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About Mark Manning

For 19 years Mark Manning has served as Coordinator of the KCK Organic Teaching Gardens, an Initiative of The University of Kansas School of Medicine, Office of Cultural Enhancement and Diversity, Health Careers Pathways Program, K-12. Each year Mark works with 1000 to 2000 students, between K through 8th grades, with organic, "raised bed" gardens built directly on the school grounds of three Middle Schools and four Elementary Schools in the inner city of the Kansas City, Kansas school district. Mark conducts over 440 workshops annually in classrooms at these schools. He started the project under the guidance of Marcia Pomeroy, in 1999, after working in a literacy program. The KCK Organic Teaching Gardens has been financially supported through grants from The Kauffman Foundation, and The University of Kansas Medical Center. The project has been recognized locally and nationally by The National Gardening Association, The Kansas City Star, The Kansas City Community Gardens, The Green Bliss Festival, The Urban Farm & Garden Tour, and on the PBS television program America's Harvest. Mark learned about gardening from his grandmother Edna Jacobsen on the family's McCool Junction, Nebraska farm. His grandmother raised a huge garden, chickens, sheep and cattle. She preserved apples, wild berry jams, and beets and virtually everything she grew was canned for consumption in winter months. Edna raised seven children with no running water and as a child lived in a sod house. His passion for the school gardening program has been fueled by the fact that he doesn't see the lessons he learned from his grandmother passed down to kids today. Kids need to know where their food comes from, especially with the rise of diabetes, and over weight Americans. We can all learn from our gardens how to treat ourselves and the world better.

WMM Playlist from July 16, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 16, 2025

WMM’s Favorite MidCoastal Releases of 2025…So Far! (Part 1) + Betse Ellis, Mikal Shapiro, and Sandra Draper

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Various Blonde – “Silent Partner” – Single
    from: “Silent Partner” – Single / Various Blonde / April 11, 2025
    [One of three new singles released in the last few months from Various Blonde. “Couldn’t Love Me” was released March 7, 2025, “RAW”was released January 10, 2025. // Various Blonde released the 10-track album, Love Is How We Will Survive on September 1, 2023. That album contained 4 singles released over two years from 2022 to 2023. Various Blonde is a Kansas City based experimental, rock, pop, and funk band originally formed in 2008 and currently served by founder Joshua Allen on guitar, synthesizers, and vocals; and Mark Lomas on drums. The band has been described by Mills Record Company as, “Having all the sex appeal of The Weeknd and all the grit of Rage Against the Machine–the combination makes for a performance that is explosive.” On September 24, 2022 Various Blonde released the single, “Love is How We Survive.” On August 19, 2022 Various Blonde released the single, “Obtuse”. On June 9, 2022 Various Blonde released the single, “Too Many Secrets.” On March 13, 2020 Various Blonde released a three song EP called 3s through The Record Machine. On January 2020 Various Blonde released a three song EP called 3s 1 through The Record Machine. On September 16, 2016 Various Blonde released the 10-track album ALL BASES COVERED through The Record Machine. On January 13, 2015 Various Blonde release the 10-track album, SUMMER HIGH. “More info at: http://www.variousblonde.com]
  1. TheBabeGabe X The Human – “FUTURISTIC LOVERS”
    from: HONEYPOP / Seven Rings Media / March 5, 2025
    [Production by The Human // After years of being the girl in the band, TheBabeGabe is stepping out, and standing ten toes down. As she dives into her solo career, Gabe brings the same sugary raps and addicting energy that she did as 1/3 of the alt-rap trio BLACKSTARKIDS. This time though, she’s telling her story, and forging a fresh start. The debut mixtape HONEY POP introduces the world to a young black girl from Kansas City that’s hungry for better things for herself and everyone who looks like her. Her energy is infectious, and you won’t want to be the one standing in her way, which becomes clear from the rowdy hook of the project’s lead single PSA. “It’s in my DNA, killing shit like every day, take this as a PSA, don’t give a fuck ‘bout what you say.” // With BLACKSTARKIDS, Gabe gained experience crushing a stage, opening on tour with The 1975, beabadoobee, Glass Animals, & more. That confidence shines through on braggadocios tracks like Only See Me, Pulse, and Pep Rally where she raps, “hoe shut the fuck up when I’m talking, got a pretty face but this mouth repulsive.” Pulling inspiration from future peers like Doja Cat & Tyler, The Creator, Gabe is quick to prove she isn’t restricted to one sound. There’s no shortage of variety with sticky hooks, soulful ballads, Janelle Monáe -esque pop hits, somber reflective cuts, and boomy west-coast kickbacks. // No song boasts this genre-bending ability better than the double track RIOT GRRL//DRAMA QUEEN. Starting with an inspirational pop-punk banger that could make any Olivia Rodrigo fan nod in approval, it soon turns to the emotional DRAMA QUEEN, seeing Gabe grapple with difficult changes and struggle to find the best way forward. Listening to Gabe can often feel like hanging with your bestie in that you’re getting both the yap sessions about the everyday as well as the venting about life’s drama and all its uncertainties. // These confessions, boasts, hooks, croons, screams, beats, and sounds all come together to create an extraordinary portrait of a young artist figuring it out. It’s an unfiltered showcase that sees Gabe pull back the curtain and step forward so you can meet her where she’s at. So when you listen, you’re seeing her for who she really is. And for many, that’s someone you can see yourself in. That’s TheBabeGabe. // TheBabeGabe was one-third of the Kansas City based BLACKSTARKIDZ Gen-Z upstarts BLACKSTARKIDS have released their sixth studio album Saturn Dayz on September 20, 2024 through Dirty Hit Records and immediately followed with an 8-track seventh studio album HEAVEN ON URF, on October 25, 2024 on Dirty Hit Records. Our friend and music writer Bill Brownlee talked with us about how the band created a double album, but the record company decided to release as two separate albums. The music from both albums relate to each other. Before the release of Saturn Dayz the band released their single and video “SOULMATEZ!” on August 30, 2024. “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of KC in 2020 became the soundtrack for the summer. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On October 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. Kansas City is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.” Deiondre added, “The music scene here is getting cool now, there’s a lot of jazz musicians that go to school for music here too but you can find people from different scenes all over if around the city.” Ty wrote, “The KC scene is great, the community here is so supportive and genuine. This is a really prideful city here and I think they’re finally getting the musicians they deserve.”]

[TheBabeGabe will be joining us LIVE on WMM on August 27 at 11:30am.]

10:07 – Intro / Pledge Break #1
Today we present WMM’s Favorite MidCoastal Releases of 2025…(so Far!)

We bring you this special show as part of our KKFI Summer Fund Drive. And this is where YOU can be involved! We’ll take a few breaks each hour, to encourage YOU to call us at 888-931-0901 or http://www.kkfi.org to make a donation in support 90.1 FM KKFI.

Joining me in the studio, we have some very special co-hosts:

Betse Ellis. Originally from Fayetteville, Arkansas, Betse received her Bachelors of Arts in Music and a Bachelors of Arts in English, from the University of Missouri – Kansas City. For 50 years she has been playing the violin and fiddle professionally and also working as a teacher of music. Betse was a founding member of the acclaimed internationally known band, The Wilders. Betse has released two acclaimed solo records, and records & performs with the band Little Miss Dynamite, The Starhaven Rounders, Ernest James Zydeco, and with her husband, multi-instrumentalist Clarke Wyatt, as the internationally known, Betse & Clarke.

Betse Ellis, Thanks for being with us on Wednesday MidDay Medley

Also with us is Mikal Shapiro the creator and co-host and producer of Siren Song, Saturdays at 11:00 AM on 90.1 FM KKFI Kansas City Community Radio. Mikal is also the co-founder of River Trade Radio on 90.1 FM. Mikal Shapiro is the coordinator of the annual Kansas City Folk Fest. They are also founder of State City Films creating documentary and experimental filmmaking practices. A third generation storyteller, they draw inspiration from their travels, love life, and the state of the Union. Mikal studied Film History, Film, & Writing at Sarah Lawrence College in Bronxville, New York. They received their MFA in Film/Video/New Media/Animation from The School of the Art Institute of Chicago in 2012. Artist, filmmaker, puppeteer, ring-leader, Mikal Shapiro is a KC songwriter whose musical influences span popular songs, psych rock, lounge, classic country and old time spirituals. They have toured extensively across the United States and have recorded 5 critically acclaimed albums. Mikal records and performs with their band The Musical. They also perform with Shapiro Brothers, and Monta At Odds, and Religion of Heartbreak.

Mikal Shapiro, Thanks for being with us on Wednesday MidDay Medley

Also with us is Sandra Draper a member of KKFI’s Board of Directors, Sandra was born in Kansas City and attended Paseo High School. Sandra became a student at Washburn University in Topeka, Kansas, and eventually returning to Kansas City to complete her last year graduating with a Bachelor of Arts degree studying history and communications from University of Missouri at Kansas City. She is the mother of four children three sons and one daughter. While her children were all born on different years 1978, 1979, 1980, and 1981 two of her sons were born on the same day, and her daughter and other son were also born on the same day. For the past year Sandra has been volunteering at KKFI and has been in training to host and produce her own radio show, Silky San’s Soul Sensation coming soon in the overnight hours on 90.1 FM

Sandra Draper, Thanks for being with us on Wednesday MidDay Medley

90.1 FM KKFI Kansas City Community Radio is Non-Commercial, and that means that three times a year, we interrupt our regular programming, to ask our listeners, to help us continue our unique, 24-7 programming. For 37 years 90.1 FM KKFI has been on the air. While the spirit of this station is kept alive by hundreds of volunteers who passionately donate their time and abilities to keep the transmission of our 100,000-watt-signal alive. We are a operated by a not-for-profit organization, incorporated over 40 years ago, called The MidCoast Radio Project. We are a non-profit, with a dedicated paid staff of four incredible individuals, and hundreds of volunteers, who donate thousands of hours every year, producing radio shows, training new hosts & producers, developing new radio shows, serving our vast community landscape with music and news, information and stories that reflect the many communities we serve. We do all of this because of YOU and it is because of our incredible listeners, who take a moment and call 888-931-0901 and donate, that we are able to continue. You keep us alive! Our volunteers are waiting to hear from YOU right now. WE NEED YOU – MORE THAN EVER.

90.1 FM KKFI is “Radio Powered By Diversity” For 37 Years our Kansas City Area Community Speaks Through our Airwaves and this Program.

So far… in 2025 on WMM Mark has interviewed 105 Guests: Krystle Warren, elska, Michelle Bacon, Mike Dillon, Peregrine Honig, Malek Azrael, Joshua Luke, Izzy Vivas, Julie Bennet Hume, Doug Hitchcock, Diana Watts, Kevin King, Daniel Gum, Chris Garibaldi, Mark Henning, Ross Brown, Miquel Antonio, Daniel Cole, Paul Seiz, Cody Ryan Stapleton, Matt Muckenthaler, Nathan Reusch, Zach Lamun, Les Izmore, Charlie Colborne, Billy Belzer, T.A. Rell, Just Angel, Dylan Pease, Andy Wooden, Betse Ellis, Rachel Christia, Mikal Shapiro, Seth Davis, Evan Verploegh, Shanté Clair, Benjamin Baker, SEYKO, Cole Bales, Cody Calhoun, Noah Cassity, Kole Waters, Alex May, Stephonne, Danielle Anderson, Zach Hodson, Valerie Schurman, Joe Frogge, Fally Afani, Til Willis, Heather Pontonio, Jose Faus, Elizabeth Bettendorf Bowman, Chico Sierra, Zo E., Jaclyn Danger, Simon Huntley, J. Ashley Miller, Grace Broadhead, Jason Turk, Sandra Draper, Enrique Chi, Julia Othmer, James T. Lundie, Alber, Jennie Ferguson, Scott Mize, Matt Kesler, Shaun Crowley, Paul Jesse, Alex Wong, Jen Kiper, David Luther, Sergio Anthony Gonzalez, Jeremiah James Gonzalez, Katlyn Conroy, Chris Catterall, Cheyenne Jackson, Kate McCandless, Moksha Sommer, Jemal Wade Hines, Chris Haghirian, James McGee, Meighan Peifer, Michael McQuary, Joey Arias, Lonnie Fisher, Tara Fisher, Adee Dancy aka Sisterbot, Hadiza., Suzannah Johannes, Keelon Van, Alyssa Murray, Ernest Melton, Mará Williams, J.M. Banks, Beth Watts Nelson, Spencer Thompson, Amanda Davis, Derek Trautwein, Dedric Moore, Rachel Lovelace, Kai McGarry, Alicia McGarry.

10:15

  1. Fullbloods – “No Hesitation”
    from: Playing It Safe / High Dive Records / March 7, 2025
    [First Single from the 4th studio album of Fullbloods. “No Hsitation” was released on December 7, 2024. // Fullbloods is a studio project of songwriter and producer Ross Brown (Shy Boys, Koney, Snacky). Live he is joined by his friends and the music is probably better that way. Thanks for listening! // Fullbloods released their 3rd full-length album Soft and Virtual Touch on High Dive Records on April 3, 2020. All songs written, performed, recorded, mixed by Ross Brown (℗© 2019 Bargain Hunt Music / ASCAP) in Kansas City, MO. Mastered by Mike Nolte at Eureka Mastering. Artwork by Nika Winn. Kyle Rausch played drums on 1, 2, 4, 6, 8, and 9, sang on 9. Bill Pollock Played drums on 3 and 5. David Seume played bass on 5. Jerad Tomasino played synth on 9 and 10, sang on 9. Jenni Kornfeld played cello on 4. Leslie Butsch played sax on 10. More information at: http://www.fullbloods.com.]
  1. Daniel Gum – “Met You Too Soon”
    from:The Great Conjunction / Manor Records / February 7, 2025
    [All songs written/performed by Daniel Gum (BMI), production/engineering: Mike Crawford & Daniel Gum, mixing: Daniel Gum, bass: Joel Stratton, drums/percussion: Micah Ritchie. With Joel Stratton (piano on 1, baritone guitar on 2), Wills Van Doorn (slide guitar on 3), Brandon Bray (lead guitar on 6), Cole Crawford (piano on 10), Devon Teran (pedal steel on 2), Evan Herd (writing for drums on 7), Rachel Cionitti (bgvs on 1-6, 8), mastering: Mike Nolte at Eureka Mastering, artwork/lettering: Daniel Gum] // Here’s what Daniel had to say about this track: “This song was written reflecting on a past relationship—thinking things probably could have worked out if we met 5 years later than we did. Or maybe they wouldn’t have.. but I’ll never know. This song is a part of a series of singles leading up to my second album. I hope you enjoy the chord progressions and slide guitar especially”. // Daniel Gum is a singer-songwriter based out of Kansas City, KS who has been active since 2017. Daniel Gum released the single “Julia” on December 9, 2022. Daniel Gum released the single “Wolverine (ft. Rachel Cion)” on September 19, 2921. Daniel Gu, released the electronic pop EP, I’M NOT DEAD in 2017 and an acoustic EP, MOON in 2018. In addition to working on his own solo project, Daniel has been working with other local groups—playing bass and engineering for his band Pillow (a post-punk/shoegaze group) and playing drums behind singer-songwriter Chloe Jacobson, also doing some recording for her. Channeling the likes of Elliott Smith & Andy Shauf, he co-produced his new record THIRTEEN with Mike Crawford, playing almost everything you hear on the album and mixing it himself. Signing to Manor Records in the spring of 2020, he officially released THIRTEEN on cassette & CD on October 30, 2020. All songs written, performed, and.mastered by Mike Nolte at Eureka Mastering. Daniel Gum is a 24 year old singer-songwriter . Since the age of 12, he has spent the majority of his time writing and recording songs by himself in his room. The Moon EP was released December 7, 2019. It was engineered by Mike Crawford and Daniel Gum and mixed by Daniel Gum with piano and accordion by Cole Crawford. Daniel Gun released his EPI’M NOT DEAD on October 25, 2017, and his 10-song album Reorient on July 31, 2015, with all songs written, recorded and mixed by Daniel Gum who also performed all vocals guitars, drums, piano, bass. harmonica, and programming. The first single from Daniel Gum’s album, Thirteen “Ruin Your Life” was released on September 4, The second single, “In The Worst Ways” was released September 28, 2020. ] [On our July 22, 2020, WMM show we played Daniel Gum’s track, “Tired Saint” from French Exit Records – Black Lives Matter Compilation, released July 6, 2020. French Exit Records was launched two years ago as an independent music label in KCMO, founded by Brad Girard. French Exit Records has released albums for No Magic and Raymond,. BLM Compilation is 22 acts from the area, with all proceeds donated to One Struggle KC’s Liberation Fund, a Black-led coalition of KC activists seeking to connect the struggles of oppressed communities, locally & globally. Daniel Gum joined us on WMM on November 11, 2020]
  1. Stephonne – “1 Think It’s Gonna Be Alright”
    from: “1 Think It’s Gonna Be Alright” – Single / Glory Blue Music / April, 2025
    [Written and Produced by Stephonne Singleton. Additional Production – Justin Mantooth. Engineering, Mixing, and Mastering – Justin Mantooth. Additional Vocal Engineering – Stephonne Singleton. Vocals – Stephonne; Synths, Drum Machine, Keyboard – Stephonne; Guitar – Zachary Arias; Bass – Carly Atwood; Drums – Adam Soliz (McKee); Recorded, mixed and mastered at Westend Recording Studios, Kansas City. Stephonne describes himself as the lovechild of Prince & Billie Holiday. He grew up in KCK and received a Bachelor of Arts Degree in Music from Benedictine College, and Masters in Entertainment Business from Full Sail University. Singer, songwriter, actor, model, artist, activist – Stephonne Singleton keeps very busy, serving as a board member of KC Folk Fest, organizing tribute shows, playing: music festivals, Charlotte Street Foundation, Lemonade Park, Lawrence Pride, Manor Records, Midwest Music Foundation, The AIDS Service Foundation of KC, InterUrban ArtHouse, Crossroads Music Fest, The Black Box, The Folly Theatre, and West 18th Street Fashion Show. Stephonne released his EP SIS: Side B on June 24, 2022. He also released the single “I” on August 21, 2024. Stephonne is a 2023 winner of the Charlotte Street Generative Performing Arts Fellows. Stephonne’s new single Forgive Me, Father (Sinead O’Connor) was released an May 21, 2025. More info at: http://www.stephonne.com]
  1. LYXE – “All Alone”
    from: “All Alone” – Single / LYXE / February 21, 2025
    [Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass,. This indie/alternative rock band LYXE, is from Lawrence, Kansas. // The track is a raw and powerful anthem that taps into the pain of a broken relationship and the messy aftermath of trying to heal. Known for their high-energy live performances and a sound that effortlessly blends nostalgia with originality, LYXE continues to carve out their place in the indie scene with “All Alone.” Drawing from the energy and grit of 80s, 90s, and early 2000s rock, the song brings listeners a no-frills, back-to-basics rock and roll experience. With stripped-down instrumentation and emotive lyrics, the band’s latest track dives deep into the personal struggle of dealing with an ex’s departure and the unhealthy coping mechanisms that follow. // Lead vocalist and guitarist, Ryan Wise explains, “‘All Alone’ is about feeling like you’re stuck in a cycle of self-destruction after losing someone. The pain becomes a comfort, and it’s easier to lean into unhealthy habits than face the truth. It’s not about the ex anymore – it’s about how we often lose ourselves when the world feels too heavy.” // The single arrives on the heels of LYXE’s consistently packed live shows, which have become a staple in the Midwest music scene. Their vibrant and engaging performances have earned them a dedicated following, making them one of the most exciting and authentic indie bands to watch in 2025. Fans of hard-hitting guitar riffs and unapologetic, emotional storytelling will find “All Alone” to be a perfect addition to their playlist. The song is a raw, cathartic journey that resonates with anyone who has ever been left behind and found themselves drifting in search of a way back to something real. // Formed in 2019, they’re an energetic three-piece whose music blends the best of modern rock radio with danceable ’80s New Wave. If Wavves listened to a lot of early INXS, the music they made would sound like LYXE. I Heart Local Music describes them as “…easily Lawrence’s most exciting band at the moment, and they prove it with every show.” // LYXE, a three piece pop-rock outfit formed out of the love of getting fans to sing and dance along to hip shaking rhythms reminiscent of classic 80’s and 90’s sounds. They quickly became a favorite of crowds and musicians alike with the lead of Ryan Wise’s crooning vocals and vintage guitar sounds. The trio has an undeniable chemistry that caught the local scene like wildfire. Bassist AJ Knudson brings a loveable charisma to their live presence, while drummer Jimmy Girod’s subtle, elegant delivery gives this act a sophisticated backbone. // LYXE released their debut EP, EVERYTHING YOU COULD EVER WANT on September 15, 2022. Pulling inspiration from a wide range of genres, this six-song EP has a pop-rock, new wave nostalgia that sinks its teeth into you. Luring in listeners with dramatics and lush hooks on “Wave,” yet unafraid to tap into their feral side on “I Got Everything.” The record closes with “Fit,” which makes you feel like you’re in an argument with your prom date in 1989. Recorded, at Element Recording Studios in Kansas City. The new EP gave listeners a different side of Ryan Wise’s songwriting with crooning vocals and vintage guitar sounds. // On June 23, 2023 LYXE released a remastered version of their song “Wave (Remastered 2023)” produced by Joel Nanos. Remaster by Jake Vertigo, with: Ryan Wise (of The Sluts) on vocals, Jimmy Girod on percussion, AJ Knudson on bass, and Chase Horseman on synthesizer. This was originally the debut single “Wave.” // LYXE release their singe ”Ice Cream” on June 23, 2023 // LYXE released their single “P{rom Song” on November 10, 2024. // LYXE released their single “Hard To Talk” on October 4, 2024. // For additional information or inquiries please contact: wearelyxe@gmail.com ]

[LYXE play The Bottleneck, 732 New Hampshire st. Lawrence, KS. on Saturday, July 19 at 7:00pm with Pink Fuzz, and Frogpond.]

10:27 – Underwriting

10:29 – Pledge Break #2

Our WMM Summer Fund Drive Team: Betse Ellis, Mikal Shapiro, and Sandra Draper

Today on WMM we are playing our Favorite MidCoastal Releases of 2025. 90.1 FM KKFI’s non-profit organization and governing body is the MidCoast Radio Project. MidCoastal is where we are, on the coasts of the Missouri and Kansas Rivers with a music community that spans the Kansas City Metro region and west to Lawrence and Topeka and south to Olathe and east to Columbia and North to St Joseph. Not necessarily the reach of our 100,000 watt signal but definitely the reach of our community.

WMM and KKFI are committed to featuring artists under-represented in other media, and that includes the music community that lives within KC and Lawrence and the radiance of our 100 watt signal. The story of KC’s Arts and Music Community is our primary focus on WMM, where for 20 years we have shined a light on the artists, the music labels recording studios, and music venues.

Wednesday MidDay Medley 90.1 FM was the first radio show and first radio station to ever play many of these amazing musical artists. WMM was the first to play the recordings of: Calvin Arsenia, Madisen Ward and the Mama Bear, Krystle Warren, The Black Creatures, The Shy Boys, The Salvation Choir, The Creepy Jingles, Ivory Blue, Stephonne, Miki P., Kai McGarry. We were the first to interview these artists live on the radio and bring their music to a wider audience.

One way to learn more about KC’s Music Community is 21st Annual Crossroads Music Fest, Sat., Sept. 6, 3pm to Midnight, in West Bottoms at Lemonade Park, Stockyards Brewing, Livestock Exchange, The Campground, Voltaire, The Ox Cafe & Bakery(VIP Venue) with KRYSTLE WARREN / LAURA NOBLE & FRIENDS / THE MGDS / RUDY LOVE AND THE ENCORE / SEYKO / STRANDED IN THE CITY / FRIENDLY THIEVES / LITTLE MISS DYNAMITE / FLAT SUSAN / ROYAL CHIEF / SASS-A-BRAS / THE WHIPS / JESUS CHRIST TAXI DRIVER / SARA SWENSON / TALIA KEYS / JELLY ROSE / MARIACHI ESTRELLA & GRUPO FOLKLÓRICO ALMA TAPATÍA / TERI QUINN & THE COYOTES / 3 TRAILS WEST / DJ THUNDERCUTZ / NATURE BOYS / TIMBERS / SKY SMEED / JULIE BENNETT HUME & ERNEST JAMES / DJ NANA G / LINEA FRONTERA / DYM N D / RURAL GRIT ALL STARS / THE APOLOGIES / JOHN KECK / OSEZUA / BOBBY SCHARPING / ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY Info at: http://www.cmfkc.com

10:37 – Bands Playing 21st Annual Crossroads Music Fest on Sat, Sept. 6

  1. Nature Boys – “Common Visions”
    from: “Common Visions” Single / Dead Broke Rekerds / April 11, 2025
    [Nature Boys released their album IV /on September 24, 2021. Nature Boys started playing together in Kansas City, Missouri September of 2009. They wrote this about their band: “We had our first show in November or December at the Troost House, and then our second show at Dave’s Stagecoach Inn. We left for our first tour in January of 2010. The band includes: Danny Fischer on guitar & vocals, Suzanne Hogan on bass & vocals. evan malone on drums. Kansas City, Missouri punk rock & rollers that have been kickin’ up dust all across the country since 2009! Their fourth album and first on Dead Broke after self-releasing a slew of their previous efforts. Imagine if Dead Moon was a buch of punk rockers from the south, then you might be getting close to what Nature Boys scrappy & energetic punk rock is all about. Limited to 300 copies. (200 Black, 100 Clear Pink) Comes w/download code.]

[Nature Boys play 21st Annual Crossroads Music Fest on Sat, Sept. 6, in West Bottoms at Lemonade Park, Stockyards Brewing, Livestock Exchange, The Campground, Voltaire.]

The Royal Chief
  1. The Royal Chief – “Hi-Def (Radio Mix)”
    from: Fire – EP / Sovereign Sound / July 10, 2025
    [New 5-track EP from The Royal Chief / Born in Kansas City, Missouri as Jamel Thompson to a single mother, The Chief is the youngest of six – two brother’s on his mother’s side and another brother and twin sisters from his father. Growing up, his mother fostered his mind; she encouraged The Royal Chief to read relentlessly and to experiment with his talents. This promoted a period where The Royal Chief began expressing himself by writing stories. Chief spent most of his early life in the urban areas of Kansas City. He and his mother moved to Dallas, Texas briefly before returning to Kansas City – to the suburbs – which provided an interesting contrast to his life before. // At the age of 13, after attending a concert in which Kanye West performed, Chief knew his path was in music and began rapping. Courtesy of his mother, he drew inspiration from R&B and Soul while getting his introduction to Hip Hop from his father and brothers. Hip Hop became a love and an outlet for him – a way to vent and document how he perceived the world. It was also an instrument for The Royal Chief to cope with the pain of losing his older brother and godmother who had a hand in raising him. // The Royal Chief moved to Atlanta, Georgia in 2012. He spent his first year there living out of his Honda Civic and obtained membership to a local gym to have access in order to take showers. He established a relationship with the manager at Tree Sound Studios through a mutual friend and was soon allowed to live in the studio’s building. He made the most of this opportunity by observing and learning many of the aspects of the music industry, audio/video recording, marketing, and most importantly building relationships and networking. Soon, he began to nurture a relationship with “Cyhi The Prynce” who took him under his wing allowing Chief to create and write for other G.O.O.D. Music artist. During this time, Chief was able to go on tour and learn just to write raps and incorporate rhythm and flow into his pieces to make them sound appealing. // In 2015, under his original moniker “J-Dub,” The Royal Chief began to meticulously focus on his own projects and released his first mixtape entitled Trial and Error. Later that same year, after a trip back to his hometown of KC, he made a conscious decision to change his stage name to something that reflected his passion for his two favorite home-town sports teams and one that represented his city. And in combining the names of those teams, he thus became “The Royal Chief”. Feeling the need to release some music to commemorate the name change, in September of 2016 he released his second project, an EP entitled Dawn – representing the beginning or “dawn of” something new. // In 2017, after seeing a Kareem “Biggs” Burke’s interview in which he said “if you don’t have your city you don’t have anybody,” Chief decided it was time for him to return home and build his name and his following up in his own city. That same year, after a house fire in which he lost everything but his life, he released his third project – an EP titled Homecoming. While building traction in the city, Chief worked diligently to network and perform live all around the Kansas City Metroplex and surrounding areas. In 2018, he released a three-track EP titled 3 Pack. Chief spent the next year working towards expanding existing relationships and building new ones. Chief’s objective was to spend time building a backing band for his live performances as well as collaborate with local artists and producers. And with this feat accomplished, in 2020, Chief released his fourth project titled Groundwork. Groundwork represents “laying the foundation” – it’s the cumulative efforts of networking, touring, and building a following. More info at: http://www.theroyalchief.com]

The Royal Chief will play the 21st Annual Crossroads Music Fest, Saturday, September 6, 3:00pm to Midnight, in West Bottoms at Lemonade Park, Stockyards Brewing, Livestock Exchange Lot, The Campground, Voltaire, The Ox Cafe & Bakery(VIP Venue) with KRYSTLE WARREN / LAURA NOBLE & FRIENDS / THE MGDS / RUDY LOVE AND THE ENCORE / SEYKO / STRANDED IN THE CITY / FRIENDLY THIEVES / LITTLE MISS DYNAMITE / FLAT SUSAN / ROYAL CHIEF / SASS-A-BRAS / THE WHIPS / JESUS CHRIST TAXI DRIVER / SARA SWENSON / TALIA KEYS / JELLY ROSE / MARIACHI ESTRELLA & GRUPO FOLKLÓRICO ALMA TAPATÍA / TERI QUINN & THE COYOTES / 3 TRAILS WEST / DJ THUNDERCUTZ / NATURE BOYS / TIMBERS / SKY SMEED / JULIE BENNETT HUME & ERNEST JAMES / DJ NANA G / LINEA FRONTERA / DYM N D / RURAL GRIT ALL STARS / THE APOLOGIES / JOHN KECK / OSEZUA / BOBBY SCHARPING / ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY Info at: http://www.cmfkc.com

  1. Beth Watts Nelson – “Tallgrass”
    from: TALLGRASS – EP / Rural Grit Records / May 3, 2024
    [“Tall Grass” a compilation of songs inspired by the Flint Hills. All three songs were recorded in one day on site at the Grimm-Schultz Farmstead during her time in residency with the Volland Foundation on April 26, 2025. For the recording Beth Watts Nelson played Banjo, Guitar, & Vocals, and Betse Ellis played Fiddle. Mixing and Mastering was completed by Clarke Wyatt, at Gnomes and Goats Studio. // Beth Watts Nelson’s band Little Miss Dynamite released their six-song debut EP GROW UP on May 3, 2024. It was part of WMM’s 120 Best Recordings of 2024. Little Miss Dynamite is a four piece string band with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals. Engineered and Mixed by Clarke Wyatt, Gnomes and Goats Studio. Little Miss Dynamite played Boulevardia, Sat, June 14, 2025. More info at: http://www.bethwattsnelson.com]

[Little Miss Dynamite play 21st Annual Crossroads Music Fest, Sat., Sept. 6, 1pm in West Bottoms at Lemonade Park, for the Free Family Concert]

  1. Krystle Warren & The Faculty – “Build It Up”
    from: Extended Play / Parlour Door Music / November 1, 2024
    [Krystle Warren & The Faculty are: Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Jonathan Anderson. // Following their double album LOVE SONGS (2012) Krystle Warren & The Faculty were involved in many musical projects. Krystle Warren & The Faculty, released the single “Macca” on May 22, 2023. They released and their single “Rising” released May 31, 2019, and written especially for Ava DuVernay’s critically acclaimed television mini series WHEN THEY SEE US. When Covid delayed the upcoming release of Extended Play, Krystle and members of The Faculty along with some of their frequent collaborators formed The Crew to release the 4-song CREW EP on September 15, 2020. // The Faculty was formed with Krystle Warren, Solomon Dorsey, Zach Djanikian, Mike Riddleberger, and Dave Moore. While the four boys had classes and gigs, Krystle floated around New York and made a lot of friends. She busked and wrote songs, and, with the help of her band members and Ben Kane, who had an internship at Electric Lady Studios and was sneaking them in at odd hours, Krystle turned those songs into an e.p. called Diary. // Diary led to Circles, which Ben Kane co-produced with Voodoo engineer Russell “The Dragon” Elevado. Circles was bought by Because Music in France, but Krystle still recorded Love Songs in New York, a double album that invokes a Blakean duality with its two subtitles, ‘A Time to Refrain from Embracing’ and ‘A Time You May Embrace’. // Love Songs​ was produced with most of the Faculty (Zach was on tour with Amos Lee) and a slew of guest musicians in Brian Bender’s Brooklyn studio, The Motherbrain. Bender’s assistant, Jonathan Anderson.]

10:49 – Pledge Break #3

Our WMM Summer Fund Drive Team: Betse Ellis, Mikal Shapiro, And Sandra Draper

Last year on May 15, 2024 – WMM celebrated 20 Years on the radio w/ LIVE performances from: Calvin Arsenia, IVORY BLUE, Stephonne, Julia Othmer, Kasey Rausch and guests Marion Merritt, Maria Vasquez Boyd, Nico Gray, and Necia Gamby.

As of this week WMM has done 1104 weeks equaled 2208 hours of radio, 16,560 hours of preparation, over 2800 Interviews, 3000 guests, and over 27,500 songs, from thousands of musical artists. We have made it our mission to mix musical genres, playing with themes, diversity, equality, free speech, connecting artists and venues and listeners and communities. Wednesday MidDay Medley has proudly endeavored to help tell the story of our growing Kansas City area music community, “The Midcoast Sound,” as we like to call it. We have dedicated a majority of our programming to New & MidCoastal Releases.

WMM has presented new formats in radio, with our “A Story In A Song” series, our shows featuring: Apocalypse Meow, Juneteenth, Power to The People Fest, Crossroads Music Fest, Folk Alliance International, Manor Fest, The Outer Reaches Festival, Boulevardia. KC Fringe Festival, Waldo Folk Series, Shuttlecock Music, The Folly Theatre, Owen Cox Dance Group, Bach Aria Soloists, KC Pride, our annual tribute shows to Dr. Martin Luther King Jr., David Bowie, Iris Dement, Pioneers of Punk, LGBTQIA Themes, Black Lives Matter and interviews with Joey Aria, Cheyenne Jackson, Lily Tomlin, Laurie Anderson, Tommy Ramone, Sweet Honey in The Rock, Iris Dement, Flamy Grant, Members of Fanny, Regina Spektor, Regina Carter, Tom Miller, Nick Cave, Holly Near, Sam Harris, our annual 4-week special: WMM’s 120 Best Recordings of the Year.

WMM has been inspired by the KC music community. The KC music community is fueled by a collaborative and generous heart that is beating in so many of the artists we’ve met while doing this show.

We are inspired by the Fearless Women who created radio on 90.1 FM long before us: our friend April Fletcher who plays bass professionally in Los Angeles, and hosted Mix Well Before Serving on 90.1 in 1988 on KKFI’s first year of broadcast, and last year returned after 35 years to host and produce WMM.

And our friend Anne Winter, who left us in 2009, and reminded us how we’re all connected. At Anne’s funeral we realized that we are connected to hundreds of other people who Anne had touched with her gentle, wise, guidance and had nudged into taking a job, going out on a stage, organizing an event, doing a radio show. We were all connected, she had loved us all and supported us, and some of us made a pact to do just a little bit of what Anne did, if we all did a little we could continue her work to help build our community, that is how we keep Anne alive in our heart.

And through collaboration, and shining a light, like Abigail Hope Henderson, who we lost in 2013, but not before she ignited a movement to create the Midwest Music Foundation supporting heath care needs and mental health care for the music community. I’m inspired by the diverse , intelligent, motivated, listeners, looking for place on the dial, where they can connect to the stories & music & voice of our community.

Today we celebrate the pure idea of community radio, free form radio, radio that tells the story of the people who live here, the artists, the writers, the teachers, the performers.

Together we are building our community. We celebrate 1104 weeks of WMM, the show that has brought us together, at this time, on this frequency, in these community airwaves. Thanks for listening.

