kristie Stremel and her former band mates from Exit 159 (drummer Rob VanBiber and bassist Jamey Wheeler), along with lead guitarist Scott Cameron, reunited to form Kristie Stremel & The 159ers. After a year of writing new material, “Color Of Stars”was released . This 12 song offering, recorded in Springfield, MO and Produced by Lou Whitney.)

“Unstoppable” / Single – Kristie Stremel & The 159ers / June 24, 2010

“Best Kiss” / Single / December 18, 2009

TEN YEARS / Album – Solo / November 15, 2006
(Kristie Stremel’s 14 song album “Greatest Hits” package)

HERE COMES THE LIGHT / Album – Solo / July 1, 2003
(10 song album recorded in Springfield, MO and Produced by Lou Whitney)

ALL I REALLY WANT / Album – Solo / September 25, 2001
(12 song offering, recorded in Springfield, MO and Produced by Lou Whitney)

THE DETOUR EP / EP – Solo / 2000
(6 – song EP released on Stremeltone Records)

EXIT 159 / Album – Exit 159 / 1998
(12 track album, on Don’t Touch Me Records from Exit 159 is Kristie Stremel with guitarist Byron Huhmann, drummer Rob VanBiber and bassist Jamey Wheeler)

LOST ON EARTH / EP – Exit 159 / 1998
(6 track EP w/ Kristie Stremel, Byron Huhmann on guitar, Rob VanBiber on drums, Jamey Wheeler on bass.)

COUNT TO TEN / Album – Frogpond / 1996
(12-track national debut full length album from Frogpond who at that time were: Heidi Phillips on vocals & guitar, Justine Volpe on bass, Megan Hamilton on drums, Kristie Stemel on guitar and backing vocals. COUNT TO TEN was released on Tristar Music – Columbia on CD and vinyl in 1996 with songs written by Heidi Phillips. Art Alexakis (of the band Everclear) served as producer and contributed backing vocals.)

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17. (#105.) Temp Tats – “F D T”
    from: In Tarnation / Temp Tats / July 8, 2022
    [Eric Schuman, Chris Paul, and Luke Waye as Temp Tats. Featuring Joel Schuman and Matt Purcell. Recorded, mixed, and mastered by Joel Nanos at Element Recording Studios in Kansas City, Kansas. Artwork by Joel Schuman. “Callosa” was released as a single on June 17, 2022.]

18. (#104.) Paige Hargrove – “Blooming Garden”
    from: The Name of The Game is Luck / Paige Hargrove / June 3, 2022
    [Paige Hargrove is a singer-songwriter from Chicago, who recently moved back after living in Atlanta, Georgia. Her music fits into the Americana/Singer-Songwriter genre. The Name Of The Game Is Luck was recorded at Cave Studios Pewaukee, WI. Produced by Kyle White, Zach Pietrini, and Paige Hargrove; Mixed by Kyle White; Mastered by Justin Perkins at Mystery Room. Instruments by Paige Hargrove, Kyle White, Zach Pietrini, Josh Miranda, and Evan Lane. Songwriters are: Paige Hargrove, Zach Pietrini (Amelia)]

19. (#103.) Waterofelegance – “Born to Live”
    from: Love – EP / Waterofelegance / August 30, 2022
    [6-track EP released by Waterofelegance, who also released the single, “Beauty Undisguised” on September 3, 2022, and the single, “Happy Dance (feat. Young Miller Tha Don)” on September 23, 2022. Originally from Florida, now based in Kansas City, warterofelegance writes about their work saying, “My music is like water — hydrating and refreshing for the mind and spirit.” Born and raised in Jacksonville, Florida, Waterofelegance started in music at six years old. She released her first song, “Kiss,” amidst the pandemic in 2020. .and followed that with “Do No Wrong” on March 25, 2020, “Goddess” on October 23, 2020, “70’s Girl” on June 3, 2021, My First Love,” released June 28, 2001, and ”I’m Gonna Be Me” on June 28, 2021.]

20. (#102.) John Keck – “Belle of The Ball”
    from: Sphere of Consciousness / John L. Keck / July 17, 2021
    [This album was lost on the Covid Haze, and had very little promotion. We didn’t know that this existed until 2022, so we made a singular exception to include this in our “Best of for 2022.” John L. Keck on guitar & vocals, Chris Hudson on lead guitar, Ezgi Karakus on cello, Chalis O’Neal on flugelhorn, Chase Horseman on piano, and Joel Nanos on soundscaping. Produced by Joel Nanos. All Rights Reserved by John Lawrence Keck. John writes, “It’s very much my pleasure to introduce this collection of songs and ideas that I’ve worked on for 10 years or more. I think it represents where I’ve been and where I’m going, while illustrating where I am now. It is meant to be an immersive experience with connections and clues to a never ending intersecting sphere of story lines as they have passed through my existence. I’m humbly proud of what we’ve done and thankful to be able to share it with you.” // John Keck released the EP Out In The Cold – 12th Street Singles on May 2018, with all songs Written by John Keck. Produced/Engineered/Mixed by Chase Horseman at Element Recording & Mastering Studios. Mastered by Ian Dobyns. John Keck on Guitar & vocals; Shannon O’Shea on violin; Chase Horseman on bass, drums, organ, & wurlitzer. “Out in the Cold”was 3 songs that were written while living on historic 12th Street in downtown Kansas City, Missouri. This EP followed John’s first studio release in 5 years since his 2013 Jack Moon Sessions, which was recorded at Sun Studios in Memphis. More at: http://www.johnlkeck.com]

21. (#101.) Charles Stepney – “Gimme Some Sugar”
    from: Step On Step / International Anthem  / September 9, 2022
    [Charles Stepney (March 26, 1931– May 17, 1976) was an American record producer, arranger, songwriter and musician. Stepney is noted for his work with artists such as The Dells, Ramsey Lewis, Rotary Connection and Earth, Wind & Fire. // He started his musical career as a jazz piano and vibraphone player, and began work for Chess Records as a musician and arranger.[4] In 1966, Charles Stepney and Marshall Chess, son of Chess Records’ co-founder Leonard Chess, created the band Rotary Connection. Stepney went on to produce the group on the Chess vanity label Cadet Concept. These were their 1967 self titled debut album, 1968’s Aladdin and Peace LPs and 1969’s release Songs. He also produced the group’s 1970 album Dinner Music and 1971 LP Hey Love. According to writer Paul Bowler: “The six albums that Rotary Connection recorded under Stepney’s guidance proved revolutionary; a glorious fusion of styles made essential by the simpatico nature of Stepney’s lush string arrangements and [Minnie] Riperton’s multi-octave, quasi-operatic vocals.” // Stepney went on to produce Rotary Connection lead singer Minnie Riperton’s 1970 debut album Come to My Garden. Commenting on Minnie at the time he said that she “has a soprano range of about four octaves, a whole lot of soul, she’s good-looking and she’s got the experience of Rotary behind her.” // During 1970 Stepney also wrote, produced and conducted a Classical Jazz Symphony entitled “Cohesion”. “Cohesion” was performed by the Minneapolis Symphony Orchestra, the Ramsey Lewis Trio and Minnie Riperton in Minneapolis, Minnesota. // Stepney worked with a wide range of other performers at Chess. He began producing soul group The Dells on their 1968 album There Is. He later produced the group’s 1969 release Love is Blue and their 1971 LPs Like It Is, Like It Was and Freedom Means. He also worked with blues musicians Muddy Waters and Howlin’ Wolf , and singers Terry Callier, Marlena Shaw, and Deniece Williams, on their albums. He is credited as a musician or producer on albums including The Soulful Strings – Paint It Black (1966) and Groovin’ with the Soulful Strings (1967); Muddy Waters – Electric Mud (1968) and After the Rain (1969); Howlin’ Wolf – The Howlin’ Wolf Album (1969); Marlena Shaw – The Spice of Life (1969); Terry Callier – Occasional Rain (1972), What Color Is Love (1973) and I Just Can’t Help Myself (1974); Phil Upchurch – Upchurch (Cadet, 1969) and The Way I Feel (Cadet, 1970). // Stepney began to collaborate with the Ramsey Lewis Trio as a producer on their 1968 LP Maiden Voyage. The album included the song “Les Fleur” written by Stepney and later recorded by Riperton in 1970. He also arranged on the Trio’s 1968 album Mother Nature’s Son and 1969 LP Another Voyage, and co-produced the 1970 album The Piano Player. // With the Trio was a young drummer named Maurice White who in prior played with Chess Records. White went on to found and lead a new band called Earth, Wind & Fire. Stepney eventually worked as an associate producer on the band’s 1974 release Open Our Eyes. // He then performed on Ramsey Lewis’s 1974 album Sun Goddess and produced his 1975 LP Don’t It Feel Good. Additionally Stepney coproduced with Maurice on Earth, Wind & Fire’s 1975 albums That’s the Way of the World and Gratitude. Stepney then went about coproducing with White on EWF’s 1976 album Spirit, Ramsey Lewis’s 1976 LP Salongo, The Emotions 1976 album Flowers and Deniece Williams’s 1976 LP This Is Niecy.]