Donating to 90.1 FM KKFI is investing in your community.

KKFI’s Mission Statement: KKFI is the Kansas City area’s independent, noncommercial community radio station. We seek to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.

KKFI’s Philosophy Statement: KKFI is committed to diversity in programming and discourse and seeks to create a climate of mutual respect and collaboration among volunteers and staff.

10:57

  1. Danny Cox – “What a Time To Be Free”
    from: Feel So Good / Casablanca Records / 1974
    [Recorded at Bell Sound Studios, New York, January-March, 1974. In 2021 Danny Cox digitally released YOUNG AND HOT (LIVE AT COWTOWN BALLROOM) EP on July 27, 2021. Danny Cox was born in 1942 in Cincinnati, Ohio. He is a folk singer and songwriter best known for his 1974 LP album Feel So Good. Danny Cox moved to Kansas City, Kansas in 1967. As a youth, he sang in a church choir together with Rudolph Iseley, and in the 1960s he started his professional career performing on a Hootennany Folk Tour. Cox has recorded albums for ABC Dunhill, Casablanca, MGM and others. He also partnered a company called Good Karma Productions, run by the KC based Vanguard Coffee House owner Stan Plesser, who managed the acts of Brewer & Shipley, and The Ozark Mountain Daredevils.]

[Danny Cox Celebration of Life with Bob Walkenhorst, Fast Johnny Ricker, Kasey Rausch, Gene Mackey, Bob & Diana Suckiel, & Many More – Friday July, 18 at 8:00pm at Knuckleheads 2715 Rochester St, KCMO]

On Friday, March 7, 2025 we lost a living legend in Kansas City.

Danny Cox recorded albums for Casablanca Records, ABC Dunhill and MGM. Many of these albums were recorded in Kansas City through Good Karma Productions run by Vanguard Coffee House owner Stan Plesser who managed Cox’s career along with Brewer & Shipley, and The Ozark Mountain Daredevils.

Danny Cox was born in 1943 in Cincinnati, Ohio to Bessy and Daniel Cox. He was the seventh of eight children. In 1963 a 20 year old Danny visited Kansas City while on a tour and was denied entry to the Muehlebach Hotel, but was accepted across the river at a Holiday Inn in Kansas City, Kansas. He would make his home in Kansas City, Kansas.

Danny moved to Kansas City in 1967, where he continued his over 6 decade long career. Danny Cox was a singer, songwriter, actor, playwright, jingles writer and father of 10 children, and grandfather. He wrote the jingle “The Grass Pad’s High on Grass.” He performed and acted on multiple stages in Kansas City, The Vanguard, The Cowtown Ballroom, The Kansas City Repertory Theatre, Theatre for Young America. He sold out Carnegie Hall four times, toured the world. When Danny performed live he elevated the stage and electrified the room with his spirit and voice.

He was such a power house of a human. He was so many things. He always stood for justice and equality and being a good human. His beautiful family is a testament to his character and love. When you find his music it will move you. Look for his earlier work, it stands the test of time and was always crossing over multiple genres.

Mark Manning introduced Danny Cox at the Crossroads Music Festival where Danny performed with a band of KC veteran musicians plus his children and grandchildren were performing with him. Mark had worked with Danny’s grandchildren at Quindaro Elementary with the KCK Organic Teaching Gardens. Mark was able to witness the love of this family, and the harmony they created. Danny Cox’s work and art and love will live on forever.

Danny Cox Discography:
Live at 7 Cities (1963)
Sunny (1968)
Birth Announcement (1969)
Live at the Family Dog (1970)
Danny Cox (ABC Dunhill Records) (1971)
Feel So Good (Casablanca Records) (1974)
Troost Avenue Blues (3-track EP) (2006)
Bring Our Loved Ones Back (one track) (2007)
Sack of Trout (Single) (2015)
Vandalism in Eb Minor (Coin Heaven) (Single) (2015)
Kansas City – Where I Belong (Recorded at Pilgrim Chapel) (2012)
Time Is What I Need (Single) (2020)
Young and Hot (Live at Cowtown Ballroom) (5-track EP) (July 27, 2021)
Big John Buck O’Neil (Single) (December 7, 2021)

11:00 – Station ID

  1. Old Sound – “Relics of a Small Town”
    from: Liquid Folk Vol. 01 / Old Sound / April 25, 2025
    [Liquid Folk Vol. 01 contains the first two singles to be released by the band, throughout the next few months leading up to their next full-length reklease.“Relics of a Small Town” & “Signs of Life” – Singles Greg Herrenbruck on bass & vocals; Grady Keller on mandolin, acoustic guitar & vocals; Chad Brothers on acoustic guitar & vocals. // On October 6, 2020 Old Sound released their album DELUGE. Recorded at Temple Sounds in Kansas City. The new album was produced by Old Sound, Brendan Moreland and Phil Wade. The album was engineered and mixed by Brendan Moreland and Mastered by Duane Trower at Weights & Measures Sound Lab. // “Deluge” dives deep into the band’s 20-year chemistry, showcasing the band’s acoustic soundscapes and strong three-part harmony. The wide range of songwriting contains lyrics concerning life, love, self-expression, capitalism, climate change, police brutality, the demise of our country, death, and much more. Grady Keller plays guitar and mandolin, Greg Herrenbruck plays bass and Chad Brothers plays lead guitar. All sing. The three members have been creating music together in some fashion for more than 20 years. Greg Herrenbruck & Chad Brothers grew up together as friends in Winfield, Kansas. Winfield is the home of the Walnut Valley Festival. As young college students at Kansas State University they met Grady Keller. The trio has shared many years of picking, camping and performing at the Walnut Valley Festival. Old Sound, is a synthesis of the ideas, techniques, songs and stories we’ve found in those campground. // In 2014 they released their debut recording RAIN FOLLOWS THE PLOW, Recorded and produced by Phil Wade at his studio, Alluvial Fan.More info at: http://www.oldsoundmusic.com]

[Old Sound play Lemonade Park, 1628 Wyoming WEST BOTTOMS on Thursday, July 17, at 7:00pm with Front Porch, and Folk on The Plow.]

  1. Malek Azrael – “SELF!SH (feat. SISTERBOT)”
    from: Feels Like EP / Malek Azrael / March 1, 2025\
    [On February 28, 2025, Malek Azrael released the single “Room 4U”. // On March 1, 2024 Malek Azrael released his single, “in ur mind.” On October 15, 2021 Malek Azrael released his 10-track album “Waves” which first featured members of his live band “The Vibez”. Since then, they have grown their fanbase in KC and surrounding areas through live concerts land appearances at Boulevardia Festival, Ameri’Kana, and the 18th and Vine Gumbo Fest, and shows at RecordBar, The Truman, Grinders, and Knuckleheads and collaborated with larger acts such as Making Movies, The Greeting Committee, and D Smoke debut. Male Azrael lives in KCMO. He has worked for Boys Grow, and Art As Mentorship (Making Movies non-profit organization). He sometimes plays with Making Movies and played the Ameri-Kana Fest. Malek Azrael played KKFI’s 18th Annual Crossroads Music Fest, on Aug. 27, at The Black Box, in West Bottoms. Malek & The Vibez played Boulevardia Festival at Crown Center, on June 16, 2024.]

[Malek Azrael & The Vibez plays miniBar 3810 Broadway Blvd, KCMO on Friday, July 18 at 7:00pm with Rachel is Kozi, and Reptile House]

11:09 – Pledge Break #4

Our WMM Summer Fund Drive Team: Betse Ellis, Mikal Shapiro, And Sandra Draper

We need KKFI Now More Than Ever. LGBTQIA, Urban Issues, Black Lives Matter, Labor Rights, The Environment, The Kansas City Visual & Literary Arts , The Performing Arts, Stadium Campaigns, Women’s Issues, Native American Issues, Jazz, Blues, Reggae, Classical, Hip Hop, Folk, Women’s Music, Indie Rock, Pop, Electronica, Punk…the answer is KKFI 90.1 FM Kansas City Community Radio.

We’re living in an age when an entire Political Party, a President, his entire cabinet, the U.S. Congress & Senate, The Supreme Court, Kansas & Missouri State governments are eliminating equality, civil rights, jobs, healthcare, & legal protections for women, minorities, people living with disabilities, and children. Our Transgender, Non-Binary & Queer friendshjave been made a target of a hate campaign. With the recent narrow passage of Trump’s “Big Beautiful Bill” ICE now has an estimated budget of $150 billion between now and 2029—an annual average of $37.5 billion, which is higher than the military expenditure of countries other than China and the US.

Things aren’t so good for pubic broadcasting. Federal cuts threaten Kansas City’s music scene: a joint statement from local stations. Kansas City’s noncommercial stations provide critical pipelines for new, local artists and music to be discovered. But if Congress rescinds federal funding for the Corporation for Public Broadcasting, public radio stations such as KKFI, KCUR, Classical KC, and 90.9 The Bridge would have diminished capacity to deliver the same quality and variety of music.

The U.S. House voted on June 12th to claw back federal funding for public broadcasting — an action that directly threatens Kansas City’s noncommercial music services, including 91.9 Classical KC, KCUR 89.3, 90.1 KKFI, Kansas Public Radio and 90.9 The Bridge.

The president formally requested that Congress rescind $1.1 billion in federal subsidies for the Corporation for Public Broadcasting (CPB), which lawmakers had already approved earlier this year.

That request set off a 45-day timer for Congress to act. Following the House vote in favor of recission, the bill is now under consideration by the U.S. Senate Appropriations Committee. Action may be taken on it as soon as next week.

WHAT’S AT STAKE – Music and the arts permeate almost every aspect of public media–from shows dedicated to music discovery and local artists to live on-air performances and concert calendars, public media provides access to music genres and artists that in many cases are ignored by commercial media.

Additionally, CPB represents the public media system to music rights organizations in negotiating blanket music licenses for noncommercial uses of music, and with a portion of the federal appropriation, CPB pays those licensing fees for all eligible public media stations.

Without federal funding for the CPB and CPB’s management of these music rights, public radio stations would face a diminished capacity to deliver the quality and variety of music you rely on, both on the radio and through our streaming platforms.

It would be cost-prohibitive and burdensome for individual stations to negotiate the same licenses and fees on their own. The loss of CPB’s role in securing music licenses is truly an existential threat for noncommercial public media.

Further, all archival stories, artist profiles and interviews or programs that use music will have to be removed from websites. The cost of compliance to review every archived story on a website or app to clear the rights again would be enormously burdensome, and, in most cases, prohibitive.

KC’s noncommercial stations provide critical pipelines for new, local artists & music to be discovered, with many artists attributing their success to their start on public radio. We also bolster local arts economies by forging partnerships with local arts organizations and performance venues, creating opportunities for the community to engage with them.

KKFI is an Independent, non-commercial radio station!

Now, more than ever, Independent, Community Media is important for our world. We are here to listen to you, to share your concerns, and offer resources and information. Along with our National Public Affairs shows like Democracy Now and Alternative Radio we offer more locally produced public affairs programs than anywhere else on the dial.

We offer programs for Women, the LGBTQIA Community, Native Americans, Black Public Affairs, Labor & Worker’s Unions, Middle Eastern Music & Information, Latino Programming, prison & justice system, environmental programming, Visual & Performing Arts, KC Tenants, Economics for the People, Understanding Isreal Palistine.

At KKFI there is no automated robot playing the same 40 songs in a “rotation,” based on a formula, created by a singular programmer of the robot. KKFI is the opposite of a robot.

There is almost always a human on the end of the phone line when you call 816-931-KKFI.

90.1 offers 100 different radio programs. 85 of these programs are locally, produced, hosted, engineered and written by over 100 different people, who create content, and personally handcraft each show, each week. There are 64 local music shows and 21 locally produced News, Public Affairs, Arts & Talk shows.

There are 140 hours each week of locally produced handcrafted programs.

You will not find this kind of representative diversity anywhere else on your radio dial. Or from any singular source on your computer. It is very special. It needs to be nourished and kept alive in a world of corporate, nationally owned, commercial or religious broadcasting.

Not only do we bring the most diverse and unfiltered news and information, but our musical playlists are deep, and comprehensive. In one week you can hear over 2000 different songs played, in Blues, Jazz, Folk, Hip Hop, Reggae, Classical, World, Americana, Southern Soul, Fusion, Soul, Rock, New Wave, Electronic, Native, Local, Old Timey, Rockabilly, Women’s, Children’s, Gospel, and Experimental.

With all of this, you hear the voices from the hundreds of KKFI volunteers, and thousands of guests from the community, who share their stories, broadcast live from our non-commercial, midtown studios, at 39th & Main, in the center of our metro, across two states, a collective of communities, and thousands of listeners. What is this worth to you?

11:17

  1. The Freedom Affair – “Get My Share”
    from: The Freedom Affair / Sunflower Soul Records / May 9, 2025
    [Shon Ruffin on vocals, Paula Saunders on vocals, Seyko Groves on vocals, Cole Bales on guitar, Branden Moser on bass & Acoustic Guitar=, Chris Hazelton on Hammond B3 Organ, Wurlitzer, Rhodes, Piano, Bass (Track 4), Vocals; Dave Brick on drums; Pete Carroll on trumpet & flugelhorn; Brett Jackson on tenor sax, baritone sax, tambourine. Recorded at Royal Studios in Memphis, TN. Recording Engineer: Boo Mitchell. Tape Operator: Wesley Graham. Produced by: Chris Hazelton, Dave Brick, and The Freedom Affair. Mixed by: Vince Chiarito. Mastered by: JJ Golden at Golden Mastering. Horn Arrangements by: Hazelton, Carroll, Jackson, and Bales. Design and Layout: Tracy Lenihan // The Freedom Affair has planted deep roots in soul music from their start, but after nearly a decade together, the group’s self-titled sophomore album focuses their sound squarely where Muscle Shoals meets Memphis Soul. It’s a masterstroke of impassioned message-music exploring ageless themes of inequity, love, and togetherness. // A fateful February 2023 encounter with Grammy Award-winning recording engineer Boo Mitchell (Mark Ronson, Bruno Mars, Al Green) at Royal Studios created a spark that sent the band back to Kansas City with new musical conviction. By November, the band had returned to record all-new Southern Soul-inspired songs in the legendary Memphis studio. // The ever-powerful female trio fronting the band–Paula Saunders, Seyko Groves, and Shon Ruffin–has been the hallmark of The Freedom Affair’s sound and identity, and their collective vocal prowess is on full display ranging from tough to tender, touching on heartache and hope. The experience at Royal studios convinced the band that there isn’t a better room to record horns. The “one take” horns of Pete Carroll on trumpet and Brett Jackson on saxophone prove their years together as a unit have paid off with their precision and lines written to meet the vibe perfectly. With rhythm section personnel remaining the same from their debut album Freedom is Love, a shift in instrumentation moves Chris Hazelton from bass to his primary instrument of the Hammond B3 organ along with various keyboards. Branden Moser swaps in the bass, which also happens to be his primary instrument, from his former rhythm guitar. Cole Bales continues to dig into timeless riffs on lead guitar, and Dave Brick maintains the backbone with the heavy boom-bap on drums. This album has cemented The Freedom Affair’s sound: enduring melodies with rich arrangements, backed by a gritty pulse. // Royal was the perfect site for this album, and the band took full advantage of the studio’s history by incorporating studio tools and relics throughout the process. With only four days to fully track the ten-song album, the band insisted on using the same Ampex 1” tape recorder that produced all the Hi Record hits from 1974 and prior to preserve authenticity. It was the first time the machine had been used for an album since 1974. The limitations and quirks of using vintage, analog gear made way for magic moments that shape the album’s charm. The record calls fresh attention to classic Southern Soul with all the coziness and warmth you’d expect from listening to Al Green or Ann Peebles, captured in the very same room. Mixed by Vince Chiarito (Hive Mind, Jalen Ngonda, Charles Bradley) and mastered by JJ Golden (Sharon Jones & the Dap Kings, The James Hunter Six, Antibalas), this album is a truly an all-killer, no-filler lesson in soul music.]
  1. Samantha Fish – “Lose You”
    from: Paper Doll / Concord Records / April 25, 2022.
    [Fish tracked Paper Doll at The Orb in Austin and Savannah Studios in LA in the midst of a grueling touring schedule, recording with her touring band for the first time: Ron Johnson (bass), Jamie Douglass (drums), and Mickey Finn (keys). // Samantha Fish made National TV Debut on The Kelly Clarkson Show on April 25, 2025 // Her 2019 album KILL OR BE KIND was part of WMM’s 119 Best Recordings of 2019. // Samantha Fish (born January 30, 1989) is an American guitarist and singer-songwriter from Kansas City, Missouri. While often cited as a blues artist, Fish’s work features and draws from multiple genres, including rock, country, funk, bluegrass, and ballads. // Fish grew up in the Kansas City area. She started out playing the drums, but switched to guitar when she was 15. Fish’s mother was the instructor in a local church choir, and her father played guitar with friends. Initially hearing recordings of Bonnie Raitt and Stevie Ray Vaughan, she later heard music from Tom Petty and the Rolling Stones and cites the Stones’ album Sticky Fingers as an early influence. She and her sister were both drawn towards blues music in their teenage years. // Fish regularly went to the Knuckleheads Saloon to hear touring blues artists. After turning 18, she often joined in with the singers and bands who were performing there.[ // In 2009, Fish recorded and produced Live Bait. The live album attracted the attention of a talent company, who recommended her to Ruf Records. Ruf Records put together a record with Fish and two other female blues artists, Cassie Taylor and Dani Wilde, titled Girls with Guitars. The three guitarists then toured on the Ruf Records 2011 Blues Caravan in the U.S. and Europe. // Fish continued touring with the Samantha Fish Band, featuring “Go-Go Ray” Pollard on drums and Chris Alexander on bass, playing in Europe and the United States. In 2011, Fish recorded Runaway with the help of her mentor Mike Zito. The album won the 2012 Blues Music Award for Best New Artist. // Fish appeared on Devon Allman’s 2013 album Turquoise in a duet covering the Tom Petty/Stevie Nicks’ song “Stop Draggin’ My Heart Around”. During the summer of 2013, Fish was called up on stage to play with a skeptical Buddy Guy who was so impressed with her playing on the guitar, he declared with a beaming smile to his audience, “When this kind of shit happens, I’ll play all night!” // In 2013, Fish released her second major studio album, Black Wind Howlin’, featuring Mike Zito on guitar, Yonrico Scott on drums, Johnny Sansone on harmonica, and Paul Thorn, vocal duet on one track. The album was recorded in Dockside Studios, in Maurice, Louisiana. Zito’s bandmates from his group Royal Southern Brotherhood, Yonrico Scott and Charlie Wooton, were brought in to assist in the session recordings.[4] Also in 2013, Fish appeared on The Healers Live at Knuckleheads Saloon, producing a CD/DVD collaboration with Jimmy Hall, Reese Wynans, Kate Moss, and Danielle and Kris Schnebelen (sister and brother, formerly of the band Trampled Under Foot). Proceeds benefit the Blue Star Connection. The Healers occasionally perform together as their schedule permits. // Fish’s third studio album, Wild Heart, was released on July 10, 2015. The album is more roots rock than her earlier blues rock. Fish wrote five songs on the record. She co-wrote five other songs with Jim McCormick in Nashville, Tennessee. Luther Dickinson produced the album, as well as played various stringed instruments (guitar, bass, mandolin, lap steel) to flesh out the sound. The album was recorded in four studios, Royal Studios and Ardent Studios in Memphis, Tennessee, Zebra Ranch in Coldwater, Mississippi, and Blade Studios in Shreveport, Louisiana. Other musicians on the record are Brady Blade (drums), Lightnin’ Malcolm (guitar), Shardé Thomas (drums), Dominic Davis (bass), Shontelle Norman-Beatty (background vocals), and Risse Norman (background vocals). // Fish released her fourth solo album, Chills & Fever on March 17, 2017. The album was recorded in Detroit and was recorded with members of the band The Detroit Cobras. Bobby Harlow produced the album.[10] Belle of the West followed in December 2017. // Fish released her sixth solo album, Kill or Be Kind, on September 20, 2019, on her new label, Rounder Records. It was chosen as a ‘Favorite Blues Album’ by AllMusic. // Fish released her seventh solo album, Faster, on September 10, 2021, on Rounder Records. The album was produced by Martin Kierszenbaum, and features drummer Josh Freese and bass player Diego Navaira of The Last Bandoleros. Kansas City area rapper Tech N9ne is featured on the song “Loud”. // In 2022, Fish was featured in the documentary short Love Letters: Samantha Fish Live From New Orleans presented by Carl Van Productions in association with Very Productive Pictures and WYES-TV, airing in both 2022 and 2023. // In May 2023, Fish released the collaborative album Death Wish Blues (Rounder Records) with Jesse Dayton, and the pair set forth on an extensive tour schedule throughout the US, UK, and Europe. Supporting them on the UK leg of their tour was Canadian roots rock band The Commoners. Death Wish Blues was nominated for Best Contemporary Blues Album at the 2024 Grammy Awards. // Her older sister, Amanda Fish, is a singer-songwriter as well and a multi-instrumentalist who has recorded for VizzTone Records.]
  1. Jocelyn Nixon – “YOU AIN’T RIGHT! YOU MUST BE WRONG!”
    from: “YOU AIN’T RIGHT! YOU MUST BE WRONG!”-Single / Supe Brill Records / May 2, 2025
    [Jocelyn Olivia Nixon is lead singer of the band The Creepy Jungles. Jocelyn told Nick Spacek of The Pitch, “that the songs she presents to her bandmates in The Jingles’ songs are poppier stuff, typically, while solo songs are more folky, mellow, weird, and lyrical. Solo work also gives her the opportunity to work with others outside the group. As Nixon explains, “It’s basically a tongue-in-cheek song making fun of hard right conservatives and social cliques who think only their way is ‘right.’” She said, “I felt like I needed something where I can be a bit more vulnerable and naked, I suppose,” the musician says. “I think because Jingles do rock n roll pop songs well, I think I’m kinda boxed in as an artist and singer. This is my way of saying I have many sides to myself as an individual and as an artist, and I can forge my own path and defy expectations.” Jocelyn Nixon’s next single, “Real Deal,” is due later this summer . // The Creepy Jingles released a series of 4 new singles in 2024 including “When Things Go Wrong” on February 23, 2024. // The Creepy Jingles are a Kansas City based, rock and roll band that both honors and defies convention. Led by singer / song-writer Jocelyn Olivia Nixon, a transgender wordsmith who charms with razor wit and dazzles with her lyrical acrobatics. The Creepy Jingles released their album, TAKE ME AT MY WORDPLAY on March 25, 2022 through High Dive Records. Paired up with lyrics centering on themes of identity, strained relationships, social media madness, meme magic, pandemic paranoia, paid off political pundits, backyard bullies and barking up the wrong tree. Everything and the kitchen sink or swim. No stoner left unturned. The Creepy Jingles released their Debut EP on High Dive Records on May 3, 2019. The release was in the top ten of WMM’s 119 Best Recordings of 2019.]

[The Creepy Jingles play Farewell KCMO 6515 Stadium Drive, KCMO TONIGHT, Wednesday, July 16, at 8:00pm with Claire Morales, and Joel Vs. Joel.]

  1. Black Light Animals – “Last Call For Love Songs”
    from: LAST CALL FOR LOVE SONGS / The Record Machine / March 28, 2025
    [Black Light Animals are: Cole B[ales on lead vocals, background vocals, guitar, keyboards; Cody Calhoun on lead guitar & percussion; Branden Moser on bass, guitar, keyboards, drums & percussion; and Alex Hartmann on drums & percussion. All songs written and produced by Black Light Animals. Lyrics by Cole Bales, Cody Calhoun, Branden Moser. Mixed and engineered by Cole Bales. Mastered by Adam Boose. Featuring Nate Hubert on keyboards & background vocals; spoken word intro and outro by Jass. Seyko Groves & Paula Saunders on additional background vocals and vocal arrangements. Brett Jackson on saxophone. Recorded at Groove King Studios in KCMO. // Formed from the ashes of their last band, Instant Karma the new record contains lush pop vocals crooned over spaghetti western riffs, psychedelic synth, and hip hop drums. Playboys of the Western World is a sprawling, decadent examination of what it means to be a human being through the lens of horror movie organs, spaghetti western guitars, hip hop grooves, psychedelic sojourns, and ballads crooned to lovers in the night. More info at: http://www.blacklightanimalsband.bandcamp.com]

[Black Light Animals play Josey Records, 1815 McGee St., KCMO on Saturday, July 19, at 6:00pm with SEYKO, and Heath Church.]

11:29– Underwriting

11:31 – Pledge Break #5

Our WMM Summer Fund Drive Team: Betse Ellis, Mikal Shapiro, And Sandra Draper

On Wednesday MidDay Medley we offer Live in studio performances from: Marmppes, Beth Watts Nelson, ALBER, True Lions, Lonnie Fisher, Mitzi McKee, Calvin Arsenia, Ivory Blue, Stephonne, Julia Othmer, The Swallowtails, Danny Santell, Krystle Warren, MusicbySkippy, Lone Stranger, Just Angel & T.A. Rell, Christena Graves

On Wednesday MidDay Medley we make radio shows that cover: Extemporaneous Music and Arts Society, Lotus Pool Records, KC Rep, Outer Reaches Fest, Owen/Cox Dance Group, No Divide KC, The Folly Theatre, recordBar, Lawrence Arts Center, Manor Records, The Rino, KC Blues Society, KC Star, Lawrence Music Alliance, MixMaster Music Conference, Kosmic City Records, Midwest Music Foundation, Artists Thrive!, KC Gift, Juneteenth, Power to The People Fest, The Record Machine, Whim Theater, Lemonade Park, Crossroads Music Festival, The Ship, The Black Box Theatre, Amplify Lawrence, Quindaro Ruins, Queer Narratives Fest, Art in the Loop, The film: “I’m So Glad” documenting the KC Gospel Music, Fringe Festival, Make Music Day, Boulevardia, Arts in The Park, UMKC Conservatory of Music, The Crossroads Hotel, High Dive Records, Greenwood Social Hall, KC Folk Fest, Manor Fest, Center Cut Records, KKFI Band Auction, Charlotte Street Foundation, Women’s History Month!, University of Missouri at Columbia, Lawrence Public Library, I Heart Local Music, Black History Month, Bach Aria Soloists, Folk Alliance International, Martin Luther King Jr., Tribute to David Bowie, Tribute to Iris DeMent, the music of Palestine and Gaza

11:39

  1. Kissin – “forsythia”
    from: “forsythia” – Single / Lady Kissin Records / June 20, 2025
    [Songwriter: Emma Mathieson / Producer: Corbin Wise / Co-Producer/Mixing: Emma Mathieson. // Kissin is Kansas City Kansas based musical artist Emma Mathieson – Queer, midwestern, and deeply nostalgic, Kissin explores the intricacies of growing up, love, and pure joy with their dreamy spells of songs. / “Signs of Life” was Kissin’s debut single released February 14, 2024. Kissin released “hand soap” coproduced with Corbin Wise and also released February 14, 2024. Kissin released “cal me when you land” also coproduced with Corbin Wise on September 2, 2024. On June 20, 2025 kissing released the single “forsythia” through lady kissin records. Kissin released their 5th single “company time” on July 9, 2025.]

[Kissin plays The RINO, 314 Armour Rd, North Kansas City, Saturday, July 19, at 7:00pm with Toaster Bath, and Oxford Remedy]

  1. Kat King – “Somersaults”
    from: “Somersaults”- Single / Kat King / May 2, 2025
    [Kat King eleased the single “I Might Like It” throough Manor Records on February 28, 2025 / / Kat King, on lead vocals, Derek Melies on guitar, John Kaul McCain on bass, Daniel Cole on drums, & Kara LePage on keyboards. Produced by Isaac Flynn of Hembree. Kat King released the EP Domestic Bliss on April 5, 2024. Domestic Bliss was in the Top 25 of WMM’s 129 Best Recordings of 2024. // On October 6, 2023 Kat King released the single. “Bight-Eyed.” // On June 16, 2024 Kat King released the single “Baby Talk.” // On Jan. 13, 2023 Kat King released “Gone South” Produced by Joel Martin. Centering on themes of self-care, steadfast friendship, and revitalizing optimism. On September 20, 2022 Kat King released the single “With Nothing In My Way.” This followed their single “New Sun” released July 29, 2022. “New Sun” was a follow up to the June 9, 2021, SAY WHAT YOU MEAN 5-track EP, recorded with her band. Co-produced & mixed / mastered by Joel Martin. Lawrence KS based singer songwriter Kat King released her last single “Song of Spain” in 2019 and her single “2017” in, 2018. She released her 5-song EP “Falling Up” on Dec. 1, 2017. // Kat King’s career started as far back as 2nd grade in small town Kansas. As a solo singer-songwriter act, she produced one 13-song album and three EP’s. Now based in Kansas City, Kat King graduated into a 5-piece indie-pop rock group who are gearing up for the release of their second EP together. Their infectious energy has landed them on some of KC’s biggest stages.]

11:45 – Pledge Break #6

Our WMM Summer Fund Drive Team: Betse Ellis, Mikal Shapiro, And Sandra Draper

Case #6: KKFI offers 24-7 programming, and YOU (the listener), basically get all of this amazing programming for “free.” I, for one, love that I can turn on my radio, or computer device, and tune into the 90.1 FM’s 100, 000 watt, crystal-clear signal, and hear the music, information, news, entertainment, events, and stories, that I really cannot find anywhere else. 90.1 is my comfort, my special companion, my interesting friend, introducing me to all kinds of new & local music, as well as the news & information without the intrusion of commercials. It is radio brought to YOU by real people, who create these shows out of love, and are guided by KKFI’s noble mission that “seeks to stimulate, educate and entertain our audience, to reflect the diversity of the local and world community, and to provide a channel for individuals and groups, issues and music that have been overlooked, suppressed or under-represented by other media.”

Driving in your car, at the office, at the gym, in your garage, in your cubicle, in your art space, on your iPod, at your construction site, in your kitchen, in your barn, YOU can take 90.1 with you, as your companion. 90.1 FM is generally a good date. Good for a few laughs, fun to dance with, always interested in good conversation. Isn’t 90.1 FM KKFI worth a few dollars a day, or a week? So many people tune in to http://www.kkfi.org everyday, but studies show, that less than 1 percent actually donate to keep this miracle of broadcast-ing alive. Your support means that you will help bring this programming to folks who could not donate at this time, for whatever the reason.

For Betse Ellis, Mikal Shapiro, and Sandra Draper I’m Mark Manning. Thanks for listening!)

11:53

  1. Danielle Ate the Sandwich – “Fumbling”
    from: Fumbling / Danielle Ate The Sandwich / March 21, 2025
    [Fumbling by Danielle Ate the Sandwich, is the artist’s 8th full length release of original music. Produced by Fritz Hutchison, Alison Hawkins, and Danielle Anderson. Mastered by Ian Dobyns. Recorded in Kansas City, KS. Photography by Paul Andrews. Danielle Anderson: vocals, ukulele, guitar, banjo. Fritz Hutchison: drums, bass, banjo, guitars, keys. Alison Hawkins: vocals, keys, fiddle. Joy Zimmerman: vocals. Marco Pascolini: pedal steel. Alberto Racanati: trumpet, flugelhorn, piccolo trumpet. Aryana Nemati: flute. Laurel Parks: violin. Sascha Groschang: cello. Community Choir on ‘Peace to You Brother’: Annie Kalahurka, Morgan Fender, Forest Kinsey, Mark Orr, Jamie Campbell, Jessica Campbell. More info at: http://www.danielleatethesandwich.com]

[Danielle Ate The Sandwich plays an Art in the Loop Performance onboard the KC Streetcar, TODAY Wednesday, July 16, 6:00pm to 8:00pm at Union Station Streetcar Stop, North Bound at 30 West Pershing Road Kansas City, on the Interplanetary Joyride Streetcar #814 featuring Tres Collective, and Danielle Ate the Sandwich performing as Jer. More information online at http://www.artintheloop.com]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, July 23 we bring you part two of WMM’s Favorite MidCoastal Releases of 2025…So Far! with tracks from, Marmoppes, Eddie Moore, Jamogi, honeybee, 2W33DY, She Said, Keo & Them, Religion of Heartbreak, Hotclub KC, honestav, Redder Moon, Saving Miles Lemon, RxGhost, Collidescope, Kai McGarry, and Ivory Blue. Plus, Steve Tulipana joins us to talk about the 20th Anniversary of recordBar.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1104

WMM’s Favorite MidCoastal Releases of 2025…So Far! + Betse Ellis, Mikal Shapiro & Sandra Draper

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 16, 2025

WMM’s Favorite MidCoastal Releases of 2025…So Far! (Part 1) + Betse Ellis, Mikal Shapiro, and Sandra Draper

Mark will spin 20 of WMM’s Favorite MidCoastal Musical Releases of 2025…So Far! We’ll hear tracks from: Krystle Warren & The Faculty, Various Blonde, TheBabeGabe X The Human, Fullbloods, Daniel Gum, Stephonne, LYXE, The Nature Boys, The Royal Chief, Beth Watts Nelson, Old Sound, Malek Azrael + Sisterbot, The Freedom Affair, Samantha Fish, Jocelyn Nixon, Black Light Animals, kissin, Kat King, Danielle Ate the Sandwich, and Danny Cox. (Part 1 of 2)

Joining Mark in the studio are: Betse Ellis, critically acclaimed fiddler, singer, songwriter, member of The Starhaven Rounders, Little Miss Dynamite, and Betse & Clarke; Mikal Shapiro of KKFI’s Siren Song, and the bands, Mikal Shapiro & The Musical, Shapiro Brothers, Monta At Odds, and Religion of Heartbreak; AND Sandra Draper, a member of KKFI’s Board of Directors and host and producer her own radio show, Silky San’s Soul Sensation coming soon to 90.1 FM.

Betse, Mikal, and Sandra join us for the entire show as our very special Guest Co-Hosts to encourage our beautiful listeners to call 888-931-0901, or visit http://www.kkfi.org to support 90.1 FM KKFI – Kansas City Community Radio during our Summer Fund Drive Show. We want to say your name over the free community airwaves. We need your support now more than ever! Please join us!

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1104

WMM Playlist from July 9, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 9, 2025

WMM presents: Dedric Moore & The Kosmic City Fest + The Swallowtails + Kai McCarry

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. TheBabeGabe X The Human – “ROZZELLE COURT”
    from: HONEYPOP / Seven Rings Media / March 5, 2025
    [Production by The Human // After years of being the girl in the band, TheBabeGabe is stepping out, and standing ten toes down. As she dives into her solo career, Gabe brings the same sugary raps and addicting energy that she did as 1/3 of the alt-rap trio BLACKSTARKIDS. This time though, she’s telling her story, and forging a fresh start. The debut mixtape HONEY POP introduces the world to a young black girl from Kansas City that’s hungry for better things for herself and everyone who looks like her. Her energy is infectious, and you won’t want to be the one standing in her way, which becomes clear from the rowdy hook of the project’s lead single PSA. “It’s in my DNA, killing shit like every day, take this as a PSA, don’t give a fuck ‘bout what you say.” // With BLACKSTARKIDS, Gabe gained experience crushing a stage, opening on tour with The 1975, beabadoobee, Glass Animals, & more. That confidence shines through on braggadocios tracks like Only See Me, Pulse, and Pep Rally where she raps, “hoe shut the fuck up when I’m talking, got a pretty face but this mouth repulsive.” Pulling inspiration from future peers like Doja Cat & Tyler, The Creator, Gabe is quick to prove she isn’t restricted to one sound. There’s no shortage of variety with sticky hooks, soulful ballads, Janelle Monáe -esque pop hits, somber reflective cuts, and boomy west-coast kickbacks. // No song boasts this genre-bending ability better than the double track RIOT GRRL//DRAMA QUEEN. Starting with an inspirational pop-punk banger that could make any Olivia Rodrigo fan nod in approval, it soon turns to the emotional DRAMA QUEEN, seeing Gabe grapple with difficult changes and struggle to find the best way forward. Listening to Gabe can often feel like hanging with your bestie in that you’re getting both the yap sessions about the everyday as well as the venting about life’s drama and all its uncertainties. // These confessions, boasts, hooks, croons, screams, beats, and sounds all come together to create an extraordinary portrait of a young artist figuring it out. It’s an unfiltered showcase that sees Gabe pull back the curtain and step forward so you can meet her where she’s at. So when you listen, you’re seeing her for who she really is. And for many, that’s someone you can see yourself in. That’s TheBabeGabe. // TheBabeGabe was one-third of the Kansas City based BLACKSTARKIDZ Gen-Z upstarts BLACKSTARKIDS have released their sixth studio album Saturn Dayz on September 20, 2024 through Dirty Hit Records and immediately followed with an 8-track seventh studio album HEAVEN ON URF, on October 25, 2024 on Dirty Hit Records. Our friend and music writer Bill Brownlee talked with us about how the band created a double album, but the record company decided to release as two separate albums. The music from both albums relate to each other. Before the release of Saturn Dayz the band released their single and video “SOULMATEZ!” on August 30, 2024. “SOULMATEZ!,” is a magnetic, blissed-out bop that brings together pop, indie, and alt-rap, reminiscent of Dev Hynes-era Solange mixed with De La Soul. // The follow up to BLACKSTARKIDS’ acclaimed 2022 album CYBERKISS* which featured standout singles “CYBERKISS 2 U* ft. beabadoobee” and “SEX APPEAL,” SATURN DAYZ is an otherworldly, genre-crossing testament to their unrelenting artistry and is their most impressive work to date. PRESS HERE to pre-save SATURN DAYZ. // Putting out music at a prolific rate and making waves for their formidable songwriting and producing talents, as well as their endless energy and truly limitless sound, BLACKSTARKIDS have received critical acclaim from New York Times, MTV, UPROXX, Billboard, Alternative Press, SPIN, Ones To Watch, Rolling Stone France, The Line Of Best Fit, DIY, Coup De Main, and more. Blending garage rock with synth-punk and hip-hop to usher in a new surge of indie, such as on their beloved album Puppies Forever which features anthemic singles “ALL COPS ARE BASTARDS,” “JUNO,” and “FIGHT CLUB,” BLACKSTARKIDS are well on their way to indie stardom and have previously toured with the likes of The 1975, COIN, Glass Animals, beabadoobee, Christian Leave, GroupLove. // Incorporating each member’s wide-ranging influences into their blissful DIY sound, such as Toro Y Moi, NERD*, Smashing Pumpkins, Weezer, Outkast, Odd Future, and A Tribe Called Quest, BLACKSTARKIDS first captivated the internet with their “black coming of age trilogy” of projects Let’s Play Sports, Surf, and Whatever, Man that feature critically acclaimed singles including “BRITNEY BITCH” and “FRANKIE MUNIZ.” // Blackstarkids are phenomenon who came out of KC in 2020 became the soundtrack for the summer. Members include: TheBabeGabe, Deiondre, and TyFaizon (of the Drop Dead XX collective). The members have known each other since high school in Raytown, Missouri. Members met at Raytown South High School and formed the band in 2019. The group released its first album, Let’s Play Sports, on August 1, 2019. Blackstarkids then released their second album SURF through their own label Bedroom Records on February 28, 2020. Blackstarkids caught the attention of The 1975’s frontman Matty Healy and were then signed to The 1975’s management company and UK-based label Dirty Hit Records. They were featured in Clash Magazine. Blackstarkids then released, Surf Basement Demos on Dirty Hit Records on March 5, 2020. On October 29, 2020, Blackstarkids released Whatever, Man on Dirty Hit Records, their third album release of 2020. Gabe, of Blackstarkids recently described the KC Music community to an interviewer, “The music scene here is really nice. There are a lot of bands who are super talented and do all types of genres. The jazz music here is really great as well. Kansas City is honestly a hidden gem when it comes to music. I feel like you can meet an artist anywhere and anyplace in this city.” Deiondre added, “The music scene here is getting cool now, there’s a lot of jazz musicians that go to school for music here too but you can find people from different scenes all over if around the city.” Ty wrote, “The KC scene is great, the community here is so supportive and genuine. This is a really prideful city here and I think they’re finally getting the musicians they deserve.”]
  1. Deep Sea Diver – “Loose Change”
    from: Billboard Heart / Sub Pop Records / February 28, 2025
    [Seattle’s Deep Sea Diver released Billboard Heart, their fourth album, and wide-screened Sub Pop debut. The new long-player includes the “Billboard Heart”, along with highlights “What Do I Know,” “Emergency,” “Let Me Go,” her collaboration with Grammy-winner Madison Cunningham, and the guttural single “Shovel.” // Billboard Heart immediately puts Deep Sea Diver in the company of St. Vincent, TV on the Radio, and Flock of Dimes, bands that have found newly ornate and magnetic ways to make indie rock by discarding notions of how it must sound or what it must say. Dobson punches through her past here. As she howls during Billboard Heart’s rapturous title track, she is “welcoming the future by letting go of it.” // It is a coup, a triumph over self-doubt in which what first felt like failure became an opportunity to find new freedom, belief, and strength. You can hear it in each of these eleven songs, the beating heart that makes everything here feel like a new anthem for finding your own way forward. // Billboard Heart was written and performed by primary songwriter and guitar player Jessica Dobson, and her partner, drummer and band co-writer Peter Mansen, and synth player Elliot Jackson. Additional contributions include former The Shins’ bandmate Yuuki Matthews, Caroline Rose, and Greg Leisz. Billboard Heart was produced by Jessica Dobson and Andy D. Park, with additional production from Adam Schatz, mixed by Park, and mastered by Greg Calbi and Steve Fallone.
    // You can watch the single-take official video for “Shovel,” directed by Tyler Kalberg and Deep Sea Diver. Dobson says of the track and visual, “‘Shovel’ is one of the most angular and dualistic songs I’ve written, and I wanted to do a one-shot video that captured the grit, rawness, and intensity of the song. Simply put, it is me digging and dancing with a shovel in the middle of the night, desperately looking for beauty in dark places. Influenced by Lynch, the Cohen brothers, Nick Cave, and the sweet dance moves of Kate Bush.” // “Frontwoman Jessica Dobson’s powerful voice and gnarled guitar solos grant the Seattle band’s propulsive, riff-laden indie rock a new level of yearning intensity.” – Pitchfork // “Billboard Heart could propel Deep Sea Diver to the greatest of heights: mild indie stardom. Or at least it should, because this record is very good. But even if they aren’t headlining Pearl Jam-sized arenas this time next year, the sounds of Billboard Heart could fill one.” – PASTE // “There is plenty to unpack with plenty of anthemic moments but also moments of calm that help the epic tracks to soar even more. Dobson’s vocals and guitar work are both captivating throughout in a record that rarely has a dull moment and is full of spirit and spark from start to finish.” – CLASH]

[Deep Sea Diver plays recordBar, 1520 Grand Street, KCMO, Tomorrow Night, July 10, at 7:00pm with opening band Meerna.]

  1. Hannah Jadagu – “My Love”
    from: “My Love” – Single / Sub Pop Records / July 7, 2025
    [Hannah Jadagu has returned with “My Love,” the singer-songwriter and producer’s scintillating new R&B electro pop song, available today on all streaming services from Sub Pop. The accompanying official video, co-directed by Annika Santhanam and Hannah, who also stars in the I Spy-inspired visual, is a sweet and surreal take on the song’s lyrical themes of love and distance. Hannah says of the song, “‘My Love’ is about the feelings that can arise when you’re apart from someone you love (longing, excitement, gratitude). It’s simply a love song that makes a plea for being with that person.” My Love” was written and composed by Hannah Jadagu, co-produced by Hannah with musician/producer Sora at Undercooled in Los Angeles, and returning collaborator/producer Max Baby at Greasy in Paris, France, mixed by Blue May and mastered by Heba Kadry. “My Love” is her first recorded material since the release of 2023’s Aperture, Hannah’s acclaimed, full-length debut. // Fresh out of high school, Hannah Jadagu released her debut EP, What Is Going On?, a collection of intimate bedroom pop tracks recorded entirely on an iPhone 7, which was, at the time, Jadagu’s most accessible mode of production. An off-the-cuff approach to music making and instinctive ability to write unforgettable hooks belied the intensity of Jadagu’s subject matter. In a short run time, What Is Going On? confronts some of the nation’s most urgent struggles all through Jadagu’s compassionate perspective. “I want my songs to be both super intimate and still universally relatable,” Jadagu says. “With the EP, so many people told me that the songs resonated with them on a personal level, and that’s what I’m always hoping for.” // Resonate it did; What Is Going On? was Jadagu’s first Sub Pop release, but she’d been putting out music on SoundCloud for years, garnering a small online fanbase as she settled into an aesthetic, and recognition from a broader audience was overdue. “It really took off when I became a percussionist in my middle school’s band,” she says. “Writing songs started as a hobby and quickly became a passion to the point that I spent all my free time recording.” // On May 19th, 2023 Jadagu premiered Aperture, her first LP and most ambitious work to date. Aperture was part of WMM’s 120 Best Recordings of 2023. Written in the years between graduating from high school in Mesquite, TX and her sophomore year of college in New York, Aperture finds Jadagu in a state of transition. “Where I grew up, everyone is Christian; even if you don’t go to church, you’re still practicing in some form,” Jadagu says, laughing. “Moving out of my small hometown has made me reflect on how embedded Christianity is in the culture down there, and though I’ve been questioning my relationship to the church since high school, it’s definitely a theme on this album, but so is family.” // As a kid, Jadagu followed her older sister – a major source of inspiration who she refers to as “the blueprint” – to a local children’s chorus, where she received choral training. “I hated it,” Jadagu admits. “But it taught me how to harmonize, how to discover my tone, how to recognize and write melody.” The aching single “Admit It” is dedicated to Jadagu’s sister, whose boundless love and impeccable taste has been a constant for Jadagu ever since she was a kid. At home, the siblings were raised on mom’s Young Money mixtapes and the Black Eyed Peas (to whom she credits her love of vocoder) but it was in the sanctity of her sister’s car that Jadagu discovered indie artists who would go on to inspire her work. // Hannah Jadagu played the Bottleneck in Lawrence Kansas on Friday, September 29, 2023]
  1. Lnrd Dstroy x Chromadadata – “Zen Garden ft. Aaron Alexander & Ubi”
    from: Enter The ScribbleVerse / A Space Suit Production / June 26, 2025
    [Produced by Lnrd Dstroy & Chromadadata // “What began as a short film about the artist Scribe has grown into a multidimensional exploration of the creative experience. Music, a vital thread in that journey, took center stage as Leonard DStroy and Chromadadata expanded their original film score into a full sonic odyssey—one that drifts from wide open fields to the far reaches of space. // This project is more than a soundtrack—it’s a mood, a companion for your road trips, your creative deep dives, your moments of stillness. Full of chill-out vibes and soul-nourishing lyrics, it invites you to reflect: What fuels your own creative path? // So grab your headphones, crank the stereo, and Enter the Scribbleverse.” -Scribe // Track 05 features Aaron Alexander & Ubi on vocals. Track 07 features Peter Schlamb on Vibraphone. Track 11 features Dom Sanders on Bass. Track 14 features Ubi on vocals. Track 17 features Aaron Alexander on vocals, Octavio Santos on Trumpet/ Arrangement, and Tina Sol on Strings. // Mixed/ Mastered/ Executive Produced by Lnrd Dstroy. Cover Art by Scribe. A Space Suit Production.]
  1. Jamogi & The Jammers – “Blackout (Flew The Coop Live)”
    from: Jamogi & The Jammers: Live at Flew The Coop Sessions (Flew The Coop Live) / Jam Tunes / April 11, 2025.
    [Jamogi is also know as Byron Hyde a Kanas City based singer, songwriter, MC, producer, originally from Los Angeles, California. Jamogi released the single “Do It To Me” on March 28, 2025. // Jamogi released the single “Go Big or Go Home” on August 30, 2024, Jamogi released the single “Hot Block” on May 30, 2024. Jamogi released the EP, Star-Crossed Lover on March 3, 2023. Jamogi then released a “Star-Crossed Lover GALACTIC REMIX (feat. Watchman)” single on June 9, 2023.Jamogi previously released the AGE OF AQUARIUS EP on March 3, 2023, and the single “Celebration” on Dec. 9, 2022, and the single “Anymore” on May 6, 2022. // Jamogi played the ROCK IS BLACK—a celebration of Black artists in rock music, happening February 28, 2025 at 7:00 PM at the Zhou B Art Center, 1801 E 18th Street, KCMO. Rock is Black features: Malek Azrael & The Vibez, Jamogi and The Jammers, Stephonne, and Frankie Shorez & Mercy Fire. Kamogi and the Jammers played Boulevardia 2025]

[Jamogi & The Jammers play The Rino 314 Armour Rd, North Kansas City on Friday, July 11 at 7:30pm with Sweet Magnolia, and the Back Alley Brass Band]

  1. Kissin – “Signs of Life”
    from: “Signs of Life” – Single / Lady Kissin Records / February 14, 2024
    [Songwriter: Emma Mathieson / Producer: Corbin Wise / Co-Producer/Mixing: Emma Mathieson. // Kissin is Kansas City Kansas based musical artist Emma Mathieson – Queer, midwestern, and deeply nostalgic, Kissin explores the intricacies of growing up, love, and pure joy with their dreamy spells of songs. / “Signs of Like is Kissin’s debut single released February 14, 2024. Kissin released “hand soap” coproduced with Corbin Wise and also released February 14, 2024. Kissin released “cal me when you land” also coproduced with Corbin Wise on September 2, 2024. On June 20, 2025 kissing released the single “forsythia” through lady kissin records. Kissin will release their 5th single “company time” on July 9, 2025.]

[Kissin plays miniBar, 3810 Broadway Blvd, KCMO on Friday, July 11, at 7:00pm with Sisterbot, and Harper K.]

  1. REVISER – “CELESTINE”
    from: “CELESTINE” – Single / REVISER / February 28, 2025
    Calling to mind classic 80’s bands such as Sisters of Mercy, The Cure, and Killing Joke, REVISER sounds complimentary to such contemporaries as Actors, Soft Kill, and Drab Majesty. REVISER collects and redirects its familiar influences into something both familiar and foreign, a sound that is dark, deep, and danceable. Dedric Moore on keyboards and Krysztof Nemeth on vocals and baritone guitar, with newest member Breaka Dawn (of The Bad Ideas) singing with Krysztof. This is the 4th single form REVISER who released “DARKSIDERS” on October 18, 2024, and “ASSASINS” and “BURN IT OUT” on March 15, 2024. REVISOR is a continuation of the musical collaboration from Static Phantoms, Religion of Heartbreak (with Mikal Shapiro) and Monta At Odds.]

[Reviser plays the Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, with Stranger Gallery (MINN), Brave Boy (Wichita), Cables & Lace, and Elska for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the decks all night, at miniBar, 3810 Broadway Blvd KCMO.]

10:28 – Underwriting

  1. Stranger Gallery – “Restless”
    from: Echoes from Camden Bridge / Windlass Records / September 13, 2024
    [Stranger Gallery presents their debut album, “Echoes from Camden Bridge,” on their own Windlass Records. After relentless regional tours, east coast festivals, lineup changes, and constant support for national artists, the band teamed with Tony Williamette at Minnehaha Recording Company (Charlie Parr, Night Moves) and settled into the studio for a Minnesota winter. // Echoes’ eight songs take a heartfelt and menacing delve into the personal impact and questions of the last four years: estrangement and cooperation, misinformation and advocacy, healing and war. // The band’s mechanized dance beats, shimmering guitar, and lush synths are pierced with an expanding vocabulary of violin and sampled metal percussion. // Mastered by Greg Reierson at Rare Form Mastering. // Cody Bourdot – vocals, guitar, sampler, bass; Manny Castro – bass, violin; Rocky Rosga – synth, beats, programming; Joe Hastings – lead guitars //Special thanks to Mark Mallman for guest vocals on 4. // Music by Stranger Gallery (1,4,7,8), Cornell/Bourdot (2), Roxy Epoxy/Drat (5), and Glenn Bourdot (6).. Words by Bourdot except 5 (Roxy Epoxy) and 6 (Glenn Bourdot). Recorded December 2023 and January 2024 at Minnehaha Recording Company, Minneapolis. Produced and mixed by Tony Williamette and Cody Bourdot. Engineered by Tony Williamette. Assistant engineers Thomas Schroeder & Murphy Oyeneyin.
    Mastered by Greg Reierson at Rare Form Mastering, Minneapolis.]

[Stranger Gallery (MINN) plays the Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, with ReViser, Brave Boy (Wichita), Cables & Lace, and Elska for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the decks all night, at miniBar, 3810 Broadway Blvd KCMO.]

10:34 – Interview with Dedric Moore

We’re happy to welcome back to the show one of our favorite people, Dedric Moore. Dedric is a Kansas City, Kansas based musician, producer, songwriter, vocalist and co-founder of the bands: Religion of Heartbreak, Re:Vis:Er, Monta At Odds, Static Phantoms, Gemini Revolution, Mysterious Clouds and founder of Kosmic City Records. Dedric joins us to share details about the Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, featuring RE:VIS:ER, Stranger Gallery (MINN), Brave Boy (Wichita), Cables & Lace, and Elska for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the decks all night, at miniBar, 3810 Broadway Blvd KCMO. More information at http://www.kosmiccity.com

Dedric Moore welcome back to Wednesday MidDay Medley

Last week on the radio show we played the new Religion of Heartbreak -single “Love Tourniquet” released through Kosmic City Records on June 27, 2025

Last week in WMM we played Religion of Heartbreak’s newest single: “Love Tourniquet,” the first taste of their forthcoming EP Lunate, due this September. Mikal Shapiro‘s cool, detached vocals float over Dedric Moore’s pounding rhythms and bright-yet-gothic synths, resulting in the ideal soundtrack for stumbling through a fog-drenched nightclub where the lights have just cut out. // The track captures that intoxicating rush when desire floods the system—blood to the head, pulse in your throat—only to fade as quickly as it arrived, leaving you back on the dance floor, chasing the same high again. Moore’s growling bass anchors the swirling soundscape while subtle dark-disco elements lift the arrangement into urgency. // “Love Tourniquet” thrives where euphoria meets emptiness, where the black mirror of the dance floor reflects nothing but your own endless cycle of want. Repetition becomes ritual and desire becomes devotion. // Religion of Heartbreak formed out of a desire to make music with a darker dance floor focus. The combination of Mikal Shapiro’s vocals battling against Dedric’s icy synths, mechanized beats and dub-inflected electro-bass creates a juxtaposition that works in all the right ways. //Religion of Heartbreak delves into the sounds of Darkwave, EBM, and the darker side of Synth Pop. The grooves are there. The songs are clever and always filled with a sense of lost love as we follow our dark hearts.

ROH is the band formerly known as Monta At Odds. It was recently announced that Krysztof Nemeth was stepping away for Religion of Heatbreak to focus on his band ReViser also with Dedric Moore and with Breaka Dawn.

On February 3, 2025 Religion of Heartbreak released the 5 song EP Dream Reflection with Dedric Moore on vocals, guitar, synths, programming; Mikal Shapiro on vocals, Krysztof Nemeth: baritone guitar, electronic percussion; Alexander Thomas on electronic percussion on MGGG, Dream Reflection, Skeptic; Regan Moore on electronic percussion on Dark Hour of Meditation // Dream Reflection EP carries forward the motorized heartbeat of classic darkwave while forging its own metallic path. Drawing from EBM and Synth Pop traditions, this five-track release sees the Monta At Odds offshoot strip away unnecessary embellishments, leaving only the essential elements and textural remnants that speak to our collective digital malaise. // The EP’s centerpiece and title track emerges like a ghost in the machine, with Mikal Shapiro’s coolly delivered vocals floating above Dedric Moore’s gritty synth programming and precision-guided guitar along with Krysztof Nemeth’s synth pad percussion. Each track builds upon this foundation, from the robot-dance urgency of “Forget About You” to the beautiful desolation of “Skeptic,” creating a cohesive statement about modern isolation and the personas we construct. The result feels familiar and alien—like catching your reflection in a black mirror and seeing someone else staring back.

Kosmic City Presents: LUDI Dark Music Festival on Saturday, July 12, at 7:00pm at miniBar, 3810 Broadway Blvd KCMO.

Tickets: https://dice.fm/event/k6vn7l-ludi-festival-reviser-stranger-gallery-brave-boy-cables-lace-dj-ilya-12th-jul-minibar-kansas-city-tickets

Featuring:
Reviser – https://reviser.bandcamp.com/
Stranger Gallery (MSP) – strangergallery.bandcamp.com/
Cables & Lace – cablesandlace.bandcamp.com
Brave Boy (Wichita) – braveboymusic.com/
Elska – http://www.elskamusic.me/
DJ Ilya

10:43

  1. Cables and Lace – “Glimpses”
    from: “Glimpses” – Single / Cables and Lace / May 5, 2020
    [Cables & Lace is a Topeka, Kansas based duo made up of Josh and Carmen who create an eclectic mix of down tempo, industrial, indie, and trip-hop.]

[Cables & Lace plays the Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, with ReViser, Brave Boy (Wichita), Stranger Gallery (MINN) , and Elska for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the decks all night, at miniBar, 3810 Broadway Blvd KCMO.]

10:47 – More Interview with Dedric Moore

We are talking with Dedric Moore about the Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, featuring RE:VIS:ER, Stranger Gallery (MINN), Brave Boy (Wichita), Cables & Lace, and Elska for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the decks all night, at miniBar, 3810 Broadway Blvd KCMO. More information at http://www.kosmiccity.com

Dedric Moore thank you for being with us on Wednesday MidDay Medley

Dedric is a Kansas City, Kansas based musician, producer, songwriter, vocalist and co-founder of the bands: Religion of Heartbreak, Re:Vis:Er, Monta At Odds, Static Phantoms, Gemini Revolution, Mysterious Clouds and founder of Kosmic City Records.

Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, featuring RE:VIS:ER, Stranger Gallery (MINN), Brave Boy (Wichita), Cables & Lace, and Elska for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the de

While Dedric’s bands have been released on the Record Machine and Haymaker Records Dedric has also created his own label imprint: Kosmic City Records

Kosmic City’s website says: “Kansas City is in the center of the US and no longer a flyover town. Kosmic City is the nickname from the adventurous minds of denizens keeping underground culture alive in the Kansas City metro.”

“We are a group of musicians, DJs and fans of the scene and want to help make Kansas City a safe and exciting place to enjoy the dark scene. Kosmic City is comprised of members of Monta, Morgue VVitch, Emmaline Twist, Panhead87 and DJs Rico Dejoie and Steve Tulipana”

Kosmic City is dedicated to “Promoting Goth, Darkwave, Post-Punk, Synthpop, & Shoegaze in KC”

There are 37 Cosmic City EPs or Album Releases from: Religion of Heartbreak, Re:Vis:Er, Monta At Odds, Static Phantoms, Gemini Revolution, Mysterious Clouds available through Kosmic City.

Upcoming Kosmic City Approved Shows:

Academy Order, Religion of Heartbreak, Bags Bags Bags – Sun, Jul 27 at 7:00 pm at miniBar, 3810 Broadway Blvd KCMO

“Academy Order masterfully blends goth, death rock, post rock, new wave and hints of hardcore to create a special sound that is simultaneously a revival and a revolution. Though these songs sound like the work of a band at the peak of their career, one can tell the band is just getting started.” – Evan Martin-Casler, Cvlt Nation

Newmoon, Cold Gawd – Wed, Jul 30 at 7:00 PM at recordBar, 520 Grand. KCMO

Brace yourselves for an enchanting musical journey as Newmoon, the acclaimed shoegaze band from Antwerp, Belgium, unveils their third studio album “Temporary Light.” The brand new release promises to mesmerise fans and captivate new listeners. // “Temporary Light” weaves a sonic tapestry that harks back to the band’s roots, yet retains a fresh approach that keeps their music alluring. Blending airy vocals with lush guitars, Newmoon creates an immersive sound that sweeps listeners off their feet into a striking world that feels distant yet familiar at the same time. // Joined by new drummer, Conor Dawson, “Temporary Light” marks an exciting chapter in Newmoon’s evolution. The band’s signature feel for grand yet delicate melodies are enriched by Dawson’s rhythmic finesse, adding a layer of depth and musicality to their songs. // After a more melodic approach on their previous release, Newmoon returns to embrace their abrasive, dreamy and ethereal sound on “Temporary Light”. With their blooming guitars and gracefully haunting melodies, they captivate listeners throughout the 8 tracks. From gentle melodies and catchy hooks to plush walls of guitars and pummeling drums. // “Thick layers of guitars always felt natural to us, and are kind of our main thing. We wanted to explore some ideas that have been in the back of our mind ever since we started this band,” says Bert Cannaerts. “As soon as we let go of trying to write a specific type of album, the songs grew organically and everything just clicked.” // Having previously recorded “Space” and the band’s debut EP “Invitation To Hold”, Newmoon enlisted engineer and producer Thomas Valkiers again to record “Temporary Light”. Additionally, Simon Scott of Slowdive,, renowned as one of the key people within the shoegazing genre, is responsible for mastering, truly elevating the sound of “Temporary Light”. // “Shoegaze is a genre where you get lost in walls of sound and whatnot. In a psychedelic sound, between reverbs… You need songs. These guys have them. They are very cool.” – Simon Scott for Binaural.es

Plague Garden, Reviser, Rx Ghost – Thusday, Aug 7 at 7:00 PM at miniBar

Plague Garden is a post-punk band from Denver, Colorado that began a concept in 2017 when singer-guitarist Fernando Altonaga wanted a vehicle for his more post-punk songwriting that didn’t fit with his project at the time eHpH, an industrial/EBM project. // Calling to mind classic 80’s bands such as Sisters of Mercy, The Cure, and Killing Joke, REVISER sounds complimentary to such contemporaries as Actors, Soft Kill, and Drab Majesty. REVISER collects and redirects its familiar influences into something both familiar and foreign, a sound that is dark, deep, and danceable. // RxGhost is a Kansas City-based band known for their shoegaze and post-rock sound, characterized by atmospheric textures and emotionally resonant music. They blend ethereal soundscapes with intense sonic bursts, creating a unique and immersive experience.

Die Sexual, L, Janet Azimuth – Wed, Aug 13 at 7:00 PM at miniBar

Die Sexual is the Los Angeles-based dark electronic duo of Rosselinni and Anton Floriano. Conjuring their influences of ebm, techno, and electropop, their sound is an intoxicating mix of analog synthetics and seductive vocals, touching on themes of desire and despair, domination and submission. // L and Janet Azimuth open the show.

Dedric Moore thank you for being with us on Wednesday MidDay Medley

The Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, featuring RE:VIS:ER, Stranger Gallery (MINN), Brave Boy (Wichita), Cables & Lace, and Elska for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the decks all night, at miniBar, 3810 Broadway Blvd KCMO. More information at http://www.kosmiccity.com

10:56

  1. Elska – “Moonstorms”
    from: Dancing Alone (LP) / Time Released Sound / July 5, 2024
    [11-track album release. Electronic/Ambient music from KC based Elska. Elska is the narrator of cinematic lullabies and creation of Composer Laura Boland. She represents love, imagination, optimism, conflict & awareness. Elska writes, “My vignettes are comprised of moments and memories that explore the human condition and our spiritual migrations in the context of our ever-changing environment.” .Composed, recorded, and mixed by Laura Boland in Kansas City, MO. Mastered by Jessica Thompson in San Francisco, CA. Polaroids by Laura Boland, Alex Alexander and Peter Rad. Polaroid stories by Laura Boland Artwork/Design by Colin Herrick and Maria Chenut. // Elska writes: “Hello and thank you for taking the time to read this and listen. I am happy to present Dancing Alone to you: a slow waltz through the darkest corridors of our yesterdays. Here, we excavate dusty memories and are united with our shadows to uncover a reverberating love inside our hearts’ distorted beats. Evocative orchestrations of ghostly soundscapes and nostalgic synth textures decorate this internal terrain and accompany ethereal vocal narrations that tie together the complexities and explorations of “home.” // Elska released the 5 track EP lerden in Januaryt 29, 2021. // Elska released the 8-taxck album elska on September 28, 2018. More info at: elskamusic.me]

[Elska plays the Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, with ReViser, Brave Boy (Wichita), Stranger Gallery (MINN) , and Cables & Lace (Topeka) for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the decks all night, at miniBar, 3810 Broadway Blvd KCMO.]

11:00 – Station ID

  1. The Swallowtails – “Lucky Penny (2025 version)”
    from: Perspective (Bonus Track) / The Swallowtails / to be released in August 2025
    [This is a new recording and new version of the band’s song “Lucky Penny” originally released as the title track from their Bebruary 20, 2024 5-song EP – LUCKY PENNY. Yhis new version will be added as a bonus track on the bands. Up coming album PERSPECTIVE. // The independent acoustic band, experimenting in the rock/pop genres while performing on what are traditionally folk/classical instruments, enter a new era having produced the entirety of this project themselves, with the songwriting matter touching on life’s big changes, challenges, and the realizations that time will heal. // “Since becoming a duo, it was time for us to reinvent our sound again. The songwriting on the LUCKY PENNY EP was split between Rachel and Miki P, and this was Rachel’s debut release as a writer and singer. We spent all of January 2024 finishing the arrangements, recording and mixing the mini-record. It was a much needed release of energy for both of us, and we are definitely looking forward to adding these songs into our live sets and performing new material.” – Miki P, songwriter, singer and musician in The Swallowtails. // Est. in 2018, The Swallowtails are a Kansas City based musical duo comprised of musicians Miki P on guitar/vocals and Rachel Lovelace on bassoon/vocals. Their vision is to write honest, heartfelt songs that feel like you’re coming home to an old friend. As recording and performance artists, they have been showcased throughout Kansas City, performing at the Folly Theatre, Boulevardia Music Festival, The Kansas City Public Library as part of the 2023 Art in the Loop: Celebrate project, and most recently at Green Guitar Folk House opening for The Wildwoods. Their songwriting was awarded Best Song by a KC Band in 2023 by the Pitch Magazine for their tune “Take it Slow.” // Swallowtails embarked on their 4th year entering NPR’s Tiny Desk Contest featuring a song off the EP, called “I’m on Fire” posted to NPR’s official contest site. // The Swallowtails hwere recently approved as part of KCAIC Touring Artists Roster, through the Kansas Creative Arts Industries Commission. // Historically, on May 22, 2023 The Swallowtails released their 7-track EP THE WORLD STILL SPINS with Rachel Lovelace on bassoon, Adee Dancy on cello & vocals, and Miki P on guitar & lead vocals. // Miki P is a self-taught musician/multi-instrumentalist & songwriter driving the Swallowtails into a creative collaboration like any other. Miki P was born in Kansas City, KS. Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. Miki P performed “She Loves You” at her 7th grade talent show. In 9th grade she joined a teen-band called American Slim as drummer & vocalist, and she wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. Miki P has played Middle of the Map Fest, Crossroads Music Fest, Kauffman Stadium, Arrowhead Stadium, and The Nelson Atkins Museum of Art before officially ending in 2018. As a teen she played drums for various groups including American Slim. At 21, Miki P began work on her debut solo-record, DOME OF SWALLOWS, that was released August 2, 2018. She then formed Miki P and the Swallowtails who released their first EP, Swallowtail in 2019, In 2021 Miki P released the 6-song EP, DON’T LOSE HOPE, created in covid isolation, in Miki P’s home space. Sitting & working from Miki’s computer, she composed and recorded 80% of the EP, working through the music like a journal entry, creating each song from her internal hurricane of emotions. All songs written, recorded, played, & mixed by Miki P. Recorded & Mixed with Emma Klien & Jake Hilger. Mastered by Joel Nanos. Miki P released her single “Your Love” on June 24, 2022. Miki P’s released the single “Peter Parker!” on March 18, 2022. // The Swallowtails played the 20th Annual Crossroads Music Fest, August 24, 2024 on the Stockyards Brewing Stage with: Howard Mahan & Friends, The Canterberries, Danielle Ate The Sandwich, Beth Watts Nelson, Rural Grit All Stars, and Les Ismore & The Goats. // More info at: http://www.mikipmusic.com]

[Casii Stephan, Miki P and Cheery will play Greenwood Social Hall, 1750 Belleview Ave, KCMO on Thursday, July 10 at 7:00PM Doors at 6:60pm]

11:05 – Interview with Rachel Lovelace of The Swallowtails

Rachel Lovelace attended the Douglas Anderson School of the Arts and moved from Jacksonville Florida to Kansas City in 2015 to study at UMKC and UMKC Conservatory of Music in Jazz Studies/Performance. Rachel has worked at Kansas City Young Audiences, loves rock climbing, has a dog named Peanut. and has been a part of the Swallowtails from the beginning

Since 2018 The Swallowtails have released two albums and two EPs, played hundreds of shows and festivals around the Midwest, and been awarded The Pitch Magazine’s ‘Best Of Kansas City’ for the last two years. They released their EP LUCKY PENNY on February 20, 2024. The duo is currently at work on their new album PERSPECTIVE The band has launched a new Kickstarter Campaign to help make this new collaborative project happen Casii Stephan, Miki P and Cheery will play Greenwood Social Hall, 1750 Belleview Ave, KCMO on Thursday, July 10 at 7:00PM Doors at 6:30.

Rachel Lovelace thanks for being with us on Wednesday MidDay Medley

The Swallowtails are: Miki P and Rachel Marie Lovelace are an acoustic folk rock duo based out of Kansas City, MO. They’ve been a band for 6.5 years. They’ve been completely independent from record labels and management. This approach has been the best way for them to have complete control of Their vision and truly find their sound. Despite going it alone, They’ve released two albums and two EPs, played hundreds of shows and festivals around the Midwest, and been awarded The Pitch Magazine’s ‘Best Of Kansas City’ consecutively for the last two years in a row!

From their Kickstarter page:

Within these last two years They’ve been able to grow Their fan base throughout the Midwest through touring and releasing music. Their most current EP Lucky Penny was released in February 2024 and was recorded, produced, and released on their own volition. They learned a lot in this process; how to co-write & co-produce with each other, how to write for their instrumentation, and how to record their unique sound.

After releasing Lucky Penny into the world, they continued to write as a duo and develop their live stage show by trying out new songs with the intent to find their strongest arrangements. Shedding this music in dedicated rehearsal time and on the stage, they believe this new collection of songs are their strongest yet. From their Perspective they know this collection is special and it deserves the opportunity to reach a bigger audience outside what they are physically and financially able to do by theirselves at this point.

Outgrowing their independent resources, they’re calling for help to bring their biggest vision yet to life. This is the greatest endeavor they’ve encountered as a band and as professionals. By running this campaign on Kickstarter, The Sswallowtails are reaching out to ask help from listeners, fans, and friends, to be a part of our process to releasing new music. This way too, they are able to give back something tangible, like a vinyl record or a songwriting lesson, in exchange for help.

Making an album comes with a plethora of costs. Studio time, hiring an engineer and producer, along with mixing and mastering the record is just the beginning of this process. After the music is recorded, they will have to afford photo and video shoots for publishing, press releases, and marketing.

On top of all of that, they will hire a publicist in hopes to give this music a chance to find its deserved audience. This doesn’t cover the costs of ordering merch outside of the kickstarter rewards – which is our only real chance of making any of our investment into the overall cost of the project back.

PERSPECTIVE THE ALBUM – a two-part release ♡♡♡
Perspective will be an album released in two parts. The first 5 songs, of which they’ve already started recording, will release in the Fall of 2025 digitally. The full album, including the first five released songs plus 6 more songs, will released in 2026 both digitally and physically.

Perspective as a concept was inspired by their friendship as bandmates, but more importantly friends. Having experienced seven years of life together, Miki and Rachel have had their fair share of ups and downs. They’ve laughed together, grieved together, hit some of their biggest professional achievements side by side, and supported each other through difficult life changes. This album is not only an ode to their friendship and foundation, but a reminder that: life is a matter of your perspective. They choose to revel in our lives, create art, sing songs and share our souls with the world!!

This is the first completely collaborative album they have written as a band. Writing credits are split evenly between the two of the, and you will hear both of them taking lead on certain songs and sharing harmonies. They feel like this project reflects their growth as songwriters in a way they’ve never been able to capture before, and we’re very proud of this collection of songs.