22.(#100.) Mac Sauce – “Princess Diaries”
from: PRINCESS DIARIES / Mac Sauce / February 25, 2022
[Mac Sauce released the 9-track album PRINCESS DIARIES on February 25, 2022. Mac Sauce is a 10 year old Kansas City rap artist known as “the voice of the playground,” Mac Sauce is one of Kansas City’s youngest rappers who writes all her own lyrics. More info at: https://www.youtube.com/channel/UCDLXataYPNWmko586AVwIyQ%5D

23. (#99.) Miloe – “Miloe – where u are (radio edit)”
    from: gaps EP / Loma Vista Recordings – Concord / September 16, 2022
    [Born in the Democratic Republic of Congo, Bob Kabeya moved to the U.S. with his family at the age of 8 to reunite with his father, a journalist who was granted asylum three years prior. Greenhouse is an exhilaratingly energetic and youthful homage to Summer and the weather patterns of his childhood, paired with lyrics of teenage melodrama and idealism. “The Minnesotan climate can feel so limiting compared to where I grew up, almost like we’re waiting half the year to actually live our lives,” he explains. Living in a region that faces harsh winter for much of the year, and in 2020 served as ground zero for uprisings against police violence, Kabeya created Greenhouse as an offering of sunshine to his community as winter returned. // “The darkness of Minnesota winters contrasts with his youth, and his new EP Greenhouse aims to bring some sunshine to his current home.” – NPR Music, All Songs Considered // “blissed out” “shoegaze-pop rumination.” – The FADER // “bright, shoegaze delight.” – NYLON // “Miloe’s reach exceeds the suburban backyard, elsewhere capturing the travelogue of his youth in finger plucks and gently swaying piano.” – MTV // “With only five tracks, [Greenhouse] showcases Miloe’s seemingly almost effortless knack for melodies and simple, yet captivating instrumentals that make the project as a whole undeniable. Not much is known about what’s on Miloe’s docket for 2021, but consider us excited for whatever that may be” – UPROXX // “lovely…smooth pop number” – DORK.]

24.(#98.) clav – “Wrecks in the City”
from: Moonchaser – EP / Big Reggie Records / February 25, 2022

[clav’s 6-track EP, MOONCHASER has 6 tracks. clav is the musical project of Calvin Haverkamp from McLouth, Kansas, now living in Tonganoxie, Kansas. More info at: http://www.facebook.com/calvin.haverkamp%5D

11:27 – Underwriting

25.(#97.) Sessa – “Gostar Do Mundo”
from: Estrela Acesa / Mexican Summer / June 24, 2022
[Sessa’s songs are sung in Portuguese, with visceral, sensual lyrics in the vein of Caetano Veloso, and the melodic flourishes of Jobim. However, the music gets a deliberate minimalist treatment rarely found in contemporary Brazilian music, more reminiscent of the bareness of Leonard Cohen, with touches of tropicalia and free jazz..]