The first 5 songs listed will be included in the first EP release this year!
Told You So
Perspective
One of These Days
The Last Time
Tables Have Turned
Giving Tree
Always With Me
My Girl
Heart is a Garden
Revolution
BONUS TRACK: Lucky Penny (ft. John Mailander)

WHO’S INVOLVED? – As an independent band free of labels or management, there are many hats they wear to keep the music rolling and our pockets not completely empty. However, they knew they couldn’t do it alone and needed a team of creators who believed in the project to make it truly come to life.

The Swallowtails challenged themselves with this project to work outside of what was familiar to then in previous recording sessions. For the first time ever they hired a producer, Heidi Gluck, an extremely talented and inspiring musician, to guide the feel of the album. Before recording in the studio, they met with Heidi to do what they call “pre-production sessions” where they reshaped their songs. They changed tempos, chords, lyrics, everything you could possibly do to create their songs best arrangements. During their time in the studio, Heidi kept them on track, wrote counter-melodies, and played bass and keyboard. This album continues to metamorphosize and evolve; the record is currently being created, re-arranged, recorded and visualized with the help and guidance of Heidi.

The Swallowtails decided to ask their friend Wills Van Doorn to engineer this project for them. Wills is a wizard at engineering, and is also a talented musician/songwriter himself. Comfort was really important to them for this record. They wanted to be somewhere they felt safe to be themselves and capture the collaborative energy with their producer Heidi. Wills did an excellent job facilitating this and they believe you can hear that on the record.

For the album cover, they asked Lori Locke to help the create the vision they saw for Perspective. They wanted it to play on the album title; the image being a matter of your perspective. After an amazing photo shoot with Lori, they printed the pictures and created a paper collage with real dried flowers (that they pressed themselves from a walk one day) and a vintage book Rachel purchased when they first started The Swallowtails. It was a group project that stemmed from Lori’s unique vision of painting their bodies and posing them in her studio!

There will be one bonus track on the Perspective album that is a call-back to a previously released song of theirs, Lucky Penny. The Swallowtails are re-releasing the song this summer as a single featuring The Sweallowtails unbelievably talented friend John Mailander on violin. The band believes this re-release embodies the true spirit of the song, our friendship, and journey as musicians and producers into their next album cycle.
All the videos you’ve seen for this campaign were shot and edited by their friend Dylan Trigg of Triggered Media Co. Dylan helped them take thier Kickstarter campaign to a visual level – showcasing our sense of humor, gratitude, and hard work in all under 3 minutes.

There are so many more people who have aided in their journey as a band, as performers, and as songwriters. They couldn’t have done any of this without involving the listeners and fans that make any of this possible. They are so grateful to all therr friends and family who believe in them to soar for new heights!

More info at http://www.theswallowtails.com

https://www.kickstarter.com/projects/theswallowtails/

11:15

  1. Casii Stephan – “King of America”
    from: “King of America” – Single / Casii Stephan / July 4, 2025
    [Produced by Chad Copelin (Colony House, Strumbellas, Broncho), “King in America” is a hard-hitting and explosive rock-drenched protest song against the perils of fascism and the current American administration. Casii shares, “I’m mad. I was raised to believe in God’s divine plan for America. That the monarchy was never meant for us. And now… they want a monarchy. They want to threaten my trans friends’ lives and make them unwelcome in Oklahoma. They want to deport people who are near and dear to my family. They want to pick on the minority. Well, pick on me. I’m the majority. We’re the majority. And if they think this country will go down without a fight? Darlings. We already won this war. I guess it’s time to remember who we are. The home of the brave and the land of the free.” // Casii Stephan has received acclaim from the likes of Billboard, NPR, American Songwriter, Atwood Magazine, and SPIN among others and has performed at SXSW and is signed to TRO Essex (Woody Guthrie, The Who, Pink Floyd). // Minnesota gave her roots, and Tulsa gave her wings. Casii Stephan is a MN-born, indie-pop meets soul-rock singer-songwriter based in Tulsa, OK.Casii’s “gorgeously emotive voice inspires comparisons to alt-pop artists like Florence Welch and Fiona Apple with a writing style reminiscent of Carole King” (NPR). // Stephan’s voice is fierce and fearless, but this was not always the case. She grew up shy and afraid of her voice until she started writing songs on the family piano when she was 16. Casii moved to Tulsa in 2014 with the intent to give up her pursuit of a music career, however with a little encouragement from a friend, she continued songwriting and started releasing music in 2016. // Since then, Casii has received national songwriting awards, toured regionally and internationally, performed official SXSW and Folk Alliance showcases, performed in NYC at A2IM, performed at the virtual Sundance Film Festival, and profiled on platforms such as Billboard, NPR, SPIN, and American Songwriter. She recently returned from her first international tour with stops in Ireland and the UK. In Jan 2025, she was an official showcase artist at the “Your Roots are Showing” international music conference. She then returned to London to perform an official SXSW showcase in June. // Casii writes her songs honestly, from the depths of her emotions, with wide ranging themes including death and life, love and loss, and often pushing back on negative societal norms like sexism, ageism and “playing nice” as a woman. She uses writing to deconstruct her own beliefs with an underlying hope that things can change, inviting listeners on their own journey.

Casii’s diverse songwriting catalog is with TRO Essex Music Publishing, who represents talented folk writers such as Woody Guthrie and Pete Seeger, and iconic rock bands like The Who and Black Sabbath. Casii’s highly anticipated Relationship Status EP, produced by Ben Tanner (Alabama Shakes, St. Paul and the Broken Bones), was released in September 2024 on Shamus Records to rave reviews. “Each of these songs are great. Individually, they present a brilliant vocal and some very strong musical hooks, but when played together, ‘Relationship Status’ becomes bigger than the sum of its parts, with the songs representing a journey.” (Real Gone Rocks). Casii is currently in the studio writing and recording new songs. More info at: http://www.casiistephan.com]

[Casii Stephan plays Greenwood Social Hall, 1750 Belleview Ave, KCMO on Thursday, July 10 at 7:00PM Doors at 6:30pm Miki P, and Cheery.]

10:17 – More Interview with Rachel Lovelace of The Swallowtails

Rachel Lovelace attended the Douglas Anderson School of the Arts and moved from Jacksonville Florida to Kansas City in 2015 to study at UMKC and UMKC Conservatory of Music in Jazz Studies/Performance. Rachel has worked at Kansas City Young Audiences, loves rock climbing, has a dog named Peanut. and has been a part of the Swallowtails from the beginning

Since 2018 The Swallowtails have released two albums and two EPs, played hundreds of shows and festivals around the Midwest, and been awarded The Pitch Magazine’s ‘Best Of Kansas City’ for the last two years. They released their EP LUCKY PENNY on February 20, 2024. The duo is currently at work on their new album PERSPECTIVE The band has launched a new Kickstarter Campaign to help make this new collaborative project happen Casii Stephan, Miki P and Cheery will play Greenwood Social Hall, 1750 Belleview Ave, KCMO on Thursday, July 10 at 7:00PM Doors at 6:30.

Rachel Lovelace , thanks for being with us on Wednesday MidDay Medley

Formed in 2018, The Swallowtails are a KC based musical duo comprised of musicians Miki P on guitar & vocals and Rachel Lovelace on bassoon & vocals.

“Since becoming a duo, it was time for us to reinvent our sound again. The songwriting on this EP is split between Rachel and myself, and this is Rachel’s debut release as a writer and singer.

Established . in 2018, The Swallowtails are a Kansas City based musical duo comprised of musicians Miki P on guitar/vocals and Rachel Lovelace on bassoon/vocals. Their vision is to write honest, heartfelt songs that feel like you’re coming home to an old friend. As recording and performance artists, they have been showcased throughout Kansas City, performing at the Folly Theatre, Boulevardia Music Festival, The Kansas City Public Library as part of the 2023 Art in the Loop: Celebrate project, and most recently at Green Guitar Folk House opening for The Wildwoods. Their songwriting was awarded Best Song by a KC Band in 2023 by the Pitch Magazine for their tune “Take it Slow.” // Live video’s will be released on The Swallowtails YouTube page in support of the EP, the live session was filmed at West Bottoms Whiskey Co. //

Swallowtails created the EP Lucky Penny to be available for the 2024 Folk Alliance International Conference February 21st-25th. Both Miki & Rachel earned scholarships to attend the conference that year.

In 2024 The Swallowtails embarked on their 4th year entering NPR’s Tiny Desk Contest featuring a song off the EP, called “I’m on Fire” posted to NPR’s official contest site.

The Swallowtails were approved as part of KCAIC Touring Artists Roster, through the Kansas Creative Arts Industries Commission.

On May 22, 2023 The Swallowtails released their 7-track EP THE WORLD STILL SPINS was recorded, mixed, & mastered at Element Recording Studio by Joel Nanos, with Miki P on drums, guitars, & vocals; Adee Dancy on cello & vocals; Rachel Lovelace on bassoon; with John O’Keefe on bass. Each member is an integral part of the Kansas City music scene, writing, arranging, performing, and collaborating original music for their own groups and several other projects in the metro.

On March 30, 2022, The Swallowtails released the single, “Who’s Gonna Be There”.

Miki P is a self-taught musician/multi-instrumentalist & songwriter driving the Swallowtails into a creative collaboration like any other. Miki P was born in Kansas City, KS. Miki P started playing guitar in middle school. She taught herself to play the drums, while listening to Mitch Mitchell, Keith Moon and Ringo Starr. Miki P performed “She Loves You” at her 7th grade talent show. In 9th grade she joined a teen-band called American Slim as drummer & vocalist, and she wrote songs for their full-length album Irreplaceable released in 2017, followed by a single “Queen of Hearts” released April 11, 2018. // At 21, Miki P began work on her debut solo-record, DOME OF SWALLOWS, that was released August 2, 2018. She then formed Miki P and the Swallowtails who released their first EP, Swallowtail in 2019, In 2021 Miki P released the 6-song EP, DON’T LOSE HOPE, created in covid isolation, in Miki P’s home space. Sitting & working from Miki’s computer, she composed and recorded 80% of the EP, working through the music like a journal entry, creating each song from her internal hurricane of emotions. All songs written, recorded, played, & mixed by Miki P. Recorded & Mixed with Emma Klien & Jake Hilger. Mastered by Joel Nanos. Miki P released her single “Your Love” on June 24, 2022. Miki P’s released the single “Peter Parker!” on March 18, 2022. An inspired musician, Miki has a rare capability to not only be able to share her life experiences and lessons learned through her voice & lyrics, but also through every instrument she performs on. Always a student, she both performs and records on guitar, drums, percussion, piano, bass and ukulele. Miki P is a songwriter with a unique ability to command any room she performs in. A natural talent paired alongside a drive to connect with others, Miki is a touring musician carrying on elements of rock & pop. Settled with a message resonating loud and clear to people from all walks of life through her imaginative, fun, and confessionally honest songwriting, Miki sings of love in all its forms.//

More info at http://www.theswallowtails.com

Rachel Lovelace, Thanks for being with us on Wednesday MidDay Medley.

Miki P plays Greenwood Social Hall, 1750 Belleview Ave, KCMO on Thursday, July 10 at 7:00PM Doors at 6:30pm with Casii Stephan, and Cheery

11:27

  1. Cheery – “What Works For Me (new demo)” – Single
    from: “What Works For Me (new demo)” – Single / Spirit House Records / Unreleased
    [From the recordings of Cheery for their second record, Cyclical Sadness. Cheery is the “Dream Pop” music project of musician and singer and songwriter Katlyn Conroy, who was formerly based in Lawrence, Kansas. moved 4000 miles away to get married and relocate in Liverpool, England. When she was still based in Lawrence, Kansas, As Cheery, Katlyn released the single “Concept of Love” and b-side, “Vulture” on August 3, 2021, written and performed by Katlyn Conroy, and engineered and mixed by Eric Davis. Katlyn Conroy released SAPPHIRES funder her previous moniker and band, La Guerre through The Record Machine on January 20, 2015. It was #10 on WMM’s 115 Best Recordings of 2015. Katlyn Conroy was also part of the critically acclaimed band, Cowboy Indian Bear. She was the recipient of the 2013 Pitch Music Award for Best Singer-Songwriter. With over 20 years of live performance experiences she has performed alongside Daniel Johnston, Florence and The Machine, Grizzly Bear, Sara Barielles, Why? and more. Katlyn Conroy joined us on WMM on March 4, 2015 and August 26, 2015. More info at: http://www.cheery.bandcamp.com or https://linktr.ee/HearCheery ]

[Cheery plays Greenwood Social Hall, 1750 Belleview Ave, KCMO on Thursday, July 10 at 7:00PM Doors at 6:30pm Miki P, and Casii Stephan,

11:29 – Underwriting

  1. Kai McGarry – “Loose Change”
    from: Scarlett / Kai McGarry / August 1, 2024
    [This album came from a lot of research, a lot of people, and a lot of life that I’ve lived in a short period of time. I remember every situation that i wrote about, and they’re all there in the music. Everyone who shaped this album, good and bad, I am forever in your debt. This bleeding desire that I’ve had since a kid is slowly fading from dream to reality, and I couldn’t be more grateful. Scarlet is about whatever you’ve lost, gained, and most importantly, what you’ve done to achieve something in your life. // For SCARLET, Kai McGarry wrote, produced, recorded, and arranged the vintage pop, jazz-inflected record in his basement, and Duane Trower mixed it at Weights and Measures Soundlab. On this record, McGarry performed all of the instruments, except for bass guitar (recorded by Nick May), trombone (recorded by Zander Wolf), and saxophone (recorded by Brayden Evans). The album is a reflection of a very short snapshot of time, one that included a shift in the people in his life as well as his priorities.]

11:34 – Interview with Kai McGarry

Kai McGarry, is a 17 year old artist, shaped by his upbringing in the Kansas City jazz community, with mentorship from regional jazz greats and experience playing drums in various ensembles. Kai McGarry self-produced his very own debut album at the age 12. His newest album, SCARLET, Kai McGarry wrote, produced, recorded, and arranged the vintage pop, jazz-inflected record in his basement, and Duane Trower mixed it at Weights and Measures Soundlab. On this record, McGarry performed all of the instruments, except for bass guitar (recorded by Nick May), trombone (recorded by Zander Wolf), and saxophone (recorded by Brayden Evans).
Kai McGarry, thanks for being with us on Wednesday MidDay Medley

Kai McGarry recently graduated from Mill Valley High School in Shawnee, Kansas.

Kai will be attending the Berklee College of Music in Boston to continue his professional pursuit.

In August Kai will turn 18.

Kai plays drums, clarinet, bass, piano, and guitar as well as music production.

Kai plays with all of the bands at Mill Valley as well as KC’s top high school jazz band – Live Jazz KC’s, All Star Band.

During his Junior year in High School Kai encourage parents that have a child with an interest in music he would love to help them make that dream come true. Kai’s parents (after an extensive amount of convincing) let me create a studio in the downstairs area of their home.

Kai Played Future Stages at Kauffman Center for the Performing Arts

Kai played the Coleman Hawkins Festival.

Kai did play an Album Pre-Release on June 29, at 7:15am at KC Oasis with Dandelion Lakewood, King Dari, and Michelle Robin

11:42

  1. Kai McGarry – “The Show Must Go On”
    from: Scarlett / Kai McGarry / August 1, 2024
    [This album came from a lot of research, a lot of people, and a lot of life that I’ve lived in a short period of time. I remember every situation that i wrote about, and they’re all there in the music. Everyone who shaped this album, good and bad, I am forever in your debt. This bleeding desire that I’ve had since a kid is slowly fading from dream to reality, and I couldn’t be more grateful. Scarlet is about whatever you’ve lost, gained, and most importantly, what you’ve done to achieve something in your life. // For SCARLET, Kai McGarry wrote, produced, recorded, and arranged the vintage pop, jazz-inflected record in his basement, and Duane Trower mixed it at Weights and Measures Soundlab. On this record, McGarry performed all of the instruments, except for bass guitar (recorded by Nick May), trombone (recorded by Zander Wolf), and saxophone (recorded by Brayden Evans). The album is a reflection of a very short snapshot of time, one that included a shift in the people in his life as well as his priorities.]

11:45 – More Interview with Kai McGarry and Alicia McGarry

Kai McGarry, is a 17 year old artist, shaped by his upbringing in the Kansas City jazz community, with mentorship from regional jazz greats and experience playing drums in various ensembles. Kai McGarry self-produced his very own debut album at the age 12. His newest album, SCARLET, Kai McGarry wrote, produced, recorded, and arranged the vintage pop, jazz-inflected record in his basement, and Duane Trower mixed it at Weights and Measures Soundlab. On this record, McGarry performed all of the instruments, except for bass guitar (recorded by Nick May), trombone (recorded by Zander Wolf), and saxophone (recorded by Brayden Evans). SCARLET will be officially released on August 1, 2025 with a KAI MCGARRY ALBUM PRE-RELEASE LISTENING EVENT.

Kai McGarry, thanks for being with us on Wednesday MidDay Medley

Kai played the Mutual Musicians Foundation

Kai thanks these KC musicians for being a mentor and helping to shape who he is today:

Arnold Young
Brandon Draper
Charles Williams
Sam Platt
Christopher Burnett
Brian Steever
Herschel McWilliams

Charles Williams is one of Kai’s teachers. KCMO native. Local Musician/ Producer, Piano Instructor, Member of The American Jazz Museum Board. Pianist at The Kansas City Jazz Orchestra. Jazz Academy Teacher for Advanced Combo at American Jazz Museum. Former RETIRED CLERK at US Postal Service. Studied Elementary Education/Music at University of Missouri–Kansas City Conservatory of Music. Studied Music education at Penn Valley Community College. Went to Sumner High School Class of 1973. From Kansas City, Kansas

In the Fall of 2024 Kai released the 8 – track album AN OLD PIANO. It was completely self-produced by Kai, from writing the lyrics and composing the music to mixing and mastering every track.

Kai McGarry Thanks for being with us on WMM

For WMM, and Kai McGarry I’m Mark Manning. Thanks for listening.

11:53

  1. Kai McGarry – “Spin Out (faet. Akinya)”
    from: Scarlett / Kai McGarry / August 1, 2024
    [This album came from a lot of research, a lot of people, and a lot of life that I’ve lived in a short period of time. I remember every situation that i wrote about, and they’re all there in the music. Everyone who shaped this album, good and bad, I am forever in your debt. This bleeding desire that I’ve had since a kid is slowly fading from dream to reality, and I couldn’t be more grateful. Scarlet is about whatever you’ve lost, gained, and most importantly, what you’ve done to achieve something in your life. // For SCARLET, Kai McGarry wrote, produced, recorded, and arranged the vintage pop, jazz-inflected record in his basement, and Duane Trower mixed it at Weights and Measures Soundlab. On this record, McGarry performed all of the instruments, except for bass guitar (recorded by Nick May), trombone (recorded by Zander Wolf), and saxophone (recorded by Brayden Evans). The album is a reflection of a very short snapshot of time, one that included a shift in the people in his life as well as his priorities.]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, July 16, we present Part One of WMM’s Favorite MidCoastal Releases of 2025 –- So Far! (A two-week radio special celebrating the depth of the MidCoastal Music Community). To help us celebrate I will be joined by my special co-hosts: Betse Ellis, Mikal Shapiro and Sandra Draper, for our Wednesday MidDay Medley Summer On-Air-Fund Drive. We will need to hear from YOU our listeners to support Community Radio. In our currently political climate we need your support now more than ever. Please call 888-931-0901 during the show so we can say your name over the airwaves and burn a negative thought in our fire in your honor.

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1103

WMM presents Kosmic City’s LUDI Fest + The Swallowtails + Kai McGarry

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Mannin
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Wednesday, July 9, 2025

WMM presents: Dedric Moore & The Kosmic City Fest + The Swallowtails + Kai McCarry

Mark spins more New & MidCoastal Releases from: Reviser, Kai McGarry, Lnrd Dstroy & Chromadata with Aaron Alexander & UBI, The Babe Gabe + The Human, Kissin, Casii Stephan with Damion Shade, The Swallowtails, Jamogi and The Jammers, Elska, Cheery, Cables & Lace, Stranger Gallery, Hannah Jadagu, and Deep Sea Diver.

At 10:30 Wednesday MidDay Medley welcomes back to the show one of our favorite people, Dedric Moore. Dedric is a Kansas City, Kansas based musician, producer, songwriter, vocalist and co-founder of the bands: Religion of Heartbreak, Re:Vis:Er, Monta At Odds, Static Phantoms, Gemini Revolution, Mysterious Clouds and founder of Kosmic City Records. Dedric joins us to share details about the Kosmic City – LUDI Summer Dark Music Festival, Saturday, July 12, at 7:00pm, featuring RE:VIS:ER, Stranger Gallery (MINN), Brave Boy (Wichita), Cables & Lace, and Elska for a night of Darkwave, Post-Punk, Dreampop, and Dark Ambient. DJ Ilya will be on the decks all night, at miniBar, 3810 Broadway Blvd KCMO. More information at http://www.kosmiccity.com

At 11:00 we talk with Miki P & Rachel Lovelace of The Swallowtails, who since 2018 have released two albums and two EPs, played hundreds of shows and festivals around the Midwest, and been awarded The Pitch Magazine’s ‘Best Of Kansas City’ for the last two years. They released their EP LUCKY PENNY on February 20, 2024. The duo has brought in Heidi Gluck to produce their new album PERSPECTIVE to be released in two parts. The first 5 songs, of which they’ve already started recording, will released in the Fall of 2025 digitally. The full album, will include 6 more songs, and will be released in 2026 both digitally and physically on vinyl. The band has launched a new Kickstarter Campaign to help cover the costs of producing and marketing a new vinyl album: http://www.kickstarter.com/projects/theswallowtails. The Swallowtails, Casii Stephan, and Cheery will play Greenwood Social Hall, 1750 Belleview Ave, KCMO on Thursday, July 10 at 7:00PM Doors at 6:30.

At 11:30 Mark welcomes Kai McGarry, a 17 year old artist, shaped by his upbringing in the Kansas City jazz community, with mentorship from regional jazz greats and experience playing drums in various ensembles. Kai McGarry self-produced his very own debut album at the age 12. His newest album, SCARLET will be officially released on August 1, 2025. For SCARLET, Kai McGarry wrote, produced, recorded, and arranged the vintage pop, jazz-inflected record in his basement, and Duane Trower mixed it at Weights and Measures Soundlab. On this record, McGarry performed all of the instruments, except for bass guitar (recorded by Nick May), trombone (recorded by Zander Wolf), and saxophone (recorded by Brayden Evans). The album is a reflection of a very short snapshot of time, one that included a shift in the people in his life as well as his priorities.

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1103

WMM Playlist from July 2, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 2, 2025

WMM presents: Mara Williams & J.M. Banks of Voices of Kansas City + “The Spooky Sh*t Show” + Beth Watts Nelson

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Hotline TNT – “Break Right”
    from: Raspberry Moon / Third Man Records / June 20, 2025
    [Hotline TNT is an American rock band from New York City. The band is fronted by singer and guitarist Will Anderson, who writes and records all of their music and performs live with a rotating lineup of musicians. Their style is characterized by Anderson’s wall-of-sound layering of distorted guitars and is often described as shoegaze. Hotline TNT have released three full-length albums, Nineteen in Love (2021), Cartwheel (2023) and Raspberry Moon (2025). // Prior to the formation of Hotline TNT, Will Anderson was previously a member of a number of small indie rock bands, such as Happy Diving and Crazy Bugs. He most notably moved on to the Vancouver-based duo “Weed”, where he released three studio albums between 2011 and 2017. Upon spending most of his twenties in local rock bands, he began to feel burned out, wondering if he should quit and focus on other aspects of his life. Additionally, his parents divorce and his pursuit of his Master’s Degree in education took away from his focus on music. However, every time he began to seriously consider the change, he still found himself tinkering around with guitar riffs in his free time, unable to step away from music. In 2018, he decided to form his a new musical group, Hotline TNT. He established Hotline TNT as a band; he would be the sole constant member, while working with a rotating collection of other band members. Anderson refuses to disclose the meaning of the band’s name; he states that he and the original band members he worked with made a vow not to publicly disclose it. // A series of EPs were recorded and released by Anderson between 2018 and 2019: Cool If I Crash, Fireman’s Carry, and Go Around Me. Moving into 2020, Anderson had secured a tour as the opener for indie musician Snail Mail, but the breakout of the COVID-19 pandemic cancelled the plans. Instead, Anderson would work on recording a song called “Stampede” for a local COVID charity compilation release, and with all of the downtime that came with the pandemic, proceeded to record the band’s debut studio album, Nineteen in Love. The album was recorded entirely in GarageBand, without using any guitar amps or drum sets. The album was released in late 2021; initially exclusively on YouTube as one long video, where individual tracks could not be chosen. This was done both as a statement on how music streaming services were hurting the industry, and as a way to force listeners to play the entire album rather than just single songs. Anderson conceded it led to mixed results; it helped create a dedicated fanbase, but generally did not help with finding new listeners, and was eventually made more widely available. The band toured extensively in support of the album the following year, alongside self-releasing another EP, When You Find Out. // While touring in 2022 with Island of Love, the band became in contact with reps with their record label, Jack White’s Third Man Records, who expressed interest. Upon the conclusion of the tour, and another one with Snail Mail, the band started getting approached by other record labels as well. Anderson was initially apprehensive to signing to a record label; he was used to more of a do it yourself work ethic, and was sensitive to accusations of “selling out” that often come with it. However, he was eventually persuaded, largely upon learning that Sheer Mag, a band he was both friends with and respected musically, was also signing with Third Man. Anderson met with the label, who responded favorably to the demos he was working on. Upon learning that they would also offer him the most creative freedom in his music, and a path that would allow him to focus his efforts entirely towards his music, he eventually signed to the label. // Prior to signing the label, Anderson had already completed some amount of work on a second studio album. Some songs, such as “Protocol” and “History Channel”, were complete enough to enter regular rotation on the band’s live setlists. Others were written entirely in the studio. Leading up to their second album, the band released another EP in April 2023, Spring Disco, which included a song left off the second album, “If We Keep Hanging Out”. In November 2023, the band released their second full-length album Cartwheel. Cartwheel was named “Best of the Week” from Paste magazine, and also received “Best New Music” distinction from Pitchfork. The band plans on spending much of 2024 touring in support of Cartwheel, including shows in North America, Europe, and Japan. Anderson states that he has also has already started early work on a third studio album, which will be the first to feature a live drummer rather than a drum machine. He aims to record it in between the band’s busy touring schedule. // In July 2024, the band released a remix EP titled Somersault. The five song release featured electronic-leaning remixes from five separate artists – They Are Gutting a Body of Water, DJ Sabrina the Teenage DJ, Poisonfrog, Downstairs J, and Car Culture. In November 2024, the band released an expanded version of their compilation album Trilogy, which collected many of the songs off of their earlier EP releases, bundled with 2 previously unreleased songs from the era. // In April 2025, the band announced the name of their third studio album, Raspberry Moon, and its release date, June 20, 2025. // Hotline TNT’s music has commonly been described as shoegaze, alternative rock and noise pop. Much of the band’s music involves a dense wall of sound of distorted guitar. Anderson records and layers the guitar himself in the studio, and then recreates the sound live with a three guitar approach done by himself and two touring guitarists. Anderson writes all the lyrics, which generally are themed about interpersonal relationships of his, both romantic and platonic. He commonly drops names in songs, something he believe help make song more memorable and relatable, though he concedes he generally changes names to protect the anonymity of the song’s subjects. // Despite commonly being labeled as shoegaze by critics, Anderson noted that many music fans dispute whether the band falls into the genre, something he feels indifferent about. Anderson said of the shoegaze label: “I think ‘shoegaze’ is now kind of similar to what the word ‘indie’ became like 10, 20 years ago. It doesn’t describe a genre anymore. It’s more of a large umbrella for guitar-based music, or music with distorted guitars. Sometimes they’re kind of bendy or going in and out of tune a little bit. Sometimes the vocals have a little more reverb, but that doesn’t describe Hotline necessarily…It’s just the way language works and trends work. To go back to the beginning, I had a pretty typical journey myself of hearing Loveless by My Bloody Valentine when I was in 10th grade. It had a pretty big effect on me, as it did with many other people. A couple of years after that, I started making my own music and that was one of the big influences on it.” // Contrary to many shoegaze and guitar-based bands, Anderson places little emphasis on his guitar set up and gear. He describes the band as “anti-gear” – they don’t use guitar pedals, and place no emphasis on what guitar amps used.” // Band members: Will Anderson on vocals, guitars (2018–present); Lucky Hunter on guitars (2024–present); Haylen Trammel on bass (2024–present); and Mike Ralston on drums (2023–present)]
  1. Annahstasia – “Overflow”
    from: Tether / drink sum wtr / June 13, 2025
    [Annahstasia Enuke, known monomously as Annahstasia, is an American soul musician from Los Angeles. Annahstasia released her debut EP Revival in 2023. Annahstasia released her second EP, Surface Tension, in 2024. Annahstasia released her debut album, Tether, in 2025 to critical acclaim, including the “Best New Music” designation from Pitchfork. // Annahstasia was also featured in the music video for Kendrick Lamar and SZA’s song “Luther”, portraying the love interest. / From Bandcamp: “My career has been a lesson in patience,” says Annahstasia, having cultivated her musical language between blazes of intimacy and independence across different lives, locations, and iterations, loves lost and gained, expectations evaded and recreated. The rising troubadour’s proximity to love — for and from others, in society at large, and deeply within herself — guides the spirit of her soulful, poetic folk songcraft. Love is the elemental constant, alongside her distinctly resonant voice, shading the singer-songwriter’s music since her earliest self-taught recordings, back when a 17-year-old Annahstasia Enuke was discovered and propelled into the pressures of an industry that nearly stifled her greatest strengths. Artistic resilience, gratitude, and dedication to process have yielded Tether, Annahstasia’s full-length debut on art-forward indie label drink sum wtr, a collection of beaming torch songs, orchestral hymns, and astral anthems that feel lived-in, drawn from the human experience and the spectrum of love. // Annahstasia assembled the pieces of Tether slowly and with deep intention; she’s carried these songs with her on the road, sang them for friends and strangers, and evolved them over time alongside her personal revelations. “The song is written, and then I have to live with it and see if I really believe what I’m saying,” she explains. She brought material to sessions at the storied Valentine Studios in Los Angeles, joined by producers Jason Lader (ANOHNI and the Johnsons, Frank Ocean, Lana Del Rey), Andrew Lappin (Cassandra Jenkins, L’Rain, Luna Li), Aaron Liao (Liv.e, Moses Sumney, Raveena) and a range of accomplished musicians, including featured guests aja monet and Obongjayar. The recording became instinctual, done only in live takes to capture the feeling of the room, the community of the music. The sequencing was just as essential; she arrived at a flow with shifting energies and poignant arcs. The instrumentation swells, at times understated and others supremely lush, and through each arrangement, Annahstasia’s voice rings true, open-hearted, and free. “I’ve come into the power of my voice as a medium,” she says. “As a tool of expression, I am able to shape the emotional space around me.” // Lyrically, Annahstasia embraces the nuance of poetry, inviting listeners to engage in words laced with meaning, whether ruminations on romance or social constructs. She sees the opener “Be Kind” more as a poem than a song, “a reflection upon the beauty of the mundane and the grandeur of everyday life…a reminder to myself and others to be kind to each other.” The track’s minimalist atmosphere picks up where 2024’s Surface Tension EP left off, with her vocals left bare and up-front, exploring the capacity of her gift with newfound latitude as strums, strings, and keys enter the frame. // The palette expands for “Villian,” welcoming drums, brass, and horns into a sweeping nod to healing. “We are all made of both shadow and light. From some angle, we have all been the villain of the story,” she adds, suggesting that often, the only way to move on is through understanding that “we are all trying our best, negotiating survival.” At its triumphant peak, above gospel-like shouts, she delivers the reprise with a smile: “Take it / Take it back / This dull knife of memory / I still hear your voice inside my head / Says that I’m the villain of the story.” // Album centerpiece “Slow” emerges from a chance connection with London-based Nigerian musician Steven Umoh, aka Obongjayar. After exchanging DMs, Obongjayar came to one of her shows, and the two artists talked for hours afterward; “he was like a lost brother,” she says. Later, they wrote and demoed the track in the living room of her Airbnb in London, where they huddled around a single ribbon microphone. “I’m just playing the guitar, and our eyes are locked; it was very sensual and intense.” Emboldened by one another, their voices orbit and coalesce, trading verses on the signals the universe sends us (“I heard it on the wind / To go slow”), harmonizing the last stanzas (“What’s the worst that can happen / If we just let it happen”). Without proper album plans at the time, the song sat for a while; then, in another cosmic chance, Obongjayar happened to be in town during the Tether sessions. Annahstasia reflects, “It was a beautiful experience to have us all in the room. The artistry, the moment, a real acceptance of African art where these two Nigerian musicians are coming together and making something very tender and pretty outside genre expectations.” // Later, Annahstasia finds a kindred spirit in aja monet, the NY-based surrealist blues poet and her new labelmate, who lends stunning prose and voice to “All is. Will Be. As it Was.” Given only the prompt of “open air,” monet wrote the lines on the ride to the studio. Together with Annahstasia on guitar and Ashley Fulton on piano, they captured the piece in its purest form as if bottling a breeze. // Annahstasia described the EP prelude to this culminating set as a “romantic war,” and the artist truly thrives amidst and after drama. She taps into a punk sensibility for “Silk and Velvet” — “I’d say it’s punk in the sense that it is really dry, really stark and selectively dissonant.” A clashing of cello and piano mirror pointed lyrics about “living with the hypocrisy of having revolutionary ideologies but consumerist tendencies.” The tension comes full circle on “Believer,” a song she’s been trying to get right for years, now finally recorded in the right place with the right people. Nearly every instrument on Tether returns in full force; towering percussion, jagged guitar lines, and howling singers encircle Annahstasia at the mic as she enters a fantasy of rock stardom. “I love how in making a record, you get to make a film and pick which direction to take it. Now I have this version that I blast in my headphones, play air guitar, and pretend I’m performing it for 100,000 people.” The sheer power of Tether is the result of patience, and it’s not hard to picture such a dream realized in good time.]
Sly & the Family Stone
  1. Sly & The Family Stone – “I Gotta Go Now / Funky Broadway”
    from: I Gotta Go Now / Funky Broadway – Single / High Moon Records/ July 18, 2025
    [On June 9, 2025 we lost one of the biggest change makers inAmerican music. Sylvester Stewart passed away quietly at home surrounded by his family. // Sylvester Stewart (March 15, 1943 – June 9, 2025), better known by his stage name Sly Stone, was an American musician, songwriter and record producer. He was the frontman of Sly and the Family Stone, playing a critical role in the development of psychedelic soul and funk with his pioneering fusion of soul, rock, psychedelia, and gospel in the 1960s and 1970s. AllMusic stated that “James Brown may have invented funk, but Sly Stone perfected it,” and credited him with “creating a series of euphoric yet politically charged records that proved a massive influence on artists of all musical and cultural backgrounds”. Crawdaddy! has credited him as the founder of the “progressive soul” movement. // Sly & The Family Stone changed everything. RIP Sly Stone. He was a musical genius who deserved so much more than we gave him. He was a genius DJ, songwriter, producer, band leader, and father. Thank you for making my radio sound so much better!!!!! // High Moon Records is proud to announce the official release of Sly & The Family Stone’s ‘The First Family: Live at Winchester Cathedral 1967’, available Friday, July 18 on CD, LP, and digital download. This earliest live recording of the pioneering band is accompanied by a deluxe booklet with liner notes from the set’s GRAMMY nominated producer Alec Palao, featuring exclusive interviews with Sly Stone and all of the original band members, never-before-seen photos, rare memorabilia, and more. The CD edition includes a bonus performance of Otis Redding’s classic “Try A Little Tenderness.” An electrifying “I Gotta Go Now / Funky Broadway.” // Sly & The Family Stone were true pioneers on so many levels: black/white, male/female, rock/soul, the act shattered all preconceptions of what popular music could be and would go on to become one of the most innovative and influential groups the world has ever witnessed. // Originally released as a sold-out, limited edition LP, earlier this year for Record Store Day, The First Family: Live at Winchester Cathedral 1967 is an electrifying live performance by the original Family Stone line-up, a full year before their chart breakthrough with “Dance To The Music.” This fascinating recording was featured in Questlove’s critically acclaimed 2025 documentary, Sly Lives! (aka The Burden of Black Genius) and spotlights Sly Stone’s singular brilliance on a tremendously exciting and atmospheric set of vintage soul covers and original compositions, peppered with the arrangements, motifs, and intoxicating energy that would soon become familiar during the group’s ascent. // Sly & The Family Stone served as the house band at Redwood City, CA’s Winchester Cathedral from December 16, 1966, to April 28, 1967, lighting up the club with their dynamic, crowd-pleasing performances. The First Family: Live at Winchester Cathedral 1967 was recorded in the early hours of March 26, 1967, by Sly & The Family Stone’s first manager, Rich Romanello. Upon the group’s signing to Epic Records later that year, Romanello put the 7-inch analog tapes into storage where they sat for thirty-five years. The reels were rediscovered in 2002 by Dutch twins Edwin and Arno Konings, renowned Sly & The Family Stone archivists, and carefully restored by their co-producer Palao for this set. // With mastering by Dan Hersch and a lacquer cut by Kevin Gray, the result is an electrifying fifty-minutes that proves the genius of Sylvester Stone.]
  1. Brad Mehldau – “Tomorrow Tomorrow (feat. Daniel Rossen)”
    from: Ride Into The Sun / Nonesuch Records / August 29, 2025
    [Brad Mehldau’s Ride into the Sun, Featuring the Music of Elliott Smith, out August 29 on Nonesuch Records, features performances by Daniel Rossen (of Grizzly Bear), Matt Chamberlain, Chris Thile, John Davis, andFelix Moseholm plus a chamber orchestra conducted by Dan Coleman // “Brad Mehldau is one of the most influential and acclaimed jazz pianists alive today. His many recordings feature a wide range of jazz and American popular song standards, but he is also known to interpret music that lies outside the typical jazz catalogue.” —NPR, Fresh Air // “Mehldau has forged a singular style that has not only enhanced jazz’s musical vocabulary but modernised it too.” —Mojo // “Brad Mehldau is arguably the greatest working jazz pianist. Top five, for sure.” —New Yorker // Nonesuch Records announces pianist and composer Brad Mehldau’s Ride into the Sun—a songbook record of music by the late singer, songwriter, and guitarist Elliott Smith—to be released on August 29, 2025. // Featured musicians include singer/guitarist Daniel Rossen (Grizzly Bear); singer/mandolinist Chris Thile (Punch Brothers, Nickel Creek); bassists Felix Moseholm (Brad Mehldau Trio, Samara Joy) and John Davis (who also engineered and mixed the album); drummer Matt Chamberlain (Fiona Apple, Tori Amos, Randy Newman); and a chamber orchestra led by Dan Coleman, who also conducted on Mehldau’s 2010 album Highway Rider. // Ride into the Sun’s ten Elliott Smith songs are complemented by four Mehldau compositions that he says are “inspired by, and reflect, Smith’s oeuvre.” Also included are interpretations of Big Star’s “Thirteen,” which Smith also covered, and “Sunday” by Nick Drake, who Mehldau says, “I look at in some ways as sort of Smith’s visionary godfather.” // Recalling how he first got to know Smith and his music, which has been a regular part of his repertoire for years, Mehldau said that after years living in New York, he moved to Los Angeles “and there was this wonderful scene of singer-songwriters that was congregating at a club called Largo. That included Elliott but it also included artists like Rufus Wainwright, Fiona Apple. And then other musicians who had been around for a while would come down every Friday night to sit in on a gig that was led by Jon Brion. I played behind Elliott on his own tunes with Jon. It felt to me like a kind of renaissance in songwriting that flourished for a number of years.” // “Elliott Smith masterfully rendered the dark/light admix not in the least through his distinct harmony,” Mehldau continues. “Specifically, he had a way of combining major and minor modes that was all his own. You hear that on the unique, captivating chord progression that he introduced on ‘Tomorrow Tomorrow’ for just a moment before the last verse of the song. I use it, extending it for my piano solo here. This kind of minor-major gambit has a long pedigree, and my own associations as a listener include the music of Schubert and Brahms, among others. // “‘Ride into the sun’ is a beautiful point in the lyric of one of the songs that we play, ‘Colorbars,’” Mehldau says. “Elliott Smith says in the original song, ‘Everyone wants me to ride into the sun.’ When I listen to music, I have a feeling that I can be in communion with somebody who is no longer in this earthly realm, like he is here. And as far as ‘riding into the sun,’ it’s maybe more of a perpetual riding into the sun with him. I don’t know… There’s something mystical there.” // Brad Mehldau’s Nonesuch debut was the 2004 solo disc Live in Tokyo. His subsequent twenty-one releases on the label include six records with his trio as well as collaborative and solo albums. His most recent releases were After Bach II and Après Fauré, both released in May 2024. The albums both feature compositions by their namesake composers as well as music Mehldau wrote that was inspired by them. // Other recent recordings for the label include a solo album Mehldau recorded during COVID-19 lockdown, Suite: April 2020; Jacob’s Ladder (2022), which featured music that reflects on scripture and the search for God through music and was inspired by the prog rock Mehldau loved as a young adolescent; and Your Mother Should Know: Brad Mehldau Plays The Beatles (2023), a live solo album featuring the his interpretations of nine songs by John Lennon and Paul McCartney and one by George Harrison.Mehldau’s memoir, Formation: Building a Personal Canon, Part I, was published in 2023, offering a rare look inside the mind of an artist at the top of his field, in his own words.]
  1. Big Thief – “Incomprehensible”
    from: Double Infinity / 4AD / September 5, 2025
    [4x Grammy nominated Big Thief have announced their sixth studio album, Double Infinity, out September 5th via 4AD, and shared the lead single and album opener, “Incomprehensible.” Double Infinity is the follow-up to 2022’s Grammy-nominated album, Dragon New Warm Mountain I Believe In You, and was recorded last winter at the Power Station, New York City. Together with a community of musicians, they would play for nine hours a day, tracking together – simultaneously – improvising arrangements and making collective discoveries. The album was recorded live with minimal overdubs. Double Infinity was produced, engineered and mixed by longtime Big Thief collaborator Dom Monks. “How can beauty that is living be anything but true?” Adrianne asks as she drives nose against the future with childhood mementos on lead single “Incomprehensible.” She understands “everything I see from now on will be something new.” The silver hairs on her shoulders are new as well. Yet fear of aging is cracked by proof. If a life is shaped by living, “Let gravity be my sculptor, let the wind do my hair.” Being born, then staying a while, remains the greatest mystery. Adrianne claims her place and time. “Incomprehensible, let me be.” // To celebrate the release of Double Infinity, Big Thief will embark on the first leg of their Somersault Slide 360 Tour. The extensive tour – their first US shows in over a year – kicks off in September and includes stops at Berkeley’s The Greek Theater, Los Angeles’s The Hollywood Bowl (their largest non-festival headline show yet), Boston’s MGM Music Hall, and New York’s Forest Hills Stadium. // “[Big Thief are] the best indie-folk band around.” – Rolling Stone
  1. Religion of Heartbreak – “Love Tourniquet”
    from: “Love Tourniquet” – Single / Kosmic City Recoirds / June 27, 2025
    [Religion of Heartbreak strike with their latest single “Love Tourniquet,” the first taste of their forthcoming EP Lunate due this September. Mikal Shapiro’s cool, detached vocals float over Dedric Moore’s pounding rhythms and bright-yet-gothic synths, resulting in the ideal soundtrack for stumbling through a fog-drenched nightclub where the lights have just cut out. // The track captures that intoxicating rush when desire floods the system—blood to the head, pulse in your throat—only to fade as quickly as it arrived, leaving you back on the dance floor, chasing the same high again. Moore’s growling bass anchors the swirling soundscape while subtle dark-disco elements lift the arrangement into urgency. // “Love Tourniquet” thrives where euphoria meets emptiness, where the black mirror of the dance floor reflects nothing but your own endless cycle of want. Repetition becomes ritual and desire becomes devotion. // Religion of Heartbreak formed out of a desire to make music with a darker dance floor focus. The combination of Mikal Shapiro’s vocals battling against Dedric’s icy synths, mechanized beats and dub-inflected electro-bass creates a juxtaposition that works in all the right ways. //Religion of Heartbreak delves into the sounds of Darkwave, EBM, and the darker side of Synth Pop. The grooves are there. The songs are clever and always filled with a sense of lost love as we follow our dark hearts. // ROH is the band formerly known as Monta At Odds. It was recently announced that Krysztof Nemeth was stepping away for Religion of Heatbreak to focus on his band ReViser also with Dedric Moore and with Breaka Dawn. // On February 3, 2025 Religion of Heartbreak released the 5 song EP Dream Reflection eithj Dedric Moore on vocals, guitar, synths, programming; Mikal Shapiro on vocals, Krysztof Nemeth: baritone guitar, electronic percussion; Alexander Thomas on electronic percussion on MGGG, Dream Reflection, Skeptic; Regan Moore on electronic percussion on Dark Hour of Meditation // Dream Reflection EP carries forward the motorized heartbeat of classic darkwave while forging its own metallic path. Drawing from EBM and Synth Pop traditions, this five-track release sees the Monta At Odds offshoot strip away unnecessary embellishments, leaving only the essential elements and textural remnants that speak to our collective digital malaise. // The EP’s centerpiece and title track emerges like a ghost in the machine, with Mikal Shapiro’s coolly delivered vocals floating above Dedric Moore’s gritty synth programming and precision-guided guitar along with Krysztof Nemeth’s synth pad percussion. Each track builds upon this foundation, from the robot-dance urgency of “Forget About You” to the beautiful desolation of “Skeptic,” creating a cohesive statement about modern isolation and the personas we construct. The result feels familiar and alien—like catching your reflection in a black mirror and seeing someone else staring back.]