26. (#96.) Gee Watts – “Confidence (feat. Kye Colors & Jass) (Radio Edit)”
    from: NO RUSH [EP] / Caviart Records / March 23, 2022
    [Gee Watts released the 4-track EP, NO RUSH 3 on March 23, 2022. Kansas City emcee Gee Watts latest music capsule “No Rush 3”. The Ep includes features from Kye Colors & Jass. Production Includes Mike Summers, Money Miiike, & Drizi Dre of Tha GoonEz. GeeWatts started in 2009 with his Mix tape NO RUSH. // CTYDWRITING wrote about Gee Watts for https://ctydcreativespace.blog on March 21, 2022 – “It’s not uncommon to see that many Creatives will have different talents for which they have different uses. When one uses their craft to motivate and inspire others, however, it speaks volumes about their character. Gee Watts from Kansas City, Missouri, is a Rapper and distinguished figure within his city. Working with some prominent figures in the music industry, Gee is viewed as an inspiration and motivator to many Creatives residing on both sides of KC. Watts states there’s footage of him rapping Snoop Dogg’s “Gin and Juice” as a one-year-old, claiming that music has been with him from the beginning. Like other Creatives, Watts’ has been met with wins, losses, and lessons on many occasions. Despite the obstacles, his faith and encouragement from loved ones have kept him rooted to stay the course.” “I love the locals. I’ve worked with a lot of them, probably too many to name. I want to work with Janelle Monaé, she’s beyond special. Morgan Cooper, I need a cameo on Bel-Air. I wanna work with Ron Ron and Tech, they’re the two rappers I looked up to as a kid like alright I need in. I was on Techs project I want him on mines.” —Gee Watts. “Gee describes music in KC as unheard and under appreciated. Kanas City’s sound does not receive the proper credit it deserves. Places such as Detroit and Los Angeles incorporate the same bass synth & string sounds originating from KC and The Bay. Many do not associate KC with a style that has grown so eminent and recognized elsewhere. Watts will continue to work through his craft to educate and support those who come after, declaring his mission statement “Save Our Babies.” He says the future is God’s plan, the will of Allah. Wherever life may take Gee Watts, he’ll be 100% him until the end. “Without confidence, you’re twice defeated. With confidence, you win before you begin.” A man we’re confident will see many more wins. Always move #CloserToYourDreams” // More info at: http://www.geewatts1.bandcamp.com.]

27. (#95.) Bathe Alone – “Decades and Dreams”
    from: Fall With The Lights Down (Louise) [EP] / The Record Machine / October 7, 2022
    [Bathe Alone released 4 singles this year through The Record Machine: “Once More” (July 8, 2022), “Animals and Times” (May 13, 2022), “Waste It” (April 1, 2022), and “Decades and Dreams (March 4, 2022). Bathe Alone’s devastatingly melancholic dream-pop pairs moody arrangements with hefty layers of reverb and delay. Led by frontwoman and multi-instrumentalist Bailey Crone, Bathe Alone began sharing her buzzworthy singles in 2019, culminating in her self-released enchanting full-length Last Looks. // After growing up with a formal background in classical music, Crone first found her way to becoming a multi-instrumentalist from behind the drum set. With a newfound fascination and desire to find a voice on drums, Crone picked up guitar and bass only to create material so that she could play drums. However, she soon realized she had a distinct identity on the other instruments. With a drumming vocabulary more akin to the punk world, and her ambient guitar drenched in delay rather than distortion, Crone was discovering a sound with an emphasis on mood. After several years of developing skill and hashing out ideas, it became apparent that Crone had unlocked a gift for melody and arrangement, but there was no clear path in showing her music to the world. It was only after cutting her teeth in several bands local to her hometown, Atlanta, that she turned her focus to a new project – Bathe Alone. She enlisted help from producer Damon Moon, who immediately recognized an untapped potential in Crone, and within months they had completed what would become Bathe Alone’s debut LP “Last Looks.” With a totally DIY rollout, the new project developed quite a bit of traction, creating a noticeable following on streaming platforms, which has been multiplied by the release of Bathe Alone’s take on the Madonna classic, “Take A Bow.” // Bathe Alone will release their second album, Fall With The Lights Down (via The Record Machine). It takes its sonic inspirations from experimenting with sound design technology and from Crone’s condition of synesthesia, which is when you experience one of your senses through another. Her love of genre-defying sound creates an immersive world throughout the album. Co-written with producer Damon Moon (Lunar Vacation, Dinner Time, Bandanna), the duo collaborated throughout the COVID-19 lockdown at Standard Electric Recorders Co. in Atlanta. Crone would book studio days with song demos, and the pair would follow each other down creative rabbit holes. // Fall With The Lights Down isn’t afraid to take a look at life’s big questions, like the passing of time, moving on after loss, and processing childhood memories. Its lead single “Decades & Dreams” celebrates friendship and fearlessly looks toward the future. Complete with propulsive new-wave a-la reverb chamber energy, Crone toasts “to memories and dreams / to our decades and dreams.” // The hypnotic guitar swells of “Missionary Ridge” conjure the laidback energy of summer. Crone reflects on her grandparent’s house in Chattanooga, and that kind of comfortable melancholy that feels like a soft childhood blanket. Meanwhile, the lyrics of “Missionary Ridge” shuffle between wistful and weary with evocative lyrics about “pictures from the 70s / sick of watching Dad’s TV”. // Songs like “Animals & Trees,” “Waste It,” and “Childhood” are all haunted with epiphanies about animal rights, problematic friendships, and growing up. Of “Animals & Trees”, Crone says “Damon and I really hit a magic groove on this one.” The song even uses whole reversed sections from an earlier demo to create hypnotic instrumentals that are perfect for “laying on the floor and staring at the ceiling.” // Fall With The Lights Down all comes to a head with its closer, “4u” — a gripping six-minute cut where Crone wrestles with those big questions about life. She adds, “I like to end my records with a tug at your heartstring – emotional, dead dog songs. I’m joking, but I’m not.” At times “4u” seems like it will collapse under its existential weight. Before ultimately shapeshifting into an all-out heart-in-your-throat showstopper, dense with layers of who-knows-what. // Throughout Fall With The Lights Down, Bailey Crone walks a spectacular tightrope between genre and convention, at times dreamy and others jarring, and always skirting between the two. She will be releasing Fall With The Lights Down on the Kansas City based label The Record Machine in the summer of 2022.]

28. (#94) Scout Gillett – “slow dancin'”
    from: no roof no flooer / Captured Tracks / October 28, 2022
    [“Home” is a tough thing to pinpoint for someone who’s constantly in motion. Scout Gillett knows this well, but since relocating from Kansas City in 2017, she’s found one in Brooklyn’s DIY scene, playing in multiple live bands and even starting her own booking company to organize local shows. Her intrepid nature results from a childhood spent running barefoot through rural Missouri and coming of age in Kansas City’s punk scene. Her debut solo album no roof no floor features shades of all her past and present lives: a bold and spirited yet warm, intimate meditation on trust, surrender, and what makes a home. no roof no floor follows Scout’s debut EP, one to ten, released via Captured Tracks in April and received praise and support from The FADER, Brooklyn Vegan, Under the Radar, Rolling Stone UK, CLASH, and more. // Following the sudden overdose of a lover in 2018 and the onset of the 2020 quarantine, Scout returned to Missouri in search of reprieve. Instead, she was dismayed to find that her hometown was suffering; friends and family members were caught in the grips of drug and alcohol addiction. “Nothing was as I’d remembered,” she says. “I felt homesick for a home that no longer seemed to exist.” She channeled her fears and frustrations, as she always had, into songwriting. “I meditated on surrender,” she says; “I recited the serenity prayer. I realized that I’d never be able to save anybody but myself.” // The resulting collection of songs was far more vulnerable than any of her previous work, but when Nick Kinsey (the album’s producer) called from his recording studio (The Chicken Shack in Stanfordville, New York) saying his friends Ellen Kempner (Palehound) and David Lizmi (MS MR) were interested in working on an album with her, Scout knew it was time to share it with the world. “I woke up and wrote ‘trust’ on my hand every day I was recording. I pushed myself to trust the unknown, and trust that I had a message I was ready to share with people.” // ecorded in a big wooden barn with the doors wide open, there’s a sense of spaciousness on no roof no floor befitting its title. The arrangements, too—which feature contributions from Kempner, Lizmi, and Kevin Copeland (The Big Net)—reflect Scout’s rural roots and her indie spirit; a fusion of upbeat, guitar-driven melodies and folk/country instrumentation like pedal steel, harmonica, and tenor banjo. All of these elements are underpinned by Scout’s signature soaring, velvet vocals and open-hearted lyricism – she sails from a hushed whisper to dulcet spoken word to a cathartic belt with ease. // Above all, there’s a strength in the vulnerability of this record. The pain is on full display, but so is the love as Scout presents herself as an artist to watch in the year ahead.] [Scout Gillett plays recordBar on Nov. 17, 2022 at 5:00 PM with The Whiffs, Blanky, and Magic Marty]