[Dedric Moore of Religion of Heartbreak will be a special guest on WMM next week on July 9, sharing details about the Kosmic City Fest at miniBar July 12.]

10:29 – Underwriting

  1. Marvin Gaye – “Inner City Blues (Makes Me Wanna Holler)”
    from: “Inner City Blues (Makes Me Wanna Holler)” – Single / Tamla- Motown / Sept. 16, 1971
    [“Inner City Blues (Make Me Wanna Holler)”, often shortened to “Inner City Blues”, is a song by Marvin Gaye, released as the third and final single, and the climactic song from his 1971 landmark album, What’s Going On. Written by Gaye and James Nyx Jr., the song depicts the ghettos and bleak economic situations of inner-city America, and the emotional effects these have on inhabitants. // In 1998, co-writer James Nyx Jr. recalled, “Marvin had a good tune, sort of blues-like, but didn’t have any words for it. We started putting some stuff in there about how rough things were around town. We laughed about putting lyrics in about high taxes, ’cause both of us owed a lot. And we talked about how the government would send guys to the moon, but not help folks in the ghetto. But we still didn’t have a name, or really a good idea of the song. Then, I was home reading the paper one morning, and saw a headline that said something about the ‘inner city’ of Detroit. And I said, ‘Damn, that’s it. ‘Inner City Blues’.” // The song was recorded in a mellow funk style with Gaye playing piano. Several of the Funk Brothers also contributed, including Eddie “Bongo” Brown, and bassist Bob Babbitt. // In its unedited version as it appears on the album, the final minute of the song (and of the LP) is a reprise to the theme of “What’s Going On”, the album’s first song, then segues into a dark ending. This final minute was cut off of the single version, as well as other sections of the song so the single edit runs under three minutes—this edit appears on most reissues of the LP. // Lead and background vocals by Marvin Gaye. Piano by Marvin Gaye; Instrumentation by The Funk Brothers and the Detroit Symphony Orchestra including: Bobbye Hall on bongos. // Motown released “Inner City Blues” as a single on their Tamla label on October 14, 1971. Record World predicted that it would be Gaye’s “third [single from What’s Going On] to smash.” // The song helped Gaye make history by being one of the few artists to have three or more Top 10 songs off Billboard’s Pop Singles chart peaking at #9 and one of the first to have three consecutive #1 hits on Billboard’s R&B Singles chart where it stayed for two weeks. Although not certified by the RIAA at that time, all three releases from the What’s Going On album gained Gold status by selling over 1,000,000 copies in the U.S.]

10:34 – Interview with Mara Rose Williams + J.M. Banks

Mará Rose Williams is The Kansas City Star’s assistant managing editor for race and equity issues. She has served as a member of the Star’s Editorial Board and she is an award-winning columnist. She has written on all things education for The Star since 1998, including issues of inequity in education, teen suicide, universal pre-K, college costs & racism on university campuses. She was a writer on The Star’s 2020 “Truth in Black amd White” project, and the recipient of the 2021 Eleanor McClatchy Award for exemplary leadership skills and transformative journalism.

Mara Rose Williams thanks for being our guest on WMM

J.M. Banks is Co-Host of Voices of Kansas City on KKFI 90.1 FM. He grew up in Kansas City. and went to Paseo Academy Of Performing Arts and then Studied at University of Missouri – Kansas City. J.M. Banks is The Kansas City Star’s culture and identity reporter. He has worked in various community-based media outlets such as The Pitch KC and Urban Alchemy Podcast. He is former Advisory Board Member at KSHB 41. J.M. is the Creator and Host of J.M. Banks: The KC Renaissance now in its 7th year.

J.M. Banks thanks for being our guest on WMM

Mará Rose Williams and J.M. Banks, join us to talk about The Kansas City Star’s new 5-week radio series, VOICES OF KANSAS CITY, that The Star is producing in collaboration with 90.1 FM KKFI. The series begins on Wednesday, July 9, at 7:00 pm.

Mara Rose Williams and J.M. Banks are the cohosts of this new series.

This is the third season of VOICES OF KANSAS CITY that The Kansas City Star has created in collaborations with 90.1 FM KKFI.

The first season of VOICES OF KANSAS CITY told the stories of 8 Black owned small business in Kansas City and aired September 22, through October 13, 2023 at 12:00 Noon, and was part of KKFI’s “new schedule roll-out.”

The second season of VOICES OF KANSAS CITY told the stories of 8 Black activists in Kansas City and aired April 17, through May 8, 2024 at 6:00 pm.

This third (and final) season of VOICES OF KANSAS CITY will run for five weeks starting July 9 through August 6, every Wednesday at 7 p.m. on KKFI Community Radio. The last show on August 6 and will be a full-hour interview. All the other hour-long shows will consist of two half-hour interviews

Here is the run of show for the entire third season:

Week 1, July 9 – Mara Williams talks with Darryl Chamberlain, an unexpected music educator who started an urban youth orchestra in Kansas City.

In the second half hour, she will be talking with Dianne Brewington, who spends her time teaching adults to read.

Week 2, July 16Star reporter Joseph Hernandez will introduce you to James Hogue, a childbirth educator who is the CEO and founder of the non-profit, Fathers Assisting Mothers.

In the second half hour, The Star’s vice president and Editorial Board Editor, Yvette Walker, will introduce you to Dr. Tiffany Whitt, the director at Hope Leadership Academy, a public charter school in Kansas City.

Week 3, July 23 – Star reporter J.M. Banks talks with Torrence Allen, principal at Belton High School.

In the second half hour Star reporter P.J. Green will talk with Vincent Gunnels, an English teacher, coach, mentor, and community advocate.

Week 4, July 30 -, Star reporter J.M. Banks talks to Melissa Ferrer, Kansas City’s poet laureate and CEO of the Freedom School KC.

In the second half hour, J. M. Banks talks with Samaiyah Jones Scott, the dean of students at Metropolitan Community College- Penn Valley Campus.

Week 5, August 6 – Mará Rose Williams, assistant managing editor for race and equity at The Kansas City Star, wraps up the season with a special hour-long conversation with Dr. Cokethea Hill, the CEO at BLAQUE, a nonprofit supporting public education in KC.

Voices of Kansas City, is a joint project between The Kansas City Star and KKFI Kansas City Community Radio, 90.1 FM. For three seasons, Star writers, and editors have highlighted the stories of Black business owners, Black activists, and Black educators in the KC metro.

Technical support was provided from J.M. Banks and Monty Davis. With cooperation from KKFI Chief Operator Chad Brothers, and Chair of KKFI Programming – Mark Manning

This series is part of The Star’s continued effort to improve coverage of Black Kansas Citians, following the paper’s 2020 publication, of the award winning, six story, “Truth in Black and White,” an apology for the news organization’s poor, inadequate, and often absence of coverage of Black Kansas City which perpetuated systemic racism in our city.

Mara Rose Williams started the conversation with KKFI by referring to The Kansas City Star’s December 22, 2020. The Kansas City Star published an apology:

“Today we are telling the story of a powerful local business that has done wrong.

For 140 years, it has been one of the most influential forces in shaping Kansas City and the region. And yet for much of its early history — through sins of both commission and omission — it disenfranchised, ignored and scorned generations of Black Kansas Citians. It reinforced Jim Crow laws and redlining. Decade after early decade it robbed an entire community of opportunity, dignity, justice and recognition.

That business is The Kansas City Star.

Before I say more, I feel it to be my moral obligation to express what is in the hearts and minds of the leadership and staff of an organization that is nearly as old as the city it loves and covers:

We are sorry.”

Read more at: http://www.kansascity.com/news/local/article247928045.html#storylink=cpy

From this apology The KC Star has made a commitment to change. They hosted “Community Listening Projects” to find out what readers want, what are their issues, what are their loves.

The KC Star wanted to partner with KKFI to have us be the broadcast platform to air these programs, as a limited series.

KKFI is a non-commercial radio station under the direction of a non-profit 501 (c) 3 organization. We operate under FCC and IRS regulations. The series would not be about selling any specific products, it would be more of a journalistic approach to the who, what, where, when, how, of the people behind the business, to tell stories of success.

The KC Star Initiative mirrors KKFI’s “New Program Roll Out” Initiative of working to make both of our organizations even more diverse, inclusive, equitable, and representative.

Mara Rose Williams and J.M. Banks thank you for being our guest on WMM

The third season The Kansas City Star’s radio series, VOICES OF KANSAS CITY, produced on collaboration with d 90.1 FM KKFI will begin on 90.1 FM KKFI on Wednesday, July 9, at 7:00pm, following On The Air With Nikki Brooks. The Series will run for 5-weeks through August 6, 2025.

10:54

  1. Valerie June – “Joy Joy!”
    from: Owls, Omens, and Oracles / Concord Records / April 11, 2025
    [Rooted in the belief that what we focus on is what we manifest, June dreams a song path forward with Owls, Omens, and Oracles that leaves no one behind. Halfway through a decade of immense and rapid global change, June asserts a multidimensional Blackness steeped in laughter, truth, magic, delight, and interdependence. This album is a radical statement to break skepticism, surveillance, and doom scrolling – let yourself celebrate your aliveness. Connect, weep, change, open. Throughout the M. Ward-produced Owls, Omens, and Oracles, Juneʼs distinctive Tennessee twang grips the listener. Visceral twists and a fierceness of raw emotion thread textures and tones through the needle of a multi-genre American quilt, striking against notions that voices should always sound polished and pretty. Gracefulness and gentleness harmonize with dissonance, edginess, and precarity in the sharpest parts of her voice. // Juneʼs singular sound is a North Star as steady and undeniable as any true love story, telling us to “trust the path.” She is inviting us out of the small boxes that keep us apart from each other, her music creating a space where we are already together, already one. The horizon changes as we get closer to it, but our artist is sure-footed in the face of uncertainty and change. She wants everyone who listens to this music to want to be alive, to love, co-creating a future together. // Valerie June returned to CBS Saturday Morning where she performed several songs off Owls, Omens, and Oracles. Accompanied by her band, she played lead single “Joy, Joy!,” the unreleased “All I Really Wanna Do,” and debuted “Endless Tree,” a song that was released on Tuesday as a single with an accompanying video. Juneʼs spirited performance gives a taste of what to expect on the upcoming Owls, Omens, and Oracles Tour, which kicks off next week and runs through late June. // Valerie June Hockett was born January 10, 1982, known as Valerie June, is an American singer, songwriter, and multi-instrumentalist from Memphis, Tennessee, United States. Her sound encompasses a mixture of folk, blues, gospel, soul, country, Appalachian and bluegrass. She is signed to Concord Music Group worldwide. // Born in Jackson, Tennessee on January 10, 1982, June is the oldest of five children. As a child growing up in Humboldt, June was exposed to gospel music at her local church and R&B and soul music via her father, Emerson Hockett. As a teenager, her first job was with her father, owner of Hockett Construction in West Tennessee, and a part-time promoter for gospel singers and Prince, K-Ci & JoJo, and Bobby Womack. She helped by hanging posters in town. Her father died in late 2016. // June relocated to Memphis in 2000 and began recording and performing at the age of 19, initially with her then-husband Michael Joyner, in the duo Bella Sun. After her marriage ended, she began working as a solo artist, combining blues, gospel and Appalachian folk in a style that she describes as “organic moonshine roots music”, and learning guitar, banjo, and lap-steel guitar. She became associated with the Memphis-based Broken String Collective. // In 2009 she was a featured artist on MTV’s online series $5 Cover (following the lives of Memphis musicians attempting to make ends meet), and in 2010 she recorded the EP Valerie June and the Tennessee Express, a collaboration with Old Crow Medicine Show. // In 2011 she was honored by the Memphis and Shelby County Music Commission at the Emissaries of Memphis Music event. She raised funds to record an album with producer Craig Street via Kickstarter.com, raising $15,000 in 60 days. Later that year she relocated from Memphis to Williamsburg, Brooklyn. Shortly after, record producer Kevin Augunas introduced June to Dan Auerbach of The Black Keys, which led to the recording of June’s album Pushin’ Against a Stone in July 2011, which was co-written and produced by Dan Auerbach and Kevin Augunas. // In 2012, June performed with producer John Forté on a collaboration called Water Suites (on the hip-hop-blues song “Give Me Water”), and with Meshell Ndegeocello on the song “Be My Husband”. She contributed The Wandering’s 2012 album Go on Now, You Can’t Stay Here: Mississippi Folk Music Volume III. In 2012 she performed in the UK for the first time, playing at Bestival and appearing on Later… with Jools Holland. // She has received substantial radio play in Europe on BBC Radio 6, including a feature on Cerys on 6 with Cerys Matthews. Mary Anne Hobbs of XFM has said of June: “This woman has already touched my heart, she really, really has.” // In February 2013, June was invited to support Jake Bugg on the UK leg of his tour. In March 2013, June performed two nights at South By Southwest. The first performance was on March 14 as part of the Heartbreaker Banquet. On March 16, June performed again, this time as part of The Revival Tour. Rolling Stone June’s second album, The Order of Time one of the 50 Best Albums of 2017, citing “her handsomely idiosyncratic brand of Americana, steeped deep in electric blues and old-time folk, gilded in country twang and gospel yearning….a blend of spacey hippie soul, blues and folk with June’s pinched, modern-Appalachian voice at the center”. In a 2017 interview, Bob Dylan was asked what artists he listened to and respected; June was among the artists he mentioned in reply. More info at: http://www.valeriejune.com]
  1. U.S. Girls – “Firefly on the 4th of July”
    from: Scratch It / 4AD / June 20, 2025
    [Meg Remy’s U.S. Girls — hailed by The Guardian as “America’s most vital band” — returns with the adventurous and ambitious new album Scratch It, out now via 4AD. A fearless fusion of rock & roll and soul, Scratch It was recorded live to tape in Nashville with a heavyweight band featuring Jack Lawrence (The Raconteurs) and Charlie McCoy (Roy Orbison, Elvis, Bob Dylan). // The project launched with the spellbinding 12-minute lead single “Bookends,” a cinematic ballad that journeys through themes of mortality and memory, written in tribute to Remy’s late friend Riley Gale (Power Trip). Inspired by Remy’s reading of Eyewitness to History, the single arrived with a stunning short film directed by Caity Arthur. // Now, Remy follows up with “Like James Said” — a sauntering, ELO-tinged dancefloor anthem and lyrical response to James Brown’s “Get Up Offa That Thing.” Co-written with longtime collaborator Rich Morel (“4 American Dollars,” “Rosebud”), the track is a celebration of dancing alone as a form of release and renewal. Its release was accompanied by a playful one-shot choreography video starring comedian Tom Henry. // Scratch It has already received early praise from Pitchfork, CREEM, and Bandcamp Daily, with more to come as U.S. Girls gear up for a headline tour this summer and fall.

11:00 – Station ID

  1. Frankie Cosmos – “Vanity”
    from: Different Talking / Sub Pop Records / June 27, 2024
    [Frankie Cosmos is the musical moniker of Greta Simone Kline was born March 21, 1994, in New York City, the daughter of Academy Award-winning actor Kevin Kline and actress Phoebe Cates.. She is an American musician and singer. She is known for her independent releases, inspired by Frank O’Hara’s poetry, DIY ethics of K Records and the early 2000s New York City’s anti-folk scene. Her former stage name “Frankie Cosmos” is now the name of her band. // Different Talking, is the sixth and, so far, best album from Sub Pop. It’s a collection of fragments and memories, remembered places, and reinterpreted feelings that adds up to a lucent, humming whole: a sturdy, worldly indie-rock record about aging and the passage of time that nonetheless manages to feel sharply current. The album includes the previously released singles, “Pressed Flower,” “Bitch Heart” and “Vanity” which Stereogum described as “…bigger and more complex than most of what we’ve heard from Frankie Cosmos in the past, without sacrificing the innate warm, DIY quality of Kline’s songwriting.” // “…The close quarters echo the intimacy of Kline’s early bedroom recordings, but a decade removed from her debut, her twee quirks have hardened into revealing idiosyncrasies… Singing with a sweet weariness, Kline can seem bemused by her melancholia, her resigned acceptance given an appealing warmth by a band whose gentle sway lends her pop miniatures depth.” – [4 out 5] MOJO Magazine // “Greta Kline’s four-piece continue to mature on this thoughtful sixth album, which sees the songwriter wrestle with the growing challenges of life as she enters her early thirties… These issues, dramatic or otherwise, unfold against an exquisitely cute jangle-pop backdrop, where simple, pure melodies meet bracingly short and uncluttered arrangements.” – Uncut Magazine // “Leaning in to the band’s strengths, you can hear aspects of Guided By Voices in their stubborn unwillingness to conform to the rules.” – [“Vanity”] Clash // “Kline’s oeuvre chronicles over a decade’s worth of personal and professional growth, neatly packaged into light-hearted ditties and passionate rock songs” – The Line of Best Fit // “Different Talking brings together soft indie rock influences and sways like the wind on a summer’s day.. An elaborate and well produced collection of songs. Seventeen tracks of hazy alternative anthems” – [4 out of 5] Narc Magazine]

11:02 – Interview with Spencer Thompson, Amanda Davis, and Derek Trautwein

Joining us now in our 90.1 FM Studios we welcome Spencer Thompson, Amanda Davis, and Derek Trautwein who join us to share details about the return of Kansas City’s popular comedic horror show, “The Spooky (Sh*t) STUFF Show,” created by local Kansas City playwright, Derek Trautwein. This year’s edition is titled “HITCHCOCK’D The Spooky (Sht) STUFF Show” starring Bryson Kenworthy as Alfred Hitchcock with Nicole Hall, Matt McCann, Stefanie Stevens, Spencer Thompson, and Em Coffin. “HITCHCOCK’D The Spooky Sh*t Show” has performances on Friday, July 18 at 8:30pm, Saturday, July 19 at 5:30pm, Sunday, July 20 at 4:00pm, Wednesday, July 23 at 7:00pm, and Saturday, July 26 at 7:00pm. All performances at the Levin Stage at The Unicorn Theatre, 3828 Main Street, KCMO, as part of the 21st annual KC Fringe July 17-27. For more information please visit: http://www.kcfringe.org

Derek Trautwein is Artistic Director and Creator. Derek is a Kansas City-based theatre artist and wearer of multiple hats. Not just a director, but also an actor, producer, designer, playwright, and arts educator. He’s also the creator and artistic director of “The Spooky (Sh*t) STUFF Show”. You may have seen his work on and offstage at KC Public, Olathe Civic Theatre, Just Off Broadway Theatre, KC Melting Pot, Stuffed Buffalo Productions, The Living Room, KC Horrorfest, KC Moliere, and at various colleges in the Kansas City area, such as a ten year professorial stint at Benedictine College, William Jewell College, and Metropolitan Community Colleges of Kansas City. When not freelancing from one place to another, Derek can usually be found at the Coterie Theatre, where he serves on staff as the Technical Director.

Derek Trautwein thanks for being with us on Wednesday MidDay Medley

Spencer Thompson is Associate Artistic Director. Spencer was born and raised in Northwest Arkansas, Spencer Thompson (He/Him) is an actor and technician around Kansas City. He’s also the Associate Artistic Director of “The Spooky Shit Show” and Derek’s right-hand man! Some of his favorite credits include All four past productions by The Spooky Shit Show, The Great Comet of 1812 (Pierre), The Head of Medusa (Poseidon), Reefer Madness (Ralph), and Vilna: A Resistance Story (Avrom Sutzkever).

Spencer Thompson thanks for being with us on Wednesday MidDay Medley

Amanda Davis os the Creative Marketing Director. Amanda is a KC-based artist, designer and “Jill of all Trades”. She is also the Creative Marketing Director for “The Spooky Shit Show”. She got her start as an artist at just 5 years old and has been exploring artist endeavors ever since. She creates nerdy, nostalgic art through her company, Mandolin Artworks. She’s the creative mind behind our Spooky merch and marketing. She also runs a successful, international PR company, Anam Cara Communications. In her free time, she can be found enjoying the company of her pup Shasta, exploring Kansas City, being a theatre groupie, shopping estate/garage sales and working on her house.

Amanda Davis thanks for being with us on Wednesday MidDay Medley

Created by Derek Trautwein, The Spooky Shit Show started as a podcast in 2021 and came to fuller fruition in 2022 with its first stage production at KC Fringe. The Spooky Shit Show is a celebration of all thing’s horror, spookiness and all varieties of terrifying fun!

Fans of “Creepshow” will appreciate the campy horror comedy of “The Spooky Shit Show.” It does the genre justice.

The Spooky Shit Show team has expanded with new members, bringing in fresh talent and expertise, including Spencer Thompson – Associate Artistic Director, and Amanda Davis – Creative Marketing Director!

ollow us at @thespookyshitshow (IG), @thespookyshitshow (FB) and @thespookyshtshow (Youtube) for more details, Spooky surprises, upcoming shows, & more!

Upcoming Shows:

Hitchcock’d! at KC Fringe – July 17-27 at the Levin Stage at the Unicorn Theatre
The Spooky (Sh*t) STUFF Show returns to Kansas City Fringe Festival (July 17-27), after a “positive” reception in last year’s festival, with Hitchcock’d at Levin Stage at the Unicorn Theatre (3828 Main St, Kansas City, MO 64111).

Jan has a new co-host since her last partner died… again and is joined by the “Master of Suspense” himself, Alfred Hitchcock! But what happens when worlds collide, and Alfred’s works enter the “Shit Show-niverse” and are turned into the zany and ridiculous productions that The Spooky (Sh*t) Stuff Show is known for?
This new installment in the series that has been called, “Sick & Twisted,” “Unique & Energetic,” and “Extremely fun to watch!”

The KC Fringe Festival is the largest celebration of arts and culture in the Kansas City metropolitan area. Tickets are available via the KC Fringe website or at any participating location for $15 per ticket, plus purchase of a one-time $5 Fringe button. Every audience member of KC Fringe Festival must purchase and wear a button in order to access the events.

Our show dates:

  • Friday, July 18 – 8:30 PM
  • Saturday, July 19 – 5:30 PM
  • Sunday, July 20 – 4 PM
  • Wednesday, July 23 – 7 PM
  • Saturday, July 26 – 7 PM

The Basement Party – August 8 at The Black Box
The Basement Party is our annual fundraiser. This year, on August 8th at 7:30 PM at The Black Box, we will feature four local acts and a special performance from The Spooky team! Then at 9:00 PM, we will turn the whole place into a nostalgic gaming lounge. Tickets for the whole night are $20.

Nightmare on Main Street
Our September show will be “Nightmare on Main Street” at The Black Box (September 18-22).

Spencer Thompson, Amanda Davis, Derek Trautwein thanks for being with us on WMM.