29. (#93.) Kid Computer – “Arizona”
    rom: CAFE VERTICLE GARDEN / Kid Computer / March 21, 2022
    [Kansas City based 4-piece band with Matt Gore, Christian Sanchez, Dalton Grenier, and George McMillian. Kid Computer released the single, “Romantic Overdrive” on February 21, 2022. The new album is a follow up to the band’s EP The Darnedest Things, released April 26, 2019. More information at: http://www.instagram.com/kidcomputer%5D [Kid Computer played an EP Release Show, Saturday, May 25, at Replay Lounge, 946 Massachusetts St, Lawrence KS., with The Sluts and Vehicles.]

30. (#92.) Adrian Quesada – “Mentiras Con Cariño (feat. ILE)”
    from: Boleros Psicodélicos / ATO Records / June 3, 2022
    [Adrian Quesada is an American musician, producer, and songwriter. // In early 2022, inspired by the Latin American psychedelic ballads of the sixties and seventies, Quesada recorded Boleros Psicodélicos. Gabriel Garzón-Montano, Girl Ultra and Marc Ribot are featured on the record, which includes classic balads as well as Quesada’s original compositions. Rolling Stone’s Ernesto Lechner wrote that with its “remarkable intensity and a mind-boggling attention to detail”, the album “promised to be one of 2022’s most gorgeous releases”. The first single from the album, “Mentiras con Cariño” (featuring iLe), was released in March 2022. It was Quesada’s first solo single. // In late 2017, on the recommendation of a friend, Quesada contacted Eric Burton to sing on instrumentals he had recorded. They formed Black Pumas shortly after their first meeting, and released their self-titled debut in June 2019. Critically acclaimed, they were nominated for the Best New Artist Grammy four months after their first album was released. A deluxe version of their debut and a live album were subsequently released; as of 2022 the Black Pumas had received six Grammy nominations, including Album of the Year and Song of the Year. They played more than 60 live shows prior to and after the COVID-19 pandemic and, in addition to other television shows, they appeared on Austin City Limits, the Grammy Awards telecast, Late Show with Stephen Colbert and Celebrating America, the concert following the Biden inauguration. // Well-known as a producer, Quesada works out of his Austin studio, Electric Deluxe. In addition the Black Pumas records, he has more than 150 production credits, including Look at My Soul: The Latin Shade of Texas Soul, his collection of original songs and re-recordings of Chicano soul classics.]

31. (#91) Scarecrow Vapors– “Scarecrow Vs. Raven”
    from: Scarecrow Vapors EP / Scarecrow Vapors / December 19, 2021
    [Scarecrow Vapors is a project of Sarah Slaven and Tim Jenkins. The songs were formed around Sarah’s Poetry with Tim providing song arrangements, guitar and other things. In the studio Alex Boyd and Tim Manning came along for Drums and Upright Bass. The EP was recorded, mixed and mastered by Duane Trower at Weights and Measures Soundlab. More info at: https://scarecrowvapors.hearnow.com/%5D

32. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

NEXT WEEK, on December 14, we will bring you part 2 of our 4-week special: The 120 Best Recordings of 2022. We’ll count down #90 through #61 with tracks from: Boxknife, GAV7D, Marcotte, Jenna Rae, Trevor Turla, Birdie, Willi Carlise, Colebrood, Music By Skippy, Vicman, Amble Haunt, Marah McFadden, Jean Claude and the Eclairs, The Way Way Back, Pure XTC, The Sexy Accident, Deegan Poores, The Bard Owls, Lonnie Fisher, M/S Ride, Ben Harper, Miya Folick, Fantastic Negrito, Beach House, Vieux Farka Touré & Khruangbin, Robert Glasper, Maggie Rogers, Sharon Van Etten, Pbongjayar, and Momma.

Thank you to ALL of those who donated to Wednesday MidDay Medley during of KKFI 90.1 FM Fall Fund Drive!!! Between our two on-air shows, and our Facebook Fundraiser, we have raised a grand total of $3041.00 from 50 individual donors!!! THANK YOU!

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Find our playlists for the past 10 years at: http://www.WednesdayMidDayMedley.org

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Show #971