“HITCHCOCK’D The Spooky (Sht) STUFF Show” starring Bryson Kenworthy as Alfred Hitchcock with Nicole Hall, Matt McCann, Stefanie Stevens, Spencer Thompson, and Em Coffin. “HITCHCOCK’D The Spooky Sht Show” has performances on Friday, July 18 at 8:30pm, Saturday, July 19 at 5:30pm, Sunday, July 20 at 4:00pm, Wednesday, July 23 at 7:00pm, and Saturday, July 26 at 7:00pm. All performances at the Levin Stage at The Unicorn Theatre, 3828 Main Street, KCMO, as part of the 21st annual KC Fringe July 17-27. For more information please visit: http://www.kcfringe.org

11:22

  1. Black Moth Super Rainbow – “Unknown Potion”
    from: Soft New Magic Dream / Red Cult / June 6, 2025
    [The project’s 7th album, and first in 7 years. Black Moth Super Rainbow (occasionally abbreviated as BMSR) is an American psychedelic electronic indie rock project from Pittsburgh, Pennsylvania, US. BMSR is a solo music project created by Thomas Fec, who is also known as Tobacco. Fec writes, records, and produces the work of BMSR independently. In live performances, it features members Tobacco, whose vocals are altered via a vocoder, synth players The Seven Fields of Aphelion and Pony Diver, drummer Iffernaut, and bassist STV SLV. // Black Moth Super Rainbow’s music contains elements of psychedelia, folk, electronica, pop, and rock. Their distinctive sound is characterized by analog electronic instruments including the vocoder, Rhodes piano and Novatron. // A Graveface insert included inside the album Dandelion Gum describes them as such: “Deep in the woods of western Pennsylvania vocoders hum amongst the flowers and synths bubble under the leaf-strewn ground while flutes whistle in the wind and beats bounce to the soft drizzle of a warm acid rain. As the sun peeks out from between the clouds, the organic aural concoction of Black Moth Super Rainbow starts to glisten above the trees.” // When comparing BMSR with Tobacco, the former tends to be accessible and overall pop friendly with more tangible lyrical themes. Tobacco on the other hand, while using the same core instruments, tends to be more experimental and abrasive, often featuring songs that have been sonically mutilated. More differences come to light in the live performance, where BMSR has typically featured a full band, Tobacco has been a more stripped down performance with less live instrumentation. // When prompted on the origin of BMSR, frontman Tobacco stated the following: “I had started off really noisy and abstract with Allegheny White Fish. We were all so happy with ourselves for coming up with that name in 10th grade, but it wasn’t too funny 4 years later. Then ssc [satanstompingcaterpillars] was like my way to be more melodic all the time, and a little more serious. Then when it started to shift again into something I might be a little more comfortable performing live, I brought in the rest of the band and we changed over again. I’ve always felt like these ideas shouldn’t outstay their welcome. 3 or 4 records is enough, because I get really bored, and I like to keep these bands and ideas as pure as I can, in their places in time, until it seems like I’ve finally gotten it right. // From 1996 to 2000, musician Tobacco, along with other musicians, worked on and recorded songs for the Allegheny White Fish Tapes. When former member Power Pill Fist joined, a side project called satanstompingcaterpillars was born and became active from 2000 to 2002. Under the project, the members self-released their music on different labels, including Fuckeroo and Side 8. After their third album, The Most Wonderfulest Thing in 2002, the newly banded together musicians added three members, Father Hummingbird, The Seven Fields of Aphelion and Iffernaut. They changed their name to Black Moth Super Rainbow (BMSR) in 2003. Tobacco and BMSR are both active today. // BMSR began releasing their music on The 70’s Gymnastics Recording Company, which is the band’s own imprint. It is characterized by a tree-person jumping rope in a dress. Black Moth Super Rainbow’s first album Falling Through a Field serves as a best-of collection for satanstompingcaterpillars. // After 2005, Graveface picked them up with Lost, Picking Flowers in the Woods and bonus reissued versions of their first two albums. // The group’s third album Dandelion Gum was released in 2007. The LP is their most commercially and critically successful release. With it came their first music video for the track “Sun Lips.” // On November 4, 2008, BMSR released Drippers. The EP not only includes new tracks like “Happy Melted City” and “Milk Skates” but also features some lost tracks from the Dandelion Gum era such as “We Are the Pagans” and “One Day I Had an Extra Toe.” The release also features Mike Watt and BMSR’s first official remix of Laura Burhenn’s song “Just for the Night.” Along with Drippers, the band released Bonus Drippers for MP3 download on their Myspace, which includes older tracks, unreleased tracks and bonus tracks like “The Dark Forest Joggers,” a Dandelion Gum vinyl exclusive, “Side 9,” a studio version of the Lost, Picking Flowers in the Woods vinyl bonus demo, or “Melting in the Meadow,” a Start a People outtake track. // Their fourth album Eating Us was released on May 26, 2009. Around the end of the year, Rad Cult re-published The Autumn Kaleidoscope Got Changed by satanstompingcaterpillars. // On January 12, 2012, Tobacco posted via his Facebook account that a BMSR album entitled Psychic Love Damage had been recorded, but scrapped soon after completion. According to Tobacco, “it was supposed to come out this year, but it wasn’t very exciting. and not good enough in my opinion for you to spend your $ on. so i junked it for its best moments and made an album that i’m really in love with.” He went on to state that although scrapped, a new BMSR album was slated for release in the near future, possibly in the summer. He also stated he would be releasing many of his favorite scrapped pieces through his soundcloud account. // On April 5, 2012, Tobacco posted news on the BMSR website confirming the next album’s release date. The announcement arrived alongside the release of a single titled “Spraypaint” to promote the untitled new album. // On July 10, 2012, Tobacco created a Kickstarter campaign to fund the release of their newly announced album Cobra Juicy. Different donation ranges contain different prizes, beginning with $1 for a digital download of the upcoming single “Windshield Smasher” to $10,000 for a rollerskating party in Pennsylvania to be DJ’d by Tobacco. Most prizes contain CDs, LPS, or digital downloads of the new album. The abandoned Psychic Love Damage EP served as a bonus prize. // On May 4, 2018, the project’s 6th album Panic Blooms was released and their first album to chart on Billboard’s Top 100 sales, as well as #1 on the Heatseeker chart.]
  1. Willi Carlisle – “We Have Fed You All for 1000 Years – Radio edit”
    from: Winged Victory / Willi Carlisle – Signature Sounds / June 27, 2025
    [“It feels relatively easy to crown Winged Victory as the high-water mark of Carlisle’s recorded output…” – No Depression // “His thoughtful musings and memorable melodies collide in weird and wondrous ways over and over again” – Bandcamo // “Like a true poet Willi Carlisle invents a sound like none other…” – western AF // “Winged Victory reveals there is great beauty in darkness, that singing itself is an act of optimism, and that exile creates its own narratives. Therein, Carlisle has found a way of singing through dark times.” – The Bluegrass Situation // “The return of one of folk music’s most life-affirming and brilliantly eccentric voices.” – Holler // “The singer-songwriter’s songbook is a hymnal of folk gospels so full of heart they nearly pop at the seams; weeping with wisdom and brimming with radical empathy, they’re like arms you could fall into at your weakest, your worst. They are fiercely, fervently life-affirming in a world increasingly undone by hate—songs that we need now more than ever.” – Paste // Within his heart and his music, folksinger Willi Carlisle holds tight the conviction that love is bigger than hate, and no-one is expendable. Deemed “One of country music’s most important and unmistakable voices.” (PASTE), Carlisle’s music has always been a dance between spectacle and philosophy. On his fourth studio (and first self-produced) album, Winged Victory, Carlisle returns with his signature blend of traditionally-rooted folk music and kaleidoscope of oddball characters to confer with his core tenets in more overt and provocative ways. // Intent on creating art and a well-rounded life in a broken world, Carlisle directly addresses the hope that by understanding our collective suffering we might be free of it. Rather than a manifesto, the eleven songs on Winged Victory should be understood as a reflection. They revel in the beauty of tiny, monetarily-worthless moments and things, offering with them a consideration of our innate humanity. // WILLI CARLISLE is a poet and a folk singer for the people, but his extraordinary gift for turning a phrase isn’t about high falutin’ pontificatin’; it’s about looking out for one another and connecting through our shared human condition. // For Carlisle, singing is healing. And by singing together, he believes we can begin to reckon with the inevitability of human suffering and grow in love. .. More info at: http://www.willicarlisle.com ]

11:29 – Underwriting

  1. Beth Watts Nelson – “Tallgrass”
    from: TALLGRASS – EP / Rural Grit Records / May 3, 2025
    [“Tall Grass” a compilation of songs inspired by the Flint Hills. All three songs were recorded in one day on site at the Grimm-Schultz Farmstead during her time in residency with the Volland Foundation on April 26, 2025. For the recording Beth Watts Nelson played Banjo, Guitar, & Vocals, and Betse Ellis played Fiddle. Mixing and Mastering was completed by Clarke Wyatt, at Gnomes and Goats Studio. // Beth Watts Nelson’s band Little Miss Dynamite released their six-song debut EP GROW UP on May 3, 2024. It was part of WMM’s 120 Best Recordings of 2024. Little Miss Dynamite is a four piece string band with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals. Engineered and Mixed by Clarke Wyatt, Gnomes and Goats Studio. Little Miss Dynamite played Boulevardia, Sat, June 14, 2025. More info at: http://www.bethwattsnelson.com]

[Little Miss Dynamite play 21st Annual Crossroads Music Fest, Sat., Sept. 6, 3pm to Midnight, in West Bottoms at Lemonade Park, Stockyards Brewing, Livestock Exchange, The Campground, Voltaire, The Ox Cafe & Bakery(VIP Venue) with KRYSTLE WARREN / LAURA NOBLE & FRIENDS / THE MGDS • RUDY LOVE AND THE ENCORE / SEYKO • STRANDED IN THE CITY / FRIENDLY THIEVES • LITTLE MISS DYNAMITE / FLAT SUSAN • ROYAL CHIEF • SASS-A-BRAS / THE WHIPS • JESUS CHRIST TAXI DRIVER / SARA SWENSON • TALIA KEYS • JELLY ROSE / MARIACHI ESTRELLA & GRUPO FOLKLÓRICO ALMA TAPATÍA / TERI QUINN & THE COYOTES • 3 TRAILS WEST / DJ THUNDERCUTZ • NATURE BOYS • TIMBERS / SKY SMEED • JULIE BENNETT HUME & ERNEST JAMES / DJ NANA G • LINEA FRONTERA • DYM N D / RURAL GRIT ALL STARS • THE APOLOGIES / JOHN KECK • OSEZUA • BOBBY SCHARPING / ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY Info at: http://www.cmfkc.com]

11:35 – Interview with Beth Watts Nelson

Beth Watts Nelson is an award-winning Kansas City based singer/songwriter, multi-instrumentalist and lifelong student of music. Building upon a twenty year career in music education she is now the founder and director of Notorious Chorus – a community-based, group singing workshop for adults. In addition to solo and duo performances, she can be heard in several projects throughout the KC metro including Konza Swamp Band, CATGUT, and her 4 piece string band Little Miss Dynamite with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals.

Beth Watts Nelson, thanks for being with us on Wednesday MidDay Medley

Beth Watts Nelson joins us to share her new 3-song EP, “Tall Grass” a compilation of songs inspired by the Flint Hills. “Tallgrass” was composed in Coffeyville, KS. “Western Wind” and “Wild Indigo” were composed in Volland, KS.

All three songs were recorded in one day on site at the Grimm-Schultz Farmstead during my time in residency with the Volland Foundation on April 26, 2025.
credits.

For the recording Beth Watts Nelson played Banjo, Guitar, & Vocals, and Betse Ellis played Fiddle. Mixing and Mastering was completed by Clarke Wyatt, at Gnomes and Goats Studio.

Beth Watts Nelson has a twenty year career in music education.

11:47

  1. Beth Watts Nelson – “Western Wind” (LIVE)
    Also released on TALLGRASS – EP / Rural Grit Records / May 3, 2025
    [“Tall Grass” a compilation of songs inspired by the Flint Hills. All three songs were recorded in one day on site at the Grimm-Schultz Farmstead during her time in residency with the Volland Foundation on April 26, 2025. For the recording Beth Watts Nelson played Banjo, Guitar, & Vocals, and Betse Ellis played Fiddle. Mixing and Mastering was completed by Clarke Wyatt, at Gnomes and Goats Studio. More info at: http://www.bethwattsnelson.com]

11:51 – More Interview with Beth Watts Nelson

Beth Watts Nelson is an award-winning Kansas City based singer/songwriter, multi-instrumentalist and lifelong student of music. Beth Watts Nelson joins us to share her new 3-song EP, “Tall Grass” a compilation of songs inspired by the Flint Hills. “Tallgrass” was composed in Coffeyville, KS. “Western Wind” and “Wild Indigo” were composed in Volland, KS.

Beth Watts Nelson, thanks for being with us on Wednesday MidDay Medley

She is the founder and director of Notorious Chorus – a community-based, group singing workshop for adults.

In addition to solo & duo performances, she can be heard in projects throughout KC metro including Konza Swamp Band, CATGUT, and her latest endeavor, Little Miss Dynamite.

Little Miss Dynamite released their debut six-song EP of original music featuring stringed instruments and vocal harmony titled “Grow Up”. The band’s spark was ignited when KC singer, songwriter and music educator, Beth Watts Nelson and co-founder, Caleb Gardner (both of Konza Swamp Band) joined up to sing harmonies together in the garage. The addition of long-time friend and fiddler extraordinaire, Betse Ellis (The Wilders) and the inspired playing of Brandon Day (The Matchsellers) on bass.

Production: Rural Grit Records, 2024 Beth Watts Nelson (ASCAP). Musicians and Instrumentation: Beth Watts Nelson – guitar, banjo, lead vocals; Caleb Gardner – guitar, mandolin, lead vocals; Betse Ellis – fiddle, harmony vocals; Brandon Day – bass, harmony vocals. Engineered and Mixed by Clarke Wyatt, Gnomes and Goats Studio. Album Art by Grady Keller, Mound Creative, All songs written by Beth Watts Nelson except “Circle the Drain” by Caleb Gardner

Little Miss Dynamite will play the 21st Annual Crossroads Music Fest, Saturday, September 6, 3:00pm to Midnight, in West Bottoms at Lemonade Park, Stockyards Brewing, Livestock Exchange Lot, The Campground, Voltaire, The Ox Cafe & Bakery(VIP Venue) with KRYSTLE WARREN / LAURA NOBLE & FRIENDS / THE MGDS • RUDY LOVE AND THE ENCORE / SEYKO • STRANDED IN THE CITY / FRIENDLY THIEVES • LITTLE MISS DYNAMITE / FLAT SUSAN • ROYAL CHIEF • SASS-A-BRAS / THE WHIPS • JESUS CHRIST TAXI DRIVER / SARA SWENSON • TALIA KEYS • JELLY ROSE / MARIACHI ESTRELLA & GRUPO FOLKLÓRICO ALMA TAPATÍA / TERI QUINN & THE COYOTES • 3 TRAILS WEST / DJ THUNDERCUTZ • NATURE BOYS • TIMBERS / SKY SMEED • JULIE BENNETT HUME & ERNEST JAMES / DJ NANA G • LINEA FRONTERA • DYM N D / RURAL GRIT ALL STARS • THE APOLOGIES / JOHN KECK • OSEZUA • BOBBY SCHARPING / ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY More info at: http://www.cmfkc.com]

Info at: http://www.bethwattsnelson.com

Beth Watts Nelson, thanks for being with us on Wednesday MidDay Medley

For WMM, I’m Mark Manning. Thanks for listening.

11:53

  1. Beth Watts Nelson – “Wild Indigo”
    from: TALLGRASS – EP / Rural Grit Records / May 3, 2024
    [“Tall Grass” a compilation of songs inspired by the Flint Hills. All three songs were recorded in one day on site at the Grimm-Schultz Farmstead during her time in residency with the Volland Foundation on April 26, 2025. For the recording Beth Watts Nelson played Banjo, Guitar, & Vocals, and Betse Ellis played Fiddle. Mixing and Mastering was completed by Clarke Wyatt, at Gnomes and Goats Studio. // Beth Watts Nelson’s band Little Miss Dynamite released their six-song debut EP GROW UP on May 3, 2024. It was part of WMM’s 120 Best Recordings of 2024. Little Miss Dynamite is a four piece string band with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals. Engineered and Mixed by Clarke Wyatt, Gnomes and Goats Studio. Little Miss Dynamite played Boulevardia, Sat, June 14, 2025. More info at: http://www.bethwattsnelson.com]

[Little Miss Dynamite play 21st Annual Crossroads Music Fest, Sat., Sept. 6, 3pm to Midnight, in West Bottoms at Lemonade Park, Stockyards Brewing, Livestock Exchange, The Campground, Voltaire, The Ox Cafe & Bakery(VIP Venue) with KRYSTLE WARREN / LAURA NOBLE & FRIENDS / THE MGDS • RUDY LOVE AND THE ENCORE / SEYKO • STRANDED IN THE CITY / FRIENDLY THIEVES • LITTLE MISS DYNAMITE / FLAT SUSAN • ROYAL CHIEF • SASS-A-BRAS / THE WHIPS • JESUS CHRIST TAXI DRIVER / SARA SWENSON • TALIA KEYS • JELLY ROSE / MARIACHI ESTRELLA & GRUPO FOLKLÓRICO ALMA TAPATÍA / TERI QUINN & THE COYOTES • 3 TRAILS WEST / DJ THUNDERCUTZ • NATURE BOYS • TIMBERS / SKY SMEED • JULIE BENNETT HUME & ERNEST JAMES / DJ NANA G • LINEA FRONTERA • DYM N D / RURAL GRIT ALL STARS • THE APOLOGIES / JOHN KECK • OSEZUA • BOBBY SCHARPING / ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY Info at: http://www.cmfkc.com]

  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, July 9, we’ll talk with Dedric Moore and Mikal Shapiro of Religion of Heartbreak, who will share details about the Kosmic City Fest at miniBar July 12. ALSO we welcome the Swallowtails and with Casii Stephan, and the band Cheery will play Greenwood Social Hall, 1750 Belleview Ave, second floor, KCMO on Thursday, July 10 @ 7:00PM Doors at 6:30

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachel Christia, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1102

WMM presents: Mara Williams & J.M. Banks of Voices of KC + “The Spooky Sh*t Show” + Beth Watts Nelson

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, July 2, 2025

WMM presents: Mara Williams & J.M. Banks of Voices of Kansas City + “The Spooky Sh*t Show” + Beth Watts Nelson

Mark spins more New & MidCoastal Releases from: Beth Watts Nelson, Religion of Heartbreak, Willi Carlisle, Black Moth Super Rainbow, Brad Mehldau, Annahstasia, Big Thief, U.S. Girls, Hotline TNT, Valerie June, Frankie Cosmos, Sly & The Family Stone, and Marvin Gaye.

At 10:30 Mark welcomes Mara Williams – Assistant Managing Editor for Race & Equity Issues at The KC Star and J.M. Banks – KC Star Culture & Identity Reporter who will discuss Season 3 of The Star’s, VOICES OF KANSAS CITY airing Wednesdays at 7:00pm, starting July 9. The Voices of Kansas City, a joint project between The Kansas City Star and 90.1 FM KKFI Kansas City Community Radio. For three seasons, Star writers, and editors have highlighted the stories of Black business owners, Black activists, and now Black educators in the KC metro. This new series features: Darryl Chamberlain, an unexpected music educator who started an urban youth orchestra. Dianne Brewington, who spends her time teaching adults to read. James Hogue, a childbirth educator who is the CEO and founder of the non-profit, Fathers Assisting Mothers. Dr. Tiffany Whitt, the director at Hope Leadership Academy, a public charter school in KC. Torrence Allen, the principal at Belton High School. Vincent Gunnels, an English teacher, coach, mentor, & community advocate. Melissa Ferrer, KC’s poet laureate and CEO of the Freedom School KC. Samaiyah Jones Scott, the dean of students at Metropolitan Community College – Penn Valley Campus. And, Dr. Cokethea Hill, the CEO at BLAQUE, a nonprofit supporting public education in KC. More info at http://www.KansasCity.com.

At 11:00 Mark welcomes Spencer Thompson, Amanda Davis, and Derek Trautwein who join us to share details about the return of Kansas City’s popular comedic horror show, “The Spooky Sh*t Show,” created by local Kansas City playwright, Derek Trautwein. This year’s edition is titled “HITCHCOCK’D The Spooky Sh*t Show” starring Bryson Kenworthy as Alfred Hitchcock with Nicole Hall, Matt McCann, Stefanie Stevens, Spencer Thompson, and Em Coffin. “HITCHCOCK’D The Spooky Sh*t Show” has performances on Friday, July 18 at 8:30pm, Saturday, July 19 at 5:30pm, Sunday, July 20 at 4:00pm, Wednesday, July 23 at 7:00pm, and Saturday, July 26 at 7:00pm. All performances at the Levin Stage at The Unicorn Theatre, 3828 Main Street, KCMO, as part of the 21st annual KC Fringe July 17-27. For more information please visit: http://www.kcfringe.org

At 11:30 Beth Watts Nelson joins us to share her new 3-song EP, “Tall Grass” a compilation of songs inspired by the Flint Hills. All three songs were recorded in one day on site at the Grimm-Schultz Farmstead during her time in residency with the Volland Foundation on April 26, 2025. For the recording Beth Watts Nelson played Banjo, Guitar, & Vocals, and Betse Ellis played Fiddle. Mixing and Mastering was completed by Clarke Wyatt, at Gnomes and Goats Studio. Beth Watts Nelson is also the lead singer songwriter for the band Little Miss Dynamite a four piece string band with Beth Watts Nelson on lead vocals & banjo, Betse Ellis (of The Wilders, Betse & Clarke) on fiddle, Brandon Day (of The Matchsellers) on bass, and Caleb Gardner (of Konza Swamp) on mandolin, guitar & vocals. More info at: http://www.bethwattsnelson.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1102

WMM Playlist from June 25, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 25, 2025

WMM presents Suzannah Johannes + Marmoppes + Keelon Vann

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. David Byrne & Ghost Train Orchestra – “Everybody Laughs”
    from: Who Is The Sky? / Matador Records / September 25, 2025
    [In 2023, as his triumphant American Utopia era came to a close, David Byrne began jotting down the occasional groove, chord or melody and assembling them into demos he recorded with just an acoustic guitar atop a programmed beat or loop. The prior three years had given him, and much of humanity, the opportunity to ask, “Do I like what I’m doing? Why am I writing songs, or working this job, or whatever? Does any of it matter?” Byrne’s attempts to answer those weighty questions can be found on Who Is The Sky?, a first-time collaboration between himself, Grammy-winning producer Kid Harpoon aka Tom Hull (Harry Styles, Miley Cyrus) and New York-based chamber ensemble Ghost Train Orchestra, and featuring guest appearances by Paramore’s Hayley Williams, longtime collaborator St. Vincent and The Smile drummer Tom Skinner. The album builds upon the optimistic themes laid out by American Utopia and its supporting tour, but more specifically spelled out by the Grammy-winning Broadway show and subsequent movie. With this offering, Byrne continues his lifelong exploration of human connection and the potential for societal unity against the chaotic backdrop of the world. Who Is the Sky? is particularly personal, cinematic, humorous and joyful, but often with a lesson baked in – that love is unexplainable, that enlightenment means very different things to different people and that it’s always a good idea to moisturize, whether you wake up the next morning with skin like a baby or not. Most importantly, the songs evince Byrne’s gift for riding the razor’s edge of avant-garde and accessible pop. // Since co-founding Talking Heads, David Byrne has been involved with photography, drawing, installations, performance, design, as well as a solo music career. Recent works include American Utopia on Broadway (and the Spike Lee directed film), SOCIAL! Social; Distance Dance Club, Theater of the Mind, and his non profit Arbutus and its primary project, Reasons to be Cheerful, an online news magazine. http://www.davidbyrne.bandcamp.com]
  1. Religion of Heartbreak – “Forget About You”
    from: Dream Reflection – EP / Religion of Heartbreak / February 3, 2025
    [ROH is the band formerly known as Monta At oddsIt was recently announced that Krysztof Nemeth was stepping away for Religion of Heatbreak to focus on his band ReViser also with Dedric Moore and with Breaka Dawn. Dedric Moore on vocals, guitar, synths, programming; Mikal Shapiro on vocals, Krysztof Nemeth: baritone guitar, electronic percussion; Alexander Thomas on electronic percussion on MGGG, Dream Reflection, Skeptic; Regan Moore on electronic percussion on Dark Hour of Meditation // Dream Reflection EP carries forward the motorized heartbeat of classic darkwave while forging its own metallic path. Drawing from EBM and Synth Pop traditions, this five-track release sees the Monta At Odds offshoot strip away unnecessary embellishments, leaving only the essential elements and textural remnants that speak to our collective digital malaise. // The EP’s centerpiece and title track emerges like a ghost in the machine, with Mikal Shapiro’s coolly delivered vocals floating above Dedric Moore’s gritty synth programming and precision-guided guitar along with Krysztof Nemeth’s synth pad percussion. Each track builds upon this foundation, from the robot-dance urgency of “Forget About You” to the beautiful desolation of “Skeptic,” creating a cohesive statement about modern isolation and the personas we construct. The result feels familiar and alien—like catching your reflection in a black mirror and seeing someone else staring back. // Religion of Heartbreak, an offshoot of Monta At Odds, dives deep into darkwave and EBM territories, crafting a sound that’s nostalgic and cutting-edge with Dedric Moore on vocals, guitar, synths, programming; Mikal Shapiro on vocals; and Krysztof Nemeth on baritone guitar and electronic percussion.]

[Religion of Heartbreak play miniBar, 3810 Broadway, KCMO, on Thursday, June 26 at 7:00pm with Hex Cassette, and Yama Uba.]

The Royal Chief
  1. The Royal Chief – “Hi-Def (Radio Mix)”
    from: Fire – EP / Sovereign Sound / July 10, 2025
    [New 5-track EP from The Royal Chief / Born in Kansas City, Missouri as Jamel Thompson to a single mother, The Chief is the youngest of six – two brother’s on his mother’s side and another brother and twin sisters from his father. Growing up, his mother fostered his mind; she encouraged The Royal Chief to read relentlessly and to experiment with his talents. This promoted a period where The Royal Chief began expressing himself by writing stories. Chief spent most of his early life in the urban areas of Kansas City. He and his mother moved to Dallas, Texas briefly before returning to Kansas City – to the suburbs – which provided an interesting contrast to his life before. // At the age of 13, after attending a concert in which Kanye West performed, Chief knew his path was in music and began rapping. Courtesy of his mother, he drew inspiration from R&B and Soul while getting his introduction to Hip Hop from his father and brothers. Hip Hop became a love and an outlet for him – a way to vent and document how he perceived the world. It was also an instrument for The Royal Chief to cope with the pain of losing his older brother and godmother who had a hand in raising him. // The Royal Chief moved to Atlanta, Georgia in 2012. He spent his first year there living out of his Honda Civic and obtained membership to a local gym to have access in order to take showers. He established a relationship with the manager at Tree Sound Studios through a mutual friend and was soon allowed to live in the studio’s building. He made the most of this opportunity by observing and learning many of the aspects of the music industry, audio/video recording, marketing, and most importantly building relationships and networking. Soon, he began to nurture a relationship with “Cyhi The Prynce” who took him under his wing allowing Chief to create and write for other G.O.O.D. Music artist. During this time, Chief was able to go on tour and learn just to write raps and incorporate rhythm and flow into his pieces to make them sound appealing. // In 2015, under his original moniker “J-Dub,” The Royal Chief began to meticulously focus on his own projects and released his first mixtape entitled Trial and Error. Later that same year, after a trip back to his hometown of KC, he made a conscious decision to change his stage name to something that reflected his passion for his two favorite home-town sports teams and one that represented his city. And in combining the names of those teams, he thus became “The Royal Chief”. Feeling the need to release some music to commemorate the name change, in September of 2016 he released his second project, an EP entitled Dawn – representing the beginning or “dawn of” something new. // In 2017, after seeing a Kareem “Biggs” Burke’s interview in which he said “if you don’t have your city you don’t have anybody,” Chief decided it was time for him to return home and build his name and his following up in his own city. That same year, after a house fire in which he lost everything but his life, he released his third project – an EP titled Homecoming. While building traction in the city, Chief worked diligently to network and perform live all around the Kansas City Metroplex and surrounding areas. In 2018, he released a three-track EP titled 3 Pack. Chief spent the next year working towards expanding existing relationships and building new ones. Chief’s objective was to spend time building a backing band for his live performances as well as collaborate with local artists and producers. And with this feat accomplished, in 2020, Chief released his fourth project titled Groundwork. Groundwork represents “laying the foundation” – it’s the cumulative efforts of networking, touring, and building a following. More info at: http://www.theroyalchief.com]

The Royal Chief will play the 21st Annual Crossroads Music Fest, Saturday, September 6, 3:00pm to Midnight, in West Bottoms at Lemonade Park, Stockyards Brewing, Livestock Exchange Lot, The Campground, Voltaire, The Ox Cafe & Bakery(VIP Venue) with KRYSTLE WARREN / LAURA NOBLE & FRIENDS / THE MGDS • RUDY LOVE AND THE ENCORE / SEYKO • STRANDED IN THE CITY / FRIENDLY THIEVES • LITTLE MISS DYNAMITE / FLAT SUSAN • ROYAL CHIEF • SASS-A-BRAS / THE WHIPS • JESUS CHRIST TAXI DRIVER / SARA SWENSON • TALIA KEYS • JELLY ROSE / MARIACHI ESTRELLA & GRUPO FOLKLÓRICO ALMA TAPATÍA / TERI QUINN & THE COYOTES • 3 TRAILS WEST / DJ THUNDERCUTZ • NATURE BOYS • TIMBERS / SKY SMEED • JULIE BENNETT HUME & ERNEST JAMES / DJ NANA G • LINEA FRONTERA • DYM N D / RURAL GRIT ALL STARS • THE APOLOGIES / JOHN KECK • OSEZUA • BOBBY SCHARPING / ART AS MENTORSHIP PRESENTS THE REBEL SONG ACADEMY More info at: http://www.cmfkc.com

  1. Mavis Staples – “Godspeed”
    from: “Godspeed” – Single / Anti / June 10, 2025
    [Written by Frank Ocean. A legendary performer who will turn 86 next month on July 10, Mavis Staples continues to be a tour-de-force in music and a voice for the voiceless in today’s divided society. Well known for her work in the gospel and Americana space, Staples is also an R&B icon who famously worked with the one and only Prince in his 80’s heyday. // Hailed by NPR as “one of America’s defining voices of freedom and peace,” Staples is the kind of once-in-a-generation artist whose impact on music and culture would be difficult to overstate. She’s both a Blues and a Rock and Roll Hall of Famer; a civil rights icon; a GRAMMY Award-winner; a chart-topping soul/gospel/R&B pioneer; a National Arts Awards Lifetime Achievement recipient; and a Kennedy Center honoree. She marched with Dr. Martin Luther King, Jr., performed at John F. Kennedy’s inauguration, and sang in Barack Obama’s White House. // At a time when most artists begin to wind down, Staples ramped things up, releasing a trio of critically acclaimed albums in her 70’s with Wilco’s Jeff Tweedy that prompted Pitchfork to rave that “her voice has only gained texture and power over the years” and People to proclaim that she “provides the comfort of a higher power.” “I sing because I want to leave people feeling better than I found them,” Staples says. “I want them to walk away with a positive message in their hearts, feeling stronger than they felt before. I’m singing to myself for those same reasons, too.” // On July 9, Staples and award-winning children’s poet Carol Boston Weatherford will release the new children’s book ‘Bridges Instead of Walls: The Story of Mavis Staples’, a vibrant and poetic new picture book that introduces young readers to Staples’ life story, who began singing at age 8 and ever since has used her voice as a rallying cry to the country at numerous civil rights protests and continues to sing and share her message of love, faith and justice in front of large audiences today. // Staples recently celebrated her upcoming birthday early in stellar fashion at Los Angeles’s YouTube Theater this past April, gracing the stage alongside a star-studded lineup including Hozier, Chris Stapleton, Bonnie Raitt, Jackson Browne, Black Pumas, and more. Currently on tour in Europe, Staples will return to the US and perform at Willie Nelson’s 4th of July picnic on the nation’s birthday. The next day she begins a run of dates with Norah Jones, who she affectionally calls “my baby sister.” All upcoming dates are listed below. // Mavis Staples (born July 10, 1939) is an American rhythm and blues and gospel singer and civil rights activist. She rose to fame as a member of her family’s band The Staple Singers, of which she is the last surviving member. During her time in the group, she recorded the hit singles “I’ll Take You There” and “Let’s Do It Again”. In 1969, Staples released her self-titled debut solo album. // Staples continued to release solo albums throughout the following decades and collaborated with artists such as Aretha Franklin, Prince, Arcade Fire, Nona Hendryx, Ry Cooder, and David Byrne. Her eighth studio album You Are Not Alone (2010), earned critical acclaim, and became her first album as a soloist to reach number one on a Billboard chart, peaking atop the Top Gospel Albums chart. It also earned Staples her first Grammy Award win. Following this, she released the albums One True Vine (2013), Livin’ on a High Note (2016), If All I Was Was Black (2017), and We Get By (2019); she is also featured on the single “Nina Cried Power” by Hozier. // Staples is the recipient of the Grammy Lifetime Achievement Award, and has won three Grammy Awards, including one for Album of the Year as a featured artist on We Are by Jon Batiste.[6] Named one of the ‘100 Greatest Singers of all Time’ by Rolling Stone in 2008; Staples was inducted into the Rock and Roll Hall of Fame in 1999, and in the Gospel Music Hall of Fame in 2018, as a member of The Staple Singers. Additionally, she was made a Kennedy Center Honoree in 2016. The following year, she was inducted into the Blues Hall of Fame as a soloist. In 2019, she received the inaugural Rock Hall Honors Award from the Rock and Roll Hall of Fame, as a soloist. // Staples was born in Chicago, Illinois, on July 10, 1939. She began her career with her family group in 1950. Initially singing locally at churches and appearing on a weekly radio show, the Staples scored a hit in 1956 with “Uncloudy Day” for the Vee-Jay label. When Mavis graduated from what is now Paul Robeson High School in 1957, The Staple Singers took their music on the road. Led by family patriarch Roebuck “Pops” Staples on guitar and including the voices of Mavis and her siblings Cleotha, Yvonne, and Pervis, the Staples were called “God’s Greatest Hitmakers”. // With Mavis’ voice and Pops’ songs, singing, and guitar playing, the Staples evolved from enormously popular gospel singers (with recordings on United and Riverside as well as Vee-Jay) to become the most spectacular and influential spirituality-based group in America. By the mid-1960s The Staple Singers, inspired by Pops’ close friendship with Martin Luther King Jr., became the spiritual and musical voices of the civil rights movement. They covered contemporary pop hits with positive messages, including Bob Dylan’s “A Hard Rain’s a-Gonna Fall” and a version of Stephen Stills’ “For What It’s Worth”. // During a December 20, 2008, appearance on National Public Radio’s news show Wait Wait… Don’t Tell Me!, when Staples was asked about her past personal relationship with Dylan, she admitted that they “were good friends, yes indeed” and that he had asked her father for her hand in marriage. // The Staples sang “message” songs like “Long Walk to D.C.” and “When Will We Be Paid?,” bringing their moving and articulate music to a huge number of young people. The group signed to Stax Records in 1968, joining their gospel harmonies and deep faith with musical accompaniment from members of Booker T. and the MGs. The Staple Singers hit the Top 40 eight times between 1971 and 1975, including two No. 1 singles, “I’ll Take You There”, produced by Al Bell and recorded and mixed by Terry Manning, “Let’s Do It Again,” and a No. 2 single “Who Took the Merry Out of Christmas?” // Mavis made her first solo foray while at Epic Records with The Staple Singers, releasing a lone single “Crying in the Chapel” to little fanfare in the late 1960s. The single was finally re-released on the 1994 Sony Music collection Lost Soul. Her first solo album would not come until a 1969 self-titled release for the Stax label. After another Stax release, Only for the Lonely, in 1970, she released a soundtrack album, A Piece of the Action, on Curtis Mayfield’s Curtom label. A 1984 album (also self-titled) preceded two albums under the direction of rock star Prince; 1989’s Time Waits for No One, followed by 1993’s The Voice, which People magazine named one of the Top Ten Albums of 1993. Her 1996 release, Spirituals & Gospels: A Tribute to Mahalia Jackson, was recorded with keyboardist Lucky Peterson. The recording honors Mahalia Jackson, a close family friend and a significant influence on Mavis Staples’s life. // Staples singing during the 2006 NEA National Heritage Fellows concert. // Staples made a major national return with the release of the album Have a Little Faith on Chicago’s Alligator Records, produced by Jim Tullio, in 2004. The album featured spiritual music, some of it semi-acoustic. // In 2004, Staples contributed to a Verve release by legendary jazz-rock guitarist, John Scofield. The album, entitled That’s What I Say, was a tribute to the great Ray Charles and led to a live tour featuring Staples, John Scofield, pianist Gary Versace, drummer Steve Hass, and bassist Rueben Rodriguez. A new album for Anti- Records entitled We’ll Never Turn Back was released on April 24, 2007. The Ry Cooder – produced concept album focuses on gospel songs of the civil rights movement and also included two new original songs by Cooder. // Her voice has been sampled by some of the biggest selling artists, including Salt ‘N’ Pepa, Ice Cube, Ludacris, and Hozier. Staples has recorded with a wide variety of musicians, from her friend, Bob Dylan (with whom she was nominated for a 2004 Grammy Award in the “Best Pop Collaboration With Vocals” category for their duet on “Gonna Change My Way of Thinking”, from the album Gotta Serve Somebody: The Gospel Songs of Bob Dylan) to The Band, Ray Charles, Prince, Nona Hendryx, George Jones, Natalie Merchant, Ann Peebles, and Delbert McClinton. She has provided vocals on current albums by Los Lobos and Dr. John, and she appears on tribute albums to such artists as Johnny Paycheck, Stephen Foster and Bob Dylan. // In 2003, Staples performed in Memphis at the Orpheum Theater alongside a cadre of her fellow former Stax Records stars during “Soul Comes Home,” a concert held in conjunction with the grand opening of the Stax Museum of American Soul Music at the original site of Stax Records, and appears on the CD & DVD that were recorded and filmed during the event. In 2004, she returned as guest artist for the Stax Music Academy’s SNAP! Summer Music Camp and performed again at the Orpheum with 225 of the academy’s students. In June 2007, she again returned to the venue to perform at the Stax 50th Anniversary Concert to Benefit the Stax Museum of American Soul Music, produced by Concord Records, who now owns and has revived the Stax Records label. // In 2009, Staples, along with Patty Griffin and The Tri-City Singers, released a version of the song “Waiting For My Child To Come Home” on the compilation album Oh Happy Day: An All-Star Music Celebration. // On October 30, 2010, Staples performed at the Rally to Restore Sanity and/or Fear alongside singer Jeff Tweedy. In 2011 she was joined on-stage at the Outside Lands Music And Arts Festival by Arcade Fire singer Win Butler. The two performed a version of “The Weight” by The Band. // Staples also performed at the 33rd Kennedy Center Honors, singing in a tribute to honoree Paul McCartney. // Staples headlined on June 10, 2012, at Chicago’s Annual Blues Festival in Grant Park. // On June 27, 2015, Staples performed on the Park Stage of Glastonbury Somerset UK. On October 31, 2015, Staples performed with Joan Osborne in Washington, D.C. at The George Washington // University’s Lisner Auditorium as part of their Solid Soul Tour. // In February 2016, Staples’s album Livin’ on a High Note was released. Produced by M. Ward, the album features songs written specifically for Staples by Nick Cave, Justin Vernon, tUnE-yArds, Neko Case, Aloe Blacc, and others. Discussing the album Staples said: “I’ve been singing my freedom songs and I wanted to stretch out and sing some songs that were new. I told the writers I was looking for some joyful songs. I want to leave something to lift people up; I’m so busy making people cry, not from sadness, but I’m always telling a part of history that brought us down and I’m trying to bring us back up. These songwriters gave me a challenge. They gave me that feeling of, ‘Hey, I can hang! I can still do this!’ There’s a variety, and it makes me feel refreshed and brand new. Just like Benjamin Booker wrote on the opening track, ‘I got friends and I got love around me, I got people, the people who love me.’ I’m living on a high note, I’m above the clouds. I’m just so grateful. I must be the happiest old girl in the world. Yes, indeed.” // In January 2017, Staples was featured as a guest vocalist on “I Give You Power”, a single from Arcade Fire benefiting the American Civil Liberties Union. In February 2017, Staples appeared on NPR’s Wait, Wait … Don’t Tell Me! in the “Not My Job” segment, answering questions about the rock band The Shaggs. In April 2017, “Let Me Out”, a single from the fifth studio album by Gorillaz, Humanz, was released, featuring Staples and rapper Pusha T. // Staples’s sixteenth album If All I Was Was Black was released on November 17, 2017. The record was again produced by Jeff Tweedy and contains all original songs cowritten by Mavis and Tweedy. Following the release, Staples toured with Bob Dylan. She also appeared on the 2017/18 Hootenanny. In 2018, she sang on Hozier’s single “Nina Cried Power”. // In May 2019, Staples celebrated her 80th birthday with a concert at the Apollo Theater, 63 years after first appearing at the theater as a teenager with her family band, the Staple Singers, in 1956. The show, which featured special guest artists, including David Byrne & Norah Jones, is one of a series of collaborative concerts she staged in May to commemorate her 80th birthday. She performed at the 2019 Glastonbury Festival. // In 2022, Staples released Carry Me Home, a collaboration with Levon Helm, recorded at Helm’s Midnight Ramble in 2011. // She released the single “Worthy” on June 18, 2024.]
  1. Tre’ Mutava – “Walls Talk”
    from: “Walls Talk” b/w “Where Have You Been All My Life?” – Single / Currently Crafting / May 30, 2025
    [Born in 2001 in Marietta, GA — Tre’ grew up with a love of gospel music, inspiring him to write his own. His first performance of an original song was for his elementary school while knowing only two chords on his guitar, but he knew that this is what he loved. Upon entering high school, he became interested in producing after hearing the musicality of artists’ works like 21 Pilots, Jon Bellion, and AJR. He was recognized initially by fans on the 4th single of his debut album, “GO! (feat. PEABOD),” in 2021. “The Movies” proved a cinematic experience for listeners through Tre’s unique vocals and inclusion of choir, horns, and strings. In addition to his personal works, Tre’ has been recognized for his production and co-writing work on songs like “Sunset” and “Take Me Back” by Noah Anthony, “Find You” by Jaishon Jenkins, and “Imagination” by Bobby Labrecque. Most recently, he was featured on The Whips’ album, How To Hold A Grudge, on their track “Please Help Me.” More info at: http://www.tremutava.com]
  1. Wednesday – “Elderberry Wine”
    from: “Elderberry Wine” – Single / Dead Oceans / June 9, 2025
    [Wednesday, the North Carolina rock band led by generational songwriter Karly Hartzman, share a twangy and timeless new single titled “Elderberry Wine,” alongside a video directed by Spencer Kelly.\ // “‘Elderberry Wine’ is about the potential for sweet things in life (love, family, success) to become poison if not prepared for and attended to correctly,” Hartzman explains. “Elderberry is known as a healing fruit, and is an ingredient in many tonics and syrups to aid the immune system. One time however, my sister consumed them raw and it immediately induced vomiting. So ‘Elderberry Wine’ is ultimately a love song about creating just the right environment for fulfillment. There’s a delicate balance that needs to be created, especially in love, for two lives to intersect without poisoning each other.” // “Elderberry Wine” is the first taste of new music from Wednesday since the release of their breakthrough album Rat Saw God. The album was one of 2023’s most critically acclaimed releases, landing on year end lists at the New York Times, NPR, Pitchfork, Rolling Stone, Associated Press, Wall Street Journal, LA Times, The Altantic, The Ringer, The FADER, Paste, Consequence, Stereogum and more. // Wednesday is Karly Hartzman, MJ Lenderman, Xandy Chelmis, Alan Miller, and Ethan Baechtold. // “What makes Wednesday one of the best bands in the world is Hartzman’s songwriting. It’s paradisiacal in a scuzzy way, adaptable to any underbelly in North America and wickedly unafraid of being too truthful or unabashed.” -Paste // “Karly Hartzman’s storytelling remains a beautifully magpie-like collection of little details drawn from memory and observation, woven together into a transcendent indie rock tapestry.” -The AV Club // Rat Saw God released September 8, 2022. It was ij the top 30 of WMM’s 120 Best Recordings of 2024. // // Hartzman was inspired to start playing guitar after watching Mitski’s NPR Tiny Desk concert. Hartzman attended college in Asheville, where she met Daniel Gorham. The two recorded an album together under the moniker Wednesday titled yep definitely. The band’s name was inspired by the British band The Sundays. // After releasing this record, Hartzman formed another band called Diva Sweetly, alongside members of the band Pictures of Vernon. Hartzman was interested in making shoegaze music, which was not the music Diva Sweetly was making. Thus, Hartzman gathered new members to join the Wednesday band and released the second album with the group, titled I Was Trying to Describe You to Someone in 2020. The group released their third record, Twin Plagues, on August 13, 2021.// On March 11, 2022, the band released a covers album titled Mowing the Leaves Instead of Piling ’em Up, featuring covers versions of songs by Gary Stewart, Chris Bell, Roger Miller, Drive-By Truckers, Hotline TNT, Greg Sage, Vic Chesnutt, Medicine and The Smashing Pumpkins. On September 8, 2022, the band left Orindal Records and signed to Dead Oceans, releasing the single “Bull Believer”. On January 18, 2023, the band released the single “Chosen to Deserve” and announced a fifth album, Rat Saw God, which was released on April 7, 2023.] [Wednesday played the recordBar, 1520 Grand Blvd, KCMO, on Wednesday, May 17 at 7:00 PM ]
  1. Chad Brothers – “Family Tree”
    from: “Family Tree” – Single / Chad Brothers / January 23, 2024
    [Chad Brothers is a Kansas City-based singer-songwriter, multi-instrumentalist and bandmate to many. An accomplished guitarist and vocalist of 35+ years, Chad has strong sense of melodic and harmonic patterns, with a uniquely soulful perspective from which he writes original folk, bluegrass, rock and psychedelic music rooted in acoustic and electric guitar. // Born and raised on a family farm outside of Winfield, KS, Chad was deeply influenced from a young age by the acoustic mecca of the Walnut Valley Festival, absorbing and evolving musically under the rich history and uniquely-inviting campground jamming culture of the annual event. // These days, you can find Chad performing around Kansas City and surrounding areas in his impressive array of musical projects, including with Old Sound, Supermassive Black Holes, Shapiro Brothers, Mikal Shapiro & The Musical, Howard Iceberg & The Titanics and several others. Chad has also served as Chief Operator at KKFI 90.1 FM Kansas City Community Radio since August 2019. // You can Watch + listen to “Family Tree” at: https://www.youtube.com/watch?v=g_TIRVvgO70 one of Chad’s most recently-written original songs.}

[Chad Brothers plays Mike Kelly’s Westsider, 1515 Westport Road, KCMO on Thursday, June 26 ay 6:30pm opening for Big Love Carwash.]

10:29– Underwriting

  1. Suzannah Johannes – “Bordeaux Girl”
    from: Kansas City: Hanz Bronze Boulevard / Suzannah Johannes / August 29, 2025
    [Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera. More info at: http://www.suzannahjohannes.com. ]

[Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas.]

10:34 – Interview with Suzannah Johannes

Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators.

Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas. More info at: http://www.suzannahjohannes.com.

Suzannah Johannes Thank you for being with us on WMM.

In 2008, Suzannah Johannes was an up-and-coming singer-songwriter with a debut EP—S/T—from Range Life Records. Then life happened: she got married, became a mother, dedicated her time to responsibilities outside of music. A few times a year, Johannes would play out in local clubs, but in ways too many women will recognize, her music career felt stuck on pause.

Seventeen years later, it’s time to press play—Suzannah Johannes returns with two brilliant full albums: Kansas City: Hanz Bronze Boulevard and Los Angeles: The Missing Album.

Suzannah Johannes is a singer-songwriter based out of Lawrence, Kansas. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze, and plenty of YouTube tutorials.

In 2006 or 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio with Josh Adams and David Wetzel. Four tracks from those sessions became his debut EP, released by Range Life Records in 2008.

Over the past 19 years, she has performed solo and with a rotating group of collaborators, including David Wetzel, Nate Holt, Sean McCue, Jeff Jackson, Dustin Kinsey, and Gus Seyffert.

Her most recent album, Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera.

After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City.

Suzannah is playing a matinee show from 6 to 9:30 p.m. on Saturday, July 19 at Hillsiders in Kansas City, Kansas.

After the Kansas City album is released on Friday, August 29, she will have a release show on Thursday, Sept. 11 at The Ship, and another show in Lawrence on Saturday, Sept. 13.

More information about her upcoming albums and shows can be found on her website, http://www.suzannahjohannes.com.

Suzannah is releasing (Kansas City: Hanz Bronze Boulevard on Aug. 29, and Los Angeles: The Missing Album on Jan. 2, 2026):

10:44

  1. Suzannah Johannes – “St Megan”
    from: Kansas City: Hanz Bronze Boulevard / Suzannah Johannes / August 29, 2025
    [Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera. More info at: http://www.suzannahjohannes.com. ]

[Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas.]

10:48 – More Interview with Suzannah Johannes

Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators.

Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas. More info at: http://www.suzannahjohannes.com.

Suzannah Johannes Thank you for being with us on WMM.

Her most recent album, Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera.

After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City.

Suzannah is playing a matinee show from 6 to 9:30 p.m. on Saturday, July 19 at Hillsiders in Kansas City, Kansas.

After the Kansas City album is released on Friday, August 29, she will have a release show on Thursday, Sept. 11 at The Ship, and another show in Lawrence on Saturday, Sept. 13.

Suzannah is releasing (Kansas City: Hanz Bronze Boulevard on Aug. 29, and Los Angeles: The Missing Album on Jan. 2, 2026):

Suzannah Johannes Thank you for being with us on WMM.

Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas. More info at: http://www.suzannahjohannes.com.

10:57

  1. Suzannah Johannes – “Rebecca”
    from: Kansas City: Hanz Bronze Boulevard / Suzannah Johannes / August 29, 2025
    [Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Kansas City, features contributions from Jimmy Fitzner, John Nichols, and Mike Stover of The Grisly Hand, Bill Dolan from 5ive Style, and Brooke and Mike Tuley of Brooke Tuley and the Moontravelers and Ad Astra Per Aspera. More info at: http://www.suzannahjohannes.com. ]

[Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas.]

10:00 – Station ID

  1. Marmoppes – “Gyatt Time”
    from: “Butterfly” – single / Big Nip Records / March 17, 2024
    [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]

11:02 – Interview with Marmoppes

We are happy to welcome back members of the Kansas City suoer group, Marmoppes who return to Wednesday MidDay Medley to share new music and perform LIVE in our 90.1 FM Studios. Marmoppes include: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. Originally formed on Groundhog Day, since the fall of 2023 Marmoppes have released five singles: “Cerulean Blue Truffle Pig” (Sept. 5, 2023), “Butterfly” (March 17, 2024), “Yr Chemical” (April 28, 2024), “Gyatt Time” (Sept. 20, 2024), “Nos” (March 23, 2025) Marmoppes will premier their brand new single on WMM. More info at: https://linktr.ee/marmoppes

Simon Huntley, J. Ashley Miller, Alyssa Murray and Ernest Melton Thank you for being with us on WMM.

Simon Huntley is a British-American musician, percussionist, producer, composer and visual artist combining classical sentiments with new world rebellion. Growing up in France then relocating in 2011, Simon now divides his time between the United States and France, investigating and collaborating with the world’s best talent including: QUIXOTIC, A$AP Rocky, Mireya Ramos, Tech9, Making Movies, Calvin Arsenia, Mike Dillon + Nikki Glaspie, Chipotle, Hilton Hotels, Qatar Airways, and many more. Preformed in venues such as: Red Rocks Amphitheater—Colorado / The MGM Grand—Las Vegas / Faena Hotel—Miami / T-Mobile Arena. // And events such as: Invision Festival—Costa Rica / Alaska World Arts Festival—Alaska / Fringe Festival—Edinburgh / Live At Heart—Sweden / Wanderlust—Canada + California // As well as festivals, PACs, Live TV and Radio.

J Ashley Miller is a recipient of the 2016 Charlotte Street Foundation Generative Performing Artist Award. He’s a self-taught musician & composer. For nearly 20 years he has worked as Composer / Producer/ Recording Engineer / Founder of The Infoaming Vertex in Kansas City, Missouri, a recording studio which he built in 2006. For the last 12 years he has produced, engineered and mixed nearly 100 full length albums and countless smaller projects for both local and international artists including Calvin Arsenia and SSION // With SSION he co-wrote and produced 2 full length albums. The videos were always a central focus for the project, and he fine tuned his ability to work with a director and bring about a coherent final product. // He founded the musical entities Metatone and Jametatone with multiple released from 2013 through 2022. // He once told an art writer that his training was “tens of thousands of hours on computers and playing in bands”, as well as a conductor, music director, producer, performance artist, filmmaker, and recording engineer (among other interests). “I got into all of this by shooting live music films and really tailoring compositions to our filming locations,” Miller said, citing site-specific performances at La Esquina, Oppenstein Park, and Turkey Creek. Filmed and recorded onsite, in one take (multi-camera, multi-track), the final product of these shows was the resulting film or album. // Miller founded the performance group Quadrigarum for site-specific projects and to showcase the chariot instruments he designed, using wheel-mounted guitar picks and an amplified single-stringed guitar on a wooden frame. Chariots are a core element of the Atemporchestra, an ensemble of eclectic instrumentation (including pan flutes, vibraphone, drums, horns, computers, and keyboards, for starters) that he originally put together from the TEDxKC show.

Alyssa Murray recently released her album ‘SCROLLIN’ in 2023. that called “a sonic kaleidoscope of synth-tastic beats and experimental delight. Written, performed, and produced by Alyssa Murray and mixed and mastered by Duane Trower at Weights and Measures Soundlab in Kansas City, MO. // Always feeling a strong pull towards songwriting, Alyssa studied piano, voice, and guitar in her teens deep diving into such influences as Fiona Apple and Stevie Wonder. Further pursuing her passion for jazz and improvisation, Alyssa moved to Kansas City to study jazz-piano at the UMKC Conservatory while immersing herself in the local music scene. Alyssa has a Bachelor of Music in Jazz Studies from the University of Missouri-Kansas City and has studied under the direction of Bobby Watson and Dan Thomas; as well as classical repertoire with Karen Kushner and Diane Petrella. // In addition to her solo performances, Alyssa Murray plays with Marmoppes. Alyssa Murray also plays in the trio, Easy Match with Claire Adams and Steve Gardels.

Ernest Melton is a saxophonist, composer, and band leader currently residing in Kansas City, Missouri by way of Goldsboro, North Carolina. He relocated to his mother’s hometown of Kansas City, Missouri at the age of ten where he picked up his first saxophone at Longfellow Academy of the Arts. Bored with the classical curriculum of the music department, Ernest studied more contemporary genres of music and the guitar until the age of fourteen when he joined his first jazz program through the American Jazz Museum of Kansas City. Playing mostly tenor sax by the age of fourteen, Ernest joined Lincoln High School jazz band and many other musical programs around the Greater Kansas City area. Naturally excelling, Melton left school at the age of sixteen to study music on his own. With kind neighbors and a supportive mother, Ernest was free to practice the saxophone, study albums, and write compositions at any hour of the day. It was during this time he found his first major influences in jazz like Dexter Gordon, John Coltrane, Kenny Garrett, and Pharoah Sanders. Pharoah’s polyphony were like echoes of Melton’s father, a Primitive Baptist preacher, and became a large influence of his playing. An avid composer as well, Ernest studied with tutors in classical orchestration, big band arranging, and Afro-Cuban drumming. He cites Charles Mingus, Igor Stravinsky, and Wayne Shorter as his favorite all around composers and still tries to implement their techniques in his music today. After being accepted into Berklee College of Music he decided not to attend and began his career playing music in bands of every genre around the Greater Kansas City area. In 2018 Ernest released his first full length album entitled, “The Time Of The Slave Is Over”, which received raved reviews at home and abroad by media such as Plastic Sax, Quest TV, and JAZIZZ to name a few. Ernest Melton has played all over the country and plans to continue to travel abroad. // Ernest Melton released the single “Waves” on April 21, 2025. He released the single, “Sonnet for Sanity”on December 18, 2020 and the single, “Chronicles of Conception” on April 21, 2020, and “Narrative for Natives” on March 9, 2020. Ernest Melton released the album “The Standard Imperfections” on September 1, 2019. Ernest Melton is also featured on the BodaciousThang singles, “Drank!” on August 7, 2019 and “Say Hi” released Sept. 2, 2020 on Juicy Burrito Records. ]

11:09 – Marmoppes LIVE

  1. Marmoppes – “Butterfly” (LIVE)
    “Butterfly” was released as a single on Big Nip Records on March 17, 2024
    [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]

11:12 – More Interview with Marmoppes

We are happy to welcome back members of the Kansas City suoer group, Marmoppes who return to Wednesday MidDay Medley to share new music and perform LIVE in our 90.1 FM Studios. Marmoppes include: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. Originally formed on Groundhog Day, since the fall of 2023 Marmoppes have released five singles: “Cerulean Blue Truffle Pig” (Sept. 5, 2023), “Butterfly” (March 17, 2024), “Yr Chemical” (April 28, 2024), “Gyatt Time” (Sept. 20, 2024), “Nos” (March 23, 2025) Marmoppes will premier their brand new single on WMM. More info at: https://linktr.ee/marmoppes

Simon Huntley, J. Ashley Miller, Alyssa Murray and Ernest Melton Thank you for being with us on WMM.

Last time Marmoppes were on WMM was Wednesday, April 16, prior to their live performance on April 18 for The Love Note at The Strand Theatre.

Earlier Marmoppes played The Ship performing live to the film Nosferatu.

The mix of film and music has been a constant for Marmoppes

11:17 – Marmoppes LIVE

  1. Marmoppes – “Cerulean Blue Truffle Pig (LIVE)
    “Cerulean Blue Truffle Pig” was released as a Single on Big Nip Records on September 5, 2023
    [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]

11:20 – More Interview with Marmoppes

We are happy to welcome back members of the Kansas City suoer group, Marmoppes who return to Wednesday MidDay Medley to share new music and perform LIVE in our 90.1 FM Studios. Marmoppes include: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. Originally formed on Groundhog Day, since the fall of 2023 Marmoppes have released five singles: “Cerulean Blue Truffle Pig” (Sept. 5, 2023), “Butterfly” (March 17, 2024), “Yr Chemical” (April 28, 2024), “Gyatt Time” (Sept. 20, 2024), “Nos” (March 23, 2025) Marmoppes will premier their brand new single on WMM. More info at: https://linktr.ee/marmoppes

New Music from Marmoppes: 4×10 = 75

Marmoppes discography:
4 x 10 = 75 – June 25
“Nos” – March 23, 2025 (Big Nip Records)
“Gyatt Time” – Sept. 20, 2024
“Yr Chemical” – April 28, 2024
“Butterfly” – March 17, 2024
“Cerulean Blue Truffle Pig” – September 5, 2023

Simon Huntley, J. Ashley Miller, Alyssa Murray and Ernest Melton Thank you for being with us on WMM.

More info at: https://linktr.ee/marmoppes

11:24

  1. Marmoppes – “4 x 10 = 75″ (CD #15) (3:39)
    from: “4 x 10 = 75” – single / Big Nip Records / June 25, 2025
    [Since the Spring of 2024 Marmoppes have released five new singles. Originally formed on Groundhog Day, the band includes: Simon Huntley on drums; J. Ashley Miller: on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. More info at: https://linktr.ee/marmoppes More info at: Marmoppes- https://www.instagram.com/marmoppes/ ]

11:28 – Underwriting

  1. Keelon Vann – “Poison”
    from: T H I R D (•) / Keelon Vann / May 23, 2025
    [Keelon Vann, a 26-year-old singer-songwriter and guitarist who doesn’t believe in genre. Keelon Vann is a KC native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Luther Vandross, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, and Prince. Vann taught himself to play guitar, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, and B.B. King. A former NCAA Division II College Footbal Athlete at William Jewell College, where Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum balancing athletics, academics, and music. Vann has remained steadfast in his artistic path. Keelon just released his 3rd album, T H I R D (•), pronounced “Third Eye.”]

11:31 – Interview with Keelon Vann

Keelon Vann, a 26-year-old singer-songwriter and guitarist who doesn’t believe in genre. Keelon Vann is a KC native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Luther Vandross, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, and Prince. Vann taught himself to play guitar, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, and B.B. King. A former NCAA Division II College Footbal Athlete at William Jewell College, where Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum balancing athletics, academics, and music. Vann has remained steadfast in his artistic path. Keelon just released his 3rd album, T H I R D (•), pronounced “Third Eye.” to foster interesting music, and not worry about the little things.’ Let’s see if we might be able to figure out something that might make the music bigger. That’s the goal.”

Keelon Vann thanks for being with us on Wednesday MidDay Medley

Keelon Vann, a 26-year-old American singer-songwriter and guitarist, seeks to break barriers by honoring the classics while drawing inspiration from modern productions. The Kansas-born artist doesn’t believe in genre. “It’s pretty hard to put you in a box,” said Steve Kraske of KCUR 89.3 Radio. It is, however, to Vann’s dismay that such fusion of sounds may lead to quite an unorthodox niche—but according to Vann, art transcends genre and exists to inspire and to heal. This is Keelon Vann.

Born on August 28, 1998, to Juanita Moten and the late Kwasi Vann, Keelon Vann is a Kansas City native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Musiq Soulchild, Luther Vandross, Robin Thicke, Boyz II Men, Eric Benét, Maxwell, Usher, Justin Timberlake and more. He also draws from timeless legends including Jackie Wilson, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, Michael Jackson, and Prince, among many others. These artists were foundational in shaping Vann’s vocal talent.

Upon picking up the guitar, Vann expanded his musical world. Teaching himself to play, he discovered Blues and Rock N’ Roll, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, B.B. King, Stevie Ray Vaughan, Albert King, Albert Collins, Freddie King, Gary Clark Jr., John Mayer, and a furthermore extensive list.

A graduate of Piper High School and former NCAA Division II College Football Athlete at William Jewell College, Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum. Balancing athletics, academics, and music has never been easy, but through it all, Vann has remained steadfast in his artistic path.

Now with three independently released albums:
ŠUÑFŁØWĘR PÂRĀDØX
Tales of the Gypsy,
T H I R D (•)

11:54

  1. Keelon Vann – “Heaven Help Us”
    from: T H I R D (•) / Keelon Vann / May 23, 2025
    [Keelon Vann, a 26-year-old singer-songwriter and guitarist who doesn’t believe in genre. Keelon Vann is a KC native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Luther Vandross, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, and Prince. Vann taught himself to play guitar, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, and B.B. King. A former NCAA Division II College Footbal Athlete at William Jewell College, where Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum balancing athletics, academics, and music. Vann has remained steadfast in his artistic path. Keelon just released his 3rd album, T H I R D (•), pronounced “Third Eye.”]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, July 2, we’ll talk with Mara Williams Assistant Managing Editor for Race and Equity Issues at The Kansas City Star and J.M. Banks Kansas City Star Culture and Identity Reporter who will discuss Season Three of The KC Star’s new 5 – week series, VOICES OF KANSAS CITY starting July 9, airing Wednesdays at 7:00pm to 8:00pm featuring the stories of eight young black educators in Kansas City. More info at http://www.KansasCity.com. Also next week, Spencer Thompson about the return of Kansas City’s popular comedic horror show, The Spooky **** Show, created by local Kansas Citian, Derek Trautwein returning to Kansas City Fringe Festival (July 17-27), More info http://www.kcfringe.org // And Beth Watts Nelson joins us to share her latest release.

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachel Christia, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1101

WMM presents Suzannah Johannes + Marmoppes + Keelon Vann

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 25, 2025

WMM presents Suzannah Johannes + Marmoppes + Keelon Vann

Mark spins more New & MidCoastal Releases from: The Royal Chief, Suzannah Johannes, Marmoppes, Keelon Vann, Tre’ Mutava, Religion of Heartbreak, Chad Brothers, David Byrne & Ghost Train Orchestra, Mavis Staples, and Wednesday.

At 10:30 we’ll talk with Lawrence based singer songwriter Suzannah Johannes about her new album, Kansas City: Hanz Bronze Boulevard, to be released on August 29, 2025. Raised on a farm outside of Powhattan, Kansas, Suzannah was surrounded by music from an early age but didn’t begin teaching herself guitar and singing until after college, thanks to her friend, Hanz Bronze. In 2007, she won the KJHK Farmers Ball and used the prize money to record at Black Lodge Studio with Josh Adams and David Wetzel. Four tracks from those sessions became a debut EP, released by Range Life Records in 2008. After becoming a mother in 2014 and balancing full-time work, music took a back seat—but with new self-released material on the way, she’s finding balance and momentum creating and playing music in Lawrence and Kansas City. Over the past 19 years, she has performed solo and with a rotating group of collaborators. Suzannah Johannes plays Hillsiders, 403 N. 5th Street, KCK on Saturday, July 19, at 6:00pm. Kansas. More info at: http://www.suzannahjohannes.com.

At 11:00am members of the Kansas City band Marmoppes return to Wednesday MidDay Medley to share new music and perform LIVE in our 90.1 FM Studios. Marmoppes include: Simon Huntley on drums; J. Ashley Miller on vocals, guitar & bass; Alyssa Murray on synths & keyboards; and Ernest Melton on saxophone. Originally formed on Groundhog Day, since the fall of 2023 Marmoppes have released five singles: “Cerulean Blue Truffle Pig” (Sept. 5, 2023), “Butterfly” (March 17, 2024), “Yr Chemical” (April 28, 2024), “Gyatt Time” (Sept. 20, 2024), “Nos” (March 23, 2025) Marmoppes will premier their brand new single on Wednesday MidDay Medley. More info at: https://linktr.ee/marmoppes

At 11:30 Mark talks with Keelon Vann, a 26-year-old singer-songwriter and guitarist who doesn’t believe in genre. Born on August 28, 1998, to Juanita Moten and the late Kwasi Vann, Keelon Vann is a KC native who has been deeply moved by music since childhood. His earliest influences stem from R&B, Soul, and Funk—artists such as Stevie Wonder, Alicia Keys, Musiq Soulchild, Luther Vandross, Sam Cooke, The Temptations, John Coltrane, Miles Davis, James Brown, and Prince. Upon picking up the guitar, Vann expanded his musical world. Teaching himself to play, he discovered Blues and Rock N’ Roll, evolving his sound and adding new icons to his growing list of influences—Jimi Hendrix, Lenny Kravitz, Buddy Guy, and B.B. King. A graduate of Piper High School and former NCAA Division II College Footbal Athlete at William Jewell College, Vann also served as a Choral Music Scholar in both the Concert Choir and Schola Cantorum. Balancing athletics, academics, and music has never been easy, but through it all, Vann has remained steadfast in his artistic path. Keelon just released his 3rd album, T H I R D (•), pronounced “Third Eye.”

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1101

WMM Playlist from June 18, 2025

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 18, 2025

WMM presents Chris Garibaldi & Mark Henning on James Grauerholz – Life’s Too Good To Keep + Lonnie Fisher + Sisterbot & Hadiza. – Solstice at Sunset

  1. “Main Title Instrumental – It’s Showtime Folks”
    from: Orig. Motion Picture Soundtrack All That Jazz / Casablanca / December 20, 1979
    [WMM’s Adopted Theme Song]
  1. Hadiza. – “Reactions!”
    from: SHADOW WEIGHT / Hadiza. / November 22, 2019
    [Hadiza also plays in the band Collidescope and Arquesta Del SoulSol // “Hadiza released her acclaimed album SHADOW WEIGHT on November 22, 2019. It was part of WMM’s 119 Best Recordings of 2019. Hadiza released her EP GONE on December 29, 2018 with Madi Monroe on bass & guitar, JL Bolinger on drums, and Hadiza Sa-Aadu on keyboards & vocals. Recording & Engineering: JL Bolinger & Madi Mclaughlin. Mixing & Mastering: Madi Mclaughlin. Hadiza. is a sKansas City based singer-songwriter. Previously based in her hometown of Iowa City, she has spent the 2018 slowly but surely carving out her place in the Kansas City scene both as a solo performer (as Hadiza.) and as lead vocalist and songwriter of experimental electronic group Collidescope. Blessed to have had parents who are very much NOT students of music, but recognized the importance of music education, Hadiza spent her childhood and adolescence in part as a student of piano. Vocally, Hadiza takes her cues from American artists including Fiona Apple, Tracey Chapman, and Billie Holiday and African artists including Angelique Kidjo,. Her sound/genre is best described as an eclectic blend of blues, soul, folk, jazz and classical. Her songwriting is a process of release and acceptance of life events navigating an often brutal bleak and harsh world and is a form of therapy. If you don’t relate to the content, you just don’t relate. Oh well. The most amazing experience however is when a stranger in the audience connects with a song in their own way and is courageous enough to share that with her. Aside from the therapeutic aspect of creating music, this is why she continues to write and perform. Collidescope released their new 7-track album, DEEP TAPE, on December 31, 2020. Collidescope is essentially a duo that includes: Hadiza. on vocals, beats, & synthesizers; and Madison Monroe on guitar, bass, beats, synthesizers, mixing and vocals. DEEP TAPE includes Victoria Falls Stillwater on addition sound production and vocals, and was mixed and mastered by J.Ashley Miller aka Jametatone. DEEP TAPE is a follow up the the band’s debut EP Systemic released December 16, 2017. Hadiza also is part of the band Arquesta Del SolSoul. More info at: http://www.hadizaisnothere.bandcamp.com or http://www.acollidescope.bandcamp.com]

[Hadiza plays Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest, KCMO, Sat. June 21.]

  1. Sisterbot – “Approval (feat. Just Angel)”
    from: Truth House / Sisterbot / July 10, 2021
    [Sisterbot is a performing artist dedicated to breaking genre boundaries, creating cosmic musical and theatrical experiences. The 9-piece Sisterbot Band is a “punk pop chamber orchestra” complete with electric guitar, drums, piano, strings and horn. “Truth House (2021) is a concept album written over the span of three years, encapsulating a chapter of my life that I spent in a house alone, dealing with the aftermath of trauma and rebirth.”- Sisterbot (Adee Dancy). Written by Sisterbot. Produced by Jametatone and Sisterbot. Engineered, Mixed, Mastered by Jametatone, except “Approval” which was Produced, Engineered, & Mixed by Andrew Bonci Jr. at Magnolia Tree Studios, with AJ Bonci on guitar, Just Angel and Sisterbot on vocals. Cover Art by Mazzy Mann. Adee Rocket Dancy released the single “Hello Moon (feat. The Swallowtails)” on April 26, 2021. (This song is also on the Sisterbot album.) Produced by Jametatone & Adee Rocket Dancy. Adee Rocket Dancy on piano & vocals & cello; Rachel Lovelace on bassoon; Mikala Petillo on guitar & background vocals, Mixing and Mastering by Jametatone, (J. Ashley Miller). Adee Rocket Dancy writes, “This is a song about my life-long love for the moon, featuring The Swallowtails (Rachel Lovelace & Miki P). Adee chose the date April 26, 2021, as their release date, to honor the full moon called “The Pink Moon.” More info at: Sisterbot.bandcamp.com]

[Sisterbot plays Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest Avenue, KCMO, Saturday, June 21.]

10:11 – Interview with Adee Dancy, and Hadiza.

Adee Dancy (Sisterbot), is a performing artist born and raised in the KC area. Adee is a student of many teachers and disciplines, attempting to amalgamate all they have learned and loved, into their artistic life. Adorning many different hats, Adee has stepped into a multitude of roles in their career such as professional cellist, music director, vocalist, composer, actor, and more. With dynamic string writing and theatrical rock at the helm of their work, Adee captains a project and alter-ego called Sisterbot, that fuses their multiple disciplines. Adee feels extremely lucky to have music, art, & theater as means of expression and livelihood! Adee has collaborated with many groups including Owen Cox Dance Group, No Divide KC, and The Swallowtails. More info at http://sisterbotmusic.com

Adee Dancy (Sisterbot), (They/Them) thanks for being with us on WMM.

Hadiza. shuffles between multiple hats in their work. They are most known as 1/2 of experimental queer duo Collidescope, w/ best friend & roommate Madison Mclaughlin. The two (with the help of some awesome friends) are getting ready to release their final recording project DEEP TAPE 2 before a hiatus. Hadiza is also working on their second solo album supported by Arts KC, titled Diaspora Gothic, to be released in the fall of 2025. This year, Arts KC also supported Hadiza’s pursuits to build artistic connections in their home country, Ghana. Hadiza spent January connecting and collaborating in practice and performance as a resident at Crazinist Artist Studio for the Perfocraze International Artist Residency in Kumasi, Ghana. pIAR was founded and is led by Va-Bene Elikem Fiatsi a Ghanaian woman activist and performance artist of trans experience.

Hadiza (They/Them), thanks for being with us on WMM.


Adee, Hadiza. are here to share details about Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest, KCMO, Sat, June 21, 2:00pm to midnight. This all-ages garden festival returns with immersive garden activities, wellness offerings, and a lineup featuring 8 musical acts: Snow Goose, Kissin, Babydoll, 2W33dy, Hadiza., Sisterbot, Christina Silvius, and Coloratura, with performances running from 3 to 11:00 pm. Guests can enjoy 10-minute yoga flows with Charenee from New Moon Wellness, explore the grounds with a garden passport scavenger hunt, bundle fresh herbs, collect a DIY snack directly from the garden, look to the sky with telescope time and stargazing.

The community-powered celebration, now Mini-Festival, Solstice at Sunset is back at Manheim Gardens on Sat, June 21, 2025, 2pm to midnight, and it’s free to attend.
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After an inspiring inaugural run last summer hosted by the KC Queertet, Sisterbot, Hadiza., and Christina Silvius, this all-ages garden festival returns with a full lineup of live music, immersive garden activities, and wellness offerings, all set in one of Kansas City’s most vibrant green spaces: Manheim Gardens, located at 4229 Forest Ave, KCMO.
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This year’s lineup features 8 musical acts: Snow Goose, Kissin, Babydoll, 2W33dy, Hadiza., Sisterbot, Christina Silvius, and Coloratura, with performances running from 3-11pm. Guests can enjoy 10-minute yoga flows with Charenee from New Moon Wellness, explore the grounds with a garden passport scavenger hunt, bundle fresh herbs, collect a DIY snack directly from the garden, look to the sky with telescope time and stargazing once the sun sets, and more.
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Festival highlights include:
*Live music from local artists
*Garden-to-table activities like snack foraging and herb workshops
*Yoga, health station, and chill zones for relaxation and restoration
*Zine library, donation and merch stations, and more
*Telescope stargazing after dark

Special thanks to Zan Bondi and all of the Manheim Garden volunteers for their time, efforts, and collaboration.

One of the man organizers of this event is Zan Bondi is a food pantry farmer, artist and mystic. Zan is the programming director and founder of Wednesday Potlucks for World Peace at Manheim Gardens – which happens every Wednesday from 6:30-830pm, May-October, where folks harvest greens for the community + local food pantry and share dinner. They’ve spent over a decade dedicated to food sovereignty and helping folk deindustrialize their homes, hearts and minds. Come to the garden and let’s grow together!

Audience need only to bring curiosity, a water bottle, and something to sit on. .

Beautiful show poster made by the amazing Claire Monroe at Oddities Prints.

Adee Rocket Dancy writes, “Three years ago, I wrote a song called “You Won’t Play Me.” I had been cleaning my apartment when I found an old pile of letters that brought back difficult memories… they were from someone who had spun many webs of lies and manipulations to gain my attention and affection. I hadn’t realized the extent of this mind-molding until my mid-20’s, after nearly a decade of experiences with this person. Holding the letters in my hand, I felt anger, embarrassment, protective of my younger self, but also, freedom. The knowledge that this person had no hold over me today, or ever again, gave me a sense of triumph. In a rush of catharsis, I ripped up all of the letters, tossing them into the air with relief. Immediately, this song came to me. I sat down at the keyboard, and out it poured. // More info at: sisterbotmusic.com // Sisterbot.bandcamp.com

Sisterbot is a performing artist and composer dedicated to breaking genre and disciplinary boundaries in order to create musical and theatrical experiences. Each piece is episodic, cathartic, and gives an internal look into the beauty and the bizarre of the human experience through epic theatrical and musical storytelling. The 7-to-14-piece Sisterbot Ensemble is described as a “punk pop chamber orchestra,” with a full rock rhythm section and the addition of strings and background vocals. Sisterbot connects and communicates about love, community, gratitude, queerness, the preciousness of life, the preservation of our planet, and our place in this vast universe.

Adee Dancy / Sisterbot told Voyage magazine: As a kid, I was mesmerized by outer space. I was sure that I was going to be an astronaut, so much so that I begged my mom to let me go to Space Camp 6 times (the one from all the commercials in Huntsville, Alabama). At the same time that my space obsession began, I also started playing the cello, which I frequently refer to as my first love (besides my amazing parents and sisters!). My love for music was very deeply rooted, with a very musical mom who always played piano, and guitar, and sang harmonies with me, a dad with an ear for hit melodies and great albums, and a stepdad with mega rock guitar skills. And of course, I had some of the greatest and most supportive music educators I could ask for.

Fast-forward to high school- I was still on the path of becoming something within the field of astronomy, engineering, robotics, or science in general. But then, my world turned upside down when I got the chance to see the world-renowned cellist, Yo-Yo Ma, in concert with the Kansas City Symphony at the brand new, state-of-the-art Kauffman Center for the Performing Arts. It was an experience that I truly will never forget. I remember being so completely engaged and involved in the performance, watching Yo-Yo Ma play the Dvorâk Cello Concerto. I had a truly out-of-body experience for the first and only time in my life, and I awakened in the middle of the piece with tears streaming down my face and the resounding, undeniable calling in my mind and heart: I have to pursue music!

From that moment forward, I changed my entire career path, switched all of my engineering classes to music classes, and went on to pursue music in college. I have a background in both classical cello and classical voice, with a degree in cello and an enthusiasm/private study of the other. I realized towards the end of my Bachelor’s degree that classical music was a love of mine, but not an avenue I wanted to truly pursue. My first few years of college were extremely difficult, with an unforgiving private teacher, being in the closet, experiencing the death of a person I loved, and a general feeling of inadequacy as a classical cellist. I realized through music directing my first musical that I had a passion for theater and popular music, and it brought me to write my own music!

Adee officially began their own musical project, which was originally called “Adee Rocket Dancy.” Adee picked the name in tribute to childhood dreams of astronomy and rocket science that have always been fascinating and mesmerizing to them. Adee knew that they wanted to incorporate those themes into their musical journey. Adee released 3 singles under that name until realizing at a coffee shop with bandmates that “Sisterbot” had a great ring to it. It was originally a joke that we laughed really hard about, but then it stuck! Two weeks before, “Truth House” came out, Adee, their mom, and stepdad, were finalizing album artwork, and decided at that moment to make the change.

Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest, KCMO, Sat, June 21, 2:00pm to midnight. This all-ages garden festival has immersive garden activities, wellness offerings, and a lineup fof 8 musical acts: Snow Goose, Kissin, Babydoll, 2W33dy, Hadiza., Sisterbot, Christina Silvius, & Coloratura, with performances running from 3 to 11:00 pm.

10:28

  1. Collidescope – “Dodo Bird”
    from: FunHouse / Collidescope / October 13, 2022
    [Collidescope includes: Hadiza. on vocals, beats, & synthesizers; and Madison Monroe on guitar, bass, beats, synthesizers, mixing & vocals. On December 31, 2020 Collidescope released their 7-track album DEEP TAPE. DEEP TAPE includes Victoria Falls Stillwater on addition sound production and vocals, and was mixed and mastered by J.Ashley Miller. DEEP TAPE is a follow up the band’s debut EP SYSTEMIC released December 16, 2017. Hadiza also released her solo album SHADOW WEIGHT on Nov. 22, 2019. Collidescope are getting ready to release their final recording project DEEP TAPE 2 before a hiatus. Hadiza is also working on their second solo album supported by Arts KC, titled Diaspora Gothic, to be released in the fall of 2025. More info at: http://www.hadizaisnothere.bandcamp.com or http://www.acollidescope.bandcamp.com ]

10:33 – Underwriting

  1. Lonnie Fisher – “Hear My Voice”
    from: “Hear My Voice” – Single / Lonnie Fisher / April 18, 2025
    [Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher released the EP SEEDS on July 27, 2023. Lonnie Fisher released the 8 track album BEAUTIFUL STAR on February 9, 2023. Lonnie Fisher released his 8-song, solo album FAMOUS GIRL on January 19, 2022. It was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED More information at: http://www.lonniefisher.bandcamp.com.]

10:39 – Interview with Lonnie Fisher

“Hear My Voice” is one of several new singles from the prolific Kansas City musical riock and roller – Lonnie Fisher who studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher & The Funeral released the album, HAUNTED on October 22, 2021. He released his solo album FAMOUS GIRL on January 19, 2022; BEAUTIFUL STAR on February 9, 2023; the EP, SEEDS on July 28, 2023, and the album FLOATING PALACE, on August 9, 2024. Info at: http://www.lonniefisher.bandcamp.com.

Lonnie Fisher Thank you for being with us on WMM.

6/5: Lansing Correctional Facility experience in a room without phones. It was glorious!

Lonnie: On the night of June 5, my band and I experienced a unique enthusiasm and appreciation from the residents of Lansing Correctional Facility that went far beyond a traditional gig, in an extremely unorthodox setting. We had a soulful connection with this amazing community and experienced the creation of music together, the way humans are supposed to. It was another reminder of shows of yore when cell phones weren’t so distracting and the audience was just as much a part of the show as the musicians. We will be forever grateful for the experience and can’t wait to do it again!

6/21: Upcoming art and music show, featuring artist Mark Freeman at Discourse Brewery OPKS (4-8pm parking lot tent show, food truck, free, family-friendly)

2 new tunes will be released July 10 (Lonnie’s Birthday)

Zero One Zero (it is not officially released on any platform though). Recorded and played last year with Ed Rose, of the famed Black Lodge Studios, at the cool recording studio in Lawrence Public Library. The other song is called Get Away, recorded at Weights and Measures, with guest vocals from Steve Tulipana (Season to Risk).

Lonnie Fisher plays Replay Lounge in Lawrence on July 5.
Lonnie Fisher plays Hillsiders in KCK on July 23.
Lonnie Fisher plays The Bottleneck in Lawrence on August 1.

Lonnie Fisher continued to go to his new local recording home at Weights and Measures Soundlab, where he has been remastering old and creating new songs with Duane Trower like a madman since before the pandemic. Lonnie released some newly recorded and remastered solo tracks in 2022’s Famous Girl, 2023’s Seeds EP and the album John Brown Karmageddon. His most recent songs written in the last 5 years can be found on 2023’s Beautiful Star, 2024’s Floating Palace, and his upcoming album The Onion’s Tale this fall. He’s already in the studio, working on 2026’s album.

We’d really like for people to be on our old fashioned email newsletter to learn more about who we’re playing with and lots more details. We are very skittish about social media nowadays. thelonniefisher.com

We’re introducing The Fisher Flea to shows.We decided to expand our merch table to homemade goods, cool quirky items, books, as well as the standard merch. The sourdough bread, cinnamon rolls, and jarred sauces are a hit!

10:46

  1. Lonnie Fisher – ” Zero One Zero with Tara Fisher” (LIVE)
    from: “Zero One Zero” – Single / Lonnie Fisher / July 10, 2025
    [Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher released the EP SEEDS on July 27, 2023. Lonnie Fisher released the 8 track album BEAUTIFUL STAR on February 9, 2023. Lonnie Fisher released his 8-song, solo album FAMOUS GIRL on January 19, 2022. It was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED More information at: http://www.lonniefisher.bandcamp.com.]

10:50 – More Interview with Lonnie Fisher

Lonnie Fisher is a native Kansan, playing a unique 5-string guitar with no G string and a voice that some call reminiscent of David Bowie or Roy Orbison. Lonnie moved to Lawrence, Kansas from the western part of the state in the 1990’s, as the college town found its place on the national music scene. The project he started there, Sturgeon Mill, played live venues all around the West and Midwest, with the song “Kill Yourself or I Will” charting in European countries. After Sturgeon Mill broke up in the 2000’s, he began experimenting with solo work at Black Lodge Studios in Eudora, Kansas with Ed Rose. A few projects came and went, but nothing really stuck until his band, Lonnie Fisher & the Funeral. He also found his love of cooking during this time and worked his way up to dinner chef at Wheatfield’s in Lawrence.

Tragedy struck in about 2010 when Lonnie lost his father and the love of his life over a very short period of time. He grieved, got lost in alcohol addiction, and then had a stroke. In 2015, he moved to the Kansas City area. With that move, he evolved Lonnie Fisher & The Funeral with some new local members. Tragedy struck again in 2017 when he had a second stroke. This set him back more than the first as he had to quit his kitchen job because the stroke affected his memory and how he processes information. He eventually learned to live life without alcohol and relearned how to play and sing. With some other health issues on the horizon, he decided that he would focus more on recording and disbanded Lonnie Fisher & The Funeral.

He continued to go to his new local recording home at Weights and Measures Soundlab, where he has been remastering old and creating new songs with Duane Trower like a madman since before the pandemic. Lonnie released some newly recorded and remastered solo tracks in 2022’s Famous Girl, 2023’s Seeds EP and the album John Brown Karmageddon. His most recent songs written in the last 5 years can be found on 2023’s Beautiful Star, 2024’s Floating Palace, and his upcoming album The Onion’s Tale this fall. He’s already in the studio, working on 2026’s album.

Lonnie: “I’m so grateful to be back, and I have so many people to thank for their kindness and support. Most importantly, my wife Tara, who was with me through all the dark moments, deserves real credit for my being alive.”

Sheri at The Brick in KCMO, Steve Tulipana at Record Bar KCMO, Duane Trower Weights and Measures Soundlab KCMO, Lawrence venues The Replay Lounge, Bottleneck, Gaslight Gardens, Northside Social, all of these people and places gave me a second chance to resurrect my career. I love them very much.

Life is truly a gift. Work hard. Play harder. Take care of your body and mental health. When everything is working together in harmony, there’s nothing you can’t do.

Website: https://lonniefisher.bandcamp.com/album/seeds
Instagram: Lonnie Fisher official
Facebook: Lonnie Fisher singer/songwriter
Youtube: Lonnie Fisher

Lonnie Fisher Thank you for being with us on WMM.

10:57

  1. Lonnie Fisher – “Mediocre White Man (feat. Tara Fisher)”
    from: “Mediocre White Man (feat. Tara Fisher)” – Single / Lonnie Fisher / April 18, 2025
    [Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher released the EP SEEDS on July 27, 2023. Lonnie Fisher released the 8 track album BEAUTIFUL STAR on February 9, 2023. Lonnie Fisher released his 8-song, solo album FAMOUS GIRL on January 19, 2022. It was part of WMM’s 120 Best Recordings of 2022. FAMOUS GIRL was engineered by Ed Rose and Duane Trower. On October 22, 2021 with his band Lonnie Fisher And The Funeral released HAUNTED More information at: http://www.lonniefisher.bandcamp.com.]

11:00 – Station ID – Life’s Too Good To Keep – Side A – Act One

  1. James Grauerholz – “Be That Way”
    from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024
    [Written in 1993. Recorded by Brad Koehler, at Hairball IV Studio, Lawrence, Kansas. / James Grauerholz writes: “I wrote this for Matt Schepis, who was my boyfriend in 1993. He is now almost fifty and we’re good friends. Other players: Mark Henning of Zoom, guitar fills and vocal; Scott Lovern of the Lonesome Wranglers on keyboards; Bill Belzer of Mongol Beach Party on drums; Darren Welch of Dracomagnet on bass guitar. For this one session we were Draco Zoom Mongol Ramblers. The song was first released on Tim/Ker records out of Portland, Oregon on the “Cough It Up: The Hairball Story” compilation.” // Mark Henning writes in the album’s liner notes: To anyone in the Art, Literary & Music world, James has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James has handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. // James set out to be a singer-songwriter before fate led to his calling with William S. Burroughs and despite the demands of his literary responsibilities, he continued to write music as a creative outlet. Over the years James witnessed and has been an important figure in many extraordinary musical eras. He was referred to as the ‘Zelig of Punk Rock’, having been part of a small coterie who helped kick-start the CBGBs scene in NYC from 1974 through the end of the decade. If you haven’t read the book ‘Please Kill Me’ by Legs McNeil and Gillian McCain, do yourself a favor and pick it up. James’ stories are among the best in it. His ‘mates’ during that time were the likes of Lester Bangs, Howard Brookner, Robert Palmer and Robert Quine -to name only a few. // The Zelig comparison is dead accurate, but it goes far beyond Punk Rock. James was there for the Midwestern Country-Rock explosion of the early 1970s. The legendary oral history ‘Cows Are Freaky When They Look At You’ paints a hilariously warped picture of the people in James orbit during those K.C./Lawrence years prior to him moving to NYC. He was there for the AOR singer-songwriter movement of the late 1970s, mixing his songs with Boz Skaggs in San Francisco. He was at the Hacienda in Manchester when Factory Records ruled the scene and where New Order, The Smiths and The Fall took the world by storm. He was around when New Wave and Hardcore emerged AND he was a steadfast contributor to the evolution of underground music of the early 1990s. In Lawrence, KS where James has lived since the early 1980s, and where Zoom and Lotuspool Records evolved, James lent his opinions, his studio, his gear, his chops and his time, unselfishly on innumerable occasions to help fledgling bands get a leg up. // Through all of these eras, James’ voice as a songwriter has held its own piece of real estate. Each of the twenty-two tracks represented on this double album bear a style that is distinctly his own, both lyrically and compositionally. It is worth adding that James is one hell of an accomplished guitar player too. Assembling this collection was no easy task, despite James’ impeccable documentation of his own catalog. Tapes were baked, no stone was left unturned and several ‘new’ discoveries were made that hadn’t made their way into the master list. // What you have here is a collection of songs that span thirty years, or as James so aptly puts it ‘My Life In Four Acts’ -with each side of the two LPs representing an Act. Though much of the material could easily be considered Great American Songbook in style (hooks everywhere, turns of phrase that remain stuck in your head, broad themes of love, loss & loneliness…), there is also a deeply personal and distinctly Queer element to the songs. One must not forget that back in the 1970s hardly anyone was doing this. In fact, James may have created his very own lane. There were Queer outsider artists like Tom Wilson doing more ‘camp’ numbers, but NO ONE was doing pop-type radio songs represented here. Some of the songs could even qualify as a new genre: Gay Yacht Rock. One must also wonder whether, despite the appeal factor, maybe James just wanted to keep the songs for himself as a log of his own personal journey? // You, the listener can decide for yourself. We hope you enjoy these four acts as much as we did while assembling them. For me they just keep getting better the more I listen.” – Mark Henning (Zoom, National Trust, Voice of Action)]

11:03 – Interview with Chris Garibaldi & Mark Henning

Mark Henning was born on South Side of Chicago in 1970 into a musical family. His Grandfather was a Music Educator and Big Band Leader of the Leo Henning Orchestra. Mark was initiated into his music and started playing guitar at the age of 8 and then saxophone and electric guitar and started his first band The Locals. Mark met Chris Garibaldi when he moved to his neighborhood. In high school Mark discovered the underground music in Chicago, and played basement Hardcore shows. Mark went to University Of Kansas in 1988 where he majored in Advertising and got my undergrad B.S.J. from the William Allen White School Of Journalism. With Chris Cosgrove and Steve Tubbart Jeremy Sidener the band Zoom was created. Mark met James Grauerholz and William Burroughs in 1992. They were label-mates on T/K Records out of Portland but all lived in Lawrence. Mark played and recorded with James. Mark moved back to Chicago in 1995, ad started playing in The National Trust, recording two albums on Thrill Jockey. Mark worked at Reckless Records in Chicago from 1996-2000k and also Dusty Groove Records. Mark started a successful D.J. night at Danny’s in Chicago that continued for 20 years until 2017. Mark moved to Brooklyn in 2000 Managed Dubway recording Studios in Manhattan, worked and lived in New Orleans and eventually moved back to Chicago in 2006 to focus on music with the National Trust. Mark toured Europe, bought a bungalow on the West Side, worked for a Commercial Photography House, had a son name Leo in 2008. Mark continues to write. He put out a 45” with Fred Schneider and Elvira on Jack White’s Third Man label in 2013-14. Started a three piece called VoA and released an album on Lotuspool in 2018. On 2019 he started work on the James Grauerholz Album until it was released in November of 2024.

Mark Henning thanks for being with us on Wednesday MidDay Medley

Chris Garibaldi is the co-founder of Lotuspool Records. He also is lead singer, guitarist and occasional trombonist for the band Suneaters who released their 7th album, the 13 track album, Suneaters IV: Absinthe Makes The Heart Grow Fingers, on September 23, 2022. Lotuspool Records, was born in 1992. Chris writes “We started the label when we were very young, and the bands that were on it were very young, too,” he tells me. “Back then, you could put out an indie record and get a lot of attention and press. At that time, there was a lot of support for indie music. Around 2000, Lotuspool went on an unofficial hiatus. The label was never inactive, but Garibaldi spent most of 2000s living in Los Angeles. In 2011, a Garibaldi relocated to Parkville, he and Scott Hartley — bassist in the Suneaters — brought a new vision for Lotuspool Records. He label has been the moe for releases for Heidi Lynne Gluck, The Bump Band, Bully Pulpit, The Whips, Poster Children, Zoom, Voice of Action, June Henry, Hollow Body, Chris Cardwel, and many others This year the label is celebrating 33 years!

Chris Garibaldi, thanks for being with us on Wednesday MidDay Medley

Chris Garibaldi and Mark Henning join us to share details about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Grauerholz has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. More info at: http://www.lotuspool.com

Lotus Pool Records presents…James Grauerholz Life’s Too Good To Keep

“Be That Way”– Written in 1993. Recorded by Brad Koehler, at Hairball IV Studio, Lawrence, Kansas. / James Grauerholz writes: “I wrote this for Matt Schepis, who was my boyfriend in 1993. He is now almost fifty and we’re good friends. Other players: Mark Henning of Zoom, guitar fills and vocal; Scott Lovern of the Lonesome Wranglers on keyboards; Bill Belzer of Mongol Beach Party on drums; Darren Welch of Dracomagnet on bass guitar. For this one session we were Draco Zoom Mongol Ramblers. The song was first released on Tim/Ker records out of Portland, Oregon on the “Cough It Up: The Hairball Story” compilation.”

James Grauerholz was born December 14, 1953, in Coffeyville, Kansas, and attended the University of Kansas for a year before dropping out and traveling to New York City. By his own admission, he was fascinated with Beat Generation literature and authors.

Grauerholz became acquainted with Burroughs in the 1970s while befriending Allen Ginsberg in New York City. Ginsberg recommended Grauerholz to Burroughs as a possible assistant and their working relationship began in this simple manner, yet grew to be a major factor in the popularization of Burroughs and his works. Grauerholz became Burroughs’s friend and business manager until the author’s death in 1997.

Grauerholz helped edit a trilogy of novels: Cities of the Red Night (1981), The Place of Dead Roads (1985) and The Western Lands (1987). He acted as Burroughs’s business manager, spearheading reading tours in the 1980s and 1990s, and wrote editorial copy for Interzone, a compilation of stories. He quit working for Burroughs and returned to Kansas in the early 1980s, and this quickly led Burroughs to relocate to the Midwestern university town of Lawrence, Kansas, to work more closely with Grauerholz again. Up until Burroughs’s death in 1997, Grauerholz supported him, getting him reading engagements, commercial advertisements (Nike shoes), and parts in films (Drugstore Cowboy), as well as recording Burroughs’s readings. He looked after Burroughs’s physical needs as well, taking him to a methadone clinic in Kansas City weekly, as well as providing him with companionship and acting as a kind of social secretary to the many people that came to Kansas to meet Burroughs.

Grauerholz wrote biographical sketches for a Burroughs reader, Word Virus, and edited a posthumous release of Burroughs’ diaries, Last Words: The Final Journals of William S. Burroughs. Grauerholz worked on a full-length biography on Burroughs, but reportedly handed his writings and other material in the project to Barry Miles in March 2010.[1] The book, Call Me Burroughs: A Life, was published in 2014, with Miles as the sole credited author.

Works as editor or co-editor of William Burroughs
• Cities of the Red Night, 1981
• The Place of Dead Roads, 1985
• The Western Lands, 1987
• My Education: A Book of Dreams, 1995
• Interzone, 1985
• Last Words: The Final Journals of William S. Burroughs, 2000

Audio productions: Naked Lunch (Warner, 1995), and Let Me Hang You (Khannibalism, 2016)
both recordings produced by Grauerholz and Hal Wilner with music by Wayne Horvitz, Bill Frisell and Eyvind Kang

Works as author Include: Grauerholz, James and Ira Silverberg. (2000) Word Virus: The William S. Burroughs Reader. Grove Press. (Editor and author of biographical sketches preceding each chapter). AND Grauerholz, James. The Death of Joan Vollmer Burroughs: What Really Happened?. American Studies Department, University of Kansas. Online.

Mark Henning first met James in 1992 when his band Zoom was being courted by Tim Kerr Records of Portland, Oregon. Zoom had been introduced to the label through Greg Sage of Wipers fame, who was Producing what would be our final record, Helium Octipede.

Coincidentally James and William Burroughs were both signed to Tim Kerr Records and we all happened to live in Lawrence, KS. James and I met up at a Mexican restaurant near 19th & Mass St. and discussed the music biz over enchiladas. James was incredibly supportive of our move to join the label, gave me a boatload of wise advice and a long friendship ensued.

To anyone in the Art, Literary & Music world, James has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James has handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion.

James Grauerholz was referred to as the ‘Zelig of Punk Rock’

James set out to be a singer-songwriter before fate led to his calling with William S. Burroughs and despite the demands of his literary responsibilities, he continued to write music as a creative outlet. Over the years James witnessed and has been an important figure in many extraordinary musical eras. He was referred to as the ‘Zelig of Punk Rock’, having been part of a small coterie who helped kick-start the CBGBs scene in NYC from 1974 through the end of the decade. If you haven’t read the book ‘Please Kill Me’ by Legs McNeil and Gillian McCain, do yourself a favor and pick it up. James’ stories are among the best in it. His ‘mates’ during that time were the likes of Lester Bangs, Howard Brookner, Robert Palmer and Robert Quine -to name only a few.

11:15 – Life’s Too Good To Keep – Side A – Act One

  1. James Grauerholz – “Rainy Kansas City”
    from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024
    [Written in 1973. Recorded by James Grauerholz, by myself in my bachelor apartment in Kansas City , Missouri, next door to the Associated photography Building where I worked then at 3716 Main Street, Kansas City.]

11:18 – More Interview with Chris Garibaldi & Mark Henning

We are talking with Chris Garibaldi and Mark Henning about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Released November 1, 2024. More info at: http://www.lotuspool.com

“Rainy Kansas City” – Written in 1973. Recorded by James Grauerholz, by myself in my bachelor apartment in Kansas City , Missouri, next door to the Associated photography Building where I worked then at 3716 Main Street, Kansas City. James writes: “I was thinking of my many fears about moving to New York City – which I nevertheless did soon afterward.]

The Zelig comparison is dead accurate, but it goes far beyond Punk Rock. James was there for the Midwestern Country-Rock explosion of the early 1970s. The legendary oral history ‘Cows Are Freaky When They Look At You’ paints a hilariously warped picture of the people in James orbit during those K.C./Lawrence years prior to him moving to NYC. He was there for the AOR singer-songwriter movement of the late 1970s, mixing his songs with Boz Skaggs in San Francisco. He was at the Hacienda in Manchester when Factory Records ruled the scene and where New Order, The Smiths and The Fall took the world by storm. He was around when New Wave and Hardcore emerged AND he was a steadfast contributor to the evolution of underground music of the early 1990s.

In Lawrence, KS where James has lived since the early 1980s, and where Zoom and Lotuspool Records evolved, James lent his opinions, his studio, his gear, his chops and his time, unselfishly on innumerable occasions to help fledgling bands get a leg up.

11:28 – Underwriting

11:30 – Life’s Too Good To Keep – Side B – Act 2

  1. James Grauerholz – “New York City Lullabye”
    from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024
    [Written in 1974. Recorded by James Grauerholz on stereo cassette tape in April 1974 while William slept – late one night at 452 Broadway, New York City.. / James Grauerholz writes: “William S. Burroughs, my father and lover for 23 years until his death on August 2, 1997. He had been my favorite writer since 1966, and when I finally met William, I immediately decided ‘Life’s to good to keep.’”]

11:33 – More Interview with Chris Garibaldi & Mark Henning

11:33 – More Interview with Chris Garibaldi & Mark Henning

We are talking with Chris Garibaldi and Mark Henning about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Released Noveber 1, 2024. More info at: http://www.lotuspool.com

“New York City Lullabye “ – Written in 1974. Recorded by James Grauerholz on stereo cassette tape in April 1974 while William slept – late one night at 452 Broadway, New York City. / James Grauerholz writes: “William S. Burroughs, my father and lover for 23 years until his death on August 2, 1997. He had been my favorite writer since 1966, and when I finally met William, I immediately decided ‘Life’s to good to keep.’”

Single Release Dates:
10/4/24: Be That Way
10/11/24: New York City Lullabye
10/18/24: Heaven’s Radio
10/25/24: The Intersection Of You And Me

Grauerholz has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs.

What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. More info at: http://www.lotuspool.com

Through all of these eras, James’ voice as a songwriter has held its own piece of real estate. Each of the twenty-two tracks represented on this double album bear a style that is distinctly his own, both lyrically and compositionally. It is worth adding that James is one hell of an accomplished guitar player too. Assembling this collection was no easy task, despite James’ impeccable documentation of his own catalog. Tapes were baked, no stone was left unturned and several ‘new’ discoveries were made that hadn’t made their way into the master list.

11:40 – Life’s Too Good To Keep – Side C – Act 3

  1. James Grauerholz – “Heaven’s Radio”
    from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024
    [Written in 1985. Recorded by James Grauerholz live to four-track cassette at 215 Illinois Street In Lawrence Kansas that summer. Written for Neil Cadger whom I met in 1978 in San Francisco and visited in Canada (Calgary, Ottawa, Toronto and in Paris in 1981. We are still good friends.”]

11:45 – More Interview with Chris Garibaldi & Mark Henning

We are talking with Chris Garibaldi and Mark Henning about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Released Noveber 1, 2024. More info at: http://www.lotuspool.com

“Heaven’s Radio” – Written in 1985. Recorded by James Grauerholz live to four-track cassette at 215 Illinois Street In Lawrence Kansas that summer. Written for Neil Cadger whom I met in 1978 in San Francisco and visited in Canada (Calgary, Ottawa, Toronto and in Paris in 1981. We are still good friends.”]

What you have here is a collection of songs that span thirty years, or as James so aptly puts it ‘My Life In Four Acts’ -with each side of the two LPs representing an Act. Though much of the material could easily be considered Great American Songbook in style (hooks everywhere, turns of phrase that remain stuck in your head, broad themes of love, loss & loneliness…), there is also a deeply personal and distinctly Queer element to the songs. One must not forget that back in the 1970s hardly anyone was doing this. In fact, James may have created his very own lane. There were Queer outsider artists like Tom Wilson doing more ‘camp’ numbers, but NO ONE was doing pop-type radio songs represented here. Some of the songs could even qualify as a new genre: Gay Yacht Rock. One must also wonder whether, despite the appeal factor, maybe James just wanted to keep the songs for himself as a log of his own personal journey?

You, the listener can decide for yourself. We hope you enjoy these four acts as much as we did while assembling them. For me they just keep getting better the more I listen.

Mark Henning (Zoom, National Trust, Voice of Action)

Chris: “One of the mistakes we made as kids running the label was that we made a lot of short-term decisions,” Garibaldi says. “We didn’t have foresight. We were too concerned about paychecks and debt. And now it’s like, ‘Let’s take the thing that we do well, which is to foster interesting music, and not worry about the little things.’ Let’s see if we might be able to figure out something that might make the music bigger. That’s the goal.”

“The Intersection Of You And Me” – Recorded by Ed Rose at Hairball IV Studios. Tom Johnson and Chuck Mahoney remixed in 2004. For “Psrk” a Colorado boy with whomI’m really glad to have been friends. Also for Mikal Elder, an Air Force Academy student whom I met in Pueblo, Mexico, in 2000 at an American Studies scholarly conference at the Universidad do las Americas/Puébla, where he presented a paper on Ernest Hemingway and William S Burroughs. My friend Mikal is a professional cargo pilot today.

Chris Garibaldi and Mark Henning, thanks for being with us on WMM

The new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz was released November 1, 2024 More info at: http://www.lotuspool.com

For WMM, I’m Mark Manning. Thanks for listening.

11:54 – Life’s Too Good To Keep – Side D – Act 4

  1. James Grauerholz – “The Intersection Of You And Me”
    from: Life’s Too Good To Keep / Lotuspool Records / November 1, 2024
    [Recorded by Ed Rose at Hairball IV Studios. Tom Johnson and Chuck Mahoney remixed in 2004. For “Psrk” a Colorado boy with whom I’m really glad to have been friends. Also for Mikal Elder, an Air Force Academy student whom I met in Pueblo, Mexico, in 2000 at an American Studies scholarly conference at the Universidad do las Americas/Puébla, where he presented a paper on Ernest Hemingway and William S Burroughs. My friend Mikal is a professional cargo pilot today.]
  1. Noel Coward – “The Party’s Over Now”
    from: Noel Coward in New York / drg / 2003 [orig. 1957]

Next week, on Wednesday, June 25 We talk with Lawrence Kansas based singer songwriter Suzanne Johannes about her new album Hanz Bronze Boulevard to be released on August 29, 2025. // at 11:00 member of the band Marmoppes return to Wednesday MidDay Medley ot share music and news. // And at 11:30 We talk with musician and guitarist Keelon Vann about his new album THIRD EYE.

Big THANK YOU TO THE FABULOUS 44 PEOPLE WHO DONATED in support of Wednesday MidDay Medley for KKFI 90.1 FM’s during our On-Air Winter Fund Drive! With the help of my amazing co-hosts, we raised $2,693.00 toward our goal of $2,685.00. We achieved 100% of our goal for KKFI 90.1 FM. Thank you Betse Ellis, Rachio Head, and Mikal Shapiro and J Kelly Dougherty and all our fabulous donors and listeners!

THANK YOU to our incredible KKFI Staff; Director of Development & Communications – J Kelly Dougherty, Volunteer Coordinator – Darryl Oliver, Chief Operator – Chad Brothers and Shaina Littler – Office Manager Book Keeper

This radio station is more than the individual hosts of each individual radio show. Instead it is about a collective spirit of hundreds of hardworking people, unselfishly setting aside ego, to work for the greater good of community building and the gigantic goal of keeping our airwaves free, non-commercial, and open to all! Congratulations and thank you to all programmers & volunteers who went the extra effort to keep our station alive.

Our Script/Playlist is a “cut and paste” of information.
Sources for notes: artist’s websites, bios, wikipedia.org

Wednesday MidDay Medley in on the web:
http://www.kkfi.org,
http://www.WednesdayMidDayMedley.org,
http://www.facebook.com/WednesdayMidDayMedleyon90.1FM

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1100

WMM presents Chris Garibaldi & Mark Henning on James Grauerholz – Life’s Too Good To Keep + Lonnie Fisher + Sisterbot, Zan Bondi & Hadiza. – Solstice at Sunset

Wednesday MidDay Medley
TEN to NOON Wednesdays – Streaming at KKFI.org
90.1 FM KKFI – Kansas City Community Radio
Produced and Hosted by Mark Manning

Wednesday, June 18, 2025

WMM presents Chris Garibaldi & Mark Henning on James Grauerholz – Life’s Too Good To Keep + Lonnie Fisher + Sisterbot, Zan Bondi & Hadiza. – Solstice at Sunset

Mark spins more New & MidCoastal Releases from: James Grauerholz, Lonnie Fisher, Sisterbot, Hadiza., and Collidescope.

At 10:10 Adee Dancy (Sisterbot), Hadiza., and Zan Bondi share details about Solstice at Sunset Mini-Fest at Manheim Gardens, 4229 Forest Ave, KCMO, on Saturday, June 21, 2025, from 2:00pm to midnight. This all-ages garden festival returns with immersive garden activities, wellness offerings, and a full lineup featuring 8 musical acts: Snow Goose, Kissin, Babydoll, 2W33dy, Hadiza., Sisterbot, Christina Silvius, and Coloratura, with performances running from 3:00 to 11:00 pm. Guests can enjoy 10-minute yoga flows with Charenee from New Moon Wellness, explore the grounds with a garden passport scavenger hunt, bundle fresh herbs, collect a DIY snack directly from the garden, look to the sky with telescope time and stargazing once the sun sets, and more.

At 10:35 Lonnie Fisher shares new singles: “Hear My Voice” and “Mediocre White Man.” Lonnie Fisher studied music at Kansas State University, graduating in 1992. By 1999 he was touring with his band, Sturgeon Mill. After the band broke up Lonnie embarked on a solo career while also pursuing a career as a chef. After the loss of his girlfriend to cancer in 2005 Lonnie began to struggle with alcoholism. In 2008 Lonnie suffered a major stroke followed by a second stroke two years later. His life as a chef and musician stopped as Lonnie struggled to relearn everything and rehabilitate. Against all odds, Lonnie returned to the studio and stage in 2018. He couldn’t return to the kitchen due to the inability to move fast enough, but started his own business as a personal chef. Lonnie Fisher & The Funeral released the album, HAUNTED on October 22, 2021. He released his solo album FAMOUS GIRL on January 19, 2022; BEAUTIFUL STAR on February 9, 2023; the EP, SEEDS on July 28, 2023, and the album FLOATING PALACE, on August 9, 2024. Info at: http://www.lonniefisher.bandcamp.com.

At 11:00am Chris Garibaldi co-founder of Lotuspool Records and Mark Henning of the bands Zoom, National Trust, Voice of Action, share details about the new Lotuspool release: James Grauerholz – Life’s Too Good To Keep, a 21-track, double vinyl album of the recorded songs of James Grauerholz. Grauerholz has long been known as ‘The Burroughs Guy’. From 1974 until William Burroughs death in 1997, James handled the business of William S. Burroughs Communications, acting as his manager, bibliographer, editor, literary executor and companion. To this day he continues to helm the business of Burroughs. What has been little-known up until now is that James has led a double life as an accomplished musician and songwriter with an extensive body of work stretching back from the late 1960s to the present. In fact, music was his first passion. This new collection of songs span thirty years, or as James so aptly puts it ‘My Life In Four Acts’ – with each side of the two lps representing an Act. Though much of the material could easily be considered Great American Songbook, there is also a deeply personal and distinctly Queer element to the songs. One must not forget that back in the 1970s hardly anyone was doing this. In fact, James may have created his very own lane. More info at: http://www.lotuspool.com

On your local radio dial 90.1 FM or
STREAMING LIVE at: kkfi.org

Show #1100